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Masterpieces
of World literature
IN DIGEST FORM
First Series
Masterpieces
of World literature
IN DIGEST FORM
Original title: MASTERPLOTS
First Series
EDITED BY
Frank M Magill
WITH THE ASSISTANCE OF
DAYTON KOHXER AND STAFF
INTRODUCTION BY CLIFTON FADIMAN
Harper £ Row, Publishers
New York, Evanston, and London
MASTERPIECES OF WORLD LITERATURE in Digest Form
Copyright, 1949, 1952, "by Frank IV. Magill
Printed in the United States of America
All rights in this "book are reserved..
No part of the book may be used or reproduced
in any manner whatsoever without -written per
mission except in the case of brief quotations
embodied in critical articles and reviews. For
information address
Harper & Row, Publishers, Incorporated,
49 East 33rd Street, New York 16, N. Y.
B-N
An earlier version of this book originally appeared
under the title of MASTEKPL.OTS.
Library of Congress catalog ca~d number:
PREFACE
The array of literature represented in this work is drawn from the vast
reservoir of literary achievements which has been accumulating since the
legendary beginnings of Western civilizations. All the great literature is
not here; perhaps all that is here is not great. But these stories are represen
tative of the places and the times from which they sprang and they have
helped to tint die fabric which makes up the composite imprint of our
culture. Romance and adventure, laughter and illusion, dreams and des
perate hopes, fear and angry resentment — these things have prodded men's
minds as they walked toward our century. Their insight is our heritage.
Along with this heritage, our generation has fallen heir to a Busy Age.
Never in history has there been so much competition for the attention of
the average individual. But though ours is a Busy Age, it is also an age in
which — thanks to technological advancements — the chances for enlighten
ment and cultural development, at all levels, have never before been ap
proached even remotely. Out of this increased "exposure" must surely come
a more intellectually alert society. From such a society we may reasonably
expect an acceleration of our cultural development. It is in the light of all
these circumstances that a work such as Masterpieces of World Literature
in Digest Form can have a place and a purpose.
From its inception in 1946, this survey has been prepared with an eye
toward the Busy Age. Each digest is preceded by carefully checked, con
cisely stated reference data which furnish at a glance the authorship, type
of plot, time of plot, locale, and publication date. Following this will be
found a list of the principal characters and their relationships, often a
work. Editorial comments having been confined to the "Critique," the
reader is afforded an uninterrupted opportunity to study the action, char
acterizations, and development of the theme as the plot-story progresses.
Perhaps this sequence-by-sequence treatment of the original plot, instead
of a mere description of the book, is the most valuable single feature of
Masterpieces of World Literature in Digest Form.
VI PREFACE
Of primary importance from the beginning was the selection of titles
intended for inclusion in this book. Standard book lists, library lists, various
anthologies were consulted as the list was built. Tentative lists were sub
mitted to more than fifty teachers of English at leading colleges and uni
versities, The helpful responses of these, men and women who earn their
living in teaching had considerable influence on the list as it took shape.
It may be interesting to note that in almost every case living authors were
consulted about their own books which had been selected. In some in
stances they recommended substitutions. For example, Mr. Sinclair Lewis
suggested C&ss Tiniberlme for Dodsworth, Mr. Evelyn Waugh Bridesticacl
Revisited in place of Vile Bodies, Because the relative merit of contemporary
writing is likely to be a subject of some controversy, the assistance of authors
themselves concerning their own works was valuable. During the prepara
tion of this book, the list was never static, remaining open and subject to
additions and deletions as seemed desirable. In the end, about one hundred
manuscripts, representing thousands of hours of work, were set aside in
favor of new additions to the list which it was hoped would result in a more
balanced, interesting, and helpful book.
Actual preparation of this book required an enormous amount of active
assistance from a carefully selected staff of twenty-five English Faculty
associates, chosen after more than one hundred personal interviews, at the
University of Cincinnati, University of Illinois, Indiana University, Miami
University, University of North Caiolina, North Carolina State College,
Ohio State University, Purdue University, Virginia Polytechnic Institute,
University of Virginia, and a number of other colleges and universities.
Each original book represented in Masterpieces of World Literature in
Digest Form had to be carefully and completely read at least once and
sometimes two or three times by one or more staff members prior to prepara
tion of the summary manuscript. Manuscripts covering the works of certain
current authors were submitted to the author concerned for comments and
approval. Much of the work of balancing, condensing, or expanding the
digest manuscripts was performed, with an unusually high degree of skill,
by Dayton Kohler, an associate professor of English at Virginia Polytechnic
Institute. As an added precaution against errors in reference data, names,
and dates, finished manuscripts were subjected to one more check against
a copy of the original book.
The resulting collection offers, in about twelve hundred words each, the
basic "cores" around which more than five hundred world-famous literary
works have been woven. Some will find in these plot-stories a pleasant
renewal of an old acquaintance, a chance meeting with an almost forgotten
PREFACE Vll
time. This impulse should lead one to get the original, to read it, to own
it, because a book which has stood the test of time can usually be reread
periodically with increased pleasure and perception.
The preparation of this work has been a formidable task. Without un
usual assistance and cooperation from many sources it would not have come
into existence. I should like first to thank the staff who aided in the prepa
ration of the manuscripts. This expression is intended as an individual
"thank you" to the men and women who helped so actively in this phase
of the work. I should like also to acknowledge the courtesy and assistance
rendered by those in charge of certain facilities of the Library of Congress
in Washington. The use of a study room at the library was most helpful;
and I am especially indebted to supervisory personnel in the copyright
search section for valuable and cheerful aid. As my work progressed, the
co-operation of many authors, publishers, agents, and literary trustees was
solicited, and I wish to express my appreciation for the generous assistance
received from these sources.
It is my hope that this collection will serve a useful purpose for busy
people, and that it may find its way into the hands of some who will be
stimulated to probe the originals for facets and substance which in this
work can be only suggested.
FRANK N. MAGILL
INTRODUCTION
by
CLIFTON FADIMAN
For over two centuries — to be arbitrary, since 1721, the birth date of
Bailey's Universal Etymological English Dictionary — the dictionary of Eng
lish words has been our useful, if verbose, chairside companion.
The dictionary of quotations does not go back quite so far: it was in
1855 that Bartlett first published his collection of those echoes the world
will not willingly let die.
As I write, a new kind of dictionary, we are told, is shortly to appear —
a sort of super-index to the great abstract ideas that have moved Western
civilization.
And here under your hand lies still another sort of dictionary — a diction
ary of famous plots.
Palpable tools are extensions of the hand. The impalpable tools called
works of reference are extensions of the mind and memory. In this sense
Masterpieces of World Literature in Digest Form is a master tool. It should
make its way at once to the shelf of the writer, publisher, editor, teacher,
lecturer, after-dinner speaker, literary agent, bookseller, librarian, radio and
television director or editor or producer, motion-picture ditto, and of many
students and general readers. In its field it seems to me the most useful worJk
of its kind I have encountered.
Its utility arises in part from its properly limited scope. Half a thousand
plots arc just manageable. To tell die stories of many more would have
entailed superficiality. To handle a much smaller number would have re
sulted in poverty of reference. There happen to be 510 summaries here.
Fifty more might have been added, or fifty subtracted — but the number
seems about right and serviceable.
Here, then, are full summaries (sometimes running to 3,000 words) of
a great many of the Western world's best-known novels, plays, and poems,
plus a few biographies, autobiographies, and books of travel. These sum
maries are careful and objective, not casual or tinctured with whim. They
are extraordinarily clear — in some cases clear even beyond the author's
ix
X INTRODUCTION
intention. (For example, one is lost in admiration before the editors' lucid
abstract of that masterpiece of calculated confusion, Tristram Shandy.^)
It should be added that these digests arc true summaries, not to be con
founded with those other "digests" that pretend to give the reader the entire
substance, in abbreviated form, of a stoiy. Our editors do not claim to ren
der anything but die book's basic narrative or content. I lowevcr, each sum
mary is preceded by a listing of essential facts and by a terse, sensible
critique which aims, not at originality, but at a clear reflection of what is
generally considered informed judgment.
One finds, as is natural, titles the grounds for whose inclusion appear
incomprehensible; but the overwhelming majority of items are here for
sufficient reasons. A given book may be included because it is good; or
because, whether good or not, it is of historical importance; or because,
again whether good or not, it has been or is now generally popular; or for
all of these reasons or any pair of them.
Thus Rex Beach lies down with Aristophanes and Dickens with Lloycl
Douglas. Grandiose trumpery (Ben llur, Quo Vadis*) is here; and so is The
Magic Mountain. Nobody (well, hardly anybody) today reads poor old
Godwin's Caleb Williams, Yet it occupies an honored place in the history
of the English novel, is constantly referred to, and so, very properly, is here
summarized. Rider Haggard's She will never occupy an honored place in
the history of the English novel, but millions arc familiar with it, and so,
with equal propriety, it finds a place in Masterpieces of World Literature.
Best sellers of the past are well represented, if they are still current coin;
best sellers of only yesterday are given less space, for they have yet to dem
onstrate their power to endure, in whatever medium, or merely as a vivid
memory.
An immortal, homespun folk-possession such as The M.an Without a
Country is here; but so are highbrow masterpieces like Ulysses and Remem
brance of Things Past, both of which difficult works are forced to yield a
remarkably transparent synopsis of what is, of course, least important in
them, their "action/' Homer is here; and so are a dozen modern novelists
who are currently popular but for whom most thoughtful critics would not
predict a long life. The editors have not tried to limit their titles to the
"best," whatever that may be. The aim is not to elevate taste, nor even to
instruct (though much instruction may be found in these pages), but sim
ply to furnish the interested reader with a useful reference tool
On the whole, they have succeeded in doing what they set out to do; to
tell, clearly and fully, the bare stories of many of those works of the imagi
nation that seem, for a variety of reasons, still to be alive and kicking in the
consciousness of the Western reader.
INTRODUCTION XI
The best way to test this reference tool is to sit down and make a list of
the first twenty-five really well-known books of fiction that pop into your
head. Then check your list in Masterpieces. IVe tried this game, finding
Masterpieces' batting average to work out at a little over .600, When you
reflect on the difficulties of selection that the editors had to contend with,
plus the simple fact that they had to produce a work light enough to be at
least liftable, I think you'll agree that this is good enough.
So — if the plot of Dostoevski's The Idiot has always baffled you; if you're
not sure in which of Jane Austen's novels Lady Catherine de Burgh
appears; if you remember reading Under Two Flags but have forgotten
completely what it's about; if you'd like to check on whether William
Faulkner's plots make any sense at all, denuded of the costumery of his
syntax; if you want to tell the children the story of Robinson Crusoe, but
don't want to reread the darned thing; if all your life you've heard refer
ences to a book called Hakluyt's Voyages and feel it's time to learn some
thing about it; if you want to compare the original story of Quo Vadis with
the movie version — in all of these cases, and in ten thousand more, Master-
pieces is ready and waiting to serve you,
COMPLETE LIST OF TITLES
page
Abb£ Constantin, The — Ludovic Hattvy . I
Abe Lincoln in Illinois — Robert E. Sherwwtd ..... 3
Absalom, Absalom! — William Faulkner ....... 5
Adam Bedc — George Eliot ......,,. 8
Admirable Crichton, The — James M. Earrie ...... 10
Aeneid, The — Publius Vergilius Maro ....... 11
Age of Innocence, The — Edith Wharton . . . . . » 14
Alcestis — Euripides .......... 16
Aleck Maury, Sportsman — Caroline Gordon . . , . . • 17
Alice Adams — Booth Tarkington ........ 20
Alice in Wonderland — Lewis Carroll . . . . . . . 21
Amelia — Henry Fielding ......... 24
American, The — Henry James ........ 27
American Tragedy, An — Theodore Dreiser ...... 29
And Quiet Flows the Don — Mikhail Sholokhov 30
Anna Kar&nina — Count Leo Tolstoy . . . • . • . 32
Anthony Adverse — Hervcy Allen ........ 34
Antigone — Sophocles .......... 37
Apostle, The — Sholem Asch 38
Apple of the Eye, The — Glenway Wescott 40
Arne — Bjornstjerne Bjornson ........ 42
Arrowsmith — Sinclair Lewis ........ 44
As You Like It — William Shakespeare ....... 46
Aucassin and Nicolette — Unknown ....... 48
Babbitt — Sinclair Lewis ......... 50
Bambi — Felix Salteif .......... 52
Barchester Towers — -Anthony Trollope ....... 55
Barren Ground — Ellen Glasgow 57
Beggar's Opera, The — John Gay ........ 59
Bel- Ami — Guy de Maupassant ........ 62
Bell for Adano, A — John Hersey 64
Ben Hur; A Tale of the Christ — Lewis (Lew) Wallace .... 66
Beowulf — Unknown .......... 68
Big Sky, The — A. B. Guthrie, Jr 70
Black Arrow, The — Robert Louis Stevenson ...... 72
Black Lamb and Grey Falcon — Rebecca West 75
COMPLETE LIST OF TITLES
page
Bleak House — Charles Dickens 77
Brave New World — Aldous Huxley 79
Bread and Wine — Ignazio Silone 81
Brideshead Revisited — Evelyn Waugh 83
Bridge of San Luis Key, The — Thornton Wilder 86
Brothers Kararnazov, The — Fyodor Mikhailovich Dostoevski ... 88
Buddenbrooks — Thomas Mann ,...,,.. 91
Cabala, The — Thornton Wilder 94
Cadmus — Folk tradition .,.,.. 96
Caesar or Nothing — Pio Baroja 97
Cakes and Ale — W. Somerset Maugham 99
Caleb Williams — William Godwin . . . , . „ . 101
Call of the Wild, The — Jack London 103
Camille — Alexandre Dumas (son) . . , „ . „ . . 105
Candide — Voltaire ••......„. 107
Captain Horatio Hornblower — C. S. Forester . . , . . , 109
Captains Courageous — Rudyard Kipling . , , . » . . 1 1 1
Captain's Daughter, The — Alexander Pushkin 113
Carmen — Prosper M&rime'e . , , . . . . „ . 1 1 6
Case of Sergeant Grischa, The — Arnold Zweig 118
Cass Timberlane — Sinclair Lewis . . . . . . . , 120
Castle, The — Franz Kafka 122
Castle of Otranto, The — Horace Walpole . . . 4 . , 124
Castle Rackrent — Maria Edgewvrth , . . . . „ . 126
Casuals of the Sea — William McFce 128
Cawdor — Robinson Jeffers . . . . , , . , . 13Q
Cenci, The — Percy Bysshe Shelley 131
Charles O'Malley — Charles Lever 133
Charterhouse of Parrna, The — Stendhal 135
Children of God — Vardis Fisher 137
Christmas Carol, A — Charles Dickens . . . . . . . 139
Cid, The — Pierre Corneille ......... 142
Clarissa Harlowe — Samuel Richardson » . . . , . . 143
Claudius the God — l\oloert Graves . , . , . . , . 146
Clayhanger Trilogy, The — Arnold Bennett 148
Cloister and the Hearth, The — Charles Eeade 150
Clouds, The ~ Aristophanes . . , . . . . , . 152
Connecticut Yankee at King Ardiur's Court, A — Mark Twain . . . 154
COMPLETE LIST OF TITLES
page
Consuelo — George Sand . . , . . . „ „ . 156
Count of Monte-Cristo, The — Alexandre Dumas (father') . . » . 158
Counterfeiters, The — Andrd Gicte 160
Country of the Pointed Firs, The — Sarah Orne Jewett . , , . 163
Courtship of Miles Standish, The — Henry Wadsworth Longfellow . . 165
Cousin Bette — Honor -e de Balzac 166
Cream of the Jest, The — James Branch Cab ell . . . . . , 168
Crime and Punishment — Fyodor Mikhailovich Dostoevski . . . 170
Crisis, The — Winston Churchill 172
Crock of Gold, The — James Stephens .175
Crome Yellow — Aldous Huxley . . . * . , . .177
Cruise of the Cachalot, The — Frank T. Bullen . . . , . 178
Cupid and Psyche — Folk tradition 1 80
Daisy Miller — Henry James 1 82
Daphnis and Chloe — Attributed to Longus 183
Dark Laughter — Sherwood Anderson . . . * . . , 185
Darkness at Noon — Arthur Koestler . . . . . . . 187
David Copperfield — Charles Dickens 189
David Harum — Edward Noyes Westcott . » , , , » . 192
Dead Souls — Nikolai V. Gogol 194
Dear Brutus — James M. Barrie . . . , . . . . 196
Death Comes for the Archhishop — Willa Gather 199
Death of the Gods, The — Dmitri Merejkowski . . . . . 201
Deerslayer, The — James Fenimore Cooper . , . . . 203
Diana of the Crossways — George Meredith .,,.., 206
Disciple, The — Paul Bourget ........ 209
Divine Comedy, The — Dante Alighieri . . , . . . . 211
Dr, Jekyll and Mr. Hyde — Robert Louis Stevenson , . , , . 214
Doll's House, A — Henrik Ibsen 216
Don Juan — George Gordonr Lord Byron . . . , . . . 217
Don. Quixote de la Mancha — Miguel de Cervantes Saavedra . . . 220
Downfall, The — Emile Zola , 223
Dragon Seed — Pearl S, Buck 226
Drums — James Boyd ...... ... 228
Drums Along the Mohawk — Walter D, Edmonds 230
Duchess of Malfi, The — John Webster 232
Dynasts, The — Thomas Hardy ...,,*.. 234
COMPLETE LIST OF TITLES
page
Edmund Campion — Evelyn Waugh . , * * * • * 237
Education of Henry Adams, The — Henry Adams . . * . . 238
Egoist, The — George Meredith 241
Electra — Euripides .....,..*. 243
Emigrants, The — Johan Bojer . . . , „ * „ . 244
Emma — Jane Austen .....,.«.. 246
Enoch Arden — Alfred, Lord Tennyson ..,.„., 249
Enormous Room, The — E, E, Cummings . . , , . * 250
Ercwhon — Samuel Butler ....,*,*. 252
Esther Waters — George Moore 254
Ethan Frome — Edith Wharton . , , . . „ , * 256
Eug&nie Grandet — Honor 6 de Balzac , , „ » . . , 258
Evangeline — Henry Wadsworth Longfellow . . . , . , 26 1
Eve of St. Agnes, The — John Keats , 263
Faerie Queene, The — Edmund Spenser . . . * . , 264
Far from the Madding Crowd — Thomas Hardy 266
Farewell to Arms, A — Ernest Hemingway .,,.., 269
Father Goriot — Honvre de Balzac 271
Fathers and Sons — -Ivan Turgenev . > „ . , . . 273
Faust — Johann Wolfgang von Goethe ....*., 276
File No. 113— tmile Gaboriau 278
Financier, The — Theodore Dreiser . „ 280
For Whom the Bell Tolls — Ernest Hemingway „ 282
Forsyte Saga, The — John Galsworthy ..,.,,, 284
Fortitude — Hugh Walpole 286
Fortress, The — Hugh Walpole 288
Forty Days of Musa Dagli, The — Franz W erf el . . . . . 291
Framley Parsonage — Anthony Trollope . . . . . . , 293
Frankenstein — Mary Godwin Shelley , , . . . . . 295
Frogs, The — Aristophanes .......», 297
Gargantua and Pantagruel — Frang ois Rabelais . . » . . 298
Ghosts — Henrik Ibsen . . . , . . . . , . 301
Giants in the Earth — CX E. Rolvaag BOB
Gil Bias of Santillane — Alain Rend Le Sage ...... BOS
Glass Key, The — Dashiell Ilammett 307
Golden Ass of Lucius Apuleius, The — Lucius A-puleius , 309
Good Companions, The — J.B.Priestley. . . „ . , . 311
COMPLETE LIST OF TITLES
page
Good Earth, The — Pearl S. Buck 313
Goodbye, Mr. Chips — James Hilton „ . . . , . . 316
Grand Hotel — Vicki Eaum . . . . , . . . . 318
Grandissimes, The — George W. Cable 320
Grandmothers, The — Glenway Wescott ...... 322
Grapes of Wrath, The — John Steinbeck 324
Great Expectations — Charles Dickens ....... 326
Great Gatsby, The — F . Scott Fitzgerald 329
Green Bay Tree, The — Louis Eromfield . . . . . . 331
Green Mansions — W. H. Hudson 333
Grettir the Strong — Unknown 335
Growth of the Soil — Knut Hamsun 338
Gulliver's Travels — Jonathan Swift . , . , . . . 341
Hajji Baba of Ispahan — James Morier ....... 343
Hakluyt's Voyages — Richard Hakluyt 346
Hamlet, Prince of Denmark — William Shakespeare .... 348
Handful of Dust, A — Evelyn Waugh 350
Handley Cross — Robert Smith Sur tees , . . . . . . 352
Heart of Midlothian, The — Sir Walter Scott 355
Heaven's My Destination — Thornton Wilder , . , . . . 357
Hedda Gabler — Henrik Ibsen 359
Henry Esmond — William Makepeace Thackeray . . , . , 361
Henry the Fifth — William Shakespeare ...... 364
Hercules and His Twelve Labors — Folk tradition ..... 366
Hereward the Wake — Charles Kingsley ...... 367
H. M. S. Pinafore — W. S. Gilbert 370
Honey in the Horn — H. L. Davis . . , . . . . . 371
Hoosier Schoolmaster, The — Edward Eggleston . . . . . 373
Horseshoe Robinson — John P. Kennedy ...... 376
House of Atreus, The — Aeschylus ....... 378
House of Mirth, The — Edi thW harton 380
House of the Seven Gables, The — Nathaniel Hawthorne .... 383
I low Green Was My Valley — Richard Llewellyn ..... 385
Huckleberry Finn — Mark Twain ........ 387
Hugh Wynne, Free Quaker — Silas Weir Mitchell ..... 390
Human Comedy, The — William Saroyan ...... 392
Humphry Clinker — Tobias Smollett ....... 394
Hunchback of Notre Dame, The — Victor Hugo ..... 397
COMPLETE LIST OF TITLES
Fage
Hunger — Knut Hamsun ......... 400
Hypatia — Charles Kingsley ......«., 402
I, Claudius — Robert Graves .....«,•, 406
I Speak for Thacldeus Stevens — Elsie Singmaster , 408
Iceland Fisherman, An — Pierre Loll . , . , . . . 410
Ides of March, The — Thornton Wilder 413
Idiot, The — Fyodor Mikhailovich Dostoevski , , , . . . 415
Idylls of the King, The — Alfred, Lord Tennyson . . , . . 417
If Winter Comes — A. S. M. Hutchmson » 421
Iliad, The — Homer 423
Independent People — -Halldor Laxness .,...„, 425
Invisible Man, The — H.G.Wetts 428
Ivanhoe — Sir Walter Scott 430
Jane Eyre — Charlotte Bronte ...... 432
Jason and the Golden Fleece — Folk tradition 435
Java Head — Joseph Hergesheimer ...... 437
Jcan-Ghristophe — Romain Holland . ,,...., 439
Jerusalem Delivered — Torquato Tasso . . » . . . . 441
Jew of Malta, The — Christopher Marlowe .,..*. 444
John Brown's Body — Stephen Vincent Benet . , 445
Joseph Andrews — Henry Fie Iding , , . , . . t . 448
Joseph Vance — William De Morgan . . . . . . . 450
Journey to the End of the Night — - Louis-Ferdinand C6 line , . . 453
Jude the Obscure — Thomas Hardy . . , . * . , 455
Judith Paris — Hugh Walpole 457
Jungle, The — Upton Sinclair , . . , „ . . , 459
Jungle Books, The — Ructyard Kipling 461
Jurgen — James Branch Cdbell ....*,., 464
Justice — Jo hn Galsworthy ,...„..,, 466
Kate Fennigate — Booth Tarkington ....... 467
Kenilworth — Sir Walter Scott 469
Kidnapped — Robert Louis Stevenson . . * . , . . 471
Kim — Rudyard Kipling 473
King Solomon's Mines — H. Rider Haggard , . , . . . 475
King's Row — Henry Bellamann « , . * . . * , 478
Kuights, The — Aristophanes .....*.*. 480
xvxu
COMPLETE LIST OF TITLES
page
Kreutzer Sonata, The — Count Leo Tolstoy 481
Kristin Lavransdatter — Sigrid Undset 483
Lady Into Fox — David Garnett 486
Lady Windermere's Fan — Oscar Wilde 488
Last Days of Pompeii, The — Edward George Earle Bulwer-Lytton . . 490
Last of the Barons, The — Edward George Earle Bulwer-Lytton . , . 492
Last of the Mohicans, The — James Fenimore Cooper .... 494
Last Puritan, The — George Santayana 497
Late George Apley, The — John P. Marquand 499
Lavengro — George Henry Borrow 501
Life on the Mississippi — Mark Twain ....... 504
Life With Father — Clarence Day, Jr 506
Light in August — William Faulkner 509
Liliom — Ferenc Molnar 511
Little Minister, The — James M. Barrie 513
Little Women — Louisa May ALcott 515
Look Homeward, Angel — Thomas Wolfe . , . „ . . 517
Looking Backward — Edward Bellamy ,.,.... 520
Lord Jim — Joseph Conrad . . . . . . . . . 522
Lorna Doone — R. D. Black-more 524
Lost Horizon — James Hilton. ........ 527
Lost Lady, A — Willa Gather 529
Lost Weekend, The — Charles Jackson 531
Loyalties — John Galsworthy 533
Macbeth — William Shakespeare . , , . . . . . 534
McTeague — Frank Norm ......... 537
Madame Bovary — Gustarve Flaubert . . . , . . . 539
Mademoiselle de Maupin — Th&ophile Gautier ..... 542
Maggie; A Girl of the Streets — Stephen Crane 543
Magic Mountain, The — Thomas Mann . ..,,., 545
Magnificent Obsession, The — Lloyd C. Douglas 547
Main Street — Sinclair Lewis 549
Maltese Falcon, The — Dashiell Hammett w 551
Man Without a Country, The — Edward Everett Hale . , . . 553
Manhattan Transfer — John Dos Passos . . . . . , . 555
Manon Lescaut — AU6 Prdvost 557
Man's Fate — Andre Malrawc . , , . * . . . 559
xix
COMPLETE LIST OF TITLES
page
Mansfield Parlc — Jane Austen ........ 562
Marble Faun, The — Nathaniel Hawthorne . . . . . . 564
Marching On — James Eoyd ......... 566
Master of Ballantrae, The — Robert Louis Stevenson . . . . 568
Mayor of Casterbridge, The — Thomas Hardy , . . „ . . 571
Medea — Euripides .......... 573
Memoirs of a Fox-Hunting Man — Siegfried Bassoon . * . . . 575
Memoirs of a Midget — Walter dc la Marc 577
Memoirs of an Infantry Officer — Siegfried Bassoon , . . . , 579
Merchant of Venice, The — William Shakespeare . , . , , 581
Messer Marco Polo — Down Byrne . , . . , . . . 584
Micah Clarke — Arthur Conan Doyle . , , . , . , 585
Middlematch — George Eliot 588
Mikado, The — W. S. Gilbert 591
Mill on the Floss, The — George Eliot 593
Misanthrope, The — Moli&re . .,,...», 595
Mis&rables, Les — Victor Hugo ........ 597
Mr. Britling Sees It Through — H. G. Wells 600
Mr. Midshipman Easy — Frederick Marryat , 602
Mister Roberts — Thomas lleggcn . , . . . * , . 605
Mrs, Dalloway — Virginia Woolf 607
Moby Dick — Herman Melville 609
Modern Comedy, A- — John Galsworthy „ . * * » • . 612
Moll Flanders — Daniel Defoe . . . . * , . * 614
Monsieur Beaucaire — Booth Tarkington . . . . . . . 616
Mont-Oriol — Guy dc Maupassant . . . . . . » . 618
Moon and Sixpence, The — W, Somerset Maugham . . . . . 621
Moonstone, The — Wilkie Collins ........ 623
Morte d'Arthur, Le — Sir Thotnas Malory 625
Mutiny on the Bounty — Charles Nordhoff and James Norman Hall , . 628
My Antonia — Willa Gather 630
Mysteries of Paris, The — Eugene Sue . . . , , . , 632
Mysteries of Udolpho, The — Mrs. Ann Radcliffe . . „ * > 635
Nana— fa-mile Zola 638
Narrative of Arthur Gordon Pym, The — Edgar Allan Poe .... 640
Native Son — Richard Wright ........ 64B
Nazarene, The — Sholem Asch ........ 645
New Grub Street> The — George Gissing ....... 647
COMPLETE LIST OF TITLES
page
Newcomes, The — William Makepeace Thackeray 650
Nibelungenlied, The — Unknown ........ 652
Night in the Luxembourg, A — Remy de Gourmont . . . . . 655
Nightmare Abbey — Thomas Love Peacock ...... 657
No Name — Wilkie Collins 659
Nocturne — Frank Swinnerton . . . . . • • • 661
O Pioneers!— Witta Cather 663
Odyssey, The — Homer. ......... 665
Oedipus Tyrannus — Sophocles . . . . . . . * 668
Of Human Bondage — W. Somerset Maugham ..... 670
Of Mice and Men — John Steinbeck ....... 672
Of Time and the River — Thomas Wolfe 674
Old and the Young, The — Luigi Pirandello *..... 676
Old Maid, The — Edith Wharton 679
Old Mortality — Sir Walter Scott 681
Old Wives' Tale, The — Arnold Bennett 684
Oliver Twist — Charles Dickens . . . . . . . • 686
Omoo — Herman Melville ......... 689
Ordeal of Richard Feverel, The — George Meredith 692
Oregon Trail, The — Francis Parkman . * . . . • • 695
Orlando — Virginia Woolf . . . . , * . • • 698
Orpheus and Eurydice — Folk tradition .«....* 700
Othello — William Shakespeare . . . . * • * * 701
Our Town — Thornton Wilder 704
Ox-Bow Incident, The — Walter Van Tilburg Clark 706
Pamela — Samuel Richardson . . . » . • • • • 708
Paradise Lost — John Milton , . . . * , * • • 711
Passage to India, A — E. M. Forster 713
Pathfinder, The — James Fenimore Cooper . . , . . . 715
Paul Bunyan — James Stevens . . . . . . - • 717
Peasants, The — Ladislas Reymont ......•• 720
Peer Gynt — tjennk Ibsen 722
Peg Woffington — Charles Reade ........ 724
Pendennis — William Makepeace Thackeray ,.*... 726
Penguin Island — Anatole France ......*• 729
Peregrine Pickle — Tobias Smollett 731
Persuasion — Jane Austen ,..<>•*•»• 734
COMPLETE LIST OF TITLES
page
Peter Ibbetson — George du Manner 736
Peter Whiffle — Carl Van Vechten 739
Phaedra — Jean Baptiste Racine . . , . . . . . 74 1
Pickwick Papers — Charles Dickens ....... 743
Picture of Dorian Gray, The — Oscar Wilde 746
Pilgrim's Progress, The — John Bunyan . . . . . . . 748
Pilot, The — James Fenimore Cooper . , . . . , . 750
Pioneers, The — James Fenimore Cooper . . . , , , . 753
Pit, The — Frank N orris 756
Playboy of the Western World, The — John Millington Synge . . , 758
Point Counter Point — Aldous Huxley 760
Poor White — Sherwood Anderson 762
Porgy — DuBose HeywarA ......... 764
Portrait of a Lady, The — Henry James ....... 766
Portrait of the Artist as a Young Man, A — James Joyce .... 769
Possessed, The — Fyodor Mikhatlovieh Dostoevski . . . . . 771
Power — Lion Feuchtwanger ......... 773
Prairie, The — James Fenimore Cooper ....... 776
Precious Bane — Mary Webb. ...«.»., 778
Pride and Prejudice — Jane Austen * *,...., 780
Prisoner of Zenda, The — Anthony Hope 784
Prometheus Bound — Aeschylus , . 786
Prometheus Unbound — Percy Bysshe Shelley , . , , . , 788
Proserpine and Ceres — Folk tradition 789
Purple Land, The — W. H. Hudson ....... 791
Quality Street — James M. Barrie ........ 793
Quentin Durward — Sir Walter Scott . . . , . . . 795
Quo Vadis — Henryk Sienkiewicz . . . . . . . . 797
Rainbow, Tlie — D. H. Lawrence ....,,., 800
Rape of the Lock, The — Alexander P&pe ...... 802
Rasselas — Samuel Johnson ......... 804
Rebecca — Daphne du Mauricr , . . . , . . . 806
Red and the Black, The — Stendhal ....... 808
Red Badge of Courage, The — Stephen Crane . . . . . . 811
Red Rover, The — James Fenimore Cooper . . . . . „ 813
Remembrance of Things Past — Marcel Proust . . . . . . 815
Return of, the Native, The — Thomas Hardy 818
COMPLETE LIST OF TITLES
page
Revolt o£ the Angels, The — Anatole France 821
Riceyman Steps — Arnold Bennett ........ 823
Rime of the Ancient Mariner, The — Samuel Taylor Coleridge . . , 825
Ring and the Book, The — Robert Browning ...... 826
Rise of Silas Lapham, The — William Dean Howells , 828
Rivals, The — Richard Erinsley Sheridan . , . . . . . 831
River of Earth — James Still 833
Roan Stallion — Robinson Jeffers ........ 835
Rob Roy— Sir Walter Scott 837
Robinson Crusoe — Daniel Defoe . . . . . . • * 839
Roderick Random — Tobias Smollett, . . * . * . • 841
Rogue Herries — Hugh Watyole ....,.*. 844
Romantic Comedians, The — Ellen Glasgow ...... 846
Romany Rye7 The — George Henry Borrow . . . . . . 849
Rome Haul — Walter D. Edmonds . . . . . . . • 851
Romeo and Juliet — William Shakers are . . . * * * 853
Rornola — George Eliot .......... 856
Roughing It — Mark Twain ......... 858
Salammbft — Gustave Flaubert <, .»..** 860
Sanctuary — William Faulkner ........ 862
Sappho — Alphonse Daudet 865
Scarlet Letter, The — Nathaniel Hawthorne 867
School for Scandal, The — Richard Brinsley Sheridan .... 869
Sea of Grass, The — Conrad Richter 872
Sea Wolf, The — Jack London 874
Sentimental Education, A — Gustave Flaubert . ..... 876
Sentimental Journey, A ~^~ Laurence Sterne 879
Seventeen — Booth Tarkington ,...*... 882
Shadows on the Rock — Willa Gather 884
She — H. Rider Haggard 886
She Stoops to Conquer — OKver Goldsmith 889
Sheltered Life, The — Ellen Glasgow 891
Silas Marncr — George Eliot . . . . . , * . . 893
Sister Carrie — Theodore Dreiser . . , . . . . * 895
Smoke — Ivan Turgenev , . . , . • « . * 897
Snow-Bound — John Greenleaf Whittier ....*«, 899
So Red the Rose — Stork Ycnmg 901
Songof Bernadette, The — Franz Werfel 903
COMPLETE LIST OF TITLES
page
Song of Hiawatha, The — Henry Wadsworth Longfellow . . . , 905
Song of Roland, The — Unknown 907
Song of Songs, The — Hermann Sudermann . . . , . . 910
Sons and Lovers — D, H. Lawrence . , . . . . . 913
Sorrows of Young Werther, The — Johann Wolfgang von Goethe . . 915
Sound and the Fury, The — William Faulkner . . . , . . 917
Spoilers, The — Rex Beach 919
Spy, The — James Fenimore Cooper . . . . . , , 921
State Fair — PM Stong 925
Story of a Bad Boy, The — Thomas Bailey Aldrich 927
Story of a Country Town, The — Edgar Watson Howe .... 929
Story of an African Farm, The — Olive Schreiner . , . * . 932
Story of Gosta Berling, The — Selma Lagerlof . . . . . - 934
Strife — John Galsworthy 936
Study in Scarlet, A — Arthur Conan Doyle , . . * . . 938
Sun Also Rises, The — Ernest Hemingway . . . . . . 941
Swiss Family Robinson, The — Johann Rudolf Wyss . . » . . 943
Tale of Two Cities, A — Charles Dickens . . , . , , 945
Tamar — Robinson Jeffers ,......,. 948
Tamburlaine the Great — Christopher Marlowe . . . „ . 950
Taps for Private Tussie — Jesse Stuart . . . . , * . 952
Taras Bulba — Nikolai V. Gogol 954
Tartarin of Tarascon — Alphonse Daudet . . . . , , 956
Tartuffe — Moli^re 959
Tempest, The — William Shakespeare . . . . . * , 961
Tenant of Wildfell Hall, The — Anne Bronte 963
Tess of the d'Urbervillcs — Thomas Hardy , . , , . . 965
Thaddeus of Warsaw — Jane Porter . , , , . . . 967
Thin Man, The— Dashiell llammett 970
Thirty-Nine Steps, The — John Euchan 972
This Above All — Eric Knight 974
Three Black Pennys, The — Joseph Ilergcshdmer , 976
Three-Cornered Hat, The — Pedro Antonio cle Alarc6n . . . . 978
Three Musketeers, The — Alexandra Dumas Qather') , , . . 981
Three Soldiers — John Dos Pusses .... 984
Time Machine, The — II. G. Wells 986
Time of Man, The — Elizabeth Madox Roberts . 989
Titan, The — Theodore Dreiser 991
COMPLETE LIST OF TITLES
page
To The Lighthouse — Virginia Woolf 993
Tobacco Road — Erskine Caldwell ........ 996
Tom Cringle's Log — Michael Scott 997
Tom Jones — Henry Fielding ......... 1 000
Tom Sawyer — Mark Twain ......... 1003
Tono-Bungay — H. G. Wells 1006
Tower of London, The — William Harrison Ainsworth . . . . 1008
Travels of Marco Polo7 The — Marco Polo 1011
Travels with a Donkey — Robert Louis Stevenson . . . . . 1014
Treasure Island — Robert Louis Stevenson . , . . . .1015
Tree Grows in Brooklyn, A — Betty Smith 1018
Trial, The — Franz Kafka 1020
Trilby — George du Manner . ........ 1023
Tristram — Edwin Arlington Robinson . . , . . , .1025
Tristram Shandy — Laurence Sterne 1027
Troilus and Criseyde — Geoffrey Chaucer ...... 1030
Twenty Thousand Leagues Under the Sea — Jules Verne . . . . 1031
Two Years Before the Mast — Richard Henry Dana, Jr. . . . , 1033
Typee — Herman Melville . . . . . . . • .1035
Ugly Duchess, The — Lion Feuchtwanger . . . , * ,1037
Ulysses — James Joyce .......... 1040
Unbearable Bassington, The — Saki ....... 1042
Uncle Tom's Cabin — Harriet Eeecher Stowe 1044
Under Fire — Henri Barbusse ........ 1047
Under Two Flags — Ouida 1049
U. S. A. — John Dos Passos 1051
Vanessa — Hugh Walpole ......... 1054
Vanity Fair — William Makepeace Thackeray . . . . . . 1056
Venus and Adonis — William Shakespeare ...... 1060
Vicar of Wakefield, The — Oliver Goldsmith 1061
Vicomte de Bragelonnc, The — Alexandre Dumas (father*) . . . 1063
Victory — Joseph Conrad . . . . . . . . .1067
Virgin Soil — Ivan Turgenev . ........ 1069
Virginian, The — Owen Wister 1072
Virginians, The — William Makepeace Thackeray ..... 1074
Volpone — Ben Jonson .......... 1076
Voyage of the Beagle, The — Charles Darwin 1079
XXV
COMPLETE LIST OF TITLES
page
Wanderer, The — Alain-Fournier . . . , . . . .1081
Wandering Jew, The — - Eugene Sue .,,..., 1083
War and Peace — Count Leo Tolstoy ....... 1085
War of the Worlds, The — H. G. Wells ....... i 090
Warden, The — Anthony Trollope . .,..,,, l()l)2
Waverky — Sir Walter Scott ......... 1094
Way of All Flesh, The — Samuel Butler . . . . . . 1 097
Way of the World, The — William Congreve ...... 1099
Web and the Rock, The — Thoinas Wolfe ...... 1101
Westward Ho! — Charles Kingslay , , . , * . . .1103
What Every Woman Knows — James M. Rome * . * . 1106
White Company, The — Arthur Comin Doyle ...... 1 108
Wickford Point — John P. Marquand ....... 1110
Wild Duck, The — Henrik Ibsen ........ 1113
William Tell — Johann G'hristO'pli Fricdrich von Schiller . » , - 1115
Windsor Castle — William Harrison Ainsworth * » . . - 1117
Wincsburg, Ohio — Sherwood Anderson , . * * . » 1121
Wintorsct- — Maxwell Anderson . . . * * . * ,1123
Woman in White, The ~ Wilkie Collins ...... 1125
Woman's Life, A - — Guy da Maupassant . . , * . 1127
World of the Tlnbaults, The — Ro^er Martin An Gard . . , . 1 130
World's Illusion, The — Jacob WasserHicinn . , * » . .1133
Wreck of the Grosvenor, The — W. Clark Russell ..... 1135
Wutheri n^ Heights — Evilly Rronte . . , . * • .1137
Yearling, The — Mtfrprit' Klnnan Rawlings ...»,. 1140
You Can't Go I lome Again — Thomas Wolfe , * » * * * 1 142
Masterpieces
of World JUitemture
IN DIGEST FORM
First Series
THE ABBE CONSTANTIN
Type oj -work: Novel
Author: Ludovic Hale"vy (1834-1908)
Type of 'plot: Sentimental romance
Time of plot: 1881
Locale: France
First 'published: 1882
Principal characters:
ABBE CONSTANTIN, a French priest
JEAOST REYNAUD, his godson
Mas. SCOTT, an American
Miss PERCIVAL, her sister
Critique:
This tale has long been a favorite book
for use in French classes. The story is
full of pleasant places and pleasant
people. There is little if any conflict; the
one character who might possibly be
considered the villain is too polite to
offer much resistance to the plans of the
hero and heroine. The novel was
crowned by the French Academy.
The Story;
The kindly old cure', Abbe* Constantin,
stopped before the chateau of Longue-
val to look at posters which proclaimed
that the chateau and its surroundings
were to be sold at auction either in
four pieces, or as a unit. The abbe", like
the rest of the neighborhood, smiled at
the idea that anyone might be able to
buy the entire estate; more than two
million francs was too large a sum for
anyone to have. As he walked along by
the old estate, he thought of all the de
lightful days he had spent with the old
marchioness and her family. He dreaded
the thought of a new owner who might
not ask him to dinner twice a week, who
might not contribute generously to the
poor, who might not attend all the serv
ices of his little church. The abb6 wa<
too old to desire a change.
He walked on to the little house whera
Madame de Lavardens lived with her
son Paul. Paul had not turned out well.
His mother gave him a generous allow
ance to spend every year. After spend
ing his money within three months in
Paris, he stayed the rest of the year with
his mother in the country. At the de
Lavardens home, the abbe" learned that
Madame de Lavardens was hoping that
her agent had secured at least one part
of the estate for her. She was awaiting
news of the auction, and she invited the
abb6 to wait with her and her son to
hear what had happened.
When the agent arrived, he informed
them that Mrs. Scott, a wealthy Ameri
can, had bought the whole estate. The
abb6's heart sank. An American! She
would be a Protestant — no doubt a here
tic. His hopes for his little church grew
weak. No longer would the hothouses
of the estate keep his altar full of flowers;
no longer would the poor be relieved
by the charity of the chateau. With *
gloomy heart he went home to supper.
Jean Reynaud, the abbess godson, was
his guest at supper that night. Jean's
father had been an officer in the same
regiment in which the abbe* had been
chaplain, and the two had been the best
of friends. When Jean's father had been
killed, the abbe" had taken care of Jean
as if he were his own son. The boy
had insisted on following his father in a
military career. Jean's kindness was well-
known in the area. He gave a yearly
Income to the destitute families of two
men who had been killed on the same
day as his father, and he was always
doing charitable deeds for the abbess
poor.
On his arrival Jean set about cutting
garden greens for the salad. He was
startled when he looked up and saw two
beautifully but simply dressed young
women who asked to see the abbd. They
introduced themselves as Mrs. Scott and
Miss Percival, her sister. In a flurry of
excitement the old abb6 came out to meet
his unexpected guests, and to his great
pleasure they announced that they were
Catholics of French-Canadian blood.
When each of the women gave the abb6
a thousand francs to give to the poor,
the happy man almost burst into tears.
The inhabitants of the chateau were still
to be a blessing for the town.
Jean, overcome by the beauty of the
two women, could not decide who was
the more handsome. Miss Percival was
the younger and more vivacious, but the
serene charm of Mrs, Scott was equally
attractive. The women told the abb6 the
story of their lives; of their poverty as
children, of the lawsuit which their dy
ing father had made them promise never
to give up, and of the final success of the
suit and the millions that became theirs
because of it. Mrs. Scott said that she
and her husband intended to spend much
time in France at their new home. When
the ladies left, the abbe" and Jean were
pKofuse in their praise.
This meeting was the first of many,
The ladies had grown tired of social
gaiety during their stay in Paris, and
Miss Percival had become disgusted with
the great number of men, thirty-four in
all, who had proposed marriage to her,
for she knew that it was her money, not
herself, they were after. The women
hoped to spend a quiet few weeks in the
chateau, with the abb£ and Jean as their
only visitors. During the visits Jean fell
in love with Miss Percival. He was up
set when Paul de Lavardens insisted on
being introduced.
Miss Percival knew at once that Paul's
proposal would be number thirty-five.
He was polite and made conversation
easily, but he did not have the qualities
she had come to admire in Jean. The
more she saw of Jean the more she liked
him, and it was not long before she real
ized that she was in love with the young
officer.
At the first ball held at the chateau,
Jean's manner showed Miss Percival that
he loved her. But he said nothing, for
he believed that army life would not be
a happy one for her. As he had neither
social graces nor the wealth which could
be substituted for them, he did not
dare to dance with her at the ball for
fear he would blurt out his love* When
she approached him to ask for a dance,
he left abruptly.
Jean's regiment went away for twenty
days. When he returned, he realized that
he loved Miss Percival more than ever.
Finally he decided that his only course
was to be transferred to a regiment sta
tioned in another area. On the night he
was to leave he sent his excuses to the
chateau and went to explain his actions
to the abb6, who listened to his story with
deep interest. Suddenly there was a
knock on the door and Miss Percival
walked in. She apologised for her intru
sion, but said that she had come to con
fess to the abb& She asked Jean not to
leave, but to stay and hear her.
She announced that she loved Jean
and felt sure that he loved her. Jean
had to admit that it was true. She said
she knew he had not dared to ask hsr
to marry him because of her wealth. Con- church, a fine new organ played lie
sequently she was forced to ask him to music for the service. It was Miss Perci-
marry her. The abb6 commending her val's marriage gift to the church. The
action, they became engaged. abbe" was happy; the sale of the old
When the marriage ceremony for the chateau had brought more good to the
happy couple was performed in the little town than it had known before.
ABE LINCOLN IN ILLINOIS
Type of 'work: Drama
Author: Robert E. Sherwood (1896-1955)
Type of plot: Historical chronicle
Time of 'plot: 1831-1861
Locale: New Salem and Springfield, Illinois
First 'presented: 1938
Principal characters:
MENTOR GRAHAM, a schoolmaster
ABE LINCOLN
ANN RUTLEIXJE, Abe's early love
JUDGE BOWLING GREEN, Justice of the Peace
NINIAN EDWARDS, a politician
JOSHUA SPEED, a merchant
WirxrAM HERNDON, Abe's law cleric
MARY TODD, Abe's wife
STEPHEN A. DOUGLAS, Abe's political opponent
SETH GALE, Abe's friend
JIMMIE GALE, Seth's young son
Critique:
Robert Sherwood saw in the struggles continued to tap the keg until he drank
of Abe Lincoln a symbol of democracy up all their liquid assets, and the store
in action. The playwright was able to went bankrupt. Abe voluntarily assumed
stick fairly close to the facts of Lincoln's all the obligations for the partnership
life in working out his allegory of the and went into debt for about fifteen
growth of the democratic spirit, but hundred dollars.
in several scenes he was forced to invent At that time Abe boarded with Mentor
fictitious characters or incidents to make Graham, the neighborhood schoolmaster,
his point. Whether the play be viewed who began the task of teaching the young
as history or allegory, it remains as au- backwoodsman the rudiments of grammar,
thentically American as its leading char- He awakened in Abe an interest in great
acter, oratory as well as a love for poetry.
Graham sensed his pupil's extreme
The Story: melancholy and preoccupation with death
In the summer of 1831, when Abe as well as his marked disinclination to
Lincoln was twenty-two years old, he do anything which required much effort,
arrived in New Salem, Illinois, at that He advised Abe to go into politics, de-
time a frontier village of fifteen log daring wryly that there were only two
cabins. Shortly afterward the lanky professions open to a man who had
young man opened a general store in failed at everything else — schoolteaching
partnership with a friend named Berry, and politics.
Their stock included whiskey. Berry Abe's opportunity came a year later
ABE LINCOLN IN ILLINOIS by Robert E. Sherwood. By permission of the author and the publishers, Charlo
ScribuerTs Sons. Copyright. 1937, 1938, 1939, by Robert Emmet Sherwood.
while he held the job o£ local post
master, A young politician, Ninian Ed
wards, a vigorous opponent of Presi
dent Jackson, appeared at the Rutledge
tavern in New Salem. He was looking
for a possible candidate for the State
Assembly. Edwards so much admired
Abe's deft handling of several quarrel
some Jackson supporters that he offered
Abe the candidacy.
In making his offer he was supported
by Abe's two loyal and influential friends
in Salem, Joshua Speed, a merchant, and
Judge Bowling Green, the justice of the
peace. But Abe, who had been consider
ing going farther west, refused. Then
several circumstances arose to change his
mind. Seth Gale, die friend widi whom
Abe had planned to make the trip, re
ceived news diat his father was sick and
he had to return to his native state of
Maryland at once. And Ann Rutledge,
daughter of the local tavernkeeper, with
whom Abe had been secretly in love,
received a letter from New York State
to the effect that a young man named
McNeil, with whom Ann had been in
love, would not be able to return to
New Salem, When Abe declared his de
votion, Ann, disillusioned with her for
mer lover, encouraged him. As a con
sequence, Abe sent word by his friend
Judge Bowling Green that he would be
a candidate for the State Assembly.
Fate brought about another, more dis
astrous, turn in Abe's fortunes. Ann
Rutledge fell suddenly ill of a fever,
and nothing that the doctor or Abe did
could save her. After Ann's death, Abe
became completely obsessed by a feeling
of melancholia from which none of his
friends could rouse him. lie opened a
Springfield law office with his friend,
Judge Stuart, but he refused to take
much interest in politics, in spite of the
urgings of his clerk, William Ilemdon,
who was a firebrand Abolitionist, Al
though Abe disliked slavery, he failed
to sec that the Abolitionists were helping
their cause by threatening to split the
country.
Knowing that something must be done
to pull Abe out of his lethargy, his old
political mentor, Ninian Edwards, in
troduced him to his ambitious sister-in-
law, Mary Todd. Mary saw immediately
that Lincoln was a man she could inspire
to great things. Her aristocratic sister,
Elizabeth, could not understand what
Mary saw in this raw-boned frontiers
man, but Mary saw in him the satis
faction of her own frustrated yearnings.
They became engaged.
But Abe had not forgotten Ann Rut-
ledge. On the day of his wedding to
Mary Todd, he pleaded with his friend,
Joshua Speed, to deliver to Mary a letter
he had written to tell her that he did
not love her. Speed insisted that Abe
go to Mary himself and explain that he
was afraid of her, of the demands she
would make upon him. After he had
humiliated Mary Todd with his explana
tion, Abe drifted back to the prairie
frontier once more.
One day he encountered his old
friend, Setn Gale, with whom he had
once planned to go west. Scth had set
out from Maryland with his wife and
child, and was headed for Oregon. But
his child, Jimmie, was ill, and SetH felt
that if his son died neither he nor his
wife would have the courage to continue
the journey. In a flash of insight, Abe
saw in his friend's predicament a symbol
of the plight of the country as a whole.
The Dreci Scott Decision had made it
possible to extend slavery in the West,
a circumstance that would be fatal to
those who, like Seth Gale, were trying
to build a now country there. That vision
crystallized Abe's purpose in life; and
wncn he offered up a prayer to the
Almighty for the life of little Jimmie,
he was thinking of the country as a
whole, lulled with a new purpose, he
pocketed his pride and wont back to
Mary Todd. Still believing in him, she
accepted Abe without a moment's hesita
tion.
From that day on his career followed
one straight line, culminating in his
nomination for the presidency. There
were his debates with Stephen A. Doug
las, who was to be his opponent in the
election that followed. Within his own
party there were political considerations
which Lincoln handled with dignity and
tact. But most important of all, there
was his own life with Mary Todd. In
the years since their marriage she had
borne him four sons, one of whom had
died, and through those years she had
grown more tense and irritable, until
the home life of the Lincolns became
almost intolerable, Abe patiently endured
her tirades in their own home, but when
Mary began criticizing him in public, he
resisted. On the night of his election
she had one of her tantrums, and Abe
was forced to send her home on the very
eve of her triumph.
With his election to the highest office
in die land, Lincoln's troubles increased.
The old melancholia returned, the old
preoccupation with death. On an event
ful day in 1861, standing on the rear
platform of the train which was to take
him from Springfield to Washington, he
tried to express to his old neighbors and
friends his ideals for the future of
America. As the presidential train pulled
out he could hear his well-wishers sing
ing the last strains of "John Brown's
Body" — "His soul goes marching on!"
ABSALOM, ABSALOM!
Type of work: Novel
Author: William Faulkner (1897- )
Type of plot: Psychological realism
Time of plot; Nineteenth century
Locale: Mississippi
First published-. 1936
Principal characters:
THOMAS SUTPEN, owner of Sutpen's Hundred
ELLEN COLDFIELD SUTPEN, his wife
HENRY, and
JUDITH, their children
ROSA COLDFIELD, Ellen's younger sister
GOODHITE CouDtfiELD, Ellen's and Rosa's father
CHARLES BON, Thomas Sutpen's son by his first marriage
QUENTIN COMPSON, Rosa Coldfield's young friend
SHREVE McCANNON, Quentin's roommate at Harvard
Critique:
This novel is the most involved of
William Faulkner's works, for the nar
rative is revealed by recollections years
after the events described have taken
place. Experience is related at its fullest
expression; its initial import is recollected
and its significance years thereafter is
faithfully recorded. The conventional
method of story-telling has been dis
carded. Through his special method
Faulkner is able to re-create human action
and human emotion in its own setting.
Sensory impressions gained at the
moment, family traditions as powerful
stimuli, the tragic impulses — these focus
truly in the reader's mind so that a tre
mendous picture of the nineteenth-cen
tury South, vivid down to the most
minute detail, grows slowly in the reader's
imagination. Absalom, Absalom! is a
novel of tremendous and tragic import.
The Story:
In the summer of 1910, when Quentin
Compson was preparing to go to Har
vard, old Rosa Coldfield insisted upon
ABSALOM ABSALOM! by William Faulkner. By permission of Tihe author and the publishers, Random Houae,
lac. Copyright, 1936, by William Faulkner.
telling him the whole infamous story
of Thomas Sutpen, whom she called a
demon. According to Miss Rosa, he
had brought terror and tragedy to all
who had dealings with him.
In 1833 Thomas Sutpen had come to
Jefferson, Mississippi, with a fine horse
and two pistols and no known past. He
had lived mysteriously for a while among
people at the hotel, and after a short
time he disappeared. Town gossip was
that he had bought one hundred square
miles of uncleared land from the Chicka-
saws and was planning to turn it into a
plantation.
When he returned with a wagon load
of wild-looking Negroes, a French archi
tect, and a few tools and wagons, he
was as uncommunicative as ever. At once
he set about clearing land and building
a mansion. For two years he labored
and during all that time he hardly ever
saw or visited his acquaintances in Jef
ferson. People wondered about the source
of his money. Some claimed that he had
stolen it somewhere in his mysterious
comings and goings. Then for three
years his house remained unfinished,
without windowpanes or furnishings,
while Thomas Sutpen busied himself
with his crops. Occasionally he invited
Jefferson men to his plantation to hunt,
entertaining them with liquor, cards,
and savage combats between his giant
slaves — combats in which he himself
sometimes joined for the sport.
At last he disappeared once more, and
when he returned he had furniture and
furnishings elaborate and fine enough
to make his great house a splendid show-
place. Because of his mysterious actions,
sentiment in the village turned against
him. But this hostility subsided some
what when Sutpen married Ellen Cold-
field, daughter of the highly respected
Goodhue Coldfield.
Miss Rosa and Quentin's father shared
some of Sutpen's revelations. Because
Quentin was away in college many of
the things he knew about Sutpen's Hun
dred had come to him in letters from
home. Other details he had learned dur
ing talks with his father.
He learned of Ellen Sutpen's life as
mistress of the strange mansion in the
wilderness. He learned how she dis
covered her husband fighting savagely
with one of his slaves. Young Henry
Sutpen fainted, but Judith, the daughter,
watched from the haymow with interest
and delight. Ellen thereafter refused to
reveal her true feelings and ignored the
village gossip about Sutpen's Hundred.
The children grew up. Young Henry,
so unlike his father, attended the uni
versity at Oxford, Mississippi, and there
he met Charles Bon, a rich planter's
grandson. Unknown to Henry, Charles
was his half-brother, Sutpen's son by his
first marriage. Unknown to all of Jef
ferson, Sutpen had got his money as the
dowry of his earlier marriage to Charles
Bon's West Indian mother, a wife he dis
carded when he learned she was partly
of Negro blood.
Charles Bon became engaged to Judith
Sutpen but the engagement was suddenly
broken off for a probation period of four
years. In the meantime the Civil War
began. Charles and Henry served
together. Thomas Sutpen became a
colonel.
Goodhue Coldfield took a disdainful
stand against the war. He barricaded
himself in his attic and his daughter,
Rosa, was forced to put his food in a
basket let down by a long rope. His
store was looted by Confederate soldiers.
One night, alone in his attic, he died.
Judith, in the meanwhile, had waited
patiently for her lover. She carried
his letter, written at the end of the
four-year period, to Quentin's grand
mother. About a week later Wash Jones,
the handyman on the Sutpen plantation,
came to Miss Rosa's door with the
crude announcement that Charles Bon
was dead, killed at the gate of the plan
tation by his half-brother and former
friend. Henry fled, Judith buried her
lover in the Sutpen family plot on the
plantation. Rosa, whose mother had died
when she was born, went to Sutpen's
Hundred to live with her niece. Ellen
was already dead. It was Rosa's convic
tion that she could help Judith.
Colonel Thomas Sutpen returned. His
slaves had been taken away, and he
was burdened with new taxes on his
overrun land and ruined buildings. He
planned to marry Rosa Coldfield, more
than ever desiring an heir now that
Judith had vowed spinsterhood and
Henry had become a fugitive. His son,
Charles Bon, whom he might, in des
peration, have permitted to marry his
daughter, was dead.
Rosa, insulted when she understood
the true nature of his proposal, returned
to her father's ruined house in the village.
She was to spend the rest of her miser
able life pondering the fearful intensity
of Thomas Sutpen, whose nature, in her
outraged belief, seemed to partake of the
devil himself.
Quentin, during his last vacation,
had learned more of the Sutpen tragedy.
He now revealed much of the story to
Shreve McCannon, his roommate, who
listened with all of a Northerner's mis
understanding and indifference.
Quentin and his father had visited
the Sutpen graveyard, where they saw
a little path and a hole leading into
Ellen Sutpen's grave. Generations of
opossums lived there. Over her tomb and
that of her husband stood a marble
monument from Italy. Sutpen himself
had died in 1869. In 1867 he had taken
young Milly Jones, Wash Jones' grand
daughter. When she bore a child, a girl,
Wash Jones had killed Thomas Sutpen.
Judith and Charles Bon's son, his child
by an octoroon woman who had brought
her child to Sutpen's Hundred when he
was eleven years old, died in 1884 of
smallpox. Before he died the boy had
married a Negro woman and they had
had an idiot son, Charles Bon. Rosa
Coldfield had placed headstones on their
graves and on Judith's she had caused to
be inscribed a fearful message.
In that summer of 1910 Rosa Coldfield
confided to Quentin that she felt there
was still someone living at Sutpen's
Hundred. Together the two had gone
out there at night, and had discovered
Clytie, the aged daughter of Thomas
Sutpen and a Negro slave. More im
portant, they discovered Henry Sutpen
himself hiding in the ruined old house.
He had returned, he told them, four years
before; he had come back to die. The
idiot, Charles Bon, watched Rosa and
Quentin as they departed. Rosa re
turned to her home and Quentin went
back to college.
Quentin's father wrote to tell him the
tragic ending of the Sutpen story.
Months later, Rosa sent an ambulance
out to the ruined plantation house, for
she had finally determined to bring her
nephew Henry into the village to live
with her, so that he could get decent
care. Clytie, seeing the ambulance, was
afraid that Henry was to be arrested
for the murder of Charles Bon many years
before. In desperation she set fire to
the old house, burning herself and
Henry Sutpen to death. Only the idiot,
Charles Bon, the last surviving de
scendant of Thomas Sutpen, escaped. No
one knew where he went, for he was
never seen again. Miss Rosa took to her
bed and there died soon afterward, in
the winter of 1910.
Quentin told the story to his room
mate because it seemed to him, some
how, to be the story of the whole South,
a tale of deep passions, tragedy, ruin,
and decay.
ADAM BEDE
Type of work: Novel
Author: George Eliot (Mary Ann Evans, 1819-1880)
Type of ^lot: Domestic romance
Time of fat: 1799
JLocale: England
First published; 1859
Principal characters:
ADAM BEI>E, a carpenter
SHTH BEDE, liis brother
MARTIN POYSER, proprietor of Hall Farm
MBS, POYSER, his wire
DINAH MORRIS, her niece, a Methodist preacher
HETTY SORRJBL, another niece
CAPTAIN ARTHUR DONNITHORNE, the young squire
Critique:
This novel of English pastoral life
probably shows George Eliot's quality as
a novelist better than any other of her
works, with the possible exception of
Middlemarch, When George Eliot was
writing of the peasants, the artisans, the
yeomen, the clergy, and the squires of
Warwickshire, she was writing out of
memories of her own childhood, and her
characters come to life as people she had
known. Moreover, she superimposes upon
them an awareness of fate, not majestic
as in Hardy, but growing out of her con
victions that there is a cause and effect
relationship in human behavior as there
is in the rest of nature*
whose husband, Martin, ran the Hall
Farm. Hetty, however, cared nothing for
Adam. She was interested only in Cap
tain Donnithorne, whom she had met
one day in her aunt's dairy,
No one in llayslope thought Hetty
would make Adam a good wile, least of
all Adam's mother, Lisbeth, who would
have disapproved of any girl who threat
ened to take her favorite son from her,
Her feelings of dependence upon Adam
were intensified after her husband, Mat
thias Bede, drowned in Willow Brook
while on his way home from the village
nn.
The Story:
In the village of I layslopc at the close
of the eighteenth century, there lived a
young carpenter named Adam Bede. Tall
and muscular, Adam was respected by
everyone as a good workman and an hon
est and upright man. Even the young
squire, Captain Arthur Donnithorne,
knew Adam and liked him, and Adam in
turn regarded the squire as his best
friend.
Adam was, in fact, so good a workman
that his employer, Mr. Jonathan Burge,
the builder, would have welcomed him as
his son-in-law and partner. But Adam
had no eyes for Mary Burge; his only
thoughts were of distractingly pretty
Hetty Sorrell, niece of Mrs, Poyser,
In the meantime, Adam's brother Seth
had fallen in love with the young Meth
odist preacher, Dinah Morris, Dinah was
another niece of Mrs, Poyser, as unlike
her cousin Hetty as Adam was unlike
Seth. Hetty resembled nothing so much
as a soft, helpless kitten, but Dinah was
iirm and serious in all things. One eve-
ning while she and Seth were walking
home together from the village green,
he had proposed marriage1. Dinah sadly
declined, saying she had dedicated her
life to preaching tiie gospel
When funeral services for Matthias
Bcde were held in 1 layslope Church on
the following Sunday, the thoughts of
the congregation were on many things
other than the solemn occasion they were
attending. Adam's thoughts of Hetty
blended with memories of his father.
8
Hetty's thoughts were all of Captain
Donnithorne, who had promised to make
his appearance. She was disappointed,
however, for Donnithorne had already
departed with his regiment. When he
returned on leave, the young squire cele
brated his twenty-first birthday with a
great feast to which nearly all of Hay-
slope was invited. Adam was singled out
as a special guest to sit at Donnithorne's
table. Adam's mother was both proud
and jealous lest her son be getting more
and more out of her reach.
One August night, exactly three weeks
after the Donnithorne party, Adam was
returning home from his work on the
Donnithorne estate when he saw two
figures in close embrace. They were
Donnithorne and Hetty Sorrel. When
Adam's dog barked, Hetty hurried away.
Donnithorne, embarrassed, tried to ex
plain that he had met the girl by chance
and had stolen a kiss. Adam called his
friend a scoundrel and a coward. They
came to blows, and Donnithorne was
knocked senseless. Adam, frightened
that he might have killed the young
squire in his rage, revived him and helped
him to a nearby summerhouse. There
he demanded that Donnithorne write a
letter to Hetty telling her that he would
not see her again.
The next day Donnithorne sent the
letter to Hetty in Adam's care, thus
placing the responsibility for its possible
effect upon Adam himself, Adam gave
her the letter while they were walking
the following Sunday. When, in the
privacy of her bedchamber, she read the
letter, Hetty was in despair. Her dreams
shattered, she thought only of finding
some way out of her misery. Then in
November Adam was offered a partner
ship in Mr, Surge's business, and he
proposed to Hetty, Mr. and Mrs. Poyser
were delighted to find that their niece
was to marry the man they so much
admired*
But the wedding had to be delayed
until two new rooms could be added to
the Bede house. In February, Hetty told
her aunt she was going to visit Dinah
Morris at Snowfield. Actually, however,
she was determined to find Donnithorne.
When she arrived at Windsor, where he
was supposed to be stationed, she found
that his regiment had been transferred
to Ireland. Now in complete despair
Hetty roamed about until in a strange
village, and in the house of a widow
named Sarah Stone, her child by Don
nithorne was born. Frightened, Hetty
wandered on, leaving her baby to die
in a wood. Later, tortured by her con
science, she returned to find the child
gone.
When his grandfather died, Donni
thorne returned to Hayslope to discover
that Hetty was in prison, charged with
the murder of her child. He did every
thing in his power to free her, and Dinah
Morris came to her prison cell and
prayed with her to open up her heart
and tell the truth. Knally poor Hetty
broke down and confessed everything
that had happened since she left Hay-
slope. She had not intended to kill her
baby; in fact, she had not actually killed
the child. She had considered taking her
own life. Two days later, Donnithorne,
filled with shame and remorse, brought
a reprieve. Hetty's sentence was com
mitted to deportation. A few years later
she died on her way home. Donnithorne
went to Spain.
Dinah Morris stayed with the Poysers
often now, and gradually she and Adam
were drawn to each other. But Dinah's
heart was still set on her preaching. She
left Hall Farm and went back to Snow-
field. Adam Bede found his only satis
faction toiling at his workbench, Then
one day his mother spoke again of Dinah
and her gentle ways. Adam could wail
no longer. He went to find her.
THE ADMIRABLE CRICHTON
Tyye of work: Drama
Author: James M, Barrie (1860-1937)
Type of f)lot: Humorous satire
Time of plot: Early twentieth century
Locale: Loam Mouse, Mayfair; a desert island
First 'presented: 1903
Principal characters:
THE EARL OF LOAM
LADY MAHY,
LADY CATHERINE, and
LADY AGATHA, his daughters
THE HON. ERNEST WOOLLEY, his nephew
WILLIAM CRICHTON, his butler
Critique;
One of the best of Barriers comedies,
The Admirable Crichton contains a more
definite theme than Barrie generally put
into his plays. His satirical portrait of
an English aristocrat with liberal ideas
is the most skillful that has been done
on the subject. Lord Loam, like many
liberals, is a kind of social Jekyll and
Hyde, accepting the doctrine of the rights
of man in theory, but holding tightly to
his vested interests in practice.
The Story.
Once every month, the philanthropic
Earl of Loam gave expression to his
views on human equality by forcing his
servants to have tea with him ana his
family in the great hall of Loam House
in May-fair, It was a disagreeable ex
perience for everyone concerned, es
pecially for his butler, Crichton, who
did not share his master's liberal views.
Lord Loam alone enjoyed the occasion,
for he was the only one who remained
completely himself. lie ordered his
daughters and his nephew about and
treated them exactly as he treated his
servants on the remaining days of the
month.
Lady Mary, his oldest daughter, was a
spirited young woman who resented her
father's high-handed methods with his
family. Her indignation reached a
climax one day when Lord Loam an
nounced that his three daughters were
to have but one maid among them on a
yachting trip on which the family was
about to embark. Lady Mary was furious,
but she assumed that her maid, Fisher,
would go along. When Fisher learned
that she was expected to look after the
two younger sisters in addition to Lady
Mary, she promptly resigned, and the
two maids attending Catherine and
Agatha followed suit. Lord Loam was
left without any servants for his pro
jected cruise, for his valet also resigned.
Although it hurt his pride deeply,
Crichton finally agreed, out of loyalty to
his master, to act as his valet on the trip.
Moreover, he persuaded Tweeny, the
housemaid upon whom he had cast a
favorable eye, to go along as maid to
Lord Loam s daughters.
The cruise ended unhappily when the
yacht was pounded to pieces during a
violent storm in the Pacific, and the
party was cast away on a tropical island.
All reached shore except I x>rd Loam. The
other survivors had watched him throw
away his life in a frantic but vain at
tempt to get into the lifeboat first.
On the. island all tried to preserve as
much as possible the class distinction
which had prevailed in England, But
the attempt was unsuccessful. Crichton
THE ADMIRABLE CRICHTON by lames M. Barrie, from THE PIJVY8 OF JAMK8 M, BARRIE. By per-
rnieaion of the publishers, Charles Scribuer's Sons, Copyright, 1914, by Charles Scribner'i Son*. 1918, 1928,
by J. M. Barrie.
10
alone knew exactly what he was doing,
and it was upon him that the others
had to depend. So Crichton, the servant,
became on the island the natural leader,
and he ruled his former superiors with
a gentle hut a firm hand. For example,
he found the epigrams of the Hon.
Ernest, which had seemed so brilliant
in England, a bit trying; as a con
sequence, Crichton adopted the policy of
submitting Ernest to a severe ducking
whenever he came forth with an epigram.
The aristocrats worried over the rising
authority of their former butler and the
decline in their own prestige. When
Lord Loam finally appeared, after wash
ing ashore with some wreckage, they
urged him to take a stand of authority*
Lord Loam's only recourse was to remove
his little party to another section of the
island apart from Crichton. But hunger,
which the aristocrats by their own efforts
could not assuage, brought them meekly
back. Crichton became the acknowledged
leader of them all.
Crichton took full advantage of his
newly acquired authority. Having none of
the earl's ideas about equality, he found
no necessity for pretending that on the
island his former betters were his equals
in any sense. Each was kept in his place
and required to do his own work accord
ing to the needs of the camp.
Under Crichton's rule the aristocrats
were happy for perhaps the first time
in their lives. The hard physical labor
made something approaching a man out
of Ernest, and the task of helping to
prepare Crichton's food and waiting on
him at the cable turned Lord Loam's
snobbish daughters into attractive and
useful women. Lord Loam, dressed in
animal skins, was merely a harmless and
rather genial old man with no particular
talents, whom everyone called Daddy.
But the greatest change occurred in Lady
Mary. She alone realized that in any
environment Crichton was superior to
them all, and that only the conventions
of so-called civilized society had obscured
that fact, Consequently she fell in love
with the butler and did everything in
her power to make herself his favorite.
Crichton, attracted to the beautiful Lady
Mary, considered making her his consort
on the island. He indulged in the fancy
that in some past existence he had been
a king and she a Christian slave. But
when a ship appeared on the horizon,
Crichton realized that his dreams were
romantic nonsense, On their return to
England he again would be a butler, and
she would be Lady Mary.
It was as Crichton had expected. After
the rescue Lord Loam and his family
returned to their old habits of thought
and behavior. Crichton was again the
butler. The Hon. Ernest wrote a book
about their experiences on the island
and made himself the hero of their ex
ploits. Crichton was barely mentioned,
Lady Mary reluctantly renewed her en
gagement to the rather asinine Lord
Brocklehurst, whose mother was greatly
worried over what had happened on the
island and not sure that a daughter of
Lord Loam was a fit wife for her son.
But Lady Mary still recognized Crich-
ton's superiority, and told him so frankly.
Crichton was shocked. Her views might
have been acceptable on the island, he
said, but not in England. When she ex
pressed the radical view that something
might be wrong with England, Crichton
told her that not even from her would
he listen to a word of criticism againsf
England or English ways.
THE ABNEID
Type of -work: Poem
Author: Publius Vergilius Maro (70-19 B.C.)
Type of flot; Heroic epic
Time of 'plot: The period immediately following the Trojan War
11
Locale: The Mediterranean region
First transcribed: Augustan manuscript
Principal characters:
AENEAS, Trojan hero destined to found the Roman race
DIDO, Queen of Cartilage, in love with Aeneas
ANNA, her sister
ASCANIUS, son of Aeneas
ANCHISES, father of Aeneas
VENUS, goddess of love and beauty, mother of Aeneas
JUNO, queen of the gods and enemy of the Trojans
CXJMAEAN STBYL, prophetess who leads Aeneas to Hades
LATJNUS, king of the Latins, whom Aeneas defeats in battle
LAVINIA, his daughter
TURNUS, Latin hero ambitious for the Latin tlirone and hand of Lavinia
HVANTXER, Arcadian Icing, ally of Aeneas
PALLAS, his son
Critique:
This poem is the distinguished Latin
epic which celebrates the glory of Rome
in great poetry. It records the traditional
story of the establishment of the Roman
race and thus traces the lineage of the
Romans back to Aeneas and Troy* It
has already stood the test of time and will
go down in history as one of the world's
great epics.
The Story:
Aeneas, driven by storm to the shores
of Libya, was welcomed gladly by the
people of Carthage. Because Carthage
was the favorite city of Juno, divine
enemy of Aeneas, Venus had Cupid take
the form of Ascanius, son of Aeneas, so
that the young god of love might warm
the heart of proud Dido and Aeneas
come to no harm in her land. At the
close of a welcoming feast Aeneas was
prevailed upon to recount his adventures.
He described the fall of his native
Troy at the hands of the Greeks after a
ten-year siege, telling how the armed
Greeks had entered the city in the belly
of a great wooden horse and how the
Trojans had fled from their burning city,
among them Aeneas with his father
Anchises and young Ascanius. Not long
afterward, Anehiscs had advised setting
sail for distant lands. Blown by varying
winds, the Trojans had at lengtn reached
Buthrotum, where had been foretold a
long and arduous journey before Aeneas
would reach Italy. Having set sail once
more, they had reached Sicily. There
Anchises, who had been his son's sage
counselor, had died and had been buried.
Forced to leave Sicily, Aeneas had been
blown by stormy winds to the coast of
Libya. I lere he ended his tale, and Dido,
influenced by Cupid disguised as Asca
nius, felt pity and admiration for the
Trojan hero.
The next day Dido continued her en
tertainment for Aeneas, During a royal
hunt a great storm drove Dido and
Aeneas to the same cave for refuge.
There they succumbed to the passion of
love, Aeneas spent the winter in Car
thage and enjoyed the devotion of the
cjueen. But in the spring he felt the need
to continue his destined course. When
he set sail, the sorrowing Dido killed
herself. The light of her funeral pyre
was seen far out at sea.
Again on the shores of Sicily, Aeneas
bade his men refresh themselves with
food, drink, and games. First of all there
was a boat race in which Cloamhus was
the victor* The second event was a foot
race, won by Huryalus. ilntellus engaged
Dares in a boxing match, which Aeneas
stopped before tlxe obviously superior
Hntcllus achieved a knock-out. The final
contest was with bow and arrow. Kury-
tion and Acestes made spectacular show
ings and to each was awarded a hand
some prize. Following the contests, As-
12
canius and the other young boys rode
out to engage in war games. Meanwhile,
the women were grieving the lost guid
ance of Anchises, and at the instigation
of Juno set fire to the ships. Aeneas, sus
tained by the gods, bade his people repair
the damage. Once more the Trojans set
sail.
Finally, they reached the shores of
Italy, at Cumae, famous for its sibyl.
The sibyl granted Aeneas the privilege of
visiting his father in the underworld.
After due sacrifice, the two of them
began their descent into Hades. At length
they reached the river Styx and per
suaded the boatman Charon to row them
across. Aeneas saw the spirits of many
people he had known in life, including
the ill-fated Dido. Then they came to the
beginning of a forked road. One path
kd to the regions of the damned; the
other led to the land of the blessed. Fol
lowing this latter road, they came at last
to Anchises, who showed Aeneas in mar
velous fashion all the future history of
Rome, and commanded him to found his
kingdom at the place where he would
eat his tables. On his return to the upper
regions Aeneas revisited his men and
proceeded to his own abode.
Again the Trojans set sail up the coast
of Italy, to the ancient state of Latium,
ruled over by Latinus. On the shore
they prepared a meal, laying bread under
their meat. As they were eating, Asca-
nius jokingly observed that in eating
their bread they were eating their tables.
This remark told Aeneas that here was
the place Anchises had foretold. Next day
the Trojans came to the city of King
Latinus on the Tiber. Latinus had been
warned by an oracle not to give his
daughter Lavinia in marriage to any
native man, but to wait for an alien,
who would come to establish a great
people. He welcomed Aeneas as that
man of destiny,
A Latin hero, Turnus, became jealous
of the favor Latinus showed Aeneas, and
stirred up revolt amongthe people. Juno,
hating Aeneas, aided Tumus. One day
Ascanius killed a stag, not knowing chat
it was the tame favorite of a native fam
ily. There grew from the incident such
a feud that Latinus shut himself up in
his house and ceased to control his sub
jects. Meanwhile Aeneas made prepara
tions for battle with the Latins under
Turnus.
In a dream he was advised to seek the
help of Evander, whose kingdom on the
Seven Hills would become the site of
mighty Rome. Evander agreed to join
forces with Aeneas against the armies of
Turnus and to enlist troops from nearby
territories as well. Now Venus presented
Aeneas with a fabulous shield made by
Vulcan, for she feared for the safety of
her son.
When Turnus learned that Aeneas
was with Evander, he and his troops be
sieged the Trojan camp. One night
Nisus and Euryalus, two Trojan youthj,
entered the camp of the sleeping Latins
and slaughtered a great many of them
before they were discovered and put to
death. The enraged Latins advanced on
the Trojans with fire and sword and
forced them into open battle. When the
Trojans seemed about to beat back their
attackers, Turnus entered the fray and
put them to flight. But the thought of
Aeneas inspired the Trojans to such
bravery that they drove Turnus into the
river.
Aeneas, warned in a dream of this
battle, returned and landed with his
allies on the shore near the battlefield,
where he encountered Turnus and his
armies. Evander's troops were being
routed when Pallas, Evander's beloved
son, began to urge them on and himself
rushed into the fight, killing many of the
enemy before he was slain in combat with
Turnus. Aeneas sought to take the life
of Turnus, who escaped through the in
tervention of Juno.
Aeneas decreed that the body of Pallas
should be sent back to his father with
appropriate pomp during a twelve-day
truce. The gods had watched the con
flict from afar; now Juno relented at
13
Jupiter's command, but insisted that the
Trojans must take the Latin speech and
garb before their city could rule the
world.
Turnus led his band of followers
against Aeneas in spite of a treaty made
by Latinus. An arrow from an unknown
source wounded Aeneas, but his wound
was miraculously healed. The Trojan
hero reentered the battle, was again
wounded, but was able to engage Turnus
in personal combat and strike him down.
Aeneas killed his enemy in the name of
Pallas and sacrificed his body to the
shade of his dead ally. No longer op
posed by Turnus, Aeneas was now free
to marry Lavinia and establish his long-
promised new nation. This was Rome,
the mistress of the ancient world.
THE AGE OF INNOCENCE
Type of work: Novel
Author; Edith Wharton (1862-1937)
Type of plot: Social criticism
Time of plot; Late nineteenth century
Locale: New York City
First published; 1920
Principal characters:
NEWLAND ARCHER, a young attorney
MAY WELLANT>, his fiancee
COUNTESS ELUEN OLENSKA, her cousin
Critique:
This novel is an incisive but oblique
attack on the intricate and tyrannous
tribal customs of a highly stratified New
York society with which the author her
self was familiar. Her psychological
probing of the meaning and motivation
behind the apparent facade of her char
acters' social behavior shows her to be
a true disciple of Henry James. The
method is indeed that of James, but
Edith Wharton's style is clearer and less
involved. Here is a well-made novel, the
work of a craftsman for whom form and
method are perfectly welded, and the ac
tion results inevitably from the natures
of the characters themselves.
The Story:
Newland Archer, a handsome and
eligible young attorney engaged to lovely
May Welland, learned that the engage
ment would be announced at a party to
welcome his fianceVs cousin, Countess
Ellen Olenska. This reception for Ellen
constituted a heroic sacrifice on the part
of the many Welland connections, for
her marriage to a ne'er-do-well Polish
count had not improved her position so
far as rigorous and straight-laced New
York society was concerned. The fact
that she contemplated a divorce action
also made her suspect, and, to cap it all,
her rather bohemian way of living did
not conform to what her family expected
of a woman who had made an unsuccess
ful marriage.
Newland Archer's engagement to May
was announced. At the same party
Archer was greatly attracted to Ellen.
Before long, with the excuse that he
was making the cousin of his betrothed
feel at home, he began to send her flowers
and call on her. To him she seemed a
woman who offered sensitivity, beauty,
the promise of a life quite different from
that he could expect after his marriage
to May.
He found himself defending Ellen
when the rest of society was attacking
her contemplated divorce action. He
did not, however, consider breaking his
engagement to May, but constantly
THE AGE OF INNOCENCE by Edith Wharton. By permission of the publishers, Appleton-Century-Crofu
Inc. Copyright, 1920, by D. Appletou & Co. Renewed, 1947, by Frederic King,
14
sought reasons for justifying what was
to the rest of his group an excellent
union. With Ellen often in his thoughts,
May WellancTs cool beauty and correct
but unexciting personality began to suf
fer in Archer's estimation.
Although the clan defended her against
all outsiders, Ellen was often treated
as a pariah. Her family kept check on
her, trying to prevent her from indulging
in too many bohemianisms, such as her
strange desire to rent a house in a
socially unacceptable part of town. The
women of the clan also recognized her
as a dangerous rival, and ruthless Julius
Beaufort, whose secret dissipations were
known by all, including his wife, paid
her marked attention. Archer found him
self hating Julius Beaufort very much.
Convincing himself that he was see
ing too much of Ellen, Archer went to
St. Augustine to visit May, who was
vacationing there with her mother and
her hypochondriac father. In spite of
her cool and conventional welcome and
her gentle rebuffs to his wooing, her
beauty reawakened in him a kind of
affection, and he pleaded with her to
advance the date of their wedding. May
and her parents refused because their
elaborate preparations could not be com
pleted in time.
Archer returned to New York. There,
with tHe aid of the family matriarch,
Mrs. Manson Mingott, he achieved his
purpose, and the wedding date was ad
vanced. This news came to him in a
telegram sent by May to Ellen, which
Ellen read to him just as he was at
tempting to advance the intimacy of their
relationship. Archer left Ellen's house
and found a similar telegram from May
to himself. Telling his sister Janey that
the wedding would take place within a
month, he suddenly realized that he was
now protected against Ellen and him
self.
The ornate wedding, the conventional
European honeymoon which followed,
and May's assumption of the role of the
proper wife, soon disillusioned Archer.
He realized that he was trapped, that
the mores of his society, helped by his
own lack of courage, had prepared him,
like a smooth ritual, for a rigid and codi
fied life. There was enough intelligence
and insight in Archer, however, to make
him resent the trap.
On his return to New York, he con
tinued to see Ellen. The uselessness of
his work as junior attorney in an ancient
law firm, the stale regimen of his social
life, and the passive sweetness of May
did not satisfy that part of Archer which
set him apart from the rest of his clan.
He proposed to Ellen that they go
away together, but Ellen, wise and
kind, showed him that such an escape
would not be a pleasant one, and she in
dicated that they could love each other
only as long as he did not press for a
consummation. Archer agreed. He fur
ther capitulated when, urged by her
family, he advised Ellen, as her attorney
and as a relative, not to get a divorce
from Count Olenski. She agreed, and
Archer again blamed his own cowardice
for his action.
The family faced another crisis when
Julius Beaufort's firm, built upon a
framework of shady financial transactions,
failed, ruining him and his duped cus
tomers. The blow caused elderly Mrs.
Mingott to have a stroke, and the family
rallied around her. She summoned El
len, a favorite of hers, to her side, and
Ellen, who had been living in Washing
ton, D. G, returned to the Mingott house
to stay. Archer, who had not met Ellen
since lie advised her against a divorce,
began seeing her again, and certain re
marks by Archer's male acquaintances
along with a strained and martyrlike
attitude which May had adopted, indi
cated to him that his intimacy with Ellen
was known among his family and friends.
The affair came to an end, however,
when Ellen left for Paris, after learning
that May was to have a baby. It was
obvious to all that May had triumphed,
and Archer was treated by his family
as a prodigal returned. The rebel was
15
conquered. Archer made his peace with
society.
Years passed. Archer dabbled in lib
eral politics, interested himself in civic
reforms. Mis children, Mary and Dallas,
were properly reared. May died when
Archer was in his fifties. He lamented
her passing with genuine grief, tie
watched society changing, and saw the
old conservative order give way, accepting
and rationalizing innovations of a
younger, more liberal generation.
One day his son Dallas, about to be
married, phoned him and proposed a
European tour, their last trip together.
In Paris, Dallas revealed to his father that
he knew all about Ellen Olenska and had
arranged a visit to her apartment. But
when they arrived, Archer sent his son
ahead, to pay his respects, while he re
mained on a park bench outside. A
romantic to the end, incapable of acting
in any situation which made demands
on his emotional resources, he sat and
watched the lights in Ellen's apartment
until a servant appeared on the balcony
and closed the shutters. Then he walked
slowly back to his hotel. The past was
the past; the present was secure.
ALCESTIS
Type of work: Drama
Author: Euripides (480-406 B.C.)
Type of plot: Classical tragedy
Time of plot: Remote antiquity
Locale: Plierae, in ancient Greece
First presented: 438 B.C.
Principal characters:
AVOLLO, god of the sun
ADMKTUS, King of Pherae
ALCESTXS, his wife
THANATOS, Death
HERCULES, son of Zeus and friend to Admetus
Critique:
Composed by Euripides as the fourth
play of a tragic tetrology performed at
the Feast of Dionysius in 438 B.C., Al~
cestis has characteristics of both the tiag-
edy and the satyr play. Although this
was a rare but not unique form among
Attic playwrights, Alcestis is the only
surviving example. Consistent with Eu-
ripidcan technique, the conclusion of the
drama results from the intervention of
a heavenly power that resolves the con
flict, in tins case the character of Her
cules,
The Story:
Phoebus Apollo had a son, Asclepius,
who in time became a gocl of medicine
and healing. Asclepius transgressed di
vine law by raising a mortal, I Jippolytus,
from the dead, and Zeus, in anger, killed
Apollo's son with a thunderbolt forged
by the Cyclops. Apollo then slew the
Cyclops, a deed for which he was con
demned by Zeus to leave Olympus and
to serve for one year as herdsman to
Aclmetus, King of rherne in Thessaly.
Some time after Apollo had completed
his term of service, Aclmetus married
Alcestis, daughter of Pelius, King of lol-
cus. But on his wedding clay he offended
the goddess Artemis and so was doomed
to die. Apollo, grateful for the kindness
Aclmetus had sliown him in the past,
E-evailed upon the Fates to spare the
ng on the condition that when his hour
of death should come, they should ac
cept in ransom the life of whoever would
consent to die in his place.
None of Aclmetus' kin, however, cared
to offer themselves in his place. Then
Alcestis, in wifely devotion, pledged her
self to die for her husband. Finally the
16
day arrived when she must give up her
life.
Concerned for the wife of his mortal
friend, Apollo appealed to Thanatos, who
had come to take Alcestis to the under
world. But Thanatos rejected his pleas,
warning the god not to transgress against
eternal judgment or the will of the
Fates. Apollo declared that there was
one powerful enough to defy the Fates
who was even then on his way to the
palace of Admetus. Meanwhile Alcestis
prepared for her approaching death. On
the day she was to die she dressed her
self in her rich funeral robes and prayed
before the hearth fire to Vesta, goddess
of the hearth, asking her to be a mother
to the two children she was leaving be
hind, to find a helpmate for the boy, a
gentle lord for the girl, and not to let
them follow their mother's example and
die before their time. After her prayers,
she placed garlands of myrtle on each al
tar of the house and at each shrine prayed
tearlessly, knowing that death was com
ing. Then in her own chamber she wept
as she remembered the happy years she
and Admetus had lived together. There
her children found her, and she said her
farewells to them. The house was filled
also with die sound of weeping servants,
grieving for the mistress they loved. Ad
metus also wept bitterly, begging Alcestis
not to leave him. But the condition im
posed by the Fates had to be met. While
he watched, her breath grew fainter, and
her cold hand fell languidly. Before she
died, she asked him to promise that he
would always care tenderly for their
children and! that he would never marry
again.
At that moment Hercules arrived at
the palace of Admetus, on his way to slay
the wild horses of Diomedes in Thrace
as the eighth of his twelve labors. Ad
metus concealed from Hercules the news
of Alcestis' death so that he might keep
the son of Zeus as a guest and carry out
the proper rites of hospitality. Hercules,
ignorant of what had taken place before
his arrival in Pherae, speni the night
carousing, drinking wine, and singing,
only to awaken in the morning and dis
cover that Alcestis had died hours before
he came and that his host had purposely
deluded him in order to make his stay
in Pherae as comfortable as possible. In
gratitude for Admetus' thoughtfulness
and in remorse for having reveled while
the home of his friend was deep in
sorrow, he determined to ambush Thana
tos and bring Alcestis back from the
dead.
Since no labor was too arduous for the
hero, he set out after Thanatos and Al
cestis. Overtaking them, he wrestled with
Thanatos and forced him to give up his
victim. Then he brought Alcestis, heavily
veiled, into the presence of sorrowing
Admetus, and asked the king to protect
her until Hercules returned from Thrace.
When Admetus refused, Hercules in
sisted that the king at least peer beneath
the woman's veil. Great was the joy of
Admetus and his household when they
learned that the woman was Alcestis.
miraculously returned from the grave,
Pleased with his efforts, doughty Her
cules set out once more to face the peril
ous eighth labor which Awaited him in
Thrace, firm in the knowledge that with
him went the undying gratitude of Ad
metus and the gentle Alcestis.
ALECK MAURY, SPORTSMAJST
Type of work: Novel
Author: Caroline Gordon ( 1 895- )
Type of 'plot: Fictional biography
Time of- flat: Late nineteenth, early twentieth centuries
Locale: Virginia, Tennessee, Mississippi, Missouri
First yulolisned: 1934
Principal characters:
ALECK MAURY, a Southern sportsman
17
JAMES Mormrs, his uncle
VICTORIA, his aunt
JULIAN, his cousin
MR. FAYERLEJE, owner of Merry Point
MRS. FAYERLEE, his wife
MOLLY FAYERLEE, their daughter, Aleck's wife
RICHARD, and
SARAH (SALLY), Aleck's and Molly's children
STEVE, Sarah's husband
Critique:
This novel tells of Aleck Maury, who
devoted his life to his twin enthusiasms
for gun and rod. To him, hunting and
fishing were the very breath of life;
everything else was secondary, including
his career as a teacher of Latin and Greek,
The book is a series of incidents
which, when put together, describe
Aleck Maury and make him seem real.
The Story:
Aleck Maury 's love for hunting and
fishing began in childhood. At the age
of eight, Rate, a Negro handyman at the
Maury household, took Aleck coon hunt
ing. Not long after, a mill owner named
Jones took the boy fishing and encouraged
his lifelong love for that sport. Aleck
was always happiest when he was out
in the fields, One of five children, he was
reared by his oldest sister after his mother
died, Until he was ten years old, he was
educated at home by his father, who
put great stress upon the classics and
taught his children nothing else.
At the age of ten, Aleck went to live
at Grassdale with his Uncle James and
Aunt Victoria Morris and their son,
Julian. There his education was to be
broadened under the tutelage of Aunt
Victoria, who was a learned woman,
Aleck's life at Grassdale was pleasant,
centering chiefly about sport.
When Aleck was graduated from the
University of Virginia, he had a classical
education but no plans for making a
living, I le tried several jobs. I le cleared
out a dogwood thicket for a set sum of
money, worked on a construction project
on the Missouri River, in the city en
gineer's office in Seattle, and as a day
laborer on a ranch in California. While
working at the ranch, he contracted
typhoid fever and was sent back east as
far as Kansas City, to stay with some
relatives there. At last through the
efforts of his family Aleck became a
tutor at Merry Point, the home of Mr,
Fayerlee, near Gloversville, Tennessee.
Aleck, living with the Fayerlees, be
came the local schoolmaster for the chil
dren of most of the landowners in the
area. Aleck's first interest, however,
was not in the school or the students he
taught, but in the possibilities for fish
ing and hunting.
During his stay with the Fnyerlees,
Aleck fell in love with Molly I;ayerlee,
and in 1890 they were married, They
continued to live on with the I;ayerlees
and Aleck contimied to teach school.
During his first year of marriage Aleek
acquired the pup Ctyges, a small hut
thoroughbred bird dog. lie trained Gy
from a pup and became greatly attached
to him, The next fall Aleck's son Richard
was horn. Two years later a daughter
Sarah, nicknamed Sally, was born, They
all continued to live at Merry Point.
When Richard was seven, Aleek was
offered the presidency of a small semi
nary in Mississippi, and over the protesta
tions of the Fayerlee family the Maurys
left Merry Point, On the way, while
spending the night in Cairo, Aleck lost
CAT. The dog was never heard of again.
Tney continued their journey to Oak
land and the seminary. When Aleck
arrived, he found that the school was
running smoothly under the able diree-
ALECK MAURY, SPORTSMAN by Caroline Gordon. By perminion of the author and the publiihert, Ch«rlci
Scribaer'i Son*. Copyright, 1934, by Charlea Scribncr'u Sons.
18
tion of Harry Morrow, his young as
sistant, who was interested in adminis
tration rather than teaching. A few
months after arriving at Oakland, Aleck
acquired an untrained two-year-old
pointer named Trecho from his friend,
William Mason. Once again Aleck
started the slow, arduous training of a
good hunting dog.
When Richard was fifteen, Aleck
tried to interest him in the joys of his
own life, hunting and fishing, but his
son, although he was a splendid swimmer
and wrestler, had little interest in his
father's fondness for field and stream.
That summer Richard, while swimming
in the river with a group of his com
panions, was drowned. The boy had been
Molly's favorite and his loss was almost
more than she could bear. Aleck thought
it would be best for all concerned to
leave for different surroundings.
He decided after some correspondence
with friends that he would start a school
in Gloversville, and the family moved
back there. Settled in the small Ten
nessee town, Aleck found much time for
fishing and hunting. He met Colonel
Wyndham and from him learned a great
deal about casting, flies, and the tech
niques to be used for catching various
fish. Finally he began to grow tired of
the same pools and the same river, and
it was with pleasure that he accepted
Harry Morrow's offer of a job on the
faculty of Rodman College at Poplar
Bluff, Missouri, of which Morrow had
just been made president.
Aleck's main reason for accepting the
position was the possibility it offered
for fishing in the Black River. Thus
once again, after ten years in Gloversville,
the Maury family was on the move to
newer fishing grounds. Sally, however,
did not accompany them, but went to a
girls' school in Nashville. The faithful
Trecho was also left behind, for he had
been destroyed at the age of twelve be
cause of his rheumatism.
At Rodman Aleck had only morning
classes, a schedule which left him free
to fish every afternoon. This pleasant
life — teaching in the morning, fishing in
the afternoon — continued for seven years.
Then Molly died after an emergency
operation. Mrs. Fayerlee and Sally
arrived too late to see her alive. The
three of them took her back to be buried
in the family plot at Merry Point.
Aleck returned to Poplar Bluff and
continued teaching there for a few years,
but at last he resigned his position and
went to live at Jim Buford's, near Glovers
ville, where he spent the next two years
restocking Jim's lakes with bream and
bass. Later he decided to go to Lake
Harris in Florida to try the fishing; but
he found it disappointing because of the
eel grass which kept the fish from putting
up a fight. About that time he received
a letter from Sally, who had married
and gone touring abroad with her hus
band. The letter informed him that she
and her husband were soon to return
home and that they hoped to find a quiet
place in the countiy on some good
fishing water, where Aleck would go
to live with them. Aleck wrote and
suggested that they start their search
for a house near Elk River.
Four weeks later he meet Sally and
Steve at Tullahoma, only to learn that
Steve and Sally, who had arrived the
day before, had already discovered the
place they would like to have. They told
him it was the old Potter house, close
to the river. When Aleck saw the big,
clapboard house, however, all his dreams
about a white cottage disappeared, and
when he looked at the river he decided
that it would probably be muddy about
half the year. Seeing his disappoint
ment, Steve and Sally promised to con
tinue their attempt to find a more ideal
house, but at the end of the day's search
they decided that they still liked the old
Potter house the best. That night Aleck
boarded a bus bound for Caney Fork, the
place where he really wanted to live, and
he went to stay at a small inn located
there. The fishing was always good at
Caney Fork.
19
ALICE ADAMS
Type of work: Novel
Author; Booth Tarkington (1869-1946)
Type of 'plot: Social criticism
Time of plot: Early twentieth century
Locale: A small Midwestern town
First published: 1921
Principal characters:
ALICE ADAMS, a small-town girl
Vmcit, ADAMS, her father
Mns. ADAMS, his wife
WALTER ADAMS, his son
MILDRBD PALMER, Alice's friend
ARTHUR RUSSELL, the Palmers' relative
MR. LAMB, of Lamb and Company
Critique:
Alice Adams is a rather simply told
story containing one plot and concerning
itself with one central character. The
novel is the vehicle through which Tar-
kington expounds his philosophy o£ life
and his gentle satire on small town
manners and morals.
night of the dance Alice departed in a
made-over formal, carrying a homemade
bouquet of wild violets, and with an
unwilling escort who was driving a
borrowed flivver. The party itself turned
out no better than its inauspicious be
ginning. Alice was very much a wall-
ilower except Cor the attentions of Frank
Dowling, a fat, unpopular hoy. Toward
the end of the evening Mildred Palmer
introduced Alice to a new young man,
Arthur Russell, a distant relative of the
Palmers, It was rumored that Mildred
and Arthur would become engaged in
the near future, Alice asked Arthur to
find her brother, whom she had not
seen since the second dance. When
Arthur found Walter shooting dice with
the Negro waiters in the cloakroom, Alice
was mortified.
A week later Alice acciclcntly met
Arthur Russell and he walked home
with her, During their walk Alice
learned that Arthur had asked for an
introduction to her at the da nee. Flat
tered, Alice built up for herself a back
ground which did not: exist. Arthur
asked for permission to call on her.
But Arthur failed to appear the next
evening. Several nights later, nfter Alice
had helped with the dishes, she was
sitting on the front poreh when Arthur
finally came to call. To hold his in-
AUCE ADAMS by Booth TarkinKton. By permiftsion Of Brandt «c Brandt and the publiihert, Doublcday A Co
Inc. Copyright, 1921, by Doublcday & Co., Inc. Renewed, 1949, by R. Susannah Tarkmjfton.
The Story:
Alice Adams had been reared in a
town in which each person's business
was everybody's bxisiness, sooner or later.
Her father, Virgil Adams, worked for
Lamb and Company, a wholesale drag
factory in the town, where he also ob
tained a job for his son Walter. Alice
had been one of the town's young smart
set while she was in high school, but
when the others of the group had gone
to college Alice had remained behind be
cause of economic reasons. As time
passed she felt increasingly out of things,
To compensate for a lack of attention,
Alice often attracted notice to herself
by affected mannerisms,
Alice had been invited to a dance
given by Mildred Palmer, who, according
to Alice, was her best friend. Walter had
also been invited so as to provide her
with an escort* Getting Walter to go
out with Alice, however, was a process
which took all the coaxing and cajoling
that Mrs, Adams could muster. On the
20
terest, Alice asked him to promise not to
listen to any gossip about her. As time
went on, she repeated her fear that
someone would talk about her. Her pro
testations were something Arthur could
not understand.
For many years Mrs. Adams had been
trying to convince her husband to leave
his job at Lamb and Company and go
into business for himself. Her idea was
that he could start a factory to manu
facture glue from a formula he and
another young man at Lamb and Com
pany had discovered years before. Mean
while the other man had died and the
only people who knew the formula were
Mr. Lamb and Mr. Adams. Mr. Lamb
had lost interest in the formula. Mr.
Adams felt that his wife's scheme was
dishonest, and in spite of her nagging
he refused to do as she wished. But
after Mr. Lamb's granddaughter failed
to invite Alice to a dinner party she was
giving, Mrs. Adams convinced her hus
band that the true reason was their
own poor economic status. In that way
she finally won his grudging agreement
to her plan.
Without delay, Mr. Adams began to
organize his new business. Walter re
fused to join him because Mr. Adams
would not give him three hundred dol
lars immediately. But Mr. Adams needed
all his money for his new project. He
sent Mr. Lamb a letter of resignation,
telling of his intention to start a glue
factory. He expected some sort of action
or at least an outburst on Mr. Lamb's
part when he read the letter, but nothing
was forthcoming. He went ahead with
his arrangements and began to manu
facture his glue.
Alice's mother decided the time had
come to invite Arthur to dinner, and
Alice agreed with great reluctance. An
elaborate meal was prepared; a maid
was hired to serve, and Mr. Adams wa*>
forced into his dress suit. But the
dinner was a dismal failure, and every
one, including Arthur, was extremely
uncomfortable. Arthur had more reason
than the rest for being so, for he had
heard Mr. Adam's venture discussed in
the most unfavorable light. He had also
heard some uncomplimentary remarks
about Alice. Before dinner was over, a
friend named Charley Lohr came to
speak to Mr. Adams. When both her
mother and father failed to return to the
table, Alice and Arthur went out to the
porch. She soon dismissed him, know
ing that something had come between
them. When she went into the house,
Charley Lohr informed her that her
brother had been caught short in his
accounts and had skipped town.
Mr. Adams decided to get a loan from
the bank the first thing in the morning in
order to pay back what Walter had taken.
However, when he went to his factor)
in the morning, he discovered that the
building which had been erected across
the street from his was in reality another
glue factory, one started by Mr. Lamb.
His hopes of obtaining money on his
factory were shattered. Then Mr. Lamb
rode up to gloat over his retaliation. Mr.
Adams angrily accused Mr. Lamb of
waiting until Walter got into trouble
before announcing his new factory and
thereby making Mr. Adams' property
practically worthless. He worked himself
into such a state that he had a stroke.
Mr. Lamb, feeling sorry for Mr.
Adams, offered to buy him out, and Mr.
Adams was forced to agree. Now there
was no income in the family. Mrs.
Adams decided to take in boarders, and
Alice finally made up her mind to enroll
in Frincke's Business College. She had
lost more than Arthur Russell; she had
lost her daydreams as well.
ALICE IN WONDERLAND
Type of work: Imaginative tale
Author: Lewis Carroll (Charles Lutwidge Dodgson, 1832-1898)
Tyy of ylot: Fantasy
21
Time of plot: Victorian England
Locale: The dream world of an imaginative child
First 'published: 1865
Principal characters:
ALICE
THE WHITE RABBIT
THE DUCHESS
THE QUEEN OF HEARTS
Critique:
Adults will view this book as a gentle
satire on education, politics, literature,
and Victorian life in general, seen
through the eyes of Alice, a child who
is the product of a confusing environ
ment. The book is written with charm
ing simplicity. There are poetic paro
dies on Wordsworth and Sou they which
•i»re amusing to the point of hilarity, as
\vell as ingenuous observations on the
status of powerful female rulers. Through
all her puzzling adventures in the dream
world, Alice remains the very essence
of little girlhood, Children read this
book with delight, finding in Alice a
heroine who aptly represents their own
thoughts ancl feelings about growing up.
The Story;
Alice was quietly reading over her
sister's shoulder when she saw a White
Rabbit dash across the lawn and disap
pear into its hole. She jumped up to rush
after him and found herself falling down
the rabbit hole. At the bottom she saw
the White Rabbit hurrying along a cor
ridor ahead of her and murmuring that
he would be late. lie disappeared
around a corner, leaving Alice standing
in front of several locked doors.
On a glass table she found a tiny
golden key which unlocked a little door
hidden behind a curtain. The door
opened upon a lovely miniature garden,
but she could not got through the door
way because it was too small. She sadly
replaced the key on the table. A little
bottle mysteriously appeared. Alice drank
the contents ancl immediately began to
grow smaller, so much so that she could
no longer reach the key on the table.
Next, sac ate a piece of cake she found
nearby and soon she began to grow to
such enormous size that she could only
squint through the door, la despair, she
began to weep tears as big as raindrops.
As she sat there crying, the White Rab
bit appeared, bewailing the fact that the
Duchess would be angry if he kept her
waiting.
The White Rabbit dropped his fan
and gloves. Alice picked them up and
as she did so she began to grow smaller.
Again she rushed to the garden door,
but she found it shut and the golden
key once more on the table out of reach.
Then she fell into a pool of her own
tears! Splashing along, she encountered
a mouse who had stumbled into the
pool Alice tactlessly began a conversa
tion about her cat Dinah, and the mouse
became speechless with terror. Soon the
pool of tears was filled with living
creatures, birds ancl animals of all kinds.
An old Dodo suggested tlvit they run a
Caucus Race to get dry. Having asked
what a Caucus Race was, Alice was told
that the best way to explain it was to do
it. Whereupon the animals ran them
selves quite breathless and finally became
dry,
Afterwards, the mouse told n "Tail" to
match its own appendage. Alice was
asked to tell something, but the only
thing she could think of was her cat-
Dinah. Frightened, the other creatures
went away, and Alice was left alone.
The White Rabbit appeared once
more, this time hunting for his gloves and
fan. Catching sight of Alice, he sent
her to his home to get him a fresh pair
of gloves and another fan. In the Rab
bit's house she found the fan and gloves
and also took a drink from a bottle, In-
22
stantly she grew to a giant size, and was
forced to put her leg up the chimney
and her elbow out of the window in
order to keep from being squeezed to
death.
She managed to eat a little cake and
shrink herself again. As soon as she was
small enough to get through the door,
she ran into a nearby wood where she
found a caterpillar sitting on a mush
room. The caterpillar was very rude to
Alice and he scornfully asked her to
prove her worth by reciting "You Are
Old, Father William/' Alice did so, but
the words sounded very strange. Dis
gusted, he left her after giving her some
valuable information about increasing or
decreasing her size. She broke off pieces
of the mushroom and found to her de
light that by eating from the piece in her
left hand she could become taller, and
from the piece in her right hand, smaller.
She came to a little house among the
trees. There a footman, who looked very
much like a fish, presented to another
footman, who closely remembled a frog,
an invitation for the Duchess to play
croquet with the Queen. The two am
phibians bowed to each other with great
formality, tangling their wigs together.
Alice opened the door and found herself
in the chaotic house of the Duchess. The
cook was stirring a large pot of soup and
pouring plenty of pepper into the mix
ture. Everyone was sneezing except the
cook and a Cheshire cat which sat on
the hearth grinning. The Duchess her
self held a sneezing, squalling baby, and
sang to it a blaring lullaby. Alice, in
sympathy with the poor child, picked
it up and carried it out into the fresh
air, whereupon the baby turned slowly
into a pig, squirmed out of her arms, and
waddled into the forest.
Standing in bewilderment, Alice saw
the grinning Cheshire cat sitting in a
tree. He was able to appear and dis
appear at will, and after exercising his
talents, he advised Alice to go to a tea
party given by the Mad Hatter. The cat
vanished, all but the grin. Finally that
too, disappeared, and Alice left for the
party,
There Alice found she had to deal with
the strangest people she had ever seen —
a March Hare, a Mad Hatter, and a
sleepy Dormouse. All were too lazy to
set the table properly; dirty dishes were
everywhere. The Dormouse fell asleep
in its teacup; the Mad Hatter told Alice
her hair needed cutting; the March Hare
offered her wine and then told her there
was none. They asked her foolish riddles
that had no answers. Then, worse, they
ignored her completely and carried on a
ridiculous conversation among them
selves. She escaped after the Dormouse
fell asleep in the middle of a story ho
was telling.
Next she found herself in a garden of
talking flowers. Just as the conversation
was beginning, some gardeners appeared
with paint brushes and began to splash
red paint on a rose bush. Alice learned
that the Queen had ordered a red bush
to be placed in that spot, and the gar
deners had made a mistake and planted
a white one. Now they were busily
and fearfully trying to cover their error
before the Queen arrived. But the pooi
gardeners were not swift enough. The
Queen caught them in the act, and the
wretched gardeners were led off to be
decapitated. Alice saved them by shov
ing them down into a large flower pot,
out of sight of the dreadful Queen.
A croquet game began. The mallets
were live flamingoes, and the balls were
hedgehogs which thought nothing of un
curling themselves and running rapidly
over the field. The Duchess cornered
Alice and led her away to the seaside to
introduce her to the Mock Turtle and the
Gryphon.
While engaged in a Lobster Quadrille,
they heard the news of a trial. A thief
had stolen some tarts. Rushing to the
courtroom where a trial by jury was al
ready in session, Alice was called upon
to act as a witness before the King and
Queen of Hearts. But the excited child
unset the jury box and spilled out all
23
its occupants. After replacing all the
animals in the box, Alice said she knew
nothing of the matter. Her speech
infuriated the Queen, who ordered that
Alice's head be cut off. The whole court
rushed at her, and Alice defiantly called
them nothing but a pack of cards. She
awoke from her dream as her sister
brushed away some dead leaves blowing
over her face.
AMELIA
Type of 'work: Novel
Author: Henry Fielding (1707-1754)
Type of ^lot: Domestic realism
Time of 'plot; 1740's
Locale: England
First published: 1751
Principal characters:
CAPTAIN BOOTH, a soldier
AMELIA, his wife
ELIZABETH HARRIS, her sister
SKIIGKANT ATKINSON, her foster brother
DR. HARRISON, Booth's benefactor
Miss MATTHEWS, a woman of the town
COLONKL JAJVTHS, Booth's former officer
Critique:
As Fielding declared in his introduc
tion to The History of Amelia, lie satir
ized nobody in tlie novel. Amelia, the
long-suffering wife of every generation,
is charming and attractive. The foibles
of her husband still ring true* Dr, I Iar~
rison is a man each reader would like
to know. Some of the interest of the
novel lies in Fielding's accurate presenta
tion of prison life and the courts* Having
been a magistrate for many years, he was
able to present these scenes in a most
modern and realistic way, for aside from
presenting the virtuous character of
Amelia, i'ielding wanted his novel to
interest people in prison and legal re
form. Although the novel lacks the
extravagant humor of his earlier novels,
the plot presents many amusing char
acters and complex situations.
The Story,
One night the watchmen of West
minster arrested Captain William Booth,
seizing him during Jhis attempt to rescue
a stranger who was being attacked by
two ruffians. The footpads secured their
own liberty by bribing the constables,
but Booth, in spite of his protests, was
hailed before an unjust magistrate. The
story he told was a straightforward one,
but because he was penniless and shab
bily dressed the judge dismissed his tale
and sentenced him to prison. Booth was
desperate, for there was no one he knew
in London to whom he could turn for
aid. His plight was made worse by his
reception at the prison. His fellow pris
oners stripped him of his coat, and a
pickpocket made off with his snulFbox.
While he was smarting from these in
dignities, a fashionably dressed young
woman was brought through the gates,
Flourishing a bag of gold in the face
of her keepers, she demanded a private
room in the prison. Her appearance and
manner reminded Booth of an old friend
of questionable background, a Miss Mat
thews whom he had not seen for several
years. But when the woman passed him
without a sign of recognition, he be*
lieved himself mistaken,
Shortly afterward a guard brought him
u guinea in. a small parcel, and with the
money Booth was able to redeem his
coat and snuffbox. The rest of the wind
fall he lost in a card game. Booth was
penniless once more when a keeper came
24
co conduct him to Miss Matthews, for
the woman was indeed she. Seeing his
wretched condition as he stood by the
prison gate, she had sent him the mys
terious guinea.
Reunited under these distressing cir
cumstances, they proceeded to relate the
stories of their experiences. Miss Mat
thews told how she had been committed
to await sentence for a penknife attack
on a soldier who had seduced her under
false promises of marriage.
Booth, in turn, told this story. He had
met a Miss Amelia Harris, a beautiful
girl whose mother at first opposed her
daughter's marriage to a penniless sol
dier. The young couple eloped but were
later, through the efforts of Dr. Harri
son, a wise and kindly curate, reconciled
with Amelia's mother. Booth's regiment
was ordered to Gibraltar, shortly before
a child was to be born to Amelia. He
left reluctantly, leaving Amelia in the
care of her mother and her older sister,
Elizabeth. At Gibraltar Booth earned the
good opinion of his officers by his brav
ery. Wounded in one of the battles of
the campaign, he was very ill, and
Amelia, learning of his condition, left
her child with her mother and sister and
went to Gibraltar to nurse her sick hus
band. Then Amelia, in her turn, fell
sick. Wishing to take her to a milder
climate, Booth wrote to Mrs. Harris for
money, but in reply received only a rude
note from Elizabeth. He hoped to get
the money from his army friend, Major
James, but that gentleman was away at
the time. Finally he borrowed the money
from Sergeant Atkinson, his friend and
Amelia's foster brother, and went with his
wife to Montpelier. There the couple
made friends with an amusing English
officer named Colonel Bath and his sister.
Joy at the birth of a second child, a
girl, was dampened by a letter from Dr.
Harrison, who wrote to tell them that
old Mrs. Harris was dead, and that she
had left her property to Amelia's sister.
The Booths returned home, to be greeted
so rudely by Elizabeth that they with
drew from the house. But for the help
of Dr. Harrison, they would have been
destitute. Harrison set Booth up as a
gentleman farmer and tried to help him
make the best of his half-pay from the
Army. But because of several small mis
takes, Booth made enemies among the
surrounding farmers. Dr. Harrison was
traveling on the continent at the time
and in his absence Booth was reduced
almost to bankruptcy, He came to Lon
don to try his fortunes anew. He pre
ceded Amelia, found modest lodgings,
and wrote her where they were. It was
at this point that another misfortune
landed him in prison. At the end of
Booth's story, Miss Matthews sympa-
thized with his unfortunate situation,
congratulated him on his wife and chil
dren, and paid the jailer to let Booth
spend the next few nights with her in
her cell.
Booth and Miss Matthews were shortly
released from prison, The soldier
wounded by Miss Matthews having com
pletely recovered, charges against her
were dropped. Miss Matthews also se^
cured the release of Booth, and the two
were preparing to leave prison when
Amelia arrived. She had come up from
the country to save him, and his release
was a welcome surprise for the distressed
wife. The Booths set themselves up in
London, Shortly afterward, Booth met
his former officer, now Colonel James,
who in the meanwhile had married Miss
Bath and grown quickly tired of her.
Mrs. James and Amelia resumed their
old friendship. Booth, afraid that Miss
Matthews would inform Amelia of their
affair in prison, told Colonel James of
his difficulties and fears. The colonel
gave him a loan and told him not to
worry. Colonel James was himself in
terested in Miss Matthews, but he was
unable to help Booth by his intercession.
Miss Matthews continued to send Booth
reproachful and revealing letters which
might at any time have been intercepted
by Amelia.
While walking in the park one day^,
the Booths met Sergeant Atkinson. He
joined their household to help care for
the children, and soon he started a half
flirtation with a Mrs. Ellison, Booth's
landlady.
Mrs. Ellison proved useful to the
Booths, for a lord who came also to visit
her advanced money to pay some of
Booth's debts. Meanwhile Miss Mat
thews had spitefully turned Colonel
James against Booth. Colonel Bath, hear
ing his brother-in-law's poor opinion of
Booth, decided that Booth was neither
an officer nor a gentleman, and chal
lenged him to a duel. Colonel Bath be
lieved in nothing so much as a code of
honor, and when, in the duel, Booth had
run him through, without serious injury,
the colonel was so much impressed by
Booth's gallantry that he forgave him and
brought about a reconciliation between
James and Booth,
During this time Mrs. Ellison had been
trying to arrange an assignation between
Amelia and the nobleman who had given
Booth money to pay his gambling debts.
Amelia was innocently misled by her
false friends. But the nobleman's plan
to meet Amelia secretly at a masquerade
was thwarted by another neighbor, Mrs.
Bennet This woman, who had been a
boarder in Mrs. Ellison's house, had also
met the noble lord, had encountered
him at a masquerade, and had drunk the
drugged wine he provided. To prevent
Amelia's ruin in the same manner, Mrs.
Bennet came to warn her friend. Then
she informed Amelia that she had re
cently married Sergeant Atkinson, whom
Amelia had thought in love with Mrs.
Ellison. But Amelia's joy at learning
of both the plot, which she now planned
to escape, and of the marriage, was
marred by the news that Booth had again
been put into prison for debt, this time
on a warrant of their old friend Dr.
[ larrison.
Amelia soon discovered that Dr, Har
rison had been misled by false rumors
of Booth's extravagance, and had put
him in jail in order to stop his rash
spending of money. Learning the truth,
Dr. Harrison had Booth released from
prison.
On the night of the masquerade
Amelia remained at home but sent Mrs.
Atkinson dressed in her costume. At the
dance Mrs. Atkinson was able to fool
not only the lord but also Colonel James.
The complications of the affair were
many, almost every relationship beino
misunderstood. Booth fell in with an old
friend and lost a large sum of money
to him. Again he became worried about
being put in jail. Then he became in
volved in a duel with Colonel Jarnes
over Miss Matthews, whom Booth had
visited only at her insistence. Before
the duel could take place, Booth was
again imprisoned for debt, and Dr. Har
rison was forced to clear his name with
Colonel James. Finally James forgave
Booth, and Miss Matthews promised
never to bother him again.
Called by chance into a strange house
to hear the deathbed confession of a
man named Robinson, Dr. 1 larrison
learned that Robinson had at one time
been a clerk to a lawyer named Murphy
who had made Mrs, Harris* will. He
learned also that the will which had left
Amelia penniless was a false one prepared
by Elizabeth and Murphy. Dr. Harri
son had Robinson write a confession so
that Amelia could get the money that
was rightfully hers. The lawyer Murphy
was quickly brought to trial and con
victed of forgery.
Booth's troubles were now almost at
an end. With Dr, Harrison he and
Amelia returned home to confront Eliza
beth with their knowledge of her scheme.
Elizabeth fled to France, where Amelia,
relenting, sent her an annual allowance.
Booth's adventures had finally taught
him not to gamble, and with his faithful
Amelia he settled clown to a quiet and
prosperous life blessed with many chil
dren and the invaluable friendship of
Dr, Harrison and the Atkinsons.
26
THE AMERICAN
Type of work: Novel
Author: Henry James (1843-1916)
Type of •plot: Psychological realism
Time of plot: Mid-nineteenth century
Locale: Paris, France
First published: 1877
Principal characters:
CHRISTOPHER NEWMAN, an American
MR. TRISTRAM, a friend
MRS. TRISTRAM, his wife
M. NIOCHE, a shopkeeper
MLLE. NIOCHE, his daughter
MADAME DE BELLEGARDE, a French aristocrat
CLAIRE DE CENTRE, Madame de Bellegarde's daughter
MARQUIS DE BELLEGARDE, Madame de Bellegarde s older son
VALENTIN DE BELLEGARDE, Madame de Bellegarde's younger son
MRS. BREAD, Madame de Bellegarde's servant
Critique:
In this novel Henry James shows the
interreaction of two cultures, the Ameri
can and the French. His primary interest
is not in the action; his aim is to analyze
the various psychological situations cre
ated by the events of the plot. The au
thor scrutinizes the inner lives of his
characters and writes about them in an
urbane and polished style uniqxiely his
own.
The Story:
In 1868 Christopher Newman, a
young American millionaire, withdrew
from business and sailed for Paris. He
wanted to loaf, to develop his aesthetic
sense, and to find a wife for himself.
One day, as he wandered in the Louvre,
he made the acquaintance of Mile.
Nioche, a young copyist. She intro
duced him to her father, an unsuccessful
shopkeeper. Newman bought a picture
from Mile. Nioche and contracted to
take French lessons from her father.
Later, through the French wife of an
American friend named Tristram, he met
Claire de Cintr6, a young widow,
daughter of an English mother and a
French father. As a young girl, Claire
had been married to Monsieur de Cintre*,
an evil old man. He had soon died,
leaviju£ Claire with a distaste for mar
riage. In spite of her attitude, Newman
saw in her the woman he wished for his
wife. But an American businessman was
not the person to associate with French
aristocracy. On his first call, Newman
was kept from entering Claire's house
by her elder brother, the Marquis de
Bellegarde.
True to his promise, M, Nioche ap
peared one morning to give Newman his
first lesson in French, Newman enjoyed
talking to the old man. He learned that
Mile. Nioche dominated her father and
that he lived in fear that she would leave
him and become the mistress of some
rich man. M. Nioche assured Newman
that he would shoot her if she did. New
man took pity on the old man and prom
ised him enough money for Mile,
Nioche's dowry if she would paint some
more copies for him.
Newman left Paris and traveled
through Europe during the summer.
When he returned to Paris in the au
tumn he learned that the Tristrams had
been helpful; the Bellegardes were will
ing to receive him. One evening Claire's
younger brother, Valentin, called on
Newman and the two men found their
opposite points of view a basis for friend
ship. Valentin envied Newman's liberty
to do as he pleased; Newman wished
himself acceptable to the society in which
the Bellegardes moved. After they had
become good friends, Newman told Val
entin that he wished to many his sister
and asked Valentin to plead his cause.
Warning Newman that his social posi
tion was against him, Valentin promised
to help the American as much as he
could.
Newman confessed his wish to Claire,
and asked Madame de Bellegarde, Claire's
mother, and the marquis for permission
to he her suitor. The permission was
given, grudgingly. The Bellegardes
needed money in the family.
Newman went to the Louvre to see
how Mile. Nioche was progressing with
her copying. There he met Valentin
and introduced him to the young lady.
Mrs, Bread, an old English servant of
the Bellegardes, assured Newman that he
was making progress with his suit. He
asked Claire to marry him and she ac
cepted. Meanwhile, Valentin had chal
lenged another man to a duel in a
quarrel over Mile. Nioche, Valentin
left for Switzerland with his seconds.
The next morning Newman went to see
Claire. Mrs. Bread met him at the
door and said that Claire was leaving
town. Newman demanded an explana
tion. He was told that the Bellegardes
could not allow a commercial person in
the family. When he arrived home, he
found a telegram from Valentin stating
that he had boon badly wounded and
asking Newman to come at once to
Switzerland.
With this double burden of sorrow,
Newman arrived in Switzerland and
found Valentin near death. Valentin
guessed what his family had done and
told Newman that Mrs. Bread knew a
family secret. If he could get the secret
from her, he could make them return
Claire to him. Valentin died the next
morning.
Newman attended the funeral. Three
days later he again called on Claire, who
told him that she intended to enter a
convent. Newman begged her not to
take this step. Desperate, he called on
the Bellegardes again and told them that
he would uncover their secret, Newman
arranged to see Mrs. Bread that night.
She told him that Madame de Belle-
garde had killed her invalid husband
because he had opposed Claire's marriage
to M. de Cintre. The death had been
judged natural, but Mrs. Bread had in
her possession a document which proved
that Madame de Bellegarde had mur
dered her husband. She gave this paper
to Newman.
Mrs. Bread left the employ of the
Bellegardes and came to keep house for
Newman. She told him that Claire had
gone to the convent and refused to sec
anyone, even her own family. The next
Sunday Newman went to mass at the
convent. After the service he met the
Bellegnrdes walking in the park and
showed them a copy of the paper Mrs.
Bread had given him.
The next day the marquis called on
Newman and offered to pay for the
document, Newman refused to sell. lie
offered, however, to accept Claire in ex
change for it. The marquis refused.
Newman found he could not bring
himself to reveal the Bellegardes' secret.
On the advice of the Tri strains he trav
eled through the English countryside
and in a melancholy mood went to some
of the places he had planned to visit on
his honeymoon. Then he went to Ameri
ca. Restless, he returned to Paris and
learned from Mrs. Tristram that Claire
had become a nun.
The next time he went to see Mrs.
Tristram, he dropped the secret docu
ment on the glowing logs in her fire
place and told her that to expose the
Bellegardes now seemed a useless and
empty gesture, I le intended to leave
Paris forever, Mrs. Tristram told him
that he probably bad not frightened the
Bellegardes with his threat, because they
knew that they could count on his good
nature never to reveal their secret. New
man instinctively looked toward the (ire-
place. The paper had burned to ashes.
AN AMERICAN TRAGEDY
Type of work: Novel
Author: Theodore Dreiser (1871-1945)
Type of plot: Social criticism
Time of plot: Early twentieth century
Locale: Kansas City, Chicago, and Lycurgus, New York
First published: 1925
Principal characters:
CLYDE GRIFFITHS
ROBERTA ALDEN, his mistress
SAMUEL GRIFFITHS, Clyde's wealthy uncle
SONDRA FINCHLEY, society girl whom Clyde loves
Critique:
An American Tragedy is probably
Dreiser's best novel. The tide itself is,
of course, significant. Dreiser believed
that Clyde's downfall was due to the
American economic system and he pre
sents a strong indictment against that
system, If Clyde had had the privileges
of wealth and social position, he would
never have been tempted to a moral de
cision and his consequent ruin. The
novel is a powerful document on the
theme of social inequality and lack of
privilege.
The Story:
When Clyde Griffiths was still a child,
his religious-minded parents took him and
his brothers and sisters around the streets
of various cities, where they prayed and
sang in public. The family was always
very poor, but the fundamentalist faith
of the Griffiths was their hope and main
stay throughout the storms and troubles
of life.
Young Clyde was never religious, how
ever, and he always felt ashamed of the
existence his parents were living. As
soon as he was old enough to make de
cisions for himself, he decided to go
his own way. At sixteen he got a job as a
bellboy in a Kansas City hotel. There
the salary and the tips he received
astonished him. For the first time in his
life he had money in his pocket, and he
could dress well and enjoy himself. Then
a tragedy overwhelmed the family.
Clyde's sister ran away, supposedly to be
married. Her elopement was a great
blow to the parents, but Clyde himself
did not brood over the matter. Life was
too pleasant for him; more and more
he enjoyed the luxuries which his job
provided. He made friends with the
other bellhops and joined them in
parties that centered around liquor and
women. Clyde soon became familiar with
drink and brothels.
One day he discovered that his sister
was back in town. The man with whom
she had run away had deserted her, and
she was penniless and pregnant. Know-
ing his sister needed money, Clyde gave
his mother a few dollars for ner. He
promised to give her more; instead he
bought an expensive coat for a girl in
the hope that she would yield herself
to him. One night he and his friends
went on a party in a car that did not
belong to them. Coming back from their
outing, they ran over a little girl. In
their attempt to escape, they wrecked
the car. Clyde fled to Chicago.
In Chicago he got work at the Union
League Club, where he eventually met
his wealthy uncle, Samuel Griffiths. The
uncle, who owned a factory in Lycurgus,
New York, took a fancy to Clyde and
offered him work in the factory. Clyde
went to Lycurgus. There his cousin,
Gilbert, resented this cousin from the
Middle West, The whole family, with
the exception of his uncle, considered
AN AMERICAN TRAGEDY by Theodore Dreiser. By permission of Mrs. Theodore Dreiser and the publisher*,
The World Publishing Co. Copyright, 1925, by Boni & Livcright, Inc.
29
Clyde beneath them socially, and would
not accept him into their circle. Clyde
was given a job at the very bottom of
the business, but his uncle soon made
him a supervisor.
In the meantime Sondra Finchley, who
disliked Gilbert, began to invite Clyde
to parties she and her friends oi:ten gave.
1 ler main purpose was to annoy Gilbert.
Clyde's growing popularity forced the
Griffiths to receive him socially, much
to Gilbert's disgust.
In the course of his work at the Factory
Clyde met Roberta Alden, with whom
he soon fell in love. Since it was for
bidden for a supervisor to mix socially
with an employee, they had to meet
secretly. Clyde attempted to persuade
Roberta to give herself to him, but the
girl refused. At last, rather than lose
him, she consented and became his mis
tress.
At the same time Clyde was becoming
fascinated by Sondra. He came to love
her and hoped to marry her, and thus
acquire the wealth ana social position
for which he yearned. Gradually he
began breaking dates with Roberta in
order to be with Sondra every moment
that she could spare him. Roberta began
to be suspicious and eventually found
out the truth.
By that time she was pregnant. Clyde
went to drug stores for medicine that
did not work. lie attempted to find a
doctor of questionable reputation. Roberta
went to see one physician who refused
to perform an operation, Clyde and
Roberta were both becoming desperate,
and Clyde saw his possible marriage to
the girl as a dismal ending to all his
hopes for a bright future. He told him
self that he did not love Roberta, that
it was Sondra whom he wished to marry.
Roberta asked him to marry her for the
sake of her child, saying she would go
away afterward, if he wished, so that
he could be free of her. Clyde would
not agree to her proposal and grew more
irritable and worried.
One day he read in the newspaper an
item about the accidental drowning of a
couple who had gone boating. Slowly
a plan began to form in his mind, He
told Roberta he would marry her and per
suaded her to accompany him to an
isolated lake resort. There, as though
accidentally, he lungecl toward her. She
was hit by his camera and fell into
the water. Clyde escaped, confident that
her drowning would look like an accident,
even though he had planned it all care*
fully.
But he had boon clumsy. Letters that
he and Roberta had written were found,
and when her condition became known
he was arrested. I Us uncle obtained an
attorney for him. At his trial, the do*
fense built up an elaborate case in his
favor. But in spite of his lawyer's efforts,
he was found guilty and sentenced to be
electrocuted. 1 lis mother came to see
him and urged him to save his soul. A
clergyman finally succeeded in getting
Clycle to write, a statement— -a declaration
that he repented of his sins. It is doubt
ful whether he did. 1 le died in the
electric chair, si young man tempted by
his desire for luxury and wealth.
AND QUIET FLOWS THE DON
Type of work: Novel
Author: Mikhail Sholokhov (1905- )
Type of 'plot: Historical chronicle
Tinwoffot: 1913-1918
/ ,ocdc: Tatarsk, Russia
/'Vrst 'published: 1928
Principal characters;
Giuk;oit Mi'XHKiiov, fl Cossack
PIOTRA, Gregorys brother
NATALIA, Gregor's wife
AKSINIA ASTAKHOVA, Gregor's mistress
BUNCHUK, a revolutionary leader
Critique:
Inasmuch as this novel has been so
frequently mentioned by the Russians as
proof that great art can be produced
under their form of government, the
book deserves careful consideration. The
Russians are quite right in being proud
of Sholokhov. And Quiet Flows the Don
is a good book, free of any propaganda
and standing on its own merit as a novel.
The book is doubly successful, both as
historical narrative and as an interesting
story of people living during a difficult
period in history.
The Story:
The Melekhov family lived in the
small village of Tatarsk, in the Don
basin of Tsarist Russia. Gregor, the
oldest son, had a love affair with Alcsinia,
wife of his neighbor, Stepan Astakhova.
Stepan was away serving a term in the
army. In an effort to make his son settle
down, Gregor's father arranged a marriage
with Natalia Korshunov, Because Gregor
never loved Natalia, their relationship
was a cold one. Soon Gregor went
openly to Aksinia and the affair became
the village scandal.
When he heard the gossip, Gregor's
father whipped him. Humiliated and
angry, Gregor left home. With Aksinia
he became the servant of the Listnitsky
family, well-to-do landowners who lived
outside the village of Tatarsk. When
Aksinia bore him a daughter, Gregor's
father relented enough to pay a visit
before Gregor left for the army.
In the meantime, Gregor's wife,
Natalia, tried to commit suicide because
Gregor did not return her love. She
went back to her own home, but the
Melekhovs asked her to come to them.
She was glad to do so. When Gregor
returned to Aksinia, on his first leave
from the army, he discovered that she
had been unfaithful to him with Eugene
Listnitsky, the young officer-son of his
employer. Aksinia's daughter had died,
and Gregor felt nothing but anger at his
mistress. He fought with Eugene and
whipped Aksinia as well. Then he re
turned to his own home, and there he
and Natalia became reconciled. During
the time he served in the axmy, Natalia
bore him twins, a boy and a girl.
In the war against the Central Powers,
Gregor distinguished himself. Wounded*
he was awarded the Cross of St. George
and so he became the first Chevalier in
the village. While in the army, he met
his brother, Piotra, and his enemy,
Stepan Astakhova, who had sworn to
kill him. Nevertheless, on one occasion
he saved Stepan's life during an attack.
Discontent was growing among the
soldiers. Bolshevik agitators began to talk
against the government and against a
continuance of the war. In Eugene List-
nitsky's company an officer named Bun-
chuk was the chief agitator. He deserted
before Listnitsky could hand him over
to die authorities.
Then the provisional government of
Kerensky was overthrown and a Soviet
Socialist Republic was established. Civil
war broke out. The Cossacks, proud of
their free heritage, were strongly national
istic and wanted an autonomous govern
ment for the Don region. Many of them
joined the counter-revolutionists, under
such men as Kornilov. Many returned
to their homes in the Don basin. Gregor,
joining the revolutionary forces, was
made an officer of the Red Army.
Meanwhile the revolutionary troops in
Rostov were under attack. Bunchuk, the
machine gunner, was prominent in the
battle and in the administration of the
local revolutionary government. He fell
in love with a woman machine gunner,
AND QUIET FLOWS THE DON by Mikhail Sholokhov. Translated by Stephen Garry. By
publisher*, Alfred A. Knopf, Inc. Copyright, 1934, by Alfred A. Knopf, Inc.
permission of thi
Anna Poodlco, who was killed during an
attack. The counter-revolutionary troops
were successful, and the Red Army troops
had to retreat.
Gregor returned to the village and re
sumed the ordinary life he had led before
the war. Soon news came that revolution
ary troops were advancing on the village.
When his neighbors prepared to flee,
Gregor refused to do so. Stories of burn
ing, looting, and rape spread through the
countryside. A counter-revolutionary of
ficer attempted to organize the villagers
against the approaching enemy troops.
He named Gregor as commander, but
the nomination was turned down in
anger because all the village knew that
Gregor sympathized with the Reds, had
fought with them. Instead, Gregorys
brother Piotra was named commander*
The village forces marched out, Gregor
going with them. When they arrived
at their destination, they found that
the revolutionary troops had already been
defeated and that the leaders had been
captured. Gregor asked what would
happen to them. He was told they would
be shot. Then Gregor came face to face
with Podtielkov, his old revolutionary
leader. When the latter accused him of
being a traitor and opportunist, all of
Gregor's suppressed feelings of disgust
and nationalism burst forth. He re
minded Podtielkov that he and other
Red leaders had ordered plenty of ex
ecutions, and he charged that Podtielkov
had sold out the Don Cossacks, The
revolutionists died prophesying that the
revolution would live, Gregor went back
to his Cossack village.
ANNA KARENINA
Type of work: Novel
Author: Count Leo Tolstoy (1828-1910)
Type of ylot: Social criticism
Time of ylot: Nineteenth century
Locale: Russia
First published: 18754877
Principal characters:
ANNA KAUHNINA
ALEXKI KAHENIN, her husband
COUNT VRONSKY, her lover
STUPAN OrjtoNSKY, her brother
KITTY StrrcnmuJATSJCY, Stepan's sister-in-law
KONSTANTINM LEVIN, in love with Kitty
Critique:
Anna Kctrtinina, one of Tolstoy's mas
terpieces, is distinguished by its realism.
The novel contains two plots: the tragedy
of Madame Kare'nina, in love with a
man who is not her husband, and the
story of Konstantine Levin, a sensitive
man whose personal philosophy is Tol
stoy's reason for writing about him. The
story of Anna is an absorbing one and
true; the person of Levin reflects Tol
stoy's own ideas about the Russian society
in which he lived, Thus the book is a
closely knit plot of a woman bound in
the fetters of the Russian social system
and a philosophy of life which attempts
to untangle the imv/e of incongruities
present in this society,
The Story:
Anna Kar6nmn> the sister of Stejxm
Oblousky, came to Moscow in an attempt
to patch up a tjuarrel between her
brother and nis wife, Dolly* 'I 'here she
met the handsome young Count Vronsky,
who was rumored to be in love with
Dolly's younger sister, Kitty*
But Konstantine Levin, of an old
Muscovite family, was also in love with
32
Kitty, and his visit to Moscow coincided
with Anna's. Kitty refused Levin, but
to her chagrin she received no proposal
from the count. Indeed, Vronsky had
no intention of proposing to Kitty. His
heart went out to Anna the first time he
laid eyes on her, and when Anna re
turned to her home in St. Petersburg,
he followed her.
Soon they began to be seen together at
soirees and at the theater, apparently
unaware of gossip which circulated about
them. Kar£nin, Anna's husband, became
concerned. A coldly ambitious and dis
passionate man, he felt that his social
position was at stake. One night he
discussed these rumors with Anna and
pointed out the danger of her flirtation,
as he called it. He forbade her to enter
tain Vronsky at home, and cautioned her
to be more careful. He was not jealous
of his wife, only worried over the social
consequences of her behavior. He re
minded her of her duty to her young son,
Seryozha, Anna said she would obey
him, and there the matter rested.
But Anna was unable to conceal her
true feelings when Vronsky was injured
in a race-track accident. Kar£nin up
braided her for her indiscreet behavior
in public. He considered a duel, separa
tion, divorce, but rejected all of these
courses. When he finally decided to
keep Anna under his roof, he reflected
that he was acting in accordance with
the laws of religion. Anna continued to
meet Vronsky in secret.
Levin had returned to his country
estate after Kitty had refused him, and
there he busied himself in problems of
agriculture and peasant labor. One day
he went into the fields and worked with
a scythe along with the serfs. He felt that
he was beginning to understand the old
primitive philosophy of their lives. He
planned new developments, among them
a cooperative enterprise system. When
he heard that Kitty was not married after
all, and that she had been ill but was
soon returning to Moscow, he resolved
to seek her hand once more. Secretly,
he knew she loved him. His pride, as
well as hers, had kept them apart.
Accordingly, Levin made the journey
to Moscow with new hope that soon
Kitty would be his wife.
Against her husband's orders, Anna
Kar6nina sent for Vronsky and told him
that she was with child. Aware of his
responsibilities to Anna, he begged her
to petition Kar&nin for a divorce so that
she would be free to marry him. Kar6-
nin informed her coldly that he would
consider the child his and accept it so
that the world should never know his
wife's disgrace, but he refused to think
of going through shameful divorce pro
ceedings. Kardnin reduced Anna to sub
mission by warning her that he would
take Seryozha away if she persisted in
making a fool of herself.
The strained family relationship con
tinued unbroken. One night Kar£nin
had planned to go out, and Anna per
suaded Vronsky to come to the house.
As he was leaving, Kar^nin met Vronsky
on the front steps. Enraged, Kar£nin
told Anna that he had decided to get
a divorce and that he would keep Ser
yozha in his custody. But divorce pro
ceedings were so intricate, the scandal
so great, the whole aspect of the step
so disgusting to Kardnin that he could
not bring himself to go through with the
process. As Anna's confinement drew
near, he was still undecided. After win
ning an important political seat, he be
came even more unwilling to risk his
public reputation.
At the birth of her child, Anna became
deathly ill. Vronsky, overcome with
guilt, attempted suicide, but failed. Kar6-
nin was reduced to a state of such con
fusion that he determined to grant his
wife any request, since he thought her
to be on her deathbed. The sight of
Vronsky seemed to be the only thing
that restored her. After many months
of illness, she went with her lover and
baby daughter to Italy, where they lived
under strained circumstances. Mean
while, Levin proposed once more to Kitty ,
and after a flurry of preparations they
Were married,
Anna Kar£nina and Vronslcy returned
to Russia and went to live on his estate.
It was now impossible for Anna to return
home. Although Karinin had not gone
through with divorce proceedings, he
considered himself separated from Anna
and was everywhere thought to he a
man of fine loyalty and unswerving
honor, unjustly imposed upon by an un
faithful wife. Sometimes Anna stole
into town to see Seryozha but her fear
of being discovered there by her husband
cut these visits short, After each visit
she returned bitter and sad. She became
more and more demanding toward Vron
sky, with the result that he spent less
time with her. She took little interest
in her child, Before long she convinced
herself that Vronsky was in love with
another woman. One day she could not
stay alone in the house. She found her
self at the railway station. She bought
a ticket. As she stood on the platform
gazing at the tracks below, the thunder
of an approaching train roared in her
ears. Suddenly she remembered a man
run over in the Moscow railroad station
on the day she and Vronsky met. Care
fully measuring the distance, she threw
herself in front of the approaching train.
After her death, Vronsky joined the
army. He had changed from a handsome,
cheerful man to one who welcomed
death; his only reason for living had been
Anna.
For Levin and Kitty life became an
increasing round of daily work and
everyday routine, which they shared with
each other. Levin knew at last the re
sponsibility wealth imposed upon him in
his dealings with the peasants. Kitty
helped him to share his responsibility.
Although there were many questions he
could never answer satisfactorily to him
self, he was nevertheless aware of the
satisfying beauty of life, its toil, leisure,
pain, and happiness.
ANTHONY ADVERSE
Type of work; Novel
Author: Hervcy Allen (1889-1949)
Type of plot: Picaresque romance
Time of plot: Late eighteenth and curly nineteenth centuries
Locale: Western Europe, Africa, North America
First published: 1933
Principal characters:
ANTHONY ADVBUSB
DON Luis, MAKQUIS DA VJNOITATA, husband of Anthony's mother
MAUEA, Anthony's mother
Mn. BoNNYPKATuim, Anthony's grandfather
FAITH PALHOLOGCIS, Mr. Bormyfeather's housekeeper
ANTOULA Guisiu»i>n, Anthony's mistress
FjLcmtfNau UDNKY, Anthony's first wife
,
DOLORES I>K LA FUHNTU, Anthony's second wife
VJUSTCJUNT NOLTE, Anthony's friend, a banker
Critique:
Anthony Adverse is the story of a mention of historical personages. Hie
soldier of fortune whose rumblings carry
him over a large part of Europe, to
Africa, and to North America. The book
contains a wealth of incident, as well as
characters, however, are subordinate to
the plot. The novel is also interesting be
cause its various sections represent dif
ferent types of romantic fiction,
ANTHONY ADVERSE by ITcrvcy Allen, By permission of the author «nd the publtihori, Rx nature «c O>., Inc.
ttupy right, 1933, by Hcrvcy Allen.
34
The Story:
The pretty young Marquise Maria da
Vincitata, daughter of a Scottish mer
chant of Leghorn, fell in love with young
Denis Moore within a year of her mar
riage and met with him secretly in France
while her husband was taking a cure for
his gout. Don Luis, die arrogant Marquis
da Vincitata, discovering the intrigue,
spirited his wife away and killed her
gallant, luckless lover when he started
out in pursuit. Maria's baby was born
high up in the Alps. After his wife had
died in childbirth, Don Luis took the
child to Leghorn, where he stealthily de
posited the infant at the Convent of
Jesus the Child. The only tokens of its
parentage were a cape and a statue of the
Madonna which had belonged to Maria.
The boy, christened Anthony by the
nuns, lived at the convent until he was
ten. Then he was delivered to a prom
inent merchant of the town, Mr. Bonny-
feather, to become his apprentice,
Bonnyfeather and his housekeeper
had no trouble recognizing the cape and
the doll as possessions of the merchant's
daughter, Maria. Although Anthony was
given the surname Adverse and was not
told of his relationship to his benefactor,
he was carefully educated with the tacit
understanding that he would one day in
herit the flourishing Bonnyfeather busi
ness.
Anthony matured early. Seduced by
the housekeeper, Faith Paleologus, he
also had a brief affair with the cook's
daughter, Angela. He was attracted, too,
by the English consul's daughter,
Florence Udney, but was not encouraged
by her mother, who was unaware that
Anthony had any expectations.
Anticipating the eventual arrival of
Napoleon's army in Leghorn, Mr. Bonny
feather quietly liquidated his business,
sent his money abroad, and made plans
to retire. Me arranged passage for his
grandson on the American ship Wam-
fanoag, under Captain Jorham. Anthony
was to sail to Cuba to collect some money
on a long-overdue account.
The Wawpanoag stopped first at
Genoa. There Anthony visited Fathei
Xavier, a Jesuit, who had been his guard
ian at the convent. Mr. Bonnyfeather
had given the priest the right to decide
whether the time had come to tell An
thony he was the merchant's heir. It was
from the priest's lips that Anthony
learned of his origin and prospects.
When the Wampanoag reached
Havana Anthony discovered that his
creditor, Gallego, was in Africa as a slave
trader. With the aid of the captain-
general, Don Luis de la Casas, a plan was
devised whereby Anthony would sail to
Africa as a government agent. There he
would impound a cargo of Gallego's
slaves, bring them to Cuba for sale, and
split the proceeds with the captain-
general, thus satisfying the Bonnyfeather
debt. Strongly attracted by Don Luis'
young relation, Dolores de la Fuente,
the young man finally agreed to stay in
Africa and to ship several additional
cargoes of slaves, for the enrichment of
the captain-general and the increase of
his own hopes that he might one day
marry Dolores.
The trip aboard the Ariostatica was a
trying one. Father Francois, a monk who
was being shipped to Africa because he
had tried to give aid and comfort to the
slaves, fell ill of yellow fever and nearly
died. Anthony, forced to rule the crew
and its captain with an iron hand, was
able to put down a mutiny as the ship
sailed up the Rio Pongo to the Gallego
establishment. There he learned that
Gallego had died a few months before,
leaving his factor, Ferdinando, in charge.
Anthony took over the trade station
and for three years shipped cargoes of
human freight to Cuba to be sold there.
To the sorrow of Father Francois, he took
the half-breed Ncleta, Ferdinando's sis
ter, as his mistress. But he was not able
completely to reconcile himself to trading
in human bodies.
While Anthony was absent from the
trading station, Father Francois wa«
35
captured by a native witch doctor, Mnom-
bibi, and crucified. Upon his return, An
thony Found the priest pinioned to his
own cross. With the knowledge that Mr.
Bonnyfcather was dead, and that Captain
Bittern of the Unicorn was waiting in
the Rio Pongo to bear him back to
Leghorn, Arxliony decided to leave the
trading station, He left Neleta behind.
Don Luis, Marquis da Vincitata,
arrived in Leghorn at the same time.
They were both there on business, the
marquis to close up the Casa Bonny-
feather, of which he was landlord, and
Anthony to receive the merchant's will
from Vincent Nolte, a banker with whom
he had been friendly in his youth. Vin
cent suggested that Anthony take ad
vantage of an offer made by M. Ouvrard,
a French financier who was planning to
supply the bankrupt Spanish government
witli French food and money, in return
for silver from Mexican mines. Anthony
was to take charge of the shipments,
which would arrive at New Orleans from
Vera Cruz, and to reinvest profitably as
much of the money as he could. The rest
was to be shipped to Florence Udney's
husband, David Parish, in Philadelphia,
and from there on to Europe.
Traveling to Paris to make arrange
ments, Vincent and Anthony were way
laid in the Alps by Don Luis, who tried
to force their coach over a cliff. I Tis plans
were thwarted, however, and his own
carriage and coachman plunged into the
deep gorge. At the time Don Luis was
traveling with Faith Paleologus, whom
he had made his mistress, The two had
dismounted to watch the destruction of
Anthony and his friend. After their plot
Jailed, they were left to descend the
mountain on foot.
In Paris Anthony met Angela for the
first time in many years. She hud borne
him a son, and had become a famous
singer and the mistress of Napoleon. She
refused to marry Anthony and follow
him to America, but she did give him his
son. At her entreaty, Anthony left the
child with Vincent's childless cousin,
Anna.
Anthony's affairs prospered in New
Orleans, He was able to invest the silver
profitably, to form a bank, and to build
a handsome plantation for himself.
When David Parish died of heart failure,
Anthony married Florence. Their daugh
ter, Maria, was three, when the planta
tion house caught fire one night while
Anthony was away. His wife and daugh
ter were burned to death.
Burdened by his sorrow, Anthony
started west Captured by a tribe of
Indians, he escaped, only to fall into
the hands of soldiers from Santa F<$.
There he was brought before the gover
nor, Don Luis, and sentenced to go to
Mexico City in a prison train* That
same day Don Luis had a stroke and
died. Faith, his wife by that time, pre
pared to return to Spain.
Anthony spent two years in the I lospi-
tal of St. La'/aro before Dolores, widow
of a wealthy landowner, found him and
arranged for his freedom. Later they
were married and went to live in the vil
lage of San Lir/, Dolores bore him two
children. All wont well until an ax
slipped one day and caught Anthony in
the groin while he was foiling a troo. I le
bled to death before1 ho was found,
Many yoars later, long after the village
had been deserted by Dolores and her
people, a group of migrants on their way
to Santa I;<? came to its site, The little
Madonna, whieh Anthony hud carried
with him through life, still stood in a
chapel in the ruins of San Lir/,. Mary
Jorham, the young niece of a Captain
Jorhum, found the image, Inn she was
not allowed to keep it because her parents
thought it a heathen idol, Instead, it
served as a fine target for a shooting
match. It was splintered into a thousand
pieces.
36
ANTIGONE
Type of work: Drama
Author: Sophocles (495M06 B.C.)
Type of -plot: Classical tragedy
Time of 'plot: Ancient Greece
Locale: The city of Thebes
First 'presented: 440 B.C.
Principal characters:
CREON, tyrant of Thebes
ANTIGONE, daughter of Oedipus
ISMENE, her sister
HAEMON, son of Creon
TIRE si AS, a prophet
Critique:
Although the main problem of this
play would be unimportant today, the
discussions of the responsibilities of a
ruler are as pertinent now as in ancient
Greece. The characters of the play move
to their tragic ends with highly dramatic
speeches, while the moral and philosophi
cal problems of the plot are displayed
through the chorus and soliloquies.
When first presented, the play was so
successful with Athenian audiences that
Sophocles was made a general in the
war against Samos. Recent presentations
of the play have been well received by
both audience and critic.
The Story:
Polynices and Eteocles, sons of the
cursed family of King Oedipus, led two
armies against each other before the
gates of Thebes, and both brothers were
Killed in single combat with each other.
Creon, their uncle, and now the tyrant
ruler of the city, ordered that Eteocles
be given full funeral rites, but that Poly
nices, who had attacked the city, be left
unburied and unmourned. Anyone who
broke this decree would be punished with
death.
Antigone and Ismene, the sisters of
Polynices and Eteocles, discussed this
order, and with grief for the unburied
brother tearing at her heart, Antigone
asked Ismene to aid her in giving him
burial. When Ismene refused to help in
so dangerous a task, Antigone went de
fiantly to bury Polynices.
Shortly afterward, Creon learned
from a sentry that the body had been
buried. Angrily he ordered the sentry to
find the perpetrator of the deed. The
sentry returned to the grave and un
covered the body. During a dust storm
Antigone came to look at the grave and,
finding it open, filled the air with lamen
tation. Her cries attracted the attention
of the guard, who captured her and
took her to Creon.
Questioned by Creon, she said that to
bury a man was to obey the laws of the
gods, even if it were against the laws of
a man. Pier reply angered Creon. Antig
one must die. Ismene tried to soften
Creon's heart toward her sister by re
minding him that Antigone was engaged
to his son, Haemon. But Creon remained
firm.
Haemon incurred his father's anger by
arguments that Creon should soften his
cruel decree because of popular sympathy
for Antigone. Creon said that he cared
nothing for the ideas of the town, and
Haemon called his answer foolish. As a
punishment, Creon ordered that Antig
one be killed before Haemon's eyes.
Haemon fled with threats of revenge.
Creon ordered that Antigone be walled
up in a cave outside Thebes and left
there to die for her crime against his
law.
When Antigone was led out of the
city, the people of Thebes followed her,
lamenting her fate. She was thrust into
the cave. All this while, Polynices* body
37
lay unburied outside the walls. The
prophet Tiresias warned Creon that the
gods had not been pleased with his ac
tion, and that the body should be buried.
He foretold that before long Haemon
would die if his father did not bury Poly-
nices and rescue Antigone from the cave*
Creon, realizing that Tiresias' prophe
sies had never proved false, hurried to
avert the fate the prophet had foretold.
Quickly he ordered a tomb prepared for
Polynices, and he himself set off to re
lease Antigone. But the will of the gods
could not be changed so easily. When he
reached the cave, he heard his son's voice
within, crying out in grief. Creon en
tered and saw that Antigone had hanged
herself with a rope made from her own
dress. Haemon, sword in hand, rushed
at his father as if to attack him, but in
stead he spat on the old man. He then
fell on his sword and killed himself in
sorrow over Antigone's death. The news
of these events quickly traveled back to
the city, and Creon's wife, hearing of
so many misfortunes, died by her own
hand.
On returning to Thebes with the body
of his son, Creon learned of his wife's
death. Seeing that his life could no
longer have meaning, he had himself led
out of the city into exile. He was, him
self, the final victim of his harsh tyranny.
THE APOSTLE
Type of work: Novel
Author: Sholem Asch (1880-1957)
Type of plot: Religious chronicle
Time of plot: Shortly after the Crucifixion
Locale: The Roman Empire
First published: 1943
Principal characters:
SAUL OF TARSHISH, afterwards known as Paul
JOSEPH BAE NASA OF CYPRUS, Saul's friend, an early convert
REB ISTEPHAN, a famous Jewish preacher
SIMON BAR JONAH, called Peter
REB JACOB, Joseph's son
Criticpie:
The Apostle is a faithful attempt to
chronicle the life of the two great
apostles, Peter and Paul. Adhering care
fully to the history of the period, the
author has presented a sympathetic por
trait of the struggle of the early Chris
tians. His knowledge of contemporary
events gives the reader a vivid picture of
the life of the period shortly after the
Crucifixion.
The Story:
It was seven weeks after the crucifixion
of Yeshua of Nazareth by Pontius Pilate.
All the poor of Jerusalem, who had found
in Jeshua their Messiah, had gone into
hiding; but the word was spreading. Lit
tle by little the story was told, of Yeshua
who had come back after his death, of
the Messiah who had appeared to his
disciples. The matter was hotly argued
on all sides. The pious Jews could not
believe in a Messiah who had been killed;
the Messianists devoutly affirmed their
faith.
Saul of Tarshish and Joseph bar Naba
came upon a street preacher, a rustic
Galilean, who told with great conviction
of Yeshua's return after he had been
entombed. Cries of belief and of re
pugnance interrupted his talk. Saul him
self spoke with great bitterness against
THE APOSTLE by Sholan Asch. Translated by Maurice Sarane1 By permission nf the author and the pub-
lUhers, G. P. Putnam'* Sons. Copyright, 1943, by Sholein Asch.
this Messiah, for he had no patience with
the gentle Yeshua who was hanged.
The agitation rapidly spread. One of
the most vigorous upholders of Yeshua
was Reb Istephan. He had a gift for
moving men's souls, and more and more
Jews became persuaded. Joseph bar
Naba himself had known Yeshua in his
lifetime, and when Joseph heard Reb
Istephan he was convinced. Joseph be
came a Messianist. This conversion dis
gusted Saul, and in sorrow and bitterness
he turned away from his friend Joseph.
Then a dramatic incident took place.
Simon, the first of Yeshua's disciples,
healed Nehemiah the cripple in the
name of the Nazarene. Many were much
impressed by the cure, but others re
sented Simon's use of the Messiah's
name. As a result his enemies had their
way, and Simon was imprisoned by the
High Priest to await trial. Then another
miracle happened! Simon and his fol
lower Jochanan had been securely locked
in a dungeon, but in the morning they
were walking the streets again. It was
said that they had passed directly through
the stone walls — with die help of
Yeshua.
The resentment against the wild Gali
leans grew among the rulers, while the
humble folk followed Simon with trust.
The High Priest again brought Simon to
trial; but Simon spoke so well in defense
of his doctnne that he was freed. And
now the tumult increased. The ignorant
folk, seeing Simon released, concluded
that there was official sanction for the
new cult; hence more joined the followers
of Yeshua.
Saul was greatly incensed. He believed
that the Messiah was yet to come, that
the disciples were corrupting Jerusalem.
He went to the High Priest and secured
appointment as official spy. In his new
job Saul tracked down the humble Mes-
sianists and sentenced them to the lash.
Growing in power, Saul the Zealot
finally took Reb Istephan prisoner for
preaching the new faith. With grim
pleasure Saul led the way to the stoning
pit and watched Istephan sink beneath
the flung rocks. As he died, the preachei
murmured a prayer for the forgiveness of
his tormentors. Saul was vaguely
troubled.
Then the Messianists were much
heartened. Reb Jacob ben Joseph,
Yeshua's younger brother, came to Jeru
salem to head the humble cult, and Saul
could do little against this pious and
strict Jew. By chance the High Priest
heard of more Messianists in Damascus
Saul volunteered to investigate and hur
ried to his new field. But on the way a
vision appeared to him and said, "Saul,
Saul, why dost thou persecute me?" Saul
then recognized Yeshua for his Lord and
as he was commanded he went on to
Damascus, although he was still blinded
by the heavenly apparition. A follower
of the new religion baptized him and
restored his sight. The penitent Saul
hurried away from the haunts of man.
In all he waited seven years for his mis
sion.
Finally as he prayed in his mother's
house, the call came. Joseph bar Naba
asked Saul to go with him to Antioch
to strengthen the congregation there.
At last Saul was on the way to bring
the word of the Messiah to others. He
left for Antioch with Joseph and the
Greek Titus, Saul's first convert.
Now Simon had founded the church
at Antioch among the Greeks. The per
plexing question was, could a devout
Jew even eat with the gentiles, let alone
accept them into the church? In Jeru
salem Jacob held firmly to the law of
the Torah: salvation was only for the
circumcised. Simon vacillated. In Jeru
salem he followed Jacob; among the
Greeks he accepted gentiles fully. Joseph
had been sent by the elders of Jerusalem
to Antioch to apply the stricter rule to
the growing Messianic church.
Saul at first met with much suspicion,
The Messianists remembered too well
Saul the Zealot who had persecuted them.
But little by little the apostle won them
over. Yeshua appeared to Saul several
39
dines, and he was much strengthened in
the faith. At last Saul found his true
mission in the conviction that he was
divinely appointed to bring the word of
Yeshua to the gentiles. He worked won
ders at Antioch and huilt a strong church
there, but his acceptance of gentiles cost
him Joseph's friendship. As a symbol of
his new mission Saul became Paul and
began his years of missionary work.
To Corinth, to Ephesus, to Cyprus —
to all the gentiles went Paul. Everywhere
he founded a church, sometimes small
but always zealous. With him much of
the time went Lukas, the Greek physi
cian. Lukas was an able minister and a
scholar who was writing the life of
Yeshua.
The devout Jews in Jerusalem were
greatly troubled by this strange preacher
who accepted the gentiles. Finally they
brought him up for trial. Paul escaped
only by standing on his rights as a
Roman citizen. As such he could de
mand a trial before Caesar himself. Paul
went to Rome as a captive, but he re
joiced, for he knew the real test of
Christianity would be in Rome. Al
ready Simon was there, preaching to the
orthodox Jews.
The evil Nero made Paul wait in
prison for two years without a hearing,
and even then only the intervention of
Seneca freed the apostle. For a short
time Simon and Paul worked together,
one among the Jews and the other among
the gentiles. They converted many, and
the lowly fervently embraced the promise
of salvation.
To give himself an outlet for his
fancied talents as an architect, Nero
burned Rome and planned to rebuild a
beautiful city. But the crime was too
much even for the Romans. To divert
suspicion from himself, Nero blamed the
Christians. He arrested thousands of
them, and on the appointed day opened
the royal carnage. Jews and Christians
hour after hour were gored by oxen,
torn by tigers, chewed by crocodiles. At
the end of the third day many Romans
could no longer bear the sight, but still
Nero sat on. It was so strange: the
Christians died well, and with their last
breath they forgave their persecutors.
Simon, only a Jew, was crucified after
ward; Paul, born a Roman citizen, was
beheaded. With them to the execution
went Gabelus the gladiator, who had
accepted Christianity. But the deaths
of Simon and Paul were in reality the
beginning. The martyrdom of the early
Christians was the foundation stone of
the Christian church.
THE APPLE OF THE EYE
Type of work Novel
Author: Glenway Wescott (1901- )
Type of 'plot: Regional romance
Time of plot: Twentieth century
Locale: Rural Wisconsin
Firs* published; 1924
Principal characters:
HANNAH MADOC, a primitive
Juus BrER, Hannah s lover
SELMA, Jule's wife
ROSALIA, Jule's and Selma's daughter
MIKE, Rosalia's lover
DAN STRANE, Rosalia's cousin
Critique:
This novel tells of the background and
youth of Dan Strane in rural Wisconsin,
and the story of Hannah Madoc reveals
the set of values against which the
THE APPLE OF THE EYE by Glenway Wescott. By permittion of the author and the publishers, Harper ft
Biotaert, Copyright, 1924, by Dial Press, Inc.
40
author measures his characters,
himself believed in Hannah's goodness,
but he was too weak to break away
from his own social ties to marry the girl
he really loved. The emphasis upon sex
in the story is typical of a young boy's
wonder at the difference between re
ligious doctrines and the natural functions
of man's true personality.
The Story:
When her drunken father came home
one night and swung at her with a broom
handle, patient, hard-working Hannah
Madoc pushed him off the porch in self-
defense. He died a few days later,
leaving his daughter orphaned and penni
less, and Hannah went to work in Mrs.
Boyle's store. There she waited on cus
tomers during the day and served the
men liquor in the evening.
One night Jule Bier saw her behind
the store counter. Ever since the death
of his wife and the piling up of debts,
old Mr. Bier had struggled to make
enough money from his farm to give
Jule a chance in life. Cold and calculat
ing, the elder Bier had sent Jule to work
as a hired han,d on the neighborhood
farms. Jule began to court Hannah dur
ing long walks at night; he took her to
neighborhood dances, and they went for
rides in his buggy. Hannah soon tired of
the attentions of other men. When Mr.
Boyle attempted to make love to her, she
quit her job to go to work on a farm
near Jule's home.
Old Mr. Bier sent Jule to court Selma
Duncan, the oldest daughter of a wealthy
farmer. Blindly obeying his father, Jule
proposed to the girl and was accepted.
Then he realized what he had done.
Facing Hannah, he was bewildered by
her grief, only half aware of his own.
Leaving the neighborhood of Sheboy-
gan, Hannah went to Fond du Lac,
where she became a prostitute and lost
in a few years her beauty and vitality.
At last Jule went to Fond du Lac to
bring his former sweetheart back to her
home. Hannah ended her years in bitter
sterility, answering a call for help from
a neighbor, nursing a sick calf, or taking
care of someone's children when theii
mother became ill. She died, prematurely
aged and broken, as the result of a fall.
Jule and Selma had one daughter,
Rosalia, Selma's sister, Mrs. Strane, had
a son, Dan, who was a boy of fourteen
when Rosalia was in her early twenties.
Mike, a young man with a keen zest
for life, worked on Jule's farm. Because
his mother was so tight-lipped and be
cause she tried to instill in him a chastity
of ignorance and abstinence, Dan had
developed an adolescent feeling of frus
tration and curiosity. He longed to know
what sex was, how it affected people,
but at the same time he was overcome
by an inbred feeling of shame. It was
Mike who cleared the way for Dan after
they became friends. Mike, who believed
that life should be full of experience both
physical and mental, made life's processes
a wonderful thing, not obscene and dirty,
as Dan's mother had led the boy to be
lieve. Breaking away from the mother
who had been his idol, Dan replaced her
with his new friend, Mike. Mike, in
love with Rosalia, shared his deeper
feelings with his young friend. Dan had
grown up,
Mike loved Rosalia and he desired her,
but at first Rosalia resisted his love-mak
ing. One afternoon he seduced her.
Rosalia's subsequent tears frightened him,
but soon she learned to hide her terror
of love. She told Mike that they ought
.0 get married to redeem their sin, but
Mike's suggestion that Selma might not
approve quieted the frightened girl. Mike
was not certain that he wanted to marry
Rosalia. When Jule quietly told Mike
that he had noticed Rosalia's and Mike's
love and that he would not object to the
marriage if Mike wanted it, Mike felt
trapped, He quit his job with Jule and
left the Bier farm.
Dan was inconsolable. Having looked
upon his cousin and Mike as perfect
lovers, he could not understand why
Mike should leave. Rosalia brooded, her
41
sense of guilt increasing after Mike's de
parture. Although she hid her feelings
from her parents, Dan knew enough of
her affair with Mike to be curious about
Rosalia's feelings. But he could learn
nothing from her. Rosalia herself was
not as calm as she appeared to be. The
punishment for love was a child. She
felt a surge of emotion within her, and
it seemed permanently a part of her. She
concluded that she must be with child.
It was inevitable; she had sinned and this
was to be her harvest. Deserted by her
lover-husband, she could not bear to
think of her shame. She told some neigh
bors that she was going to run off to meet
Mike, and one night during a snowstorm
she left her home.
No one had heard from Rosalia or
Mike. Dan and Selma waited through
the winter. Once, when Dan went to
visit his aunt in Milwaukee, he looked
for Mike, but lie did not find him. In
the spring a neighbor brought the news
to Jule that Rosalia's body had been
found in the swamp. Fearing that the
news would kill the already ailing Selma,
Jule made the neighbor and Dan
promised to tell no one about Rosalia's
body. They buried the girl in the swamp,
All summer Dan worked on his father's
farm. He had begun to hate the memory
of Mike ever since he had helped Jule
bury the body of Rosalia. A liundred
times over Dan killed Mike in effigy. In
the fall Selma died, and Dan went to live
with Jule. The kindly, patient man, who
had seen so much of Hie, won Dan's af
fections.
Jule wanted Dun to tell him all he
knew about Rosalia and Mike. The
wonderful understanding of the old man
impressed his nephew. Mike had done
the best he knew how, Jule maintained.
In turn, he told Dan about Hannah
Madoc. If Hannah had been Rosalia's
mother instead of Selma, Jule said,
Rosalia would not have been destroyed
through fear. Hannah knew how to
handle life. Religious people were always
trying to make life better than it was,
but life should be accepted at its simple,
natural values. Dan accepted his uncle's
views.
Dan's father had never understood his
son. I laving completed his high school
education, Dan was becoming restless.
His father, realising that Dan was not
cut out for farm work, suggested that
he go to college, With high hopes that
he would Find more answers to his ques
tioning of life, Dan prepared to enter
the state university.
ARNE
Type of work-, Novel
Author: Bjomstjerne BjoTnson (1832-1910)
Type of plot: Pastoral romance
Time of plot: Early nineteenth century
L&cale: Norway
First published: 1858
Principal characters:
NILS, a tailor
MAiiorr, his wife
AHNE> their son
BAAIID BORN, Nils' enemy
ELI, Baard's daughter
Critique:
Arnc is best described as a pastoral
story, but the discerning reader will find
to personal honor, their ability to trans
late memory into action of word or deed.
it also an allegory of the life of Norse I Ie will read of a man us wicked as Nils
peasants. He will read of their devotion and feel that Nils was in a sense a martyr
42
to evil spirits. He will leave the story of
Arne with a sense of completion, for the
restless and tragic searching of Nils' life
is in a sense fulfilled when the daugh
ter of his enemy marries his son.
The Story:
Arne was born on the hillside farm
of Kampen. He was the son of Margit,
betrayed one night when she attended a
dance. The man said to be the child's
father was Nils, the tailor, who in his
free time fiddled for country dances.
Arne's grandmother was a frugal widow
who saved what she earned so that her
daughter and her grandson might not
want for lack of a man to look after
them. In the meantime the fiddler-
tailor, Nils, drank more and tailored less
so that his business fell off.
By the time Arne was six he knew a
local song written about the wild be
havior of his father. His grandmother
insisted that Arne be taught his origin.
Not long afterward Nils suffered a
broken back in a barn fight with Baard
Boon. About the same time the old
grandmother, who felt that her days
were numbered, warned her daughter
against wasting the money saved for her
use.
When the grandmother died, Arne's
mother brought Nils home to be nursed.
The next spring Margit and Nils were
married ana Nils recovered enough to
help with some of the farm work. At first
Nils was gloomy and morose because he
was no longer able to join the fiddlers
and the dancers at weddings, and he
drank heavily. As his strength returned
he began to nddle once more. Arne went
along to merry-makings to carry his
fiddle case. By this companionship Nils
weaned Arne away from Margit by
degrees. Occasionally the boy was re
morseful, but his father's hold grew
stronger as time passed.
Finally, during a scene of drunken
violence, Nils died. Arne and his mother
took the blame for his death partly
upon themselves. Arne became aloof
from the villagers; he tended his cattle
and wrote a few songs.
He became more and more shy. At a
wedding, interpreting one of the folk
tales as referring to him, he told a wild
story, part truth, part fancy, about his
father's death. Then he rushed from the
house. He had had too much brandy, and
while he lay in the barn recovering, his
mother told him she had once found
Nils there in the same condition — on
the occasion of Arne's christening.
Arne began to take a new interest in
old legends and ballads. As he listened
to stories told by an old man of the
village, he found himself making up
tales of his own. Sometimes he wandered
alone in the forest and sang songs as they
came into his head.
From a distance he observed Eli
Boen and her good friend, the pastor's
daughter. He began to sing love songs.
Arne did some carpentering and his
work took him into the village more
often. That winter Boen sent for Arne
to do some carpentering. Ame's mother
was disturbed because it had been Boen
who had caused Nils to break his back
years before. At first Boen's wife re
fused to speak to Arne. Eli Boen, who
was attentive to him in the beginning,
later ignored him. One day Arne brought
word that the pastor's daughter was
leaving the village. Eli fainted when she
heard the news, for the two girls had
been close friends.
Baard Boen tried to explain to Arne
what had happened years before between
Nils and himself. But he did not manage
to make himself clear, and after many
years he himself was not sure of the
cause of their long-standing quarrel.
Eli's mother became friendly with
Arne at last and she asked him to sing
for Eli, who seemed to be recovering
from her illness. While he sang, he
and Eli felt a deep intimacy spring up
between them. The next day, his work
completed, Arne took his tools and left.
From that time on he thought more and
more about Baard Boen's daughter.
Ame had a friend, Kristian, who had
gone to America. Now Kristian began
to write urging Arne to join him, but
Margit hid the letters as they came.
Finally she went to the pastor for advice.
He felt that Arne must be allowed to
live his own life as he saw fit.
The farm was beautiful when spring
came. On one of his rambles Arne came
upon Eli and thought her more beauti
ful than he had ever seen her before.
Margit took heart from his fondness for
the girl. One midsummer evening she
discovered Eli in the village and asked
her to go for a walk. She took the girl
to her homestead and showed her about,
from the stables to the chest in which
Arne kept the many gifts that were to
belong to his bride, among them a
hymn book with a silver clasp. On the
clasp Eli saw her own name engraved.
Presently Arne appeared and later he
walked with EH back to her own home.
They realized now that they were com
pletely in love.
Shortly afterward they were married,
Children stood by the church bearing
bits of cake. Baard Boen, remembering
his long-ago feud with Arne's father,
marveled at this wedding of his daugh
ter and the son of his old enemy.
ARROWSMITH
Type of work: Novel
Author: Sinclair Lewis (1885-1951)
Type of 'plot: Social criticism
Time of plot: Early twentieth century
Locale; United States and West Indies
First published: 1924
Principal characters:
MARTIN AxmowsMtra, a medical scientist
LEOHA, his wife
D&, MAX: GOTTLIEB, a scientist
GUSTAVB SoNj>Ekiurs> a scientist
TEJURY WXCKBTT, Martin's friend
JOYCE LANYON, a young widow
Dn, ALMUS PicomutrGB, a public health reformer
Critique:
Arrowsmith is one of the novels in
which Sinclair Lewis has attempted to
point out the insufficiencies and com
placencies of American life. What
Babbitt did for the American business
man, Arrowsmith was intended to do for
the American doctor, The thesis of
Arrowsmith would appear to be that the
only decent way for a physician to serve
mankind is by research. Using Martin
Arrowsmith as his example, Lewis has
tried to show that the progressive doctor
is not appreciated in private practice; that
the field of public health is politically
corrupt; that the fashionable clinic is
often a commercial enterprise; that even
the best institutes of research are in
terested chiefly in publicity.
The Story,
Martin Arrowsmith was the descendant
of pioneers in the Ohio wilderness. He
tfrew up in the raw rod-brick town of
Elk Mills, in the state of Winnemac, a
restless, lonely boy who spent his odd
hours in old Doc Vickerson s office. The
village practitioner was a widower, with
no family of his own, and bo encouraged
Martin's interest in medicine.
At twenty-one Martin was a junior
preparing for medical school at the Uni
versity of Winnemac. Continuing on at
ARROWSMITH by Sinclair Lewii. By permission of the author And publinlvcrf. Harcourt Brare & Co
Copyright, 1925, by Haroourt. Brace & Co., Inc. '
44
the medical school, he was most in
terested in bacteriology and research and
the courses of Professor Max Gottlieb, a
noted German scientist. After joining a
medical fraternity, he made many life
long friends. He also fell in love with
Madeline Fox, a shallow, pseudo-intel
lectual who was taking graduate work
in English. To the young man from
the prairie, Madeline represented culture.
They became engaged.
Martin spent many nights in research
at the laboratory, and he became the
favorite of Professor Gottlieb. One day
Gottlieb sent him to the Zenith City
Hospital on an errand. There Martin
met an attractive nurse named Leora
Tozer. He soon became so interested in
Leora that he became engaged to her
as well. Thus young Martin Arrowsmith
found himself engaged to two girls at
the same time. Unable to choose be
tween them, he asked both Leora and
Madeline to lunch with him. When he
explained his predicament, Madeline
stalked angrily from the dining-room
and out of his life. Leora, amused, re
mained. Martin felt that his life had
really begun.
Through his friendship with Gottlieb,
Martin became a student instructor in
bacteriology. Leora was called home to
North Dakota. Because of Leora's
absence, trouble with the dean, and too
much whiskey, Martin left school during
the Christmas holidays. Traveling like a
tramp, he arrived at Wheatsylvania, the
town where Leora lived. In spite of the
warnings of the dull Tozer family, Mar
tin and Leora were married. Martin went
back to Winnemac alone. A married
man now, he gave up his work in bac
teriology and turned his attention to
general study* Later Leora joined him in
Mohalis,
Upon completion of his internship,
Martin set up an office in Wheatsylvania
with money supplied by his wife's family.
In the small prairie town Martin made
friends of the wrong sort, according to
the Tozers, but he was fairly successful
as a physician. He also made a number
of enemies. Meanwhile Martin and
Leora moved from the Tozer house to
their own home. When Leora's first child
was born dead, they knew that they
could never have another child,
Martin had again become interested in
research. When he heard that the
Swedish scientist, Gustave Sondelius,
was to lecture in Minneapolis, Martin
went to hear his lecture. In that way
Martin became interested in public
health as a means of controlling disease.
Back in Wheatsylvania, still under the
influence of Sondelius, he became acting
head of the Department of Public
Health. Because Martin, in his officia?
capacity, found a highly respected seam
stress to be a chronic carrier of typhoid
and sent her to the county home for
isolation, he became generally unpopular.
He welcomed the opportunity to join Dr.
Almus Pickerbaugh of Nautilus, Iowa,
as the Assistant Director of Public
Health, at a considerable increase in
salary.
In Nautilus he found Dr. Pickerbaugh
to be a public-spirited evangelist with
little knowledge of medicine or interest
in scientific control of disease. The
director spent his time writing health
slogans in doubtful poetic meter, lectur
ing to clubs, and campaigning for health
by means of Better Babies Week, Banish
the Booze Week, and Tougher Teeth
Week. Martin was gradually drawn
under the influence of the flashy, arti
ficial methods used by his superior.
Although he tried to devote some time
to research, the young doctor found that
his job took up all his time. While Dr.
Pickerbaugh was campaigning for elec
tion to Congress, Martin investigated the
most sanitary and efficient dairy of the
town. He found that the dairy was
spreading disease through a streptococcus
infection in the udders of the cows.
Against the advice of Dr. Pickerbaugh,
Martin closed the dairy and made many
enemies for himself. Despite his act,
however, he was made Acting Director
45
of Public Health when Dr. Pickerbaugh
was elected to Congress.
In his new capacity, Martin hired a
competent assistant in order to have
more time for research in bacteriology.
Largely because he fired a block of tene
ments infested with tuberculosis, Martin
was asked to resign. For the next year
he worked as staff pathologist of the
fashionable Rouncefield Clinic in Chi
cago. Then publication of a scientific
paper brought him again to the attention
of his old friend and professor, Max
Gottlieb, now located at the McGurk In
stitute in New York. Dr. Arrowsmith
was glad to accept the position Gottlieb
offered him.
At the McGurk Institute Martin de
voted his whole time to research, with
Gottlieb as his constant friend and
adviser. He worked on staphylococcus
germs, producing first a toxin, then an
antitoxin. Under the influence of Gott
lieb and Terry Wickett, his colleague at
McGurk, Martin discovered the X Prin
ciple, a bacterial infection which might
prove to be a cure for disease. Although
Martin wanted to postpone publication
of his discovery until he was absolutely
certain of its value, the directors of the
institute insisted that he make his results
public at once. Before his paper was
finished, however, it was learned that
the same principle had already been dis
covered at the Pasteur Institute, where
it was called a bacteriophage. After that
disappointment, Martin began work on
the possibility of preventing and curing
bubonic plague with the phage, as the
new antitoxin was called.
Meanwhile Gustave Sondelius had
come to the McGurk Institute. He be
came so interested in Martin's work
that he spent most of his time helping
his young friend. When a plague broke
out on St. Hubert, an island in the
West Indies, Martin and Sondelius were
asked to go there to help in the fight
against the epidemic. Accompanied by
Leora they sailed for the island of St.
Hubert. Before leaving, Martin had
promised Gottlieb that he would conduct
his experiment deliberately by refusing
to treat some of the plague cases with
phage, so that the effects of the treatment
could be tabulated.
The plague spread daily on the tropical
island. Sondelius was stricken and he
died. Martin was often away from his
laboratory as he traveled between villages.
During one of his trips Leora lighted a
half-smoked cigarette she found on a
table in his laboratory. The tobacco had
been saturated with germs from an over
turned test tube. Leora died of the
plague before Martin's return.
Martin forgot to be the pure scientist.
He gave the phage to all who asked for
it. Although his assistant continued to
take notes to carry on the research, Mar
tin was no longer interested in the re
sults. When the plague began to abate,
he went back to New York. There,
lonely and unhappy, he married Joyce
Lanyon, a wealthy young widow whom
he had met on St. Hubert. But the
marriage was not a success. Joyce de
manded more of his time than he was
willing to take from research; he felt ill
at ease among her rich and fashionable
friends. When he was offered the as
sistant directorship of McGurk Institute,
he refused the position. In spite of
Joyce's protests, he went off to join his
old friend, Terry Wickett, at a rural
laboratory in Vermont, where they in
tended to experiment on a cure for pneu
monia. At last, he believed, his work —
his life — was really beginning.
AS YOU LIKE IT
Type of -work: Drama
Author: William Shakespeare (1564-1616)
Type of flot: Pastoral romance
Time of <pht: The Middle Ages
46
Locale: The Forest of Arden in medieval France
First presented: c. 1600
Principal characters:
THE BANISHED DUKE
FREDERICK, his brother and usurper of his dominions
OLIVER, older son of Sir Rowland de Boys
ORLANDO, younger son of Sir Rowland de Boys
ADAM, a servant to Oliver
TOUCHSTONE, a clown
ROSALIND, daughter of the banished duke
CELIA, daughter of Frederick
Critique:
Shakespeare took most of the plot of
this play from a popular novel of the
period, Rosalynde, by Thomas Lodge.
What he added was dramatic characteri
zation and wit. As You Like It is a
comedy compounded of many elements,
but the whole is set to some of Shake
speare's loveliest poetry. Kindliness, good
fellowship, good-will — these are the ele
ments of As You Like It, and Shake
speare shows how much they are worth.
The Story:
A long time ago the elder and lawful
ruler of a French province had been
deposed by his younger brother, Fred
erick. The old duke, driven from his
dominions, fled with several faithful fol
lowers to the Forest of Arden. There he
lived a happy life, free from the cares
of the court and able to devote himself
at last to learning the lessons nature had
to teach. His daughter Rosalind, how
ever, remained at court as a companion
to her cousin Celia, the usurping Duke
Frederick's daughter. The two girls were
inseparable, and nothing her father said
or did could make Celia part from her
dearest friend.
One day Duke Frederick commanded
the two girls to attend a wrestling match
between the duke's champion, Charles,
and a young man named Orlando, the
special object of Duke Frederick's hatred.
Orlando was the son of Sir Rowland de
Boys, who in his lifetime had been one
of the banished duke's most loyal sup
porters. When Sir Rowland died, he had
charged his oldest son, Oliver, with the
task of looking after his younger brother's
education, but Oliver had neglected his
father's charge. The moment Rosalind
laid eyes on Orlando she fell in love with
him, and he with her. She tried to dis
suade him from an unequal contest with
a champion so much more powerful than
he, but the more she pleaded the more
determined Orlando was to distinguish
himself in his lady's eyes. In the end he
completely conquered his antagonist, and
was rewarded for his prowess by a chain
from Rosalind's own neck.
When Duke Frederick discovered his
niece's interest in Sir Rowland's son, he
banished Rosalind immediately from the
court. His daughter Celia announced
her intention of tallowing her cousin. As
a consequence, Rosalind disguised herself
as a boy and set out for the Forest of
Arden, and Celia and the faithful Touch
stone, the false duke's jester, went with
her. In the meantime, Orlando also
found it necessary to flee because of his
brother's harsh treatment. He was ac
companied by his faithful servant, Adam,
an old man who willingly turned over his
life savings of five hundred crowns for
the privilege of following his young mas
ter.
Orlando and Adam also set out for the
Forest of Arden, but before they had
traveled very far they were both weary
and hungry. While Adam rested in the
shade of some trees, Orlando wandered
into that part of the forest where the old
duke was, and came upon the outlaws at
their meal. Desperate from hunger, Or
lando rushed upon the duke with a drawn
47
sword and demanded food. The duke im
mediately offered to share the hospitality
of his table, and Orlando blushed with
shame over his rude manner. Moreover;
he would not touch a mouthful until
Adam had been fed. When the old duke
found that Orlando was the son of his
friend, Sir Rowland de Boys, he took
Orlando and Adam under his protection
and made them members of his band of
foresters.
In the meantime, Rosalind and Celia
also arrived in the Forest of Arden, where
they bought a flock of sheep and pro
ceeded to live the life of shepherds.
Rosalind passed as Ganymede, Gfr^a, as a
sister, Aliena. In this adventure they en
countered some real Arcadians — Silvius,
a shepherd, and Phebe, a dainty shep
herdess with whom Silvius was in love.
But the moment Phebe laid eyes on the
disguised Rosalind she fell in love with
the supposed young shepherd and would
have nothing further to do with Silvius.
As Ganymede, Rosalind also met Or
lando in the forest, and twitted him
on his practice of writing verses in praise
of Rosalind and hanging them on the
trees. Touchstone, in the forest, displayed
the same willfulness and whimsicality he
showed at court, even to his love for
Audrey, a country wench whose sole ap
peal was her unloveliness.
One morning, as Orlando was on his
way to visit Ganymede, he saw a man
lying asleep under an oak tree. A snake
was coiled about the sleeper's neck, and
a hungry lioness crouched nearby ready
to spring. He recognized the man as
his own brother, Oliver, and for a mo
ment Orlando was tempted to leave him
to his fate. But he drew his sword and
killed the snake and the lioness. In the
encounter he himself was wounded by
the lioness. Because Orlando had saved
his life, Oliver was duly repentant, and
the two brothers were joyfully reunited.
His wound having bled profusely, Or
lando was too weak to visit Ganymede,
and he sent Oliver instead with a bloody
handkerchief as proof of his wounded
condition. When Ganymede saw the
handkerchief the supposed shepherd
promptly fainted. The disguised Celia
was so impressed by Oliver's concern for
his brother that she fell in love with him,
and they made plans to be married on
die following day. Orlando was so over
whelmed by this news that he was a
little envious. But when Ganymede came
to call upon Orlando, the young shepherd
promised to produce the lady Rosalind
the next day. Meanwhile Phebe came
to renew her ardent declaration of love
for Ganymede, who promised on the
morrow to unravel the love tangle of
everyone.
In the meantime, Duke Frederick, en
raged at the flight of his daughter, Celia,
had set out at the head of an expedition
to capture his elder brother and put him
and all his followers to death. But on
the outskirts of the Forest of Arden he
met an old hermit who turned Frederick's
head from his evil design. On the day
following, as Ganymede had promised,
with the banished duke and his followers
as guests, Rosalind appeared as herself
and explained how she and Celia had
posed as the shepherd Ganymede and
his sister Aliena. Four marriages took
place with great rejoicing that day — Or
lando to Rosalind, Oliver to Celia, Sil
vius to Phebe, and Touchstone to Au
drey. Moreover, Frederick was so com
pletely converted by the hermit that he
resolved to take religious orders, and he
straightway dispatched a messenger to
the Forest of Arden to restore his
brother's lands and those of all his fol
lowers.
AUCASSIN AND NICOLETTE
Type of work: Tale
Author: Unknown
Ty$e of plot: Chivalric romance
4g
Time of ylot: Twelfth century
Locale: Provence, in France
First transcribed; Fourteenth-century manuscript
Principal characters:
COUNT GARTN DE BEAUCAIKJS
AUCASSIN, his son
NICOLETTE, a slave girl
Critique:
Aucassin and Nicolette is considered
by many scholars to be the masterpiece
of the romances of chivalry. It is written
in what is called the chante-fable, or
song-story style — a prose tale containing
verse passages which are sung by a min
strel. In it are found certain Oriental
elements and much folklore.
The Story:
Count Bougars de Valence and Count
Garin de Beaucaire were at war. Count
Garin had one son, Aucassin, who was so
smitten by love that he would neither
accept the duties of knighthood nor par
ticipate in his father's quarrel, unless his
father consented to his love for Nicolette.
She was a slave girl, bought by a captain
of the town from the Saracens and reared
as his own daughter. Count Garin agreed
to the marriage of Aucassin to any daugh
ter of a king or count, but not to Nico
lette. He went to see the captain and told
him to send Nicolette away. The cap
tain said that he would keep Nicolette
out of sight, and so she was imprisoned
in the high chamber of a palace with an
old woman to keep her company.
Rumors sped through the countryside:
Nicolette was lost; Nicolette had fled the
country; Nicolette was slain by order of
Count Garin.
Meanwhile the war between the two
counts grew more fierce, but Aucassin
still refused to fight. Father and son then
made a covenant; Aucassin would go into
the battle, and if God willed that he
should survive, the count must agree to
allow him two or three words and one
kiss from Nicolette. Aucassin rode into
the fray, but thoughts of Nicolette so
distracted him that he was captured.
Then Aucassin reflected that if he were
slain, he would have no chance at all
to see Nicolette. Therefore he laid his
hand on his sword and began fighting
with all his strength. He killed ten
knights and wounded seven and took
Count Bougars prisoner. But when Count
Garin refused to keep the covenant, Au
cassin released Count Bougars. Aucassin
was cast into a dungeon.
Nicolette, knowing her companion to
be asleep, escaped from her prison by a
rope made of bed linen and went to the
castle where Aucassin lay. While they
exchanged lovers' vows, the guards came
searching for Nicolette, as her escape had
been discovered. But a friendly sentinel
warned Nicolette of their coming. She
leaped into the moat and, bruised and
bleeding, climbed the outer wall.
Nicolette fell asleep in a thicket near
the castle. Next day she saw some shep
herds eating their lunch at a fountain
nearby. She asked them to take a mes
sage to Aucassin, saying there was a
beast in the forest and that he should
have this beast and not part with one of
its limbs for any price. Nicolette built
herself a lodge within the forest and
waited to prove her lover's faith.
Aucassin was taken from his prison
and allowed to attend a great feast, but
he had no joy in it. A friendly knight
offered his horse to Aucassin and sug
gested that he ride into the forest. Au
cassin was only too nappy for a chance
to get away. He met the shepherds by
the fountain and heard what Nicolette
had told them. Aucassin prayed God
that he would find his quarry.
He rode in all haste through the
thorny forest. Toward evening he began
to weep because his search had been
fruitless. He met a huge, ugly fellow,
49
leaning on a terrible cudgel. Aucassin
told him that he mourned for a white
hound he had lost. The burly fellow
scornfully replied that he had lost his
best ox and had searched fruitlessly for
three days without meat or drink. Au
cassin gave the man twenty sols to pay
for the beast. They parted and went their
separate ways.
Aucassin found the lodge built by
Nicolette and rested there that night.
Nicolette heard Aucassin singing and
came to him. The next day they mounted
Aucassin's horse and journeyed until they
came to the seas. Aucassin and Nicolette
embarked upon a ship. A terrible storm
carried them to Torelore. First Aucassin
fought with the king of that strange
land and then freed the king of his
enemies. He and Nicolette lived happily
in Torelore until Saracens besieged the
castle and captured all within it. Aucas
sin was put in one ship and Nicolette
in another. A storm scattered the ships,
and that in which Aucassin was a pris
oner drifted ashore at Beaucaire. He
was now the Count of Beaucaire, his
parents having died.
Nicolette was in the ship bearing the
King of Carthage, who was her true
father. They did not recognize each
other because Nicolette had been but a
child when she was stolen. But when
she saw the walls of Carthage memory
came back to her, and she revealed her
identity in a song. The king gave her
great honor and desired to marry her to
a king of the Saracens, but Nicolette
remained steadfast in her love for Au
cassin. She disguised herself as a min
strel and took ship for Provence, where
she traveled from castle to castle until
she came to Beaucaire.
In the great hall Nicolette sang of
her adventures. When Aucassin heard
her song, he took her aside and inquired
concerning Nicolette. He asked her to
return to the land where Nicolette lived
and bring her to him. Nicolette returned
to the captain's house and there she
clothed herself in rich robes and sent for
Aucassin. And so at last they were
wedded and lived long years with great
joy.
BABBITT
Type of work; Novel
Author: Sinclair Lewis (1885-1951)
Type of 'plot: Social satire
Time of plot: The 1920's
Locale: Zenith, fictional Midwestern town
First published: 1922
Principal characters:
GEORGE F. BABBITT, a middle-aged real estate broker
MTRA, his wife
TED, their son
VERONA, their daughter
PAUL REISLING, Babbitt's friend
A, Paul's shrewish wife
Critique:
Babbitt is a pungent satire about a
man who typifies complacent mediocrity.
George F. Babbitt, as standardized as his
electric cigar lighter, revels in his own
popularity, his ability to make money,
his fine automobile, and his penny-
pinching generosity. Babbitt worships
gadgets. He praises prohibition and
drinks bootleg whiskey, bullies his wife,
ogles his manicurist. Though he is con
stantly discontented with the life he
leads, he is thoroughly satisfied with
BABBITT by Sinclair Lewis. By permission of the author and publishers, Harcourt, Brace & Co., Inc. Copy
right, 1922, by Harcourt, Brace & Co., Inc.
50
George F. Babbitt. Because his character
is grounded in realism, Babbitt is one of
the most convincing characters in Ameri
can literature.
The Story:
George F. Babbitt was proud of his
house in Floral Heights, one of the most
respectable residential districts in Zenith.
Its architecture was standardized; its in
terior decorations were standardized; its
atmosphere was standardized. Therein
lay its appeal for Babbitt.
He bustled about in a tile and
chromium bathroom in his morning ritual
of getting ready for another day. When
he went down to breakfast, he was as
grumpy as usual. It was expected of him.
He read the dull real estate page of the
newspaper to his patient wife, Myra.
Then he commented on the weather,
grumbled at his son and daughter,
gulped his breakfast and started for his
office.
Babbitt was a real estate broker who
knew how to handle business with zip
and zowie. Having closed a deal whereby
he forced a poor businessman to buy a
piece of property at twice its value, he
pocketed part of the money and paid
the rest to the man who had suggested
the enterprise. Proud of his acumen, he
picked up the telephone and called his
best friend, Paul Reisling, to ask him to
lunch.
Paul Reisling should have been a
violinist, but he had gone into the
tar-roofing business in order to support
his shrewish wife, Zilla. Lately she had
made it her practice to infuriate door
men, theater ushers, or taxicab drivers,
and then ask Paul to come to her rescue
and fight them like a man. Cringing
with embarrassment, Paul would pretend
he had not noticed the incident, Later,
at home, Zilla would accuse him of being
a coward and a weakling.
So sad did Paul's affairs seem to Bab
bitt that he suggested a vacation to Maine
together — away from their wives. Paul
was skeptical, but with magnificent as
surance Babbitt promised to arrange the
trip. Paul was humbly grateful.
Back in his office Babbitt fired a sales
man who was too honest. When he got
home, he and his wife decided to give
a dinner party, with the arrangements
taken bodily from the contents of a
woman's magazine, and everything edible
disguised to look like something else.
The party was a great success. Bab
bitt's friends were exactly like Babbitt.
They all became drunk on prohibition-
period gin, were disappointed when the
cocktails ran out, stuffed themselves
with food, and went home to nurse
headaches.
The next day Babbitt and Myra paid
a call on die Reislings. Zilla, trying to
enlist their sympathy, berated her hus
band until he was goaded to fury. Bab
bitt finally told Zilla that she was a nag
ging, jealous, sour, and unwholesome
wife, and he demanded that she allow
Paul to go with him to Maine. Weeping
in self-pity, Zilla consented. Myra sat
calmly during the scene, but later she
criticized Babbitt for bullying Paul's
wife. Babbitt told her sharply to mind
her own business.
On the train, Babbitt and Paul met
numerous businessmen who loudly
agreed with each other that what this
country needed was a sound business
administration. They deplored the price
of motor cars, textiles, wheat, and oil;
they swore that they had not an ounce
of race-prejudice; they blamed Com
munism and socialism for labor unions
which got out of hand. Paul soon tired
of the discussion and went to bed. Bab
bitt stayed up late, smoking countless
cigars, and telling countless stories-
Maine had a soothing effect upon
Babbitt. He and Paul fished and hiked
in the quiet of the north woods, and
Babbitt began to realize that his life in
Zenith was not all it should be. He
promised himself a new outlook on life,
a more simple, less hurried way of living.
Back in Zenith, Babbitt was asked to
make a speech at a convention of real
51
estate men which was to be held in
Monarch, a nearby city. For days he
tried to write a speech about the good
life, as he now thought of it. But at the
convention he scrapped his speech, de
claimed loudly that real estate was a
great profession, that Zenith was God's
own country — the best little spot on earth
— and to prove his statements quoted
countless statistics on waterways, textile
production, and lumber manufacture.
The speech was such a success that
Babbitt instantly won recognition as an
orator.
Babbitt was made a precinct leader in
the coming election. His duty was to
speak to small labor groups about the
inadvisability of voting tor Seneca Doane,
a liberal, in favor of a man named Prout,
a solid businessman who represented the
conservative element. Babbitt's speeches
helped to defeat Doane. He was very
proud of himself for having Vision and
Ideals.
On a business trip to Chicago, Babbitt
spied Paul Reisling sitting at dinner with
a middle-aged but pretty woman. Later,
in his hotel room, Babbitt indignantly
demanded an explanation for Paul's lack
of morality. Paul told Babbitt that he
could no longer stand living with Zilla.
Babbitt, feeling sorry for his friend, swore
that he would keep her husband's secret
from Zilla, Privately, Babbitt envied
Paul's independence.
Babbitt was made vice-president of the
Booster's Club. He was so proud of
himself that he bragged loudly when his
wife called him at the office. It was a
long time before he understood what she
was trying to tell him; Paul had shot
his wife,
Babbitt's world collapsed about him.
Though Zilla was still alive, Paul was in
prison* Babbitt began to question his
ideas about the power of the dollar. Paul
was perhaps the only person Babbitt had
ever loved. Myra had long since become
a habit. The children were too full of
new ideas to be close to their father.
Babbitt felt suddenly alone. He began to
criticize the minister's sermons. He no
longer visited the Athletic Club, rarely
ate lunch with any of his business
acquaintances.
One day a pretty widow Mrs. Juclique,
came to his office. She became his mis
tress, and Babbitt joined her circle of
Bohemian friends. He drank more than
he had ever drunk in his life. I le spent
money wildly. Two of the most powerful
men in town requested that he join the
Good Citizen's League-— or else. Babbitt
refused to be bullied. For the first time
in his life he was a human being. He
actually made friends with his arch
enemy, Seneca Doane, and discovered
that he liked his liberal ideas. He
praised Doane publicly. Babbitt's new
outlook on life appealed to his children,
who at once began to respect him us they
never had before, But Babbitt became
unpopular among his business-boosting
friends. When he again refused to join
the Good Citizen's League, he was
snubbed in the streets, Gradually Bab
bitt found that he had no real resources
within himself. 1 le was miserable.
When Myra became ill, Babbitt
suddenly realized that he loved his cx>lor-
less wife. He broke with Mrs. Juclique.
I le joined the Good Citizen's League, By
the time Myra was well again, there was
no more active leader in the town of
Zenith than George K Babbitt. Once
more he announced his distrust of Seneca
Doane. lie became the best Booster the
eltib ever had. His last gesture of revolt
was private approval of his son's elope
ment. Outwardly he conformed!
BAMBI
Type of work: Novel
Author: Felix Salten (1869-1945)
Type of plot: Pastoral allegory
Time of 'plot: Indefinite
52
Locale: The woods
First published; 1929
Principal characters:
BAMBI, a deer
THE OLD PRINCE, a stag who befriends Bambi
BAMBI'S MOTHER
FALINB, Bambi's cousin
GOBO, her brother
Critique:
Bambi is one of the few successful
attempts to humanize animals in fiction.
A fairy tale for children, but an allegory
for adults, the book tells the story of a
deer who learns that he must travel alone
if he is to be strong and wise.
The Story:
Bambi was born in a thicket in the
woods. While he was still an awkward
young fawn, his mother taught him that
he was a deer. He learned that deer did
not kill other animals, nor did they
fight over food as jaybirds did. He
learned, too, that deer should venture
from their hiding places to go to the
meadow only in the early morning and
late in the evening and that they must
rely on the rustle of last year's dead
leaves to give them warning of approach
ing danger. On his first visit to the
meadow Bambi had a conversation with
a grasshopper and a close look at a butter
fly.
One evening Bambi and his mother
went to the meadow again. On his
second visit he was introduced to the
hare, an animal with big, soft eyes and
flopping ears. Bambi was not impressed.
The little deer was considerably happier
to meet his cousins, Gobo and Palme,
and their mother, Ena. The two families
were about to separate when two stags
with spreading antlers on their heads
came crashing out of the forest. Bambf s
mother explained that the larger, statelier
stag was Bambi's father.
As he grew older, Bambi learned the
sounds and smells of the forest. Some
times his mother went off by herself.
Missing her one day, Bambi started out
to look for her and came upon his cousins
in the meadow. Faline suggested that
both their mothers might have gone to
visit their fathers. Bambi decided to con
tinue his search by himself. As he stood
at the edge of a clearing, he saw a
creature he had never seen before. The
creature raised what looked like a stick
to its face. Terrified, Bambi ran back
into the woods as fast as he could go.
His mother appeared suddenly, and they
both ran home to their glade. When they
were safe again, Bambi learned that he
had seen a Man.
On another day he began to call for
his mother. Suddenly a great stag stood
before him. Coldly he asked Bambi why
he was crying, and told him that he
ought to be ashamed of himself. Then
he was gone. The little deer did not tell
his mother of his experience, nor did he
call her any more. Later he learned that
he had met the Old Prince, the biggest
and wisest stag in the forest. One morn
ing Bambi was nibbling in the meadow
with his mother when one of the stags
came out of the forest. Suddenly there
was a crash. The stag leaped into the
air and then fell dead. Bambi raced
away after his mother. All he wanted
was to go deeper and deeper into the
forest until he could feel free of that
new danger. He met the Old Prince
again. When Bambi asked him who Man
was, the stag only replied that he would
find out for himself. Then he dis
appeared.
The forest gradually changed as
summer passed into fall and then into
BAMBI by Felix Salten. By permi&sion of the publisher!, Simon & Schuster, lac. Copyright, 1928, by Simon &
Schuster, Inc.
53
winter. Snow fell, and grass was not easy
to find. All of the deer became more
friendly during the cold months. They
would gather to talk and sometimes even
one of the stags would join them. Bambi
grew to admire the stags, lie was es
pecially interested in Ronno, the stag
who had escaped after a hunter had
wounded him in the foot. The constant
topic of conversation was Man, for none
of the deer could understand the black
stick he carried, They were all afraid
of it.
As the winter dragged on, the slaugh
ter of the weaker animals in the forest
began. A crow killed one of the hare's
children. A squirrel raced around with a
neck wound a ferret had given him. A
fox murdered a pheasant, A party of
hunters came into the woods with their
noise-making sticks and killed many of
the animals, Bambi's mother and his
cousin Gobo were not seen again.
That spring Bambi grew his first pair
of antlers. With his mother gone, he
had to spend most of his time alone.
The other stags drove him away when
he tried to approach them, and Falinc
was shy with him. Deciding one day
that he was not afraid of any of the
stags, Bambi charged at what he thought
was one of his tormentors in a thicket.
The stag stepped aside, and Bambi
charged past him. It was the Old Prince.
Embarrassed, the young cleer began to
tremble when his friend came close to
him. With an admonishment to act
bravely, the older deer disappeared into
the woods.
A year later Bambi met Faline again,
and once more they played as they had
when they were very young. Then
an older stag named Karus appeared
and tried to block Bambi's way. When
Bambi attacked him, Karus fled, as did
the stag named Ronno, who had been
pursuing Fnline.
Faline and Bambi ventured into the
meadow one clay and there saw a stranger
nibbling the grass. They were surprised
when he came skipping up to them and
asked if they did not know him. It
was Gobo. Hunters had caught him and
kept him until he was full-grown. Then
he had been sent back to join his
family in the forest. His mother was
delighted to see him once more.
Gobo explained his absence to an
admiring audience, and praised Man for
his kindness. While he was talking, the
Old Prince appeared and asked Gobo
about the strip of horsehair around his
neck. Gobo answered that it was a
halter. The Old Prince remarked pitingly
that he was a poor thing, and vanished.
Gobo would not live as the other deer
in the forest did. He insisted on going
about during the day and sleeping at
night. He had no fear about eating in
the meadow, completely exposed. One
day, when a hunter was in the woods,
Gobo declared that he would go talk to
him. He walked out into the meadow.
Suddenly there was a loud report, Gobo
leaped into the air and then dashed
into the thicket, where he fell mortally
wounded.
Bambi was alone when he met the Old
Prince for the first time since Gobt/s
death. They were walking together
when they found a hare caught in a
noose. Carefully the Old Prince managed
to loosen the snare with his antlers.
Then he showed Bntnbi how to test tree
branches for a trap, Bambi realized for
the first time that there was no time
when Man was not in the woods,
One misty morning, as Bambi stood
at the edge of the clearing, a hunter
wounded liim. He raced madly for the
forest, and in its protection lay clown to
rest. Soon he heard a voice beside him,
urging him to get up, Tt was the Old
Prince. For an hour the veteran led
Bambi through the woods, crossing and
recrossing the place where he had lain
down, showing him the herbs which
would stop his bleeding and clear his
head. He stayed with Bambi until the
wound had healed.
Before he went off to die, the old
stag showed Bambi a poacher who had
54
been killed. He explained that man, nice
animals, must die. Bambi understood
then that there is someone even more
powerful than Man.
Walking through the forest one day,
Bambi spied a brother and sister fawn
crying for their mother. As the Old
Prince had spoken to him so many
years before, he asked them if they
could not stay by themselves. Then, as
his friend had done, he vanished into the
forest.
BARCHESTER TOWERS
Type of work: Novel
Author: Anthony Trollope (1815-1882)
Type of plot: Social satire
Time of plot: Mid-nineteenth century
Locale: "Barchester/' an English cathedral town
First published: 1857
Principal characters:
BISHOP PROUDIE, Bishop of Barchester
MRS. PROUDIE, his wife
THE REVEREND OBADIAH SLOPE, his chaplain
THE REVEREND SEPTIMUS HARDING, member of the cathedral chapter
MRS. ELEANOR BOLD, his daughter
DR. GRANTLY, Archdeacon o£ Barchester
CHARLOTTE STANHOPE, Mrs. Bold's friend
LA SIGNORA MADELINE VESEY NERONI, ne'e STANHOPE, Charlotte's sister
ETHELBERT STANHOPE (BERTIE), Charlotte's brother
MR. QUIVERFUL, Mrs. Proudie's candidate for warden of Hiram's Hospital
THE REVEREND FRANCIS ARABIN, dean of the cathedral
Critique:
This novel is the most famous of Trol-
lope's Barchester chronicles. Its fine ironic
tone and pleasantly complex situations
make for interesting reading. No prob
lems of social significance are given seri
ous treatment, for the chief purpose is
entertainment. The portraits of cathedral
town characters are full and varied.
The Story:
At the death of Bishop Grantly of
Barchester, there was much conjecture
as to his successor. Bishop Grantly's
son, the archdeacon, was ambitious for
the position, but his hopes were deflated
when Dr. Proudie was appointed to the
diocese. Bishop Proudie's wife was of
Low Church propensities. She was also
a woman of extremely aggressive nature,
who kept the bishop's chaplain, Obadiah
Slope, in constant tow.
On the first Sunday of the new bish-
op's regime, Mr. Slope was the preacher
in the cathedral. His sermon was con
cerned with the importance of simplicity
in the church service and the consequent
omission of chanting, intoning, and for
mal ritual. The cathedral chapter was
aghast. For generations the services in
the cathedral had been chanted; the
chapter could see no reason for discon
tinuing the practice. In counsel it was
decreed that Mr. Slope never be per
mitted to preach from the cathedral
pulpit again.
The Reverend Septimus Harding, who
had resigned because o£ conscientious
scruples from his position as warden of
Hiram's Hospital, now had several rea
sons to believe that he would be returned
to his post, although at a smaller salary
than that he had drawn before. But
when Mr. Slope, actually Mrs. Proudie's
mouthpiece, told him that he would be
expected to conduct several services a
week and also manage some Sunday
Schools in connection with the asylum,
Mr. Harding was perturbed. Such duties
55
would make arduous a preferment here
tofore very pleasant and leisurely,
Another change of policy was effected
in the diocese when the bishop an
nounced, through Mr. Slope, that ab
sentee clergymen should return and help
in the administration of the diocese. Dr.
Vesey Stanhope had for years left his
duties to his curates while he remained
in Italy. Now he was forced to return,
bringing with him an ailing wife and
three grown children, spinster Charlotte,
exotic Signora Madeline Vesey Stanhope
Neroni, and ne'er-clo-well Ethelbert.
Signora Neroni, separated from her hus
band, was an invalid who passed her days
lying on a couch. Bertie had studied art
and had been at times a Christian, a
Mohammedan, and a Jew. He had
amassed some sizable debts.
The Proudies held a reception in the
bishop's palace soon after meir arrival.
Signora Neroni, carried in with great
ceremony, quite stole the show. She had
a fascinating way with men and suc
ceeded in almost devastating Mr. Slope.
Mrs. Proudie disapproved and did her
best to keep Mr, Slope and others away
from the invalid.
When the living of St Ewold's became
vacant, Dr. Grantly made a trip to Ox
ford and saw to it that the Reverend
Francis Arabin, a High Churchman, re
ceived the appointment. With Mrs.
Proudie and Mr. Slope advocating Low
Church practices, it was necessary to
build up the strength of the High Church
forces. Mr. Arabin was a bachelor of
about forty. The question arose as to
what he would do with the parsonage at
St. E wold's.
Mr. 1 larding's widowed daughter, Mrs.
Eleanor Bold, had a good income and
was the mother of a baby boy. Mr. Slope
had his eye on her and attempted to
interest Mrs. Bold in the work of the
Sunday Schools. At the same time he
asked Mr, Quiverful, of Puddingdalc, to
cake over the duties of the hospital. Mr.
Quiverful's fourteen children were rea
sons enough for his being grateful for
the opportunity. But Mrs. Bold learned
how her father felt over the extra duties
imposed upon him, and she grew cold
toward Mr. Slope. In the end, Mr.
Harding decided that he simply could
not, at his age, undertake me new
duties. So Mr. Quiverful, a Low Church
man, was granted the preferment, much
to Mrs. Proudie's satisfaction,
Mr. Slope was not the only man in
terested in Mrs. Bold. The Stanhope
sisters, realizing that Bertie could never
make a living for himself, decided that
he should ask Mrs. Bold to be his wife.
Meanwhile Mr. Slope was losing favor
with Mrs. Proudie. That he should
throw himself at the feet of Signora
Neroni was repulsive to Mrs. Proudie.
That he should be interested in the
daughter of Mr. Harding, who refused
to comply with her wishes, was disgrace
ful,
The Thorncs of Ullathorne were an
old and affluent family, One day they
gave a great party. Mrs. Bold, driving
to Ullathorne with the Stanhopes, found
herself in the same carriage with Mr.
Slope, whom by this time she greatly
disliked. Later that day, as she was walk
ing with Mr. Slope, he suddenly put his
arm around her and declared his love*
She rushed away and told Charlotte Stan
hope, who suggested that Bertie should
speak to Mr. Slope about his irregularity,
But the occasion for his speaking to Mr.
Slope never arose. Bertie himself told
Mrs. Bold that his sister Charlotte had
urged him to marry Mrs, Bold for her
money. Naturally insulted, Mrs. Bold
was angered at the entire Stanhope fam
ily. That evening, when Dr, Stanhope
learned what had happened, he insisted
that Bertie go away and earn his own
living or starve. Bertie left several days
later.
The Dean of Barchester was beyond
recovery after a stroke of apoplexy. It
was understood that Dr. Grantly would
not accept the deanship- Mr. Slope
wanted the position but Mrs. Proudie
would not consider him as a candidate.
56
When the dean died, speculation ran
high. Mr. Slope felt encouraged by the
newspapers, which said that younger men
should be admitted to places of influence
in the church.
After Bertie had gone, Signora Neroni
wrote a note asking Mrs. Bold to come
to see her. When Mrs. Bold entered the
Stanhope drawing-room, Signora Neroni
told her that she should marry Mr. Ara-
bin. With calculating generosity she
had decided that he would make a good
husband for Mrs. Bold.
Meanwhile, Mr, Slope had been sent
otf to another diocese, for Mrs. Proudie
could no longer bear having him in Bar-
chester. Ana Mr, Arabin, through Ox
ford influences, was appointed to the
deanship — a victory for the High
Churchmen. With Mr. Slope gone, the
Stanhopes felt safe in returning to Italy.
Miss Thome asked Mrs. Bold to spend
some time at Ullathorne. She also con
trived to have Mr. Arabin there. It was
inevitable that Mr. Arabin should ask
Mrs. Bold to be his wife. Dr. Grantly
was satisfied. He had threatened to for
bid the hospitality of Plumstead Episcopi
to Mrs. Bold if she had become the wire
of a Low Churchman. In fact, Dr. Grant
ly was moved to such generosity that he
furnished the deanery and gave wonder
ful gifts to the entire family, including
a cello to his father-in-law, Mr. Harding.
BARREN GROUND
Type of work: Novel
Author; Ellen Glasgow (1874-1945)
Type of plot: Social criticism
Time of plot: Late nineteenth and early twentieth centuries
Locale: Rural Virginia
First published: 1925
Principal characters:
DORINDA OAKLEY, daughter of a poor white Virginia farmer
JOSIAH, and
RUFUS, her brothers
JASON GREYLOCK, last member of an old Virginia family
GENEVA EIXGOOJ>, later Jason's wife
NATHAN PEDLAR, a country farmer and merchant
Critique:
Barren Ground is an honest, realistic
novel of the South, in which Ellen
Glasgow pictured the struggle of a class
to maintain high living standards in the
face of humiliating and depressing cir
cumstances. Through her heroine she
presented the problems of people who
are by blood related to both the es
tablished aristocracy and the poor white
tenant class. The story of Dorinda's
vitality stands in sharp contrast to the
weakness of her lover, Jason GreylocL
In their frustrated union tragedy results
for both, a tragedy out of their own
blood rather than one of willful creation.
The Story:
Late one cold winter day Dorinda
Oakley started to walk the four miles
between Pedlar's Mill and her home at
Old Farm. The land was bleak and
desolate under a gray sky, and a few
flakes of snow were railing. For almost
a year she had worked in Nathan Pedlar's
store, taking the place of his consumptive
wife. Her brisk walk carried her swiftly
over the rutted roads toward her father's
unproductive farm and the dilapidated
Oakley house. On the way she passed
Green Acres, the fertile farm of James
Ellgood, and the run-down farm of Five
Oaks, owned by dissolute old Doctor
BARREN GROUND by Ellen Glasgow. By permission of the publishers, Harcourt, Brace & Co., Inc. Copy-
rich*. 1925. 1933. bv Ellen Glasgow.
right, 1925, 1933, by Ellen Glasgo'
57
Greylock, whose son, Jason, had given up
his medical studies to take over his
father's practice and to care for his
drunken father.
As she walked, Dorinda thought of
young Jason Greylock. Before she
reached Old Farm, Jason overtook her in
his buggy. During the ride to her home
she remembered the comment of old
Matthew Fairlamb, who had told her
that she ought to marry Jason, The
young doctor was handsome. He repre
sented something different from the
drab, struggling life Dorinda had always
known, Her father and mother and her
two brothers were all unresponsive and
bitter people. Mrs. Oakley suffered from
headaches and tried to forget them in a
ceaseless activity of work. At Old Farm,
supper was followed by prayers and
prayers by sleep.
Dorinda continued to see Jason. Tak
ing the money she had been saving to
buy a cow, she ordered a pretty dress
and a new hat to wear to church on
Easter Sunday. But her Easter finery
brought her no happiness. Jason sat in
church with the Ellgoods and their
daughter, Geneva, and afterward he
went home with them to dinner. Dorinda
sat in her bedroom that afternoon and
meditated on her unhappincss.
Later, Jason proposed unexpectedly,
confessing that he too was lonely and
unhappy. He spoke of his attachment
to his father which had brought him
back to Pedlar's Mill, and he cursed the
tenant system which he said was ruining
the South, He and Dorinda planned
to be married in the fall. When they
met during the hot, dark nights that
summer, he kissed her with half-angry,
half-hungry violence,
Men n while Geneva EllgoocI told her
friends that she herself was engaged
to Jason Greylock. Late in September
Jnson left for the city to buy surgical
instruments. When he was overlong
in returning, Dorinda began to worry.
At last she visited Aunt Mehitnble Green,
an old Negro conjure woman, in the
hope Aunt Mehitable would have heard
from the Greylock servants some gossip
concerning Jason. There Dorinda be
came ill and learned that she was to
have a child. Distressed, she went to
Five Oaks and confronted drunken old
Dr. Greylock, who told her, as he
cackled with sly mirth, that Jason had
married Geneva Ellgood in the city. The
old man intimated that Jason was white-
livered and had been forced into the
marriage by the Ellgoods. He added,
leering, that Jason and his bride were
expected home that night.
On the way home Dorinda saw, her
self unseen, the carriage which brought
Jason and Geneva to Five Oaks. Late
that night she went to the Greylock
house and attempted to shoot Jason.
Frightened, Jason begged for pity and
understanding. Despising him for his
weakness and falseness, she blundered
home through the darkness. Two days
later she packed her suitcase and left
home. By accident she took the north
bound train rather than the one to Rich
mond, and so she changed the course of
her later life.
Dorinda arrived in New York in
October, frightened, friendless, with no
prospects or work. Two weeks later
she fortunately met a kindly middle-
aged woman who took her in and gave
her the address of a dressmaker who
might hire her. But on the way to the
shop Dorinda was knocked clown by a
cub. She awoke in a hospital. Dr.
Faraday, a surgeon who had seen the
accident, saved her life, but she lost
her baby. Dr. Faraday hired her to look
after his office and children.
Dorinda lived in New York with the
Faradays for two years. Then her father
had a stroke and she returned home, 1 Ter
brother Josiah was married; Mrs, Pedlar
was dead, Dorinda had become a woman
of self-confidence and poise, She saw
Geneva Greylock, who already looked
middle-aged, and had only pity for the
woman who had married Jason. Her
brother Rufus said Jason was drinking
58
heavily and losing all his patients. Five
Oaks farm looked more run-down than
ever. Determined to make the Oakley
land productive once more, Dorinda
borrowed enough money to buy seven
cows. She found Nathan Pedlar help
ful in many ways, for he knew good
farming methods and gave her advice.
When she saw Jason again, she wondered
how she could ever have yielded herself
to the husk of a man that Jason was,
After her father's death, Josiah and his
wife Elvira went to live on their own
land. Rufus, who hated the farm,
planned to go to the city. Before he left
the farm, however, Rufus was accused
of murdering a neighboring farmer,
Dorinda was sure that he had committed
the murder, but Mrs. Oakley swore under
oath that her son had been at home with
her at the time of the shooting. Her lie
saved Rufus. Mrs. Oakley's conscience
began to torment her because of the
lie she had told, and she took to her
bed. Her mind broken, she lived in
dreams of her youth. When she died in
her sleep, Dorinda wept. To her it
seemed that her parents' lives had been
futile and wasted.
During the next ten years Dorinda
worked hard. She borrowed more
money to improve the farm and she
saved and scrimped, but she was happy.
Geneva Greylock was losing her mind.
One day she told Dorinda that she had
borne a child but that Jason had killed
it and buried it in the garden. Geneva
drowned herself the same day that
Nathan Pedlar asked Dorinda to marry
him.
Together Dorinda and Nathan pros
pered. She was now thirty-eight and still
felt young. John Abner Pedlar, Nathan's
crippled son, looked to her for help and
she gave it willingly, Nathan's othei
children meant less to her, and she was
glad when they married and moved away,
When Five Oaks was offered for sale,
Dorinda and Nathan bought it for six
thousand dollars. As Jason signed over
the papers to her, Dorinda noticed that
he was his dirty, drunken old father all
over again.
The next few years Dorinda devoted to
restoring Five Oaks. John Abner was
still her friend and helper. There were
reports that Jason was living in an old
house in the pine woods and drinking
heavily. Dorinda, busy with her house
and dairy farm, had little time for neigh
borhood gossip,
One day Nathan took the train to the
city to have a tooth pulled and to attend
a lawsuit. The train was wrecked, and
Nathan was killed while trying to save
the lives of the other passengers. He
was given a hero's funeral.
The years following Nathan's death
were Dorinda's happiest, for as time
passed she realized that she had regained,
through her struggle with the land, her
own integrity and self-respect.
One day some hunters found Jason
sick and starving in the woods, and her
neighbors assumed Dorinda would take
him in. Unwillingly, she allowed him
to be brought to Old Farm, where she
engaged a nurse to look after him. In
a few months Jason died. Many of the
people at the funeral came only out of
curiosity, and a pompous minister said
meaningless things about Jason, whom
he had never known. Dorinda felt noth
ing as she stood beside the grave, for
her memories of Jason had outlived hei
emotions. She sensed that for good 01
ill the fervor and fever of her life were
ended,
THE BEGGAR'S OPERA
Type of work: Comic opera
Author: John Gay (1685-1732)
Type of plot; Social satire
Time of plot; Early eighteenth century
59
Locale: London
First presented: 1728
Principal characters:
CAPTAIN MACHEATH, leader of a band of robbers
POLLY PEACHUM, a young woman who believes she is Macheath s wite
MR. PEACHUM, Polly's father, a fence for stolen goods and an informer
LUCY LOCKIT, a young woman who also believes she is Macheath s wife
MR. LOCKIT, Lucy's father, a jailer
MRS. PEACHUM, Polly's mother
Critique:
The Beggar's Opera follows in the
satiric tradition of Swift and Pope. Gay's
purpose was to ridicule the corrupt
politics of his day and the follies of
polite society. Highwaymen and thieves
stand for the great lords and powerful
public officials of Georgian England.
Depiction and intimation of crime and
vice in all strata of society and shrewd,
humorous characterization give the play
its universality.
The Story:
Mr, Peachum, as he sat reckoning up
his accounts, declared that his was an
honest employment. Like a lawyer, he
acted both for and against thieves. That
he should protect them was only fitting,
since they afforded him a living. In a
businesslike manner he was deciding who
among arrested rogues should escape
punishment through bribes and who had
been unproductive enough to deserve de
portation or the gallows. Though Mrs.
Peachum found a favorite of hers on his
list, she made no effort to influence her
husband's decision as to his fate, for she
knew that the weakness of her sex was
to allow her emotions to dominate her
practical nature.
She did say, however, that Captain
Macheath, a highwayman, stood high in
her regard, as well as in that — so she
hinted to Mr. Peachum — of their daugh
ter Polly. The news upset her spouse.
If the girl married, her husband might
learn family secrets and thus gain power
over them. Peachum ordered his wife to
warn the girl that marriage and a
husband's domination would mean her
ruin. Consequently they were dismayed
when Polly announced her marriage to
Macheath. They predicted grimly that
she would not be able to keep Macheath
in funds for gambling and philandering,
that there would not even be enough
money to cause quarrels, that she might
as well have married a lord.
The Peachums' greatest fear was that
Macheath would have them hanged and
so gain control of the fortune which
would be left to Polly. Before he could
do that, they decided, he would have to
be disposed of, and they suggested to
Polly that she inform on him. Widow
hood, they declared, was a very com
fortable state. But the girl stubbornly
asserted that she loved the dashing high
wayman. Overhearing the plan of her
parents to have her husband arrested,
Polly warned Macheath. They decided
that he should go into hiding for a
few weeks until, as Polly hoped, her
parents should relent.
Parting from his love, Macheath met
his gang at a tavern near Newgate to
tell diem their rendezvous would have to
be confined to gatherings at their private
hideout for about a week, so that
Peachum would be led to believe the
highwayman had deserted his com
panions. After his men had left to go
about their business, some street women
and female pickpockets joined Macheath.
Two of them covered Macheath with his
own pistols as Peachum, accompanied
by constables, rushed in to arrest him.
When Macheath had been carried off to
spend the night in Newgate, some of the
women expressed their indignation at
not having been chosen to spring the
trap and share in the reward Peachum
60
had offered for the highwayman's
capture.
Though Captain Macheath had funds
to bribe his jailer to confine him with
only a light pair of fetters, it was another
matter to deal with Lucy Lockit, the
jailer's daughter. As Macheath freely
admitted, she was his wife except for
the ceremony. But Lucy, who had heard
of his gallantry toward Polly Peachum,
could be convinced of his sincerity only
by his consent to an immediate marriage.
Meanwhile Peachum and Lockit
agreed that they would split the reward
for Macheath. As he went over his ac
counts, however, Peachum found cause
to question his partner's honesty. One
of his men had been convicted, although
he had bribed Lockit to have the man go
free. Also, Peachum's informer, Mrs,
Coaxer, had been defrauded of informa
tion money. The quarrel was short
lived, however, as each was well aware
that if they fell out each had the power
to hang the other. After his talk with
Peachum, Lockit warned his daughter
that Macheath's fate had been sealed. He
advised her to buy herself widow's weeds
and be cheerful; since she could not have
the highwayman and his money too, she
might as well make use of the time
that was left to extract what riches she
could from him.
There was no clergyman to be found
that day, but Lucy had so far softened
toward her philandering lover as to agree
to see if her father could not be bought
off. She had just consented to help him
when Polly appeared in search of her
husband. Macheath managed to convince
Lucy of his faithfulness by disowning
Polly, who was carried off by the angry
Peachum.
After they had gone, Lucy agreed to
steal her father's keys so that her lover
might escape. Macheath, free once more,
went to join two of his men at a gambling
house. There he made arrangements to
meet them again that evening at another
den, where he would point out a likely
victim for them to rob.
Peachum and Lockit were discussing
the disposal of some assorted loot when
they were joined by Mrs. Trapes, a
procuress who innocently told them that
Macheath was at that moment with one
of her girls. While Peachum and Lockit
went off to recapture him, Polly paid a
visit to Lucy Lockit. Together they be
wailed their common fate — Macheath's
neglect. Lucy tried to give Polly a
poisoned drink. When the suspicious
girl refused to accept it, Lucy decided
that perhaps Polly was too miserable to
deserve to die.
When Macheath was brought back to
prison once more by Peachum and
Lockit, both girls fell on their knees
before their fathers and begged that his
life be spared. Neither parent would be
moved. Lockit announced that the high
wayman would die that day. As he pre
pared to go to the Old Bailey, Macheath
said that he was resigned to his fate,
for his death would settle all disputes
and please all his wives,
While Macheath in his cell reflected
ironically that rich men may escape the
gallows while the poor must hang, he
was visited by two of his men. He
asked them to make sure that Lockit and
Peachum were hanged before they them
selves were finally strung up. The thieves
were followed by the distraught Polly
and Lucy, come to bid Macheath fare
well. When the jailer announced that
four more of his wives, each accompanied
by a child, had appeared to say goodbye,
Macheath declared that he was ready to
meet his fate.
But the rabble, feeling that the pooi
should have their vices as well as the
rich, raised so much clamor for Mac-
heath's reprieve that charges were
dropped and he was released in triumph.
In the merrymaking that followed, he
himself chose Polly as his partner, be
cause, he gallantly announced, she was
really his wife. From that time on he
intended to give up the vices — if not the
follies — of the rich.
61
had offered for the highwayman's
capture.
Though Captain Macheath had funds
to bribe his jailer to confine him with
only a light pair of fetters, it was another
matter to deal with Lucy Lockit, the
jailer's daughter. As Macheath freely
admitted, she was his wife except for
the ceremony. But Lucy, who had heard
of his gallantry toward Polly Peachum,
could be convinced of his sincerity only
by his consent to an immediate marriage.
Meanwhile Peachum and Lockit
agreed that they would split the reward
for Macheath. As he went over his ac
counts, however, Peachum found cause
to question his partner's honesty. One
of his men had been convicted, although
he had bribed Lockit to have the man go
free. Also, Peachum's informer, Mrs,
Coaxer, had been defrauded of informa
tion money. The quarrel was short
lived, however, as each was well aware
that if they fell out each had the power
to hang the other. After his talk with
Peachum, Lockit warned his daughter
that Macheath's fate had been sealed. He
advised her to buy herself widow's weeds
and be cheerful; since she could not have
the highwayman and his money too, she
might as well make use of the time
that was left to extract what riches she
could from him.
There was no clergyman to be found
that day, but Lucy had so far softened
toward her philandering lover as to agree
to see if her father could not be bought
off. She had just consented to help him
when Polly appeared in search of her
husband. Macheath managed to convince
Lucy of his faithfulness by disowning
Polly, who was carried off by the angry
Peachum.
After they had gone, Lucy agreed to
steal her father's keys so that her lover
might escape. Macheath, free once more,
went to join two of his men at a gambling
house. There he made arrangements to
meet them again that evening at another
den, where he would point out a likely
victim for them to rob.
Peachum and Lockit were discussing
the disposal of some assorted loot when
they were joined by Mrs. Trapes, a
procuress who innocently told them that
Macheath was at that moment with one
of her girls. While Peachum and Lockit
went off to recapture him, Polly paid a
visit to Lucy Lockit. Together they be
wailed their common fate — Macheath's
neglect. Lucy tried to give Polly a
poisoned drink. When the suspicious
girl refused to accept it, Lucy decided
that perhaps Polly was too miserable to
deserve to die.
When Macheath was brought back to
prison once more by Peachum and
Lockit, both girls fell on their knees
before their fathers and begged that his
life be spared. Neither parent would be
moved. Lockit announced that the high
wayman would die that day. As he pre
pared to go to the Old Bailey, Macheath
said that he was resigned to his fate,
for his death would settle all disputes
and please all his wives,
While Macheath in his cell reflected
ironically that rich men may escape the
gallows while the poor must hang, he
was visited by two of his men. He
asked them to make sure that Lockit and
Peachum were hanged before they them
selves were finally strung up. The thieves
were followed by the distraught Polly
and Lucy, come to bid Macheath fare
well. When the jailer announced that
four more of his wives, each accompanied
by a child, had appeared to say goodbye,
Macheath declared that he was ready to
meet his fate.
But the rabble, feeling that the pooi
should have their vices as well as the
rich, raised so much clamor for Mac-
heath's reprieve that charges were
dropped and he was released in triumph.
In the merrymaking that followed, he
himself chose Polly as his partner, be
cause, he gallantly announced, she was
really his wife. From that time on he
intended to give up the vices — if not the
follies — of the rich.
61
an important column. He had barely
assumed this position when the editor of
a rival newspaper, La Plume, accused
him falsely of receiving bribes and sup
pressing news. For the honor of La Vie
Francaise Duroy was forced to challenge
his disparager to a duel. Though neither
he nor his opponent was injured, M.
Walter was pleased with Duroy' s spirit.
Duroy moved into the apartment Mme.
de Marelle had rented for their meetings
after he had promised that he would
never bring anyone else there. Shortly
afterward Forestier became seriously ill,
and Duroy received a telegram asking
him to join the Forestiers in Cannes,
where they had gone for the invalid's
health. After Forestier's death, as he and
Mme, Forestier kept a vigil over the
corpse, Duroy proposed once more. The
widow made no promises but stated the
next day that she might consider an
alliance, though she warned her swain
that she would have to be treated as an
equal and her conduct left unquestioned.
Mme. Forestier returned to Paris. A
year later she and Duroy were married.
Georges du Roy de Cantel, as he now
called himself at his wife's suggestion,
and his bride had agreed to spend their
honeymoon with his parents in Nor
mandy. However, Mme. de Cantel spent
only one day with his simple, ignorant
peasant family in their tiny home.
The newspaper man found in his wife
a valuable ally who not only aided him
in writing his articles but also, as the
friend of influential men, helped him to
find a place in political circles. Un
fortunately, friction soon developed be
tween them. After he had moved into
his wife's home, de Cantel found that
its comforts had been designed to please
its old master, and he soon found him
self pushed gently into the niche his
friend had occupied. Even the meals
were prepared according to Forestier's
taste. To pique his wife de Cantel be
gan to call Forestier "poor Charles," al
ways using an accent of infinite pity
when he spoke the name.
Not long after his marriage de Cantel
resumed his relationship with Mme. de
Marelle and at the same time began an
affair with Mme. Walter. He had briefly
bemoaned the fact that he had not mar
ried wealthy young Suzanne Walter, but
he soon became intrigued with the idea
of seducing her mother, a pillar of dig
nity. His conquest was not a difficult
one. Mme. Walter began to meet her
lover at his rooms and to shower affection
and attentions upon him so heavily that
he quickly became bored.
Among Mme. de Cantel's political ac
quaintances was the foreign minister,
Laroche-Mathieu, who supplied news of
government activities to La Vie Fran-
caise. Because the minister was also a
close friend of M. Walter, it was not
difficult for de Cancel's new paramour to
learn the state secret that France would
soon guarantee the Moroccan debt. Mme.
Walter planned to buy some shares of
the loan with the understanding that de
Cantel would receive part of the profit.
While Mme. Walter was carrying on
her speculations, the de Cantels received
a windfall in the form of a bequest from
the late Count de Vaudrec, an old family
friend of Mme, de Cantel. De Cantel
objected to the count's bequest of one
million francs, however, on the grounds
that appearances would compromise her.
He allowed her to accept the money only
after she had agreed to divide it equally
with him, so that it would seem to out
siders as if they had both received a
share.
De Cantel profited handsomely when
France assumed the Moroccan debt, but
his gains were small compared to those
of Laroche-Mathieu and M. Walter, who
had become millionaires as a result of
the intrigue. One evening he and his
wife were invited to view a painting in
the Walters' magnificent new mansion.
There de Cantel began a flirtation with
Suzanne Walter; his own wife and
Laroche-Mathieu had become intimates
without attempting to conceal their
friendship. That evening de Cantel per-
63
suaded Suzanne to agree never to accept
a proposal without first asking his advice.
At home after the reception lie received
with indifference the cross of the Legion
of Honor which the foreign minister had
given him, He felt that he was entitled
to a larger reward for concealing news of
the Moroccan affair from his readers,
That spring he surprised his wife and
Laroche-Mathieu at a rendezvous. Three
months later he obtained a divorce, caus
ing the minister's downfall by naming
him corespondent.
A free man again, de Cantel was able
to court Suzanne Walter. It was simple
for him to persuade the girl to tell her
parents she wished to many him, to have
her go away with him until they gave
their consent to the match.
Mme, Walter was the only one at the
magnificent church wedding to show any
signs of sadness. She hated the daughter
who had taken her lover, but at the same
time she was powerless to prevent the
marriage without compromising herself.
M. Walter had managed to resign him
self to having a conniving son-in-law,
had, in fact, recognized his shrewdness
by making him chief editor of the news
paper. Suzanne was innocently happy as
she walked down the aisle with her
father. Her new husband was also con
tent. Greeting their well-wishers in the
sacristy after the ceremony, he took ad
vantage of the occasion to reaffirm, with
his eyes, his feelings for Mine, de Ma-
relle. As he and his wife left the church,
it seemed to him that it was only a stone's
throw from that edifice to the chamber
of deputies.
A BELL FOR ADANO
Type of work: Novel
Author: John Horsey (1914- )
Type, of 'plot: Social criticism
Timeofylot: 1943
Locale: Adano, Italy
first published: 1944
Principal characters:
MAJOR VICTOR JOXOPOLO, American Military Governor of Ackno
SERGEANT Bourn, Major Joppolo's subordinate
CAPTAIN Pimvis, head of the Military Police
GBNEXUL MARVIN, Commander-in-Cmef of the American invasion troops and Majox
Joppolo's superior
Critique:
A Bell for Ada-no is one of the out
standing works of fiction to come out of
World War II. John Mersey has told
his story in simple but effective language.
There is nothing of the artificial, the
contrived, or the melodramatic. The
portrayal of character is perhaps the
author's greatest achievement. Only a
good observer, only a person with a
deep love for human beings, could have
written so realistically and so sympatheti
cally of the American invasion troops,
and of an Italian town and its people
who had lived under Fascist rule for
more than twenty years.
The Story:
When the American army invaded
Sicily, Major Victor Joppolo was placed
in command of Adano* lie set up his
office in the city hall, re-hired the janitor,
and investigated the records left by
the Fascist mayor, who had fled to the
hills.
Soon after his arrival Major Joppolo
summoned the leading citr/ens of the
A BELL TOR ADANO by John Heraey. By perrmaiion of the author and the publisher*, Alfred A* Knopf, Inc.
Copyright, 1944, by John Hergey.
town and asked them, through (
his interpreter, what they considered the
most important thing to be done. Some
answered that the shortage of food was
the most pressing problem. Others in
sisted that what the town needed most
was its bell, which had been removed
by the Fascists. The bell, it seemed,
had a soothing tone. It also regulated
the lives of Adano's residents.
The major promised every effort to
recover the bell. Meanwhile the problem
was to obtain food and to have produce
brought into the town. In order that his
directives would be understood and
carried out, the major issued proclama
tions which the town crier, after being
silent for so long, hastened to shout in
the village.
On Sunday morning the major at
tended mass at one of the churches.
There he noticed a blonde girl sitting in
front of him. When he later asked
Giuseppe about her, the interpreter as
sumed that the American's interest had
nothing to do with official business.
Major Joppolo's primary interest, how
ever, was the girl's father, Tomasino,
owner of a fishing fleet. He had
Giuseppe ask Tomasino if he would come
to see him. But Tomasino, distrustful
of authority, would not come to head
quarters. The major decided to go to
Tomasino. He went, followed by practi
cally all the townspeople. The old
Italian was defiant, sure that the major
had come to arrest him. Finally the
Italian was convinced that the major
meant neither to arrest him nor to ask
For a cut in the proceeds from the sale of
the fish. He agreed to go out with his
fishing fleet, despite the danger of mines.
By that time the major and his policies
had become the subject of much discus
sion among the people. The Fascist
mayor provided them with a great deal
of amusement. He had come out of
hiding and had been paroled into Ser
geant Borth's custody. Every morning
the mayor went to Sergeant Borth and
publicly confessed a Fascist sin. Giuseppe
was astonished to discover that when the
major told him to report for work at
seven in the mornings, he meant it.
Gargano, the ex-Fascist policeman,
learned that he could no longer force
the others to make way for him when
they stood in line at the bakery.
While driving through Adano one
day, General Marvin found the road
blocked by a mule cart. The driver,
having had his daily quota of wine, was
sleeping peacefully.
When the mule refused to budge, the
general ordered the vehicle thrown into
the ditch. Reluctantly, the soldiers
dumped the cart, mule, and sleeping
driver. Swearing furiously, the general
drove up to the city hall, confronted
Major Joppolo, and ordered that the
major forbid the entrance of all carts
into Adano.
The next day a group of townspeople
besieged the major. The carts, they ex
plained, were essential, for they brought
food and water into the town. Major
Joppolo countermanded the general's
order and telephoned Captain Purvis
that he would accept full responsibility.
Captain Purvis, anxious to keep out of
trouble, ordered Lieutenant Trapani to
make a memorandum and to send it to
General Marvin. But the lieutenant,
out of regard for Major Joppolo, put the
memorandum among Purvis' papers in
the hope that the captain, who rarely
looked through his files, would never find
it
Major Joppolo's efforts to restore the
bell were not successful, for it had been
melted down by the Fascists. However,
a young Naval officer, in charge of a
nearby station, promised to obtain a
ship's bell for him.
In the meantime Captain Purvis had
gone through the papers on his desk
and had found the memorandum for
General Marvin. He ordered it for
warded at once. Lieutenant Trapani
mailed it, but addressed it to the wrong
person at headquarters in Algiers. From
there it was forwarded to the general's
65
aide, Colonel Middleton. Every day the
colonel met with General Marvin and
went over important communications.
Accordingly, he was half-way through
Purvis* letter before he realized what
it was. He tried to go on to the next
letter, but it was too late. The general
had heard Major Joppolo's name and
that of Adano, and remembered both.
The bell arrived in Adano, It was
toxiched, prodded, sounded by the ex
perts, and admired by everybody. When
it pealed fortli, the townspeople declared
that its tone was even better than that
of the old bell. The major was a hero,
To show their appreciation and affection,
the townspeople had him taken to a
photographer. From the resulting picture,
a local artist painted his portrait.
At the celebration that night, Sergeant
Borth was very, very drunk. He refused
to take orders from Major Joppolo, say
ing that the major was no longer in any
position to give orders. Captain Pur
vis, said the sergeant, almost sobbing,
had a letter from General Marvin. It
ordered Major Joppolo back to Algiers,
Next morning the major said goodbye to
Borth, who apologized for his conduct of
the previous night. The major asked
him to help his successor make the
people happy. As he drove away from
the town, he heard in the distance the
tolling of a bell, the new bell for Adano.
BEN HUR; A TALE OF THE CHRIST
Type of work; Novel
/tetfeor: Lewis (Lew) Wallace (1827-1905)
Type of plot: Historical romance
lime of 'plot: At the time of Christ
Locale: Antiocli and Jerusalem
First published: 1880
Principal characters:
BEN HUR, a Roman-educated Jew
BALTHASAR, an Egyptian
SXMONIDES, a Jewish merchant and friend of Ben Hur
ESTHER, daughter of Simonides
IRAS, daughter of Balthasar
MESS ALA, a Roman and an enemy of Ben Hur
Critique:
Ben Hur is an ama/Jng book, a mix
ture of melodramatic adventure and
scholarly research. The author shows
great familiarity with the customs and
traditions of the society that he is describ
ing, and it is this detailed knowledge of
Roman and Jewish history that accounts
for the value and importance of Ben Hur,
It is unfortunate that the characters
never seem quite real, and that the
modern reader cannot feel much sym
pathy for them.
The Story:
In the Roman year 747 three travelers
met in the desert, where the Athenian,
the Hindu, and the Egyptian had been
led by a new bright star shining in the
sky, After telling their stories to one
another, they journeyed on, seeking the
new-born child who was King of the
Jews. In Jerusalem their inquiries aroused
the curiosity of King Herod, who asked
that they be brought before him. I lerocl
then asked them to let him know if they
found the child, for he, too, wished to
adore the infant whose birth had been
foretold. Arriving at last in Bethlehem,
the three men found the new-born child
in a stable, But having been warned in
a dream of Herod's evil intentions, they
did not return to tell the king of the
child's whereabouts.
At that time there lived in Jerusalem
66
three members of an old and eminent
Jewish family named Hur. The father,
who had been dead for some time, had
distinguished himself in service to the
Roman Empire and had, consequently,
received many honors. The son, Ben
Hur, was handsome, and the daughter,
Tirzah, was likewise beautiful. Their
mother was a fervent nationalist who had
implanted in their minds a strong sense
of pride in their race and national culture.
When Ben Hur was still a young man,
his friend Messala returned from his
studies in Rome. Messala had become
arrogant, spiteful, cruel. As Ben left
Messala's home after their meeting, he
was hurt, for he realized that Messala
had so changed that their friendship must
end,
A few days later, while watching a
procession below him in the streets, Ben
Hur accidentally dislodged a piece of
tile which fell on the Roman procurator.
The Roman believed that the accident
was an attempt on his life, Led by Mes
sala, who had pointed out his former
friend, the Romans arrested the Hur
family and confiscated their property,
Ben Hur was sent to be a galleyslave.
While he was being led away in chains,
a young man took pity on him and gave
him a drink. One day, while he was
rowing at his usual place in the galley,
Ben Hur attracted the attention of Quin-
tus Arrius, a Roman official. Later, dur
ing a sea battle, Ben Hur saved the life
of Quintus, who adopted the young Jew
as his son. Educated as a Roman citizen,
Ben Hur inherited his foster father's
wealth when Quintus died.
Ben Hur went to Antioch, where he
learned that his father's old servant,
Simonides, was now a prosperous mer
chant. In effect, the wealth of Simonides
was really the property of the Hur family,
For he had been acting as agent for his
dead master. Simonides assured himself
that Ben Hur was really the son of his
old master, and begged that he be allowed
to serve the son as well. Ben Hur was
attracted to Simonides' daughter, Esther.
In company with a servant of Simon
ides, Ben Hur went to see a famous well
on the outskirts of Antioch. There an
aged Egyptian was watering his camel,
on which sat the most beautiful woman
Ben Hur had ever seen. While he looked,
a chariot came charging through the
people near the well. Ben Hur seized
the lead horse by the bridle and swerved
the chariot aside. The driver was his
false friend, Messala. The old Egyptian
was Balthasar, one of the wise men who
had traveled to Bethlehem. The beauti
ful girl was his daughter, Iras.
Learning that the arrogant Messala
was to race his chariot in the games at
Antioch, Ben Hur wished to defeat and
humiliate his old playfellow. He had
Simonides and his friends place large
wagers on the race, until Messala had
staked his whole fortune. The day of
the race came. At the turn Messala sud
denly struck with his whip at the horses
of the chariot Ben Hur was driving. Ben
Hur managed to keep his team under
control, and then in the last lap around
the arena he drove his chariot so close
to Messala's vehicle that the wheels
locked. Messala was thrown under his
horses and crippled for life. Because
Messala had attempted foul play earlier
in the race, the judges allowed Ben Hur
to be proclaimed the winner. Messala
was ruined.
From Balthasar, Ben Hur learned that
the King of the Jews to whom the Egyp
tian and his companions had paid homage
some years before was not to be the king
of a political realm, but of a spiritual
one. But Simonides convinced Ben Hur
that the promised king would be a real
deliverer who would lead the Jews to
victory over the Romans.
From Antioch Ben Hur went to Jeru
salem to search for his mother and sister.
There he learned the part Messala had
played in the ruin of his family. After
his own arrest, his mother and sister had
been thrown into prison, and Messala
and the procurator had divided the con
fiscated property between them. But
67
Messala knew nothing of the fate of the
two women after the procurator had
ordered them confined to an underground
cell. There they had contracted leprosy.
When Pilate, the new procurator, arrived,
he had ordered all political prisoners
freed and so the two women had been
set at liberty. But there was no place
for them to go except to the caves outside
the city where the lepers were sent to
die, A faithful old servant found them
and carried food to them daily, under
sacred oath never to reveal their names.
When Ben Hur met the old servant, she
allowed him to believe that his mother
and sister were dead.
Meanwhile Simonides had bought the
home of his old master, and he, Esther,
Balthasar, and Iras took possession of it
Ben Ilur himself could visit it only at
night and in disguise. He was plotting
to overthrow the Roman rule and was
recruiting an army to follow the future
King of the Jews. He went one day
near the place where the lepers usually
gathered on the hill beyond the city
gates. On the way, he met a young man
whom he recognized as the one who had
given him a drink of water years before
when he was being led away to slavery.
The young man was the Nazarene, That
day me old servant had persuaded Tirzah
and her mother to show themselves to
the Nazarene as he passed. Both were
cured, and Ben Hur saw the two lepers
transformed into his mother and sister.
Ben Hur's attitude toward the King of
the Jews was slowly changing. When he
witnessed the crucifixion in company
with Simonides and old Balthasar, any
doubts that he might have had were
removed. He was convinced then that
Christ's kingdom was a spiritual one.
From that day on, he and his family
were Christians.
Some years later, in the beautiful villa
at Misenum, Ben Hur's wife, Esther, re
ceived a strange visit from Iras, the
daughter of Balthasar. Iras told Esther
that she had killed Messala for the
misery he had brought her. When he
learned of the visit, Ben Ilur was sure
that on the day of the crucifixion, the
day that Balthasar himself had died, Iras
had deserted her father for Messala.
Ben Hur was happy with Esther and
their two children. He and Simonides
devoted their fortunes to the Christian
cause. When Nero began the persecu
tion of the Christians in Rome it was
Ben Hur who went there to build the
catacombs under the city itself, so that
those who believed in the Nazarene could
worship in safety and peace,
BEOWULF
Type of work: Poem
Author: Unknown
Type of fflot: Heroic epic
Time of 'plot: c, Sixth century
Locale: Denmark, southern Sweden (land of the Gcats)
First transcribed: c. 1000
Principal characters:
BEOWULF, a Goat hero
HROTIIGAR, King of the Danes
UNFBKTH, a Danish warrior
WIGLAJP, loyal noble of Beowulf's court
Critique:
This poem is the great masterpiece of
Anglo-Saxon literature. Its scribes were
poem is a valuable record of the customs
of the time, a pagan story overlaid with
writing down a story transmitted orally a veneer of Christian theology, and a nar-
for generations by Northern peoples. The rative of high artistic worth.
68
The Story:
Once long ago in Hrothgar's kingdom
a monster named Grendef roamed the
countryside at night. Rising from his
marshy home, Grendel would stalk to the
hall of the king, where he would seize
fifteen of Hrothgar's sleeping warriors
and devour them. Departing, he would
gather fifteen more into his huge arms
and carry them back to his watery lair.
For twelve years this slaughter continued.
Word of the terror spread. In the
land of the Geats, ruled over by Hygelac,
lived Beowulf, a man of great strength
and bravery. When he heard the tale
of Hrothgar's distress, he set sail for Den
mark to rid the land of its fear. With a
company of fourteen men he came ashore
and asked a coast watcher to lead him
to Hrothgar's high hall. There he was
feasted in great honor while the mead
cup went around, Unferth reminded
Beowulf of a swimming contest which
Beowulf was said to have lost. Beowulf
answered that not only had he won the
contest, but he had also killed many
deadly monsters in the sea. At the close
of the feast Hrothgar and his warriors
went to their rest, leaving Beowulf and
his band in the hall. Then came the
awful Grendel and seized one of the
sleeping warriors. But he was fated to
kill no more that night, for Beowulf
without shield or spear seized the dread
monster and wrenched off his mighty
right arm, Thus maimed, Grendel fled
back to his marshland home. His bloody
arm was hung in Hrothgar's hall.
The next night Grendel's mother came
to avenge her son. Bursting into the
great hall, she seized one of the warriors,
Acschere, Hrothgar's chief counselor, and
fled with him into the night. She took
with her also the prized arm of Grendel.
Beowulf was asleep in a house removed
irom the hall, and not until morning did
he learn of the monster's visit. Then,
with Hrothgar leading the way, a mourn
ful procession approached the dire marsh.
At its edge they sighted the head of the
ill-fated Aeschere and saw the stain of
blood on the water. Beowulf prepared
for descent to the home of the foe. Un
ferth offered Beowulf the finest sword in
the kingdom, and thus forfeited his own
chance of brave deeds.
As Beowulf sank beneath the waters of
the marsh, he was beset on every hand
by prodigious monsters. After a long
swim he came to the lair of Grendel's
mother. Failing to wound her with Un-
ferth's sword, he seized the monster by
the shoulder and threw her to the ground.
During a grim hand-to-hand battle, in
which Beowulf was being worsted, he
sighted a famous old sword of the giants,
which he seized and thrust at Grendel's
mother, who fell in helpless death throes.
Then Beowulf turned and saw Grendel
himself lying weak and maimed on the
floor of the lair. Quickly he swung the
sword and severed Grendel's head from
his body. As he began to swim back up
to the surface of the marsh, the sword
with which he had killed his enemies
melted until only the head and hilt were
j r°n his return> the Danes rejoiced
and f£ted him with another high feast
He presented the sword hilt to Hroth^ar
and returned Unferth's sword without
telling that it had failed him.
The time came for Beowulf's return to
his homeland. He left Denmark in great
glory and sailed toward the land of the
Geats. Once more at the court of his
lord Hygelac, he was held in high esteem
and was rewarded with riches and posi
tion. After many years Beowulf himself
became king among the Geats. One of
the Geats by accident discovered an an
cient hoard, and, while its guardian
dragon slept, carried away a golden gob
let which he presented to Beowulf. The
discovery of the loss caused the dragon
to rise in fury and to devastate the land.
Old man that he was, Beowulf was
determined to rid his kingdom of the
dragon's scourge. Daring the flames of
the dragon's nostrils, he smote his foe
with his sword, but without effect, Once
more Beowulf was forced to rely on the
69
grip of his mighty hands, Of his warriors
only Wiglaf stood by his king; the others
flccl. The dragon rushed at Beowulf and
sank its teeth deeply into his neck. But
Wiglaf smote the dragon with his sword,
and Beowulf with his war-knife gave the
dragon its death blow.
Weak from loss of blood, the old hero
was dying. His last act was to give Wig
laf a king's collar of gold. The other
warriors now came out of hiding and
burned with pagan rites the body of their
dead king. From the dragon's lair they
took the treasure hoard and buried it in
the great mound they built over Beo
wulf's ashes. Then with due ceremony
they mourned the passing of the great
ana dauntless Beowulf.
THE BIG SKY
Type of work: Novel
Author: A. B. Guthrie, Jr. (1901- )
Type of ylot: Adventure romance
Time off lot: 1830-1843
Locale: Western United States
first published: 1947
Principal characters:
BOONE CAUDILL, a mountain man
TEAL EYE, his Indian wife
JIM DJGAKINS, his friend
DICK SUMMEHS, an old hunter
JOITBDONNAIS, a keclbout captain
Pooru>EViL, <a half-witted Blackfoot
ELJSHA PEABODY, a Yankee speculator
Critique:
For constant and varied action this
story is outstanding. Between episodes
much of the philosophy of the Western
hunter and trapper is set forth. Also,
there are passages of vivid description
in which the author communicates the
feel of the open spaces and the elemental
emotions of the men who roamed them,
Throughout the book realism is added by
putting the words and thoughts of the
characters into frontier dialect. The Big
Sky is a notable contribution to regional
and historical fiction.
Louisville, where the sheriff and Boonc's
father were waiting for the runaway, he
and Jim were separated, Boone escaped
by swimming the Ohio River to the
Indiana shore.
When Boone was falsely accused of
attempted theft and jailed, Jim, who had
Followed him after their separation, stole
the sheriff's keys and released him. To
gether the boys eon tinned west.
In St. Louis they signed up on the
crew of the keelboat Mcindmi. Most of
the crew were French, as was the leader,
Jourdonnais. The boat was headed for
the country of the Blaekfeet with a
store of whiskey and other goods to trade
for furs. Jourdonnais also had aboard
Teal Bye, young daughter of a Blackfoot
chief. She lincl been separated from her
tribe for some time; Jourdonnais hoped
to gain the friendship of the Indians by
returning the girl to them,
The keelboat moved slowly upstream
„„„& BIG SKY by A. B. Guthrie, Jr, By partmgiion of thr author, hiit HKCJINJ Ruth & Maxwell Alcy, untl th«
publishers, Willinm Sloane Associates, Inc. Copyright, 1947, by A. B, Guthrie, Jr.
The Story:
In 1830 Boone Caudill set out alone
for St. Louis and the West after a fight
with his father. Taking his father's rifle
with him, he headed for Louisville to get
out of the state before his father could
catch him. On the road he met Jim
Dcaldns, an easy-going redhead, and the
two decided to go West together. At
70
by means of poles, tow rope, and oars.
Boone and Jim found a friend in Dick
Summers, the hunter for the Mandan f
whose job was to scout for Indians and
keep the crew supplied with meat. He
made Boone and Jim his assistants. Jour-
donnais was worried about making
Blackfoot country before winter, and he
worked the crew hard. At last they
passed into the upper river beyond the
mouth of the Platte. All the greenhorns,
including Boone and Jim, were initiated
by being dunked in the river and having
their hair shaved off.
At last they were in buffalo country.
Summers took Boone with him to get
some fresh meat. Attacked by a hunting
party of Sioux, the white men escaped
unharmed; but Summers expected
trouble from the hostiles farther along
the line. A few days later the Mandan
was ambushed by a large Indian war
party. Only the swivel gun on the deck
of the boat saved the white men from
death.
Just before the Mandan arrived at
Fort Union, two men tried to sabotage
the cargo. At Fort Union, Jourdonnais
accused the American Fur Company
trader, McKenzie, of trying to stop him.
McKenzie denied the charge, but he
tried to argue Jourdonnais out of con
tinuing upriver and offered to pay double
value for the Mandan' '$ cargo. Jourdon
nais refused. At Fort Union, Boone met
his Uncle Zeb, an old-time mountain
man. He predicted that the days of hunt
ing and trapping in open country were
nearly over, but Boone and Jim did not
believe him.
When the Mandan arrived in Black-
foot country, Teal Eye escaped. The
crew began to build a fort and trading
post. One day Indians attacked and killed
all but the three hunters, Boone, Jim,
and Summers.
For seven years these three hunted to
gether, and Summers made real moun
tain men out of the others. In the spring
of 1837 the three headed for a rendez
vous on the Seeds-Kee-Dee River, where
they could sell their furs and gamble,
drink, and fight with other mountain
men. They took with them a half
witted Blackfoot named Poordevil.
At the rendezvous Boone killed a man
who said that he was going to take
Poordevirs scalp. Then, after they had
had their fill of women and liquor, the
three friends left the camp. But Sum
mers did not go hunting with them.
No longer able to keep up the pace of
the mountain men, he went back to
settle in Missouri. Boone, Jim, and
Poordevil headed up the Yellowstone
toward Blackfoot country.
The journey was Boone's idea. He
knew that Teal Eye was now a grown
woman. Her beauty had remained in his
memory all those years; now he wanted
her for his squaw. On the way to the
Three Forks, Boone stole a Crow horse
and took a Crow scalp, two coups that
would help him to make friends with
the Blackfoot Indians.
They came upon a Blackfoot village
ravaged by smallpox, but Boone refused
to stop until he was certain that Teal
Eye was dead. At last he located her.
She was with a small band led by Red
Horn, her brother, who sold her to
Boone as his squaw.
Life was good to Boone. For five years
he lived happily among the Blackfoot
Indians with Teal Eye as his wife. Jim
lived in the Blackfoot camp also, but
he often left for months at a time to go
back down the Missouri. He craved com
panionship, while Boone enjoyed living
away from crowds. On one of his trips
Jim met Elisha Peabody, a shrewd
Yankee speculating upon the future pros
perity of the Oregon Territory, who
wanted someone to show him a pass
where wagons could cross the mountains.
Jim and Boone contracted to show him a
suitable pass. Before Boone left, Tea]
Eye told him that he would have a son
when he returned.
The expedition had bad luck. Indians
stole all the horses and wounded Jim
badly. Then snow fell, destroying all
71
chances to get food. Finally, Boone was
able to shoot some mountain goats. Jim
recovered from his wound, and the party
went ahead on foot. Boone and Jim
showed Peabody the way across the
mountains and into the Columbia Valley.
It was spring when Boone returned to
Teal Eye and his son.
The child, born blind, had a tinge of
red in his hair. The baby's blindness
brought a savage melancholy to Boone.
Then some of the old Indians hinted that
the red hair showed the child was Jim's
baby. Boone laid a trap to catch Jim with
Teal Eye. Jim, suspecting nothing, found
Teal Eye alone in her lodge; he tried to
comfort her about her child's blindness
and the ugly mood of her husband,
Boone mistook the intent of Jim's conver
sation. Entering the lodge, he shot Jim
in the chest, killing him. He cursed
Teal Eye and left the Blackfoot camp.
Then he headed back to Kentucky to see
his mother before she died,
In Kentucky he found his brother
married and taking care of the farm.
Boone grew resdess. Slowly it came to
him that he had been wrong about Jim
and Teal Eye, for he noticed that one
of his brother's children had a tinge of
red hair. His mother said that there
had been red hair in the family. When
a neighbor girl insisted that he marry
her because he had made love to her,
Boone started back to the West. He
longed for freedom and for Teal Eye.
In Missouri he visited Summers, who
now had a wife and a farm. Over their
whiskey, Boone revealed to Summers
that he had killed Jim. He knew now
that he had made a mistake. Everything
was spoiled for him — Teal Eye, and
all the West. The day of the mountain
man was nearly over; farmers were going
to Oregon. Without saying goodbye, he
stumbled out into the niglit. Summers
could see him weaving along the road
for a short distance. Then the darkness
swallowed him, and he was gone.
THE BLACK ARROW
Tyye of work; Novel
Author: Robert Louis Stevenson (1850-1894)
Type of ylot; Historical romance
Time offlot: Fifteenth century
Locale: England
First published: 1888
Principal characters:
SIR DANIEL BRACKLBY, a political turncoat
RIGHARJD SHKLTON (DxciO, his ward
JOANNA SEDLHY, Lord Foxham's ward
SIR OLIVEXI GATES, Sir Daniel's clerk
ELLIS DUCKWORTH, an outlaw
LAWLESS, another outlaw, Dick's friend
RICHARD, Duke of Gloucester
Critique;
The Black Arrow; A Tale of the Two
Roses is a historical romance intended
primarily for younger readers. Set in
the fifteenth century, the historical back
ground of the plot deals with a minor
battle of the Wars of the Roses and
the appearance of the infamous Richard,
Duke of Gloucester, as a young sol
dier. More interesting are the swiftpaced
adventures of Dick Shelron in his at
tempts to outwit his scheming guardian,
Sir Daniel Brackley. Children have been
fortunate that one of the gifted writers
of the last century lent his talents to
their pleasure,
The Story;
One afternoon in the late springtime,
72
the Moat House bell began to ring. A
messenger had arrived with a message
from Sir Daniel Brackley for Sir Oliver
Gates, his clerk. When the peasants
gathered at the summons of the bell, they
were told that as many armed men as
could be spared from the defense of Moat
House were to join Sir Daniel at Kettley,
where a battle was to be fought between
the armies of Lancaster and York.
There was some grumbling at this
order, for Sir Daniel was a faithless man
who fought first on one side and then on
the other. He had added to his own
lands by securing the wardships of chil
dren left orphans in those troubled times,
and it was whispered that he had mur
dered good Sir Harry Shelton to make
himself the guardian of young Dick Shel
ton and the lord of the Moat House
estates.
Planning to marry Dick Shelton to the
orphaned heiress of Kettley, Joanna Sed-
ley, Sir Daniel had ridden there to take
charge of the girl. Dick, knowing noth
ing of his guardian's plans, remained be
hind as one of the garrison of the manor.
Old Nick Appleyard, a veteran of Agin-
court, grumbled at the weakness of the
defense in a country overrun by strag
glers from warring armies and insisted
that Moat House lay open to attack. His
prophecy came true. While he stood talk
ing to Dick and Rennet Hatch, Sir Dan
iel's bailiff, a black arrow whirred out
of the woods and struck Nick between
the shoulder blades. A message on the
shaft indicated that John Amend-All, a
mysterious outlaw, had killed old Nick,
Sir Oliver Gates trembled when he
read the message on the arrow. Shortly
afterward, he was further disturbed by a
message, pinned on the church door, an
nouncing that John Amend- All would
kill Sir Daniel, Sir Oliver, and Bennet
Hatch. From it Dick learned that the
outlaw accused Sir Oliver of killing Sir
Harry Shelton, his father. But Sir Oliver
swore that he had had no part in that
knight's death. Dick decided to remain
quiet until he learned more about the
matter and in the meantime to act in ali
fairness to Sir Daniel.
It was decided that Hatch should re*
main to guard Moat House while the
outlaws were in the neighborhood. Dick
rode off with ten men-at-arms to find Sii
Daniel. He carried a letter from Sir
Oliver telling of John Amend-All's
threats.
At Kettley Sir Daniel was awaiting the
outcome of a battle already in progress,
for he intended to join the winning side
at the last minute. Sir Daniel was also
upset by the outlaw's threats, and he
ordered Dick to return to Moat House
with a letter for Sir Oliver. He and his
men left to join the fighting; but not be
fore he roundly cursed his luck because
Joanna Sedley, whom he held hostage,
had escaped in boy's clothing. He ordered
a party of men-at-arms to search for the
girl and then to proceed to Moat House
and strengthen the defenses there.
On his return journey Dick met Jo
anna, still dressed as a boy, who told
him that her name was John Matcham,
Dick, unaware that she was Sir Daniel's
prisoner, promised to help her reach the
abbey at Holywood, As they hurried on,
they came upon a camp of the outlaws
led by Ellis Duckworth, another man
ruined by Sir Daniel. Running from the
outlaws, they saw the party of Sir Dan
iel's retainers shot down one by one.
The cannonading Dick heard in the dis
tance convinced him that the soldiers of
Lancaster were faring badly in the day's
battle. Not knowing on which side Sir
Daniel had declared himself, he won
dered whether his guardian were among
the victors or the vanquished.
Dick and his companion slept in the
forest that night. The next morning a
detachment of Sir Daniel's men swept by
in disorderly rout. Soon afterward they
saw a hooded leper in the woods. The
man was Sir Daniel, attempting to make
his way back to Moat House in disguise.
He was dismayed when he heard that
the outlaws had killed a party of his
men-at-arms.
73
When the three arrived at Moat
House, Sir Daniel accused Dick of dis
trust. He claimed innocence in the death
of Dick's father and forced Sir Oliver to
dc the same. Another black arrow was
shot through a window into a room in
which the three were talking. Sir Daniel
gave orders to defend Moat House against
attack. Dick was placed under close
watch in a room over the chapel, and he
was not allowed to see his friend, John
Matcham.
That night, when John Matcham came
secretly to the room over the chapel, Dick
learned that the companion of his ad
ventures in the forest was really Joanna
Sedley, the girl to whom Sir Daniel had
betrothed him, Warned that he was
now in clanger of his life, Dick escaped
into the forest. There he found Ellis
Duckworth, who promised him that Sir
Daniel would be destroyed.
Meanwhile the war went in favor of
Lancaster, and Sir Daniel's fortunes rose
with those of the house he followed. The
town of Shorcby was full of Lancastrians
all of that summer and fall, and there
Sir Daniel had his own house for his
family and followers. Joanna Scdley was
not with him; she was kept in a lonely
house by the sea, under the care of the
wife of Bonnet Hatch, Dick and an out
law companion, Lawless, went to the
town, and while recormoitering Joanna's
hiding place Dick encountered Lord Fox-
ham, enemy of Sir Daniel and Joanna's
legal guardian. Lord Foxham promised
that if Joanna could be rescued she would
become Dick's bride. The two men at
tempted a rescue by sea in a stolen boat,
but a storm almost sank their boat and
Lord Foxham was injured when the
party attempted to land,
1 hat winter Dick and his faithful com
panion, Lawless, returned to Shoreby,
Disguised as priests, they entered Sir
Daniel's house and were there protected
by Alicia Risingham, Joanna's friend and
the niece of a powerful Lancastrian lord.
When Dick and Joanna met, she told him
that the following day she was to marry
Lord Shoreby against her will. An alarm
was given when Dick was forced to kill
one of Lord Shoreby's spies. Still in the
disguise of a priest, he was taken to Sir
Oliver Oatcs, who promised not to betray
Dick if he would remain quietly in the
church until after the wedding of Joanna
and Lord Shoreby. During the night
Lawless found Dick and gave him the
message that Ellis Duckworth had re
turned and would prevent the marriage.
As the wedding procession entered the
church, three archers discharged their
black arrows from a gallery. Lord Shore-
by fell, two of the arrows in his body.
Sir Daniel was wounded in the arm. Sir
Oliver Oates denounced Dick and Law
less and they were taken before the Earl
of Risingham. But Dick argued his cause
with such vigor, aided by Joanna and
Alicia, that the earl agreed to protect
him from Sir Daniel's anger. Later,
learning from Dick that Sir Daniel was
secretly plotting with the Yorkist leaders,
the earl set him and Lawless free.
Dick made his escape from Sir Daniel's
men only to be captured by the old sea
man whose skifl: he had stolen on the
night he and Lord Foxhatn had attempted
to rescue Joanna from Sir Daniel It took
him half the night to elude the angry
seaman and bis friends. In the morn
ing he was in time to meet, at Lord I'ox-
ham's request, young Richard of York,
Duke of Gloucester. On his arrival at
the meeting place he found the duke
attacked by bandits. lie saved Richard's
life and later fought with the duke in
the battle of Shorcby, where (he army of
Lancaster was defeated. For his bravery
in the fight he was knighted. Afterward,
when Richard was giving out honors,
Dick claimed as his portion only the
freedom of the old seaman whose boat
he had stolen.
Pursuing Sir Daniel, Dick rescued Jo
anna and took her to Ilolywooci The
next morning he encountered Sir Daniel
in the forest near the abbey. Dick was
willing to let his enemy escape, but Ellis
Duckworth, lurking nearby, killed the
74
faithless knight. Dick asked the outlaw
to spare the life of Sir Oliver Gates.
Dick and Joanna were married with
great honor. They lived quietly at Moat
House, withdrawn from the bloody dis
putes of the houses of Lancaster and
York. Both the old seaman and Lawless
were cared for in their old age, and Law
less finally took orders and died a friar.
BLACK LAMB AND GREY FALCON
Type of work: Record of travel
Author: Rebecca West (Cecily Fairfield Andrews, 1892- )
Type of plot: Travel sketches
Time of plot: 1937
Locale: Yugoslavia
First published: 1941
Principal characters:
REBECCA WEST, a journalist
HENRY ANDREWS, her husband
CONSTANTJNE, a Yugoslavian poet
GERDA, Constantine s German wife
Critique:
Miss West's book is more than a nar
rative of her journey through Yugoslavia.
She spent several years working on the
hook, building up a study of Yugoslavia
and its people around the impressions
she had gained while traveling in the
country. The result is that for every page
of travel description there are several
pages of material about the country
gleaned from study and reading. The
work is full of digressions on anthro
pology, architecture, cultural history,
literature, politics, philosophy, and Yugo
slavian psychology.
The Story:
Rebecca West had not seen Yugoslavia
until 1936, when she made a lecture
tour in that country; but it impressed her
so greatly that she decided to travel
throughout the country as a tourist in
1937. She also felt that it was important
to know something of the country be-
'iause of the effect it might have upon
world politics after the death of its king,
Alexander, in 1937. It had been of great
importance twenty-three years before,
when the assassination of Franz Ferdin
and in Sarajevo had precipitated a world
conflict
The author and her husband entered
Yugoslavia by railroad on the line which
ran from Munich, Germany, to Zagreb,
Yugoslavia, Their journey was not a very
interesting one, except for the antics of
four fat German tourists who shared their
compartment and told of the advantages
of Germany over the barbaric country
they were entering. Zagreb was interest
ing because it was inhabited mainly by
Croats, one branch of the south Slavic
racial group.
In Zagreb they met Constantine, a
Yugoslavian poet who had become a
friend of the author on her previous trip
to his country. Constantine showed them
about the city, introduced them to various
interesting people, and promised to travel
with them during part of their journey.
In Zagreb the tourists were surprised at
the depth of feeling and the frequent
arguments between the various Yugo
slavian groups. There were Serbs,
Slovenes, and Croats, all under the gov
ernment at Belgrade, and all disagreeing
heartily on government policies. The
country was also divided internally by
religious beliefs. There were three main
religious groups, the Roman Catholics,
the Orthodox Catholics, and the Mos-
BLACK LAMB AND GREY FALCON by Rebecca West. By permission of the author, her agent A. D. Peters.
London, and the publishers, The Viking: Press, Inc. Copyright, 1940, 1941, by Rebecca West.
75
lems. The latter were either Turks who
had remained in the country when the
Turkish regime had been driven out
over a century before, or Yugoslavs who
had accepted the religion of the Moslems
during the five centuries of Turkish oc
cupation oi: that part of Europe. Miss
West noted that in Zagreb the people
lived in physical comfort, if not in
political comfort. She thought that the
city had a warm and comfortable ap
pearance, but that the Austrian influence
had deprived it of much of its originality
and naive te\
From Zagreb the travelers went to
visit a castle which had been turned into
a sanatorium. They found the place
spotlessly clean for such an old castle.
The sanatorium was one of the few
places in Yugoslavia in which there was
little political speculation or argument,
The doctors were too busy for politics.
Patients were forbidden to discuss such
matters.
Returning to Zagreb, the author and
her husband went next to Sushak on the
Dalmatian coast. Their first impression
of the coast was one of bare, treeless
hillsides and shouting, angry men, It
was poor country. While at Sushak,
they crossed the river to L'iumc, which
seemed to be the kind of city one
would find in a bad dream. What struck
the travelers as being the worst aspect of
this town was the number of officials
throughout the city who demanded to
see their passports.
After visiting Fitime they traveled by
steamer to Senj, a city which interested
them because it had played a decisive
part in keeping the Turks from overrun
ning Western Europe in the sixteenth
and seventeenth centuries. The town
had financed pirate vessels which terror
ized the Turks and had kept them from
using the western part of the Mediter
ranean and the Adriatic.
Farther south on the Dalmatian coast
they visited Split, and found it to have
an almost Neapolitan air. The town was
also famed for the palace Diocletian had
built there. Miss West learned that
from Diocletian's palace eighteenth-cen
tury British architects had borrowed the
Georgian style so popular in England
and in some parts of the American
colonies.
This information came to her from
a young Englishman she met at Split.
The young man was making a living in
the city by teaching English. For him
the Dalmatian coast was the closest
thing to a terrestrial heaven. Miss West
was surprised at the number of old build
ings still in use. Diocletian's mausoleum,
for example, had been turned into a
Christian cathedral. At Split Miss West
disclosed that she had little respect for
the Romans and thought far more highly
of the Croats and Slavs. She hoped that
school children were not being impressed
with the idea that the Romans had been
a great and glorious inline nee on the
Yugoslavian territory and people, for she
saw that their poverty and their reputa
tion as barbarians were the result of the
Roman attitude toward their forebears,
an attitude maintained by Central Euro
peans in the twentieth century.
The last stop on the Dalmatian coast
was Dubrovnik, a disappointment to the
travelers. There they wired their friend
Constantino to meet them at Sarajevo, to
which they were going by automobile
from Dubrovnik. On the way to Sarajevo
they passed a valley which Miss West
could describe only as something out of
Baron Munchausen's tales, 'This valley
was a lake in the wintertime, but in the
spring the water wont out of the valley
through some unknown outlet to the
sea, leaving fertile fields ixt which
peasants planted crops during the sum
mer months.
At Sarajevo they met Constantino and
his Gorman wife, Certla, The German
woman made the air about the party a
bit tense because of the deprecating at
titude which she, like most Germans,
took toward Yugoslavians. While at
Sarajevo they wandered all over the town
and were able to visit the family of the
76
man who had killed Franz Ferdinand in
1914.
The next phase of their journey was
a rail Crip to the capital city of Belgrade,
where they were impressed by the large
supply of good food available and the
provincial air of the capital and its
people.
That part of the journey by rail from
Belgrade to Skoplje was almost as un
interesting as the trip from Munich to
Zagreb. More enjoyable was a stay at
Lake Natim, on the southern edge of
Yugoslavia near Greece and Albania. It
was a wild and beautiful part of the
country, despite the poverty of the
land and its people.
From the Lake Naum area they went
back part of the way to Belgrade on the
railroad, and then motored to Kotor
on the Dalmatian coast. There Con-
stantine and his German wife bade them
goodbye. The author and her husband
took a ship at Kotor and traveled up
the coast, and then returned by rail to
Zagreb. They visited the Plivitse Lakes
on the way. The last leg of the journey
was by rail from Zagreb to Budapest,
Hungary.
The sadness of the plight of the Yugo
slavs was impressed on Miss West one
last time in Budapest. There she met a
university student who wanted to write
a paper about Miss West's work. The
girl tried to prevent Miss West from dis
covering that her family had come
from the Balkans, for the girl wanted
to be a part of the Central European cul
ture rather than of the one she had in
herited.
BLEAK HOUSE
Type of work: Novel
Author: Charles Dickens (1812-1870)
Type of 'plot: Social criticism
Time of 'plot: Mid-nineteenth century
Locale: London, Lincolnshire, and Hertfordshire, England
First published: 1852-1853
Principal characters:
JOHN JARNDYCE, owner of Bleak House
RICHARD CARSTONE, his cousin
ADA CLARE, also his cousin
ESTHER SUMMERSON, his ward and companion to Ada
ALLAN WOODCOURT, a young physician
LADY DEDLOCK, Sir Leicester Dedlock's wife
TULKINGHORN, a solicitor
WILLIAM GUPPY, Tulkinghom's clerk
Critique:
A satire on the methods of an English
-equity court, Bleak House is a great novel
based upon an actual case in Chancery.
The story of lives sacrificed on the rack
of a meaningless judicial system is an
arresting one. Several of the minor char
acters are caricatures of well-known lit
erary figures of the day. The complicated
Lady Dedlock plot which gave Bleak
House its contemporary popularity is
rather thin, but the novel as a whole
stands up remarkably well.
The Story:
The suit of Jarndyce vs. Jarndyce was
a standing joke in the Court of Chancery,
Beginning with a dispute as to how the
trusts under a Jarndyce will were to be
administered, the suit had dragged on,
year after year, generation after genera
tion, without settlement. The heirs, or
would-be heirs, spent their lives waiting.
Some, like Tom Jarndyce, blew out their
brains. Others, like liny Miss Flite,
visited the Court in daily expectation of
some judgment which would settle the
77
disputed estate and bring her the
of which she dreamed.
Among those involved in the suit were
John Jarndyce, great-nephew of the Tom
Jarndyce wno had shot himself in a coffee
house, and his two cousins, Richard Car-
stone and Ada Clare. Jarndyce was the
owner of Bleak House in Hertfordshire,
a country place which was not as dreary
as its name. His two young cousins lived
with him. He had provided a companion
for Ada in the person of Esther Summer-
son. Esther had suffered an unhappy
childhood under the care of Miss Bar-
bary, her stem godmother, and a servant,
Mrs. Rachel. The two had told the girl
that her mother was a wicked woman who
had deserted her. Miss Barbary was now
dead, and Mr. Jarndyce had become
Esther's benefactor.
Two others who took a strange interest
in the Jarndyce estate were Sir Leicester
and Lady Dedlock of Chesney Wold, in
Lincolnshire. Lord Dedlock had a solici
tor named Tulldnghorn, who, like every
other reputable lawyer in London, was
involved in the Jarndyce suit. One day
when the Dcdlocks were in Tulkin^-
horn's office, the lawyer presented Lady
Dedlock with a document. At the sight
of the handwriting on the paper she
swooned, Immediately suspicious, Tul-
kinghom resolved to trace the handwrit
ing to its source. His search led him to
Mr. Snagsby, a stationer, but the best
that Snagsby could tell him was that the
paper had been copied by a man named
Nemo, a lodger in the house of Mr.
Krook, a junk dealer. Mr. Tulkinghorn
went to the house with Snagsby, only to
find Nemo dead of an overdose of opium.
Convinced that Nemo was not the dead
man's real name, the lawyer could learn
nothing of the man's identity or con-
ncctions.
Esther Smnmerson soon found an ar
dent friend and admirer in William
Guppy, a clerk in the office of Kongo and
Carboy, Jarndyce's solicitors. It was
Guppy who first noticed Esther's resem
blance to Lady Dedlock. Allan Wood-
court, a young surgeon who had been
called to administer to the dead Nemo,
requested an inquest. One of the wit
nesses called was Jo, a crossing sweeper
whom Nemo had often befriended. A
little later Jo was found with two half-
crowns on his person. I Tc explained that
they had been given him by a lady he
had guided to the gate of the churchyard
where Nemo was buried, Jo xvas ar
rested, and in the cross-examination
which followed, Mr. Guppy questioned
the wife of an oily preacher named
Ghaclband and found that the firm of
Kenge and Carboy had once had charge
of a young lady with whose aunt Mrs,
Chaclband had lived, Mrs. Chadband was,
of course, the Mrs. Rachel of Esther
Sumincrson's childhood, She revealed
that Esther's real name was not Sum-
merson, but Ilawdon.
The mystery surrounding Esther Sum-
mcrson began to clear. A French maid
who had left Lady Dcd lock's service
identified her late mistress as the lady
who had given two half-crowns to the
crossing sweeper. The dead Nemo was
promptly proved to have been Captain
I Inwclon, Years before he ami the pre
sent Lady Dedlock had fallen in love;
Esther wus their child. But Miss Barbary,
angry at her sister's disgrace, had taken
the child and moved to another part of
the country. The mother later married
Lord Dedlock, She was now overjoyed
that the child her unforgiving sister had
led her to believe dead was still alive, and
she resolved to reveal herself to her.
Mr. Guppy informed Lady Dedlock
that a packet; of Captain I lawdon's letters
was in the possession of the junk dealer,
Krook, Fearing that the revelation of
these letters would ruin her position,
Latly Dedlock asked Guppy to bring
them to her, and the wily law clerk
agreed, But on the night the letters
were to be obtained the drunken Krook
exploded of spontaneous combustion, and
presumably trie letters burned with him.
In the meantime, Richard Carstone,
completely obsessed by the Jarndyce case,
78
The Story:
Once long ago in Hrothgar's kingdom
a monster named Grendel roamed the
countryside at night. Rising from his
marshy home, Grendel would stalk to the
hall of the king, where he would seize
fifteen of Hrothgar's sleeping warriors
and devour them, Departing, he would
gather fifteen more into his huge arms
and carry them back to his watery lair.
For twelve years this slaughter continued.
Word of the terror spread. In the
land of the Geats, ruled over by Hygelac,
lived Beowulf, a man of great strength
and bravery. When he heard the tale
of Hrothgar's distress, he set sail for Den
mark to rid the land of its fear. With a
company of fourteen men he came ashore
and asked a coast watcher to lead him
to Hrothgar's high hall. There he was
feasted in great honor while the mead
cup went around, Unferth reminded
Beowulf of a swimming contest which
Beowulf was said to have lost. Beowulf
answered that not only had he won the
contest, but he had also killed many
deadly monsters in the sea. At the close
of the feast Hrothgar and his warriors
went to their rest, leaving Beowulf and
his band in the hall. Then came the
awful Grendel and seized one of the
sleeping warriors. But he was fated to
kill no more that night, for Beowulf
without shield or spear seized the dread
monster and wrenched off his mighty
right arm, Thus maimed, Grendel fled
back to his marshland home. His bloody
arm was hung in Hrothgar's hall.
The next night Grendel's mother came
to avenge her son. Bursting into the
great hall, she seized one of the warriors,
Acschere, Hrothgar's chief counselor, and
fled with him into the night. She took
with her also the prized arm of Grendel.
Beowulf was asleep in a house removed
from the hall, and not until morning did
he learn of the monster's visit. Then,
with Hrothgar leading the way, a mourn
ful procession approached the dire marsh.
At its edge they sighted the head of the
ill-fated Aeschere and saw the stain of
blood on the water. Beowulf prepared
for descent to the home of the foe. Un
ferth offered Beowulf the finest sword in
the kingdom, and thus forfeited his own
chance of brave deeds.
As Beowulf sank beneath the waters of
the marsh, he was beset on every hand
by prodigious monsters. After a long
swim he came to the lair of Grendel's
mother. Failing to wound her with Un-
ferth's sword, he seized the monster by
the shoulder and threw her to the ground.
During a grim hand-to-hand battle, in
which Beowulf was being worsted, he
sighted a famous old sword of the giants,
which he seized and thrust at Grendel's
mother, who fell in helpless death throes.
Then Beowulf turned and saw Grendel
himself lying weak and maimed on the
floor of the lair. Quickly he swung the
sword and severed Grendel's head from
his body. As he began to swim back up
to the surface of the marsh, the sword
with which he had killed his enemies
melted until only the head and hilt were
left. On his return, the Danes rejoiced
and f£ted him with another high feast.
He presented the sword hilt to Hrothgar
and returned Unferth's sword without
telling that it had failed him.
The time came for Beowulf's return to
his homeland. He left Denmark in great
glory and sailed toward the land or the
Gcats. Once more at the court of his
lord Hygelac, he was held in high esteem
and was rewarded with riches and posi
tion. After many years Beowulf himself
became king among the Geats. One of
the Geats by accident discovered an an
cient hoard, and, while its guardian
dragon slept, carried away a golden gob
let which he presented to Beowulf. The
discovery of me loss caused the dragon
to rise in fury and to devastate the land.
Old man that he was, Beowulf was
determined to rid his kingdom of the
dragon's scourge. Daring the flames of
the dragon's nostrils, he smote his foe
with his sword, but without effect, Once
more Beowulf was forced to rely on the
69
it might find itself some six hundred
years from our time. Contemporary
trends in culture are carried to shocking,
amusing, and fantastic extremes in the
book. Brave New World, because of
obvious limitations of space, contains
features which beg further elucidation.
Within definite limits, however, the
author has succeeded in indicting twen
tieth-century Western culture with de
lightful acerbity and urbane wit,
The Story:
One day in the year 632 After Ford,
as time was reckoned in the brave new
world, the Director of the Central Lon
don Hatchery and Conditioning Center
took a group of new students on a tour
of the plant where human beings were
turned out by mass production. The
entire process, from the fertilization of
the egg to the birth of the baby, was
carried out by trained workers and
machines. Each fertilized egg was placed
in solution in a large bottle for scientific
development into whatever class in
society the human was intended. The
students were told that scientists of the
period had developed a Bokanovsky
Process by means of which a fertilized
egg was arrested in its growth. The
egg responded by budding, and instead
of one human being resulting, there
would be from eight to ninety-six
humans, all identical.
These Bokanovsky Groups were em
ployed wherever large numbers of people
were needed to perform identical tasks.
Individuality was a thing of the past; the
new society bent every effort to make
completely true its motto, Community,
Identity, Stability, After birth the babies
were further cotiditionecl during their
childhood for their predestined class in
society. Alpha Plus Intellectuals and
Epsilon Minus Morons were the two
extremes of the scientific Utopia.
Mustapha Morxd, one ol* the World
Controllers, joined the inspection party
and lectured to the new students on the
horrors and disgusting features of old-
fashioned family life. To the great
embarrassment of the students, he, in
his position of authority, dared use the
forbidden words mother and father; he
reminded the students that in 632 A. F.
everyone belonged to everyone else.
Lenina Crowne, one of the Alpha
workers in the Hatchery, took an interest
in Bernard Marx. Bernard was different
— too much alcohol had been put into
his blood surrogate during his period in
the prenatal bottle and he had sensibili
ties similar to those possessed by people
in the time of Henry Ford.
Lenina and Bernard went by rocket
ship to New Mexico and visited the
Savage Reservation, a wild tract where
primitive forms of human life had been
preserved for scientific study. At the
pueblo of Malpais the couple saw an
Indian ceremonial dance in which a
young man was whipped to propitiate
the gods. Lenina was shocked and dis
gusted by the filth of the place and by
the primitive aspects of all she saw.
The pair met a white youth named
John. 1 lie young man disclosed to them
that his mother, Linda, had come to
the reservation many years before on
vacation with a man called Thomakin.
The vacationers had separated and
Thomakin had returned alone to the
brave new world. Linda, marooned in
New Mexico, gave birth to a son and
was slowly assimilated into the primitive
society of the reservation. The boy
educated himself with an old copy of
Shakespeare's plays which he had found.
Bernard was convinced that the boy was
the son of the Director of Hatcheries,
who in his youth had taken a companion
to New Mexico on vacation and had re
turned without her. Bernard had enough
human curiosity to wonder how this
young savage would react to the scientific
world. He invited John and his mother
to return to London with him, John, at-
BRAVE NKW WORLD by Aldoua Huxley. By jxsrnwflion of the author and the pubUnfaeri, Ilarpcr & Brottari.
Copyright, 1932, by Doubleday, Doran A Co., Inc.
tracted to Lenina and anxious to see the
outside world, went eagerly.
Upon Bernard's return, the Director of
Hatcheries publicly proposed to dismiss
him from the Katchery because of his
unorthodoxy. Bernard produced Linda
and John, the director's son. At the
family reunion, during which such words
as mother and father were used more
than once, the director was shamed out
of the plant. He later resigned his
position.
Linda went on a soma holiday, soma
being a drug which induced forgetful-
ness. John became the curiosity of Lon
don. He was appalled by all he saw —
by the utter lack of any humanistic
culture and by the scientific mass pro
duction of everything, including humans.
Lenina tried to seduce him but he was
held back by his primitive morality.
John was called to attend the death
of Linda, who had taken too much soma
drug. Maddened by the callousness of
people conditioned toward death, he in
stigated a mutiny of workers as they
were being given their soma ration. Ar
rested, he was taken by the police to
Mustapha Mond, with whom he had a
long talk on the new civilization. Mond
explained that beauty caused unhappiness
and thus instability; therefore humanis
tic endeavor was checked. Science was
dominant. Art was stifled completely;
science, even, was stifled at a certain
point. And religion was restrained so
that it could not cause instability, Mond
explained, with a genial sort of cynicism,
the reasons underlying all of the features
of the brave new world. Despite Mond's
persuasiveness, the Savage continued to
champion tears, inconvenience, God, and
poetry.
John moved into die country outside
London to take up his old way of life.
Sightseers came by the thousands to see
him; he was pestered by reporters and
television men. At the thought of
Lenina, whom he still desired, John mor
tified his flesh by whipping himself.
Lenina visited him and was whipped to
death by him in a frenzy of passion pro
duced by his dual nature. When he
realized what he had done, he hanged
himself. Bernard's experiment had failed.
Human emotions could end only in
tragedy in the brave new world.
BREAD AND WINE
Type of work: Novel
Author: Ignazio Silone (1900- )
Type of plot: Social criticism
Time of plot: 1930's
Locale: Italy
First published: 1937
Principal characters:
DON BENEDETTO, a liberal priest
PJETKO SPINA, his former pupil and a political agitator
BIANCHINA GXRASOLE, a peasant girl befriended by Spina
CRISTINA COLAMARTINI, Bianchina's schoolmate
Critique:
This novel, which has been dramatized
and produced on Broadway, is the study
of a character who, despite tremendous
intellectual disappointments and physical
hardships, remained faithful to his con
cept of justice. Silone vividly presents
the widespread compromising of ideal*
which took place on all levels of Italian
society under the corporate state of
Mussolini, By showing the efforts of
several generations of honest, courageous
Italians in their struggle for justice and
BREAD AND WINE by Ignazio Silone. Translated by Gwenda David and Eric Mosbacher. By permission of
the publishers, Harper & Brothers. Copyright, 1937, by Harper & Brothers.
81
social reform, Silone appears to present
the thesis that good men, if not trium
phant, will continue the fight as long as
man exists.
The Story:
In the Italian village of Rocca del
Marsi, Don Benedetto, a former Catholic
teacher, and his faithful sister, Marta,
prepared to observe the don's seventy-
fifth birthday. It was April, and war
with the Abyssinians was in the making.
Benedetto had invited several of his old
students to observe his anniversary with
him. Three appeared and the group
talked of old acquaintances. Most of
Benedetto's students had compromised
the moral precepts that the high-minded
old scholar had taught them. Benedetto
asked about Pietro Spina, his favorite
pupil, and learned from his guests that
the independent-minded Spina had be
come a political agitator, a man without
a country. It was rumored diat Spina
had returned to Italy to carry on his
work among the peasants.
One day Doctor Nunzio Sacca, one of
those who had been at the party, was
summoned by a peasant to come to the
aid of a sick man. Sacca, upon finding
the man to be Spina, was filled with
fear, but the sincerity and fervor of Spina
made him ashamed. Spina, only in his
thirties, had, with iodine, transformed
his features to those of an old man.
Sacca administered to Spina and arranged
for the agitator's convalescence in a near
by mountain village. Later he furnished
Spina with clerical clothes. Disguised as
a priest and calling himself Don Paolo
Spada, Spina went to the Hotel Girasole
in Fossa, where he brought comfort to
a young girl who was believed dying as
the result of an abortion.
In the mountains, at Pietrasecca, Paolo
— as Spina now called himself — stayed
at the inn of Matelena Ricotta. In his
retreat, Paolo began to have doubts con
cerning the value of the life he was
leading, but always the animal existence
D£ the peasants of Pietrasecca spurred
him on in his desire to free the op
pressed.
Bianchina Girasole, the girl whom
Paolo had comforted at Fossa, appeared,
well and healthy. Attributing her sur
vival to Paolo, she said that the man
was surely a saint. Bianchina, disowned
by her family, went to Cristina Cola-
martini, a school friend who lived in
Pietrasecca. The two girls, discussing
school days and old friends, concluded
that most of their schoolmates had taken
to ways of evil in one way or another.
When Bianchina seduced Christina's
brother, Alberto, the Colamartinis were
scandalized. Paolo lost his respect for
Cristina, who showed only too plainly
that her devotion to God excluded all
reason and any humanity; she avowed
that a Colamartini could never marry
a Girasole because of difference in caste.
Paolo began to visit more and more
among the peasants. Soon he had a
reputation as a wise and friendly priest.
In his association with those simple
people he learned that no reformer
could ever hope to be successful with
them by use of abstractions; the peasants
accepted only facts, either good or bad.
lie left the valley. At Fossa he again
sought out potential revolutionary ele
ments. I le spoke of revolution to Alberto
and Bianchina, who hud moved to Fossa,
and to Pompeo, son of the local chemist.
The youths were delighted. Paolo en
listed Pompeo in the movement.
Paolo next went to Rome. There, in
the church of Scala Santa, he discarded
his clerical dress to become Spina once
again. In Rome he found an air of
futility and despair. Romeo, his chief
contact, told him that peasant agitators
did not have a chance for success. Spina
explained that propaganda by words was
not enough; success could be achieved
only by living the truth to encourage
the oppressed. Spina saw student demon
strations in favor of the leader and of the
projected war. He talked to Uliva, who
had become completely disillusioned.
Then he looked for Murica, a youth
82
from his own district who, perhaps,
could direct him to dependable peasants,
But Murica had returned to his home.
Before Spina left Rome he heard that
an explosion had killed Uliva in his
apartment. The police learned that
Uliva had been preparing to blow up a
church at a time when many high gov
ernment officials were to be in it.
Back at the Hotel Girasole in Fossa,
Spina, again disguised as Don Paolo, was
sickened by the enthusiasm of the
peasants for the success of the Abyssinian
war. He sent Bianchina to Rocca to seek
out Murica, and during the pro-war
demonstrations he went about the village
writing anti-war and anti-government
slogans on walls. Pompeo, who had gone
to Rome, returned during the excitement
and revealed that he had been won over
by the glory of the new war; he had
enlisted for service in Africa. Paolo's
charcoaled slogans soon had the village
in an uproar. Pompeo, who suspected
Paolo, announced publicly that he would
disclose the culprit's identity, but Bian
china persuaded the youth not to ex
pose her beloved Paolo.
Paolo went to visit his old school
master, Don Benedetto, at Rocca. He
appeared before the venerable old priest
as himself, not as Paolo, and the two
men, although of different generations,
agreed that theirs was a common problem.
They asked each other what had become
of God in the affairs of men. Neither
could offer any solution for the problem,
but they both agreed that any compromise
to ones belief was fatal, not only to
the individual but also to society.
Paolo gave Bianchina money and
letters and sent her to Rome; he himself
went to Pietrasecca. There a young
peasant brought him a letter from Don
Benedetto; the messenger was Murica,
the man he had been seeking. When
Spina revealed his true identity to
Murica, the two men swore to work
together. News of Murica's work with
Paolo circulated in Pietrasecca and Paolo
found himself playing the part of con
fessor to Pietraseccans. What they dis
closed to him from their secret hearts
disgusted him, but at the same time con
vinced him more than ever that the
peasants must be raised from their
squalor. He renewed his acquaintance
with Cristina, who had been asked by
Don Benedetto to give Paolo help when
ever he should need it.
Don Benedetto had been threatened
because of his candid opinions. Called
to officiate at a mass, he was poisoned
when he drank the sacramental wine.
At the same time Paolo, having received
word that Romeo had been arrested in
Rome, went to the Holy City, where
he found that Bianchina had become a
prostitute. She confessed her undying
love for the priest. Paolo, now Spina,
found the underground movement in
Rome in utter chaos after Romeo's arrest ,
Despairing, he returned to his home dis
trict, where he learned that Murica had
been arrested and killed by government
authorities. He fled to Pietrasecca to
destroy papers which he had left in the
inn where he had stayed during his
convalescence. Learning that he was
sought throughout the district, he fled
into the snow-covered mountains. Cris
tina followed his trail in an attempt to
take him food and warm clothing. Mists
and deep snow hindered her progress,
Night fell. Alone and exhausted, she
made the sign of the cross as hungry
wolves closed in upon her.
BRIDESHEAD REVISITED
Type of work; Novel
Author: Evelyn Waugh (1903-
Type of plot: Social criticism
Time of plot: Twentieth century
83
Locale: England
First published: 1945
Principal characters:
CHARLES RYDER, an architectural painter and the aarratoi
LORD MARCHMAIN, owner o£ Bridesliead
LADY MARCHMAIN, his wife
BRIDESHEAD (BREOEY),
SEBASTIAN,
JULIA, and
CORDELIA, their children
CJBJLIA, Charles Ryder's wife
ANTHONY BLANCHE, and
BOY MULCASTBR, Oxford friends of Charles and Sebastian
REX MOTTRAM, Julia's hushand
CARA, Lord Marchmain's mistress
Critique:
Most of Evelyn Waugh's books are
satires on some phase or precept of
human life. Brldeshead Revisited is no
exception, but beneath the surface buf
foonery and satire is a serious dedication
of faith, Memhers of the Marchmain
family attempt, each in a different way,
to escape the promptings of their faith,
but each is drawn back, sooner or later,
into the enduring values of the Church.
Even the droll, mocking hero is con
verted. In Waugh's mordantly comic
world, man can no longer find his way
without faith. The witty yet serious
theme of the novel is suggested in its
subtitle, "The Sacred and Profane
Memories of Captain Charles Ryder/'
The Story:
Captain Charles Ryder of the British
Army and his company were moved to
a new billet in the neighborhood of
Brklcshead, an old estate he had often
visited during his student days at Oxford.
Bridcshcad was the home of the March-
mains, an old Catholic family. Follow
ing the first World War, the Marquis
of Marchmain went to live in Italy.
There he met Cara, who became his mis-
tress for life. Lady Marchmain, an
ardent Catholic, and her four children,
Brideshead, Sebastian, Julia, and Cor
delia, remained in England. They lived
cither at Brideshead or at Marchmain
I louse in London.
When Charles Ryder met Sebastian
at Oxford, they soon became close
friends. Among Sebastian's circle of
friends were Boy Mukaster and Anthony
Blanche. With Charles' entrance into
that group, his tastes became more ex
pensive so that he ended his year with
an overdrawn account of five hundred
and fifty pounds.
Just after returning home from school
for vacation, Charles received a telegram
announcing that Sebastian had hccn in
jured, lie rushed o(l! to Brklcshead,
where he found Sebastian with a cracked
bone in his ankle. While at Bricleshead,
Charles met some of Sebastian's family.
Julia had met him at the station and
later Bricley, the eldest of the March-
mains, ancl Cordelia, the youngest, ar
rived. After a month, his ankle having
healed, Sebastian took Charles to Venice.
There they spent the rest of their vacation
with Lord Marchmain and Cara.
Early in the following school year
Charles met Lady Marchmain when
she visited Sebastian at Oxford. Her
famous charm immediately won Charles,
and he promised to spend his Christmas
vacation at Brklcshead. During the first
term, Sebastian, Charles, and Boy Mul-
caster were invited to a London charity
UKIDKSHKAD RKVISITFJD by Evelyn Wautfh. By permbnion of the author and Brandt & Brandt. Published
by Little, Brown & Co. Copyright, 1945, by Kvclyn Waugh.
84
ball by Rex Mottram, a friend of Julia's,
Bored, they left early and were later
arrested for drunkenness and disorderly
conduct. Rex obtained their release.
As a consequence of the escapade,
Charles, Sebastian, and Boy were sent
back to Oxford, and Mr. Samgrass, who
was doing some literary work for Lady
Marchmain, kept close watch on them
for the rest of the term. Christmas at
Brideshead was spoiled for almost every
one by the presence of Samgrass. Back
at Oxford, Charles began to realize that
Sebastian drank to escape and that he
was trying to escape his family. At
Brideshead, during the Easter vacation,
Sebastian became quite drunk. Later
Lady Marchmain went to Oxford to see
Sebastian. During her visit he again be
came hopelessly drunk. Shortly after
ward he left Oxford. After a visit with
his father in Venice, he was induced to
travel in Europe under the guidance
of Samgrass.
The next Christmas Charles was in
vited to Brideshead to see Sebastian, who
had returned from his tour. Sebastian
told Charles that during their travels
Samgrass had had complete control of
all their expense money in order that
Sebastian might not get any for drink.
However, just before coming down to
Brideshead, Sebastian had managed to
evade Samgrass by pawning his own
valuables, and by borrowing. He had
enjoyed what he called a happy Christ
mas; he remembered practically nothing
of it. Lady Marchmain tried to stop
his drinking by having all liquor locked
up, but her efforts proved useless. In
stead of going on a scheduled hunt,
Sebastian borrowed two pounds from
Charles and got damk. Charles left
Brideshead in disgrace and went to
Paris. Samgrass was also dismissed when
the whole story of the tour was revealed.
Rex Mottram was given permission to
take Sebai>tian to a doctor in Zurich, but
Sebastian gave him the slip in Paris.
Rex Mottram, a wealthy man with a
big name in political and financial circles,
wanted Julia not only for herself but
also for the prestige and social position
of the Marchmains, Julia became en
gaged to him despite her mother's pro
tests but agreed to keep the engagement
secret for a year. Lord Marchmain gave
his complete approval. Rex, \vanting a
big church wedding, agreed to become
a Catholic. Shortly before the wedding,
however, Bridey informed Julia that
Rex had been married once before and
had been divorced for six years. They
were married by a Protestant ceremony.
When Charles returned to England
several years later, Julia told him that
Lady Marchmain was dying. At her re
quest Charles traveled to Fez to find
Sebastian. When he arrived, Kurt,
Sebastian's roommate, told him that
Sebastian was in a hospital. Charles
stayed in Fez until Sebastian had re
covered. Meanwhile word had arrived
that Lady Marchmain had died. Charles
returned to London. There Bridey gave
Charles his first commission; he was to
paint the Marchmain town house before
it was torn down.
Charles spent the next ten years de
veloping his art. He married Celia,
Boy Mulcaster's sister, and they had two
children, Johnjohn and Caroline, the
daughter born while Charles was ex
ploring Central American ruins. After
two years of trekking about in the
jungles, he went to New York, where
his wife met him. On their way back to
London they met Julia Mottram, and she
and Charles fell in love. In London
and at Brideshead they continued the
affair they had begun on shipboard.
Two years later Bridey announced
that he planned to marry Beryl Mus-
pratt, a widow with three children.
When Julia suggested inviting Beryl
down to meet the family, Bridey in
formed her that Beryl would not come
because Charles and Julia were living
there in sin. Julia became hysterical.
She told Charles that she wanted to
marry him, and they both made ar
rangements to obtain divorces.
85
Cordelia, who had been working with
an ambulance corps in Spain, returned
at the end of the fighting there and
told them of her visit with Sebastian.
Kurt had been seized by the Germans
and taken back to Germany, where
Sebastian followed him. Aher Kurt
had hanged himself in a concentration
camp, Sebastian returned to Morocco
and gradually drifted along the coast
until he arrived at Carthage. There he
tried to enter a monastery, but was re
fused. Following one of his drinking
bouts, the monks found him lying un
conscious outside the gate and took him
in. Me planned to stay there as an
uncler-portcr for the rest of his life.
While Bridey was making arrange
ments to settle at Brideshcad after his
marriage, Lord Marclimain announced
that he was returning to the estate to
spend his remaining days. Me did not
arrive until after he had seen Bridey
and Beryl, honeymooning in Rome. Hav-
ing taken a dislike to Beryl, Lord March-
main decided that he would leave Brides-
head to Julia and Charles. Before long
Lord Mcirehmain's health began to fail.
Mis children and Gara, thinking that
he should be taken hack into the Church,
brought Father Mackay to visit him, but
he would not see the priest. When he
was dying Julia again brought Father
Mackay to his bedside and Lord March-
main made the sign of the cross.
That day Julia told Charles what he
had known all along, that she could
not marry him because to do so would
be living in sin and without Gocl.
These were some of Captain diaries
Ryder's memories when he saw Brides-
head again after many years.
THE BRIDGE OF SAN LUIS KEY
p & of work: Novel
Author, Thornton Wilder (1897- )
Tjp a of plot; Philosophical romance
Time of plot; Early eighteenth century
Locate: Peru
First published: 1927
Principal characters:
BROTH BE JUNIPER, a Spanish friar
THE MAKQUUSA BH MONTMMAYOK, a lonely old woman
PEPXTA, her maid
Txni ABBUSS MADIXK MAHIA. wa PI&AK, directress of the Convent of
Santa Maria Rosa do las Rosas
UNCM Pio, tin actoMiumagcr
LA PKmcxioLE, an actress
MANUHL, a foundling
ESTBBA.N, Ms brother
Critique:
The Bridge of Ban Luis l\ey tells a
story of Peru in tlie golden days when
it was a Spanish colony. The novel is
full of life, of interesting sidelights on
an interesting period, and, above all, of
excellent character sketches. The mar-
cjuesn is an unforgettable person, tragic
and comic at (he same time. Wilder has
brought together a group of unusual
people and made them fit into a nar
rative pattern in which their individual
contrasts stand out more clearly. A
Pul it/or pri/e novel of its clay, the story
is still popular and widely read.
The Story:
On Friday, July the twentieth, 1714,
the bridge of San Luis Key, the most
TIIK BRIDGE 0V SAN LUIS REV by Thornton Wilder. By permission of the author. Copyright, 1927, by
Albert & Charles Boni, Inc.
86
famous bridge in Peru, collapsed, hurling
five travelers into the deep gorge below.
Present at the time of the tragedy was
Brother Juniper, who saw in the event
a chance to prove, scientifically and ac
curately, the wisdom of that act of God.
He spent all his time investigating the
lives of the five who had died, and he
published a book showing that God had
had a reason to send each one of them
to his death at exactly that moment.
The book was condemned by the Church
authorities, and Brother Juniper was
burned at the stake. He had gone too
far in explaining God's ways to man.
Through a strange quirk or fate, one
copy of the book was left undestroyed,
and it fell into the hands of the author.
From it, and from his own knowledge,
he reconstructed the lives of the five
persons*
The Marquesa de Montemayor had
been an ugly child, and was still homely
when she grew up. Because of the
wealth of her family, she was fortunately
able to marry a noble husband, by whom
she had a lovely daughter, Doiia Clara.
As she grew into a beautiful young wom
an, the rnarquesa's daughter became
more and more disgusted with her crude
and unattractive mother, whose posses
sive and over-expressive love left Dona
Clara cold and uncomfortable. The
daughter finally married a man who took
her to Spain. Separated from her one
joy in life, the marquesa became more
eccentric than before, and spent her
time writing long letters to her daughter
in Spain.
In order to free herself of some of her
household cares, the marquesa went to
the Abbess Madre Marfa del Pilar and
asked for a girl from the abbess' school
to come and live with her. So Pepita,
unhappy that her beloved teacher was
sending her away from the school, went
to live with the marquesa.
When the marquesa learned by letter
that Dona Clara was to have a child,
she was filled with concern. She wore
charms, bought candles for the saints,
said prayers, and wrote all the advice
she could discover to her daughter. As
a last gesture, she took Pepita with her
to pay a visit to a famous shrine from
which she hoped her prayers would
surely be heard. On the way the mar
quesa happened to read one of Pepita's
letters to her old mistress, the abbess.
From the letter the marquesa learned
just how heartless she had been in her
treatment of the girl, how thoughtless
and egotistic. She realized that she had
been guilty of the worst kind of love
toward her daughter, love that was
sterile, self-seeking, and false. Aglow
with her new understanding, she wrote
a final letter to her daughter, telling her
of the change in her heart, asking for
giveness, and showing in wonderful lan
guage the change that had come over
her. She resolved to change her life, to
be kind to Pepita, to her household, to
everyone. The next day she and Pepita,
while crossing the bridge of San Luis
Key, fell to their deaths.
Uncle Pio had lived a strange life
before he came to Peru. There he had
found a young girl singing in a tavern.
After years of his coaching and training,
she became the most popular actress of
the Spanish world. She was called La
P6richole, and Uncle Pio's greatest pleas
ure was to tease her and anger her into
giving consistently better performances,
All went well until the viceroy took an
interest in the vivacious and beautiful
young actress. When she became his
mistress, she began to feel that the stage
was too low for her. After living as a
lady and becoming prouder and prouder
as time went on, she contracted small
pox. Her beauty was ruined, and she
retired to a small farm out of town,
there to live a life of misery over her
lost loveliness.
Uncle Pio had a true affection for his
former prot6g^e and tried time and again
to see her. One night, by a ruse, he got
her to talk to him. She refused to let
him help her, but she allowed him to
take Jaime, her illegitimate son, so that
87
he could be educated as a gentleman.
The old man and the young boy set off
for Lima. On the way they came to the
bridge, and died in the fall when it
collapsed.
Esteban and Manuel were twin broth
ers who had been left as children on
the doorstep of the abbess' school. She
had brought them up as well as she
could, but the strange relation between
them was such that she could never
make them talk much. When the boys
were old enough, they left the school
and took many lands of jobs. At last they
settled down as scribes, writing letters
for the uncultured people of Lima. One
day Manuel, called in to write some
letters for La P6rieholc, fell in love with
the charming actress. Never before had
anything come between the brothers, for
they had always been sufficient in them
selves. l;or his brother's sake Manuel pre
tended that he cared little for the ac
tress. Shortly afterward he cut his leg
on a piece of metal and became very
sick, In his delirium he let Esteban
know that he really was in love with
La P^richole, The infection grew worse
and Manuel died*
Estebari was unable to do anything
for weeks after his brother's death. I le
could not face life without him. The
abbess finally arranged for him to go on
a trip with a sea captain who was about
to sail around the world. The captain
had lost his only daughter and the ab
bess felt he would understand Esteban's
problem and try to help him. Esteban
left to go aboard ship, but on the way
he fell with the others when the bridge
broke.
At the cathedral in Lima a great serv
ice was held for the victims. Everyone
considered the incident an example of a
true act of God, and many reasons were
offered for the various deaths. Some
months after the funeral, the abbess was
visited by Dona Clara, the ruarquesa's
daughter. Dona Clara had finally learned
what n wonderful woman her mother
had really been. The last letter had
taught the cynical daughter all that her
mother had so painfully learned. The
daughter, too, had learned to see life
in a new way. La Perichole also came
to see the abbess. She had given up
bemoaning her own lost beauty, and she
began a lasting friendship with the ab
bess, Nothing could positively be said
about the reason for the deaths of those
five people on the bridge. Too many
events were changed by them; one could
not number them all. But the old abbess
believed that the true meaning of the
disaster was the lesson of love tor those
who survived.
THE BROTHERS KARAMAZOV
Type of work: Novel
Author; I'yotlor Mikhailovieh Dostoevski (1821-1881)
Type of yloli Impressionistic realism
Time of ylot: Nineteenth century
Locale: Russia
First ^published: 1880
Principal characters:
FYODOK KAKAMASSOV, a profligate businessman
DMI'I'HI, his sensuous oldest sou
IVAN, Ins atheistic, intellectual son
ALHXMY, his youngest son, called Alyosha
CJnusnUNKA, a young womim loved by I'yodor ami Dmitri
SMMIDYAKOV, an epileptic servant of Fyodor
Zo&fUMA, an aged priest
KATKIUNA, betxotlied to Dmitri
88
Critique:
The anguish caused by the dual nature
of man recurs in great chords throughout
this powerful novel. Psychologist-novel
ist Dostoevski chose as the theme for
this story of a father and his three sons
the effect of sensuality and inherited
sensuality on a family and on all with
whom the family came in contact. The
earthy barbarism of tsarist Russia can be
seen beneath the veneer of Western cul
ture which covers Dostoevski's society.
Several poorly connected and lengthy
sub-plots in the novel detract from the
unity of the work; their inclusion sug
gests that Dostoevski had planned a
longer work which, because of the in
stallment form in which the novel first
appeared, could not be completed.
The Story:
In the middle of the nineteenth cen
tury in Skotoprigonyevski, a town in the
Russian provinces, Fyodor Karamazov
fathered three sons, the eldest, Dmitri, by
his first wife, and the other two, Ivan
and Alexey, by his second. Fyodor, a
good businessman but a scoundrel by
nature, abandoned the children after
their mothers died. A family servant,
Grigory, saw that they were placed in
the care of relatives.
Dmitri grew up believing he would
receive a legacy from his mother's estate.
He served in the army where he devel
oped wild ways. Becoming a wastrel,
he went to his father and asked for money
which he believed was due him, Ivan,
morose but not timid, went from a gym
nasium to a college in Moscow. Poverty
forced him to teach and to contribute
articles to periodicals, and he achieved
modest fame when he published an ar
ticle on the position of the ecclesiastical
courts. Alexey, or Alyosha, the youngest
son, a boy of a dreamy, retiring nature,
entered a local monastery, where he be
came the pupil of a famous Orthodox
Church elder, Zossima. When Alyosha
asked his father's permission to become
a monk, Fyodor, to whom nothing was
sacred, scoffed but gave his sanction.
When the brothers had all reached
manhood, their paths met in the town
of their birth. Dmitri returned to col
lect his legacy. Ivan, a professed atheist,
returned home for financial reasons.
At a meeting of the father and sons
at the monastery, Fyodor shamed his
sons by behaving like a fool in the pres
ence of the revered Zossima. Dmitri,
who arrived late, was accused by Fyodor
of wanting the legacy money in order to
entertain a local adventuress to whom he
himself was attracted. Dmitri, who was
betrothed at this time to Katerina, a
colonel's daughter whom he had rescued
from shame, raged at his father, saying
that the old man was a great sinner and
had no room to talk. Zossima fell down
before Dmitri, tapping his head on the
floor, and his fall was believed to be a
portent of an evil that would befall the
oldest son. Realizing that the Karama-
zovs were sensualists, Zossima advised
Alyosha to leave the monastery and go
into the world at Zossima's death. There
was further dissension among the Kara-
mazovs because of Ivan's love for Kater
ina, the betrothed of Dmitri.
Marfa, the wife of Grigory, Fyodor's
faithful servant, had given birth to a
deformed child. The night that Marfa's
deformed baby died, Lizaveta, an idiot
girl of the town, also died after giving
birth to a son. The child, later to be
called Smerdyakov, was taken in by
Grigory and Marfa and was accepted as a
servant in the household of Fyodor, whom
everyone in the district believed the
child's true father.
Dmitri confessed his wild ways to
Alyosha. He opened his heart to his
brother, and told how he had spent
three thousand roubles of Katerina's
money in an orgy with Grushenka, a
local woman of questionable character
with whom he had fallen passionately
in love. Desperate for the money to
repay Katerina, Dmitri asked Alyosha
to secure it for him from Fyodor.
89
Alyosha found Fyodor and Ivan at the
table, attended by the servant, Smer-
dyakov, who was an epileptic. Entering
suddenly in search of Grushenka, Dmitri
attacked his father. Alyosha went to
Katerina's house, where he found Kater
ina trying to bribe Grushenka into aban
doning her interest in Dmitri. But Gru
shenka was not to be bargained with.
Upon his return to the monastery, Al
yosha found Zossima dying. He returned
to Fyodor, to discover his father afraid
£ both Dmitri and Ivan, Ivan wanted
Dmitri to marry Grushenka so that he
himself could marry Katerina. Fyodor
wanted to marry Grushenka. The father
refused to give Alyosha any money for
Dmitri.
Katerina, spurned by Dmitri, dedicated
her life to watching over him, although
she felt a true love for Ivan, Ivan, seeing
that Katerina was pledged to torture her
self for life, nobly approved of her deci
sion.
Later, in an inn, Ivan disclosed to Al
yosha that he believed in God, but that
ne could not accept God's world. The
young men discussed the dual nature of
man. Ivan disclosed that he hated Smer-
dyakov, who was caught between the
wild passions of Dmitri and Fyodor and
who, out of fear, worked for the interests
oi: each against the other.
The dying Zossima revived long
enough to converse once more with his
devoted disciples. When he died, a
miracle was expected. In the place of
a miracle, however, his body rapidly de
composed, delighting certain of the
monies who were anxious that the institu
tion of the elders in the Orthodox Church
be discredited. They argued that the
decomposition of his body proved his
teachings had been false.
In his disappointment at the turn of
events at the monastery, Alyosha was
persuaded to visit Grushenka, who
wished to seduce him. He found Gru
shenka prepared to escape the madness
of the Kuram:i?x>v$ by running off with
a former lover. The saintly Alyosha saw
good in Grusnenka; she, for her part,
found him an understanding soul.
Dmitri, eager to pay his debt to Kater
ina, made various fruitless attempts to
borrow the money. Mad with jealousy
when he learned that Grushenka was not
at her home, he went to Pyodor's house
to see whether she were there, lie found
no Grushenka, but he seriously injured
old Grigory with a pestle with which he
had intended to kill his father. Discov
ering that Grushenka had fled to another
man, he armed himself and went in pur
suit, lie found Grushenka with two
Poles in an inn at another village. The
young woman welcomed Dmitri and
professed undying love for him alone.
During a drunken orgy of the lovers the
police appeared and charged Dmitri with
the mu refer of his Father, who had been
found robbed and dead in his house.
Blood on Dmitri's clothing, his posses
sion of a large sum of money and pas
sionate statements he had made against
Fyodor were all evidence against him.
Dmitri repeatedly protested his inno
cence, claiming that the money he had
spent on his latest orgy was half of
Katerina's roubles, He had saved the
money to insure hts future in the event
that Grushenka accepted him. But the
testimony of witnesses made his ease seem
hopeless. He was taken into custody
and placed in the town jail to nwait trial,
Grushenka fell sick after the arrest
of Dmitri, and she and Dmitri were
plagued with jealousy of each other,
Dmitri, as the result of a strange dream,
began to look upon himself as an inno
cent man destined to sulfer for the crimes
of humanity. Ivan and Katerina, in the
meantime, worked on a scheme whereby
Dmitri might escape to America.
Before the trial Ivau interviewed the
servant Smerclyakov three times. The
servant had once told Ivan that he was
able to feign an epileptic lit; such a fit
had been Smerclyakov's alibi in the search
for the murderer of I'yodor. The third in
terview ended when Smerclyakov con
fessed to the murder, insisting, however,
90
that he had been the instrument of Ivan,
who by certain words and actions had
led the servant to believe that the death
of Fyodor would be a blessing for every
one in his household. Smerdyakov, de
pending on a guilt complex in the soul
of Ivan, had murdered his master at a
time when all the evidence would point
directly to Dmitri. He had felt that Ivan
would protect him and provide him with
a comfortable living. At the end of the
third interview, he gave the stolen money
to Ivan, who returned to his rooms and
fell ill with fever and delirium, during
which he was haunted by a realistic
specter of the devil which resided in his
soul. That same night Smerdyakov
hanged himself.
The Karamazov case having attracted
widespread attention throughout Russia,
many notables attended the trial. Prose^
cution built up what seemed to be a
strong case against Dmitri, but the de
fense, a city lawyer, refuted the evidence
piece by piece. Doctors declared Dmitri
to be abnormal, but in the end they
could not agree. Katerina had her
woman's revenge by revealing to the
court a letter Dmitri had written her, in
which he declared his intention of killing
his father to get the money he owed her.
Ivan, still in a fever, testified that
dyakov had confessed to the murder.
Ivan gave the money to the court, but
he negated his testimony when he lost
control of himself and told the court
of the visits of his private devil,
In spite of the defense counsel's elo
quent plea in Dmitri's behalf, the jury
returned a verdict of guilty amid a tre
mendous hubbub in the courtroom.
Katerina, haunted by guilt because she
had revealed Dmitri's letter, felt that she
was responsible for the jealousy of the
two brothers. She left Ivan's bedside and
went to the hospital where Dmitri, also
ill of a fever, had been taken. Alyosha
and Grushenka were present at their
interview, when Katerina begged Dmitri
for his forgiveness.
Later Alyosha left Dmitri in the care
of Grushenka and went to the funeral of
a schoolboy friend. Filled with pity and
compassion for the sorrow of death and
the misery of life, Alyosha gently admon
ished the mourners, most of them school
mates of the dead boy, to live for good
ness and to love the world of man. He
himself was preparing to go with Dmitri
to Siberia, for he was ready to sacrifice
his own life for innocence and truth.
BUDDENBROOKS
Type of work: Novel
Author: Thomas Mann (1875-1955)
Type of plot: Social chronicle
Time of plot: Nineteenth century
Locale: Germany
First published: 1901
Principal characters:
JEAN BUDDENBROOK, head of a German business house
FRAU BUDDENBROOK, Jean's wife
ANTONIE (TONY), Jean's daughter
CHRISTIAN, Jean's son
TOM, Jean's son
HERR GRUNLICH, Tony's first husband
ERICA, daughter of Tony and Griinlich
GERDA, Tom's wife
HANNO, son of Tom and Gerda
HERR PERMANEDER, Tony's second husband
91
Critique;
The decadence of a materialistic society
is clearly exposed in this novel, which
had been compared with Galsworthy's
Forsyte Saga. Objective in manner, the
story nevertheless carries with it a con
demnation of its people. The Buddcn-
brooks were by nature honest and good;
they were imbued with family love and
loyalty to their own class, but they
allowed themselves no room for new
blood. Their development, or rather their
decay, lay in a kind of intermarriage;
not intermarriage of blood relations, but
of class. Their only mainstay was wealth.
Losing that, they were destroyed.
The Story:
In the year 1875 the Buddenbrook
family was at its peak, Johann had main
tained intact the business and wealth
he had inherited from his father, and the
Buddenbrook name was held in high
esteem. Johann's oldest son, Jean, in
herited the business when olcl Johann
died. Antonic, Jean's first child was born
in the family home on Mengstrasse.
Tony was an aristocrat by nature and
temperament The next child was Tom,
followed by Christian, who seemed
peculiar in his manners from birth.
Tom displayed an early interest in the
Buddenbrook business, but Christian
seemed indifferent to all family respon
sibilities.
Tony grew into a beautiful woman.
One day Ilerr Griinlich came to call
on the family. Because of his obvious
interest in Tony, Jean investigated
Grimlieh's financial status. But the licad-
strong girl despised Grimlich and his
obsequious manner. I laving gone to the
seashore to avoid meeting Griinlich
when he called again, she fell in love
with a young medical student named
Morten SchartyJkopf. Learning of Tony's
interest in the student, Jean and Frau
Buddenbrook hurried their daughter
home, and Tony was too much bred with
a sense of her family duties to ignore
their arguments in favor of Griinlich
when he asked for her hand. Her wed
ding date set, Griinlich received a
promise of a dowry of eighty thousand
marks.
Griinlich, after taking his twenty-
year-old bride to the country, would not
allow her to call on any of her city
friends. Although she complained in her
letters to her parents, Tony resigned
herself to obeying her husband's wishes.
Tom held an important position in the
business which was still amassing money
for the Budden brooks, Christian's early-
distaste for business and his ill healtn
had given him the privilege of going
to South America.
When Griinlieh found his establish
ment floundering, his creditors urged him
to send to his father-in-law for help.
Jean Buddenbrook learned then of Griin-
lich's motive in marrying Tony; the
Buddenbrook reputation had placed
Grunlieh's already failing credit upon a
sounder basis. Actually Grunlich was a
poor man who was depending upon
Jean's concern for Tony to keep his son-
in-law from financial failure. Tony
herself assured her father that she hated
Griinlich but that she did not wish to
endure the hardships that bankruptcy
would entail.
Jean brought 'Tony and his grand
daughter, liriea Grimlieh, back to the
Buddenbrook home. The divorce, based
on Grunlich's fraudulent handling of
Tony's dowry, was easily arranged.
Jean Buddenbrook, loving his family
dearly, firmly believed in the greatness
of the Buddenbrook heritage. Tony was
once again happy in her father's home,
although she bore her sorrows like a
cross for everyone to notice and reverence.
Tom had grown quite close to his sister,
who took pride in his development and
in the progress of the Biuldenbrook
firm.
BUI>I)KNHK(K)K.S by Thomas Maun, Translated by TI. T, Lowe-Porter. By p#rmi§»i0n of the author nntl the
publishers, Allrcd A. Knopf, Inc. Copyright, 1924, by Allied A. Knopf, Inc.
92
Christian, having failed in his enter
prises in South America, had returned
home. His father gave him a job and an
office which Christian hated and avoided.
His manners were still peculiar and his
health poor. Serious Tom handled the
business as well as Jean, and he remained
fixed in his attachment to family customs.
When Jean died and left the business to
Tom, Tony felt that the family had lost
its strongest tie. Tom, too, was greatly
affected by his father's death, but the
responsibility of his financial burdens
immediately became of foremost im
portance.
Because Christian could not adjust
himself to Buddenbrook interests, the
ever-patient Tom sent him to Munich
for his health. Reports from Munich
that he was seen often in the company
of a notoriously loose actress distressed
his family. Then Tom made a satis
factory marriage with the daughter of a
wealthy businessman. Gerda, whose
dowry added to the Buddenbrook fortune,
was an attractive woman who loved
music. Parties were once more held at
the Buddenbrook mansion on Meng-
strasse.
Tony returned from a trip with hopes
that a man whom she had met while
traveling would come to call. Soon Herr
Permaneder did call. He was a success
ful beer merchant in Munich. Tom and
Frau Buddenbrook thought that Per
maneder, in spite of his crude manners
and strange dialect, would make a satis
factory husband for Tony. Fortified with
her second, smaller dowry, Tony went
to Munich as Frau Permaneder. She
sent Erica off to boarding-school.
Once again Tony wrote passionate ap
peals to her family complaining of her
married life. Finally she came home,
weeping because Permaneder had be
trayed her by making love to a servant.
Tom protested against a second divorce,
but Tony insisted. Prevailing upon Torn
to write to Permaneder, Tony was sur
prised to learn that her husband would
not fight the proceedings, that he felt
the marriage had been a mistake, and
that he would return to Tony her dowry
which he did not need.
Tom and Gerda had produced a son to
carry on the family name. Little Johann,
or Hanno, as he was called, inherited his
mother's love for music, but he was pale
and sickly from birth. Tom tried to in
still in his son a love for the family
business, but Hanno was too shy to
respond to his father.
The death of Frau Buddenbrook
brought Christian, Tony, and Tom to
gether to haggle over the inheritance.
Christian demanded his money, but Tom,
as administrator, refused. Infuriated,
Christian quarreled bitterly with Tom, all
the pent-up feeling of the past years
giving vent to a torrent of abuse against
the cold, mercenary actions of Tom Bud
denbrook.
Tom was not mercenary. He worked
hard and faithfully, but in spite of his
efforts the business had declined much
in the past few years because of economic
changes. In poor health, he felt that
sickly Christian would outlive him.
Although Tony found a fine husband
for her daughter, even the marriage of
Erica and Herr Weinschenk was des
tined to end in disaster. Herr Wein
schenk was caught indulging in some
foul business practices and went to jail
for three vears. Accustomed to public
scandal, Tony bore that new hardship
with forbearance. Erica, too, adopted
her mother's attitude.
Suddenly Tom died. He had fallen in
the snow, to be brought to his bed and
die, a few hours later, babbling in
coherently. His loss was greater to Tony
than to any of the others, Christian,
arriving from Munich for the funeral,
had grown too concerned over his own
suffering to show grief over the death
of his brother. Gerda felt her own sorrow
deeply, for her marriage with Tom had
been a true love match.
After the will had been read, Christian
returned to Munich to marry the mistress
whom Tom's control had kept him from
93
marrying. Soon afterward Christian's
wife wrote to Tony that his illness had
poisoned his mind. She had placed
Christian in an institution,
Life at the Buddenbrook home went
on. Little Hanno, growing up in a
household of women, never gained much
strength, Thin and sickly at fifteen, he
died during a typhoid epidemic.
So passed the last of the Buclclcnbrooks.
From the days of the first Johann, whose
elegance ana power had produced a fine
business and a healthy, vigorous lineage,
to the last pitiably small generation which
died with 1 lanno, the Buddenbrooks had
decayed into nothing.
THE CABALA
Type of work: Novel
Author; Thornton Wilder (1897- )
Type of flot: Fantasy
Time of plot: About 1920
Locale: Rome
First published: 1926
Principal characters:
SAMUHLK, a young American student ami writer
jAMiiS BLAIH, his friend
THE Ducmiiss o'AQuiLANmu, a Cabalist
MAUCANTOMO, her son
CARDINAL VAINX, a former CKnese missionary
uciii i>w MOKI'ON fAiNU, a religious fanatic
i>'Esi»ou, in love with James Blair
Critique;
Practically all of Thornton Wilcler's
work is unusual in one degree or another.
The Cabala — really a series of sketches
held together by locale and a group of
people who have something in common
— is no exception. The novel is a fan
tastic story ot the pagan gods grown old
and weak. Christianity and modern
society have doomed them to despair,
madness, and death. A young American
of Puritan background records their over
throw, an ironic ending to their pagan
power and pride.
The Story:
When Samuele went to Rome with
his friend, James Blair, he learned of the
existence there of a certain group known
as the Cabala, talented and wealthy
aristocrats, clover esoterics who had
mysterious influence in affairs of Church
iuul State. Blair, a bookish person, was
familiar with some of its members, and
he introduced his friend into that strange
circle of Roman society. Samuele soon
became a favorite of the Cabalists.
One of them, the Duchess d'Aquila-
nera, had a great problem on her mind,
1 ler son Marcuntonio, who was sixteen,
had had live or six love affairs with var
ious women, and slue was disturbed by
his unsettled habits. She bad arranged
a marriage for him, but the wedding
would not take place unless Mareantonio
changed his ways. She pleaded with
Samuele to spend a weekend at her
villa and to talk to the boy in an effort
to show him the errors of the life he
was leading. Samuele refused, thinking
the whole matter ridiculous. Then he
had a talk with Cardinal Vaini, a friend
of the duchess, who said that Marc-
an tonic had begun his wild career by
imitating his older friends, Later his
vicious morality had become a habit, and
linally a mania. Samuele was so shocked
TUI£ CABALA by Thoimon Wi'der. By perwimuon *>f the author. Copyright, 1926, by Albert & Churloi Botn,
IttC.
94
by the cardinal's description of the boy's
character that he finally agreed to go to
the villa, as the duchess had requested.
Marcantonio liked to drive automo
biles as fast as possible. He also told
Samuele that he wished to train for the
Olympics. Samuele, in a passionate out
burst, denounced the boy's loose loves.
The next day Marcantonio jumped from
a balcony and killed himself.
Samuele was shocked and grieved. But
he was soon to become involved in the
strange conduct of another Cabalist, the
Princess Alix d'Espoli. Alix always had
the habit of falling in love with men
who could not possibly be attracted to
her. She had beauty and charm, but
little intelligence. To make up for her
lack, she cultivated a way of speaking
that was interesting and appealing. Al
though people enjoyed having her at din
ner, she accepted few invitations.
One day she went to visit Samuele and
found James Blair in his apartment.
Though Blair was rude, she fell in love
with him and proceeded to lay siege to
his affections. At last she was convinced
that she had scored a triumph, for Blair
gave her a book that had once been
mentioned in casual conversation. She
began going to his rooms uninvited.
When Blair became upset, Samuele sug
gested that the only way out was for him
to leave Rome. After Blair left on a
trip to Spain, Alix proceeded to lose her
self in the life of the city. She accepted
all sorts of invitations, even asking to be
introduced to various people. She seemed
happy in a round of pleasure. Samuele
hoped that she had forgotten Blair.
A month later Blair wrote to Samuele,
saying that he was returning to Rome.
Samuele warned him to stay away, but
Blair insisted that his researches into
ancient secret societies made his return
necessary. One night both of them went
to visit a famous seer who was holding
a seance in an old Roman palace. While
they were there, a heavily veiled woman
came in, rushed to the seer, and implored
his help in some matter. Recognizing
Alix, Samuel and Blair attempted to
leave, but the woman saw them before
they could get out of the room. Abruptly,
angrily, she went away. Later Samuele
heard that she had become interested
in the fine arts, that she was studying
music. She started on a trip to Greece,
but returned suddenly without an ex
planation. Some said that she continued
to search for a lover. More and more
she was spoken of in a derogatory man
ner.
One day in her presence a Danish
archeologist said that he had met Blair.
Upon hearing his name, Alix fainted.
Samuele also spent much of his time
with Astr6e-Luce de Morfontaine, a
deeply religious woman. She saw some
spiritual meaning in the initials of an
American teacher named Irene H.
Spencer, and on one occasion she was
deeply offended when someone spoke
slightingly of the pelican, because to her
the bird was a holy symbol. She had
great faith in prayer. One day the cardi
nal spoke derisively of prayer, and she
broke down. The cardinal said that she
had never suffered, that she did not know
the meaning of suffering. The woman's
faith was badly shaken. She invited the
cardinal to her house for a party. Dur
ing the evening she accused him of being
the devil, took out a pistol, and shot at
him. He was not hurt. But a later re
conciliation was impossible* The cardi
nal decided to go back to his mission
in China. En route, he caught a fever,
died, and was buried at sea.
Before Samuele left Rome, he called
on Miss Elizabeth Grier, an American
member of the Cabala. From her he
learned at last who the men and women
of the Cabala really were. They were
the pagan gods of Europe grown old,
deities whose brooding ancient wisdom
could not save them from the sufferings
and follies of ordinary humanity. Miss
Grier confused Samuele by stating her
belief that he was the new god Mercury,
an idea vaguely upsetting to a young
American or New England ancestry.
95
CADMUS
Type of work: Classical legend
Source; Folk tradition
Type of plot: Heroic adventure
Time of plot: Remote antiquity
Locale: Ancient Greece
First transcribed: Unknown
Pri n c ipa I characters:
CADMUS, founder of Thebes
JIUHTKII, king of the gods
MINEUVA, daughter of Jupiter
MAKS, god of war
HAIIMONIA, wife of Cadmus
Critique:
The story of Cadmus is not one of the
best known myths, but it is an important
one, for it is a basis upon which many
other stories have been built. Cadmus,
like the other great classieal heroes, lived
at least thirty centuries ago, and the
tales of his great deeds have been tolcl
over and over, changing a little with each
telling. In reading of Cadmus, we meet
the gods and goddesses, the serpents and
monsters, and the other great Figures who
supposedly roamed the world when it
was the playground of the gods, All
things were possible in those heroic days.
The Story;
Jupiter, in the form of a hull, carried
away Europa, who was the daughter of
Agenor, king of Phenicia. Wlxen her
handmaidens told her lather of the kid
naping, he commanded his son Cadmus
to look for Europa and not to return until
he had found her, Cadmus searched for
his sister for many years and in strange
lands, But though he searched diligently,
killing many monsters and endangering
himself many times in his quest he could
not find her. Afraid to return to his father,
he consulted the oracle of Apollo at Del
phi and asked where he should settle,
The oracle told him that he would find
a cow in a Held, and if he were to follow
her, she would lead him to a good land.
Where the cow stopped, Cadmus was to
build a great city and call it Thebes.
Cadmus soon saw a cow walking ahead
of him, and he followed her. Finally
the cow stopped on the plain of Panope.
Cadmus prepared to give thanks to the
gods, and he sent his slaves to find pure
water for the sacrifice he would make.
In a dense grove they found a wonderful
clear spring. But the spring was guarded
by a terrible dragon sacrecl to Mars, his
scales shining like gold and his body
filled with a poisonous venom. He had
a triple tongue and three rows of huge,
ragged teem, The servants, thinking
only to please their master, dipped their
pitchers in the water, whereupon all were
instantly destroyed by the monster*
Having waited many hours for the
return ol his servants, Cadmus went to
the grove and found the mangled bodies
of his faithful slaves and close by the
terrible monster of the spring. First Cad
mus threw a huge stone at the dragon.
The stone did not dent his shining scales.
Then he drew back his javelin and
heaved it at the serpent. It went through
the scales and into the entrails, The
monster, trying to draw out the weapon
with his mouth, broke the blade and
left the point burning his flesh. He
swelled with rage as he advanced toward
the hero, and Cadmus retreated before
him. Cadmus then threw his spear at
the monster, the weapon pinning him
against a tree until he died.
As Cadmus stood gating at the terrible
creature he hoard the voice of the goddess
Minerva telling him to sow the dragon's
teeth in a field* Hardly had he done
so when a warrier in armor sprang up
96
from each tooth. Cadmus started toward
the warriors, thinking he must slay them
all or lose his own life, but again Minerva
spoke to him and told him not to strike.
The warriors began to do battle among
themselves and all were slain but five,
who then presented themselves to Cad
mus and said that they would serve him.
These six heroes built the city of Thebes.
Jupiter gave Cadmus Harmonia, the
daughter of Mars and Venus, goddess of
beauty, to be his wife, and the gods came
down from Olympus to do honor to the
couple. Vulcan forged a brilliant neck
lace with his own hands and gave it to
the bride. Four children were born, and
for a time Cadmus and Harmonia lived
in harmony with their children. But
doom hung over Cadmus and his family
for the killing of the serpent, and Mars
revenged himself by causing all of Cad
mus' children to perish.
In despair, Cadmus and Harmonia left
Thebes and went to the country of the
Enchelians, who made Cadmus their
king. But Cadmus could find no peace
because of Mars' curse on him. One day
he told Harmonia that if a serpent were
so dear to the gods he himself wished
to become a serpent. No sooner had he
spoken the words than he began to grow
scales and to change his form. When
Harmonia beheld her husband turned
into a serpent, she prayed to the gods
for a like fate. Both became serpents,
but they continued to love their fellow
men and never did injury to any.
CAESAR OR NOTHING
of work: Novel
Author: Pio Baroja (1872-1956)
Type of plot: Political satire
Time of plot: Early twentieth century
Locale: Spain, Italy, France
First published: 1919
Principal characters:
LAURA, Marchesa of Vaccarone, formerly Laura Moncada
CAESAR MONCADA, Laura's brother
AMPARO, Caesar's wife
IGNACIO ALZUGARAY, Caesar's friend
Critique:
Caesar or Nothing is a political novel
of satire directed against those elements
of Spanish life which Baroja considered
opposed to the improved social status of
the common man. These elements were
the aristocracy and the Church. The
novel is interesting in the light of what
has happened in Spain since this novel
was published thirty years ago.
The Story:
Juan Guillen was a highwayman of
Villanueva. When Vicenta, his youngest
daughter, was ruined, she went away to
Valencia, where she married Antonio
Fort, a grocer. Francisco, Juan's eldest
son, became a priest and changed his
name to Fray Jos£ de Calasanz de Vil
lanueva. Juan Fort, son of Vicenta, be
came a priest and was called Fathei
Vicente de Valencia. He later became
Cardinal Fort. Isabel, Vicenta's daughter,
married a soldier, Carlos Moncada. Isabel
and Carlos became die parents of Caesar
Moncada and of Laura, later the Mar
chesa of Vaccarone.
Defying family tradition, Caesar re
belled at die idea of becoming a cleric.
He attended various schools but cared
little for the subjects taught there. Con
vinced that he had a definite mission in
life, he set about preparing himself for
CAESAR OR NOTHING by Pio Baroja. Translated by Louis How, By permission of the publishers, Alfred A,
Knopf, Inc. Copyright, 1919, 1947, by Alfred A Knopf, Inc.
97
it. Academic subjects did not enter into
his plans. At school in Madrid he met
Ignacio Alzugaray, who became his life
long and intimate friend. He also met
Carlos Yarza, a Spanish author em
ployed in a bank in Paris, and through
him Caesar became interested in finan
cial speculation. Caesar developed a sys
tem, which he could explain only
vaguely, to use in playing the stock
market, but he had no money at the
time with which to try it out.
Caesar and his sister Laura went to
Rome, where Laura became popular in
fashionable society, Caesar, however,
cared little for social functions, art, and
the historical relics of ancient Rome.
After a time he did meet some impor
tant personages, among them Countess
Brcncm, with whom he had an affair.
Cardinal l;ort, their kinsman, sent the
Abbe" Prccioxi to act as a guide for
Caesar and Laura. Caesar disliked his
uncle, the cardinal, and cared little if
the abb£ carried back to the cardinal
his nephew's frank opinions of his
eminence. Through the abbe, Caesar
tried to find people who would help him
become a financial dictator, and he was
directed to sound out Father I lerreros
and Father Mir6. The cardinal, how
ever, learned of Caesar's scheming and
put a stop to it.
Archibald Marehmont fell in love with
Laura, Both were unhappily married,
Susanna Marehmont', Archibald's wife,
was in turn attracted to Caesar, and she
and Caesar took a trip together as man
and wife. While in Home, Caesar also
met an Englishman named Kennedy
through whom he learned much about
the history of Rome and the history
of the Borjias, Caesar Borgia's motto,
"Caesar or Nothing/' struck a responsive
note in the latent ambition of Caesar
Moncatla, Without cjuite knowing why,
he began to make notes about people
in Rome who were members of the
Black Party and who had connections in
Spain.
Coming from the Sistine Chapel one
day, Caesar and Kennedy met a Spanish
painter who introduced them to Don
Calixto, a senator and the political leader
of the province of Zamora in Spain.
Caesar accepted Don Calixto's invitation
to dine with him and agreed to act as
his guide about Rome. The don was
appreciative, and when Caesar jokingly
asked whether the don would consider
making him a deputy, Don Calixto
agreed to put Caesar's name on the ballot
as a candidate for the district of Castro
Duro whenever Caesar returned to Spain.
When Caesar returned to Spain, he
reminded Don Calixto of his promise.
Deciding to run on the Conservative
ticket, Caesar drove about the country
to meet the voters and to determine the
most important political personages of
the district, Don Platc'm Periln'rney, and
Antonio San Roimtn were, he discovered,
quite influential. Father Martin La-
fuer/a, the prior of a monastery, had
a great deal of political influence in and
about Castro Duro. Caesar's friend,
Ignacio Alzugaray, came to Castro Duro
and made himself useful to Caesar in
many ways. At the house of Don Calixto
Caesar met Amparo, the don's niece, but
at first Caesar and Ampuro could not
get along, Later, however, they fell in
love and planned to be married,
In the election Caesar defeated his
two opponents, Garcia Paclilla and San
Romdn, and left Castro Duro to go to
Madrid as deputy. In Madrid he became
quite influential behind the political
scene. When the Minister of Finance
faced a crisis in his career, he sent
Caesar to Parts to meet a financial expert
who had a plan to save the government.
Caesar, suspecting the minister, planned
an airtight speculation which would
make his own fortune and remove the
minister from office.
With the money he bad gained
through his speculations, Caesar began
to devise and carry into execution many
improvements in Castro Duro. lie de
signed a better water system and also
a library for the Workmen's Club which
98
he had previously established. In ad
dition, he turned his back on the Con
servative party and became a Liberal.
Meanwhile the reactionary element in the
district was not idle. It formed institutions
and organizations to compete with the
Workmen's Club, and used every pos
sible means to wreck the political organi
zation of the workers, until there was
a state of undeclared war between
Caesar's group and the others. During
those disturbances Caesar and Amparo
were married.
Father Martin's followers had hired a
man nicknamed the "Driveller" to
threaten and browbeat the more timid
members of Caesar's group. The "Drivel
ler" picked a fight with "Lengthy," the
son of "The Cub-Slut," and a man known
as "Gaffer." When "Lengthy" was killed
in the fight, the workmen clamored for
blood because they believed that the
"Driveller" had done the deed at the
request of the reactionaries of Father
Martm. Caesar was requested by "The
Cub-Slut" and the "Driveller's" mother
to spare the "Driveller's" life, but for
different reasons. "The Cub-Slut"
wanted to revenge herself upon him,
whereas the mother wanted to save her
son. Caesar was in a quandary, and so
he and Amparo went to Italy to visit
Laura. It was believed that his act in
dicated a desire to retire from politics.
At home the political situation grew
worse. When Caesar received a letter
written by his liberal friends, Dr. Orti-
gosa, Antonio San Romdn, and Jos<6
Camacho, he decided that he would not
retire. He returned to Castro Duro
and joined his friends in the struggle
once more.
The battle continued right up to the
next election. One day "The Cub-Slut"
sent a note to Caesar, a message which
he put distractedly into his pocket. Set
ting out to tour the district, he was
wounded by an assassin when his car
came to a crossroads. If he had read
"The Cub-Slut's" letter, he might not
have been shot. After the attempted as
sassination of Caesar, the Liberal party
began to lose ground, the opposition using
every possible method to defeat Caesar.
Ballot boxes were stuffed, Messengers
carrying ballot boxes were robbed and
false ballots substituted. Voting places
were hidden and made known only to
the reactionary voters. As a result, Padilla
won the election. Caesar Moncada re
tired from politics and, ironically, de
voted his time to the collection of an
tiques and to studying primitive Castilian
paintings, The improvements he had
planned for Castro Duro were for
gotten, for the reactionary elements in
the district had gained the upper hand
and they kept it. Caesar had not be
come Caesar. He became nothing,
CAKES AND ALE
Type of work: Novel
Author: W. Somerset Maugham (1874- )
Type of plot: Literary satire
Time of plot: Early twentieth century
Locale: London and Kent
d: 1930
Principal characters:
ASHENEEN, a writer
ALROY KEAR, a popular novelist
EDWABJD DRJFFIELD, a great Victorian
ROSIE, Driffield's first wife
AMY DMFFIELD, Drimeld's second wife
GEORGE KEMP, Rosie's lover
99
Critique;
This novel is written with a lightness
of touch that defies description. By con
trasting Alroy Kear's opinion of Drif-
field with the real Driffield as Ashenden
knew him, the author shows up the sham
of the literary world and deepens the
insight into the character of Driffield.
Now and then the author interrupts the
story to insert pungent comments on
literary matters. For one interested in
authors and the world of letters, Cakes
and Ale is especially good reading.
The Story:
Alroy Kear, the most popular novelist
of the day, arranged to lunch with his
friend Ashenden, another writer. Ashen-
den was fond of Kear, hut he suspected
that his invitation had been extended for
a purpose. He was right. Kear wanted
to talk about the late Edward Drif
field, a famous English author of the
past century. Kear had nothing but praise
for the old man's books, but Ashenden
said that he had never thought Driffield
exceptionaL Kear enthusiastically told
how well he had known Driffield in his
last years, and said that he was still a
friend of Driffield's widow, his second
wife. Luncheon ended without a request
for a favor. Ashenden was puzzled.
Returning to his rooms, Ashenden fell
into a reverie. He recalled his first meet
ing with Driffield. Ashenden was then
a boy, home for the holidays at Black-
stable, a Kentish seacoast town, where
he lived with his uncle, the local vicar.
Ashenden met Driffield in the company
of his uncle's curate; but the boy thought
the writer a rather common person. He
learned from his uncle that Driffield had
married a local barmaid after spending
a wild youth away from home.
Two or three days after Ashenden had
lunched with Kear, he received a note
from Driffield's widow. She wished him
to visit her in Blackstable. Puzzled,
Ashenden telephoned to Kear, who said
that he would come to see him and ex
plain the invitation.
Ashenden had seen Mrs. Driffield only
once. He had gone to her house with
some other literary people several years
before, while Driffield was still alive.
Driffield had married his second wife
late in life, and she had been his nurse.
In the course of the visit Ashenden had
been surprised to see old Driffield wink
at him several times, as if there were
some joke between them.
After that visit Ashenden recalled how
Driffield had taught him to bicycle many
years before, Driffield azid his wife,
Rosie, had taught him to ride and had
taken him with them on many excursions.
He liked the Driffields, but he was
shocked to find how outspoken they were
with those below and above them in
social station.
One evening Ashenden found Rosie
visiting his uncle's cook, her childhood
friend. After Rosie left, he saw her
meet George Kemp, a local contractor.
The couple walked out of town toward
the open fields. Ashenden could not
imagine how Rosie could be unfaithful
to her husband.
Ashenden went back to school. During
the Christmas holiday he took tea often
with the Driffields. Kemp was always
there, but he and Rosie did not act like
lovers. Driffield sang drinking songs,
played the piano, and seldom talked
about literature. When Ashenden re
turned to Blackstable the next summer,
he heard that the Driffields had bolted,
leaving behind many unpaid bills. He
was ashamed that he had ever been
friendly with them.
Kear arrived at Ashenden's rooms and
explained that he was planning to write
Driffield's official biography. He wanted
Ashenden to contribute what he knew
about the author's younger days. What
Ashenden told him was not satisfactory,
for the biography should contain nothing
CAKES AND ALE by W. Somerset Maugham. By permission of the author and the publishers, Doubleday &
Co., lac. Copyright, 1930, by W. Somerset Maugham.
100
co embarrass the widow. Kear insisted
that Ashenden write down what he re
membered of Driffield and go to Black-
stable to visit Mrs. Driffield. Ashenden
agreed.
Ashenden remembered how he had
met the Driffields again in London
when he was a young medical student.
By chance he saw Rosie on the street;
he was surprised that she was not
ashamed to meet someone from Black-
stable. But he promised to come to one
of the Driffields' Saturday afternoon
gatherings. Soon he became a regular
visitoi in their rooms. Since Driffield
worked at night, Rosie often went out
with her friends, Ashenden began to
take her to shows. She was pleasant
company, and he began to see that she
was beautiful. One evening he invited
her to his rooms. She offered herself to
him and remained for the night; after
that night Rosie visited his rooms
regularly.
One day Mrs. Barton Trafford, a
literary woman who had taken Driffield
under her care, invited Ashenden to tea.
From her he learned that Rosie had run
away with Kemp, her old lover from
Blackstable. Ashenden was chagrined to
learn that Rosie cared for another man
more than she did for him.
After that Ashenden lost touch with
Driffield. He learned that the author
had divorced Rosie, who had gone to
New York with Kemp. Mrs. Barton
Trafford continued to care for Driffield
as his fame grew. Then he caught
pneumonia. He went to the country to
convalesce and there married his nurse,
the present Mrs. Driffield, whom Mrs.
Trafford had hired to look after him.
Ashenden went down to Blackstable
with Kear. They and Mrs. Driffield
talked of Driffield's early life. She and
Kear described Rosie as promiscuous.
Ashenden said that she was nothing of
the sort. Good and generous, she could
not deny love to anyone; that was all.
Ashenden knew this to be the truth, now
that he could look down the perspective
of years at his own past experience. The
others disagreed and dismissed the subject
by saying that, after all, she was dead.
But Rosie was not dead. When Ashen
den had last been to New York, she had
written him and asked him to call on her.
He found her now a wealthy widow;
Kemp had died several years before. She
was an old woman who retained her love
for living. They talked of old times, and
Ashenden discovered that Driffield, too,
had understood her — even when she was
being unfaithful to him.
Rosie said that she was too old to
marry again; she had had her fling at
life. Ashenden asked her if Kemp had
not been the only man she really cared
for. She said that it was true. Then
Ashenden's eyes strayed to a photograph
of Kemp on the wall. It showed him
dressed in flashy clothes, with a waxed
mustache; he carried a cane and flourished
a cigar in one hand. Ashenden turned
to Rosie and asked her why she had pre
ferred Kemp to her other lovers. Her
reply was simple. He had always been
the perfect gentleman.
CALEB WILLIAMS
Type of work: Novel
Author: William Godwin (1756-1836)
Type of plot: Mystery romance
Time of 'plot: Eighteenth century
Locale: England
First published: 1794
Principal characters:
CALEB WILLIAMS
FEBDINANIX) FALKLAND, Caleb's employer
COLLINS, Falkland's servant
101
BAKNABAS TYHRJEL, Falkland's enemy
GINES, Caleb's enemy
EMILY Mi'xvn.n, Tyrrel's cousin
Critique:
Godwin titled his novel, Things As
They Arc, or the Adventures of Caleb
Williams; it survives under the name of
its hero, It is a novel of divided inter
ests, as it was written both to criticize
society and to tell an adventure story.
All of the elements which contribute to
Caleb's misery are the result of weak
nesses in eighteenth-century English
laws, which permitted the wealthy land
owners to hold power over poorer citizens.
The Story:
Caleb Williams was engaged as secre
tary by Mr. Ferdinando Falkland, the
wealthiest and most respected squire in
the country, Falkland, although a con
siderate employer, was subject to fits of
distemper which bewildered Caleb, Be
cause these black moods were so contrary
to his employer's usual gentle nature,
Caleb soon questioned Collins, a trusted
servant of the household, and learned
from him the story of Falkland's early
life,
Studious and romantic in his youth,
Falkland lived many years abroad before
he returned to England to live on his
ancestral estate, One of his neighbors
was Barnabas Tyrrel, a man of proud,
combative nature. When Falkland re
turned to his family estate, Tyrrel was
the leading gentleman in the neighbor
hood, Soon Falkland, because of his
graceful manners and warm intelligence,
began to win the admiration of his neigh
bors, Tyrrel, jealous, showed his feelings
by speech and actions. Falkland tried to
make peace, but the ill tempered Tyrrel
re (used his proffered friendship.
Miss Emily Melvile, Tyrrcl's cousin,
occupied somewhat the position of a serv
ant in his household. One night she
was trapped in a burning building, and
Falkland saved her from burning. After
ward Emily could do nothing but praise
her benefactor, Her gratitude annoyed
her cousin, who planned to revenge him
self on Emily for her admiration of Falk
land, I Ic found one of his tenants,
Grimes, a clumsy ill-bred lout, who con
sented to marry Emily. When Emily
refused to marry a man whom she could
never love, Tyrrel confined her to her
room. As part of the plot Grimes helped
Emily to escape and then attempted to
seduce her. She was rescued from her
plight by Falkland, who for the second
time proved to be her savior. Further
cruelties inflicted on her by Tyrrel finally
killed her, and Tyrrel became an object
of disgrace in the community.
One evening Tyrrel attacked Falkland
in a public meeting and Falkland was
deeply humiliated. That night Tyrrel
was found dead in the streets. Since the
quarrel had been witnessed by so many
people just before the murder of Tyrrel,
Falkland was called before a jury to ex
plain his whereabouts during that fatal
night. No one really believed Falkland
guilty, but he was hurt by what he con
sidered the disgrace of his inquisition.
Although on ex-tenant was afterward
arrested and hanged for the crime, Falk
land never recovered his injured pride,
I le retired to his estate where he became
a recluse, moody and disconsolate.
For a long time after learning these
details Caleb pondered over the apparent
unhappiness of his employer. Attempting
to understand his morose personality, he
began to wonder whether Falkland suf
fered from the unearned infamy that
accompanied suspicion of murder or from
a guilty conscience, Determined to solve
the mystery, Caleb proceeded to talk to
his master in an insinuating tone, to draw
him out in matters concerning murder
and justice. Caleb also began to look
for evidence which would prove Falkland
guilty or innocent Finally the morose
man became, aware of his secretary's in
tent. Swearing Caleb to secrecy, Falkland
102
confessed to the murder of Barnabas
Tyrrel and threatened Caleb with irrep
arable harm if he should ever betray
his employer.
Falkland's mansion became a prison
for Caleb, and he resolved to run away
no matter what the consequences might
be. When he had escaped to an inn, he
received a letter ordering him to return
to defend himself against a charge of
theft. When Falkland produced from
Caleb's baggage some missing jewels and
bank notes, Caleb was sent to prison in
disgrace, His only chance to prove his
innocence was to disclose Falkland's mo
tive, a thing no one would believe.
Caleb spent many months in jail, con
fined in a dreary, filthy dungeon and
bound with chains. Thomas, a servant
of Falkland and a former neighbor of
Caleb's father, visited Caleb in his cell.
Perceiving Caleb in his miserable con
dition, Thomas could only wonder at
English law which kept a man so impris
oned while he waited many months for
trial. Compassion forced Thomas to
bring Caleb tools with which he could
escape from his dungeon. At liberty once
more, Caleb found himself in a hostile
world with no resources.
At first he became an associate of
thieves, but he left the gang after he had
made an enemy of a man named Gines.
When he went to London, hoping to
hide there, Gines followed him and soon
Caleb was again caught and arrested.
Falkland visited him and explained that
he knew every move Caleb had made
since he had escaped from prison. Falk
land told Caleb that although he would
no longer prosecute him for theft, he
would continue to make Caleb's life in
tolerable. Wherever Caleb went, Gines
followed and exposed Caleb's story to the
community. Caleb tried to escape to
Holland, but as he was to land in that
free country, Gines appeared and stopped
him.
Caleb returned to England and
charged Falkland with murder, asking
the magistrate to call Falkland before
the court. At first the magistrate refused
to summon Falkland to reply to this
charge. But Caleb insisted upon his
rights and Falkland appeared. The squire
had now grown terrible to behold; his
haggard and ghostlike appearance showed
that he had not long to live.
Caleb pressed his charges, in an at
tempt to save himself from a life of
persecution and misery. So well did
Caleb describe his miserable state and
his desperate situation that the dying
man was deeply touched. Demonstrating
the kindness of character and the honesty
for which Caleb had first admired him,
Falkland admitted his wrong doings and
cleared Caleb's reputation.
In a few days the sick man died, leav
ing Caleb remorseful but determined to
make a fresh start in life.
THE CALL OF THE WILD
Type of work: Novel
Author: Jack London (1876-1916)
Type of plot: Adventure romance
Time of plot: 1897
Locale: Alaska
First published: 1903
Principal characters:
BUCK, a dog
A SPITZ, his enemy
JOHN THORNTON, his friend
Critique:
The most popular of all Jack London's
books is The Call of the Wild. The great
dog Buck seems not an animal but a
human being. London obviously had 0
103
great love for animals and the country
he wrote about, and he transferred that
love into tales which are read as widely
now as they were when first published.
For those who like adventure and ex
citement, The Call o\ the Wild is an ex
cellent evening's entertainment,
The Story:
Buck was the undisputed leader of all
the dogs on Judge Miller's estate in Cali
fornia, A crossbreed of St. Bernard and
Scottish shepherd, he had inherited the
size of the first and the intelligence of
the other. Buck could not know that the
lust for gold liad hit the human beings
of the country and that dogs of his
breed were much in demand as sled dogs
in the frozen North, Consequently he
was not suspicious when one of the
workmen on the estate took him for a
walk one night. The man took Buck to
the railroad station, where the dog heard
the exchange of money. Then a rope
was placed around his neck. When fie
struggled to get loose, the rope was
drawn so tight that it shut off his breath
and he lost consciousness.
He recovered in a baggage car. When
the train reached Seattle, Buck tried to
break out of his cage while he was being
unloaded. A man in a red shirt hit him
with a club until he was senseless. After
that, Buck knew that he could never win
a fight against a club. lie retained that
knowledge for future use.
Buck was put in a pen with other dogs
of his type. Each day some of the dogs
went away with strange men who came
with money. One day Buck was sold.
Two French-Canadians bought him and
some other clogs and took them on board
a ship sailing lor Alaska. The men were
fair, though harsh, masters, and Buck
respected them. Life on the ship was not
particularly enjoyable, but it was a para
dise compared to that which awaited
Buck when the ship reached Alaska.
There he found men and dogs to be
little more than savages, with no law but
the law of force. The dogs fought like
wolves, and when one was downed the
pack moved in for the kill. Buck watched
one of his shipmates being torn to pieces
after he lost a fight, and he never forgot
the way one dog in particular, a Spitz,
watched sly-eyed as the loser was slashed
to ribbons. The Spitz was Buck's enemy
from that time on.
Buck and the other dogs were har
nessed to sleds on which the two French-
Canadians carried mail to prospectors in
remote regions. It was a new kind of life
to Buck, but not an unpleasant one. The
men treated the dogs well, and Buck
was intelligent enough to learn quickly
those things which made him a good sled
clog. He learned to dig under the snow
for a warm place to sleep and to keep
the traces clear and thus make pulling
easier. When he was hungry, he stole
food. The instincts of his ancestors
came to life in him as the sled went
farther and farther north. In some vague
manner he sensed the great cunning of
the wolves who had been his ancestors in
the wilderness,
Buck's muscles grew firm and taut, his
strength greater than ever. But his feet
became sore and he had to have moc
casins. Occasionally one of the dogs
died or was killed in a fight, and one
female went mad* The dogs no longer
worked as a team, and the two men had
to be on guard constantly to prevent
fights. One day Buck saw his chance, I le
attacked the Spitz, the lead clog on the
sled, and killed him. After that Buck
refused to be harnessed until he was
given the lead position. 1 le proved his
worth by whipping the rebellious dogs
into shape, and he became the best lead
dog the men had ever seen. The sled
made record runs, and Buck was soon
famous.
When they reached Skaguay, the two
French-Canadians had oflicial orders to
turn the team over to a Scottish half-
K CAU, OF THK. WIU) by Jack London. By permiauion of the publishers, The Marmillan Co* Copyright.
f,<H)'J, 1912, by Tb« Mflcmillan Co. Renewed, 1931, by Th« Macmillan Co.
104
breed. The sled was heavier and the
weather bad on the long haul back to
Dawson. At night Buck lav by the fire
and dreamed of his wild ancestors. He
seemed to hear a far-away call which
was like a wolf's cry.
After two days' rest in Dawson, the
team started back over the long trail
to Skaguay. The dogs were almost ex
hausted. Some died and had to be re
placed. When the team arrived again
in Skaguay, the dogs expected to rest,
but three days later they were sold to
two men and a woman who knew noth
ing about dogs or sledding conditions in
the northern wilderness. Buck and the
other dogs started out again, so weary
that it was an effort to move. Again
and again the gallant dogs stumbled and
fell and lay still until the sting of a whip
brought them to their feet for a few
miles. At last even Buck gave up. The
sled had stopped at the cabin of John
Thornton, and when the men and the
woman were ready to leave Buck refused
to get up. One of the men beat Buck
with a club and would have killed him
had not Thornton intervened, knocking
the man down and ordering him and
his companions to leave. They left Buck
with Thornton.
As Thornton nursed Buck back to
health, a feeling of love and respect
grew between them. When Thornton's
partners returned to the cabin, they
understood this affection and did not at
tempt to use Buck for any of their
heavy work.
Twice Buck saved Thornton's life
and was glad that he could repay his
friend. In Dawson Buck won more than
a thousand dollars for Thornton on a
wager, when the dog broke loose from
the ice a sled carrying a thousand-pouncJ
load. With the money won on the
wager, Thornton and his partners went
on a gold-hunting expedition. They
traveled far into eastern Alaska, where
they found a stream yellow with gold,
In his primitive mind Buck began to
see a hairy man who hunted with a
club. He heard the howling of the
wolves. Sometimes he wandered off for
three or four days at a time, but he
always went back to Thornton. At one
time he made friends with a wolf that
seemed like a brother to Buck.
Once Buck chased and killed a great
bull moose. On his way back to the
camp, he sensed that something was
wrong. He found several dogs lying
dead along the trail. When he reached
the camp, he saw Indians dancing around
the bodies of the dogs and Thornton's
two partners. He followed Thornton's
trail to the river, where he found the
body of his friend full of arrows. Buck
was filled with such a rage that he at
tacked the band of Indians, killing some
and scattering the others.
His last tie with man broken, he
joined his brothers in the wild wolf
packs. The Indians thought him a ghost
dog, for they seldom saw more than his
shadow, so quickly did he move. But
had the Indians watched carefully, they
could have seen him closely. Once each
year Buck returned to the river that
held Thornton's body, There the dog
stood on the bank and howled, one long,
piercing cry that was the tribute of a
savage beast to his human friend.
CAMILLE
Type of work: Drama
Author: Alexandra Dumas, son (1824-1895)
Type of plot: Sentimental romance
Time ojplot: Nineteenth century
Locale: France
First presented: 1852
Principal characters:
CAMILUB GAUTIEE, a woman ox Paris
105
NANHSTE, her maid
COUNT DE VARVILLE, who desired Camille
ARMAND DUVAL, who loved her
M. DUVAL, Annand's father
MAT>AME PRUDENCE, Camille's friend
Critique:
Although Camitte was published as a
novel in 1848, the story is better known
in the dramatic version first presented in
1852. Camille, which introduced to the
French stage a new treatment of social
and moral problems, was received with
critical acclaim, To the modern audi
ence the stoiy of Camille and her love
affairs seems somewhat exaggerated, for
the characters in the play are sentimental
and unreal. But the moral problem pre
sented is one that is present in any soci
ety, whether it be modern or a thousand
years old.
The Story:
Camille Gaxitier was a woman of poor
reputation in the city of Paris. The
symbol of her character was the camellia,
pale and cold. She had once been a
noedleworker who, whiles taking a rest
cure in Bagneres, had been befriended
by a wealthy duke whose daughter she
resembled. After the death of his
daughter, the duke had taken Camille
back to Paris and introduced her into
society. But hi some way the story of
Canullc's past life had been rumored on
the boulevards, and society frowned upon
her. She was respected only by a few
friends who knew that she longed for a
true love and wished to leave the gay
life of Paris. She was heavily in debt for
her losses at cards and had no money of
her own to pny her creditors.
The Count de Varville, her latest ad
mirer, oifered to pay all her debts if she
would become his mistress. Before she
gave her consent, however, she met
Annand Duval. Annand had nothing to
oiler her but his love. 1 le was presented
to Camille by her milliner, Madame
Prudence, who pretended to be her friend
but who was loyal to her only because
Camiile was generous with her money.
At first Camille scorned Annand's
love, for although she longed for a simple
life she thought she could never actually
live in poverty, But Armand was per
sistent, and at last Camille. loved him
and told him she would forsake her pres
ent friends and go away with him. Be
cause she had a racking cough, Armand
wanted Camille to leave Paris and go to
a qxiiet spot where she could rest and
have fresh air.
Camille, Armand, and Naninc, her
maid, moved to a cottage in the country.
1,'or many weeks Annand was suspicious
of Camille and feared she missed her
former companions. Convinced at last
of her true love, Annand lost his uneasi
ness and they were happy together. The
garden (lowers be grew replaced the
camellias she had always worn in Paris.
Their happiness was brief, Annand's
father called on Camille and begged her
to renounce his son, lie knew her past
reputation, and he felt that his son had
placed himself and his family in a dis~
graceful position, Camille would not
listen to him, for she knew that Armand
loved her and would not be happy with
out her. Then Annand's father told her
that his daughter was betrothed to a
man who threatened to break the en
gagement if Annand and Camille insisted
on remaining together. Moved by sym
pathy Tor the young girl, Camille prom
ised Annand's father that she would send
his son away. She knew that he would
never leave her unless she betrayed him,
and she planned to tell him that she no
longer loved him but was going to return
to her former life. Annand's father knew
then that she truly loved his son and he
promised that alter her death, which
she felt would be soon, he would tell
Annand she had renounced him only i'or
the sake of his family.
106
Camilla, knowing that she could never
tell Armand that lie, wrote a note declar
ing her dislike for the simple life he had
provided for her and her intention to re
turn to de Varville in Paris. When
Armand read the letter, he swooned in
his father's arms.
He left the cottage and then Paris, and
did not return for many weeks. Mean
while Camille had resumed her old life
and spent all her time at the opera or
playing cards with her former associates,
always wearing a camellia in public.
Count de Varville was her constant com
panion, but her heart was still with
Armand. Her cough was much worse.
Knowing she would soon die, she longed
to see Armand once more.
When Camille and Armand met at
last, Armand insulted her honor and
that of the Count de Varville. He threw
gold pieces on Camille, asserting they
were the bait to catch and hold her kind,
and he announced to the company pres
ent that the Count de Varville was a
man of gold but not of honor. Chal
lenged by de Varville, Armand wounded
the count in a duel and left Paris. He
returned only after his father, realizing
the sacrifice Camille had made, wrote,
telling him the true story of Camille's
deception, and explaining that she had
left him only for the sake of his sister's
honor and happiness.
By the time Armand could reach Paris,
Camille was dying. Only Nanine and a
few faithful friends remained with her.
Madame Prudence remained because
Camille, even in her poverty, shared
what she had. Camille and Nanine had
moved to a small and shabby flat, and
there Armand found them. He arrived to
find Camille on her deathbed but wear
ing again the simple flowers he had once
given her. He threw himself down beside
her, declaring his undying love and beg
ging for her forgiveness. Thus, the once
beautiful Camille, now as wasted as the
flowers she wore on her breast, died in
the arms of her true love.
CANDIDE
Type of work: Novel
Author. Francois Marie Arouet de Voltaire (1694-1778)
Type of 'plot: Social satire
Time of 'plot: Eighteenth century
Locale: Europe and South America
First published: 1759
Principal characters:
CANDIDE, Baroness Thunder-ten-tronckh's illegitimate son
MLLE. CUNEGONDE, Baron Thtmder-ten-troncldTs daughter
P ANGLOS s, Candide's friend and tutor
CACAMBO, Candide's servant
Critique:
Candide, the most popular of Voltaire's
works, is a masterful satire on the follies
and vices of men. Everything which
permeates and controls the lives of men
is taken to task — romance, science, phi
losophy, religion, and government. The
mistakes of men in this story are exactly
the same that men make today. Candide
is a commentary which is timeless be
cause it is as contemporary as today's
newspaper.
The Story.
Candide was born in Westphalia, the
illegitimate son of Baron Thunder-ten-
tronckh's sister. Dr. Pang]oss, his tutor,
and a devout follower of Liebnitz, taught
him metaphysico-theologo-cosmolonigolo-
gy and assured his pupil that this is the
best of all possible worlds. Cunegonde,
the daughter of the baron, kissed Can
dide one day behind a screen. Candide
was expelled from the noble baron's
household.
107
Impressed into the army of the King of
Bulgaria, Candide deserted during a
battle between the King of Bulgaria and
the King of Abarcs. Later he was be
friended by James the Anabaptist. He
also met his old friend, Dr, Pangloss, now
a beggar. James, Pangloss, and Candide
started for Lisbon. Their ship was
wrecked in a storm off the coast of Por
tugal. James was drowned, but Candide
and Pangloss swam to shore just as an
earthquake shook the city. The rulers of
Lisbon, both secular and religious, de
cided to punish those people whose
wickedness had brought about the earth
quake, and Canclide and Pangloss were
among the accused, Pangloss was hanged,
Candide thoroughly whipped.
While he was smarting from his
wounds, an old woman accosted Candide
and told him to have courage and to
follow her. She led him to a house where
he was fed and clothed. Then Cune-
gonde appeared. Candide was amazed
because Pangloss had told him that Cune-
goncle was dead. Cunc&omle related the
story of her life from the time that she
last saw Candide to their happy meeting.
She was being kept by a Jew and an
Inquisitor, but she held both men at a
distance. Candide killed the Jew and the
Inquisitor when they came to see her.
With the old woman, Cunegomle and
Candide fled to Cadi'/, where they were
robbed, In despair, they sailed for Para
guay, where Canclide hoped to enlist in
the Spanish army which was fighting the
rebellious Jesuits. During the voyage the
old woman told her story. They learned
that she was the daughter of Pope Urban
X and the Princess of Palestrina,
The governor of Buenos Aires de
veloped a great affection for Cunegomle,
and through his scheming Candide was
accused of having committed robbery
while still in Spam, Candicle fled witft
his servant, Cacamho; Cunegonde ami
the old woman remained behind. When
Candide decided to fight for the Jesuits,
he learned that the commandant was
in reality Cunegonde's brother. But the
brother would not hear of his sister's
marriage to Candide. They quarreled,
and Candide, fearing that he had
killed the brother, took to the road with
Cacambo once more. Shortly afterward
they were captured by the Oreillons, a
tribe of savage Indians, but when Cacam
bo proved they were not Jesuits, the
two were allowed to go free. They
traveled on to Eldorado. There life was
simple and perfect, but Candide was not
happy because he missed Cunegonde.
At last he decided to take some of the
useless jeweled pebbles and golden mud
of Eldorado ami return to Buenos Aires
to search for Cunegonde. I le and Cacam
bo started out with a hundred sheep laden
with riches, but they lost all but two
sheep and the wealth these animals
carried.
Canclide approached a Dutch mer
chant and tried to arrange passage to
Buenos Aires. The merchant sailed away
with Candida's money and treasures,
leaving Candide behind. Cacambo then
went to Buenos Aires to find Cunegonde
and take her to Venice to meet Canclide.
After many adventures, including a sea
fight and the miraculous recovery of one
of his lost shocp from a sinking ship,
Candide arrived at Bordeaux. I lis in
tention was to go to Venice by way of
Paris. Police arrested him in Paris, how
ever, and Canclide. was forced to buy
his freedom with diamonds. Later he
sailed on a Dutch ship to Portsmouth,
Rutland, where he witnessed the ex
ecution of an Hnglish admiral. From
Portsmouth he went to Venice, There he
found no Caeambo and no Cunegonde.
f le did, however, twct Paqtiette, Cune-
gomle's waiting maid. Shortly afterward
Cnndicle encountered Caeambo, who was
now a slave, and who informed him that
Cum^omle was in Constantinople, In
the Venetian galley which carried them
to Constantinople, Candide found Pan-
gloss and Gunegonde's brother among
the galleyslnves. Pangloss related that
he had miraculously escaped from his
hanging in Lisbon because the bungling
108
hangman had not been able to tie a
proper knot, Cunegonde's brother told
how he survived the wound which Can-
dide had thought fatal. Candide bought
both men from the Venetians and gave
them their freedom.
When the group arrived at Constanti
nople, Candide bought the old woman
and Cunegonde from their masters and
also purchased a little farm to which
they all retired. There each had his own
particular work to do. Candide decided
that the best thing in the world was to
cultivate one's garden.
CAPTAIN HORATIO HORNBLOWER
Type of -work: Novel
Author: C. S. Forester (1899- )
Type of plot: Historical romance
Time of plot: Early nineteenth century
Locale: The Pacific Ocean, South America, the Mediterranean, Spain, France, England
and the Atlantic Ocean
First published: 1937, 1938, 1939
Principal characters:
CAPTAIN HOBATTO HORNBLOWER, captain of H. M, S. Lydia and H. M. S. Sutherland
BUSH, first lieutenant
BROWN, captain's coxswain
DON JULIAN ALVARADO (EL SUPREMO), a rich plantation owner of Central America
MARIA, Hornblower's wife
LADY BARBARA WELLESLEY, the Duke of Wellington's sister
ADMIRAL LEIGHTON, Hornblower's immediate commander and Lady Barbara's husband
Critique:
C, S. Forester has created in Captain
Hornblower a personality of wide gen
eral appeal, and the writer's technical
knowledge of war at sea is woven into
the story with such skill that one learns
unconsciously the language of the sea
men, the parts of a fighting ship, and
something of naval gunnery. The Horn-
blower novels — Beat to Quarters, "Plying
Colours, and A Ship of the Line — have
been read with interest and enthusiasm
by readers of all classes and all ages.
The Story:
Captain Horatio Hornblower, com
mander of H. M. S. Lydia, a thirty-six-
gun frigate, was sailing under sealed
orders from England around the Horn to
the Gulf of Fonseca on the western shores
of Spanish America. He had been
ordered to form an alliance with Don
Julian Alvarado, a large landowner, to
assist in raising a rebellion against Spain.
The Lydia carried the necessary muni
tions with which to start the revolution.
In addition, Hornblower had fifty thou
sand guineas in gold which he was to
give for the support of the rebellion
only if the revolt threatened to fail with
out English gold to back it. To do other
wise would result in court-martial. His
orders also casually mentioned the pres
ence in Pacific waters of a fifty-gun Span
ish ship called the Natividad. It was his
duty to take, sink, burn, or destroy this
ship at the first opportunity.
After the ship had been anchored in
the Gulf of Fonseca a small boat appeared
containing emissaries from Don Alvarado,
who now called himself El Supremo.
They told Hornblower that El Supremo
required the captain's attendance.
Hornblower was not pleased with evi
dences of El Supremo's tyranny. What
he observed made him only the more
cautious. He refused to hand over to El
Supremo the arms and ammunition which
he had until his ship had taken on food
CAPTAIN HORATIO HORNBLOWER by C. S. Forester. By permission of Harold Matson. Published by
Litile. Brown & Co. Copyright, 1939, by Cecil Scott Forester.
109
and water. The ship was loaded with
stores as rapidly as possible, and the
operation was going forward when a
lookout on the mountain announced the
approach of the Natividad.
Deciding to try to capture her in the
hay, Hornblower hid the Lydia behind
an island as the Natividad approached.
At the moment which gave him the
greatest advantage, Hornblower ordered
the Lydia to sail alongside the Natividad
and rake her decks with grapeshot. The
British sailors lashed the two ships to
gether and boarded the Natividad. El
Supremo demanded the captured ship
as his own, Hornblower hesitated to
turn over his prize to El Supremo, but
he dared not antagonize the dictator if
he were to fulfill the requirements of his
orders,
I lornblowcr sailed away and shortly
afterward learned that England was now
an ally of Spain because of Napoleon's
deposition of King Ferdinand. lie also
received further orders, one from his
admiral and one from an English lady
in Panama. The Englishwoman was
Lady Barbara Wellesley, sister of the
Duke of Wellington, who requested
transportation to England. During this
period the Lydia met and defeated the
Natividad, now under El Supremo, A
long period of association between Lady
Barbara and Hornblower ended in deep
mutual love. But I lornblower could not
bring himself to make love to her because
of his wife Maria at home and because
of his own chivalry. Lady Barbara was
carried safely to England*
Captain I loratio 1 lornblower was next
ordered to command II. M. S. Slither*
land) a seventy-four-gun battleship. He
sailed with the Pluto and the Caligula
to protect a convoy of merchant ships as
far as the latitude of North Africa, They
met I 'rench privateers and beat them
off. Before parting company with the
merchantmen, I lornblower impressed
sailors from the convoy.
Sailing along the coast, he captured
the Atwlie, attacked the battery at Llan-
za, burned and destroyed supply vessels,
and shelled two divisions of cavalry on
a highway passing near the seashore.
Admiral Leighton — now Lady Bar
bara's husband — ordered Hornblower to
join and take charge of Spanish forces
at the siege of French-held Rosas, but
the operation failed because the Span
iards did not cooperate. After his re
treat Hornblower met the Cassandra, a
British frigate, and learned that four
French ships were bearing down upon
them. Hornblower decided to fight, even
though the odds were four to one, and
sent the Cassandra to seek the Pluto and
the Caligula. The Cassandra came back
and relayed a message to I lornblower to
engage the enemy, That order indicated
the presence of the admiral's flagship.
Hornblower engaged the French ships
one at a time. The fourth French ship,
however, came upon him as he was fight
ing a two-decker and forced him to sur
render.
After his surrender I lornblower and
Bush were imprisoned at Rosas. Admiral
Leighton sailed into the bay with the
Pluto and the Caligula and completed the
destruction of the French squadron.
Hornblower watched the battle from the
walls and saw the Sutherland* which had
been beached, take fire as a raiding party
of British seamen burned her to prevent
her use by the French. I Ie learned from
a seaman that Admiral 1 .eighton had been
injured by a Hying splinter.
Colonel Galliarcl, Napoleon's aide,
came to Rosas to take 1 lornblower and
the wounded Bush to Paris. Bush was
seriously ill as a result of losing a foot
in the buttle, therefore llornblower re
quested a servant to attend Bush on the
long journey. He selected Brown, the
coxswain, because of his strength, his
common sense, and his ability to adapt
himself to every situation, In France
their stagecoach was halted by a snow
storm near Nevers, llornblower had
noticed a small boat moored to the bank
of a river and, us he and Brown as
sisted the French in trying to move the
no
coach, he laid his plans for escape. He
himself attacked Colonel Calliard and
Brown tied up the Frenchman and
threw him into the bottom of the coach.
They lifted Bush out of the coach and
carried him to the boat. The whole
operation required only six minutes.
The fugitives made their way down
the river in the dead of night with Horn-
blower rowing while Brown bailed the
icy water from the boat. When the
boat crashed against a rock, Hornblower,
thinking he had lost Bush and Brown,
swam ashore in the darkness. Brown,
however, brought Bush safely to shore.
Shivering with cold, the three men made
their way to a farmhouse nearby, where
they announced themselves as prisoners
of war and were admitted.
Throughout the winter they remained
as guests of its owner, Comte de Gra^ay,
and his daughter-in-law. Brown made an
artificial foot for Bush and, when Bush
was able to get around well, he and
Brown built a boat in which to travel
down the Loire.
In early summer Hornblower disguised
himself as a Dutch customs inspector.
To complete his disguise the comte gave
him the ribbon of the Legion of Honor
which had been his son's. That decora
tion aided Hornblower in his escape.
When Hornblower and his two men
arrived in the harbor at Nantes, Horn-
blower cleverly took possession of the
Witch of Endor, taking with him a group
of prisoners to man the ship. They made
their way to England. Upon his arrival,
Hornblower was praised for his exploits,
knighted, and whitewashed at a court-
martial. His sickly wife had died during
his absence and Lady Barbara had be
come guardian of his young son. Horn-
blower went to the home of Lady Bar
bara to see his son — and Barbara. She
was now a widow, Admiral Leighton
having died of wounds at Gibraltar, and
Hornblower realized from the quiet
warmth of her welcome that she was al
ready his. He felt that life had given
him fame and fortune — in Barbara, good
fortune indeed.
CAPTAINS COURAGEOUS
Type of 'work: Novel
Author: Rudyard Kipling (1865-1936)
Type of plot: Adventure romance
Time of -plot: 1890's
Locale: Grand Banks of Newfoundland
First published: 1897
Principal characters:
HARVEY CHEYNE, a spoiled young rich boy
DISKO TROOP, owner and captain of the We're Here
DAN TROOP, his son
MR. CHEYNE, Harvey's father
Critique:
Captains Courageous is one of the
great favorites among lovers of sea stories,
for it captures the spirit of the men who
risked their lives to catch fish on the
Grand Banks in the days before com
mercial fishing with steam-powered
trawlers. One of the aspects of the novel,
frequently overlooked, however, is the
attention paid by Kipling to the Ameri
can millionaire in the story. He, also,
is one of the "Captains Courageous."
As a respecter of power and force, Kipling
esteemed the capitalist as well as the
captain of the fishing vessel.
The Story:
Harvey Cheyne was a rich, spoiled
boy of fifteen years, bound for Europe
CAPTAINS COURAGEOUS by Rudyard Kipling. By permission, of Mrs. George Bambridge and the publishers,
Doubladay & Co., Inc. Copyright, 1896, 1897. by Rudyard Kipling. Renewed, 1923, by Rudyard Kipling.
Ill
aboard a swift ocean liner. He was a
seasick young man, as well, so seasick that
he hardly realised what was happening to
him when a huge wave washed him over
the rail of the ship into the sea. Luckily,
he was picked up by a fisherman in a
dory, and put aboard the fishing schooner
We're Here. The owner and captain oi:
the boat, Disko Troop, was not pleased
to have the boy aboard, but told him that
he would pay him ten dollars a month
and board until the schooner docked in
Gloucester the following September. It
was then the middle of May. But Har
vey insisted upon being taken to New
York immediately, asserting that his
father would gladly pay for the trip. The
captain, doubting that Harvey's father
was a millionaire, refused to change his
plans and hazard the profits of the fish
ing season. Harvey became insulting.
Disko Troop promptly punched him in
the nose to teach him manners.
The captain's son, Dan, soon became
the friend of the castaway* He was glad
to have someone his own age aboard the
fishing boat, and Harvey's stories about
mansions, private cars, and dinner parties
fascinated him. Bein^ a boy, he recog
nized the sincerity of the rich lad and
'mew that he could not possibly have
made up all the details of a wealthy
man's lite.
As Harvey began to fit into the life
aboard the schooner, the fishermen all
took an interest in his nautical education.
Long Jack, one of the crew, escorted him
about the boat to teach him the names
of the ropes and the various pieces of
equipment. Harvey learned quickly, for
two reasons. First, he was a bright young
lad, and, secondly, the sailor whipped
him roughly with the end of a rope when
he gave the wrong answers. He also
learned how to swing the dories aboard
when they were brought alongside with
the day's catch, to help clean the cod
and salt them away below the decks, and
to stand watoh at the wheel of the
schooner as they went from one fishing
ground to another on the Grand Banks.
Even Disko Troop began to admit that
the boy would be a good hand before
they reached Gloucester in the fall.
Gradually Harvey became used to the
sea. There were times of pleasure as
well as work. He enjoyed listening while
the other eight members of the crew
talked and told sea yarns in die evenings
or on the days when it was too rough
to lower the dories and go after cod.
tie discovered that the crew came from
all over the world. Disko Troop and his
son were from Gloucester, Long Jack
was from Ireland, Manuel was a Por
tuguese, Salters was a farmer, Pennsyl
vania was a former preacher who had lost
his family in the Johnstown flood, and
the cook was a Negro who had been
brought up in Nova Scotia and swore
in Gaelic. All these men fascinated Har
vey, for they were different from any
one lie had ever known. What pleased
the boy most was that they accepted
him on his own merits as a workman
and a member of the crew, and not as an
heir to millions. Of all the crew, only
Dan and the Negro cook believed Har
vey's story*
One day a French brig hailed the
We're Here, Both vessels shortened sail
while Harvey and Long Jack were sent
from the schooner to the brig to buy
tobacco. Much to I larvey's chagrin,
he discovered that the sailors on the
French boat could hardly understand his
schoolboy French but that they under
stood Long Jack's sign language perfectly.
The French brig figured in another
of Harvey's adventures. He and Dan
went aboard the ship at a later time to
buy a knife that had belonged to a
deceased sailor, Dan bought the knife
and gave it to Harvey, thinking it had
addcxl value because lite. Frenchman had
killed a man with it. While fishing from
a dory several days later, Harvey felt a
weight, on his line and pulled in the
Frenchman's corpse. The boys cut the
line and threw the knife into the sea, fox
it seemed to them that the Frenchman
had returned to claim his knife.
112
Although they were the same age,
Harvey was not nearly as handy on the
schooner or in the dory as was Dan, who
had grown up around fishing boats and
fishermen. But Harvey surpassed Dan in
the use of a sextant. His acquaintance
with mathematics and his ability to use
his knowledge seemed enormous to the
simple sailors. So impressed was Disko
Troop that he began to teach Harvey
what he knew about navigation.
Early in September the We're Here
joined the rest of the fishing fleet at a
submerged rock where the cod fishing was
at its best, and the fishermen worked
around the clock to finish loading the
holds with cod and halibut. The vessel
which first filled its holds was not only
honored by the rest of the fleet, but it
also got the highest price for the first
cargo into port. For the past four years
the We're Here had finished first, and it
won honors again the year Harvey was
aboard. All canvas was set, the flag
was hoisted, and the schooner made the
triumphant round of the fleet picking
up letters to be taken home. The home
ward-bound men were the envy of all
the other fishermen.
As soon as the Were Here had docked
at Gloucester, Harvey sent a telegram to
his father informing him that he had
not been drowned, but was well and
healthy. Mr. Cheyne wired back that
he would take his private car and travel
to Gloucester as quickly as he could
leave California. Great was the surprise
of Disko Troop and the rest of the crew,
except Dan and the Negro cook, when
they discovered that Harvey's claims were
true.
Mr. Cheyne and Harvey's mother were
overjoyed to see their son, and their
happiness was increased many times
when they observed how much good the
work aboard the fishing schooner had
done him. It had changed him from a
snobbish adolescent into a self-reliant
young man who knew how to make a
living with his hands and who valued
people for what they were rather than
for the money they had. Mr. Cheyne,
who had built up a fortune after a child
hood of poverty, was particularly glad to
see the change in his son.
Disko Troop and the crew of the We're
Here refused to accept any reward for
themselves. Dan was given the chance to
become an officer on a fleet of fast
freighters Mr. Cheyne owned. The
Negro cook left the sea to become a
bodyguard for Harvey. In later years,
when Harvey had control of the Cheyne
interests, the Negro got a great deal of
satisfaction out of reminding Dan, who
was by then a mate on one of Harvey's
ships, that he had told the two boys
years before that some day Harvey would
be Dan's master.
THE CAPTAIN'S DAUGHTER
Type of -work: Novel
Author: Alexander Pushkin (1799-1837)
Tyye of ^>lot; Historical romance
Time of 'plot: About 1774
Locale; Russia
First published: 1836
Principal characters:
PETER ANDREITCII GRINEFF, a young Russian officer
MARIA IVANOVNA, his sweetheart
ALEXEY IVANITCH SHVABRIN, Peter's fellow officer
SAVELITCH, Peter's servant
EMELYAN POUGATCHEFF, a rebel Cossack leader
Critique:
One of the first pure examples of
Russian realism, The Captain's Daugh'
ter, or The Generosity of the Russicw
113
Usurper, Pougatcheff, is a narrative con
cisely and excitingly told. Using the
touch of a master, Pushkin delineated a
gallery of characters ranging from the
simple Maria to the cruel rebel, Pouga-
tcheff. The novel was written as the
result of Pushkin's appointment to the
office of crown historian, a position
which gave him access to the state ar
chives and the private papers of the Em
press Catherine II.
The Story:
Although Peter Andreitch Grineff was
registered as a sergeant in the Semenov-
sky regiment when he was very young,
he was given leave to stay at home until
he had completed his studies. When he
was nearly seventeen, his father de
cided that the time had arrived to begin
his military career. With his parents'
blessing, Peter set out for distant Oren
burg, in the company of his faithful
servant, Savelitch.
The trip was not without incident.
One night the travelers put up at Sim
birsk, There, while his man went to see
about some purchases, Peter was lured
into playing billiards with a fellow sol
dier, Zourin, and quickly lost one hun
dred roubles. Toward evening of the
following day the young man and Save
litch found themselves on the snowy
plain with a storm coming up. As dark
ness fell the snow grew thicker, until
finally the horses could not find their
way and the driver confessed that he
was lost. They were rescued by another
traveler, a man with such sensitive nos
trils that he was able to scent smoke from
a village some distance away and to lead
them to it. The three men and their
guide spent the night in the village. The
next morning Peter presented his hare-
skin jacket to his poorly-dressed rescuer,
Savelitch warned Peter that the coat
would probably be pawned for drink.
I, ate that <iay the young man reached
Orenburg and presented himself to the
general in command. It was decided
that he should join due Builogorsk fortress
garrison under Captain Mironoff, for tus
superior felt that the dull life at Oren
burg might lead the young man into a
career of dissipation.
The Bailogorsk fortress, on the edge
of the Kirghis steppes, was nothing more
than a village surrounded by a log fence.
Its real commandant was not Captain
Mironoff but his lady, Vassilissa Egor-
ovna, a lively, firm woman who saw to
the discipline of her husband's under
lings as well as the running of her own
household.
Peter quickly made friends with a
fellow officer, Shvabrin, who had been
exiled to the steppes for fighting a duel.
I le spent much time with his captain's
family and grew deeply attached to the
couple and to their daughter, Maria
Ivanovna, After he had received his
commission, he found military discipline
so relaxed that he was able to indulge his
literary tastes.
The quiet routine of Peter's life was
interrupted by an unexpected quarrel
with Shvabrin. One day he showed his
friend a love poem he had written to
Maria. Shvabrin criticized the work
severely and went on to make derogatory
remarks about Maria until they quar
reled and Peter found himself challenged
to a duel for having called the man a
liar.
The next morning the two soldiers met
in a field to fight but they were stopped
by some of the garrison, for Vassilissa
Bgorovna had learned of the duel. Peter
and his enemy, although apparently re
conciled, intended to carry out their
plan at the earliest opportunity. Dis
cussing the quarrel witlx Maria, Peter
learned that Shvabrin's actions could be
explained by the fact that he was her
rejected suitor.
Assuring themselves that they were
not watched, Shvabrin and Peter fought
their duel the following day, Peter,
wounded in the breast, lay unconscious
for live clays after the figlit When he
began to recover, he asked Maria to marry
him. Shvabrin had been jailed. Then
114
Peter's father wrote that he disapproved
of a match with Captain MironofFs
daughter, and that he intended to have
his son transferred from the fortress so
that he might forget his foolish ideas.
As Savelitch denied having written a
letter home, Peter could only conclude
that Shvahrin had heen the informer.
Life would have become unbearable
for the young man after his father's let
ter arrived if the unexpected had not
happened. One evening Captain Miro
noff informed his officers that the Yaikian
Cossacks, led by Emelyan Pougatcheff,
who claimed to be the dead Emperor
Peter III, had risen and were sacking
fortresses and committing outrages every
where. The captain ordered his men to
keep on the alert and to ready the can
non.
The news of PougatchefFs uprising
quickly spread through the garrison.
Many of the Cossacks of the town sided
with the rebel, so that Captain Mironoff
did not know whom he could trust or
who might betray him. It was not long
before the captain received from the Cos
sack leader a manifesto ordering him to
surrender.
It was decided that Maria should be
sent back to Orenburg, but the attack
came early the next morning before she
could leave. Captain Mironoff and his
officers made a valiant effort to defend
the town, but with the aid of Cossack
traitors inside the walls Pougatcheff was
soon master of the fortress.
Captain Mironoff and hi$ aides were
hanged. Shvabrin deserted to the rebels.
Peter, at the intercession of old Save
litch, was spared by Pougatcheff. The
townspeople and the garrison soldiers had
no scruples about pledging allegiance to
the rebel leader. Vassilissa Egorovna was
slain when she cried out against her
husband's murderer.
When Pougatcheff and his followers
xode off to inspect the fortress, Peter be
gan his search for Maria. To his great
relief, he found that she had been hidden
by the wife of die village priest, and
that Shvabrin, who knew her where
abouts, had not revealed her identity.
From Savelitch he learned that the serv
ant had recognized Pougatcheff as the
man to whom he had given his hare-
skin coat months before. Later the rebel
leader sent for Peter and acknowledged
his identity.
The rebel tried to persuade Peter to
join the Cossacks, but respected his wish
to rejoin his own forces at Orenburg.
The next day Peter and his servant were
given safe conduct, and Pougatcheff gave
Peter a horse and a sheepskin coat for
the journey.
Several days later the Cossacks at
tacked Orenburg. During a sally against
them Peter received a disturbing mes
sage from one of the Bailogorsk Cos
sacks; Shvabrin was forcing Maria to
marry him. Peter went at once to the
general and tried to persuade him to
raise the siege and go to the rescue of
the village. When the general refused,
Peter and Savelitch started out once
more for the Bailogorsk fortress. Inter
cepted and taken before Pougatcheff,
Peter persuaded the rebel to give Maria
safe conduct to Orenburg,
On the way they met a detachment of
soldiers led by Captain Zourin, who per
suaded Peter to send Maria, under Save-
litch's protection to his family, while he
himself remained with the troops in
Orenburg,
The siege of Orenburg was finally
lifted, and the army began its task of
tracking down rebel units. Some months
later Peter found himself near his own
village and set off alone to visit his
parents' estate. Reaching his home, he
found the serfs in rebellion and his fam
ily and Maria captives. That day Shva
brin swooped down upon them with his
troops, He was about to have them al!
hanged, except Maria, when they were
rescued by Zourin's men. The renegade
was shot during the encounter and taker
prisoner.
Peter's parents had changed their at
titude toward the captain's daughter, and
115
Peter was able to rejoin Captain Zourin
with the expectation that he and Maria
would be wed in a month. Then an
order came for his arrest. He was ac
cused of having been in the pay of
Pougatchefl:, of spying for the rebel, and
of having taken presents from him. The
author of the accusations was the cap
tive, Shvabrin, Though Peter could easily
have cleared himself by sxmimoning
Maria as a witness, he decided not to
drag her into the mutter, He was sen
tenced to spend the rest of his life in
exile in Siberia.
Maria, however, was not one to let
matters stand at that. Leaving Peter's
parents, she traveled to St. Petersburg
and went to Tsarskoe Selo, where the
court was. Walking in the garden there
one day, she met a woman who de
clared that she went to court on occa
sion and would be pleased to present
her petition to the empress. Maria was
summoned to the royal presence the same
clay and discovered that it was the em
press herseir to whom she had spoken,
Peter received his pardon and soon after
ward married the captain's daughter.
CARMEN
Type of work; Novelette
Author: Prosper M6rim<$e (18034870)
Type of plot: Picaresque roxmmee
Time of plot; Early nineteenth century
Locale: Sixain
First pubtislietl: 1847
Principal characters:
DON Jos&, u soldier
CAUMJUN, a cigarette worker
GARCIA, Carmen's husband
LUG AS, a toreador
Critique;
The importance of this short novel
should not be underestimated. First of
all, it is a romantic and satisfying work,
displaying all the gifts that have earned
Me" rime" e an honored place in world
literature. Secondly, it was on this story
that Bizet based his opera. Bi/,et's ver
sion changes a few details of plot and
characterisation, but it is safe to say that
without the original story there would
have been no opera. Thus we owe
Me"rim6e a twofold debt, for a gocxl
story and one of the world's most popular
operas,
The Story.
Don Josek was a young, handsome
cavalryman from Navarre. The son of a
good Basque family, he had excellent
chances ol being quickly promoted and
making his name as a soldier. But
a .short time after arriving at his post
in Seville, he happened to meet a beauti
ful and clever young gipsy. Her name
was Carmen. Don Jose loll in love with
her at once, and allowed her to go free
after she had attacked with a knife an
other worker in a cigarette factory.
One night she persuaded him to desert
his post and go with her, lie was
punished by being ordered to stand
guard. She went to him again and urged
him to go with her once more. When
he refused, they argued for more than
an hour, until l)on Jos6 was exhausted
by his struggle between anger and love.
After he became her lover, she caressed
him and ridiculed him by turn. Carmen
was independent, rebellious, and tor
menting. The more (iekle she was, the
more madly Don Jos<f loved her.
One night, having agreed to a rendez
vous with Carmen, he went to her apart
ment. While they were together, a lieu
tenant, who was Carmen's lover, entered.
There was an argument and swordi
116
flashed. In the struggle that followed
Don Jose" killed the lieutenant. He him
self suffered a head wound from the of
ficer's sword. Carmen had remained in
the room throughout the struggle, and
when the lieutenant fell to the floor
she accused Don Jose of being stupid.
Then she left him, only to return a few
minutes later with a cloak. She told him
to put it on and flee because he would be
a hunted man. All of Don Jose's hopes
for a brilliant career were shattered. His
love had led him to murder, and he was
doomed to live the life of an outlaw with
a woman who was a pickpocket and a
thief.
Carmen had many friends and ac
quaintances who were outlaws. Because
Don Jose" had no choice in the matter,
he agreed to go with her and join a
small band of smugglers and bandits for
whom Carmen was a spy. In the mean
time a reward was posted for Don Jos6's
capture. The two set out together.
Eventually they found the smugglers.
For a long time Don Jos6 lived with
them, throwing himself into his new, law
less life with such vigor and enthusiasm
that he became known as a desperate
and ruthless bandit. But all the time his
life was unhappy. By nature he was
kind and had nothing of the desperado
in him. His wild life was not the type
of existence he had envisioned. Further,
he knew that Carmen was not faithful
to him, that she had other lovers, and
he grew silent and sullen.
His anger and jealousy increased when
he discovered that Garcia, the one-eyed
leader of the gang, was Carmen's hus
band. The band had already been re
duced in numbers by that time. One
day, while Carmen was absent because
of a quarrel with Don Jos6, the latter
killed Garcia. A fellow outlaw told Don
fos£ that he had been very stupid, that
Garcia would have given Carmen to
him for a few dollars. When Carmen
returned, he informed her that she was
a widow. Also, the death of Garcia mean*
that there were only two of the band left,
on the eve of a dangerous raid which
they had planned.
Don Jos£ and a smuggler named Dan-
caire organized a new band. Carmen
continued to be useful to them. She
went to Granada and there she met a
toreador named Lucas. Jealous of his
rival, Don Jose" asked her to live with
him always, to abandon the life they
were leading and to go off with him to
America. Carmen refused, telling him
that nobody had ever successfully ordered
her to do anything, that she was a gipsy,
and that she had read in coffee grounds
that she and Don Jos6 would end their
lives together. Her words half convinced
Don Jos6 that there was no reason for
him to worry.
A short time later Carmen defied him
again and went to Cordova, where Lucas
was appearing in a bullfight. Don Jos6
followed her, but he caught only a
glimpse of her in the arena. Lucas
was injured by a bull. Outside the
arena, Don Jos6 met Carmen. Once
more he implored her to be his forever,
to go with him to America. She laughed
at him and jeered at his request.
Don Jose" went to a monk and asked
him to say a mass for a person who was
in danger of death. He returned to
Carmen. When he asked her to follow
him, she said that she would go with
him, even to her death. She knew that
he was about to kill her, but she was
resigned to her fate. No longer did she
love him, she insisted; and even if Lucas
did not love her, she could not love Don
Jos6 any more; their affair was ended,
In desperate rage, Don Jos6 took out his
knife and killed her. With the same
knife he dug her grave and buried her in
a grove of trees. Then he went to the
nearest constabulary post and sur
rendered. The monk said the mass foi
the repose of Carmen's soul.
117
THE CASE OF SERGEANT GRISCHA
Type of work: Novel
Author. Arnold Zweig ( 1887- )
Type of plot; Social criticism
Time of plot: 1917
Locale: Russia
First published: 1927
Principal characters:
GRISCHA, a Russian soldier
BABKA, his mistress
VON LYCHOW, a divisional general
SCHIEFFENZAHN, an administrative general
WINFRIED, a German lieutenant
Critique:
The plot of this novel, an absorbing
account of the last months of World
War I, appeared first as a play in 192L
Its great and deserved popularity led
Zweig to recast his characters in the
larger framework of a novel. Sergeant
Grischa, a Russian prisoner, is only a
pawn in the struggle between the Prus
sian caste system and middle-class op
portunism. The reader senses at the out
set that Grischa has little chance to es
cape in this clash of two German philoso
phies.
The Story:
In the year 1917 the Russians were
nearly beaten, and the Germans con
tented themselves with consolidating their
hold on Russian territory from Riga south
through Poland. With the end of the
bitter fighting a comradeship grew up
between the German soldiers and their
Russian prisoners. Even so, Sergeant
Grischa Iljitsch Paprotkin was deter
mined to get away. His work was not
hard and his cheerful strength had made
him foreman of the labor gang and a
general favorite with his German captors.
But Grischa, thinking of his wife and
son far to the east, made his plans as
he loaded lumber into freight cars on the
railroad siding. He made a tunnel in
the car, a wooden tunnel about the
size of a coffin. That night he succeeded
in concealing himself in his hideout. Be
fore daybreak the train pulled out.
Grischa did not know it? but his train
went far to the south. After four days
the train came to a stop. With his stolen
pliers Grischa opened the door and
walked cautiously away from the railroad
tracks. Guided only by his small com
pass, he set his path toward the east.
The thick underbrush made traveling
difficult. Somewhere along the route
Grischa picked up an old umbrella. By
binding several ribs together with a string
and using a long thong, he had a service
able bow. Another rib made an arrow.
With patient waiting he could shoot
rabbits in the snow and he seldom went
hungry. One day he came to the blasted
area of a battlefield, where he built a
fire in a ruined dugout and heated snow
water for a bath. Taking off his upper
clothes, Grischa stretched out and began
to wash himself.
A curious pair, attracted by his fire,
surprised him in his retreat. One was a
Russian soldier, a deserter, and the other
was Babka, a small, dirty woman whose
gray hair justified her name, "Grand
mother." Both were armed. After they
became acquainted, Grischa knew he was
in luck, for they were the leaders of a
band of refugees camped comfortably
nearby in a wooden house made from
old German dugouts.
THE CASE OF SERGEANT GRISCHA by Arnold Zweig. Translated by Eric Sutton. By permission of the
publishers, The Viking Frew, Inc Copyright, 1928, by The Viking Press, Inc.
118
Grischa stayed with the refugees the
rest of the winter. He cut wood ener
getically and traded in the villages of
friendly peasants. More important, he
slept with Babka, who was young and
vital under her misshapen clothes. Three
years of war had turned her hair gray.
Under the shrewd leadership of Babka
by day, and warmed in her bed at night,
Grischa became a man again.
The band of refugees scattered in the
spring. Grischa and two companions were
the first to leave. Grischa felt reasonably
safe. Babka had given him the identi
fication tag of a dead Russian soldier and
he called himself by a new name. He
was no longer Grischa Paprotkin, an
escaped prisoner, but Sergeant Pav-
lovitsch Bjuscheff, a deserter from the
Russian army who was trying to get
back to the Russian lines.
In Mervinsk the Germans had estab
lished military headquarters. With little
fighting to be done, the rivalry between
field troops and the military police grew
more bitter. The fighting men under
old General von Lychow were technically
in charge of the town, but the military
police under General Schieffenzahn had
been stationed in Mervinsk so long that
Schieffenzahn had consolidated his hold
on the whole district. Von Lychow was
a Prussian, a stern man but just and
human; Schieffenzahn was an upstart
more concerned with power.
Outside the city stood several rows of
small wooden villas. Many of them now
housed German officers. Grischa, gaunt
and dirty, came upon these villas one
day and hid in an empty one. A few
days later alert military police discovered
him there.
The man called Bjuscheff was not
really afraid at his trial. Even when they
said he must be a spy because he had
spent so many months behind the Ger
man line, he was easy in his mind. They
would merely hold him prisoner a little
while in the town of Mervinsk. Surely
the war would end soon. But the court
declared that a Russian deserter who,
according to his own story, had wandered
about in German territory for nearly
two years was by definition a spy. Ser
geant Bjuscheff was condemned to die.
Scarcely understanding what he was
told, Grischa was led back to his cell.
When the truth dawned on him, he
called out so violently that an officer
came to quiet the disturbance and to him
Grischa told his whole story. He was
not Bjuscheff the deserter, but Grischa
the escaped prisoner.
Ponsanski, a famous Jewish lawyer
and aide to General von Lychow, ques
tioned the prisoner. Impressed by the
story of changed identity, but interested
only from a legal point of view, Ponsan
ski collected all the evidence he could
and went to von Lychow. With the
general's permission, two guards who
had known Grischa in his former prison
camp went all the way to Mervinsk and
identified him. With legal logic Ponsan
ski claimed that the court-martial de
cision should be set aside. All the evi
dence, depositions, and signatures were
put in a neat packet and forwarded to
Schieffenzahn with a request that the
Komandatur indicate which military
court now had jurisdiction over the case
of Sergeant Grischa.
In some way Babka learned where
Grischa was imprisoned. Walking bare
foot, she went to Mervinsk in the dis
guise of a peddler woman. She was now
carrying Grischa's child. Her plan was
simple. She would bring berries and
fruit to the post to sell to the Germans.
She would get in to see Grischa. Then,
after she had become a familiar visitor,
she would poison the guards' schnapps.
With the Germans dead, Grischa could
walk out a free rnan once more.
But Grischa would not agree to her
plan. He knew that all his papers had
been sent away for final judgment. Any
way, the war would soon be over.
When Grischa's papers went to the
Komandatur, they came before Wilhelmi,
his aide. Knowing the temper of Schief
fenzahn, Wilhelmi recommended that
119
Gnsoha be executed When that advice
was known in Mervinsk, von Lychow
was indignant. A new request was for
warded to Schieffenzahn.
Schieffenzahn grew a little tired of the
affair. Hearing that von Lychow was
coining to see him, he sent a telegram
ordering Grischa's execution within
twenty-four hours. Von Lychow pro
tested. Because the old Prussian had in
fluence at court, Schieffenzahn tele
graphed a reprieve.
That telegram was never delivered
in Mervinsk because of a snowstorm.
Grischa knew at last that he would
be shot. When Babka brought in the
poisoned schnapps, he poured the drink
down the drain. He was shot according
to Schieffenzahn's orders, and he died
like a soldier after digging his own
grave. Babka's child and his was born
just after his death.
In Berlin von Lychow smarted. He
drew up the full particulars of the case
and presented his report to the emperor.
The kaiser promised to demote Schief
fenzahn, but his mind was distracted
by a present of a jeweled casket. Be
cause of the kaiser's joy in a new toy,
Schieffenzahn got off with a light repri
mand. The case of Sergeant Grischa was
closed.
CASS TIMBERLANE
Type of work: Novel
Author: Sinclair Lewis (1885-1951)
Type of plot: Social criticism
Time of plot: 1940's
Locale: Grand Republic, Minnesota
First published: 1945
Principal characters:
CASS TrMBERLANE, a district judge
Jnsnsrsr MARSHLAND TIMBERLANE, his wife
BRADD CRILEY, Jinny's lover
Critique:
In Cass Timberlanej Sinclair Lewis
has once again attacked his favorite
enemy, the smugness and cruelty of
small-town life. With his usual double-
edged pen he has drawn portraits of the
newly rich, who consider anyone with
an income of less than ten thousand
dollars to be a revolutionist; of the "good"
families, who are but one generation
removed from bartenders or hod car
riers; of the virtuous gossips who attack
the morals of the lower classes but who
are more generous in their attitudes to
ward the affairs of their social equals.
The story of Cass Timberlane continues
the examination of American manners
and morals Lewis began in Main Street
and Babbitt.
The Story:
After his divorce from his wife,
Blanche, Judge Cass Timberlane con
tinued to meet his old friends socially
and to hold court in his usual honest
and effective manner, but it was not
until Jinny Marshland appeared in his
court as witness in a routine case that
Cass once more began to find his life
interesting. Because Cass was forty-one
and Jinny in her early twenties, he told
himself that he was foolish to think of
her in a romantic manner. But in spite
of his logical reasoning, Cass thought
more and more about Jinny; and within
a few days of their first meeting he had
arranged to see her again. Dignified
Judge Cass Timberlane was falling in
love.
CASS TIMBERLANE by Sinclair Lcwii. By permission of the author and the publifthcrs, Raxulora Hou«e, Inc.
Copyright, 194-5, by Sinclair Lewis.
120
He had no smooth romance. His
friends thought him stupid to become
involved with a young girl of the work
ing class. It seemed strange to Cass that
his friends would dare to criticize any
one. For example, there was Dr. Roy
Drover, who openly made love to any
and every cheap girl he met without
bothering to conceal his infidelities from
his wife. In the same class were Boone
and Queenie Havock, both loud, brassy
and very vulgar; Jay Laverick, rich, lust
ful, and a drunkard; Bradd Criley, noto
rious for his affairs with the wives of his
best friends. Cass Timberlane's friends
were not the only ones opposed to the
affair. Jinny's young radical friends
thought Cass a stuffy conservative. The
only two people who were sympathetic
with Cass were Chris Grau, who also
wanted to marry him, and Mrs. Higbee,
his housekeeper.
What his friends thought of Jinny did
not matter; it was what Jinny would
think of them that worried Cass at the
time of their marriage. After the honey
moon they lived in nis old family home,
although Jinny would have preferred
a new house in the country club section.
They went out seldom, for they were
happy enough to stay at home together.
tt was the first year of the war, and
Jinny found work to do in various civic
activities. Cass hoped that the work
would keep her stimulated. When he
noticed that she was beginning to be
bored by civic duties, he encouraged her
to accept a part in a little theater pro
duction. Later he was sorry that he had
encouraged her, for the town began to
talk about Jinny and various male mem
bers of the cast, particularly Jay Laverick.
When Cass spoke to her about the gossip,
Jinny accused him of being unreasonably
jealous and then apologized. Cass loved
her more than ever.
Cass sold some property at an unex
pectedly high price and bought the new
house in the country club district.
While waiting for it to be finished,
they took a trip to New York. At first
Jinny was enchanted with the size and
brightness of the city, but soon she was
bored by the unfriendliness of everyone
she met until Bradd Criley arrived in
New York and took them under his
wing. Then Jinny enjoyed herself. Cass
was not so happy.
Shortly after they returned home, they
learned that Jinny was pregnant. But
their happiness was marred by the knowl
edge that Jinny had diabetes. Roy
Drover, her doctor, assured Cass there
was no cause for worry if Jinny followed
her diet and got plenty of rest. Because
Bradd Criley seemed to amuse her, Cass
often invited him to the house.
Jinny went through her delivery safely,
but the baby died. For many weeks
afterward she would see no one but Cass.
Then she suddenly, for no apparent
reason, wanted to have a party almost
every night. Cass tried to be patient
with her, for he knew that she was still
reacting from the death of the baby and
also that the restrictions placed on her
by her illness were irritating. When his
friends once again warned him about
allowing Jinny to see so much of Bradd,
his patience wore thin; he almost ordered
Jinny to stop seeing Bradd, and he told
Bradd to stay away from Jinny. Later
Bradd apologized to Cass and the three
were friends once more. After Bradd
moved to New York, all tension between
Jinny and Cass seemed to disappear for
a time. Then Jinny grew restless again
and began to talk of moving to a larger
city. Although Cass prized his judgeship
and hated to give it up, he was still
willing to do anything for his wife. They
took another trip to New York, where
Cass hoped to find a partnership in an
established law firm. They met Bradd
during their visit. Although he trusted
his wife, Cass was relieved when Jinny
told him that she knew she would not
really like living in New York and that
she wanted to go home. They left
hurriedly, without seeing Bradd again
before their departure.
On their first night at home Jinny *old
121
Cass that she loved Bradd, that he had
become her lover while she was in New
York. When Cass refused to give her
a divorce until she had had ample time
to consider her own wishes carefully,
she went back to New York, to stay
with Bradd's sister until Cass would
free her. For Cass, the town, the house,
his friends, and his work were now
meaningless. He could think only of
Jinny. Then he had a telegram trom
her. Failing to follow her diet, she
was desperately ill and she wanted Cass.
He flew to New York that night. He
found Jinny in a coma, but she awakened
long enough to ask him to take her
home.
After Jinny could be moved, Cass
took her to a seashore hotel and then
home. He had forgiven her completely,
but he warned her that she would have
to work hard to win back their friends.
They still had to make their own private
adjustment. It was not until Bradd
returned to Grand Republic that Jinny
was able to see him as the charming
philanderer that he really was. That
night she went to Cass' room. He re
ceived her as if she had never been
away.
THE CASTLE
Type of work: Novel
Author: Franz Kafka (1883-1924)
Type of ylot: Philosophical and religious allegory
Time of 'plot: Any time
Locale: Indefinite
First published: 1926
Princi'pal characters:
K., a seeker
FRIEDA, a barmaid
BARNABAS, a young man
OLGA, and
AMALIA, his sisters
ARTHUK, and
JEBEMIAH, K.'s assistants
This unfinished novel has been called
a modern Pilgrims Progress. K. tries to
find the grace of God so that he can
fulfill his life, but his path is beset with
the confusion of the modern world. K.'s
straightforward attack on the confusion
that surrounds the castle and his unre
lenting desire to solve his problems are
finally rewarded, but only at the time
of his death. The unique thing about
Kafka's allegory is the humor which
runs through it. The story itself is
emotionally and intellectually appealing.
The Story:
It was late in the evening when K.
arrived in the town which lay before
the castle of Count West-west. After
his long walk through deep snow K.
wanted to do nothing so much as go to
sleep. He went to an inn and fell asleep
by the fire, only to be awakened by a
man wanting to sec his permit to stay in
the town. K. explained that he had just
arrived and that lie had come at the
count's request to be the new land sur
veyor. A telephone call to the castle
established the fact that a land surveyor
was expected. K. was allowed to rest in
peace.
The next morning, although his as
sistants had not yet arrived, K. decided
to go to the castle to report for duty.
He set off through the snowy streets
THE CASTLE by Franz Kafka. Translated by Edwin and Willa Muir. By permiftsion of the publishers, Alfred
A. Knopf, Inc. Copyright, 1930, by Alfred A. Knopf, Inc.
122
towards the castle, which as he walked
seemed farther and farther away. After
a while he became tired, and he stopped
in a house for refreshment and directions.
As he left the house he saw two men
coming from the castle. He tried to
speak to them, but they refused to stop.
As evening came on K. got a ride back
to the inn in a sledge.
At the inn he met the two men he had
seen coming from the castle. They
introduced themselves as Arthur and
Jeremiah, and said that they were his
old assistants. They were not, but K.
accepted them, because he knew that
they had come from the castle, and
therefore must have been sent to help
him. Because he could not tell the
two men apart, so alike were they, he
called them both Arthur. He ordered
them to have a sledge to take him to the
castle in the morning. When they re
fused, K. telephoned the castle. A voice
told him that he could never come to
the castle. Shortly afterward a messenger
named Barnabas arrived with a letter
from Klamm, a chief at the castle. K.
was ordered to report to the superin
tendent of the town.
K. arranged for a room in the inn. He
asked Barnabas to let him go for a walk
with him. Barnabas, a kind young man,
agreed. He took K. to his home to meet
his two sisters, Olga and Amalia, and his
sickly old mother and father. But K.
was ill at ease; it was Barnabas, not he,
who had come home. When Olga left
to get some beer from a nearby inn, K.
went with her. At the inn it was made
clear that he would be welcome only in
the bar. The other rooms were reserved
for the gentlemen from the castle.
In the bar K. quickly made friends
with the barmaid, Frieda, who seemed
to wish to save him from Olga and her
family. She hid K. underneath the
counter. K. did not understand what
was happening. He learned that Frieda
had been Klamm's mistress.
Frieda was determined to stay with
K. from then on, if K. were willing. K.
thought he might as well marry her.
Determined to get through to the castle,
he thought his chances would improve
if he married a girl who had been a
chief's mistress. Arthur and Jeremiah
came into the room and watched them.
K. sent the men away, Frieda decided
to go to the inn where K. was staying.
K. went to call on the village superin
tendent, whom he found sick in bed
with gout. From him K. learned that a
land surveyor had been needed several
years before, but that nobody knew why
K. had now come to fill the unnecessary
post. When K. showed him Klamm's
letter, the superintendent said that it
was of no importance. The superin
tendent convinced him that his arrival
in the town was a result of confusion.
K. decided to remain and find work so
that he could become an accepted citizen
of the town.
By the time K. returned to the inn
Frieda had made his room comfortable.
The schoolmaster came to offer K. the job
of janitor at the school, At Frieda's in
sistence, K. accepted. That night K.,
Frieda, and the two assistants went to the
school to live. The next morning the as
sistants tricked K. into so many argu
ments with the teachers that K. dismissed
both of them. After he had done his
day's work, he slipped away from Frieda
and went to Barnabas' house, to see if he
had received a message from the castle.
Barnabas was not at home. Olga ex
plained that her family was an outcast
group because of Amalia's refusal to be
come the mistress of one of the gende-
men of the castle. He had written her
a very crude and obscene letter, which
Amalia tore up. Afterward the whole
town had turned against them. K. was
so interested in this story that he did
not realize how late he had. stayed. When
he finally got ready to go, he saw that
Jeremiah was outside spying on him.
K, slipped out the back way, but came
back down the street and asked Jeremiah
why he was there. The man sullenly
answered that Frieda had sent him. She
123
bad gone back to her old job at the
tavern and never wanted to see K. again.
Barnabas came up with the news that
one of the most important men from the
castle was waiting at the tavern to see K.
At the tavern he learned that the
gentleman had gone to sleep. As he
stood in the hall, he saw Frieda going
down another corridor. He ran after
her to explain why he had stayed away
so long with Olga, and he asked her to
come back to him. Just as she seemed
to relent, Jeremiah came from one of
the rooms and persuaded Frieda to go
with him. Frieda left K, forever.
(At this point the novel in its
published form ends, and for the rest of
the story we have only the few state
ments made by Kafka to his friends in
conversation. K. was to continue his
fight to live and work in die town and
eventually to reach the castle. On his
deathbed he was to receive a call from
the castle, a message granting him the
right to live in the town in peace.)
THE CASTLE OF OTRANTO
Type of work: Novel
Author: Horace Walpole (1717-1797)
Type of 'plot: Gothic romance
Time of plot: Twelfth century
Locale: Italy
First published: 1764
Principal characters:
MANFRED, Prince of Otranto
MATILDA, Manfred's daughter
CONRAD, Manfred's son
ISABELLA, Conrad's fiancee
FATHER JEBOME, a priest
THEODORE, a young peasant, true heir to Otranto
Critique:
This book is one of the earliest and
most famous of the Gothic novels, a lit
erary type characterized by supernatural
occurrences and a mysterious or sinister
atmosphere. These supernatural occur
rences do not excite much horror and
dread in the modern reader, for they are
patently tricks of the author to create
interest. The Castle of Otranto is of par
ticular interest to the student of litera
ture for its technique and style.
The Story:
Manfred, the prince of Otranto,
planned to marry his fifteen-year-old
son, Conrad, to Isabella, daughter of the
Marquis of Vicenza. But on the day of
the wedding a strange thing happened.
A servant ran into the hall and informed
die assembled company that a huge hel
met had appeared mysteriously in the
courtyard of the castle.
When Count Manfred and his guests
rushed into the courtyard, they found
Conrad crushed to death beneath a gi
gantic helmet adorned with waving black
plumes, Theodore, a young peasant,
declared the helmet was like that on a
statue of Prince Alfonso the Good which
stood in the chapel. Another spectator
shouted that the helmet was missing from
the statue. Prince Manfred imprisoned
the young peasant as a magician and
charged him with the murder of the heir
to Otranto.
That evening Manfred sent for Isa
bella, tie informed her that he intended
to divorce his wife so that he himself
might marry Isabella and have another
male heir. Frightened, Isabella ran away
and lost herself in the passages beneath
the castle. Hi ere she encountered Theo
dore, who helped her to escape through
an underground passage into a nearby
124
church. Manfred, seaching for the girl,
accused the young man of aiding her. As
he was threatening Theodore, servants
rushed up to tell the prince of a giant
sleeping in the great hall of the castle.
When Manfred returned to the hall, the
giant had disappeared.
The following morning Father Jerome
came to inform Manfred and his wife
that Isabella had taken sanctuary at the
altar of his church. Sending his wife
away, Manfred called upon the priest to
aid him in divorcing his wife and marry
ing Isabella. Father Jerome refused,
warning Manfred that heaven would
have revenge on him for harboring such
thoughts. The priest unthinkingly sug
gested Isabella might be in love with the
handsome young peasant who had aided
in her escape.
Manfred, enraged at the possibility,
confronted Theodore. Although the
young man did not deny having aided
the princess, he claimed never to have
seen her before. The frustrated Manfred
ordered him to the courtyard to be exe
cuted, and Father Jerome was called to
give absolution to the condemned man.
But when the collar of the lad was loos
ened, the priest discovered a birthmark
which proved the young peasant was
Father Jerome's son, born before the
priest had entered the Church. Manfred
offered to stay the execution if the priest
would deliver Isabella to him. At that
moment a trumpet sounded at the gates
of the castle.
The trumpet signaled the arrival of
a herald from the Knight of the Gigantic
Sabre, champion of Isabella's father, the
rightful heir to Otranto. Greeting Man
fred as a usurper, the herald demanded
the immediate release of Isabella and
the abdication of Manfred, or else the
satisfaction of mortal combat. Manfred
invited the Knight of the Gigantic Sabre
to the castle, hoping through him to get
permission to marry Isabella and keep
the throne. The knight entered the castle
with five hundred men at arms and a hun
dred more carrying one gigantic sword.
After a feast, during which the strange
knight kept silence and raised his visor
only to pass food into his mouth, Manfred
broached the question of marrying Isa
bella, telling the knight he wished to
marry again to insure himself an heir.
Before he had finished, Father Jerome
arrived with the news of Isabella's disap
pearance from the church. After every
one had gone to find Isabella, Matilda
assisted Theodore to escape from the
castle.
In the forest Theodore met Isabella
and promised to protect her. Shortly
thereafter they met the Knight of the
Gigantic Sabre. Fearing the knight meant
harm to Isabella, the young man over
came him in combat. Thinking himself
about to die, the knight revealed to Isa
bella that he was her father in disguise.
They all returned to the castle. There
Isabella's father confided to her that he
had discovered the gigantic sword in the
Holy Land. It was a miraculous weapon,
for on the blade it was written that only
the blood of Manfred could atone for the
wrongs committed on the family of the
true ruler of Otranto. Manfred returned
to the castle, where he found Theodore
dressed in armor. It seemed to Manfred
that the young man resembled the prince
whose throne Manfred had usurped.
Manfred still hoped to wed Isabella,
and he craftily won her father's consent
by betrothing that nobleman to Matilda.
At that point a nearby statue dripped
blood from its nose, an omen that dis
aster would follow those proposed mar
riages.
Manfred saw only two courses open to
him. One was to surrender all claims
to Otranto; the other was to go ahead
with his plan to marry Isabella. In either
case it appeared that fate was against his
success. Nor did a second appearance
of the giant in the castle ease the anxiety
he felt. When news of the giant came
to Isabella's father, he decided not to
court disaster for himself by marrying
Matilda or by permitting Manfred te
marry his daughter. His resolution was
125
increased when a skeleton in the rags of
a hermit called upon him to renounce
Matilda.
Hours later Manfred was told that
Theodore was in the chapel with a
woman. Jealous, he went to the chapel
and stabhed the woman, who was his own
daughter Matilda. Over the body of
Matilda, Theodore announced that he
was the true ruler of Otranto. Suddenly
there appeared the giant form of the
dead Prince Alfonso, who proclaimed
Theodore to be the true heir. Then he
ascended to heaven where he was re
ceived by St. Nicholas.
The truth was now made known.
Theodore was the son of Father Jerome,
then prince of Falconara, and Alfonso's
daughter. Manfred confessed his usurpa
tion and he and his wife entered neigh
boring convents. Theodore married Isa
bella and ruled as die new prince of
Otranto.
CASTLE RACKRENT
Type of work: Novel
Author: Maria Edgeworth (1767-1849)
Type of plot: Social criticism
Time of plot: Eighteenth century
Locale: Ireland
first published: 1800
Principal characters:
HONEST THAJDY QUIRK, die narrator
SIR KIT RACKRENT, owner of Castle Rackrent
SIR CONDY RACKRENT, Sir Kit's heir
ISABELLA, Condy's wife
JUDY McQuiRK, Thady's niece
JASON, Thady 's son
Critique:
Partly imaginative and partly critical,
the story of Castle Rackrent is related
with all the native candor of an Irish
family servant, Thady Quirk. The story
is bare of any stylistic embellishments
and comes out as a straightforward nar
rative of events, colored only by the au
thentic Irish wit and language of the
narrator. A footnoted copy would enable
a modern reader to enjoy some of the
hidden references in Thady's language.
The Story:
After the death of his fine and gener
ous master, Sir Patrick O'Shaughlin,
Honest Thady Quirk found himself
working at Castle Rackrent for the heir,
Sir Murtagh, a penny-pinching owner
with a vicious temper. Lady Murtagh,
too, was more interested in money than
in the happiness of her tenants, and after
Sir Murtagh died in a fit of temper she
stripped Castle Rackrent of its treasures
and went to live in London. The estate
passed to her husband's younger brother,
Sir Kit Rackrent, a wild, carefree man.
Finding the estate in debt and heavily
mortgaged, Sir Kit went to England to
marry a rich wife who would repair the
estate and bring a dowry for his support,
At last he came back with the wealthy
wife, a Jewess he had married while
staying in Bath. To Honest Thady it
was soon apparent that there was no love
between the honeymooncrs. One .serious
difficulty arose over the presence of pig
meat on the dinner table, Lady Kit
had insisted that no such meat be served,
but Sir Kit defied her orders. When the
meat appeared on the table, Lady Kit
retired to her room and her husband
locked her in. She remained a prisoner
for seven years. When she became very
ill and seemed to be dying, Sir Kit tried
to influence her to leave her jewels to
him, but she refused. It was assumed she
126
would die shortly, and all eligible ladies
in the neighborhood were endeavoring
to become the next wife of Kit Rackrent.
3o much controversy arose over his pos
sible choice that Sir Kit was finally chal
lenged and killed in a duel. Miraculously
recovering from her illness Lady Kit went
to London. The next heir was Sir Condy
Rackrent, a distant cousin of Sir Kit.
Sir Condy Rackrent was a spendthrift,
but a good-natured master. Although
the estate was more deeply in debt than
ever, the new master made no attempt to
relieve the impoverished condition of his
holdings. On the neighboring estate lived
a family with whom Sir Condy soon
began a steadfast friendship. The young
est daughter, Isabella, took a fancy to
Sir Condy, but her father would not
hear of a match between his family and
the owner of Castle Rackrent. Sir Condy
really loved Judy, the grandniece of
Honest Thady. One day in Thady's
presence Sir Condy tossed a coin to de
termine which girl he would marry. Judy
lost, and in a short while Sir Condy
eloped with Isabella.
It had been expected that Isabella
could bring some money to the estate,
but when she married Sir Condy she was
disinherited by her father. While the
newlyweds lived in careless luxury, the
house and grounds fell into neglect, and
the servants and the tenants wrung their
hands in distress. At last Sir Condy,
learning of a vacancy in the coming elec
tions, decided to stand for Parliament.
He won the election, but too late to
save himself from his creditors.
Honest Thady's son, Jason, a legal
administrator, helped a neighbor to buy
up all of Sir Condy's debts. With so
much power in his hands Jason even
scorned his own father. When Lady
Condy learned that her husband's debtors
were closing in on him, she complied
with the demands of her family and re
turned to her father's house. True to his
good-natured generosity, Sir Condy wrote
a will for his wife in which he willed
her his land and five hundred pounds
a year after his death. When Jason de
manded payment for the Rackrent debts,
Sir Condy said he had no way of pay
ing, explaining that he had given an
income of five hundred a year to Lady
Condy, Jason insisted Sir Condy sell
Castle Rackrent and all the estates to
satisfy his creditors. With no other re
course, Sir Condy agreed. The five
hundred a year was still guaranteed for
Isabella. Thady was grief-stricken that
his son had maneuvered this piece of
villainy against Sir Condy. Jason now
would have nothing to do with Honest
Thady.
On her way back to her father's house,
Lady Condy s carriage was upset and
she was nearly killed. Assuming she
would surely die, Jason hurried to Sir
Condy with a proposal that Sir Condy
sell him Lady Condy's yearly income.
Sir Condy, needing the cash, complied
with Jason's proposal.
Judy McQuirk had been married and
her husband had died. She paid a call
on Sir Condy, who was staying at Thady's
lodge. The old servant felt certain that
now Judy would become Lady Rackrent,
but Judy told her uncle that there was
no point to being a lady without a castle
to accompany the title. She hinted she
might do better to marry Jason, who at
least held the lands. Thady tried to
dissuade her from such a thought, but
Judy was bent on fortune hunting.
Sir Condy had been indulging in such
excesses of food and drink that he suf
fered from gout. One night at a drinking
party he drank a large draught too quickly
and died a few days later. After Sit
Condy's death Jason and Lady Condy,
who had now recovered, went to court
over the title of the estate. Some said
Jason would get the land and others said
Lady Condy would win, Thady could
only guess how the suit would come out.
127
CASUALS OF THE
Type of work: Novel
Author: William McFee (1881- )
Type of plot: Domestic realism
Time of plot: Early twentieth century
Locale: England
First published: 1916
Principal characters:
BERT GOODERICH, a machinist
MARY, his wife
YOUNG BERT, his son
HANNIBAL, another son
MINNIE, Mary's daughter
BRISCOE, a ship's captain
NELLTE, Hannibal's wife
Critique:
Casuals of the Sea is a family study,
the story of daree children who did what
they wanted to do. William McFee is
especially well qualified to write of the
the sea, and those portions of die novel
which take place aboard the Caryatid
are particularly vivid.
Minnie was difficult. She was thin
and reserved, and her mother, feeling
powerless to mold her, finally let her go
her own way. Minnie became engaged
to a coal clerk, but broke the engage
ment publicly when her fianc£ asked her
if she smoked.
Minnie worked at a shop where she
retouched photographs. C)ne day an
American firm took over the place and
introduced machines. Let out tor a time,
she refused to go back on the usual
terms. Mary begged her to take back the
coal clerk, but Minnie was adamant.
Next to the Gooderich family lived an
American woman, Mrs. Gaynor, and her
small son Hiram. Mrs. Gaynor wrote
an odd letter of reference for Minnie
which stated that the girl was proud*
stubborn, and conceited. She sent the
girl with the letter to Mrs. Wilfley, who
was having a party when Minnie arrived
at the door. Despite her assurance, the
girl was afraid to go in, but middle-aged
Anthony Gilfillan helped her to overcome
her shyness. Minnie attended the party,
listened to Spanish music, and ate cucum
ber sandwiches. She kept close to An
thony.
After the company had left, Mrs.
Wilfley engaged Minnie as her secretary.
When Bert Gooderich fell off a bridge
one night and was drowned, Mrs. Wil-
CASUALS OF THE SEA by William McFee. By permisaion of the author and the publisher*, Random Howie,
lac.
The Story:
Mary fell in love with the baker's
boy. When he deserted her, she went
home, with country-bred fortitude, to
bear her child. After Minnie was born,
Mary received a proposal from Bert
Gooderich, a stolid machinist. Bert of
fered nothing in the way of romance,
but Mary accepted him thankfully. They
settled in suburban London. In time
Bert Junior was born, and later Han
nibal,
Young Bert early showed a talent for
fighting. He was big and strong and
led the graders against the boarder pupils
and the parochial boys. Noting his care
fully-planned skirmishes, the school in
spector, an old army man, resolved to
keep the boy in mind. His resolution
was strengthened when Bert blurted out
in school that he hoped to be a soldier.
A few years later the inspector en
couraged die boy to enlist. But young
Bert's career in the army was short. He
was killed at Pretoria.
128
fley promptly arranged a benefit for the
family, a musicale which grossed seventy-
four pounds. Mrs. Wilfley's fee was
sixty-seven pounds; the bereaved family
got seven. Minnie was bitter on the sub
ject.
One day Anthony Gilfillan sent a tele
gram to Minnie and asked her to meet
him at his office. He offered her a way
to escape from the life she hated. They
went away to the continent.
Five years later Minnie, now known
as Mabel, was staying in a little hotel
in Rouen. The mistress of Captain Bris
coe, she was respected and even envied
by the world of occasional light ladies
in Rouen. But Minnie was apprehensive;
the ship captain had been gone three
weeks, and he had promised to be back
in one. When Captain Briscoe finally
did return, he came only to say goodbye,
explaining that he no longer dared to
keep her because his first mate was from
his home town. They parted without a
scene. Minnie went into dressmaking
in London. Soon, however, her smitten
captain sought her out and offered to
marry her. A little amused at the idea,
she consented.
Hannibal had grown into a big lout
of eighteen, troublesome to his mother,
who often had to get him out of foolish
scrapes. He had lost his factory job. One
day Mrs. Gaynor and Hiram came to
call, Hiram in his merchant marine uni
form. Hannibal, inarticulate and bun
gling, was attracted by the idea of going
to sea and even went so far as to visit
Hiram's ship. Later he heard that the
S. S. Caryatid needed a mess boy, and
so he signed on.
On shore, meanwhile, Minnie had
asked her mother to come and live with
her during Captain Briscoe's long ab
sences. Satisfied with this arrangement,
Briscoe joined his ship at Swansea, the
S. S. Caryatid.
In port Hannibal was spreading his
wings. Quite by chance he met Nellie,
a plump, merry girl who had come to
town to work for her uncle, a tavern
keeper. Never understanding quite
it happened, Hannibal became an en
gaged man before his ship sailed. He
adapted himself easily to life at sea. In
time he grew tired of his job in the mess
room, and at Panama he became a trim
mer. Wheeling coal was hard work, but
after a while Hannibal felt proud of his
physical prowess.
In Japan he met Hiram, and they went
ashore together. Soon after the ship
pulled out on the long trip home, Han
nibal was stricken with fever.
Captain Briscoe wanted to look after
his young brother-in-law but he had
other matters to worry him. He had
picked up an English paper in port and
had learned that Minnie was in jail,
arrested for taking part in a suffragette
demonstration. To add to his confusion,
Minnie's letters were short and disap
pointing. Then near the Dutch East
Indies the ship piled up on a coral reef
and was refloated only after long delay.
The ship barely reached England in time
for Christmas.
Captain Briscoe met Hannibal on the
dock and persuaded him to go to the
hotel where Minnie was waiting. Re
luctant to go because of Nellie, Hannibal
found both his mother and Minnie at the
hotel. During her husband's absence
Minnie had earned fat fees by writing
advertisements for a cough syrup. She
and her mother urged Hannibal to stay
with them, but he refused.
At Swansea he learned that Nellie,
now the licensee of the tavern, still
wished to marry him. So Hannibal
settled down in the pub, secure and
well-loved by a capable wife.
His cough kept bothering him. Finally,,
after trying a patent cough syrup to no
avail, Nellie called the doctor. Hannibal
had lobar pneumonia. The coal dust had
settled in his lungs and the cough syrup,
which Nellie had bought after seeing
an ad written by Minnie, had neark
killed him. Hannibal rallied a little
but he died within a few days. Deatfe
seemed as casual as life had always been
129
CAWDOR
Type of work: Poem
Author: Robinson Jeffers (1887- )
Type of ylot: Psychological realism
Time of plot: 1900
Locale: Carmel Coast Range, California
First published: 1928
Principal characters:
CAWDOR, a farmer
HOOD CAWDOR, his son
GEORGE CAWDOR, another son
MICHAL CAWDOR, a daughter
MARTIAL, a neighbor
FERA, Martial's daughter
CONCHA ROSAS, Cawdor's Indian servant
Critique:
The tragedy of Cawdor is that all the
characters lived inwardly for themselves,
not outwardly or creatively. Out of this
picture of violence and self-inflicted suf
fering, Jeffers shows us Cawdor arriving
at a greater understanding of the mystery
of life and death. Man must look to him
self for the strength to exist and for
forbearance until death brings release.
This poem is in keeping with the violent
writing of its author, a further demon
stration of his pessimistic philosophy of
life.
The, Story:
In 1899 a terrible fire devastated
many of the farms along the Carmel
coast, but Cawdor's farm was untouched.
Early one morning he saw two figures
approaching his house, a young girl
leading a blind old man. They were the
Martials, who held the land bordering
his, and with whom Cawdor had an
old feud. Martial had been blinded by
the fire, his farm destroyed. His daugh
ter Fera had only Cawdor to turn to for
relief.
Cawdor took them in and sent his
servant, Concha Rosas, to live in a hut.
When the old man was well enough to
walk around, Cawdor spoke of sending
the two away unless Fera would marry
him. She agreed.
Hood Cawdor had left home after a
fight with his father. On the night of
the wedding he dreamed that the old
man had died, and he decided to return
to the farm to see if all were well. When
he reached a hill overlooking the farm,
he camped and lit a fire. His sister
Michal saw him and went to tell him
of their father's marriage. Cawdor re
ceived his son in a friendly manner. For
a wedding present, Hood gave Fera a
lion skin.
Fera found in Hood the same quality
of hardness which had drawn her at first
to Cawdor. She openly confessed to
Hood that although she had loved his
father when she married him, she no
longer cared for him. She was jealous,
too, of Concha Rosas, who had been
Cawdor's mistress before he married Fera,
and whom he again seemed to prefer
to his wife. Disturbed by Fera's advances,
Hood resolved to leave. But after a
prowling lion killed one of the farm dogs,
he decided to stay until he had killed
the animal. A terrible storm arose which
prevented his hunting for several days.
Fera's father was dying. On the pre
text that Martial wished to talk to I lood,
Fera called him into the sick room.
Openly, before her unconscious father,
she confessed her passion. That night
Fera asked Concha to watch with her
CAWDOR by Robinson Jeffers. By permission of the author and the publishers, Random Houac, Inc. Copy
right, 1928, by Robinson Jeffers.
130
by the old man's bedside. Toward morn
ing Martial died.
But instead of summoning her hus
band, Fera went to Hood's room, where
Cawdor found them. Fera tried to lull
his suspicions by declaring that she had
tried to awaken him but could not, and
so she had gone to rouse Hood.
The next morning the men dug a
grave for the old man. Fera who had
been watching them, called Hood into
the wood to help her pick laurels for
the grave. Again she begged for his love.
Suddenly he drew his knife and stabbed
himself deep in the thigh. Once more
he had been able to resist her. The
funeral service for her father was short
but painful. Afterward Fera found her
way home alone.
Desperate now, she covered herself
with the lion skin Hood had given her
and hid in the bushes. Hood shot at
her, his bullet entering her shoulder.
He carried Fera to her room, where
Cawdor attempted to set the bones which
had been fractured. Fera begged him to
stop torturing her. Then, as if it were
wrenched out of her because of the pain,
she said that Hood had seduced her by
force. Her lie was a last resort to prevent
Hood's leaving. But Hood had already
left the farm and was camped once
more on the top of the hill. There the
infuriated father found him. In the fight
that followed Hood was pushed off the
cliff, his body falling upon the rocks be
low. Cawdor met Michal on his way
down the cliff and told her that Hood
had fled. Meanwhile Fera sent Concha
from the room to get some water. Quickly
she unfastened the strap around her arm,
and slung it over the head of the bed
and around her own neck. When Concha
returned, Fera was almost dead. Fo*
many days she lay in bed, slowly recover
ing. Neither George nor Michal would
visit her. They hated her for what they
knew must have been false charges
against Hood.
Cawdor was haunted by his secret
sin. Fera tried to destroy him with her
own death wish. She told him the truth
about Hood; how, rather than betray his
father, he had stabbed himself with his
knife. Cawdor's grief was uncontrollable.
When Fera taunted him, demanding that
he kill her, his fingers fastened around
her throat. But when she began to
struggle, he released her and ran into
Hood's old room. There he thought he
saw Hood lying on the bed, and for a
moment he imagined all that had passed
had been a dream.
He was aroused when Fera came to
tell him that every one knew he had
killed Hood, that soon the authorities
were bound to hear of his crime. Again
she urged him to seek the peace that
death would bring. They were walking
near her father's grave, with George and
Michal nearby. Cawdor suddenly de
clared to them that their suspicions were
correct, that he had killed Hood, and
that they were to send for the authorities.
Then he reached down and picked up a
flint. Without warning, he thrust it into
his eyes. Then, patiently, he asked them
to lead him back to the house, to wail
for whatever fate his deed would merit
Fera followed him weeping. Once again
she felt that she had failed. She had
tried to get Cawdor to kill her and then
himself; instead, he had shown the
courage to face his crime and pay for it as
humanity saw fit.
THE CENCI
Type of work: Dramatic poem
Author: Percy Bysshe Shelley (1792-1822)
Type of plot: Romantic tragedy
Time of plot: 1599
Locale: Rome and the Apennines
First published: 1819
131
Principal characters:
COXINT CENCI, a Roman nobleman
BEATRICE, his daughter
BERNARJX), his son
GIACOMO, his son
LUCRJETIA, his wife and stepmother to his children
COUNT ORSINO, a priest once loved hy Beatrice
OLIMPIO and MARZIO, assassins of Cenci
SAVEIXA, a papal legate who discovers the murder of Cenci
Critique:
This play, in spite of eloquent and
moving passages, has not been successful
on the stage. It is at best a play for
reading, as the author's purpose was to
present dramatically the events of a typi
cal late Renaissance tragedy,
The Story:
Count Cenci was a cruel and brutal
man whose greatest delight was to make
people suffer. He had sent two of his
sons to Salamanca in hopes that they
would starve. His daughter, Beatrice,
had been in love with Count Orsino, who
had entered the priesthood. She was
wretched because she did not know
where to turn for solace. Her father was
worse than cruel to her and her lover
had become a priest. Orsino promised to
present to the Pope a petition in which
Beatrice begged relief from the constant
punishment she and the rest of her fam
ily were suffering from her father. Bea
trice told Orsino of a banquet her father
was giving that night in celebration of
some news from Salamanca and said
that she would give him the petition at
that time. When she left him, Orsino
contemplated his own problem and re
solved not to show the Pope her petition,
lest she be married by the Pope's order
and Orsino be left without a chance of
winning her outside wedlock. He resolved
also not to ask for special permission to
marry lest he lose his own large income
from the Church.
At the banquet that night, Cenci an
nounced the purpose of his celebration;
his two sons had been killed by accident
in Salamanca. Since they had been given
to disobedience and rebellion, Cenci felt
that this punishment was well deserved,
At first the guests could not believe their
ears, Beatrice boldly begged that the
guests protect her, her stepmother, and
her remaining two brothers from further
cruelties at the hands of her father.
Cenci, telling them she was insane, asked
the guests to leave. Then he turned on
his daughter, threatened her with a new
cruelty, and ordered her and his wife
to accompany him to his castle in the
Apennines on the following Monday,
At the Cenci palace, Beatrice dis
closed to her stepmother that Cenci had
committed a crime against her which she
dared not name. Orsino came to the
women and proposed a plan for the as
sassination of Cenci. At the bridge on
the way to the Apennines he would sta
tion two desperate killers who would be
glad to murder Cenci. As the women left
the apartment, Giacomo entered to an
nounce that he had lent his father his
wife's dowry and had never been able
to recover it. In fact, Cenci had accused
him of spending the money in a riotous
night, and had suggested to Giacomo's
wife that her husband was a secret wast
rel. Orsino assured Giacomo that the
money would never be restored and ex
plained to him that the murder o£ Cenci
had been planned.
Later Orsino came to report to Gia
como that his father bad escaped from
the plot and was safe within his castle in
the Apennines. Giacomo now resolved
to kill his father by his own hand, but
Orsino, restraining him, said that he
knew two men whom Cenci had
wronged and who would be willing to
rid the earth of their persecutor. At the
132
Apennine castle, Cenci raged against the
insolence of his daughter and confessed
to Lucretia that he had tried to corrupt
the soul of Beatrice, While he was sleep
ing, the two murderers, Olimpio and
Marzio, appeared. Lucretia said she had
put a sleeping potion in Cenci's drink
so that he would be sure to sleep soundly.
But the two men were hesitant. Olimpio
reported that he could not kill an old
man in his sleep. Marzio thought he
heard the ghost of his own dead father
speaking through the lips of the sleep
ing Cenci. Beatrice snatched a dagger
from them and cried out that she herself
would kill the fiend. Shamed into ac
tion, the assassins strangled Cenci and
threw his body over the balustrade into
the garden.
The Papal Legate, Savella, arrived
with a warrant for the immediate execu
tion of Cenci for his crimes. When
Savella and his followers discovered that
Cenci was already dead, they began an
investigation. The guards seized Marzio
on whose person they found Orsino's
note introducing the two murderers. Lu
cretia and Beatrice denied knowledge of
the handwriting, but Savella arrested
them and said that they must appear
before the court in Rome. Giacomo,
tricked by Orsino, fell into the hands of
the Roman police. Orsino escaped in
disguise.
Conflicting testimony at the trial
turned against the Cenci family. Bea
trice appealed to Marzio to save the inno
cent prisoners from death, but the assas
sin died on the rack without changing his
testimony. Consigned to cells to await
the Pope's final decision, the Cenci fam
ily lived on in misery. Beatrice tried to
comfort her stepmother in vain. The
Pope decreed that the prisoners must die.
Beatrice at first was delirious with despair.
Then the young and innocent Bernardo
went to beg clemency from the Pope, but
later returned filled with grief that his
petition had been useless. When the
guards came to take them away, Beatrice
and her stepmother went out to their
execution with noble resignation.
CHARLES O'MALLEY
Type of work: Novel
Author: Charles Lever (1806-1872)
Typ e of plot: Picaresque romance
Time of plot: 1808-1812
Locale: Ireland and Europe
First published: 1841
Principal characters:
CHARLES O'MALTJEY, an Irish dragoon
GODFREY O'MALLEY, his uncle
WILLIAM CONSIDINE, a family friend
CAPTAIN HAMMERSLEY, O'Malley's rival
GENERAL DASHWOOD
LUCY DASHWOOD, his daughter
Critique:
Charles O'Malley, the Irish Dragoon
is a light novel in the Irish romantic
style. It has little plot and slight struc
ture. The value of the book lies in its
great fund of stories and anecdotes of
Irish prowess and cunning and in a
highly romanticized picture of the Napo
leonic wars. To the Irish dragoon, war
is a gay and adventurous affair much like
a combination fox hunt and banquet.
The novel ranks high among works
written simply to delight the reader.
The Story:
At seventeen Charles O'Malley wa?
tall and broad-shouldered, deadly with a
gun and sure in the saddle. He possessed
in abundance the qualities of generosity
133
and honor expected of Godfrey O'Mal-
ley's nephew. Godfrey, of O'Malley
Castle, Galway, was still a good man on
a horse and quick to pass the bottle. In
his ruined old castle hard hy the river
Shannon, he held the staunch affections
of his tenants.
Old Godfrey was standing for election
to the Irish Parliament. Unable to leave
home during the election campaign, he
sent Charles to the home of a distant
cousin named Blake to ask his support in
the coming election. But Blake belonged
to the opposition, and although Charles
did his best to win help for his uncle, he
hardly knew how to handle the situation.
Part of the trouble was Lucy Dash-
wood. She and her father were visiting
Blake while the general tried to buy
some good Galway property. Charles
was jealous of the general's aide, Captain
Hammersley, who was attentive to Lucy.
At a fox hunt Charles led the way at
first, but Hammersley kept up with him.
Charles' horse fell backward in jumping
a wall. With cool daring Charles kept
on and took a ditch bordered by a stone
rampart. Hammersley, not to be out
done, took the ditch too, but fell heavily.
Charles was first at the kill, but both he
and Hammersley had to spend several
days in bed.
One night at dinner one of the guests
spoke insultingly of Godfrey O'Malley,
and Charles threw a wine glass in his
face. Billy Considine, who had been in
more duels than any other Irishman in
Galway, arranged the affair as Charles'
second. Charles left his man for dead
on the field. Luckily the man recovered,
and Charles escaped serious consequences
for his rashness.
Charles went to Dublin to study law.
There chance led him to share rooms
with Frank Webber. College life became
for Charles a series of dinners, brawls and
escapades, all under the leadership of
Frank.
While in Dublin, Charles saw Lucy
again, but she was distant to him. Ham-
uersley was now a favored suitor. Charles
became increasingly attracted to military
life, the more so since he seemed un
fitted for study. Perhaps Lucy would
approve his suit if he became a dashing
dragoon. Godfrey arranged for a com
mission through General Dashwood, and
Charles became an ensign.
His first duty was in Portugal. Napo
leon had invaded the peninsula, and
England was sending aid to her Portu
guese and Spanish allies. In Lisbon
Charles' superb horsemanship saved
Donna Inez from injury. His friendship
with Donna Inez was progressing satis
factorily when he learned that Inez was
an intimate of Lucy Dashwood.
A his own request Charles was sent
to the front. There he soon distinguished
himself by bravery in battle and was pro
moted to a lieutenancy.
Lucy had given him letters for Ham
mersley. When Charles delivered them,
Hammersley turned pale and insulted
him. Only the good offices of Captain
Powers prevented a duel.
Charles saw action at Talavera and
Ciudad Roderigo. In one engagement he
sneaked under cover of darkness to the
French trenches, and by moving the en
gineers' measuring tape he caused the
French to dig their trenches right under
the British guns, Wherever Charles
went, his man Michael Free looked out
for his master, polished his buttons, stole
food for him, and made love to all the
girls.
After Charles received his captaincy,
news came from home that the O'Malley
estates were in a bad way. The rents
were falling off, mortgages were coming
due, and Godfrey's gout had crippled
him. Charles went home on leave, arriv
ing in Galway shortly after his uncle's
death. There was little money for the
many debts, and the estate would require
close management. Because a last letter
from his uncle had asked him to stay in
Galway, Charles decided to sell his com
mission and retire to civil life.
Billy Considine, who acted as his ad
viser, told him a distressing story. Gen-
134
eral Dashwood had sent an agent to
Galway to buy property. Thinking of
Dashwood as an English interloper, God
frey had written him a harsh letter of
warning to stay out of Ireland. In spite
of his gout, Godfrey had offered to go
to England to do battle with the general,
Billy himself had sent a direct challenge
to Dashwood. The general had answered
in mild tone, and the two hot-headed
Irishmen felt their honor had been vin
dicated. But Charles heard the story
with a heavy heart. Lucy seemed lost to
him forever. For two years Charles led
a secluded life, scarcely quitting his farm.
Charles and Michael, his servant, were
in Dublin on the day news came of
Napoleon's return from Elba, and Charles
decided to go back into the army. He
and Michael went to London. There
he was appointed to his old rank on the
general staff.
Charles arrived in Brussels just before
Waterloo. The Belgian city was crowded.
General Dashwood and Lucy were there,
as were Donna Inez and her father.
Charles was safe in one quarter, how
ever, for Captain Powers and Inez were
to be married. One day in a park Lucy
sat down alone to await her father.
Hammersley came to her and asked
hoarsely if he could evei hope for her
hand. Although not meaning to eaves
drop, Charles heard Lucy dismiss Ham
mersley. Charles saw Lucy again at the
ball, but she seemed as distant and cool as
ever,
Charles became a special courier, and
in the discharge of his duties he was
captured by the French and thrown into
prison. To his amazement his cellmate
was General Dashwood, condemned to
die for having used spies against the
French. St. Croix, a French officer whom
Charles had befriended in Spain, offered
to help him escape. Unselfishly Charles
let General Dashwood go in his place.
Napoleon himself summoned Charles to
an audience, and throughout the battle
of Waterloo he saw the action from the
French lines. He was watching his
chances, however, and when the French
troops were scattered he made his way
back to the English lines.
After Charles' heroic action in saving
her father from execution, Lucy could
not longer refuse him. Charles and Lucy
went back to Galway to stay, and the
Irish tenantry bared their heads in wel
come to the new mistress of O'Malley
Castle.
THE CHARTERHOUSE OF PARMA
Type of -work: Novel
Author: Stendhal (Marie-Henri Beyle, 1783-1842)
Type of plot: Historical romance
Time of plot: Early nineteenth century
Locale: Italy
First published: 1839
Principal characters:
FABRIZIO PEL DONGO, a young adventurer
GTNA PIETRANERA, his aunt
COUNT MOSCA, Gina's lover
MARIETTA, an actress
CLELIA CONTT, Fabrizio's mistress
Critique:
The Charterhouse of Parma is one of
the earlier examples of French romantic
prose. The scene is the principality of
ventures, light-hearted and tragic, from
Waterloo to Bologna. The story, a his
torical romance, contains also the ele-
Parma in Italy, and the long, involved ments of social comedy and more serious
plot takes the reader through many ad- reflections on the futility of life. The
135
novel has a sustained dramatic interest
which contributes much to its recogni
tion as a classic of French romanticism.
The Story:
Early in the nineteenth century Fa
brizio, son of the Marchese del Dongo,
grew up at his father's magnificent villa
at Grianta on Lake Como. His father
was a miserly fanatic who hated Napo
leon and the French, his mother a long-
suffering creature cowed by her domi
neering husband. In his boyhood Fabri
zio was happiest when he could leave
Grianta and go to visit his mother's
widowed sister, Gina Pietranera, at her
home in Milan. Gina looked upon her
handsome nephew very much as a son.
When he was nearly seventeen, Fabri-
zio determined to join Napoleon. Both
his aunt and his mother were shocked
but the boy stood firm. Fabrizio's father
was too stingy to allow his womenfolk
to give Fabrizio any money for his jour
ney, but Gina sewed some small dia
monds in his coat. Under a false pass
port Fabrizio made his way to Paris as
a seller of astrological instruments.
Following one of Napoleon's battalions
out of Paris, Fabrizio was arrested and
thrown into jail as a spy. His enthusias
tic admiration for the emperor and his
bad French were against him. Released
from jail by the kind-hearted wife of the
turnkey, F'abrizio pressed on, anxious to
get into the fighting. Mounted on a
horse he bought from a good-natured
camp follower, he rode by accident into
a group of hussars around Marshall Ney
at the battle of Waterloo. When a gen
eral's horse was shot, the hussars lifted
Fabrizio from the saddle and the general
commandeered his mount. Afoot, Fabri
zio fell in with a band of French infantry
men and in the retreat from Waterloo
killed a Prussian officer. Happy at being
a real soldier, he threw down his gun
and ran away.
Meanwhile, at home, Gina had suc
cumbed to the pleadings of Count Mosca,
prime minister o£ Parma, They made a
happy arrangement. Old Duke San-
severina wanted a diplomatic post very
badly. In return for Mosca's favor in
giving him the post, he agreed to marry
Gina and set her up as the Duchess of
Sanseverina. Then the duke left the
country for good, and Mosca became
Gina's accepted lover. It was a good
thing for Fabrizio that his aunt had some
influence. When he returned to Grianta,
the gendarmes came to arrest him on a
false passport charge. He was taken to
Milan in his aunt's carriage. On the way
the party passed an older man and his
younger daughter, also arrested but con
demned to walk. Graciously Gina and
Fabrizio took General Conti and his
daughter Clelia into the carriage with
them. At Milan Fabrizio's difficulties
were easily settled.
Gina was growing very fond of Fabri
zio, who was a handsome youth, and
she took him with her to Parma to ad
vance his fortune. There, upon the
advice of Mosca, it was decided to send
the young man to Naples to study for
three years at the theological seminary.
When he came back, he would be given
an appointment at court,
At the end of his studies Fabrizio was
a suave, worldly young monsignor, not
yet committed to a life of piety in spite
of his appointment as alternate for the
archbishop. At the theater one night the
young cleric saw a graceful young actress
named Marietta Valsera. His attention
soon aroused the anger of a rascal called
Giletti, Marietta's protector,
Fearing the consequences of this in
discretion, Mosca sent Fabrizio to the
country for a while to supervise some
archeological diggings. While looking
over the spot, Fabrizio borrowed a shot
gun and walked down the road to look
for rabbits. At that moment a carriage
drove by, with Marietta and Giletti in
side. Thinking that Fabrizio intended
to take Marietta, Giletti leaped from the
caniage and rushed at Fabrizio with his
dagger. In the fight, Fabrizio killed Gil
etti. The alarmed Marietta took Fabri-
136
zio with her to Bologna. There his aunt's
emissaries supplied him with ample
funds, and Fabrizio settled down to en
joy his lovely Marietta.
News of the affair reached Parma.
Political opponents of Mosca found an
opportunity to strike at him through
Gina, and they influenced the prince to
try the fugitive for murder. Fabrizio was
tried in his absence and condemned to
death or imprisonment as a galleyslave.
Fabrizio soon tired of his Marietta.
Attracted by a young singer named
Fausta, he followed her to Parma. There
he was recognized and imprisoned. In
spite of his influence, Mosca could do
little for Gina's nephew. But Fabrizio
was happy in jail, for Clelia, the daughter
of his jailer, was the girl to whom Fabri
zio had offered a ride years before. By
means of alphabet cards the two were
soon holding long conversations.
Outside Gina laid her plans for Fabri-
zio's escape. With the help of a poet
named Ferrante, she arranged to have
ropes smuggled to her nephew. Clelia
herself was to carry them in. Fabrizio
escaped from the tower and fled to Pied
mont. At Parma, according to Gina's
instructions, Ferrante poisoned the prince
who had condemned Fabrizio to imprison
ment. In the resulting confusion Gina
and Fabrizio returned to Parma, now
governed by the new prince. Pardoned,
he was named coadjutor by the arch
bishop. Later he became archbishop and
attracted great crowds with his preach
ing. In the meantime Clelia had married
a rich marchese. One day, moved by
curiosity, she came to hear Fabrizio
preach. Her love finally led her to take
him for a lover. Every night he came to
her house. After their child was born, Fa
brizio took the baby to his own house and
Clelia visited her small son there. But
Fabrizio was to be happy only a short
time. The infant died and Clelia di<J
not long survive her child. Saddened bj
her death, Fabrizio gave up his office and
retired to the Charterhouse of Parma, a
monastery on the river Po, where quiet
meditation filled his days.
CHILDREN OF GOD
Type of work: Novel
Author: Vardis Fisher (1895- )
Type of 'plot: Historical chronicle
Time of 'plot: 1820-1890
Locale: New York, Illinois, Utah
First <puUished: 1939
Principal characters:
JOSEPH SMITH, the founder of the Church of Latter-day Saints
BRIGHAM YOUNG, the leader of the Church after Smith's death
JOHN TAYLOR, a later leader of the Mormon Church
Critique:
Vardis Fisher calls his book an Ameri
can epic. Certainly the material dealt
with is of an epic character, for no one
can doubt the bravery and the sincerity
of the Mormons after reading this ac
count of the great migration from New
York to Illinois and Missouri and, finally,
to Utah. Taking the bare bones of fact,
Fisher rounded out the personalities and
events of Mormomsm in such manner
that the facts seemed to take on flesh
and come to life. The result is a novel
in which history and fiction are one,
The Story:
In the early 1820's a young man in
Palmyra, New York, had visions which
led him to believe himself a prophet of
the Lord. The young man was Joseph
Smith and his visions were the basis
CHILDREN OF GOD by Vardis Fisher. By permission of the author and the publishers, Vanguard Frew, lac.
Copyright, 1939, by Vardis Fisher.
137
upon which he built the Church of the
Latter-day Saints, more commonly known
as the Mormon Church. In those days
his followers were few, being only his
family and a handful of friends.
In March of 1830 the Book of Mor
mon was published. Shortly after it ap
peared, Joseph Smith ordained his
brothers and the men of the Whitmer
family as Latter-day Saints. After Joseph
was reported to have cast out the per
sonal devil of a man called Newel Knight,
word of the miracle spread about the
country near Palmyra and many were
converted.
But with success came trouble. On
one occasion a mob of men almost
lynched the new prophet. On another, he
was taken to court for trial. He realized
that his life was no longer safe in the
state of New York.
Joseph's three hundred followers left
New York State for Ohio. Meanwhile
Joseph sent two men, one of them Oliver
Cowdery, his first convert, to travel be
yond the Mississippi River for the pur
pose of converting the Indians and locat
ing the place where the Saints were to
build their Zion. In Ohio, Joseph Smith
was again persecuted. One winter night
a mob abducted him from his house and
tarred and feathered him. Shortly after
ward Joseph decided to take his flock to
Missouri, and he went with a few of his
followers to survey the country.
More trouble awaited him when he
returned to Ohio. Several of his con
verts had set themselves up as prophets
during his absence. Reports reached him
that the people he had left in Missouri
were being mobbed. Then one day two
men came to offer their services to Joseph
Smith. One was Rrigham Young, the
other Heber Kimball. Brigham Young
was a great help to the Saints' community
because he could make men do what he
wished, something that Joseph Smith, the
mystic, was never able to learn.
While the Saints in Ohio were facing
internal strife, the people of the new
faith in Missouri were being horse
whipped, murdered, and driven from
their homes by mobs. Eventually Brig-
ham Young was authorized to organize
an army to march upon Missouri and
rescue the Mormons there. At the last
minute Joseph Smith went with it as
leader. The expedition was doomed to
failure. Cholera and Indians took their
toll among the men. They never fought
the Missouri mobs.
For the next few years the Saints
prospered in Ohio. Joseph Smith and
Brigham Young opened a Mormon-
operated bank, which failed, along with
many others, in the panic of 1837. The
loss of their money turned the Saints
against their leaders as nothing else had
done, and Brigham Young and Joseph
Smith fled to Missouri for their lives.
They were soon joined by three hundred
families from Ohio who remained true to
Joseph's religion and prophetic power.
In Missouri mobs again harassed their
settlements. The desperate Saints or
ganized a retaliating secret society called
the Danites or Destroying Angels,
Finally the governor of Missouri ordered
all the Mormons to leave the state or be
killed. Again Joseph Smith and his
leaders were tried for treason. Through a
friendly guard they escaped execution.
The Saints settled next at Nauvoo, in
Illinois, where Joseph Smith began the
practice of plural marriages in an effort
to keep the women in the church, who
outnumbered the men, from becoming
charity cases or harlots. Joseph himself
soon had twenty wives, His first wife,
Emma, made him send away nil but two,
Joseph Smith never left Illinois. He
was killed by a mob when he gave him
self up to stand trial for treason a third
time. Brigham Young then took over
the leadership of the Mormons, not as a
prophet, but as a leader. He decided that
the only way for the Mormons to find
peace was to leave the United States,
to seek a place in the far West.
Trudging westward through the snow>
three thousand Mormons started out
under Brigham's leadership. Those leff
138
behind felt lost without their leader and
soon there were fifteen thousand more
people following Brigharn westward.
In the spring of 1847 Brigham Young
set out from his winter camp for the
Rocky Mountains with a hundred and
fifty picked men. The others were to
follow later. Brigham had determined
to settle south of the salt lake in Utah.
By the winter of 1 847 seventeen hundred
Mormons were already in Utah. When
Brigham learned that the Utah territory
had heen ceded to the United States by
Mexico, he felt that the Mormons would
never have a land of their own. The
next winter five thousand of the Mor
mons lived through a year of intense cold
and starvation rations. The third year
in Utah brought a new problem to
Brigham Young. California gold at
tracted thousands of rascals and adven
turers, many of whom passed through
the settlement of the Mormons on their
way to the coast. Those scoundrels
stole from the scanty stores of the set
tlers and made trouble among the women.
As the years passed, the Saints
flourished. Brigham Young was elected
governor of Utah Territory. In 1852 he
took a bold step when he announced
publicly what many people had long
known or at least suspected, the practice
of polygamy by the leaders of the Mor
mon Church. The hue and cry against
the practice amazed and embittered Brig-
ham, for he could say truthfully that it
had maintained morality in the Mormon
settlements.
In 1855 locusts demolished their crops.
Many of the Saints turned against the
practice of polygamy, for in times of
famine a man could not secure enough
food for his over-expanded family.
Two years later the Mormons heard
that the Federal government had sent
an army to deal with them. From their
previous experiences, the Mormons knew
they could expect little mercy. The ter
ritorial governor sent by the president was
vigorously defied and the Mormons
threatened to burn Salt Lake City and
leave the country a desert as they had
found it. Finally the president sent a
pardon to the Mormons.
With General Grant in the White
House, the Mormon problem again be
came a pressing one. Federal prosecutors
invoked the anti-bigamy law and began
to imprison Mormon leaders. Then the
prosecutors attempted to indict the
leaders, including Brigham Young, for
murder. Young was never tried, how
ever, for he died of natural causes.
After Young's death, the authorities
secured more indictments in the hope
that the Mormons would repudiate poly
gamy. They also moved against the co
operative stores and industries which had
been founded, and attempted to deprive
the Mormon Church of all assets in ex
cess of fifty thousand dollars. The sum
of those strains was too great. The presi*
dent of the Mormon Council denounced
plural marriages. No longer could the
Mormon community hold itself apart in
order to continue its existence. The
Saints and the settlers from the East
would live side by side m the new state
of Utah,
A CHRISTMAS CAROL
Type of work: Novelette
Autkori Charles Dickens (1812-1870)
Type of plot: Sentimental romance
Time of 'plot: Nineteenth century
Locale: London, England
First published; 1843
Principal characters:
EBENEZER SCROOGE, a miser
MARJLEY'S GHOST
139
BOB CKATCHIT, Scrooge's clerk
TINY TIM, Cratchit' s son
SCROOGE'S NEPHEW
Critique:
This story has become as much a part
of the tradition of Christmas as holly
wreaths, mistletoe, and Christmas carols.
Dickens' skill with humor and character
analysis are particularly evident. At the
beginning or' the story, we are made to
dislike Scrooge for his miserly ways, but
we are in sympathy wifh him as he is
subjected to the tortures of his ghostly
journeys. Dickens provides a psycho
logical explanation for Scrooge's bitter
ness and desire to live apart from the
rest of the world. At the same time he
paves the way for Scrooge's reform, so
that it comes as no surprise. It is entirely
right that Scrooge should become an
example of the meaning of Christmas
among men.
The Story:
Ebenezer Scrooge was a miser. Owner
of a successful counting-house, he would
have in his bleak office only the smallest
fire in the most bitter weather. For his
clerk, Bob Cratchit., he allowed an even
smaller fire. The weather seldom mat
tered to Scrooge, who was always cold
within, never warm — even on Christ
mas Eve.
As the time approached for closing the
office on Christmas Eve, Scrooge's
nephew stopped in to wish him a Merry
Christmas. Scrooge only sneered, for he
abhorred sentiment and thought only of
one thing — money. To him Christmas
was a time when people spent more
money than they should, and found
themselves a year older and no richer.
Grudgingly Scrooge allowed his clerk,
Bob Cratchit, to have Christinas Day
off; that was the one concession to the
holiday that he made. But he warned
Cratchit to be at work earlier the day
after Christmas. Scrooge left his office
and went home to his rooms in a build
ing in which he was the only tenant.
They had been the rooms of Scrooge'vS
partner, Jacob Marley, dead for seven
years. As he approached his door, he
saw in the knocker Marlcy's face. It was
a horrible sight. Marley was looking at
Scrooge with his eyes motionless, his
ghostly spectacles on his ghostly fore
head. As Scrooge watched, the knocker
resumed its usual form. Shaken by this
vision, Scrooge entered the hall and
lighted a candle; then he looked behind
the door, half expecting to see Marley 's
pigtail sticking out into the hall. Satis
fied, he double-locked the cloor. He pre
pared for bed and sat for a time before
the dying fire. Suddenly an unused bell
hanging in the room began to ring, as did
every bell in the house.
Then from below came the sound of
heavy chains clanking. The cellar door
flew open, and someone mounted the
stairs. Marley 's ghost walked through
Scrooge's door— Marley, dressed as al
ways, but with a heavy chain of cash
boxes, keys, padlocks, ledgers, deeds, and
heavy purses around his middle.
Marlcy's ghost sat clown to talk to the
frightened and bewildered Scrooge. Forc
ing Scrooge, to admit that he believed in
him, Marley explained that in life he had
never done any good for mankind and so
in death he was condemned to constant
traveling with no rest and no relief from
the torture of remorse. The ghost said
that Scrooge still had a chance to save
himself from Marley's fate, Scrooge
would be visited by three spirits who
would show him the way to change. The
first spirit would appear the next clay at
the stroke of one. Tlie next would arrive
on the second night, and the last on the
third. Dragging his chain, the ghost
disappeared.
After Marley's ghost had vanished,
Scrooge went to bed and in spite of his
nervousness fell asleen instantly. When
he awoke, it was still dark. The clock
struck twelve, He waited for the stroke
140
of one. As the sound of the bell died
away, his bed curtains were pulled
apart, and there stood a figure with a
childlike face, but with long, white hair
and a strong, well-formed body. The
ghost introduced itself as the Ghost of
Christmas Past, Scrooge's past. When the
ghost invited Scrooge to go on a journey
with him, Scrooge was unable to refuse.
They traveled like the wind and
stopped first at Scrooge's birthplace. There
Scrooge saw himself as a boy, neglected
by his friends and left alone to find ad
venture in books. Next he saw himself
at school, where his sister had come to
take him home for Christmas. Scrooge
recalled his love for his sister, who had
died young. The ghost reminded him that
she had had a son whom Scrooge neg
lected. Their next stop was the scene of
Scrooge's apprenticeship, where every
one made merry on Christmas Eve. Trav
eling on, they saw a young girl weeping
as she told young Scrooge that she real
ized he loved money more than he loved
her. The ghost showed him the same
girl, grown older but happy with her
husband and children, Then the ghost
returned Scrooge to his room, where he
promptly fell asleep again.
When the Ghost of Christmas Present
appeared, he led Scrooge through the city
streets on Christmas morning. Their
first stop was at the Cratchit home, where
Bob Cratchit appeared with frail, crip
pled Tiny Tim on his shoulder. In the
Cratchit home a skimpy meal became a
banquet. After dinner Bob proposed a
toast to Mr. Scrooge, even though it
put a temporary damper on the holiday
gaiety. Then the ghost and Scrooge
crossed swiftly through the city where
everyone paused to wish one another a
Merry Christmas. As they looked in on
the home of Scrooge's nephew, gaiety
prevailed and Scrooge was tempted to
join in the games. There, too, a toast
was proposed to Scrooge's health. As
die clock began to strike twelve, Scrooge
found himself in his room, and the ghost
of Christmas Present faded away.
With the last stroke of twelve, Scrooge
saw a black-shrouded phantom approach
ing him, the Ghost of Christmas Future.
The phantom extended his hand and
forced Scrooge to follow him until they
came to a group of scavengers selling the
belongings of the dead. One woman had
entered a dead man's room, had taken his
bed curtains, bedding, and even the
shirt in which he was to have been
buried. Scrooge saw a dead man with his
face covered, but he refused to lift the
covering. Revisiting the Cratchits, he
learned that Tiny Tim had died.
After seeing his empty counting-house
and his own neglected grave, Scrooge re
alized that it was he who had lain on
the bed in the cold, stripped room with
no one to mourn his death. Scrooge
begged the spirit that it should not be
so, vowing that he would change, that
he would forever honor Christmas in
his heart. Fie made a desperate grasp
for the phantom's hand and realized that
the ghost had shriveled away and
dwindled into a bedpost, Scrooge
bounded out of bed and thanked Jacob
Marley's ghost for his chance to make
amends. Dashing into the street, he real
ized that it was Christmas Day. His first
act was to order the largest turkey avail
able to be sent anonymously to the
Cratchits. He stopped a man whom the
day before he had ordered from his
counting-house for asking for a contri
bution, and to him Scrooge gave a large
sum of money for the poor. Then he
astounded his nephew by arriving at his
house for Christmas dinner and making
himself the life of the party.
Scrooge never reverted to his old ways.
He raised Bob Cratchit's salary, im
proved conditions in his office, contrib
uted generously to all charities, and be
came a second father to Tiny Tim. It
was said of him thereafter that he truly
knew how to keep Christmas well.
141
THE CID
Type of work: Drama
Author: Pierre Corneille (1606-1684)
Type of plot: Romantic tragedy
Time of 'plot: Eleventh century
Locale: Seville
First presented: 1636
Principal characters:
DON FERNAND, King o£ Castile
DONA URBAQUE, Infanta, daughter of Fernand
DON DIEGUE, father of Rodrigue
DON GOMES, father of Chimene
DON RODRIGUE, accepted suitor of Chimene
DON SANCHE, in love with Chimene
CHIMENE, daughter of Don Gomes
Critique:
In France, "Good as The Cid" became
a proverb used to bestow high praise. The
Cid, a tragedy in the neo-classical tradi
tion, is generally ranked as the best of
Corneille's works. The subject of the
drama is man himself, and the hero
determines his own fate in this tragedy
of renunciation,
The Story:
Because she was the princess royal,
the Infanta felt she could not openly love
Rodrigue, a nobleman of lower rank.
She encouraged, therefore, the growing
attachment between Chimene and Rodri
gue. Chimene asked her father, Don
Gomes, to choose for his son-in-law either
Rodrigue or Sanche, She awaited the
choice anxiously; her father was on his
way to court and she would soon hear his
decision. Don Gomes chose Rodrigue
without hesitation, chiefly because of
the fame of Don Diegue, Rodrigue's
father.
A complication soon arose at court.
The king had chosen Don Diegue as
preceptor for his son, the heir apparent.
Don Gomes felt that the choice was un
just. Don Diegue had been the greatest
warrior in Castile, but he was now old.
Don Gomes considered himself the
doughtiest knight in the kingdom. In a
bitter quarrel Don Gomes unjustly ac
cused Don Diegue of gaining the king's
favor through flattery and deceit. He felt
the prince needed a preceptor who would
be a living example, not a teacher who
would dwell in the past. In the quarrel,
Don Gomes slapped his older rival. Don
Diegue, too feeble to draw his sword
against Don Gomes, upbraided himself
bitterly for having to accept the insult.
His only recourse was to call on his
young son to uphold the family honor.
Tom between love and duty, Rodrigue
challenged Don Gomes to a duel. Aner
some hesitation because of Rodrigue's
youth and unproved valor, Don Gom&s
accepted the challenge of his daughter's
suitor, To the surprise of the court, Rod
rigue, the untried novice, killed the
mightiest man in Castile, piercing with
his sword the man whom he respected as
his future father-in-law.
Ghimene now felt herself in a des
perate plight because her love for Rod
rigue was mixed with hatred for the
murderer of her father, She finally de
cided to avenge her father by seeking
justice from the king, Since she haa
the right to petition the king, Don l;er-
nand was forced to hear her pleas. In
the scene at court, Don Diegue made a
strong counter-plea for his son, remind
ing the king that Rodrigue had done
only what honor forced him to do— up
hold the family name.
The king was saved from the vexing
decision when fierce Moors assaulted the
walls of Seville, Chim&ne awaited the
142
outcome of the battle with mixed emo
tions. The army of Castile returned in
triumph, bringing as captives two Moor
ish kings. And the man who had inspired
and led the Castilians by his audacity
was Rodrigue. The grateful Icing gave
the hero a new title, The Cid, a Moorish
name meaning "lord." The Infanta was
wretched. Although her high position
would not allow her to love Rodrigue,
she could love The Cid, a high noble
and the hero of Castile. She showed her
nobility by yielding to Chimene's prior
right.
Chimene was still bound to seek re
dress. The king resolved to test her true
feelings. When she entered the throne
room, he told her gravely that Rodrigue
had died from battle wounds. Chimene
fainted. The king advised her to follow
the promptings of her heart and cease
her quest for vengeance.
Still holding duty above love, however,
Chimene insisted on her feudal right of
a champion. Sanche, hoping to win the
favor of Chimene, offered to meet Rodri
gue in mortal combat and avenge the
death of Don Gomes. Chimene accepted
him as her champion. The king decreed
that Chimene must marry the victor.
In private, Rodrigue came to Chimene,
Indignant at first, Chimene soon softened
when she learned that Rodrigue had re
solved to let himself be killed because
she wished it. Again wavering between
love and duty, Chimene begged him to
defend himself as best he could.
Sanche went bravely to meet Rodrigue
who easily disarmed his opponent and
showed his magnanimity by refusing to
kill Chirnene's champion. He sent his
sword to Chimene in token of defeat.
As soon as Chimene saw her champion
approach with Rodrigue's sword in his
hand, she immediately thought that
Rodrigue was dead, She ran in haste to
the king and begged him to change his
edict because she could not bear to wed
the slayer of her lover. When the king
told her the truth, that Rodrigue had
won, Don Diegue praised her for at last
avowing openly her love. Still Chimene
hesitated to take Rodrigue as her hus
band. The king understood her plight.
He ordered The Cid to lead an expedi
tion against the Moors. He knew that
time would heal the breach between the
lovers. The king was wise.
CLARISSA HARLOWE
Type of work: Novel
Author: Samuel Richardson (1689-1761)
Type of 'plot: Sentimental romance
Time of 'plot: Early eighteenth century
Locale: England
First published: 1747-1748
Principal characters:
CLARISSA HARLOWE, a young woman of family and fortune
ROBERT LOVELACE, her seducer
JOHN BELFORD, Lovelace's friend
WILLIAM MORDEN, Clarissa's cousin
ARABELLA, Clarissa's older sister
JAMES, Clarissa's older brother
Critique:
This novel is unusual for the modern
reader because of its style. It is an
epistolary novel, made up entirely of
letters written by the various characters
to each other, in which characterization
and plot are revealed to the reader. The
drawbacks to this form of novel are its
tediousness and its superfluities. One
wonders huw the characters found the
time during their adventures to pen such
long, involved, and painstaking letters.
It is also difficult for a twentieth-century
143
reader to follow Clarissa's logic. Her de
cision to die, rather than marry the man
who had seduced her, is not of a pattern
to he quickly assimilated by a mind con
ditioned to the pragmatism of the modern
world. The book is, in spite of senti
mental theme and physical bulk, Rich
ardson's best novel,
The Story:
Robert Lovelace, a young Englishman
of a noble family, was introduced into
the Harlowe household by Clarissa's
uncle, who wished Lovelace to marry
Clarissa's older sister, Arabella. The
young man, finding nothing admirable
in the older girl, fell deeply in love with
Clarissa, but he quickly learned that his
suit was balked by Clarissa's brother and
sister. James Harlowe had disliked Love
lace since they had been together at
Oxford, and Arabella was offended be
cause he had spurned her in favor of
Clarissa. Both were jealous of Clarissa
because she had been left a fortune by
their grandfather and they had not.
James Harlowe, having convinced his
mother and father that Lovelace was a
profligate, proposed that Clarissa be mar
ried to Mr. Solmes, a rich, elderly man
of little taste and no sensibility. When
Solmes found no favor in the eyes of
Clarissa, her family assumed she was in
love with Lovelace, despite her protesta
tions to the contrary.
Clarissa refused to allow Solmes to
visit with her in her parlor or to sit next
to her when the family was together*
Her father, outraged by her conduct,
ordered her to be more civil to the man
he had chosen as her husband. When
she refused, saying she would never
marry a man against her will, not even
Lovelace, her father confined her to her
room.
Lovelace, smitten with the girl's beauty
and character, resolved to seduce her
away from her family, partly out of love
for her and partly in vengeance for the
insults heaped upon him by the Har
lowe family.
He was greatly aided in his scheme
by the domineering personalities of Mr.
Harlowe and his son. They took away
Clarissa's trusted maid and replaced her
with a girl who was impertinent and in
solent to the young woman. They refused
to let her see any member of the family,
even her mother. Clarissa's only adviser
whom she could trust was Miss Howe,
a friend and correspondent who advised
her to escape the house if she could, even
if it meant accepting Lovelace's aid and
his proposal of marriage.
One evening Lovelace slipped into the
garden where Clarissa was walking and
entreated her to elope with him. Think
ing only to escape her domineering
father, she went with him alter some
protest. Lovelace told her she would be
taken to the home of Lord M— -, a kins
man of Lovelace, who would protect her
until her cousin, Colonel Morclcn, could
return to England and arrange for a
reconciliation between Clarissa and her
family. Lovelace was not as good as his
word, however, for he took her to a house
of ill repute, where he introduced her to
a woman he called Mrs, Sinclair. In
venting reasons why he could not take
her to Lord M — 's house, he persuaded
the bewildered girl to pass as his wife,
for the time being, and he told Mrs.
Sinclair that Clarissa was his wife
with whom he could not live until cer
tain marriage settlements had been ar
ranged. Clarissa permitted him to tell
the lie, in the belief that it would pre
vent her father and her brother from dis
covering her whereabouts.
In Mrs. Sinclair's house she was al
most as much a prisoner as she had been
in her father's home. Meanwhile her
family had disowned her and refused
to send her either money or clothes. In
deed, her father declared she was no
longer his daughter and he hoped she
would have a miserable existence in
both this world and the next.
This state of affairs was distressing
to Clarissa, who was now dependent upon
Lovelace for her very existence. He took
144
advantage of the circumstances to press
his love upon her without mentioning
his earlier promises of marriage. Clarissa
tried to escape and got as far as Hamp-
stead before Lovelace overtook her. There
he had two women impersonate his cous
ins to convince Clarissa that she should
return to her lodgings with them. Upon
her return to Mrs. Sinclair's house, they
filled her with drugs and later Lovelace
raped her. A few days later Clarissa re
ceived from Miss Howe a letter in which
she learned that she was in a house in
which no woman of her station would be
seen. Again Clarissa tried to escape, this
time by calling for aid from a window.
Lovelace finally promised to leave her
unmolested until she could get aid from
her cousin or from Miss Howe.
Lovelace left London for a few days
to visit Lord M — , who was ill. While
he was gone, Clarissa contrived to steal
the clothes of a serving-girl and escape
from the house, but within a day or two
Mrs. Sinclair discovered Clarissa's where
abouts and had her arrested and im
prisoned for debt. When John Belford,
a friend of Lovelace, heard of the girl's
plight, he rescued her by proving the
debt a fraud. He found shelter for
Clarissa with a kindly glove-maker and
his wife. Tired of her miserable exist
ence, Clarissa began to go into physical
decline, in spite of all that the apothecary
and doctor secured by John Belford could
do for her.
She spent her time writing letters in
an effort to secure a reconciliation with
her family and to acquaint her friends
with the true story of her plight. She
refused to have anything to do with Love
lace, who was by that time convinced
that he loved her dearly. He wished to
marry her, to make amends for the
treatment she had suffered at his hands,
but she refused his offer with gentle firm
ness.
As she declined in health, Clarissa's
friends did what they could to have her
family forgive her. When her father and
brother refused to receive her, she went
to an undertaking establishment and
bought a coffin which she had fitted as
she wished, including a plaque which
gave the date of her death as the day
on which she left her father's house.
On his return to England Colonel
Morden tried to raise her spirits, but his
efforts failed because he, too, was unable
to effect any change in the attitude of
the Marlowe family. He also had an
interview with Lovelace and Lord M — .
The nobleman and Lovelace assured him
that their family thought very highly
of Clarissa and wished her to marry
Lovelace and that Lovelace wanted to
marry her. But even her cousin was un
able to persuade Clarissa to accept Love
lace as a husband.
Everyone, including the Harlowe fam
ily, saw that Clarissa was determined to
die. Her father and brother lifted their
ban upon her ever entering the Harlowe
house; her sister was sorry she had been
cruel to Clarissa ; and the mother was con
vinced that she had failed in her duty
toward her daughter. They all wrote to
Clarissa, begging the girl's forgiveness
and expressing their hope she would re
cover quickly and be reunited with her
family. Their letters, however, arrived
too late, for Clarissa had breathed her
last.
Clarissa was returned to her father's
house for her funeral. She was interred in
the family vault at the feet of the grand
father whose fortune had been one of
the sources of her troubles. Lovelace,
who was quite broken up at her death,
was persuaded by Lord M — to go to
the continent.
There Clarissa was avenged. Lovelace
met Colonel Morden in France, and early
one winter morning Clarissa's cousin
fought a duel with her betrayer. Love
lace was mortally wounded by a thrust
through his body. As he lay dying, he
expressed the hope that his death would
expiate his crimes.
145
CLAUDIUS THE GOD
Type of work; Novel
Author: Robert Graves (1895- )
Type of plot: Historical chronicle
Time of plot: A.D. 41-54
Locale: Rome, Britain, the Near East
First published: 1934
Principal characters:
TIBERIUS CLAUDIUS DRUSUS NERO GERMAJSTCCUS, Emperor of Rome
MESSALINA, his third wife
CALPURNIA, his mistress
AGRIPPJNILLA, his fourth wife
Lucius DoMmus, later called Nero, Agrippinilla's son and Claudius' grandnephew
HEROD AGRIPPA, Tetrarch of Bashan
Critique:
Claudius the God and His Wife
Messalina is characterized by meticulous
care of detail and scrupulous handling
of incident and character. Graves' tech
nique is such that he is able to re-create
a strikingly vivid picture of the life and
the times about which he writes. A
sequel to I, Claudius, this novel is, never
theless, an entity in itself.
The Story:
When the Emperor Claudius was the
neglected scholar of the Claudian family,
before his accession to the throne, one
of his friends and well-wishers was
Herod Agrippa. The Emperor Tiberius
had imprisoned Herod for treasonous
sentiments, but when Caligula came to
the throne he made Herod Tetrarch of
Bashan, When Caligula was murdered
and Claudius proclaimed emperor by the
palace guards, Herod was back in Rome
on official business.
Claudius* position was a difficult one
at first, especially so as the result of
popular opinion that he was a cripple,
a stammerer, and an idiot. The Roman
Senate did not expect much of such a
man and certainly not a capable handling
of public affairs after Caligula's four
years of misrule. But Claudius im
mediately began a program of reforms,
among them a reorganization of the
Senate, a stabilization of the state's
finances, and the abolition of many of
Caligula's cruel decrees, To carry out
his widespread program Claudius ap
pointed many xiew ministers of state, 1 o
his wife, Messalina, he entrusted the
office of the Director of Public Morals,
as she had been most helpful in re
organizing the Senate list. To his loyal
friend, Herod, Claudius gave the lands
of Judca, Samaria, and Hdom. Then in
the open market place before an immense
crowd Claudius and I Icrod made a
solemn pact of friendship and loyalty.
Soon after Claudius' ascent to the
throne his son Brittanicus was born,
followed approximately eleven months
later by a daughter named Oetavia. Alter
the birth of his second child, Messalina
came to Claudius and requested his per
mission to move into an apartment in
the new palace and thus live apart from
him. Claudius ruefully agreed to her
plan. Mcssalina's real desire to move to
the new palace was greater freedom than
she could enjoy under the eyes of
Claudius, and her removal to her new
quarters began a life of debauchery, licen
tiousness, political intrigue, bribery,
cheating, and murder. Claudius was so
busy with matters of state that seven
years passed before he heard rumors of
Mcssalina's depravities,
After beginning a public works pro
gram, sending an expedition into Gcr-
CLAUDIUS THE GOD by Robert Graves. By pcrmisoion of the author and the publishers, Random Home, Inc
Copyright, 1934, by Harrison Smith & Robert Haas, Inc.
146
many to recover the eagle standard lost
by Varus' army, and putting down a
minor revolt at home, Claudius turned
his attention to the conquest of Britain.
The war was hastened by the detention
of Roman trading ships by Togodum-
nus, who was joint ruler with his brother
Caractacus, and also by the rapid spread
of the Druid cult through Britain and
France. Claudius sent Aulus Plautius
to Britain with a large invasion force and
the promise of additional legions if
Roman losses exceeded a certain figure.
Aulus managed to cross the Thames and
capture London. Then he camped just
outside London to await the arrival of
Claudius and reinforcements. A decisive
battle took place at Brentwood Hill, a
ridge between London and Colchester.
The Romans won it by means of
Claudius' armchair strategy. At the age
of fifty-three Claudius fought his first
battle, won it, and never fought again.
In Britain he was deified as a god and
upon his return to Rome he received a
full triumph.
He now had to turn his attentions to
the East, where for some time he had
been receiving disquieting reports regard
ing Herod Agrippa and his plot to estab
lish a united Jewish empire. Herod had
been making secret alliances with neigh
boring princes and potentates, and he
hoped to obtain the support of the Jews
by declaring himself the long-awaited
Messiah. Claudius realized that affairs
had progressed to the stage where there
was little he could do to forestall Herod's
plans. Herod, at the great festival at
which he proposed to proclaim himself
the Messiah, permitted neighboring rulers
to address him as God without bothering
to correct their error. At that moment
an owl flew into the arena. Herod re
membered a prophecy that when next he
saw an owl his death would be near and
the number of days left to him would be
the same as the number of hoots. The
owl hooted five times; five days later
Herod was dead. His plot to set up a
Jewish kingdom collapsed.
About eight years after they were
married, Messalina came to Claudius
with a strange tale. Barbillus the astrolo
ger had predicted that her husband would
die within thirty days, not later than
the Ides of September. She proposed that
Claudius' death might be averted if he
permitted her to divorce him in order to
remarry Silius, her former husband.
Claudius finally gave in to her pleading.
But the whole story was a ruse to rid
herself of Claudius so that she might
marry Silius; the two were plotting
Claudius' murder and their own acces
sion to the throne. Her marriage to
Silius was announced for September
tenth, but on the fifth of September,
while Claudius was out of the city, she
married Silius. Calpurnia, a former mis
tress of Claudius, finally told him the
whole truth regarding Messalina and her
behavior throughout their marriage.
Claudius tried and executed over one
hundred people, most of them the men
with whom Messalina had committed
adultery. Messalina herself was killed by
an officer of the palace guards.
Claudius married again, this time his
niece, Agrippinilla, the mother of Lucius
Domitius, later the emperor Nero. He
no longer took any interest in life but
allowed the affairs of state to be handled
by Agrippinilla and his ministers.
Claudius adopted Lucius and made him
joint heir with Brittanicus. Lucius be
came of age first, and Agrippinilla, who
wished to see her son sole ruler of Rome,
poisoned Claudius. His death was con
cealed from the people until the empire
had been secured for Nero. Thus
Claudius, Emperor of Rome and a Roman
god, ended his troubled reign.
147
THE CLAYHANGER TRILOGY
Type of work: Novel
Author: Arnold Bennett (1867-1931)
Type of ^lot: Domestic realism
Time of plot: 1870-1895
Locale: England
First yvbUshed: 1910, 1911, 1915
Principal characters:
EDWIN CLAYHANGER, a businessman
HILDA LESSWAYS, his wife
MAGGIE CLAYHANGER, Edwin's sister
MR. INGPEN, Edwin Clayhangcr's friend
GEORGE CANNON, Hilda's first husband
DARIUS CLAYHANGER, Edwin's father
Critique:
In The Clayhanger Trilogy (Clay-
hanger, Hilda, Lessways, These Twain)
Bennett depicted the middle class of late
nineteenth-century England with sym
pathy and understanding. He, unlike
the naturalistic novelists, was not after
ugliness for its own sake. Though the
region he drew was one of the least
picturesque in England's industrial Mid
lands, he did not see its ugliness alone;
in it he perceived a homely beauty.
Certainly, if the events of the work do
not linger brilliantly in the mind, the
characters will be remembered clearly
and long.
The Story:
In 1872 sixteen-year-old Edwin Clay-
hanger left school to aid his father in the
Clayhanger printing shop. His father
had disregarded Edwin's request that he
be allowed to go to school and study to
be an architect. Old Darius Clayhanger
was a self-made man who had risen
from a boyhood experience in the work
house to the position of affluence he
held in the Midland community, and it
was his desire that his work be carried
on by his only son. Since he was a com
plete tyrant in the home, no one dared
to cross him.
Several years later Darius Clayhanger
built a new house in a more pretentious
part of town. Edwin became friendly
with the Orgreave family, who lived next
door. The elder Orgreave was an archi
tect, with whom Edwin spent many hours
discussing his own interest in that pro
fession. Unknown to Edwin, the oldest
Orgreave daughter, Janet, fell in love
with him.
Edwin met Hilda Lesswnys at the
Orgreave home. She was an orphan liv
ing in Brighton with the sister of a for
mer employer, George Cannon, who
wished to marry her. Although she was
attracted to Edwin, she returned to Brigh
ton and soon married Cannon, At the
time of her marriage she gave Cannon her
small patrimony to invest for her,
A year later Hilda returned to visit
the Orgreaves. During that year she had
learned that her husband had been mar
ried earlier and that her marriage to him
was void. On this second visit she fell
in love with Edwin and promised to
marry him, for no one knew of her mar
riage at Brighton. Then, learning that
she was to hove a baby, she returned to
Brighton, She wrote to Janet Orgreave,
saying that she was married and asking
Janet to inform Edwin. I le, deeply hurt,
turned himself entirely to his father's
business, for his father had become
mentally ill,
Hilda, meanwhile, had had her child
THE CLAYIIANGER TRILOGY by Arnold Bennett. By permia»ion of A. P. Wwtt & Sort, London, «nd of the
publishers, Doubleday & Co.. Inc. Copyright, 1910, by Doubleday & Co., Inc. Renewed, 1937, by Mario Mar
garet Bennett.
148
and had named him George Edwin, after
its father and Edwin Clayhanger. She
managed a rooming-house owned by her
husband's sister. Cannon, discovered by
his first wife, was sentenced to serve a
two-year prison term for bigamy. After
his release he was again imprisoned for
ten years for passing a forged check.
The money he had imprudently invested
for Hilda was lost when the hotel cor
poration, whose shares he had bought,
collapsed. Hilda was no longer financially
independent.
After his father's death, Edwin and
his sister Maggie continued to live alone
in the Clayhanger house. Both of them
became old-maidish in their habits, al
though many young women, including
Janet Orgreave, would have gladly mar
ried Edwin, whose printing business con
tinued to prosper and grow.
Edwin became quite fond of Hilda's
son, who was living temporarily with the
Orgreaves. When George Edwin became
ill with influenza, it was Edwin who
sent for the doctor and notified Hilda.
Although neither spoke openly of their
feelings, Hilda and Edwin renewed their
affection for one another when they met
at the sick child's bed. When he was
well again, George Edwin and his mother
went back to Brighton. Nine years had
passed since Edwin and Hilda first had
met. Hilda was still struggling along with
the failing boarding-house at Brighton.
Months later Edwin went to see Hilda
and found her penniless and about to be
evicted. Edwin paid her bills, and Hilda
told him all that had happened to her,
explaining that her marriage was void
and her child illegitimate. Edwin re
turned home but at last he resolved to
marry Hilda quietly. He met her in
London, where they were married. They
then moved into die Clayhanger house
and Maggie went to live with a maiden
aunt. Edwin also adopted Hilda's son
and gave him his name.
Edwin, long having had his own way,
was accustomed to a certain routine in
his home and to making his own de
cisions. But Hilda was a person of
equally strong personality, and Edwin
felt that she was trying to make him
conform too much to her own domestic
views and habits. Worst of all, she at
tempted to influence Edwin in business
affairs, a realm which he thought was
solely his own.
A few months after the marriage, the
aunt with whom Maggie Clayhanger was
living became seriously ill. During her
last days, Mr. Ingpen, Edwin's business
friend was injured in a factory accident.
At Ingpen 's request, Edwin went to his
rooms to destroy some letters and pic
tures, so they would not be found if
Ingpen died in the hospital. There Ed
win found a woman asleep. She was
Ingpen's mistress, a woman whose hus
band was incurably insane. Edwin was
disturbed for his friend, but Ingpen
laughed and said that the situation was
best as it was because he did not want
to be trapped in a marriage.
When Edwin's aunt died, her estate
was left to the children of Edwin's
younger sister, Clara. Edwin and Maggie
were pleased, but Hilda thought that she
and Edwin should have received part of
the estate. Her selfishness irked Edwin,
He felt that he was rich enough and that
his nieces and nephews deserved the
money. Seriously thinking that a divorce
was the answer to his present situation,
he recalled with nostalgia his bachelor
days. The only bright ray in his life
seemed to be George Edwin, his step
son, who was studying the elements of
architecture with the aid of John Or
greaves. Edwin hoped that his son might
now have the chance to become an archi
tect.
On a visit to a nearby city, Hilda and
Edwin were taken to inspect a prison.
There they saw George Cannon. He
was released soon afterward when he was
found to be innocent of the forgery
charge. Cannon then went to Edwin,
unknown to Hilda, and Edwin gave him
money to go to America. Edwin never
expected to see the money again, but he
149
wanted to get the man out of the country.
He was also bothered by the fact that
Hilda had been in correspondence with
Cannon's other wife.
The climax of Edwin's unhappiness
with Hilda came on Christmas day, when
she took him to see a house in the coun
try. She tried to force him into buying
it by diplomatic moves and conversations
with their friends and family, so that
Edwin would appear foolish if he did not
buy the house.
After a violent argument with his
wife, whom he accused of being grasp
ing, underhanded, and dishonest, Edwin
left the house in a rage. But after a
long walk in the cold winter night he
realized that his marriage and his wife
meant a great deal to him. He saw in
his mind that he had to make conces
sions for his wife and for the fact that
they had been married so late in life
that they had already fixed their habits.
Finally he saw, in his mind, his friend
Ingpen, who was unable to marry the
woman he loved.
He went back to the house to recon
cile himself with Hilda. Mis faith in
human nature was completely reestab
lished when he found in the mail a
check from America for the money he
had lent to George Cannon.
THE CLOISTER AND THE HEARTH
Type of work: Novel
Author: Charles Reade (1814-1884)
Type of 'plot: Historical romance
Time of plot: Fifteenth century
Locale: Holland, Germany, France and Italy
First published: 1861
Principal characters;
GEBARB EUASON, a young artist
MARGARET BRANDT, his betrothed
DENYS, a Burgundian bowman
MARGARET VAN EYCK, sister of Jan Van Eyck
GHYSBRBCHT VAN SWUBTBN, a burgomaster
Critique;
The two outstanding features of this
novel are its photographic details of fif
teenth century European life, and the
idvid character portrayal of Denys, the
Burgundian crossbowman, Reade did
tremendous research in order -to achieve
his accurate descriptions of fifteenth cen
tury European life. His Denys is one
of the most delightful characters in Eng
lish literature. Among the variety of
Kiterary types found in The Cloister and
The Hearth are the long letter, poetry,
dramatic dialogue, the tale within the
tale, and picaresque romance. The de
scription of the Catholic Church and
clergy in the late Middle Ages is illum
inating.
The Story:
Gerard, the son of Elias, a Dutch cloth
and leather merchant, and Katherine,
his wife, developed at an early age his
talent for penmanship and illuminating.
At first he was aided by the monks of die
local convent for which ho was destined,
When the monks could teach the young
artist no more, he became the pupil of
Margaret Van Eyck, sister of the famous
painter, Jan Van Eyck, She ancl her
servant, Reich t Iteyues, encouraged the
lad to enter a pri'/e art competition spon
sored by Philip the Good, Duke of Bur
gundy and Earl of Holland.
On his way to Rotterdam to an ex
hibit of the entries, Gerard met an old
man, Peter Brandt, ancl his daughter,
Margaret, who sat exhausted by the way
side. I le went with them into the town.
There he took to the Princess Marie,
daughter of Prince Philip, a letter of
150
introduction from Dame Van Eyck. Im
pressed by the lad's talent, the princess
promised him a benefice near his village
of Tergou as soon as he had taken holy
orders. He won a prize in the contest
and returned to Tergou wondering
whether he would ever again see Mar
garet Brandt, with whom he had fallen
in love.
Gerard, learning accidentally from
Ghysbrecht Van Swieten, Tergou's bur
gomaster, that the old man and his
daughter lived in Sevenbergen, a nearby
village, began to frequent their cottage.
Ghysbrecht disclosed to Katherine, Ge
rard's mother, that the young man was in
terested in Margaret Brandt. A quarrel
ensued in the family, Elias threatening to
have Gerard imprisoned to prevent his
marrying, Margaret Van Eyclc gave
Gerard money and valuable advice on
art and recommended that he and the
girl go to Italy, where Gerard's talents
were sure to be appreciated. Gerard and
Margaret Brandt became betrothed, but
before they could be married the burgo
master had Gerard seized and put in jail.
He was rescued at night from the prison
by Margaret, his sweetheart, Giles, his
dwarf brother, and Kate, his crippled
sister. In the rescue, Giles removed
from a chest in the cell some parchments
which the villainous Ghysbrecht had
hidden there. At Sevenbergen, Gerard
buried all of the parchments except a
deed which concerned Margaret's father.
After an exciting pursuit, Gerard and
Margaret escaped the vicinity of Tergou,
They separated, Margaret to return to
Sevenbergen, Gerard to proceed to Rome.
On the way, he was befriended' by a Bur-
gundian soldier named Denys, and the
pair traveled toward the Rhine. They
went through a variety of adventures
together.
In Sevenbergen, meanwhile, Margaret
Brandt fell sick and was befriended by
Margaret Van Eyck. Martin, an old
soldier friend of the young lovers, went
to Rotterdam where ne procured a par
don for Gerard from Prince Philip. Dame
Van Eyck gave a letter to Hans Memling
to deliver to Gerard in Italy, but Mem-
ling was waylaid by agents of the burgo
master and the letter was taken from him.
Gerard and Denys came upon a com
pany of Burgundian soldiers on their way
to the wars and Denys was ordered to
ride with them to Flanders. Gerard was
left to make his solitary way to Rome,
Later Denys, released because of wounds
received in the duke's service, set out
for Holland, where he hoped to find
Gerard. Elias and Katherine welcomed
him in Tergou when he told them that
he had been Gerard's comrade. Mean
while old Brandt and Margaret disap
peared from Sevenbergen, and Denys
searched all Holland for the girl. They
had gone to Rotterdam, but only the
burgomaster knew their whereabouts.
When Margaret practiced medicine ille
gally, she was arrested and sentenced tc
pay a large fine. In order to stay alive
she took in laundry. Denys discoverer
Margaret in Rotterdam and the pair re
turned to Tergou, where Gerard's fam
ily had become reconciled to Gerard's
attachment to the girl.
Gerard made his dangerous way
through France and Germany to Venice.
From there he took a coastal vessel and
continued to Rome. When the ship was
wrecked in a storm, Gerard displayed
bravery in saving the lives of a Roman
matron and her child. He went on to
Rome and took lodgings, but he found
work all but impossible to obtain. He
and another young artist, Pietro, decor
ated playing cards for a living. Finally
through the good graces of the woman
whose life he had saved in the ship
wreck, Gerard was hired to decorate
manuscripts for Fra Colonna, a leading
classical scholar.
Hans Memling brought to Rome a
letter, sent by Ghysbrecht, which gave
Gerard the false news that Margaret had
died. Gerard forsook the Church and in
despair threw himself into the Tiber. But
he was saved and carried to a monastery,
where he recovered and eventually took
151
monastic vows, He became Brother Clem
ent of trie Dominican Order. After a peri
od of training he was sent to teach at the
University of Basle, in Switzerland.
Meanwhile, in Holland, Margaret gave
birth to Gerard's son.
Brother Clement received orders to
proceed to England. Preaching as he
went, he began the journey down the
Rhine,
In Rotterdam, Luke Peterson became
Margaret's suitor. She told him he could
prove his love for her by seeking out
Gerard, but Luke's and Brother Clem
ent's paths were fated not to cross. The
priest went to Sevenbergen, where he
was unable to find the grave of Mar
garet. He proceeded to Rotterdam, and
there Margaret heard him preach without
recognizing him as Gerard. He next
went to Teigou to see Ghysbrecht. The
burgomaster was dying; he confessed to
Brother Clement that he had defrauded
Margaret of wealth rightfully hers. On
his deathbed Ghysbrecht made full resti
tution.
When Brother Clement left the burgo
master, he returned to Rotterdam and
took refuge in a hermit's cave outside
the city. There he mortified himself out
of hatred for mankind.
Margaret, having learned his where
abouts through court gossip, went to him,
but he repulsed her in the belief that
she was a spirit sent by Satan. Margaret
took her son to the cave in an attempt
to win back his reason. Brother Clement's
acquaintance with his son, also named
Gerard, brought him to his senses. Mar
garet by shrewd argument persuaded him
to come with her to Gouda, where he
would be parson by arrangement with
church authorities. They Hved in Gouda,
but apart, Gerard tending his flock and
Margaret assisting him in his many chari
table works.
After ten years at Gouda, Margaret
died of the plague. Gerard, no longer
anxious to live after her death, died two
weeks later. Their son, Gerard, grew
up to be Erasmus, the world-famous six
teenth-century Biblical scholar and man
of letters.
THE CLOUDS
Type of work: Drama
Author: Aristophanes (c. 448-385 B.C.)
Type of ^lot; Social satire
Time of 'plot. Fifth century B.C.
Locale-. Athens
First presented: 423 B.C.
Principal characters:
STREPIADES, an Athenian gentleman
PHIDIPPEDES, his son
SOCRATES, a Sophist philosopher
Critique:
The Clouds is one of the best known
of Aristophanes* many comedies. This
Greek master, recognized as a leading
playwright in liis day and still acknowl
edged as the foremost of comedy writers,
colors this play with an air of buffoonery
and raillery, sometimes savage and bit
ing. The attacks on the Sophists, the
logic lessons that Socrates administers to
Strepiades, and the lesson that Phidip-
pides gives his father, gave the Athenian
audience moments of high entertainment.
Aristophanes rejected the school of Soph
ists, whom he considered irreverent and
artificial, and he satirized their teachings
in The Clouds.
The Story:
Strepiades, a rich gentleman of Athens,
was plunged into poverty and debt by
his profligate son, Phidippides. Hounded
by ms son's creditors, Strepiades pon*
152
dered ways and means to prevent com
plete ruin. Hearing reports that the
Sophists taught a new logic which could
be used to confuse one's creditors and so
get one out of debt, Strepiades saw in
the Sophist teachings a possible solution
to his problem. He pleaded with Phidip-
pides to enter the school of the Sophists
and learn the new doctrines. When
Phidippides, more interested in horse-
racing than in learning, refused to be
come a pupil, Strepiades denounced his
son as a wastrel and decided to enroll
himself.
He went to the Thoughtery or Think
ing-School, which was the term used for
the classroom of the Sophists, and asked
to see Socrates, the philosopher. After
Strepiadies had explained his purpose,
Socrates proceeded to demonstrate several
logical conclusions of the new school.
More certain than ever that the new
logic would save him from ruin and dis
grace, Strepiades pleaded until Socrates
admitted him to the Thoughtery.
Unfortunately, Strepiades proved too
old to master the Sophist technique in
the classroom. Socrates then decided that
Strepiades could learn to do his thinking
outdoors. But when Socrates put ques
tions concerning poetry to Strepiades, his
answers showed such complete ignorance
that Socrates finally admitted defeat and
returned to the Thoughtery. Strepiades,
disgusted with his own efforts, decided
that he would either make Phidippides
go to the Sophist school or turn him out
of the house.
Approached a second time by his
father, Phidippides again protested a-
gainst enrolling in the school but finally
yielded to his father's demands. Strepi
ades felt that all now would be well.
Some time afterward Strepiades went
to learn what progress his son had made.
Socrates assured him that Phidippides had
done well. At this news, Strepiades felt
sure that his plan had been a good one
and that the new logic, as learned by his
son, would soon deliver him from his cred
itors. He asked Socrates to call Phidip
pides from the classroom. When Phidip
pides emerged, Strepiades greeted him
between tears and laughter, and said it
was fitting that he should be saved by the
son who had plunged him into debt.
He asked Phidippides to demonstrate
his new learning, and Strepiades was
amazed by the cunning of the new logic.
At that moment one of Strepiades' credi
tors appeared to demand money that was
owed him for a horse. Strepiades, con
fident that the Sophist-taught Phidip
pides could turn the tables on any credi
tor in the law court, refused to pay, ig
noring threats of court action. He treated
a second creditor in the same way and
went home convinced that the new logic,
as argued by Phidippides, would save him
in the pending law suits,
It became a different matter, however,
when Phidippides proceeded to demon
strate the Sophist teaching at home. Ar
guing that Strepiades had beaten him
often for his own good, Phidippides
buffeted his father during a family argu
ment and declared that he was beating
Strepiades for his own good. The old
man protested, but with the new logic
Phidippides silenced his protests and
threatened to beat his mother on the
same principle.
Strepiades realized that the Sophists
could justify all manner of evil with
their tricky logic. Thinking the teachings
dangerous to the youth of Athens, he
took a torch and set fire to the Thought
ery . As Socrates and the Sophist disciples
screamed their objection, the Thoughtery
went up in flames. Strepiades watched
it burn, certain that he bad eliminated
an evil.
A CONNECTICUT YANKEE AT KING ARTHUR'S COURT
Type of -work: Novel
Author: Mark Twain (Samuel L. Clemens, 1835-1910)
Type of plot: Social satire
Time of plot: Sixth century
Locale: England
First published,: 1889
Principal characters:
THE CONNECTICUT YANKEE, the Boss
CLARENCE, a page
KING ARTHUR
SANDY, wife of the Boss
MERLEST, a magician
Critique:
Buried beneath a layer of wit is the
serious social satire of Mark Twain's
imaginative chronicle. The glorified days
of knight errantry are exposed as a form
of childish barbarism. The Connecticut
Yankee finds instead of the legendary
gallantry a cruel system of feudalism
where the common people are abused and
impoverished. Examining the Yankee's
ideas about democracy, one can discern
Mark Twain's own principles. He dem
onstrates that a government is good only
insofar as the bulk of the people benefit
by it.
The Story:
Struck on the head during a quarrel
in a New England arms factory, a skilled
mechanic awoke to find himself being
prodded by the spear of an armored
knight on horseback. The knight was
Sir Kay of King Arthur's Round Table
and the time was June, A.D. 528 in
Merrie England, as a foppish young page
named Clarence informed me incredu
lous Yankee, when his captor took him
back to white-towered Camelot The
Yankee remembered that there had been
a total eclipse of the sun on June 21,
528. If the eclipse took place, he was
indeed a lost traveler in time turned back
ward to the days of chivalry.
At Camelot the Yankee listened to
King Arthur's knights as they bragged
of their mighty exploits. The magician,
Merlin, told again of Arthur's coming.
Finally Sir Kay told of his encounter
with the Yankee, and Merlin advised
that the prisoner be thrown into a dun
geon to await burning at the stake on
the twenty-first of June.
In prison the Yankee thought about
the coming eclipse. Merlin, he told Clar
ence, was a humbug, and he sent the
boy to the court with a message that on
the day of his death the sun would
darken and the kingdom would be de
stroyed. The eclipse came, and at the
right time, for the Yankee was about to
be burned when the sky began to dim.
Awed, the king ordered the prisoner
released. The people shouted that he
was a greater magician than Merlin.
The court demanded another display
of his powers. With the help of Clar
ence, the Yankee mined Merlin's tower
with some crude explosives he had made
and then told everyone he would cause
the tower to crumble and fall. When
the explosion took place, the Yankee was
assured of his place as the new court
magician. Merlin was thrown into prison.
The lack of mechanical devices in
King Arthur's castle bothered the in
genious New Englancler, and the illiter
acy of the people hurt his American pride
in education. He decided to make the
commoners more than slaves to the no
bility. He had a title of his own by this
time, for the people called him the Boss.
A CONNECTICUT YANKEE AT KING ARTHUR'S COURT by Mark Twain. Published by Harper &
Brothers.
154
As the Boss, he intended to modernize
the kingdom.
His first act was to set up schools in
small communities throughout the coun
try. He had to work in secret, for he
feared the interference of the Church.
He trained workmen in mechanical arts.
Believing that a nation needed a free
press, he instructed Clarence in the art
of journalism. He had telephone wires
stretched between hamlets, haphazardly,
however, because there were no maps
by which to be guided.
When Sir Sagramor challenged the
Boss to a duel, the court decided that he
should go upon some knightly quest to
prepare himself for the encounter. His
mission was to help a young girl named
Alisande, whose story he could not get
straight. With many misgivings he put
on a burdensome coat of mail and on
his heavy charger started off with Sandy,
as he called her. Sandy was a talkative
companion who told endless tall tales as
they traveled through the land. Along
the way the Boss marveled at the pitiable
state of the people under the feudal
system. Whenever he found a man of
unusual spirit he sent him back to Clar
ence in Camelot, to be taught reading,
writing, and a useful trade. He visited
the dungeons of the castles at which he
stayed and released prisoners unjustly
held by their grim masters.
In the Valley of Holiness he found
another opportunity to prove his magic
skill. There a sacred well had gone dry
because someone, according to legend,
had bathed in it. When he arrived, Mer
lin, now released from prison, was at
tempting magic to make the spring flow.
With a great deal of pomp and flourish,
the Boss repaired a leak in the masonry
at the bottom of the well. As the well
filled, Merlin went home in shame.
By chance the Boss came upon one of
his telephone installations in a cave
nearby. He talked to Clarence, who told
him that King Arthur was on his way
to the Valley of Holiness to see the flow
ing spring. He returned to the spring
to find a fake magician assuring the
gaping pilgrims that he could tell what
anyone was doing at that moment. The
Boss asked him about King Arthur. The
magician said that he was asleep in his
bed at Camelot. The Boss grandly pre
dicted that the king was on his way to
the Valley of Holiness. When the k
did arrive, the people were again a
by the Boss's magic.
Anxious that King Arthur be con
vinced of the sufferings of his people,
the Boss suggested that he and the king
disguise themselves as commoners and
travel as pilgrims through the country.
The Boss knew that Arthur was not to
blame for his own social doctrines; he
was a victim of his place in society. On
their journey the king proved to be cou
rageous and kind.
Misfortune soon overtook them. They
were seized by an earl and sold as slaves,
because they were unable to prove them
selves free men. The slaves were taken
to London, where the Boss picked the
lock that held him and escaped. The
rest of the slaves were ordered to be
hanged after his escape. But the Boss lo
cated one of his telephones and called
Clarence in Camelot, ordering him to
send Sir Lancelot and an army of knights
to London to save their king from hang*
in&.
The Boss came back to Camelot in
glory, but not for long. He still had to
fight a duel with Sir Sagramor — in reality
a battle between Merlin and the Boss.
Merlin professed to cover Sir Sagrarnor
with an invisible shield, but the credu
lous knight was invisible to no one but
himself. The Boss wore no armor, and
so on the field of the tournament he
was able to dodge the charging knight
until Sir Sagrarnor grew tired. Then the
Boss lassoed him and pulled him from
his horse. When Sir Sagramor returnee1
once again to the field, Merlin stole the
Boss's lasso. There was no alternative;
the Boss shot Sir Sagramor with his gun.
Then he challenged all the knights of
the Round Table. He had only twelve
155
shots in his two revolvers, but fortu
nately, when he had killed eleven of the
charging knights, the line wavered and
gave up.
Three years passed. By this time the
Boss had married Sandy and they had a
little girl. He and Clarence were plan
ning to declare a republic after the death
of Arthur, for the sixth-century kingdom
was now a nineteenth-century land with
schools, trains, factories, newspapers, the
telephone and the telegraph. Although
the code of chivalry had been abolished,
the knights still insisted on wearing their
armor, Then little Hello-Central, the
Boss' daughter, became ill, and he and
Sandy took the child to the seashore for
recuperation. On their return, the Boss
found Camelot in a shambles. Only
Clarence remained to tell him the story.
There had been a battle between King
Arthur and Sir Lancelot over Queen
Guinevere. The king was dead, and by
interdict the Church had destroyed the
work of the Boss. Clarence and the Boss
built a fortress surrounded by an elec
trically charged barrier. In a battle with
the surviving chivalry of England the
Boss was stabbed. When an old woman
came to the fortress from the enemy lines
and offered to nurse him, no one recog
nized her as Merlin. The magician cast
a spell on the Boss and declared that he
would sleep for thirteen hundred years.
And, indeed, the Yankee did awake once
more in the nineteenth century.
CONSUELO
Type of work: Novel
Author: George Sand (Mme. Aurore Dudevant, 1804-1876)
Type of plot: Historical romance
Time of plot: Eighteenth century
Locale: Venice, Bohemia, Vienna
First published: 1842
Principal characters:
CONSUELO, a singer
ANZOLETO, her betrothed
PORPORA, her music master and godfather
COUNT RUDOLSTADT, a Bohemian nobleman
ALBERT, his son
GORILLA, Consuelo's rival
JOSEPH HAYDN, a composer
Critique:
Although George Sand was one of the
most popular novelists of the nineteenth
century, her style seems somewhat tedi
ous to present-day readers. The plot of
Consuelo, interesting as it is, suffers
at times from the excessive detail with
which the thoughts and movements of
the main characters are depicted. The
author's many literary skills are exhibited,
however, in this novel. Her descriptive
passages are beautiful and moving, and
her intimate knowledge of music and
musicians enabled her to write convinc
ing characterizations of many of the
people whom Consuelo met in her travels.
All told, Consuelo is well worth the effort
spent reading it, for xts virtues at least
balance, if not outweigh, its defects.
The Story:
At the church of the Mcndicanti in
Venice, Consuelo was the most gifted of
all the pupils of the famous teacher,
Porpora. Consuelo was a poor orphan
child, and Porpora had made her his god
daughter. Before the death of her mother,
Consuelo had promised that she would
one day become betrothed to Anzoleto,
another poor musician of Venice.
Through the efforts of Anzoleto, Con
suelo was engaged as the prima donna
at the theater of Count Zustiniani, re-
156
placing Gorilla, who had also been Por-
pora's student. Consuelo was a great
success, but Anzoleto, who had also been
engaged in the theater at the insistence
of Consuelo, was not much of a musician
and was not well received. Anzoleto,
afraid that he would be discharged, pre
tended to be in love with Gorilla, think
ing that he would be safe if both singers
were in love with him.
Porpora had never liked Anzoleto, and
at last he contrived to have Consuelo
visit Gorilla's home. When they found
Anzoleto there, Consuelo was so hurt
that she left Venice at once, vowing that
she would never set foot on the stage
again, and renouncing the false Anzo
leto forever.
From Venice Consuelo went to Bo
hemia, where she was engaged by Count
Rudolstadt as a companion for his niece,
Amelia. This young noblewoman had
been betrothed to young Count Albert
Rudolstadt, but she feared him because
he seemed to be insane, Albert often
had visions in which he saw scenes of the
past and often imagined himself to be the
reincarnated body of some person long
dead.
When Albert first heard Consuelo sing,
he called her by her name, even though
she had taken another name to hide her
unhappy life in Venice. • Albert told
Consuelo and the whole family that she
was his salvation — that she nad been
sent to remove the curse from him. Con
suelo was bewildered.
Albert often disappeared for many
days at a time, no one knew where.
Consuelo followed him, but could never
find his hiding place until the night she
descended into a deep well and found
steps leading to a grotto where Albert
and an idiot called Zdenko spent many
days together. Zdenko loved Albert more
than his own life; when he saw Con
suelo coming into the well, he thought
she wanted to harm Albert and almost
killed her. Consuelo escaped from
Zdenko and found Albert, and after she
spoke soothingly to him he ceased his
mad talk and seemed to regain normal
behavior. She persuaded him to return
to his family and not to go back to the
grotto without her. Albert told Consuelo
that he loved her and needed her; but
although she no longer loved Anzoleto,
she could not forget how she had once
loved him, and she asked Albert to wait
a while for her answer.
Albert's father and the rest of the
family were grateful to Consuelo for
helping restore Albert to his senses. The
father, Count Rudolstadt, even told Con
suelo that he would give his consent to a
marriage between his son and her, for
the old gentleman believed that only
Consuelo could keep his son sane. While
Consuelo was debating whether she loved
Albert and could accept the honor, Anzo
leto, having deserted Gorilla, came to the
castle in search of her. Consuelo slipped
away from the castle, leaving a note for
Albert. She went to Vienna to rejoin
Porpora.
Without funds, Consuelo had great
difficulty in reaching Vienna, and had
to walk most of the way. In her travels,
she met Joseph Haydn, a young com
poser who had been on his way to the
castle to find her; he had hoped he could
persuade her to take him to Porpora,
under whom he wished to study. Dressed
as a peasant boy, Consuelo accompanied
Haydn to Vienna. One night they took
refuge in the home of a canon of the
Church. While they were there, Gorilla
came to the door, seeking a safe place
to give birth to her child. Consuelo had
pity on her former enemy and took
Gorilla to an inn, where she helped to
deliver the child. From a maid, Con
suelo learned that Anzoleto was the
father. Gorilla did not recognize Con
suelo, who continued to wear the dis
guise of a boy.
When Joseph and Consuelo finally
reached Vienna, the girl found Porpora
overjoyed to see her again. Haydn be
came Porpora's pupil, and Consuelo
sang for the Empress. Then Gorilla,
who had also corne to Vienna and learned
157
that it was Consuelo who befriended
her during the birth of her child, ar
ranged for Consuelo to sing in the
theater there. Gorilla hoped to seal the
lips of Consuelo, who knew of the ille
gitimate child and knew also that Corilla
had abandoned the baby in the home of
the canon who had given Consuelo and
Joseph shelter. Anzoleto was never heard
from again.
Consuelo wrote to Albert, telling him
that she was almost ready to return to
him, but Porpora intercepted the letter
and tore it up. Consuelo waited in vain
for a reply from Albert. At last, Por
pora told her that he had received a
letter from the count, saying that he did
not wish his son to marry an actress, and
that Albert had concurred in the deci
sion. Consuelo so trusted her godfather
that she believed him, not realizing how
ambitious Porpora was for her musical
career.
Porpora went with Consuelo to accept
a theater engagement in Berlin. On the
way they met the brother of Count Ru-
dolstadt. Albert had asked his father to
liave someone at a certain place on the
:oad on a specific day and at a specific
hour, saying that the messenger was to
bring the travelers he would meet there
to the castle at once. Albert was very
ill, and Consuelo persuaded Porpora to
allow her to go to Albert. When she
arrived at the castle, she learned that his
father had received a letter from Porpora
saying that he would never consent to
a marriage between Consuelo and Albert
and that Consuelo herself had renounced
Albert. It had been the deathblow.
Albert grew very weak and begged Con
suelo to marry him before he died so
that his soul could find peace; he still
believed that only through Consuelo
could he find salvation. So the marriage
vows were repeated, and Albert, crying
that he was now saved, died in Con-
suelo's arms.
Consuelo stayed with her husband all
night, leaving him only when he was
carried to his bier. She then bade Albert's
family goodbye, refusing to accept any of
the fortune which was now hers. Then
she left the castle and went to join Por
pora in Berlin, where Frederick the
Great himself worshipped both her
beauty and her art.
THE COUNT OF MONTE-CRISTO
Type of work: Novel
Author: Alexandra Dumas, father (1802-1870)
Type of 'plot: Historical romance
"Time of 'plot: Nineteenth century
Locale; France
First published: 1844
Principal characters:
EDMOND DAJSTTES, a young sailor
MERCEDES, his sweetheart
FERDINAND MONDE GO, a rival
M. DANGLARS, an ambitious shipmate
M. VILLEPORT, a deputy
VALENTINE, his daughter
ABBE FARJA, a prisoner at Chateau D'lf
CADEROUSSE, an innkeeper
M. MORREL, a shipping master
MAXIMILIAN, his son
ALBERT, Mondego's son
HAIDEE, An Albanian
Critique:
The Count of Monte-Cristo is a good
story, and that seems to be its chief merit.
The characters are flat; they remain cour-
158
ageous, avaricious, kind, loyal, selfish or
treacherous, in the conventional mold
the author has set for them. But in spite
of many defects the novel remains a
great work in literature, for the story of
the Count of Monte-Cristo is still a
breath-taking experience for all who read
his adventure, a dramatic tale rilled with
mystery and intrigue.
The Story:
When Edmond Dantes sailed into Mar
seilles harbor that day in 1815, he was
surrounded by enemies. His shipmate,
Danglars, coveted his appointment as
captain of the Pharaon. Ferdinand Mon-
dego wished to wed Mercedes, who was
betrothed to Edmond.
Danglars and Ferdinand wrote a note
accusing Edmond of carrying a letter
from Elba to the Bonapartist committee
in Paris. Caderousse, a neighbor, learned
of the plot but kept silent. On his wed
ding day Edmond was arrested and taken
before a deputy named Villefort, a
political turncoat, who, to protect him
self, had Edmond secretly imprisoned in
the dungeons of the Chateau Dlf. There
Dantes* incarceration was secured by the
plotting of his enemies outside the prison,
notably Villefort, who wished to cover
up his own father's connections with the
Bonapartists.
Napoleon came from Elba, but Ed
mond lay forgotten in his cell. The can
nonading at Waterloo died away. Years
passed. Then one night Edmond heard
the sound of digging from an adjoining
cell. Four days later a section of the
flooring fell in and Edmond saw an old
man in the narrow tunnel below. He
was the Abb<£ Faria, whose attempt to
dig his way to freedom had led him only
to Edmond's cell. Thereafter the two
met daily, and the old man taught Ed
mond history, mathematics, and lan
guages. In Edmond's fourteenth year of
imprisonment Faria, mortally ill, told
Edmond where to rind a tremendous for
tune should he escape after the old man's
death. When death did come, the abb6's
body was placed in a sack, and Edmond
conceived the idea of changing places
with the dead man, whom he dragged
through the tunnel into his own bed.
Jailers threw the sack into the sea. Ed
mond ripped the cloth and swam through
the darkness to an islet in the bay.
At daybreak he was picked up by a
gang of smugglers with whom he worked
until a stroke of luck brought him to the
island of Monte-Cristo, where Faria's
fortune awaited him. He landed on the
island with the crew of the ship, and,
feigning injury in a fall, persuaded the
crew to leave him behind until they
could return for him. Thus he was able
to explore the island and to find his treas
ure hidden in an underground cavern.
He returned to the mainland and there
sold some small jewels to provide himself
with money enough to carry out his
plans to bring his treasure from Monte-
Cristo. There he learned that his father
had died and Mercedes, despairing of
Edmond's return, had married Ferdinand.
Disguised as an abbe\ he visited M.
Caderousse to seek information of those
who had caused his imprisonment. M.
Villefort had gained fortune and station
in life. Danglars was a rich banker. Fer
dinand had won wealth and a title in
the Greek war. For this information
Edmond gave Caderousse a diamond
worth fifty thousand francs.
He learned also that his old shipping
master, M. Morrel, was on the verge of
bankruptcy. In gratitude, because Mor
rel had given the older Dantes money
to keep him from starvation, Edmond
saved Morrel's shipping business.
Edmond took the name of his treasure
island. As the Count of Monte-Cristo
he dazzled all Paris with his fabulous
wealth and his social graces. He and his
mysterious prot6g6e, a beautiful girl
named Haidle whom he had bought dur
ing his travels in Greece, became the talk
of the boulevards.
Meanwhile he was slowly plotting the
ruin of the four men who had caused
him to be sent to the CMteau Dlf. Cad-
159
erousse was the first to be destroyed.
Monte-Cristo had awakened his greed
with the gift of a diamond. Later, urged
by his wife, Caderousse had committed
robbery and murder. Now, released from
prison, he attempted to rob Monte-Cristo
but was mortally wounded by an escaping
accomplice. As the man lay dying,
Monte-Cristo revealed his true name —
Edmond Dant&s.
In Paris, Monte-Cristo had succeeded
in ingratiating himself with the banker,
Danglars, and was secretly ruining him.
Ferdinand was the next victim on his list.
Ferdinand had gained his wealth by be
traying Pasha Ali in the Greek revolu
tion of 1823. Monte-Cristo persuaded
Danglars to send to Greece for confirma
tion of Ferdinand's operations there.
Ferdinand was exposed and Haide'e,
daughter of the Pasha Ali, appeared to
confront him with the story of her
fathers betrayal. Albert, the son of
Mercedes and Ferdinand, challenged
Monte-Cristo to a duel to avenge his
father's disgrace, Monte-Cristo intended
to make his revenge complete by killing
the young man, but Mercedes came to
him and begged for her son's life. Aware
of Monte-Cristo's true identity, she in
terceded with her son as well, and at
the scene of the duel the young man
publicly declared his father s ruin had
been justified. Mother and son left
Paris. Ferdinand shot himself.
Monte-Cristo had also become inti
mate with Madame Villefort and encour
aged her desire to possess the wealth of
her stepdaughter, Valentine, whom
Maximilian Morrel, son of the shipping
master, loved. The count had slyly di
rected Madame Villefort in the use of
poisons, and the depraved woman mur
dered three people. When Valentine
herself succumbed to poison, Maximilian
went to Monte-Cristo for help. Upon
learning that his friend Maximilian loved
Valentine, Monte-Cristo vowed to save
the young girl. But Valentine had ap
parently died. Still Monte-Cristo prom
ised future happiness to Maximilian.
Meanwhile Danglars' daughter, Eu-
g6nie, ran off to seek her fortune inde
pendently, and Danglars found himself
bankrupt. He deserted his wife and fled
the country. Villefort having discovered
his wife's treachery and crimes, con
fronted her with a threat of exposure.
She then poisoned herself and her son
Edward, for whose sake she had poisoned
the others. Monte-Cristo revealed his
true name to Villefort, who subsequently
went mad.
But Monte-Cristo had not deceived
Maximilian. He had rescued Valentine
while she lay in a drugged coma in the
tomb. Now he reunited the two lovers
on his island of Monte-Cristo. They were
given the count's wealth, and Monte-
Cristo sailed away with Haide'e never
to be seen again.
THE COUNTERFEITERS
Type of work: Novel
Author: Andre* Gide (1869-1951)
Type of plot: Psychological realism
Time of plot: Early 1920's
Locale: Paris
First published: 1925
Principal characters:
EDOUARD, a writer
OLIVIER MOLESTIER, his nephew
GEORGE MOUNTER, Olivier s younger brother
VINCENT MOLINIER, Olivier's older brother
BERNARD PROFITENDIEU, Olivier's friend and Edouard's secretary
160
LAURA DOUVIERS, Edouard's friend
COMTE DE PASSAVANT, a libertine
ARMANI* VEDEL, Laura's brother and Olivier's friend
Critique:
The Counterfeiters traces the behavior
pattern of a group of youths, each stim
ulated by intimate contact with an older
individual. It is generally considered
Gide's finest novel and one of the note
worthy novels in contemporary fiction.
The author's ability to create real char
acters, to understand them and present
them for our understanding, is remark
able. His intention is to show that man
must follow the dictates of his own heart
and ignore convention, if he wishes to
find full expression and happiness.
The Story:
When seventeen-year-old Bernard Pro-
fitendieu discovered an old love letter of
his mother's and realized that he was an
illegitimate son, he left a scathing letter
for the man whom he had considered his
real father and ran away from home.
He spent that night with his friend,
Olivier Molinier. Olivier told him of
his Uncle Edouard, a writer, who would
be arriving from England the following
day, and also of a woman with whom his
older brother Vincent was involved.
The next morning Bernard left before
Olivier had awakened. For a time he
wondered what to do. He idly decided
to go to the station and watch Olivier
meet his uncle.
That same morning Vincent visited
his friend, the notorious homosexual,
Comte de Passavant. He was disturbed
over his affair with Laura Douviers, a
married woman whom he had met while
both were patients in a sanatorium. Upon
her release she had followed Vincent
to Paris.
Edouard was returning to Paris be
cause of a promise to Laura. He had
known her before her marriage, and had
told her to call upon him whenever
necessary. He was also looking forward
to seeing his nephew Olivier, of whom
he was very fond. So excited was he,
in fact, that, after checking his bag, he
threw away his checkroom ticket. But
the meeting with his nephew was un
satisfactory.
Bernard, unobserved, had watched the
meeting between the two. He picked up
the checkroom ticket Edouard had
dropped and claimed the bag. In it he
discovered a large sum of money, which
he quickly pocketed; Edouard's journal,
which he read without scruple; and
Laura's supplicating letter.
With no definite plan in mind, he
called on Laura. Laura was disturbed
by the young man who knew so much
about her affairs, but his actions became
understandable when Edouard arrived
and Bernard admitted the theft of the
bag. Bernard said that he had stolen it
as a means of getting in touch with
Edouard. Edouard was very much taken
with the young man's impudent charm.
When Bernard suggested that he might
fill the role of a secretary, Edouard
agreed.
A few days later, with Bernard as his
secretary, Edouard took Laura to Switzer
land. Bernard wrote to Olivier in glow
ing terms about his new position. Olivier
was jealous of Bernard, who, he felt,
had taken his place in Edouard's affec
tions. He decided to take an editorial
assignment offered him by Comte de
Passavant.
In the meantime Bernard fell in love
with Laura. When he confessed his
love, Laura showed him a letter from
her husband, begging her to come back
to him with her child and Vincent's.
She had decided to return to him. Ber
nard and Edouard returned to Paris.
A letter arrived from Olivier to Ber
nard. He was in Italy with de Passavant
THE COUNTERFEITERS by Andre" Gide, Translated by Dorothy Bussy. By permission of the publisher*,
Alfred A. Knopf, Inc. Copyright, 1927, by Alfred A. Knopf, Inc.
161
and he wrote complacently about the
wonderful journal they intended to pub
lish. Bernard showed the letter to Ed
ouard, who failed to realize that the letter
disguised the boy's real feelings of jeal
ousy and hurt.
Bernard, although still acting as
Edouard's secretary, had enrolled in the
Vedel School and was living in the Vedel
household. The Vedels were Laura's
parents and Edouard's close friends.
Edouard was particularly fond of Rachel,
Laura's older sister, and it distressed him
to see that she was devoting all her time
and energy to managing the school.
Bernard told Edouard about some
children, including George Molinier,
Olivier's younger brother, who were en
gaged in some underhanded activities.
The boys, as Bernard was soon to learn,
were passing counterfeit coins.
Olivier returned to Paris to get in
touch with Bernard. The meeting be
tween the two was strained. As they
parted, Olivier invited Edouard and Ber
nard to a party which de Passavant was
giving that evening. Olivier then went
to call on another old friend, Armand
Vedel, Laura's younger brother. Armand
refused the invitation to the party, but
suggested that Olivier ask his sister
Sarah to go in his place. Bernard, who
was living at the school, was to serve
as her escort.
The party was an orgy. Olivier became
drunk and quarrelsome. Edouard led
him from the room, and Olivier, ashamed,
begged his uncle to take him away.
Bernard escorted Sarah home. Her
room was beyond Armand's, and her
brother handed Bernard the candle to
light the way. As soon as Bernard had
gone into her bedroom, Armand bolted
the door. Bernard spent the night witK
Sarah.
The next morning he found Edouard
attempting to revive Olivier. The boy,
after spending the night with his uncle,
had risen early in the morning on the
pretext that he wanted to rest on the
sofa. Getting up later, Edouard had dis
covered his nephew lying on the bath
room floor unconscious, the gas jets
turned on. Edouard nursed Olivier until
the boy recovered. When Olivier's mother
went to see her son, she expressed to
Edouard her concern for George and
his wayward habits. Edouard promised
to speak to George. He also learned that
Vincent had gone away with Lady
Griffith, a friend of de Passavant.
A few days later Edouard received a
call from M. Profitendieu, Bernard's
foster father. Ostensibly he had called
in his office as magistrate to ask Edouard
to speak to his nephew George, who was
suspected of passing counterfeit coins.
But it soon became evident that the real
object of his visit was to inquire about
Bernard. Since the boy had left home,
Profitendieu had worried about him. He
wanted very much to have him home
once more.
Meanwhile Bernard's affair with Sarah
had attracted Rachel's attention, and
she asked him to leave the school. Ber
nard went to Edouard, who told him of
the interview with Profitendieu. For
some time Bernard had regretted the
harsh letter he had written, and the
hatred he had felt for his foster father
had changed to sympathy and fondness.
It was evident that Bernard was no longer
needed as Edouard's secretary. He de
cided to return home.
Armand had succeeded Olivier as edi
tor of de Passavant's journal. He went
to see Olivier and showed him a letter
from an older brother in Egypt. The
writer told of a man with whom he was
living who was almost out of his mind.
From what he could gather from the
fellow's ravings, the man had been re
sponsible for his woman companion's
death. Neither Armand nor Olivier
guessed that the man was Olivier's
brother Vincent.
George and his friends caused a trag
edy at their school. Boris, the young
grandson of an old friend of Edouard,
had been invited to join a secret society
if he would perform the act of initiation
162
— stand up before the class and shoot
himself through the temple. It was
understood that the cartridge would be
a blank. One of the boys, however, sub
stituted a real bullet for the dummy, and
when Boris, pale but resolute, walked to
the front of the class and shot himself,
the joke became a tragedy. The ex^
perience was terrible enough to bring
George to his senses,
Olivier having completely recovered,
Edouard settled down again to writing
his book, with a great sense of peace and
happiness.
THE COUNTRY OF THE POINTED FIRS
Type of work: Novel
Author: Sarah Orne Jewett (1849-1909)
Type of 'plot: Regional romance
Time of <plot: Late nineteenth century
Locale: Maine seacoast
First published: 1896
Principal characters:
MRS. TODD, a New England herbalist
MRS. BLACKETT, her mother
WILLIAM, her brother
THE BOARDER, a writer
ESTHER, William's sweetheart
MRS. HIGHT, Esther's mother
Critique:
In this book there are few episodes
that could be called exciting. Instead,
the interest lies in character portrayal
and nature description. Each chapter
can stand alone as a local-color sketch,
a self-contained unit. For one who wishes
to explore the deep springs of New Eng
land character, however, this book is
pleasant and leisurely reading.
schoolhouse a quiet place for her writing,
and she spent most of her days there.
One morning she was surprised to have
a visit from old Captain Littlepage, a
retired seaman who seldom left his house.
For a time he spoke seriously of the great
English poets. When he saw that the
boarder did not laugh at him, he launched
upon a long narrative. It seemed that
he had been shipwrecked upon a small
island and had met there another sailor
who had been to the North Pole. He
told Captain Littlepage of a town of
ghosts he had discovered. It was Captain
Littlepage's theory that in this town
souls awaited their passage into the next
world. The old man's narrative stopped
suddenly as his mind returned to the
present. The boarder helped him home
and told no one about his strange story.
On another day Mrs. Todd took her
boarder out to Green Island, where Mrs.
Todd's mother lived. Mrs. Blackett was
over eighty, her daughter past sixty. Mrs.
Blackett still did her own work and kept
house for her son William, who was past
f. COUNTRY OF THE POINTED FIRS by Sarah Orne Jewett. By permission of the publishers, Houghton
1m Co. Copyright, 1896, by Sarah Orne Jewett, 1924, by Mary R. Jewett.
The Story:
A woman writer came one summer to
Dunnet Landing, a Maine seacoast town,
to find seclusion for her work. She
boarded with Mrs. Almira Todd, a
friendly widow and the local herb doc
tor. Besides having a garden full of
herbs, Mrs. Todd often roamed far afield
for rarer specimens. The boarder some
times took care of Mrs. Todd's sales of
herbs and birch beer when Mrs. Todd
was away.
At last the boarder realized that she
must get to work on her book and give
up she society of Mrs. Todd in the day
time. The boarder found the village
163
fifty. William was a bashful man, but he
found a friend to his liking in the boarder.
Mrs. Todd and the boarder gathered some
herbs before they left the island, and
Mrs. Todd showed her the spot offshore
where her husband had gone down in
his boat.
Mrs. Fosdick came to visit Mrs. Todd.
The two old ladies and the boarder often
spent their evenings together. One night
Mrs. Todd told of her husband's Cousin
Joanna, who had lived on Shell-heap
Island. Disappointed in love, Joanna
went to live alone on the tiny island.
Passing fishermen often left presents on
the shore for her, but no one ever visited
her. Finally Mrs. Todd and the minister
went to see her, for die minister was
worried about the state of Joanna's soul.
They found Joanna living comfortably
but simply. Satisfied with her lonely life,
she could not be induced to return to the
mainland. Joanna lived out her life on
the island and was buried there.
Late in August Mrs. Todd took her
boarder and Mrs. Blackett to the Bowden
family reunion. They hired a carriage
and drove far inland to the family seat.
All the Bowdens for miles around came
to the reunion, and Mrs. Blackett was one
of the privileged guests because of her
age. For once Mrs. Todd forgot her
herbs and spent the entire day in the en
joyment of the society of her friends.
William had not come to the gathering
because of his bashfulness. Mrs. Black
ett treasured every moment of the day,
for she knew it was one of the last
reunions she would attend.
One day the boarder stood on the shore
below Dunnet Landing. There she met
Mr. Tilley, one of the oldest fishermen
in the village. Mr. Tilley was reserved
toward strangers, but he had at last ac
cepted the boarder as a friend and he
invited her to visit him that afternoon.
When the boarder arrived, he was knit
ting some socks. The two friends sat in
the kitchen while Mr. Tilley told the
boarder about his wife. She had died
tight years before, but her husband had
never got over his sorrow. He kept the
house just as she had left it. Proudly
he showed the boarder the seldom-used
parlor and Mrs. Tilley 's set of china. She
left the cottage feeling die loneliness
that surrounded the old fisherman.
When the clear, cool autumn came, it
was time for the boarder to leave. Mrs.
Todd helped her pack and get her be
longings down on the wharf for the
steamer. Mrs. Todd took her leave of the
boarder before she left the house. From
the deck of the steamer the boarder
watched Dunnet Landing fade into the
distance. She recalled a day of the
past summer when William had come to
the mainland. He was going trout fishing
in an inland stream. Self-consciously
he asked the boarder to go with him.
They caught no fish, but William took
her afterward to see Mrs. Flight and her
daughter Esther. The boarder stayed
to talk to Mrs. Might, while William
went out to speak to Esther, who sup
ported her aged and crippled mother by
tending sheep. As William and the
boarder left, she realized that William
and Esther were lovers.
When the boarder returned to Dunnet
Landing in the spring, Mrs. Todd told
her that Mrs. Flight had recently died
and that Esther and William were to
be married immediately. Fie was to come
to the mainland the next day if the
weather proved good.
Early in the morning Mrs. Todd was
up to watch for a sail from Green Island.
Finally she saw it approaching. Then
neighbors began to drop in to inquire
why William was coming to the main
land. After the ceremony William and
Esther stopped for a moment at Mrs.
Todd's house before returning to the
island. Mrs. Todd and the boarder ac
companied the pair to the landing to see
them off. The older woman expressed
no emotion at the leavetaking; but as
she and the boarder returned to the
house, they walked holding hands all
the way.
164
THE COURTSHIP OF MILES STANDISH
Type of work: Poem
Author: Henry Wadsworth Longfellow (1807-1882)
Type of 'plot: Sentimental romance
Time off lot: 1621
Locale: Massachusetts
First published: 1858
Prinic'pal characters:
MILES STANDISH, a soldier
JOHN ALDEN, Miles Standish's friend
PRISCILLA, a girl loved by Standish and Alden
Critique:
The ironic situation which results
when Miles Standish sent John Alden to
plead his lover's case before Priscilla is
tempered by the genial, placid tone of
this poem. Simply and gracefully writ
ten, it has long been a favorite among
American romantic poems.
The Story:
In the Pilgrim colony Miles Standish
and John Alden shared a cabin. The
latter was a young scholar; the former
was a gruff captain of the soldiers, whose
wife had died after the landing of the
Mayflower the previous fall.
One night Standish dropped his copy
of Caesar's Commentaries and turned to
John, who was writing a letter filled with
praise £or Priscilla, one of the young girls
of the colony, Standish spoke of the
loneliness and weariness of his own life,
and of the fact that Priscilla, too, was
living alone, her parents having died
during the winter. Since he himself was
no scholar but only a blunt soldier, he
asked John to take to Priscilla his pro
posal of marriage.
Taken aback by the request, John
could only stammer that it would be
wiser for Standish to plead his own case.
When the captain asked the favor in the
name of friendship, the youth could not
refuse.
Priscilla was singing the Hundredth
Psalm as John approached her cabin,
and as he opened the door he saw her
industriously spinning. Filled with woe
at what he must do, he nevertheless
stepped resolutely inside. Seizing what
seemed the opportune moment, John
blurted out the captain's proposal. Pris
cilla flatly refused, for she felt that Stan-
dish himself should have come if she
were worth the wooing. And she further
confused the young man by asking him
why he did not speak for himself.
Caught between his own love for Pris
cilla and his respect for Standish, John
decided to go back to England when the
Mayflower sailed next day.
Miles Standish was enraged when he
heard the outcome of John's wooing, but
the captain's tirade was interrupted by
news of Indians on the warpath. He
strode into the colony's council room and
there saw a snakeskin full of arrows, the
challenge to battle. Pulling out the
arrows, he filled the skin with bullets
and powder, and defiantly handed it
back to the Indian. The savage quickly
disappeared into the forest. Captain
Standish, his eight men and their Indian
guide left the village next morning be
fore anyone else was awake.
Alden did not sail that day. Among
the people on the beach he saw Priscilla,
who looked so dejected and appealing
that he decided to stay and protect her.
They walked back to the village to
gether, and John described the reaction
of Miles Standish to Priscilla's question.
He also confided that he had planned
to leave the colony, but had remained
in order to look after her.
Miles Standish, marching northward
along the coast, brooded over his defeat,
but finally concluded that he should con
fine himself to soldiering and forget woo-
165
ing- When he returned to the village
from his attack on the Indian camp, he
brought with him the head of one of
the savages and hung it on the roof of
the fort. Priscilla was glad then that she
had not accepted Miles Standish.
That autumn the village was at peace
with the Indians. Captain Standish was
out scouring the countryside. John Alden
had built his own house, and often
walked through the forest to see Pris
cilla. One afternoon he sat holding a
skein of thread as she wound it. As tin
sat talking, a messenger burst in wii
the news that Miles Standish had been
killed by a poisoned arrow and his men
cut off in ambush.
At last John felt free to make his own
declaration. He and Priscilla were mar
ried in the village church, before all the
congregation. The magistrate had read
the service and the elder had finished the
blessing when an unexpected guest ap
peared at the door. It was Miles Stan-
dish — recovered from his wound — and he
came striding in like a ghost from the
grave.
Before everyone, the gruff soldier and
the bridegroom made up their differ
ences. Then, tenderly, Standish wished
John and Priscilla joy, and merrily the
wedding procession set off through the
forest to Priscilla's new home.
COUSIN BETTE
Type of work: Novel
Author: Honor^ de Balzac (1799-1850)
Type of 'plot: Social criticism
Time of ylot; Early nineteenth century
Locale: Paris, France
first published: 1847-1848
Principal characters:
BARON HULOT
ADELINE, liis wife
HORTENSE, their daughter
VICTORIN, their son
LISBETH, Adeline's Cousin Bette
M. CREVEL, Baron Hulot's enemy
CELESTINE, Victoria's wife and daughter of M. Crevel
COLONEL HULOT, the baron's older brother
MADAME MARNEFFE, Baron Hulot's mistress
M. MARKEFPE, Madame Marneffe's husband
COUNT STEINBOOK, Hortense's husband
BARON MONTES, Mme. Marneffe's lover
Critique:
The plot of this book is involved; many
of the incidents seem contrived, like the
death of the newly-wed Crevels and the
rescue of Baron Hulot from the slums.
Yet the forces at work upon the characters
give the book a unity. The characters,
more than anything else, make the story
what it is. Balzac is a master at depict
ing human nature; he knows what motive
force lies behind good and evil actions.
Cousin Bette, the author's attempt to
present a person consumed by hate, will
remain in the reader's mind long after
he has forgotten the rest of the book.
The Story:
One day in the summer of 1838, M.
Crevel called upon Adeline, the Baroness
Hulot, with an offer to make her his
mistress, but she refused his offer. M.
Crevel swore that he would be revenged
upon Baron Hulot, who had stolen his
former mistress. Her price had been
the baron's fortune. Now he was unable
166
to give his daughter Hortense a satis
factory dowry. Hortense was able to
forget her sorrow over her own marriage
prospects by teasing Lisbeth, Adeline's
cousin, about her lover. Lisbeth — Cous
in Bette — was the old maid of the fam
ily; her lover was Count Steinbock, a
sculptor and a Polish refugee. The at
tachment was that of mother and son,
but Cousin Bette was insanely jealous.
That evening the baron's older brother,
Colonel Hulot, and his son and daughter-
in-law, Victorin and C61estine, came for
dinner. Celestine, the daughter of M.
Crevel, did not share her father's dis
like of Baron Hulot. After dinner Baron
Hulot escorted Cousin Bette home and
then went to see his mistress. He found
that she had deserted him for a rich
duke.
The next morning Baron Hulot laid
plans to seduce Madame Marneffe, the
wife of a clerk who worked for him. In
the meantime, Hortense had managed to
speak to Count Steinbock by buying one
of his pieces of sculpture. He called
shortly afterward. The Hulots felt that
the penniless young nobleman might be
a good match for Hortense, but the plan
was kept secret from Cousin Bette.
Baron Hulot arranged to meet Mad
ame Marneffe in Cousin Bette's rooms.
Later he moved the Marneffes into a
more lavish establishment in the Rue
Varennes, and Cousin Bette went there
to live. Through her new friend, Cousin
Bette learned of the coming marriage
between Hortense and Count Steinbock,
for Baron Hulot had no secrets from
Madame Marneffe. Cousin Bette had
always been treated in the family as the
eccentric old maid and the ugly duckling;
this stealing of her lover was the final
humiliation. She swore vengeance upon
the whole Hulot family, and Madame
Marneffe agreed to aid her.
As her first step, Cousin Bette intro
duced M. Crevel to Madame Marneffe,
As her second step, she had Count Stein
bock imprisoned for debt. Then she told
Hortense that he had returned to Poland.
When he obtained his release through
some friends, the wedding plans went
ahead. No one suspected that Cousin
Bette had put him in prison. Meanwhile,
Baron Hulot managed to raise a dowry
for Hortense and planned to keep him
self solvent by sending Adeline's uncle to
Algiers. There Baron Hulot had arranged
to steal money from the government
through dealings with the Army com
missary; the uncle was to be an innocent
dupe.
As soon as Hortense was married,
Baron Hulot moved Adeline to a more
modest house so that he could spend
more money upon Madame Marneffe.
She and the baron conducted their affair
quietly so as to attract little notice. At
the same time she was also intimate with
M. Crevel. M. Marneffe gave little
trouble to either of these gentlemen as
long as they kept him supplied with
money and a good position at the war
office.
The appearance one evening of Baron
Montes, an old lover of Madame Mar
neffe, worried Baron Hulot and M. Cre
vel. That same night Madame Marneffe
denied Baron Hulot access to her apart
ment. M. Crevel revealed to Baron Hulot
how he also had been the lover of Mad
ame Marneffe. Reconciled, the two old
rivals went next day to Madame Mar
neffe' s house. She agreed to consider
M. Crevel's offer to marry her after her
husband died, but she told Baron Hulot
that he need not hope to be her lover
again. After the two old men had left,
she asked Cousin Bette to try to get
Count Steinbock to come to her. She
had always wanted to make a conquest of
him; his downfall would also be Cousin
Betters revenge upon Hortense.
Count Steinbock was in need of
money, and Cousin Bette slyly suggested
borrowing from Madame Marneffe. The
count went to see her secretly. Madame
Marneffe's conquest was complete.
When Madame Marneffe found her
self pregnant, she told each lover sepa
rately that he was the father. Hortense
167
believed that Count Steinbock was the
father and deserted him to return to her
mother. Baron Hulot found it necessary
to visit Adeline in order to see Hortense
and ask her to return to her husband.
Hortense refused and made a violent
scene. Cousin Bette arrived to take the
side of Hortense. She said that she could
no longer stay with Madame Marneffe;
she would keep house for old Colonel
Hulot. It was her plan to marry the old
man and gain control of the only money
left in the family.
The baron's affairs were growing des
perate. Adeline's uncle in Algiers wrote
that the plot to steal from the govern
ment was discovered; money was needed
to stop an investigation. Madame Mar
neffe was insisting upon money for her
child and a better position for her hus
band. One night M. Marneffe brought
the police to the lovers* room and said
that he would prosecute unless he were
promoted at the war office. Madame
Marneffe had led Baron Hulot into a
trap; her husband got his appointment.
At last, the Algerian scandal broke and
the uncle killed himself. When Colonel
Hulot learned of his brother's deed, he
was crushed by this blow to the family
honor. He paid the necessary money
from his own savings and died only a few
days later from wounded pride. Cousin
Bette had her revenge. Baron Hulot was
a ruined man.
In disgrace, he sought shelter with the
mistress who had deserted him for the
duke. She provided him with some cap
ital and a pretty seamstress to keep him
company. He lived in the slums under
an assumed name. Through the efforts
of Victorin, now a successful lawyer, the
family slowly regained its wealth. Mean
while Madame Marneffe's child was still
born, and her husband died. Victorin
was determined to keep his father-in-law
from throwing himself away on the
wretched woman. He hired an under
world character to inform Baron Montes
that Madame Marneffe was having an
affair with Count Steinbock and was
to marry M. Crevel. Baron Montes took
his revenge upon Madame Marneffe and
M. Crevel by infecting them with a
fatal tropical disease; they both died soon
after their marriage.
Adeline began to do charity work in
the slums. On one of her visits she dis
covered her husband and brought him
back to live with his family. Cousin
Bette meanwhile had taken to her bed
with consumption; she died soon after
Baron Hulot's return.
Baron Hulot became the model hus
band. Then one day his wife hired
Agathe, a peasant girl, as a cook. A few
evenings later Adeline discovered her
husband in the servants' quarters. Three
days later Adeline died. Shortly after his
wife's funeral Baron Hulot left Paris, and
as soon as possible he and Agathe were
married. This impropriety caused Vic
torin to remark that parents can hinder
the marriages of their children; but chil
dren can do nothing about the actions of
their parents in their second childhood.
THE CREAM OF THE JEST
Type of work: Novel
Author: James Branch Cabell (1879-1958)
Type of plot: Satiric fantasy
Time of plot: Twentieth century
locale: Virginia
First published: 1917
Principal characters:
FELIX KENNASTON, an author
KATHLEEN KENNASTON, his wife
RICHARD HABROWBY, his neighbor
ETTARRJS, a woman in his novel and his dreams
168
Critique:
The Cream of the Jest is fiction com
pounded of philosophic speculation, a
fragile plot, and much literary allusion,
often somewhat obscure. The novel is
typical of that period of CabelFs career
when his books maintained a skeptical
tone and presented over and over again
the values of chivalric love. The story
represents Cabell's effort to escape the
realities of naturalism through the specu
lations of romanticism.
The Story:
Felix Kennaston told his neighbor,
Richard Harrowby, about his dreams. In
writing his novels, Kennaston had created
a world much different from the ordinary
world of the Virginia countryside, and
his dreams contained similar elements of
the romantic and the marvelous. To
Harrowby the whole thing seemed in
decent, for Harrowby was a conventional,
unimaginative gentleman farmer, who
had made his money in soaps and beauty
aids.
Kennaston was writing a novel called
The Audit at Storisende, and in his
dreams he identified himself with a char
acter named Horvendile, who was look
ing for the elusive and highly improb
able creature, the ideal woman. In Et-
tarre, his heroine, Kennaston felt he had
found her. Much of his plot centered
about a broken round medallion bearing
mysterious symbols, a medallion he called
the sigil of Scoteia.
One afternoon Kennaston, walking in
his garden, stooped to pick up a little
piece of shining metal, apparently a
broken half of a small disc, and casually
dropped it into his pocket. Later, while
looking over some books in his library,
he thought of the little piece of metal
in his pocket. He brought it out and
laid it where the light of the lamp fell
upon it. At once he seemed to be talk
ing with Ettarre, who explained that he
had picked up half the broken sigil of
Scoteia and that it had brought him back
to her imagined world of romance and
dream. As he reached out to touch her,
she disappeared, and Kennaston found
himself sitting again in his library.
Kennaston's novel was published as
The Men Who Loved Alison, a title
which his publisher assured him would
bring better sales. When several readers,
shocked by what they called indecency in
the novel, wrote indignant letters to the
newspapers, the book became a best
seller. Mrs. Kennaston, who made it a
point never to read her husband's books,
enjoyed his success. She treated Ken
naston with polite boredom.
Strange things happened to Kennaston.
One day at a luncheon a famous man
took him aside and asked him whether
he bred white pigeons. This question
puzzled Kennaston, as did the little mir
ror the man held in his hand. At another
time he saw an ugly old woman who told
him that there was no price of admission
to her world but that one paid on leaving.
Several times he talked to Ettarre in his
dreams.
One day Kennaston received an in
vitation to call on a prelate who had
come to Linchfield to attend the bishop's
funeral. The prelate praised Kennaston's
book. He spoke of pigeons, too, and men
tioned how useful he found his little
mirror. Kennaston was frankly puzzled.
He returned to his dreamland, where,
as Horvendile, he experienced almost
every passion and emotion known to man.
And always, as he reached out to touch
Ettarre, the dream would corne to an end.
Kennaston read widely in philosophy
and the classics, and he began to ques
tion the reason for his own existence. He
came to the conclusion that the present
moment was all that was real — that the
past and future had no part in the reality
of today. As a man of letters, he became
interested in the artistry of creation and
decided that God must have been happy
THE CREAM OF THE JEST by James Branch Catall. By permission of the author. Copyright, 1917, by James
Branch Cabell. Renewed, 1944, by James Branch Cabell.
169
over his creation of the character of
Christ. Probably because of his interest
in God as an artist, Kennaston was con
firmed in the country church nearby.
This act on his part increased his stature
among the people of the neighborhood.
They even elected him to the vestry.
One day Kennaston went to the station
to meet his wife's train. While he was
waiting, a woman with whom he had
once been in love came up to him and
started to talk. She was about to go
back to her home in St. Louis. They
recalled the past and, as she left him to
get on her train, he had a moment in
which he identified her with Ettarre.
But his remark to his wife about her was
that she was not keeping her good looks
as she grew older. What haunted him,
however, was that the woman had drawn
from her purse a medallion resembling
the sigil of Scoteia.
Kennaston — as Horvendile — dreamed
of being in many parts of the world in
many eras; and one of the mysteries was
that he was always a young man of
about twenty-five. He was at Queen
Elizabeth's court; he was at Whitehall
with Cromwell; he was at the French
court of Louis Quartorze; he was among
the aristocrats about to be beheaded
during the French Revolution. And al
ways beside him was Ettarre, whose con
tact would bring his dreams to an end.
One afternoon he found, quite by ac
cident, the missing piece of the sigil of
Scoteia in his wife's bathroom. After
securing the other piece, he put them to
gether on his wife's dressing table and
began speculating about the relation of
his wife to Ettarre. He hoped that her
discovery of the entire sigil would ex
press to her what he had never been able
to convey. But she paid no attention
to it and their life continued its banal
rounds. Eleven months later Mrs. Ken
naston died in her sleep without ever
having discussed the sigil or its signifi
cance with her husband. After her death
he showed Harrowby the two halves of
the sigil, by which he had almost made
his dreams come true. Far from being
a magic emblem, the pieces proved to be
merely the broken top of a cold cream
jar. It was the final disillusionment for
Kennaston, compelled at last to give up
romantic youthful dreaming for the
realities of middle age.
CRIME AND PUNISHMENT
Type of work: Novel
Author: Fyodor Mikhailovich Dostoevski (1821-1881)
Type of 'plot: Psychological realism
Time of ^lot: Mid-nineteenth century
Locale: Russia
First published: 1866
Principal characters:
RASKOLNIKOV, a Russian student
DOUNIA, his sister
SONIA, a prostitute
PORFIRY, inspector of police
RAZUMIHIN, Raskolnikov's friend
Critique:
The theme of this novel is that man
pays by suffering for his crimes against
men. Dostoevski's Raskolnikov is a
tremendous study of a sensitive intel
lectual driven by poverty to believe that
he was exempt from moral law. Other
features of Crime and Punishment are
the use of psychology in police investi
gation, the author's sympathy for the
downtrodden as expressed in the person
of Sonia, a young prostitute, and realistic
descriptions of slum life in a large Russian
city of the nineteenth century.
170
The Story:
Rodion Raskolnikov, an impoverished
student in St. Petersburg, dreamed of
committing the perfect crime. With an
ax he murdered an old widowed pawn
broker and her stepsister, and stole some
jewelry from their flat.
Back in his room, Raskolnikov received
a summons from the police. Weak from
hunger and illness, he prepared to make
a full confession. But the police had
called merely to ask him to pay a debt
his landlady had reported to them. When
he discovered what they wanted, he col
lapsed from relief. Upon being revived,
he was questioned; his answers provoked
suspicion.
Raskolnikov hid the jewelry under a
rock in a courtyard. He returned to his
room, where he remained for four days in
a high fever. When he recovered, he
learned that the authorities had visited
him while he was delirious and that he
had said things during his fever which
tended to cast further suspicion on him.
Luzhin, betrothed to Raskolnikov's sis
ter Dounia, came to St. Petersburg from
the provinces to prepare for the wedding.
Raskolnikov resented Luzhin because he
knew his sister was marrying to provide
money for her destitute brother. Luzhin
visited the convalescent and left in a
rage when the young man made no at
tempt to hide his dislike for him.
A sudden calm came upon the young
murderer; he went out and read me ac
counts o£ the murders in the papers.
While he was reading, a detective joined
him. The student, in a high pitch of
excitement caused by his crime and by
his sickness, talked too much, revealing
to the detective that he might well be the
murderer. However, no evidence could
be found that would throw direct sus
picion on him.
Later, witnessing a suicide attempt in
the slums of St. Petersburg, Raskolnikov
decided to turn himself over to the police;
but he was deterred when his friend, an
ex-clerk named Marmeladov, was struck
by a carriage and killed. Raskolnikov
gave the widow a small amount of money
he had received from his mother. Later
he attended a party given by some of his
friends and discovered that they, too, sus'
pected him of complicity in the murdef
of the two women.
Back in his room, Raskolnikov found
his mother and his sister, who were await
ing his return. Unnerved at their ap
pearance and not wanting them to be
near him, he placed them in the care of
his friend, Razumihin, who, upon meet
ing Dounia, was immediately attracted
to her.
In an interview with Porfiry, the chief
of the murder investigation, Raskolnikov
was mentally tortured by questions and
ironic statements until he was ready to
believe that he had been all but appre
hended for the double crime. Partly in
his own defense, he expounded his theory
that any means justified the ends of a
man of genius, and that sometimes he
believed himself a man of genius.
Raskolnikov proved to his mother and
Dounia that Luzhin was a pompous fool,
and the angry suitor was dismissed. Ra
zumihin had by that time replaced Lu
zhin in the girl's affections.
Meanwhile Svidrigailov, who had
caused Dounia great suffering while she
had been in his employ as a governess,
arrived in St. Petersburg. His wife had
died and he had followed Dounia, as he
explained, to atone for his sins against
her by settling upon her a large amount
of money.
Razumihin received money from a rich
uncle and went into the publishing busi
ness with Dounia. They asked Raskol
nikov to join them in the venture, but
the student, whose mind and heart were
full of turmoil, declined; he said goodbye
to his friend and to his mother and sister
and asked them not to try to see him
again.
He went to Sonia, the prostitute
daughter of the dead Marmeladov. They
read Sonia's Bible together, Raskolnikov
deeply impressed by the wretched girl's
171
faith. He felt a great sympathy for
Sonia and promised to tell her who had
committed the murders of the old pawn
broker and stepsister. Svidrigailov, who
rented the room next to Sonia's, over
heard the conversation; he anticipated
Raskolnikov's disclosure with interest.
Tortured in his own mind, Raskol-
aikov went to the police station, where
Porfiry played another game of cat-and-
mouse with him. His conscience and his
imagined insecurity had resulted in im
mense suffering and torment of mind for
Raskolnikov,
At a banquet given by Marmeladov's
widow for the friends of her late hus
band, Luzhin accused Sonia of stealing
money from his room. He had observed
Raskolnikov's interest in Sonia and he
wished to hurt the student for having
spoken against him to Dounia. The girl
was saved by the report of a neighbor
who had seen Luzhin slipping money
into Sonia's pocket. Later, in Sonia's
room, Raskolnikov confessed his crime
and admitted that in killing the two
women he had actually destroyed him
self.
Svidrigailov, having overheard the con
fession, disclosed his knowledge to Ras
kolnikov. Believing that Porfiry sus
pected him of the murder and realizing
that Svidrigailov knew the truth, Raskol
nikov found life unbearable. Then Por
firy told Raskolnikov outright that he was
the murderer, at the same time promising
Raskolnikov that a plea of temporary in
sanity would be placed in his behalf and
his sentence would be mitigated if he
confessed. Raskolnikov delayed his con
fession.
Svidrigailov, having informed Dounia
of the truth concerning her brother,
offered to save the student if Dounia
would consent to be his wife. He made
this offer to her in his room, which he
had locked after tricking her into the
meeting. He released her when she at
tempted unsuccessfully to shoot him with
a pistol she had brought with her. Con
vinced at last that Dounia would have
none of him, Svidrigailov gave her a
large sum of money and ended his life
with a pistol.
Raskolnikov, after being reassured by
his mother and his sister of their love
for him, and by Sonia of her undying
devotion, turned himself over to the
police. He was tried and sentenced to
serve eight years in Siberia. Dounia and
Razumihin, now successful publishers,
were married, Sonia followed Raskol
nikov to Siberia, where she stayed in a
village near the prison camp. In her
goodness to Raskolnikov and to the other
prisoners, she came to be known as Little
Mother Sonia. With her help, Raskol
nikov began his regeneration.
THE CRISIS
Type of -work: Novel
Author: Winston Churchill (1871-1947)
Type of 'plot: Historical romance
Time of 'plot: Civil War period
Locale: Missouri and Virginia
First published: 1901
Principal characters:
STEPHEN BIUCE, a young lawyer from Boston
VIRGINIA CARVEL, his sweetheart
CLARENCE COLFAX, Brice's rival for Virginia Carvel
JUDGE WHIPPLE, Brice's employer and iriend
COLONEL CARVEL, Virginia's father
ABRAHAM LINCOLN
Critique:
The American-born Winston Churchill Louis as the setting for this novel First,
had several reasons for choosing St. it was his aim to show the remarkable
172
contrasts in the lives of Sherman, Grant,
and Lincoln, all of whom came from St.
Louis and the neighboring state of Il
linois. Secondly, two streams of emigra
tion, from the North and from the South,
met at St. Louis, with the result that
Northern and Southern culture could be
brought into focus and examined in de
tail. The Crisis remains one of the best
novels of its type. The author brought
in the historical characters, including the
almost legendary Lincoln, in a natural
way not found in many later efforts.
The Story:
In 1858 Stephen Brice emigrated from
Boston to St. Louis with his widowed
mother. He went to accept the offer of
Judge Whipple, his father's friend, who
had promised Stephen an opportunity
to enter his law firm. Being a personable
young man, Stephen Brice found favor
among the people of St. Louis, including
Colonel Carvel, and the colonel's daugh
ter, Virginia. Stephen promptly fell in
love with Virginia Carvel. He was not
encouraged by die girl at first because
he was a New Englander.
One day Judge Whipple sent Stephen
to Springfield, Illinois, with a message
for the man who was running for sena
tor against Stephen A. Douglas. When
Stephen Brice finally found his man,
Abraham Lincoln, he was in time to hear
the famous Freeport debate between Lin
coln and Douglas. Lincoln made a deep
impression on Stephen, who went back
to St. Louis a confirmed Republican, as
Judge Whipple had hoped. Feeling that
Stephen would some day be a great
politician, the judge had sent him to
Lincoln to catch some o£ Lincoln's
idealism and practical politics.
Convinced by Lincoln that no country
could exist half-slave and half-free,
Stephen Brice became active in Missouri
politics on behalf of the Republicans;
a dangerous course to take in St. Louis
because of the many Southerners living
in the city. His anti-slavery views soon
alienated Stephen from the girl he wanted
to marry, who then promised to marry
Stephen's rival, her cousin and fellow
Southerner, Clarence Colfax.
Lincoln lost the election for the senate,
but in doing so won for himself the
presidency of the United States in 1860.
During both campaigns, Stephen Brice
worked for the Republican party. An
able orator, he became known as a rising
young lawyer of exceptional abilities.
The guns at Fort Sumter reverberated
loudly in St. Louis in 1861. The city
was divided into two factions, pro-slavery
Southerners and anti-slavery Northerners.
Friends of long standing no longer spoke
to each other and members of the same
family found themselves at odds over the
question of which side Missouri should
favor, the Union or the Confederacy.
It was a trying time for Stephen Brice.
Because of his widowed mother and his
political activities, he was unable to join
the army. Judge Whipple convinced him
that, for the time being, he could do
more for his country as a civilian. It
was hard for the young man to believe
the judge when all of Stephen's friends
and acquaintances were going about the
city in uniform.
When war was declared, Missouri had
a little campaign of its own, for the state
militia under the direction of the governor
attempted to seize the state. This action
was defeated by the prompt action of
Federal forces in capturing the militia
training camp without firing a shot. A
spectator at that minor engagement,
Stephen made the acquaintance of an
ex-army officer named Sherman and of
another shambling man who claimed he
should be given a regiment. The young
officers laughed at him; his name was
Ulysses S. Grant.
Among those captured when Federal
troops overcame the Missouri militia
was Clarence Colfax, Stephen's rival.
Clarence refused to give his oath and
THE CRISIS by Winston Churchill. By permission of the publishers, The Macmillan Co. Copyright, 1901, by
The Macmillan Co. Renewed. 1929. by Winston Churchill.
173
go on parole, and he soon escaped from
prison and disappeared into the South.
Virginia Carvel thought him more of a
hero than ever.
Because communications with the
South and the Southwest had been cut
by the Union armies, Colonel Carvel
went bankrupt. He and his daughter
aided Southern sympathizers attempting
to join the Confederate Army. At last
the colonel himself felt that it was his
duty to leave St. Louis and take an active
part in the hostilities.
The war continued, putting the lie to
those optimists who had prophesied that
hostilities would end in a few months.
By the time of the battle at Vicksburg,
Stephen had become a lieutenant in the
Union Army. He distinguished himself
in that battle and came once more to the
attention of Sherman. When the city
fell, Stephen found Clarence Colfax,
now a lieutenant-colonel in the Con
federate Army. The Southerner had re
ceived a severe wound. To save
Clarence's life, Stephen arranged for him
to be sent to St, Louis on a hospital ship.
Stephen knew that he was probably send
ing his rival back to marry Virginia Car
vel. Young Colfax realized what Stephen
had done, and told Virginia as much
while he was convalescing in St, Louis.
The girl vowed that she would never
marry a Yankee, even if Colfax were
killed.
Judge Whipple had fallen ill, and he
was nursed by Virginia and by Stephen's
mother. While the judge was sinking
fast, Colonel Carvel appeared. At the
risk of his life, he had come through
the lines in civilian clothes to see his
daughter and his old friend. There was
a strange meeting at Judge Whipple's
deathbed. Clarence Colfax, Colonel Car
vel, and Stephen Brice were all there.
They all risked their lives, for the Con
federates could have been arrested as
spies, and Stephen, because he was with
them, could have been convicted of
treason. That night Virginia realized
that she was in love with Stephen.
After the judge's death Stephen re
turned to the army. Ordered to General
Sherman's staff, he accompanied the gen
eral on the march through Georgia. At
the battle of Bentonville, Stephen again
met Clarence Colfax, who had been
captured by Union soldiers while in
civilian clothes and brought to Sherman's
headquarters as a spy. Once again
Stephen interceded with Sherman and
saved the Southerner's life. Soon after
ward Stephen, promoted to the rank of
major, was sent by Sherman with some
dispatches to General Grant at City Point,
in Virginia. Stephen recognized Grant
as the man he had seen at die engage
ment of the militia camp back in St.
Louis.
During the conference with the gen
eral an officer appeared to summon
Stephen to meet another old acquaint
ance, Abraham Lincoln. The president,
like Grant, wished to hear Stephen's
first-hand account of the march through
Georgia to the sea. When Stephen asked
for a pardon for Clarence Colfax, Lincoln
said he would consider the matter.
Stephen went with Lincoln to Richmond
for an inspection of that city after it
had fallen to Grant's armies.
Virginia Carvel, not knowing of
Stephen's intercession on behalf of
Clarence Colfax, traveled to Washington
to ask Lincoln for a pardon. She gained
an audience with the president, during
which she met Stephen once again. Lin
coln granted them the pardon, saying
that with the war soon to end the time
to show clemency had come. He left
Virginia and Stephen alone when he
hurried to keep another appointment.
The young people had realized during
their talk with Lincoln that there was
much to be forgiven and forgotten by
both sides in the struggle which was
drawing to a close. The emotion of the
moment overcame their reticence at last,
and they declared their love for each
other. They were married the following
day.
After the wedding they went to visit
174
Virginia's ancestral home in Annapolis.
A few days later word came to them that
Lincoln had died from an assassin's
bullet.
THE CROCK OF GOLD
Type of work: Novel
Author: James Stephens (1882-1950)
Type of plot: Fantasy
Time of 'plot: Any time
Locale: Irish countryside
First -published: 1912
Principal characters;
THE PHILOSOPHER
THE THIN WOMAN, his wife
SEUMAS AND BRIGID, two children
ANGUS OG, an early Irish god
CAITILIN, his mortal wife
Critique:
This tale of adventure and philosophi
cal discussions is a modern classic in
its field. Stephens is most successful in
his attempt to bring old Irish legends to
life in the pages of a delightful book.
The philosophic discussions abound with
a delightful humor, and the seriousness
of some of the observations in no way
lessens the magic quality of the story. The
tale is a wandering one, containing many
elements and telling many stories. All
of them are entertaining to read, and
most of diem are perfect in execution.
The Story:
In the center of a very dark pine wood
lived the two old Philosophers and their
wives, the Grey Woman of Dun Gortin
and the Thin Woman of Inis Magrath.
One couple had a little boy named
Seumas, the other a little girl named
Brigid. Both were born on die same day.
When the children were ten years
old, one of the old Philosophers decided
that he had now learned all he was
capable of learning. This conclusion de
pressed him so much that he decided to
die. It was unfortunate, as he pointed
out, that at the time he was in the best
of health. However, if the time had come
for him to die, then die he must. He
took off his shoes and spun around in
the center of the room for fifteen minutes
until he fell over dead. So grieved was
the Grey Woman that she, too, killed
herself, but as she was much toughei
than her husband she spun for forty-
five minutes before she died. The Thin
Woman calmly buried the two bodies
under the hearthstone.
The people who lived on the edge
of the pine wood often came to see the
Thin Woman's husband when they
needed advice. One day Meehawl Mac-
Murrachu came to the Philosopher to
learn who had stolen his wife's scrubbing
board. The Philosopher, after much ques
tioning, finally decided that the fairies
had taken it. He advised Meehawl to
go to a certain spot and steal the Crock
of Gold that the Leprecauns of Gort na
Gloca Mora had buried there. For years
the Leprecauns had been filling their
Crock of Gold by clipping the edges of
gold coins that they found in men's
houses at night. They needed the gold
to ransom any of the little people caught
by human beings.
Losing their gold to Meehawl made
the Leprecauns angry, and they tried to
make Meehawl bring it back by giving
him and his wife all kinds of aches
and pains. Next they came stealthily and
lured Brigid and Seurnas down into a
THE CROCK OF GOLD by James Stephens. By permission of the publishers, The Macmillan Co. Copyright,
1912, by The Macmillan Co. Renewed, 1940, by James Stephens.
175
little house in the roots of a tree, but
fear of the Thin Woman was on them
and they set the children free. Then
they sent the Great God Pan, the god
of the beast which is in every man, to
lure away Caitilin, Meehawl's daughter,
with the music of his pipes.
When Meehawl came with his tale of
sorrow, the Philosopher sent Brigid and
Seumas to tell Pan to let the girl go.
But Pan refused to answer their ques
tions. When they told the Philosopher,
he became so angry that he ordered his
wife to bake him some cakes to eat on
the way, and he started off by himself
to visit Pan. But none of the Philoso
pher's arguments could persuade Pan to
free Caitilin, and the Philosopher went
off to get the help of Angus Og of the
old gods.
Angus Og himself went to see Pan
and the girl in their cave and forced the
girl to choose between them. Caitilin,
who had learned the true meaning of
hunger and pain with Pan, did not know
how to choose, Angus Og explained to
her that he was Divine Inspiration, and
that if she would come and live with
him and be his wife, he would show
her peace and happiness. By several
signs he proved that he was the favorite
of the gods of the earth and had more
power than Pan. Caitilin sensed that
true happiness, which she had never
known, would be found with Angus Og,
and that only hunger could be found with
Pan. So she chose to leave Pan and go
with Angus Og. Thus she was saved
from the beast in man.
The Philosopher, on his way back
home, delivered several messages from
the god. One message he gave to a young
boy, a promise from Angus Og that in
time the old gods would return, and
that before they did the boy would write
a beautiful poem in their praise. Cheered
by the news that the gods would soon
come back, the Philosopher finally ar
rived home, where he greeted his wife
with such affection that she decided al
ways to be kind to him and never again
to say a cross word.
Unknown to them, the Leprecauns
had informed the police in the village
that there were two bodies buried under
the hearthstone in the Philosopher's
house. One day the police broke into
the house, found the bodies, and accused
the Philosopher of murder. Meanwhile
Brigid and Seumas were playing in the
woods, and quite by chance they hap
pened to dig a hole and find the Crock
of Gold where Meehawl had buried it.
They gave it back to the Leprecauns,
but the return of the gold was not enough
to set matters right. The police kept the
Philosopher in jail. Then the Thin
Woman baked some cakes and set out
to find Angus Og, dragging the children
behind her and saying the worst curses
there were against the police. The first
gods she met were the Three Absolutes,
the Most Beautiful Man, the Strongest
Man, and the Ugliest Man. By her wis
dom the Thin Woman was able to
answer their questions and save herself
and the children from their frightful
powers. When they had passed these
gods, they found the house of Angus
Og. He was waiting for someone to come
and ask him to aid the Philosopher, for
it is impossible for the gods to help any
one unasked.
Calling all the old gods together,
Angus Og and his wife led a great dance
across the fields, and then they went
down into the town with all the gods
following. In the town their merry
laughter brought happiness to all who
saw them except the most evil of men.
The charges against the Philosopher were
forgotten and he was free to go back to
his house in the pine woods and dis
pense wisdom once more. Then the gods
returned singing to their own country
to await the birth of Caitilin's and Angus
Og's child and the day when the old
Irish gods could again leave their hidden
caves and hollows and rule over the land
with laughter and song.
176
CROME YELLOW
Type of work: Novel
Author: Aldous Huxley ( 1 894- )
Type of plot: Social satire
Time of plot: 1920's
Locale: England
First published: 1922
Principal characters:
HENRY WIMBUSH, owner of Crome
ANNE WIMBUSH, his niece
DENIS STONE, a young poet
MR. SCROGAN, a man or reason
GOMBAULD, an artist
MARY BRACEGIRDLE, a victim of repressions
JENNY MULLION, a keen-eyed observer
Critique:
Aldous Huxley has written an amusing
satire on the ill-fated love affair of a
sensitive young poet. Using the plot as
an excuse for bringing together all sorts
of interesting and unusual facts and
stories, he holds the reader's interest by
an almost continual shift of emphasis.
We learn of each of the guests at the
house party , their faults, interests, and
virtues. As in all of Huxley's novels,
there is much philosophical discussion.
No particular ideas are set forth as cor
rect, but a precise picture of the early
twenties as Huxley saw them is presented
to the reader with wit and dexterity.
The Story:
Denis Stone, a shy young poet, went
to a house party at Crome, the country
home of Henry Wimbush and his wife.
He went because he was in love with
Wimbush's niece, Anne. Anne looked
down on Denis because he was four years
younger than she, and treated him with
scorn when he attempted to speak of love.
Mr. Wimbush was interested in little
except Crome and the histories of the
people who had lived in the old house.
Mrs. Wimbush was a woman with red
hair, probably false, and an interest in
astrology, especially since she had recently
won a bet on a horse with her star-given
information. Other guests at the party
included Gombauld, an artist who had
been invited to paint Anne's picture;
the diabolically reasonable Mr. Scrogan;
deaf Jenny Mullion; and Mary Brace-
girdle, who was worried about her
Freudian dreams. Denis and Anne quar
reled, this time over their philosophies
of life. Denis tried to carry all the cares
of the world on his back, but Anne
thought that things should be taken for
granted as they came. The quarrel cost
Denis his first opportunity to tell Anne
that he loved her.
Mary Bracegirdle discussed with Anne
her dreams and repressions. Having de
cided to secure either Gombauld or Denis
for a husband, she chose the wrong times
to talk with both men. Gombauld was
busy painting when Mary came up to
him. Denis was smarting with jealousy
over the time Anne and Gombauld spent
together.
Ivor Lombard arrived for the party*
Ivor, a painter of ghosts and spirits,
turned his attentions toward repressed
Mary, and secretly visited her one night
in the tower. He went away without
seeing her again.
From time to time Mr. Wimbush
called the party together while he read
stories of the early history of Crome.
These stories were from a history at which
Mr. Wimbush had worked for thirty
CROME YELLOW by Aldous Huxl«y. By permission of the author and the publishers, Harper & Brother*.
Copyright, 1922, by George H. Doran & Co.
177
jears. Denis often wondered if he would
ever get a chance to tell Anne that he
loved her. Walking in the garden after
a talk with Mr. Scrogan, whose cold
blooded ideas about a rationalized world
annoyed him, he found a red notebook
in which Jenny had been writing for
the past week. In it he found a collection
of sharply satirical cartoons of all the
people at the house party. Jenny had
drawn him in seven attitudes which
showed up his absurd jealousy, incom
petence, and shyness. The cartoons
deeply wounded his vanity and shattered
his conception of himself.
He was further discouraged by the
fact that there was nothing for him to do
at a charity fair held in the park outside
Crome a few days later. Mr. Scrogan
made a terrifying and successful fortune
teller; Jenny played the drums; Mr. Wim-
bush ran the various races; and Denis
was left to walk aimlessly through the
fair as an official with nothing to do.
Gombauld made sketches of the people
in the crowd, and Anne stayed by his
side.
The night after the fair Denis over
heard part of a conversation between
Gombauld and Anne. Without knowing
that Anne had repulsed Gombauld, for
she had made up her mind to accept
Denis if he ever got around to asking
her, Denis spent hours of torture think
ing of the uselessness of his life. At
last he decided to commit suicide by
jumping from the tower. There he found
Mary grieving because she had received
only a brisk postcard from Ivor. She
convinced Denis that both their lives
were ruined, and advised him to flee
from Anne. Convinced, Denis arranged
a fake telegram calling him back to Lon
don on urgent business. When it ar
rived, Denis realized with dismay that
Anne was miserable to see him go. The
telegram was the one decisive action of
his life. Ironically, it separated him from
Anne,
THE CRUISE OF THE CACHALOT
Type of work: Pseudo-factual account
Author: Frank T. Bullen (1857-1915)
Type of plot: Adventure romance
Time of plot: Late nineteenth century
Locale: At sea
First published: 1898
Principal characters:
FRANK T. BULLEN, the narrator
MR. JONES, fourth mate
ABNER GUSHING, a sailor
MR. COUNT, first mate
CAPTAIN SLOCUM, of the Cachalot
Critique:
The Cruise of the Cachalot was for
some years a favorite with boys, because
of its dramatic picture of life aboard an
American whaler during the last century.
There is no plot and almost no character
analysis; indeed the author made no pre
tense at writing a literary work. The
chief value of the book lies in its full
descriptions of whale hunting. As natural
history the book must seem inexact to
a modern reader; and the author's un
questioning acquiescence in the many
needless hardships of the common sailor
is indicative of an uncritical approach.
The Story:
By a strange combination of circum
stances, Frank Bullen, found himself in
THE CACHALOT by Frank T' Bullen«
the puUisken, Apploton-Gmtury-
178
New Bedford, Massachusetts, looking for
a ship. He was only eighteen at the
time, but already he had spent six years
at sea.
He was strolling down a street in New
Bedford, intent on a possible berth aboard
any ship, for his pockets were empty,
when he was hailed by a scraggy Yankee
with the inevitable tobacco juice drib
bling down his whiskers. Asked if he
wanted to ship out, he accepted eagerly
without knowing the type of craft or any
of the conditions of employment. He
accompanied the sharp-featured Yankee
to a small, dirty hall where he joined a
group of men all bound for the same ship.
When he saw die motley crowd of green
horns, he felt doubts about joining the
ship, but there was little chance to back
out. After hastily signing the ship's
articles, he went with his mates to the
docks.
All of the crew were carefully kept
together until they were safe in the
small boat. On the trip out into the
harbor Bullen saw with many misgivings
the Cachalot, which would be his home
for three years. He deeply regretted
signing on, for the Cachalot was a whaler
and whalers were notoriously the worst
ships afloat. The Cachalot did not com
pare favorably with the trim English
whalers with which he was more familiar.
She was small, a three hundred and fifty
tonner, dirty and unpainted, and quite
dumpy-looking because she had no raised
bow or poop.
Once on board, Bullen's worst fears
were realized. The officers were hard and
mean; they carried lashes with them
and a clumsy or slow sailor often felt
the sting of a lash on his back. The
men needed a great deal of discipline,
however, to do a halfway decent job.
Of the twelve white crew members, Bul
len was the only one who had been to
sea before. The hands were beaten and
cursed, and they were not even allowed
to rest while they were seasick.
Along with tne white greenhorns,
there were a score of Portuguese, all ex
perienced whaling men. There were also
four mates and Captain Slocum. The
captain was a hard driver and a foul
talker. The first mate, Mr. Count, was
an older man, the only decent officer
aboard. The fourth mate, Mr. Jones,
was a giant Negro.
Because of his past experience, Bullen
escaped most of the abuse rneted out to
his fellows, After the ship had been
scrubbed and polished, and the men had
been licked into shape, he became almost
fond of the ship. That feeling was
heightened when he learned the Cachalot
was, in spite of her lines, seaworthy.
The ship was heading toward the
Azores, to the delight of the Portuguese.
At last the first whale was sighted.
Bullen was put into the boat of the first
mate and told to mind the sail. The
boat came up almost on top of the whale
before Louis, the harpooner, threw his
great hook. When the whale sounded,
the hands paid out over two hundred
fathoms of line. Then the whale began
to rush away at full speed, towing the
boat in his wake. When he slowed down,
the boat was brought close enough for
the harpooner to use his lance. After
a final flurry, the whale died and was
towed alongside.
After some months at sea, Bullen had
an unpleasant picture of ship's discipline.
Abner Gushing, a Yankee sailor, tried
to make some beer in the forecastle.
Needing some potatoes for his brew, he
stole a few from the officers' galley. One
of the Portuguese reported the theft to
the captain and, as punishment, Abner
was strung up by the thumbs and lashed
vigorously by one of the harpooners until
he fainted. When his punishment was
over, he was not allowed to go below,
but was forced to turn to immediately.
The cruise was an ill-fated one for
Abner. He was in a small boat when
a whale unexpectedly turned and bore
down on the frail craft. The line was
hurriedly pulled in. Then the whale
sounded, and as the line was paid out
Abner's neck caught in a loop. The
179
weight of the descending whale severed
his head neatly.
Mr. Jones, after the Cachalot had been
at sea over a year, became greatly de
pressed.. He recalled a fortune-teller's
prediction that he would die in a fight
with a white man and finally decided
that Captain Slocum was destined to
cause his death. Deranged, he went
on the bridge, wrapped his huge arms
around the captain, and jumped with
him into the sea. When Mr. Count
assumed command, he promoted Bullen
to Mr. Jones' vacant post.
Once Bullen nearly met his end when
a harpooned cachalot suddenly turned
sidewise and with his mighty tail smashed
a boat to bits. His foot tangled in the
wreckage, Bullen went under. When
he came up, nearly exhausted, he caught
blindly at a rope and hauled himself
along until he came to the inert whale.
He clambered aboard and clung to the
harpoon in the side of the dead whale.
But the whale suddenly came to life.
When the other boats came alongside
after the whale had finally died, Bullen
had a dislocated thigh and severe rope
burns on each arm.
At last, after three years, the Cacha
lot's barrels were full, and the ship
headed home around Cape Horn. In
good time the lookout sighted Cape
Navesink. With every flag flying, she
came into New Bedford. The cruise of
the Cachalot was ended.
CUPID AND PSYCHE
Type of -work: Classical myth
Source: Folk tradition
Type of 'plot: Allegory of love
Time of plot: The Golden Age
Locale: Ancient Greece
First transcribed: Unknown
Principal characters:
PSYCHE, daughter of a Greek king
CUPID, the god of love
VENUS, the goddess of beauty
Critique:
Cupid and Psyche is the simple but
moving story of the union of a mortal,
Psyche, and the god Cupid. In this
ancient mythological tale a beautiful
maiden achieved immortality because her
love and faith triumphed over mistrust.
The Story:
Psyche, daughter of a Greek king, xvas
as beautiful as Venus and sought after
by many princes, Her father, seeking to
know what fate the gods might have in
store for her, sent some of his men to
Apollo's oracle to learn the answer.
To the king's horror, the oracle replied
that Psyche was to become the mate of a
hideous monster, and the king was
ordered to leave his daughter to her fate
upon a mountaintop, to prevent the
destruction of his people. Psyche was
led, clad in bridal dress, to a rocky sum
mit and left there alone. The weary girl
soon fell into a swoon.
Venus, jealous of Psyche's beauty,
called her son Cupid and ordered him to
use his arrows to turn Psyche's heart
toward a creature so hideous that mortals
would be filled with loathing at the
sight of Psyche's mate. But when Cupid
saw his victim asleep he fell in love with
her and decided that she should be his
forever. While Psyche slept, Zcphyrus
came at Cupid's bidding and carried her
to the valley in which Love's house
stood. There she awoke in a grove of
trees in which stood a magnificent golden
palace. She entered the building and
wandered through the sumptuously fur
nished rooms.
At noon Psyche found a table lavishly
180
spread. A voice invited her to eat, as
sured her that the house was hers, and
told her that the being who was to be
her lover would come that night.
As she lay in bed that night a voice
close beside her told her not to be afraid.
The voice spoke so tenderly that the girl
welcomed her unseen suitor and held out
her arms to him. When Psyche awoke
the next morning, her lover had gone,
but he had left behind a gold ring and
had placed a circlet on her head.
For a time Psyche lived happily in
the golden palace, visited each night by
the lover whose face she had not seen.
But at last she became homesick for her
two sisters and her father. One night
she asked her lover to permit her sisters
to visit her the next day. He gave his
consent, but he warned that she was not
to tell them about him.
Zephyrus carried die sisters to the
valley. Overjoyed to see them, Psyche
showed them die beauties of the palace
and loaded them with gifts. Jealous of
her good fortune, they tried to make her
suspicious of her unseen lover. They
suggested that her lover was a serpent
who changed into the form of a youth
at night, a monster who would at last
devour her. To save herself, they ad
vised her to hide a lamp and a knife
by her bed so that she might see him and
slay him as he slept.
Psyche did as they had suggested.
That night, as her love lay asleep, she
lit the lamp and brought it close so that
she might look at him. When she saw
the handsome young man by her side, she
was powerless to use her knife. As she
turned, sobbing, to extinguish the flame,
a drop of burning oil fell on Cupid's
shoulder. Awaking with a cry, he looked
at her reproachfully. With the warning
that love cannot live with suspicion, he
left the palace. Psyche tried to follow, but
fell in a swoon at the threshold.
When she awoke, the palace had
vanished. Determined to seek her lover,
she wandered alone across the countryside
and through cities hunting the god.
Meanwhile Cupid tooK nis vengeance
on her sisters. To each he sent a dream
that she would become his bride if she
were to throw herself from the mountain-
top. Both sisters, obeying the summons,
found only the arms of Death to wel
come them.
No god would give the wandering
Psyche shelter or comfort, or protect her
from the wrath of Venus. At the temples
of Ceres and Juno she was turned away,
At last she came to the court of Venus
herself. Warned by her heart to flee,
she was nevertheless drawn before the
throne of the goddess. Venus decided
that Psyche should be kept as a slave.
She was to be given a new task to do
each day and was to live until she once
more began to hope.
Psyche's first task was to sort a huge
pile of mixed seeds and grain into
separate heaps, with the warning that
if there were so much as one seed in
the wrong pile she would be punished.
But by dusk she had separated only
small heaps of grain. Cupid so pitied
her that he commanded myriads of ants
to complete the task for her.
Next day Psyche was ordered to gather
the golden fleece of Venus' sheep. Obey
ing the advice of a reed at the edge of
the river, she waited until the animals
had lain down to sleep and then col
lected the wool which had been left
clinging to the bushes.
Psyche's third task was to fill a jug
with the black water which flowed down
a steep mountain into the rivers Styx
and Cocytus. This task she was able to
complete with the aid of a bird who
carried the jug to the stream, collected
the water, and brought it back to her.
On the fourth day Psyche was given
her most difficult task; she was to go to
the land of the dead and there collect
some of the beauty of the goddess Proser
pine in a golden box. If she succeeded,
Venus promised, she would treat Psyche
kindly thereafter. But to visit Proserpine
and to return was an almost impossible
achievement. In despair, Psyche deter-
181
mined to cast herself from a tower, but
as she was about to kill herself a voice
called to her and told her how she might
fulfill her mission.
Following instructions, Psyche traveled
to Proserpine's realm. There she might
have stayed on forever if she had not
thought suddenly of her love. On her
way back, she had almost reached the
daylight when envy seized her. She
opened the box, thinking she would have
whatever it contained for herself, but
no sooner had she lifted the lid than
she fell into a deep sleep filled with
nightmares.
She might have lain that way for
ever if Cupid, going in search of her,
had not found her. He awoke her
with one of his arrows and sent her on
to his mother with the box. Then he
flew oif and presented himself before
Jove with his petition that Psyche be
made immortal. Jove, after hearing his
pleas, sent Mercury to conduct Psyche
into the presence of the gods. There
she drank from the golden cup of am
brosia Jove handed her and became im
mortal. So she and Cupid were at last
united for all time.
DAISY MILLER
Type of -work: Novelette
Author: Henry James (1843-1916)
Type of 'plot: Psychological realism
Time of 'plot: Mid-nineteenth century
Locale: Vevey, Switzerland, and Rome
First published: 1878
Principal characters:
DATSY MILLER, an American tourist
WrNTERBouRNE, an American expatriate
GIOVANELLI, Daisy's Italian suitor
Critique:
As in most of James' work, there is
practically no plot in Daisy Miller.
Rather, James is interested in a conflict
between European and American customs
and ideals. The crudities and touching
innocence of Daisy Miller are revealed
against a background of European man
ners and morals, and both are shown
from the point of view of an expatriate
American who has lived abroad too long.
The special point of view makes Daisy
Miller an ironic study of contrasts.
The Story:
Winterboume was a young American
who had lived in Europe for quite a
while. He spent a great deal of time
at Vevey, which was a favorite spot of
his aunt, Mrs. Costello. One day, while
he was loitering outside the hotel, he
was attracted by a young woman who
appeared to be related to Randolph Mil
ler, a young American boy with whom
he had been talking. After a while
the young woman exchanged a few
words with him. Her name was Daisy
Miller. The boy was her brother, and
they were in Vevey with their mother.
They came from schenectady, Winter-
bourne learned, and they intended to go
next to Italy. Randolph insisted that he
wanted to go back home, Winterboume
learned that Daisy hoped to visit the
Castle of Chillon. He promised to take
her there, for he was quite familiar with
the old castle.
Winterboume asked his aunt, Mrs.
Costello, to meet Daisy. Mrs. Costello,
however, would not agree because she
thought the Millers were common. That
evening Daisy and Winterboume
planned &> go out on the lake, much to
182
the horror of Eugenio, the Millers' travel
ing companion, who was more like a
member of the family than a courier. At
the last moment Daisy changed her mind
about the night excursion. A few days
later Winterbourne and Daisy visited
the Castle of Chillon. The outing con
firmed Mrs. Costello's opinion that Daisy
was uncultured and unsophisticated.
Winterbourne made plans to go to
Italy. When he arrived, he went directly
to the home of Mrs, Walker, an Ameri
can whom he had met in Geneva. There
he met Daisy and Randolph. Daisy re
proved him for not having called to see
her. Winterbourne replied that she was
unkind, as he had just arrived on the
train. Daisy asked Mrs. Walker's per
mission to bring an Italian friend, Mr.
Giovanelli, to a party Mrs. Walker was
about to give. Mrs. Walker agreed. Then
Daisy said that she and the Italian were
going for a walk. Mrs. Walker was
shocked, as young unmarried women did
not walk the streets of Rome with
Italians. Daisy suggested that there would
be no objection if Winterbourne would
go with her to the spot where she was to
meet the Italian and then walk with
them.
Winterbourne and Daisy set out and
eventually found Giovanelli. They
walked together for a while. Then Mrs.
Walker's carriage drew alongside the
strollers. She beckoned to Winterbourne
and implored him to persuade Daisy to
enter her carriage. She told him that
Daisy had been ruining her reputation
by such behavior; she had become
familiar with Italians and was quite heed
less of the scandal she was causing. Mrs.
Walker said she would never speak to
Winterbourne again if he did not ask
Daisy to get into the carriage at once.
But Daisy, refusing the requests of Mrs.
Walker and Winterbourne, continued
her walk with the Italian.
Mrs. Walker determined to snub
Daisy at the party. When Winterbourne
arrived, Daisy had not made her ap
pearance, Mrs. Miller arrived more than
an hour before Daisy appeared with
Giovanelli. Mrs. Walker had a moment
of weakness and greeted them politely.
But as Daisy came to say goodnight,
Mrs. Walker turned her back upon her.
From that time on Daisy and Giovanelli
found all doors shut to them. Winter
bourne saw her occasionally, but she
was always with the Italian. Everyone
thought they were carrying on an in
trigue. When Winterbourne asked her
if she were engaged, Daisy said that she
was not.
One night, despite the danger from
malarial fever, Giovanelli took Daisy
to the Colosseum. Winterbourne, en
countering them in the ancient arena,
reproached the Italian for his thoughtless
ness. Giovanelli said that Daisy had
insisted upon viewing the ruins by moon
light. Within a few days Daisy was
dangerously ill. During her illness she
sent word to Winterbourne that she had
never been engaged to Giovanelli. A
week later she was dead.
As they stood beside Daisy 's grave in
the Protestant cemetery in Rome, Gio
vanelli told Winterbourne that Daisy
would never have married her Italian
suitor, even if she had lived. Then
Winterbourne realized that he himself
had loved Daisy without knowing his
own feelings, that he could have married
her had he acted differently. He
reasoned, too late, that he had lived in
Europe too long, that he had forgotten the
freedom of American manners and the
complexity of the American character.
DAPHNIS AND CKLOE
Type of work: Tale
Author: Attributed to Longus (third century)
Type of 'plot: Pastoral romance
183
"Time of ylot: Indefinite
Locale: Island of Lesbos
first transcribed: Third century manuscript
Principal characters:
DAPHNIS, a young shepherd
CHLOE, a shepherdess
Critique:
A product of decadent Greek litera
ture, Daphnis and Chloe. is one of the
most popular of the early predecessors of
the modern novel. Highly romantic in
both characterization and incident, it
centers about the innocent though pas
sionate love of two children of nature
amid idyllic scenes of natural beauty.
We forgive the many extravagant im
probabilities of the story because of the
charming portrayal of the refreshing,
often amusing, naivete" of two children
unspoiled by contact with city manners.
The Story:
On the Greek island of Lesbos a
goatherd named Lamo one day found a
richly dressed infant boy being suckled
by one of his goats. Lamo and his wife,
Myrtale, hid the purple cloak and ivory
dagger the boy had worn and pretended
he was their own son. They named him
Daphnis. Two years later a shepherd
named Dryas discovered in a cave of the
Nymphs an infant girl being nursed by
one of his sheep. This child also was
richly dressed. Dryas and his wife Nape
kept the girl as their own, giving her the
name Chloe.
When the two children were fifteen
and thirteen respectively, they were given
flocks to tend. Daphnis and Chloe played
happily together, amusing themselves in
many ways. One day, while chasing a
goat, Daphnis fell into a wolf-pit, from
which he was rescued unharmed by
Chloe and a herdsman she had sum
moned to help her. Daphnis began to
experience delightful but disturbing feel
ings about Chloe. Dorco, a herdsman,
asked permission to marry Chloe but was
refused by Dryas. Disguising himself in a
wolfskin, Dorco shortly afterward at
tempted to seize Chloe. Attacked by the
flock dogs, he was rescued by Daphnis
and Chloe, who innocently thought he
had merely been playing a prank. Love,
little understood by either, grew between
Daphnis and Chloe.
In the autumn some Tyrian pirates
wounded Dorco, stole some of his oxen
and cows, and took Daphnis away with
them. Chloe, who heard Daphnis call
ing to her from the pirate ship, ran to
aid the mortally wounded Dorco. Dorco
gave her his herdsman's pipe, telling hei
to blow upon it. When she blew, the
cattle jumped into the sea and overturned
the ship. The pirates drowned, but
Daphnis, catching on to the horns of two
swimming cows, came safely to shore.
After the celebration of the autumn
vintage Daphnis and Chloe returned to
their flocks. They attempted in their
innocence to practice the art of love,
but they were not successful. Some young
men of Methymne came to the fields
of Mitylene to hunt. When a goat
gnawed in two a withe used as a cable
to hold their small ship, the Metliym-
neans blamed Daphnis and set upon
him. In a trial over the affair Daphnis
was judged innocent. The angry
Methymneans later carried away Chloe.
The god Pan warned the Methymnean
captain in a dream that he should bring
back Chloe, and she was returned. Daph-
nis and Chloe joyfully celebrated holi
days in honor of Pan,
The two lovers were sad at being
parted by winter weather, which kept
the flocks in their folds. In the spring
the lovers happily drove their flocks again
to the fields. When a woman named
Lycaenium became enamored of the boy,
Daphnis finally learned how to ease the
184
pains he had felt for Chloe; but Ly-
caenium warned him that Chloe would
be hurt the first time she experienced the
ecstasy of love. Through fear of doing
physical harm to his sweetheart the
tender Daphnis would not deflower his
Chloe, Meanwhile many suitors, Lampis
among them, asked for the hand of
Chloe, and Dryas came near consenting.
Daphnis bewailed his inability to compete
successfully with the suitors because of
his poverty. Then with the aid of the
Nymphs he found a purse of silver, which
he gave Dryas in order to become con
tracted to Chloe. In return Dryas asked
Lamo to consent to the marriage of his
son, but Lamo answered that first he
must consult his master, Dionysophanes.
Lamo, Daphnis, and Chloe prepared
to entertain Dionysophanes; but Lampis
ravaged the garden they had prepared
because he had been denied Chloe's hand.
Fearing the wrath of his master, Lamo
lamented his ill fortune. Eudromus, a
page, helped to explain the trouble to
Larno's young master Astylus, who
promised to intercede with his father and
blame the wanton destruction on some
horses in the neighborhood, Astylus'
parasite, Gnatho, fell in love with Daph
nis but was repulsed. Finally the de
praved Gnatho received Astylus' per
mission to take Daphnis with him to the
city. Just in time Lamo revealed the
story of the finding of Daphnis, who was
discovered to be Dionysophanes' son.
Meanwhile Lampis stole Chloe, who was
later rescued by Gnatho. After Dryas
told how Chloe had been found as a
child, it was learned that she was the
daughter of Megacles of Mitylene. Thus
the supposed son and daughter of Lamo
and Dryas were revealed as the children
of wealthy parents who were happy to
consent to their marriage. The wedding
was celebrated amid the rural scenes
dear to both bride and groom. Daphnis
became Philopoemen and Chloe was
named Agele. On her wedding night
Chloe at last learned from Daphnis how
might be obtained the delights of love.
DARK LAUGHTER
Type of work; Novel
Author: Sherwood Anderson (1876-1941)
Type of plot: Psychological realism
Time of 'plot: 1920' s
Locale: Old Harbor, Indiana
First published: 1925
Principal characters:
BRUCE DUDLEY, formerly John Stockton, a Chicago reporter
SPONGE MARTIN, a workman close to the grass roots
FRED GREY, owner of an automobile wheel factory
ALINE, his wife
Critique:
Dark Laughter, Sherwood Anderson's
most popular novel, is a book of moods
rather than of plot. Its simple story is
that of two individuals in revolt against
the restrictions of modern life and seek
ing happiness together. Anderson seems
to say that Bruce Dudley and Aline Grey
were unhappy because they were re
pressed; they gave themselves over to
the secret desires within them and there
fore they became happy. One may
question whether Bruce and Aline were
not merely restless and somewhat ado
lescent emotionally, rather than strong
and brave in their attempt to live by
amoral standards.
DARK LAUGHTER by Sherwood Anderson. By permission of Mrs. Sherwood Anderson, of Harold Ober, *n
tho publishers, Liveright Publishing Corp. Copyright, 1925, by Boni & Liveright, lac.
185
The Story:
Bruce Dudley's name was not Bruce
Dudley at all. It was John Stockton.
But he had grown tired of being John
Stockton, reporter on a Chicago paper,
married to Bernice who worked on the
same paper and who wrote magazine
stories on the side. She thought him
flighty and he admitted it. He wanted
adventure. He wanted to go down the
Mississippi as Huckleberry Finn had
done. He wanted to go back to Old Har
bor, the river town in Indiana where he
had spent his childhood. And so, with
less than three hundred dollars, he left
Chicago, Bernice, and his job on the
giper. He picked up the name Bruce
udley from two store signs in an
Illinois town. After his trip to New
Orleans he went to Old Harbor and got
a job varnishing automobile wheels in
the Grey Wheel Company.
Sponge Martin worked in the same
room with Bruce. Sponge, a wiry old
fellow with a black mustache, lived a
simple, elemental life. That was the
reason, perhaps, why Bruce liked him
so much. Sometimes when the nights
were fair and the fish were biting,
Sponge and his wife took sandwiches
and some moonshine whiskey and went
down to the river. They fished for a
while and got drunk, and then Sponge's
wife made him feel like a young man
again. Bruce wished he could be as
happy and carefree as Sponge.
When Bruce was making his way
down the Mississippi and when he stayed
for five months in an old house in New
Orleans — that was before he came to
Old Harbor — he watched the Negroes
and listened to their songs and laughter.
It seemed to him that they lived as
simply as children and were happy,
laughing their dark laughter.
Aline, the wife of Fred Grey, who
owned the Grey Wheel Company, saw
Bruce Dudley walking out the factory
door one evening as she sat in her car
waiting for Fred. Who he was she did
not know, but she remembered another
man to whom she had felt attracted in
the same way. It happened in Paris
after the war. She had seen the man at
Rose Frank's apartment and she had
wanted him. Then she had married
Fred, who was recovering from the
shock of the war. He was not what
she wished for, but, somehow, she had
married him.
One evening Bruce Dudley passed
by the Grey home as Aline stood in the
yard. He stopped and looked first at the
house and then at Aline. Neither spoke
but something passed between them.
They had found each other.
Aline, who had advertised for a gar
dener, hired Bruce after turning down
several applicants. Bruce had quit his
job at the factory shortly before he saw
her advertisement. When Bruce began to
work for her, the two maintained some
reserve, but each was determined to have
the other. Bruce and Aline carried on
many imaginary conversations. Fred ap
parently resented Brace's presence about
the grounds, but he said nothing to the
man. When he questioned his wife, he
learned that she knew nothing of Bruce
except that he was a good worker.
As Aline watched her husband leave
for the factory each morning she
wondered how much he knew. She
thought a great deal about her own life
and about life in general. Her husband
was no lover. Few women nowadays had
true lovers. Modern civilization told one
what he could not have. One belittled
what he could not possess. Because one
did not have love, one made fun of it,
was skeptical of it, and besmirched it.
The little play of the two men and the
woman went on silently. Two Negro
women who worked in Aline's house
watched the proceedings. From time
to time they laughed, and their dark
laughter seemed mocking. White folks
were queer. They made life so involved.
Negroes took what they wanted — simply,
openly, happily.
One day in June, after Fred had gone
186
to march in a veterans* parade and the
Negro servants had gone to watch the
parade, Aline and Bruce were left alone.
She sat and watched him working in
the garden. Finally he looked at her,
and he followed her into the house
through a door she purposely left open.
Before Fred returned, Bruce had left
the house. He disappeared from Old
Harbor. Two months later Aline told
Fred she was going to have a child.
As Fred came home one evening in
the early fall, he saw his wife and
Bruce together in the garden. Aline
calmly called to him and announced that
the child she was expecting was not his.
She and Bruce had waited, she went on,
so that she might let him know they
were leaving. Fred pleaded with her to
stay, knowing she was hurting herself,
but they walked away, Bruce carrying
two heavy bags.
Fred told himself, as he stood with
his revolver in his hand a few minutes
later, that he could not dispassionately
let another man walk away with his
wife. His mind was filled with confused
anger. For a moment he thought of
killing himself. Then he followed the
pair along the river road. He was de
termined to kill Bruce. But he lost them
in the darkness. In a blind fury he shot
at the river. On the way back to his
house he stopped to sit on a log. The
revolver fell to the ground and he sat
crying like a child for a long time.
After Fred had returned to his home
and gone to bed, he tried to laugh at
what had happened. He could not. But
outside in the road he heard a sudden
burst of laughter. It was the younger
of the two Negresses who worked in the
Grey home. She cried out loudly that
she had known it all the time, and again
there came a burst of laughter — darl
laughter.
DARKNESS AT NOON
Type of work; Novel
Author: Arthur Koestler (1905- )
Type of plot: Social criticism
Time of plot: 1930's
Locale: Russia
First published: 1941
Principal characters:
NICHOLAS RUBASHOV, a political prisoner
IVANOV, a prison official
GLETKIN, another official
MICHAEL BOGBAV, another prisoner
KIEFFER (HABJE-Lip), an informer
Critique:
This remarkable modem novel by
Arthur Koestler is a highly analytical
piece of writing which transports the
reader into a Russian prison and into
the very consciousness of a political
prisoner, accused of crimes he never com
mitted. Darkness at Noon represents an
ironic and scathing criticism of the Mos
cow trials. At the same time, it presents
a careful analysis of the Soviet principles.
Reference to Russia is made only in the
foreword, however, and the party leader
is known only as No. 1 in this powerful
but highly restrained social document.
The Story:
Nicholas Rubashov, ex-Commissar of
the People and once a power in the
party, was in prison. Arrested at his
lodgings in the middle of the night, he
DARKNESS AT NOON by Arthur Koestler. By permission of the author and the publishers, The Macmillan Co.
Copyright, 1941, by The Macmillan Co.
187
had been taken secretly to cell 404,
which bore his name on a card just
above the spy-hole. He knew that he
was located in an isolation cell for con
demned political suspects.
At seven o'clock in the morning Ruba-
shov was awakened by a bugle, but he
did not get up, Soon he heard sounds
in the corridor. He imagined that some
one was to be tortured, and he dreaded
hearing the first screams of pain from the
victim, When the footsteps reached his
own section, he saw through the judas-
eye that guards were serving breakfast.
Rubashov did not receive any breakfast
because he had reported himself ill. Pie
began to pace up and down the cell,
six and a half steps to the window, six
and a half steps back.
Soon he heard a quiet knocking from
the wall of adjoining cell 402. In com
municating with each other prisoners
used the "quadratic alphabet," a square of
twenty-five letters, five horizontal rows
of five letters each. The first series of
taps represented the number of the row;
the second series the number of the
letter in the row. From the tappings
Rubashov pictured his neighbor as a
military man, one not in sympathy with
the methods of the great leader or with
the views of Rubashov himself. From
his window he saw prisoners walking in
the courtyard for exercise. One of these,
a man with a hare-lip, looked repeatedly
up at Rubashov's window. From his
neighbor in cell 402, Rubashov learned
that Hare-lip was a political prisoner
who had been tortured by a steam bath
the day before* A little later Hare-lip,
in cell 400, sent Rubashov his greetings,
through the inmate of 402, but he would
not give his name.
Three days later Rubashov was brought
up for his first examination. The ex
aminer was Ivanov, Rubashov's old col
lege friend and former battalion com
mander. During the interview the
prisoner learned that he was accused of
belonging to the opposition to the party
and that he was suspected of an attempt
on the party leader's life. Ivanov
promised a twenty-year prison term in
stead of the death penalty if Rubashov
confessed. The prisoner was given a fort
night to arrive at a decision.
After the hearing Rubashov was al
lowed to have paper, pencil, soap, towels,
and tobacco. He started writing in his
journal and recasting his ideas about the
party and the movement. He recalled
a young man named Richard arrested in
Germany while Rubashov was at the head
of the party Intelligence and Control
Department. He could not forget an
incident which had happened in Belgium
two years later. There Rubashov had
been tortured and beaten. In Belgium
he expelled from the party a hunch
backed, eager worker who later hanged
himself in his room. Rubashov also
thought constantly of Arlova who had
been his mistress and who had met her
death because of him.
The night before the time set by
Ivanov had expired, Rubashov felt a
tenseness in the atmosphere. His friend
in 402 communicated to him that one of
the prisoners was to be shot. This
prisoner was Michael Bograv, who had
always been Rubashov's close friend. As
the condemned man was brought through
the corridors, the prisoners tapped his
progress from one cell to another and
drummed on the doors of their cells as
he passed. The beaten, whimpering
figure of Bograv came by Rubashov's
cell. Rubashov believed that his friend
shouted to him as he was dragged down
the stairs.
Rubashov's second hearing took place
late at night. Ivanov came to Rubasliov's
cell with a bottle of brandy and con
vinced him that to keep faith with the
living was better than betrayal of the
dead. Accordingly, Rubashov wrote a
letter to the Public Prosecutor renouncing
his own oppositional attitude and ac
knowledging his errors. The third night
after delivering the letter to the warder,
Rubashov was awakened and taken to die
office of Cletkin, another official of the
188
prison. Under blinding lights in Glet-
kin's office, he was questioned day and
night for an interminable period of time.
Ivanov, he learned, had been liquidated
for conducting Rubashov's case negli
gently. Gletkin called in Hare-lip as a
witness against Rubashov. It was only
with great difficulty that Rubashov recog
nized in that broken, cringing man the
son of his former friend and associate,
Keiffer. The bright spotlight, the lack of
sleep, the constant questionings — these
factors combined to make Rubashov sign
a trumped-up charge that he had plotted
to take the life of the party leader.
Rubashov had committed none of these
crimes. He was merely the victim of a
change in party policy. One night he
heard the sound of drumming along the
corridor. The guards were taking Hare
lip to be executed. When the drumming
started again, Rubashov knew that his
time had come. He was led into the
cellar. An officer struck him twice on
the head with a revolver. Another party
incident was closed.
DAVID COPPERFIELD
Type of -work: Novel
Author: Charles Dickens (1812-1870)
Type of plot: Sentimental romance
Time of 'plot: Early nineteenth century
Locale: England
First published: 1849-1850
Principal characters:
DAVID COPPERFIELD, the narrator
CLARA CoppERFrEuo, his mother
Miss BETSY TROTWOOD, David's great-aunt
PEGGOTTY, a nurse
MR. PEGGOTTY, her brother
LITTLE EM'LY, his orphan niece
HAM, his orphan nephew
MR. MURDSTONE, David's stepfather
Miss JANE MURDSTONE, his sister
MR.. CREAKLE, master o£ Salem House
JAMES STEERFORTH, David's schoolmate
TOMMY TRADDLES, a student at Salem House
MR. WILKINS MICAWBER, a man of pecuniary difficultie
MR. WICKFIELD, Miss Trotwood's solicitor
AGNES WICKFIELD, his daughter
URIAH HEEP, a clerk
MR. SPENLOW, under whom David studied law
DORA SPENLOW, his daughter, later David's wife
MR. DICK, Miss Betsy's protege"
Critique:
One of the many qualities that dis
tinguish David Copper-field from more
modern and more sophisticated novels is
its eternal freshness. It is, in short, a work
of art which can be read and re-read,
chiefly for the gallery of characters Dick
ens has immortalized. The novel has its
flaws. These faults seem insignificant,
however, when the virtues of the novel as
a whole are considered. The first-person
point of view adds much to realistic
effects and sympathetic treatment of char
acter and helps to explain, in part, why
David Copperfield is the most loved piece
of fiction in the English language.
The Story:
David Copperfield was born at Blun-
derstone, in Suffolk, six months after his
father's death. Miss Betsy Trotwood, an
189
eccentric great-aunt was present on the
night of his birth, but she left the house
Abruptly and indignantly when she learned
that the child was a boy who could never
bear her name. David spent his early
years with his pretty young mother,
Clara Copperfield, and a devoted servant
named Peggotty, Peggotty was plain and
plump; when she bustled about the house
her buttons popped off her dress.
The youthful widow was soon courted
by Mr. Murdstone, who proved, after
marriage, to be stingy and cruel. Whsn
his mother married a second time, David
was packed off with Peggotty to visit her
relatives at Yarmouth. There her brother
had converted an old boat into a seaside
cottage, where he lived with his niece,
Little Em'ly, and his sturdy young ne
phew, Ham. Little Em'ly and Ham were
David's first real playmates, and his
visit to Yarmouth remained a happy mem
ory of his lonely and unhappy childhood.
After Miss Jane Murdstone arrived to
take charge of her brother's household,
David and his mother were never to feel
free again from the dark atmosphere of
suspicion and gloom the Murds tones
brought with them.
One day in a fit of childish terror
David bit his stepfather on the hand.
He was immediately sent off to Salem
House, a wretched school near London.
There his life was more miserable than
ever under a brutal headmaster named
Creakle. But in spite of the harsh sys
tem of the school and the bullyings of
Mr. Creakle, his life was endurable be
cause of his friendship with two boys
whom he was to meet again under much
different circumstances in later life —
lovable Tommy Traddles and handsome,
lordly James Steerforth.
His school days ended suddenly with
the death of his mother and her infant
child. When he returned home, he dis
covered that Mr. Murdstone had dis
missed Peggotty. Barkis, the stage driver,
whose courtship had been meager but
earnest, had taken Peggotty away to
become Mrs. Barkis and David was left
friendless in the home jf his cruel step
father.
David was put to work in an export
warehouse in which Murdstone had an
interest. As a ten-year-old worker in the
dilapidated establishment of Murdstone
and Grinby, wine merchants, David was
overworked and half-starved. He loathed
his job and associates such as young
Mick Walker and Mealy Potatoes. The
youngster, however, met still another
person with whom he was to associate
in later life. That was Wilkins Micaw-
ber, a pompous ne'er-do-well in whose
house David lodged. The impecunious
Mr. Micawber found himself in debtor's
prison shortly afterward. On his re
lease he decided to move with his brood
to Plymouth, Having lost these good
friends, David decided to run away from
the environment he detested.
When David decided to leave Murd
stone and Grinby, he knew he could not
return to his stepfather. The only other
relative he could think of was his father's
aunt, Miss Betsy Trotwood, who had
flounced indignantly out of the house on
the night of David's birth. Hopefully he
set out for Dover, where Miss Betsy lived,
but not before he had been robbed of all
his possessions. Consequently, he ar
rived at Miss Betsy's home physically and
mentally wretched.
David's reception was at first not cor
dial. Miss Betsy had never forgotten the
injustice done her when David was born
instead of a girl. However, upon the
advice of Mr. Dick, a fceblc-minclcd dis
tant kinsman who was staying with her,
she decided to take David in, at least
until he had been washed thoroughly.
While she was deliberating further about
what to do with her bedraggled nephew,
she wrote to Mr. Murdstone, who came
with his sister to Dover to claim his
stepson. Miss Betsy decided she disliked
both Murdstones intensely, Mr. Dick
solved her problem by suggesting that she
keep David.
Much to David's joy and satisfaction,
Miss Betsy planned to let the boy con-
190
tinue his education, and almost immedi
ately sent him to a school in Canterbury,
run by a Mr. Strong, a headmaster quite
different from Mr. Creakle. During his
stay at school David lodged with Miss
Betsy's lawyer, Mr. Wickfield, who had
a daughter, Agnes. David became very
fond of her. At Wickfield's he also met
Uriah Heep, Mr. Wickfield's cringing
clerk, whose hypocritical humility and
clammy handclasp filled David with dis
gust.
David finished school when he was
seventeen. Miss Betsy suggested he travel
for a time before deciding on a profes
sion. On his way to visit his old nurse,
Peggotty, David met James Steerforth
and went home with his former school
mate. There he met Steerforth's mother
and Rosa Dartle, a girl passionately in
love with Steerforth. Years before, the
quick-tempered Steerforth had struck
Rosa, who carried a scar as a reminder of
Steerforth's brutality.
After a brief visit, David persuaded
Steerforth to go with him to see Peg
gotty and her family. At Yarmouth, Steer-
forth met Little Em'ly. In spite of the
fact that she was engaged to Ham, she
and Steerforth were immediately attracted
to each other.
At length David told his aunt he
wished to study law. Accordingly, he
was articled to the law firm of Spenlow
and Jorkins. At this time David saw
Agnes Wickfield, who told him she
feared Steerforth and asked David to
stay away from him. Agnes also expressed
a iear of Uriah Heep, who was on the
point of entering into partnership with
her senile father. Shortly after these
revelations, by Agnes, David encountered
Uriah himself, who confessed he wanted
to marry Agnes. David was properly dis
gusted.
On a visit to the Spenlow home, David
met Dora Spenlow, his employer's pretty
but childish daughter, with whom he fell
instantly in love. Soon they became se
cretly engaged. Before this happy event,
however, David heard some startling
news — Steerforth had run away with
Little Em'ly.
Nor was this elopement the only blow
to David's happiness. Shortly after his
engagement to Dora, David learned from
his aunt that she had lost all her money,
and from Agnes that Uriah Heep had
become Mr. Wickfield's partner. David
tried unsuccessfully to be released from
his contract with Spenlow and Jorkins.
Determined to show his aunt he could re
pay her, even in a small way, for her
past sacrifices, he took a part-time job
as secretary to Mr. Strong, his former
headmaster.
But the job with Mr. Strong paid very
little; therefore David undertook to study
for a position as a reporter of parliamen
tary debates. Even poor simple Mr. Dick
came to Miss Betsy's rescue, for Traddles,
now a lawyer, gave him a job as a clerk.
The sudden death of Mr. Spenlow dis
solved the partnership of Spenlow and
Jorkins, and David learned to his dismay
that his former employer had died almost
penniless. With much study on his part,
David became a reporter. At twenty-one
he married Dora, who, however, never
seemed capable of growing up. During
these events, David had kept in touch
with Mi. Micawber, now Uriah Heep's
confidential secretary. Though some
thing had finally turned up for Mr.
Micawber, his relations with David, and
even with his own family, were mys
teriously strange, as though he were hid
ing something.
David soon learned what the trouble
was, for Mr. Micawber's conscience got
the better of him. At a meeting arranged
by him at Mr. Wickfield's, he revealed
in Uriah's presence and to an assembled
company, including Agnes, Miss Betsy,
David, and Traddles, the criminal per
fidy of Uriah Heep, who for years had
robbed and cheated Mr. Wickfield. Miss
Betsy discovered that Uriah was also re
sponsible for her own financial losses.
With the exposure of the villainous Uriah,
partial restitution both for her and foi
Mr. Wickfield was not long in coming.
191
His conscience cleared by his exposure
of Uriah Heep's villainy, Mr. Micawber
proposed to take his family to Australia.
There, he was sure something would
again turn up. To Australia, too, went
Mr. Peggotty and Little Em'ly; she had
turned to her uncle in sorrow and shame
after Steerforth had deserted her. David
watched as their ship put out to sea.
It seemed to him the sunset was a bright
promise for them as they sailed away to a
new life in the new land. The darkness
fell about him as he watched.
The great cloud now in David's life
was his wife's delicate health. Day after
day she failed, and in spite of his ten-
derest care he was forced to see her grow
more feeble and wan. Agnes Wickfaeld,
like the true friend she had always been,
was with him on the night of Dora's
death. As in his earlier troubles, he turned
to Agnes in the days that followed and
found comfort in her sympathy and un
derstanding.
Upon her advice he decided to go
abroad for a while. But first he went to
Yarmouth to put into Ham's hands a last
letter from Little Emly. There he wit
nessed the final act of her betrayal. Dur
ing a storm the heavy seas battered a
ship in distress off the coast. Ham went
to his death in a stout-hearted attempt
to rescue a survivor clinging to a broken
mast. The bodies washed ashore by the
rolling waves were those of loyal Ham
and the false Steerforth.
David lived in Europe for three years.
On his return he discovered again his
need for Agnes Wickfield's quiet friend
ship. One day Miss Betsy Trotwood slyly
suggested that Agnes might soon be mar
ried. Heavy in heart, David went off to
offer her his good wishes. When she
burst into tears, he realized that what he
had hoped was true — her heart was al
ready his. They were married, to match
making Miss Betsy's great delight, and
David settled down to begin his career
as a successful novelist
DAVID HARUM
Type of work: Novel
Author: Edward Noyes Westcott (1846-1898)
Type of plot: Regional romance
Time of plot: Late nineteenth century
Locale: Upstate New York
First published: 1898
Principal characters:
DAVID HARUM, a banker and horse trader
JOHN LENOX, Harum's assistant
MARY BLAKE, John's sweetheart
POLLY BIXBEE, Harum's widowed sister
Critique:
Westcott, who himself had been a
banker in upper New York State, wrote
David Harum to give the country at large
a picture of his region and its people. The
greatness of the book lies in the char
acterization of David Harum, that orig
inal and delightfully humorous horse
trader who has fascinated two generations
of readers. Harum was a dry, quaint,
semi-literate countryman with a shrewd
knowledge of human nature. Unfor
tunately, the horse-trading banker does
not dominate the story completely. The
novel is threaded together by a love
story involving I larum's banking assistant
and a young heiress. The best chapters,
by far, are those in which David Harum
tells stories in dialect, swaps horses, or in
dulges in reminiscences or other days.
DAVID HARXJM by Edward Noyes Westcott. By permission of the publishers, Appleton-Century-Crofts, Inc.
Copyright, 1898, by D. Appleton & Co. Renewed, 1926, by Philip N. Westcott.
192
The Story:
John Lenox was the son of a well-to-
do businessman in New York. After
college he lived for several years in
Europe at his father's expense. He was
twenty-six years old when he returned
to America, without having done any
thing which fitted him to earn a living.
John returned to find that his father's
business was failing rapidly and that he
would soon have to make a living for
himself. His father found a place for
him with a New York law firm, but
reading law proved uncongenial. When
his father died, John left the firm. Then,
through an old friend of his father's,
John became assistant to the owner of a
small bank in Homeville, New York.
David Harum, the owner of the bank,
was a crusty old man who enjoyed his
reputation as a skinflint, What most of
the townspeople did not know was that
he was quite a philanthropist in his own
way, but preferred to cover up his charity
and good deeds with gruff words.
Harum's one vice was horse trading. His
aster, who kept house for him, firmly
Relieved that he would rather trade horses
han eat or sleep. Moreover, he usually
.ame out ahead in any swapping deal.
David Harum was well pleased with
Jie appearance of his new assistant, John
Lenox. And when John took hold of his
duties better than any other clerk in the
bank had ever done, David Harum began
£0 think seriously of looking after the
young man's future. Harum felt that
John should have an opportunity to
better himself, but he wanted first to be
certain that he was not mistaken in
judging the young man's character. He
set out to discover what he wanted to
know in a peculiar way. He let John
live uncomfortably in a broken-down
hotel for several months to ascertain his
fortitude. He also gave John several
chances to be dishonest by practices
which a sharp trader like Harum might
be expected to approve. John's straight
forward dealings won Harum's respect
and approval He casually gave John
five ten-dollar gold pieces and asked him
to move into a room in Harum's own large
house with him and his sister, Polly.
John had begun to discover that
Harum was not the selfish and crusty
old man he appeared. He knew that
Harum had called in a widow whose
mortgage was overdue and had torn up
the paper because the woman's husband
had at one time taken Harum to the
circus when the banker was a little
boy without a cent to his name. Evert
Harum's horse trading was different when
one carne to know him. As John Lenox
discovered, Harum only let people cheat
themselves. If someone professed to knou
all about horses, Harum used the trade
to teach him a lesson, but if a tyro pro
fessed his ignorance of the animals
Harum was sure to give him a fair ex
change. He was a living example of the
proverb which propounds shrewdly that
it is impossible to cheat an honest man,
and the corollary, that it is almost impos
sible not to cheat a dishonest one.
John Lenox's life in Homeville was
restricted, and he was thrown much on
his own resources. He secured a piano
for himself and played in the evenings
or read from a small collection of books
which he had saved from his father's
library. His only real friends were David
Harum and Harum's sister, Polly, both
old enough to be John's parents. He
spent many pleasant hours in Harum's
company. They would often take
Harum's horses out for a drive, during
which the loquacious banker would regale
the young man with stories of horse
trading, of the foibles of the people in
the community, or of Harum's early life
when he had run away from home to
work along the Erie Canal. On one of
these rides Harum learned that John was
in love with an heiress he had met in
Europe. John felt that he could not
ask her to marry him until he had proved
himself a success.
Soon afterward Harum gave John an
opportunity to make a large amount of
193
money. Harum had a tip on a corner in
pork on the Chicago market. Harum
and John bought several thousand bar
rels of pork and sold them at a con
siderable profit. This deal was the first
step Harum took to make John financially
independent.
John's second year in Homeville was
more eventful. By that time he had been
accepted as a member of the community
and had made friends both in the town
and among the wealthy people who came
to Homeville during the summer months.
Meanwhile Harum revealed to his sister
his plan to retire from active work in
the bank and to make John his partner.
He also revealed to her that John had a
tract of land in Pennsylvania which
everyone had considered worthless, but
which was likely to produce oil. Harum,
in his younger days, had spent some
time in the Pennsylvania oil fields, and
like most small-town bankers of the
time, he knew something about a great
many financial activities. What he did
not reveal to his sister was that he also
planned to leave his estate to John, for,
excepting Polly, he had no relatives.
By the end of his third year in
Harum's bank, John had made enough
money through market operations to make
himself independent, and he could have
left the bank and the town for New
York City if he had cared to do so. When
the banker broached the subject to him,
John admitted that two years before
the prospect of returning to the city
would have been welcome. Now he
had come to like Homeville and had no
desire to leave the home of David Harum
and his sister. That was exactly what
Harum wanted to hear. He told John
that he was to become a partner in the
bank. Harum also told him that a com
pany wanted to lease his Pennsylvania
land for the purpose of drilling for oil.
Then John fell ill, and his doctor sent
him on a Mediterranean cruise. While
aboard ship, John met Mary Blake, the
young heiress with whom he had fallen
in love several years before. At first
John thought, because of an error in the
ship's passenger list, that Mary Blake
was already married. One moonlight
night, on a mountain overlooking the
bay at Naples, Mary informed John of
his mistake and promised to marry him,
and a few days later Harum was over
joyed to receive a cable announcing
John's marriage. Harum wired back the
good news that drilling had begun on the
property in Pennsylvania.
When John and Mary Lenox rcturnexl
to the United States several months
later, they settled in Homeville and John
took over the bank. Then David Harum
was free to spend the rest of his days
driving about the countryside and swapj
ping horses.
DEAD SOULS
Type of work: Novel
Author: Nikolai V, Gogol (1809-1852)
Type of plot: Social satire
Time of 'plot: Early nineteenth century
Locale: Russia
First 'published: 1842
Principal characters:
PAVEL IVANOVJTCH TCHITCHIKOFF, an adventurer
MANILOFF, from whom he bought souls
TENTETNIKOFF, whom he tried to marry off
PJLATON PLATONOFF, with whom he later traveled
KLOBUEFF, whose estate Jbe bought
KOSTANZHOGLO, who lent him money
AJLEXEI IVANOVITCH LYENITZEN, who threw tim into jail
.194
Critique:
This novel is written in high good
humor. Its portraits of various Russian
types — peasant, landholder, prince — are
delightful. The plot itself is not com
plex. The length of the novel is ac
counted for by the author's numerous
digressions, which add up to a rich picture
of provincial Russian life in the early
nineteenth century. The satire ranks
with the best the world has produced.
The Story:
Pavel Ivanovitch Tchitchikoff had ar
rived in the town accompanied by his
coachman, Selifan, and his valet, Pe-
trushka. He had been entertained
gloriously and had met many interesting
people, who insisted on his visiting them
in their own homes. Nothing could
have suited Tchitchikoff better. After
several days of celebration in the town,
he took his coachman and began a round
of visits to the various estates in the
surrounding country.
His first host was ManilofT, a genial
man who wined him and dined him in
a manner fit for a prince. When the
time was ripe, Tchitchikoff began to
question his host about his estate and
learned, to his satisfaction, that many
of Maniloff's souls, as the serfs were
called, had died since the last census
and that Maniloff was still paying taxes
on them and would continue to do so un
til the next census. Tchitchikoff offered to
buy these dead souls from Maniloff and
so relieve him of his extra tax burden.
The contract signed, Tchitchikoff set out
for the next estate.
Selifan got lost and in the middle of
the night drew up to a house which be
longed to Madame Korobotchkina, from
whom Tchitchikoff also bought dead
souls. When he left his hostess, he found
his way to an inn in the neighborhood.
There he met Nozdreff, a notorious
gambler and liar. Nozdreff had re
cently lost a great deal of money at
ribling, and Tchitchikoff thought
would be a likely seller of dead souls.
But when he broached the subject, Noz
dreff asked him the reason for his in
terest in dead souls. For every reason
Tchitchikoff gave, Nozdreff called him a
liar. Then Nozdreff wanted to play at
cards for the souls, but Tchitchikoff re
fused. They were arguing when a police
captain came in and arrested Nozdreff
for assault on a man while drunk.
Tchitchikoff thought himself well rid of
the annoying Nozdreff.
His next host was Sobakevitch, who
at first demanded the unreasonable sum
of one hundred roubles for each name
of a dead soul. Tchitchikoff finally
argued him into accepting two and a
half roubles apiece, a higher price than
he had planned to pay.
Pliushkin, with whom he negotiated
next, was a miser. He bought one hun
dred and twenty dead souls and seventy-
eight fugitives after considerable hag
gling. Pliushkin gave him a letter to Ivan
Grigorievitch, the town president.
Back in town, Tchitchikoff persuaded
the town president to make his recent
purchases legal. Since the law required
that souls when purchased be transferred
to another estate, Tchitchikoff told the
officials that he had land in the Kherson
province. He had no trouble in making
himself sound plausible. Some bribes to
minor officials helped.
Tchitchikoff proved to be such a de
lightful guest that the people of the town
insisted that he stay on and on. He
was the center of attraction at many
social functions, including a ball at which
he was especially interested in the gover
nor's daughter. Soon, however, rumors
spread that Tchitchikoff was using the
dead souls as a screen, that he was really
planning to elope with the governor's
daughter. The men, in consultation at
the police master's house, speculated
variously. Some said he was a forger;
others thought he might be an officer
in the governor-general's office; one man
put forth the fantastic suggestion that
he was really the legendary Captain
195
Kopeykin in disguise. They questioned
Nozdreff, who had been the first to re
port the story of the purchase of dead
souls. At their interrogation Nozdreff
confirmed their opinions that Tchitchi
koff was a spy and a forger who was
trying to elope with the governor's daugh
ter.
Meanwhile Tchitchikoff had caught
a cold and was confined to his bed. When
at last he had recovered sufficiently to go
out, he found himself no longer wel
come at the houses of his former friends.
He was, in fact, turned away by serv
ants at the door, Tchitchikoff realized
it would be best for him to leave town.
The truth of the matter was that
Tchitchikoff had begun his career as a
humble clerk. His father had died
leaving no legacy for his son, who served
in various capacities, passing from cus
toms officer to smuggler to pauper to legal
agent. When he learned that the Trustee
Committee would mortgage souls, he hit
upon the scheme of acquiring funds by
mortgaging dead souls that were still
on the census lists. It was this purpose
which had sent him on his current tour.
He turned up next on the estate of
Andrei Ivanovitch Tentetnikoff, a thirty-
three-year-old bachelor who had retired
from public life to vegetate in the coun
try. Learning that Tentetnikoff was in
love with the daughter of his neighbor,
General Betrishtcheff, Tchitchikoff went
to see the general and won his consent
to TentetnikofFs suit. He brought the
conversation around to a point where
he could offer to buy dead souls from
the general. He gave as his reason the
story that his old uncle would not leave
him an estate unless he himself already
owned some property. The scheme so
delighted the general that he gladly made
the transaction.
Tchitchikoff 's next stop was with
Pyetukh, a generous glutton whose table
Tchitchikoff enjoyed. There he met a
young man named Platonoff, whom
Tchitchikoff persuaded to travel with him
and see Russia. The two stopped to see
Platonoff's sister and brother-in-law,
Konstantin Kostanzhoglo, a prosperous
landholder. Tchitchikoff so impressed his
host that Kostanzhoglo agreed to lend him
ten thousand roubles to buy the estate of
a neighboring spendthrift named Klo-
bueff. Klobueff said he had a rich old
aunt who would give great gifts to
churches and monasteries but would not
help her destitute relatives. Tchitchikoff
proceeded to the town where the old
woman resided and forged a will to his
own advantage. But he forgot to insert
a clause canceling all previous wills. On
her death he went to interview His Ex
cellency, Alexei Ivanovitch Lyenitzen,
who told him that two wills nad been
discovered, each contradicting the other.
Tchitchikoff was accused of forging the
second will and was thrown into prison.
In the interpretation of this mix-up,
Tchitchikoff learned a valuable lesson in
deception from the crafty lawyer he
consulted. The lawyer managed to con
fuse the affair with every public and
private scandal in the province, so that
the officials were soon willing to drop the
whole matter if Tchitchikoff would leave
town immediately. The ruined adven
turer was only too glad to comply.
DEAR BRUTUS
Type of work: Drama
Author: James M. Barrie (1860-1937)
Type of plat: Romantic fantasy
Time of ^lot: Midsummer Eve
Locale: England
First presented: 1917
196
Principal characters:
LOB, the ancient Puck
MATEY, his butler
GUESTS AT LOB'S HOUSE PARTY
Critique:
Barrie's thesis — that the exigencies of
human life are the fault of the individual,
not of so-called Fate — is fancifully de
veloped in Dear Brutus by means of a
folk superstition concerning Midsummer
Eve. The play is fantastic and realistic
at the same time, fantastic in that its
characters are transported into the realm
of the unreal, realistic in the perfectly
candid way in which the various relation
ships among the characters are set forth.
The Story:
Dinner was over, and the ladies of
Lob's house party returned to the draw
ing-room after leaving the gentlemen to
their cigars and wine. Matey, the butler,
had stolen jewelry from one of the guests.
The women called him in to tell him they
knew he was the thief. When Matey
returned the jewelry, the women stated
that they would not report him if he
told them why they were guests at the
house. Matey either could not or would
not give them a direct answer. In the
course of the conversation it was learned
that their host was mysteriously ageless
and that Lob was another name for the
legendary Puck. Matey admitted that
Lob always asked a different party of
guests to his house for Midsummer
Week. He warned the women not to
venture outside the garden on this Mid
summer Eve. When he left them with
the warning not to go into the wood,
the women were puzzled because there
was no wood within miles of the house.
Host Lob entered thoughtfully. He
was followed by old Mr. Coade, who
was collecting notes for a projected
work on the Feudal System, and Mr.
Purdie, an intellectual young barrister.
Coade and Purdie suggested that the
group take a walk to discover a mysterious
wood. Lob said slyly that the villagers
believed that a wood appeared in a dif
ferent part of the neighborhood each
Midsummer Eve. He pretended skep
ticism to sharpen the curiosity of hit.
guests, who went to prepare for the
adventure,
Among Lob's guests was Lady Caroline.
Laney, unmarried and of disdainful poise,
and Joanna Trout, single and in love
with love. Joanna and Mr. Purdie were
caught kissing in the living room by
Mabel Purdie, who saw them from the
garden. She came in. Joanna, surprised,
asked Mabel what she was doing in the
garden. Mabel answered that she was
looking for her lost love. Her calm
candor caught Jack Purdie and Joanna
completely off guard. Jack admitted
his love for Joanna. Mabel left the lovers
grieving that fate had not brought them
together earlier. Alice Dearth entered.
Cattishly, Joanna revealed that Mrs.
Dearth had at one time been an artist's
model. Dearth, an artist now broken by
drink, entered. Alice Dearth had grown
to despise him for his sottishness. Dearth
regretted not having a child; Alice Dearth
regretted not having married a former
suitor.
When the party reassembled, Lob re
vealed that to go into the forest gave one
another chance, something nearly every
one in the group was seeking. Dearth
drew aside the curtain to reveal a forest
in the place of the garden. He entered
the wood and disappeared. Mabel Purdie
followed him. Next went Jack Purdie
and Joanna, followed by Alice Dearth,
Lady Caroline, and old Mr. Coade. Lob
enticed Matey to the edge of the wood
and pushed him into it.
EAR BRUTUS by Tames M. Barrie, from THE PLAYS OF JAMES M. BARRIE. By permission of th« pub-
iiheru, Charles Scribner'i Son*. Copyright, 1914-, by Charles Scribner'a Sons, 1918, 1928, by J. M. Barrie.
197
In the moonlight of Midsummer Eve,
in the fanciful realm of the second
chance, Matey and Lady Caroline dis
covered that they were vulgar husband
and wife. Joanna was in search of her
husband. When Mr, Coade, now a wood-
lander, appeared dancing and blowing
a whistle, Joanna said that she was Mrs.
Purdie; she suspected her husband of
being in the forest with another woman.
They saw Purdie in the company of
Mabel, whom he chased among the trees.
In the forest, Mabel and Joanna had
changed places. Purdie and Mabel
mourned that they had met too late.
In another part of the forest, Will
Dearth and his young daughter Mar
garet raced to the spot where the artist's
easel was set up, for Dearth was painting
a moonlit landscape. Margaret was
worried over her excess of happiness; she
expressed her fear that her father would
be taken from her. The pair agreed that
artists, especially, needed daughters and
that fame was not everything.
Alice, a vagrant searching for scraps to
eat, passed the happy pair. She told them
that she was the Honorable Mrs. Finch-
Fallowe, the wife of the suitor that she
had recalled in Lob's house, and that she
had seen good times. Dearth approached
a nearby house to get food for the
vagrant woman. Margaret, somehow
afraid, tried to restrain him.
Back in the house, Lob was waiting
for the return of his guests. There was a
tapping on the window and Jack Purdie
and Mabel, still charmed, entered. They
noticed but did not recognize the sleep
ing Lob. Still under the influence of
Midsummer magic, Purdie spoke words
of love to Mabel. He was interrupted by
the entrance of Joanna, his Midsummer
Eve wife. Lob seemed to leer in his
sleep. Suddenly the enchantment dis
appeared; the trio recognized the room
and Lob. After the complete return to
reality, Purdie realized that fate was not
to blame for human destiny. Ashamed
but honest, he admitted that he was a
philanderer and asked Mabel to forgive
him.
Matey returned, still the vulgarian in
speech and dress. He stated, to the sur
prise of those present, that his wife was
with him and he introduced Lady Caro
line Matey, The charm was broken, to
the horror of the fastidious Caroline
Laney and to the embarrassment of
Matey.
Still piping on his whistle, Mr. Coade
returned. Although he did not recog
nize Mrs. Coade, he expressed his admira
tion for her lovable face. The old man
returned to reality after making his wife
proud that he had chosen her again in
the world of the second chance.
Alice Dearth, hungry, entered and
looked ravenously at the refreshments.
Between mouthfuls of cake she bragged
of her former aflluence as Mrs. Finch-
Fallowe; she mystified the other guests
with talk of a painter and his daughter
in the forest. Dearth, the happy painter
of the forest, came in. In their disen
chantment, Alice knew that she would
have been unhappy with the former
suitor, and that Will Dearth would have
been happier without her. Dearth was
momentarily crushed by the loss of Mar
garet, but he recovered to thank Lob
for providing that night's experience.
Lob, who had been curled up in a
chair in a trance-like sleep during the
adventures, and who had leered and
smiled in his sleep as his guests came
back to the actual world, returned to the
care of his beloved flowers. Midsummer
Eve was past; the world of might-have-
been had ended.
198
DEATH COMES FOR THE ARCHBISHOP
Type of work: Novel
Author: Willa Gather (1876-1947)
Type of plot: Historical chronicle
Time of plot: Last half of the nineteenth century
Locale: New Mexico and Arizona
First published: 1927
Principal characters:
FATHER JEAN MARIE LATOUR, Vicar Apostalic of New Mexico
FATHER JOSEPH VAILLANT, his friend, a missionary priest
KIT CARSON, frontier scout
JACINTO, an Indian guide
Critique:
Death Comes for the Archbishop is
a novel reaffirming the greatness of the
American past. This chronicle of the
Catholic Southwest is a story, beau
tifully told, which re-creates in the lives
of Bishop Latour and Father Vaillant,
his vicar, the historical careers of Bishop
Lamy and Father Macheboeuf, two de
vout and noble missionary priests in the
Vicarate of New Mexico during the
second half of the nineteenth century.
Bishop Latour is scholarly and urbane;
Father Vaillant, energetic and passion
ately the man of feeling. A novel of
these dedicated lives, the book presents
also a picture of a region and a culture.
There are many strands of interest here
— the bleak desert country of sand and
gaunt red mountains, colorful adobe
towns and Mexican customs, conflicts
with a stubborn and sometimes corrupt
native clergy, missionary journeys in all
weathers, the rituals and legends of
the Indian pueblos, frontier heroes like
Kit Carson and desperadoes like Buck
Scales, relics of die conquistadores who
brought the sword and the Cross into
the New World. The novel lives in its
bright glimpses of the past, stories that
cut backward into time so that the action
is not always upon the same level. Tales
and legends that go beyond the period of
American occupation into three centuries
of Spanish colonial history and back to
the primitive tribal life of the Hopi, the
Navajo, and the vanished cliff-dwellers
break this chronicle at many points
and give the effect of density and variety
to a work which recaptures so completely
the spirit and movement of the pioneei
West.
The Story:
In 1851 Father Jean Marie Latou*
reached Santa F£, where he was to be
come Vicar Apostolic of New Mexico.
His journey from the shores of Lake
Ontario had been long and arduous. He
had lost his belongings in a shipwreck
at Galveston and had suffered painful in
jury in a wagon accident at San Antonio.
Upon Father Latour's arrival, in
company with his good friend, Father
Joseph Vaillant, the Mexican priests
refused to recognize his authority. He
had no choice but to ride three thousand
miles into Mexico to secure the necessary
papers from the Bishop of Durango.
On the road he lost his way in an arid
landscape of red hills and gaunt junipers.
His thirst became a vertigo of mind and
senses, and he could blot out his own
agony only by repeating the cry of the
Saviour on the Cross. As he was about
to give up all hope, he saw a tree grow
ing in the shape of a cross. A short
time later he arrived in the Mexican
settlement called Agua Secreta, Hidden
Water. Stopping at the home of Benito,
Bishop Latour first performed the mar
riage ceremonies and then baptized al]
the children.
DEATH COMES FOR THE ARCHBISHOP by Willa Gather. By permission of the publisher*, Alfred A
Knopf, Inc. Copyright, 1926, 1927, by Willa Gather.
199
At Durango he received the necessary
documents and started the long trip back
to Santa F6. Meanwhile Father Vaillant
had won over the inhabitants from en
mity to amity and had set up the Episco
pal residence in an old adobe house. On
the first morning after his return to Santa
F6 the bishop heard the unexpected sound
of a bell ringing the Angelus. Father
Vaillant told him that he had found the
bell, bearing the date 1356, in the base
ment of old San Miguel Church.
On a missionary journey to Albuquer
que in March, Father Vaillant acquired
as a gift a handsome cream-colored mule
and another just like it for his bishop.
These mules, Contento and Angelica,
served the men in good stead for many
years.
On another such trip the two priests
were riding together on their mules.
Caught in a sleet storm, they stopped
at the rude shack of an American, Buck
Scales. His Mexican wife warned the
travelers by gestures that their lives were
in danger, and they rode on to Mora
without spending the night. The next
morning the Mexican woman appeared
in town. She told them that her husband
had already murdered and robbed four
travelers, and that he had killed her
four babies. The result was that Scales
was brought to justice, and his wife,
Magdalena, was sent to the home of Kit
Carson, the famous frontier scout. From
that time on Kit Carson was a valuable
friend of the bishop and his vicar. Mag
dalena later became the housekeeper
and manager for the kitchens of the
Sisters of Loretto.
During his first year at Santa Fe,
the bishop was called to a meeting of
the Plenary Council at Baltimore. On
the return journey he brought back with
him five nuns sent to establish the
school of Our Lady of Light. Next,
Bishop Latour, attended by the Indian
Jacinto as his guide, spent some time
visiting his own vicarate. Padre Gal-
legos, whom he visited at Albuquerque,
acted more like a professional gambler
than a priest, but because he was very
popular with the natives Bishop Latour
did not remove him at that time. At
last he arrived at his destination, the top
of the mesa at Acoma, the end of his
long journey. On that trip he heard
the legend of Fray Baltazar, killed during
an uprising of the Acoma Indians.
A month after the bishop's visit, he
suspended Padre Gallegos and put Father
Vaillant in charge of the parish at
Albuquerque. On a trip to the Pecos
Mountains the vicar fell ill with an
attack of die black measles. The bishop,
hearing of his illness, set out to nurse
his friend. Jacinto again served as guide
on the cold, snowy trip. When Bishop
Latour reached his friend's bedside, he
found that Kit Carson had arrived be
fore him. As soon as the sick man could
sit in the saddle, Carson and the bishop
took him back to Santa Fe\
Bishop Latour decided to investigate
the parish of Taos, where the powerful
old priest, Antonio Jose* Martinez, was
the ruler of both spiritual and temporal
matters. The following year the bishop
was called to Rome. When he returned,
he brought with him four young priests
from the Seminary of Montferrand and
a Spanish priest to replace Padre Mar
tinez at Taos.
Bishop Latour had one great ambi
tion; he wanted to build a cathedral in
Santa F6. In that project he was assisted
by the rich Mexican ranchero$> but to
the greatest extent by his good friend,
Don Antonio Olivares. When Don An
tonio died, his will stated that his estate
was left to his wife and daughter during
their lives, and after their decease to the
Church. Don Antonio's brothers con
tested the will on the grounds that the
daughter, Senorita Inez, was too old to
be Dona Isabella's daughter, and the
bishop and his vicar had to persuade the
vain, coquettish widow to swear to her
true age of fifty-three, rather than the
forty-two years she claimed. Thus the
money was saved for Don Antonio's fam
ily and, eventually, the Church.
200
Father Vaillant was sent to Tucson,
but after several years Bishop Latour de
cided to recall him to Santa Fe\ When
he arrived, the bishop showed him the
stone for building the cathedral. About
that time Bishop Latour received a let
ter from the Bishop of Leavenworth. Be
cause of the discovery of gold near
Pike's Peak, he asked to have a priest
sent there from Father Latour's diocese.
Father Vaillant was the obvious choice.
Father Vaillant spent the rest of his
life doing good works in Colorado,
though he did return to Santa F6 with
the Papal Emissary when Bishop Latour
was made an archbishop. Father Vaillant
became the first Bishop of Colorado. He
died there after years of service, and
Archbishop Latour attended his im
pressive funeral services.
After the death of his friend, Father
Latour retired to a modest country estate
near Santa Fe\ He had dreamed during
all his missionary years of the time when
he could retire to his own fertile green
Auvergne in France, but in the end he
decided that he could not leave the land
of his labors for his faith. Memories of
the journeys he and Father Vaillant had
made over thousands of miles of desert
country "became the meaning of his later
years. Bernard Ducrot, a young Semi
narian from France, became like a son to
him.
When Father Latour knew that his
time had come to die, he asked to be
taken into town to spend his last days
near the cathedral. On the last day of
his life the church was filled with people
who came to pray for him, as word that
he was dying spread through the town,
He died in the still twilight, and the
cathedral bell, tolling in the early dark
ness, carried to the waiting countryside
the news that at last death had come for
Father Latour.
THE DEATH OF THE GODS
Type of work: Novel
Author: Dmitri Merejkowski (1865-1941)
Type of plot: Historical romance
Time of plot: Fourth century
Locale: Ancient Rome
First published: 1896
Principal characters:
CAESAR CONSTANTIUS, the Roman Emperor
JULIAN FLAVIUS, Caesar's cousin
GALLUS FLAVIUS, Julian's brother
ARSINO&, Julian's beloved
Critique:
Merejkowski, one of the most success
ful of modern Russian novelists of the
old regime, saw European civilization as
a result of the meeting of Hellenism and
Christianity. In this novel he attempted
to show how that meeting was carried
on in the reign of Julian the Apostate,
a Roman emperor of the fourth century.
The novelist's success in re-creating what
is distant, both in point of time and
place, is almost unparalleled in any
national literature. Little street urchins
of Constantinople, common soldiers in
the Roman legions, innkeepers of Asia
Minor, and fawning courtiers of Cae
sar's court, all take on flesh and life as
they pass through the story, all of them
reflecting in greater or lesser degree the
struggle between the two great philoso
phies, paganism and Christianity.
THE DEATH OF THE GODS by Dmitri Merejkowski. Translated by Herbert Trench. By permission of th*
publishers, G. P. Putnam's Sons. Copyright, 1901, by Herbert Trench. Renewed, 1929, by Desmond Patrick
Trench.
201
The Story:
The Roman Emperor Constantius had
risen to power by a series of assassina
tions. Two of his cousins, Julian and
Callus, were still alive, prisoners in Cap-
padocia. No one knew why they were
permitted to live, for they were the last
people who could challenge the right
of the emperor to his position. Julian
was the greater of the two, a young man
steeped in the teachings of the philoso
phers. His brother was younger and
more girlish in his habits. Both knew
that they could expect death momen
tarily.
When Julian was twenty years old,
Constantius gave him permission to travel
in Asia Minor, where the lad affected the
dress of a monk and passed as a Chris
tian. His younger brother, Callus, was
given high honors as co-regent with Con
stantius and named Caesar. The affection
which Constantius seemed to bestow on
Callus was shortlived, however, for soon
the young man was recalled to Milan
and on his journey homeward he was
beheaded by order of the emperor. When
word of his brother's death reached
Julian, he wondered how much longer
he himself had to live.
While Julian wandered about Asia
Minor, he met many philosophers, and
was initiated into the mysteries of Mithra,
the sun god. Julian felt more power in
the religion of the pagans than he did
in the Christ which his grandfather had
declared the official religion of the Roman
Empire. Knowing die danger of his
beliefs, Julian kept them secret.
One day, Publius Porphyrius took
Julian to an ancient wrestling arena
where they watched a young woman
playing at the ancient Grecian games.
She was Arsinoe, who, like Julian, found
more joy in paganism than in Christian
ity. One night she told him that he
must believe in himself rather than in
any gods, and he replied to her that
such was his aim.
Before long Julian had an opportun
ity to strike at Constantius. Raised to a
position of honor at court and given the
purple robe of a Caesar, he was trained
as a warrior and sent to Gaul to tame
the barbarians. Contrary to Constantius'
hopes that the young man would be
killed, he was highly successful in Gaul.
When Constantius sent an emissary to
recall several of Julian's legions, the
soldiers revolted and hailed Julian as the
emperor and made him accept the crown.
Meanwhile Julian's anger against all
Christians had risen; his wife refused to
share his bed because she had decided to
become a nun. Fie felt no pity when she
fell ill and died. He thought her actions
had disgraced him.
With his loyal legions Julian began a
march of conquest through the empire.
While he was crossing Macedonia, he
received word that Constantius had died
in Constantinople.
As soon as word spread among Julian's
legions that he was now the rightful
emperor, he gathered his men together
for a ceremony at which he denied
Christianity and affixed the statue of
Apollo in place of the Cross on his
standards. That act was only the begin
ning of changes in the empire. On his
arrival in Constantinople he reinstated
the pagan gods and returned to their
temples the treasure which had been
taken from them by the Christian monks.
The Christians were outraged at his
practices, and his popularity waned. Few
visited the reopened pagan temples. Soon
Julian began to wonder if he would be
successful in restoring a golden age of
Hellenism to his empire. He discovered
that even his beloved Arsinoe had be
come a Christian nun in his absence.
When he went to visit her, she agreed
to see him; but she refused to marry him
and become the empress. Julian began
to wonder to what end he was headed.
At the end of the first year of his
reign as emperor of the Eastern Roman
Empire, Julian found that he had be
come the laughing-stock of his people,
despite his power as a ruler. His ap-
202
pearance and his scholarly activities
earned him the disrespect of all his sub
jects, who were accustomed to a Caesar
of martial power. When the Christians
began to ridicule him and openly defy
his edicts, Julian decided to adopt a
different course. He hit upon the idea
of a campaign against Persia. He hoped
that after he had conquered that coun
try and returned as a victor, his people
would respect both him and his anti-
Christian views.
Julian's army assembled at Antioch,
but before it was ready to march Julian
had a demonstration of the feeling he
had evoked by championing the Olym
pian deities against Christianity. When
he ordered a Christian chapel removed
from the temple of Apollo at Antioch,
the Christians burned the temple and
destroyed the idol in the presence of the
emperor and his legions.
In the spring Julian and his armies
left Antioch and started toward the Per
sian frontier. They marched along the
Euphrates until they came to the canal
which the Persians had built to con
nect that river with the Tigris. The
Persians had flooded the area to halt
the invaders, and Julian's army marched
in water up to their knees until they
were far down the Tigris. After days
of marching under a burning sun, they
reached Perizibar, a Persian fortress. The
fort was gallantly defended, but the
Romans finally battered down the walls.
After resting his army for two days,
Julian pushed on to Maogamalki. By
brilliant strategy and some luck, he car
ried the second of the Persian defense
posts and then pushed onward to Ctesi-
phon, the Persian capital.
Arriving at a point across the river from
the city, Julian consulted his pagan
priests. When they failed to foretell a
successful attack on the city, Julian be
came as enraged at Apollo and the other
pagan gods as he had been at Christian
ity. In a frenzy he overturned the altars,
said that he trusted no god but him
self, and added that he meant to attack
the city immediately.
By a ruse, Julian and his army crossed
the Tigris in boats at night. The next
morning a single Persian came to their
camp and persuaded Julian to burn his
boats so that his men would not lose heart
and retreat from the assault. He promised
also to lead the Romans into the city by
a secret way. Too late, his boats de
stroyed, Julian realized he had been
tricked. Unable to take the city, he
ordered a retreat. After the Romans had
been weakened by forced marches under
burning desert suns, the Persians at
tacked.
In the battle, the Romans won a vic
tory against heavy odds; but it was a vic
tory for the Romans, not for their em
peror. In the battle Julian, dressed in his.
purple robes, refused to wear any armor.
He was mortally wounded by a javelin
while giving chase to a band of Per-
sians. When he was carried to his tent,
Arsinoe, who was still a nun, came to
him and attempted to make him see that
Christ was a god of beauty and mercy.
Julian would not listen to her. As he
died, he lifted himself up and cried out
to his attendants that the Galilean had
defeated him.
THE DEERSLAYER
Type of work: Novel
Author: James Fenimore Cooper (1789-1851)
Type of plot: Historical romance
Time of plot: 1740
Locale: Northern New York State
First 'published: 1841
Principal characters:
NATTY BUMPPO, called Deerslayer by the Delaware
203
HURRY HARRY, a frontier scout
CHINGACHGOOK, Deerskyer's Indian friend
THOMAS H UTTER, owner of the lake
JUDITH BUTTER, a girl Thomas Hutter claims as his daughter
HETTY HUTTER, Judith's sister
WAH-TA!-WAH, Chingachgook's beloved
Critique:
There is no question that the savages
and the woodsman, Natty Bumppo, come
off best in this first of the Leatherstock-
ing Tales. Deerslayer and the Indians,
good and bad, are depicted as having
codes of honor and morality. Tom Flutter
and Hurry Harry are motivated by greed
and viciousness in their efforts to obtain
Iroquois scalps and in their murder of
an innocent Indian girl. The simple-
minded Hetty Hutter and Judith, her
vain sister, are but two-dimensioned char
acters, however, in this novel of atmos
phere and exciting action.
The Story:
Natty Bumppo, a young woodsman
known as Deerslayer, and Hurry Harry
traveled to the shores of Lake Glimmer-
glass together. It was a dangerous jour
ney, for the French and their Iroquois
allies were on the warpath. Deerslayer
was planning to meet his friend Chin-
gachgook, the young Delaware chief, so
that they might go against the Iroquois.
Hurry Harry was on his way to the lake
to warn Thomas Hutter and his daughters
that hostile Indians were raiding along
the frontier. Harry was accustomed to
hunt and trap with Hutter during the
summer, and he was an admirer of Hut-
ter's elder daughter, the spirited Judith.
Hutter and his daughters lived in a
cabin built on piles in the middle of the
lake. Hutter had also built a great, scow-
like vessel, known among frontiersmen
as the ark, on which he traveled from one
shore of the lake to the other on his
hunting and trapping expeditions. On
their arrival at the lake the two found
a hidden canoe. Having paddled out to
the cabin and found it deserted, they
proceeded down the lake and came upon
the ark anchored in a secluded outlet.
Hutter had already learned of the Indian
raiders. The party decided to take refuge
in the cabin, where they could be at
tacked only over the water. The men
managed to maneuver the ark out of the
narrow outlet and sail it to the cabin.
They had one narrow escape. As the ark
was clearing the outlet, six Indians tried
to board the boat by dropping from the
overhanging limbs of a tree. Each missed
and fell into the water.
Under cover of darkness, Hutter, Deer-
slayer, and Flurry Harry took the canoe
and paddled to shore to get Mutter's two
remaining canoes hidden there. They
found the canoes and, on their way back
to the ark, sighted a party of Indians
camped under some trees. While Deer-
slayer waited in a canoe offshore, the
other two men attacked the Iroquois
camp in an attempt to obtain scalps, for
which they could obtain bounties. They
were captured. Deerslayer, knowing that
he was powerless to help them, lay down
to sleep in the canoe until morning.
When Deerslayer awoke, he saw that
one of the canoes had drifted close to
shore. To rescue it, he was forced to
shoot an Indian, the first man he had
ever killed.
Returning to the fort with his prizes,
Deerslayer told the girls of their father's
fate. It was agreed that they should delay
any attempt at rescue until the arrival of
Chingachgook, whom Deerslayer was to
meet that night.
Under cover of darkness, the party
went in the ark and met Chingaehgook
at the spot where the river joined the
lake. Back in the cabin, Deerslayer ex
plained that the Delaware had come to
the lake to rescue his sweetheart, Wah-
ta!-Wah, who had been stolen by the
Iroquois. Suddenly they discovered that
204
Hetty Hutter had disappeared. The girl,
who was somewhat feeble-minded, had
cast off in one of the canoes with the
intention of going to the Indian camp to
rescue her father and Hurry Harry.
The next morning Wah-ta!-Wah came
upon Hetty wandering in the forest. She
took the white girl to the Iroquois camp.
Because the Indians believed deranged
persons were protected by the Great
Spirit, she suffered no harm.
It was Deerslayer's idea to ransom the
prisoners with some rich brocades and
carved ivory he and Judith found in Tom
Hutter's chest. Its contents had been
known only to Hutter and the simple-
minded Hetty, but in this emergency,
Judith did not hesitate to open the coffer.
Meanwhile a young Iroquois had rowed
Hetty back to the cabin on a raft. Deer-
slayer told him that the party in the cabin
would give two ivory chessmen for the
release of the captives. He was unable
to drive quite the bargain he had
planned. In the end, four chessmen
were exchanged for the men, who were
returned that night.
Hetty brought a message from Wah-
ta!-Wah. Chingachgook was to meet the
Indian girl at a particular place on the
shore when the evening star rose above
the hemlocks that night. Hurry Harry
and Tom Hutter were still determined
to obtain scalps, and when night closed
in they and Chingachgook reconnoitered
the camp. To their disappointment, they
found it deserted and the Indians camped
on the beach, at the spot where Wah-ta!-
Wah was to wait for Chingachgook.
While Hutter and Harry slept, the
Delaware and Deerslayer attempted to
keep the rendezvous. Unfortunately, the
girl was under such close watch that it
was impossible for her to leave the camp.
The two men entered the camp and
boldly rescued her from her captors.
Deerslayer, who remained at their rear
to cover their escape, was taken prisoner.
When Judith heard from Chingach
gook of Deerslayer's capture, she rowed
Hetty ashore to learn what had become
of the woodsman. Once more Hetty
walked unharmed among the supersti
tious savages. Deerslayer assured her
there was nothing she could do to help,
that he must await the Iroquois' pleasure.
She left to return to Judith. -
As the girls paddled about, trying to
find the ark in the darkness, they heard
the report of a gun. Torches on shore
showed them that an Indian girl had been
mortally wounded by a shot from the
ark. Soon the lights went out. Paddling
to the center of the lake, they tried to
get what rest they might before morning
came.
When daylight returned, Hutter head
ed the ark toward the cabin once more.
Missing his daughters, he had con
cluded the cabin would be the most
likely meeting place. Hutter and Harry
were the first to leave the ark to go into
the cabin. There the Iroquois, who had
come aboard in rafts under cover of
darkness, were waiting in ambush. Harry
managed to escape into the water, where
he was saved by Chingachgook. Judith
and Hetty came to the ark in their canoe.
After the savages had gone ashore, those
on the ark went to the cabin. They
found Hutter lying dead. That evening
he was buried in the lake. Hurry Harry
took advantage of the occasion to pro
pose to Judith, but she refused him.
Shortly afterward they were surprised
to see Deerslayer paddling toward the
ark. He had been given temporary lib
erty in order to bargain with the fugitives.
The Iroquois sent word that Chingach
gook would be allowed to return to his
own people if Wah-ta!-Wah and Judith
became brides of Iroquois warriers. Hetty,
they promised, would go unharmed be
cause of her mental condition. Although
Deerslayer's life was to be the penalty
for refusal, these terms were declined,
Deerslayer did not have to return to
his captors until the next day, and that
evening he and Judith examined care
fully the contents of her father's chest.
To the girl's wonder, she found letters
indicating that Hutter had not been her
205
real f ather, but a former buccaneer whom
her mother had married when her first
husband deserted her* Saddened by this
knowledge, Judith no longer wished to
live at the lake. She intimated slyly to
Deerslayer that she loved him, only to
find he considered her above him in edu
cation and intelligence,
When Deerslayer returned to the
Iroquois the next day, he was put to
torture with hatchets, Hetty, Judith, and
Wah-ta!-Wah came to the camp and
attempted to intercede for him, but
to no avail. Suddenly Chingachgook
bounded in, and cut his friend's bonds.
Deerslayer's release was the signal for
the regiment from the nearest fort to
attack, for Hurry Harry had gone to
summon help during the night.
The Iroquois were routed. Hetty was
mortally wounded during the battle. The
next day she was buried in the lake be
side her parents. Judith joined the sol
diers returning to the fort. Deerslayer de
parted for the Delaware camp with Chin
gachgook and his bride.
Fifteen years later, Deerslayer, Chin
gachgook, and the latter's young son,
Uncas, revisited the lake. Wah-ta!-Wah
was long since dead, and, though the
hunter inquired at the fort about Judith
Flutter, he could find no one who knew
her. Rumor was that a former member of
the garrison, then living in England on
his paternal estates, was influenced by a
woman of rare beauty who was not his
wife. The ark and the cabin in the lake
were falling into decay.
DIANA OF THE CROSSWAYS
Type oj work: Novel
Author: George Meredith (1828-1909)
Type of plot: Psychological realism
Time of plot: Nineteenth century
Locale: England
First published,: 1885
Principal characters:
DIANA MEBJON WARWICK, a woman of beauty and charm
AUGUSTUS WARWICK, her husband
LADY EMMA DUNSTANE, Diana's friend
THOMAS REDWORTH, Diana's friend and admirer
LORD DANNISBURGH, another friend
SIR PERCY DACIER, a young politician in love with Diana
Critique:
Any novel by George Meredith re
quires attention not only to the book in
question but also to the wider aspects of
the technique of fiction, for Meredith, al
ways an original, was a writer of deep
concentration and mature force. His Diana
is a character head and shoulders above
most heroines in nineteenth-century Eng
lish novels. She offers the charm of
femininity, perplexed by convention and
yet aware of its force. Her predicament
is at once an error in judgment and a
glory to her. Her career compels our
belief that a life which will not let go
its harvest of errors until they are thor
oughly winnowed is a human drama of
deepest interest, for that life extracts the
wisdom experience can offer. Diana,
beautiful, witty, skeptical of social con
vention and moral expediency, is the em
bodiment of Meredith's philosophy and
art.
The Story:
All of fashionable London was amazed
and shocked when Diana Warwick sud
denly left her husband's house. Society
should not have been surprised at her
action, however; the marriage had been
ill-fated from the start. For Augustus
Warwick, a calculating, ambitious pol
itician, his marriage to tlie beautiful and
206
charming Diana Merion had been large
ly one o£ convenience. Diana, in her
turn, accepted his proposal as a refuge
from unwelcome attentions to which her
own position as an orphan had exposed
her.
Diana Merion had first appeared in
society at a state ball in Dublin, where
her unspoiled charm and beauty attracted
many admirers. Lady Emma Dunstane
introduced Diana to Thomas Redworth,
a friend of her husband, Sir Lukin Dun
stane, and Redworth's attentions so en
raged Mr. Sullivan Smith, a hot-tempered
Irishman, that he attempted to provoke
the Englishman to a duel. Redworth
pacified the Irishman, however, to avoid
compromising Diana by a duel fought
on her account.
Later, while visiting Lady Emma at
Copsley, the Dunstane country home in
England, Diana was forced to rebuff
Sir Lukin when he attempted to make
love to her. Leaving Copsley, she went
to visit the Warwicks. Meanwhile,
Thomas Redworth announced to Lady
Emma that he loved Diana. His an
nouncement came too late. Diana was
already engaged to Augustus Warwick.
In London the Warwicks took a large
house and entertained lavishly. Among
their intimates was Lord Dannisburgh,
an elderly peer who became Diana's
friend ana adviser. While Warwick was
away on a government mission, the two
were often seen together, and Diana was
so indiscreet as to let Lord Dannisburgh
accompany her when she went to visit
Lady Emma. Gossip began to circulate.
On his return Warwick, who was in
capable of understanding his wife's in
nocence and charm, served Diana with a
process in suit. Accusing her of infidelity,
he named Lord Dannisburgh as core
spondent. Diana disappeared from War
wick's house and from London. In a
letter to Lady Emma she had said that
she intended to leave England. Her
friend, realizing that flight would be
tantamount to confession, felt sure that
Diana would go to Crossways, her father's
old home, before she left the country.
Determined that Diana should remain
and boldly defend the suit, Lady Emma
sent Redworth to Crossways with instruc
tions to detain Diana and persuade her
to go to stay with the Dunstanes at Cop
sley.
Lady Emma had guessed correctly;
Diana was at Crossways with her maid.
At first Diana was unwilling to see Lady
Emma's point of view, for she thought
of her flight as a disdainful stepping aside
from Warwick's sordid accusations; but at
last she gave in to Redworth's arguments
and returned with him to Copsley.
Although the court returned a verdict
of not guilty to the charge Warwick had
brought against her, Diana felt that her
honor had been ruined and that in the
eyes of the world she was still guilty.
For a time she was able to forget her own
distress by nursing her friend, Lady Em
ma, who was seriously ill. Later she left
England to go on a Mediterranean cruise.
Before her departure she had written a
book, The Princess Egeria.
In Egypt she met Redworth, now a
brilliant member of Parliament. He was
accompanied by Sir Percy Dacier, Lord
Dannisburgh's nephew and a rising
young politician. Falling in love with
Diana, Sir Percy followed her to the con
tinent. He was recalled to London by the
illness of his uncle. Diana followed him
a short time later, to learn on her arrival
in London that Redworth had been active
in making her book a literary triumph.
He had stirred up interest among the
critics because he knew that Diana was
in need of money.
Lord Dannisburgh died, with Diana at
his bedside during his last illness. He
had been her friend, and she paid him
that last tribute of friendship and respect
regardless of the storm of criticism it
created. When Lord Dannisburgh's will
was read, it was learned that he had left
a sum of money to Diana.
In the meantime Diana had made an
enemy of the socially ambitious Mrs.
Wathin, who thought it her social
207
duty to tear Diana's reputation to shreds.
Part of her dislike was motivated by
jealousy that Diana should be accepted
by people who would not tolerate Mrs.
Wathin. Some of her actions were in
spired by Warwick, Mrs. Wathin's
friend, who, having lost his suit against
Diana, was trying to force his wife to
return to him.
Sir Percy's attentions were also dis
tressing to Diana. Half in love with
him, she was not free to marry again.
She faced a crisis in her affairs when
Mrs. Wathin called to announce that
Warwick, now ill, wanted Diana to re
turn and to act as his nurse. Diana re
fused. Warwick then threatened to exer
cise his legal rights as her husband. Sir
Percy, who informed her o£ Warwick's
intention, asked her to elope with him
to Paris. She agreed. She was saved
from that folly by the appearance of
Redworth, who arrived to tell her that
Lady Emma was ill and about to undergo
a serious operation at Copsley. Diana
went with him to be at her friend's side.
Lady Emma nearly died, and the grav
ity of her condition restored Diana's own
sense of responsibility. She ordered Sir
Percy to forget her, but in spite of her
protests he continued to follow her
about. One day he confided a tremen
dous political secret to her — the prime
minister was about to call upon Parlia
ment to pass some revolutionary reform
measures. Having told her his secret, he
attempted to resume his former court
ship. Diana refused to listen to his plead
ings. After he had gone, she felt broken
and cheated. If she would not have Sir
Percy as a lover, she felt, she could not
keep him as a friend. Diana was des
perately in need of money. She had been
forced to sell Crossways to pay her debts
and her later novels had been failures.
Feeling herself a complete adventuress,
she went to the editor of a paper which
opposed the government party and sold
him the information Sir Percy had given
her.
When the paper appeared with a full
disclosure of the prime minister's plan,
Sir Percy accused her of betraying him
and broke with her. A short time later
he proposed to a young lady of fortune.
About the same time Warwick was struck
down by a cab in the street and killed.
Diana had her freedom at last, but she
was downcast in spirit. She knew that
she was in public disgrace. Although
she had burned the check in payment for
the information she had disclosed, it was
common knowledge that she had be
trayed Sir Percy and that he had re
taliated by his marriage to Constance
Asper, an heiress. When Sullivan Smith
proposed for her hand, Diana refused him
and sought refuge in the company of her
old friend, Lady Emma. Her stay at
Copsley freed her of her memories of
Sir Percy, so much so that on her return
to London she was able to greet him and
his bride with dignity and charm. Her
wit was as sharp as ever, and she took
pleasure in revenging herself upon those
who had attempted to destroy her reputa
tion with their gossip and slander.
On another visit to Copsley she again
encountered Redworth, now a railroad
promoter and still a distinguished mem
ber of Parliament, When he invited her
and Lady Emma to visit Crossways, Diana
learned that it was Redworth who had
bought her old home and furnished it
with her own London possessions, which
she had been forced to sell in order to
pay her debts. He bluntly told Diana
that he had bought the house and fur
nished it for her because he expected
her to become his wife. Not wishing to
involve him in the scandals which had
circulated about her, she at first pretended
indifference to his abrupt wooing. Lady
Emma, on the other hand, urged her to
marry Redworth, who had loved her for
many years, so that he could protect her
from social malice. At last, knowing that
she brought no real disgrace to Red-
worth's name, she consented to become
his wife.
208
THE DISCIPLE
Type of -work: Novel
Author: Paul Bourget (1852-1935)
Type of plot: Psychological realism
Time of plot: Late nineteenth century
Locale: Paris and Riom
First published: 1889
Principal characters:
ADRIEN SIXTE, a philosopher
ROBERT GRESLOU, his disciple
M. DE JUSSAT, a hypochondriac nobleman
CHARLOTTE, his daughter
LUCIEN, her younger brother
ANDRE, her older brother
Critique:
Bourget represents in some ways the
transition in French letters from nat
uralistic materialism to the more tradi
tional religious and moral disciplines, and
The Disciple is the mid-point in the
work of this distinguished critic, novelist,
and academician. This novel is a psycho
logical study of the moral bases in ab
stract learning. Bourget has written an
impeccable novel which combines solid
psychological analysis with a sensational
murder story.
The Story:
Adrien Sixte grew up in a peculiar
way. His hardworking father wanted
him to study for one of the professions,
but despite the boy's early promise in
school he never went to a university.
His indulgent parents allowed him to
spend ten lonely years in study. In 1868,
at the age of twenty-nine, Adrien Sixte
published a five-hundred-page study of
The Psychology of God. By the outbreak
of the Franco-Prussian War, Adrien had
become the most discussed philosopher in
the country. He followed his first study
with two books even more provocative,
The Anatomy of the Will and The
Theory of the Passions.
Soon after the death of his parents,
Adrien settled down to a well-regulated
life in Paris. So regular was he that the
inhabitants of the quarter could set their
watches by his comings and goings. He
spent eight hours of the twenty-four in
work, took two walks each day, received
callers, chiefly students, one afternoon a
week, and on another afternoon made
calls on other scholars. By patient labor
and brilliant insight he developed to his
complete satisfaction his deterministic
theory that each effect comes from a
cause, and that if all causes are known,
results can be predicted accurately. He
applied his theory to all forms of numan
activity, to vices as well as virtues.
One day the neighbors were startled
to see Adrien leave his apartment hur
riedly at an unusual hour. He had re
ceived, to his great consternation, a notice
to appear before a magistrate in the affair
of Robert Greslou, one of his students,
and he had also a letter from Robert's
mother saying that she would visit him
that very day at four on an urgent mat
ter.
The sophisticated judge was incredu
lous when he learned that Adrien never
read the papers. The celebrated savant
had not heard of Greslou's imprisonment
after being charged with the murder of
Charlotte de Jussat. Adrien soon learned
that the suspect had been arrested on
purely circumstantial evidence, that the
proof of his guilt or innocence might
well be only psychological. Hence
Adrien, the master, must testify as to his
THE DISCIPLE by Paul Bourget. By permission of the publisher*, Charles Scribner'a Son».
209
disciple's ideas on multiplied psychologi
cal experience. Adrien explained that if
a chemist can analyze water into hydro
gen and oxygen, he can synthesize hydro
gen and oxygen into water. Similarly, if
a psychological result can be analyzed
into its causes, the result can be re
produced by those same causes; that is,
by scientific method one can predict
human behavior. The judge was much
interested and inquired if his theory ap
plied to vices. Adrien said that it did, for
psychologically vices are forms of be
havior as interesting and valid as social
virtues,
When he returned home, Adrien
found Robert's mother waiting for him.
She protested her son's innocence and
begged Adrien to save her boy. Adrien
remembered Robert as a precocious stu
dent of philosophy, but he really knew
little of him as a person. The mother
begged Adrien to help and gave him a
manuscript written by Robert while in
jail. On the outside of the manuscript
was a note. If Adrien read the docu
ment, he must agree not to try to save
Robert; if the condition were unaccept
able, he must burn the manuscript im
mediately. With many misgivings Adrien
took the document and read it. It was a
minute and detailed account of Robert's
upbringing, his studies, and his experi
ences in the de Jussat home.
Robert was always brilliant. He did
outstanding work in school and early in
his studies showed a pronounced talent in
psychology. Most of his time was de
voted to study, but a developing sensual
ity showed itself sporadically. Since he
grew up at Clermont, he lacked some of
the polish imparted at Paris; in conse
quence he failed an examination. While
waiting another opportunity to enter the
university, Robert accepted a year's ap
pointment as tutor to Lucien de Jussat.
At the de Jussat country home Robert
found an interesting household. Lucien,
his pupil, was a fat, simple boy of thir
teen. Andr£, the older brother, was an
army officer fond of hunting and riding.
The father was a hypochondriac and a
boor. But Charlotte, the daughter of the
family, was a beautiful girl of nineteen.
Robert soon began the studied seduc
tion of Charlotte. He had three reasons
for such a step. First, he wanted to have
some sort of revenge against the wealthy
family. In the second place, his developed
sexuality made the project attractive.
Also, and probably more important, he
wanted to test his theory that if he could
determine the causes leading to love and
sexual desire, he could produce desire by
providing the causes. Robert kept care
ful notes on procedures and results.
He knew that pity is close to love.
Consequently he aroused the pity of
Charlotte by mysterious allusions to his
painful past. Then, by carefully selecting
a list of novels for her to read, he set
about inflaming her desire for passionate,
romantic love. But Robert was too hasty.
He made an impassioned avowal to Char
lotte and frightened her into leaving for
Paris. Just as Robert began to despair of
ever accomplishing his purpose, trie ill
ness of Lucien recalled Charlotte. Robert
wrote her a note telling her he would
commit suicide if she did not come to
his room by midnight. He prepared two
vials of strychnine and waited. When
Charlotte came, he showed her the poison
and proposed a suicide pact. Charlotte
accepted, provided she could be the first
to die. They spent the night together,
Robert had triumphed.
Robert repudiated the pact, prompted
in part by a real love for Charlotte. The
next day she threatened to call her
brother if Robert attempted to stop her
own attempt at suicide, for she had read
Robert's notes and knew she was simply
the object of an experiment. After writ
ing to her brother Andre* a letter telling
him of her intended suicide, she drank
the strychnine. Robert was arrested soon
afterward on suspicion of murder.
When Adrien Sixte came to the end
of the manuscript, he began to feel a
moral responsibility for his disciple's act.
Disregarding the pledge implicit in his
210
reading, he sent a note to Andre" asking
him if he intended to let Robert be con
victed of murder by concealing Char
lotte's letter. Andre* resolved to tell the
truth, and in a painful courtroom scene
Robert was acquitted.
Immediately after the trial, Andre
went to look for Robert. Scarcely able
to resist, since he had been ready to die
with Charlotte's secret safe, Robert went
with Andre* willingly. On the street,
Andre" pulled out a gun and shot Robert
in the head. Robert's mother and Adrien
mourned beside the coffin, Adrien be
cause he accepted moral responsibility for
the teachings that had prompted his dis
ciple's deed.
THE DIVINE COMEDY
Type of work: Poem
Author: Dante Alighieri (1265-1321)
Type of plot: Christian allegory
Time of plot: The Friday before Easter, 1300
Locale: Hell, Purgatory, Paradise
First transcribed: c. 1307
Principal characters:
DANTB
VIRGIL, his guide
BEATRICE, the soul of Dante's beloved
Critique:
No words can describe the greatness
of this work, a greatness both of theme
and poetry. As a poet, Dante takes his
place in the ranks of the foremost artists
the world has ever known. The theme
which he treats is universalj it involves
the greatest concepts which man has ever
attained. Only a master could find the
loftiness of tone and the splendor and
variety of images and scenes which are
presented in The Divine Comedy.
The Story:
Dante found himself lost in a dark
and frightening wood, and as he was
trying to regain his path, he came to a
mountain which he decided to climb in
order to get his bearings. Strange beasts
blocked his way, however, and he was
forced back to the plain. As he was
bemoaning his fate, the poet Virgil ap
proached Dante and offered to conduct
him through Hell, Purgatory, and bliss
ful Paradise.
When they arrived at the gates of Hell,
Virgil explained that here were confined
those who had lived their lives without
regard for good or evil. At the River
Aoieron, where they found Charon, the
ferryman, Dante was seized with terror
and fell into a trance. Aroused by a loud
clap of thunder, he followed his guide
through Limbo, the first circle of Hell.
The spirits confined there, he learned,
were those who, although they had lived
a virtuous life, had not been baptized.
At the entrance to the second circle
of Hell, Dante met Minos, the Infernal
Judge, who warned him to take heed how
he entered the lower regions. Dante was
overcome by pity as he witnessed the
terrible punishment which the spirits
were undergoing. They had been guilty
of carnal sin, and for punishment they
were whirled around without cessation
in the air. The third circle housed those
who had been guilty of the sin of glut
tony. They were forced to lie deep in
the mud, under a constant fall of snow
and hail and stagnant water. Above them
stood Cerberus, a cruel monster, barking
at the helpless creatures and tearing at
their flesh. In the next circle, Dante
witnessed the punishment of the prodi
gal and the avaricious, and realized the
vanity of fortune.
He and Virgil continued on their
journey until they reached the Stygian
211
Lake, in which the wrathful and gloomy
were suffering. At Virgil's signal, a
Ferryman transported them across the
lake to the city of Dis. They were denied
admittance, however, and the gates were
closed against them by a multitude of
horrible demons. Dante and Virgil
gained admittance into the city only after
an angel had interceded for them. There
Dante discovered that tombs burning
with a blistering heat housed the souls of
heretics, Dante spoke to two of these
tormented spirits and learned that al
though they had the power to predict the
future, they had no way of knowing what
was occurring in the present.
The entrance to the seventh circle was
guarded by the Minotaur, and only
after Virgil had pacified him could the
two travelers pass down the steep crags
to the base of the mountain. There they
discerned a river of blood in which those
who had committed violence in their
lifetimes were confined. On the other
side of the river they learned that those
who had committed suicide were doomed
to inhabit the trunks of trees. Beyond
the river they came to a desert in which
were confined those who had sinned
against God, or Art, or Nature. A stream
flowed near the desert and the two poets
followed it until the water plunged into
an abyss. In order that they might de
scend to the eighth circle, Virgil sum
moned Geryon, a frightful monster, who
conducted them below. There they saw
the tortured souls of seducers, flatterers,
diviners, and barterers. Continuing along
their way, they witnessed the punish
ment accorded hypocrites and robbers.
In the ninth gulf were confined scandal
mongers and spreaders of false doctrine.
Among the writhing figures they saw
Mahomet, Still farther along, the two
discovered the horrible disease-ridden
bodies of forgerers, counterfeiters, al
chemists, and all those who deceived
under false pretenses.
They were summoned to the next
circle by the sound of a trumpet. In it
were confined all traitors. A ring of
giants surrounded the circle, one of whom
lifted both Dante and Virgil and de
posited them in the bottom of the circle.
There Dante conversed with many of
the spirits and learned the nature of their
particular crimes.
After this visit to the lowest depths of
Hell, Dante and Virgil emerged from
the foul air to the pure atmosphere which
surrounded the island of Purgatory. In
a little while, they saw a boat conducted
by an angel, in which were souls being
brought to Purgatory. Dante recognized
that of a friend among them. The two
poets reached the foot of a mountain,
where passing spirits showed them the
easiest path to climb its slope. On their
way up the path they encountered many
spirits who explained that they were
confined to Purgatory because they had
delayed their repentance too long. They
pleaded with Dante to ask their families
to pray for their souls when he once
again returned to earth. Soon Dante and
Virgil came to the gate of Purgatory,
which was guarded by an angel. The
two poets ascended a winding path and
saw men, bent under the weight of heavy
stones, who were expiating the sin of
pride. They examined the heavily carved
cornices which they passed, and found
them covered with inscriptions urging
humility and righteousness. At the sec
ond cornice were the souls of those who
had been guilty of envy. They wore
sackcloth and their eyelids were sewed
with iron thread. Around them were the
voices of angels singing of great examples
of humility and the futility of envy. An
angel invited the poets to visit the third
cornice, where those who had been guilty
of anger underwent repentance, Dante
was astonished at the examples of pa
tience which lie witnessed there. At the
fourth cornice he witnessed the purging
of the sin of indifference or gloominess.
He discussed with Virgil the nature of
love. The Latin poet stated that there
were two kinds of love, natural love,
which was always right, and love of the
soul, which might be misdirected. At the
212
fifth cornice, avarice was purged. On
their way to the next cornice, the two
were overtaken by Statius, whose spirit
had been cleansed and who was on his
way to Paradise. He accompanied them
to the next place of purging, where the
sin of gluttony was repented, while
voices sang of the glory of temperance.
The last cornice was the place for purg
ing by fire of the sin of incontinence.
Here the sinners were heard to recite
innumerable examples of praiseworthy
chastity.
An angel now directed the two poets
and Statius to a path which would lead
them to Paradise. Virgil told Dante that
he might wander through Paradise at
his will until he found his love, Bea
trice. As he was strolling through a
forest, Dante came to a stream, on the
other side of which stood a beautiful
woman. She explained to him that the
stream was called Lethe, and helped him
to cross it. Then Beatrice descended from
heaven and reproached him for his un
faithfulness to her during her life, but
the virgins in the heavenly fields inter
ceded with her on his behalf. Convinced
of his sincere repentance and remorse,
she agreed to accompany him through
the heavens.
On the moon Dante found those who
had made vows of chastity and deter
mined to follow the religious life, but
who were forced to break their vows.
Beatrice led him to the planet Mercury,
the second heaven, and from there to
Venus, the third heaven, where Dante
conversed with many spirits and learned
of their virtues. On the sun, the fourth
heaven, they were surrounded by a group
of spirits, among them Thomas Aquinas.
He named each of the spirits in turn and
discussed their individual virtues. A sec
ond circle of blessed spirits surrounded
the first, and Dante learned from each
how he had achieved blessedness.
Then Beatrice and Dante came to
Mars, the fifth heaven, where were cher
ished the souls of those who had been
martyred. Dante recognized many re
nowned warriors and crusaders among
them.
On Jupiter, the sixth heaven, Dante
saw the souls of those who had adminis
tered justice faithfully in the world. The
seventh heaven was on Saturn, where
Dante found the souls of those who had
spent their lives in meditation and reli
gious retirement. From there Beatrice and
her lover passed to the eighth heaven,
the region of the fixed stars. Dante
looked back over all the distance which
extended between the earth and this apex
of Paradise and was dazzled and awed by
what he saw. As they stood there, they
saw the triumphal hosts approaching,
with Christ leading, followed by Mary.
Dante was questioned by the saints.
Saint Peter examined his opinions con
cerning faith; Saint James, concerning
hope, and Saint John, concerning charity.
Adam then approached and told the poet
of the first man's creation, of his life in
Paradise, and of his fall and what had
caused it. Saint Peter bitterly lamented
the avarice which his apostolic successors
displayed, and all the sainted host agreed
with him.
Beatrice then conducted Dante to the
ninth heaven, where he was permitted
to view the divine essence and to listen
to the chorus of angels. She then led
him to the Empyrean, from the heights
of which, and with the aid of her vision,
he was able to witness the triumphs of
the angels and of the souls of the blessed.
So dazzled and overcome was he by this
vision that it was some time before fee
realized Beatrice had left him. At bis
side stood an old man whom he recog
nized as Saint Bernard, who told hna
Beatrice had returned to her throne. He
then told Dante that if he wished tx
discover still more of the heavenly vision,
he must join with him in a prayer to
Mary. Dante received the grace to con
template the glory of God, and to glimpse,
for a moment, the greatest of mysteries,
the Trinity and man's union with the
divine.
213
DR. JEKYLL AND MR. HYDE
Type of work: Novelette
Author: Robert Louis Stevenson (1850-1894)
Type of 'plot: Fantasy
Time of ylot: Nineteenth century
Locale: London
First published: 1886
Principal characters:
DR. HENRY JEKYLL, a London physician
MR. UTTEHSON, counselor for Dr. Jekyll
POOLE, Dr. Jekyll's manservant
DR. HASTIE LANYON, Dr. Jekyll's close friend
Critique:
The Strange Case of Dr. Jekyll and
Mr. Hyde has steadily maintained the
popularity which it had originally. The
story is basically one of romantic adven
ture and fantasy, of the type currently
found in paper pulps. Yet by merit of
Stevenson's understanding of human na
ture and his mastery of English prose,
the story holds subtle values as an illustra
tion of man's dual nature. It is not neces
sary to believe the story in order to under
stand and believe the symbolism.
The Story:
Mr. Richard Enfield, and his cousin,
Mr. Utterson, a lawyer, were strolling ac
cording to their usual Sunday custom
when they came upon an empty building
on a familiar street Mr. Enfield told that
some time previously he had seen an ill-
tempered man trample down a small child
at the doorway of the deserted building.
He and other indignant bystanders had
forced the stranger, who gave his name
as Hyde, to pay over a sum of money for
the child's welfare. Enfield remembered
the man Hyde with deep loathing.
Utterson had reasons to be interested
in Hyde. When he returned to his a-
partment he reread the strange will of
Dr. Henry Jekyll. The will stipulated
that in the event of Dr. Jekyll's death all
of his wealth should go to a man named
Edward Hyde.
Utterson sought out Hyde, the man
whom Enfield had described, to discover
if he were the same who Lad been
named heir to Dr. Jekyll's fortune. Sus
picious of Utterson's interest, Hyde be
came enraged and ran into his house.
Questioned, Dr. Jekyll refused to discuss
the matter, but insisted that in the event
of his death the lawyer should see to it
that Mr, Hyde was not cheated out of
his fortune. The lawyer believed that
Hyde was an extortioner who was getting
possession of Dr. Jekyll's money and who
would eventually murder the doctor.
About a year later Hyde was wanted
for the wanton murder of a kindly old
man, Sir Danvers Carew, but he escaped
before he could be arrested. Dr. Jekyll
presented the lawyer and the police with
a letter signed by Hyde, in which the
murderer declared his intention of mak
ing good his escape forever. Tie begged
Dr. Jekyll's pardon for having ill-used
his friendship.
About this time Dr. Lanyon, who had
been for years a great friend of Dr.
Jekyll, became ill and died. Among his
papers was a letter addressed to Utterson.
Opening it, Utterson discovered an inner
envelope also sealed and bearing the
notice that it was not to be opened until
after Dr. Jekyll's death. Utterson felt
that it was somehow associated with the
evil Hyde, but he could in no way
fathom the mystery.
One Sunday Enfield and Utterson
were walking again in the street
where Enfield had seen Hyde mistreating
the child. They now realized that the
strange deserted building was a side en
trance to the house of Dr. Jekyll, an
additional wing used as a laboratory.
214
Looking up at the window, they saw Dr.
Jekyll sitting there. He looked discon
solate. Then his expression seemed to
change, so that his face took on a grimace
of horror or pain. Suddenly he closed
the window. Utterson and Enfield walked
on, too overcome by what they had seen
to talk further.
Not long afterward Utterson was sit
ting by his fireside when Poole, Dr.
Jekyll's manservant, sought entrance. He
related that for a week something strange
had been going on in Dr. Jekyll's lab
oratory. The doctor himself had not ap
peared. Instead, he had ordered his
meals to be sent in and had written cur
ious notes demanding that Poole go to
all the chemical houses in London in
search of a mysterious drug. Poole was
convinced that his master had been slain
and that the murderer, masquerading as
Dr. Jekyll, was still hiding in the lab
oratory.
Utterson and Poole returned to Dr.
JekylFs house and broke into his labora
tory with an ax. Entering, they discovered
that the man in the laboratory had killed
himself by draining a vial of poison just
as they broke the lock. The man was
Edward Hyde.
They searched in vain for the doctor's
body, certain it was somewhere about
after they discovered a note of that date
addressed to Utterson. In the note Dr.
Jekyll said he was planning to disappear,
ana he urged Utterson to read the note
which Dr. Lanyon had left at the time
of his death. An enclosure contained
the confession of Henry Jekyll.
Utterson returned to his office to read
the letters. The letter of Dr. Lanyon
described how Dr. Jekyll had sent Poole
to Dr. Lanyon with a request that Dr.
Lanyon search for some drugs in Dr.
JekylFs laboratory. Hyde had appeared
to claim the drugs. Then, in Dr. Lan
yon 's presence, Hyde had taken the
drugs and had been transformed into Dr.
Jekyll. The shock of this transformation
had caused Dr. Lanyon's death.
Dr. Jekyll's own account of the hor
rible affair was more detailed. He had
begun early in life to live a double life.
Publicly he had been genteel and cir
cumspect, but privately he had practiced
strange vices without restraint. Becom
ing obsessed with the idea that people
had two personalities, he reasoned that
men were capable of having two physical
beings as well. Finally, he had com
pounded a mixture which transformed
his body into the physical representation
of his evil self. He became Hyde. In
his disguise he was free to haunt the
lonely, narrow comers of London and
to do the darkest acts without fear of
recognition.
He tried in every way to protect Hyde.
He cautioned his servants to let him in at
any hour; he took an apartment for him,
and he made out his will in Hyde's favor.
His life proceeded safely enough until he
awoke one morning in the shape of Ed
ward Hyde and realized that his evil
nature had gained the upper hand.
Frightened, he determined to cast off the
nature of Hyde. He sought out better
companions and tried to occupy his mind
with other things. However, he was not
strong enough to change his true nature.
He finally permitted himself to assume
the shape of Hyde again, and on that
occasion Hyde, full of an overpowering
lust to do evil, murdered Sir Danvers
Carew.
Dr. Jekyll renewed his effort to aban
don the nature of Hyde. Walking in the
park one day, he suddenly changed into
Hyde. On that occasion he had sought
out his friend Dr. Lanyon to go to his
laboratory to obtain the drugs which
would change him back to the personality
of the doctor. Dr. Lanyon had watched
the transformation with horror. There
after the nature of Hyde seemed to assert
itself constantly. When his supply of
chemicals had been exhausted and could
not be replenished, Dr. Jekyll, as Hyde,
shut himself up in his laboratory while he
experimented with one drug after another.
Finally, in despair, as Utterson now re
alized, he killed himself.
215
A DOLL'S HOUSE
Type of work: Drama
Author: Henrik Ibsen (1828-1906)
Type of plot; Social criticism
Time of pkt: Nineteenth century
Locale: Norway
Pirst presented: 1879
Principal characters:
TORVALD HELMER, a bank manager
NORA HELMER, his wife
MRS. LCNDE, Nora's old school friend
KROGSTAD, a bank clerk
DR. RANK, a friend of the Helmers
Critique:
A Doll's House is the best known and
one of the most popular of Ibsen's works.
A classic expression of the theme of
woman's rights, the play shocked Ibsen's
contemporaries, because in the end Nora
leaves her husband and children. In the
character of Dr. Rank there is a fore
shadowing of the heredity theme later
to be developed by Ibsen in Ghosts.
The Story:
On the day before Christmas, Nora
Helmer was busying herself with last
minute shopping, for this was the first
Christmas since her marriage that she
had not had to economize. Her husband,
Torvald, had just been made manager of
a bank and after the New Year their
money troubles would be over. She
bought a tree and plenty of toys for the
children, and she even indulged herself
in some macaroons, her favorite confec
tion, but of which Torvald did not en
tirely approve. He loved his wife dearly,
but he regarded her very much as her
own father had seen her, as an amusing
doll — a plaything.
It was true that she did behave like a
child sometimes in her relations with her
husband. She pouted, wheedled, and
chattered because Torvald expected these
things; he would not have loved his doll-
wife without them. Actually, Nora was
not a doll but a woman with a woman's
loves, hopes, and fears. This was shown
seven years before, just after her first
child was born, when Torvald had been
ill, and the doctor said that unless he
went abroad immediately he would die.
Nora was desperate. She could not seek
Torvald's advice because she knew he
would rather die than borrow money. She
could not go to her father, for he himself
was a dying man. She did the only
thing possible under the circumstances.
She borrowed the requisite two hundred
and fifty pounds from Krogstad, a money
lender, forging her father's name to the
note, so that Torvald could have his holi
day in Italy.
Krogstad was exacting, and she had
to think up ways and means to meet the
regular payments. When Torvald gave
her money for new dresses and such
things, she never spent more than half
of it, and she found other ways to earn
money, One winter she did copying,
but she kept this work a secret from
Torvald, for he believed that the money
for their trip had come from her father.
Then Krogstad, who was in the em
ploy of the bank of which Torvald was
now manager, determined to use Torvald
to advance his own fortunes. But Tor
vald hated Krogstad, and was just as de
termined to be rid of him. The oppor
tunity came when Christina Linde,
Nora's old school friend, applied to Tor
vald for a position in the bank. Torvald
resolved to dismiss Krogstad and hire
Mrs. Linde in his place.
When Krogstad discovered that he was
to be fired, he called on Nora and in
formed her that if he were dismissed he
216
would ruin her and her husband. He
reminded her that the note supposedly
signed by her father was dated three days
after his death. Frightened at the turn
matters had taken, Nora pleaded unsuc
cessfully with Torvald to reinstate Krog-
stad in the bank. Krogstad, receiving
from Torvald an official notice of his
dismissal, wrote in return a letter in
which he revealed the full details of the
forgery. He dropped the letter in the
mailbox outside the Helmer home.
Torvald was in a holiday mood. The
following evening they were to attend a
fancy dress ball, and Nora was to go as
a Neapolitan fisher girl and dance the
tarantella. To divert her husband's at
tention from the mailbox outside, Nora
practiced her dance before Torvald and
Dr. Rank, an old friend. Nora was
desperate, not knowing quite which way
to turn. She had thought of Mrs. Linde,
with whom Krogstad had at one time been
in love. Mrs. Linde promised to do what
she could to turn Krogstad from his
avowed purpose. Nora thought also of
Di. Rank, but when she began to confide
in him he made it so obvious that he
was in love with her that she could not
tell her secret However, Torvald had
promised her not to go near the mailbox
until after the ball.
What bothered Nora was not her own
fate, but Torvald's. She pictured herself
as already dead, drowned in icy black
water. She pictured the grief-stricken
Torvald taking upon himself all the
blame for what she had done and being
disgraced for her sake. But the reality
did not quite correspond with Nora's
picture. Mrs, Linde, by promising to
marry Krogstad and look after his chil
dren, succeeded in persuading him to
withdraw all accusations against the
Helmers, but she realized that Nora's
affairs had come to a crisis and that sooner
or later Nora and Torvald would have to
come to an understanding.
This crisis came when Torvald read
Krogstad's letter after their return from
the ball He accused Nora of being a
hypocrite, a liar, and a criminal, of hav--
ing no religion, no morality, no sense of
duty. He declared that she was unfit to
bring up her children. He informed her
that she might remain in his household
but she would no longer be a part of it.
Then another letter arrived from Krog
stad, declaring that he intended to take
no action against the Helrners. Torvald's
whole attitude changed, and with a sigh
of relief he boasted that lie was saved.
For the first time Nora saw her husband
for what he was — a selfish, pretentious
hypocrite with no regard for her position
in the matter. She reminded him that
no marriage could be built on inequality,
and announced her intention of leaving
his house forever. Torvald could not be
lieve his ears and pleaded with her to re
main. But she declared she was going to
try to become a reasonable human being,
to understand the world — in short, to be
come a woman, not a doll to flatter Tor-
vald's selfish 'vanity. She went out and
with irrevocable finality, slammed the
door of her doll house behind her.
DON JUAN
Type of work: Poem
Author: George Gordon, Lord Byron C1788-1824)
Type of plot: Social satire
Time of plot: Late eighteenth century
Locale: Spain, Turkey, Russia, England
first published: By Cantos, 1819-1824
Principal characters:
DON JUAN, a young Spaniard
DONNA INEZ, his mother
DONNA JULIA, his first mistress
217
HATD&E, his second love
THE SULTANA, who coveted Juan
CATHERINE, Empress of Russia
LADY ADELKSTE AMUNDEVILLE, Juan's adviser
DUCHESS OF Frrz-FuLKE, who pursued Juan
AURORA RABY, pursued by Juan
Critique:
Although Byron said that Don Juan
was to be an epic, his story does not fol
low epic tradition but becomes a vehicle
for digression on any and every subject
and person that entered his mind as he
wrote. The plot itself is almost a minor
part of the poem, for much more interest
ing are Byron's bitter tirades on England,
wealth, power, society, chastity, poets,
and diplomats. For that reason, Juan's
adventures being largely incidental, the
poem holds a high place among literary
satires, even though unfinished at Byron's
death,
The Story:
When Don Juan was a small boy, his
father died, leaving the boy in the care
of his mother, Donna Inez. Donna Inez
was a righteous woman who had made
her husband's life miserable. She had
her son tutored in the arts of fencing,
riding, and shooting, and she herself at
tempted to rear him in a moral manner.
But even though young Don Juan read
widely in the sermons and lives of the
saints, he did not seem to absorb from
his studies the qualities his mother
thought essential.
At sixteen, he was a handsome lad
much admired by his mother's friends.
Donna Julia, in particular, often looked
pensively at the youth. Donna Julia was
just twenty-three and married to a man
of fifty. Although she loved her husband,
or so she told herself, she thought often
of young Don Juan. One day, finding
herself alone with him, she gave herself
to the young man.
The young lovers spent long hours to
gether during the summer, and it was
not until November that Don Alfonso,
her husband, discovered their intrigue.
When Don Alfonso found Don Juan in
his wife's bedroom, he tried to throttle
him. But Don Juan overcame Don Al
fonso and fled, first to his mother's home
for clothes and money. Then Donna
Inez sent him to Cadiz, there to begin a
tour of Europe. The good lady prayed
that the trip would mend his morals.
Before his ship reached Leghorn a
storm broke it apart. Don Juan spent
many days in a lifeboat without food or
water. At last the boat was washed
ashore, and Don Juan fell exhausted on
the beach and slept. When he awoke,
he saw bending over him a beautiful girl
who told him that she was called Haidee
and that she was the daughter of the
ruler of the island, one of the Cyclades,
Her father, Lambro, was a pirate, deal
ing in jewels and slaves. Because she
knew her father would sell Don Juan to
the first trader who came by, Haide'e hid
Don Juan in a cave and sent her maids to
wait on him.
When Lambro left on another expedi
tion, Haide'e took Don Juan from the
cave and they roamed together over the
island. Haide'e heaped jewels and fine
foods and wines on Don Juan, for he was
the first man she had ever known except
her father and her servants. Although
Don Juan still tried to think of Donna
Julia, he could not resist I Iaide*e. A child
of nature and passion, she gave herself to
him with complete freedom. Again Don
Juan lived an idyllic existence, until
ITaideVs father returned unexpectedly.
Don Juan again fought gallantly, but at
last he was overcome by the old man's
servants and put aboard a slave ship
bound for a distant market. He never
saw Haid6e again, and he never knew
that she died carrying his unborn child.
The slave ship took Don Juan to a
Turkish market, where he and anodier
218
prisoner were purchased by a Negro
eunuch and taken to the palace of a
sultan. There Don Juan was made to
dress as a dancing maiden and present
himself to the sultana, the fourth and
favorite wife of the sultan. She had
passed by the slave market and had seen
Don Juan and wanted him for a lover.
In order to conceal his sex from the sul
tan, she forced the disguise on Don Juan.
But even at the threat of death, Don
Juan would not become her lover, for he
still yearned for Haidee. Perhaps his con
stancy might have wavered, if the sultana
had not been an infidel, for she was
young and beautiful.
Eventually Don Juan escaped from
the palace and joined the army of Cath
erine of Russia. The Russians were at
war with the sultan from whose palace
Don Juan had fled. Don Juan was such
a valiant soldier that he was sent to St.
Petersburg, to carry the news of a Rus
sian victory to Empress Catherine. Cath
erine also cast longing eyes on the hand
some stranger, and her approval soon
made Don Juan the toast of her capital.
In the midst of his luxury and good
fortune, Don Juan grew ill. Hoping that
a change of climate would help her favor
ite, Catherine resolved to send him on a
mission to England. When he reached
London he was well received, for he was
a polished young man, well versed in
fashionable etiquette. His mornings were
spent in business, but his afternoons and
evenings were devoted to lavish entertain
ment. He conducted himself with such
decorum, however, that he was much
sought after by proper young ladies and
much advised by older ones. Lady Ade
line Amundeville, made him her prot£g6,
and advised him freely on affairs of the
heart. Another, the Duchess of Fitz-
Fulke, advised him too, but her sugges
tions were of a more personal nature and
seemed to demand a secluded spot where
there was no danger from intruders. Be
cause of the Duchess of Fitz-Fulke's at
tentions to Don Juan, Lady Adeline
began to talk to him about selecting a
bride from the chaste and suitable young
ladies attentive to him.
Don Juan thought of marriage, but his
interest was stirred by a girl not on Lady
Adeline's list. Aurora Raby was a plain
young lady, prim, dull, and seemingly
unaware of Don Juan's presence. Her
lack of interest served to spur him on to
greater efforts, but a smile was his only
reward from the cold maiden.
His attention was diverted from Aurora
Raby by the appearance of the ghost of
the Black Friar, who had once lived in
the house of Lady Adeline, where Don
Juan was a guest. The ghost was a leg
endary figure reported to appear before
births, deaths, or marriages. To Don
Juan, the ghost was an evil omen, and
he could not laugh off the tightness about
his heart. Lady Adeline and her husband
seemed to consider the ghost a great
joke. Aurora Raby appeared to be a little
sympathetic with Don Juan, but the
Duchess of Fitz-Fulke merely laughed
at his discomfiture.
The second time the ghost appeared,
Don Juan followed it out of the house
and into the garden. It seemed to float
before him, always just out of his reach.
Once he thought he had grasped it, but
his fingers touched only a cold wall.
Then he seized it firmly and found that
the ghost had a sweet breath and full,
red lips. When the monk's cowl fell
back, the Duchess of Fitz-Fulke was re
vealed.
On the morning after, Don Juan ap
peared at breakfast, wan and tired.
Whether he had overcome more than the
ghost, no one will ever know. The duch
ess, too, came down, seeming to have the
air of one who had been, rebuked. . . .
219
DON QUIXOTE DB LA MANCHA
Type of work: Novel
Author: Miguel de Cervantes Saavedra (1547-1616)
Type of plot: Picaresque romance
Time of 'plot: Spanish Renaissance
Locale: Spain
first published: Pact I, 1605; Part II, 1615
Principal characters:
DON QUIXOTE DE LA MANCHA, a Icnight- errant
SANCHO PANZA, his squire
DULCINEA DEL Tofioso, a village wench
PEDRO PEREZ, a village curate
MASTER NICHOLAS, a barber
SAMSON CARRASCO, a young bachelor of arts
Critique:
Macauley said that Don Quixote is
"the best novel in the world, beyond
comparison." This belief was, is, and
certainly will be shared by lovers of lit
erary excellence everywhere. Cervantes'
avowed purpose was to ridicule the books
of chivalry which enjoyed popularity
even in his day. But he soared beyond
this satirical purpose in his wealth of
fancy and in his irrepressible high spirit
as he polces fun at social and literary con
ventions of his day. The novel provides
a cross-section of Spanish life, thought,
and feeling at the end o£ the chivalric
age.
The Story:
A retired and impoverished gentleman
named Alonzo Quixano lived in the
Spanish province of La Mancha. He had
read so many romances of chivalry that
his mind became stuffed with fantastic
accounts of tournaments, knightly quests,
damsels in distress, and strange enchant
ments, and he decided one day to imitate
the heroes of the books he read and to
revive the ancient custom of knight-
errantry. Changing his name to Don
Quixote de la Mancha, he had himself
dubbed a knight by a rascally publican
whose miserable inn he mistook for a tur-
reted castle.
For armor he donned an old suit of
mail which had belonged to his great
grandfather. Then upon a bony old nag
he called Rosinante, he set out upon his
first adventure. Not far from his village
he fell into the company of some travel
ing merchants who thought the old man
mad and beat him severely when he chal
lenged them to a passage at anus.
Back home recovering from his cuts
and bruises, he was closely watched by
his good neighbor, Pedro Perez, the vil
lage priest, and Master Nicholas, the
barber. Hoping to cure him of his fancies,
the curate and the barber burned his
library of chivalric romances. Don Quix
ote, however, believed that his books had
been carried off by a wizard. Undaunted
by his misfortunes, he determined to set
out on the road again, with an uncouth
rustic named Sancho Panza as his squire.
As the mistress to whom he would dedi
cate his deeds of valor he chose a buxom
peasant wench famous for her skill in
salting pork. He called her Dulcinea del
Toboso.
The knight and his squire had to sneak
out of the village under cover of dark
ness, but in their own minds they pre
sented a brave appearance: the lean old
man on his bony horse and his squat,
black-browed servant on a small ass,
Dapple. The don carried his sword and
lance, Sancho Panza a canvas wallet and
a leather bottle. Sancho went with the
don because in his shallow-brained way
he hoped to become governor of an isle.
The don's first encounter was with a
score of windmills on the plains of Mon-
tiel. Mistaking them for monstrous giants,
220
he couched his lance, set spurs to Rosi-
nante's thin flanks, and charged full tilt
against them. One of the whirling vanes
lifted him from his saddle and threw him
into the air. When Sancho Panza ran to
pick him up, he explained that sorcerers
had changed the giants into windmills.
Shortly afterward he encountered two
monks riding in company with a lady in
a coach escorted by men on horseback
Don Quixote imagined that the lady was
a captive princess. Haughtily demanding
her release, he unhorsed one of the friars
in an attempted rescue. Sancho was
beaten by the lady's lackeys. Don Quix
ote bested her Biscayan squire in a sword
fight, sparing the man's life on condition
that he go to Toboso and yield himself
to the peerless Dulcinea. Sancho, having
little taste for violence, wanted to get on
to his isle as quickly as possible.
At an inn Quixote became involved in
an assignation between a carrier and a
servant girl. He was trounced by the
carrier. The don, insulted by the inn
keeper's demand for payment, rode away
without paying. Sancho, to his terror,
was tossed in a blanket as payment for his
master's debt.
The pair came upon dust clouds stirred
up by two large flocks of sheep. Don
Quixote, sure that they were two medie
val armies closing in combat, intervened,
only to be pummeled with rocks by the
indignant shepherds, whose sheep he had
scattered.
At night the don thought a funeral
procession was a parade of monsters. He
attacked and routed the mourners and
was called the Knight of the Sorry Aspect
by Sancho. The two came upon a roaring
noise in the night. Quixote, believing
it to be made by giants, wanted to attack
immediately, but Sancho judiciously
hobbled Rosinante so he could not move.
The next day they discovered the noise
carne from the pounding of a mill.
Quixote attacked an itinerant barber
and seized the poor barber's bowl, which
he declared to be the famous golden hel
met of Mambrino, and his packsaddle,
which he believed to be a richly-jeweled
caparison.
Next, the pair came upon a chain-
gang being taken to the galleys. The don
interviewed various prisoners and decided
to succor the afflicted. He freed them,
only to be insulted by their remarks con
cerning his lady, the fair Dulcinea. San
cho, afraid of what would ensue from
their releasing of the galley slaves, led
Quixote into the mountains for safety.
There they came upon a hermit, a noble
man, who told them a long story of un
requited love. Quixote and the hermit
fought over the virtues of their inamora
tas. Deciding to do penance and to fast
for the love of Dulcinea, Quixote gave a
letter to Sancho to deliver to the maiden.
When Sancho returned to the village
Don Quixote's friends learned from
Sancho the old man's whereabouts. They
returned with Sancho to the mountains,
in hopes that they could trick Don Quix
ote into returning with them. The priest
devised a scheme whereby a young peas
ant woman would pose as a distressed
princess. Don Quixote, all but dead from
hunger and exposure, was easily deceived,
and the party started homeward.
They came to the inn where Sancho
had been tossed in the blanket. The
priest explained the don's vagaries to the
alarmed innkeeper, who admitted that
he, too, was addicted to the reading of
romances of chivalry. At the inn Don
Quixote fought in his sleep with ogres
and ran his sword through two of the
innkeeper's precious wine-skins. The
itinerant barber stopped by and de
manded the return of his basin and pack-
saddle. After the party had sport at the
expense of the befuddled barber, restitu
tion was made. An officer appeared with
a warrant for the arrest of the don and
Sancho for releasing the galleyslaves.
The priest explained his friend's mental
condition and the officer departed.
Seeing no other means of getting Don
Quixote quietly home, his friends dis
guised themselves and placed the don in
a cage mounted on an oxcart. He was
22!
later released under oath not to attempt
to escape. A canon, joining the party,
sought to bring Quixote to his senses by
logical argument against books of knight-
errantry. The don refuted the canon with
a charming and brilliant argument and
went on to narrate a typical romance of
derring-do. Before the group reached
home, they came upon a goatherd who
told them a story and by whom Quixote
was beaten through a misunderstanding.
Sometime later the priest and the bar
ber visited the convalescing Don Quixote
to give him news of Spain and of the
world. When they told him there was
danger of an attack on Spain by the
Turks, the don suggested that the king
assemble all of Spain's knights-errant to
repulse the enemy. At this time, Sancho
entered despite efforts to bar him. He
brought word that a book telling of their
adventures had appeared. The sight of
Sancho inspired the don to sally forth
again. His excuse was a great tourna
ment to be held at Saragossa.
Failing to dissuade Don Quixote from
going forth again, his friends were re
assured when a village student promised
he would waylay the flighty old gentle
man.
Don Quixote's first destination was the
home of Dulcinea in nearby El Toboso.
While the don awaited in a forest, Sancho
saw three peasant girls riding out of the
village. He rode to his master and told
him that Dulcinea with two handmaidens
approached. Frightened by the don's fan
tastic speech, the girls fled. Don Quixote
swore that Dulcinea had been enchanted.
Benighted in a forest, the knight and
his squire were awakened by the arrival
of another knight and squire. The other
knight boasted that he had defeated in
combat all Spanish knights. The don,
believing the knight to be mistaken, chal
lenged him. They fought by daylight
and, miraculously, Don Quixote unhorsed
the Knight of the Wood, who was Car-
rasco, the village student, in disguise. His
squire was an old acquaintance of
Sancho. The don declared the resem
blances were the work of magicians and
continued on his way. Upset by his
failure, Carrasco swore vengeance on Don
Quixote.
Sancho filled Quixote's helmet with
curds which he procured from shepherds.
When the don suddenly clapped on his
helmet at the approach of another ad
venture, he thought his brains were
melting. This new adventure took the
form of a wagon bearing two caged lions.
Quixote, ever intrepid, commanded the
keeper to open one cage — he would en
gage a lion in combat. Unhappily, the
keeper obeyed. Quixote stood ready, but
the lion yawned and refused to come out.
The don and Sancho joined a wedding
party and subsequently attended a wed
ding festival at which the rejected lover
tricked the bride into marrying him in
stead of the rich man she had chosen.
Next, the pair were taken to the Caves
of Montesinos, where Quixote was low
ered underground. He was brought up
an hour later asleep, and, upon awaken
ing, he told a story of having spent three
days in a land of palaces and magic
forests where he had seen his enchanted
Dulcinea.
At an inn Quixote met a puppeteer
who had a divining ape. By trickery, the
rascal identified the don and Sancho
with the help of the ape. He presented
a melodramatic puppet show which Don
Quixote, carried away by the make-be
lieve story, demolished with his sword.
The don paid for the damage done and
struck out for the nearby River Ebro,
He and Sancho took a boat and were car
ried by the current toward some churn
ing mill wheels, which the don thought
were a beleaguered city awaiting deliver
ance. They were rescued by millers after
the boat had been wreckecl and the pair
thoroughly soaked.
Later, in a forest, the pair met a hunt
ress who claimed knowledge of the fam
ous knight and his squire. They went
with the lady to her castle and were
welcomed by a duke and his duchess
who had read of their previous adventures
222
and who were ready to have great fun at
the pair's expense. The hosts arranged
an elaborate night ceremony to disen
chant Dulcinea, who was represented by
a disguised page. Sancho was told, to
his great discomfort, that he would re
ceive five hundred lashes as his part of
the disenchantment. Part of the jest was
a ride through space on a magic wooden
horse. Blindfolded, the pair mounted
their steed and servants blew air in their
faces from bellows and thrust torches
near their faces.
Sancho departed to govern his isle, a
village in the domains of the duke and
duchess, while the female part of the
household turned to the project of com
promising Quixote in his worship of Dul
cinea. Sancho governed for a week. He
made good laws and delivered wise judg
ments, but at the end of a week he
yearned for the freedom of the road. To
gether he and his master proceeded
toward Saragossa. Don Quixote changed
their destination to Barcelona, however,
when he heard that a citizen of that
city had written a spurious account of
his adventures.
In Barcelona they marveled at the
city, the ships, and the sea. Don Quixote
and Sancho were the guests of Moreno,
who took them to inspect the royal
galleys. The galley which they visited
suddenly put out to sea in pursuit of
pirates and a fight followed. Sancho was
terrified.
There came to Barcelona a Knight of
the White Moon, who challenged Don
Quixote to combat. After the old man
had been overcome, the strange knight,
in reality the student Carrasco, sentenced
him to return home. Don Quixote went
back, determined next to follow a pas
toral shepherd life. At home, the tired
old man quickly declined. Before he
died, he renounced as nonsense all to do
with knight-errantry, not realizing that
in his high-minded, noble-hearted nature
he himself had been a great chivalric
gentleman.
THE DOWNFALL
Type of work: Novel
Author: Emile Zola (1840-1902)
Type of 'plot: Social criticism
Timeofjtlot: 1870-1871
Locale: France
First published: 1892
Principal characters:
MAURICE LEVASSEUR, a private in the French Army
JEAN MACQUART, his corporal
DELAHERCHE, a textile manufacturer
WEISS, his secretary
HENRIETTE, twin sister of Maurice and wife of Weiss
FOUCHARD, a shrewd farmer
HONORE, his son
SILVTNE, Fouchard's servant
Critique:
Zola's theme in this highly contrived
novel would seem to be that France paid
in full measure for the indulgences of
seventy years in her wretched defeat at
the hands of Bismarck and Von Moltke
in 1870-71. Each character is a symbol
of an economic or social group. Zola's
account of Sedan, of the events leading
up to Sedan, and of the insurrection in
Paris, command admiration for his re
search. The plot makes even more dra
matic the historical facts.
223
The Story:
Corporal Jean Macquart, a sturdy
French peasant, led the squad of infantry
of which Private Maurice Levasseur was
a member. The squad was a part of the
106th Regiment of the Seventh Corps
of the French Army. A state of war
existed between France and Prussia; the
year was 1870. At the outset it had
been felt in France that the war would be
nothing more than a quick promenade to
Berlin, but shortages of equipment, the
rivalry of the French commanders, and
quick Prussian success made the outcome
of the conflict doubtful.
Maurice, a scapegrace who had enlisted
to get away from financial troubles in
Paris, believed in the evolutionary neces
sity of war. As a member of the middle
class, he loathed Jean, whose peasant
common sense was unendurable to him.
Misinformation and lack of informa
tion led the leader of the Seventh Corps
to order his divisions to fall back from
their positions around Mulhausen, in
Alsace. Defeat was in the air. Civilians,
having heard that the Prussians were
sweeping all before them, were fleeing
westward. Demoralized, the troops threw
away their packs and rifles. At Belfort
the corps entrained for Rheims, where
the retreating and disorganized French
forces were regrouping.
Prussian victories cost Emperor Na
poleon III his command of the French
armies. But Napoleon, with his official
entourage, remained with the troops.
Maurice, in Rheims, learned from battle
veterans that the Prussians were young,
healthy, well-organized, and well-
equipped. He lost all hope for France
when he caught sight of the sickly em
peror in Rheims.
The army was ordered to march to
Verdun. Mendacious ministers and
journalists lulled the French forces into
a false sense of security. When the
troops reached the Ardennes, there were
marches and counter-marches, for the
positions of the Prussian armies were
not known by the French commanders.
Regiments became mobs as the French
approached Sedan. By that time Maurice
had become reconciled to his fate, and
had even grown to admire Jean, whose
steadiness had kept the squad together.
Near Sedan, Maurice, Jean, and Hon-
or6, an artilleryman, rescued Honor6's
father, old Fouchard, from pillaging sol
diers. There Honor6 also promised to
marry Silvine, Fouchard's servant, who
had had a baby by Fouchard's hired
hand, Goliath. The hired man was
suspected of being a Prussian spy, for at
the beginning of hostilities he had dis
appeared from the Fouchard farm.
Sedan was a place of confusion, where
men were separated from their units be
cause there was no discipline and no
organization. In the confusion, Jean and
Maurice met at the house of Delaherche,
a Sedan textile manufacturer, whose
secretary, Weiss, was the husband of
Maurice's twin sister, Henriette. After
a rest Jean and Maurice rejoined their
regiment. Napoleon III accompanied the
troops to Sedan.
As the French pourccl into Sedan, it
became evident that the Prussians were
drawing a ring around the fortified town,
Weiss and Delaherche went to Bazeilles,
a village near Sedan, to check the safety
of property which they owned there.
Weiss, caught in a battle which took
place in the village, joined the French
forces against the Prussians, Delaherche
hastened back to Sedan. Maurice, in
the meantime, experienced his first artil
lery barrage.
At Bazeilles the Prussians closed in
on inferior French forces. Weiss, in his
house, was joined by a small group of
French soldiers and one civilian to make
a last ditch stand. Captured, Weiss was
put up against a wall to be shot. Hen
riette appeared, and despite her plea to
be shot with her husband, she was pushed
aside while the Prussians shot Weiss.
Henriette, nearly out of her mind with
grief, wandered about the field where
the battle was still going on.
224
The 106th Regiment was decimated
in a futile attempt to retake a strategic
hill. When Jean was wounded, Maurice
carried him to safety. Honore" Fouchaid
was killed at his gun* Napoleon had a
white flag raised over a city roof, but it
was torn down. Delaherche's factory-
was converted into a hospital, soon filled
to overflowing with French wounded.
Napoleon sent General Reille to the
Prussians with a letter of capitulation.
Maurice, Jean, and several survivors
of the 106th made their way into Sedan,
where Maurice met Henriette and
learned of Weiss' gallant death. They
were engaged in a fight with Prussian
Guards commanded by an officer whom
Maurice recognized to be his cousin
Gunther. Henriette kept Maurice from
shooting Gunther.
By nightfall all had become silent ex
cept for the turmoil created by the move
ment of thousands of French troops into
Sedan. The French were forced to accept
the demands of Bismarck and Von
Moltke.
The next day Silvine went out to the
battlefield and recovered the body of
Honore". Henriette learned that Weiss'
body had been consumed in fires started
by the Prussians at Bazeilles.
The surrendered French soldiers were
herded together to await deportation to
Germany. A few French officers who
promised never to take up arms again
were released. In the camp men were
murdered for filthy scraps of bread and
spoiled horseflesh. Maurice, who no
longer believed in anything, nearly lost
control of himself. Jean, a cool veteran
of previous campaigns, placed himself
and Maurice among soldiers of a regi
ment leaving for Germany. At a stop
along the way, Jean procured civilian
clothes from a sympathetic French girl
who was selling bread. The pair changed
quickly inside a tent and escaped into
a forest. When they came to a Prussian
outpost, Jean was wounded by rifle fire,
but they managed to escape and make
their way back to old Fouchard's farm,
where they found Henriette. Maurice
went on to aid in the defense of Paris;
Jean remained with Fouchard to be
nursed back to health by Henriette.
The proclamation of the Second Re
public was followed by the capitulation
of Marshal Bazaine at Metz. Paris was
invested by the Prussians while frantic
attempts were made to organize new
French armies in other parts of France.
Goliath, employed by the Prussians as
a spy around Sedan, came to Silvine seek
ing her good graces. Upon her refusal,
he threatened to expose Fouchard's con
nection with French partisans. When
Goliath returned for his answer, two of
the partisans, assisted by Silvine, killed
him.
In Sedan Delaherche became friendly
with Prussian Captain Von Gartlauben,
who was billeted in the Delaherche
house; he found the captain's friendship
to be most advantageous in the matter
of reestablishing his textile works.
Jean, well again, joined the Army of
the North. Maurice, meanwhile, took
part in the defense of Paris. Sick of the
Republic, he deserted after the capitula
tion of Paris and took a room near the
boulevards. When the Commune took
command in Paris and civil war broke
out, Maurice joined the forces of the
Commune to fight against the Republi
can forces, of which Jean's regiment was
a part. The insurrectionists fired the
city as they were pushed back. Maurice
was bayoneted by Jean during night
fighting in the streets. Jean disguised
Maurice as a Republican soldier and took
him to Maurice's lodgings, where Henri
ette, who had come to Paris to seek
Maurice, was waiting. There Maurice
passed the crisis safely, but a later hemor
rhage killed him. Jean, broken-hearted
at having been the cause of his friend's
death, told Henriette goodbye, with the
feeling that here was a pin-point of the
desolation all France must know.
225
DRAGON SEED
Type of work: Novel
Author: Pearl S. Buck (1 892-
Type of plot: Social chronicle
Time of plot: World War II
Locale: China
1942
Principal characters:
LING TAN, a Chinese farmer
LING SAO, his wife
LAO TA,
LAO ER,
LAO SAN, and
PANSIAO, their children
ORCHID, Lao Ta's wife
JADE, Lao Er's wife
Wu LIEN, Ling Tan's son-in-law
MAYLI, a mission teacher
Critique:
The plot of this novel as a social chron
icle is swiftly paced and convincing until
the appearance of Mayli; then the em
phasis shifts to the rather improbable love
affair of Mayli and Lao San. Background
and character remain superior to plot.
As a result, the reader absorbs an excel
lent impression of these people of an alien
culture, through colorful details woven
into the pattern of the narrative. Dragon
Seed also tells what World War II meant
to the Chinese peasantry.
The Story:
Ling Tan's family all lived together in
his ancestral home. Besides Ling Tan
and his wife, Ling Sao, there were three
sons, Lao Ta, Lao Er, and Lao San, and
a daughter, Pansiao. Lao Ta and his wife
Orchid had two children. Lao Er and his
wife Jade as yet had none.
Jade was a strange woman who cared
little for the old rules and customs gov
erning Chinese wives. Her free manners
and frank tongue were an embarrassment
to Lao Er, for the men chided him about
it. Then, too, he felt as if he did not
really understand his wife. One evening,
after they had both heard how the Jap
anese had begun war in the north, they
unburdened their hearts to each other,
and Lao Er accepted the fact that he was
married to a woman who was not like
the others. He promised to go to the city
and buy her a book so that she could
learn what was happening in the world.
While Lao Er was in the city, he
visited Wu Lien, a merchant who had
married his older sister. Some Chinese
students destroyed the Japanese merchan
dise that Wu Lien had for sale and
branded him as a traitor. When Ling Sao
heard this bad news, she too went to the
city. Wu Lien was sick with worry over
what had happened to him; he had also
heard that the Japanese had landed on
the coast nearby and wore pushing in
land. Ling Sao comforted him as well as
she could and returned home.
The next morning Ling Tan was work
ing in his fields when he saw Japanese
aircraft approaching to bomb the city.
Me and the other farmers watched the
planes, curious and unafraid. That night
Wu Lien came to his father-in-law's
house seeking refuge, for his shop had
been hit by a bomb. Only then did Ling
Tan's family learn the meaning of what
had happened that clay.
The next clay Ling Tan and Lao San
went to the city, where they were caught
in the second air raid. Gravely, Ling Tan
DRAGON SEED by Pearl S, Buck. By permission of the author, her agent David Lloyd, and the publishers,
The John Day Co., Inc. Copyright, 1941, 1942, by Pearl S. Buck.
226
asked his family how they were going
to resist this enemy. Lao Er and Jade
said that they must go westward into the
hills, for Jade was now with child. The
rest of the family decided to stay and hold
the ancestral land at all costs.
Streams of refugees passed along the
road toward the west, and Lao Er and
Jade joined a group of students who
were moving their school inland. Lao Er
promised to send word when the baby
was born. Other students passed through
the village and stopped to tell of the
atrocities of the Japanese, but the simple
farmers could not believe the stories they
heard. After a month or so Ling Tan and
his family could hear the roar of the
Japanese guns as they approached the
city, Chinese soldiers deserted to the
hills, leaving the inhabitants at the mercy
of the enemy. For a few days after the
city was taken all was peaceful. Then
some Japanese marched to the village and
demanded wine and women. Ling Tan
hid his family in the fields. The soldiers
discovered Wu Lien's mother, who was
too old and fat to flee. When they found
no other women, they attacked her and
killed her. Then they wrecked the house
and left.
Since he knew now that no woman
was safe from the Japanese, Ling Tan
put all of the women of his family with
the white missionary lady in the city.
The men remained at the farm, except
for Wu Lien. He returned to his shop
in the city and advertised for Japanese
business.
Meanwhile the soldiers came again to
Ling Tan's house in search of women.
When they found none, they attacked
Lao San, the youngest son. Humiliated
and filled with hatred, the boy left to join
the hill people who were fighting the
Japanese.
Wu Lien ingratiated himself with the
conquerors and was appointed to a job
in the new city government. He took
his family from the mission and moved
into spacious quarters provided by the
Japanese.
Orchid grew bored in the mission.
She thought that the city was quiet now
and nothing could happen to her. One
day she went for a walk. Five soldiers
captured her and killed her while they
satisfied their lust. When her body was
returned to the mission, Ling Sao sent
for Ling Tan and Lao Ta. She could no
longer stay in the city. She returned to
the farm with Ling Tan, Lao Ta, and the
two children of Orchid and Lao Ta. Pan-
siao was sent westward to a mission
school in the hills, where she would be
safe.
A message from Lao Er announced
that Jade had a son. Ling Tan sent foi
Lao Er and his family to come and help
with the farm. Lao Er obeyed the sum
mons, for he could be useful as a mes
senger between the village and the
guerilla warriors in the hills. He and
Jade made a secret cavern under the
house where they could store arms for the
villagers. Meanwhile the children of Lao
Ta died of flux and fever. Despondent,
he left for the hills to join Lao San. Ling
Tan worked his farm as best he could
and held back from the enemy as much
grain as he dared.
Lao San and Lao Ta returned from the
hills with rifles to hide in the secret
cavern. Whenever there were no witness
es, the farmers killed Japanese soldiers
and secretly buried them. Jade succeeded
in poisoning many Japanese leaders at a
great feast in the city. A cousin of Ling
Tan went to the city and stole a radio
from Wu Lien. Afterwards he was able
to report to the people the progress of the
war. The people took heart from the
knowledge that there were others fighting
the Japanese.
Lao San had become a ruthless killer
and Ling Tan thought that he needed a
spirited wife to tame him. Jade wrote
to Pansiao, asking her to find a wife for
Lao San among the girls at the mission.
Pansiao told one of her teachers, the
daughter of a Chinese ambassador, about
her brother. This girl, Mayli, traveled to
see Lao San for herself. The young peo-
227
pie fell in love at first sight, but Mayli Tan began to brood. Then one day Lao
returned to the hills to wait for Lao San Er took the old man to the city to hear
to come after her. Lao Ta also returned the news from the hidden radio. They
home with a new wife. Ling Tan's house heard that England and the United States
was full again, for Jade gave birth to were now fighting on their side. Ling
twin boys. Tan wept for joy. Perhaps some day
The hardships continued. Losing all there would be an end to the war. Once
hope of conquering the Japanese, Ling again there was hope.
DRUMS
Type of work: Novel
Author: James Boyd (1888-1944)
Type of plot: Historical romance
Time of 'plot: American Revolution
Locale: North Carolina and London
First published: 1925
Principal characters:
SQUIRJE PHASER, a North Carolina planter
MRS. FRASER, his wife
JOHN PHASER, their son
SIR NAT DUKINFIELD, a sportsman
CAPTAIN TENNAIST, Collector of the Port at Eclenton
EVE TENNANT, his daughter
WYLIE JONES, a plantation owner
PAUL JONES, a sailor
SALLY MERRILLEE, a neighbor of the Frasers
Critique:
In Drums the author attempted to re- Nat Dukinfield, a young rake, asked
produce the feelings and actions of all John to go riding with him one after-
classes of Americans during the Revolu- noon. They parted close friends. Through
tion, and he accomplished his purpose Dr. Clapton, John met Captain Tennant,.
admirably, sometimes, however, at the ex- the Collector of the Port at Edcnton,
pense of the movement of the plot. The Captain Tennant took John home with
episodes at the race track and on the him and introduced him to Eve, his
sea stand out in vividness above the rest daughter, who overwhelmed John and
of the action, The book is a pleasing embarrassed him with her coquettish
mixture of history and adventure, with manners. Captain Flood, a river boat
little emphasis upon character. skipper, was another of his friends. The
old man taught him some sea lore and on
The Story: ys tl^s Up ancj c[own tiie rjver actccj as
John Fraser lived with his mother and a messenger between John and his par-
father in the backwoods of North Caro- ents,
Una. Squire Fraser, a strict but kind John went often to visit Captain Ten-
Scotsman, was determined that his son nant and Eve. One evening two other
should have a gentleman's education, and gentlemen arrived at their house, Mr.
so he sent John to the coastal town of Hewes, a shipbuilder, and Mr, Battle, a
Edenton to be tutored by Dr. Clapton, an young lawyer, A bitter argument began
English clergyman. among the gentlemen over the new tax
There John made many friends. Sir on tea. Autumn came, and Squire Fra-
DRUMS by James Boyd. By permission of the publishers, Charles Scribner's Sons, Copyright 1925 by Charlc*
Scribnor s Sons. *
228
ser sent for John to come home for a
short vacation. Captain Flood took John
up the river to Halifax. There he stayed
overnight at the plantation of Wylie
Jones, a rich young landowner.
After three years of schooling from
Dr. Clapton, John became a young pro
vincial gentleman. The only cloud on
his horizon was the report of troubles
with the British in Boston. Many people
were angry; some predicted violence. But
John thrust dark thoughts aside, for to
morrow was the day of the races. Sir Nat
was to match his horse against a thorough
bred from Virginia. Everyone seemed to
be excited over the holiday except Mr.
Hewes, Mr. Battle, and Wylie Jones.
The three sat apart at a table in the
tavern and talked seriously among them
selves while the rest of the company
sang songs. At last Wylie Jones rose and
announced that the ministers in Parlia
ment had requested the king to declare
the American Colonies in a state of re
bellion.
The next day John rode to the races
with Sir Nat; Eve was going with fat
Master Hal Cherry, a repulsive boy,
but rich. Sir Nat's horse was in perfect
condition; his jockey, who had been
drunk the night before, was not. He lost
the first heat to the horse from Virginia.
Then Sir Nat turned to John and asked
him to ride. John rode the next two heats
and won both of them. His friends cele
brated the victory he had won for North
Carolina.
Spring came. Sir Nat, putting no stock
in rumors of war with the Colonies, vol
unteered for the English cavalry; he
wanted to fight the French. The day
after Sir Nat left for England, John
learned of the battle fought at Lexington.
Squire Fraser sent a letter to his son
with instructions to come home at once
if British authority were overthrown at
Eden ton. John went to say goodbye to
Captain Tennant and Eve, and then, fol
lowing his father's instructions, he took
leave of Dr. Clapton and went up the
river with Wylie Jones. At Wylie's
plantation he met Paul Jones, an adven
turous seaman who had taken Wylie's last
name. Mr. Battle, Paul Jones, and Wylie
discussed a naval war against the British.
They urged John to decide soon on which
side he would be. He rode sadly home
from Wylie's, but he brightened when
he met Sally Merrillee, an old playmate.
He suddenly decided that he liked her
backwoods manners, so different from
those of Eve Tennant. Later a company
of militia camped on the Merrillee prop
erty, and the officers were billeted in
Sally's house. John became angry at Sal
ly's attentions to the militia officers and
ceased courting her. Finally, Squire
Fraser sent John to England to put the
family money in a safe bank. John was
happy at a chance for an honorable es
cape from his problem. But when he
went to say goodbye to Sally, she had
only contempt for him. Her brother had
gone with the militia.
In London, John became the clerk of
an importing firm and again met Eve
and Captain Tennant. He received a
letter from Wylie Jones, who asked him
to deliver some money to Paul Jones'
mother in Scotland. John was staying
at an inn on the Scottish coast the night
American sailors made a shore raid. Sud
denly homesick for America, he went
back with them to their ship. The captain
was Paul Jones. Grateful for the favor
John had done for him in Scotland, he
signed John on as a crew member.
After a naval engagement, the ship
anchored in the French harbor of Brest.
Then came long months of waiting while
Paul Jones tried to get a larger ship from
the French. Sir Nat arrived from Eng
land to visit John. One evening the two
became involved in a tavern brawl, and
Sir Nat was killed. At last Paul Jones
obtained another ship, the Bonhomme
Richard.
The ship put to sea with a motley
crew and captured several British mer
chant vessels. Then, in a running fight
with the Baltic Fleet, John was wounded
in the left elbow. No longer fit for active
229
duty and still feverish from his wound,
he sailed home to North Carolina on a
Dutch ship. As soon as his arm had
healed, he volunteered in the militia, but
they wanted no stiff-armed men. He
helped out Sally's mother on her farm.
Sally had gone north to nurse her brother,
who had smallpox. Mr. Merrillee had
been killed in the war.
When Sally returned, John went to
call on her. But when he tried to tell her
that he loved her, she wept. Thinking
she was rejecting his love, he left discon
solately. He volunteered again for the
militia and was accepted. In a skirmish
with British troops he was wounded a
second time.
His arm now useless, John spent his
days sitting on the front porch. One day
Sally's mother came to call on him and
scolded him for neglecting her daughter.
Sally was in love with him; he had mis
taken her reason for crying. John sud
denly felt much better. He felt better
still when his father heard that the
British were retreating. As he sat on the
porch, General Greene's victorious army
passed along the road. John stumbled
down to the fence and raised his stiff arm
in an Indian salute as the last man of
the rear guard came to the crest of a
hill. The distant soldier, silhouetted
against the sunset, raised his rifle over his
head in answer. The war was over. In
a few days he would be strong enough to
visit Sally*
DRUMS ALONG THE MOHAWK
Type of work: Novel
Author: Walter D, Edmonds (1903- )
Type of 'plot: Historical chronicle
Time of plot: 1775-1783
Locale: The Mohawk Valley
First published: 1936
Principal characters:
GILBERT MARTIN, a young pioneer
MAGDELANA BORST MARTIN (LANA), his wife
MARK DEMOOTH, a captain of the militia
JOHN WOLFF, a Tory
BLUE BLACK, a friendly Oneida Indian
MRS. McKLENNAR, Captain Barnabas McKlermar's widow
JOSEPH BRANT, an Indian chief
GENERAL BENEDICT ARNOLD
NANCY SCHUYLER, Mrs. Demooth's maid
JURRY McLoNis, a Tory
HON YOST, Nancy's brother
Critique:
Drums Along the Mohawk depicts
with great clarity the history of those
stirring years from 1775 to 1783. Ed
monds does not attempt a sweeping pic
ture of the Revolutionary War. Instead,
he shows how the times affected the
farmers and residents of the Mohawk Val
ley in upstate New York. Realistically
told, the novel gains added authenticity
because its people, with some exceptions,
actually lived during that period of Amer
ican history. Edmonds lists his fictitious
characters in an Author's Note.
The Story:
Magdelana Borst, the oldest of five
daughters, married Gilbert Martin and
together they started ojflf from her home
at Fox's Mjfll to settle farther west in their
home at Deerfield. The time was July,
DRUMS ALONG THE MOHAWK by Walter D. Edmonds. By permission of the author, of Harold Ober, and
the publishers, Little, Brown & Co. Copyright, 1936, by Walter D. Edmondi.
230
1776, and the spirit of the revolution
was reaching into the Mohawk Valley,
where settlers who sided with the rebels
had already formed a company of militia
commanded by Mark Demooth. Soon
after he came to his new home Gil had
to report for muster day. Some Indians
had been seen in the vicinity. Also, the
militia had decided to investigate the
home of John Wolff, suspected of being
a king's man. Finding evidence that a
spy had been hidden on the Wolff farm,
they arrested John Wolff, convicted him
of aiding the British, and sent him to
the Newgate Prison at Simsbury Mines.
A few months after their arrival at
Deerfield, Gil decided to have a log-roll
ing to clear his land for farming. The
Weavers, the Realls, and Clem Copper-
nol all came to help with the work.
When they were about half finished,
Blue Black, a friendly Oneida Indian,
came to warn them that a raiding party
of Seneca Indians and whites was in the
valley. The settlers immediately scattered
for home to collect the few movable be
longings which they might save, and then
drove to Fort Schuyler. Lana, who was
pregnant, lost her baby as a result of
the wild ride to the fort. The enemy de
stroyed the Deerfield settlement. All the
houses and fields were burned; Gil's cow
was killed, and Mrs. Wolff, who had re
fused to take refuge with the people who
had sent her husband to prison, was re
ported missing. Gil and Lana rented a
one-room cabin in which to live through
the winter. With spring coming on and
needing a job to support himself and
Lana, Gil became the hired man of Mrs.
McKlennar, a widow. The pay was
forty-five dollars a year plus the use of a
two-room house and their food.
General Herkimer tried to obtain a
pledge of neutrality from the Indian
chief, Joseph Brant, but was unsuccess
ful. At the end of the summer, word
came that the combined forces of British
and Indians, commanded by General St.
Leger, were moving down from Canada
to attack the valley. The militia was
called up and set out westward t* en-
counter this army. But the attack by the
militia was badly timed and the party
was ambushed. Of nearly six hundred
and fifty men, only two hundred and
fifty survived. The survivors returned in
scattered groups. Gil received a bullet
wound in the arm. General Herkimer,
seriously injured in the leg, died of his
wounds.
After the death of General Herkimer,
General Benedict Arnold was sent out
to reorganize the army and lead it in
another attack — this time against General
St. Leger 's camp.
When Nancy Schuyler, Mrs. De-
mooth's maid, heard that her brother,
Hon Yost, was in the neighborhood with
a group of Tories, she decided to sneak
out to see him. On the way she met
another Tory, Jurry McLonis, who se
duced her. Before she was able to see
Hon, the American militia broke up the
band. Hon was arrested but was later
released when he agreed to go back to
the British camp and spread false reports
of the American strength. As a result of
her meeting with Jurry McLonis, Nancy
became pregnant. About that same time
John Wolff escaped from the prison at
Simsbury Mines and made his way to
Canada to join Butler and to look for his
wife.
The following spring brought with it
General Butler's destructives, raiding
parties that would swoop down to burn
and pillage small settlements or farms.
Mrs. Demooth tormented Nancy con
stantly because of her condition and one
night frightened the girl so completely
that Nancy, in terror, packed a few of
her belongings in a shawl and ran away.
Her only idea was to try to get to Niagara
and find her brother Hon, but she had
not gone far before labor pains overtook
her and she bore her child beside a
stream. An Indian found her there and
took her with him as his wife. Lana had
her child in May. The destruction by the
raiding parties continued all through that
summer, and the harvest was small Mrs.
231
McKlennar's stone house was not burned,
but there was barely enough food for
her household that winter. In the spring
Colonel Van Schaick came to the settle
ment with an army, and the militia head
ed west once again, this time to strike
against the Onondaga towns.
Lana had her second child the follow
ing August. Because of the lack of food
during the winter, she was still weak
from nursing her first boy, Gilly, and
after the birth of her second boy it took
her a long while to recover. The next
winter they all had enough to eat but
the cold was severe. During that winter
Mrs. McKlennar aged greatly and kept
mostly to her bed. The destructives con
tinued their raids through the next spring
and summer. The men never went out
to their fields alone; they worked in
groups with armed guards. One day,
after all the men had gone to the fort,
Lana took the two boys for a walk and
then sat down at the edge of a clearing
and fell asleep. When she awoke, Gilly
was gone. Two Indians were near the
house. She put the baby, Joey, into a
hiding place and then searched for Gilly.
She found him at last and the two of
them crawled into the hiding place
also. Meanwhile the two Indians had
entered the house and set it on fire. Over
whelmed by Mrs. McKlennar's righteous
indignation, they carried out her bed for
her. They fled when men, seeing the
smoke, came hurrying from the fort.
Gil and the two scouts, Adam Helmer
and Joe Boleo, built a cabin to house
them all during the coming winter.
With the spring thaws, a flood inun
dated the valley. As the waters receded,
Marinus Willett came into the Mohawk
Valley with his army, with orders to track
down and destroy the British forces under
General Butler. Butler's army already
was having a difficult time, for British
food supplies were running out and
tracking wolves killed all stragglers. The
militia finally caught up with Butler,
harassed his army for several miles, killed
Butler, and scattered the routed army in
the wilderness. The Mohawk Valley was
saved.
Three years later, the war over, Gil
and Lana went back to their farm at
Deerfield. They now had a baby girl and
Lana and Gil felt content with their
hard-won security, their home, their chil<
dren, and each other.
THE DUCHESS OF MAUF1
Type of work: Drama
Author: John Webster (1580-1638)
Type of plot: Romantic tragedy
Time of 'plot: Sixteenth century
Locale: Arnalfi and Milan, Italy
First presented: c. 1613
Principal characters:
GIOVAJNNA, Duchess of Amalfi
ANTONIO, her second husband
FEBBINAND, Duke of Calabria, jealous brother of the duchess
THE CARDINAL, another brother of the duchess
BOSOLA, die brothers' spy and executioner
Critique:
Webster's play is a blood-tragedy typi
cal of the so-called decadent drama of the
reign of James I of England, The melo
drama of its scenes, however, is not
enough to detract from the general dig
nity and tragedy of the play. A peculiarity
of this play is that a year elapses between
the first and second acts and another
two years between the second and third
acts, the passage of time made apparent
to tl\e audience by the birth of children
to the duchess. As in most of the bloody
tragedies, the setting is a Latin country,
232
The Story:
The Duchess of Malfi was a young
widow whose two brothers, one a Car
dinal and the other Ferdinand, the Duke
of Calabria, were desperately jealous
lest she marry again, for they planned to
inherit her title and estates. Their spy
in her household was Bosola, her master
of horse.
In spite of the warnings of her brothers,
the duchess fell in love with Antonio,
her steward, and married him, Later,
unknown to any person in the court
except Antonio and Cariola, a servant
girl, she had a child, a boy. Unfortu
nately, the happy father wrote out the
child's horoscope according to the rules
of astrology and then lost the paper.
Bosola found the document and so
learned about the duchess' child. He dis
patched a letter immediately to Rome
to inform the brothers. The duke swore
that only her blood could quench his
anger and threatened that once he knew
for certain the duchess' lover, he would
be content only with her complete ruin.
The years passed and the duchess bore
Antonio two more children, a second
son and a daughter. Antonio told his
friend Delio that he was worried because
Duke Ferdinand was too quiet about the
matter and because the people of Malfi,
not aware of their duchess' marriage, were
calling her a common strumpet.
Duke Ferdinand had come to the court
to propose Count Malateste as a second
husband for the duchess. She refused.
Meanwhile Bosola had not been able to
discover the father of the duchess' chil
dren. Impatient with his informer, the
duke decided on a bolder course of action.
He determined to gain entrance to the
duchess' private chamber, and there to
wring a confession from her. That night,
using a key Bosola had given him, the
duke went to her bedroom. Under threats
she confessed to her second marriage,
but she refused to reveal Antonio's name.
After the duke left, she called Antonio
and Cariola to her chamber. They
planned Antonio's escape from Malfi be
fore his secret became known to the
duchess' brothers.
The duchess called Bosola and told
him that Antonio had falsified some ac
counts. As soon as Bosola left, she re
called Antonio and told him of the
feigned crime of which she had accused
him to shield both their honors, and then
bade him flee to the town of Ancona,
where they would meet later. In the
presence of Bosola and the officers of her
guard she again accused Antonio of
stealing money, and banished him from
Malfi. Antonio replied that such was
the treatment of stewards of thankless
masters, and then left for Ancona. The
duped Bosola upheld Antonio in an ar
gument with the duchess. She then felt
that she could trust Bosola with the secret
of her marriage, and she asked him to
take jewels and money to her husband
at Ancona. Bosola, in return, advised her
to make her own departure from the court
more seemly by going to Ancona by way
of the shrine of Loretto, so that the flight
might seem a religious pilgrimage.
Bosola immediately traveled from Malfi
to Rome, where he betrayed the plans
of Antonio and the duchess to Duke
Ferdinand and the Cardinal. They had
the lovers banished from Ancona.
Bosola met the duchess and Antonio
near Loretto with a letter from Duke
Ferdinand bidding Antonio report to him,
since now he knew Antonio as his sister's
husband. Antonio refused and fled with
his oldest son toward Milan. After An
tonio's departure, Bosola took the duchess
back to her palace at Malfi, a prisoner
by Duke Ferdinand's command. At Malfi
the duke again visited her in her cham
ber. He presented her with a dead man's
hand, implying that it was from An
tonio's corpse. Finally Bosola came to
the duchess and strangled her. Cariola
and the children were also strangled,
though not with the quiet dignity with
which the duchess was murdered. When
Bosola asked Duke Ferdinand for his re
ward, the hypocritical duke laughed and
233
replied that the only reward for such a
crime was its pardon,
In Milan, meanwhile, Antonio planned
to visit the Cardinal's chamber during
the night to seek a reconciliation with
the duchess' brothers. He intended to
approach the Cardinal because Duke
Ferdinand had lost his mind after caus
ing his sister's murder. The Cardinal
ordered Bosola that same evening to seek
out Antonio, who was known to be in
Milan, and murder him. But when so
ordered, Bosola accused the Cardinal of
having plotted the duchess' murder and
requested his reward. When a reward
was again refused, Bosola swore to him
self to join forces with Antonio to
avenge the duchess' death.
That night all plans miscarried. In
the dark Bosola accidentally murdered
Antonio, the man he hoped to make an
ally in his revenge on Duke Ferdinand
and the Cardinal. A few minutes later,
Bosola stabbed the Cardinal and was in
turn stabbed by the mad Duke Ferdi
nand, who baa rushed into the room,
Bosola, with his last strength, stabbed
the duke and they both died. Alarmed,
the guards broke into the apartments to
discover the bodies. Into the welter of
blood a courtier led the young son of
the Duchess of Malfi and Antonio, whom
Antonio had taken to Milan, He was
proclaimed ruler of the lands held by his
mother and uncles.
THE DTOAJSTS
Type of work: Dramatic poem
Author: Thomas Hardy (1840-1928)
Type of plot: Historical epic
Time of 'plot: 1806-1815
Locale: Europe
First published: 1903-1908
Princi-pal characters:
NAPOLEON I
JOSEPHINE, his first wife
MABJE LOUISE, his second wife
Krisrc GEORGE III OF ENGLAND
TSAR ALEXANDER OF RUSSIA
EMPEROR FRANCIS OF AUSTRIA
SIR WILLIAM PITT, Prime Minister of England
SPIRIT OF YEARS,
SHADE OF EARTH,
SPIRIT OF PITIES,
SPIRIT SINISTER, and
SPIRIT IRONIC, allegorical figures
Critique:
Written in various types of verse and
in poetic prose, The Dynasts, a vast epic-
drama of the tragedy of Napoleon, marks
Hardy's greatest eifort to portray Man
as completely subject to a disinterested
Destiny. Among his manifold points of
view, shifting from a point somewhere
above the earth to the courts of emperors
or the cottager's fireside, diat of the rural
folk of southern England is the most ef
fective. Long prose stage directions fill
out the historical perspective of this
sweeping panoramic treatment of the con
stant turmoil in Europe from 1805 to
1815. The array of allegorical spectators
who comment on the events of the drama
as they occur, and I lardy 's device of
switching the point of view, tend to make
THE DYNASTS by Thomas Hardy. By permission of the publinhers, The MaamUan Co, Copyright, 1904, by
The Macmillan Co. Renewed, 1931, by The Macmillan Co.
234
strikingly trivial the alarums and excur
sions of earth-bound humanity.
The Story:
The Spirit of Years, Shade of Earth,
Spirit Sinister, Spirit Ironic, Spirit of
Pities, and their accompanying choruses,
forgathered somewhere above the earth
to watch the larger movements of men in
western Europe in 1805. The design of
the Immanent Will manifested itself at
the time in Napoleon's preparations for
the invasion of England.
Sir William Pitt, in England, con
tended with isolationist members of Par
liament in order to secure proper defense
against the invasion. Meanwhile Napole
on went to Milan to be crowned King
of Italy. The spirits made light of the
chicanery and pomp that attended the
coronation. The Spirit of Pities descended
to earth and disturbed Napoleon by re
minding him of his original intention of
championing liberty.
At sea, a Pyrrhic victory of the French
and Spanish over the English prevented
the support required for the planned in
vasion. On the south coast of England
the Phantoms of Rumor caused great dis
turbance. A fleet of fishing craft was
mistaken for the invasion fleet, and civil
ians fled from the coastal towns as signal
fires flared upon the cliffs and hills.
When Napoleon learned that his ad
miral, Villeneuve, had returned to Cadiz,
he discarded his invasion plan and moved
eastward against Austria and Russia,
countries which Pitt had enlisted in the
English cause. The Spirit of Years re
marked that the ensuing campaign would
be a model in tactics for all time.
At Ulm, Napoleon defeated the Aus-
trians, who had hoped in vain that the
English fleet would hold the French
forces in northern France. In London,
Pitt, unsuccessful in gaining permission
from the king to form a coalition govern
ment, visibly declined in health under
his terrible burden.
Villeneuve was ordered out of Cadiz.
The British under Nelson met the French
and Spanish off Trafalgar and defeated
them. Nelson was killed in the engage
ment; Villeneuve subsequently ended his
own life in an inn at Rennes.
Napoleon defeated the Austrians and
Russians at Austerlitz. Then, hearing of
the English victory at Trafalgar, he de>
clared his intention of closing all con
tinental ports to English ships. He dictated
peace terms to Emperor Francis of Austria
while attendant Austrian officers stood by
in disgust at the sight of a nobody dictat
ing to true royalty. In Paris the Spirit
of Rumor commented on the way Napo
leon was uprooting old dynasties and
founding new ones.
Pitt having died and King George III
being mentally ill, England, in the per
son of Charles James Fox, negotiated
with Napoleon for peace; but the em
peror used the negotiations as a screen
for his real plans. He marched on Prus
sia and defeated the Germans at the Bat
tle of Jena. In Berlin he decreed that all
British ships were barred from continental
ports. Next, Napoleon and Tsar Alex
ander of Russia met at the River Nie-
men, where the two drew up a Franco-
Russian alliance. During this meeting
Napoleon expressed the desire to cement
his various alliances with blood ties. The
Spirit of Years remarked ironically that
Napoleon was one of the few men who
could see the working of the Immanent
Will.
Napoleon invaded Spain as a friend to
help the Spanish gain Portugal. The
Spanish Bourbons abdicated and Napo
leon's brother, Joseph, was proclaimed
king. When Bourbon partisans enlisted
English aid, an English invasion fleet
sailed for Portugal.
Back in Paris, Napoleon told his wife,
Josephine, that he wished a divorce.
Josephine had borne the emperor no
children and he was anxious to perpetu
ate the dynasty he had founded. The
British invasion of the Iberian Peninsula
drew the emperor to Spain to direct the
campaign there. Preparation for war in
Austria caused Napoleon next to invade
235
that country and to defeat its forces at
Wagram. The British, under the Duke
of Wellington, held their own against
the French in Spain. At that point the
Spirit Sinister reminded the Spirit Ironic
not to sneer for fear Immanent Will
would cut short the comedy that was
taking place.
A British force was sent to the Scheldt,
but the expedition ended disastrously
when the army was decimated by mias-
mal fever. Napoleon, fearful of assassina
tion and still anxious to perpetuate his
line, negotiated with the Russians for the
hand of a Russian princess, and with the
Austrians for the hand of Princess Marie
Louise. The tsar accepted the offer, but
Napoleon had already arranged, through
Metternich, for a marriage with the
Austrian princess, Marie Louise. The
marriage was performed in the conspic
uous absence of many high clergy, and
the Russians, incensed, prepared for war.
In the meantime the British in Spain
under the Duke of Wellington gained a
decisive victory at Albuera.
In due time Marie Louise gave birth
to Napoleon's heir. The insane King of
England died after hearing of British suc
cesses in Spain. On the continent war
became imminent between France and
Russia,
Again on the banks of the Niemen,
Napoleon received an evil portent when
Tie was thrown from his horse. The Spirit
of Pities foresaw misery for the French
Grand Army in the Russian campaign.
Wellington in Spain defeated the French
at Salamanca. Napoleon gained a costly
victory over the Russians at Borodino, and
the French entered Moscow to find the
city deserted and in flames. There fol
lowed a general retreat by the French
across snow-covered Russian steppes to
Lithuania. Thousands perished from the
cold or were killed by harassing Russian
cavalry. Napoleon deserted his army and
raced back to Paris in order to arrive
there before the news of his failure in
Russia. His chief task now was to hold
his empire together.
As the British continued their successes
in Spain, Austria joined the allies.
Napoleon met defeat at the hands of the
Austrians and Prussians at Leipzig. The
allies invaded France. Napoleon, forced
to abdicate, was exiled to Elba, an island
in the Mediterranean. Marie Louise and
the infant King of Italy went to Austria
to stay. The Bourbons reassumed the
throne of France and a congress to delib
erate on general peace in Europe met in
Vienna.
Napoleon escaped from Elba and re
turned to Paris at the head of an army
he had picked up on his way. The allies
outlawed Napoleon and prepared to over
throw him again.
A private ball in Brussels was broken
up by the news that the French army was
nearing the Belgian frontier. Almost
overnight, Napoleon had organized and
put into the held a large army. But he
failed to separate the British and Prus
sians in Belgium, and he was brought to
utter defeat on the fields south of Water
loo. The Hundred Days were ended.
The Spirit of Years pointed out to the
Spirits assembled that the human beings
below them behaved as though they were
in a dream, as though they were puppets
being drawn by strings manipulated by
Immanent Will. The Spirit of Years
pointed to Napoleon in defeat and com
pared him to a tiny insect on an obscure
leaf in the chart of the Ages. When the
Spirit of Pities asked for what purpose
the events below had taken place, the
Spirit of Irony answered that there was
no purpose, for only a dumb thing turned
the crank which motivated and directed
human behavior.
236
EDMUND CAMPION
Type of work: Novelized biography
Author: Evelyn Waugh (1903- )
Type of plot: Historical chronicle
Time of plot: Sixteenth century
Locale: Oxford, London, Douai, Rome, Prague
First published: 1935
Principal characters:
EDMUND CAMPION, an English martyr
DR. WILLIAM ALLEN, head of the English College at Douai
ROBERT PERSONS, Campion's classmate at Oxford
GEORGE ELIOT, a priest-hunter
Critique:
This book is an intelligent, sober, and
admirably written biography of a man
dear to the hearts of Anglo-Saxon Cath
olics. Evelyn Waugh has written a fine
impressionistic portrait of the English
martyr after whom Campion Hall at Ox
ford was named. Waugh warns that in
tolerance is a growing evil in our modern
world, and martyrs may again be forced to
die for their faith.
and make his way to Douai and the Eng
lish College there.
The mild restrictions against Catholics
turned into persecution when the Pope
issued a Bull of Excommunication against
Queen Elizabeth. Because of the fear of
a French-Spanish alliance against Eng
land, the Bull caused grave anxiety in
England and led to reprisals against Cath
olics. It became illegal to hear mass, to
harbor a priest, or openly to profess Ca
tholicism.
With the Catholic bishops imprisoned,
thereby preventing the ordination of
priests, and with all Catholic schools
closed, the faith began to die out in Eng
land. The college at Douai sent young
English priests into England to preserve
the faith of the English Catholics.
Campion went to Douai and became
a priest. Then he announced his inten
tion of going to Rome and entering the
Society of Jesus, Although Dr. Allen, the
venerable head of the college, did not
like to lose him to the Jesuits, he made
no objection to Campion's plans. Admit
ted into the Society, Campion was sent
to Bohemia, where he held important
posts at the University of Prague.
Dr. Allen wrote Campion a letter in
forming him that he was to go to Eng
land. He and a few others, including
Robert Persons, who had been an under
graduate at Oxford during the time of
Campion's proctorship, were to be smug-
EDMUND CAMPION by Evelyn Waugh. By permission of the author, of Brandt & Brandt, and th« publishers
Little, Brown. & Co. Copyright, 1946, by Evelyn Waugh.
The Story:
Edmund Campion, bom in 1540, was
one of the most promising young men at
Oxford. When Elizabeth visited the uni
versity in 1566, she was so impressed by
him that she assured him of her patron
age. Although there was a strong Protes
tant group in the university, Oxford then
had a population of students who were
mostly Catholic in religion, for laws
against Catholics were not rigidly en
forced. Campion, who as proctor held
a responsible position, was suspected of
Catholicism, however, and was asked to
make a public declaration of his princi
ples by delivering a sermon in a suitable
church. He refused, and when his term
was over he left for Dublin, where he
was warmly received by the Stanihurst
family. A university was to be built in
Dublin, and he was waiting to accept a
post on its faculty. Then rebellion
threatened, and all Catholics were ordered
arrested. Campion managed to escape
237
gled into England, there to carry on
the work of the Church, They all realized
that capture meant certain death. Cam
pion demanded that Persons be made his
superior before the group departed.
Though the English government had
learned of the group's intentions and had
all the ports guarded, the priests succeed
ed in getting into England.
In disguise, Campion visited the homes
of various Catholics, where he said mass
and brought the sacraments to the faith
ful who had been long without them.
He wrote his famous Campion's Brag, a
defense of himself and his Church, which
the best minds of the Anglican Church
were called upon to answer. Persons
wrote his own Censure of the Anglican
reply. Later Campion wrote his equally
famous Ten Reasons.
Persecution grew more intense, with
Campion the prize the government most
hoped to capture. During one of his
tours Campion was persuaded to stop at
Lyford Grange, the home of Mr. Yate,
a well-known Catholic. He stayed there
briefly, warning everyone not to tell the
neighbors of his presence. After his de
parture some neighbors heard of his visit
and were distressed that they had missed
the visit of Father Campion. Father Ford
was sent after him and reluctantly Cam
pion returned.
A certain George Eliot, a professional
priest-hunter, stopped at Lyford Grange.
He was informed by a servant, who pre
sumed Eliot to be Catholic, that Father
Campion was there. He was shown into
the room where Campion was saying
mass. After receiving communion from
Campion, Eliot went to notify the author
ities. They came at once, but all evi
dence of the mass had been destroyed
and the priests had been hidden behind a
secret panel. The guards found nothing
and were preparing to go when one of the
searchers happened to tap a hollow-
sounding portion of the wall. The priests
were discovered in a secret room.
Months of imprisonment followed.
Four conferences were held at which
Campion and the Anglican clergy dis
puted points of doctrine. Campion was
tortured and finally brought to trial with
some other prisoners who were charged
with having plotted to murder Queen
Elizabeth and with conspiring with for
eign powers. But Campion insisted that
their only crime was their faith. They
were tried by a court that was absolutely
biased. Found guilty, they were sentenced
to die by hanging, and their bodies to be
drawn and quartered. Father Campion
and the others went to the scaffold and
died the death of martyrs on December
first, 1581.
THE EDUCATION OF HENRY ADAMS
Type of work: Novelized autobiography
Author: Henry Adams (1838-1918)
Type of plot: Intellectual and social history
Time of plot: 1838-1905
Locale: America, England, France
First published: 1907
Principal characters:
HENRY ADAMS, an American
CHARLES FRANCIS ADAMS, his father
JOHN HAY, his friend
CLARENCE KrNG, whom he admired
Critique:
The theme of The Education of Henry
Adamsis the process of multiplication and
acceleration of mechanical forces which,
during his own lifetime, led to the break-
THE EDUCATION OF HENRY ADAMS by Henry Adams. By permission of the publishers, Houston Mifllin
Co. Copyright, 1918, by Massachusetts Historical Society. Renewod, 1946, by Charles Francis Adams.
238
down of moral relationships between men
and the degeneration of their pursuits into
money-seeking or complete lassitude. The
book is, too, an excellent autobiography,
tracing Adams' thought processes in
timately, and on an intellectual plane not
generally achieved by most writers. Both
for style and content this book ranks with
the finest of American autobiographies.
The Story:
Henry Brooks Adams was born of the
union of two illustrious Massachusetts
families, the Brookses and the Adamses,
and he was, in addition, the grandson
and the great-grandson of presidents. His
wealth and social position should have
put him among the leaders of his genera
tion.
Although the period of mechanical in
vention had begun in 1838, Henry
Adams was raised in a colonial atmos
phere. He remembered that his first
serious encounter with his grandfather,
John Quincy Adams, occurred when he
refused to go to school, and that gentle
man led him there by the hand. For
Henry Adams, the death of the former
president marked the end of his eight
eenth-century environment.
Charles Francis Adams, Henry's father,
was instrumental in forming the Free-
Soil party in 1848, and he ran on its
ticket with Martin Van Buren. Henry
considered that his own education was
chiefly a heritage from his father, an
inheritance of Puritan morality and in
terest in politics and literary matters.
In later life, looking back on his for
mal education, he concluded that it
had been a failure. Mathematics, French,
German, and Spanish were needed in
the world in which he found himself
an adult, not Latin and Greek. He had
opportunity to observe the use of force
in the violence with which the people
of Boston treated the anti-slavery Wen
dell Phillips, and he had seen Negro
slaves restored to the South.
Prompted by his teacher, James Russell
Lowell, he spent nearly two years abroad
after his graduation from college. He en
rolled to study civil law in Germany, but
finding the lecture system atrocious he
devoted most of his stay to enjoying the
paintings, the opera, the theater in Dres
den.
When he returned to Boston in 1860,
Henry Adams settled down briefly to
read Blackstone. In the elections that
year, however, his father became a Con
gressman, and Henry accompanied him
to the capitol as his secretary. There he
met John Hay, who was to become his
best friend.
In 1861 President Lincoln named
Charles Francis Adams Minister to Eng
land. Henry went with his father to
Europe. The Adams party had barely dis
embarked when they were met by bad
news. England had recognized the bel
ligerency of the Confederacy. The North
was her undeclared enemy. The battle
of Bull Run proved so crushing a blow
to American prestige that Charles Francis
Adams felt he was in England on a day-
to-day sufferance. The Trent Affair and
the second battle of Bull Run were
equally disastrous abroad. Finally, in
1863, the tide began to turn. Secretary
Seward sent Thurlow Weed and Wil
liam Evarts to woo the English, and they
were followed by announcements of vic
tories at Vicksburg and Gettysburg.
Charles Francis Adams remained in Eng
land until 1868, for Andrew Johnson
had too many troubles at home to make
many diplomatic changes abroad.
At the end of the war Henry Adams
had no means of earning a livelihood.
He had, however, developed some taste
as a dilletante in art, and several of his
articles had been published in the North
American Review. On his return to
America, Henry Adams was impressed
by the fact that his fellow-countrymen,
because of the mechanical energy they
had harnessed, were all traveling in the
same direction. Europeans, he had felt,
were trying to go in several directions at
one time. Flandicapped by his education
and by his long absence from home, he
239
had difficulty in adapting himself to the
new industrial America, He achieved
some recognition with his articles on legal
tender and his essays in the Edinburgh
Review, and he hoped that he might be
offered a government position if Grant
were elected president. But Grant, a man
of action, was not interested in reformers
or intellectuals like Henry Adams.
In 1869 Adams went back to Quincy
to begin his investigation of the scandals
of the Grant administration, among them
Jay Gould's attempts to obtain a corner
on gold, Senator Charles Sumner's ef
forts to provoke war with England by
compelling her cession of Canada to the
United States, and the rivalries of Con
gressmen and Cabinet members.
He decided it would be best to have
his article on Gould published in Eng
land, to avoid censorship by the powerful
financier. Gould's influence was not con
fined to the United States, however, and
Adams was refused by two publications.
His essay on Gould was finally published
by the Westminster Review.
Adams became assistant professor of
Medieval History at Harvard and taught
at Cambridge for seven years. During
that time he tried to abandon the lecture
system by replacing it with individual
research. He found his students apt and
quick to respond, but he felt that he
needed a stone against which to sharpen
his wits. He gave up his position in
1871 and went west to Estes Park with
a Government Geological Survey. There
he met Clarence King, a member of the
party, with whom he could not help
contrasting himself. King had a system
atic, scientific education and could have
his choice of scientific, political, or liter
ary prizes. Adams felt his own limita
tions.
After his flight from Harvard he made
his permanent home in Washington,
where he wrote a series of books on
American history. In 1893 he visited
the Chicago Exhibition. From his obser
vations of the steamship, the locomotive,
and the newly-invented dynamo, he con
cluded that force was the one unifying
factor in American thought. Back in
Washington, he saw the gold standard
adopted, and concluded that the capital
istic system and American intervention in
Cuba offered some signs of the direction
in which the country was heading. Dur
ing another visit to the Exhibition in
1900 Adams formulated an important
theory. In observing the dynamo, he de
cided that history is not merely a series
of causes and effects, of men acting upon
men, but the record of forces acting upon
men. For him, the dynamo became the
symbol of force acting upon his own
time as the Virgin had been the symbol
of force in the twelfth century.
During the next five years Henry
Adams saw his friends drop away.
Clarence King was the first to go. He
lost his fortune in the panic of 1893 and
died of tuberculosis in 1901. John Hay,
under McKinley, became American Min
ister to England, and then Secretary of
State. He was not well when he ac
cepted the President's appointments, and
the enormous task of bringing England,
France, and Germany into accord with
the United States, and of attempting to
keep peace, unsuccessfully, between
Russia and Japan, caused his death in
1905.
Adams considered that his education
was continuous during his lifetime. He
had found the tools which he had been
given as a youth utterly useless and he
had to spend all of his days forging new
ones. As he grew older, he found the
moral standards of his father's and grand
father's times disintegrating, so that cor
ruption and greed existed on the highest
political levels. According to his calcula
tions, the rate of change, clue to mechani
cal force, was accelerating, and the
generation of 1900 could rely only on
impersonal forces to teach the generation
of 2000. He himself could see no end
to the multiplicity of forces which were
so rapidly dwarfing mankind into insig
nificance.
240
THE EGOIST
Type of work: Novel
Author: George Meredith (1828-1909)
Type of 'plot: Social satire
Time of 'plot: Nineteenth century
Locale: England
First published: 1879
Principal characters:
SIR WILLOUGHBY PATTEBNE, the egoist
VERNON WHITFORD, his cousin
COLONEL DE CRAYE, his relative
LAETITIA DALE, a neighbor
CLARA MIDDLETON, Sir Willoughby's betrothed
DOCTOR MIDDLETON, her father
CROSSJAY PATTERNS, Sir Willoughby's distant kinsman
Critique:
The Egoist creates a fantastic world
where, in scenes of subtle comedy, the
characters are treated realistically. The
effect is one of drollery. Each character
is a symbol of some virtue or vice rather
than a living individual. All the char
acters speak alike, and they speak the
language of Meredith. This novel stands
apart from Meredith's other novels, dis
tinguished as it is by its originality of
technique and purpose. It is, to use
Meredith's own term, "a comedy in nar
rative."
The Story:
On the day of his majority Sir Wil-
loughby Patterne announced his engage
ment to Miss Constantia Durham. Lae-
titia Dale, who lived with her old father
in a cottage on Willoughby's estate, bore
her love for him — she thought — secretly,
but everyone, including Willoughby him
self, knew about it. Ten days before the
wedding day Constantia astonished her
betrothed by eloping with Harry Oxford,
a military man. For a few weeks after
that, the proud Willoughby courted Lae-
titia while the neighborhood gossiped
about the poor girl's chances to become
his wife. There was great disappointment
when he suddenly decided to go abroad
for three years. On his return to his
estate he brought with him his cousin,
Vernon Whitford, as an adviser in the
management of his properties, and a
young distant kinsman named Crossjay
Fatterne.
At first Laetitia, the faithful, was over
joyed at Willoughby 's return, but soon
she saw that again she was to lose him,,
for he became engaged to Clara Middle-
ton, the daughter of a learned doctor.
Middleton and his daughter came to
Willoughby 's estate to visit for a few
weeks. It might have been the contro
versy over Crossjay or even the existence
of Laetitia that caused Clara to see Wil
loughby for what he really was. In
spite of Willoughby's objections, Vernon
wanted Crossjay to enter the Marines and
the young man was sent to Laetitia to be
tutored for his examination. Vernon,
a literary man, wanted to go to London,
but Willoughby overruled him. Noting
Willoughby's self-centered attitude to
ward Crossjay, his complete and selfish
concern with matters affecting himself
and his attempt to dominate her own
mind, Clara began to feel trapped by her
betrothal. She reflected that Constantia
had escaped by finding a gallant Harry
Oxford to take her away, but she sor
rowfully realized that she had no one to
rescue her.
When Clara attempted to break her
engagement, she found Willoughby in
tractable and her father too engrossed in
his studies to be disturbed. Meanwhile,
Willoughby had picked Laetitia Dale as
Vernon's wife. This was Willoughby's
241
plan to keep near him both his cousin
and the woman who fed his ego with
her devotion. Vernon could retire to one
of the cottages on the estate and write
and study. Asked by Willoughby to aid
him in his plan, Clara took the opportu
nity to ask Vernon's advice on her own
problem. He assured her that she must
move subtly and slowly.
In desperation, she persuaded Doctor
Middleton to agree to take a trip to
France with her for a few weeks. From
such a trip she hoped never to return to
Willoughby. But this wary lover in
troduced Dr, Middleton to his favorite
brand of claret. Two bottles of the wine
put the doctor in such an amiable mood
that when Clara asked him if he were
ready to go to London with her, he told
her that the thought was preposterous.
Willoughby had won the first round.
Colonel De Craye arrived to be best
man at the wedding. Little by little he
sensed that Clara was not happy at the
prospect of her approaching marriage.
In desperation Clara resorted to other
means of escape. She wrote to her friend
Lucy Darleton in town and received from
that young lady an invitation to visit her
in London.
Clara gave Cross jay the privilege of
accompanying her to the train station.
A hue and cry was raised at her absence
from the estate, and Vernon, accidentally
discovering her destination, followed her
to the station and urged her to come
back. Only because she, believed that her
behavior might cause an injury to Cross-
jay's future did Clara return to her prison.
If she were to leave now, Willoughby
would have full control of the young
boy, for Vernon was soon to go to London
to follow his writing career.
Complications resulted from Clara's
attempted escape. At the station Vernon
had had her drink some brandy to over
come the effects of the rainy weather.
The neighborhood began to gossip. Wil
loughby confronted Crossjay, who told
him the truth about Clara's escape. Clara
hoped that Willoughby would release
her because of the gossip, but he refused.
Doctor Middleton seemed ignorant of
what was happening. He was determined
that his daughter should fulfill her pledge
to marry Sir Willoughby. Furthermore,
he liked Willoughby 's vintage wines and
Willoughby's estate.
By this time the Egoist knew that his
marriage to Clara would not take place.
Pie decided upon the one move that
would soothe his wounded vanity — he
asked Laetitia to become his wife. She
refused, declaring she no longer loved
him.
Colonel De Craye shrewdly surmised
what had happened. He told Clara the
hopeful news. Clara felt that her only
remaining obstacle was her father's insist
ence that she must not break her promise
to Willoughby, Now she could show
that Willoughby had broken his promise
first by proposing to Laetitia while he
was still pledged to Clara.
Willoughby's world blew up in his
face. Dr. Middleton announced firmly
that Clara need not marry Willoughby.
He had decided that he admired Vernon's
scholarship more than he liked Wil
loughby's wines. But the twice-jilted
lover had other plans for his own pro
tection. He must even the score. If he
could get Clara to consent to marry
Vernon, he felt there would be some
measure of recompense for himself, for
such a marriage would have the ironic
touch to satisfy Willoughby. But Clara
told him it was already her intention
to wed Vemon as soon as her engage
ment to Willoughby could be broken.
The Egoist's selfishness and arrogance
had brought them together.
The Egoist was defeated. He went
straight to Laetitia, offering her his hand
without love. He was willing for her to
marry him only for money. Laetitia ac
cepted on the condition that Crossjay be
permitted to enter the Marines. Clara and
the doctor planned to leave for Europe.
Vernon arranged to meet them in the
Swiss Alps, where he and Clara would
marry.
242
ELECTRA
Type of work: Drama
Author; Euripides (480-406 B.C.)
Type of plot: Classical tragedy
Time of plot: After the fall ot Tray
Locale: Argos
First presented: c. 413 B.C.
Principal characters:
ELECTRA, daughter o£ Agamemnon
ORESTES, her Brother
CLYTEMNESTRA, her mother
AEGISTHXIS, lover of Clytemnestra
Critique:
The Electra of Euripides is a psycho
logical study of a woman's all-consuming
hatred for her mother and stepfather on
the one hand, and love for her murdered
father and exiled brother on the other.
The character of Electra clearly domi
nates the action, for it is she who spurs
her brother on to kill those whom she
hates- In Electra, her brother, and her
mother, Euripides created three charac
ters who are as alive today as they were
on the Athenian stage.
The Story:
After Agamemnon, King of Argos, had
returned home from the Trojan War, his
wife, Clytemnestra, and her lover, Aegis-
thus, murdered him in cold blood during
the home-coming banquet. Afterward
Aegisthus and Clytemnestra were mar
ried, and Aegisthus became king. Ores
tes, young son of Agamemnon, was sent
by a relative to Phocis before Aegisthus
could destroy him, Electra, the daughter,
remained, but was given in marriage to
an old peasant, lest she marry a warrior
powerful enough to avenge her father's
death.
One day, after Electra and the peasant
had gone out to do the day's work, Ores
tes came in disguise with his best friend,
Pylades, to the farm to seek Electra.
Tney heard her singing a lament for her
lot and for the death of her father. A
messenger interrupted her lament with
word that a festival would be held in
honor of the Goddess Hera and that all
Argive maidens were to attend. Electra
said she preferred to remain on thfl
farm away from the pitying eyes of the
people of Argos. The messenger advised
her to pay honor to the gods and to ask
their help.
Electra mistook Orestes and Pylades
for friends of her brother and told them
the story of her grief. She urged that
Orestes avenge the death of Agamemnon
and the ill treatment of himself and
Electra. Aegisthus, meanwhile, had
offered a reward for the death of Orestesr
The peasant returned from his work
and asked Orestes and Pylades to re
main as his guests, Electra sent her
husband to bring the relative who had
taken Orestes away from Argos. On his
way to the peasant's cottage, the old
foster father noticed that a sacrifice had
been made at the tomb of Agamemnon
and that there were some red hairs on
the grave. He suggested to Electra that
Orestes might be in the vicinity, but
Electra answered that there was no
chance of his being in Argos. When
Orestes came out of the cottage, the old
man recognized a scar on his forehead;
thus brother and sister were made known
to each other.
At the advice of the old peasant, Ores
tes planned to attend a sacrificial feast
over which Aegisthus would preside.
Electra sent her husband to tell Clytem
nestra that she had given birth to a baby.
Electra and Orestes invoked the aid of
the gods in their venture to avenge the
death of their father.
Orestes and Pylades were hailed by
243
Aegisthus as they passed him in his
garden. The pair told Aegisthus that
they were from Thessaly and were on
their way to sacrifice to Zeus. Aegisthus
informed them that he was preparing
to sacrifice to the nymphs and invited
them to tarry. At the sacrifice of a calf,
Orestes plunged a cleaver into Aegisthus'
back while Aegisthus was examining the
entrails of the beast. Orestes then revealed
his identity to the servants, who cheered
the son of their former master. Orestes
carried the corpse of Aegisthus back to
the cottage where it was hidden after
Electra had reviled it.
At the sight of Clytemnestra approach
ing the peasant's hut, Orestes had mis
givings about the plan to murder her.
He felt that matricide would bring the
wrath of the gods upon his head. But
Electra, determined to complete the re
venge, reminded Orestes that an oracle
had told him to destroy Aegisthus and
Clytemnestra.
Clytemnestra defended herself before
Electra with the argument that Agamem
non had sacrificed Iphegenia, their child,
as an offering before the Trojan venture
and that he had returned to Argos with
Cassandra, princess of Troy, as his con
cubine. Electra indicted her mother on
several counts and said that it was only
just that she and Orestes murder Clytem
nestra, The queen entered the hut to
prepare a sacrifice for Electra's supposed
first-born; within, she was killed by Ores
tes, who moaned in distress at the vio
lence and bloodshed and matricide in
which the gods had involved him.
The Dioscuri, twin sons of Zeus and
brothers of the half-divine Clytemnestra,
appeared to the brother and sister, who
were overcome with mixed feelings of
hate and love and pride and shame at
what they had done. The twin gods
questioned the wisdom of Apollo, whose
oracle had advised this violent action;
they decreed that Orestes should give
Electra to Pylades in marriage and that
Orestes himself should be pursued by
the Furies until he could face a trial in
Athens, from which trial he would
emerge a free man.
THE EMIGRANTS
Type of 'work: Novel
Author: Johan Bojer (1872-1959)
Type of 'plot: Regional romance
Time of plot: Late nineteenth century
Locale: Norway and the American West
First published: 1925
Principal characters:
ERIK Foss, an emigrant leader
OLA VATTSTE, a laborer
ELSE, his wife
MORTEN KVIT>AL, a joiner
KAL SKARET, a crofter
KAREN, his wife
PER POLL, a young workman
ANNE, his wife
BERGITTA, Morten's wife; Anne's sister
Critique:
The Emigrants is a saga of the Nor- stock from which our prairie pioneers
wegians who settled the wheat lands of came, and his visits to America have
the Dakotas. Bojer is well qualified for made him familiar with the American
his subject. A Norwegian, he knows the scene. The result is a lasting novel, an
THE EMIGRANTS by Johan Bojer. Translated by A. G. Jayne. By permiwion of Curtia Brown, Ltd. Pub
lished by The Century Co. Copyright, 1925, by Johan Bojer.
244
American story written in Norwegian.
It is a vital part of our cultural heritage.
The Story:
Erik Foss came back to Norway after
some time spent working in America,
and to the cramped, class-conscious farm
ers and laborers of his Norwegian coun
tryside he held out hope for a more free
and generous life in the new country.
Many resolved to join his party of emi
grants to America,
There was Ola, the colonel's hired
boy. Ola had a way with people, es
pecially with girls, and Else, the colonel's
daughter, looked on him with eager
eyes. But Ola was poor and the stories
about him did not please the colonel.
After his dismissal from the farm, Ola
set fire to the barn. He spent a year
in prison and came out in time to join
the emigrants. Else came too, as Ola's
wife. There was Per Foil, a big, hulking
man and his new wife, Annie, the
most attractive girl in the parish, already
carrying a baby who was to be born too
soon after her marriage. There were
Kal Skaret and Karen, a kindly and slow-
moving couple. The tax collector took
their only cow when they could not pay
even the previous year's taxes. There
was Morten Kvidal, a skilled joiner.
When the steamer left, the little band
sorrowed to leave Norway. But Erik
was strong and he knew the way and
he had enough money to help them.
That first summer the emigrants
reached Wisconsin. They stayed there
during the bleak winter, the men working
in the sawmills to add to their meager
funds. Early the next spring, they started
out across the prairie. Erik had been to
the Red River Valley before; he had
tested the soil and knew it was good.
The settlers had wagons and oxen, now,
and all their supplies.
Erik said they had arrived when they
came to a vast level land covered witn
a six-foot stand of grass.
Kal took the quarter farthest to the
west. There he swung his scythe in
sweeping strokes. The children arid Karen
piled the fodder, enough to feed a cow
all winter! Now he would plow. Mor
ten took no heed of the buffalo grass;
he set his great breaking plow and turned
it under. They built their homes from
the grass, too, piling squares of turf for
their sod houses.
That summer there was drought and
the wheat crop was poor. Ola went into
town with one of the loads, and gambled
and drank up all his money. Without
the help of the others, Ola and Else
would never have survived the winter.
During a blizzard Erik's feet were frost
bitten while he hunted his strayed stock.
When gangrene set in, Morten made
the long trip to town on skis; but he
returned too late with medicine for the
sick man.
After Erik's death, the leadership of
the small band fell to Morten. Good
times and bad followed.
Per thought long and bitterly about
Anne, for he could never forget that
his first-born boy had come into the
world too soon after his marriage. When
Morten's young brother visited his house
too frequently, Per began to roam the
prairie. They had to tie him finally and
take him to the madhouse, leaving Anne
with her children and a sense of sin.
Although well established, Morten
felt compelled to go back to Norway.
When he returned to Dakota, he brought
with him a wife, Bergitta, Ajine's sister.
He became an agent for the new rail
road. He said that the people should
have their own bank and grain elevators
so that they would not be at the mercy
of speculators. The Norwegians became
Americans. At a party they put up an
American flag beside the Norwegian
banner.
Kal and Karen built outbuildings o£
wood, and each son took up another
quarter. Before long Kal's fields stretched
to the horizon, and he had to ride from
one wheat planting to the other. When
the steam thresher came, an army of
laborers piled up the mounds of grain;
245
it poured too fast to cart away. In his
machine shed, in a tiny strong room,
Kal stored wheat, so that his family
would never be hungry. Under his bed,
in his emigrant chest, he kept his money.
He and Karen were proud on the day
their son came back from school in St.
Louis and preached in their own church.
Morten grew old. He still acted for
the railroad; he ran the bank; he was
elder of the church; he put up buildings
for the growing town. Bergitta died. A
lamp exploded in Morten's face, blinding
him. Now his grandson read to him.
The old man thought of Norway often.
He went back, blind and old, to his
home. His people were dead; only the
old land remained. It must be like that,
he realized. The old settlers are a part
Norwegian always, but their children
belong to the new world.
EMMA
Type of work: Novel
Author: Jane Austen (1775-1817)
Type of plot: Social comedy
Time of plot: Early nineteenth century
Locale: Surrey, England
First published: 1816
Principal characters:
EMMA WOODHOUSE, heiress of Hartfield
MR. WOODHOUSE, her father
HARKCET SMITH, Emma's prot£ge*e
Miss BATES, the village gossip
JANE FAIRFAX, Miss Bates' niece
MR. GEORGE KNIGHTLEY, Emma's brother-in-law
MRS. WESTON, Emma's former governess
FRANK CHURCHILL, stepson of Lmma's former governess
MR. ELTON, a rector
ROBERT MARTIN, a yeoman
Critique:
The major problem in the world of
Jane Austen's novels is that of getting
the characters properly married, and
Emma is no exception. Its plot is con
cerned with the complications taking
place before the couples are paired off
correctly, and with Emma's sometimes
unwise attempts to help things along.
She is perhaps a less generally appealing
heroine than Elizabeth Bennet in Pride
and Prejudice, but she is excellently done,
as are her father and the rest of the
Highbury circle. Miss Bates and Mrs.
Elton remain unsurpassed in English
satire.
The Story:
Emma Woodhouse, rich, clever, beau
tiful, and no more spoiled and self-satis-
Hed than one would expect under such
circumstances, had just seen her friend,
companion, and ex-governess, Miss Tay
lor, married to a neighboring widower,
Mr. Western, While the match was suit
able in every way, Emma could not
help sighing over her loss, for now only
she and her father were left at Hartfield
and Mr. Woodhouse was too old and too
fond of worrying about trivialities to be
a companion for his daughter. ,
The Woodhouscs were the great family
in the village of Highbury. In their
small circle of friends mere were enough'
middle-aged ladies to make up card tables
for Mr. Woodhouse but no young lady to
be friend and confidante to Emma. Lonely
for her beloved Miss Taylor, now Mrs.
Weston, Emrna took under her wing Har
riet Smith, the parlor boarder at a nearby
boarding-school Harriet was an ex-
246
tremely pretty girl of seventeen, not in
the least brilliant, but witb pleasing, un
assuming manners, and a gratifying habit
of looking up to Emma as a paragon.
Harriet was the natural daughter of
some mysterious person, and Emma, be
lieving that the girl might be of noble
family, persuaded her that the society in
which she had moved was not good
enough for her. She encouraged her to
g've up her acquaintance with the Martin
mily, respectable farmers of some sub
stance though of no fashion. Instead of
thinking of Robert Martin as a husband
for Harriet, Emma influenced the girl
to aspire to Mr. Elton, the young rector.
Emma believed from Mr. Elton's man
ner that he was beginning to fall in love
with Harriet, and she flattered herself
upon her matchmaking schemes. Mr.
Knightley, brother of a London lawyer
married to Emma's older sister and one
of the few people who could see Emma's
faults, was concerned about her intimacy
with Harriet. He warned her that no
good could come of it for either Harriet
or herself, and he was particularly upset
when he learned that Emma had influ
enced Harriet to turn down Robert Mar
tin's proposal of marriage. Emma her
self suffered from no such qualms, for
she was certain that Mr. Elton was as
much in love with Harriet as Harriet —
through Emma's instigation — was with
him.
Emma suffered a rude awakening
when Mr. Elton, finding her alone, asked
her to marry him. She suddenly realized
that what she had taken for gallantries
to Harriet had been meant for herself,
and what she had intended as encourage
ment to his suit of her friend, he had
taken as encouragement to aspire for
Emma's hand. His presumption was bad
enough, but the task of breaking the
news to Harriet was much worse.
Another disappointment now occurred
in Emma's circle. Frank Churchill, who
had promised for months to come to see
his father and new stepmother, again
put off his visit. Churchill, Mr. Weston's
son by a first marriage, had taken the
name of his mother's family. Mr. Knight-
ley believed that the young man now
felt himself above his father. Emma ar
gued with Mr. Knightley, but she found
herself secretly agreeing with him.
Although the Hartfield circle was
denied Churchill's company, it did ac
quire an addition in the person of Jane
Fairfax, niece of the garrulous Miss
Bates. Jane rivaled Emma in beauty and
accomplishment, one reason why, as Mr.
Knightley hinted, Emma had never been
friendly with Jane. Emma herself blamed
Jane's reserve for their somewhat cool
relationship.
Soon after Jane's arrival, the Westons
received a letter from Churchill setting
another date for his visit. This time he
actually appeared, and Emma found him
a handsome, well-bred young man. He
called frequently upon the Woodhouses,
and also upon the Bates family, because
of prior acquaintance with Jane Fairfax.
Emma rather than Jane was the recipient
of his gallantries, however, and Emma
could see that Mr. and Mrs. Weston were
hoping that the romance would prosper.
About this time Jane Fairfax received
the handsome gift of a pianoforte, anony
mously given. It was presumed to have
come from some rich friends with whom
Jane, an orphan, had lived, but Jane
herself seemed embarrassed with the
present and refused to discuss it. Emma
wondered if it had come from Mr.
Knightley, after Mrs. Weston pointed
out to her his seeming preference and
concern for Jane. Emma could not bear
to think of Mr. Knightley's marrying
Jane Fairfax, and after observing tnem
together, she concluded to her own satis
faction that he was motivated by friend
ship, not love.
It was now time for Frank Churchill
to end his visit, and he departed with
seeming reluctance. During his last call
at Hartfield, he appeared desirous of
telling Emma something of a serious
nature: but she, believing him to be on
the verge of a declaration of love, did
247
not encourage him because in her day
dreams she always saw herself refusing
him and their love ending in quiet friend
ship.
Mr. Elton returned to the village with
a hastily wooed and wedded bride, a lady
of small fortune, extremely bad manners,
and great pretensions to elegance. Har
riet, who had been talked into love by
Emma, could not be so easily talked out
of it; but what Emma had failed to ac
complish, Mr. Elton's marriage had, and
Harriet at last began to recover. Her
recovery was aided by Mr. Elton's rude
ness to her at a ball, When he refused
to dance with her, Mr. Knightley, who
rarely danced, offered himself as a part
ner, and Harriet, without Emma's knowl
edge, began to think of him instead of
Mr. Elton,
Emma herself began to think of
Churchill as a husband for Harriet, but
she resolved to do nothing to promote
the match. Through a series of misin
terpretations, Emma thought Harriet was
praising Churchill when she was really
referring to Mr. Knightley.
The matrimonial entanglement was
further complicated because Mrs. Weston
continued to believe that Mr. Knightley
was becoming attached to Jane Fairfax.
Mr. Knightley, in his turn, saw signs of
some secret agreement between Jane
Fairfax and Frank Churchill. His sus
picions were finally justified when
Churchill confessed to Mr. and Mrs.
Weston that he and Jane had been se
cretly engaged since October. The Wes-
tons' first thought was for Emma, for they
feared that Churchill's attentions to her
might have had their effect. Emma as
sured Mrs. Weston that she had at one
time felt some slight attachment to
Churchill, but that that time was now
safely past. Her chief concerns now were
that she had said things about Jane to
Churchill which she would not have said
had she known of their engagement, and
also that she had, as she believed, en
couraged Harriet in another fruitless at
tachment.
When she went to break the news
gently to Harriet, however, Emma found
her quite unperturbed by it, and after
a few minutes of talking at cross pur
poses Emma learned that it was not
Churchill but Mr. Knightley upon whom
Harriet had now bestowed her affections.
When she told Emma that she had rea
sons to believe that Mr. Knightley re
turned her sentiments, Emma suddenly
realized the state of her own heart; she
herself loved Mr. Knightley. She now
wished she had never seen Harriet Smith.
Aside from the fact that she wanted to
marry Mr. Knightley herself, she knew
a match between him and Harriet would
be an unequal one, hardly likely to bring
happiness,
Emma's worry over this state of affairs
was soon ended when Mr. Knightley
asked her to marry him. Her complete
happiness was marred only by the fact
that she knew her marriage would upset
her father, who disliked change of any
kind, and that she had unknowingly
prepared Harriet for another disappoint
ment. The first problem was solved when
Emma and Mr. Knightley decided to re
side at Hartlielcl with Mr. Woodhouse as
long as he lived. As for Harriet, when
Mr, Knightley was paying attention to
her, he was really trying to determine the
real state of her affections for his young
farm tenant. Consequently Mr. Knightley
was able to announce one morning that
Robert Martin had again offered himself
to Harriet and had been accepted. Emma
was overjoyed that Harriet's future was
now assured. She could always reflect
that all parties concerned had married
according to their stations, a prerequisite
for their true happiness.
248
ENOCH ARDEN
Type of work: Poem
Author: Alfred, Lord Tennyson (1809-1892)
Type of plot: Sentimental romance
Time of plot: Late eighteenth century
Locale: England
First published; 1864
Principal characters:
ENOCH ARDEN, a shipwrecked sailor
ANNIE LEE, his wife
PHILIP RAY, his friend
MIRIAM LANE, a tavern keeper
Critique:
To some modern readers the language
of Enoch Arden may seem stilted and the
story of his unselfish love mawkishly ro
mantic, hut we must remember that it
was written during a period when un
requited love and unselfish devotion to
one's family were favorite subjects of
the reading public of England and Ameri
ca. Tennyson has one virtue not shared
by all of his contemporaries; his poems
are easily read and understood, He ex
pressed better than any other poet of his
time the essential character of the Eng
lish people of the nineteenth century.
The Story:
Annie Lee, Philip Ray, and Enoch
Arden played together as children. Some
times Philip was the husband, sometimes
Enoch, but Annie was always the mis
tress. If the boys quarreled over her,
Annie would weep and beg them not to
quarrel and say she would be a wife to
both of them.
As they grew older and ceased their
childish games, Enoch and Philip grew
to love Annie. Enoch told her of his
love, but Philip kept silent, Philip was
the millers son and a rich boy; Enoch
was a poor orphan. He bought a small
boat and became a fisherman. He sailed
aboard a merchant ship for a full year
before he had enough money to make a
home for Annie. When he reached his
twenty-first year he asked her to be his
wife. While the two lovers talked to
gether, Philip looked down on them as
they sat at the edge of the wood. He
went away quietly, locking his love te
Annie deep in his heart.
For seven years Enoch and Annie
lived in health and prosperity. They had
two children, a girl and a boy. Then
misfortune came. Enoch slipped and fell
and lay months recovering. While he
was ill, a sickly child was born, his
favorite. There was no money and the
children were hungry, and Enoch's heart
almost broke to see his family in want.
The chance came for him to sail again
on a merchantman bound for China.
He sold his fishing boat that he might
get a small store of goods and set Annie
up as a trader while he was gone, so that
she and the children might not be in want
before his return. Annie begged him
for their children's sake not to take this
dangerous voyage. But Enoch laughed
at her fears and told her to give all her
cares to God, for the sea was His as well
as the land, and He would take care oi
Enoch and bring him safely home. Annie
cut a lock of hair from the sickly child
and gave it to Enoch when he sailed.
For many months Annie waited for
word from Enoch. Her business did not
prosper; she did not know how to bar
gain. In the third year the sicldy child
died and Annie was crushed by grief.
After the funeral Philip broke his
silence. He begged to send the children
to school and care for them for the sake
of his friendship with her and Enoch,
Enoch had been gone for ten long years
before Philip asked Annie to be his wife.
He had not spoken before because he
249
Jcnew that she still waited for Enoch's
return. Annie asked him to wait one
year more. Six months beyond the year
passed before she and Philip were wed.
But still she feared to enter her own
house and thought that one day she
would see Enoch waiting for her. It was
not until after she bore Philip a child
that she was at peace with herself,
Enoch had been shipwrecked and cast
upon a desert island. Although he did
not lack for food and shelter, his heart
was heavy with loneliness and worry
about his wife and children. One day
a ship came to the island and took him
aboard. When he returned to England
he was old and stooped and no one knew
him. Finding his old house empty, he
took lodging in a tavern kept by a widow,
Miriam Lane. Not knowing who he
was, Mrs. Lane told him of Annie and
Philip and their new baby. Enoch could
only murmur that he was lost. Watching
from a high wall behind Philip's house,
he saw Annie and the children in their
happiness, He knew he could never
shatter that new life.
He lived quietly and did what work
he could and told no one his name or
from where he came. At last, sick and
dying, he called Mrs. Lane to his bed
side and told her his story. He asked
her to tell Annie and Philip and the
children that he died blessing them, and
he sent the lock of hair to Annie so she
would know he spoke the truth. His
was a great unselfish love until the end.
THE ENORMOUS ROOM
Type of work: Novel
Author: E. E. Cumrnings (1894- )
Type of 'plot: Autobiographical fiction
Time of plot: 1917
Locale: France
First published: 1922
Principal characters:
E, E. CUMMINGS, an American ambulance driver
W. S. B., his American friend
APOLLYON, head of die French prison
ROCKYFELIJBR,
THE WAJSPOERER,
Zoo-Loo,
SURPLICE, and
JEAN LE N&GRE, fellow prisoners
Critique:
The Enormous Room tells of more
than three uncomfortable months in
prison; it tells of the outrage and terror
and hope and fear of men caught in the
mesh of wartime government. E. E.
Cummings did not want the book to
stand merely as an indictment of the
French government; he wanted it to tell
of the strange and amazing things he
had learned about people while in prison.
In reading the book, one gets to know
not only the author and his friend B.,
but all the inmates of the enormous
room. Each is a study of some human
quality. Abounding with sharply drawn
scenes and portraits, the novel is com
pelling in its vivid detail. The book is not
so much a study of the stupidity and
brutality of war as it is a quietly pas
sionate vindiction of the animal Man.
The Story:
E. E. Cummings and his friend, B.,
were unhappy as members of the Norton-
ITHE ENORMOUS ROOM by E. E Cummings By permi8sion of the author, of Brandt & Brandt, and the pub-
Ushers, Livenght Publishing Corp. Copyright, 1922, by Boni & Liveright, Inc.
250
Harjes Ambulance Service, a unit sent
by Americans to aid the French during
World War I. One day they were
arrested by French military police. From
hints dropped during an investigation
Cummings gathered that B. had written
some letters suspected by the censor.
Because they were good friends, both
men were held for questioning. Exactly
what they were suspected of doing they
never found out. On one occasion Cum
mings was asked whether he hated the
Germans. He replied that he did not,
that he simply loved the French very-
much. The investigating official could
not understand how one could love the
French and not hate Germans. Finally
Cummings and B. were separated and
sent to different prisons. As time went
by, Cummings was questioned again and
again and moved from one spot to an
other, always under strict guard.
Late one night he was taken to a
prison in the little provincial town of
Mace. There he was thrown into a
huge darkened room, given a straw mat
tress, and told to go to sleep. In the
darkness he counted at least thirty voices
speaking eleven different languages.
Early the next morning he was told that
B., his friend, was in the same room.
The two men were happy to see each
other again. B. told him that the
prisoners in the room were all suspected
of being spies, some only because they
spoke no French.
That morning he learned the routine
of the prison. The enormous room was
lined with mattresses down each side,
with a few windows to let in light at one
end. It smelled of stale tobacco and
sweat. Some of the men in the room
were mad; most of them were afraid they
might become so. To all of them life
consisted of following dull prison routine.
At five-thirty in the morning someone
went down to the kitchen under guard
and brought back a bucket of sour, cold
coffee. After coffee, the prisoners drew
lots to see who would clear the room,
sweep the floors, and collect the trash. At
seven-thirty they were allowed to walk
for two hours in a small, walled-in court
yard. Then came the first meal of the
day, followed by another walk in the
garden. At four they had supper. At
eight they were locked in the enormous
room for the night.
There was little entertainment except
fighting and conversation. Some of the
men spent their time trying to catch
sight of women kept in another part of
the prison. Cummings began to accustom
himself to the enormous room and to
make friends among the various inmates.
One of the first of these was Count Bra-
gard, a Belgian painter who specialized in
portraits of horses. The count was &
perfect gentleman, even in prison, and
always looked neat and suave. He and
Cummings discussed painting and the
arts as if they were at some polite party.
Before Cummings left, the count began
to act strangely. He withdrew from his
old friends. He was losing his mind.
One day Cummings was taken to see
the head of the prison, a gross man he
called Apollyon, after the devil in Pil
grim's Progress. Apollyon had no interest
in the prisoners as long as they made as
little trouble as possible for him. He
questioned Cummings for a considerable
time in an effort to learn why the Ameri
can was there, a circumstance over which
the American himself often wondered.
When new inmates arrived in the
room, everyone looked them over hope
fully, some to find a man with money he
would lend, some to find a fellow-
countryman, and some to find a friend.
One day a very fat, roby-cheeked man
joined the group. He had been a suc
cessful manager of a disreputable house.
Because he had a large sum of money
with him, he was nicknamed Rocky-
feller. He hired a strong man to act as
his bodyguard. Nobody liked him, for
he bought special privileges from the
gxiards.
During his stay in the room, Cum-
mings met three men, very different
from each other, whose personal qualities
251
were such that they made life seem
meaningful to him. He called them the
Delectable Mountains, after the moun
tains Christian found in Pilgrims Prog
ress. The first was the Wanderer, whose
wife and three little children were in
the women's ward of the prison. He was
a strong man, simple in his emotions and
feelings. Cummings liked to talk with
him about his problems. One of the
Wanderer's children, a little boy, some
times came to the enormous room to
visit his father. His pranks and games
both bothered and amused the men. The
Wanderer treated his son with love and
the deepest kind of understanding. Until
he was sent away he remained Cum
mings' best friend.
The second Delectable Mountain was
called Zoo-loo, a Polish farmer who could
speak neither French nor English, but
who could communicate by signs. In a
short time he and Cummings knew all
about each other. Zoo-loo had a knack
for hiding money, and despite the fact
that the head of the prison had him
searched from head to toe, and all his
belongings searched, he seemed always
able to produce a twenty franc note from
his left ear or the back of his neck. His
kindnesses to Cummings and B. were
innumerable.
The third Delectable Mountain was
an amazing little man named Surplice.
Everything astonished him. When Cum
mings had some candy or cheese, Sur
plice was sure to come over to his cot
and ask questions about it in a shy
manner. His curiosity and friendly con
versation made everything seem more
important and interesting than it really
was.
One morning Jean le N&gre was
brought to the enormous room, a gigantic,
simple-minded Negro whom Cummings
was to remember as the finest of his
fellow prisoners. Jean was given to
practical jokes and tall tales; he had been
arrested for impersonating an English
officer and had been sent to the prison
for psychopathic observation. Because of
his powerful body, the women prisoners
called their approval and admiration
when he walked in the courtyard. His
favorite was Lulu, who smuggled money
and a lace handkerchief to him. When
she was sent to another prison, Jean
was disconsolate. When one of the
prisoners pulled at Lulu's handkerchief,
Jean handled him roughly. A scuffle
followed. The guards came and Jean
was taken away for punishment. Calls
from the women prisoners aroused him
so that he attacked the guards and sent
them flying until he was quieted and
bound by a fellow prisoner whom he
trusted. After that experience Jean grew
quiet and shy.
Just before Cummings himself was
released, B. was sent away. Jean le
Negre tried to cheer Cummings with
his funny stories and exaggerated lies,
but without much success. Cummings
was afraid B. might never get free from
the prisons of France, a groundless fear
as he learned Inter. He himself left the
enormous room knowing that in it he
had learned the degradation and nobility
and endurance of human nature.
EREWHON
Type of -work: Novel
Author: Samuel Butler (1835-1902)
Type of plot; Utopian satire
Time of plot; 1870's
Locale: Erewhon and England
First published: 1872
Principal characters:
STRONG, a traveler in Erewhon
CHOWBOK, a native
252
NOSNIBOK, a citizen of Erewhon
AROWHENA, his daughter
Critique:
Erewhon is an anagram of nowhere,
but the institutions satirized in this story
of an imaginary land are unmistakably
British, Beginning as an adventure story,
the book becomes an elaborate allegory.
Some of Butler's satire grows out of the
ideas of Darwin and Huxley, In the main
the book is original and often prophetic,
The "straighteners" of Erewhon are the
psychologists of today, and the treatment
of Erewhonian criminals is somewhat
like that advocated by our own liberal
thinkers. The novel is humorous, but
it is also serious.
The Story:
Strong, a young man of twenty-two,
worked on a sheep farm. From the
plains he looked often at the seemingly
impassable mountain range that formed
the edge of the sheep country and won
dered about the land beyond those tower
ing peaks. From one old native named
Chowbok he learned that the country
was forbidden. Chowbok assumed a
strange pose when questioned further
and uttered unearthly cries. Curious,
Strong persuaded Chowbok to go on a
trip with him into the mountains.
They were unable to find a pass
through the mountains. One day Strong
came upon a small valley and went up
it alone. He found that it led through
the mountains. When he went back to
get Chowbok, he saw the old native flee
ing toward the plains. He went on
alone. After climbing down treacherous
cliffs and crossing a river on a reed raft,
he finally came to beautiful rolling plains.
Fie passed by some strange manlike
statues which made terrifying noises as
the wind circled about them. He recog
nized in them the reason for Chowbok's
performance.
Strong awoke next morning to see a
flock of goats about him, two girls herd
ing them. When the girls saw him they
ran and brought some men to look at
him. All of them were physically hand
some. Convinced at last that Strong was
a human being, they took him to a small
town close by. There his clothing was
searched and a watch he had with him
was confiscated. The men seemed to be
especially interested in his health, and
he was allowed to leave only after a
strict medical examination. He wondered
why there had been such confusion over
his watch until he was shown a museum
in which was kept old pieces of machin
ery. Finally he was put in jail.
In jail he learned the language and
something of the strange customs of the
country, which was called Erewhon. The
oddest custom was to consider disease a
crime; anyone who was sick was tried
and put in jail. On the other hand,
people who committed robbery or murdei
were treated sympathetically and given
hospital care. Shortly afterward the
jailor informed Strong that he had been
summoned to appear before the king and
queen, and that he was to be the guest
of a man named Nosnibor. Nosnibor
had embezzled a large sum of money
from a poor widow, but he was now re
covering from his illness. The widow,
Strong learned, would be tried and sen
tenced for allowing herself to be imposed
upon.
In the capital Strong stayed with Nos
nibor and his family and paid several
visits to the court. He was well received
because he had blond hair, a rari ty among
the Erewhonians. He learned a great
deal about the past history of the country.
Twenty-five hundred years before a
prophet had preached that it was unlaw
ful to eat meat, as man should not kill
his fellow creatures. For several hundred
5 is the Erewhonians were vegetarians,
en another sage showed that animals
were no more the fellow creatures of man
than plants were, and that if man could
not kill and eat animals he should not
kill and eat plants. The logic of his
arguments overthrew the old philosophy.
Two hundred years before a great scien
tist had presented the idea that machines
had minds and feelings and that if man
were not careful the machine would
finally become the ruling creature on
earth. Consequently all machines had
been scrapped,
The economy of the country was un
usual, There were two monetary sys
tems, one worthless except for spiritual
meaning, one used in trade. The more
respected system was the valueless one,
and its work was carried on in Musical
Banks where people exchanged coins for
music. The state religion was a worship
of various qualities of godhead, such as
love, fear, and wisdom, and the main
goddess, Ydgrun, was at the same time
an abstract concept and a silly, cruel
woman. Strong learned much of the
religion from Arowhena, one of Nosni-
bor's daughters. She was a beautiful girl,
and the two fell in love.
Because Nosnibor insisted that his
older daughter, Zulora, be married first,
Strong and his host had an argument,
and Strong found lodgings elsewhere.
Arowhena met him often at the Musical
Banks. Strong visited the University of
Unreason, where the young Erewhonian
boys were taught to do anything except
that which was practical. They studied
obsolete languages and hypothetical sci
ences. He saw a relationship between
these schools and the mass-mind which
the educational system in England was
producing. Strong also learned that
money was considered a symbol of duty,
and that the more money a man had the
better man he was.
Nosnibor learned that Strong was
meeting Arowhena secretly. Then the
king began to worry over the fact that
Strong had entered the country with a
watch, and he feared that Strong might
try to bring machinery back into use.
Planning an escape, Strong proposed to
the queen that he make a balloon trip
to talk with the god of the air. The
queen was delighted with the idea. The
king hoped that Strong would fall and
kill himself.
Strong smuggled Arowhena aboard the
balloon with laim. The couple soon
found themselves high in the air and
moving over the mountain range. When
the balloon settled on the sea, Strong
and Arowhena were picked up by a
passing ship. In England, where they
were married, Strong tried to get up an
expedition to go back to Ere when. Only
the missionaries listened to his story.
Then Chowbok, Strong's faithless native
friend, showed up in England teaching
religion, and his appearance convinced
people that Erewhon actually did exist,
Strong hoped to return to the country
soon to teach it Christianity.
ESTHER WATERS
Type of work: Novel
Author: George Moore (1852-1933)
Type of plot: Naturalism
Time of plot: Late nineteenth century
Locale: England
First published: 1894
Principal characters:
ESTHER WATERS, a servant girl
WILLIAM LATCH, her betrayer
MRS. BARFIELD, her mistress
SARAH TUCKER, her enemy
JACKIE, her son
FRED PARSONS, her betrothed
Miss RICE, her employer
254
Critique:
Esther Waters is a landmark in the
development of realism in English fiction.
The story of Esther and her struggle
^ainst almost insurmountable odds shows
influence of Balzac and Zola. Be
tween Richardson's Pamela and Moore's
Esther Waters there is a dividing line of
a completely new theory of art as well
as a division of time in the history of
the novel.
The Story:
The first person Esther Waters met
when she arrived at Woodview was Wil
liam Latch, the son of the cook under
whose direction Esther was to work. Wil
liam was the bane of his mother's life,
for he was like his dead father, a gambler.
Mrs. Latch had hoped that William
would become a delivery boy and leave
Woodview, but William was determined
to go into service for Mr. and Mrs. Bar-
field, the owners of Woodview, in order
to observe their racing stable.
The position as kitchenmaid at Wood-
view was a godsend to Esther, for her
stepfather, claiming that he had too many
mouths to feed, had forced her to leave
home. The workhouse might have been
her only refuge if she had not secured
a position with the Barfields. But in
spite of her efforts to do her work well,
it was hard for her to get along with the
other servants. Mrs. Latch seemed to
go out of her way to make life unpleasant
for Esther, and the maids teased her be
cause she was religious. Among the serv
ants, William was at first her only
champion, and she was grateful to him.
Then Esther found an unexpected friend
in her mistress, Mrs. Barfield. She, too,
was deeply religious, and she invited
Esther to join the services she held in
her room each Sunday morning. Learn
ing that Esther could not read, Mrs. Bar-
field tried to teach her. To Esther, Mrs.
Barfield seemed a friend as well as, an
employer.
Mrs. Barfield's interest made Esther's
life easier for a time. William continued
to pay her special attention, to the an
guish of Sarah Tucker, another of the
maids. After a servant's ball in celebra
tion of the victory of one of the Wood-
view horses, William took Esther out to
some wheat stacks and seduced her after
telling her that they would be married
as soon as he had enough money. By the
following morning Esther had convinced
herself that she had been betrayed, and
she refused to speak to William. He tried
to reason with her, telling her that he
loved her and they would be married
soon, but she would not listen. Tiring at
last of her sulking, he turned to Miss
Peggy Barfield, a cousin of his master,
and after a few weeks eloped with her.
Three months later Esther realized that
she was pregnant. Strangely, the servant
girls who had been her former tormentors
became kind and sympathetic, and their
kindness made her feel even more
ashamed of her wickedness. In spite of
her sympathy, Mrs. Barfield had to send
Esther away, for she had become a bad
example for the other girls.
There was no place for her to go but
to her home. There she found her mother
also pregnant and her stepfather more
cruel than ever. But he tolerated her as
long as she paid her rent and gave him
money to buy beer. At last Esther knew
that she would have to leave before all
her savings were used up and there
would be nothing left for her baby.
She took lodgings close to the hospital
where she was to be confined. After her
son, Jackie, was born, she was filled with
a happiness she had never known before,
but her joy was lessened when she
learned that her mother had died in
childbirth, just a few days after Esther's
baby was born. Soon afterward Esther's
stepfather and the other children went
to Australia; with their going Esther felt
that she was really alone in the world.
ESTHER WATERS by Georgt Moore. By permission of Mr. C. D. Medley, London, and the publishers
LiverigV PublJahing Corp. Copyright, 1901, by H. S. Stone & Co., 1917, by Brentano'0, 1932. by Liveright
Publishing Corp.
255
For Esther the next few years were
terrible ones. Sometimes she worked
seventeen and eighteen hours a day.
Once she had to go to the workhouse.
Her greatest grief was the need to leave
her child in someone's care while she
worked, for Jackie was her whole life.
When he was six years old, Esther found
work with Miss Rice, a writer whose
home was a haven to Esther. Miss Rice
knew Esther's story and tried to make the
girl's life easier for her.
One day Esther met Fred Parsons, a
colorless man, but honest, dependable,
and religious. When Esther told him
her story, he readily forgave her. She
took Fred to see Jackie, and the man and
the boy were fast friends from the first
meeting. Esther and Fred planned to be
married as soon as Miss Rice could get
another servant, for Esther would not
leave her mistress uncared-for. One eve
ning, while on an errand for Miss Rice,
Esther unexpectedly met William Latch,
who told her that Peggy had left him.
When he learned that Esther had borne
his child, he pleaded to come back to her,
and hinted that it was her Christian duty
to Jackie to give the boy his rightful
father. Esther knew that she would be
better off with Fred, as would Jackie, for
William had become a tavern keeper and
a bookie. But Jackie met his father and
loved him instantly. For his sake Esther
and William were married.
At first William made money. Jackie
was put in a good school, and Esther
had two servants to wait on her. But
there were days of anxious waiting to
hear the results of a race. Often Wil
liam had thousands of pounds to cover if
the favorite won. After a time he began
to lose heavily. It was against the law
to accept bets at the tavern, and William
was in constant danger of being reported
to the police. Fred Parsons came to warn
Esther to leave William, to tell her that
the tavern was to be raided, but Esther
refused to desert her husband. Then
Sarah Tucker came to the tavern to ask
for help after she had stolen a silver
plate from her employer. The police
found her there. Later, when the tavern
was raided, William's fine was heavy.
Business began to dwindle, and Esther
and William had lean times.
After William became tubercular, the
dampness and fog of the race tracks only
made him cough more, and at last he had
to go to the hospital. There the doctors
told him that he must go to Egypt for
his health. He and Esther gambled all
their money on a single race, and lost.
Esther tried to be cheerful for William's
sake, but when he died a few days later
she wished that she had died with him.
She had no money and no place to go.
Her only blessing was that Jackie was
big enough to take care of Himself.
Esther went back to Woodview. Only
Mrs. Barfield was left, and she was poor.
Most of the land had gone to pay racing
debts, But Esther would have stayed
with Mrs. Barfield without wages, for she
had never forgotten her old friend's kind
ness. Jackie enlisted in the army and
went to Woodview to tell his mother
goodbye. With pride she introduced him
to Mrs. Barfield. She knew that her sin
had been redeemed and that she would
never have to be ashamed again. She
had given her country a fine soldier. Few
women could do more.
ETHAN FROME
Type of work: Novel
Author: Edith Wharton (1862-1937)
Type of 'plot: Domestic tragedy
Time oj 'plot: Late nineteenth century
Locale: Starkfield, Massachusetts
First published: 1911
256
Principal characters:
ETHAN FROME, a New England farmer
ZENOBIA FROME (ZEENA), his wife
MATTIE SILVER, Zeena 's cousin
Critique:
Although not considered representative
of Edith Wharton's works, Ethan Frame
is probably the best and most popular of
her novels. Told in less than two hun
dred pages, it is a tragic story of three
peoples' wasted lives: Ethan Frome;
Zeena, his wife; and young Mattie Silver,
Zeena's cousin. Through the flash-back
technique, Edith Wharton permits us to
glimpse the fate of Ethan Frome at the
beginning, but we must wait until the
end of the book to see how that fate is
brought about. Although we know that
the story is to have an unhappy ending,
the author's crushing use of irony makes
the conclusion come as a surprise.
The Story:
Ethan Frome was twenty-eight years
old when he married Zenobia Pierce, a
distant cousin who nursed his sick mother
during her last illness. It was a wedding
without love. Zenobia, called Zeena, had
no home of her own, and Ethan was
lonely. So they were married. But Zee
na's talkativeness, which had been pleas
ing to Ethan during his mother's illness,
quickly subsided, and within a year of
their marriage Zeena developed the sick-
liness which was to plague her husband
all her life. Ethan became increasingly
dissatisfied with his life. He was an
intelligent and ambitious young man who
had hoped to become an engineer or a
chemist. But he soon found himself
chained to a wife he detested and a farm
he could not sell.
The arrival of Mattie Silver brightened
the gloomy house considerably. Mattie,
Zeena's cousin, had come to Starkfield
partly because she had no other place to
go and partly because Zeena felt in need
of a companion around the house. Ethan
saw in Mattie's goodness and beauty
every fine quality that Zeena lacked.
When Zeena suggested that Ethan
help Mattie find a husband, he began to
realize how much he himself was attract
ed to the girl. When he went to a church
social to bring Mattie home and saw he*
dancing with the son of a rich Irish
grocer, he realized that he was jealous of
his rival and in love with Mattie. On
his way home with her, Ethan felt his
love for Mattie more than ever, for on
that occasion as on others, she flattered
him by asking him questions on astron
omy. His dreams of happiness were
short-lived however, for when he reached
home Zeena was her nagging, sour self.
The contrast between Zeena and Mattie
impressed him more and more.
One day Ethan returned from his
morning's work to find Zeena dressed in
her traveling clothes. She was going to
visit a new doctor in nearby Bettsbridge.
Ordinarily Ethan would have objected to
the journey because of the expensive rem
edies which Zeena was in the habit of
buying on her trips to town. But on that
occasion he was overjoyed at the news of
Zeena's proposed departure, for he real
ized that he and Mattie would have
the house to themselves overnight.
With Zeena out of the way, Ethan
again became a changed man. Later
in the evening, before supper, Ethan and
Mattie sat quietly before the fire, just as
Ethan imagined happily married couples
would do. During supper the cat broke
Zeena's favorite pickle dish, which Mattie
had used to brighten up the table. In
spite of the accident, they spent the rest
of the evening happily. They talked
about going sledding together, and Ethan
told shyly — and perhaps wistfully — that
ETHAN FROME by Edith Wharton. By permission of the publishers, Charles Scribner's Sous. Copyright
1911, by Charles Scribner's Sons. Renewed, 1939, by Frederic and Leroy King.
257
he had seen Ruth Varnum and Ned
Hale, a young engaged couple, stealing a
kiss earlier in the evening.
In the morning Ethan was happy, but
not because of anything out of the ordi
nary the night before. In fact, when he
went to bed, he remembered sadly that
he had not so much as touched Mattie's
fingertips or looked into her eyes. He
was happy because he could imagine
what a wonderful life he could have if he
were married to Mattie. He got glue
to mend the pickle dish, but Zeena's un
expected return prevented him from re
pairing it. His spirits were further
dampened when Zeena told him that the
Bettsbridge doctor considered her quite
sick. He had advised her to get a girl to
relieve her of all household duties, a
stronger girl than Mattie. She had al
ready engaged the new girl. Ethan was
dumbfounded by this development. In
her insistence that Mattie be sent away
Zeena gave the first real hint that she
may have been aware of gossip about her
husband and Mattie.
When Ethan told Mattie of Zeena's
decision, the girl was as crestfallen as
Ethan. Zeena interrupted their lamenta
tions, however, by coming downstairs for
something to eat. After supper she re
quired stomach powders to relieve a case
of heartburn. In getting the powders,
which she had hidden in a spot supposed
ly unknown to Mattie, Zeena discovered
the broken pickle dish, which had been
carefully reassembled in order to give the
appearance of being unbroken. Having
detected the deception and learned that
Mattie was responsible for the broken
dish, Zeena called Mattie insulting names
and showed plainly that the girl would
be sent away at the earliest possible
moment.
Faced with the certainty of Mattie's
departure, Ethan thought of running
away with her. But his poverty, as well
as his sense of responsibility to Zeena,
offered no solution to his problem, only
greater despair. On the morning Mattie
was to leave Starkfield, Ethan, against
the wishes of his wife, insisted on driv
ing Mattie to the station, The thought
of parting was unbearable to both. They
decided to take the sleigh ride that Ethan
had promised Mattie the night before.
Down the hill they went, narrowly miss
ing a large elm tree at the bottom. Mat-
tie, who had told Ethan that she would
rather die than leave him, begged until
Ethan agreed to take her down the hill
a second time and run the sled into the
elm at the bottom of the slope. But they
failed to hit the tree with force sufficient
to kill them. The death they sought be
came a living death, for in the accident
Mattie suffered a permanent spine injury
and Ethan an incurable lameness. The
person who received Mattie into her
home, who waited on her, and who
cooked for Ethan was — Zeena.
EUGENIE GRANDET
Type of work: Novel
Author: Honor£ de Balzac (1799-1850)
Type of ^lot: Naturalism
Time of plot: Early nineteenth century
Locale: Saumur, France
first 'published: 1833
Principal characters:
MONSIEUR GRANDET, a miser
EUGENIE, his daughter
CHARLES GRANDET, his nephew
MONSIEUR DE GRASSINS, a banker
MONSIEUR CRUCHOT, a notary
258
Critique:
Eugenie Grandet is one of the best of
Balzac's novels. His use of realistic detail,
so cumbersome and boring in many of his
works, is restricted here to what is actu
ally needed. Primarily the book is a
character sketch of a loathsome miser
whose greed has warped his own life
and made the lives of his wife and daugh
ter miserable. The story is told simply
and concisely, Its tragedy lies in the fact
that Eugenie is doomed to a lonely and
loveless life. In any event, she and
Grandet are two of Balzac's most success
ful creations.
The Story:
In the French town of Saumur, old
Grandet was a prominent personality, and
the story of his rise to fortune was known
throughout the district. He was a master
cooper who had married the daughter
of a prosperous wood merchant. When
the new French Republic offered for sale
the church property in Saumur, Grandet
used his savings and his wife's dowry to
buy an old abbey, a fine vineyard, and
several farms. Under the Consulate he
became mayor and grew still more
wealthy. In 1806 he inherited three for
tunes from his wife's mother, her grand
father, and her grandmother. By this
time he owned the abbey, a hundred
acres of vineyard, thirteen farms, and the
house in which he lived. In 1811 he
bought the nearby estate of an impov
erished nobleman.
He was known for his miserliness, but
he was respected for the same reason.
His manners were simple, his table was
meager, but his speech and gestures were
the law of the countryside. His house
hold consisted of his wife, his daughter,
Eugenie, and a servant, Nanon. Old
Grandet had reduced his wife almost to
slavery, using her as a screen for his
devious financial dealings. Nanon, who
did all of the housework, was gaunt and
ugly but of great strength. She was de
voted to her master because he had taken
her in after everyone else had refused
to hire her because of her appearance,
On each birthday Eugenie received a gold
piece from her father and a winter and
a summer dress from her mother. Each
New Year's Day Grandet would ask to
see the coins and would gloat over their
yellow brightness.
He begrudged his family everything
except the bare necessities of life. Every
day he would carefully measure and dole
out the food for the household — a few
lumps of sugar, several pieces of butter,
a loaf of bread. He forbade the lighting
of fires in the rooms before the middle
of November. His family, like his ten
ants, lived under the austere circum
stances he imposed upon them.
The townspeople wondered whom
Eugenie would marry. There were two
rivals for her hand. One of them, M.
Cruchot, was the son of the local notary.
The other, M. de Grassins, was the son
of the local banker. On Eugenie's birth
day, in the year 1819, both called at the
Grandet home. During the evening there
was an unexpected knock at the door,
and in came Charles Grandet, the miser's
nephew. Charles' father had amassed a
fortune in Paris, and Charles himself,
dressed in the most fashionable Parisian
manner, was an example of Parisian
customs and habits for these awkward,
gawking provincials whom he tried to
impress with his superior airs.
Eugenie outdid herself in an effort
to make the visitor welcome, even defy
ing her father in the matter of heat,
candlelight, and other luxuries for
Charles. Grandet was polite enough to
his nephew that evening, as he read a
letter Charles had brought from his
father. In it Grandet' s brother announced
he had lost his fortune, that he was about
to commit suicide, and that he entrusted
Charles to his brother's care. The young
man was quite unaware of what his fathei
had written, and when informed next day
of his father's failure and suicide, he
burst into tears and remained in his
room for several days. Finally he wrote
259
to a friend in Paris and asked him to
dispose of his property and pay his debts.
To Eugenie, her mother, and Nanon, he
gave little trinkets. Grandet looked at
them greedily and said he would have
them appraised. He informed his wife
and daughter that he intended to turn
the young man out as soon as his father's
affairs were settled.
Charles felt there was a stain on his
honor, Grandet felt so too, especially
since he and his late brother had the same
family name. In consultation with the
local banker, M. de Grassins, he arranged
a plan whereby he could save the family
reputation without, at the same time,
spending a penny. M. de Grassins went
to Paris to act for Grandet, He did not
return, but lived a life of pleasure in
the capital.
In the meantime, Eugenie fell in love
with Charles. Sympathizing with his
penniless state, she decided to give him
her hoard of coins so that he could go to
the Indies and make his fortune. The two
young people pledged everlasting love to
each other, and Charles left Saumur.
On the following New Year's Day,
Grandet asked to see Eugenie's money.
Her mother, who knew her daughter's
secret, kept silent. In spite of Eugenie's
denials, Grandet guessed what she had
done with the gold. He ordered her to
keep to her room, and he would have
nothing to do with either her or her
mother. Rumors began to arise in the
town. The notary, M. Cruchot, told
Grandet that if his wife died, there
would have to be a division of the prop
erty — if Eugenie insisted on it. The vil
lage whispered that Mme. Grandet was
dying of a broken heart and the maltreat
ment of her husband. Realizing that he
might lose a part of his fortune, Grandet
relented and forgave them both. When
his wife died, he tricked Eugenie J
signing over to him her share of the
property.
Five years passed, with no word from
Charles to brighten Eugenie's drab exist
ence. In 1827, when Grandet was eighty-
two years old, he was stricken with paral
ysis. He died urging Eugenie to take
care of his money.
Eugenie lived with old Nanon, still
waiting for Charles to return. One day
a letter came. Charles no longer wished
to marry her. Instead, he hoped to marry
the daughter of a titled nobleman and
secure by royal ordinance his father-in-
law's title and coat of arms. Eugenie re
leased Charles, but M. de Grassins hur
ried to Charles and told him that his
father's creditors had not been satisfied.
Until they were, his fianceVs family
would not allow a marriage. Learning of
his predicament, Eugenie herself paid the
debt, and Charles was married,
Eugenie continued to live alone. The
routine of the house was exactly what
it had been while Grandet lived. Suitors
came again. Young de Grassins was now
in disgrace because of the loose life his
father was living in Paris, but M. Cru
chot, who had risen to a high post in the
provincial government, continued to
press his suit. At last Euge'nie agreed to
marry him, providing he did not demand
the prerogatives of marriage, for she
would be his wife in name only. They
were married only a short time before
M. Cruchot died. To her own property
Euge'nie added his. Nanon herself had
married and she and her husband stayed
with Euge'nie, Convinced that Nanon
was her only friend, the young widow re
signed herself to a lonely life. She lived
as she had always lived in the bare old
house. She had great wealth, but, lack
ing everything else in life, she was in
different to it
260
EVANGELINE
Type of work: Poem
Author: Henry Wadsworth Longfellow (1807-1882)
Type of plot: Pastoral romance
Time of plot: Mid-eighteenth century
Locale: French Canada and the United States
First published: 1847
Principal characters:
EVANGELINE BELLEFONTAINE
GABRIEL LAJEUNESSE, her betrothed
BASIL LAJEUNESSE, Gabriel's father
BENEDICT BELLEFONTAINE, Evangeline's father
Critique:
The note of gentleness on which
Evangeline, A Tale of Acadie begins
never falters throughout the poem. The
description of a kindly, contented people,
who accept their exile as God's will, is
followed by an account of Evangeline's
wanderings and her patience through a
lifetime of disappointment. Force and
drama exist only in distilled forms, but
the freshness, music, and poetic imagery
of Evangeline give it wide popularity.
The Story:
In the Acadian province, in the village
of Grand-Pr6, lived a peaceful farming
people who were undisturbed by the
wars between the French and British.
In a land where there was enough for all,
there was no covetousness and no envy,
and every man lived at peace with his
neighbor. Benedict Bellefontaine had
his farm somewhat apart from the village.
His daughter, Evangeline, directed her
father's household. Although she had
many suitors, she favored only one, Ga
briel Lajeunesse, the son of Basil, the
village blacksmith. Their fathers were
friends, and the children had grown up
together.
One fall day, while Benedict rested by
the fire and Evangeline sat at her spin
ning wheel, Basil brought word that the
men of the village were to meet at the
church the next day. They were to be
told the plans of the English, whose ships
were riding at anchor in the harbor.
That night Benedict and Basil signed
the wedding contract which would unite
their children. Then, while their fathers
played draughts, Evangeline and Gabriel
whispered in the darkening room until
it was time to say goodnight.
The next morning everyone, including
the folk from the oudying districts, came
to the village to hear the announcement
the English commander was to make.
Everybody wore holiday dress, as if the
occasion were one for celebration. At the
Bellefontaine farm there was especial
joy, for with a feast and dancing the
family and its guests were celebrating
the betrothal of Gabriel and Evangeline.
In the afternoon the church bell rang,
summoning the men to the church.
When they filed in, they were followed
by the guard from the ship. Outside the
women stood, waiting.
The news the English commander had
for die little community was a crushing
blow. By order of the king, their land,
houses, and cattle were forfeited to the
crown, and the entire population of
Grand-Pr6 was to he transported. The
men were to consider themselves his
prisoners.
The tragic news spread quickly
through the village, and to the farm
where Evangeline was awaiting Bene
dict's return. At sunset she started toward
the church, on her way comforting the
downcast women she met. Outside she
called Gabriel's name, but there was no
answer from the church where the men
were imprisoned.
The men were held prisoners for five
days. On the fifth, the women brought
261
their household goods to the shore to
!be loaded in boats, and late that after
noon the men were led out of the church
by their guards. Evangeline, standing at
the side of the road, watched them com
ing toward her. She was able to comfort
Gabriel with the assurance that their love
would keep them from harm, but for
her father she could do nothing. In the
five days he had aged greatly.
Basil and his son were put on separate
ships. Evangeline remained on the beach
with Benedict. That night the villagers
of Grand-Pre" watched their homes go up
in flames, and listened to their animals
bellowing as the barns burned. Turning
from the sight, Evangeline saw that her
father had fallen dead, She dropped in
a swoon upon his breast and lay there
until morning; then with the aid of
Father Felician, the village priest, the
Acadians buried Benedict Bellefontaine
by the shore. That day Evangeline sailed
with the other exiles.
The scattered exiles from Grand-Pr£
wandered far over the face of North
America in search of their friends and
families. Sometimes Evangeline lingered
for a while in a town, but always she
was driven on by her longing for Gabriel.
Looking at unmarked graves, she imag
ined they might contain her lover. Some
times she heard rumors of his where
abouts; sometimes she spoke with people
who had actually seen and known him,
but always long ago. The notary's son,
Baptiste Leblanc, followed her faithfully
and loyally through her years of search
ing, but she would have no one but Ga
briel for a husband.
Finally a band of exiles rowed down
the Mississippi, bound for Louisiana,
where they hoped to find some of their
kinsmen. Evangeline and Father Felician
were among them, Evangeline heartened
because she felt she was nearing Gabriel
at last. Then in the heat of the noonday,
the voyagers pulled their craft to shore
and lay down to sleep behind some
bushes. While they slumbered, Gabriel,
in the company of hunters and trappers,
passed the spot on his way to the West
That evening, when the exiles wem
ashore, the prosperous herdsman who
welcomed them proved to be Basil. Evan
geline learned that Gabriel had left home
that day, too troubled by thoughts of his
love to endure the quiet life in his father's
house,
For a time Basil helped Evangeline
carry on her search. Leaving his peace
ful home in the South, the herdsman
traveled with the girl to the base of the
Ozark Mountains. They were guided by
rumors of Gabriel's whereabouts, and
sometimes, from the distance, they saw,
or thought they saw, his campfire. But
when they reached the spot, he had al
ready gone ahead.
One evening a Shawnee Indian woman
came into the camp, on her way back to
her own people after her husband's mur
der by Comanchcs, In the night, after
the others were asleep, she and Evange
line exchanged stories. When Evange
line had finished hers, the woman told
the tale of Mowis, the bridegroom made
of snow, and of the Indian girl who
married and followed him, only to see
him dissolve and fade with the sunshine.
She told of Lilinau, who had followed
her phantom lover into the woods until
she disappeared forever. Evangeline felt
that she, too, was following a phantom.
The next day the party traveled to
the Jesuit Mission on the western side
of the mountains, where they hoped to
hear some word of Gabriel. A priest told
them Gabriel had gone to the north to
hunt six days before. Because it seemed
certain he would pass that way on his
journey home in the fall, Evangeline de
cided to wait at the mission. Basil and
his companions returned to their homes.
Autumn and winter passed and spring
came, with no news of Gabriel. Finally
Evangeline heard that he was camping
in the forests of Michigan on die Sagi-
naw River, When she reached his camp,
it was deserted and in ruins.
For many years she wandered over the
country in search of her lover, but always
262
she met with disappointment. At last,
grown gray, her beauty gone, she became
a Sister of Mercy in Philadelphia, where
she went because the soft-spoken Quakers
reminded her of her own people. When
pestilence struck the town, she visited
the almshouse to nurse the destitute. One
Sunday morning, she saw on the pallet
before her a dying old man. It was Ga
briel. In his last moments he dreamed of
Evangeline and Grand-Pr6. Trying to
utter her name, he died. Evangeline
murmured a prayer of thanks as she
pressed her lover to her.
The lovers lie side by side in name
less graves in Philadelphia, far from theii
old home in the north. But a few peas
ants who wandered back from exile still
keep their story alive.
THE EVE OF ST. AGNES
Type of work: Poem
Author: John Keats (1795-1821)
Type of plot: Chivalric romance
Time of plot: Middle Ages
Locale: A castle
First published: 1820
Principal characters:
MADELINE, a young girl
PORPHYRO, her lover
ANGELA, an old nurse
Critique:
The Eve of St. Agnes is doubtless
Keats' most beautiful and compelling
composition. Musical in its matchless
verse, vivid in colors, sights, and sounds,
the poem is generally thought of as a
highly idealized picture of the world as
imagined by two young, ecstatic lovers.
The story itself is built around the an
cient superstition that a maiden who re
tires to her bed after practising a certain
ritual on St. Agnes' Eve will be awakened
in a dream by her lover. The use of
medieval legend and setting add to the
romantic effects of the poem.
The Story:
A cold St. Agnes' Eve it was — so cold
that the owl with all its feathers shivered,
so cold that the old Beadsman's fingers
were numb as he told his rosary and said
his prayers. Passing by the sculptured
figures of the dead, he felt sorry for them
in their icy graves. As he walked through
the chapel door, he could hear the sound
of music coming from the castle hall. He
saolly turned again to his prayers.
The great hall of the castle was a scene
of feasting and revelry, but one among
the merry throng was scarcely aware of
her surroundings. The lovely Madeline's
thoughts were on the legend of St. Agnes'
Eve, which told that a maiden, if she
followed the ceremonies carefully and
went supperless to bed, might there meet
her lover in a dream.
Meanwhile, across the moonlit moors
came Porphyro. He entered the castle
and hid behind a pillar, aware that his
presence meant danger, because his fam
ily was an enemy of Madeline's house.
Soon the aged crone, Angela, came by
and offered to hide him, lest his enemies
find him there and kill him.
He followed her along dark arched pas
sageways, out of sight of the revelers
When they stopped, Porphyro begged
Angela to let him have one glimpse of
Madeline. He promised on oath that
if he so much as disturbed a lock of her
hair, he would give himself up to thf
foes who waited below. He seemed in
such sorrow that the poor woman gave ir
to him. She took Porphyro to the maiden's
chamber and there hid him in a closet
where was stored a variety of sweet meats
and confections brought from the feast
263
downstairs. Angela then hobbled away,
and soon the breathless Madeline ap
peared.
She came in with her candle, which
blew out, and kneeling before her high
arched casement window, she began to
pray. Watching her kneel there, her head
a halo of moonlight, Porphyro grew faint
at the sight of her beauty. Soon she dis
robed and crept into bed, where she lay
entranced until sleep came over her.
Porphyro stole from the closet and
gazed at her in awe as she slept. For an
instant a door opened far away, and the
noises of another world, boisterous and
festive, broke in; but soon the sounds
faded away again. In the silence he
brought dainty foods from the closet —
quinces, plums, jellies, candies, syrups
and spices that perfumed the chilly
room. Madeline slept on, and Porphyro
began to play a soft melody on a lute.
Madeline opened her eyes and thought
her lover a vision of St. Agnes' Eve.
Porphyro, not daring to speak, sank upon
his knees until she spoke, begging him
never to leave her or sne would die.
St. Agnes' moon went down. Outside
the casements, sleet and ice began to dash
against the windowpanes. Porphyro told
her that they must flee before the house
awakened. Madeline, afraid and trem
bling, followed her lover down the cold,
gloomy corridors, through the wide de
serted hall, and past the porter, asleep
on his watch. So they fled — into die
wintry dawn.
THE FAERIE QUEENE
Type of •work: Poem
Author: Edmund Spenser (1552M599)
Type of plot: Allegorical epic
Time of plot: Middle Ages
Locale: England
First published: 1590-1595
Principal characters:
GLORIANA, the Fairy Queen, representing Queen Elizabeth
THE RED CROSS KNIGHT, representing Holiness
UNA, representing Religion
ARCHIMAGO, a magician
DUES s A, representing Roman Catholicism
BRITOMART, representing Chastity
GUYON, representing Temperance
ARTEGALL, representing Justice
PRINCE ARTHUR, legendary English king
Critique:
The Faerie Queen was the first sus
tained poetic creation after Chaucer, and
its beauty and poetic power made for it
a secure place in our literature as soon
as it was given to the world. At present
it is generally accorded a high place in
the history of English literary art. The
Spenserian stanza — nine lines, eight of
five feet and one of six, riming ababbcbcc
— is a genuine artistic innovation. Com
bined with his poetic power, Spenser was
animated by a high moral purpose. Only
six books of the twelve planned by Spen
ser were completed. The fragmentary
seventh book was published in 1609, ten
years after his death.
The Story:
Gloriana, the Fairy Queen, was hold
ing her annual twelve-day feast. As was
the custom, any one in trouble could
appear before the court and ask for a
champion. The fair lady Una came rid
ing on a white ass, accompanied by a
dwarf. She complained that her father
and mother had been shut up in a
264
castle by a dragon. The Red Cross
Knight offered to help her, and the party
set out to rescue Una's parents.
In a cave the Red Cross Knight en
countered a horrible creature, half ser
pent, half woman. Although the foul
stench nearly overpowered him, the
knight slew the monster. After the battle,
the Red Cross Knight and Una lost their
way. A friendly stranger who offered
them shelter was really Archimago, the
wicked magician. By making the Red
Cross Knight dream that Una was a
harlot, Archimago separated Una from
her champion.
Una went on her way alone. Archi
mago quickly assumed the form of the
Red Cross Knight and followed her to
do her harm. Meanwhile the Red Cross
Knight fell into the company of Duessa,
an evil enchantress. They met the great
giant Orgoglio, who overcame the Red
Cross Knight and made Duessa his mis
tress. Prince Arthur, touched by Una's
misfortunes, rescued the Red Cross
Knight from Orgoglio and led him to
Una. Once again Una and her champion
rode on their mission.
At last they came to Una's kingdom,
and the dragon who had imprisoned her
parents came out to do battle. After two
days of fighting, the Red Cross Knight
overthrew the dragon. After the parents
had been freed, the Red Cross Knight
and Una were betrothed.
Still hoping to harm the Red Cross
Knight, Archimago told Sir Guy on that
the Red Cross Knight had despoiled a
virgin of her honor. Shocked, Guyon set
out to right the wrong. The cunning
Archimago disguised Duessa as a young
girl and placed her on the road, where
she told a piteous tale of wrong done by
the Red Cross Knight and urged Guyon
to avenge her. When Guyon and the Red
Cross Knight met, they lowered their
lances and began to fight. Fortunately
the signs of the Virgin Mary on the armor
of each recalled them to their senses, and
Guyon was ashamed that he had been
tricked by the magician.
In his travels Guyon fell in with
Prince Arthur, and the two visited the
Castle of Alma, the stronghold of Tem
perance. The most powerful enemy of
Temperance was the demon Maleger. In
a savage battle Prince Arthur vanquished
Maleger. Guyon went on to the Bower
of Bliss, where his arch enemy Acrasy
was living. With stout heart Guyon
overthrew Acrasy and destroyed the last
enemy of Temperance.
After sending Acrasy back to the fairy
court under guard, Guyon and Prince
Arthur went on their way until on an
open plain they saw a knight arming
for battle. With Prince Arthur's per
mission, Guyon rode against the strange
knight, and in the meeting Guyon was
unhorsed by the strong lance of his op
ponent. Ashamed of his fall, Guyon
snatched his sword and would have con
tinued the fight on foot.
The palmer, attending Guyon, saw
that the champion could not prevail
against the stranger, for the strange
knight was enchanted. When he stopped
the fight, the truth was revealed; the
strange knight was really the lovely Brit-
omart, a chaste and pure damsel, who
had seen the image of her lover, Artegall,
in Venus* looking-glass and had set out
in search of him. With the situation ex
plained, Britomart joined Guyon, Prince
Arthur, and Arthurs' squire, Timias; and
the four continued their quest.
In a strange wood they traveled for
days, seeing no one, but everywhere they
met bears, lions, and bulls. Suddenly a
beautiful lady on a white palfrey galloped
out of the brush. She was Florimell, pur
sued by a lustful forester who spurred his
steed cruelly in an attempt to catch her.
The three men joined the chase, but out
of modesty Britomart stayed behind. She
waited a long time; then, despairing of
ever finding her companions again, she
went on alone.
As she approached Castle Joyous she
saw six knights attacking one. She rode
into the fight and demanded to know
why they were fighting in such cowardly
265
fashion. She learned that any knight
passing had to love the lady of Castle
Joyous or fight six knights. Britomart
denounced the rule and with her magic
lance unhorsed four of the knights. She
entered Castle Joyous as a conqueror.
After meeting the Red Cross Knight
in the castle, Britomart resolved to go on
as a knight errant. She heard from Mer
lin, whom she visited, that she and Arte-
gall were destined to have illustrious
descendants.
Meanwhile Timias had been wounded
while pursuing the lustful forester. Bel-
phoebe, the wondrous beauty of the
Garden of Adonis, rescued him and
healed his wounds. Timias fell in love
with Belphoebe.
Amoret, the fair one, was held prisoner
by a young knight who attempted to
defile her. For months she resisted his
advances. Then Britomart, hearing of her
sad plight, overcame the two knights who
guarded Amoret Js prison and freed her.
Greatly attracted to her brave rescuer,
Amoret set out with Britomart.
At a strange castle a knight claimed
Amoret as his love. Britomart jousted
with him to save Amoret, and after win
ning the tourney Britomart was forced
to take off her helmet. With her identity
revealed, Britomart and Amoret set off
together in search of their true loves.
Artegall, in search of adventure, joined
Scudarnour, knight errant. They met
Amoret and Britomart, who was still dis
guised as a knight. Britomart and Arte
gall fought an indecisive battle during
which Artegall was surprised to discover
that his opponent was his lost love,
Britomart. The two lovers were reunited
at last, but in the confusion Amoret
was abducted by Lust. With the help
of Prince Arthur, Scudarnour rescued
Amoret from her loathsome captor. He
wooed Amoret in the Temple of Love,
where they found shelter.
Artegall, champion of true justice, was
brought up and well-trained by Astraea.
When Artegall was of age, Astraea gave
him a trusty groom, and the new knight
set out on his adventures. Talus, the
groom, was an iron man who carried an
iron flail to thresh out falsehood. Irene,
who asked at the fairy court for a cham
pion against the wicked Grantorto, set out
with Artegall and Talus to regain her
heritage. With dispatch Artegall and
Talus overcame Grantorto and restored
Irene to her throne.
Later Artegall entered the lists against
a strange knight who was really the dis
guised Amazon, Radigund. Artegall
wounded Radigund, but when he saw
that his prostrate foe was a comely
woman, he threw away his weapons.
The wounded Amazon then rushed on
the defenseless Artegall and took him
prisoner. Artegall was kept in shameful
confinement until at last Talus informed
Britomart of his fate. Britomart went to
her lover's rescue and slew Radigund.
Continuing his quest, Artegall met
two hags, Envy and Detraction, who de
famed his character and set the Blatant
Beast barking at his heels. But Artegall
forbade Talus to beat the hags and re
turned to the fairy court.
The Blatant Beast, defamcr of knightly
character and the last remaining enemy
of the fairy court, finally met his match.
The courteous Calidore, the gentlest of
all the knights, conquered the beast and
led him, tamed, back to the court of the
Fairy Queen.
FAR FROM THE MADDING CROWD
Type of work: Novel
Author: Thomas Hardy (1840-1928)
Type of 'plot: Psychological realism
Time of plot: 1869-1873
Locale: "Wessex," England
First published: 1874
266
Principal characters:
GABRIEL OAK, a shepherd
BATHSHEBA EVERDENE, mistress of Weatherbury Farm
SERGEANT TROY, her first husband
FARMER BOLDWOOD, her suitor
FANNY ROBIN, betrayed by Troy
Critique:
This early novel by Thomas Hardy is
less marked by the cold fate-ridden phi
losophy characteristic of his later work.
The clarity and realism of the characters
hold the reader's interest throughout, and
Hardy's poetic style and constant citation
of Biblical phrase and incident give the
novel a unique quality of language and
atmosphere. Although the end of the
story has been considered contrived by
some, the general structure of the plot
leads logically to Hardy's conclusion.
The Story:
Gabriel Oak was a farmer on a small
scale, but his honesty, integrity, and
ability had won him the respect of all
his neighbors. When he heard that a
young girl named Bathsheba Everdene
nad moved into the neighborhood, he
went out of his way to see her and fell
immediately in love. Gabriel was the
kind of man who had to look only once
to know that he had found the right
woman for him. After seeing her only
a few times, he went to her aunt, for
whom Bathsheba worked, and asked for
the girl's hand in marriage. Although he
was refused, he felt that it was the rela
tive, not Bathsheba, who had denied
him.
A short time later Gabriel's sheep dog
became excited and chased his flock
of sheep over a cliff, killing them all.
Ruined, Gabriel had to give up his farm
and go elsewhere to find work. On his
way across the country he happened to
pass a burning barn and ran to aid the
men fighting the flames. After the fire
had been put out, the owner of Weather-
bury Farm arrived, and it was suggested
that Gabriel be hired as shepherd in re
turn for the fine work he had done. To
his surprise, the owner of the farm was
Bathsheba Everdene, who had recent))
inherited the place from her uncle.
Gabriel became her shepherd. He was
struck by the change in their positions
in such a short while. Now Bathsheba
was landowner, Gabriel the servant.
On his way to his new quarters Gabriel
met a girl standing in the woods. She
spoke to him and asked him not to say
that he had seen her, and he promised to
keep silent. The next morning, while
working at his new job, he heard that
Fanny Robin, one of Bathsheba's maids,
had disappeared, and he rightly guessed
that Fanny was the girl he had met. It
was suspected that she had gone off to
meet a soldier who had been stationed in
the area a short time before. This sus
picion was correct. Fanny had gone to
find Sergeant Troy at his new station,
for he had promised to marry her if she
came to him. A date was set for the wed
ding, but Fanny went to the wrong
church. When she finally found Troy he
refused to make arrangements for a mar
riage a second time.
Weatherbury Farm prospered, for
Bathsheba was a good manager. But,
being a woman, she had her caprices.
One of these was to send an anonymous
valentine to Farmer Boldwood, a con
servative, serious man who was her neigh
bor. Boldwood was upset by the valen
tine, especially after he learned that
Gabriel had recognized Bathsheba's hand
writing. The more Boldwood saw of
Bathsheba, however, the more deeply he
fell in love with her. One day during
the sheep-washing he asked her to marry
him, but she refused his proposal. Never
theless, Gabriel and the rest of the work
ers felt sure that she would eventually
marry Boldwood.
About that time Sergeant Troy re
267
turned to the neighborhood. Bathsheba
was attracted to him at once. Gabriel
knew enough of Troy's character to know
that he was not the man for Bathsheba
and he told her so. Not knowing the
story of Fanny Robin, Bathsheba was
Furious. She and Troy were married soon
afterward and the former sergeant became
the master of Weatherbury Farm.
With Troy running the farm, things
did not go very well. Gabriel was forced
to do most of the work of overseeing, and
often he was compelled to correct the
mistakes Troy made. Troy gambled and
drank and caused Bathsheba much un-
happiness. Gabriel and Bathsheba were
alternately friendly and unfriendly. One
day Troy and Bathsheba, riding in a
horse cart, passed a young girl walking
down the road. Troy stopped the cart
and went to talk to her. The woman was
Fanny Robin, who was feeble and ill.
Troy told her to go on to the next town
and there wait for him to come and give
her money. As soon as they arrived home,
Troy asked Bathsheba for some money.
She gave it to him after a quarrel.
Fanny went on to Casterbridge, but
she was so weak and ill when she arrived
there that she died shortly afterward.
When news of her death reached Weath
erbury Farm, Bathsheba, not knowing
that Troy had been the girl's lover, sent
a cart to bring the body to the farm for
burial. When the body arrived, Gabriel
saw scrawled on the coffin lid a message
that both Fanny and a child were in
side. He erased the last words in his
fear that the real relationship of Fanny
and Troy might reach Bathsheba's ears.
But Bathsheba, suspecting that the coffin
concealed some secret, opened the casket
late that night. At the same moment
Troy entered the room and learned of
Fanny's death and the death of his child.
Torn with grief, he told Bathsheba that
she meant nothing to him, that Fanny
had been the only woman he had ever
loved. He had married Bathsheba only
for her looks and her money. Bathsheba
shut herself up in an attic room.
Troy had a beautiful tombstone put up
over Fanny's grave, which he covered
with roses and lilies. During the night
there was a heavy storm and water, pour
ing from the church roof through the
mouth of a gargoyle, splashed on the
grave and ruined all his work. Troy dis
appeared from Casterbridge. News came
shortly afterward that he had been caught
in a dangerous current while swimming
in the ocean and had been drowned.
Bathsheba did not believe that Troy
was really dead. But Fanner Bold wood,
convinced of Troy's death, did his best to
get Bathsheba to promise to marry him
if Troy did not reappear within seven
years, at the end of which time he would
be legally declared dead. One night, at
a party Boldwood gave for her, Bath
sheba yielded to his protestations of love
and said that after the time had passed she
would marry him. As she was leaving the
party, Troy entered. He had been res
cued at sea and had wandered slowly
back to Casterbridge in the character of a
strolling player.
At his entrance Bathsheba fell to the
floor in a faint. Everyone was so con
cerned for her and surprised by Troy's
appearance that they did not see Bold-
wood when he took down a gun from
the wall. Boldwood aimed at Troy and
shot him in the chest. Troy died im
mediately.
Boldwood was tried for the murder,
but because his mind had given way he
was committed to an institution, Gabriel,
who had made every effort to save Bold-
wood from hanging, had become a leader
in the neighborhood. As Bathsheba's
bailiff, he managed her farm and that of
Boldwood as well. Of her three lovers, he
was the only one left.
One day Gabriel went to Bathsheba
and told her that he was planning to
leave her service. Bathsheba listened
quietly and agreed with all he had to say.
Later that night, however, she went to
his cottage and there told him, by gesture
more than by word, that he was the only
person left to her now and that she
268
needed both his help and his love. The
farmers of the district were all delighted
when Bathsheba became Mrs. Oak, and
Gabriel became the master of Weather
bury Farm.
A FAREWELL TO ARMS
Type of work: Novel
Author: Ernest Hemingway (1899-1961)
Type of plot: Impressionistic realism
Time of plot: World War I
Locale: Northern Italy and Switzerland
First published: 1929
Principal characters:
FREDERIC HENRY, an American serving with an Italian ambulance unit
CATHERINE BARKLEY, an English nurse
Critique:
Hemingway combines austere realism
and poetic language to present a power
ful argument against war and to tell a
touching love story at the same time. Pos
sessed of the most remarkable time sense
of the period between wars, his disillu
sioned temperament and technical skill
have influenced a whole generation of
writers. In spite of its hard-boiled real
ism of detail and its tragic ending, A
Farewell to Arms is nevertheless an ideal
istic book. The novel was dramatized by
Laurence Stallings and was made into a
motion picture.
The Story:
Lieutenant Frederic Henry was a
young American attached to an Italian
ambulance unit on the Italian front. An
offensive was soon to begin, and when
Henry returned to the front from leave
he learned from his friend, Lieutenant
Rinaldi, that a group of British nurses
had arrived in his absence to set up a
British hospital unit. Rinaldi introduced
him to nurse Catherine Barkley.
Between ambulance trips to evacuation
posts at the front, Henry called on Miss
Barkley. He liked the frank young Eng
lish girl in a casual sort of way, but he
was not in love with her. Before he left
for the front to stand by for an attack, she
give him a St. Anthony medal.
At the front, as Henry and some
Italian ambulance drivers were eating in
a dugout, an Austrian projectile exploded
over them. Henry, badly wounded in the
legs, was taken to a field hospital. Later
he was moved to a hospital in Milan.
Before the doctor was able to see
Henry in Milan, the nurses prohibited his
drinking wine, but he bribed a porter to
bring him a supply which he kept hidden
behind his bed. Catherine Barkley came
to the hospital and Henry knew that he
was in love with her. The doctors told
Henry that he would have to lie in bed
six months before they could operate on
his knee. Henry insisted on seeing an
other doctor, who said that the operation
could be performed the next day. Mean
while, Catherine managed to be with
Henry constantly.
After his operation, Henry convalesced
in Milan with Catherine Barkley as his
attendant. Together they dined in out
of the way restaurants, and together they
rode about the countryside in a carriage.
Henry was restless and lonely at nights
and Catherine often came to his hospital
room.
Summer passed into autumn. Henry's
wound had healed and he was due to
take convalescent leave in October. He
and Catherine planned to spend the
leave together, but he came down with
jaundice before he could leave the hos
pital. The head nurse accused him of
A FAREWELL TO ARMS by Ernest Hemingway. By permission of the author and the publishers, Charlef
Scribner's Sons. Copyright, 1929, by Charles ScrLbner's Sons.
269
bringing on the jaundice by drink, in
order to avoid being sent back to the
front. Before he left for the front, Henry
and Catherine stayed together in a hotel
room; already she had disclosed to him
that she was pregnant.
Henry returned to the front with or
ders to load his three ambulances with
hospital equipment and go south into the
Po valley. Morale was at low ebb. Rin-
aldi admired the job which had been
done on the knee and observed that
Henry acted like a married man. War
weariness was all-pervasive. At the front,
the Italians, having learned that German
divisions had reinforced the Austrians,
began their terrible retreat from Capo-
retto. Henry drove one of the ambulances
loaded with hospital supplies. During
the retreat south, the ambulance was
held up several times by wagons, guns,
and trucks which extended in stalled
lines for miles. Henry picked up two
straggling Italian sergeants. During the
night the retreat was halted in the rain
for hours.
At daybreak Henry cut out of the long
line and drove across country in an at
tempt to reach Udine by side roads. The
ambulance got stuck in a muddy side
road. The sergeants decided to leave, but
Henry asked them to help dislodge the
car from the mud, They refused and ran.
Henry shot and wounded one; the other
escaped across the fields. An Italian
ambulance corpsman with Henry shot the
wounded sergeant through the back of
the head. Henry and his three comrades
struck out on foot for Udine. On a
bridge, Henry saw a German staff car and
German bicycle troops crossing another
bridge over the same stream. Within
sight of Udine, one of Henry's group
was killed by an Italian sniper. The
others hid in a barn until it seemed safe
to circle around Udine and join the
main stream of the retreat toward the
Tagliamento River.
By that time the Italian army was noth
ing but a frantic mob. Soldiers were
throwing down their arms and officers
were cutting insignia of rank from their
sleeves. At the end of a long wooden
bridge across the Tagliamento military
carabiniere were seizing all officers, giving
them drumhead trials, and executing
them by the river bank. Henry was de
tained, but in the dark of night he broke
free, plunged into the river, and escaped
on a log. He crossed the Venetian plain
on foot, then jumped aboard a freight
train and rode to Milan, where he went
to the hospital in which he had been
a patient. There he learned that the
English nurses had gone to Stresa.
During the retreat from Caporetto
Henry had made his farewell to arms.
He borrowed civilian clothes from an
American friend in Milan and went by
train to Stresa, where he met Catherine,
who was on leave. The bartender of the
hotel in which Henry was staying warned
Henry that authorities were planning to
arrest him for desertion the next morn
ing; he offered his boat by means of
which Henry and Catherine could escape
to Switzerland. Henry rowed all night.
By morning his hands were so raw that
he could barely stand to touch the oars.
Over his protests, Catherine took a turn
at the rowing. They reached Switzerland
safely and were arrested. Henry told the
police that he was a sportsman who en
joyed rowing and that he had come to
Switzerland for the winter sports. The
valid passports and the ample funds that
Henry and Catherine possessed saved
them from serious trouble with the
authorities.
During the rest of the fall and the
winter the couple stayed at an inn out
side Montreux. They discussed marriage,
but Catherine would not be married
while she was with child. They hiked,
read, and talked about what they would
do together after the war.
When the time for Catherine's confine
ment approached, she and Henry went
to Lausanne to be near a hospital. They
planned to return to Montreux in the
spring. At the hospital Catherine's pains
caused the doctor to use an anaesthetic
270
on her. After hours of suffering she was
delivered of a dead baby. The nurse
sent Henry out to get something to eat.
When he went back to the hospital, he
learned that Catherine had had a hem
orrhage. He went into the room and
stayed with her until she died. There was
nothing he could do, no one he could
talk to, no place he could go. Catherine
was dead. He left the hospital and
walked back to his hotel in the dark. It
was raining.
FATHER GORIOT
Type of work: Novel
Author: Honor6 de Balzac (1799-1850)
Type of plot: Naturalism
Time of plot: About 1830
Locale: Paris
First published: 1835
Principal characters:
FATHER GORIOT, a boarder at the Maison Vauquer
EUGENE DE RASTIGNAC, a young law student
COUNTESS ANASTASIE DE RESTAUD, Goriot's daughter
BARONESS DELPHINE DE NUCDSTGEN, another daughter
MADAME DE BEAUSEANT, Rastignac's cousin
MONSIEUR VAUTRIN, Rastignac's fellow boarder
VICTORTNE TAILLEFER, another boarder
Critique:
This account of the subtle transforma
tion of Eugene de Rastignac from a
naive provincial to a Parisian gentleman
is among the most credible stories in fic
tion. The story of the ruin of a success
ful merchant, Goriot, because of his love
for two ungrateful daughters is effective
but less realistic. These are but a few
of the fascinating gallery of characters
Balzac assembled at Mme. Vauquer's
boarding-house.
The Story:
There were many conjectures at Mad
ame Vauquer's boarding-house about the
mysterious Monsieur Goriot. He had
talcen the choice rooms on the first floor
when he first retired from his vermicelli
business, and for a time his landlady had
eyed him as a prospective husband.
When, at the end of his second year at
the Maison Vauquer, he had asked to
move to a cheap room on the second floor,
he was credited with being an unsuccess
ful speculator, a miser, a money-lender.
The mysterious young women who flitted
up to his rooms from time to time were
said to be his mistresses, although he pro
tested that they were only his two
daughters. The other boarders called
him Father Goriot.
At the end of the third year, Goriot
moved to a still cheaper room on the
third floor. By that time he was the
common butt of jokes at the boarding-
house table, and his daughters visited
him only rarely.
One evening the impoverished law stu
dent, Eugene de Rastignac, came home
late from the ball his wealthy cousin,
Madame de Beaus^ant, had given. Peek
ing through the mysterious Goriot's key
hole, he saw him molding some silver
plate into ingots. The next day he heard
his fellow boarder, Monsieur Vautrin,
say that early in the morning he had seen
Father Goriot selling a piece of silver to
an old money-lender. What Vautrin
did not know was that the money thus
obtained was intended for Goriot's
daughter, Countess Anastasie de Restaud,
whom Eugene had met at the dance the
night before.
That afternoon Eugene paid his re-
271
spects to the countess. Father Goriot was
leaving the drawing-room when he ar
rived. The countess, her lover, and her
husband received Eugene graciously be
cause of his connections with Madame de
Beaus£ant. But when he mentioned they
had the acquaintance of Father Goriot
in common, he was quickly shown to
the door, the count leaving word with
his servant that he was not to be at home
if Monsieur de Rastignac called again.
After his rebuff, Eugene went to call
on Madame de Beauseant, to ask her aid
in unraveling the mystery. She quickly
understood what had happened, and ex
plained that de Restaud's house would
be barred to him because both of Goriot's
daughters, having been given sizable
dowries, were gradually severing all con
nection with their father and therefore
would not tolerate anyone who had
knowledge of Goriot's shabby circum
stances. She suggested that Eugene send
word through Goriot to his other daugh
ter, Delphine de Nucingen, that Madame
de Beauseant would receive her. Del
phine, she knew, would welcome the
invitation, and would be grateful to Eu
gene and become his sponsor.
Vautrin had another suggestion for
the young man. Under Madame Vau-
quer's roof lived Victorine Taillefer, who
had been disinherited by her wealthy
father in favor of her brother. Eugene
had already found favor in her eyes, and
Vautrin suggested that for a two hundred
thousand francs he would have the
brother murdered, so that Eugene might
marry the heiress, He was to have two
weelcs in which to consider the offer.
Eugene escorted Madame de Beau-
se"ant to the theater next evening. There
he was presented to Delphine de Nucin
gen, who received him graciously. The
next day he received an invitation to dine
with the de Nucingens and to go to
the theater. Before dinner he and Del
phine drove to a gambling house where,
at her request, he gambled and won
six thousand francs. She explained that
her husband would give her no money,
and she needed it to pay a debt she owed
to an old lover.
Before long Eugene learned that it
cost money to keep the company of his
new friends. Unable to press his own
family for funds, he would not stoop to
impose on Delphine. Finally, as Vautrin
had forseen, he was forced to take his
fellow boarder's offer. The tempter had
just finished explaining the duel be
tween Victorine's brother and his con
federate which was to take place the
following morning when Father Goriot
came in with the news that he and Del
phine had taken an apartment for Eu
gene.
Eugene wavered once more at the
thought of the crime which was about
to be committed in his name. He at
tempted to send a warning to the victim
through Father Goriot, but Vautrin, sus
picious of his accomplice, thwarted the
plan. Vautrin managed to drug their
wine at supper so that both slept soundly
that night.
At breakfast Eugene's fears were real
ized. A messenger burst in with the news
that Victorine '$ brother had been fatally
wounded in a duel. After the girl hur
ried off to see him, another singular event
occurred. Vautrin, after drinking his
coffee, fell to the ground as if he had
suffered a stroke. When he was carried
to his room and undressed, it was as
certained by marks on his back that he
was the famous criminal, Trompe-la-
Mort. One of the boarders, an old maid,
had been acting as an agent for the police;
she had drugged Vnutrin's collce so that
his criminal brand could be exposed.
Shortly afterward the police appeared to
claim their victim.
Eugene and Father Godot wore prepar
ing to move to their new quarters, for
Goriot was to have a room over the young
man's apartment. Delphine arrived to
interrupt Goriot's packing. She was in
distress. Father Goriot had arranged with
his lawyer to force de Nucingen to make
a settlement so that Delphine would have
an independent income on which to
272
draw, and she brought the news that her
money had been so tied up by invest
ments it would be impossible for her
husband to withdraw any of it without
bringing about his own ruin.
Hardly had Delphine told her father
of her predicament when Anastasie de
Restaud drove up. She had sold the de
Restaud diamonds to help her lover pay
off his debts, and had been discovered
by her husband. De Restaud had bought
them back, but as punishment he de
manded control of her dowry.
Eugene could not help overhearing the
conversation through the thin partition
between the rooms, and when Anastasie
said she still needed twelve thousand
francs for her lover he forged one of
Vautrin's drafts for that amount and
took it to Father Goriot's room. Anas-
tasie's reaction was to berate him for
eavesdropping.
The financial difficulties of his daugh
ters and the hatred and jealousy they
had shown proved too much for Father
Goriot. At the dinner table he looked
as if he were about to have a stroke of
apoplexy, and when Eugene returned
from an afternoon spent with his mis
tress, Delphine, the old man was in bed,
too ill to be moved to his new home. He
had gone out that morning to sell his last
few possessions, so that Anastasie might
pay her dressmaker for an evening gown.
In spite of their father's serious con
dition, both daughters attended Madame
de Beauseant's ball that evening, and
Eugene was too much under his mistress'
influence to refuse to accompany her. The
next day Goriot was worse. Eugene tried
to summon his daughters. Delphine was
still abed and refused to be hurried over
her morning toilet. Anastasie arrived at
his bedside only after Father Goriot had
lapsed into a coma and no longer knew
her.
Father Goriot was buried in a pauper's
grave the next day. Eugene tried to
borrow burial money at each daughter's
house, but they sent word they were in
deep grief over their loss and could not
be seen. He and a poor medical student
from the boarding-house were the only
mourners at the funeral. Anastasie and
Delphine sent their empty carriages to
follow the coffin. It was their final trib
ute to an indulgent father.
FATHERS AND SONS
Type of work: Novel
Author: Ivan Turgenev (1818-1883)
Type of ^plot: Social criticism
Time of 'plot: 1859
Locale: Russia
First published: 1862
Principal characters:
KIRSANOFF, a Russian gentleman
PAVEL, his older brother
ARKADY, his son
FENICHKA, KirsanofFs mistress
BAZAROFF, Arkady's friend
VASILY, BazarofFs father
MADAME ODINTZOFF, a widow
KATYA, her younger sister
Critique:
Fathers and Sons is important in the
political history of Russia. Turgenev was
here the first to use the word nihilist to
describe a believer in political anarchy
at a time when nihilism was the main
current of liberal thought. There are
excellent studies of the unsettled Russian
peasants iust before their emancipation,
273
Beyond this historical importance, Fathers
and Sons is a novel which dramatizes the
conflict and differences between genera
tions. The novel is relatively straight
forward in plot and the characters are
simply drawn. These characteristics are
not common in nineteenth-century Rus
sian novels; the clarity of Fathers and
Sons is probably a big factor in its popu
larity.
The Story:
At a provincial posting station Kirsa
noff waited impatiently for his son, Ar
kady, who had completed his education
at the university in St. Petersburg. Kir-
sanoff reflected that Arkady had probably
changed, but he hoped his son had not
grown away from him entirely. Arkady 's
mother was dead, and the widower was
strongly attached to his son,
At last the coach appeared, rolling
along the dusty road. Arkady jumped
out. But he was not alone. Lounging
superciliously behind was a stranger
whom Arkady introduced as Bazaroff,
a fellow student. Something in Arkady's
manner told Kirsanoff that here was a
special attachment. In a low aside Arkady
begged his father to be gracious to his
guest.
Feeling some qualms about his unex
pected guest, Kirsanoff was troubled dur
ing the trip home. He was hesitant about
his own news, but finally told Arkady
that he had taken a mistress, Fenichka,
and installed her in his house. To his
great relief, Arkady took the news calmly
and even congratulated his father on the
step. Later Arkady was pleased to learn
that he even had a little half-brother.
Very soon Kirsanoff found he had
good reason to distrust BazarofF, who was
a doctor and a clever biologist. Arkady
seemed too much under his influence.
Worse, BazarofF was a nihilist. At the
university the liberal thinkers had con
sciously decided to defy or ignore all au
thority — state, church, home, pan-Rus-
sianism. Bazaroff was irritating to talk
to, Kirsanoff decided, because he knew
so much and had such a sarcastic tongue.
Pavel, KirsanofFs older brother, was
especially irritated by Bazaroff. Pavel was
a real aristocrat, bound by tradition, who
had come to live in retirement with his
younger brother after a disappointing
career as an army officer and the lover of
a famous beauty, the Princess R — . With
his background and stiff notions of pro
priety, Pavel often disagreed with Baza
roff.
Luckily, Bazaroff kept busy most of
the time. He collected frogs and infusoria
and was always dissecting and peering
into a microscope. He would have been
an ideal guest, except for his calmly
superior air of belonging to a generation
far surpassing Pavel's. Kirsanoff, loving
his son so much, did his best to keep
peace, but all the while he regretted
the nihilism which had so affected Ar
kady.
Kirsanoff was harassed by other
troubles. Soon, by law, the serfs would
be freed. Kirsanoff strongly approved
this change and had anticipated the new
order by dividing his farm into smaller
plots which the peasants rented on a
sharecropping basis. But with their new
independence the peasants cheated him
more than ever and were slow in paying
their rent.
Arkady and Bazaroff, growing bored
with quiet farm life, went to visit in the
provincial capital, where they had intro
ductions to the governor. In town they
ran into Sitnikoff, a kind of polished
jackal who felt important because he was
one of the nihilist circle. Sitnikoff intro
duced them into provincial society.
At a ball the two friends met and
were greatly taken by a young widow,
Madame Odintzoff. Arkady did not
dance, but he sat out a mazurka with her.
They became friends at once, especially
when she found that Arkady's mother
had been an intimate friend of her own
mother. After the ball Madame Odint
zoff invited the two men to visit her
estate.
Arkady and Bazaroff accepted the in-
274
vitation promptly, and in a few days they
settled down to the easy routine of
favored guests in a wealthy household.
Katya, Madame OdintzofFs young sister,
was especially attracted to Arkady. Baza-
roff, older and more worldly, became the
good friend of the widow.
Although Bazaroff, as a good nihilist,
despised home and family life, he made
a real effort to overcome his scruples.
But when he finally began to talk of
love and marriage to Madame Odintzoff,
he was politely refused. Chagrined at
his rejection, he induced Arkady to leave
with him at once. The two friends then
went on to BazarofFs home,
Vasily, BazarofFs father, was glad to
see his son, whom he both feared and
admired. He and his wife did all they
could to make the young men comfort
able. At length Arkady and Bazaroff
quarreled, chiefly because they were so
bored. Abruptly they left, and impul
sively called again on Madame Odintzoff.
She received them coolly. Feeling that
they were unwelcome, they went back to
the Kirsanoff estate.
Because Bazaroff was convinced that
Arkady was also in love with Madame
Odintzoff, his friendship with Arkady
became greatly strained. Arkady, thinking
all the time of Katya, returned by him
self to the Odintzoff estate to press his
suit of the younger sister.
At the Kirsanoff home Bazaroff be
came friendly with Fenichka. He pre
scribed for her sick baby and even for
her. Fenichka, out of friendship, spent
much of her time with Bazaroff. One
morning, as they sat in a garden, Bazaroff
kissed her unexpectedly, to her distress
and confusion. Pavel witnessed the scene
by accident and became incensed all the
more at the strange nihilist.
Although Pavel did not consider Baza
roff a gentleman, he challenged him to
a duel with pistols. In the encounter
Pavel was wounded in the leg, and Baza
roff left the house in haste, never to
return. Pavel recovered from his wound,
but he felt a never-ending shame at be
ing wounded by a low nihilist. He
urged Kirsanoff to marry Fenichka, and
returned to his old life. He spent the
rest of his days as an aging dandy in
Dresden.
Bazaroff stopped briefly at the Odint
zoff home. Still convinced that Arkady
was in love with Madame Odintzoff, he
attempted to help his friend in his suit.
Madame Odintzoff ridiculed him, how
ever, when Arkady made his request for
the hand of Katya. With a sense of fu
tility, Bazaroff took his leave and re
joined his own family.
Vasily was the local doctor, and he
eagerly welcomed his son as a colleague.
For a time Bazaroff led a successful life,
helping to cure the ailments of the peas
ants and pursuing his research at the
same time. When one of his patients
came down with typhus, he accidentally
scratched himself with a scalpel he had
used. Although Vasily cauterized the
wound as well as he could, Bazaroff be
came ill with a fever. Sure that he would
die, he summoned Madame Odintzoff to
his side. She came gladly and helped
to ease him before his death,
Madame Odintzoff eventually made a
good marriage with a lawyer. Arkady
was happy managing his father's farm
and playing with the son born to him and
Katya. Kirsanoff became a magistrate and
spent most of his life settling disputes
brought about by the liberation of the
serfs. Fenichka, at last a respected wife
and mother, found great happiness in her
daughter-in-law, Katya,
275
FAUST
Type of work: Dramatic poem
Author: Johann. Wolfgang von Goethe (1749-1832)
Type of plot: Philosophical allegory
Time of 'plot: Timeless
Locale: The world
First published: 1790-1831
Principal characters:
FAUST, a student of all knowledge
GRETCHEN, a maiden
MEPHISTOPHELES, the devil
WAGNER, Faust's servant
HELEN OF TROY
HOMUNCULUS, a spirit
Critique:
The philosophical problem of human
damnation through desire for knowledge
is here presented. Goethe, echoing the
eighteenth-century Age of Reason, as
serted that man's rationality was die
supreme truth in life. This poem con
tains some of the most beautiful and
aspiring passages in all literature. Faust's
lofty, anguished cry for one moment in
life which would cause him to desire its
continuance is echoed throughout the
ages in the emotions of all men of all
times. The universal problem presented
by the play renders it impossible to place
the locale of the action or the time of
the action, for Faust exists forever and
everywhere.
The Story:
While three archangels were singing
the praise of God's lofty works, Mephi
stopheles, the devil, appeared and said
that he found conditions on earth to be
bad. The Lord tacitly agreed that man
had his weaknesses, but He slyly pointed
out that His servant Faust could not be
swayed from the path of righteousness.
Mephistopheles made a wager with the
Lord that Faust could be tempted from
his faithful service. The Lord knew that
He could rely on the righteous integrity
of Faust, but that Mephistopheles could
lead Faust downward if he were able to
lay hold of Faust's soul. Mephistopheles
considered Faust a likely victim, for Faust
was trying to obtain the unobtainable.
Faust was not satisfied with all the
knowledge he had acquired. He realized
man's limits, and he saw his own insig
nificance in the great macrocosm. In this
mood, he went for a walk with his serv
ant, Wagner, among people who were not
troubled by thoughts of a philosophical
nature. In such a refreshing atmosphere,
Faust was able to feel free and to think
clearly. Faust told Wagner of his two
souls, one which clung to earthly things,
and another which strove toward super-
sensual things that could never be at
tained as long as his soul resided within
his fleshly body. Feeling so limited in
his daily life and desiring to learn the
meaning of existence, Faust was ready
to accept anything which would take him
to a new kind of life.
Mephistopheles recognized that Faust
was ready for his attack. In the form of
a dog, Mephistopheles followed Faust
to his home when the scholar returned
to his contemplation of the meaning of
life. After studying the Bible, he con
cluded that man's power should be used
to produce something useful. Witnessing
Faust's struggle with his ideas, the dog
stepped forth in his true identity. But
Faust remained unmoved by the argu
ments of Mephistopheles.
The next time Mephistopheles came,
.FAUST by Johann Wolfgang von Goethe. Published by Alfred A. Knopf, Inc.
276
he found Faust much more receptive to
his plot. Faust had decided that, although
his struggles were divine, he had pro
duced nothing to show for them. Faust
was interested in life on this earth. At
Mephistopheles' suggestion that he could
peacefully enjoy a sensual existence,
Faust declared that if ever he could lay
himself in sloth and be at peace with
himself, or if ever Mephistopheles could
so rule him with flattery that he became
self-satisfied, then let that be the end
of Faust. But Faust had also renounced
all things that made life worthwhile to
most men. So he further contracted with
Mephistopheles that if ever he found ex
perience so profound that he would wish
it to endure, then Faust would cease to
be. This would be a wager, not the
selling of a soul.
After two trials Mephistopheles had
failed to tempt Faust with cheap de
bauchery. The next offering he pre
sented was love for a woman. First Faust
was brought to the Witch's Kitchen,
where his youth was restored. Then a
pure maiden, Gretchen, was presented to
Faust, but when he saw her in her own
innocent home, he vowed he could not
harm her. Mephistopheles wooed the
girl with caskets of jewels which she
thought came from Faust, and Faust was
so tempted that he returned to Gretchen.
She surrendered herself to him as a ful
fillment of her pure love.
Gretchen's brother convinced her that
her act was a shameful one in the eyes
of society. Troubled by Gretchen's grief,
Faust finally killed her brother. Gretchen
at last felt the full burden of her sin.
Mephistopheles showed Faust more
scenes of debauchery, but Faust's spirit
was elevated by the thought of Gretchen
and he was able to overcome the evil
influence of the devil. Mephistopheles
had hoped that Faust would desire the
moment of his fulfillment of love to en
dure. However, Faust knew that endur
ing human love could not satisfy his
craving. He regretted Gretchen's state
of misery, and he returned to her; but she
had killed her child and would not let
her lover save her from the death to
which she had been condemned.
Mephistopheles brought Faust to the
emperor, who asked Faust to show him
the most beautiful male and female who
had ever existed — Paris, and Helen of
Troy. Faust produced the images of
these mythological characters, and at the
sight of Helen, his desire to possess her
was so strong that he fainted, and Mephi
stopheles brought him back in a swoon
to his own laboratory. Mephistopheles
was unable to comprehend Faust's de
sire for the ideal beauty that Helen repre
sented.
With the help of Wagner, Mephistoph
eles created a formless spirit of learn
ing, Homunculus, who could see what
was going on in Faust's mind. Homun
culus, Mephistopheles, and Faust went
to Greece, where Mephistopheles bor
rowed from the fantastic images of clas
sical mythology one of their grotesque
forms. With Mephistopheles' interven
tion, a living Helen was brought to Faust.
It seemed now, with the attainment of
this supreme joy of beauty in Helen, that
Faust would cry for such a moment to
linger forever, but he soon realized that
the enjoyment of transitory beauty was
no more enduring than his other experi
ences.
With a new knowledge of himself,
Faust returned to his native land.
Achievement was now his goal, as he re
affirmed his earlier pledge that his power
should be used to produce something
useful to man. The mystical and magical
powers which Faust had once held were
banished so that he could stand before
nature alone. He obtained a large strip
of swamp land and restored it to produc
tivity.
Many years passed. Now old and
blind, Faust realized he had created a
vast territory of land occupied by people
who would always be active in making
something useful for themselves. Having
participated in this achievement, Faust
beheld himself as a man standing among
277
free and active people as one of them.
At the moment when he realized what he
had created, he cried out for this moment,
so fair to him, to linger on. Faust had
emerged from a self-centered egoist into
a man who saw his actions as a part of a
creative society.
He realized that life could be worth
living, but in that moment of perception
he lost his wager to Mephistopheles. The
devil now claimed Faust's soul, but in
reality he too had lost the wager. The
Almighty was right. Although Faust had
made mistakes in his life, he had always
remained aware of goodness and truth.
Seeing his own defeat, Mephistopheles
attempted to prevent the ascension of
Faust's soul to God. Angels appeared to
help Faust, however, and he was carried
to a place in Heaven where all was active
creation — exactly the kind of after-life
that Faust would have chosen.
FILE NO. 113
Type of work: Novel
Author: Emile Gaboriau (1835-1873)
Type of plot: Mystery romance
Time of plot: 1866
Locale: Paris
First puly lished: 1867
Principal characters:
M. ANDRE FAUVEL, a Parisian banker
VALENTINE, his wife
MADELEINE, his niece
PROSPER BERTOMY, his cashier
RAOUL DE LAGORS, Valentine's nephew
Louis DE CLAMERAN, an adventurer
GYPSY, Prosper's mistress
M. LECOQ, a detective
FANFERLOT, another detective
Critique:
Gaboriau's mystery stories have always
been popular among readers of this type
of fiction, and during the latter part of
the nineteenth century he had a large
following both in France and abroad.
Many of our common conceptions of the
French Surete* and French detectives
come from his work. In Gaboriau's nov
els the detective is a brilliant individualist
who always gets his man by reasoning,
theatrics, and agility. M. Lecoq, for in
stance, is always disguised; not even his
fellows at the police department have
ever seen his true appearance. Usually
he is even disguised from the reader.
Gaboriau makes full use of melodrama,
extravagant emotions, and improbable
motives.
The Story:
Prosper Bertomy, a trusted cashier,
came into the bank rather late one morn
ing. Louis de Clameran was impatiently
waiting, for the bank had agreed to have
his three hundred and fifty thousand
francs ready for him that day. Prosper
hurried to the safe to get the money, but
when he opened the cloor he discovered
that the money was gone.
In great agitation he called for M. Fau-
vel. When a search failed to reveal the
missing money, M. Fauvcl called the
police. During a preliminary questioning,
it was learned that only Prosper and his
employer, M. Fauvcl, had keys to the
safe. Only they knew the wore! to use on
the alphabetical combination. Either M,
Fauvel or Prosper had taken the money.
It was unthinkable that dignified, up
right M. Fauvel would steal from him
self. Prosper, on the other hand, had
lost heavily at the gaming tables and he
278
was the intimate of Raoul de Lagors, the
dissolute nephew of Mme. Valentine
Fauvel. Prospers richly furnished apart
ment was presided over by the beautiful
but notorious woman known as Gypsy.
In the light of these facts, M. Fauvel
raised no objection when the police took
Prosper off to jail.
As Prosper left the bank, he contrived
to throw a folded note to Cavaillon, a
young friend. Following the directions,
Cavaillon set off to deliver the message.
Fanferlot, a detective, followed Cavaillon
until the youth turned into an apart
ment building. There the detective easily
cowed Cavaillon and took away the note,
which warned Gypsy to flee immediately.
Fanferlot, posing as Prospers friend, de
livered the note and induced the fright
ened girl to move into lodgings at the
Archangel, a hotel run by Mme. Alex-
andre, secretly Fanferlot's wife. Well
pleased with himself, Fanferlot went
back to headquarters to report.
The examining judge, convinced of
Prosper's guilt, pried into the cashier's
financial affairs with detailed knowledge
of that unhappy man's speculations. He
even knew that Gypsy's real name was
Chocareille and that she had once been
in prison. The judge brought out the
fact that Prosper had also been the
favored suitor of Madeleine, the niece of
the Fauvels, but that the intimacy had
been broken off suddenly. Throughout
the investigation Prosper stoutly main
tained his innocence. Unable to shake
his story, the judge sent Prosper back to
his cell.
At the Archangel, Fanferlot kept a
close watch on Gypsy. One day she re
ceived a note asking her to meet an un
known man at a public rendezvous. Fan
ferlot trailed her to the meeting and saw
her talking to a fat man with red whisk
ers. When they left in a cab, Fanferlot
jumped on the springs behind them. As
soon as the horses pulled up, he withdrew
into an areaway to watch. But no one
got out. Gypsy and her escort had given
him the slip by getting in one door of
the cab and out the other. Dejected at
his failure, Fanferlot went to report to
Lecoq, his chief.
To his amazement the fat man with
red whiskers was in Lecoq's apartment.
Lecoq himself, with his great talent for
disguise, had been Gypsy's mysterious
companion. Then Lecoq showed Fanfer
lot a photograph of the safe and pointed
out a scratch on the door. With sure
logic he explained that two people had
been involved in the robbery. One held
the key and started to open the door;
the second tried to draw away the hand
of the first. In the struggle the door was
scratched.
After Lecoq had convinced the judge
that there was no strong case against
Prosper, the cashier was released in the
company of Lecoq, who had become
transformed into the clownish M. Vendu-
ret. Prosper put himself completely in
the hands of his new friend and the two
of them began the work of locating the
guilty parties.
Suspicion pointed to Raoul de Lagors
and Louis de Clameran. They had a
great deal of influence in the Fauvel
household, and Valentine Fauvel seemed
greatly taken with her brilliant, hand
some nephew. Suspecting a clandestine
love affair, Lecoq went to the south of
France to ferret out the backgrounds of
Raoul and de Clameran. There he
learned that in 1841 the de Clameran
family had lived on the banks of the
Rhone near Tarascon. The family con
sisted of the old marquis, his older son
Gaston, and his younger son Louis.
Across the river lived the Countess de la
Verberie and her daughter Valentine. Be
tween the two families there had been
a feud for generations.
Gaston, the older brother, fell in love
with Valentine and often met her secret
ly. When their affair became known,
Gaston defended her honor in a public
brawl in which he killed two men. After
the fight he fled to South America. The
old marquis died from the shock, and
Louis left home to lead a life of de-
279
pravity. Within a few months Valentine
gave birth to Gaston's child in England,
and her mother sternly took the baby
away and placed him with an English
family. Later Valentine married M. Fau-
vel without telling him about her child.
By chance Louis de Clameran dis-
tovered Mrne. Fauvel's secret. Her son,
he claimed, was the man known as Raoul
de Lagors. With de Clameran's help the
conscience-stricken woman introduced
Raoul to her husband as her nephew and
made him one of the Fauvel household.
Raoul, at the instigation of de Clameran,
extorted large sums of money from her.
At last the time came when she had
neither money nor jewels left, and de
Clameran threatened to expose her. Made
leine, overhearing his threats, loyally
stood by her aunt and promised to marry
de Clameran to buy his silence. Raoul,
playing on his mother's sympathies, per
suaded her to give him the key to the
bank safe, and she even went with him
to rob her husband. At the last moment
Valentine regretted her decision, and in
her attempts to take away the key she
scratched the door, Raoul, ignoring her
pleas, took the money from the safe.
When Lecoq told the whole story to
Prosper, the cashier was shocked. He had,
in an anonymous letter, told M. Fauvel
that Raoul was Valentine's lover.
Angry and grief-stricken after reading
the letter, M. Fauvel confronted Raoul
and his wife. He was threatening to
shoot Raoul when Lecoq appeared, un
masked Raoul as an imposter, and re
turned the stolen money to M. Fauvel.
Valentine's real son had died years ago;
Raoul had been coached in the part by
de Clameran. M. Fauvel forgave his
wife's past and was reunited with her.
With his innocence established, Pros
per was free to marry Madeleine. De
Clameran went mad in prison. Lecoq at
last revealed that he had saved Prosper
merely to shame Gypsy, who had deserted
Lecoq to become Prospers mistress.
THE FINANCIER
Type of work: Novel
Author: Theodore Dreiser (1871-1945)
Type of 'plot: Naturalism
Time of plot: About 1850 to 1874
Locale: Philadelphia
First published: 1912
Principal characters:
FRANK A. COWPERWOOP, the financier
LILLIAN SEMPLE COWPERWOOD, his wife
EDWARD BUTLER, contractor and politician
AILEEN BUTLER, his daughter
HENRY COWPERWOOD, Frank's father
In this novel characters are more sharp
ly drawn and more dynamic than they
are in other of Dreiser's creations. Cow-
perwood himself, by contrast with Sister
Carrie, Jennie Gerhardt, and Clyde Grif
fiths, is more than a pawn of destiny, a
victim of society. He is an aggressive per
son who fights and plans, who can adapt
himself to circumstances and environ
ment. He is both a realist and a fighter.
It is plain that Dreiser thought of him
as the typical capitalist, the financier.
The Story:
From his very early years Frank Cow-
perwood was interested in only one thing
— making money. When he was still in
his teens he made his first successful
THE FINANCIER by Theodore Dreiser. By permission of Mrs. Theodore Dreiser and the publishers, The World
Publishing: Co. Copyright, 1912, by Harper & Brothers. Renewed, 1940, by Theodbre Dreiser.
280
business transaction. While passing by
an auction sale, he successfully bid for
a lot of Java coffee, which he sold to a
grocer at a profit of one hundred per
cent. His family marveled at Frank's
ability and his wealthy uncle, Seneca
Davis, encouraged him to go into business
as soon as possible.
Through several well-paying positions
and shrewd speculation Frank acquired
enough money to open his own broker
age house. Within a short time he was
immensely successful, one of the most
enterprising young financiers in Philadel
phia.
One day he met Lillian Semple, the
wife of a business associate. About a year
later her husband died and Frank married
the widow. By that time he had accu
mulated a large fortune, and he was fa
miliar with local and state politicians,
among them Edward Butler, who had
risen from being a mere collector of gar
bage to a leading position in local politics.
Through Butler Frank met many other
influential people as his business and
popularity increased.
Frank and Lillian had several children,
but the youngsters did not particularly
interest him. Rather, his sole interest was
his business. His father, Henry Cowper-
wood, finally became president of the
bank in which he was employed. Both
Cowperwoods built expensive houses
and furnished them luxuriously. Frank
bought fine paintings and other rare ob
jects of art.
His home life was not satisfactory.
Lillian was older, more passive than he,
and her beauty had almost disappeared.
By contrast, Edward Butler's daughter
Aileen was tremendously appealing. She
young, beautiful, high-spirited.
was
Frank fell in love with her, and in spite
of her strong religious training she be
came his mistress. Fie rented a house
where they met and furnished it with
the paintings and statues he had bought.
Though Frank had become one of the
financial powers in Philadelphia, he had
to plan and scheme continually in order
to thwart more powerful monopolists. He
managed to acquire large sums from the
state treasury through local politicians.
The city treasurer, Stener, proved amen
able in many ways, and he and Frank
became involved in many shady transac
tions. Frank bought shares in railroads
and local streetcar properties.
After the great Chicago fire, some of
Frank's investments were in a perilous
state. He went to friends and associates
and urged them to stand together in order
to avoid losses. But so widespread were
the effects of the fire that the manipula
tions of the city politicians were certain
to be discovered on the eve of an election.
Something had to be done to satisfy in
dignant reform groups who would de
mand action when they discovered what
had occurred.
In the meantime someone had sent an
anonymous note to Edward Butler, telling
him that Frank and Aileen were living
together. When Frank went to Butler,
the contractor refused to help him, and
Frank knew that somehow he had dis
covered his relationship with Aileen. But
ler, who had become his enemy, urged
the other politicians to make Frank a
scapegoat for their dishonest dealings.
As a result Frank and Stener, the city
treasurer, were indicted on charges of em
bezzlement and grand larceny. Ruined
financially, Frank pleaded not guilty, but
the jury convicted both him and Stener.
He appealed, and posted hail to avoid jail.
The appeal was denied, although the
judges were not united in their decision.
As soon as the appeal had been denied,
the sheriff was supposed to take Frank to
jail until he should be sentenced. But the
sheriff was bribed, and Frank had a few
more days of freedom. His property was
sold to pay his debts. His father resigned
his position at the bank.
Frank and Aileen had given up the
house where they formerly met. Theii
meetings now took place at a house in
another part of town. Determined to put
an end to the affair, Butler and Pinkerton
detectives entered the house and con-
281
fronted the couple. Butler tried various
schemes to make Aileen leave Philadel
phia, but all failed after Aileen learned
that her father had hired detectives to
trail her.
Frank was sentenced to four years and
nine months in the penitentiary. Aileen
remained faithful to him. When Lillian
went to visit him, Frank asked her for a
divorce. She refused.
After Edward Butler died, Frank's
friends managed to get him a parole. At
the end of thirteen months in jail, he
was freed in March, 1873. Through
Wingate, a friend and business associate,
he had succeeded in rebuilding his busi
ness He had a bachelor apartment where
Aileen visited him. Though he was
ostensibly still living with his wife, all
of the town had long ago known of his
relationship with Aileen.
In September, 1873, the panic came.
Frank, who had bought stocks cheaply,
made a fortune. Several months later he
went with Aileen to Chicago, where he
planned to reestablish himself. Lillian
got a divorce but remained friendly with
the Cowperwood family. She lived luxur
iously; Frank, to buy his own freedom,
had provided handsomely for her and the
children.
FOR WHOM THE BELL TOLLS
Type of work: Novel
Author: Ernest Hemingway (1899-1961)
Type of plot: Impressionistic realism
Time of plot: 1937
Locale: Spain
First published: 1940
Principal characters:
ROBERT JORDAN, an American
PABLO, a guerrilla leader
PILAR, his wife
MARIA, loved by Jordan
ANSELMO, another guerrilla
Critique:
In order to understand Ernest Heming
way's motive in writing For Whom the
Bell Tolls, it is necessary to know the
essence of the quotation from John
Donne, from which Hemingway took his
theme: ". . . any mans death diminishes
me, because I am involved in Mankinde;
And therefore never send to know for
whom the bell tolls; It tolls for thee."
Hemingway wanted his readers to feel
that what happened to the Loyalists in
Spain in 1937 was a part of that crisis
of the modern world in which we all
share. The novel tells the story of three
days in the life of a young American
who had concerned himself with the
Loyalist cause in Spain, It is a story
of courage, of loyalty, of the human will
fighting with the Spanish Loyalists
to endure. For Whom the Bell Tolls is
a tragic novel, but one of great nobility
and compassion. Hemingway is one of
the great spokesmen of our time.
The Story:
At first nothing was important but the
bridge, neither his life nor the imminent
danger of his death — just the bridge.
Robert Jordan was a young American
teacher who was in Spain fighting with
the Loyalist guerrillas. 1 1 is present and
most important mission was to blow xip
a bridge which would be of groat strategic
importance during a Loyalist offensive
three days hence. Jordan was behind the
Fascist lines, with orders to make contact
with Pablo, the leader of a guerrilla band,
FOR WHOM THE BELL TOLLS by Ernest Hemingway. By permission of the author and the publishers,
Charles Scribner's Sons. Copyright, 1940, by Ernest Hemingway.
282
and with his wife Pilar, who was the
really strong figure among the partisans.
While Pablo was weak and a drunken
braggart, Pilar was strong and trust
worthy. She was a swarthy, raw-boned
woman, vulgar and outspoken, but she
was so fiercely devoted to the Loyalist
cause that Jordan knew she would carry
out her part of the mission regardless of
her personal danger.
The plan was for Jordan to study the
bridge from all angles and then to make
final plans for its destruction at the proper
moment. Jordan had blown up many
bridges and three trains, but this was the
first time that everything must be done on
a split-second schedule. Pablo and Pilar
were to assist Jordan in any way they
could, even to rounding up other bands
of guerrillas if Jordan needed them to ac
complish his mission.
At the cave hideout of Pablo and Pilar,
Jordan met a beautiful young girl named
Maria, who had escaped from the Fas
cists. Maria had been subjected to every
possible indignity that a woman could
suffer. She had been starved and tortured
and raped, and she felt unclean. At the
camp Jordan also met Anselmo, a loyal
old man who would follow orders regard
less of his personal safety. Anselmo hated
having to till but, if he were so ordered,
faithful Anselmo would kill.
Jordan loved the brutally shrewd, des
perate, loyal guerrillas, for he knew their
cruelties against the Fascists stemmed
from poverty and ignorance. But the
Fascists' cruelty he abhored, for the
Fascists came largely from the wealthy,
ambitious people of Spain. Maria's story
of her suffering at their hands filled him
with such hatred that he could have
killed a thousand of them, even though
he, like Anselmo, hated to kill.
The first night he spent at the guerrilla
camp destroyed his cold approach to the
mission before him, for he fell deeply
in love with Maria. She came to his sleep
ing bag that night, and although they
talked but little he knew after she left
that he was no longer ready to die. He
told Maria that one day they would be
married, but he was afraid of the future.
And fear was dangerous for a man on an
important mission.
Jordan made many sketches of the1
bridge and laid his plans carefully. There
his work was almost ruined by Pablo's
treachery. On the night before the blow
ing up of the bridge Pablo deserted after
stealing and destroying the explosives and
the detonators hidden in Jordan's pack.
Pablo returned, repentant, on the morn
ing of the mission, but the damage had
been done. The loss of the detonators
and the explosives meant that Jordan and
his helper would have to blow the bridge
with hand grenades, a much more dan
gerous method. Pablo had tried to redeem
himself by bringing with him another
small guerrilla band and their horses. Al
though Jordan despised Pablo by that
time, he forgave him, as did Pilar.
At the bridge Jordan worked quickly
and carefully. Each person had a specific
job to do, and each did his work well. First
Jordan and Anselmo had to kill the sen
tries, a job Anselmo hated. Pablo and
his guerrillas attacked the Fascist lines
approaching the bridge, to prevent their
crossing before the bridge was demol
ished. Jordan had been ordered to blow
up the bridge at the beginning of a
Loyalist bombing attack over the Fascist
lines. When he heard the thudding ex
plosions of the bombs, he pulled the pins
and the bridge shot high into the air.
Jordan got to cover safely, but Anselmo
was killed by a steel fragment from the
bridge. As Jordan looked at the old man
and realized that he might be alive if
Pablo had not stolen the detonators, he
wanted to kill Pablo. But he knew that
his duty was otherwise, and he ran to
the designated meeting place of the fugi
tive guerrillas.
There he found Pablo, Pilar, Maria,
and the two remaining gipsy partisans.
Pablo, herding the extra horses, said that
all the other guerrillas had been killed,
Jordan knew that Pablo had ruthlessly
killed the other men so that he could get
283
dieir horses. When he confronted Pablo
with this knowledge, Pablo admitted the
slaughter, but shrugged his great shoul
ders and said that the men had not been
of his band.
The problem now was to cross a road
which could be swept by Fascist gun
fire, the road that led to safety. Jordan
knew that the first two people would
have the best chance, since probably they
could cross before the Fascists were alert
ed. Because Pablo knew the road to
safety, Jordan put him on the first horse.
Maria was second, for Jordan was deter
mined that she should be saved before
the others. Pilar was to go next, then the
two remaining guerrillas, and last of all
Jordan. The first four crossed safely, but
Jordan's horse, wounded by Fascist bul
lets, fell on Jordan's leg. The others
dragged him across the road and out of
the line of fire, but he knew that he
could not go on; he was too badly injured
to ride a horse. Pablo and Pilar under
stood, but Maria begged to stay with
him. Jordan told Pilar to take Maria away
when he gave the signal, and then he
talked to the girl he loved so much. He
told her that she must go on, that as
long as she lived, he lived also. But when
the time came, she had to be put on her
horse and led away.
Jordan, settling down to wait for the
approaching Fascist troops, propped him
self against a tree, with his submachine
gun across his knees. As he waited, he
thought over the events that had brought
him to that place. He knew that what
he had done was right, but that his side
might not win for many years. But he
knew, too, that if the common people
kept trying, kept dying, someday they
would win. He hoped they would be
prepared when that day came, that they
would no longer want to kill and torture,
but would struggle for peace and for
good as they were now struggling for
freedom. He felt at the end that his own
part in the struggle had not been in vain.
As he saw the first Fascist officer ap
proaching, Robert Jordan smiled. He was
ready.
THE FORSYTE SAGA
Type of -work; Novel
Author: John Galsworthy (1867-19333
Type of flat: Social chronicle
Time of plot: 1886-1920
Locale: England
First published: 1906, 1920, J921
Principal characters:
SOAMES FORSYTE, a man of property
IRENE, his wife
OLD JOLYON FORSYTE, his uncle
YOUNG JOLYON, Old Jolyon's son
JUNE, Young Jolyon's daughter
PHILIP BOSINNEY, an architect engaged to June
ANNETTE, Soames' second wife
FtFtm, their daughter
JON, Irene's and Young Jolyon's son
WINIFRED DARTIE, Soames sister; Monty Dartie's wife
Critique:
Galsworthy's trilogy — The Man of
Property, In Chancery, To Let — concerns
an Tapper middle -class English family
and traces, through the story of a group
of related characters, the changing aspects
of manners and morals from the Vic
torian age to the period between wars.
In his preface John Galsworthy points
o!,
t, 1922, by Charle
by John Galsworthy. By permission of the publishers, Charles Scribiier'* Sons. Copy-
icribtter'a Sons. *'
284
to the general theme of the series — the
disturbance that Beauty creates in the
lives of men, as exemplified by the story
of Irene, The Forsyte Saga achieves a
high point of excellence as social history
and art.
The Story:
In 1886 all the Forsytes gathered at
Old Jolyon Forsyte's house to celebrate
the engagement of his granddaughter,
June, to Philip Bosinney, a young archi
tect. Young Jolyon Forsyte, June's father,
was estranged from his family because
he had run away with a governess, whom
he had married after June's mother died.
Old Jolyon complained that he saw
little of June. Lonely, he called on
Young Jolyon, whom he had not seen
in many years. He found his son work
ing as an underwriter for Lloyd's and
painting water-colors. By his second wife
he had two children, Holly and Jolly.
The family knew that Soames had
been having trouble with his lovely wife,
Irene. She had a profound aversion for
Soames, and had recently reminded him
of her premarital stipulation that she
should have her freedom if the marriage
were not a success. In his efforts to
please her, Soames planned to build a
large country place. Deciding that June's
fiance* would be a good choice for an
architect, he bought an estate at Robin
Hill and hired Bosinney to build the
house.
When Soames made suggestions about
the plans, Bosinney appeared offended,
and in the end the plans were drawn as
Bosinney wished. As the work proceeded,
Soames and Bosinney argued over costs
that exceeded the original estimate.
One day Swithin Forsyte, Soames*
uncle, took Irene to see the house. Bosin
ney met them, and while Swithin dozed
the architect talked to Irene alone. That
day Irene and Bosinney fell hopelessly
in love with one another. Irene's al
ready unbearable life with Soames be
came impossible. She asked for a separate
room.
There were new troubles over the
house. Bosinney had agreed to decorate
it, but only if he could have a free hand.
Soames finally agreed. Irene and Bosin
ney began to meet secretly. As their
affair progressed, June became more un
happy and self-centered. Finally Old
Jolyon took June away for a holiday. He
wrote to Young Jolyon, asking him to
see Bosinney and learn his intentions
toward June. Young Jolyon talked to
Bosinney, but the report he made to
his father was vague.
When the house was completed,
Soames sued Bosinney for exceeding his
highest estimate and Irene refused to
move to Robin Hill. When the lawsuit
over the house came to trial, Soames won
his case without difficulty. That same
night Bosinney, after spending the after
noon with Irene and learning that Soames
had forced himself on her, was acciden
tally run over, Irene left her husband on
the day of the trial, but that night she
returned to his house because there was
now no place else for her to go. June
persuaded her grandfather to buy Robin
Hill for Jolyon's family.
A short time after Bosinney's death
Irene left Soames permanently, settled in
a small flat, and gave music lessons to
support herself. Several years later she
visited Robin Hill secretly and there met
Old Jolyon. She won him by her gende-
ness and charm, and during that summer
she made his days happy for him. Late
in the summer he died quietly while
waiting for her.
After his separation from Irene, Soames
devoted himself to making money. Then,
still hoping to have an heir, he began
to court a French girl, Annette Lamotte.
At the same time his sister Winifred was
in difficulties. Her husband, Monty
Dartie, stole her pearls and ran away
to South America with a Spanish dancer,
When he decided to marry Annette,
Soames went to Irene to see if she would
provide grounds for his suit. He found
that she had lived a model life. While
visiting her, Soames realized that he stili
285
loved her and he tried to persuade her
to come back to him. When she refused,
he hired a detective to get the evidence
he needed,
Old Jolyon had willed a legacy to
Irene, with Young Jolyon, now a widower,
as trustee. When Soames annoyed Irene,
she appealed to Young Jolyon for pro
tection. Irene went to Paris to avoid
Soames and shortly afterward Young
Jolyon joined her. His visit was cut
short by Jolly, who announced that he
had joined the yeomanry to fight in the
Boer War. Holly had in the meantime
fallen in love with Val Dartie, her cous
in. When Val proposed to Holly, he
was overheard by Jolly, who dared Val
to join the yeomanry with him. Val
accepted. June then decided to become
a Red Cross nurse, and Holly went with
her. Monty Dartie reappeared unex
pectedly. To avoid further scandal, Win
ifred decided to take him back.
Soames went to Paris in a last effort
to persuade Irene. Frightened, Irene re
turned to Young Jolyon. Before they
became lovers in deed, they were pre
sented with papers by Soames' lawyer.
They decided to go abroad together. Be
fore their departure Young Jolyon re
ceived word that Jolly had died or enteric
fever during the African campaign. Later
Soames secured his divorce and married
Annette. Val married Holly, to the dis
comfiture of both branches of the fam-
ily.
Irene presented Jolyon with a son,
Jon. When Annette was about to give
birth to a child, Soames had to choose
between saving the mother or the child.
Wishing an heir, Soames chose to save
the child. Fortunately, both Annette and
the baby lived.
Little Jon grew up under the adoring
eyes of his parents. Fleur grew up spoiled
by her doting father.
Years passed. Monty Dartie was dead.
Val and Holly were training race horses.
One day in a picture gallery Soames im
pulsively invited a young man, Michael
Mont, to see his collection of pictures.
That same afternoon he saw Irene and
her son Jon for the first time in twenty
years. By chance Fleur and Jon met.
Having decided that he wanted to try
farming, Jon went to stay with Val
Dartie. Fleur also appeared to spend
the week with Holly. Jon and Fleur
fell deeply in love.
They had only vague ideas regarding
the cause of the feud between their
respective branches of the family. Later
Fleur learned all the details from Prosper
Profond, with whom Annette was having
an affair, and from Winifred Dartie. She
was still determined to marry Jon. Mean
while Michael Mont had Soamcs' per
mission to court Fleur. When Soames
heard of the affair between Annette and
Prosper, she did not deny it, but she
promised there would be no scandal.
Fleur tried to persuade Jon into a
hasty marriage. She failed because Young
Jolyon reluctantly gave his son a letter
revealing the story of Soames and Irene,
Reading it, Jon realized that he could
never marry Fleur. His decision became
irrevocable when his father died. He
left England at once and went to Amer
ica, where Irene joined him. Fleur,
disappointed, married Michael Mont.
When Timothy, the last of the old
Forsytes, died, Soames realized that the
Forsyte age had passed. Its way of life
was like an empty house — to let, He
felt lonely and old.
FORTITUDE
Type of work; Novel
Author: Hugh Walpole (1884-1941)
Type of plot: Sentimental romance
Time of plot: Late nineteenth century
Locale: England
First published: 1913
286
Principal characters:
PETER WESTCOTT, a young writer
STEPHEN BRANT, a friend
CLAKE, Peter's wife
BOBBY GALLEON, a student at Dawson's
JERRY CAKDILLAC (CARDS}, another student
MR. ZANTI, a bookseller
NORA MONOGUE, Peter's friend and adviser
Critique:
Hugh Walpole's novel is likely to at
tract readers for some time to come be
cause of its sympathetic story. As the title
suggests, the author points to the fact
that life is not a simple process and that
fortitude is the most desirable quality for
a young man facing life.
The Story:
Peter Westcott lived with his harsh
father and his invalid mother at Scaw
House, near the town of Treliss in Corn
wall, As he grew up, Peter made friends
with Stephen Brant, a farmer who oc
casionally took the child to the Bending
Mule Inn. One Christmas Eve, at the
inn, Peter watched Stephen fighting with
another man over a girl. That night he
arrived home late from the Bending Mule
and his father gave him the most severe
whipping he had yet received. On an
other day, Stephen took him to the curios
ity shop operated by Zachary Tan. There
Peter was introduced to a jovial Mr.
Emilio Zanti, from London, who treated
the boy with special consideration. At
supper that night Peter's father told him
that he was to go off to school in Devon
shire.
The next phase of Peter's life revolved
about Dawson's School, where his best
friends were Bobby Galleon and Jerry
Cardillac. Bobby was the son of a famous
writer. Cardillac, called Cards, was Peter's
idol; he was everything which Peter
would have liked to have been, and was
not. After Cards left at the end of
Peter's second year, affairs did not pro
gress so smoothly for Peter. One day he
found Jerard, the best bowler in school,
forcing whiskey down the throat of a
small boy. Despite the fact that it was
the eve of a big game in which Jerrard's
services were needed, Peter, in his capac
ity as a monitor, turned him in to the
authorities. Jerrard was expelled, and
Dawson's lost the game. On the last day
of the term the whole school joined in
hissing Peter when he called the roll.
Bobby Galleon was the single exception.
He was spared the indignity of re
turning to Dawson's when the school
was closed after the summer holidays be
cause of lack of funds. His father then
sent Peter to read law in the office of Mr.
Aitchinson in Treliss. Meanwhile Peter
became aware of his mother. She had
been for many years an invalid who never
left her room, and Peter was not en
couraged to visit her. One day, when his
father was away, Peter went to her room.
He found that she was dying as the result
of his father's cruel and harsh attitude
toward her, and his visit hastened her
death. A short time after her funeral
Peter again saw Mr. Zanti, who offered
the lad a job in his bookshop in London.
Peter, finding life at Scaw House intoler
able, decided to leave home. On Easter
morning he met a little girl who gave her
name as Clare Elizabeth Rossiter. Accord
ing to his plans, Peter left home, but only
after fighting with his father.
In London Peter worked in Mr. Zanti's
bookshop as an assistant to Gottfried
Hanz. Mr. Zanti had found him lodgings
with Mrs. Brockett, and there he met
Nora Monogue, who encouraged Peter
when he began to write. A strange aspect
of the bookshop was the great number
of people who visited it without buying
any books, visitors who passed mysterious-
FORTITUDE by Hugh Walpole. By permission of the Executors, estate of Sir Hugh Walpole, and of the pub
lishers, Messrs, MacMillan & Co., London. Copyright, 1913, by George H. Doran Co. Renewed, 1940, by Hugh
Walpole.
287
ly into the back room of the shop. For
seven years Peter Westcott worked in
Zanti's shop and wrote in his room at
Brockets. In November, 1895, he fin
ished his first novel, Reuben Hallard, and
began to look for a publisher. One day
he again met Clare Rossiter, who had
come to call on Nora Monogue. Almost
at once Peter found himself falling in
love with her. Meanwhile strange things
had been happening at the bookstore.
When the Prince and Princess of Schloss
visited London, one of the visitors to
the shop threw a bomb at Queen Victoria
as the royal procession passed. Shortly
afterward Stephen Brant appeared to take
Peter away from the shop. They found
lodgings in the slums of Bucket Lane.
Neither of the two was able to find
steady employment. When Peter became
ill from lack of food, Stephen notified
Peter's friend from Dawson's, Bobby Gal
leon, whom Peter had met in the city.
Peter was moved to his friend's house,
where Bobby and his wife nursed him
back to health. In a short time Reuben
Hallard was published. It was an im
mediate success, and Peter Westcott be
came known in literary circles. Thus he
met Mrs. Launce, who was finally instru
mental in bringing Peter and Clare to
gether. After they were married, they
took a house in Chelsea. There a child
was born to Clare, a son named Stephen.
But the marriage was not a success. Clare
disapproved of Stephen and Mr. Zanti.
Peter's second novel brought little money.
Back to London came Peter's old school
friend, Jerry Cardillac, and Clare became
interested in him.
The final blow to Peter's happiness
came when little Stephen died. Peter
blamed Clare for the child's death. A
short time later she left him to join
Cardillac in France, after refusing Peter's
constant offers to try to make her life as
she wanted it. Then Peter's third novel
proved a failure. He decided to leave
London and return to Scaw House. In
Treliss he encountered Nora Monogue;
she had been sent to Cornwall because
she could live, at the most, only a few
weeks. At Scaw House he found his
father sodden in drink and sharing the
musty house with a slatternly housekeep
er. Peter was slipping into the same
useless life. But Nora Monogue felt that
Peter, now thirty years old, could still
be a successful writer, and she used the
last of her rapidly failing strength to per
suade him to go back to London. As a
final resort, Nora admitted that she had
always loved him, and her dying request
was that he leave his father and return
to London to start writing again. So Peter
became a man, realizing for the first time
that during his whole life his attitude had
been childish. He learned fortitude from
the dying Nora, and he became the
master of his own destiny.
THE FORTRESS
Type of work: Novel
Author; Hugh Walpole (1884-1941)
Type of plot: Historical chronicle
Time of plot: Nineteenth century
Locale: England
First published: 1932
Principal characters:
JUDITH PARTS, Rogue Herries' daughter
WALTER MERRIES, Judith's cousin
JENNIFER HERRTES, another cousin
ADAM PARIS, Judith's son
JOHN, Jennifer's son
ELIZABETH, Walter's daughter
UHLAND, Walter's son
MARGARET, Adam's wife
288
Critique:
The Fortress is part three of the Her-
ries chronicle, which covers more than
two hundred years of English social his
tory. The present work portrays the
later life of Judith Paris and her quarrel
with Walter, The scope of the chronicle
is vast, and The Fortress alone covers a
space of over fifty years and a host of
people. Although at times The Fortress
stalls among the multitude of characters
and their gossip, it has considerable nar
rative power. Walpole must be con
sidered a competent popular novelist.
The Story:
The quarrel between Walter Herries
of Westaways and Jennifer Herries, his
kinswoman at Fell House, went back a
long way. Christabel, Walter's weak
mother, had been insulted by Jennifer
over the breaking of a fan at a ball, and
Walter never forgot the slight to his
proud, snobbish family. He resented
also the presence of Judith Paris and her
illegitimate son, living brazenly, as he
thought, at Fell House, so near his own
fine house, Westaways. By one method
or another he had determined to drive out
the whole household. And he might have
succeeded had it not been for Judith.
Judith accused her cousin outright of
having incited a riot in which Reuben
Sunwood, another kinsman, had been
killed. Admitting the charge, Walter
Herries said he had had no way of fore
seeing Reuben's death. He proposed that
Jennifer and Judith should sell him Fell
House at a fair price and move away.
If they did not, Walter would persecute
them until they would be glad to leave.
When Judith refused, Walter bought
Ireby, a high hill overlooking Fell House.
There he planned to build a huge man
sion to dwarf Jennifer's modest home and
he would be there always to spy on the
people of Fell House and hurt them. He
also reminded Judith of Francis, Jen
nifer's husband, who had committed sui
cide. Walter had exposed Jennifer's lover
to him, and the coward had shot himseli
rather than the man who had defiled his
home. But Judith defied Walter's angry
boasts of his power and cunning.
At Fell House she took complete
charge and Jennifer thankfully let her
assume management of the household.
Since she was firm and headstrong, they
did not give in to Walter even when he
poisoned their cows.
Uhland and Elizabeth were Walter's
children. The girl was beautiful and
kind, but Uhland was his father's pride.
The son was lame and pampered. At an
early age he shared his father's hatred
of Judith and her close kin. One day
as he walked in the woods he saw his
sister Elizabeth and John, Jennifer's son,
together. He ordered his sister to see no
more of John. But Elizabeth, who had
a mind of her own, refused, knowing that
her brother could never bring himself to
tell his father. Uhland himself, lame
and pale, was much attracted to robust
Adam Paris, Judith's son.
As Adam Paris grew up into a strong,
rebellious boy, he soon learned that he
was illegitimate and that his aunt had
taken a lover. The knowledge made him
resentful of all restraint and only by the
grace of the family name was he allowed
to remain at Rugby.
When Walter really began to build on
Ireby hill, the countryfolk named his
great mansion The Fortress. Walter had
carried out his threat to dwarf the house
of Judith and to spy on her people. Jen
nifer was greatly disturbed. Her fear of
Walter made her go every day to Ireby
and survey the progress made. Finally
the strain was too much to bear; Jennifer
died quietly from sheer apprehension.
When Walter's family moved into The
Fortress they gave a big reception, but
even the crowds and the huge fires could
not warm the great stone house. Eliz
abeth, especially, was unhappy in the
gloomy, rambling mansion. She and John
had agreed not to see each other any
THE FORTRESS by Hugh Walpole. By permission of the Executors, estate of Sir Hugh Walpole, and of the
publishers, Messrs. MacMillan & Co., London. Copyright, 1932, by Doubleday. Doran & Co,, Ttxc
289
more, as marriage seemed an impossibility
while their families were enemies. Con
sequently, when she was invited to visit
her Herries cousins in London, she ac
cepted gratefully. But once in fine soci
ety, she was troubled. She felt lonely and
left out. Mr. Temple, a fat lawyer, pur
sued her vigorously,
Uhland followed his sister to London.
When he saw that Elizabeth could marry
the rich and eligible Mr. Temple, he
fiercely urged the match. Elizabeth felt
more than ever estranged from her family,
and when her father wrote and com
manded the marriage, Elizabeth promptly
and vehemently refused Mr. Temple's
awkward proposal. Enlisting the help of
a friendly maid, she stole out of the
Herries house and took a job as governess
with a family named Golightly.
In her new position Elizabeth had little
to do. Her employers, however, were
common, noisy people and she soon began
to detest her place with them. Then her
ridiculous employer, old enough to be her
father, declared his love for her and his
resolution to leave his wife. Terrified,
Elizabeth wrote an appeal to John. For
getting their families' enmity, John and
Elizabeth were quietly married.
At the age of twenty-two Adam Paris
decided to leave Fell House. He had
been threatening to go away for five
years, but each time his mother had put
him off.
In London Adam found only tempo
rary employment, and in a few weeks
he was hungry and penniless. Taken in
by chance by the Kraft family, he soon
joined the Chartist movement. In that
struggle Caesar Kraft became Adam's
guide and Kraft's daughter, Margaret, of
fered Adam sympathy and finally love.
The 1840's were stirring times in
England. Widespread unemployment,
poverty, and child labor made reform
necessary. The Chartists, helped by
Adam and many others, planned their
big procession to Parliament Caesar
Kraft was a moderate man, and at a
Chartist meeting he counseled patience.
When the procession was broken up, the
hotheads blamed him for their failure,
and in the riot that followed Kraft was
clubbed to death.
Adam and Margaret were married
shortly afterward. Adam's small skill at
editing and hack writing kept them going
in a tiny apartment. On their visits to
Fell House, Margaret was very unhappy.
She saw her husband engulfed by his
mother's love and herself an outsider.
When she broke down one night and
wept, Adam began to understand her
feelings and desires. From that time
on Judith took second place with him,
even after they moved to Fell House to
stay.
In London John Herries did well, and
as a parliamentary secretary his future
seemed bright. But Uhland was madly
determined to make John pay for having
the impertinence to marry his sister.
Everywhere John went he knew Uhland
was dogging his path. John was not
exactly afraid, but contact with Uhland
left him powerless before that great
hatred.
In a desperate attempt to shake off
his incubus, John met Uhland in a
deserted country house. There he
suddenly lost his terror of His tormentor
and jumped up, daring Uhland to follow
him any more. In a mad rage Uhland
seized his gun and shot John and then
killed himself. So Elizabeth was left
with Benjie, her small son. Walter's hate
had borne its final, bitter fruit.
In The Fortress Walter lived out his
drunken old age with a gaudy house
keeper. Steadfastly he refused to answer
Elizabeth's letters or to let her call.
Finally, when she was over sixty, Eliza
beth heard that her father was seriously
ill. She stormed The Fortress, sent the
blowzy housekeeper packing, and nursed
the old drunkard back to health. So
successful was she with the chastened
old man that on Judith's hundredth birth
day Elizabeth brought her father with
her as a guest to Fell House.
290
THE FORTY DAYS OF MUSA DAGH
Type of work: Novel
Author: Franz Werfel (1890-1945)
Type of 'plot: Historical romance
Time of 'plot: 1915
Locale: Near Antioch, Syria
First published: 1934
Principal characters:
GABRIEL BAGEADIAN, an Armenian patriot
JULIETTE BAGRADIAN, his wife
STEPHAN BAGRADIAN, their son
TER HAIGASUN, Armenian priest of the village of Yoghonoliik
Critique:
The triumphant defense of the strong
hold of Musa Dagh by a small band of
Armenians is a moving story in itself.
It can only be added that Franz Werfel
has, with beautiful restraint, given this
narrative of sacrifice and devotion a uni
versal meaning.
The Story:
After twenty-three years spent in Paris,
Gabriel Bagradian returned with his
wife and child to his ancestral village of
Yoghonoluk. He had gone back to
Turkey in order to settle the affairs of his
dying brother, and after his death Gabriel
stayed on in the village to await the
end of European hostilities.
One Sunday his son's tutor told him
officials had been through the village
collecting all passports. To learn what
had happened, Bagradian saddled a horse
and started for Antioch. There the Kai-
makam, or governor, gave only evasive an
swers about the passport incident. Later,
in a Turkish bath, Bagradian heard that
the Turkish war minister had ordered all
Armenians disarmed and given menial
work. From his Mohammedan friend,
Agha Rifaat Bereket, Bagradian learned
that rich and prominent Armenians
would soon be persecuted.
Gabriel was worried. On his return
to Yoghonoluk he began to collect data
on the number of men of fighting age in
the vicinity. Ter Haigasun, the Gre
gorian priest, told him one day that there
had been a mass arrest in Antioch
Bagradian began a survey of Musa Dagh,
a mountain which lay between the
Armenian villages and the Mediter
ranean Sea. After having maps drawn
of the terrain, Bagradian knew that the
plateau with its natural fortifications of
fered a refuge for his people.
One day a friendly Turkish police
man confided to Bagradian that in three
days the village would be ordered to pre
pare for its trip into exile. Bagradian
called a meeting of the people. The
Protestant pastor, Nokhudian, and his
congregation voted to accept banishment,
the rest of the population to defend
Musa Dagh. Ter Haigasun was elected
leader. The next morning the young
men under Bagradian's directions began
the construction of trenches and other
defenses on Musa Dagh, and at night
the people carried provisions up the
mountain. Unfortunately there were not
enough rifles to go around and very little
ammunition, but the men of the village
were augmented by army deserters who
drifted in from the desert until there
were sixty armed men in the community.
On the third day the convoy escort ar
rived. The village pretended to busy
itself with preparations for the trip, but
that night everyone but Pastor Nok-
hudian's flock secretly departed for Musa
Dagh.
It took five days for the Turks to dis
cover Bagradian's mountain retreat, for
THE FORTY DAYS OF MUSA DAGH by Franz Werfel. Translated by Geoffrey Dunlop. By permission of the
publishers, The Viking Press Inc. Copyright, 1934, by The Viking Press Inc.
291
the woods were so thick and the trenches
dug so cleverly that the encampment
was not visible from below. During
that time the trenches were completed,
posts assigned, and patterns for daily
living laid down. Everyone was given a
task, and the food of the community was
held in common so that all might be
treated fairly.
The first sortie ended in a victory for
the holders of Musa Dagh. The four
hundred regulars and gendarmes who
boldly attacked, not even seeking cover,
were quickly routed and substantial
booty or badly needed ammunition, boots,
and uniforms was recovered. The second
attack came several days later. Turkish
howitzers managed to do considerable
damage, wounding six non-combatants in
the town enclosure and setting the grain
depot on fire. Sarkis Kilikian, com
mander of the south bastion, rigged up a
catapult to hurl stones at the attackers.
These in turn caused a landslide which
killed or maimed half the Turkish force.
Young Stephan Bagradian and his friend,
Haik, raided the Turkish gun emplace
ments. Sixteen of the defenders were
killed.
Three days later there were again signs
of activity in the valley. The Kaimakam
had imported families of Arabs to take
over the Armenian houses and farms. On
Musa Dagh a Greek-American adven
turer, Gonzague Maris, who had fled
with the Armenians and who had since
seduced Juliette Bagradian, tried to per
suade her to flee with him under the
protection his passport afforded. She was
undecided. Bagradian and his wife had
grown apart in those troubled times. He
was burdened with military duties, and
she seemed indifferent to his fate. Bagra
dian found his only companionship in
Iskuhi, a refugee from Zeitun.
The next attack was carried out by
two thousand trained Turkish soldiers.
In fierce fighting they captured the first
line of trenches below the southern bas
tion. That night Bagradian had his troops
counterattack and the trenches were re
taken. The defenders also set a fire which
raced down the mountain, driving the
Turks into the valley. Musa Dagh was
again saved.
Gonzague Maris begged Juliette sev
eral times to go away with him, but she
did not have the courage to tell her
husband she was leaving him. Then
Bagradian discovered the lovers together
and took his wife off, half-unconscious,
to her tent. She was seriously ill with
fever. The Greek disappeared of his own
accord.
That same night Stephan Bagradian
left Musa Dagh, without permission, to
accompany his friend Haik, who was
being sent to the American consul in
Aleppo to ask for intervention on behalf
of his people. Haik made his way safely
to Aleppo, but Stephan developed a fever
and had to start back to the mountain.
On the way, the Turks captured and
killed him. His body was thrown into
the cemetery yard in Yoghonoluk where
it was found by some old women who
took it to his father. The last of the
Bagradians was buried on Musa Dagh.
The next day flocks grazing beyond
the fortifications were captured by the
Turks. There was now only enough food
to last three or four days more.
On the fortieth day on Musa Dagh
the people were suffering. It was their
third day of famine. Gabriel had planned
one last desperate attack for that night,
an attempt to reach the valley with his
men, capture some high officials as hos
tages, and return to the mountain. But
that afternoon, as Ter Hnigasun held a
service to petition God for help, Sarkis
Kilikian and his deserters broke into the
town enclosure to steal ammunition and
food. They fled, setting fire to the build
ings to cover their escape. The Turks
took advantage of their desertion to
capture the south bastion. The next
day they would capture the plateau.
Kilikian was brought back by deserters
who felt it would be better to die with
their own people than to be captured by
the Turks. He was put to death.
292
As the Turks prepared to advance at
dawn, a French cruiser dropped its first
shell into the valley. Its commander
had seen the fire in the town enclosure
the day before. Approaching to investi
gate, he had seen the enormous flag the
Armenians were using as a distress signal.
The Turks retreated into the valley.
Bagradian led the weary defenders to
the coast and saw them safely aboard a
cruiser and a troopship. Then he started
back up the mountain for a last view of
his son's grave. Exhausted by his ordeal^
he fell asleep halfway up the mountain
side. When he awoke, the ships were
already standing out at sea. He started
to signal them but changed his mind. He
felt that his life was now complete. Up
he climbed until he reached his son's
grave. There a bullet from a Turkish
scout caught him in the temple. On
his son's grave he lay, Stephan's cross
on his heart.
FRAMLEY PARSONAGE
Type of work: Novel
Author: Anthony Trollope (1815-1882)
Type of plot: Domestic romance
Time of plot: 1850's
Locale: "Barsetshire" and London
First published: 1861
Principal characters:
MARK ROBARTS, vicar of Framley in Barsetshire
FANNY, his wife
LUCY, his sister
LADY LUFTON, mistress of Framley Court, Mark's benefactress
LORD LUFTON, her son, Mark's close friend
So WERE Y, squire of Chaldicotes, acquaintance of Lord Lufton and Mark
Miss DUNSTABLE, Sowerby's benefactress
DR. THORNE, the man she married
Critique:
This novel is one of the long, leisurely
Barchester series. It contains no great
moral theme, but it does present some
delightful portraits of ecclesiastical char
acters and other nineteenth-century
figures. It is marked by slowly paced
development of plot and by conversational
interruptions from the author. Without
stepping over into sentimentality, but
rather maintaining a wise, ironical tone,
the novel provides pleasant, heart-warm
ing entertainment.
The Story:
Mark Robarts was the vicar of Fram
ley, an appointment secured through
Lady Lufton of Framley, who was very
fond of him. He was ambitious, how
ever, and he went to a house party at
Chaldicotes, the estate of Mr. Sowerby,
of whom Lady Lufton disapproved.
Sowerby was notorious for living on other
people's money, for he had long since
run through his own fortune. While
Mark was visiting him, Sowerby played
on the vicar's sympathy to such an extent
that Mark signed his name to a note for
four hundred pounds. From Chaldicotes
Mark went to another house party at
Gatherum Castle, home of the Duke of
Omnium. The Duke of Omnium was
also an enemy of Lady Lufton. Mark
felt the contacts he would make at these
parties would help him in climbing
higher in his career.
When Mark returned home, he told
Lord Lufton he had signed a note for
Sowerby. Young Lufton could hardly
believe a man of Mark's position would
do such a thing, for Mark could not
afford to pay the note and certainly he
would never recover the money from
293
Sowerby, Before Mark told his wife,
Fanny, about the debt he had incurred,
his fatter died and his sister Lucy came
to live at Framley parsonage. During
the next three months Lucy and Lord
Lufton became very friendly. Lucy was
a small girl without striking beauty, and
inclined to be quiet, but when she was
with Lord Lufton, she found herself
talking with great ease.
When Sowerby's note came due, he
asked Mark to sign another for five
hundred pounds, a sum which would
cover the first note and allow an ad
ditional hundred pounds for extras. Mark
saw the treachery of Sowerby's scheme,
but, unable to pay the note due, he
was forced to sign.
Lady Lufton hinted to Fanny that she
hoped to find a better match than Lucy
for her son, but by this time the two
young people had fallen in love with
each other, Disturbed also by Mark's
attentions to the Chaldicotes set, Lady
Lufton sent Mr. Crawley, a strait-laced
clergyman from the nearby austere parish
of Hogglestock, to remonstrate with
Mark, After his visit Mark resolved to
act more in accordance with Lady Luf-
ton's wishes.
One day Lord Lufton declared his love
for Lucy and asked her to marry him,
Lucy, mindful of Lady Luf ton's feelings,
said she could not love him. Lufton
was full of disappointment and grief.
Sowerby informed Mark that the new
prime minister had it in his power to
appoint the new precentor at Barchester
Cathedral, Through Sowerby's influence,
Mark received the appointment. He
bought a race horse from Sowerby to
show his gratitude.
Sowerby, greatly in debt to the Duke
of Omnium, was about to lose his estate.
Sowerby's sister, Mrs. Harold Smith,
was a close friend of Miss Dunstable, a
middle-aged spinster whose father had
left her a fortune made in patent medi
cine. Mr«, Smith suggested that Sowerby
ask Miss Dunstable to marry him and to
say frankly that he wanted her chiefly
for her money, since Miss Dunstable her
self was a forthright, outspoken woman.
Sowerby sent his sister to propose for
him. Although Miss Dunstable refused
his proposal, she agreed to buy Chaldi
cotes and let Sowerby live in the house
for the remainder of his life. She said
she would marry only a man who was not
interested in her money.
That man, she thought, was Dr.
Thome, a bachelor physician from Bar-
setshire. She had informed Dr. Thome's
niece of her admiration for him and the
niece had tried to show her uncle how
wonderful life would be with Miss Dun-
stable. He was shocked at the idea of
proposing. Though Miss Dunstable
talked to him alone at a party she gave
in London, Dr, Thome said nothing at
all about marriage. Back home, he de
cided that Miss Dunstable would, after
all, make an admirable wife. He wrote
her a letter of proposal and was accepted.
Lord Lufton went to Norway on a
fishing trip. While he was away, Mrs.
Crawley became ill of typhoid fever at
Plogglestock, and Lucy went to nurse her
through her sickness. The Crawley chil
dren were taken to Framley parsonage
against Crawley's will, for lie felt they
might become accustomed to comforts
he could not afford.
Sowerby's second note was coming due.
Mark could consider no plan to get him
out of his difficulty. If he had to go to
jail, he would go. If he had to forfeit
the furniture in his house, he would
forfeit it. But under no circumstances
would he ever put his name to another
note.
Lord Lufton returned from Norway
and learned from his mother that she
thought Lucy insignificant. When he
heard Lucy was at Holies rock, he went
there and again asked her to marry him.
She replied that she did indeed love him
but she would not marry him unless his
mother approved. At first Lady Lufton
refused to consider the match, but when
she saw how determined her son was to
have Lucy, she gave in and actually asked
294
Lucy to become her daughter-in-law.
Meanwhile, the bailiffs had come to
Framley parsonage to take inventory of
the furniture, which was to be sold to
pay Mark's obligations. When Lord Luf-
ton discovered what was going on, he
dismissed the bailiffs and persuaded Mark
to accept a loan for payment of the note,
Sowerby lived at Chaldicotes for only
a short time before he disappeared, and
Mark was relieved of worry over his
foolish debt. Miss Dunstable married
Dr. Thome and, after the departure of
Sowerby, moved into the house at Chaldi
cotes, Lucy married Lord Lufton and
became mistress, at least nominally, of
Framley Court. Fate seemed to have
for each some fair reward.
FRANKENSTEIN
Type of work: Novel
Author: Mary Godwin Shelley (1797-1851)
Type of plot: Gothic romance
Time of plot: Eighteenth century
Locale: Europe
First published: 1817
Principal characters:
ROBERT WALTON, an explorer
VICTOR FRANKENSTEIN, an inventor
ELIZABETH, his foster sister
WILLIAM, his brother
JUSTINE, the Frankensteins' servant
CLERVAL, Victor's friend
THE MONSTER
Critique:
Frankenstein: or, The Modern Prome
theus is a weird tale, a wholly incredible
story told with little skill. Although
not often read now, it is known very
widely by name. The endurance of
this Gothic romance depends on perhaps
two factors. First, Mary Shelley would
be remembered if she had written noth
ing, for she was the wife of Percy Bysshe
Shelley under romantic and scandalous
circumstances. Indeed, Frankenstein was
written as a result of a conversation be
tween Byron and the Shelleys. Second,
the idea of creating a monster has wide
appeal. Frankenstein has become part of
the popular imagination.
The Story:
Walton was an English explorer whose
ship was held fast in polar ice. As the
company looked out over the empty ice
field, they were astonished to see a sledge
drawn by dogs speeding northward. The
sledge driver looked huge and misshapen.
That night an ice floe carried to the ship
another sledge, one dog, and a man in
weakened condition. When the new
comer learned that his was the second
sledge sighted from the ship, he became
much agitated.
Walton was greatly attracted to the
man during his convalescence, and as
they continued fast in the ice, the men
had leisure to get acquainted. At last,
after he had recovered somewhat from
exposure and hunger, the man told Wal
ton his story:
Victor Frankenstein was born of good
family in Geneva. As a playmate for
their son, the parents had adopted a
lovely little girl of the same age. Victor
and Elizabeth grew up as brother and
sister. Much later another son, William,
was bom to the Frankensteins.
Victor early showed promise in the
natural sciences. He devoured the works
of Paracelsus and Albertus Magnus, and
thought in his ignorance that they were
the real masters. When he grew older,
his father decided to send Victor to the
29$
university at Ingolstadt. There he soon
learned all that his masters could teach
him in the fields of natural science. En
gaged in brilliant and terrible research,
he stumbled by chance on the secret of
creating life. Once he had that knowl
edge he could not rest until he had
employed it to create a living being.
By haunting the butcher shops and dis
secting rooms, he soon had the necessary-
raw materials. With great cunning he
fashioned an eight-foot monster and en
dowed him with life.
But as soon as he had created his
monster, he was subject to strange mis
givings. During the night the monster
came to his bed. At the sight of that
horrible face, he shrieked and frightened
the monster away. The horror of his act
prostrated him with a brain fever. His
best friend, Henry Clerval, arrived from
Geneva and helped to nurse him through
his illness. He was unable to tell Cler
val what he had done.
Terrible news came from Geneva.
William, Victor's young brother, was
dead by the hand of a murderer. He had
been round strangled in a park, and a
faithful family servant, Justine, had been
charged with the crime. Victor hurried
to Geneva.
At the trial Justine told a convincing
story. She had been looking for William
in the countryside and, returning after
the city gates had been closed, ha<i spent
the night in a deserted hut. But she
could not explain how a miniature from
William's neck came to be in her pocket.
Victor and Elizabeth believed the girl's
story, but in spite of all their efforts Jus
tine was convicted and condemned.
Depressed by these tragic events, Vic
tor went hiking over the mountainous
countryside. Far ahead on the glacier, he
saw a strange, agile figure that filled him
with horrible suspicions. Unable to over
take the figure, he sat down to rest. Sud
denly the monster appeared before him,
The creature demanded that Victor lis
ten to his story.
When he left Victor's chambers in
Ingolstadt, everyone he met screamed and
ran away. Wandering confusedly, the
monster finally found shelter in an aban
doned hovel adjoining a cottage. By great
stealth he remained there during daylight
and at night sought berries for food.
Through observation he began to learn
the ways of man. Feeling an urge to
friendship, he brought wood to the cot
tage every day. But when be attempted
to make friends with the cottagers, he was
repulsed with such fear and fury that
his heart became bitter toward all men.
When he saw William playing in the
park, he strangled the boy and took the
miniature from his neck. Then during
the night he came upon Justine in the
hut and put the picture in her pocket.
Presently the monster made a horrible
demand. He insisted that Victor fashion
a mate for him who would give him love
and companionship. The monster threat
ened to ravage and kill at random if Vic
tor refused the request. But if Victor
agreed, the monster promised to take his
mate to the wilds of South America where
they would never again be seen by man.
It was a hard choice but Victor felt that
he must accept.
Victor left for England with his friend
Clerval. After parting from his friend
he went to the distant Orkneys and began
his task. I le was almost ready to animate
the gross mass of flesh when his con
science stopped him. He could not let
the two monsters mate and spawn a race
of monsters. He destroyed his work.
The monster was watching at a win
dow. Angered to see his mate destroyed,
he forced his way into the house and
warned Victor that a terrible punishment
would fall upon the young man on his
wedding night. Then the monster es
caped by sea. Later, to torment his maker,
he fiendishly killed Clerval.
Victor was suspected of the crime. Re
leased for lack of evidence, he went back
to Geneva. There he and Elizabeth were
married. Although Victor was armed nnd
alert, the monster got into the nuptial
chamber and strangled the bride. Victor
296
shot at him, but he escaped again. Victor
vowed eternal chase until the monster
could be killed.
That was Victor's story. Weakened by
exposure, he died there in the frozen
North, with Elizabeth, William, Justine,
and Clerval unavenged. Then to the
dead man's cabin came the monster, and
Walton, stifling his fear, addressed the
gigantic, hideous creature. Victor's was
the greater crime, the monster said. He
had created a man, a man without love or
friend or soul. He deserved his punish
ment. So saying, the monster vanished
over the ice field.
THE FROGS
Type of work: Drama
Author: Aristophanes (c. 448-385 B.C.)
Type of plot: Humorous satire
Time of plot: Fifth century B.C.
Locale: Underworld
First presented: 405 B.C.
Principal characters:
BACCHUS, god of wine and revelry
XANTHIAS, his slave
HERCULES, mythological hero
CHARON, ferryman of Hades
EURIPIDES, a famous Greek playwright
AESCHYLUS, another Greek dramatist
Critique:
So vigorous was the mind of Aristoph
anes that his comedies extant today
maintain vitality which is still a sharp
and penetrating comment upon human
nature. One does not need to be a
scholar to understand and love the work
of Aristophanes. Satirist for all ages, he
wrote to expose the timeless foibles and
follies of human nature.
The Story:
Wishing to visit the underworld, Bac
chus set out with his slave, Xanthias, to
visit Hercules, from whom the god of the
vine hoped to get directions for his visit
to the lower regions. On the way Xan
thias continued to grumble and moan
about his many bundles. Xanthias was
really riding a donkey, but he complained
loudly until Bacchus finally lost patience
and suggested that perhaps Xanthias
would like to carry the donkey for a
while.
Hercules, when consulted, suggested
that Bacchus allow himself to be killed
and thus arrive in the land of the dead.
But Bacchus wanted to go there alive
because he was anxious to see and talk
to the great playwrights, the critics having
told him that all who were good were
dead and gone. He was particularly
anxious to meet Euripides. Hercules ad
vised him to be content with the play
wrights still alive. Bacchus argued that
none of them was good enough for hisa,
and so, after getting directions from
Hercules, he started out, Xanthias still
complaining about his bundles.
They came to the River Acheron and
met Charon, who ferried Bacchus across.
The grim ferryman insisted, however,
that Bacchus row the boat, and he made
Xanthias walk around the margin of the
stream since Xanthias had dishonored
himself by not volunteering for a naval
victory. Xanthias tried to excuse himself
on the grounds that he had had sore eyes,
but Charon refused to listen.
While Bacchus and Xanthias talked
to Charon, a chorus of frogs set up a
hoarse croaking, imitating the noisy ple
beians at the theater with a senseless kind
297
«f hooting. Bacchus sprained his back
with his rowing and the frogs thought
his groans quite amusing.
Safely on the other side, Bacchus paid
his fare and joined his slave. The two
met a monster which Bacchus took care
to avoid until it turned into a beautiful
woman. They found their way with diffi
culty to the doorway of Pluto's realm.
Xanthias still grumbled because he had
his heavy bundles.
At the entrance to Hades, Bacchus
foolishly pretended to be Hercules — a
mistake on his part, for Aeacus, the door
man, raised a clamor over the theft of
Cerberus, the watchdog. When Aeacus
threatened all sorts of punishment, Bac
chus revealed himself as he really was.
Xanthias accused him of cowardice but
Bacchus stoutly denied the charge.
Bacchus and Xanthias decided to
change characters. Xanthias pretended to
be Hercules and Bacchus took up the
bundles his slave had carried. But when
servants of Proserpine entered and offered
Xanthias a fine entertainment, Bacchus
demanded his rightful character once
more.
Aeacus returned, eager to punish some
one, and Xanthias gave him permission
to beat Bacchus. Bacchus said that he was
a deity; therefore, they should not beat
him. Xanthias countered by saying that
since Bacchus was an immortal he need
not mind the beating. Aeacus decided
they both should be beaten soundly.
Aeacus finally decided to take them
both to Pluto and Proserpine, to discover
who really was the deity. Aeacus said
Bacchus was apparently a gentleman and
Xanthias agreed wholeheartedly, saying
Bacchus did not do anything except dis
sipate and carouse.
In Pluto's realm they found two dead
dramatists, Aeschylus and Euripides,
fighting for favor. The rule in Hades
was that the most famous man of any art
or craft ate at Pluto's table until some
more talented man in his field should die
and come to I lades. Aeschylus had held
the seat Euripides was now claiming.
Aeacus said that the dramatists in
tended to measure their plays line for
line by rules and compasses to determine
the superior craftsman. The quarreling
dramatists debated, accusing each of the
other's faults. Aeschylus said he was at
a disadvantage because Euripides' plays
died with him and were present to help
him, whereas his own plays still lived on
earth.
Bacchus offered to be the judge, and
each dramatist then began to defend
himself. In the midst of their violent
quarrel Pluto appeared. Bacchus ordered
each to recite from his own works. Eu
ripides seemed to have the worst of this
contest, but Bacchus wisely refused to
judge so as not to make cither playwright
angry with him. Pluto wearily insisted
that he pick one winner and take his
choice back with him to the upper world
in order to stop needless rival ry in Hades.
At last Bacchus voted for Aeschylus.
Euripides complained at the choice. He
was consoled, however, when Pluto said
he might be sure of a good meal in the
underworld, while Aeschylus would be
burdened forever with the task of earning
his living by his attempts to reform folly
and evil in the world above.
GARGANTUA AND PANTAGRUEL
Type of work: Mock-heroic chronicle
Author: Francois Rabelais (1490?-! 553)
Type of 'plot: Burlesque romance
Time of plot: Renaissance
Locale: France
First published: Begun 1533; first complete edition, 1567
Principal characters:
GBANGOSXER, a giant king
GARGAMELLE, his wife
298
GARGANTUA, their son
PANTAGRUEL, son o£ Gargantua
PANURGE, a clever rascal
FRIAR JOHN OF THE FUNNELS, a lusty monk
Critique:
The book Rabelais titled The Lives,
Heroic Deeds and Sayings of Gargantua
and His Son Pantagruel is a vast pano
rama of an amiable dynasty o£ giants.
The characters are prodigious eaters and
drinkers, gay and earthy. The five books
which contain the adventures of a galaxy
of types are loosely held together by the
main actors. Discursive and monumental,
Gargantua and Pantagruel is an astound
ing achievement. Rabelaisian and gar
gantuan as adjectives indicate the opin
ion of many readers. But Rabelais had a
serious purpose. He demonstrated hero
ically his theme that the real meaning of
life is to expand the soul by knowing
all the sources of experience.
The Story:
Grangosier and Gargamelle were ex
pecting a child. During the eleventh
month of her pregnancy, Gargamelle ate
too many tripes and then played tag on
the green. That afternoon in a green
meadow Gargantua was born from his
mother's left ear.
Gargantua was a prodigy, and with his
first breath he began to clamor for drink.
Seventeen thousand nine hundred and
thirteen cows were needed to supply him
with milk. For his clothing the tailors
used nine hundred ells of linen to make
his shirt and eleven hundred and five ells
of white broadcloth to make his breeches.
Eleven hundred cowhides were used for
the soles of his shoes.
At first Gargantua's education was in
the hands of two masters of the old
school, Holofernes and Joberlin Bride.
Seeing that his son was making no prog
ress, however, Grangosier sent him to
Paris to study with Ponocrates. Aside
from some mishaps, as when he took the
bells from the tower of Notre Dame to
tie around his horse's neck, Gargantua
did much better with his studies in Paris.
Back home a dispute arose. The bakers
of Lerne refused to sell cakes to the
shepherds of Grangosier. In the quarrel
a shepherd felled a baker, and King Pic-
rochole of Lerne invaded the country.
Grangosier baked cartloads of cakes to
appease Picrochole, but to no avail, for
no one dared oppose Picrochole except
doughty Friar John of the Funnels, Fi
nally Grangosier asked Gargantua to come
to his aid.
Gargantua fought valiantly. Cannon
balls seemed to him as grape seeds, and
when he combed his hair cannon balls
dropped out. After he had conquered the
army of Lerne, he generously let all the
prisoners go free.
All his helpers were rewarded well,
but for Friar John, Gargantua built the
famous Abbey of Theleme, where men
and women were together, all could leave
when they wished, and marriage and the
accumulation of wealth were encouraged.
When he was more than four hundred
years old, Gargantua had a son, Panta
gruel. Pantagruel was a remarkable baby,
hairy as a bear at birth and of such great
size that he cost the life of his mother.
Gargantua was sorely vexed between
weeping for his wife and rejoicing for his
son.
Pantagruel required the services of
four thousand six hundred cows to nurse
him. Once he got an arm out of his
swaddling clothes and, grasping the cow
nursing him, he ate the cow. Afterwards
PantagrueFs arms were bound with an
chor ropes. One day the women forgot
to clean his face after nursing, and a
bear came and licked the drops of milk
from the baby's face. By a great effort
Pantagruel broke the ropes and ate the
bear. In despair, Gargantua bound his
son with four great chains, one of which
was later used to bind Lucifer when he
had the colic. But Pantagruel broke the
299
five-foot beam which constituted the
Footboard of his cradle and ran around
with the cradle on his back.
Pantagruel showed great promise as
a scholar. After a period of wandering
he settled down in Paris. There he was
frequently called on to settle disputes
between learned lawyers. One day he
met a ragged young beggar. On speaking
to him, Pantagruel received answers in
twelve known and unknown tongues.
Greatly taken by this fluent beggar, Pan
tagruel and Panurge became great friends.
Panurge was a merry fellow who knew
sixty-three ways to make money and two
hundred fourteen ways to spend it.
Pantagruel learned that the Dipsodes
had invaded the land of the Amaurots.
Stirred by this danger to Utopia, he set
out by ship to do battle. By trickery and
courage, Pantagruel overcame the wicked
giants. Their king, Anarchus, he married
to an old lantern-carrying hag and made
the king a crier of green sauce. Now that
the land of Dipsody had been conquered,
Pantagruel transported there a colony of
Utopians numbering 9,876,543,210 men,
besides many women and children. All
these people were very fertile. Every
nine months each married woman bore
seven children. In a short time Dipsody
was populated by virtuous Utopians.
For his services and friendship Panurge
was made Laird of Salmigondin. The
revenue from this lairdship amounted to
6,789,106,789 gold royals a year, but
Panurge managed to spend his income
well in advance. Then, thinking to settle
down, Panurge began to reflect seriously
on marriage, and he consulted his lord
Pantagruel. They came to no conclusion
in the matter because they got into an
argument about the virtues of borrowing
and lending money. But the flea in his
ear kept reminding Panurge of his con
templated marriage, and he set off to seek
other counsel.
Panurge consulted the Sibyl of Pan-
zoult, the poet Raminagrobis, Herr Tripa,
and Friar John. When all the advice he
received proved contradictory, Panurge
prevailed on Pantagruel and Friar John
to set out with him to consult the Oracle
of the Holy Bottle. From Saint Malo the
party sailed in twelve ships for the Holy
Bottle, located in Upper India. The Por
tuguese sometimes took three years for
that voyage, but Pantagruel and Panurge
cut that time to one month by sailing
across the Frozen Sea north of Canada.
The valiant company had many ad
ventures on the way. On the Island of
the Ennasins, they found a race of
people with noses shaped like the ace of
clubs. The people who lived on the
Island of Ruach ate and drank nothing
but wind. At the Ringing Islands they
found a strange race of Siticines who had
long ago turned to birds. On Condemna
tion Island they fell into the power of
Gripe-men-all, Archduke of the Furred
Law-cats, and Panurge was forced to solve
a riddle before the travelers were given
their freedom.
At last they came to the island of the
Sacred Bottle. Guided by a Lantern from
Lanternland, they came to a large vine
yard planted by Bacchus himself. Then
they went underground through a plas
tered vault and came to marble steps.
Down they went, a hundred steps or
more. Panurge was greatly afraid, but
Friar John took him by the collar and
heartened him. At the bottom they came
to a great mosaic floor on which was
shown the history of Bacchus. Finally
they were met by the priestess Bacbuc,
who was to conduct them to the Bottle,
Panurge knelt to kiss the rim of the
fountain. Bacbuc threw something into
the well and the water began to boil,
When Panurge sang the prescribed ritual,
the Sacred Bottle pronounced the one
word, "trine." Bacbuc looked up the
word in a huge silver book. It meant
drink, a word declared to be the most
gracious and intelligible she had ever
heard from the Sacred Bottle. Panurge
took the word as a sanction for his
marriage.
300
GHOSTS
Type of work: Drama
Author: Henrik Ibsen (1828-1906)
Type of plot: Social criticism
Time of plot: Nineteenth century
Locale: Rosenvold, Norway
First presented: 1881
Principal characters:
MRS. HELEN ALVING, a widow
OSWALD ALVING, her son, an artist
MANDERS, pastor of the parish
JACOB ENGSTRAND, a carpenter
REGINA ENGSTRAND, his daughter, in Mrs. Alving's service
Critique:
Ghosts is Ibsen's effort to substitute
the modern scientific concept of heredity
for the Greek idea of Fate. But there is
more to the play than merely a study in
degenerative heredity; it is a mordant
attack upon society and the standards by
which it lives. Ibsen explicitly says that
these standards were responsible for the
tragedy of Mrs. Alving, and in so doing
he tossed a bombshell into the conven
tional and even the liberal thought of his
day. The play can still be read as a
study in what has come to be known as
the science of semantics — the disruptive
effect caused when words or concepts are,
in society, divorced from the realities for
which they are supposed to stand.
The Story:
Pastor Manders called on Mrs. Helen
Alving on the eve of the tenth anniver
sary of her husband's death, to discuss
certain details concerning the opening of
an orphanage in memory of her late
husband. The pastor found Mrs. Alving
in the best of spirits, for her son Oswald,
an artist, had returned from Paris to
attend the dedication of the memorial to
his father. Although he was now twenty-
six, Oswald had lived away from his
parents since he was seven, and Mrs. Al
ving was delighted at the prospect of
having her son spend the entire winter
with her.
Oswald had idealized his father, for
in her letters his mother had always pic
tured Captain Alving as a sort of hero.
The boy's own memories of his father
were confined to one incident in his
childhood when his father had taken
him on his knee and encouraged him to
smoke a large meerschaum pipe. Oswald
remembered this episode, and upon his
return home he took a certain pride in
lighting up his father's old pipe and
parading in front of his mother and
Pastor Manders.
Pastor Manders did not approve of
smoking; in fact, he did not approve of
anything which could even loosely be in
terpreted as sin. He did not approve of
Oswald's bohemian way of life in Paris
and blamed Mrs. Alving's neglect for
her son's ideas. He reminded Mrs. Alving
that hardly a year after her marriage she
had come to him willing to leave her
husband, and that he had sent her back
to her duty. This was an act Manders
considered the greatest moral victory of
his life.
Mrs. Alving thought it high time that
Manders be informed of the truth about
her late husband. Years before, when he
advised her return to Captain Alving, the
minister had been quite aware of her
husband's profligacy. What he did not
know was that the profligacy continued
after his wife's dutiful return. Her entire
relationship with her husband consisted
largely of helping him into bed after
GHOSTS by Henrik Ibsen. Published by Charles Scribner's Sons.
301
one of his drinking bouts, and on one
occasion she had surprised him making
love to her own maidservant. But the
most abominable aspect of the situation
was the fact that she had discovered, soon
after her marriage, that her husband was :
diseased and her son would have to go
hrough life with his father's curse upon
his head. Manders' religious influence
and Mrs. Alving's cowardice had con
spired to keep silence.
Now it began to look as if the moral
consequences would play themselves out.
While Mrs, Alving and the minister
calked, Oswald was attempting familiar
ities in the adjoining dining-room with
the maid, Regina, his own stepsister.
To Mrs. Alving it seemed as if this act
were the ghost of her unhappy marriage,
for Regina, ostensibly the daughter of a
drunken carpenter named Jacob Eng-
strand, was actually the result of Captain
Alving's escapade with the maidservant,
the discovery of which had sent Mrs,
Alving flying to Pastor Manders for solace
and help. Engstrand had been willing to
turn Regina over to Mrs. Alving for her
education and care. Now, however, he
had other ideas for the girl's future. He
planned to enlist her aid in the establish
ment of a seamen's home. But Regina
had other plans for herself, and saw no
reason why she should throw herself
away on worthless and irresponsible sail
ors when she might have the heir of a
wealthy family.
Oswald himself, unaware of any blood
relationship, wanted to marry Regina.
He confided to his mother that before he
left Paris he had gone to a doctor re
garding a feeling of malaise which
robbed him of his ambition to paint. The
doctor had commented on the sins of
fathers. Oswald, knowing only the pic
ture of his father that his mother's let
ters had given him, was furious, and he
thought he had brought about his own
downfall. He told his mother that he
wanted to marry Regina and make what
was left of his life happy. Mrs. Alving
realized that at last she must tell the
two young people the truth. But before
she had a chance to do so, news came
that the orphanage which was to have
been Captain Alving's memorial was
afire.
When the orphanage caught fire,
Manders and Engstrand were in the car
penter shop nearby. After the fire, Eng
strand accused the pastor of dropping a
lighted candle wick into some shavings.
Though not guilty, Manders was fright
ened because of his position in the com
munity. When Engstrand offered to
take the blame for the fire in return for
enough money from the remainder of
Captain Alving's fortune to build his
sailor's home, the self-righteous Manders
agreed to this blackmail and promised to
help Engstrand in the transaction.
Mrs. Alving told Oswald and Regina
the story of their late father. She tried
to explain why Alving had been doomed
from the beginning. When it was re
vealed that she was really Alving's daugh
ter, Regina was angry, feeling that she
should have been reared and educated as
a lady. She preferred to east her lot
with Engstrand. Alone with his mother,
Oswald revealed the final horror; an
affliction had already attacked his brain
and would result in complete regression
to childhood. Mrs. Alving assured her
son that she would always l>e by his side
to take care of him. Oswald urged his
mother to kill him if the need should
arise. Shocked, Mrs. Alving refused
when he showed her the morphia tablets
he had brought with him. They were
still talking at daybreak. Mrs. Alvine
blew out the light. But while she stood
and looked in horror, Oswald sat crying
childishly for the sun.
302
GIANTS IN THE EARTH
Type of -work: Novel
Author: O. E. Rolvaag (1876-1931)
Type of 'plot: Regional romance
Time of plot: Late nineteenth century
Locale: The Dakotas
First published: 1924-1925
Principal characters:
PER HANSA, a Norwegian settler
BERET, his wife
OLE,
ANNA MARIE,
HANS KRISTIAN, and
PEDER VICTORIOUS, their children
Critique:
Giants in the Earth is a tremendous
contribution to our understanding of
pioneer life. Perhaps some day it will he
condensed into a saga, its story sharpened
down into the short, keen points of myth
and its Per Hansa viewed as an Ameri
can folk hero. It is important to realize
that Rolvaag, writing in the tradition of
Western Europe, and writing for a Euro
pean audience, was able to blend old
and new and to create a story which an
American audience would accept. The
theme of the novel is a great one: man's
struggle with the stubborn earth. This
theme is of principal importance to
Americans. It is the story of man bearing
his memory of other lands into a new
country, and out of that experience build
ing a new homeplace and a new people.
The Story:
Per Hansa moved all his family and
his possessions from Minnesota into the
Dakota territory. His family consisted of
his wife, Beret, and three children, Ole,
Anna Marie, and Hans Kristian. Beret
was fearful and sad, for she had been
uprooted too often and the prairie country
through which they traveled seemed
bleak, lonely, savage.
Per Hansa staked out his claim near
the family of Hans Olsa at Spring Creek.
Then Beret announced that she was
carrying another child. Money was
scarce. Per Hansa faced overwhelming
odds and thoughts of the great risks he
was taking kept him awake long after
Beret and the children slept. Being
something of a poet, Per Hansa thought
at times that the land spoke to him, and
often he watched and listened and forgot
to keep to his work as he cleared his
land and built his house. He labored
from before dawn until after dark during
those long, northern summer days.
When Indians came and drove away
the settlers' cows, only Per Hansa had the
courage to follow after them. Only he
had the sense to doctor a sick Indian.
Beret mistrusted his wisdom for foolish
ness and there were harsh words between
them. The grateful Indian gave Per
Hansa a pony. Then Per Hansa went
on a buying expedition and returned
with many needed supplies and, what
was more, news of coming settlers.
The next summer Per Hansa dis
covered claim stakes which bore Irish
names. The stakes were on his neighbor's
land; the homesteaders had settled where
others had already filed claim. Secretly
he removed the stakes and burned them,
but not before Beret realized what he
was doing. She began to worry over hei
husband's deed. Per Hansa sold some
potatoes to people traveling through and
awoke the slumbering jealousy of his
neighbors.
CIA^TS IN THE EARTH by O. E. Rolvaag. By permission of the publishers, Harper & Brothers. Copyright,
1927, 1929, by Harper & Brothers.
303
In midsummer more people arrived,
the settlers who had set out the stakes
that Per Hansa had burned. They called
the Norwegians claim jumpers, but after
a fight they took up other land nearby.
Per Hansa managed to sell some o£ his
goods to them. That fall more Nor
wegians came. The little community
was thriving, But Beret, depressed by the
open spaces and her fear that her husband
had done a bad thing, brewed a dark
remorse within herself. Day by day she
brooded over her lonely life, and she
covered her window at night because of
her nameless fears. At least Per Hansa
on his infrequent trips around to dif
ferent settlements met other people.
When winter came Per Hansa rested.
He could sleep long hours while the
winds blew outside, but his wife worried
and fretted. He began to quarrel with
her. Soon, however, he noticed that his
neighbors were suffering hardship and
privation. The unmarried young men
who had settled near the Hansas were
planning to desert the settlement. It
required all his ability to convince them
to stay and to face the desolate, bitter
winter to its end.
The settlers began to talk of a school
which would move from house to house
so that the parents might learn English
along with the children.
During the winter Per Hansa became
lost in a blizzard and only his tremendous
strength and courage saw him and his
oxen safely through the storm to the
Tronders' settlement. The following day,
forgetting how Beret must be worrying
about him, he stayed on and cut a load
of wood to take back home with him.
His next expedition was to bargain
with the Indians for furs. He suffered
greatly from exposure and lost two toes
through frostbite.
When spring came, Per Hansa could
not wait to get into his fields to plant
his wheat. His friends thought he was
planting too early. And so it seemed, for
tsnow fell the next day and freezing
weather set in. Determined not to lose
heart, Per Hansa decided to plant pota
toes in place of the wheat. Beret took to
her Bible, convinced that evil was work
ing its way into their lives. Then, unex
pectedly, their wheat came up.
Another couple arrived. They were
exhausted with travel, the wife saddened
by the death of her son on the prairie.
Per Hansa and Beret took them in.
When they moved on, greater despond
ency seized Beret. She felt some doom
was working its way closer and closer to
her life.
That summer grasshoppers destroyed
much of the grain. Most of Per Hansa's
crop was saved, but Beret took his good
fortune only as a sign that the under
ground trolls, or evil spirits, were plan
ning greater ruin for her and her hus
band.
In the following years the scourge
of the grasshoppers returned. Many
of the settlers were ruined. Some starved.
Some went mad. One summer a traveling
Norwegian minister took up residence
with them to plan a religious service for
the whole community. His coming
worked a change in Per Hansa's house
hold. Per Hansa took courage from it
and consolation, but deeper and stranger
grew the reveries in Beret's mind. Be
cause it was the largest house in the
district the minister held a communion
service in Per Hansa's cabin. Discon
nected parts of the service floated all that
week in Beret's head. Her mind was
filled with strange fancies. She began
to think of Peeler Victorious, her youngest
child, who was born on the prairie, as a
savior who would work their salvation.
As the autumn came on, tlie great
plains seemed hungry for the blood and
strength of those who had come to con
quer it.
That winter Hans Olsa froze his legs
and one hand. In spite of all that Per
Hansa and the others did for their neigh
bor, Hans Olsa grew weaker. Beret
stood beside him, predicting that he had
not long to live. She put into the sick
man's mind the idea to send for die
304
minister. Per Hansa thought that Ha
Olsa was weak in calling for a minister
and that the way to throw off illness was
to get out of bed and go to work. He
had never spared himself, nor had he
spared his sons. He was the man to go
for the minister, but this time he was un
willing to set out on a long winter jour
ney. Hans Olsa was a good man; he did
not need a minister to help him die. The
weather itself was threatening. However,
Hansa reconsidered. His sons were
digging a tunnel through snow to the
pigsty. Inside, his wife was preparing a
meal for him. They watched as he took
down his skis and prepared to make the
journey for the sake of his dying friend.
He did not look back at his house or
speak farewell to Beret as he started out.
So Per Hansa, on his errand of mercy,
walked into the snowstorm. There death
overtook him.
GIL BLAS OF SAJNTTILLANE
Type of work: Novel
Author: Alain Rene" Le Sage (1668-1747)
Type of plot: Picaresque romance
Time of plot: Seventeenth century
Locale: Spain
First published: 1715, 1724, 1735
Principal characters:
GIL BLAS, a rogue
SCIPIO, his secretary
DON ALPHONSO, his patron
Critique:
The Adventures of Gil Bias of Santil-
lane is a long novel made up of many
disconnected episodes. One of the first
works to introduce thieves, vagabonds,
and vulgar peasantry into fiction, it is
a precursor of the realism of Flaubert and
Balzac. The setting is supposedly Spain,
but the characters and settings are in
reality French, and particularly Breton.
The appeal of this book comes from the
skilled narration of exciting tales, and
from its author's shrewd insight into the
minds of his picturesque characters.
The Story:
Bias of Santillane retired from the
wars and married a chambermaid no
longer young. After the birth of Gil,
the parents settled in Oviedo, where the
father became a minor squire and the
mother went into service.
Happily, Gil Perez, Gil Bias' uncle,
was a canon in the town. He was three
and a half feet high and enormously
fat. Without his aid, Gil Bias would
never have received an education. He
provided a tutor for his nephew and at
the age of seventeen Gil Bias had studied
the classics and some logic.
When the time came for him to seek
his fortune, the family sent Gil Bias to
Salamanca to study. The uncle provided
him with forty pistoles and a mule.
Shortly after setting out, Gil Bias was
foolish enough to join the train of a mule
teer who concocted a story that he had
been robbed of a hundred pistoles and
threatened all his passengers with arrest
and torture. His purpose was to frighten
the men away so that he could seduce
the wife of one of the travelers. Gil
Bias had some thought of helping the
woman, but he fled upon the arrival of
a police patrol.
Gil Bias was found in the woods by a
band of ruffians who had an underground
hideout nearby. Under Captain Rolando,
they made Gil their serving-boy. After
an unsuccessful attempt to escape, he set
out to ingratiate himself with the captain.
At the end of six months he became a
member of the gang and embarked on a
305
career of robbery and murder. One day
the robbers attacked a coach, killed all
the men, and captured a beautiful
woman. Since she was well-bom and
modest, Gil Bias resolved to rescue her.
Waiting until the robbers were asleep,
he tied up the cook and escaped with
the woman, whose name, he learned, was
Donna Mencia. She was very grateful
for her rescue, and, dressing Gil Bias in
fine clothes, she presented him with a
bag of money. So he went on his way,
comparatively rich and comfortable.
On his travels he met Fabricio, a
former schoolmate who had become a
barber. Scornful of Gil's intention to
study, Fabricio soon prevailed upon him
to go into service as a lackey. As it
turned out, Gil was well adapted to flat
tery and intrigue, and he soon became
proficient by serving a variety of masters,
among them Doctor Sangrado, a physi
cian. The doctor's one remedy for all
maladies was forced drinking of water
and frequent bleeding. Gil Bias won the
doctor's esteem and was permitted to at
tend poor patients in his master's place.
During an epidemic, he made a record
as good as that of Sangrado; all of their
patients died.
Another master was Don Matthias, a
fashionable man about town. By means
of a little judicious thievery and daring,
Gil Bias found his new life highly satis
fying. Each day was spent in eating and
polite conversation, every night in carous
ing. During this service Gil dressed in
his master's clothes and tried to get a
mistress among the titled ladies of the
town. An old lady who arranged these
affairs introduced him to a grand lady
who was pining for a lover. Gil was dis
illusioned when he went with Don Mat
thias to the house of Arsenia, an actress,
and found that his grand lady was really
a serving-maid.
After Don Matthias was killed in a
duel, Gil attended Arsenia for a time.
Later he went into service in the house
hold of Aurora, a virtuous young woman
who grieved because a student named
Lewis paid no attention to her charms. At
GiPs suggestion, Aurora disguised her
self as a man and took an apartment in
the same house with Lewis. Striking up
a friendship with him, Aurora skillfully
led him on. Then she received him in
her own house in her proper person, and
soon Lewis and Aurora were married.
Gil Bias left their service content with his
part in the romance.
On the road again, Gil was able to
frustrate a band of robbers who had
planned to kill Don Alphonso. Thus
Gil and the don began a lasting friend
ship.
After losing a situation because he
learned that the duenna had an ulcer on
her back, Gil next took service with an
archbishop. His work was to write out
the homilies composed by the archbishop.
After he had won his master's confidence,
the churchman made Gil promise to tell
him when his homilies showed signs of
degenerating in quality. After a stroke,
the archbishop failed mentally, and Gil
told him his homilies were not up to
the usual standard. In his rage, the arch
bishop dismissed Gil, who learned in this
manner the folly of being too truthful.
Engaged as secretary by the Duke of
Lerrna, prime minister of Spain, Gil soon
became the duke's confidential agent.
Now Gil was in a position to sell favors,
and his avarice grew apace with his suc
cess in court intrigue. During this suc
cessful period, he engaged Scipio as his
servant. Gil's high position enabled him
to secure the governorship of Valencia
for Don Alphonso.
Gil became involved in high court
scandal. At the request of the prime
minister, he acted as pander for the
prince of Spain, the heir apparent. About
the same time Scipio arranged a wealthy
marriage for Gil with the daughter of
a rich goldsmith. But one night the king's
spies caught Gil conducting the prince
to a house of pleasure and Gil was con
fined to prison. Faithful Scipio shared
his imprisonment. After months of sick
ness, Gil was released and exiled from
306
Madrid. Fortunately Don Alphonso gave
Gil a country estate at Lirias, and there
he and Scipio settled to lead the simple
lives of country gentlemen. Attracted
by Antonia, the daughter of one of his
farmers, Gil married, but his happiness
was brief. After Antonia and his baby
daughter died, Gil became restless for
new fields. The prince was now king,
and Gil resolved to try court life again.
He became an intimate of the new prime
minister, Count Olivarez. Once again he
was employed to arrange a liaison for
the king, a mission that turned out badly.
Forced to resign, Gil returned for good
to Lirias.
There he made a second marriage with
a girl named Dorothea. Now content,
Gil Bias hoped for children whose edu
cation would provide amusement for his
old age.
THE GLASS KEY
Type of work: Novel
Author: Dashiell Hammett (1894- )
Type of plot: Mystery romance
Time of plot: 1930's
Locale: New York area
First published: 1931
Principal characters:
NED BEAUMONT, gambler and amateur detective
PAUL MADVIG, his friend and the city's political boss
SENATOR HENRY, Madvig's candidate for reelection
JANET HENRY, his daughter
SHAD O'RORY, Madvig's rival
OPAL MADVIG, Madvig's daughter
BERNIE DE SPAIN, a gambler owing Ned money
Critique:
In this detective novel Hammett has
followed the customary pattern but has
varied the circumstances so as to give
the story an interesting twist. In addi
tion to tracking down the murderer, the
hero also breaks up a bootlegging gang
and gives the city officials something
about which to worry. The novel has
stylistic qualities above the ordinary.
It is an excellent example of the modern
school of hard-boiled realism.
The Story:
Ned Beaumont reported to his friend,
Paul Madvig, the political boss of the
city, that he had found the dead body
of Taylor Henry in the street. Taylor
was the son of Senator Henry, Madvig's
candidate for reelection. When Madvig
failed to show much interest, Ned told
his story to the police. Next day he went
to collect from Bernie Despain the
thirty-two hundred and fifty dollars that
he had won on a horse race and found
that Bernie had vanished, leaving be
hind twelve hundred dollars worth of
Taylors LO.U.'s. Ned had himself ap
pointed special investigator in the district
attorney's office so that he could work
on Taylor Henry's case. What he really
wanted to do was to find Bernie and get
his money.
His first step was to get the help of
Madvig's daughter Opal, who had been
meeting Taylor secretly. Ned had
found no hat on Taylor the night of
the murder. Opal got one for him from
the room she and Taylor had rented.
Then Ned went to New York to a speak
easy that Bernie frequented. Bernie
THE GLASS KEY by Dashiell Hamraett. By permission of the publishers, Alfred A. Knopf, lac. Copyright,
1931, by Alfred A. Knopf, Inc.
307
came in accompanied by a burly body
guard who, when Ned asked for his
money, struck Ned a terrific blow. With
the help of Jack Rumsen, a private
detective, Ned trailed Bemie from the
hotel where he was staying to a brown-
stone house on Forty-ninth Street. There
he told Bernie that he had planted Tay
lor's hat behind a sofa cushion in Ber-
nie's hotel room and would leave it
there for the police to find if Bernie
did not pay him the money. Bernie
paid off.
Back from New York, Ned went to
see Farr, the district attorney. Farr
showed Ned an envelope enclosing
paper on which were typed three ques
tions implicating Madvig in Taylor's
murder. Meanwhile Madvig had decided
to have the police close down several
speak-easies belonging to Shad O'Rory,
gangster and ward boss. O'Rory re
opened the Dog House, where Ned went
to get information. O'Rory had him
tortured for several days. Finally he
escaped. He was taken to a hospital.
There he had many callers, including
Madvig and Janet Henry, Taylor's sis
ter. Opal Madvig went to tell Ned she
was sure her father had killed Taylor.
Ned assured her he did not believe Mad
vig had committed the murder. Partly
recovered, he left the hospital against
orders.
Shortly afterward Ned and Madvig
dined with Senator Henry and his daugh
ter Janet. Ned made Janet admit that
she secretly hated Madvig, who was in
love with her.
Ned went to see Madvig and told him
that even his henchmen were beginning
to betray him because they thought he
had committed the murder. Madvig ad
mitted Taylor had followed him out of
the Henry house that night, that they
had quarreled, and that he killed Tay
lor with a brown, knobby cane which
Taylor had been carrying. Madvig
claimed that he had then carried the
cane away under his coat and burned it.
Ned later asked Janet to look for the
cane. She said it was with some others
in the hall of their home. She also told
him of a dream in which she and Ned
had found a house with a banquet
spread inside; they had to unlock the
door and let out a great many snakes
before they could go in to enjoy the
food.
Ned went next to Farr's office and
signed an affidavit telling of Madvig's
confession. Then he went to a bar where
he found Jeff, O'Rory 's bodyguard. In
a private room upstairs he accused Jeff
of a gangster killing planned by O'Rory.
O'Rory walked in on them and in the
ensuing quarrel Jeff strangled O'Rory.
Ned had a waiter call the police to the
scene.
Ned went to the Madvig home, where
Madvig's mother said that Madvig was
nowhere to be found and that Opal had
unsuccessfully attempted to commit sui
cide. Next morning Ned went to Senator
Henry's house and told the senator that
Madvig had confessed. It was all Janet
and Ned could do to keep the senator
from rushing out to kill Madvig. The sen
ator asked Janet to leave him alone with
Ned. Ned told him that Janet hated
Madvig. The senator insisted he was not
going to permit the murderer of his son to
go unpunished. Then Ned accused the
senator of killing Taylor, of wanting to
kill Madvig so that lie would not testify
against him, of caring more for his own
reelection than for the life of his son.
The senator confessed that he had in
terfered in a street quarrel between
Taylor and Madvig and had asked the
political boss to leave him with his son*
Madvig had done so after giving him the
cane Madvig had taken away from Tay
lor. The senator, angry with his son
because of the quarrel he had forced upon
Madvig, had angrily struck Taylor with
the cane and killed him. He had then
carried home the cane. After hearing
the old man's confession, Ned refused to
leave him alone because he feared the
senator would kill himself before the
police arrived.
308
Next day Janet begged Ned to let her
go with him to New York. She said
the key to the house in her dream had
been of glass and had shattered just as
they opened the door because they had
had to force the lock. When Madvig
came in, he learned that he had lost
Janet, that she was going away with
Ned Beaumont.
THE GOLDEN ASS OF LUCIUS APULEIUS
Type of work: Tale
Author: Lucius Apuleius (125?-?)
Type of p]ot: Picaresque romance
Time of plot: Early second century
Lowle: Greece
Fir ft ftrrjcribed: Second century manuscript
Principal characters:
Lucius, a traveler
CHARITES, a Greek lady
LEPOLEMUS, her husband
THRASIIXUS, in love with Charites
MILO, a usurer
PAMPHLLE, his wife
FOTTS, her maid
Critique:
The Golden Ass is a rich repository
of gusty, fantastic anecdotes. In tone it
is bawdy and realistic; in approach it is
a mixture of fancy and shrewd observa
tion. An allegory runs through the story,
the maturing of man, but the symbolism
is dim and inconclusive. Two notable
themes distinguish Apuleius' work — the
metamorphosis of the hero into an ass,
which is a reworking of an earlier Greek
tale, and a lengthy retelling of the story
of Cupid and Psyche.
The Story:
When Lucius set out on his travels in
Thessaly, he happened to fall in with
two strangers who were telling unusual
stories of the mysterious life of the region.
At the urging of Lucius, one of the
strangers, a merchant named Aristomenes,
told of his strange adventure in Hippata,
the chief city of Thessaly.
Aristomenes had gone to the market
to buy honey and cheese, but he found
that a rival merchant had been there
before him and had bought up the
supply. As he turned sadly away, he
spied his friend Socrates, clad in rags,
sitting on the ground. Socrates had fallen
among thieves, who beat him and robbed
him even of his clothes. Touched by his
friend's plight, Aristomenes led him to
an inn, bathed and clothed him, and
took him to his own chamber to sleep.
Socrates warned of the woman who
kept the inn, a carnal woman possessed
of magical powers. When she saw a
comely man, she wanted him for a lover;
if he refused, he was changed into a
beast or bird. Aristomenes was a little
frightened; he barred the door securely
and moved his bed against it for safety.
Socrates was already sleeping soundly.
About midnight two hags came to the
door, which fell away at their approach.
One bore a torch and the other a sponge
and sword. While the landlady stood
over Socrates and accused him of trying
to get away from her, the two hags seized
his head, thrust the sword into his throat,
and reached in and took out his heart*
They caught all his blood in a bladder.
Then they put the sponge in the gaping
throat wound.
THE GOLDEN ASS OF LUCIUS APULEIUS by Lucius Apuleius. Published by Liveright Publishing Corp.
309
In the morning Socrates looked like a
whole man. The two friends crept away
quietly, without arousing the landlady.
A few miles out of town, they stopped
to eat. Socrates, after eating a whole
cheese, leaned over to drink from the
stream. As he did so, the wound in his
throat opened, the sponge fell out, and
Socrates fell dead.
Warned by this story of what he might
expect in Thessaly, Lucius presented his
letter of introduction to Milo, a rich
usurer. He was well received in Milo's
house. Attracted by Fotis, a buxom maid,
Lucius hung around the kitchen admir
ing her hair and hips. She agreed
quickly to come to his room that night
as soon as she had put her mistress, Pam-
phile, to bed. Fotis was as good as her
word, and several nights were passed
agreeably enough.
In the city Lucius met a cousin, Byr-
rhaena, a rich gentlewoman. She invited
him to dine and at dinner warned him
of the witch Pamphile. Full of wine,
Lucius on his way home saw three thugs
trying to get into Mile's house. He rushed
on them and slew them with his sword.
The next day was the Feast of Laughter.
As an elaborate hoax, Lucius was ar
rested and tried for murder in the public
place. At the last minute the three
"corpses" were revealed to be three blad
ders, blown up and given temporary life
by Pamphile.
One night Fotis let Lucius look
through the keyhole of Pamphile's bed
room. To his amazement, Lucius saw the
witch smear herself with ointment and
turn into an eagle that flew away in
majestic flight. Filled with envy, Lucius
demanded of Fotis that she smear him
with ointment and turn him into an
eagle. Fotis consented but with reluc
tance.
At a propitious time Fotis stole a
box of ointment and smeared Lucius, but
to his horror he found himself turned
into an ass instead of an eagle. He looked
around at the mocking Fotis, who pro
fessed to have made a mistake and prom
ised to get him some roses in the
ing. If he would only eat roses, he would
turn into a man again. So Lucius re
signed himself to being an ass for the
night.
But during the darkness thieves broke
into Milo's house, loaded much of Milo's
gold on Lucius* back, and drove him out
on the road. That morning Lucius saw
some roses along the way, but as he was
about to eat them he suddenly thought
that if he turned into a man in the com
pany of thieves they would surely kill
him. He trotted on until they came to
the thieves' lair, which was governed by
an old woman.
On another night the thieves took cap
tive the gentle Charites, whom they had
abducted from her wedding with Lepol-
emus. Charites wept bitterly. To con
sole her, the old hag told the story of
Cupid and Psyche.
There was a merchant who had three
daughters. The two older girls, well-
favored, were soon married off. The
youngest, a true beauty, was admired by
all who saw her. No man came to woo
her, however, for Venus had become
jealous of her beauty and had put a
spell upon the girl.
In despair, the parents consulted an
oracle, wno told them to expose the girl
on a rocky cliff, where she would become
the bride of a loathsome beast. The sor
rowing couple obeyed, and the lovely
virgin was exposed one night on a cliff.
After she had been left alone, a gentle
wind whisked her down into a rich
castle.
That night a man with a caressing
voice, but whose face she never saw,
made her his wife. For a while she was
content not to sec her husband, but at
last her jealous sisters persuaded her to
light a lamp in order to see his face.
When she did, she learned her husband
was Cupid, who had succumbed to her
charms when Venus had sent him to
make her fall in love with a monster.
Although the girl was pregnant, Venus
refused to recognize her son's marriage
3.10
with a mortal. Then Jupiter took pity
on her and brought her to heaven. There
he conferred immortality on her and
named her Psyche. So Cupid and Psyche
became the epitome of faithful love.
Lepolemus, the resourceful bride
groom, rescued Charites by ingratiating
himself with the robbers and becoming
one of their band. Watching his chance,
he made them all drunk and chained
them. Setting Charites on the back of
Lucius, Lepolemus took his bride home
and returned with a band of aroused
citizens, who killed all the thieves of
the den.
Lucius was given over to a herdsman
of Charites, and for a time he lived a
hard life as a mill ass. One day news
came of the death of Lepolemus, who
was killed on a hunting trip with his
friend, Thrasillus. In a dream, Lepol
emus told Charites that Thrasillus had
killed him. When Thrasillus came woo
ing Charites soon afterward, she pre
tended to listen to his proposals. He
came to her chamber late one night, and
there the old nurse of Charites gave him
wine. When he was drunk, Charites took
a pin and pricked out both his eyes.
These irregularities of their owners
made the shepherds uneasy, In a body
they left Charites' estate and struck out
on their own. Lucius passed through
several hands, some good owners, some
bad. He bore his lot as best he could,
but he could never be a proper ass be
cause he still longed to eat bread and
meat. One of his owners discovered this
peculiarity and exhibited Lucius as a
performing ass.
As a performer Lucius led an easier
life. Now that spring was approaching,
he hoped to find some roses. In the
meantime he enjoyed himself; he even
had a rich matron as his mistress for a
few nights. But when his master pro
posed to exhibit him in a cage, making
love to a harlot, Lucius decided to rebel.
He escaped and sought the aid of
Queen Isis. Taking pity on Lucius, she
caused a priest to carry a garland of
roses in a parade. The priest offered the
flowers to Lucius, who ate them eagerly.
Once again Lucius became a man.
THE GOOD COMPANIONS
Type of work: Novel
Author: J. B. Priestley (1894- )
Type of plot: Picaresque romance
Time of plot: The 1920's
Locale: England
First published: 1929
Principal characters:
Miss TBANT, a well-to-do British woman
INIGO JOLLIFANT, a teacher at a boys' school
JESS OAKROYD, a workman
SUSIE DEAN, a comedienne
JERRY JERNINGHAM, a dancer
Critique:
J. B. Priestley's novel is a very human
portrayal of a group of his contemporary
Britishers in the 1920's. In many ways
the novel is reminiscent of the work of
Charles Dickens, both in characterization
and in atmosphere. The descriptions of
the English countryside and towns are
particularly good. With such descriptions
the author effectively sets the locale of
the various parts of the novel. The best
character of the novel is the Yorkshire
workman, Jess Oakroyd. His northern
dialect is a source of amusement both to
the characters in the novel and to the
THE GOOD COMPANIONS by J. B. Priestley. By permission of the author, his agent A. D. Peters, London
and the publishers. Harper & Brothers. Copyright, 1929, by J. B. Priestley.
311
reader, and he is the English parallel to
the almost mythical American Yankee
who says little, thinks much, and ends
up by proving more astute than the
sophisticated people about him.
The Story;
Jess Oakroyd was a stolid, proper sort
of Yorkshireman, but his wife's nagging,
coupled with the sarcastic remarks of his
son, finally forced him to pack a small
basket of clothes and set off to travel
about England. His adventures began
immediately, for he got a ride in a large
van loaded with stolen goods. The driver
of the van and the driver's helper left
Jess at an inn in a small hamlet after
having robbed him while he was asleep.
Rudely awakened by the innkeeper, Jess
had no money to buy his breakfast.
Setting off afoot, he came upon another
van, in which a man was attempting to
repair a battered peddler's stall. In re
turn for Jess' help, the owner gave him
breakfast and a ride. Jess stayed for three
days with the peddler, who sold fancy
balloons.
After leaving the balloon trade, the
Yorkshireman set out to walk the roads of
England once again. Within the hour he
came upon a stalled car and helped the
woman driver to start the motor. The
woman was Miss Trant, who had in
herited several hundred pounds from her
father. Since all her previous adventures
had been in the realm of historical novels,
Miss Trant had also decided to travel
over England, At the age of thirty-five
she was already an old maid.
While they were getting the car started,
rain began to fall, and Jess and Miss
Trant headed for a little tearoom nearby.
There they met Inigo Jollifant and an
odd-looking companion who was carrying
a banjo. Inigo had begun his adventures
on the previous Monday evening, as had
Jess and Miss Trant.
An instructor at a boys' school, Inigo
had been unhappy there because of the
petty tyranny of the headmaster and his
termagant wife. On Monday evening he
had been dismissed because he became
drunk and played the piano in celebra
tion of his twenty-sixth birthday. Inigo,
too drunk to do the prudent thing, had
packed a knapsack and set out on his
travels immediately. In the railroad
station of a small town he had met
his banjo-carrying companion, Morton
Mitcham, a professional entertainer.
In die tearoom the shrewish woman
proprietress was berating a group of cus
tomers who were unable to pay their bill.
The banjo player recognized them as
members of a theatrical troupe stranded,
as they explained, when their manager
ran away with a young woman and
their funds.
On impulse, Miss Trant decided to
take over the stranded company. That
night they made plans for taking the
show on the road once more. The new
troupe took the name of The Good Com
panions, It was made up of an elderly
comedian, a young and pretty comedienne
named Susie Dean, Morton Mitcham, a
dancer named Jerry Jerningham, a girl
singer, and an older couple who sang
duets, Miss Trant was the manager,
Inigo the accompanist, and Jess, at Miss
Trant's insistence, the handyman.
Their first appearance was in the little
town where Miss Trant had found them,
The show was not successful, but their
second engagement, at n seaside hotel,
met with obvious favor. The most ap
preciated actors were Jerry Jerningham
and Susie Dean, who were aided by the
gay songs which were written for their
acts by Inigo Jollifant. For several weeks
the routine of the company was one of
rehearsals and performances, with train
rides between two or three-night engage
ments in each town.
As the weeks passed, Inigo Jollifant fell
in love with Susie Dean, who laughed at
him, saying she could not fall in love and
marry until she had become a musical
comedy star and had played in London.
Miss Trant was having a delightful ex
perience. All her life had been spent
in the sleepy village of Hitherton in
southern England, wnere ner father had
settled upon his retirement from the
army. Her theatrical associates were far
more interesting than the small sedate
group of her fadier's village friends.
Next The Good Companions played
in an almost deserted mill town in the
Midlands. The mills had been shut down
for some months and the townspeople
had little money or interest in a traveling
vaudeville troupe. Since the audiences
were small and not sympathetic, the
troupe became dispirited and almost broke
up. But Jess Oakroyd persuaded the
troupe to stick with Miss Trant, since
she would lose her money if they did
not carry on with their engagements.
At last the fortunes of the troupe had
a turn for the better. Inigo Jollifant com
posed new tunes for the acts which met
with great success. His love affair, how
ever, did not fare as well. Susie Dean
could not understand why he did not take
his music as seriously as he did his writ
ing for literary periodicals. She felt sure
that he was making a mistake in trying
to be a second-rate essayist when he
could be a first-rate song writer.
The Good Companions finally had a
long engagement in a series of prosperous
manufacturing towns. The large audi
ences they drew began to recoup the
money Miss Trant had invested. They
became bold enough to engage a large
hall for a stand of several nights. In
the meantime Inigo went to London,
where a famous producer listened to his
new songs. Inigo, determined to help
Susie become a top-ranking musical
comedy star, refused to let the producer
use his songs unless the man went with
him to hear Susie Dean.
The first night in the large auditorium
was disastrous. The operator of the local
motion picture houses hired toughs to
start a riot and set fire to the hall during
the performance. The producer from
London was punched on the nose in the
melee and so refused to hear any more
about either Inigo's music or Susie Dean.
Miss Trant was injured during the riot.
Finally, when the future looked dark
est, an elderly woman took a fancy to
Jerry Jerningham. She married him and
put her money and influence at his dis
posal. The result was that an even greater
producer gave Susie Dean her chance at
musical comedy in London and bought
Inigo's music.
The troupe disbanded; but at Jerning-
ham's request the other performers found
excellent places with the same producer.
In the hospital Miss Trant met a doctoi
with whom she had been in love for many
years, and she prepared to marry him as
soon as she was well. Jess Oakroyd did a
little detective work in connection with
the riot. With the help of the balloon
peddler, he discovered who had hired the
men to start the rioting and set fire to
the theater, Held responsible for the dis
turbance, these men had to take over
Miss Trant's debts for the damages.
After solving the mystery of the riot,
Jess went back to his home in Yorkshire,
for he had had a telegram from his son
telling him that Mrs. Oakroyd was
seriously ill. She died shortly thereafter
and Jess made preparations to continue
his traveling. He decided to visit his
married daughter in Canada, for he had
discovered that even a man as old and
settled as he could become addicted to the
pleasures of adventuring away from home.
THE GOOD EARTH
Type of work: Novel
Author: Pearl S. Buck (1892- )
Type of 'plot: Social chronicle
Time of plot: Early twentieth century
Locale: Northern China
First published: 1931
313
Principal Characters:
WANG LUNG, a Chinese farmer
O-LAN, his wife
LOTUS BLOSSOM, his concubine
PEAR BLOSSOM, his slave
NUNG EN, Wang Lung's oldest son
NUNG WEN, Wang Lung's second son
THE FOOL, Wang Lung's first daughter
Critique:
In an almost pastoral style, The Good
Earth describes the cycle of birth, mar
riage, and death in a Chinese peasant
family. The book is written realistically,
without any overt attempts to awaken
sympathy for any of the characters. It
is the absorbing story of Wang Lung's
life on the farm, his trip to the city
when starvation threatens, and of his
life until it is time for him to be claimed
by the good earth.
The Story:
His father had chosen a slave girl to
be the bride of Wang Lung, a slave
from the house of Hwang, a girl who
would keep the house clean, prepare the
food, and not waste her time thinking
about clothes. On the morning he led her
out through the gate of the big house,
they stopped at a temple and burned in
cense. That was their marriage.
O-lan was a good wife. She thriftily
gathered twigs and wood, so that they
would not have to buy fuel. She mended
Wang Lung's and his father's winter
clothes and scoured the house. She
worked in the fields beside her husband,
even on the day she bore their first son.
The harvest was a good one that year.
Wang Lung had a handful of silver
dollars from the sale of his wheat and
rice. He and O-lan bought new coats
for themselves and new clothes for the
baby. Together they went to pay their
respects, with their child, at the home
in which O-lan had once been a slave.
With some of the silver dollars Wang
Lung bought a small field of rich land
from the Hwangs.
The second child was born a year
later. It was again a year of good
harvest.
Wang Lung's third baby was a girl.
On the day of her birth crows flew about
the house, mocking Wang Lung with
their cries. The farmer did not rejoice
when his little daughter was born, for
poor farmers raised their daughters only
to serve the rich. The crows had been
an evil omen. The child was born feeble
minded.
That summer was dry, and for months
no rain fell. The harvest was poor. After
the little rice and wheat had been eaten
and the ox killed for food, there was
nothing for the poor peasants to do but
die or go south to find work and food in
a province of plenty. Wang Lung sold
their furniture for a few pieces of silver,
and after O-lan had borne their fourth
child, dead with bruises on its neck when
he saw it for the first time, the family
began their journey. Falling in with a
crowd of refugees, they were lucky. The
refugees led them to a railroad, and with
the money Wang Lung had received for
his furniture they traveled on a train to
their new home.
In the city they constructed a hut of
mats against a wall, and, while O-lan
and the two older children begged, Wang
Lung pulled a ricksha. In that way they
spent the winter, each day earning
enough to bxiy rice for the next.
One day an exciting thing happened.
There was to be a battle between soldiers
in the town and an approaching enemy.
When the wealthy people in the town
fled, the poor who lived so miserably
THE GOOD EARTH by Pearl S. Buck. By permission of the author, of her agent David Lloyd, and the pub
lishers, The John Day Co., Inc. Copyright, 1931, by Pearl S. Buck.
314
broke into the houses of the rich. By
threatening one fat fellow who had been
left behind, Wang Lung obtained enough
money to take his family home.
O-lan soon repaired the damage which
the weather had done to their house dur
ing their absence; then, with jewels which
his wife had managed to plunder during
the looting in the city, Wang Lung
bought more land from the house of
Hwang. He allowed O-lan to keep two
small pearls which she fancied. Now
Wang Lung had more land than one man
could handle, and he hired one of his
neighbors, Ching, as overseer. Several
years later he had six men working for
him. O-lan, who had borne him twins,
a boy and a girl, after their return from
the south, no longer went out into the
fields to work, but kept the new house
he had built. Wang Lung's two oldest
sons were sent to school in the town.
When his land was flooded and work
impossible until the water receded, Wang
Lung began to go regularly to a tea
shop in the town. There he fell in love
with Lotus and brought her home to his
farm to be his concubine. O-lan would
have nothing to do with the girl, and
Wang Lung was forced to set up a sep
arate establishment for Lotus in order
to keep the peace.
When he found that his oldest son
visited Lotus often while he was away,
Wang Lung arranged to have the boy
marry the daughter of a grain merchant
in the town. The wedding took place
shortly before O-lan, still in the prime of
life, died of a chronic stomach illness.
To cement the bond between the farmer
and the grain merchant, Wang Lung's
second son was apprenticed to Liu, the
merchant, and his youngest daughter was
betrothed to Liu's young son. Soon after
O-lan's death Wang Lung's father fol
lowed her. They were buried near one
another on a hill on his land.
When he grew wealthy, an uncle, his
wife, and his shiftless son came to li?M
with Wang Lung. One year there was a
great flood, and although his neighbors'
houses were pillaged by robbers during
the confusion, Wang Lung was not
bothered. Then he learned that his uncle
was second to the chief of the robbers.
From that time on he had to give way
to his uncle's family, for they were his
insurance against robbery and perhaps
murder.
At last Wang Lung coaxed his uncle
and aunt to smoke opium, and so they
became too involved in their dreams
to bother him. But there was no way
he could curb their son. When the boy
began to annoy the wife of Wang Lung's
oldest son, the farmer rented the deserted
house of Hwang and he, with his own
family, moved into town. The cousin left
to join the soldiers. The uncle and aunt
were left in the country with their pipes
to console them.
After Wang Lung's overseer died, he
did no more farming himself. From that
time on he rented his land, hoping that
his youngest son would work it after his
death. But he was disappointed. When
Wang Lung took a slave young enough
to be his granddaughter, the boy, who
was in love with her, ran away from
home and became a soldier.
When he felt that his death was near,
Wang Lung went back to live on his
land, taking with him only his slave,
young Pear Blossom, his foolish-witted
first daughter, and some servants. One
day as he accompanied his sons across
the fields, he overheard them planning
what they would do with their inherit
ance, with the money they would get
from selling their father's property. Wang
Lung cried out, protesting that they
must never sell the land because only
from it could they he sure of earning a
living. He did not know that they looked
at each other over his head and smiled.
315
GOODBYE, MR. CHIPS
Type of work: Novelette
Author: James Hilton (1900-1954)
Type of plot: Sentimental romance.
Time of plot: 1870-1933
Locale: An English boys* school
First published: 1933
Principal characters:
MR. CHIPS, an old schoolmaster
MRS. WICKETT, his landlady
BROOKFIEUO BOYS
Critique:
This charming story of an old school
master was written when the young
journalist, James Hilton, was given an
assignment to produce a Christmas story
for an English newspaper. The almost
instantaneous success of the book de
termined to a large degree the wide
public reputation of its author. The
novel consists largely of a series of happy
and sad reminiscences of a beloved and
almost legendary teacher who, sitting in
his little room one gray November day,
thinks of the many years he has spent
in a boys' school.
The Story:
Chips was old — eighty-five — but of
course, he thought, far from ill. Dr. Men-
vale had told him he should not venture
out on this cold November day, but he
also added that Chips was fitter than the
doctor himself. What Chips did not know
was that the doctor had told the landlady,
Mrs. Wickett, to look after him; Chips'
chest clouded in bad weather.
Chips sank into his armchair by the
fire, happy in the peace and warmth. The
first thing about his remembered career
set him laughing. He had come to teach
at Brookfield in 1870, and in a kindly
talk old Wetherby, the acting head, ad
vised him to watch his disciplinary
measures. Mr. Wetherby had heard that
discipline was not one of Chips* strong
points. On the first day of class, when
one of the boys dropped his desk top
rather too loxidly, Chips assigned him a
hundred lines and had no trouble after
that. The boy's name was Collev — Chips
seldom forgot a name or a face — and
years later, he remembered, he taught
Colley's son, and then his grandson, who,
he said pleasantly, was the biggest young
nitwit of them all. Chips was fond of
making little jokes about the boys, who
took his jibes well and grew to love him
for his honesty and friendliness. Indeed,
Chips' jokes were regarded as the funniest
anywhere, and the boys had great sport
telling of his latest.
Remembering these things, Chips
thought growing old was a great joke,
though a little sad. And when Mrs.
Wickett came in with his tea, she could
not tell whether Chips; was laughing or
crying. Tears were spilling down his
withered cheeks.
Brookfield had known periods of
grandeur and decay. When Chips ar
rived there, the school was already a
century old and regarded as a place
for boys whose lineage was respectable
but seldom distinguished. Chips' own
background was not distinguished, either,
but it had been hard for him to realize
that his mind was not the type to assume
leadership. He had longed to work his
way into the position of headmaster, but
after many failures he knew that his
role was one of teaching, and he gave up
his administrative ambitions, But lie grew
to love his students. They would often
come to chat with him over tea and
crumpets. Sometimes they remarked, as
GOODBYE, MR. CHIPS by James Hilton, By permission of the author and the publisher*, Little, Brown & Co
Copyright, 1934, by James Hilton.
316
they left, what a typical bachelor old
Chips was.
It was painful to Chips that no one
at Brookfield remembered his wife. He
had married Kathy Bridges at forty-eight,
and even now he wondered how the
miracle had taken place. He had seen a
girl waving from the top of a rocky ledge
one day when he was out walking, and
thinking her in trouble he set out to
rescue her. On the way he sprained his
ankle, and Kathy had assisted him. It was
a remarkable love, for she was years
younger than he. But Kathy left an en
during mark upon Chips. He grew more
lenient with the boys, more understand
ing of their problems, and more cou
rageous in his teaching. Ironically, Kathy
died on April first, in childbirth, and that
day, not realizing the tragedy that had
befallen Chips, the boys played April
Fool jokes on the stricken teacher.
Chips began to remember the war
years. Names of boys whose faces he
could still vizualize were read out in
chapel from the casualty lists. When the
headmaster died and no one could be
found to fill his place, Chips was asked
to head Brookfield. Standing in his
tattered gown, which was often con
sidered disgraceful by newcomers, he read
out the names as tears filled his eyes.
Even now, sitting in front of the fire, he
could recall that roll, and he read it over
to himself, remembering the faces that
had looked so hopefully at him in the
classroom.
One day he was meeting a Latin class
while German bombs were crashing near
by. The boys squirmed in their seats as
the explosions sounded nearer and nearer,
but Chips quietly told them that they
should never judge the importance of
anything by the noise it made. Then,
asking one of the more courageous lads
to translate, Chips chose from Caesar a
passage which was particularly apt be
cause it dealt with German methods of
fighting. Later the boys told how Chips
stood steady and calm, and they re
marked that even though they might
consider Latin a dead language, it was
nevertheless valuable at times.
After the war Chips gave up his head-
mastership and returned to his room at
Mrs. Wickett's. Now, fifteen years later,
he was always asked to greet visiting
dignitaries who came to Brookfield. He
was amused to find that many of the
barons, Parliament members, and war
heroes had been his former pupils, and
he remembered their faces, though now,
to his chagrin, he often forgot their
names. He would make amusing, ap
propriate remarks, not always complimen
tary, and the visitors would shake with
laughter. Sometimes during those post
war years, he was asked to make little
speeches at school banquets, and because
of his reputation for funny sayings his
audience would laugh uproariously, often
before Chips reached the point of his
jokes. Chips was privileged now; his ec
centricities only made him more loved
at Brookfield. Indeed, Chips was Brook-
field.
Chips thought of the rich life he had
led. There were so many things for
laughter and sorrow. Now, as he sat by
the fire, he heard a timid knock at the
door, and a youngster, much abashed,
came in. He had been told that Chips
had sent for him. The old man laughed,
knowing that this was a prank the old
boys often played on a newcomer, and he
saved the boy from embarrassment by
saying that he had sent for him. Aftei
conversation and tea. Chips dismissed
the boy in his abrupt but lundly fashion.
The boy waved as he went down the
walk.
Later that youth thought of Chips
sadly and told his comrades that he had
been the last to tell him goodbye. For
Mr. Chips died quietly in his sleep that
cold November night.
317
GRAND HOTEL
Type of work: Novel
Author: Yield Baum (1888-1960)
Type of 'plot: Social chronicle
Time of <plot: 1920's
Locale: Berlin
Fim published: 1930
Principal characters:
BARON GAIGERN, a gambler and thief
EUSAVETA ALEXANDROVNA GRUSINSKAYA, a ballerina
OTTO KRTNGELEIN, a junior clerk of the Saxonia Cotton Company
HERR GENERALDIRJEKTOR PRJEYSING, manager of the Saxonia Cotton Company
DR. OTTERJSTSCHLAG, a retired physician
Miss FLAMM (FLAJBMMCHEN), a public stenographer and model
Critique:
In this novel Vicki Baum uses a time-
honored device o£ fiction by bringing to
gether a group of characters in a partic
ular time and place, and showing how
they react upon and influence each other.
The parallel, concurrent actions of her
characters are well synthesized into a
picture of European society in the period
between wars.
The Story:
Through the revolving doors of the
Grand Hotel in Berlin came people from
various walks of life. The meetings of
these people and their effects upon one
another thereafter were as varied as the
people themselves. Each one had his
own life, his own worries, and his own
problems, and each pursued his own self
ish ends.
Baron Gaigern was living in luxury at
the hotel. He never seemed to lack money
and he possessed well-tailored clothes.
The baron, however, was a gambler and
a thief staying at the hotel for the pur
pose of stealing Elisaveta Alexandrovna
Grusinslcaya's famous pearls, which had
been given to the ballerina by the Grand
Duke Sergei. Gaigern's plan to steal the
pearls was based on a timing of Grusin-
skaya's actions. One night he crawled
along the outside of the building to the
dancer's room, where she kept her jewels
in an unlocked case. That night Grusin-
skaya returned earlier than usual and
found him in her room.
Grusinskaya, die aging ballerina, knew
that her youth was slipping away from
her. On that particular night, feeble ap
plause after one of her best numbers
made her leave the theater before the per
formance was over and return to her room
at the hotel. When she discovered
Gaigern in her room, he convinced her
that because he loved her he had come to
sit there while she was away at the
theater. Willing to believe him, she let
him stay with her the rest of the night.
The next morning, before she awoke, he
replaced the pearls in their case. Grusin
skaya left Berlin that morning and
Gaigern promised to meet her in Vienna
three days later.
Still in need of money, Gaigern de
cided to get it from the wealthy and ap
parently ailing provincial in room 70.
Gaigern did not suspect that the rich
provincial, Otto Kringclein by name,
was in reality only a junior clerk of
the Saxonia Cotton Company of Freders-
dorf. Kringelein at forty-six, had learned
that he was dying, and he decided that
before his death he would see some
thing of life after years of being bullied
at the office by his superiors and at
home by his wife Anna, With a small
legacy left him by his father, his sav
ings in the bank, and a loan on his
GRAND HOTEL by Vicki Baum. By permission of the author and the publi*her», Doubleday & Co,, Inc. Copy-
•ight, 1930, 1931, by Doubleday & Co., Inc.
318
life insurance policy, he planned to live
the life of a rich man for a few weeks
before he died. On the morning Grusin-
skaya left Berlin, Gaigem met Kringelein
and took him to be outfitted by his own
tailor. In the evening they went to the
boxing matches and then to a gambling
casino. Kringelein paid for the evening's
entertainment, for Gaigern admitted that
he was without funds. Gaigern had
hoped to win enough money to pay his
way to Vienna, but he lost steadily.
Kringelein won thirty-four hundred
narks. They ended the evening at the
AJhambra, a shabby night club, where
Kringelein became ill. On the way back
to the hotel Gaigern stole Kringelein's
pocketbook. Later in Kringelein's room,
he returned it at Dr. Otternschlag's in
sistence.
Dr. Otternschlag, a middle-aged physi
cian badly disfigured in the war, spent
one or two months every year at the
Grand Hotel. He did nothing, went prac
tically nowhere, and seemed to have no
interests whatsoever. He had begun to
show a slight interest in Kringelein when
Gaigem intruded. It was Otternschlag
who gave Kringelein a hypodermic to
lessen his pains, but after a polite word
of thanks to the doctor Kringelein turned
to Gaigern, whom he begged to remain
with him. Otternschlag was forgotten.
In the morning Kringelein received a
letter from his wife, complaining about
the inconveniences of the house in which
they lived, a house owned by the Saxonia
Cotton Company. Kringelein angrily
stamped down to Generaldirektor Prey-
sing's room to air his grievance. Herr
Preysing had married the daughter of the
owner of the Saxonia Cotton Company
years before and had gradually worked
himself up to the position of manager.
He was in Berlin to bring about an
amalgamation between his company and
the Chemnitz Manufacturing Company,
a merger necessary to forestall huge losses
for the Saxonia Company. When Prey-
sing saw that the representatives of the
Chemnitz Company were about to re
ject his offer, he told a lie which he
knew would win him their consent. He
assured them that a trade agreement
existed between the company and Bur-
leigh & Sons, importers, of Manchester,
England. The merger was then signed.
During his stay in Berlin, Preysing had
hired a stenographer, Miss Flamm, a
beautiful girl who worked part time as
a photographer's model. Preysing became
quite enamored of her. When she hinted
that she would be willing to travel with
him as his secretary, Preysing decided to
go to Manchester and confer with the
English company. He asked Flaemmchen,
as he called her, to accompany him and
she agreed, after setting her price at
one thousand marks. Preysing immediate
ly engaged an adjoining room for her at
the Grand Hotel.
That night Preysing was in Flaemrn-
chen's room when he heard a noise in
his own room and went to see what it
was. There stood Gaigern in his pajamas.
Preysing saw that his billfold was miss
ing from the table where he had placed
it, and he demanded its return. Gaigern
threatened to shoot. Preysing seized a
bronze inkstand and hit Gaigern over the
head with it, killing him. Flaemmchen
ran to call for help. Kringelein heard her
and opened his door, to have her fall un
conscious into his arms. He took her
in and when she regained consciousness
he learned the whole story from her. He
then went down to Preysing's room, gath
ered up Flaemmchen's clothes, and told
Preysing to call the police. When they
arrived, Preysing was arrested and his
plea of self-defense after robbery seemed
weak, for Gaigem had had no gun on
him. Preysing stayed in jail for three
months. During that time his affair with
Flaemmchen was exposed, his wife di
vorced him, and his father-in-law dis
charged him. Meanwhile Kringelein and
Flaemmchen, having become friends, de
cided to go to England together.
Lives had been changed by chance
meetings. Gaigern, the strong, vital man,
was now dead. Preysing, the respectable
319
citizen, was in jail accused of murder.
Ottemschlag, who claimed to have no
interest in life, found when he tried to
commit suicide that he wanted very
much to live. Meek, downtrodden Krin-
gelein began to assume the authority that
carne with responsibility, responsibility in
the form of Flaemmchen. The tired and
aging ballerina, Grusinskaya, had left the
hotel feeling young and loved once
more. And as their rooms were vacated
one by one, new visitors entered the hotel
where life, mysterious or stupid or cruel,
went on.
THE GRANDISSIMES
Tyy e of -work: Novel
Author: George W. Cable (1844-1925)
Type of plot: Regional romance
Time of plot: 1804
Locale: New Orleans
First published: 1880
Principal characters:
HONORE GRANDISSIME, head of the GrandissimevS
THE DARKER HONORE GRANDISSIME, his quadroon half-brother
AGRJCOLA FUSILIER, Honoris uncle
AURORA NANCANOU, a young widow
CLOTILDE NANCANOU, her daughter
JOSEPH FROWENFELD, a young American
DR. KEENE, Joseph's physician and friend
PALMYRE, a freed slave
Critique:
George W. Cable knew intimately
the Creole society of New Orleans, and
this novel re-creates for the reader a seg
ment of American life which has van
ished forever. Through the author's at
tempt at reproducing Creole dialect, the
book acquires a unique flavor. The plot
presents the tragedy of the Negro in a
more effective and more truthful manner
than do many modern books on the
subject.
The Story:
Honore* Grandissime and Aurora Nan-
canou, both members of the Creole aris
tocracy, met at a masked ball and fell in
love at first sight. Each was unaware of
the other's identity. Honore" was a young
merchant, the head of the Grandissime
family. Aurora, a young widow, was the
daughter of a De Grapion. Honoris
uncle, Agricola Fusilier, had killed Au
rora's husband in a duel, after he had
accused Agricola of cheating at cards.
Agricola won the duel, cleared his honor,
and collected the gambling debt, the
entire estate of Aurora's husband. Aurora
and her daughter Clotilde, were left pen
niless. Agricola gave Aurora's estate to
Honore* and made him a wealthy man.
Shortly afterward Joseph Frowenfeld,
a young American immigrant, arrived in
New Orleans with his parents and sisters.
All were stricken with fever; only Joseph
survived. The lonely young man formed
a friendship with his physician, Dr.
Kcene, Joseph and ITonor6 met by
chance one day and found a common
interest in their concern over the injustice
of slavery and the caste system of New
Orleans society. Honor's life however
depended upon these institutions. Joseph
wished to have them wiped out at once.
Deciding to earn his living as a drug
gist, Joseph opened a small shop and
soon became friendly with his aristo
cratic landlord. The landlord was actu
ally HonoreVs half-brother and he bore
the same name, but he was not acknowl
edged as a member of the family because
he was a quadroon. He was called the
darker Honored
320
Joseph found another new friend in
old Agricola. He was also struck by the
charm of Aurora and Clotilde when they
called to make purchases. He learned
more about Aurora from Dr. Keene. The
physician told him about Palmyre, a freed
slave who had once been Aurora's maid.
The girl hated Agricola. One night
Joseph was awakened by pistol shots
nearby. A few minutes later Dr. Keene
and several others entered the shop with
the wounded Agricola; he had been
stabbed, and his companions had fired
upon his assailant.
Several days later Aurora called upon
her landlord in order to make some ar
rangements about the rent she could not
pay. She knew her landlord's name was
Honor6 Grandissime, but she did not
connect this name with the man she
loved. Upon learning that they were
half-brothers, Aurora was upset and her
family pride caused her to be harsh with
Honored
When Dr. Keene fell sick, he asked
Joseph to attend one of his patients. The
patient was Palmyre, who had been
wounded as she ran away after stabbing
Agricola. Joseph promised Dr. Keene
to keep her trouble a secret and went
to dress the wound.
Joseph paid his last visit to the
wounded Palmyre, now almost recovered.
Palmyre begged him to help her make
the white Honore" love her, But Pal-
myre's maid, misunderstanding the con
versation, thought that Joseph had
wronged her mistress. She struck him
over the head, and Joseph reeled groggily
into the street. Some passing pedestrians,
seeing him emerge bleeding from Pal-
myre's house, drew a natural inference,
and soon everyone knew about Joseph's
misfortune. Only Clotilde and Honore"
believed him innocent.
Public feeling was running high
against the Americans, and Joseph found
himself despised by most of the Creoles.
Both his liberal views and his trouble at
Palmyre's house were against him.
Honoris conscience bothered him. He
felt that he unjustly held Aurora's prop
erty, but he also knew he could not
return it to her without ruining the fi
nances of his family. But he made his
choice. He called upon Aurora and
Clotilde and presented them with theii
property and the income from it. Now
he could not declare his love for Aurora;
if he did so, his family would think he
had returned the property because of
love instead of a sense of justice.
On his way home from Aurora's house,
Honor£ met the darker Honor£ with
Dr. Keene. The physician had risen from
his sickbed because he had heard of
Honore's call at Aurora's house. Dr.
Keene, also in love with Aurora, was
jealous. His exertion caused a hemor
rhage of the lungs, and the two Honores
carried him home and watched over him.
While they attended the sick man,
the darker Honore proposed to his
brother that they go into partnership, so
that the darker Honore's money could
save the family from ruin. His brother ac
cepted the offer. But this action turned
Honore" 's family against him. Agricola
led an unsuccessful lynching party to
find the darker Honored Not rinding him,
the mob broke the windows of Joseph's
shop as a gesture against liberal views in
general.
Aurora set Joseph up in business again
on the ground floor of her house and
made Clotilde a partner in the store.
Brought together in this manner, the two
young people fell in love. At the same
time, the darker Honor£ lay wasting away
for love of Palmyre, who was trying to
revenge herself upon Agricola by voodoo
spells. When Agricola could no longer
sleep at night, his family determined to
catch Palmyre in her acts of witchcraft
They caught her accomplice, but Pal
myre escaped.
Meanwhile the darker Honore" went to
Joseph's store to get some medicine foi
himself. Meeting Agricola, who insulted
him, the darker Honor6 stabbed Agriuola
and escaped. The wounded man was car
ried upstairs to Aurora's house to die;
321
there the two families were united again
at his deathbed. Agricola revealed that
he had once promised to Aurora's father
a marriage between Aurora and Honor6.
The darker Honore* and Palmyre es
caped together to France. There he com
mitted suicide because she still would
not accept his love.
Joseph finally declared his love for
Clotilde. But Aurora would not accept
Honoris offer of marriage because she
thought he had made it out of obligation
to Agricola. Then Honor6 made his offer
again as a man in love. As a last gesture
of family pride Aurora refused him, but
at the same time she threw herself into
her lover's arms.
THE GRANDMOTHERS
Type of work: Novel
Author: Glenway Wescott (1901- )
Type of 'plot: Regional chronicle
Time of plot: 1830-1925
Locale: Wisconsin
First published: 1927
Principal characters:
ALWYN TOWER, a young boy
HENEY TOWER, his grandfather
ROSE TOWER, lais grandmother
JIM TOWER, his uncle
EVAN TOWER, another uncle
FLORA TOWER, his aunt
RALPH TOWER, his father
MARIANNE TOWER, his mother
Critique:
The heritage which Alwyn Tower
studied as he pored over the family al
bums is the heritage of most Americans.
The struggles of the pioneers of the
Tower family were the struggles of all
pioneers. Glenway Wescott has told a
story of the loves and hates, the madness,
the strength, and the weakness found in
the histories of all families. The char
acters are vivid and authentic, the events
realistic and moving. The writer must
have loved the people about whom he
wrote; he portrays them so sympatheti
cally. The Grandmothers is a truly
American story.
The Story:
During his childhood, Alwyn Tower
spent many hours poring over the family
albums, for everything any of his an
cestors or relatives had done was interest
ing to the boy. He begged his Grand
mother Tower to tell him stories of her
childhood and stories about her children
and other relatives. Often the old lady
could not remember what he wanted to
know, and sometimes she seemed re
luctant to talk about the past. But piece
by piece, from his Granclmother Tower,
his parents, his aunts ancl uncles, and
from the albums, Alwyn learned some
thing of what he wanted to know.
Alwyn's Grandfather Tower died when
the boy was twelve years old, and so his
memories of that old man were rather
vague. Grandfather Tower's chiof in
terest during his old age was his garden,
where he never allowed his grandchildren
to go without his permission. He had
failed at farming, but he was the best
gardener in that part of Wisconsin.
Grandfather Tower had come to Wis
consin from New York. Like so many
others, he had planned to get rich in the
THE GRANDMOTHERS by Glenway Wescott. By permission of the author and the publishers, Harper &
Brothers. Copyright, 1927, by Harper & Brothers.
322
new West; like so many others, he had
failed. He had been a young boy full
of dreams when he first cleared the
wilderness for his farm. He fell in love
with and married Serena Cannon, and
shortly afterward went off to the Civil
War. When he returned, Serena was ill
with a fever and died soon after, leaving
a baby boy. Grandfather Tower could
never love another as he had loved
Serena. Because the boy needed a mother,
however, he married Rose Hamilton, who
had been jilted by his brother Leander.
Serena's boy died, a week before Rose
bore his first child. After that life seemed
unimportant to Henry Tower. There
were more children, some a small pleas
ure to him, some a disgrace. But they
seemed to be Rose's children, not his.
Part of Grandfather Tower had died with
Serena, and although he lived to be
eighty-two years old, he had never seemed
to be completely alive as far as Alwyn
was concerned.
Grandmother Tower, too, had come
to Wisconsin when she was a child.
Growing up in the wilderness, she suf
fered aU the hardships of the pioneers
— hunger and cold and fear of Indians.
When she was in her early teens she met
and fell in love with Leander Tower.
When the Civil War came, Leander en
listed, and the girl went to stay with
Serena Tower. While Serena lay ill with
fever, the young girl cared for her and
the baby. Leander returned, but he had
changed. Although he could not explain
himself clearly, Rose knew that he no
longer wanted to marry her. After Ser
ena's husband came home and Serena
had died, Leander went to California.
Rose married Serena's widower and bore
his children, but like him she was only
partly alive. She never ceased to love
Leander, but she was faithful to Grand
father Tower, even after Leander re
turned to Wisconsin. To Alwyn, she was
a quiet, serene woman, resigned to life,
but not unhappy with her lot.
Alwyn learned about many of his
more distant relatives as he studied the
albums and listened to the stories of
his elders. There was his Great-Aunt
Nancy Tower, who had been insane for
part of her life. There was his Great-
Aunt Mary Harris, who had been mar
ried three times and had traveled all ovei
the world. Grandmother Tower said that
Great-Aunt Mary was a real pioneer. She
had seen her first husband killed by
Southerners because he sympathized with
the Union. Her second husband was a
drunken sot who beat her, and often she
had to beg for food to stay alive. After
her second husband divorced her, she
married one of the Tower men, and for
the first time she knew happiness and
prosperity.
Old Leander Tower seemed to be hap
py only when he was helping a young
boy. His younger brother Hilary had dis
appeared in the war, and it seemed almost
as if Leander were trying to find a sub
stitute for his brother.
Alwyn knew his father's brothers and
sisters quite well. His Uncle Jim was
a minister who had married a rich wo
man, and they took Alwyn to live with
them in Chicago, giving the boy his only
chance for a good education. Uncle Jim's
wife persuaded her husband to give up
preaching. After her death he continued
to live with her mother and sisters and to
humor their whims. Alwyn liked his
Uncle Jim, but he could not admire him.
Uncle Evan, a deserter in the Spanish-
American War, had gone west to live
after taking a new name. Once or twice
he came home to visit his father, but
both men seemed embarrassed during
those meetings. Grandfather Tower had
always been ashamed of Evan, and dur
ing die last visit Evan made the old man
refused to enter the house while his son
was there.
Aunt Flora was an old maid, although
she still thought of herself as a young
girl. She had had many chances to marry,
but she was afraid of the force of love,
afraid that something hidden in her
would be roused and not satisfied. It was
a mysterious thing she could not under
323
stand. She turned to Alwyn, giving him in showing that hatred. Alwyn's mother
her love and accepting his, for she could was a lonely child until she met Ralph
love tlie young boy whole-heartedly, hav- Tower, Sometimes it embarrassed Alwyn
ing nothing to fear from him. When she to see his parents together because they
was twenty-nine years old, she fell ill revealed so much of their feeling for each
and died. Alwyn thought she looked other,
happy as she took her last breath. Alwyn realized that the Towers were
Alwyn's father, Ralph Tower, had al- one of the last pioneer families in Amer-
ways wanted to be a veterinarian, for ica. He knew that in his heritage there
he had a way with animals. But Uncle was a deep religious feeling, a willing-
Jim had been the one chosen for an ness to accept poverty and hardship as
education, and after Uncle Evan deserted the will of God. His heritage was a dis-
and went west, Ralph had to take over ordered one; a deserter, an insane wom-
the farm for his father. He was never an, a man and a wife who hated each
bitter; merely resigned. Perhaps he would other, an uncle who lived on the wealth
have envied Jim if it had not been for of his wife's mother. But these people
Alwyn's mother. were just as much a part of him as were
His parents had one of the few really the others. Alwyn knew that his life
happy marriages in the family, Alwyn would be a rearrangement of the charac-
realized as he watched them together, ters of the others. Pie knew that he could
Alwyn knew something of the girlhood of understand himself if once he understood
his mother. Her parents had hated each his people,
other fiercely, and had taken pleasure
THE GRAPES OF WRATH
Type of work: Novel
Author: John Steinbeck (1902- )
Type of 'plot: Social criticism
Time of plot: 1930's
Locale: Southwest United States and California
First published: 1939
Principal characters:
TOM JOAD, an ex-convict
PA JOAD, an Okie
MA JOAD, his wife
ROSE OF SHARON, Tom's sister
JIM CASY, a labor agitator
Critique:
In The Grapes of Wrath Steinbeck of his land. The outstanding feature of
has achieved an interesting contrapuntal The Grapes of Wrath is its photographi-
efTect by ^ breaking the narrative at in- cally detailed, if occasionally scntimen-
tervals with short, impressionistic pas- talized, description of the American farm-
sages recorded as though by a motion ers of the Dust Bowl in the mid-thirties
picture camera moving quickly from one of the twentieth century,
scene to another and from one focus
to another. The novel is a powerful in- The Story:
dictment of our capitalistic economy and Tom Joad was released from the Okla-
a sharp criticism of the southwestern homa state penitentiary where he had
farmer for his imprudence in the care served a sentence for killing a man in
Mn SteJnbeck' By **"»"«<» of the publisher*, The Viking Prc,a Inc. Copy-
324
self-defense. He traveled homeward
through a region made barren by drought
and dust storms. On the way he met
Jim Casy, an ex-preacher; the pair went
together to the home of Tom's people.
They found the Joad place deserted.
While Tom and Casy were wondering
what had happened, Muley Graves, a
die-hard tenant farmer, carne by and dis
closed that all of the families in the
neighborhood had gone to California
or were going. Tom's folks, Muley said,
had gone to a relative's place preparatory
to going west. Muley was the only
sharecropper to stay behind.
All over the southern Midwest states,
farmers, no longer able to make a living
because of land banks, weather, and
machine farming, had sold or were forced
out of the farms they had tenanted.
Junk dealers and used-car salesmen
profiteered on them. Thousands of fam
ilies took to the roads leading to the
promised land, California.
Tom and Casy found the Joads at
Uncle John's place, all busy with prep
arations to leave for California. As
sembled for the trip were Pa and Ma
Joad; Noah, their mentally backward
son; Al, the adolescent younger brother
of Tom and Noah; Rose of Sharon, Tom's
sister, and her husband, Connie; the
Joad children, Ruthie and Winfield; and
Granma and Grampa Joad. Al had
bought an ancient truck to take them
west. The family asked Jim Casy to
go with them. The night before they
started, they killed the pigs they had
left and salted down die meat so that
they would have food on the way.
Spurred by handbills which stated
that agricultural workers were badly
needed in California, the Joads, along
with thousands of others, made their
torturous way, in a worn-out vehicle,
across the plains toward the mountains.
Grampa died of a stroke during their
first overnight stop. Later there was a
long delay when the truck broke down.
Small business people along the way
treated the migrants as enemies. And,
to add to the general misery, returning
migrants told the Joads that there was
no work to be had in California, that
conditions were even worse than they
were in Oklahoma. But the dream of
a bountiful West Coast urged the Joads
onward.
Close to the California line, where
the group stopped to bathe in a river,
Noah, feeling he was a hindrance to the
others, wandered away. It was there
that the Joads first heard themselves
addressed as Okies, another word for
tramps.
Granma died during the night trip-
across the desert. After burying her, the
group went into a Hooverville, as the
migrants' camps were called. There
they learned that work was all but im
possible to find. A contractor came to the
camp to sign up men to pick fruit in
another county. When the Okies asked
to see his license, the contractor turned
the leaders over to a police deputy who
had accompanied him to camp. Tom
was involved in the fight which followed.
He escaped, and Casy gave himself up
in Tom's place. Connie, husband of the
pregnant Rose of Sharon, suddenly dis
appeared from the group. The family
was breaking up in the face of its hard
ships. Ma Joad did everything in her
power to keep the group together.
Fearing recrimination after the fight,
the Joads left Hooverville and went to
a government camp maintained for tran
sient agricultural workers. The camp
had sanitary facilities, a local govern
ment made up of the transients them
selves, and simple organized entertain
ment. During the Joads' stay at the
camp the Okies successfully defeated
an attempt of the local citizens to give
the camp a bad name and thus to have
it closed to the migrants. For the first
time since they had arrived in California,
the Joads found themselves treated as
human beings.
Circumstances eventually forced then
to leave the camp, however, for there
was no work in the district. They drove
325
to a large farm where work was being
offered. There they found agitators at
tempting to keep the migrants from tak
ing the work because of unfair wages
offered. But the Joads, thinking only of
food, were escorted by motorcycle police
in to the farm. The entire family picked
peaches for five cents a box and earned
in a day just enough money to buy
food for one meal. Tom, remembering
the pickets outside the camp, went out
at night to investigate. He found Casy,
who was the leader of the agitators.
While Tom and Casy were talking,
deputies, who had been searching for
Casy, closed in on them. The pair fled,
but were caught. Casy was killed. Tom
received a cut on his head, but not
before he had felled a deputy with an
ax handle. The family concealed Tom
in their shack. The rate for a box of
peaches dropped, meanwhile, to two-and-
a-half cents, Tom's danger and the
futility of picking peaches drove the
Joads on their way. They hid the in
jured Tom under the mattresses in the
back of the truck and told the suspicious
guard at the entrance to the farm that
the extra man they had had with them
when they came was a hitchhiker who
had stayed on to pick.
The family found at last a migrant
crowd encamped in abandoned boxcars
along a stream. They joined the camp
and soon found temporary jobs picking
cotton. Tom, meanwhile, hid in a cul
vert near the camp. Ruthie innocently
disclosed Tom's presence to another little
girl. Ma, realizing that Tom was no
longer safe, sent him away. Tom pronr
ised to carry on Casy's work in trying
to improve the lot of the downtrodden
everywhere.
The autumn rains began. Soon the
stream which ran beside the camp over
flowed and water entered the boxcars,
Under these all but impossible conditions,
Rose of Sharon gave birth to a dead baby.
When the rising water made their posi
tion no longer bearable, the family moved
from the camp on foot. The rains had
made their old car useless. They came to
a barn, which they shared with a boy and
his starving father. Rose of Sharon, bereft
of her baby, nourished the famished man
with the milk from her breasts. So the
poor kept each other alive in the depres
sion years.
GREAT EXPECTATIONS
Type of work: Novel
Author: Charles Dickens (1812-1870)
Type of plot: Mystery romance
Time of plot: Nineteenth century
Locale: England
First published: 1 860- 1 86 1
Principal characters:
PIP, an orphan
JOE GARGERY, Pip's brother-in-law
Miss HAVISHAM, an eccentric recluse
ESTELLA, Miss Havisham's ware]
HERBERT POCKET, Pip's roommate
MR. JAGGERS, a solicitor
ABEL MAG WITCH (MR. PROVIS), a convict
COMPEYSON, a villain
Critique:
Miss Havisham was deserted on her
wedding day. Pip gave help to an es
caped prisoner hiding in a marsh. From
these two events Dickens weaves an
amazing story of vindictiveness on one
hand and gratitude on the other; and
both of these motives affected Pip's life,
for Miss Ilavisham had marked him as
one of her victims, and the prisoner had
sworn to reward the small boy who had
326
helped him in the marsh. Although an
absorbing tale, this is also a gloomy one,
not lightened by Dickens* usual capri
cious characterizations. There are few
moments to relieve the reader from the
pressure of Pip's problems in life.
The Story:
Little Pip had been left an orphan
when he was a small boy, and his sister,
much older than he, had grudgingly
reared him in her cottage. Pip's brother-
in-law, Joe Gargery, on the other hand,
was kind and loving to the boy. In the
marsh country where he lived with his
sister and Joe, Pip wandered alone. One
day he was accosted by a wild-looking
stranger who demanded that Pip secretly
bring him some food, a request whicn
Pip feared to deny. The stranger, an es
caped prisoner, asked Pip to bring him
a file to cut the iron chain that bound
his leg. When Pip returned to the man
with a pork pie and file, he saw another
mysterious figure in the marsh. After a
desperate struggle with the escaped pris
oner, the stranger escaped into the fog.
The man Pip had aided was later appre
hended. He promised Pip he would
somehow repay the boy for helping him.
Mrs. Joe sent Pip to the large mansion
of the strange Miss Havisham upon that
lady's request. Miss Havisham lived in
a gloomy, locked house where all clocks
had been stopped on the day her bride
groom failed to appear for the wedding
ceremony. She often dressed in her
bridal robes; a wedding breakfast mold-
ered on the table in an unused room.
There Pip went every day to entertain
the old lady and a beautiful young girl,
named Estella, who delighted in tor
menting the shy boy. Miss Havisham
enjoyed watching the two children to
gether, and she encouraged Estella in
her haughty teasing of Pip,
Living in the grim atmosphere of Joe's
blacksmith shop and the uneducated
poverty of his sister's home, Pip was
eager to learn. One day a London solici
tor named Jaggers presented him with
the opportunity to go to London and
become a gentleman. Both Pip and Joe
accepted the proposal. Pip imagined that
his kind backer was Miss Havisham her
self. Perhaps she wanted to make a
gentleman out o£ him so he would be fit
some day to marry Estella.
In London Pip found a small apart*
ment set up for him, and for a living
companion he had a young relative of
Miss Havisham, Herbert Pocket. When
Pip needed money, he was instructed to
go to Mr. Jaggers. Although Pip pleaded
with the lawyer to disclose the name of
his benefactor, Jaggers advised the eager
young man not to make inquiries, for
when the proper time arrived Pip's bene
factor would make himself known.
Soon Pip became one of a small group
of London dandies, among them a dis
agreeable chap named Bendey Drummle.
Joe Gargery came to visit Pip, much to
Pip's disturbance, for by now he had
outgrown his rural background and he
was ashamed of Joe's manners. But
Herbert Pocket cheerfully helped Pip to
entertain the uncomfortable Joe in their
apartment. Plainly Joe loved Pip very
much, and after he had gone Pip felt
ashamed of himself. Joe had brought
word that Miss Havisham wanted to see
the young man, and Pip returned with
his brother-in-law. Miss Havisham and
Estella marked the changes in Pip, and
when Estella had left Pip alone with the
old lady, she told him he must fall in
love with the beautiful girl. She also said
it was time for Estella to come to London,
and she wished Pip to meet her adopted
daughter when she arrived. This request
made Pip feel more certain he had been
sent to London by Miss Havisham to be
groomed to marry Estella.
Estella had not been in London long
before she had many suitors. Of all the
men who courted her, she seemed to
favor Bentley Drummle. Pip saw Estella
frequently. Although she treated him
kindly and with friendship, he knew she
did not return his love.
On his twenty-first birthday Pip re-
327
ceived a caller, the man whom Pip had
helped in the marsh many years before.
Ugly and coarse, he told Pip it was he
who had been financing Pip eVer since
he had come to London. At first the boy
was horrified to discover he owed so
much to this crude ex-criminal, Abel
Magwitch. He told Pip that he had been
sent to the colonies where he had grown
rich. Now he had wanted Pip to enjoy
all the privileges he had been denied in
life, and he had returned to England to
see the boy to whom he had tried to be a
second father. He warned Pip that he
was in danger should his presence be
discovered, for it was death for a prisoner
to return to England once he had been
sent to a convict colony. Pip detested his
plight. Now he realized Miss Havisham
had had nothing to do with his great
expectations in life, but he was too con
scious of his debt to consider abandon
ing the man whose person he disliked.
He determined to do all in his power to
please his benefactor. Magwitch was
using the name Provis to hide his iden
tity. Provis told Pip furthermore that
the man with whom Pip had seen him
struggling long ago in the marsh was his
enemy, Compeyson, who had vowed to
destroy him. Herbert Pocket, who was
a distant cousin of Miss Havisham, told
Pip that the lover who had betrayed her
on the day of her wedding was named
Arthur Compeyson.
Pip went to see Miss Havisham to de
nounce her for having allowed him to
believe she was helping him. On his
arrival he was informed that Estella was
to marry Bentley Drummle. Since Miss
Havisham had suffered at the hands of
one faithless man, she had reared Estella
to inflict as much hurt as possible upon
the many men who loved her. Estella re
minded Pip that she had warned him
not to fall in love with her, for she had
no compassion for any human being.
Pip returned once more to visit Miss
Havisham after Estella had married. An
accident started a fire in the old, dust-
filled mansion, and although Pip tried
to save the old woman she died in the
blaze that also badly damaged her gloomy
house.
From Provis' story of his association
with Compeyson and from other evi
dence, Pip had learned that Provis was
Estella's father; but he did not reveal
his discovery to anyone but Jaggers,
whose housekeeper, evidently, was
Estella's mother. Pip had learned also
that Compeyson was in London and
plotting to kill Provis. In order to pro
tect the man who had become a foster
father to him, Pip with the help of Her
bert Pocket arranged to smuggle Provis
across the channel to France. There Pip
intended to join the old man. Elaborate
and secretive as their plans were, Com
peyson managed to overtake them as they
were putting Provis on the boat. The
two enemies fought one last battle in the
water, and Provis killed his enemy. He
was then taken to jail, where he died
before he could be brought to trial.
When Pip fell ill shortly afterward,
it was Joe Gargery who came to nurse
him. Older and wiser from his many
experiences, Pip realized that he need
no longer be ashamed of the kind man
who had given so much love to him when
he was a boy. His sister, Mrs. Joe, had
died and Joe had married again, this time
very happily. Pip returned to the black
smith's home to stay awhile, still desolate
and unhappy because of his lost Estella.
Later Herbert Pocket and Pip set up
business together in London.
Eleven years passed before Pip went
to see Joe Gargery again. Curiosity led
Pip to the site of Miss Havisham's former
mansion. There he found Estella, now a
widow, wandering over the grounds.
During the years she had lost her cool
aloofness and had softened a great deal.
She told Pip she had thought of him
often. Pip was able to foresee that per
haps he and Estella would never have to
part again. The childhood friends walked
hand in hand from the place which had
once played such an enormous part in
both their lives.
328
THE GREAT GATSBY
Type of work: Novel
Author: F. Scott Fitzgerald (1896-1940)
Type of plot: Social criticism
Time of plot: 1922
Locale: New York City and Long Island
First published: 1925
Principal characters:
NICK CARRAWAY, a young bond salesman
DAISY BUCHANAN, his cousin
TOM BUCHANAN, her husband
MYRTLE WILSON, Tom's mistress
JAY GATSBY, a racketeer of the Twenties
Critique:
The short life of F. Scott Fitzgerald
was long enough for that brilliant young
man to show what the United States
meant in terms of the reckless Twenties.
Prohibition and speak-easies, new auto
mobiles, victory abroad, popular fads,
new wealth — he understood and wrote
about all these things. Despite its limita
tions of style and its imperfections in
character development, The Great Gatsby
belongs to that literature which endeavors
honestly to present the American scene
during those riotous years from the first
World War to the depression. If F. Scott
Fitzgerald's view of character was limited,
it may be because his over-all comprehen
sion of society was so positive. His acute
sensibility was devoted to an understand
ing of the results of human action, rather
than an understanding of the reasons
for human action.
Almost at once he learned that Tom and
Daisy were not happily married. It ap
peared that Daisy knew her husband was
deliberately unfaithful.
Nick soon learned to despise the drive
to the city through unkempt slums; par
ticularly, he hated the ash heaps and the
huge commercial signs. He was far more
interested in the activities of his wealthy
neighbors. Near his house lived Jay
Gatsby, a mysterious man of great wealth.
Gatsby entertained lavishly, but his past
was unknown to his neighbors.
One day Tom Buchanan took Nick
to call on his mistress, a dowdy, over-
plump, married woman named Myrtle
Wilson, whose husband, George Wilson,
operated a second-rate auto repair shop.
Myrtle, Tom, and Nick went to the
apartment Tom kept, and there the three
were joined by Myrtle's sister Catherine
and Mr. and Mrs. McKee. The party
settled down to an afternoon of drinking,
Nick unsuccessfully doing his best to get
away.
A few days later Nick attended another
party, one given by Gatsby for a large
number of people famous in speak-easy
society. Food and liquor were dispensed
lavishly. Most of the guests had never
seen their host before.
At the party Nick met Gatsby for the
first time. Gatsby, in his early thirties,
looked like a healthy young roughneck,
- u, tooc u n i _ by F Scott Fitzgerald. By permission of the publishers, Charles Scribner's Sons. Copy
right, 1925, by Charles Scnbner s Sons.
The Story:
Young Nick Carraway decided to for
sake the hardware business of his family
in the Middle West in order to sell bonds
in New York City. He took a small
house in West Egg on Long Island and
there became involved in the lives of his
neighbors. At a dinner party at the home
of Tom Buchanan he renewed his ac
quaintance with Tom and Tom's wife,
Daisy, a distant cousin, and he met an
attractive young woman, Jordan Baker.
329
He was offhand, casual, eager to enter
tain his guests as extravagantly as pos
sible. Frequently he was called away by
long-distance telephone calls. Some of
the guests laughed and said that he was
trying to impress them with his impor
tance.
That summer Gatsby gave many par
ties. Nick went to all of them, enjoying
each time the society of people from all
walks of life who appeared to take ad
vantage of Gatsby 's bounty. From time
to time Nick met Jordan Baker there, but
he began to lose interest in her after he
heard that she had cheated in an amateur
golf match.
Gatsby took Nick to lunch one day and
introduced him to a man named Wolf-
shiem, who seemed to be Gatsby's busi
ness partner. Wolfshiem hinted at some
dubious business deals that betrayed
Gatsby's racketeering activities and Nick
began to identify the sources of some of
Gatsby's wealth.
Jordan Baker told Nick the strange
story of Daisy's wedding. Before the
bridal dinner Daisy, who seldom drank,
became wildly intoxicated and announced
there would be no wedding, that she had
changed her mind and intended to go
back to an old flame, Jay Gatsby. Her
friends and family, however, had argued
with her until she finally married Tom
Buchanan. At the time Gatsby was poor
and unknown; Tom was rich and in
fluential.
But Gatsby was still in love with Daisy,
and he wanted Jordan and Nick to bring
Daisy and him together again. It was ar
ranged that Nick should invite Daisy to
tea the same day he invited Gatsby. Gats
by awaited the invitation nervously.
On the eventful day it rained. De
termined that Nick's house should be
presentable, Gatsby sent a man to mow
the wet grass; he also sent over flowers
for decoration. The tea was a strained
affair at first, both Gatsby and Daisy shy
and awkward in their reunion. After
ward they went over to Gatsby's man
sion, where he showed them his furni
ture, clothes, swimming pool, and gar
dens. Daisy promised to attend his next
party.
When Daisy disapproved of his guests,
Gatsby stopped entertaining. The house
was shut up and the bar-crowd turned
away.
Gatsby informed Nick of his origin.
His true name was Gatz, and he had been
born In the Middle West. His parents
were poor. But when he was a boy he
had become the prote"g£ of a wealthy old
gold miner and had accompanied him on
his travels until the old man died. Then
he changed his name to Gatsby and
began to dream of acquiring wealth and
position. In the war he had distinguished
himself. After the war he had returned
penniless to the States, too poor to marry
Daisy, whom he had met during the
war. Later he became a partner in a drug
business. He had been lucky and had
accumulated money rapidly. He told
Nick ^that he had acquired the money
for his Long Island residence after three
years of hard work.
Gatsby gave a quiet party for Jordan,
the Buchanans, and Nick. The group
drove into the city and took a room in a
hotel. The day was hot and the guests
uncomfortable. On the way, Tom, driv
ing Gatsby's new yellow car, stopped at
Wilson's garage. Wilson complained be
cause Tom had not helped him in a pro
jected car deal. He said he needed money
because he was selling out and taking
his wife, whom he knew to be unfaith
ful, away from the city.
At the hotel Tom accused Gatsby of
trying to steal his wife and also of being
dishonest. lie seemed to regard Gatsby's
low origin with more disfavor than his
interest in Daisy. During the argument,
Daisy sided with both men by turns.
On the ride back to the suburbs Gats
by drove his own car, accompanied by
Daisy, who temporarily would not speak
to her husband.
Following them, Nick and Jordan and
Tom stopped to investigate an accident
in front of Wilson's garage. They dis-
330
covered an ambulance picking up the
dead body of Myrtle Wilson, struck by a
hit-and-run driver in a yellow car. They
tried in vain to help Wilson and then
went on to Tom's house, convinced that
Gatsby had struck Myrtle Wilson.
Nick learned the next day from Gatsby
that Daisy had been driving when the
woman was hit. However, Gatsby was
willing to take the blame if the death
should be traced to his car. Gatsby ex
plained that Myrtle, thinking that Tom
was in the yellow car, had run out of
the house, and Daisy, an inexpert driver,
had run her down and then collapsed.
Gatsby had driven on.
In the meantime George Wilson, hav
ing traced the yellow car to Gatsby, ap
peared on the Gatsby estate. A few hours
later both he and Gatsby were discovered
dead. He had shot Gatsby and then
lulled himself.
Nick tried to make Gatsby's funeral re
spectable, but no one attended except
Gatsby's father, who thought his son had
been a great man. None of Gatsby's
racketeering associates appeared. His bar-
friends had also deserted him.
Shortly afterward Nick learned of
Tom's part in Gatsby's death. Tom had
visited Wilson and had let Wilson be
lieve that Gatsby had been Myrtle's lover.
Nick vowed that his friendship with Tom
and Daisy was at an end. He decided to
return to his people in the Middle West.
THE GREEN BAY TREE
Type of work: Novel
Author: Louis Bromfield (1896-1956)
Type of 'plot: Social chronicle
Time of plot: Early twentieth century
Locale: Middle West
First published: 1924
Principal characters:
JULIA SHANE, a wealthy widow
LILY, and
IRENE SHANE, her daughters
THE GOVERNOR, father of Lily's child
HATTXE TOLLTVER, Julia Shane's niece
ELLEN TOLLTVER, Hattie's daughter
MONSIEUR CYON, Lily's husband
Critique:
This novel has a double theme. The
first is that the children of the United
States have a problem which their parents
did not face, the problem of being pio
neers with no frontier left in which to
exercise their energy and their talents.
The second theme is that all of us have
secrets of the soul which cannot be vio
lated. Through the book also runs a
deprecation of material progress and the
materialistic philosophy of America in
the early twentieth century. Bromfield,
however, is not carried away by the
naturalism or sharp social criticism of his
contemporaries in dealing with this aspect
of American life.
The Story:
Julia Shane was a wealthy old woman,
living with her two daughters in a man
sion which had decayed greatly since
the mills of the town had encroached
upon her grounds. Although the house
was now surrounded on three sides by
railroad yards and steel mills, Julia Shane
refused to move away. Mrs. Shane was
worried about her girls. Irene, the young
er, was, in her mother's opinion, too
THE -GREEN BAY TREE by Louis Bromfield. By permission of the author »-d the
Brothers. Copyright, 1924, by Frederick \ Stokes Co.
Harper &
33]
pious to live. Lily, who was twenty-four
years old, had been in love with the
governor, a man twenty years older than
she. The real complication was that Lily
was going to have a baby and refused
to marry the governor despite the urg-
ings of both the man and her mother.
The Shanes were wealthy; it was easy
for Lily to leave the town for a trip
abroad. Her departure caused no talk
or scandal, although Mrs. Harrison,
whose son Lily had also refused, was
suspicious.
During the four years Lily was in
Europe, life was dull in the gloomy old
mansion. Irene taught English to the
workers in the mills and tried to con
vince her mother that she wanted to
become a nun. Old Julia Shane, the last
of a long line of Scottish Presbyterians,
would hear none of such nonsense.
Then, unexpectedly, Lily came home.
Once again there were parties and dances
in the old house. Lily was much im
pressed by her cousin, Ellen Tolliver, a
talented pianist, and offered to help the
girl if she would go to Paris. The day
after Christmas, Irene and Lily were
taken on a tour of the steel mills by Wil
lie Harrison, the mill owner, who once
again asked Lily to marry him. She re
fused, disgusted with the spineless busi
nessman who was ruled by his mother.
When news came from Paris that her
small son had the measles, Lily was glad
to leave the town again. Shortly after
ward Ellen Tolliver also escaped from
the town by marrying a salesman from
New York.
Several years later there was a strike
in the steel mills. Only Hattie Tolliver,
Julia Shane's niece and Ellen's mother,
braved the pickets to enter the mansion.
Without her help life at the house would
have been extremely difficult. Although
Julia Shane was dying and confined to
her bed, the merchants of the town re
fused to risk deliveries to a house so near
to the mills where shots were occasionally
fired and where mobs of hungry strikers
loitered. On one of her errands of mercy
Hattie Tolliver learned that her daughter,
now a widow, was in Paris studying
music.
When she heard that her mother was
dying, Lily returned from Europe. She
and Hattie Tolliver stayed with Julia
Shane until she died a few weeks later.
Irene was no help. Hattie Tolliver
shrewdly summed up Irene for Lily by
noting that the younger girl was selfish
in her unselfishness to the poor workers
and filled with pride in her lack of ordi
nary worldly pride.
After her death, Julia Shane's daugh
ters remained in the mansion until the
estate was settled. Lily was bored, but
excitement came to ner through the
strikers. Her sister had given them per
mission to hold meetings in the large
park surrounding the house. Lily watched
the meetings from a darkened window.
She recognized Krylenko, a huge Russian
who had been Irene's pupil and who was
now a close friend. While Krylenko was
speaking, he was shot by a gun fired from
one of the mill sheds. Krylenko entered
the mansion with a key Irene had given
him. Lily bound up his wound. When
she almost fainted, Krylenko placed her
on the sofa. As he did so, Irene entered
and saw them. She berated them both
with all die suspicions which her sterile
mind evoked. Both she and Lily refused
to speak the next day, Lily returned to
Paris.
In Paris Lily confined herself to the
friends of her chaperon, Mme. Gigon.
It was a quiet life, but Lily was happy
with her house, her growing son, and
her lover, the officer son of an old
aristocratic family. Ellen Tolliver, who
had taken the professional name of Lily
Barr, was now a famous concert pianist
on the continent and in England, and
lived part of the time with Lily.
In 1913 Lily's lover told her that
war with Germany was inevitable. The
news increased Lily's moods of depres
sion which had begun to come upon
her as she approached middle age. The
news that the town wished to buy die
332
old Shane mansion and use the grounds
for a railroad station further aroused her
antagonism. She did not need the money
and also felt that the attempt to buy the
place was an intrusion into her private
life. Later Lily's lawyer wrote that the
Shane mansion had burned down.
One day Lily unexpectedly met Willie
Harrison in Paris. He had left the mills
and sold most of his holdings. He brought
word that Irene had become a Carmelite
nun and was in France in a convent at
Lisieux.
When France entered the First World
War, Lily's lover and her son were sent
to the front. Only the son was to return,
and he was to come back a cripple.
When the Germans invaded France, Lily
was at her country house with Mme.
Gigon, who was dying. During the night
the soldiers were there Lily discovered
they were going to blow up the bridge
in the vicinity. Armed with a pistol she
had stolen from a German officer, she
killed several men and an officer and
saved the bridge, not for France partic
ularly, but with the hope that it might
be of some help to her lover and her
son, for she knew that their regiment
was in the area.
During the years of the war she be
came closely acquainted with M. Cyon,
a French diplomat whom she married
shortly after the Armistice. During the
peace meetings at Versailles she saw the
governor whom she had refused to marry
years before. She was glad she had not
married him, for he had become a florid,
portly, vulgar politician. She preferred
her dignified French diplomat for a hus
band, despite his white hair and greater
number of years.
Shortly after her meeting with the
governor, Lily received a letter from the
Carmelites telling her that Sister Monica
had died. For a few moments Lily did
not realize that the person of whom they
had written was Irene. Lily had come
to think of her sister as dead when she
had entered the Church; it was some
thing of a shock to receive word of a more
recent death.
Lily's last link with America and the
town was broken when she read in a
Socialist newspaper that Krylenko, who
had become an international labor leader,
had died of typhus in Moscow. Now her
family and old friends were all gone.
Only Lily survived. It was with pleasure
that she saw her white-haired husband
enter the garden and walk toward her.
There, at least, was peace and security,
instead of a lonely old age in a drab
Midwestern town.
GREEN MANSIONS
Type of work: Novel
Author: W. H. Hudson (1841-1922)
Type of plot: Fantasy
Time of plot: Nineteenth century
Locale: South American jungles
First published: 1904
Principal characters:
MR. ABEL, an old man
RrMA, a creature of the forest
NUFLO, an old hunter
Critique:
The only legend of its kind that has
become a modern classic, Green Mansions
owes its popularity to its mystic, religious
ing, poetic expressions. Loving nature
and the wild life of the countries which
he explored, Hudson was able to express
feeling and to the beauty of Rima's halt- his own deep feeling through the charac-
GREEN MANSIONS by W. H. Hudson. By permission of the publishers, Alfred A. Knopf, Inc. Copyright,
1916, by Alfred A. Knopf, Inc. Renewed, 1943, by Alfred A. Knopf, Inc.
333
ter of Rima, the strange birdlike girl who
was one with the forest and whose sorrow
of loneliness was so great that she would
suffer no one to look into the depth of
her soul. Perhaps, to Hudson, nature
was like that; too lonely and sorrowful
to impart complete understanding and
knowledge of herself to mankind.
The Story:
No one in Georgetown could remem
ber his full name, and so he was known
only as Mr. Abel. He told a strange story
one evening as he sat talking to a friend,
a tale of his youth.
While he was living among the Indians
in the jungle, a nearby savannah caught
his fancy. The Indians claimed it was
haunted and would not go near it. One
day he set out to explore the savannah
for himself, For a long while he sat on
a log trying to identify the calls of the
birds. One particularly engaging sound
seemed almost human, and it followed
him as he returned to the Indian village.
Soon he bribed one of the Indians to
enter the haunted savannah. The Indian
became frightened, however, and ran
away, leaving Abel alone with the weird
sound. The Indian had said that the
daughter of the spirit Didi inhabited the
forest. Abel felt sure that the nearly
intelligible language of the birdlike
sounds were associated with the one to
whom die Indian referred.
Again and again Abel returned to the
forest in his search for the source of
the warbling sound, but always it eluded
him. Then one day he saw a girl playing
with a bird. The girl disappeared among
the trees, but not before Abel had de
cided that she must be connected in some
way with the warbling sounds he had
heard.
The Indians had been encouraging
him to continue his quests into the area
of mystery. He decided at last that they
were hoping he would try to kill the
creature who seemed to be haunting their
forest. He was stricken with horror at
the idea. One day he came face to face
with the elusive being. He had been
menaced by a small venomous snake, and
he was about to kill it with a rock when
the girl appeared before him to protest
vigorously in her odd birdlike warbling
language. She was not like any human
he had ever seen. Her coloring was her
most striking characteristic; it was lumi
nescent and it changed with her every
mood. As he stood looking at her, fasci
nated by her loveliness, the snake bit him
on the leg.
He started back toward the village
for help, but a blinding rainstorm over
took him on the way. Alter falling uncon
scious while running through the trees,
he awakened in a hut with a bearded
old man named Nuflo. The man ex
pressed fear and hatred of the Indians
who, he said, were afraid of his grand
child, Rima. It was she who had saved
Abel from dying of the snake's venom
and it was she who had been following
him in the forest. Abel could not believe
that the listless, colorless girl standing in
a corner of the hut was the lovely bird-
like creature he had met. On closer
examination he coulcl detect a likeness of
figure and features, but her luminous
radiance was missing. When Rima ad
dressed him in Spanish, he questioned
her about the musical language that she
emitted in the trees. She gave no ex
planation and ran away.
In a few days Abel learned that Rima
would harm no living creature, not even
for her own food, Abel grew to love the
strange, beautiful, untamed girl of the
green forest. When he questioned her,
she spoke willingly, but her speech was
strangely poetic and difficult to under
stand. She expressed deep, spiritual
longings and made him understand that
in the forest she communed with her
mother, who had died long ago,
Rima began to sense that since Abel,
the only person she Had known except
her grandfather, could not understand
her language and did not understand her
longings, she must be unlike other human
beings in the world, In her desire to
334
meet other people and to return to the
place of her birth where her mother had
died, Rima revealed to Ahel the name of
her birthplace, a mountain he knew well.
Rima demanded that her grandfather
guide her to Riolama Mountain. Old
Nuflo consented and requested that Abel
come also.
Before he took the long journey with
Rima and Nuflo, Abel returned to the
Indian village. There, greeted with quiet
suspicion and awe because of where he
had been, Abel was held a prisoner. After
six days' absence he returned to Rima's
forest. Nuflo and Abel made prepara
tions for their journey. When they
started, Rima followed them, only show
ing herself when they needed directions.
Nuflo began Rima's story. He had
been wandering about with a band of
outlaws when a heavenly-looking woman
appeared among them. After she had
fallen and broken her ankle, Nuflo, who
thought she must be a saint, nursed her
back to health. Observing that she was
to have a baby, he took her to a native
village. Rima was born soon after. The
woman could learn neither Spanish nor
the Indian tongue, and the soft melodious
sounds which fell from her lips were un
intelligible to everyone. Gradually the
woman faded. As she lay dying, she
made the rough hunter understand that
Rima could not live unless she were taken
to the dry, cool mountains.
Knowing their search for her mother's
people to be in vain, Abel sought to dis
suade Rima from the journey. He ex
plained to her that they must have disap
peared or have been wiped out by
Indians. Rima believed him, but at the
thought of her own continued loneliness
she fell fainting at his feet. When she
had recovered, she spoke of being alone,
of never finding anyone who could under
stand the sweet warbling language which
she had learned from her mother. Abel
promised to stay with her always in the
forest. Rima insisted on making the
journey back alone so that she could pre
pare herself for Abel's return.
The return to the savannah was not
easy for Abel and the old man. They
were nearly starving when they came to
their own forest and saw, to their horror,
that the hut was gone. Rima could not
be found. As Abel ran through the forest
searching for her, he came upon a lurk
ing Indian. Then he realized that she
must be gone, for the Indian would not
have dared to enter the savannah if the
daughter of Didi were still there. He
went back to the Indian village for food
and learned from them that Rima had
returned to her forest. Finding her in a
tree, the Indian chief, Runi, had ordered
his men to burn the tree in order to
destroy the daughter of Didi,
Half mad with sorrow, Abel fled to the
village of an enemy tribe. There he made
a pact with the savages for the slaughter
of the tribe of Runi. He then went to the
forest, where he found Nuflo dead. He
also found Rima's bones lying among the
ashes of the fire-consumed tree. He placed
her remains in an urn which he carried
with him back to civilization.
Living in Georgetown, Abel at last
understood Rima's sorrowful loneliness.
Having known and lost her, he was suf
fering the same longings she had felt
when she was searching for her people.
GRETTIR THE STRONG
Type of work: Saga
Author: Unknown
Type of plot: Adventure romance
Time of plot: Eleventh century
Locale: Iceland, Norway, Constantinople
First transcribed: Thirteenth-century manuscript
Principal characters:
GKETTTR THE STRONG, an outlaw
ASMUND LONGHAIR, his father
335
ILLUGI, his youngest brother
THORBJORN OXMAIN, Grettir's enemy
THORBJORN SLOWCOACH, Oxmain's kinsman, killed by Grettir
THORIR OF GARJ>, an Icelandic chief
THORBJORN ANGLE, Grettir's slayer
THORSTEXNN DROMUND, Grettir's half-brother and avenger
Critique:
One of the most famous of all Norse
sagas is the story of Grettir, hero and
outlaw of medieval Iceland. Grettir, born
about 997, was descended from Vikings
who colonized Iceland in the second
half of the ninth century, after they
had refused to acknowledge Harold Fair-
hair as their king. Grettir emerges from
his mist-shrouded, lawless world as a
man so memorable that his story was
handed down by word of mouth for
more than two hundred years after his
death. By the time his story was finally
committed to writing, it had absorbed
adventures of other folk heroes as well;
but in the main the saga is true to the
political and social history of the age.
The Story:
Grettir the Strong was descended from
Onund, a Viking famed for enemies
killed in war and the taking of booty
from towns plundered on far sea raids.
In a battle at Hafrsfjord Onund lost
a leg and was thereafter known as Onund
Tree foot. His wife was Aesa, daughter
of Ofeig. Thrand, a great hero, was his
companion in arms. During a time of
great trouble in Norway the two heroes
sailed to Iceland to be free of injustice
in their homeland, where the unscrupu
lous could rob without fear of redress.
Onund lived in quiet and plenty in the
new land and his name became re
nowned, for he was valiant. At last he
died. His sons fought after his death
and his lands were divided.
Grettir of the line of Onund was born
at Biarg. As a child he showed strange
intelligence. He quarreled constantly
with Asmund Longhair, his father, and
he was very lazy, never doing anything
cheerfully or without urging. When he
was fourteen years old, grown big in
body, he killed Skeggi in a quarrel over
a provision bag fallen from his horse,
and for that deed his father paid blood
money to the kinsmen of Skeggi. Then
the Lawman declared that he must leave
Iceland for three years. In that way
the long outlawry of Grettir began.
Grettir set sail for Norway. The ship
was wrecked on rocks off the Norwegian
coast, but all got safely ashore on land
that belonged to Thorfinn, a wealthy
landman of the district. With him
Grettir made his home for a time. At
Yuletide, Thorfinn with most of his
household went to a merrymaking and
left Grettir to look after the farm. In
Thorfinn's absence a party of berserks,
or raiders, led by Thorir and Ogmund,
came to rob and lay waste to the dis
trict. Grettir tricked them by locking
them in a storehouse. When they broke
through the wooden walls, Grettir, armed
with sword and spear, killed Thorir and
Ogmund and put the rest to flight. Some
time before this adventure he had en
tered the tomb of Karr-the-Old, father
of Thorfinn, a long-dead chieftain who
guarded a hidden treasure. For his brave
clced in killing the berserks Thorfinn
gave him an ancient sword from the
treasure hoard of Karr-the-Old.
Next Grettir killed a great bear which
had been carrying off the sheep. In
doing so he incurred the wrath of Bjorn,
who was jealous of Grettir's strength
and bravery. Then Grettir killed Bjorn
and was summoned before Jarl Sveinn.
Friends of Bjorn plotted to take Grettir's
life. After he killed two of his enemies,
his friends saved him from the wrath
of the jarl, who had wished to banish
him. His term of outlawry being ended,
Grettir sailed back to Iceland in the
spring.
336
At that time in Iceland young TTiorgils
Maksson, Asrnund's kinsman, was slain
in a quarrel over a whale, and Asmund
took up the feud against those who had
killed him. The murderers were ban
ished.
When Grettir returned, Asmund gave
him the welcome that was his due be
cause of his fame as a brave hero. Short
ly after his return, Grettir fought with
some men after a horse fight. The strug
gle was halted by a man named Thor
bjorn Oxmain. The feud might have
been forgotten if Thorbjorn Oxmain's
kinsman, Thorbjorn Slowcoach, had not
sneered at the hero.
Word came that a fiend had taken
possession of the corpse of Glam, a shep
herd. At night Glam ravaged the country
side. Because he could find no man with
whom he could prove his strength, Gret
tir went to meet Glam. They struggled
in the house of Thorhall and ripped
down beams and rafters in their angry
might. At last Glam fell exhausted.
Defeated, he predicted that Grettir would
have no greater strength and less honor
in arms from that day on, and that he
would grow afraid of the dark. Grettir
cut off Glam's head and burned the body
to destroy the evil spirit that possessed
the dead shepherd.
Grettir decided to return to Norway.
Among the passengers on the boat was
Thorbjorn Slowcoach; they fought and
Grettir killed his foe. The travelers landed
on a barren shore where they were with
out fire to warm themselves and Grettir
swam across the cove to get burning
brands at an inn where the sons of
Thorir of Gard, an Icelandic chieftain,
were holding a drunken feast. He had
to fight to get the fire he wanted, and
in the struggle hot coals set fire to the
straw on the inn floor and the house
burned. Charged with deliberately set
ting fire to the inn and burning those
within, Grettir went to lay the matter
before the king. To prove his innocence
of the charge of willful burning, he was
sentenced to undergo trial by fire in the
church, but the ordeal ended when Gret
tir became angry and threw a bystander
into the air. The king then banished him
from Norway, but because no ships could
sail to Iceland before the spring Grettir
was allowed to remain in the country
that winter. He lived some time with
a man named Einar, on a lonely farm
to which came the berserk Snaekoll,
a wild man who pretended great frenzy
during his lawless raids. Grettir seized
him in his mad fit and killed the robber
with his own sword. Grettir fell in love
with Einar's beautiful daughter but he
knew that Einar would never give his
child to a man of Grettir's reputation.
Giving up his suit, he went to stay with
his half-brother, Thorsteinn. Dromund.
Because they were men of the same
blood, Thorsteinn swore to avenge Gret
tir if ever he were killed.
Grettir's father, Asmund, died. On
his deathbed he said that little good
would come of his son. Grettir's time of
bad luck in Iceland began. Thorbjorn
Oxmain killed Adi, Grettir's brother, in
revenge for the slaying of Thorbjorn
Slowcoach, and Thorir of Gard, hearing
that his sons had been killed in the
burning of the inn, charged Grettir with
their murder before the court of the
Althing. By the time Grettir returned,
he had been proclaimed an outlaw
throughout Iceland. He had little worry
over his oudawry from the inn-burning,
Determined to avenge his brother, ha
went alone to Thorbjorn Oxmain's farm
and killed both the man and his son.
Grettir's mother was delighted with his
deed, but she predicted that Grettir
would not live freely to enjoy his vic
tory. Thorir of Gard and Thorodd,
Thorbjorn Oxmain's kinsman, each put
a price of three silver marks upon his
head. Soon afterward Grettir was cap
tured by some farmers but he was re
leased by a wise woman named Thor-
bjorg.
Avoided by most of his former friends,
who would no longer help him, Grettir
went far north to find a place to live.
337
He met in the forest another outlaw
named Grim, but a short time later he
was forced to kill his companion because
Grim intended to kill him for the reward
offered for Grettir's head. About that
time there was growing upon Grettir
a fear of the dark, as Glam had prophe
sied. Thorir of Gard hired Redbeard,
another outlaw, to kill Grettir, but Gret
tir discovered the outlaw's plans and
killed him also. At last Grettir realized
that he could not take any forest men
into his trust, and yet he was afraid to
live alone because of his fear of the
dark.
Thorir of Gard attacked Grettir with
eighty men, but the outlaw was able
to hold them off for a time. Unknown to
him, a friend named Hallmund attacked
Thorir's men from the rear, and the
attempt to capture Grettir failed. But
Grettir could no longer stay long in any
place, for all men had turned against
him. Hallmund was treacherously slain
for the aid he had given Grettir; as he
died he hoped that the outlaw would
avenge his death.
One night a troll-woman attacked a
traveler named Gest in the room where
he lay sleeping. They struggled all
night, but at last Gest was able to cut
off the monster's right arm. Then Gest
revealed himself as Grettir.
Steinvor of Sandhauger gave birth to
a boy whom many called Grettir's son,
but he died when he was seventeen and
left no saga about himself.
Thorodd then tried to gain favor by
killing Grettir, but the outlaw soon over
came him and refused to kill his enemy.
Grettir went north once more, but his
fear of the dark was growing upon him
so that he could no longer live alone
even to save his life. At last, with his
youngest brother, Illugi, and a servant,
he settled on Drangey, an island which
had no inlet so that men had to climb
to its grassy summit by rope ladders.
There Grettir, who had been an outlaw
for some sixteen years, was safe for a
time, because none could climb the steep
cliffs to attack him. For several years
he and his companions lived on the
sheep which had been put there to
graze and on eggs and birds. His enemies
tried in vain to lure him from the
island. At last an old woman cut magic
runes upon a piece of driftwood which
floated to the island. When Grettir
attempted to chop the log, his ax slipped,
gashing his leg. He felt that his end
was near, for the wound became swollen
and painful.
Thorbjorn Angle, who had paid the
old woman to cast a spell upon the fire
wood, led an attack upon the island
while Grettir lay near death. Grettir
was already dying when he struck his
last blows at his enemies. Illugi and the
servant died with him. After Thorbjorn
had cut off Grettir's head as proof of the
outlaw's death, Stcinn the Lawman de
creed that the murderer had cut off the
head of a man already dead and that he
could not collect the reward because
he had used witchcraft to overcome Gret
tir. Outlawed for his deed, Thorbjorn
went to Constantinople, where he en
listed in the emperor's guard. There
Thorsteinn Dromund followed him and
cut off the murderer's head with a sword
which Grettir had taken, years before,
from the treasure hoard of Karr-the-Old
GROWTH OF THE SOIL
Type of work: Novel
Author: Knut Hamsun (Krmt Pedersen Hamsimd, 1859-1952)
Type of plot: Social chronicle
Time of plot: Late nineteenth century
Locale: Norway
first pub lished: 1917
338
Principal characters:
ISAK, a Norwegian peasant
INGER, his wife
ELESEUS,
SIVERT,
LEOPOLDINE, and
REBECCA, their children
OLESTE, Inger's relative
GEISSLER, Isak's friend
AXEL STROM, a neighbor
BARBRO, Axel's wife
Critique:
One of the great modern novels,
Growth of the Soil won for its author the
Nobel prize for literature in 1921. It is
the story of the development of a home
stead in the wilds of Norway. The sim
plicity and power of the style are rem
iniscent of the Bible. Reading the book
is like crumbling the earth between one's
fingers; it brings nature to life on the
printed page. The reader will not soon
forget Isak, the silent pioneer to whom
the soil is life.
The Story:
Isak left a small Norwegian village and
set out into the wilds to claim a home
stead. Carrying some food and a few rude
implements, he wandered until he found
a stretch of grass and woodland, with a
stream nearby. There he cleared his farm-
site. He had to carry everything out from
the village on his own back. He built a
sod house, procured some goats, and pre
pared for winter.
He sent word by some traveling Lapps
that he needed a woman to help in the
fields. One day Inger appeared with her
belongings. She was not beautiful be
cause of her harelip. But she was a good
worker, and she snared Isak's bed. She
brought more things from her home, in
cluding a cow.
That winter Inger bore her first child,
Eleseus. He was a fine boy, with no
harelip. In the spring Inger 's relative
Oline came to see the new family. She
promised to return in the fall to take
care of the farm while Inger and Isak
went to be married and to have the child
baptized. The farm grew through the
summer.
The harvest was not good, but potatoes
carried Isak's family through the winter
without hunger. Inger bore a second son,
Sivert. Then Geissler, the sheriff's of
ficer, came to tell Isak that he would have
to pay the government for his land. He
promised to make the terms as easy as
possible for Isak. But Geissler lost his
position. A new officer came to look at
the land with his assistant, Brede Olsen.
He also promised to do what he could for
Isak.
One day Inger sent her husband to
town. While he was gone, she bore her
third child, a girl with a harelip. Know
ing what the deformed child would suf
fer, Inger strangled the infant and buried
the body in the woods. Later she con
vinced Isak she had not really been preg
nant.
But Oline had known of Inger's con
dition, and when she came again she
found the grave in the woods. Inger ex
plained her deed as well as she could to
Isak; he was satisfied. Then Lapp beg
gars told the story of the hidden grave and
the sheriff's officer heard of it. There was
an investigation. After her trial, Inger
was sent away to prison at Bergen for
eight years. For lack of anyone else,
Isak was forced to hire Oline to come and
help with the farm and the children.
Isak got the deed for his land and paid
GROWTH OF THE SOIL by Knut Hamsun. Translated by W. W. Worster. By permission of the publishers
Alfred A. Knopf, Inc. Copyright, 1921, by Alfred A. Knopf, Inc. Renewed, 1949, by Alfred A. Knopf, Inc.
339
the first installment. But there was no
joy in his farming, now that Inger was
gone. He worked only from habit and
necessity. Geissler reappeared to tell Isak
that he had seen Inger in Bergen. She
had borne a girl in prison, a child without
a blemish.
The old life was changing. Men came
through putting up a telegraph line. Be
tween Isak's place and the village, Brede,
the helper of the sherifFs officer, started a
farm. Other settlers appeared as the
years passed. Oline was unbearable. She
stole livestock from Isak and spent his
money for trifles. Speculating on copper
mining, Geissler bought some of Isak's
land. With the help of Geissler, Inger
was finally released from prison.
At first Inger, whose harelip had been
operated on in Bergen, was happy to re
turn with little Leopoldine. But she had
learned city ways, and now farm life
seemed rough and lonely. She no longer
helped Isak with his work. Eleseus was
sent to town, where he got a job in an
office. Sivert, who was much like his
father, remained at home.
Axel Strom now had a farm near Isak's.
Brede's daughter, Barbro, came to stay
with Axel and help him with his work.
Inger bore another daughter, Rebecca,
and Isak hired a girl to help with the
housework. Eleseus returned from town
to help on the farm. Geissler sold the
copper mine property and Isak also re
ceived a large sum for the rights he had
retained on the property. He was able
to buy the first mowing machine in the
district.
Eleseus took an interest in Barbro, but
when he discovered she was pregnant, he
went back to the city. Axel bought
Brede's farm when Brede moved back to
town. One day he found Barbro down
by the brook with her drowned baby.
She said she had fallen and the baby had
been born in the water. Axel did not
quarrel with her, for fear she would leave
him.
That winter Barbro went to Bergen and
Axel had to manage the farm himself.
One day he was pinned to the ground by
a falling tree during a snowstorm. Brede,
who was angry with Axel, passed by with
out offering to help. By chance, Oline
heard Axel's cries for help and released
him. Afterward she stayed to manage his
house for him, and never did she let him
forget his debt to her for saving his life.
Little by little, she learned the story of
Barbro and the baby.
A man named Aronsen built a big
store in the new neighborhood. Soon
miners moved in to begin work on the
land Geissler and Isak had sold. Then
the mine played out. Geissler owned the
additional land needed to keep the mine
working, but he asked more than the
mine owners would pay. The mine re
mained idle.
The trouble about Barbro and the baby
at last came to the attention of the au
thorities, and Axel and Barbro had to ap
pear for trial in the town. Because there
was so little evidence, Axel went free.
Barbro went to work for the wife of the
sheriff's officer, who promised to see that
Barbro behaved herself.
There seemed little hope that the mine
would reopen, for Geissler would not sell
his land. After Aronsen sold his store to
Isak, Eleseus was persuaded to return
from the city and take over the store prop
erty. Isak was now a rich man. Then in
the spring Geissler sold his land and work
resumed at the mine. But the miners
lived on the far side of the property in
another district. The village was no better
off than before.
Barbro could no longer stand the
watchfulness of the wife of the sheriff's
officer. When she returned to Axel, he
took her in again after he was sure she
meant to stay and marry him. Old Oline
would not leave Axel s farm. But she
soon grew ill and died, leaving the young
people by themselves.
Eleseus did not manage the store well.
At last, when he saw the failure he had
made, he borrowed more money from his
father and set out for America. He never
returned. Sivert and two other men
340
carried some of the goods from the store
to the new mine. But the mine had shut
down again. They found Geissler
wandering about the deserted mine; he
said that he was thinking of buying back
the property.
When the three men returned, IsaK
was sowing corn. The copper mine and
the store, good times and bad, had come
and gone. But the soil was still there.
For Isak and Inger, the first sowers in the
wilds, the corn still grew.
GULLIVER'S TRAVELS
Type of work; Simulated record of travel
Author: Jonathan Swift (1667-1745)
Type of plot: Social satire
Time of plot: 1699-1713
Locale: England and various fictional lands
First published: 1726-1727
Principal character:
LEMUEL GULLIVER, surgeon, sea captain, and traveler
Critique:
It has been said that Dean Swift hated
Man, but loved individual men. His
hatred is brought out in this caustic polit
ical and social satire aimed at the Eng
lish people, representing mankind in
general, and at the Whigs in particular.
By means of a disarming simplicity of
style and of careful attention to detail
in order to heighten the effect of the
narrative, Swift produced one of the
outstanding pieces of satire in world
literature. Swift himself attempted to
conceal his authorship of the book under
its original tide — Travels into Several
Remote Nations of the World, by Lemuel
Gulliver.
The Story:
Lemuel Gulliver, a physician, took the
post of ship's doctor on the Antelope,
which set sail from Bristol for the South
Seas in May, 1699. When the ship was
wrecked in a storm somewhere near Tas
mania, Gulliver had to swim for his life.
Wind and tide helped to carry him close
to a low-lying shore where he fell, ex
hausted, into a deep sleep. Upon awaking,
he found himself held to the ground by
hundreds of small ropes. He soon dis
covered that he was the prisoner of hu
mans six inches tall. Still tied, Gulliver
was fed by his captors; then he was
placed on a special wagon built for the
purpose and drawn by fifteen hundred
small horses. Carried in this manner to
the capital city of the small humans, he
was exhibited as a great curiosity to the
people of Lilliput, as the land of the
diminutive people was called. He was
kept chained to a huge Lilliputian build
ing into which he crawled at night to
sleep.
Gulliver soon learned the Lilliputian
language, and through his personal charm
and natural curiosity he came into good
graces at the royal court. At length he
was given his freedom, contingent upon
his obeying many rules devised by the
6 -i - i - j •
emperor prescribing his deportment in
Lilliput. Now free, Gulliver toured Mil-
dendo, the capital city, and found it to
be similar to European cities of the time.
Learning that Lilliput was in danger
of an invasion by the forces of the neigh
boring empire, Blefuscu, he offered his
services to the emperor of Lilliput. While
the enemy fleet awaited favorable winds
to carry their ships the eight hundred
yards between Blefuscu and Lilliput,
Gulliver took some Lilliputian cable,
waded to Blefuscu, and brought back the
entire fleet by means of hooks attached
to the cables. He was greeted with great
acclaim and the emperor made him a
341
nobleman. Soon, however, the emperor
and Gulliver fell out over differences con
cerning the fate of the now helpless
Blefuscu, The emperor wanted to reduce
the enemy to the status of slaves; Gul
liver championed their liberty. The pro-
Gulliver forces prevailed in the Lillipu
tian parliament; the peace settlement was
favorable to Blefuscu. But Gulliver was
now in disfavor at court.
He visited Blefuscu, where he was re
ceived graciously by the emperor and the
people. One day, while exploring the
empire, he found a ship's boat washed
ashore from some wreck. With the help
of thousands of Blefuscu artisans, he
repaired the boat for his projected voyage
back to his own civilization. Taking some
little cattle and sheep with him, he sailed
away and was eventually picked up by
an English vessel.
Back in England, Gulliver spent a
short time with his family before he
shipped aboard the Adventure, bound for
India. The ship was blown off course
by fierce winds. Somewhere on the coast
of Great Tartary a landing party went
ashore to forage for supplies. Gulliver,
who had wandered away from the party,
was left behind when a gigantic human
figure pursued the sailors back to the
ship. Gulliver was caught in a field by
giants threshing grain that grew forty feet
nigh. Becoming the pet of a fanner and
his family, he amused them with his
human-like behavior. The farmer's nine-
year-old daughter, who was not yet over
forty feet high, took special charge of
Gulliver.
The farmer displayed Gulliver first at
a local market town. Then he took his
little pet to the metropolis, where Gulli
ver was put on show to the great detri
ment of his health. The farmer, seeing
that Gulliver was near death, sold him to
the queen, who took a great fancy to the
little curiosity. The court doctors and
philosophers studied Gulliver as a quaint
trick of nature. He subsequently had ad
ventures with giant rats the size of lions,
with a dwarf thirty feet high, with wasps
as large as partridges, with apples the
size of Bristol barrels, and with hailstones
the size of tennis balls.
He and the king discussed the institu
tions of their respective countries, the
king asking Gulliver many questions
about Great Britain that Gulliver found
impossible to answer truthfully without
embarrassment.
After two years in Brobdingnag, the
land of the giants, Gulliver escaped
miraculously when a large bird carried
his portable quarters out over the sea. The
bird dropped the box containing Gulliver
and he was rescued by a ship which was
on its way to England. Back home, it
took Gulliver some time to accustom him
self once more to a world of normal size.
Soon afterward Gulliver went to sea
again. Pirates from a Chinese port at
tacked the ship. Set adrift in a small
sailboat, Gulliver was cast away upon
a rocky island. One day he saw a large
floating mass descending from the sky.
Taken aboard the flying island of Laputa,
he soon found it to be inhabited by in
tellectuals who thought only in the realm
of the abstract and the exceedingly im
practical. The people of the island, in
cluding the king, were so ahsent-minded
they had to have servants following them
to remind them even of their trends of
conversation. When the floating island
arrived above the continent of Balnibari,
Gulliver received permission to visit that
realm. There he inspected the Grand
Academy, where hundreds of highly im
practical projects for the improvement of
agriculture and building were under way,
Next Gulliver journeyed by boat to
Glubbdubdrib, the island of sorcerers.
By means of magic, the governor of the
island showed Gulliver such great his
torical figures as Alexander, Hannibal,
Caesar, Pompcy, and Sir Thomas More.
Gulliver talked to the apparitions and
learned from them that nistory books
were inaccurate.
From Glubbdubdrib, Gulliver went to
Luggnagg. There he was welcomed by
the king, who showed him the Luggnag-
342
gian immortals, or stuldbniggs — beings
who would never die.
Gulliver traveled on to Japan, where
he took a ship back to England* He had
been away for more than three years.
Gulliver became restless after a brief
stay at his home, and he signed as captain
of a ship which sailed from Portsmouth
in August, 1710, destined for the South
Seas. The crew mutinied, keeping Cap
tain Gulliver prisoner in his cabin for
months. At length, he was cast adrift
in a long boat off a strange coast. Ashore,
he came upon and was nearly over
whelmed by disgusting half-human, half-
ape creatures who fled in terror at the
approach of a horse. Gulliver soon dis
covered, to his amazement, that he was
in a land where rational horses, the
Houyhnhnms, were masters of irrational
human creatures, the Yahoos. He stayed
in the stable-house of a Houyhnhnm fam
ily and learned to subsist on oaten cake
and milk. The Houyhnhnms were hor
rified to learn from Gulliver that horses
in England were used by Yahoo-like crea
tures as beasts of burden. Gulliver de
scribed England to his host, much to the
candid and straightforward Houyhn-
hnm's mystification. Such things as wars
and courts of law were unknown to this
race of intelligent horses. As he did in
the other lands he visited, Gulliver at
tempted to explain the institutions of
his native land, but the friendly and
benevolent Houyhnhnms were appalled
by many of the things Gulliver told them.
Gulliver lived in almost perfect con
tentment among the horses, until one
day his host told him that the Houyhn
hnm Grand Assembly had decreed Gul
liver either be treated as an ordinary
Yahoo or be released to swim back to
the land from which he had come. Gul
liver built a canoe and sailed away. At
length he was picked up by a Portuguese
vessel. Remembering the Yahoos, he be
came a recluse on the ship and began to
hate all mankind. Landing at Lisbon, he
sailed from there to England. But on
his arrival the sight of his own family
repulsed him; he fainted when his wife
kissed him. His horses became his only
friends on earth.
HAJJI BABA OF ISPAHAN
Type of work: Novel
Author: James Morier (1780-1849)
Type of plot: Picaresque romance
Time of plot: Early nineteenth century
Locale: Persia
First published: 1824
Principal characters:
HAJJI BABA, a rogue
OSMAN AGHA, a Turkish
ZEENAB, a slave girl
Critique:
The Adventures of Hajji Baba of Ispa
han is a combination of travel book and
rogue story, and it does for Persia very
much what Le Sage's Gil Bias did for
Spain. Persia, even in this day of broad
travel, has never been widely viewed by
Americans. Moreover, the Persia of the
time of Napoleon Bonaparte was a Persia
that has now disappeared. Customs and
manners are as much a part of Morier's
entertaining narrative as the picaresque
merchant
humor of Hajji Baba's adventures and
the satire of the rogue's shrewd com
ments on human nature.
The Story,
Hajji Baba was the son of a successful
barber of Ispahan. By the time he was
sixteen he had learned the barber's trade,
as well as a store of bazaar tales and
quotations from the Persian poets. With
these he entertained the customers who
343
came to his father's shop, among them
a wealthy Turkish merchant named Os-
man Agha, who was on his way to
Meshed to buy goatskins of Bokhara. So
taken was this merchant with Hajji
Baba that he begged the young man to
accompany him on the journey. With his
father's blessing and a case of razors,
Hajji Baba set out with his new patron.
Before the caravan had been many
days on its way it was attacked by a band
of Turcoman robbers. Osman Agha had
prudently sewed fifty gold ducats in the
skullcap under his turban, but when
the caravan was captured he was stripped
of his finery and the skullcap was tossed
in a corner of the robber chief's tent.
The robbers spared Hajji B aba's life
when they learned he was a skilled
barber, and he became a favorite of the
wife of the chief. One day he persuaded
the foolish woman to let him borrow
Osman Agha's cap. He ripped the gold
pieces from the lining and hid them,
against the time when he might escape
from his captors. Osman Agha had been
sold to some camel herders.
Hajji Baba traveled with the robbers
on their raids throughout the region. One
of these raids was on Ispahan itself,
from which the robbers carried away a
rich booty. But at the division of the
spoils, Hajji Baba got only promises
and praise.
One day the robbers encountered the
armed escort of a Persian prince. When
the others fled, Hajji Baba gladly allowed
himself to be taken prisoner by the
prince's men. They mistook him for a
Turcoman, however, and cruelly mis
treated him, stripping him of his clothes
and his hidden gold. When he com
plained to the prince, the nobleman sent
for the guilty ones, took the money from
them, and then kept the gold himself.
Hajji Baba went with the prince and
his train to Meshed, where he became a
water vendor, carrying a leather bag filled
with dirty water which he sold to pil
grims with assurances that it was holy
water blessed by the prophet. With
money so earned, he bought some tobacco
which he blended with dung and then
peddled through the streets of the holy
city. His best customer, Dervish Sefer,
introduced him to other dervishes. They
applauded Hajji Baba's shrewdness and
enterprise and invited him to become one
of their number. But one day a com
plaint was lodged against him on account
of the bad tobacco he sold, and the au
thorities beat his bare feet until he lost
consciousness. Having in the meantime
saved a small amount of money, he de
cided to leave Meshed, which seemed
to him an ill-omened city.
He set out on his way to Teheran.
On the road a courier overtook him and
asked him to read some letters the mes
senger was carrying. One was a letter
from a famous court poet, commending
the bearer to officials high at court. Hajji
Baba waited until the courier was fast
asleep, took the messenger's horse, and
rode away to deliver the courier's letters.
Through these stolen credentials he was
able to obtain a position of confidence
with the court physician.
Hajji Baba remained with the physi
cian, even though his post brought him
no pay. He soon found favor with
Zeenab, the physician's slave, and sought
her company whenever he could do so
without danger of being caught. Then
the shah himself visited the physician's
establishment and received Zeenab as a
gift. Hajji Baba was disconsolate, but he
was soon made happy by a new appoint
ment, this time to the post of sub-lieuten
ant to the chief executioner of the shah.
Again he received no pay, for he was
supposed to get his money as other mem
bers of the shah's entourage did, by ex
tortion. It was soon discovered that
Zeenab was in a condition which could
only be regarded as an insult to the
shah's personal honor, and Ilajji Baba
was summoned to execute the girl. Soon
afterward suspicion fell on him for his
own part in the affair, and he fled to the
holy city of Koom.
In Koom he pretended to be a priest*
344
The shah made a pilgrimage to the city,
and during his visit the chief priest pre
sented Hajji Baba's petition to the ruler,
Hajji Baba explained that he had acted
in all innocence because he had no idea
of the high honor to be conferred upon
Zeenab. The shah reluctantly pardoned
Hajji Baba and allowed him to return
to Ispahan.
He arrived to discover that his father
had died and that his fortune had dis
appeared. Hajji Baba sold his father's
shop and used the money to set himself
up as a learned scribe. Before long he
found service with Mollah Nadan, a cele
brated priest, who planned to organize
an illegal but profitable marriage market.
Hajji Baba was supposed to find hus
bands for women the mollah would pro
vide. When Hajji Baba visited the three
women for whom he was supposed to
find husbands, he discovered them all
to be ugly old hags, one the wife of his
former master, the physician, who had
recently died. Later, Hajji Baba dis
covered his first master, Osman Agha,
who had finally escaped from the Turco
mans and regained some of his fortune.
Hajji Baba tricked Agha into marrying
one of the three women.
Mollah Nadan undertook to gain
favor by punishing some Armenians dur
ing a drought, but he incurred the shah's
wrath and he and Hajji Baba were
driven from the city. Mollah Nadan's
property was confiscated, Hajji Baba
stole back into the city to see if any of
the mollah Js property could be saved, but
the house had been stripped. He went
to visit the baths, and there he discovered
Mollah Bashi, who had been taken with
a cramp and had drowned. Hajji Baba
was afraid that he would be accused of
murder, as Mollah Bashi had helped
to bring about Mollah Nadan's ruin.
But the slave attendant failed to recog
nize Hajji Baba in the darkness and Hajji
Baba escaped, dressed in the mollah's
robes. On the horse of the chief execu
tioner he set out to collect money
owed to Mollah Bashi. In the clothes
of the mollah and riding a fine horse,
he cut a dashing figure until he met
Mollah Nadan and was persuaded tc
change robes with him. Mollah Nadan
was arrested and charged with the death
of Mollah Bashi. Hajji Baba, who had
kept the money he had collected, decided
to become a merchant.
He encountered the caravan of the
widow of Mollah Bashi. She was taking
her husband's body to Kerbelai for holy
burial. When the leader of the caravan
revealed that Hajji Baba was suspected
of the murder, he began to fear for his
life. But about that time a band of
marauders attacked the caravan, and in
the confusion Hajji Baba escaped. In
Bagdad he reencountered his old master,
Osman Agha, and with him proceeded
to invest the money he had available. He
bought pipe sticks and planned to sell
them at a profit in Constantinople.
There a wealthy widow sought him
out and he decided to marry her, first,
however, intimating that he was as
wealthy as she. He married her and
began to live on her income. But his
old bazaar friends, jealous of his good
luck, betrayed him to his wife's relatives.
Thrown out as an imposter, he was
obliged to seek the help of the Persian
ambassador. The ambassador advised him
not to seek revenge upon his former
wife's relatives, as they would surely
murder him in his bed. Instead, he found
^se for Hajji Baba in an intrigue develop
ing among representatives of England
and France. Hajji Baba was employed
as a spy to find out what the foreign
emissaries sought in the shah's court.
Here at last Hajji Baba found favor.
He discovered that his life among cut
throats and rogues had admirably fitted
him for dealing diplomatically with the
representatives of foreign countries, and
he was finally made the shah's repre
sentative in his own city of Ispahan. He
returned there with considerable wealth
and vast dignity, to lord it over those
who had once thought his station in life
far below their own.
345
HAKLUYT'S VOYAGES
of -work: Travel narratives
Author: Richard Hakluyt (c. 1553-1616)
Type of plot; Adventure and exploration
Time of plot: c. 517 to 1600
Locale: The known world
First published: 1589
Critique:
This work is an anthology of the
explorations and travels of British ad
venturers down to the author's own
time. The accounts are bold and vig
orous, usually giving only the main
events of the journeys, many of them
written by the men who made the
voyages. Published by Hakluyt in refu
tation of a French accusation that the
English were insular and. spiritless, the
book is of value in several lights. It
gives faithful accounts of many sixteenth-
century exploratory journeys; it is an
index to the temper of Elizabethan Eng
land; and it reflects the enthusiasm for
travel literature which was so prevalent
at the time of the original publication.
The Stones:
The first group of voyages give thirty-
eight accounts of travel and exploration
made by Britons up to the end of the
sixteenth century. The first stories go
back to the medieval ages, for the nar
rative which begins the work is that of
a probably mythical voyage by King
Arthur of Britain to Iceland and the most
northern parts of Europe in 517.
The first ten narratives deal with voy
ages made before 1066, the year of the
Norman Conquest. They include such
journeys as the conquest of the isles
of Man and Anglesey by Edwin, King
of Northumberland, in 624, the trips of
Octher into Norway and Denmark in
890 and 891, the voyage of Wolstan into
Danish waters in the tenth century,
the voyage of King Edgar, with four
thousand ships, about the island of
Britain, and the journey of Edmund
Ironside from England to Hungary in
1017.
The other voyages described are those
taken after the Norman Conquest. The
first of these is an account of a mar
velous journey made by a company of
English noblemen to escort the daughter
of King Harold to Russia, to marry the
Duke of Russia in 1067. The next ac
count is of the surprising journey of an
unknown Englishman who traveled as
far into Asia as Tartaria in the first
half of the thirteenth century.
One notable voyage describes the ad
ventures of Nicolaus de Linna, a Fran
ciscan friar, to the northern parts of
Scandinavia, The twenty-second voyage
was that of Anthony Jenkinson who
traveled to Russia rrom England in
order to return Osep Napea, the first
ambassador from Muscovia to Queen
Mary of England, to his own country in
1557.
Surprisingly, almost half of the jour
neys described in this first collection are
those made to Russia by way of the
Arctic Ocean, around northern Scandi
navia. It is not ordinarily realized that
there was any traffic at all between Eng
land and Russia at that time, because
of the difficulty of both water and land
transportation between the two coun
tries.
The final narrative of the first group
tells of the greatest event of Elizabethan
England, the meeting of the British fleet
with the great Armada which Philip II
of Spain had sent to subdue England
and win for Spain the supremacy of the
seas.
The second group of voyages describe
trips taken to the region of the Straits
of Gibraltar and the countries surround
ing the Mediterranean Sea* Eleven of
346
these accounts describe trips made before
die Norman Conquest in 1066 and fifty-
two describe trips made after that date.
The earliest story is that of Helena, the
wife of a Roman emperor and a daugh
ter of Coelus, one of the early kings of
Britain. Helena, famous as the mother
of Constantine the Great, who made
Christianity the official religion of Rome,
traveled to Jerusalem in 337 because
of her interest in the early Christian
church. She built several churches there
and brought back to Europe a collection
of holy relics. One of the relics was a
nail reputed to be from the True Cross.
It was incorporated some time later into
the so-called Iron Crown of Lombardy,
Another voyage which took place
before the Norman Conquest was that
of a man named Erigena, who was sent
by Alfred, King of the West Saxons, to
Greece. Alfred was one of the most
cultured of British kings in pre-medieval
times and very much interested in the
classic civilizations. His emissary, Erige
na, went as far as Athens in 885, a
long voyage for those ancient times.
Several of the post-Conquest voyages
were trips made by Englishmen to help
in the recovery of Jerusalem from the
Saracens during the Crusades. Among
the best known are those of Richard
the First, often called the Lion-Hearted,
and of Prince Edward, son of Henry
III, who went to Syria in the last half
of the thirteenth century.
Another story is a narrative of the
voyage of the English ship, Susan, which
took William Harebome to Turkey in
1582. Hareborne was the first ambas
sador sent by a British monarch to the
ruler of Turkey, who was at that time
Murad Khan.
Another interesting voyage was that
of Ralph Fitch, a London merchant.
Between the years 1583 and 1591 he
traveled to Syria, to Ormuz, to Goa in
the East Indies, to Gambia, to the River
Ganges, to Bengala, to Chonderi, to
Siam, and thence back to his homeland.
-It was rare for people to travel, even in
the spice trade, as far as did merchant
Fitch during the sixteenth century.
A third group of voyages are accounts
connected with the exploration and dis
covery of America. The first account is
of a voyage supposedly made to the West
Indies in 1170 by Madoc, the son of
Owen Guined, a prince of North Wales.
It is also recorded that in February of
1488 Columbus offered his services to
Henry VII of England and petitioned
that monarch to sponsor a voyage to the
westward seas for the purpose of dis
covering a new route to the East Indies.
Bartholomew, brother of Columbus, re
peated the request a year later, but was
refused a second time by the English
king.
Several voyages described are those
made to America for die purpose of dis
covering a Northwest Passage to the
Orient. The early voyage of Cabot is
among them, as well as the voyages of
Martin Frobisher and John Davis. Fro-
bisher made three voyages in search of
the Northwest Passage, in the three suc
cessive years between 1576 and 1578.
John Davis also made three fruitless ef
forts to find the passage in the years
from 1585 to 1587. All of these were an
important part of the colonial effort in
Hakluyt's own time.
Several exploratory trips to Newfound
land and the Gulf of the St. Lawrence
River are also related, the earliest the
voyage of Sir Humfrey Gilbert to New
foundland. The ship Grace of Bristol,
England, also made a trip up the Gulf of
St. Lawrence, as far as Assumption Island.
There are also accounts of trips made
by explorers of other European nations
in the New World, such as the journeys
made in Canada as far as Hudson's Bay
by Jacques Carrier in 1534 and 1535.
There are full accounts of all the voy
ages made to Virginia in the sixteenth
century and the two unsuccessful at
tempts by Sir Walter Raleigh to found
a colony there in 1585 and in 1587.
Another group of stories tell of both
English and Spanish, explorations of the
347
Gulf of California. The voyage of Fran
cis Drake is given, particularly that part
of his around- the-world trip during which
he sailed up the western coast of Amer
ica to a point forty-three degrees north
of the equator and landed to take pos
session of what he called Nova Albion,
in the name of his monarch, Queen
Elizabeth, thus giving the British a claim
to that part of the New World.
Also described is a voyage taken under
orders of the viceroy of New Spain by
Francis Gualle. Gualle crossed the
Pacific Ocean to the Philippine Islands,
where he visited Manila. From there he
went to Macao in the East Indies and
to Japan, and returned from the Orient
to Acapulco, Mexico, in the 1580's.
Another group of stories contain short
accounts of trips by Englishmen to var
ious parts of Spanish America. Among
these were trips to Mexico City as early
as 1555, barely a quarter of a century
after it had been conquered by Cortez,
as well as to the Antilles Islands in the
West Indies, to Guiana, to the coast of
Portuguese Brazil, to the delta of the
Rio Plata, and to the Straits of Magel
lan.
Every schoolboy knows the stories of
the first two voyages made to the Straits
of Magellan and thence around the
world, first by Magellan himself and
then by Sir Francis Drake. The third
man to sail through the Straits and then
to proceed around the world is one of
the forgotten men of history, liakluyt
gave the credit for this trip to Thomas
Cavendish, an Englishman who circled
the globe in the years 1586 to 1588.
HAMLET, PRINCE OF DENMARK
Type of work: Drama
Author: William Shakespeare (1564-1616)
Type of plot: Romantic tragedy
Time of plot: c> 1200
Locale: Elsinore, Denmark
First presented: 1602
Principal characters:
HAMLET, Prince of Denmark
THE GHOST, Hamlet's father, former King of Denmark
CLAUDIUS, the present king
GERTRUDE, Hamlet's mother
POLONIUS, a courtier
OPHELIA, his daughter
LAERTES, his son
Critique:
Whether Hamlet is considered as lit
erature, as philosophy, or simply as a
play, its great merit is generally admitted;
but to explain in a few words the reasons
for its excellence would be an impossible
task. The poetry of the play is superb;
its philosophy, although not altogether
original with Shakespeare, is expressed
with matchless artistry. The universal
ity of its appeal rests in large measure
on the character of Hamlet himself.
Called upon to avenge his father's mur
der, he was compelled to face problems
of duty, morality, and ethics, which have
been the concern of men throughout the
ages. In Hamlet himself are mirrored the
hopes and fears, the feelings of frustra
tion and despair, of all mankind.
The Story:
Three times the ghost of Denmark's
dead king had stalked tlie battlements
of Elsinore Castle. On the fourth night
Horatio, Hamlet's friend, brought the
young prince to see the specter .,[ liis
father, two months dead. Since his
348
father's untimely death, Hamlet had been
grief-stricken and in an exceedingly mel
ancholy frame of mind. The mysteri
ous circumstances surrounding the death
of his father had perplexed him; then
too, his mother had married Claudius, the
dead king's brother, much too hurriedly
to suit Hamlet's sense of decency.
That night Hamlet saw his father's
ghost and listened in horror to what it
had to say. He learned that his father
had not died from the sting of a ser
pent, as had been supposed, but that
he had been murdered by his own
brother, Claudius, the present king. The
ghost added that Claudius was guilty not
only of murder but also of incest and
adultery. But the spirit cautioned Ham
let to spare Queen Gertrude, his mother,
so that heaven could punish her.
The ghost's disclosures should have
left no doubt in Hamlet's mind that
Claudius must be killed. But the intro
spective prince was not quite sure that
the ghost was his father's spirit, for he
feared it might have been a devil sent
to torment him. Debating with himself
the problem of whether or not to carry
out the spirit's commands, Hamlet swore
his friends, including Horatio, to secrecy
concerning the appearance of the ghost,
and in addition told them not to consider
him mad if from then on he were to
act queerly.
Meanwhile Claudius was facing not
only the possibility of war with Norway,
but also, and much worse, his own con
science, which had been much troubled
since his hasty marriage to Gertrude. In
addition, he did not like the melancholia
of the prince, who, he knew, resented
the king's hasty marriage. Claudius
feared that Hamlet would take his throne
away from him. The prince's strange
behavior and wild talk made the king
think that perhaps Hamlet was mad,
but he was not sure. To learn the cause
of Hamlet's actions — madness or ambi
tion — Claudius commissioned two of
Hamlet's friends, Rosencrantz and Guil-
denstern, to spy on the prince. But Ham
let saw through their clumsy efforts and
confused them with his answers to their
questions.
Polonius, the garrulous old chamber
lain, believed that Hamlet's behavior re
sulted from lovesickness for his daughter,
Ophelia. Hamlet, meanwhile, had be
come increasingly melancholy. Rosen
crantz and Guildenstern, as well as Po
lonius, were constantly spying on him.
Even Ophelia, he thought, had turned
against him. The thought of deliberate
murder was revolting to Him, and he
was constantly plagued by uncertainty as
to whether the ghost were good or bad.
When a troupe of actors visited Elsinore,
Hamlet saw in them a chance to discover
whether Claudius were guilty. He
planned to have the players enact before
the king and the court a scene like that
which, according to the ghost, took place
the day the old king died. By watching
Claudius during the performance, Ham
let hoped to discover for himself signs of
Claudius' guilt
His plan worked. Claudius became so
unnerved during the performance that
he walked out before the end of the
scene. Convinced by the king's actions
that the ghost was right, Hamlet had
no reason to delay in carrying out the
wishes of his dead father. Even so, Ham
let failed to take advantage of his first
real chance after the play to kill Clau
dius. He came upon the king in an atti
tude of prayer, and could have stabbed
him in the back. Hamlet did not strike
because he believed that the king would
die in grace at his devotions.
The queen summoned Hamlet to her
chamber to reprimand him for his in
solence to Claudius. Hamlet, remember
ing what the ghost had told him, spoke to
her so violently that she screamed for
help. A noise behind a curtain followed
her cries, and Hamlet, suspecting that
Claudius was eavesdropping, plunged
his sword through the curtain, killing old
Polonius. Fearing an attack on his own
life, the king hastily ordered Hamlet to
England in company with Rosencrantz
349
and Guildenstem, who carried a warrant
for Hamlet's death. But the prince dis
covered the orders and altered them so
that the bearers should be killed on their
arrival in England. Hamlet then re
turned to Denmark.
Much had happened in that unhappy
land during Hamlet's absence. Because
Ophelia had been rejected by her former
lover, she went mad and later drowned,
Laertes, Polonius' hot-tempered son, re
turned from France and collected a band
of malcontents to avenge the death of
his father. He thought that Claudius had
killed Polonius, but the king told him
that Hamlet was the murderer and even
persuaded Laertes to take part in a plot
to murder the prince.
Claudius arranged for a duel between
Hamlet and Laertes. To allay suspicion
of foul play, the king placed bets on
Hamlet, who was an expert swordsman.
At the same time, he had poison placed
on the tip of Laertes' weapon and put
a cup of poison within Hamlet's reach
in the event that the prince became
thirsty during the duel. Unfortunately,
Gertrude, who knew nothing of the king's
treachery, drank from the poisoned cup
and died. During the contest, Hamlet
was mortally wounded with the poisoned
rapier, but the two contestants exchanged
foils in a scufHe, and Laertes himself re
ceived a fatal wound. Before he died,
Laertes was filled with remorse and told
Hamlet that Claudius was responsible
for the poisoned sword. Hesitating no
longer, Hamlet seized his opportunity to
act, and fatally stabbed the Icing. Then
the prince himself died. But the ghost
was avenged.
A HANDFUL OF DUST
Type of -work: Novel
Author: Evelyn Waugli ( 1903- )
Type of plot: Social satire
Time of plot: Twentieth century
Locale: England
First published: 1934
Principal characters:
TONY LAST, owner of Hetton Abbey
BRJENDA LAST, his wife
JOHN, their son
MRS. BEAVER, an interior decorator
JOHN BEAVER, her son
JOCK GRANT-MENZIES, Tony's friend
DR. MESSINGER, an explorer
TODD, a half-caste tracter who loved Dickens
Critique.
This novel, which portrays the decline
of the English landed aristocracy, is full
of foolish people who find their lives to
be no more than "a handful of dust/'
The contrasts between the Gothic mag
nificence of Hetton Abbey, the lives of
Brenda and Tony, and the aspirations of
the successors to Tony's property, are ef
fective instruments for bringing out the
meaning of the story. The author writes
finished dialogue; the narrative moves
smoothly from beginning to end.
The Story:
John Beaver lived in London with his
mother, an interior decorator, Beaver was
a worthless young man of twenty-five
who moved in the social circles of his
mother's wealthy customers. I le was not
well liked, but he was often invited to
A HANDFUL OF DUST by Evelyn Waugh. By permission of the author, of Brandt & Brandt, and the pd>
Ushers, Little, Brown & Co. Copyright, 1934, by Evelyn Waugh.
350
parties and weekends to fill a space made
vacant at the last moment.
One weekend Beaver was invited to
Hetton Abbey by its young owner, Tony
Last. Tony lived in the old Gothic abbey
with his wife, Brenda, and his young son,
John. It was Tony's dream that some day
he would restore his mansion to its former
feudal glory. Brenda was bored with her
husband's attachment to the past, how
ever; she found relief in her weekly trips
to London.
Beaver's stay at Hetton Abbey was
rather dull, but Brenda liked him and did
her best to entertain him. On her next
trip to London she saw him again and
asked him to take her to a party. At first
Beaver seemed reluctant; then he agreed
to escort her.
Beaver and Brenda left the party early,
creating some idle gossip. In a way, the
gossipers were correct, for Brenda had
definitely decided to have an affair with
Beaver. She returned home to the un
suspecting Tony and told him that she
was bored with life in the country. She
said that she wanted to take some courses
in economics at the university in London.
Tony, feeling sorry for her, allowed her to
rent a one-room flat in a building owned
by Mrs. Beaver. Brenda moved to Lon
don and returned to Hetton Abbey only
on weekends.
One day, when Tony went to London
on impulse, he found that his wife al
ready had engagements. He was forced
to spend the evening getting drunk with
his bachelor friend, Jock Grant-Menzies.
Tony's escapade bothered his con
science so much that when Brenda re
turned for the weekend she was able to
persuade him to let Mrs. Beaver re
decorate in modern style one of the rooms
of the old house.
Brenda 's conscience bothered her also.
She tried to interest Tony in a girl she
brought down for a weekend, but it was
no use. He only wanted to have his wife
back home. However, he still trusted her
and suspected nothing of her intrigue in
London.
Things might have gone on that way
indefinitely if young John Last had not
been killed by a horse while he was fox
hunting. Tony sent Jock up to London
to break the news to Brenda. At first
Brenda thought that Jock was speaking
of John Beaver's death, for he was out of
town. When she learned the truth, she
was relieved, realizing for the first time
how much she cared for Beaver.
With young John dead, she felt that
nothing held her to Tony any longer.
She wrote, telling him everything, and
asked for a divorce. Stunned, Tony could
not believe that Brenda had been false
to him. At last he consented to spend a
weekend at Brighton with another woman
to give her grounds for divorce.
Brenda's family was against the divorce
and attempted to prevent it. Then, when
they saw that the divorce would go
through, they tried to force Tony to give
Brenda more alimony than he had
planned. He refused, for he could raise
more money only by selling Hetton
Abbey. The proposal angered him so
much that he changed his mind about the
divorce. He would not set Brenda free.
Tony, wishing to get away from
familiar faces, accompanied an explorer,
Dr. Messinger, on an expedition to find
a lost city in the South American jungles.
During the voyage across the Atlantic
Tony had a short affair with a young
French girl from Trinidad. But when
she learned that he was married she
would have nothing more to do with him.
Once the explorers had left civilization
behind them, Tony found himself think
ing of what was going on in London. He
did not enjoy jungle life at all; insect
bites, vermin, and vampire bats made
sleep almost impossible.
When Negro boatmen had taken Tony
and Dr. Messinger far up the Demarara
River, they left the explorers in the hands
of Indian guides. Then the expedition
struck out into unmapped territory.
Meanwhile, back in London, Brenda
no longer found Beaver an ardent lover.
He had counted strongly on getting a
351
considerable amount of money when he
married Brenda; now Brenda could get
neither the money nor a divorce.
Brenda began to grow desperate for
money. She asked Mrs. Beaver for a job,
but Mrs, Beaver thought that it would
not look well for her to employ Brenda.
A short time later Beaver decided to ac
company his mother on a trip to Cali
fornia.
At last Tony and Dr. Messinger came
to a river they believed must flow into
the Amazon, and they ordered the Indians
to build canoes. The Indians obeyed, but
they refused to venture down the river.
There was nothing for the white men to
do but to continue the journey without
guides. Soon after they set out Tony
came down with fever. Dr. Messinger
left him on shore and went on alone to
find help, but the explorer drowned when
his boat capsized. Tony in his delirium
struggled through the jungle and came
by chance to the hut of a trader named
Todd, who nursed him back to health
but kept him a prisoner. Tony was forced
to read the novels of Dickens aloud to his
captor. When some Englishmen came in
search of Tony, the trader made them be
lieve his captive had died of fever. Tony
faced lifelong captivity to be spent read
ing over and over Dickens' novels to the
illiterate half-caste, for no white man
could travel in the jungle without native
help.
Beaver left for California. Brenda
knew that their affair was over. No
news came from Tony in South America.
Without his permission, Brenda could not
draw upon the family funds.
Then Tony was officially declared
dead, and Hetton Abbey became the
property of another branch of the Last
family. The new owner of Hetton Abbey
bred silver fox. Although he had even
fewer servants than his predecessor and
had shut off most of the house, he still
dreamed that some day Hetton Abbey
would again be as glorious as it was in the
days of Cousin Tony.
He erected a memorial to Tony at
Hetton Abbey, but Brenda was unable to
attend its dedication. She was engaged
elsewhere with her new husband, Jock
Grant-Menzies,
HANDLEY CROSS
Type of work: Novel
Author; Robert Smith Surtees (1803-1864)
Type of plot; Humorous satire
Time of plot: Nineteenth century
Locale: England
First published: 1843; enlarged 1854
Principal characters:
JOHN JORROCKS, a wealthy grocer
MRS. JORROCKS, his wife
BELINDA, his niece
PIGG, his huntsman
CAPTAIN DOLEFUL, a master of ceremonies
Critique:
Hundley Cross is a fairly typical ex-
imple of nineteenth-century English
sporting tales. The novel contains little
plot and little attempt at dramatic moti
vation, but to an enthusiastic fox hunter
Handley Cross is fascinating because of
its gusty hunting tales and the single-
minded devotion of its characters to the
sport. Jorrocks, appearing in a number
of Surtees' works, is clear to devotees of
the hard-riding, hard-drinking sporting
set.
The Story;
For years Michael Hardy had been
the leader of the hunt in Sheepwash
352
Vale. While he did not pay quite all
the expenses of the sport, his personality
and vigor kept fox hunting popular in the
district. Michael was one of the old
school; his hounds were unkenneled and
boarded here and there, and the horses
were mostly pickups. At his death it
seemed that fox hunting could no longer
be accounted an attraction in the coun-
*y-
There were some other difficulties.
The village of Handley Cross was rapidly
growing. Having discovered by chance
the curative values of the local spring,
a reprobate physician named Swizzle had
set up as a spa doctor, and in a few
years Handley Cross became a fashion
able watering place. Swizzle was a per
fect doctor for many people. He in
variably prescribed game pie and rare
beef for his patients, and advised two
quarts of port wine at dinner. He be
came a familiar sight in the village, as
he buttonholed his patients on the street
and inspected their coated tongues and
gouty joints. With this new fame as
a health resort hotels and souvenir stands
sprang up to bring life to the sleepy vil
lage.
But there is no good proposition with
out competition. Another shady practi
tioner, a sanctimonious doctor named
Mello, moved in. He bought land with
a small spring on it, poured epsom salts
in the water every night, and set up a
rival establishment. In no time the town
was divided into Melloites and Swizzle-
ites. The important change, however,
was in the social life of Handley Cross.
Captain Doleful, a lean, hypocritical
half-pay captain, appointed himself mas
ter of ceremonies for the town. With
the help of august Mrs. Barnington, the
social arbiter of the fashionable set, balls
and teas soon became popular and social
eminence became the goal of the visiting
gentry.
In a resort so fashionable it was un
thinkable not to have a hunt club. Cap
tain Doleful and some other worthies
attempted to carry on after Michael
Hardy died, but their efforts were unsuc
cessful. For one thing, the leaders of
the hunt rode in gigs, conveyances un
thinkable in Hardy's day. In addition,
the townspeople were too poor or too
parsimonious to hire a whipper-in and
a huntsman. Worst of all, subscribers
to the hunt were often slow in paying;
soon there were not enough funds to
pay for damage done to crops and fences.
The fashionables decided that the
only solution was a real master of the
hunt, one not too elegant for a small
spa but rich enough to pay the difference
between subscriptions and expenses. A
committee headed by Captain Doleful
and the secretary Fleeceall decided to
invite John Jorrocks, whose fame had
spread far, to become master of the hunt.
Accordingly a letter was sent, and the
negotiations were soon brought to a
conclusion, for Jorrocks was an easy
victim.
After a life devoted to selling tea and
other groceries, Jorrocks was a wealthy
man. He had turned to hunting as a
hobby, and in spite of his Cockney ac
cent and ample girth, he was soon ac
cepted in the field. Although he had the
bad habit of selling cases of groceries to
his fellow huntsmen, in Surrey Jorrocks
soon became a fixture among the sport
ing set. Now, he was to be master in
his own right. Captain Doleful secured
a lodge for him, and the date was set
for his arrival in Handley Cross.
On the appointed day, the four-piece
band turned out and the whole town
assembled at the station. Several of
the villagers carried banners bearing the
legend "Jorrocks Forever." When the
train pulled in, Captain Doleful looked
through the first-class section but found
no Jorrocks. The second-class carriages
produced no Jorrocks. Finally, on a flat
car at the end of the train, he found
Jorrocks and his family snugly sitting
in their own coach with the horses al
ready hitched. Loud were the cheers as
the new hunt master drove through the
streets of Handley Cross.
353
Jorrocks was soon installed in his new
lodging with Mrs. Jorrocks and Belinda,
his pretty niece. Belinda added greatly
to JorrocFs popularity.
The new hunt master looked over his
kennels and the few broken-down hacks
in the stable. Besides building up both
the pack and the stud, he had to have a
real huntsman. He finally hired Pigg,
chiefly because his skinny shanks and
avowed delicate appetite outweighed his
speech of such broad Scots that few
could understand what he said. Jor
rocks was quickly disillusioned about his
new huntsman. When Pigg ate his first
meal in the kitchen, there was a great
uproar. Hurrying in, Jorrocks found
Pigg greedily eating the whole supper
joint and holding the other servants at
bay. And Pigg could drink more ale
and brandy than Jorrocks himself.
Many were the fine hunts that winter.
Because Pigg was skillful and Jorrocks
persistent, the collection of brushes grew
fast. One night Jorrocks was far from
home, separated from his trusty Pigg and
the pack, and caught in a downpour of
rain. He turned into the first gate he
saw and knocked. An efficient groom took
his horse and two flunkies politely con
ducted the dripping Jorrocks to his
room. On the bed were dry clothes, in
the small tub was hot water, and on the
table was a bottle of brandy. Jorrocks
peeled off his clothes and settled into
the rub. He had just started on his
third glass of brandy when some one
knocked. Jorrocks ignored the noise for
a while but the knocker was insistent.
At last a determined voice from the
hall demanded his clothes. Jorrocks
quickly got out of the tub, put on the
clothes which did not fit, and took a
firm, possessive grip on the brandy bot
tle. Then he shouted forcefully that he
would keep the clothes.
When Jorrocks came down to dinner,
he was surprised to be told that he was
in Ongar Castle. His unwilling host was
servants
an invited
the Earl of Bramber, whose
had mistaken Jorrocks for
guest and by mistake had put him in the
room of a captain. Jorrocks looked at the
angry captain, who was wearing an out
fit of his host. Only Jorrocks' Cockney
impudence could have brazened out such
a situation.
At last the company sat down to din
ner. As usual, Jorrocks drank too much,
and while giving a rousing toast to fox
hunting he fell fast asleep on the floor
He awoke immersed in water. Calling
lustily for help, he struck out for the
shore. When a flunky brought a candle,
he saw that he had been put to bed in
the bathhouse and that while walking
in his sleep he had fallen into the small
pool. But Jorrocks was irrepressible; in
the morning he parted from the earl on
good terms,
After a hard-riding winter, spring
finally spoiled the hunting and the Jor
rocks family left for London. Pigg
stayed in Handley Cross to dispose of the
dogs and horses. Captain Doleful bought
Jorrocks' own mount for twenty-five
pounds. When the horse became sick
and died soon afterward, parsimonious
Doleful sued Jorrocks for the purchase
price. The court decided in favor of Jor
rocks, holding that no one can warrant a
horse to stay sound in wind and limb.
Jorrocks' business associates looked on
his hunting capers as a tinge of mad
ness. That fall Jorrocks was heard to
exclaim in delight at the sight of a
frostbitten dahlia; it would soon be fox
hunting time. But at last Jorrocks was
committed by a lunacy commission for
falling victim to the fox hunting mad
ness. In vain Jorrocks sputtered and
protested; his vehemence only added to
the charge against him. Poor, fat Jorrocks
spent some time in an asylum before an
understanding chancellor freed him.
Luckily he regained his freedom before
the hunting season was too far gone.
354
THE HEART OF MIDLOTHIAN
Type of work: Novel
Author: Sir Walter Scott (1771-1832)
Type of plot: Historical romance
Time of plot: Early eighteenth century
Locale: Scotland
First published: 1818
Principal characters:
DAVID DEANS, a dairyman
JEANIE DEANS, his daughter
EFFIE DEANS, another daughter
REUBEN BUTLER, Jeanie's betrothed
GEORDIE ROBERTSON, Effie's betrayer, in reality George Staunton
MEG MURDOCKSON, an evil woman
THE DUKE OF ARGYLE, Jeanie's benefactor
Critique:
The story of Jeanie Deans and her
great effort to save her sister's life is
supposedly based on fact. Fact or fiction,
it is an exciting story, told as only Sir
Walter Scott could tell it. The Heart of
Midlothian is filled with suspense,
mystery, and romance, and there is a
happy ending. Many consider this Scott's
greatest novel.
The Story:
The first knowledge Jeanie Deans had
that her sister EfKe was in trouble came
just a few moments before officers of
justice arrived at the cottage to arrest
Effie for child murder. They told Jeanie
and her father, David Deans, that Effie
had borne a male child illegitimately and
had killed him or caused him to be killed
soon after he was bom. Effie admitted
the birth of the child but refused to name
her seducer. She denied that she had
killed her baby, saying that she had fallen
into a stupor and had recovered to find
that the midwife who attended her had
disposed of the child in some fashion
unknown to Effie. In the face of the
evidence, however, she was convicted of
child murder and sentenced to be hanged.
Jeanie might have saved her sister, for it
was the law that if a prospective mother
had told anyone of her condition she
would not be responsible for her baby's
death. But Jeanie would not lie, even to
save her sister's life. Since there was no
one to whom Effie had told her terrible
secret, there was no defense for her, and
she was placed in the Tolbooth prison to
await execution.
Another prisoner in the Tolbooth was
Captain John Porteous, who was awaiting
execution for firing into the crowd attend
ing the hanging of Andrew Wilson, a
smuggler. Wilson's accomplice, Geordie
Robertson, had escaped, and the officers
feared that Robertson might try to rescue
Wilson. For that reason, Porteous and a
company of soldiers had been sent to the
scene of the execution to guard against a
possible rescue. Because Porteous had
fired into the crowd without provocation,
killing several people, he was to be
hanged. But when his execution was
stayed for a few weeks, a mob headed by
Robertson, disguised as a woman, broke
into the prison, seized Porteous, and
hanged him. For that deed Robertson
became a hunted man.
Meanwhile Jeanie Deans, who had re
fused to lie to save her sister, had not for
saken Effie. When she visited Effie in
prison, she learned that Robertson was
the father of her child. He had left her
in the care of old Meg Murdockson, con
sidered by many to be a witch, and it
must have been Meg who had killed or
sold the baby. Meg's daughter Madge
had long before been seduced by Robert-
355
son and had lost her mind for love of
him, and Meg had sworn revenge on any
other woman Robertson might love. But
proving the old woman's guilt or Efne's
innocence was not possible, for Robert
son had disappeared, and Meg swore that
she had seen Effie coming back from the
river after drowning the baby.
Jeanie, determined to save her sister,
decided to walk to London to seek a
pardon from the king and queen. She told
her plans to Reuben Butler, a minister
to whom she had long been betrothed.
Reuben had not been able to marry her,
for he had no position other than that
of an assistant schoolmaster and his salary
was too small to support a wife. Although
he objected to Jeanie's plan, he was able
to aid her when he saw that she could
not be swayed from her purpose.
Reuben's grandfather had once aided an
ancestor of the present Duke of Argyle,
and Reuben gave Jeanie a letter asking
the duke's help in presenting Jeanie to the
king and queen.
The journey to London was a long
and dangerous one. Once Jeanie was
captured by Meg Murdockson, who tried
to kill her so that she could not save
Effie. But Jeanie escaped from the old
woman and sought refuge in the home of
the Rev. Mr. Staunton. There she met
the minister's son, George Staunton, and
learned from him that he was Geordie
Robertson, the betrayer of her sister. He
admitted his responsibility to Effie, telling
Jeanie that he had planned and executed
the Porteous incident in order to rescue
Effie from the prison. But she had re
fused to leave with him. Pie had tried
many other schemes to save her, including
an attempt to force from Meg the confes
sion that she had taken the baby, but
everything had failed. He told Jeanie
that he had been on his way to give him
self up in exchange for Effie's release
when he fell from his horse and was in
jured. He told Jeanie to bargain with the
Duke of Argyle, and as a last resort to
offer to lead the authorities to Robert
son in exchange for Effie's pardon.
George promised not to leave his father's
house until Effie was free.
Jeanie at last reached London and pre
sented herself to the Duke of Argyle with
Reuben's letter. The duke, impressed
with Jeanie's sincerity and simplicity, ar
ranged for an audience with the queen.
She too believed Jeanie's story of Effie's
misfortune, and through her efforts the
king pardoned Effie, with the stipulation
that she leave Scotland for fourteen
years. Jeanie secured the pardon with
out revealing George Staunton's secret.
The duke was so impressed with
Jeanie's goodness and honesty that he
made her father the master of an ex
perimental farm on one of his estates in
Scotland, and he made Reuben the min
ister of the church. Jeanie's heart was
overflowing with joy until she learned
that Effie had eloped with her lover just
three nights after her release from prison.
No one knew where they were, as the
outlaw's life was in constant danger be
cause of his part in the Porteous hanging.
Reuben and Jeanie were married and
were blessed with three fine children.
They prospered in their new life, and
Jeanie's only sorrow was her sister's
marriage to George Staunton. She kept
Effie's secret, however, telling no one that
George was actually Robertson. After
several years, George and Effie returned
to London, George having inherited a
title from his uncle, and as Sir George
and Lady Staunton they were received in
court society. Effie wrote secretly to
Jeanie and sent her large sums of money
which Jeanie put away without telling
her husband aoout them. Even to him
she could not reveal Effie's secret.
By chance Jeanie found a paper con
taining the last confession of Meg Mur
dockson, who had been hanged as a
witch. In it Meg confessed that she had
stolen Effie's baby and had given him to
an outlaw. Jeanie sent this information
to Effie, in London, and before long E£Ee,
as Lady Staunton, paid Jeanie a visit.
Effie had used a pretext of ill health to
go to Scotland while her husband, acting
356
on the information in Meg's letter, tried
to trace the whereabouts of their son.
Although it was dangerous for George
to be in Scotland, where he might be
recognized as Geordie Robertson, he
followed every clue given in Meg's con
fession. In Edinburgh he met Reuben
Butler, who was there on business, and
secured an invitation to accompany
Reuben back to the manse. Reuben, not
knowing George's real identity, was happy
to receive the Duke of Argyle's friend.
Reuben, at that time, did not know that
Effie was also a guest in his home.
As Reuben and George walked toward
the manse, they passed through a thicket
where they were attacked by outlaws.
One, a young fellow, ran his sword
through George and killed him. It was
not until Reuben had heard the whole
story of the Stauntons from Jeanie that
he searched George's pockets and found
there information which proved beyond
doubt that the young outlaw who had
killed George was his own son, stolen
many years before. Because Erne was
grief-stricken by George's death, Jeanie
and Reuben thought it useless to add to
her sorrow by revealing the identity of his
assailant. Reuben later traced the boy to
America, where the young man continued
his life of crime until he was captured
and probably killed by Indians.
Effie stayed with Reuben and Jeanie
for more than a year. Then she went
back to London and the brilliant society
she had known there. No one but Jeanie
and Reuben ever knew the secret of
Effie and George. After ten years, Effie
retired to a convent on the continent,
where she spent her remaining years
grieving for her husband and die son
she had never known.
Reuben and Jeanie Butler, who had
been so unavoidably involved in sordid-
ness and crime, lived out their lives
happily and carried their secret with them
to the grave.
HEAVEN'S MY DESTINATION
Type of work: Novel
Author: Thornton Wilder (1897- )
Type of plot: Social satire
Time of plot: 1930-1931
Locale: Middle West
First published; 1935
Principal characters:
GEORGE MARVIN BRUSH, a traveling salesman
ROBERTA, a farmer's daughter
GEORGE BURKIN, a peeping Tom
HERB, a newspaper reporter
ELIZABETH, his daughter
Critique:
In George Marvin Brush, Thornton
Wilder would seem to have synthesized
the American character with its many
tragic inconsistencies. One admires
George Brush one moment and detests
him as a prig the next. The irony and the
deceptive simplicity of Heaven's My Des
tination are terrifying. Although George
Brush is not the picaresque hero-type,
the novel, with its many colorful and
unprincipled characters and its episodic
form, resembles the picaresque genre.
The Story:
George Marvin Brush, a straight-laced,
clean-living non-smoker and non-drinker
of twenty-three, was a salesman for the
Caulkins Educational Press; his territory
was the Middle West. He was the amuse
ment and the despair of all the traveling
HEAVEN'S MY DESTINATION by Thornton Wilder. By permission of the author and the publishers, Harper
& Brother*. Copyright, 1935, by Harper and Brothers.
357
salesmen in the same territory who knew
him. One day Doremus Blodgett, a
hosiery salesman, caught George in the
act of penning a Bible text on a hotel
blotter and invited George up to his room
to chaff him. The righteousness of
George infuriated Blodgett, but the
hosiery man was almost reconciled when
George admitted to him that he had once
wronged a farmer's daughter.
At another time George withdrew all
his savings from the bank. In his attempt
to explain to the bank president his plan
of voluntary poverty, he insulted that
executive by saying that banks owed their
existence only to man's fear of insecurity.
Being thought rnad, George was jailed,
but his ingenuousness confounded even
his jailers. One of them, after hearing
George propound his theories, withdrew
his own savings from the bank.
In Oklahoma City George again saw
Blodgett and his "cousin," Mrs. Margie
McCoy. There he talked of the injustice
of his receiving raises in pay, to the utter
confusion of Blodgett and Mrs. McCoy.
He told them that he had gone through
college and had had a religious conversion
in order to be of an independent mind.
All he wanted, he said, was a perfect girl
for his wife, six children, and a real
American home. He confessed that he
was hindered in his quest for these ideals
by his having wronged a Kansas farm
girl, one Roberta, whose farm home he
had been unable to find since he had
left it.
George went from Oklahoma City to
the Chautauqua at Camp Morgan, Okla
homa, to see Judge Corey, a state legisla
tor who was interested in textbook con
tracts. There he was shocked by Jessie,
a college girl who believed in evolution;
he pestered a distraught businessman who
wanted to be left alone; and he turned
down Judge Corey's offer of thirty-five
thousand dollars and a state job if he
would marry the judge's daughter, Mis
sissippi.
From Camp Morgan George went to
Kansas City, where he stayed in Queenie's
boarding-house with his four wild friends,
Herb and Morrie, reporters; Bat, a motion
picture mechanic; and Louie, a hospital
orderly. Accord lasted between the
four and George as long as George did
not preach his anti-tobacco and anti-
alcohol creeds. They, in turn, restrained
their actions and their speech in his
presence. Three of them and George,
who had a beautiful voice, formed an
expert barbershop quartet. In Kansas
City George became the victim of an
elaborate practical joke arranged by his
friends. After they had tricked him into
drunkenness, the five went on a rampage.
The second step in their plan to lead
George to perdition came when Herb
tricked George into going to dinner one
Sunday at a brothel. Herb represented
the house to George as an old mansion,
its proprietor, Mrs. Crofut, as a pillar of
Kansas City society, and the troop of
prostitutes as her daughters. George,
completely duped, was impressed by the
graciousness of Mrs. Crofut and by the
beauty of her daughters. He treated the
girls to a neighborhood movie.
Back at Queenie's, George would not
believe Herb when his friend told him
the truth about Mrs, Crofut's genteel
establishment. Irritated by George's prig-
gishncss and stupidity, his four friends
beat him nearly to death. Later, ;it the
hospital, Louie told George that he ought
to live and let live.
Out of the hospital, George continued
his book selling. On a train he met an
evangelist who said that money did not
matter; however, George gave the man
money when he learned that the man's
family was destitute. In Fort Worth
George exasperated a bawdy house pro
prietor posing as a medium, by telling
her that she was a fake.
Having learned that Roberta had taken
a job as a waitress in Kansas City, George
went there and forced himself upon the
girl, who wanted nothing to do with
him. He adopted Elizabeth, the daughter
of his friend Herb, who died with few
illusions about life.
358
In Ozarkville, Missouri, George an
gered a father when he talked to the
man's young daughter in the street. Then
he went to a country store to buy a doll
for the girl and became involved in a
hold-up. Carrying out one of his strange
theories, he assisted the amazed burglar.
The storekeeper, Mrs. Efrim, thought that
George was out of his mind. Arrested,
he was put in jail, where he met George
Burkin, a movie director who had been
arrested as a peeping Tom. Burkin ex
plained to George that he peeped only
to observe unself-conscious human be
havior.
George's trial was a sensation in Ozark
ville. The little girl and Mrs. Efrim lied
in their testimony, and George attempted
to explain his theories of life to a con
founded court. When he explained what
he called ahimsa, or the theory of re
acting to every situation in a manner that
was the exact opposite from what was
expected, the bewildered judge released
him, telling him to be cautious, however,
because people were afraid of ideas.
After George and Burkin had left
Ozarkville in Burkin's car, they picked
up a hitchhiker who turned out to be the
burglar whom George had tried to help.
George attempted to work his radical
theory for the treatment of criminals on
the burglar, but the man only fled in con
fused anger. George and Burkin argued
about George's theories, Burkin saying
that George had never really grown up,
and George claiming that Burkin had
thought too much and had not lived
enough.
Back in Kansas City, George met
Roberta and her sister Lottie for the pur
pose of reaching a decision in his relation
ship with Roberta. Lottie suggested that
the couple marry and get a divorce as
soon as possible, so that Roberta could
be accepted again by her family. George,
however, could not countenance divorce.
Being finally persuaded, Roberta married
George and the couple moved into a flat
over a drug store. But their married life
grew more and more trying. George
found himself taking notes for topics
that he and Roberta could safely discuss.
They competed for Elizabeth's affections.
At last Roberta decided to leave George
and return to the farm.
George, unhappy, continued to sell
books. He lost his faith and began to
lead what many people would call a
normal life. At length he fell sick and
was hospitalized. In the hospital he ad
mitted to a Methodist pastor that he had
broken all but two of the ten command
ments but that he was glad he had broken
them. He shocked the pastor by saying
that one cannot get better and better.
While in the hospital he received a spoon
which had been willed to him by a man
whom he had never met but whom he
had admired reciprocally through a
mutual friend. He recovered, left the
hospital, and reverted to his old ways.
George Brush was incurable.
HEDDA GABLER
Type of work: Drama
Author: Henrik Ibsen (1828-1906)
Type of 'plot: Social criticism
Time of plot: Late nineteenth century
Locale: Norway
First presented: 1 890
Principal characters:
GEORGE TESMAN, a scholar
HEDDA TESMAN, his wife
Miss JULIANA TESMAN, his aunt
MRS. ELVSTED, Hedda's old schoolmate
JUDGE BRACK, a friend of the Tesmans
EILERT LOVBERG, Hedda's former suitor
359
Critique:
Hedda Gabler has in it most of the ele
ments of good theater which Ibsen pains
takingly learned from the popular French
playwrights of the last half of the nine
teenth century. In Hedda, he created a
woman with hardly one redeeming vir
tue. She is spiritually as empty as she
assumes her environment to be. Nearly
every great actress of the last half-century
has played Hedda and audiences have al
ways been attracted to her powerful but
ruthless personality.
The Story:
When aristocratic Hedda Gabler,
daughter of the late General Gabler, con
sented to marry Doctor George Tesman,
everyone in Hedda's set was surprised
and a little shocked. Although George
was a rising young scholar soon to be
made a professor in the university, he
was hardly considered the type of person
Hedda would marry. Pie was dull and
prosaic, absorbed almost exclusively in
his dusty tomes and manuscripts, while
Hedda was the beautiful, spoiled darling
of her father and of all the other men
who had flocked around her. But Hedda
was now twenty-nine, and George was
the only one or her admirers who was
willing to offer her marriage and a villa
which had belonged to the widow of a
cabinet minister.
The villa was somewhat beyond
George's means, but with the prospect
of a professorship and with his Aunt
Juliana's help, he managed to secure it
because it was what Hedda wanted.
He arranged a long wedding tour lasting
nearly six months because Hedda wished
that also. On their honeymoon George
spent most of his time delving into
libraries for material on his special field,
the history of civilization, Hedda was
bored. She returned to the villa hating
George. Then it began to look as if
George might not get die professorship,
in which case Hedda would have to
forego her footman and saddlehorse and
HEDDA GABLER by Henrik Ibsen, Publi$hed by Charles Scribner'i Scmu.
some of the other luxuries she craved.
George's rival for the post was Eilert Lov-
berg, a brilliant but erratic genius who
had written a book, acclaimed a master
piece, in George's own field. Hedda's
boredom and disgust with her situation
was complete. She found her only ex
citement in practicing with the brace of
pistols which had belonged to General
Gabler, the only legacy her father had
left her.
George discovered that Eilert had
written another book, more brilliant and
important than the last, a book written
with the help and inspiration of a Mrs.
Elvsted, whose devotion to the erratic
genius had reformed him. The manu
script of this book Lovberg brought with
him one evening to the Tesman villa.
Hedda proceeded to make the most of
this situation. In the first place, Thea
Elvsted was Hedda's despised schoolmate,
and her husband's former sweetheart.
The fact that this mouse-like creature
had been the inspiration for the success
and rehabilitation of Eilert Lovberg was
more than Hedda could bear. For Eilert
Lovberg had always been in love with
Hedda, and she knew it. In the distant
past, he had urged her to throw in her
lot with him and she had been tempted
to do so but had refused because his
future had been uncertain. Now Hedda
felt a pang of regret mingled with anger
that another woman possessed what she
had lacked the courage to hold for her
self.
Her only impulse was to destroy, and
circumstances played into her hands.
When Lovberg called at the Tesman villa
with his manuscript, George was on
the point of leaving with his friend,
Judge Brack, for a bachelor party. They
invited Lovberg to accompany them, but
he refused, preferring to remain at the
villa with Mrs. Elvsted and Iledda. But
Hedda, determined to destroy the handi
work of her rival, deliberately sent Lov
berg off to the party. All night, Hedda
360
and Mrs. Elvsted awaited the revelers'
return. George was the first to appear
with the story of the happenings of the
night before.
The party had ended in an orgy, and
on the way home Lovberg had lost his
manuscript, which George recovered and
brought home. In despair over the sup
posed loss of his manuscript, Lovberg
had spent the remainder of the evening
at Mademoiselle Diana's establishment.
When he finally made his appearance at
the villa, George had gone. Lovberg told
Mrs. Elvsted he had destroyed his manu
script, but later he confessed to Hedda
that it was lost and that, as a consequence,
he intended to take his own life. With
out revealing that the manuscript was at
that moment in her possession, Hedda
urged him to do the deed beautifully, and
she pressed into his hand a memento of
their relationship, one of General Ga-
bler's pistols — the very one with which
she had once threatened Lovberg.
After his departure, Hedda coldly and
deliberately thrust the manuscript into
the fire. When George returned and
heard from Hedda's own lips the fate of
Lovberg's manuscript, he was unspeak
ably shocked; but half believing that she
burned it for his sake, he was also flat
tered. He resolved to keep silent and
devote his life to reconstructing the book
from the notes kept by Mrs. Elvsted.
Except for two circumstances, Hedda
would have been safe. The first was the
manner in which Lovberg met his death.
Leaving Hedda, he had returned to Mad
emoiselle Diana's, where instead of dy
ing beautifully, as Hedda had planned,
he became embroiled in a brawl in which
he was accidentally killed. The second
was the character of Judge Brack, a so
phisticated man of the world, as ruthless
in his way as Hedda was in hers. He had
long admired Hedda's cold, dispassionate
beauty, and had wanted to make her his
mistress. The peculiar circumstances of
Eilert Lovberg's death gave him his op
portunity. He had learned that the pistol
with which Lovberg met his death was
one of a pair belonging to Hedda. If the
truth came out, there would be an investi
gation followed by scandal in which
Hedda would be involved. She could
not face either a public scandal or the
private ignominy of the judge's proposal.
So while her husband and Mrs. Elvsted
were beginning the long task of recon
structing the dead Lovberg's manuscript,
Hedda calmly went to her boudoir and
with the remaining pistol she died beau
tifully — as she had urged Lovberg to do
— by putting a bullet through her head.
HENRY ESMOND
Type of -work: Novel
Author: William Makepeace Thackeray (1811-1863)
Type of plot; Historical romance
Time of 'plot: Late seventeenth, early eighteenth centuries
Locale: England and the Low Countries
First published: 1852
Principal characters:
HENRY ESMOND, a Castlewood ward
FRANCIS ESMOND, Viscount Castlewood
RACHEL ESMOND, his wife
BEATRIX, their daughter
FRANK, their son
LORD MOHUN, a London rake
FATHER HOLT, a Jacobite spy
JAMES STUART, the exiled pretender
Critique:
Thackeray did not have high regard present history as he thought it should
for the average historian of his day. To be presented, he wrote The History of
361
Henry Esmond, a novel which contains
a blend of fact and fiction. There is fact
in the many historical characters of the
book. There is fiction in the love story
of Colonel Henry Esmond, who was in
love with two women. Today's reader is
likely to lose patience with Henry Es
mond, whose attempts at winning Bea
trix are so ineffectual as to be almost
ludicrous; but no reader can escape the
witchery of Beatrix's charms. In her,
Thackeray has created one of the most
delightfully puzzling and fascinating co
quettes in all English literature.
The Story:
Henry Esmond grew up at Castlewood.
He knew there was some mystery about
his birth and he dimly remembered that
long ago he had lived with weavers who
spoke a foreign tongue. Thomas Esmond,
Viscount Castlewood, had brought him
to England and turned him over to Father
Holt, the chaplain, to be educated. That
much he learned as he grew older.
All was not peace and quiet at Castle
wood in those years, when his lordship
and Father Holt were engaged in a plot
for the restoration of the exiled Stuart
king, James II. When James attempted
to recover Ireland for the Stuarts, Thomas
Esmond rode off to his death at the
battle of the Boyne. His widow fled to her
dower house at Chelsea. Father Holt dis
appeared. Henry, a large-eyed, grave-
faced twelve-year-old boy, was left alone
with servants in the gloomy old house.
There his new guardians and distant
cousins, Francis and Rachel Esmond,
found him when they arrived to take pos
session of Castlewood. The new Vis
count Castlewood, a bluff, loud-voiced
man, greeted the boy kindly enough. His
wife was like a girl herself — she was only
eight years older than Henry — and
Henry thought her the loveliest lady he
had ever seen. With them were a little
daughter, Beatrix, and a son, Frank, a
baby in arms.
As Henry grew older he became more
and more concerned over the rift he saw
coming between Rachel Esmond and her
husband, both of whom he loved because
they had treated him as one of the im
mediate family in the household at
Castlewood. It was plain that the hard-
drinking, hard-gambling nobleman was
wearying of his quiet country life. After
Rachel's face was disfigured by small
pox, her altered beauty caused her hus
band to neglect her even more. Young
Beatrix also felt that relations between
her parents were strained.
When Henry was old enough, he went
to Cambridge, sent there on money left
Rachel by a deceased relative. Later,
when he returned to Castlewood on a
vacation, he realized for the first time
that Beatrix was exceptionally attractive.
Apparently he had never really noticed
her before. Rachel, for her part, had
great regard for her young kinsman. Be
fore his arrival from Cambridge, accord
ing to Beatrix, Rachel went to Henry's
room ten times to see that it was ready.
Relations between Rachel and the vis
count were all but severed when the
notorious Lord Moliun visited Castle
wood. Rachel knew her husband had
been losing heavily to Moliun at cards,
but when she spoke to the viscount about
the bad company he was keeping, he flew
into a rage. He was by no means calmed
when Beatrix innocently blurted out to
her father, in the company of Mohun,
that that gentleman was interested in
Rachel. Jealous of another man's atten
tions to the wife he himself neglected,
the viscount determined to seek satisfac
tion in a duel.
The two men fought in London, where
the viscount had gone on the pretext of
seeing a doctor, Henry, who suspected
the real reason for the trip, went along,
for he hoped to engage Mohun in a fight
and thus save the life of his beloved
guardian. The viscount, however, was in
no mood to be cheated out of an excuse
to provoke a quarrel* He was heavily in
debt to Mohun and thought a fight was
the only honorable way out of his diffi
culties. Moreover, lie knew Mohun had
362
written letters to Rachel, although, as the
villain explained, she had never answered
them. They fought, and Mohun foully
and fatally wounded the viscount. On his
deathbed the viscount confessed to his
young kinsman that Henry was not an
illegitimate child, but the son of Thomas,
Lord Castlewood, by an early marriage,
and the true heir to the Castlewood title.
Henry Esmond generously burned the
dying man's confession and resolved
never to divulge the secret.
For his part in the duel Henry Esmond
was sent to prison. When Rachel visited
Henry in prison, she was enraged be
cause he had not stopped the duel and
because he had allowed Mohun to go un
punished. She rebuked Henry and for
bade him to return to Castlewood. When
Henry left prison he decided to join the
army. For that purpose he visited the
old dowager viscountess, his stepmother,
who bought him a commission.
Henry's military ventures were highly
successful, and won for him his share of
wounds and glory. He fought in the cam
paign of the Duke of Marlborough
against Spain and France in 1702 and
in the campaign of Blenheim in 1704.
Between the two campaigns he returned
to Castlewood, where he was reconciled
with Rachel. There he saw Frank, now
Lord Castlewood, and Beatrix, who was
cordial toward him. Rachel herself cau
tioned Henry that Beatrix was selfish and
temperamental and would make no man
happy who loved her.
After the campaign of 1704 Henry re
turned to his cousins, who were living
in London. To Henry, Beatrix was more
beautiful than ever and even more the
coquette. But he found himself unable
to make up his mind whether he loved
her or Rachel. Later, during the cam
paign of 1706, he learned from Frank
that the ravishing Beatrix was engaged
to an earl. The news put Henry in low
spirits because he now felt she would
never marry a poor captain like himself.
Henry's affairs of the heart were put
temporarily into the background when
he came upon. Father Holt in Brussels,
The priest told Henry that while on an
expedition in the Low Countries, Thomas
Esmond, his father, had seduced the
young woman who was Henry's mother.
A few weeks before his child was born
Thomas Esmond was injured in a duel,
Thinking he would die, he married the
woman so that her child would be born
with an untainted name. But Thomas
Esmond did not die, and when he re
covered from his wounds he deserted his
wife and married a distant kinswoman,
the dowager viscountess, Henry's step
mother.
When Henry returned to Castlewood,
Rachel informed him she had learned his
secret from the old viscountess and con
sequently knew that he, not Frank, was
the true heir. For the second time Henry
refused to accept the tide belonging to
him.
Beatrix's interest in Henry grew after
she became engaged to the Duke of Ham
ilton and learned that Henry was not
illegitimate in birth but the bearer of a
title her brother was using. Henry wanted
to give Beatrix a diamond necklace for a
wedding present, but the duke would not
permit his fiancee to receive a gift from
one of illegitimate birth. Rachel came
to the young man's defense and declared
before the duke, her daughter, and
Henry the secret of his birth and title.
Later the duke was killed in a duel with
Lord Mohun, who also met his death at
the same time. The killing of Rachel's
husband was avenged.
The Duke of Hamilton's death gave
Henry one more chance to win Beatrix's
heart. He threw himself into a plot to
put the young Stuart pretender on the
throne when old Queen Anne died. To
this end he went to France and helped
to smuggle into England the young
chevalier whom the Jacobites called James
III, the king over the water. The two
came secretly to the Castlewood home
in London, the prince passing as Frank,
the young viscount, and there the royal
exile saw and fell in love with Beatrix.
363
Fearing the results of this infatuation,
Lady Castlewood and Henry sent Beatrix
against her will to Castlewood. When
a report that the queen was dying swept
through London, the prince was nowhere
to be found. Henry and Frank made a
night ride to Castlewood. Finding the
pretender there, in the room used by
Father Holt in the old days, they re
nounced him and the Jacobite cause.
Henry realized his love for Beatrix was
dead at last. He felt no regrets for her
or for the prince as he rode back to Lon
don and heard the heralds proclaiming
George I, the new king.
The prince made his way secretly back
to France, where Beatrix joined him in
his exile. At last Henry felt free to
declare himself to Rachel, who had grown
very dear to him. Leaving Frank in pos
session of the title and the Castlewood
estates, Henry and his wife went to
America. In Virginia he and Rachel built
a new Castlewood, reared a family, and
found happiness in their old age.
HENRY THE FIFTH
Type of 'work: Drama
Author: William Shakespeare (1564-1616)
Type of plot: Historical romance
Time of 'plot: Early part of the fifteenth century
"Locale: England and France
First presented: 1600
Principal characters:
HENRY THE FIFTH, King of England
CHARLES THE SIXTH, King of France
PRINCESS KATHARINE, his daughter
THE DAUPHIN, his son
MONTJOY, a French herald
Critique:
In The Life of Henry the Fifth Shake
speare skillfully combined poetry, pag
eantry, and history in his effort to glorify
England and Englishmen. King Henry
himself represents all that is finest in
English royalty; and yet when Henry
notes on the eve of the battle of Agin-
court that he is also a man like other
men, Shakespeare shows us an English
man who possesses that quality of humil
ity which makes great men even greater.
Few can see or read the play without
sharing, at least for the moment, Shake
speare's pride in England and in things
English, and without sensing the vigor
and the idealism that are part of the
Anglo-Saxon heritage.
The Story:
Once the toss-pot prince of FalstafFs
tavern brawls, Henry V was now king at
Westminster, a stern but just monarch
concerned with his hereditary claim to
the crown of France. Before the arrival
of the French ambassadors, the young
king asked for legal advice from the Arch
bishop of Canterbury. The king thought
that he was the legal heir to the throne of
France through Edward III, whose claim
to the French throne was, at best, ques
tionable. The Archbishop assured Henry
that he had as much right to the French
throne as did the French king; conse
quently, both the Archbishop and the
Bishop of Ely urged Henry to press his
demands against the French.
When the ambassadors from France
arrived, they came, not from Charles, the
king, but from his arrogant eldest son,
the Dauphin. According to the ambas
sadors, the Dauphin considered the Eng
lish monarch the same hot-headed, irre
sponsible youth he had been before he
ascended the throne. To shw that he
364
considered Henry an unfit ruler whose
demands were ridiculous, the Dauphin
presented Henry with some tennis balls.
Enraged by the insult, Henry told the
French messengers to warn their master
that the tennis balls would be turned
into gun-stones for use against the
French.
The English prepared for war. The
Dauphin remained contemptuous of
Henry, but others, including the French
Constable and the ambassadors who had
seen Henry in his wrath, were not so
confident. Henry's army landed to lay
siege to Harfieur, and the king threatened
to destroy the city, together with its in
habitants, unless it surrendered. The
French governor had to capitulate be
cause help promised by the Dauphin
never arrived. The French, meanwhile,
were — with the exception of King
Charles — alarmed by the rapid progress
of the English through France. That
ruler, however, was so sure of victory
that he sent his herald, Montjoy, to
Henry to demand that the English king
pay a ransom to the French, give himself
up, and have his soldiers withdraw from
France. Henry was not impressed by this
bold gesture, and retorted that if King
Charles wanted him, the Frenchman
should come to get him.
On the eve of the decisive battle of
Agincourt, the English were outnum
bered five to one. Henry's troops were on
foreign soil and ridden with disease. To
encourage them, and also to sound out
their morale, the king borrowed a cloak
and in this disguise walked out among
his troops, from watch to watch and from
tent to tent. As he talked with his men,
he told them that a king is but a man like
other men, and that if he were a king he
would not want to be anywhere except
where he was, in battle with his soldiers.
To himself, Henry mused over the cares
and responsibilities of kingship. Again he
thought of himself simply as a man who
differed from other men only in cere
mony, itself an empty thing.
Henry's sober reflections on the eve of
a great battle, in which he thought much
English blood would be shed, were quite:
different from those of the French, who
were exceedingly confident of their abil
ity to defeat their enemy. Shortly before
the conflict began, Montjoy again ap
peared before Henry to give the English
one last chance to surrender. Henry
again refused to be intimidated. He was
not discouraged by the numerical inferi
ority of his troops, for, as he reasoned in
speaking with one of his officers, the
fewer troops the English had, the greater
would be the honor to them when they
won.
The following day the battle began.
Because of Henry's leadership, the Eng
lish held their own. When French re
inforcements arrived at a crucial point
in the battle, Henry ordered his men to
kill all their prisoners so that the energies
of the English might be directed entirely
against the enemy in front of them, not
behind. Soon the tide turned. A much
humbler Montjoy approached Henry to
request a truce for burying the French
dead. Henry granted the herald's request,
and at the same time learned from him
that the French had conceded defeat.
Ten thousand French had been killed,
and only twenty-nine English.
The battle over, nothing remained foi
Henry to do but to discuss with the
French king terms of peace. Katharine,
Charles' beautiful daughter, was Henry's
chief demand, and while his lieutenants
settled the details of surrender with the
French, Henry made love to the princess
and asked her to marry him. Though
Katharine's knowledge of English was
slight and Henry's knowledge of French
little better, they were both acquainted
with the universal language of love.
French Katharine consented to become
English Kate and Henry's bride.
365
HERCULES AND HIS TWELVE LABORS
Type of work: Classical myth
Source: Folk tradition
Type of 'plot: Heroic adventure
Time of plot: Remote antiquity
Locale: Mediterranean region
First transcribed: Unknown
Principal characters:
HERCULES, hero of virtue and strength
EURYSTHEUS, his cousin
Critique:
Hercules is the mighty hero of popular
imagination in Western culture. Art
galleries feature paintings and sculpture
of the splendid body of the hero. The
latest engines, the strongest building
materials, the most powerful utilities bear
his name. Hercules, not born a god,
achieved godhood at the time of his death,
according to tradition, because he de
voted his life to the service of his fellow
men. Some authorities link Hercules with
legends of the sun, as each labor took
him further from his home and one of his
tasks carried him around the world and
back. His twelve labors have been com
pared to the signs of the zodiac.
The Story:
Hercules was the son of a mortal,
Alcmene, and the god Jupiter. Because
Juno was hostile to all children of her
husband by mortal mothers, she decided
to be revenged upon the child. She sent
two snakes to kill Hercules in his crib,
but the infant strangled the serpents
with ease. Then Juno caused Hercules
to be subject to the will of his cousin,
Eurystheus,
Hercules as a child was taught by
Rhadamanthus, who one day punished
the child for misdeeds. Hercules im
mediately killed his teacher. For this his
foster father, Amphitryon, took Hercules
away to the mountains, to be brought up
by rude shepherds. Early in youth Her
cules began to attract attention for his
great strength and courage. He killed a
lion single-handedly and took heroic part
in a war. Juno, jealous of his growing
success, called on Eurystheus to use his
power over Hercules. Eurystheus then
demanded that Hercules carry out twelve
labors. The plan was that Hercules
would perish in one of them.
The first labor: Juno had sent a lion to
eat the people of Ncmea. The lion's hide
was so protected that no arrow could
pierce it. Knowing that he could not kill
the animal with his bow, Hercules mel
the lion and strangled it with his bare
hands. Thereafter he wore the lion's
skin as a protection when he was fighting,
for nothing could penetrate that magic
covering.
The second labor: Hercules had to
meet the Lcrnaean hydra. This creature
lived in a swamp, and the odor of its
body killed all who breathed its fetid
fumes. Hercules began the battle but
discovered that for every head he severed
from the monster two more appeared.
Finally he obtained a flaming brand from
a friend and burned each head as he
severed it. When he came to the ninth
and invulnerable head, he cut it off and
buried it under a rock. Then he dipped
his arrows into the body of the hydra so
that he would possess more deadly
weapons for use in future conflicts.
The third labor: Hercules captured the
Erymanthian boar and brought it back
on his shoulders. The sight of the wild
beast frightened Eurystheus so much that
he hid in a large jar. With a fine sense
of humor the hero deposited the captured
boar in the same jar. While on this trip
Hercules incurred the wrath of the cen
taurs by drinking wine which they had
366
claimed for their own. In order to escape
from them he had had to kill most of the
half -horse men.
The fourth labor: Hercules had to
capture a stag which had antlers of gold
and hoofs of brass. In order to capture
this creature Hercules pursued it for a
whole year.
The fifth labor: The Stymphalian
birds were carnivorous. Hercules alarmed
them with a bell, shot many of them with
his arrows, and caused me rest to fly
away.
The sixth labor: Augeas, king of Elis,
had a herd of three thousand oxen whose
stables had not been cleansed for thirty
years. Commanded to clean the stables,
Hercules diverted the rivers Alpheus and
Peneus through them and washed them
clean in one day. Augeas refused the
payment agreed to and as a result Her
cules later declared war on him.
The seventh labor: Neptune had given
a sacred bull to Minos king of Crete.
Minos' wife, Pasiphae, fell in love with
the animal and pursued it around the
island. Hercules overcame the bull and
took it back to Eurystheus by making it
swim the sea while he rode upon its
back.
The eighth labor: Like the Stym
phalian birds, the mares of Diomedes fed
on human flesh. Usually Diomedes
found food for them by feeding to them
all travelers who landed on his shores.
Diomedes tried to prevent Hercules from
driving away his herd. He was killed
and his body was fed to his own beasts.
The ninth labor: Admeta, daughter of
Eurystheus, persuaded her father to send
Hercules for the girdle of Hippolyta,
queen of the Amazons. The Amazon
queen was willing to give up her girdle,
but Juno interfered by telling the other
Amazons that Hercules planned to kid
nap their queen. In the battle that
followed Hercules killed Hippolyta and
took the girdle from her dead body.
The tenth labor: Geryoneus, a three-
bodied, three-headed, six-legged, winged
monster possessed a herd of oxen.
Ordered to bring the animals to Eurys
theus, Hercules traveled beyond the
pillars of Hercules, now Gibraltar. He
killed a two-headed shepherd dog and
a giant herdsman, and finally slew Ge-
ryones. He loaded the cattle on a boat
and sent them to Eurystheus. He himself
returned afoot across the Alps. He had
many adventures on the way, including
a fight with giants in the Phlegraean
fields, near the present site of Naples.
The eleventh labor: His next labor
was more difficult, for his task was to
obtain the golden apples in the garden
of the Hesperides. No one knew where
the garden was, and so Hercules set out
to roam until he found it. In his travels
he killed a giant, a host of pygmies,
and burned alive some of his captors in
Egypt. In India he set Prometheus free.
At last he discovered Atlas holding up the
sky. This task Hercules assumed, re
leasing Atlas to go after the apples. Adas
returned with the apples and reluctantly
took up his burden. Hercules brought the
apples safely to Eurystheus.
The twelfth labor: This was the most
difficult of all his labors. After many
adventures he brought the three-headed
dog Cerberus from the underworld. He>
was forced to carry the struggling animal
in his arms because he had been for
bidden to use weapons of any kind.
Afterward he took Cerberus back to the
king of the underworld. So ended the
labors of this mighty ancient hero.
HEREWARD THE WAKE
Type of work: Novel
Author: Charles Kingsley (1819-1875)
Type of 'plot: Historical romance
Time of 'plot: Eleventh century
Locale: England, Scotland, Flanders
First published: 1866
367
Principal characters:
HEREWARD THE WAKE, a Saxon thane and outlaw
LADY GODIVA, his mother
TORFRIDA, his wife
ALFTRUDA, his second wife
MARTIN LIGHTFOOT, a companion in his wanderings
WILLIAM THE CONQUEROR, Duke of Normandy and King of England
Critique:
Here-ward the Wake is one of the very
few stories that deal realistically and
credibly with the Anglo-Saxon period of
English history. Although elements of
the chivalric romance, in the more
academic sense of that term, are present
in this novel, Kingsley has re-created the
age and its people in a believable and
highly interesting manner. Hereward
the Wake is both an interesting story
and a valuable historical study.
The Story:
Hereward was the son of the powerful
Lord of Bourne, a Saxon nobleman of a
family close to the throne. A high-
spirited, rebellious youth, he was a source
of constant worry to his mother, Lady
Godiva. Hereward lacked a proper re
spect for the Church and its priests and
lived a boisterous life with boon com
panions who gave him their unquestion
ing loyalty.
One day a friar came to Lady Godiva
and revealed that Hereward and his
friends had attacked him and robbed
him of what the priest insisted was
money belonging to the Church. Lady
Godiva was angry and hurt. When
Hereward came in and admitted his
crime, she said that there was no alterna
tive. For his own good, she maintained,
he should be declared a wake, or outlaw.
Upon his promise not to molest her
messenger, for Hereward really did not
mind being outlawed as he wished to
see more of the world, Lady Godiva sent
Martin Lightfoot, a servant, to carry the
news of Hereward's deed to his father
and to the king. Hereward was then
declared an outlaw subject to imprison
ment or death.
Before he left his father's house, how
ever, he released his friends from their
oath of allegiance. Martin Lightfoot
begged to be allowed to follow him, not
as his servant but as his companion.
Then Hereward set out to live among
the rude and barbarous Scottish tribes
of the north.
His first adventure occurred when he
killed a huge bear that threatened the
life of Alftruda, ward of a knight named
Gilbert of Ghent. For his valorous deed
he achieved much renown. But the
knights of Gilbert's household, jealous
of Hereward's courage and his prowess,
tried to kill him. Though he escaped the
snares laid for him, he decided that it
would be best for him to leave Scotland.
Accordingly, he went to Cornwall,
where he was welcomed by the king.
There the king's daughter was pledged
in marriage to a prince of Waterford.
But a giant of the Cornish court had be
come so powerful that he had forced the
king's agreement to give his daughter in
marriage to the ogre. Hereward, with
the help of the princess and a friar, slew
the giant, whose death freed the princess
to marry the prince whom she really
loved.
After leaving Cornwall, Hereward and
his companions were wrecked upon die
Flemish coast. There Hcrewarcl stayed
for a time in the service of Baldwin of
Flanders and proved his valor by defeat
ing the French in battle. There, too,
Torfrida, a lady wrongly suspected of
sorcery, schemed to win his love. They
were wed after lie-reward had fought
in a successful campaign against the
Hollanders, and a daughter was born of
the marriage.
Meanwhile King Edward had died
and Harold reigned in England. A mes-
368
senger came to Hereward with the news
that Duke William of Normandy had
defeated the English at the battle of
Hastings and that King Harold had been
killed. Hereward then decided to return
to Bourne, his old home. There, ac
companied by Martin Lightfoot, he
found the Norman raiders encamped.
He found too that his family had been
despoiled of all its property and that his
mother had been sent away. He and
Martin, without revealing their identity,
secretly went out and annihilated all the
Normans in the area. Hereward swore
that he would return with an army that
would push the Norman invaders into
the sea.
Hereward then went to his mother,
who received him happily. Lady Godiva
accused herself of having wronged her
son and lamented the day she had pro
claimed him an outlaw. He took her to
a place of refuge in Croyland Abbey.
Later he went to the monastery where
his aged, infirm uncle, Abbot Brand, was
spending his last days on earth. There
Hereward was knighted by the monks,
after the English fashion. Hereward
went secretly to Bourne and there re
cruited a rebel army to fight against
Duke William.
Although there were many men eager
to fight the Normans, the English forces
were disunited. Another king, an un
tried young man, had been proclaimed,
but because of his youth he did not
have the support of all the English
factions. Hereward had been promised
help from Denmark, but the Danish
king sent a poor leader through whose
stupidity the Danes were inveigled into
positions where they were easily defeated
by the Normans at Dover and Norwich.
Then, instead of coming to Hereward's
aid, the Danes fled. Hereward was
forced to confess the failure of his allies
to his men, but tbcy renewed their
E ledge to him and promised to keep on
ghting. The sifv-ation seemed hopeless
when Hereward and his men took refuge
on the island of Ely. There, with
Torfrida's wise advice, Hereward de
feated Duke William's attack upon the
beleaguered island. Hereward and his
men retreated to another camp of refuge.
Shortly afterward Torfrida learned of
Hereward's infidelity with Alftruda, the
ward of Gilbert of Ghent. She left Here
ward and went to Croyland Abbey,
where she proposed to spend the last of
her days ministering to the poor and to
Hereward's mother. Hereward himself
went to Duke William and submitted
to him. The conqueror declared that
he had selected a husband for Here
ward's daughter* In order to free herself
from Hereward, Torfrida falsely con
fessed that she was a sorceress, and her
marriage to Hereward was annulled by
the Church. Hereward then married
Alftruda and became Lord of Bourne
under Duke William. His daughter, de
spite her entreaties, was married to a
Norman knight.
But Hereward, the last of the English,
had many enemies among the French,
who continually intrigued against him for
the favor of Duke William. As a result,
Hereward was imprisoned. The jailer
was a good man who treated his noble
prisoner as kindly as he could, although,
for his own sake, he was forced to chain
Hereward.
One day, while Hereward was being
transported from one prison to another,
he was rescued by his friends. Freed,
he went back to Alftruda at Bourne, but
his life was not a happy one. His enemies
plotted to kill him. Taking advantage
of a day when his retainers were escort
ing Alftruda on a journey, a group of
Norman knights broke into Bourne
castle. Though Hereward fought valiant
ly, he was outnumbered. He was killed
and his head was exhibited in victory
over the door of his own hall.
When she heard of his death, Torfrida
came from Croyland Abbey and de
manded Hereward's body. All were so
frightened, especially Alftruda, by Tor-
jErida's wild appearance and her reputa
tion as a witch, that Hereward's first
369
wife got her way and the body was de
livered to her. She carried it away to
Croyland for burial. Thus did Here-
ward, the last of the English, die, and
thus, too, did William of Normandy be
come William the Conqueror and King
of England.
H. M. S. PINAFORE
Type of work: Comic opera
Author: W. S. Gilbert (1836-1911)
Type of 'plot: Humorous satire
Time of 'plot: Latter half of the nineteenth century
Locale: Portsmouth harbor, England
First presented: 1878
Principal characters:
JOSEPHINE, the Captain's daughter
RALPH, the lowly sailor who loves Josephine
SIR JOSEPH PORTER, First Lord of the Admiralty, and Josephine's suitor
THE CAPTAIN, Josephine's father
LITTLE BUTTERCUP, who loves the Captain
Critique:
W. S. Gilbert shared the honors of this
operetta with his composer-partner, Sir
Arthur Sullivan. H. M. S. Pinafore; or,
The Lass That Loved A Sailor was writ
ten to be sung and acted on the stage;
it was not meant to be published and read
by itself. Gilbert and Sullivan obviously
were poking fun at the extravagances of
grand opera, and at the improbable plots
in particular. The plot of Pinafore,
which effectively disregards the element
of time, is a successful vehicle of comedy
and satire. Every song, every scene is full
of mischievous and clever rhymes, adroit
and ingenious dialogue.
The Story:
Lying at anchor in Portsmouth har
bor, the Pinafore was the scene of hectic
activity, for Sir Joseph Porter, K.C.B.,
First Lord of the Admiralty, had an
nounced his intention to visit the ship.
The sailors swabbed the decks and were
inspected by the Captain, who was as
content with them as they were with
him. One member of the crew, however,
was far from happy. Ralph, the lowly
foremast hand, was sunk in gloom and
despair. He loved Josephine, the Cap
tain's daughter, but because of his low
rank she repulsed his advances and re
jected his love.
Before Sir Joseph's arrival, Little But
tercup came on board, plying her trade
as a seller of ribbons and laces, scissors
and knives, treacle and toffee. In a con
versation with the Captain she hinted
that appearances are often deceiving. The
Captain noticed that Little Buttercup had
physical charms not displeasing to him.
Sir Joseph's barge approached, and the
First Lord was soon on board, accom
panied by his sisters, his cousins, and his
aunts. After inspecting the crew, he gave
them instructions for success. His own
formula had been simple enough. He had
polished door handles, stuck close to his
desk, and never gone to sea. Sir Joseph
then proceeded to the purpose of his
visit. He had come to ask Josephine to
marry him.
Josephine had no intention of marry
ing Sir Joseph, whom she disliked. Not
able to give an outright refusal, she in
formed him that marriage with such a
high-ranking officer was impossible be
cause she was only a captain's daughter.
Sir Joseph admired her modesty, but
brushed the objection aside. Rank, he
assured her, was absolutely no barrier,
for love leveled all rank* Josephine has
tened to agree with him, and everyone
immediately assumed that a marriage
would soon take place.
370
Giving up all hope of winning Jose
phine, Ralph put a pistol to his head
and prepared to pull the trigger. At that
moment Josephine rushed in, told him
not to destroy himself, and proclaimed
her undying love for him. At this turn of
events there was general rejoicing among
Ralph's messmates, with the exception of
an unsavory character by the name of
Dick Dead-eye.
The couple laid plans to steal ashore
the next evening to be married. Once
the ceremony was performed, they rea
soned, nobody could do anything about
it. But Dick Dead-eye went to the Cap
tain and warned him of the plan. Ac
cordingly, just as the lovers and their
accomplices were quietly tiptoeing away,
the Captain entered, enraged at Ralph's
presumption and at the low company in
which he found his daughter. Ralph was
thrown into the brig.
Attracted by the Captain's swearing,
Sir Joseph came rushing up in time to
hear what had happened. The sisters, the
cousins, and the aunts were horribly
shocked. Sir Joseph was equally shocked,
so shocked that he administered a very
severe rebuke to the Captain. In the
midst of the argument, Little Buttercup
appeared. To the astonishment of every
one, she announced that many years ago
she had been a baby-farmer. Two in
fants had been put into her care, one of
lowly birth, the other of high position.
Because she was very fond of one of
them she had changed them around. The
Captain was really of low birth, and
Ralph was the patrician.
This astounding announcement re
sulted in a very odd situation which was
quickly and amicably arranged. The
Captain changed places with Ralph, who
became captain instead. Sir Joseph an
nounced that he could not marry Jose
phine since she was only the daughter of
a common sailor. Accordingly, Josephine
married Ralph; the Captain married
Little Buttercup, and Sir Joseph had no
one to marry except a well-bom cousin.
HONEY IN THE HORN
Type of work: Novel
Author: H. L. Davis (1896- )
Type of ^lot: Regional romance
Time of plot: 1906-1908
Locale: Oregon
First published,: 1935
Principal characters:
CLAY CALVERT, a migrant worker
WADE SHIVELEY, his stepfather
UNCLE PRESS SHIVELEY, Wade's father
LUCE, Cky's woman
THE HORSE TRADER, Luce's father
Critique:
The story told in this novel is less
important than the character studies of
some people who settled Oregon in the
early part of this century. In his intro
duction the author states that he is
neither criticizing any social group nor
suggesting reforms; rather, he attempts
to give an accurate picture of the
migrants who were always seeking new
homes in better lands. The story itself
is excellent, however — fast-moving and
interestingly told. There have been
many novels of pioneers and early settlers
during the last two decades, but few
surpass Honey in the Horn.
The Story:
Wade Shiveley had killed his own
HONEY IN THE HORN by H. L. Davis. By permission of the author. Published by Harper & Brothers. Copy
right, 1935, oy Harper & Brothers.
371
brother in a fight over a squaw and had
murdered and robbed old man Howell.
Now he had been captured. The officers
wanted Uncle Press Shiveley, Wade's
father, to try to get Wade to say where
he had hidden the money. But Uncle
Press had threatened to shoot Wade if
he ever laid eyes on him again, and so
in his place he sent Clay Calvert, the
son of one of Wade's wives. Clay did
not want to go because he also hated
Wade, Uncle Press gave Clay a gun
to slip to Wade in the jail. Having
loaded the gun with blank cartridges,
he hoped Wade would use the worthless
gun to attempt an escape and thus be
shot down by the officers.
On the way to the jail, Clay met a
horse trader and his wife and daughter.
When Clay slipped the gun to Wade
in the jail, Wade said that he had not
killed Howell, that Howell was killed
by a bullet that split when it was fired
and that such a bullet did not fit his own
gun. Wade had always been a liar, but
Clay suspected that this time he might
be telling the truth.
Clay left town to hide in Wade's
abandoned shack until after Wade had
been killed and buried. Later Uncle
Press sent a half-breed Indian to tell him
that Wade had escaped and that the
sheriff was now looking for Clay as an
accomplice. Clay left the shack with
the Indian, taking with him Wade's
rifle he had found there, and after travel
ing awhile they met the horse trader and
his women again. Clay learned that the
girl was called Luce and that she traveled
around with her father and stepmother,
trading horses, racing them, and picking
hops in season. Since he wanted to get
out of the immediate territory and be
cause he was strongly attracted to Luce,
Clay decided to travel with the horse
trader's family. The Indian stole Wade's
rifle from Clay and ran away.
Clay and the horse trader's family
worked for a time in the hop fields. The
trader was a weak man who lost all he
and his family earned by gambling, and
Luce took the responsibility for the
family on her shoulders. Clay and Luce
liked each other very much, but they
quarreled frequently, and one day Clay
moved away from the wagon. When the
sheriff appeared at the field one day,
Clay became frightened and left hurried
ly, traveling toward the coast.
Luce and her folks found him after
awhile, and Luce and Clay decided to
stay together. There was no place for
them to get married. They spent the
winter in a little settlement on the coast,
in a cabin apart from the horse trader's.
Luce rescued some bags of flour which
had floated to shore from a wrecked
ship, and with money earned by selling
the flour to the Indians she and Clay
were able to buy a wagon and start on
their own.
Clay and Luce left for eastern Oregon,
but Clay refused to let her father and
stepmother go with them, for he could
not stand the sight of the weak horse
trader. They traveled across the
mountains and into Looking Glass
Valley, where they joined another group
of settlers led by Clark Burdon. Burdon
described to Clay a stranger who was
looking for him, and Clay knew the
man was Wade. Clay liked Burdon and
told him the story of Wade and his
killings and escape. Burdon promised
to help him get rid of Wade. That night
Clay shot a man he thought was Wade,
but the dead prowler turned out to be
the son of one of the settlers. When
Burdon and Clay declared that Wacle
had shot the boy, the men formed a
posse and captured Wade. After Wade
tried to kill Clay, the men believed that
the outlaw was trying to keep Clay from
testifying against him; and the posse
vowed to hang Wade. Clay felt guilty,
for he doubted that Waclc had killed
Howell and he knew that he himself
had shot the prowler. But it was his
life or Wade's, and so he kept silent.
He felt dirty and sick when he saw
Wade hanged.
The settlers traveled eastward, Clay
372
and Luce with them. Luce had a mis
carriage. She would not let Clay go for
a doctor, for she was terrified that he
would leave her and never come back.
The rest of the caravan had gone on
and they were alone. Clay finally left
Luce, promising to return with help as
soon as possible. He came back with an
Indian midwife, to find that Luce had
gone away in the wagon. There were
two sets of wagon wheels, and Clay
knew instinctively that her father had
come by and that Luce had left with
him. Angry and hurt by her desertion,
Clay decided to go on alone.
He rode his horse into the threshing
country and worked with a mowing
crew. There he met the half-breed from
the Shiveley ranch and told the Indian
to be on the lookout for Luce and her
father. The Indian did meet the horse
trader and made a large wager on a
race with him. The horse trader lost
the race and the Indian collected the
money. Next day the Indian was found
with a bullet in the back of his head
and no money in his clothing, and the
horse trader and Luce had disappeared.
Clay helped bury the Indian, but before
the burial he shot Wade's rifle, which
the Indian had stolen. The bullet did
not split. Clay knew then that Wade
had been telling the truth about not
killing HowelL He suspected that Luce's
father had killed and robbed both Howell
and the Indian.
Clay joined a party moving on to a
railroad construction camp, On their
way there was an accident, and one of
the horses had to be killed. When Clay
saw the horse, he recognized it as one
belonging to Luce's father, and he knew
that she was in the group. He volun
teered to shoot the horse, but first he
found Luce and asked for her rifle. With
it he killed the animal and later, ex
amining the bullet, he saw that it was
split. When he told her that the trader
had murdered Howell and the Indian,
she claimed she had done the killings.
She said that her father, who was now
dead, had lost a lot of money to Howell
and that her stepmother and Howell
had fought. Luce had shot the old man
during the fight and had taken the
money her father had lost to him. Later
she killed the Indian because he had
won her father's money in the horse
race.
Clay suspected that Luce was trying
to protect her dead father. Besides, he
still wanted her. He climbed into her
wagon and they joined the long line of
settlers who were still seeking a place
where they could make real homes.
Whatever their past, they would
always go on together.
THE HOOSIER SCHOOLMASTER
Type of work: Novel
Author: Edward Eggleston (1837-1902)
Type of ^lot: Regional romance
Time of -plot: About 1850
Locale: Indiana
First 'published: 1871
Principal characters:
RALPH HARTSOOK, a young schoolmaster
BUD MEANS, Ralph's pupil and friend
HANNAH THOMSON, the Means' bound-girl
DR. SMALL, Ralph's enemy
PETE JONES, Dr. Small's partner in crime
WALTER JOHNSON, Ralph's cousin, one of the robbers
MARTHA HAWKINS, Bud Means' sweetheart
SHOCKY, Hannah's brother
373
Critique:
Eggleston wrote The Hoosier School
master as a regional study. In it he caught
the Hoosiers of his day, with their sin
gular twists of phrasing, their rough
frontier conduct. His simple plots, stock
characters and thinly-disguised morality
were all subordinate to his main purpose.
If The Hoosier Schoolmaster is not a
great hook, it certainly is not to be over
looked, for its author faithfully recorded
the place and time he wished to describe.
The Story:
Ralph Hartsook had not thought
schoolteachers were judged by their mus
cular ability when he applied for the
job as schoolmaster of Flat Creek, Indi
ana. Before long, however, he learned
his competence would be judged by his
power to keep his pupils from driving
him out of the schoolhouse. His first step
was to make friends with Bud and Bill
Means, sons of the school trustee, in
whose house he was to board for a time.
He was tired from the ten miles he had
trudged to apply for his job, but he
walked almost the same distance that
evening when he went coon hunting
with the boys.
Ralph Hartsook held his own against
the pranks and challenges of his pupils
until the night of the big spelling-bee.
Then before most of the people in Flat
Creek he was defeated by the Means'
bound-girl, Hannah Thomson.
Finding himself strongly attracted to
the girl, he escorted her home after the
spelling-bee.
Kept awake by curiosity about Han
nah's past, Ralph had trouble sleeping
that night. At two in the morning he
got up, restless, and strolled down the
road toward the schoolhouse. Three
horsemen passed him in the darkness, one
riding a horse with white markings. A
few minutes later Dr. Small rode by,
returning, Ralph supposed, from a night
call. He went back to Pete Jones' house,
where he was staying at the time. The
next morning he discovered that the
horse with the white markings stood in
Pete's stable, and he learned from Shocky
Thomson, Hannah's young brother, that
there had been a robbery the night be
fore.
He decided not to tell what he knew.
He had no proof that Pete Jones was
connected with the housebreaking and
it would have been awkward to explain
his own rarnblings at an early hour. To
add to his misery that day, Mirandy
Means, who had been casting sheep's eyes
at him, informed him that her brother
Bud was fond of Hannah.
Squire Hawkins invited Ralph to
spend the weekend with him. Walking
toward the squire's house with Shocky,
who took the same direction home from
school, he learned from the boy that his
father was dead and his blind mother
in the poorhouse. When Hannah went
to live with the Means, he himself had
been taken in by Mr. Pearson, a basket-
maker.
That evening Ralph was surprised to
see Dr, Small's horse tied in front of
Granny Sander's cabin. She had a repu
tation as a witch among the people of
Flat Creek, and she was a malicious
gossip. Ralph did not know that the
doctor was busy planting the seeds of
rumors in Granny Sander's mind, rumors
that Ralph had been a philanderer at
home, and that he was somehow impli
cated in the robbery. Small disliked
Ralph, though Ralph had never been
able to find any reason for it. Rumor had
done its ugly work by Sunday morning.
At church Ralph's neighbors had little
to say to him.
On Christmas Day, which came the
following week, the boys did not follow
the custom of asking the teacher for a
holiday. Instead Bud and others of the
older pupils barricaded themselves in the
schoolhouse to keep Ralph from entering
and had to be forced out by sulphur
thrown down the chimney. Later Bud
threatened to thrash Ralph because the
schoolmaster had taken the squire's niece,
374
Martha, to church the Sunday before.
Bud was jealous. Ralph immediately de
clared he was really inclined toward Han
nah, but had avoided seeing her because
of Mirandy's statement. He and Ralph
quickly became fast friends. Now, the
schoolmaster felt, he had a clear field for
courting.
Before Bud and Ralph finished their
talk, Shocky burst into the schoolhouse
with the news that Mr. Pearson was
about to be tarred and feathered by the
people of Flat Creek, who had been led
by Pete Jones to believe the basket-maker
was guilty of the robbery. Pearson, too,
had seen three men riding by on the
night of the robbery, and Jones had de
cided the best way to divert suspicion
from himself would be to accuse Shocky 's
benefactor.
Hoping to protect the old man, Bud
Means started toward the Pearson home.
On the way he met Jones to whom he
gave a sound drubbing.
That night Bud helped Pearson to
escape to his brother's home in the next
county. To thwart Pete Jones* efforts
to have Shocky Thomson bound out by
declaring the Pearsons paupers, Ralph
took the boy to stay with his friend,
Miss Nancy Sawyer, in his home town
of Lewisburg. His aunt, Mrs. Matilda
White, refused to have Shocky's mother
in her house because she was a pauper,
and so, at Miss Sawyer's own suggestion,
Mrs. Thomson was brought to die Saw
yer home to spend the weekend with
her son. Through Miss Sawyer's efforts,
a collection was taken up at church that
Sunday afternoon, and with that dona
tion and the money she earned knitting
socks, Mrs. Thompson was able to make
a home of her own for Shocky.
That same Sunday Bud, intending to
ask Martha to marry him, visited Squire
Hawkins' house. Suddenly bashful, he
told her only of the spelling-bee to take
place at the schoolhouse on Tuesday
night. Shortly afterward the squire re
ceived an anonymous letter, threatening
him with the burning of his barn if
Martha associated with Bud, the implica
tion being that Bud was incriminated in
the robbery. The squire persuaded Mar
tha to ignore Bud. Chagrined by her re
fusal to let him escort her home from
the spelling-bee, Bud began to cultivate
Pete Jones and his friends, among them
Dr. Small and Walter Johnson, Ralph's
cousin.
Bud soon proved he was still Ralph's
friend. One day Hannah brought Ralph
a letter Bud had sent warning him that
he was suspected of the robbery and
that there was a plan afoot to tar and
feather him that night. Ralph saved
himself from the mob by going to a
nearby town and giving himself up to
the authorities there. His trial was held
the next day.
All of Flat Creek was present to sea
the schoolmaster convicted. Mrs. Means
and Pete Jones, particularly, were willing
to offer damaging testimony, the former
because Ralph had spurned Mirandy's
attentions. It was Dr. Small who vin
dicated Ralph, however, by overshooting
the mark in his anxiety to clear himself
of Ralph's testimony that the doctor had
been out on the night of the robbery.
Small had Walter Johnson called to
the stand to testify they had spent the
evening together in the physician's office.
But Johnson, at a prayer meeting he had
attended with Bud, had been deeply im
pressed by the minister's warning of
eternal damnation for sinners. Sum
moned before the court, he gave way to
his guilty conscience and declared that
he, Small, Pete Jones, and Pete's brother
had committed the robbery, and that
Ralph and Mr. Pearson were innocent.
Walter Johnson went free because of
his testimony, but Dr. Small, who had
been the ringleader o£ the band, was
hanged. Jones and his brother were given
prison sentences.
Ralph Hartsook returned to Lewisburg
to teach in a new academy there. Shortly
afterward he married Hannah. At Ralph's
wedding Bud found his courage at last
and proposed to Martha.
375
HORSESHOE ROBINSON
Type of work: Novel
Author: John P. Kennedy (1795-1870)
Type of plot: Historical romance
Time of plot: 1780
Locale: The Carolinas
First published: 1835
Principal characters:
SERGEANT HORSESHOE ROBINSON, a colonial patriot
MAJOR ARTHUR BUTLER, his friend
MR. LINDSAY, a Loyalist
MILDRED, Lindsay's daughter
HENRY, Lindsay's son
WAT ADAIR, a Tory
TYRREL, a British officer
MARY MUSGROVE, a patriot
JOHN RAMSAY, Mary s sweetheart
Critique:
Horseshoe Robinson, A Tale of the
Tory Ascendency is a love story and a
war story. A good narrative description of
the effect of the American Revolution on
the people of the Carolinas, the novel is
unspoiled by flag-waving sentimentality.
Horseshoe Robinson is a hunter and a
woodsman with a personality much like
that of our common story-book concep
tion of early American pioneers. The
love story is important in this novel, but
it is trivial compared to the importance
of the war itself. From a historical point
of view, the book makes a valuable con
tribution with its portrayal of the con
fusion caused by divided loyalties be
tween England and the Colonies.
The Story:
In the secluded back country of South
Carolina two men in the service of the
revolutionary colonial forces were travel
ing together. They were Major Arthur
Butler and his shrewd sergeant, a man
known throughout the region as Horse
shoe Robinson, because of his former
occupation as a blacksmith. Although
they passed as chance travelers, they were
on a secret mission to trace the move
ments of the enemy and to enlist aid for
the cause of colonial independence.
Before setting out on their dangerous
journey, Arthur Butler was moved to
stop near Dove-Cote, the residence of
Mr. Lindsay, a Loyalist gentleman who
had come to this territory to live because
he wished to avoid the conflict between
the colonists and the British government.
He himself was loyal to the crown be
cause of financial interests in England,
but his son Henry was sympathetic to the
American cause. Mildred, Lindsay's
daughter, was in love with Arthur But
ler, but because of the major's connec
tions with the colonial army Mr. Lindsay
had forbidden her to see Butler. For
this reason they met secretly in a grove
not far from Dove-Cote* After the meet
ing she returned unseen to Mr. Lindsay's
house, and Butler and Horseshoe Robin
son went to the inn of Mistress Dimock,
not far away.
That night at the inn Horseshoe en
countered a Tory spy named James
Curry, a stealthy rascal who was passing
as the servant of Mr, Tyrrel, a guest at
Dove-Cote. Tyrrel, a disguised British
officer, was often at Mr. Lindsay's home,
ostensibly to secure that gentleman's aid
for the Loyalists, but in reality to court
Mildred, who despised him and every
thing he stood for. Seeing Curry at the
inn, Horseshoe knew that Tyrrel was
again visiting Dove-Cote. Although he
let the fellow escape, he was afraid that
Tyrrel and Curry might cause trouble for
376
Butler and himself on their trip through
South Carolina.
Major Butler had been sent "by General
Gates on a mission to another rebel gen
eral in Georgia. With Horseshoe as a
companion, the major felt certain that
he could complete his undertaking. On
their first night in the forest Horseshoe
led Butler to the home of Wat Adair, an
old friend whom he thought loyal to the
rebel cause. However, Wat was not a
true friend. Having been bought off by
the Tories, he planned that night to
direct Butler and Horseshoe to an am
bush in the forest. But a relative of Wat,
Mary Musgrove, overheard Wat plotting
with another Tory, and being loyal to
the rebels she whispered to Butler the
plans she had learned.
Through her warning Horseshoe and
Butler avoided one trap, only to fall into
an ambush of some rough Tories, among
them Curry. Fearing that the drunken
crew planned to murder Butler and him
self, Horseshoe escaped, hoping to rescue
Buder later.
The family of Mary Musgrove was a
rebel family, and Horseshoe proceeded to
their home to get help in his plan. In
addition, the family of Mary's sweet
heart, John Ramsay, was a rebel family.
With the Ramsays and the Musgroves,
Horseshoe planned to engage the enemy
and bring Buder to safety. Mary, pre
tending to be a vendor of fruit, was to
enter die Tory camp where Butler was
being held. There she was to communi
cate with the major and give him word
of his rescuers* plans.
James Curry had charged Buder with
conspiring to murder Mr. Lindsay, a
loyal subject of the king. In order to dis
prove this charge, Horseshoe returned
to Dove-Cote. Mildred's distress at the
news of her lover's arrest had caused her
father great grief, and he relented his
stern stand against Butler and assured
Mildred that he would not punish her for
her concern over the major. When
Horseshoe found Mildred and her brother
Henry at Dove-Cote, Mr. Lindsay had
gone off with Tyrrel to a meeting of
Loyalists in a nearby town. Having heard
Horseshoe's account of the charges
against Butler, Mildred resolved to go to
Cornwallis, the English general, and
plead with him for Butler's life. Mildred
was confident she could prove that But
ler could never have had designs on the
father of the girl he loved. Accompanied
by Henry Lindsay and Horseshoe Robin
son, she set out for Cornwallis' head
quarters.
John Ramsay and Mary were able to
effect Butler's escape from the camp
where he was held prisoner, but John
was killed before they reached a place of
safety. Grief-stricken by the loss of her
sweetheart, Mary attended the funeral
services, which were conducted by her
father, Allen Musgrove. While the serv
ices were going on, they were interrupted
by some British troops, and Butler was
once again taken prisoner.
When Mildred and her two compan
ions succeeded in getting an interview
with Cornwallis, the courtly general gave
Mildred his promise that no harm would
befall Butler. While the general was
speaking with Mildred, he received a
message that Butler had escaped. Mil
dred set out for Dove-Cote with Horse
shoe and her brother. On their way they
met Mary Musgrove, her family, and the
Ramsays, who told them of Butler's sec
ond capture by British troops from a
nearby camp. Again Mildred resolved
to intercede on behalf of her lover, and
Henry and Horseshoe agreed to accom
pany her.
While Mildred awaited an opportunity
to seek Butler, the forces of the Loyalists
and the rebels were engaging in the
battle of King's Mountain. During the
fighting Horseshoe rescued Buder and
brought him safely back to Mildred. Then
the two lovers revealed that they had
been married for over a year, in a secret
ceremony witnessed by Mistress Dimock
and Henry Lindsay.
Wat Adair was captured, and Horse
shoe saw to it that he received just pun-
377
ishment for betraying his American
friends. Wat told Horseshoe that Tyrrel
was really an English general who had
bribed Wat to lead Butler and Horse
shoe into a trap. Henry, who had par
ticipated in the battle, found Tyrol's
body lying among the dead and wounded.
James Curry was captured by rebel
forces. It seemed certain that the Tory
ascendency in South Carolina was at an
end.
But the happy reunion of the lovers
was clouded by the death of Mr. Lindsay.
When he learned that Mildred had gone
to see Cornwallis, he set out to find her
before the battle began. Following Tyrrel
toward the scene of the fighting, Mr.
Lindsay was fatally wounded and Tyrrel
killed. Mildred and Henry were able to
speak with their father before he died,
however, and he lived long enough to
take the hands of Mildred and Butler
and forgive them for having disobeyed
him. He died shortly afterward in a de
lirium brought on by his fever.
Mildred and Butler returned to Dove-
Cote to live a long and prosperous life
together.
THE HOUSE OF ATREUS
Type of -work: Drama
Author: Aeschylus (525-456 B.C.)
Type of 'plot: Classical tragedy
Time of 'plot: After the fafl of Troy
Locale: Argos
First 'presented: 458 B.C.
Principal characters:
AGAMEMNON, the king
CLTTEMNESTKA, his queen
CASSANTJKA, a Trojan captive
AEGISTHUS, paramour of Clytemnestra
ORESTES, son of Agamemnon
ELECTRA, his sister
Critique:
In the archonship of Philocles, in 458
B.C., Aeschylus won first prize with his
dramatic trilogy, The House of Atreus.
This story of the doomed descendants of
the cruel and bloody Atreus is one of the
great tales of classic literature. Aeschy
lus, building his plays upon themes of
doom and revenge, was deeply concerned
with moral law in the Greek state. For
diis reason the moral issues of the plays
are clear and steadfast, simple and devas
tating in implication, especially the work
ing of conscience in the character of
Orestes. Agamemnon, The Libation-Bear
ers, and The Furies are the individual
tides which make up the trilogy.
The Story:
The house of Atreus was accursed be
cause in the great palace at Argos the
tyrant, Atreus, had killed the children
of Thyestes and served their flesh to their
father at a royal banquet. Agamemnon
and Menelaus were the sons of Atreus.
When Helen, wife of Menelaus, was
carried off by Paris, Agamemnon was
among the Greek heroes who went with
his brother to battle the Trojans for her
return. But on the way to Troy, while
the fleet lay idle at Aulis, Agamemnon
was prevailed upon to sacrifice his daugh
ter, Iphigenia, to the gods. Hearing of
this deed, Clytemnestra, his wife, vowed
revenge. She gave her son, Orestes, into
the care of the King of Phods, and in
the darkened palace nursed her consum
ing hate.
In her desire for vengeance she was
joined by Aegisthus, surviving son of
Thyestes, who had returned from his
long exile. Hate brought the queen and
Aegisthus together in a common cause;
378
they became lovers as well as plotters
in crime.
The ship of Menelaus having been de
layed by a storm, Agamemnon returned
alone from the Trojan wars. A watch
man first saw the lights of his ship upon
the sea and brought to his queen the news
of the king's return. Leaving his men
quartered in the town, Agamemnon
drove to the palace in his chariot, beside
him Cassandra, captive daughter of the
king of Troy and an augeress of all mis
fortunes to come, who had fallen to
Agamemnon in the division of the spoils.
She had already warned the king that
some evil was to befall him.
Agamemnon, however, had no sus
picions of his homecoming, as Clytem-
nestra came to greet him at the palace
doorway, her armed retainers about her,
magnificent carpets unrolled for the feet
of the conqueror of Troy. Agamemnon
chided his queen for the lavishness of
her reception and entered the palace to
refresh himself after his long journey.
He asked Clytemnestra to receive Cas
sandra and to treat his captive kindly.
After Agamemnon had retired, Cly
temnestra returned and ordered Cassan
dra, who had refused to leave the chariot,
to enter the palace. When Cassandra
persisted in remaining where she was, the
queen declared she would not demean
herself by bandying words with a com
mon slave and a madwoman. She re-
entered the palace. Cassandra lifted her
face toward the sky and called upon
Apollo to tell her why she had been
brought to this cursed house. She in
formed the spectators in front of the
palace that Clytemnestra would murder
Agamemnon. She lamented the fall of
Troy, recalled the butchery of TKyestes'
children, and the doom that hung over
the sons of Atreus, and foretold again
the murder of Agamemnon by his queen.
As she entered the palace, those outside
heard the death cry of Agamemnon
within.
A moment later Clytemnestra appeared
in the doorway, the bloody sword of
Aegisthus in her hand. Behind her lay
the body of the king, entangled in the
rich carpets. Clytemnestra defended her
self before the citizens, saying she had
killed the king for the murder of Iphi-
genia, and had also killed Cassandra, with
whom Agamemnon had shamed her
honor. Her deed, she told the citizens
defiantly, had ended the bloody lust of
the house of Atreus.
Then she presented Aegisthus, son of
Thyestes, who asserted that his venge
ance was just and that he intended to
rule in the palace of Agamemnon. Re
proaches were hurled at the guilty pair.
There were cries that Orestes would
avenge his father's murder. Aegisthus
and Clytemnestra, in a fury of guilty
horror, roared out their self-justification
for the crime and defied the gods them
selves to end their seizure of power.
Orestes, grown to manhood, returned
from the land of Phocis, to discover that
his mother and Aegisthus had murdered
his father. He mourned his father's
death and asked the king of the gods to
give him ability to take vengeance upon
the guilty pair. Electra, daughter of
Agamemnon, also mourned and cursed
the murderers. Encountering her brother,
she did not at first recognize him, for
he appeared in the disguise of a mes
senger who brought word of the death
of Orestes. They met at their father's
tomb, where he made himself known to
his sister. There he begged his father's
spirit to give him strength in his under
taking, Electra assured him nothing but
evil could befall any of the descendants
of Atreus and welcomed the quick fulfill
ment of approaching doom.
Learning that Clytemnestra had once
dreamed of suckling a snake which drew
blood from her breast, Orestes saw in this
dream the image of himself and the deed
he intended to commit. He went to the
palace in disguise and killed Aegisthus.
Then he confronted Clytemnestra, his
sword dripping with the blood of his
mother's lover, and struck her down.
Orestes displayed the two bodies to
379
the people and announced to Apollo that
he had done the deed required of him.
But he realized that he must suffer for
his terrible crime. He began to go mad
as Furies, sent by his mother's dead spirit,
pursued him.
The Furies drove Orestes from land
to land. Finally he took refuge in a
temple, but the Pythian priestess claimed
the temple was profaned by the presence
of the horrible Furies, who lay asleep
near Orestes. Then Apollo appeared to
tell Orestes that he had put the Furies
to sleep so the haunted man could get
some rest. He advised Orestes to visit
the temple of Pallas Athena and there
gain full absolution for his crime.
Wbile Orestes listened, the ghost of
Clytemnestra spitefully aroused the
Furies and commanded them to torture
Orestes again. When Apollo ordered the
Furies to leave, the creatures accused him
of blame for the murder of Clytemnestra
and Aegisthus and the punishment of
Orestes. The god confessed he had de
manded the death of Agamemnon's mur
derers. He was told that by his demands
he had caused an even greater crime,
matricide. Apollo said Athena should
decide the justice of the case.
In Athens, in the temple of the god
dess, Orestes begged Athena to help him.
Replying the case was too grave for her
to decide alone, she called upon the
judges to help her reach a wise decision.
There were some who believed the an
cient laws would be weakened if evidence
were presented, and they claimed Orestes
deserved his terrible punishment.
When Orestes asked why Clytem
nestra had not been persecuted for the
murder of Agamemnon, he was told her
crime had not been the murder of a
blood relative, as his was. Apollo was
another witness at the trial. He claimed
the mother was not the true parent, that
the father, who planted the seed in the
mother's womb, was the real parent, as
shown in the tracing of descent through
the male line. Therefore, Orestes was
not guilty of the murder of a true mem
ber of his blood family.
The judges decided in favor of Orestes.
There were many, however, who in an
angry rage cursed and condemned the
land where such a judgment might pre
vail. They cried woe upon the younger
gods and all those who tried to wrest
ancient rights from the hands of estab
lished tradition. But Athena upheld the
judgment of the court and Orestes was
freed from the anger of the Furies.
THE HOUSE OF MIRTH
Type of work: Novel
Author: Edith Wharton (1862-1937)
Type of 'plot: Social criticism
Time of plot: Early twentieth century
Locale: New York
First published: 1905
Principal characters:
LILY BART, a social schemer
MR. SEUDEN, her friend
MR. ROSEDALE, a financier
PERCY GRYCE, an eligible young man
Gus TRENOR, a wealthy socialite
JUDY TRENOR, his wife
BERTHA DORSET, who hated Lily
GEORGE DORSET, Bertha's husband
Critique:
The House of Mirth is still popular
among readers who enjoy stories about
the social life of the early part of tnis
century. The theme of the book is a
380
criticism of the emptiness and folly of
life among the idle rich. Lily Bart
sacrificed herself, her principles, her
chance for real love, and even her life,
in a vain attempt to find a life of ease
for herself. The conflict arose when her
better nature exerted itself. In that re
spect she was superior to those who
scorned her, for most of them had no
redeeming qualities of character. The
story is easily read, for it is written with
Edith Wharton's usual skill.
The Story:
Selden enjoyed watching Lily Bart put
a new plan into operation. She was a
very beautiful and clever young lady,
and no matter how impromptu any
action of hers appeared, Selden knew
that she never moved without a definitely
worked out plan.
Lily had almost no money of her
own; her beauty and her good family
background were her only assets. Her
father had died soon after a reversal of
his financial affairs, and her mother had
drilled into her the idea that a wealthy
marriage was her only salvation. After
her mother's death, Lily was taken in
by her aunt, Mrs. Peniston. Mrs. Penis-
ton supplied her with fashionable clothes
and a good home, but Lily needed
jewels, gowns, and cash to play bridge
if she were to move in a social circle
filled by wealthy and eligible men.
Mr. Rosedale, a Jewish financier,
would gladly have married Lily and
provided her with a huge fortune, for
he wanted to be accepted into the
society in which Lily moved. But Lily
thought that she still had other prospects
less repulsive to her, the most likely one
being Percy Gryce, who lived protected
from scheming women by his watchful
widowed mother.
Lily used her knowledge of his quiet
life to her advantage. Selden, Lily, and
Gryce were all house guests at the home
of Gus and Judy Trenor, and the op
portunity was a perfect one for Lily,
who assumed the part of a shy, demure
young girl. But when Gryce was ready
to propose, she let the chance slip away
from her, for Lily really hated the kind
of person she had become. In addition,
although Selden was poor and offered
her no escape from her own poverty, she
was attracted to him because only he
really understood her.
Gus Trenor offered to invest some of
Lily's small income, and over a period
of time he returned to her more than
eight thousand dollars, which he assured
her was profit on the transaction. With
that amount she was able to pay most
of her creditors and reopen her charge
accounts. Gus seemed to think, how
ever, that his wise investment on her
account should make them better friends
than Lily felt was desirable.
In the meantime, Lily unexpectedly
got possession of some letters which
Bertha Dorset had written to Selden.
Bertha had once loved Selden, but George
Dorset's fortune was great and she had
left Selden for George. She continued
to write to Selden after her marriage.
When Gus Trenor began to get more
insistent in his demands for Lily's com
panionship, she became really worried.
She knew that people were talking about
her a great deal and that her position in
society was precarious. She turned to
Selden for advice. He told her that he
loved her for what she could be, but
that he could give her nothing now. He
had no money, and he would not even
offer her his love because he could not
love her as she was, a scheming, ruthless
fortune-hunter.
One night Lily received a message
that Judy Trenor wanted her to call.
When she arrived at the Trenor home,
Lily found Gus there alone. He had sent
the message. Gus told her then that the
money had not been profit on her in
vestment, but a gift from him. When
he intimated that she had always known
THE HOUSE OF MIRTH by Edith Wharton. By peramsion of the publishers, Charles Scribner'* Son*. Copy
right, 1905, by Charles Scribner'* Sons. Renewed, 1933, by Edith Wharton.
381
the money was from him personally,
Lily was terrified, but at last she man
aged to get out of the house. She knew
then that there was only one thing for
her to do. She must accept Rosedale's
offer of marriage. But before she wrote
to Rosedale accepting his offer, the Dor-
sets invited her to take a Mediterranean
cruise on their yacht. The moment of
decision was postponed for a time.
Selden also left New York. Unknown
to her, he had seen Lily leave the Trenor
house on the night Gus had tricked her
into thinking Judy wanted her to call.
Selden had always refused to believe
the unsavory stories circulating about
Lily, but the evidence of his own eyes,
he thought, was too plain to be ignored.
When he met Lily abroad, he treated her
with courteous disinterest.
Lily returned to New York. Her aunt,
Mrs. Peniston, had died, leaving Lily
ten thousand dollars. Lily planned to
repay Gus Trenor with her inheritance,
and she found intolerable the delay in
settling her aunt's estate. Meanwhile
Bertha Dorset's insinuations about Lily's
conduct abroad, coupled with the talk
about Lily and Gus Trenor, finished
Lily's reputation. She took various
positions, until at last she was reduced
to working in the factory of a milliner.
She had first offeied to accept Rosedale's
former proposal of marriage, but she was
no longer useful to Rosedale since her
fall from favor, and he refused to marry
her. He knew that Lily had the letters
Bertha had written Selden, and he also
knew that George Dorset no longer loved
his wife and would gladly marry Lily.
It seemed to Rosedale that Lily had only
two alternatives, either to take George
Dorset away from Bertha or to go to
Bertha with the letters and force her
to receive Lily once more.
At first Lily's feeling for Selden made
her shrink from doing anything that
would harm him. Then she lost her
position. Without money to buy food
or to pay for her room in a dingy board
ing-house, she reluctantly took the letters
and started to the Dorset home. On the
way she stopped to see Selden. When
he again told her that he loved her, or
rather that he would love her if she
would only give up her greed for wealth
and position, she gave up her plan and,
unseen by him, dropped the letters into
the fireplace. Then she thanked him for
the kindness he, and he alone, had given
her, and walked out into the night.
When she returned to her room, she
found the check for the ten thousand
dollars of her inheritance. She sat down
at once and wrote a check to Gus Trenor
for the amount she owed him and put
it in an envelope. In another envelope
she placed the ten thousand dollar check
and addressed the envelope to her bank.
She put the two envelopes side by side
on her desk before she lay down to
sleep.
But sleep would not come. At last
she took from her bureau a bottle of
chloral, which she had bought for those
nights when she could not sleep. She
poured the contents of the bottle into a
glass and drank the whole. Then she
lay down again upon her bed.
The next morning, feeling a sudden
need to see Lily at once, Selden went
early to her rooming-house. There he
found a doctor already in attendance
and Lily dead from an overdose of
chloral. On her desk he saw the two
envelopes. The stub of the open check
book beside them told the whole story
of Lily's last effort to get her accounts
straight before she died. He knew then
that his love for her had been justified,
but the words he spoke as he knelt by
her bed came too late.
382
THE HOUSE OF THE SEVEN GABLES
Type of work: Novel
Author: Nathaniel Hawthorne (1804-1864)
Type of plot: Psychological romance
Time of plot: 1850
Locale: Salem, Massachusetts
First published: 1851
Principal characters:
Miss HEPZIBAH PYNCHEON, a spinster
CLIFFORD PYNCHEON, her brother
JUDGE JAFFREY PYNCHEON, a kinsman
PHOEBE PYNCHEON, a distant cousin
MR. HOLGRAVE, Miss Hepzibah's lodger
Critique:
The theme of Hawthorne's justly fam
ous novel is obviously that the sins of
the fathers are passed on to the children
in succeeding generations. In the in
genious plot of this novel the reader
watches the gradual expiation of old
Matthew Maule's curse on the Pyncheon
family, as youth in the guise of Phoebe
and Holgrave enters the old house. Evi
dent in the finely-written pages of The
House of the Seven Gables is the author's
lively interest in New England history,
and his increasing doubts about a mori
bund New England that looked back
ward to past times.
The Story:
The House of the Seven Gables was a
colonial house built in the English style
of half-timber and half-plaster. It stood
on Pyncheon Street in quiet Salem. The
house had been built by Colonel Pyn
cheon, who had wrested the desirable
site from Matthew Maule, a poor man
executed as a wizard. Because Colonel
Pyncheon was responsible and because
he was taking the doomed man's land,
Maule at the moment of his execution de
clared that God would give the Pyn-
cheons blood to drink. But in spite of
this grim prophecy the colonel had his
house, and its builder was Thomas
Maule, son of the old wizard.
Colonel Pyncheon, dying in his great
oak chair just after the house had been
completed, choked with blood so that
his shirt front wa/ turned soarlet. Al
though doctors explained the cause of
his death as apoplexy, the townsfolk had
not forgotten old Maule's prophecy. The
time of the coloriters death was inaus
picious. It was slid he had just com
pleted a treaty by which, he had bought
huge tracts of land from the Indians,
but this deed had not been confirmed by
the general court and was never discov
ered by any of his heirs. Rumor also had
it that a man was seen leaving the house
about the time Colonel Pyncheon died.
More recently another startling event
had occurred at the House of the Seven
Gables. Jaffrey Pyncheon, a bachelor,
had been found dead in the colonel's
great oaken armchair, and his nephew,
Clifford Pyncheon, had been sentenced
to imprisonment after being found guilty
of the murder of his uncle.
These events were in the unhappy
past, however, and in 1850, the House
of the Seven Gables was the home of
Miss Hepzibah Pyncheon, an elderly,
single woman, who let one wing of the
old house to a young man of radical
tendencies, a maker of daguerreotypes,
whose name was Mr. Holgrave.
Miss Hepzibah was about to open a
shop in one of the rooms of her house.
Her brother Clifford was coming home
from the state prison after thirty years,
and she had to earn money in some way
to support him. But on the first day of
her venture as a storekeeper Miss Hepzi-
3o3
bah proved to be a failure. The situa
tion was saved, however, by the arrival
of young Phoebe Pyncheon from the
country. Soon she was operating the
shop at a profit,
Clifford arrived from the prison a
broken man of childish, querulous ways.
Once he tried to throw himself from a
big arched window which afforded him
almost his only contact with the outside
world. He was fond of Phoebe, but Miss
Hepzibah irritated him with her sullen
scowling. For acquaintances Clifford had
Uncle Venner, a handy man who did
odd jobs for the neighborhood, and the
tenant of the house, Mr. Holgrave, the
daguerreotypist
The only other relative living in town
was the highly-respected Judge Pyn
cheon, another nephew of the old Jaffrey
Pyncheon, for whose murder Clifford
had spent thirty years in prison. He was,
in fact, the heir of the murdered man
and he had been somehow involved with
Clifford's arrest and imprisonment. For
these reasons Clifford refused to see him
when the judge offered to give Clifford
and Hepzibah a home at his countryseat.
Meanwhile, Phoebe had become
friendly with Mr, Holgrave. In turn, he
thought that she brought light and hope
into the gloomy old house, and he missed
her greatly when she returned to her
home in the country. Her visit was to be
a brief one, however, for she had gone
only to make some preparations before
coming to live permanently with Miss
Hepzibah and Clifford.
Before Phoebe returned from the
country, Judge Pyncheon visited the
House of the Seven Gables and, over
Miss Hepzibah's protest, insisted on see
ing Clifford, who, he said, knew a fam
ily secret which meant great wealth for
the judge. When at last she went out
of the room to summon her brother, Judge
Pyncheon sat down in the old chair by
the fireplace, over which hung the por
trait of the Colonel Pyncheon who had
built the house. As the judge sat in the
old chair, his ticking watch in his hand,
an unusually strong family likeness could
be noted between the stern judge and his
Puritan ancestor in the portrait. Un
able to find Clifford, to deliver the judge's
message, Miss Hepzibah returned. As
she approached the door, Clifford ap
peared from within, laughing and point
ing to the chair where the judge sat
dead of apoplexy under the portrait of
the old colonel. His shirt front was
stained with blood. The wizard's curse
had been fulfilled once more; God had
given him blood to drink.
The two helpless old people were so
distressed by the sight of the dead man
that they crept away from the house
without notifying anyone and departed
on the train. The dead body of the judge
remained seated in the chair.
It was some time before the body was
discovered by Holgrave. When Phoebe
returned to the house, he admitted her.
He had not yet summoned the police
because he wished to protect the old
couple as long as possible. While he and
Phoebe were alone in the house, Hol
grave declared his love for her. They
were interrupted by the return of Miss
Hepzibah and the now calm Clifford.
They had decided that to run away would
not solve their problem.
The police attributed the judge's death
to natural causes, and Clifford, Miss Hep
zibah, and Phoebe became the heirs to
his great fortune. It now seemed certain
that Jaffrey Pyncheon had also died of
natural causes, not by Clifford's hand,
and that the judge had so arranged the
evidence as to make Clifford appear a
murderer.
In a short time all the occupants of
the House o£ the Seven Gables were
ready to move to the judge's country es
tate which they had inherited. They gath
ered for the last time in the old room
under the dingy portrait of Colonel
Pyncheon. Clifford said he had a vague
memory of something mysterious con
nected with the picture. Holgrave offered
to explain the mystery and pressed a se
cret spring near the picture. When he
384
did so, the portrait fell to the floor, dis
closing a recess in the wall. From this
niche Holgrave drew out the ancient
Indian deed to the lands which the Pyn-
cheons had claimed. Clifford then re
membered he had once found the secret
spring. It was this secret which Judge
Pyncheon had hoped to learn from Clif
ford.
Phoebe asked how Holgrave happened
to know these facts. The young man ex
plained his name was not Holgrave, but
Maule. He was, he said, a descendant
of the wizard, Matthew Maule, and of
Thomas Maule who built the House of
the Seven Gables. The knowledge of
the hidden Indian deed had been handed
down to the descendants of Thomas
Maule, who built the compartment be
hind the portrait and secreted the deed
there after the colonel's death. Hol
grave was the last of the Maules and
Phoebe, the last of the Pyncheons, would
bear his name. Matthew Maule's curse
had been expiated.
HOW GREEN WAS MY VALLEY
Type of work: Novel
Author: Richard Llewellyn (Richard D. V. Llewellyn Lloyd, 1907-
Type of 'plot: Domestic realism
Time of plot Nineteenth century
Locale: Wales
First published: 1940
Principal characters:
GWILYM MORGAN, a Welsh miner
BETH MORGAN, his wife
Huw MORGAN, their son and the narrator
IVOR,
DAVY,
OWEN,
IANTO, and
GWILYM, other sons
ANGHARAJ>, their daughter
BRONWEN, Ivor's wife
MARGED, Gwilym's wife
LESTYN EVANS, Angharad's husband
Critique:
How Green Was My Valley is a
story of the life of a Welsh boy, seen
through the eyes of an old man who has
only memory to sustain him. The novel
was published during the war years, and
perhaps the strife that was everywhere
then accounted somewhat for its great
popularity. There was trouble in the
lives of the people we meet in this story,
but the kindness of the main characters
was so great that even death seemed
gentle and not to be feared. The novel
is simply and beautifully told.
The Story:
How beautiful and peaceful the val
ley looked to Huw Morgan when he was
ready to leave it! All the memories of
a long lifetime came back to him.
Huw's earliest memories were of his
father and brothers when they came
home from the mines on Saturday night
There was trouble brewing at the mines.
The men talked of unions and organiz'
ing, and the owners were angry.
Huw loved his family very much, and
when he learned that his brother Ivor
was to marry he was sorry to lose his
HOW GREEN WAS MY VALLEY by Richard Llewellyn. By permission of Curtis Brown, Ltd., and the pub
lishers, The Macmillan Co. Copyright, 1940, by Richard D. V. Llewellyn Lloyd.
385
brother. But from the first moment Huw
saw Ivor's Bronwen, he loved her, and
that love for his sister-in-law stayed with
him all of his life.
Another Brother, lanto, married soon
afterward. His wife was a girl from
the village, where lanto went to live.
Trouble came at last to the mines.
The men in the pits went on strike for
twenty-two weeks, but the owners were
the stronger because they were not watch
ing their families starve. The men finally
went back to work for less money than
before. After that first strike, the father
would never again join the men trying
to form a union, for he could not bring
himself to lead men out of work. Davy
and the other hoys, however, were more
bitter than ever. When the father
ordered his sons never to attend another
meeting, Davey, Owen, and Gwilym left
home and took a room in a lodging-
house. Their mother cried all night, but
the father would not change his mind.
It was a miserable time for six-year-old
Huw. When his sister Angharad found
that the three boys were living in filth,
she went to the rooming-house to take
care of them. Then the father relented
and allowed the boys to come home, but
he said that they would be lodgers only,
not sons.
After the father became superintendent
at the mine, Huw heard some of the min
ers say that his father and Ivor, who
agreed with him, might be beaten or
even killed hy some of the more violent
miners. Frightened, he told his mother
what he had heard. One winter night
she and Huw went to the mountain
where the miners were meeting, and she
told the men there that she would kill
anyone who harmed her husband. On
the way home his mother slipped on the
bank of a little river. Huw, standing in
the icy water, supported his mother on
the bank until help came. After that
he knew nothing until he awoke in his
bed and his father told him that he had
saved his mother's life and the life of his
new baby sister. Huw had fever in his
legs for almost five years and never left
his bed during that time.
During his sickness Bronwen nursed
him and his brothers read to him until
he was far beyond his years in learning.
While he was in bed, he first met the
new minister, Mr. Gruffydd, who was to
become his best friend.
Huw's brother Owen fell in love with
Marged Evans. When Marged's father
found Owen kissing Marged, he said
terrible things to the boy, so that Owen
would have nothing more to do with
Marged. Gwilym married her, for he
had always loved her.
lanto's wife died and he came home
to live. By this time Huw, well once
more, went to the National School, over
the mountain. He had many fights be
fore he was accepted by the other boys,
Angharad and lestyn Evans, the son
of the mine owner, began to keep com
pany, but Angharad did not seem to be
happy. It was some time before Huw
learned that Angharad loved Mr.
Gruffydd but that he could not take a
wife because he was poor. Huw began
to think love caused heartache instead
of happiness.
One day he took a basket of food to
Gwilym's house, and there he found
Marged completely mad. Thinking he
was Owen, she told him she could not
live without him. Huw ran to find
Gwilym. Before he returned with his
brother, Marged had thrown herself into
the fire and burned to death. Afterward
Gwilyrn and Owen went away together,
no one knew where.
lestyn Evans' father died, and soon
after lestyn and Angharad were married
in London. Davy was married before
they came home, and for the wedding
Huw had his first long trousers. Bron
wen told him that he was now a man.
Shortly afterward Huw was put out
of school for giving the teacher a beating
because he had made a small child wear
around her neck a sign announcing that
she was Welsh. Huw went to work in
the pits with his brothers. Owen and
386
Gwilym had returned home and all the
Kays lived again in the valley. But soon
Owen had a telegram from London
about an engine he was trying to per
fect, and he and Gwilym left again.
From London they went to America.
Soon afterward Davy went to London
on mine union business.
Angharad came home from London
alone, lestyn having gone to Cape Town
on business. Soon gossip started because
Mr. Gruffydd and Angharad often took
carriage rides together. Finally Angharad
left the valley and went to Cape Town.
Mr. Gruffydd also left the valley.
When Ivor was killed in a cave-in at
the mine, Huw's mother sent him to live
with Bronwen in her loneliness. Dis
charged from the mines for striking one
of the workmen who made a slurring
remark about Angharad and Mr. Gruf
fydd, Huw became a carpenter. lanto
had already left the pits and only his
father and Davy were left in the mines.
Davy decided to go to New Zealand,
lanto went to Germany, where he
thought he could do better in his trade.
The family was now scattered.
One day the workers flooded the mines
and Huw's father was crushed by a cave-
in. Huw crawled to his father and
stayed with him until he died. Huw's
heart was as empty as his mother's when
he told her the terrible news.
Everyone of whom Huw had thought
during this reverie was now dead. He
walked slowly away from his valley and
from his memories.
HUCKLEBERRY FINN
Type of work: Novel
Author: Mark Twain (Samuel L. Clemens, 1835-1910)
Type of 'plot: Humorous satire
Time of ^plot: Nineteenth century
Locale: Along the Mississippi River
First published: 1885
Principal characters:
HUCKLEBERRY FINN
TOM SAWYEE, his friend
JIM, a Negro slave
Critique:
Not to have read The Adventures of
Huckleberry Finn is nearly as sad as never
having been to a circus or never having
played baseball with the neighborhood
gang. Huck is every young boy who
ever lived, and he is also an individual
worth knowing. He swears and smokes,
but he has a set of ethics of his own.
Reared haphazardly in the South, he
believes that slaves belong to their right
ful owners, yet in his honest gratitude
toward his friend Jim, he helps him
escape his slavery. Huck could not bear
to cheat the three Wilks girls, but he did
not hesitate to steal food when he was
hungry. Huck talks with a lowbrow dia
lect, but he is keen-witted and intelligent.
He tells his story with a straight-faced
forwardness, but the reader finds laughter
and shrewd, sharp comment on human
nature in every chapter of his adventures
along the Mississippi.
The Story:
Tom Sawyer and Huckleberry Finn
had found a box of gold in a robber's
cave. After Judge Thatcher had taken
the money and invested it for the boys,
each had a huge allowance of a dollar
a day. The Widow Douglas and her sis
ter, Miss Watson, had taken Huck home
with them to try to reform him. At first
Huck could not stand living in a tidy
house where smoking and swearing were
HUCKLEBERRY FINN by Mark Twain. Published by Harper & Brothers
387
forbidden. Worse, he had to go to
school and learn how to read. But he
managed to drag himself to school almost
every day, except for the times when he
sneaked off for a smoke in the woods or
to go fishing in the Mississippi.
Life was beginning to become bearable
to him when one day he noticed some
tracks in the snow. Examining them
closely, he realized that they belonged to
the worthless father whom Huck had not
seen for over a year. Knowing that his
father would be back hunting him when
the old man learned about the six thou
sand dollars, Huck rushed over to Judge
Thatcher and persuaded the judge to
take the fortune for himself. The judge
was puzzled, but he signed some papers,
and Huck was satisfied that he no longer
had any money for his father to take
from him.
Huck's father finally showed up one
night in Huck's room at Widow Doug-
las' home. Complaining that he had
been cheated out of his money, the old
drunkard took Huck away with him to
a cabin in the woods, where he kept the
boy a prisoner, beating him periodically
and half starving him. Before long Huck
began to wonder why he had ever liked
living with the widow. With his father,
he could smoke and swear all he wanted,
and his life would have been pleasant if
it had not been for the beatings. One
night Huck sneaked away, leaving a
bloody trail from a pig he had killed in
the woods. Huck wanted everyone to
believe he was dead. He climbed into a
boat and went to Jackson's Island to
hide until all the excitement had blown
over.
After three days of freedom, Huck
wandered to another part of the island
and there he discovered Jim, Miss Wat
son's Negro slave. Jim told Huck that
he had run off because he had overheard
Miss Watson planning to sell him down
south for eight hundred dollars. Huck
swore he would not report Jim. The
two stayed on the island many days, Jim
giving Huck an education in primitive
superstition. One night, Huck rowed
back to the mainland. Disguised as a
girl, he called on a home near the shore.
There he learned that his father had dis
appeared shortly after the people of the
town had decided that Huck had been
murdered. Since Jim's disappearance had
occurred just after Huck's alleged death,
there was now a three hundred dollar
reward posted for Jim's capture, as most
people believed that Jim had killed Huck.
Fearing that Jackson's Island would
be searched, Huck hurried back to Jim
and the two headed down the Missis
sippi. They planned to leave the raft
at Cairo and then go on a steamboat up
the Ohio into free territory. Jim told
Huck that he would work hard in the
North and then buy his wife and children
from their masters in die South. Helping
a runaway slave bothered Huck's con
science, but he reasoned that it would
bother him more if he betrayed such a
good friend as Jim, One night as they
were drifting down the river on their
raft, a large boat loomed before them,
and Huck and Jim, knowing that the
raft would be smashed under the hull of
the ship, jumped into the water. Huck
swam safely to shore, but Jim disap
peared.
Huck found a home with a friendly
family named Grangerford. The Granger-
fords were feuding with the Shepherd-
sons, another family living nearby. The
Grangerfords left Huck mosdy to him
self and gave him a young slave to
wait on him. One day the slave asked
him to come to the woods to see some
snakes. Following the boy, Huck came
across Jim, who had been hiding in the
woods waiting for an opportunity to send
for Huck. Jim had repaired the broken
raft. That night one of the Granger-
ford daughters eloped with a young Shep-
herdson, and the feud broke out once
more. Huck and Jim ran away during
the shooting and set off down the river.
Shortly afterward, Jim and Huck met
two men who pretended they were roy
alty and made all sorts of nonsensical de-
388
mands on Huck and Jim. Huck was not
taken in, but he reasoned that it would
do no harm to humor the two men to
prevent quarreling. The Duke and the
King were clever schemers. In one of
the small river towns they staged a fake
show which lasted long enough to net
them a few hundred dollars. Then they
ran off before the angered townspeople
could catch them.
The Duke and the King overheard
some people talking about the death of
a Peter Wilks, who had left considerable
property and some cash to his three
daughters. Wilks' two brothers, whom
no one in the town had ever seen, were
living in England. The King and the
Duke went to the three daughters, Mary
Jane, Susan, and Joanna, and presented
themselves as the two uncles. They took
a few thousand dollars of the inheritance
and then put up the property for auction
and sold the slaves. This high-handed
deed caused great grief to the girls, and
Huck could not bear to see them so un
happy. He decided to expose the two
frauds, but he wanted to insure Jim's
safety first. Jim had been hiding in the
woods waiting for his companions to re
turn to him. Employing a series of lies,
subterfuges, and maneuverings that were
worthy of his ingenious mind, Huck ex
posed the Duke and King. Huck fled
back to Jim, and the two escaped on their
raft. Just as Jim and Huck thought they
were on their way and well rid of their
former companions, the Duke and King
came rowing down the river toward them.
The whole party set out again with
their royal plots to hoodwink the public.
In one town where they landed, Jim was
captured, and Huck learned that the
Duke had turned him in for the reward.
Huck had quite a tussle with his con
science. He knew that he ought to help
return a slave to the rightful owner, but,
on the other hand, he thought of all the
fine times he and Jim had had together
and how loyal a friend Jim had been.
Finally, Huck decided that he would help
Jim to escape.
Learning that Mr. Phelps was holding
Jim, he headed for the Phelps farm.
There, Mrs. Phelps ran up and hugged
him, mistaking him for the nephew
whom she had been expecting to come
for a visit. Huck wondered how he could
keep Mrs. Phelps from learning that he
was not her nephew. Then to his relief
he learned they had mistaken him for
Tom Sawyer. Huck rather liked being
Tom for a while, and he was able to tell
the Phelps all about Tom's Aunt Polly
and Sid and Mary, Tom's brother and
sister. Huck was feeling proud of him
self for keeping up the deception. When
Tom Sawyer really did arrive, he told
his aunt that he was Sid.
At the first opportunity Huck tolc?
Tom about Jim's capture. To his sur
prise, Tom offered to help him set Jim
free. Huck could not believe that Tom
would be a slave stealer, but he kept his
feelings to himself. Huck had intended
merely to wait until there was a dark
night and then break the padlock on the
door of the shack where Jim was kept.
But Tom said the rescue had to be done
according to the books, and he laid out
a most complicated plan with all kinds of
story-book ramifications. It took fully
three weeks of plotting, stealing, and
deceit to let Jim out of the shack. Then
the scheme failed. A chase began after
Jim escaped, and Tom was shot in the
leg. After Jim had been recaptured, Tom
was brought back to Aunt Sally's house
to recover from his wound. Then Tom
revealed the fact that Miss Watson had
died, giving Jim his freedom in her will.
Huck was greatly relieved to learn that
Tom was not really a slave stealer after
all.
To complicate matters still more, Tom's
Aunt Polly arrived. She quickly set
straight the identities of the two boys.
Jim was given his freedom and Tom
gave him forty dollars. Tom told Huck
that his money was still safely in the
hands of Judge Thatcher, but Huck
moaned that his father would likely be
back to claim it again. Then Jim told
389
Huck that his father was dead; Jim had
seen him lying in an abandoned boat
along the river.
Huck was ready to start out again be
cause Aunt Sally said she thought she
might adopt him and try to civilize him.
Huck thought that he could not go
through such a trial again after he had
once tried to be civilized under the care
of Widow Douglas.
HUGH WYNNE, FREE QUAKER
Type of work: Novel
Author: Silas Weir Mitchell (1829-1914;)
Type of 'plot: Historical romance
Time of ^lot: 1753-1783
Locale: Colonial America
First published: 1897
Principal characters:
JOHN WYNNE, a Quaker
MARIE, his wife
HUGH WYISHSTE, John's son
JACK WARDER, Hugh's friend
ARTHUR WYNNE, Hugh's cousin
DARTHEA PENISTON, who marries Hugh
GAJNOR WY^nsna, John's sister
Critique:
Hugh Wynne, Free Quaker is one of
the best novels of the American Revo
lution. The veracity of its events in the
historical sense can be judged by any
student of history, and its faithfulness
to the social history of the time can be
judged by reading diaries and chronicles
of those who lived through the war years.
More than historical fiction, however, the
novel is a touching revelation of a child-
parent relationship and of the con
sequences of too much doctrinal dis
cipline.
The Story:
The Wynne family had descended
from an ancient Welsh line. That part
of the family which had remained in
Wales now held the family estate of
Wyncote. The American branch, being
Quaker, had dissociated itself from the
more worldly family at Wyncote, and
Hugh Wynne grew up under the stern
discipline of John Wynne's orthodoxy.
John's sister, Gainor Wynne, had not
become a Quaker. Because Hugh was
HUGH WYNNE, FREE QUAKER by Silas Weir Mitchell. By permis&Icm of the publishers, Aj
Crofts, Inc. Copyright, 1896, by The Ceatury Co. Renewed, 1923, by Langden Elwyn Mitchell.
his aunt's favorite, early in his life he
fell under the influence of those who
were outside the ways of the Quakers.
Jack Warder was Hugh's closest
friend, the two boys having gone to
school together. Aunt Gainor often in
vited both boys to her home in Phila
delphia, where she was surrounded by
a worldly group of English officers, men
upon whom the Quakers frowned. Hugh
enjoyed their society, to the delight of
his aunt, who wished her nephew to
break his Quaker ties. Jack Warder,
however, did not like Gainor Wynne's
friends. When he and Hugh were old
enough to judge moral values for them
selves, their friendship became strained.
Hugh's father was never fully aware
of the way Hugh spent his time away
from home.
One night, while drinking and gam
bling with his worldly friends, Hugh met
a cousin, Arthur Wynne, of the family
at Wyncote. He instinctively disliked
his relative because of his superior ways
and his deceitful manner. During the
lis&Ion. of the publishers, Appleton-Century-
390
evening Hugh became very drunk. Sud
denly his mother and Jack Warder burst
into the room.
This incident marked the beginning
of Hugh's break with his father's church
and the renewal of his friendship with
Jack Warder. Hugh, realizing his folly,
was thankful that Jack had seen him on
the streets and had led his mother to
rescue him from the drunken party. He
began to realize the depth of his mother's
love and understanding. John Wynne
was quite different in his attitude. A
few nights later he took Hugh to a
Quaker meeting, where public prayers
were offered to save Hugh's soul. Hugh's
embarrassment caused him to lose all of
his love for the Quaker religion and to
bear a deep resentment against his father.
At Gainor Wynne's home, Jack and
Hugh heard much conversation about
disagreement between the Americans and
the British. Gainor was a Whig, and
under her influence Jack and Hugh
gained sympathy for their American
compatriots. Arthur Wynne too had be
come part of the society that gathered
at Gainor Wynne's house. Jack and
Hugh had never liked Arthur, but now
they had a new cause for their dislike.
Arthur made no secret of his admiration
for Darthea Peniston, a schoolmate of
Jack and Hugh, and his bragging about
Wyncote seemingly won her interest,
thus arousing Hugh's jealousy. When
Hugh told Darthea of his love, she in
sisted that she did not love him.
Meanwhile Hugh's parents went
abroad. During their absence he stayed
with Gainor Wynne. Claiming that the
time was not far off when he would need
such a skill, she urged him to take
fencing lessons. Jack practiced the sport
with his friend, although he knew it to
be contrary to the laws of the church.
Hugh and Jack both knew that soon
they would join the American cause for
liberty.
While John Wynne and his wife were
abroad, Hugh received a letter telling
that his mother had died. On his return
John showed no signs of his grief at the
loss of his wife. Hugh himself felt her
loss deeply.
At Gainer's home, where he spent
more time than ever since the death of
his mother, Hugh quarreled with an
English officer and was challenged to a
dueL With Jack as his second, Hugh
answered the challenge. As a result the
Quakers notified both boys that unless
they changed their ways and repented
for their sins, they could no longer be
long to the Society of Friends. Jack and
Hugh announced that they intended to
join the American army; fighting had
already begun at Lexington.
Jack went to join the troops. After
a short time Hugh decided to follow him,
in spite of his father's crafty excuses that
he needed Hugh to conduct his business
affairs for him. When he did join the
army, Hugh was captured by the British
and sent, wounded and sick, to a filthy
prison. In the prison Arthur Wynne,
now a Tory captain, saw his cousin, but
left Hugh to die. Hugh never forgave
him for this cruelty and for his subse
quent lie concerning the meeting.
Hugh recovered and escaped from
prison to return to Gainor Wynne's
house. Arthur Wynne was staying at
the home of John Wynne and ingrati
ating himself in the eyes of the old man.
Hugh knew that there was something
mysterious in relation to the Welsh estate
of Wyncote. Supposedly Arthur's father
owned the estate, having bought it from
John's father. Gainor Wynne urged
Hugh to investigate the tide of the estate.
John Wynne, it seemed, still possessed
the tide, and out of sympathy for
Arthur's alleged poverty had promised to
give it to him. Hugh was unable to
change his father's decision, even after
he told of Arthur's cruel desertion when
Hugh lay near death in prison. His
father refused to believe Hugh's story.
Hugh could not tell Darthea about
Arthur's behavior, for he felt that she
would rush to Arthur's defense if he
said anything against his cousin.
391
Once, while Hugh was at home, his before her, she felt that she was free
father, thinking Hugh was Arthur, at last to breai her engagement,
handed him the deed to Wyncote. Again Hugh asked her to marry him
Knowing that his father's mind had often and she surprised him by accepting. Hugh
misled him of late, Hugh tried to con- still did not want the title to Wyncote,
vince the old man that he was not and Darthea agreed with him that after
Arthur, but John insisted that Hugh take he had taken Arthur's betrothed it would
the deed. Hugh took it to Gainor not become Hugh to take his inheritance
Wynne. from him as well. Although Gainor
After a rest of a few months, Hugh Wynne wished to press the legality of the
rejoined the American troops. He was ancient deed, Darthea threw it into the
able to perform a courageous service for fire, and so destroyed any claim Hugh
General Washington, for which he re- might have upon the ancestral estate,
ceived praise and a captaincy. Jack, too, John Wynne, who had ceased to live
bad become an officer. for Hugh when he had lost his mental
When Hugh and Jack returned to faculties, died soon after the war ended.
Philadelphia on leave, Gainor Wynne Darthea and Hugh were happily married,
managed to expose Arthur to Darthea. and they lived long years together to
Although the young girl had lost her watch their children and their grand-
earlier love for the Tory officer, she had children grow up unburdened by the
been unwilling to break her promise to rigorous religious control which Hugh
him. But with proof of Arthur's villainy had known in his youth.
THE HUMAN COMEDY
Type of work: Novel
Author: William Saroyan (1908- )
Type of plot: Sentimental romance
Time of 'plot: Twentieth century
Locale: Ithaca, California
First 'published: 1943
Prind'pa.l characters:
KATEY MACAULEY, a widow
HOMER,
ULYSSES, and
MARCUS, her sons
BESS, her daughter
MARY ARENA, Marcus' sweetheart
THOMAS SP ANGLER, manager of the telegraph office
MR. GROGAN, assistant in the telegraph office
TOBEY GEORGE, Marcus' friend from the army
LIONEL, Ulysses' friend
Critique: The Story:
This novel has for its theme the idea Mr. Macauley was dead and his wife
that no human can ever die as long as and children had to take care of them-
he lives in the hearts of those who loved selves. When Marcus went into the
him. The story deals with the family of army, Homer, the next oldest, obtained
a soldier who died in the war. Frankly a job on the night shift in the telegraph
sentimental, The Human Comedy is one office at Ithaca, California. He worked
of the most touching of Saroyan's works. at night because he was still attending
TTTE HUMAN COMEDY by William Saroyan. By permission of the author and the publisher!, Harcourt, Brace
& Co., Inc. Copyright, 1943, by Harcourt, Brace & Co., Inc.
392
school during the day. Little Ulysses
watched his family and wondered what
was going on, for his baby's mind could
not comprehend all the changes that had
taken place in his home.
Every morning Homer arose early
and exercised in his room so that he
would be physically fit to run the two-
twenty low hurdles at high school. After
he and Bess had eaten their breakfast,
Mary Arena, who was in love with Mar
cus, came from next door, and she and
Bess walked to school together.
In the ancient history class, taught by
Miss Hicks, Homer and Hubert Ackley
the Third insulted each other, and Miss
Hicks kept the boys after school. But
Coach Byfield had picked Hubert to run
the two-twenty low hurdles that after
noon, and Hubert told Miss Hicks that
the principal had asked that he be ex
cused. Indignant at the deceit, Miss
Hicks also sent Homer to run the race.
Although Hubert was the winner, Homer
felt that justice had been done.
Thomas Spangler was in charge of the
telegraph office and Mr. Grogan, an old
man with a weak heart, was his assistant.
Because Mr. Grogan got drunk every
night, one of Homer's duties was to see
to it that Mr. Grogan stayed awake to
perform his duties. A problem which
had weighed on Homer's mind ever since
he had taken his new job and had grown
up overnight was whether the war would
change anything for people. Mr. Gro
gan and Homer often talked about the
world, Homer declaring that he did not
like things as they were. Seeing every
one in the world mixed up and lonely,
Homer said, he felt that he had to say
and do things to make people laugh.
Mrs. Macauley was happy that her
children were so human. Ever since her
husband had died, Katey Macauley had
pretended to see him and discuss with
him problems that arose concerning the
rearing of her family. She felt that the
father was not dead if he lived again
in the lives of his children. One after
noon she had a premonition of Mar
cus* death, for she imagined that her
husband came to her and told her he was
going to bring Marcus with him.
Little Ulysses had a friend, Lionel,
who was three years older than Ulysses.
The older boys chased Lionel away from
their games because they said that he
was dumb. When Lionel came to Mrs.
Macauley to ask her whether he was
stupid, tie kind woman assured him that
he was as good as everyone else. Lionel
took Ulysses to the library with him to
look at all the many-colored books on the
shelves. Ulysses, who spent his time
wandering around and watching every
thing, was pleased with the new ex-
perience.
Marcus wrote to Homer from an army
camp somewhere in the South, and
Homer took the letter back to the tele
graph office with him. The letter told
about Marcus' friend, an orphan named
Tobey George. Marcus had described
his family, Homer, Ulysses, Bess, his
mother, and his sweetheart, Mary, to
Tobey. Because Tobey had no family of
his own, he was grateful to Marcus
for bringing to him second-hand the
Macauley family. Marcus had told
Tobey that after the war he wanted
Tobey to go to Ithaca and marry Bess.
Tobey was not so certain that Bess
would want to marry him, but he felt
for the first time in his life that he had
a family that was almost his own. Mar
cus had written to Homer, as the new
head of the family, to tell him about
Tobey George and to ask him to look
after his mother and Bess.
Homer was moved by his brother's
letter. When he had finished reading
it, he told Mr. Grogan that if Marcus
should be killed he would spit at the
world. Homer could express his love
for Marcus in no other way.
The same events repeated themselves
many times in Ithaca. Ulysses continued
to watch everything with increasing in
terest. Mary and Bess sang their songs
and went for their evening walks. Tele
grams came, and Homer delivered them.
393
Soldiers began coming home to Ithaca,
to their motheis and to their families.
Homer had been working at the tele
graph office for six months. One Sunday
night, while he was walking downtown
with Lionel and Ulysses, he saw through
the window of the telegraph office that
Mr. Grogan was working alone. He sent
the two small boys home and went in to
see if Mr. Grogan needed him. The
old man had suffered one of his heart
attacks, and Homer ran to the drug store
to get some medicine for him. Mr. Gro
gan attempted to type out one more
telegram, a message for Katey Macauley
telling her that her son Marcus had been
killed in action. When Homer returned
with the medicine, he found Mr. Grogan
slumped over the typed-out message. He
was dead. Homer went home with the
message that Marcus had been killed.
That night a soldier had got off the
train at Ithaca. He was Tobey George.
He walked around for a time before he
went to see Marcus* family. When he
came to the Macauley porch, he stood
and listened to Bess and Mary singing
inside the house. Bess came outside and
sat next to him while he told her that
Marcus had sent him to be a member
of the family. When Homer came to
the porch with the telegram, Tobey
called him aside and told him to tear
up the message. Tobey assured him that
Marcus was not dead; Marcus could
never die. Mrs. Macauley came onto the
porch, and Ulysses ran to Tobey and
took his hand. For a while the mother
looked at her two remaining sons. Then
she smiled at her new son as the family
walked into the house.
HUMPHRY CLINKER
Type of -work: Novel
Author: Tobias Smollett (1721-1771)
Type of ^lot: Social satire
Time of 'plot: Mid-eighteenth century
Locale: England, Scotland, Wales
First published: 1771
Principal characters:
MATTHEW BRAMBLE, a Welsh squire
Miss TABITHA BRAMBLE, his sister
LYDIA MELFORD, his niece
JERRY MELFORD, his nephew
WINIFRED JENKINS, a maid
HUMPHRY CLINKER, a servant, discovered to be Mr. Bramble's natural son
LIEUTENANT OBADIAH LISMAHAGO, an adventurer and sportsman
MR. DENNISON, a country gentleman
GEORGE DENNISON, his son, the actor known as Wilson
Critique:
This novel, written in the form of
letters, is easy to read and continually
amusing. The characters of the writers of
the letters are shown by the variation of
their descriptions of the same events. The
picture is one of a realistic if somewhat
eccentric family, whose members display
the manners and customs of eighteenth-
century society. The Expedition of
Humphry Clinker, to use its full tide,
has often been called the greatest of the
letter-novels, and an outstanding
ample of English humor.
ex-
The Story:
Squire Matthew Bramble was an ec
centric and skeptical gentleman with
large estates in Wales. With him lived
his sister, Miss Tabitha Bramble, a mid
dle-aged maiden of high matrimonial
hopes that were greater than her expec
tations. Painfully afflicted with the gout,
394
the squire set out for Bath to try the
waters, but with few hopes of their heal
ing properties. With him went his sister;
her servant, Winifred Jenkins; his own
manservant, and, at the last minute, his
niece and nephew, Lydia and Jerry Mel-
ford.
The young Melf ords were orphans and
Squire Bramble's wards. Lydia had been
in boarding-school, where, unfortunately,
she had fallen in love with an actor — a
circumstance Squire Bramble hoped she
would soon forget among the gay and
fashionable gatherings at Bath. Her
brother, who had just finished his studies
at Oxford, had tried to fight a duel with
the actor, but an opportunity to defend
his sister's honor had not presented it
self to his satisfaction.
On the way to Bath a Jewish peddler
made his way into Squire Bramble's lodg
ings on the pretext of selling glasses, and
in a whisper made himself known to
Lydia as George Wilson, the strolling
Der. The lovesick girl ordered Wini-
Jenkins to follow the actor and talk
with him. The maid came back in a
great flurry. He had told her that Wilson
was not his real name, that he was a
gentleman, and that he intended to sue
for Lydia's hand in his proper character.
But, alas, the excited maid had forgotten
Wilson's real name. There was nothing
for poor Lydia to do but to conjecture
and daydream as the party continued on
toward Bath.
Arriving at Bath without further in
cident, the party entered the gay festivi
ties there with various degrees of pleas
ure. Tabitha tried to get proposals of
marriage out of every eligible man she
met, and the squire became disgusted
with the supposed curative powers of the
waters which were drunk and bathed in
by people with almost any infirmity in
hopes of regaining their health. Lydia
was still languishing over Wilson, and
Jerry enjoyed the absurdity of the social
gatherings. In an attempt to lighten his
niece's spirits, Squire Bramble decided to
go on to London.
They had traveled only a short way
toward London when the coach acciden
tally overturned and Miss Tabitha's lap-
dog, in the excitement, bit the squire's
servant. Miss Tabitha made such loud
complaint when the servant kicked her
dog in return that the squire was forced
to discharge the man on the spot. He
also needed another postilion, as Miss
Tabitha declared herself unwilling to
drive another foot behind the clumsy fel
low who had overturned the coach. The
squire hired a ragged country fellow
named Humphry Clinker to take the
place of the unfortunate postilion, and
the party went on to the next village.
Miss Tabitha was shocked by what
she called Humphry's nakedness, for he
wore no shirt. The maid added to the
chorus of outraged modesty. Yielding to
these female clamors, the squire asked
about Humphry's circumstances, listened
to the story of his life, gruffly read him a
lecture on the crimes of poverty and sick
ness, and gave him a guinea for a new
suit of clothes. In gratitude Humphry re
fused to be parted from his new bene
factor and went on with the party to
London.
In London they were well entertained
by a visit to Vauxhall Gardens as well
as by several public and private parties.
Squire Bramble was disconcerted by the
discovery that Humphry was a preacher
by inclination, and had begun giving
sermons in the manner of the Methodists.
Miss Tabitha and her maid were already
among Humphry's followers. The squire
attempted to stop what he considered
either hypocrisy or madness on Hum
phry's part. Miss Tabitha, disgusted with
her brother's action, begged him to allow
Humphry to continue his sermons.
The family was shocked to learn one
day that Humphry had been arrested as
a highway robber, and was in jail. When
the squire arrived to investigate the case,
he discovered that Humphry was ob
viously innocent of the charge against
him, which had been placed by an ex-
convict who made money by turning in
395
criminals to the government. Humphry
had made a fine impression on the jailer
and his family and had converted several
of his fellow prisoners. The squire found
the man who supposedly had been robbed
and got him to testify that Humphry was
not the man who had committed the rob
bery. In the meantime Humphry
preached so eloquently that he kept the
prison taproom empty of customers.
When this became evident he was hur
riedly released, and Squire Bramble
promised to allow him to preach his ser
mons unmolested.
Continuing their travels north after
leaving London, the party stopped in
Scarborough, where they went bathing.
Squire Bramble undressed in a little cart
which could be rolled down into the
sea, so that he was able to bath nude with
the greatest propriety. When he en
tered the water, he found it much colder
than he had expected and gave several
shouts as he swam away. Hearing these
calls from the squire, Humphry thought
his good master was drowning, and
rushed fully clothed into the sea to res
cue him. He pulled the squire to shore,
almost twisting off his master's ear, and
leaving the modest man shamefaced and
naked in full view upon the beach.
Humphrey was forgiven, however, be
cause he had meant well.
At an inn in Durham, the party made
the acquaintance of Lieutenant Lisma-
hago, who seemed somewhat like Don
Quixote. The lieutenant, regaling the
company with tales of his adventures
among the Indians of North America,
quite captured the heart of Miss Tabitha.
Squire Bramble was also charmed with
the crusty conversation of the retired sol
dier, and made plans to meet him later
on in their journey. The group became
more and more fond of Humphry as time
went on, especially Winifred. After a
short and frivolous flirtation with Jerry's
part-time valet, she settled down to win
Humphry as a husband.
The party continued its trip through
In Edinburgh Lydia fainted
when she saw a man who looked like
Wilson, an action which showed her
uncle that she had not yet forgotten the
affair. After visiting several parts of Scot
land and enjoying the most gracious hos
pitality everywhere, they continued by
coach back to England. As they were
traveling south, Lieutenant Lismahago
rejoined the party and Miss Tabitha re
newed her designs on him.
Just outside Dumfries the coach was
overturned in the middle of a stream.
Jerry and Lismahago succeeded in getting
the women out of the water after a
struggle, and Humphry staged a heroic
rescue of the squire, who had been
caught in the bottom of the coach. They
found lodgings at a nearby inn until
the coach could be repaired. While all
were gathered in the parlor of a tavern,
Squire Bramble was accosted by an old
college friend named Dennison, a success
ful farmer of the county. Mr. Dennison
had known the squire only as Matthew
Lloyd, a name he had taken for a while
in order to fulfill the terms of a will.
When Humphry heard his master called
Lloyd, he rushed up in a flutter of ex
citement and presented the squire with
certain papers he had always carried
with him. These papers proved that
Humphry was the squire's natural son.
In a gracious way, Squire Bramble wel
comed his offspring, and presented him
to the rest of his family. Humphry was
overcome with pleasure and shyness.
Winifred was afraid that his discovery
would spoil her matrimonial plans, but
Humphry continued to be the mild re
ligious man he had been before.
The squire was also surprised to learn
that the actor who had called himself
Wilson was really Dennison's son, a fine
proper young man who had run away
from school and become an actor only
to escape a marriage his father had
planned for him long before. He had told
his father about his love for Lydia, but
Dennison had not realized that the Mr.
Bramble who was her uncle was his old
friend Matthew Lloyd. Now the two
396
young lovers were brought together for
a joyous reunion.
Lieutenant Lismahago was moved to
ask for Miss Tabitha's hand in marriage,
and both the squire and Miss Tabitha
eagerly accepted his offer. The whole
party went to stay at Mr. Dennison's
house while preparations were being
made for the marriage of Lydia and
George. The coming marriages prompted
Humphry to ask Winifred for her hand,
and she also said yes, The three wed
dings were planned for the same day.
George and Lydia were a most attrac
tive couple. The lieutenant and Tabitha
seemed to be more pleasant than ever be
fore. Humphry and Winifred both
thanked God for the pleasures He saw fit
to give them. The squire planned to
return home to the tranquility of Bram-
bleton Hall and the friendship of his
invaluable doctor there.
THE HUNCHBACK OF NOTRE DAME
Type of work: Novel
Author: Victor Hugo (1802-1885)
Type of plot: Historical romance
Time of plot: Fifteenth century
Locale: France
First published: 1831
Principal characters:
QUASIMODO, the hunchback of Notre Dame
ESMERELDA, a gipsy dancer
CLAUDE FROIXO, archdeacon of Notre Dame
PHOEBUS DE CHATEAUPERS, Esmerelda's sweetheart
GRTNGOIRE, a stupid and poverty-stricken poet
Critique:
Victor Hugo, leader of the French ro
mantic movement, not only could tell a
gripping story, but also could endow his
essentially romantic characters with a
realism so powerful that they have be
come monumental literary figures. The
Hunchback of Notre Dame has every
quality of a good novel: an exciting story,
a magnificent setting, and deep, lasting
characterizations. Perhaps the compel
ling truth of this novel lies in the idea
that God has created in man an imperfect
image of Himself, an image fettered by
society and by man's own body and soul,
but one which, in the last analysis, has
the freedom to transcend these limita
tions and achieve spiritual greatness.
The Story:
Louis XI, King of France, was to marry
his oldest son to Margaret of Flanders,
and in early January, 1482, the king was
expecting Flemish ambassadors to his
court. The great day arrived, coinciding
both with Epiphany and the secular cele
bration of the Festival of Fools. All day
long, raucous Parisians had assembled at
the great Palace of Justice to see a moral
ity play and to choose a Prince of Fools.
The throng was supposed to await the
arrival of the Flemish guests, but when
the emissaries were late Gringoire, a pen
niless and oafish poet, ordered the play to
begin. In the middle of the prologue,
however, the play came to a standstill
as the royal procession passed into the
huge palace. After the procession passed
the play was forgotten, and the crowd
shouted for the Prince of Fools to be
chosen.
The Prince of Fools had to be a man
of remarkable physical ugliness. One by
one the candidates, eager for this one
glory of their disreputable lives, showed
their faces in front of a glass window, but
the crowd shouted and jeered until a
face of such extraordinary hideousness
appeared that the people acclaimed this
397
candidate at once as the Prince of Fools.
It was Quasimodo, the hunchback bell-
ringer of Notre Dame. Nowhere on earth
was there a more grotesque creature. One
of his eyes was buried under an enormous
wen. His teeth hung over his protruding
lower lip like tusks. His eyebrows were
Ted bristles, and his gigantic nose curved
over his upper lip like a snout. His long
urms protruded from his shoulders, dan
gling like an ape's. Though he was deaf
from long years of ringing Notre Dame's
thunderous bells, his eyesight was acute.
Quasimodo sensed that he had been
chosen by popular acclaim, and he was at
once proud and suspicious of his honor
as he allowed the crowd to dress him
in ridiculous robes and hoist him above
their heads. From this vantage point he
maintained a dignified silence while the
parade went through the streets of Paris,
stopping only to watch the enchanting
dance of a gipsy girl, La Esmerelda,
whose grace and charm held her audience
spellbound. She had with her a little
trained goat that danced to her tambou
rine. The pair were celebrated through
out Paris, though there were some who
thought the girl a witch, so great was
her power in captivating her audience.
Late that night the poet Gringoire
walked the streets of Paris. He had no
shelter, owed money, and was in desper
ate straits. As the cold night came on,
he saw Esmerelda hurrying ahead of him.
Then a black-hooded man came out of
the shadows and seized the gipsy. At the
same time, Gringoire caught sight of the
hooded man's partner, Quasimodo, who
struck Gringoire a terrible blow. The fol
lowing moment a horseman came riding
from the next street. Catching sight of
Esmerelda in the arms of the black-
hooded man, the rider demanded that he
free the girl or pay with his life. The
attackers fled. Esmerelda asked the name
of her rescuer. It was Captain Phoebus
de Chateaupers. From that moment Es
merelda was hopelessly in love with
Phoebus.
Gringoire did not bother to discover
the plot behind the frustrated kidnap
ing, but had he known the truth he
might have been more frightened than
he was. Quasimodo's hooded companion
had been Claude Frollo, archdeacon of
Notre Dame, a man who had once been a
pillar of righteousness, but who now,
because of loneliness and an insatiable
thirst for knowledge and experience, had
succumbed to die temptations of necro
mancy and alchemy.
Frollo had befriended Quasimodo
when the hunchback had been left at
the gates of Notre Dame as an unwanted
baby, and to him Quasimodo was slav
ishly loyal. He acted without question
when Frollo asked his aid in kidnaping
the beautiful gipsy. Frollo, having ad
mired Esmerelda from a distance, planned
to carry her off to his small cell in the
cathedral, where he could enjoy her
charms at his leisure.
As Quasimodo and Frollo hurried back
to the cathedral, Gringoire continued on
his way and found himself in a disrepu
table quarter of Paris. Captured by
thugs, he was threatened with death if
none of the women in the thieves' den
would marry him. When no one wanted
the pale, thin poet, a noose was lowered
about his neck. Suddenly Esmerelda
appeared and volunteered to take him.
But Gringoire enjoyed no wedding night.
Esmerelda's heart belonged to Phoebus;
she had rescued the poet only out of pity.
In those days the courts of Paris often
picked innocent people from the streets,
tried them, and convicted them with
little regard for justice. Quasimodo had
been seen in his role as the Prince of
Fools and had been watched as he stood
before the gipsy girl while she danced.
It was rumored that Esmerelda was a
witch, and most of Paris suspected that
Frollo, Quasimodo's only associate, was
a sorcerer. Consequently Quasimodo was
brought into a court, accused of keeping
questionable company, and sentenced to
a severe flogging and exposure on the
pillory. Quasimodo endured his disgrace,
stoically, but after his misshapen back
398
had been torn by the lash, he was over
come with a terrible thirst. The crowd
jeered and threw stones. They hated
and feared Quasimodo because of his
ugliness.
Presently Esmerelda mounted the scaf
fold and put her flask to Quasimodo's
blackened lips. This act of kindness
moved him deeply and he wept. At that
same time Frollo had happened upon the
scene, caught sight of Quasimodo, and
departed quickly. Later Quasimodo was
to remember this betrayal.
One day Phoebus was entertaining a
lady in a building overlooking the square
where Esmerelda was dancing. The
gipsy was so smitten with Phoebus that
she had taught her goat to spell out his
name with alphabet blocks. When she
had the animal perform this trick, the
lady called her a witch and a sorceress.
But Phoebus followed the gipsy and ar
ranged for a rendezvous with her for
the following night.
Gringoire, meanwhile, happened to
meet Frollo, who was jealous of the poet
because he was rumored to be Esmerelda's
husband. But Gringoire explained that
Esmerelda did not love him; she had eyes
and heart only for Phoebus.
Desperate to preserve Esmerelda for
himself, Frollo trailed the young gallant
and asked him where he was going. Phoe
bus said that he had a rendezvous with
Esmerelda. The priest offered him money
in exchange for an opportunity to conceal
himself in the room where this rendez
vous was to take place, ostensibly to dis
cover whether Esmerelda were really the
girl whose name Phoebus had mentioned.
It was a poor ruse at best, but Phoebus
was not shy at love-making and he agreed
to the bargain. When he learned that
the girl was really Esmerelda, Frollo
leaped from concealment and wounded
Phoebus with a dagger. Esmerelda could
not see her lover's assailant in the dark
ness and when she fainted Frollo escaped.
A crowd gathered, murmuring that the
sorceress had slain Phoebus. They took
the gipsy off to prison.
Now tales of Esmerelda's sorcery be
gan to circulate. At her trial she was
convicted of witchcraft, sentenced to do
penance on the great porch of Notre
Dame and from there to be taken to a
scaffold in the Place de Greve and pub
licly hanged.
Captain Phoebus was not dead, but he
had kept silence rather than implicate
himself in a case of witchcraft. When
Esmerelda was on her way to Notre
Dame, she caught sight of him riding on
his beautiful horse, and called out to
him, but he ignored her completely. She
then felt that she was doomed.
When she came before Frollo to do
penance, he offered to save her if she
would be his; but she refused. Quasi
modo suddenly appeared on the porch,
took the girl in his arms, and carried
her to sanctuary within the church.
Esmerelda was now safe as long as she
remained within the cathedral walls.
Quasimodo hid her in his own cell,
where there was a mattress and water,
and brought her food. He kept the
cell door locked so that if her pursuers did
break the sanctuary, they could not
reach her. Aware that she would be ter
rified of him if he stayed with her, he
entered her cell only to bring her his
own dinner.
Frollo, knowing that the gipsy was
near him in the cathedral, secured a key
to the chamber and stole in to see Esmer
elda one night. She struggled hopelessly,
until suddenly Quasimodo entered and
dragged the priest from the cell. With
smothered rage, he freed the trembling
archdeacon and allowed him to run away.
One day a mob gathered and de
manded that the sorceress be turned from
the cathedral. Frollo was jubilant. Quasi
modo, however, barred and bolted the
great doors. When the crowd charged
the cathedral with a battering ram, Quasi
modo threw huge stones from a tower
where builders had been working. The
mob persisting, he poured melted lead
upon the crowd below. Then the mob
secured ladders and began to mount the
399
facade, but Quasimodo seized the ladders
and pushed them from the wall. Hun
dreds of dead and wounded lay below
him*
The king's guards joined the fray,
Quasimodo, looking down, thought that
the soldiers had arrived to protect Esmer-
elda. He went to her cell, but to his
amazement he found the door open and
Esmerelda gone.
Frollo had given Gringoire the key to
her chamber and had led the poet
through the cathedral to her cell. Grin
goire convinced her that she must fly,
since the church was under siege. She
followed him trustingly, and he led her
to a boat where Frollo was already wait
ing. Frightened by the violence of the
priest, Gringoire fled. Once more, Frollo
offered to save Esmerelda if she would
be his, but she refused him. Fleeing, she
sought refuge in a cell belonging to a
madwoman. There the soldiers found
her and dragged her away for her execu
tion the next morning at dawn.
Quasimodo, meanwhile, roamed the
cathedral searching for Esmerelda. Mak
ing his way to the tower which looked
down upon the bridge of Notre Dame,
Quasimodo came upon Frollo, who stood
shaking with laughter as he watched a
scene far below. Following the direction
of the priest's gaze, Quasimodo saw a
gibbet erected in the Place de Greve and
on the platform a woman in white. It
was Esmerelda. Quasimodo saw the noose
lowered over the girl's head and the plat
form released. The body swayed in the
morning breeze. Then Quasimodo picked
up Frollo and thrust him over the wall
on which he had been leaning. At that
moment Quasimodo understood every
thing that the priest had done to ensure
the death of Esmerelda. He looked at
the crushed body at the foot of the
tower and then at the figure in white
upon the gallows. He wept.
After the deaths of Esmerelda and
Claude Frollo, Quasimodo was not to be
found. Then in the reign of Charles
VIII the vault of Montfaucon, in which
the bodies of criminals were interred, was
opened to locate the remains of a famous
prisoner who had been buried there.
Among the skeletons were those of a
woman who had been clad in white and
of a man whose bony arms were wrapped
tightly around the woman's body. His
spine was crooked, one leg was shorter
than the other, and it was evident that
he had not been hanged, for his neck
was unbroken. When those who dis
covered these singular remains tried to
separate the two bodies, they crumbled
into dust.
HUNGER
I 'ype of work: Novel
Author: Knut Hamsun (Knut Pedersen Hamsund, 1859-1952)
Type of plot; Impressionistic realism
Time of plot: Late nineteenth century
Locale: Norway
first published: 1890
Principal character:
THE NARRATOR, a young writer
Critique:
Hunger was the work that immedi- treatment are highly impressionistic,
ately brought Hamsun to the attention Hamsun has given us a striking study
of a wide literary audience, and the novel of a man's mind under stress, but it is
has been reprinted and translated many
times. Realistic in subject, its form and
not a clinical study; it is an artistic piece
of literature.
HUNGER by Knut Hamsun. Translated by George Egerton. By permission of the publishers, Alfred A. Knopf
Inc. Copyright, 1920, by Alfred A. Knopf, Inc. Renewed, 1948, by Alfred A. Knopf, Inc.
400
The Story:
T awoke at six o'clock and lay awake
in my bed until eight. Hungry, I
searched in my packet of odds and ends,
but there was not even a crumb of bread.
I knew that I should have gone out early
to look for work, but I had been refused
so often I was almost afraid to venture
out again.
At last I took some paper and went
out, for if the weather permitted I could
write in the park. There were several
good ideas in my head for newspaper
articles. In the street an old cripple with
a big bundle was using all his strength
to keep ahead of me.
When I caught up with him he turned
around and whined for a halfpenny to
buy milk. Not having a cent on me, I
hurried back to the pawnbroker's dark
shop. In the hall I took off my waistcoat
and rolled it in a ball. The pawnbroker
gave me one and six for it. I found the
old cripple again and gave him his half
penny. He stared at me with his mouth
open as I hurried away.
Two women, one of them young, were
idly strolling about. When I told the
young woman that she would lose her
book, she looked frightened and they
hurried on. Seeing them standing before
a shop window, I went up to them again
and told the younger woman that she
was losing her book. She looked her
self over in a bewildered way; she had
no book. I kept following them, but
they put me down as a harmless mad
man.
In the park I could not write a thing.
Little flies stuck to my paper. All after
noon I tried to brush them off. Then
I wrote an application for a job as book
keeper. After a day or two I went to
see the man in person. He laughed at
my desire to become a bookkeeper be
cause I had dated my letter 1848, years
before I was born. I went home dis
couraged.
On my table was a letter. I thought
it a notice from my landlady, for I was
behind in my rent. But no, my story
had been accepted. The editor saicl ft
would be printed right away. He had
included a half sovereign in payment.
I had written a masterpiece and I had a
half sovereign.
A few weeks later I went out for an
evening walk and sat in a churchyard
with a new manuscript. At eight o'clock,
when the gates were closed, I meant to
go straight home to the vacant tinker's
workshop which I had permission to
occupy, but I stumbled around hardly
knowing where I was. I felt feverish
because I had not eaten for several days.
At last I sat down and dozed off. I
dreamed that a beautiful girl dressed in
silk waited for me in a doorway and
led me down a hall, she holding my
hand. We went into a crimson room
where she clasped me tightly and begged
me to kiss her.
A policeman woke me up and advised
me to go to the police barracks as a
homeless man. When I got there, I lied
about my name and said that it was too
late for me to get back to my lodgings.
The officer believed me and gave me a
private room. In the morning, thinking
I was only a young rake instead of a
destitute, the police gave me no break
fast ticket. I drank a lot of water but I
could scarcely keep it down.
Faint with hunger, I cut the buttons
from my coat and tried to pawn them,
but the pawnbroker laughed at me. Or*
the way out I met a friend bringing his
watch to pawn. He fed me and gave me
five shillings.
I went to see an editor who critically
read my sketch on Corregio. He was
kind, saying that he would like to pub
lish my work but that he had to keep
his subscribers in mind. He asked if 1
could write something more to the com
mon taste. When I prepared to leave, he
also asked me if I needed money. He
was sure I could write it out. Although I
had not eaten a real meal for some time,
I thanked him and left without an ad
vance payment.
401
A lady in black stood every night on
die corner by my tinker's garret. She
would look intently at my lodging for a
while and then pass on. After several
days I spoke to her and accompanied
her on her walk. She said she had no
special interest in my poor garret or in
me. When she lifted her veil, I saw she
was the woman I had followed and
spoken to about the book. She was
merry with me and seemed to enjoy my
company.
One night she took me to her home.
Once inside, we embraced; then we sat
down and began to talk. She confessed
that she was attracted to me because she
thought I was a madman. She was an
adventurous girl, on the lookout for odd
experiences, I told her the truth about
myself, that I acted queerly because I
was so poor. Much of the time I was
so hungry that I had a fever. She found
my story hard to believe, but I convinced
her. She was sympathetic for a moment.
I had to leave, for her mother was re
turning, and I never saw her again.
I awoke sick one morning. All day I
shivered in bed. Toward night I went
down to the little shop below to buy a
eandle, for I felt I had to write some
thing. A boy was alone in the store. I
gave him a florin for my candle, but he
gave me change for a crown. I stared
stupidly at the money in my hand for a
long time, but I got out without betray
ing myself,
I took a room in a real hotel and had
a chamber to myself and breakfast and
supper. About the time my money was
gone I started on a medieval play. The
landlady trusted me for quite a while,
for I explained that I would pay her as
soon as my play was finished. One night
she brought a sailor up to my room and
turned me out, but she let me go down
and sleep with the family.
For some time I slept on a sofa in the
entryway, and once in a while a servant
gave me bread and cheese. In my nervous
condition it was hard to be meek and
grateful. The break came one evening
when the children were amusing them
selves fcy sticking straws into the nose
and ears of the paralyzed grandfather
who lay on a bed before the fire. I
protested against their cruel sport. The
landlady flew at me in a rage and
ordered me out.
I wandered down to the docks and
got a berth on a Russian freighter going
to England. I came back to the hotel
for my possessions and on the step met
the postman. He handed me a letter
addressed in a feminine hand. Inside
was a half sovereign. I crumpled the
envelope and coin together and threw
them in the landlady's face.
HYPATIA
Type of work: Novel
Author: Charles Kingsley (1819-1875)
Type of 'plot: Historical romance
Time of 'plot: Fifth century
Locale: Egypt and Italy
First published: 1853
Principal characters*
PHILAMMON, a young monk
HYPATIA, a female Greek philosopher and teacher
RAPHAEL ABEN-EZRA, a young Jew, Hypatia's pupil
MIRIAM, an old Jewish crone
AMAL, a young Gothic chiei
PELAGIA, AmaT's mistress
ORESTES, Roman prefect of Alexandria
402
Critique:
In Alexandria in the fifth century
after Christ's death, there were many
forces, Pagan, Christian, and Jewish, all
struggling for the souls of men. Hypatia
is the story of that conflict, which ended
with the disintegration of a victorious
Christian faction that used violence to
gain its ends. The larger background of
the novel is the dissolving Roman Em
pire.
The Story:
Philammon might never have left the
little colony of monks three hundred
miles above Alexandria if he had not
strayed into an ancient temple in search
of kindling. There, on the temple walls,
he saw paintings of a life undreamed of
in his monastic retreat, and he longed
to visit the greater outside world. That
very day, against the advice of the abbot
and Aufugus, a monk whom he highly
respected, he started out in a small boat
and traveled down the river toward
Alexandria.
In that splendid city at the mouth of
the Nile lived Hypatia, the beautiful
philosopher and teacher, one of the last
to champion the ancient Greek gods.
As she sat with her books one day, she
was visited by the Roman prefect,
Orestes, with the news that Pelagia, a
beautiful courtesan who was Hypatia's
rival for the hearts and souls of men, had
left the city. Pelagia had transferred her
affections to Amal, a Goth chieftain, and
had joined him on a trip up the Nile
in search of Asgard, home of the old
Gothic gods.
Cyril, the patriarch of Alexandria, had
reported to Orestes that the Jews of the
city were about to rise and slaughter
the Christians, but Orestes chose to
ignore the matter and let events take
their course. Hypatia, who also had
reason to oppose the Christian patriarch,
suggested that Cyril make his charges
before the Roman tribunal, which would,
of course, postpone action against the
Jews.
A wealthy young Jew, Raphael Aben-
Ezra, whom Orestes met on his way to
the palace, suggested that the prefect
plead ignorance of any plot in his reply
to Cyril. Raphael disclosed to the Roman
that Heraclian, a Roman leader, had
recently sailed for Italy, where he
planned to destroy the Gothic conquerors
of Rome and make himself emperor. His
news led Orestes to think of the power
he might hold south of the Mediterranean
if the expedition succeeded.
Sailing down the Nile, Philammon
met Pelagia and the party of Goths
traveling in the opposite direction. He
helped the men kill a hippopotamus.
When he warned them that they could
never cross the cataracts to the south, the
Goths decided to turn back. Philammon
was given a place in their boat.
Orestes sent Hypatia a letter delivered
by the old Jewish crone, Miriam. It
contained Raphael's news and a pro
posal that Hypatia marry the prefect and
share the throne he was planning to
create for himself in Egypt. Hypatia's
reply was that she would accept the
offer if Orestes would renounce his
Christian faith and aid her in restoring
the Greek gods.
Orestes, having no desire to face ex
communication, was disturbed by her
answer. At Raphael's suggestion, he de
cided to wait for a month in the hope
that Hypatia's desire to marry a future
emperor would overcome her religious
When they arrived in Alexandria,
Philammon left the Goths and went to
deliver to the Patriarch Cyril the letters
of introduction he carried. While wait
ing to see the patriarch, Philammon over
heard a plot to raid the Jewish quarter
the next day.
That night, as he lay in bed in the
patriarch's house, Philammon heard cries
that the Jews were burning Alexander's
Church. Joining a crowd of monks
hurrying toward that edifice, he was at
tacked by a band of Hebrew marauders,
403
But the report of the conflagration was
false; it had been a trick of the Jews
to lure the Christians into ambush. Dur
ing the street fighting the Roman con
stabulary, which was supposed to keep
order, remained aloof.
The next morning Miriam, who took
a mysterious interest in Raphael's wel
fare, hastened to his quarters to warn
him to flee. Christians, attacking the
Jewish quarter, were pillaging the houses
and expelling their inhabitants. To
Miriam's exasperation, Raphael showed
no interest in the fate of his wealth.
Calmly exchanging his rich robes for a
Christian's tattered rags, he prepared to
leave the city. Miriam was left to save
what she could of his possessions.
Philammon was one of the Christians
who aided in despoiling the Jews. During
the rioting he began to compare the
conduct of the monks of Alexandria with
the principles of charity and good works
he himself had been taught. Hearing
of Hypatia and her teachings, he naively
went to the museum where she lectured,
in the hope of converting her to Chris
tianity by his arguments. Nearly put out
of the building by her pupils when he
rose to dispute with her, he was spared
at Hypatia's request. After the lecture
she invited him to visit her the following
day.
The Alexandrian monks were incensed
when they learned that one Philammon
had been to listen to the discourse of a
pagan. When he visited Hypatia again,
they accused him of being a heretic, and
the young monk barely escaped being
murdered. Philammon, charmed by
Hypatia's beauty and purity, begged to
become her pupil.
Raphael, who had fled to Italy, found
himself in a devastated Rome. Heraclian,
after his defeat by the Goths, was pre
paring to reembark for Africa. After
Raphael had saved one member of the
ill-fated expedition and his daughter,
Victoria, from two barbarian soldiers, he
sailed with them from Ostia to Berenice,
a port on the coast of Africa.
Meanwhile, in Alexandria, Philam
mon had become Hypatia's favorite
pupil. Aufugus, learning that the youth
had deserted his Christian brethren,
went to the city to find him. One day
the two men met in the street. Aufugus,
seeing that Philammon was determined
to remain with his mentor, declared that
the young monk was actually his slave,
and he appealed to Orestes, who was
passing by, to force Philammon to go
with his legal owner. Philammon fled
to take temporary refuge with the Goths
in Pelagia's house.
After Philammon had returned to his
own rooms, he received a summons from
Miriam. She confirmed the fact that he
was Aufugus' slave, for she had seen
Philammon bought in Athens fifteen
years before. Although Miriam had re
ceived the report of Heraclian's defeat
by fast messenger, she wrote a letter
which declared that Heraclian had been
the victor. She sent Philammon to de
liver the letter to Orestes.
The prefect immediately planned a
great celebration, in which the beauti
ful Pelagia should dance as Venus An-
adyomene. Philammon hotly objected
to the plan, for when Miriam told him
he was a slave she had implied also that
Pelagia was his sister. Annoyed, Orestes
ordered the monk to be thrown into jail.
There Philammon was held prisoner un
til the day of the celebration. Released,
he hurried to the arena in time to witness
the slaughter of some Libyan slaves by
professional gladiators. Orestes, with
Hypatia beside him, watched from his
box.
When Pelagia was carried into the
amphitheater by an elephant and intro
duced as Venus, Orestes' hirelings tried
to raise a cry to proclaim him Emperor
of Africa. No one responded. Pelagia
danced before her audience until Philam
mon, overcome by shame, could bear
the sight no longer. Running to stop her
shameful dance, he was caught up by the
elephant's trunk and would have been
dashed to death if Pelagia had not per-
404
suaded the animal to put him down.
Pelagia left the amphitheater. Philam
mon was hustled away by the guards.
Orestes, however, was determined that
his plan should succeed. When the up
roar caused by Philammon began to die
down, he stepped forward and offered
himself as emperor. As had been pre
arranged, the city authorities began a
clamor for him; but hardly had they
started their outcry when a monk in the
topmost tiers shouted that Heraclian had
been defeated. Orestes and Hypatia fled.
Philammon, when he returned home,
found Pelagia in his quarters. He begged
his sister, as he now called her, to leave
the Goth, Amal, and repent her ways,
but the courtesan refused. Instead, she
entreated him to ask Hypatia to accept
her as a pupil, so that Amal, whose af
fection for her was failing, would love
and respect her as the Greek woman was
respected. But Hypatia had no pity for
her hated rival. Philammon, carrying
the news of her refusal to his sister,
could not help thinking fondly of his
own religion, with its offer of pity to all
transgressors.
Hypatia knew the populace would
soon be clamoring for her blood and that
she would be forced to flee. In one last
desperate effort to hold to her creed, she
forced herself into a trance that she
might have a visitation from the gods.
The only face she saw, however, was
Pelagians.
When Miriam visited Hypatia the
same day with the promise that she
should see Apollo that night if she
would visit the house of the Jewess,
the distraught philosopher agreed. But
the Apollo the crone showed her was
Philammon, stupefied by drugged wine.
As Miriam had foreseen, Hypatia realized
at last that the only gods she would ever
see were those that existed in her own
mind. Shamed and angry, she went
away. The final blow to fall on Hypatia
was the news Raphael brought her on
his return to Alexandria the next day.
Under the persuasion of Augustine, the
famous philosopher-monk, he had be
come a converted Catholic before leav
ing Berenice, and he had married Vic
toria. That afternoon, as she started for
the museum to give her farewell lecture,
Hypatia was torn to pieces by some of
Cyril's monks.
Philammon, when he learned of Hy-
patia's fate, visited Pelagia and pleaded
with her to flee with him. By chance
he met Amal, and in a struggle that
ensued they fell from a tower together,
and the Goth was killed. After Amal's
death, Pelagia was willing to leave the
city. Together they returned to the
desert, where Pelagia lived in solitary
penitence and Philammon became abbot,
eventually, of the community he had
left. Brother and sister died at the same
time and were buried in a common grave.
Before he departed from Alexandria
forever, Raphael learned from Miriam
that she was his mother. A Jewess by
birth, she had been converted to Chris
tianity and had lived in a convent until
it was sacked by the heathen. Afterward
she had renounced her faith and had
sworn the destruction of everyone not of
her own race. Raphael had been given
to a rich Jewess, who had represented
him to her husband as her own child.
After confessing her relationship to her
son, Miriam died on his shoulder. She
had been mortally wounded by the Goths
after the death of their leader.
The victory which the Patriarch Cyril
gained by Hypatia's death was only
temporary. Though it marked the end
of her creed in Egypt, it also signified the
decline of the Egyptian Church, for the
Christians, splitting into many factions,
did not hesitate to use on each other the
same violence they had once displayed
toward the Greek philosopher.
405
I, CLAUDIUS
Type of -work: Novel
Author: Ro"bert Graves (1895- )
Type of 'plot; Historical chronicle
Time of plot: 10 B, C.-A. D. 41
Locale: Rome
First 'published: 1934
Principal characters:
TIBERIUS CLAUDIUS DRUSUS NERO GERMANICUS, Emperor oJ
Rome after Caligula
AUGUSTUS CAESAR, first Emperor of Rome
LIVIA, his wife, Claudius' grandmother
TIBERIUS, Claudius* uncle, successor to Augustus
GERMANICUS, Claudius' brother
CALIGULA, Germanicus' son, successor to Tiberius
Critique:
I, Claudius is a semi-fictional recon
struction of an interesting period in the
history of the Roman empire. In it are
snatches of history, records of conquest,
Roman scenes, and names famous in
history books. It is told in an informal
manner, Claudius going to great lengths
to reveal plot after plot, and the narrative
method obscures in part the scholarly
research and historical accuracy of the
author.
The Story:
Claudius, Emperor of Rome, was held
in little esteem because he was a stam
merer* He was, moreover, a scholar in a
nation which worshipped soldiering. He
had compiled state histories but he
realized that they were dull, sententious
drivel. At last he decided to tell the
true story of his own life. As the source
of his inspiration he cited the Cumaean
sibyl whom he had visited in her inner
cavern. She had said that eventually he
would speak clearly.
From the beginning, the Claudian
family felt ashamed of young Claudius
because he was a lame stammerer who
seemed unlikely to carry on the family
tradition of power. For that reason he
developed into a scholarly person in
terested in the lives of others. His
teachers told him stories about famous
people and from many sources he picked
up stray scraps of knowledge about them
as he grew up.
He was greatly interested in his grand
mother, the Empress Livia. Bored with
her husband, she had secured a divorce,
arranged her own marriage with the
Emperor Augustus, and poisoned there
after anyone who interfered with her
plans. Power was her sole delight.
Another of the infamous people about
him was Tiberius, who was for years the
successor-to-be of Augustus. Son of Livia
by an early marriage, he married the
wanton Julia, daughter of Livia and
Augustus. When Tiberius, having of
fended Augustus, was banished, Livia
insisted that Julia be banished too.
Tiberius, tired of his banishment,
promised that if Livia would secure his
return he would agree with her every
wish thereafter. About that time the
two sons of Julia and Tiberius died
mysteriously.
Between Claudius* ninth and sixteenth
years he occupied himself with affairs of
his older relatives. He was married early
to a girl named Urgulanilla, who de
tested him as much as he detested her.
Claudius' first love had been mysterious
ly poisoned and Claudius suspected
Livia, who later forced him to marry
Urgulanilla. Claudius' scholarship and
I, CLAUDIUS by Robert Graves. By permission of the author and the publishers, Random Houic, Inc. Copy
right, 1934, by Harrison Smith & Robert Haas, Inc.
stability eventually brought him into the
good graces of Augustus and Livia. They
made him a priest of Mars and showed
by public interest in him that he was an
accepted member of the imperial family.
Grain shortage caused rioting accom
panied by arson. Augustus distributed
grain according to the usual custom,
banished such people as did not hold
property in Rome, and rationed what
food was available. Livia staged a sword
fight in the arena to restore the good
will of the populace. Because Claudius
fainted publicly at the brutal sports,
Livia decided that never again might he
show his face in public. Soon afterward
the last of Augustus' sons was banished
for life. Tiberius was proclaimed the
adopted son and successor of Augustus.
Tiberius and young Germanicus,
brother of Claudius, campaigned against
the barbarians, but Tiberius was not
popular in spite of his victories with the
army. Augustus suffered stomach dis
orders and died. Claudius knew that
about a month before his death he had
decided to restore his banished son, Pos
tumus, grant money and honor to Clau
dius, and replace Tiberius. Claudius sus
pected Livia of the emperor's death.
Postumus was reported killed by a
captain of the guard which had been
placed around him. Livia slowly starved
Julia to death. Because Germanicus was
too honorable to seize the empire from
Tiberius, there remained only the proof
that Postumus was really dead to make
Tiberius safe upon the throne. When
Postumus returned, to disprove reports
of his death, Tiberius had him tortured
and killed.
Germanicus continued his successful
campaign against the Germans. Tiberius,
jealous, insisted that Germanicus re
turn to Rome for his triumph. In
A. D. 17 Germanicus returned. By that
time Livia suspected Claudius and Ger
manicus of plotting against Tiberius. She
sent Claudius to Carthage to dedicate a
temple to Augustus, who had been deified
by the Roman Senate.
Germanicus was next dispatched to the
East to command the armies there. But
Livia and Tiberius began to fear that
Germanicus would win favor in the East
as he had already done in the West,
Germanicus was finally poisoned. His
wife, Agrippina, sought protection from
Claudius.
Claudius promised his thirteen-year-
old son in marriage to the daughter of
Se janus, the friend of Tiberius. A few
days later his son was found dead. Again
he suspected Livia. Shortly afterward a
divorce was arranged for Claudius by
Sejanus, who was anxious to have
Claudius marry Aelia, his sister bv
adoption. Claudius knew better than to
oppose the wills of those in power and
he accepted his new wife with practi
cally no concern.
Tiberius set Livia aside. She was now
growing old and he no longer had great
reason to fear her. Bitter at the removal
of her power, she began to make plans
for his successor. She determined that
Caligula, the son of Germanicus, should
succeed him. She called in Claudius to
declare a truce with him on the con
dition that he would have her declared
a goddess after her death. In return, she
told Claudius most of her state secrets;
she said that all the murders she had
planned were committed solely for the
good of the state.
Tiberius, sixty-seven years old, seemed
destined to die before long. He was
living on Capri with a court of scholars,
doctors, confidants, and entertainers,
Sejanus having been left in Rome with
authority to rule for him. When Livia
finally died at the age of eighty-six,
Tiberius refused to return to Rome even
for her funeral.
Tiberius began a reign of terror agains
all members of Livia's faction. When
Sejanus attempted to rebel against the
emperor's cruel decrees, Tiberius ordered
his execution. His children were also
put to death. Claudius was ordered to
divorce Aelia.
At last the mad Tiberius lay dying at
407
Misenum. Macro, commander of the
guards, and Caligula, next in line for the
throne, planned to take over the country.
Caligula, already infamous among people
who knew him, was still popular with
the Romans. In too great a hurry they
took command of the army. Then, learn
ing that Tiberius was still alive, they
smothered him.
In order to establish himself, Caligula
pretended sympathy and generosity, but
Claudius wrote in his history that Calig
ula held the record for infamy among
princes up to that time. He began by
spending the money Tiberius and Livia
had hoarded so long. Then he fell ill.
When he began to recover, he announced
to Claudius that he had been transformed
into a god, in fulfillment of the many
prophecies that a god was soon to be
given to the earth.
Caligula celebrated his godhood by
wholesale assassination. Claudius*
mother committed suicide because of
Caligula's infamies. Soon Macro was
forced to kill himself. At last the people
began to turn against Caligula because
of levies forced from the populace and
the indescribable depravities of the palace
brothel. Caligula, deciding to become a
general, led an expedition into Germany.
On his return he forced Claudius to
marry his cousin Messalina. Calpurnia,
Claudius' only true friend, was banished.
The Romans were now plotting, almost
openly, the assassination of Caligula.
Before long he was murdered, and Clau
dius, the retiring scholar, was named
Emperor of Rome.
I SPEAK FOR THADDEUS STEVENS
Type of work: Novel
Author: Elsie Singmaster (Mrs. E. S. Lewars, 1879-1958)
Type of 'plot: Historical chronicle
Time of plot: 1792-1868
Locale: Vermont, Pennsylvania, Washington, D. C.
First published: 1947
Principal characters:
THADDEUS STEVENS, lawyer and statesman
SALLY MOKRTLL STEVENS, his mothei
JOSHUA,
MORRTLL, and
ALANSON, his brothers
LYTJIA SMITH, his housekeeper
ABRAHAM LINCOLN
ANDREW JOHNSON
MEMBERS OF CONGRESS, the CABINET, and the ARMED FORCES
Critique:
1 Speak for Thaddeus Stevens is a
biography in the form of a novel, a work
making understandable as a man the
complex and often contradictory charac
ter of the famous partisan statesman of
the Civil War period. The author tells
the story of his fife as a series of dramatic
episodes, each under its proper date and
each presenting some crisis, either a
triumph or a defeat, in his private affairs
or public career. Much of the material
in the book is based upon Stevens letters
and papers previously unused by histor
ians; the result is a carefully detailed por
trait of the man against the unsettled age
in which he lived. A native of Pennsyl
vania, Elsie Singmaster has presented
faithfully in her novels and short stories
the regional patterns of Pennsylvania
German life and the history of the state
I SPEAK FOR THADDEUS STEVENS by Elsie Singmaster. By permission of the author - * she publishers,
Houghton Mifflin Co. Copyright, 1947, by Elsie Singmaster Lewars.
408
through three decisive periods in our
national life — the frontier in French and
Indian days, the American Revolution,
and the Civil War.
The Story:
In a Vermont cabin, on April 4,
1792, neighbor women had looked pity
ingly at a sleeping young mother while
they wrapped the deformed foot of her
newborn child. There was no need,
however, to pity Sally Morrill Stevens,
whose brave spirit was greater than her
frail body. She would care for her second
son as tenderly as she had looked after
little Joshua, his father's namesake and
a cripple at birth. She called the baby
Thaddeus, after Thaddeus Kosciusko —
a hero's name.
When Joshua Stevens, shiftless cob
bler and surveyor, disappeared at last
into the wilderness, there were two more
children in the cabin. Morrill and Alan-
son stood up straight and were quick
on their feet, but lame Thaddeus was
Sally's favorite. Ambitious for her sons,
she never complained as she worked and
planned for their future.
Thaddeus struggled to excel. One day
he limped through deep snow, his legs
cut and bleeding on the icy crust, to
speak before patrons and students of the
grammar school in Peacham. His subject
was free and universal education. Sensi
tive because of his own deformity, he
learned to hate suffering and to sympa
thize with the weak. Swimming and rid
ing gave him an athlete's body. His
teachers and books borrowed from John
Mattocks, Peacham lawyer, had trained
him well by the time he was ready for
Dartmouth College. Sally had hoped he
would preach. He thought of Webster,
already famous, and told her that he
wanted to be a lawyer.
Vermont seemed a sparse land to her
ambitious sons. Crippled Joshua traveled
west with his bride. Thaddeus went to
York, Pennsylvania, to teach and read
for the law. Too impatient and poor to
complete another year's residence before
he could practice in York County, he
rode south across the state line and be
came a member of the Maryland bar.
Returning, he settled in Gettysburg.
At first no clients found their way to his
office and few Getrysburgians wanted to
hear his frank opinions on slavery and
education, but children flocked around
him to hear his stories of the Vermont
woods. Blacks watched him on the
street and whispered that he was their
friend as well.
Defense lawyer in a murder trial, he
lost his first case in court, but his towns
men praised him after he made his plea
for justice and mercy. As his reputation
grew men could measure his success by
his fine house in Gettysburg and the
great tract of mountain land providing
ore and charcoal for Caledonia Forge,
of which he was a partner. Sally Stevens
now owned a fine farm in Peacham; he
gave openhandedly to his brothers —
Joshua in Indiana; Morrill, a doctor in
Vermont; Alanson, with Sally on the
farm. He fought Masons and Jackson
Democrats and men cheered all night
under his windows when he was elected
to the Legislature. He was forty-one.
There was still time for Washington, for
Congress, perhaps the White House.
In 1837 word came to him in Phila
delphia that the free education bill was
about to be repealed. By train and stage
coach he hurried to Harrisburg and
risked his political future with his pro
posed amendment to strike out the bill
of repeal and to insert after the clause,
"Be it enacted/' the words "To establish
a General System of Education by Com
mon Schools." Speaking on that mo
tion, he saved the free school system of
Pennsylvania.
His fame spread. Men respected and
hated and feared the blunt, shrewd orator
whose voice was heard everywhere. In
Philadelphia, during the Buckshot War,
a mob attacked an assembly hall and he
and his friends escaped through a win
dow. Campaigning for Harrison, he
hoped for a Cabinet appointment. But
409
Harrison died and Tyler forgot campaign
promises. Ruined by his partner's failure
in 1842, he moved to Lancaster. There
he made money and paid his debts.
Young men begged the opportunity to
read law in his office. He became an
ironmaster, owner of a great furnace
at Caledonia. Sometimes Washington
seemed a long way off. He waited.
Free-Soil Whigs elected him to Con
gress in 1848. Fighting the compromise
measures and the Fugitive Slave Law,
he spoke for gentle Sally Stevens, for
old John Mattocks, lover of justice, for
slaves fleeing northward along the Under
ground Railroad. He defended the three
white men and thirty-eight Negroes ac
cused after the death of a Maryland
farmer in the Christiana riot; later he
was to recall how Lucretia Mott and
other Quakers had dressed the Negroes
alike, to the confusion of witnesses and
prosecution. Retired from Congress, he
traveled to Vermont in 1854. Sally
Stevens was dead, Morrill and Alanson
before her. The slander of his enemies
could never hurt her now. Joshua was
soon to die. Thaddeus was sixty-two
and failing, but men were mistaken when
they said he was too old for public life.
In 1855 he helped to launch the Re
publican Party in Lancaster. In 1858
he returned to Congress. In Chicago,
in 1860, he heard Abraham Lincoln
nominated.
He rode the war years like an eagle
breasting a whirlwind. Abraham Lincoln
was President, but Thaddeus Stevens
spoke for the Republican Party. Often
impatient with the sad-eyed, brooding
man in the White House, he steered
through Congress the bills which gave
Lincoln men and money to fight the Civil
War. Lydia Smith, the decent mulatto
at whom men sneered, kept his house
on B Street. Sometimes he thought of
the Cabinet post or Senate seat he be
lieved his due, but usually more im
portant matters filled his mind. Con
federate troops, marching toward Gettys
burg, had burned Caledonia Furnace.
A nephew died at Chickamauga. Un
bowed by personal misfortune, he argued
for the Thirteenth Amendment, insisted
upon education and suffrage for the
Negro. There was little time for the
card games he loved; he read more often
when he went to bed at night — Shake
speare, Homer, the Bible.
Hating weakness and compromise, he
fought Andrew Johnson after Lincoln's
death. Congress, he thundered, should
be the sovereign power of the nation.
Sick and weak, he proposed Article
Eleven by which the House hoped to
impeach Johnson. Too ill to walk, h^
was carried into the Senate to hear that
decisive roll call. He heard around him
whispers of relief, anger, and despair as
the telling votes were cast. Friends asked
him if he wished to lie down after his
ordeal. He answered grimly that he
would not.
Although bitter in defeat, he would
not let his fellow Republicans punish
Vinnie Ream, the little sculptress in
volved in Johnson's trial, and he angrily
insisted that she keep her studio in the
Capitol. His detractors claimed he was
too mean to die when he refused to take
to his bed during that hot Washington
summer, but by August the end was near.
Devoted son, generous kinsman, loyal
friend, harsh enemy, he died at midnight
on August 11, 1868. The telegraph
clicked the news to the world.
AN ICELAND FISHERMAN
Type of work: Novel
Author: Pierre Loti (Julien Viaud, 1850-1923)
Type of plot: Impressionistic romance
Time of plot: Nineteenth century
Locale: Brittany and at sea
First published: 1886
410
Principal characters:
SYLVESTER, a young Breton
YVONNE, his grandmother
GAUD, his cousin
YANN, a fisherman
Critique:
The number of translations and edi
tions of An Iceland Fisherman are in
dicative of the warmth created by the
reading of this beautiful story. Pierre
Loti, of the French Academy, exempli
fied in this unadorned tale the virtues of
French literature: clarity, simplicity,
power. The exotic always appealed to
Loti, and An Iceland Fisherman reflects
this appeal in the descriptions of the
fishing fleet in Iceland waters. The love
interest is well presented and well within
bounds. The characters of little Sylvester,
big Yann, and serious Gaud are those of
real people, whose fortunes are of genu
ine concern to the reader.
The Story:
In the foc'sl head, a hollow, pointed
room like the inside of a gigantic sea
gull, five men were sitting around the
massive table which filled almost all the
space between the bulkheads. They were
waiting to take their turn on watch, for
it was nearly midnight. They had cracked
some biscuit with a hammer and had
eaten. Now they were drinking wine
and cider.
Around the room little pigeonholes
near the ceiling served as bedchambers,
for these fishermen were outside so much
they seemed to need no air while they
slept. A murky lamp swung back and
forth with the gentle swell of the sea.
Sylvester, who was only seventeen,
was impatient for the appearance of
Yann. They were celebrating in honor
of their patron, the Virgin Mary, and
Yann had to take part in the toasts.
Finally Yann opened the little hatch in
the deck and came down the narrow
ladder. Yann, in his late twenties, and a
giant of a man, was a hero to Sylvester.
The whole company brightened on his
arrival.
It was midnight. The toasts were
quickly drunk. Then the watch went
on deck for their turn to fish. Outside
it was daylight, for in those latitudes it
never got dark in summer. It was monot
onous and soothing to fish in the day-
light.
At the rail Yann and Sylvester baited
their hooks and dropped their lines. Be
hind them William waited with sheath
knife and salt. Regularly, in turn, Yann
and Sylvester brought up their hooks,
passed the plump cod to William, and
rebaited. Quickly William slit the fish,
cleaned them, and packed them in the
salt barrel. The pile of kegs in the hold
represented the income of whole Breton
families for a year. For his share of the
catch Yann would bring home fifteen
hundred francs to his mother.
While they were fishing Sylvester
talked of marriage. Although still a
boy, he was already engaged to Yann's
sister. He did his best, as he had done
all summer, to talk Yann into the idea of
marriage with Gaud. Always Yann shook
his head; he was engaged to the sea, he
said, and some day he would celebrate
that wedding.
Gentle and serious Gaud, Sylvester's
cousin, was attracted to Yann. She was,
however, a mademoiselle with fine hands
and good clothes. Her father was rich.
Yann could scarcely help knowing that
Gaud liked him, but with Breton stub-
borness and simplicity he could not think
of pretending seriously to a young woman
of the upper class.
In September the fishing boat returned
to Paimpol in Brittany. The return of the
Iceland fleet was the signal for quickened
AN ICELAND FISHERMAN by Pierre Loti. Published by Alfred A. Knopf, Inc.
411
life among these simple folk. The women
and children and the old men spent the
whole spring and summer raising small
gardens and waiting. Then in the fall,
when the men came back, there were
weddings and engagements and feasts
and pardons. Too often a ship did not
return, and several families would wear
black that winter.
That fall there was a big wedding with
the traditional procession to the seashore
and afterward a ball. Yann went to the
ball and danced the whole evening with
Gaud. Yann told her of his life at sea
and of his big family in Pors-Even. Part
of the time Yann watched his little sis
ter, who danced with Sylvester. The seri
ousness of the engaged children amused
Yann. Gaud was greatly pleased, for at
last Yann had unbent and his talk
seemed to her too gentle for casual con
versation.
Gaud waited all that winter in her
rich home with its fine furniture, but
Yann never came to see her. At length,
overcoming her modesty, she went on a
business errand for her father to Yann's
house, in the hope of seeing him. She
paid a sum of money to Yann's father and
waited longer than she should have, but
Yann did not come home. Later, she
knew, Yann would come to see her father
to conclude the business, and she re
solved to talk with him then. But when
Yann came to see her father, he prepared
to leave without inquiring for her. As
he came into the hall, Gaud stopped him.
Yann simply told her he could not court
her because she was rich and he was
poor.
In the spring Yann and Sylvester sailed
again with the Iceland fleet. Gaud, dur
ing that summer, felt an occasional thrill
when she wrote letters to Sylvester for
his grandmother, Yvonne. Often the
doting old woman would dictate a short
message to Yann. So Gaud was not
completely out of touch with her simple,
stubborn fisherman.
Events were soon to bring Gaud and
Yann close together. Sylvester, the next
winter, had to leave for his military
service. His grandmother, Yvonne, visited
him once at the barracks just before he
left for French Indo-China. He was to
be gone five years, and Yvonne was in
consolable.
Sylvester made a brave sailor in the
French navy. On shore in the East he
was sent with an armed patrol to re-
connoiter. When the small band was
surprised and surrounded by a large de
tachment of Tonkinese, Sylvester led a
spirited counter-attack, until he was cut
down by a sharpshooter. He was buried
far from the rocky Breton coast in a
green, strange land. An efficient, soul
less government sent back his poor effects
to Yvonne. She was now really alone,
with only a memory growing dimmer as
time passed.
Gaud's father committed one folly after
another and lost more money trying to
recoup earlier losses. Finally, at his death,
he was a ruined man. Gaud, the rich
man's daughter, became a seamstress.
With quick sympathy she went to live
with Yvonne, so that the two bereft
women could comfort each other.
Yvonne, infirm of limb and mind, was
unmercifully teased by a group of small
boys who thought she was drunk. Falling
into the mud, she vainly tried to regain
her footing. Gaud came along to set the
old woman on her feet again and brush
the mud from her clothes. Just then
Yann happened on the scene and chased
the tormentors away. He escorted the
two women home.
Yann was slowly changing his mind.
Now that Gaud was poor, he felt a bar
rier between them had been removed. He
also felt a great bond of sympathy for
Yvonne because of her grandson, and
Gaud was part of that sympathy. At the
urging of his relatives and Yvonne, he
proposed to Gaud. Much of that winter
the couple sat by the fire in Yvonne's
poor hut while the old woman slept. Six
days before the fleet was to leave in
March, Gaud and Yann were married.
When the fishermen departed on their
412
summer cruise, Gaud for the first time
was part of the busy, weeping crowd.
Yann's ship was towed out into the har
bor to wait a favorable wind. During the
delay Yann came ashore again for a final
three hours. Gaud watched the ship dis
appear in the twilight.
The summer passed uneventfully
enough. Gaud made fair wages from her
sewing, enough to refurnish Yvonne's
poor cottage. In September the fishing
fleet came straggling back. Yann's ship
was not among them, At the end of the
month Gaud still had hope. Each mas
culine step along the path sent her scur
rying to the window. Yann's father, also
worried, called to comfort her. He told
her many stories of ships delayed by fog
until December. The fall and early win
ter came and went, and still Gaud
waited.
She never saw Yann again. In August
his ship had become separated from the
others and was blown north, Some
where off Iceland, Yann had kept a tryst,
his wedding with the sea.
THE IDES OF MARCH
Type of work: Novel
Author: Thornton Wilder (1897- )
Type of plot: Historical chronicle
Time of plot: 45 B. C.
Locale: Ancient Rome
First published: 1948
Principal characters:
JULIUS CAESAR
POMPEIA, his second wife
CALPURNIA, his third wife
LADY CLODIA PULCHER, a conspirator
CATULLUS, a famous poet
CLEOPATRA, Queen of Egypt
MARCUS BRUTUS, another conspirator
Critique:
When an author writes a novel whose
plot is already well-known, and that
novel becomes a best seller, we must
assume that his style is superior or that
the story is so loved that we want to hear
it again and again. In The Ides of March
we have both factors. Thornton Wilder
has retold the events of the last months
of Caesar's life with warmth and depth
of feeling. From imaginary letters and
documents he has reconstructed the plots
and intrigues leading to the fatal stabbing
of the great Roman.
The Story:
There were so many different groups
plotting to assassinate Caesar that it was
impossible for him to guard himself
from all of them. Each day new leaders
rose to incite the people against him.
Many of the leaders were friends of
Caesar; some were relatives; some were
merely ambitious men; and some were
citizens who sincerely believed that Rome
was suffering under Caesar's rule and
wanted to free her. The last group had
Caesar's admiration. He knew that he
had restricted the freedom of the people,
but he knew, too, that the masses of
people shrink from accepting responsibil
ity for their actions. They want to be
ruled by one who will make all im
portant decisions for them, yet they
resent that ruler because he has taken
their freedom from them. Caesar knew
that he would one day be assassinated,
but he hoped that he would see in the
face of his murderer a love for Rome.
THE IDES OF MARCH by Thornton Wilder. By permission of the author and the publishers, Harper & Brothert
Copyright, 1948, by Thornton Wilder.
413
Among the most persistent of the
plotters was the mother of Marcus Bru
tus. She had long hated Caesar and
wanted her son to assume the place of
the dictator. Many Romans said that
Brutus was the illegitimate son of Caesar,
but no one had ever been able to prove
the accusation. Brutus was loyal to
Caesar until the very end; only his
mother's repeated urging led him at last
to join the conspirators.
Another important figure among Cae
sar's enemies was Clodia Pulcher, a
woman of high birth, great wealth, and
amazing beauty. Because of her ambi
tions and lusts she had become a crea
ture of poor reputation, so much so that
her name was scribbled on public walls,
accompanied by obscene verses. She was
aided in her plots by her brother and by
Catullus, the most famous poet in Rome.
Catullus was a young man so much in
love with Clodia that he would do any
thing she asked, and he wrote many
poems and tracts against Caesar. Clodia
spumed Catullus and his love, but her
ridicule of him only strengthened his
passion for her.
While all these plots against Caesar
were taking shape, he and the rest of
Rome were preparing for the visit of
Cleopatra, Queen of Egypt. She, too,
suffered from a bad reputation, for her
many conquests in love were well-known
in Rome. Most of the high ladies planned
to receive her only because Caesar had
so ordered, among them Pompeia, Cae
sar's wife, who knew of his earlier re
lations with the queen. But at Caesar's
command Cleopatra was accorded the
honor due a queen. He visited her
many times, always in disguise, and on
one of his visits barely missed being
killed. He could never be sure whether
Cleopatra knew of the plot. Marc An
tony had begun to find favor in the eyes
of Cleopatra, and as Marc Antony was
involved in the attempted assassination,
Caesar suspected that she too might be
involved.
After Cleopatra's arrival, all Rome
began to plan for the mysteries of the
Good Goddess. This festival took place
each year on December 11, and every
Roman woman of high birth and moral
virtue took part in the ceremonies. The
Vestal Virgins participated in the festi
val also, and only women whose reputa
tions were above reproach were allowed
to attend the mysteries. Clodia's recent
actions had given rise to the possibility
that she might be rejected. In fact,
petitions had been sent to Lady Julia
Marcia, Caesar's aunt and a directress of
the mysteries, to debar Clodia. Caesar
interfered in behalf of Clodia, however,
for just as he could understand the
reasoning of his enemies, he could under
stand Clodia. She felt that she was
fated to live the life she did and blamed
the gods for her actions rather than
herself.
But Clodia was vengeful. When she
learned a compromise had been reached
— she was to be allowed to attend the
mysteries only until the Vestal Virgins
appeared — she arranged to have her
brother dress in the robes of a woman
and attend the ceremonies with her. No
man had ever been present at that sacred
rite, and the profanation was the great
est scandal ever to reach the streets of
Rome. The two criminals, for so they
were called, were arrested, but Caesar
pardoned them, thus adding another
reason for public resentment. Once again
it was suspected that Cleopatra knew of
the plot, for she too had wanted to at
tend the mysteries and had been told
she would have to leave when the Vir
gins appeared. It was rumored that
Pompeia had known of Clodia's plan,
and for these rumors Caesar divorced
Pompeia, his reason being that regard
less of whether the rumors were true
Pompeia should have conducted herself
so that no rumors could be started about
her.
After his divorce Caesar married Cal-
purnia. Catullus had died in the mean
time, and Caesar reflected much on the
poet's death. He was not sure about his
414
own beliefs concerning the gods and
their influence on the world. Often he
felt that there were no gods, that each
man was the master of his own destiny.
He wished that he were not guided by
fear and superstition concerning life and
death, but he continued to employ
soothsayers and magicians and hoped
daily for good omens from the heavens.
There were few good omens for
Caesar at that time. His chief sooth
sayer had warned him of several danger
ous days, but as all of them had passed
uneventfully Caesar began to be less
careful; and he planned to leave for the
Parthian battlefront on March 17. He
asked Brutus and his wife to care for
Calpurnia while he was gone. He knew
Brutus had been among his enemies,
but he loved the younger man and be
lieved that Brutus was now his friend.
Brutus promised Caesai to care for
Calpurnia; but Brutus was to play a
different role within a few days, The
fateful Ides of March came. Caesai
walked to the Senate chambers to make
his farewell speech before leaving for
the war. Approaching the capitol, he
was surrounded by the conspirators. One
plunged his dagger into Caesar's throat
as the others closed in. Caesar was
stabbed twenty-three times. When he
saw that he was surrounded, he sat down
and wrapped his robe about him. He
did not cry out, but there are those who
say that when he saw Brutus he said,
"You, too, Brutus?" and ceased to strug
gle. Perhaps he was satisfied with Ms
assassin.
THE IDIOT
Type of -work: Novel
Author: Fyodor Mikhailovich Dostoevski (1821-1881)
Type of plot: Psychological realism
Time of plot: Mid-nineteenth century
Locale: St. Petersburg, Russia
First published: 1868-1869
Principal characters:
PRINCE LEF NICOLAIEVITCH MYSHKIN
PARFEN ROGOZHTN, friend of the prince
MME. EPANCHIN, friend and relative of the prince
AGLAYA EPANCHIN, her daughter
NATASYA FILIPOVNA, Aglaya's rival
GANYA ARDALIONOVITCH, secretary to General Epanchin
Critique:
Because this book was written by the
author of Crime and Punishment and
The Brothers Karamazov, it will always
have a significant place in literature. Like
so many characters in Russian fiction,
however, the people in this novel exhibit
a behavior so foreign to the American
temperament that the majority of readers
may find the entire story rather incred
ible. Perhaps the most serious handicap
lies in the author's portrayal of Prince
Myshkin. It would seem that he is meant
to be the foil for the other characters,
the person who seems foolish but is, in
reality, very wise and good. But the fact
that the prince suffers from epilepsy con
fuses the issue, and one wonders if he
really is an idiot. However, as a pano
rama of Russian morals, manners, and
philosophy of the period, The Idiot is an
interesting and informative novel.
The Story:
After four years spent in Switzerland,
where he was treated for epilepsy at a
sanitarium, Prince Myshkin returned to
THE IDIOT by Fyodor Mikhailovich Dostoevski. Published by The Modern Library, Inc.
415
St. Petersburg. On the train the thread
bare shabbiness of his clothing attracted
the attention of the other passengers.
One of these, Parfen Rogozhin, began to
question him. By the time they reached
St. Petersburg, the prince and Rogozhin
were well-informed about one another,
and Rogozhin offered to take the prince
to his home and to give him money.
Myshkin, however, first wanted to in
troduce himself to General Epanchin,
whose wife was distantly related to him.
At the Epanchin home he met the gen
eral and his secretary, Ganya, who in
vited him to become one of his mother's
boarders. The prince interested the gen
eral, who gave him some money, and he
also fascinated the general's wife and
three daughters. His lack of sophistica
tion, his naivete", his frankness, charmed
and amused the family. Soon they began
to call him "the idiot/' half in jest, half
in earnest, but he remained on good terms
with them.
Ganya, a selfish young man given to
all kinds of scheming, wanted to marry
the beautiful Aglaya Epanchin, chiefly
for her money. At the time he was also
involved in an affair with the notorious
Natasya, an attractive young woman
who lived under the protection of a man
she did not love. Extremely emotional
and neurotic, Natasya was really innocent
of the sins charged against her. Myshkin
realized her helplessness and pitied her.
At a drinking party one night soon after
his arrival, he asked her to marry him,
saying that he had received an unex
pected inheritance. She refused, declar
ing that she had no desire to cause his
ruin. Instead she went with Rogozhin,
who had brought her a hundred thousand
roubles.
More than ever, Natasya became the
object of spirited controversy among the
Epanchins and their circle. Myshkin
alone remained unembittered and always
kind-hearted. Ganya and Rogozhin
poured out their troubles to him, bared
the sordidness and shamelessness of their
lives, and swore undying friendship for
him. Nevertheless, they distrusted Mysh
kin and plotted against him. When Na
tasya left Rogozhin, he swore that he
would kill "the idiot" because he was
sure that Natasya had fled from him be
cause she really loved Myshkin.
Myshkin then became the victim of
an extortion attempt. During a violent,
repugnant scene, at which the Epanchins
were present, he successfully refuted the
charge that he had deprived Rogozhin's
supposed illegitimate son of his rightful
heritage. Having proved that the indi
vidual who sought the money was not
the illegitimate son, he then, to the dis
gust of Mme. Epanchin, offered to give
money to the extortionist and to become
his friend. Mme. Epanchin considered
the prince more of an idiot than ever.
Meanwhile, Aglaya Epanchin fell in
love with Myshkin, but she continued
to treat him scornfully and at first re
fused to admit that she was in love with
him. When her true feelings at last
became apparent, Mme. Epanchin gave
reluctant consent to their betrothal and
planned an evening party to introduce
Myshkin to St. Petersburg society. Wor
ried lest he should commit some social
blunder, she and her daughter advised
him to sit quietly and to say nothing
during the evening. But at the party
Mme. Epanchin herself drew out the
prince, so that he was soon launched on
one of his wild and peculiar conversa
tions. The staid, conservative guests were
astounded. In the midst of the discussion
he knocked over a huge and priceless
vase, then stared at the debris like "an
idiot." A few minutes later he fell into
an epileptic fit and had to be carried to
his home. For several days the Epan
chins were cold to him, but Mme. Epan
chin finally relented and invited him to
their home once more.
In the meantime Aglaya had been cor
responding with Natasya, and a friend
ship had strangely developed between
them. One evening Aglaya asked Mysh
kin to go with her to see Natasya.
In Natasya's apartment a hectic and
416
turbulent argument developed, so that
the two women showed their anger and
bitterness against each other. For the
first time Aglaya revealed fully her love
for Myshkin. During the argument Na-
tasya fainted. When Myshkin rushed to
her aid, Aglaya considered herself re
jected and angrily left the house. The
scene between the two women became a
scandal, and the Epanchins barred their
home to Myshkin. Natasya agreed to
marry him and made preparations for the
wedding. But on the day of the wed
ding, while Myshkin waited at the
church, Natasya fled with Rogozhin, still
haunted by her own helplessness and his
terrible possessiveness.
Myshkin received the news calmly.
Although there were many who laughed
at "the idiot/' there were some who were
sorry for him when he attempted to dis
cover Natasya's whereabouts. He left
the village where the ceremony was to
have been performed and went to the
city. There he inquired among Natasya's
acquaintances, but nobody knew where
she was. Finally he went to Rogozhin's
apartment and learned from a porter
that Rogozhin had slept there the previj
ous night. Myshkin continued his search,
convinced that Rogozhin would kill him
if he could. But Rogozhin himseif
stopped him on the street and took him
to the apartment, where Myshkin found
Natasya lying on the bed. Rogozhin
had killed her.
Filled with compassion for the miser
able Rogozhin, Myshkin spent that night
with the body of Natasya and her mur
derer. At daybreak Natasya's worried
friends and the police broke into the
apartment. Rogozhin confessed to the
murder. Myshkin was questioned by the
police, but he was not implicated in the
crime. He was sent back to the sanitarium
in Switzerland, where he was visited,
from time to time, by the Epanchin
family and other friends. There was
little hope that he would ever recover
from his epilepsy.
THE IDYLLS OF THE KING
Type of work: Poem
Author: Alfred, Lord Tennyson (1809-1892)
Type of plot: Chivalric romance
Time of plot: Fifth century
Locale: England
First published: Separately, 1859-1885
Principal characters:
KING ARTHUR
QUEEN GUINEVERB
SIR LANCELOT,
GARETH,
GERAINT,
BALTN,
BALAN,
GAWAIN,
SIR GALAHAD,
SIR BORS,
SIR PELLEAS,
SIR PERCIVALE,
SIR MODRED,
SIR TRISTRAM, and
SIR BEDIVERE, Knights of the Round Table
MERLIN, a magician
LSTNTETTE, who married Gareth
ENID, who married Geraint
417
VIVIEN, an enchantress
ELAINE, the lily maid of Astalot
ETTARRE, loved by Pelleas and Gawain
ISOLT, of the white hands, Tristram's wife
Critique:
Divided into twelve sections, each
symbolic of one month of the year, these
poems present to the reader the span of
a man's life, extending from the coming
of Arthur to his passing. If one cared
to search into the symbolism of this long
narrative poem, he would find it filled
with mystic and spiritual meanings. Al
though Tennyson's stories of King Arthur
and the Knights of the Round Table lack
the realism and vitality of Malory's
tales, The Idylls of the King have a
poetic compactness and allegorical signifi-
-sance lacking in the original.
The Stories:
THE COMING OF ARTHUR
Gorlois and Ygerne had borne one
daughter, Bellicent. King Uther over
came Gorlois in battle and forced the
widow to marry him immediately. Short
ly afterward King Uther died. Ygerne's
son, Arthur, was born at a time when
he could have been the son of Gorlois
or the son of Uther born too soon.
The birth of Arthur was shrouded
in great mystery. Merlin the magician
reared the prince until it was time for
him to take over Uther's kingdom and
to receive from the Lady of the Lake the
magic sword, Excalibur. After the mar
riage of Arthur and Guinevere, the king
and his loyal members of the Round
Table, in twelve battles, drove the enemy
out of the kingdom.
GARETH AND LYNETTB
Bellicent, Arthur's sister, allowed her
youngest son to join his two brothers in
King Arthur's court on the condition
that Gareth serve as a kitchen knave
under the surly directions of Sir Kay
the seneschal. When the young boy pre
sented himself to King Arthur, Gareth
made the king promise to give him the
first quest which came along without
revealing his identity. One day Lynette
came to the court asking for Sir Lancelot
to save her sister from wicked knights
who held her captive. King Arthur sent
Gareth questing with Lynette, who
grumbled disdainfully at the kitchen
knave ordered to serve her.
The first knight Gareth overcame was
the Morning Star. Lynette still sneered
at the knave. After Gareth had defeated
another knight, Lynette began to relent.
When he conquered a third strong
knight, she allowed him to ride at her
side. Next Gareth encountered a ter
rible knight, Death, who proved to be
a mere boy forced by his brothers to
assume a fierce appearance. Gareth re
turned to the Round Table victorious
and married Lynette,
THE MARRIAGE OF GERAINT
and GERAINT AND ENID
Geraint, on a quest for Guinevere,
came to the impoverished castle of Earl
Yniol and his daughter Enid, a girl
whose faded brocades spoke of former
wealth and family pride. There Geraint
learned that the rejected suitor of Enid
had caused the ruin of Yniol. The earl
gave Geraint Enid for his wife.
Geraint, fearing that the sin of the
queen's love for Lancelot would taint
Enid's love, went to his own castle and
there idled away the hours in company
with his wife until neighbors began to
gossip that Geraint had lost his courage.
Enid feared to tell her lord about the
gossip, and Geraint, observing her strange
attitude, decided that she had fallen in
love with some knight of the Round
Table. One morning, bidding Enid to
don her faded brocade gown, Geraint
set out with his wife after ordering her
not to speak to him. Riding ahead of
Geraint, Enid encountered men who
would attack her husband, and each time
she broke his command by warning him
of his danger. After a while Enid was
418
able to prove her love to her suspicious
husband. They returned to Camelot,
where Guinevere warmly welcomed Enid
to the court.
BALIN AND BALAN
Balan left the care of Balin, his mad
brother, and went on a mission to quell
King Pellam, who had refused to pay
his yearly tribute to King Arthur. With
his brother gone, Balin was left alone
in his gloomy moods. He worshipped
the purity of Lancelot and the faithful
ness of Guinevere until one day he saw
his two idols speaking familiarly in the
garden. Disillusioned, Balin fled to the
woods. There he met Vivien, a wanton
woman of the court, who further poi
soned his mind against Lancelot and
Guinevere. He left hanging on a tree
the shield Guinevere had given him
years before. Hearing Balin's mad shrieks
among the trees, Balan rushed at Balin,
whom he did not recognize without the
shield of Guinevere. In the struggle
Balin killed Balan and then was crushed
by his own horse.
VIVIEN
Vain and coquettish Vivien set out
to ensnare the most chivalric man in
all the kingdom, King Arthur, but her
wiles failed to win the attention of a
king whose mind could harbor no evil
thoughts. Vivien then turned to Mer
lin, who she knew possessed a magic
spell. She tried to charm the magician
with her beauty, pretending to love the
ancient, bearded man, but he knew that
she was not to be trusted. When she
asked him to teach her the spell, he
refused. But Vivien was not to be denied.
At last, tricked by her beauty, Merlin
taught her his magic powers. She en
chanted him and caused him to disap
pear forever, a prisoner in a hollow
tree.
LANCELOT AND ELAINE
Lancelot in disguise went to Astalot,
where he left his shield with Elaine and
rode off with her brother Lavaine to the
tournaments. Lancelot won the jousts;
then, wounded, he fled before anyone
could discover who he was. King Arthur
sent Gawain to search for the winner of
the tournament. Gawain rode to Asta
lot, where he lingered because he had
fallen in love with Elaine. She told him
that she loved the knight who had left
his shield with her. When Gawain saw
the shield, he identified it as that of
Lancelot.
Elaine nursed Lancelot back to health
in the hope that he would return her
love. Recovered, he sadly told her that
he could never marry any woman. After
he had gone, Elaine became ill and
finally died in her grief. Her dying wish
was to be put into a boat and sent to
Camelot, in her hand a letter to Lance
lot.
In Camelot Guinevere coldly rejected
Lancelot, for Gawain had told of the af
fair between Lancelot and Elaine. When
the body of Elaine floated to Camelot,
King Arthur and Lancelot found the
beautiful maiden in her boat, the letter
in her hand.
Lancelot authorized a fitting burial for
the lily maid. He unhappily lamented
his hopeless love for the queen, not
knowing that he would die a monk.
THE HOLY GRAIL
One day while Sir Galahad, the
youngest and purest of all the knights,
sat in Merlin's chair, the Holy Grail de
scended upon the Round Table in a
flash and then was gone. When the
knights swore to go on a quest for the
Holy Grail, King Arthur gloomily pre
dicted that the search would end in
disaster for many of his knights because
none was pure enough, save Galahad or
Percivale, to see the holy vessel.
To Galahad the Grail appeared in
all its splendor. Percivale, who followed
him, also saw the holy sign. Sir Bors
returned to King Arthur to report that
he had viewed the Grail; but Lancelot
had seen only a sign of it. Some of the
other knights never returned to the
Round Table from their perilous quest.
PELLEAS AND ETTARRE
Pelleas had given Ettarre a trophy he
419
had won in a tournament, but she, scorn
ing the young knight, barred him from
her court. Gawain, meeting Pelleas in
his despair, offered to help him. After
telling the knight to hide in the forest,
Gawain went to Ettarre and told her
he had killed Pelleas. As the days passed,
Pelleas became impatient. One night,
stealing into the castle, he found Gawain
and Ettarre sleeping together and placed
his naked sword across the throats of the
sleeping lovers. Then in a mad rage he
rode through the forest until he met
Percivale, who accidentally revealed to
Pelleas the scandal about Lancelot and
Guinevere. Disillusioned, the young
knight returned to the Round Table,
where his rude manner to the queen
foreshadowed evil to Lancelot and Guin
evere. Sir Modred saw that the ruin of
the Round Table was near at hand.
THE LAST TOURNAMENT
To a tournament at Camelot came
Tristram, who had left his bride, Isolt
of the white hands. Her name was the
same as that of his beloved, Isolt, the
wife of King Mark of Cornwall. Lance
lot, laboring under the guilt of his sinful
love for Guinevere, decided to fight with
the similarly guilty Tristram, who won
the tournament. Tristram then went to
Isolt of Cornwall. King Mark was away
on a hunting trip. He returned un
expectedly, found the lovers together,
and killed Tristram.
In the north a knight rebelled against
King Arthur's rule and charged that the
Round Table was a thing of falseness
and guilt where harlots and adulterers
lived disguised as ladies and knights.
King Arthur rode to quell the revolt and
the guilty man was killed; but King
Arthur was heavy in heart when he re
turned to Camelot.
GUINEVERE
Fearing exposure of her love for Lan
celot, Guinevere asked him to leave
Camelot. On the night of their fare
well Modred trapped the lovers to
gether, and Guinevere, feeling that she
was shamed forever, went to Almesbury
and took refuge in a nunnery. There
she recalled how Lancelot had brought
her from her father's home to marry
Arthur, how she had thought Arthur
cold and had fallen in love with the
courtly, gay Lancelot.
King Arthur went to Almesbury. To
Guinevere he spoke of his pride in the
marvelous truths which the Round Table
had upheld, and which Guinevere had
inspired. Now all was lost, but he for-
fave Guinevere before he went off to
ght against Modred and his traitor
knights.
Filled with remorse, Guinevere asked
the nuns to accept her in their order.
There she gave her services until they
made her abbess. After three years in
that rank she died.
THE PASSING OF ARTHUR
In Modred's revolt King Arthur was
wounded. As he lay dying he told Sir
Bedivere to cast the sword Excalibur
into the lake. When Bedivere finally
brought to King Arthur die tale that
amid flashing and strange sights an arm
reached out from the lake to receive the
sword, King Arthur knew that Bedivere
had truly sent Excalibur back to the
Lady of the Lake. Next King Arthur
told Bedivere to carry him to the shore.
There three maidens came in a barge
to take King Arthur away. As Bedivere
stood weeping, King Arthur assured him
that the old order of the Round Table
must pass to give way to something new.
So King Arthur passed, in the manner
of his legendary beginning, back across
the waters to Avalon, but many men
believed that some day he would return
to his people in their need. Bedivere
watched on the shore until the wintry
dawn broke bringing a new year.
42C
IF WINTER COMES
Type of work: Novel
Author: A. S. M. Hutchinson (1880- )
Type of plot: Social criticism
Time of 'plot: 1912-1919
Locale: Southern England
First published: 1920
Principal characters:
MABK SABKE, an idealist
MABEL SABRE, his wife
LADY NONA TYBAR, a friend
MR. FORTUNE, Mark's employer
MR. TWYNTNG, a business associate
HAROLD TWYNTNG, Twyning's son
EFFIE BRIGHT, Sabre's friend
Critique:
The very least that can be said about
If Winter Comes is that it is a beautiful
and heart-warming novel. It is the story
of a man who loved all humanity, but
who was persecuted and betrayed by
those who did not understand him. Al
though the book makes no pretensions
to great literature, it is a perennial
favorite among all classes of readers.
The Story:
Most of his friends thought Mark
Sabre a queer sort, in spite of die normal
life he led. He was married to a girl
of his own class and he worked in the
very respectable firm of Fortune, East,
and Sabre, suppliers for the best churches
and schools in England. It was his at
titude toward life that seemed queer. He
had no definite convictions about any
thing, and he could always see both
sides of any controversy. He hated the
restrictions that convention placed on
people, but at the same time he believed
that conventions were based on sound
principles. Mabel Sabre, one of the most
conventional women alive, was totally
unable to understand anything her hus
band tried to discuss with her.
The only person who understood him
well was Lady Nona Tybar, with whom
Sabre had once been in love. Nona's
husband, Lord Tybar, was a charming
man, but completely without moral prin
ciples. When he flaunted other women
in Nona's face, she turned to Sabre for
comfort in his friendship, but Mabel,
Sabre's wife, could not understand their
friendship any better than she could
understand anything else about her hus
band. After five years of marriage Mabel
and Sabre were living almost as strangers
under one roof. Mark Sabre's employer,
Mr. Fortune, and his business associate
Mr. Twyning, despised him because they
did not understand him, and so Sabre
felt that he lived only as he bicycled be
tween his home and his office, for then
he could know himself as he really was.
Sabre felt that there was a mystery to
life which he could unlock if he found
the right key. And his life was almost
dedicated to finding that key.
In addition to Nona, Sabre had three
friends with whom he liked to spend
his time. They were his neighbors, Mr.
Fargus and old Mrs. Perch and her son.
When the war came, young Perch
wanted to enlist, but he could not leave
his invalid mother alone. Sabre knew
that Erne Bright, daughter of an em
ployee at his office, wanted a, position
as a companion, and he arranged to have
her stay with Mrs. Perch after her SOD
IF WINTER COMES by A. S. M. Hutchinson. By permission of the author and the publishers, Little,
& Co. Copyright, 1921, by A. S. M. Hutchinson. Renewed, 1949, by A. S. M. Hutckinson
421
went to the army. Young Perch was
killed, and when his mother received
the news she died too. Shortly after
the old lady's death, Sabre himself joined
the army. Because Mabel did not want
to stay alone, she employed Effie to stay
with her. However, she treated Effie as
a servant.
Lord Tybar was a hero in the war,
winning the Victoria Cross before he
was killed. Nona went to France after
her husband's death and drove an am
bulance for the rest of the war years.
When Sabre carne home on leave, Mabel
discharged Effie. She said that the girl
was impertinent and unreliable.
Late in 1917, Sabre was wounded and
sent home to stay. Mabel took no more
interest in him than she had before,
until the day she received a letter from
Effie. Effie begged to come back to the
Sabres. She now had an illegitimate
child and no one, including her father,
would take her in. Mabel was right
eously angry at the proposal, and when
Sabre tried to defend the girl she began
to suspect that he might have a reason
to help Effie. Before they reached a
decision Effie, having no other place to
go, arrived with her baby. When Sabre
insisted that she stay, Mabel left, de
claring she would not return until the
girl and her baby had gone. Mr. Fortune
and Mr. Twyning, who had been made
a partner in the firm, would not allow
Sabre to return to the firm unless he sent
Effie away. They feared scandal would
hurt their business. But Sabre would not
be forced to do what he felt would be
an injustice and a sin. For he had found
the key to the puzzle; he knew that the
solution to the mystery of the world is
simply that God is love. Love for one's
fellow men could set the world right
again. He loved Effie as he loved all
mankind, as he loved even his wife and
the others who hated him.
But keeping Effie in the face of crit
icism brought only disaster to him and
to the girl. Mabel sued for divorce on
grounds of adultery, naming Effie. Sabre
was away from his home when the
papers were served, and before he could
quite comprehend that his wife could
believe such a foul thing he was arrested,
Effie had taken poison, first killing hei
baby. She had learned of Mabel's suit
and thought she could help Sabre best
by committing suicide. Sabre's enemies
were not satisfied. He was taken to
court and accused of being responsible
for her death. Effie's father, Mabel, and
Mr. Twyning all claimed that he was the
father of Effie's baby and that he had
bought the poison which she drank. It
was proved that he could have been the
father of the child. Only one voice was
raised in his defense. Nona returned
from France and appeared at the trial.
But there was little she could do.
The verdict made Sabre responsible
for Effie's suicide. Sabre went home,
but he would not allow Nona to go with
him. In his house he found a letter
from Effie, In it she told him that she
was taking her life and that of her baby
because she had caused him so much
trouble. She also named the father of
her baby; it was Harold Twyning, the
son of Sabre's enemy. The boy had been
afraid of his father's anger and had not
claimed his responsibility.
Enraged, Sabre went to his old office
prepared to kill Mr. Twyning. But when
he reached the office, he learned that his
enemy had just received word of Har
old's death in battle. Sabre dropped
Effie's letter in the fire and offered his
sympathy to the man mainly responsible
for ruining him. Then he went into his
old office and collapsed from a cerebral
hemorrhage. Nona found him there
and took him home. For many months
he could remember nothing that had
happened to him, but gradually he be
gan to piece together the sordid, tragic
story. He learned that Mabel had secured
her divorce and remarried. He learned
to know Nona again, but he asked her
to go away because he had accepted dis
grace rather than reveal the story ol
Effie's letter. Nona refused to leave him,
422
and atter a year they were married. Sabre
knew then that he had really found the
key to the mystery of existence in that
dark season of life before winter gives
way to spring.
THE ILIAD
Type of -work: Poem
Author; Homer (c. ninth century B. C.)
Type of 'plot: Heroic epic
Time of 'plot: Trojan War
Locale: Troy
First transcribed: Sixth century B. C.
Principal characters:
PRIAM, King of Troy
HECTOR, a Trojan warrior, Priam's son
HELEN OF TKOY
PARIS, Hector's brother and Helen's lover
MENELAUS, Helen's husband
AGAMEMNON, Menelaus' brother
ACHILLES, a Greek warrior
PATROCLUS, Achilles' friend
Critique:
Homer has been hailed as the father
of all poetry, and the Iliad has survived
as a masterpiece for all time. The Iliad,
within a three-day period of the Trojan
wars, tells the story of the wrath of
Achilles against King Agamemnon. The
battle episodes reveal the true characters
of the warriors, their strength and their
weaknesses. These figures step out of
unrecorded history as human beings,
not of one era, but of all eras and for all
time.
The Story:
The Greeks were camped outside the
walls of Troy, in the tenth year of their
siege on that city. Agamemnon, king of
the Achaians, wanted the maid, Briseis,
for his own, but she was possessed by
Achilles, the son of Zeus. When Achil
les was forced to give up the maid, he
withdrew angrily from the battle and
returned to his ship. But he won from
Zeus the promise that the wrong which
he was enduring would be revenged
on Agamemnon.
That evening Zeus sent a messenger to
the Greek king to convey to him in a
dream an order to rise and marshal
his Achaian forces against the walls of
Troy. When the king awoke, he called
all his warriors to him and ordered them
to prepare for battle. All night long the
men armed themselves in battle array,
making ready their horses and their
ships. The gods appeared on earth in
the disguise of warriors, some siding with
the Greeks, some hastening to warn the
Trojans. With the army mustered, Aga
memnon began the march from the
camp to the walls of the city, while all
the country around was set on fire. Only
Achilles and his men remained behind,
determined not to fight on the side of
Agamemnon.
The Trojan army came from the gates
of the city ready to combat the Greeks.
Then Paris, son of King Priam and
Helen's lover, stood out from the ranks
and suggested that he and Menelaus
settle the battle in a fight between them,
the winner to take Helen and all lier
possessions, and friendship to be de
clared between the warring nations.
Menelaus agreed to these words of his
rival, and before the warriors of bofh
sides, and under the eyes of Helen, who
had been summoned to witness the scene
from the walls of Troy, he and Paris
began to battle. Menelaus was the
423
mightier warrior. As he was about to
pierce his enemy, the goddess Aphrodite,
who loved Paris, swooped down from
the air and carried him off to his cham
ber. She summoned Helen there to
minister to her wounded lord. Then the
victory was declared for Menelaus.
In the heavens the gods who favored
the Trojans were much disturbed by this
decision. Athena appeared on earth to
Trojan Pandarus and told him to seek
out Menelaus and kill him. He shot an
arrow at the unsuspecting king, but the
goddess watching over Menelaus deflect
ed the arrow so that it only wounded
him. When Agamemnon saw that
treacherous deed, he revoked his vows
of peace and exhorted the Greeks once
more to battle. Many Trojans and many
Greeks lost their lives that day, because
of the foolhardiness of Pandarus.
Meanwhile Hector, son of King Priam,
had returned to the city to bid farewell
to Andromache, his wife, and to his
child, for he feared he might not return
from that day's battle. He rebuked
Paris for remaining in his chambers
with Helen when his countrymen were
dying because of his misdeeds. While
Paris made ready for battle, Hector said
goodbye to Andromache, prophesying
that Troy would be defeated, himself
killed, and Andromache taken captive.
Then Paris joined him and they went
together into the battle.
When evening came the Greeks and
the Trojans retired to their camps. Aga
memnon instructed his men to build a
huge bulwark around the camp and in
front of the ships, for fear the enemy
would press their attack too close. Zeus
then remembered his promise to Achilles
to avenge the wrong done to him by
Agamemnon. He summoned all the gods
and forbade them to take part in the
war. The victory was to go to the Tro
jans.
The next day Hector and the Trojans
swept through the fields slaughtering the
Greeks. Hera, the wife of Zeus, and
many of the other goddesses could not
be content to watch the defeat of their
mortal friends. But when they attempted
to intervene, Zeus sent down his mes
sengers to warn them to desist.
Fearing his armies would be destroyed
before Achilles would relent, Agamem
non sent Odysseus to Achilles and begged
the hero to accept gifts and be pac
ified. But Achilles, still wrathful, threat
ened to sail for home at the break of
day. Agamemnon was troubled by the
proud refusal of Achilles. That night he
stole to the camp of the wise man,
Nestor, to ask his help in a plan to de
feat the Trojans. Nestor told him to
awaken all the great warriors and sum
mon them to a council. It was decided
that two warriors should steal into the
Trojan camp to determine its strength
and numbers. Diomedes and Odysseus
volunteered. As they crept toward the
camp, they captured and killed a Trojan
spy. Then they themselves stole into
the camp of the enemy, spied upon it,
and as they left, took with them the
horses of one of the kings.
The next day the Trojans pressed
hard upon the Greeks with great
slaughter. Both Diomedes and Odysseus
were wounded and many warriors tilled.
Achilles watched the battle from his ship
but made no move to take part in it. He
sent his friend Patroclus to Nestor to
learn how many had been wounded.
The old man sent back a despairing
answer, pleading that Achilles give up
his anger and help his fellow Greeks. At
last the Trojans broke through the walls
of the enemy, and Hector was foremost
in an attack upon the ships.
Meanwhile many of the gods plotted
to aid the Greeks. Hera lulled Zeus to
sleep, and Poseidon urged Agamemnon
to resist the onrush of the Trojans. In
the battle that day Hector was wounded
by Aias, but as the Greeks were about to
seize him and bear his body away the
bravest of the Trojans surrounded their
hero and covered him with their shields
until he could be carried to safety.
When Zeus awakened and saw what
424
had happened, his wrath was terrible,
and he ordered Apollo to restore Hector
to health. Once again the walls were
breached and the Trojans stormed toward
the ships, eager to fire them. Zeus in
spired the Trojans with courage and
weakened the Greeks with fear. But he
determined that after the ships were set
afire he would no longer aid the Trojans
but would allow the Greeks to have the
final victory.
Patroclus went to his friend Achilles
and again pleaded with him to return to
the fight. Achilles, still angry, refused.
Then Patroclus begged that he be al
lowed to wear the armor of Achilles so
that the Greeks would believe their hero
fought with them, and Achilles con
sented. Patroclus charged into the fight
and fought bravely at the gates of the
city. But there Hector mortally wounded
Patroclus and stripped from his body
the armor of Achilles.
All that day the battle raged over the
body of Patroclus. Then a messenger
carried to Achilles word of his friend's
death. His sorrow was terrible, but he
could not go unarmed into the fray to
rescue the body of Patroclus.
The next morning his goddess mother,
Thetis, brought him a new suit of armor
from the forge of Hephaestus. Then
Achilles decked himself in the glittering
armor which the lame god of fire had
prepared for him and strode forth to the
beach. There he and Agamemnon were
reconciled before the assembly of the
Greeks, and he went out to battle with
them. The whole plain was filled with
men and horses, battling one another.
Achilles in his vengeance pushed back
the enemy to the banks of the River
Xanthus, and so many were the bodies
of the Trojans choking the river that at
length the god of the river spoke to
Achilles, ordering him to cease throwing
their bodies into his waters. Proud
Achilles mocked him and sprang into
the river to fight with the god. Feeling
himself overpowered, he struggled out
upon the banks, but still the wrathful
god pursued him. Achilles then called
on his mother to help him, and Thetis,
with the aid of Hephaestus, quickly
subdued the angry river god.
As Achilles drew near the walls of
Troy, Hector girded on his armor. Amid
the wailing of all the Trojan women
he came from the gates to meet the
Greek warrior. Not standing to meet
Achilles in combat, he fled three times
around the city walls before he turned
to face Achilles' fatal spear. Then Achil
les bound Hector's body to his chariot
and dragged it to the ships, a prey for
dogs and vultures.
In the Trojan city there was great
grief for the dead hero. The aged King
Priam resolved to drive in a chariot to
the camp of Achilles and beg that the
body of his son Hector be returned to
him. The gods, too, asked Achilles to
curb his wrath and restore the Trojan
warrior to his own people, and so
Achilles received King Priam with re
spect, granted his request, and agreed to
a twelve-day truce that both sides might
properly bury and mourn their dead.
Achilles mourned for Patroclus as the
body of his friend was laid upon the
blazing funeral pyre. In the city the
body of mighty Hector was also burned
and his bones were buried beneath a
great mound in the stricken city.
INDEPENDENT PEOPLE
Type of work: Novel
Author: Halld6r Laxness (1902-
Type of plot: Social chronicle
Time of plot: Twentieth century
Locale: Iceland
First published; 1934-1935
425
Principal characters:
BJARTUR, a crofter
ROSA, his first wife
FiNNA; his second wife
ASTA SOLLILJA, Rosa's daughter
GVENDUK, Bjartur's son
NONNI, his younger son
INGOLFUR ABNARSON, Asta's father
Critique:
Independent People is one of the few
novels to give us a faithful and artistic
picture of the essentially unrewarding
life in bleak, small Iceland. In addition
to the background, Laxness has written
in a style and with a scope approaching
the epic. We get some of the feeling of
the traditions of the Vikings, and we see
the old give way to the new. Only the
hard, barren life of the crofter is un
changing, for the Icelander in the re
moter sections of his country lives on
about the plane of the primitive savage.
The Story:
After working for eighteen years for
Bailiff Jon, Bjartur was at last able to
buy, with a heavy mortgage, the croft
called Winterhouses. Proud of his new
status as a landowner and fiercely in
dependent, Bjartur promptly renamed
the place Summerhouses. It was a poor
place, fit only for sheep grazing. The
house, which Bjartur rebuilt, consisted
of one room over the stable. The walls
were of sod, and the roof was made of
a few sheets of corrugated iron covered
with turf. But it was his own place, and
Bjartur was determined to be hired work
man for no man and to put his trust in
sheep.
For his wife he chose the twenty-six
year-old Rosa, a small sturdy girl with
a cast in one eye, who had also been in
service to the bailiff.
Rosa was disappointed in her house,
and Bjartur was disappointed in Rosa.
He soon found that she was far from
innocent, and worse, she was already
pregnant. He suspected, and was sure
much later, that the man had been the
bailifFs son, Ingolfur.
After a few months of marriage Bjar
tur left on a cold winter day to look for
his sheep. Seeing a buck reindeer in the
woods, he jumped on the animal's back
and attempted to subdue him. But the
reindeer was too strong and took off in
mad flight for the river. With Bjartur
still holding on, the animal swam down
stream and finally landed on the other
shore. Bjartur, nearly frozen to death,
stayed to recuperate at a nearby croft.
He returned home after several days
to find his wife dead from childbirth and
a baby daughter still alive. Disregarding
the parentage of the girl, he proudly
named her Asta Sollilja. The bailifFs
wife sent pauper Finna and her mother
to look after Bjartur and the baby. Finna
was nearly forty but strong and well
preserved. To settle the problem of the
child's care, Bjartur married her.
Each year Finna had another child,
usually stillborn. But after some years
there were Helgi, Gvendur, and Nonni,
and their sister Asta. The croft was
crowded, and the beds were all dirty and
filled with vermin, but the land was
clear of debt.
A southerner came to the croft one
day to ask permission to camp and hunt.
The stranger delighted Asta, who was
awkward and uncouth but bursting with
love. The stranger hardly noticed her,
however, and each night he was gone
most of the night. The reason for his
visit came out later, when the bailiff's
daughter left the country in great haste.
After little Helgi was lost on the moor,
INDEPENDENT PEOPLE by Halld6r Laxness. Translated by J. A. Thompson. By permission of the pub-
iisoeiti, Alfred A. Knoof, Inc. Copyright, 1946, by Hallddr Laineas.
426
the tie between Asta and Bjartur became
closer. When Finna died from poor diet
and rapid childbearing, the father tried
his best to make life easier for the girl.
He refused to let Asta go to school, but
he did teach her much of the old Ice
landic poetry.
Bjartur took Asta on his yearly trip
to town, where, after doing the shopping,
they stayed overnight in a lodging-house
for country folk. To save money, father
and daughter both slept in the same
bed. Asta was unhappy. The town
people had laughed at her homely
clothes, and the snores of the drunken
farmers in the nearby beds were terrify
ing. She snuggled closer to her father
and kissed him. He put his arms around
her, but to his horror found that she
was kissing him repeatedly. Abruptly
Bjartur got up and went out for their
horse. Father and daughter left for home
in the rainy night.
Then a series of misfortunes, which
the Icelanders laid to a witch buried
near Summerhouses, greatly reduced
Bjartur's flock of sheep, and he went to
town to work. Trying to meet his obliga
tions to his children, Bjartur sent a
schoolmaster to instruct Asta, Gvendur,
and Nonni during the winter. But Bjar-
tur's choice of teacher was unfortunate.
After getting drunk one night the school
master took Asta. When Bjartur came
home in the spring, Asta was pregnant.
In his rage Bjartur cast out his daughter,
who went gladly, full o£ romantic notions
of her lover. She walked to his fine
town house, which turned out to be a
shack. There she learned that he had
many children and that his wife was
again pregnant.
Nonni, just before the World War,
went to America to join his uncle. Only
Gvendur and Bjartur were left, in ad
dition to the old mother-in-law. The
war boom raised the price of lambs and
Bjartur prospered. He now had two cows
and three horses. At the same time, a
cooperative movement, with Ingolfur at
its head, was organized. In the parish
only Bjartur held out; he remained loyal
to the merchants who had been gouging
him for years.
Nonni sent two hundred dollars from
America to pay for Gvendur's passage.
In spite of his father's objections, Gven
dur, who was seventeen and big and
strong for his age, decided to emigrate.
He put on his best clothes and went to
town to take the coastal steamer. There
he was admired because he was going
to America. During the day and night
Gvendur had to wait before his ship
sailed, he met the bailiff's granddaughter.
She took him riding on the moor, where
they spent the night together. Hoping
to win her love, Gvendur renounced his
emigration and went back to Summer-
houses.
In spite of the depression following the
war, Bjartur resolved to build his new
house. He went deeply into debt to buy
great supplies of stone and timber. That
year he got the walls and roof completed,
but there were no doors and windows.
Before he could finish the house, the
mortgage was foreclosed and Summer-
houses passed into the hands of the
bank.
The only place left for the family was
the mother-in-law's old croft, long since
abandoned. During the moving Bjartur
met Asta and was reconciled to her. Asta
had a second child by another man, and
she was carrying a third. The family was
complete again, except for Nonni.
Asta, like Bjartur, was independent.
Ingolfur, now rich and a member of
Parliament, had revealed to her that he
was her father. His offer of support had
been soundly rejected.
Bjartur fell in with some strikers who
had struck against the government's low
wages. For a while he was sympathetic
with the men, who were, in a way,
Communist led. Gvendur was even more
sympathetic. But they both rejected in
principle the idea of collective action.
They were independent farmers and
herders.
So they moved to the wretched hovel
427
far to the north, with only Blesi, their
twenty-five-year-old horse, to do the
hauling. By hard work they could con
tinue their old way of life. They would
have one room in a turf-covered hut.
Their diet would be refuse fish. With
luck they would be only a little less
comfortable than savages in a jungle.
THE INVISIBLE MAN
Type of work: Novel
Author: H. G. Wells (1866-1946)
Type of plot: Mystery romance
Time of plot: Late nineteenth century
Locale: England
First published: 1897
Principal characters:
GBIFFEST, the Invisible Man
MR. HALL, landlord of the Coach and Horses Inn
MRS. HALL, his wife
DR. KEMP, a Burdock physician
COLONEL AYDE, chief of the Burdock police
MARVEL, a tramp
Critique:
The Invisible Man belongs to that
series of pseudo-scientific romances which
H. G. Wells wrote early in his literary
career. The plot is one of sheer and
fantastic invention, but it achieves an
air of probability by means of the homely
and realistic details with which it is
built up. The characters involved in
Griffin's strange predicament are also in
no way remarkable; their traits, habits,
and fears are revealed convincingly. The
novel has outlived the time of its pub
lication because of the psychological
Factors arising from the central situation
and the suspense created by the unfold
ing of an unusual plot.
The Story:
The stranger arrived at Bramblehurst
railway station on a cold, snowy day in
February. Carrying a valise, he trudged
through driving snow to Iping, where
he stumbled into the Coach and Horses
Inn and asked Mrs. Hall, the hostess,
for a room and a fire. The stranger's
face was hidden by dark-blue spectacles
and bushy side-whiskers.
He had his dinner in his room. When
Mrs. Hall took a mustard jar up to him,
she saw that the stranger's head was
completely bandaged. While she was in
his room, he covered his mouth and
chin with a napkin.
His baggage arrived the next day —
several trunks and boxes of books and a
crate of bottles packed in straw. The
drayman's dog attacked the stranger,
tearing his glove and ripping his trousers.
Mr. Hall, landlord of the inn, ran up
stairs to see if the stranger had been
hurt and entered his room without knock
ing. He was immediately struck on the
chest and pushed from the room. When
Mrs. Hall took up the lodger's supper,
she saw that he had unpacked his trunks
and boxes and set up some strange ap
paratus. The lodger was not wearing
his glasses; his eyes looked sunken and
hollow.
In the weeks that followed the vil
lagers made many conjectures as to the
stranger's identity. Some thought he
suffered from a queer disease that had
left his skin black-and-white spotted.
Unusual happenings also mystified the
village. One night the vicar and his
wife were awakened by a noise in the
vicar's study and the clinking of money.
THE INVISIBLE MAN by H. G. Wells. By permission of the Executors, estate of IT G Wells and the
publishers, Harper & Brothers. Copyright, 1897, by H. G. Wells. Renewed, 1924.
428
Upon investigation, they saw no one,
although a candle was burning and they
heard a sneeze.
In the meantime Mr. Hall found
clothing and bandages scattered about
the lodger's room; the stranger had dis
appeared. The landlord went downstairs
to call his wife. They heard the front
door open and shut, but no one came
into the inn. While they stood wonder
ing what to do, their lodger came down
the stairs. Where he had been or how
he had returned to his room unnoticed
was a mystery he made no attempt to
explain.
A short time later, the stranger's bill
being overdue, Mrs. Hall refused to serve
him. When the stranger became abusive,
Mr. Hall swore out a warrant against
him. The constable, the landlord, and
a curious neighbor went upstairs to
arrest the lodger. After a struggle, the
man agreed to unmask. The men were
horror-stricken; the stranger was invisible
to their view. In the confusion the In
visible Man, as the newspapers were soon
to call him, fled from the inn.
The next person to encounter the In
visible Man was a tramp named Marvel.
The Invisible Man frightened Marvel
into accompanying him to the Coach
and Horses Inn to get his clothing and
three books. They arrived at the inn
while the vicar and the village doctor
were reading the stranger's diary. They
knocked the two men about, snatched up
the clothes and books, and left the inn.
Newspapers continued to print stories
of unnatural thefts; money had been
taken and carried away, the thief in
visible but the money in plain view.
Marvel always seemed to be well-
supplied with funds.
One day Marvel, carrying three books,
came running into the Jolly Cricketers
Inn. He said that the Invisible Man
was after him. A barman, a policeman,
and a cabman awaited the Invisible
Man's arrival after hiding Marvel. But
the Invisible Man found Marvel, dragged
him into the inn kitchen, and tried to
force him through the door. The three
men struggled with the unseen creature
while Marvel crawled into the bar-parlor.
When the voice of the Invisible Man was
heard in the inn yard, a villager fired
five shots in the direction of the sound.
Searchers found no body in the yard.
Meanwhile, in Burdock, Dr. Kemp
worked late in his study. Preparing to
retire, he noticed drops of drying blood
on the stairs. He found the doorknob
of his room smeared with blood and red
stains on his bed. While he stared in
amazement at a bandage that was ap
parently wrapping itself about nothing
in midair, a voice called him by name.
The Invisible Man had taken refuge in
Kemp's rooms.
He identified himself as Griffin, a
young scientist whom Kemp had met at
the university where both had studied.
Griffin asked for whiskey and food. He-
said that except for short naps he had
not slept for three days and nights.
That night Kemp sat up to read all the
newspaper accounts of the activities of
the Invisible Man. At last, after much
thought, he wrote a letter to Colonel
Adye, chief of the Burdock police.
In the morning Griffin told his story
to Kemp. He explained that for three
years he had experimented with refrac
tions of light on the theory that a
human body would become invisible if
the cells could be made transparent.
Needing money for his work, he had
robbed his father of money belonging
to someone else and his father had shot
himself. At last his experiments were
successful. After setting fire to his room
in order to destroy the evidence of his
research, he had begun his strange ad
ventures. He had terrorized Oxford
Street, where passersby had seen only
his footprints. He discovered that in his
invisible state he was compelled to fast,
for all unassirnilated food or drink was
grotesquely visible. At last, prowling
London streets and made desperate by
his plight, he had gone to a shop selling
theatrical supplies. There he had stolen
429
the dark glasses, side-whiskers, and
clothes he wore on his arrival in Iping.
Griffin planned to use Kemp's house
as a headquarters while terrorizing the
neighborhood. Kemp believed Griffin
mad, When he attempted to restrain
Griffin, the Invisible Man escaped, and
shortly thereafter a Mr. Wicksteed was
found murdered. A manhunt began.
The next morning Kemp received a
note which announced that the reign of
terror had begun; one person would be
executed daily. Kemp himself was to
be the first victim. He was to die at
noon; nothing could protect him.
Kemp sent at once for Colonel Adye.
While they were discussing possible
precautions, stones were hurled through
the windows. The colonel left to return
to the police station for some blood
hounds to set on Griffin's trail, but out
side the house Griffin snatched a re
volver from Adye's pocket and wounded
the police officer. When Griffin began
to smash Kemp's kitchen door with an
ax, the doctor climbed through a window
and ran to a neighbor's house. He was
refused admittance. He ran to the inn.
The door was barred. Suddenly his in
visible assailant seized him. While they
struggled, some men came to the doctor's
rescue. Kemp got hold of Griffin's arms.
A constable seized his legs. Someone
struck through the air with a spade.
The writhing unseen figure sagged to the
ground. Kemp announced that he could
not hear Griffin's heartbeats. While the
crowd gathered, Griffin's body slowly
materialized, naked, dead. A sheet was
brought from the inn and the body was
carried away. The reign of terror was
ended.
IVANHOE
Type of work: Navel
Author: Sir Walter Scott (1771-1832)
Type of plot: Historical romance
Time of plot: 1194
Locale: England
First published: 1820
Principal characters:
CEDRIC THE SAXON, of Rotherwood Grange
WILFRED OF IVANHOE, his disinherited son
THE LAT>Y ROWENA, his ward, loved by Ivanhoe
ISAAC OF YORK, a Jewish money-lender
REBECCA, his daughter
SIR BRIAN DE BOIS-GUILBERT, a Norman Knight Templar
KING RICHARD I, returned from the Third Crusade
ROBEST HOOD, an outlaw
Critique:
For over a hundred years Ivanhoe has
held its charm in the popular mind as the
epitome of chivalric novels. It has among
its characters two of the most popular of
English heroes, Richard the Lion-Hearted
and Robin Hood, and tells a story of
chivalric romance. It has sufficient action
and color to appeal to a great numbei of
people. Although Ivanhoe may not be
Scott's greatest novel, it is without doubt
his most popular.
The Story:
Night was drawing near when Prior
Aymer of Jorvaux and the haughty Tem
plar, Brian de Bois-Guilbert, overtook a
swineherd and a fool by the roadside and
asked directions to Rotherwood, the
dwelling of Cedric the Saxon. The an
swers of these serfs so confused the
Templar and the prior that they would
have gone far afield had it not been for
a pilgrim from the Holy Land whom they
encountered shortly afterward. The pil-
430
grim was also traveling to Rotherwood,
and he brought them safely to Cedric's
hall, where they claimed lodging for the
night. The custom of those rude days
afforded hospitality to all benighted trav
elers, and so Cedric gave a grudging wel
come to the Norman lords.
There was a feast at Rotherwood that
night. On the dais beside Cedric the
Saxon sat his ward, the lovely Lady
Rowena, descendant of the ancient Saxon
princes. It was the old man's ambition to
wed her to Athelstane of ConingsburgL
of the line of King Alfred. Because his
son, Wilfred of Ivanhoe, had fallen in
love with Rowena, Cedric had banished
him, and the young knight had gone
with King Richard to Palestine. None in
the banquet hall that night suspected that
the pilgrim was Ivanhoe himself.
Another traveler who had claimed
shelter at Rotherwood that night was
an aged Jew, Isaac of York. Hearing
some orders the Templar muttered to
his servants as the feast ended, Ivanhoe
warned the old Jew that Bois-Guilbert
had designs on his moneybag or his per
son. Without taking leave of their host
the next morning, the disguised pilgrim
and Isaac of York left Rotherwood and
continued on their way to the nearby
town of Ashby de la Zouche.
Many other travelers were also on their
way to the town, for a great tournament
was to be held there. Prince John,
Regent of England in King Richard's ab
sence, would preside. The winner of
the tournament would be allowed to
name the Queen of Love and Beauty and
receive the prize of the passage of arms
from her hands.
Ivanhoe attended the tournament with
the word Disinherited written upon his
shield. Entering the lists, he struck the
shield of Bois-Guilbert with the point
of his lance and challenged that knight
to mortal combat. In the first passage
both knights splintered their lances but
neither was unhorsed. At the second
passage Ivanhoe 's lance struck Bois-Guil-
bert's helmet and upset him. Then one
by one Ivanhoe vanquished five knights
who had agreed to take on all comers.
When the heralds declared the Disin
herited Knight victor of the tourney,
Ivanhoe named Rowena the Queen of
Love and Beauty.
In the tournament on the following
day Ivanhoe was pressed hard by three
antagonists, but he received unexpected
help from a knight in black, whom the
spectators had called the Black Sluggard
because of his previous inactivity. Ivanhoe,
because of his earlier triumphs during
the day, was named champion of the
tournament once more. In order to re
ceive the gift from Lady Rowena, Ivan
hoe had to remove his helmet. When he
did so, he was recognized. He received
the chaplet, his prize, kissed the hand of
Lady Rowena, and then fainted from loss
of blood. Isaac of York and his daughter,
Rebecca, were sitting nearby, and Re
becca suggested to her father that they
nurse Ivanhoe until he was well. Isaac
and his daughter started for their home
with the wounded knight carried in a
horse litter. On the way they joined the
train of Cedric the Saxon, who was still
ignorant of the Disinherited Knight's
identity.
Before the travelers had gone far, how
ever, they were set upon and captured
by a party led by three Norman knights,
Bois-Guilbert, Maurice de Bracy, and
Reginald Front de Boeuf. They were im
prisoned in Front de Boeufs castle of
Torquilstone. De Bracy had designs upon
Lady Rowena because she was an heiress
of royal lineage. The Templar desired
to possess Rebecca. Front de Boeuf hoped
to extort a large sum of money from the
aged Jew. Cedric was held for ransom.
The wounded knight was put into the
charge of an ancient hag named Ulrica.
Isaac and his daughter were placed in
separate rooms. Bois-Guilbert went to
Rebecca in her tower prison and asked
her to adopt Christianity so that they
might be married. But the plot of the
Norman nobles with regard to their
prisoners was thwarted by an assault
431
on the castle by Richard the Lion-
Hearted, The Black Sluggard of the tour
nament at Ashby, in company with Robin
Hood and his outlaws. Ulrica aided the
besiegers by starting a fire within the
castle walls. Robin Hood and his men
took the prisoners to the forest along with
the Norman nobles. In the confusion,
however, Bois-Guilbert escaped with Re
becca, and Isaac made preparation to
ransom her from the Templar. De Bracy
was set free and he hurried to inform
Prince John that he had seen and talked
with Richard. John plotted to make
Richard his prisoner.
Isaac went to the establishment of the
Knights Templar and begged to see Bois-
Guilbert. Lucas de Beaumanoir, the
grand master of the Templars, ordered
Isaac admitted to his presence. Isaac was
frightened when the grand master asked
him his business with the Templar.
When he told his story, the grand master
learned of Bois-Guilbert's seizure of Re
becca. It was suggested that Bois-Guilbert
was under a spell cast by Rebecca. Con
demned as a witch, she was sentenced
to be burned at the stake. In desperation
she demanded, as was her right, a cham
pion to defend her against the charge.
Lucas de Beaumanoir agreed and named
Bois-Guilbert champion of the Temple.
The day arrived for Rebecca's execu
tion. A pile of wood had been laid
around the stake. Rebecca, seated in a
black chair, awaited the arrival of her
defender. Three times the heralds called
upon her champion to appear. At the
third call a strange knight rode into the
lists and announced himself as Rebecca's
champion. When Bois-Guilbert realized
that the stranger was Ivanhoe, he at first
refused combat because Ivanhoe's wounds
were not completely healed. But the
grand master gave orders for the contest
to begin. As everyone expected, the tired
horse of Ivanhoe and its exhausted rider
went down at the first blow, so that
Ivanhoe's lance merely touched the shield
of the Templar. Then to the astonish
ment of all, Bois-Guilbert reeled in his
saddle and fell to the ground. Ivanhoe
arose from where he had fallen and drew
his sword. Placing his foot on the breast
of the fallen knight, he called upon Bois-
Guilbert to yield himself or die on the
spot. There was no answer from Bois-
Guilbert, for he was dead, a victim of
the violence of his own passions. The
grand master declared that Rebecca was
acquitted of the charge against her.
At that moment the Black Knight ap
peared, followed by a band of knights
and men-at-arms, It was King Richard,
come to arrest Rebecca's accusers on a
charge of treason. The grand master saw
the flag of the Temple hauled down and
the royal standard raised in its place.
King Richard had returned in secret
to reclaim his throne. Robin Hood be
came his true follower. Athelstane re
linquished his claims to Lady Rowena's
hand so that she and Ivanhoe could be
married. Cedric the Saxon, reconciled at
last with his son, gave his consent, and
Richard himself graced their wedding.
Isaac and Rebecca left England for
Granada, hoping to find in that foreign
land greater happiness than could evet
be theirs in England.
JANE EYRE
Type of work: Novel
Author; Charlotte Bronte (1816-1855)
Type oj plot: Psychological romance
Time of plot: 1800
Locale: Northern England
First published: 1847
Principal characters:
JANE EYRE, an orphan
MRS. REED, mistress of GatesLead Hall
432
BESSIE LEAVEN, a nurse
EDWARD ROCHESTER, owner of TLornfield
ST. JOHN RIVERS, a young clergyman
MART, and
DIANA RIVERS, his sisters
Critique:
Charlotte Bronte published Jane Eyre
under the pseudonym of Currer Bell, a
name chosen, she said, because it was
neither obviously feminine nor mascu
line. But the emotions behind the book
are purely feminine. Literary criticism
may point to the extravagance, melodrama,
and faulty structure of the novel, but
lasting popularity is sufficient evidence
of its charm and character for generations
of readers. Charlotte Bronte wrote wisely
when she cast her novel in the form of
an autobiography. The poetry and ten
sion of Jane Eyre marked a new devel
opment in adult romanticism, just as
Jane herself brought to English fiction
a new type of heroine, a woman of intel
ligence and passion.
The Story:
Jane Eyre was an orphan. Both her
father and mother had died when Jane
was a baby, and the little girl passed
into the care of Mrs. Reed of Gateshead
Hall. Mrs. Reed's husband, now dead,
had been the brother of Jane Eyre's
mother, and on his deathbed he had di
rected Mrs. Reed to look after the orphan
as she would her own three children. At
Gateshead Hall Jane knew ten years of
neglect and abuse. One day a cousin
knocked her to the floor. When she
fought back, Mrs. Reed punished her by
sending her to the gloomy room where
Mr. Reed had died. There Jane lost
consciousness. Furthermore, the experi
ence caused a dangerous illness from
which she was nursed slowly back to
health by sympathetic Bessie Leaven, the
Gateshead Hall nurse.
Feeling that she could no longer keep
her unwanted charge in the house, Mrs.
Reed made arrangements for Jane's ad
mission to Lowood School. Early one
morning, without farewells, Jane left
Gateshead Hall and rode fifty miles by
stage to Lowood, her humble possessions
in a trunk beside her.
At Lowood, Jane was a diligent stu
dent, well-liked by her superiors, espe
cially by Miss Temple, the mistress, who
refused to accept without proof Mrs.
Reed's low estimate of Jane's character.
During the period of Jane's schooldays
at Lowood an epidemic of fever caused
many deaths among the girls. It resulted,
too, in an investigation which caused
improvements at the institution. At the
end of her studies Jane was retained as
a teacher. When Jane grew weary of her
life at Lowood, she advertised for a posi
tion as governess. She was engaged by
Mrs. Fairfax, housekeeper at Thomfield,
near Millcote.
At Thomfield the new governess had
only one pupil, Adele Varens, a ward of
Jane's employer, Mr. Edward Rochester.
From Mrs. Fairfax, Jane learned that
Mr. Rochester traveled much and seldom
came to Thomfield. Jane was pleased
with the quiet country lifex with the
beautiful old house and gardens, the
book-filled library, and her own com
fortable room.
Jane met Mr. Rochester for the first
time while she was out walking, going to
his aid after his horse had thrown him.
She found her employer a somber, moody
man, quick to change in his manner
toward her, brusque in his speech. He
commended her work with Adele, how
ever, and confided that the girl was the
daughter of a French dancer who had
deceived him and deserted her daughter.
Jane felt that this experience alone could
not account for Mr. Rochester's moody
nature.
Mysterious happenings occurred at
Thomfield. One night Jane, alarmed by
a strange noise, found Mr. Rochester'*
433
door open and his bed on fire. When she
attempted to arouse the household, he
commanded her to keep quiet about the
whole affair. She also learned that
Thornfield had a strange tenant, a woman
who laughed like a maniac and who
stayed in rooms on the third floor of the
house. Jane believed that this woman
was Grace Poole, a seamstress employed
by Mr. Rochester.
Mr. Rochester attended numerous
parties at which he was obviously paying
court to Blanche Ingram, daughter of
Lady Ingram. One day the inhabitants
of Thornfield were informed that Mr.
Rochester was bringing a party of house
guests home with him. In the party was
the fashionable Miss Ingram. During
the house party Mr. Rochester called
Jane to the drawing-room, where the
guests treated lier with the disdain which
they thought her humble position de
served. To herself Jane had already con
fessed her interest in her employer, but
it seemed to her that he was interested
only in Blanche Ingram. One evening
while Mr. Rochester was away from
home the guests played charades. At the
conclusion of the game a gipsy fortune
teller appeared to read the palms of the
lady guests. Jane, during her interview
with the gipsy, discovered that the so-
called fortune-teller was Mr, Rochester
in disguise.
While the guests were still at Thorn-
field, a stranger named Mason arrived to
see Mr. Rochester on business. That
night Mason was mysteriously wounded
by the strange inhabitant of the third
floor. The injured man was taken away
secretly before daylight.
One day Bessie Leaven came from
Gateshead to tell Jane that Mrs. Reed,
now on her deathbed, had asked to see
her former ward. Jane returned to her
aunt's home. The dying woman gave
Jane a letter, dated three years before,
from John Eyre in Madeira, who asked
that his niece be sent to him for adop
tion. Mrs. Reed confessed that she had
let him believe that Jane had died in the
epidemic at Lowood. The sin of keeping
from Jane news which would have meant
relatives, adoption, and an inheritance
had become a heavy burden on the con
science of the dying woman.
Jane went back to Thornfield, which
she now looked upon as her home. One
night in the garden Edward Rochester
embraced her and proposed marriage.
Jane accepted and made plans for a
quiet ceremony in the village church.
She wrote also to her uncle in Madeira,
explaining Mrs. Reed's deception and
telling him she was to marry Mr.
Rochester.
Shortly before the date set for the
wedding Jane had a harrowing experi
ence. She awakened to find a strange,
repulsive-looking woman in her room.
The intruder tried on Jane's wedding veil
and then ripped it to shreds. Mr. Roch
ester tried to persuade Jane that the
whole incident was only her imagination,
but in the morning she found the torn
veil in her room. At the church, as the
vows were being said, a stranger spoke up
declaring the existence of an impedi
ment to the marriage. He presented an
affirmation, signed by the Mr. Mason
who had been wounded during his visit
to Thornfield. The document stated that
Edward Fairfax Rochester had married
Bertha Mason, Mr. Mason's sister, in
Spanish Town, Jamaica, fifteen years be
fore. Mr. Rochester admitted this fact;
then he conducted the party to the third-
story chamber at Thornfield. There they
found the attendant Grace Poole and her
charge, Bertha Rochester, a raving mani
ac. Mrs. Rochester was the woman Jane
had seen in her room.
Jane felt that she must leave Thorn-
field at once. She notified Mr. Rochester
and left quietly early the next morning,
using all her small store of money for the
coach fare. Two days later she was set
down on the moors of a north midland
shire. Starving, she actually begged for
food. Finally she was befriended by the
Reverend St. John Rivers and his sisters,
Mary and Diana, who took Jane in and
434
nursed her back to health. Assuming
the name of Jane Elliot, she refused to
divulge anything of her history except
her connection with the Lowood institu
tion. Reverend Ravers eventually found
a place for her as mistress in a girl's
school.
Shortly afterward St. John Rivers re
ceived from his family solicitor word that
John Eyre had died in Madeira, leaving
Jane Eyre a fortune of twenty thousand
pounds. Because Jane had disappeared
under mysterious circumstances, the law
yer was trying to locate her through the
next of kin, St. John Rivers. Jane's iden
tity was now revealed through her con
nection with Lowood School, and she
learned, to her surprise, that St. John
and his sisters were really her own cous
ins. She then insisted on sharing her
inheritance with them.
When St. John decided to go to India
as a missionary, he asked Jane to go with
him as his wife — not because he loved
her, as he frankly admitted, but because
he admired her and wanted her services
as his assistant. Jane felt indebted to him
for his kindness and aid, but she hesi
tated to accept his proposal.
One night, while St. John was await
ing her decision, she dreamed that Mr.
Rochester was calling her name. The
next day she returned to Thornfield by
coach. Arriving there, she found the
mansion gutted — a burned and black
ened ruin. Neighbors told her that the
fire had broken out one stormy night, set
by the madwoman, who died while Mr.
Rochester was trying to rescue her from
the roof of the blazing house.
Mr. Rochester, blinded during the fire,
was living at Ferndean, a lonely farm
some miles away. Jane Eyre went to him
at' once, and there they were married.
For both, their story had an even happier
ending. After two years Mr. Rochester
regained the sight of one eye, so that
he was able to see his first child when
it was put in his arms.
JASON AND THE GOLDEN ELEECE
Type of work: Classical legend
Source: Folk tradition
Type oj plot: Heroic adventure
Time of plot: Remote antiquity
Locale: Ancient Greece
First transcribed: Unknown
Principal characters:
JASON, Prince of lolcus
KING PELIAS, his uncle
CHIRON, the Centaur who reared Jason
JEETES, King of Colchis
MEDEA, his daughter
Critique:
The story of Jason and the Golden
Fleece has been repeated in story and
song for more than thirty centuries. Jason
lived when great heroes lived and gods
supposedly roamed the earth in human
form. The story of the golden ram and
his radiant fleece is read and loved by
adults as it is by children. The story
has been told in many different forms,
but its substance remains unchanged.
The Story:
In ancient Greece there lived a prince
named Jason, son of a king who had
been driven from his throne by a wicked
brother named Pelias. To protect the
boy from his cruel uncle, Jason's father
took him to a remote mountaintop wherf ;
he was raised by Chiron the Centaur,
whom many say was half man and half
horse. When Jason had grown to young
manhood, Chiron the Centaur told him
435
Pelias had seized his brother's crown.
Jason was instructed to go and win hack
his father's kingdom,
Pelias had been warned to beware of
a stranger who came with one foot san
daled and the other bare. It happened
that Jason had lost one sandal in a river
he crossed as he came to lolcus, where
Pelias ruled. When Pelias saw the lad
he was afraid and plotted to kill him.
But he pretended to welcome Jason. At
a great feast he told Jason the story of
the golden fleece.
In days past a Greek king called Ath-
amas banished his wife and took another,
a beautiful but wicked woman who per
suaded Athamus to kill his own children.
But a golden ram swooped down from
the skies and carried the children away.
The girl slipped from his back and fell
into the sea, but the boy came safely to
the country of Colchis. There the boy
let the king of Colchis slaughter the ram
for its golden fleece. The gods were
angered by these happenings and placed
a curse on Athamus and all his family
until the golden fleece should he returned
to Colchis.
As Pelias told Jason the story, he could
see that the young prince was stirred,
and he was not surprised when Jason
vowed that he would bring back the
golden fleece. Pelias promised to give
Jason his rightful throne when he re
turned from his quest, and Jason trusted
Pelias and agreed to the terms. He gath
ered about him many great heroes of
Greece — Hercules, the strongest and
bravest of all heroes; Orpheus, whose
music soothed savage beasts; Argus, who
with the help of Juno built the beautiful
ship Argo; Zetes and Calais, sons of
the North Wind, and many other brave
men.
They encountered great dangers on
their journey. One of the heroes was
drawn under the sea by a nymph and
was never seen again by his comrades.
They visited Salmydessa where the blind
King Phineus was surrounded by Har
pies, loathsome creatures, with the faces
of women and the bodies of vultures.
Zetes and Calais chased the creatures
across the skies, and the heroes left the
old king in peace.
Phineus had warned the heroes about
the clashing rocks through which they
must pass. As they approached the rocks
they were filled with fear, but Juno held
the rocks back and they sailed past the
peril. They rowed along the shore until
they came to the land of Colchis.
^Eetes, King of Colchis, swore never
to give up the treasure, but Jason vowed
that he and his comrades would do battle
with -^Eetes. Then ^Eetes consented to
yield the treasure if Jason would yoke to
the plow two wild, fire-breathing bulls
and sow a field with dragon's teeth.
When a giant warrior sprang from each
tooth, Jason must slay each one. Jason
agreed to the trial.
^Eetes had a beautiful daughter
Medea, who had fallen in love with the
handsome Jason, and she brewed a magic
potion which gave Jason godlike strength;
thus it was that he was able to tame
the wild bulls and slay the warriors.
/Eetes promised to bring forth the fleece
the next day, but Jason saw the wicked
ness in the king's heart and warned his
comrades to have the Argo ready to sail.
In the night Medea secured the seven
golden keys that unlocked the seven doors
to the cave where the golden fleece hung
and led Jason to the place. Behind the
seven doors he found a hideous dragon
guarding the treasure. Medea's magic
caused the dragon to fall asleep, and
Jason seized the fleece. It was so bright
that night seemed like day.
Fearing for her life, Medea sailed
away from her father's house with Jason
and the other heroes. After many months
they reached their homeland,, where
Jason placed the treasure at the feet of
Pelias. But the fleece was no longer
golden. Pelias was wrathful and swore
not to give up his kingdom. But in the
night the false king died. Afterward
Jason wore the crown and the enchant
ress Medea reigned by his side.
436
JAVA HEAD
Type of work: Novel
Author: Joseph Hergesheimer (1880-1954)
Type of plot: Period romance
Time of 'plot: 1840's
Locale: Salem, Massachusetts
First published: 1919
Principal characters:
GERRIT AMMIDON, a Yankee sea captain
TAOU YUEN, Gerrit's Chinese bride
NETTIE VOLLAR, Gerrit's former sweetheart
EDWARD DUNSACK, Nettie's uncle
JEREMY AMMIDON, Gerrit's father
Critique:
Java Head is a novel of colorful de
tail and romantic incident, its scene laid
in a historic port town during the period
when the clipper ship was making
America the mistress of the seas. In this
novel Hergesheimer recaptures the spirit
of an era, and by placing the exotic Taou
Yuen against a late Puritan background
he presents also a contrast of civilizations.
One of the interesting features of the
book is the fact that each chapter is
written from the point of view of a
different character.
The Story:
In Salem, Massachusetts, one spring
in the early 1840's, there was concern
because the ship Nautilus, owned by
Ammidon, Ammidon, and Saltonstone,
was seven months overdue. The captain
of the ship was young Gerrit Ammidon,
son of Captain Jeremy Ammidon, senior
partner of the firm. Nettie Vollar grew
more disturbed as the weeks passed. On
the day the Nautilus left Salem, her
grandfather had ordered Gerrit from the
house before he reached the point of
announcing his love for Nettie and ask
ing her to marry him. The old man's
reason for his action had been that Nettie
was an illegitimate child and, as such,
did not deserve to be married and lead a
normal life. His theory was that the girl
had been placed on earth only as a
punishment for her mother.
Old Jeremy Ammidon also awaited
the return of the Nautilus} for Gerrit
was the favorite of his two sons. The
other son, William, was primarily a
tradesman interested in making money.
Old Jeremy and William clashed regular
ly over the kind of trade the firm was
to take, the liberty to be given its cap
tains in trading, and whether the ships
of the firm should be replaced by the
swift new clippers that were revolution
izing the Pacific trade. William had
never told old Jeremy that the firm had
two schooners engaged in carrying opium,
a cargo the older man detested. The
atmosphere at Java Head, the Ammidon
mansion in Salem, was kept more or less
in a state of tension because of the
disagreements between the father and
son. Rhoda Ammidon, William's cheer
ful and sensible wife, was a quieting in
fluence on both men.
Not many days later the Nautilus
was sighted. When it cast anchor off the
Salem wharves, Gerrit asked that the
Ammidon barouche be sent to carry him
to Java Head. The reason for his request
became clear when the carriage dis
charged at the door of the mansion not
only Gerrit but also his Manchu wife,
Taou Yuen. The sight of her resplendent
clothes and lacquered face was almost too
much for Gerrit's conservative New Eng
land family. Only William's wife was
able to be civil; the father said nothing,
JAVA HEAD by Joseph Hergesheimer. By permission, of the author and the publishers, Alfred A. Knopf, Inc.
Copyright, 1918, by Alfred A.. Knopf, Inc. Renewed, 1946, by Joseph Hergesheimer.
437
and William declared that the painted
foreign woman was an unpleasant sur
prise.
Gerrit's first difficulty came when he
assured his family that the Chinese mar
riage ceremony which had united him
with Taou Yuen was as binding as the
Christian service of William and Rhoda.
The people of Salem wished to look
upon the Chinese noblewoman as a mis
tress rather than as a wife. Nor did they
understand that Taou Yuen was from
one of the finest families of China, as
far removed from the coolies and trading
classes of Chinese ports as the New Eng-
landers themselves.
The first Sunday afternoon after the
arrival of the Nautilus Edward Dunsack
appeared to thank Gerrit Ammidon for
bringing a chest from China for him.
The sight of Taou Yuen stirred Dunsack,
largely because he was homesick for
China. When he left Java Head, his
mind was filled with a sense of injustice
that Gerrit Ammidon should have the
Manchu woman as his bride instead of
Edward Dunsack and that Gerrit had
married the Chinese woman instead of
Dunsack's niece, Nettie Vollar.
Back in port, Gerrit saw to the re
fitting of the Nautilus. He did not see
Nettie Vollar, Then, on the Fourth of
July, the Ammidons met Nettie on the
street and took her back to Java Head
for the evening, lest she be injured or
insulted by rough sailors on the streets.
She did not see Taou Yuen, however,
for the Chinese woman had remained
in her room during the day. When it
was time for Nettie to return home,
Gerrit escorted her. It was the first time
they had been alone together since he had
been ordered from her home months be
fore. Gerrit returned to the Ammidon
house realizing that he had done Nettie
a great wrong when he married Taou
Yuen.
The following morning misfortune
struck the Ammidons. Old Jeremy ac
companied his son William down to
the offices of the firm to inspect the
specifications for two new clipper ships,
and among some papers he discovered
a bill of lading for one of the firm's two
schooners engaged in the opium trade.
His anger was roused to such an extent
that his heart could not carry the strain.
He collapsed and died in the office.
After the funeral, Gerrit, sick of the
life ashore, took the Nautilus as his share
in the estate, left the company, and pre
pared to return to sea as an independent
trader. Even his wife had become un
bearable to him since he had renewed his
friendship with Nettie. Nevertheless, he
determined to take Taou Yuen back with
him and to establish their household in
Shanghai, where he would no longer face
the complications which arose from resi
dence in Salem.
One day Edward Dunsack appeared
at the Ammidon home to ask Gerrit to
pay a call on his niece Nettie, who had
been severely injured by a carriage,
Gerrit left immediately, and Dunsack
took the opportunity to attempt the
seduction of Taou Yuen. Failing in his
design, he poisoned her mind with an
account of the love affair between his
niece and Gerrit. In the meantime Ger
rit, after a regretful interview with Net
tie, had gone down to the Nautilus to
regain his peace of mind,
The next day Taou Yuen was driven
in the Ammidon carriage to pick up
Rhoda Ammidon at the Dunsack home,
where the latter had made a call on Net
tie Vollar. Rhoda had already left. On
an impulse Taou Yuen went into the
house to see her rival. Angered because
she thought Nettie commonplace and
plain, Taou Yuen began to contemplate
suffocating the girl. Suddenly Edward
Dunsack, drug-crazed, entered the room
and locked the door. Nettie fainted.
When Taou Yuen repelled Edward, he
threatened to strangle her so as to leave
marks on her throat. To escape such
disfiguration, forbidden by Confucius,
Taou Yuen quickly swallowed some
opium pills lying on the table beside
the invalid Nettie's bed.
438
When help came a short time later,
Taou Yuen was already unconscious.
She died soon afterward. Edward Dun-
sack had gone mad.
Several days later, after the Christian
burial of Taou Yuen, trie Nautilus sailed
from Salem harbor. It carried its young
captain and his new wife, Nettie, to
what they hoped would be a happier
life.
JEAN-CHRISTOPHE
Type of -work: Novel
Author: Remain Holland (1866-1944)
Type of plot: Social chronicle
Time of plot: Late nineteenth and early twentieth centuries
Locale: Germany, France, Switzerland
First -published: 1904-1912
Principal characters:
JEAN-CHRISTOPHE KRAFFT, a musician
MELCHIOR, his father
JEAN MICHEL, his grandfather
LOUISA, his mother
ANTOINETTE, a French girl
OLIVIER, her brother
GRAZIA, Jean-Christophe's friend
Critique:
Jean-Christophe is a two-thousand-page
novel originally published in ten volumes,
the painstaking record of the artistic de
velopment of a musical genius. Romain
Rolland set out to portray the adventures
of the soul of his hero and succeeded
magnificently; in addition he broke down
the artistic barrier between France and
Germany. The experiences of Jean-
Christophe are those of every genius
who turns from the past to serve the
future. In 1915 Rolland was awarded
the Nobel Prize for Literature, in great
part for Jean-Christ&phe.
The Story:
Melchior Krafft was a virtuoso, his
father Jean Michel a famous conductor.
It was no wonder that Melchior's son,
Christophe, should be a musician.
Louisa, Melchior's wife, was a stolid
woman of the lower class. Her father-
in-law had been furious at his son for
marrying beneath him, but he was soon
won over by the patient goodness of
Louisa. It was fortunate that there was
a strong tie between them, for Melchoir
drank and wasted his money. Often the
grandfather gave his little pension to
Louisa because there was no money for
the family.
Melchior by chance one day heard his
three-year-old Christophe playing at the
piano. In his drunken enthusiasm, Mel
chior conceived the idea of creating a
musical prodigy. So began Christophe's
lessons. Over and over he played his
scales; over and over he practiced until
he was letter perfect. Often he re
belled. Whipping only made him more
rebellious, but in the end the piano
always pulled him back.
His grandfather noticed that he would
often improvise melodies as he played
with his toys. Sitting in a different room,
he would transcribe those airs and ar
range them. Christophe showed real
genius in composition.
At the age of seven and a half
Christophe was ready for his first con
cert. Dressed in a ridiculous costume,
he was presented at court as a child
prodigy of six. He played works of some
of the German masters and then per-
JE AN -CHRISTOPHE by Romain Rolland. Translated by Gilbert Caanan. By permission of the publishers,
Henry Holt & Co., Inc. Copyright, 1910, 1911, 1913, 1938, by Henry Holt & Co., Inc.
439
formed with great success his own com
positions gathered into an expensive
privately printed volume, The Pleasures
of Childhood: Aria, Minuetto, Valse, and
Marcia, Opus 1, by ) ean-Christophe
Krafft. The grand duke was delighted
and bestowed the favor of the court on
the prodigy.
Before reaching his teens, Christophe
was firmly installed as official second
violinist in the court orchestra, where
his father was concert master. Rehearsals,
concerts, composition, lessons to give
and take — that was his life. He became
the mainstay of the family financially,
even collecting his father's wages before
Melchior could get his hands on them.
All the other phases of his life were
neglected; no one even bothered to teach
him table manners.
When Melchior finally drowned him
self, his death was a financial benefit to
the Kraffts. But when Jean Michel died,
it was a different matter. Christophers
two brothers were seldom home, and
only Louisa and her musician son were
left. To save money, they moved into
a smaller, more wretched flat.
Meanwhile Christophe was going
through a series of love affairs which
always terminated unhappily because of
his unswerving honesty and lack of
social graces. In his early twenties he
took Ada, a vulgar shop girl, for his mis
tress. Because of gossip, he found it much
harder to get and keep pupils. When
he dared to publish a criticism of the
older masters, he lost his standing at
court. He had almost decided to leave
Germany.
At a peasant dance one night he pro
tected Lorchen, a farm girl, from a group
of drunken soldiers. In the ensuing
brawl, one soldier was killed and two
were seriously injured. With a warrant
out for his arrest, Christophe escaped to
Paris.
Once in France, a country he greatly
admired, Christophe found it difficult to
acclimate himself. He met a group of
wealthy and cynical Jews, Americans,
Belgians, and Germans, but he judged
their sophistication painful and their af
fectations boring. His compositions, al
though appreciated by a few, were not
generally well received at first.
After a time, with increasing recog
nition, he found himself alternately
praised and blamed by the critics. But
he was noticed, and that was the im
portant thing. Although he was received
in wealthy homes and given complimen
tary tickets for theaters and concerts, he
was still desperately poor.
At the home of the Stevens family,
where he was kindly received, he in
structed Colette, the coquettish daughter,
and the younger, gender Grazia, her
cousin. Without falling in love with
Colette, he was for a time her teacher
and good friend. Grazia, who adored
him, was only another pupil.
One night a blushing, stammering
Suing man of letters was introduced to
m. It was Olivier, who had long been
a faithful admirer of Christophe's music.
Christophe was immediately attracted to
Olivier, although at first he was not
quite sure why. Olivier's face was only
hauntingly familiar.
It turned out that Olivier was the
younger brother of Antoinette, a girl
whose image Christophe cherished. Be
fore he left Germany, a Jewish friend had
given Christophe tickets for a box at the
theater. Knowing no one to ask to ac
company him, he went alone and in the
lobby saw a French governess who was
being turned away from the box office.
Impulsively, Christophe took her in with
him. The Grunebaums, the girl's em
ployers, had expected to be invited also,
and they were angry at the fancied
slight. Antoinette was dismissed from
their employ.
As she was returning to France, Chris
tophe caught a glimpse of her on the
train. That was all the contact he ever
had with Antoinette. Now he learned
that she had worn herself out by sup
porting Olivier until he could enter the
Nonnale. When he finally passed
440
the entrance examinations, she had al
ready contracted consumption, and she
died before Christophe came to Paris.
Finding a real friend in Olivier, Chris
tophe took an apartment with him. The
house was only middle-class or less; but
in that house and its inhabitants, and
with Olivier's guidance, Christophe be
gan to find the real soul of France. Away
from the sophisticated glitter of Paris,
the ordinary people lived calm and pur
poseful lives filled with the ideal of
personal liberty.
Olivier became a champion of Chris
tophe and helped establish his reputation
in the reviews. Then some one, an im
portant person, worked anonymously on
Christophers behalf. In a few years he
found himself famous in France and
abroad as the foremost composer of the
new music.
Olivier's marriage to the shallow
Jacqueline separated the two friends. In
his eventful fife Christophe made many
more friends, but none so dear as Olivier.
He did, however, discover his anonymous
benefactor. It was Grazia, no longer in
love with him and married to a secretary
of the Austrian legation.
Jacqueline left Olivier, and he and
Christophe became interested in the
syndicalist movement. They attended a
May Day celebration which turned into
a riot. Olivier was fatally stabbed. After
killing a soldier, Christophe fled the
country.
During his exile in Switzerland, Chris
tophe went through an unhappy love
affair with Anna, the wife of a friend,
and the consequent sense of guilt tem
porarily stilled his genius. But with the
help of the now widowed Grazia, Chris
tophe spent ten fruitful years in Switzer
land.
When he returned to France, he was
sought after and acclaimed. He was
vastly amused to find himself an es
tablished master, and even considered out
of date by younger artists.
Although Grazia and Christophe never
married, they remained steadfast and
consoling friends. Grazia died in Egypt,
far from her beloved Christophe. He
died in Paris. To the end, Christophe
was uncompromising, for he was a true
artist.
JERUSALEM DELIVERED
Type of work: Poem
Author: Torquato Tasso (1544-1595)
Type of plot: Historical romance
Time of plot: Middle Ages
Locale: The Holy Land
Pirst published: 1580-1581
Principal characters:
GODFREY DE BOUIIXON, leader of the Crusaders
CLORINDA, a female warrior
AUGANTES, a pagan knight
ERMTNIA, princess of Antioch
AEMTDA, an enchantress
RINALDO, an Italian knight
TANCKED, a Prankish knight
Critique;
Jerusalem Delivered is one of the great
poems to come out of the Italian Renais
sance, and since that time the work has
remained a landmark of heroic literature.
The treatment of the Crusades is highly
romantic, with both God and Satan freely
taking an active part and magicians, an
gels, and fiends frequently changing the
course of events. The descriptions of the
fighting are in the typical romantic, chiv-
441
aliic vein. The action is rapid, scene fol
lowing scene in kaleidoscopic review. In
all, we have here an absorbing tale,
The Story:
For six years the Crusaders had re
mained in the Holy Land, meeting with
success. Tripoli, Antioch, and Acre were
in their hands, and a large force of
Christian knights occupied Palestine.
Yet there was a lassitude among the
nobles; they were tired and satiated with
fighting. They could not generate enough
warlike spirit to continue to the real
objective of their Crusade, the capture
of Jerusalem.
In the spring of the seventh year, God
sent the Archangel Gabriel to Godfrey
de Bouillon, ordering him to assemble all
his knights and encouraging him to be
gin the march on Jerusalem. Obeying
the Lord's command, Godfrey called a
council of the great nobles and reminded
them stirringly of their vows. When
Peter the Hermit added his exhortations,
the Crusaders accepted their charge, and
all preparations were make to attack the
Holy City.
Within the walls of Jerusalem the
\vicked King Aladine heard of the pro
jected attack. At the urging of Ismeno
the sorcerer he sent soldiers to steal the
statue of the Virgin Mary, hoping to
make the Christian symbol a palladium
for Jerusalem. But next morning the
statue had disappeared. Enraged when
he could not find the culprit who had
spirited away the statue, Aladine ordered
a general massacre of all his Christian
subjects. To save her co-religionists, the
beautiful and pure Sophronia confessed
to the theft. Aladine had her bound to
the stake. As her guards were about to
light the fire, Olindo, who had long
loved Sophronia in vain, attempted to
save her by confessing that he himself
had stolen the statue.
Aladine ordered them both burned.
While they were at the stake, Sophronia
admitted her love for Olindo. They were
saved from burning, however, by the
arrival of Clorinda, a beautiful woman
warrior who knew that both were admit
ting the theft to save the other Christians
from death. Released, Sophronia and
Olindo fled from the city.
Clorinda was a great warrior who
scorned female dress. On a previous
campaign she had met Tancred, a mighty
Christian noble, and Tancred had fallen
in love with her; but she rejected his
love. On the other hand, Erminia of
Antioch had become enamored of Tan
cred when he had taken her city, but
Tancred felt only friendship for her.
The Christians came within sight of
Jerusalem. A foraging party encountered
first a small force under Clorinda. She
was so valorous that she defeated them.
The King of Egypt, whose army was
advancing to the aid of Jerusalem, sent
Argantes to parley with Godfrey. The
Crusader chief haughtily rejected the
overtures of the Egyptians, and Argantes
angrily joined the infidel defenders of
the Holy City. Although the Crusaders
met with some initial successes, Argantes
was always a formidable opponent.
Satan was annoyed at the prospect of
the fall of Jerusalem. He induced Ar-
mida, an enchantress, to visit the Chris
tian camp and tell a false story of perse
cution. Many of the knights succumbed
to her wiles and eagerly sought permis
sion to redress her wrongs. Godfrey was
suspicious of her, but he allowed ten
knights chosen by lot to accompany her.
In the night forty others slipped away
to join her, and she led the fifty to her
castle where she changed them into
fishes. Their loss was a great blow to
Godfrey because the pagans were slaying
many of his men.
Rinaldo, one of the Italian knights
among the Crusaders, sought the cap
taincy of a band of Norwegian adven
turers. Gernando, who sought the same
post, quarreled with him, and in a joust
Gernando was killed. For this breach of
discipline Rinaldo was banished.
When Argantes challenged to personal
combat any champion in the Crusaders*
442
camp, Tancred was chosen to meet Kim.
On the way to the fight, Tancred saw
Clorinda and stopped to admire her.
Otho, his companion, took advantage of
his bemusement and rushed in ahead to
the battle. Otho was defeated by Ar-
gantes and taken prisoner. Then Tan
cred, realizing what had happened, ad
vanced to meet the pagan knight. Both
men were wounded in the mighty, day
long duel. They retired to recuperate,
agreeing to meet again in six days.
When Erminia heard of Tancred's
wounds, she put on Clorinda's armor and
went to his camp to attend him. He heard
of her coming and waited impatiently,
thinking his beloved Clorinda was ap
proaching. But Erminia was surprised
by the sentries, and in her maidenly
timidity she ran away to take refuge
with a shepherd.
When the supposed Clorinda did not
arrive, Tancred went in search of her
and came to the castle of Armida, where
he was cast into a dungeon.
Godfrey received word that Sweno,
Prince of Denmark, who had been occu
pying Palestine, had been surprised by
pagan knights and killed with all his
followers. The messenger announced
that he had been divinely appointed to
deliver Sweno's sword to Rinaldo. Al
though Rinaldo was still absent, God
frey set out to avenge the Palestine gar
rison.
Godfrey and his army fought valiantly,
but Argantes and Clorinda were fighters
too powerful for the shaken Christians
to overcome. Then Tancred and the
fifty knights, who had been freed from
Armida's enchantment, arrived to rout
the pagans with great losses. Godfrey
learned that the missing men had been
liberated by Rinaldo. Peter the Hermit
was then divinely inspired to foretell the
glorious future of Rinaldo.
In preparation for the attack on Jeru
salem the Christians celebrated a solemn
mass on the Mount of Olives before they
began the assault. Wounded by one of
Clorinda's arrows, Godfrey retired from
the battle while an angel healed his
wound. The Christians set up rams and
towers to break the defense of the city.
At night Clorinda came out of the city
walls and set fire to the great tower by
which the Christians were preparing to
scale the wall. She was seen, however,
by the Crusaders, and Tancred engaged
her in combat. After he had run his
sword through her breast, he discovered
to his sorrow that he had killed his love.
He had time to ask her pardon and bap
tize her before her death.
Godfrey was taken in a vision to
heaven where he talked with Hugh, the
former commander of the French forces.
Hugh bade him recall Rinaldo, and God
frey sent two knights to find the ban
ished Italian. On the Fortunate Islands
the messengers discovered the Palace of
Armida where Rinaldo, having fallen in
love with the enchantress, was dallying
with his lady love. The sight of the two
knights quickly reminded him of his
duty. Leaving his love, he joined the
besieging forces of Godfrey.
With the arrival of Rinaldo, the Chris
tians were greatly heartened. Then the
Archangel Michael appeared to Godfrey
and showed him the souls of all the
Christians who had died in the Crusades.
With this inspiration, the Crusaders re
doubled their efforts to capture Jerusalem.
The walls of the city were breached.
Tancred met Argantes and killed him in
single combat. Finally the victorious in
vaders stormed through the streets and
sacked the Holy City. When the Egyp
tians arrived to help the pagan defenders
of Jerusalem, they too were beaten and
their king was slain by Godfrey. Armida,
all hope gone, surrendered herself to
Rinaldo, who had been the most valor
ous of the conquerors.
After the fighting was over, Godfrey
and all his army worshipped at the Holy
Sepulchre.
443
THE JEW OF MALTA
Type of work: Drama
Author: Christopher Marlowe (1564-1593)
Type of ylofc Romantic tragedy
Time of 'plot: Fifteenth century
Locale: Malta
First ^presented: c. 1589
Principal characters:
B ARAB AS, a Jewish merchant
ABIGAJX,, his daughter
ITHAMOBE, a slave
THE GOVEKNOR OF MALTA
Critique:
The Machiavellian character of Bara-
bas dominates The Jew of Malta; the
other characters are merely sketched in.
The plot of the play seems to have come
wholly from the fertile mind of Marlowe,
whose exotic plots and romantic heroes
set a pattern which was followed hy subse
quent Elizabethan playwrights, including
Shakespeare. Mechanically, The Jew of
Malta begins well, but it degenerates
into an orgy of blood after the second
act.
The Story:
Barabas, a Christian-hating merchant
of Malta, received in his counting-house
a party of merchants who reported the
arrival of several vessels laden with
wealth from the East At the same time
three Jews arrived to announce an im
portant meeting at the senate.
The import of the meeting was that
the Turkish masters of Malta had de
manded tribute long overdue. The Turk
ish Grand Seignior had purposely let the
payment lapse over a period of years so
that the Maltese would find it impossible
to raise the sum demanded. The Maltese
had a choice of payment or surrender.
The Christian governor of the island,
attempting to collect the tribute within
a month, decreed that the Jews would
have to give over half of their estates or
become Christians, All of the Jewish
community except Barabas submitted to
the decree of the governor in one way or
another. TTie governor seized all of Bara
bas* wealth as punishrnent and had the
Jew's house turned into a Christian con
vent.
Barabas, to avoid complete ruin, pur
posely failed to report part of his treasure
hidden in the foundation of nis house.
Then he persuaded his daughter, Abigail,
to pretend that she had been converted
to Christianity so that she might enter
the convent and recover the treasure.
Abigail dutifully entered the nunnery as
a convert and subsequently threw the
bags of money out of the window at night
to her waiting father.
Martin Del Bosco, vice-admiral of
Spain, sailed, into the harbor of Malta for
the purpose of selling some Turkish slaves
he had aboard his ship. The governor
was reluctant to allow the sale because
of the difficulties he was having with
the Grand Seignior. Del Bosco, by prom
ising military aid from Spain, persuaded
the governor to defy the Turks and to
permit the sale.
Barabas bought one of the slaves, an
Arabian named Ithamore. During the
sale, Barabas fawned upon Don Lodo-
wick, the governor's son, and Don Mathi-
as. He invited the two young men to
his house and ordered Abigail, now re
turned from the convent, to show favor
to both. In his desire for revenge, Bara
bas arranged with each young man, sep
arately, to marry his daughter. He then
sent forged letters to Don Lodowick and
Don Mathias, and provoked a duel in
which the young men were killed. Mean
while Barabas trained his slave, Itha
more, to be his creature in his plot against
444
the governor and the Christians of Malta.
Because of her father's evil intentions,
Abigail returned to the convent. Barabas,
enraged, sent poisoned porridge to the
convent as his gesture of thanks on the
Eve of St. Jacques, the patron saint of
Malta. All in the convent were poisoned,
and Abigail, before she died, confessed
to Friar Jacomo, disclosing to him all that
Barabas had done and all that he planned
to do.
When the Turks returned to Malta to
collect the tribute, the governor defied
them and prepared for a siege of the
island.
Meanwhile the friars, in violation of
canon law, revealed the information they
had gained from Abigail's confession.
Barabas, again threatened, pretended a
desire to become a convert and promised
all of his worldly wealth to the friars
who would receive him into the Christian
faith. The greediness of the friars caused
differences to arise among them; Barabas
took advantage of this situation and with
the help of Ithamore strangled a friar
named Bernardine. He then propped up
Bernardine's body in such a way that
Friar Jacomo knocked it down. Observed
in this act, Friar Jacomo was accused of
the murder of one of his clerical brothers.
Ithamore met a strumpet, Bellamira,
who, playing upon the slave's pride and
viciousness, persuaded him to extort
money from his master by threatening to
expose Barabas. His master, alarmed bv
threats of blackmail, disguised himself as
a French musician, went to the strum
pet's house, and poisoned Bellamira and
Ithamore with a bouquet of flowers.
Before their deaths, they managed to
communicate all they knew to the gov
ernor, who, despite his preoccupation
with the fortifications of Malta, threw
Barabas into prison. By drinking poppy
essence and cold mandrake juice, Barabas
appeared to be dead. His body was placed
outside the city. Reviving, he joined the
Turks and led. them into the city. As a
reward for his betraying Malta, Barabas
was made governor. He now turned to
the conquered Maltese, offering to put
the Turks into their Lands for a sub
stantial price.
Under the direction of Barabas, ex
plosives were set beneath, the barracks
of the Turkish troops. Then Barabas in
vited the Turkish leaders to a banquet
in the governor's palace, after planning
to have them fall through a false floor
into cauldrons of boiling liquid beneath.
On signal, the Turkish troops were blown
sky-high, but the Christian governor,
who preferred to seize the Turkish leaders
alive, exposed Barabas scheme. The Jew
of Malta perished in the trap he had set
for the Turks.
JOHN BROWN'S BODY
Type of work: Poem
Author: Stephen Vincent Ben^t, (1898-1943)
Type of plot: Historical romance
Time of 'plot: 1858-1865
Locale: The United States
First published: 1928
Principal characters:
JACK ELLYAT, a soldier from Connecticut
CLAY WTNGATE, a soldier from Georgia
LUKE BRECKTNBIDGE, a Southern mountaineer
MELORA VELAS, Jack Ellyat's "beloved
SALLY DUPRE, Clay Wingate's fiancee
LUCY WEATHERBY, Sally's rival
SHTPPY, a Union spy
SOPHY, a Richmond hotel employee
445
Critique:
John 'Browns Body, which won the
Pulitzer Prize for 1929, tells, in free and
formal verse, the tragic story of the Civil
War and its effects upon the nation.
Benet achieves an effective counterpoint
by weaving several small plots concerned
with fictional characters into the main
plot which we know as the actual history
of the time. He manipulates his charac
ters so that important phases of the war
are interfused with his minor plots, and
the two are carried forward simultane
ously. His re-creation of the atmos
phere of a burgeoning, adolescent
United States is excellent.
The Story:
Jack Ellyat, a Connecticut youth, had
premonitions of trouble as he walked
with his dog in the mellow New Eng
land Indian summer. He and his family
were Abolitionists. The influence of
Emerson and Thoreau was felt in Con
cord, where they talked about an ideal
state. But in Boston Minister Higgin-
son and Dr. Howe waited for reports of
a project planned for Harper's Ferry. In
Georgia young Clay Wingate also re
ceived a premonition of impending dis
aster and great change.
John Brown, rock-hard fanatic, believ
ing he was chosen by God to free the
black man in America, led his troop of
raiders to seize the United States arsenal
at Harper's Ferry, Virginia. The first
man killed in the fracas was Shepherd
Heyward, a free Negro. The South was
alarmed. Federal troops under Robert
E. Lee subdued the Brown party in
fifteen minutes; all was ended but the
slow, smoldering hates and the deaths
to come.
At Wingate Hall in Georgia all was
peaceful. Sally Dupre and Clay Win-
Ste were expected to marry. When
idjo, the major-domo of the Wingate
plantation, heard of the Harper's Ferry
raid and John Brown, he opined that
the Negro's business was not the white
man's business. In Connecticut Mrs.
Ellyat prayed for John Brown.
Brown was tried at Charles Town,
Virginia. During the trial he denied
the complicity of anyone but himself
and his followers in the raid. He in
sisted that he had done what he thought
was right. A legend grew around his
name and mushroomed after he was
hanged. Songs were sung. John Brown's
body rested in its grave, but his spirit
haunted the consciences of North and
South alike.
Fort Sumter surrendered, and the
Confederate States of America elected
gaunt, tired Jefferson Davis president.
Lank, sad-faced Abraham Lincoln, the
frontier wit and small-time politician,
was President of the United States. He
ordered conscription of fighting men.
Clay Wingate, loyal to Dixie, joined the
Black Horse Troop and rode away to
the war. Jack Ellyat marched off with
the Connecticut volunteers.
Raw soldiers of North and South met
at Bull Run under the direction of
Generals McDowell, Johnston, and Beau-
regard. Congressmen and their ladies
drove out from Washington to watch
the Union victory. While they watched,
the Union lines broke and retreated in
panic. A movement to treat with the
Confederacy for peace got under way
in the North. Lincoln was alarmed, but
he remained steadfast.
Jack Ellyat was mustered out after
Bull Run. Later he joined the Illinois
volunteers in Chicago and became known
as "Bull Run Jack." Near Pittsburg
Landing, in Tennessee, he lost his head
and ran during a surprise attack. He
was captured but escaped again during
a night march. Hungry and worn out,
Jack arrived at the Vilas farm, where he
stayed in hiding and fell in love with
Melora Vilas. At last he left the farm
to seek the manhood he had lost near
JOHN BROWN'S BODY by Stephen Vincent Benet. By permission of Brandt & Brandt and the publishers,
Rinehart & Co., Inc. Copyright, 1927, 1928, by Stephen Vincent Benet.
446
Pittsburg Landing, but not before he
had got Melora with child. He was
recaptured soon afterward.
Meanwhile Clay Wingate returned
to Georgia on leave. At Wingate Hall
the war seemed far away, for the suc
cessful running of the Union blockade
of Southern ports made luxuries still
available. Lucy Weatherby, a Virginian
whose sweetheart had been killed at
Bull Run, attended a dance at Wingate
Hall and replaced Sally Dupre in Clay's
affections. Spade, a slave on the nearby
Zachary plantation, escaped that same
night.
New Orleans was captured. Davis
and Lincoln began to bow under the
burdens of the war. McClellan began
his Peninsular campaign. Lee inflicted
defeat after defeat on the Army of the
Potomac. Jack Ellyat was sent to a
prison in the deep South. The fortunes
of the Union were at their lowest ebb
after the Confederate victory at the
Second Manassas, and the spirit of John
Brown was generally invoked by editors
and preachers. Lincoln issued the Eman
cipation Proclamation. In the meantime,
Spade made his way north and swam
across a river to freedom, but when he
arrived in the land of the free he was
railroaded into a labor gang. McClellan
was relieved by Burnside, who, in turn,
was relieved by Hooker, as commander
of the Army of the Potomac. Jack Ellyat,
sick, was returned to the North in an
exchange of prisoners of war.
Slowly the Confederacy began to feel
the effects of the blockade and the ter
rible cost of war. Clay Wingate thought
of his next leave — and of Lucy Weather-
by. Jack Ellyat spent the dark winter of
1862-63 convalescing at his home in the
cold Connecticut hills. He had been
assigned to the Army of the Potomac
as soon as his recovery was complete. In
Tennessee, Melora Vilas gave birth to
a baby boy.
Grant and Sherman led the Union
forces to victory in the West; Vicksburg
was surrounded. Hunger and anti-in
flation riots broke out in Richmond
America, meanwhile, was expanding
New industries sprang up in the North,
and the West was being developed. In
Richmond, Shippy, a Union spy posing
as a peddler, promised Sophy, a servant
at the Pollard Hotel, to bring her some
perfume from the North. Sophy knew
that Clay Wingate and Lucy Weatherby
had stayed together in the hotel. Luke
Breckinridge, Sophy's rebel suitor, was
a member of a patrol that stopped Shippy
to search him. When they found in
criminating papers in his boots, Luke
gloated, for he was jealous of Shippy.
Stonewall Jackson was killed by his
own pickets, and Lee, desperate for pro
visions, invaded the North. Jack Ellyat
was in the Union army that converged
on Gettysburg and was wounded during
a battle there. After three days of bloody
fighting at Gettysburg, Lee fell back to
Virginia. Then Vicksburg surrendered.
Defeated, the South continued to hang
on doggedly. Sheridan marched through
the Shenandoah Valley and left it bare
and burned. Petersburg was besieged.
Luke, along with thousands of other
rebel troops, deserted from the Confeder
ate Army, and when he headed back
toward his laurel-thicket mountains he
took Sophy with him. Melora and her
father, John Vilas, traveled from place
to place in search of Jack Ellyat; they
became a legend in both armies.
General Sherman captured Atlanta
and marched on to the sea. During
Sherman's march, Wingate Hall caught
fire accidentally and burned to the
ground. Clay Wingate was wounded
in a rear-guard action in Virginia. The
war came to an end when Lee sur
rendered to Grant at Appomattox.
Spade, who had gone from the labor
gang into the Union Army and who
had been wounded at the Petersburg
crater, hired out as a farm laborer in
Cumberland County, Pennsylvania. Clay
Wingate returned to his ruined home in
Georgia, where Sally Dupre was waiting.
And in Connecticut Jack Ellyat heard
447
stories of strange gipsy travelers who creaking cart. One day he was standing
were going from town to town looking
for a soldier who was the father of the
child of the woman who drove the
beneath the crossroads elms when he
saw a cart come slowly up the hill. He
waited. The woman driving was Melora.
JOSEPH ANDREWS
Type of work: Novel
Author: Henry Fielding (1707-1754)
Type of flat: Comic epic
Time of -plot: Early eighteenth century
Locale: Eng
First publish
zd: 1742
Principal characters:
JOSEPH ANDREWS, a footman to Lady Booby
PAMELA ANDREWS, his sister, wife of Squire Booby
LADY BOOBY, aunt of Squire Booby
FANNY, Joseph's sweetheart
MRS. SLIPSLOP, Lady Booby's maid
PARSON ADAMS, parson of Booby parish and friend of Joseph
Critique:
The History of the Adventures of
Joseph Andrews, and of his Friend Mr.
Abraham Adams is the full title of the
work often called the first realistic novel
of English literature. Henry Fielding
turned aside from the episodic senti
mental writing of the age to give an hon
est picture of the manners and customs
of his time and to satirize the foibles and
vanities of human nature. In particular,
he ridiculed affectation, whether it
stemmed from hypocrisy or vanity. Al
though the structure of the novel is loose
and rambling, the realistic settings and
the vivid portrayal of English life in the
eighteenth century more than compen
sate for this one weakness, Joseph is
presented as the younger brother of Sam
uel Richardson's heroine, Pamela.
The Story:
Joseph Andrews was ten or eleven
years in the service of Sir Thomas Booby,
uncle of the Squire Booby who married
the virtuous Pamela, Joseph's sister.
When Lord Booby died, Joseph remained
in the employ of Lady Booby as her foot
man. This lady, much older than her
twenty-one-year-old servant, and ap-
arently little disturbed by her husband's
leath, paid entirely too much attention
to pleasant-mannered and handsome Jo
seph. But Joseph was as virtuous as his
famous sister, and when Lady Booby's
advances became such that even his
innocence could no longer deny their
true nature, he was as firm in resisting
her as Pamela had been in restraining
Squire Booby. Insulted, the lady dis
charged Joseph on the spot, in spite of
the protests of Mrs. Slipslop, her maid,
who found herself also attracted to the
young man.
With very little money and fewer
prospects, Joseph set out from London
to Somersetshire to see his sweetheart,
Fanny, for whose sake he had withstood
Lady Booby's advances. The very first
night of his journey, Joseph was attacked
by robbers, who stole his money, beat
him soundly, and left him lying naked
and half dead in a ditch. A passing
coach stopped when the passengers heard
his cries, and he was taken to a nearby
irm,
Joseph was well cared for until the
innkeeper's wife discovered that he was
penniless. He was recognized, however,
by another visitor at the inn, his old
tutor and preceptor, Parson Adams, who
was on his way to London to sell a collec
tion of his sermons. He paid Joseph's
448
bill with his own meager savings; then,
discovering that in his absent-mindedness
he had forgotten to bring die sermons
with him, he decided to accompany
Joseph back to Somersetshire.
They started out, alternately on foot
and on the parson's horse. Fortunately,
Mrs. Slipslop overtook them in a coach
on her way to Lady Booby's country
place. She accommodated the parson in
the coach while Joseph rode the horse.
The inn at which they stopped next
had an innkeeper who gauged his cour
tesy according to the appearance of his
guests. There Joseph was insulted by the
host. In spite of the clerical cassock he
was wearing, Parson Adams stepped in to
challenge the host, and a fist fight fol
lowed, the ranks being swelled by the
hostess and Mrs. Slipslop. When the
battle finally ended, Parson Adams was
the bloodiest looking, since the hostess
in the excitement had doused him with a
pail of hog's blood.
The journey continued, this time with
Joseph in the coach and the parson on
foot, for with typical forgetfulness the
good man had left his horse behind. How
ever, he walked so rapidly and the coach
moved so slowly that he easily outdis
tanced his friends. While he was resting
on his journey, he heard the shrieks of
a woman. Running to her rescue, he dis
covered a young woman being cruelly
attacked by a burly fellow, whom the
parson belabored with such violence that
he laid the attacker at his feet. As some
fox hunters rode up, the ruffian rose from
the ground and accused Parson Adams
and the woman of being conspirators in
an attempt to rob him. The parson and
the woman were quickly taken prisoners
and led off to the sheriff. On the way the
parson discovered that the young woman
whom he had aided was Fanny. Having
heard of Joseph's unhappy dismissal from
Lady Booby's service, she had been on her
way to London to help hrm. when she
had been so cruelly molested.
After some uncomfortable moments
before the judge, the parson was recog
nized by an onlooker, and both he and
Fanny were released. They went to the
inn where Mrs. Slipslop and Joseph were
staying.
Joseph and Fanny were overjoyed to
be together once more. Mrs. Slipslop,
displeased to see Joseph's display of affec
tion for another woman, drove off in the
coach, leaving Parson Adams and the
young lovers behind.
None of the three had any money to
pay their bill at the inn. Parson Adams,
with indomitable optimism, went to visit
the clergyman of the parish in order to
borrow the money, but with no success.
Finally a poor peddler at the inn gave
them every penny he had, just enough
to cover the bill.
They continued their trip on foot,
stopping at another inn where the host
was more courteous than any they had
met, and more understanding about their
financial difficulties. Still farther on their
journey, they came across a secluded
house at which they were asked to stop
and rest. Mr. and Mrs. Wilson were a
charming couple who gave their guests a
warm welcome. Mr. Wilson entertained
the parson with the story of his life. It
seemed that in his youth he had been
attracted by the vanity of London life,
had squandered his money on foppish
clothes, gambling, and drinking, and had
eventually been imprisoned for debt.
From this situation he was rescued by a
kindly cousin whom he later married,
The two had retired from London to this
quiet country home. They had two
lovely children and their only sorrow, but
that a deep one, was that a third child,
a boy with a strawberry mark on his
shoulder, had been stolen by gipsies and
had never been heard of since.
After a pleasant visit with the kindly
family, the travelers set out again. Their
adventures were far from ended. Parson
Adams suddenly found himself caught in
the middle of a hare hunt, with the
hounds inclined to mistake him for the
hare. Their master goaded on the dogs,
but Joseph and the parson were victorious
449
in the battle. They found themselves
face to face with an angry squire and his
followers. But when the squire caught
sight of the lovely Fanny, his anger
softened, and he invited the three to
dine.
Supper was a trying affair for the
parson, who was made the hurt of many
practical jokes. Finally the three travelers
left the house in great anger and went
to an inn. In the middle of the night,
some of the squire's men arrived, over
came Joseph and the parson, and ab
ducted Fanny. On the way, however, an
old acquaintance of Fanny, Peter Pounce,
met the party of kidnapers, recognized
Fanny, and rescued her.
The rest of the journey was relatively
uneventful. When they arrived home
however, further difficulties arose. Joseph
and Fanny stayed at the parsonage and
waited eagerly for the publishing of their
wedding banns. Lady Booby had also
arrived in the parish', the seat of her
summer home. Still in love with Joseph,
she exerted every pressure of position
and wealth to prevent the marriage. She
even had Fanny and Joseph arrested. At
this point, however, Squire Booby and
his wife Pamela arrived. That gentleman
insisted on accepting his wife's relatives
as his own, even though they were of a
lower station, and Joseph and Fanny were
quickly released from custody.
All manner of arguments were pre
sented by Pamela, her husband, and Lady
Booby in their attempts to turn Joseph
aside from his intention of marrying
Fanny. Her lowly birth made a differ
ence to their minds, now that Pamela had
made a good match and Joseph had been
received by the Booby s.
Further complications arose when a
traveling peddler revealed that Fanny,
whose parentage until then had been
unknown, was the sister of Pamela. Mr.
and Mrs. Andrews were summoned at
this disclosure, and Mrs. Andrews de
scribed how, while Fanny was still a
baby, gipsies had stolen the child and
left behind them a sickly little boy she
had brought up as her own. Now it
appeared that Joseph was the foundling.
However, a strawberry mark on Joseph's
chest soon established his identity. He
was the son of the kindly Wilsons.
Both lovers were now secure in their
social positions, and nothing further
could prevent their marriage, which took
place, to the happiness of all concerned,
soon afterward.
JOSEPH VANCE
Type of work: Novel
Author: William De Morgan (1839-1917)
Type of plot; Simulated autobiography
Time of plot: Mid-nineteenth century
Locale: England
First published: 1906
Principal characters:
JOSEPH VANCE, who wrote his memoirs
Ma. CHRISTOPHER VANCE, his father
DR. RANDALL THORPE, Joseph's foster father
LOSSES THORPE, Dr. Thorpe's daughter
JOE THORPE (BEPPINO), her brother
VIOLET THORPE, her sister
NOLLY THORPE, another brother
BONY MACALUSXER, Joseph's business partner
GENERAL DESPREZ, Lossie's husband
JANEY SPENCER, Joseph's wife
PHEENER, a maid
450
Critique:
Joseph Vance is an early example of
the now popular type of autobiographical
novel. It is the story of the life of
Joseph Vance from his earliest recollec
tions until the last years of his life. As
the author tells us through the words
of his main character, there is much that
might have been left out, since there
are many threads of the plot which are
unimportant to the story. Humor and
pathos are successfully mixed; the humor
particularly is the quiet kind that makes
us chuckle to ourselves. It comes large
ly from the character of Vance's father,
whose firm belief it is that to be a success
a person must know absolutely nothing
about doing the job he is hired to do.
De Morgan gave his novel a subtitle, An
Hi-Written Autobiography, but few of
his readers will agree with him.
The Story:
Joseph Vance's father was more often
drunk than sober. But he was a good
man, never mean when he was drunk.
Having lost several positions because of
his drinking, he was in no way de
pressed. He took Joe with him to visit
a pub on the night of his discharge
from his last position, and while there
he quarreled with a chimney sweep and
had the poor end of the fight. Forced
to spend some time in the hospital after
the affair, he decided to give up his
excessive drinking.
After his release from the hospital
he set himself up as a builder and drain
repairman, by virtue of acquiring a sign
board advertising the possessor as such
a workman. Mr. Vance knew nothing
about the building trade, but he believed
that it was his ignorance which would
cause him to be a success at the business.
He appeared to be right. His first job
was for Dr. Randall Thorpe, of Poplar
Villa, and Dr. Thorpe was so pleased
with the work that he recommended
Mr. Vance for more jobs until his reputa
tion was such that he was much in
demand. Mr. Vance took Joe with him
on his first call at Poplar Villa, and there
Joe met Miss Lossie Thorpe, the first real
young lady he had ever seen. At this
time Joe was nine and Lossie fifteen, but
he knew from the first meeting that she
was to be his lady for the rest of his
life.
When Dr. Thorpe learned that Joe
was a bright boy, he sent him to school
and made him almost one of the family.
Lossie was like a sister to him; in fact,
she called him her little brother and
encouraged him in his studies. In the
Thorpe household were also young Joe
Thorpe, called Beppino, a sister Violet,
and another brother named Nolly. With
these young people Joe Vance grew up,
and Dr. Thorpe continued to send him
to school, even to Oxford when he was
ready. Although Dr. Thorpe had hoped
that Joe Vance might excel in the clas
sics, the boy found his interest in engi
neering. Beppino did grow up to be a
poet, but he wrote such drivel that his
father was disgusted. Meanwhile a deep
friendship had developed between Joe
Vance and Lossie, a brother-and-sister
love that made each want the other's
happiness above all else.
Mr. Vance's business prospered so
much that he and his wife took a new
house and hired a cook and a maid.
After Joe had finished at Oxford, he
joined his old school friend, Bony Macal-
lister, and they established an engineer
ing firm. Their offices were in the same
building with Mr. Vance. By that time
Lossie had married General Desprez, a
wealthy army officer, and had moved
with ham to India. Joe suffered a great
deal at the loss of his dear friend, but
he knew that General Desprez was a
fine man who would care for Lossie
and love her tenderly.
Shortly after Lossie sailed for India,
Joe's mother died, and his father began
JOSEPH VANCE by William De Morgan. By permission of the publishers, Henry Holt & Co., Inc. Copyright.
1906, by Henry Holt & Co., Inc. Renewed, 1934, by Mary Beatrice De Morgan.
451
to drink once more. Joe tried to think of
some way to help his father. Joe thought
that if ne married his wife might in
fluence his father, and he asked Janey
Spencer, a friend of Lossie, to marry him.
She accepted, hut when she learned that
Joe wanted to marry her only for the
sake of his father, she "broke the engage
ment and did not relent until two years
later. By that time Joe knew he really
loved her, and she married him. In the
meantime, Joe's father had married
Pheener, his housemaid, and for a time
she kept him from the bottle.
After Janey and Joe had been married
for five years, they took a trip to Italy.
The ship caught on fire and almost all
on board were lost. When Janey refused
to get into a lifeboat without her hus
band, they tried to swim to shore. Janey
was drowned. Joe's life was empty with
out her, and only his visits with Dr.
Thorpe and his letters from Lossie gave
him any comfort.
Joe's business prospered, as did his
father's. But one day Mr. Vance, while
drunk, caused an explosion and a fire
in the building. He was seriously in
jured, and he seemed to he ruined be
cause he had let his insurance lapse.
But before the catastrophe he had given
Pheener a tiara worth fifteen thousand
pounds, and with the money received
from the sale of the jewels he was able
to start his business anew.
In the meantime Beppino was griev
ing his family by an affair with a mar
ried woman. For the sake of the Thorpes,
Joe took Beppino to Italy. On Joe's
return Beppino remained behind. When
Beppino returned, he met and married
Sibyl Perceval, an heiress, and the fam
ily believed he had changed his ways.
But Beppino died of typhoid fever
shortly after his marriage, and then Joe
learned what Beppino had done while
in Italy. He had married an Italian girl,
using the name of Joe Vance, and she
had had a child. The Italian girl had
died, too, and her relatives wrote to Joe
in the belief that he was the father.
Joe told General Desprez of Beppino's
duplicity, the General and Lossie having
come home for a visit, and the two men
agreed that Lossie must never know of
her brother's deed. Joe went to Italy
and told the girl's relatives that he was
a friend of the baby's father. He arranged
to send money for the boy's care.
Shortly afterward Joe went to Brazil
on an engineering project. While there,
he sent for Beppino's boy and adopted
him. The next twenty years of his life
he spent in Brazil. He heard from
Lossie and Dr. Thorpe frequently, but
otherwise he had no connection with
England. His father died and Pheener
remarried. While Joe was in Brazil,
Lossie heard rumors from Italy that he
was the baby's real father. She was so
disappointed in her foster brother that
she never wrote again, Joe returned to
England. Living near Lossie, he did not
see her or let her know he was back
in the country. The boy was attending
school in America. Lossie's husband died
without telling the real story about the
child, and Joe would not tell the truth
even to save himself in Lossie's f yes. He
wrote the story in his memoirs, but left
his papers to be burned after his return
to Brazil.
But a maid burned the wrong pack
age, and a publisher's note completed
Joe's story. Lossie found a letter from
Beppino in some of her husband's
papers and surmised the truth. She
found Joe Vance before he left for Bra
zil and made him confess that he had
acted only to save her feelings. She
begged Joe to forgive her. Reunited, the
two friends went to Italy and spent their
remaining days together.
452
JOURNEY TO THE END OF THE NIGHT
Type of -work: Novel
Author: Louis-Ferdinand Celine (Louis Ferdinand Destouches, 1894-1961)
Type of plot: Naturalism
Time of plot: World War I and following years
Locale: France
First 'published: 1932
Principal characters:
FERDINAND, a rogue
LEON, his friend
MADELON, engaged to Le"on
Critique:
In tone Journey to the End of the
Night is pessimistic, in style abrupt and
whittled down, in form experimental.
The action is seen through die eyes of
a neurotic narrator who reduces all his
experience to a cynical level In a way
the approach can be called symbolical;
that is, impressions are suggested rather
than realistically described. The abrupt,
fragmentary recounting of important
events lends a tough, terse quality to the
work. The philosophy is that of post
war disillusionment.
The Story:
Ferdinand, an indifferent student of
medicine in Paris, was violently pacifistic,
even anarchistic in his reaction to au
thority. Just prior to World War I he
was expounding his cynical disregard
for nationalistic pride in a cafe. Down
the street came a colonel at the head of
a military band. Because the music and
the uniforms captured Ferdinand's fickle
fancy, he rushed off to enlist. During
the fighting he was a runner constandy
exposed to scenes of savage brutality and
to dangerous errands Qn one mission
he met Le"on, who was always to be a
kind of incubus to him.
When Ferdinand suffered a slight
wound in his arm, he was given con
valescent leave in Paris. There he met
Lola, an American Red Cross worker who
idolized the French. She romanticized his
wound, became his temporary mistress,
and filled him with stories of the United
States. When she finally discovered
Ferdinand's cowardice and cynicism, she
left him.
The thought of losing Lola was more
than Ferdinand could bear. When his
mind gave way, he was sent to a variety
of mental hospitals, where he quickly
learned to ingratiate himself with the
psychiatrists by agreeing with everything
they said. His tactics at last procured
his release as cured but unfit for active
duty.
In Paris he led a precarious life for
a time, but later he bettered his existence
considerably by acting as a go-between for
Musyne, a dancer who was gready sought
after by rich Argentine meat dealers.
The thought of all that beef to be sold
at high prices was too much for Ferdinand
after some months with Musyne, and he
left for Colonial Africa.
In French West Africa he was as
signed to a trading post far in the in
terior. He made the ten-day trip by
canoe into the hot, lush jungle, where
his trading post turned out to be a cozy
shack anchored by two big rocks. The
mysterious trader he had come to relieve
was frankly a thief, who told Ferdinand
that he had no goods left to trade, very
little rubber, and only canned stew for
provisions. The rascal gave Ferdinand
three hundred francs, saying it was all
he had, and left in the direction of a
Spanish colony. Only after he had gone
did Ferdinand realize that his predecessor
had been L6on.
JOURNEY TO THE END OF THE NIGHT by Louis-Ferdinand Celine. Translated by John H. P. Marks. By
permission of the present publishers, New Direction*. Copyright, 193 4-, by Little, Brown & Co.
453
After several weeks of fever and canned
stew, Ferdinand left the trading post. The
shack having accidentally burned, his
only baggage was the three hundred
francs and some canned stew. His over
land safari was a nightmare. His fever
rose dangerously high, and during much
of the trip he was delirious. At last his
hlack porters stole his money and left
him with a Spanish priest in a seaport.
The priest, for a fee, delivered him to a
captain of easy scruples. Ferdinand, still
sick, was shanghaied on a ship bound for
the United States.
When he attempted to jump ship in
New York, he was caught by the immi
gration authorities. Pretending to be an
expert on flea classification, he was
put to work in a quarantine station
catching and sorting fleas for the Port
of New York. After gaining the con
fidence of his chief, he was sent into
the city to deliver a report, although
technically he was still under detention.
In New York he looked up Lola, now
older but still attractive, who gave him
a hundred dollars to get rid of him. With
the money lie took a train to Detroit.
Soon he was employed by the Ford
Motor Company.
In Dearborn he fell in love with
Molly, who lived in a brothel. Each day
he escorted her to the bordello in the
early evening. Then he rode streetcars
until she was through for the night.
On one of his nightly trips he met Leon
again. Leon was unhappy in America
because he could not learn enough Eng
lish to get along. He had to be content
with a janitor's job. Ferdinand learned
that Leon also wished to return to France.
Although he loved Molly very much,
Ferdinand left her and Detroit to go
back to Paris. Completing his medical
course, he was certified as a doctor, and
he settled down to practice in a poor
suburb. All his patients were poor and
rarely paid him. Mostly he was called in
on shady abortion cases.
One day the Henrouilles summoned
him to attend the old grandmother who
lived in a hut behind their house. They
hated to spend the money necessary to
feed the old woman and Mme. Henrou-
ille offered Ferdinand a thousand francs if
he would certify that the grandmother
was insane. Through conscience or fear,
Ferdinand refused. Then L6on was called
in on the same case. He agreed to set a
bomb next to the old woman's hut so
that she would Ml herself when she
opened the door. But clumsy Leon
bungled the job; he accidentally deto
nated the bomb and lost his sight.
With the help of the Abbe Protiste,
the family worked out a scheme to get
rid of both the old woman and Leon.
They proposed to send the two to Tou
louse, where there was a display of
mummies connected with a church. Leon
would be a ticket seller and old Mme.
Henrouille would be the guide. For
persuading Le"on to accept die proposi
tion, Ferdinand received a fee of a thou
sand francs.
Ferdinand's practice grew smaller. At
last he went to the Montmartre section
of Paris, where for a time he was well
pleased with his job as supernumerary
in a music hall. The Abb6 Protiste
looked him up after some months and
offered to pay his expenses to Toulouse,
where Ferdinand was to see if Leon were
likely to make trouble for the Henrou
illes on the score of attempted murder.
In Toulouse Ferdinand learned that
Leon was regaining his sight. He had
also become engaged to Madelon. The
old lady was a vigorous and successful
guide. Ferdinand dallied a little with the
complaisant Madelon, but decided to
leave before their intimacy was dis
covered. Old Mme. Henrouille fell, or
was tripped, on the stairs and was killed
in the fall. It was a good time for
Ferdinand to leave — hurriedly.
Dr. Baryton ran a genteel madhouse.
By great good luck Ferdinand was hired
on his staff. He ingratiated himself with
his employer by giving him English les
sons. Dr. Baryton read Macaulay's His
tory of England and became so enamored
454
of things English that he departed for
foreign lands and left Ferdinand in
charge. Shortly afterward Leon showed
up, broke and jobless. He had run away
from Madelon. Ferdinand took him in
and gave him a job.
Madelon came looking for Leon and
haunted the hospital gate. Hoping to ap
pease her, Ferdinand arranged a Sunday
party to visit a carnival. In the party
were Leon, Madelon, Ferdinand, and
Sophie, Ferdinand's favorite nurse. After
a hectic day they took a taxi tome. On
the way Leon declared he no longei
loved Madelon. The spumed girl took
out her revolver and killed him. Ferdi
nand knew that the time had arrived for
him to move on once more.
JUDE THE OBSCUHE
Type of 'work: Novel
Author: Thomas Hardy (1840-1928)
Type of 'plot: Philosophical realism
Time of plot: Eighteenth century
Locale: Wessex
first 'published: 1894
Principal characters:
JUDE FAWLEY, a stonemason
ARABELLA DONN, a vulgar country girl
SUE BRTDEHEAD, Jude's cousin, a neurotic free-thinker
LrrrxE FATHER TTME, Jude's son by Arabella
RICHARD PHJLLOTSON, a schoolmaster
DRU SULLA FAWLEY, Jude's great-grandaunt
Critique:
Jude the Obscure marks the peak of
Hardy's gloom and deterministic philoso
phy. Sunshine never breaks through the
heavy clouds of tragedy that smother
this narrative of war between the flesh
and the spirit. The gloom becomes
steadily heavier as circumstances conspire
to keep the hero from realizing any hap
piness he seeks. The plot is believable;
the characters are three-dimensional. The
story itself is a vehicle for Hardy's feel
ings toward contemporary marriage laws
and academic snobbery. His sexual
frankness, his unconventional treatment
of the theme of marriage, and his use of
pure horror in scenes like the deaths of
Little Father Time and the younger
children outraged readers of his genera
tion.
The Story:
In the nineteenth century eleven-year-
old Jude Fawley said goodbye to his
schoolmaster, Richard Phillotson, who
was leaving the small English village of
Marygreen for Christminster, to study
for a degree. Young Jude, hungry for
learning, yearned to go to Christminster
too, but he had to help his great-grand-
aunt, Drusilla Fawley, in her bakery.
At Christminster, Phillotson did not for
get his former pupil. He sent Jude some
classical grammars which the boy studied
eagerly.
Anticipating a career as a religious
scholar, Jude apprenticed himself, at
nineteen, to a stonemason engaged in
the restoration of medieval churches in
a nearby town. Returning to Marygreen
one evening, he met three young girls
who were washing pigs' chitterlings by
a stream bank. One of the girls, Arabella
Donn, caught Jude's fancy and he ar
ranged to meet her later. The young
man was swept off his feet and tricked
into marriage, but he soon realized that
he had married a vulgar country girl
with whom he had nothing in common.
JUDE THE OBSCURE by Thomas Hardy. By permission of the publishers, Harper & Brothers. Copyright,
1395, by Harper & Brothers, Renewed, 1923. by Thomas Hardy.
455
Embittered, he tried unsuccessfully to
commit suicide; when he began to drink,
Arabella left him.
Jude, now free, decided to carry out
his original purpose. With this idea in
mind, he went to Christminster, where
he took work as a stonemason. He had
heard that his cousin, Sue Bridehead,
lived in Christminster, but he did not
seek her out because his aunt had warned
him against her and because he was
already a married man. Eventually he
met her and was charmed. She was an
artist employed in an ecclesiastical ware
house. Jude met Phillotson, again a
simple schoolteacher. Sue, at Jude's sug
gestion, became Phillotson's assistant.
The teacher soon lost his heart to his
bright and intellectually independent
young helper. Jude was hurt by evi
dence of intimacy between the two.
Disappointed in love and ambition, he
turned to drink and was dismissed by his
employer. He went back to Marygreen.
At Marygreen Jude was persuaded by
a minister to enter the church as a licen
tiate. Sue, meanwhile, had won a schol
arship to a teacher's college at Mel-
chester; she wrote Jude asking him to
come to see her. Jude worked at stone-
masonry in Melchester in order to be
near Sue, even though she told him she
had promised to marry Phillotson after
her schooling. Dismissed from the col
lege after an innocent escapade with
Jude, Sue influenced him away from
the church with her unorthodox beliefs.
Shortly afterward she married Phillotson.
Jude, despondent, returned to Christmin
ster, where he came upon Arabella
working in a bar. Jude heard that Sue's
married Me was unbearable. He con
tinued his studies for the ministry and
thought a great deal about Sue.
Succumbing completely to his pas
sion for Sue, Jude at last forsook the
ministry. His Aunt Dmsilla died, and
at the funeral Jude and Sue realized
that they could not remain separated.
Phillotson, sympathizing with the lovers,
released Sue, who now lived apart from
her husband. The lovers went to Ald-
brickham, a large city where they would
not be recognized. Phillotson gave Sue
a divorce and subsequently lost his teach
ing position. Jude gave Arabella a divorce
so that she might marry again.
Sue and Jude now contemplated mar
riage, but they were unwilling to be
joined by a church ceremony because
of Sue's dislike for any binding contract.
The pair lived together happily, Jude
doing simple stonework. One day Ara
bella appeared and told Jude that her
marriage had not materialized. Sue,
jealous, promised Jude that she would
marry Kim. Arabella's problem was
solved by eventual marriage, but out of
fear of her husband she sent her young
child by Jude to live with him and Sue,
This pathetic boy, nicknamed Little
Father Time, joined the unconventional
Fawley household.
Jude's business began to decline, and
he lost a contract to restore a rural
church when the vestry discovered that
he and Sue were unmarried. Forced to
move on, they traveled from place to
place and from job to job. At the end
of two and a half years of this itinerant
life, the pair had two children of their
own and a third on the way. They were
five, including Little Father Time. Jude,
in failing health, became a baker and
Sue sold cakes in the shape of Gothic
ornaments at a fair in a village near
Christminster. At the fair Sue met Ara
bella, now a widow. Arabella reported
Sue's poverty to Phillotson, who was
once more the village teacher in Mary-
green.
Jude took his family to Christminster,
where the celebration of Remembrance
Week was under way. Utterly defeated
by failure, Jude still had a love for the
atmosphere of learning which pervaded
the city.
The family had difficulty finding lodg
ings and they were forced to separate.
Sue's landlady, learning that Sue was
an unmarried mother and fearful lest she
should have the trouble of childbirth in
456
her rooming-house, told Sue to find other
lodgings. Bitter, Sue told Little Father
Time that children should not be brought
into the world. When she returned
from a meal with Jude, she found that
the boy had hanged the two babies and
himself. She collapsed and gave pre
mature birth to a dead baby.
Her experience brought about a change
in Sue's point of view. Believing she
had sinned and wishing now to conform,
she asked Jude to live apart from her.
She also expressed the desire to return
to Phillotson, whom she believed, in her
misery, to be still her husband. She re
turned to Phillotson and the two remar
ried. Jude, utterly lost, began drinking
heavily. In a drunken stupor, he was
again tricked by Arabella into marriage.
His lungs failed; it was evident that his
end was near. Arabella would not
communicate with Sue, whom Jude de
sired to see once more, and so Jude trav
eled in the rain to see her. The lovers
had a last meeting. She then made com
plete atonement for her past mistakes by
becoming Phillotson's wife completely.
This development was reported to Jude,
who died in desperate misery of mind
and body. Fate had grown tired of its
sport with a luckless man.
JUDITH PARIS
Type of work: Novel
Author: Hugh Walpole (1884-1941)
Type of 'plot: Historical chronicle
Time of plot: Nineteenth century
Locale: England
First published: 1931
Principal characters:
JUDITH MERRIES, later Judith Paris, daughter of Rogue Herries
DAVID HERRIES, her half-brother
FRANCIS HERRIES, her nephew
JENNIFER, Francis' wife
REUBEN SUNWOOD, Judith's cousin
GEORGES PARIS, Judith's husband
WILLIAM HERRTES, Francis* brother
CHRISTABEL, William's wife
WALTER HERRIES, William's son
Critique:
Judith Paris is the second of four
novels dealing with the history of the
Herries family. Like the others, it con
tains many characters and covers about
half a century. While Judith Paris is
an independent novel, it should be read
in sequence with the others, or many of
the allusions may confuse the reader.
Like the preceding Rogue Herries and
the succeeding The Fortress and Vanes
sa, Judith Paris is long and comprehen
sive in scope, with many references to
the political and social background of
the period.
The Story:
On the wild winter night Judith
Herries was born in the gloomy old house
at Herries in Rosthwaite, her aged father
and young gipsy mother both died. The
country midwife laid out the parents
with as much respect as she thought
Rogue Herries and his strange wife de
served. The baby she wrapped up warm
ly, for it was bitterly cold. Then to
fortify her own thin blood she sat down
with a bottle of strong drink. The wind
rose and a loose windowpane blew in.
The snow drifted in upon the cradle, but
the midwife slept on.
JUDITH PARIS by Hugh Walpole. By permission of the Executors, estate of Sir Hugh Walpole, and the pub-
Ushers, Messrs. MacMiilan & Co., London. Copyright, 1931, by Doubleday, Doran & Co., Inc.
457
Squire Gauntry, tough and taciturn,
came by tired from hunting. He stopped
when he heard the child's thin wail
above the howling wind. Failing to
arouse the stupid countrywoman, he took
the baby home to his masculine hall until
her half-brother, David Henries, arrived
to claim her.
Judith Herries grew up at Fell House,
near Uldale, with David Herries and
his family. But David was fifty-five years
older than Judith and often he clashed
with his young sister. She was spanked
many times; the most serious punish
ment canie when she danced naked on
the roof. Judith frequently visited Stone
Ends, Squire Gauntry's place, where
there were no restrictions.
One significant visit came in her
eleventh year, when she ran away from
Fell House after being punished for dis
obedience. Rough Gauntry welcomed
her to a strange gathering. With the
gentlemen who were drinking and play
ing cards, there were two women. One
was vast Emma, Gauntry's mistress, who
was always to be Judith's friend, and the
other was beautiful Madame Paris, the
mother of Georges. Georges, only a year
or so older than Judith, came up to her
and enticed her away on a childish prank.
He kissed her soundly and she slapped
his face.
That night, when Judith went to bed,
she entered the room she usually slept in
at Stone Ends. There she saw Georges*
beautiful mother standing naked beside
the bed. On his knees before her, dressed
only in his shirt, knelt a gentleman who
was kissing Madame Paris' knees. From
that night on Judith thought as a wom
an.
When she was fourteen, she saw
Georges again at a display of fireworks
by the lake. Disobeying orders, she
went out in a boat with kirn. His kisses
that night were more grown-up.
WTien she was seventeen, Judith mar
ried Georges. It was a bad match in
every way, except that Judith really
loved her husband. Georges installed her
at Watendlath, a remote northern farm.
There she lived a lonely life. Georges, a
smuggler, spent little time at home.
After some years Georges and Judith
went to London, where the smuggler
turned gambler and intriguer to recoup
their fortunes. During a comparatively
harmonious interval, they attended the
famous ball given by Will Herries.
Jennifer Cards was the belle of the
ball. She was a strikingly beautiful wom
an of twenty-six, still single by prefer
ence. Many of the married Herries men
followed her like sheep. Christabel,
Will's wife, was much upset and scolded
Jennifer for being without a chaperon.
Jennifer answered roughly and in her
anger she seized ChristabeFs fan and
broke it. That was the occasion for the
great Herries quarrel. Ever after Will
and then his son Walter were intent on
destroying Jennifer.
Their quarrel eventually involved
Francis, Judith's well-loved nephexv, for
Francis, thirty-six years old and a pa
thetic, futile man of deep sensibility, mar
ried Jennifer soon afterward.
Georges at last seemed to be serious
in attempting to advance his fortunes.
Judith never knew exacdy what he was
doing, but part of his project meant
standing in well with Will Herries, who
was a real power in the city. Mysterious
men came and went in the Paris' shabby
rooms. Stane was the one whom Judith
distrusted most, and often she begged
Georges to break with him. Her sus
picions were verified one day when
Georges came home exhausted and in
wild despair. All his projects had failed,
and Stane had lied his way into Will's
favor.
Despondent, Georges and Judith went
back to Watendlath, and Georges re
turned to smuggling. After one of his
mysterious trips Georges appeared hag
gard and upset, to tell her that off Nor
way he choked Stane to death. Then he
had overturned the small boat, to make
the death appear an accident, and swam
ashore. Although Georges was unsus-
458
pected, lie needed Judith now. She had
him to herself at last.
Then old Stane came, professing to
seek shelter with his dead son's friend.
When he had satisfied his suspicion of
Georges' guilt, the powerful old man
threw Georges over the rail and broke
his back, killing him.
Now a widow, Judith left Watendlath
and at their strong urging went to stay
with Francis and Jennifer. The beautiful
Jennifer now had two children, John
and Dorothy. Since she had never loved
Francis, Jennifer felt no compulsion to
keep his love. She gave herself to
Fernyhirst, a neighbor. Although most
of the people in the neighborhood knew
of her in fidelity7 Francis shut his eyes
to it.
Then came the news that Will Herries
had bought Westaways, only eight miles
away from Fell House, where Judith
lived in the uneasy home of Jennifer and
Francis. They were sure that Will meant
to harm them for the slight to his wife
years before, and indeed Will hated them
savagely. It was Walter, however, who
was to be the agent for his father's hate.
Warren Forster brought the news of
Will's plans to Fell House. He was a
tiny, kindly man who had long admired
Judith. The two went riding one day,
and out of pity and friendship Judith
gave herself to Warren, whose wife had
left him years before.
When Judith, who was nearly forty,
knew that she was carrying Warren's
child, she went to Paris with blowzy
Emma, now on the stage. It was just
after Waterloo, and Paris was filled with
Germans and Englishmen. When War
ren finally found them, he was a sick
man. In their little apartment, he died
with only Judith and Emma to attend
him.
One night, while Judith was dining in
a cafe, a vengeful Frenchman shot a
Prussian sitting at the next table. The
shock unnerved Judith, and there, be
hind a screen, her son Adam was born.
In England, Walter was determined to
harm Jennifer. He knew of her affair
with Fernyhirst and he knew also of a
journey Francis was taking. After he
sent a note of warning to the inn where
Francis was staying, Francis returned
unexpectedly to Fell House. There he
found his wife's lover in her room and
fell on him savagely. Later he overtook
the fleeing Fernyhirst and fought a duel
with him, but Fernyhirst ran away. In
futile despair Francis killed himself.
Now Judith had to manage a shaken
and crumpled Jennifer and fight a savage
Walter. A riot, incited by Walter,
caused the death of Reuben Sunwood,
Judith's kinsman and staunch friend,
and a fire of mysterious origin broke out
in the stables. Judith gave up her plan
to return to Watendlath. For Jennifer's
sake she and Adam went back to Fell
House to stay.
THE JUNGLE
Type of -work: Novel
Author: Upton Sinclair (1878- )
Type of plot: Social criticism
Time of plot: Early twentieth century
Locale: Chicago
First published: 1 906
Principal characters:
JURGIS RIIDKUS, a stockyards worker
ANTANAS RUDKHS, his father
ONA, Juxgis' wife
ELZBIETA, Ona/s stepmother
JONAS, Elzbieta's brother
MAKIJA, Ona's orphan cousin
459
Critique:
The Jungle is an indignant book, writ
ten in anger at the social injustices of
the meat-packing industry, and from this
anger the novel derives its power. At the
time of publication the book served its
purpose in arousing public sentiment
against unfair practices in the meat in
dustry. It is still an honestly told and
gripping story.
The Story:
While he was still a peasant boy in
Lithuania, Jurgis Rudkus had fallen in
love with a gentle girl named Ona. When
Ona's father died, Jurgis, planning to
marry her as soon as he had enough
money, came to America with her fam
ily. Besides the young lovers, the emi
grant party was composed of Antanas,
Jurgis' father; Elzbieta, Ona's stepmother;
Jonas, Elzbieta's brother, Marija, Ona's
orphan cousin, and Elzbieta's six cMLdren.
By the time the family arrived in Chi
cago they had very little money. Jonas,
Marija, and Jurgis at once got work in
the stockyards. Antanas tried to find
work, but he was too old. They all de
cided that it would be cheaper to buy
a house on installments than to rent. A
crooked agent sold them a ramshackle
house which had a fresh coat of paint
and told his ignorant customers that it
was new.
Jurgis found his job exhausting, but he
thought him. self lucky to be making forty-
five dollars a month. At last Antanas
also found work at the plant, but he
had to give part of his wages to the fore
man in order to keep his job. Jurgis
and Ona saved enough money for their
wedding feast and were married. Then
the family found that they needed more
money. Elzbieta lied about the age of
her oldest son, Stanislovas, and he too
got a job at the plant. Ona had already
begun to work in order to help pay for
the wedding.
Antanas worked in a moist, cold room
where he developed consumption. When
he died, the family had scarcely enough
money to bury him. Winter came, and
everyone suffered in the flimsy house.
When Marija lost her job, the family
income diminished. Jurgis joined a union
and became an active member. He went
to night school to learn to read and speak
English.
At last summer came with its hordes
of flies and oppressive heat. Marija
found work as a beef trimmer, but at
that job the danger of blood poisoning
was very great. Ona had her baby, a
fine boy, whom they called Antanas
after his grandfather. Winter came
again, and Jurgis sprained his ankle at
the plant. Compelled to stay at home
for months, he became moody. Two
more of Elzbieta's children left school to
sell papers.
When Jurgis was well enough to look
for work again, he could find none, be
cause he was no longer the strong man
he had been. Finally he got a job in a
fertilizer plant, a last resource, for men
lasted only a few years at that work.
One of Elzbieta's daughters was now old
enough to care for the rest of the chil
dren, and Elzbieta also went to work.
Jurgis began to drink, Ona, pregnant
again, developed a consumptive cough
and was often seized with spells of
hysteria. Hoping to save the family with
the money she made, she went to a
house of prostitution with her boss,
Connor. When Jurgis learned what she
had done, he attacked Connor and was
sentenced to thirty days in jail. Now that
he had time to think, Jurgis saw how
unjustly he had been treated by society.
No longer would he try to be kind, ex
cept to his own family. From now on
he would recognize society as an enemy
rather than a friend.
After he had served his sentence, Jur
gis went to look for his family. He found
that they had lost the house because they
THE JUNGLE by Upton Sinclair. By penniwion of the author and the publishers, The Viking Press, Inc.
Copyright, 1905, 1906, 1933, 1946, by Upton Sinclair.
460
could not meet the payments, and tad
moved. He found them at last in a
rooming-house. Ona was in labor with
her second child, and Jurgis frantically
searched for a midwife. By the time he
found one, Ona and the child had died.
Now he had only little Antanas to live
for. He tried to find work. Blacklisted
in the stockyards for his attack on Con
nor, he finally found a job in a harvest
ing machine factory. Shortly afterward
he was discharged when his department
closed down for a lack of orders.
Next he went to work in the steel
mills. In order to save money he moved
near the mills and came home only on
weekends. One weekend he came home
to find that little Antanas had drowned
in the street in front of the house. Now
that he had no dependents, he hopped a
freight train and rode away from Chi
cago. He became one of the thousands
of migratory farm workers; his old
strength came back in healthful sur
roundings.
In the fall Jurgis returned to Chicago.
He got a job digging tunnels under the
streets. Then a shoulder injury made
him spend weeks in a hospital. Dis
charged with his arm still in a sling, he
became a beggar. By luck he obtained
a hundred-dollar bill from a lavish drunk.
When he went to a saloon to get it
changed, however, the barkeeper tried
to cheat him out of his money. In a
rage Jurgis attacked the man. He was
arrested and sent to jail again. There
he met a dapper safe-cracker, Jack Duane.
After their release, Jurgis joined Duane
in several holdups and became acquaint
ed with Chicago's underworld. At last
he was making money.
Jurgis became a political worker.
About that time the packing plant work
ers began to demand more rights through
their unions. When packing house
operators would not listen to union de
mands, there was a general strike. Jur
gis went to work in the plant as a scab.
One day he met Connor and attacked
him again. Jurgis fled from the district
to avoid a penitentiary sentence. On the
verge of starvation, he found Marija
working as a prostitute. Jurgis was
ashamed to think how low he and
Marija had fallen since they came to Chi
cago. She gave him some money so that
he might look for a job.
Jurgis was despondent until one night
he heard a Socialist speak. Jurgis be
lieved that he had found a remedy for the
ilk of the world. At last he knew how the
workers could find self-respect. He found
a job in a hotel where the manager was
a Socialist. It was the beginning of a
new life for Jurgis, the rebirth of hope
and faith.
THE JUNGLE BOOKS
Type of work: Short stories
Author: Rudyard Kipling (1865-1936)
Type of plot: Beast fables
Time of plot: Nineteenth century
Locale: India
first published: 1894,1895
Principal characters:
MOWGLI, an Indian boy
FATHER WOLF
MOTHER WOLF
SHERE KHAN, the tiger
AKELA, leader of the wolf pack
BAGHEERA, the black panther
BALOO, the bear
KAA, the rock python
461
THE BAimajR-LoG, the monkey people
HATHI, the elephant
MESSUA, a woman who adopted Mowgli for a time
MESSUA'S HUSBAND
BUIDEO, a village hunter
GRAY BROTHER, a young wolf
Critique;
Rudyaid Kipling, winner o£ the Nobel
Prize in 1907, wrote these stories for
children while living in Brattleboro, Ver
mont. The jungle Book and The Second
Jungle Book are children's classics
which attempt to teach the lessons of
justice, loyalty, and tribal laws. It is
evident from reading these books that
here is a master writer who loved children
and could tell them a good story with
an underlying meaning that adults can
appreciate as well.
The Stones:
Shere Khan, the tiger, pursued a small
Indian boy who had strayed from his
native village, but Shere Khan was lame
and missed his leap upon the child.
When Father Wolf took the boy home
with him to show to Mother Wolf, Shere
Khan followed and demanded the child
as his quarry. Mother Wolf refused.
The tiger retired in anger. Mowgli, the
frog, for such he was named, was reared
by Mother Wolf along with her own
cubs.
Father Wolf took Mowgli to the
Council Rock to be recognized by the
wolves. Bagheera, the panther, and Ba-
loo, the bear, spoke for Mowgli's ac
ceptance into the Seeonee wolf pack.
Thus Mowgli became a wolf.
Baloo became Mowgli's teacher and
instructed him in the lore of the jungle.
Mowgli learned to speak the languages
of all the jungle people. Throughout his
early life the threat of Shere Khan hung
over him, but Mowgli was certain of
his place in the pack and of his friends'
protection. But some day when Akela,
the leader of the wolves, would miss his
kill, the pack would turn on bfn> and
Mowgli. Bagheera told Mowgli to get
the Red Flower, or fire, from the village
to protect himself. When Akela missed
his quarry one night and was about to
be deposed and killed, Mowgli attacked
all of their mutual enemies with his fire
sticks and threatened to destroy anyone
who molested Akela. That night Mow
gli realized that the jungle was no place
for him, and that some day he would
go to live with men. But that time was
still far off.
One day Mowgli climbed a tree and
made friends with the Bandar-Log, the
monkey tribe, who because of their
stupidity and vanity were despised by the
other jungle people. When the Bandar-
Log carried off Mowgli, Bagheera and
Baloo went in pursuit, taking along Kaa,
the rock python, who loved to eat
monkeys. Mowgli was rescued at the
old ruined city of the Cold Lairs by the
three pursuers, and Kaa feasted royally
upon monkey meat,
One year during a severe drought in
the jungle, Hathi the elephant pro
claimed the water truce; all animals
were allowed to drink at the water hole
unmolested. Shere Khan announced to
the animals gathered there one day that
he had killed a Man, not for food but
from choice. The other animals were
shocked. Hathi allowed the tiger to
drink and then told him to be off. Then
Hathi told the story of how fear came
to the jungle and why the tiger was
striped. It was the tiger who first killed
Man and earned the human tribe's un
relenting enmity, and for his deed the
tiger was condemned to wear stripes.
Now for one day a year the tiger was
not afraid of Man and could kill him.
462
This day was called, among jungle peo
ple, the Night of the Tiger.
One day Mowgli wandered close to a
native village, where he was adopted
by Messua, a woman who had lost her
son some years before. Mowgli became
a watcher of the village herds, and so
from time to time he met Gray Wolf,
his brother, and heard the news of the
jungle. Learning that Shere Khan in
tended to kill him, he laid plans with
Akela and Gray Brother to MU the tiger.
They lured Shere Khan into a gully and
then stampeded the herd. Shere Khan
was trampled to death. Stoned from the
village because he was believed to be a
sorcerer who spoke to animals, Mowgli
returned to the jungle resolved to hunt
with the wolves for the rest of his life.
Buldeo, the village hunter, followed
the trail of Mowgli, Gray Brother, and
Akela. Mowgli overheard Buldeo say
that Messua and her husband were im
prisoned in their house and would be
burned at the stake. Messua's husband
had saved some money and he had one
of the finest herds of buffaloes in the vil
lage. Knowing that the imprisonment
of Messua and her husband was a scheme
for the villagers to get their property,
Mowgli laid plans to help his friends.
Entering the village, he led Messua and
her husband beyond the gates in the
darkness. Then the jungle people began
to destroy, little by Httle, the farms, the
orchards, and the cattle, but no villager
was harmed because Mowgli did not
desire the death of any human. Finally,
just before the rains, Hathi and his three
sons moved into the village and tore
down the houses. The people left and
thus the jungle was let into the village.
Kaa took Mowgli to Cold Lairs to meet
the guardian of the king's treasure, an
old white cobra who had expressed a
desire to see Mowgli. The old cobra
showed them all the treasure, and when
he left Mowgli took a jeweled elephant
goad, a king's ankus, with him, even
tiiov^h the cobra had said it brought
death to the person who possessed it.
Back in the jungle Mowgli threw the
ankus away. Later that day he went
with Bagheera to retrieve the ankus and
discovered that it was gone. They fol
lowed the trail of the man who had
picked it up and found that altogether six
men who had had possession of the ankus
had died. Believing it to be cursed, Mow
gli returned the ankus to the treasure
room in the Cold Lairs.
Sometimes fierce red dogs called dholes
traveled in large packs, destroying every
thing in their paths. Warned of the
approach of the dholes, Mowgli led the
marauders, by insults and taunts, toward
the lairs of the Little People, the bees.
Then he excited the bees to attack the
dholes. The destruction of the red dogs
that escaped the fury of the bees was
completed by the wolves lying in am
bush a Httle farther down the river
which flowed under the cliffs where the
Little People lived. But it was the last
battle of old Akela, the leader of the
pack when Mowgli was a little boy. He
crawled out slowly from under a pile
of carcasses to bid Mowgli goodbye and
to sing his death song.
The second year after the death of
Akela, Mowgli was about seventeen years
old. In the spring of that year Mowgli
knew that he was unhappy, but none
of his friends could tell him what was
wrong. Mowgli left his own jungle to
travel to another, and on the way he
met Messua. Her husband had died,
leaving her with a child. Messua told
Mowgli that she believed he was her
own son lost in the jungle years before
and that her baby must be his brother.
Mowgli did not know what to make of
the child and the unhappiness he felt.
When Gray Brother came to Messua's
hut, Mowgli decided to return to the
jungle. But on the outskirts of the vil
lage he met a girl coining down the
path. Mowgli melted into the jungle
and watched the girl. He knew at last
that the jungle was no longer a place
for him and that he had returned to the
Man-pack to stay.
463
JURGEN
Type of work: Novel
Author: James Branch Cabell (1879-1958)
Type of plot: Fantasy
Time of plot: Middle Ages
Locale: Poictesme, a land of myth
First -published: 1919
Principal characters:
JTJKGEN, a middle-aged pawnbroker
DAME LISA, his wife
DOROTHY LA DESTREE, Kis childhood sweetheart
QUEEN GUENEVERE
DAME ANATTLS
CHLORIS, a Hamadryad
QOEEN HELEN of Troy
MOTHER SEREDA
KOSHCHEI, the maker of things as they are
Critique:
]urgen, A Comedy of Justice, is one of
a series dealing with the mythical coun
try of Poictesme. Although it was once
charged in the courts with being an ob
scene book, it is by no means merely an
erotic tale. This novel can be read on
many levels; as a narrative of fantastic
love and adventure, as a satire, and as
a philosophic view of life. The book is
an interesting product of a romantic
imagination and a critical mind.
The Story:
Once in the old days a middle-aged
pawnbroker named Jurgen said a good
word for the Prince of Darkness. In
gratitude, the Prince of Darkness re
moved from the earth Dame Lisa, Jur-
gen's shrewish wife. Some time later
Jurgen heard that his wife had returned
to wander on Amneran Heath; conse
quently the only manly thing for hi™ to
do was to look for her.
It was Walburga's Eve when Jurgen
met Dame Lisa on the heath. She led
him to a cave, but when he followed her
inside she disappeared and Jurgen found
a Centaur instead. Jurgen inquired for
his wife. The Centaur replied that only
Koshchei the Deathless, the maker of
things as they are, could help Jurgen in
his quest The Centaur gave Jurgen
a beautiful new shirt and started off
with him to the Garden between Dawn
and Sunrise, the first stopping place of
Jurgen's journey to find Koshchei.
In the garden Jurgen found Dorothy
la Desiree, his first sweetheart, who re
tained all the beauty he had praised in
his youthful poetry. She no longer knew
him, for she was in love only with Jur
gen as he had been in youth, and he
could not make her understand that in
the real world she also had become mid
dle-aged and commonplace. So he parted
sadly from her and found himself sud
denly back in his native country.
His friend the Centaur had now be
come an ordinary horse. Jurgen mounted
and rode through a forest until he came
to the house of Mother Sereda, the god
dess who controlled Wednesdays and
whose job it was to bleach the color out
of everything in the world. By flattery
Jurgen persuaded her to let him live
over a certain Wednesday in his youth
with Dorothy la Desiree. But when the
magic Wednesday ended, Dorothy la
Desiree turned into the old woman she
really was, and Jurgen quickly departed.
He wandered again to Amneran Heath
and entered the cave to look for Kosh-
JURGEN by James Branch Cabell. By permission of the author. Copyright, 1919, by Robert M. McBride Co.
Renewed, 194-6, by Jamet Branch Cabell.
464
chei and Dame Lisa, There he found
a beautiful girl who said that she was
Guenevere, the daughter of King Gogyr-
van. Jurgen offered to conduct her back
to her home. When they arrived at the
court of King Gogyrvan, Jurgen, pretend
ing to be the Duke of Logreus, asked for
the hand of Guenevere as a reward for
her safe return. But she had already
been promised to King Arthur. Jurgen
stayed on at court. He had made the
discovery that he still looked like a young
man; the only trouble was that his
shadow was not his shadow; it was the
shadow of Mother Sereda.
King Arthur's envoys, Dame Anaitis
and Merlin, had arrived to take Guene
vere to London. Jurgen watched her de
part for London without feeling any sor
row because of a magic token Merlin
had given him. Then Dame Anaitis in
vited Jurgen to visit her palace in Co-
caigne, the country where Time stood
still. There Jurgen participated with
her in a ceremony called the Breaking
of the Veil, to learn afterwards that it
had been a marriage ceremony and that
Dame Anaitis was now his wife. Dame
Anaitis, a myth woman of lunar legend,
instructed Jurgen in every variety of
strange pleasures she knew.
Jurgen visited a philologist, who said
that Jurgen had also become a legend;
consequently he could not remain long
in Cocaigne. When the time came for
him to leave the country, Jurgen chose
to go to Leuke4, the kingdom where
Queen Helen and Achilles ruled. Jur-
gen's reason for wishing to go there was
that Queen Helen resembled his first
sweetheart, Dorothy la Desiree.
In Leuke, Jurgen met Chloris, a Ham
adryad, and married her. He was still
curious about Queen Helen, however,
and one evening he entered her castle
and went to her bedchamber. The sleep
ing queen was Dorothy la Desiree, but
he dared not touch her. Her beauty,
created from the dreams of his youth,
was unattainable. He left the castle and
returned to Chloris.
Shortly afterward the Philistines in
vaded Leuke and condemned all its
mythical inhabitants to limbo. Jurgen
protested because he was flesh and blood
and he offered to prove his claim by
mathematics. Queen Dolores of the Phi
listines agreed with him after he had
demonstrated his proof to her by means
of a concrete example. However, he was
condemned by the great tumble-bug of
the Philistines for being a poet.
After Chloris had been condemned to
limbo, Jurgen went on to the hell of his
fathers. There he visited Satan and
learned that Koshchei had created hell
to humor the pride of Jurgen's fore
fathers. Then he remembered that he
was supposed to be looking for Dame
Lisa. Learning that she was not in hell,
he decided to look for her in heaven.
Mistaken for a pope by means of the
philologist's charm, he managed to gain
entrance to heaven. Dame Lisa was
not there. St. Peter returned him to
Amneran Heath.
On the heath he again met Mother
Sereda, who took away his youth and
returned him to his middle-aged body.
Actually, it was a relief to Jurgen to be
old again. Then for the third time he
entered the cave in search of Dame
Lisa. Inside he found the Prince of
Darkness who had taken her away. The
Prince was really Koshchei; Jurgen was
near the end of his quest. He asked
Koshchei to return Dame Lisa to him.
Koshchei showed him Guenevere,
Dame Anaitis, and Dorothy la Desiree
again. But Jurgen would not have them.
He had had his youth to live over, and
he had committed the same follies. He
was content now to be Jurgen the pawn
broker.
Koshchei agreed to return Jurgen to
his former life, but he asked for the
Centaur's shirt in return. Jurgen gladly
gave up the shirt. Koshchei walked with
him from the heath into town. As they
walked, Jurgen noticed that the moon
was sinking in the east. Time was turn
ing backward.
465
It was as if the past year had never table was set for supper. Inside, Dame
been. For now he approached his house Lisa sat sewing and looking quite as if
and saw through the window that the nothing had ever happened.
JUSTICE
Type of work: Drama
Author: John Galsworthy (1867-1933)
Type of plot: Social criticism
Time of plot: 1910
Locale: London
First presented: 1910
Principal characters:
WILLIAM FALDER, a solicitor's clerk
COEESON, a senior clerk
RUTH HONEYWTLL, with whom Falder is in love
Critique:
Since 1910, when this play was writ
ten, prison reforms have progressed con
siderably. The play is a protest against
dehumanized institutionalism, with par
ticular attention directed toward the
evils of solitary confinement and the
strict parole system. The problem of
making a convicted man into a useful
citizen once more is complex. Galsworthy
thought rehabilitation likely only if all
who came into contact with the man
accepted their share of the responsibility.
the right side of the law but also on the
right side of ethics. James How entered
from the partners' room. He and Walter
began to check the firm's balance, which
they decided was below what they re
membered it should have been. Then
they discovered that a check written the
previous Friday had been altered from
nine to ninety pounds.
The check had been cashed on the
same day that another junior clerk,
The Story:
Cokeson, managing clerk for the firm
of James and Walter How, solicitors,
was interrupted one July morning by a
woman asking to see the junior clerk,
Falder. The woman, Ruth Honeywill,
seemed in great distress, and though it
was against office rules, Cokeson permit
ted her to see Falder.
Falder and Ruth Honeywill were plan
ning to run away together. Ruth's hus-
band, a drunken brute, had abused her
until she would no longer stay with
him. Falder arranged to have Ruth and
her two children meet him at the railway
station that night Ruth left and Falder
went back to work.
Young Walter How came to the office.
Davis, had gone away on some firm busi
ness. Cokeson was quickly cleared. When
it became certain that the check stub
had been altered after Davis had started
on his trip, suspicion fell on Falder.
The bank cashier was summoned. He
recognized Falder as the man who had
cashed the check. James How accused
Falder of the felony. Falder asked for
mercy, but How, convinced that the
felony had been premeditated, sent for
the police. Falder was arrested.
When the case came to court, Frome,
Falder's counsel, tried to show that
Falder had conceived the idea and car
ried it out within the space of four
minutes, and that at the time he had
been greatly upset by the difficulties of
Ruth Honeywill with her husband.
Frome called Cokeson as the first wit-
Cokeson was skeptical of the young ness, and the managing clerk gave the
man's desire to keep the firm not only on impression that Falder had not been
J°^GaI\W°1^^nP^S,by^J?ha Gal*wortfcy- By pemission of the publisher., Charles
. Copyright, 1909, 1910, by John Galsworthy, 1928, by Charles Scribner's Sons.
466
himself on the day in question. Ruth
Honeywill was the most important wit
ness. She indicated that Falder had
altered the check for her sake. Cleaver,
the counsel for the prosecution, tried his
utmost to make her appear an undutiful
wife.
In defense of Falder, Frorne tried to
press the point that Falder had been al
most out of his mind. Cleaver questioned
Falder until the clerk admitted that
he had not known what he was doing.
Then Cleaver declared Falder had known
enough to keep the money he had
stolen and to turn in the sum for which
the check originally had been written.
The jury found Falder guilty and the
judge sentenced him to three years.
At Christmas time Cokeson visited the
prison on Falder's behalf. He attempted
to have Falder released from solitary
confinement and asked for permission
to bring Ruth Honeywill to see Falder.
Cokeson 's visit accomplished nothing.
Both the chaplain and the prison gover
nor were incfifferent to his appeal.
When Falder was finally released on
parole, Ruth Honeywill went to in
tercede for him at How's office. She
intimated that she had kept herself and
her children alive by living with another
man after she left her husband. Falder
went to tell Cokeson that his relatives
wanted to give him money to go to
Canada. He was depressed and ill at
ease; he had seen Ruth only once since
his release. James How made it clear
that if Falder refused to abide by strict
standards of justice there would be no
hope that the firm would take him back.
James How, aware that Ruth Honey-
will had been living with another man,
crudely broke the news to Falder. He
did, however, give Falder and Ruth an
opportunity to talk over their predica
ment. While they were talking in a
side room, a detective sergeant came
looking for Falder. Falder was to be
arrested again because he had failed to
report to the police according to the
parole agreement. Although How and
Cokeson refused to disclose Falder's
whereabouts, the detective discovered
Falder in the side room. As he was
rearresting Falder, the clerk suddenly
broke loose and killed himself by jump
ing from the office window.
KATE FENNIGATE
Type of -work: Novel
Author: Booth Tarkington (1869-1946)
Type of plot: Domestic realism,
Time of plot: Twentieth century
Locale: The Middle West
First published: 1943
Principal characters:
KATE FENNIGATE, a managing woman
AUNT DAISY, her aunt
MARY, Aunt Daisy's daughter
AMES LANNTNG, Mary's husband
CELIA, their daughter
LAILA CAPPER, Kate's schoolmate
TUEE SPEER, Ames' friend
ME. ROE, owner of Roe Metal Products
Critique:
Twenty years intervene between the
publication o£ Alice Adams and Kate
Fennigate. By comparing the two, ont
observes the great improvement of the
KATE FENNIGATE by Booth Tarkington. By permission of Brandt & Brandt and the publishers, Doubledaj
& Co., Inc. Copyright, 1943, by Booth Tarkington,
467
latter over the former. A single protag
onist is offered to the reader in each
novel; but the technique of Kate Fenni-
gaie is vastly superior to that of Alice
Adams. In Kate Fennigate the chief
characters have more of a third dimen
sion; the background seems more real
istic, and, as a whole, the novel is a
more unified work.
Tke Story:
Kate Fennigate was a manager, even
as a young child; she influenced her
mother, her schoolmates, and, particular
ly, her father. But because of her good
manners Kate was never offensive in
her desire to lead. Her father, who had
showed great promise as a lawyer when
he was young, had permitted both wom
en and liquor to interfere with his
career. Mrs, Fennigate had no great
interest in life except eating, and Mr.
Fennigate had no great interest in her.
Kate grew into a pretty, quiet, well-
mannered girl with a managing complex.
Her only intimate was Laila Capper, a
self-centered, unintelligent, but beauti
ful girl who attended Miss Carroll's day
school with Kate. Kate found it flatter
ing to help Laila with her homework,
and to get for her invitations to parties to
which Laila would not otherwise have
been invited.
At a school dance, just before she
graduated, Kate first became aware of
her love for Ames Lanning, her cousin
Mary's husband. Not long after Kate's
graduation, her mother died, and she
and her father sold the house and went
to Europe for two years. Her father,
who had been ill even before they left
America, died and was buried in Europe.
When Kate returned home, Aunt
Daisy, the tyrant of her family, insisted
that Kate stay with her. With the excuse
of protecting Kate, she made a house
hold drudge of her. Kate was nurse to
Mary, Aunt Daisy's daughter, governess
to Mary's child, Celia, and maid-of-all-
work about the house. In return, she
received only her room and board. Kate
realized what Aunt Daisy was doing, but
she preferred to stay on. She wanted
to help Ames make something of his
talents as a lawyer and to get him from
under his mother-in-law's thumb.
Ames introduced Kate to Tuke Speer,
his friend. But Laila also took an in
terest in Tuke, who fell deeply in love
with Kate's friend. Aunt Daisy taunted
Kate for losing out to Laila, but since
Aunt Daisy did not guess where Kate's
true feelings lay, the girl did not mind.
When Mary, a semi-invalid for years,
died, Aunt Daisy was inconsolable. Her
whole life had been wrapped up in
her child, her money, and her house.
The first of her interests was gone. Kate
convinced Ames that he could now take
the position he wanted with Mr. Bort-
shlert, an established lawyer. The second
blow fell on Aunt Daisy not long after
ward, when the stock market crashed
and she lost everything. Her mind
broken, she had a fall from the roof
and lay an uncomprehending invalid for
years afterwards.
Kate obtained a position at the Roe
Metal Products. She and Ames shared
the expenses of caring for Aunt Daisy
and the house, which no one would buy.
Tuke asked Kate to renew her friendship
with Laila because Laila would need
someone now that her family was moving
out of town. Laila became a frequent
visitor at the house and soon tried her
wiles on Ames. When he asked Laila
to marry him, she agreed, but later
she changed her mind and eloped with
Tuke Speer. Ames, hurt and disillu
sioned, asked Kate to marry him. She
accepted.
Ten years later their life together
was running smoothly enough. Officially,
Ames was Mr. Roe's chief adviser at
the plant. War was threatening, and
Roe Metal Products, which had been
expanding all during the depression,
would soon open its fifth plant. Mr. Roe
thought highly of both Ames and Kate,
and they planned a party to introduce his
twin grandchildren, Marjie and Marvin,
468
to society. Miley Stuart, a new young en
gineer at the plant, met Celia at the party
and the two became good friends. After
the party Ames informed Kate that he was
tired of her efforts to manage his life.
She then and there silently resolved to
offer him no more suggestions.
Laila, who in the passing years had
lost none of her beauty, had also lost
none of her selfishness. She had hounded
poor Tuke for more money and a better
position, until the good-looking young
redhead he had been was no longer vis
ible in the gaunt, hollow-cheeked, gray
ing man. Laila tormented Tuke by once
again trying her charms on Ames. Hav
ing built up among their friends the
idea that she was a martyr to Tuke's
drunken moods, she nagged him into an
insulting remark while they were calling
on the Lannings. Laila turned to Ames
for comfort. He took her into the library,
where she threw herself, weeping, into
his arms. Ames tried to console her
and ended up by kissing her. Two in
terested observers of that scene were
Tuke, who was looking in the window
from outside, and Celia, who was passing
the library door. Celia also saw Tuke's
face while he watched Laila and Ames
in each other's arms.
Celia, thoroughly frightened, asked
Miley Stuart to keep an eye on Tuke
for fear he would do something violent.
Planning to divorce Tuke, Laila asked
Ames to divorce Kate so that he would
be free to marry her. When she revealed
her intention to Ames in his office, he
was aghast, for he regarded her only as
a good friend who needed help. Laila
was furious when he refused to do as
she wished, and she threatened to ruin
him with false gossip.
It was necessary for Kate to become a
manager once more, to save Ames from
disaster. She proposed to Ames and Mr.
Roe that Tuke be offered the opportunity
of managing the New York office for the
firm. Tuke accepted the position, which
provided enough money to allow Laila
to live in the manner she desired. It
also took her far away from Kate and
Ames.
KENILWORTH
Type of work: Novel
Author: Sir Walter Scott (1771-1832)
Type of plot: Historical romance
Time of plot: 1575
Locale: England
First published; 1821
Principal characters:
DUDLEY, Earl of Leicester
RICHARD VARN^Y, his master of horse
AMY ROBSART, wife of Dudley
EDMUND TRESSUJAN, a Cornish gentleman, friend of Amy Robsart
WAYLAND SMITH, his servant
THE EARL OF SUSSEX
QUEEN ELTZABETH
SrR WALTER RALEIGH
MICHAEL LAMBOURNE, nephew of Giles Gosling, an innkeeper
DOCTOR DOBOOBEE, alias Alasco, an astrologer and alchemist
DICKIE SLUDGE, alias Flibbertigibbet, a bright child and friend of Wayland Smith
Critique:
Kenilworth is evidence that Scott spoke
the truth when he said that the sight of
a ruined castle or similar relic of the
medieval period made him wish to re
construct the life and times of what he
saw. Scott spends much time and space
in setting the stage for the action. How
ever, this scene setting is not without
469
literary merit, £01 it offers a detailed
historical background for his novel. Al
though the plot itself is very slight, the
characters are well portrayed.
The Story:
Michael Lambourne, who in his early
youth had been a ne'er-do-well, had just
returned from his travels. While drink
ing and boasting in Giles Gosling's inn,
he wagered that he could gain admittance
to Cumnor Place, a large manor where
an old friend was now steward. It was
rumored in the village that Tony Foster
was keeping a beautiful young woman
prisoner at the manor. Edmund Tressil-
ian, another guest at the inn, went with
Michael to Cumnor Place. As Tressilian
had suspected, he found the woman there
to be his former sweetheart, Amy Rob-
sart, apparently a willing prisoner. At
Cumnor Place he also encountered Rich
ard Vamey, her supposed seducer, and a
sword fight ensued. The duel was broken
up by Michael Lambourne, who had de
cided to ally himself with his old friend,
Tony Foster.
Contrary to Tressilian's idea, Amy was
not Varney 's paramour but the lawful
wife of Varney 's master, the Earl of
Leicester, Varney being only the go-
between and accomplice in Amy's elope
ment. Leicester, who was a rival of the
Earl of Sussex for Queen Elizabeth's
favor, feared that the news of his mar
riage to Amy would displease the queen,
and he had convinced Amy that their
marriage must be kept secret.
Tressilian returned to Lidcote Hall to
obtain Hugh Robsarfs permission to bring
Varney to justice on a charge of seduc
tion. On his way there he employed as
his manservant Wayland Smith, for
merly an assistant to Dr. Doboobie, an al
chemist and astrologer. Later he visited
the Earl of Sussex, through whom he
hoped to petition either the queen or the
Earl of Leicester in Amy's behalf. While
there, Wayland Smith saved Sussex's life
after the earl had been poisoned.
When the earl heard Tressilian's story,
he presented the petition directly to the
queen. Confronted by Elizabeth, Var
ney swore that Amy was his lawful wife,
and Leicester, who was standing by, con
firmed the lie. Elizabeth then ordered
Varney to present Amy to her when she
visited Kenil worth the following week.
Leicester sent a letter to Amy asking
her to appear at Kenilworth as Varney 's
wife. She refused. In order to have an
excuse for disobeying Elizabeth's orders
regarding Amy's presence at Kenilworth,
Varney had Alasco, the former Dr. Do
boobie, mix a potion which would make
Amy ill but not kill her. This plan was
thwarted, however, by Wayland Smith,
who had been sent by Tressilian to help
her. She escaped from Cumnor Place and
with the assistance of Wayland Smith
made her way to Kenilworth to see
Leicester,
When she arrived at Kenilworth, the
place was bustling in preparation for
Elizabeth's arrival that afternoon. Way-
land Smith took Amy to Tressilian's
quarters, where she wrote Leicester a
letter telling him of her escape from
Cumnor Place and asking his aid. Way-
land Smith lost the letter and through a
misunderstanding he was ejected from the
castle. Amy, disappointed that Leicester
did not come to her, left her apartment
and went into the garden. There the
queen discovered her. Judging Amy to
be insane because of her contradictory
statements, she returned Amy to the cus
tody of Varney, her supposed husband.
Leicester decided to confess the true
story to the queen. But Vamey, afraid
for his own fortunes if Leicester fell from
favor, convinced the earl that Amy had
been unfaithful to him, and that Tres
silian was her lover. Leicester, acting
upon Vamey 's lies, decided that the death
of Amy and her lover would be just pun
ishment. Varney took Amy back to Cum
nor Place and plotted her death. Leices
ter relented and sent Michael Lam-
bourne to tell Varney that Amy must not
die, but Varney killed Lambourne in
order that he might go through with his
470
murder of Amy. Leicester and Tressilian
fought a duel, but before either harmed
the other they were interrupted by Dickie
Sludge, the child who had stolen Amy's
letter. Reading it, Leicester realized that
Amy had been faithful to him and that
the complications of the affair had been
caused by the machinations of Varney.
Leicester immediately went to the
queen and told her the whole story.
Elizabeth was angry, but she sent Tres
silian and Sir Walter Raleigh to bring
Amy to Kenil worth. Unfortunately,
Tressilian arrived too late to save Amy.
She had fallen through a trapdoor so
rigged that when she stepped upon it
she plunged to her death.
Tressilian and Sir Walter Raleigh
seized Varney and carried him off to
prison. There Varney committed suicide.
Elizabeth permitted grief-stricken Leices
ter to retire from her court for several
years but later recalled him and installed
him once more in her favor. Much later
in life he remarried. He met his death
as a result of poison he intended for
someone else.
KIDNAPPE0
Type of -work: Novel
Author: Robert Louis Stevenson (1850-1894)
Type of plot: Adventure romance
Time of plot: 1751
Locale: Scotland
First published: 1886
Principal characters:
DAVTD BALFOUR, who was kidnapped
EBENEZER BALFOUR OF SHAW, his uncle
MR, RANKEUXOR, a lawyer
ALAN BRECK, a Jacobite adventurer
Critique:
For a tale of high adventure, told
simply but colorfully, there are few to
equal Kidnapped. Stevenson was a master
story-teller. He wove this tale around the
great and the small, the rich and the
poor, men of virtue and scoundrels, and
each character was truly drawn. A stolen
inheritance, a kidnapping, a battle at
sea, several murders — these are only a
few of the adventures that befell the hero.
It is easily understood why Kidnapped
is a favorite with all who read it.
The Story:
When David Balfour's father died, the
only inheritance he left his son was a
letter to Ebenezer Balfour of Shaw, who
was his brother and David's uncle. Mr.
Campbell, the minister of Essendean, de
livered the letter to David and told him
that if things did not go well between
David and his uncle he was to return
to Essendean, where his friends would
help him. David set off in high spirits.
The house of Shaw was a great one in
the Lowlands of Scotland, and David was
eager to take his rightful place among
the gentry. He did not know why his
father had been separated from his
people.
As he approached the great house, he
began to grow apprehensive. Everyone
of whom he asked the way had a curse
for the name of Shaw and warned him
against his uncle. But he had gone too
far and was too curious to turn back
before he reached the mansion. What
he found was not a great house. One
wing was unfinished and many windows
were without glass. No friendly smoke
came from the chimneys, and the closed
door was studded with heavy nails.
David found his Uncle Ebenezer even
more forbidding than the house, and he
471
began to suspect that his uncle had
cheated his father out of his rightful
inheritance. When his uncle tried to
kill him, he was sure of Ebenezer's vil
lainy. His uncle promised to take David
to Mr. Rankeillor, the family lawyer, to
get the true story of David's inheritance,
and they set out for Queen's Ferry. Be
fore they reached the lawyer's office,
David was tricked by Ebenezer and Cap
tain Hoseason into boarding the Cove
nant, and the ship sailed away with David
a prisoner, bound for slavery in the
American colonies.
At first he lived in filth and starvation
in the bottom of the ship. The only per
son who befriended him was Mr. Riach,
the second officer. Later, however, he
found many of the roughest seamen to be
kind at times. Mr. Riach was kind when
he was drunk, but mean when he was
sober; while Mr. Shuan, the first officer,
was gentle except when he was drinking.
It was while he was drunk that Mr.
Shuan beat to death Ransome, the cabin
boy, because the boy had displeased him.
After Ransome's murder, David "became
the cabin boy, and for a time life on the
Covenant was a little better.
One night the Covenant ran down a
small boat and cut her in two. Only one
man was saved, Alan Breck, a High
lander of Scotland and a Jacobite with
a price on his head. Alan demanded that
Captain Hoseason set him ashore among
his own people, and the captain agreed.
When David overheard the captain and
Mr. Riach planning to seize Alan, he
warned Alan of the plot. Together the
two of them held the ship's crew at bay,
killing Mr. Shuan and three others and
wounding many more, including Captain
Hoseason. Afterwards Alan and David
were fast friends and remained so during
the rest of their adventures. Alan told
David of his part in the rebellion against
King George and of the way he was
hunted by the king's men, particularly by
Colin of Glenure, known as the Red
Fox. Alan was the king's enemy while
David was loyal to the monarch, yet out
of mutual respect they swore to help
each other in time of trouble.
It was not long before they had to
prove their loyalty. The ship broke apart
on a reef, and David and Alan, separated
at first, soon found themselves together
again, deep hi the part of the Highlands
controlled by Alan's enemies. When
Colin of Glenure was murdered, the
blame fell on Alan. To be caught meant
they would both hang. So began their
attempt to escape to the Lowlands and
to find Mr. Rankeillor, their only chance
for help. They hid by day and traveled
by night. Often they went for several
days without food and only a flask of rum
for drink. They were in danger not only
from the king's soldiers, but also from
Alan's own people. There was always the
danger that a trusted friend would betray
them for the reward offered. But David
was to learn what loyalty meant. Many
of Alan's clan endangered themselves to
help the hunted pair.
When David was too weak to go on
and wanted to give up, Alan offered to
carry him. They finally reached Queen's
Ferry and Mr. Rankeillor. At first Mr.
Rankeillor was skeptical when he heard
David's story, but it began to check so
well with what he had heard from others
that he was convinced of the boy's hon
esty; and he told David the whole story
of his father and his Uncle Ebenezer.
They had both loved the same woman,
and David's father had won her. Be
cause he was a kind man and because
Ebenezer had taken to his bed over the
loss of the woman, David's father had
given up his inheritance as the oldest
son in favor of Ebenezer. The story ex
plained to David why his uncle had tried
to get rid of him. Ebenezer knew that
his dealings with David's father would
not stand up in the courts, and he was
afraid that David had come for his in
heritance.
With the help of Alan and Mr. Ran
keillor, David was able to frighten his
uncle so much that Ebenezer offered him
two-thirds of the yearly income from the
472
land. Because David did not want to
submit his family to public scandal in
the courts, and because he could better
help Alan if the story of their escape
were kept quiet, he agreed to the settle
ment. In this way he was able to help
Alan reach safety and pay his debt to his
friend.
So ended the adventures of David Bal-
four of Shaw. He had been kidnapped
and sent to sea; he had known -danger
and untold hardships; he had traveled the
length of his native island; but now he
had come home to take his rightful place
among his people.
KIM
Type of work Novel
Author: Rudyard Kipling (1865-1936)
Type of 'plot: Adventure romance
Time of -plot: Late nineteenth century
Locale: British India
First -published: 1901
Principal characters:
KIMBALL O'HAJRA (Km), a street boy
A TIBETAN LAMA, Kim's teacher
MAHBUB An, a horse trader
COLONEL CREIGHTON, director of the British Secret Service
HURREE CHUNT>ER MOOKEEJEE, a ba"bu
Critique:
Kim gives a vivid picture of the com
plexities of India under British rule. It
shows the life of the bazaar mystics, of
the natives, of the British military. The
dialogue, as well as much of the indirect
discourse, makes use of Indian phrases,
translated by the author, to give the
flavor of native speech. There is a great
deal of action and movement, for Kip
ling's vast canvas is painted in full derail.
There are touches of irony as well as a
display of native shrewdness and cun
ning.
The Story:
Kim grew up on the streets of Lahore.
His Irish mother had died when he
was born. His father, a former color-
sergeant of an Irish regiment called the
Mavericks, died eventually of drugs and
drink, and left his son in the care of a
half-caste woman. So young Kimball
O'Hara became Earn, and under the
hot Indian sun his skin grew so dark
that one could not tell he was a white
boy.
One day a Tibetan lama, in search of
the holy River o£ the Arrow that would
wash away all sin, came to Lahore.
Struck by the possibility of exciting ad
venture, Kim attached himself to the
lama as his pupil. His adventures began
almost at once. That night, at the edge
of Lahore, Mahbub Ali, a horse trader,
gave Kim a cryptic message to deliver
to a British officer in Umballa. Kim did
not know that Mahbub was a member
of the British Secret Service. He de
livered the message as directed, and
then lay in the grass and watched and
listened until he learned that his message
meant that eight thousand men would
go to war.
Out on the big road the lama and Kim
encountered many people of all sorts.
Conversation was easy. One group in
particular interested Kim, an old lady
traveling in a family bullock cart at
tended by a retinue of eight men. Kim
and the lama attached themselves to her
party* Toward evening, they saw a
group of soldiers making camp. It was
KIM by Rudyard Kipling. By permission of Mrs. George Bambridge and the publishers, Doubleday & Co., Inc
Copyright, 1900, 1901, by Rudyard Kipling. Renewed, 1927, by Rudyard.
473
the Maverick regiment. Kim, whose
horoscope said, that his life would be
changed at the sign of a red bull in a
field of green, was fascinated by the
regimental flag, which was just that, a
red bull against a background of bright
green.
Caught by a chaplain, the Reverend
Arthur Bennett, Kim accidentally jerked
loose the amulet which he carried around
his neck. Mr. Bennett opened the amu
let and discovered three papers folded
inside, including Kim's baptismal certifi
cate and a note from his father asking
that the boy be taken care of. Father
Victor arrived in time to see the papers.
When Kim had told his story, he was
informed that he would be sent away
to school. Kim parted sadly from the
lama, sure, however, that he would soon
escape. The lama asked that Father
Victor's name and address, and the costs
of schooling Kim, be written down and
given to him. Then he disappeared.
Kim, pretending to prophesy, told the
priests what he had heard at Umballa.
They and the soldiers laughed at him.
But the next day his prophecy came
true, and eight thousand soldiers were
sent to put down an uprising in the
north. Kim remained in camp.
One day a letter arrived from the
lama. He enclosed enough money for
Kim's first year at school and promised
to provide the same amount yearly. He
requested that the boy be sent to St.
Xavier's for his education. Meanwhile
the drummer who was keeping an eye
on Kim had been cruel to his charge.
When Mahbub Ali came upon the two
boys, he gave the drummer a beating,
and began talking to Kim. While they
were thus engaged, Colonel Creigh-
ton came up and learned from Mahbub
Ali, in an indirect way, that Kim would
be, when educated, a valuable member of
the secret service,
At last Kim was on his way to St.
Xavier's, Near the school he spied the
lama, who had been waiting a day and
a half to see him. They agreed to see
each other often. Kim was an apt pupil,
but he disliked being shut up in class
rooms and dormitories. When vacation
time came, he went to Umballa and per
suaded Mahbub Ali to let him return
to the road until school reopened.
Traveling with Mahbub Ali, he played
the part of a horse boy and saved the
trader's life when he overheard two
men plotting to kill the horse dealer.
At Simla, Kim stayed with Mr. Lurgan,
who taught him a great many subtle
tricks and games and the art of make-up
and disguise. For, as Mahbub Ali had
said, he was now learning the great
game, as the work of the secret service
was called. At the end of the summer
Kim returned to St. Xavier's. He studied
there for a total of three years.
In conference with Mr. Lurgan and
Colonel Creighton, Mahbub Ali ad
vised that Kim be permitted once more
to go out on the road with his lama.
Kim's skin was stained dark and again
he resumed the dress of a street boy.
Given the password by Hurree Chunder
Mookerjee, a babu who was another
member of the secret service, Kim set
out with his lama after begging a train
ticket to Delhi.
Still seeking his river, the lama moved
up and down India with Kirn as his
disciple. The two of them once more
encountered the old woman they had
met on the road three years before. A
little later Kim was surprised to see the
babu, who told him that two of the five
kings of the north had been bribed
and that the Russians had sent spies
down into India through the passes that
the kings had agreed to guard. Two
men, a Russian and a Frenchman, were
to be apprehended, and the babu asked
Kim's aid. To the lama Kim suggested
a journey into the foothills of the
Himalayas, and so he was able to follow
the babu on his mission.
During a storm the babu came upon
the two foreigners. Discovering that one
of their baskets contained valuable let
ters, including a message from one of
474
the traitorous kings, he offered to be
their guide, and in two days he had led
them to the spot where Kim and the lama
were camped. When the foreigners tore
almost in two a holy drawing made by
the lama, the babu created a disturbance
in which the coolies, according to plan,
carried off the men's luggage. The lama
conducted Kim to the village of Sham-
legh. There Kim examined all of the
baggage which the coolies had carried
off. Everything except letters and note
books he threw over an unscalable cliff.
The documents he hid on his person.
In a few days Kim and the lama set
out again. At last they came to the
house of the old woman who had be
friended them twice before. When she
saw Kirn's emaciated condition, she put
him to bed, where he slept many days.
Before he went to sleep, he asked that
a strongbox be brought to him. In it he
deposited his papers; then he locked
the box and hid it under his bed. When
he woke up, he heard that the babu
had arrived, and to him Kim delivered
the papers. The babu told him that
Mahbub All was also in the vicinity.
They assured Kim that he had played
his part well in the great game. The old
lama knew nothing of these matters.
He was happy because Kim had brought
him to his river at last, a brook on the
old lady's estate.
KING SOLOMON'S MINES
Type of work: Novel
Author: H. Rider Haggard (1856-1925)
Type of 'plot: Adventure romance
Time of -plot: Nineteenth century
locale: Africa
First published: 1886
Principal characters:
ALLAN QUATERMAIN, an English explorer
SIR HENRY CURTIS, his friend
CAPTAIN JOHN GOOD., Curtis' friend
UMBOPA, a Zulu, in reality Ignosi, hereditary chieftain of the Kukuanas
TWALA, ruler of the Kukuanas
GAGOOL, a native sorceress
Critique:
This story of the search for King
Solomon's legendary lost treasure, hidden
in the land of the Kukuanas, provides
absorbing reading for children and adults
alike. The slaughter provoked by the
cruelty of King Twala and the character
of the ancient sorceress, Gagool, make
King Solomons Mines a book which is
not soon forgotten.
The Story:
Returning to his home in Natal after
an unsuccessful elephant hunt, Allan
Quatennain met aboard ship Sir Henry
Curtis and his friend, retired Captain
John Good. Sir Henry inquired whether
Quatermain nad met a man named
Neville in the Transvaal. Learning that
he had, Sir Henry explained that Neville
was his younger brother, George, witt
whom ne had quarreled. When Sii
Henry inherited his parents' estate,
George had taken the name Neville and
had gone to Africa to seek his fortune
He had not been heard from since.
Quatermain said that Neville was re
ported to have started for King Solomon's
Mines, diamond mines reputed to lie
far in the interior. Ten years before he
himself had met a Portuguese, Jose Sil-
vestre, who had tried unsuccessfully to
cross the desert to the mines and had
dragged himself into his camp to die.
Before he expired, Jose had given him
a map showing the location of the
treasure. It was written on a piece of
475
a shirt which had belonged to his relative,
another Jose Silvestre, three hundred
years before. That Silvestre had seen
the mines, but had died in the mountains
while trying to return. His servant had
brought the map back to his family, and
it had been passed down through suc
ceeding generations of the Silvestre fam
ily. By the time the ship reached Natal,
Quatermain had agreed to help Sir Henry
Curtis find his brother.
In Natal, Quatermain got their equip
ment together, and the trio chose the
five men who were to go with them.
Besides the driver and the leader for the
oxen which were to pull their cart, they
hired three servants; a Hottentot named
Ventvogel, and two Zulus, Khiva and
Umbopa. Umbopa explained that his
tribe lived far to the north, in the direc
tion in which they were traveling, and
that he was willing to serve for nothing
if he might go with the party. Quater
main was suspicious of the native's offer,
but Sir Henry agreed to take Umbopa
as his servant
On the journey from Durban they
lost Khiva when, trying to save Captain
Good from attack by a wounded bull
elephant, the native was torn in two by
the animal. At Sitandra's Kraal, at the
edge of the desert, the men left all the
equipment they could not carry on their
backs. Quatermain's plan was to travel
at night so as to avoid the heat of the
sun and to sleep during the day. On
the third day out, however, the men
could find no shelter from the heat.
They decided that trekking was more
comfortable than trying to rest. By the
fourth day they were out of water, but
on the following day Ventvogel dis
covered a spring. Refreshing themselves,
they started off again that night. At the
end of the next night they reached the
lower slope of a mountain marked on
the map as Sheba's left breast. On the
other side of the mountain lay King
Solomon's road, which was supposed to
lead to the diamond mines.
The climb up the mountain was not
an easy one. The higher they ascended,
the colder it grew. At the top of the
ridge they found a cave and climbed
into it to spend the night. Ventvogel
froze to death before morning.
Ventvogel was not the only dead man
in the cave. The next morning, when
it grew light, one of the party saw the
body of a white man in its rocky recesses.
Quatermain decided that it was the body
of the first Jose Silvestre, preserved by
the cold.
Leaving the bodies in the cave, the
remaining men started down the moun
tain slope. As the mist cleared they could
distinguish fertile lands and woods be
low them. Reaching King Solomon's
road, they followed it into the valley.
The road was a magnificent engineering
feat which crossed a ravine and even
tunneled through a ridge. In the tunnel
the walls were decorated with figures
driving in chariots. Sir Henry declared
the pictures had been painted by ancient
Egyptians.
When Quatermain and his party had
descended to the valley, they stopped
to eat and rest beside a stream. Captain
Good undressed to shave and bathe.
Suddenly Quatermain realized that they
were being observed by a party of natives.
As the leader of the band, an old man
stepped up to speak to them, Quater
main saw that he greatly resembled Um
bopa.
If it had not been for Captain Good's
peculiarities, the four men would surely
have been killed. Luckily, Captain
Good's false teeth, bare legs, half -shaven
face and monocle fascinated the savages
so that they were willing to believe
Quatermain's story that he and his
friends had descended from the stars.
To make the story more credible, he shot
an antelope with what he declared was
his magic tube. At Quatermain's in
sistence, the old man, whose name was
Infadoos, agreed to lead the men to
Twala, King of the Kukuanas. After
a three-day journey Quatermain and his
party reached Loo, where Twala was
476
holding his summer festival. The white
men were introduced to the hideous one-
eyed giant before an assemblage of
eight thousand of his soldiers.
Before Twala's annual witch hunt
began that evening, the four travelers
had a conference with Infadoos. From
him they learned that Twala and his
son, Scragga, were hated for their cruel
ty. Umbopa then revealed that he was,
in reality, Ignosi, son of the rightful
king, whom Twala had murdered. On
the death of her husband his mother
had fled across the mountains and desert
with her child. As proof of his claim,
Ignosi displayed a snake which was
tattooed around his middle. The snake
was the sign of Kukuana kingship.
All the men, including Infadoos,
agreed that they would help him over
come Twala and gain the throne. In
fadoos declared that he would speak to
some of the chiefs after the witch hunt
and win them to IgnosTs cause. He was
certain that they could have twenty
thousand men in their ranks by the next
morning.
That night Gagool and her sister sor
ceresses helped Twala search out over
a hundred of his men charged with evil
thoughts or plots against their sovereign.
When in their wild dances they stopped
before any one of the twenty thousand
soldiers who were drawn up in review,
the victim was immediately stabbed to
death. Gagool did not hesitate, in her
blood thirst, to stop in front of Ignosi.
Quatennain and his friends fired their
guns to impress Twala and persuade
him that Ignosi's life should be spared.
Infadoos was true to his word. He
brought the chiefs he could muster, and
Ignosi again exhibited the tattooing
around his waist. The men feared he
might be an impostor, however, and
asked for a further sign. Captain Good,
who knew from his almanac that an
eclipse of the sun was due, swore that
they would darken the sun the follow
ing day.
King Twala, continuing his festival,
had his maidens dance before him the
next afternoon. When they had finished,
he asked Quatermain to choose the most
beautiful, it being his custom to have
the loveliest of the dancers slain each
year. The girl Foulata was selected, but
before she could be killed the white men
interfered on her behalf. As they did
so, the sun began to darken. Scragga,
mad with fear, threw his spear at Sir
Henry, but the Englishman was luckily
wearing a mail shirt, a present from
Twala. Seizing the weapon, he hurled
it back at Scragga and killed him.
Quatennain and his friends, including
Infadoos and the girl, took advantage of
the eclipse to flee from the town with
the chiefs who had rallied to them. On
a hill about two miles from Loo ap
proximately twenty thousand men pre
pared for battle.
Twala's regiments, numbering about
thirty thousand soldiers, attacked the
next day. They were driven back and
then set upon by their enemies who,
driving at them from three directions,
surrounded and slaughtered many of
the Kukuanas. The vanquished Twala
was slain in a contest with Sir Henry,
who lopped off his head with a battle-
ax.
In return for the help which his white
friends had given him, the new king,
Ignosi, ordered Gagool to lead them to
King Solomon's mines, which lay in the
mountains at the other end of the great
road. Deep into the hills they went, past
three enormous figures carved in the
rock, images which Quatermain believed
might be the three false gods for whom
Solomon had gone astray. To reach the
treasure room they had to pass through
a cave which Gagool called the Place of
Death. There, seated around a table,
were all the dead kings of the Kukuanas,
petrified by siliceous water dripping upon
them.
While the men stood dumbfounded
by the sight, Gagool, unobserved moved
a lever which caused a massive stone to
rise, On the other side of it were boxes
477
full of diamonds and stores of ivory.
As the men stood gloating over the
treasure, Gagool crept away. After stab
bing Foulata fatally, she released a lever
to bring the door down again. Before
she could pass under it to the other
side, however, it dropped and crushed
her.
For several hours Quatermain and his
friends believed that they were buried
alive, for thev had no idea where to find
the secret of the door. At last, in the
dark, they found a lever which dis
closed a subterranean passage. Through
it they found their way once more to tie
outside and to Infadoos, who was waiting
for them.
A few weeks later some of Ignosfs men
guided them out of Kukuanaland, across
the mountains, and on the first stage of
their trip back across the desert. The
only treasure they had with them was
a handful of diamonds Quatermain had
stuffed into his pockets before they found
a way out of the treasure room.
Their guides who knew of a better
trail than that by which the travelers
had come, led them to an oasis from
which they could pass on to other green
spots along their way.
On their return trip they found, near
the bank of a stream, a small hut and in it
Sir Henry's lost brother, George. He had
been badly injured by a boulder, two
years before, and had not been able to
travel since that time. Quatermain and
his friends supported George across the
desert to SitancLra's Kraal, and then on to
Quatermain's home. According to their
agreement before setting out on the ex
pedition, the diamonds were divided. He
and Captain Good each kept a third, and
the rest of the stones they gave to
George, Sir Henry's brother.
KING'S ROW
Type of -work: Novel
Author: Henry Belkmann (1882-1945)
Type of ylat: Social criticism
Time of 'plot: Late nineteenth century
Locale: The Middle West
First published: 1940
Principal characters:
PARRIS MITCHELL, of King's Row
DRAKE McHtiGH, Parris* mend
RA*O>Y MONACHAL, who married McHugh
CASSANDRA TOWER (CASsrE), Parris* friend
ELTSB SANBOH, newcomer to Ring's Row, Parris' friend
Critique:
Although Parris Mitchell is the hero of
this novel, the story is also that of his
home town, King's Row. For the struggle
is always between Parris and the town.
Life in King's Row is more tragic than
happy, and Henry Rellamann has vividly
depicted the town and its people. The
result is an extremely skillful and moving
storv.
The Story:
Parris Mitchell lived with his German-
born grandmother* Speaking English
with a decided accent, he seemed dif
ferent from the other boys his own age,
and he was, consequently, much alone.
He had only a few friends. There was
Jamie Wakefield, whom Parris liked but
who made him feel uncomfortable.
There was Renee, with whom he went
JONG'S ROW fay Henry Bellamann. By permission of Ann Watkins, Inc. Published by Simon & Schuster, Inc.
Copyright, 1940, by Henry BeUanoann.
478
swimming and experienced his first love
affair. Renee suddenly moved away.
Later Cassandra Tower gave herself to
him. Although he always remembered
Rene"e, he was also in love with Cassie.
But his best friend was another orphan
like himself, Drake McHugh, a young
idler whose life was almost completely
concerned with women.
Parris studied with Cassie's father, Dr.
Tower, a mysterious figure in King's
Row, but a doctor who other physicians
admitted was superior to them in knowl
edge. Parris' grandmother, Madame von
Eln, saw to it, too, that he studied the
piano with Dr. Perdorff. His grand
mother arranged her affairs so that he
could go to Vienna for his medical
studies.
He knew that his grandmother was
dying because Cassie Tower told him so.
Shortly after her death, Cassie herself
died, shot by Dr. Tower, who later com
mitted suicide, leaving his money and
property to Parris. Parris went to stay
with Drake McHugh, who lived by him
self following the deaths of his aunt and
uncle. Drake told Parris not to mention
to anyone his connection with the
Towers. No one knew why Dr. Tower
had killed himself and Cassie. While
going through Dr. Tower's papers, Parris
discovered that Dr. Tower had been hav
ing incestuous relations with his daugh
ter.
While Parris was in Europe, Drake
continued his life of pleasure. His
romance with Louise Gordon, daughter
of a local doctor, was forbidden by her
parents. Drake made plans to invest in
a real estate development. In the mean
time, he became friendly with Randy
Monaghan, daughter of a railroad em
ployee. Then Drake's guardian ab
sconded with his money and he was
left penniless. For weeks he haunted the
saloons and drank heavily. One morning,
unkempt and weary, he went to Randy's
home. Shortly afterward Randy's father
got him a job on the railroad. One day
he had an accident. Dr. Gordon was
summoned, and he immediately ampu
tated both of Drake's legs.
Meanwhile Parris had known nothing
of what had happened to his friend, for
Drake asked Randy and Jamie Wakefield
not to mention his misfortunes in their
letters to Parris. But after the accident
Randy wrote to Parris, who answered
and gave instructions for taking care of
Drake. A short time later, Randy and
Drake were married. Parris cabled con
gratulations and turned over the Tower
property to them.
With that money, Drake and Randy
went into the real estate business. Then
Parris came back to King's Row as a
staff physician at the insane asylum.
Louise Gordon suddenly accused her
father of having been a butcher, of
having performed needless operations and
amputations. When Mrs. Gordon called
in Dr. Mitchell to attend Louise, he was
advised by his superior, Dr. Nolan, that
Louise would fall in love with him. In
fact, local gossip was already linking
Dr. Mitchell's name with Louise.
Parris investigated Louise's charges and
found them to be true. With that dis
covery, he realized that Drake's legs
had been cut off perhaps needlessly.
Parris told Randy that at the bottom of
every tragedy in King's Row the hand
of Dr. Gordon could probably be found.
Drake and Randy made Parris a silent
partner in their business. While he was
away on another trip to Europe, a local
newspaper published a story charging he
had profited from the sale of land to the
hospital. Following the advice of Dr.
Nolan, Parris kept silent and nothing
came of the charges.
Parris became friendly with Elise
Sandor, whose father had bought his
grandmother's house, and soon he was
spending much of his time there. Then
Drake McHugh became seriously ill, and
it seemed clear that his illness resulted
from the amputation, Parris knew that
his friend had no chance to survive.
Drake died several weeks later.
Randy, only thirty-two years old, was
479
a widow. She decided to sell the busi
ness and look after her brother Tod, who
was mentally incompetent. Those hap
penings were all matters of concern to
Dr. Parris Mitchell on the night he
walked towards the Sandor home where
Elise was waiting for him.
THE KNIGHTS
Type of work: Drama
Author: Aristophanes (c. 448-385 B.C.)
Type of plot: Political satire
Time of plot: Fifth century B.C.
Locale: Athens
First -presented: 424 B.C.
Principal characters:
DEMUS, a slave master, a personification of the Athenian people
DEMOSTHENES, slave of Dennis
NICIAS, another slave
GLEON THE PAPHLAGONIAN, a favorite slave and a personification
of the Athenian tyrant
A SAUSAGE-SELLER, later called Agoracritus
Critique:
In 426 B.C., Cleon, tyrant of Athens,
accused Aristophanes of fraudulently us
ing the privileges of his citizenship. In
this play, presented two years later, the
playwright attacked and ridiculed his
powerful enemy, whom he presents as a
fawning slave to his master but insolent
and arrogant to his fellow slaves. As
political satire, the play is one of wit and
wisdom. Aristophanes* message is that as
long as men will not look beyond their
noses, they will continue to sell each
other short, never realizing that at the
same time they are giving themselves the
shortest weight.
The Story:
Demus, a selfish and irritable old man,
a tyrant to his slaves, had purchased a
tanner, who was nicknamed the Paph-
lagonian. This slave, a fawning, foxy
fellow, quickly ingratiated himself with
his new master, to the dismay of all the
other slaves in Demus' household, Demos
thenes and Nicias in particular. Be
cause of the Paphlagonian's lies, Demos
thenes and Nicias received many flog
gings. The two at one time considered
running away, but decided against this
course because of the terrible punish
ment they would receive if caught and
returned to their owner. They also con
sidered suicide, but in the end they de
cided to forget their troubles by tippling.
Going for the wine, Nicias found the
Paphlagonian asleep in a drunken stupor.
While the drunken man slept, Nicias
stole the writings of the sacred oracle
that the Paphlogonian guarded carefully.
In the prophecies of the oracle, Demos
thenes and Nicias read that an oakum-
seller should first manage the state's
affairs; he should be followed by a sheep-
seller, and he in turn should be followed
by a tanner. At last the tanner would
be overthrown by a sausage-seller.
As they were about to set out in search
of a sausage-seller, a slave of that butcher's
trade came to the house of Demus to sell
his wares. Nicias and Demosthenes soon
won him over to their cause, flattering
him out of all reason and assuring him
that his stupidity and ignorance fitted
him admirably for public Hfe.
When the Paphlagonian awoke, he
loudly demanded the return of the oracle's
writings. The Sausage-Seller, however,
able to out bawl him. Spectators
was
became involved. Some of the citizens
protested against the Paphlagonian's un
just accusations of the Sausage-Seller.
Others claimed that the state was fall-
480
ing into ruin while this shameless name-
calling continued. Others accused the
Paphlagonian of deafening all Athens
with his din. The Sausage-Seller accused
the Paphlagonian of cheating everybody,
A few citizens gloated that someone even
more arrogant and dishonest than the
Paphlagonian had been found in the per
son of the Sausage-Seller. Others feared
that this new demagogue would destroy
all hope of defending Athens from her
enemies.
While the citizens clamored, the Sau
sage-Seller and the Paphlagonian con
tinued to out-boast, out-shout, and out-
orate each other. The Sausage-Seller said
that he would make meatballs out of the
Paphlagonian. Demus' pampered slave
threatened to twitch the lashes off both
the Sausage-Seller's eyes. Demosthenes
broke in to suggest that the Sausage-Seller
inspect the Paphlagonian as he would a
hog before butchering it.
At last both began to clamor for
Demus, asking him to come out of his
house and decide the merits of their
claims. When he answered their calls,
both boasted of a greater love to do him
service. Convinced by the assurances of
the Sausage-Seller, Demus decided to
dismiss the Paphlagonian and demanded
that his former favorite return his seal of
office. Both continued their efforts to
bribe Demus for his favor. At last the
rivals ran to consult the oracles, to prove
to Demus the right of their contentions.
Each brought back a load of prophetic
writings and insisted upon reading them
aloud to Demus. In their prophecies
they continued to insult one another, at
the same time flattering Demus. The
Sausage-Seller related a dream in which
Athena had come down from Olympus
to pour ambrosia upon Demus and the
sourest of pickles upon the Paphlagonian.
Demus sent them off on another fool
ish errand, laughing meanwhile because
he had duped both of them into serving
him. But at last the Sausage-Seller con
vinced the Paphlagonian that he had the
right of stewardship by the word of an
ancient oracle in whom both believed.
Having won his victory, the Sausage-
Seller, now calling himself Agoracritus,
began to browbeat his new master and
to accuse him of stupidity and avarice.
He boasted that he would now grow
wealthy on bribes the Paphlagonian had
formerly pocketed. To show his power,
he ordered Cleon the Paphlagonian to
turn sausage-seller and peddle tripe in
the streets.
THE KREUTZER SONATA
Type of work: Novel
Author: Count Leo Tolstoy (1828-1910)
Type of -plot: Social criticism
Time of plot: Late nineteenth century
Locale: Russia
First published: 1889
Principal characters:
VASYLA POZDNISHEF, a Russian aristocrat
MME. POZDNISHEF, his wife
TRUKHASHEVSKY, lover of Mme. Pozdnishef
Critique:
This book has been much misunder
stood as representing Tolstoy 's own views
on marriage and the relationships of the
sexes in Russian society. Actually, the
story is the confession of an insane man
who fo>^ murdered Ms wife in a fit of
jealousy brought on by his insanity. Most
important, however, is the Christian as
pect of sexual morality which underlies
the book. Explaining his novel, Tolstoy
said that he wanted to do away with
the false conception that sexual relation-
481
ships were necessary for health, to bring
to public attention the fact that sexual
immorality was based in part on a wrong
attitude toward marriage, and to restore
the birth of children to a proper place
in the sphere of marriage.
The Story:
One spring night a railway train was
speeding across Russia. In one of the
cars a sprightly conversation about the
place of women, both in public and in
the home, was in progress among a group
of aristocrats. One of the listeners finally
broke into the conversation with the
statement that Russians married only for
sexual reasons and that marriage was a
hell for most of them unless they, like
himself, secured release by killing the
other party to the marriage. With that
remark he left the group and retired to
his own seat in the car. Later on he
told his story to his seat companion.
His name was Pozdnishef and he was a
landed proprietor. As a young man he
had learned many vices, but he had al
ways kept his relationships with women
on a monetary basis, so that he would
have no moral responsibility for the un
fortunates with whom he came in con
tact. His early life had taught him that
people of his class did not respect sex.
The men looked on women only in terms
of pleasure. The women sanctioned
such thoughts by openly marrying men
who had become libertines; the older
people by allowing their daughters to be
married to men whose habits were known
to be of a shameful nature.
At the age of thirty Pozdnishef fell in
love with a beautiful woman of his own
class, the daughter of an impoverished
landowner in Penza. During his en
gagement to the girl he was disturbed
Because they had so little about which
to converse when they were left alone.
They would say one sentence to each
other and then become silent. Not know-
'ing what should come next, they would
fall to eating bonbons. The honeymoon
was a failure, shameful and tiresome at
the beginning, painfully oppressive at
the end. Three or four days after the
wedding they quarreled, and both real
ized that in a short time they had grown
to hate each other. As the months of
marriage passed, their quarrels grew more
frequent and violent. Pozdnishef became
persuaded in his own mind that love was
something low and swinish.
The idea of marriage and sex became
an obsession with him. When his wife
secured a wet-nurse for their children, he
felt that she was shirking a moral duty
by not nursing her offspring. Worse,
Pozdnishef was jealous of every man who
came into his wife's presence, who was
received in his home, or who received a
smile from his wife. He began to sus
pect that his wife had taken a lover.
The children bom to Pozdnishef and
his wife were a great trouble to him in
other ways as well. They were continu
ally bothering him with real or fancied
illnesses, and they broke up the regular
habits of life to which he was accustomed.
They were new subjects over which he
and his wife could quarrel.
In the fourth year of their marriage,
the couple had reached a state of com
plete disagreement. They ceased to talk
over anything to the end. They were
almost silent when they were alone, much
as they had been during their engage
ment. Finally the doctors told the woman
she could have no more children with
safety. Pozdnishef felt that without chil
dren to justify their relations, the only
reason for their life together was the other
children who had been born and who
held them like a chain fastening two
convicts.
In the next two years the young
woman filled out and bloomed in health,
after the burden of bearing children was
taken from her. She became more attrac
tive in the eyes of other men, and her
husband's jealousy sharply increased.
Mrne. Pozdnishef had always been in
terested in music, and she played the
piano rather well. Through her musical
interest she met a young aristocrat who
482
had turned professional musician when
his family fortune had dwindled away.
His name was Trukhashevsky. When he
appeared on the scene the Pozdnishefs
had passed through several crises in their
marriage. The husband had at times
considered suicide and the wife had tried
to poison herself. One evening, after
a violent scene in which Pozdnishef had
told his wife he would like to see her
dead, she had rushed to her room and
swallowed an opium compound. Quick
action on the part of the husband and a
doctor had saved her life, but neither
could forget her desperate attempt.
One evening Trukhashevsky came to
Pozdnishefs home in Moscow. He and
Mme. Pozdnishef played during the
evening for a number of guests. The
first piece they played together was Bee
thoven's Kreutzer Sonata. The first
movement, a rapid allegro, worked upon
the highly-strung emotions of the hus
band until he began to imagine that there
was already an understanding between
the musician and his wife. The idea ob
sessed him so that he could hardly wait
until the other man was out of the house.
Never in his life had music affected Poz
dnishef in that manner. Between it and
his jealousy, he was almost violently
insane.
Two days later Pozdnishef left Moscow
to attend a meeting. He went away fear
ful of what might happen while he was
gone. On the second day of his absence,
Pozdnishef received a letter from his wife
saying that the musician had called at
the house.
jealousy immediately seized the hus
band. He rushed back to Moscow as
fast as carriage and trains could carry
him. He arrived at his home after mid
night. Lights were burning in his wife's
apartment. Taking off his shoes, he
prowled about the house. He soon dis
covered the musician's overcoat. He went
to the nursery and the children's rooms,
but found everyone there asleep. Return
ing to his study, he seized a dagger and
made his way to his wife's apartment.
There he found his wife and the musician
seated at a table, eating. He rushed at
the man, who escaped by ducking under
the piano and then out the door. Pozdni
shef, beside himself with anger and jeal
ousy, seized his wife and stabbed her,
When she dropped to the floor, he ran
from the room and went to his study.
There he fell asleep on a sofa.
A few hours later his sister-in-law
awakened him and took him to see his
dying wife. Shortly afterward the au
thorities carried Pozdnishef away to
prison. He went under police escort to
his wife's funeral. It was only after he
had looked at the waxen face of the
corpse that he realized he had committed
a murder. Then, at his trial, Pozdnishef
was found innocent because he had mur
dered while in the heat of anger at find
ing his wife unfaithful to him.
Now judged insane, Pozdnishef de
clared that if lie had it to do over, he
would never marry. Marriage, he insisted,
was not for true Christians with strong
sensibilities and weak moral restraints.
KRISTIN LAVRANSDATTER
Type of work: Novel
Author: Sigrid Undset (1882-1949)
Type of Plot: Historical chronicle
Time of plot: Fourteenth century
Locale: Norway
First published: 1920-1922
Princi-pal characters:
KKISTTN LAVEANSDATTER
LAVRANS BJORGULFSON, Kristin's father, owner of Jorundgaard
RAGNFRTD IVARSDATTER, Kristin's mother
ULVHELD, and
483
BAMBOEG, Kristin's sisters
ERLEND NEKULAUSSON, owner of Husaby
SIMON ANDKESSQN, son of a neighboring landowner
LADY AASHTUD, Erlend's aunt
NEKUIATJS (NAAKVE),
BJORGUU,
GAUTE,
SKUUB,
IVAR,
LAVBANS
MUKAN, and
ERJ-END, sons of Erlend and Kristin
Critique:
Kristin Lavransdatter is a trilogy —
T}ie Bridal Wreath, The Mistress of
Husaby ', and The Cross — for which Sig-
rid Undset received the Nobel Prize in
Literature. Madame Undset's work is
characterized by consummate artistry in
her delineation of character, in her
selection of detail, and above all in her
ability to tell a story. These three novels
kid in medieval Norway, a period little
known to the general reader, make pos
sible the reader's acquaintance with
many characters who lived long ago,
but who faced many of the same great
problems that the world knows today.
The Story:
Lavrans Bjorgulfson and his wife
Ragnfrid Ivarsdatter were descended
from powerful landowners. Although
Kristin had been born at her father's
manor Skog, she spent most of her child
hood at Jorundgaard, which fell to Lav
rans and Ragnfrid upon the death of
Ragnfrid's father. Kristin's childhood
was exceedingly happy.
A second daughter, Ulvhild, was
crippled at the age of three. Lady
Aashild, a declared witch-wife, was sent
for to help the child. Kristin became
well acquainted with Lady Aashild that
summer.
When she was fifteen, Kristin's father
betrothed her to Simon Andresson of
Dyfrin. One evening Kristin slipped
away to bid goodbye to a childhood
playmate, Arne Gyrdson, and on her way
home Bentein, Sira Eirik's grandson, ac
costed her. She escaped after a fight
with him, physically unharmed but men
tally tortured. Later that year Arne was
brought home dead after having fought
with Bentein over Bentein's sly insinua
tions regarding Kristin. Kristin per
suaded her father to put off the betrothal
feast and permit her to spend a year in
a convent at Oslo.
Soon after entering the Convent of
Nonneseter, Kristin and her bed-partner,
Ingebjorg Filippusdatter, went into Oslo
to shop, accompanied by an old servant.
When they became separated from the
old man, they were rescued by a group
of men riding through the woods. In
that manner Kristin met Erlend Niku-
lausson, the nephew of Lady Aashild.
In July, Kristin and Erlend met once
more at the St. Margaret's Festival and
that night vowed to love each other.
The following morning Kristin learned
from Ingebjorg of Eline Ormsdatter,
whom Erlend had stolen from her hus
band, and by whom Erlend had had two
children. Later that summer, while visit
ing her uncle at Skog, Kristin and Erlend
met secretly and Kristin surrendered to
Erlend. During the following winter
Kristin and Erlend managed to meet
frequently. In the spring, Kristin told
Simon of her love for Erlend and her
desire to end their betrothal. He agreed,
much against his will. Lavrans and Ragn
frid unwillingly accepted Kristin's and
Simon's decision.
KRISTIN I^VRANSDATTCR by Sigrid Undset. Translated by Charles Archer and T. S. Scott. By permiwion
of the publishers, Alfred A. Knopf, Inc. Copyright, 1925, 1925, 1927, by Alfred A. Knopf, Inc.
484
When Erlend's kinsmen brought suit
for Kristin's hand in marriage, Lavians
refused. During the winter Erlend and
Kristin planned to elope to Sweden.
While they were making their plans at
Lady Aashild's home, EHne Orrnsdatter
overtook them. Discovered by Erlend
when she was trying to give poison to
Kristin, she stabbed herself. Erlend and
Sir Bjorn, Lady Aashild's husband, put
her on a sled and took her south to be
buried. Kristin returned home.
The following spring Erlend's rela
tives again made a bid for Kristin's hand,
and worn out with suffering — Ulvhild's
death and Kristin's unhappiness — Lav-
rans agreed to the betrothal. During Er
lend's visit at Whitsuntide, Kristin be
came pregnant. On the night of the
wedding Lavrans realized that Kristin
already belonged to Erlend. He had
given to Erlend what Erlend had already
possessed.
After her marriage Kristin moved to
Erlend's estate at Husaby. She was quick
to notice the neglect everywhere evident.
In the next fifteen years she bore Er
lend seven sons — Nikulaus, Bjorgulf,
Gaute, the twins Ivar and Skule, Lav
rans, and Munan. At the same time she
struggled to save her sons' inheritance
by better management of Husaby. But
Erlend, intent on becoming a great man,
sold land to pay his expenses and granted
tenants free rent in exchange for supplies
for his military musters.
Simon Andresson who lived at Formo
with his sister Sigrid and his illegitimate
daughter, Amgjerd, made suit to Lav
rans for Kristin's youngest sister, Ram-
borg. The following year Lavrans died,
followed two years later by Ragnfrid.
Kristin's part of the inheritance was
Jorundgaard.
There was much unrest in the country
at that time. A boy, Magnus VII, had
been named king of both Sweden and
Norway, and during his childhood Er-
ling Vidkunsson was made regent of Nor
way. When Magnus reached the age of
sixteen, Sir Erling resigned and soon Nor
way had little law or order. During those
years of unrest Erlend conspired to put
another claimant on the throne of Nor
way. Arrested, he was tried for treason
by a king's-men's court. Erlend came off
with his life, but he had to forfeit all
his lands.
Erlend went with Kristin and his sons
to Jorundgaard to live; but he cared
little for farming or for the people of
the dale, and the neighbors avoided
Jorundgaard. As the children grew to
manhood, Kristin became more fearfu?
for their future. In her desire to further
their fortunes, she and Erlend came to
harsh words and she told him he was not
a fit lord of Jorundgaard. He left he!
and went to Haugen, the farm when
Lady Aashild had spent her last days
Kristin, although she longed to have Er
lend back, felt that she had been in the
right and struggled along with the help
of Ulf, a servant, to make Jorundgaard
produce.
The following winter her brother-in-
law Simon died as a result of a cut on
the arm, sustained while separating two
drunken fighters. Before he died, he
asked Kristin to go to Erlend and settle
their quarrel. Kristin promised to do so.
Ramborg gave birth to her son six weeks
early, and upon Simon's death named
the child Simon Simonsson.
Kristin kept her promise and went to
Haugen to ask Erlend to return to
Jorundgaard, but he refused. She stayed
at Haugen that summer and then re
turned home to her sons. Finding her
self again with child, she sent her
sons to tell her husband. When the child
was born, Erlend still did not come to
her. The child died before it was three
months old. Soon thereafter, when
Bishop Halvard came to the parish, Jard-
trud, Ulf 's wife, went to him and charged
Ulf with adultery with Kristin. Lavrans,
unknown to the rest of the family, rode
to Haugen to get his father. Erlend re
turned immediately with his son, but in
a scuffle in the courtyard he was wounded
and he died. The same year Munan
485
died of a sickness which went around the
parish. Thus Kristin was left with six
sons, each of whom must make his way
in the world.
Ivar and Skule, the twins, took serv
ice with a distant kinsman. Ivar married
Signe Gamalsdatter, a wealthy young
widow. Nikulaus and Bjorgulf entered
the brotherhood at Tautra. Gaute fell in
love with Jofrid Helgesdatter, heiress of
a rich landowner. The two young people
eloped and were not married until the
summer after the birth of their child,
Erlend. During that winter they lived
at Jorundgaard and after their marriage
Kristin relinquished the keys of the
manor to Jofrid. Lavrans took service
with the Bishop of Skaalholt and sailed
to Iceland.
Kristin, who felt out of place in her
old home after she was no longer mis
tress there, decided to go to Nidaros and
enter a convent. In the year 1349, after
Kristin had been in the cloister for about
two years, her son Skule went to see
her. From him she received the first
news of the Black Plague. The disease
soon engulfed the whole city, carried off
her two sons in the convent, Nikulaus
and Bjorgulf, and finally caused Kristin's
own death.
LADY INTO FOX
Type of work Novelette
Author: David Garnett (1892- )
Type of plot: Fantasy
Time of plot: 1880
Locale: England
First published: 1923
Principal characters:
MR. RICHARD TEBRJCK
SELVIA Fox TEBRICK, Kis wife
Critiqite:
Lady Into Pox is a story in which its
author, like Coleridge in The Rime of
the Ancient Mariner, attempts to make
the unreal seem probable. Perhaps many
a bridegroom, and as suddenly, has found
himself married to a vixen. The book is
fantasy, but fantasy written with scrupu
lous regard for realistic detail. So far as
the book's underlying meaning is con
cerned, the reader may make whatever
interpretation he will. It is first of all an
entertaining story.
The Story:
Silvia Fox married Richard Tebrick in
1879 and went to live with him at Ry-
lands, near Stokoe, Oxon. The bride
xvas oddly beautiful, a woman with small
hands and feet, reddish hair, brownish
skin, and freckles. Early in the year
1880, while the two were still very
much in love, Silvia accompanied her
husband on a walk. Hearing the sounds
of a hunt, Mr. Tebrick pulled his bride
forward to get a good view of the hounds.
Suddenly she snatched her hand away
and cried out. Beside him on the ground
where his wife had stood Mr. Tebrick
saw a small red fox.
Even in her changed form, he could
still recognize his wife. When she began
to cry, so did he, and to soothe her he
kissed her on the muzzle. Waiting until
after dark, he buttoned her inside his
coat and took her home. First he hid her
in the bedroom; then he announced to
the maid that Mrs. Tebrick had been
called to London. When he carried her
tea to the bedroom and found his poor
fox trying to cover herself with a dressing
LADY INTO FOX by David Garnett. By permission of the author and the publishers, Alfred A. Knopf, Inc.
Copyright, 1923, by Alfred A. Knopf, Inc.
486
gown, he dressed her properly, set her up
on some cushions, and served her tea,
which she drank daintily from a saucer
while he fed her sandwiches.
Because the dogs had all that time
been making a clamor, he went out into
the yard and shot them. Then he dis
missed the servants and retired to bed,
sleeping soundly with his vixen in his
arms. The next morning their daily
routine started. First he would cook
breakfast; later he would wash and brush
his wife. Next they would eat break
fast together, the same food Silvia had
enjoyed before her transformation. Once
he started reading to her from Clarissa
Harlowe, but he found her watching a
pet dove in its cage nearby. Soon Mr.
Tebrick began to take his vixen out
doors to walk. On such occasions her
chief joy was chasing ducks near the
pond.
One day after tea she led him to the
drawing-room with gestures that showed
she wished him to play the piano. But
when she continued to watch the bird,
he freed the dove from its cage and tore
his wife's picture into bits. He also
found himself disgusted by the way
she ate a chicken wing at the table. One
night she refused to share his bed and
pranced about the room all night.
The next morning the poor husband
tried an experiment. From town he
brought her a basket containing a bunch
of snowdrops and a dead rabbit. Silvia
pretended to admire the flowers; but
when her husband left the room pur
posely, she devoured the rabbit. Later
she repented and showed by motions that
she wanted him to bring out the stereo
scope so that she could admire the views.
She refused to sleep with him again that
night. Next day she pulled off her
clothes and threw them into the pond.
From that time on she was a naked
vixen, and Richard Tebrick drank fre
quently to drown his sorrows.
At last Mr. Tebrick decided that to
avoid scandal he must move to another
location with his vixen, and he chose
the cottage of Nanny Cork, Silvia's old
nurse, as his place of retreat. He drove
over in a dog cart with his wife in a
wicker basket on the seat beside him.
The best feature of their new home was
a walled garden in which the fox could
enjoy the air without being seen, but
she soon began to dig under the walls
in her attempts to escape. Once, thwarted
in an attempt to escape, she bit her hus
band on the hand. Finally he gave his
vixen her freedom, and allowed her to
run wild in the woods.
Stricken with grief over the loss of his
wife, Mr. Tebrick hired a jockey named
Askew to follow the hunts and report
on the foxes killed. He shot two fox
hounds who strayed on his land.
One night Mr. Tebrick heard a fox
bark. He heard the barking again in the
morning. His vixen had returned to lead
him to her earth and proudly display
her litter of five tiny cubs. Mr. Tebrick
was jealous, but at last he overcame his
scruples and went each day to visit the
young foxes. Able to identify the cubs
by that time, he christened them Sorel,
Kaspar, Selwyn, Esther, and Angelica.
Of the whole litter, Angelica was his
favorite because she reminded him of her
mother.
The Reverend Canon Fox arrived to
visit Mr. Tebrick. After hearing Mr.
Tebrick's story, the clergyman decided
that the man was insane. As the cubs
grew older, Mr. Tebrick spent most of
his time in the woods, hunting with the
vixen and her young by day and sleeping
outside with them at nignt. Once he
purchased and brought to them a beehive
of honey.
One winter day Mr. Tebrick was out
side listening to the sounds o£ a hunting
chase that ended at his own gate.
Suddenly the vixen leaped into his arms,
the dogs so close after her that Mr.
Tebrick was badly mauled. Silvia was
dead. For a long time Mr. Tebrick's
life was despaired of; but he recovered
to live to a hale old age, and may be
still living.
487
LADY WINDERMERE'S FAN
Type of work: Drama
Author: Oscar Wilde (1856-1900)
Type of plot: Comedy of manners
Time of plot: Nineteenth century
Locale: London
First presented: 1892
Principal characters:
LADY WINDERMERE, a proper woman
LORD WESTDERMERE, her husband
LORD DARLINGTON, a man about town
MRS. ERLYNNE, an adventuress
LORD AUGUSTUS LORTON, Mrs. Erlynne's fiance"
Critique;
This play is noted for one of the
wittiest and best constructed first acts in
the history of drama. The exposition,
terse and interesting, leads inevitably to
the scene in which Lady Windermere
threatens to strike with a fan her own
mother, whose true relationship she does
not know. The plot of the drama is dated
today, but it still conveys, to an amazing
degree, Wilde's central idea that the
"good woman" often costs a great deal
more than she is worth.
The Story:
On her birthday Lord Windennere
presented his wife with a very beautiful
and delicately wrought fan with her
name, Margaret, engraved upon it She
intended to carry the fan at a ball she
was giving that evening, a ball to which
everyone of importance in London had
been invited.
That afternoon the Duchess of Ber
wick called on Lady Windennere, to
tell nex friend of a rumored affair be
tween Lord Windennere and Mrs. Er-
lynne, a fascinating but notorious woman
not received in the best houses. Accord
ing to the duchess* story, Lord Winder-
mere had for some months been supply
ing Mrs, Erlynne with funds for her
support, and the old dowager's sug
gestion was that Lady Windennere should
take immediate steps to learn the relation
ship between the two.
Lady Windermere was naturally upset
Determined to find out if there were
any truth in the gossip, she opened her
husband's desk. In a locked bank book,
which she ripped open, she found evi
dence of her husband's duplicity, a record
of checks issued to Mrs. Erlynne over a
long period of time.
Angry and hurt at Lord Windermere's
apparent failure to appreciate love and
virtue, she turned on him the moment
he appeared. His main concern was an
noyance that his wife had dared tamper
with his property behind his back. He
informed her that his relations with
Mrs. Erlynne were perfectly honorable,
that she was a fine but unfortunate
woman who wished to win the regard of
society once more. Moreover, Lord
Windennere explicitly ordered his wife
to send Mrs. Erlynne an invitation to the
ball. When Lady Winderrnere refused,
her husband wrote an invitation. Angered
at his act, Lady Windermere threatened
to strike Mrs. Erlynne with the fan if she
dared cross the threshold of Windermere
House.
But when Mrs. Erlynne appeared at
the ball, Lady Windermere lost her reso
lution and let the fan drop to the floor.
The guests, believing that Mrs. Erlynne
had been invited by Lady Windermere
herself, naturally accepted her. She was
lionized by all the men, and the women,
curious because of the many stories they
had heard, wanted to see at first hand
what she was really like. Among her
special admirers was Lord Augustus Lor-
ton, the Duchess of Berwick's disrepu-
488
table brother, to whom she had just be
come engaged to be married. Mrs. Er-
lynne was not the only woman greatly
admired that evening. Lord Darlington
was persistently attentive to Lady Win-
dermere. Mrs. Erlynne's presence at the
ball having put Lady Windermere into
a reckless mood, Lord Darlington suc
ceeded in persuading his hostess to leave
her husband and come to him.
After the guests had gone, Lady Win
dermere had a violent struggle with her
self, the outcome being a letter in
forming Lord Windermere that she was
leaving his house forever. She gave the
letter to a servant to deliver and left for
Lord Darlington's apartments.
Mrs. Erlynne, who with Lord Augus
tus had remained behind to talk with
Lord Windermere, discovered the letter
Lady Windermere had written, and the
thought of that lady's rash act brought
back old memories. Twenty years be
fore Mrs. Erlynne had written a similar
letter to her husband, and had left him
and their child for a lover who had de
serted her. Her years of social ostracism
had made her a stranger to her own
daughter. Perhaps, however, she could
keep her daughter from making the same
mistake. Lady Windermere should never
feel the remorse that her mother, Mrs.
Erlynne, had known.
Mrs. Erlynne took Lady Windermere's
letter and hurried to Lord Darlington's
apartments, first persuading Lord Augus
tus to take Lord Windermere to his club
and keep him there for the rest of the
night. In Lord Darlington's rooms, with
out revealing her identity, Mrs. Erlynne
managed to persuade Lady Windermere
to think of her child and go back to her
husband. Out of the depths of her own
bitter experience^ Mrs, Erlynne insisted
that Lady Windermere's first duty was
not to her husband but to her child.
As Lady Windermere was leaving,
Lord Darlington returned, accompanied
by Lord Windermere and Lard Augus
tus. Mrs. Erlynne, after hurrying her
daughter to a waiting carriage, remained
to face the gentlemen. It was an ordeal,
for in her haste Lady Windermere had
forgotten her fan and Lord Windermere,
discovering it, became suspicious. Mrs.
Erlynne appeared from behind a curtain
with the explanation that she had taken
the fan in mistake for her own when she
left Windermere House. Her explanation
saved Lady Windermere at the cost of
her own reputation. Lord Windermere
was furious, for he felt that he had in
good faith befriended and helped a
woman who was beneath contempt. Lord
Augustus promptly declared that he could
have nothing further to do with Mrs.
Erlynne.
Lady Windermere alone defended Mrs.
Erlynne. She realized at last that by some
strange irony the bad woman had ac
cepted public disgrace in order to save
the good one. Lord Windermere, know
ing nothing of what had happened, re
solved to learn the whole truth when
Mrs. Erlynne arrived to return the fan.
But the mother, not wanting to shatter
Lady Windermere's illusions, refused to
reveal herself to the daughter. Wait
ing for Mrs. Erlynne outside the house,
however, was Lord Augustus, who had
accepted her explanation that his own
interests had taken her to Lord Darling
ton's rooms. Lord Windermere felt that
Lord Augustus was marrying a very
clever woman. Lady Windermere in
sisted that he was marrying someone
rarer, a good woman.
489
THE LAST DAYS OF POMPEII
Type of work: Novel
Author: Edwaid George Earle Bulwer-Lytton (1803-1873)
Type of plot: Historical romance
Time of plot: A.D. 79
Locale: Pompeii
First published: 1834
Principal characters:
GLAUCUS, a wealthy young Greek
ARE ACES, Egyptian priest of Isis
IONE, his Greek ward
APAECIDES, her brother
NYPIA, a blind flower girl
Critiqiie;
This novel has found many readers
among those who are interested in the
Classical civilization which ended when
barbarians took over the Mediterranean
world. Bulwer-Lytton's handling of plot,
character, and passion followed a tradi
tion which has not maintained its hold.
It is the tradition of nineteenth-century
drama, direct, obtuse, fiery. Concerned
with indirection today, the reader finds
the descriptions of the characters' thoughts
unrealistic. Their passions are too ap
parent, their actions too much explained.
Cast in a different mold from novels of
today, The Last Days of Pompeii offers
one of the longest, most sustained views
of the world we call classic.
The Story:
Late one afternoon in the ancient city
of Pompeii the fashionable rich young
men were congregating for the daily rite
of the public baths. Among them were
Clodius, a foppish Roman, and Glaucus,
a popular young Greek. Together the
two strolled toward the baths, mingling
with slaves bearing bronze buckets, idlers
Downed in purple robes. Along the way
&ey saw the beautiful blind flower girl,
Nydia, She, too, was from Greece and
for that reason Glaucus took an interest
in her. It was still too early for the baths,
and the two friends walked along the sea
front as Glaucus described a Neapolitan
girl of Greek birth with whom he had
fallen in love. Unfortunately, he had
lost contact with the girl and was now
morose. While they talked, Arbaces, the
evil-looking Egyptian priest of Isis, in
tercepted them. The two young men
were barely able to conceal their dislike
for the Egyptian.
Arbaces secretly defied the Romans
and the Greeks, and prayed for the day
when Egypt would once more be power
ful. He revealed to a lesser priest his
interest in the brother and sister, Apae-
cides and lone, his wards. He hoped to
make a priest of Apaecides, and he
planned to marry lone. They had been
in Naples, but recently he had brought
them to Pompeii, where he could influ
ence them.
Glaucus met lone at a party. She was
the girl he had seen and lost in Naples.
At the same time Arbaces developed his
hold over Apaecides, who was growing
more and more confused after coining in
contact with the sophistries of the cor
rupt priest of Isis. Meanwhile the blind
flower girl, Nydia, was falling hopelessly
in love with Glaucus.
It happened that Glaucus and Clodius
were loitering in the establishment of
Burbo, the wine-seller, when the inn
keeper and his wife were beating Nydia,
whose slave she was. Glaucus, hearing
the girl's cries, bought her; he planned to
give her to lone. Nydia realized Glaucus
could never love her after he gave her
a letter to deliver to lone. In this letter
he accused Arbaces of false imputations.
On reading his letter, lone decided to
go at once to Arbaces' palace and to face
490
him with Glaucus' charges.
Knowing the danger to lone at Ar
baces' palace, Nydia warned both lone's
brother and Glaucus. Glaucus hurried
to the palace to confront the priest. An
earthquake interrupted the quarrel be
tween the two men. When tie goddess
Isis fell from a pedestal, striking Arbaces,
Glaucus and lone ran from the building
to join the throng in the street. Alone,
deserted, the blind slave wept bitterly.
The next day, the earthquake having
passed with but little damage, the people
of Pompeii took up again the threads of
their varied lives. Apaecides became a
convert to Christianity. Glaucus and
lone remained together.
Julia, daughter of a wealthy freedman
named Diomed, was also in love with
Glaucus and sought to interfere between
him and lone. She went to the house of
Arbaces, where the two plotted together.
Arbaces had a drug prepared which was
administered to Glaucus. The drug
drove him into a demented stupor so that
he ran from his house into a cemetery.
To this cemetery came Apaecides and
Arbaces. They quarreled and Arbaces
stabbed Apaecides, killing him. Then,
hoping to kill Glaucus indirectly, the
priest summoned the crowd and declared
that Glaucus in his drunken rage had
killed Apaecides. Glaucus and a Chris
tian who attempted to defend him were
arrested. They were condemned to be
given to wild beasts at the public games.
After the funeral of her brother, lone
resolved to declare her belief in the
innocence of Glaucus. But before she
could carry out her plan Arbaces had
seized her and carried her off to his pal
ace. The only one who knew of Arbaces'
guilt was a priest who was also his pris
oner. But Arbaces reckoned without
Nydia, who as a dancing girl had learned
most of the secrets of his palace. Nydia,
contacting the priest imprisoned by Ar
baces, agreed to carry his story to the au
thorities. Unfortunately, she too was cap
tured. She persuaded a slave to carry
the message to Sallust, a friend of Glati
cus. But tie message was delivered while
Sallust was drunk and he refused to
read it.
The last day of Pompeii arrived. It
was also a day of celebrari.n-n in thp
arena, for wnich the populace had been
waiting. The games began with gladi
atorial combat which the audience
watched listlessly, bored because the
deaths did not come fast enough or with
enough suffering. After one combat an
unpopular gladiator was condemned to
death, by the action of the crowd. His
body was dragged from the arena and
placed on the heap with those previously
slain. Unfortunately for the crowd's
amusement, the lion turned loose in the
arena with Glaucus crept with a moan
back into its cage. Before the lion could
be prodded into action Sallust appeared
demanding the arrest of Arbaces. A slave
had called his attention to Nydia's letter,
which he had thrown aside the night
before. Reading it, he had hurried to lay
his information before the praetor. The
mob, not to be cheated after Glaucus
had been set free, demanded that Arbaces
be thrown to the lion.
Then the famous fatal eruption began,
The whole gladiatorial scene became
chaos as terrified thousands poured out
of the doomed amphitheater, crushing
the weakest in their hurry to escape. Loot
ing began in the temples. Nydia reached
Glaucus. Together they hurried to the
house of Arbaces to discover and save
lone. It was too dark to see, but Nydia,
accustomed to darkness, was able to lead
lone and Glaucus through the streets.
Arbaces was killed in the earthquake. At
last Glaucus, lone, and Nydia gained the
safety of the seaside and put out to sea
in a small ship.
All night they slept in the boat. In the
morning Glaucus akid lone discovered
that before they had awakened, the heart
broken Nydia had cast herself into the
sea.
491
THE LAST OF THE BARONS
Type of work: Novel
Author: Edward Geor& v
Type of 'plot: Historical romance
Time of ?loti 1467-1471
Locale: England
First published: 1843
Principal characters:
EABI OF WARWICK, the kingmaker
ISABELLA, his older daughter
ANNE, his younger daughter
KATHERTNE DE BONVTLIJE, his sister
EDWARD IV, King of England
WnxiAM DE HASTINGS, a royal chamherlain
ADAM WARNER, an alchemist
SEBYIX, his daughter
NICHOLAS ALWYN, a goldsmith
MARMADUKE NEVIIJE, kinsman of the Earl of Warwick
Critique:
The Last of the Rarons is a complex,
involved, and fascinating novel of a
troubled period in English history. After
the Wars of the Roses the House of York
seemed secure, the leaders of the House
of Lancaster heing dead or in exile. Ed
ward IV was a popular ruler who might
have enjoyed a peaceful reign if he had
not insulted the Earl of Warwick, the
last of the great lords whose power over
shadowed the king's. A dramatic moment
in history has been recaptured by Bulwer-
Lytton in this novel.
The Story;
Just outside London a crowd had
gathered to watch an archery contest.
Several shot at the white cloth on the
butt, but no one hit the mark squarely.
Then in a haughty and preoccupied way
a commoner stepped up, fitted his arrow,
and pierced the center of the white field.
While his fellow tradesmen applauded,
he dropped back into the crowd.
A young noble, who was not entered
in the contest, borrowed a bow. With
sure aim he hit fairly the little peg that
secured the cloth to the butt. Gallantly
he returned the bow and strode away.
As he was leaving, the commoner who
had hit the cloth stopped him. At once
their recognition was mutual, and they
began to talk delightedly of past times.
The commoner was Nicholas Alwyn,
a goldsmith who had been the younger
son of a good family. He had rejected
the monk's habit, the usual lot of younger
sons, and had chosen to go into trade.
He was shrewd enough to see that the
future greatness of England lay in the
prosperous middle class and that the
day of feudal nobility was nearly over.
He had taken part in the tournament
simply to advertise his profession, not
through, love of decadent sport. The
young noble, who was his foster brother,
was Marmaduke Nevile. He had come
from his northern estate to seek service
with his kinsman, the powerful Earl of
Warwick, who was known as the king
maker.
On Alwyn's advice, Marmaduke went
up to Lord Montagu, the Earl of War
wick's brother, and made known his
errand. The nobleman repulsed Mar
maduke in full view of his retinue, for
Mannaduke's father had fought on the
side of Lancaster in the recent wars,
and the Warwicks had successfully sup
ported the Yorkists.
Feeling abashed, Marmaduke accom
panied Alwyn into the city. Alwvn ad-
492
vised him to go to see the earl in person,
and Marmaduke resolved to do so the
very next day.
On the road to his inn he met a
gentle girl surrounded by a screaming
moh of women who earned their living
by dancing and playing timbrels for fair
crowds. Accusing the girl of trying to
earn money by playing her gittem at
the tournament, they would have harmed
ber if Marmaduke had not come to her
rescue. He escorted the frightened girl
away, but through faint-heartedness he
did not take her all the way home. As
soon as he left her, the women set upon
her again. She was rescued by an older
man, a true knight who saw her to her
mined dwelling.
It was dusk when Marmaduke left the
city. Shortly afterward he was attacked
by a band of robbers who slashed him
severely and left him to die. He man
aged to make his way to a nearby house,
and there he was cared for by the girl
whom he had deserted a short time be
fore. She was Sibyll Warner, daughter
of Adam Warner, a philosopher and
alchemist who spent all his time in his
laboratory. He had, after years of labor,
nearly completed a crude model of a small
steam engine. In those superstitious days
Adam was accounted a sorcerer and his
daughter was suspected of witchcraft.
During his convalescence Marmaduke
was greatly attracted to Sibyll, but her
superior learning was a barrier between
them. Alwyn, who came to the house
many times, also fell in love with the
girl. But Sibyll thought always of the
great knight who had brought her to
her door.
When Marmaduke was well and able
to leave the house, he at once sought an
audience with the mighty Earl of War
wick. Warwick welcomed him and made
him a courtier. There he met Isabelle,
Warwick's haughty older daughter, and
Anne, her gentle young sister.
Warwick was preparing to go to France
on a mission to the court of Louis XI.
On Warwick's advice, King Edward IV
had agreed to marry his sister Margaret
to one of the French princes. During
Warwick's absence Marmaduke served
in the king's household.
As soon as Warwick had left the
country, Edward's wife and all her kins
men of the Woodville family began to
work on the king's pride. The Wood-
villes, intensely jealous of Warwick, en
couraged the king to defy the king
maker's power. They proposed that Ed
ward hastily affiance his sister to the
Duke of Burgundy. Edward, persuaded
by his wife, at once invited the illegiti
mate brother of the Burgundian ruler
to England and concluded the alliance.
Warwick, hurrying back when he
heard the news, felt keenly the slight to
his honor. When he found Edward at
a hunting party, he immediately de
manded Edward's reasons for his step.
Edward was frightened, but he assumed
an air of confidence and declared that
he had followed what seemed the best
policy of diplomacy. Although he was
much mortified, Warwick magnanimously
forgave the king and withdrew. His
many followers sought him out and of
fered to rebel, but Warwick withdrew
entirely from court and went into seclu
sion on his own estate.
Meanwhile Adam Warner had been
brought to the court as alchemist to the
Duchess of Bedford. Sibyll fitted in well
with court life, and Lord Hastings be
came attached to her. In time they be
came engaged, and Lord Hastings awaited
only the king's permission to marry her.
Katherine de Bonville, Warwick's sister,
had been his first love, but Warwick had
refused his consent to a marriage because
Lord Hastings then was not powerful
enough to aspire to a connection with the
Warwicks. Although Katherine had later
married another, Lord Hastings still loved
her; his attachment to Sibyll was only
temporarily the stronger.
As Warwick had f orseen, the Duke of
Burgundy proved an unworthy ally of
England and the incensed French king
never ceased to make trouble for the
493
English. At last Edward had to confess
that he could not rule the kingdom with
out Warwick to advise him. The king
swallowed his pride and invited War
wick back to London with more honors
and power than he had held before. The
gallant earl, as a gesture of friendship,
brought his daughter Anne to live in the
queen's retinue.
Anne chose Sibyll as her companion
and the two girls became close friends.
One night the lecherous Edward ac
costed Anne in her bedroom. The girl
screamed with fright and ran to Adam
Warner for help. There the king found
her and abjectly begged her pardon, but
Anne was still hysterical. Marmaduke
smuggled Anne out of the castle and told
her father what had happened.
Warwick at once put Marmaduke at
the head of a hundred men who tried
to capture the king, but Edward stayed
secure in his tower. Warwick then with
drew his followers from the court and
embarked for France.
In London, Lord Hastings and Sibyll
continued to meet. Then Katherine de
Bonville's husband died and she was
free once more. Lord Hastings' old love
revived and he married her secretly in
France.
Margaret of Anjou, the Lancastrian
queen in exile, joined forces with War
wick hi France. When the mighty earl
returned to England, the people wel
comed him and joined his cause. Ed
ward fled without fighting a battle. War
wick restored Henry VI to the throne.
The success of his kingmaking made
Warwick careless. Edward's power lay
not with the nobles but with the mer
chants, and a coalition of the rich mer
chants and the adherents of the House of
York soon put Edward back into power.
On the battlefield of Barnet Warwick
was killed and his chiefs were either ex
ecuted or exiled. Somehow Adam War
ner and Sibyll died together in the same
fight. Alwyn, an adherent of Edward,
took Marmaduke prisoner but later tried
to secure his freedom. History does not
tell whether he succeeded.
THE LAST OF THE MOHICANS
Type of -work; Novel
Author: James Fenimore Cooper O 789-1851)
Type of plot: Historical romance
Time of 'plot: 1757
Locale: Northern New York State
First published: 1826
Principal characters:
NATTY BUMPPO, a frontier scout known as Hawkeye
CHESTGACHGOOK, Hawkeye's Indian friend
UNCAS, Ghingachgook's son
MAJOR DUNCAN HEYWAKD, an English soldier, Hawkeye's friend
MAGUA, a renegade Huron
CORA MONRO, daughter of the commander of Fort William Henry
ALICE MUNRO, her sister
stocking Tales, a classic story of the
French and Indian wars.
The Story:
Major Duncan Heyward had been
ordered to escort Cora and Alice Munro
from Fort Edward to Fort William
The battles and exciting pursuits
which constitute the plot of The Last of
the Mohicans are rounded out by inter
esting Indian lore and the descriptive
style of the author. In spite of Cooper's
awkward characterizations, this novel re
mains the most popular of the Leather-
494
Henry, where Colonel Munro, rather of
the girls, was commandant. In the party
was also David Gamut, a Connecticut
singing-master. On their way to Fort Wil
liam Henry they did not follow the mili
tary road through the wilderness. In
stead, they placed themselves in the
hands of a renegade Huron known as
Magua, who claimed that he could lead
them to their destination by a shorter
trail.
It was afternoon when the little party
met the woodsman, Hawkeye, and his
Delaware Mohican friends, Chingach-
gook and his son Uncas. To their dis
may, they learned they were hut an
hour's distance from their starting point.
Hawkeye quickly decided Magua had
been planning to lead the party into a
trap. His Mohican comrades tried to
capture the renegade, but Magua took
alarm and fled into the woods.
At Heyward's urging the hunter agreed
to guide the travelers to their destination.
The horses were tied and hidden among
some rocks along a river. Hawkeye pro
duced a hidden canoe from among some
bushes and paddled the party to a rock
at the foot of Glenn's Falls. There they
prepared to spend the night in a cave.
That night a band of Iroquois led by
Magua surprised the party. The fight
might have been a victory for Hawkeye
if their supply of powder and ball had
held out. Unfortunately, their ammuni
tion had been left in the canoe which,
unnoticed until it was too late, was stolen
by one of the enemy who had ventured
to swim the swirling river. The only
hope then lay in the possibility of future
rescue, for the capture of the rock and
the little group was a certainty. Hawkeye,
Chingachgook, and Uncas escaped by
floating downstream, leaving the girls and
Major Hey ward to meet the savages.
Captured, Cora and Alice were allowed
to ride their horses, but Heyward and
David were forced by their captors to
walk. Although they took a road paral
leling that to Fort William Henry, Hey
ward could not determine the destination
the Indians had in mind. Drawing close
to Magua, he tried to persuade him to
betray his companions and deliver the
party safely to Colonel Munro. The
Huron agreed, if Cora would come to live
with him among his tribe as his wife.
When she refused, the enraged Magua
had everyone bound. He was threatening
Alice with his tomahawk when Hawkeye
and his friends crept silently upon the
band and attacked them. The Iroquois
fled, leaving several of their dead behind
them. The party, under David's guid
ance, sang a hymn of thanksgiving, and
then pushed onward.
Toward evening they stopped at a
deserted blockhouse to rest. Many years
before it had been the scene of a fight
between the Mohicans and the Mohawks,
and a mound still showed where bodies
lay buried. While Chingachgook watched,
the others slept.
At moonrise they continued on their
way. It was dawn when Hawkeye and
his charges drew near Fort William
Henry. They were intercepted and chal
lenged by a sentinel of the French undei
Montcalm, who was about to lay siege
to the fort. Heyward was able to answer
him in French and they were allowed to
proceed. Chingachgook killed and scalped
the French sentinel. Then, through the
fog which had risen from Lake George,
and through the enemy forces which
thronged the plain before the fort, Hawk-
eye led the way to the gates of the fort.
On the fifth day of the siege, Hawkeye,
who had been sent to Fort Edward to
seek help, was intercepted on his way
back and a letter he carried was captured.
Webb, the commander of Fort Edward,
refused to come to the aid of Munro.
Under a flag of truce, Montcalm and
Munro held a parley. Montcalm showed
Webb's letter to Munro and offered hon
orable terms of surrender. Colonel Munro
and his men would be allowed to keep
their colors, their arms, and their bag
gage, if they would vacate the fort the
next morning. Helpless to do otherwise,
Munro accepted these terms. During one
495
of the parleys Heyward was surprised to
see Magua in the camp of the French.
He had not been killed during the earlier
skirmish.
The following day the vanquished
English started their trip hack to Fort
Edward. Under the eyes of the French
and their Indian allies they passed across
the plain and entered the forest. Sud
denly an Indian grabbed at a brighdy-col-
ored' shawl worn by one of the women.
Terrified, she wrapped her child in it.
The Indian darted to her, grabbed the
child from her arms, and dashed out its
brains on the ground. Then under the
eyes of Montcalm, who did nothing to
discourage or to hold back his savage
allies, a monstrous slaughter began.
Cora and Alice, entrusted to David
Gamut's protection, were in the midst of
the killing when Magua swooped down
upon them and carried Alice away in his
arms. Cora ran after her sister, and faith
ful David dogged her footsteps. They
were soon atop a hill, from which they
watched the slaughter of the garrison.
Three days later, Hawkeye, leading
Heyward, Munro, and his Indian com
rades, traced the girls and David with the
help of Cora's veil which had caught on
a tree. Heyward was particularly con
cerned for the safety of Alice. The day
before the massacre he had been given
her father's permission to court her.
Hawkeye, knowing that hostile Indi
ans were on their trail, decided to save
time by traveling across the lake in a
canoe which he discovered in its hiding
place nearby. He was certain Magua
had taken the girls north, where he
planned to rejoin his own people. Head
ing their canoe in that direction, the fire
men paddled all day, at one point having
a close escape from some of their inter
cepting enemies. They spent that night
in the woods and next day turned west
in an effort to find Magua's trail.
After much searching Uncas found the
trail of the captives. That evening, as the
party drew near the Huron camp, they
met David Gamut wandering about. He
told his friends that the Indians thought
him crazy because of his habit of break
ing into song, and they allowed him to
roam the woods unguarded. Alice, he
said, was being held at the Huron camp.
Cora had been entrusted to the care of
a tribe of peaceful Delawares a short
distance away.
Heyward, disguising his face with
paint, went to the Huron camp in an
attempt to rescue Alice, while the others
set about helping Cora. Heyward was
in the camp but a short time, posing as
a French doctor, when Uncas was
brought in, a captive. Called to treat an
ill Indian woman, Heyward found Alice
in the cave with his patient. He was
able to rescue the girl by wrapping her
in a blanket and declaring to the Hurons
that she was his patient, whom he was
carrying off to the woods for treatment,
Hawkeye, attempting to rescue Uncas,
entered the camp disguised in a medicine
man's bearskin he had stolen. Uncas
was cut loose and given the disguise,
while the woodsman borrowed David
Gamut's clothes. The singer was left to
take Uncas' place while the others es
caped, for Hawkeye was certain the
Indians would not harm David because of
his supposed mental condition. Uncas
and Hawkeye fled to the Delaware camp.
The following day Magua and a group
of his warriors visited the Delawares in
search of their prisoners. The chief of
that tribe decided the Hurons had a just
claim to Cora because Magua wished to
make her his wife.
Under inviolable Indian custom, the
Huron was permitted to leave the camp
unmolested, but Uncas warned him that
in a few hours he and the Delawares
would follow his trail
During a bloody battle Magua fled
with Cora to the top of a cliff. There,
pursued by Uncas, he stabbed and killed
the young Mohican, and was in his turn
sent to his death by a bullet from Hawk-
eye's long rifle. Cora, too, was killed by
a Huron. Amid deep mourning by the
Delawares, she and Uncas were laid in
496
their graves in the forest. Colonel Munro
and Heyward conducted Alice to English
territory and safety. Hawkeye returned
to the forest. He had promised to remain
with his sorrowing friend Chingachgook
forever.
THE LAST PURITAN
Type of work: Novel
Author: George Santayana Q863-1952)
Type of plot: Social criticism
Time of -plot: Early twentieth century
Locale: Connecticut, Massachusetts, England
First published: 1936
Principal characters:
OLIVER AJLDEN, the last puritan
PETER ALDEN, his father
HARRIET ALDEN, his mother
FRAUXEIN IRMA SCHLOTE, Oliver's governess
JIM DARNLEY, Oliver's friend
ROSE DARNLEY, Jim's sister
MARIO VAN DE WEYER, Oliver's cousin
EDITH VAN DE WEYER, another cousin
BOBBY, Jim's illegitimate son
Critique:
Although he is hest known as a philos
opher and essayist, George Santayana
has invaded the field of fiction with great
success. The Last Puritan is bis first
novel; but, unlike most first novels, it is
the work of a mature mind. In the story
of Oliver Alden, Santayana has given us
a character sketch of an almost extinct
type of American, a puritan.
best treatment possible and, as a con
sequence, Peter married the doctor's
daughter Harriet. Oliver was their only
7
Little Oliver was a puritan from the
beginning. He accepted things as they
were, never complaining, never wonder
ing why. There were no other children
with whom he could play because his
mother feared that other children might
be dirty or vulgar. And there were no
stories, songs, or prayers for the boy, as
Mrs. Alden would not have him filled
with nonsensical ideas. His father was
no more than a polite stranger to little
Oliver, for he spent most of his time
traveling about the world.
Fraulein Irma Schlote, a German, be
came Oliver's governess, and from her
he had what little brightness there was
in his childhood. On their long walks
together, Irma instilled in Oliver his first
love of nature and a love for the Ger
man language. But even with Irma,
Oliver remained a stoical little puritan.
If he were tired or his foot hurt, there
was no use to complain. They had come
- --^ ^AST PURITAN by George Santayana. By permission of the publishers, Charles Scribner's Sons. Copy-
right, 1936, by Charles Scribner's Sons.
The Story:
Young Peter Alden was educated in
America but left Harvard before he had
completed his studies and went abroad
with a tutor. After he had come of age
and had inherited his money he wandered
aimlessly about the world, studying occa
sionally. He was in his early middle
years before he completed any one course.
Licensed to practice medicine, his prac
tice was limited to himself, for he had
burdened himself with many ills, some
real but most of them imaginary. Once
he consulted Dr. Bumstead, a psychia
trist whose main concern was Peter's
money. Dr. Bumstead convinced Peter
that a home and a wife would be the
497
for a walk, and they must finish that
walk. One must do his duty, even an
unpleasant one. As he grew older,
Oliver hated human weakness with the
hatred of a true puritan.
When Oliver was fifteen, he went to
high school, where he excelled in scholar
ship and in athletics because it was his
duty to keep his body strong and because
it was his duty to do everything that
the school demanded.
During one holiday season Oliver
joined his father on his yacht There
he met Jim Darnley, the captain, who
had been a British sailor before he be
came involved in a scandal. Jim was an
entirely new type of person in Oliver's
world. Oliver knew that the sailor was
worldly and had no sense of duty, but
strangely enough Oliver was always to
consider Jim his dearest friend.
After his graduation from high school,
Oliver joined his father and Jim in Eng
land. There, while visiting Jim's family,
he learned to respect Jim's minister father
and to enjoy the company of Rose, Jim's
young sister. He learned also that Jim
had an illegitimate child, Bobby, who
lived with Mrs. Bowler, his tavern-keep
ing mother.
While in England, Oliver also met
his distant cousin, Mario Van de Weyer,
a worldly young man dependent upon his
rich relatives for his education and liveli
hood. Mario also puzzled Oliver. Mario
had nothing, not even much real in
telligence, yet he was happy. Oliver,
who had everything, was not consciously
happy; he merely lived as he felt it his
duty to live.
Before they left England, Oliver's
father committed suicide. He felt that
Oliver needed to be free of him and as
much as possible of his own mother.
Rather than see the boy torn between his
conflicting duties to both parents, Peter
took his own life.
Back in America, Oliver entered Wil
liams College. While playing football,
he broke his leg. In the infirmary he
was visited by his cousin Mario and
another cousin, Edith Van de Weyer.
Mario, who attended Harvard on Oliver's
money, seemed to feel no reluctance
about living extravagantly on his cousin's
bounty. Oliver began to think of Edith
as a possible wife. Like his father, he
did not consider love an important
element in marriage, but he felt it his
duty to marry and have children.
In his last year of college, Oliver
transferred to Harvard University. There
he spent much time with Mario, until
that young man was forced to leave
college because he had been found in his
room with a young woman. When he
went to Edith's home to tell her about
Mario, Oliver found that Edith's family
had already heard the story from Mario
and had forgiven him. Oliver also learned
that Edith had great affection for Mario.
But because he thought a match between
himself and Edith a sensible one, he pro
posed to her anyway, forgetting to men
tion love. Edith refused him. She knew
that marriage with Oliver would be a
dutiful experience only, and she wanted
more than duty.
When he had finished college, Oliver
took a cruise around the world. Then
he settled in England and lived for a
time near Jim Darnley 's family. War was
coming closer, but Oliver felt no duty
toward either side. Mario enlisted at
once, for Mario was romantic. The war
became more personal for Oliver when
he learned that Jim had been killed
Jim's death seemed proof of war's use
less waste. More practically, Jim's death
meant that Bobby and Rose were now
Oliver's responsibility.
When the United States entered the
war, Oliver felt that it was his duty to
go home and join the army. After his
training he was sent to France. Before
he went to the front, he wrote to Rose
Darnley, asking her to marry him at
once, so that she would be his wife and
would be cared for if he were killed.
But Rose, like Edith, wanted love, and
she refused to marry him. She knew,
too, that Oliver should never marry, be-
498
cause love should be unreasoning and
illogical at times, conditions which Oliver
could never accept.
After Rose's refusal, Oliver seemed
free for the first time. No one needed
him any longer. Jim was dead. Mario
was in the army and provided for in case
of Oliver's death. Bobby had been made
secure financially. Edith was engaged to
be married. Rose was provided for in
Oliver's will. All his life he had acted
in accordance with duty, in his parental
relations, in school, in the army. At
least he would not be a dutiful husband.
Now he need be true only to himself.
That night he slept peacefully.
Oliver was killed, but not in battle.
He was a post-Armistice casualty, the
victim of a motorcycle accident. His will
told the story of his life. He had left
adequate, but not extravagant, provisions
for Mario, Rose, Mrs. Darnley, Fraulein
Irma, and Bobby. The bulk of his for
tune he left to his mother because he
had believed it his duty to provide for
her.
So Oliver Alden ended his life a true
puritan, doing what must be done with
out flinching, taking little pleasure in
worldly things, yet not withdrawing from
the world. He did not believe in puri-
tanism, for he knew that those who
lived selfishly were often more happy
than he. He was not a prig. He had
been a puritan in spite of himself, and
for that reason, perhaps, the last true
puritan.
THE LATE GEORGE APLEY
Type of work: Novel
Author: John P. Marquand C 1893-1 960)
Type of plot: Simulated biography
Time of plot: Late nineteenth and early twentieth centuries
Locale: Boston
First published: 1937
Principal characters:
GEORGE APLEY, a proper Bostonian
JOHN, his son
ELEANOR, his daughter
CATHARINE, his wife
Ms. WILLING, George Apley's biographer
Critique:
Satire has been said to require the
utmost of great minds. In a sense it re
quires a man to have two visions: one
of society as it might be and one as it is.
The range between those two points
offers the opportunity for satirical com
parisons. In Tine Late George Apley the
satire is double-edged because of the
method of telling the story. The novel
is sub-tided "A Novel in the Form of a
Memoir/' Mr. Willing, the supposed
biographer of these memoirs, is as much
a source of satire as George Apley him
self, for without Mr. Willing, the staid,
nx^ LATE GEORGE APLEY by John P. Marquand.
Brown & Co Copyright, 1937, by John P. Marquand.
polished, and politely-dull annotator, the
book would be only one more realistic
novel.
The Story:
George William Apley was born on
Beacon Hill, on January 25, 1866. The
Apleys were an old family in Massachu
setts. Thomas, known in the old records
as Goodman Apley, had emigrated from
England to America and settled in Rox-
bury in 1636. Goodman Apley's son,
John, had graduated from Harvard in
1662. From his time there had been an
67 permission of the author and the publishers, Little
499
Apley in Harvard in each succeeding
generation. John Apley's son, Nathaniel,
established himself in Boston. A later
Apley, Moses, hecame a shipping master
and laid the foundation of the Apley
fortune. Moses Apley was George Apley's
grandfather.
George Apley grew up in a quiet
atmosphere of wealth and social position.
He learned his parents' way of living
calmly and with fortitude. In an orderly
way he was introduced to the polite
world, at first through visits to relatives;
later, through study at Harvard.
His Harvard days were probably the
high point of his life. He was sent to
Harvard to weld those qualities of gentle
manly behavior which private grammar
school and parents together had tried
to encourage. His parents were anxious
that he should make friends with the
right people. George was carefully in
structed in the ways of high-minded
gentlemen. His training was indicated
by a theme in which he wrote a descrip
tion of a Boston brothel in terms express
ing his repulsion and shock. In the
gymnasium George won distinction as a
boxer. Moreover, he became a member
of the Board of the Harvard Lampoon.
He was taken into the Club, an honor
his father appreciated greatly. In his
junior and senior years he took part in
the musical extravaganzas of the Hasty
Pudding Club. In spite of these activities
he never neglected his studies and he
was known as a respectable student with
grades placing nim in the middle of his
class at graduation.
While in college, he fell in love with
an impossible girl, Mary Monahan. The
affair was cut short by the Apleys and
never referred to publicly. Shortly there
after his family prescribed a sea voyage
for him. When he returned home he
took up the study of law, and became
a member of the board for the Boston
Waifs' Society.
George was instructed in the shrewd
businesslike manners and knowledge of
tne Apleys. He was sent to work with
his Uncle William for one summer. Wil
liam sensed that his nephew would never
make a good businessman and advised
that George should be put into law or
made a trustee of other peoples' money,
not his own. As a result George, like
many of his friends, never went actively
into business, but spent his lifetime
clipping coupons.
In February, 1890, George followed
his parents* wishes and suitably became
engaged to Catharine Bosworth. Both
his father-in-law and his own father saw
to it that the young couple had a sum
mer cottage and a house for the winter.
The two mothers were equally solicitous.
George discovered that he had married
not only Catharine but also her family.
As the years passed, George devoted
his time to charitable groups, learned
societies, and to writing for his clubs.
One of his papers, "Jorias Good and Cow
Corner," was said to be among the best
papers read before the Browsers in fifty
years.
His first child's name was a subject
for debate in his own and Catharine's
family. The name, John, common to
both families, was finally chosen. His
second child was a daughter, Eleanor.
Shortly after his sister Amelia's mar
riage, George's father died of an apoplec
tic stroke. He left a million dollars to
Harvard, other large sums to his charities,
and the remainder of his fortune in
trust for his family. George had to pay
a sum of money to a woman who claimed
she had borne a son to his father. Al
though he did not believe the charge, he
paid rather than cause scandal in the
George invested in a place known as
Pequod Island and there he took his
friends when he wanted to get away
from Boston. On the island he and his
friends condescended to share the camp-
fire with their guides. Planned as a male
retreat, the island was soon overrun with
literary lights of the times invited by
George's wife and sister.
As his son grew up, George noted
500
an increasing desire on the part of the
younger generation to be wild and care
less with money. Later, George began
to realize that he and his generation
had let much slip and that Boston was
going to the Irish. He gave his name
10 the "Save Boston Association" as he
considered his membership an Apley
duty. He also interested himself in
bird lore and philosophy and toot as
much personal concern as possible in the
affairs of his children. When his mother
died in 1908, George counted her death
one of his most poignant tragedies.
When George's son entered Harvard,
George took a new interest in the uni
versity and noted many changes he did
not like.
Old Uncle William, now over eighty,
still controlled the Apley mills and held
out successfully against the new labor
unions. One day the old man shocked
his family by marrying his nurse, a Miss
Prentiss.
His daughter Eleanor's marriage was
completely unsatisfactory to George be
cause she did not induce her husband to
give up his job for a position in the Apley
mills and to take up residence near her
family. But George was proud of his
son John for his service at the front.
George himself belonged to the Home
Guards. When John married a girl of
good connections after the war, George
was doubly pleased.
At last George came into opposition
with a man named O'Reilly, whom George
planned to have brought before criminal
court on charges of extortion. However,
O'Reilly tricked George into a scandal.
George intended to have the whole case
cleared in court, but before the trial
he received a note from his one-time
sweetheart, Mary Monahan. After an
interview with her, he settled the case
quietly and bought off his opponents.
In 1928 he became a grandfather. As
soon as the baby had been born, Georg
telegraphed Groton to include his grand
son's name among the entrance aj
plicants.
In his last years George took interest
in the new novels, condemning those
too blatant in their description of sex
and fighting against the inclusion of
some of them in the Boston libraries.
His own copy of Lady Chatterly's Lover
he hid in the silver safe to keep his
daughter from seeing it. He defied pro
hibition as an abuse of his rights and
kept a private bootlegger on principle
because he thought it important to help
break the prohibition law.
He thought, too, that the colossal
fortunes being gathered by the unedu
cated should be handed over to the gov
ernment. In the autumn of 1929 he and
his wife made a trip to Rome, where
they visited Horatio Apley, recently ap
pointed to a diplomatic post there. George
was absent from America when the stock
market crash came. His financial affairs
did not suffer greatly, but, his health
breaking, he began to plan his will and
his funeral.
George Apley died in December, 1933,
LAVENGRO
Type of -work: Novel
Author: George Henry Borrow (1803-1881)
Type of plot: Simulated autobiography
Time of plot: Nineteenth century
Locale: England, Scotland, Ireland
First published: 1851
Principal characters:
LAVENGRO, a scholar, journalist, and tinker
JOHN, his brother
JASPER PETULENGRO, his gipsy friend
MBS. HEENE, an old crone
501
THE FLAMING TINMAN, a bully of the roads
ISOPEL BERNERS, Lavengro's companion
PETER WILLIAMS, an evangelist
WINIFRED, his wife
Critique:
Lavengro; The Scholar — The Gipsy —
The Priest is a long novel, in part fic
tion and in part the autobiography of
its eccentric author, which gives an in
teresting and unusual picture of England
during the early part of the last century.
The autobiographical method of the nar
rative has aroused the interest of scholars
as to what is fact in the book and what
is pure imagination. To the general
reader, Lavengro is most interesting for its
accounts of nomadic gipsy life and char
acter studies of tinkers, beggars, and
thieves who roamed the English highways
more than a hundred years ago.
The Story:
Lavengro was the son of an army officer
who had fought against Napoleon, and
the boy spent his early years at army
garrisons in various parts of England,
Scotland, Ireland, and Wales. When he
was six years old, Lavengro discovered
Robinson Crusoe, a book which stimu
lated his imagination and aroused in him
a desire to read and to study languages.
One day, wandering on the outskirts of a
garrison town, he met a group of gipsies
toho threatened to do him harm. They
drew back, however, when he showed
them a tame snake which he was carry
ing. The gipsies, becoming friendly,
nicknamed turn Sapengro, or snake tamer.
A young gipsy named Jasper declared that
they would always be brothers. He met
also at the gipsy camp a Romany whom
he saw hanged fifteen years later at New
gate.
died more Latin and Greek and, in an
incidental fashion, learned to speak Irish.
His brother John was made an ensign
and transferred to a post some few miles
away. After peace was signed with the
French, opportunities for military em
ployment were few. John had always
wanted to paint; therefore, his father
allowed him to go to London to study
his art.
Lavengro again met Jasper, his gipsy
friend, and discovered that Jasper's last
name was Petulengro. Jasper was now
a Romany Krai — or gipsy king — a horse-
shoer, pugilist, jockey, and soothsayer.
Through Jasper, Lavengro made the ac
quaintance of a malignant old crone
named Herne, who hated him because
she believed that he was stealing the
Romany tongue. It was Jasper who
named him Lavengro, which means
"word-master," because he learned the
gipsy language so rapidly. All of the gip
sies departed for London, except Mrs,
Herne, who went to Yorkshire. Laven
gro remained at home with his parents
while his father tried to decide what to
do with him. It was finally agreed that
Lavengro would enter a solicitor's office
to study law. But Lavengro neglected his
Blackstone while he studied Welsh and
translated the poetry of Ab Gwilym.
About the same time, Lavengro obtained
a Danish book and learned to read it by
first studying the Danish Bible. One day
Lavengro was sent to deliver a thousand
pounds to a magistrate with whom he had
a very entertaining conversation concern-
A few years later he began the study ing the manly art of self-defense. In spite
of Latin. About the same time his father of the magistrate's fondness for boxing,
was ordered to Edinburgh. In Scodand, however, he refused a pkce on his land
Lavengro took part in several bickers, or
fights, with his schoolmates and learned
mountain climbing. Then in 1815 his
father was ordered to Ireland. Lavengro
went to a seminary at Clonmel and stu-
for a match.
Lavengro met Jasper again and put on
the gloves with him for a friendly bout.
Later he returned home and discovered
that his father was seriously ill. His
502
brother John also arrived home just be
fore Bis father died. Shortly afterward
Lavengro went to London to seek his
fortune as a writer, taking with him a
letter of introduction to a noted pub
lisher. The publisher seemed delighted
to be able to employ him, but was not
interested in such things as Lavengro's
translations of the songs of Ab Gwilym
and his translations of Danish songs.
Lavengro was informed that the reading
public scoffed at works like these. In
stead, the publisher recommended a story
somewhat along the line of The Dairy
man's Daughter.
While walking through Cheapside one
day, Lavengro climbed upon the balus
trade of a bridge in order to see some
thing below. An old woman selling
apples nearby thought he was trying to
commit suicide and begged him not to
fling himself over. The old lady had a
partiality for a book about the '"blessed"
Mary Flanders. Lavengro returned from
time to time to see her and to talk with
her.
Lavengro, invited to dinner at the pub
lisher's house one Sunday, discovered
that the publisher did not believe in eat
ing meat or drinking wine. After dinner
Lavengro heard what was to be his new
assignment since the publisher had now
decided not to publish anything like The
Dairyman's Daughter. He was to pre
pare a collection of the stories of the
lives and trials of famous criminals in
carcerated at Newgate. In addition, he
was to translate the publisher's book of
philosophy into German and to write
an article about it for the Review.
In the company of an acquaintance
named Francis Ardry, Lavengro visited
many of the underworld spots of London
End this experience, together with the
series on criminals which he was pre
paring, gave him a wide and practical
knowledge of the underworld. Then
Lavengro's brother came to London and
introduced him to a painter of the heroic.
The peculiar thing about this painter's
pictures was the short legs of the people
in his paintings. When Lavengro's stories
of crime were finished, he took them to
the publisher. But the publisher was dis
pleased because Lavengro had omitted
several of the publisher's favorite crim
inal histories.
Lavengro went to visit the apple-
woman again and his despondent appear
ance led her to think that he had been
caught stealing. The apple-woman never
became aware of Lavengro's profession.
He talked her into letting him read her
cherished copy of the life of Mary
Flanders.
The publisher's speculations failed and
left Lavengro without money, but Laven-
gro finally obtained all the wages that
were due him. Taggart, the publisher's
assistant, told Lavengro that Glorious
John, another printer, would publish his
ballads and the songs of Ab Gwilym. But
Lavengro never offered his ballads to
Glorious John. In midwinter he went
again to visit the apple-woman and found
that she had moved her stall to the other
side of the bridge. He promised to take
her book and trade it in for a Bible,
However, he lost the book and had
nothing to trade. He decided to purchase
a Bible and never let her know about his
negligence.
About this time Lavengro saved an
Armenian from pickpockets. The Ar
menian wished him to translate some
Armenian fables into English, but Laven
gro refused. The Armenian, who had
inherited a hundred thousand pounds
from his father, was intent upon doubling
the amount through his speculation. The
Armenian ran into a bit of luck and came
into possession of two hundred thousand
pounds. Lavengro's advice to the Ar
menian was to take his fortune and fight
the Persians.
Lavengro decided, when his money got
short, to do the translations for the
Armenian but the man had already de
parted to invest his money in a war
against the Persians.
Lavengro left London after having
some small success writing fiction. He
503
met and talked with many and various
people on his travels about England. On
his rambles he heard the stories concern
ing the Raming Tinman, who held a
great repute as a fighter and who had
forced Jack Slingsby, another tinker, out
of business on threats of death. Lavengro
met Slingsby and bought him out. He
decided to become a tinker himself in the
hope of meeting the Flaming Tinman.
One day, while he was mending pots
and pans, he encountered Mrs* Herne
and Leonora, a thirteen-year-old girl who
was traveling with the old woman. Leo
nora brought him cakes made by Mrs.
Herne. He ate one of them and that
night became seriously ill. When the
evil old crone came to gloat over him, he
realized that the cakes had been poisoned.
Then the sound of wheels frightened the
old woman away, and Lavengro was
saved by the timely arrival of Peter
Williams, a traveling Welsh preacher,
and Winifred, his wife. Peter Williams
told Lavengro the sad story of his life
and related how he had been led to
commit the sin against the Holy Ghost,
a sin for -which there was no redemption.
Peter had become a preacher to warn
other people against the unforgivable sin.
Lavengro journeyed with Peter and his
wife as far as the Welsh border, where
he left them to join Jasper Petulengro
and his band of gipsies.
Jasper told Lavengro how Mrs. Herne
had hanged herself because of her failure
to poison him. Since Jasper was a blood-
kinsman of Mrs. Herne, it was required
by Romany law that he obtain revenge
from Lavengro. Lavengro, however, was
really only indirectly responsible for the
old woman's death, a fact of which Jasper
was well aware. They retired to a place
where they could fight, and there Jasper
received full satisfaction when he made
Lavengro's nose bleed.
Soon after his friendly tussle with
Jasper, Lavengro met the Haming Tin
man, Moll, his wife, and Isopel Berners,
child of a gipsy mother and a noble
father and now a free woman of the
roads* Isopel was responsible for Laven
gro's victory in a brawl with the Flaming
Tinman, for she had told him to use his
right hand and to strike at the bully's
face. The Flaming Tinman and Moll de
parted, leaving the territory to Lavengro
the tinker, but Isopel remained behind
with her belongings. The story of the
Flaming Tinman's defeat was soon known
throughout the neighborhood, and Laven
gro became a hero of the roads. At a
public house he met a priest whom he
called the Man in Black. He and Laven
gro had many conversations concerning
religion and the attempt to establish
Catholicism as the religion in England.
On a wild stormy night Isopel and
Lavengro helped a coachman right his
coach which had overturned. Later the
coachman told them the story of his
life, and his tale was proof that in those
days romance journeyed on the highways
and adventure waited around the turn of
any English lane.
LIFE ON THE MISSISSIPPI
Type of work: Reminiscence
Author: Mark Twain (Samuel L, Clemens, 1835-1910)
Type of <plat: Regional romance
Time of -plot; Mid-nineteenth century
Locale: IVIississippi River region
first published: 1883
Principal characters:
MABK TWAIN
MB. BIXBY, a river pilot
504
Critique:
It is extraordinary that a book with
so many defects should have become one
of the classics of our national heritage.
There is, for example, a sharp and obvi
ous division between the first twelve or
fourteen chapters and the rest of the
book. It is clear that it was not written
all at one time, and the effects of bad
composition are evident. The chapters are
badly organized and there are many
labored passages. Despite this lack of
craftsmanship, Life on the Mississip'pi is
a vivid, dramatic, and extremely interest
ing collection of reminiscences. Like the
mighty river with which it is concerned,
the book has become part of the American
tradition, part of our national pride and
history.
The Story:
When Mark Twain was a boy, he and
his comrades in Hannibal, Missouri, had
one great ambition; they hoped to be
come steamboatmen. They had other
ambitions, too, such as joining the circus
or becoming pirates, but these soon
passed. Only the ambition to be a steam-
boatman remained, renewed twice each
day when the upriver and the down
river boats put in at the rickety wharf
and woke the sleepy village to bustling
life. Through the years, boy after boy
left the river communities, to return
later, swaggering in his importance as a
worker on a steamboat. Mark Twain saw
these boys often, and the fact that some
of them had been considered as undeni
ably damned in the eyes of the pious
folk shook Twain's convictions pro
foundly. He wondered why these boys
who flouted Sunday School maxims and
ran away from home should win the re
wards of adventure and romance that
meeker town boys never knew.
Mark Twain, too, had this dream of
adventure. His ambition was a lofty one.
He determined to become a cub-pilot.
While in Cincinnati, he heard that a
government expedition was exploring the
Amazon. With thirty dollars he had saved
he took a boat bound for New Orleans.
His intention was to travel on to the
headwaters of the Amazon. But the
ship was grounded at Louisville, and
during the delay Mark came to the at
tention of Mr. Bixby, the most famous
pilot on the Mississippi River. He pre
vailed upon Bixby to teach him how to
navigate.
At first the adventure was a glorious
one. But soon Mark found that the more
he knew about the river, the less ro
mantic it seemed. Though he was a duti
ful student, he discovered that he could
not remember everything Bixby told him,
regardless of how important this informa
tion seemed to be. Furthermore, to his
astonishment and despair, his instructor
told him that the river was changing its
course continually; that there were no
such things as permanent landmarks; that
the river channel was never the same, but
always variable. There were times when
the young cub-pilot was frightened,
especially when he narrowly missed hit
ting another ship, or trimmed the boat
too close to shore. But worse was the
experience of piloting in the dead of
night, with no landmarks to observe and
only deep blackness all around.
Bixby claimed the secret of navigation
was not to remember landmarks, which
changed, but to learn the shape of the
river, and then to steer by the shape in
one's head.
It was undeniably an interesting life.
The pilot had to be on the lookout for
rafts sailing the river at night without
lights. Often a whole family would be
on a raft, and they would shout impre
cations at the steamboat which had just
barely missed dumping them all into the
river. Then there was the fascinating be
havior of the river itself. Prosperous
towns would be isolated by a new cut-off
and reduced to insignificance; towns and
islands in one state would be moved up
or down and into another state, or, as
sometimes happened, into an area that
belonged to no state at all!
505
The river pilot reigned supreme on
his boat. The captain was theoretically
the master; but as soon as the boat got
under way, the pilot was in charge, and
only a very foolhardy captain would have
interfered. The importance of the pilot
in river navigation eventually led to the
formation of a pilots' association. At first
the idea seemed ridiculous. But the
union grew as, one by one, all the good
pilots joined. As a result pilots could
make their own terms with the owners.
Not only were wages guaranteed, but
pilots secured better working conditions,
pensions, and funds for their widows and
orphans. Within a few years the asso
ciation was the most indestructible
monopoly in the country. But its days
were numbered. First of all, the railroads
came in and river transportation was
gradually abandoned in favor of rail traf
fic. Then, too, the Civil War reduced
navigation to a mere trickle and dealt
a deathblow to river commerce. The
steamboat was no longer an important
means of transportation.
From then on the river was different. It
seemed very different to Mark Twain
when he returned after many years away
Erom it, and saw the changes with nos
talgic regret. He traveled once more on
the Mississippi, but this time as a pas
senger and under an assumed name. He
listened tolerantly to the man who told
him wild and improbable stories about
the river, and to a fellow traveler who
explained, very explicitly, how every
thing worked.
Mark Twain decided to search for a
large sum of money left by a murderer
whom he had met in Germany. He and
his companions made plans about the ten
thousand dollars soon to be in their
possession, and they asked to get off their
boat at Napoleon to look for it. Unfor
tunately, the Arkansas River, years be
fore, had swept the whole town into the
Mississippi!
On his return to the river, Mark
Twain learned many things he had not
known. He witnessed the vast improve
ments in navigation and in the construc
tion of the boats, improvements that made
navigation easier and safer. He talked to
the inhabitants of Vicksburg, who de
scribed their life during the bombard
ment of the town by Union forces. He
visited Louisiana and expressed horror at
the sham castles that passed for good
architecture. He read Southern news
papers and saw in them, as in so many
Southern traditions, the romantic senti
mentality of Sir Walter Scott, an influ
ence that he regretted, hated, and held
responsible for the South's lack of prog
ress. He came in contact with a cheerful
and clever gambler; he heard about sense
less feuds that wiped out entire families;
he saw new and large cities that had
grown up since he had left the river;
he met such well-known writers as Joel
Chandler Harris and George W. Cable;
he had an experience with a spiritualist
who grew rich on the credulous and the
superstitious; he witnessed tragedy, and
lost friends in steamboat explosions.
The river would never be the same
again. The age of mechanization had
arrived to stay. The days of the old river
pilots, such as Mr. Bixby, were now a
thing of the past. America was growing
up, and with that growth the color and
romance of the Mississippi had faded
forever.
LIFE WITH FATHER
Type of work: Short stories
Author. Clarence Day, Jr., (1874-1935)
Type, of -plot: Humorous satire
Time of plot: Late nineteenth, century
Locale: New York City
First published: 1935
506
Principal characters:
CLARENCE DAY, SR.
MRS. CLARENCE DAY, his wife
CLARENCE DAY, JR., the narrator
Critique:
This narrative of personal recollections
is a humorous commentary on American
manners in the Victorian age. Father
is a domestic tyrant whose bark is con
siderably worse than his bite. His crotch
ety behavior is the last resort of masculine
aggressiveness in a woman-dominated
world.
The Story:
The Day household existed under the
eccentric domination of Clarence Day,
Sr., a Wall Street businessman who was
convinced that he was always right. His
son stood in awe of him. The boy's
greatest treat was to be taken to his
father's office on Saturday mornings.
With Father dressed formally in silk hat
and tailed coat, they rode downtown on
the elevated and the boy gaped curiously
into the windows of flophouses and
wished that he could enjoy the luxury
and freedom of being a tramp. That
ambition he did not reveal to his father.
Once he ventured to suggest that he
would like to be a cowboy, but Father
retorted that cowboys were shiftless peo
ple.
Father's office seemed very mysterious
to the boy, and he enjoyed the privilege
of filling inkwells and running errands.
Later there would be luncheon at Del-
monico's. Father and his favorite waiter
always chatted in French about the
menu, and Father enjoyed himself great
ly. But the boy did not think highly
of the food. There was too little of it,
scarcely enough to satisfy his appetite.
Seeing the starved look on his face,
Father would order a large chocolate
eclair for him.
One of Father's chief worries was the
fear of becoming fat. The members of
his club recommended long walks, but
Father was already taking long walks.
Then they suggested horseback riding.
Accordingly, Father became a member
of the Riding Club on East Fifty-eighth
Street. Apart from stabling conveniences,
the club had a park for riding, really
only a little ring. But it was tame enough
for Father, who liked things to be order
ly and suitably arranged for his use.
In a very short time he felt as if the
park belonged to him, and if the leaves
were not raked, if papers were lying
around, he would take the neglect as a
personal affront.
The first horse Father bought was an
independent, rebellious creature. There
was little love lost between them. The
climax came one morning when the
horse refused to obey. It reared and
reared until Father gave up in disgust
and went back to the club. Since the
rest of the family wanted a horse of
their own, Father gave them that one,
He bought another for himself.
Having never been sick, Father be
came very annoyed whenever anybody
else was ill; and he had no sympathy
whatever for people whose illnesses he
considered to be simply imaginary.
Whenever he was unlucky enough to
catch a cold, his method of treating it
was to blow his nose loudly or to sneeze.
Whenever he had a sick headache, he
would not eat. After he had starved out
his illness, he would eat again and
triumphantly light up a cigar.
Father's laws were regarded as edicts
not to be challenged. Accordingly, young
Clarence was amazed when anyone did
not respond to Father's whims and
orders. While out in the country one
summer, the family ran out of ice. Be
cause Father's wine must always be
chilled, the crisis was a grave one. Noth-
LTFE WITH FATHER by Clarence Day, Jr. By permission of the publishers, Alfred A, Knopf, Inc. Copyright,
1920, 1922, 1923, 1924, 1933, 1934, 1935, by Clarence Day, Ir.
507
ing the family could do was successful.
But when Father came home, he went
down to the village, intimidated a deal
er into selling rn'm an icebox, provided
he would somehow get it filled with ice,
and argued the iceman into delivering
a load immediately.
Father got things done in his own
way. The family could never keep serv
ants for very long. One day the cook
left. Father stormed into an employment
agency, looked over the assembled girls,
and then, over the manager's protests,
picked out the one he liked. Although
she had not wanted to be a cook, the
girl went with him meekly and stayed on
in the Day household for twenty-six
years. Her name was Margaret.
In the summer Margaret always stayed
in New York to look after the house,
and each year there arose the problem
of a temporary cook during the time
that the family was in the country. One
year they hired Delia. Before long Father
insisted that she was starving him to
death. Delia was replaced by a Japanese.
At the first meal prepared by the Jap
anese, Father moaned with pain and de
clared that he was poisoned. Margaret
was hastily summoned from the city,
and Father was happy again.
What really vexed Father was Moth
er's inability to keep household accounts
according to the system he tried to teach
her. The money always inexplicably dis
appeared, and the bills were always high.
In addition, Mother was fond of charge
accounts. It was so easy to buy things
that way, and the first of the month
seemed far off in the distance. When
the bills came in, however, Father always
raged — and then gave in.
When Mother went on a trip to Egypt,
Father could not understand why she
should want to go off to the far corners
of the world just to see pyramids. When
she came back with part of her expense
money unaccounted for, Father was
curious. At last Mother admitted that
she had not spent it, but intended to
keep it. Father, wanting to know what
good it would do her to keep it, de
manded its return. But again he lost
out. Mother kept the money.
Young Clarence witnessed many ex
amples of Father's behavior. He was
urged to be prompt for breakfast and
bribed with the offer of a watch. He
suffered whenever Father opened his
mail, particularly when the letters were
from young ladies. Father could never
understand that letters could ever be
for anyone else. When Father finally
agreed to have a telephone installed, he
likewise assumed that all calls were for
him. Once he was very perturbed when
a young lady, thinking she was speak
ing to young Clarence, invited him to
lunch.
Women, Father insisted, did not know
anything about politics. When Mother
came under the influence of Miss Gulick,
an emancipated young woman, he snort
ed contemptuously. Though he liked to
dine out with friends, he did not like
company in his own house. Once he
startled a group of Mother's friends by
uttering a lone, monosyllabic word as
he stamped past the dining-room on his
way upstairs.
Because he had disliked some mem
bers of his family buried in the family
plot in the cemetery, he did not wish to
be buried there after his death. Mother
reminded him that such matters are not
important to the dead. But Father in
sisted that he was going to buy a new
plot in the cemetery, one all for him
self, and in a comer where he could
get out. Mother looked at him in aston
ishment. She whispered to young Clar
ence that she almost believed he could do
it.
508
LIGHT IN AUGUST
Type of work: Novel
Author: William Faulkner (1897- )
Type of 'plot: Psychological realism
Time of plot: Early twentieth century
Locale: Mississippi
First published: 1932
Principal characters:
JOE CHRISTMAS, a white Negro
Doc HINES, his grandfather
MR. McEACHERN, his foster father
JOANNA BURDEN, his benefactress and mistress
JOE BROWN, alias Lucas Burch, his partner
LENA GROVE, mother of Brown's child
BYRON BUNCH, in love with Lena
Critique:
This novel makes a study of the race
problem in the South and psychological
obsession with the Civil War. It is a
fascinating narrative told with little re
gard for strict time sequence. Sometimes
the author's sentence structure becomes
obscure; sometimes the exact meaning
of his poetic compression is lost. But the
novel is important in its vivid treatment
of a theme of widespread social signfi-
cance.
The Story:
Joe Christmas was the illegitimate son
of a circus trouper of Negro blood and a
white girl named Milly Hines. Joe's
grandfather, old Doc Hines, killed the
circus man, let Milly die in childbirth,
and put Joe — at Christmas time; hence
his last name — into an orphanage, where
the children learned to call him "Nig
ger." Doc Hines then arranged to have
Joe adopted by a religious and heartless
fanner named McEachern, whose cruel
ties to Joe were met with, a matching
stubbornness that made of the boy an
almost subhuman being.
One day in town McEachern took Joe
to a disreputable restaurant, where he
talked to the waitress, Bobbie Allen. Mc
Eachern told the adolescent Joe never
to patronize the pkce alone. But Joe
went back. He met Bobbie at night and
became her lover. Night after night,
while the McEacherns were asleep, he
would creep out of the house and hurry
to meet her in town.
One night McEachern followed Joe
to a country dance and ordered him
home. Joe reached for a chair, knocked
McEachern unconscious, whispered to
Bobbie that he would meet her soon, and
raced McEachern *s mule home. There
he gathered up all the money he could
lay his hands on and went into town.
At the house where Bobbie stayed he
encountered the restaurant proprietor and
his wife and another man. The two men
beat up Joe, took his money, and left
for Memphis with the two women.
Joe moved on. Sometimes he worked.
More often he simply lived off the money
women would give him. He slept with
many women and nearly always told
them he was of Negro blood.
At last he went to Jefferson, a small
town in Mississippi, where he got work
shoveling sawdust in a lumber mill. He
found lodging in a long-deserted Negro
cabin near the country home of Mis?
Joanna Burden, a spinster of Yankee
origin who had few associates in Jef
ferson because of her zeal for bettering
the lot of the Negro. She fed Joe and,
when she learned that he was of Negro
blood, planned to send him to a Negro
LIGHT IN AUGUST by William Faulkner. By permission of the author and the publisher!, Random House, lac
Copyright, 1932, by William Faulkner.
509
school. Joe was her lover for three years.
Her reactions ranged from sheer animal
ism to evangelism, in which she tried to
make Joe repent his sins and turn
Christian.
A young man who called himself Joe
Brown came to work at the sawmill, and
Joe Christmas invited Brown to share
his cabin with him. The two began to
sell bootleg whiskey. After a while Joe
told Brown that he was part Negro;
before long Brown discovered the rela
tions of Joe and Miss Burden. When
their bootlegging prospered, they bought
a car and gave up their jobs at the lum
ber mill.
One night Joe went to Miss Burden's
room half-determined to kill her. That
night she attempted to shoot him with
an antiquated pistol that did not fire.
Joe cut her throat with his razor and
ran out of the house. Later in the eve
ning a fire was discovered in Miss Bur
den's house. When the townspeople
started to go upstairs in the burning
house, Brown tried to stop them. They
brushed him aside. They found Miss
Burden's body in the bedroom and car
ried it outside before the house burned
to the ground.
Through a letter in the Jefferson
bank, the authorities learned of Miss
Burden's New Hampshire relatives,
whom thev notified. Almost at once word
came back offering a thousand dollars
reward for the capture of the murderer.
Brown tried to teU the story as he knew
it, putting the blame on Joe Christmas,
so that he could collect the money. Few
beMeved his story, but he was held in
custody until Joe Christmas could be
found.
Joe Christmas remained at large for
several days, but at last with the help of
bloodhounds he was tracked down.
Meanwhile old Doc I lines had learned
of his grandson's crime and he came with
his wife to Jefferson. He urged the white
people to lynch Joe, but for the most
part his ranrings went unheeded.
On the way to face indictment by the
grand jury in the courthouse, Joe, hand
cuffed but not manacled to the deputy,
managed to escape. He ran to a Negro
cabin and found a gun. Some volunteer
guards from the American Legion gave
chase, and finally found him in the
kitchen of the Reverend Gail Hightower,
a one-time Presbyterian preacher who
now was an outcast because he had driven
his wife into dementia by his obsession
with the gallant death of his grand
father in the Civil War. Joe had gone
to Hightower at the suggestion of his
grandmother, Mrs. Hines, who had had
a conference with him in his cell just
before he escaped. She had been advised
of this possible way out by Byron Bunch,
Hightower's only friend in Jefferson.
The Legionnaires shot Joe down; then
their leader mutilated him with a knife.
Brown now claimed his reward. A
deputy took him out to the cabin where
he had lived with Joe Christmas. On
entering the cabin, he saw Mrs. Hines
holding a new-born baby. In the bed
was a girl, Lena Grove, whom he had
slept with in a town in Alabama. Lena
had started out to find Brown when she
knew she was going to have a baby.
Traveling most of the way on foot, she
had arrived in Jefferson on the day of
the murder and the fire. Directed to the
sawmill, she had at once seen that
Byron Bunch, to whom she had been
sent, was not the same man as Lucas
Burch, which was Brown's real name.
Byron, a kindly soul, had fallen in love
with her. Having identified Brown from
Byron's description, she was sure that
in spite of his new name Brown was
the father of her child. She gave birth
to the baby in Brown's cabin, where
Byron had made her as comfortable as
he could, with the aid of Mrs. Hines.
Brown jumped from a back window
and ran away. Byron, torn between a
desire to marry Lena and the wish to
give her baby its rightful father, tracked
Brown to the railroad grade outside town
and fought with him. Brown escaped
aboard a freight train.
510
Three weeks later Lena and Byron where the truck was parked. But next
took to the road with the baby, Lena morning he was waiting at the bend of
still searching for Brown. A truck driver the road, and he climbed up on the
gave them a lift. Byron was patient, but track as it made its way toward Ten-
one night tried to compromise her. When nessee.
she repulsed him, he left the little camp
LILIOM
Type of work: Drama
Author: Ferenc Molnar (1878-1952)
Type of plot: Fantasy
Time of plot: Early twentieth century
Locale: Budapest
First presented: 1909
Principal characters:
LIUOM, a merry-go-round barker
MRS. MUSKAT, his employer
JULIE, his wife
MARIE, her friend
WOLF, Marie's husband
MRS. HOLLUNDER, Julie's aunt
FICSUR, liliom's friend
LrNZMAN, the cashier whom Ficsur suggests robbing
LOUISE, daughter of Julie and Liliom
Critique:
This play is a popular favorite on the would be thrown out, as she did not wish
stages of Europe and America. The to lose her license because of questionable
authors purpose was to tell a story of behavior in the park. Liliom, however,
love and loyalty among the working told Julie to come back any time and
classes. As literature the play is not pro- she would be welcome. Although Mrs.
found, but as an entertainment piece it Muskat was reluctant to let Liliom go,
wiH probably enjoy a long life. she could not ignore his insolence, and
tnrv-
^^* Liliom, to show his independence, an-
Liliom was a barker for Mrs. Mus- nounced that he was going to get some
kats merry-go-round at an amusement beer. While he was collecting his be-
park on the edge of Budapest. As a longings, Marie disclosed to Julie that
barker he was a great success, for he had she was in love with a man in a uni-
a stock of funny jokes that kept the form, a porter, however, not a soldier.
customers laughing, and he had a play- When Liliom returned, he turned Marie
ful way with the girls. away and began to discuss love with
One day two young servant girls, Julie, bragging and bullying all the
Mane and Julie, came to the merry-go- while. Julie showed that she was deeply
T°V £T° MrS" Muskat's indignation, in love, for she had forfeited her job by
Liliom followed Julie onto the merry-go- staying out so late. Two policemen look-
round and put his arm around her. Mrs. ing for vagrants interrupted their conver-
Muskat warned Julie that if she ever sation. After asking routine questions
came near l*16 merry-go-round again she and warning Julie that Liliom was a
rnar- ?4^ated b* Benjamin F. (gazer. By permission of the author and hi, agent Dr
TSS^ LiVCri8bt ^"^ °"* °W*£ 1921.
511
notorious ne'er-do-well, the policemen
continued on their rounds. Though Julie
protested that site did not love Uliom, it
was obvious that she did. So they were
married.
They moved into a run-down photog
rapher's shop operated hy the Hollanders,
mother and son, at the edge of the park.
Mrs. Hollunder, Julie's aunt, provided
them not only with shelter but also with
food and fuel. She grumbled all the
time, but she was good-hearted beneath
her gruffness. Marie, meanwhile, was
falling more deeply in love with Wolf,
the porter. One day, while the two girls
were exchanging confidences, Mrs. Hol
lunder came in and said that Julie's
other suitor, a widowed carpenter with
two children and a respectable income,
still wanted to take her out of the poverty
in which she lived. Julie preferred to
stay where she was. Then Mrs. Muskat
came and offered to take Liliom back,
but he refused. He and a friend named
Ficsur had a scheme for getting a great
deal of money; he was no longer inter
ested in his old job at the merry-go-
round.
Ficsur was planning a robbery. Each
Saturday a cashier for a leather factory
passed a nearby railway embankment,
with the workmen's wages in a leather
bag. Liliom was to accost the man and
ask him what time it was while Ficsur
was to come up from behind and stab the
man. Ficsur encouraged Liliom to steal
a knife from Mrs. Hollunder's kitchen.
Julie, knowing that the two men were
up to no good, begged Liliom not to go
out with Ficsur, for she had arranged to
have the carpenter come that evenina
and offer Liliom work. After Liliom had
gone, Mrs. Hollunder missed her knife
and suspected Liliom of taking it. Julie
lied, saying that she had gone through
Liliom's pockets and had found only a
pack of cards.
Liliom and Ficsur arrived at the em
bankment just as the six o'clock train
passed. Being early, they started a game
af twenty-one and Ficsur won from
Liliom his share in the loot they hoped
to take from the cashier. Liliom accused
Ficsur of cheating. Then their victim
appeared and Liliom accosted him. As
Ficsur was about to strike, however, the
cashier seized Ficsur 's arm. He pointed
a pistol at Liliom's breast. Ironically, he
had come from the factory, where he had
just finished paying off the workers, and
if Ficsur had killed him the robbers
would have got no money. As the
cashier called out to two policemen in the
distance, Liliom broke away and stabbed
himself with the kitchen knife.
The policemen attempted to take him
to a hospital, but his condition was too
critical. They took him back to the
photographer's studio, where he died with
Julie by his side holding his hand.
Dying, Liliom had a vision. Two
heavenly policemen came to him and
told him to follow them. They reminded
him that death was not the end, that
he was not through with earth until his
memory had also passed away. Then they
led him to the heavenly court assigned
to suicide cases. There he learned that
after a period of purification by fire,
suicides were sent back to earth for one
day to see whether they had profited by
their purification. Liliom was sentenced
to sixteen years in the fires.
At the end of that time Liliom re
turned to earth to find his wife and six
teen-year-old daughter Louise about to
lunch in the garden of their dilapidated
little house. Liliom was unrecognized.
Julie gave him some food. He learned
from Louise that her father, a handsome
man, had gone to America before she
was born, and had died there. When
Liliom accused her husband of having
struck her, Julie denied that he had ever
mistreated her, and she dismissed Liliom
as an ungrateful wretch. Liliom tried to
please his daughter with card tricks and
with a beautiful star which he had stolen
from heaven, but Louise would have
nothing more to do with him. As he left
he struck her hard on the hand, but the
blow felt as tender as a caress to her.
512
Her mother told her that there had keen Liliom left in the company of the two
times when she, too, had experienced policemen, who shook their heads in pro-
that sort of reaction from a blow. So found regret at Liliom's failure.
THE LITTLE MINISTER
Type of work: Novel
Author: James M. Barrie (1860-1937)
Type of plot: Sentimental romance
Time of plot: Mid-nineteenth century
Locale: The village of Thrums in Scotland
First published: 1891
Principal characters:
GAVIN DISHART, the little minister of Thrums
MARGARET DISHART, his mother
MR, OGILVY, the schoolmaster, Margaret's second husband, and the narrator
ROB Dow, a drunkard converted by Gavin
BABBIE, a gipsy who loves Gavin
NANNY WEBSTER, an old woman saved from the poorhouse by Babbie
LORD RTNTOUL, Babbie's guardian and her betrothed
Critique:
Barriers sensitivity and deep apprecia
tion of human values explain the popu
larity of this novel. The quiet, reserved
humor appeals to the intellect and the
heart rather than to a ludicrous sense of
buffoonery, and the frequent note of
sentiment is delicate and restrained. The
book displays Barrie's gift for character
portrayal and his lack of self -conscious
ness in his whimsical, ironic style.
The Story:
Mr. Ogilvy, the schoolmaster of Glen
Quharity, had not seen Margaret Dish-
art for eighteen years until that day
when he stood in the crowd that had
gathered to welcome Gavin Dishart, the
new minister of Auld Licht parish in
Thrums. When the dominie saw Mar
garet again, he knew that all her happi
ness lay in her son Gavin. The school
master did not allow Margaret to see
him, as he never would even in the dis
turbed days to come. He knew that he
was best out of her life, that he could
bring her only unhappiness. When he
heard Gavin deliver his first sermon at
Auld Licht, the dominie knew that the
little minister, who was just twenty-one,
had indeed received the "call/'
Lord Rintoul's castle stood in the Spit-
tal on the hill above Glen Quharity.
It was rumored that he had in his house
hold a young girl whom he expected to
marry soon, but no one had seen the
girl except the sheriff of Thrums, who
stopped at the castle to tell Lord Rintoul
that a detachment of militia was coming
to Thrums to arrest some insurgent
weavers. Dressed as a gipsy, the young
bride-to-be ran to the village to warn the
people that soldiers were on their way.
Gavin Dishart met her that night as
he was walking through Windyghoul to
ward Caddam. She ran dancing and
singing, and laughed at him as she dart
ed past him toward Thrums. When
Gavin caught up with her, they became
rivals as Gavin attempted to calm the
workers whom the gipsy had aroused
against the soldiers. Her activities on
the night the militia came was a topic
of discussion in Thrums for days after
ward — this mysterious gipsy whose origin
no one could guess. Even Gavin spent
more hours than was proper pondering
over the girl who had brazenly claimed,
when the soldiers had tried to arrest her,
that she was his wife.
Gavin's next meeting with the gipsy
THE LITTLE MINISTER bf James M. Barrie. Published by Charles Scribner'* Sons
513
was in the cottage of old Nanny Web
ster, a parish charge. This story the
schoolmaster heard through tillage gos
sip. The story of how Gavin had gone
with Dr. McQueen to take old Nanny
to the poorhouse, and how the gipsy
girl, Babbie, interrupted the proceedings
by offering to provide Nanny with an
income for the old woman's support,
reached the dominie only in minor. Most
of the villagers believed that the little
minister had done the good work; few
knew about the gipsy's part in the story.
Gavin could have avoided ever seeing
Babbie again, but he did not. He even
went so for as to tell her when he would
be walking through Caddam woods. Bab
bie was not like the people of Thrums.
She horrified old Nanny with her im
pertinence to the little minister of Auld
Debt. She embarrassed Gavin by teas
ing him about his height, a fact which
had caused him great distress all his life.
Ever on the lookout for the pair was
Rob Dow, who skulked among the pines
of Windyghoul spying on his beloved
minister and the witch who had cast a
spell on Gavin. Rob, a drunkard whom
Gavin had converted, feared for his
minister after he had seen the gipsy
nearly succeed in her attempt to make
the minister kiss her. Rob jealously guard
ed his secret, for he was no gossip. To
his death, Rob protected the little min
ister who had saved him from drink.
While the dominie feared lest Mar
garet be hurt by this woodland court
ship, Gavin was troubled by his love for
the brazen gipsy. As she gradually be
came aware of his devotion, the gipsy
girl began to love bim in turn. No one
had ever loved her before. Lord Rin-
toul only played at watching her beauty.
When Gavin stated that he would marry
her, Babbie protested that he would be
banished from Thrums and so break
his mother's heart.
One night the lovers walked together
through Windyghoul. Unknown to any
one, the dominie, Mr. Ogilvy, often
strolled through the same wood so that
he could gaze at the manse where Mar
garet lived. That night he met Gavin
and Babbie. Immediately sensing their
relationship and thinking only of Mar
garet, Ogilvy stepped into the affair and
there he remained until it ended, not
for Gavin's sake but for Margaret's pro
tection. There were no words exchanged
that night, but each knew that the dom
inie was aware of the love between Gavin
and Babbie.
In Windyghoul, the next day, Babbie
met Micah, Rob Dow's small son. Sob
bing, the child told her that his father
had taken to drink again because the
little minister had been bewitched by the
gipsy. If only she would go away, Rob
could regain his faith in the minister
and stop his drinking once more. Bab
bie realized then that Gavin's duty called
him from her. She never laid eyes again
on her lover until the terrible day of the
great rain.
On the day of the great rain plans
were being made at the Spittal for Lord
RintouTs wedding to his young bride. On
this same day there was a fight in
Thrums, and false news spread that Gavin
had been killed by a drunken High
land piper. When the news traveled as
far as the Spittal, Babbie, alarmed for
Gavin and Margaret, ran to Mr. Ogilvy
to ask his aid. The schoolmaster went
with her to Windyghoul, where they en
countered Gavin. When the two lovers
were reunited, Babbie told Gavin that
this was the day of her wedding to Lord
Rintoul. Again Gavin asserted that he
would marry her.
They hurried away to a gipsy camp
and there the gipsy king married them
over the tongs. Meanwhile Lord Rintoul,
searching for his bride, had followed her
in time to witness the ceremony. In the
confusion of the gipsy camp, Babbie
cried out to Gavin that she heard Lord
Rintoul's voice. As Gavin rushed to en
counter his rival, Babbie was suddenly
snatched away. Assuming that Lord
Rintoul would bring her back to the
Spittal, Gavin headed toward Glen Qu-
514
harity. The increasing rain drove him
to Mr. Ogilvy's house for shelter.
The dominie ordered Gavin to end
his fruitless pursuit, but the little minis
ter insisted that he would take Babbie
back to the manse as his bride. Then
Mr. Ogilvy had to tell Gavin about
Margaret. The schoolmaster — his name
was Gavin also — had married Margaret
after her first husband, Adam Dishart,
had disappeared at sea. Six years after
little Gavin's birth Adarn Dishart had
returned to claim his wife and little
Gavin as his own. Mr. Ogilvy, perceiv
ing the sorrow in Margaret's eyes as she
faced the two men who claimed her, had
disappeared and had sworn never to allow
Margaret to know of his existence again.
It was too late for the little minister and
his real father to find any filial love after
the schoolmaster's painful revelation.
Gavin acknowledged his father, but he
claimed that it was more God's will that
he find Babbie again. As Gavin set out
toward the Spittal, Mr. Ogilvy started
toward Thrums to protect Margaret from
village gossip that might reach her.
Babbie had not been captured by
Lord Rintoul. Rob Dow, resolved to
destroy the cause of his minister's down
fall, had seized her. The gipsy eluded
him during the severe storm, however,
and ran to the manse to find Gavin.
Gavin, meanwhile, had lost all trace
of Lord Rintoul in the rain-swept dark
ness. While he was making his way
across the storm-flooded countryside, he
came upon a ravine where some men
shouted to him that Lord Rintoul was
stranded on a small islet which was
being washed away by the swiftly-flowing
water. He could be saved if a man
would jump down onto the island with
a rope. Although he had no rope, Gavin
jumped in the hope that he could help
Lord Rintoul to maintain his foothold
on the tiny piece of dwindling turf. As
the villagers gathered at the brink of
the ravine, their minister shouted to
them that he had married Babbie the
gipsy and that Mr. Ogilvy was to carry
the news of his death to his mother and
his wife. Then a man leaped into the
ravine with a rope. It was Rob Dow,
who performed his last living act to save
the little minister whom he loved.
Gavin, followed by his admiring con
gregation, returned to the manse. There
he found his mother and Babbie, who
now could reveal herself, not as the wild
gipsy of Windyghoul, but as the lady
whom Lord Rintoul had planned to
wed. Gavin and Babbie were married
again under the prayers of a real min
ister, but Gavin always felt that he had
really married her under the stars in the
gipsy camp.
Mr. Ogilvy told the story of Gavin and
Babbie to the eager little girl who was
the daughter of the little minister and
his wife. At the schoolmaster's request,
Margaret Dishart had never learned of
his part in Gavin's love affair. But after
her death Gavin Ogilvy heard Babbie's
and Gavin's daughter call him grand
father.
LITTLE WOMEN
Type of -work: Novel
Author: Louisa May Alcott (1832-1888)
Type of plot: Sentimental romance
Time of plot: Nineteenth century
Locale: A New England village; New York City; Italy
First published: 1868
Principal characters:
MEG,
Jo,
BETH, and
AMY, the March sisters
515
MRS. MAKCH (MABMEE), their mother
MR. MARCH, their father
THEODORE LAWRENCE (LAURIE), a young neighbor
PROFESSOR BHAER, a tutor, in love with Jo
Critique:
Little Women is one of the best-loved
books of all time, as popular today as
•A'hen it was written eighty years ago.
Although it is actually a children's book,
it appeals to grownups as well, who see
in it a mirror of their own childhood, or
at least the childhood they would have
preferred. The story is largely autobio
graphical, the March girls being Louisa's
own sisters, with herself as Jo.
The Story:
The March family lived in a small
house next door to the Lawrence man
sion, where young Theodore Lawrence
and his aged grandfather had only each
other for company in the great house.
Old Mr. Lawrence was wealthy and he
indulged every wish of his grandson, but
often Laurie was lonely. When the lamp
was lit and the shades were up in the
March house, he could see the four
March girls with their mother in the
center seated around a cheerful fire. He
learned to know them by name before
he met them, and in his imagination he
almost felt himself a member of the
family.
The oldest was plump Meg, who had
to earn her living as governess of a
group of unruly youngsters in the neigh
borhood. Next was Jo, tall, awkward,
and tomboyish, who liked to write, and
who spent all her spare time devising
plays and entertainments for her sisters.
Then there was gentle Beth, the home
body, content to sit knitting by the fire,
or to help her mother take care of the
house. The youngest was curly-haired
Any, a schoolgirl who dreamed of some
day becoming a famous artist like Michel
angelo or Leonardo da Vinci.
At Christinas time the girls were con
fronted with the problem of what to do
with the dollar Mannee, as they called
their mother, had said they might spend.
At first each thought only of her own
pleasure, but all ended by buying a gift
for Marmee instead. On Christmas morn
ing they insisted on sharing their break
fast with the Hummels, a poor family
in the neighborhood, and for this unsel
fishness they were rewarded when rich
Mr. Lawrence sent over a surprise Christ
mas feast consisting of ice cream, bon
bons, and four bouquets of flowers for the
table.
Many happy days followed, with
Laurie, who had met Jo at a fashionable
New Year's Eve dance, becoming a part
of the March family circle. But in
November of that same year a telegram
brought a message that their father, an
army chaplain in the Civil War, was
critically ill. Mrs. March did not know
what to do. She felt that she should go
to her husband at once, but she had
barely five dollars in her purse. She was
hesitant about going to wealthy, irascible
Aunt March for help. Jo solved the prob
lem by selling her beautiful, long, chest
nut hair, which was her only vanity, for
twenty-five dollars. She made the sacri
fice willingly, but that night, after the
others had gone to bed, Meg, who
thought Jo was asleep, heard her weeping
softly. Gently, Meg asked if Jo were cry
ing over her father's illness, and Jo sobbed
that it was not her father she was crying
for now, but for her hair.
During Marmee's absence dark days
fell upon the little women. Beth, who
had never been strong at best, contracted
scarlet fever, and for a time it looked as
if Jo were going to lose her dearest sister.
Marmee was sent for, but by the time
she arrived the crisis had passed and her
little daughter was better. By the next
LITTLE WOMEN by Louisa May Alcott. Published by Little, Brown & Co.
516
Christmas, Beth was her old contented
self again. Mr. March surprised them all
when he returned home from the front
well and happy. The little family was
together once more.
Then John Brooke, Laurie's tutor, fell
in love with Meg. This fact was dis
closed when Mr. Brooke surreptitiously
stole one of Meg's gloves and kept it in
his pocket as a memento. Laurie discov
ered the glove and informed Jo. To his
great surprise, she was infuriated at the
idea that the family circle might he dis
turbed. But she was quite reconciled
when, three years later, Meg "became
Mrs. Brooke.
In the meantime, Jo herself had grown
up. She began to take her writing seri
ously, and even sold a few stories which
helped with the family budget.
Her greatest disappointment came
when Aunt Carrol, a relative of the
Marches, decided she needed a companion
on a European trip, and asked not Jo but
the more lady-like Amy to accompany
her. Then Jo, with Marmee's permission,
decided to go to New York. She took a
job as governess for a Mrs. Kirke, who
ran a large boarding-house. There she
met Professor Bhaer, a lovable and ec
centric German tutor, who proved to be
a good friend and companion.
Upon her return home, Laurie, who
had always loved Jo, asked her to marry
him. Jo, who imagined that she would
always remain an old maid, devoting her
self exclusively to her writing, tried to
convince Laurie that they were not made
for each other. He persisted, pointing
out that his grandfather and her family
both expected them to marry. When she
made him realize that her refusal was
final, he stamped off, and shortly after
ward went to Europe with his grand
father. In Europe he saw a great deal
of Amy, and the two became close friends,
so that Laurie was able to transfer to her
younger sister a great deal of the feeling
he previously had for Jo.
In the meantime Jo was at home car
ing for Beth, who had never fully re
covered from her first illness. In the
spring, Beth died, practically in Jo's arms,
and after the loss of her gentle sister Jo
was lonely indeed. She tried to comfort
herself with her writing, and with Meg's
two babies, Daisy and Demi, but not
until the return of Amy, now married to
Laurie, did she begin to feel her old
self again. When Professor Bhaer stopped
off on his way to a university appoint
ment in the Midwest, Jo was delighted.
One day, under an umbrella he had sup
plied to shield her from a pouring rain,
he asked her to marry him, and Jo ac
cepted. Within a year old Aunt March
died and willed her home, Plumfield, to
Jo. She decided to open a boys' school,
where she and her professor could de
vote their lives to instructing the young.
So the little women reached maturity,
and on their mother's sixtieth birthday
they all had a great celebration at Plum-
field. Around the table, at which there
was but one empty chair, sat Marmee,
her children and her grandchildren.
When Laurie proposed a toast to her, she
replied by stretching out her arms to
them all and saying that she could wish
nothing better for them than this present
happiness for the rest of their lives.
LOOK HOMEWARD, ANGEL
Type of work: Novel
Author: Thomas Wolfe (1900-1938)
Type of plot: Impressionistic realism
Time of plot: 1900 to 1920
Locale: North Carolina
First published: 1929
517
Principal characters:
EUGENE GAJSTT
ELIZA GANT, his mother
OUVER GANT, his father
BEN GANT, his brother
MAXGAKET LEONARD, his teacher
LAURA JAMES, his first sweetheart
Critique:
The work of Thomas Wolfe contains
two invariable elements. One is a re
liance on characters of exceptional bril
liance and vitality. The other is the por
trayal of a central character who is the
sensitive artist isolated in a hostile world.
The latter character is generally Thomas
Wolfe himself. In his fiction Wolfe at
tempted to re-create the whole American
experience in his own image, and be
neath the sprawling, often chaotic mass
of his novels there are firm outlines of
the naked and innocent story of the
American land and its people. Although
his emotional range is limited to the
adolescent and the romantic, he stands
plainly in the succession of American
writers who have expressed in their work
the symbols of a haunted inner world of
thought and feeling.
The Story:
Eugene, the youngest child in the
Gant farnilv, came into the world when
Eliza Gant was forty-two years old. His
father went on periodic drinking sprees
to forget his unfulfilled ambitions and
the unsatisfied wanderlust which had
brought him to Altamont in the hills of
old Catawba. When Eugene was born,
his father was asleep in a drunken
stupor.
Eliza disapproved of her husband's de
bauches, but she lacked the imagination
to understand their cause. Oliver, who
had been raised amidst the plenty of a
Pennsylvania farm, had no comprehen
sion of the privation and suffering which
had existed in the South after the Civil
War, the cause of the hoarding and
acquisitiveness of his wife and her Pent-
land relations in the Catawba hill coun
try.
Eliza bore the burden of Oliver's
drinking and promiscuousness until Eu
gene was four years old. Then she de
parted for St. Louis, taking all the
children but the oldest daughter, Daisy,
with her. It was 1904, the year of the
great St. Louis Fair, and Eliza had gone
to open a boarding-house for her visiting
fellow townsmen. The idea was abhor
rent to Oliver. He stayed in Altamont.
Eliza's sojourn in St. Louis ended
abrupdy when twelve-year-old Grover
fell ill of typhoid and died. Stunned,
she gathered her remaining children to
her and went home.
Young Eugene was a shy, awkward
boy with dark, brooding eyes. He was,
like his ranting, brawling father, a dream
er. He was not popular with his school
mates, who sensed instinctively that he
was different, and made him pay the
price; and at home he was the victim
of his sisters' and brothers' taunts and
torments. His one champion was his
brother Ben, though even he had been
conditioned by the Gants' unemotional
family life to give his caresses as cuffs.
But there was little time for Eugene's
childish daydreaming. Eliza believed
early jobs taught her boys manliness and
self-reliance. Ben got up at three o'clock
every morning to deliver papers. Luke
had been a Saturday Evening Post agent
since he was twelve. Eugene was put un
der his wing. Although the boy loathed
the work, he was forced every Thursday
to corner customers and keep up a con
tinuous line of chatter until he broke
down their sales resistance.
LOOK HOMEWARD, ANGEL by Thomas Wolfe. By permission of Edward C. Aswell, Administrator, Estate
of Thomas Wolfe, and the publishers, Charles Scribncr's Sons. Copyright, 1929, by Charles Scribner's Sons.
518
Eugene was not yet eight when his
parents separated. Eliza had bought the
Dixieland boarding-house as a good in
vestment. Helen remained at the old
house with her father. Daisy married
and left town. Mrs. Gant took Eugene
with her. Ben and Luke were left to
shift for themselves, to shuttle back and
forth between the two houses. Eugene
grew to detest his new home. When
the Dixieland was crowded, there was
no privacy, and Eliza advertised the
Dixieland on printed cards which Eugene
had to distribute to customers on his
magazine route and to travelers arriving
at the Altamont station.
But although life at the boarding-
house was drabness itself, the next four
years were the golden days of Eugene's
youth, for he was allowed to go to the
Leonards' private school. Margaret Leon
ard, the tubercular wife of the school
master, recognized Eugene's hunger for
beauty and love, and was able to find in
literature the words that she herself had
not the power to utter. By the time he
was fifteen Eugene knew the best and
the greatest lyrics almost line for line.
Oliver Gant, who had been fifty when
his youngest son was bom, was beginning
to feel his years. Although he was never
told, he was slowly dying of cancer.
Eugene was fourteen when the World
War broke out. Ben, who wanted to join
the Canadian Army, was warned by his
doctor that he would be refused because
he had weak lungs.
At fifteen, Eugene was sent to the
university at Pulpit Hill. It was his
father's plan that Eugene should be well
on his way toward being a great states
man before the time carne for old Oliver
to die. Eugene's youth and tremendous
height made him a natural target for
dormitory horseplay, and his shy, awk
ward manners were intensified by his
ignorance of the school's traditions and
rituals. He roomed alone. His only
friends were four wastrels, one of whom
contributed to his social education by
introducing frrm to a brothel.
That summer, back at the Dixieland,
Eugene met Laura James. Sitting with
her on the front porch at night, he was
trapped by her quiet smile and clear,
candid eyes. He became her lover on a
summer afternoon of sunlit green and
gold. But Laura went home to visit her
parents and wrote Eugene that she was
about to marry a boy to whom she had
been engaged for nearly a year.
Eugene went back to Pulpit Hill that
fall, still determined to go his way alone.
Although he had no intimates, he grad
ually became a campus leader. The
commonplace good fellows of his world
tolerantly made room for the one who
was not like them.
In October of the following year Eu
gene received an urgent summons to
come home. Ben was finally paying the
price of his parents' neglect and the
drudgery of his life. He was dying of
pneumonia. Eliza had neglected to call a
competent doctor until it was too late, and
Oliver, as he sat at the foot of the dying
boy's bed, could think only of the expense
the burial would be. As the family kept
their vigil through Ben's last night,
they were touched with the realization
of the greatness of the boy's generous
soul. Ben was given, a final irony, the
best funeral money could buy.
With Ben went the family's last pre
tenses. When Eugene came back to the
Dixieland after graduation, Eliza was in
control of Oliver's property and selling it
as quickly as she could in order to use
the money for further land speculations.
She had disposed of their old home.
Oliver lived in a back room at the
boarding-house. His children watched
each other suspiciously as he wasted
away, each concerned for his own inherit
ance. Eugene managed to remain un-
embroiled in their growing hatred of each
other, but he could not avoid being a
target for that hatred. Helen, Luke, and
Steve had always resented his school
ing. In September, before he left for
Harvard to begin graduate work, Luke
asked Eugene to sign a release saying
519
that he had received his inheritance as
tuition and school expenses. Though his
father had promised him an education
when he was still a child and Eliza was
to pay for his first year in the North,
Eugene was glad to sign. He was free,
and he was never coming back to Alta-
mont.
On his last night at home he had a
vision of his dead brother Ben in the
moonlit square at midnight; Ben, the
unloved of the Gants, and the most lov
able, It was for Eugene as well a vision
of old, unhappy, unforgotten years, and
in his restless imagination he dreamed
of the hidden door through which he
would escape forever the mountain-
rimmed world of his boyhood.
LOOKING BACKWARD
Type of work: Novel
Author: Edward Bellamy (1850-1898)
Type of plct: Utopian romance
Time of plot: A.D. 2000
Locale: Boston, Massachusetts
First published: 1888
Principal characters:
JHUAN WEST, a traveler in time
EDITH BAHTTLETT, his nineteenth century fiancee
DR. LEETE, a twentieth century citizen
EDITH LEETE, his daughter
Critique:
The main value of Looking Backward:
2000-1887 lies in its credible presenta
tion of a socialist Utopia, and the boot
has served to introduce many famous
people to the theory of socialism. Bel
lamy was not merely a follower of Marx
and other economists; he rationalized for
himself the case for economic revolution.
The prophecies he makes for the world
by A.D. 2000 are sometimes strikingly
shrewd, and his judgments made of
modern society are pointed and witty.
Bellamy's idea was to present the ideas
of socialism, as he saw them, in a way
which would appeal to a wide reading
public, both of yesterday and today.
The Story:
Julian West had a hard time sleeping.
In order to have complete quiet he had
built a sound-proof room with thick
cement walls in the cellar of his house.
He was also in the habit of having a
quack doctor named Pillsbury put him
to sleep by hypnosis.
One night he went to dinner with his
fiancee's family and spent an enjoyable
evening with Edith and her father, Mr.
Barrlett He went home, had the doctor
give him a treatment, and went to sleep.
He awoke to find strange people in the
room. They asked him who he was, and
when he had gone to sleep. Julian was
amazed when he realized that he had
been asleep one hundred and thirteen
years, three months, and eleven days.
From much questioning, Julian learned
what must have happened. During the
night that he last remembered, his house
had burned down except for the sealed
room in which he slept; and apparently
everyone assumed that he had died in
the fire. Because of his hypnotic state,
his body had remained the same. He was
still a young man of thirty when he was
discovered by Dr. Leete in the year 2000.
Dr. Leete and his daughter, Edith, were
very kind to their guest from the past and
tried to explain the changes in the world
since he had last seen it.
Boston was a new city with only the
bay and the inlets as he remembered
them. The city was beautiful, with at
tractive buildings and spacious parks.
520
The strikes and labor troubles of the
nineteenth century had resulted in a
bloodless revolution, and now a socialized
government controlled all business. There
was no smoke because all heating was
done by electricity. All the people were
healthy and happy.
Dr. Leete tried to explain the world
of A.D. 2000. There was no money.
The state gave everyone, no matter what
his job, a card which contained the same
amount of credit for a years expenses.
There was no chance, however, for any
one to spend his credit foolishly and
starve. If a person proved incapable of
handling his credit card intelligently, the
government took care to see that he was
supervised. Julian was taken to one of
the big stores to see how goods were sold.
The store had nothing but samples, rep
resenting every type of material made in
or imported by the United States. The
buyer picked out the items he wanted,
called a clerk, gave the order, and the
clerk relayed the order to the central
warehouse from which the item was
delivered to the buyer's home before he
returned from the store. Julian was much
impressed with this system.
He learned from Dr. Leete how edu
cation was handled. Everyone was given
a full education until he was twenty-one.
A broad cultural course was taught so
that there was no intellectual snobbery
among the people. At twenty-one, the
student went into menial service for
three years. During this time he waited
on tables in the large public eating
houses, or did some other simple task.
After three years, he was given an ex
amination to qualify him for one of the
government professional schools. If he
failed, he was helped to find the job for
which he was best suited and which he
would most enjoy. If this job proved to
be the wrong one, he could change his
position. In order that all necessary jobs
would be chosen by enough people to do
the essential work, the jobs were ar
ranged so as to be equally attractive. If
one job was so boring that few people
would want to choose it, the hours were
made shorter so that enough applicants
could be found. Whether a citizen was
a doctor or a bricklayer, he was given
the same amount of credit for his work.
Crime was treated as a mental disease;
criminals were put in hospitals and
treated as mental cases. Julian learned
that crime had been cut down amazingly
as soon as money was abolished. Theft
became silly when everyone had the
right and power to own the same things.
At the head of the government was the
President, who was controlled by Con
gress. Education and medicine were con
trolled by boards made up of older pro
fessional advisers to the President. A
woman chosen by the women of the
country had the power to veto any bill
concerning the rights of the female
population. There was no public dis
content with government, and there was
wonderful international cooperation.
Julian asked Dr. Leete what he had
done in life, and learned that the doctor
had practiced medicine until he was
forty-five years old. At that time he had
retired. Now he studied and enjoyed
various kinds of recreation.
Edith Leete took great pleasure in
showing Julian the various advances toe
world had made in culture since his day.
She showed him how music was carried
into all the homes in the country by
telephone. She showed him the public
libraries in which Julian learned that his
old favorites were still read. Dickens was
especially popular, as the new world
thought him one of the wisest men in
judging the sadness of the old capitalistic
system. When an author wrote a book,
it was published at his own expense by
the government. If it proved a success,
he received royalties in additional credit
cards. Works of art were voted on by the
public in the same way. When Julian
commented that this plan would not have
worked in his day because of the lack of
public taste, Edith told him that with
general education the taste of the people
had developed greatly, Julian became
521
very fond of Edith, and thought how
strange it was that she should have the
same name as his long-dead fiance'e.
When Julian became worried about a
means of support, Dr. Leete told him
that he had arranged for him to take a
college lectureship in history, as Julian
knew much about the past which even
historians would be delighted to learn.
Knowing that he was secure in this new
world, Julian asked Edith to marry him.
She told him that she had always loved
him.
When Julian asked how this was pos
sible, she explained that she was the
great-granddaughter of Edith Bartlett.
She had found some of Julian's old love
letters to the other Edith, and had been
charmed by them. She had always told
her parents that she would marry only a
man like the lover who had written them.
Julian was pleased at this unexpected
turn of affairs, and the two planned to
marry and live happily in the wonderful
world of the twenty-first century.
LORD JEM
Type of -work: Novel
Author: Joseph Conrad (Teodor J6zef Konrad Korzeniowski, 1857-1924)
Type of plot: Psychological romance
Time of plot: Late nineteenth century
Locale: Ports and islands of the East
First published: 1900
Principal characters:
LORD JrM, a British sailor
MARLOW, his friend
STEIN, a trader
DAIN WABJS, a native
Critique:
Lord ]irn first ran as a magazine serial
that puzzled many readers. Conrad
claimed that he had planned the nar
rative as a novel. Critics claimed that
he had written a short story which had
run away from him. The fact remains
that the story is told in a unique frame
work. At its beginning it seems to skip
haphazardly backward and forward
through time at no one's direction. It is
told partly by Conrad, partly in narrative
by Marlow, and partly through a letter
written by Marlow. The reader must
solve for himself the problem of Jim's
character. Certainly, Conrad was at
tempting to illustrate in Jim's weakness
and strength the mystery of human char
acter and to reveal the hidden springs of
human conduct
The Story:
Jim was an outcast, a wanderer. Hired
as water clerk in seaports throughout the
East, he would keep his job only until
his identity became known. Then he
would move on. The story of Lord Jim
began when he determined to leave
home to go to sea. Accordingly, his father
obtained a berth for him as an officer
candidate and he began his service. Al
though he loved the sea, his beginning
was not heroic. Almost at once he was
injured and was left behind in an East
ern port When he recovered, he accept
ed a berth as chief mate aboard an
ancient steamer, the Patna, carrying Mos
lem pilgrims on their way to Mecca.
The steamer was unseaworthy, her
German captain a gross coward, her chief
engineer liquor-soaked. One sultry night
JIM by Jo
by Joseph Conrad. By permission of J. M. Dent & Sons, Ltd., agents for the trustees of the estate
f Joseph Conrad Published by Doubleday & Co., Inc. Copyright, 1899, 1900, by Joseph Conrad, 1921 by
>oubleday, Page & Co. Renewed, 1926, by Jessie Conrad.
522
hi the Red Sea the ship struck a floating
object. The captain sent Jim to check.
A month later Jim testified in court
that when he went to investigate he
found the forward hold rapidly filling
with sea water. Hearing his report, the
captain declared the Patna would sink
quickly and gave orders to abandon ship.
At first Jim was determined to stand by
his post. At the last minute, on sudden
impulse, he jumped to join the other
white men in the lifeboat they had
launched. The pilgrims were left aboard
the sinking vessel.
But the Patna had not sunk. A French
gunboat overtook the vessel and towed
it and the abandoned passengers into
port without its chief officers aboard.
Marlow, a white man, sat at the in
quiry. Later, he took up the thread of
the story as he had learned it from Jim.
Something in Jim was fixed to Marlow's
memory so that he was forced to recall
the event and to tell the story to friends
as long as he lived; it became a part
of his own life.
It always began the same way. First
there had come a cable from Aden tell
ing that the Patna, abandoned by its
officers, had been towed into port. Then
two weeks later the captain, the two
engineers, and Jim had come ashore, their
boat having been picked up by a steamer
of the Dale Line. They were whisked
into court at once for the investigation.
The captain lost his papers for deserting
his ship, and he stormed away declaring
that his disgrace did not matter; he would
become an American citizen.
The chief engineer went to a hospital.
There, raving in delirium tremens, he
declared he had seen the Patna go down.
The Patna was full of reptiles when she
sank7 he declared. He also declared that
the space under his bed was crammed
with pink toads. The second engineer,
his arm broken, was also in the hospital.
Neither was called to testify.
Jim, with his recollection of his fam
ily and his father's teaching, as well as
his own deeply established sense of
honor, was a marked man for the rest
of his life. Marlow told how he had
dinner with Jim during the trial. The
boy seemed of a different stamp from
the other officers o£ the Patna. Marlow
was determined to fathom the boy's
spirit, just as Jim was determined to re
gain his lost moral identity.
Jim told Marlow how the disgraceful
affair had happened. After he had in
vestigated the damage, he had felt that
the ship could not remain afloat, for her
plates were rust-eaten and unable to
stand much strain. There were eight
hundred passengers and seven boats, and
not enough time to get into the boats
the few passengers who could be carried
to safety. Shortly afterward he discovered
the captain and the engineers making
ready to desert the ship. They insisted
that he join them; the passengers were
doomed anyway. The acting third en
gineer had a heart attack in the excite
ment and died. Jim never knew when —
or why — he had jumped into the life
boat the other officers had launched. Jim
told Marlow how they had agreed to
tell the same story. Actually, he and his
companions thought that the Patna had
gone down. Jim said that he had felt
relief when he had learned that the pas
sengers were safe. The whole story made
sailor-talk in all ports where seamen met
and talked. After the inquiry Marlow
offered to help Jim, but Jim was deter
mined to become a wanderer, to find out
by himself what had happened to his
soul.
Jim began his wanderings, to Bombay,
to Calcutta, to Penang, Batavia, and the
islands of the East. For a time he found
work with an acquaintance of Marlow's,
but he gave up his job when the second
engineer of the Patna turned up un
expectedly. Afterward he became a run
ner for some ship chandlers, but he left
them because he had heard one of the
owners discussing the case of the Patna.
He moved on, always toward the East,
from job to job.
Marlow continued his efforts to help
523
Jim. He sought out Stein, a trader who
owned a number of trading posts on the
smaller islands of the East Indies. Stein
made Jim his agent at Patusan, an out-
of-the-way settlement where he was sure
Jim might recover his balance. There,
in that remote pkce, Jim tried to find
some answer to his self-hatred. Deter
mined never to leave Patusan, he as
sociated with the natives, and hy his
gentleness and consideration became their
leader. They called him Tuan Jim —
Lord Jim. Dain Waris, the son of Dora-
min, the old native chief, was his friend.
The rumor spread in the ports that
Jim had discovered a valuable emerald,
and that he had presented it to a native
woman. There was a story about a native
girl who loved him and who had given
him warning when some jealous natives
came to murder him,
Marlow followed Jim to Patusan.
When Marlow prepared to leave, Jim
accompanied him part of the way. He
explained to Marlow that at last ne felt
as though his way had been justified.
Somehow, because the simple natives
trusted him, he felt linked again to the
ideals of his youth. Marlow felt there
was a kind of desperateness to his con
viction.
The end came when Gentleman
Brown, a roving cutthroat, determined
to loot Lord Jim's stronghold. He arrived
while Jim was away. Led by Dain Wans,
the natives isolated Brown and his
marauders on a hilltop but were unable
to capture them. Lord Jim returned and
after a long talk with Brown became
convinced that Brown would leave peace
ably if the siege were lifted. He per
suaded the reluctant natives to with
draw. The vicious Brown repaid Lord
Jim's magnanimity by vengefully mur
dering Dain Waris. Lord Jim went un
flinchingly to face native justice when
he offered himself to the stern old chief
tain as the cause of Dain Waris' death.
Doramm shot Jim through the breast.
Marlow, who had watched Jim's life
so closely, felt that Jim had at last won
back his lost honor.
LORNA DOONE
Type of work: Novel
Author: R. D. BlackmoTe (1825-1900)
Ty-pe of plot: Historical romance
Time of 'plot: Late seventeenth century
Locale: England
1869
Principal characters:
JOHN RTDD, yeoman of the parish of Oare in Somerset
SIR ENSOR DOONE, head of the outlaw Doone clan
LORNA DOONE, his ward
CARVER DOONE, bis son
TOM FAGOTS, a highwayman
JEREMY STICKLES, Hag's messenger
REUBEN HUCKABACK, John Ridd^ great-uncle
Critique:
R. D. Blackmore, in his preface to
Lorna Doone: A Romance of Exmoor,
was content to call his work a "romance,"
because the historical element was only
incidental to the work as a whole. Secret
agents, highwaymen, clannish marauders,
and provincial fanners figure against a
LORJtfA DOONE by R. D. Blackmore. Published by Dodd, Mead & Co., Inc.
background of wild moor country. A
feeling for the old times, for great,
courageous people, for love under duress
made the novel popular with Victorian
readers. People who have read it in their
youth remember it with nostalgia, for the
book has a penetrating simplicity. Told
524
in the first person by John Ridd, the
main character in the novel, it has an
authentic ring, the sound of a garrulous
man relating the adventures of his youth.
The Story:
John Ridd was engaged in a schoolboy
fight in the yard of old BlundelTs school
when John Fry, employed by Ridd's
father, called for the boy to summon him
home. Before the two left, however,
young John completed his fight by knock
ing out his opponent. On their way home
through the moorlands they were nearly
captured by members of the outlaw
Doone band, who had been ravaging the
countryside, stealing and killing. When
John Ridd reached his father's farm, he
learned that only a few days before, the
Doones had set upon and murdered his
father. This incident stimulated the de
sire for revenge by all the members of
the parish of Oare, for the murdered man
had been greatly respected.
John settled down to the responsibili
ties which the death of his father had
thrust upon him. At first his time was
greatly taken by farm work, as he grew
and matured into the largest and strongest
man in the Exmoor country. As he grew
up, John learned much about the wild
Doone clan. There was one Doone,
however, for whom he felt no animosity.
This was the beautiful child of the man
supposed to be the murderer of John's
father. At first sight John had been
stirred by the beauty of Lorna Doone.
Thereafter he was in great conflict
when he understood that his passion was
directed toward the girl whom he ought
for his father's sake to hate.
When John's great-uncle, Master Reu
ben Huckaback, was attacked and robbed
by the Doones, he went with John to
swear out a warrant for their arrest, but
he had no luck because the magistrates
were unwilling to incur the enmity of
the Doones.
John was drawn deeper into his re
lationship with Lorna Doone. At their
secret meetings in Doone Valley she told
him the story of her life with the out
laws; how she always had loved her
grandfather, Sir Ensor Doone, but feared
and lately had come to hate the rough,
savage sons, nephews, and grandsons of
Sir Ensor. This hatred was increased
when Carver Doone cold-bloodedly mur
dered Lord Alan Brandir, a distant rela
tive, who had come to take her away from
the Doones.
About this time John was called to
London to serve the cause of James II's
tottering throne. There he disclosed all
he knew of the Doones' activities and of
the false magistrates who seemed to be
in league with them. He was warned
that Tom Faggus, a highwayman who
was John's own cousin, might go to
the gallows before long. He returned
to his mother and his farm no penny
richer or poorer than when he left, be
cause of his refusal to accept bribes or
to become the dupe of sly lawyers in the
city.
In the meantime concern over Lorna,
who had two suitors among the Doones
themselves, had almost unhinged John's
mind. He was delighted to discover that
Lorna, still only seventeen, held off the
two Doones. At the same time he feared
more than ever his chance of winning
the ward of the outlaws he was pledged
to help the king destroy. However, he
at last won Lorna over to his suit, and
with her agreement he felt nothing could
stop him.
At home the love of his sister Annie
for her cousin, Tom Faggus, reminded
John of his duties as his father's son and
plunged him into the worries over his
mother and Annie and the farm. John's
mother had other plans for his marriage,
but when he revealed the only course his
love must take, he won her over. In the
meantime Master Jeremy Stickles brought
news of the rising of the Duke of Mon-
mouth and of troubles brewing for the
king.
Suddenly, Lorna's signals stopped.
John made his will and descended into
the Doone hideout and there at great
525
risk discovered that Loma had been kept
her rooms because she would not
m
marry Carver Doone. John managed to
talk to her and she pledged never to give
in to her family. He narrowly escaped
capture, and at the same time managed
to save the life of Jeremy Stickles, king's
messenger, by overhearing the outlaws
as they plotted to kill Jeremy when he
should he crossing the valley bridge. The
Doones' plot to kill Stickles brought
further plans for retaliation from the
king's men,
Old Sir Ensor Doone was close to
death. Before he died, he gave John
Ridd and Loma Doone his blessing and
to Loma he presented the glass necklace
he had kept for her since childhood.
Then John took Loma home with him to
his mother's farm. Jeremy Stickles went
south to muster forces for the destruction
of the Doone clan.
The counselor of the Doones took ad
vantage of his absence to visit the Ridd
farm in order to make a truce with John
Ridd. His offer was rejected, but he
threw trouble into the paths of the lovers
by telling them that Lorna's father had
murdered John's father and that his own
father was the murderer of Lorna's
father. Moreover, he tricked them out
of Lorna's necklace, which by now,
through the word of Tom Faggus, they
knew to be made of diamonds.
Uncle Reuben Huckaback grew in
terested in having John marry his grand
daughter Ruth, and took John to see the
gold mine he had just bought Upon his
return, John learned that Loma had dis
appeared. She had been taken axvay by
the Dugals, who claimed her as their
missing heiress.
When Tom Faggus joined the rebels
against the king, John, at his sister An
nie's request, went to find him and to
bring him back to safety. John discov
ered Tom almost dead. John was taken
prisoner and was nearly executed. He
was saved only by the arrival of his
friend, Jeremy Stickles.
John went to London and there saw
Lorna. By good chance and virtue of
his great strength he overcame two vil
lains who were attempting to rob and
kill a nobleman. The man happened to
be Lorna's relative. In return for this
deed, the king gave John the title of
knight. Moreover, he had the court of
heralds design a coat of arms for John's
family. The coat of arms was soundly
made and the queen herself paid for it,
the king declining.
When John returned from London,
covered with honors, he discovered the
Doones had been raiding once more.
Then came the long awaited revenge.
The Doones were routed, their houses
were burned, and their stolen booty
was divided among those who put in
claims for redress. The counselor re
vealed that it was Carver Doone who
had killed John's father. The necklace
was recovered.
Arrangements for the wedding of John
and Lorna were made. At the end of the
ceremony in the church, Carver Doone,
out of his great jealousy, shot Lorna.
Without a weapon in his hand, John
rushed out in pursuit of Carver and found
him at Barrow Down. There took place
the greatest battle between two men ever
told of in books. It was a fight of giants.
As John felt his ribs cracking in Carver's
tremendous hug, he fastened his own
iron grip upon his enemy's arm and
ripped it loose. Then he threw his
crushed and bleeding enemy into the
bog and saw Carver Doone sucked down
into its black depths.
Thus the greatest enemy of John Ridd
was at last destroyed and John returned
to his bride to find that she might live.
She did survive and in peace and plenty
John Ridd lived among his friends to a
hearty old age.
526
LOST HORIZON
Type of work: Novel
Author: James Hilton C 1900- 1954)
Type of plot: Adventure romance
Time of plot: 1931
Locale: Tibet
First published: 1933
Principal characters:
HUGH CONWAY, a British consul
RUTHERFORD, his friend
HENRY BARNARD, an American embezzler
Miss BRLNKLOW, a missionary
CAPTAIN MAIXISON, another British consul
CHANG, a Chinese lama
FATHER PERRAULT, the High Lama
Critique:
Shangri-La, the name for the setting
of this novel, has come to mean to most
Americans a place of peace and content
ment. Such was the strange Utopia
James Hilton described in Lost Horizon,
making it seem like a real place, peopled
ty living beings, rather than the land of
an impossible ideal.
The Story:
When Rutherford had found Hugh
Conway, a former schoolmate, suffering
from fatigue and amnesia in a mission
hospital, Conway had related a weird
and almost unbelievable story concern
ing his disappearance many months be
fore.
Conway was a member of the consu
late at Baskul when trouble broke out
there in May, 1931, and he was con
sidered something of a hero because of
the efficiency and coolness he displayed
while white civilians were being evac
uated. When it was his turn to leave,
he boarded a plane in the company of
Miss Roberta Brinklow, a missionary;
Henry Barnard, an American, and Cap
tain Charles Mallison, another member
of the consulate. The plane was a special
high-altitude cabin aircraft provided by
the Maharajah of Chandapore. Conway,
thirty-seven years old, had been in the
consular service for ten years. His work
had not been spectacular and he was
expecting to rest in England before being
assigned to another undistinguished post.
After the plane had been in the air
about two hours, Mallison noticed that
their pilot was the wrong man and that
they were not headed toward Peshawur,
the first scheduled stop. Conway was
undisturbed until he realized they were
flying over strange mountain ranges.
When the pilot landed and armed tribes
men refueled the plane before it took
off again, Conway began to agree with
Mallison and Barnard, who thought they
had been kidnaped and would be held
for ransom.
When Conway tried to question the
pilot, the man only pointed a revolver at
him. A little after midnight the pilot
landed again, this time narrowly averting
a crackup. Climbing out of the plane, the
passengers found the pilot badly injured.
Conway believed that they were high
on the Tibetan plateau, far beyond the
western range of the Himalaya Moun
tains, The air was bitterly cold, with no
signs of human habitation in that region
of sheer-walled mountains. The pilot
died before morning, murmuring some
thing about a lamasery called Shangri-
La. As the little group started in search
of the lamasery, they saw a group of
men coming toward them.
LOST HORIZON by James Hilton. By permission of the author and the publishers, William Morrow &
Co., Inc. Copyright, 1933, 1936, by William Borrow & Co., Inc.
527
When the men reached them, one in
troduced himself in perfect English; he
was a Chinese named Chang. Following
the men, Con way and his friends arrived
at the lamasery of Shangri-La that eve
ning. There they found central heat,
plumbing, and many other luxuries more
commonly found only in the Western
Hemisphere. They were given fine rooms
and excellent food. They learned that
there was a High Lama whom they
would not be privileged to meet. Al
though Chang told them porters would
arrive in a few weeks to lead them back
to the outer world, Conway had the
strange feeling that their coming had
not been an accident and that they were
not destined soon to leave.
Presently Chang told them that Con-
way was to be honored by an interview
with the High Lama. Mallison begged
him to force the High Lama to provide
guides for them, for Mallison had learned
that Barnard was wanted for fraud and
embezzlement in the United States and
he was anxious to turn Barnard over to
the British authorities. But Conway did
not discuss their departure with the High
Lama, whom he found a very intelligent,
very old man. Instead, he listened to
the lama's remarkable story of Father
Perrault, a Capuchin friar lost in the
mountains in 1734, when he was fifty-
three years old. Father Perrault had
found sanctuary in a lamasery and had
stayed there after adopting the Buddhist
faith. In 1789 the old man lay dying,
but the miraculous power of some drugs
he had perfected, coupled with the mar
velous air on the plateau, prolonged his
life. Later tribesmen from the valley
helped him build the lamasery of Shan
gri-La, where he lived the life of a
scholar. In 1 804 another European came
to the lamasery; then others came from
Europe and from Asia, No guest was
ever allowed to leave.
Conway learned then that the kidnap
ing of their plane had been deliberate.
But, more important, he learned that
the High Lama was Father Perrault and
that he was two hundred and fifty years
old. The old man told Conway that all
who lived at Shangri-La had the secret
of long life. He had sent the pilot for
new people because he believed a war
was coining which would destroy all
known civilization and Shangri-La would
then be the nucleus of a new world. His
picture of life in the lamasery pleased
Conway. He was content to stay.
Conway, knowing that the others
would find it hard to accept the news, did
not tell them that they could never leave.
Mallison continued to talk of the coining
of the porters, but Barnard and Miss
Brinklow announced that they intended
to pass up the first opportunity to leave
Shangri-La and wait for a later chance.
Barnard faced jail if he returned, and
Miss Brinklow thought she should not
miss the opportunity to convert the lamas
and the tribesmen in the valley.
The weeks passed pleasantly for Con-
way. He met a Frenchman called Briac,
who had been Chopin's pupil. He also
met Lo-Tsen, a Chinese girl who seemed
quite young, but Chang told him she
was really sixty-five years old. Conway
had more meetings with the High Lama;
at one of them the old man told Conway
that he knew he was going to die at last
and that he wanted Conway to take
his place as ruler of the lamasery and the
valley and to act wisely so that all culture
would not be lost after war had destroyed
Western civilization.
While he was explaining these mat
ters, the old lama lay back in his chair,
and Conway knew he was dead. Conway
wandered out into the garden, too
moved to talk to anyone. He was
interrupted by Mallison, with the news
that the porters had arrived. Although
Barnard and Miss Brinklow would not
leave, Mallison had paid the porters to
wait for him and Conway. Mallison
said that the Chinese girl was going
with them, that he had made love to
her and that she wanted to stay with
him. Conway tried to tell Mallison that
the girl was really an old woman who
528
would die if she left the valley, but
Mallison refused to listen. At first Con-
way also refused to leave Shangri-La, but
after Mallison and the girl started and
then came back because they were afraid
to go on alone, Conway felt that he was
responsible for them as well and he left
the lamasery with them. He felt that
he was fleeing from the place where he
would be happy for the rest of his life,
no matter how long that life might be.
Rutherford closed his manuscript at
that point, for Conway had slipped away
and disappeared. Later Rutherford met
a doctor who told him that Conway had
been brought to the mission by a woman,
a bent, withered, old Chinese woman.
Perhaps, then, the story was true. Con
vinced that Conway had headed for the
hidden lamasery, Rutherford hoped that
his journey had been successful, that
Conway had reached Shangri-La.
A LOST LADY
Type of work: Novel
Author: Willa Gather (1876-1947)
Type of plot: Regional realism
Time of plot: Late nineteenth century
Locale: Nebraska
First published: 1923
Principal characters:
CAPTAIN FORRESTER, a railroad constructor
Mas. FORRESTER, ids wife
JUDGE POMMEROY, his friend and legal adviser
NrEL HERBERT, the judge's nephew
IVY PETERS, a shyster lawyer
Critique:
This book, which is marked by a
studied attention to form, achieves an
epic-like tone. In part this is derived
from the theme as well as from the view
point of the novel. The theme expresses
a feeling of admiration which most
Americans share for the builders who
opened the West, a herculean task which
could not be done twice. The viewpoint
is that of a young man whose youth
claims the right of sentimental ardor
which makes youth so delightful. More
over, Miss Gather captured the tone of
many women of the generation about
which she was writing. Mrs. Forrester
possessed more valiant self-reliance than
many of her contemporaries. As such she
was able to be a lost lady and still keep
her own personality intact.
The Story:
The Forrester home at Sweet Water
was a stopping off place for railroad mag
nates riding through the prairie states
along the Burlington line. Old Captain
Forrester liked to drive his guests from
the station and watch them as they ap
proached his estate. He enjoyed their
praise of his stock farm and their delight
when his charming wife met them at the
front door. Everyone from railroad presi
dents to the village butcher boy and the
kitchen maids liked Mrs. Forrester; her
manner was always one of friendliness
and respect.
Niel Herbert's acquaintance with Mrs.
Forrester began when he fell from a
tree while playing with some village
boys on the captain's property and Mrs.
Forrester summoned a doctor. He did
not know it at the time, but Mrs. For
rester had already singled him out from
the others because he was Judge Pom-
meroy's nephew. After his recovery he
was often invited to the Forrester home
with his uncle.
OST LADY by Willa Gather. By permission of the publishers. Alfred A. Knopf. Inc. Copyright, 1923. by
529
The boy who had caused Niel's fall
was Ivy Peters. He had winged a wood
pecker and then had slit its eyes. The
bird had fumbled back into its hole, and
Niel was trying to reach the creature to
put it out of its misery when he lost his
balance and fell.
During a period of hard times NieFs
father went out of business and left
Sweet Water. Niel stayed on to read
kw in his uncle's office. A few days
before Christmas, Mrs. Forrester invited
Niel to her home to help entertain Con
stance Ogden, the daughter of one of the
captain's friends, who was coming to
spend the holidays with the Forresters.
Also included in the party was Frank
Ellinger, a bachelor of forty. The dinner
was a gay one. Niel decided that Con
stance was neither pretty nor pleasant.
It was plain that she had designs on
Frank EUinger.
The following day Niel was asked to
stay with Constance during the after
noon, while Mis. Forrester and Frank
took the small cutter and went after
cedar for the Christmas decorations. The
Blum boy, out hunting, saw Mrs. For
rester and Frank after he came upon the
deserted cutter beside a thicket, but he
did not give away their secret. The
doings of the rich were not his concern
and Mrs. Forrester had been kind to
on many occasons.
During that winter Judge Pommeroy
and his nephew often went to play cards
with the Forresters. One night, during a
snowstorm, Mrs. Forrester revealed to
Niel how much she missed the excite
ment and glamour of former winters
at fashionable resorts. She mocked the
life of quiet domesticity in which she
and the captain were living.
In the spring the captain went to Den
ver on business and while he was gone
Frank Ellinger arrived for a visit One
morning Niel cut a bouquet of wild roses
to leave outside the windows of Mrs.
Forrester's bedroom. Suddenly he heard
from the bedroom the voices of Mrs.
Forrester and Frank Ellinger. The first
illusion of his life was shattered by a
man's yawn and a woman's laugh.
When the captain came home from
Denver, he announced that he was a poor
man. Having satisfied his creditors, he
had left only his pension from the Civil
War and the income from his farm.
Shortly afterward the captain had a
stroke.
Niel continued to visit the sick man
and his wife. He realized that Mrs. For
rester was facing her new life with terror
she tried to hide for her husband's sake.
Niel, having decided to become an archi
tect, left Sweet Water to spend two years
at school in the East. When he returned,
he learned that Ivy Peters, shrewd and
grasping, had become an important per
son in the town. Niel, who despised
Peters, was disappointed to learn that
Peters, now the captain's tenant, had
drained the marsh where the boys had
gone fishing years before. The captain
himself had become wasted and old.
Most of the time he sat in his garden
staring at a strange sundial he had made.
Niel learned that Mrs. Forrester, who
seemed little older, was still writing to
Frank EUinger. He observed, too, that
Mrs. Forrester treated Peters with easy
familiarity, and he wondered how she
could be on friendly terms with the
pushing young lawyer.
That summer a storm flooded the
fields along the creek. Niel went to
Judge Pommeroy 's office to read. He
thought of an item he had seen in the
Denver paper earlier in the day; Frank
Ellinger had finally married Constance
Ogden. Close to midnight Mrs. For
rester, drenched to the skin, appeared at
the office. At her demand Niel made
the telephone connection with Ellinger
in Colorado Springs. Mrs. Forrester
began to talk politely, as though compli
menting Ellinger on his marriage. Then
she became hysterical. When she began
to scream reproaches, Niel cut the wires.
Mrs. Forrester recovered after her col
lapse, but the gossipy town telephone
operator pieced together a village scandal
from what she had managed to over
hear.
Captain Forrester died in December.
None of his wealthy friends attended
the funeral, but old settlers and former
employees came to do honor to the rail
road pioneer who had been one of the
heroes of the early West.
One day Mr. Ogden stopped in Sweet
Water. He thought that Judge Pom-
meroy ought to send to Washington a
claim to have Mrs. Forrester's pension
increased. Niel was forced to explain
that Mrs. Forrester had turned her affairs
over to Ivy Peters.
After her husband's death Mrs. For
rester began to entertain Ivy Peters and
other young men from the village. At
her urging Niel went to one party, but
he was disgusted with the cheap man
ners of both hostess and guests. He could
not bear to see the old captain's home
thus abused.
Niel felt that an era was ending. The
great old people, such as the judge and
trie captain and their friends, were pass
ing, the men who had built the railroads
and the towns. The old men of gallant
manners and their lovely ladies had gone
forever. In their place was a new type
of man, the shrewd opportunist, like Ivy
Peters. On the day Niel saw Peters
putting his arms around Mrs. Forrester,
he decided to leave Sweet Water.
As long as his uncle lived, however,
he had news of Mrs. Forrester. The
judge wrote that she was sadly broken.
Then his uncle died and Niel heard no
more for many years.
A long time afterward a mutual friend
told him what had happened to his lost
lady. She had gone to California. Later,
she had married a rich Englishman and
had gone with him to South America.
She had dyed her hair and had dressed
expensively in an effort to keep her
youth.
Finally, one year, the G.A.R. post re
ceived a letter from Mrs. Forrester's Eng
lish husband. It enclosed money for the
continued care of Captain Forrester's
grave. His gift was a memorial to his
late wife, Marian Forrester Collins.
THE LOST WEEKEND
Type of -work: Novel
Author: Charles Jackson (1903- )
Type of plot: Psychological melodrama
Time of plot: Twentieth century
Locale: New York City
First published: 1944
Principal characters:
DON BIRNAM, an alcoholic
WICK, his brother
HELEN, his friend
Critique:
Although The Lost Weekend is in
some respects more a case history than
a novel, it is nevertheless a vivid and
convincing story of a maladjusted per
sonality. Jackson shows considerable in
sight into alcoholism as a social problem
without destroying the personal quality
of his hero's experience and the des
peration of his struggle during a long
weekend when he is thrown upon his
own resources. In this novel the drama
remains objective; the underlying cause
of Don Bimam's alcoholism is dramatized
rather than analyzed.
The Story:
Don Birnam was an unsuccessful
writer who drank too much. Time and
THE LOST WEEKEND by Charles Jackson. By permission of Brandt & Brandt and the publishers, Rinehart
& Co., Inc. Copyright, 1944, by Charles Jackson.
531
again, his brother Wick and his friend
Helen tried to break him of the habit.
They kept money out of his reach so that
he could not buy liquor. TTiey warned
neighbors and bartenders against his
habits. They sent him to a rest farm
for the cure. But even there he managed
to get something to drink.
One weekend Don was left alone
while Wick went to the country. As
soon as his brother had gone, Don took
the money Wick had left for the house
keeper and went out to buy liquor. He
went into a bar and chatted with Gloria,
the hostess. He told her about his life,
about his wife who was frigid, his chil
dren, and other details all equally fan
tastic and imaginary. He asked Gloria
to meet him later. After being convinced
that he was not joking, she accepted.
That night Don went into another bar
and began drinking heavily. While there,
idly watching a young couple, he sud
denly decided to steal the girl's purse.
He would do it only as a joke, he told
himself. Later he could return the purse
and they would all laugh at his prank.
He picked up the purse and slipped it
under his coat, acting calmly and natu
rally all the time, but as he was walking
out a waiter stopped him. Luckily, the
girl did not want to press charges. Don
was pushed out into the street.
He went from one bar to another.
When he drifted back to Sam's bar,
Gloria was angry because he had forgot
ten his date with her. He could not
understand why she asked him about his
wife and his children, because he had
neither. Next morning he found that his
money had disappeared and that there
was no money in the apartment. He
decided to pawn his typewriter. He
walked up and down the streets, but all
the pawnshops were closed because it
was a Jewish holiday. He went home,
changed his clothes, and borrowed ten
dollars from a nearby merchant. He went
out to drink again. Coining back, he
fell down a flight of stairs and lost con
sciousness.
When he awoke, he was in the alco
holic ward of a hospital. With him were
a doctor and Bim, a male nurse. He
wanted his clothes, he insisted; he wanted
to go home. At last the doctor told him
that he could go if he would sign a
paper absolving the hospital of aU re
sponsibility.
Leaving the hospital, Don went
straight to his apartment, where he fell
asleep. The ringing of the telephone
awoke }iim. He could not remember
when he had last eaten. When he tried
to get up, he almost collapsed, and he
sank, exhausted, into a chair. After a
while he heard a key in the lock. It
was Helen, corning to see how he was
getting along while Wick was away.
She helped him to get dressed and took
him to her apartment. When the maid
came in, Helen went out on an errand.
Don tried to get the key to the closet, but
the maid pretended that she had no idea
where it was. Don was growing more
and more desperate for liquor. Before
Helen left the apartment, he had called
to her in terror because he thought a
bat was devouring a mouse in the room.
His thirst was growing worse. Seeing
Helen's fur coat, he seized it and ran
out of the apartment. He pawned the
coat for five dollars and bought several
pints of whiskey. He went back to his
own apartment. Afraid that Wick might
return, he hid one bottle in the bathroom
and suspended the other on a string out
side his window.
He lay down on the bed and took
a long drink of whiskey. He felt wonder
ful. The ordeal was over; he had come
through once more. There was no tell
ing what might happen the next time,
but he saw no reason to worry now.
He wondered why Wick and Helen
made such a fuss about it all.
532
LOYALTIES
Type of work: Drama
Author: John Galsworthy (1867-1933)
Type of plot: Social criticism
Time of plot: Early 1920's
locale: London
First -presented: 1922
Principal characters:
FERDINAND DE LEVIS, a rich young Jew
CAPTAIN RONALD DANCY, D. S. O., retired
MABEL, his wife
Critiqite:
Loyalties is one of the first plays to
deal honestly and openly with the prob
lem of anti-Semitism. Galsworthy takes
such pains to deal fairly with both sides
of the question, however, that he comes
close to destroying his own thesis. The
most completely drawn character is prob
ably Captain Dancy, a man of action
trying to adjust himself to a static society
and finding an outlet in anti-social be
havior. Although he does not ask us to
condone Dancy Js behavior, Galsworthy
certainly enables us to understand it.
The Story:
Having retired from His Majesty's
service, young Captain Ronald Dancy,
D.S.O., was at loose ends as to what
to do with himself. Accustomed to a life
of action, he at first absorbed himself
in horses and women, but he found in
neither the violent excitement he craved.
His stable was so expensive that he was
at last forced to give his Rosemary filly
to his friend, Ferdinand De Levis, be
cause he could no longer afford to keep
her. As for his women, he decided to
throw them all over and marry a woman
who admired him, and who had the
spirit which Ronny desired in his wife.
In spite of the fact that he was obvious
ly penniless, Ronny managed to keep
his memberships in his favorite London
clubs, and friends invited him and his
wife to their weekend parties in the
country. At Meldon Court, the home of
his old friend, Charles Winsor, Ronny
discovered that De Levis had sold for
a thousand pounds the horse Ronny had
given him. He was naturally embittered
by the discovery, and later in the eve
ning his resentment prompted him to
bet De Levis ten pounds that he could
jump to the top of a bookcase four feet
high. He won his bet, but De Levis
was contemptuous of a man who would
indulge in such parlor games for the sake
of a little money.
Around midnight, Winsor and his
wife were awakened by De Levis, who
announced that the thousand pounds he
had received for the sale of the filly had
been stolen from under his pillow. De
Levis demanded an investigation. The
Winsors were reluctant to incriminate
either their servants or their guests, but
at the insistence of De Levis the police
were called.
Ronny *s friends immediately arrayed
themselves against De Levis for his tact
lessness in handling the matter. He in
stantly interpreted their attitude as the
result of prejudice because he was a
Jew, and Ronny substantiated his con
clusion by taunting De Levis with his
race. Although they tried desperately to
be fair, Ronny 's friends had to admit that
De Levis had behaved badly, and they
suddenly remembered that his father had
sold carpets wholesale in the city. Aftei
all, De Levis was a little too pushing; in
spite of his money he did not exactly
belong to the Mayfair and country set.
De Levis carried into the club to which
LOYALTIES by John Galsworthy, from PLAYS by John Galsworthy, By permission of the publishers, Charlei
Scribner'i Son*. Copyright, 1909. 1910, by John Galsworthy, 1928, by Charles Scribner's Sons.
533
both men belonged the enmity aroused
by Ronny's insult to his race, and he
openly accused Ronny of the theft. Ron-
ny immediately challenged him to a duel,
but since such barbaric customs were no
longer tolerated among gentlemen, De
Levis was saved.
Ronny urged his wife Mabel to go
with him to Nairobi. But she, believing
in her husband's innocence, begged him
to remain and fight for his good name.
Realizing that to do otherwise would
be an admission of guilt, Ronny con
sulted a lawyer and entered a suit
against De Levis for defamation of
character. However, the lawyer selected
to defend Ronny's case was the worst
choice that a man in Ronny's position
could possibly have made. Old Jacob
Twisden, senior partner of the firm of
Twisden and Graviter, was a lawyer of
the old school who believed that simple
justice should take precedence over all
loyalties, whether they were racial, eco
nomic, social, political, or merely per
sonal.
In addition to the fact that he had
stolen De Levis's money, Ronny had also
withheld from his wife and his friends
his relations with an Italian girl before
his marriage. The girl's father, a wine
dealer named Ricardos, had threatened
to inform Ronny's wife of the relation
ship unless he provided for the girl.
Out of fear, Ronny had been prompted
to make a daring jump from his room
to that of De Levis to obtain the money
with which to pay Ricardos. The stolen
notes were eventually identified as hav
ing passed through these different hands.
When Twisden learned the true circum
stances on which the case he was defend
ing were based, he advised Ronny to
drop the suit and leave the country as
soon as possible. In that proposal he was
seconded by Ronny's own superior of
ficer, General Canynge, who offered
Ronny a way out with a billet in the
Spanish war.
When De Levis discovered that the
suit was to be dropped, he appeared
willing to let bygones be bygones because
he felt that he had been vindicated; he
wanted no money in return. But Ronny's
problems were still unsolved. When he
confessed to his wife the truth about
all that had happened, she at first refused
to believe his story. At last she agreed
to follow Ronny wherever he might
choose to go. Before Ronny could make
his escape, however, the police arrived
with a warrant for his arrest. He fled to
his room and called to the officers to come
and get him. Before they could reach
Kim, he had shot himself.
What Ronny never knew was that
both he and De Levis were victims of
social conventions. Because Ronny be
longed, his friends had been loyal. But
loyalty, as they now realized, was not
enough.
MACBETH
Type of work: Drama
Author: William Shakespeare (1564-1616)
Type of plot: Romantic tragedy
Time of plot: Eleventh century
Locale: Scotland
First presented: 1606
Principal characters:
MACBETH, a Scottish thane
LADY MACBETH, his wife
DUNCAN, King of Scotland
MALCOLM, his son
BANQUO, a Scottish chieftain
MAGDU?F, a rebel lord
Critique:
The Tragedy of Macbeth, one of
Shakespeare's shortest dramas, is the story
of a highly imaginative, ambitious and
conscience-stricken nohleman whose wife
drove him to murder. Macbeth, at first
a man of honor and integrity, had one
major flaw — ambition. When the op
portunity for power was presented to
him, he committed his first crime. Later
he was forced into utter degradation in
order to conceal that first evil step. The
macabre settings of Macbeth, the gloomy
castle and the eerie heath, are in keeping
with the weird tone of the whole play.
The Story:
On a lonely heath in Scotland, three
witches sang their riddling runes and
said that soon they would meet Macbeth.
Macbeth was the noble thane of
Glamis, recently victorious in a great
battle against Vikings and Scottish reb
els. For his brave deeds, King Duncan
intended to confer upon him the lands
of the rebellious thane of Cawdor.
But before Macbeth saw the king, he
and his friend Banquo met the three
weird witches upon the dark moor. The
wild and frightful women greeted Mac
beth by first calling him thane of Glamis,
then thane of Cawdor, and finally, King
of Scotland. Too, they prophesied that
Banquo's heirs would reign in Scotland
in years to come.
When Macbeth tried to question the
three hags, they vanished. Macbeth
thought very little about the strange
prophecy until he met one of Duncan's
messengers, who told him that he was
now thane of Cawdor. This piece of
news stunned Macbeth, and he turned
to Banquo to confirm the witches*
prophecy. But Banquo, unduped by the
witches, thought them evil enough to
betray Macbeth by whetting his ambition
and tricking him into fulfilling the proph
ecy. Macbeth did not heed Banquo's
warning; the words of the witches as
they called him king had gone deep into
his soul He pondered over the possibil
ity of becoming a monarch and set his
whole heart on the attainment of this
goal. If he could be thane of Cawdor,
perhaps he could rule all of Scotland as
well. But as it was now, Duncan was
king, with two sons to rule after him.
The problem was great. Macbeth shook
off his ambitious dreams to go with
Banquo to greet Duncan.
A perfect ruler, Duncan was kind,
majestic, gentle, strong; Macbeth was
fond of him. But when Duncan men
tioned that his son, Malcolm, would suc
ceed him on the throne, Macbeth saw
the boy as an obstacle in his own path,
and he hardly dared admit to himself
how this impediment disturbed him.
On a royal procession, Duncan an
nounced that he would spend one night
at Macbeth's castle. Lady Macbeth, who
knew of the witches' prophecy, was even
more ambitious than her husband, and
she saw Duncan's visit as a perfect op
portunity for Macbeth to become king.
She determined that he should murder
Duncan and usurp the throne.
That night there was much feasting
in the castle. After everyone was asleep,
Lady Macbeth told her husband of her
plan for the king's murder. Horrified at
first, Macbeth refused to do the deed.
But on being accused of cowardice by
his wife, and having bright prospects of
his future dangled before his eyes, Mac
beth finally succumbed to her demands.
He stole into the sleeping king's chamber
and plunged a knife into his heart.
The murder was blamed on two
grooms whom Lady Macbeth had smeared
with Duncan's blood while they were
asleep. But the deed was hardly without
suspicion in the castle, and when the
murder was revealed, the dead king's
sons fled — Malcolm to England, Donal-
bain to Ireland. Macbeth was proclaimed
king. But Macduff, a nobleman who had
been Duncan's close friend, also carefully
noted the murder, and when Macbeth
was crowned king, Macduff suspected
him of the bloody killing.
535
Macbeth began to have horrible
dreams; his mind was never free from
fear. Often he thought of the witches'
second prophecy, that Banquo's heirs
would hold the throne, and the predic
tion tormented him. Macbeth was so
determined that Banquo would never
share in his own hard-earned glory that
he resolved to murder Banquo and his
son, Fleance.
Lady Macbeth and her husband gave
a great banquet for the noble thanes of
Scotland. At the same time, Macbeth
sent murderers to waylay Banquo and his
son before they could reach the palace.
Banquo was slain in the scuffle, but
Fleance escaped. Meanwhile in the large
banquet hall Macbeth pretended great
sorrow that Banquo was not present. But
Banquo was present in spirit, and his
ghost majestically appeared in Macbeth Js
own seat The startled king was so
frightened that he almost betrayed his
guilt when he alone saw the apparition.
Lady Macbeth quickly led him away and
dismissed the guests.
More frightened than ever, thinking
of Banquo's ghost which had returned to
haunt him, and of Fleance who had es
caped but might one day claim the
throne, Macbeth was so troubled that
he determined to seek solace from the
witches on the dismal heath. They as
sured Macbeth that he would not be
overcome by man born of woman, nor
until the forest of Birnam came to Dun-
sinane Hill. They warned him to beware
of Macduff, When Macbeth asked if
Banquo's children would reign over the
kingdom, the witches disappeared. The
news they gave him brought him cheer.
Macbeth felt he need fear no man, since
afl were born of women, and certainly
the great Birnam forest could not be
moved by human power.
Then Macbeth heard that Macduff
was gathering a hostile army in England,
an army to be led by Malcolm, Duncan's
son, who was determined to avenge his
father's murder. So terrified was Mac
beth that he resolved to murder Mac-
duff's wife and children in order to bring
the rebel to submission. After this
slaughter, however, Macbeth was more
than ever tormented by fear; his twisted
mind had almost reached the breaking
point, and he longed for death to release
him from his nightmarish existence.
Before long Lady Macbeth's strong
will broke. Dark dreams of murder and
violence drove her to madness. The hor
ror of her crimes and the agony of being
hated and feared by all of Macbeth's
subjects made her so ill that her death
seemed imminent.
On the eve of MacdufFs attack on
Macbeth's castle, Lady Macbeth died,
depriving her husband of all courage she
had given him in the past. Rallying,
Macbeth summoned strength to meet
his enemy. Meanwhile, Birnam wood
had moved, for Malcolm's soldiers were
hidden behind cut green boughs, which
from a distance appeared to be a moving
forest. Macduff, enraged by the slaughter
of his innocent family, was determined to
meet Macbeth in hand-to-hand conflict.
Macbeth went out to battle filled with
the false courage given him by the
witches' prophecy that no man bom of
woman would overthrow him. Meeting
Macduff, Macbeth began to fight him,
taunting him at the same time about his
having been born of woman. But Mac-
duff had been ripped alive from his
mother's womb. The prophecy was ful
filled. Macbeth fought with waning
strength, all hope of victory gone, and
Macduff, with a flourish, severed the
head of the bloody King of Scotland.
536
McTEAGUE
Type of work: Novel
Author: Frank Norris (1870-1902)
Type of plot: Naturalism
Time of plot: 1890's
Locale: San Francisco and Death Valley
First published: 1899
Principal characters:
McTEAGUE, a dentist
TRTNA, his wife
MARCUS SCHOUUBR, McTeague's friend and Trina's cousin
Critique:
McTeague, generally considered the
best of Norris' novels, falls into the
category of naturalism, a mode popular
in the early 1900's. Two characteristics
of this school were the hero of much
brawn and few brains, and the influences
of heredity and environment upon char
acter. McTeague, Trina, and Marcus are
drawn inevitably to catastrophe through
their own inherited qualities acted upon
by environmental forces. The novel is
at once powerful and terrifying.
The Story:
McTeague, born in a small mining
town, worked with his unambitious father
in the mines. But his mother saw in
her son a chance to realize her own
dreams. The opportunity to send him
away for a better education came a few
years after McTeague's father had died.
A traveling dentist was prevailed upon
to take the boy as an apprentice.
McTeague learned something of den
tistry, but he was too stupid to under
stand much of it. When his mother died
and left him a small sum of money, he
set up his own practice in an office-bed
room in San Francisco. McTeague was
easily satisfied. He had his concertina
for amusement and enough money from
his practice to keep him well supplied
with beer.
In the flat above McTeague lived his
friend, Marcus Schouler. Marcus was
in love with his cousin, Trina Sieppe,
whom he brought to McTeague for some
dental work. While they were waiting
for McTeague to finish with a patient,
the cleaning woman sold Trina a lottery
ticket.
McTeague immediately fell in love
with Trina. Marcus, realizing his friend's
attachment, rather enjoyed playing the
martyr, setting aside his own love in
order that McTeague might feel free to
court Trina. He invited the dentist to
go with him to call on the Sieppe family,
From that day on McTeague was a steady
visitor at the Sieppe home. To celebrate
their engagement, McTeague took Trina
and her family to the theater. Afterward
they returned to McTeague's flat, to find
the building in an uproar. Trina's lot
tery ticket had won five thousand dol
lars.
In preparation for their wedding, Tri
na was furnishing a flat across from Mc
Teague's office. When she decided to
invest her winnings and collect the
monthly interest, the dentist was disap
pointed, for he had hoped to spend the
money on something lavish and exciting.
But Trina's wishes prevailed. With that
income and McTeague's earnings, as well
as the little that Trina earned from her
hand-carved animals, the McTeagues
could be assured of a comfortable life-
Marcus slowly changed in his attitude
toward his friend and his cousin. One
day he accused McTeague of stealing
Trina's affection for the sake of the five
thousand dollars. In his fury he struck
at his old friend with a knife. McTeague
McTEAGUE by Frank Norris. By permission of die publishers, Doubleday & Co., Inc. Copyright, 1899, bj
Dt^hleday & Co., Inc. Renewed, 1926, by Jeannette Preston.
537
was not hurt, but his anger was thor
oughly aroused.
In the early months after their wed
ding, McTeague and Trina were ex
tremely happy. Trina was tactful in
the changes she began to make in her
husband. Gradually she improved his
manners and appearance. They both
planned for the rime when they could
afford a home of their own. Because of
those plans they had their first real
quarrel. McTeague wanted to rent a
nearby house, hut Trina objected to the
high rent. Her thriftiness was slowly
turning into iniserliness. When Mc
Teague, unknown to her, rented the
house, she refused to move or to con
tribute to the payment of the first month's
rent which signing of the lease entailed.
Some days later they went on a picnic
to which Marcus was also invited. Out
wardly he and McTeague had settled
their differences, but jealousy still ran
kled in Marcus. When some wrestling
matches were held, Marcus and the
dentist were the winners in their bouts.
It now remained for the two winners to
compete. No match for the brute strength
of McTeague, Marcus was thrown.
Furious, he demanded another match.
In that match Marcus suddenly leaned
forward and bit off the lobe of the
dentist's ear. McTeague broke Marcus*
arm in his anger.
Marcus soon left San Francisco. Short
ly thereafter an order from City Hall
disbarred McTeague from his practice
because he lacked college training. Mar
cus had informed the authorities.
Trina and McTeague moved from
their flat to a tiny room on the top floor
of the building, for the loss of Mc-
Teague's practice had made Trina more
niggardly than ever. McTeague found
a job making dental supplies. Trina de
voted almost every waking moment to
her animal carvings. She allowed her
self and tie room to become slovenly,
she begrudged every penny they spent,
and when McTeague lost his job she
insisted that they move to even cheaper
lodgings. McTeague began to drink,
and drinking made him vicious. When
he was drunk, he would pinch or bite
Trina until she gave him money for
more whiskey.
The new room into which they moved
was filthy and cramped. McTeague
grew more and more surly. One mom-
ing he left to go fishing and failed to
return. That night, while Trina was
searching the streets for him, he broke
into her trunk and stole her hoarded
savings. After his disappearance Trina
learned that the paint she used on her
animals had infected her hand. The
fingers of her right hand were amputated.
Trina took a job as a scrub woman,
and the money she earned together with
the interest from her five thousand dol
lars was sufficient to support her. Now
that the hoard of money that she had
saved was gone, she missed the thrill of
counting over the coins, and so she with
drew the whole of her five thousand
dollars from the bank and hid the coins
in her room. One evening there was a
tap on her window. McTeague was
standing outside, hungry and without a
place to sleep. Trina angrily refused to
let him in. A few evenings later, drunk
and vicious, he broke into a room she
was cleaning. When she refused to give
him any money, he beat her until she
fell unconscious. She died early next
morning.
McTeague took her money and went
back to the mines, where he fell in with
another prospector. But McTeague was
haunted by the thought that he was
being followed. One night he stole away
from his companion and started south
across Death Valley. The next day, as
he was resting, he was suddenly accosted
by a man with a gun. The man was
Marcus.
A posse had been searching for Mc
Teague ever since Trina's body had
been found, and as soon as Marcus heard
about the murder he volunteered for
the manhunt. While the two men stood
facing each other in the desert, Me-
53.*
Teague's mule ran away, carrying on its
back a canteen bag of water. Marcus
emptied his gun to kill the animal, but
its dead body fell on the canteen bag
and the water was lost. The five thou
sand dollars was also lashed to the back
of the mule. As McTeague went to
unfasten it, Marcus seized him. In the
struggle McTeague killed his enemy with
his bare hands. But as he slipped to the
ground, Marcus managed to snap one
handcuff to McTeague's wrist, the other
to his own. McTeague looked stupidly
around, at the hills about a hundred
miles away, and at the dead body to
which he was helplessly chained. He
was trapped in the parching inferno of
the desert that stretched away on every
side.
MADAME BOVARY
Type of work: Novel
Author: Gustave Flaubert (1821-1880)
Type of plot: Psychological realism
Time of plot: Mid-nineteenth century
Locale: France
First published: 1857
Principal characters:
CHARGES BOVAJRY, a provincial doctor
EMMA, his wife
LEON DUPUIS, a young lawyer
RODOLPHE BOULANGER, a wealthy landowner
Critique:
Flaubert's genius lay in his infinite
capacity for taking pains, and Madame
Bovary, so true in its characterizations, so
vivid in its setting, so convincing in its
plot, is ample testimony to the realism
of his work. This novel was one of the
first of its type to come out of France, and
its truth shocked contemporary readers.
Condemned on the one hand for pic
turing the life of a romantic adulteress,
he was acclaimed on the other for the
honesty and skill with which he handled
his subject. Flaubert does not permit
Emma Bovary to escape the tragedy
which she brings upon herself. Emma
finds diversion from the monotony of her
life, but she finds it at the loss of her own
self-respect* The truth of Emma's strug
gle is universal and challenging.
The Story:
Charles Bovary was a student of medi
cine who married for his own advance
ment a woman much older than himself.
She made his life miserable with her
nagging and groundless suspicions. One
day Charles was called to the bedside of
M. Rouaulr, who had a broken leg, and
there he met the farmer's daughter,
Emma, a beautiful but restless girl whose
early education in a French convent had
given her an overwhelming thirst for
broader experience. Charles found his
patient an excellent excuse to see Emma,
whose charm and grace had captivated
the young doctor. But his whining wife,
Heloise, soon began to suspect the true
reason for his visits to the Rouault farm.
She heard rumors that in spite of Emma's
peasant background, the girl conducted
herself like a gentlewoman. Angry and
tearful, Heloise made Charles swear that
he would not visit the Rouault home
again. Then Heloise's fortune was found
to be non-existent. There was a violent
quarrel over her deception and a stormy
scene between her and the parents of
Charles brought on an attack of an old
illness. Heloise died quickly and quietly.
Charles felt guilty because he had so
few regrets at his wife's death. At old
Rouault's invitation, he went once more
539
to the farm and again fell under the
influence of Emma's charms. As old
Rouault watched Charles fall more deeply
in love with his daughter, he decided that
the young doctor was dependable and
perfectly respectable, and so he forced
the young man's hand, told Charles he
could have Emma in marriage, and gave
the couple his blessing.
During the first weeks of marriage
Emma occupied herself with changing
their new home, and busied herself with
every household task she could think of
to keep herself from being utterly dis
illusioned. Emma realized that even
though she thought she was in love with
Charles, the rapture which should have
come with marriage had not arrived. All
the romantic books she had read during
her early years had led her to expect more
from marriage than she received, and the
dead cairn of her feelings was a bitter
disappointment. The intimacy of mar
riage disgusted her. Instead of a per
fumed, handsome lover in velvet and
lace, she found herself tied to a dull-
witted husband who reeked of medi
cines and drugs.
As she was about to give up all hope
of rinding any joy in her new life, a
noble patient whom Charles had treated
invited them to a ball at his chateau. At
the ball Emma danced with a dozen part
ners, tasted champagne, and received
compliments on her beauty. The con
trast between the life of the Bovarys and
that of the nobleman was painfully evi
dent, Emma became more and more
discontented with Charles. His futile
and clumsy efforts to please her only made
her despair at his lack of understanding.
She sat by her window, dreamed of
Paris, moped, and became ill.
Hoping a change would improve her
condition, Charles took Emma to Yon-
ville, where he set up a new practice and
Emma prepared for the birth of a child.
When her daughter was born, Emma's
chief interest in the child was confined
to laces and ribbons for its dresses. The
child was sent to a wet nurse, where
Ernma visited her, and where, acciden
tally, she met Le*on Dupuis, a law clerk
bored with the town and seeking diver
sion. Charmed with the youthful mother,
he walked home with her in the twi
light, and Emma found him sympathetic
to her romantic ideas about life. Later
Leon visited the Bovarys in companv
with Homais, the town chemist. Homais
held little soirees at the local inn, to
which he invited the townsfolk. There
Emma's acquaintance with Leon ripened.
The townspeople gossiped about the
couple, but Charles Bovary was not acute
enough to sense the interest Emma took
in L£on.
Bored with Yonville and tired of lov
ing in vain, Leon went to Paris to com
plete his studies. Broken-hearted, Emma
deplored her weakness in not giving her
self to Leon, fretted in her boredom, and
once more made herself ill.
She had not time to become as melan
choly as she was before, however, for a
stranger, Rodolphe Boulanger, came to
town. One day he brought his farm
tenant to Charles for bloodletting. Ro
dolphe, an accomplished lover, saw in
Emma a promise of future pleasure.
When he began his suit, Emma realized
that if she gave herself to him her sur
render would be immoral. But she ration
alized her doubts by convincing herself
that nothing as romantic and beautiful
as love could be sinful.
Deceiving Charles, Emma met Ro
dolphe, rode over the countryside with
him, listened to his urgent avowals of
love, and finally succumbed to his per
suasive appeals. At first she felt guilty,
but later she identified herself with
adulterous heroines of fiction and be
lieved that, like them, she had known
true romance. Sure of Emma's love, Ro
dolphe no longer found it necessary to
continue his gentle lover's tricks. He no
longer bothered to maintain punctuality
in his meetings with Emma; and though
he continued to see her, she began to
suspect that his passion was dwindling.
Meanwhile Charles became involved
540
in Homais' attempt to cure a boy of a
clubfoot with a machine Charles had de
signed. Both Homais and Charles were
convinced that the success of their opera
tion would raise their future standing in
the community. But after weeks of tor
ment, the boy contracted gangrene, and
his leg had to be amputated. Homais'
reputation was undamaged, for he was
by profession a chemist, but Bovary, a
doctor, was looked upon with suspicion.
His practice began to fall away.
Disgusted with Charles' failure, Emma,
in an attempt to hold Rodolphe, scorned
her past virtue, spent money recklessly
on jewelry and clothes, and involved her
husband deeply in debt. She finally se
cured Rodolphe's word that he would
take her away, but on the very eve of
what was to be her escape she received
from him a letter so hypocritically re
pentant of their sin that she read it with
sneers. Then, in horror over the reali
zation that she had lost him, she almost
threw herself from the window. She
was saved when Charles called to her.
But she became gravely ill with brain-
fever, and lay near death for several
months.
Her convalescence was slow, but she
was finally well enough to go to Rouen
to the theater. The tender love scenes
behind the footlights made Emma breath
less with envy. Once more, she dreamed
of romance. In Rouen she met Leon
Dupuis again.
This time Leon was determined to
possess Emma. He listened to her com
plaints with sympathy, soothed her, and
took her driving. Emma, whose thirst
for romance still consumed her, yielded
herself to Leon with regret that she had
not done so before.
Charles Bovary grew concerned over
his increasing debts. In addition to his
own financial worries, his father died,
leaving his mother in ignorance about
the family estate. Emma used the excuse
of procuring a lawyer for her mother-in-
law to visit Leon in Rouen, where he had
set up a practice. At his suggestion she
secured a power of attorney from Charles,
a document which left her free to spend
his money without his knowledge of her
purchases.
Finally, in despair over his debts, the
extent of which Emma only partly re
vealed, Charles took his mother into
his confidence and promised to destroy
Emma's power of attorney. Deprived of
her hold over Charles' finances and un
able to repay her debts, Emma threw her
self upon Leon's mercy with all disregard
for caution. Her corruption was so com
plete that she had to seek release and
pleasure or go out of her mind.
In her growing degradation, Emma
began to realize that she had brought
her lover down with her. She no longer
respected him, and she scorned his faith
fulness when he was unable to give her
money she needed to pay her bills. When
her name was posted publicly for a debt
of several thousand francs, the bailiff
prepared to sell Charles' property to settle
her creditors' claims. Charles was out of
town when the debt was posted, and
Emma, in one final act of self-abasement,
appealed to Rodolphe for help. He, too,
refused to lend her money.
Knowing that the framework of lies
with which she had deceived Charles was
about to collapse, Emma Bovary resolved
to die a heroine's death and swallowed
arsenic bought at Homais' shop. Charles,
returning from his trip, arrived too late
to save her from a slow, painful death.
Charles, pitiful in his grief, could
barely endure the sounds of the hammer
as her coffin was nailed shut. Later,
feeling that his pain over Emma's death
had grown less, he opened her desk, to
find there the carefully collected love
letters of Leon and Rodolphe. Broken
with the knowledge of his wife's infidel
ity, scourged with debt, and helpless in
his disillusionment, Charles died soon
after his wife, leaving a legacy of only
twelve francs for the support of his or
phaned daughter. The Bovary tragedy
was complete.
541
MADEMOISELLE DE MAUPIN
Type of work: Novel
Author: Theophile Gautier (1811-1872)
Type of plot: Sentimental romance
Time of plot: Early nineteenth century
Locale: France
First published: 1835
Principal characters:
M. D'ALBEBT, a young esthete
ROSETTE, his mistress
THEODORE DE SERANNES, in reality Mademoiselle Madelaine de Maupiz:
Critique:
France, in the 1830's, was going
through one of those occasional periods of
high morality which at intervals excite the
world, and Gautier, disgusted with the
hypocrisy of many of the period's defend
ers, wrote this romance of passion as
his challenge to the period. In a long
and boastful preface he pleads the cause
of moral freedom in art. The novel is
highly sensual, its plot based partly on
history and partly on Shakespeare's As
You Like It.
The Story:
D'Albert was a young Frenchman of
twenty-two, handsome, well-educated,
artistic, and well-versed in the affairs of
the world. He loved beauty, especially
female beauty. All his life he had
dreamed of women, but he had never
met the girl of his dreams, who would
combine the beauty of a Ruben's nude
with that of a Titian nude. It was little
wonder that he had not found her.
The one thing lacking in d' Albert's
life was a mistress. One day his friend
de C offered to take him around
the town and discourse on the various
ladies of his acquaintance so that d'Albert
could make a choice. The expedition
was a delightful one, as de C seemed
to have precise and full information on
every beauty, not only on her outward
circumstances, but also on the very
quality of her mind. D'Albert, after
some hesitation, finally decided to lay
siege to Rosette, a beautiful young wom
an who seemed the most likely to bring
his romantic and poetic mind down to
earth.
It did not take d'Albert long to win
the love of Rosette, and they were soon
acknowledged lovers. Rosette was pliable,
versatile, and always entertaining. She
did not let d'Albert alone long enough
for him to go off into musing daydreams.
Variety was the spice of their love.
For five months the two continued to
be the happiest of lovers, but at last
d'Albert began to tire of Rosette. As
soon as she noticed the cooling of his
ardor, Rosette knew that she must do
something different if she wished to keep
his love. If he were growing tired of
her in the solitary life they were lead
ing, perhaps he would regain his interest
if he saw her among a group of people.
For this reason Rosette took d'Albert to
her country estate for a visit. There
she planned parties, dinners, and visits
to keep him amused, but he remained
bored.
One day a visitor, an old friend of
Rosette, arrived. The guest was an ex
tremely handsome young man named
Theodore de Serannes, whose conver
sation, riding, and swordsmanship all
entranced d' Albert. The two men met
every day and went hunting together, and
the more d'Albert saw of Theodore the
more fascinated he became. In time
d'Albert was forced to admit to himself
that he was in love with Theodore.
He was in love with a man, and yet
he always thought of him as a woman.
DAlbert's mind grew sick with the
542
problem of Theodore's true identity.
Some days he would he sure that Theo
dore was a woman in disguise. Then,
seeing him fencing or jumping his horse,
d' Albert would be forced to conclude that
Theodore was a man. Rosette, he knew,
was also in love with The'odore, and her
infatuation kept her from noticing d'Al-
bert's interest in the same young man.
One day d' Albert mentioned that his
favorite play was Shakespeare's As You
Like It. The rest of the company im
mediately decided to present the play.
At first Rosette was chosen for the part
of Rosalind, the heroine who dressed as
a man in order to escape from her uncle,
but when she refused to wear men's
clothes the part was given to Theodore.
As soon as d' Albert saw Theodore
dressed in woman's clothes, he guessed
rightly that The'odore really was a wom
an. What he did not know was that
Theodore, who was really named Made-
kine de Maupin, had decided that she
would have nothing to do with men until
she had found a good and noble lover.
She knew that as a woman she would
bave no chance to see men as they really
were, and so she had hit upon the device
of learning about them by dressing as
a man. But she had found perfidy and
falseness in every man she met. Made
moiselle de Maupin had with amusement
seen d' Albert fall in love with her, and
she had watched the tortures of his mind
when he could not decide whether she
was male or female.
As the rehearsals of the play went on,
the parallels between the play and real
life became even more amusing to both
d'Albert and Mademoiselle de Maupin.
At last, after the play had been pre
sented, d'Albert wrote Mademoiselle de
Maupin a letter. In it he said that he
was sure she was a woman, and that he
loved her deeply.
She took so long to reply to his letter
that d'Albert again became afraid that
she really was a man. One night, how
ever, as d'Albert stood at a window a
hand gently touched his shoulder. He
looked around and beheld Mademoiselle
de Maupin dressed in her costume as
Rosalind. He was struck dumb with
amazement. Mademoiselle de Maupin
told him her story, and said that since
he was the first man to see through hei
disguise, he should be the man to first
have her as a woman.
That night d'Albert learned that she
was truly die woman of his dreams. In
the morning he found himself alone.
Mademoiselle de Maupin had gone, leav
ing a letter in which she told d'Albert
and Rosette that they would never see
her again. She wrote to d'Albert that
they had known one perfect night. She
had answered his dream, and to fulfill a
dream once was enough. Her letter ended
by telling d'Albert to try to console
Rosette for the love she had wasted on
the false Theodore, and she hoped that
the two would be very happy for many
years to come.
MAGGIE: A GIRL OF THE STREETS
Type of work: Novel
Author: Stephen Crane (1871-1900)
Type of plot; Social criticism
Time of plot: Late nineteenth century
Locale: New York
First published: 1893
Principal characters:
MAGGIE, a gid of the slums
JEMMY, her brother
PETE, Jimmy's friend and Maggie's lover
THE MOTHEB
543
Critique:
The importance of Maggie is primarily
historical, for it was the first novel to
deal realistically and straightforwardly
with the sordid life of the slums. It is,
therefore, the first naturalistic novel in
America of any real value, and in spite
of its many faults of style and structure
it gave rise to the naturalistic fiction of
our day. For this contribution to our lit
erature we owe Stephen Crane a great
debt.
The Story:
In the slum section of New York
City, Maggie and her two brothers grew
up in the squalor and corruption, both
moral and physical, of that poverty-
stricken area. Her father usually came
home from work drunk, and her mother,
too, was fond of the bottle. The children
were neglected. When the drunken
parents ranted at each other, the children
hid in terror under the table or the bed.
Somehow Maggie managed to remain
untouched by that sordidness. Her
younger brother died. Jimmy, her older
brother, went to work after the father
died. He fought, drank, and had many
affairs with women. From time to time
he was hounded by some of the women,
who demanded support for themselves
and the illegitimate children he had
fathered. Jimmy brushed them aside.
When Jimmy brought his best friend
home with him, Maggie fell in love.
Pete, a bartender, was handsome, flashy,
and exciting. One night he took her
out to show her the night life of the
city. Maggie's wonder knew no bounds,
for to her the experience was the height
of luxury. On the doorstep she allowed
Pete to kiss her goodnight. Pete was
disappointed, but not discouraged. He
took Maggie out again. The next time
she surrendered and went to live with
him.
But Pete soon grew tired of Maggie,
and she was compelled to return home.
In furious indignation, her mother
ordered her out of the house. She had
done everything, the mother insisted, to
bring Maggie up to be a fine, decent girl.
She had been an excellent mother and
had spared no pains to keep her daughter
on the path of virtue. Now her daughter
would be dead to her. The neighbors
joined in, denouncing Maggie. Jimmy,
the seducer of other men's sisters, became
indignant He and a companion went
to the bar where Pete worked, intent
upon beating him up. When they failed,
Jimmy contented himself by shrugging
his shoulders and condemning his sister.
Maggie was now homeless and pen
niless. She went to see Pete, but he
sent her away, irritated and fearful lest
he should lose his job. She turned to
prostitution, plying her trade by night,
accosting poor and wealthy alike. But
she did not have much luck. One night
she walked forlornly and unsuccessfully
in the waterfront district. Resignedly she
trudged on, toward the pier and the
black, murky depths of the river.
A short time later, Jimmy came home
from one of his prolonged absences.
Maggie, the mother wailed, was dead.
With the neighbors around her, she
sobbed and moaned. What the Lord had
given the Lord had taken away, the
neighbors told her. Uncomforted, Mag
gie's mother shrieked that she forgave
her daughter; oh yes, she forgave Mag
gie her sins.
MAGGIE: A GIRL OF THE STREETS, by Stephen Crane. By permission of the publisher. Alfred A. Knopf,
544
THE MAGIC MOUNTAIN
Type of work: Novel
Author: Tliomas Mann (1875-1955)
Type of ^lot: Philosophical chronicle
Time of plot: 1907-1914
Locale: Davos, Switzerland
First published: 1924
Principal characters:
HANS CASTORP, a German engineer
JOACHIM ZEEMSSEN, his cousin
SETTEMBRINI, a patient at Davos
NAPHTA, Settembrini's friend
CLAVDIA, Hans' friend
Critique:
Tlfie Magic Mountain is a novel con
cerned with perspectives of history and
philosophy in our time. In it the modern
age has become the International San
atorium Berghof high in the Swiss Alps,
and to this institution gravitate various
and conflicting currents of thought and
activity in the persons of a group of
invalids exiled by disease to a pinnacle
of the "magic mountain." The magic it
exercises in their lives is to cut them off
from calendar time. Time flows through
their days and years with quiet nothing
ness and perceptions of reality stretch
into eternity. Modern ideologies and
beliefs are represented by characters like
the Italian humanist, the absolutist Jew
ish Jesuit, a German doctor, a Polish
scientist, and hedonistic Mynheer Peeper-
kom. The magic mountain is the sick
world of Europe, and its people are vari
ous aspects of the modem consciousness.
The Story:
Hans Castorp had been advised by his
doctor to go to the mountains for a rest.
Accordingly, he decided to visit his cous
in, Joachim Ziemssen, who was a patient
in the International Sanatorium Berghof
at Davos-Platz in the mountains of
Switzerland. He planned to stay there
for three weeks and then return to his
home in Hamburg. Hans had just passed
his examinations and was now a qualified
engineer; he was eager to get started
in his career. His cousin was a soldiet
by profession. His cure at the sanatorium
was almost complete. Hans thought
Joachim looked robust and well.
At the sanatorium, Hans soon dis
covered that the ordinary notions of time
did not exist. Day followed day almost
unchangingly. He met the head of the
institution, Dr. Behrens, as well as the
other patients, who, at dinner, sat in
groups. There were, for instance, two
Russian tables, one of which was known
to the patients as the bad Russian table.
A couple who sat at the latter table
had the room next to Hans. Through
the thin partitions, he could hear them —
even in the daytime — chase each other
around the room. Hans was rather re
volted, inasmuch as he could hear every
derail of their love-making.
There was another patient who in
terested him greatly, a gay Russian wom
an, supposedly married, named Clavdia
Cauchat. Every time she came into the
dining-room she would bang the door,
an act which annoyed Hans a great deal.
Hans also met Settembrini, an Italian, a
humanist writer and philosopher. Set
tembrini introduced him to a Jew, Naph-
ta, who turned out to be a converted
Jesuit and a cynical absolutist. Because
the two men spent their time in endless
discussions, Settembrini finaDy left the
sanatorium to take rooms in the village,
in the house where Naphta lodged.
THE MAGIC MOUNTAIN by Thomas Mann. Translated by H. T. Lowe-Porter. By permission of the author
^d the publishers, Alfred A. Knopf, Inc. Copyright, 1927, by Alfred A. Knopf, Inc.
545
From the very first day of his ar
rival, Hans felt feverish and a bit weak.
When his three weeks were almost up,
he decided to take a physical examina
tion. The examination proved that he
had tuberculosis. So he stayed on as a
patient. One day, defying orders, he
went out skiing and was caught in a
snowstorm. The exposure aggravated his
condition.
His interest in Clavdia was heightened
when he learned that Dr. Behrens, who
liked to dabble in art, had painted her
picture. Further, the doctor gave Hans
an X-ray plate of Clavdia's skeletal struc
ture. The plate Hans kept on his bureau
in his room.
Most of his free time he spent with
Joachim or with Settembrini and Naph
ta. The Italian and the Jesuit were given
to all sorts of ideas, and Hans became
involved in a multitude of philosophical
discussions on the duration of time, God,
politics, astronomy, and the nature of
reality. Joachim, who was rather humor
less and unimaginative, did not enjoy
those talks. But Hans, since he himself
had become a patient at the sanatorium,
felt more at home and was not quite so
attached to Joachim. Besides, it was
Clavdia who interested him.
On the occasion of a carnival, when
some of the restrictions of the sanatorium
had been lifted, Hans declared his love
for Clavdia, She thought him foolish
and refused his proposal. The next day
she left for Russia. Hans was in despair
and became listless. Joachim grew even
more impatient with the progress of his
cure when the doctor told him that he
was not yet well and would have to re
main on the mountain for six more
months. Wanting to rejoin his regiment,
Joachim, in defiance of the doctor's in
junctions, left the sanatorium. The doc
tor told Hans that he could leave too;
but Hans knew that the doctor was angry
when he said it, and he remained.
Before long Joachim returned, his
condition now so serious that his mother
was summoned to the sanatorium. He
died shortly afterward. Clavdia Cauchat
also returned. She had been writing to
the doctor and Hans had heard of her
from time to time. But she did not return
alone. As a protector, she had found
an old Dutchman named Mynheer Peep-
erkorn, an earthy, hedonistic planter from
Java. Hans became very friendly with
Peeperkorn, who soon learned that the
young engineer was in love with Clav
dia. The discovery did not affect their
friendship at all, a friendship that lasted
until the Dutchman died.
For a time the guests amused them
selves with spiritualist seances. A young
girl, a new arrival at the sanatorium,
claimed that she was able to summon
anyone from the dead. Hans took part
in one meeting and asked that Joachim
be called back from the dead. But Dr.
Krokowski, the psychologist at the san
atorium, was opposed to the seances and
the sessions broke up. Then Naphta and
Settembrini got into an argument. A
duel was arranged between the two
dialecticians. When the time came, the
Italian said he would fire into the air.
When he did so, Naphta became more
furious than ever. Realizing that Set
tembrini would not shoot at him, Naphta
turned the pistol on himself and pulled
the trigger. Dying, he fell face down
ward in the snow.
Hans Castorp had come to the sana
torium for a visit of three weeks. That
stay turned out to be more than seven
years. During that time he saw many
deaths, many changes in the institution.
He became an old patient, not just a
visitor. The sanatorium became another
home in the high, thin air of the moun-
taintop. For him time, as measured by
minutes, or even years, no longer existed.
Time belonged to the flat, busy world
below.
Then an Austrian archduke was as
sassinated. Newspapers brought the world
suddenly to the International Sanatorium
Berghof, with news of war declared and
troop movements. Some of the patients
remained in neutral Switzerland. Other*
546
packed to return home. Hans Castorp of his generation, had overtaken him at
said goodbye to Settembrini, who was last, and the sanatorium was no longei
his best friend among the old patients,
and the disillusioned humanist wept at
their parting. Hans was going back to
Germany to fight. Time, the tragic hour
his refuge. Dodging bullets and bombs
in a front line trench, he disappeared in
to the smoky mists that hid the future e£
Europe.
THE MAGNIFICENT OBSESSION
Type of work: Novel
Author: Lloyd C. Douglas (1877-1951)
Type of plot: Quasi-mysticism
Time of plot: Early twentieth century
Locale: Detroit and Europe
First published: 1929
Principal characters:
DR. WAYNE HUDSON, a famous brain surgeon
HELEN BRENT HUDSON, the doctor's second wife
JOYCE HUDSON, the doctor's daughter and Helen's school friend
ROBERT MERRICK, a physician
NANCY ASHFORD, superintendent at the Hudson Clinic
Critique:
The author accomplishes in The Mag-
nificient Obsession one of the most dif
ficult problems in novel-writing, the
exposition of an idea, and he makes an
excellent case for the theory of extending
personality and gaining moral power by
doing good for other individuals. The
motive behind the novel is, of course,
to prove that Christian teachings can be
applied to modern life, even in the case
of the selfish materialist.
The Story:
The staff at the Hudson Clinic was
worried about the head of the hospital,
Dr. Wayne Hudson. The doctor had
suddenly become nervous and haggard,
a bad condition for an eminent practic
ing surgeon, and his staff tried to advise
the doctor to take six months away from
his work. The doctor himself surprised
his staff by announcing that he was about
to marry his daughter's school friend,
Miss Helen Brent. The couple were
married within a short time and went
to live at the doctor's lakeside cottage.
Soon afterward a shocking tragedy oc
curred at the lake. Dr. Hudson drowned
because the inhalator that might have
saved his life had been dispatched across
the lake to resuscitate a wealthy young
playboy, Robert Merrick.
While he was recuperating from his
experience, young Merrick felt that the
doctors and the nurses at the Hudson
clinic resented him. He did not yet
know that it was at the expense of the
life of the hospital's chief surgeon that
he himself was alive. He questioned the
superintendent of the clinic, Nancy Ash-
ford, who had been in love with her
chief, Doctor Hudson, but Miss Ashford
did not give him a satisfactory answer.
Later, overhearing a conversation, Mer
rick discovered why the people at the
hospital seemed to despise him. He talked
again to Nancy Ashford, who told him
the only way he could ever make amends
would be to take Dr. Hudson's place in
life by becoming a great surgeon.
After weeks of pondering on the idea
of going to medical school, Merrick de
cided that he would try to fill Dr. Hud
son's place. When he went back to
Nancy Ashford to tell her of his plans,
she told him the story of the doctor's
THE MAGNIFICENT OBSESSION by Lloyd C. Douglas. By permission of the author and the publisher*,
Honghtcn Mifflic Co. Copyright, 1929. by Houghton Mifflin Co.
547
many philanthropies. She also gave him
a book which the doctor had written in
code. After many days and nights of
perseverance, the young man managed
to break the cipher. When he had done
so, it seemed to him that the doctor,
whom he had come to look upon as an
ideal, had been a lunatic, for the book
was a strange, mystic tract about doing
good. From Nancy Ashford he learned
that the deceased doctor had been a
great mystic, believing that his gift as a
surgeon came to him from what he called
the Major Personality. That power was
earned by doing good unknown to others,
philanthropy that would aid the recipient
in leading a valuable life of service.
During the next few years Merrick
attended the state medical school. One
night, as he sat studying, he suddenly
felt a call to go to a night club where
he knew Joyce Hudson, the doctor's
daughter, was to be. After rescuing her
from a drunken scene, he took her home.
There he met the doctor's widow.
That semester Merrick almost failed
at medical school. Discouraged with his
own efforts, he decided to experiment
with the knowledge he had gained from
the dead surgeon's manuscript He aided
a feDow student, Dawson, who was about
to leave school because he kcked funds.
Immediately he felt renewed hope and
plunged into his work with enthusiasm.
Helen Hudson, the doctor's widow,
had gone to Europe, where she remained
three years. Near the end of that time
she discovered that the cousin who was
handling her affairs was dishonest. Need
ing funds, she wrote to Nancy Ashford
to ask if her stock in the Hudson Clinic
could be sold. Nancy told Merrick, now
a doctor at the clinic. He sent Helen
twenty-five thousand dollars and sold
some of the stock for her. Toward the
end of her stay in Europe Helen met
Mrs. Dawson, wife of the medical stu
dent whom Merrick had helped through
medical school Merrick had asked Mrs.
Dawson to learn something of Helen's
financial losses so that he might put her
affairs in order. After telling Mrs. Daw-
son her troubles, Helen discovered an
envelope Mrs. Dawson had addressed to
Merrick. Helen promptly disappeared.
Merrick went to the cousin who was
managing Helen's financial affairs. The
man had robbed Helen of about one
hundred thousand dollars. Merrick made
good the loss and sent the man out of
the country, bringing no charges against
him because he was related to Helen.
Before the cousin left, he learned Mer-
rick's theory of personality projection
and made up his mind to lead an honest
life.
Tired from overwork, Merrick took
a vacation in the country for several
weeks. Then he returned to his labora
tory and began a program of hard work.
His meals were returned to the kitchen
almost untouched. His labors were at
last successful, for he perfected a scalpel
which automatically cauterized by elec
tricity. The device opened a new field
of brain surgery because it prevented
hemorrhage as it cut into the tissue.
About Christmas Helen returned to
the United States. In Detroit she went
to her trust company and asked to see
the shares of stock which they held in
her name. As she suspected, they had
been transferred from Merrick. When
she left the bank, she did not know
whether to feel thankful or insulted.
Helen went from the bank to the
Hudson Clinic, where she asked to see
Merrick immediately. Her confusion was
even greater when he told her he could
not take back the money. He tried to
explain the transfer of her stock, but
she was in no mood for explanations.
As he took her to the door they met her
stepdaughter. Joyce complicated the tense
situation by proposing a theater party
for the next day. In order not to create
gossip, both Helen and Merrick agreed
to go to dinner and the theater after
ward. As he handed Helen into the
taxi, Merrick managed to murmur that
he loved her.
The next evening at dinner Merrick
548
asked Helen not to tell all she had done
for a needy Italian family at Assisi. He
added that the philanthropy would there
by lose its value if the story were told.
The following summer Merrick went
to Europe to visit eminent surgeons in
Vienna and to demonstrate his cauteriz
ing scalpel to them. While he was in
Paris he heard that Helen had heen in
jured in a train wreck near Rome. Hurry
ing to Rome, he operated on the injured
woman and saved her life. Then, in
quixotic fashion, he left Rome before
anyone could tell her who had per
formed the delicate operation. Helen
guessed Merrick's identity, however, from
the few words he had mumbled in her
presence. Weeks later, when she dis
covered that he was planning to visit
her, Helen, ashamed of her previous
attitude toward his interest in her affairs,
arranged to leave for the United States,
But Merrick flew to Le Havre ahead ot
her, arranged for their marriage, and met
her on the dock. When she saw him
waiting, she walked into his arms. She
did not have to he told why he had
come.
MAIN STREET
Type of -work: Novel
Author: Sinclair Lewis (1885-1951)
Type of plot: Social satire
Time of plot: c. 1910-1920
Locale: Small Midwestern town
First published: 1920
Principal characters:
CAROL KENNICOTT, an idealist
DR. WELL KENNICOTT, her husband
Critique:
To puncture the egos of smug, self-
satisfied Americans who consider their
home towns flawless, Sinclair Lewis wrote
Main Street, a novel which deals with
the life of Gopher Prairie, a fictitious,
small, and supposedly typical Midwestern
town in Minnesota. Carol Kennicott is
intent upon reforming not only her hus
band, a doctor in Gopher Prairie, hut also
the town. Lewis speaks blunt truths
about the inadequacies of small-town life,
but his satire is rarely vicious; and if the
reader sees himself or his town reflected
in the author's pages, he cannot help
admitting that much that Lewis says is
true, uncomfortable as truth may be.
The Story:
When Carol Milford was graduated
from Blodgett College in Minnesota, she
determined to conquer the world. In
terested in sociology, and village im
provement in particular, she often longed
to set out on a crusade of her own to
transform dingy prairie towns to thriv
ing, beautiful communities. When she
met Will Kennicott, a doctor from
Gopher Prairie, and listened to his praise
of his home town, she agreed to marry
him. He had convinced her that Gopher
Prairie needed her.
Carol was essentially an idealist. On
the train, going to her new home, she
deplored the run-down condition of the
countryside and wondered about the
future of the northern Middle West.
Will did not listen to her ideas sympa
thetically. The people were happy, he
said. Through town after town they
traveled, Carol noting with sinking heart
the shapeless mass of hideous buildings,
the dirty depots, the flat wastes of prairie
surrounding everything, and she knew
that Gopher Prairie would be no dif
ferent from the rest.
Gopher Prairie was exactly like the
MAIN STREET by Sinclair Lewis. By permission of the author and the publishers, Harcourt, Brace & Co., Inc
Copyright, 1920, by Harcourt, Brace & Co., Inc. Renewed, 1948, by Sinclair Lewis.
549
other towns Carol had seen, except that
it was a little larger. The people were
as drab as their houses, as flat as their
fields. A welcoming committee met the
newlyweds at the train. To Carol, all
the men were alike in their colorless
clothes; over-friendly, over-enthusiastic.
The Kennicott house was a Victorian
horror. But Will said he liked it
Introduced to the townsfolk at a party
held in her honor, Carol heard the men
talk of motor cars, train schedules, "fur-
riners," and praise Gopher Prairie as
God's own country. The women were
interested in gossip, sewing, and cooking,
and most of them belonged to the two
women's clubs, the Jolly Seventeen and
the Thanatopsis Club. At the first meet
ing of the Jolly Seventeen, Carol brought
wrath upon her head when she stated
that the duty of a librarian was to get
people to read. The town librarian
staunchly asserted that her primary trust
was to preserve the books.
Carol did many things which were to
cause her great unhappiness. She hired
a maid and paid her the over-generous
sum of six dollars a week. She gave
a party with an Oriental motif. Some
times she even kicked off a slipper under
the table and revealed her arches. The
women frovraed on her unconventional
behavior. Worse, she redecorated the
old Kennicott house and got rid of the
mildew, the ancient bric-a-brac, the dark
wallpaper. Will protested against her
desire to change things.
Carol also joined the Thanatopsis
Club, for she hoped to use the club as
a means of awakening interest in social
reform. But the women of Gopher
Prairie, while professing charitable in
tentions, had no idea of improving social
conditions. When Carol mentioned that
something should be done about the poor
people of the town, everyone firmly stat
ed that there was no real poverty in
Gopher Prairie. Carol also attempted to
raise funds for a new city hall, but no
one could see that the ugly old building
needed to be replaced. The town voted
against appropriating the necessary funds.
Will Kennicott bought a summer cot
tage on Lake Minniemashie. There Carol
enjoyed outdoor life and during the sum
mer months almost lost her desire for re
form. But when September came she
hated the thought of returning to Gopher
Prairie.
Carol resolved to study her husband.
He was well thought of in the town, and
she romanticized herself as the wife of
a hard-working, courageous country doc
tor. She fell in love with Will again on
the night she watched him perform a
bloody but successful operation upon a
poor farmer. But Carol's praise of her
husband had little effect. Will was not
the romantic figure she had pictured. He
accepted his duties as a necessary chore,
and the thought that he had saved the
life of a human being did not occur to
him. His interest in medicine was iden
tical with his interest in motor cars.
Once more Carol turned her attention
to Gopher Prairie.
Carol, trying to interest the Thanatop
sis Club in literature and art, finally
persuaded the members to put on an
amateur theatrical. But enthusiasm soon
waned. Carol's choice of a play, Shaw's
Androdes, was vetoed, and The Girl
from Kankakee put in its place. Carol
considered even that choice too subtle for
Gopher Prairie, but at least the town's
interest in the theater had been revived.
After three years of marriage, Carol
discovered that she was pregnant. Al
most immediately the neighborhood be
came interested in her condition. When
her son was born, she resolved that some
day she would send little Hugh away
from Gopher Prairie, to Harvard, Yale,
or Oxford.
With a new son and the new status
of motherhood, Carol found herself more
a part of the town, but she devoted nine-
tenths of her attention to Hugh and had
little time to criticize the town. She
wanted a new house, but she and Will
could not agree on the type of building.
He was satisfied with a square frame
550
house. Carol had visions of a Georgian
mansion, with stately columns and wide
lawns, or a white cottage like those at
Cape Cod.
Then Carol met a tailor in town, an
artistic, twenty-five-year-old aesthete, with
whom she imagined herself in love. She
often dropped hy his shop to see him,
and one day Will warned her that the
gossip in town was growing. Ashamed,
Carol promised she would not see him
again. The tailor left for Minneapolis.
Carol and Will decided to take a trip
to California. When they returned three
months later, Carol realized that her
attempt to escape Gopher Prairie had
been unsuccessful. For one thing, Will
had gone with her. What she needed now
was to get away from her husband. After
a long argument with Will, Carol took
little Hugh and went off to Washington,
where she planned to do war work. But
hers was an empty kind of freedom. She
found the people in Washington an ac
cumulation of the population of thou
sands of Gopher Prairies all over the
nation. Main Street had merely been
transplanted to the larger city. Dis
heartened by her discovery, Carol had
too much pride to return home.
After thirteen months, Will went to
get her. He missed her terribly, he said,
and begged her to come back. Hugh
was overjoyed to see his father, and
Carol realized that inevitably she would
have to return to Gopher Prairie.
Home once more, Carol found that
her furious hatred for Gopher Prairie
had burned itself out. She made friends
with the clubwomen and promised her
self not to be snobbish in the future.
She would go on asking questions — she
could never stop herself from doing that
— but her questions now would be asked
with sympathy rather than with sarcasm.
For the first time she felt serene. In
Gopher Prairie she felt at last that she
was wanted. Her neighbors had missed
her. For the first time Carol felt that
Gopher Prairie was her home.
THE MALTESE FALCON
Type of work: Novel
Author: DashieU Hammett (1894- )
Type of ylot: Mystery romance
Time of 'plot: Twentieth century
Locale: San Francisco
First published: 1930
Principal characters:
SAM SPADE, detective
BRIGID O'SHAUGHNESSY, his client
CASPER GUTMAN, her employer
WILMER, Gutman's bodyguard
JOEL CAIRO, Gutman's one-time agent
MILES ARCHER, Spade's partner
FLOYD THTTRSBY, Brigid's murdered accomplice
Critique:
The Maltese Fdcon is a detective
novel of the hard-boiled school. Its dis
tinction lies in the fact that the detective
himself becomes involved in crime
through a large bribe. Written in racy,
colloquial language, the book pretends
to no more than pure entertainment, but
it is a classic example of its type.
The Story:
Brigid O'Shaughnessy went to the
office of Sam Spade and Miles Archer,
THE MALTESE FALCON by DashieU Hammett. By pennis»ioa of the publisher!, Alfred A. Knopf, Inc.
Copyright, 1929, 1930, by Alfred A. Kaopf, Inc.
551
detectives, to ask them to trail a Floyd
Thursby. Archer, who undertook the
job, was killed the first night. About
an hour later Thursby himself was killed
in front of his hotel. The police were
inclined to suspect Spade of the murder
of his partner, for it was known that
Iva Archer had been wanting a divorce
so that she could marry Spade.
Brigid left word at Spade's office that
she wanted to see him- She had changed
hotels because she was afraid. She said
she could not tell Spade the whole story,
but that she had met Thursby in the
Orient and that they had arrived in
San Francisco the week before. She
said she did not know who killed Thurs-
by.
When Spade returned to his office,
Joel Cairo was waiting for him. He
asked Spade where the statuette of the
black bird was and offered five thousand
dollars for the recovery of the ornament.
That night Spade was trailed by a small
young man in a gray overcoat and cap.
Spade eluded his pursuer long enough to
slip into Brigid's hotel unseen. There
he learned that Brigid was connected in
some way with a mysterious black bird,
an image of a falcon. Later she went
with Spade to his apartment, to meet
Cairo. She told Cairo that she did not
have the prize, that he would have to
wait possibly a week for its return.
When the police arrived to question
Spade about his relations with Iva, they
discovered Cairo and Brigid in the apart
ment. Spade introduced Brigid as an
operator in his employ and explained that
he had been questioning Cairo about the
murders of Archer and Thursby. After
Cairo and the police had gone, Brigid
told Sam that she did not know what
made the falcon so important. She had
been hired to get it away from a Rus
sian named Kemidov in Constantinople.
Next morning, before Brigid was
awake, Spade went out to get groceries for
breakfast and incidentally to search her
hotel room for the falcon, which he failed
to find. He was certain that Brigid knew
where the falcon was. Brigid was afraid
of what Cairo might do, however, and
Spade arranged for her to stay a few
days at the home of his secretary.
Because, in explaining to Cairo how
Thursby was killed, Brigid had outlined
the letter G in the air, Spade knew that
there was some special significance at
tached to the letter. He again saw the
young man trailing him in the corridor
of a hotel and went up to him. Spade
said that someone would have to talk,
and G might as well know it. Shortly
afterward a Mr. Gutman called and asked
Spade to go see him. Spade told him
that Cairo was offering hirn ten thousand
dollars, not five, for the return of the
falcon. Gutman laughed derisively; the
bird was obviously worth an enormous
fortune. Angry because Gutman would
tell him no more, Spade left, saying he
would give Gutman until five-thirty to
talk.
From a taxi driver Spade learned that
Brigid had gone to the Ferry Building
and not to his secretary's house and that
she had stopped on the way to buy a
newspaper. When he returned to Gut-
man's hotel, he learned that the falcon
was an old ornament, made in Malta, en
crusted with precious gems and covered
with black enamel for protection. Gut
man had traced it to the Constantinople
home of Kemidov, where Gutman's
agents had got it. Now Gutman was
wondering where it was.
Next day Spade searched Cairo's hotel
room and found that the ships' schedules
had been torn out of a newspaper of the
day before. He bought a copy of the
paper and saw that the ship La Paloma
had arrived from Hongkong. Remember
ing that Brigid had mentioned the Orient,
he associated her going to the Ferry
Building with the arrival of the ship.
Later he learned that Cairo had checked
out of his hotel room. Meanwhile Spade
had gone aboard the La Paloma and had
learned that Gutman, Cairo, the strange
young man, and Brigid had had a long
conference with Jacobi, the captain.
552
While Spade was telling liis secretary
of ills discoveries, a man came in, Held
out a bundle to Spade, and dropped over
dead. Spade opened the package and
discovered the falcon. Spade was sure
that the man was Jacob! . He had his
secretary call the police while he checked
the package in a station nearby. The
key he mailed to his post-office box. He
then went to answer a distress call from
Brigid, but she was not in her room.
Instead, Spade found Gutman's daugh
ter, who sent him to the suburbs on a
wild-goose chase. When he returned to
his apartment, he met Brigid waiting
outside, obviously frightened. Opening
the door, he found Gutman, the young
man, and Cairo waiting for him.
Spade realized that his wild-goose
chase had been planned to get him out of
the way long enough to give these people
a chance to find Jacobi before he re
turned. Since they were all together,
Spade said he would give them the fal
con in return for ten thousand dollars
and someone on whom to blame the
murders. He suggested the young man,
whose name was Wilmer, as the suspect.
Spade explained that if Winner were
hanged for the murder of Thursby, the
district attorney would drop the case,
taking it for granted that Jacobi had been
murdered by the same person. Gutman,
sure that Thursby had killed Archer,
finally consented to make Wilmer the
victim.
Gutman produced ten one-thousand-
dollar bills. Then Spade called his secre
tary and asked her to get the claim check
from the post-office and redeem the fal
con. After she had delivered the pack
age to Spade's apartment, Gutman un
tied it and, to make sure he had the
genuine falcon, began to scratch away
the enamel. The falcon was a lead imi
tation. Kemidov had tricked him. Spade
gave back nine thousand dollars,
Then he called the police and told them
that Wilmer had killed Jacobi and
Thursby.
Knowing that Gutman would tell
about his and Brigid's part in the plot,
Spade made Brigid confess to him that
she had drawn Archer into an alley that
first night and had killed him with a
pistol borrowed from Thursby. He told
Brigid that he intended also to turn her
over to the police. He had to clear him
self of suspicion of killing his partner,
and he could not let a woman stand in
his way.
THE MAN WITHOUT A COUNTRY
Type of work: Short story
Author: Edward Everett Hale (1822-1909)
Type of plot: Historical romance
Time of plot: Nineteenth century
Locale: United States and the high seas
First published: 1863
Principal character:
PTTTT.TP NOLAN
Critique:
Written originally as propaganda for
the bitterly-contested presidential cam
paign of 1864, The Man Without a
Country has become a classic of our liter
ature. No story better expresses the spirit
of American nationalism. Cut off from
his native land, Philip Nolan wished
himself dead rather than to experience
the exile which he was forced to endure
because of his youthfully rash statement
and deed,
The Story:
Few people noticed in the newspaper
columns of 1863 the report of the death
of Philip Nolan. Few people would have
553
recognized his name, in fact, for since
Madison's administration went out in
1817, it liad never been mentioned in
public by any naval officer and the
records concerning his case had been de
stroyed by fire years before his death.
When he was a young officer in Texas,
PhiKp Nolan met Aaron Burr and be
came involved in Burr's infamous plot
against the United States Government.
When Burr's treason was revealed and
the rebels were brought to trial, Nolan
was indicted along with some of the lesser
bgures
of the plot. Asked at his trial
whether he had any statement to make
concerning his loyalty to the United
States, Nolan, in a frenzy, cursed the
name of his country. Shocked, Colonel
Morgan, who was conducting the court-
martial, sentenced Philip Nolan never
again to hear the name of his native land.
The Secretary of the Navy was re
quested to place the prisoner aboard a
naval ship with a letter to the captain
explaining Nolan's peculiar punishment.
For the remainer of his life Nolan and
this letter went from one ship to another,
Nolan traveling alone, speaking only to
officers who guarded their country's name
from his ears. None of the officers wanted
to have him around because his presence
prevented any talk of home or of politics.
Once in a while he was invited to the
officers' mess, but most of the time he
*te alone under guard. Since he wore an
irmy uniform with perfectly plain but
tons, he became known as "Plain But
tons."
The periodicals and books he read had
to be edited in order to delete any naming
of or allusion to the United States. One
incident was marked well by those who
witnessed it. Some officers were gathered
on deck one day reading aloud to one
another Scott's Lay of the Last Minstrel.
When it came his turn, Nolan took up
the poem at the section which contained
the lines, "This is my own, my native
land!" He colored, choked, and threw
the book into the water as he ran to his
room. He did not emerge for two months.
Nolan altered considerably as time
passed, and he lost the bragging air of
unconcern he had assumed at first. After
the incident of the poem he became shy
and retiring, conversing with few people
and staying in his quarters most of the
time. He was transferred from ship to
ship, never coming closer than a hundred
miles to the land whose name he was
forbidden to hear. Once Nolan came
close to gaining his freedom from this
bondage of silence. It happened during
a naval battle with a British ship. A good
shot from the enemy struck one of the
ship's guns, killing the officer in charge
and scattering the men. Unexpectedly
Nolan appeared to take command of the
gun, heroically ignoring his own safety
and aiding in the defeat of the English
ship. He was highly praised by the cap
tain, who promised to mention him in
his naval report. Nolan's case had been
so forgotten in Washington that there
seemed to be no orders concerning him.
His punishment was being carried on
simply by repetitious habit and naval
form.
During his extensive studies Nolan
kept scholarly notebooks. For diversion
he began to collect organic specimens of
wild fife, which were brought to him
by ship's men who went ashore. He was
never known to be ill, and often he nursed
those who were. So the expatriate passed
his years, nameless, friendless, loveless. If
there were any record of him in Washing
ton, no evidence of such papers could
ever be uncovered. So far as the govern
ment was concerned, Nolan did not exist.
Stories about the lonely man circulated
through mess halls, but many were untrue.
During the last fifteen years of his
life Nolan aged rapidly. The men whom
he had known when he first began his
endless journey in 1 807 had retired, and
younger men took their places on the
ships. Nolan became more reserved than
ever, but he was always well regarded
by those who knew him. It is said that
young boys idolized him for his advice
and for his interest in them.
554
Constantly the men were on guard
never to reveal to their prisoner any news
about the United States. This secrecy
was often difficult to maintain, for the
nation was growing rapidly. With the
annexation of Texas there arose a strained
incident. The officers puzzled over the
removal of that state from Nolan's maps,
but they decided that the change would
give him a hint of westward expansion.
There were other inconvenient taboos.
When the states on the west coast joined
the Union, the ships which bore Nolan
had to avoid customary landings there.
Although Nolan suspected the reason for
this change in his habitual itinerary, he
kept silent.
When Nolan lay dying, the captain of
the ship came to see him. He found that
Nolan had draped the ^tars and stripes
around a picture of Washington. On one
bulkhead hung the painting of an eagle
grasping the entire globe in its claws,
and at the foot of the bed was a map of
the United States which Nolan had
drawn from memory. When the dying
man asked for news from home, the cap
tain, who liked and pitied Nolan, told
him about the progress of the United
States during the more than fifty years,
of Nolan's exile. Seeing Nolan's joy at
the news of his country, the captain could
not bring himself, however, to tell the
dying man that the United States was
engaged in the Civil War.
Philip Nolan died in 1863. His last
request was that he be buried at sea, his
only home.
MANHATTAN TRANSFER
Type of work: Novel
Author: John Dos Passes (1896- )
Type of 'plot: Impressionistic realism
Time of plot: World War I
Locale: New York City
First published: 1925
Principal characters:
ELLEN THATCHER, an actress
CONGO, a French sailor who later became a wealthy bootlegger
Gus McNiEL, a milkman who later became an assemblyman
JIMMY HEKF, a newspaper reporter
GEORGE BALDWIN, a lawyer
JOE HARLAJSTD, a drunk
JOE O'KEEFE, a young labor organizer
STAN EMERY, whom Ellen loves
Critique:
In this novel Dos Passos presents a
panoramic portrait of New York City.
The book is composed of many episodes
in the lives of many different characters.
Some of the episodes are connected; others
stand by themselves. The author's style
is abrupt; the scene shifts without warn
ing. The complexity of the plot real
istically reflects the complexity of metro
politan life.
The Story:
Ed Thatcher and his wife Susie had
their first child, a girl named Ellen. After
the birth of the child, Susie became
neurotic; she wanted to die.
Congo and Emile, two French boys,
came to New York to make their for
tunes. Emile married a widowed French
woman who owned a delicatessen. Con
go did not like New York and went to
sea again.
MANHATTAN TRANSFER by John Dos Passos. By permission of the author and the publishers, Houston
Miffin Co. Copyright, 1924, by John Dos Passos.
555
Gus McNiel, a milkman, was run over
by a train. George Baldwin, a young
lawyer, took Gus* case against the rail
road and obtained a settlement for the
injured man. While Gus was in the
hospital recovering from the accident,
George had an affair with Gus' wife,
Nellie.
Jimmy Herf arrived from Europe with
his widowed mother, who was in delicate
health. One evening she had a heart
attack; not long afterward she died.
Jimmy's rich Uncle Jeff and Aunt Emily
Merivale then became his legal guard
ians. One evening at their house Jimmy
met Joe Harland, the drunken black
sheep of the family, who had won and
lost several fortunes on Wall Street.
Susie Thatcher died, and Ed worked
hard for little Ellen. He stayed at the
office until late each evening, working
and dreaming of all the fine things he
would do for his daughter some day.
Ellen grew up, went on the stage, and
married John Oglethorpe, a competent
but lazy actor. Her married life was
unhappy, for she discovered that her
husband was a homosexual.
Jimmy Herf s Uncle Jeff tried to get
him interested in business, but Jimmy
would have none of it. He got a job as a
reporter and became acquainted with
Ruth Prynne, a young actress who lived
in the boarding-house where Ellen and
John Oglethorpe stayed.
George Baldwin had forgotten Nellie
McNiel. He was now interested in
Ellen. One afternoon, as he and Ellen
sat together at tea, a drunken college boy
stopped at their table. George introduced
him to Ellen as Stan Emery.
Joe Harland, the black sheep relative
of the Merivales and Jimmy Herf, was
now forty-five and almost broke. He
spent his last money on a few shots of
whiskey to bring back memories of the
old prosperous days on Wall Street.
Ellen and Stan fell in love. When
she was with him, she was happy. But
when she went home to John, she was
miserable. Ellen decided that she and
John could no longer live together. She
packed her things and moved to a hotel.
Stan Emery came to Jimmy Herfs
room. Stan was on a long drunk after
being expelled from college. Later in the
day they met John and Ellen drinking
tea together. Stan left, but Jimmy stayed
to talk with Ellen.
George Baldwin sat at breakfast with
his wife, Cecily. He had married her
for social position; they were not happy.
Cecily knew of his other affairs. George
did all he could to keep her from
leaving home because a scandal would
ruin him in the business world.
Ellen moved from her hotel to an
apartment. She was supporting herself
well now, for she had become a success
on Broadway.
Joe Harland had finally got a job as
a night watchman. One evening he was
visited by a young labor organizer, Joe
O'Keefe. The older man warned him
against getting mixed up in labor troubles.
But O'Keefe said that Gus McNiel, now
an assemblyman, was on the side of
labor.
Harry Goldweiser, a rich Broadway
producer, fell in love with Ellen. He
asked her to marry him. She refused,
but in a friendly way, for her career
depended upon Goldweiser.
Gus McNiel retained George Baldwin
as his lawyer throughout his rise to
political power. George warned him
against getting mixed up with labor be
cause, as a member of a conservative law
firm, George could not help Gus with
labor troubles.
Ellen wanted Stan to stop drinking
so much, but he would not reform.
Drink was the only means by which he
could adjust himself to the world.
One evening Ellen went out to din
ner with George Baldwin. Everyone was
excited about the beginning of the
World War. But George could think
only of Ellen, and in a fit of rage he
threatened her with a gun. Gus Mc
Niel, who was nearby, took away the
gun and hushed up the incident. Jimmy
556
Herf, who had been talking to the bar
tender, Congo, took Ellen outside and
sent her home in a taxi.
Ellen finally obtained a divorce from
John, and Harry Goldweiser renewed his
attentions. One evening Ellen and Harry
met Stan dancing with a girl named
Pearline. Stan revealed that he and
Pearline had been on a long drunk and
had been married. Later Stan came home
drunk, disgusted with his life and with
Pearline. He poured kerosene around
the apartment and set fire to it. Pearline
returned just in time to see the firemen
carry Stan from the burning building.
Ellen was crushed by Stan's death,
for he was the only man she had really
loved. To be with Jimmy Herf gave her
some comfort because he had been Stan's
friend. But Jimmy wanted to be more
than a friend to Ellen; he still loved her.
She told him that she was going to have
Stan's baby; she wanted to leave show
business and rear the child. But she
had an abortion instead. Ellen and Jimmy
went to Europe to do Red Cross work
during the war. Finally they were mar
ried. They returned from France with
their baby.
Joe O'Keefe came back from the war
with a chip on his shoulder. He thought
the veterans deserved a bonus because
they had lost out on the big money at
home. He had another reason for feel
ing bitter: somewhere overseas he had
caught syphilis.
George Baldwin's home life was still
troubled. Having post-war political am
bitions, he turned against his old friend,
Gus McNiel, and ran for mayor on a
reform ticket. Meanwhile Jimmy and
Ellen drifted apart. Jimmy became des
pondent and quit his job. George Bald
win finally got a divorce. He proposed
to Ellen. Too weary of her muddled
life to resist him, she accepted his pro
posal.
One night Jimmy Herf was walking
the streets when a car drew up beside
him and stopped. In it was the French
man, Congo, now a wealthy bootlegger.
He took Jimmy home with him and tried
to cheer him, up. Late one evening aftei
a party Jimmy Herf wandered down by
the river. As he waited for a ferry to
take him from Manhattan, he realized
that he felt gay and happy for the first
time in many months. Morning found
him, walking along a concrete highway,
penniless but still happy. He did not
know where he was going; he knew only
that it would be a long way.
MANON LESCAUT
Type of work: Novel
Author: Abbe PreVost (Antoine Francois Provost d'Exiles, 1697-1763)
Type of plot: Sentimental romance
Time of 'plot: 1700
Locale: France and New Orleans
First 'published: 1731
Principal characters:
MANON LESCAIJT, a courtesan
THE CHEVALIEK DBS GRIEIIX, her lover
TIBERGE, Ms friend
M. DE G — M — , a wealthy nobleman
M. LESCAUT, Manon's brother
Critique:
The Story of Manon Lescaut and the
Chevalier des Grieux is an early example
of the sentimental romance and as such
it has had a considerable influence on ro
mantic fiction in different literatures. The
book is not widely read today, but the
popular operatic version of the story is
familiar enough. Despite its importance
in the history of fiction, the modern
reader is apt to be out of sympathy with
557
its swashbuckling hero and its senti
mental heroine. The Abbe Prevost would
have the reader sympathize with these
characters, but many readers will feel
that the pair received much less misfor
tune than their conduct deserved.
Tk& Story:
While the young Chevalier des Grieux
was a student of philosophy at Amiens,
he became friendly with a fellow student
named Tiberge. One day he stood idly
with his friend and \vatched the arrival
of the Arras coach. Among the pas
sengers was a beautiful young girl who
attracted the chevalier' s attention. Politely
introducing himself, he learned that her
name was Manon Lescaut and that she
had come to Amiens under the protec
tion of an elderly man. Against her will
she was to enter a convent. She accepted
the chevalier's offer to set her free from
such an irksome life, and after skillfully
and untruthfully disposing of her escort
she went with the young student to an
inn. On the morrow they planned to
flee to Paris. Tiberge argued with his
friend against this folly, but the chevalier
was hopelessly infatuated. In Paris he
and Manon took a furnished apartment,
where for three weeks they were absorbed
in each other.
The idyll came to an end when the
young lover discovered that his mistress
had also bestowed her affections on M.
de B — . But the chevalier's love for
Manon was so great he forgave her. Then
three lackeys, sent by the chevalier's
father, came to the apartment and took
the young man home. There his father
tried in vain to persuade him that Manon
had behaved treacherously. Finally the
father locked his son in his room for a
period of six weeks. During this time
Tiberge came to visit him, bringing him
news that Manon was being kept at the
expense of M. de B — . Finally Tiberge
persuaded the young man to enroll at the
Seminary of Saint-Supplice as a student
of theology. With his father's permission,
he entered the school where he became
an outstanding student. Manon was pres
ent to hear his declamation at the public
disputation at the Sorbonne, and after
the ceremonies she came to visit him. A
single passionate embrace made him for
get his future in the Church. The chev
alier escaped from school without any
money; his mistress furnished the funds
to set up quarters at Chaillot, outside
Paris.
Then began a life of extravagance and
riotous living far beyond their slender
means. In Paris they met Manon's
brother, M. Lescaut of the Royal Guards,
who did not scruple to install himself
in their house. When a fire destroyed all
their money and possessions, the brother
suggested that Manon sell her charms to
some free-handed nobleman. The chev
alier rejected this proposal, but con
sented to become a professional gambler
in order to support Manon. He borrowed
from Tiberge enough money to begin his
career as a card cheat. For a time his
luck held, but their period of prosperity
ended when a maid and a valet fled with
all the valuable possessions of the new
household. Urged by her brother, Manon
consented to become the mistress of the
old and wealthy M. de G — M — , who
had promised her a house, servants, and a
large sum of money.
The young couple decided to play on
Manon's protector by introducing the
chevalier into the household as hef
brother. Having duped the man to make
his settlement on Manon, they ran away
with the jewels and money he had given
her. But they were followed by the police,
apprehended, and imprisoned — Manon
at the Common Hospital; the chevalier
at Saint-Lazare.
Once lodged at Saint-Lazare, the chev
alier began to plan his escape. He cul
tivated his superiors and made a show of
reading theology. M. de G — M — , hear
ing of the chevalier's studious habits,
came to visit him. But when the young
man heard, for the first time, that Manon
was also imprisoned, he seized the old
man by the throat and tried to throttle
558
him. The monks stopped the fight and
saved the old man's life.
The chevalier now wrote to Tiherge,
asking his old friend to visit Saint-Lazare.
To Tiberge he entrusted a note addressed
to M. Lescaut. Using a pistol which
Manon's brother brought him soon after
ward, the chevalier escaped, killing a
turnkey in his flight. Later, by bribing
the attendants at the hospital, he was
able to arrange for Manon's escape.
Manon, wearing men's clothing, was
safely conveyed to her brother's house,
but just as the happy pair descended from
the carriage M. Lescaut was shot by a
man whose fortune the guardsman had
won at cards. Manon and the chevalier
fled to the inn at Chaillot to escape ap
prehension for the murder.
In Paris the next day the chevalier
borrowed a hundred pistoles from Ti
berge. He also met M. de T — , a friend,
whom he invited to Chaillot for supper.
During the meal the son of old M. de
G — M — arrived at the inn. The im
petuous young chevalier wanted to kill
him at once to get revenge on the father,
but M. de T — persuaded him rather to
meet young de G — M — in a friendly
manner over the supper table. The young
man was charmed with Manon, and like
his father offered to maintain her hand
somely. But Manon and her lover had
made plans to deceive the gullible young
man, in order to get revenge on his rather.
She accepted his rich presents. The chev
alier planned to have street ruffians cap
ture and hold the infatuated young man
while Manon and the chevalier enjoyed
the supper and the bed de G — M — had
arranged for himself and his mistress.
But the young man's father learned of
the scheme and Manon and the chevalier
were surprised by the police, who hurried
them off to the Chatelet.
The young chevalier then appealed to
his father, whose influence was great
enough to secure his son's release. He re
fused to interest himself in Manon, how
ever, and she was sentenced to exile on
the next shipload of convicts to be sent
to the penal colony in Louisiana. After a
feeble attempt to rescue her from the
prison guards, the chevalier accompanied
his mistress on the trip from the prison
to Havre-de-Grace. He also gained per
mission to accompany her on the voyage
to America. On shipboard and on their
arrival in New Orleans they passed as
man and wife.
In New Orleans they settled in a rude
shelter. After the chevalier secured hon
orable employment, Manon desired above
all things that they become legally man
and wife. The chevalier appealed to the
governor for permission to marry and ad
mitted his earlier deceit. The governor
refused, for his nephew M. Synnelet,
had fallen in love with Manon. As a re
sult, the chevalier fought a duel with
Synnelet. Thinking that he had killed
his opponent, he and Manon left the
colony, but on the journey Manon, ill
from fatigue, died in a lonely field. The
chevalier was disconsolate.
Tiberge followed his friend to America
and persuaded him to return to France.
Back home, the chevalier resolved to turn
to God in penance.
MAN'S FATE
Typ e of work: Novel
Author: Andre Malraux (1895- )
Type of plot: Social criticism
Time of plot: 1927
Locale: Shanghai, China
First published: 1933
Principal characters:
CH'EN, a Chinese terrorist
KTO, a Communist organizer of French and Japanese parentage
559
GISOBS, Kyo's father
MAY, Kyo's German wife
BABON DE CLAPPIQUE, a French adventurer
KATOV, a Russian revolutionist
HEMMELRICH, a German revolutionist
FERRAL, a French businessman
KONIG, chief of Chiang Kai-shek's police
Critique:
Man's Fate is in part an eye-witness
account of a troubled period of crisis in
China's troubled history. Malraux, him
self a revolutionary at the time, was first
of all a literary artist in the writing of
this novel. His characters are the melting
pot of cosmopolitan Shanghai. The epi
sodic plot is significant chiefly as an
illustration of leftist dialectics in modem
fiction.
The Story;
The Reds, a revolutionary group with
a nucleus of Moscow agents, had made
a temporary alliance with Chiang Kai-
shek, their immediate object being to
control Shanghai with the help of the
Kuomintang. But the alliance was an
uneasy one, for neither side trusted the
other. The Reds had completed their
plans to seize Shanghai, ostensibly as
part of Chiang Kai-shek's campaign, but
they intended to put a Communist in
control before the Blue army arrived. On
their part, the Blues hoped to use the
Communists to seize the city and after
wards disperse the revolutionaries.
Ch'en, the terrorist, stood ready to
strike through the mosquito netting and
kill the sleeper in the bed. Nerving
himself for his first murder, he plunged
his dagger into the man's heart. Quickly
from the dead man he took a paper which
would authorize the delivery of arms
now aboard the Shantung, at anchor
in the harbor. The Reds counted on
these arms to seize control of the city
before government troops arrived.
Ch'en took the document to Hemmel-
rich's phonograph shop, where Kyo was
waiting. There they all congratulated
him, Kyo, Katov, and Hemmelrich. Kyo
and Katov tested their new code of paral
leled phonograph records. One record
gave an innocent language lesson, the
other gave a loud hiss which covered all
but the key words on the first record. Sat
isfied with their work, they planned a
final check of their revolutionary cells.
Hemmelrich refused to go with them; his
wife and child were sick.
Kyo and Katov visited their two hun
dred units. A general strike at noon
would paralyze the city. At the same
time saboteurs would wreck the railway
so that the government could not send
reinforcements from the battle front.
Other groups would take over police
stations and army posts and seize all fire
arms. With the grenades already on
hand, they would be equipped to resist
even tanks.
Kyo went to the Black Cat, a night
club where he knew he could find de
Clappique, The Frenchman was drunk,
but he had to be trusted. De Clappique
was commissioned to take a forged order
to the Shantung, directing her to shift
anchorage.
Tired and tense, Kyo went home.
Gisors, his father, was still awake, and
Kyo told him a few details of the plan.
Then May, Kyo's wife, came home ex
hausted from her hospital work. She
was one of the few women doctors in all
Shanghai, a woman with advanced views
on marriage relationships. She and Kyo
quarreled because of her affair with
another doctor. During the quarrel de
Clappique came to report that the Shan
tung had moved. A messenger recalled
Kyo to headquarters.
by Haakon M. Chevalier. By permission of the author's agent
^^ Pa-' -d °f *»*» House, Inc.
560
Dressed as government soldiers, Kyo
and Katov with ten others "boarded the
Shantung and got the arms, but only
after seizing the captain and holding him
prisoner. Now the revolutionaries could
plan with confidence.
Meanwhile Ferral, head of the French
Chamber of Commerce, decided to throw
Jus support to Chiang Kai-shek. After
giving orders to send funds to the Blues,
he retired with his mistress Valerie. It
was arranged that she would see him
die following night at her hotel. He was
to bring her a pet bird in a cage. At
the appointed time Ferral asked for
Valerie at the hotel desk. To his sur
prise, she was out. A young English
man was also waiting for her with a
caged bird. To revenge himself, Ferral
bought the entire stock of a pet store
— forty birds and a kangaroo, and set
them loose in Valerie's room.
The uprising took place as planned.
Ch'en seized one police station with
ease and armed his small band. The
second station was better defended, and
grenades failed to dislodge officers bar
ricaded on the top floor. Ch'en set fire
to the building, killing the resisters as
well as his own wounded comrades.
The feeble central government could
not fight both Chiang and the Reds at
the same time. While the government
forces were occupied with the Blues, the
Reds easily took control of the city.
Two days later the Blues under Chiang
approached Shanghai. The general had
been shrewd enough to send his first
division, composed largely of Commun
ists, to another front; consequently the
Communists found themselves confront
ing an unsympathetic Blue army which
in turn took over the city. Many of the
Communists were arrested. When Mos
cow ordered all armed Communists to
surrender their weapons to Chiang's
police, dissension broke out among the
Reds. Many of the Chinese deserted the
Moscow party and embarked on a ter
roristic campaign of their own.
Ch'en conceived the idea that he must
kill Chiang in order to free China. With
two companions he lay in wait to throw
a bomb into the general's car. His first
attempt having foiled, Ch'en went to
Hemmelrich's shop. Hemmelrich refused
to shelter him. In a second attempt,
Ch'en threw himself with his bomb under
the automobile. The car was wrecked
and Ch'en was killed, but Chiang was
not in the car.
Chiang's police destroyed Hemmel-
rich's shop, accidentally killing his wife
and baby. Believing his cowardice was
the cause of Ch'en's action and the sub
sequent riot, Hemmelrich seized a rifle
and joined the rioters. He was quickly
killed by Chiang's police.
Now in complete control, Chiang's
police chief, Konig, began to round up
the Communists, Katov among them.
When the word went out that Kyo was
to be arrested, Gisors begged de Clap-
pique to intervene because the baron
was Konig's good friend. Instead of
warning Kyo, de Ckppique lingered in
a gambling house until after Kyo had
been arrested. Later de Ckppique went
to Konig to ask for Kyo's release. The
Frenchman was given only forty-eight
hours to leave China.
In prison Katov gave his cyanide tab
let to Kyo, who poisoned himself. Katov
and his revolutionary group were ex
ecuted.
Each of the survivors sought safety in
his own way. Gisors returned to Japan
to teach painting. May went to Moscow
to practice medicine. By disguising him
self de Clappique got aboard the same
French liner that was taking Ferral back
to France. So the Communists and their
sympathizers were destroyed by relent
less Chiang and the vacillating policy of
Moscow. Yet there was good news from
China for the survivors; the quiet work
of revolution had already started again.
561
MANSFIELD PARK
Type of -work: Novel
Author: Jane Austen (1775-1817)
Type of plot: Social criticism
Time of plot: Early nineteenth century
Locale: Northamptonshire, England
Pirst published' 1814
Principal characters:
FANNY PRICE, a poor relation at Mansfield Park
Sm THOMAS BERTRAM, owner of Mansfield Park
LATYT BERTRAM, his wife
TOM,
EDMUND,
MABIA, and
JTTLIA BERTRAM, Fanny's cousins
Mas. NORRIS, a busybody
HENRY CRAWFORD, a self -centered young gentleman
MARY CRAWFORD, his sister
MR. RUSETCVOKTH, Maria Bertram's suitor
MR. YATES, a young man of fashion
Critique:
Mansfield Park is the most obviously
didactic of Jane Austen's novels: virtue is
universally rewarded and vice just as cer
tainly punished. The characterization,
also, is inclined more to black and white
than is true of her greater works. As al
ways, the feminine characters are more
convincing than the men. The heroine,
Fanny Price, is appealing and sweet,
while Mrs. Norris is a masterly satirical
sketch of the universal type of busybody.
The Story:
Of the three Ward sisters, one had
married very well to a baronet, one very
badly to a lieutenant of the marines, and
one neither too badly nor too well to a
clergyman. The fortunate sister, Lady
Bertram, agreed at the instigation of the
clerical sister, Mrs. Norris, to care for one
of the unfortunate sister's nine children.
Accordingly, Fanny Price, ten years old,
and a shy and sensitive child, came to
make her home at Mansfield Park.
Among her four Bertram cousins, Tom,
Edmund, Maria, and Julia, Fanny found
a real friend only in Edmund. The
others usually ignored her except when
she could be of use to them, but Edmund
comforted her, and advised her. He alone
seemed to recognize her good qualities —
cleverness, grace, and a pleasant disposi
tion. Besides Edmund's attentions, Fanny
received some of a very different kind
from her selfish and hypocritical Aunt
Norris, who was constantly calling un
necessary attention to Fanny's dependent
position.
When Fanny was fifteen, Sir Thomas
Bertram went to Antigua to look after
some business affairs. With him went
his oldest son, who was inclined to ex
travagance and dissipation, and the fam
ily was left to Edmund's and Lady Ber
tram's care. During Sir Thomas' absence,
his older daughter, Maria, became en
gaged to Mr. Rushworth, a young man
who was rich and well-connected but
extremely stupid.
Another event of importance was the
arrival in the village of Mary and Henry
Crawford, the sister and brother of Mrs.
Grant, whose husband had become the
rector after the death of Mr. Norris. Both
of the Bertram girls liked Henry im
mensely, but since Maria was engaged,
he rightfully belonged to Julia. They
also became close friends with Mary
Crawford, who in turn attracted both
Tom, now returned from abroad, and
Edmund.
Fanny regretted the Crawfords' com-
562
ing, for she saw that Edmund, whom she
herself loved, was falling in love with the
shallow, worldly Mary, and that her cous
in Maria was carrying on a most un
seemly flirtation with Henry. The less
observant, like Mrs. Norris, saw only
what they wished to see and insisted that
he was paying particular attention to
Julia.
At the suggestion of Mr. Yates, a
pleasure-loving friend of Tom, the young
people decided to engage in some private
theatricals and chose for their entertain
ment the sentimental "Lovers' Vows."
Fanny opposed the scheme from the start,
for she knew Sir Thomas would have
disapproved. Edmund tried to dissuade
the others, but finally let himself be
talked into taking a part because there
were not enough men for all the roles.
Rehearsals and preparations went for
ward, the plan growing more elaborate
as it progressed. However, the unex
pected return of Sir Thomas put an end
to the rehearsals. The house was soon
cleared of all theatrical gear, including
Mr. Yates, whose trifling, affected ways
Sir Thomas had disliked immediately.
Maria, willing to break her engage
ment to Mr. Rushworth, had hoped her
father's return would bring a declaration
from Henry. Instead of declaring him
self, he announced his departure for a
stay in Bath. Although her pride was
hurt, Maria resolved that Henry Craw
ford should never know she had taken
their flirtation seriously. She was duly
married to Mr. Rushworth.
Julia went to Brighton with the Rush-
worths. With both the Bertram sisters
gone, Henry began an idle flirtation with
Fanny and ended by falling in love with
her. One of his plans for winning her
favor was a scheme for getting her be
loved brother William, who had just
visited her at Mansfield Park, a promo
tion in the navy. Although Fanny was
grateful for this favor, she refused him
promptly when he proposed. In doing
so, she incurred the serious displeasure
of hex uncle, Sir Thomas, who regarded
as sheer perversity the sentiments which
made her turn down such an advan
tageous match. Even Edmund encour
aged her to change her mind, for he
was too preoccupied with his attachment
to Mary Crawford to guess that Fanny
had more than a cousinly regard for him.
Edmund had just been ordained as a
clergyman, a step which Mary Crawford
had ridiculed, and he was not sure she
would accept him as a husband. He per
sisted in believing, however, that her
frivolous dislike of the clergy was only
a trait she had acquired from worldly
friends, and that her opinion could be
changed.
About this time Fanny went to Ports
mouth to visit her family. The stay was
a depressing one, for she found her fam
ily, with the exception of William, dis
orderly and ill-bred, by Mansfield Park
standards. Also, several catastrophes oc
curred at Mansfield Park to make her
long to be helpful there. Tom, the oldest
son, had such a serious illness that his
recovery was uncertain; Maria, now Mrs.
Rushworth, ran away with Henry, who
forgot his love for Fanny long enough
to commit an irrevocable indiscretion;
and Julia eloped with Mr. Yates. The
Bertram family, crushed under this series
of blows, at last realized Fanny's value
and dearness to them, and welcomed her
back to Mansfield Park with tenderness
that touched her deeply.
Mrs. Norris, as spiteful as ever, said
that if Fanny had accepted Henry Craw
ford as she should have, he would never
have run away with Maria. But Sii
Thomas gave Fanny credit for seeing
Henry's character more clearly than he
had, and forgave her for having refused
Henry. He blamed himself for Maria's
downfall, for he realized he had never
taken the trouble to know his children
well.
But good came from all this evil. Tom's
ill -ness sobered him, and he proved a
better son thereafter. Mr. Yates, though
not a great match for Julia, had more in
come and fewer debts than Sir Thomas
563
had anticipated, and seemed inclined to
settle down to quiet domesticity. Henry
and Maria separated after spending a few
unhappy months together. Sir Thomas
refused to receive her at Mansfield Park,
but provided a home for her in another
part of the country. There Mrs. Norris
went to live with her favorite niece, to
the great relief of everyone at Mansfield
Park.
Edmund had finally realized Mary
Crawford's frivolous and worldly nature
when she treated his sister's and her
brother's affair quite lightly. Her levity
shocked him, and made it easier for him
to give up thoughts of an unsuitable
marriage. Eventually he fell in love with
Fanny, who had loved him so long. They
were married and lived at the parsonage
near Mansfield Park.
THE MARBLE FAUN
Type of work: Novel
Author: Nathaniel Hawthorne (1804-1864)
Type of plot: Allegorical romance
Time of plot; JMid-nineteenth century
Locale: Rome
First published: 1860
Principal characters:
MIRIAM, an artist
HILDA, another artist, friend of Miriam
KENTON, an American sculptor
DONATEIXO, a young Italian
Critique:
A romance filled with moral and sym
bolic overtones and undertones, The
Marble Faun, or, The Romance of Monte
Beni exhibits Hawthorne's preoccupation
with the problem of evil. Hawthorne
himself was a complex person, and some
of the psychological concerns of his own
character are reflected in this novel. The
book is a study of the birth of the human
conscience, the consequences of a sin
committed by a simple, pagan spirit who
through his unthinking deed releases a
new sense of intellectual and moral re
sponsibility. The Marble Faun is one of
the American classics, eloquent testimony
to the ability and insight of one of our
greatest native writers.
The Story:
Nothing at all was known about
Miriam. In the artistic world of Rome,
she lived without revealing anything
about herself and without arousing the
curiosity or suspicion of those living
around her. With a New England girl,
Hilda, and Kenyon, a sculptor, she en
joyed a friendship which even her mys
terious origin did not shadow, so complete
was their understanding and trust of one
another.
One day the three friends, accom
panied by Donatello, a young Italian, saw
a statue of the faun by Praxiteles. Struck
by the resemblance of the statue to Dona
tello, they asked jokingly to see if the
Italian also had pointed ears under his
golden locks. Indeed, Donatello was very
much like a faun in his character. He had
great agility, cheerfulness, and a sunny
nature unclouded by melancholy or care.
He was deeply in love with Miriam.
On another occasion, the trio went to
visit the catacombs. While there, Miriam
disappeared for a moment. When she
came back, she returned with a strange
individual whom she had met inside one
of the tombs. This person followed her
for months to come. No one knew any
thing about him. He and Miriam had
conversations together, and he spoke of
the hold he had on her, of their life to
gether in a mysterious past. Miriam be'
564
came more and more unhappy. She tola
Donatella — who was ever ready to de
fend her — that he must go away, for she
would bring doom and destruction upon
him. But Donatello stayed, as ardent as
ever.
Her persecutor appeared everywhere,
followed her wherever she went. One
day Miriam went to Hilda and left a
packet for Hilda to deliver on a certain
date to the address she would find written
on the outside. Shortly afterward, the
friends went out one night and climbed
the Tarpeian Rock, over which the old
Romans used to throw their criminals.
As they were getting ready to return
home, Miriam's persecutor appeared.
Miriam went with him, followed by Don
atello. Donatello attacked the man and
with the stranger secure in his grasp
looked at Miriam. Her eyes gave him his
answer. He threw the tormentor over a
cliff to his death.
United by this crime, Miriam and
Donatello also became united in love.
But they did not know that Hilda had
witnessed the murder, that she was suf
fering because of it. They had all agreed
to visit the Church of the Capuchins the
following afternoon in order to see a
painting which supposedly bore a re
semblance to Miriam's tormentor. But
Hilda did not keep the appointment. The
others went, to find a mass for the dead
in progress. The dead man was Miriam's
persecutor. Later, when Miriam went to
see Hilda, the American girl told Miriam
that their friendship was over.
Donatello, too, had changed. He was
no longer the unworried faun, but a per
son with a very guilty conscience. He
began to avoid Miriam, even to hate her.
He left Rome and went back to his an
cestral home. Kenyon went there to visit
his friend. Hilda stayed in Rome by
herself, lonely, distraught.
At Donatello's country home, Kenyon
learned the local tradition about his
friend's family, a legend that Donatello
was, in fact, descended from a race of
fauns who had inhabited the countryside
in remote times. He learned, too, of
Donatello's feeling of guilt, but he, un
aware of the killing, did not know the
reason for Donatello's changed spirit.
When Miriam followed Donatello to his
home, he would not see her. Kenyon told
her Donatello still loved her, however,
and she agreed to meet both of them later
on. When they met in the city square,
Miriam stood quietly, waiting for Dona
tello to speak. At last he spoke her name,
and she went to him. So they were
united once more, but the union was
haunted by their sin.
In the meantime Hilda had gone to
deliver the packet Miriam had left in her
keeping. The address was that of one
high in the affairs of the government.
Kenyon looked for Hilda everywhere, for
he had seen her but briefly since his
return. Realizing at last that he was in
love with her, he was worried about her
disappearance. During the carnival sea
son he met Donatello and Miriam, who
promised him he would soon see Hilda
again. He did, on the day the carnival
was at its height and the streets were
filled with a merry-making throng.
Hilda told him her story. Her knowl
edge of the crime had weighed so heavily
upon her that at last she had gone to
confession in St. Peter's and had poured
out the tale to a listening priest. Later
she had delivered the packet, as Miriam
had requested her, and afterward she
had been detained in a convent until the
authorities were satisfied she had taken
no part in the murder on the Tarpeian
Rock. She had just been released from
her strange captivity. While they stood
talking, there was a commotion in the
crowd nearby. The police had seized
Donatello and were taking him, to jail.
For his crime Donatello was sentenced
to prison. Miriam was not brought to
trial, for her only crime had been the
look in her eyes which had told Donatello
to murder her persecutor. But Miriam's
history was finally revealed. Although
she herself was innocent, her family had
been involved in a crime which made
565
its name infamous. She had gone to
Rome and attempted to live down the
past, hut evil had continued to haunt
her, and the past had reappeared in the
form of a tormentor who had dogged her
footsteps, threatening to make her iden
tity known to the world, until Dona-
teUo had thrown hi-m over the cliff .
Kenyon and Hilda were married. Once
again they saw Miriam, kneeling in the
Pantheon before the tomh of Raphael.
As they passed, she stretched out her
hands to them in a gesture that both
blessed them and repulsed them. They
left her to her expiation and her grief.
MARCHING ON
Type of work: Novel
Author: James Boyd (1888-1944)
Type of 'plot: Historical romance
Time of -plot: The Civil War period
Locale: North Carolina
First -published; 1927
Principal characters:
JAMES ERASER, a farm boy
STEWART PREVOST, a rich planter's daughter
COLONEL PBEVOST, her fatter
CHARLES PHEVOST, her brother
Critique:
When James Boyd wrote Marching
On, he obviously had two motives: one,
to depict the spirit of the soldiers who
fought heroically for a lost cause, and,
two, to show how the spirit of one boy,
James Fraser, kept marching on to the
point where he could hold up his head
proudly among those he had once thought
of as his superiors. Both parts of the plot
have been developed, in an interesting
and challenging manner. Marching On
is not one of the best-known Civil War
novels, but it is a good story, well told.
The Story:
When James Eraser fell in love with
Stewart Prevost, he loved her in a hope
less way. He was the son of a poor
farmer who lived in the swamps of
North Carolina, and Stewart was the
daughter of Colonel Prevost, a gentle
man planter. Although Colonel Prevost
was always courteous and friendly with
the Erasers, his friendliness was reserved;
James knew that he must keep his place.
James loved his father and mother,
both hard-working, God-fearing people
who toiled endlessly with meager reward.
But he felt that he must somehow rise
above their station in life, that he must
gain an equal footing with the planters
and other gentlemen toward whom he
was forced to show a servile attitude. On
nights when he was filled with despair
and confusion, he slipped out of the
house and played his fiddle. Into his
music he could pour his dreams without
fear of ridicule.
James first saw Stewart when he de
livered a load of wood to her father.
She said only a few words in greeting,
but to James the words were as beautiful
as the ringing of bells. During the
next weeks he saw her often; it seemed
to him, that she was always on the road
leading to the plantation as he passed
with a load of wood. When he was
alone, he cursed himself for a fool; no
girl in Stewart's position would purposely
seek out an awkward, uncouth farm boy.
He swore to himself that he would avoid
her. At last Stewart began to talk with
him about life. When he told her that
he would like to go away and work on
MARCHING ON by James Boyd. By permission of the publishers, Charles Scribner's Sons. Copyright, 1927,
by Charle* Scribner's Sons.
566
the railroad, she offeree to give him
money to start him on his way. He bit
terly decided that she only wanted to get
rid of him,
For a few days James avoided the
plantation. Then his pride forced him
to call at Stewart's home and ask to see
her. Colonel Prevost answered the door
and went to call Stewart. He returned
to tell James that Stewart was busy —
and would be busy in the future. Trying
to save his dignity, the boy stumbled
blindly down the steps. The next mom-
ing he told his father and mother that
he was going away.
James went to Wilmington and took
a job on the railroad. His interest in
machines and his determination to suc
ceed made him an excellent worker. He
lived well and sent money home each
week. He made friends, but the vision
of Stewart would not leave him and he
was lonely. The men with whom he
associated were all concerned over the
coining election, for they believed that
there would be trouble if Abraham Lin
coln were elected. Everywhere he went,
abolition and war were the main topics
of conversation. Not long after Lincoln
had been elected, the Secession began.
In April, after Fort Sumter had been
attacked, James went home to join the
company being formed by Colonel Pre
vost. Stewart's brother Charles was to
be the captain, for he had attended Vir
ginia Military Institute. On the night
before the company was to leave the
plantation James wrote Stewart a note
and asked her to meet him. His love
was greater than his pride, and for that
he would always be grateful; Stewart
swore to him that her father had never
told her that James had come to see her
once before, and she said regretfully that
her offer of money had been thoughtlessly
given. She promised to write to him, and
she asked him to look after her brother
Charles, for she had a premonition that
he would be killed.
The next three years were later to
Teem to James like one continuous night
mare. Their company engaged in battle
with the Yankees only three or four
times, but the men marched and marched
until they slept as they walked. Most of
the time they were starving. When their
shoes wore out, they wrapped their swol
len feet in rags. Still they went on.
Charles was killed. Although James
killed the men who had attacked Charles,
he feared that Stewart would not for
give him for failing in his promise. He
wrote her, but it was two years before
her answer reached him. By that time
he was a prisoner. Her letter was the
only thing that kept him sane during
his years in prison. All the prisoners
were gaunt and sick, unbelievably thin
and emaciated. The Yankees were fairly
kind, but there was not enough food and
clothing for anyone in those terrible
years. James tried to keep a record of
the number of days he had been a
prisoner, but the problem was too great
for his fuzzy mind. To him only Stew
art's letter was real.
Released at last in an exchange of
prisoners, James went immediately tc
the Prevost plantation. He was dirty
and in rags and too weak to walk without
help, but Stewart drew him like a mag
net. When he climbed the long steps
to her house, she was waiting for him
at the top.
James stayed at the plantation until he
was stronger. Stewart told him she loved
him and would marry him. Although
Colonel Prevost was courteous and gra
cious, James knew that the old gentle
man still considered him little bettei
than a poor white cracker and would be
glad when he went to his own home,
At last James went back to his father
and mother.
James had been home only a short
time before he learned that the Union
army was attacking a town close to the
plantation. Because the Fraser farm
was off the main path of the soldiers,
he went to the plantation to bring
Stewart and her father home with him.
The colonel could not believe that South-
567
em troops would be defeated again and
he did not want to leave his house.
While James was there, the old man
apologized for his attitude and told the
boy that he was pleased that Stewart
was going to marry him. He honored
James by showing him a picture of Stew
art's dead mother, his most prized treas
ure.
The town fell. James and Stewart
went to his home, with the colonel's
promise that he would follow them as
soon as he had arranged for the pro
tection of his slaves and overseers. But
he never came, James returned to the
plantation after he had taken Stewart
to safety. There he found that Yankees
had ransacked the house and killed the
colonel as he tried to save his wife's
picture. Filled with a desire to avenge
the colonel's death, James started down
the road after the troops. He wanted to
kill any Yankee he saw. He had an op
portunity to kill three of them, but he
suddenly changed his mind when he saw
that the men were released prisoners.
They had fought for what they thought
was right, just as he had. He could think
of them only as brothers who had suf
fered in the same war. He put his gun
away and gave them the little food he
had. Then he started back to Stewart. He
was going home.
THE MASTER OF BALLANTRAE
Type of work: Novel
Author: Robert Louis Stevenson (1850-1894)
Type of plot: Adventure romance
Time of plot: Mid-eighteenth century
Locale: Scotland, India, France, America
First published: 1889
Principal characters:
JAMES BOBBIE, Master of Ballantrae
HJ53SH.Y DuBBJE, James' brother
ALISON GRAEME, Henry's wife
MR. MACKETJ.AR, factor of Durrisdeer
SECUTSTDRA DASS, James' servant
Critique:
The Master of Ballantrae: A Winter's
Tale is considered by many to be Steven
son's best novel, although it probably is
Qot as well known as Treasure Island or
Kidnapped. The story is engrossing,
moves with commendable speed, and gen
erally does not seem incredible. How
ever, the novel is lacking in background
detail, the author's chief aim, apparently,
being a delineation of character.
The Story:
When the Stuart Pretender landed in
Scotland in 1745, to assert his right to
the throne of England by force of arms
if necessary, the Durries of Durrisdeer
decided to steer a middle course. One
son would fight for the exiled Stuart, the
other would bide at home in loyalty to
King George. James, Master of Ballan
trae and his father's heir, won the toss of
a coin and elected to join the Stuart
cause. The younger son, Henry, stayed
at Durrisdeer. By this means it was hoped
by their shrewd old father that either way
the struggle went, the family estate would
remain intact.
Soon after came word of the defeat of
the Scottish forces at Culloden and the
news of James' death. Henry became
the Master of Ballantrae. In 1748, he
married Alison Graeme, who had been
betrothed to James. But even after a
daughter and a son had been bom to
them, their marriage was overshadowed
by the spirit of the former Master of
Ballantrae. James had been the favorite
son. Old Lord Durrisdeer had denied
568
him nothing, and Alison had loved him.
This feeling led to domestic difficulties,
and later the village gossips idolized James
and accused Heniy of selling out the
Stuart cause.
Colonel Francis Burke, an Irishman,
came into this strained situation and an
nounced that he and James had escaped
together from the field at Culloden. The
old lord was exceedingly happy with this
news; Henry felt frustrated; Alison
seemed pleased. Burke's mission was to
get money from the estate to take to
James, who was living in France. Henry
arranged to send him money by Burke.
Burke described his association with
James and their adventures after leaving
Scotland. The ship on which they es
caped was boarded by pirates, and James
and Burke were taken aboard the pirate
ship. The pirates, under the leadership
of Teach, their captain, were a drunken,
incompetent, ignorant lot.
James bided his time, and when the
ship put in for repairs, he escaped with
Burke and several members of the crew,
after robbing the store chest of money
and treasure Teach had accumulated.
With their spoils James and Burke even
tually arrived in New York, where they
met Chew, an Indian trader. They took
off with him into the wilderness. When
Chew died, they were left without a
guide. James and Burke quarreled and
separated. James buried the treasure he
had and set off through the wilderness
for Fort St. Frederick. When he arrived
at the fort, he again met Burke, who wel
comed him as a long-lost brother and
paid his fare to France.
In France, James served in the French
army and became a man of consequence
at the French court because of his adept-
ness at politics, his unscrupulousness, and
the money from his inheritance in Scot
land. His demands finally put the estate
in financial difficulties, for over a period
of seven years he demanded and obtained
a sum amounting to more than eight
thousand pounds. Because he practiced
strict economy to provide funds for his
brother, Henry acquired a reputation as
a miser and was upbraided by his wife.
Then in 1756 Alison learned the true
state of affairs from Mackellar, Henry's
factor.
After that matters ran more smoothly
in the household until James returned
suddenly from France aboard a smuggler's
lugger. His father was overjoyed to see
his favorite son, who during his stay at
Ballantrae was known as Mr. Bally.
James' hatred for Henry was known only
to Henry and Mackellar. In the presence
of the household James seemed to be on
the friendliest terms with his brother, but
when no one was around he goaded
Henry by subtle innuendoes and insinu
ations. Henry bore this state of affairs as
best he could because James, even in
exile, was the true Master of Ballantrae.
As a further torment for his patient
brother, James paid marked attention to
Alison, and it really seemed she preferred
his company to Henry's.
Matters came to a head one night when
James casually mentioned to Henry that
there ne\rer was a woman who did not
prefer him when Henry was around.
WTaen this assertion was made, there
was no one present but Mackellar, Henry,
and James. Henry struck James and hot
words quickly led to drawn swords. The
brothers ordered Mackellar to carry
candles into the garden. They went out
side, Mackellar remonstrating all the
while, but he could not stop the duel.
The air was so still that the light of the
candles did not waver as the brothers
crossed swords. From the onset Henry
became the aggressor, and it was not long
before James realized he stood to lose the
fight He then resorted to trickery. As
Henry lunged, James seized his brother's
blade in his left hand. Henry saved him
self from James' stroke by leaping to one
side, and James, slipping to one knee
from the force of his lunge, impaled him
self on Henry's sword. Mackellar ran
to the fallen James and declared him
dead.
Henry seemed stupified and made off
569
toward the house at a stumbling pace.
Mackellar toot it upon himself to tell
Alison and the old lord what had hap
pened. The four decided that the first
thing to do was to remove James' corpse.
But when they arrived at the scene of the
duel, the body had disappeared. They
decided that smugglers, attracted by the
light of the candles in the shrubbery,
had found the body and taken it away,
and their belief was confirmed by blood
stains they found on the boat landing
the next morning. Mr. Bally was reported
in the neighborhood to have left Dur-
risdeer as suddenly as he had arrived.
As the affair turned out, James had
been found alive but seriously wounded,
He was taken aboard a smuggler's ship,
and when he recovered he went to India.
After he made a fortune there, he re
turned once more to Scotland in the
company of an Indian named Secundra
Dass.
They arrived at Durrisdeer early one
morning. That night Henry with his
wife and two children left the house
secretly and took the next ship to New
York. James, having learned of Henry's
plans through the eavesdropping of Se
cundra Dass, sailed for New York three
weeks later, and Mackellar, hoping to
help his master, went with James and
his servant. When they arrived in New
York, Mackellar was pleased to learn that
Henry had already taken precautions to
forestall any claims which James might
make.
When James' allowance from his
brother proved insufficient for him to
live in the style he desired, he set up
shop as a tailor, and Secundra Dass em
ployed himself as a goldsmith. Hatred
for James gradually became an obsession
with Henry. He reveled in the fact that
after many years of humiliation and dis
tress he had his wicked brother in his
power.
To recoup his fortunes, James made
Elans to recover the treasure which he
ad previously hidden in the wilderness.
He asked Henry to lend him the money
to outfit an expedition, but Henry re
fused. Mackellar, although he hated
James, could not bear to see a Durrie
treated in such a haughty manner; there
fore, he sent to Scodand for his own
savings to assist James. But Henry had
plans of his own, and he conspired with
a man of unsavory reputation to guide
James into the wilderness and there kill
him. Again Secundra Dass overheard a
chance conversation and warned his mas
ter of danger. Then James sickened and
died. He was buried, and his guide re
turned to report his death to Henry.
Henry, however, believed his brother
James to be in league with the devil, with
the ability to die and return to life seem
ingly at will. With Mackellar and a
small party, he set out for James' grave.
They arrived one moonlit night in time
to see Secundra Dass in the act of ex
huming James' body and they gathered
around to see what would happen. After
digging through the frozen earth for a
short distance, Secundra Dass removed
his master's body from the shallow grave.
Then the Indian began strange ministra
tions over the corpse. The moon was
setting. The watchers imagined that in
the pale light they saw the dead man's
eyelids flutter. When the eyes opened
and James looked full into his brother's
face, Henry fell to the ground. He died
before Mackellar could reach his side.
But the Indian trick of swallowing the
tongue to give the appearance of death
would not work in the cold American
climate, and Secundra Dass failed to
bring James completely to life. James,
the Master of Ballantrae, and his brother
were united in death in the wilderness of
America.
570
THE MAYOR OF CASTERBRIDGE
Type of work: Novel
Author: Thomas Hardy (1840-1928)
Type of plot: Psychological realism
Time of plot: Nineteenth century
Locale: "Wessex," England
First published: 1886
Principal characters:
MICHAEL HENCHARD, the mayor of Casterhridge
SUSAN HENCHARD-NEWSON, his abandoned wife
ELIZABETH-JANE NEWSON, his stepdaughter
RICHARD NEWSON, a sailor
DONALD FAKFRAE, a grain merchant
LUCETTA LE StJEUR, loved by Henchard, later Farfrae's wife
Critique:
Despite contrived events, the plot of
The Mayor of Casterbridge works out
well. Descriptions of the Wessex country
side are excellent. Hardy's simple coun
try people are realistic and sometimes
funny, if not always sympathetic. The
modern reader is likely to question the
melodramatic and spectacular opening
scenes of the novel, in spite of Hardy's
insistence that such occurrences did take
place in rural districts during the last
century. The plot illustrates Hardy's be
lief that "in fiction it is not improbabil
ities of incident but improbabilities of
character that matter."
The Story:
One kte summer afternoon, early in
the •nineteenth century, a young farm
couple with their baby arrived on foot
at the village of Weydon-Priors. A fair
was in progress. The couple, tired and
dusty, entered a refreshment tent where
the husband proceeded to get so drunk
that he offered his wife and child for
sale. A sailor strange to the village bought
the wife, Susan, and the child, Elizabeth-
Jane, for five guineas. The young woman
tore off her wedding ring and threw it
in her drunken husband's face; then, car
rying her child, she followed the sailor
out of the tent.
When he awoke sober the next morn
ing, Michael Henchard, the young fann
er, realized what he had done. After
taking an oath not to touch liquor for
twenty years, he searched many months
for his wife and child. In a western sea
port he was told that three persons an
swering the description he gave had emi
grated a short time before. He gave up
his search and wandered on until he came
to the town of Casterbridge. There he
stayed to seek his fortune.
Richard Newson, the sailor, convinced
Susan Henchard that she had no moral
obligations to the husband who had sold
her and her child. He married her and
moved with his new family to Canada.
Later they returned to England. Susan,
meanwhile, had learned of the illegality
of her marriage to Newson, but before
she could make a positive move Newson
was lost at sea. Susan and Elizabeth-Jane,
now eighteen and attractive, returned to
Weydon-Priors. There they heard that
Henchard had gone to Casterbridge.
Henchard, in the intervening period,
had become a prosperous grain merchant
and the mayor of Casterbridge. When
the women arrived in the town they
heard that Henchard had sold some bad
grain to bakers and restitution was ex
pected. Donald Farfrae, a young Scots
corn expert who was passing through
Casterbridge, heard of Henchard's pre
dicament and told him a method for par
tially restoring the grain. Farfrae so im
pressed Henchard and the people of the
town that they prevailed on him to re
main. Farfrae became Henchard's man-
agex.
571
At the meeting of Susan and Hench
ard, it was decided Susan and her daugh
ter would take lodgings and Henchard
would pay court to Susan. Henchard,
trusting young Farfrae, told the Scot of
his philandering with a young woman
named Lucetta Le Sueur, from Jersey.
He asked Farfrae to meet Lucetta and
keep her from coming to Casterhridge.
Henchard and Susan were married.
Elizabeth-Jane developed into a beautiful
young woman for whom Donald Farfrae
had a growing attraction. Henchard
wanted Elizabeth-Jane to take his name,
but Susan refused his request, much to
his mystification. He noticed that Eliza
beth-Jane did not possess any of his
personal traits.
Bad feeling came between Henchard
and Farfrae over Henchard's harsh treat
ment of a simple-minded employee. Far
frae had succeeded Henchard in popu
larity in Casterbridge. The complete
break came when a country dance spon
sored by Farfrae drew all the populace,
leaving Henchard's dance unattended.
Farfrae, anticipating his dismissal, set up
his own establishment but refused to
take any of Henchard's business away
from him. Henchard, antagonized, would
not allow Elizabeth-Jane and Farfrae to
see each other.
Henchard received a letter from Lu
cetta saying she would pass through Cas
terbridge to pick up her love letters.
When Lucetta failed to keep the appoint
ment, Henchard put the letters in his
safe. Susan fell sick and wrote a letter
for Henchard to open on the day Eliza
beth-Jane was married. Soon afterward
she died and Henchard told the girl that
he was her real father. Looking for some
documents to corroborate his story, he
found the letter his wife had left in his
keeping for Elizabeth-Jane. Henchard,
unable to resist, read Susan's letter and
learned that Elizabeth-Jane was really
the daughter of Newson and Susan, his
own daughter having died in infancy.
His wife's reluctance to have the girl
take his name was now clear, and Hench-
ard's attitude toward Elizabeth-Jane be
came distant and cold.
One day Elizabeth-Jane met a strange
woman at the village graveyard. The
woman was Lucetta Templeman, for
merly Lucetta Le Sueur, who had in
herited property in Casterbridge from a
rich aunt named Templeman. She took
Elizabeth-Jane into her employ to make it
convenient for Henchard, her old lover,
to call on her.
Young Farfrae came to see Elizabeth-
Jane, who was away at the time. He and
Miss Templeman were immediately at
tracted to each other, and Lucetta re
fused to see Henchard after meeting
Farfrae. Elizabeth-Jane overheard Hench
ard berate Lucetta under his breath for
refusing to admit him to her house; she
was made further uncomfortable when
she saw that Farfrae had succumbed to
Lucetta's charms. Henchard was now de
termined to ruin Farfrae. Advised by a
weather prophet that the weather would
be bad during the harvest, he bought
grain heavily. When the weather stayed
fair, Henchard was almost ruined by low
grain prices. Farfrae bought cheap. The
weather turned bad late in the harvest,
and prices went up. Farfrae became
wealthy.
In the meantime, Farfrae continued
his courtship of Lucetta. Henchard, jeal
ous, threatened to expose Lucetta's past
unless she married him. Lucetta agreed.
But an old woman disclosed to the vil
lage that Henchard was the man who had
sold his wife and child years before.
Lucetta, ashamed, left town. On the
day of her return, Henchard rescued her
and Elizabeth-Jane from an enraged bull.
He asked Lucetta to give evidence to a
creditor of their engagement. Lucetta
confessed that in her absence she and
Farfrae had been married. Henchard,
utterly frustrated, again threatened to
expose her. Elizabeth-Jane, upon learn
ing of the marriage, left Lucetta's service.
The news that Henchard had sold his
wife and child spread through the vil
lage. His creditors closed in, and he be-
572
came a recluse. He and Elizabeth-Jane
were reconciled during his illness. Upon
his recovery he hired out to Farfrae as
a common laborer.
Henchard's oath having expired, he
began to drink heavily. Farfrae planned
to set up Henchard and Elizabeth-Jane
in a small seed shop, but the project
did not materialize because of a misun
derstanding. Farfrae became mayor of
Casterbridge despite the desire of Lucetta
to leave the village.
Jopp, a former employee of Henchard,
blackmailed his way into the employ of
Farfrae through Lucetta, whose past he
knew, because he had lived in Jersey
before he came to Casterbridge. Hench
ard, finally taking pity on Lucetta, gave
Jopp the love letters to return to her.
Before delivering them, Jopp read the
letters aloud in an inn.
Royalty visited Casterbridge. Hench
ard, wishing to retain his old stature in
the village, forced himself among the
receiving dignitaries, but Farfrae pushed
him aside. Later, Henchard got Farfrae
at his mercy, during a fight in a ware
house loft, but the younger man shamed
Henchard by telling him to go ahead and
kill him.
The townspeople, excited over the let
ters they had heard read, devised a mum
mery employing effigies of Henchard and
Lucetta riding back to back on a donkey.
Farfrae's friends arranged to have him
absent from the village during the mum
mers' parade, but Lucetta saw it and was
prostrated. She died of a miscarriage
that night.
Richard Newson, not lost after all,
came to Casterbridge in search of Susan
and Elizabeth-Jane. He met Henchard,
who sent him away with the information
that both Susan and Elizabeth-Jane were
dead.
Elizabeth-Jane went to live with
Henchard in his poverty. They opened
a seed shop and began to prosper in a
modest way. Farfrae, to the misery of
the lonely Henchard, began to pay court
to Elizabeth-Jane, and they planned to
marry soon. Newson returned, obviously
knowing he had been duped. Henchard
left town but returned for the marriage
festivities, bringing with him a goldfinch
as a wedding present. When he saw
that Newson had completely replaced
him as Elizabeth-Jane's father, he went
sadly away. Newson, restless, departed
for the sea again, after Farfrae and his
daughter were settled. Henchard pined
away and died, ironically enough, in the
secret care of the simple-minded old man
whom he had once tyrannized.
MEDEA
Type of work: Drama
Author: Euripides (48CM06 B.C.)
Type of plot: Classical tragedy
Time of plot: Remote antiquity
Locale: Corinth
First presented: 4B1 B.C.
Principal characters:
MEDEA, a sorceress
JASON, her lover
CREON, King of Corinth
GIADCE, daughter of Creon
AEGEUS, King of Athens
Critique:
Medea is justly one of the best known
of Greek tragedies, for although it was
written more than two thousand years
ago it has meaning and significance today.
Jason and Medea are purely human and
even without the intervention of super
natural agencies, tragedy is implicit in
their characters. Their story is a peren-
573
oial caution against excess of emotion and
a stern warning against bitter vengeance.
The Story:
When Medea discovered that Jason
had deserted her and married Glance, the
daughter of Creon, she vowed a terrible
vengeance. Her nurse, although she
loved Medea, recognized that a frightful
threat now hung over Corinth, for she
knew that Medea would not let the in
sult pass without some dreadful revenge.
She feared especially for Medea's two
sons, since the sorceress included her
children in the hatred which she now
felt for their father.
Her resentment increased still further
when Creon, hearing of her vow, ordered
her and her children to be banished from
Corinth. Slyly, with a plan already in
mind, Medea persuaded him to allow her
just one day longer to prepare herself
and her children for the journey. She
had already decided the nature of her
revenge; the one problem that remained
was a place of refuge afterward. Then
Aegeus, King of Athens and a long-time
friend of Medea, appeared in Corinth
on his way home from a journey. Sym
pathetic with her because of Jason's
brutal desertion, he offered her a place
of refuge from her enemies in his own
kingdom. In this manner Medea assured
herself of a refuge, even after Aegeus
should learn of the deeds she intended
to commit in Corinth.
When the Corinthian women came to
visit her, Medea told them of her plan,
but only after swearing them to absolute
secrecy. At first she had considered kill
ing Jason, his princess, and Creon, and
then fleeing with her children. But after
she had considered, she felt that revenge
would be sweeter should Jason live to
suffer long afterward. Nothing could
be more painful than to grow old without
a lover, without children, and without
friends, and so Medea planned to kill
the king, his daughter, and her own
children.
She called Jason to her and pretended
that she forgave him for what he had
done, recognizing at last the justice and
foresight he had shown in marrying
Glauce. She begged his forgiveness for
her earlier rage, and asked that she be
allowed to send her children with gifts
for the new bride, as a sign of her re
pentance. Jason was completely deceived
by her supposed change of heart, and ex
pressed his pleasure at the belated wis
dom she was showing.
Medea drew out a magnificent robe
and a fillet of gold, presents of her grand
father, Helios, the sun god, but before
she entrusted them to her children she
smeared them with a deadly drug. Shortly
afterward, a messenger came to Medea
and told her to flee. One part of her
plan had succeeded. After Jason and
the children had left, Glauce had dressed
herself in her wonderful robe and walked
through the palace. But as the warmth
and moisture of her body came in con
tact with the drug, the fillet and gown
clung to her body and seared her flesh.
She tried frantically to tear them from
her, but the garments only wrapped
more tightly around her, and she died in
a screaming agony of flames. When
Creon rushed in and saw his daughter
writhing on the floor, he attempted to
lift her, but was himself contaminated
by the poison. His death was as ago
nized as hers had been.
Meanwhile the children had returned
to Medea. As she looked at them and
felt their arms around her, she was torn
between her love for them and her hatred
of Jason; between her desire for revenge
and the commands of her mother-instinct.
But the barbarian part of her nature —
Medea being not a Greek, but a barbarian
from Colchis — triumphed. After reveling
in the messenger's account of the deaths
of Creon and his daughter, she entered
her house with the children and barred
the door. While the Corinthian women
stood helplessly outside, they listened to
the shrieks of the children as Medea
killed them with a sword. Jason ap
peared, frantically eager to take his dhil-
574
dren away lest they be killed by Creon's
followers for having brought the dreadful
gifts. When he learned Medea had killed
iais children, he was almost insane with
grief. As he hammered furiously on the
barred doors of the house, Medea sud
denly appeared above, holding the bodies
of her dead children, and drawn in a
chariot which Helios, the sun god, had
sent her. Jason alternately cursed her
and pleaded with her for one last sight
of his children as Medea taunted him
with the loneliness and grief to which he
was doomed. She told him that her own
sorrow would be great, but it was com
pensated for by the sweetness of her
revenge.
The chariot, drawn by winged dragons,
carried her first to the mountain of the
goddess Hera. There she buried her
children. Then she journeyed to Athens,
where she would spend the remainder
of her days feeding on the gall and worm
wood of her terrible grief and revenge.
MEMOIRS OF A FOX-HUNTING MAN
Type of work: Novel
Author: Siegfried Sassoon Q886- )
Type of plot: Social chronicle
Time of 'plot: 1895-1916
Locale: England and France
First published: 1929
Principal characters:
GEORGE SKERSTON, the fox-hunting man
AUNT EVELYN, with whom he lived
TOM DrxoN, Aunt Evelyn's groom
DENIS MHJ>EN, George's friend and master at Ringwell, later at Packlestone
STEPHEN COLWOOD, George's schoolmate and friend
MR. PENNETT, George's trustee
DICK: TELTWOOD, George's friend in the army
Critique:
Memoirs of a P 'ox-Hunting Man is
the scarcely concealed autobiography of
the author. The tone of the book is
nostalgic. The passages concerning crick
et and the more technical passages about
fox hunting are somewhat tedious, but
for the most part this sensitive record
of a young man's quiet, well-ordered
life in pre-war England is interesting and
illuminating. The class distinctions may
be difficult for an American reader to
understand, but Sassoon. indicates that
later in life he himself came to he more
liberal in his feeling about people of
lower social ranks.
The Story:
George Sherston was orphaned so early
that he could not remember when he
had not lived with his Aunt Evelyn at
Butley. At the age of nine he became
the possessor of a pony, bought at the
urgent request of Aunt Evelyn's groom,
Tom Dixon. Aunt Evelyn would not
let George go to school until he was
twelve, and his early training was given
him by an incompetent tutor, Mr. Star.
Dixon, however, taught him to ride, and
this training he valued more highly than
anything Mr. Star taught him. Because
George's early life was often lonely, he
welcomed the diversion of riding.
At last Dixon thought George was
ready to see some fox hunting. Since
there was no hunting in the Sherston
neighborhood, they had to ride some
nine miles to the Dumborough Hunt,
where George was thrilled by the color
and excitement of the chase. He saw a
boy of about his own age who carried
MEMOIRS OF A FOX-HUNTING MAN by Siegfried Sassooa. By permission of the author and the publisher*,
Doubleday & O,., Inc. Copyright, 1931, by Coward-McCann Inc.
575
himself well and was obviously one to
be imitated. The next Friday at a dance
George saw the boy again and was pleased
that the boy, Denis Milden, remembered
seeing him at the hunt.
After his first year in school at Ball-
boro* George was happy to be back at
Aunt Evelyn's. Dixon met him at the
station with the word that he had secured
a place for George on the village cricket
team, which would play next day at the
Flower Show Match. George had played
good cricket at school, but he did not
know how he would show up facing
players of long experience. The next
day, learning that he was to be last at
bat, he spent the afternoon trying to
forget his nervousness. Once in the
game, he suddenly gained confidence and
brought his side the victory.
George's trustee and guardian, Mr.
Pennett, was disturbed when his ward
quit Cambridge without a degree. George
settled down with Aunt Evelyn at But-
ley. He played some cricket and some
golf. He ordered a great many books
from London. Dixon began to revive
George's interest in hunting, but Mr.
Pennett would not give George the full
amount of his annual income and so
George could not afford the kind of
horse he wanted, Dixon, however, soon
found a suitable horse within the limits
of George's budget, a hunter named
Harkaway. The season was well on, and
George was out only three days. Later
in the spring he attended the Ringwell
Hunt Point-to-Point Races, where Ste
phen Colwood, a friend whom he had
known at BaHboro', won the Heavy-
Weight Race.
The following autumn George made
one of his rare trips to London. There
he heard a concert by Fritz Kreisler and
bought some clothes suitable for a fox
hunting man. His first hunting was
with the Potford Hunt, an experience
he found much more exciting than that
he had known with the Dumborough.
He also went down to Sussex to stay
with Stephen at his father's rectory.
While visiting Stephen, George bought
another horse, Cockbird, in defiance of
Mr. Pennett. When he returned to Bur-
ley with his new horse, his Aunt Evelyn,
realizing that he could not afford
the hunter, sold one of her rings and
gave George the money for Christmas.
Cockbird was more than a satisfactory
horse. Riding him with the Ringwell
Hounds, George qualified for the
Colonel's Cup Race. One of his com
petitors was riding a horse owned by
Nigel Croplady, a noisy young braggart
liked by very few people. Another com
petitor was his friend Stephen. During
the race Stephen was forced to drop
back, but he encouraged George so much
that George came in to win. As the
afternoon came to a close, someone drew
his attention to the new master of the
Ringwell Hounds. It was Denis Milden.
That summer George played in a
number of cricket matches. Stephen, now
in the artillery, spent a weekend at But-
ley. As autumn drew on, George became
impatient for the hunting season to be
gin. Stephen, now stationed near his
home, asked George to spend some time
at the rectory and ride with the Ring-
well Hounds. Nothing could have
pleased George more, for he was a great
admirer of Denis. The two became good
friends, and George sometimes stayed
at the kennels with Denis. Denis
proved to be an excellent master, skillful
in the hunt and careful and patient with
his hounds.
Early in the following season, how
ever, Denis resigned to become master
of the Packlestone Hunt, and he in
sisted that George go up to the Midlands
with him. To ride with the Packlestone
Hounds would be an expense George
knew he could not afford, but he went
for the first season. He was always em
barrassed, for he knew that his new
friends were unaware of his economic
limitations. The year was 1914.
War was declared. George, aware of
his incompetency as a soldier, had turned
down two opportunities to be an officer,
576
and was serving in the army as a
cavalryman. To have to salute Nigel
Croplady made him feel silly. One day
the horse George was riding threw him,
and he broke his arm. Two months
later he was sent home to allow his arm
to heal. One afternoon he went to see
his neighbor, Captain Huxtable, and
asked that he be recommended for a
commission in the infantry. The com
mission came through. George proceeded
to his new camp. There he made friends
with Dick Tiltwood, a pleasant young
man not long out of school.
They crossed the Channel together
and were assigned to a battalion coming
back from the front for a rest. Dick and
George spent many hours sightseeing
and talking and reading. George took
Dick out riding frequently. They would
pretend they were fox hunting. George,
assigned to headquarters, felt rather
shaken when Dick was sent to the
trenches without him. Word reached
George that Stephen had been killed.
Dixon, who was also in service and who
wanted to be transferred to George's
company, died of pneumonia. Then when
George learned that Dick had died of a
throat wound, he asked to be transferred
to the trenches. There he served bravely,
always angry at the war which had takeo
away his best friends.
MEMOIRS OF A MIDGET
Type of work: Novel
Author: Walter de la Mare (1873-1956)
Type of 'plot: Fantasy
Time of plot: Late nineteenth century
Locale: England
First published: 1921
Principal characters:
Miss M., a midget
MRS. Bo WATER, her landlady
FANNY BOWATER, Mrs. Bowater's daughter
MRS. MONNEREB, Miss M.'s patroness
MR. ANON, a dwarf
Critique:
Memoirs of a Midget is a highly origi
nal novel which mingles poetry and
social criticism. Exquisitely written, it
has an unfailing charm and interest. Re
markable is the careful and exact use of
the proper perspective throughout the
thoughtfully executed work. Nor can
the reader fail to note the veiled criticisms
of society which the author puts into the
mouth of tiny Miss M.
The Story:
Miss M., a perfectly-formed midget,
was born to normal parents and in pleas
ant surroundings. Until her eighteenth
year she was brought up in seclusion.
Then her mother died, followed shortly
thereafter by her father, and tiny Miss
M. was left alone in the world. Her god
mother offered to take her in, but the
girl, having inherited a modest fortune,
decided to take lodgings instead. She
made her first humiHating excursion in
public when she moved to her new
home.
Her lodgings were in the home of
Mrs. Bowater, a stern woman, who never
theless had a great affection for her small
roomer. At Mrs. Bowater's Miss M. met
Fanny, the daughter of her landlady.
A teacher in a girls* school, Fanny was
both charming and clever. Because of
the friendship between the two, the
midget became involved in the love
MEMOIRS OF A MIDGET by Walter de la Marc. By permission of the author and the publishers, Alfred A.
Knopf, Inc. Copyright, 1922, by Walter de la Mare.
577
affair of Fanny Bowater and the curate,
an affair which ended with the curate's
suicide when Fanny rejected his suit
After a time Miss M. began to go out
in society. She "became the friend of Lady
Pollacke, whose friendship she was never
to lose. At their home she met the
wealthy Mrs. Monnerie, the youngest
daughter of Lord B. Mrs. Monnerie
took such a fancy to the tiny girl that
she invited her for a vacation at Lyme
Regis, a fashionable watering place in
Dorsetshire.
Before she left on her vacation Miss
M. accidentally met a new friend, Mr.
Anon, a deformed and hunchbacked
creature only a few inches taller than
Miss M. Miss M., unaware of the ways
of the world, introduced Mr. Anon to
Mrs. Bowater, who approved of him in a
grudging way. They saw each other fre
quently, and Miss M. once solicited his
aid when she wanted to secure money
for Fanny while she was away at Lyme
Regis. Soon after they returned from
their holiday, Mrs. Monnerie invited
j\lidgetina, as she called Miss M.7 to
visit at her elaborate town house in Lon
don.
Miss M. accepted the invitation and
became another prized possession Mrs.
Monnerie could exhibit to her guests.
In London she met the niece and nephew
of her patroness. Percy Maudlen was a
languid, ill-mannered youth whom the
small girl disliked. Susan Monnerie was
a pleasant person of whom Miss M. be
came very fond. After a visit of six
weeks, Miss M. returned briefly to Mrs.
Bowater's. There she received a letter
from Fanny, begging her to try to use
her influence with Mrs. Monnerie to
secure a position for Fanny as a govern
ess. During Miss M.'s stay with Mrs.
Bowater she again met Mr. Anon, who
declared his love for her. The midget
told him that she was not able to return
his love.
Before long Ivliss M. returned to Lon
don, where her pampered way of living
did much to spoil her. During her stay
Mrs. Bowater came with the news that
she was going to South America to nurse
her sick husband, a sailor. Shortly after
ward Miss M.'s solicitors informed her
that her small inheritance had dwindled
because of the gifts and trifles she had
bought and because of her loans to
Fanny. When Miss M. confessed her
troubles to Sir Walter Pollacke, he con
sented to become both her guardian and
financial adviser. Meanwhile, Miss M.
had not forgotten Fanny Bowater's re
quest. Through the little person's per
suasion, Mrs. Monnerie found a place
for Fanny as morning governess and
invited the girl to stay with her.
Mr. Anon wrote and proposed mar
riage, but Miss M. was horrified at the
idea of repeating the performance of
Tom Thumb and Mercy Lavinia Bump
Warren. Then it became evident that
Mrs. Monnerie was no longer amused by
her little charge, for Fanny had become
her favorite. To celebrate Miss M.'s birth
day, Percy Maudlen planned a banquet
in her honor, but the party was a dismal
failure so far as Miss M. was concerned.
The menu disgusted her, and when Percy
proposed a toast Miss M. responded by
drinking down her glass of chartreuse
at a single gulp and staggering drunk-
enly down the table. In this condition
she hurled at Fanny a reference to the
unfortunate suicide of the curate.
Such actions deserved punishment.
Mrs. Monnerie sent Miss M. in disgrace
to Monks' House, her summer place in
the country. One afternoon Miss M.
saw the caravans of a circus passing the
gate. Because she knew that she could
no longer count on Mrs. Monnerie for
support, Miss M. was desperate and
she suddenly decided to hire herself to
the circus. The owner engaged her to
ride a pony in the ring, and she agreed
to appear for four nights for fifteen
guineas. She also told fortunes. She
was a great success, the most popukr at
traction of the circus.
Her solitude during the day at Monks'
House was interrupted by the arrival of
578
Fanny Bowater. Fanny seemed to know
of her escapades at the circus, and the
two quarreled violently. Then Mrs. Mon-
nerie arrived. She was in a high state
of excitement over the news of the mid
get who was so popular at the circus.
She had even made up a party to attend
the performance on the last night. When
Miss M. flatly refused to perform, Mrs.
Monnerie sent her, like a child, to bed.
At the last minute Miss M. felt
that she must appear at the circus to
keep her contract. Setting out on foot,
she encountered Mr. Anon, and they
went on to the circus together. Although
he tried to persuade her not to appear,
she exhibited herself in the tent, un
recognized, in her disguise, by all of the
members of Mrs. Monnerie's party except
Fanny. Mr. Anon, determined that he
would take her place in the riding act,
put on her costume and rode into the
ring. Thrown from the pony, he died in
Miss M.'s arms.
Through a legacy from her grand
father, Miss M. became financially inde
pendent, and settled down at Lyndsey
with Mrs. Bowater as her housekeeper.
But one night Miss M. disappeared
mysteriously, leaving a note saying that
she had been called suddenly away. She
was never seen again, and her memoirs
were eventually presented to the public
by her faithful friend, Sir Walter Pol-
lacke.
MEMOIRS OF AN INFANTRY OFFICER
Type of -work: Novel
Author: Siegfried Sassoon (1886- 3
Type of plot: Social chronicle
Time of plot: 1916-1917
Locale: France and England
First published: 1930
Principal characters:
GEORGE SHERSTON, an infantry officer
DAVID CROMLECH, his friend
AUNT EVELYN, his aunt
Criticjue:
This novel — the second of a series
which also includes Memoirs of a Fox-
Hunting Man and Sherston s Progress —
is almost a caricature of what many peo
ple regard as typical English behavior.
The war is a very casual, very personal
thing, almost devoid of import and strat
egy. The officers who meet Sherston
briefly are men who exhibit just the
right amount of detachment and regard
for good form. Underneath the well-bred
tolerance for the real discomfort and
danger of trench warfare there is a thread
of revolt which culminates in Sherston's
letter informing his colonel that the
war is needlessly being prolonged. Even
the authorities, however, are too well-
bred to take the letter seriously, and
Sherston falls back into nonchalance. The
book is quiet but effective satire on upper-
class English life,
Tlie Story:
Spring arrived late in 1916 in the
trenches near Mametz. Sherston had
made up his mind to die, because under
the circumstances there seemed to be
little else to do. The battle of the Somme
had exhausted him. Colonel Kin jack
could see that Sherston was looking for
trouble and so, to forestall any un
pleasantness, he sent Sherston to the
Fourth Army School at Flix6court for
a month's training.
The beds at the school were clean and
comfortable, and the routine was not
MEMOIRS OF AN INFANTRY OFFICER by Siegfried Sassoon. By permission of the author and the pub
lishers, Doubleday & Co., Inc. Copyright, 1930, by Coward-McCaan Inc.
579
too onerous. Sherston settled Back to for
get the war. He attended a big game
hunter's lectures on sniping and prac
ticed with a bayonet. To him it was a
little incongruous to listen to advice
from civilians and army men who had
never been close to real war. All the
instructors concentrated on open warfare;
they were sure that the trenches would
soon be abandoned.
One hot Saturday afternoon he went
back to his outfit, where the talk was
all of an impending raid. There seemed
to be some jealousy involved, for a
Canadian raid a short time before had
been a great success.
Sherston, sure he would accompany
the raiders, wrote a farewell letter to
his Aunt Evelyn, a letter in which, he
slyly assumed toe attitude of the "happy
warrior." Entering a dugout, he was
a little surprised to see the raiders putting
burnt cork on their faces. Their ap
pearance reminded him ridiculously of
a minstrel show. Requested to take the
raiders up to headquarters, he jumped
at the opportunity to present his plea
to the commanding officer.
To his disappointment, Colonel Kin-
jack brusquely told him he had to stay
behind to count the raiders when they
returned. So he was condemned to
stand in the trench and wait.
As soon as the raiders were well over
the parapet, the explosions began. The
men struggled back defeated when the
second belt of German wire proved in-
mlnerable. They had all tossed their
bombs and retired. Skerston began to
£0 out into No Man's Land to bring
»n the casualties. A gray-haired lance
corporal was glad of his wound, for he
had been waiting eighteen months for
a chance to go home. O'Brien, the major,
was killed, and Sherston had to drag
him out of a shell crater. Luckily the
Germans, perhaps out of pity, stopped
firing.
The result of the raid was two Trilled
and ten wounded. In the newspapers,
the account was somewhat changed.
Aunt Evelyn read that the party entered
the German trenches without difficulty,
displayed admirable morale, and with
drew after twenty-five minutes of hand-
to-hand fighting.
The big push, the summer offensive,
was in the air. Before Sherston really
had time to think much about impend
ing events, he was given a leave. At
first it was strange to be back in England,
where everyone seemed to know about
the projected onslaught. Out of defer
ence to one who would take part in it,
however, they seldom mentioned it.
Aunt Evelyn soon found out about the
raid when Sherston grandly announced
that he was due for a military cross.
She was horrified, for she thought her
nephew was still in the transport serv
ice.
On his way back to France he stopped
in the Army and Navy Store and bought
two pairs of wire cutters. Then, because
he was late in returning from leave,
he bought a salmon and two bottles of
brandy to appease his colonel.
When the offensive began, Sherston's
company advanced fifteen hundred yards
in four hours. Then the guides became
confused, and all forward progress
stopped. According to the General Staff,
the Germans were supposed to be out
of the Mametz Woods, but they were
still there. The company waited.
Sherston was going along a communi
cations trench when his companion, Ken-
die, was killed by a sniper. Furious at
the unexpected killing, Sherston took a
mills bomb in each hand and went over
the top. After a while he was looking
down into a well-ordered trench filled
with Germans. Fortunately they were
just leaving, and he jumped into Wood
Trench, until lately the German front
line. Then he lost his perspective. Not
knowing what to do with the trench, he
returned to his own lines. His colonel
reproved him severely for not "consolidat
ing" the trench or even reporting the in
cident.
During the battle of Bazentin Ridge
580
Sherston was kept in reserve in the
transport lines. In this brief respite, he
met his old friend, David Cromlech. For
a while they shared experiences, but
both were reluctant to talk about the
battle of the Somme. David irritated
the other officers greatly by his habit
of making bold pronouncements about
sacred things. For instance, he said that
all sports except boxing, football, and
rock climbing were snobbish and silly.
When Sherston was finally recalled
to his battalion, it was with the expecta
tion that he would go into action at
once. As it turned out, however, he
came down with enteritis before he ar
rived in the front lines. It was an escape,
really, for he was removed to the base
hospital and eventually was sent back
to England.
At the military hospital in Oxford,
Sherston recovered enough to go canoe
ing occasionally. By the end of August
he was back with Aunt Evelyn on a
month's sick leave with a possibility of
extension. Several letters from fellow
officers kept him informed about his
battalion, mostly reports on men killed.
He remained fairly cheerful, however,
by riding in the local fox hunts. In
February he went back to Rouen.
The Germans were retreating from
the Hindenburg Line, and the British
were on the offensive in the battle of
Arras. To his surprise and gratification,
Sherston was put in charge of a hun
dred bombers who were clearing the
trenches. He carried out his task with
great skill and bravery. When the mis
sion was nearly accomplished, he was
struck by a rifle bullet.
Back in England again, he rebelled
against going into action a third time.
With the help of Tyrrell, a pacifist phi
losopher, he composed a defiant letter to
his colonel, saying that he refused to
take part in the war any longer because
he was sure it was being unnecessarily
continued by those in power. He was
sure, above all, that the Germans would
surrender if the Allies would publish
their war aims. Expecting to be court-
martialed for this breach of discipline,
he was resolved to accept even execution.
To his chagrin, the superiors refused
to take him seriously. He went before
a board which investigated his sanity.
Then David Cromlech was called in to
talk to him at Clitherland Camp. Unable
to persuade him to recant by any other
means, David finally told Sherston that
if he refused to retract his statements he
would be confined in a lunatic asylum for
the duration of the war. Sherston knew
David was only telling a friendly lie,
but he did not want to see his friend
proved a liar. He decided to admit his
mistake and see the war through to its
finish.
THE MERCHANT OF VENICE
Type of work: Drama
Author: William Shakespeare Q564-1616)
Type of 'plot: Tragi-comedy
Time of plot: Sixteenth century
Locale: Venice
First presented: c. 1596
Principal characters:
SBCXXOCE:, a Jewish money-lender
PORTIA, a wealthy young woman
ANTONIO, an impoverished merchant, Shylock's enemy, championed by Portia
BASSANIO, Portia s husband, Antonio's friend
NERISSA, Portia's waiting-woman
GBATIANO, Nerissa's husband, Bassanio's friend
JESSICA, Shylock's daughter
LOBENZO, Jessica's husband
581
Critique:
Though the closing scenes of The
Merchant of Venice keep it from "be
coming a tragedy, it is essentially a ser
ious study of the use and misuse of
wealth, of love and marriage. The en
counter between the greedy, vengeful
Jew, Shylock, and the wise and fine
Portia, gives the pky a theme of grave
beauty.
The Story:
Bassanio, meeting his wealthy friend,
Antonio, revealed that he had a plan for
restoring his fortune, carelessly spent,
and for paying the debts he had incurred.
In the town of Belmont, not far from
Venice, there lived a wealthy young
woman named Portia, who was famous
for her beauty. If he could secure some
money, Bassanio declared, he was sure
he could win her as his wife.
Antonio replied that he had no funds
at hand with which to supply his friend,
as they were all invested in the ships
which he had at sea, but he would
attempt to borrow some money in Venice.
Portia had many suitors for her hand.
According to the strange conditions of
her father's will, however, anyone who
wished her for his wife had to choose
among three caskets of silver, gold, and
lead the one which contained a message
that she was his. Four of her suitors,
seeing that they could not win her except
under the conditions of the will, de
parted. A fifth, a Moor, decided to take
his chances. Tlie unfortunate man chose
the golden casket, which contained only
a skull and a mocking message. For his
failure he was compelled to swear never
to reveal the casket he had chosen and
never to woo another woman.
The Prince of Arragon was the next
suitor to try Ms luck. In his turn he
chose the silver casket, only to learn
from the note it bore that he was a fool.
True to his promise to Bassanio,
Antonio arranged to borrow three thou
sand ducats from Shylock, a wealthy Jew.
Antonio was to have the use of the
money for three months. If he should
be unable to return the loan at the end
of that time, Shylock was to have the
rioht to cut a pound of flesh from any
part of Antonio's body. In spite of Bas-
sanio's objections, Antonio insisted on
accepting the terms, for he was sure his
ships would return a month before the
payment would be due. He was con
fident that he would never fall into the
power of the Jew, who hated Antonio
because he often lent money to others
without charging the interest Shylock
demanded.
That night Bassanio planned a feast
and a masque, In conspiracy with his
friend, Lorenzo, he invited Shylock to
be his guest. Lorenzo, taking advantage
of her father's absence, ran off with the
Jew's daughter, Jessica, who did not
hesitate to take part of Shylock's fortune
with her.
Shylock was cheated not only of his
daughter and his ducats but also of his
entertainment, for the wind suddenly
changed and Bassanio set sail for Bel
mont.
As the days passed, the Jew began to
hear news of mingled good and bad
fortune. In Genoa, Jessica and Lorenzo
were making lavish use of the money she
had taken with her. The miser flinched
at the reports of his daughter's extrava
gance, but for compensation he had the
news that Antonio's ships, on which his
fortune depended, had been wrecked at
sea.
Portia, much taken with Bassanio when
he came to woo her, would have had
Kim wait before he tried to pick the
right casket. Sure that he would fail
as the others had, she hoped to have
his company a little while longer. Bas-
sanio, however, was impatient to try
his luck. Not deceived by the ornate-
ness of the gold and silver caskets, but
philosophizing that true virtue is inward
virtue, he chose the lead box. In it was
a portrait of Portia. He had chosen
correctly.
582
To seal their engagement, Portia gave
Bassanio a ring. She declared he must
never part with it, for if he did it would
signify the end of their love.
Gratiano, a friend who had accom
panied Bassanio to Belmont, spoke up.
He was in love with Portia's waiting-
woman, Nerissa. With Portia's delighted
approval, Gratiano planned that both
couples should be married at the same
time.
Bassanio's joy at his good fortune was
soon blighted. Antonio wrote that he
was ruined, all his ships having failed
to return. The time for payment of the
loan being past due, Shylock was de
manding his pound of flesh. In closing,
Antonio declared that he cleared Bas
sanio of his debt to him. He wished only
to see his friend once more before his
death.
Portia declared that the double wed
ding should take place at once. Then
her husband, with her dowry of six
thousand ducats, should set out for Ven
ice in an attempt to buy off the Jew.
After Bassanio and Gratiano had gone,
Portia declared to Lorenzo and Jessica,
who had come to Belmont, that she and
Nerissa were going to a nunnery, where
they would live in seclusion until their
husbands returned. She committed the
charge of her house and servants to Jes
sica and Lorenzo.
Instead of taking the course she had
described, however, Portia set about ex
ecuting other plans. She gave her serv
ant, Balthasar, orders to take a note
to her cousin, Doctor Bellario, a famous
lawyer of Padua, in order to secure a
message and some clothes from him. She
explained to Nerissa that they would go
to Venice disguised as men.
The Duke of Venice, before whom
Antonio's case was tried, was reluctant
to exact the penalty which was in Shy-
lock^ terms. When his appeals to the
Jew's better feelings went unheeded, he
could see no course before him except
to give the money-lender his due. Bas
sanio also tried to make Shylock relent
by offering him the six thousand ducats,
but, like the Duke, he met only a firm
refusal.
Portia, dressed as a lawyer, and Neris
sa, disguised as her clerk, appeared in the
court. Nerissa offered the duke a letter
from Doctor Bellario. The doctor ex
plained that he was very ill? but that
Balthasar, his young representative, would
present his opinion in the dispute.
When Portia appealed to the Jew's
mercy, Shylock answered with a demand
for the penalty. Portia then declared
that the Jew, under the letter of the
contract, could not be offered money in
exchange for Antonio's release. The only
alternative was for the merchant to for
feit his flesh.
Antonio prepared his bosom for the
knife, for Shylock was determined to
take his portion as close to his enemy's
heart as he could cut. Before the opera
tion could begin, however, Portia, exam
ining the contract, declared that it con
tained no clause stating that Shylock
could have any blood with the flesh.
The Jew, realizing that he was de
feated, offered at once to accept the
six thousand ducats, but Portia declared
that he was not entitled to the money
he had already refused. She stated also
that Shylock, an alien, had threatened
the life of a Venetian citizen. For that
crime Antonio had the right to seize
half of his property and the state the
remainder.
Antonio refused that penalty, but it
was agreed that one half of Shylock's
fortune should go at once to Jessica
and Lorenzo. Shylock was to keep the
remainder, but it too was to be willed the
couple. In addition, Shylock was to
undergo conversion. The defeated man
agreed to those terms.
Pressed to accept a reward, Portia
took only a pair of Antonio's gloves and
the ring which she herself had given Bas
sanio. Nerissa, likewise, managed to se
cure Gratiano's ring. Then the pair
started back for Belmont, to be there
when their husbands returned.
583
Portia and Nerissa arrived home
shortly before Bassanio and Gratiano ap
peared in company with Antonio. Pre
tending to discover that their husbands'
rings were missing, Portia and Nerissa at
first accused Bassanio and Gratiano of
unfaithfulness. At last, to the surprise
of all, they revealed their secret, which
was vouched for by a letter from Doctor
Bellario. For Jessica and Lorenzo they
had the good news of their future in
heritance, and for Antonio a letter,
secured by chance, announcing that some
of his ships had arrived safely in port
MESSER MARCO POLO
Type of tf orb: Novelette
Author; Domi Byrne (1889-1928)
Type of plot: Exotic romance
Time of plot: Thirteenth century
Locale: Venice and China
First published: 1921
Principal characters:
MARCO POLO, the Venetian
KTTBLA KHAN, Emperor of China
GOUDEN BELLS, Kubla Khan's daughter
Li Po, court poet
SANANG, court magician
Critique:
A mixture of three elements gives this
simple tale a unique flavor. A modern
Irishman tells the adventures of a Chris
tian Italian in pagan China. Irish mysti
cism mingles with the mystery of the
East to produce a romantic and tragic
love story hased upon the visit of Marco
Polo to the court of Kuhla Khan. The
author succeeds in hringing together, in
one framework, folk tale, history, and
imagination. His simple narrative style
is of a kind very rarely found among
modem authors; it suggests the fireside
stories and poems of the past which
passed from generation to generation hy
word of mouth.
The Story:
On the first night of spring young
Marco Polo deserted his work in his
father's counting-house and wandered
restlessly through the streets of Venice.
He entered a wine shop in the hope of
talking with some of the foreign people
gathered there. The people inside were
gambling and drinking, except for one
man who sat by himself at a table. Marco
recognized him as a Chinese sea captain
and sat down to talk to him. In a friendly
argument over the merits of their native
countries, the sea captain got the better
of young Marco by describing the beauty
of Golden Bells, the daughter of Kubla
Khan.
From that night on, the image of
Golden Bells haunted Marco Polo. When
his father and uncle, Nicholas and Mat
thew Polo, returned from China, Marco
told them that he wished to go with
them on their next trip. Kubla Khan
had told the Polos to bring a Christian
missionary back with, them from Venice,
and they chose young Marco to play the
part. He was delighted, for he had con
vinced himself that it was his mission
to convert Golden Bells to Christianity.
The wise old Pope gave his blessing
to Marco as he started out for China, but
he warned the young man not to expect
to convert many pagans. Marco, his
uncle, and his father set out with their
camel caravan for the court of Kubla
Khan. Marco saw on the way many
strange countries and cities. At last the
MESSER MARCO POLO by Donn Byrne. By permission of the publishers, Appleton-Century-Crofts, lac.
Copyright, 1921, by The Cenimy Co. Renewed, 1949, by Dorothea Craig.
584
travelers came to the Desert of tlie Sing
ing Sands. Many deserted or died until
there were only six of the caravan left.
When a great sandstorm came upon
them, Marco struggled until his strength
gave out and he lay down to die.
Meanwhile Golden Bells sat in the
garden of Kubla Khan and talked with
Li Po, the court poet. Sanang, the court
magician, joined them. He told Golden
Bells that he could see in his crystal
ball the troubles of Marco Polo. Golden
Bells felt pity for the young man and
begged Sanang to save him from death
in the Desert of the Singing Sands.
Through his magic power Sanang called
upon the Tartar tribesmen to rescue
Marco. Golden Bells was joyful when
the old magician assured her the young
man had been saved. Li Po smiled and
said he would write a marriage song for
her. She said that she was in love with
no one, but she refused to sing any
more the sad "Song of the Willow
Branches/'
The desert tribesmen brought Marco
before Kubla Khan and Golden Bells.
The emperor asked him to tell something
about the Christian religion. Marco
quoted the Beatitudes and related the
life of Christ, but Kubla Khan and his
court were not impressed by that story
of gentleness and love. Golden Bells
alone, of all the court, told Marco that
she wras his convert.
Marco began to instruct Golden Bells
and told her all the Bible stories he knew.
She was charmed by his voice. He tried
to explain to her what sin was, but
she could not believe that the beauty of
a woman was a curse. Finally, when
he had told her all he knew of Christian
ity, he spoke of returning to Venice.
Golden Bells was heartbroken. At last
Marco took her in his arms.
For three years they lived happily;
then Golden Bells died. Marco remained
on for fourteen years in the service of
the emperor. One evening Kubla Khan
came to Marco with Li Po and Sanang
and told him that he should return to
Venice, for some of the people in the
land were jealous of Marco's power. It
was for his own good that he should
return.
Marco refused to go. He did not wish
to leave the place where he had been
happy. Only a sign from the dead Golden
BeHs would make him leave. Then
Sanang cast a magic spell and Li Po
sang a magic song. A ghastly moonlight
appeared at the end of the palace gar
den, and there, slim in the moonlight,
stood Golden Bells. With her pleading
eyes and soundless lips she begged Marco
to return to Venice; then she disap
peared. Marco was overcome with grief,
but he promised to go. As he took leave
of his three old friends, he said that he
was going home to be an exile in his
own land. The sunshine and the rain
of China — and the memory of Golden
Bells — would be always in his heart.
MICAH CLAUKE
Type of work: Novel
Author: Arthur Conan Doyle (1859-1930)
Type of 'plot: Historical romance
Time of 'plot: Late seventeenth century
Locale: England
First published: 1888
Principal characters:
MICAH CLARKE, an English youth
JOSEPH CLARKE, his father
DECEMUS SAXON, an old soldier
REUBEN LOCKARBY, Micah's friend
SIR GERVAS, a Cavalier
THZ DUKE OF MONMOUTH, pretender to the throne
585
Critique:
Micah Clarke is one of a group of
historical romances by the writer who
will always be best known for his crea
tion of Sherlock Holmes. Micah Clarke
is a stirring adventure story as well as a
careful reconstruction of the events of
1685, when the Duke of Monmouth
attempted to seize the English throne.
The pictures of the determined Protes
tants who preferred death to a Catholic
king are unforgettable.
The Story:
At Havant, near Portsmouth, young
Micah Clarke grew up under the domina
tion of his strong Puritan father, Joseph
Clarke. He led a vigorous, active life,
but he spent much time praying and
hymn singing. From his father he heard
many tales of Cromwell and the Puritans,
for Joseph had fought in the wars of
those troubled times. Save for a year
at an Established Church school, Micah's
education was taken in hand by his
father himself. At the age of twenty,
Micah was the strongest man in the vil
lage.
As was their custom, Micah and his
good friend Reuben set out to fish in
Langston Bay. They pulled up to their
favorite fishing ground just as the sun
was setting, threw out the large anchor
stone, and set their lines. Not far away
a king's ship stood hi for the channel.
The two youths watched her until their
attention was drawn to a large brig not
over a quarter mile distant. The ship
seemed to be out of control, for she
yawed as if there were no hand at the
tiller. While they watched, they heard
two musket shots aboard the brig. A few
minutes later a cannon shot sounded and
the ball passed close to their boat as the
brig came about and headed down the
channel. Reuben urged his friend to pull
hard, for there was a man in the water.
They could soon see Mm swimming
easily along, and as they came alongside
the swimmer experdy hoisted himself
aboard. He was a tall, lean man, over
fifty but wiry and strong. Their pas
senger looked them over coolly, drew out
a wicked knife, and ordered them to
head for the French coast. But when
Micah lifted his oar and threatened to
knock the man over the head, their pas
senger gave in meekly and handed over
his knife with good grace. He told them
that he had jumped overboard from the
brig after he and his brother, the cap
tain, had exchanged musket shots during
a quarrel.
As they headed shoreward, the stranger
heard Reuben use the name Clarke.
Instantly the man became interested and
asked Micah if he were the son of
Joseph Clarke. When Micah replied
that he wTas, the stranger pulled out his
pouch and showed them that he carried
a letter for Joseph Clarke, as well as for
twenty others in the district. Reassured,
Micah took the man home, where he
learned that the stranger was Decimus
Saxon, a mercenary soldier recruiting
soldiers for the army of the Duke of
Monmouth, the Protestant pretender who
was coming to wrest his throne from
Catholic King James. Joseph was too
old to fight, but mindful of his duty he
permitted Micah to go to the wars. With
many prayers Micah set out in Saxon's
company to meet Monmouth, who was
soon to land somewhere in Devonshire.
Even though he was a good member of
the Church of England, Reuben went
with them for friendship's sake.
Saxon soon threw off his sanctimoni
ous manner, and to Micah's dismay
showed himself a hardened man of the
world. One night at an inn Saxon fought
a king's officer over a card game and
they were forced to flee, pursued by a
body of horsemen and dogs. Only by
stout courage and luck were they able
to kill the dogs and go on their way.
That night they found shelter in the
hut of a recluse, Sir Jacob Clancy. The
hermit had lost all his estates through
helping Charles II to gain his throne.
Now renounced by the Stuart kings, he
586
worked at his alchemy in solitude. When
he heard that his guests were going to
join the rebel Monmouth, he pressed on
Micah some bars of gold to give to the
Protestant pretender, and also a scroll
^n which was written:
'When thy star is in the trine
Between darkness and shine
Duke Monmouth, Duke Monmouth
Beware of the Rhine."
On another night the trio stayed at
an inn kept by a buxom widow. The
landlady cast sheep's eyes at Saxon, and
that soldier seemed mightily interested.
Reuben and Micah listened anxiously
as he muttered to himself the advantages
of keeping an inn. Saxon was shocked
when a powdered and perfumed knight
came into the tavern and kissed the
widow heartily. In anger he left the
table and the newly-arrived fop took
his seat.
Micah soon learned that the new
comer was Sir Gervas, a London dandy
who had gambled and drunk away an
his estates. When Sir Gervas heard
that Micah was going to join Monmouth,
he nonchalantly agreed to go with them.
Afterward Saxon returned to the dining-
room. No longer thinking of settling
down as an innkeeper, he welcomed Sir
Gervas as a good recruit to the cause.
The Protestants were rallying at
Taunton, the strong center of the Dis
senters. The mayor, Stephen Timewell,
was a wealthy wool merchant and a
staunch enemy of Rome, and so in
Taunton the ragged but rugged horde of
Dissenters found a secure headquarters.
On their arrival, Saxon was made a
colonel and Micah and Reuben became
captains of infantry. Sir Gervas headed
a hundred musketeers. In all the tur-
moil of drill and inspections, the most
prominent figures were the gowned
clergy, who intoned prayers and hymns
for the godly rebels who were to fight
the Lord's battles against Papist King
James.
Micah thrilled to see the arrival of
Monmouth at the head of his small but
growing army. Because of his strength
and manly bearing, Micah soon found
his way into Monmouth's inner circle.
At a council meeting Micah gave over
the gold and the scroll entrusted to him
by Sir Jacob Clancy. Monmouth blanched
at the prophecy, but after nervously ex
claiming he would be fighting in Eng
land, not in Germany, he ignored the
warning.
The Protestants needed at least one
great and powerful lord to support their
cause. So far Monmouth had rallied
the peasants, the ministers, and a few
reckless cavaliers. He knew, however,
that his forces were too weak to meet
the royal army. After prolonged debate
the Protestants decided that the Duke
of Beaufort was the most likely convert.
Lord of all Wales, he had always been an
enemy of Catholicism, and he was under
obligations to Monmouth. Micah was
chosen to bear a message to the noble
lord.
Micah set off alone to make the long
trip from Taunton to Bristol, Near the
channel he half dozed on his horse dur
ing the night Suddenly he was knocked
from the saddle, bound, and dragged
to a cave, where he learned that smug
glers had kidnaped him because they
had mistaken him for a tax collector.
When he was able to establish his
identity and errand, the smugglers
changed their attitude; they even took
him and his horse in a lugger up the
channel to Bristol.
Micah tried to talk to Beaufort alone,
but he was forced to deliver his papers
in full sight of the duke's court. Beau
fort became very angry at the idea of
deserting King James and had Micah
imprisoned in a dungeon. Expecting to
be hanged as a traitor, Micah resigned
himself to his last night on earth. But
during the night a rope dropped mysteri
ously from an opening in the ceiling.
Climbing up, Micah saw that his de
liverer was Beaufort himself. The duke
explained that he had not dared say any
thing in council, but if Monmouth could
587
get to Bristol Beaufort would join him.
Micah carried the news back to Mon-
mouth, who announced his immediate
decision to march toward Bristol. The
ragged army encamped at Sedgemoor and
decided to make a stand there. As Mon-
mouth looked over the battlefield, he
was startled to hear the natives refer
to a big ditch nearby as the "rhine." In
deed the ihine was an omen, for the
small band of Protestant zealots proved
no match for the king's men. As the
battle raged, Monmouth fled in a vain
attempt to save his own skin.
Micah himself was captured and
sentenced to be sold as a slave. Saxon
saved his life. Using money which he
had blackmailed from Beaufort, Saxon
bought Micah's release. Thankfully
Micah set out for the continent to be
come a man-at-arms in the foreign wars.
MIDDLEMARCH
Type of work: Novel
Author: George Eliot (Mary Ann Evans, 1819-1880)
Type of plot: Psychological realism
Time of plot: Nineteenth century
Locale: England
First pubMied: 1871-1 872
Principal characters:
DOROTHEA BROOKE, an idealistic girl
EDWAKD CASAUBON, her scholarly husband
Wnx LADISLAW, Casaubon's cousin
TERTIUS LYDGATE, a doctor
ROSAMOND VINCY, whom he married
CELIA, Dorothea's sister
Sm JAMES CHETTAM, Celia's husband
Critique:
In this story of the provincial English
life of the mid-nineteenth century,
George Eliot has contrived a work of art
that exemplifies a theme both noble and
coherent The lives of her characters, as
she reveals them, indicate the truth of
the writers statement that ideals are
often thwarted when applied to an im
perfect social order. This novel is an
ample picture of many aspects of English
sodal life during the Victorian period.
The Story:
Dorothea Brooke and her younger sis
ter, Celia, were young women of good
birth, who lived with their bachelor
uncle at Tipton Grange near the town
of Middlemarch. So serious was Doro
thea's cast of mind that she was reluctant
to keep jewelry she had inherited from
her dead mother, and she gave all of it
to her sister. Upon reconsideration, how
ever, she did keep a ring and bracelet.
At a dinner party where Edward
Casaubon, a middle-aged scholar, and Sir
James Chettam both vied for her atten
tion, she was much more attracted to
the serious-minded Casaubon. Casaubon
must have had an inkling that his chances
with Dorothea were good, for the next
morning he sought her out. Celia, who
did not like his complexion or his moles,
escaped to other interests.
That afternoon Dorothea, contemplat
ing the wisdom of the scholar, was
walking and by chance encountered Sir
James; he, in love with her, mistook her
silence for agreement and supposed she
might love him in return.
When Casaubon made his proposal of
marriage by letter, Dorothea accepted
him at once. Mr. Brooke, her uncle,
thought Sir James a much better match;
Dorothea's acceptance merely confirmed
his bachelor views that women were diffi
cult to understand. He decided not to
588
interfere in her plans, but Celia felt that
the event would be more like a funeral
than a marriage, and frankly said so.
Casaubon took Dorothea, Celia, and
Mr. Brooke to see his home so that Doro
thea might order any necessary changes.
Dorothea, intending in all things to defer
to Casaubon's tastes, said she would make
no changes in the house. During the visit
Dorothea met Will Ladislaw, Casaubon's
second cousin, who seemed to be hardly
in sympathy with his elderly cousin's
marriage plans.
While Dorothea and her new husband
were traveling in Italy, Tertius Lydgate,
an ambitious and poor young doctor, was
meeting pretty Rosamond Vincy, to
whom he was much attracted. Fred
Vincy, Rosamond's brother, had indicated
that he expected to come into a fine in
heritance when his uncle, Mr. Feather-
stone, should die. Vincy, meanwhile, was
pressed by a debt he was unable to pay.
Lydgate became involved in petty local
politics. When the time came to choose
a chaplain for the new hospital of which
Lydgate was the head, the young doctor
realized that it was to his best interest
to vote in accordance with the wishes of
Nicholas Bulstrode, an influential banker
and founder of the hospital. A clergy
man named Tyke received the office.
In Rome, Ladislaw encountered Doro
thea and her middle-aged husband.
Dorothea had begun to realize too late
how pompous and incompatible she
found Casaubon. Seeing her unhappi-
ness, Ladislaw fast pitied and then fell
in love with his cousin's wife. Unwilling
to live any longer on Casaubon's charity,
Ladislaw announced his intention of re
turning to England and finding some
kind of gainful occupation.
When Fred Vincy 's note came due, he
tried to sell a horse at a profit but the
animal turned out to be vicious. Caleb
Garth, who had signed his note, now
stood to lose a hundred and ten pounds
because of Fred's inability to raise the
money. Fred fell ill, and Lydgate was
summoned to attend him. Lydgate used
his professional calls to further his suit
with Rosamond.
Dorothea and her husband returned
from Rome in time to hear of Celia's en
gagement to Sir James Chettarn. Will
Ladislaw included a note to Dorothea in
a letter he wrote to Casaubon. This atten
tion precipitated a quarrel which was
followed by Casaubon's serious illness.
Lydgate, who attended him, urged him
to give up his studies for the time being.
To Dorothea, Lydgate confided that
Casaubon had a weak heart and must be
guarded from all excitement.
Meanwhile all the relatives of old Mr.
Featherstone were waiting impatiently for
his death, but he hoped to circumvent
their desires by giving his fortune to Mary
Garth, daughter of the man who had
signed Fred Vincy's note. When she re
fused it, he fell into a rage and died soon
afterward. When his will was read, it
was learned he had left nothing to his
relatives; most of his money was to go
to a Joshua Riggs, who was to take the
name of Featherstone, and a part of his
fortune was to endow the Featherstone
Almshouses for old men.
Plans were made for Rosamond's mar
riage with Lydgate. Fred Vincy was
ordered to prepare himself finally for the
ministry, since he was to have no inherit
ance from his uncle. Mr. Brooke, having
gone into politics, enlisted the help of
Ladislaw in publishing a liberal paper.
Mr. Casaubon had come to dislike Ladis
law intensely after his cousin had rejected
further financial assistance, and he had
forbidden Ladislaw to enter his house.
Casaubon died suddenly. A codicil to
his will gave Dorothea all of his property
as long as she did not marry Ladislaw.
This strange provision caused Dorothea's
friends and relatives some concern be
cause if publicly given out, it would ap
pear that Dorothea and Ladislaw ha<J
been indiscreet.
Mr. Brooke, on the advice of his Tory
friends, gave up his liberal newspaper
and thus cut off his connection with
Ladislaw. The latter realized that Doro
589
thea's family was in some way trying to
separate him from Dorothea hut he re
fused to be disconcerted about the matter.
He resolved to stay on in Middlemarch
until he was ready to leave. When he
heard of the codicil to Casaubon's will,
he was more than ever determined to
remain so that he could eventually dis
prove the suspicions of the village con
cerning hirn and Dorothea.
Meanwhile Lydgate and Rosamond
had married, and the doctor had gone
deeply in debt to furnish his house.
When he found that his income did not
meet his wife's spendthrift habits, he
asked her to help him economize. He
and his wife began to quarrel. His prac
tice and popularity decreased.
A disreputable man named Raffles ap
peared in Middlemarch. Raffles knew
that Ladislaw's grandfather had amassed
a fortune as a receiver of stolen goods and
that Nicholas Bulstrode, the highly re
spected banker, had once been the con
fidential clerk of Ladislaw's ancestor.
More than that, Bulstrode Js first wife had
been his employer's wido\v. Upon money
inherited from her, money which should
have gone to Ladislaw's mother, Bui-
strode had built his own fortune.
Already blackmailed by Raffles, Bui-
strode reasoned that the scoundrel would
tell Ladislaw the whole story. To fore
stall trouble, he sent for Ladislaw and
offered him an annuity of five hundred
pounds and liberal provision in his will.
Ladislaw, feeling that his relatives had
already tainted his honor, refused, un
willing to be associated in any way with
the unsavory business. Deciding to leave
Middlemarch, Ladislaw wrent to London
without the assurance that Dorothea
loved him.
Lydgate drifted deeper into debt
When he wished to sell what he could
and take cheaper lodgings, Rosamond
managed to make him hold on, to keep
up the pretense of prosperity a little
longer. At the same time Bulstrode gave
up his interest in the new hospital and
withdrew his financial support.
Faced at last with the seizure of his
goods, Lydgate went to Bulstrode and
asked for a loan. The banker advised
him to seek aid from Dorothea and
abruptly ended the conversation. But
when Raffles, in the last stages of alco
holism, returned to Middlemarch and
Lydgate was called in to attend him, Bul
strode, afraid the doctor would learn the
banker's secret from Raffles* drunken rav
ings, changed his mind and gave Lydgate
a check for a thousand pounds. The loan
came in time to save Lydgate's goods and
reputation. When Raffles died, Bulstrode
felt at peace at last. But it soon became
common gossip that Bulstrode had given
money to Lydgate and that Lydgate had
attended Raffles in his final illness. Bul
strode and Lydgate were publicly accused
of malpractice in Raffles' death. Only
Dorothea took up Lydgate's defense. The
rest of the town was busy with gossip
over the affair. Rosamond was anxious
to leave Middlemarch to avoid public dis
grace. Bulstrode also was anxious to leave
town after his secret, which Raffles had
told while drunk in a neighboring village,
became known. But he became ill and
his doctors would not permit him, to
leave his bed.
Dorothea, sympathetic with Lydgate,
determined to give her support to the
hospital and to try to convince Rosamond
that the only way Lydgate could recover
his honor was by remaining in Middle-
march. Unfortunately, she came upon
Will Ladislaw, to whom poor Rosamond
was pouring out her grief. Afraid Rosa
mond was involved with Ladislaw, Doro
thea left abruptly. Angered at the false
position Rosamond had put him, in, Lad
islaw explained that he had always loved
Dorothea, but from a distance. When
Dorothea forced herself to return to Lyd-
gate's house on the following morning,
Rosamond told her of Ladislaw's declara
tion. Dorothea realized she was willing
to give up Casaubon's fortune for Ladis
law's affection.
In spite of the protests of her family
and friends, they were married several
590
weeks later and went to London to live.
Lydgate and Rosamond lived together
with better understanding and prospects
of a happier future. Fred Vincy became
engaged to Mary Garth, with whom he
had long been in love. For a time Doro
thea's family disregarded her, but they
were finally reconciled after Dorothea's
son was born and Ladislaw was elected
to Parliament.
THE MIKADO
Type of work: Comic opera
Author: W. S. Gilbert (1836-1911)
Type of ^lot: Social satire
Time of plot: Middle Ages
Locale: Titipu, Japan
First presented: 1885
Principal characters:
Ko-Ko, Lord High Executioner of Titipu
THE MIKADO OF JAPAN
NANKI-POO, his son, disguised as a minstrel
POOH-BAH, Lord High Everything Else
YUM-YUM, Prrn-SiNG, and PEEP-Bo, wards of Ko-Ko
KATISHA, an elderly lady in love with Nanki-Poo
PiSH-TusH, a noble lord
Critique:
The Mikado, or The Town of Titipu,
is one of the many works of the famous
light opera collaborators, Sir William Gil
bert and Sir Arthur Seymour Sullivan
(1842-1900). Although they began their
creative careers independently, their
greatest fame is the result of the work
they did as co-workers, Gilbert as libret
tist and Sullivan as composer, after 1871.
The Mikado is a comic opera in two
acts. Like most of the Gilbert and Sulli
van productions, it contains much light
humor and pointed satire.
The Story:
Ko-Ko had become the Lord High Exe
cutioner in the town of Titipu in old
Japan, and to his courtyard came many
knights and lords to flatter and cajole the
holder of so dread and august an office.
One day a stranger appeared at Ko-Ko 's
palace, a wandering minstrel who carried
his guitar on his back and a sheaf of
ballads in his hand. The Japanese lords
were curious about his presence there,
for he was obviously not of noble birth
and therefore could expect no favors
from powerful Ko-Ko. At last Pish-Tush
questioned tn'm about his business with
Ko-Ko. Introducing himself as Nanki-
Poo, the minstrel announced that he
sought Yum-Yum, the beautiful ward of
Ko-Ko, with whom he had fallen in love
while playing the second trombone in
the Titipu town band a year before. He
had heard that Ko-Ko was to be executed
for flirting, a capital offense in the land of
the Mikado, and since Ko-Ko was to die,
he hoped that Yum-Yum would be free
to marry him.
Pish-Tush corrected the rash young
man, telling him that the Mikado had re
voked the death sentence of Ko-Ko and
raised him at the same time to the great
and noble rank of the Lord High Execu
tioner of Titipu. Nanki-Poo was crest
fallen, for he realized that the ward of
an official so important would never be
allowed to marry a lowly minstrel.
Pooh-Bah, another nobleman, secretly
resented the fact that he, a man of an
cient lineage, had to hold minor office
under a man like Ko-Ko, previously a
mere tailor. But Pooh-Bah was interested
in any opportunity for graft; he was even
willing to betray the so-called state secret
of Ko-Ko's intention to wed his beautiful
ward. Pooh-Bah advised Nanki-Poo to
591
leave Titipu and by all means to stay
away from Yum- Yum.
Meanwhile, Ko-Ko had been preparing
a list of the types of criminals he intended
to execute — autograph hunters, people
who insist upon spoiling t£te-a-tetes,
people who eat peppermint and breathe
in one's face, the man who praises every
country but his own, and apologetic
statesmen.
Uncertain of the privileges of his new
office, the Lord High Executioner con
sulted the Lord High Everything Else
about the money to be spent on his im
pending marriage. Pooh-Bah advised
him, first as Private Secretary, and gave
one opinion; then as Chancellor of the
Exchequer he expressed a contrary point
of view. He had a different opinion for
ever}7 one of his many offices and official
titles. They were interrupted, however,
by the appearance of Yum-Yum and her
sisters Peep-Bo and Pirn-Sing. Ko-Ko
attempted to kiss his bride-to-be, but she
openly expressed her reluctance and dis
taste.
When the three sisters saw Nanki-Poo
loitering nearby, they rushed to greet
him, astonished to find him in Titipu.
Ko-Ko, baffled and displeased by their
schoolgirl mirth, demanded an introduc
tion to the stranger.
When Yum-Yum and Nanki-Poo had
a few moments alone with each other, the
minstrel revealed his true identity as the
son of the Mikado, and confessed the
reasons for his flight from court Katisha,
i middle-aged woman in the court, had
misunderstood acts of Nanki-Poo as over
tures of romance. She mentioned them
to the Mikado. He in turn misunderstood
his son's conduct and requested that
Nanki-Poo marry Katisha. Nanki-Poo,
already in love with Yum-Yum, fled the
court in the disguise of a minstrel and
went to Titipu.
That same day Ko-Ko received from
the Mikado a communication which in
structed him to execute somebody within
a month. Otherwise the office of Lord
High Executioner would be abolished;
Ko-Ko would be beheaded for neglecting
his duties, and the city of Titipu would
be ranked as only a village. Perplexed
by this sudden and unhappy news, Ko-
Ko saw no solution until he discovered
Nanki-Poo carrying a rope with which to
hang himself. Seeing a way of escape,
Ko-Ko bargained with Nanki-Poo, prom
ising him a luxuriant life for thirty days,
if at the end of that time the minstrel
would allow7 himself to be executed offi
cially. Nanki-Poo agreed on the condition
that he could marry Yum-Yum at once.
This acceptable solution was upset,
however, by the arrival of Katisha, who
recognized Nanki-Poo and tried to claim
him for ner husband. When she learned
that he was to marry Yum-Yum, she at
tempted to reveal his true identity, but
her voice was not heard above the singing
and shouting instigated by Yum-Yum.
Hearing of the proposed marriage of
Yum-Yum and Nanki-Poo, Pooh-Bah in
formed Ko-Ko that the wife of a be
headed man must he buried alive, a law
which would mean Yum-Yum Js death if
Nanki-Poo were executed. Again lost as
to a way out of his problem, Ko-Ko was
spurred to action by the unexpected ar
rival of the Mikado himself. Desperate,
he concealed Nanki-Poo and showed the
Mikado a forged certificate of Nanki-
Poo's execution.
But when the Mikado read the name
of the victim, he announced that the
heir-apparent had been executed. Ac
cording to law, Ko-Ko's life must now be
forfeited.
Luckily for Ko-Ko, Nanki-Poo and
Yum-Yum appeared at that moment,
Man and wife at last, they were ready
to start on their honeymoon. Seeing his
son happily married and not dead as he
had supposed, the Mikado forgave every
one concerned in Ko-Ko's plot — the un
fortunate Lord High Executioner, how
ever, only after he had wed the jilted
Katisha.
592
THE MILL ON THE FLOSS
Type of work: Novel
Author: George Eliot (Mary Ann Evans, 1819-1880)
Type of plot: Domestic realism
Time of plot: Nineteenth century
Locale: England
pirst published: 1860
Principal characters:
MR. TULLIVER, owner of the mill on the Floss
MRS. TUIXIVER, his wife
TOM TUIXTVER, their son
MAGGEE TULLTVER, their daughter
AUNT GLEGG, and
AUNT PULXET, sisters of Mrs* Tulliver
PHILIP WAKEM, Maggie's suitor
LUCY DEANE, cousin of Tom and Maggie
STEPHEN GUEST, Lucy's fianc£
Critique:
This book is more than a revelation of
manners and conventions. It is the Happy
union of knowledge with sympathy, of
understanding with determination to re
veal some of the real differences between
people. There is also bitterness in this
book, a kind of grimness which is basic.
People who get on in the book are those
who are iron-willed, who go after what
they want and subdue all emotions and
desires that lie close to the heart. Those
who try to live both by bread and by
spirit end tragically, as do Tom and
Maggie Tulliver, both unfitted for the
roles life chose for them.
The Story:
Dorlcote Mill stood on the banks of the
River Floss near the village of St. Ogg's.
Owned by the ambitious Mr. Tulliver,
it provided a good living for him and his
family, but he dreamed of the day when
his son Tom would climb to a higher
station in life.
Mrs. Tulliver's sisters, who had mar
ried well, criticized Mr. Tulliver's un
seemly ambition and openly predicted
the day when his air castles would bring
himself and his family to ruin. Aunt
Glegg, richest of the sisters, held a note
on his property, and when he quarreled
with her over his plans for Tom's edu
cation, Mr. Tulliver determined to bor
row the money and repay her.
For Torn, who had inherited the placid
arrogance of his mother's people, life was
not difficult. He was resolved to be just
in all his dealings and to deliver punish
ment to whomever it was due. His sister
Maggie grew up with an imagination be
yond her years of understanding. Her
aunts predicted she would come to a bad
end because she was tomboyish, dark-
skinned, dreamy, and indifferent to their
wills. Frightened by ill luck in her at
tempts to please her brother Tom, her
cousin Lucy, and her mother and aunts,
Maggie ran away, determined to live with
the gipsies. But she was glad enough to
return. Her father scolded her mother
and Tom for abusing her. Her mother
was sure Maggie would come to a bad
end because of the way Mr. Tulliver
humored her.
Tom's troubles began when his father
sent Kim to study at Mr. Stelling's school.
Having little interest in spelling, gram
mar, or Latin, Tom found himself wish
ing he were back at the mill, where he
might dream of romeday riding a horse
like his father's and giving orders to
people around him. Mr. Stalling was
convinced that Tom was not only ob
stinate tut also rtapid. Returning home
593
for the Christmas holidays, Tom learned
that Philip Wakem, son of a lawyer who
was his father's enemy, would also enter
Mr. Stelling's school.
Philip Wakem was a cripple, and so
Tom was not able to heat him up as he
should have liked at first. Philip could
draw, and he knew Latin and Greek.
After they overcame their initial reserve,
the two hoys became useful to one
another. Philip admired Tom's arrogance
and self-possession and Tom needed
Philip's knowledge to help him in his
studies. But their fathers' quarrel kept
a breach between them. Tom felt that
Philip needed to be watched, that he was
the son of a rascal.
When Maggie came to visit Tom, she
met Philip, and the two became close
friends. Then, after Maggie had been
sent away to school with her cousin Lucy,
Mr. Tulliver became involved in a law
suit. Because Mr. Wakem defended the
opposition, Mr. Tulliver said his children
should have as little as possible to do
with Philip.
Mr. Tulliver lost his suit and stood to
lose all his property as well. In order
to pay off Aunt Glegg, he had borrowed
money on his household furnishings.
Now he hoped Aunt Pullet would lend
him the money to pay the debt against
which his household goods stood forfeit.
He could no longer afford to keep Maggie
and Tom in school. Then Mr. Tulliver
learned that Mr. Wakem had bought up
his debts, and the discovery brought on
a stroke. Tom made Maggie promise
never to speak to Philip Wakem again.
Mrs. Tulliver wept because her house
hold things were to be put up at auction.
In the ruin which followed, Tom and
Maggie rejected the scornful offers of
help from their aunts.
Bob Jakin, a country lout with whom
Tom had fought as a boy, turned up to
offer Tom partnership with him in a
venture where Tom's education would
help Bob's native business shrewdness.
But both were without capital. For the
time being Tom took a job in a ware
house and studied bookkeeping each
night.
Mr. Wakem bought the mill but per
mitted Mr. Tulliver to act as its man
ager for wages. It was Wakem's plan
eventually to turn the mill over to his
son. Tulliver, not knowing what else to
do, stayed on as an employee of his
enemy, but he asked Tom to sign a
statement in the Bible that he would wish
the Wakems evil as long as he lived.
Against Maggie's entreaties, Tom signed
his name. Finally Aunt Glegg gave Tom
some money which he invested with Bob
Jakin. Slowly Tom began to accumulate
funds to pay off his father's debts.
Meanwhile Maggie and Philip had
been meeting secretly in the glades near
the mill. One day he asked Maggie if
she loved him. She put him off. Later,
at a family gathering, she betrayed her
feeling for Philip in a manner which
aroused Tom's suspicions. He made her
swear on the Bible not to have anything
more to do with Philip, and then he
sought out Philip and ordered him to stay
away from his sister.
Shortly afterward Tom showed his
father his profits. The next day Mr.
Tulliver thrashed Mr. Wakem and then
suffered another stroke, from which he
never recovered.
Two years later Maggie, now a teacher,
went to visit her cousin, Lucy Deane,
who was also entertaining young Stephen
Guest in her home. One difficulty Lucy
foresaw was that Philip, who was friendly
with both her and Stephen, might absent
himself during Maggie's visit. Stephen
had already decided that Lucy was to be
his choice for a wife, but at first sight
he and Maggie were attracted to one
another. Lucy, blind to what was hap
pening, was pleased that her cousin
Maggie and Stephen were becoming good
friends.
Maggie asked Tom's permission to see
Philip Wakem at a party Lucy was giv
ing. Tom replied that if Maggie should
ever consider Philip as a lover, she must
expect never to see her brother again.
594
Tom stood by his oath to his father. He
felt his dignity as a Tulliver, and he
believed Maggie was apt to follow the in
clination of the moment without giving
consideration to the outcome. He was
right. Lacking the iron will which marked
so many of her relatives, Maggie loved
easily and without restraint.
Meanwhile Lucy's father had promised
to try to buy back the mill for Tom.
Learning of this plan, Philip hoped to
persuade his father to sell the mill. For
this service Philip felt sure Tom would
forget his old hatred.
At a dance Stephen Guest tried to
kiss Maggie. She evaded him and the
next day avoided Philip Wakem as well.
She felt she owed it to Lucy not to allow
Stephen to fall in love with her, and
she felt that she owed it to her brother
not to marry Philip.
She was carried along by the tide. Her
relatives would not let her go back into
teaching, for Tom's good luck continued
and he repossessed his father's mill. Both
Stephen and Philip urged her to marry
them without the knowledge of each
other's aims. Certainly, Lucy did not
suspect Stephen's growing indifference to
her.
One day Stephen took Maggie boating
and tried to convince her to run away
with him and. be married. She refused
his offer. Then the tide carried them be
yond the reach of shore and they were
forced to spend the night in the boat.
Maggie dared the wrath and judgment
of her relatives when she returned and
attempted to explain to Lucy and the
others what had happened. They refused
to listen to her. Tom turned her away
from the mill house, with the word that
he would send her money but that he
never wished to see her again. Mrs. Tul
liver resolved to go with Maggie, and
Bob Jakin took them in,
Maggie slowly began to realize what
ostracism meant, for one by one people
deserted her. Only Aunt Glegg and Lucy
offered any sympathy. Stephen wrote to
her in agony of spirit, as did Philip.
Maggie wanted to be by herself. She
wondered if there could be love for her
without pain for others.
That autumn a terrible flood ravaged
St. Ogg's. Knowing that Tom was at
the mill, Maggie attempted to reach him
in a boat. The two were reunited and
Tom took over the rowing of the boat.
But the full force of the flood over
whelmed them and they drowned, to
gether at the end as they had been whei?
thev were children.
THE MISANTHROPE
Type of work: Drama
Author: Moliere (Jean Baptiste Poquelin, 1622-1673)
Type of plot: Comedy of manners
Time of plot: Seventeenth century
Locale: Paris
First presented: 1666
Principal characters:
ALCESTE, in love with Celimene
PHELTNTE, friend of Alceste
ORONTE, in love with Celimene
CE'LIMENE, a young widow
ET.TANTE, cousin of Celimene
Critique:
Moliere, born Jean Baptiste Poquelin,
is the outstanding French writer of com
edies, above all, comedies of manners;
and he is sometimes compared in the
breadth and humanity of his genius with
Shakespeare. The Misanthrope is a com
edy with a rather sad conclusion; but the
merit of the play rests on its depiction of
595
manners. We can see in The Misan
thrope Moliere's objective analysis of his
own time, for he exposes to die public
eye the frivolity and inconsistency of his
contemporaries.
The Story:
Alceste had been called a misanthrope
by many of his friends, and he took a
rather obstinate delight in the name.
This characteristic led him to quarrel
heatedly with his good friend Philinte,
who accepted uncritically the frivolous
manners of the day. When Philinte
warmly embraced a chance acquaintance,
as was customary, Alceste maintained
that such behavior was hypocritical, es
pecially since Philinte hardly knew the
man.
Philinte reminded Alceste that his law
suit was nearly ready for trial, and that
he would do well to moderate his atti
tude toward people in general. His op
ponents in the suit were doing every
thing possible to curry favor, but Alceste
insulted everyone he met and made no
effort to win over the judges.
Philinte also taunted Alceste on his
love for Celimene, who, as a leader in
society, was hypocritical most of the time.
Alceste had to admit that his love could
not be explained rationally.
Oronte interrupted the quarrel by com
ing to visit Alceste, who was puzzled by
a visit from suave and elegant Oronte.
Oronte asked permission to read a sonnet
he had lately composed, as he was anx
ious to have Alceste's judgment of its
literary merit.
After some affected hesitation, Oronte
read his mediocre poem. Alceste, too
honest to give false praise, condemned
the verses and even satirized the poor
quality of the writing. Oronte instantly
took offense at this criticism, and a new
quarrel broke out. Although the argu
ment was indecisive, there were hints of
a possible duel.
Alceste then went to call on Celimene.
As soon as he saw her, he began per
versely to upbraid her for her frivolous
conduct and her hypocritical attitude to
ward other people. Although Celimene
could slander and ridicule with a keen
wit and a barbed tongue while a person
was absent, she was all flattery and at
tention when talking with him. This at
titude displeased Alceste.
The servant announced several callers,
including Eliante. To Alceste's dismay,
they all sat down for an interminable
conversation. The men took great delight
in naming over all their mutual acquaint
ances, and as each name was mentioned,
Celimene made unkind remarks. The
only gentle person in the room was Eli-
ante, whose good sense and kind heart
were in striking contrast with Celim&ne's
caustic wit. Eliante was overshadowed,
however, by the more brilliant Celimene.
The men all declared they had nothing
to do all day, and each swore to outstay
the other, to remain longer with Celi
mene. Alceste determined to be the last
to leave.
A guard appeared, however, to sum
mon Alceste before the tribunal. Aston
ished, Alceste learned that his quarrel
with Oronte had been noised about, and
the authorities intended to prevent a
possible duel. Loudly protesting that
except for an order direct from the king
nothing could make him praise the poetry
of Oronte, Alceste was led away.
Arsinoe, an austere woman who made
a pretense of great virtue, came to call on
Celimene. She took the opportunity to
warn Celimene that her conduct was cre
ating a scandal, because her many suitors
and her sharp tongue were hurting her
reputation. Celimene spoke bitingly of
Arsinoe's strait-laced character.
Arsinoe decided to talk privately with
Alceste, with whom she was half in love.
She comforted him as best she could for
being so unfortunate as to love Celimene,
and complimented him on his plain deal
ings and forthright character. Carried
away by the intimacy of her talk, Arsino£
offered to do much for Alceste by speak
ing in his favor at court. But the two
concluded that the love of Alceste for
596
Celimene, though unsuitable from almost
every point of view, was a fast tie.
Eliante and Philinte were in the mean
time discussing Alceste and his habit of
antagonizing his friends through his
frankness. Philinte told her of Alceste's
hearing before the tribunal. He had in
sisted that Oronte's verses were bad, but
he had nothing more to say. Eliante and
Philinte ^began to discover a mutual lik
ing. If Eliante ever lost her fondness for
Alceste, Philinte intended to offer him
self as a lover.
Alceste received an unflattering letter,
purporting to come from Celimene, which
described him in malicious terms. After
much coy hesitation, Celimene admitted
that she had sent the letter and expressed
surprise at Alceste's indignation. Other
suitors appeared, each holding a letter
and each much upset. On comparing
notes, they found that they had all been
ridiculed and insulted.
Meanwhile, ^Alceste had made up his
mind to ask Eliante to marry him, but
reconsidered when he realized that his
proposal would seem to spring from a
desire to avenge himself on Celimene.
To the misanthrope there seemed to be
no solution except to go into exile and
live a hermit's life.
When Celim&ne's suitors clamored for
an explanation, she told them that she
had written the letters because she was
tired of the niceties of polite conversa
tion. For once she decided to say what
she really thought. This confession was
shocking to the suitors who thought
frankness and rudeness were unpardon
able crimes. Hypocrisy, flattery, cajolery,
extravagances — these were the marks of
a gentle lady. Protesting and disdainful,
they left together, never to return.
Only Alceste remained. Even the co
quettish and malicious heart of Celimene
was touched. When Alceste repeated his
vows of fidelity and asked her once more
to marry him, she almost consented. But
when Alceste revealed that he wanted
them to go into exile and lead quiet,
simple lives, she refused. Celimene could
never leave the false, frivolous society
she loved.
Now completely the misanthrope, Al
ceste stalked away with the firm resolve
to quit society forever, to become a her
mit, far removed from the artificial sham
of preciosity. Philinte and Eliante, more
moderate in their views, however, de
cided that they would many.
LES MISERABLES
Type of work: Novel
Author: Victor Hugo (1802-1885)
Type of plot: Social chronicle
Time of 'plot: About 1815 to 1835
Locale: France
First published: 1862
Prind'pat characters:
JEAN VALJEAN, also known as Father Madeleine
FANTTNE, a woman befriended by Valjean
COSETTE, her daughter
M. JAVERT, inspector of police
MARTUS PONTMEKCY, in love with Cosette
M. THENARDEER, known also as Jondrette, a rogue
EPONINE THENAHDLER, his daughter
Critique:
Les Miserables is a romantic novel,
packed with exciting incidents. It is also
a sociological study of poverty and slum
life. Victor Hugo spent fourteen years on
the book, a fact which probably accounts
for the numerous digressions and addi-
597
tions to the story. The core of this ex
tremely long novel is the life story of a
criminal, Jean Valjean, who serves as an
example of the misery and contradictions
of society with which the author was
especially concerned at the time of writ
ing. Les Miserables is both a powerful
social document and an extremely in
teresting and dramatic narrative. Hugo's
masterpiece, it is one of the great novels
of the world.
The Story:
In 1815, in France, a man named Jean
Valjean was released after nineteen years
in prison. He had been sentenced to a
term of five years because he stole a loaf
of bread to feed his starving sister and
her family, but the sentence was later
increased because of his attempts to es
cape. During his imprisonment he aston
ished others by his exhibitions of unusual
physical strength.
Freed at last, he started out on foot
for a distant part of the country. Inn
keepers refused him food and lodging
because bis yellow passport revealed that
he was an ex-convict. Finally be came to
the house of the Bishop of Digne, a
saintly man who treated him graciously,
fed him, and gave him a bed. During the
night Jean stole the bishop's silverware
and fled. He was immediately captured
by the police., who returned him and the
stolen goods to the bishop. Without any
censure, the priest not only gave him
what be had stolen, but also added his
silver candlesticks to the gift. The aston
ished gendarmes let the prisoner go.
Alone with the bishop, Jean was con
founded by the churchman's attitude, for
the bishop asked only that he use the
silver as a means of living an bonest life.
In Paris, in 1817, lived a beautiful
girl named Fantine. She gave birth to
an illegitimate child, Cosette, whom she
left with M. and Mme. Thenardier to
bring up with their own children. As
time went on, the Th^nardiers demanded
more and more money for Cosette's sup
port, yet treated the child cruelly and
deprived her even of necessities. Fantine,
meanwhile, had gone to the town of M —
and obtained a job in a glass factory oper
ated by Father Madeleine, a kind and
generous man w7hose history was known
to no one, but whose good deeds and
generosity to the poor were public infor
mation. He had arrived in M — a poor
laborer, and by a lucky invention he was
able to start a business of his own. Soon
he built a factory and employed many
workers. After five years in the city he
was named mayor and was beloved by all
the citizens. He was reported to have
prodigious strength. Only one man, Ja
vert, a police inspector, seemed to watch
him with an air of suspicion. Javert was
born in prison. His whole life was in
fluenced by that fact and his fanatical
attitude toward duty made him a man to
be feared. He was determined to discover
the facts of Father Madeleine's previous
life. One day he found a clue while
watching Father Madeleine lift a heavy
cart to save an old man who had fallen
under it. Javert realized that he had
known only one man of such prodigious
strength, a former convict named Val
jean.
Fantine had told no one of Cosette,
but knowledge of her illegitimate child
spread and caused Fantine to be dis
charged from the factory without the
knowledge of Father Madeleine. Finally
Fantine became a prostitute in an effort
to pay the increasing demands of the
Thenardiers for Cosette's support. One
night Javert arrested her while she was
walking the streets. When Father Made
leine heard the details of her plight, and
learned that she had tuberculosis, he sent
Fantine to a hospital and promised to
bring Cosette to her. Just before the
mayor left to get Cosette, Javert con
fessed that he had mistakenly reported
to the Paris police that he suspected
Father Madeleine of being the ex-convict,
Jean Valjean. He said that the real Jean
Valjean had been arrested at Arras under
an assumed name. The arrested man was
to be tried two days later.
598
That night Father Madeleine struggled
with his own conscience, for he was the
real Jean Valjean. Unwilling to let an
innocent man suffer, he went to Arras
for the trial and identified himself as
Jean Valjean. After telling the authori
ties where he could be found, he went
to Fantine. J avert came there to arrest
him. Fantine was so terrified that she
died. After a day in prison Jean Valjean
escaped.
Valjean, some time later, was again
imprisoned by Javert. Once more he
made his escape. Shortly afterward he
was able to take Cosette, a girl of eight,
away from the Thenardiers. He grew to
love the child greatly, and they lived to
gether happily in the Gorbeau tenement
on the outskirts of Paris. When Jarvert
once more tracked them down, Valjean
escaped with the child into a convent
garden, where they were rescued by Fau-
chelevant, whose life Valjean had saved
when the old peasant fell beneath the
cart. Fauchelevant was now the convent
gardener. Valjean became his helper,
and Cosette was put into the convent
school.
Years passed. Valjean left the convent
and took Cosette, her schooling finished,
to live in a modest house on a side street
in Paris. The old man and the young
girl were little noticed by their neighbors.
Meanwhile the blackguard Thenardier
had brought his family to live in the Gor
beau tenement. He now called himself
Jondrette. In the next room lived Marius
Pontmercy, a young lawyer estranged
from his aristocrat grandfather because of
his liberal views. Marius was the son of
an officer whose life Thenardier had
saved at the battle of Waterloo. The
father, now dead, had asked his son some
day to repay Thenardier for his deed.
Marius never suspected that Jondrette
was really his father's benefactor. When
the Jondrettes were being evicted from
their quarters, however, he paid their
rent from his meager resources.
During one of his evening walks Mari
us met Cosette and Valjean. He fell hi
love with the girl as he continued to
see her in the company of her white
haired companion. At last he followed
her to her home. Valjean, noticing Mari
us, took Cosette to live in another house.
One morning Marius received a beg
ging letter deHvered by Eponine Jon
drette. His neighbors were again asking
for help, and he began to wonder about
them. Peeping through a hole in the
wall, he heard Jondrette speak of a bene
factor who would soon arrive. When the
man came, Marius recognized him as
Cosette's companion. From Eponine he
later learned Cosette's address, but be
fore he saw Cosette again he overheard
the Jondrettes plotting against the man
whom he believed to be Cosette's father.
Alarmed, he told the details of the plot
to Inspector Javert
Marius was at the wall watching when
Valjean returned to give Jondrette money.
While they talked, numerous heavily-
armed men appeared in the room. Jon
drette then revealed himself as Th£nard-
ier. Marius, horrified, did not know
whom to protect, the man his father had
requested him to befriend or the father
of Cosette. Threatened by Thenardier,
Valjean agreed to send to his daughter
for more money, but he gave a false
address. When this ruse was discovered,
the robbers threatened to kill Valjean.
Marius threw a note of warning through
the hole in the wall as Javert appeared
and arrested all but Valjean, who made
his escape through a window.
Marius finally located Cosette. One
night she told him that she and her
father were leaving for England. He tried
to get his grandfather's permission to
marry Cosette. It was refused. In de
spair, he returned to Cosette and found
the house where she had lived empty.
Eponine met him there and told him
that his revolutionary friends had begun
a revolt and were waiting for him at the
barricades. Because Cosette had disap
peared, he gladly followed Eponine to
the barricades, where Javert had been
seized as a spy and bound. During the
599
fighting Eponine gave her life to save
Marius. As she died, she gave him a
note which Cosette had given her to de
liver. In it Cosette told him where she
could he found.
In answer to her note, Marius wrote
that his grandfather would not permit his
marriage, that he had no money, and that
he would he killed at the barricade. Val
jean discovered the notes and set out
for the barricades. Finding Javert tied
up by the revolutionists, he freed the
inspector. The barricades fell. In the
confusion Valjean came upon the
wounded Marius and carried him into
the Paris sewers.
After hours of wandering he reached
a locked outlet. There Thenardier, un
recognized in the dark, met Kim and
agreed to open the grating in exchange
for money. Outside Valjean met Javert,
who took him into custody. Valjean
asked only that he be allowed to take
Marius to his grandfather's house. Javert
agreed to wait at the door, but suddenly
he turned and ran toward the river. Tor
mented by his conscientious regard for
duty and his reluctance to return to prison
the man who had saved his life, he
drowned himself in the Seine.
When Marius recovered, he and Co
sette were married. Valjean gave Cosette
a generous dowry, and for the first time
Cosette learned that Valjean was not her
real father. Valjean told Marius only that
he was an escaped convict, believed dead,
and he begged to be allowed to see Co
sette occasionally. But gradually Marius
banished him from the house. Then
Marius learned from Thenardier that it
was Valjean who had rescued Marius at
the barricade. Marius and Cosette hur
ried to Valjean's lodgings, to find him
on his deathbed. He died knowing that
his children loved him and that all his
entangling past was now clear. He be
queathed the bishop's silver candlesticks
to Cosette, with his last breath saying that
he had spent his life in trying to be
worthy of the faith of the Bishop of
Digne. He was buried in a grave with
no name on the stone.
MR. BRITLING SEES IT THROUGH
Type of work: Novel
Author: H. G. Wells C 1 866-1946)
Type of plot: Social criticism
Time of plot: World War I
Locale: England
Fkst published: 1916
Principal characters:
MB. DIHECK, an American
MR. BRITLING, an English writer
HUGH, Mr. Ending's oldest son
TEDDY, Mr. Ending's secretary
LETT?, Teddy's wife
CISSIE, Letty's sister and Mr. Direck's sweetheart
HF.TNRICH, the Ending children's tutor
Critique:
In this bock the author tries to show anyone who enjoys novels of theme
the effect o£ World War I upon the is a rewarding and inspiring book,
mind of one man. Mr. Britling passes
from optimism to despair and hack to The Story:
optimism as he ponders questions of war, Mr. Direck, secretary of a Boston
religion, morality, and social reform. For cultural society, was in England for the
MR. BRITLING SEES IT THROUGH by H. G. Wells. By permission of the Executors, estate of H G
and the publisher* The Maoruikn Co. Copyright, 1916, by H. G. Wdls. Renewed, 1944, by H G. V
600
purpose of persuading Mr. Britling, a
famous writer, to deliver a series of leo-
tures in the United States. Direck found
England all that he had expected, as he
traveled from London to Matching's Easy
in Essex to meet Mr. Britling. However,
Mr. Britling did not support the illusion.
He neither dressed like an Englishman
nor acted like an intellectual, and Direck
was disappointed. But Mr. Britling's
family and friends aroused his interest
Mr. and Mrs. Britling had three boys.
The oldest, Hugh, was the son of Mr.
Britling1 s first wife. In addition to the
immediate family, an old aunt and a
young German tutor, Heinrich, lived
in the house. Mr. Bidding's secretary
Teddy, his wife Letty, and her sister
Cissie, lived in a cottage nearby. Direck
fell in love with Cissie, a vivacious and
intelligent girl.
Largely because of Cissie, Direck
entered with zest into the entertainments
of the Britling household, and at times
he almost forgot the real reason for his
visit. Several times, however, he and
his host had serious discussions. Once
they spoke about possible war with Ger
many. Mr. Britling said the idea was
nonsense; it had been expected for a
long time and had never happened. Un
known to Direck and Mr. Britling, tow-
ever, an attempt was at that moment
being made to kill Archduke Francis
Ferdinand of Austria. The fatal march
of events had begun,
One morning Mr. Britling took Direck
on a ride around the countryside. Mr.
Britling, a poor driver, was involved in
an accident with a motorcycle. He was
not hurt, but Direck broke his wrist.
He saw in the accident an opportunity
to prolong His stay at Matching's Easy.
Meanwhile, war brewed behind the
scenes. France was unsettled. The Brit
ish were troubled with civil war in
Ireland. Heinrich anxiously questioned
Mr. Britling about the war. Mr. Britling
was still confident that Germany could
not be so foolish as to fight the rest of
the world.
When the time finally came for Direck
to leave Matching's Easy, he decided
that he could not go without confessing
his love to Cissie. Because she had not
yet made up her mind about her love
for him, Direck left for a tour of Europe.
He felt hopeful because Cissie had not
definitely rejected him.
Mr. Britling, too, was involved in a
love affair. He and his wife had ceased
to love each other years before, but they
cooperated admirably to run their pleas
ant household. Life ran smoothly at
tome. Away from home there was Mrs.
Harrowdean, a widow. The love affair
between her and Mr. Britling did not
run smoothly. At the time they had
ceased to see each other and were
Quarreling by mail.
The threat of war crept forward. Hein
rich was called home for mobilization.
He left sadly. He did not believe in
war. The Britlings urged him to stay,
but he said that he must serve his coun
try.
Germany invaded France, and Russia
invaded Germany. Although forced to
readjust his thinking. Mr. Britling firmly
believed that Germany could never win.
With a troubled mind he drove into the
country, half-determined to call on Mrs.
Harrowdean, but on the way he began
to think of what the war would mean
to the world. Instead of going to see
Mrs. Harrowdean, he returned home to
his writing desk. The war had arrived
to fill the mind of Mr. Britling to the
exclusion of everything else.
When the Germans attacked Belgium,
England declared war. Direck, who had
been in Germany when war was de
clared, returned immediately to England,
where he found Cissie thinking only of
England and the war. Direck, being an
American, remained only an interested
spectator.
Gradually it dawned on Mr. Britling
that Germany could not easily be beaten.
The Ending household slowly became
involved in the war. First Teddy volun
teered, then Hugh, Mr. Britling at last
601
got a job as a constable guarding bridges
and public works. Mrs. Britling worked
for the Red Cross. A Belgian refugee
and his family came to live with them
for a time. Later two squads of soldiers
were billeted in their barn.
Mr. Britling did a lot of thinking in
his attempt to adjust his mind to Ger
many's attitude in the war. To most
Englishmen, the war was a game to be
played and won against an honorable
enemy; to many Germans, the war was
a campaign of hate. Mr. Britling thought
often of Heinrich. There had to be other
Germans as good as Heinrich, for not
all of them could be evil. Then he
realized that the British were growing
as cruel and hardened as the enemy.
This war, after all, was no different from
the ones that had gone before, and men
on both sides were victims of their own
foolishness and stupidity.
Hugh lied about his age and managed
to be sent to the front in Flanders. Teddy
was there too, and one day Letty received
a telegram -which said that he was
missing. Mr. Britling was so disturbed
that writing was now impossible. Direck,
still a civilian, left for the continent to
learn news of Teddy. Then a telegram
announced that Hugh had been killed.
The war was leaving its mark upon Mr.
Ending of Matching's Easy.
Although Direck had found almost
certain evidence that Teddy had been
killed, Letty still believed him to be
alive. Cissie tried to make her sister
face the truth. Convinced, Letty went
alone out into the fields with her grief.
There she met Mr. Britling. He had
become reconciled to Hugh's death be
cause he had convinced himself that the
boy had not died in vain. A better world
was in the making; after the war things
would be different.
Letty returned home, strangely quieted
by what Mr. Britling had told her; she,
too, had become reconciled to the idea
of death. Suddenly she saw a familiar
figure in front of the cottage. It was
Teddy. He was alive, with one hand
gone. Now it was Cissie who must begin
to worry. Direck had volunteered in the
Canadian Army.
Some weeks later Mr. Britling learned
that Heinrich had died. He tried to
compose a letter to Heinrich's parents,
but the effort was useless. He wrote all
night without being able to express what
he felt. Hugh and Heinrich had both
died for a reason. With the promise of
a better world to come, now was not
the time for despair. Mr. Britling rose
from his desk and watched the morning
begin. His mind was calm. It seemed
as if the whole world was bathed in
sunrise.
MR. MIDSHIPMAN EASY
Type of work: Novel
Author. Frederick Maixyat (1792-1848)
Type of plot: Adventure romance
Time of plot: Napoleonic wars
Locale: Mediterranean Sea and European coastal waters
first published: 1836
Principal characters:
JACK EASY, a midshipman
GASCOIGNE, another midshipman
MESTY, an Ashantee Negro
REBIEBA, Easy's Sicilian sweetheart
Critique:
Marryat wrote from experience, having
himself been a captain in the British
navy, and his book gives a fully detailed
account of life aboard a war vessel, in
cluding vivid accounts of several battles
at sea. Unlike many other stories about
602
the British or American navy in the early
nineteenth century, he did not charge the
naval system of discipline with being too
harsh. Rather, he tried to show that it
developed the best that was in a man.
Marryat thought poorly of the theories
of equality which had been popularized
in France during the French Revolution.
The Story:
Jack Easy was the son of a wealthy
landowner in the county of Hampshire,
England. Jack's father and mother had
almost spoiled the boy for any good in
the world, the former by his over-simpli
fied philosophy of equality, and the latter
by her doting. Fortunately for the young
lad, the family physician, Doctor Middle-
ton, rescued him from Ms home and put
him in a school where he began to learn
that the survival of the fittest was the
way of the world. When he left school,
it was decided he should go to sea as mid
shipman with Captain Wilson, a poor
relation who was indebted to Mr. Easy
for a loan of one thousand pounds and
who was in command of the warship
Harpy.
Jack soon made friends aboard the
Harpy through the use of his fists in
beating down bullies among the ship's
company and through the obvious good
will which the captain showed him. It
was hard at first for the young man to
become accustomed to life aboard the war
ship. The duties of a midshipman kept
him busy, but the small living quarters
and the discipline proved irksome to the
son of a philosopher who preached a
doctrine of equality.
Jack's first naval adventure occurred
when the ship was not far from Tarra
gona. In command of a boat during the
capture of a Spanish vessel by a board
ing party, he was left behind when the
Harpy sailed away. Captain Wilson
thought that Easy's boat had been sunk
with all hands. The following night
Easy's boat captured another Spanish
vessel by boarding. Easy ordered the
crew and passengers, including an elderly
Sicilian and his wife and two beautifuJ
daughters, overboard into a small boat,
A few days later, after Easy had vainly
tried to find the Harpy, the crew landed
on an island and refused to return to
the captured ship. But an Ashantee
Negro, Mesty, was loyal to Easy because
the midshipman had befriended him and
Lad treated him as an equal. Through
the efforts of Mesty, the men were
brought back on board in a docile condi
tion and Easy again set sail to look for
the Harpy. After a week had passed,
Easy and his crew found the British
warship engaged with a Spanish vessel.
The timely aid of gunfire from Easy's
prize helped the Harpy take its opponent.
Everyone, including Captain Wilson,
was amused at the flag which Easy had
flown in the engagement. Having no
British flag aboard the prize, he had
hoisted a lady's green petticoat.
The first stop for the Harpy in the
Mediterranean was at Malta, There
Easy fought a duel. Thinking he had
killed his man, he and a fellow midship
man, Gascoigne, ran away in a native
boat they had hired. A storm drove their
small craft to the Sicilian shore, where,
the two young sailors hid in a cart and
there fell asleep. When they awakened
they found themselves in the yard of a
great house. Hearing loud cries, they
rushed into the house in time to prevent
the owner from being murdered by two
relatives. The man and his family proved
to be the passengers whom Easy had put
into a small boat when he had taken his
prize a month earlier. Before Don Rebi-
era sent them to Palermo, Easy had fallen
deeply in love with the Sicilian noble
man's daughter, Agnes.
At Palermo the two midshipmen went
aboard a British frigate which took them
back to Malta to rejoin the Harpy. Since
Easy's opponent in the duel had not died,
Captain Wilson forgave their escapade.
A few weeks later the Harpy was
sailing off the coast of Africa. In another
battle to board a vessel, Easy distin
guished himself a second time. The prize
603
was taken back to Malta, where Captain
Wilson learned that he had been pro
moted to the command of a larger ship,
the Aurora. When he left the Harpy,
Captain Wilson took Easy, Gascoigne,
and Mesty with him.
Separated from the fleet during a
storm, the Aurora was struck by light
ning and set afire. Many of her officers
and men were killed or injured. Both
Easy and Gascoigne were heroic in their
efforts to help stop the blaze and get the
ship seaworthy enough to reach Malta for
repairs. Back at Malta, Easy and Gas
coigne had still further adventures.
Chosen to accompany a Sicilian noble
man who was visiting the ship, they re
cognized him as one of the men who had
tried to assassinate Don Rebiera, The im
postor was arrested by the authorities and
returned to Sicily.
Several weeks later the Aurora sighted
a galley, filled with criminals, sinking
off the Sicilian coast. A party was sent
to release the prisoners and set them
ashore. During the operation Easy recog
nized the man who had attempted to
assassinate Don Rebiera and who had
been sent to the galleys just a few weeks
before. He notified Captain Wilson, who
immediately informed the authorities on
the island and then permitted Easy, Gas
coigne, and Mesty to go ashore to warn
their friends. Easy and his companions
arrived at Don Rebiera Js home in time
to warn the household of its danger. A
battle of a day and a night ensued. At
the end of that time Sicilian troops ar
rived and rescued the besieged house and
its defenders from the band of escaped
galleyslaves under the leadership of Don
Rebiera's enemy.
The next day Easy asked Agnes' father
if he might many her. The father, in
debted to Easy and knowing that his
daughter loved the young midshipman,
could not give his permission immediately
because of the Church. His family con
fessor threatened excommunication if the
marriage took place.
Not to be daunted, Easy and Gas
coigne, with the help of Mesty, pretended
to have broken their legs in a carriage
accident. Captain Wilson was forced to
leave them behind to convalesce when
the Aurora left port. As soon as the ship
had sailed, Mesty was sent with a bribe
to the confessor. The priest, in his turn,
tried to get Mesty's aid in poisoning
Easy in order to prevent the marriage.
Mesty promised to help the priest but
administered the poison to the confessor
instead. Don Rebiera then withdrew his
objection to the marriage if he could
have the written permission of the mid
shipman's father, since Easy was still
under age. Easy eagerly reported to the
Aurora to resign from the navy and re
turn to England to get his father's per
mission to marry.
Back in England, Easy learned that
his mother had died and his father had
become insane. While the son was
straightening out the affairs of the fam
ily, the father also died, leaving Easy a
large fortune. Since the seas were not a
safe place to travel as a passenger in a
merchant vessel, Easy bought a small
ship. Armed with cannon and letters of
marque, he sailed for Sicily. There he
married Agnes.
He and his bride returned to England
after Easy had helped to secure Gas-
coigne's resignation from the navy.
Neither Easy nor Gascoigne went to sea
again, but settled down as country gentle
men on Easy's large estate in Hampshire.
604
MISTER ROBERTS
Type of -work: Novel
Author: Thomas Heggen (1919-1949)
Type of plot: Humorous satire
Time of plot: Last months of World War EC
Locale: Southwest Pacific
First published: 1946
Principal characters:
DOUGLAS ROBERTS, First Lieutenant, U. S. S. Reluctant
CAPTAIN MORTON, skipper of the Reluctant
ENSIGN KEITH, USNR
BOOKSER, a seaman
FRANK THOMPSON, radio man
Critique:
Mister Roberts, first published serially
in The Atlantic Monthly, became a na
tional best seller soon after its appearance
in book form. The subject matter offers
relief from the general run of war litera
ture; the style ranges from almost poetic
prose to screaming farce. An air of lusty
masculinity pervades the narrative. Heg
gen has perfectly reproduced the un
inhibited idiom of men at war. The
success of the novel led Heggen, with
Joshua Logan, to dramatize it into an
equally successful play. Heggen's artistic
motive in writing the novel must surely
have been his wish to show the public
that the backwashes of the war also
have their tragedy and comedy, and even
their romance, despite their apparent lack
of color.
The Story:
Douglas Roberts, First Lieutenant on
the Reluctant, a U. S. Navy supply ship
in the Pacific, was the guiding spirit of
the crew's undeclared war against the
skipper, Captain, Morton, an officious,
childish, and unreasonable officer. The
Reluctant was non-combatant, plying
among islands left in the backwash of
the war. None of its complement had
seen action, and none wanted action ex
cept Roberts, who had applied without
success for transfer to a ship of the line.
In the continuously smoldering war
fare between the captain and the other
officers and the men of the ship, Roberts
scored a direct hit on the captain's funda
ment with a wad of lead-foil shot from
a rubber band while the captain was
watching movies on board. Ensign Pul-
ver, who spent most of his time devising
ways of making the skipper's life un
bearable, manufactured a giant fire
cracker to be thrown into the captain's
cabin at night The premature and
violent explosion of the firecracker put
the entire Reluctant on a momentary
battle footing. Ensign Pulver was burned
badly.
Ensign Keith came to the Reluctant
by way of middle-class Boston, Bowdoin
College, and accelerated wartime naval
officer training. He was piped aboard in
the blazing sunshine of Tedium Bay,
hot in his blue serge uniform but self-
assured because Navy Regulations pre
scribed blues when reporting for duty.
Despite the discomfort of a perspiration-
soaked shirt and a wilted collar, Ensign
Keith immediately showed the crew that
they would have to follow naval regula
tions if he had his way aboard ship.
One night, however, while he was on
watch, he came upon a drinking and
gambling party presided over by Chief
Dowdy. Keith was hoodwinked by the
men into trying some of their drink.
Not much later, under the influence of
Chief Dowdy's "pineapple juice," Keith
had become roaring drunk, all regula-
MISTER ROBERTS by Thomas Heggen. By permission of the author and the publishers, Hougkton Mifflin Co.
Copyright, 1946, by Thomas Heggen.
605
tions and service barriers forgotten. His
initiation completed, Ensign Keith never
again referred to rules and regulations.
At a forward area island base, where
the Reluctant had docked to unload
cargo, the crew quickly learned that the
military hospital was staffed by real live
nurses.' Every available binocular, tele
scope, and range-finder on board was soon
trained on the nurses quarters. Interest
rose to fever-pitch when it was dis
covered that a bathroom window shade
in quarters was never lowered. Officers
and men soon came to know the nurses
by their physical characteristics, if not by
formal introduction. One day a nurse
came aboard and overheard two seamen
making a wager concerning her physical
characteristics. That same day the bath
room shade was lowered, never to be
raised again.
For days in advance the ship's com
plement planned their shore leave in
Elysium, a civilized port of call. Seaman
Bookser, the spiritual type, wras the butt
of many jokes concerning his liberty
plans. At Elysium half of the men
were given shore leave. From sundown
until the following dawn they were
brought back by jeep and truck. They
had fought with army personnel, in
sulted local citizens, stolen government
property, wrecked bars and saloons, and
damaged the house of the French consul.
Further shore leave was canceled. Book
ser, the spiritual seaman, was driven up
to the dock in a large car on the day
of departure. Beside him was a beautiful
young woman whom he kissed long and
passionately before leaving her. Aston
ished at Bookser and proud of him at the
same time, the crew made him the hero
of the stop at Elysium.
Roberts listened to V-E Day reports
on the ship's radio. The apathy of his
fellow officers toward events happening
in Europe led him to pitch the captain's
pet potted palm overboard late that
night. At the same time Roberts stirred
up the noise-hating captain by slamming
a lead stanchion against a stateroom
bulkhead. Roberts was not caught, nor
did he give himself up during the cap
tain's mad search for the culprit. The
crew manufactured a medal and pre
sented it to Roberts for valor above and
beyond the call of duty — a seaman had
seen Roberts in action on V-E night.
Frank Thompson, a radio man and
the ship's monopoly expert, was informed
by wire that his baby, whom he had
never seen, had died in California.
Thompson, anxious to go to the funeral
and to be with his wife, applied for
permission to fly to the States. The cap
tain refused. Roberts advised him to go
to a nearby island to see the chaplain
and the flag secretary. Thompson went,
but he was told that no emergency
leave could be permitted without his
captain's approval. He then walked
alone in a deserted section of the island
for several hours before he returned to
the Reluctant and took his usual place
at the head of the monopoly table.
Not long after V-E Day, Roberts re
ceived orders to report back to the States
for reassignment. The night before he
left the Reluctant he spent with his
special friends among officers and men,
drinking punch made of crew-concocted
raisin brew and grain alcohol from dis
pensary supplies. The effect of Roberts'
leaving the ship was immediate. No
longer was there a born leader aboard.
All functions and activities in ship's
routine went wrong; no longer was there
any one man upon whom the officers
could depend to maintain their balance
in the tedium of a dull tropic supply
run. No longer did the enlisted men
have an officer upon whom they could
depend as a link between them and the
ship's authorities.
Roberts was assigned to duty aboard
a destroyer which was part of a task
force bombarding the Japanese home
islands. Not long before V-J Day, En
sign Pulver received a letter from a
friend aboard the same ship. The letter
stated that a Japanese kamikaze plane
had broken through anti-aircraft de-
606
fenses and had crashed into the bridge
of the destroyer. Among those killed in
the explosion was Roberts, who was in
the officers' mess drinking coffee with
another officer. Mr. Roberts had seen
action at last
MRS. DALLCWAY
Type of work: Novel
Author. Virginia Woolf (1882-1941)
Type of plot: Psychological realism
Ti-meofplot: 1920's
Locale: London
First published: 1925
Principal characters:
CLARISSA DALLOWAY
RICHABD DALLOWAY, her husband
PETER WALSH, a former suitor
ELIZABETH, Mrs. Dalloway's daughter
Miss KZLMAN, Elizabeth's friend
SALLY SETON, an old friend of Clarissa and Peter
Critique:
Mrs. Dalloway is a cleverly written
book. The author has used the stream-
of-consciousness method, encompassing
within a single day the activities of Cla
rissa Dalloway's life and the lives of other
people as well. There is little action but
much intense probing of memory.
The Story:
Mrs. Clarissa Dalloway went to make
last-minute preparations for an evening
party. During her day in the city she
enjoyed the summer air, the many sights
and people, the general bustle of Lon
don. She met Hugh Whitbread, now a
court official, a handsome and sophisti
cated man. She had known Hugh since
her youth, and she knew his wife,
Evelyn, as well, but she did not partic
ularly care for Evelyn. Other people
came down to London to see paintings, to
hear music, or to shop. The Whitbreads
came down to consult doctors, for Evelyn
was always ailing.
Mrs. Dalloway went about her shop
ping. While she was in a flower shop,
a luxurious limousine pulled up outside.
Everyone speculated on the occupant
behind the drawn curtains of the car.
Everywhere the limousine went, it was
followed by curious eyes. Mrs. Dallo
way, who had thought that the queen
was inside, felt that she was right when
the car drove into the Buckingham Pal
ace grounds.
The sights and sounds of London re
minded Mrs. Dalloway of many things.
She thought back to her youth, to the
days before her marriage, to her husband,
to her daughter Elizabeth. Her daughter
was indeed a problem and all because
of that horrid Miss Kilman who was
her friend. Miss Kilman was something
of a religious fanatic, who scoffed at the
luxurious living of the Dalloways and
felt sorry for Mrs. Dalloway. Mrs. Dallo
way hated her. Miss Kilman was not
at all like the friend of her own girlhood.
Sally Seton had been different. Mrs.
Dalloway had really loved Sally.
Mrs. Dalloway wondered what love
really was. She had loved Sally, but she
had loved Richard Dalloway and Petei
Walsh, too. She had married Richard,
and then Peter had left for India. Later
she learned that he had married some
one he met on shipboard. She had heard
little about his wife since his marriage.
MRS. DALLOWAY by Virginia Woolf. By permission of the publishers, Harcourt, Brace & Co., Inc. Copyright,
1925, by Harcourt, Brace & Co., Inc.
607
But die day was wonderful and life it
self was wonderful. The war was over
and she was giving a party.
While Mrs. Dalloway was shopping,
Septimus Smith and his wife were sit
ting in the park. Septimus had married
Lucrezia while he was serving in Italy,
and she had given up her family and
her country for him. Now he frightened
her because he acted so queerly and
talked of committing suicide. The doc
tor said that there was nothing ivrong
with him, nothing wrong physically.
Septimus, one of tie first to volunteer
for war duty, had gone to war to save
his country, the England of Shakespeare.
When he got back, he was a war hero
and he was given a good job at the
office. They had nice lodgings and
Lucrezia was happy. Septimus began
reading Shakespeare again. He was un
happy; he brooded. He and Lucrezia
had no children. To Septimus the world
was in such horrible condition that it
was unjust to bring children into it.
When Septimus began to have visita
tions from Evans, a comrade who had
been killed in the war, Lucrezia became
even more frightened and she called in
Dr. Holmes. Septimus felt almost com
pletely abandoned by that time. Lucrezia
could not understand why her husband
did not like Dr. Holmes, for he was so
kind, so much interested in Septimus.
Finally she took her husband to Sir
William Bradshaw, a wealthy and noted
psychiatrist Septimus had had a bril
liant career ahead of him. His employer
spoke highly of his work. No one knew
why he wanted to kill himself. Septimus
said that he had committed a crime, but
his wife said that he was guilty of ab
solutely nothing. Sir William suggested
a place in the country, where Septimus
would be by himself, without his wife.
It was not, Sir William said, a question
of preference. Since he had threatened
suicide, it was a question of law.
In the meantime Nks. Dalloway re
turned home. Lady Bruton had invited
Richard Dalloway to lunch. Mrs. Dal
loway had never liked Millicent Bruton;
she was far too clever. Then Peter
Walsh came to call, and Mrs. Dalloway
was surprised and happy to see him
again. She introduced him to her Eliz
abeth. He asked Mrs. Dalloway if she
were happy; she wondered why. When
he left, she called out to him not to
forget her party. Peter thought, Clarissa
Dalloway and her parties! That was
all life meant to her. He had been
divorced from his wife and had come to
England. For him, life was far more
complicated. He had fallen in love with
another woman, one who had two
children, and he had come to London
to arrange for her divorce and to get
some sort of a job. He hoped Hugh
Whitbread would find him one, some
thing in the government.
That night Clarissa Dalloway 's party
was a great success. At first she was
afraid that it would fail. But at last
the prime minister arrived and her eve
ning was complete. Peter was there, and
Peter met Lady Rossetter. Lady Rosset-
ter turned out to be Sally Seton. She
had not been invited, but had just
dropped in. She had five sons, she told
Peter. They chatted. Then Elizabeth
came in and Peter noticed how beautiful
she was.
Later, Sir William Bradshaw and his
wife entered. They were late, they ex
plained, because one of Sir William's
patients had committed suicide. For
Septimus Smith, feeling altogether
abandoned, had jumped out of a win
dow before they could take him into the
country. Clarissa was upset. Here was
death, she thought. Although the suicide
was completely unknown to her, she
somehow felt it was her own disaster,
her own disgrace. The poor young man
had thrown away his life when it became
useless. Clarissa had never thrown away
anything more valuable than a shilling
into the Serpentine. Yes, once she had
stood beside a fountain while Peter
Walsh, angry and humiliated, had asked
her whether she intended to marry
608
Richard. And Richard had never been
prime minister. Instead, the prime min
ister came to her parties. Now she was
growing old. Clarissa Dalloway knew
herself at last for the beautiful, charm
ing, inconsequential person she was.
Sally and Peter talked on. They
thought idly of Clarissa and Richard, and
wondered whether they were happy to
gether. Sally agreed that Richard had
improved. She left Peter and went to
talk with Richard. Peter was feeling
strange. A sort of terror and ecstasy took
hold of him, and he could not be cer
tain what it was that excited him so sud
denly. It was Clarissa, he thought. Even
after all these years, it must be Clarissa.
MOBY DICK
Type of work: Novel
Author: Herman Melville (1819-1891)
Type, of plot: Symbolic allegory
Time of plot: Early nineteenth century
Locale: The high seas
First published: 1851
Principal characters:
ISHMAEL, the narrator
QUEEQUEG, a savage harpooner
AHAB, captain of the Pequod
STARBUCK, the first mate
STUBB, the second mate
FEPAT.T.ATT, Captain AhaVs Parsee servant
Critique:
Moby 'Dick, or, The White Whale is
undoubtedly one of the finest novels in
American literature. On one level it has
an appeal for children, and on another a
deep and penetrating significance for all
men. Melville intended to indicate in
this work the disaster which must result
when man constitutes himself a god and
sets out to eliminate a force established
by God throughout the universe. The
whale symbolizes evil, but Ahab, in be
lieving that alone he could hope to de
stroy it, was also evil. Here is a universal
problem, handled with skill and under
standing.
The Story:
Ishmael was a schoolmaster who often
felt that he must leave his quiet existence,
and go to sea. Much of his life had been,
spent as a sailor, and his voyages were
a means for ridding himself of the rest
lessness which frequently seized him.
One day he decided that he would sign
on a whaling ship, and packing his car
petbag he left Manhattan and set out,
bound for Cape Horn and the Pacific.
On his arrival in New Bedford he went
to the Spouter Inn near the waterfront
to spend the night. There he found he
could have a bed only if he consented
to share it with a harpooner. His strange
bedfellow frightened him when he en
tered the room, for Ishmael was certain
that he was a savage cannibal. After a
few moments, however, it became evi
dent that the native, whose name was
Queequeg, was a friendly person, for he
E resented Ishmael with an embalmed
ead and offered to share his fortune of
thirty dollars. The two men quickly
became friends, and decided to sign on
the same ship.
After some difficulty, they were both
signed on as harpooners aboard the
Pecjuod, a whaler out of Nantucket. Al
though several people seemed dubious
about the success of a voyage on a vessel
such as the Pequod was reported to be,
under so strange a man as Captain. Ahab.
609
neither Ishmael nor Queequeg had any
intention of giving up their plans. They
were, however, curious to see Captain
Ahab.
For several days after the vessel had
sailed there was no sign of the captain,
as he remained hidden in his cabin. The
ninning of the ship was left to Starbuck
and Stubb, two of the mates, and al
though Ishmael became friendly with
them, he learned very little more about
Ahab. One day, as the ship was sailing
southward, the captain strode out on
deck. Ishmael was struck by his stern,
relentless expression. In particular, he
noticed that the captain had lost a leg
and that instead of a wooden leg he now
wore one cut from the bone of the jaw
of a whale. A livid white scar ran down
one side of his face and was lost beneath
his collar, so that it seemed as though he
were scarred from head to foot.
For several days the ship continued
south looking for the whaling schools.
The sailors began to take turns on mast
head watches to give the sign when a
whale was sighted. Ahab appeared on
deck and summoned all his men around
him. He pulled out an ounce gold piece,
nailed it to the mast, and declared that
the first man to sight the great white
whale, known to the sailors as Moby
Dick, would have the gold. Everyone
expressed enthusiasm for the quest ex
cept Starbuck and Stubb, Starbuck espe
cially deploring the madness with which
Ahab had directed all his energies to this
one end. He told the captain that he
was like a man possessed, for the white
whale was a menace to those who would
attempt to kill him. Ahab had lost his
leg in his last encounter with Moby
Dick; he might lose his life in the next
meeting. But the captain would not lis
ten to the mate's warning. Liquor was
brought out, and at the captain's orders
the crew drank to the destruction of
Moby Dick.
Ahab, from what he knew of the last
reported whereabouts of the whale,
plotted a course for the ship which would
bring it into the area where Moby Dick
was most likely to be. Near the Cape
of Good Hope the ship came across a
school of sperm whales, and the men
busied themselves harpooning, stripping,
melting, and storing as many as they
were able to catch.
When they encountered another whal
ing vessel at sea, Captain Ahab asked for
news about the white whale. The cap
tain of the ship warned him not to at
tempt to chase Moby Dick, but it was
clear by now that nothing could deflect
Ahab horn the course he had chosen.
Another vessel stopped them, and the
captain of the ship boarded the Pequod
to buy some oil for his vessel. Captain
Ahab again demanded news of the whale,
but the captain knew nothing of the
monster. As the captain was returning
to his ship, he and his men spotted a
school of six whales and started after
them in their rowboats. While Starbuck
and Stubb rallied their men into the
Pequod's boats, their rivals were already
far ahead of them. But the two mates
urged their crew until they outstripped
their rivals in the race and Queequeg
harpooned the largest whale.
Killing the whale was only the begin
ning of a long and arduous job. After
the carcass was dragged to the side of the
boat and lashed to it by ropes, the men
descended the side and slashed off the
blubber. Much of the body was usually
demolished by sharks, who streamed
around it snapping at the flesh of the
whale and at each other. The head of
the whale was removed and suspended
several feet in the air, above the deck of
the ship. After the blubber was cleaned,
it was melted in tremendous try-pots, and
then stored in vats below deck.
The men were kept busy, but their
excitement increased as their ship neared
the Indian Ocean and the probable sport
ing grounds of the white whale. Before
long they crossed the path of an English
whaling vessel, and Captain Ahab again
demanded news of Moby Dick. In an
swer, the captain of the English ship
610
held out his arm, which from the elbow
down consisted of sperm whalebone.
Ahab demanded that his boat be lowered
at once, and he quickly boarded the deck
o£ the other ship. The captain told him
of his encounter, and warned Captain
Ahab that it was foolhardy to try to pur
sue Moby Dick. When he told Ahab
where he had seen the white whale last,
the captain of the Pequod waited for no
civilities, but returned to his own ship
to order the course changed to carry him
to Moby Dick's new feeding ground.
Starbuck tried to reason with the mad
captain, to persuade him to give up this
insane pursuit, but Ahab seized a rifle
and in his fury ordered the mate out of
his cabin.
Meanwhile, Queequeg had fallen ill
with a fever. When it seemed almost
certain he would die, he requested that
the carpenter make him a coffin in the
shape of a canoe, according to the cus
tom of his tribe. The coffin was then
placed in the cabin with the sick man,
but as yet there was no real need for it.
Queequeg recovered from his illness and
rejoined his shipmates. He used his
coffin as a sea chest and carved many
strange designs upon it.
The sailors had been puzzled by the
appearance early in the voyage of the
Parsee, Fedallah. His relationship to the
captain could not be determined, but
that he was highly regarded was evident.
Fedallah had prophesied that the captain
would die only after he had seen two
strange hearses for carrying the dead
upon the sea, one not constructed by
mortal hands, and the other made of
wood grown in America. But he said that
the captain himself would have neither
hearse nor coffin for his burial.
A terrible storm arose one night.
Lightning struck the masts so that all
three flamed against the blackness of the
night, and the men were frightened by
this omen. It seemed to them the hand
of God was motioning them to turn from
the course to which they had set them
selves and return to their homes. Only
Captain Ahab was undaunted by the
sight. He planted himself at the foot
of the mast and challenged the god of
evil which the fire symbolized for him.
He vowed once again his determination
to find and kill the white whale.
A few days later a cry rang through
the ship. Moby Dick had been spotted.
The voice was Captain Ahab's, for none
of the sailors, alert as they had been,
had been able to sight him before their
captain. Then boats were lowered and
the chase began, with Captain Ahab's
boat in the lead. As he was about to
dash his harpoon into the side of the
mountain of white, the whale suddenly
turned on the boat, dived under it, and
split it into pieces. The men were thrown
into the sea, and for some time the
churning of the whale prevented rescue.
At length Ahab ordered the rescuers to
ride into the whale and frighten him
away, so he and his men might be picked
up. The rest of that day was spent
chasing the whale, but to no avail.
The second day the men started out
again. They caught up with the whale
and buried three harpoons in his white
flanks. But he so turned and churned
that the lines became twisted, and the
boats were pulled every way, with no
control over their direction. Two of them
were splintered, and the men hauled out
of the sea, but Ahab's boat had not as
yet been touched. Suddenly it was lifted
from the water and thrown high into the
air. The captain and the men were
quickly picked up, but Fedallah was no
where to be found.
When the third day of the chase began,
Moby Dick seemed tired, and the Pe-
quod's boats soon overtook him. Bound
to the whale's back by the coils of rope
from the harpoon poles they saw the body
of Fedallah. The first part of his proph
ecy had been fulfilled. Moby Dick, en
raged by his pain, turned on the boats
and splintered them. On the Pequod
Starbuck watched and turned the ship
toward the whale in the hope of saving
the captain and some of the crew. The
611
infuriated monster swam directly into the
Pequod, shattering the ship's timbers.
Ahab, seeing the ship founder, cried out
that the Peqiiod — made of wood grown
America — was the second hearse of
in
Fedallah's prophecy. The third prophecy,
Ahab's death by hemp, was fulfilled
when rope from Ahab's harpoon coiled
around his neck and snatched him from
his boat. All except Ishmael perished. He
was rescued by a passing ship after cling
ing for hours to Queequeg's canoe-cof
fin, which had bobbed to the surface as
the Pequod sank.
A MODERN COMEDY
Type of -irorfe: Novel
Author: John Galsworthy (1867-1933)
Type of flat: Social chronicle
Time of 'plot: 1922-1926
Locale: England and America
First published: 1924, 1926, 1928
Principal characters:
SOAMES FORSYTE, the man of property
FLEOE MONT, his daughter
MICHAEL MONT, his son-in-law
JON FORSYTE, Fleur's former lover
MABJOBTE FERRAR, an acquaintance of Fleur
Critique:
A Modern Comedy is part of the
Forsyte Chronicles (1886-1926), in
which Galsworthy pictures the life of
a large, upper middle-class family against
a carefully detailed background of Eng
lish life. Solid and very readable, this
novel is important as a social document
aside from its value as literature. The
volume is composed of three long sec
tions — The White M-Oinkey, The Silver
Spoon, and Swan Song — originally pub
lished as separate novels, and two inter
ludes. Galsworthy's social history is valu
able as a record of the various currents
of British life in the 1920's.
The Story:
Soarnes Forsyte was a member of the
board of the Providential Premium Reas
surance Society. Against his better judg
ment, the society had invested much
of its holdings in foreign securities. Be
cause the European exchange was so
unstable, Soames insisted that the report
to the stockholders be detailed. Not long
afterward, Butterfield, a clerk in the
P.P.R.S. office, overheard a conversation
between Elderson, the manager, and a
German. The German insisted that
Elderson, who had received commissions
on the society's investments in Germany,
should see to it that the board made
good any losses if the mark fell in value.
Accused of bribery, Elderson denied the
charge and dismissed Butterfield. When
pressed, however, Elderson escaped to the
continent. The stockholders were out
raged that the board had permitted Elder-
son to get away. Although Soames ex
plained that any early revelation of the
manager's dishonesty would have been
futile, he received very little support
from his listeners. He resigned from the
board.
Michael Mont, Soames* son-in-law, was
a publisher. When Butterfield lost his
job with the P.P.R.S., Soames asked
Michael to give the clerk employment.
Butterfield prospered as a salesman of
special editions.
Michael's wife, Fleur, had been spoiled
by her father. She was restless, pas
sionate, and not in love with her hus
band. Wilfred Desert, an artist, was
A MODERN COMEDY by John Galsworthy. By permission of the publishers, Charles Scribner's Sons. Copy-
right, 1928, by John Galsworthy.
612
deeply in love with her, but she knew
that he could provide only adventure,
not love. Wilfred finally left the country
for Arabia. For a time the relationship of
Michael and Fleur appeared happier,
and Fleur gave birth to a son, whom they
named Christopher.
Before she married Michael, Fleur
had been in love with her cousin, Jon
Forsyte, but because of a family feud
she could not marry him. Jon had gone
to America, where he fell in love with
a Southern girlt Anne Wilmot, and mar
ried her.
A year or so after Christopher's birth,
Michael entered Parliament. To help
her husband and to provide her?elf with
diversion, Fleur entertained many prom
inent people. One night Soames over
heard one of Fleur's guests, Marjorie
Ferrar, speak of her as a snob. He asked
Marjorie to leave the house. Fleur was
impatient with her father for interfering,
but she criticized Marjorie for creating
an unpleasant scene. Marjorie demanded
an apology. After an offer of settlement
from Soames, Marjorie still insisted on
the apology and took her suit into court,
Soames and his lawyer managed to prove
that Marjorie was a woman of irresponsi
ble morals. Fleur won the case, but the
victory brought her so many snubs from
former friends that she was more unhappy
than ever.
Francis Wilmot, whose sister Anne
had married Jon, arrived from America
to see what England was like. He stayed
for a time with Fleur and Michael but,
having fallen in love with Marjorie
Ferrar, he moved out after the un
pleasantness between Marjorie and Fleur.
Marjorie refused to marry him, however,
and go to what she felt would be a dull
life in America. Francis contracted pneu
monia in a lonely hotel and would have
died but for the kindliness of Fleur.
He recovered and went back to America.
Fleur, discontented with her life in
London, persuaded Soames to take her
on a trip around the world. Michael
could not leave until the current session
of Parliament had adjourned. He was
fostering Foggartism — a plan for a re
turn to the land and for populating the
dominions with the children of the Brit
ish poor — and he felt that he must remain
in London. It was arranged that he
would meet Reur and Soames in Van
couver £ve months later. Meanwhile,
little Christopher would be in the care
of his grandmother, Soames' wife.
While in Washington, Fleur, Michael,
and Soames stayed at the hotel where
Jon Forsyte and his mother, Irene, were
also staying. It was Soames' first sight of
his divorced wife in many years. He
kept discreetly in the background, how
ever, and saw to it that Fleur did not
encounter Jon.
Back in London, with the Marjorie
Ferrar affair almost forgotten, Fleur was
eager for activity. When the general
strike of 1926 began, she opened a can
teen for volunteer workers. One day she
saw Jon there. He had come over from
France to work during the strike. Jon's
conscience would not let him fall in love
again with Fleur, but she managed to
be near him as often as she could. After
a single night together, Jon wrote that
he could not see her again.
Foggartism having met with high dis
favor and unpopularity, Michael became
interested in slum improvement. Fleur,
still smarting from Jon's rebuff, estab
lished a country rest home for working
girls. Michael's work had taught him
that the poor would never have con
sented to part with their children, even
though keeping them would always mean
privation and suffering. He realized that
he was well out of Foggartism.
Soames, unhappy in an environ
ment of post-war confusion and family
unrest, spent more and more time among
his collection of great paintings. One
night, awakened by the odor of smoke,
he discovered that his picture gallery
was on fire. With the aid of his chauf
feur, he managed to save many of his
pictures by tossing them out the window-
At last, when they could stay in the room
613
no longer, they went outside, where
Soames directed the firemen as well as
he could. Then he saw that one of his
heavily framed pictures was about to fall
from the window above. He also saw
that Fleur was deliberately standing
where the frame would fall on her. He
ran to push her out of the way, and
received the blow himself. He died from
exhaustion and from the injury. Fleur
was further desolated because she knew
that her own desire for death had killed
her father. The death of Soames brought
her to her senses, however. Michael was
assured that her affair with Jon was
over forever.
MOLL FLANDERS
Tyfe of work: Novel
Author: Daniel Defoe (1661?-1731)
Type of plot: Picaresque romance
Time of plot: Seventeenth century
Locale: England and the American colonies
First published; 1722
Principal characters:
MOLL FLANDERS, a female rogue
ROBIN, her first husband
A SEA CAPTAIN, Moll's half-brother and husband
JEMMY E., a rogue
Critique:
The complete original tide of this re
markable volume was as follows: The
Fortunes and Misfortunes of the famous
Moll Flanders, who was 'born in New
gate, and during a life of continued vari
ety, for threescore years, besides her child
hood, was twelve years a Whore, five
times a Wife (thereof once to her own
brother*), twelve years a Thief, eight
years a transported Felon in Virginia, at
last grew rich, lived honest, and died a
penitent* Written from her own Mem
orandums. As this title suggests, the hero
ine of the story is perhaps the world's
best-known female picaroon. Lite the
story of Robinson Crusoe, this book is so
convincingly written, with such a wealth
of intimate detail, the reader feels it must
be true.
The Story:
When her mother was transported to
the colonies as a felon, eighteen-month-
old Moll Flanders was left without family
or friends to care for her. For a time she
was befriended by a band of gipsies,
who deserted her in Colchester. There
the child was a charge of the parish. Be
coming a favorite of the wife and daugh
ters of the mayor, Moll received gentle
treatment and no little attention and
flattery.
At the age of fourteen Moll Flanders
was again left without a home. When her
indulgent instructress died, she was taken
in service by a kindly woman of means,
receiving instruction along with the
daughters of the family. In all but wealth
Moll was superior to these daughters.
During her residence there she lost her
virtue to the oldest son of the family and
secredy became his mistress. Later when
Robin, the youngest son, made her a pro
posal of marriage, she accepted him. At
the end of five years Robin died. Soon
afterward Moll married a spendthrift
draper, who quickly went through her
savings and was imprisoned. In the mean
time Moll took lodgings at the Mint.
Passing as a widow, she called herself
Mrs. Flanders.
Her next venture in matrimony was
with a sea captain with whom she sailed
to the Virginia colony. There she dis
covered to her extreme embarrassment
that she was married to her own half-
614
brother. After eight years of residence
in Virginia she returned to England to
take up her residence at Bath. In due
time she became acquainted with a
gentleman whose wife was demented.
Moll helpfully nursed him through a
serious illness. Later she became his
mistress. When she found herself with
child she made arrangements for her
lying-in, sent the child to nurse, and re
joined her companion. During the six
years in which they lived together, she
gave birth to three children and saved
enough money to support herself after
the gentleman had regretted his indiscre
tions and left her.
Next the ambitious girl met a banker
with whom she carried on a mild flirta
tion. However, she left him to marry an
Irishman named Jemmy E., supposedly
a very wealthy gentleman of Lancashire.
Moll had allowed him to believe she had
means. She soon learned that her new
husband was penniless. He had played
on her the same trick she had used on
him. Both rogues, they were a congenial
couple, but eventually they decided to
separate; he to follow his unlawful pro
fession of highway robbery, she to re
turn to the city. After Jemmy had left
her, Moll found that she was again to
become a mother. Lying-in at the house
of a midwife, Moll was delivered of a
healthy boy who was boarded out.
In the meantime Moll Flanders had
been receiving letters from her admirer,
the bank clerk. They met at an inn and
were married there. On the day after
the ceremony she saw her Lancashire
husband, the highwayman, in the court
yard of the inn, and she was able to save
him from arrest. For five years, until his
death, Moll lived with the banker in
great happiness. After his death she sold
her property and took lodgings. Forty-
eight years old and with two children
as dependents, she was prompted by the
devil to steal a bundle from an apothe
cary shop. Next she stole a necklace
from a pretty little girl on her way home
from dancing school. Thus Moll Flanders
embarked on a twelve-year period as a
thief. Sometimes she disguised herself
in men's clothing. A chance encounter
with a gentleman at Bartholomew Fair
resulted in an affair which the two car
ried on for some time. Moll became,
after a period of apprenticeship, the rich
est thief in all England. Her favorite
disguise was that of a beggar woman.
Finally she was seized while trying to
steal two pieces of silk brocade and was
imprisoned in Newgate prison. There
she saw again her former husband, the
highwayman, committed at Newgate for
a robbery on Hounslow Heath. Before
going up for trial and sentence, Moll re
pented of her sins; nevertheless she was
sentenced to death by the court. But
through the kind offices of a minister,
Moll Flanders, now truly repentant, was
given a reprieve. The next day she
watched her fellow prisoners being car
ried away in carts for the fate which had
been spared her. She was finally sen
tenced to transportation to America.
The highwayman, with whom she had
become reconciled, was awarded a like
sentence. The pair embarked for Vir
ginia in the same ship, having made all
arrangements for a comfortable journey,
and stocked themselves with the tools and
materials necessary for running a planta
tion in the new world. Forty-two days
after leaving an Irish port they arrived
in Virginia. Once ashore, Moll found
that her mother had died. Her brother,
whom she had once married, and her son
were still living near the spot where she
had disembarked.
Not yet wishing to meet her relatives,
and not desiring to be known as a trans
ported criminal in America, she arranged
for transportation to the Carolina colony.
After crossing Chesapeake Bay, she and
the highwayman found the ship already
overloaded. They decided to stay in
Maryland and set up a plantation there.
With two servants and fifty acres of land
under cultivation, they soon prospered.
Then Moll arranged an interview with
her son in Virginia across the bay.
615
In due course she learned that her
mother had willed her a plantation on
the York River, a plantation complete
with stock and sen-ants. To her son she
presented one of the stolen watches which
she had brought from London. After
five weeks she returned to Maryland,
where she and her husband became
wealthy and prosperous planters of good
repute throughout all the colonies. This
prosperity was augmented by the arrival
of a second cargo of goods from England,
for which Moll had arranged before she
sailed. In the meantime the man who
had been both brother and husband to
Moll died and she was able to see her
son without any embarrassment.
At the age of seventy years, Moll
returned to England. Her husband soon
joined her there, and they resolved to
spend the rest of their lives in repentance
for their numerous sins.
MONSIEUR BEAUCAIRE
Type of work: Novelette
Author: Booth Tarkington (1869-1946)
Type of plot: Period romance
Time of plot: Early eighteenth century
Locale: Bath, England
First published: 1900
Principal characters:
LOUIS-PHELLTPE DE VALOIS, Duke of Orleans, alias Victor, M. Beaucaire,
and M. de Chateaurien; nephew of King Louis XV of France
DUKE DE WINTERSET, an English scoundrel
LAJ>Y MARY CARLISLE, a shallow aristocrat
MOLYNEAUS^ a sympathetic Englishman
BEAU NASH, social arbiter of Bath
Critique:
Booth Tarkington achieved interna
tional fame with the appearance of this
slight and romantic story of disguise and
intrigue. The truism embodied in Mon
sieur Beaueaire — that a man's name is
unimportant, that it is the man himself
who is important — is proved delightfully
enough, not by a nobody but by a real
prince, and at the expense of a snob
bish English aristocracy. Beaucaire duels
twice in Tarkington's Bath; in the histori
cal Bath dueling was outlawed by social
arbiter Beau Nash. The story was
dramatized in 1901.
The Story:
Victor, alias Monsieur Beaucaire, the
barber of the French ambassador to Eng
land, gambled with the socially elite of
Bath for any amount. It was the early
eighteenth century, when Bath society
was under the leadership of Beau Nash.
One night M. Beaucaire caught the
English Duke de Winterset cheating at
his table. But instead of hush money,
Beaucaire exacted Winterset's promise
to take him, a barber in disguise, to Lady
Malbourne's ball, and there to introduce
him to the young and beautiful Lady
Mary Carlisle.
Winterset was disgusted beyond words,
for he was sure the barber would be
recognized and he himself shamed be
fore his acquaintances. Beaucaire then
shed the disguise he wore and appeared
before Winterset as an entirely different
person. He declared that he would be
Monsieur le Due de Chateaurien.
It was dawn when the ball ended.
The gallant M. de Chateaurien, assist
ing Lady Mary to her sedan chair,
begged her for a rose. She refused but
managed to drop a flower to the ground
for him to retrieve. Within a short time
MONSIEUR BEAUCAIRE by Booth Tarkington. By permission of Brandt & Brandt and the publishers, Harper
& Brothers. Copyright, 1899, by Doubleday, Page & Co. Renewed, 1926, by Booth Tarkington.
616
M. de Chateaurien became, along with
Winterset, the cynosure of Bath society.
But Winterset planned revenge for the
way in which this upstart barber had
blackmailed him. Unable to expose Beau-
caire without ruining his own reputation,
Winterset had a captain in his debt pro
voke M. de Chateaurien by insulting
French womanhood. In the ensuing
duel, Chateaurien was victorious; he sent
Winterset a basket of roses. Another of
Winterset's minions then daringly sug
gested that M. de Chateaurien was an
impostor. The Frenchman, avowedly
fighting to defend the honor of his spon
sor, Winterset, was victorious a second
time.
All the while M. de Chateaurien
gained favor with Lady Mary. After a
grand fete he was granted the privilege
of riding beside her coach. As they
talked, Lady Mary more than tacitly con
fessed her love for the supposed duke.
Armed and masked horsemen suddenly
attacked M. de Chateaurien and shouted
that they intended to kill the barber. He
defended himself skillfully, but was
finally overcome by superior numbers. As
he was being prepared for a lashing, his
servants rode up in force and dispersed
the attackers. Winterset, who was the
leader of the attackers, returned to the
coach and disclosed to Lady Mary that
M. de Chateaurien was an impostor who
had blackmailed Winterset into spon
soring his introduction to Bath society.
To the horror of Lady Mary, M. de
Chateaurien confessed that he was really
a barber. Also he promised to see Winter-
set at the assembly in a week's time.
The assembly progressed under the
watchful eye of Beau Nash. The Cha
teaurien affair was on every tongue, and
Winterset, now the hero of Bath, was
again Lady Mary's favorite. Beau Nash
assured Winterset that the house and
grounds were being guarded, that it
would be impossible for the ridiculous
barber to enter.
As the Marquis de Mirepoix, the
French ambassador, and the Comte de
Beaujolais entered the house, Lady Marj
retired to a side room where she dis
covered Molyneaux, a Bath dandy, and
M. de Chateaurien playing cards. She
vilified Molyneaux for associating with a
common barber, and she refused to heed
M. de Chateaurien's plea to her to con
sider him not as a name, but as a man.
Winterset, upon being told of the
barber's presence at the assembly, pre
pared to eject the impostor forcibly. The
decorations and orders on the French
man's chest aroused indignation among
the English gentry. Molyneaux returned
from the ballroom with the Comte de
Beaujolais, who addressed M.de Chateau
rien as Phillipe. It soon became evident
that M, de Chateaurien and de Beaujolais
were brothers, and that de Beaujolais had
come to England to escort Phillipe back
to France now that certain family prob
lems had been resolved.
M. de Chateaurien, or Prince Louis-
Phillipe de Valois, Duke of Orleans,
shamed the Englishmen present for their
blindness. He said that the humblest
French peasant would have recognized
his high nobility if he had seen the
sword fight of a week previous. He ex
posed Winterset as a base coward and
a cheat. When Lady Mary asked the
prince's forgiveness, he said that he
would return to France and marry the
lady that his uncle, King Louis XV, had
chosen for him; he was sure that she
would accept him whether he were Vic
tor, the barber; M. Beaucaire, the gam
bler; M. Chateaurien, the gentleman, or
Prince Louis-Phillipe, nephew of the
king.
617
MONT-ORIOL
Type of work: Novel
Author: Guy de Maupassant (1850-1893)
Type of plot: Social satire
Time of plot: Mid-nineteenth, century
Locale: Auvergne, France
First published: 1887
Principal characters:
CHRISTTANE ANDERMATT, a young married woman
PAUL BRETIGNY, Christiane's lover
WILLIAM ANDERMATT, Christiane's husband
GONTRAN DE RAVENEL, Christiane's brother
FATHER OBIOL, a wealthy peasant landowner
CHARLOTTE, and
LOUISE, OrioFs daughters
Critique:
There are two stories told in Mont-
OrioL One deals with the love intrigues
of Christiane Andennatt, her brother, and
her lover. The other describes the finan
cial scheming of William Andennatt,
Father Oriol, and the physicians at the
health resort. The fact that the love
affair carried on by Christiane and Paul
Bretigny is often melodramatic and un
convincing is more than compensated
for, however, by the skill and humor with
which some of the minor characters, such
as the crafty Oriol and Christiane's witty
brother Gontran, are drawn,
The Story:
The Marquis of Ravenel, who was an
enthusiastic patron of the baths at Enval,
persuaded ins young daughter Chris
tiane and her husband, William Ander-
matt, to join him. On the advice of one
of the doctors at the spring, Christiane
agreed to take a series of baths, internal
and external, in the hope that they would
cure her childlessness.
When the young couple arrived, they
were joined by Christiane's spendthrift
brother Gontran and his friend, Paul
Bretigny, who had come to the country
to recover from a disappointing love af
fair. During their stay, learning that
Father Oriol, a wealthy peasant land
owner of the district, was going to blast
out a huge rock which hindered cultiva
tion of his fields, the party went to watch
the event.
To everyone's surprise, a spring came
gushing from the ground after the ex
plosion. Andennatt decided that if the
water were of medicinal value he would
make Oriol an offer for it, for he hoped
to build an establishment that would give
the existing baths heavy competition*
That same evening Andennatt, accom
panied by Gontran, went to the Oriol
house and placed his proposal before
the peasant.
Oriol, whose bargaining ability was
also one to be reckoned with, decided
that he would have to be careful not
to ask too much for the spring and the
fields around it; on the other hand, he
would not let the possibility of obtaining
great wealth slip from his grasp. To in
flame Andermatt's desire, he engaged a
beggar named Clovis to help him. Clo-
vis, who engaged in poaching by night
and feigned rheumatism by day to escape
the attentions of the police, was to bathe
in the spring for an hour each day —
for a fee. At the end of a month he was
to be examined. If he were cured of
his rheumatism, his condition would
prove the medicinal value of the spring.
The unsuspecting Andennatt was en
thusiastic about the projected plan, and
he himself agreed to pay Clovis for
undergoing treatment. Meanwhile he
and Oriol agreed to sign a promise of
sale.
In order that the Oriol family might
be won over to his project, Andermatt
decided to hold a charity fete and a
lottery, in which the Oriol girls and
Christiane would participate.
Andermatt returned to Paris, leaving
Christiane at the baths. She and her
family, accompanied by Paul Bretigny
and the Oriol girls, made numerous ex
cursions about the countryside. Paul
began to confide in her, to tell her of
his adventures, his love affairs. As their
conversations became more intimate, she
realized that he was paying court to
her. To inflame his desire, she held him
at arm's length until finally, as they
were starting back from a jaunt at night
fall, he caught at her shawl while she
walked in front of him and kissed it
madly. She had all she could do to
master her agitation before she joined
the others in the carriage.
A few days later, when the party went
to view the ruins of a nearby castle by
moonlight, Paul threw himself at
Christiane's feet and she submitted to
him.
The following morning Andermatt
returned. Losing no time, the financier
set about reaching an agreement with
Oriol. According to the terms decided
upon after much discussion, the company
which Andermatt had formed was as
signed the lands along the newly-created
stream and the crest and slope of the
hill down which it ran. In return, Oriol
was to receive one fourth of the profits
to be made.
Andermatt rushed back to Paris after
completing his arrangements. That night
Paul went to Christiane's room. During
Andermatt's absence they had nearly
a month for uninterrupted lovemaking.
It was a blow to both of them when they
learned that Andermatt was arriving
within a few days and that he was plan
ning to take Christiane back to Paris
with him when he left
The financier brought several mem
bers of the newly-formed company with
him. The terms of the purchase were
read and signed before the village notary,
and Andermatt was elected president of
the company, over the dissenting votes
of Oriol and his son. It was agreed that
the baths should be known as Mont-
Oriol.
That night Paul sorrowfully said
goodbye to his love. He felt that, al
though they might meet later in Paris,
part of the enchantment of their affair
would be gone forever. Christiane, on
the other hand, was full of plans for
future meetings and ways of evading the
notice of her servants.
The first of July in the following year
was set as the dedication date for the
new baths at Mont-Oriol. Christiane,
big with child, walked with her father
and brother and Paul to watch the ded
ication of the three new springs. They
were to be known as the Christiane,
Charlotte, and Louise springs, the latter
two named after the Oriol girls. But
Clovis, who had seemed so successfully
cured the previous summer, was again
doubled up by his assumed rheumatism.
He threatened to become a serious men
ace to business, for he declared to the
guests who would listen that the waters
had ultimately done him more harm
than good. At last Andennatt was forced
to reckon with him, and Clovis finally
agreed to undergo treatment every year.
It was decided that his return annually
for the same treatment would only prove
to the public the medicinal value of the
baths.
Andermatt had planned an operetta
and a display of fireworks for that eve
ning. Gontran, observing that his sister
was suffering from the heat of the room
in which the entertainment was begin
ning, sneaked out and set off the rocket
which was the signal for the fireworks
display to start. Everyone dashed out, to
Andermatt's disgust, but he took ad
vantage of the unexpected interlude to
have a serious conversation with Gon
tran. Having been informed that Oriol
619
intended to give the lands around Mont-
Oriol as his daughters' dowries, Ander-
matt proposed that Gontran, who was
deeply in debt, should recoup his finances
by marrying either Charlotte or Louise.
Gontran, after meditating for a few
moments, announced that he would open
the ball to he held later that e\^ening by
dancing with Charlotte Oriol, the
younger and prettier of the two sisters.
Christiane, too, made use of the in
terruption. She proposed to Paul that
they walk along the road on which they
had said goodbye the previous year.
At that time he had fallen to his knees
and kissed her shadow. Her hopes that
he would repeat the act were dashed,
for although the child she was carrying
was his, her shadow betrayed too clearly
her changed form.
Gontran paid court to Charlotte Oriol
at the ball and the news of his interest
in her soon became common gossip at the
springs. The innocent girl responded so
freely that Christiane and Paul, who
were fond of her, began to fear that
she would eventually find herself com
promised. They were satisfied, however,
when Gontran confided to them his in
tention to ask for her hand. When he
asked Andennart to sound out Oriol,
the crafty peasant, realizing that his
younger daughter would be easier to dis
pose of than the older, said that he
planned to endow her with the lands on
the other side of the mountain. Because
those lands were of no use to Andennatt
at the moment, Gontran realized that he
would have to change his tactics.
He persuaded Louise that he had
courted Charlotte only to arouse the
older sister's interest. He managed to
meet her frequently at the home of one
of the doctors and on walks, and when
the time seemed ripe he sent Andennatt
once more to talk to Oriol. As the reward
for his efforts he received a signed state
ment which assured him a dowry and
the promise of the girl's hand.
Paul, unaware of Gontran's and
Andermatt's designs, had been incensed
by the sudden desertion of Charlotte.
Gradually his feeling grew to love. One
day her father found them together.
Partly because he was in love, and partly
because he did not want to compromise
Charlotte, his immediate reaction was
to propose. When he agreed to sign a
statement as to his satisfactory income,
the peasant gave his consent to the mar
riage.
The next morning Christiane learned
that Paul was to marry Charlotte. Her
informant was the doctor who came to
examine her, for she felt ill. As soon
as she heard that her lover was to marry,
she went into labor from the shock.
Fifteen hours later a little girl was bom.
She would have nothing to do with
the baby at first, but when Andennatt
brought the child to her she found the
infant irresistible, and wanted it kept
near her.
Because there was no one else to nurse
her, the doctor's wife was chosen to
keep Christiane company during her
recovery. The talkative woman knew
the Oriols well, and Christiane was able
to learn from her most of the details of
Paul's courtship. Upset by the realiza
tion that he had given Charlotte the same
attentions she had once received, she fell
into a delirium for a day. The next day
her condition began to improve.
When the baby was a few days old,
Christiane asked that Paul be sent to
see her. He went, planning to beg her
pardon, but he found there was no need
to do so. Christiane, engrossed in the
child, had only a few conventional words
for him. Although he had hoped to see
the infant that was partly his, he noted
that the curtains of the cradle were sig
nificantly fastened in the front with
some of Christiane's pins.
620
THE MOON AND SIXPENCE
Type of -work: Novel
Author: W. Somerset Maugham (1874- )
Type of plot: Fictional biography
Time of plot: Nineteenth century
Locale: England, France, Tahiti
First published: 1919
Principal characters:
CHAJLLES STBICKLAND, an artist
DIRK STROEVE, his friend
BLANCHE STROEVE, Dirk's wife
ATA, Strickland's Tahitian wife
AMY STRICKLAND, Strickland's English wife
Critique:
A fictionalized biography of the French
artist, Paul Gauguin, this novel attempts
to portray the character of a pure artist,
a man of renunciation. The material
world meant nothing to Strickland; man
meant nothing to him, either. He lived
ruthlessly for his art. There is shrewd
comment on the world's attitude toward
a man who passes by the material and
the sensual to fulfill some spiritual need.
If by chance his intent is to help man
kind, then he is proclaimed a saint; but
if he is like Charles Strickland, and
ignores mankind, he is vested, with the
spirit of the devil. Maugham passes no
judgment on this painter. He merely
presents him as he was.
Strickland was living in a shabby
hotel; his room was filthy, but he ap
peared to be living alone. Much to the
discomfort of the friend, he candidly
admitted his beastly treatment of his
wife, but there was no emotion in his
statements concerning her and her
future welfare. When asked about the
woman with whom he had allegedly run
away, he laughed, explaining to Mrs.
Strickland's emissary that he had really
run off to paint. He knew he could
if he seriously tried. The situation was
incredible to Mrs. Strickland's friend.
Strickland said he did not care what peo
ple thought of him.
Stubbornly, Strickland began to take
art lessons. Although his teacher laughed
at his work, he merely shrugged his
shoulders and continued to paint in his
own way. Back in England, the friend
tried to explain to Mrs. Strickland the
utter hopelessness of trying to reconcile
her husband. She could not realize her
defeat at first. If Strickland had gone
off with a woman, she could have under
stood him. She was not able to cope with
an idea,
Dirk Stroeve, a very poor painter with
a delicate feeling for art, had married
an Englishwoman and settled in Paris.
Impossible as it seemed, Dirk, who had
become acquainted with Strickland,
thought the red-haired Englishman a
great painter. But Strickland did not
THE MOON AND SIXPENCE by W. Somerset Maugham. By permission of the author and the publishers,
Doubleday & Co., Inc. Copyright, 1919, by Doubleday & Co., Inc. Renewed, 1946, by W. Somerset Maugham.
The Story:
Charles Strickland, a dull stockbroker,
lived in England with his wife and two
children. Mrs. Strickland was a model
mother, but her husband seemed bored
with her and with his children. To
everyone else, it was Strickland himself
who seemed commonplace. The family
had spent the summer at the seashore,
and Strickland had returned ahead of
his wife. When she wrote him that she
was coining home, he had answered
from Paris, simply stating that he was
not going to live with her any more.
With singleness of intention, Mrs. Strick
land dispatched a friend to Paris to bring
back her husband.
621
want any man's opinion. Indifferent to
physical discomfort, he had not tried to
sell his paintings in order to eat. When
he needed money, he found odd jobs in
and around Paris.
It was apparent that the Stroeves were
very much in love. A buffoon and a
fool, Dirk was constantly berating him
self, but Blanche seemed to hold him in
high esteem. When Strickland became
very ill, Dirk rushed home to Blanche
and pleaded with her to nurse the sick
artist back to health. She bitterly pro
fessed her hatred of the man who had
laughed at her husband's paintings, and
she tearfully begged Stroeve not to bring
that monster near her. Nevertheless,
Dirk was able to persuade her to allov\
Strickland to come to their home.
Although she and Strickland rarely
spoke to each other, Blanche proved a
capable nurse. There seemed to be
something electrifying in the air when
they were together in the same room.
Strickland recovered. Because he ad
mired Strickland's work, Dirk was
anxious that he stay and work in Dirk's
studio. Strickland took possession of the
studio. When Dirk finally gathered
enough courage to ask him to leave,
Blanche said that she would leave also.
Dirk fell before her, groveling at her
feet, and pleaded with her to stay, but
his adoring demonstrations only bored
her. When he saw that she would indeed
return with Strickland to the filthy hovel
which was the Englishman's studio,
Dirk's generous soul could not bear to
think that his beloved Blanche should
live in such poverty. He said that she
need not leave; he would go. Thanking
her for having given him so much hap
piness, he left her with half of what
he owned.
Dirk hung around Paris waiting for
the time to come when Blanche would
need him again after Strickland had
tired of her. Once he followed her when
she went shopping. He walked along
with her, telling her of his devotion; she
would not speak to him. Suddenly she
slapped him in the face and walked
away. One day the police informed
Dirk that Blanche had swallowed oxalic
acid. After she died, Dirk felt com
pelled to return to his studio. There
he found a nude portrait of his wife,
evidently the work of Strickland. In a
mad passion of jealousy he started to
hack at the picture with a knife, but
he was arrested by the obvious fact that
it was a wonderful piece of art. No
matter what he felt, Dirk could not
mutilate the painting. He packed his
belongings and went back to Holland to
live with his mother.
Strickland had taken Blanche Stroeve
because he thought she had a beautiful
body to paint. When he had finished
the picture, he was through with her.
Thinking that the picture was not satis
factory, he had left it in the studio.
The death of Blanche and the misery
of Dirk did not move him. He was an
artist.
After Blanche's death Strickland went
to Marseilles, and finally, after many
wanderings, to Tahiti. There ne painted
his vivid awkward-looking pictures and
left them with people all over the island
in payment for lodging and food. No
one thought the pictures worth any
thing, but years later some who had
saved the pictures were pleasantly sur
prised to sell them for enormous sums
of money to English and French col
lectors who came to the island looking
for the painter's work.
At one of the hotels in Tahiti, Strick
land had been befriended by a fat old
woman, Tiare, who looked after his
health and his cleanliness. She even
found him a wife, a seventeen-year-old
native girl named Ata. For three years
Ata and her husband lived together in
a bungalow just off the main road.
These were perhaps the happiest years
in Strickland's life. He painted, read,
and loafed. Ata had a baby.
One day Ata sent to the village for
a doctor. When the doctor came to the
artist's bungalow, he was struck with
622
horror, for to his experienced eye Strick
land bore the thickened features of a
leper. More than two years passed. No
one went near Strickland's plantation,
for the natives knew well the meaning
of Strickland's disease. Only Ata stayed
faithfully with him, and everyone
shunned her just as they shunned Strick
land. Two more years passed. One of
Ata's children died. Strickland was now
so crippled hy the disease that he would
not even permit the doctor to see him.
He was painting on the walls of his
bungalow when at last he went blind.
He sat in the house hour after hour,
trying to remember his paintings on die
walls — his masterpieces. Caring nothing
for the fame his art might bring, Strick
land made Ata promise to destroy this
work upon his death, a wish she faith
fully carried out.
Years later a friend of Strickland, just
returned from Tahiti, went to call on
Mrs. Strickland in London, She seemed
little interested in her husband's last
years or his death. On the wall were
several colored reproductions of Strick
land's pictures. They were decorative,
she thought, and went so well with her
Bakst cushions.
THE MOONSTONE
Type of work: Novel
Author: Wilkie Collins (1824-1889)
Type of -plot: Mystery romance
Time of 'plot: 1799-1849
Locale: India and England
First published: 1868
Principal characters:
JOHN HERNCASTLE, an adventurer
LADY VERTNDER, his sister
RACHEL VERTNDER, his niece
FRANKLTN BLAKE, Lady Verinder's nephew
GODFREY ABLEWHTTE, a charity worker
DR. CAKDY, a physician
SERGEANT CUFF, an inspector from Scotland Yard
ROSANNA SPEARMAN, a maid
Critiqiie:
The Moonstone is often called the first
and best of detective stories. The true
story of the theft of the Moonstone is
told by several different hands who were
judged best able to describe the various
phases of the solution of the plot. These
papers have been brought together and
studied by one of the suspects, and in
due time the mystery is solved. There
is not as much true detection in this
novel as there is in the later detective
story, but the fine characterization and
the humor of the book compensate for
anv loss.
The Story:
£Q the storming of Bering
India, in the year 1799, John 1
ipatam in
lerncastle,
a violent and cruel man, stole the sacred
Hindu diamond called the Moonstone.
The jewel had been taken years before
from the forehead of the Moon-God in
its Brahmin shrine, and Hemcastle's theft
was only one of a series. Since the stone
had first been stolen three faithful Hin
dus had followed its trail, sworn to re
cover the gem and return it to the statue
of the Moon-God. Herncastle took the
gem to England and kept it in a bank
vault. He saved himself from murder
by letting the Hindus know that if he
were killed the stone would be cut up into
smaller gerns, thus losing its sacred iden
tity. Herncastle left the jewel to his
niece, Rachel Verinder, at his death.
The stone was to be presented tc
623
Rachel on her birthday following her
uncle's death, and young Franklin Blake,
Lady Verinder's nephew, was asked by
Herncastle's lawyer to take the gift to
his cousin. Franklin took the stone to
his cousin's estate and barely missed death
at the hands of the Hindus before reach
ing his destination. On the advice of
Gabriel Betteredge, the Verinders' old
family servant, Franklin put the gem in
the vault of a bank nearby until the
birthday arrived, as the Hindus had been
seen in the neighborhood about three
weeks before. Franklin and Rachel fell
in love, and even the appearance of God
frey Ablewhite, a handsome and accom
plished charity worker, failed to weaken
Rachel's affection. Godfrey had been
asked to attend the birthday celebration,
together with a number of guests, includ
ing Dr. Candy, the town physician, and
Mr. Bruff, the family lawyer.
While the guests at the birthday din
ner were admiring the beauty of the
jewel, they heard the beating of a drum
on the terrace. Three Hindus had ap
peared, disguised as jugglers. One of the
guests was Mr. Murthwaite, a famous
traveler in the Orient, and at a sharply
spoken word from him the Indians re
treated. Watchdogs were released to
protect the house that night. There was
no disturbance to alarm the household,
however, and everyone thought all had
gone well until Rachel announced the
jewel had disappeared from an unlocked
cabinet in her dressing-room.
Over Rachel's protests, Franklin Blake
insisted the police be called in. The
Hindus were arrested and put in jail,
but to the astonishment of everyone they
were able to prove an alibi for the entire
night.
Little about the crime was discovered
until Sergeant Cuff of Scotland Yard
arrived. He decided that some fresh
paint from the door in Rachel's dressing-
room must have come off on someone's
clothes. Rachel, for some unknown rea
son, refused to allow a search for the
stained clothing. Sergeant Cuff sus
pected that Rachel had staged the theft
herself, and her actions seemed to sub
stantiate his theory. He also thought
that Rosanna Spearman, a maid with a
criminal record, was a party to the plot,
for he learned that Rosanna had made
a new nightdress shortly after the theft.
Sergeant Cuff guessed it was to take the
place of another dress which was stained.
Because the Verinders opposed his efforts,
he dropped the case. The only other
clue he had was that Rosanna might have
hidden something in the rocks by the
seashore. He suspected it was the stained
dress. Rosanna committed suicide soon
afterward by throwing herself into a pool
of quicksand. Betteredge discovered she
had left a letter for Franklin, who had
departed from the country by the time it
was found.
Rachel went to London with her
mother, and in time became engaged to
Godfrey Ablewhite. When Mr. Bruff
told her Godfrey had secretly learned the
terms of her mother's will before asking
for her hand, Rachel broke the engage
ment. Franklin returned to England later
in the year and went to visit Betteredge,
who told him about Rosanna's letter.
Franklin got the letter and learned from
it that she had thought him guilty of
the crime. The letter also gave him di
rections for recovering a box which, as
Sergeant Cuff had thought, she had
buried by the sea. The box proved to
have the stained nightgown in it, but
it was not Rosanna's nightgown. On the
contrary, it was Franklin's!
Unable to account for this strange
fact, Franklin returned to London, where
he had a long talk with Mr. Bruff about
the case. Mr. Bruff informed Franklin
that the Moonstone must be in a certain
bank in London, deposited there by a
notorious pawnbroker named Luker. A
mysterious attack upon the money-lender
seemed to confirm this belief. Franklin
told Mr. Bruff of the strange discovery
of the nightgown. Mr. Bruff planned a
surprise meeting between Franklin and
Rachel, at which. Franklin learned that
Rachel had actually seen him come into
the room and steal the stone. Because
she loved him she had refused to let
the investigation go on. Franklin tried
to convince her he had no memory of the
deed.
On Mr. BrufFs advice, Franklin re
turned to the country place and tried to
discover what had happened to him that
night. From Dr. Candy's assistant, Ezra
Jennings, he learned that the doctor had
secretly given him a dose of laudanum
on the night of the theft, so that Frank
lin, suffering from insomnia, would get
a good night's sleep. Jennings suggested
administering a like dose to Franklin
again, in the same setting, to see what he
would do. Mr. Bruff and Rachel came
down from London to watch the experi
ment.
With the help of Betteredge the scene
was set and Franklin given the laudanum.
Under its influence he repeated his ac
tions on the night of the theft. Rachel
watched hirn come to her room and take
out a substitute stone. She was now
convinced that his original act had been
an attempt to protect her from the Hin
dus by removing the stone to another
room. Before Franklin could recollect
what he did with the stone after he left
Rachel's room, however, the drug took
full effect and he fell sound asleep.
The experiment explained how the
stone disappeared from Rachel's room,
but not how it got into a London bank
through the hands of Luker. Mr. Bruff
suggested that the gem might shortly
be redeemed from Luker. Sergeant Cuff
was called back into the case, and a watch
set on the bank. One day Luker came
into the bank and claimed the stone.
On his way out he could have passed it
to any of three people. All three men
were followed. Two proved to be inno
cent citizens. BrufFs office boy trailed
the third, a bearded man who looked like
a sailor, to an inn where the suspect took
lodgings for the night.
When Franklin and Sergeant Cuff ar
rived at the inn? they found the sailor
dead and the box from the bank empty.
Sergeant Cuff examined the dead man
closely and then tore away a false wig
and beard to expose the features of God
frey Ablewhite. From Luker they learned
that Godfrey had seen Franklin go into
Rachel's room the night of the robbery,
and that Franklin had given Godfrey
the stone with instructions to put it in
the bank. Since Franklin had remem
bered nothing of this request the next
day, Godfrey kept the jewel. The mys
tery solved, Rachel and Franklin were
happily reunited.
Several years later Mr. Murthwaite,
the explorer, told them of a great festival
in honor of the Moon-God which he
had witnessed in India. When the idol
was unveiled, he saw gleaming in the
forehead of the stone image the long-lost
treasure of the god — the sacred Moor*
stone.
LE MORTE D'ARTHUR
Type of work- Chronicle
Author: Sir Thomas Malory (1400M471)
Type of 'plot: Chivalric romance
Time of -plot: Golden Age of chivalry
Locale: Britain
First published: 1485
Principal characters:
ARTHUR, King of Britain
QUEEN GUINEVERE, his wife
SIR MORDRED, his natural son
SDR LAUNCELOT,
SIR TRISTRAM, and
SIR GAT..AHAO, knights of the Round Table
625
Critique:
Le Marts £ Arthur is a monumental
work which made the Arthurian cycle
available for the first time in English.
Malory took a hody of legends which had
gone from the folklore of Celtic Britain
into French literature by way of Brittany,
gave these tales a typically English point
of view, and added, amended, and de
leted for his own purposes, to produce
a work which has had tremendous influ
ence on literature ever since. Because of
the episodic nature of its contents, the
romance concerns itself at great length
with figures associated with King Arthur,
to the extent that Arthur, as a man, never
quite materializes. But Arthur, as the
symbol of knighthood at its full flower,
pervades the book.
The Story:
King Uther Pendragon saw and loved
Igraine, the beautiful and chaste Duchess
of Cornwall. His desires being checked
by Igraine's husband, King Uther made
war on Cornwall and in that war the
duke was killed. By means of magic,
King Uther got Igraine with child; the
couple were subsequently married. The
child, named Arthur, was raised by a
noble knight, Sir Ector. After the death
of King Uther, Arthur proved his right
to the throne by removing a sword from
an anvil which was imbedded in a rock.
From the Lady of the Lake he received
his famous sword, Excalibur. When the
independent kings of Britain rebelled and
made war on the young king, they were
defeated. Arthur ruled over all Britain.
King Arthur married Guinevere, the
daughter of King Leodegrance, who pre
sented to Arthur as a wedding gift the
Round Table and a hundred knights.
Merlin the magician was enticed by one
of the Ladies of die Lake into eternal
imprisonment under a rock.
Five foreign kings invaded Arthur's
realm and were defeated after a long
war. To show his gratitude to God for
his victory, King Arthur founded the
Abbey of the Beautiful Adventure at the
scene of his victory.
Sir Accolon, the paramour of Morgan
Le Fay, enchantress sister of King Arthur,
fought Arthur with Excalibur, which
Morgan had procured from Arthur by
black magic. Arthur was nearly over
come, but in the fight their swords were
accidentally exchanged and the king de
feated Accolon.
King Lucius of Rome sent ambassa
dors to Britain to demand tribute of King
Arthur. When Arthur refused to pay,
he was promised aid in war by all of the
knights of his realm. In the war that
followed, the British defeated Lucius
and conquered Germany and Italy. Ar
thur was crowned Emperor of Rome.
Back in England, Sir Launcelot, a
knight of the Round Table and Queen
Guinevere's favorite, set out on adven
tures to further the honor and glory of
himself and of his queen. After many
long and arduous adventures, all of them
triumphant, Sir Launcelot returned to
Camelot, the seat of King Arthur, and
was acclaimed the first knight of all
Christendom.
Elizabeth, queen of King Meliodas of
Liones, died in giving birth to a son, who
was named Tristram because of the sad
circumstances surrounding his birth.
Young Tristram was sent with his pre
ceptor, Gouvemail, to France, where he
was trained in all the accomplishments
of knighthood. When the king of Ireland
demanded tribute from King Mark of
Cornwall, Sir Tristram, defending the
sovereignty of King Mark, his uncle, slew
the Irish champion, Sir Marhaus, but was
wounded in the contest* He was nursed
by Isolde, princess of Ireland. Tristram
and Isolde fell in love and promised to
remain true to each other. Later, King
Mark commissioned Sir Tristram to re
turn to Ireland to bring back Isolde,
whom the king had contracted to marry.
LE MORTE d'ARTHUR by Sir Thoma, Malory. Published by Appleton-Ccntury-Crofts, Inc.
626
During the return voyage from Ireland
to Cornwall, Tristram and Isolde drank
a love potion and swore undying love.
Isolde married King Mark, and Sir Tris
tram later married Isolde La Blanche
Mains, daughter of King Howels of Brit
tany. But Tristram, unable to remain
separated from Isolde of Ireland, joined
her secretly. At last, fearing discovery
and out of his mind for love of Isolde,
Tristram fled into the forest. In a pitiful
condition he was carried back to the
castle, where a faithful hound revealed
his identity to King Mark. King Mark
then banished Tristram from Cornwall
for ten years. The knight went to Cam
elot, where he won great renown at
tourneys and in knightly adventures. King
Mark, hearing of Tristram's honors, went
in disguise to Camelot to kill Tristram.
Sir Launcelot recognized King Mark and
took him to King Arthur, who ordered
the Cornish sovereign to allow Sir Tris
tram to return to Cornwall. In Cornwall,
King Mark attempted unsuccessfully to
get rid of Tristram. But Tristram man
aged to avoid all the traps set for him,
and he and Isolde escaped to England
and took up residence in Castle Joyous
Guard.
An old hermit prophesied to King
Arthur that a seat which was vacant at
the Round Table would be occupied by
a knight not yet born — one who would
win the Holy Grail.
After Sir Launcelot was tricked into
lying with Elaine, the daughter of King
Pelles, the maid gave birth to a boy
named Galahad. Some years later there
appeared in a river a stone with a sword
imbedded in it. A message on the sword
stated that the best knight in the world
would remove it. All the knights of the
Round Table attempted to withdraw the
sword, without success. Finally an old
man brought a young knight to the
Round Table and seated him in the
vacant place at which the young knight's
name, Sir Galahad, appeared magically
after he had been seated. Sir Galahad
withdrew the magic sword from the stone
and set out, with other of Arthur's
knights, in quest of the Holy Grail. Dur
ing his quest, he was joined part of the
time by his father, Sir Launcelot. Sir
Launcelot tried to enter the Grail cham
ber and was stricken for twenty-four
days as penance for his years of sin. A
vision of Christ came to Sir Galahad,
who, with his comrades, received com
munion from the Grail. They came to a
near-Eastern city where they healed a
cripple. Because of this miracle they
were thrown into prison by the pagan
king. When the king died, Sir Galahad
was chosen king; he saw the miracle of
the Grail and died in holiness.
There was great rejoicing in Camelot
after the questing knights returned. Sir
Launcelot forgot the promises he had
made during the quest and began to con
sort again with Guinevere.
One spring, while traveling with her
attendants, Guinevere was captured by
a traitorous knight, Sir Meliagrance. Sir
Launcelot rescued the queen and killed
the evil knight. Enemies of Launcelot
reported to King Arthur Launcelot's love
for Guinevere. A party championing the
king's cause engaged Launcelot in com
bat. All members of the party except
Mordred, Arthur's natural son, were
slain. Guinevere was sentenced to be
burned, but Sir Launcelot and his party
saved the queen from the stake and re
tired to Castle Joyous Guard. When King
Arthur besieged the castle, the Pope com
manded a truce between Sir Launcelot
and the king. Sir Launcelot and his fol
lowers went to France, where they be
came rulers of that realm. King Arthur
invaded France with the intent of over
throwing Sir Launcelot, and in Arthur's
absence Mordred seized the throne of
Britain and tried to force Guinevere to
become his queen. Guinevere escaped to
London, where she took refuge in the
Tower. King Arthur, hearing of the dis
affection of Sir Mordred, returned to Eng
land and in a great battle drove the
usurper and his false knights back tt
Canterbury.
627
At a parley between King Arthur and
Sir Mordred, an adder caused a knight
to draw his sword. This action brought
on a pitched battle in which Mordred
was killed and King Arthur was mortally
wounded. On his deathbed King Arthur
asked Sir Bedivere to cast Excalibur back
into the lake from which the sword had
come. Sir Bedivere hid the sword twice,
but was reproached by the king each time.
Finally, Sir Bedivere threw the sword
into the lake, where it was caught by a
hand and withdrawn under the water.
King Arthur died and was carried on
a barge down the river to the Vale of
Avalon. When Sir Launcelot returned
from France to avenge his king and
queen, he learned that Guinevere had
become a nun. Sir Launcelot retired to
a hermitage and took holy orders. Sir
Constantine of Cornwall was chosen king
to succeed King Arthur.
MUTINY ON THE BOUNTY
Type of work: Novel
Authors: Charles Nordhoff (1887-1947;) and James Norman Hall (1887-1951)
Type of plot; Adventure romance
Time of plot; Late eighteenth century
Locale: South Pacific and Tahiti
First published: 1932
Principal characters:
LIEUTENANT WTTJ.TAM BUGH, captain of H.M.S. Bounty
ROGER BYAM, a rrnrUVnpman
FLETCHER CHEISX[AN-, leader of the mutiny
GEORGE STEWAB.T, midshipman friend of Byam
TEHANI, a Taidtian girl
Critique:
Written in the form of a novel and
completely romantic in temper, Mutiny
on the Bounty is a great story of adven
ture based upon actual fact. The story
of the voyage of the Bounty, which
sailed from England in 1787, the mutiny
aboard her, the exploit of Captain Bligh
in piloting a small boat across thirty-six
hundred miles of open sea, the trial of
the mutineers, and the final refuge of
others on bleak Pitcairn Island, are all
matters of record. The authors' free
arrangement of their material is designed
to give to factual narrative the drama
and romantic atmosphere of fiction.
The Story:
In 1787 Roger Byam accepted Lieu
tenant Bligh's offer of a berth as mid
shipman on H. M. S. Bounty, a ship
commissioned by the English government
to carry the edible breadfruit tree of
Tahiti to English possessions in the West
Indies, to be used there as a cheap food
supply for the black slaves of English
planters. Byam's special commission was
to work at the task of completing a
study of Tahitian dialects for the use of
English seamen. After filling the ship's
roster and getting favorable weather, the
Bounty set sail, and Midshipman Byam
began to learn the ways of a ship at
sea. He also began to learn, when only
a few days from England, of the many
traits of his captain which were to lead
eventually to mutiny. Bligh's fanaticism
rested on discipline, which he often en
forced at the cost of justice through ex
cessive floggings of the seamen aboard
the Bounty. However, the principal ob
jection the men had was their captain's
exploitation of them and their rations
for private graft
When the Bounty arrived in Tahiti,
MUTINY ON THE BOUNTY by Charles Nordhoff and James Norman Hall. By permission of Mrs. Laura
Nordhoff, Mr. James Norman Hall, and the publishers, Little, Brown & Co. Copyright, 1932, by Little, Brown
8c Co.
628
the crew was given the freedom it
deserved. Making use of the native
custom, each of the men chose for him
self a taio, or special friend from among
the natives, who, during the sailor's stay
in Tahiti, would supply him with all
the delicacies the island had to offer.
During the stay at Tahiti, Byam, liv
ing ashore, collected information for his
language study. Most of the sailors found
women with whom they lived and to
whom some of them were later married.
Fletcher Christian chose Maimiti, the
daughter of Byam's taio. George Stewart
chose a Tahitian girl named Peggy,
Byam saw Tehani, later his wife, only
once during his stay on the island, hut
from this one appearance he was highly
impressed with the beauty of the
princess.
Captain Bligh, on the Bounty, had
continued to practice the cruelties which
the men considered not only unfair but
also illegal. One practice was the con
fiscation of gifts which the islanders had
brought to the men on shipboard and
which rightfully belonged to those men.
The gifts he ordered to be put into the
ship's stores. He had further placed the
men on salt pork rations, amid all the
plentiful fresh fruits of the island. Just
before leaving Tahiti, Bligh falsely ac
cused Christian of stealing a coconut.
Collection of the breadfruit trees was
finally completed and the Bounty left
for England, but not before four of the
chagrined crewmen had attempted deser
tion. They were caught, returned, and
flogged before the crew. This was one
more incident to add to the already sullen
attitude of the sailors. Feeling continued
to run high against Bligh during the
early part of the voyage, until that fate
ful night when a sudden impulse led
Christian into mutiny. With his muti-
neering friends he gained control of the
ship and subsequently set Bligh adrift
in the Bounty's launch, in the company
of as many of the loyal crewmen as
that boat would hold. The launch was
too gmflll to hold all of the loyal hands
and so seven had to stay behind, among
them Byam and Stewart, his close friend.
The mutiny left the Bounty manned by
twenty-three men, including the seven
loyal men.
With Christian in command, the
Bounty sailed about in the South Seas,
the mutineers searching for a suitable
island on which to establish a permanent
settlement. After several attempts, all
balked by unfriendly natives, Christian
returned with the crew to Tahiti. By a
show of hands, the crew again split,
some of the men continuing with
Christian their search for a permanent
home, the others, including Byam and
Stewart, remaining at Tahiti. They ex
pected eventually to be picked up by
an English vessel and returned home
to continue their naval careers.
After Christian and his crew had
sailed to an unknown destination, Byam
and his friend established homes on
the island by marrying the native girls
with whom they had fallen in love dur
ing the first visit to the island. Byam
went to live in the home of Tehani, his
wife, and there continued his language
studies. During that idyllic year on
the island, children were born to the
wives of both Byam and Stewart. Then
H. M. S. Pandora arrived, searching for
the lost Bounty. Unaware that Bligh,
who had miraculously reached England,
had not distinguished between mutineer
and loyal sailor among the men who
remained on the Bounty, Byam and
Stewart, anxious for some word of home,
eagerly met the newly arrived ship.
They were promptly placed in irons and
imprisoned. They saw their wives only
once after imprisonment, and had it not
been for the ship's doctor on the Pan
dora they would have suffered greatei
hardship than they had experienced on
the Bounty. The doctor made it possible
for Byam to go on with his studies, a task
which gave the prisoners something to
do and kept them from losing their
minds.
The Pandora sailed for England with
629
a total of seven prisoners, four of whom
were not guilty of mutiny. They suffered
many unnecessary hardships, the greatest
occurring during a storm in which the
Pandora was sunk. The captain delayed
releasing the men from their irons until
the last possible moment, an act which
cost the life o£ Stewart, who was unable
to get clear of the sinking Pandora and
drowned.
The survivors, gathered on a- small
island, were forced into a decision to
try to make the voyage to Timor, in the
Dutch East Indies, the nearest island
of call. Their experiences hi open boats,
with little or no water and food, were
savagely cruel because of the tropic sun,
the madness from lack of water, and
the foolish attempts of the Pandoras
captain to continue to treat the prisoners
as prisoners. Eventually the group
reached Timor and there found passage
on a Dutch ship bound for England.
Returned to England, the prisoners
awaited court-martial for mutiny. The
loyal men, falsely accused, were Byam,
Morrison, and Muspratt. Three of the
mutineers with them were Ellison, Burk-
itt, and Millward, sailors who were con
victed of their crime and hanged. The
evidence concerning the innocent men
finally reached a point where the deci
sion rested upon the testimony of Robert
Tinkler, another midshipman on the
Bounty. Tinkler was believed lost at
sea, but he turned up in time to save
the lives of Byam, Muspratt, and Mor
rison.
Byam continued his naval career and
eventually he became the captain of his
own ship. In 1810 he returned to
Tahiti. Tehani, his wife, was dead. His
daughter he found alive and the image
of her mother. In a last romantic gesture,
he saw that he could not make Himself
known to her, and he left Tahiti without
telling her he was her father. To him
that beautiful green island was a place
filled with ghosts of younger men, and
young Midshipman Byam was one of
them.
MY ANTONIA
Type of -work: Novel
Author: Wffla Gather (1876-1947)
Type of plot: Regional chronicle
Time of plot: Late nineteenth and early twentieth centuries
Locale: Nebraska prairie knd
First published: 1918
Principal characters:
JIM BLTELDEN, the narrator and Antonia's friend
ANTONIA SHTMERDA, a Bohemian peasant gid
Critique:
Perhaps the most beautiful aspect of
this book is its disarming simplicity.
There are no witty phrases, no com
plicated characters; indeed, there is
scarcely any plot And yet there is a
quiet, probing f depth in Miss Gather's
writing. My Antonia is the story of a
Bohemian girl whose family came from
the old country to settle on the open
prairies of Nebraska. While she lives
on her farm and tills the soil, she is a
child of the prairie, almost as much a
part of her setting as the waving grass
and the tall com. But Antonia goes also
to the city, and there she knows heart
break. She finds peace and meaning in
life only after her return to the land
which is her heritage.
MY ANTONIA by WUla Other. By permission of the publishers, Hougbtoa JvCfflin Co. Copyright, 1918, by
Will* S. Cither. Renewed, 1946, by WUla S. Gather.
630
The Story:
Jim Burden's father and mother died
when he was ten years old, and the
boy made the long trip from Virginia
to his grandparents' farm In Nebraska
in the company of Jake Marpole, a hired
hand who was to work for Jim's grand
father. Arriving by train late at night
in the prairie town of Black Hawk, the
boy noticed an immigrant family hud
dled on the station platform. He and
Jake were met by a lanky, scar-faced
cowboy named Otto Fuchs, who drove
them in a jolting wagon across the empty
prairie to the Burden farm.
Jim grew to love the vast expanse of
land and sky. One day Jim's grand
mother suggested that the family pay
a visit to the Shimerdas, an immigrant
family just arrived in the territory. At
first the newcomers impressed Jim un
favorably. The Shimerdas were poor and
lived in a dugout cut into the earth.
The place was dirty. The children were
ragged. Although he could not under
stand her speech,^ Jim made friends with
the oldest girl, Antonia.
Jim found himself often at the^Shimer-
da home. He did not like Antonia's
surly brother, Arnbrosch, or her grasping
mother, but Antonia, with her eager
smile and great, warm eyes won an im
mediate place in Jim's heart. One day
her father, his English dictionary tucked
under his arm, cornered Jim and asked
him to teach the girl English. She
learned rapidly. Jim respected Antonia's
father. He was a tall, thin, sensitive
man, a musician in the old country. Now
he was saddened by poverty and burdened
with overwork. He seldom laughed any
more.
Jim and Antonia passed many happy
hours on the prairie. Then tragedy struck
the Shimerdas. During a severe winter,
Mr. Shimerda, broken and beaten bv the
prairie, shot himself- Antonia had loved
her father more than any other member
of the family, and after his death she
shouldered his share of the farm work.
When spring came, she went with
Arnbrosch into the fields and plowed
like a man. The harvest brought money.
The Shimerdas soon had a house, and
with the money left over they bought
plowshares and cattle.
Because Jim's grandparents were grow
ing too old to keep up their farm, they
dismissed Jake and Otto and moved to
the town of Bkck Hawk. There Jim
longed for the open prairie land, the
gruff, friendly companionship ^of Jake
and Otto, and the warmth of Antonia's
friendship. He suffered at school and
spent his idle hours roaming the barren
gray streets of Black Hawk.
At Jim's suggestion, his grandmother
arranged with a neighbor, Mrs. Harling,
to bring Antonia into town as her
hired girl. Antonia entered into her tasks
with enthusiasm. Jim saw a change in
her. She was more feminine; she laughed
oftener; and though she never shirked
her duties at the Harling house, she
was eager for recreation and gaiety.
Almost every night she went to a
dance pavilion with a group of hired
girls. There, in new, handmade dresses,
the immigrant girls gathered to dance
with the village boys. Jim Burden went,
too, and the more he saw of the hired
girls, the better he liked them. Once
or twice he worried about Antonia, who
was popular and trusting. When she
earned a reputation for being a little too
gay, she lost her position with the Har-
lings and went to work for a cruel money
lender, Wick Cutter, who had a licen
tious eye on her.
One night, Antonia appeared at the
Burdens and begged Jim to stay in her
bed for the night and let her remain at
the Burdens. Wick Cutter was supposed
to be out of town, but Antonia suspected
that, with Mrs. Cutter also gone, he
might return and harm her. Her fears
proved correct, for as Jim lay awake in
Antonia's bed Wick returned and went
to the bedroom where he thought Antonia
was, sleeping.
Antonia returned to work for the
631
Harlings. Jim, eager to go off to college,
studied hard during the summer and
passed his entrance examinations. In the
fall he left for the state university and
although he found there a whole new
world of literature and art, he could
not forget his early years under the
blazing t prairie sun and his friendship
with Antonia. He heard little of
Antonia during those years. One
of her friends, Lena Lingard, who had
also worked as a hired girl in Black
Hawk, visited him one day. He learned
from her that Antonia was engaged to
be married to a man named Larry Dono
van.
Jim went on to Harvard to study law,
and for years heard nothing of his
Nebraska friends. He assumed that
Antonia was married. When he made
a trip back to Black Hawk to f see his
grandparents, he learned that Antonia,
deceived by Larry Donovan, had left
Black Hawk in shame and returned to
her family. There she worked again in
the fields until her baby was born.
When Jim went to see her, he found
her still the same lovely girl, though her
eyes were somber and she had lost her old
gaiety. She welcomed him and proudly
showed him her baby.
Jim thought that his visit was probably
the last time he would see Antonia. He
told her how much a part of him she
had become and ^how sorry he was to
leave her again. Antonia knew that Jim
would always be with her, no matter
where he went. He reminded her of
her beloved father, who, though he had
been dead many years, still lived nobly
in her heart. She told Jim goodbye and
watched him walk back toward town
along the familiar road.
It was twenty years before Jim Burden
saw Antonia again. On a Western trip
he found himself not far from Black
Hawk, and on impulse he drove out in
an open buggy to the farm where she
lived. He found the place swarming with
children of all ages. Small boys rushed
forward ^to greet him, then fell back
shyly. Antonia had married well, at
last. The grain was high, and the neat
farmhouse seemed to be charged with
an atmosphere of activity and happiness.
Xntonia seemed as unchanged as she
was when she and Jim used to whirl
over the dance floor together in Black
Hawk. Cusak, her husband, seemed
to know Jim before they were introduced,
for Antonia had told all her family about
Jim Burden. After a long visit with the
Cuzaks, Jim left, promising that he would
return the next summer and take two
of the Cuzak boys hunting with him.
Waiting in Black Hawk for the train
that would take him East, Jim found it
hard to realize the long time that hac1
passed since the dark night, years before,
when he had seen an immigrant family
standing wrapped in their shawls on the
same platform. All his memories of the
prairie came back to him. Whatever hap
pened now, whatever they had missed,
he and Antonia had shared precious
years between them, years that would
never be forgotten.
THE MYSTERIES OF PARIS
Type of work: Novel
Author: Eugene Sue (1804-1857)
Type of plot: Mystery romance
Time of 'plot: Mid-nineteenth century
Locale-. France and Germany
First published: 1842-1843
Principal characters:
RODOLPH, Grand Duke of Gerolstein
FLEUR-DE-MABIE, his daughter by Lady Sarah Macgregor
LADY SABAH MACGREGOR, his morganatic wife
632
CLEMENCE D'HARVTJLLE, wife of one of Rodolph's friends
LA CHOUETTE, and
SCHOOLMASTER, two Paris criminals
JACQUES FERRAND, a hypocritical and cruel lawyer
MADAME GEORGES, befriended by RodolpK
RIGOUBTTE, Fleur-de-Marie's friend
Critique:
The Mysteries of Paris is a novel
which was written mainly to arouse pub
lic opinion for reform of the penal system
and the poor laws. The descriptions of
the poor, the needy, and the afflicted
among the unfortunates of Paris are
many and vivid. The novel is inter
spersed with short tales of misfortune
and comments by the author as to how
many of the difficulties could be rem
edied by new laws and new charities.
The story which allows full freedom to
the expression of these ideas is an amaz
ing one. It contains almost a hundred
main characters, to say nothing of the
numerous minor character studies. Almost
every minor plot contains enough mate
rial for a novel , and the major plot is
intricate and detailed.
The Story:
Rodolph, the Grand Duke of Gerol-
stein, a small German state, was a hand
some young man in his thirties in 1838.
Behind him lay a strange past. As a
youth he had been brought up in his
father's court by an evil tutor named
Polidori, who had done his best to warp
and confuse the young prince's mind.
Polidori had been urged on by the beauti
ful but sinister Lady Sarah Macgregor,
who had been told in her youth that she
was destined some day to be a queen.
Sarah had decided that Rodolph, heir
to a duchy, would be the perfect hus
band for her, and with the aid of Polidori
she had forced Rodolph into a secret
morganatic marriage. In England, where
she had fled, she gave birth to a daughter.
Rodolph's father was furious, and he
had the marriage annulled. One day,
after he had threatened to kill his father,
Rodolph was sent into exile. Before
long Sarah lost all interest in her child
and paid her Paris lawyer, Jacques Fer-
rand, to find a home for the girl. Fer-
rand gave the child into the care of some
unscrupulous child-takers and after a few
years falsely wrote to Sarah that the
child had died. Sarah forwarded the
letter to Rodolph.
Rodolph moved to Paris where he
amused himself by roaming through the
slums in disguise. Although he was
strong, agile, and a fine fighter, the
young duke was always followed by his
faithful servant, Sir Walter Murphy.
Together they ferreted out the secrets
and mysteries of Paris streets. One night
Rodolph chanced to save a young girl
who was being attacked. When he had
heard her story, he was so touched by it
that he decided to help her. Fleur-de-
Marie, as she was called, was an orphan
who had been brought up by gangsters
and had been in prison. Freed, she was
recognized by her old tormentors and
captured by them, drugged, made a
prisoner, and compelled to suffer the
greatest indignities. Feeling that she was
really innocent of the crimes into which
she had been forced, Rodolph took her
to the farm of Madame Georges. The
girl's beauty, her sad plight, and the
fact that she was the age his dead
daughter would have been, aroused his
interest and pity.
Madame Georges was likewise a wom
an whom the duke had befriended.
Her criminal husband had deserted her,
taking their son with him. Rodolph had
searched the streets of Paris for a clue
to the whereabouts of Madame Georges'
son. At the farm Fleur-de-Marie soon
developed into a devout and delightful
young woman.
Rodolph continued to live his double
life. He attended diplomatic balls and
633
the parties of thieves, and on both
planes he found much to do to help
people to live better lives. At last, in
order to learn better the secrets of Paris,
he took lodgings in a boarding-house
in one of the poorer sections of town.
There he met many needy families, and
in countless ways he helped them all.
One of the occupants of the house was
a girl named Rigolette, who had been
Fleur-de-Marie's friend in prison. Rigo-
lette was hard-working and kind, and
Rodolph learned a great deal about the
people of the house from her.
One day he learned that Cl^mence
d'Harville, the wife of one of his good
friends, was involved in an intrigue with
a lodger in the house. It did not take
him long to discover that the person
behind this affair, plotting the destruc
tion of d'Harville and his wife, was
Lady Sarah Macgregor. As soon as he
could, Rodolph warned Clemence and
saved her from her folly. Clemence was
unfortunate in that she had been forced
into marriage with d'Harville by her
mother-in-law, for she did not love her
husband. Because he and their daughter
were subject to epileptic fits, her life
was an unhappy one. D'Harville by
chance learned of his wife's un happiness,
and contrived to commit suicide in such
a way that everyone thought his death
accidental. By this act he saved Clemence
from greater unhappiness and atoned for
the evil he had committed in marrying
her.
While staying at the lodging-house,
Rodolph had learned of the numerous
evil deeds of the hypocritical lawyer,
Jacques Ferrand. When Rodolph learned
that Ferrand was planning the murder
of Glemence's father, he and Sir Walter
Murphy succeeded in thwarting the
lawyer's evil scheme. Ferrand was also
responsible for the imprisonment of
Rigolette's lover. In order to get to the
bottom of Ferrand's plans, Rodolph re
membered Cicely, a beautiful woman
who had once been married to his private
doctor, but who later became a depraved
creature. Rodolph secured her release
from prison and had her introduced into
Ferrand's household, where she could
spy on his activities and learn his secrets.
Meanwhile Sarah had asked Ferrand
to find a young girl whom she could
claim was really her child by Rodolph,
for she hoped that if she could produce
the dead girl she could effect a reconcilia
tion, now that Rodolph was the reign
ing duke of Gerolstein. Ferrand, learn
ing the whereabouts of Fleur-de-Marie,
hired La Chouette, an ugly one-eyed
woman, and a criminal called the School
master to kidnap the girl from the farm
of Madame Georges. When the School
master arrived at the farm, he discovered
that Madame Georges was his wife, the
woman he had deserted. He did not
succeed in getting Fleur-de-Marie. In
stead, she was put in jail for failing to
give testimony concerning a crime she
had witnessed before Rodolph had saved
her from the slums. By chance, Cle
mence found the girl while on a charita
ble errand. Not knowing that Fleur-de-
Marie knew Rodolph, she tried to make
the girl's life more pleasant in prison.
When Sarah learned that Fleur-de-
Marie had been under the care of
Rodolph's friends, she became jealous
and made arrangements to have her
killed as soon as she could be released
from the prison. Ferrand, entrusted with
plans for her death, had her released
from prison by an accomplice who pre
tended to be an agent of Clemence
d'Harville. On leaving the prison, Fleur-
de-Marie met Rigolette and told her old
friend of her fortune. Rigolette, who
knew Clemence through Rodolph, was
pleased. After they parted, Fleur-de-
Marie was seized by Ferrand's hirelings
and taken into the country, where she
was thrown into the river. But some
passersby saw her in the water and
pulled her ashore in time to save her life.
In the meanwhile La Chouette, learn
ing that Fleur-de-Marie was really the
daughter of Rodolph and Sarah, had
hurried to Sarah with her information.
634
Sarah was shocked at the discovery. La
Chouette, seeing a chance to make more
money by killing Sarah and stealing her
jewels, stabbed her protector. The at
tacker escaped with the jewels and
returned to the Schoolmaster to taunt
him with her success. The two got
into a fight, and the Schoolmaster
killed La Chouette. He was captured
and put into prison.
Through Cicely, Rodolph had also
learned that his daughter was not really
dead. Cicely had had little difficulty in
uncovering Ferrand's past. As soon as
he knew what Sarah had done, Rodolph
went to see her, and despite her terrible
wound he accused her violently of the
shameful and criminal neglect of her
daughter.
On returning home, Rodolph was sur
prised to hear that Clemence had visited
him. C16mence had had the fortune to
find Fleur-de-Marie in the home where
she had been cared for after her escape
from drowning, and she had brought the
girl to Rodolph. Clemence did not know
that events had proved that Fleur-de-
Marie was Rodolph Js daughter, and so
the reunion of father and child was not
without pain as well as pleasure, for
Clemence and Rodolph had long secretly
known that they loved each other.
Rodolph begged Clemence to marry him
and be a mother to his child. He felt
sure that Sarah would die, and the way
would thus be clear for their happy life
together.
Rodolph remarried Sarah on her
deathbed so that their daughter could
be called truly legitimate. Information
that Rodolph had received from Cicely
also made it possible for him to free
Rigolette's lover from prison, and it
turned out that he was the long-lost SOD
of Madame Georges. With these problems
solved, Rodolph planned to return to
Germany. First, however, he used his
knowledge of Ferrand's activities to force
the lawyer to establish many worthy
charities. His money gone, Ferrand went
into a decline and died soon afterward.
Rigolette's lover became administrator
for one of the charities, and after their
marriage he and Rigolette lived happily
with Madame Georges.
Rodolph returned to Germany with
Fleur-de-Marie as his legitimate daughter
and Clemence as his wife. For a time
the three lived together with great hap
piness. Then Rodolph noticed that Fleur-
de-Marie seemed to have moods of de
pression. One day she explained, weep
ing, that his goodness to her was without
compare, but that the evil life that she
had led before he had rescued her from
the slums preyed constantly on her
mind. She begged to be allowed to
enter a convent Seeing that nothing he
could say would change her mind, Ro
dolph gave his permission.
While serving as a novice at the con
vent, Fleur-de-Marie's conduct was so
perfect that when she was admitted to
the order she immediately became the
abbess. This honor was too much for
her gentle soul to bear, or for her weak,
sick body to withstand, and that very
night she died. Rodolph, noting that
the day of her death was the anniversary
of the day on which he had tried to kill
his father, felt that the ways of fate
are strange.
THE MYSTERIES OF UDOLPHO
Type of work: Novel
Author: Mis. Ann Radcliffe (1764-1823)
Type of plot: Gothic romance
Time of plot: Late sixteenth century
Locale: France and Italy
First published: 1794
635
Principal characters:
EMILT ST. AETBERT, a young French aristocrat
SJGNOR MONTONI, a villainous Italian married to Emily's aunt
VATANCOURT, Emily 's sweetheart
COUNT MORANO, a Venetian nobleman in love with Emily
MADAME MONTONI, Emily's aunt
Critique:
Tfee Mysteries of Udolpho is the most
famous of the Gothic novels extremely
popular at the end of the eighteenth cen
tury. The mysterious elements of the
story are always explained in some nat
ural way, for Mrs. Radcliffe was too
much of an eighteenth-century rationalist
to succumb completely to the super
natural. The characters in the book are
stilted both in action and conversation.
Mrs. Radcliffe was at her best only when
describing scenery, such as the rugged
Pyrenees and Apennines, or when de
scribing an atmosphere of suspense in
creating her effects of terror.
The Story:
After the death of his wife, Monsieur
St, Aubert, a French aristocrat, took his
daughter on a trip in the Pyrenees Moun
tains. High on a mountain road the St.
Auberts met a young nobleman dressed
in hunting clothes. He was Valancourt,
the younger son of a family with which
M. St. Aubert was acquainted. Joining
the St. Auberts on their journey, the
young man soon fell in love with eight
een-year-old Emily St. Aubert, and the
girl felt that she, too, might lose her
heart to
St. Aubert became desperately ill and
died in a cottage near the Chateau-le-
Blanc, ancestral seat of the noble Villeroi
family. After her father's burial at the
nearby convent of St. Glair, Emily re
turned to her home at La Vallee and
promptly burned some mysterious letters
which her father had requested her to
destroy. With the letters she found a
miniature portrait of a beautiful un
known woman. Since she had not been
told to destroy the portrait, she took it
with her when she left La Vallee to
stay with her aunt in Toulouse.
Valancourt followed Emily to Toulouse
to press his suit. After some remon
strance, the aunt gave her permission
for the young couple to marry. Then, a
few days before the ceremony, the aunt
married Signor Montoni, a sinister Ital
ian, who immediately forbade his new
niece's nuptials. To make his refusal
doubly positive, he took Emily and her
aunt to his mansion in Venice.
There Emily and Madame Montoni
found themselves in unhappy circum
stances, for it soon became apparent that
Montoni had married in order to secure
for himself the estates of his new wife
and her niece. When he tried to force
Emily to marry a Venetian nobleman,
Count Morano, Emily was in despair.
Suddenly, on the night before the wed
ding, Montoni ordered his household to
pack and leave for his castle at Udolpho,
high in the Apennines.
When the party arrived at Udolpho,
Montoni immediately began to repair the
fortifications of the castle. Emily did
not like the dark, cold, mysterious castle
from which the previous owner, Lady
Laurentini, had disappeared under mys
terious circumstances. Superstitious serv
ants claimed that apparitions flitted about
the halls and galleries of the ancient
fortress.
Soon after Montoni and his household
had settled themselves, Count Morano
attempted to kidnap Emily. Foiled by
Montoni, who wounded him severely in
a sword fight, Morano threatened re
venge.
A few days later Montoni tried to
force his wife to sign over her estates to
him. When she refused, he caused her
to be locked up in a tower of the casde.
Emily tried to visit her aunt that night.
Terrified at finding fresh blood on the
636
tower stairs, she believed her aunt mur
dered.
Ghostly sounds and shadows about
Udolpho began to make everyone un
easy. Even Montoni, who had organized
a band of marauders to terrorize and pil
lage the neighborhood, began to believe
the castle was haunted. Emily heard
that several hostages had been taken. She
was sure that Valancourt was a prisoner
because she had heard someone singing
a song he had taught her and because one
night a mysterious shadow had called
her by name. Her life was made one long
torment by Montonf s insistence that she
sign away her estates to him, lest she
suffer the same fate as her aunt.
The aunt had not been murdered, as
Emily found out through her maid, but
had become so ill because of harsh treat
ment that she had died and had been
buried in the chapel of the castle.
Morano made another attempt to steal
Emily away from the castle, this time
with her assistance, as she was now
afraid for her life. But Montoni and his
men discovered the attempt in time to
seize the abductors outside the casde
walls. Shortly afterward Montoni sent
Emily away, after forcing her to sign the
papers which gave him control of her
estates in France. At first she thought
she was being sent to her death, but
Montoni sent her to a cottage in Tuscany
because he had heard that Venetian au
thorities were sending a small army to
attack Udolpho and seize him and his
bandits. His depredations had caused
alarm after the villas of several rich Vene
tians had been robbed.
When Emily returned to the castle,
she saw evidence that there had been a
terrible battle. Emily's maid and Ludo-
vico, another servant, disclosed to Emily
on her return that a prisoner who knew
her was in the dungeons below. Emily
immediately guessed that the prisoner
was Valancourt and made arrangements
to escape with him. But the prisoner
turned out to be Monsieur Du Pont, an
old friend of her father. Emily, Monsieur
Du Pont, the girl's maid, and Ludovico
made their escape and reached Leghorn
safely. There they took ship for France.
Then a great storm drove the ship ashore
close to the Chateau-le-Blanc, near which
Emily's father had been buried.
Emily and her friends were rescued b)
Monsieur Villefort and his family. The
Villeforts had inherited the chateau and
were attempting to live in it, although it
was in disrepair and said to be haunted.
While at the chateau Emily decided to
spend several days at the convent where
her father was buried. There she found
a nun who closely resembled the mys
teriously missing Lady Laurentini, whose
portrait Emily had seen at the castle of
Udolpho.
When Emily returned to the chateau
she found it in a state of turmoil because
of weird noises that seemed to come from
the apartments of the former mistress of
the chateau. Ludovico volunteered to
spend a night in the apartment. Although
all the windows and doors were locked,
he was not in the rooms the next morn
ing. "When the old caretaker came to tell
Emily this news, she noticed the minia
ture Emily had found at La Vallee. The
miniature, said the servant, was a portrait
of her former mistress, the Marquise de
Villeroi. More than that, Emily closely
resembled the portrait.
Meanwhile Valancourt reappeared and
once again made plans to marry Emily,
but Monsieur Villefort told her of gam
bling debts the young man had incurred
and of the wild life he had led in Paris
while she had been a prisoner in Italy.
Because of that report Emily refused to
marry him. She returned in distress to
her home at La Vallee to learn that
Montoni had been captured by the Vene
tian authorities. Since he had criminally
secured the deeds to her lands, the court
now restored them to her, and she was
once again a young woman of wealth and
position.
While Emily was at La Vallee, the
Villefort family made a trip high into
the Pyrenees to hunt. Almost captured
637
by bandits, they were rescued by Ludo-
vico, who had so inexplicably disappeared
from the chateau. He had been kid
naped by smugglers who had used the
vaults of the chateau to store their treas
ure, and he disclosed that the noises in
the chateau had been caused by the out
laws in an effort to frighten away the
rightful owners.
Informed of what had happened, Emily
returned to the chateau to see her
friends. While there, she again visited
the convent of St. Glair. The nun whom
she had seen before, and who resembled
the former mistress of Udolpho, was
taken mortally ill while Emily was at the
convent. On her deathbed the nun con
fessed that she was Lady Laurentini, who
had left Udolpho to go to her former
lover, the Marquis de Villeroi. Finding
him married to M. St. Aubert's sister,
she ensnared him once more and made
him an accomplice in her plot to poison
his wife. When the marquis, overcome
by remorse, fled to a distant country and
died there, she had retired to the convent
to expiate her sins.
Emily's happiness was complete when
Monsieur Du Pont, who had escaped
with her from Udolpho, proved that Val-
ancourt had gambled only to secure
money to aid some friends who were on
the brink of misfortune. Reunited, they
were married and went to La Vallee,
where they lived a happy, tranquil life
in contrast to the many strange adven
tures which had parted them for so long.
NANA
Type of -work: Novel
Author: Emile Zola (1840-1902)
Type of 'plot: Naturalism
Time of plot: 1860's
Locale: Paris and rural France
First published: 1880
Principal characters:
NANA, a beautiful courtesan
FAUCHERY, a dramatic critic
STEINER, a wealthy banker
GEORGE HUGON, a student
PHILIPPE HUGON, his brother, an officer
FONTAN, an actor
Coii^r MUFF AT DE BETJVTLLE,
SABINE, his wife
MARQUIS DE CHOUARD, and
COUNT XAVTEH DE VAXDEUVBES, well-known figures of the Parisian
world of art and fashion
Critique:
Nona, one of Zok's Rougon-Maequart
series of novels picturing French life and
society in the period from 1852 to 1870,
was written to portray a successful cour
tesan not sentimentally or romantically
but realistically. As Zola presents her,
Nana is moronic, vulgar, greedy, and
cruel, and her story is a sermon warning
men against a devotion to lust. The
novel is a powerful indictment of the
social decay which marked the reign of
Napoleon III
The Story:
M. Fauchery, theatrical reviewer for
a Paris paper, was attending the premiere
of The Blonde Venus at the Variety
Theatre because he had heard rumors of
Nana, Venus of the new play.
Smart Paris was well represented at
638
the theatre tb-at night, and Fauchery
and his cousin Hector de la Faloise noted
a few of the more interesting people. In
the audience were Steiner, a crooked "but
very rich hanker who was the current
lover of Rose Mignon, an actress in The
Blonde Venus; Mignon, who served as
procurer for his own wife; Daguenet, a
reckless spender reputed to he Nana's
lover for the moment; Count Xavier de
Vandeuvres; Count Muffat de Beuville
and his wife, and several of the city's
well-known courtesans.
The play, a vulgar travesty on the life
of the Olympian gods, was becoming
boresome when Nana finally appeared,
and with beautiful golden hair floating
over her shoulders walked confidently
toward the footlights for her feature song.
When she began to sing, she seemed
such a crude amateur that murmurs and
hisses were beginning to sound. But
suddenly a young student exclaimed
loudly that she was stunning. Every one
laughed, including Nana. It was as
though she frankly admitted that she
had nothing except her voluptuous self
to offer. But Nana knew that was suf
ficient for her audience. As she ended
her song she retired to the back of the
stage amid a roar of applause. In the
last act, Nana's body was veiled only by
her golden locks and a transparent gauze.
The house grew quiet and tense. Nana
smiled confidently, knowing that she had
conquered them with her marble-like
flesh.
Thus Nana, product of the streets o£
Paris, started her career as mistress of
the city. To get money for her scrofulous
little son, Louis, and for her own ex
travagant wants, she sold herself at vary
ing prices to many men. She captivated
Steiner, the banker, at an all-night party
after her initial success as Venus. He
bought her a country place, La Mignotte,
a league from Les Fondettes, home of
Madame Hugon, whose seventeen-year-
old son George had called Nana stunning
the opening night of The Blonde Venus
and who had been enraptured with her
at Nana's party. Nana, making no pr^
tense of belonging exclusively to Steiner,
invited a number of friends to visit hei
at La Mignotte.
Madame Hugon entertained Count
Muffat, his wife Sabine, and their daugh
ter Estelle at her home in September.
George, who had been expected several
tinies during the summer, suddenly
came home. He had invited Fauchery
and Daguenet for a visit. M. de Van
deuvres, who had promised for five years
to conie to Les Fondettes, was likewise
expected. Madame Hugon was unaware
of any connection between the coming
of Nana to La Mignotte and the simul
taneous visits of all these men to Les
Fondettes.
George escaped from his doting mothei
and went in the rain to Nana, who
found him soaking wet as she was gather
ing strawberries in her garden. While
his clothes were drying, he dressed in
some of Nana's. Despite Nana's feeling
that it was wrong to give herself to such
an innocent boy, she finally submitted to
George's entreaties — and she was faith
ful to him for almost a week.
Muffat, who had lived a circumspect
life for forty years, became increasingly
inflamed by passion as he paid nighdy
visits to Nana's place, only to be rebuffed
each time. He talked with Steiner, who
likewise was being put off by Nana with
the excuse that she was not feeling well.
Meanwhile Muffat's wife attracted the
attention of Fauchery, the journalist.
Eleven of Nana's Parisian friends ar
rived in a group at La Mignotte. George
was seen with Nana and her friends by
his mother, who kter made him promise
not to visit the actress, a promise he had
no intention of keeping. His brother
Philippe, an army officer, threatened to
bring him back by his ears if he had any
thing more to do with Nana.
Being true to George was romantically
pleasing, but financially it was unwise,
and Nana at last gave herself to the per
sistent Muffat the night before she re
turned to Paris to see whether she could
639
recapture the public that had acclaimed
her in The Blonde Venus.
Three months later Muffat, who had
taken the place of castoff George, was
involved in financial trouhles. During a
quarrel with Nana he learned that his
wife Sabine and Fauchery were making
a cuckold of him. Nana, by turns irri
tated or bored by Muffat and then sorry
for him, chose this means of avenging
herself on Fauchery> who had \vritten a
scurrilous article entided The Golden
Fly, obviously about Nana herself.
Having broken with Muffat and
Steiner, Nana gave up her place in the
Boulevard Haussmann and went to live
with the actor Fontan. But Fontan be
came increasingly difficult and even
vicious, beating her night after night and
taking all her money. Nana returned to
her old profession of streetwalking to
pick up a few francs. After a close brush
with the police, Nana grew more dis
creet. Also, she left the brutal Fontan
and sought a part as a grand lady in a
new pky at the Variety Theatre. Given
the part, she failed miserably in it; but
she began to play the lady in real life in
a richly decorated house which Muffat
purchased for her. Despite Nana's cal
lous treatment of him, Muffat could not
stay away from her.
In her mansion in the Avenue de
Villiers Nana squandered money in great
sums. Finding Muffat's gifts insufficient,
she added Count Xavier de Vandeuvres
as a lover. She planned to get eight or
ten thousand francs a month from him
for pocket money. George Hugon re
appeared, but he was less interesting
than he had once been. When Philippe
Hugori tried to extricate his young
brother from Nana's net, he also was
caught. Nana grew bored. From the
streets one day she picked up the slut
Satin, who became her vice.
In a race for the Grand Prize of Paris
at Longchamps, Nana won two thou
sand louis on a horse named for her. But
de Vandeuvres, who owned the filly
Nana as well as the favorite Lusignan,
lost everything through some crooked
betting. He set fire to his stable and died
with his horses.
Muffat found Nana in George's arms
one evening in September and from that
time he ceased to believe in her sworn
fidelity. Yet he became more and more
her abject slave, submitting meekly
when Nana forced Kim to play woollv
bear, horse, and dog with her, and then
mocked his ridiculous nudity. Muffat
was further degraded when he discovered
Nana in bed with his father-in-law, the
ancient Marquis de Chouard.
George, jealous of his brother Phi
lippe, stabbed himself in Nana's bed
room when she refused to marry him.
He died of his self-inflicted wound and
Nana was briefly sorry for him. This
utterly evil woman also broke Philippe.
He was imprisoned for stealing army
funds to spend on her.
Nana thrived on those she destroyed.
It was fate which caught her at last.
Visiting her dying son after a long ab
sence and many conquests in foreign
lands, she caught smallpox from him
and died horribly in a Paris hospital.
The once-beautiful body which had de
stroyed so many men lay like a rotting
ruin in a deserted room as outside there
sounded the French battlecry. The
Franco-Prussian war of 1 870 had begun.
THE NARRATIVE OF ARTHUR GORDON PYM
Type of work: Short story
Author: Edgar Allan Poe (1809-1849)
Type of plot: Adventure romance
Time of plot: Early nineteenth century
Locale; High seas
First published: 1838
640
characters:
ARTHUR GORDON PYM, an adventurer
AUGUSTUS BARNARD, his friend
DIRK PETERS, a sailor
Critique:
Presented as the journal of Arthur
Gordon Pym, this story is one of those
celebrated literary hoaxes so well suited
to Poe's talents and taste. The model of
the story is the Gothic tale of horror, and
in its effects of terror and the unbeliev
able it equals any other of Poe's tales.
It includes such matters as the eating
of human flesh and the discovery of
human life in regions where the map of
the world shows only sea waste. In all
other respects the story illustrates the
remarkable ability of the writer to simu
late the truth when dealing with the
unnatural or the supernatural.
The Story:
Arthur Gordon Pym was born the son
of a respectable trader at Nantucket.
While still young he attended an acad
emy and there met Augustus Barnard,
the son of a sea captain, and the two be
came close friends. One night after a
party Augustus awoke Pym from his
sleep and together they set off for the
harbor. There, Augustus took charge
of a small boat and they headed out to
sea.
Before long, Pym, seeing that his
companion was unconscious, realized the
sad truth of the escapade. Augustus had
been drunk, and now in the cold weather
was lapsing into insensibility. As a re
sult their boat was run down by a whaler
and the two narrowly escaped with their
lives. They were taken aboard the ship
which had run them down and returned
to port at Nantucket.
The two friends became even more
intimate after this escapade. Captain
Barnard was at that time preparing to
fit out the Grampus, an old sailing hulk,
for a voyage on which Augustus was
to accompany him. Against his father's
wishes, Pym planned to sail with his
friend. Since Captain Barnard would
not willingly allow Pym to sail without
his father's permission, the two boys
decided to smuggle Pym aboard and hide
him in the hold until the ship should
be so far at sea the captain would not
turn back.
At first everything went according to
schedule. Pym was hidden below in a
large box with a store of water and food
to last him approximately four days.
Great was his consternation to discover,
at the end of the fourth day, that his
way to the main deck was barred. His
friend Augustus did not appear to
rescue him. In that terrible state he re
mained for several days, coming each
day closer to starvation or death from
thirst.
At last his dog, which had followed
Pym aboard the ship, found his way to
his master. Tied to the dog's body was a
paper containing a strange message con
cerning blood and a warning to Pym to
keep silent if he valued his life.
Pym was sick from hunger and fever
when Augustus at last appeared. TTie
story he had to tell was a terrible one.
Shortly after the ship had put to sea
the crew had mutinied, and Captain
Barnard had been set adrift in a small
boat. Some of the crew had been killed,
and Augustus himself was a prisoner of
the mutineers. Pym and Augustus lo
cated a place of comparative safety where
it was agreed Pym should hide.
Pyrn now began to give his attention
to the cargo, which seemed not to have
been stowed in accordance with the rules
for safety. Dirk Peters, a drunken muti
neer, helped both Pym and Augustus
and provided them with food.
When the ship ran into a storm, some
of the mutineers were washed overboard.
Augustus was once more given free run
of the ship. Augustus, Pym, and Peters
planned to overcome the other mutineers
641
and take possession of the sliip. To
frighten tlie mutineers during a drunken
brawl, Pym disguised himself to resemble
a sailor recently killed. The three killed
all of the mutineers except a sailor named
Parker. Meanwhile a gale had come up,
and in a few hours the vessel was re
duced to a hulk by the heavy seas. Be
cause the ship's cargo was made up of
empty oil casks, there was no possibility
of its sinking from the violence of the
heavy seas. When the storm abated, the
four survivors found themselves weak
and without food or the hope of securing
stores from the flooded hold. One day
a vessel was sighted, hut as it drew near
those aboard the Grampus saw that it
was adrift and all of its passengers were
dead.
Pym tried to go below by diving, but
he brought up nothing of worth. His
companions were beginning to go mad
from strain and hunger. Pyrn revived
them by immersing each of them in the
water for awhile. As their agony in
creased, a ship came near, but it veered
away without coming to their rescue.
In desperation the men considered the
possibility of eating one of their num
ber. When they £ew lots, Parker was
chosen to be eaten. For four days the
other three lived upon his flesh.
At last they made their way into
the stores and secured food. Rain fell,
and the supply of fresh water, together
with the food, restored their hope.
Augustus, who had suffered an arm in
jury, died. He was devoured by sharks
as soon as his body was cast overboard.
A violent lurch of the ship threw
Pym overboard, but he regained the ship
with Peters' help just in time to be
saved from sharks. The floating hulk
having overturned at last, the two sur
vivors fed upon barnacles. Finally, when
they were nearly dead of thirst, a British
ship came to their rescue. It was the
Jane Guy of Liverpool, bound on a
sealing and trading voyage to the South
Seas and Pacific,
i'eters and Pym began to recover.
Within two weeks they were able to look
back upon their horrible experiences with
almost the same feeling with which one
recollects terrible dreams.
The vessel stopped at Christmas Har
bor, where some seals and sea elephants
were killed for their hides. The captain
was anxious to sail his vessel into
Antarctica on a voyage of exploration.
The weather turned cold. There was
an adventure with a huge bear which
Peters killed in time to save his compan
ions. Scurvy afflicted the crew. Once the
captain decided to turn northward, but
later he foolishly took the advice of Pym
to continue on. They sailed until they
sighted land and encountered some sav
ages whom they took aboard.
The animals on the island were strange,
and the water was of some peculiar com
position which Pym could not readily
understand. The natives on that strange
coast lived in a state of complete savagery.
Bartering began. Before the landing
party could depart, however, the sailors
were trapped in what seemed to be an
earthquake, which shut off their passage
back to the shore. Only Pym and Peters
escaped, to learn that the natives had
caused the tremendous earth slide by
pulling great boulders from the top of
a towering cliff. The only white men
left on the island, they were faced by
the problem of evading the natives, who
were now preparing to attack the ship.
Unable to warn their comrades, Pym
and Peters could only watch helplessly
while the savages boarded the Jane Guy
and overcame the six white men who had
remained aboard. The ship was almost
demolished. The savages brought about
their own destruction, however, for in
exploring the ship they set off the am
munition and the resulting explosion
killed about a thousand of them.
In making their escape from the island
Pym and Peters discovered ruins similar
in form to those marking the site of
Babylon. When they came upon two
unguarded canoes, they took possession of
one and pushed out to sea* Savages
642
chased them but eventually gave up the
pursuit. They began to grow listless and
when their canoe entered a warm
Ashy material fell continually
sea.
around and upon them. At last the boat
rushed rapidly into a cataract, and a
human figure, much larger than any
man and as white as snow, arose in the
pathway of the doomed boat. So ended
the journal of Arthur Gordon Pym.
NATIVE SON
Type of work: Novel
Author: Richard Wright (1909-1960)
Type of 'plot: Social criticism
Time of 'plot: 1930's
Locale: An American city
First published: 1940
Principal characters:
BIGGER THOMAS, a young Negro
MR. DALTON, Bigger's employer
MRS. DALTON, Mr. Dalton's wife
MARY DALTON, their daughter
JAN ERLONE, Mary's sweetheart
BRITTEN, Dalton's private detective
BESSES MEARS, Bigger's mistress
BUCKLEY, state prosecutor
BORIS A. MAX, Bigger's lawyer
Critique:
Written in simple, unadorned English,
Native Son succeeds in unfolding hu
man emotions of the most primitive and
sensuous nature. Richard Wright at
tempts in this story to create mutual
understanding between his own race
and the white. Bigger Thomas is not
merely one twenty-year-old boy; he is an
entire race. Native Son shows that the
underprivileged Negro is either the
church-loyal, praying, submissive type or
the embittered, criminal type. The socio
logical pleading of the novel is subordi
nate, however, to the drama of a boy who
finds freedom through killing and who
learns the meaning of life by facing
death.
The Story:
In a one-room apartment Bigger
Thomas lived with his brother, sister,
and mother. Always penniless, haunted
by a pathological hatred of white people,
driven by an indescribable urge to make
others cringe before him, Bigger had
NATIVE SON by Richard Wright. By permission of the publishers. Harper & Brothers Cotxyifrfct, 1940,
by Richard Wright.
retreated into an imaginary world of
fantasy.
Through the aid o£ a relief agency he
obtained employment as a chauffeur for
a wealthy family. His first assignment
was to drive Mary Dalton, his employer's
daughter, to the university. Mary, how
ever, was on her way to meet Jan Erlone,
her sweetheart. Hie three of them, Mary
and Jan, white people who were crusad
ing with the Communist Party to help
the black people, and Bigger, a reluctant
ally, spent the evening driving and
drinking. When Bigger brought Mary
home, she was too drunk to take herself
to bed. With a confused medley of hatred,
fear, disgust, and revenge playing within
his mind, Bigger helped her to her bed
room. When Mary's blind mother entered
the room, Bigger covered the girl's face
with a pillow to keep her from making
any sound that might arouse Mrs. Dal'
ton's suspicions. The reek of whiskey
convinced Mrs. Dalton that Mary was
drunk, and she left the room. Then
Bigger discovered that he had smothered
Mary to death. To delay discovery of
his crime, he took the body to the base
ment and stuffed it into the furnace.
Bigger began a weird kind of ration
alization. The next morning in his
mother's home he began thinking that
he was separated from his family because
he had killed a white girl. His plan
was to involve Jan in connection with
Mary's death.
When Bigger returned to the Dalton
home, the family was worrying over
Mary's absence. Bigger felt secure from
incrimination because he had covered his
activities by lying. He decided to send
ransom notes to her parents, allowing
them to think Mary had been kidnaped.
But there were too many facts to re
member, too many lies to tell. Britten,
the detective whom Mr. Dalton had
hired, tried to intimidate Bigger, but
his methods only made Bigger more
determined to frame Jan, who in his
desire to protect Mary lied just enough
to help Bigger's cause. When Britten
brought Bigger face to face with Jan
for questioning, Bigger's fear mounted.
He went to Bessie, his mistress, who
wrung from him a confession of murder.
Bigger forced her to go with him to hide
in an empty building in the slum section
of the city. There he instructed her to
pick up the ransom money he hoped to
receive from IMr. Dalton.
Bigger was eating in the Dalton kitch
en when the ransom note arrived. Jan
had already been arrested. Bigger clung
tenaciously to his lies. It was a cold
day. Attempting to build up the fire,
Bigger accidentally drew attention to the
furnace. When reporters discovered
Mary's bones, Bigger fled. Hiding with
Bessie in the deserted building, he real
ized that he could not take her away
with him. Afraid to leave her behind
to be found and questioned by the
police, he killed her and threw her body
down an air shaft.
When Bigger ventured from his hide
out to steal a newspaper, he learned that
the city was being combed to find him.
He fled from one empty building to
another, constantly buying or stealing
newspapers so that he could know his
chances for escape. Finally he was
trapped on the roof of a penthouse by a
searching policeman. Bigger knocked him
out with the butt of the gun he had
been carrying with him. The police
finally captured Bigger after a chase
across the rooftops.
In jail Bigger refused to eat or speak.
His mind turned inward, hating the
world, but he was satisfied with himself
for what he had done. Three days later
Jan Erlone came to see Bigger and
promised to help him. Jan introduced
Boris A. Max, a lawyer from the Com
munist front organization for which Jan
worked.
Buckley, the prosecuting attorney, tried
to persuade Bigger not to become in
volved with the Communists. Bigger
said nothing even after the lawyer told
bi-m that Bessie's body had been found.
But when Buckley began listing crimes
of rape, murder, and burglary which had
been charged against him, Bigger pro
tested, vigorously denying rape and Jan's
part in Mary's death. Under a steady
fire of questions from Buckley, Bigger
broke down and signed a confession.
The opening session of the grand jury
began. First Mrs. Dalton appeared as
a witness to identify one of her daughter's
earrings, which had been found in the
furnace. Next Jan testified, and under
the slanderous anti-Communist question
ing, Max rose in protest against the
racial bigotry of the coroner. Max ques
tioned Mr. Dalton about his ownership
of the high-rent rat-infested tenements
where Bigger's family lived. Generally,
the grand jury session became a trial
of the race relations which had led to
Bigger's crime rather than a trial of the
crime itself. As a climax to the session
the coroner brought Bessie's body into
the courtroom in order to produce evi
dence that Bigger had raped and mur
dered his Negro sweetheart. Bigger was
644
returned to jail after Max had promised
to visit him. Under the quiet questioning
of Max, Bigger at last was able to talk
about his crime, his feelings, his reasons.
He had been thwarted by white people
all his life, he said, until he had killed
Mary Dalton; that act had released him.
At the opening session of the trial
Buckley presented witnesses who attested
Digger's sanity and his ruthless character.
The murder was dramatized even to the
courtroom reconstruction of the furnace
in which Mary's body had been burned.
Max refused to call any of his own wit
nesses or to cross-examine, promising to
act in Digger's behalf as sole witness
for the defense. The next day in a long
speech Max outlined an entire social
structure, its effect on an individual such
as Bigger, and Bigger's particular inner
compulsions when he killed Mary Dal
ton. Pleading for mitigation on the
grounds that Bigger was not totally re
sponsible for his crime, he argued that
society was also to blame.
After another race-prejudiced attack
by Buckley, the court adjourned for one
hour. It reopened to sentence Bigger
to death. Max's attempts to delay death
by appealing to the governor were un
successful.
In the last hours before death Bigger
realized his one hope was to communicate
his feelings to Max, to try to have Max
explain to him the meaning of his life
and his death. Max helped him see that
the men who persecuted Negroes, poor
people, or others, are themselves filled
with fear. Bigger could forgive them
oo o
because they were suffering the same
urge that he had suffered. He could for
give his enemies because they did not
know the guilt of their own social crimes.
THE NAZARENE
Type of -work: Novel
Author: Sholem Asch ( 1880-195 7)
Type of 'plot: Religions chronicle
Time of plot: First and twentieth centuries
Locale: Poland, Italy, Palestine
First -published: 1939
Principal characters:
PAN ViATX)MSKY, a learned man, an antiquarian, who believes himself
a reincarnation of Cornelius the Ciliarch, Hegemon of Jerusalem
A JEWISH STUDENT
YE SHU A, Jesus
PONTIUS PELATE
JUDAH IsH-KiRioT, a disciple of Yeshua
MIRIAM OF IVIiGDAL, Mary Magdalene
BAB ABBA, a rebel robber
Critique:
The Nazarene attempts to tell the
story of Christ as an eyewitness account,
and the author's knowledge of historical
background and his consummate artistry
in handling character, plot, and action
make for one of the better novels of our
time. Part one is related by Pan Viadom-
sky, who believes himself to be the rein
carnation of Cornelius the Ciliarch, the
military governor of Jerusalem undei
Pontius Pilate. Part two purports to be
the Gospel according to Judas Iscariot.
Part three is narrated by a young Jewish
scholar whom Pan Viadomsky calls Jo-
sephus, who later imagines himself a
reincarnation of Jochanan, a student
under Nicodemon.
THE NAZARENE fay Sholem Asch. Translated by Maurice Samuel. By permission of the author and th«
publishers, G. P. Putnam's Son*. Copyright, 1939, by Sholem Asch.
645
The Story:
Pan Viadomsky had a peculiar reputa
tion in Warsaw. He was generally ac
counted a great classical scholar — and
a trickster. He earlier had been a fre
quent contributor to the journals of Latin
and Greek, and often he settled contro
versial matters with a curiously minute
and cunning knowledge of the ancients.
But after several years he went too far:
he talked and wrote of hidden or obscure
events with a maddening air of superior
ity. He announced the discovery of
ancient manuscripts, but he would allow
no competent scholar to examine the
documents.
On an expedition to Mediterranean
lands, Pan Viadomsky pretended that he
had found old documents of great worth.
Some of his colleagues, however, found
him in the company of a notorious forger.
The learned world then began to dis
count Pan's scholarship, and gradually
many people thought or him as a simple
trickster.
Still, Jochanan the Jew was glad to
work with Pan, even though he was a
vindictive anti-Semite, after the Jew had
heard of Pan's Hebrew manuscript and of
bis desire for a Hebrew scholar to read
it with him. Jochanan became well
acquainted with the famous Pan? even
indispensable to him, and little by little
a strange friendship grew between them.
On his side Pan sneered at all Jews but
he sometimes made an exception for
Jochanan; on his side Jochanan was
awe-struck by Pan's detailed knowledge
of Jewish history, particularly of the time
of Christ.
One day, almost against his will, Pan
told part of his secret, the source of his
detailed and exact knowledge. He an
nounced that he was in reality the rein
carnation of the Hegemon of Jerusalem,
Pontius Pilate's right hand man! At first
Jochanan took the story for an old man's
babbling, but he listened to the tale with
increasing belief.
Pontius Pilate had been a great soldier
of Rome, one of the best lieutenants of
Gennanicus. But in Romt. Pilate dis
credited his former commander, and
doughty Germanicus retired from official
life a ruined man. Then Pilate cast
covetous eyes on Judea, a poor place,
but a land where he could get rich
through bribery. He sought and won
the hand of Claudia, the debauched
daughter of Tiberius Caesar. After the
marriage Pilate was appointed Procurator
of Judea. He took with him his friend,
a young soldier, as Hegemon of Jeru
salem.
Once in Jerusalem Pilate ordered the
Hegemon to display the hated Roman
eagle in the sacred temple of the Jews.
The pious Jews were astounded and
aroused, for by law Roman authority
did not extend to religious matters. But
Pilate was firm and the Hegemon cruelly
beat back the attempts of the Jews to
storm his fortress. At last the Jews
gave in, and the crafty High Priest of
the Temple paid an enormous bribe to
Pilate.
Afterward the Hegemon visited around
in Judea a great deal. He met and was
drawn to the great courtesan and dancer,
Miriam of Migdal. He was in the castle
of Herod Antipater that infamous night
when Salome danced, and the Hegeman
saw the head of Jochanan the Baptist
brought in on a platter. He visited K'far
Nahum and heard the new Rabbi Yeshua
preach. The Hegemon was strangely
drawn to this young rabbi of Nazareth,
but a real Roman could not deign to
listen to a poor Jew, the fanatical son of
a carpenter.
Jochanan had to believe Pan, this
scholar who knew so much. Pan Viadom
sky wras really the Hegemon come back
to life!
Now that the secret was out, Pan
finally showed him his great manu
script, Jochanan looked at the strange
document with wonder, and then he
examined it with searching care. There
could be no doubt that it was in fact
what Pan said it was. Jochanan had
646
before him the true manuscript that
had been carefuUy deposited in the tomb-
cave of Sepphoris in Galilee. It was the
record of Judah Ish-Kiriot, written with
his own hand, the story of Judah's time
with Yeshua! Through reading it, Jo-
chanan learned more of the great story.
Judah was young and impetuous, and
he followed his Rabbi Yeshua with much
love. In return Yeshua made Judah
treasurer for the little band of disciples.
Judah went everywhere with Yeshua.
He even went on that terrible journey
into Zidon, where Yeshua was appalled
at the sin and suffering and shame of
the gentiles. On their return to Jeru
salem Yeshua preached with more learn
ing and with more purity than before.
When Yeshua preached before Pharisees
and Saduccees he was especially in
spired.
The small band of twelve grew in
number. Miriam, Yeshua's mother, came
to be near her son, and Miriam of Mig-
dal repented of her sins and ministered
to the needs of Yeshua. But always there
was fear among them. Was Yeshua really
the Messiah? Would he deliver Judea
from the Romans?
Here the manuscript broke off. When
he had finished the reading, Jochanan
was troubled. Why did these scenes seem
so real? Pan Viadom sky's face peered
forth through a haze, and Pan's look was
triumphant. So that was it! Jochanan had
a vivid racial memory of that other Jo
chanan, the young pupil of Nicodemon.
With the transformation backward in
time, Jochanan and the Hegemon fin
ished together, from their joint memories,
the story of Yeshua.
Judah had been one of Rabbi Nico-
demon's pupils, but he spent more and
more time with Yeshua. Judah was sure
Yeshua was the Messiah, and that im
petuous feeling finally led him to point
out Yeshua for the Romans. Judah did
it merely to test his rabbi; he expected
Yeshua to annihilate the Romans.
The Hegemon had been perturbed by
Yeshua. He thought the rabbi was in
citing the people to rebellion. The Hege
mon went to the High Priest and de
manded that Yeshua be tried for treason,
Both the Pharisees and the Saducees
agreed that Yeshua was innocent of any
crime, but under the urging of the Hege
mon, the High Priest brought Yeshua be
fore Pilate. Pilate, little aware of what
was going on, hesitated to order Yeshua's
crucifixion. He decided to let the people
choose whether Yeshua or Bar Abba, a
robber, should be released. When the
crowd shouted for the release of Bar
Abba, Pilate had no choice. He ordered
the Hegernon to crucify Yeshua. With
zest and Roman thoroughness, the Hege
mon carried out the sentence.
Now the story was over. Pan Viadom-
sky sank back exhausted. Jochanan was
still in a whirl, trying to separate the old
from the new.
Then Pan confessed the rest of his
secret. At the crucifixion Yeshua had
conquered the Hegemon's spirit. As retri
bution and penance the Hegemon's soul
remained on earth, inhabiting different
bodies. Now Pan Viadomsky was ready
to die, but his spirit would stay on in
another body. The Hegemon of Jeru
salem had to live forever.
THE NEW GRUB STREET
Type of work: Novel
Author: George Gissing (1857-1903)
Type of 'plot: Social criticism
Time of 'plot: Nineteenth century
Locale: England
First 'published: 1891
Principal Characters:
JASPAR MELVAIN, a writer
ALFRED YULE, a literary hack
647
MABJAN Yuuer Alfred's daughter
AMY REAEDOX, Alfred's niece
EDWEST REABDON, Amy's husband
DORA MTLVATN, and
MAUD MELVATN, Jaspar's sisters
Critique:
Jaspar Milvain may be classed as an
egoist. At any rate, he is a mercenary
whose literary aspirations tend only
toward the material but pretend to be
striving for the artistic. The new Grub
Street portrayed by Gissing is not a place
for talented but poor writers; it is a
ruthless contest among moneymongers.
The Story:
There had been three Yule brothers.
John, the oldest, had gone into a profita
ble paper manufacturing business; he
abhorred the relatively impoverished
state of his brother Alfred, a writer.
Edmund Yule, the third brother, died,
leaving only a small income to his wife,
his daughter Amy, and his son John.
Arny married Edwin Reardon, a man
with much promise as a writer, but who
had little success after his first book.
Jaspar Milvain was Edwin's friend. Jas
par spent most of his time writing small
pieces for different publications and
making friends among people who
counted in the world of letters. He be
lieved, as Arny did, that Edwin would
some day become financially successful
in his work.
Alfred Yule had married a poor wo
man of a lower class, who, because of
her lack of breeding, had become a
drawback to his career. An unfortunate
quarrel with an editor named Fadge had
caused Alfred to hate Fadge and those
associated with him. When Jaspar Mil-
vain accepted his first literary appoint
ment from Fadge, Alfred did not want to
invite the young man to call at his home
in London, although Marian, his daugh
ter, wished him to do so.
Jaspar's mother died, leaving his two
sisters, Dora and Maud, with no means
of support, so Jaspar brought the girls
to London to live with him. When his
sisters arrived in London, Jaspar called
at Alfred Yule's home to ask Marian if
she wTould become friends with them.
Marian was happy to meet Dora and
Maud, as she had no close friends of her
own.
Because of her calls on his sisters,
Jaspar was able to see Marian frequently.
Aware of their brother's selfishness, Dora
and Maud viewed with trepidation their
new friend's affection toward Jaspar.
He was looking for a rich wife to sup
port him while he made his way in the
world of letters. If Marian suspected
Jaspar 's mercenary motives, she did not
admit them to herself. Her great sorrow
was that her father hated Jaspar along
with his enemy, Fadge.
Edwin Reardon's personality was such
that he succumbed easily to adversity.
When he became discouraged, Amy, who
loved her husband, tried to push him
back to work. Edwin became irritable,
and depended more and more for inspira
tion on Amy's love. They began to
quarrel until they hardly spoke a civil
word to one another.
One day Amy and Edwin realized that
they would be starving within a month,
for there was no hope that Edwin could
produce a profitable story in time to save
them. Edwin felt he could no longer
write. Having been, before his mar
riage, a clerk in a charitable institution,
he resumed his former occupation as a
means o£ saving himself from ruin, both
spiritual and financial. Amy was furious
to think her husband would degrade him
self by accepting the position of a mere
clerk. She had believed that she had
married a clever writer; Edwin as a clerk
did not appeal to her. Finally they
parted, Amy to return to her mother's
home, and Edwin to assume his clerical
job.
648
Jaspar hesitated to become too much
involved with Marian Yule. Although
he found her well suited to himself in
temperament and intellect, he could not
many her because she was poor.
Suddenly fortune fell upon all these
confused people. John Yule died, leav
ing a large sum of money to his nieces,
Amy and Marian. Jaspar immediately
proposed to Marian. Convincing herself
that Jaspar's proposal came from the love
he bore her ratter than from her new
wealth, Marian promised to marry him.
Her greatest problem was to reconcile
Alfred to his future son-in-law.
Amy was so stunned by the money
that John had left her that at first she
failed to realize her problems were at an
end. The legacy would make it possible
for her to return to Edwin, who could
now write with no fear of poverty re
sulting from literary failure. But Edwin
refused her aid. In the first place, he
was sure he had lost his ability to write.
Furthermore, his pride would not allow
him to accept Amy's kindness, since he
felt he had lost her love. His health
broke. When he retired at last to his bed
because of a serious congestion in his
lungs, he would not allow his friends
to tell Amy of his condition. He did not
want her to come to him out o£ pity, or
through a sense of duty.
Marian soon saw Jaspar's love put to
a test when she learned that because of
unfortunate investments she could re
ceive only a small part of the original
inheritance, Jaspar, hearing the news,
said they should not consider marriage
until he could establish himself. Mean
while Alfred Yule learned his eyesight
was failing, so that in a short while he
would be blind and incapable of earning
enough money to support his wife and
his daughter. Planning to retire to a
small institution with his wife, he called
Marian to him and told her that hence
forth she must try to earn her own in
come in anticipation of the rime when
he could no longer support her.
Edwin received a telegram from Amy,
asking him to come to her immediately
because their son, Willie, was sick. Ed
win went back to his wife. The two, in
their sorrow over their son's danger, were
reconciled. Willie died, and Amy went
with Edwin to nurse him in his own ill
ness. His last few days were lightened
by her cheerfulness and devotion.
Jaspar's situation became more uncom
fortable; Marian without her money was
a luxury impossible for him to contem
plate. While his sister Dora disdainfully
looked on, Jaspar secretly proposed to
another woman of his acquaintance, a
woman who had both money and con
nections. When the woman refused his
proposal, Jaspar went to Marian and in
sisted that she marry him immediately.
Because her blind father was now totally
dependent upon Marian for support,
Jaspar hoped to break the engagement
by forcing Marian to make a decision be
tween him and her parents. Marian des
perately tried to hold the love she had
always imagined that Jaspar had for her.
But at last she saw him as he really was
and broke their engagement.
A posthumous publication o£ the works
of Edwin Reardon occasioned a very
complimentary criticism from the pen of
Jaspar Milvain, and a series of grateful
letters from Amy Reardon sealed the
friendship which had once existed be
tween Jaspar and the wife of his former
friend. Jaspar realized that he must have
wealth to attain his goals in the literary
world, and Amy recognized that a suc
cessful man must know how to use his
social and financial advantages. They
were married after a very brief courtship.
With Amy's help and with Jaspar's
wise manipulations, the Milvains soon
achieved the success which Jaspar had
coldly calculated when he had proposed
to Marian Yule. Shortly after their mar
riage, Jaspar was appointed to the editor
ship which Fadge had vacated. Jaspar
and Amy accepted with mutual admira
tion and joy their unexpected success in
life together, both satisfied that they
were perfectly mated.
649
THE NEWCOMES
Type of work: Novel
Author: William Makepeace Thackeray (1811-1863)
Type of plot: Social criticism
Time of plot: Early nineteenth century
Locale: England
First published: 1854-1855
Principal characters:
COLONEL THOMAS NEWCOME, Anglo-Indian soldier
CLTVE NEWCOME, the colonel's son
BRIAN NEWCOME, the colonel's half -brother
HOBSON NEWCOME, another half-brother
LADY ANN, Brian** wife
BARNES, Brian's son
ETHEL, Brian's daughter
LADY KEW, Lady Ann's mother
JAMES BINNTE, the colonel's friend
MRS. MACKENZIE, Binnie's half-sister
ROSEY, &lrs. Mackenzie's daughter
LADY CLARA, Barnes' wife
Critique:
In true Victorian style Thackeray tells
this story with zest and skill. The ladies
are either virtuous or wicked. Many ad
mirers of Thackeray have insisted that
Colonel Newcome is the most perfect
gentleman in fiction. Thackeray meant
to show the reader the evil effect of cer
tain social conventions of the nineteenth
century, such as parental marriage
choices, the over-indulgence in the accu
mulation of wealth, and the worldliness
of the upper classes. Ethel, the heroine,
goes through all these experiences, but
withal she emerges at the end a happy
woman.
The Story:
The elder Thomas Newcome married
his childhood sweetheart, who died after
bearing him one son, named for his
father. Thomas remarried, and his sec
ond wife bore two sons, Brian and Hob-
son. Young Thomas proved to be a trial
to his stepmother. When he was old
enough, he went to India where he later
became a colonel. He married and had
a son, Clive, whom he loved with a pas
sion far beyond the normal devotion of
a father. Having lost his mother, little
Clive was sent to England to begin his
education.
Brian and Hobson Newcome had in
herited their mother's wealthy banking
house. Brian married Lady Ann, who
was well-known in London for her lavish
parties. When little Clive had spent
about seven years in England, his im
patient father crossed the ocean to join
him. He expected to receive a warm
welcome from his two half-brothers,
Brian and Hobson. Much to the colo
nel's bewilderment, the bankers received
him politely but coldly and passed on
the responsibility of entertaining him to
young Barnes, Brian's son, a youthful
London swell and a familiar figure at
the city's clubs.
Colonel Thomas Newcome's late wife
had a sister and a brother. The sister,
Miss Honeyman, ran a boarding-house
in Brighton, where little Alfred and
Ethel came with their mother, Lady Ann.,
for a vacation. There Colonel Newcome
and Clive had also arrived for a visit.
Mr. Honeyman lived in another house in
Brighton, where the keeper's young son,
John James Ridley, delighted in drawing
pictures from the story-books which he
found in Mr. Honeyman's room. While
Clive, who aspired to be an artist, de
lighted in Ridley's drawings, Ethel be
came extremely fond of the colonel and
650
his unaffected mannerisms. The colo
nel's great love for children caused him
to be a favorite with all the Newcome
youngsters, but it was fair-haired little
Ethel who won the colonel's heart with
her simple, adoring ways and her sin
cerity.
Colonel Newcorne bought a house in
London, where he lived with Clive and
Mr. James Binnie, the colonel's friend.
Clive was given a tutor, but the young
man neglected his studies to sketch every
thing he saw and everyone he knew. If
the colonel was disappointed by Clive's
choice of career, he said nothing, but
allowed Clive to attend art school with
his friend Ridley. Clive was becoming
a kind, generous and considerate young
man. The colonel himself was satisfied
that his son was growing up to be the
fine man that the retired officer wished
him to be. He spent a great deal of
money fitting up a w7ell-lighted studio
for Clive in a house not far from his
own. Meanwhile Mr. Binnie had taken
a fall from a horse and was laid up in
bed. Binnie's widowed half-sister, Mrs.
Mackenzie, and her daughter, Rosey,
came to stay with the bedridden Binnie
in the colonel's house.
After a time the colonel found him
self financially embarrassed. Realizing
that he could no longer live on his in
come in London, he planned to return
to India until he reached a higher grade
in the army. Then with the increased
pension he could afford to retire in
London.
Ethel Newcome grew into a beautiful
and charming young lady, and the colo
nel dreamed of a match between Ethel
and Clive, but Lady Ann placed an early
prohibition on such a match. She told
her brother-in-law that Ethel had been
promised to Lord Kew, a relative of Lady
Kew, Lady Ann's mother. The other
Newcomes thought that Rosey Macken
zie would be a fine wife for Clive.
After Colonel Newcome had returned
to India, leaving Clive with a substantial
income, Clive and Ridley, now a suc
cessful artist, went to Baden. There
Clive met Ethel and the other Newcome
children vacationing without the damp
ening presence of Lady Ann or her aris
tocratic mother. Ethel and Clive enjoyed
a short period of companionship and
innocent pleasure, and Clive fell in love
with his beautiful cousin. When Lady
Ann and Lady Kew arrived, Clive was
warned that he must not press his suit
with Ethel any longer, for Ethel must
marry in her own station of life. Clive
was reminded that the family had as
sumed him to have found in Miss Rosey
Mackenzie a woman of his own social
level. Bitterly Clive took his leave and
went to Italy with Ridley.
Ethel, beginning to rebel against the
little niche that had been assigned to her
in society, defied social custom and de
fended Clive against the charges her
brother Barnes repeatedly hurled at
him. Finally she broke her engagement
to young Lord Kew. When Clive learned
of the broken betrothal, he returned to
England to press his own suit once more.
In London Clive had little time foi
his art. He was fast becoming a favorite
in London society, whose fashionable
hostesses thought him the only son of a
wealthy officer in India. Against the
wishes of her grandmother, Lady Kew,
Ethel arranged frequent meetings with
Clive, and at last Clive proposed mar
riage. But Ethel sadly explained that
she would not inherit Lady Kew's for
tune unless she married properly, Ethel
claimed that her younger brothers and
sisters were in need of the money, for
after her father's death Barnes Newcome
had selfishly kept the family fortune for
himself. Meanwhile Lady Kew was woo
ing Lord Farintosh for Ethel.
After three years* absence Colonel
Newcome returned to London. During
his absence the colonel had amassed a
large fortune for his son, and armed with
this wealth Colonel Newcome went to
Barnes with a proposal of marriage be
tween Ethel and Clive. Barnes was per
lite but non-committal. Shortly after-
651
ward Lady Kew announced Ethel's
engagement to Lord Farintosh. Then,
suddenly, Lady Kew died, leaving her
immense fortune to Ethel, whose only
concern was that the money should go
to her younger brothers and sisters.
Barnes' marriage to Lady Clara Pul-
levn had never been happy. Soon after
they were married he had begun to mis
treat his wife, who at last decided that
she could no longer stand his bullying
treatment. She ran off with her first
lover, leaving her small children behind.
The shock of the scandal and the subse
quent divorce opened Ethel's eyes to
dangers of loveless marriages. Realizing
that she could never be happy with Lord
Farintosh because she did not love him,
she broke her second engagement.
Ethel retired from her former social
life to rear Barnes' children. Clive,
meanwhile, had succumbed to the wishes
of Mr. Binnie and his own father. Be
fore the news of Ethel's broken engage
ment with Lord Farintosh had reached
the colonel and his son, Clive had mar
ried sweet-faced Rosey Mackenzie.
Clive's marriage was gentle but bare.
The colonel was Rosey's chief protector
and her greater admirer. Clive tried to
be a good husband, but inwardly he
longed for more companionship. Once
he admitted to his father that he still
loved Ethel.
The colonel had been handling the
family income very unwisely since his
return from India. Shortly after the
birth of Clive's son, Thomas, an Indian
company in which the colonel had heavy
investments failed, and he went bank
rupt. Clive, Rosey, and Colonel New-
come were now nearly penniless. Rosey's
mother, Mrs. Mackenzie, descended upon
them, and in a few months she began
ruling them with such tyranny that life
became unbearable for the colonel. With
the help of some friends he retired to a
poorhouse and lived separated from his
beloved son. Clive faithfully stayed with
Rosey under the forceful abuse of his
mother-in-law. He was able to make a
meager living by selling his drawings.
When Ethel learned of the pitiful con
dition of the old colonel, whom she had
always loved, and of Clive's distress, she
contrived a plan whereby she was able
to give them six thousand pounds with
out their knowing that it came from her.
Rosey had been very ill. One night
Ethel visited Clive, and Mrs. Mackenzie
raised such an indignant clamor that
Rosey was seriously affected. She died
the following day. The colonel, broken
in spirit, also grew weaker from day to
day, and soon afterward he too died.
Clive had never lost his love for Ethel
through all the years of his unfortunate
marriage to Rosey. Many months after
the death of his wife, he went once more
to Baden with little Thomas. There it
was said, by observers who knew the
Newcomes, that Clive, Ethel, and little
Tommy often were seen walking together
through the woods.
THE NEBELUNGENLIED
Type of work: Saga
Author: Unknown
Type of plot: Heroic epic
Time of -plot: The Siegfried story is legendary. The Burgundian story is based on historical
events of about 437.
Locale: North Central Europe
First transcribed: c. 1200
Principal characters:
SIEGFRIED, son of Siegmund and Sieglind
KJUEMLKELD, Buigundian princess, Siegfried's wife
GONTHER,
652
GERNOT, and
GISELHER, brothers of Kriemhild
HAGEN, their retainer
BRUNHTLD, wife of Cumber
ETZEL (ArnuO, Kriemhild's second husband
DANKWART, Hagen's brother
Critique:
Chief among the battle sagas of Ger
manic peoples, The Nibelungenlied has
merged and remerged with countless other
legends and myths. In it are echoes of
the ancient worship of the pagan gods as
well as Christian ritual. In it are tales,
like the battle of Siegfried and the dragon,
that go back to prehistoric myths. In it
are names and themes that seem to run
into the substructure of Western civiliza
tion. Even in modern times the saga per
sists in poetry and music. Its revelation of
hatred and greed, of honor and glory,
stands changeless, indifferent to the pass
ing of time.
The Story:
In Burgundy there lived a noble fam
ily which numbered three brothers and
a sister. The sons were Gunther, who
wore the crown, Gernot, and Giselher;
the daughter was Kriemhild. About
them was a splendid court of powerful
and righteous knights, including Hagen
of Trony, his brother Dankwart and
mighty Hunold. Kriemhild dreamed one
night that she reared a falcon which
then was slain by two eagles. When she
told her dream to Queen Uta, her
mother's interpretation was that Kriem
hild should have a noble husband but
that unless God's protection followed
him he might soon die.
Siegfried was born in Niderland, the
son of King Siegrnund and Queen Sieg-
lind. In his voung manhood he heard
of the beautiful Kriemhild, and, al
though he had never seen her, he de
termined to have her for his wife. Un
deterred by reports of her fierce and
warlike kinsmen, he made his armor
ready for his venture. Friends came from
all parts of the country to bid him fare
well, and many of them accompanied
him as retainers into King Gunther's
land. When he arrived at Gunther'?
court, Hagen, who knew his fame, told
the brothers the story of Siegfried's first
success, relating how Siegfried had killed
great heroes and had won the hoard of
the Nibelung, a treasure of so much
gold and jewels that five score wagons
could not carry all of it. He also told
how Siegfried had won the cloak of in
visibility from the dwarf Albric, and
how Siegfried had become invincible
from having bathed in the blood of a
dragon he had slain.
Gunther and his brothers admitted
Siegfried to their hall after they had
heard of his exploits, and the hero
stayed with them a year. But in all that
time he did not once see Kriemhild,
The Saxons led by King Ludger
threatened to overcome the kingdom of
the Burgundians. Siegfried pledged to
use his forces in overcoming the Saxons,
and in the battle he led his knights and
Gunther Js troops to a great victory. In
the following days there were great cele
brations at which Queen Uta and her
daughter Kriemhild appeared in public.
On one of these occasions Siegfried and
Kriemhild met and became betrothed.
King Gunther, wanting to marry
Brunhild, Wotan's daughter, told Sieg
fried that if he would help him win
Brunhild then he might wed Kriemhild.
Gunther set out at the head of a great
expedition, all of his knights decked in
costly garments in order to impress Brun
hild. But her choice for a husband was
not for a well-dressed prince but for a
hero. She declared that the man who
would win her must surpass her in feats o£
skill and strength. With Siegfried's aid
Gunther overcame Brunhild, and she
agreed to go with Gunther as his bride.
653
Siegfried was sent on ahead to an
nounce a great celebration in honor of
the coming marriage of Gunther to Brun
hild. A double ceremony took place, with
Kriemhild becoming the bride of Sieg
fried at the same time. At the wedding
feast Brunhild burst into tears at the
sight of Kriemhild and Siegfried
together. Gunther tried to explain away
her unhappiness. But once more Gun
ther needed Siegfried's aid, for Brunhild
had determined never to let Gunther
share her bed. Siegfried went to her
chamber and there overpowered her.
She, thinking she had been overcome by
Gunther, was thus subdued to Gunther's
wit and will.
Brunhild bore a son who was named
for Siegfried. As time passed she wished
once more to see Siegfried, who had re
turned with Kriemhild to his own coun
try. Therefore, she instructed Gunther
to plan a great hunting party to which
Siegfried and Kriemhild should be in
cited.
At the meeting of the two royal fam
ilies there was great rivalry between
Brunhild and Kriemhild. They vied
with each other by overdressing their at
tendants and then fell to arguing as to
the place each should have in the royal
procession. Finally, Kriemhild took re
venge when she told Brunhild the true
story of her wedding night Accusing
Brunhild of acting the part of a harlot,
she said that Brunhild had slept first
with Siegfried, then with her husband,
Gunther. For proof, she displayed Brun
hild's ring and girdle, both of which
Siegfried had won from Brunhild the
night he had overcome her. Brunhild,
furious and desirous of revenge, sought
out her husband and confronted him
with the story of her humiliation and
betrayal.
Gunther and Siegfried soon settled to
their own satisfaction the wanton quarrel
between the two women. But Hagen,
the crafty one, stirred up trouble among
Gunther's brothers with his claim that
Siegfried had stained the honor of their
house, and they plotted to trap Siegfried
and destroy him. When it was reported
that the Saxons were to attack Gunther's
knights, Kriemhild unwittingly revealed
Siegfried's one vulnerable spot. While
bathing in the dragon's blood, he had
failed to protect a portion of his body the
size of a linden leaf because a leaf had
fallen down between his shoulders. The
villainous Hagen asked her to sew a
token on the spot so that he could pro
tect Siegfried during the fighting.
Hagen sent men to say that the Saxons
had given up the attack. Then, the fear
of battle over, Gunther rode out to hunt
with all his knights. There, deep in the
forest, as Siegfried was bending over a
spring to drink, he was struck in the
fatal spot by an arrow from Hagen's bow.
Before he died Siegfried cursed the Bur-
gundians and their tribe forever. Indif
ferent to the dying man's curse, Hagen
carried home the body of the dead hero.
He placed Siegfried's body in the path
where Kriemhild would see it on her
way to church, but a chamberlain dis
covered the body before she passed.
Kriemhild knew instinctively whose
hand had done the deed. A thousand
knights headed by Siegmund, his father,
mourned the dead hero, and everyone
claimed vengeance. The widow gave
vast sums of money to the poor in honor
of Siegfried. When Siegmund prepared
to leave for Niderland, he asked Kriem
hild to go with him., but she refused,
allowing him, however, to take Sieg
fried's son with him. She herself was
determined to stay with the Burgundians.
Queen Brunhild, however, offered no
compassion. The Nibelungen hoard was
given to Kriemhild, for it was her wed
ding gift. However, by order of Hagen,
who planned to get possession of the
treasure, all of it was dropped to the
bottom of the Rhine. In the years that
followed Kriemhild remained in mourn
ing for Siegfried.
At last the mighty Etzel, King of the
Huns, sought to marry Kriemhild. After
a long courtship he won Kriemhild and
654
took her to his land to be ids wife. Etzel
was rich and strong, and after her long
years of mourning KriemKild again occu
pied a position of power and honor. Now
she began to consider how she might
avenge herself for the death of Siegfried.
Hoping to get Hagen in her power, she
sent a messenger to her brothers, saying
that she longed to see all of them again.
When they received her message, the
brothers and Hagen set out. Old Queen
Uta told them that in a dream she had
seen a vision of dire foreboding, but the
Burgundians refused to heed her \varn-
ing. Furthermore, Hagen received a
token from some mermaidens, who said
none of the knights would return from
Hunland. He disregarded the prediction.
Then a quarrel broke out among the
Burgundians, and Dankwart slew Gel-
frat. Three evil omens now attended
the coming journey, but still the brothers
refused to turn back. At last the Bur
gundians came to Etzel's castle.
Gunther and his brothers were put
into separate apartments. Dankwart and
Hagen were sent to other quarters.
Warned by Sir Dietrich that Kriemhild
still plotted vengeance for Siegfried's
death, Hagen urged them all to take
precaution. When Kriemhild asked them
to give her their weapons, Hagen replied
that it could not be. The Burgundians
decided to post a guard to prevent a sur
prise attack while they slept.
The court went to mass. At the serv
ices the Huns were displeased to see that
Gunther and his party jostled Queen
Kriemhild.
In honor of the Burgundians, a great
tournament was held for all the knights.
So bad was the feeling between the
Burgundians and the Huns that King
Etzel was forced to intervene in order
to keep the peace. To appease the
brothers, Etzel gave them Kriemhild's
small son, Ortlieb, as a hostage. But Sir
Bloedel pressed into Dankwart's quarters
demanding justice for Kriemhild.
In a few minutes he had aroused the
anger of Dankwart, who rose from his
table and killed Bloedel. For this deed
the angered Huns killed Dankwart's re
tainers. Dankwart, at bay, ran to Hagen
for help. Hagen, knowing that he would
not live to seek his vengeance on Kriem-
hild later, skughtered the little prince,
Ortlieb. Then followed a mighty battle
in which Hagen and Gunther managed
to kill most of their adversaries.
Kriemhild now urged her heroes to
kill Hagen. The first to take up the chal
lenge was Iring. After he had wounded
Hagen, he rushed back to Kriemhild for
praise. Hagen recovered quickly and
sought Iring to kill him.
The battle continued, many knights
from both sides falling in the bloody
combat. Outnumbered, the Burgundians
fell one by one. Kriemhild herself slew
Hagen, the last of the Burgundians to
survive. He died without revealing the
location of the treasure.
King Etzel grieved to see so many
brave knights killed. At a sign from him,
Hildebrand, one of his retainers, lifted
his sword and ended the life of Kriem
hild as well.
So died the secret of the new hiding
place of the Nibelungen treasure hoard.
A NIGHT IN THE LUXEMBOURG
Type of work: Novelette
Author: Remy de Gouimont (1858-1915)
Type of plot: Rationalized mysticism
Time of plot: Early twentieth century
Locale: Paris
First published: 1906
Principal characters:
M. JAMES SAISTOY ROSE, a journalist
"HE"
ELISE
655
Critique:
Remy de Gounnont was accused of
blasphemy and indecency as a result of
this book. Certainly de Gourmont lacked
no honesty in presenting his views of
the world based upon personal observa
tion of certain facts. In any case, im
morality and indecency depend upon the
point of view of the reader. For those
readers who think and who are not dis
turbed at facing the reality of ideas
this book could well be a revelation.
The Story:
When James Sandy Rose, foreign cor
respondent for the Northern Atlantic
Monthly? died, the newspapers printed
only a part of the ciraimstances surround
ing' his death. Among his personal affects
was a diary which threw more light upon
his private experience and belief. In
this diary Rose related how he had gone
to the Luxembourg and had noticed a
peculiar light shining through the win
dows of the Church of Saint-Sulpice. His
curiosity aroused, he went into the
church and discovered a man standing
before the statue of the Virgin. At
first glance the man was very ordinary
looking, but when he looked at Rose
there was something striking and attrac
tive in his appearance. Rose merely
called the niar> "He" in long passages
of the diaiy that reported a discussion
between them on philosophical and re
ligious subjects.
Little by little, it became apparent to
Rose that this strange man was really
Christ. Rose followed the man out into
the garden, which had suddenly become
clothed in summer foliage. There they
met three beautiful women, one of whom
was called Elise. In that pastoral set
ting their conversations concerning
divinity, religion, and philosophy con
tinued. In a short interlude between dis
cussions Rose and Elise had an affair.
"He" informed Rose that Epicurus*
and Spinoza were nearer to "Him" than
anyone else, including the saints. "He"
told the reporter also that the gods are
superior but not Immortal — they merely
live longer. Destiny is the creator and
the regulator of the world. There is n_v
truth because the world is perpetual!}
changing. The Acts of the Apostles
were no more miraculous than those in
"Aladdin and the Marvelous Lamp,"
but the men who wrote of those Acts
touched God with their hands. Man's
superiority to the animal world, particu
larly the termites, was brought about by
the lowering of the world's temperature.
Civilizations came into being because of
the discoveries of fire and leisure. Lucre
tius' poem concerning Epicurus would
have been a greater book for mankind
than the Bible. Men will perhaps never
recover from the wound given them by
Christianity. Great hypocrites are always
the chosen masters of the world. Suicide
is not an act of cowardice. Happiness
for men is not possession but desire.
The difference between the girl of a pub
lic harem and a goddess is only a dif
ference created by social custom and its
conception of sin.
When "He" departed, Rose took Elise
with him and went to his lodgings. There
Rose died mysteriously, leaving no trace
as to the exact manner of his death.
In his rooms there were evidences of
the presence of a woman but nothing
else of importance except the diary he
had written.
A NIGHT IN THE LUXEMBOURG by Remy de Gourmont. By permission of the publishers, John W. Luce
& Co.
656
NIGHTMARE ABBEY
Type of work: Novel
Author: Thomas Love Peacock (1785-1866)
Type of 'plot: Social satire
Time of 'plot: Early nineteenth century
Locale: England
First published: 1818
Principal characters:
CHRISTOPHER GLOWRY, roaster o£ Nightmare Abbey
SCYTHROP, his son
MR. FLO SKY, a visitor
MARIONETTA, Glowry's niece
MR. TOOBAD, Glowry's friend
CELTNDA, his daughter
LISTLESS, a dandy
Critique:
Peacock is one o£ the interesting minor
novelists of his time. Apart from his
own writings, he is remembered for his
friendship with Shelley. Many of the
literary figures of his time are but thinly
disguised in his novels. Peacock, in
Nightmare Abbey, has written light com
edy with a heavy touch, and has satirized
many of the customs of his day. The
tide of the novel suggests the influence
of the popular Gothic horror tale.
The Story:
Refused by one young lady in his
youth, Glowry immediately married an
other. His wife was cold and gloomy,
and Nightmare Abbey was a fitting name
for her house. Glowry found relief from
his unhappy life in food and drink, and
when his lady died, he was easily con
soled by increasing his consumption of
food and wine. She left one son, Scy-
throp, who was gloomy enough to suit
his father and Nightmare Abbey. A
university education had so stripped
Scythrop of his thin veneer of social
graces that he was rapidly becoming a
country boor like his father.
While his father was away in London
attending to an important lawsuit, Scy
throp amused himself by constructing
miniature dungeons, trapdoors, and se
cret panels. One day he discovered by
chance an apartment in the main wing
of the abbey which had no entrance or
exit; through an error in construction,
the apartment had remained hidden for
many years. He imported a dumb car
penter and together they constructed a
cunning secret panel through which one
could step from the library into the
hidden apartment. Then, Scythrop had
a private refuge for his gloomy medita
tions.
Miss Emily Girouette declined de
cidedly to marry Scythrop. In conse
quence, when his cousin Marionetta
carne to visit, she rapidly conquered the
heart of that sad young man. But Mar
ionetta had no fortune, and Glowry re
fused to hear of the marriage. Scythrop,
however, grew more enamored daily of
his coquettish cousin.
Glowry viewed the increasing attach
ment of Scythrop and Marionetta with
great concern. Finally, he told Scythrop
the girl would have to leave. Furious,
Scythrop rushed to his tower and filled
a human skull with Madeira wine. Con
fronting his father and holding high the
skull, he declared in ringing tones that
if Marionetta ever left Nightmare Abbey
except of her own free will, he would
drink the potion. Convinced that the
skull contained poison, his father con
sented to have Marionetta stay on as a
guest. Scythrop drank the wine with
gusto.
Glowry confided his troubles to his
friend, Toobad, who agreed that marriage
with Marionetta was unsuitable in every
way. He proposed his own daughter
657
Celinda, a young woman then studying
abroad, as a good match, for Scythrop.
With dowry's hearty approval Toobad
went to London to meet his daughter
and return with, her to Nightmare Ab
bey. But Celinda, refusing to have a
husband chosen for her, fled from her
domineering father. Toobad appeared at
the abbey and left again, vowing to all
that he would find his unruly daughter.
The house party at Nightmare Abbey
grew larger. Mr/Flosky, a poet of the
supernatural, carne and spread confusion
with his metaphysical paradoxes. Listless,
a bored dandy, came with Fatout, his
French valet, who was the guardian of his
mind and body. Another addition to the
party was Mr. Asterias the ichthyologist,
engaged in tracing down rumors of mer
maids in the vicinity of the abbey. It was
not clear what a mermaid would do in the
fens around the abbey, but Mr. Asterias
had faith. That faith was rewarded one
night when dimly Mr. Asterias perceived
the form of a woman clad in black. As he
rushed across the moat, the mysterious
figure disappeared.
Scythrop took as much delight as he
could in Marionetta's company. But List
less was the gayest person in the room
when Marionetta wras present. As far as
his languid airs would permit, he followed
her about with great eagerness.
Watching Scythrop's affection for Mar
ionetta, Glowry decided that he had been
too harsh with his son, and he suddenly
announced his approval of their betrothal.
To his father's surprise, Scythrop stam
mered that he did not want to be too pre
cipitate. So the generosity of the father
went unrewarded.
There was some mystery about Scy
throp. For some time he had been more
distraught than usual; now he practically
refused marriage with his beloved. More
than that, every time Glowry went to
his son's rooms, he found the door locked
and Scythrop slow in answering his
knock. Always, before the door opened,
a strange, heavy thud sounded in the
room.
One evening, while the whole com
pany was sitting in the drawing-room,
a tall and stately figure wearing a bloody
turban suddenly appeared. Lisdess rolled
under the sofa. Glowry roared his alarm
in Toobad's ear, and Toobad tried to
run away. But he mistook a window for
a door, and fell into the moat below. Mr.
Asterias7 still looking for a mermaid,
fished him out with a landing net.
These mysteries went back to the
night Mr. Asterias thought he saw the
mermaid. Scythrop was sitting alone in
his library when the door opened softly
and in stepped a beautiful, stately wom
an. She looked at Scythrop carefully,
and reassured by what she saw, she sat
down confidendy. The bewildered man
could only sit and stare. Gently the
mysterious stranger asked him if he were
the illustrious author of the pamphlet,
'Thilosophical Gas." Flattered, Scythrop
acknowledged his authorship of that pro
found work, only seven copies of which
had been sold. Then the girl asked his
protection from a marriage that would
make her the slave of her sex. Already
smitten, Scythrop agreed to hide her in
his secret apartment.
Then Scythrop began his dual ro
mance. The serious girl, who called her
self Stella, talked night after night of the
German metaphysicians and quoted Ger
man tragedy. On the other hand, Mario
netta was always gay and lively. Scythrop
did not know whom to choose.
One night his father demanded entry
into his room while Stella was there.
Stelk decided to show herself, regardless
of consequences. Toobad recognized his
long-lost daughter Celinda. Scythrop
now had to choose either Celinda or
Marionetta. But he hesitated to make a
choice, feeling that he could not relin
quish either. The next day, however,
the decision was made for him, Mario
netta had accepted Listless and Celinda
would soon be Mrs. Flosky. Stoically,
Glowry reminded his son that there were
other maidens. Scythrop agreed, and
ordered the Madeira.
658
NO NAME
Type of work: Novel
Author: Wilkie Collins (1824-1889)
Type of plot: Domestic romance
Time of plot: Mid-nineteenth century
Locale: England
First published: 1862
Principal characters:
ANDREW VANSTONE, a country gentleman
Mas. VANSTONE, his wife
NORAH, and
MAGDALEN, their daughters
NOEL VANS-TONE, a cousin, whom Magdalen married
CAPTAIN WRAGGE, a distant relative
Miss GARTH, a nurse
ME. CLARE, a neighbor
FRANK CLARE, his son
CAPTAIN KIRKE, Magdalen's second husband
Critique:
No Name rivaled The Woman in
White and The Moonstone in popularity
among readers of Collins' own day.
Judged by modern taste, the novel is still
one which diverts the reader and offers
an excellent picture of Victorian customs
and manners, domestic life, and morals.
Its effectiveness lies chiefly in its presen
tation of character and in its realistic
criticism of laws which often worked to
the disadvantage of those whom they
should have served. Magdalen Vanstone
is presented as a headstrong but capable
girl who fights for rights she believes are
hers. Her sister Norah, a quiet, less
determined girl, works out her future
according to her own nature. The amiable
Captain Wragge is one of the most de
lightful rogues in English fiction.
The Story:
The Vanstone house at Combe Raven
was one of contentment and ease. In
it were two lovely and charming daugh
ters — Norah and Magdalen — Andrew
Vanstone and his wife, and a wise, kindly
nurse and governess. Miss Garth. It
was a household in which cook and serv
ants enjoyed immunity from scolding,
pets were allowed to range freely, and
the affairs of the house ran as smoothly
as an old but trustworthy clock.
One morning Mr. and Mrs. Vanstone
broke the quiet routine of the household
with the announcement that they must
go immediately to London on urgent but
secret business. This announcement came
after the arrival of a letter postmarked
New Orleans. They were gone for al
most a month. On their return they
refused to reveal by any statement or
hint the nature of their trip.
Shortly after their return a stranger
made his appearance in the neighbor
hood. The girls learned only that his
name was Captain "Wragge and that he
was distantly connected with Mrs. Van-
stone's family. She sent him away with
out revealing to her husband the cir
cumstances of his arrival or departure.
It was apparent that Captain Wragge
was attempting to obtain money from
his kinswoman.
The Vanstones had an eccentric and
surly neighbor, Mr. Clare, a scholar and
cynic who frequently asserted that he
hated most of mankind. Frank, his son,
had been the childhood playmate of
Magdalen Vanstone, and for him Mr.
Vanstone had secured a position in a
commercial house in London. Mr. Clare
held a low opinion of his son's abilities;
consequently he was not disappointed
when Frank was dismissed by his em
ployers as being of little account in the
business. In spite of his shortcomings,
659
however, Magdalen was stifl attracted
to her old plavmate. Mr. Clare com
mented ironically that some people al
ways flocked after the worthless of the
world — a view he felt confirmed when
Mr. Vanstone arranged to have Frank
given another chance in the business
firm in London, rather than have him
sent to China to work in the tea and
silk trade.
Magdalen and Frank played in some
private theatricals given in one of the
country houses nearby. Magdalen did
so well in her role that a theatrical agent
who saw her performance ga\xe her his
card as a reference in case she should
ever decide upon a career in the theater.
Mr. Vanstone was unexpectedly killed
in a train wreck. His wife, overcome by
grief, died before she could put her
name to a paper which her husband's
lawyer was anxious to have her sign.
Then the mystery of the Vanstones
came to light, Mr. and Mrs. Vanstone
had been married during their hurried
trip to London. They had not been able
to do so before because of Mr. Vanstone's
earlier marriage to an adventuress whose
death had been reported at last from New
Orleans. Because Mr. Vanstone had
died before he could make a new will,
the legitimacy of his daughters was not
recognized in the English courts; there
fore the Vanstone fortune reverted to an
uncle, a selfish and bad-tempered old man
who refused to recognize his brother's
daughters or to share the inheritance
with them.
Frank Clare could no longer look for
ward to marriage with Magdalen after
she had lost her fortune. Without Mr.
Vanstone to back him, he was forced to
take the offer of work in China.
Miss Garth took Norah and Magdalen
with her to her sister's home for a time.
There it was decided that the girls should
find employment as governesses. One
day Magdalen suddenly disappeared.
Captain Wragge discovered her after a
reward had been offered for news of her
whereabouts, but instead of claiming the
reward he took ner home to Mrs. Wragge,
a sad giantess of a woman. Learning of
Magdalen's desire to be an actress, he
promised to train her and act as her
manager.
The uncle who had inherited the Van-
stone fortune died. Magdalen, disguised
to resemble Miss Garth, went to see his
son, Noel Vanstone. He proved to be a
weak, miserable creature, as miserly as
his father had been.
At last Magdalen received a letter
from Frank Clare, a cruel whining mes
sage in which he reproached her for
allowing him to leave England and re
pudiated his engagement to her. Mag
dalen went on the stage. Without reveal
ing her whereabouts or her occupation,
she corresponded infrequently with
Norah and with Miss Garth. Norah, in
the meantime, had hired out as a gov
erness.
Having been hurt by Frank Clare's
selfish and spiteful letter, Magdalen de
cided to marry Noel Vanstone and thus
secure the fortune she believed rightfully
hers and her sister's. Using the money
she had earned as an actress, she estab
lished Captain Wragge in a cottage near
Noel's house. She herself passed as JVliss
Bygrave, the captain's niece.
Noel was completely under the in
fluence of his housekeeper, Mrs. Le
Count, who was suspicious of the sup
posed Miss Bygrave from the beginning.
Convinced that the girl was the person
who had impersonated the elderly Miss
Garth some time before, the woman was
unable to confirm her suspicions. She
was successful, however, in thwarting
Magdalen's attempt to win a proposal
from Noel. At last Captain Wragge
tricked the housekeeper into going to
Zurich to visit a supposedly dying
brother. Before she departed, Mrs. Le
Count learned from Captain Wragge's
stupid wife the details of the conspiracy
in which the captain was involved, and
she wrote Noel a letter to warn him
against Magdalen. Captain Wragge in
tercepted the letter. A date for the wed-
660
ding was set. As that day approached
Magdalen shrank from carrying through
the scheme she had so carefully planned,
but at the last minute she stiffened her
resolution and married Noel.
Mrs. Le Count arrived in Zurich and
there realized the trick played on her.
She returned to England and began a
search for Noel. Tracing him to Scot
land, she arrived there shortly after Mag
dalen had gone to London to see her
sister. Noel was shocked when the
housekeeper revealed the conspiracy of
which he had been a victim. Never in
good health, he grew rapidly worse and
died after making a new will which gave
his fortune to Admiral Bartram, a distant
kinsman. Mrs. Le Count had also per
suaded him to write a codicil by which
George Bartram, the admiral's nephew,
was to inherit the money if he married,
within a specified time, a woman ap
proved by the admiral. Magdalen, noti
fied that her husband had died suddenly
without providing for her, was also in
formed that the will was valid only if
the codicil were properly executed.
Meanwhile George Bartram had met
Norah and had become engaged to her.
His uncle had no objections to his
nephew's marriage to Norah, but the in
quiries he made so hurt the girl's pride
that she refused to marry George within
the time specified in the codicil. The de
lay made Noel's will invalid.
Not knowing the nature of the codicil
but hoping that its terms might work
to her advantage, Magdalen hired out
as a parlormaid in the admiral's house
hold in order to search for the document.
She found it eventually, but by that
time the situation had grown even more
complicated. Admiral Bartram died and
left his fortune, including his inheritance
from Noel Vanstone, to his nephew.
Too proud to ask for her share of the
money and without funds, she contracted
a fever and was desperately ill. While
she was being taken to a London hospital,
she was recognized by Captain Kirke, an
admirer little regarded when she was
planning to marry Noel for his money.
He provided for her until word of her
illness could Be carried to her sister and
Miss Garth.
Good fortune came to her during her
convalescence. Norah wrote to say that
the codicil had been discovered and that
by its terms the money bequeathed by
Noel Vanstone was legally hers. Captain
Wragge appeared to announce that he
had grown prosperous through the man
ufacture of a patent medicine. Mr. Clare
wrote to say that Frank had married a
wealthy widow. Magdalen felt that
Frank's marriage broke her last tie with
her unhappy past. She could look for
ward to the future as Captain Kirke's
wife.
NOCTURNE
Type of work: Novel
Author: Frank Swinnerton (1884- )
Type of plot: Domestic romance
Time of plot: Twentieth century
Locale: London
First published: 1917
Principal characters:
JENNY BLANCHAEB, a milliner's assistant
EMMY BLANCHARD, her sister
PA BLANCHARD, their invalid father
ALF RYLETT, Jenny's suitoi
KEITH REDINGTON, Jenny's beloved
NOCTURNE by Frank Swinnerton. By permission of the author and the publishers, Doubleday & Co.. Ia«
Copyright, 1917, by George H. Doraa Co. Renewed, 1945, by Frank Smnnertom.
661
Critique:
Nocturne is almost a play, for the
entire novel is written in the form of
duologues. Swinnerton has adhered
strictly to the classical dramatic unity
of time and only a little less strictly to
the unities of place and action. The
author reveals a shrewd insight into
the psychological kinship in frustration
of two sisters who had nothing in com
mon in the way of physical appearance,
personality, or character. The form of
this compact novel is so fascinating that
it sometimes obscures the content and
the sympathetic picture of human ex
perience presented.
The Story:
At six o'clock one afternoon Jenny
Blanchard, a milliner's assistant, returned
on the tram from her place of work in
London's West End to her home in Ken-
nington Park, a suburb south of the
Thames River. As the tram passed over
the dark Thames, she felt a sense of
great unhappiness and frustration; but
the mysterious quality of her reflection in
the tram window gave her momentary
satisfaction.
The Blanchard house was one of a
row of identical houses in Kennington
Park. There Jenny and her sister Emmy
took care of their semi-invalid father,
who lived on a pension and on money
that Jenny earned at the milliner's shop.
Emmy, older than Jenny, was the house
keeper; she stayed at home to prepare
meals and to look after Pa Blanchard.
The sisters were quite different in per
sonality, character, and appearance. Jen
ny was thin, tall, rather beautiful, and
of an independent nature. Emmy was
plain, domestic, and dependent. The
sisters shared, however, a frustration
brought on by commonplace routine and
dull existence.
Jenny began a quarrel when she ex
pressed her intense dislike for their
supper of stew and bread pudding; she
felt, somehow, that she was entitled to
better fare, but she was sure that the
colorless Emmy enjoved stew and pud
ding. Jealousy and frustration gave
rise to bitter words between the two.
Emmy was upset, too, because Jenny
kept company with Alf Rylett, whom
she herself wanted. Jenny, disdainfully
offering Emmy her share of Alf, said
that she kept company with him only
for diversion.
After supper, as Jenny was preparing
to remake a hat, Alf entered and told
her that he haxi two tickets to the
local theater. Jenny tricked Alf into
asking Emmy to go with him. While
Emmy was changing, Jenny parried Alf's
protestations of love. Emmy, appearing
actually lovely after her change, swal
lowed her pride and went with Alf, whom
she idolized. It was eight o'clock.
Jenny put Pa to bed and resumed
work on her hat. She rationalized her
throwing over of Alf hy saying to her
self that she wanted adventure and that
steady Alf was not the man to satisfy
her dreams of romance. Besides, Emmy
was the marrying kind, not she. While
Jenny was wishing ardently for some
thing thrilling to happen in her drab
life, a knock sounded at the door. A
liveried servant handed her a letter and
waited. The letter, which was signed
Keith, bade her to come to him im
mediately. Apprehensively, she left Pa
alone and rode in a large car to the
Thames. There she met Keith Reding-
ton, whom she had known only three
days during a seaside vacation. He rowed
her out to a yacht anchored in the river.
The yacht, of which Keith was the cap
tain, belonged to a wealthy lord. It was
nine o'clock.
On the yacht Jenny found supper set
for two. She was suspicious of Keith's
intentions and annoyed at his confidence
that she would come. The couple, little
more than strangers, gradually warmed
to each other; Jenny discarded her sus
picions in her desire for happiness. Keith
told her of his life, of three women he
had loved, one of whom had been his
662
wife, and of his desire to marry Jenny,
Jenny, hungry for an entirely different
story, was hurt, but Keith's enthusiasm
in explaining his romantic plans for the
two of them completely mollified her.
The romantic dream of going off to
Alaska or to Labrador was crushed, how
ever, when Jenny thought of Pa. At
midnight she left Keith and was driven
home by the liveried chauffeur.
Meanwhile, Alf and Emmy had gone
to the theater. The demure and domes
tic little Emmy having provoked startling
reactions in AlFs mind and heart, they
took the long way home after the show
and Alf quickly came to the conclusion
that Emmy was, after all, the girl for him.
They kissed and decided to marry as soon
as possible. Emmy invited Alf into the
house for a late supper.
In the kitchen they stumbled over
the body of Pa, who had fallen and
struck his head in an attempt to get at
his beer, which was kept on a high
shelf. As they revived Pa, Jenny entered.
Later Emmy, glowing with happiness,
revealed to Jenny what had happened
between her and Alf; Jenny then told
Emmy about Keith and the yacht and:
their plans to run away to a romantic
land. In spite of her distrust of Keith,
Emmy, in her happiness, expressed ap
proval. The sisters retired in the early
hours of the morning, both lost in the
utter completeness of the day. But
Jenny, in bed, became conscious-stricken
because she had left Pa and because she
had given up her independence and free
dom by admitting her love for Keith.
The romantic nocturne was fading into
common day.
O PIONEERS!
Type of work: Novel
Author: Wilk Gather (1876-1947)
Type of ^lot: Regional chronicle
Time of plot: 1880-1910
Locale: Nebraska
First published: 1913
Principal characters:
ALEXANDBA BEE.GSON, a homesteader
OSCAR,
Lou, and
EMTL, her brothers
CABX, LJNDSTRUM,
MARIE TOVESKT, and
FRANK SHABATA, neighbors
CRAZY IVAR, a hired man
Critique:
O Pioneers! is more of a literary land
mark than many of its readers realize.
Aside from its plot and the fact that
it deals with an important part of Amer
ican history, there is the matter of the
author's concept of her art In this
novel we find both the old chronological
arrangement of circumstances and evi
dences of newer writing freedoms. It is
a novel of local color and realistic re
porting. In comparison with anothei
: on the pioneer theme, Giants in the
Earth, this book stands on a completely
different plane. Giants in the Earth is
more mystical. O Pioneers! is a realistic
study of people who made a success of
their efforts and who fathered a new na
tion that was both heroic and mediocre
> by
663
The Story:
Hanover was a frontier town huddled
on the windblown Nebraska prairie. One
winter day young Alexandra Bergson and
her small brother F.mil went into town
from their new homestead. The Bergsons
were Swedes. Their life in the new
country was one of hardship because
the father was sick and the children were
too young to do all the work on their
prairie acres. Alexandra went to the
village doctor s office to get some medicine
for her father. The doctor told her
there was no hope for Bergson's recovery.
F.mil had brought his kitten to town
with him. He was crying on the street
because it had climbed to the top of the
telegraph pole and would not come down.
When Alexandra returned, she met
their neighbor, Carl Lindstnim, who
rescued the cat. The three rode toward
home together and Carl talked of his
drawing. When Alexandra and Emil
arrived home, their supper was waiting
and their mother and father were anxious
for their return. Shortly afterward Berg-
son called his family about him and told
them to listen to Alexandra, even though
she was a girl, for she had proved her
abilities to run the farm capably. Above
all, they were to keep the land.
Alexandra was still a girl when her
father died, but she assumed at once
the family's domestic and financial
troubles; she guided everything the fam
ily did, and through her resourcefulness
she gained security and even a measure
of wealth for her brothers and herself.
F.mil, the youngest brother, remained
the dreamer of the family, in his moon
ing over Marie Tovesky, whom he had
first loved as a little child. Marie had
married Frank Shabata. Frank was wildly
possessive and mistrusted everyone who
showed the slightest kindness to Marie.
Alexandra was in love with Carl Lind-
strum, whose father gave up his farm
because the new, stubborn land seemed
too hard to subdue. He returned to more
settled country and took Carl with
to learn the engraver's trade.
Alexandra depended upon Crazy Ivar
for many things. He was a hermit,
living in a hole dug into the side of a
river bed. The kinder Swedes claimed
he had been touched by God. Those
who were unsympathetic were sure he
was dangerous. Actually, he was a kind-
hearted mystic who loved animals and
birds and who let his beard grow accord
ing to the custom of ancient prophets.
Through his lack of concern for -worldly
matters he lost his claim, and Alexandra
gave him shelter on her own farm, much
to the dismay of her brothers and their
wives. They demanded that she send
Crazy Ivar to an institution, but she
refused. She respected Crazy Ivar as she
did few other people.
In the same way, Alexandra defended
Carl Lindstrum. After an absence of
sixteen years he came back to their settle
ment. He had studied much, but in
the eyes of the thrifty Swedes his life
was a failure because he had not mar
ried, because he had no property, because
he seemed willing to marry Alexandra,
who was by now quite wealthy. Her
brothers, Oscar and Lou, told Alexandra
that she must not marry Carl, and she
ordered them from her house. Carl,
hearing of the disagreement, set out for
the West at once.
Alexandra applied herself to new
problems. She paid passage for other
Swedes to come to America; she experi
mented with new farming methods. She
became friendlier with Marie Shabata,
whose husband was growing more jeal
ous. She saw to it that Emil received
an education, let him go off to the univer
sity despite the criticism of the other
brothers. By now Rmil knew he loved
Marie Shabata, and he went away to
study because he felt that if he stayed
in the community something terrible
would happen. Even attending the uni
versity did not help him. Other girls he
met seemed less attractive. His secret
thoughts were always about Marie,
Frank Shabata discharged hired
664
because he suspected them. He followed
Marie about everywhere. Even at the
Catholic Church he was at her heels
scowling at every one to whom she
talked. His jealousy was like a disease.
At the same time he treated her coldly
and insulted her publicly in front of
their friends. She, on her part, was
headstrong and defiant.
At last Emil returned from college.
His friend Amedee became ill while
working in his wheat fields and died
shortly afterward. Following the funeral,
Emil resolved to see Marie, to say good
bye to her before leaving the neighbor
hood permanently. He found her in
her orchard under the mulberry tree.
There for the first time they became
lovers.
Frank returned from town slightly
drunk. Finding a Bergson horse in his
stable, he took a weapon and went in
search of Emil. When he saw the two
he fired, killing both. Then Frank, mad
with horror, started to run away.
Crazy Ivar discovered the dead "bodies
and ran with the news to Alexandra.
For the next few months Alexandra
seemed in a daze and spent much of
her time in the cemetery. She was caught
there during a terrible storm, and Crazy
Ivar had to go after her. During the
storm she regained her old self-possession.
Frank Shabata, who had been captured
soon after the shooting, had been tried
and sentenced to prison. Alexandra de
termined to do what she could to secure
his freedom. If she could no longer
help her brother, she would help Frank
While trying to help Frank, sht
heard that Carl Lindstmm had returned
He had never received her letter telling
of the tragedy, but on his return from
Alaska he had read of the trial and had
hurried to Alexandra. His mine was a
promising venture. The two decided
that they could now marry and bring
their long separation to an end.
THE ODYSSEY
Type of work: Poem
Author: Homer (c. Ninth century B. C.)
Type of plot: Heroic epic
Time of plot: Years immediately following Trojan War
Locale: Greece and Mediterranean lands
First transcribed: Sixth century B. C.
Principal cliaracters:
ODYSSEUS, the wandering hero of the Trojan War
PENELOPE, his faithful wife
TELEMACHUS, his son
Critique:
Such a wealth of material has grown
around trie name of Homer that the
legendary blind bard might just as well
himself be included in the Greek pan
theon of gods about whom he wrote so
well. The ttiad, an epic poem concerned
with an incident in the Trojan War, and
the Odyssey, concerned with Odysseus'
difficulties in getting home after the war
had been won by the Greeks, are the
great epic masterpieces of Western litera
ture and a storehouse of Greek folklore
and myth. The Odyssey, with its saga
cious and always magnificent hero, its
romantic theme, and its frequent change
of scene, has enjoyed greater popularity
through the ages than has the Iliad.
The Story:
Of the Greek heroes who survived the
Trojan War only Odysseus had not re
turned home, for he had been detained
by the god Poseidon because of an of
fense that he had committed against the
god of the sea.
At a conclave of the gods on Olympus
665
Zeus decreed that Odysseus should be
allowed at last to return to his home and
family in Ithaca. The goddess Athene
was sent to Ithaca where, in disguise,
she told Telemachus, Odysseus* son, that
his father was alive. She advised the
youth to rid his home of the great num
ber of suitors suing for the hand of his
mother, Penelope, and to go in search
of his father. The suitors refused to
leave the house of Odysseus, but they
gave ready approval to the suggestion
that Telemachus begin a quest for his
father, since the venture would take him
far from the shores of Ithaca.
The youth and his crew sailed to Pylos,
where the prince questioned King Nestor
concerning the whereabouts of Odysseus.
Nestor, a wartime comrade of Odysseus,
advised Telemachus to go to Lacedae-
mon, where Menelaus, who reigned there
as king, could possibly give him, the in
formation he sought. At the palace of
Menelaus and Helen, for whom the
Trojan War had been waged, Telema
chus learned that Odysseus was a pris
oner of the nymph Calypso on her island
of Ogygia, in the Mediterranean Sea.
Meanwhile Zeus sent Hermes, the
messenger of the gods, to Ogygia, with
orders that Calypso was to release Odys
seus. When the nymph reluctantly com
plied, the hero constructed a boat in
four days and sailed away from his island
prison. But Poseidon, ever the enemy
Df Odysseus, sent great winds to destroy
his boat and to wash him ashore on the
coast of the Phaeacians. There he was
found by Nausicaa, daughter of King
Alcinous of the Phaeacians, when she
went down to the river mouth with her
handmaidens to wash linen. The naked
Odysseus awoke, saw Nausicaa and her
maidens, and asked them where he was.
Frightened at first by this stranger hiding
behind the shrubbery, Nausicaa soon per
ceived that he was no vulgar person.
She told him where he was, supplied
him with clothing, and gave him food
and drink. Then she conducted him to
the palace of King Alcinous and Queen
Arete. The royal pair welcomed
and, at his asking, promised to provide
him with passage to his native land. At
a great feast the minstrel Demodocus
sang of the Trojan War and of the hard
ships suffered by the returning Greeks,
and Alcinous saw that the stranger wept
during the singing. At the games which
followed the banquet and songs, Odys
seus was goaded by a young Phaeacian
athlete into revealing his great strength.
Later, at Alcinous' insistence, Odysseus
told the following story of his wander
ings since the war's end.
When Odysseus left Ilium he was
blown to Ismarus, the Cicones' city,
which he and his men sacked. Then
they were blown by an ill wind to the
land of the Lotus-eaters, where Odys
seus had difficulty in getting his men to
leave a slothful life of ease. Arriving in
the land of the Cyclops, the one-eyed
monsters who herded giant sheep, Odys
seus and twelve of his men were caught
by a Cyclops, Polyphemus, who ate the
men one by one, saving Odysseus until
last. But the wily hero tricked the giant
into a drunken stupor, blinded him with
a sharpened pole, and fled back to his
ship. On an impulse, Odysseus disclosed
his name to the blinded Polyphemus as
he sailed away. Polyphemus called upon
his father, Poseidon, to avenge him by
hindering the return of Odysseus to his
homeland.
Odysseus' next landfall was Aeolia,
where lived Aeolus, the god of the winds.
Aeolus gave Odysseus a sealed bag con
taining all the contrary winds, so that
they could not block his homeward
voyage. But the crew, thinking that the
bag contained treasure, opened it, re
leasing all the winds, and the ship was
blown to the land of the Laestrigonians,
half -men, half -giants, who plucked mem
bers of the crew from the ship and de
voured them. Most managed to escape,
however, and came to Aeaea, the land
of the enchantress Circe. Circe changed
the crew members into swine, but with
the aid of the herb, Moly, which Hermes
666
gave him, Odysseus withstood Circe's
magic and forced her to change his crew
back into men. Reconciled to the great
leader, Circe told the hero that he could
not get home without first consulting the
shade o£ Teiresias, the blind Theban
prophet. On the shore Odysseus dug a
deep pit and in it sacrificed sheep.
Thereupon appeared spirits from Hades,
among them the shade of Teiresias, who
warned Odysseus to beware of danger
in the land of the sun god.
On his homeward way Odysseus was
forced to sail past the isle of the Sirens,
maidens who by their beautiful voices
drew men to their death on treacherous
rocks. By sealing the sailors' ears with
wax and by having himself tied to the
ship's mast, Odysseus passed the Sirens
safely. Next, he sailed into a narrow
sea passage guarded by the monsters,
Scylla and Charybdis. Scylla's six horri
ble heads seized six of the crew, but the
ship passed safely through the narrow
channel. On the island of the sun god,
Hyperion, the starving crew slaughtered
some of Hyperion's sacred cows, despite
a warning from their leader. The sun
god caused the ship to be wrecked in a
storm, all of the crew being lost but
Odysseus, who was ultimately washed
ashore on Ogygia, the island of Calypso.
His story finished, Odysseus received
many gifts from Alcrnoiis and Arete.
They accompanied him to a ship they
had provided for his voyage to Ithaca
and bade him farewell, and the ship
brought him at last to his own land.
Odysseus hid in a cave the vast treas
ure he had received from his Phaeacian
hosts. The goddess Athene appeared to
him and counseled him on a plan by
which he could avenge himself on the
rapacious suitors. The goddess, after
changing Odysseus into an old beggar,
went to Lacedaemon to arrange the re
turn of Telemachus from the court of
Menelaus and Helen.
Odysseus went to the rustic cottage of
his old steward, Eumaeus, who wel
comed the apparent stranger and offered
him hospitality. The faithful servant
disclosed the unpardonable behavior of
Penelope's suitors and told how Odys
seus' estate had been greatly reduced by
their greed and love of luxury.
Meanwhile, Athene advised Telema
chus to leave the ease of the Lacedaemon
court and return home. On his arrival
he went first to the hut of Eumaeus in
order to get information from the old
steward. There, Athene having trans
formed Odysseus back to his heroic self,
son and father were reunited.
After pledging his son to secrecy,
Odysseus described his plan of attack.
Eumaeus and Odysseus, again disguised
as a beggar, went to Odysseus' house
where a meal was in progress. Reviled
by the suitors, who had forgotten that
hospitality to a stranger was a practice
demanded by Zeus himself, Odysseus
bided his time, even when arrogant
Antinoiis threw a stool which struck
Odysseus on the shoulder.
Odysseus ordered Telemachus to lock
up all weapons except a few which were
to be used by his own party; the women
servants were also to be locked in their
quarters. Penelope questioned Odysseus
concerning his identity but Odysseus
deceived her with a fantastic tale. When
Eurycleia, ancient servant of the king,
washed the beggar's feet and legs, she
recognized her master by a scar above
the knee, but she did not disclose his
secret.
Penelope planned an impossible feat
of strength to free herself of her suitors.
One day, showing the famous bow of
Eurytus, and twelve battle-axes, she said
that she would give her hand to the
suitor who could shoot an arrow through
all twelve ax handles. Telemachus, to
prove his worth, attempted, but failed to
string the bow. One after another the
suitors failed even to string the bow.
Finally Odysseus asked if an old beggar
might attempt the feat. The suitors
laughed scornfully at his presumption.
Then Odysseus strung the bow with ease
and shot an arrow through the twelve
667
ax hafts. Throwing aside his disguise,
he next shot Antinous in the throat.
There ensued a furious battle, in which
all the suitors were killed by Odysseus
and his small partv. Twelve women
the suitors were hanged in the court
yard.
Penelope, in her room, heard what
Odysseus, the erstwhile beggar, had
done, and husband and wife were hap-
servants who had been sympathetic with pily reunited after years of separation.
OEDIPUS TYRANNUS
Type of work: Drama
Author: Sophocles (495M06 B. C.)
Type of plot: Classical tragedy
Time of plot: Remote antiquity
Locale: Thebes
First presented: c. 429 B. C.
Principal characters:
OEDIPUS, king of Thebes
JOCASTA, his wife
CREON, Jocasta *s brother
TEIRESIAS, a seer
Critique:
Oedipus Tyrannus is Sophocles' mas
terpiece and considered by many the
greatest of classic Greek tragedies. Aris
totle referred to it continually in his
Poetics, pointing out features of the ideal
tragic poem. Character and action are in
nearly perfect harmony. The fall of the
Icing is made doubly horrifying by Sopho
cles' extremely effective use of dramatic
irony. The play probably was written for
production at one of the periodic drama
competitions held in Athens.
The Story:
Thebes having been stricken by a
plague, the people asked King Oedipus
to deliver them from its horrors. Creon,
brother of Jocasta, Oedipus* queen, re
turned from the oracle of Apollo and dis
closed that the plague was punishment
for the murder of King Laius, Oedipus'
immediate predecessor, to whom Jocasta
had been wife. Creon further disclosed
that the citizens of Thebes would have
to discover and punish the murderer be
fore the plague would be lifted. The
people, meanwhile, mourned their dead,
and Oedipus advised them, in their own
interest, to search out and apprehend
the murderer.
Asked to help £nd the murderer,
Teiresias, the ancient, blind seer of
Thebes, told Oedipus that it would be
better for all if he did not tell what he
knew. He said that coming events would
reveal themselves. Oedipus raged at the
seer's reluctance to tell the secret until
the old man, angered, said that Oedipus
was the one responsible for the afflic
tions of Thebes, that Oedipus was the
murderer, and that the king was living
in intimacy with his nearest kin. Oedi
pus accused the old man of being in
league with Creon, whom he suspected
of plotting against his throne. Teiresias
answered that Oedipus would be ashamed
and horrified when he learned the truth
about his true parentage, a fact Oedipus
did not know. Oedipus defied the seer,
saying that he would welcome the truth
as long as it freed his kingdom from the
plague. Suspicious, Oedipus threatened
Creon with death, but Jocasta and the
Siople advised him not to do violence on
e strength of rumor or momentary
passion. Oedipus yielded, and Creon
was banished.
Jocasta, grieved by the enmity be
tween her brother and Oedipus, told her
husband that an oracle had informed
King Laius that he would be killed by
his own child, the offspring of Laius
668
and Jocasta. Jocasta declared Laius could
not have been killed by his own child
because soon after the child was born
it was abandoned on a deserted moun
tainside. When Oedipus heard from
Jocasta that Laius had been killed by rob
bers at the meeting place of three roads,
he was deeply disturbed. Learning that
the three roads met in Phocis, he began
to suspect that he was, after all, the mur
derer. Hesitating to reveal his crime, he
became more and more convinced of his
own guilt.
Oedipus told Jocasta he had believed
himself the son of Polybus of Corinth
and Merope, until at a feast a drunken
man had announced that the young
Oedipus was not really Polybus' son. Dis
turbed, he had gone to consult the
oracle of Apollo, who had told him he
would sire children by his own mother
and he would kill his own father. Leav
ing Corinth, at a meeting place of three
roads, Oedipus had been offended by a
man in a chariot. He killed the man and
all of his servants but one. Thereafter
he had come to Thebes and had become
the new king by answering the riddle
of the Sphinx, a riddle which asked
what went on all fours before noon, on
two legs at noon, and on three legs after
noon. Oedipus had answered, correctly,
that Man walks on all fours as an infant,
on two legs in his prime, and with the
aid of a stick in his old age. With the
kingship, he also won the hand of Jo
casta, King Laius* queen.
The servant who had reported that
King Laius had been killed by robbers
was summoned. Oedipus awaited his ar
rival fearfully. Jocasta assured her hus
band that the entire matter was of no
great consequence, that surely the proph
ecies of the oracles would not come true.
A messenger from Corinth announced
that Polybus was dead and that Oedipus
was now king. Because Polybus had
died of sickness, not by the hand of his
son, Oedipus and Jocasta were at ease
for the time being. Oedipus told the
messenger he would not go to Corinth
for fear of siring children by his mother,
Merope, thus fulfilling the prophecy of
the oracle.
The messenger then revealed that
Oedipus was not really the son of Poly
bus and Merope, but a foundling whom
the messenger, at that time a shepherd,
had taken to Polybus. The messenger
related how he had received the baby
from another shepherd, who was a serv
ant of the house of King Laius. Jocasta,
realizing the dreadful truth, did not wish
any longer to see the old servant who
had been summoned, but Oedipus, de
siring to have the matter out regardless
of the cost, called again for the servant.
When the servant appeared, the mes
senger recognized him as the herdsman
from whom he had received the child
years before. The old servant then con
fessed he had been ordered by King
Laius to destroy the boy, but out of pity
he had given the infant to the Corinthian
to raise as his foster son.
Oedipus, now all but mad from the
realization of what he had done, entered
the palace to discover that Jocasta had
hanged herself by her hair. He removed
her golden brooches and with therr
pierced his eyes. Blinded, he would not
be able to see the results of the horrible
prophecy. Then he displayed himself,
blind and bloody and miserable, to the
Thebans and announced himself as the
murderer of their king and the defiler
of his own mother's bed. He cursed the
herdsman who had saved him from death
years before.
Creon, having returned, ordered the
attendants to lead Oedipus back into the
palace. Oedipus asked Creon to have
him conducted out of Thebes where no
man would ever see him again. Also,
he asked Creon to give Jocasta a proper
burial and to see that the sons and daugh
ters of the unnatural marriage should
be cared for and not be allowed to live
poor and unmarried because of any
shame attached to their parentage, Creon
led the wretched Oedipus away to his
exile of blindness and torment.
669
OF HUMAN BONDAGE
Type of work: Novel
Author: W. Somerset Maugham (1874- )
Type of plot: Naturalism
Time oj plot: Early twentieth century
Locale: England
First published: 1915
Principal characters:
PHILIP CABEY, an orphan boy
WILLIAM CAREY, his uncle
LOUISA CABEY, his aunt
Miss WILKINSON, Philip's first love
3Mnj>R£r> ROGERS, a waitress
THORPE ATHELNY, Philip's friend
SALLY ATHELNY, his daughter
Critique:
Without question, Oj Human Bond
age is one of the few classics of the pres
ent day. In this novel Maugham tells
x)f a young man's search for a way of
life. It is the story of the thoughts and
actions of a bitter, confused, warped boy7
and it is a story told with the mature
wisdom of an author who had suffered
some of the same tangled emotions in
his own youth. Maugham tells us that
the emotions are his own, with the events
and situations drawn partly from his own
life and partly from experiences of his
friends. Many critics believe tnat Of
Human Bondage is Maugham's greatest
contribution to prose fiction.
The Story:
Philip Carey was nine years old when
his mother died and he was sent to live
with his aunt and uncle at the vicarage
of Blackstable, forty miles outside Lon-
lon. Uncle William Carey was a penny-
pinching smugly religious man who
made Philip's life miserable. Having
been bom with a clubfoot, Philip was
extremely sensitive about his deformity,
and he grew up bitter and rebellious.
The only love he was shown was given
to him by his Aunt Louisa, who had
never been able to have children of her
own.
At school Philip's clubfoot was a
source of much ridicule, for children
are crueL Philip was so sensitive that
any reference to his foot, even a kind
reference, caused him to strike out at
the speaker.
When he was eighteen, Philip, with
a small inheritance of his own, went to
Berlin to study. He took rooms in the
home of Professor and Frau Erlin. There
he studied German, French, and math
ematics with tutors from the University
of Heidelberg. He met several young
men, among them Weeks, an American,
and Hayward, a radical young English
man. From their serious discussions on
religion Philip decided that he no longer
believed in God. This decision made
him feel free, for in discarding God he
subconsciously discarded his memories
of his cold and bitter youth at the vicar
age.
Shortly after his return to the Black-
stable, Philip became involved with a
spinster twice his age, a Miss Emily
Wilkinson who was a friend of his
Aunt Louisa. She was not attractive to
him, but be thought a man of twenty
should experience love. It was typical
of Philip's attitude that even after they
became lovers he continued to call the
woman Miss Wilkinson.
_JNT BONDAGE by W. Somerset Maugham. By permission of the author and the publishers,
Lteubleday & Co., lac. Copyright, 1915, by Doubleday & Co., Inc. Renewed, 1942, by W. Somerset
Maugbam.
670
Not long after that affair Philip went
to London to begin a career as a clerk
in an accounting firm. Dissatisfied, he
worked only a year; then he went to
Paris to study art. But two years later
he gave up the idea of becoming an
artist and returned to London for his
third great start on a career. He had
decided to study medicine.
In London, Philip met Mildred Rog
ers, a waitress. She was really nothing
more than a wanton, but in spite of the
fact that Philip saw her for what she
was, he loved her and desired her above
all else. He gave her presents which
were extravagant for his small income.
He neglected his studies to be with her.
She gave him nothing in return. When
he asked her to marry him, for it seemed
that that was the only way he could
ever possess her, she told him bluntly
that he did not have enough money for
her and that she was marrying someone
else. Philip loved her and hated her so
much that he was almost consumed by
his emotions.
He had begun to forget Mildred, in his
affection for another girl, when she re
turned to London. Alone and penniless,
she told him that the other man had not
married her, that he already had a wife
and children. She was pregnant. Philip
forgot the other girl and took Mildred
back again. He paid her hospital bill
and her lodging bills and sent her to
the coast to rest. Mildred repaid him by
fDing off for a holiday with a man
hilip considered his good friend. They
used Philip's money to pay their ex
penses. Despising himself, he begged
Mildred to come back to him after her
trip with the other man; he could not
overcome his insane desire for her. But
Mildred did not come back.
Philip forced himself to study harder
than ever then. He met Thorpe Athel-
ny, a patient in the hospital where he
was studying, and the two men became
good friends. Philip visited the Athelny
home almost every Sunday. It was a
noisy house, filled with happy children
and with love and kindness, and the
cheerful atmosphere filled an empty place
in Philip's heart.
One evening Philip saw Mildred
again. She was highly painted and over
dressed, and she was sauntering slowly
down the street with a vulgar swing of
her hips. She had become a common
street-walker. Although Philip knew
then that he had lost his desire for her,
out of pity he took her and her child
into his home. Mildred was to act as
his housekeeper. Because Philip's funds
were small, they were forced to live
frugally. Mildred once again took all he
had to offer and gave him nothing in
return. Her only payment was an un
knowing one, for Philip loved her child
very much and he had many hours of
pleasure holding the baby girl in his
arms. Mildred tried again and again to
resume their old relationship, but each
time Philip repulsed her. At last she
became insanely angry and left his
apartment with her baby. Before she
left, however, she completely wrecked
the apartment, ripped his clothing and
linens with a knife, smashed furniture
and dishes, and tore up his pictures.
A short time later Philip lost what
little money he had in a bad invest
ment. The Athelny family took him.
into their home, and Thorpe obtained
work for him as a window dresser in
the store where Thorpe himself was em
ployed. Philip had to give up his studies
at die hospital because of lack of money.
Then, when he was thirty, his Uncle
William died and left him enough money
to finish his medical education. When
he walked down the steps with his
diploma in his hand, Philip thought that
he was ready at last to begin his real
life. He planned to sign on as a ship's
doctor and sail around the world before
he settled down to a permanent prac
tice.
But before he accepted a position,
Philip went on a holiday trip with the
Athelnys. While on that holiday he
realized with a distinct shock that one
671
of the Athelny girls whom he had always
thought of as a child had definitely
grown up. As they walked home to
gether one night, he and Sally Athelny
became lovers. Back in London, a few
weeks later, Sally told him that she
thought she was pregnant. Philip im
mediately gave up his dreams of travel
ing over the world and accepted a small-
salaried practice in a little fishing village,
so that he and Sally could be mar
ried. But Sally's fears proved ground
less. Free to travel and be his own
master, Philip suddenly realized that
what he really wanted was a home and
a family and security. He had never
been normal because of his deformity,
and he had never done what he wanted
to do but always what he thought he
should do. He had always lived in the
future. Now he wanted to live in the
present. And so he asked Sally to marry
him, to go with him to that little fishing
village. He offered her nothing but his
love and the fruit of the lessons he had
learned from hard teachers, but Sally
accepted his proposal. Philip felt that
he was his own master after his bleak,
bitter years of mortal bondage.
OF MICE AND MEN
Typ e of work; Novel
Author: John Steinbeck (1902- )
Type of plot: Sentimental melodrama
Time oj plot: Twentieth century
LOC&Z&; Salinas Valley, California
First published: 1937
Principal cliaracters:
LENNIE SMALT,, a simple-minded giant
GEORGE JMnTON, his friend
CANDY, swamper on the ranch on which George and Lennie worked
CURUBY, the owner's son
SLIM, the jerkline skinner on the ranch
CROOKS, the colored stable buck
Critique:
Written in terms of theatrical melo
drama, the compact, tragic story of
Of Mice and Men spins itself out in
only three days. In that brief time
Curley has his hand smashed, his wife
Is murdered, the old swamper's dog is
lolled, Lennie loses his life, and George
shoots his best friend. The effect of the
tightly-knit story is heightened by the
naturalness of the setting and the men's
talk, and by the underlying sympathy
Steinbeck has for all of his creations,
even the meanest
River. One man — his companion called
him George — was small and wiry. The
other was a large, lumbering fellow whose
arms hung loosely at his sides. After
they had drunk at the sluggish water
and washed their faces, George sat back
with his legs drawn up. His friend Len
nie imitated him.
The two men were on their way to
a ranch where they had been hired to
buck barley. Lennie had cost them
their jobs at their last stop in Weed,
where he had been attracted by a girl's
red dress. Grabbing at her clothes, he
had been so frightened by her screaming
that George had been forced to hit him
over the head to make him let go. They
had run away to avoid a lynching.
9F, **?££, A^H MEN by Joha St*111**^ By permission of the publishers, The Viking Press, Inc. Copy
right, 19-i?, by John Stemheck.
The Story:
Late one hot afternoon two men carry
ing blanket rolls trudged down the path
that led to the bank of the Salinas
672
After George had lectured
panion about letting him
his com
to their
new employer when they were inter
viewed, Lennie hegged for a story he had
already heard many times. It was the
story of the farm they would own one
day. It would have chickens, rabbits,
and a vegetable garden, and Lennie
would be allowed to feed the rabbits.
The threat that Lennie would not be
allowed to care for the rabbits if he did
not obey caused him to keep still when
they arrived at the ranch the next day.
In spite of George's precautions, their
new boss was not easy to deal with. He
was puzzled because George gave Len
nie no chance to talk.
While the men were waiting for the
lunch gong, the owner's son Curley came
in, ostensibly looking for his father, but
actually to examine the new men. After
he had gone, Candy, the swamper who
swept out the bunkhouse, warned them
that Curley was a prizefighter who de
lighted in picking on the men and that
he was extremely jealous of his slatternly
bride.
Lennie had a foreboding of evil and
wanted to leave, but the two men had
no money with which to continue their
wanderings. But by evening Lennie was
happy again. The dog belonging to
Slim, the jerkline skinner, had had pups
the night before, and Slim had given
one to simple-minded Lennie.
Slim was easy to talk to. While George
£yed solitaire that evening, he told
new friend of the incident in Weed.
He had just finished his confidence
when Lennie came in, hiding his puppy
inside his coat. George told Lennie to
take the pup back to the barn. He said
that Lennie would probably spend the
night there with the animal.
The bunkhouse had been deserted
by all except old Candy when Lennie
asked once more to hear the story of
the land they would some day buy. At
its conclusion the swamper spoke up.
He had three hundred and fifty dollars
saved, he said, and he knew he would
not be able to work many more yearst
He wanted to join George and Lennie
in their plan. George finally agreed, for
with Candy's money they would soon
be able to buy the farm they had in
mind.
Lennie was still grinning with de
lighted anticipation when Curley came
to the bunkhouse in search of his wife.
The men had been taunting him about
her wantonness when he spied Lennie's
grin. Infuriated with the thought that
he was being laughed at, Curley attacked
the larger man. Lennie, remembering
George's warnings, did nothing to de
fend himself at first. Finally he grabbed
Curley 's hand and squeezed. When he
let go, every bone had been crushed.
Curley was driven off to town for
treatment, with instructions from Slim
to say that he had caught his hand in a
machine. Slim warned him that the
truth would soon be known if he failed
to tell a convincing story.
After the others had started to town
with Curley, Lennie went to talk to
Crooks, the colored stable buck, who
had his quarters in the harness room
instead of the bunkhouse. Crooks' cool
ness quickly melted before Lennie's in
nocence. While Lennie told the colored
man about the dream of the farm, Candy
joined them. They wyere deep in discus
sion of the plan when Curley's wife
appeared, looking for her husband. The
story about her husband and the machine
did not deceive her, and she hinted that
she was pleased with Lennie for what
he had done. Having put an end to the
men's talk, she slipped out noiselessly
when she heard the others come back
from town.
Lennie was in the barn petting his
puppy. The other workmen pitched
horseshoes outside. Lennie did not real
ize that the dog was already dead from
the mauling he had innocently given
it. As he sat in the straw, Curley 's
wife came around the corner of the
stalls. He would not speak to her at
first, afraid that he would not get to feed
673
the rabbits if he did anything wrong,
but the girl gradually managed to draw
his attention to her and persuaded him
to stroke her hair.
When she tried to pull her head
away, Lennie held on, growing angry
as she tried to yell. Finally he shook
her violently and broke her neck.
Curley 's wife was lying half-buried
in the hay when Candy came into the
barn in search of Lennie. Finding Len
nie gone, he called George, and while
the latter went off to get a gun the
swamper spread the alarm. The op
portunity to catch the murderer was
what Curley had been looking for.
Carrying a loaded shotgun, he started
off with the men, George among them.
It was George who found Lennie
hiding in the bushes at the edge of a
stream. Hurriedly, for the last time, he
told his companion the story of the rab
bit farm, and when he had finished
Lennie begged that they go at once to
look for the farm. Knowing that Lennie
could not escape from Curley and the
other men who were searching for him,
George put the muzzle of his gun to
the back of his friend's head and pulled
the trigger. Lennie was dead whea the
others arrived.
OF TIME AND THE RIVER
Type of -work: Novel
Author: Thomas Wolfe O900-1938)
Type of plot: Impressionistic realism
Time of plot: 1920's
Locale: Harvard, New York, France
First -published: 19B5
Principal characters:
EUGENE GASFC, a young student and writer
BASCOM PENTLANT*, his uncle
FHANCIS STAEWICK, a friend
ANN, and
EUDSOK, Starwick's friends
ROBERT WEAVER, Eugene's friend
Critique:
With this novel, his second, Thomas
Wolfe became a more mature craftsman.
Trie book is a happy blend of the best
aspects, the enthusiasm and freshness of
Look Homeward, Angel and of Wolfe's
growing ability as a writer. Thomas
Wolfe had his limitations. Yet what he
gave contains some of the best writing
America has produced. Wolfe was not
a sophisticated novelist. He wrote of
life, of the pains, hungers, sorrows, of
the common people. More than any
other writer in America, he has suc
ceeded in vividly describing the sights,
smells, fears, and hopes of our nation
and our people. Of Time and the River
is a masterpiece of which Americans
can be proud.
The Story:
Eugene Gant was leaving Altamont
for study at Harvard. His mother and
his sister Helen stood on the station
platform and waited with him for the
train that would take him north. Eugene
felt that he was escaping from his strange,
unhappy childhood, that the train would
take him away from sickness and worry
over money, away from his mother's
boarding-house, the Dixieland, away from
memories of his gruff, kind brother Ben,
away from all ghosts of the past. While
OF TIME A^'D THE MVER by Thomas Wolfe. By permission of Edward C. Aswell, Administrator, Estate
of Thomas \\oiie, and tke publishers, Charles Scribner's Sons. Copyright, 1935, b7 Charles Scribner's Son*.
674
they waited, they met Robert Weaver,
who was also on his way to Harvard.
Mrs. Gant said that Robert was a fine
boy, but that there was insanity in his
family. She told Eugene family scandals
of the town before the train came
puffing in.
Eugene broke his trip in Baltimore to
visit his father, who was slowly dying
of cancer. Old Gant spent much of his
time on the sunlit hospital porch, dream
ing of time and of his youth.
At Harvard, Eugene enrolled in Pro
fessor Hatcher's drama class. Hungry for
knowledge, he browsed in the library,
pulling books from the library shelves
and reading them as he stood by the
open stacks. He wrote plays for the
drama workshop. Prowling the streets
of Cambridge and Boston, he wondered
about the lives of people he met, whose
names he would never know.
One day he received a note from
Francis Starwick, Professor Hatcher's
assistant, asking Eugene to have din
ner with him that night As Eugene
had made no friends at the university,
he was surprised by Starwick's invita
tion. Starwick turned out to be a pleas
ant young man who welcomed Eugene's
confidences but returned none.
In Boston Eugene met his uncle, Bas-
com Pentland, and his wife. Uncle
Bascom had once been a preacher, but
he had left the ministry and was now
working as a conveyancer in a law orBce.
One day Eugene received a telegram
telling him that his father was dying.
He had no money for a ticket home, and
so he went to see Wang, a strange, secre
tive Chinese student who roomed in the
same house. Wang gave him money and
Eugene went back to Altamont, but he
arrived too late to see his father alive.
Old Gant died painfully and horribly.
Only with his death did his wife and
children realize how much this ranting,
roaring old man had meant in their lives.
Back at Harvard, Eugene and Star-
wick became close friends. Starwick
always confused Eugene when they were
together; Eugene had the feeling that
everything Starwick did or said was like
the surface of a shield, protecting his
real thoughts or feelings underneath.
One night Robert Weaver came to
Eugene's rooms. He was drunk and
shouting at the top of his voice. He
wanted Eugene to go out with him, but
Eugene finally managed to get him to
bed on a cot in Wang's room.
Eugene dreamed of becoming a great
playwright. After he had completed his
course at Harvard, he went back to
Altamont and waited to have one of
his plays accepted for production on
Broadway. That was a summer of un-
happiness and suspense. His plays were
rejected. While visiting a married sistei
in South Carolina, he ran into Roberf
Weaver again. The two got drunk and
landed in jail.
In the fall Eugene went to New
York to become an English instructor
at a city university. After a time Robert
Weaver appeared. He had been living
at a club, but now he insisted that
Eugene get him a room at the apart
ment hotel where Eugene lived. Eugene
hesitated, knowing what would happen
if Weaver went on one of his sprees.
The worst did happen. Weaver smashed
furniture and set fire to his room, He
also had a mistress, a woman who had
married her husband because she knew
he was dying and would leave her his
money. One night the husband found
his wife and Weaver together. There
was a scuffle. The husband pulled a gun
and attempted to shoot Weaver before
he collapsed. It looked very much as if
Eliza Gant's statement about insanity
in the Weaver family were true.
Eugene also renewed a college friend
ship with Joel Pierce, the son of a
wealthy family. At Joel's invitation he
went to visit at the magnificent Pierce
estate along the Hudson River. Seeing
the fabulously rich close at hand for
the first time, Eugene was both fascinated
and disappointed.
At vacation time Eugene went abroad,
675
first to England, where he lived with
the strange Coulson family, and then to
France. In Paris he met Starwick again,
standing enraptured upon the steps of
the Louvre. Starwick was doing Europe
with two women from Boston, Elinor
and Ann. Elinor, who had left her hus
band, was mistakenly believed by her
friends to he Starwick's mistress. Eugene
went to see the sights of Paris with
them. Ann and Elinor paid all of Star-
wick's bills. One night, in a cabaret,
Starwick got into an argument with a
Frenchman and accepted a challenge to
duel. Ann, wanting to end the ridiculous
affair, paid the Frenchman money to
satisfy him for damages to his honor.
Eugene attempted to make love to
Arm, but when she resisted him he
realized that she was in love with Star
wick. What made the affair even more
tragic was Eugene's discovery that Ann's
love was wasted because Starwick was
a homosexual.
Disgusted with the three, Eugene
went to Chartres by himself. From
Chartres he went to Orleans. There he
met an eccentric old countess who be
lieved that Eugene was a correspondent
for the New York Times, a journalist
planning to write a book of travel im
pressions. She secured for him an invita
tion to visit the Marquise de Mornaye,
who was under the mistaken impression
that Eugene had known her son in
America.
Eugene went to Tours. There in that
old town of white buildings and narrow,
cobble-stoned streets, memories of Amer
ica suddenly come flooding back to him.
He remembered the square of Altamont
on a summer afternoon, the smell of
woodsmoke in the early morning, the
whistle of a train in the mountain
passes. He remembered the names of
American rivers, the parade of the states
that stretched from the rocky New Eng
land coastline across the flat plains and
the high mountains to the thunder of
the Pacific slope, the names of battles
fought on American soil. He remembered
his family and his own childhood. He
felt that he had recaptured the lost dream
of time itself.
Homesick, he started back to America.
One day he caught sight of Starwick and
his two women companions in a Mar
seilles cafe, but he went away before
they saw him.
He sailed from Cherbourg. On the
tender taking passengers out to the
great ocean liner he suddenly heard an
American voice above the babble of
the passengers grouped about him. He
looked. A woman pointed eagerly toward
the ship, her face glowing with an excite
ment as great as that Eugene himself
felt. A woman companion called her
Esther. Watching Esther, Eugene knew
that she was to be his fate.
THE OLD AND THE YOUNG
Type of -work: Novel
Author; Luigi Pirandello (1867-1936)
Type of 'plot: Historical chronicle
Time of 'plot: 1891-1892
Locale: Sicily and Rome
first published: 1913
Principal characters:
FLAMTNIO SALVO, a Sicilian capitalist
CAPOLTNO, a politician friend
ROBERTO AURITI, Capolino's political opponent
PRINCE GERLANDO LAURENTANO, Auriti's cousin, a Socialist
PRINCE IPPOLITO LAURENTANO, Gerlando's father and fiance" of Salvo's sister
DIANELLA SALVO, Salvo's daughter
AURELIO COSTA, Dianella's lover
MAURO MORTASA, an old rna-n who had followed Garibaldi
676
Critique:
The story of The Old and the Young
is as hectic as the bitter politics of Italy
were at the end of the nineteenth cen
tury, when families were still divided
because of the revolutions of 1848 and
1860. Outstanding passages in the novel
are the scene in which a mob seizes
and destroys two victims and the scene
which describes the visit of two Social
ists to a cemetery where they are allowed
to inspect the bodies of several people
slain by troops during a Socialist-incited
demonstration.
The Story:
As late as the last decade of the
nineteenth century the political air of
Italy and Sicily was troubled by the
events of the Garibaldi uprisings of 1848
and 1860. There were still people of
influence who looked back a half century
to the time when the Bourbons had
dominated Italy. There were also those
who had followed Garibaldi in his revolu
tion, and now, among the younger peo
ple, there were those who had become
Socialists and took to heart all the preach
ings of that doctrine. Italian politics
were as confused as they were corrupt
In Sicily, where a representative to
the Chamber of Deputies had died, a
campaign was under way for a successor
to represent the district of Girgenti. One
of the candidates was Roberto Auriti,
who at twelve years of age had been
with Garibaldi in Rome and whose rather
had been a Garibaldist leader. Auriti
was opposed by Capolino, who was
backed by the clerical parry and Flaminio
Salvo, a capitalist who owned the coal
and sulphur mines in the district.
The situation was particularly strained
for Salvo because he wanted to marry
his spinster sister to Auriti' s uncle, Prince
Ippolito Laurentano, an old man who
still believed in the Bourbon influence
and lived apart from the world on his
Sicilian estate. Salvo's plans for the
marriage xvere blocked because the old
man refused to submit to the civil
ceremony of a government he had never
recognized. The prince swore he would
have only the Church officiate at his
wedding. Salvo was also disturbed be
cause the old man's grown son, Gerlando
Laurentano, declared that he would not
attend his father's wedding, thus with
holding his sanction. Since Salvo was
after money and power, it was necessary
for his honor that young Laurentano
be at his father's second marriage cere
mony.
To complicate the affairs of Salvo
even more, there was a real effort to
foster discontent among his workers by
the Socialists, under tie leadership of
Gerlando Laurentano. His activities did
not endear young Laurentano to the
financier, who stood to lose much by
the young man's refusal to agree to terms
that Salvo thought reasonable and proper,
When the election returns had been
counted and the excitement of the elec
tion had begun to die down, it was
found that Capolino had been elected
to represent the district in which Salvo's
interests were located. Salvo was soon
to discover, however, that the government
did not take kindly to his candidate be
cause of the backing which Capolino had
also received from the clericals. Capolino
was reduced to a place among the minor
ity opposition in the Chamber of Dep
uties.
Meanwhile Capolino's wife, Nicoletta,
a woman much younger than her hus
band, had formed an attachment for
another deputy, a scapegrace named
Corrado Selmi, who owed a great deal
of money and who had been Auriti's
backer in the election. In addition to
being a source of trouble to her husband,
Nicoletta was a source of vexation to
Salvo, her husband's patron.
After the election most of the prin
cipals returned to Rome, where further
THE OLD AND THE YOUNG by Luigi Pirandello. Translated by C. K. Scott-Moncrieff. Bv
of the publishers* E. P. Duttoa & Co., lac. Copyright, 1928, by E. P, Duttr* & O-, Inc.
677
intrigues, political and amorous, began
to develop. During the election Auriti's
mother, who had not seen her brother,
Prince Ippolito Laurentano, for over
forty years, had gone to him and asked
jiirn to support her son. The prince
had refused because of the marriage
pending between himself and Salvo's sis
ter. In Rome it developed that there
was in existence an incriminating letter
which would make Auriti responsible for
forty thousand lira misappropriated by
Corrado Selrni, who was about to be
impeached by his fellow deputies for
bribery and misuse of government funds.
Giulio, Roberto Auriti's brother, ap
pealed to Capolino and then to his cous
in, Gerlando Laurentano, for aid. Both
refused to have anything to do with the
affair, despite the protestations of old
Mauro Mortara, Mortara was an aged
Garibaldist, a comrade of Gerlando Lau-
rentano's grandfather and Roberto Au
riti's father, when all three had followed
Garibaldi in '48 and '60. The old vet
eran could not realize that the descend
ants of his old revolutionary comrades
were so divided in their politics that they
would not aid each other when they
were in need,
Selmi committed suicide and left a
note admitting his guilt in the matter
of the forty thousand lira. But Auriti
had already been imprisoned. When his
mother learned of die dishonor to the
Auriti family, she died of grief.
Meanwhile the Socialists planned a
coup in Sicily. When a strike had been
called in the district of Girgenti, Salvo
had closed his mines in an attempt to
starve out the workers. His superintend
ent, Aurelio Costa, had been summoned
to Rome to receive orders. Gosta had been
befriended by Salvo after he had saved
the capitalist from drowning. Dianella
Salvo, his daughter, was in love with
Costa, but Salvo refused to permit their
marriage because Costa had no money.
In an effort to be rid of the superin
tendent, Salvo sent Costa back to Sicily
to face the angry strikers. Planning to
leave Salvo's employ, Costa returned to
Sicily with the wife of Deputy Capolino.
On their return they were murdered
before Costa could explain to the mob
that he wanted to join forces with the
strikers.
When word of the double murder
reached Rome, Capolino rushed to Salvo's
home and told Dianella Salvo what her
father had done by forcing Costa to re
turn. Dianella went mad and had to
be locked up. The only person who
could calm her was old Mauro Mortara,
who had become friendly with the wom
an during the election campaign.
Gerlando Lauren tano had become
more deeply embroiled in Socialist activi
ties in Italy and Sicily. When word
came of the strike at Girgenti, he went
with members of a committee of his
party to investigate the trouble in Sicily
and to learn how the Socialists might
benefit from the strike. He was horrified
at the hunger and poverty among the
strikers.
In spite of Socialist attempts to aid
the peasants, the people did not want a
Socialist government. At mass meetings
the workmen carried pictures of the
king and queen and images of the cross.
The government, on the other hand, took
advantage of the rioting to send troops
and police to quell all disturbances.
Gerlando Laurentano was finally forced
to flee from Sicily at night because the
authorities had discovered that he was
a Socialist organizer. During his flight
he encountered Mauro Mortara. The
old veteran was ashamed that the grand
son of a Garibaldist leader would be in
volved in Socialist troubles. Shot when
troops opened fire on a crowd, the dying
Mortara wondered what was wrong in
Italy, since even in his old age the peace
and freedom for which he and his genera
tion had fought were not secure. The
young people seemed to have made just
as great a turmoil in his native land as
had his own revolutionary generation.
678
THE OLD MAID
Type of work: Novel
Author: Edith Wharton (1862-1937)
Type of plot: Social criticism
Time of plot: The 1850's
Locale: New York
First published: 1924
Principal characters:
DELIA RAJLSTON, a New York matron
JAMES RALSTON, her husband
CHARLOTTE LOVELL, Delia's cousin
JOE RALSTON, James' cousin
TINA LOVELL, Delia's ward
Critique:
Edith Wharton was justly famous for
her ability to portray characters and
scenes simply and accurately. In the
brief space of The Old Maid she pre
sented a woman whose life was extremely
conventional, but who longed to live
more fully and more emotionally than
circumstances permitted. At the same
time Mrs. Wharton told the story of
a woman who had lived emotionally and
for that reason was forced to live her
middle and old years in the most con
ventional manner possible, to atone for
her sinful youth. Both characters were
carefully and interestingly depicted, and
their life together has given us a novel
which not only interests us, but also
gives us a view of American society in
the genteel decades.
The Story:
Among the leading families in New
York in the 1850*5, none was more cor
rect or more highly regarded than the
Ralstons. Their ancestors had come to
America not for religious freedom but
for wealth. By the time Delia Lovell
married James Ralston, the Ralstons con
sidered themselves the ruling class, with
all their thoughts and actions dictated
by convention. They shunned new ideas
as they did strange people, and the sons
and daughters of the numerous branches
of the family married only the sons and
daughters of similar good families.
Delia was conventional and correct
by birth as well as by marriage. Before
her marriage she had been in love with
Clement Spender, a penniless young
painter. But since he would not give
up his proposed trip to Rome and settle
down to a disciplined life in New York,
it was impossible for a Lovell to marry
him.
Delia often, against her will, imagined
herself married to Clement. But the
image was only momentary, for Delia
had no place in her life for strong
emotions or great passions. Her life
with James and their two children was
perfect. She was glad, too, that her
cousin, Charlotte Lovell, was going to
marry James' cousin, Joe Ralston, for
at one time she had feared that Charlotte
might never have a suitable proposal.
Charlotte was a strange girl who had
become quite prudish in the years since
she made her debut. At that time she
had been gay and beautiful. Then a
sudden illness had caused her to go to
Georgia for her health. Since her return,
she had been colorless and drab, spend
ing all of her time with the children
of the poor. She had set up a little
nursery where she cared for the children,
and to this nursery had come a baby
who had been abandoned by a veiled
woman whom no one could identify.
Charlotte seemed especially fond of the
orphan child and favored her with better
THE OLD MAID by Edith Whartoa. By permission of the publisher*, Appleton-Century-Crofts, Inc. Copy
right, 1924, by 0. Appieton & Co.
679
coys and clothes than those given the
other children.
One day Charlotte came to Delia and
told her that she was not going to marry
Joe Ralston. She told Delia that the
orphaned baby in the nursery was her
own, that she had gone to Georgia to
give birth to the child. It was true that
Charlotte was ill; she had a racking
cough that often caused a hemorrhage,
but it was not the cough that caused
Charlotte to worry. Joe insisted upon
her giving up her work with the children
after they were married. Since her baby
had no known parents, it would be placed
in an orphanage. Charlotte could not
think of her child in a charity home.
Joe, being a Ralston, would never
marry Charlotte and accept her child if
he knew the truth. Delia did not know
what action to suggest until she learned
that the baby's father was Clement
Spender, Charlotte had always loved
Clement, who, when he returned from
Rome and found Delia married, had
turned to Charlotte. When he went back
to Rome, Charlotte had not told him of
the baby, for she knew that he still loved
Delia.
Although Delia thought she cared
nothing for Clement now, she too could
not bring herself to let his child be placed
in an orphanage. She persuaded her hus
band to provide a home for Charlotte
and the baby, telling him and the rest
of the family that Charlotte and Joe
should not marry because of Charlotte's
cough. Joe, who wanted healthy chil
dren, was not hard to convince.
After Charlotte and the baby, Tina,
had been established in a little house,
Charlotte's health improved. In fact,
she became quite robust, and each day
grew more and more into an old maid.
After James Ralston was killed by a fall
from a horse, Delia took Charlotte and
the little girl into her home. Tina grew
up with the Ralston children and copied
them in railing Delia "Mother" and
Charlotte "Aunt"
Delia's children made proper mar
riages, and at last she and Charlotte and
Tina were left alone in the house. Char
lotte often seemed to resent Delia's inter
est in Tina and the fact that the young
girl went to Delia's room for private
talks, but she dared not give any hint
that Tina owed her love or affection.
When Delia learned that the sons
of the good families would not marry
Tina because she had no family back
ground, she asked Charlotte to let her
adopt the girl and give her the Ralston
name. Both women feared that Tina
might make the same mistake Charlotte
had made if she continued to see young
men who loved her but would not
marry her. Soon afterward, Delia made
Tina her legal daughter and the g;r]
became engaged to a correct young
man, for the Ralston tie was one that
all families wanted.
Tina was delighted with her new
status as the daughter of Delia, for she
had long thought of her as a mother.
The two made endless plans for Tina's
wedding. On the night before the wed
ding, Delia wanted to go up to Tina's
room to tell the girl all the things a
mother usually tells her daughter on the
eve of her wedding. But Charlotte flew
into a rage. She accused Delia of hav
ing helped her and Tina only because
she wanted revenge for Charlotte's affair
with Clement. She told Delia that she
knew Delia still loved Clement, that
she had turned to Delia in her need years
ago because she knew that Delia would
help her for Clement's sake. Charlotte
had been carrying her hatred for Delia
in her heart for many years, thinking al
ways that Delia was trying to take Tina
from her real mother. Charlotte declared
fiercely that on her wedding eve Tina
should talk with her real mother, and
she started up to the girl's room.
When Charlotte had gone, Delia real
ized that there was some truth in what
Charlotte had said. She had chosen
James and the Ralston life willingly and
knowingly, but she had often uncon
sciously wished for a life that was filled
680
with love and unpredictable passions.
And she knew, too, that she had made
Tina her own child, thus leaving Char
lotte nothing for herself.
Delia started up to her room. She
wanted to see Tina, hut she thought
that Charlotte deserved this one night
with her daughter. Delia met Charlotte
coming downstairs. Charlotte had not
been with Tina, for she knew that the
girl would prefer her adopted mother.
There was nothing an old maid aunt
could say to a bride unless she were to
tell her the truth, and that Charlotte
could never do. And so Delia had her
talk with Tina. She did not stay long,
for she knew that Charlotte was alone
and unhappy. As she kissed Tina good
night, she asked one favor. On the mor
row, for Delia's sake, Tina was to give
her last goodbye kiss to her Aunt Char
lotte.
OLD MORTALITY
Type of -work: Novel
Author: Sir Walter Scott (1771-1832)
Type of plot: Historical romance
Time of plot: 1679
Locale: Scotland
First published: 1816
Principal characters:
HENRY MORTON, the heir of Milnwood
LADY MARGARET BELLENDEN, of Tillietudlem
EDITH, her granddaughter
COLONEL GRAHAME OF CLAVERHOUSE, later Viscount of Dundee
LORD EVANDALE, a royalist
JOHN BALFOUR OF BURLEY, a Covenanter
BASIL OLTFANT, a renegade Covenanter
Critique:
The man who gives his name to this
novel appears only briefly in the story.
Ostensibly a device to get the story under
way, he was a native of Dumfries who
traveled about Scotland caring for the
tombstones of the Covenanters who fell
in the rebellion of 1679. The assumed
narrator of the story pretends to have
gathered some of his facts from the old
man. First published in the series called
Tales of My Landlord, Old Mortality is
one of Scott's better novels, the plot
being dramatized with considerable skill
and the characters ably drawn and pre
sented.
The Story:
Henry Morton had the misfortune of
being a moderate man, a man who could
see both sides of a question. During the
rebellion of the Covenanters against the
crown in 1679, his position became an
exceedingly precarious one. His uncle
and guardian was the Squire of Miln
wood, by faith a Covenanter and by
nature a miser, and Henry's dead father
had commanded a troop of horse when
he fought for the Covenanters at Mars-
ton Moor. The story of his family was
frequently cause for comment among the
cavalier gentry of the district, especially
at the tower of Tillietudlem, the home
of Lady Margaret BeUenden and Edith,
her granddaughter.
Henry and Lord Evandale contested
as marksmen at a wappenschaw, and
Edith Bellenden was among the spec
tators when Henry defeated his oppo
nent. Declared the victor at this festival
of the popinjay, Henry bowed his re
spects to Edith Bellenden, who responded
with embarrassed courtesy under the
watchful eyes of her grandmother.
After the shooting Henry went with
friends to a tavern where some dragoons
of Claverhouse's troop, under Sergeant
681
Francis Bothwell, were also carousing.
Bothwell, a descendant of the Stuart
kings through the bar sinister line, was
a man of domineering disposition. After
Henry and his friends had drunk a
health to the king, Both well, intending
to humiliate the Covenanters, resolved
that they should drink also to the Arch
bishop of St. Andrew's. A stranger in
the company proposed the toast to the
archbishop, ending with the hope that
each prelate in Scotland would soon be
in the same position as his grace.
Henry and the stranger left the inn
soon afterward, before word came that the
archbishop had been assassinated. Real
izing then that the stranger must have
been one of the plotters in the deed,
Bothwell ordered a pursuit.
Meanwhile Henry had learned that
his companion was John Balfour of
Burley, a Covenanter leader who had
saved the life of Henry's father at Mars-
ton Moor. That night Henry gave Bal
four lodging at Milnwood without his
uncle's knowledge and next morning
showed the fugitive a safe path into the
hills. Bothwell and his troops arrived
shortly afterward. Henry was arrested
and taken away.
In company with Henry in his arrest
were Mause Headrigg, a staunch Cove
nanter, and her son Cuddie. The pris
oners were taken to Tillietudlem Castle,
where Claverhouse sentenced Henry to
execution. He was saved, however, by
the intercession of Edith and Lord Evan-
dale.
Lord Evandale brought information
that a group of Covenanters was gather
ing in the hills, and Claverhouse gave
orders to have his troops advance against
them. At a council of war Lord Evan-
dale, among others, suggested a parley
in which both sides could air their griev
ances. Claverhouse sent his nephew,
Comet Grahame, to carry a flag of truce
to the Covenanters. Balfour and a small
group met Cornet Grahame, but the
Covenanters refused to meet Claver-
house's demands. After an interchange
of words, Balfour, to the surprise and
suppressed indignation of all, shot Comet
Grahame in cold blood.
The killing of the young officer was
the signal for a general fight. Bothwell
and Balfour met beard to beard, and Bal
four killed Bothwell with his sword as
the dragoon stood defenseless, his sword
arm broken by a kick of a horse. In the
fray Henry saved the life of Lord Evan-
dale after the young nobleman's horse
had been shot from under him.
Victorious, Balfour's rebels next laid
plans to capture Castle Tillietudlem.
Claverhouse left a few of his men to
defend the place under the command
of Major Bellenden, brother-in-law of
Lady Margaret.
Balfour, who had taken Henry Mor
ton from the troops of Claverhouse on
the battlefield, wanted Henry to join
with the rebels but Henry still held
back. Trying to convince Henry of the
righteousness of his cause, Balfoux took
bim to a council of war, where Henrv
was elected one of a council of six
through Balfour's insistence.
Major Bellenden refused to surrender
the casde to the insurgents, who then
decided to starve out the small garrison.
Balfour, realizing that Henry wished to
remain in the vicinity of the casde be
cause he was concerned for Edith's
safety, sent the young man to Glasgow,
the objective of the main Covenanter
army. Claverhouse, who had retreated
to Glasgow, laid careful plans for the
defense of the city. Henry returned to
Milnwood with Cuddie in order to learn
what was happening at Tillietudlem.
Hearing that Lord Evandale had been
captured during a sortie from the castle,
Henry once again saved Lord Evandale's
life from Balfour's rough justice. Then
Henry drew up a document stating the
grievances of and the conditions oFered
by the Covenanters and sent Lord Evan-
dale with the paper to the casde. Edith
and Lady Margaret escaped from the
castle, and Henry raised the flag of the
Covenanters to the castle tower.
682
The Covenanters were finally defeated
at the battle of Bothwell Bridge. In the
retreat from the field Henry was taken
prisoner by a party of Covenanter fanat
ics, who believed him to have deserted
their cause. He was sentenced to death.
Cuddie Headrigg caught a horse and es
caped. He rode to Claverhouse and ex
plained Henry's predicament. Since
Henry's death was decreed on a Sabbath
day, his captors decided he could not be
executed until after midnight This de
cision gave Claverhouse and his men
time to rescue Henry. With the Cove
nanters' revolt now broken, Claverhouse
agreed to put Henry on a parole of
honor. Henry accepted exile from Scot
land, promising to remain in banishment
until the king's pleasure allowed his re
turn. Henry went to Holland.
There he lived in exile for several
years, until William and Mary came to
the throne. When he returned to Scot
land, he called upon Cuddie, who had
married Jenny Dennison, Edith's maid.
From Cuddie' he learned of all that had
occurred during his absence. He was in
formed that a man named Basil Olifant,
a turncoat kinsman of Lady Margaret,
had seized Tillietudlem and that Lady
Margaret and Edith were forced to de
pend upon the charity of friends. Henry
also learned that Balfour was still alive
and that Lord Evandale was soon to
marry Edith Bellenden. Henry set out
to find Balfour and get from him a docu
ment which would place once more in
Edith's possession the Ballenden estates.
But Balfour burned the document and
then threatened to fight Henry to the
death. Henry refused, however, to fight
with the man who had saved his father's
life, and he made his escape from Bal-
four's fury by leaping across a ravine.
Meanwhile Edith had definitely re
fused marriage to Lord Evandale because
she had caught a glimpse of Henry Mor
ton as he passed her window. Later, at
an inn, Henry overheard a plot to murder
Lord Evandale, the murderers hoping
to obtain a substantial sum from Basil
Olifant for so doing. Henry scribbled a
note of warning to Lord Evandale and
sent his message by Cuddie. Then he
went to Glasgow, intending to find Wit-
tenbold, a Dutch commander of dra-
?x>ns, and get help from him to protect
ord Evandale. Cuddie, however, tarried
too long at an ale-house and forgot that
the letter was to be delivered to Lord
Evandale. Instead, he asked for Lady
Margaret, and then, refused admittance,
he stumbled away bearing the letter with
him. Thus Lord Evandale was not
warned of his danger.
A party of horsemen, led by Basil Oli
fant, came to kill Lord E\Tandale. Cuddie,
knowing the danger, warned him too
late. Shots were exchanged and Lord
Evandale fell. Olifant ordered Lord
Evandale murdered in cold blood just
before Henry arrived with a magistrate
and a detachment of dragoons.
The troopers quickly dispersed the
attackers and Olifant fell during the
charge. Balfour, attempting to escape,
was swept to his death in a flooded
stream. Henry hurried to the side of
Lord Evandale, who recognized him and
made signs that he wished to be carried
into Lady Margaret's house. There he
died, surrounded by his weeping friends.
His last act was to place Edith's hand
in that o£ Henry Morton. Several months
later, to the great joy of the countryside,
Henry married the young heiress of Til
lietudlem. In the meantime, Basil Oli
fant having died without a will, Lady
Margaret had recovered her castle and
her estates,
683
THE OLD WIVES* TALE
Type of work: Novel
Author: Arnold Bennett (1867-1931)
Type of plot: Naturalism
Time of plot: Nineteenth century
Locale: England and Paris
First published: 1908
Principal characters:
CONSTANCE RAINES POVET, and
SOPHIA BAUSTES SCALES, sisters
JOHN BATNES, their father
MRS. BAINES, their mother
SAMUEL POVEY, Constance's husband
GERALD SCALES, Sophia's husband
CYRIL POVEY, son of Constance and Samuel
Critique:
The Old Wives' Tale is a highly satis
fying novel because of its excellent
craftsmanship and its characterization of
two strikingly different women. Although
the book is long, the continuity of the
narrative is sustained by the common
family background of Constance and
Sophia Baines and by the changes that
time brings to their very different lives.
The book contains many colorful details
of the period between the age of crino
lines and the industrial era, but its em
phasis is not historical. Events such as
the siege of Paris are used primarily as
background for the development of char
acter. The theme of the novel is time and
the effects of its passing upon human
life.
The Story:
Constance Baines at sixteen was a
plump, pleasant girl with a snub nose.
Sophia, aged fifteen, was a handsome
girl with imagination and daring. The
first symptoms of her rebelliousness, of
her strong individuality, came wnen she
announced her desire to be a teacher.
That was in 1864.
Mr. and Mrs. Baines owned a drap
er's shop, and their income was adequate.
They were most respectable, and were
therefore horrified at their daughter's un
conventional plan, for it had been taken
for granted tnat she, as well as Con
stance, would assist in the shop. When
Sophia was four years old, John Baines,
the father, had suffered a stroke of paral
ysis which had left him a hopeless in
valid whose faculties were greatly im
paired. Prodded by his capable wife,
he joined in forbidding Sophia to think
of school teaching, but his opposition
only strengthened Sophia's purpose.
One day, when Sophia had been left
alone to care for her father, she saw a
handsome young man, representative of
a wholesale firm, enter the store. She
instantly invented an errand to take her
into the shop. His name, she learned,
was Gerald Scales. When Sophia re
turned to her father's room he had slipped
off the bed, had been powerless to move
himself, and had died of asphyxia. Mr.
Baines' old friend, Mr. Critchlow, was
called immediately, and he, having seen
Sophia in the shop with Gerald, in-
standy accused her of kilh'ng her father.
Presumably as a gesture of repentance
but actually because she hoped for an
opportunity to see Gerald again, Sophia
offered to give up her plans to teach.
Sophia worked in millinery while Con
stance assisted Samuel Povey, the clerk,
a small quiet man without dignity and
without imagination. He and Constance
gradually fell in love.
THE OLD WIVES' TALE by Arnold Bennett. By permission of A. P. Watt & Scm, London, and the pub
lishers, Doubieday & Co., Inc. Copyright, 1911, by Doubleday & Co., Inc. Renewed, 1938, by Marie Mar-
jaret Bennett.
684
After two years Gerald returned. By
artful contriving, Sophia managed to
meet him alone and to initiate a cor
respondence. Mrs. Baines, recognizing
Sophia's infatuation sent her off to visit
her Aunt Harriet. Several weeks later
Sophia ran off with Gerald Scales.
She wrote her mother that they were
married and planning to live abroad. A
short time later Constance and Samuel
Povey were married. Mrs. Baines turned
over to them the house and shop, and
went to live with her sister.
The married life of Constance held
few surprises, and the couple soon set
tled to a routine tradesman's existence.
Nothing further was heard of Sophia
except for an occasional Christmas card
giving no address. After six years of
marriage a son, Cyril, was born. Con
stance centered her life about the baby,
more so since her mother died shortly
after his birth. Povey also devoted much
attention to the child, but he made his
wife miserable by his insistence on disci
pline. When, after twenty years of mar
riage, Povey caught pneumonia and left
Constance a widow, she devoted herself
entirely to Cyril. He was a charming,
intelligent boy, but he seemed indifferent
to his mother's efforts to please him.
When he was eighteen years old, he won
a scholarship in art and was sent to Lon
don. His mother was left alone.
Life had not dealt so quietly with
Sophia. In a London hotel room, after
her elopement, she had suffered her first
disillusionment when Gerald began to
make excuses for delaying their mar
riage. But after Sophia refused to go to
Pans with him except as his wife, he
reluctantly agreed to the ceremony.
Gerald had inherited twelve thousand
pounds. In Paris he and Sophia lived
lavishly. Gerald's weakness, his irre
sponsibility, and lack of any morals or
common sense soon became apparent.
Realizing that Gerald had little regard
for her welfare, Sophia took two hundred
pounds in bank notes from his pocket
and hid them against an emergency. As
Gerald lost more at gambling, they lived
in shabbier hotels, wore mended clothes,
and ate sparingly. When their funds
were nearly exhausted, Gerald suggested
that Sophia should write to her family
for help. When Sophia refused, Gerald
abandoned her.
The next day she awoke ill and was
visited by Gerald's friend, Chirac, who
had come to collect money Gerald had
borrowed from him. Chirac had risked
his own reputation by taking money
from the cash box or the newspaper
where he was employed. Sophia un
hesitatingly used some of the notes she
had taken from Gerald to repay Chirac.
When she again became ill, Chirac left
her in the care of a middle-aged courte
san, Madame Faucault, who treated
Sophia kindly during her long illness.
Madame Faucault was deeply in debt.
Sophia rented Madame Faucault's flat
and took in roomers and boarders. At
that time France was at war with Ger
many, and soon the siege of Paris
began. Food was scarce. Only by hard
work and the most careful management
was Sophia able to feed her boarders.
She grew hard and businesslike. When
the siege was lifted and Paris returned to
normal, Sophia bought the pension Fren-
sham at her own price. This pension
was well-known for its exceDence and
respectability, and under Sophia's man
agement it prospered. She dad not hear
from her husband again. By the Exhibi
tion year she had built up a modest
fortune from the two hundred pounds
she had stolen from Gerald.
One day a young Englishman who was
Cyril Povey's friend came to stay at the
pension Frensham. Sophia's beauty and
dignity intrigued him, and he learned
enough about her to recognize her as
his friend's aunt. On his return to Eng
land he hastily informed both Cyril
and Constance of Sophia's situation.
Constance immediately wrote Sophia
a warm, affectionate letter begging hei
to come to England for a visit. Mean
while, in Paris, Sophia had suffered 8
685
slight stroke; when she was offered a
large sum for the pension Frensham she
reluctantly let it go. Soon afterward, she
visited England.
Although Sophia had intended to make
only a short visit, the sisters lived to
gether for nine years. On the surface they
got along well together, but Sophia had
never forgiven her sister for her refusal
to move from the ugly, inconvenient old
house. Constance, on her part, silently
resented Sophia's domineering ways.
Their tranquil existence was inter
rupted by a telegram to Sophia, inform
ing her that Gerald Scales was very ill
in a neighboring town. She went to him
at once, but on her arrival she learned
that he was already dead. He was shabby
and thin and old. Seeing Gerald was
a great shock to Sophia, and part of hei
shock was the fact that she no longer
had any feeling for the man who had
both made and ruined her life. On the
drive home she suffered another stroke
and lived but a few hours. Cyril was
left all of Sophia's money. He had con
tinued to live in London on an allow
ance, completely absorbed in his art, still
secretive and indifferent in his attitude
toward his mother. When Constance
died several years later, he was abroad
and did not return in time for the funeral.
When the servants went off for Con
stance's burial, only Sophia's old poodle
was left in the house. She waddled into
the kitchen to see if any food had been
left in her dish.
OLIVER TWIST
Type of work Novel
Author: Charles Dickens C1812-1870)
Type of plot; Sentimental romance
Time of plot: Early nineteenth century
Locale: English provinces and London
first published: 1837-1839
Principal characters:
OLIVER TWIST, a workhouse waif
Ms. BROWSTLOW, Oliver's benefactor
MBS. MAYLTE, who also befriended Oliver
ROSE IMAYLTE, her adopted daughter
FAGES, a thief -trainer
BELL SEKES, his confederate
NANCY, in love with Sikes
MONKS CE^WABD LEEFORD), Oliver's half-brother
BUMBLE, a workhouse official
Critique:
The plot of this novel, written when
Dickens was in his twenties, forecasts
the extremely complicated plots he in
vented later. The action moves forward
in a natural way, achieved by an artistic
change of pace. Because the story was
first published serially, there are switches
of scene at moments of tension. Senti
mentality abounds, perhaps unavoidably,
because of the nature of the theme and
because of Dickens' deep concern for the
conditions of the underprivileged masses
in the Great Britain of T"s day.
The Story:
Oliver Twist was bom in the lying-in
room of a parochial workhouse about
seventy-five miles north of London. His
mother's name was not known. She had
been found unconscious by the roadside,
exhausted by a long journey on foot, and
she died leaving as the only tokens of
her child's identity a locket and a ring.
These were stolen by old Sally, a pauper
present at her death.
Oliver owed his name to Bumble, the
parish beadle and a bullying official of
the workhouse, who always named his
686
unknown waifs in the order of an al
phabetical system he had devised. Twist
was the name between Swubble and
Unwin on Bumble's list. Oliver Twist
he was named.
An offered reward of ten pounds fail
ing to discover his parentage, he was sent
to a nearby poor farm, where he passed
his early childhood in neglect and near
starvation. At the age of nine he was
moved back to the workhouse. Always
hungry, he asked one day for a second
serving of porridge. The scandalized
authorities put him in solitary confine
ment and posted a bill offering five
pounds to some master who would take
him off the parish.
Oliver was apprenticed to one Sower-
berry, a casket maker, to learn a trade.
Sowerberry employed little Oliver,
dressed in miniature mourning clothing,
as attendant at children's funerals. An
other Sowerberry employee, Noah Clay-
pole, teased Oliver about his parentage.
Oliver, goaded beyond endurance,
fiercely attacked Claypole and was sub
sequently locked in the cellar by Mrs.
Sowerberry. Sowerberry released Oliver,
who, that night, bundled up his meager
belongings and started out for London.
In a London suburb Oliver, worn out
from walking and weak from hunger,
met Jack Dawkins, sharp-witted slum
gamin. Dawkins, known as the Artful
Dodger, offered Oliver lodgings in the
city, and Oliver soon found himself in
the midst of a gang of young thieves, led
by a miserly old Jew, Fagin. Oliver was
trained as a pickpocket. On his first
mission he was caught and taken to the
police station. There he was rescued by
kindly Mr. Brownlow, the man whose
pocket Oliver was accused of having
picked. Mr. Brownlow, his gruff friend
Grim wig, and the old housekeeper, Mrs.
Bedwin, cared for the sickly Oliver.
They marveled at the resemblance of the
boy to a portrait of a young lady in Mr.
Brownlow 's possession. Recuperated,
Oliver was one day given some books
and money to take to a bookseller. Grim-
wig wagered that Oliver would not re
turn. Meanwhile Fagin and his gang
had been on constant lookout for the
boy's appearance, and he was intercepted
by Nancy, a young street girl associated
with the gang.
Bumble, in London on parochial busi
ness, saw Mr. Brownlow's advertisement
for word leading to Oliver's recovery.
Hoping to profit, he hastened to Mr.
Brownlow and reported that Oliver was
incorrigible. After receiving this infor
mation, Mr. Brownlow refused to have
Oliver's name mentioned in his presence.
Once more Oliver was in the hands
of Fagin. During his absence the gang
had been studying a house in Chertsey,
west of London, preparatory to breaking
into it at night. The rime came for the
adventure, and Oliver, much to his
horror, was chosen to participate. He
and Bill Sikes, brutal young co-leader of
the gang, met Toby Crackit, another
housebreaker, and the trio, in the dark of
early morning, pried open a small win
dow of the house. Oliver entered, de
termined to warn the occupants. The
robbers were discovered, and the trio
fled, Oliver wounded by gunshot.
In fleeing, Sikes threw the wounded
Oliver into a ditch and covered him with
a cape. Toby Crackit, the other house
breaker, returned and reported to Fagin.
The old thief-trainer was more than ever
interested in Oliver after an important
conversation with one Monks. This dis
cussion, overheard by Nancy, concerned
Oliver's parentage and Monks' wish to
have the boy made a youthful felon.
Oliver crawled feebly to the house
into which he had gone the night before.
He was taken in by the owner, Mrs.
Maylie, and Rose, her adopted daughter.
Oliver's story aroused their sympathy and
he was saved from police investigation by
Dr. Losbeme, friend of the Maylies.
Upon his recovery the boy went with
the doctor to seek out Mr. Brownlow,
but it was learned that the old gentle
man, his friend Grimwig, and Mrs. Bed-
win had gone to the West Indies,
687
Meanwhile Bumble courted the
widow Comey. During one of their con
versations, Mrs. Corney was called out
to attend the death of old Sally, who had
stood by at the death of Oliver's mother.
After old Sally died, Mrs. Corney re
moved a pawn ticket from her hand. In
Mrs. Corney's absence, Bumble ap
praised her property to his satisfaction.
He proposed marriage.
The Maylies moved to the country,
where Oliver studied gardening, read,
and took long walks. During this holi
day Rose Maylie fell sick and nearly
died. After her recovery, Harry Maylie,
wastrel son of Mrs. Maylie, joined the
group. Harry, in love with Rose, asked
for her hand in marriage. Rose refused
on two grounds; she could not marry
him before she discovered who she was,
and she could not marry him unless he
mended his ways. One night Oliver was
frightened when he saw Fagin and
Monks peering through the study win
dow.
Bumble had discovered that married
life with the former Mrs. Comey was
not all happiness, for she dominated him
completely. When Monks went to the
workhouse seeking information about
Oliver, he met with Mr. and Mrs. Bum
ble and learned that Mrs. Bumble had
redeemed a locket and a wedding ring
with the pawn ticket she had recovered
from old Sally. Monks bought the trin
kets from Mrs, Bumble and threw them
in the river.
Monks told Fagin that he had dis
posed of the tokens of Oliver's parentage.
Again Nancy overheard the two villains.
After drugging Bill Sikes, whom she had
been nursing to recovery from gunshot
wounds received in the ill-fated venture
at Chertsey, she went to see Rose May-
lie, whose name and address she had
overheard in the conversation between
Fagin and Monks. Nancy told Rose
everything she had heard concerning
Oliver. Rose was unable to understand
fully the various connections of the plot
nor could she see Monks* connection
with Oliver. She offered the miserable
girl the protection of her own home, but
Nancy refused, knowing that she could
never leave Bill Sikes. The two young
women agreed on a time and place for
later meetings. Rose and Oliver went
to call on Mr. Brownlow, whom Oliver
had glimpsed in the street. The reunion
of the boy, Mr. Brownlow, and Mrs.
Bedwin was a joyous one. Even old
Grimwig gruffly expressed his pleasure
at seeing Oliver again. Rose told Mr.
Brownlow Nancy's story.
Noah Claypole and Charlotte, maid
servant of the Sowerberrys, had in the
meantime, run away from the casket
maker and arrived in London, where
they went to the public house which was
the haunt of Fagin and his gang. Fagin
flattered Noah into his employ, Noah's
job being to steal small coins from chil
dren on household errands.
At the time agreed upon for her ap
pointment with Rose Maylie, Nancy was
unable to leave the demanding Bill Sikes.
Noticing Nancy's impatience, Fagin de
cided that she had tired of Sikes and
that she had another lover. Fagin hated
Sikes because of the younger man's
power over the gang, and he saw this
situation as an opportunity to rid himself
of Sikes. Fagin set Noah on Nancy's
trail.
The following week Nancy got free
with the aid of Fagin. She went to Rose
and Mr. Brownlow and revealed to them
the haunts of all the gang except Sikes.
Noah, having overheard all this, secretly
told Fagin, who in turn told Sikes. In
his rage Sikes brutally murdered Nancy,
never knowing that the girl had been
faithful to him. He fied, pursued by
the vision of murdered Nancy's staring
eyes. Frantic from fear, he attempted to
kill his dog, whose presence might be
tray him. The dog ran away.
Apprehended, Monks confessed to Mr.
Brownlow the plot against Oliver. Oli
ver's father, Edward Leeford, had mar
ried a woman older than himself. Their
son, Edward Leeford, was the
688
known as Monks. After several years of
unhappiness, the couple separated,
Monks and his mother staying on the
continent and Mr. Leeford returning to
England. Later Leeford met a retired
naval officer and fell in love with his
seventeen-year-old daughter. There was
another daughter aged three. Leeford
contracted to marry the girl, but before
the marriage could be performed he was
called to Rome, where an old friend had
died. On the way to Rome he stopped at
the house of Mr. Brownlow, his best
friend, and left a portrait of his be
trothed. He himself fell sick in Rome
and died. His former wife seized his
papers. When Leeford's young wife-to-
be, who was pregnant, heard of Leeford's
death, she ran away to hide her condi
tion. Her father died soon afterward and
the younger sister was eventually adopted
by Mrs. Maylie. She was Rose Maylie,
Olivers aunt. Monks lived a prodigal
life. When his mother died, he went to
the West Indies, where Mr. Brownlow
had gone in search of him. But Monks
had already returned to track down
Oliver, whose part of his father's settle
ment he wished to keep from his young
half-brother. It was Monks who had
offered the reward at the workhouse for
information about Oliver's parentage, and
it was Monks who had paid Fagin to
see that the boy remained with the gang
as a common thief.
After Fagin and the Artful Dodger
had been seized, Bill Sikes and the re
mainder of the gang met on Jacob's
Island in the TTiames River. They in
tended to stay there in a deserted house
until the hunt had died down. But
Sikes' dog led their pursuers to the hide
out. Bill Sikes hanged himself acci
dentally with the rope he was using as
a means of escape. The other robbers
were captured. Fagin was hanged pub
licly at Newgate after he had revealed
to Oliver the location of papers concern
ing the boy's heritage. Monks had en
trusted these papers to the Jew foi
safekeeping.
Harry Maylie, who had become a min
ister, married Rose Maylie. Mr. Brown-
low adopted Oliver and took up resi
dence near the church of the Reverend
Harry Maylie. Mr. and Mrs. Bumble
lost their parochial positions and soon
became inmates of the workhouse which
once had been their domain. Monks,
allowed to retain his share of his father's
property, went to America and even
tually died in prison. Oliver's years of
hardship and unhappiness were at an
end.
OMOO
Type of work: Novel
Author: Herman Melville 0819-1891)
Type of plot: Adventure romance
Time of plot: Early 1840Js
Locale: Tahiti and the South Seas
First published: 1847
Principal characters:
HERMAN MELVILLE, an American sailor
DOCTOR LONG GHOST, his companion in his adventures
CAPTAIN BOB, a jovial Tahitian jailer
Critique:
The title of this book, a sequel to Mel- wanders, like the narrator of the booi ,
ville's earlier Typee, was borrowed from from one island to another. Melville's
the native dialect of the Marquesas object in writing Qmoo was twofold. He
Islands. The word signifies a person who wished to relate his own adventures in
689
the Society Islands and to make people
realize the effects promiscuous social in
tercourse with white men, generally, and
missionaries, particularly, had had upon
the Polynesians. The natives were
better off, Melville felt, as unsophisti
cated hut sincere pagans than as the
hypocritical pseudcMChristians of the
missionary schools.
The Story:
Rescued from the cannibal island of
Typee by the crew of a British whaler,
Herman 'Melville agreed to stay on the
ship as a deckhand until it reached the
next port, where he was to be placed
ashore. But the Julia was not a well-
managed vessel, and soon after Melville
Joined it several of the men made an
attempt to desert. These unfortunates
were recovered quickly, however, by the
timely aid of the islanders and the crew
of a French man-of-war.
In the weeks of cruising that followed
this adventure, Melville, relieved from
duty because of a lameness in his leg,
spent his time reading the books of the
ship's doctor and playing chess with their
owner. Those were not weeks of pleas
ure. In that time two of the men in the
forecastle died and the entire crew lived
under the most abominable conditions,
in the rat-infested, rotten old ship which
should have been condemned years be
fore. Finally, when the captain himself
fell ill, the ship changed its course to
Tahiti, the nearest island.
Having convinced themselves that
when the captain left the ship they
would no longer be bound by the agree
ments they had signed, the crew in
tended to leave the ship when she ar
rived in the harbor at Papeetee. The
captain attempted to prevent their deser
tion by keeping the ship under way just
Dutside the harbor while he went ashore
in a small boat. Only Doctor Long
Ghost's influence prevented the men
from disregarding orders and taking the
Vessel into the harbor to anchor her* The
crew did, however, protest their treat
ment in a letter sent to the British con
sul ashore by means of the Negro cook.
Unfortunately, the acting consul in Pa
peetee and the captain of the Julia were
old acquaintances, and the official's only
action was to inform the men they would
have to stay with the ship and cruise
for three months under the command of
the first mate. The captain himself
would remain in Tahiti. But after a
Mauri harpooner attempted to wreck the
ship, the drunken mate decided to take
the whaler into the harbor, regardless of
consequences.
In Papeetee the acting consul had the
men, including Melville and Doctor
Long Ghost, imprisoned on a French
frigate. After five days aboard the French
ship, they were removed and were once
more given an opportunity to return to
their ship. When they refused, the mu
tineers were taken in custody by a Ta-
hitian native called Captain Bob, who
took them to an oval-shaped thatched
house which was to be their jail.
There they were confined in stocks,
two timbers about twenty feet long serv
ing to secure all the prisoners. Each
morning the jailer came to free the men
and supervise their baths in a neighbor
ing stream. The natives, in return for
hard ship's biscuit from the Julia, fed the
men baked breadfruit and Indian turnips.
Sometimes the kindly jailer led the men
to his orange grove, where they gathered
fruit for their meals. This fruit diet was
precisely what they needed to regain the
health they had lost while eating sea
rations of salt pork and biscuit.
The prisoners in the thatched hut
were in sight of Broom Road, the island's
chief thoroughfare. Since they were
easily accessible, the idle, inquisitive Ta-
hitians were constantly visiting, and they
did not lack for company.
Within a few days, their jailer freed
the sailors from the stocks during the
daytime, except when white men were
in the vicinity. Once this leniency was
granted, the men roamed the neighbor
hood to take advantage of the natives'
690
hospitality. Doctor Long Ghost always
carried salt with him, in case he found
some food to flavor.
When the consul sent a doctor to look
at the prisoners, all the sailors pretended
to be sick. Shortly after the doctor had
made his examinations and departed, a
native boy appeared with a basket of
medicines. The sailors discarded the
powders and pills, but eagerly drank the
contents of all the bottles which smelled
the least bit alcoholic.
British missionaries on the island took
no notice of the sailors from the Julia
other than sending them a handful of
tracts. Three French priests, however,
came to see the men. The natives, it
seemed, looked upon the priests as ma
gicians, and so they had been able to
make only a few converts among the
islanders. The priests were popular with
the sailors because they gave freshly
baked wheat bread and liquor to the
prisoners.
Three weeks after arriving in the port
of Papeetee, the captain of the Julia
sailed away with a new crew recruited
from beachcombers idling about the
island. After his departure the mutineers
were no longer confined to their jail, but
continued to live there because the build
ing was as convenient as any other
thatched dwelling in the neighborhood.
They existed by foraging the surround
ing country and smuggling provisions
from visiting ships with the aid of the
sailors aboard.
Melville found this life not unpleasant
at first, but after a time he grew bored.
He even went to a native church to hear
the missionary preach. The theme of
the sermon was that all white men ex
cept the British were bad and so were
the natives, unless they began to con
tribute more baskets of food to the mis
sionary's larder. Melville did not go to
the missionary church again.
Several weeks after the Julia had
sailed, Melville met two white men who
informed him that a plantation on a
neighboring island was in need of labor
ers. Melville and Doctor Long Ghost,
introduced to the planters as Peter and
Paul, wrere immediately hired. One
moonlight night the pair boarded the
boat belonging to their employers. They
left their former shipmates without cere
mony, lest the authorities prevent their
departure.
The planters lived by themselves in an
inland valley on the mosquito-infested
island of Lmeeo. The prospect of plying
a hoe in the heat of the day amid swarms
of insects did not appeal to the two
sailors, and so at noon of the first day in
the fields Doctor Long Ghost pretended
illness. He and Melville agreed to do as
little work as possible. After a few days
they gave up farming for good and went
afoot to Tarnai, an inland village un
spoiled by missionaries or other white
men. There they saw a dance by native
girls, a rite which had been banned as
pagan by the missionaries on the island.
A day or two later, while the two wThite
men were considering settling perma
nently at Tamai, the natives forced them
to flee, for a reason they were never able
to discover.
The next adventure they contemplated
was an audience with the queen of Ta
hiti. Traveling by easy stages from one
village to the next, afoot or by canoe,
they made their way to Partoowye, where
the island queen had her residence. They
met a runaway ship's carpenter who had
settled there and who kept busy building
boxes and cabinets for the natives. From
him they learned that a whaler was in
the local harbor. But when they talked
to the crew of the vessel, they were told
that it was not a good ship on which to
sail, and they gave up all thought of
shipping away from the islands aboard
the whaler.
After five weeks in the village, Doctor
Long Ghost and Melville finally obtained
admittance to the queen through the
good offices of a Marquesan attendant
at her court. When they came into the
queen's presence, she was eating, and
she waved them out of her palace in
691
high-handed fashion, at the same time
reprimanding their guide. Disappointed
by their reception at court, the two trav
elers again decided to go to sea. They
made friends with the third mate of the
whaler, which was still in the harbor.
The mate reassured them concerning con
ditions aboard the ship. The other sailors,
knowing the ship could not sail away
from the pleasant islands without more
men in the crew, had deliberately lied.
Having confidence in the mate, Doc
tor Long Ghost and Melville then ap
proached the captain and asked to sign
on as members of the crew. The captain,
however, would not accept Doctor Long
Ghost as a deckhand or as the ship's
doctor. Reluctandy Melville shipped
alone on the voyage which would take
him to the coast of Japan and, he hoped,
eventually home.
THE ORDEAL OF RICHARD FEVEREL
Type of work: Novel
Author: George Meredith (1828-1909)
Type of plot: Tragi-comedy
Time of plot: Mid-nineteenth century
Locale: England
First published: 1859
Principal characters:
RICHARD FEVEREL, the young heir to Raynham Abbey
SIR AUSTIN FEVEKEL, his father
ADRIAN HAHLEY, Sir Austin's nephew
RTPTON THOMPSON, Richard's playmate and friend
BLAIZE, a neighboring farmer
LUCY DESBOROUGH, Blaize's niece
CLARE, Richard's cousin, in love with hrm
Critique:
The Ordeal of Richard Feverel tells
what happened when a disillusioned,
woman-hating father tried to rear his son
according to a scientific system of educa
tion in which women were to play a
very minor part. Readers of the book
will of course learn, as Sir Austin him
self did, the futility of such attempts to
control nature's processes. Some modern
readers find an artificiality in the dia
logue and a certain pseudo-intellectual-
ism in the characterization. However,
any artificial qualities of the book are
more than redeemed by the idyllic ro
mance of Lucy and Richard. Their story
has undeniable appeal; if Meredith
strained for his effect in other aspects of
the novel, his treatment of young love
was simple and sincere,
The Story:
Richard Feverel was the only son of
Sir Austin Feverel, of Raynham Abbey.
After Sir Austin's wife left him, the
baronet became a woman-hater who wras
determined to rear his son according to
a System, which, among other things,
virtually excluded females from the boy's
life until he was twenty-five. Then,
Sir Austin thought, his son might marry,
providing a girl good enough for the
youth could be found.
Because of the System, Richard's early
life was carefully controlled. The boy
was kept from lakes and rivers so that
he would not drown; from firecrackers
so that he would not be burned; from
cricket fields so that he would not be
bruised. Adrian Harley, Sir Austin's
nephew, was entrusted with Richard's
education.
When he was fourteen, the Hope of
Raynham, as Adrian called his charge,
became restless. It was decided that he
needed a companion — masculine, of
course — near his own age. The candi-
692
date for this position was young Ripton
Thompson, the none-too-brilliant son of
Sir Austin's kwyer. In their escapades
around Raynham Abbey together, Rich
ard led and Ripton followed.
In spite of Ripton's subordinate posi
tion, he apparently had much to do with
corrupting his companion and weaken
ing Sir Austin's System. Soon after Rip-
ton arrived at Raynham, the two boys
decided to go shooting. A quarrel arose
between them when Ripton, not a sports
man by nature, cried out as Richard was
aiming his piece at a bird. Richard
called his companion a fool, and a fight
ensued. Richard won because he was
a scientific boxer. The two boys soon
made up their differences but their state
of harmony was short-lived. The same
afternoon they trespassed on the farm
of a neighbor named Blaize, who came
upon them after they had shot a pheasant
on his property.
Blaize ordered the boys off his land,
and when they refused to go he horse
whipped them. Richard and Ripton
were compelled to retreat. Ripton sug
gested that he stone the farmer, but
Richard refused to let his companion use
such ungentlemanly tactics. The two
boys did, however, speculate on ways to
get even with farmer Blaize.
Richard was in disgrace when he re
turned to Raynham because his father
knew of his fight with Ripton. Sir
Austin ordered his son to go to bed im
mediately after supper; but he later dis
covered that Richard had gone, not to
bed, but to meet Ripton, and the boys
were overheard talking mysteriously
about setting something on fire. Shortly
afterward, when Sir Austin discovered
that farmer Blaize's hayricks were on fire,
he suspected Richard. Sir Austin was
chagrined, but he did not try to make
his son confess. Adrian Harley suspected
both Richard and Ripton, who was soon
sent home to his father.
The next day a laborer named Tom
Bakewell was arrested on suspicion of
committing arson. Tom really had set
fire to Blaize's property, Richard having
bribed him to do so, but he refused to
implicate Richard. Conscience-stricken
and aware of the fact that a commoner
was shielding him, Richard was per
suaded to go to Blaize and confess that
he was responsible for Tom's action.
Blaize was not surprised by Richard's
visit, for Sir Austin had already called
and paid damages. Richard was humili
ated by the necessity of apologizing to a
farmer. He told Blaize that he had set
fire to the farmer's grain stacks; and
Blaize implied that Richard was a liar
because the farmer had a witness, a dull-
witted fellow, who said that Tom Bake-
well had done the deed. Richard insisted
that he himself was responsible, and he
succeeded in confusing Blaize's star wit
ness. Richard, however, left the farmer's
place in a most irritated frame of mind,
not even noticing the farmer's pretty
little thirteen-year-old niece, Lucy Des-
borough, who had let the young man in
and out of Blaize's house.
At Tom's trial, Blaize's witness wai
so uncertain about the identity of the
arsonist that the accused was released.
Thereafter Tom became Richard's de
voted servant.
When Richard reached the age of
eighteen, Sir Austin set about finding
a prospective wife for the Hope of Rayn
ham, a girl who could be trained for
seven years to be a fit mate for Sir Aus
tin's perfect son. Richard, however, could
not wait seven years before he at least
showed an interest in women, partly be
cause they had no place in the System,
He was attracted first to his cousin Clare,
who adored him and dreamed of marry
ing the handsome young man, but in a
single afternoon Richard completely for
got Clare. Boating on the weir, he came
upon a young lady in distress and saved
her boat from capsizing. In that instani
the System collapsed completely. She
introduced herself as farmer Blaize's
niece, Lucy Desborough. Richard was
693
immediately smitten with her, and she
with him. Every day they met in the
meadow by the weir.
Sir Austin, meanwhile, thought that
he had found in London the perfect mate
for his son, a young girl named Carola
Grandison. Informed by Adrian and his
butler that Richard was secretly meeting
Lucy, Sir Austin ordered his son to come
to London immediately in order to meet
Carola. Richard at first refused to obey
his father, but Adrian tricked Richard
into going to London by saying that Sir
Austin had apoplexy.
Richard found his father physically
well, but mentally disturbed by the
young man's interest in Lucy. He told
Richard that women were the ordeal of
all men, and though he hoped for a con
fession of Richard's affair with Lucy, he
got none. Sir Austin, however, refused
to let the young man return to Raynham
as soon as Richard would have liked.
Richard met the Grandisons, listened to
his father's lectures on the folly of young
men who imagined themselves in love,
and moped when, after two weeks, Lucy
mysteriously stopped writing.
When Sir Austin and his son finally
returned to the abbey, Richard found
that Lucy had been sent away to school
against her will by her uncle so that she
would not interfere with Sir Austin's
System. Although the farmer did not
object to Richard, he refused to have his
niece brought back because of his prom
ise to Sir Austin.
After his unsuccessful attempt to have
his sweetheart returned to him, Richard
decided upon drastic measures. Sir Aus
tin unwittingly aided his son's designs,
when he sent Richard to London to see
the Grandisons. Tom Blaize, destined
by Sir Austin and her uncle to be Lucy's
husband, went to London by the same
train. Richard got in touch with his old
friend, Rip ton Thompson, and asked him
to get lodgings for a lady. While in
London, Richard came upon Adrian
Harley, Clare's mother, and Glare, who
had picked up a wedding ring which
Richard had dropped. Tom Blaize was
tricked into going to the wrong station
to find Lucy, and Richard met her in
stead. He installed her with Mrs. Berry
in lodgings in Kensington and married
her soon afterward, good-hearted Mrs.
Berry giving them her own wedding ring
to replace the one Richard had lost.
When Adrian learned of Richard's
marriage, he admitted that the System
had failed. Ripton himself broke the
news to Sir Austin, who remarked bit
terly that he was mistaken to believe
that any System could be based on a
human being. Actually Sir Austin ob
jected not so much to the marriage of his
son as to the deception involved.
Efforts were made to reconcile Rich
ard and his father, but to no avail. Rich
ard was uneasy because he had not heard
from his father, and Sir Austin was too
proud to take the first step. While Rich
ard and Lucy were honeymooning in the
Isle of Wight, he was introduced to a
fast yachting crowd, including Lord
Mountfalcon, a man of doubtful repu
tation, whom Richard naively asked to
watch over Lucy while Richard himself
went to London to see his father and ask
his forgiveness.
In London he met a woman Lord
Mountfalcon had bribed to bring about
Richard's downfall, for his plan was to
win Lucy for himself by convincing her
of Richard's infidelity. Richard did not
know that Mrs. Mount, as she was
called, was being bribed to detain him
and that while she kept him in London
Lord Mountfalcon was attempting to
seduce Lucy.
Because he could not bear separation
from his son any longer, Sir Austin con
sented to see Richard. Relations between
Richard and his father were still strained,
however, for Sir Austin had not yet
accepted Lucy. Since she could not have
Richard, Clare, meanwhile, had married
a man much older than she. Shortly after
her marriage, she died and was buried
with her own wedding ring and Richard's
lost one on her fingei.
694
The death of Clare and the realiza
tion that she had loved him deeply
shocked Richard. Moreover, his past in
discretions with Mrs. Mount made him
ashamed of himself; unworthy, he
thought to touch Lucy's hand. He did
not Snow that Mrs. Berry had gone to
the Isle of Wight and had brought Lucy
back to live with her in Kensington.
Richard himself had gone to the conti
nent, where he traveled aimlessly, un
aware that Lucy had borne "him a son.
Then an uncle who disbelieved in all
systems returned to London. Learning
of Lucy and her child, he bundled them
off to Raynham Abbey, and prevailed on
Sir Austin to receive them. Then he went
to the continent, found Richard, and
broke the news that he was a father.
Richard rushed back to Raynham to be
with Lucy and to become completely
reconciled with his father.
The reunion between Lucy and Rich
ard was brief. Richard saw his son and
received from his wife complete forgive
ness for his past misdeeds. A letter from
Mrs. Mount to Richard had revealed
how Lord Mountfalcon had schemed so
that his lordship could see Lucy and
separate her from Richard. Knowing
Lucy's innocence and Mountfalcon's vil
lainy, Richard went immediately to
France, where he was slightly wounded
in a duel with Lord Mountfalcon. The
news of the duel was, however, fatal for
Lucy. She became ill of brain fever and
died of shock, crying for her husband.
Richard was heartbroken. Sir Austin was
grieved too, but his closest friend often
wondered whether he had ever perceived
any flaws in his System.
THE OREGON TRAIL
Type of work: Record of travel
Author: Francis Parkman (1823-1893)
Type of plot: Travel and adventure sketches
Time of plot: 1846
Locale: The Oregon Trail
First published: 1849
Principal characters:
FRANCIS PARKMAN, a young man just out of college
QUINCY SHAW, his friend
HENRY CHATILLON, their guide
DESIAURIEIIS, their muleteer
Critiqiie:
This book is one of the great docu
ments of the West. Very few travelers
wrote much about the country beyond
the Mississippi as early as the 1 840's, and
those who did write seldom approached
their subject with the objective and un
biased point of view from which Francis
Parkman wrote in his account of a region
he had known and enjoyed. His motive
was to set down for posterity what he had
observed on his trip to the Rocky Moun
tains. He realized only too well that the
Indian, the trading post, the mountain
man, and the great buffalo herds were
passing figures in history. He wanted to
leave a record of them, for he saw in them
something of glamour and interest which,
once gone, could never return.
T}ie Story:
In the spring of 1846, Francis Parkman
and his friend, Quincy Shaw, traveled by
railroad from the East to St. Louis. From
St. Louis they went by river steamer up
the Missouri River to Kansas, then called
Kanzas, about five hundred miles from
the mouth of the river. Their object was
a trip to the Rocky Mountains, a very un
usual excursion in the 1840's.
Disembarking, the two young men
695
went by wagon to Westport to get horses
and guides for their journey. At West-
port they met three acquaintances with
whom they agreed to travel; two British
army officers and another gentleman,
who were planning a hunting expedition
on the American prairies. Pleased to
have companions on their dangerous
journey, the two Easterners were also
glad they did not need to travel with a
train of emigrants, for whom Parkman
expressed the utmost contempt
The journey began inauspiciously for
the five travelers. The Britishers decided
to start by a trail other than the one
which had been previously decided upon.
The result was that the party discovered,
after several days of travel, that they had
gone far out of their way. The party
then rode northward to the Oregon Trail,
which they decided to follow to Fort
Laramie, seven hundred miles away.
On the twenty-third of May the party
arrived on the Oregon Trail, where they
saw the first human being they had met
in eight days of travel. He was a strag
gler from a caravan of emigrants. At
the end of three weeks Park man and
his companions, the Englishmen and a
small group of emigrants who had joined
them, reached the Platte River. They
were still four hundred miles from Fort
Laramie. The journey to the Platte
River had been a muddy one, for each
night the party was drenched by a ter
rific thunderstorm. During the d'ay they
also ran into numerous showers as they
made their way westward across the un
interesting country east of the Platte, a
country almost devoid of any game ex
cept for a few birds.
At the Platte the party entered the
buffalo country. Park man and Shaw
were fascinated by those animals, and
they slaughtered hundreds, mostly bulls,
before their journey ended. When they
entered the buffalo country they also
entered the first territory where they
were likely to encounter hostile Indians.
A few days after crossing the Platte,
Parkman, Shaw, and their guide went
on a sortie after buffalo. Parkman be
came separated from his companions and
spent several anxious hours before he
found his solitary way back to the camp.
Shortly after that adventure the party
met the chief of the trading station at
Fort Laiamie, who was on his way down
stream on the Platte with a shipment of
skins. He warned them to watch out
for Pawnees, in whose country the party
was then traveling.
While traveling up the river, the Eng
lishmen made themselves obnoxious to
Parkman and his friend by encouraging
emigrants to join the party and by camp
ing at any time of the day they pleased
without consulting the Americans. Since
Parkman and Shaw had a definite sched
ule which they wished to keep, they left
the Englishmen and pushed on ahead
with Henry Chatillon, their guide, and
a muleteer named Deslauriers. Not many
days afterward Parkman and his group
reached Fort Laramie, at that time a
trading outpost and not a military fort.
At Fort Laramie the travelers intro
duced themselves and gave the factor in
charge a letter they had brought from
his superiors in St. Louis. They were en
tertained and housed in the best fashion
possible at the fort. Parkman and his
friend spent the next few days visiting
the Indian villages outside the fort, talk
ing with the trappers, and occasionally
looking in on emigrant trains which were
on their way to the Oregon country.
Using a small chest of medical supplies
he carried with him, Shaw gained some
little reputation as a medicine man by
doctoring a few of the more important
Indians.
The most decisive news which came
to Parkman and Shaw at the fort was
that the Dakota Indians were preparing
to make war upon their traditional ene
mies of the Snake tribe. Parkman and
his friend decided that they would ac
company the Dakotas on the raid, since
their guide, Henry Chatillon, was mar
ried to a Dakota squaw and could,
through her, promise the protection of
696
the Dakota tribe. The travelers felt that
it would be an unusual opportunity to
study Indians and their customs.
On June twentieth Parkman's party,
now augmented by two traders of Indian
and French descent, left Fort Lararnie to
join the village of a Dakota chief named
The Whirlwind. A few days later, reach
ing a point on Lararnie Creek where the
Indians would pass, they decided to camp
and await the arrival of The Whirlwind
and his village. While they waited, two
misfortunes broke upon them. Parkman
fell seriously ill with dysentery and word
came that Chatillon's Indian wife, who
was a member of The Whirlwind's vil
lage, was dying. Chatillon went ahead
to meet the Indians and see his wife be
fore she died. When the Indians failed
to arrive, Parkman, recovered from his
illness, went back to Fort Lararnie. There
he discovered that the Dakota war-spirit
had lessened, so that there was some
doubt as to whether the tribe would take
the war-trail.
Parkman and Shaw decided to follow
The Whirlwind's village of Dakotas. A
day or two after they started, however,
they received word that a trader was
going to the Indian rendezvous and
wished Parkman and Shaw to accom
pany him. Thev never did find the
trader, but pushed on by themselves to
the place where they expected to find
the Indians camped before they went
on the warpath.
Arriving at the rendezvous, Parkman
and Shaw found no Indians. Since Shaw
was not particularly interested in study
ing the Indians, Parkman took one man,
who was married to an Indian, and set
off by himself to find The Whirlwind's
village. It was a dangerous undertaking,
for there was some risk of bad treatment
from all the Indians in the vicinity, both
friendly and hostile.
After many days of lonely travel, Park
man and his companion came upon a
Dakota village hunting in the foothills
of the Rockies. They learned that The
Whirlwind had left this village with a
few families. A Frenchman named Rey-
nal lived in the village, however, and
Parkman gained the protection of Rey-
nal and his squaw's relatives. Without
ceremony Parkman and his man Ray
mond went to live in the lodge of Chief
Big Crow, who was honored that the
white men would come to live with him.
Until the first of August Parkman
lived with Big Crow and shared the
tribal life of the village. With his host
or with other Indians he went on hunt
ing expeditions after buffalo, antelope,
and other game. It was a dangerous life,
but Parkman enjoyed it in spite of the
many risks.
That summer was a perilous time for
the Indians. In search of a large herd
of buffalo needed to get skins for the
repair of their worn tepees, they had
deeply penetrated the hunting grounds
of their enemies. At last, after a suc
cessful hunt, the village turned eastward
toward Fort Laramie, to rejoin the other
Indians who had not dared to accompany
them. Parkman and his man traveled
part of the way with the tribe. But in
order to reach Fort Lararnie by the date
he had set, Parkman found that he had
to push ahead by himself, for the Indian
village traveled too slowly. Women,
children, and dogs reduced their rate of
travel considerably.
Back at Fort Laramie, where he re
joined Shaw, Parkman prepared for the
return journey to St. Louis. They left
the fort on the fourth of August, ac
companied by several traders who had
promised to go with them for part of the
journey. These men left the party, how
ever, before it reached the Platte. Park
man and Shaw made most of the return
journey with only their two hired men.
At Bent's Fort, a small trading post, they
were joined by a volunteer who had left
the army because of sickness. This man
gave them the first news of the Mexican
War that Parkman and Shaw had re
ceived, for the war had begun after they
had left civilization behind them. From
that time on, the travelers met many
697
wagon trains and columns of troops on
their way westward to fight the Mexi
cans. Because of the many troop units
in the territory, the small party had no
difficulty with any of the Indian bands
they encountered.
Early in September the four men rode
into Westport, where they sold their
horses and camping equipment. Park-
man and Shaw traveled by boat down
stream to St. Louis. There they discarded
the buckskins they had been wearing for
many weeks.
It had been an amazing vacation. For
five months they had traveled through
the heart of the Indian country, far
from the protection of the government
and the army. They had seen many
Indians, but without loss of valuables or
life. The only casualty had been an old
mule that died as a result of a snake bite.
The good fortune of Parkman and his
friends was pointed up by the hostilities
which began shortly after they left the
frontier region. Three weeks after their
return to civilization, Comanches and
Pawnees began raiding the trail over
which they had traveled. The raids were
so methodical that not a single party
passed over the Oregon Trail in the next
six months.
ORLANDO
Type of work: Novel
Author: Virginia Woolf ( 1882-1941)
Type of plot: Biographical fantasy
Time of plot: 1588-1928
Locale: England
First published: 1928
Principal characters:
ORLANDO, first a man, then a woman
SASHA, a Russian princess loved by Orlando
NICHOLAS GREENE, a poet pensioned by Orlando
ARCHDUCHESS HARRIET OF ROUMANIA/ an admirer of Orlando
BONTHROP SHEXMERBINE, ESQUTRE, Orlando's husband
The Story:
One day in 1588 young Orlando was
slashing at the head of a Moor tied to
the rafters in his ancestral castle. His
forefathers had been of noble rank for
centuries and had lived out their lives
in action, but Orlando was inclined to
ward writing. Bored by his play in the
attic, he went to his room and wrote for
a while on his poetic drama, "Aethel-
bert: A Tragedy in Five Acts." Tiring
of poetry before long, he ran out of
doors and up a nearby hill, where he
threw himself down under his favorite
oak tree and gave himself over to con
templation.
He was still lying there when he
heard trumpet calls announcing the ar-
Critique:
Orlando is a fantasy which traces in
straightforward biographical manner the
life of a hero-heroine, a boy who was
sixteen years old in 1588 and a woman
of thirty-six in 1928. The novel is really
three centuries of English history pre
sented symbolically through the family
heritage of Victoria Sackville-West, Eng
lish poet and novelist Mrs. Woolfs
method gives the impression of time
passing and the present merging with
the past, a fantasy that is a free release
of the creative imagination, unhampered
by calendar time and compelling that
"willing suspension of disbelief" which
we make also in stories of the super
natural.
T- •
•928, by virjmia Wooif.
B7 permission of the publishers, Harcourt, Brace & Co., Inc. Copyright,
698
rival of Queen Elizabeth. He hurried to
the castle to dress in his finest clothes
to serve Her Majesty. On the way to
his room he noticed a shabbily-dressed
man in the servants' quarters, a man who
looked like a poet, but he had no time
to stop for inquiry. The man's image
was to haunt him the rest of his life.
Having dressed, he dashed down to the
banquet hall and, kneeling before the
queen, offered a bowl of rose water for
her to wash her hands after her journey.
Elizabeth was so taken with the boy
that she deeded to his father a great
house. Two years later she summoned
Orlando to court, where in time he was
made her treasurer and steward. One
day, however, she saw Orlando kissing
a girl of the court and became so angry
that Orlando lost her royal favor.
Orlando had many adventures with
women. He had decid'ed finally, to marry
at the time of the Great Frost in 1604.
That year the Thames was frozen so
deeply that King James had the court
hold carnival on the ice. There Orlando
met and fell in love with Sasha, a Rus
sian princess, with whom he skated far
down the river. They went aboard a
Russian ship to get something for Sasha,
who remained below so long that Orlando
went to investigate. He found her sit
ting on the knee of a common seaman.
Sasha was able to reconcile Orlando, how
ever, and the two planned an elopement.
While waiting for her that night, Or
lando began to feel raindrops; the thaw
had set in. After waiting two hours, he
dashed down to the river bank, where
he saw great pieces of ice crashing down
the flooded waters. Far out to sea he
saw the Russian ship sailing for home.
Sasha had betrayed birn.
For six months Orlando lived in grief.
One morning in June he failed to get
out of bed as usual. He slept for seven
days. When he awoke at last, he seemed
to have forgotten much of the past He
began to think a good deal about the
subject of death, and enjoyed reading
from Sir Thomas Browne's Urn Burial.
He read, thought, and wrote a great deal
He summoned Mr. Nicholas Greene,
a poet, to visit him. Greene talked to him
almost incessantly about tlie poets, about
life, about literature. Orlando was so
grateful to Greene that he settled a
generous pension on the poet. Greene,
however, could not endure the quiet
country, and one morning he went back
to his beloved London.
Still wondering what life was all about,
Orlando decided to try filling his life
with material achievement. First he set
about refurbishing his great house. He
spent a great part of his fortune and
traveled into distant countries in his
search for precious ornaments. The time
was that of the Restoration, when Charles
II was king.
One day, while Orlando was working
on a long poem, 'The Oak Tree/' he
was interrupted by a large, ugly woman,
the Archduchess Harriet of Roumania.
She had heard of Orlando and wanted to
meet him. She stayed so long in his
vicinity that Orlando asked King Charles
to send him to Constantinople as Am
bassador Extraordinary.
His duties in the Turkish capital were
so formal and arid that he became ex
tremely bored and began to wander
about the city in disguise. While he
was abroad, the King of England made
him a member of the Order of the Bath
and granted him a dukedom by proxy.
The next morning Orlando could not
be awakened, and for seven days he slept
soundly. When at last he did rouse
himself, he was no longer a man. He
had become a beautiful woman. In con
fusion Orlando left Constantinople and
joined a gipsy tribe. Although Orlando
spent many happy days in the gipsy
camp, she could not bring herself to set
tle down among them. Selling some of
the pearls she had brought with her from
Constantinople, she set sail for England.
She noticed a difference in attitudes
while on the ship. She who had been
a man now received courteous attention
from the captain, and she saw that he?
699
new role would require new responsibili
ties and bring new privileges. Back in
England, she learned that all her estates
were in chancery, for she was considered
legally dead. At her country house she
was received courteously by her servants.
Again she was haunted by the Arch
duchess Harriet, who now, however, had
become a man, the Archduke Harry, but
at last she managed to rid herself of his
attentions.
Orlando went to London to get a
taste of society. The reign of Queen
Anne was a brilliant one. Conversation
flowed freely, and dinners and recep
tions were entertaining affairs. Addison,
Dryden, and Pope were the great names
of the age. After a time, however, inter
course with the great wits began to pall,
and Orlando went looking for adventure.
She began to associate with women of
the streets and pubs and found their
earthiness a welcome change from the
formalities of the drawing-room. But the
company of women without men soon
grew dull and repetitive.
At last came the darkness and doubt
of the Victorian era. Orlando saw that
marriage, under Victoria's influence, was
the career toward which most women
were striving. Orlando married a man
named Marmaduke Bonthrop Shelmer-
dine, Esquire, who took off immediately
on a sea voyage. A wedding ring on her
left hand, however, was Orlando's em
blem of belonging to accepted society.
Orlando's lawsuits had been settled in
her favor, but they had been so expensive
that she was no longer a rich woman.
She went into London, where she saw
her old friend Greene, now a prominent
literary critic. He offered to find a
publisher for her poem, "The Oak Tree."
London itself had become a roaring
metropolis. It was October 11, 1928.
Orlando began to muse over her long
heritage. She recalled Sasha, the arch
duchess, Constantinople, the archduke,
the eighteenth century, and the nine
teenth. She saw herself now as the cul
mination of many influences.
She drove back to her country house
and walked out to the great oak tree
where, more than three hundred years
before, she had watched the arrival of
Queen Elizabeth. The stable clock began
to strike twelve. She heard a roar in the
heavens. Shelmerdine, now a sea cap
tain of renown, was arriving home by
plane.
ORPHEUS AND EURYDICE
Type of work: Classical myth
Source: Folk tradition
Type of 'plot: Allegory of grief
Time of plot: The Golden Age
Locale: Thrace and the Underworld
First transcribed: Unknown
Principal characters:
ORPHEUS, a musician
EUBYDICE, his wife
Although there exists a large body of
terature called Orphic poems because of
the claim that Orpheus composed them,
it is now believed that these composi
tions date from the worship of Orpheus
in Thrace. The story of Orpheus and
Eurydice is concerned with beauty in
music, as well as an assurance o£ immor
tality. As in many myths, a love of beauty
and a recognition of the deeply spiritual
exist side by side with cruelty and bar
barism, and it is \vell to remember that
this story partakes of both civilized virtues
and savage vices.
700
The Story:
Orpheus, son of Apollo and the muse
Calliope, grew up in Thrace, a land long
noted for the purity and richness of its
divine gift of song. His father presented
him with a lyre and taught him to play
it. So lovely were the songs of Orpheus
that the wild beasts followed him when
he played, and even the trees, the rocks
and the hills gathered near him. It was
said his music softened the composition
of stones.
Orpheus charmed Eurydice with his
music, but to their wedding Hymen
brought no happy omens. His torch
smoked so that tears came to their eyes.
Passionately in love with his wife, Or
pheus became mad with grief when Eu
rydice died. Fleeing from a shepherd
who desired her, she had stepped upon
a snake and died from its bite.
Heartbroken, Orpheus wandered over
the hills composing and singing melan
choly songs of memory for the lost Eu
rydice. Finally he descended into the
Underworld and made his way past the
sentries by means of his music. Ap
proaching the throne of Proserpine and
Hades, he sang a lovely song in xvhich
he said love had brought him to the
Underworld. He complained that Eu-
rydice had been taken from him before
her time and if they would not release
her, he himself would not leave Hades.
Proserpine and Hades could not resist
his pleas. They agreed to set Eurydice
free if Orpheus would promise not to
look upon her until they should safely
reach the Upperworld.
The music of Orpheus was so tender
that even the ghosts shed tears. Tantalus
forgot his search for water; Ixion's wheel
stopped; the vulture stopped feeding on
the giant's liver; the daughters of Danaus
stopped drawing water, and Sisyphus
himself stopped to listen. Tears streamed
from the eyes of the Furies. Eurydice
then appeared, limping. The two walked
the long and dismal passageway to the
Upperworld and Orpheus did not look
back toward Eurydice. At last, forgetting
his vow, he turned, but as they reached
out their arms to embrace Eurydice dis
appeared.
Orpheus tried to follow her, but the
stern ferryman refused him passage across
the River Styx. Declining food and
drink, he sat by the River Stryinon and
sang his twice-felt grief.
As he sang his melancholy songs, se
sad that oaks moved and tigers grieved,
a group of Thracian maidens attempted
to console him, but he repulsed them.
One day, while they were observing the
sacred rites of Bacchus, they began to
stone him. At first the stones fell with
out harm when they came within the
sound of the lyre. However, as the
frenzy of the maidens increased, theii
shouting drowned out the notes of the
lyre so that it no longer protected Or
pheus. Soon he was covered with blood.
Then the savage women tore his limbs
from his body and hurled his head and
his lyre into the river. Both continued
singing sad songs as they floated down
stream. The fragments of Orpheus' body
were buried at Libethra, and it is said
that nightingales sang more sweetly over
his grave than in any other part of
Greece. Jupiter made his lyre a constel
lation o£ stars in the heavens. Orpheus
himself joined Eurydice in the Under
world, and there, happy at last, they
wandered through the fields together.
OTHELLO
Type of work: Drama
Author: William Shakespeare (1564-1616)
Type of plot: Romantic tragedy
Time of plot: Early sixteenth century
Locale: Venice and Cyprus
First -presented: 1604
701
Principal characiers:
OTHEIXO, the Moor of Venice
DESDEMONA, his wife
IAGO, a villain
CASSIO, Othello's lieutenant
EMILIA, lago's wife
Critique:
The Tragedy of Othello, The Moor
of Venice is one of the four great trage
dies written in what literary historians
call Shakespeare's period o£ despair, a
time when the bard seemed to he pre
eminently concerned with the struggle
of evil and good in the human soul.
Alone of the four tragedies — Othello,
Hamlet, King Lear, and Macbeth —
Othello might be said to be ill-motivated,
lago, the villain of the piece, is perhaps
the most sadistic and consummately evil
character in any literature. In Othello,
love triumphs over evil and hate, and
the love of one woman for another is
instrumental in bringing the villain to
poetic justice.
The Story:
lago, an ensign serving under Othello,
Moorish commander of the armed forces
of Venice, was passed over in promotion,
Othello having chosen Cassio to be his
chief of staff. In revenge, lago and his
follower, Roderigo, aroused from his sleep
Brabantio, senator of Venice, to tell him
that his daughter Desdemona had stolen
away and married Othello. Brabantio,
incensed that his daughter would marry
a Moor, led his serving-men to Othello's
quarters.
Meanwhile, the Duke of Venice had
learned that armed Turkish galleys were
preparing to attack the island of Cyprus
and in this emergency he had summoned
Othello to the senate chambers. Bra
bantio and Othello met in the streets,
but postponed any violence in the na
tional interest, Othello, upon arriving at
the senate, was commanded by the duke
to lead the Venetian forces to Cyprus.
Then Brabantio told the duke' that
Othello had beguiled his daughter into
marriage without her father's consent.
When Brabantio asked the duke for
redress, Othello vigorously defended his
honor and reputation, and he was sec
onded by Desdemona, who appeared
during the proceedings. Othello, clear
of all suspicion, prepared to sail for Cy
prus immediately. For the moment, he
placed Desdemona in the care of lago,
with lago's wife, Emilia, to be attendant
upon her during the voyage to Cyprus.
A great storm destroyed the Turkish
fleet and scattered the Venetians. One
by one the ships under Othello's com
mand put into Cyprus until all were
safely ashore and Othello and Desde
mona were once again united. Still vow
ing revenge, lago told Roderigo that
Desdemona was in love with Cassio.
Roderigo, himself in love with Desde
mona, was promised all of his desires by
lago if he would engage Cassio, who did
not know him, in a personal brawl while
Cassio was officer of the guard.
Othello declared the night dedicated
to celebrating the destruction of the
enemy, but he cautioned Cassio to keep
a careful watch on Venetian troops in
the city. lago talked Cassio into drink
ing too much, so that when the lieuten
ant was provoked later by Roderigo, Cas
sio lost control of himself and engaged
Roderigo. Cries of riot and mutiny spread
through the streets. Othello, aroused by
the commotion, demoted Cassio for per
mitting a fight to start. Cassio, his repu
tation all but ruined, welcomed lago's
promise to secure Desdemona's good-will
and through her have Othello restore
Cassio's rank.
Cassio impatiently importuned lago
to arrange a meeting between him and
Desdemona. While Cassio and Desde
mona were talking, lago brought Othello
into view of the pair, and spoke vague
702
innuendoes to his commander. After
ward lago would, from, time to time, ask
questions of Othello in such manner
that he led Othello to believe that there
may have been some intimacy between
Cassio and Desdemona before Desde-
mona had married him. These seeds of
jealousy having been sown, Othello be
gan to doubt the honesty of his wife.
When Othello complained to Desde
mona of a headache, she offered to bind
his head with the handkerchief which
had been Othello's first gift to her. She
dropped the handkerchief, inadvertently,
and Emilia picked it up. lago, seeing an
opportunity to further his scheme, took
the handkerchief from his wife and hid
it later in Cassio's room. When Othello
asked lago for proof that Desdemona was
untrue to him, threatening his life if he
could not produce any evidence, lago
said that he had slept in Cassio's room
and had heard Cassio speak sweet words
in his sleep to Desdemona. He reminded
Othello of the handkerchief and said
that he had seen Cassio wipe his beard
that day with the very handkerchief.
Othello, completely overcome by passion,
vowed revenge. He ordered lago to kill
Cassio, and he appointed the ensign his
new lieutenant.
Othello asked Desdemona to account
for the loss of the handkerchief, but she
was unable to explain its disappearance.
She was mystified by Othello's shortness
of speech, and his dark moods.
lago continued to work his treachery
on Othello to the extent that the Moor
fell into fits resembling epilepsy. He
goaded Othello by every possible means
into mad rages of jealousy. In the pres
ence of an envoy from Venice, Othello
struck Desdemona, to the consternation
of all except lago. Emilia swore to the
honesty of her mistress, but Othello, in
his madness, could no longer believe any
thing good of Desdemona, and he reviled
and insulted her with harsh words.
One night Othello ordered Desde
mona to dismiss her attendant and to go
to bed immediately. That same night
lago persuaded Roderigo to waylay Cas
sio. When Roderigo was wounded by
Cassio, lago, who had been standing
nearby, stabbed Cassio. In the scuffle
lago stabbed Roderigo to death as well,
so as to be rid of his dupe. Then a
strumpet friend of Cassio came upon the
scene of the killing and revealed to the
assembled crowd her relationship with
Cassio. Although Cassio was net dead,
lago hoped to use this woman to defame
Cassio beyond all hope of regaining his
former reputation. Pretending friend
ship, he assisted the wounded Cassio ta
return to Othello's house. They were
accompanied by Venetian noblemen who
had gathered after the fight.
Othello, meanwhile, entered his wife**
bedchamber and smothered her, after
telling her, mistakenly, that Cassio had
confessed his love for her and had been
killed. Then Emilia entered the bed
chamber and reported that Roderigo had
been killed, but not Cassio. This infor
mation made doubly bitter for Othello
his murder of his wife. Othello told
Emilia that he had learned of Desde-
mona's guilt from lago. Emilia could
not believe that lago had made such
charges.
When lago and other Venetians ar
rived at Othello's house, Emilia asked
lago to refute Othello's statement. Then
the great wickedness of lago came to
light and Othello learned how the hand
kerchief had come into Cassio's posses
sion. When Emilia gave further proof
of her husband's villainy, lago stabbed
her. Othello lunged at lago and managed
to wound him before the Venetian
gentlemen could seize the Moor. Emilia
died, still protesting the innocence of
Desdemona. Mad with grief, Othello
plunged a dagger into his own heart.
The Venetian envoy promised that lago
would be tortured to death at the hands
of the governor-general of Cvpr»**
703
OUR TOWN
Type of work: Drama
Author: Thornton Wilder (1897- )
Type of 'plot: Domestic romance
Time of plot: 1901-1913
Locale: New Hampshire
First presented: 1938
Principal characters:
DR. GIBBS, a physician
MRS. GIBBS, his wife
GEORGE, and
REBECCA, their children
MR. WEBB, a newspaper editor
MRS. WEBB, his wife
EMILY, and
WALLY, their children
SIMON STIMSON, director of the choir
Critique:
This play won the Pulitzer Prize in
1938. Portraying typical American small
town life, the play employs a minimum
of scenery. A stage manager remains
informally on the stage throughout the
play and helps to explain much of the
action* The tender and simple love
story of George Gibbs and Emily Webh
is the thread upon which the plot is
strung. OUT Tcnvm is an exceptionally
fresh retelling of a timeless, nostalgic
story.
The Story:
Early one morning in 1901 Dr. Gibhs
returned to his home in Grower's Corners,
New Hampshire. He had just been
across the tracks to Polish Town to de
liver Mrs. Goruslowski's twins. On the
street he met Joe Crowell, the morning
paper boy, and Howie Newsome, the
milkman. The day's work was begin
ning in Grover's Corners.
Mrs. Gibbs had breakfast ready when
her husband arrived, and she called the
children, George and Rebecca, to the
table. After breakfast the children left
for school in the company of the Webb
children, Wally and Emily, who lived
across the way.
After the children had gone, Mrs.
'
by Coward-MoCann, Inc.
Gibbs stepped out to feed her chickens.
Seeing Mrs. Webb stringing beans in
her back yard, she crossed over to talk
with her. ' Mrs. Gibbs had been offered
three hundred and fifty dollars for some
antique furniture; she would sell the
furniture, she had decided, if she could
get Dr. Gibbs to take a vacation with
her. But Dr. Gibbs had no wish to take
a vacation; if he could visit the Civil
War battlegrounds every other year, he
was satisfied.
The warm day passed, and the
children began to come home from
school. Emily Webb walked home alone
pretending she was a great lady. Georae
Gibbs, on his way to play baseball,
stopped to talk to Emily and told her how
much he admired her success at school.
He could not, he insisted, imagine how
anyone could spend so much time over
homework as she did. Flattered, Emily
promised to help George with his algebra.
He said that he did not really need
school work, because he was going to
be a fanner as soon as he graduated from
high school.
Wben George had gone, Emily ran
to her mother and asked if she were
pretty enough to make boys notice her.
Grudgingly, her mother admitted that
the author and the publishers, Coward-McCann. Inc.
704
she was, but Mrs. Webb tried to turn
Emily's mind to other subjects.
That evening, while Mrs. Webb and
Mrs. Gibbs were at choir practice, George
and Emily sat upstairs studying. Their
windows faced each other, and George
called to Emily for some advice on
his algebra. Emily helped him, but she
was more interested in the moonlight.
When she called George's attention to
the beautiful night, he seemed only
mildly interested.
The ladies coming home from choir
practice gossiped about their leader,
Simon Stimson. He drank most of the
time, and for some reason he could not
adjust himself to small-town life. The
ladies wondered how it would all end.
Mr. Webb also wondered. He was the
editor of the local paper; and, as he
came home, he met Simon roaming the
deserted streets. When Mr. Webb reached
his home, he found Emily still gazing
out of her window at the moon — and
dreaming.
At the end of his junior year in high
school George was elected president of
his class, and Emily was elected secretary-
treasurer. When George walked home
with Emily after the election, she seemed
so cold and indifferent that George asked
for an explanation. She told him that
all the girls thought him conceited and
stuck-up because he cared more for base
ball than he did for his friends. She ex
pected men to be perfect, like her father
and his.
George said that men could not be
perfect, but that women could — like
Emily. Then Emily began to cry, in
sisting that she was far from perfect.
George offered to buy her a soda. As
they drank their sodas, they found that
they really had liked each other for a
long time. George said he thought he
would not go away to agricultural school,
after all. When he graduated from high
school, he would start right in working
on the farm.
After a time Dr. and Mrs. Gibbs
learned that George wanted to marry
Emily as soon as he left high school
At first it was a shock to them, for they
could not imagine that George was any
thing but a child. They wondered how
he could provide for a wife; whether
Emily could take care of a house. Then
Dr. and Mrs. Gibbs remembered their
own first years of married life. They
had had troubles, but now they felt thai
the troubles had been overshadowed by
their joys. They decided that George
could marry Emily if he wished.
On the morning of his wedding day
George dropped in on Mr. and Mrs.
Webb, and Mrs. Webb left the men
alone so that her husband could advise
George. But all that Mr. Webb had to
say was that no one could advise anyone
else on matters as personal as marriage.
When George had gone, Emily came
down to her last breakfast in her parents'
home. Both she and Mrs. Webb cried.
Mrs. Webb had meant to give her daugh
ter some advice on marriage, but she
was unable to bring herself to it.
At the church, just before the cere
mony, both Emily and George felt as if
they were making a mistake; they did
not want to get married. By the time
the music started, however, both of them
were calrru The wedding ceremony was
soon over. And Grover's Comers lost
one of its best baseball players.
Nine years passed; it was the summer
of 1913. Up in the graveyard above the
town the dead lay, resting from the
cares of their lives on earth. Now there
was a new grave; Emily had died in
childbirth and George was left alone with
his four-year-old son.
It was raining as the funeral proces
sion wound its way up the hill to the
new grave. Then Emily appeared shyly
before the other dead. Solemnly they
welcomed her to her rest. But she did
not want to rest; she wanted to live ovei
again the joys of her life. It was possible
to do so, but the others warned hei
against trying to relive a day in hex
mortal life.
Emily chose to live over her twelfth
705
birthday. At first it was exciting to be
young again, but tlie excitement wore
off quickly. The day held no joy, now
that Emily knew what was in store for
the future. It was unbearably painful
to realize how unaware she had been
of the meaning and wonder of life while
she was alive. Simon Stimson, a suicide,
told her that life was like that, a time
of ignorance and blindness and folly. He
was still bitter in death.
Emily returned to her resting place.
When night had fallen, George ap
proached full of grief and threw himself
on Emily's grave. She felt pity for
fri-m and for all the rest of the living.
For now she knew how little they really
understood of the wonderful gift that is
life itself.
THE OX-BOW INCIDENT
Type of -work: Novel
Author: Walter Van Tilburg Clark (1909- ]
Type of plot: Regional realism
Time of plot: 1885
Locale: Nevada
First published: 1940
Principal characters:
Gn, CARTEH, a ranch hand
CROFT, his friend
CANBY, a saloon keeper
TETUEY, a rancher
GERALD, his son
DAVIES, an old storekeeper
MARTIN, a young rancher
Critique:
The Cbc-Boiv I-nddent begins as a
Western horse-opera with all the stage
settings and characters of a cowboy
thriller, but it ends as a saga of human
misery. The novel bas the action and
the pace of a classic drama. The mob
assumes the nature of a Greek cborus,
noiv on one side, now on tbe other.
The story rises toward an inevitable
climax and as it does so it states a barsh
truth forcibly — the law of survival is
linked to an incredible curse of relentless
cruelty. Clark has made the Western
thriller a novel of art
The Story:
Gil Carter, a cow puncher, and bis
friend Croft rode into the little frontier
town of Bridgets Wells. At Canby's
saloon they reined in their horses. Can-
by was alone at the bar, and be served
Gil and Croft with silent glumness.
Canby told them that Rose Mapen, the
girl Gil sought, had gone to Frisco. He
also told the two cowboys that all the
local cowhands and their employers were
on the lookout for rustlers who were
raiding the ranches in the valley. More
than six hundred head of cattle had
been stolen and the ranchers were even
regarding one another with suspicion. Gil
and Croft felt suspicion leveled at them
when a group of riders and town men
came into the bar.
Gil began to play poker and won hand
after hand. The stakes and the bad
feeling grew higher until finally Gil and
a man named. Farnley closed in a rough
row. Gil downed his opponent but was
himself knocked unconscious when Can-
by hit him over the head with a bottle.
A rider rode up to the saloon with the
word that rustlers had killed Kinkaid,
Farnley's friend. Farnley did not want
THE OX-BOW INCIDENT by Walter Van Tllburg dark. By permission of the author and the publisher*,
Random House, lac. Copyright, 1940, by Walter Van Tilburg dark.
706
to wait for a posse to be formed, but
cooler heads prevailed, among them old
Davies, a storekeeper, and Osgood, the
Baptist minister. Everyone there joined
in the argument, some for, some opposed
to, immediate action.
Davies sent Croft and a young cowboy
named Joyce to ask Judge Tyler to swear
in a posse before a lawless man hunt
began. The judge was not eager to
swear in a posse in the absence of Ris-
ley, the sheriff, but Mapes, a loud,
swaggering, newly appointed deputy, de
manded that he be allowed to lead the
posse.
Meanwhile the tempers of the crowd
began to grow sullen. Ma Grier, who
kept a boarding-house, joined the
mob. Then Judge Tyler arrived and
his long-winded oration against a posse
stirred the men up more than any
thing else could have done. Davies took
over again and almost convinced the
men they should disband. But at that
moment Tetley, a former Confederate
officer and an important rancher, rode
up with word that his Mexican herder
had seen the rustlers.
Mob spirit flared up once more. Mapes
deputized the men in spite of Judge
Tyler's assertion that a deputy could not
deputize others. The mob rode o& in
the direction of Drew's ranch, where
Kinkaid had been killed.
There the riders found the first trace
of their quarry. Tracks showed that
three riders were driving forty head of
cattle toward a pass through the range.
Along the way Croft talked to Tetley 's
sullen son, Gerald. Gerald was not cut
out to be a rancher, a fact ignored by
his stern, domineering father. Croft
thought the boy appeared emotional and
unmanly.
The stagecoach suddenly appeared
over a rise. In the darkness and con
fusion, the driver thought that the riders
were attempting a holdup. He fixed, hit
ting Croft high in the chest. When he
learned his mistake, he pulled up his
horses and stopped. One of the pas
sengers was Rose Mapen, the girl Gil
had hoped to find in Bridger's Wells.
She introduced the man with her as
her husband. Gil was furious.
Croft had his wound doctored and
continued on with the posse. On a tip
from the passengers, the posse headed
for the Ox-Bow, a small valley high up
in the range.
Snow was falling by the time the riders
came to the Ox-Bow. Through the dark
ness they saw the flicker of a campfire
and heard the sound of cattle. Surround
ing the campfire, they surprised the
three men sleeping there, an old man,
a young, dark-looking man, and a Mex
ican. The prisoners were seized and
tied.
The dark-looking young man insisted
there was some mistake. He said that he
was Donald Martin and that he had
moved into Pike's Hole three days be
fore. But one of the members of the
posse, a man from Pike's Hole, claimed
he did not know Martin or anything
about him. Martin began to grow des
perate. He demanded to be taken to
Pike's Hole, where his wife and two
children were. The members of the
posse were contemptuous.
Only Davies tried to defend Martin,
but Mapes soon silenced the old store
keeper. The cattle were proof enough.
Besides, Martin had no bill of sale. He
claimed that Drew, who had sold him
the cattle, had promised to mail a bill
of sale kter.
The posse was for an immediate hang
ing. Tetley wanted to force a confes
sion, but most of the riders said it was
no kindness to make the three wait to
die. Martin told them that the Mexican
was only his rider, that he did not know
much about him because the man spoke
no English. The old man was a simple-
minded fellow who had agreed to work
for Martin for very little pay.
Martin was permitted to write a let
ter to his wife. Shortly afterward it
was discovered that the Mexican pos
sessed Kinkaid's gun. He began to speak
707
English. He claimed that he had found
Kinkaid's gun.
Tedey appointed three of the posse
to lead the horses out away from the
men, whose necks would then be caught
in the nooses of the ropes tied to the
overhanging limb of a tree. He insisted
that his milksop son was to be one of
the three. Farnley was another. Ma
Gxrier was the third.
Martin became bitter and unforgiving.
He made Davies promise to look after
his wife and he gave Davies the letter
and a ring. A fine snow continued to
fell.
The three were executed. The Mex
ican and the old man died cleanly. Mar
tin, whose horse had been slowly started
by Gerald, had to be shot by Farnley.
Tedey felled his son with the butt of
his pistol for bungling the hanging.
Then the posse rode away.
As they rode out of the Ox-Bow they
met Sheriff Risley, Judge Tyler, Drew,
and Kinkaid, who was not dead after
all. The judge shouted that every mem
ber of the posse would be tried for
murder. The sheriff, however, said that
he could not arrest a single man present
for the murders because identity was un
certain in the swirling snow. He asked
for ten volunteers to continue the search
for the real rustlers.
Only old Davies seemed moved by the
affair, more so after he learned "that
Martin's story was true and that the
cattle had been bought from Drew with
out a bill of sale. Nearly maddened, he
gave the ring and letter to Drew, who
promised to look after Martin's widow.
After Croft and Gil had returned to
Canby's saloon, Davies began to moan
to Croft. Davies now had the idea that
he himself had caused the hanging of
the three men. Gil got drunk. That day
Gerald Tedey hanged himself. A few
hours later Gerald's father also committed
suicide. The cowhands took up a col
lection for Martin's widow. In their room
at Canby's, Gil and Croft could hear
Rose laughing and talking in the bar.
They decided to leave town.
PAMELA
Type of work: Novel
Author: Samuel Richardson (1689-1761)
Type of plot: Sentimental romance
Time of ylot: Early eighteenth century
Locale: England
First published: 1740-1741
Principal characters:
PAMELA ANDREWS, a servant girl
MR. B — , her master
MRS. JESVIS, Mr. B — *s housekeeper
MRS. JEWKES, caretaker o£ Mr. B — *s country home
LADY DAVERS, Mr. B — *s sister
Critique:
Pamela, or, Virtue Rewarded is a ro
mantic tale that created, in effect, the
epistolary form of the novel. Richard
son's obvious absorption in preaching a
moral does not hold our attention today,
but the work is valuable for the picture
it presents of life in the eighteenth cen
tury and of the code of morals to which
people then held. The device of letter
writing to tell a story does not always
stand up under the test of reality, but its
failure is more a matter for amusement
than for condemnation. Richardson was
a pioneer of the English novel, and he
wrote with a moral earnestness and in
nocence of technique impossible for the
modern writer.
The Story:
Pamela Andrews had been employed
708
from a very young age as the servant girl
of Lady B — , at her estate in Bedford
shire. Because she had grown very fond
of her mistress, the letter to her parents
telling of her ladyship's death expressed
her deep sorrow. Her own plans were
uncertain. But it soon hecame clear that
Lady B — 's son wanted her to remain in
his household. Taking her hand before
all the other servants, he had said that
he would be a good master to Pamela for
his dear mother's sake if she continued
faithful and diligent. Mrs. Jervis, the
housekeeper, put in a friendly word as
well, and Pamela, not wishing to be a
burden upon her poor parents, decided
to remain in the service of Mr. B — .
Shortly, however, she began to doubt
that his intentions toward her were hon
orable. And when, one day, he kissed
her while she sat sewing in a summer-
house, she found herself in a quandary
as to what to do.
Once again she discussed the situation
with the good Mrs. Jervis, and decided
to stay if she could share the house
keeper's bed. Mr. B — was extremely
annoyed at this turn of affairs. He tried
to persuade Mrs. Jervis that Pamela was
in reality a very designing creature who
should be carefully watched. When he
learned that she was writing long letters
to her parents, telling them in great de
tail of his false proposals and repeating
her determination to keep her virtue, he
had as many of her letters intercepted as
possible.
In a frightening interview between
Mr. B — , Pamela, and Mrs. Jervis, he
intimidated the housekeeper by his terri
fying manner and told Pamela to return
to her former poverty. After talking the
matter over with her friend, however,
Pamela decided that Mr. B — had given
up his plan to ruin her and that there
was no longer any reason for her to leave.
But another intervie\v with Mr. B —
convinced her that she should return to
her parents upon the completion of some
household duties entrusted to her. When
Mr. B — discovered that she was indeed
planning to leave, a furious scene fol
lowed, in which he accused her of pride
beyond her station. That night he con
cealed himself in the closet of her room.
When she discovered him, she threw
herself on the bed and fell into a fit.
Both Pamela and Mrs. Jervis served
notice. In spite of Mr. B — *s threats on
the one hand and his cajolings on the
other, Pamela remained firm in her de
cision to return home. The housekeeper
was reinstated in her position, but Pam
ela set out by herself hi the coach Mr.
B — had ordered to return her to her
parents.
What she had thought Mr. B — 's
kindness was but designing trickery. In
stead of arriving at her parents' humble
home, Pamela now found herself a pris
oner at Mr. B — 's country estate, to
which the coachman had driven her.
Mrs. Jewkes, the caretaker, had none
of Mrs. Jervis' kindness of heart, and
Pamela found herself cruelly confined.
It was only by clever scheming that she
could continue to send letters to her
parents. She was aided by Mr. Williams,
the village minister, who smuggled her
mail out of the house. The young man
soon confessed his love for Pamela and
his desire to marry her. Pamela refused
his offer, but devised with his help a
plan to escape. Unfortunately, Mrs.
Jewkes was too wily a jailer. When she
suspected that the two were secretly plan
ning for Pamela's escape, she wrote to
Mr. B — , who was still in London.
Pamela's persecutor, aided by his agents,
contrived to have Mr. Williams thrown
into jail on a trumped-up charge.
Although her plot had been dis
covered, Pamela did not allow herself to
be discouraged. That night she dropped
from her window into the garden. But
when she tried to escape from the garden,
she found the gate padlocked. Mrs.
Jewkes discovered her cringing in the
woodshed. From that time on her ward
er's vigilance and cruelty increased.
Mr. B — at length arrived, and fright
ened Pamela still furtber with his threats*
709
With the help of Mrs. Jewkes, he at
tempted to force himself upon her, but
opportunely Pamela was seized by fits.
Mr. B — expressed his remorse and prom
ised never to attempt to molest her again.
And now Pamela began to suspect that
her virtue would soon be rewarded, for
kfam 3 — proposed marriage to her. But
as she was enjoying the thought of being
jVfos. J3 — 9 an anonymous warning ar
rived, suggesting that she beware of a
sham marriage. Pamela was greatly up
set. At her request, a coach was called
and she set out to visit her parents. On
the way, however, letters arrived from
Mr. B— entreating her to return to him,
and offering an honorable proposal of
marriage.
Pamela returned immediately to Mr.
B — *s hall, for in spite of all that had
passed she found that she was in love
with Mr. B — , He, in turn, was de
lighted with her beauty and goodness.
She and Mr. B — were married by Mr.
Williams before a few witnesses. Mr.
Andrews, Pamela's father, was present
and great was the rejoicing in the An
drews household when he returned and
told of his daughter's virtue, and of the
happiness it had brought her.
Pamela readily adapted herself to her
new role as the wife of a gentleman.
With typical virtue, she quickly forgave
Mrs. Jewkes for her former ill-treatment.
The only flaw in her married state was
the fact that Lady Davers, Mr. B — 's
sister, was angry with her brother be
cause of his marriage to a servant girl.
Pamela was alone when Lady Davers
arrived. She so insulted Pamela that the
poor girl fled to her husband for conso
lation. A terrible scene took place be
tween Mr. B — and Lady Davers, but
Pamela soon won the love and respect
of that good woman when she showed
her the letters she had written about her
earlier sufferings.
One day Mr. B — told Pamela of a
previous love affair with Miss Sally God
frey and took her to see his daughter,
who had been placed in a boarding-school
in the neighborhood. Pamela liked the
little girl and asked to have the pretty
child under her care at some later date.
Mr. and Mrs. Andrews were pleased
with Pamela's accounts of her happiness
and of Mr. B — 's goodness to her. He
gave the old people a substantial gift of
money and thus enabled them to set
themselves up in a small but comfortable
business.
Lady Davers' correspondence with
Pamela continued at a great length, and
more and more she expressed her ap
proval of Pamela's virtue and her disgust
with her brother's attempts to dishonor
her. During a visit she paid the young
couple, Mr. B — expressed his regret for
his earlier unmannerly conduct toward
the one who had become his dearly be
loved wife.
Mr. B — 's uncle, Sir Jacob Swynford,
paid his nephew a visit, prepared to de
test the inferior creature Mr. B — had
married. But Pamela's charm, beauty,
and virtue won his heart completely, and
the grumpy old man left full of praises
for his lovely niece.
At last Mr. B — and Pamela decided
to leave the country and return to Lon
don. Although her husband was still as
attentive and thoughtful as ever, Pamela
began to suspect that he might be carry
ing on an intrigue with another woman.
She was particularly distressed that she
could not accompany him to the theater
and other places of amusement as she
was about to bear a child. The scene of
the christening of their son was very
gay, for besides the family, tenants from
the estate arrived to express their joy
that Mr. B — now had a son and heir.
But Pamela's suspicions after all had
been justified. An anonymous note in
formed her that the business trip which
Mr. B — had taken was in reality a
journey to a neighboring city with a
countess with whom he was having an
affair. Pamela controlled her passions,
and when Lord B — returned he was so
overcome by this further evidence of her
kindness and understanding that he
710
begged her forgiveness and promised to
remain faithful to her from that day on.
Pamela made good use of the letters she
had written to Lady Davers during this
trying period by sending them to the
countess that she might learn from them
and turn away from the path of license.
True to her earlier wish, Pamela de
cided to take in Sally Godfrey's child
and bring her up as a sister for her own
son, Billy. Mr. B — was faithful to his
resolve to devote himself only to his wife,
and he spent the remainder of his days
admiring and praising her virtue.
PARADISE LOST
Type of work: Poem
Author: John Milton (1608-1674)
Type of plot: Epic
Time of 'plot: The Beginning
Locale: Heaven, Hell, and Earth
First published: 1667
Principal characters:
GOD THE FATHER
CHRIST THE SON
LUCIFER, called Satan
ADAM
EVE
Critique:
John Milton prepared himself for
many years for the creation of an epic
poem in English that would rank with
the epics of Homer and Virgil. He had
planned to write it on the Arthurian
Cycle, but after his identity with the
Puritans and with individual liberty dur
ing the struggle between King and Parlia
ment, he chose the fall of man as his
subject. Paradise Lost is the epic of
mankind, the story of Paradise lost and
sought for in the life of every man.
The Story:
In Heaven Lucifer, unable to abide
the supremacy of God, led a revolt against
divine authority. Defeated, he and his
followers were cast into Hell, where they
lay nine days on a burning lake. Lucifer,
now called Satan, arose from the flaming
pitch and vowed that all was not lost,
that he would have revenge for his down
fall. Arousing his legions, he reviewed
them under the canopy of Hell and de
cided his purposes could be achieved by
guile rather than by force.
Under the direction of Mulciber, the
forces of evil built an elaborate palace in
which Satan convened a congress to de
cide on immediate action. At the meet
ing, Satan reasserted the unity of those
fallen, and opened the floor to a debate
on what measures to take. Moloch ad
vised war. Belial recommended a sloth
ful existence in Hell. Mammon pro
posed peacefully improving Hell so that
it might rival Heaven in splendor. His
motion was received with great favor
until Beelzebub, second in command,
arose and informed the conclave that
God had created Earth, which he had
peopled with good creatures called hu
mans. It was Beelzebub's proposal to
investigate this new creation, seize it, and
seduce its inhabitants to the cause of the
fallen angels.
Announcing that he would journey to
the Earth to learn for himself how mat
ters were there, Satan flew to the gate
of Hell. There he encountered his
daughter, Sin, and his son, Death. They
opened the gate and Satan winged his
way toward Earth.
God, in His omniscience, beheld the
meeting in Hell, knew the intents of the
evil angels, and saw Satan approaching
711
the Earth. Disguised as various beasts,
Satan acquainted himself with Adam and
Eve and with the Tree o£ Knowledge,
which God had forbidden to Man.
Uriel, learning that an evil angel had
broken through to Eden, warned Gabriel,
who appointed two angels to hover about
the bower of Adam and Eve. The guard
ian angels arrived too late to prevent
Satan, in the form of a toad, from be
ginning his evil work. He had influenced
Eve's dreams.
Upon awaking, Eve told Adam that
in her strange dream she had been
tempted to taste of the fruit of the Tree
of Knowledge. God, seeing danger to
Adam and Eve was imminent, sent the
angel Raphael to the garden to warn
them. At Adam's insistence, Raphael
related in detail the story of the great
war between the good and the bad angels
and of the fall of the bad angels to
eternal misery in Hell. At Adam's fur
ther inquiries, Raphael told of the crea
tion of the world and of how the Earth
was created in six days, an angelic choir
singing the praises of God on the sev
enth day. He cautioned Adam not to
be too curious, that there were many
things done by God which were not for
Man to understand or to attempt to
understand. Adam then told how he had
been warned against the Tree of Knowl
edge of Good and Evil, how he had
asked God for fellowship in his loneli
ness, and how Eve was created from his
rib.
After the departure of Raphael, Satan
returned as a mist to the garden and en
tered the body of a sleeping serpent.
In the morning, as Adam and Eve pro
ceeded to their day's occupation, Eve
proposed that they work apart. Adam,
remembering the warning of Raphael,
opposed her wishes, but Eve prevailed,
and the couple parted. Alone, Eve was
accosted by the serpent, which flattered
her into tasting the fruit of the Tree of
Knowledge. Eve, liking what she tasted,
took a fruit to Adam, who was horrified
when he saw what Eve had done. But
in his love for Eve, he also ate the fruit.
Having eaten, the couple knew lust
for the first time, and after their dal
liance they knew sickening shame. The
guardian angels now deserted the trans
gressors and returned to God, who ap
proved them, saying they could not have
prevented Satan from succeeding in his
mission.
Christ descended to Earth to pass judg
ment. Before Adam and Eve, who had
been reluctant, in their shame, to come
out of their bower to face him, Christ
sentenced the serpent to be forever a
hated enemy of mankind. He told Eve
that her sorrow would be multiplied by
the bearing of children and that she
would be the servant of Adam to the end
of time. Adam, said Christ, would eat
in sorrow; his ground would be cursed
and he would eat bread only by toiling
and sweating.
Meanwhile, Death and Sin, having
divined Satan's success, left the gates of
Hell to join their father on Earth.
Within sight of Earth, they met Satan,
who delegated Sin and Death as his
ambassadors on Earth. Back in Hell,
Satan proudly reported his accomplish
ments to his followers. But he was ac
claimed by hisses as his cohorts became
serpents, and Satan himself was trans
formed into a serpent before their reptil
ian eyes. Trees similar to the Tree of
Knowledge appeared in Hell, but when
the evil angels tasted the fruit, they
found their mouths full of ashes.
God, angered at the disaffection of
Adam and Eve, brought about great
changes on Earth* He created the sea
sons to replace eternal spring, and the
violence and misery of storms, winds,
hail, ice, floods, and earthquakes. He
caused all Earth's creatures to prey upon
one another.
Adam and Eve argued bitterly until
they realized they must face their com
mon plight together. Repenting their
sins, they prayed to God for relief. Al
though Christ interceded for them, God
sentenced them to expulsion from Eden
712
and sent the angel Michael to Earth to
carry out the sentence. Adam and Eve,
lamenting their misfortune, contem
plated suicide, but Michael gave them
new hope when he brought to Adam a
vision of life and death; of the rise and
fall of kingdoms and empires; of the ac
tivities of Adam's and Eve's progeny
through their evil days to the flood, when
God destroyed all life except that pre
served by Noah in the ark; and o£ the
subsequent return to evil days and
Christ's incarnation, death, resurrection,
and ascension as mankind's redeemer.
Despite the violence and evil and
bloodshed in the vision, Adam and Eve
were pacified when they saw that man
kind would be saved. They walked
hand in hand from the heights of Para
dise to the barren plains below.
A PASSAGE TO INDIA
Type of work: Novel
Author: E. M. Forster (1879- )
Type of 'plot: Social criticism
Time of ^plot: About 1920
Locale: India
First published: 1924
Principal characters:
DR. Aziz, a young Indian surgeon
MRS. MOORE, a visiting Englishwoman, Dr. Aziz's friend
RONALD HEASLOP, the City Magistrate, Mrs. Moore's son
ADELA QUESTED, Ronald's fiancee, visiting India with Mis. Moore
CECTL FIELDING, Principal of the Government College, Dr. Aziz's friend
Critiqiie:
A Passage to India has two aspects,
political and mystic. Politically it deals
with the tension between the natives and
the British (now solved by the with
drawal of the British), and also with
the tension between Hindus and Mos
lems (now solved by the creation o£ the
two Dominions of India and Pakistan).
Mystically it is concerned with the search
after the infinite and the eternal, so
characteristic of Oriental religion, and
with the illogical and inexplicable ele
ment in human life. The visit to the
Marabar Caves illustrates the malignant
side of mysticism, the Temple-Festival
at the close illustrates its benignity. The
three sections into which the book is
divided correspond to the three seasons
of the Indian year — the Cold Weather,
the Hot Weather, the Rains.
The Story:
Dr. Aziz had been doubly snubbed
chat evening. He had been summoned
to the civil surgeon's house while he
was at supper, but when he arrived he
found that his superior had departed
for his club without bothering to leave
any message. In addition, two English
women emerged from the house and took
their departure in his hired tonga with
out even thanking him.
The doctor started back toward the
city of Chandrapore afoot. Tired, he
stopped at a mosque to rest and was
furiously angry when he saw a third
Englishwoman emerge from behind its
pillars with, as he thought, her shoes on.
Mrs. Moore, however, had gone barefoot
to the mosque, and in a surge of friendly
feeling Dr. Aziz engaged her in conver
sation.
Mrs. Moore had newly arrived from
England to visit her son, Ronald Hea-
slop, the City Magistrate. Dr. Azb
found they had common ground when
he learned that she did not care for
the civil surgeon's wife. Her disclosure
A PASSAGE TO INDIA by E. M- Forsier. By permission of the author and the publishers, Harcourt
Brace & Co.. Inc. Copyright, 1924, by Harcourt, Brace & Co., Inc.
713
prompted him to tell of the usurpation
of his carriage. The doctor walked back
to the club with her, although as an
Indian, he himself could not be admitted.
At the club, Adela Quested, Heaslop's
prospective fiancee, declared she wanted
to see the real India, not the India which
came to her through the rarified atmos
phere of the British colony. To please
the ladies one of the members offered
to hold what he whimsically termed a
bridge party and to invite some native
guests.
The bridge party was a miserable af
fair. The Indians retreated to one side
of a lawn and although the conspicuously
reluctant group of Anglo-Indian ladies
went over to visit the natives, an awk
ward tension prevailed.
There was, however, one promising
result of the party. The principal of the
Government College, Mr. Fielding, a
man who apparently felt neither rancor
nor arrogance toward the Indians, invited
Mrs. Moore and Adela to a tea at his
house. Upon Adela 's request, Mr. Field
ing also invited Professor Godbole, a
teacher at his school, and Dr. Aziz.
At the tea Dr. Aziz charmed Fielding
and the guests with the elegance and
fine intensity of his manner. But the
gathering broke up on a discordant note
when the priggish and suspicious Heaslop
arrived to claim the ladies. Fielding had
taken Mrs. Moore on a tour of his
school, and Heaslop was furious at him
for having left Dr. Aziz alone with his
prospective fiancee.
Adela, irritated by Heaslop's callous
priggishness during her visit, informed
him she did not wish to become his wife,
but before the evening was over she
changed her mind. In the course of a
drive into the Indian countryside, a
mysterious figure, perhaps an animal.,
loomed out of the darkness and nearly
upset the car in which they were riding.
Their mutual loneliness and a sense of
the unknown drew them together and
Adela asked Heaslop to disregard her
earlier rejection.
The one extraordinary thing about the
city of Chandrapore was a phenomenon
of nature known as the Marabar Caves,
located several miles outside the citv.
Mrs. Moore and Adela accepted the
offer of Dr. Aziz to escort them to the
caves; but the visit proved catastrophic
for all. Entering one of the caves, Mrs.
Moore realized that no matter what was
said the walls returned only a prolonged
booming, hollow echo. Pondering that
echo while she rested, and pondering the
distance that separated her from Dr.
Aziz, from Adela and from her own
children, Mrs. Moore saw that all her
Christianity, all her ideas of moral good
and bad, in short, all her ideas of life,
amounted only to what was made of them
by the hollow, booming echo of the
Marabar Caves.
Adela entered one of the caves alone.
A few minutes later she rushed out, ter
rified, claiming she had been nearly
attacked in the gloom, and that Dr. Aziz
was the attacker. The doctor was ar
rested.
There had always been a clear divi
sion between the natives and the Anglo-
Indian community, but as the trial of
Dr. Aziz drew nearer, the temper of each
group demanded strict loyalty. When
Mrs. Moore casually intimated to her
son that she was perfectly certain Dr.
Aziz was not capable or the alleged
crime, he had her shipped off to a coastal
port of embarkation at once. And when
Fielding expressed an identical opinion
at the club, he was promptly ostracized.
The tension which marked the open
ing of the trial had a strange resolution.
The first sensational incident occurred
when one of Dr. Aziz's friends pushed
into the courtroom and shouted that
Heaslop had smuggled his mother out
of the country because she would have
testified to the doctor's innocence. When
the restless body of Indian spectators
heard the name of Mrs. Moore, they
worked it into a kind of chant as though
she had become a deity. The English
colony was not to learn until later that
714
Mrs. Moore had already died aboard
ship.
The second incident concluded the
trial. It was Adela's testimony. The
effects of the tense atmosphere of the
courtroom, the reiteration of Mrs. Moore's
name, and the continued presence of a
buzzing sound in her ears which had
persisted since the time she left the caves,
combined to produce a trance-like effect
upon Adela. She virtually relived the
whole of the crucial day as, under the
interrogation of the prosecuting attorney,
she recollected its events. When she
reached the moment of her lingering in
the cave, she faltered, dramatically
changed her mind, and withdrew all
charges.
Chandrapore was at once and for sev
eral hours thereafter a great bedlam.
Anglo-India sulked while India exulted.
As for Adela, so far as Anglo-India was
concerned she had crossed the line.
Heaslop carefully explained that he could
no longer be associated with her. After
accepting Fielding's hospitality for a few
weeks, she returned home. In spite of
Dr. Aziz's increased Anglophobia, Field
ing persuaded him not to press Adela for
legal damages.
Two years later the Mohammedan
Dr. Aziz was court physician to an aged
Hindu potentate who died on the night
of the Krishna Festival. The feast was
a frantic celebration and the whole town
was under its spell when Fielding ar
rived on an official visit. During the
two years he had married again, and Dr.
Aziz, assuming he had married Adela
Quested, tried to avoid his old friend.
When he ran into him accidentally, how
ever, he found out it was Mrs. Moore's
daughter, Stella, whom Fielding had
married. The doctor's shame at his mis
take only caused him to become more
distant.
Before they parted for the last time,
Dr. Aziz and Fielding went riding
through the jungles. The misunderstand
ing between them had now been cleared
up, but they had no social ground on
which to meet Fielding had cast his lot
with his countrymen by marrying an
Englishwoman. The rocks which sud
denly reared up before them, forcing theii
horses to pass in single file on either side,
were symbolic of the different paths they
would travel from that time on. The
affection of two men, however sincere,
was not sufficient to bridge the vast gap
between their races.
THE PATHFINDER
Type of work: Novel
Author: James Fenimoie Cooper (1789-1851)
Type of plot: Historical romance
Time of plot: 1756
Locale: Lake Ontario and surrounding territory
First published: 1840
Principal characters:
SERGEANT DURHAM, of the Oswego garrisoD
MABEL DUNHAM, his daughter
CHARLES CAP, Mabel's uncle
NATTY BUMPPO, called Pathfinder, a frontier scout
JASPER WESTEBN, Pathfinder's friend
LIEUTENANT DAVY Mum, garrison quartermaster
Critique:
The Pathfinder portrays Natty Bump- quishes his claim in deference to the man
po, wilderness scout, at the height of his his beloved really loves. This novel,
powers. Here, too, Natty falls in love for written in the tradition of the romantic
the first and only time, but he relin- novel, is the third in the series of the
715
Leatherstocking Tales. The account of
the fort at Oswego, one of the western
most British frontier posts, is historical.
The action, however, is completely fic
tional.
The Story:
Mabel Dunham and Charles Cap, her
seaman uncle, were on their way to the
home of her father, Sergeant Dunham.
They were accompanied by Arrowhead, a
Tuscarora Indian, and his wife, Dew-of-
June. When they reached the Oswego
River, they were met by Jasper Western
and Natty Bumppo, the wilderness scout
known as Pathfinder among the Eng
lish and as Hawkeye among the Mohican
Indians. Pathfinder led the party down
the Oswego on the first step of the
journey under his guidance. Chingach-
gook, Pathfinder's Mohican friend,
warned the party of the presence of
hostile Indians in the neighborhood.
They hid from the Indians and had a
narrow escape when they were dis
covered. Arrowhead and Dew-of-June
disappeared; it was feared they had been
taken captives. Chingachgook was cap
tured by the Iroquois but escaped. On
the lookout for more hostile war parties,
they continued their journey to the fort,
where Mabel was joyfully greeted by her
father after her dangerous trip through
the wilderness.
The sergeant tried to promote a feel
ing of love between Mabel and Path
finder — his real purpose in bringing
Mabel to the frontier. When Major
Duncan, commander of the post, pro
posed Lieutenant Davy Muir as a pos
sible mate for Mabel, the sergeant in
formed the major that Mabel was already
betrothed to Pathfinder. Muir came to
the major and learned that he had been
refused, imt he did not give up hope.
Actually Mabel and Jasper were in love
with each other.
A passage of arms was proposed to test
the shooting ability of the men at the
post Jasper scored a bull's-eye. Muir
shot from a strange position and it was
believed by all that he had missed, but
he said he had hit Jasper's bullet. Path
finder used Jasper's rifle and also struck
the bullet in the bull's-eye. The next test
of marksmanship was to drive a nail into
a tree with a bullet. Jasper almost drove
the nail into the tree; Pathfinder did.
The next test was shooting at a potato
tossed into the air. Muir failed, but
Jasper hit the potato in the center. A
silken calash was the prize, and Jasper
wanted it greatly as a present for Mabel.
When he mentioned the desire to Path
finder, the scout was able only to cut
the skin of the potato. After he had lost
the match, Pathfinder could not resist
killing two gulls with one bullet. Then
Mabel knew how Jasper had won the
calash. In appreciation she gave Path
finder a silver brooch.
An expedition was sent to one of the
Thousand Islands to relieve the garrison
there. The party was to leave in the
Scud, a boat captured by Jasper. Before
departing, however, Major Duncan had
received a letter which caused him to
suspect that Jasper was a French spy.
Pathfinder refused to believe the charge
against his friend, but when the Scud
sailed under the command of Jasper he
was kept under strict surveillance by
Sergeant Dunham and Charles Cap. On
the way, the Scud overtook Arrowhead
and his wife and they were taken aboard.
When Pathfinder began to question the
Tuscarora, Arrowhead escaped in a canoe
the Scud was towing astern. Becoming
suspicious, Sergeant Dunham removed
Jasper from his command and sent him
below, and Charles Cap took over the
management of the boat. But Cap, being
a salt-water sailor, was unfamiliar with
fresh-water navigation. When a storm
came up, it was necessary to call upon
Jasper to save the ship. The Scud es
caped from Le Montcatm, a French ship,
and Jasper brought the Scud safely to
port.
Pathfinder had really fallen in love
with Mabel, but when he proposed to
her she refused him, Muir had not given
716
up his own suit. He admitted to Mabel
that he had had three previous wives.
Sergeant Dunham decided to take
some of his men and harass a French
supply boat. Starting out with his de
tachment, he left six men at the post,
Muir among them, with orders to look
after the women. Soon after her father's
departure, Mabel went for a walk and
met Dew-of-June, who warned her of
danger from Indians led by white men.
Muir was unmoved by this intelligence
when Mabel informed him. Mabel then
went to MacNab, a corporal, and told her
story, but he treated Dew-of -June's warn
ing lightly. While they talked, a rifle
cracked in the nearby forest and MacNab
fell dead at her feet. Mabel ran to the
blockhouse. The attacking party was
composed of twenty Indians led by the
Tuscarora renegade, Arrowhead. Those
who escaped the ambush were Mabel,
Cap, and Muir, all of whom survived
through the help of Dew-of-June. Cap
and Muir were captured a little later.
Mabel discovered Chingachgook, who
had been spying about the fort. She
acquainted hirn with all the details of the
situation.
Pathfinder arrived secretly at the block
house. He had not been fooled by dead
bodies of the massacred people that had
been placed in lifelike manner along the
river bank by the Indians. Then the
relief party of soldiers tinder Sergeant
Dunham was ambushed, but the ser
geant, seriously wounded, managed to
reach the blockhouse. Cap escaped from
the Indians and also gained the protec
tion of the blockhouse. The small group
then fought off the Indians during the
night Jasper arrived with men in time
to relieve the situation. But Muir ordered
Jasper bound, basing his action on the
suspicion that Jasper was a spy. Arrow
head stabbed Muir and disappeared into
the bushes, body pursued by Chingach
gook, who later killed him. Muir died
and Captain Sanglier, the white leader
of the Indians, admitted that Muir had
been the French spy, not Jasper. On his
deathbed Sergeant Dunham, thinking
Jasper to be Pathfinder, took Jasper 's
hand, placed it in that of Mabel, and gave
the two his blessing. He died before the
surprised witnesses could correct his error.
Deciding that Mabel really loved Jasper,
Pathfinder relinquished his claim on her.
Pathfinder disappeared into the wilder
ness with his Indian friend Chingach
gook, and was seen no more by Jasper
and Mabel. From time to time Indian
messengers came to the settlement with
gifts of furs for Mrs. Jasper Western, but
no name ever accompanied these gifts.
PAUL BUNYAN
Type of work: Short stories
Author: James Stevens (1892- )
Type of plot: Folklore
Time of plot: From the Winter of the Blue Snow to the Spring That the Rain Came Up
From China
Locale: North America
First published: 1925
Principal characters:
PAUL BUNYAN, a mighty hero
BABE, the Blue Ox
HELS HELSEN, Paul's friend
JCHNNY INKSLTNGEB, the surveyor
SOUHBOUGH SAM, a cook
HOT BISCUIT SLIM, another cook, Sourdough Sam's son
KING BOURBON, King of Kansas
SHANTY BOY, a storyteller
717
Critique:
In this collection of stories about the
fabulous Paul Bunyan, Stevens has tried
to catch the flavor of the north woods.
Bunyan and his Blue Ox, Babe, whose
korns were forty-two ax handles and a
plug of chewing tobacco apart, have
become a part of American folklore. The
Paul Bunyan tales, which originated
along the Canadian border about 1837,
have the hearty tall story exaggeration
of the wide West and the virile North
west. They will be popular with read
ers of all ages for years to come.
The Stories:
That winter the blue snow fell. It
frightened the moose so that they fled
from the section of Canada where Paul
Bunyan lived to the far North. The herds
made so much noise that all the bears
woke up from their hibernation and fled
too. Some of the bears went so far
North that they turned white and be
came polar bears. Some only went far
enough to turn gray, and some were
merely so frightened that they stayed
small. When Paul Bunyan discovered
the blue snow on the ground, he was
surprised, but not as surprised as he
was to find that his moose hound, Niag
ara, had followed the herds, and was
no longer there to bring his food for
him. Walking around, he saw a blue
calf of an amazing size. Because it
seemed ill, he took it home to his cave
and fed it. Shortly afterward he dreamed
that he and the calf were to invent and
practice the art of logging.
So with the help of Babe, who had
grown up to be a huge Blue Ox, Paul
Bunyan set up a lumber camp. When
Paul had to do the paper work for the
camp, he invented the multiplication
table, the cube root, and algebra. As boss
of the logging, Paul was lucky to meet a
man, almost as big as he was, named Hels
Helsen. Hels was a wonderful worker
and Paul's friend, but they fought after
Paul decided to cut the trees on the
Mountain That Stood On Its Head.
When Paul found that his men could
not hang upside down from the sides
of the mountain and cut the down-grow
ing trees with ease, he loaded his gun
with plates of iron and shot it at the
overhanging sides. The discharge cut off
the trees so that they fell down and
buried their tops in the plain below.
Hels got angry at Paul for being so
smart, and the two of them had a terrible
fight on the top, which was really the
bottom, of the mountain. Paul won, and
from then on there was never any trouble
between them.
Then the camp moved to a place where
Paul found trees planted in perfect rows,
and all of the same size. Paul's men cut
down the trees. Soon afterward Paul
met Johnny Inkslinger, the great sur
veyor, and learned that Johnny had
planted the trees for surveying stakes,
In recompense, Paul made Johnny, whc
also was almost as big as Paul, his book
keeper.
Feeding the huge lumber camp was £
great problem. At first Paul had a cool
who would serve only pea soup. One
day he threw the peas in a lake anc
boiled the lake water to make the soup
Then Paul got a new cook namec
Sourdough Sam. Sam served only sour
dough, and he was convinced that it wa
good for everything. He advised it a
a shoe polish, an emetic, liniment, anc
toothache medicine. Once he put som
sourdough in Johnny Inkslinger's ink, ii
hopes that it would treble the amount
Unfortunately the ink blew up, an<
Sourdough Sam lost an arm and le£
Sam's son, Hot Biscuit Slim, then too
over the cookhouse, and after demandini
and getting a tremendous amount c
equipment from Paul, he made mealtime
the happiest hours of the loggers' day.
Paul's loggers amused themselves 2
night by listening to songs and storie
PAUL BUNYAN by James Stevens. By permission of the author and the publishers, Alfred A. Knopf, In
Copyright, 1925, by Alfred A. Knopf, Inc.
718
Shanty Boy, of Bunkhouse 1, was the
best storyteller in the camp. Once, when
the men were feeling sad, Shanty Boy
ran out of stories to cheer them up, and
he told them some lies. The men believed
all Shanty Boy's lies until he told the
story of Jonah and the whale. Then Paul
had to be called in to keep the men
from beating up Shanty Boy for telling
what they thought was a whopper. Paul
told them that the story was true. They
believed Paul, but from that time on
no logger ever told another lie.
Paul took his camp to Utah to cut
down the stonewood trees there. The
men grew so tired, and their axes got
so dull, that they almost gave up. In
disgust, Paul himself started cutting
down the trees. He worked so hard
that he sweated tremendous drops of
water, which later became Salt Lake.
His men, frightened by the flood Paul's
sweat caused, ran away to Kansas. There
everything was perfect. All anyone did
was gamble and drink. One day a duke
planned a revolution against King Bour
bon of Kansas. He had all the bars
serve very strong drinks, and everyone
but the duke and his friends fell down
in a stupor. The duke, who wanted to
get rid of drink and gambling forever,
told all the men, including Paul's log
gers, that they had sinned mightily. Paul
finally turned up and forgave his men
for running away. He also hitched Babe
to Kansas and turned it over. He left
Kansas flat, and hid forever the wonderful
cigarette grass, beervines, and whiskey
trees.
One day Babe became ill. Johnny
Inkslinger tried several cures. He took
the camp to the West Coast, where they
captured whales and fed Babe whale's
milk, but the treatment did little good.
Finally Johnny whispered over and over
in Babe's ear that Babe was really well.
Johnny drank whiskey to keep his voice
clear. After a few days, he fell in a
faint. Babe drank some of the liquor
and began to get well. Whiskey, not
whale's milk, was the medicine for the
Blue Ox.
Next the camp went to New Iowa,
where Paul left diem. The scenery was
so beautiful that the men did nothing
but write poetry. Paid had to come back
and take them to the He-Man country
to get them out of the habit. In the
He-Man country it was so cold in the
wintertime that words froze in the air,
and you could not hear them until they
thawed out in the spring. The men
grew so virile after a winter of that hard
life that all they did was fight one
another. One day they stopped fighting
because they seemed to be knee-deep in
blood. After a while Paul discovered
that it was not blood but red rain which
had fallen up through the earth from
China.
After the rain from China, the gang
moved into the Nowaday Valley. There
Paul discovered that the men were sing
ing about women, a subject he could
dimly remember having heard men
tioned before. Paul also had trouble
with one of his workers, who discovered
machines which could do what only
Paul and the Blue Ox had been able
to perform before. Paul was afraid that
his days were over. At last women ap
peared near the camp, and Paul's men
disappeared. Paul went to look for them
and met a woman. He picked her up in
his hand and looked at her. Completely
unconcerned, she powdered her nose.
Paul was dumbfounded. Late that night
he started out across the hills with his
Blue Ox. He was never heard from
again.
719
THE PEASANTS
Type of work: Novel
Author: Ladislas Reymont (1868-1925)
Type of plot: Social chronicle
Time of plot: Late nineteenth century
'Locale: Poland
First published: 1902-1909
Principal characters:
MATTHIAS BORYNA, a well-to-do peasant
AJSTTEK, Matthias* son
DOMTNTKOVA, a widow
YAGNA, her daughter
Antek's wife
Critique:
The Peasants is epic in the sweep and
significance of its story. The problem of
Europe is contained in this novel — the
problem of overpopulation, of poor and
overworked soil, of ignorance, of im
perialism. The novel is at once a text
on the subject of mass sociology and a
human, heart-warming narrative. In
keeping with the seasonal movement of
its story, Reymont's masterpiece is di
vided into four sections: Autumn, Win
ter, Spring, and Summer.
The Story:
It was autumn and the peasants of
Lipka village were hurrying to finish the
harvest before winter. In Boryna's barn
yard the villagers gathered to see a cow
that had been chased from manor lands
and was now dying of colic. Hanka, Mat
thias Boryna's daughter-in-law, took the
loss most to heart when old Kuba, the
lame stableman, said that he could do
nothing for the stricken cow.
That night Matthias, charged with
having fathered a servant girl's child,
went to visit the voyt, the headman of
the village, to ask about his trial. The
voyt, after assuring him that he would
get off easily in court, flattered Mat
thias and told him he should marry
again, now that his second wife was
dead. Matthias pretended he was too
old, but he knew all the time he was
hopeful of marrying Yagna, the daughter
of Dominikova. Yagna would some day
inherit three acres of land.
The next morning the case against
Matthias was dismissed. After the trial
Matthias met Dominikova and tried to
sound her out on her plans for her
daughter.
On the day of the autumn sale Mat
thias went off to sell some hogs and
Hanka her geese. Old Matthias, pleased
when Yagna accepted some bright rib
bons, asked her hand in marriage. He
did not know that his son Antek, husband
of Hanka, was secretly in love with
Yagna. When Matthias settled six acres
upon Yagna in return for the three she
brought with her marriage portion, Antek
and his father fought and Matthias or
dered his son off the farm. Antek and
Hanka moved with their children into
the miserable cabin of Hanka's father.
The wedding of Matthias and Yagna
was a hilarious affair. In the midst of
the merriment Kuba, poaching on manor
lands, was shot in the leg by a game
keeper. Fearing the hospital, he cut off
his own leg and died from loss of blood.
Winter came swiftly, and wolves
lurked near the peasant's stock barns.
That winter Hanka and Antek had to
sell their cow to keep themselves in food.
At last Antek took work with men build
ing a new sawmill. Matthew, the fore
man, was his enemy, for Matthew also
loved Yagna. One day Antek overheard
THE PEASANTS by Ladislas Reymont. Translated by Michael H. Dziewicki. By permission of the pub
lisher*, Alfred A. Knopf, Inc, Copyright, 1924, 1925, by Alfred A. Knopf, Inc.
720
Matthew's brag that he had been with
Yagna in her bedroom. Antek, in a
great fury, struck Matthew so hard that
the carpenter broke several ribs when he
fell over the railing and into the river.
At Christmas there was great rejoicing
in Matthias' house, for Yagna was with
child. At the midnight mass on Christ-
mas Eve, Yagna and Antek saw each
other for a moment, Antek asked her
to meet him behind the haystack.
That winter the peasants of the vil
lage came to Matthias to report that a
part of the forest which the peasants
used for gathering wood had been sold
by the manor people. Unhappily, Mat
thias allowed himself to be dragged into
the dispute. While Matthias was away,
Antek went to his father's farm to see
Yagna. Returning, Matthias nearly caught
them together.
One night at the inn Antek, drunk,
ignored his wife and asked Yagna to
dance with him. Matthias arrived, seized
Yagna, and took her away. Later, on
his way home, Antek found his wife
almost dead in the snow. From that time
on Matthias treated Yagna like a servant
girl.
Antek lost his job and Hanka was
forced to go with the paupers seeking
firewood in the forest. Walking home
through the storm, Hanka was given a
ride by old Matthias. He insisted that
Hanka come back to his farm the next
day.
That night Antek took Yagna into the
orchard. Coming upon them, old Mat
thias lit up a straw stack in order to see
them. Antek and the old man fought.
Then Antek fled and the fire spread,
threatening the whole village. Yagna
fled to her family. Everyone avoided An
tek and refused to speak to him.
At last old Matthias took Yagna back,
but only as a hired girl, Hanka was
with him, much of the time. When
Yagna began to see Antek again, the old
man took no notice.
Word came that the squire was cutting
timber on land the peasants claimed.
The next morning a fight took place iii
the forest as the villagers tried to pro
tect their trees. Antek thought he might
kill his own father in the confusion, but
when he saw Matthias struck down, he
killed the woodcutter who had wounded
his father. Antek walked alongside as
Matthias was carried home.
Spring came. Many of the villagers,
Antek among them, were in jail after
the fight in the forest. Fields went un-
plowed. Old Matthias lay insensible
Yagna had now begun to consort with
the voyt. It seemed as if the devil him-
self had possessed the village.
Easter was a sad season because the
men were still in prison. Word went
around that the squire, who had been
ordered to stop the sale of his land, was
in desperate straits for money and vowing
revenge upon the peasants. Shortly after
Easter Hanka gave birth to a male child
who was named Roch. Gifts were given
out but in Antek's absence the christening
did not seem complete.
At last the peasants were set free.
Their homecoming was a happy occa
sion in every cabin but that of Matthias,
for Antek had not been released. Yagna
was also unhappy. Even Matthew, the
carpenter who had once loved her, now
ignored her for younger Teresa.
One night old Matthias arose from
his stupor. For hours he wandered about
the fields as if about to sow his land.
In the morning he fell over and died.
Summer brought additional woes to
the peasants. There were quarrels over
Matthias* land. Some Germans came to
occupy the squire's land, but the peasants
threatened them and they went away.
Then the squire made arrangements to
parcel out the land to the peasants and
some of them bought new land for
homesteading.
Old Dominikova and Simon, one of
her sons, had quarreled, and Simon
bought his own land from the squire.
Simon and his wife Nastka received
many gifts from the villagers who wanted
to spite old Dominikova, When the
721
voyt's accounts were found to be short,
the villagers blamed Yagna.
Released from prison, Antek returned
to work on the farm. He was still at
tracted to Yagna, but the duties of his
farm and the possibility that he still
might be sent to Siberia pressed even
harder upon him. That summer the
organist's son, Yanek, came home from
school. In a short time he and Yagna
were seen together. At last the peasants
put Yagna on a manure cart and told her
never to return to the village.
The summer was dry and the harvest
scanty. One day a wandering beggar
stopped at Nastka's house. He gave her
some balm for Yagna, who had taken
refuge there. As the sound of the An-
felus rose up through the evening air,
e strode away. For the food Nastka
had given him he called down God's
blessing on her peasant home.
PEER GYNT
Type of work: Drama
Author: Henrik Ibsen C 1828-1 906)
Tyipe of plot: Satiric fantasy
Time of pZat: Mid-nineteenth century
Locale: Norway
First presen ted: 1867
Princi-pal characters:
PEER GYNT, a Norwegian farm lad
ASE, his mother
SOLVEIG, a Norwegian girl whose love for Peer remains constant
THE GBJEAT BOTG, a troll monster
THE BUTTON MOULDER, who threatens to melt Peer in his ladle
Critique:
A satire on Man, that contradictory
creature with an upright body and grovel
ing soul, Peer Gynt is an example of
Ibsen's symbolic treatment of the theme
of individualism. This drama is a long
episodic fantasy, with a picaresque,
jaunty, boastful, yet lovable hero. Into
the fabric of the drama Ibsen weaves
folklore and satire combined with sym
bolism that imparts a dramatic effect rich
in emotional impact. The unorthodox
and untheatrical design, however, make
stage presentation difficult. The play
deals with the degeneration of the human
soul, yet the triumphant note at the end,
the redeeming power of love, keeps it
from being tragic in dramatic effect.
mother, Ase, for his willingness to waste
his time, he answered that she was per
fectly right. She ridiculed him further
by pointing out that had he been an
honest farmer, Hegstad's daughter would
have had him, and he would have been a
happy bridegroom. He told her that he
intended to break the marriage of Heg-
stad's daughter, a wedding planned for
that night. When his mother protested,
he seized her in his arms and set her on
the roof of their house, from where her
unheeded cries followed him up the road
to Hegstad's home.
At the wedding he was scorned by
everyone present except Solveig, a girl
unknown to him. But even she avoided
him as soon as she heard of his base
reputation. Peer became drunk and be
gan to tell fantastic tales of adventure,
stories that bridged an embarrassing gap
in the marriage ceremony when the bride
locked herself in the storeroom and re-
urn- ^Ti^i He?"£ ^^ from.™E COLLECTED WORKS OF HENRIK IBSEN. Translated by
William and Charitt Archer. By permission of the publishers, Charle* Scribner'* Sons.
The Story:
Peer Gynt, a young Norwegian farm
er with a penchant for laziness and
bragging, idled away his hours in brawl
ing and dreaming. Upbraided by his
722
fused to come out. In desperation, the
bridegroom appealed to Peer for help.
As Peer left for the storeroom, his mother,
who had been released from the roof,
arrived. Suddenly the bridegroom cried
out and pointed toward the hillside.
Rushing to the door, the guests saw
Peer scrambling up the mountain with
die bride over his shoulder.
Peer quickly abandoned the bride and
penetrated more deeply into the wilder
ness. Eluding the pursuit of Hegstad
and his neighbors, he married and de
serted the daughter of the elf -king of the
mountains. He encountered the Great
Boyg, who represented the riddle of exist
ence in the figure of a shapeless, grim,
unconquerable monster. Time and again,
Peer tried to force his way up the moun
tain, but the Boyg blocked his way.
When Peer challenged the Boyg to a
battle, the creature replied that though
he conquered everyone he did not fight.
Exhausted, Peer sank to the ground.
The sky was dark with carnivorous birds
that were about to swoop down upon
him. Suddenly he heard the sound of
church bells and women's voices in the
distance. The Boyg withdrew, admitting
defeat because Peer had the support of
women in his fight.
An outlaw for having carried off Heg-
stad's daughter, Peer built himself a hut
in the forest, to which Solveig came to
keep him company. Their happiness was
brief, however, for one day Peer met
the elf-king's daughter, whom he had
deserted. With her was an ugly troll,
Peer's son; unable to drive them off, he
himself went away after telling Solveig
that she must wait for him a little while.
Before leaving the country, he paid
a farewell visit to his dying mother.
With his arms around her, Peer lulled
her into her last sleep. Over her dead
body he uttered thanks for all his days,
all his lullabies, all his beatings.
He went adventuring over the world.
In America he sold slaves; in China,
sacred idols. He did a thriving business
in rum and Bibles. After being robbed
of his earthly goods, he went to the
African desert and became a prophet.
Prosperous once more, he set himself up
in Oriental luxury. One day he rode into
the desert with Anitra, a dance girl,
Stopping to rest, he could not resist the
urge to show off by proving to Anitra
that he was still young in spirit and body.
While he was performing, she stole his
moneybag and horse and galloped away.
Solveig had grown middle-aged while
she waited for Peer Gynt's return. Peer
Gynt, on the other hand, still struggled
on with his planless life, still drifted
around the all-consuming Boyg of life
without any apparent purpose in mind.
On his way back to Norway at last,
his ship was wrecked. Peer clung to a
spar which could hold only one man.
When the ship's cook attempted to grasp
the spar also, Peer thrust him into the
ocean. He had saved his own life, but
he doubted whether he had been success
ful in saving himself from his aimless
existence.
On his return to Norway, he decided,
however, that he was through with wan
dering, and he was willing to settle down
to the staid life of a retired old man.
One day on the heath he met a Button
Moulder, who refused to let the aged
Peer realize his dream of peace and con
tentment Informed that he was to go
into the Button Moulder's ladle to be
melted, Peer became frantic. To lose his
soul, his identity, was an end he had not
divined for himself despite his aimless
and self-centered life. He pleaded with
the Button Moulder to relent. He was
at worst a bungler, he cried, never an
exceptional sinner. The Button Moulder
ansxvered that Peer, not bad enough for
hell nor good enough for heaven, was fit
only for the ladle. Peer protested, but
the Button Moulder remained adamant.
Peer was to be melted into the ladle of
nonentity unless he could prove himself
a sinner worthy of hell. Hell being a
more lenient punishment than mere noth
ingness, Peer desperately enlarged upon
his sins. He had trafficked in slaves.
723
cheated people <ind deceived them, and
had saved his life at the expense of an
other. The Button Moulder ironically
maintained that these iniquities were
mere trifles.
While they argued, the Button Mould
er and Peer came to a house where
Solveig stood in the doorway ready for
church, a psalm book under her arm.
Peer filing himself at her feet, begging
her to cry out his sins and trespasses, but
she answered that he was with her again,
and that was all that mattered. She was
shocked when Peer asked her to cry out
his crime to her; she said that it was he
who had made life beautiful for her.
Hearing her words, the Button Moulder
disappeared, prophesying that he and
Peer would meet again.
Peer Gynt buried his face in Solveig s
lap, safe and secure with her arms to
hold him and her heart to warm him.
Solveig's own face was bathed in sun
light.
PEG WOFFINGTON
Type of work: Novel
Author: Charles Reade (1814-1884)
Type of plot: Sentimental romance
Time of plot: Eighteenth century
Locale: England
1853
Principal characters:
PEG WOFFINGTON, a famous actress
HARRY VANE, her admirer
MABEL VANE, Harry's wife
SIR CHARLES POMANDER, another admirer of Mrs. Woffington
COLLEY GIBBER, actor and critic
TRIPLET, a painter and playwright
Critique:
This touching story reveals a keen
insight into human nature. Much too
sentimental to be credible to modem
readers, the story of Mrs. Woffington is
nevertheless a witty revelation of life
behind the scenes in the theater. The
dialogue between the critics and the
artists is delightful, and the attack on
critics follows a long tradition in our
literature. The principal character of the
story was a celebrated Irish actress,
The Story:
Mr. Harry Vane had come from Shrop
shire to London on business affairs. Hav
ing completed his business, he ventured
to remain in London for pleasure, for he
had seen Mrs. Woffington on the stage
and had fallen in love with her. From
his box seat at the theater, where he sat
night after night, he sent her anonymous
notes and flowers and waited for some
sign that his attentions had awakened
her interest. One night he sent a corsage
with a note asking her to wear the flowers
in her hair if the gentleman's notes had
interested her. In the final act of the
evening's performance, she appeared
with the flowers in her hair. Vane was
more determined than ever to meet the
actress personally.
From the audience Sir Charles Po
mander, whom Vane knew slighdy, had
seen Vane in his box for many evenings.
Curiosity being one of Sir Charles* great
est weaknesses, he watched to detect
signs in Mrs. Woffington or in Vane to
learn whether the gendeman's suit was
being successful. That night, observing
Vane's conduct, Sir Charles joined that
gentleman in his box and invited Vane
to accompany him to a gathering of
people in the green room backstage.
One of the group backstage was Mr.
Colley Gibber, known in his more youth
ful days as a great actor and playwright.
724
When Vane questioned tlie famed actor
concerning Mrs. Woffington's ability as
an actress, Gibber scoffed and claimed
that acting is the art of copying nature.
He added that in his day there was a
much finer actress, Mrs. Bracegirdle.
Mrs. Woffington overheard his slighting
remarks. In order to disprove Gibber's
pompous claims, she disguised herself as
the elderly Mrs. Bracegirdle and appeared
among the backstage visitors as that
famous old lady of the stage. So well
did she fool everyone that Gibber was
forced to admit his own deception by
Mrs. Woffington's play-acting.
Sir Charles was still watching Vane
for signs of the degree to which his suit
of Mrs. Woffington had advanced. But
the actress wore her feelings behind a
mask. Vane himself was too astounded
by his first visit backstage to reveal any
thing to Sir Charles, who was also pur
suing Mrs. Woffington. Unfortunately,
Sir Charles had to leave London for a
few weeks. The next time Vane saw
Mrs. Woffington, she openly expressed
her admiration for him. Soon Mrs.
Woffington revealed to Vane that he was
her ideal of goodness and perfection.
Vane himself was deeply in love.
Triplet, the playwright, scene painter,
and poet, could find no market for his
talents, and his wife and children were
almost starving. One day when he was
at the theater trying to get Mr. Rich, the
manager, to read his latest tragedies, Mrs.
Woffington recognized him as a man
who had been kind to her when she was
a poor little Irish girl selling oranges on
the streets. When she learned of his
plight, she promised to sit for a portrait
and to persuade Mr. Rich to read his
plays.
When Sir Charles returned from his
trip, he immediately continued his suit
of Mrs. Woffington, who haughtily re
fused him. Jealous of his rival's success,
he set about to ruin Vane's romance and
bribed Mrs. Woffington's servant to re
port to him whatever Mrs. Woffington
did. One afternoon, suspecting that she
had gone to spend the day with a lover,
Sir Charles persuaded Vane to accom
pany him in a search for her. Trailing
her to a strange apartment, they dis
covered her with Triplet's family, whom
she had rescued from starvation when
she had gone to sit for her portrait. Vane
was dismayed at his own lack of trust in
Mrs. Woffington, but she readily for
gave him.
While he was journeying through the
countryside, Sir Charles had seen a
beautiful woman in a carriage. Arrested
by her beauty, he had sent a servant to
inquire about her identity. Soon after
the incident in Triplet's apartment, Sir
Charles learned that the beautiful woman
was Vane's wife, Mabel, who was on her
way to join her husband in London.
When Mabel Vane arrived at her hus
band's house, there was a gay party in
session. Although Mabel was a simple
country girl, she discerned the meaning
of Mrs. Woffington's presence, especially
after Sir Charles had described her hus
band's conduct at the theater. True to
his crude character, Sir Charles offered
to comfort Mabel by making love to her,
but she coldly sent him away. Sitting
alone in the parlor, Mabel had to endure
the unhappy circumstance of overhearing
her husband pleading with Mrs. Woffing
ton to forgive him. Thus the devoted
and beautiful Mabel learned that her
husband no longer loved her.
Learning Mabel's identity, the actress
fled from Vane's house. Seeking comfort
and diversion, she went to Triplet's stu
dio and told him that she had come to
sit for her portrait. While she was sit
ting, Triplet received word that some of
his theatrical friends were coming to his
studio to view the portrait. Knowing
that the critics Snarl and Soaper were
vicious and that Colley Gibber would
sneer at Triplet's work, Mrs. Woffington
contrived a plan to fool the arrogant
men. She cut a hole in the portrait just
large enough to fit round her head. When
the critics saw the picture, they believed
it to be a painting, while in reality it was
725
merely a setting around tiie real head of
Mrs. Woffington. True to their usual
form, the critics sneered at the artist's
lack of success in his endeavor to repro
duce the head of Peg Woffington. Laugh
ing at her own deception, Mrs. Woffing
ton stepped forward and revealed the
trick to the critics. Only Colley Cihber
was able to take the joke with good
nature. The others left in chagrin.
Mrs. Woffington told Triplet of Harry
Vane's \vife, and he warned her that two
rival women were a dangerous combina
tion. \\Tnle they were talking, Mabel
Vane entered the apartment. She had
come to see Mrs. Woffington. The ac
tress' vanity and pride had been cut to
the quick, but Mabel's sweet and gener
ous nature softened her heart. She
promised Mabel that she would not only
return Vane to his wife but also prove
to her that the heart of her husband had
never really deserted his wife. Mabel was
so grateful to her that she swore to call
Mrs. Woffington her sister, and the two
women embraced.
The Vanes were reunited, for Harry
truly loved his wife. Mabel Vane and Peg
Woffington remained steadfast friends,
seeing each other often in London and
writing numerous letters.
PENDENNIS
Type of work: Novel
Author: William Makepeace Thackeray (1811-1863)
Type of plot: Social satire
Time of plot: Mid-nineteenth century
Locale: England
First published: 1848-1850
Principal characters:
ARTHUR PENDENNIS (PEN), a snob
HELEN PENDENNIS, his mother
JVlAjoR ARTHUR PENDENNIS, his uncle
LAURA BELL, Mrs, Pendennis' ward
EMILY COSTIGAN, an actress
BLANCHE AMORY, an heiress
HENRY FOKER, Pen's friend
Critique:
The History of Pendennis is a long,
loosely organized novel, in which the
author, between events, stops to chat and
philosophize with the reader. There is
present a strong emphasis on morality,
on goodness and truth, as opposed to a
selfish, scheming, attitude which stresses
material wealth and social advancement.
The most consistent theme, brought out
with piercing irony, is the self-conscious,
rigid snobbery between cksses in Eng
land, and the unceasing efforts of the
middle class to become gentlemen and
aristocrats. This theme is epitomized in
the character of Major Pendennis, but it
is also illustrated in the experiences of
young Arthur Pendennis, who is torn
between his uncle's efforts to help
to rise socially and his mother's efforts
to keep him natural and unspoiled.
The Story:
Major Arthur Pendennis, a retired
army officer, impeccably dressed, digni
fied, yet affable, sat in his London club
looking over his mail and considering
which of several invitations would be
most advantageous to accept. He left un
til kst a letter from his sister-in-law, beg
ging him to come to Fairoaks because her
son Arthur, who was known to the family
as Pen, had become infatuated with an
actress twelve years older than himself,
and insisted on marrying the woman.
Helen Pendennis implored the major3
who was young Pen's guardian, to use
726
his influence with the sixteen-year-old
boy.
John Pendennis, Pen's father, though
of an old family, had been forced to
earn his living as an apothecary and sur
geon. He prospered financially, and at
the age of forty-three married Helen
Thistle wood, a distant relative of one of
his aristocratic patrons. His own life's
aim was to be a gentleman, and by for
tunate transactions he was able to buy
the small estate of Fairoaks. He acquired
family portraits, and was henceforth
known as Squire Pendennis. He referred
proudly to his brother the major, who
associated with well-known aristocrats.
John Pendennis had died while his son
was still a schoolboy. After that melan
choly event, Pen took first place in the
family. His mother was especially solici
tous for his welfare and happiness. She
had already planned that he should marry
Laura Bell, his adopted sister and the
orphan of the Reverend Francis Bell,
whom Helen had loved years before.
Helen Pendennis was horrified at
Pen's infatuation with an actress, but
Pen, blind with youthful romance, saw
Emily Costigan as the ideal of all woman
hood. She was beautiful, and her reputa
tion was unquestioned, yet she was crude
and unintelligent. Pen was introduced to
her father, Captain Costigan, by Henry
Foker, a dashing, wealthy young school
mate. The captain was a shabby, rakish
Irishman who was constantly finding his
daughter's income insufficient for the
drinks he required. He assumed that Pen
was a wealthy young aristocrat and urged
Emily to accept his proposal of marriage.
On die other hand, Emily regarded Pen
as a child, but at the same time she was
flattered by the serious attentions of a
landed young gentleman.
When the major arrived at Fairoaks,
Pen had almost won his indulgent
mother's consent. The major handled the
situation adroitly. Using many refer
ences to his aristocratic friends, he hinted
that Pen, too, could be received in their
homes if only he made a brilliant mar
riage. Then he called on Captain Costi
gan and informed him that Pen was de
pendent on his mother and that his pros
pects were only five hundred pounds a
year. The captain wept over the deceit-
fulness of man and gave up Pen's letters
and verses in return for a small loan.
Emily wrote Pen a short note that Pen
thought would drive him to distraction.
But it did not. Meanwhile the major ar
ranged through his aristocratic and in
fluential friends to give Emily an op
portunity to play an engagement in Lon
don. Pen, suffering over his broken love
affair, was so restless and moody it seemed
wise for him to join his friend, Henry
Foker, and attend the University of Ox
bridge.
He entered the university posing as a
moneyed aristocrat. His mother by hex
own rigid economies gave him an ade
quate allowance, and Pen entered enthu
siastically into all sorts of activities. His
refined and diversified tastes led him into
expenditures far beyond his means. As
a result, he ended his third year deeply
in debt. He was made still more miser
able when he failed an important exami
nation. Overcome by remorse at his reck
less spending and his thoughtlessness of
his devoted mother, he went to London.
There Major Pendennis did not hesitate
to show cold disapproval, and ignored his
nephew. But his mother welcomed him
home with affection and forgiveness.
Laura Bell offered a solution by suggest
ing that the money left her by her father
be turned over to Pen to clear his debts.
It was Laura, too, who induced him to
return to the university. When he re
ceived his degree, he came back to Fair-
oaks, still restless and depressed, until
an event of local interest aroused him.
Clavering Park, the mansion owned by
Sir Francis Clavering, was reopened. Sir
Francis was a worthless spendthrift whose
tide was his only claim to respect. After
living many years abroad, he had made
an advantageous marriage to Jemima
Amory, a widow recently returned from
India. She had been left a large fortune,
72/
and, though uneducated, she was well
liked because of her generous and good
nature. In addition to the Claverings'
young son, the heir to the now great
Clavering fortune, Lady Clavering had
by a previous marriage a daughter named
Blanche. Although extremely pretty,
Blanche was a superficial, self-centered
girl whose demure appearance disguised
a hard and cruel disposition. Pen and
Laura soon became friendly with their
new neighbors, and Pen imagined him
self in love with Blanche. In the mean
time, Helen confided to Pen her dearest
wish that he should marry Laura. Pen,
conscious of the sacrifices his mother had
made for him and of Laura's generosity,
made a grudging offer of marriage, which
Laura spiritedly refused.
His dignity hurt, he decided he would
make a place for himself in the world
and so he went to London to read for the
law. But in spite of his good resolutions
he was unable to settle down to serious
study. He became a young man about
town, and he took pride in the variety
of his acquaintances. He shared rooms
with George Warrington, a philosophic
man whom Pen came to respect and love.
At last, through Warrington's influence,
Pen began to earn his own living by
writing. Eventually he published a suc
cessful novel. So Pen read law, wrote
for a living, and spent his evenings at
dinners and balls.
His disordered life finally resulted in
a serious illness, and his mother and
Laura went to London to nurse him.
Later, accompanied by George Warring-
ton, they went abroad. There Helen
Pendennis, worn out with worry over
Pen, became ill and died, and the party
returned to Fairoaks for her burial. Then
the estate was rented. Pen, now heir to
the small fortune his mother had left,
returned to London. During his resi
dence in London, his uncle had again
become actively interested in him. Feel
ing that Pen should improve his station
in life, the shrewd major had decided
the Claverings could be useful to Pen
and he had encouraged his nephew to
cultivate the family once more.
One night Pen and the major were
invited to a dinner given by the Claver
ings. While the men were sitting over
cigars and wine, Colonel Altamont ap
peared. He was drunk. It was known
that for some mysterious reason Sir
Francis Clavering had given this man
large sums of money. Major Pendennis,
who during his career in the army had
been stationed in India, immediately
recognized Altamont as Mr. Amory, the
first husband of Lady Clavering. The
major did not divulge his knowledge to
anyone but Sir Francis, to whom he
issued the ultimatum that Sir Francis
must go to live abroad and that he must
give his place in Parliament to Pen. If he
refused, the major threatened to expose
the fact that Amory was still alive and
that the marriage of Sir Francis and Lady
Clavering was illegal. Another point the
major made was that Clavering Park
should be left to Blanche Amory. Sir
Francis had no choice but to agree.
Major Pendennis continued his in
trigue by urging Pen to marry Blanche.
Pen, with some uneasiness, fell in with
his uncle's plans. He did not know how
his place in Parliament had been secured,
but he did know that he was not in love
with Blanche. He became engaged to
her, however, and began to campaign
for his seat in Parliament. Laura, who
had been abroad as companion to Lady
Rockminster, returned to the vicinity.
When Pen saw her again, he began to
regret his plan to marry Blanche.
In the meantime the major's valet,
Morgan, had learned of the Claverings'
complicated marriage situation and
planned blackmail on his own account.
After a violent quarrel with the major,
Morgan told Pen how Major Pendennis
had forced Sir Francis to give up his seat
in Parliament in favor of Pen. Pen was
shocked by this news and by his uncle's
unethical methods. He and Laura agreed
that he should give up his candidacy for
the district, but that he must, even
728
though he loved Laura, go on with his
plans to marry Blanche, after his propo
sal to her. However, this sacrifice to
honor proved unnecessary, for Pen dis
covered that Blanche had forsaken him
for his old friend, Henry Foker, who had
just inherited a large fortune. Their mar
riage left Pen free to marry Laura. Be
cause Lady Rockminster held Laura in
great affection, the marriage was ap
proved even hy the class-conscious major.
So the simple wedding of Pen and
Laura replaced the fashionable one which
had been planned for Clavering Church.
Blanche did not marry Foker. When
Foker learned by chance that her father
was still alive and that Blanche had kept
the knowledge from him, he dropped his
plans to marry her. Blanche became the
wife of a French count. Lady Clavering,
who had truly believed her husband dead,
was horrified to leam that Amory was
still alive, but the legality of her marriage
to Sir Francis was established when it
was learned that Arnory had contracted
several marriages before the one with
her.
Meanwhile Pen and Laura lived hap
pily. Laura had expectations from her
friend and patroness, Lady Rockminster,
and Fairoaks had increased in value be
cause the new railroad bought rights
through it. Later, when Sir Francis died,
Pen was elected to Parliament. He had
almost forgotten how to be a snob.
PENGUIN ISLAND
Type of -work: Novel
Author: Anatole France (Jacques Anatole Thibault, 1844-1924)
Type of ylot: Fantasy
Time oj 'plot: Ancient times to the present
Locale: Mythical Alca
First published: 1908
Principal characters:
MAEL, a missionary monk
KRAKEN, an opportunist penguin
OBEROSIA, Kraken's mistress
TRINCO, a conqueror
PYROT, a scapegoat
M. CERES, a cabinet minister
EVELINE, his wife
M. VisrsE, Prime Minister of Penguinia
Critique:
Penguin Island is a satiric and ironic
burlesque of history. Although the nar
rative is doubly enjoyable to those who
know the history of France, the story
can be appreciated by everyone. In an
amusing way, the author seriously criti
cizes politics, the Church, and other social
institutions.
The Story:
In ancient times Mael, a Breton monk,
was diligent in gathering converts to the
Church. One day the devil caused Mael
to be transported in a boat to the North.
Pole, where the priest landed on an
island inhabited by penguins. Being
somewhat snow-blind, he mistook the
birds for men, preached to them, and,
taking their silence as a sign of willing
ness, baptized them into the Christian
faith.
This error of the pious Mael caused
great consternation in Paradise. God
called all the saints together, and they
argued whether the baptisms were valid.
At last they decided that the only way
PENGUIN ISLAND by Anatole France. Translated by A. W. Evans. By permission of Dodd, Mead & Co.,
Inc. Copyright, 1909, by Dodd, Mead & Co., lac. Renewed, 1937, by A. W. Evans.
729
out of die dilemma was to change the
penguins Into men. After this transfor
mation had taken place, Mael towed the
island back to the Breton coast so that
he could keep an eye on his converts.
Thus began the history of Penguinia
on the island of Alca. At first the pen
guins were without clothes, but before
long the holy Mael put clothes on the
females. Because this covering excited
the males, sexual promiscuity was enor
mously increased. The penguins began
to establish the rights of property — by
knocking each other over the head.
Greatank, the largest and strongest pen
guin, became the founder of power and
wealth. A taxation system was set up
by which all penguins were taxed equally.
This system was favored by the rich, who
kept their money to benefit the poor.
Kraken, a clever penguin, withdrew
to a lonely part of the island and lived
alone in a cave. Finally he took as his
mistress Oberosia, the most beautiful of
penguin women. Kraken gained great
wealth by dressing up as a dragon and
carrying off the wealth of the peaceful
penguins. When the citizens banded
together to protect their property, Kraken
became frightened. It was predicted by
Mael that a virgin would come to con
quer the dragon, Kraken and Oberosia
fashioned an imitation monster. Oberosia
appeared to Mael and announced herself
as the destined virgin. At an appointed
time she revealed the imitation monster.
Kraken sprang from a hiding place and
pretended to kill it. The people rejoiced
and thenceforth paid annual tribute to
Kraken. His son, Draco, founded the
first royal family of Penguinia.
Thus began the Middle Ages on the
island of Alca. Draco the Great, a de
scendant of the original Draco, had a
monastery established in the cave of
Kraken in honor of Oberosia, who was
now a saint There were great wars be
tween the penguins and the porpoises at
that time, but the Christian faith was
preserved by the simple expedient of
burning all heretics at the stake.
The history of the penguins in that
far time was chronicled by a learned
monk named Johannes Talpa. Even
though the battles raged about his very
ears, he was able to continue writing in
his dry and simple style. Little record
was left of the primitive paintings on the
isle of Alca, but later historians believed
that the painters were careful to represent
nature as unlike herself as possible.
Marbodius, a literary monk, left a
record of a descent into hell similar to
the experience of Dante. Marbodius in
terviewed Virgil and was told by the
great poet that Dante had misrepresented
him. Virgil was perfectly happy with
his own mythology and wanted nothing
to do with the God of the Christians.
The next recorded part of Penguinian
history treated of modern times, when
rationalistic philosophers began to ap
pear. In the succeeding generation their
teachings took root; the king was put to
death, nobility was abolished, and a re
public was founded. The shrine of St.
Oberosia was destroyed. However, the
republic did not last long. Trinco, a
great soldier, took command of the coun
try; with his armies he conquered and
lost all the known world. The penguins
were left at last with nothing but their
glory.
Then a new republic was established
It pretended to be ruled by the people,
but the real rulers were the wealthy
financiers. Another republic of a similar
nature, new Atlantis, had grown up
across the sea at the same time. It was
even more advanced in the worship of
wealth.
Father Agaric and Prince des Boscenos,
as members of the clergy and nobility,
were interested in restoring the kings of
Alca to the throne. They decided to
destroy the republic by taking advantage
of the weakness of Chatillon, the admiral
of the navy. Chatillon was seduced by
the charms of the clever Viscountess
Olive, who was able to control his actions
for the benefit of the royalists. An im
mense popular anti-republican movement
730
was begun with Chatillon as its hero; the
royalists hoped to reinstate the king in
the midst of the uproar. But the revolu
tion was stopped in its infancy, and
Chatillon fled the country.
Eveline, the beautiful daughter of
Madame Clarence, rejected the love of
Viscount Ciena, after she had learned
that he had no fortune. She then ac
cepted the attentions of M. Ceres, a ris
ing politician. After a short time they
were married. M. Ceres received a port
folio in the cabinet of M. Visire, and
Eveline became a favorite in the social
gatherings of the politicians. M. Visire
was attracted by her, and she became
his mistress. M. Ceres learned of the
affair, but he was afraid to say anything
to M. Visire, the Prime Minister. In
stead, he did his best to ruin M. Visire
politically, but with little success at first
Finally M. Visire was put out of office
on the eve of a war with a neighboring
empire. Eveline lived to a respectable
old age and at her death left all her
property to the Charity of St. Oberosia.
As Penguinia developed into an in
dustrial civilization ruled by the wealthy
class, the one purpose of life became the
gathering of riches; art and all other
non-profit activities ceased to be. Finally
the downtrodden workmen revolted, and
a wave of anarchy swept over the nation.
All the great industries were demolished.
Order was established at last, and the
government reformed many of the social
institutions, but the country continued
to decline. Where before there had been
great cities, wild animals now lived.
Then came hunters seeking the wild
animals. Later shepherds appeared and
after a time farming became the chief
occupation. Great lords built castles.
The people made roads; villages ap
peared. The villages combined into large
cities. The cities grew rich. An industrial
civilization developed, ruled by the
wealthy class. History was beginning to
repeat itself.
PEREGRINE PICKLE
Type of work: Novel
Author: Tobias Smollett (172M77D
Type of plot: Picaresque romance
Time of plot: Early eighteenth century
Locale: England and the continent
First published.: 1751
Principal characters:
PEREGRINE PICKLE, a reckless young man
GAMALIEL PICKLE, his father
GRIZZLE PICKLE, his aunt, later Mrs. Trunnion
COMMODORE HAWSER TRUNNION, an old sea dog, Peregrine's godfather
LIEUTENANT HATCHWAY, the commodore's companion
TOM PIPES, a companion and servant
EMTTJA GAUNTLET, Peregrine's sweetheart
Critique:
Traditional criticism claims that the
character of Peregrine Pickle undergoes
no change in the course of this novel,
that at the conclusion of his adventures
with folly he is still unconvinced about
the wisdom of a sober and useful life.
This tradition does not take into con
sideration the nature of eighteenth-cen
tury manners or the temper of Smollett's
mind. It must be noted that Smollett
was anxious to reveal the chicaneries of
his time and to satirize the manners and
morals of society in general. Viewed in
this light, the character of the writer's
unheroic hero is in keeping with the
theme and purpose of the novel. In ad
dition, the inclusion of the disputed
memoirs of the lady of quality comple-
731
meats the story of Peregrine's picaresque
career.
The Story:
Mr. Gamaliel Pickle was the son of
a prosperous London merchant who at
his death bequeathed his son a fortune
of no small degree. Later, having lost
a part of his inheritance in several un
successful ventures of his own, Mr.
Pickle prudently decided to retire from
husiness and to live on the interest of
his fortune rather than risk his principal
in the uncertainties of trade. With his
sister Grizzle, who had kept his house
for him since his father's death, he went
to live in a mansion in the country.
In the region to which he retired,
Mr. Pickle's nearest neighbor was Com
modore Hawser Trunnion, an old sea
dog who kept his house like a seagoing
ship and who possessed an endless List of
quarterdeck oaths he used on any oc
casion against anyone who offended him.
Other members of his household were
Lieutenant Hatchway, a one-legged vet
eran, and a seaman named Tom Pipes.
Shortly after he had settled in his
new home Mr. Pickle met Miss Sally
Appleby, daughter of a gentleman in a
nearby parish, and after a brief court
ship the two were married. Before long
Air. Pickle discovered that his wife was
determined to dominate him completely.
Peregrine was the oldest son of that
ill-starred union. During her pregnancy
Airs. Pickle took such a dislike to Griz
zle that she tried in every way possible
to embarrass and humiliate her sister-
in-law. Realizing that she was no longer
wanted in her brother's household, Griz
zle began a campaign to win the heart
of old Commodore Trunnion.
Ignoring his distrust of women in
general, she won out at last over his
obstinacy. The wedding was not with
out humor, for on his way to the church
the commodore's horse ran away with
him and carried him eleven miles with
a hunting party. Upset by his experience,
lie insisted that the postponed ceremony
be performed in his own house. The
wedding night was also not without ex
citement when the ship's hammocks in
which the bride and groom were to sleep
collapsed and catapulted them to the
floor. The next morning, wholly indif
ferent to her husband's displeasure, Mrs.
Trunnion proceeded to refurnish and
reorganize the commodore's house ac
cording to her own notions.
In order to silence his protests, Mrs.
Trunnion conceived the idea of pretend
ing to be pregnant. But the commodore's
hopes for an heir were short-lived; his
wife employed her ruse only to make
herself absolute mistress of the Trunnion
household. Lacking an heir of his own,
the gruff but kindly old seaman turned
his attention to young Peregrine Pickle,
his nephew and godson. Peregrine was
an unfortunate child. While he was still
very young, his mother had taken an
unnatural and profound dislike to him,
and the boy was often wretched from the
harsh treatment he received. Weak-willed
Mr. Pickle, under the influence of his
wife, did little to improve that unhappy
situation. As a result, Peregrine grew
into a headstrong, rebellious boy who
showed his high spirits in all kinds of
pranks that mortified and irritated his
parents. Sent away to school, he rebelled
against his foolish and hypocritical teach
ers, and at last he wrote to the com
modore asking that he be removed from
the school. Feeling pity for the boy and
admiring his spirit o£ independence, the
commodore took him out of school and
adopted him as his son and heir.
When Peregrine's pranks and esca
pades became more than his indulgent
uncle could stand, the boy was sent to
Winchester School, with Pipes accom
panying him as his servant. Aware of
his uncle's kindness, Peregrine studied
and made steady progress until he met
Miss Emilia Gauntlet and fell in love
with her. Emilia was visiting in Win
chester; her own home was in a village
about a day's journey away. So great
was Peregrine's infatuation that soon
732
after she had returned home he ran away
from school and took lodgings in the
village in order to be near her. His
absence having been reported by the
school authorities, Hatchway was sent to
look for him. The boy was summoned
to attend his uncle, who was alarmed by
his heir's interest in a penniless girl.
Peregrine's mother grew even more spite
ful and his father disowned him for his
youthful folly. Indignant at the parents*
harsh treatment of their son, the com
modore sent Peregrine to Oxford to con
tinue his studies. There he encountered
Emilia again and renewed his courtship.
Because he hoped to make a good match
for his nephew, the commodore attempted
to end the affair by sending Peregrine on
a tour of the continent. Aware of his
uncle's purpose in sending him abroad,
Peregrine visited Emilia before his de
parture and vowed eternal devotion.
Shortly thereafter, warned by the com
modore that his reckless behavior would
lead only to disaster, Peregrine set out
for France. Faithful Pipes went with
him as his servant and he was also ac
companied by a mentor who was sup
posed to keep a check on Peregrine's be
havior. All efforts in that direction were
fmidess. Peregrine had barely set foot
on French soil before he made gallant
advances to Mrs. Hombeck, the wife of
a traveling Englishman. In Paris he
encountered the lady again and eloped
with her, an escapade that ended when
the British ambassador intervened to send
the kdy back to her husband. On one
occasion Peregrine was imprisoned by
the city guard. At another time he fought
a duel with a musketeer as the result of
an amorous adventure. He quarreled
with a nobleman at a masked ball and
was sent to the Bastille in company with
an artist friend. After Pipes had dis
covered his whereabouts and had se
cured his release, Peregrine was ordered
to leave France within three days.
On his way back to England, Pere
grine became embroiled with a knight of
Malta, quarreled with Pipes, and was
captivated by a lady he met in a carriage.
Shortly afterward he lost his carriage
companion and resumed his earlier affair
with Mrs. Hornbeck. Her husband in
terposed and once more Peregrine was
thrown into prison. After his release the
travelers proceeded to Antwerp and from
there to England. His uncle, who still
retained his affection for his wayward
nephew, received him with great joy.
On his return Peregrine called on
Emilia, whom he found indifferent to
his attentions. He wasted no time in
pining over a lost love but continued to
disport himself in London and Bath, until
he was called home by the final illness
of his uncle. The old commodore was
buried according to his own directions
and he was remembered with great affec
tion and respect by his nephew. To
Peregrine his uncle willed a fortune of
thirty thousand pounds and his house.
After a vain attempt to reach a friendly
understanding with his parents, Pere
grine left the house to the tenancy of
Hatchway and returned to London.
As a handsome, wealthy young bach
elor, he indulged in extravagance and
dissipation of aU kinds. After exaggerated
reports of his wealth had been circulated,
he was pursued by matchmaking mothers
whose efforts merely amused him but
whose designs gave him entrance into
the houses of the fashionable and the
great.
Meeting Emilia again, he began the
same campaign to "win her that had been
successful with his other light and casual
loves. Disappointed in his attempts to
seduce her, he took advantage of the
confusion attending a masquerade ball
to try to overcome her by force. He was
vigorously repulsed, and her uncle denied
him the privilege of seeing Emilia again.
He became the friend of a notorious
lady of quality who gave him a copy of
her memoirs. The woman was Lady
Vane, whose affairs with many lovers
had created a great scandal in London.
Peregrine had a friend named CadwaL
lader who assumed the character of a
733
fortune-teller and magician. In that way
Peregrine was able to learn the secrets
of the women who came to consult
Cadwallader. Having acquired a reputa
tion as a clever man and a wit, Peregrine
used his knowledge to advance his own
position.
Grizzle Trunnion died and Peregrine
attended her funeral . On the road he
met a vulgar young female beggar whom
he dressed in fashionable clothes and
taught a set of polite phrases. It amused
him to introduce the girl into his own
fashionable world. When his contemptu
ous joke was at last exposed, he lost many
of his fine friends.
Peregrine now decided to retrench.
He cut down his foolish expenses and
made loans at a good rate of interest.
He was persuaded to stand for Parlia
ment This decision was taken after he
had met Emilia at her sister's wedding
and he had begged the sister to inter
cede for him. But his political venture
cost more money than he had expected.
Having lost the election, he was for the
first rime in his life faced with the need
for mature reflection on himself and his
world.
His affairs went from bad to worse.
A mortgage that he held proved worth
less. A friend for whom he had en
dorsed a note defaulted. Reduced at last
to complete ruin, he tried to earn money
by writing translations and satires. He
was again thrown into jail after the pub
lication of a satire directed against an
influential politician.
His old friends, Hatchway and Pipes,
remained loyal to him in his adversity.
Each brought his savings to the Fleet
prison and offered them to Peregrine,
but he refused to accept their aid. It was
his intention to earn money for his re
lease by his writing or else starve in the
attempt.
About that time Emilia's brother, Cap
tain Gaundet, learned that he had been
promoted to his rank largely through
Peregrine's sendees in the days of his
prosperity. Discovering Peregrine's plight,
he set about to relieve his benefactor.
Peregrine had an unexpected bit of luck
when one of his debtors returned a loan
of seven hundred pounds. Emilia, hav
ing inherited ten thousand pounds, of
fered the money and her hand to Pere
grine. Touched by her generosity and
forgiveness, he reluctantly refused to
burden her with his debts and degrada
tion.
Peregrine was saved at last by the
death of his father, who died intestate.
Legal heir to his father's fortune, he
was able to leave Fleet prison and take
immediate possession of his estate. Hav
ing settled an allowance upon his mother,
who had gone to live in another part
of the country, Peregrine hastened to
ask for Emilias hand in marriage. With
his bride he settled down to lead the life
of a country squire.
PERSUASION
Type of work- Novel
Author: Jane Austen Cl/75-1817)
Type of plot: Comedy of manners
"lime, of 'plot: Early nineteenth century
Locale: Somersetshire and Bath, England
First published: 1818
Principal characters:
Sra. WALTER ELLIOT, owner of Kellynch Hall
ELIZABETH ELLIOT, his oldest daughter
ANNE ELLIOT, his second daughter
JMARY MUSGROVE, his youngest daughter
CHARLES MUSGROVE, her husband
HENRIETTA, and
734
LOUISA, Charles Musgrove's sisters
CAPTAIN FREDERICK WENTWORTH, a naval officer
MRS. CLAY, Elizabeth. Elliot's friend
WILLIAM ELLIOT, Sir Walter's cousin; heir to Kellynch Hall
Persuasion may be called an autumnal
novel. It is Jane Austen's last work, and
the tone is mellow. Even the satire is
gender than in her other works. Anne
Elliot is Jane Austen's sweetest heroine.
The book has a certain melancholy
throughout, even though the final out
come is a happy one.
The Story:
Sir Walter Elliot, a conceited man,
vain of both his good looks and his tide,
lived at his countryseat, Kellynch Hall,
with two of his daughters, Elizabeth and
Anne. Elizabeth, handsome and much
like her father, was the oldest and her
father's favorite. Anne, sweet, self-ef
facing, and quiedy intelligent, was ig
nored, neglected, and underrated by
both. Mary, the youngest daughter, was
married to an agreeable young man
named Charles Musgrove, and lived in
an untidy house at Uppercross, three
miles from Kellynch Hall.
Living beyond his means had brought
financial disaster upon Sir Walter, and
on the advice of his solicitor and of a
family friend, Lady Russell, he was per
suaded to rent Kellynch Hall and take a
smaller house in Bath. Anne would have
preferred to take a modest house near
home, but as usual her father and sister
had their way in the matter.
Reluctandy, Sir Walter let his be
loved countryseat to Admiral and Mrs.
Croft. Mrs. Croft was the sister of a
former suitor of Anne, Captain Frederick
Wentworth of the navy. Anne and Cap
tain Wentworth had fallen in love when
they were both very young, but the
match had been discouraged. Anne's
father felt that the young man's family
was not good enough for his own and
Lady Russell considered the engagement
unwise because Captain Wentworth had
no financial means beyond his navy pay.
Also, she did not like or understand Cap
tain Wentworth. Anne had followed
their advice and broken the engagement.
But it had been poor advice, for Went
worth had advanced and had become
rich in the navy, just as he had said he
would. Anne, at twenty-seven, had not
forgotten her love at nineteen. No one
else had taken Captain Wentworth's
place in her affection.
With all arrangements completed for
the renting of Kellynch Hall, Sir Walter,
Elizabeth, and her friend, Mrs. Clay,
were off to Bath. Before they departed,
Anne warned Elizabeth that Mrs. Clay's
was not a disinterested friendship, and
that she was scheming to marry Sir
Walter if she could. Elizabeth would
not believe such an idea, nor would she
agree to dismiss Mrs. Clay.
Anne was to divide her time between
her married sister, Mary Musgrove, and
Lady Russell until Christmas. Mary and
her family lived also near her husband's
father and mother and their two daugh
ters, Henrietta and Louisa. During her
visit to the Musgroves, Anne met Cap
tain Wentworth again, while he was
staying with his sister at Kellynch Hall.
She found him litde changed by eight
years.
The Musgroves at once took the Crofts
and Captain Wentworth into their circle,
and the captain and Anne met frequendy.
He was coldly polite to Anne, but his
attentions to the Musgrove sisters were
such as to start Mary matchmaking. She,
could not decide, however, whether he
preferred Henrietta or Louisa. When
Louisa encouraged Henrietta to resume a
former romance with a cousin, Charles
Hayter, it seemed plain that Louisa was
destined for Captain Wentworth.
The likelihood of such a match was
increased when, during a visit to friends
of Captain Wentworth at Lyme Regis,
735
Louisa suffered an injury while the cap
tain was assisting her to jump down a
steep flight of steps. The accident was
not his fault, for he had cautioned Louisa
against jumping, but he blamed himself
for not refusing her firmly. Louisa was
taken to the home of Captain Went-
worth's friends, Captain and Mrs. Har-
ville, and Captain Benwick. Anne, quiet,
practical, and capable during the emer
gency, had the pleasure of knowing that
Captain Wentworth relied on her strength
and good judgment, but she felt certain
of a match between him and the slowly
recovering Louisa.
Anne reluctantly joined her family
and the designing Mrs, Clay at Bath. She
was surprised to find that they were gkd
to see her. After showing her the house,
they told her the news — mainly about
how much in demand they were, and
about a cousin, Mr. William Elliot, who
had suddenly appeared to make his peace
with the family. Mr. William Elliot
was the heir to Sir Walter's title and
estate, but he had fallen out with the
family years before because he did not
marry Elizabeth as Sir Walter and Eliza
beth felt he should have. Also, he had
affronted Sir Walter's pride by speaking
disrespectfully of his Kellynch connec
tions.
Now, however, these matters were ex
plained away, and both Sir Walter and
Elizabeth were charmed with him.. Anne,
who had seen Mr. Elliot at Lyme Regis,
wondered why he chose to renew a
relationship so long neglected. She
thought it might be that he was think
ing of marrying Elizabeth, now that his
first wife was dead; Lady Russell thought
Anne was the attraction.
About that time news came of Louisa
Musgrove's engagement to Captain ben-
wick. Joy, surprise, and a hope that Cap
tain Wentworth had lost his partiality for
Louisa were mingled in Anne's first re
action. Shortly after she had heard the
news, Captain Wentworth arrived in
Bath. After a few meetings Anne knew
that he had not forgotten her. She also
had the pleasure of knowing that he was
jealous of Mr. Elliot. His jealousy was
groundless.
Even if Anne had felt any inclina
tion to become Lady Elliot, the ambition
would have been short-lived, for Mr.
Elliot's true character now came to light.
Anne learned from a former schoolmate,
who had been friendly with Mr. Elliot
before he basely ruined her husband, that
his first design in renewing acquaintance
with Sir Walter's family was to prevent
Sir Walter from marrying Mrs. Clay and
thus having a son who would inherit the
title and estate. Later, when he met
Anne, he had been genuinely attracted
to her. This information was not news
to Anne, since Mr. Elliot had proposed
to her at a concert the night before. She,
of course, gave him no encouragement.
Her patience in waiting for Captain
Wentworth was soon to be rewarded.
Convinced that Anne still loved him as
he did her, he poured out his heart to
her in a letter, and all was settled happily
between them. Both Musgrove girls were
also married shortly afterward. Neither
of their husbands was as rich as Anne's,
much to Mary's satisfaction. Mrs. Clay,
sacrificing ambition for love, left Bath
with Mr. William Elliot, and went to
live under his protection in London. Per
haps she hoped some day to be Ladj
Elliot, though as the wife of a different
baronet.
PETER IBBETSON
Type of i&ork; No^el
Author: George du Maurier (1834-1896)
Type of plot: Historical romance
Time of plot: Mid-nineteenth century
Locale: France and England
First published: 1891
736
Principal characters:
PETER IBBETSON, a confessed murderer
COLONEL IBBETSON, his guardian
A.IIMSY SERASKTER, his dearest friend; later the Duchess of Towers
MR. LJNTOT, his employer
MBS. DEANE, a widow
Critique:
Peter Ibbetson has become a minor
classic in its particular field. It is a story
composed of the elements of love, friend
ship, and kindness, but they are so mixed
that we have a completely new plot. It
is difficult to be sure of the author's
purpose in writing this story. Certainly
it was not to question the creation or
eternity. Perhaps it was merely to show
what might be possible if the world
would " dream true." The story has been
dramatized both for the stage and motion
pictures, and it is also the subject of a
popular opera.
The Story:
(After his death in a criminal lunatic
asylum, Peter Ibbetson's autobiography
was given to his cousin, Madge Plunket,
who arranged for the publication of the
manuscript. Through her efforts the
strange and beautiful story was pre
served.)
Peter Pasquier moved from England to
Paris when he was five years old. His
father was a dreamy-eyed inventor, his
mother a soft-spoken woman devoted to
her family. During his childhood Peter
had many friends, but the dearest were
Mimsy Seraskier and her beautiful
mother, who lived nearby. Mimsy was a
delicate, shy child, as plain as her mother
was beautiful. She and Peter were in
separable friends, making up their own
code language so that no one could in
trude on their secret talks.
When Peter was twelve years old, his
father was killed in an explosion, and his
mother died giving birth to a stillborn
child less than a week kter. His mother's
cousin, Colonel Ibbetson, came from
England to take Peter home with him.
Peter wept when he took leave of his
friends, and Mimsy was so ill from her
grief that she could not even tell hiro
goodbye.
Colonel Ibbetson gave Peter his name,
and he became Peter Ibbetson. The colo
nel sent him to school, where he spent
six years. Events at the school touched
him very little, as he spent most of his
time dreaming of his old life in Paris.
When he left school, Peter spent some
time with Colonel Ibbetson. The colonel's
only request was that Peter become a
gentleman, but Peter began to doubt that
the colonel himself fitted the description.
He learned that Colonel Ibbetson had a
very poor reputation among his acquaint
ances, due largely to his vanity and gal
lantry. His latest victim was Mrs. Deane,
a woman he had mined with malicious
lies. The colonel seemed also to derive
great pleasure from telling scandalous
tales about everyone he knew, and Peter
grew to hate him for this habit. After a
time he ran away to London and joined
the cavalry for a year. Following his term
in the army, he was apprenticed to Mr.
Lintot, an architect whom he had met
through Colonel Ibbetson. He took
rooms in Pentonville and there began a
new chapter in his life.
He worked industriously for Mr. Lin-
tot and achieved some success, but his
outer life was lonely and dull. The only
real joy he found was in the arts, and of
these only music inspired him deeply. He
saved carefully that he might occasionally
attend a concert. His nightly dreams were
still of his childhood in Paris and of
Mimsy, but his dreams were becoming
blurred.
Viewing with skepticism the belief in
a creator and a life after death, Peter be
lieved man would have to work back to
the very beginning of time before he
could understand anything about a deity.
737
He believed it was possible to go back,
if only he knew the way. His ideas on
gin were unorthodox, for to Peter the
only real sin was cruelty to the mind or
body of any living thing.
During this period of his life his only
acquaintances were the friends of Mr.
and Mrs. Lintot, for Peter was a shy
young man, too much concerned with his
speculations and dreams for social gaiety.
At one party, however, he saw a great
lady who was to be his guiding star for
the rest of his life. He was told she was
the Duchess of Towers, and although he
was not presented to her, he saw her look
ing at HTP in a strange manner, almost
as if she found his a familiar face.
Some time after his first sight of the
Duchess of Towers, Peter revisited Paris,
where he found his old home and those
of his friends replaced with modern bun
galows. The only news he had of his
old friends was that Madame Seraskier
had died and Mimsy and her father had
left Paris many years ago. He returned
to his hotel that night, exhausted emo
tionally from the disappointments of the
day.
But that night his real and true inner
life began, for he learned how to dream
true. When he fell asleep, the events
of the day passed before him in distorted
fashion. He found himself surrounded
by demon dwarfs. As he tried to escape
them, he looked up and saw standing be
fore him the Duchess of Towers. She took
his hand and told him he was not dream
ing true, and then a strange thing hap
pened.
He was transported back to the happy
days of his childhood, and he saw him
self as he was then. But at the same
time he retained his present identity. He
was two people at the same time, his
adult self looking at his child self. The
duchess told liim he could always trans
port himself into any scene he had ex
perienced if he would only dream true.
To do this he must lie on his back with
his arms over his head, and as he went
to sleep he must never cease thinking of
the place he wanted to be in his dreams.
Also, he must never forget in his dream
who and where he was when awake; in
this way his dream would be tied to
reality. She had learned the trick from
her father and could revisit any place she
chose.
When he awoke, he knew that at last
one of his greatest desires had come true;
he had looked into the mind of the
duchess. But the matter puzzled him, for
he had always thought such a fusion
would be possible only between two
people who knew and loved each other.
The duchess was a stranger to him.
He returned to Pentonville and out
wardly resumed his normal life. But his
inner self was his real life, and he mas
tered the art of dreaming true and re
living any experience he wished. He
visited with his mother and Mimsy fre
quently in his dreams, and his life was
no longer bleak and lonely.
One day he again met the Duchess of
Towers in his outer life. Then he dis
covered why she had been in his true
dream. She was Mimsy, grown and mar
ried to a famous duke. She had had the
same dream as he when she had rescued
him from the dwarfs, and she too had
been unable to understand why a
stranger had invaded her dreams.
Although he did not again meet the
grown Mimsy in his dreams, Peter saw
the child Mimsy almost every night So
his life went along without interruption
until he met Mrs. Gregory, formerly Mrs.
Deane, whom Colonel Ibbetson had tried
to ruin with slander. She told him that
Colonel Ibbetson had told her and many
others that he was Peter's real father.
The recorded marriage and birth dates
proved he was lying; the story was
another product of the colonel's cruel
mind. Peter was so enraged he went to
the colonel's house to force an apology.
The two men fought, and Peter in his
fury struck blindly at Colonel Ibbetson
and killed him.
Peter was tried and sentenced to be
hanged for the murder of his uncle.
738
While he was in prison, the grown
Mimsy came into his dream again and
told him his sentence had been changed
to life imprisonment because of the cir
cumstances under which the murder had
been committed. She promised Peter she
would continue to come to him in his
dreams and thus they would spend the
rest of their lives together.
Peter in his prison cell was the hap
piest man in England. Attendants were
land to him during the day, and at night
he \vas with Mimsy. At last they learned
they were distant cousins, and then they
discovered that they could project them
selves into the past through the character
of any of their direct ancestors. Either of
them, not both at once, could become any
ancestor he chose, and thus they relived
scenes in history which had occurred
hundreds of years before. They went back
to the days when monsters roamed the
earth and might have gone back to the
beginning of time, but Mimsy died.
She came back to Peter seven times
after she had died, urging him to con
tinue his search for the beginning of time.
She could come to him now only because
he was the other half of her soul. She
asked him to write down his method and
to urge others to follow him, and she gave
him some books in their secret code, tell
ing him of things she had learned.
But before he could begin to write
the secrets she told him, he died in his
cell, and his cousin, Madge Plunket, felt
that she would remember until her own
death the look of happiness and peace
upon his face.
PETER WHIFFLE
Type of work: Novel
Author: Carl Van Vechten (1880- )
Type of plot: Simulated biography
time of plot: 1907-1919
Locale: New York, Paris, Italy
First published: 1922
Principal characters:
PETER WHIFFLE, a would-be writer
CARL VAN VECHTKN", his friend
EDITH DALE, friend of Peter and Carl
MAHALAH WIGGINS, Peter's friend
Critique:
A first reading of Peter Whiffle may
leave the impression that here is an
ordinary biographical novel of a pseudo-
sophisticated young man who did not
know what he wanted from life. But
there is more to the story than that.
Peter Whiffle learned, before he died,
that not everyone is meant to accomplish
great things, that some are meant to en
joy and appreciate the work of others.
To tell his readers this fact was ap
parently Van Vechten's motive for writ
ing the story.
The Story:
Carl Van Vechten saw Peter Whiffle
for the first time in Paris, in the spring.
They were both young. Carl was naive
and unworldly; Peter was sophisticated
and knowing. Theirs was a strange
friendship. Often they did not see one
another for several years. But Carl knew
that he was one of the few people whom
Peter called his friend. They had spent
many enjoyable hours in Paris that
spring and together had seen all the
famous places of which they had read.
Peter wanted to write, and at that point
PETER WHIFFLE by Carl Van Vechtea. By permission of the author and the publishers, Alfred A. Knopf,
Inc. Copyright, 1922, by Alfred A. Knopf, Inc.
739
in his life he thought that subject was
unimportant, that style and form were
the only important things. In fact, it
was his plan to write a hook containing
nothing but lists of Things. When he
wrote, he used colored papers to express
his moods.
After that spring in Paris, six years
passed before Carl saw Peter again. Carl
was back in New York at the time, and
while walking in the Bowery one night
he met Peter. He hardly recognized his
friend when he saw Peter in rags, un
shaven and unkempt. Carl learned that
the rags were only another phase of
Peter's life, for Peter was a rich man.
After he had learned Peter's history, Carl
began to understand him better.
Peter Whiffle, the son of a banker, was
bom and raised in Toledo, Ohio. From
infancy, Peter found it almost impossible
to make decisions. Whether to do this or
that was a problem that he could seldom
solve, and so, preferring inactivity to de
cision, he usually did nothing. But there
was one thing about which he knew his
own mind. He hated work in any form.
When Peter could no longer stand his
work in his father's bank, he left home
and went to New York. There he often
slept in the park and went for days with
out food. He took a few odd jobs in
order not to starve. He lived in this
fashion until his mother's brother died
and left him a fortune. On the night he
learned of his inheritance he decided to
become a writer. A few days later he
left for Paris.
When they met in New York,
Carl learned from Peter that al
though he was still a wealthy man he
had joined a group of Socialists and with
them was plotting an American revolu
tion against capitalism. He was full of
plans to barricade the rich in their homes
and starve them to death, or bomb them,
or hang them. Carl was not much dis
turbed, for he recognized this idea as
another stage in Peter's life. When Carl
asked Peter about his book, he learned
that Peter now believed subject, rather
than style or form, was all-important
He was planning to write about the
revolution, to have as his heroine a girl
with a clubfoot, a harelip, and a hunched
back. The book would be bloody and
dirty, for that was the way life was.
When Carl took Peter to see Edith
Dale, a woman of wealth, Peter and
Edith became friends. At Edith's house
Peter met Mahalah Wiggins, a young
girl whom he found interesting. But he
could not make up his mind whether he
wanted to marry her, and so he did
nothing. He did change his living habits,
however, and the next time Carl saw
him Peter was clean and neat in appear
ance. He still talked of the revolution,
but half-heartedly, and Carl knew an
other phase of Peter's life was almost
over.
Deciding at last to marry Mahalah,
Peter asked Carl to be his attendant.
But on the wedding day Peter sent Carl
a note saying that he could not go
through with the wedding; it was too big
a decision for him to make. Instead, Peter
went to Africa.
Four months later Carl was in Italy,
visiting Edith Dale at her villa in Flor
ence. One night, while they were din
ing in the city, they saw Peter again.
His father had died and his mother was
traveling with him. Peter told them that
he had almost died in Africa, that while
he lay at the point of death he had had
a vision. An angel from hell and an
angel from heaven had waited for him
to make up his mind about the place to
which he wanted to go when he died.
It had been a terrible moment, until he
remembered that he did not have to
make a decision; he could stay right
where he was. Then he recovered.
He had again changed his mind about
the book he planned to write. He claimed
that everything about the characters must
be put down, but he admitted that it
would be quite a task to record all emo
tions, impressions, actions, and speech.
Having sent his mother home, Peter
went to stay with Carl and Edith, The
740
days at the villa were peaceful and happy
ones, so happy, in fact, that one day
Peter told Carl that he was going to
leave the villa at once, without telling
Edith goodbye. He wanted to leave in
the midst of his happiness so that his
memory would not have one blot on it.
He could not tell Carl where he was
going because he had not yet made up
his mind.
A few months later Carl found Peter
sitting on a park bench in New York.
Peter did not want Edith to learn that
he was there, for he was in the middle
of a new experiment and Edith might
distract him. Interested in black magic,
Peter was trying to discover the mystery
of life and death. He took Carl to his
apartment and showed him his labora
tory. He also persuaded Carl to join him
in an experiment The magic brew
exploded and they woke up in the hos
pital.
Carl sustained only minor injuries and
left the hospital before Peter, who was
dangerously hurt. But Peter recovered
and returned to Toledo with his mother.
Carl did not see him again until after
the war, in 1919. By that time Peter
was very ill from some incurable disease.
He never mentioned his illness, but Carl
knew that his friend's time was not long.
One afternoon in December, while the
two friends were in Peter's apartment,
Carl learned that Peter had at last found
himself. He told Carl that his book had
never become a reality because he had
attempted to do something that he was
never intended to do. He was not meant
to be a writer or a worker — he was meant
only to appreciate and love the work of
others, the art, the literature, the ability.
He would make art greater and people
better by bestowing upon them his
appreciation and his affection. He
would never have to make a decision;
he would be himself. He told Carl
that now he was happy and that he was
a success. Then he closed his eyes. When
Carl spoke to him again, Peter WhifEh
did not answer.
PHAEDRA
Type of work: Drama
Author: Jean Baptiste Racine (1639-1699)
Type of plot: Classical tragedy
Time of plot: Remote antiquity
Locale: Troezen, in Ancient Greece
First presented: 1677
Principal characters:
THESEUS, King of Athens
PHAEDRA, his wife
HTPPOLYTDS, Theseus' son
ABICIA, an Athenian princess
Critiqtie:
Phaedra represents the classic tradition
of the French stage. In the seventeenth
century France, then at her apex, de
manded great things of her artists to
plots and themes. In whole or in part,
ancient plays and myths were constructed
into plays which adhered as closely as
possible to the classic tradition. Racine
support the glory of the armies and the stands foremost among the neo-classicists
royal house, and the writers of the period of his century.
assaulted the past in an effort to arouse
the minds of their contemporaries to past
glories and to stimulate them to greater
efforts. The vast storehouse of classic
legends became the source of countless
The Story:
After the death of his Amazon queen,
Theseus, slayer of the Minotaur, married
Phaedra, the young daughter of the King
741
of Crete. Phaedra, seeing in her stepson,
Hippolytus, all the bravery and virtue of
Ms heroic father, but in more youthful
guise, fell in love with him. In an at
tempt to conceal her passion for the son
of Theseus, she treated him in an aloof
and spiteful manner until at last Hippoly
tus decided to leave Troezen and go in
search of his father, absent from the king
dom. To his tutor, Theramenes, he con
fided his desire to avoid both his step
mother and Aricia, an Athenian princess
who was the daughter of a family which
had opposed Theseus.
Phaedra confessed to Oenone, her
nurse, her guilty passion for Hippolytus,
saying that she merely pretended un-
kindness to him in order to hide her real
feelings.
Word came to Troezen that Theseus
was dead. Oenone talked to Phaedra in
an attempt to convince the queen that her
own son, not Hippolytus, should be
chosen as the new king of Athens. Aricia
hoped that she would be chosen to rule.
Hippolytus, a fair-minded young man,
told Aricia that he would support her for
the rule of Athens. He felt that Phaedra's
son should inherit Crete and that he him
self should remain master of Troezen.
He also admitted his love for Aricia, but
said that he feared the gods would never
allow it to be brought to completion.
When he tried to explain his intentions
to his stepmother, she in turn dropped
her pretense of hatred and distrust and
ended by betraying her love for Hippoly
tus. Shocked, he repulsed her, and she
threatened to take her own life.
The people of Athens, however, chose
Phaedra's son to rule over them, to the
disappointment of Aricia. There were
also rumors that Theseus still lived. Hip
polytus gave orders that a search be made
for his rather.
Phaedra, embarrassed by all she had
told Hippolytus, brooded over the injury
she now felt, and wished that she had
never revealed her love. Phaedra was
proud, and now her pride was hurt be
yond recovery. Unable to overcome her
passer ^owever, she decided to offer
the kingdom to Hippolytus so that she
might keep him near her. Then news
came that Theseus was returning to his
home. Oenone warned Phaedra that now
she must hide her true feeling for Hip
polytus. She even suggested to the queen
that Theseus be made to believe that
Hippolytus had tempted Phaedra to
adultery.
When Theseus returned, Pha&dra
greeted fnm with reluctance, saying that
she was no longer fit to be his wife. Hip
polytus made the situation no better by
requesting permission to leave Troezen
at once. Theseus was gready chagrined
at his homecoming.
When scheming Oenone told the long
that Hippolytus had attempted to dis
honor his stepmother, Theseus flew into
a terrific rage. Hippolytus, knowing noth
ing of the plot, was at first astonished by
his father's anger and threats. When ac
cused, he denied the charges, but The
seus refused to listen to him and banished
his son from the kingdom forever. When
Hippolytus claimed he was really in love
with Aricia, Theseus, more incensed than
ever, invoked the vengeance of Neptune
upon his son.
Aricia tried to convince Hippolytus
that he must prove his innocence, but
Hippolytus refused because he knew that
the revelation of Phaedra's passion would
be too painful for his father to bear.
The two agreed to escape together. Before
Aricia could leave the palace, however,
Theseus questioned her. Becoming sus
picious, he sent for Oenone to demand
the truth. Fearing that her plot had been
uncovered, Oenone committed suicide.
Meanwhile, as Hippolytus drove his
chariot near the seashore, Neptune sent
a horrible monster, part bull and part
dragon, which destroyed the son of The
seus.
When news of his death reached the
palace, Phaedra confessed her guilt and
drank poison. Theseus, glad to see his
guilty queen die, wished that memory of
her life might perish with her. Sorrow
fully he sought the grief-stricken Aricia
to comfort her.
742
PICKWICK PAPERS
rype of work: Novel
Author: Charles Dickens (1812-1870)
Type of plot: Comic romance
Time of plot: Nineteenth century
Locale: England
First published: 1836-1837
Principal characters:
MR. PICKWICK, founder of the Pickwick Club
MR. WINKLE,
MR. SNODGRASS, and
MR. TUPMAN, members of the club
MR, WARBLE, owner of Manor Farm
RAPHAEL WARBLE, his sister
EMILY WARBLE, his daughter
MRS. BARBELL, Mr. Pickwick's housekeeper
MR. PERKER, a lawyer
SAM WELLER, Mr. Pickwick's servant
ARABELLA ALLEN, in love with Mr. Winkle
MR. ALFREB JINGLE, a rascal
Critiqiie:
Mr. Pickwick, the lovable, generous
old gentleman of Dickens' novel, is one
of the best-known characters of fiction.
Mr. Pickwick benignly reigns over all
activities of the Pickwick Club, satisfied,
under every circumstance, that he has
helped his fellow creatures by his well-
meaning efforts. The height of this Dick-
ensian comedy, however, lies in Sam
Weller and his father. Sam's imperturb
able presence of mind and his ready wit
are indispensable to the Pickwickians.
The novel has importance beyond humor
ous incident and characterization. It is
the first novel of a literary movement to
present the life and manners of lower and
middle-class life.
The Story:
Samuel Pickwick, Esquire, was the
founder and perpetual president of the
justly famous Pickwick Club. To extend
his own researches into the quaint and
curious phenomena of life, he suggested
that he and three other Pickwickians
should make journeys to places remote
from London and report on their findings
to the stay-at-home members of the club.
The first destination decided upon was
Rochester. As Mr. Pickwick, Mr. Tracy
Tuprnan, Mr. Nathaniel Winkle, and
Mr. Augustus Snodgrass went to their
coach, they were waylaid by a rough
gang of cab drivers. Fortunately the men
were rescued by a stranger who was
poorly dressed but of a magnificently
friendly nature. The stranger, who intro
duced himself as Alfred Jingle, appeared
to be going to Rochester also, and the
party mounted the coach together.
After they had arrived at their destina
tion, Mr. Tupman's curiosity was aroused
when Mr. Jingle told him that there was
to be a ball at the inn that very evening
and that many lovely young ladies would
be present. Because his luggage had gone
astray, said Mr. Jingle, he had no eve
ning clothes and so it would be impossi
ble for him to attend the affair. This was
a regrettable circumstance because he had
hoped to introduce Mr. Tupman to the
many young ladies of wealth and fashion
who would be present. Eager to meet
these young ladies, Mr. Tupman bor
rowed Mr. Winkle's suit for the stranger.
At the ball Mr. Jingle observed a doctor
in faithful attendance upon a middle-
aged lady. Attracting her attention, he
danced with her, much to the anger of
the doctor. Introducing himself as Dr.
Slammer, the angry gentleman challenged
Mr. Jingle to a duel.
743
The next morning a servant, identify
ing Mr. Winkle from the description
given of the suit the stranger had worn,
told Mr. Winkle that an insolent drunken
man had insulted Dr. Slammer the pre
vious evening and that the doctor was
awaiting his appearance to fight a duel.
Mr. Winkle had been drunk the night
before, and he decided he was being
called out because he had conducted him
self in an unseemly manner which he
could no longer remember. With Mr.
Snodgrass as his second, Mr. Winkle
tremblingly approached the battlefield.
Much to his relief, Dr. Slammer roared
that he was the wrong man. After much
misunderstanding, the situation was satis
factorily explained and no blood was shed.
During the afternoon the travelers
attended a parade, where they met Mr.
Wardle in a coach with his two daughters
and his sister, Miss Rachael Wardle, a
plump old maid. Mr. Tupman, being
quite taken with the elder Miss Wardle,
accepted for his friends Mr. Wardle's in
vitation to visit his estate, Manor Farm.
The next day the four Pickwickians de
parted for the farm, which was a distance
of about ten miles from the inn where
they were staying. Having difficulties
with their horses, they arrived at Manor
Farm in a disheveled state, but they were
soon washed and mended under the kind
assistance of Mr. Wardle's daughters. In
the evening they played a hearty game
of whist, and Mr. Tupman squeezed Miss
Wardle's hand under the table.
The next day Mr. Wardle took his
guests rook hunting. Mr. Winkle, who
would not admit himself unable to cope
with any situation, was given the gun to
try his skill. He proved it by accidentally
shooting Mr. Tupman in the arm. Miss
Wardle offered her aid to the stricken
man. Observing that their friend was in
good hands, the others went off to a
aeighboring town to watch the cricket
matches. There Mr. Pickwick unexpect
edly encountered Mr. Jingle, and Mr.
Wardle invited the fellow to return to
Manor Farm with his party.
Convinced that Miss Wardle had a
great deal of money, Mr. Jingle misrepre
sented Mr. Tupman's intentions to Miss
Wardle and persuaded the spinster to
elope with him. Mr. Wardle and Mr.
Pickwick pursued the couple to London.
There, with the assistance of Mr.
Wardle's lawyer, Mr. Perker, they went
from one inn to another in an attempt
to find the elopers. Finally, through a
sharp-featured young man cleaning boots
in the yard of the White Hart Inn, they
were able to identify Mr. Jingle. They
indignantly confronted him as he was
displaying a marriage license. After a
heated argument, Mr. Jingle resigned his
matrimonial designs for the sum of one
hundred and twenty pounds. Miss
Wardle went tearfully back to Manor
Farm. The Pickwickians returned to
London, where Mr. Pickwick engaged as
his servant Sam Weller, the sharp, shrewd
young bootblack of the White Hart Inn.
Mr. Pickwick was destined to meet the
villainous Mr. Jingle soon again. A Mrs.
Leo Hunter invited the learned man and
his friends to a party. There Mr. Pick
wick spied Mr. Jingle, who, upon seeing
his former acquaintance, disappeared into
the crowd. Mrs. Hunter told Mr. Pick
wick that Mr. Jingle lived at Bury St.
Edmonds. Mr. Pickwick set out in pur
suit in company with his servant, Sam
Weller, for the old gentleman was deter
mined to deter the scoundrel from any
fresh deceptions he might be planning.
At the inn where Mr. Jingle was re
ported to be staying, Mr. Pickwick
learned that the rascal was planning to
elope with a rich young lady who stayed
at a boarding-school nearby. Mr. Pick
wick fell in with the suggestion that in
order to rescue the young lady he should
hide in the garden from which Mr. Jingle
was planning to steal her. When Mr.
Pickwick sneaked into the garden, he
found nothing of a suspicious nature; in
short, he had been deceived, and the
blackguard had escaped.
Mr. Pickwick had for housekeeper
Mrs. Bardell, a widow. When he was
744
about to hire Sam Weller, Mr. Pickwick
had spoken to her In such a manner that
she had mistaken his words for a pro
posal of marriage. One day Mr. Pick
wick was resting in his rooms when he
received notice from the legal firm of
Dodgson and Fogg that Mrs. Bardell was
suing him for breach of promise. The
summons was distressing, but first Mr.
Pickwick had more important business
to occupy his time. After securing the
services of Mr. Perker to defend him, he
went to Ipswich upon learning that Mr.
Jingle had been seen in that vicinity.
The trip to Ipswich was successful. The
Pickwickians were able to catch Mr.
Jingle in his latest scheme of deception
and to expose him before he had carried
out his plot.
At the trial for the breach of promise
suit brought by Mrs. Bardell, lawyers
Dodgson and Fogg argued so eloquently
against Mr. Pickwick that the jury fined
him seven hundred and fifty pounds.
When the trial was over, Mr. Pickwick
told Dodgson and Fogg that even if they
put him in prison he would never pay
one cent of the damages, since he knew
as well as they that there had been no
true grounds for suit.
The Pickwickians shortly afterward
went to Bath, where fresh adventures
awaited Mr. Pickwick and his friends.
On that occasion Mr. Winkle's weakness
for the fair sex involved them in difficul
ties. In Bath the Pickwickians met two
young medical students, Mr. Allen and
Mr. Bob Sawyer. Mr. Allen hoped to
marry his sister, Arabella, to his friend,
Mr. Sawyer, but Miss Allen professed ex
treme dislike for her brother's choice.
When Mr. Winkle learned that Ara
bella had refused Mr. Sawyer because
another had won her heart, he felt that
he must be the fortunate man because
she had displayed an interest in him
when they had met earlier at Manor Farm.
Kindly Mr. Pickwick arranged to have
Mr. Winkle meet Arabella in a garden,
where the distraught lover could plead
his suit.
Mr. Pickwick's plans to further his
friend's romance were interrupted, how
ever, by a subpoena delivered because he
had refused to pay money to Mrs. BardelL
Still stubbornly refusing to pay the dam
ages, Mr. Pickwick found himself re
turned to London and lodged in Fleet
Street prison. With the help of Sam
Weller, Mr. Pickwick arranged his prison
quarters as comfortably as possible and
remained deaf to the entreaties of Sam
Weller or Mr. Perker, who thought that
he should pay his debt and regain his
freedom. Dodgson and Fogg proved to
be of lower caliber than even Mr. Pick
wick had suspected. They had taken
Mrs. BaidelTs case without fee, gambling
on Mr. Pickwick's payment to cover the
costs of the case. When they saw no
payment forthcoming, they had Mrs.
Bardell arrested also and sent to the Fleet
Street prison.
While Mr. Pickwick was trying to
decide what to do, Mr. Winkle with his
new wife, Arabella, came to the prison
and asked Mr. Pickwick to pay his debts
so that he could visit Mr. Allen with the
news of Mr. Winkle's marriage to Ara
bella. Arabella herself felt that Mr.
Pickwick was the only person who could
arrange a proper reconcilliation between
her brother and her new husband. Kind
ness prevailed; Mr. Pickwick paid the
damages to Mrs. Bardell so that he would
be free to help his friends in distress.
Winning Mr. Allen's approval of the
match was not difficult for Mr. Pickwick,
but when he approached the elder Mr.
Winkle, the bridegroom's father objected
to the marriage and threatened to cut off
his son without a cent. To add to Mr.
Pickwick's problems, Mr. Wardle came
to London to tell him that his daughter
Emily was in love with Mr. Snodgrass
and to ask Mr. Pickwick's advice. Mr.
Wardle had brought Emily to London
with him.
The entire party came together in Ara
bella's apartment. All misunderstandings
happily ended for the two lovers, and a
jolly party followed. The elder Mr.
745
Winkle paid a call on his new daughter-
in-law. Upon seeing what a charming
and lovely girl she was, he relented his
decision to disinherit his son, and the
family was reconciled.
After Mr, Snodgrass had married Emily
Wardle, Mr. Pickwick dissolved the Pick
wick Club and retired to a home in the
country, with his faithful servant, Sam
Weller. Several times Mr. Pickwick was
called upon to be a godfather to little
Winkles and Snodgrasses, but for the
most part he led a quiet life, respected by
his neighbors and loved by all his friends.
THE PICTURE OF DORIAN GRAY
Type of work: Novel
Author: Oscar Wilde (1856-1900)
Type of plot: Fantasy
Time of plot: Late nineteenth century
Locale: England
First published: 1891
Principal characters:
DORIAN GRAY, a Faustian young man
LORD HENRY WOTTON, ids tempter
BASEL HAJLLWARD, an artist
SIBYL VANE, an actress
JAMES VANE, her brother
Critique:
The Picture of Dorian Gray is defi
nitely a period piece, but the central idea
of the story is so typical of its author
and the elements of the plot are so care
fully worked out that the novel is sure
to attract readers for many years to come.
Wilde has written that there is no such
thing as a moral or unmoral book, that a
book can be judged only as it is well
written or badly written. The Picture
of Dorian Gray should be judged with
this statement in mind.
The Story:
One day, in his London studio, Basil
Hall ward was putting a few last finishing
touches on a portrait of his handsome
young friend, Dorian Gray. Lord Henry
Wotton, a caller, indolently watched the
painter at work. In reply to his friend's
admiration for the painting, the artist
explained that Dorian was his ideal of
youth. For this reason he asked Lord
Henry never to meet Dorian because the
older man's influence on the boy would
be absolute and eviL
While they were talking, Dorian him
self came to the studio, and he and Lord
Henry met, much against Hallward's
wishes. Half seriously, half jokingly, Sir
Henry began to exert his influence on
Dorian. Hallward signed the portrait and
announced it was finished. When Lord
Henry offered to buy the picture, the
painter said it was not his property, that
it belonged to Dorian, to whom he was
presenting it. Looking at his portrait,
after listening to Lord Henry's witty con
versation, Dorian grew sad. He would
become old and wrinkled, he said, while
the picture would remain the same. He
wished, instead, that the portrait might
grow old while he remained forever
young. He said he would give his soul
to keep his youth.
Dorian and Lord Henry became close
friends. One of the gifts Lord Henry
gave the boy was a book about a young
man who attempted to realize in his brief
lifetime all the passions of man's history.
Dorian made the book a pattern for his
own life, and the first lesson from its
pages was the lesson of love. In a third-
rate theater he saw Sibyl Vane, a young
THE PICTURE OF DORIAN GRAY by Oscar Wilde. Published by The Viking Frew. lac.
746
actress who played the role of Juliet with
such sincerity and charm that he fell in
love with her on the spot. After he had
met her, Dorian dreamed of taking her
away from the cheap theatrical troupe
and making her a great actress who would
thrill the world. One night he took Lord
Henry to watch her performance. That
night Sibyl was listless and wooden, so
uninspired in her acting that the audi
ence hissed her. When Dorian went to
her dressing-room after the final curtain,
she explained that before meeting him she
had thought acting her only reality. Now,
she said, Dorian's love had taught her
what reality actually was, and she could
no longer act. Dorian coldly and cruelly
told her she had killed his love and he
never intended to see her again.
In the meantime, HaUward had de
livered the painting to Dorian. When the
voung mart returned to his home after
the theater that night he saw that the
appearance of his portrait had changed.
There was a new, faint line of cruelty
about the mouth. Looking at his own
features in a mirror, he found no such
line on his own lips. His wish had evi
dently been granted. He would remain
young and untouched — the portrait
would take on an appearance of experi
ence and age.
Disturbed, he resolved to reform, to
see no more of Lord Henry, to ask Sibyl
Vane's forgiveness and marry her. Ac
cordingly, he wrote her a passionate
letter declaring his love. Before he could
post the letter, however, Lord Henry
visited him the next morning, bringing
the news that Sibyl had killed herself in
her dressing-room the night before.
After his friend had gone, forgetting
all his good resolutions Dorian decided
on a life of sensation and pleasure. The
portrait only was to bear the burden of
his shame. That night he attended the
opera with Lord Henry. The next day,
when Basil HaUward attempted to reason
with him over scandalous reports begin
ning to circulate, Dorian refused to show
any emotion over Sibyl's suicide. His
part in her tragic story would never be
revealed, for she had known him only as
Prince Charming. Before he left, Hall-
ward asked to see his painting. Dorian
refused to show it. In sudden rage, he
shouted that he never wished to see Hall-
ward again. Later he hung the portrait
in an old schoolroom upstairs, locked the
door, and put the key where only he
could find it
London continued to gossip about the
friendship of Lord Henry and Dorian
Gray. The young man was suspected of
strange vices, and gentlemen walked out
of their club rooms when he entered
them. He was invited to fewer balls and
parties at country houses. Many of his
former friends refused to recognize him
when they met. It was reported he had
been seen in low dives with drunken
sailors and thieves. Meanwhile Dorian's
features did not change; only the portrait
reflected his life of crime and debauchery.
For Dorian's life, like that of the hero in
the book Lord Henry had given him, be
came a frenzied quest for fresh experi
ences and new sensations. In turn, he
became interested in religious rituals,
perfumes, music, jewels. He frequented
opium dens. He had sordid affairs with
women. His features in the portrait be
came the terrible record of his life.
On the eve of Dorian's thirty-eighth
birthday, Basil HaUward visited him
again. Though the two had been
estranged for years, HaUward came in a
last attempt to persuade Dorian to change
his dissolute ways. He was still unable
to believe many of the stories he had
heard about Dorian. With a bitter laugh,
Dorian said that HaUward should see
what he had truly become. He took Hall-
ward to the schoolroom and unveiled the
portrait. The artist was horrified, for only
by signature could he identify his own
handiwork. In anger that he had be
trayed his true self to his former friend,
Dorian seized a knife which lay nearby
and stabbed Hallward in the neck and
back.
Dorian relocked the door and went
747
down to the drawing-room. Because Hall-
ward had intended to leave for Paris that
night, Dorian knew the painter would
not be missed for some time. Removal of
the hody, he decided, was not enough.
He wanted it completely destroyed. Sud
denly he thought of Alan Campbell, a
young chemist who had once been his
intimate. By threatening the young sci
entist with exposure for some secret crime,
Dorian forced Campbell to destroy the
body with fire and chemicals. After that
night, the hands of the portrait were
smeared with blood.
Late one night, commonly dressed,
Dorian visited an opium den. As he was
leaving the place, a drunken woman ad
dressed him as Prince Charming. A sailor
followed him out. The sailor was James
Vane, Sibyl's brother, who had sworn
revenge on his sister's betrayer. The
sailor would have killed Dorian but for
the fact that he looked so young. Sibyl
had committed suicide eighteen years be
fore, grid Dorian seemed no more than
twenty years old. When Vane, convinced
that Dorian could not have known his
sister, returned to the den, the woman
told him that Dorian Gray had mined
her many years before, and that he had
not changed in appearance since then.
Some time later, at his country home,
Dorian saw James Vane watching him
outside a window. During a hunt on the
estate Vane was accidentally shot and
killed. In the meantime, Alan Campbell
had committed suicide under strange cir
cumstances, and Basil Hallward's disap
pearance was being investigated.
Back in London, Dorian, having de
cided to destroy the picture which stood
as an awful record of his guilt, went to
the old schoolroom. The portrait now
had an appearance of cunning and tri
umph. Using the knife with which he
had murdered Basil Hallward, Dorian
stabbed the frightful portrait. The serv
ants in the house heard a horrible cry of
agony. When they forced open the locked
door of the room, they found, hanging on
the wall, a fine portrait of their master
as he had always looked. On the floor
was a dead body, withered, wrinkled, in
evening dress, with a knife in its breast.
Only by his jewelry did they recognize
Dorian Gray, who, in his desperate at
tempt to kill his conscience, had killed
himself.
THE PILGRIM'S PROGRESS
Type of work: Novel
Author: John Bunyan (1628-1688)
Type of plot: Religious allegory
Time 'of plot: Any time since Christ
Locale: Anywhere
First published: 1678
Principal characters:
CHRISTIAN
FAITHFUL
HOPEFUL
MR. WORLDLY WISEMAN
EVANGELIST
DESPAIR
IGNORANCE
APOLLYON, a giant devil
Critique:
This famous story of man's progress
through life to heaven or hell has often
been rated next to the Bible in importance
remains one of the most pleasing alle
gories of the Christian way ever written.
Bunyan, an early Puritan, wished to write
as a Christian document. In any case, it a book which would be popular with the
748
common people as well as with intellec
tuals. His characters are more than simple
symbols; they are real people. The story
can be read as a symbolic narrative, a
picaresque romance, and a realistic novel.
The Story:
One day, according to Bunyan, he lay
down in a den to sleep, and in his sleep
dreamed that he saw a man standing in
a field and crying out in pain and sor
row because he and his whole family as
well as the town in which they lived were
to be destroyed. Christian, for that was
his name, knew of this catastrophe be
cause he had read about it in the book he
held in his hands, the Bible. Evangelist,
the preacher of Christianity, soon came
up to Christian and presented him with
a roll of paper on which it was written
that he should flee from the wrath of God
and make his way from the City of De
struction to the City of Zion. Running
home with this hope of salvation, Chris
tian tried to get his neighbors and family
to go away with him, but they would not
listen and thought he was either sick
or mad. Finally, shutting his ears to his
family's entreaties to stay with them, he
ran off toward the light in the distance.
Under the light he knew he would find
the wicket gate which opened into Heav
en.
On his way he met Pliant and Obsti
nate, who so distracted Christian that he
fell in a bog called the Slough of
Despond. He could not get out because
of the bundle of sins on his back. Finally
Help came along and aided Christian out
of the sticky mire. Going on his way,
he soon fell in with Mr. Worldly Wise
man, who tried to convince Christian he
would lead a happier life if he gave up
his trip toward the light and settled down
to the comforts of a burdenless town life.
Fearing that Christian was about to be
led astray, Evangelist came up to the
two men and quickly showed the errors
in Mr. Worldly Wiseman's arguments.
Soon Christian arrived at a closed gate
where he met Good-Will, who told him
that if he knocked the gate would be
opened to him. Christian did so. In
vited into the gatekeeper's house by the
Interpreter, he learned from him the
meaning of many of the Christian mys
teries. He was shown pictures of Christ
and Passion and Patience; Despair in
a cage of iron bars; and finally a vision
of the Day of Judgment, when evil men
will be sent to the bottomless pit and
good men will be carried up to Heaven.
Having seen these things, Christian was
filled with both hope and fear. Contin
uing on his journey, he came to the Holy
Cross and the Sepulchre of Christ. There
his burden of sins fell off, and he was
able to take to the road with renewed
vigor.
Soon he met Sloth, Simple, Presump
tion, Formalism, and Hypocrisy, but he
kept to his way and they kept to theirs.
Later Christian lay down to sleep for a
while. When he went on again, he for
got to pick up the roll of paper Evan
gelist had given him. Remembering it
later, he ran back to find it. Running
to make up the time lost, he suddenly
found himself confronted by two lions.
He was afraid to pass by them until the
porter of the house by the side of the
road told him that the lions were chained,
and that he had nothing to fear. The
porter then asked Christian to come into
the house. There he was well-treated
and shown some of the relics of Biblical
antiquity by four virgins, Discretion,
Prudence, Piety, and Charity. They gave
him good advice and sent him on his
journey armed with the sword and shield
of Christian faith.
In the Valley of Humiliation, Christian
was forced to fight the giant devil, Apol-
lyon, whose body was covered with the
shiny scales of pride. In this battle Chris
tian was wounded, but after he had
chased away the devil, he healed his
wounds with leaves from the Tree of
Life which grew nearby. After the Valley
of Humiliation came the Valley of the
Shadow of Death in which Christian had
to pass one of the gates to Hell. In order
749
to save himself from die devils who issued
out of that terrible hole, he recited some
of the verses from the Psalms.
Having passed through this danger, he
had to go by the caves of the old giants,
Pope and Pagan, and when he had done
so he caught up with a fellow traveler,
Faithful. As the two companions went
along, they met Evangelist, who warned
them of the dangers in the town of Vanity
Fair.
Vanity Fair was a town of ancient
foundation which since the beginning of
time had tried to lure men away from the
path to Heaven. Here all the vanities of
the world were sold, and the people who
dwelt there were cruel and stupid and
had no love for travelers such as Christian
and Faithful. Having learned these
things, the two companions promised to
be careful and went on down into the
town. There they were arrested and tried
because they would buy none of the
town's goods. Faithful was sentenced to
be burned alive and Christian was put
in prison. When Faithful died in the
fire, a chariot came down from Heaven
and took him up to God. Christian es
caped from the prison. Accompanied by
a young man named Hopeful, who had
been impressed by Faithful's reward, he
set off once more.
They passed through the Valley of
Ease, where they were tempted to dig in
a silver mine free to all. As they left
the valley, they saw the pillar of salt
which had once been Lot's wife. Becom
ing lost, they were captured by a giant,
Despair, who lived in Doubting Castle,
and were locked in the vaults beneath
the castle walls. There they lay until
Christian remembered he had a key called
Promise in his pocket, and with this they
escaped from the prison.
They met the four sheperds, Knowl
edge, Experience, Watchful, and Sincere,
who showed them the Celestial Gate and
warned them of the paths to Hell. Then
the two pilgrims passed by the Valley of
Conceit, where they were met by Ignor
ance and other men who had not kept to
the straight and narrow path. They
passed on to the country of Beulah. Far
off they saw the gates of the city of
Heaven glistening with pearls and pre
cious stones. Thinking that all their
troubles were behind them, they lay
down to rest.
When they went on toward the city,
they came to the River of Death. They
entered the river and began to wade
through the water. Soon Christian be
came afraid, and the more afraid he
became the deeper the waters rolled.
Hopeful shouted to him to have hope and
faith. Cheered by these words, Christian
became less afraid, the water became less
deep, and finally they both got across
safely. They ran up the hill toward
Heaven. Shining angels led them through
the gates.
THE PILOT
Type of work: Novel
Author: James Fenimore Cooper (1789-1851)
Type of plot: Historical romance
Time of plot: Revolutionary Wax
Locale: Northeastern coast of England
First published: 1823
Principal characters:
LT. RICHARD BARNSTABLE, commander of the Ariel
MR. EDWARD GRIFFITH, an officer aboard an American frigate
LONG TOM COFFIN, coxswain of the Ariel
MR. MERRY, a midshipman
MR. GRAY, the pilot, in reality John Paul Jones
COLONEL HOWARD, a Tory
KATHERTNE PLOWDEN, his niece
750
CECILIA HOWARD, another niece of Colonel Howard
CAPTAIN MANUAL, an officer of the Marine Corps
CAPTAIN BORROUGHCLIFFE, a British officer
CHRISTOPHER DILLON, kinsman of Colonel Howard
ALICE DUNSCOMBE, friend of Katherine and Cecilia
Critique:
While a number of earlier poems and
stories had presented fragmentary pic
tures of seafaring life and some details
of the handling of ships, it was not until
1823, when Cooper's sea romance ap
peared, that the first genuine sea novel
was published. For the technical ma
terial of his story Cooper drew upon his
six years of service in the United States
Navy. Since the time of its publication
the novel has been popular with readers
of many lands and all ages. While Cooper
never names the pilot whose activities
give the novel its tide, it is generally
understood that the unknown seaman
was John Paul Jones.
The Story:
Toward the close of a bleak wintry
day during the American Revolution, a
small schooner and a frigate sailed through
shoal waters off the northeastern coast of
England and anchored in a small bay be
neath some towering cliffs. As darkness
settled, a whaleboat was put ashore from
the schooner Ariel. The boat was in
charge of the Ariel's commander, Lieu
tenant Richard Barnstable, who had been
ordered to make a landing near the cliffs
and bring off a pilot known only as Mr.
Gray.
With the aid of a weather-beaten old
Nantucket whaler, Long Tom Coffin,
Barnstable climbed the cliff and there
met his mysterious passenger, a man of
middle height and sparing speech. Be
fore he had completed his mission, how
ever, he also encountered Katherine Plow-
den, his fiancee, who gave him a letter
and a signal book. The girl was staying
temporarily at the St. Ruth's Abbey
manor house, the home of her uncle,
Colonel Howard, a wealthy South Caro
lina Tory who had fled from America at
the outbreak of the war^ From her Bam-
stable learned that another niece, Cecilia
Howard, and her friend, Alice Duns-
combe, were also guests at the abbey,
Cecilia was in love with Lieutenant Ed
ward Griffith, first officer aboard the
frigate. Alice Dunscombe was reported
to be in love with the mysterious pilot,
but she refused to many him because she
was completely Loyalist in her sympa
thies.
Darkness had fallen by the time the
pilot had been put aboard the deck of
the frigate, and a storm was rising. Cap
tain Munson of the frigate alone knew
the pilot's identity, a secret concealed
from everyone else aboard the ship and
its escort, the Ariel. Captain Munson,
seeing the pilot by the light of the battle-
lanterns on deck, thought him greatly
changed in appearance since their last
meeting.
As the storm rose, the pilot guided the
frigate safely through dangerous, wind-
lashed shoal waters and cut to open sea.
At sunrise the frigate signaled the Ariel
and ordered Barnstable to go aboard the
larger ship for a council of war. There
plans were made to harass the English
by sending landing parties ashore to raid
the mansions and estates of the gentry in
the neighborhood.
Barnstable wanted these expeditions to
serve another purpose, for he hoped to
rescue Katherine Plowden and Cecilia
Howard from the abbey, where they lived
unhappily with Colonel Howard, their
uncle and guardian.
Meanwhile, at the abbey, Colonel
Howard was holding a conference with
Christopher Dillon, a kinsman, and Cap
tain Borroughcliffe, a British officer in
charge of a small detachment of troops
stationed at the abbey. Dillon, an im
poverished gentleman, hoped to marry,
with the colonel's approval, one of his
751
wealthy cousins. The three men dis
cussed the progress of the American Revo
lution, other political questions, and the
piracies of John Paul Jones. They agreed
that extra precautions should be taken,
for there were rumors that Jones himself
had been seen in the neighborhood.
That night Griffith and the pilot, ac
companied by a Marine Corps captain
named Manual, went ashore on a scout
ing expedition. Because of Griffith's im
prudent conduct, they were seen and
seized. When a sentry reported the ar
rest of strange seamen lurking in the
neighborhood, Captain Borroughcliffe
ordered them brought to the abbey for
examination.
On their arrival at the abbey the pris
oners would say only that they were
seamen out of employment, a suspicious
circumstance in itself. When the seamen
offered no further information of any
consequence, they were imprisoned to
await Borroughcliffe's pleasure. Kather-
ine and Cecilia bribed the sentry on duty
and obtained permission to visit the pris
oners. They recognized Griffith in dis
guise. Alice Dunscombe also went to
visit the pilot, whom she recognized.
After drinking too much wine at dinner,
Borroughcliffe began to interview the
men and in his intoxicated condition un
wittingly helped them to escape.
Believing that the men had come from
a ship lying offshore, Dillon mounted a
horse and rode to a neighboring bay,
where the war cutter Alacrity lay at an
chor. Alarmed at the possible presence
*jf an American ship in the neighborhood,
*he cutter put out to sea, with Dillon
*\mong its volunteer crew. Barnstable and
Long Tom Coffin, waiting in the Ariel's
whaleboat, engaged the cutter in a furi
ous battle that ended when Coffin pinned
the captain of the cutter to the mast with
his whaler's harpoon. Dillon was among
the prisoners taken. Frightened, he
offered to return to the abbey and, in
ceturn for his own freedom, secure the
release of the Americans held there.
After their escape, the pilot left Grif
fith and Manual, who rejoined a party of
marines that had remained in hiding
while their captain went with Griffith
and the pilot to reconnoiter the abbey.
Attacked by Borroughcliffe and his troops,
the marines were surrounded. Griffith
was recaptured and Manual was forced
to surrender.
Trusting Dillon's word of honor, Barn-
stable had sent Long Tom Coffin with
Dillon to the abbey to arrange for the
transfer of prisoners. But Dillon, dis
honoring his parole, had Coffin held pris
oner while he and Borroughcliffe planned
to trap Barnstable and his men. When
Borroughcliffe boasted of his intentions,
Coffin made a surprise attack upon him
and seized and bound the British officer.
He then followed Dillon to the apart
ments of Katherine and Cecilia and there
took Dillon prisoner. He succeeded in
fitting Dillon aboard the Ariel as a
ritish battery on the shore opened fire
on the schooner. A lucky shot wrecked
her mainmast as the schooner put out
to sea, where a heavy storm completed
the Ariel's destruction.
Before the schooner sank, Barnstable, a
true captain, decided to go down with
his ship, and he ordered Mr. Merry, a
midshipman, to take charge of the crew
and lower the boats. Coffin threw Barn-
stable overboard and in this manner saved
his commander's life. The ship went
down with Coffin and Dillon aboard.
When Dillon's body was later washed up
by the sea, Barnstable ordered his burial.
Shortly afterward Mr. Merry appeared
at the abbey in the disguise of a peddler.
Barnstable himself signaled by means of
flags to Katherine, using signals from
the code book which she had given him.
Later they met secretly and laid plans
for surprising the abbey and the soldiers
who guarded it. Borroughcliffe had wind
of the plot, however, and Barnstable
walked into Borroughcliffe's ambush. But
at this juncture the pilot arrived with a
party of marines from the frigate and
made prisoners of the Tories and the
British.
752
Later Griffith released Borroughcliffe
and his soldiers because Borroughciiffe
had behaved in an honorable manner
toward his prisoners. There was a final
interview between Alice Dunscornbe and
the pilot. During their talk she addressed
him as John and said that if she should
speak his real name the whole country
side would ring with it. The pilot insisted
that he would continue his activities for
the cause of patriotism, regardless of the
unsavory reputation it might gain for him
in England. Colonel Howard and his
two nieces were taken aboard the frigate
for the return voyage to America.
But the American ship was not yet out
of danger. The next morning a man-of-
war broke through the morning mists, her
decks cleared for action. There was tre
mendous activity aboard the frigate in
preparation for the battle, and the women
were taken below for safety as the Eng
lish ship of the line blazed a three-tiered
broadside at the American vessel. One
shot struck Captain Munson and cut him
down. Griffith, who now knew the pilot's
identity begged for permission to reveal
it to the crew, to encourage them in the
fight, but the pilot refused. Meanwhile
the British ship had been reinforced by
two others, but the Americans were lucky
enough to disable the smallest of their
attackers. Then, as the other ships closed
in upon the battered American ship, the
pilot took the wheel and daringly guided
her through the shoal waters that only he
knew well. Out-maneuvered, the pursu
ing British ships dropped behind.
Colonel Howard, wounded during the
engagement, lived long enough to see
his nieces married by the ship's chaplain
to their lovers. He died insisting that he
was too old to change his politics and
blessing the king.
The frigate sailed to Holland, where
the pilot was put ashore. To all but
Griffith, among those who watched his
small boat dwindling to a speck against
the horizon, his identity remained a mys
tery.
THE PIONEERS
Type, of work: Novel
Author: James Fenimore Cooper (1789-1851)
Type of plot: Historical romance
Time of plot: 1793
Locale: New York State
First published: 1823
Principal characters:
JUDGE TEMPLE, a frontier landowner
ELIZABETH TEMPLE, his daughter
NATTY BUMPPO, an old hunter, sometimes called Leatherstocking
OLIVER EDWARDS, in reality Edward Oliver Effingham, Natty *s young friend
LSTDIAN JOHN, Natty 's Indian companion
HTBAM DOOLTTTLE, a local magistrate
Critique:
The Pioneers, or The Sources of the
Susquehanna was the first of the Leather-
stocking Tales written by Cooper. A
romantic story of life in upstate New
York ten years after the Revolutionary
War, it has historical importance as the
first true romance of die frontier in
American literature. The novel is filled
with scenes of hunting and trapping life,
the description of Templeton being
drawn from Cooper's memories of his
own boyhood in Cooperstown. Although
romantic in effect, the novel presents
with considerable realism the character
of Natty Bumppo, the old hunter and
frontiersman. His fate and the death of
Indian John point to the tragedy of the
Indian and the wilderness scout; neither
had a place in the life of a developed
frontier.
753
Hie Story:
On a cold December day in 1793,
Judge Temple and his daughter Elizabeth
vpere traveling by sleigh through a snow-
covered tract of wilderness near the set-
dement of Templeton. Elizabeth, who
had been away from her home attending
a female seminary, was now returning to
preside over her father's household in the
community in which he had been a pio
neer settler after the Revolutionary War.
Hearing the baying of hounds, the judge
decided that Leatherstocking, an old
hunter, had started game in the hills, and
he ordered his coachman to stop the sleigh
so he could have a shot at the deer if
it came in his direction. A few minutes
later, as a great buck leaped into the
road, the judge fired both barrels of his
fowling piece at the animal, but appar
ently without effect. Then a third report
and a fourth were heard, and the buck
dropped dead in a snowbank.
At the same time Natty Bumppo, the
old hunter, and a young companion ap
peared from the woodland. The judge
insisted that he had shot the buck, but
Leatherstocking, by accounting for all the
shots fired, proved the judge could not
have killed the animal. The argument
ended when the young stranger revealed
that he had been wounded by one of the
shots fired by the judge. Elizabeth and
her father then insisted that he accom
pany them into the village in their sleigh,
so he could have his wound dressed as
soon as possible.
The young man got into the sleigh
with obvious reluctance and said little
during the drive. In a short time the
party arrived at the Temple mansion,
where his wound was treated. In answer
to the judge's questions, he gave his name
as Oliver Edwards. His manner remained
distant and reserved. After he had de
parted, a servant in the Temple home re
ported that Edwards had appeared three
weeks before in the company of old
Leatherstocking and that he lived in a
nearby cabin with the hunter and an
Indian known as Indian John.
Judge Temple, wishing to make
amends for having accidentally wounded
Edwards, offered him a position as his
secretary. When Elizabeth added her
own entreaties to those of her father,
Edwards finally accepted the judge's offer,
with the understanding that he would be
free to terminate his employment at any
time. For a while he attended faithfully
and earnestly to his duties in Judge
Temple's mansion during the day, but
his nights he spent in Leatherstocking's
cabin. So much secrecy surrounded his
comings and goings, and the reserve of
Leatherstocking and his Indian friend,
that Richard Jones, the sheriff and a
kinsman of the judge, became suspicious.
Among other things, he wondered why
Natty always kept his cabin closed and
never allowed anyone except the Indian
and Edwards to enter it. Jones and some
others decided that Natty had discovered
a mine and was working it. Jones also
suspected that Edwards was an Indian
half-breed, his father a Delaware chief.
Hiram Doolittle, the local magistrate,
prowled around the shack and set free the
dogs guarding it. In the meantime Eliza
beth and Louisa Grant, the minister's
daughter, went walking in the woods.
There they were attacked by a savage
panther and were saved only by the
timely arrival of Leatherstocking, who
shot the animal. But Natty had also shot
a deer, in defiance of Judge Temple's
strict game laws. With the charge that
the old hunter had killed a deer out of
season as his pretext, Doolittle persuaded
Judge Temple to sign a warrant so that
the magistrate could gain entrance to the
cabin and search it. Jones was more con
vinced than ever that Leatherstocking
was secretly smelting ore he had mined.
But when Doolittle went to the cabin,
Leatherstocking, rifle in hand, refused
him entrance. Then the magistrate at
tempted to force his way over the thresh
old, but the old hunter seized him and
threw him twenty feet down an embank
ment. As the result of his treatment of
754
an officer, Leatherstocking was arrested.
Found guilty, he was given a month's
jail sentence, a fine, and placed in the
stocks for a few hours. When Elizabeth
went to see what assistance she could
give the humiliated old woodsman, she
learned he was planning to escape. Ed
wards, who had given up his position
with the judge, was planning to flee with
his aged friend; he had provided a cart
in which to carry the old hunter to safety.
Elizabeth promised to meet Leatherstock
ing the following day on the top of a
nearby mountain and to bring with her
a can of gunpowder he needed.
The next day Elizabeth and her friend
Louisa started out on their expedition to
meet Leatherstocking. On the way Louisa
changed her mind and turned back, de
claring that she dared not walk unpro
tected through the woods where they
had lately been menaced by a panther.
Elizabeth went on alone until she came
to a clearing in which she found old
Indian John, now dressed in the war
costume and feathers of a great Mohican
chief. When she stopped to speak to the
Indian, she suddenly became aware of
dense clouds of smoke drifting across the
clearing and discovered that the whole
mountainside was ablaze. At that mo
ment Edwards appeared, followed by
Leatherstocking, who led them to a cave
in the side of the mountain. There the
old Indian died of exhaustion, and Eliza
beth learned that he had been in earlier
days Chingachgook, a great and noble
warrior of the Mohican tribe.
When danger of the fire had passed,
Edwards conducted Elizabeth down the
mountainside until she was within hear
ing of a party of men who were looking
for her. Before they parted, Edwards
promised he would soon reveal his true
identity.
The next day the sheriff led a posse
up the mountain in search of Leather-
stocking and those who had aided him in
his escape from jail. Leatherstocking was
again prepared to defend with his rifle the
cave to which he had taken Elizabeth
the day before, but Edwards declared
that the time had now come to let the
truth be known. He and Natty brought
from the depths of the cave an old man
seated in a chair. The stranger's face was
grave and dignified, but his vacant eyes
showed that his mind was gone. Edwards
announced that the old man was really
the owner of the property on which they
stood. Judge Temple interrupted with
a shout of surprise and greeted the old
man as Major Effingham.
The young man told his story. His
name, he said, was Edward Oliver Effing-
ham, and he was the grandson of the old
man who sat before them. His own father
had been, before the Revolutionary War,
a close friend of Judge Temple. They
had gone into business together, but the
outbreak of the war found them on oppo
site sides during the struggle. Judge
Temple had some money entrusted to
him by his friend, money which actually
belonged to his friend's father, but when
he received no reply to letters he wrote
to the Effinghams he at last decided that
all the family had been lost in a ship
wreck off Nova Scotia. The money he
had invested in his own enterprises.
The judge had never met Major Effing-
ham; he would not have recognized him
if he had seen the helpless old man who
had for years been hidden in the cabin
on the outskirts of Templeton. During
those years he was nursed faithfully by
Leatherstocking and his Indian friend;
by Leatherstocking because he had served
with the major on the frontier years
before, by Indian John because the major
was an adopted member of the Mohican
tribe.
Judge Temple ordered that the old
man be carried to the Temple mansion
at once, where he would receive the best
of care. Old Major Effingham thought
himself back home once more, and his
eyes gleamed with joy. He died, happy
and well cared for, soon afterward.
Edward Effingham also explained his
belief that Judge Temple had stolen his
father's property and the money left in
755
trust years before. In his resentment he
iad come to Ternpleton to assist his
grandfather and regain in some manner
the property which he believed Judge
Temple had unrightfully possessed. Now
the judge xvas happy to return that part
of the property which belonged to the
Effinghams, and there was a reconcilia
tion between the t\vo men. As it turned
out, however, the property stayed in the
family, for Elizabeth and Edward Effing-
ham were married within a short time.
Elizabeth and Edward Ernngham
wanted to build a new cabin for Leather-
atocking, but the old hunter refused their
offer. He intended to go off into the
woods to hunt and trap in the free wil
derness until he died. Settlements and
towns were not for him. He would not
listen to their pleas but set out soon after
ward on his long journey, pausing only
long enough to view the stone tablet on
Indian John's grave, a monument Edward
Ernngham had erected. Then he trudged
off toward the woods, his long rifle over
his shoulder. Elizabeth and her husband
watched him go. Tears were in their
eyes as they waved a last farewell to the
old hunter just before he disappeared
into the forest.
THE PIT
Type of work: Novel
Author: Frank Morris (1870-1902)
Type of ?lot: Naturalism
Time of plot: 1890's
Locale: Chicago
First published: 1903
Principal characters:
CURTIS JADWTN, a speculator in wheat
LAURA DEARBORN, later his wife
SHELDON CORTHEJLL, an artist in love with Laura
MR. AND MRS. CRESS LER, friends of the Jadwins
GRETRY, Jadwin's broker
Critique;
The Pit, A Story of Chicago, is an
exciting story about the Board of Trade
in Chicago and a man who for a time
cornered the wheat market of the world.
Norris, who intended to write a trilogy
about wheat, completed the first two
books. The second novel of the planned
trilogy, The Pit tells how wheat is bought
and sold on the Board of Trade. Along
with the interest in the financial ex
plorations of the novel, there is presented
a moving love story of two strong but
very human characters.
The Story:
From the first evening that Laura
Dearborn met Curtis Jadwin she knew
that she interested him. She had attended
the opera with her sister Page and her
Aunt Wess, as the guests of some very-
old friends, the Cresslers. Jadwin had
also been a guest that evening, and she
found the marked attention which he
paid her so flattering that she listened
only absently to avowals of love from
her old and devoted suitor, Sheldon Cor-
thell. Corthell was an artist. The life of
the capitalist who made and broke for
tunes and human lives from the floor of
the Board of Trade seemed to Laura
more romantic than painting.
The next day Mrs. Cressler told Laura
part of Jadwin's story. He had been bom
into a poor family, had worked to educate
himself. When, in default of a loan, he
gained possession of some land in Chi
cago, he sold it, bought more real estate,
and by shrewd dealings now owned a
THE PIT by Frank Norris. By permission of the publishers, Doubleday & Co., Inc. Copyright, 1903, by
Doubleday & Co., Inc. Renewed, 1930, by Jeaanette Preston.
756
portion of one of the wealthiest sections
of real estate in Chicago. He was also
speculating in the wheat market, and
he was a familiar figure on the floor of
the Board of Trade.
Jadwin, stopping by the Board of
Trade one morning in answer to the
summons of his broker, Gretry, paused
in the Pit — the huge room downstairs
in which all the bidding took place — to
watch the frenzied excitement of bidders
and sellers. Gretry had advance informa
tion that in a few days the French gov
ernment would introduce a bill placing
heavy import duties on all foreign goods.
When this news became widespread, the
price of wheat would drop considerably.
Gretry urged Jadwin to sell his shares
at once and Jadwin agreed.
The deal was a tremendous success.
Jadwin pocketed a large profit. The
Cresslers tried to persuade Jadwin to stop
his speculating. Mr. Cressler had almost
ruined himself at one time through his
gambling with wheat, and he feared
that the same thing might eventually
happen to his friend.
But Jadwin was too much interested
in Laura to pay attention to the warning
or even to hear the words of his friends.
One evening at the Cresslers he asked
Laura to marry him. Laura, in a capri
cious mood, said that although she loved
no one as yet she might some day come
to love him. She had given Sheldon
Corthell the same encouragement. That
night, ashamed of her coquetry, she wrote
to both men telling them that she did not
love either, and that if they were to con
tinue friends they must never speak of
love to her again. Corthell accepted her
refusal and left for Europe. Jadwin came
to call on Laura while she was out and
refused to leave until he had spoken to
her. He was successful in his suit and
they were married in July.
The early years of their marriage were
completely happy. Their home was a
mansion, exquisitely furnished and with
beautiful grounds. At first Laura found
it difficult to adjust herself to her lux
urious surroundings, but as time passed
she found great pleasure in satisfying her
interest in art, decorating her home, and
entertaining her friends.
Jadwin, caught up once more in the
excitement of the Pit, invested all his
money in successful speculative enter
prises. For some time he had aligned
himself with the bears in the wheat
market. But now, as he saw that the
country was becoming more prosperous
and the wheat crops were increasing, he
decided to change to the side of the
bulls. He resolved to buy as much wheat
as he could and, if possible, to corner the
market. Luck was with him. One year,
when European crops were very poor,
Jadwin bought a tremendous amount of
wheat at a low price and determined to
hold it until he could ask his own price.
Laura was worried by his constant at
tendance at the Board of Trade, and he
promised to give up speculating as soon
as he concluded an important deal.
One evening Laura had dinner with
Sheldon Corthell, who had returned from
Europe. Late that night Jadwin came
home with the announcement that the
deal had been concluded and that he had
cleared five hundred thousand dollars.
He kept his promise to give up speculat
ing in the Pit, but within a short time
he grew resdess. He began again to try
his luck in the wheat market.
Because he kept his activities hidden
from the public, he was spoken of as
the unknown bull. After he had pur
chased as much wheat as he could, it
suddenly became evident that he was in
a position to corner the world's wheat
and name his own price. Cressler, mean
time, had been drawn into speculation
by the group of bears who were certain
that they could break the unknown bulL
He had no idea that the bull was his own
friend, Jadwin.
Weeks went by while Laura saw hei
husband only at breakfast. He spent
his days and many of his nights at the
board. Laura, lonely and unhappy, be
gan to see more and more of CorthelL
757
Corthell, still in love with Laura, finally
declared his feelings to her. Laura was
kind in hex dismissal, but she still loved
her husband.
In cornering the market, Jadwin had
risen upon a wave of power and pros
perity. But he began to have strange,
irritating headaches which he attempted
to ignore, just as he disregarded his
moods of loneliness and depression.
Mrs. Cressler confided that her own
husband was not well. She invited Laura
to call on her one afternoon. When
Laura arrived, Mrs. Cressler was not yet
home. She wandered into the library
and saw Mr. Cressler sitting there. He
had shot himself through the temple.
Jadwin was horrified when he real
ized that Cressler had lost all his money
in speculation with the bears, and he
felt that he was responsible for his
friend's death. But Jadwin himself was
in a tight spot. Having forced the price
of wheat to a new high, he was now
faced by the necessity of cornering a
bumper crop in addition to the millions
of bushels he already owned. His enemies
were waiting for the time when the un
known bull could buy no more wheat
At that moment the price would drop
considerably. Jadwin put every penny
he owned into his attempt to keep wheat
cornered, but he wras defeated by the
wheat itself. The grain flowed in, mil
lions of bushels at a time. Almost out
of his mind, he bought and bought, and
still the wheat harvest continued. He no
longer controlled the market. He was
ruined.
He walked into his home one night
a broken man. Laura nursed him through
days and nights of illness. When he was
well enough, the two set out for the
West to begin life again. Although they
had lost their money, the Jadwins were
much happier than they had been for
many years.
THE PLAYBOY OF THE WESTERN WORLD
Type of work: Drama
Author: John Millmgton Synge (1871-1909)
Ty^e of 'plot: Realistic comedy
Time of 'plot: Early twentieth century
Locale: County Alayo, Ireland
First presented: 1907
PmicifjaZ characters:
CHRISTOPHER MAHON, a braggart
OLD MAHON, his father
MARGARET FT.AHP.RTY (PEGEEN MIKE), his sweetheart
WIDOW QUEST, a vilkger
SHAWN KEOGH, a young farmer in love with Pegeen
Critique:
This play is the most outstanding of
John MlHngton Synge's Irish dramas,
and in it Synge has used the beautiful
lyrical Irish language to the finest effect.
The Playboy of the Western World is
tender, ironical, and humorous drama.
The Story:
One evening a young -man arrived at
a small inn on the •wild Mayo coast of
Ireland and announced that he had run
away from home. He said his name was
Christopher Mahon and that he was
running away because he had killed his
father during a fight. The farmers who
were passing the time in the inn were
very much pleased by his exhibition of
courage. Christopher was especially ad
mired by Pegeen, the pretty young
daughter of Michael Flaherty, the inn-
THE PLAYBOY OF THE WESTERN WORLD by John MJHington Synge. By permission of Random
House. Inc. Published by The Modem Library, Inc. Copyright, 1935, by The Modern Library, lac.
758
keeper. She, along with the others,
pressed the young man to tell his story
over and over again.
At home Christopher had been a meek
and obedient son, domineered by his
father. He accepted the insults of his
parent until the latter tried to force him
into marrying a rich old woman. At
last, in desperation, he hit his father
over the head with a loy. Seeing the old
man fall, Christopher presumed that he
was dead.
The experience at the inn was some
thing new for Christopher, who for the
first time in his life was looked upon
as a hero. When the news of his story
spread among the villagers, they flocked
to look at this paragon of bravery. The
young women were particularly interested
in him — and the not so young as well.
Dame Quin, a middle-aged widow, was
much taken with the young taproom
hero.
But Christopher was attracted to pretty
Pegeen. He was flattered by her ad
miration, and in an attempt to live up
to her opinion of him he began to adopt
an attitude of bravado. Before long he
himself believed that he had done a
courageous deed.
Each year the village held a festival
in which the men competed with each
other in various sports. Christopher was
naturally expected to take part. His early
timidity having long since disappeared,
he made every effort to appear a hero
in the eyes of Pegeen, to whom he was
now openly betrothed. She had broken
her engagement with a young farmer,
Shawn Keogh, soon after Christopher
arrived on the scene.
While her Playboy, as Pegeen called
him, was taking part in the sports, an
old man came to the inn. He was look
ing for a young man whose description
fitted Christopher's appearance. Dame
Quin, who still had designs on the boy,
deliberately misdirected the stranger. But
when the man returned from his wild
goose chase, he arrived in time to see
Christopher hailed as a hero because he
had just won the mule race. Old Mahon,
not dead from Christopher's blow, recog
nized his son and flew into a rage. He
insisted that Christopher go home with
him, and by his angry tirade he humil
iated his son in front of the spectators.
But the Playboy had enjoyed too long
the thrill of being a hero. He did not
give in timidly as he would have done
at an earlier time. Much to his father's
astonishment, he struck the old man over
the head. Once again it appeared that
old Mahon was dead. But the reaction
of the people was not at all what Christo
pher might have expected. Killing one's
father some miles away was one thing.
Killing him in front of a number of
spectators who might be involved in the
affair was another. The people muttered
angrily among themselves, and even Peg
een joined with them in denouncing the
murderer.
Deciding at last that the only thing
to do was to hang Christopher for his
crime, they tied up the struggling young
man and prepared to lead him away. But
Old Mahon had proved himself a tough
fellow once before, and he did so again.
The first blow that Christopher had given
him had only stunned him, so that soon
after the boy ran away his father was
able to follow him to the village. Now
the second blow had merely knocked him
unconscious for a short time. As Chris
topher struggled and the noose was
slipped over his head, Mahon crawled
through the door on his hands and knees.
While the villagers stood around
dumbfounded, he walked over to his
son and quickly untied him. Far from
being angry with Christopher for hitting
him, he was pleased to discover that his
son was not the timid weakling he had
thought him to be. The two left the
inn, arm in arm, deaf to the pleas of
Pegeen, both of them jeering at the
foolishness of the people on the Mayo
coast
759
POINT COUNTER POINT
Type of work: Novel
Author: Aldous Huxley (1894- )
Type of plot: Social criticism
Time of plot: 1920's
Locale: England
First published: 1928
Principal characters:
PHILIP QUARUES, a novelist
ELINOR, Philip's wife
SIDNEY QUARLES, Philip's father
RACHEL, Philip's mother
JOHN BIDLAKE, Elinor's father
MRS. BIDLAKE, her mother
LITTLE PHILIP, Philip's and Elinor's sor
BUBLAP, editor of Literary World
BEATRICE GILRAY, his mistress
SPANPRELL, a cynic
EVERARD WEBLEY, a disciple of force
WALTER BIDLAKE, Elinor's brother
MARJORIE CARUNG, Walter's mistress
LUCY TANTAMOUNT, Walter's infatuation
Critique:
Point Counter Point contains a novel
within a novel. Within the framework
of the outer novel, Huxley places a novel
ist who observes the activities of his own
world of fictional characters and then
plots a novel that is constructed exactly
as Huxley has written Point Counter
Point. From one set of individuals to
another the focus of the novel moves,
balancing each life against its counter
point. The lives of these people repeat
the same patterns in different forms,
while Philip Quarles plots a novel based
on their lives. It is apparent that Quarles
is Huxley himself plotting Point Counter
Point. Huxley would have us believe
that the theme of this novel is one of
variations on a single theme, the struggle
of natural sexual desire and escapism
against the bond of marriage.
The Story:
John Bidlake was an artist with an
artist's temperament. He had been mar
ried three times. The first marriage had
ended in bitter resentment* The second
marriage had been idyllic for him, but
Isabelle had died two years later, leaving
her husband with a void that he had
tried to erase by pretending that he had
never known a woman named Isabelle.
His third marriage had lasted, although
John had not lived with his wife for
many years. He merely maintained a
home where he went whenever he be
came ill enough to need his wife's nurs
ing skill.
The children of his third marriage,
Walter and Elinor, had not been too
successful in their own experiments with
marriage as a social institution. Walter
had been living with a married woman
named Marprie Carling for a year and
a half, and he was growing tired of her.
Worse than his moral ties to Marjorie
was the fact that she tenaciously tried
to possess him, rejecting his proposal that
they live together as close friends, each
going his own free direction with whom
ever he pleased. Now Marjorie was go
ing to have a baby, and her whining
jealousy toward his latest infatuation,
Lucy Tantamount, was pricking Walter's
conscience. It annoyed him immensely
POINT COUNTER POINT by Aldous Huxley. By permission of the author and the publishers, Harper &
Brothers. Copyright, 1928, by Doubleday, Doran & Co., lac.
760
that he was making Marjorie unhappy by
going to a party at Tantamount House
without her.
Elinor and Philip Quarles were travel
ing abroad, having left little Philip be
hind under the care of a governess and
his grandmother, Mrs. Bidlake, Philip
was a novelist. As he traveled through
life, he jotted down in his notebook in
cidents and thoughts that might make
rich material for his next novel. His
mind was turned inward, introspective,
and his self-centered interests gave him
little time for emotional experience.
Elinor, wishing that he could love her
as much as she loved him, resigned her
self to the unhappy dilemma of being
loved as much as Philip could possibly
love any woman.
Denis Burlap, editor of the Literary
World, flattered himself with the just
conceit that although his magazine was
not a financial success, it as least con
tributed to the intellectual life of his
time. When Walter, who was one of
his chief contributors, asked for more
pay, Burlap hedged until Walter felt
ashamed of his demands. Burlap was at
tracted to Beatrice Giliay, a pathetic fig
ure who had feared the very touch of
a man ever since she had been attacked
by her uncle while riding in a taxicab.
Burlap hoped eventually to seduce Bea
trice. Meanwhile they were living to
gether.
Another significant member of this set
was Spandrell, an indolent son of a
doting mother who supported him. There
was also Everard Webley, a friend of
Elinor and an active political figure.
Philip's parents still lived together.
Sidney Quarles pretended that he was
writing a long history, but he had not
progressed far beyond the purchase of
office equipment, Rachel Quarles, as
suming the burden of managing their
affairs, endured with patience Sidney's
whims and mild flirtations. Now it was
someone in London, for Sidney made
frequent trips to the British Museum to
gather material for his history. The girl
in London with whom Sidney had been
having an affair appeared one day at
his country house and in loud and furious
language informed her paramour that she
was going to have a baby* When Mrs.
Quarles appeared, Sidney quietly left the
room. The girl threatened Rachel and
then returned to London. Later the affair
was settled quietly.
Marjorie appealed to Walter's pity
enough to cause him some degree of
anguish because of his association with
Lucy Tantamount. Lucy herself was
not much interested in Walter. Becom
ing tired of London, she went to Paris.
Elinor and Philip returned from abroad
to find little Philip faring well under the
care of his governess and his grand
mother. John Bidlake, having learned
that he was dying of cancer, had re
turned to his wife's home. He had be
come a cantankerous patient and treated
little Philip with alternate kindness and
harshness.
With Lucy in Paris, Philip had per
suaded Walter to take Marjorie to the
Quarles home in the country, in the hope
that some sort of reconciliation would
come about from this association. Rachel
Quarles began to like Marjorie, and the
pregnant woman found herself gaining
cheer under this new affection. Shortly
after she and Walter had come to the
Quarles estate, Walter received a letter
from Lucy in Paris, telling him that she
had found a new lover who had seduced
her in a shabby Parisian studio. With
her newly-acquired content, Marjorie
felt sympathetic toward Walter, who
was crestfallen at the cruel rejection he
had received from Lucy.
Everard Webley had long been in
love with Elinor. Sometimes she won
dered whether Philip would care if she
went to another man, and she decided
that it would be Philip's own fault if
she turned to Everard. She felt that a
breach was forming between herself and
Philip, but she could not seem to gain
enough attention or concern from him
to make him realize what was happening.
761
She arranged a rendezvous with Ever-
aroL
Behind the scenes of love-making and
unfaithfulness lurked the political enmity
of Spandiell and Everard. Perhaps it
was the lack of a useful purpose in his
life that allowed SpanchrelTs plan to
grow in his mind, Elinor Quarles was
home alone awaiting Everard's call when
Spandrell and a telegram arrived simul
taneously. The telegram urged Elinor
to come to her father's home, for litde
Philip was ill. Elinor asked Spandrell to
wait and tell Everard that she could not
keep her appointment with him. Span
drell agreed. When Everard arrived at
Elinor's home, Spandrell attacked him
and killed him. Spandrell lugged the
dead body into an automobile and drove
it away. Later that evening he met
Philip and told him his son was ill
Philip arrived at the Bidlake estate
the next day in time to hear the doctor
say that young Philip had meningitis.
For days Elinor stayed by the child's
side, waiting for the crisis to pass. One
night the sick boy opened his eyes and
told his parents that he was hungry.
They were overjoyed at his apparent re
covery, but later that night he died sud
denly. As they had done in the past,
Elinor and Philip escaped their unpleas
ant world by going abroad.
For a long while the Webley murder
baffled the police. Spandrell, haunted
by his own conscience, sent the police
a note which stated that Everard's mur
derer would be found at a certain ad
dress at a certain hour. On their arrival,
the police found Spandrell dead with a
letter of confession in his hands.
Burlap was the only happy man among
these sensualists and intellectuals. One
night he and Beatrice pretended they
were children and splashed merrily tak
ing their bath together. Happiness was
like misery in the modern world, it
seemed — lustful, dull, selfish.
POOR WHITE
Type of work: Novel
Author: SKerwood Anderson (1876-1941)
Type of plot: Psychological realism
Time of plot: 1880-1900
Locale: Missouri and Ohio
First published: 1920
Principal characters:
HUGH McVEY, an inventor and manufacturer
SARAH SHEPAKD, his foster mother
STEVE HUNTER, Hs partner
TOM BUTTERWORTH, his father-in-law
CLARA BOTTERWORTH, his wife
Critique:
Poor White is a significant novel, an
early study of pioneer rural America in
vaded by industrialism. It is also the
story of one man's rise from decadent,
poor white folk to a life of creation and
self-realization. Anderson graphically de
scribed, not only the growth of America,
but also the conflicts and frustrations be
tween man and the machine, a conflict
that is today one of the major problems
in our culture.
The Story:
As a young boy in Missouri, Hugh
McVey was incredibly lazy. Hour after
hour he would lie on the grass by the
river doing absolutely nothing. Not
having gone to school, he was ignorant
and his manners were rude.
When the railroad came to town, Hugh
got work sweeping the platform and do
ing odd jobs. His boss, Henry Shepard,
took an interest in him, and bought him
clothes. Soon Hugh went to live with
POOR WHITE by Sherwood Anderson. By permission of Mrs. Sherwood Anderson and her agent Harold
Ober. Copyright, 1920, by B. W. Huebsch Inc. Renewed, 1948, by Eleanor C. Anderson.
762
Henry and his wife Sarah. Sarah, who
was from New England, always preserved
her memory of quiet Eastern villages and
large industrial cities. Determined to
educate Hugh, she lavished on him the
discipline and affection she would have
given her own child.
The situation was difficult, at first,
for both of them. But Sarah Shepard was
a determined woman. She taught Hugh
to read, to write, to wonder about the
world beyond the little town. She in
stilled within him the belief that his
family had been of no account, so that
he grew to have a repulsion toward the
poor white farmers and workers. Always
she held out before him the promise of
the East, the progress and growth of
that region. Gradually, Hugh began to
win his fight against natural indolence
and to adjust himself to his new7 way of
life. When the Shepards left town, Hugh
was appointed station agent for the
railroad.
He kept the job for a year. During
that time the dream of Eastern cities
grew more and more vivid for Hugh.
He gave up his job and traveled east,
working wherever he could. Always
lonely, always apart from people, he felt
an impenetrable wall between him and
the rest of the world. He kept on,
through Illinois, Indiana, Ohio.
Hugh was twenty-three when he set
tled down in Ohio. By accident, he got
the job of a telegraph operator, just a
mile from the town of Bidwell. There
he lived alone, a familiar and puzzling
figure to the people of the town. The
rumor began to spread that he was an
inventor working on a new device. Others
suggested that he was looking over the
town for a possible factory site. But
Hugh was doing neither as yet Then
during his walks around the farmlands,
he became fascinated by the motions of
the farmers planting their seeds and their
crops. Slowly there grew in his mind
an idea for a crop-setting machine that
would save the labor of the farmers and
their families.
Steve Hunter, who had just come
back from school in Buffalo, was another
dreamer. He dreamed of being a man
ufacturer, the wealthiest in Bidwell. He
succeeded in convincing the town's im
portant people that Hugh was his man,
and that he was working on an inven
tion that would make them both rich.
He persuaded them to invest in a new
company which would build a factory
and promote Hugh's invention. Steve
went to see Hugh, who had progressed
so that the blueprint for a plant-setting
machine was complete. The two young
men came to an agreement.
The town idiot, who had skill in
woodworking, made models of the ma
chine, and the machine itself was finally
constructed in an old building carefully
guarded from the curious. When the
machine was not successful, Hugh in
vented another, his mind more and more
preoccupied with the planning of devices
and machines. A factory was then built
and many workers were hired. With
the factory, BidwelTs industrialization
began.
What was happening in Bidwell was
the same growth of industrialism that
was changing the entire structure of the
nation. It was a period of transition.
Bidwell, being a small town, felt the
effects of the new development keenly.
Workers became part of the community,
in which there had been only fanners
and merchants.
Joe WTainsworth, the harness-maker,
had invested his life-savings in Hugh's
invention, and he had lost them. An
independent man, a craftsman, he carne
to resent the factory, the very idea of
the machine. People carne into his shop
less often. They were buying machine-
made harness. Joe became a broken man.
His employee, Jim Gibson, a spiritual
bully, really ran the business, and Joe
submitted meekly.
Meanwhile, Clara Butterworth came
back to Bidwell after three years at the
university in Columbus. She too was
lonely, unhappy. When she returned,
763
she saw that the old Bidwell was gone,
that her father, Tom Butterworth, was
wealthier than before, that the growth
of the town was due primarily to one
person, Hugh McVey. A week after she
met Hugh, he walked up to the farm
and asked her to marry him. They eloped
and were married that night.
For four years they lived together in
a strange, strained relationship. During
those four years Joe Wainsworth's fury
against Steve Hunter, against the new
age of industry which had taken his
savings, increased. One day he heard
Jim Gibson brag about his hold over
his employer. That night Joe Wains-
worth killed Jim Gibson. As he fled
from the scene, he met Steve Hunter
and shot him.
Clara, Hugh, and Tom Butterworth
were retiirning from a drive in the fam
ily's first automobile when they learned
what had happened. Two men had cap
tured Joe, and when they tried to put
into the automobile to take
back to town, Joe jumped toward Hugh
and sank his fingers into his neck. It
was Clara who broke his grip upon her
husband. Somehow the incident brought
Hugh and Clara closer together.
Hugh's career as an inventor no
longer satisfied him. Joe Wainsworth's
attack had unnerved him, made him
doubt the worth of his work. It did not
matter so much if someone in Iowa had
invented a machine exactly like his, and
he did not intend to dispute the rights
of the lowan. Clara was bearing his
child, an individual who would struggle
just as he had. Clara told him of the
child one night as they stood listening
to the noises of the farm and the snor
ing of the hired hand. As they wTalked
into the house side by side, the factory
whistles blew in the night. Hugh hardly
heard them. The dark Midwestern
nights, men and women, the land itself
— the full, deep life current would go
on in spite of factories and machines.
PORGY
Typ e of work: Novel
Author: DuBose Heyward (1885-1940)
Type of plot: Regional romance
Time of 'plot: Early twentieth century
Locale: Charleston, South Carolina
First published: 1925
Principal characters:
PORGY, a crippled Negro
CROWN, a stevedore
BESS, his woman
Critique:
Porgy tells of Negroes living in a
society dominated by whites, and the
Negroes are presented as being elemental,
emotional, amoral, and occasionally vio
lent* Heyward develops in the reader a
sympathy not only for the crippled Por
gy, whose goatcart excites so much amuse
ment among the whites, but also for
Bess, who comes to live with him. Bess
honestly tries to be true to Porgy, but
she knows the weakness of her will and
beggar
fiesh when the brutal Crown touches her
or when she has had liquor or dope. The
story was dramatized in 1927 by Heyward
and his wife Dorothy. The novel was also
the basis for the opera Porgy and Bess
(1935), for which Heyward wrote the
book and, with Ira Gershwin, the lyrics.
The Story:
Porgy, a crippled Negro beggar, lived
in a brick tenement called Catfish Row,
PORGY by DuBose Heyward By permission of Mrs. DuBose Heyward, the Trustee of the estate of DuBo*e
Heyward, and uw publishers, Doublcday & Co., lac. Copyright, 1925, by Doubleday & Co., Inc. 1^UJ>OW
764
once a fine old Southern mansion in
Charleston, South Carolina. Different
from the eager, voluble beggars of his
race, Porgy sat silent day by day, acknowl
edging only by lifting his eyes the
coins dropped in his cup. No one knew
how old he was, and his large, powerful
hands were in strange contrast to his
frail body. His single vice was gambling.
T ' T.1- • - -
In a gambling session one evening in
April he witnessed the brutal murder of
Robbins by Crown, a stevedore who
thought he had been cheated.
In May Porgy made his first trip by
homemade goatcart through the city
streets, to the mocking amusement of the
white folks. The goatcart gave Porgy a
new freedom. He no longer had to stay
at one stand all day; but he could roam
at will and take in more money than
before.
In June Crown's woman, Bess, came
to live with Porgy, and the cripple be
came a new man. He seemed less an im
passive observer of life and he developed
a tender affection for children. Bess left
off her evil ways and became in truth
Porgy's woman.
On the day of the grand parade and
picnic of "The Sons and Daughters of
Repent Ye Saith the Lord," Crown came
upon Bess cutting palmetto leaves for
the picnic on Kittiwar Island. He took
her to his hut. At the end of the day
he let her return to Porgy with the
promise that in the fall, when cotton ship
ments would pro-vide stevedoring work
in Savannah, she would again be Crown's
Bess.
In September, while the <fMosquito
Fleet" was at the fishing banks, the hur
ricane flag was up over the custom
house. Jake's wife, Clara, shuddered with
fear for her husband whom she had
warned not to go out that day in his
boat, the Seagull. After an ominous calm
the hurricane struck the city. The water
of the bay, driven by the shrieking
wind, rose above the sea wall, crossed
the street, and invaded the ground
fioor of Catfish Row. Forty frightened
Negroes huddled in the great second-
story ballroom of the old mansion. Dur
ing a lull in the storm Clara saw the
wreck of her husband's boat near the
wharf. Leaving her baby with Bess,
Clara went out into the flood. A few
minutes later she was overwhelmed dur
ing a sudden return of the storm's great
fury. Bess and Porgy kept Clara's baby.
In October drays loaded with heavy
bales of cotton came rumbling down the
street. In Catfish Row there was excite
ment and happiness, for stevedoring jobs
and money would be plentiful again.
But the coming of the cotton seemed
to Porgy to portend disaster. He asked
Bess whether she was his woman 01
Crown's. His, she answered, unless
Crown put his hot hands on her again
as he did that day of the picnic. She
could not answer for herself if that hap
pened again. Porgy assured her he would
not let Crown take her away from him.
When Crown broke into their room one
midnight not long afterward, Porgy
stabbed him. Next day the body was
found in the river nearby. The police got
nowhere in their questioning of the
occupants of Catfish Row, and there was
a kind of communal sigh of relief when
the officers left without having made
any arrests. But when one of the buz
zards that had fed upon Crown's body
lighted on the parapet above Porgy's
room, the frightened little cripple felt
that doom was in store for him. The nexf
day Porgy, having been asked to identify
Crown's body at the morgue, fled in
terror in his goatcart, body pursued by
a patrol wagon full of officers. Passersby
laughed uproariously at the ridiculously
one-sided race. Porgy was caught at the
edge of town, but by the time he had
been brought downtown he was no
longer needed since another Negro had
identified the body. Crown was declared
to have come to his death at the hands
of a person or persons unknown. Porgy
was jailed for five days for contempt of
court.
When he returned from jail and found
765
Serena Robbins holding Jake's and
Clara's orphan baby, Porgy suspected the
worst. From a neighbor ne learned that
some stevedores had gotten Bess drunk
had adopted the baby. Porgy nad £01
one brief siimmer known the joys that
come to other people. Now he was just
a pitiful old man sitting sadly in a goat-
and taken her off to Savannah. Porgy cart with the morning sunlight shining
knew she would never return. Serena upon him.
THE PORTRAIT OF A LADY
Type of work: Novel
Author: Henry James (1843-1916)
Type of plot: Psychological realism
Time of plot: About 1875
Locale: England, France, Italy
First -published: 1881
Principal characters:
ISABEL ARCHER, an American heiress
GILBEKT OSMOND, her husband
RALPH TOUCHETT, her cousin
MADAME MERLE, her friend and Osmond's former mistress
PANSY OSMOND, Osmond's daughter
LORD WARBURTON, Isabel's English suitor
CASPAR GOODWOOD, Isabel's American suitor
HENRIETTA STACKPOLE, American newspaper correspondent, Isabel's friend
Critique:
With the exception of the English
Lord Warburton, The Portrait of a Lady
contains a gallery of Americans who work
out their destinies against a European
background. The influence of European
culture is seen most closely as it affects
the heroine, high-minded Isabel Archer.
By means of careful penetration into her
mental processes, the steps which lead
to her marriage with the dilettante, Gil
bert Osmond, are delineated, as well as
the consequent problems which arise
from this marriage. The novel is an ex
cellent example of the Jamesian method
of refracting life through an individual
temperament.
The Story:
Isabel Archer, upon the death of her
father, had been visited by her aunt, Mrs.
TouchetL She proved so attractive to
the older woman that Mrs. Touched: de
cided to give her the advantage of more
cosmopolitan experience, and Isabel was
quickly carried off to Europe so she might
see something of the world of culture and
fashion.
On the day the women arrived at the
Touchert home in England, Isabel's sickly
young cousin, Ralph Touchett, and his
father were taking tea in the garden with
their friend, Lord Warburton. When
Isabel appeared, Warburton had been
confessing to the two men his boredom
and his distaste for his routine existence.
The young nobleman was much taken
with the American girl's grace and lively
manner.
Isabel had barely settled at Garden-
court, her aunt's home, before she re
ceived a letter from an American friend,
Henrietta Stackpole, a newspaper woman
who was writing a series of articles on
the sights of Europe. At Ralph's invita
tion, Henrietta went to Gardencourt to
spend some time with Isabel and to ob
tain material for her writing.
Soon after Henrietta's arrival, Isabel
heard from another American friend.
Caspar Goodwood, a would-be suitor, had
followed her abroad. Learning her where
abouts from Henrietta, he wrote to ask if
he might see her. Isabel was much irked
by his aggressiveness, and she decided
not to answer his letter.
On the day she received the letter from
766
Goodwood, Lord Warburton proposed to
her. Not wishing to seem indifferent to
the honor of his proposal, she asked for
time to consider it. At last she decided
she could not marry the young English
man, for she wished to see considerably
more of the world before she married. She
was afraid that marriage to Warburton,
although he was a model of kindness and
thoughtfulness, would prove Stirling.
Because Isabel had not seen London
on her journey with Mrs. Touchett and
since it was on Henrietta Stackpole's
itinerary, the two young women, ac
companied by Ralph Touchett, went to
the capital. Henrietta quickly made the
acquaintance of a Mr. Bantling, who
undertook to squire her around. When
Caspar Goodwood visited Isabel at her
hotel, she again refused him, though his
persistence made her agree that if he still
wished to ask for her hand he might visit
her again after two years had passed.
While the party was in London a
telegram came from Gardencourt. Old
Mr. Touchett was seriously ill of the
gout, and his wife was much alarmed.
Isabel and Ralph left on the afternoon
train. Henrietta remained under the es
cort of her new friend.
During the time Mr. Touchett lay dy
ing and his family was preoccupied, Isabel
was forced to amuse herself with a new
companion. Madame Merle, an old friend
of Mrs. Touchett, had come to Garden-
court to spend a few days. She and Isabel,
thrown together a great deal, exchanged
many confidences. Isabel admired the
older woman for her ability to amuse
herself, for her skill at needlework, at
painting, at the piano, and for her ability
to accommodate herself to any social
situation. On the other hand, Madame
Merle spoke enviously of Isabel's youth
and intelligence, lamenting the life which
had left her, at middle age, a widow with
no children and no visible success in life.
When her uncle died, he left Isabel,
at her cousin's instigation, one-half of his
fortune. Ralph, greatly impressed with
his young kinswoman's brilliance, had
persuaded his father that she should be
given an opportunity to fly as far and as
high as she might. For himself, he knew
he could not live long because of his
pulmonary illness, and his legacy was
enough to let him live in comfort.
As quickly as she could, Mrs. Touchett
sold her London house and took Isabel to
Paris with her. Ralph went south for the
winter to preserve what was left of his
health. In Paris the new heiress was in
troduced to many of her aunt's friends
among American expatriates, but she was
not impressed. She thought their indolent
lives worthy only of contempt. Mean
while Henrietta and Mr. Bantling had
arrived in Paris, and Isabel spent much
time with them and Edward Rosier. She
had known Rosier when both were chil
dren and she was traveling abroad with
her father. Rosier was another dilettante,
living on the income from his inheritance.
He explained to Isabel that he could not
return to his own country because there
was no occupation there worthy of a
gentleman.
In February Mrs. Touchett and her
niece went to the Palazzo Crescentini, the
Touchett house in Florence. They
stopped on the way to see Ralph, who
was staying in San Remo. In Florence
they were joined once more by Madame
Merle.
Unknown to Isabel or her aunt,
Madame Merle also visited her friend,
Gilbert Osmond, another American who
lived in voluntary exile outside Florence
with his art collection and his young,
convent-bred daughter, Pansy. Madame
Merle told Osmond of Isabel's arrival in
Florence saying that as the heir to a
fortune, Isabel would be a valuable addi
tion to Osmond's collection.
The heiress who had rejected two
worthy suitors did not refuse the third.
She was quickly captivated by the charm
of the sheltered life Gilbert Osmond had
created for himself. Her friends were
against the match. Henrietta Stackpole,
who was inclined to favor Caspar Good
wood, was convinced that Osmond was
767
interested only in Isabel's money, as was
Isabel's aunt. Mrs. Touchett had re
quested Madame Merle, the good friend
o£ both parties, to discover the state of
their affections; she was convinced that
Madame Merle could have prevented the
match. Ralph Touchett was disappointed
that his cousin should have fallen to the
ground from her flight so quickly. Cas
par Goodwood, learning of Isabel's in
tended marriage when he revisited her
after the passage of the two years agreed
upon, could not persuade her to recon
sider her step. Isabel was indignant when
&e commented on the fact that she did
not even know her intended husband's
antecedents.
After her marriage to Gilbert Osmond,
Isabel and her husband established their
home hi Rome, in a setting completely
expressive of Osmond's tastes. Before
three years had passed, Isabel began to
realize that her friends had not been com
pletely wrong in their objections to her
marriage, Osmond's exquisite taste had
made their home one of the most popular
in Rome, but his ceaseless effort to press
his wife into a mold, to make her a re
flection of his own ideas, had not made
their marriage one of the happiest.
He had succeeded in destroying a
romance between Pansy and fidward
Rosier, who had visited the girl's step
mother and found the daughter attractive.
He had not succeeded, however, in con
tracting the match he desired between
Pansy and Lord Warburton. Warburton
had found Pansy as pleasing as Isabel had
once been, but he had dropped his suit
when he saw that the girl's affections lay
with Rosier.
Ralph Touchett, his health growing
steadily worse, gave up his wanderings
on the continent and returned to Garden-
court to die. When Isabel received a tele
gram from his mother telling her that
Ralph would like to see her before his
death, she felt it her duty to go to
Gardencourt at once. Osmond reacted to
her wish as if it were a personal insult.
He expected that, as his wife, Isabel
would want to remain at his side, and
that she would not disobey any wish of
his. He also made it plain that he dis
liked Ralph.
In a state of turmoil after her con
versation with her husband, Isabel met
the Countess Gemini, Osmond's sister.
The countess, visiting the Osmonds, had
seen how matters lay between her brother
and Isabel. An honest soul, she had felt
more sympathy for her sister-in-law than
for her brother. To comfort Isabel, she
told her the story of Gilbert's past. After
his first wife had died, he and Madame
Merle had an affair that lasted six or
seven years. During that time Madame
Merle, a widow, had borne him a child,
Pansy. Changing his residence, Osmond
had been able to pretend to his new circle
of friends that the original Mrs. Osmond
had died in giving birth to the child.
With this news fresh in her mind, and
still determined to go to England, Isabel
stopped to say goodbye to Pansy, who
was staying in a convent where her father
had sent her to recuperate from her affair
with Rosier. There, too, she met Madame
Merle. Madame Merle, with her keen
perception, had no difficulty realizing that
Isabel knew her secret. When she re
marked that Isabel would never need to
see her again, that she would go to
America, Isabel was certain Madame
Merle would also find in America much
to her own advantage.
Isabel was in time to see her cousin
before his death. She stayed on briefly
at Gardencourt after the funeral, long
enough to bid goodbye to Lord Warbur
ton, who had come to offer condolences to
her aunt, and to reject a third offer from
Caspar Goodwood, who knew of her hus
band's treatment. When she left to start
her journey back to Italy, Isabel knew
what she must do. Her first duty was not
to herself, but to put her house in order.
768
A PORTRAIT OF THE ARTIST AS A YOUNG MAN
Type of work: Novel
Author: James Joyce (1882-1941)
Type of 'plot: Psychological realism
Time of plot: 1882-1903
Locale: Ireland
First published: 1916
Principal characters:
STEPHEN DEDALUS, an Irish student
SIMON DEDALUS, his father
EMMA, his friend
Critiq^ue:
In telling the story of his own youth
under a thin disguise of fiction, Joyce
has written one of the most compelling
and forceful of recent autobiographies.
He tried to show the beginnings of his
artistic compulsion, and the events that
led him to think and to act as he did.
Highly descriptive, the book moves from
incident to incident in an unhurried
way, sketching in all the important
moments and thoughts of Joyce's youth
as he remembered them. This novel is a
forerunner of Joyce's more significant and
experimental Ulysses.
The Story:
When Stephen Dedalus went to school
for the first time, his last name soon got
him into trouble. It sounded too Latin,
and the boys teased him about it. Seeing
that he was sensitive and shy, the other
boys began to bully him. School was
filled with unfortunate incidents for
Stephen. He was happy when he be
came sick and was put in the infirmary
away from the other boys. Once, when
he was there just before the Christinas
holidays, he worried about dying and
death.. As he lay on the bed thinking,
he heard the news of PamelTs death.
The death of the great Irish leader was
the first date he remembered — October
6, 1891.
At home during the vacation he
learned more of Pamell. His father,
Simon Dedalus, worshiped the dead
man's memory and defended him on
every count. Stephen's aunt, Dante Rior-
dan, despised Parnell as a heretic and
a rabble-rouser. The fierce arguments
that they got into every day burned
themselves into Stephen's memory. He
worshiped his father, and his father
said that Parnell had tried to free Ire
land, to rid it of the priests who were
ruining the country. Dante insisted that
just the opposite wras true. A violent
defender of the priests, she leveled every
kind of abuse against Simon and his
ideas. The disagreement between them
became a problem which, in due time,
Stephen would have to solve for him-
Retuming to school after the holidays,
Stephen got in trouble with Father Dolan,
one of the administrators of the church
school he attended. Because he had
broken his glasses, Stephen could not
study until a new pair arrived. Father
Dolan saw that Stephen was not working,
and thinking that his excuse about the
glasses was false he gave the boy a beat
ing. The rest of the boys for once were
on Stephen's side, and they urged him
to complain to the head of the school.
With fear and trembling, Stephen went
to the head and presented his case. The
head understood, and promised to speak
to Father Dolan about the matter. When
Stephen told the boys about his con
versation, they hoisted him in their arms
like a victorious fighter, and called "b™
a hero.
Afterward life was much easier for
Stephen. Only one unfortunate incident
marked the term. In a spirit of £un,
A PORTRAIT OF THE ARTIST AS A YOUNG MAN by James Joyce, By permission of the publisher*,
The Viking Prest, Inc. Copyright, 1916, by B. W. Huebsch. Renewed, 1944, by Nora Joyce.
769
one of his professors announced in class
that Stephen had expressed heresy in
one o£ his essays. Stephen quickly
changed the offending phrase and hoped
that the mistake would he forgotten.
After class, however, several of the boys
accused him not only of being a heretic
but also of liking Byron, whom they
considered an immoral man and there
fore no good as a poet. In replying to
their charges, Stephen had his first real
encounter with the problems of art and
morality. They were to follow him
throughout his life.
On a trip to Cork with his father,
Stephen was forced to listen to the often-
told tales of his father's youth. They
visited the places his father had loved
as a boy. Each night Stephen was forced
to cover up his father's drunkenness and
sentimental outbursts. The trip was an
education in everything Stephen disliked.
At the end of the school year Stephen
won several prizes. He bought presents
for everyone, started to do over his room,
and began an ill-fated loan service. As
long as the money lasted, life was won
derful. Then one night, when his money
was almost gone, he was enticed into a
house by a woman wearing a long pink
gown. At sixteen he learned what love
was.
Not until the school held a retreat in
honor of Saint Francis Xavier did Ste
phen realize how deeply conscious he
was of the sins he had committed with
women. The sermons of the priests
about heaven and hell, especially about
hell, ate into his mini At night his
dreams were of nothing but the eternal
torture which he felt he must endure
after death. He could not bear to make
confession in school. At last he went into
the city, to a church where he was un
known. There he opened his unhappy
mind and heart to an understanding and
wise old priest, who advised him and
comforted his soul. After the confes
sion Stephen promised to sin no more,
and he felt sure that he would keep his
promise.
For a time Stephen's life followed a
model course. He studied Aquinas and
Aristotle and won acclaim from his teach
ers. One day the director of the school
called Stephen into his office and, after
a long conversation, asked him if he had
ever thought of joining the order of the
Jesuits. Stephen was deeply flattered.
Priesthood became his life's goal.
When Stephen entered the university,
however, a change came over his think
ing. He began to doubt, and the longer
he studied, die more confused and doubt
ful he became.
His problems drew him closer to two
of his fellow students, Davin and Lynch
and farther away from Emma, a girl for
whom he had felt affection since child
hood. With Davin and Lynch he dis
cussed his ideas about beauty and the
working of tiie mind. Because he would
not sign a petition for world peace,
Stephen won the enmity of many of the
fellows. They called him anti-social and
egotistic. Finally neither the peace move
ment, the Irish Revival, nor the Church
itself could claim his support.
Davin was the first to question Stephen
about his ideas. When he suggested
to Stephen that in everything Ireland
should come first, Stephen answered that
to him Ireland was an old sow that ate
her own children.
One day Stephen met Emma at a
carnival, and she asked him why he had
stopped coming to see her. He answered
that he had been born to be a monk.
When Emma said that she thought him
a heretic instead of a monk, his last link
with Ireland seemed to be broken. At
least he was not afraid to be alone. If
he wanted to find beauty, and to under
stand beauty, he had to leave Ireland-
where there was nothing in which he
believed. The prayers of his friends ask
ing that he return to the faith went un
answered. Stephen got together his
things, packed, and left Ireland, intend
ing never to return. He did intend, some
day, to write a book that would make
clear his views on Ireland and the Irish.
"770
THE POSSESSED
Type of work: Novel
Author: Fyodor Mikhailovich Dostoevski (1821-1881)
Type of plot: Psychological realism
Time of plot: Mid-nineteenth century
Locale: Russia
First published: 1867
Principal characters:
STEFAN VERHOVENSKY, a provincial patriot and mild progressive
PYOTR, his nihilist son
VARVARA STAVROGIN, a provincial ]ady and employer of Stepan
NIKOLAY, her son, a victim of materialism
MARY A, his idiot wife
SHATOV, the independent son of one of Varvara 's serfs
Critique:
The Possessed is Dostoevski's answer
to Turgenev's treatment of Russian nihil
ism in Fathers and Sons. By means of a
large number of characters representing
all classes of Russian society, Dostoev
ski shows how an idle interest in nihilism
brought on robbery, arson, and murder
in one Russian community. The plot is
exceedingly complex, but this very com
plexity tends to emphasize a similar qual
ity in nineteenth-century Russian life,
which convulsed violently when it con
cerned itself with denial of an ordering
principle in the universe.
The Story:
Stepan Verhovensky, a self-styled
progressive patriot and erstwhile univer
sity lecturer, was footloose in a provincial
Russian town until Varvara Stavrogin
hired him to tutor her only son, Nikolay.
Although Stepan's radicalism, which was
largely a pose, shocked Varvara, the two
became friends. When Varvara's hus
band died, Stepan even looked forward
to marrying the widow. They went to
gether to St. Petersburg, where they
moved daringly in radical circles. After
attempting without success to start a
literary journal, they left St. Petersburg,
Varvara returning to the province and
Stepan, in an attempt to assert his inde
pendence, going to Berlin. After four
months in Germany, Stepan, realizing
that he was Varvara's thrall emotionally
and financially, returned to the proving
in order to be near her.
Stepan became the leader of a smsjl
group that met to discuss progressive
ideas. Among the group were Shatov, the
independent son of one of Varvara's serfs,
a liberal named Virginsky, and Liputin, a
man who made everyone's business his
business.
Nikolay Stavrogin, whom Stepan bad
introduced to progressivisnij went on to
school in St. Petersburg and from there
into the army as an officer. He resigned
his commission, however, returned to St.
Petersburg, and went to live in the
slums. When he returned home, at Var
vara's request, be proceeded to insult
the members of Stepan's group. He bit
the ear of the provincial governor during
an interview with that dignitary. Obvi
ously mentally unbalanced, Nikolay was
committed to bed. Three months later,
apparently recovered, he apologized foi
his actions and again left the province.
Months later Varvara was invited to
visit a childhood friend in Switzerland,
wnere Nikolay was paying court to her
friend's daughter, Lrzaveta. Before the
party returned to Russia, however, Liza-
veta and Nikolay broke their engagement
because of Nikolay 's interest in Dasha,
Varvara's servant woman. In Switzerland,
Nikolay and Stepan's son, Pyotr, met
and found themselves in sympathy on
political matters.
THE POSSESSED by Fyodor Mikiallovich Dostoevski. Published by The Modem Library, Inc.
771
In the province, meanwhile, there was
a new governor, one von Lembke. Stepan,
lost without Varvara, visibly deteriorated
during her absence. Varvara arranged
with Dasha, who was twenty, to marry
Stepan, who was fifty-three. Dasha, who
was the sister of Shatov, submitted quietly
to her mistress' wishes. Stepan reluc
tantly consented to the marriage, but he
balked when he discovered from a mem
ber of his group that he was being used
to cover up Nikolay's relations with the
girl.
New arrivals in the province were Cap
tain Lebyadkin and his idiot, crippled
sister, Marya. One day Marya attracted
the attention of Varvara in front of the
cathedral, and Varvara took the cripple
home with her. Nikolay, she learned, had
known the Lebyadkins in St. Petersburg.
Pyotr assured Varvara, who was suspi
cious, that Nikolay and Marya Lebyadkin
were not married.
By his personal charm and a repre
sentation of himself as a mysterious rev
olutionary agent returned from exile,
Pyotx began to dominate Stepan's liberal
friends and became, for his own schem
ing purposes, the protege" of Yulia, the
governors wife. Nikolay at first followed
Pyotr in his political activities, but he
turned against the revolutionary move
ment and warned Shatov that Pyotr's
group was plotting to kill Shatov because
of information he possessed. Nikolay con
fessed to Shatov that on a bet he had
married Marya Lebyadkin in St. Peters
burg.
As a result of a duel between Nikolay
and a local aristocrat who hated him, a
duel in which Nikolay emerged victorious
without killing his opponent, Nikolay
became a local hero. He continued inti
mate with Dasha, Lizaveta having an
nounced her engagement to another man.
Pyotr, meanwhile, sowed seeds of dis
sension among all classes in the town; he
disclosed von Lembke's possession of a
collection of radical manifestoes; he
caused a break between his father and
Varvara, and he secretly incited the
working people to rebel against their
masters.
Yulia led the leaders of the town in
preparations for a grand fete. Pyotr saw
in the f£te the opportunity to bring chaos
into an otherwise orderly community. He
brought about friction between von
Lembke, who was an inept governor, and
Yulia, who actually governed the province
through her salon.
At a meeting of the revolutionary
group, despair and confusion prevailed
until Pyotr welded it together with mys
terious talk of orders from higher revolu
tionary leaders. He talked of many other
such groups engaged in like activities.
Shatov, who attended the meeting, de
nounced Pyotr as a spy and a scoundrel
and walked out. Pyotr disclosed to Nik
olay his nihilistic beliefs and proposed
that Nikolay be brought forward as the
Pretender when the revolution had been
accomplished.
Blum, von Lernbke's secretary, raided
Stepan's quarters and confiscated all of
Stepan's private papers, among them some
political manifestoes. Stepan went to
the governor to demand his rights under
the law and witnessed in front of the
governor's mansion the lashing of dissi
dent workers who had been quietly dem
onstrating for redress of their grievances.
Von Lembke appeased Stepan by saying
that the raid on his room was a mistake.
The fete was doomed beforehand.
Many agitators without tickets were ad
mitted. Liputin read a comic and sedi
tious poem. Karmazinov, a great novelist,
made a fool of himself by recalling the
follies of his youth. Stepan insulted the
agitators by championing the higher cul
ture. When an unidentified agitator arose
to speak, the afternoon session of the fete
became a bedlam, so that it was doubtful
whether the ball would take place that
night. Abetted by Pyotr, Nikolay and
Lizaveta eloped in the afternoon to the
country house of Varvara.
The ball was not canceled, but few of
the landowners of the town or country
side appeared. Drunkenness and brawling
772
soon reduced the ball to a rout which
came to a sorry end when fire was dis
covered raging through some houses along
the river. Captain Lebyadkin, Marya,
and their servant were discovered mur
dered in their house, which remained un-
burned in the path of the fire. When
Pyotr informed Nikolay of the murders,
Nikolay confessed that he had known of
the possibility that violence would take
place, but that he had done nothing to
prevent it. Horrified, Lizaveta went to
see the murdered pair; she was beaten to
death by the enraged townspeople be
cause of her connections with Nikolay.
Nikolay left town quickly and quietly.
When the revolutionary group met
again, all mistrusted one another. Pyotr
explained to them that Fedka, an ex-
convict, had murdered the Lebyadkins for
robbery, but he failed to mention that
Nikolay had all but paid Fedka to com
mit the crime. He warned the group
against Shatov and said that a fanatic
named Kirillov had agreed to cover up
the proposed murder of Shatov. After
Fedka denounced Pyotr as an atheistic
scoundrel, Fedka was found dead on a
road outside the town.
At the same time, Marie, Shatov's wife,
returned to the town. The couple had
been separated for three years; Marie was
ill and pregnant When she began her
labor, Shatov procured Virginsky's wife
as midwife. The couple wrere reconciled
after Marie gave birth to a baby boy, for
the child served to regenerate Shatov and
make hi™ happy once more.
Shatov left his wife and baby alone
in order to keep an appointment with the
revolutionary group, an appointment
made for the purpose of separating him
self from the plotters. Attacked and shot
by Pyotr, his body was weighted with
stones and thrown into a pond. After
the murder Pyotr went to Kirillov to get
Kirillov's promised confession for the
murder of Shatov. Kirillov, who was
Shatov Js neighbor and who had seen
Shatov's happiness at the return of his
wife, at first refused to sign, but Pyotr
finally prevailed upon him to put his
name to the false confession. Kirillov,
morally bound to end his life, shot him
self. Pyotr left the province.
Stepan, meanwhile, left the town to
seek a new life. He wandered for a time
among peasants and at last became dan
gerously ill. Varvara went to him, and
the two friends were reconciled before
the old scholar died. Varvara disoxvned
her son. Marie and the baby died of
exposure and neglect when Shatov failed
to return home. One of the radical group
broke down and confessed to the violence
that had been committed in the town at
the instigation of the completely unmora1
Pyotr. Liputin escaped to St. Petersburg,
where he was apprehended in a drunken
stupor in a brothel.
Nikolay wrote to Dasha, the servant,
suggesting that the two of them go to
Switzerland and begin a new life. Before
Dasha could pack her things, however,
Nikolay returned home secretly and
hanged himself in his room.
POWER
Type of -work: Novel
Author: Lion Feuchtwanger (1SS4-1958)
Type of plot: Historical chronicle
Time of plot: ^lid-eighteenth century
Locale: Germany
First published: 1925
Principal characters:
JOSEF Siiss OPPENHEIMER, a court favorite
RABBI GABRIEL, his uncle
NAKMT, his daughter
773
AUESLANKER, the Duke
E ATTGUSTE, tie Duchess
WEISSENSEE, a politician
MAGDALEN SIBYLLE, his daughter
Critique:
What is a Jew"? What causes a Jew,
in the midst of disdain, antipathy, and
persecution, to remain a Jew? Feucht-
wanger deals with this problem through
his fictional minister, Josef Suss Oppen-
heimer, the half -Christian Jew who chose
to remain a Jew until his death. Subtly,
Feuchtwanger shows us the metamor
phosis of a rank materialist. At first Suss
chose to remain a Jew because he wanted
to be the greatest Jew in Germany. As
a Christian he could never be at tlie
top. At the end, he chose Judaism be
cause he found inspiration in its teach
ings. The outer Suss was no more than
a moneymonger, but the inner man was
sensitive and human.
The Story:
All of Prussia rejoiced, and European
courts lost their best topic of scandal
when Duke Eberhard Ludwig broke
with the countess who had been his mis
tress and returned to his wife to beget
another heir to the throne. The countess
had been his mistress for thirty years,
bleeding the country with her extrava
gant demands for wealth and jewels.
Ludwig was too vain, however, to remain
her lover when she grew fat and middle-
aged.
The countess sent for Isaac Landauer,
the wealthy international banker who
was her financial agent. Unable to ad
vise her as to the means by which she
could keep her hold on the duke, he
offered to liquidate her possessions and
send them to another province. But the
countess, who had a strong belief in
black magic, insisted that Landauer must
bring to her the Wandering Jew to help
cast a spell on Ludwig.
Landauer went to his young friend,
Joseph Suss Oppenheimer, and offered
half of what his dealings with the count-
^ss would bring him, if the young man
would aid Landauer in the countess1
scheme. The so-called Wandering Jew
was an uncle of Suss, Rabbi Gabriel,
whose melancholy demeanor and mystic
ways had caused people to think that
he was the legendary Wandering Jew.
Suss considered the offer. It was tempt
ing, but for some unknown reason the
young man was half afraid of his uncle,
whose presence always instilled in his
nephew a feeling of inferiority. Further
more, Rabbi Gabriel was rearing mother
less, fourteen-year-old Naemi, the daugh
ter whom Suss wished to conceal from
the rest of the world. But at last he
sent for Rabbi Gabriel.
Penniless Prince Karl Alexander carne
to Wildbad in hopes of gaining the grant
of a substantial income from the duke.
Suss, discovering the poverty of the
prince, made himself the financial ad
viser of that destitute nobleman. Al
though Landauer warned him that Karl
Alexander was a poor risk, Suss continued
his association with the prince merely
because he hoped to ingratiate himself
with the nobility. Half in gratitude,
half in jest, the prince granted Suss ad
mission to his levees.
On bis arrival in Wildbad, Rabbi
Gabriel told Suss that he intended to
bring Naemi to his nephew. But Landauer
no longer needed Gabriel to help carry
out the countess' scheme, and the rabbi
returned to his home. The countess had
been banished from the duchy, taking
with her the money procured by Lan
dauer.
Suss became the favorite of Prince
Karl Alexander. To Wildbad also came
Prince Anself Franz of Thurn and Taxis
and his daughter, Princess Marie
POWER by Lion Fenchtwanger. Translated by Wiila and Edwin Muir. By permission of the publishers, The
Viking Press, Inc. Copyright, 1926, by The Viking Press, Inc.
774
Auguste. Their mission was to urge
Prince Karl Alexander to marry the
princess and turn Catholic* Angry be
cause the duke had refused to give him
a pension, the prince consented.
Dulce Eberhard Ludwig died suddenly,
and Karl Alexander, now a Catholic,
inherited the duchy. Suss became a court
favorite, appointed by the new duchess
to be keeper of her privy purse. Although
Jews were forbidden to live in the duchy,
the people had to acknowledge that the
duke should be allowed his private court
Jew.
Rabbi Gabriel had bought a little
white house where he lived with Naemi
and a servant. For three days, while
the uncle was away, Suss went to Hirsau
to visit his daughter. Then he returned
to his duke. Since Karl Alexander's suc
cession Suss had slyly directed him in
measures which were resulting in a com
plete control of Swabia by the duke
himself. The Constitution and the
Parliament were powerless. Great noble
men had been ruined. Although his
income was enormous, Suss himself re
frained from holding any office. Suss
had picked one former cabinet member,
Weissensee, as President of the Ecclesi
astical Council. One night he gave a
party to which Weissensee brought his
daughter, Magdalen Sibylle. Suss, not
ing the duke's attentiveness toward the
girl, enticed her into his bedroom, where
the duke followed. After that evening,
the duke sent gifts to Magdalen Sibylle,
his declared mistress, and Weissensee
was promoted to a high office. Hating
Suss, Weissensee secredy hoped to bring
the favorite into disfavor at court. Learn
ing that Suss had a daughter, he planned
to place the Jew in the same position that
Suss had placed him on the night Karl
Alexander had taken Magdalen Sibylle.
The murder of a child revived the old
legend that Jews sacrificed a Christian
child at the Passover feast, and a Jew,
Reb Jeckeskel Seligmann, was arrested
for the crime. Pressure was put on Suss
to use his power to save the innocent
man, but he refused because of the
danger to his position at court. Then
Rabbi Gabriel sent word to Suss that
Naemi had heard rumors of his wicked
ness. At last Suss decided that he would
help the arrested man. In rescuing Selig-
mann, he felt anew his power as the
court Jew. Soon afterward, at the request
of Rabbi Gabriel, he went to visit his
mother. From her he learned that his
real father had been a great Christian
marshal in the German army. Confused,
Suss finally decided that he was a Jew
and would remain so.
Convinced at last that Suss was a
swindler, the duke threatened to dis
miss and dishonor him. But when Suss
offered his own fortune in exchange for
proof of any financial trickery, the duke
changed his mind and roared his anger
at the enemies of Suss. Realizing that
the favorite now had more power than
ever, Weissensee continued to plot his
revenge. Arranging for the duke to
spend some time at his home in Hirsau
while Rabbi Gabriel was not at home,
Weissensee took the duke to Suss' daugh
ter. With visions of a heavenly rescue,
the quiet, lonely child climbed to the
roof of the house to escape from her
attacker. She fell from the roof to her
death.
Outwardly Suss professed forgiveness
toward the duke, but he pocketed more
and more funds from the ducal treasury.
His personality altered. Instead of in
gratiating himself at court, he criticized
and ridiculed his acquaintances. Filling
the duke's head with dreams of con
quest, Suss inveigled him into leading
a new military coup. At the same time
he planned the duke's destruction. While
Karl Alexander lay dying at the scene
of his defeat, Suss rained over his head
a torrent of pent-up abuse. His enemies
ordered his arrest.
For many months the case against
Suss dragged on. Finally he was put into
a stinking, rat-infested hole, where every
day the authorities plied him for a con
fession, but he remained stubbornly alive
775
and sane. Sentenced to hang, lie assailed
the court with icy, cutting words. He
could have freed himself by declaring
his Christian birth. He kept silent.
On the day of the hanging Suss died
with the name "Adonai," the Hebrew
name for God, on his lips, and the word
was echoed by all the Jews who had
gathered to watch him die.
THE PRAIRIE
Type of -work: Novel
Author: James Fenimore Cooper (1789-1851)
Type of 'plot: Historical romance
Time of 'plot: 1804
Locale: Western Plains of the United States
First published: 1827
Principal characters:
NATTY BUMPPO, an old frontiersman
ISHMAEL BUSH, a desperado
ESTHER BUSH, his wife
ETXEN WADE, Esther's niece
ABULAJM WHITE, Esther's brother
DR. BATTIUS, a naturalist
PAUL HOVER, Ellen's lover
CAPTAIN MIDDLETON, of the United States Army
IKEZ, Middleton's wife
HAKD-HEART, a Pawnee chief
Critique:
This novel, the fifth and last volume
o£ Cooper's familiar Leatherstocking
series, closes the career of his famous
frontiersman and scout, Natty Bumppo.
The plot is full of incident, but it de
pends too much on coincidence to seem
realistic to many modern readers. The
character portrayal is not vivid; the
women, especially, seem dull and un
real. Much of the action is slowed down
by the stilted dialogue. Yet, in spite of
triese defects, The Prairie catches much
of the spirit of the old West.
The Story:
Shortly after the time of the Louisiana
Purchase the family of Ishmael Bush
traveled westward from the Mississippi
River. Ishmael was accompanied hy his
wife, Esther, and their sons and daugh
ters. Also in the caravan were Ellen
Wade, a niece of Esther; Ahiiam White,
Esther's brother; and Dr. Battius, a phy
sician and naturalist. As this company
searched for a camping place one evening,
they met an aged trapper, Natty Bumppo,
and his dog. The trapper directed theto
to a nearby stream.
After night had fallen, Bumppo dis
covered Ellen in a secret meeting with
her lover, Paul Hover, a wandering bee
hunter. The three were captured by a
band of Sioux. While the Indian raiders
stole all the horses and cattle from Ish-
mael's party, the captives made their es
cape. Unable to proceed across the prairie,
the emigrant family occupied a naturally
fortified hilltop shown to them by
Bumppo.
A week later, Paul, Bumpoo, and Dr.
Battius were gathered at Bumppo's camp
ing ground. They were soon joined by
a stranger, who introduced himself as
Captain Middleton of the United States
Army. Bumppo was delighted to find that
Middleton was the grandson of an old
friend whom he had known in the days
of the French and Indian wars. The
young officer had come to find his wife,
Inez, who had been kidnaped by Abiram
White shortly after her marriage. She
was now a captive in Ishmael's camp.
776
Paul, Buinppo, and Dr. Batthis agreed to
help Middleton rescue her.
On the same day Ishmael and his sons
left their camp to hunt buffalo. That
evening they returned with meat, but
Asa, the oldest son, did not return with
the rest of the hunters. In the morning
the entire family set out to search for
him. At last his dead body was found
in a thicket; he had been shot in the
back with one of Bumppo's bullets. His
family buried him and returned to camp.
There they found that both Ellen and
Inez were gone.
The girls, who had been rescued by
Middleton and his friends, were rapidly
making their escape across the prairie,
when their progress was interrupted by
a meeting with a Pawnee warrier, Hard-
Heart. After the Indian had galloped
away on his horse, the travelers found
themselves in the path of a stampeding
herd of buffalo. The group was saved
from being trampled to death at the last
moment by the braying of Dr. Battius'
donkey, for at the strange sound the buf
falo turned aside. However, Middleton's
party was soon captured by a band of
Sioux pursuing the buffalo herd. They
were the same Indians who had captured
Bumppo, Paul, and Ellen once before.
At the same time Ishmael and his sons
approached on foot in search of the two
girls. The Indians remounted and gave
horses to their captives so that all could
ride to Ishmael's camp while he and nis
sons were away. During the Indian raid
on the camp, Bumppo helped his friends
escape on horseback.
They rode as far as possible before
making camp for the night But in the
morning they found that the Sioux had
followed them and had set fire to the
prairie in order to drive them into the
open. Bumppo rescued the party by
burning off the nearby prairie before the
larger fire reached it. As they started off,
they met the lone Hard-Heart again.
From him they learned that the Sioux
and Ishmael's family had joined forces in
order to search for them. Since Hard-
Heart and the little band had a common
enemy in the Sioux, he agreed to take
them to his Pawnee village for protection,
In order to evade their pursuers, the
fugitives crossed a nearby river. As they
reached the far bank the Sioux appeared
on the opposite shore. That night the
fugitives remained free, but snow fell and
made it impossible for them to escape
without being tracked. They were cap
tured and taken to the Sioux village.
Hard-Heart, Paul, and Middleton were
bound by their savage captors. Out of
respect for his age, Bumppo was allowed
to roam freely, but he declined to leave
his friends. The women were placed in
the lodge of the Sioux chief.
Using Bumppo as an interpreter, the
Sioux chief asked Inez to be his wife.
At the same time Ishmael asked the chief
to hand over to him. Inez, Ellen, and
Bumppo, as had been previously agreed.
When the chief refused, Ishmael de
parted angrily.
The Indians then gathered in council
to decide the fate of Hard-Heart, and
many wished to torture him to death.
But an old warrier stepped forward and
declared that he wished to make the
Pawnee his adopted son. Hard-Heart,
however, refused to become a member of
the Sioux tribe. The Sioux began their
torture, but in the midst of it Hard-Heart
escaped and joined a war party of his
own Pawnees, who arrived on the scene
at that moment.
Leaving their women to guard the
prisoners, the Sioux prepared to fight.
The braves of the two tribes gathered on
the opposite banks of a river, neither side
daring to make the first move. Then
Hard-Heart challenged the Sioux chief
to single combat.
Meanwhile, Bumppo helped the rest
of the captives to escape. Shortly after
ward they fell once more into the Lands
of Ishmael.
Hard-Heart was victorious in the
single-handed combat, and his warriors
put the Sioux to flight in the "battle
which followed.
The next morning Ishmael held a
court of justice in order to deal with his
captives. He realized his mistake in carry
ing Inez away from her husband and
allowed the couple their freedom. He
give Ellen her choice of remaining with
s family or going with Paul. She chose
to go with her lover. Ishmael allowed Dr.
Battius his freedom because he did not
think the scientist worth bothering about.
Then Bumppo came up for judgment.
Ishmael still believed that Bumppo had
shot his son, Asa. Bumppo, however, re
vealed that it was really Abiram who had
done the cowardly deed. Abiram con
fessed his crime and then fainted. Ish
mael was reluctant to pronounce judg
ment on his brother-in-law, but he felt
it his duty to do so. That evening he
gave Abiram the choice of starving to
death or hanging himself. Late that night
Ishmael and Esther returned to find that
Abiram had hanged himself. They buried
him and continued on their way back
to the frontier settlements.
Middleton, Paul, and the girls invited
Bumppo to return to the settlements with
them, where they would make comfort
able his last days. He refused, giving as
his reason his desire to die away from
civilization. He chose to remain in the
Pawnee village with Hard-Heart
A year later, when Middleton's duties
as an army officer brought him near the
Pawnee village, he determined to pay
Bumppo a visit. Arriving at the camp,
Middleton found the old trapper near
death. It was late afternoon. Bumppo
revived enough to greet his old friend.
At sundown, however, he seemed to be
breathing his last. As the sun sank be
neath the horizon, he made one last
tremendous effort. He rose to his feet
and, as if answering a roll call, he uttered
a loud and firm "Here" — then fell back
dead into the arms of his friends.
PRECIOUS BANE
Type of work; Novel
Author: Mary Webb (1881-1927)
Type of plot; Regional romance
Time of plot: Mid-nineteenth century
Locale: England
First published; 1924
Principal characters:
PRUDENCE SARN, a harelipped girl
GIDEON, her brother
WIZARD BEGUELDY, an evil neighbor
JANCIS BEGUILDY, his daughter
KESTER WOODSEAVES, the weaver
Critique:
Just as Prudence Sarn seemed to view
the past events of her life through a
veil, so she tells her story. The story
is not autobiographical, but into it Mrs.
Webb put many experiences of her own
youth. In this novel man seems to be
controlled by forces of nature. The Bane,
the poison that was in Gideon Sarn,
moved him even to murder, for powers
outside him drove bim beyond his will.
But when nature was satisfied, the Bane
PRECIOUS BANE by Mary Webb. By permission of
, by E. P. Duttoc & Co., Inc.
was exorcised; and peace came to the
Sams.
The Story:
The country people said there had
been something queer about the Sarn
family ever since old Timothy Sam was
struck by forked lightning. The light
ning seemed to have gone into Timothy
and into all the Sarns. In Prue's father
the lightning took the form of a raving
tile publishers, E. P. Dutton & Co., Inc. Copyright,
778
temper, and in Prue's brother Gideon
the lightning was the more frightening
because it was quiet but deadly. Dogs
and horses turned away from Gideon's
gray eyes. Prue understood her brother
better than most, but even she was
frightened when Gideon offered to be
the sin-eater at their father's funeral.
For a sin-eater took the sins of the dead
person and sold his soul for a price.
Gideon's price was the farm which would
have been his mother's. Mrs. Sarn feared
to accept the terms, for a sin-eater's
destiny was dreadful; but she feared more
to let her husband go to his grave with
all his sins, and so she gave Gideon the
farm.
On the night after the funeral, Gideon
told Prue his plans. They were going
to become rich, own a house in town,
and have fine clothes and beautiful fur
niture. Gideon promised Prue that for
her belp he would give Her fifty pounds
to get her harelip cured. He warned
her, however, that he would work her
as he would an animal. Because Prue
had hated her harelip for many years,
she consented to his terms. They signed
an agreement and took an oath on the
Bible that Gideon would be the master
and Prue his servant.
Prue was also to learn to read and
write and do sums so that she could keep
the farm accounts. Her teacher would
be Wizard Beguildy, a neighbor who
was preached against in church because
he earned his living by working spells
and charms. Wizard was the father of
Jancis Beguildy, a childhood friend of
Prue and Gideon.
During the next four years Prue and
Gideon Saved long hours in the field.
Prue grew thinner and thinner and their
mother became quite feeble. She was
compelled to watch the pigs, for Gideon
would let no one be idle. The farm
prospered.
One part of Gideon's plan did not
work out, however, as he had arranged.
In love with Jancis Beguildy, he de
cided that he would make his fortune
and then marry her. Jancis did not want
to wait that long, but Gideon wTould not
change his mind.
Gideon and Jancis were handfasted
and Jancis had a love-spinning, even
though her father swore that she could
never marry Gideon. At the love-spin
ning Prue first saw Kester Woodseaves,
the weaver. When Kester came into the
room, it seemed to Prue that a beautiful
mist surrounded her. Then she turned
sadly away. Gideon had told her often
enough that no man would love a girl
with a harelip.
A few days after the spinning Jancis
went to teU Gideon that her father
threatened either to sell her to a rich
squire for his pleasure or to hire her
out for three years as a dairymaid. Her
only salvation was immediate marriage
to Gideon. But Gideon told her that
he had not made enough money, that
she must be bound over for three years.
Even Jancis' tears would not move him.
Jancis was sent to work for Mr. and
Mrs. Grimble.
After several months Jancis ran away
from the Grirnble farm. Because Gideon
had a good crop of grain coming up,
he promised to marry her after the har
vest. Wizard Beguildy still swore that
there would be no wedding, and Prue
was afraid.
One day, as Prue was walking through
the fields, Kester met her. When she
tried to hide her face, Kester took her
by the shoulders and looked straight into
her eyes. He did not laugh, but talked
to Prue as a man talks to a woman who
is beautiful and attractive. His words
were almost more than Prue could bear,
Never had there been such a harvest.
Gideon's crop was piled in high ricks,
and all the neighbor folks who had
helped with the harvest came to the
house to dance and feast. As soon as
the grain buyer came to buy the crop,
Jancis and Gideon would be married.
But Gideon, unable to wait until theii
wedding, went to Jancis' home to be
with her. Mrs. Beguildy tricked he*
779
husband into leaving so that the lovers
could be together. Wizard Beguildy, ar
riving home early, found Jancis and
Gideon in bed together, and the two men
quarreled, Prue was more frightened
than ever.
Prue had reason for her premonition of
danger, for that night Wizard set the
ricks on fire and everything burned ex
cept the house and the barn, Gideon was
like a madman. When Jancis tried to
comfort him, he said she was cursed by
her father's blood, and he drove her away.
He tried to get to Wizard to kill him,
but Prue prevented this deed by having
Wizard arrested. Gideon cursed the
Beguildy family, even Jancis. Jancis
swooned and lay for days in a trance.
She and her mother were put off their
farm, for no landowner would have the
family of an arsonist on his land.
Gideon, began to rebuild his dream,
but Jancis was no longer a part of it.
He worked himself and Prue and their
mother almost to death. When the
mother became too weak to work, Gideon
put poison into her tea, for he would feed
no one who could not earn her way.
Prue knew that her brother's mind was
deranged after the fire, but she had
not known that he would kill for money.
Jancis returned with Gideon's baby.
When Gideon drove her out of the
house, Jancis took her baby to the pond
and drowned herself and her child. Gid
eon began to see visions. He told Prue
often that he had seen Jancis or his
mother, and sometimes he heard Jancis
singing. He talked queerly about the
past, about his love for Jancis. He no
longer wanted the money that had been
his whole life. One day he rowed out
on the pond and threw himself into the
water and drowned. Prue was left alone.
Her vow to Gideon ended, Prue de
cided to leave the farm. When she
rounded up the livestock and went into
the village to sell them, the people called
her a witch and blamed all the trouble
on her harelip. They said that the
forked lightning was in her worse than
in all the other Sarns, and they put
her in the ducking chair and ducked
her in the pond until she was senseless.
When she awakened, Kester was beside
her, to lift her upon his horse and take
her away to be his wife. Prue knew then
that the forked lightning was not in
her; the curse of the Sarns had been
lifted.
PRIDE AND PREJUDICE
Type of work: Novel
Author: Jane Austen (1775-1817)
Type of plot: Comedy of manners
Time of plot: Early nineteenth century
Locale: Rural England
First published: 1813
Principal characters:
MR. BENNET, father of five daughters
MRS. BENNET, his wife
ELIZABETH BENNET, her father's favorite
JANE BENNET, the family beauty
MARY,
CATHERTNE (KITTY), and
LYDIA BENNET, younger sisters
MR. BINGLEY, an eligible bachelor
CAROLINE BINGLEY, his sister
MR. DARCY, a proud gentleman, Bingley's friend
MR. COLUNS, a conceited bore
LADY CATHERINE DE BOLTRGH, Collins* arrogant patroness
780
Elizabeth Bennet, one of the most de
lightful heroines of all time, would be
enough to make Pride and Prejudice out
standing among English novels. In addi
tion, the book has a beautifully symmetri
cal plot in which the action rises and falls
as inevitably as does an ocean wave.
Many of the other characters besides
Elizabeth are superbly .drawn. Jane
Austen's delicate but telling satire of the
English country gentlefolk of her day —
and indeed of her neighborhood — re
mains a delightful commentary upon the
little foibles of human nature.
The Story:
The chief business of Mrs. Bennet's
life was to find suitable husbands for her
five daughters. Consequently she heard
with elation that Netherfield Park, one
of the great houses of the neighborhood,
had been let to a London gentleman
named Mr. Bingley. Gossip such as Mrs.
Bennet loved reported him a rich and
altogether eligible young bachelor. Mr.
Bennet heard the news with his usual
dry calmness, suggesting in his mild way
that perhaps Bingley was not moving into
the county for the single purpose of mar
rying one of the Bennet daughters.
Mr. Bingley }s first public appearance
in the neighborhood was at a ball. With
him were his two sisters, the husband of
the older, and Mr. Darcy, Bingley *s
friend. Bingley was an immediate suc
cess in local society, and he and Jane,
the oldest Bennet daughter, a pretty girl
of sweet and gentle disposition, were at
tracted to each other at once. His friend,
Darcy, however, created a bad impression,
seeming cold and extremely proud. In
particular, he insulted Elizabeth Bennet,
a girl of spirit and intelligence and her
father's favorite. He refused to dance
with her when she was sitting down for
lack of a partner, and he said in her
hearing that he was in no mood to prefer
young ladies slighted by other men. On
future occasions, however, he began to
admire Elizabeth in spite of himself. At
a later ball she had the satisfaction of re
fusing him a dance.
Jane's romance with Bingley flourished
quietly, aided by family calls, dinners,
and balls. His sisters pretended great
fondness for Jane, who believed them
completely sincere. The more critical and
discerning Elizabeth suspected them of
hypocrisy, and quite rightly, for they
made great fun of Jane's relations, espe
cially her vulgar, garrulous mother and
her two ill-bred officer-mad younger sis
ters. Miss Caroline Bingley, who was
eager to marry Darcy and shrewdly aware
of his growing admiration for Elizabeth,
was especially loud in her ridicule of the
Bennet family. Elizabeth herself became
Caroline's particular target when she
walked three muddy miles to visit Jane,
who was sick with a cold at Netherfield
Park after a ride through the rain to ac
cept an invitation from the Bingley sisters.
Until Jane was able to be moved home,
Elizabeth stayed to nurse her. During
her visit Elizabeth received enough at
tention from Darcy to make Caroline
Bingley long sincerely for Jane's recovery.
Nor were her fears ill-founded. Darcy
admitted to himself that he would be in
some danger from the charm of Elizabeth,
if it were not for her inferior family
connections.
Elizabeth now acquired a new admirer
in the person of Mr. Collins, a ridicu
lously pompous clergyman and a distant
cousin of the Bennets, who would some
day inherit Mr. Bennet's property be
cause that gendeman had no male heir.
Mr. Collins' patroness, Lady Catherine
de Bourgh, had urged him to marry, and
he, always obsequiously obedient to her
wishes, hastened to comply. Thinking to
alleviate the hardship caused the Bennet
sisters by the entail which gave their
father's property to him, Mr. Collins first
proposed to Elizabeth. Much to hex
mother's displeasure and her father's joy>
she firmly and prompdy rejected him.
He almost immediately transferred his
affections to Elizabeth's best friend, Char-
781
ictte Lucas, who, twenty-seven and some
what homely, accepted at once his offer
of marriage.
During Mr. Collins' visit, the younger
Bennet sisters, Kitty and Lydia, on one of
their many walks to Meryton, met a fas
cinating new officer, Mr. Wickham, sta
tioned with the regiment there. Out
wardly charming, he became a favorite
among the ladies, even with Elizabeth.
She was willing to believe the story that
he had been cheated out of an inheritance
left him by his godfather, Darcy 's father.
Her suspicions of Darcy's arrogant and
grasping nature deepened when Wick-
ham did not come to a ball given by the
Bingleys, a dance at which Darcy was
present.
Soon after the ball, the entire Bingley
party suddenly left Netherfield Park.
They departed with no intention of re
turning, as Caroline wrote Jane in a short
farewell note which hinted that Bingley
might soon become engaged to Darcy 's
sister. Jane accepted this news at face
value and believed that her friend Caro
line was telling her gently that her
brother loved elsewhere, and that she
must cease to hope. Elizabeth, however,
was sure of a plot by Darcy and Bingley *s
sisters to separate Him and Jane. She per
suaded Jane that Bingley did love her and
that he would return to Hertfordshire
before the winter was over. Jane almost
believed her until she received a letter
from Caroline assuring her that they were
all settled in London for the winter. Even
after Jane told her this news, Elizabeth
remained convinced of Bingley 's affection
for her sister, and deplored the lack of
resolution which made him putty in the
hands of his designing friend.
About that time Mrs. Bennet's sister,
Mrs. Gardiner, an amiable and intelli
gent woman with a great deal of affection
for her two oldest nieces, arrived for a
Christmas visit She suggested to the
Bennets that Jane return to London with
her for a rest and change of scene and —
so it was understood between Mrs. Gar-
iiner and Elizabeth' — to renew her ac
quaintance with Bingley. Elizabeth, not
too hopeful for the success of the plan,
pointed out that proud Darcy would
never let his friend call on Jane in the
unfashionable London street on which
the Gardiners lived. Jane accepted the
invitation, however, and she and Mrs.
Gardiner set out for London.
The time drew near for the wedding
of Elizabeth's friend, Charlotte Lucas, to
the obnoxious Mr. Collins. Charlotte
asked Elizabeth to visit her in Kent. In
spite of her feeling that there could be
little pleasure in such a visit, Elizabeth
promised to do so. She felt that in taking
such a husband Charlotte was marrying
simply for the sake of an establishment,
as was indeed the case. Since she herself
could not sympathize with her friend's
action, Elizabeth thought their days of
real intimacy were over. As March ap
proached, however, she found herself
eager to see her friend, and she set out
with pleasure on the journey with Char
lotte's father and sister. On their way,
the party stopped in London to see the
Gardiners and Jane. Elizabeth found her
sister well and outwardly happy, though
she had not seen Bingley and his sisters
had paid only one call. Elizabeth was
sure Bingley had not been told of Jane's
Presence in London and blamed Darcy
Dr keeping it from him.
Soon after arriving at the Collins*
home, the whole party was honored, as
Mr. Collins repeatedly assured them, by a
dinner invitation from Lady Catherine de
Bourgh, Darcy's aunt and Mr. Collins'
patroness. Elizabeth found Lady Cath
erine a haughty, ill-mannered woman
and her daughter thin, sickly, and shy.
Lady Catherine was extremely fond of
inquiring into the affairs of others and
giving them unasked advice. Elizabeth
turned off the meddling old woman's
questions with cool indirectness, and saw
from the effect that she was probably the
first who had dared to do so.
Soon after Elizabeth's arrival, Darcy
came to visit his aunt and cousin. He
called frequently at the parsonage, and
782
he and Elizabeth resumed their conver
sational fencing matches. His rather
stilted attentions were suddenly climaxed
hv a proposal of marriage, but one
couched in such proud and condescend
ing terms that Elizabeth indignantly re
fused him. When he requested her rea
son for such an emphatic rejection, she
mentioned his part in separating Binglev
and Jane, and also his mistreatment of
Wickham. Angry, he left abruptly, but
the next day brought a letter answering
her charges.' He did not deny his part in
separating Jane and Bingley, but he gave
as his reasons the improprieties of Mrs.
Rennet and her younger daughters, and
also his sincere belief that Jane did not
love Bingley. As for his alleged mis
treatment of Wickham, he proved that he
had in reality acted most generously
toward the unprincipled Wickham, who
had repaid his kindness by attempting to
elope with Darcy's young sister. Eliza
beth, at first incensed at the proud tones
in which he wrote, was at length forced
to acknowledge the justice of all he said,
and her prejudice against him began to
weaken. Without seeing him again, she
returned home.
She found her younger sisters clamor
ing to go to Brighton, where the regiment
formerly stationed at Meryton had been
ordered. When an invitation came to
Lvdia from a young officer's wife, Lydia
was allowed to accept it over Elizabeths
protests. Elizabeth herself was asked by
the Gardiners to go with them on a tour
which would take them into Derbyshire,
Darcy's home county. She accepted, rea
soning that she was not very likely to
meet Darcy merely by going into the
same county with him. While they were
there, however, Mrs. Gardiner decided
tbev should visit Pemberly, Darcy's home.
Elizabeth made several excuses, but her
aunt was insistent. Then, learning that
the Darcy family was not at home, Eliza
beth consented to go.
At Pemberly, an unexpected and most
embarrassing Meeting took place between
Elizabeth and Darcy. He was more polite
than Elizabeth had ever known him to
be, and asked permission for his sister to
call upon her. The call was duly paid
and returned, but the pleasant intercourse
between the Darcys and Elizabeth's party
was suddenly cut short when a letter
came from Jane telling Elizabeth that
Lydia had run away with Wickham.
Elizabeth told Darcy what had happened,
and she and the Gardiners left for home
at once. After several days the runaway
couple was located and a marriage ar
ranged between them. When Lydia came
home as heedless as ever, she told Eliza
beth that Darcv had attended her wed
ding. Elizabetn, suspecting the truth,
learned from Mrs. Gardiner that it was
indeed Darcy who brought about the
marriage by giving Wickham money.
Soon after Lydia and Wickham left,
Bingley came back to Netherfield Park,
and with him came Darcy. Elizabeth,
nowT more favorably inclined to him than
ever before, hoped "his coming meant that
he still loved her, but he gave no sign.
Bingley and Jane, on the other hand,
were still obviously in love with each
other, and became 'engaged, to the great
satisfaction of Mrs. Bennet. Soon after
ward Lady Catherine paid the Bennets an
unexpected call. She had heard it ru
mored that Darcy was engaged to Eliz
abeth. Hoping to' marry her own daugh
ter to Darcy, she had charged down with
characteristic bad manners to order Eliz
abeth not to accept his proposal. The
spirited girl was not to be intimidated by
the bullying Lady Catherine and coolly
refused to promise not to marry Darcy.
She was far from certain she would have
another chance, but she had not long to
wonder. Lady Catherine, unluckily for
her own purpose, repeated to Darcy the
substance of her conversation with Eliza
beth, and he knew Elizabeth well enough
to surmise that her feelings toward him
had greatly changed. He returned to
Netherfield Park, and he and Elizabeth
became engaged. Pride had been humbled
and prejudice dissolved.
783
THE PRISONER OF ZENDA
Type, of work: Novel
Author: Anthony Hope (Sir Anthony Hope Hawkins, 1863-1933)
Type of ^lot: Adventure romance
Time of plot: 1880's
Locale: "Ruritania"
First published: 1894
Principal characters:
RUDOLF RASSENDYIX, an English gentleman
LAJ>Y ROSE BUEJ-ESDON, his sister-in-law
RtrixoLF, King o£ Ruritania
MICHAEL, DUKE OF STRELSAU, King Rudolf's half-brother
ANTOINETTE DE MAUBAN, in love with Michael
PRINCESS FLAVTA, hetrothed to King Rudolf
FRITZ VON TARLENHEIM, a loyal subject of the king
COLONEL SAPT, another loyal' subject
Critique:
Many novels have been written about
the intrigues and plots of royalty, but
few hold the reader's attention as does
The Prisoner of Zenda. In its pages
we meet kings and would-be kings, beau
tiful ladies, loyal subjects, and those who
would sell out their leader for the prom
ise of gold or power. There are thrills
and excitement enough for all: murder,
duels at midnight, trysts, daring rescues.
If Anthony Hope's desire was to give
his readers a few hours of pure enjoy
ment, and it seems to have been his sole
purpose in writing this novel, he was
successful. His success is confirmed by
the fact that the story is almost as
popular today as it was when first pub-
!• T_ J •*•
iisned.
The Story:
To his sister-in-law, Lady Rose Burles-
don, Rudolf Rassendyll was a great
disappointment. In the first place, he
was twenty-nine years old and had no
useful occupation. Secondly, he bore
such a striking resemblance to the Elph-
bergs, ruling house of Ruritania, that
Rose thought him a constant reminder
of an old scandal in which her husband's
family had been involved. More than
a hundred years before, a prince of the
country of Ruritania had visited Eng-
THE PRISONER OF ZENDA by Anthony Hope. By
Copyright, 1898, by Henry Holt & Co., Inc. Renewed,
land and had become involved with thft
wife of one of the Rassendyll men. There
was a child, who had the red hair and
the large straight nose of the Elphbergs.
Since that unfortunate event, five or six
descendants of the English lady and the
Ruritanian prince had had the character
istic nose and red hair of their royal
ancestor. Rose thought Rudolph's red
hair and large nose a disgrace for that
reason.
Rassendyll himself, however, had no
concern over his resemblance to the
Ruritanian royal family. A new king was
to be crowned in that country within a
few weeks, and he decided to travel to
Ruritania for the coronation, in order
to get a close view of his unclaimed
relatives. Knowing that his brother and
sister-in-law would try to prevent his
journey, he told them that he was going
to take a tour of the Tyrol. After he
left England, his first stop was Paris,
where he learned something more about
affairs in the country he was to visit.
The new king, also called Rudolf, had
a half-brother, Michael, Duke of Strel-
sau. Michael would have liked to be
come king, and it was hinted that he
would try to prevent the coronation of
Rudolf. Rassendyll also learned that
there was a beautiful lady, Antoinette
ission.of the publishers, Henry Holt & Co., Inc.
1, by A. H. Hawkins.
784
de Mauban, who loved Michael and
had his favor. She, too, was traveling
to Ruritania for the coronation.
When he reached Ruritania and found
the capital city crowded, Rassendyll took
lodging in Zenda, a small town some
fifty miles from the capital, and pre
pared to go by train for the coronation.
Zenda was part of Michael's domain,
his hunting lodge being only a few miles
from the inn where Rassendyll stopped.
Rassendyll learned also that King Rudolf
was a guest at his half-brother's hunting
lodge while waiting for the coronation.
There were more rumors of a plot against
the king and talk that Black Michael, as
he was called, planned to seize the
throne.
Rassendyll walked every day through
the woods near the hunting lodge. One
day he heard two men discussing how
much he resembled the king. The men
introduced themselves as Fritz von
Tarlenheim and Colonel Sapt, faithful
friends of King Rudolf. While they talked,
the king himself appeared. The king
had shaved his beard, but otherwise he
and Rassendyll were identical. Pleased
to meet his distant cousin, the king in
vited Rassendyll to the lodge. There the
king drank so much that Fritz and Sapt
could not wake him the next morning.
This was the day of the coronation,
and as the king slept in his stupor Fritz
and Sapt proposed a daring plan to
Rassendyll. They knew that if the king
did not appear for the coronation Black
Michael would seize the throne. Their
plan was to shave Rassendyll's beard and
dress him in the king's clothes and have
him crowned in the king's place. By
the time the ceremonies were over, the
king would have recovered, would take
his rightful place, and no one would be
the wiser. It was a dangerous gamble,
for exposure would mean death, but
Rassendyll agreed to the plot.
Fritz and Sapt locked the king in the
wine cellar and left a servant to tell him
of the plan when he awoke. Rassendyll,
with Fritz and Sapt, proceeded to the
palace. With the two men to help him,
he carried off the deception, even con
vincing the Princess Flavia that he was
the real king. His role with Flavia was
the most difficult for Rassendyll, for
he must be gracious and yet not commit
the king too far.
The success of the conspirators was
not to last. When they returned that
night to the lodge, they found the serv
ant murdered and the real king gone.
Black Michael's men had worked well.
Black Michael knew that the supposed
king was an impostor, and Rassendyll,
Fritz, and Sapt knew that Black Michael
had the real king. But neither group
dared call the other's hand. Rassendyll's
only chance was to rescue the rightful
king. Black Michael's hope was to kill
both Rassendyll and the king and thus
seize the throne and Princess Flavia for
himself. Rassendyll was attacked and
almost killed many times. Once he was
saved by a warning from Antoinette de
Mauban, for although she loved Michael
she would not be a party to murder.
Also, she did not want Michael to be
successful, for his coup would mean his
marriage to Flavia. Michael learned of
her aid to Rassendyll and held her a
semi-prisoner in the hunting lodge where
he had hidden the king.
Playing the part of the king, Ras
sendyll was forced to spend much time
with Flavia. He wanted to tell her his
real identity, but Fritz and Sapt appealed
to his honor and persuaded him that all
would be ruined if Flavia learned that
he was not the true king.
When they learned that King Rudolf
was dying, Rassendyll, Fritz, and Sapt
knew that they must take a daring chance
to rescue him. They and part of the
king's army attacked the lodge. Those
not aware of the deception were told
that Black Michael had imprisoned a
friend of the king. There was a bloody
battle both outside and inside the lodge.
Black Michael was killed and King
Rudolf wounded before the rescue was
completed. When he knew that the
785
king would live, Rassendyll realized
that his part in the deception was over.
The king sent for him and thanked him
for his brave work in saving the throne.
Princess Flavia also sent for him. She
had heen told the whole story, but her
only concern was to learn whether Ras
sendyll had spoken for himself or the
king when he had given her his love.
He told her that he would always love
only her and begged her to go away with
him. But she was too honorable to leave
her people and her king, and she re
mained in Ruritania, later to marry the
king and rule with him.
Rassendyll left Ruritania and spent
a few weeks in the Tyrol before return
ing to England. His sister-in-law, still
trying to get him to lead a more useful
life, arranged through a friend to get
him a diplomatic post. When he learned
the post would be in Ruritania, he de
clined it. Rassendyll resumed his former
idle life, with one break in his monoton
ous routine. Each year Fritz and Ras
sendyll met in Dresden, and Fritz al
ways brought with him a box containing
a rose, a token from Flavia.
PROMETHEUS BOUND
Type of work: Drama
Author: Aeschylus (525-456 B.C.)
Type of plot: Classical tragedy
Time of plot: Remote antiquity
Locale: A barren cliff in Scythia
First presented: 470 B.C.
Principal characters:
PROMETHEUS, a Titan
HEPHAESTUS, his kinsman and the god of fire
KRATOS, Might
BIA, Force
OCEANUS, god of the sea
lo, daughter of Inachus, a river god
HERMES, the winged messenger of the gods
Critique:
Displaying perfectly the Aeschylean
pattern, Prometheus Bound is a dramatic
treatment of the legend of Prometheus,
the Fire-Bearer. The spectacle of a demi
god in conflict with his destiny, defiant in
the face of severe punishment, makes for
compelling drama. The mood is one of
btarp irony and deep reflection, for the
suffering of Prometheus is a symbol of
man's inhumanity to man.
The Story:
Condemned by Zeus for giving fire to
mere mortals, the Titan Prometheus was
brought to a barren cliff in Scythia by
Hephaestus, the god of fire, and two
guards, Kratos and Bia. There he was to
be bound to the jagged cliffs with bonds
as strong as adamant. Kratos and Bia
obeyed willingly the commands of Zeus,
but Hephaestus experienced pangs of
sorrow and was reluctant to bind his
kinsman to the storm-beaten cliff in that
waste region where no man came, where
Prometheus would never hear the voice
or see the form of a human being. He
grieved that the Titan was doomed for
ever to be guardian of the desolate cliff.
But he was powerless against the com
mands of Zeus, and so at last he chained
Prometheus to the cliff by riveting his
arms beyond release, thrusting a biting
wedge of adamant straight through his
heart, and putting iron girths on both his
sides with shackles around his legs. After
Hephaestus and Bia departed, Kratos re
mained to hurl one last taunt at Prome
theus, asking him what possible aid man-
786
kind might now offer their benefactor.
The gods who gave Prometheus his name,
Forethinker, were foolish, Kratos pointed
out, for Prometheus required a higher
intelligence to do his thinking for him.
Alone and chained, Prometheus called
upon the winds, the waters, mother earth,
and the sun, to look on him and see
how the gods tortured a god. Admitting
that he must bear his lot as best he could
because the power of fate was invincible,
he was still defiant. He had committed
no crime, he insisted; he had merely
loved mankind. He remembered how the
gods first conceived the plan to revolt
against the rule of Kronos and seat Zeus
on the throne. At first Prometheus did
his best to bring about a reasonable peace
between the ancient Titans and the gods.
Failing, and to avoid further violence, he
had ranged himself on the side of Zeus,
who through the counsel of Prometheus
overthrew Kronos. Once on the throne,
Zeus parceled out to the lesser gods their
share of power, but ignored mortal man
with the ultimate plan in mind of de
stroying him completely and creating in
stead another race which would cringe
and be servile to Zeus' every word.
Among all the gods, only Prometheus ob
jected to this heartless proposal, and it
was Prometheus' courage, his act alone,
which saved man from burial in the
deepest black of Hades. It was he who
taught blind hopes to spring within man's
heart, and gave him the gift of fire.
Understanding the significance of these
deeds, he had sinned willingly.
Oceanus, brother of Prometheus, came
to offer aid out of love and kinship, but
he first offered Prometheus advice and
preached humility in the face of Zeus'
wrath. Prometheus remained proud, de
fiant, and refused his offer of help on the
grounds that Oceanus himself would be
punished were it discovered that he sym
pathized with a rebel. Convinced by
Prometheus' argument, Oceanus took sot
rowful leave of his brother.
Once more Prometheus recalled that
man was a creature without language, ig
norant of everything before Prometheus
came and told him of the rising and set
ting of stars, of numbers, of letters, of the
function of beasts of burden, of the utility
of ships, of curing diseases, of happiness
and lurking evil, of methods to bring
wealth in iron, silver, copper, and gold
out of the earth. In spite of his torment,
he rejoiced that he had taught all arts
to humankind.
lo, a young girl changed into a heifer
and tormented by a stinging gadfly, came
to the place where Prometheus was
chained. Daughter of Inachus, a river
god, she was beloved by Zeus. His
wife, Hera, out of jealousy, had turned
lo into a cow and set Argus, the hundred-
eyed monster, to watch her. When Zeuj1
had Argus put to death, Hera sent a gad
fly to sting lo and drive her all over the
earth. Prometheus prophesied her future
wanderings to the end of the earth, pre
dicting that the day would come when
Zeus would restore her to human form
and together they would conceive a son
named Epaphus. Before lo left, Prome
theus also named his own rescuer, Her
cules, who with his bow and arrow would
kill the eagle devouring his vital parts.
Hermes, messenger of Zeus, came to
see Prometheus and threatened him with
more awful terrors at the hands of angry
Zeus. Prometheus, still defiant, belittled
Hermes' position among the gods and
called him a mere menial. Suddenly there
was a turbulent rumbling of the earth,
accompanied by lightning, thunder, and
blasts of wind, as angry Zeus shattered
the rock with a thunderbolt and hurled
Prometheus into an abysmal dungeon
within the earth. Such was the terrible
fate of the Fire-Bearer who defied th*1
gods.
787
PROMETHEUS UNBOUND
Type of work; Poem
Author: Percy Bysshe Shelley (1792-1822)
Type of 'plot: Lyric drama
Time of plot: Remote antiquity
Locale: Asia
First -published; 1820
Principal characters;
PROMETHEUS, a Titan
EARTH, his mother
ASIA, his wif e
JUPITER, king of the gods
DEMOGORGON, supreme power, ruling the gods
MERCURY, messenger of the gods
HERCULES, hero of virtue and strength
PANTHEA, and
IONE, the Oceanides
Critique:
This poem, called a lyric drama by the
author, is more lyric than dramatic. The
poem owes its form to Shelley's study of
Greek drama, however, and the char
acters are drawn from Greek mythology.
Through the combined mediums of
drama and poetry Shelley expounds his
idea that universal love is the one solu
tion to mankind's ills. Prometheus Un
bound is valuable as a key to Shelley's
philosophy; it is also enjoyable as a work
of art.
The Story:
Prometheus, the benefactor of man
kind, was bound to a rocky cliff by order
of Jupiter, who was jealous of the Titan's
power. Three thousand years of torture
Prometheus suffered there, while heat and
cold and many torments afflicted him. An
eagle continually ate at his heart. But
Prometheus still defied the power of
Jupiter.
At last Prometheus asked Panthea and
lone, the two Oceanides, to repeat to him
the curse he had pronounced upon Jupiter
when Jupiter had first begun to torture
him. But neither Earth, his mother, nor
the Oceanides would answer him. At
kst the Phantasm of Jupiter appeared
and repeated the curse. When Prome
theus heard the words, he repudiated
them. Now that he had suffered tor
tures and found that his spirit remained
unconquered, he wished pain to no living
thing. Earth and the Oceanides mourned
that the curse had been withdrawn, for
they thought Jupiter had at last con
quered Prometheus* spirit.
Then Mercury approached with the
Furies. Mercury told the captive that he
would suffer even greater tortures if he
did not reveal the secret which Prome
theus alone knew — the future fate of
Jupiter. Jupiter, afraid, wished to avert
catastrophe by learning the secret, and
Mercury promised that Prometheus
would be released if he revealed it. But
Prometheus refused. He admitted only
that he knew Jupiter's reign would come
to an end, that he would not be king of
the gods for all eternity. Prometheus said
that he was willing to suffer torture until
Jupiter's reign ended. Although the
Furies tried to frighten him by describing
the pains they could inflict, they knew
they had no power over his soul.
The Furies mocked Prometheus and
mankind. They showed him visions of
blood and despair on earth; they showed
the Passion of Christ and men's disregard
for His message of love. Fear and hypoc
risy ruled; tyrants took the thrones of the
world.
A group of spirits appeared and pro
phesied that Love would cure the ills of
mankind. They prophesied also that
Prometheus would be able to bring Love
788
to earth and halt the reign of evil and
grief.
When the spirits had gone, Prome
theus acknowledged the power of Love,
for his love for Asia, his wife, had en
abled him to suffer pain without sur
rendering.
While Asia mourned alone in a lovely
valley for her lost husband, Panthea ap
peared to tell of two dreams she had had.
In one, she saw Prometheus released from
bondage and all the world filled with
sweetness. In the other dream she had
received only a command to follow. Just
then the echoes in the valley broke their
silence. They called Asia and Panthea
to follow them. The listeners obeyed.
Asia and Panthea followed the echoes
to the realm of Demogorgon, the su
preme power ruling the gods. They
stopped on a pinnacle of rock, but spirits
beckoned them down into Demogorgon's
cave. There he told them that he would
answer any question they put to him.
When they asked who had made the
living world, he replied that God had
created it. Then they asked who had
made pain and evil. Prometheus had
given knowledge to mankind, but man
kind had not eradicated evil with all the
gifts of science. They asked whether
Jupiter was the source of these ills, the
evil master over man.
Demogorgon answered that nothing
which served evil could be master, for
only eternal Love ruled all. Asia asked
when Prometheus would gain his free
dom and bring Love into the world to
conquer Jupiter. Demogorgon then
showed his guests the passage of the
Hours. A dreadful Hour passed, marking
Jupiter's fall; the next hour was beautiful,
marking Prometheus' release. Asia and
Panthea accompanied this spirit of the
Hour in her chariot and passed by Age,
Manhood, Youth, Infancy, and Death
into a new paradise.
Meanwhile, Jupiter, who had just mar
ried Thetis, celebrated his omnipotence
over all but the soul of man. Then De
mogorgon appeared and pronounced judg
ment on Jupiter. Jupiter cried for mercy.,
but his power was gone. He sank down
ward through darkness and ruin.
At the same time Hercules approached
Prometheus. In the presence of Asia.
Panthea, the Spirit of the Hour, and
Earth, the captive was set free. Joy
fully, Prometheus told Asia how they
would spend the rest of their days to
gether with Love. Then he sent the
Spirit of the Hour to announce his re
lease to all mankind. He kissed Earth,
and Love infused all of her animal, vege
table, and mineral parts.
The Spirit of Earth came to the cave
where Asia and Prometheus lived and
told them of the transformation that had
come over mankind. Anger, pride, insin
cerity, and all the other ills of man had
passed away. The Spirit of the Hour
reported other wonders that took place.
Thrones were empty, and each man was
king over himself, free from guilt or pain.
But he was still subject to chance, death,
and mutability, without which he would
oversoar his destined place in the world.
Later in a vision Panthea and lone
saw how all the evil things of the world
lay dead and decayed. Earth's happiness
was boundless, and even the moon felt
the beams of Love from Earth as snow
melted on its bleak lunar mountains.
Earth rejoiced that hate, fear, and pain
had left mankind forever. Man was now
master of his fate and of all the secrets
of Earth.
PROSERPINE AND CERES
Type of work: Classical myth
Source: Folk tradition
Type of 'plot: Allegory of fertility and death
Time of 'plot: Remote antiquity
Locale: Mediterranean region
First transcribed: Unknown
789
Prind-pal characters:
CEKES, goddess of fertility
PROSERPINE, her daughter
HADES, king of the underworld
VENUS, goddess of love
CUPID, her son
TRJPTOLEMUS, builder of a temple to Ceres
ARETSUSA, a fountain nymph
ALPHEUS, a river god
DIANA, goddess of the hunt
JUPITER, king of the gods
MERCTJB.Y, messenger of the gods
Critique:
Prominent in popularity among the
legends created by the Greeks and the
Romans is the story of Proserpine and
Ceres. As a fable which identifies itself
with the simplest explanation of the sea
sons, it has lived by being transferred in
oral legend, in poetry, and in prose from
generation to generation. Although the
story has changed in certain details, its
basic structure remains. Its hold upon
the imagination of the Western world
lies in its appeal as a record of man's
search for a beautiful interpretation of
grief.
The Story:
One of the Titans, Typhoeus, long
imprisoned for his part in the rebellion
against Jupiter, lay in agony beneath
Mount Aetna on the island of Sicily in
the Mediterranean Sea. When Typhoeus
groaned and stirred, he shook the sea and
the island of Sicily so much that the god
of the underworld, Hades, became fright
ened lest his kingdom be revealed to the
light of day.
Rising to the upper world to make en
trance to his kingdom, Hades was dis
covered by Venus, who ordered her
son Cupid to aim one of his love darts
into the breast of Hades and so cause him
to fall in love with Proserpine, daughter
of Ceres, goddess of fertility.
Proserpine had gone with her com
panions to gather flowers by the banks of
a stream in the beautiful vale of Enna.
There Hades, stricken by Cupid's dart,
saw Proserpine, seized her, and lashed his
fiery horses to greater speed as he carried
her away. In her fright the girl dropped
her apron, full of flowers she had gath
ered. At the River Cyane, Hades struck
the earth with his scepter, causing a
passageway to appear through which he
drove his chariot and took his captive to
the underworld.
Ceres sought her daughter everywhere.
At last, sad and tired, she sat down to rest.
A peasant and his daughter found her in
her disguise as an old woman, took pity
on her, and urged her to go with them
to their rude home. When they arrived
at the house they found that their only
son, Triptolemus, was dying. Ceres first
gathered some poppies. Then, kissing
the child, she restored it to health. The
happy family bade her join them in their
simple meal of honey, cream, apples, and
curds. Ceres put some of the poppy juice
in the boy's milk and that night when he
was sleeping she placed the child in the
fire. The mother, awakening, seized her
child from the flames. Ceres assumed her
proper form and told the parents that it
had been her plan to make the boy im
mortal. Since the mother had hindered
that plan, she would teach him the use
of the plow.
Then the goddess mother continued
her search for Proserpine until she re
turned to Sicily. There, at the very spot
Hades had entered the underworld, she
asked the river nymph if she had seen
anything of her daughter. Fearful of be
ing punished, the river nymph refused
to tell what she had seen but gave to
Ceres the belt of Proserpine, which the
girl had lost in her struggles.
790
Ceres decided to take revenge upon the
land, to deny it further gift of her favors
so that herbage and grain would not
grow. In an effort to save the land which
Ceres was intent upon cursing, the foun
tain Arethusa told the following story
to Ceres. Arethusa had been hunting in
the forest, where she was formerly a
woodland nymph. Finding a stream, she
decided to bathe. As she sported in the
water, the river god Alpheus began to
call her. Frightened, the nymph ran, the
god pursuing.
The goddess Diana, seeing her plight,
changed Arethusa into a fountain which
ran through the underworld and emerged
in Sicily. While passing through the
underworld, Arethusa saw Proserpine,
now queen of the dead, sad at the separa
tion from her mother but at the same
time bearing the dignity and power of
the bride of Hades.
Ceres immediately demanded help
from Jupiter, ruler of the gods. The king
of the gods said that Proserpine should
be allowed to return to the valley of
Enna from which she had been abducted
only if in the underworld she had taken
no food.
Mercury was sent to demand Proser
pine for her mother. But Proserpine had
eaten of a pomegranate. Because she had
eaten only part of the fruit, a compromise
was made. Half of the time she was to
pass with her mother and the rest with
Hades. Ceres, happy over the return of
Proserpine during one half of each year,
caused the earth to be fertile again during
the time Proserpine lived with her.
Ceres remembered her promise to the
peasant boy, Triptolemus. She taught
him to plow and to plant seed, and he
gathered with her all the valuable seeds
of the earth. In gratitude the peasant's
son built a temple to Ceres in Eleusis
where priests administered rites called the
Eleusinian mysteries. Those rites sur
passed all other Greek religious celebra
tions because in the mysteries of nature,
men saw symbolized the death of man
and the promise of his revival in future
life.
THE PURPLE LAND
Type Of work: Novel
Author: W. H. Hudson (1841-1922)
Type of plot: Adventure romance
Time of plot: Nineteenth century
Locale: Uruguay and Argentina
First published: 1885
Principal characters:
RICHARD LAMB, an English adventurer
PAQUITA, his wife
DONA ISIDORA, her aunt
LUCERO, a horse tamer
MARCOS MARCO, General Coloma
MARGARITA, his daughter
DON PERALTA, a mad landowner
DEMETRIA PERAJLTA, his daughter
Critique:
The Purple Land is a story of romantic
adventure, perhaps not quite so entertain
ing as Green Mansions, but with merits
of its own. The reader gets an insight
into the lives and environment of the
people of an unhappy far-off purple land
in revolutionary South America. Hudson
is one of the great masters of sensuous
prose. Perhaps the reason for this stylistic
skill is the fact that he was a botanist
and the keenness of observation required
in scientific writing is reflected in hif
choice of adjectives and verbs.
THE PURPLE LAND by W. H. Hudson. Published by E. P. Dutton & Co., Inc.
791
The Story:
Richard Lamb married Paquita with
out her father's consent and eloped with
her to Montevideo. There they went to
see Dona Isidora, a relative of Paquita,
and stayed with her for some time. Dona
Isadora gave Lamb a letter to the overseer
of the Estancia de la Virgen de los
Desamparados, a ranch called in English
Vagabond's Rest.
Lamb departed with the letter, and in
the Florida department he began to learn
the history of the unhappy land of Uru
guay. The Argentines and Brazilians in
terfered in the country's politics, and, as
if the foreign influences were not enough
to cause trouble, there was constant fric
tion between the country and the town
districts. At a pulperia, or tavern, he met
Lucero, a horse tamer, and went to stay at
his house; but he soon left Lucero and
continued his journey to the estancia.
Lamb took advantage of rustic hospital
ity throughout his journey. One night
he stayed at a house in which lived a
family with many children. The children
were all named after particular Christian
concepts, such as Conception and Ascen
sion. However, there were far too many
insects infesting the house for his com
fort, and he departed early the next day.
Lamb continued his journey through
Lucuarembd department and then en
tered the county of his destination. There
he discovered that Dona Isidora's letter
meant nothing; there was no employment
for him.
During his stay at the estancia he had
a fight with a man called Barbudo and
gained a reputation for being a great
fighter. When he discovered that his
reputation as a fighter would only lead
to more and bloodier fights, he decided
to return to Montevideo.
At Toloso, Lamb met a group of Eng
lish expatriates in a pulperia, and he re
mained with his fellow countrymen for
a time. Finally he found them to be
quite worthless and quarreled with them.
Then he headed once more for Monte
video. In the Florida department he met
a lovely girl named Margarita and helped
her get her doves from a branch in a tree.
Margarita was so different from the rest
of her family that Lamb could not help
wondering how she came to be bom into
such a rough, coarse family. There he
met Anselmo, who was an indefatigable
talker and teller of pointless tales. There,
too, he met Marcos Marco.
Lamb and Marcos started out to go to
Montevideo together, but on the way
they were captured by an army detail and
taken prisoners because Lamb had neg
lected to get a passport. They were taken
before a justice of the peace at Las
Cuevas. Through the machinations of
the justice's fat wife, Lamb was free to
move about until his trial. Marcos, how
ever, was imprisoned. Lamb talked the
fat wife into giving him the key to the
fetters which bound his friend Marcos.
Lamb freed his friend so that Marcos
would be able to sleep comfortably in his
captivity, but Marcos took advantage of
his opportunity and escaped during the
night. Lamb, being a lover of nature,
captured a small snake and used it as a
means to ward off the attentions of the
justice's wife. He was finally released.
Later, at the estate of Alday, he first
heard of General Santa Coloma, who in
reality was Marcos Marco. He told Anita,
an orphan living with the Aldays, the
story of Alma, who wanted a playmate,
and Little Niebla. Anita wanted a play
mate too and the next morning she ran
off to find one. Monica, the daughter of
the household, searched for and found
Anita. Monica then asked Lamb to tell
her a story out of the great store of anec
dotes he knew.
Lamb was taken to see General Colo-
ma, whom he recognized as his friend
Marcos. He joined the general and
fought in the battle of San Paulo. The
general explained to Lamb the mystery
of Margarita; she was Coloma's daughter.
When the battle of San Paulo ended
badly for the general's army, Lamb es
caped. At a pulperia he met Gandara,
792
who wanted to take him prisoner because
he had been a member of General Colo-
ma's army. Lamb shot Gandara and
escaped. He stayed for a time at the
home of an expatriate Scotsman named
John Carrickfergus, but soon he contin
ued his journey to Montevideo.
His next important stop was at the
home of Don Peralta, who was demented.
Don Peralta had lost a son, Calixto, who
had been killed in battle several years be
fore. Demetria Peralta, the daughter, was
the heir to the estate, but she and every
one else were under the thumb of Don
Hilario, the supervisor of the estate.
When Lamb rode away, he left with
Santos, a servant, who told him the his
tory of the Peralta family. Demetria
wished to marry Lamb and thus be able
to take over and administer the property
which was really hers. Lamb could not
marry her, but he arranged to abduct her
and take her to Montevideo, where she
would be safe from Hilario. When they
arrived safely in Montevideo, Paquita
looked after Demetria as if she were her
own sister. From Montevideo they went
to Buenos Aires, where the unsanctioned
marriage of Lamb and Paquita promised
to give still more trouble for the young
couple.
QUALITY STREET
Type of work: Drama
Author: James M. Barrie (1860-1937)
Type of 'plot: Comedy of manners
Time of plot: Napoleonic wars
Locale: English provincial village
First presented: 1902
Principal characters:
Miss PHOEBE THROSSEL, a spinster
Miss SUSAN THROSSEL, her sister
VALENTINE BROWN, loved by Phoebe
Critique:
This play contains acute if not very
penetrating observations on the problem
of a wartime love affair in which the
lovers are apart for ten years, during
which time both change superficially.
Most of the action is based on the hero
ine's successful attempt to bring her
lover to his senses. Barrie employs dra
matic irony quite effectively throughout
and the minimum of privacy in the lives
of people in a small village is brought
out with good comic effect.
The Story:
In the days of the Napoleonic wars,
two sisters, Phoebe and Susan Throssel,
lived in a little house in Quality Street,
the main thoroughfare of a provincial
English village. Both were single, both
were pretty. One day they entertained a
needlework party in their charming blue
and white parlor. One of the ladies pres
ent repeated a rumor that a gentleman
of the village had enlisted to go to the
wars. All wondered who the gentleman
could be.
Phoebe told her sister that Valentine
Brown, a dashing doctor who had come
to the village two years before, had
walked with her in the street, and had
said that he wanted to tell her something
important. The retiring Phoebe had asked
Brown to come to the house to tell her.
Both sisters assumed that Brown was
coming to propose marriage to Phoebe, a
likely conclusion since a venture in which
Brown had invested their savings had
failed and he would naturally feel re'
QUALITY STREET by James M. Barrie, from THE PLAYS OF JAMES M. BARRIE. By permission o/
the publishers, Charles Scribner'a Sons. Copyright, 1914, by Charles Scribner's Son», 1918, 1928, by J. M
Same.
793
sponslble for their welfare. In anticipa
tion of his proposal, Susan gave Phoebe
a wedding dress which she had made
for her own marriage, a wedding which
had. never materialized.
But to Phoebe's disappointment and
humiliation, Brown said nothing of mar
riage. Instead, he told them that he
vvas the man who had enlisted. He de
clared his friendship for both sisters
and his liking for the little blue and
white parlor, but he gave no indication
of love for Phoebe, who had given her
heart to him. Ironically, Phoebe revealed
her disappointment by telling Brown
that she had thought he was going to
announce his marriage and that they
were curious to know the name of the
fortunate young lady. The sisters, out
of pride, did not mention that the loss
of their investment left them all but
destitute. They planned to set up a
school in their house.
Ten years later Susan and Phoebe
were still conducting their school, which
had prospered in spite of their many
shortcomings as teachers. They were
loved, but hardly respected by the older
children. Dancing and the more gende
acquirements they taught with pleasure,
but they detested Latin, and would teach
algebra only at the request of their pupils*
parents. They could not bring them
selves to whip the older boys, most of
whom they feared.
The wars were over at last, and every
where people were celebrating the vic
tory at Waterloo. On Quality Street all
but Susan and Phoebe were preparing
for a village ball that night. While
Phoebe was out of the house, Captain
Valentine Brown, who had lost his left
hand during a battle on the continent,
came to call on his dear old friends. Dis
appointed at the disappearance of the de
lightful blue and white parlor, he paid his
respects to Miss Susan and asked to see
Phoebe of the ringlets and the dancing
eyes. When Phoebe returned, Captain
Brown could not hide his dismay at the
way she had changed into a drab, mouse
like spinster. Phoebe was hurt by his
unconcealed feelings. She was further
hurt later in the day when a former
pupil, now Ensign Blades and a veteran,
asked her, under duress, to attend the
ball with him. Miserable, Phoebe de
clined. But Phoebe was only thirty
and tired of teaching. Inspired by Susan
and by Patty, the maid, she transformed
herself into the Phoebe of ten years
before. When Brown came again, he
failed to recognize Phoebe, and he was
told that she was the sisters' niece. Com
pletely taken in and charmed by "Miss
Liwy," he asked her to accompany him
to the ball. "Liwy" teased him, to his
discomfort, about his gray hairs.
At later balls and parties of the vic
tory celebration, "Livvy" continued to
capture the fancy of all the young men
of the village. Difficulties posed by the
dual existence of Phoebe-"Liwy" were
met by the explanation that Phoebe or
"Livvy" was either out or indisposed.
At one ball the swains hovered about
"Liwy" constantly, but Captain Brown
stoudy held his place as her escort. The
sisters' gossipy spinster neighbors, who
lived across the street and observed their
comings and goings, began to suspect
that something was not quite right. They
were almost in a position to expose
Phoebe at the ball, but Susan saved the
day by lending another young lady
"Liwy's" coat. Captain Brown, alone
with "Liwy," told her of his love for
Phoebe, explaining that he had fallen in
love with Phoebe during the balls be
cause of "Liwy's" resemblance to the
Phoebe of days gone by. "Livvy," the
flirt, had made Captain Brown realize
that he was no longer twenty-five and
that he preferred, after all, the retiring,
modest, quiet Phoebe.
School over, the parlor was redecorated
with its blue and white frills for the
summer holiday. Phoebe, tiring of her
dual role, announced that "Liwy" had
been taken sick, and became the tired
schoolteacher again. The gossips who
came to call were more suspicious than
794
ever because no doctor had visited
"Livvy." They almost discovered that
there was no one in the sick room, but
they prudently did not go beyond the
partly opened door.
That day Captain Brown came to pro
pose to Phoebe. When the sisters left
the parlor for a moment, he entered the
sick room and found it empty. Then he
heard the entire story from Patty, the
maid. Captain Brown was amused, but
carried on the masquerade when "Liwy"
came out of the sick room and announced
her recovery. The sisters were stupefied
when he offered to take "Liwy" to hex
home twenty miles away. They stepped
out of the parlor to have a hurried con
sultation, but they knew that Captain
Brown had found them out when they
heard him talking to a "Livvy" he de
vised with pillows and a shawl and which
he carried out to a waiting coach, to the
satisfaction of the gossips who were
watching from their windows.
Miss Susan Throssel announced the
forthcoming marriage of her sister Phoebe
to Captain Valentine Brown. The re
opening of school was quite forgotten.
QUENTIN DURWARD
Type of work: Novel
Author: Sir Walter Scott (1771-1832)
Type of plot: Historical romance
Time of plot: 1468
Locale: France and Flanders
First published: 1823
Principal characters:
QUENTIN DURWARD, a Scottish cadet
LUDOVTC LESLEY (LE BALAFRE), his maternal uncle
ISABELLE, Countess of Croye, disguised as Jacqueline, a servant
LADY HAMELINE, her aunt
KING Louis XI
COUNT PHILIP DE CREVECOEUR, of Burgundy
CHARLES, Duke of Burgundy
WILLIAM DE LA MARCK, a Flemish oudaw
HAYRADDEsr MAUGRABIN, a Bohemian
Critique:
Quentin Durward was one of the many
Scotsmen who sought their fortunes
abroad in the service of foreign kings,
of a small river near the casde of Plessis-
les-Tours, in France, he found the river
in flood. Two people watched him from
O O ' 1 i
and the story of his adventures is the first the opposite bank. They were King Louis
of Scott's novels with a foreign setting.
There is no doubt in the mind of the
reader that Scott liked this Scotsman very
much because the character of the hero
is the idealized younger son who goes
out to seek fortune with nothing but his
own wit and bravery. Quentin Durward
is among the best of Scott's novels, its
authenticity little marred by some slight
reorganization of actual events to imple
ment the plot.
The Story:
When Quentin Durward, a young
Scottish gentleman, approached the ford
XI in his common disguise of Maitre
Pierre, a merchant, and Tristan 1'Her-
mite, marshal of France. Quentin entered
the flood and nearly drowned. Arriving
on the other side and mistaking the king
and his companion for a respectable
burgher and a butcher, he threatened the
two with a drubbing because they had
not warned him of the deep ford. Amused
by the lad's spirit and daring, Maitre
Pierre took him to breakfast at a nearby
inn to make amends. At the inn Quentin
met a beautiful young peasant girl, Jac
queline. Actually, Jacqueline was Isa-
belle, Countess of Croye. Quentin tried
795
to learn why the merchant, Maitre Pierre,
acted so much like a noble. He saw many
other things which aroused his curiosity
but for which he found no explanation.
Shortly afterward Quentin met Ludo-
vic Lesley, known as Le Balafre, his
maternal uncle, who was a member of
King Louis' Scottish Archers. Le Balafre
was exceedingly surprised to leam that
Quentin could read and write, something
which neither a Durward nor a Lesley
had heretofore been able to do.
Quentin discovered the body of a man
hanging from a tree. When he cut the
man down, he was seized by two officers
of Tristan 1'Heimite. They were about
to hang Quentin for his deed when he
asked if there were a good Christian in
the crowd who would inform Le Balafre*
of what was taking place. A Scottish
archer heard him and cut his bonds.
While the two were defending them
selves from the mob, Le Balafre rode up
with some of his men and took command
of the situation, haughtily insisting that
Quentin was a member of the Scottish
Archers and beyond the reach of the mar-
shaFs men. Quentin had not joined the
guards as yet, but the lie saved his life.
Le Balafr6 took Quentin to see Lord
Crawford, the commander of the guards,
to enroll him. When the Scottish Archers
were summoned to the royal presence,
Quentin was amazed to see that Maitre
Pierre was King Louis.
Count Philip de Crevecoeur arrived at
the castle and asked audience with the
king in the name of his master, the Duke
rf Burgundy. When the king admitted
Je Crevecoeur, the messenger presented
a list of wrongs and oppressions, com
mitted on the frontier, for which the
Duke of Burgundy demanded redress.
The duke also requested that Louis cease
his secret and underhand dealings in the
towns of Ghent, Liege and Malines, and,
further, that the king send back to Bur
gundy, under safeguard, the person of
Isabelle, Countess of Croye, the duke's
ward, whom he accused the king of har
boring in secret. Dissatisfied with the
king's replies to these demands, de Creve
coeur threw his gauntlet to the HOOT
of the hall. Several of the king's attend
ants rushed to pick it up and to accept
the challenge, but the king ordered the
Bishop of Auxerre to lift the gauntlet and
to remonstrate with de Crevecoeur for
thus declaring war between Burgundy
and France. The king and his courtiers
then left to hunt wild boars.
During the chase Quentin Durward
saved the king's life by spearing a wild
boar when Louis slipped and fell before
the infuriated beast. The king decided
to reward Quentin with a special mission.
He was ordered to stand guard in the
room where the king entertained de
Crevecoeur and others, and at a sign from
the king Quentin was to shoot the Bur-
gundian. But the king changed his mind;
the signal was not given. Then the king
made Quentin the personal bodyguard
of Isabelle and her aunt, Lady Hameline,
on their way to seek the protection of the
Bishop of Liege.
Quentin set out with the ladies to
conduct them to Liege. In the party was
Hayraddin Maugrabin, a Bohemian,
whose brother it was whom Quentin had
cut down earlier. On the road they were
assaulted by the Count de Dunois and
the Duke of Orleans. Quentin defended
himself with great courage and received
timely help from his uncle, who arrived
with a body of Scottish Archers. Le
Balafre took de Dunois prisoner. Noth
ing untoward occurred until the small
party reached Flanders. There Quentin
discovered, by following Hayraddin, that
a plot had been hatched to attack his
party and carry off the women to William
de la Marck, the Wild Boar of Ardennes.
Quentin frustrated these plans by going
up the left bank of the Maes instead of
the right. He proceeded safely to Liege,
where he gave over the women into the
protection of the bishop at his castle of
Schonwaldt. Four days later William de
la Marck attacked the castle and captured
it during the night. Lady Hameline es
caped. In the bishop's throne room in the
796
castle William de la Marck murdered the
churchman in front of his own episcopal
throne. Quentin, aroused by the brutality
of William, stepped to the side of Carl
Eberson, William's son, and placed his
dirk at the boy's throat, threatening to
kill the lad if William did not cease his
butchery. In the confusion Quentin
found Isabelle and took her safely from
the castle in the disguise of the daughter
of the syndic of Liege. They were pur
sued by William's men, but were rescued
by a party under Count de Cr<Nvecoeur,
who conducted them safely to the court
of the Duke of Burgundy at Peroune.
The king came to the castle of the
Duke of Burgundy, asserting the royal
prerogative of visiting any of his vassals.
Disregarding the laws of hospitality, the
duke imprisoned Louis and then held a
council to debate the difficulties between
France and Burgundy. Hayraddin ap
peared as a herald from William de la
Marck, who had married the Lady Ham-
eline. But Toison d'Or, the duke's herald,
unmasked Hayraddin because he knew
nothing of the science of heraldry. The
duke released Hayraddin and set his
fierce boar hounds upon him, but ordered
the dogs called off before they tore Hay
raddin to shreds. Then he ordered that
Hayraddin be hanged with the proper
ceremony.
The king and the duke also debated
the disposal of Isabelle's hand and for
tune. But Isabelle had fallen in love
with Quentin and announced that she
preferred the cloisrer to any other alliance.
The duke solved the problem, at least to
his satisfaction, by declaring that Isa
belle's hand would be given to the man
who brought him the head of William de
la Marck.
The king and the duke joined forces
to assault Liege. Their combined forces
gallantly besieged the city but were forced
to go into bivouac at nightfall. That night
William made a foray but was driven
back into the city. Next day the forces
of the king and the duke attacked once
more, made breaches in the wall, and
poured into the city. Quentin came face
to face with William de la Marck, who
rushed at him with all the fury of the
wild boar for which he was named. Le
Balafre' stood by and roared out for fair
play, indicating that this should be a
duel of champions. At that moment
Quentin saw a woman being forcibly
dragged along by a French soldier. When
he turned to rescue her, Le Balafre" at
tacked de la Marck and killed him.
Le Balafr£ was announced as the man
who had killed de la Marck, but he gave
most of the credit to Quentin's valiant
behavior and deferred to his nephew.
While it was agreed that Quentin was
responsible for de la Marck's death, there
was still the question of his lineage,
which the duke questioned. Indignant,
Le Balafre* recited the pedigree of
Quentin and thereby proved his gentility.
Without more ado, Quentin and the
Countess Isabelle were betio<tfoed.
QUO VADIS
Type of work: Novel
Author: Henryk Sienkiewicz (1846-1916)
Type of plot: Historical novel
Time of plot: c. A. D. 64
Locale: Rome
First published: 1895
Principal characters:
VINICIUS, a young Roman patrician
LYGIA, a foreign princess whom Vinicius loves
PETRONIUS, Vinicius' uncle, intimate friend of Nero
NERO, the Roman emperor
CHILD, a Greek sycophant
PETER, leader of the Christians
TIGELUNUS, Petronius' enemy, Nero's friend
797
Critique:
Quo Vadis is a tremendous achieve
ment, both as a historical re-creation and
as a vivid and dramatic work of fiction.
'Those who enjoy learning history by
reading novels will find it extremely
satisfactory. Others who are willing to
settle for a good story will be moved
by its sharply depicted characters, its
tremendous tensions and energy. No
one has succeeded better than Sienkie-
wicz in portraying the broad panorama
of Roman civilization in the last, de
generate days of the Empire, and no
one else has so credibly presented the
early Christians as real, live people.
The Story:
When Vinicius returned to Rome,
after duty in the colonies, he called on
his uncle, Petronius, who was one of
the most influential men in Rome. A
friend of the Emperor Nero, Petronius
owned a beautiful home, choice slaves,
and numerous objects of art. Petronius
had no delusions about the emperor.
He knew quite well that Nero was
coarse, conceited, brutal, thoroughly evil.
Petronius was happy to see his hand
some young nephew. Vinicius had fal
len in love with Lygia, daughter of a
foreign king, now Hving with Aulus
Plautius and Pomponia. He asked his
uncle to help him get Lygia as his con
cubine. Petronius spoke to Nero, and
Lygia was ordered brought to the palace.
The giant Ursus was sent as Lygia's de
voted servant by her foster parents.
At a wild orgy in the palace, Vinicius
attempted to make love to Lygia.
Through the watchfulness of Acte, who
was a Christian and a former concubine
of Nero, he did not succeed. Lygia
herself was a Christian and she feared
both the lust of Vinicius and that of
the emperor himself. Then Acte re
ceived information that Lygia would be
handed over to Vinicius. At the same
time, the daughter of the Empress Au
gusta died. The empress and her circle
believed that Lygia had bewitched the
child. Alarmed at the dangers threaten
ing the girl, Acte and Ursus planned
Lygia's escape.
That night the servants of Vinicius
came and led Lygia away from the pal
ace. Meanwhile Vinicius waited at his
house, where a great feast was to take
place in honor of his success in securing
Lygia. But Lygia never arrived, for
on the way to his house a group of
Christians had suddenly attacked the
servants of Vinicius and rescued the
girl. Her rescuers took Lygia outside
the city walls to live in a Christian
colony.
Vinicius was furious. Petronius sent
some of his own men to watch the
gates of the city. Day after day Vinicius
grew more and more upset. Finally,
Chilo, a Greek who passed as a philoso
pher, offered for a sufficient reward
to find Lygia. By pretending to be a
convert, he learned where the Chris
tians met in secret. He and Vinicius,
together with a giant named Croton,
went there, and then followed Lygia to
the house where she was staying. When
they attempted to seize the girl, Ursus
killed Croton. Vinicius was injured in
the scuffle. For a few days he stayed
with the Christians who took care of
him. Lygia herself nursed him until
she became aware of her love for the
pagan patrician. Afterward, rather than
succumb to temptation, she left him to
the attentions of others.
Vinicius had heard the Christians
speaking at their meeting. While re
cuperating, he was amazed at their good
ness, at their forgiveness, at their whole
religious philosophy. He heard their
leader, Peter, talk of Christ and of
Christ's miracles, and his mind became
filled with odd and disturbing thoughts.
He realized that he must either hate
the God who kept Lygia from him, 01
QUO VADIS by Henryk Sienkiewicz. Translated by Jeremiah Curtin. By permission of Mr. J. C. Cardell
and the publishers, Little, Brown & Co. Copyright, 1896, 1897, 1900, by Jeremiah Curtin. Renewed, 1924,
1925, 1927, by Alma Mary Curtin,
798
love Him. Strangely enough, he became
convinced that he no longer had the
desire to take Lygia by force. He main
tained his contacts with the Christians.
At last, after he had accepted their faith,
Lygia agreed to marry him.
In the meantime Nero had gone to
Antium. There the noble Tigellinus
planted in his mind the idea that he
should burn Rome in order to write and
sing a poem about the tremendous catas
trophe. Accordingly, Nero fired Rome,
and almost all of the city was destroyed.
Vinicius rushed from Antium to save
Lygia. Luckily, she had left the city
before the fire gained headway. The
populace was angry and violent about
the fire. Rebellion was in the air. The
empress and the Jews at court persuaded
Nero to blame the Christians for the fire.
Chilo, who had been befriended by the
Christians and whose abominable crimes
had been wiped away by Christian for
giveness, turned traitor. He gave the
emperor all the information he had
about the Christians and led the guards
to the hiding places of the sect. Cruel
persecutions began.
Petronius tried desperately to stop
Nero and save Vinicius. Failing in his
attempt, he knew that his own days were
numbered. The Christians were crammed
first into prisons and then brought
into the arena for the entertainment of
the populace. Virgins were raped by the
gladiators and then fed to starving lions.
Christians were crucified, burned alive.
After Lygia had been seized and im
prisoned, Vinicius failed in an attempt
to rescue her.
At last her turn came to be led into
the arena to amuse the brutal populace.
Stripped, she was tied to the back of
a raging bull. When the bull was sent
running into the arena, Ursus rushed
forward and locked his strong arms
around the animal. To the astonish
ment of all, the bull yielded and died.
Then the people demanded that Lygia
and Ursus be set free, and the emperor
had to obey the public clamor. Petronius
advised Vinicius that they should all
leave the city, for Nero had subtle ways
of removing people who had offended
him.
The persecutions continued, the spec
tacles in the arena growing more and
more ghastly. At last the people sick
ened of the bestial tortures. One of the
dying Christians looked straight at Nero
and accused him of all his infamous
crimes. While Glaucus, a martyr, was
being burned alive, he looked at Chilo,
the Greek who had betrayed them.
Glaucus, who had been left for dead
by Chilo, forgave the Greek who had
caused the Christian's wife and children
to be sold into slavery. Moved by the
dying man's mercy, Chilo cried out in
a loud voice that the Christians were
innocent of the burning of Rome, that
the guilty man was Nero. Despairing
of his own fate, Chilo was on the point
of complete collapse. But Paul of Tarsus
took him aside and assured him that
Christ was merciful to even the worst
of sinners. Then he baptized the Greek.
When Chilo went back home, he was
seized by the emperor's guards and led
away to his death in the arena.
Vinicius and Lygia escaped to Sicily.
When Petronius heard that the emperor
had ordered his own death, he invited
some of the patricians to his house at
Cumae, where he had gone with Nero
and the court. There at a great feast he
read an attack against Nero and astound
ed everyone by his foolhardiness. Then
he and Eunice, a slave who loved him,
stretched out their arms to a physician.
While the parry continued and the
astonished guests looked on, Petronius
and Eunice bled to death in each other's
arms.
Nero returned to Rome. His subjects
hated him more than ever. A rebellion
broke out at last, and he was informed
that his death had been decreed. He
fled. With some of his slaves around
him, he attempted to plunge a knife
into his throat. But he was too timid to
complete the deed. As some soldiers ap
proached to arrest him, a slave thrust
the fatal knife into his emperor's throat
799
THE RAINBOW
Type of work: Novel
Author: D. H. Lawrence (1885-1930)
Type of plot: Psychological realism
Time of plot: Nineteenth and early twentieth centuries
Locale: England
First published: 1915
Principal characters:
TOM BRANGWEN, a farmer
LYDIA LENSKY, his wife
ANNA LENSKY, Lydia's child by her first hushand
WILL BRANGWEN, Anna's husband
URSULA BRANGWEN, Anna's and Will's daughter
ANTON SKREBENSKY, Ursula's lover
Critique:
The Rainbow has been the center of
much controversy. The author used it
as a lever to bring intelligent considera
tion of basic human relations into the
open, where those relationships could be
reviewed in a clear-eyed, objective man
ner, and in doing so he made use of
the sexual aspects of marriage and love.
The book is essentially a comparison of
the matings of three successive genera
tions. The book was not well received
when it appeared. The author was
ostracized and the novel was suppressed
for a time by the police. That such a
tempest was occasioned by The Rainbow
is hard for the reader to understand to
day, for by present standards the book
can be read and appreciated for what it
is, an excellent psychological study.
The Story:
Tom Brangwen was descended from
a long line of small landholders who had
owned Marsh Farm in Nottinghamshire
for many generations. Tom was a man
of the soil, living alone on his farm with
only an old woman for his company and
housekeeper. Then a Polish widow,
Lydia Lensky, became the housekeeper
of the vicar of the local church. She
brought her small daughter, Anna, with
her. Within a few months Tom Bran
gwen found enough courage to present
the widow with a bouquet of daffodils
one evening in the vicar's kitchen and
to ask the woman to be his wife.
Their marriage was a satisfactory one,
judged by the standards of the world.
Tom was kind to his stepdaughter. Later
he had two sons by his wife. But know
ing his stepdaughter was easier for him
than knowing Lydia. The fact that they
were of different nationalities, cultures,
and even languages kept the couple from
ever becoming intellectually intimate
with one another. There were times
when either one or both felt that the
marriage was not what it should be for
them, that they were not fulfilling the
obligations which their mating had
pressed upon them. On one occasion
Lydia even suggested to her husband
that he needed another woman.
Little Anna was a haughty young girl
who spent many hours imagining her
self a great lady or even a queen. In
her eighteenth year a nephew of Tom
Brangwen came to work in the lace
factory in the nearby village of Ilkeston.
He was only twenty years old; the Bran-
gwens at Marsh Farm looked after him
and made him welcome in their home.
Anna Lensky and young Will Bran
gwen fell in love, with a naive, touching
affection for each other. They soon an-
nounced to Tom and Lydia that they
wished to be married. Tom leased a
home in the village for the young couple
THE RAINBOW by D. H. Lawrence. By permission of the publishers, The Viking Press, Inc. Copyright,
1915, by D. H. Lawrence. Renewed, 1943, by Frieda Lawrence.
800
and gave them a present of twenty-five
hundred pounds so they would not want
because of Will's small salary.
The wedding was celebrated with
rural pomp and hilarity. After the cere
mony the newly-married couple spent
two weeks alone in their cottage, ignor
ing the world and existing only for
themselves. Anna was the first to come
back to the world of reality. Her de
cision to give a tea party both bewildered
and angered her husband, who had not
yet realized that they could not continue
to live only for and by themselves. It
took him almost a lifetime to come to
that realization.
Shortly after the marriage Anna be
came pregnant, and the arrival of the
child brought to Will the added shock
that his wife was more a mother than
she was a married lover. Each year a
new baby came between Will and Anna.
The oldest was Ursula, who was always
her father's favorite. The love which
Will wished to give his wife was given
to Ursula, for Anna refused to have
anything to do with him when she was
expecting another child, and she was
not satisfied unless she was pregnant.
In the second year of his marriage
Will Brangwen tried to rebel. He met
a girl at the theater and afterward took
her out for supper and a walk. After
that incident the intimate life of Will
and Anna began to gain in passion, in
tense enough to carry Will through the
daytime when he was not necessary to
the house until the nighttime when he
could rule his wife. Gradually he be
came free in his own mind from Anna's
domination.
Since Ursula was her father's favorite
child, she was sent to high school. That
privilege was a rare thing for a girl of
her circumstances in the last decade of
the nineteenth century. She drank up
knowledge in her study of Latin, French,
and algebra. But before she had finished,
her interest in her studies was shared
by her interest in a young man. The
son of a Polish friend of her grand
mother's was introduced into the house,
young, blond Anton Skrebensky, a lieu
tenant in the British Army. During a
month's leave he fell in love with Ursula,
who was already in love with him. On
his next leave, however, she drove him
away with the love she offered, to him.
He became afraid of her because of that
love; it was too possessive.
After finishing high school, Ursula
took an examination to enter the uni
versity. Having passed the examination,
she decided to teach school for a time, for
she wanted to accumulate money to carry
her through her education without being
a burden to her parents. Anna and Will
were furious when she broached the
subject of leaving home. They corn-
promised with her, however, by securing
for her a position in a school in Ilkeston.
Ursula spent two friendless, ill-paid, and
thankless years teaching at the village
elementary school. At the end of that
time she was more than ready to con
tinue her education. She decided to be
come a botanist, for in botany she felt she
was doing and learning for herself things
which had an absolute truth.
Then one day, after the Boer War
ended, Ursula received a letter which
upset her completely. Anton Skrebensky
had written that he wished to see her
again while he was in England on leave.
Within a week he arrived in Nottingham
to visit her at school. Their love re
turned for each of them with greater
intensity than they had known six years
before. During the Easter holidays they
went away for a weekend at a hotel,
where they passed as husband and wife.
They went to the continent as soon as
Ursula had finished classes for the sum
mer. Even then, however, Ursula did
not want to marry Skrebensky; she
wanted to return to college to take her
degree. But Skrebensky continued to
press increasingly for marriage. He want
ed Ursula to leave England with him
when he returned to service in India.
Meanwhile Ursula had so neglected
her studies that she failed her final
801
examinations for her degree and had
to study to take them over again before
the summer was finished. When Ursula
failed her examinations a second time,
Skrebensky urged her to marry him im
mediately. In India, he insisted, her
degree would mean nothing anyway. In
the meantime they went to a house party,
where they realized that there was some
thing wrong in their mating, that they
could not agree enough to make a suc
cessful marriage. They left the party
separately and a few weeks later Skreben
sky was on his way to India as the hus
band of his regimental commander's
daughter.
After he had gone, Ursula learned
that she was pregnant. Not knowing
that he was already married, she wrote
to Skrebensky and promised to be a
food wife if he still wished to marry
er. Before his answer came from India,
Ursula contracted pneumonia and lost
the child. One day, as she was con
valescing, she observed a rainbow in the
sky. She hoped that it was the promise
of better times to come.
THE RAPE OF THE LOCK
Type of work: Poem
Author: Alexander Pope (1688-1744)
Type of 'plot: Mock-heroic epic
Time of ylot: Early eighteenth century
Locale: London.
First -published: 1712
Principal characters:
BELINDA, Miss Arabella Fermor
LORD PETRE, Belinda's suitor
THALESTRIS, Belinda's friend
ARIEL, a sprite
UMBBTF.T., a gnome
Critique:
The Rape of the Lock, generally con
sidered the most popular of Pope's writ
ings as well as the finest satirical poem
in the English language, was written at
the suggestion of John Caryll, Pope's
friend, ostensibly to heal a family row
which resulted when an acquaintance of
Pope, Lord Petre, playfully clipped a lock
of hair from the head of Miss Arabella
Fermor. Pope's larger purpose in writing
the poem, however, was to ridicule the
social vanity of his day and the impor
tance that was attached to affected man
ners.
The Story:
At noon, when the sun was accustomed
to awaken both lap dogs and lovers,
Belinda was still asleep. She dreamed
that Ariel appeared to whisper praises
of her beauty in her ear. He said that
he had been sent to protect her because
something dreadful — what, he did not
know — was about to befall her. He also
warned her to beware of jealousy, pride,
and, above all, men.
After Ariel had vanished, Shock, Be
linda's lap dog, thought that his mistress
had slept long enough, and he awakened
her by lappings of his tongue. Rousing
herself, Belinda spied a letter on her bed.
After she had read it, she promptly for
got everything that Ariel had told her,
including the warning to beware of men.
Belinda, aided by her maid, Betty, be
gan to make her toilet. Preening before
her mirror, she was guilty of the pride
against which Ariel had cautioned her.
The sun, journeying across the sky,
witnessed its brilliant rival, Belinda, boat
ing on the Thames with her friends and
suitors. All eyes were upon her, and like
the true coquette she smiled at her swains
but favored no one more than another.
802
Lord Petre, one of Belinda's suitors,
admired a lock of her hair and vowed
that he would have it by fair means or
foul. So set was he on getting the lock
that before the sun rose that morning he
had built an altar to Love and had thrown
on it all the trophies received from for
mer sweethearts, meanwhile asking Love
to give him soon the prize he wanted
and to let him keep it for a long time.
But Love granted him only half his
prayer.
Everyone except Ariel seemed happy
during the cruise on the Thames. That
sprite summoned his aides, and reminded
them that their duty was to watch over
the fair Belinda, one sylph to guard her
fan, another her watch, a third her favor
ite lock. Ariel himself was to guard
Belinda's lap dog, Shock. Fifty sylphs
were dispatched to watch over the maid
en's petticoat, in order to protect her
chastity. Any negligent sylphs, warned
Ariel, would be punished severely.
After her cruise on the Thames, Be
linda, accompanied by Lord Petre and
the rest of the party, visited one of the
palaces near London. There Belinda
decided to play ombre, a Spanish card
game, with two of her suitors, including
Lord Petre. As she played, invisible
sylphs sat on her important cards to pro
tect them.
Coffee was served after the game.
Sylphs guarded Belinda's dress to keep
it from being spotted. The fumes from
the coffee sharpened Lord Petre's wits to
the point where he thought of new strata
gems for stealing Belinda's lock. One of
his cronies handed him a pair of scissors.
The sylphs, aware of Belinda's danger,
attempted to warn her before Lord Petre
could act, but as the maid bent her head
over her coffee cup he clipped the lock.
Even Ariel was unable to warn Belinda
in time.
At the rape of her lock, Belinda
shrieked in horror. Lord Petre cried out
in triumph. He praised the steel used in
the scissors, comparing it with the metal
of Greek swords that overcame the Tro
jans. Belinda's fury was as tempestuous
as the rage of scornful virgins who have
lost their charms. Ariel wept bitterly and
flew away.
Umbriel, a melancholy gnome, took
advantage of the human confusion and
despair to fly down to the center of the
earth to find the gloomy cave of Spleen,
the queen of all bad tempers and the
source of every detestable quality in hu
man beings, including ill-nature and
affectation. Umbriel asked the queen to
touch Belinda with chagrin, for he knew
that, if she were gloomy, melancholy and
bad temper would spread to half the
world. Spleen granted Umbriel's request
and collected in a bag horrible noises such
as those uttered by female lungs and
tongues. In a vial she put tears, sorrows,
and griefs. She gave both containers to
Umbriel.
When the gnome returned to Belinda's
world, he found the girl disheveled and
dejected. Pouring the contents of the
magic bag over her, Umbriel caused
Belinda's wrath to be magnified many
times. One of her friends, Thalestris,
fanned the flames of the maiden's anger
by telling her that her honor was at
stake and that behind her back her friends
were talking about the rape of her lock.
Thalestris then went to her brother, Sir
Plume, and demanded that he confront
Lord Petre and secure the return of the
precious lock. Sir Plume considered the
whole episode much magnified from little,
but he went to demand Belinda's lock.
Lord Petre refused to give up his prize.
Next Umbriel broke the vial contain
ing human sorrows, and Belinda was al
most drowned in tears. She regretted the
day that she ever entered society and also
the day she learned to play ornbre. She
longed for simple country life. Suddenly
she remembered, too late, that Ariel had
warned her of impending evil.
In spite of Thalestris' pleas, Lord Petre
was still adamant. Clarissa, another of
Belinda's circle, wondered at the vanity
of women and at the foolishness of men
who fawn before them. Clarissa felt that
803
both men and women need good sense,
but in making her feelings known she ex
posed the tricks and deceits of women
and caused Belinda to frown. Calling
Clarissa a prude, Thalestris gathered her
forces to battle with Belinda's enemies,
including Clarissa and Lord Petre. Um-
briel was delighted by this Homeric
struggle of the teacups. Belinda pounced
upon Lord Petre, who was subdued when
a pinch of snuff caused him to sneeze
violently. She demanded the lock, but
it could not be found. Some thought
that it had gone to the moon, where also
go love letters and other tokens of tender
passions. But the muse of poetry saw it
ascend to heaven and become a star.
RASSELAS
Type of work: Novel
Author: Samuel Johnson (1709-1794)
Type of plot: Philosophical romance
Time of plot: Eighteenth century
Locale: Abyssinia and Cairo
First published: 1759
Principal characters:
RASSELAS, Prince of Abyssinia
NEKAYAH, his sister
PEKUAH, her maid
IMLAC, a poet
Critique:
The History of Rasselas, Prince of
Abyssinia, one of the most popular works
o£ Samuel Johnson during his own life
time, is still widely read. However, it is
a weighty novel, ponderous in style and
slow moving. There is almost no narra
tive, for the plot deals with the efforts
of four people to find a working philoso
phy by which they can guide their lives.
The age in which Johnson lived was
characterized by superficial optimism,
and this novel is an attack on that opti
mism. There is a popular theory that
Johnson wrote Rasselas in one week, in
order to pay his mother's funeral ex
penses, but many scholars refute this
theory. The novel shows that Johnson
hated pretense of any kind, and he used
his pen to fight it at every opportunity.
The Story:
It was the custom in Abyssinia for the
sons and daughters of the emperor to be
confined in a remote place until the order
of succession to the throne was estab
lished. The spot in which Rasselas and
his brothers and sisters were confined was
a beautiful and fertile valley situated be
tween high mountains. In the valley was
everything needed for a luxurious life.
Entertainers were brought in from the
outside world to help the royal children
pass the time pleasantly. These enter
tainers were never allowed to leave, for
the outside world was not to know how
the royal children lived before they were
called on to rule.
It was this perfection which caused
Rasselas in the twenty-sixth year of his
life to become melancholy and discon
tented. He was unhappy because he had
everything to make him happy; he wanted
more than anything else to desire some
thing which could not be made available
to him. When he talked of his longing
with an old philosopher, he was told that
he was foolish. The old man told him
of the misery and suffering of the people
outside the valley and cautioned him to
be glad of his present station. But Ras
selas knew that he could not be content
until he had seen the suffering of the
world.
For many months Rasselas pondered
on his desire to escape from the valley.
He took no action, however, for the val-
804
ley was carefully guarded and there was
no chance for anyone to leave. Once he
met an inventor who promised to make
some wings for him so that he could fly
over the mountains, but the experiment
was a failure. In his search for a way to
escape, his labor was more mental than
physical.
In the palace there was a poet, Imlac,
whose lines pleased Rasselas by their
intelligence. Imlac was also tired of the
perfect life in the valley, for in the past
he had traveled over much of the world.
He had observed the evil ways of man
kind and had learned that most wicked
ness stemmed from envy and jealousy.
He had noticed that people envy others
with more worldly goods and oppress
those who are weak. As he talked, Ras
selas longed more than ever to see the
world and its misery. Imlac tried to
discourage him, for he believed that
Rasselas would long for his present state
should he ever see the violence and
treachery which abounded in the lands
beyond the mountains.
But when Imlac realized he could not
deter the prince, he agreed to join him
in his attempt to leave the perfect state.
Together the two men contrived to hew
a path through the side of a mountain.
When they were almost ready to leave,
Rasselas saw his sister Nekayah watch
ing them. She begged to accompany the
travelers for she too was bored with the
valley and longed to see the rest of the
world. Because she was the favorite sister
of Rasselas, he gladly allowed her and
her maid, Pekuah, to join them. The
four made their way safely through the
path in the mountainside. They took
with them enough jewels to supply them
with money when they reached a city of
trade. They were simply dressed and no
one recognized them as royalty.
In Cairo they sold some of their jewels
and rented a magnificent dwelling. They
entertained great men and began to learn
the customs of people different from
themselves. It was their object to observe
all possible manners and customs so that
they could make their own choices about
the kind of life each wanted to pursue.
But they found many drawbacks to every
form of living.
Rasselas and Nekayah believed that it
was only necessary to find the right pur
suit to know perfect happiness and con
tentment. Imlac knew that few men lived
by choice but rather by chance and the
whims of fortune. But Rasselas and Ne
kayah believed that their chance birth
had at least given them the advantage of
being able to study all forms of living
and thus to choose the one most suit
able for them to pursue. So it was that
the royal pair visited with men of every
station. They went into the courts and
into the fields. They visited sages of
great fame and hermits who had isolated
themselves to meditate. Nowhere did they
find a man completely happy and satis
fied, for each desired what the other had
and thought his neighbor more fortunate
than he.
Only once did Rasselas find a happy
man. This man was a philosopher who
preached the doctrine of reason. He
stated that by reason man can conquer
his passions and disappointments and
thus find true happiness. But when Ras
selas called on the sage the following day,
he found the old man in a fit of despair.
His daughter had died in the night, and
the reason which he had urged others
to use failed completely in his own life.
Imlac and Nekayah spent long hours
discussing the advantages of one kind of
life over another. They questioned the
state of marriage as compared with celi
bacy and life at court as compared with
pastoral pleasures, but at no time could
they find satisfactory solutions for their
questions. Nowhere could they find
people living in happiness. Imlac sug
gested a visit to the pyramids so that they
might learn of people of the past. While
they were in a tomb, Pekuah was stolen
by Arabs, and it was many months before
she was returned to Nekayah. Pekuah
told her mistress that she had spent some
time in a monastery while she waited for
805
her ransom, and she believed that the
nuns had found the one truly happy way
o£ life.
Their search continued for a long peri
od. Often they thought they had found
a happy man, hut always they would find
much sorrow in the life they thought so
serene. Nekayah at one time decided
that she would cease looking for happi
ness on earth and live so that she might
find happiness in eternity. A visit to
the catacombs and a discourse on the soul
prompted her decision.
When the Nile flooded the valley, con
fining them to their home for a time, the
Four friends discussed the ways of life
which promised each the greatest happi
ness. Pekuah wished to retire to a con
vent. Nekayah more than anything de
sired knowledge and wanted to found a
woman's college, where she could both
teach and learn. Rasselas thought he
wanted a small kingdom where he could
rule justly and wisely. Lmlac said he
would be content to drift through life,
with no particular goal. Because all knew
their desires would never be fulfilled, they
began to look forward to their return to
the Abyssinian valley where everyone
seemed happy and there was nothing to
desire.
REBECCA
Type of work: Novel
Author: Daphne du Maurier O907- )
Type of plot: Mystery romance
Time of plot: 1930's
Locale: England
first published: 1938
Principal characters:
MAXIM DE WINTER, owner of Manderley
MRS. DE WINTER, Maxim's wife and the narrator
MRS. DANVERS, the housekeeper at Manderley
FRANK CRAWTLEY, estate manager of Manderley
JACK FAVELL, Rebecca's cousin
COLONEL JULYAN, a magistrate
Critiqite:
Rebecca is an excellent example of
the suspense novel. From the time the
drab little companion marries Maxim de
Winter, the reader is aware that there
is something wrong with the situation
at Manderley, the fine house where Re
becca was formerly the mistress. All
through the novel there are hints that
some startling disclosure about Rebecca
is to come, a revelation which will ex
plain many strange events. In develop
ment of situation and in character por
trayal there is ample evidence of the
author's technical skill.
The Story:
Manderley was gone. Since the fire
which had destroyed their home, Mr. and
Mrs. de Winter had lived in a secluded
hotel away from England. Occasionally
Mrs. de Winter recalled the circum
stances which had brought Manderley
and Maxim de Winter into her life.
A shy, sensitive orphan, she had been
traveling about the continent as com
panion to an overbearing American social
climber, Mrs. Van Hopper. At Monte
Carlo Mrs. Van Hopper forced herself
upon Maxim de Winter, owner of Man
derley, one of the most famous estates
in England. Before approaching him,
Mrs. Van Hopper had informed her com
panion that Mr. de Winter was recover
ing from the shock of the tragic death
of his wife, Rebecca, a few months pre
viously.
??B|1?OVvb7v1Dfphnfr iu ^M"8*' B7 permission of the author and her agent, Curtis Brown, Ltd. Pub
lished by Doubleday & Co., Inc. Copyright, 1938, by Daphne du Maurier Browning.
806
During the following days the young
girl and Mr. de Winter became well
acquainted; when Mrs. Van Hopper de
cided to return to America, Maxirn de
Winter unexpectedly proposed to her
companion. Already deeply in love with
him, the girl accepted and they were
married shortly afterward.
After a long honeymoon in Italy and
southern France, Mr. and Mrs. de Win
ter returned to Manderley. Mrs. de Win
ter was extremely nervous, fearing that
she would not fit into the life of a great
estate like Manderley. The entire staff
had gathered to meet the new mistress.
Mrs. Danvers, the housekeeper, had been
devoted to her former mistress and im
mediately began to show her resentment
toward the new Mrs. de Winter.
Gradually Mrs. de Winter pieced to
gether the picture of Rebecca. She
learned that Rebecca had been a beauti
ful, vivacious woman, a charming host
ess. As she became acquainted with
the relatives and friends of her husband,
she became convinced that they found
her lacking in those qualities which had
made Rebecca so attractive and gracious.
One day she went secretly to the closed
rooms Rebecca had occupied. Everything
was as Rebecca had left it before her
fatal sail in her boat. Mrs. Danvers
suddenly appeared and forced her to
view Rebecca's lovely clothes and other
personal possessions.
When the bishop's wife suggested that
the traditional Manderley fancy dress
ball be revived, Mr. de Winter gave his
consent. Mrs. de Winter announced her
intention of surprising them all with her
costume. At Mrs. Danvers' suggestion,
she planned to dress as an ancestress
whose portrait hung in the hall at Man
derley. But as Mrs. de Winter descended
the stairs that night a silence fell over
the guests, and her husband turned
angrily away without speaking. Realiz
ing that something was wrong, Mrs.
de Winter returned to her room. Beatrice,
Mr. de Winter's sister, went to her im
mediately and explained that Rebecca
had worn the identical costume to her
last fancy dress ball. Again Mrs. Danvers
had humiliated her new mistress. Al
though Mrs. de Winter reappeared at the
ball in a simple dress, her husband did
not speak to her all evening; and her
belief that he had never ceased to- love
Rebecca became firmly established in her
mind.
The next day a steamer ran aground
in the bay near Manderley. A diver sent
down to inspect the damaged steamer dis
covered Rebecca's boat and in its cabin
the remains of a human body. Mr. de
Winter had previously identified the
body of a woman found in the river as
that of Rebecca.
Unable to keep silent any longer, Mr.
de Winter told his wife the whole story
of Rebecca and her death. The world
had believed their marriage a happy one,
but Rebecca had been an immoral
woman, incapable of love. To avoid the
scandal of a divorce, they made a bar
gain; Rebecca was to be outwardly the
fitting mistress of Manderley, but she
would be allowed to go to London
periodically to visit her dissolute friends.
All went well until she began to be
careless, inviting her friends to Mander
ley and receiving them in the boathouse.
Then she began to plague Frank Craw-
ley, the estate manager of Manderley,
and Giles, Mr. de Winter's brother-in-
law. There had been gossip after Frank
and others had seen Rebecca's cousin,
Jack Favell, at the boathouse with her.
One evening Mr. de Winter had followed
her to the boathouse to tell her that
their marriage was at an end. Rebecca
taunted him, suggesting how difficult it
would be to prove his case against her,
asserting that should she have a child it
would bear his name and inherit Man
derley. She assured him with a smile
that she would be the perfect mother
as she had been the perfect wife.
She was still smiling when he shot her.
Then he put her in the boat and sailed
out on the river. There he opened the
seacocks, drilled holes with a pike, and,
807
leaving the boat to sink, rowed back
in the dinghy.
Mrs. de Winter was horrified, but at
the same time she felt a happiness she
had not known before. Her husband
loved her; he had never loved Rebecca.
With that discovery, her personality
changed. She assured her husband that
yhe would guard his secret.
A coroner's inquest was held, for the
body in the boat was that of Rebecca,
At the inquest it was established that a
storm could not have sunk the boat;
evidence of a bolted door, the holes, and
the open seacocks pointed to the verdict
of suicide which, the coroner's jury re
turned.
Tnat night Jack Favell, drunk, ap
peared at Manderley, Wildly expressing
his love for Rebecca and revealing their
intimate life, he tried to blackmail Mr.
de Winter by threatening to prove that
de Winter had killed his wife. Mr.
de Winter called the magistrate, Colonel
Julyan, to hear his case. FavelTs theory
was that Rebecca had asked her husband
to free her so that she could marry
Jack, and that de Winter, infuriated,
had killed her.
From Rebecca's engagement book it
was learned that she had visited a Doc
tor Baker in London on the last day of
her life. Colonel Julyan and Mr. and
Mrs. de Winter, with Jack Favell follow
ing in his car, drove to London to see
Doctor Baker. On checking his records,
the doctor found that he had examined a
Mrs. Danvers on the day in question.
They realized that Rebecca had assumed
the housekeeper's name. Doctor Baker
explained that he had diagnosed Rebec
ca's ailment as cancer in an advanced
stage. The motive for suicide established,
Colonel Julyan suggested that the matter
be closed.
Driving back to Manderley after leav
ing Colonel Julyan at his sister's home,
Mr. de Winter told his wife that he be
lieved that Colonel Julyan had guessed
the truth. He also realized that Re
becca had intimated that she was preg
nant because she had been sure that her
husband would kill her; her last evil
deed would be to ruin him and Mander
ley. Mr. de Winter telephoned Frank
from the inn where they stopped for
dinner, and the estate manager reported
that Mrs. Danvers had disappeared. His
news seemed to upset Mr. de Winter.
At two o'clock in the morning they ap
proached Manderley. Mrs. de Winter
had been sleeping. Awaking, she thought
by the blaze of light that it was dawn.
A moment later she realized that she was
looking at Manderley, going up in flames.
THE RED AND THE BLACK
Type of work: Novel
Author: Stendhal (Marie-Henri Beyle, 1783-1842)
Type of plot: Psychological realism
Time of plot: Early nineteenth century
Locale: France
First published: 1830
Principal characters:
JULEEN SOREL, an opportunist
M. DE RENAL, mayor of Verrieres
MADAME DE RENAL, his wife
MATHIUDE DE LA MOLE, Julien's mistress
FotiQtiE, Julien's friend
Critique:
This novel is unusual in that its chief villain, however, for Stendhal analv7*~
character is a villain. He is an interesting the psychological undercurrents of his
T71E RED AND THE BLACK by Stendhal. Published by Liveright Publishing Corp.
808
nature in an attempt to show clearly how
struggle and temptation shaped his ener
getic but morbidly introspective character.
The author analyzes the actions of Jul-
ien's loves in the same way. This method
of writing slows down the action of the
plot considerably, but on the other hand
it makes the characters real and under
standable and shows much of the sordid
conditions of French society at the end
of the Napoleonic wars.
The Story:
Julien Sorel was the son of a carpenter
in the little town of Verrieres, France,
Napoleon had fallen, but he still had
many admirers, and Julien was one of
these. Julien pretended to be deeply re
ligious. Now that Napoleon had been
defeated, he believed that the church
rather than the army was the way to
power. Because of his assumed piety and
his intelligence, Julien was appointed as
tutor to the children of M. de R£nal, the
mayor of the village.
Madame de Renal had done her duty
all her life; she was a good wife and a
good mother. But she had never been in
love with her husband, a coarse man who
would hardly inspire love in any woman.
Madame de Renal was attracted to the
pale young tutor and fell completely in
love with him. Julien, thinking it his
duty to himself, made love to her in order
to gain power over her. He discovered
after a time that he had really fallen in
love with Madame de Renal.
When Julien went on a holiday to
visit Fouque", a poor friend, Fouque' tried
to persuade Julien to go into the lumber
business with him. Julien declined; he
enjoyed too much the power he held over
his mistress.
The love affair was revealed to M. de
R&nal by an anonymous letter written by
M. Valenod, the local official in charge
of the poorhouse. He had become rich
on graft and he was jealous because M.
de Renal had hired Julien as a tutor.
He had also made unsuccessful advances
to Madame de R£nal at one time.
The lovers were able to smooth
the situation to some extent. M. de R£nal
agreed to send Julien to the seminary at
Besangon, principally to keep him from
becoming tutor at M. Valenod's house.
After Julien had departed, Madame de
Renal was filled with remorse. Her con
science suffered because of her adultery
and she became extremely religious.
Julien did not get on well at the
seminary, for he found it full of hypo
crites. The students did not like him and
feared his sharp intelligence. His only
friend was the Abbe" Pirard, a highly
moral man.
One day Julien went to help decorate
the cathedral and by chance found Mad
ame de Renal there. She fainted, but
he could not help her because his duties
called him elsewhere. The experience
left him weak and shaken.
The Abb6 Pirard lost his position at
the seminary because of his opposition
to the local bishop; he had supported the
Marquis de La Mole, who was engaged
in lawsuits against the bishop. When
the Abb6 Pirard left the seminary, the
marquis obtained a living for him in
Paris. He also hired Julien as his secre
tary,
Julien was thankful for his chance
to leave the seminary. On his way to
Paris he called secretly upon Madame
de R£nal. At first she repulsed his ad
vances, conscious of her great sin. But
at last she yielded once again to his
pleadings. M. de Renal became suspi
cious and decided to search his wife's
room. To escape discovery, Julien jumped
out the window, barely escaping with his
life.
Finding Julien a good worker, the
marquis entrusted him with many of the
details of his business. Julien was also
allowed to dine with the family and to
mingle with the guests afterward. He
found the Marquise de La Mole to be
extremely proud of her nobility. Her
daughter, Mathilde, seemed to be of the
same type, a reserved girl with beautiful
eyes. Her son, the Comte de La Mole,
809
was an extremely polite and pleasant
young man. However, Julien found Pari
sian high society boring. No one was
allowed to discuss ideas.
Julien enjoyed stealing volumes of Vol
taire from the marquis* library and read
ing them in his room. He was astonished
when he discovered that Mathilde was
doing the same thing. Before long they
began to spend much of their time to
gether, although Julien was always con
scious of his position as servant and was
quick to be insulted by Mathilde's pride.
The girl fell in love with him because he
was so different from the dull young
men of her own class.
After Julien had spent two nights with
her, Mathilde decided that it was degrad
ing to be in love with a secretary. Her
pride was an insult to Julien. Smarting,
he planned to gain power over her and,
consequently, over the household.
Meanwhile the marquis had entrusted
Julien with a diplomatic mission on be
half of the nobility and clergy who
wanted the monarchy reestablished. On
this mission Julien met an old friend
who advised him how to win Mathilde
again. Upon his return he put his friend's
plan into effect
He began to pay court to a virtuous
lady who was often a visitor in the de
La Mole home. He began a correspond
ence with her, at the same time neglecting
Mathilde. Then Mathilde, thinking that
Julien was lost to her, discovered how
much she loved him. She threw herself
at his feet. Julien had won. But this
time he would not let her gain the upper
hand. He continued to treat Mathilde
coldly as her passion increased. In this
way he maintained his power.
Mathilde became pregnant. She was
joyful, for now, she thought, Julien
would know how much she cared for
him. She had made the supreme sacrifice;
she would now have to marry Julien and
give up her place in society. But Julien
was not so happy as Mathilde over her
condition, for he feared the results when
Mathilde told her father.
At first the marquis was furious. Even
tually, he saw only one way out of the
difficulty; he would make Julien rich and
respectable. He gave Julien a fortune,
a title, and a commission in the army.
Overwhelmed with his new wealth and
power, Julien scarcely gave a thought
to Mathilde.
Then the Marquis received a letter
from Madame de Re'nal, whom Julien
had suggested to the marquis for a char
acter recommendation. Madame de Re'nal
was again filled with religious fervor;
she revealed to the marquis the whole
story of Julien's villainy. The marquis
immediately refused to let Julien marry
his daughter.
Julien's plans for glory and power were
ruined. In a fit of rage he rode to Ver-
rieres, where he found Madame de Re'nal
at church. He fired two shots at her be
fore he was arrested and taken off to
prison. There he prompdy admitted his
guilt, for he was ready to die. He had
his revenge.
Mathilde, still madly in love with Jul
ien, arrived in Verrieres and tried to bribe
the jury for the trial Fouque arrived and
begged Julien to try to escape. But Julien
paid no attention to the efforts his
friends made to help him.
Tried, he was found guilty and given
the death sentence, even though his bul
lets had not killed Madame de Renal.
In fact, his action had only rekindled her
passion for him. She visited him and
begged him to appeal his sentence. The
two were as much in love as they had
been before. When M. de R£nal ordered
his wife to come home, Julien was left
again to his dreams. He had lost his
one great love — Madame de Renal. The
colorless Mathilde only bored and angered
him by her continued solicitude.
Julien went calmly to his death on the
appointed day. The faithful Fouqu£ ob
tained the body in order to bury it in a
cave in the mountains, where Julien had
once been fond of going to indulge in
his daydreams of power.
A woman had loved a famous ancestor
810
of Mathilde with an extreme passion.
When the ancestor was executed, the
woman had taken his severed head and
buried it. Mathilde, who had always ad-
her own hands. Later, she had the cave
decorated with Italian marble.
Madame de Renal did not go to the
funeral. But three days after Julien's
mired this family legend, did the same death she died in the act of embracing
for Julien. After the funeral ceremony her children,
at the cave, she buried Julien's head with
THE RED BADGE OF COURAGE
Type of -work: Novel
Author: Stephen Crane (1871-1900)
Type of plot: Impressionistic realism
Time of plot: Civil War
Locale: A Civil War battlefield
first published: 1895
Principal characters:
HENRY FLEMING, a young recruit
JIM CONKLIN, a veteran
WILSON, another veteran
Critique:
Most war stories are epic histories of
generals and victories or defeats. In The
Red Badge of Courage we follow only the
personal reactions of a soldier; we do not
even know what battle is being fought
or who the leaders are. We know only
that Henry Fleming was motivated, not
by the unselfish heroism of more con
ventional and romantic stories, but first
by cowardice, then by fear, and finally
by egoism. The style of narrative of the
novel belongs to a late period in English
prose fiction. The stream of Henry's
thought tells a story, and the reader
must perceive the hero's environment
through the subjective consciousness of
the young man. This novel set the pat
tern for the treatment of war in modern
fiction.
The Story:
The tall soldier, Jim Conklin, and the
loud soldier, Wilson, argued bitterly over
the rumor that the troops were about
to move. Henry Fleming was impatient
to experience his first battle, and as he
listened to the quarreling of the seasoned
soldiers he wondered if he would be
come frightened and run away under
gunfire. He questioned Wilson and
Conklin, and each man stated that he
would stand and fight no matter what
happened.
Henry had come from a farm, where
he had dreamed of battles and longed
for army life. His mother had held him
back at first. When she saw that her
son was bored with the farm, she packed
his woolen clothing and with a warning
that he must not associate with the wicked
kind of men who were in the military
camps sent him of! to join the Yankee
troops.
One gray morning Henry awoke tc
find that the regiment was about to
move. With a hazy feeling that death
would be a relief from dull and mean
ingless marching, Henry was again dis
appointed. The troops made only an
other march. He began to suspect that
the generals were stupid fools, but the
other men in his raw regiment scoffed
at his idea and told him to shut up.
When the fighting suddenly began,
there was very little action in it foi
Henry. He lay on the ground with the
other men and watched for signs of the
enemy. Some of the men around him
THE RED BADGE OF COURAGE by Stephen Crane. By permission of the publishers, Appleton-Century-
Crofti, Inc. Copyright, 1895, by D. Appleton & Co. Renewed, 1923, by William H. Crane.
811
were wounded. He could not see what
was going on or what the battle was
about Then an attack came. Im
mediately Henry forgot all his former
confused thoughts, and he could only
fire his rifle over and over; around him
men behaved in their strange individual
manner as they were wounded. Henry
felt a close comradeship with the men
at his side who were firing at the enemy
with him.
Suddenly the attack ended. To Henry,
it seemed strange that the sky above
should still be blue after the guns had
stopped firing. While the men were re
covering from the attack, binding
wounds, and gathering equipment, an
other surprise attack was launched from
the enemy line. Unprepared and tired
from the first fighting, the men retreated
in panic. Henry, sharing their sudden
terror, ran, too.
When the fearful retreat had ended,
the fleeing men learned that the enemy
had lost the battle. Now Henry felt a
surge of guilt. Dreading to rejoin his
companions, he fled into the forest
There he saw a squirrel run away from
Mm in fright. The fleeing animal seemed
to vindicate in Henry's mind his own
cowardly flight; he had acted according
to nature whose own creatures ran from
danger. Then, seeing a dead man lying
in a clearing, Henry hurried back into
the retreating column of wounded men.
Most were staggering along in helpless
?jewilderment and some were being
carried on stretchers. Henry realized
that he had no wound and that he did
not belong in that group of staggering
men. There was one pitiful-looking man,
covered with dirt and blood, wandering
about dazed and alone. Everyone was
staring at him and avoiding him. When
Henry approached him, the young boy
saw that the soldier was Jim Conklin,
He was horrified at the sight of the tall
soldier. He tried to help Jim, but with
a wild morion of despair Jim fell to the
ground dead. Once more Henry fled.
His conscience was paining him. He
wanted to return to his regiment to
finish the fight, but he thought that his
fellow soldiers would point to him as a
deserter. He envied the dead men who
were lying all about him. They were
already heroes; he was a coward. Ahead
he could hear the rumbling of artillery.
As he neared the lines of his regiment,
a retreating line of men broke from the
trees ahead of him. The men ran fiercely,
ignoring him or waving frantically at him
as they shouted something he could not
comprehend. He stood among the flying
men, not knowing what to do. One man
hit him on the head with the butt of a
rifle.
Henry went on carefully, the wound
in his head paining him a great deal.
He walked for a long while until he met
another soldier, who led Henry back to
his regiment. The first familiar man
Henry met was Wilson. Wilson, who
had been a terrible braggart before the
first battle, had given Henry a packet of
letters to keep for him in case he were
killed. Now Henry felt superior to Wil
son. If the man asked him where he
had been, Henry would remind him of
the letters. Lost was Henry's feeling of
guilt; he felt superior now, his deeds of
cowardice almost forgotten. No one
knew that he had run off in terror.
Wilson had changed. He no longer was
the swaggering, boastful man who had
annoyed Henry in the beginning. The
men in the regiment washed Henry's
head wound and told him to get some
sleep
next morning Wilson casually
asked Henry for the letters. Half sorry
that he had to yield them with no
taunting remark, Henry returned the
letters to his comrade. He felt sorry
for Wilson's embarrassment. He felt
himself a virtuous and heroic man.
Another battle started. This time
Henry held his position doggedly and
kept firing his rifle without thinking.
Once he fell down, and for a panicky
moment he thought that he had been
shot, but he continued to fire his rifle
812
blindly, loading and firing without even
seeing the enemy. Finally someone
shouted to him that he must stop shoot
ing, that the battle was over. Then
Henry looked up for the first time and
saw that there were no enemy troops
before him. Now he was a hero. Every
one stared at him when the lieutenant
of the regiment complimented his fierce
fighting. Henry realized that he had be
haved like a demon.
Wilson and Henry, off in the woods
looking for water, overheard two officers
discussing the coming battle. They said
that Henry's regiment fought like mule
drivers, but that they would have to be
used anyway. Then one officer said that
probably not many of the regiment
would live through the day's fighting.
Soon after the attack started, the
bearer was killed and Henry took up the
flag, with Wilson at his side. Although
the regiment fought bravely, one of the
commanding officers of the army said
that the men had not gained the ground
that they were expected to take. The
same officer had complimented Henry
for his courageous fighting. He began to
feel that he knew the measure of his
own courage and endurance.
His outfit fought one more engage
ment with the enemy. Henry was by
that time a veteran, and the fighting
held less meaning for him than had the
earlier battles. When it was over, he and
Wilson marched away with their vic
torious regiment.
THE RED ROVER
Type of -work: Novel
Author: James Fenimore Cooper (1789-1851)
Type of plot: Historical romance
Time of plot: Mid-eighteenth century
Locale: Newport, Rhode Island and the Atlantic Ocean
First published: 1827
Principal characters:
HARRY WILDER, formerly Henry Ark, actually Henry de Lacy
THE RED ROVER, captain of the Dolphin
DICK FID, and
SCIPIO AFRICA, seamen, Harry Wilder's friends
GERTRUDE GRAYSON, General Grayson's daughter
MRS. WYLLYS, her governess
Critique:
Cooper, who knew the sea quite well,
wrote this novel to repeat the success of
The Pilot. His characters, as is customary
with him, are types, and there is little
character development. The plot is simple
and plausible until the end of the story,
when Cooper unravels the mystery sur
rounding Henry Ark and the Red Rover
by proving improbable relationships
among the characters. However, few
novels of the sea contain a better record
of life and work aboard a sailing ship.
The Story:
While in the town of Newport, Rhode
Island, Harry Wilder saw in the outer
harbor a ship, the Dolphin, which inter
ested him greatly. He decided to try to
secure a berth on her for himself and his
two friends, Dick Fid and Scipio Africa,
a Negro sailor. His determination was
strengthened after meeting a stranger
who in effect dared him to try to obtain
a berth there. That night the three men
rowed out to the ship lying at anchor,
in order to give the vessel a closer in
spection. Hailed by the watch on deck,
Wilder went aboard her. There he
learned that he had been expected and
that if he were interested in sailing with
her, he might go to see the captain. The
captain was the mysterious, mocking
813
stranger whom Wilder had met that after
noon in the town. But before Wilder
signed on as a member of the ship's
crew, the captain revealed the true na
ture of the ship and admitted that he
himself was the Red Rover, the scourge
of the sea. Wilder, who had formerly
been an officer in the British Navy, was
given the post of second in command.
He persuaded the captain to sign on
Dick and Scipio as well. He then re
turned to shore to settle his affairs in
the town. The other two men remained
aboard the Dolphin.
At the same time the Royal Caroline,
a merchantman trading along the coast
and between the colonies and England,
lay in the inner harbor ready to embark
on the following day. Two ladies, Ger
trude Grayson and her governess, Mrs.
Wyllys, were to take passage on her to
Charleston, South Carolina, Gertrude's
home. Wilder met the ladies as if by
chance and tried to dissuade them from
sailing aboard the Royal Caroline. He
hinted that the Royal Caroline was un
safe, but his words were discredited by
an old seaman who insisted that there
was nothing wrong with the ship. The
ladies decided to sail in spite of Wilder's
warnings. Then the master of the Royal
Caroline fell from a cask and broke his
leg, and a new captain had to be found
immediately. The Red Rover sent a mes
sage ordering Wilder to apply for the
vacant position. He did, and was imme
diately hired.
The voyage of the Royal Caroline be
gan with difficulties which continued as
time went on. They were not long out
of port when a ship was sighted on the
horizon. It continued to keep its distance
in approximately the same position, so
that all aboard the Royal Caroline sus
pected that it was following them. In
trying to outdistance the other ship,
Wilder put on all sail possible, in spite
of the threatening weather. A storm
struck the ship and left her foundering
in heavy seas. When Wilder commanded
the crew to roan the pumps, they refused
and deserted the sinking ship in one of
the boats. Only Wilder and the two
women were left aboard the helpless
Royal Caroline. Hoping to make land,
they embarked in a longboat, but the
wind blew them out to sea. They were
sighted and picked up by the Dolphin.
Gertrude and Mrs. Wyllys were not
long aboard the Dolphin before the true
state of affairs became apparent to the
women in spite of the kindly treatment
afforded them. Mrs. Wyllys realized also
that Roderick, the cabin boy, was in re
ality a woman. But this mystery was
nothing when compared with that of
Harry Wilder.
Dick Fid told the story of Harry Wil
der's past history to the two ladies and
the Red Rover, thus explaining the affec
tion Wilder, Dick, and Scipio held for
each other. Some twenty-four years earli
er, Dick and Scipio had found a child
and a dying woman, apparently a nurse,
aboard an abandoned ship. After the
woman died, the two seamen took care
of the boy. They had only one clue to
follow in their efforts to locate the child's
relatives. This was the name Ark of
Lynnhaven which had been painted on a
ship's bucket and which Scipio had tat
tooed on Dick's arm. But there was no
ship of that name in any port registry,
and so the search for the child's relatives
was abandoned.
As Dick finished his story, another ship
was sighted. It was the Dart, a British
naval vessel on which Wilder, Dick, and
Scipio had previously sailed. Wilder
wanted the Red Rover to flee, but the
captain had another plan for dealing with
the Dart. After showing British colors,
the Red Rover was invited by Captain
Bignall of the Dart to come aboard his
ship. There the pirate captain learned
that Henry Ark, alias Harry Wilder, was
absent from the Dart on a dangerous
secret mission. The Red Rover realized
that he had betrayed himself to his
enemy. He went back to the Dolphin and
then sent Wilder, Dick, Scipio, and the
two women to the Dart.
814
Wilder had informed the Red Rover
that once aboard his own ship, the Dart,
he would be duty bound to reveal the
true nature of the Dolphin. But in tell
ing Captain Bignall his story, Wilder
begged for mercy for both the master and
the crew of the pirate ship. Bignall agreed
and sent Wilder back to the Dolphin
with lenient terms of surrender. The
Red Rover refused them and told Wilder
that if there were to be a fight Captain
Bignall would have to start it. As the
Dart attacked the pirate ship,, a sudden
storm gave the Dolphin an unexpected
advantage. Its crew boarded the Dart,
killed Captain Bignall, and captured the
ship. The crew of the Dolphin demanded
the lives of Wilder, Dick, and Scipio as
traitors, and the Red Rover handed them
over to the crew. When the chaplain
who was aboard the Dart came forward
to plead for their lives, he saw the tattoo
on Dick's arm. He told the story of the
Ark of Lynnhaven and revealed that
Harry Wilder must be the son of Paul de
Lacy and Mrs. Wyllys, who had kept the
marriage a secret because of parental dis
approval and later because of Paul's death.
Mrs. Wyllys then begged for the life of
her son, whom she had thought dead dl
these years. The Red Rover dismissed his
crew until the next morning, when he
would announce his decision concerning
the fate of the prisoners.
The next morning, the Red Rover put
his crew and all the gold aboard the Dol
phin into a coaster and sent them ashore.
The crew of the Dart, Wilder, Dick,
Scipio, and the women were put aboard
the Dart and told to sail off. When they
were some distance away, they saw the
Dolphin catch fire and burn. None had
been left aboard her but the Red Rover
and Roderick. Some aboard the Dart
thought they saw a small boat putting
off from the burning ship, but none could
be sure because of the billowing smoke.
Twenty years later, after the colonies
had won their independence from Eng
land, the Red Rover, a veteran of the
Revolutionary War, reappeared in New
port and made his way to the home of
Captain Henry de Lacy, who had previ
ously called himself Henry Wilder. Ad
mitted, he identified himself as the long-
lost brother of Mrs. Wyllys. Shortly
thereafter the Red Rover, pirate and
patriot, died.
REMEMBRANCE OF THINGS PAST
Type of work: Novel
Author: Marcel Proust (1871-1922)
Type of plot: Psychological realism
Time of plot: Late nineteenth, early twentieth centuries
Locale: France
First published: 1913-1927
Principal characters:
MARCEL, the narrator
MARCEL'S GRANDMOTHER, a kind and wise old woman
M. SWANN, a wealthy broker and esthete
MME. SWANN, formerly a cocotte, Odette de Crecy
GILBERTS, their daughter, later Mme. de Saint-Loup
MME, DE VILLEPARISIS, a friend of Marcel's grandmother
ROBERT DE SAINT-LOUP, her nephew, MarcePs friend
BARON DE CHARLUS, another nephew, a Gomorrite
MME. VEDURTN, a vulgar social climber
THE PRINCE and PRINCESS DE GUERMANTES, and
THE DUKE and DUCHESS DE GUERMANTES, members of the old aristocracy
REMEMBRANCE OF THINGS PAST by Marcel Proust. Translated by C. K. Scott-Moncneff and Fred
erick A. Blossom. By permission of Brandt & Brandt and the publishers, Random House, Inc. Copyright,
1924, 1925, by Thomas Seltzer, 1927, 1929, 1930, 1932, by Random House, Inc., 1934. by The Modern
Library, Inc.
815
Remembrance of Things Past is not a
novel of traditional form. Symphonic in
design, it unfolds without plot or crisis
as the writer reveals in retrospect the
motifs of his experience, holds them for
thematic effect, and drops them, only to
return to them once more in the pro
cesses of recurrence and change. This
.1 r . -.^ .
varied pattern or experience brings to
gether a series of involved relationships
through the imagination and observation
of a narrator engaged in tracing with
painstaking detail his perceptions of
people and places as he himself grows
from childhood to disillusioned middle
age. From the waking reverie in which
he recalls the themes and characters of
his novel to that closing paragraph with
its slow, repeated echoes of the word
Time, Proust's novel is great art distilled
from memory itself, the structure deter
mined entirely by moods and sensations
evoked by the illusion of time passing, or
seeming to pass, recurring, or seeming
to recur. The title shows Proust's two
fold concern as a novelist: time lost and
time recalled. To the discerning reader
it is plain that for Proust the true realities
of human experience were not con
tained in a reconstruction of remembered
scenes and events but in the capture of
physical sensations and moods re-created
in memory. The seven novels which
make up Remembrance of Things Past
are Swanns Way, Within a Budding
Grove, The Guermantes Way, Cities of
the Plain, The Captive} The Sweet
Cheat Gone} and The Past Recaptured.
The Story:
All his life Marcel found it difficult
to go to sleep at night. After he had
blown out the light, he would lie quietly
in the darkness and think of the book
he had been reading, of an event in his
tory, of some memory from the past.
Sometimes he would think of all the
places in which he had slept — as a child
in his great-aunt's house in the pro
vincial town of Combray, in Balbec on
a holiday with his grandmother, in the
military town where his friend, Robert
de Saint-Loup, had been stationed, in
Paris, in Venice during a visit there with
his mother.
He remembered always a night at
Combray when he was a child. M.
Swann, a family friend, had come to
dinner. Marcel had been sent to bed
early, where he lay for hours nervous
and unhappy until at last he heard M.
Swann leave. Then his mother had
come upstairs to comfort him.
For a long time the memory of that
night was his chief recollection of Com
bray, where his family took him to spend
a part of every summer with his grand
parents and aunts. Years later, while
drinking tea with his mother, the taste
of a small sweet cake suddenly brought
back all the impressions of his old days
at Combray.
He remembered the two roads. One
was Swann's way, a path that ran be
side M. Swann's park where the lilacs
and hawthorns bloomed. The other was
the Guermantes way, along the river and
past the chateau of the Duke and
Duchess de Guermantes, the great family
of Combray. He remembered the people
he saw on his walks. There were familiar
figures like the doctor and the priest.
There was M. Vinteuil, an old com
poser who died broken-hearted and
shamed because of his daughter's friend
ship with a woman of bad reputation.
There were the neighbors and friends
of his grandparents. But best of all he
remembered M. Swann, whose story he
pieced together slowly from family con
versations and village gossip.
M. Swann was a wealthy Jew accepted
in rich and fashionable society. His wife
was not received, however, for she was
his former mistress, Odette de Crecy, a
cocotte with the fair, haunting beauty
of a Botticelli painting. It was Odette
who had first introduced Swann to the
Vedurins, a vulgar family that pretended
to despise the polite world of the Guer-
816
mantes. At an evening party given by
Mme. Vedurin, Swann heard played a
movement of Vinteuirs sonata and identi
fied his hopeless passion for Odette with
that lovely music. Swann's love was an
unhappy affair. Tortured by jealousy,
aware of the vulgarity and pettiness of
the Vedurins, determined to forget his
unfaithful mistress, he went to Mme.
de Sainte-Euvert's reception. There he
heard Vinteuil's music again. Under its
influence he decided, at whatever price,
to marry Odette.
After their marriage Swann drifted
more and more into the bourgeois circle
of the Vedurins. When he went to see
his old friends in Combray and in the
fashionable Faubourg Saint-Germain, he
went alone. Many people thought him
both ridiculous and tragic.
On his walks Marcel sometimes saw
Mme. Swann and her daughter, Gilberte,
in the park at Combray. Later, in Paris,
he met the little girl and became her
playmate. That friendship, as they grew
older, became an innocent love affair.
Filled also with a schoolboyish passion
for Mme. Swann, Marcel went to
Swann's house as much to be in her
company as in Gilberte's. But after a
time his pampered habits and brooding,
neurasthenic nature began to bore Gil
berte. His pride hurt, he refused to see
her for many years.
Marcel's family began to treat him as
an invalid. With his grandmother, he
went to Balbec, a seaside resort. There
he met Albertine, a girl to whom he was
immediately attracted. He met also
Mme. de Villeparisis, an old friend of
his grandmother and a connection of
the Guermantes family. Mme. de Vil
leparisis introduced him to her two
nephews, Robert de Saint-Loup and
Baron de Charlus. Saint-Loup and Mar
cel became close friends. While visiting
Saint-Loup in a nearby garrison town,
Marcel met his friend's mistress, a young
Jewish actress named Rachel. Marcel
was both fascinated and repelled by
Baron de Charlus; he was not to under
stand until later the baron's corrupt and
depraved nature.
Through his friendship with Mme. de
Villeparisis and Saint-Loup, Marcel was
introduced into the smart world of the
Guermantes when he returned to Paris.
One day, while he was walking with
his grandmother, she suffered a stroke.
The illness and death of that good and
unselfish old woman made him realize
for the first time the empty worldliness
of his smart and wealthy friends. For
comfort he turned to Albertine, who
came to stay with him in Paris while his
family was away. But his desire to be
humored and indulged in all his whims,
his suspicions of Albertine, and his petty
jealousy, finally forced her to leave him
and go back to Balbec. With her, he
had been unhappy; without her, he was
wretched. Then he learned that she had
been accidentally killed in a fall from
her horse. Later he received a letter,
written before her death, in which she
promised to return to him.
More miserable than ever, Marcel
tried to find diversion among his old
friends. They were changing with the
times. Swann was ill and soon to die.
Gilberte had married Robert de Saint-
Loup. Mme. Vedurin, who had inherited
a fortune, now entertained the old
nobility. At one of her parties Marcel
heard a Vinteuil composition played by
a musician named Morel, the nephew
of a former servant and now a protege*
of the notorious Baron de Charlus.
His health breaking down at last,
Marcel spent the war years in a sani
tarium. When he returned to Paris, he
found still greater changes. Robert de
Saint-Loup had been killed in the war.
Rachel, Saint-Loup's mistress, had be
come a famous actress. Swann was also
dead, and his widow, remarried, was a
fashionable hostess who received the
Duchess de Guermantes. Prince de
Guermantes, his fortune lost and his
first wife dead, had married Mme. Ve
durin for her money. Baron de Charlus
had grown senile.
817
Marcel went to one last reception at
the Princess de Guermantes* lavish house.
Meeting there the daughter of Gilberte
de Saint-Loup, he realized how time had
passed, how old he had grown. In the
Guermantes library, he happened to take
down the novel by George Sand which
his mother had read to him that re
membered night in Combray, years be
fore. Suddenly, in memory, he heard
again the ringing of the bell that an
nounced M. Swann's departure and knew
that it would echo in his mind forever.
He saw then that everything in his own
futile, wasted life dated from that far
night in his childhood, and in that
moment of self-revelation he saw also
the ravages of time among all the people
he had ever known.
THE RETURN OF THE NATIVE
Type of work: Novel
Author: Thomas Hardy (1840-1928)
Type of plot: Romantic tragedy
Time of -plot: Mid-nineteenth century
Locale: Egdon Heath, in southern England
First published; 1878
Principal characters:
DIGGORY VENN, a reddleman
DAMON WILDEVE, proprietor of the Quiet Woman Inn
THOMASIN YEOBRIGHT, betrothed to Wildeve
MRS. YEOBRIGHT, Thomasin's guardian
CLYM YEOBRIGHT, Mrs. Yeobright's son
EUSTACIA VYE, a designing woman
Critique:
In this novel Thomas Hardy created
two strong and opposing forces: Egdon
Heath, a somber tract of wasteland sym
bolic of an impersonal fate, and Eustacia
Vye, a beautiful young woman repre
senting the opposing human element.
Throughout the book Eustacia struggles
against the Heath, but in vain. Of
course, her failure to overcome her en
vironment would seem to prove Hardy's
view that man is not the master of his
fate. But in attempting to minimize the
importance of the individual in this life,
Hardy has created in the character of
Eustacia Vye a person of great strength
and marked individuality. Indeed, the
reader, contemplating her, feels that Eu
stacia herself, not fate alone, is respon
sible for her tragic end.
The Story:
Egdon Heath was a gloomy wasteland
m southern England. Against this majes
tic but solemn, brooding background a
small group of people were to work out
their tragic drama in the impersonal pres
ence of nature.
Fifth of November bonfires were glow
ing in the twilight as Diggory Venn, the
reddleman, drove his van across the
Heath. Tired and ill, Thomasin Yeo-
bright lay in the rear of his van. She
was a young girl whom Diggory loved,
but she had rejected his proposal in order
to marry Damon Wildeve, proprietor of
the Quiet Woman Inn. Now Diggory
was carrying the girl to her home at
Blooms-End. The girl had gone to marry
Wildeve in a nearby town, but the cere
mony had not taken place because of an
irregularity in the license. Shocked and
shamed, Thomasin had asked her old
sweetheart, Diggory, to take her home.
Mrs. Yeobright, Thomasin's aunt and
guardian, heard the story from the reddle
man. Concerned for the girl's welfare,
she decided that the wedding should take
place as soon as possible. Mrs. Yeobright
had good cause to worry, for Wildeve's
intentions were not wholly honorable.
818
Later in the evening, after Wildeve had
assured the Yeobrights, rather casually,
that he intended to go through with his
promise, his attention was turned to a
bonfire blazing on Mistover Knap. There
old Cap'n Vye lived with his beautiful
granddaughter, Eustacia. At dusk the
girl had started a fire on the Heath as a
signal to her lover, Wildeve, to come to
her. Though he had intended to break
with Eustacia, he decided to obey her
summons.
Eustacia, meanwhile, was waiting for
Wildeve in the company of young Johnny
Nunsuch. When Wildeve threw a
pebble in the pond to announce his
arrival, Eustacia told Johnny to go home.
The meeting between Wildeve and Eu
stacia was unsatisfactory for both. He
complained that she gave him no peace.
She, in turn, resented his desertion.
Meanwhile Johnny Nunsuch, frightened
by strange lights he saw on the Heath,
went back to Mistover Knap to ask Eu
stacia to let her servant accompany him
home, but he kept silent when he came
upon Eustacia and Wildeve. Retracing
his steps, he stumbled into a sand pit
where stood the reddleman's van. From
the boy, Diggory learned of the meeting
between Eustacia and Wildeve. Later,
he overheard Eustacia declare her hatred
of the Heath to Wildeve, who asked her
to run away with him to America. Her
reply was vague, but the reddleman de
cided to see Eustacia without delay to
beg her to let Thomasin have Wildeve.
Diggory 's visit to Eustacia was fruitless.
He then approached Mrs. Yeobright, de
clared again his love for her niece, and
offered to marry Thomasin. Mrs. Yeo
bright refused the reddleman's offer be
cause she felt that the girl should marry
Wildeve. She confronted the innkeeper
with vague references to another suitor,
with the result that Wildeve's interest in
Thomasin awakened once more.
Shortly afterward Mrs. Yeobright's
son, Clym, returned from Paris, and a
welcome-home party gave Eustacia the
chance to view this stranger about whom
she had heard so much. Uninvited, she
went to the party disguised as one of the
mummers. Clym was fascinated by this
interesting and mysterious young woman
disguised as a man. Eustacia dreamed of
marrying Clym and going with him to
Paris. She even broke off with Wildeve,
who, stung by her rejection, promptly
married Thomasin to spite Eustacia.
Clym Yeobright decided not to go
back to France. Instead he planned to
open a school. Mrs. Yeobright strongly
opposed her son's decision. When Clym
learned that Eustacia had been stabbed
in church by a woman who thought thai
Eustacia was bewitching her children,
his decision to educate these ignorant
people was strengthened. Much against
his mothers wishes, Clym visited Eu-
stacia's home to ask her to teach in his
school. Eustacia refused because she
hated the Heath and the country peas
ants, but as the result of his visit Clym
fell completely in love with the beautiful
but heartless Eustacia.
Mrs. Yeobright blamed Eustacia for
Clym's wish to stay on the Heath. When
bitter feeling grew between mother and
son, he decided to leave home. His mar
riage to Eustacia made the break com
plete. Later Mrs. Yeobright relented
somewhat and gave a neighbor, Christian
Cantle, a sum of money to be delivered
in equal portions to Clym and Thomasin.
Christian foolishly lost the money to
Wildeve in a game of dice. Fortunately,
Diggory won the money from Wildeve,
but, thinking that all of it belonged to
Thomasin, he gave it to her. Mrs. Yeo
bright knew that Wildeve had duped
Christian. She did not know that the
reddleman had won the money away from
the innkeeper, and she mistakenly sup
posed that Wildeve had given the money
to Eustacia. Meeting Eustacia, she asked
the girl if she had received any money
from Wildeve. Eustacia was enraged by
the question and in the course of her
reply to Mrs. Yeobright' s charge she said
that she would never have condescended
to marry Clym had she known that she
819
would Lave to remain on the Heath. The
two women patted angrily.
Eustacia's unhappiness was increased
by Clym's near-blindness, a condition
brought on by too much reading, for she
feared that this meant she would never
get to Paris. When Clym became a wood
cutter, Eustacia's feeling of degradation
was complete. Bored with her life, she
went by herself one evening to a gipsy-
ing. There she accidentally met Wildeve
and again felt an attachment for him.
Seeing Eustacia and Wildeve together,
the reddleman told Mrs. Yeobright of the
meeting and begged her to make peace
with Eustacia for Clym's sake. She
agreed to try.
But Mrs. Yeobright's walk at noon
across the hot, dry Heath to see her son
and daughter-in-law proved fatal. When
she arrived in sight of Clym's house, she
saw her son from a distance as he en
tered the front door. Then, while she
rested on a knoll near the house, she
saw another man entering, but she was
too far away to recognize Wildeve. After
resting for twenty minutes, Mrs. Yeo
bright went on to Clym's cottage and
knocked. No one came to the door.
Heartbroken by what she considered a
rebuff by her own son, Mrs. Yeobright
started home across the Heath. Over
come by exhaustion and grief, she sat
down to rest and a poisonous adder bit
her. She died without knowing that in
side her son's house Clym had been
asleep, worn out by his morning's work.
Eustacia did not go to the door because,
as she later explained to her husband,
she had thought he would answer the
knock. The real reason for Eustacia's
failure to go to the door was fear of the
consequences, should Mrs. Yeobright find
Eustacia and Wildeve together.
Clym awoke with the decision to visit
his mother. Starting out across die Heath
toward her house, he stumbled over her
body. His grief was tempered by be
wilderment over the reason for her being
on the Heath at that time. When Clym
discovered that Eustacia had failed to let
his mother in and that Wildeve had been
in the cottage, he ordered Eustacia out
of his house. She went quietly because
she felt in part responsible for Mrs. Yeo
bright's death.
Eustacia took refuge in her grand
father's house, where a faithful servant
thwarted her in an attempt to commit
suicide. In utter despair over her own
wretched life and over the misery she
had caused others, Eustacia turned to
Wildeve, who had unexpectedly inher
ited eleven thousand pounds and who still
wanted her to run away with him. One
night she left her grandfather's house in
order to keep a prearranged meeting with
the innkeeper, but in her departure she
failed to receive a letter of reconciliation
which Thomasin had persuaded Clym to
send to her. On her way to keep her
rendezvous with Wildeve she lost hex
way in the inky blackness of the Heath,
and either fell accidentally or jumped
into a small lake, and was drowned. Wild-
eve, who happened to be near the lake
when she fell in, jumped in to save her
and was drowned also.
(Originally The Return of the Native
ended with the death of Eustacia and of
Wildeve; but in order to satisfy his ro
mantic readers, in a later edition Hardy
made additions to the story. The faithful
Diggory married Thomasin. Clym, un
able to abolish ignorance and superstition
on the Heath by teaching, became in the
end an itinerant preacher.)
820
THE REVOLT OF THE ANGELS
Type of work: Novel
Author: Anatole France (Jacques Anatole Thibault, 1844-1924)
Type of 'plot: Fantasy
Time of plot: Early twentieth century
Locale: France
First 'published: 1914
Principal characters:
MAURICE D'ESPARVIEU, a lazy young man
ARCADE, his guardian angel
MONSIEUR JULIEN SARJETTE, a librarian
MADAME GILBERTS DBS AUBELS, Maurice's mistress
Critique:
Anatole France was a revolutionary.
Opposed to the Church and the state,
he wrote many bitter novels ridiculing
those institutions. The Revolt of the
Angels is one of the most abusive satires
of this century. It is a fantasy, telling
the story of an angel who read so widely
in the field of science that he lost his
faith in God. He aroused thousands of
angels, and they planned to take over
the Kingdom of Heaven for Satan. In
this satire France attacked almost every
established institution in the world, but
in his desire to ridicule he often sacrificed
sincerity and thus effectiveness. His
greatest personal conviction, as reflected
in this satire, was his love for and his
faith in the little people of the world.
This factor is the greatest positive quality
of the novel.
The Story:
Because their fabulous library was so
large and valuable, the d'Esparvieu fam
ily employed Monsieur Julien Sariette
to look after the three hundred thousand
volumes. The books were the most
precious charge that Sariette had ever
had, and he guarded them as if they
were jewels. There were rare first edi
tions, some with notations in the hand
writing of famous men of history. There
were several unpublished manuscripts
written on sheepskins and sycamore tab
lets. It was no more difficult to steal an
emerald than to borrow one of those
precious books or manuscripts from
Sariette.
One morning he entered the library
to find many of the books in complete
disorder. Some of the finest specimens
were among the desecrated books, and
for a time the old librarian could not
comprehend what his eyes saw. But he
was even more disturbed when he real
ized that some of the books were gone.
When he reported the theft to his master,
he was told that he had probably left
them lying carelessly around. Sariette
was completely upset.
For more than two months the thefts
continued. Locks were changed, and a
detective was employed, but all precau
tions failed. Sariette hid himself in the
library one night, and what he saw
there frightened him more than ever.
He had fallen asleep. When he awoke,
he saw that the room was filled with a
queer, phosphorescent light. A book he
held in his hand opened, and he could
not close it. When he tried to force it
shut, the book leaped up and struck
him over the head, knocking him un
conscious.
From that time on Sariette could
neither sleep nor eat. He was at the
point of insanity when young Maurice
d'Esparvieu, who lived in the garden
pavilion and who had not heard of the
losses, asked him why so many of the
books from the library were piled in his
rooms. Sariette rushed to the pavilion.
THE REVOLT OF THE ANGELS by Anatole France. Translated by Mr*. Wilfrid Jackson. By Pfmissbn
of the publishers, Dodd, Mead & Co., Inc. Copyright, 1914, by Dodd, Mead & Co., Inc. Renewed, 1942, by
Mrs. Wilfrid Jackson,
821
There lay his precious books, scattered
around "but all complete* He carefully
carried them back into the house and
put them on the shelves again.
The books continued to disappear each
night and appear in the pavilion the next
morning. Sariette knew no more than he
did before. One day a fine talcum scat
tered on the floor revealed a strange
footprint. Some thought it the print of
a fairy, others that of a small, dainty
woman.
While these events were disrupting the
peace of the d'Esparvieu household, Mau
rice was having a love affair with Madame
Gilberte des Aubels. While she was
visiting him in his pavilion one evening,
they were startled by the sight of a
nude man who suddenly appeared. Gil
berte, thinking him a burglar, offered
him her money and jewels, but the
stranger announced in a calm voice that
he was Arcade, Maurice's guardian angel.
He explained his appearance by telling
them that angels could take human form
when they pleased. He had come to the
earth at Maurice's birth, but had re
mained invisible, as all good guardian
angels do. Because Maurice was a lazy
voung man, Arcade had found time
neavy on his hands, and he had gone
into the d'Esparvieu library to find some
thing to read. He had studied the great
books on philosophy, theology, and
science, and the scientific approach to
the creation of the universe had im
pressed him so much that he had decided
to assume human form asid lead the
angels into revolt against God.
In his explanation to Gilberte and
Maurice he acknowledged that God ex
isted, but he denied that He was the
creator of the universe. Arcade now
considered God, or laldabaoth, as He was
called in Heaven, as only one of the
strong men of that kingdom. laldabaoth
and Satan had battled for the supremacy
of that beautiful and rich land, and
laldabaoth had won. Now there were
many other angels on earth who had also
assumed human form, thus disobeying
laldabaoth, and they too were ready to
revolt. Arcade was determined to join
the rebel angels and lead them to victory
against laldabaoth.
Gilberte and Maurice were shocked
They begged Arcade to renounce his
wicked \vays and return to God, but he
was firm in his decision. Not wishing t&
leave his angel in a nude state, Maurice
secured some clothes for him before
Arcade left the pavilion.
Arcade found many revolutionary
angels to plan with him for the final
battle. There was Prince Istar, the chem
ist, who spent his time manufacturing
bombs. Zita was a female angel, as will
ing to go to war as any of the males.
Theophile was not a revolutionary and
did not want to go to war against
laldabaoth. Theophile was a fallen angel
who had succumbed to the lust he felt
for a mortal woman, but he still believed
in God and would not join in plans for
the revolt. While they were gathering
recruits, most of the angels enjoyed
the pursuits of mortal men. Many of
them took lovers; Arcade seduced Gil
berte in Maurice's pavilion, after Mau
rice had brought the angel home with
him. Arcade tried to enlist the help of
Sophar, an angel who had become a
Jewish banker named Max Everdingen,
but Sophar would not give them money
for the revolution. He offered to sell
them munitions, however, and to finance
the purchases at his bank.
While the angels were preparing for
the final attack, Gilberte and Maurice
continued their affair, for Maurice had
forgiven Arcade and Gilberte. Sariette,
among his books, was happy because
Arcade, busy with the revolution, no
longer stole the precious volumes. But
through a mishap, Lucretius, one of the
most precious of the rare editions, was
taken from the library and lost. This
final blow drove Sariette to madness.
At last all was in readiness for the
revolt. Hundreds of thousands of rebel
angels joined Arcade and presented them
selves to Satan, asking him to lead them
822
into the battle against laldabaoth. Satan
asked them to wait until the next day
for his answer. That night he had a
dream. He dreamed that he led the
rebels against laldabaoth, and that they
were victorious. Satan was crowned
king, and he banished laldabaoth as He
had banished Satan millions of years
ago. But Satan dreamed that as he re
ceived the praises of mankind and the
angels, he became like the other God,
laldabaoth, and lost his sympathy for
humanity.
Satan awoke from his dream, and
called the leaders of the angels around
him. He told them that they would not
conquer Heaven, that one war always
brings on another because the vanquished
seek constantly to regain what they have
lost. He told them that he did not want
to be God, that he loved the earth and
wanted to stay on earth and help his
fellow men. And he told the angels that
they had done much already to destroy
God on earth, for they had been slowly
destroying ignorance and superstitions
concerning the false religion taught by
God. Satan told the angels to stay on
earth to spread the doctrine of love and
kindness; in this way they would
triumph over God and bring peace to
heaven and earth,
RICEYMAN STEPS
Type of work: Novel
Author: Arnold Bennett (1867-1931)
Type of plot: Social criticism
Time of plot: 1919
Locale: Riceyman Steps, a suburb of London
First published: 1923
Principal characters:
HENRY EAELFORWARD, a bookseller
MRS. VIOLET ARE, owner of a nearby shop
ELSIE, maid for both Earlforward and Mrs. Arb
JOE, Elsie's friend
Critique:
Riceyman Steps is a novel both amus
ing and tragic. Bennett's gifts for satire,
for ironic comment and incident, and
for character development, combine in
this novel to create an excellent comedy
of manners. But, as in all of Bennett's
work, the note of tragedy is, in the last
analysis, the important one and it is not
absent in Riceyman Steps. Henry Earl-
forward and his wife, as well as Elsie and
Joe, are the victims of selfishness and
greed.
The Story:
Henry Earlforward owned a bookstore
left to him by his uncle, T. T. Ricey
man. It was cluttered, dusty, badly-
lighted. Earlforward lived in a back
room of the shop, the upstairs of the
building being filled with old books.
One night Elsie, his cleaning girl,
came into the shop. She told Henry
that she also worked for Mrs. Arb, who
owned the confectioner's shop next door,
and that Mrs. Arb had sent her for a
cookbook. Henry found one containing
recipes for making substantial meals out
of practically no food at all. A little
later Elsie returned and said that Mrs.
Arb thanked him, but the book was
too expensive.
His curiosity aroused, he himself went
to Mrs. Arb's shop. Even though he
marked down the price of the book,
Mrs. Arb still refused to buy it. Henry
became more interested, for it was clear
RICEYMAN STEPS by Arnold Bennett. By permission of A. P. Watt & Son, London, and tie publisheri,
Doubleday & Co., Inc. Copyright, 1923. by Doubleday & Co., Inc.
823
that Mrs. Arb was no spendthrift. The
following Sunday they went for a walk,
and from then on they became close
friends.
At last Violet Arb sold her shop and
agreed to marry Henry. When Violet
asked him about a wedding ring, he
seemed surprised, for he had supposed
the one she already owned would do.
He got a file, sawed off the ring, sold
it, and bought another, all without
really spending a penny. They were
married one morning and for a honey
moon spent the day in London.
They visited Madame Tussaud's Wax
works and the Chamber of Horrors.
Henry, who had thought the wedding
breakfast expensive enough, was dis
tressed at being forced to spend more
money. He wondered if he had been de
ceived, if Violet were not a spendthrift
after all. He began to complain about his
lame foot. Violet was dismayed; she had
wanted to see a motion picture. But
Henry could not be persuaded to change
his mind. He did not, he said, want a
painful leg on his wedding day.
When they passed by the shop that
night, Henry thought the place was on
fire. It was glowing with light, and men
were working inside. Violet explained
that the men had been engaged to clean
the dirty, cluttered shop. She had
planned the work as her wedding gift
to him, but he had spoiled the surprise
by coming home before the men had
finished their task. Henry showed Violet
a safe that he had bought to safeguard
her valuables and her money.
Violet soon discovered that miserly
Henry would not light a fire, would have
no electric light, would eat practically
nothing. On their first morning together
she cooked an egg for him but he re
fused to eat it. Later Elsie ate it in
secret. At another time Violet had Elsie
cook steaks, but Henry would not touch
them. There was an argument in which
Violet called him a miser who was
starving her to death. He left the room
and his steak. That night Elsie ate it.
When Violet discovered that Elsie had
eaten the steak, there was another row.
But Elsie began to eat more and more
when nobody was there to observe her.
The girl was half -starved in the miserly
household. To stop Elsie's thefts of food,
Henry went to bed, called Elsie to his
room, announced he was seriously ill,
and asked if she thought it right to steal
food while he lay dying. Elsie was glum
and frightened.
A short time later Henry actually be
came ill. Elsie, in defiance of the Earl-
forwards, managed to get Dr. Raste to
examine Henry. The doctor said that
the sick man would have to go to the
hospital. Then the doctor discovered that
Violet was also ill. At first Henry re
fused to go to the hospital, but Violet
finally persuaded him to go. When the
doctor called the next morning, it was
Violet, however, who went to the hospi
tal. Henry stayed at home in the care of
Elsie.
In the meantime Elsie had been hoping
for the return of Joe, her sweetheart. He
had been employed by Dr. Raste,
had been ill, and had wandered off. Elsie
was sure he would return some day.
One night Elsie wanted to send a boy
to the hospital to inquire about Violet.
When she asked Henry for sixpence for
the messenger, he said she could go her
self. Not wanting to leave him, she
picked up his keys, went downstairs, and
opened the safe. Amazed to find so
much money there, she borrowed six
pence and put an I. O. U. in its place.
Then she dashed out to find a boy to
carry her note. When she came back,
she found Joe waiting for her. He was
shabbily dressed and sick.
Elsie quietly carried Joe up to her
room and took care of him, taking pains
so that Henry would not suspect his
presence in the house. When Joe began
to improve, he told her he had been in
jail. Elsie did not care. She continued
to take care of Henry, promising him
that she would never desert him. The
hospital informed them that Violet was
824
to have an operation. That night Elsie
went next door to the confectioner's
jhop. Mrs. Belrose, the wife of the new
proprietor, telephoned the hospital and
was told that Violet had died because
her strength had been sapped through
malnutrition.
Henry seemed to take the news calmly
enough, but he grew steadily worse. Dr.
Raste came again and said that he must
go to a hospital, but Henry refused.
Without Elsie's knowledge, he got up and
went downstairs, where he discovered
with dismay Elsie's appropriation of the
sixpence. He sat down at his desk and
began to read his correspondence.
Elsie was in her room taking care of
Joe. To the neighbors the house seemed
quite dark. Accordingly, Mrs. Belrose
insisted that her husband go over to
inquire about the sick man. He dis
covered Henry's body lying in the shop.
A relative came from London and sold
the shop to Mr. Belrose. Joe recovered
and went back to work for Dr. Raste.
Because Elsie intended to marry Joe, she
also went to work for Dr. Raste.
THE RIME OF THE ANCIENT MARINER
Type of work: Poem
Author: Samuel Taylor Coleridge (1772-1834)
Type of plot: Ballad fantasy
Time of plot: Late medieval period
Locale: A voyage around the Horn into the Pacific and thence home
First published: 1798
Principal characters:
THE ANCIENT MARINER
A HERMIT
A WEDDING GUEST
Critique:
According to Coleridge, his aim in
writing The Ancient Mariner was to make
the supernatural seem real. For the poem
he chose as his verse form the old four-
line ballad stanza and an archaic style.
Especially noteworthy is the division of
the poem into parts, each part ending
with a striking sentence which serves as
a high point in the story.
The Story:
Three young gallants on their way to
a wedding were stopped by an old gray-
headed sailor who detained one of them.
The Ancient Mariner held with his glit
tering eye a young man whose next of
kin was being married in the church
nearby and forced him to listen, against
his will, to the old seaman's tale. The
Ancient Mariner told how the ship left
the home port and sailed southward to the
equator. In a storm the vessel was blown
to polar regions of snow and ice.
When an albatross flew out of the
frozen silence, the crew hailed it as a
good omen. The sailors made a pet of
the albatross and regarded it as a fellow
creature. One day the Ancient Mariner
killed the bird with his crossbow. The
superstitious sailors believed bad luck
would follow.
Fair winds blew the ship northward
until it reached the equator, where it
was suddenly becalmed and lay for days
without moving. The thirsty seamen
blamed the Ancient Mariner and hung
the dead albatross about his neck as a
sign of his guilt.
In the distance a ship appeared, a skel
eton ship which moved on the still sea
where no wind blew. On its deck Death
and Life-in-Death were casting dice for
the crew and the Ancient Mariner. As a
result of the cast, Death won the two
hundred crew members, who dropped
dead one by one. As the soul of each dead
825
sailor rushed by, the Ancient Mariner
was reminded of the whiz of his cross
bow when he shot the albatross. Life-in-
Death had won the Ancient Mariner,
who must now live on to expiate his sins.
Furthermore, the curse lived on in the
eyes of the men who died accusing him.
One night the Ancient Mariner, observ
ing the beauty of the water snakes around
the ship, blessed these creatures in his
heart. The spell was broken. The alba
tross fell from his neck into the sea.
At last the Ancient Mariner was able
to sleep. Rain fell to quench his thirst.
The warped vessel began to move, and
the bodies of the dead crew rose to re
sume their regular duties as the ship
sailed quietly on, moved by a spirit
toward the South Pole.
The Ancient Mariner fell into a
trance. He awoke to behold his own
country, the very port from which he
had set sail. Then die angelic spirits left
the dead bodies of the crew and appeared
in their own forms of light. Meanwhile,
the pilot on the beach had seen the lights
and he rowed out with his son and a holy
Hermit to bring the ship in to harbor.
Suddenly the ship sank, but the pilot
pulled the Ancient Mariner into his boat.
Once ashore, the old man asked the Her
mit to hear his confession and give him
penance. The Ancient Mariner told the
Wedding Guest that at uncertain rimes
since that moment, the agony of his
guilt returned and he must tell the story
of his voyage to one who must be taught
love ana reverence for all things God
has made and loved.
The merry din of the wedding had
ceased, and the Wedding Guest returned
home a sadder and a wiser man.
THE RING AND THE BOOK
Type of work. Poem
Author: Robert Browning (1812-1889)
Type of plot: Dramatic monologues
Time of plot: Seventeenth century
Locale: Italy
First published: 1868-1869
Principal cli&racters:
PIETRO COMPARTNT, an aged Roman
VIOLANTE, Pietio's wife
POMPILIA, the Comparini's adopted daughter
GUIDO FRANCESCHTNI, Pompilia's husband
GIUSEPPE CAPONSACCHI, a priest
Critique:
This poem reveals Browning's deep
perceptive and poetic poxvers at their
greatest heights. Based upon a murder
trial in the city of Florence in 1698, the
poem attempts to probe the inner motiva
tions of the people involved in that old,
sordid tale of passion and crime. A
series of dramatic characterizations and
episodes carries the reader to the magnifi
cent conclusion* Pompilia and Capon-
sacchi are among Browning's most notable
creations. Too long to be one of the
widely read poems of Browning, yet too
penetrating to be disregarded by any of
his admirers, The Ring and the Book is
written with tremendous power of lan
guage.
The Story:
Count Guido Franceschini, descended
from an ancient house of Aretine, had
married Pompilia Comparing a young
and beautiful Roman girl. Unhappy with
her husband, the young wife fled back
to Rome in the company of a young
priest, Giuseppe Caponsacchi. Guido and
four accomplices followed her, and on
Christmas night he found his wife at
the home of her parents, Pietro and Vio-
lante. He murdered the seventy-year-old
826
man and woman and fatally wounded
seventeen-year-old Pompilia.
The aged parents were laid in the
church where the people of Rome came
to stare and to speculate. The Comparini
had been childless until somehow Vio-
lante had tricked Pietro into thinking that
she had given birth to the child she had
secretly bought. It was Violante's mis
chief which had led to evil, asserted the
Roman people. She had spied Guido, of
a noble family, and had persuaded him
to take Pompilia for his wife. Then all
three, parents and daughter, had moved
to his estate in Arezzo and there learned
of Guido's poverty. Leaving Pompilia
behind, the Comparini returned to Rome.
Back in Rome, Violante confessed to
Pietro that she had bought the child from
a prostitute, and by disowning her par
entage the aged couple denied Guido his
dowry rights. Pompilia, meanwhile, wrote
a letter to the archbishop in Rome, tell
ing him that since her parents' departure
life in Arezzo had become unbearable.
In Arezzo, Pompilia had begun a flirta
tion with Caponsacchi, the Roman gos-
sipers related, and at last had run away
with him. As the guilty pair neared
Rome, Guido overtook them and brought
them to Rome and to the Pope. The
couple declared themselves innocent and
disavowed love letters which Guido
claimed had passed between them. When
the court treated the case as a slight
marriage quarrel, Guido returned to
Arezzo and the taunts of his townsmen.
Soon afterward news reached him that
Pompilia, who had returned to the Com
parini, had given birth to a son. Then
Guido took four men, went to Rome,
killed the parents, and left Pompilia
dying. The Romans excitedly awaited
the trial, for Caponsacchi would be one
of the witnesses.
Another group of spectators in Rome
took a different view of the murderer
and his wife, Pompilia had been a bless
ing to her foster parents, no matter how
she came to them. They had considered
it a blessing when Guido married their
daughter, only to reach horrible disillu
sionment when they went to Arezzo and
saw his cruelty and poverty. She was
Guido's victim, these gossips said.
The tribunal tried to determine the
truth in the case. Pietro and Violante
had been poor, struggling creatures.
When the mother of Pompilia was with
child, Violante had bargained with her
for the baby and deceived her husband
by pretending that it was she who was
pregnant. Her act was judged criminal.
When Guido came to Rome to find a
wife to bear him sons, and a dowry to pay
his debts, Pietro and Violante gave him
their daughter so that she could rise in
name and fortune. When they learned
that Guido was penniless, they cried that
they had been cheated. Meanwhile it
was Pompilia who suffered between the
rival factions of parents and husband.
She was tricked by Guido to trace letters
to Caponsacchi, which were offered at
the trial. But Guido's friends claimed
that he could not have so mistreated his
young wife, that she must have written
the letters herself.
Guido told his own story. His family
had once been wealthy and great, but
in his lifetime they had known only
poverty. His brothers were priests; he
alone remained to carry on the Frances-
chini name. His brother Paul, a priest
in Rome, had advised him that Pompilia
would make a suitable wife. He was to
give the girl his name and state in return
for her dowry and her sorx. But Pom
pilia shirked her wifely duties from the
first. One day she caught the eye of
Caponsacchi at the opera. Afterward
Caponsacchi's way to church led him past
Guido's house, past Pompilia's window.
Then one night Pompilia drugged Guido
and all the servants and fled with her
priest to the inn where Guido located
them. He found some letters Capon
sacchi had exchanged with her, letters
which she claimed had been forged. He
brought them to court to have his mar
riage annulled, but the court upheld the
marriage and sent Caponsacchi away £o?
827
a short confinement. Pompilia returned
to Pietro and Violante and there she had
a child which Guido telieved Capon-
sacchi's. He had no other course, he
said, but to go to Rome and cleanse his
family name, and he threw himself upon
the justice of the court,
Caponsacchi took the stand to describe
his first sight of Pompilia at the opera.
Not long after he received a letter, signed
by Pompilia, confessing love and asking
him to come to her window. Suspecting
the letter to be a forgery, he answered
it with a refusal. He received more let
ters. At last he became curious and went
to stand outside Guide's house. Pompilia,
seeing him, rebuked him for his unseemly
letters to her, a married woman. They
decided that they were victims of Guide's
plot Pompilia begged Caponsacchi to
take her to her parents in Rome. His
heart softening at her plight, he arranged
for her to go away with him.
Pompilia, Caponsacchi said, had been
victimized by her cruel husband. The
testimony of dying Pompilia upheld what
Caponsacchi had said. At the time of
her marriage she had been only thirteen
years old. She had been brought to
Arezzo, to an impoverished home where
Guido's brother had tried to seduce
her. For three years she lived in misery.
Then she received letters from Capon
sacchi. She tried to understand the
mystery, knowing that somehow she
was being tricked, but finally she sent
for the priest because she had decided to
seek help from the outside world.
The testimony of others followed, some
in defense of Guido, others exposing his
carefully laid plot to rid himself of Pom
pilia. Testimony of PompihVs innocence
was also presented. The Pope, condemn
ing Guido for the crime, pronounced
Pompilia innocent of guilt and told the
court of the tremendous burden of justice
that a Pope must carry on his shoulders.
Guido and his four accomplices were
sentenced to be hanged.
Humbled and fearful of death, Guido
made one last plea for his life. Pride
and self-love colored his statements as he
confessed his crime but rationalized his
motive. He was to be pitied; he wanted
to live. He pleaded for mercy which was
not granted.
THE RISE OF SILAS LAPHAM
Type of work Novel
Author: William Dean Howells (1837-1920)
Type of plot: Domestic realism
Time of plot: Nineteenth century
Locale: New England
First published: 1885
Principal characters:
SILAS LAPHAM, a self-made manufacturer
MRS. LAPHAM, his wife
PENELOPE, and
IRENE, his daughters
TOM COBEY, die Laphams' friend
MR. ROGERS, Mr. Lapham's former partner
Critique:
According to many critics, The Rise of
Silas Lapham is the most important book
William Dean Howells ever wrote. How-
ells, a prolific though never a brilliant
writer, attempted to deal conscientiously
with the everyday experiences of rather
ordinary people. By presenting character
and situation in a straightforward man
ner, he wrote novels characterized chiefly
by their moral atmosphere and authentic
domestic realism.
The Story:
Silas Lapham was being interviewed
828
for a Boston paper. The journalist was
secretly mocking Lapham's way of life,
but Lapham, content with his success,
paid little attention to his interviewer as
he proudly exhibited a photograph of his
two daughters and his wife. He told
how he had been brought up in a large
family, how he had gone West with his
brothers, how he had returned, bought
a stage route, married the village school
teacher and finally hit upon making paint
from a mineral his father had discovered
on his farm.
The story of his success was a story
of determination and hard work. During
the Civil War his wife had kept the paint
works going and after the war he had
taken a man named Rogers as a partner
for a short time.
After the interview Lapham and his
wife drove out to see the site of a house
they were building in a more fashionable
part of Boston. Although both looked
with pride upon the place soon to be their
residence, they pretended not really to
want the house at all. They merely sug
gested the new home would be a greater
advantage for Penelope and Irene when
their friends came to call.
But neither Penelope nor Irene antici
pated with any great joy their coming
change of living. They said they felt the
present house was more convenient to
the horsecars. Secretly, both realized that
their parents were awkward in social life.
At the same time they themselves had
never been brought up to feel comfortable
in the presence of people whose families
had been accustomed to wealth for gen
erations.
One day, as Mr. and Mrs. Lapham
were dismounting from their carriage,
LaphanVs former partner appeared un
expectedly. Rogers had furnished money
to help Lapham get started, but later Lap-
ham had crowded Rogers out. Lapham
insisted that what he had done had
merely been good business. But Mrs.
Lapham maintained that she never felt
quite right about what had happened to
Rogers, and seeing him again took all the
happiness out of her plans for the new
house.
The next time the family ventured
out to visit the partly-completed house,
Irene was surprised by the arrival of
Tom Corey, a young man who had shown
some interest in her. Immediately Mr.
Lapham took over the occasion, and by
his bragging greatly embarrassed his
daughters.
That evening young Corey talked to
his father about the Laphams. Bromfield
Corey did not agree with his son's easy
acceptance of the Laphams, but he did
not object when his son announced his
intention to apply for a position in Lap-
ham's firm.
Young Corey visited Lapham in his
office in order to ask for a job. Lapham
was so pleased that he invited Corey to
go with him to Nantasket where Mrs,
Lapham and the girls were expecting Lap-
ham for the weekend. At the Nantasket
cottage the girls and their mother could
not understand what had brought young
Corey for the weekend visit. They had
thought Lapham's bragging would have
kept him away forever.
That evening Lapham discussed Corey
with his wife. Mrs. Lapham contended
that Corey was interested not in the paint
but in Irene. Her husband commented
that unless the young man were inter
ested in the paint he would never get
a chance to be interested in Irene. When
Lapham said he intended to give the
young man a chance, Mrs. Lapham
warned him that he was playing with a
situation which was bound to bring
trouble.
Tom Corey's mother was concerned
when she heard what her son had done.
She admitted she would not object if
he made a fortune from the paint busi
ness, but she did not want him to fall
in love with either of the Lapham girls,
After Corey entered Lapham's employ,
he was invited frequently to the Lap-
ham home, for Irene was beginning to
fall in love with him. Bromfield Corey
grew more and more curious about the
829
Laphams. He decided that he would en
courage his wife to give a dinner for
them in the autumn.
The cost of the new house worried
Mrs. Lapham, and she asked her hushand
to stop his lavish spending. She learned
he had given a substantial loan to Rogers,
his former partner,
When Mrs. Corey returned from Bar
Harbor, she debated a long time about
giving a dinner party for the Lapharns.
In the first place, the Laphams were
newcomers. On the other hand, she
wanted to give public recognition of the
new connection between her son and the
Lapham family. She finally decided to
give a formal dinner early in the season,
before her more prominent friends re
turned to the city.
On the night of the dinner the Lap-
hams tried to appear at ease. Penelope
had refused to attend, thus causing her
mother considerable embarrassment. Lap-
ham watched the other men carefully,
feeling sure he had not made too many
social "blunders. The next day, however,
he was not so sure, for he had taken
too much wine at dinner.
At the office Lapham sought out Corey
and mentioned with embarrassment his
behavior of the night before. He offered
Corey his liberty to seek another job, a
position among gentlemen, but Corey
refused to go, saying that Lapham's tipsy
falk had been only an unfortunate acci
dent. When they parted, Corey insisted
that Lapham's conduct had been proper
and entertaining.
That night, feeling that he had actu
ally patronized Lapharn, Corey resolved
to go to his employer and apologize. Lap-
ham was out, but Penelope received
Corey. At the end of a long talk he
stammeringly confessed his love for her.
In great confusion he left without waiting
to speak to Lapham.
The next day Mrs. Lapham informed
her husband that Corey had been coming
to see Penelope all the time. She could
only imagine what the shock would do
to Irene. They felt, however, that Penel
ope would never permit Corey to become
her suitor, for Penelope was convinced
he belonged to Irene.
Irene was informed of the situation
by her mother that evening. Immedi
ately she carried to her sister's room every
memento of Corey's attentions she pos
sessed. After a few days Lapham took
her to his boyhood village in Vermont.
Corey called on the Laphams to present
his explanation, saying that he had cared
more for Penelope all the time. Penelope
refused to give him any satisfaction. She
said she owed more to her sister's hurt
feelings.
At the same time Lapham's finances
were troubling him greatly. People who
owed him money were unable to pay;
his own creditors were pressing him. Lap-
ham determined to take a trip west tc
inspect some mills held as security for
his loan to Rogers. When he returned
he was even more concerned. Rogers had
drawn him into a trap with his securities,
for a railroad controlled the value of the
property. Lapham decided it would be
necessary to sell the new house unfin
ished. Learning of Lapham's difficulties,
Corey offered to lend his employer thirty
thousand dollars, but Lapham rejected
the offer.
Lapham's affairs took a turn for the
worse. An added blow was the destruc
tion of the unfinished Back Bay house.
Wandering through the house one night,
he decided to test one of the chimneys
and made a fire from blocks and shavings
the workmen had left scattered about.
He thought the fire had burned out be
fore he left. That night the house burned
to the ground. The insurance policy had
expired a week before.
Determined to raise money by selling
everything he could, Lapham visited his
competitors who were working on a new
mineral paint. They were willing to
merge with him if he could raise money
to help develop their plant. While he
was trying to secure a loan, he learned
from Rogers that some English gentlemen
were interested in buying the property
830
which Rogers had put up as security and
which Lapham had thought valueless.
Lapham refused to sell the mills how
ever, because he believed a sale would
be unethical as long as the railroad con
trolled their value.
He asked for time to think over the
proposition. Shortly afterward the rail
road forced him to sell the mills at a
ruinous figure. Lapham felt that his hon
esty, which had kept him from selling the
property to the Englishmen, had been
unjustly abused. Rogers claimed Lapham
had made it impossible for him to recover
his losses. Lapham was now ruined, for
he could not raise capital to merge with
the rival paint firm.
Tom Corey was determined to marry
Penelope in spite of her father's impend
ing ruin. He did marry her after Lapham
went into bankruptcy, and his family
accepted her for their own sake as well
as for his. Irene, who had returned as
soon as she heard of her father's troubles,
was pleased with her sister's happiness.
Lapham managed to save a part of his
fortune, but more important to him was
the belief that he had acted honestly in
all his business dealings.
THE RIVALS
Type of work: Drama
Author: Richard Brinsley Sheridan (1751-1816)
Type of plot: Comedy of manners
Time of 'plot: Eighteenth century
Locale: Bath, an English watering place
First presented: 1775
Principal characters:
CAPTAIN JACK ABSOLUTE (ENSIGN BEVERLEY), a young officer in love with Lydia
Languish
SIR ANTHONY ABSOLUTE, his father
FAULKLANB, his friend, in love with Julia
BOB ACRES, a country squire
SIR Lucius O'TRIGGER, a fiery Irishman
LYDIA LANGUISH, an heiress
MRS. MALAPROP, her aunt
JULIA MELVILLE, her cousin
Critique:
One of the most popular of the Eng
lish comedies of manners, The Rivals is
most successful in character portrayal. All
the great characters are here — Mrs.
Malaprop, whose misuse of words gave
the word malapropism to the language;
Bob Acres, the bumptious but lovable
country squire trying to behave like a
gentleman; romantic Lydia Languish with
her head stuffed with nonsense from cur
rent novels. The play is Sheridan's satire
on the pretentiousness and sentimentality
of his age, satire which in many respects
is applicable to our own day.
The Story:
To beautiful and wealthy young Lydia
Languish, who had been brought up on
romantic novels, the only lover worth
considering was one whose position in
life was in complete contrast to her own.
To this end she had fallen in love with
a penniless young ensign named Beverley.
But to this same Beverley, her aunt, Mrs,
Malaprop, raised serious objections. Hex
antipathy to young Mr. Beverley was
partly aroused by letters which the ensign
had written to Lydia, letters which made
uncomplimentary references to her aunt's
age and appearance. Mrs. Malaprop had
THE RIVALS by Richard Brinsley Sheridan. Published by The Macmillan Co.
831
some moments of extreme discomfiture,
when she wondered whether she did re
semble the she-dragon to which Beverley
had compared her.
Mrs. Malaprop herself had fallen hope
lessly in love with a quixotic Irishman
named Sir Lucius OTrigger, who pre
sumably returned her affection. Sir
Lucius, who had never seen Mrs. Mala
prop, had been hoodwinked by a maid
servant into believing that the romantic
creature with whom he was exchanging
love letters was Lydia herself.
The situation was further complicated
by the fact that Beverley was in reality
foung Captain Jack Absolute, the son of
Sir Anthony Absolute, and as wealthy
and aristocratic as Lydia herself. Jack
very early sensed that he would get no
where if he wooed the romantic Lydia
in his own person, and so he assumed a
character more nearly resembling the
heroes of the novels with which Lydia's
pretty but silly head was stuffed.
Nor did Jack's friend, Faulkland, fare
any better in his own romantic pursuit of
Lydia's cousin, Julia Melville. In fact,
it might be thought that he fared worse,
for unlike Jack, he was forever placing
imaginary obstacles between himself and
his beloved. Whenever they were sepa
rated, Faulkland imagined all kinds of
horrible catastrophes which might have
befallen her, and when he found that she
was alive and well he tormented himself
with the thought that she could not be
in love and remain so happy. At last
Jack Absolute lost patience with his
friend's ridiculous behavior, and even
Julia became a little tired of her lover's
unfounded jealousy. This curious love
tangle reached a crisis when Sir Anthony
Absolute informed his son that he had
selected the woman for him to marry,
threatening, if he refused, to cut him
off without a penny. Not having the
faintest idea as to the identity of the
woman his father had picked out for
him, and conjuring up pictures of some
homely heiress his father intended to
force on him against his will, Jack re
belled. He declared that, whatever the
consequences, he would have nothing to
do with his father's choice.
Having been quite a connoisseur of
pretty women in his youth, and being not
exactly immune to their charms in his
old age, Sir Anthony Absolute was not
the man to saddle his son with an un
attractive wife. He had made an agree
ment with Mrs. Malaprop for the be
stowal of her niece's hand upon his son.
Mrs. Malaprop, in turn, was only too
glad to save Lydia from a foolish mar
riage to Beverley. But when Jack re
fused to marry anyone not of his own
choosing, Sir Anthony flew into a rage
and insisted that the marriage take place
regardless of what the lady might be like.
By chance, however, Jack discovered
that the girl Sir Anthony had selected
as his bride was Lydia Languish, the
identical girl he himself had been wooing
as Ensign Beverley. He immediately as
sured his father that he would be willing
to marry anyone of his choosing. Sir An
thony, not used to such tractabiliry on
Jack's part, became suspicious and a little
worried. Nevertheless, he made arrange
ments for his son to meet his bride-to-
be, thus placing Jack in a neat dilemma.
Jack realized that Lydia would have
none of him as Sir Anthony Absolute's
son. Finally the supposed Ensign Bever
ley pretended to Lydia that in order to
gain access to her aunt's house, he would
be forced to pose as Jack Absolute.
Lydia had another suitor in the person
of Bob Acres, a wealthy country squire
and a neighbor of Sir Anthony, who had
ambitions to become a man about town.
Before Sir Anthony proposed his son as
a husband for her niece, Mrs. Malaprop
had favored Bob Acres as a likely candi
date for Lydia's hand. When Acres dis
covered he had a rival in Ensign Bever
ley, he was disheartened. Encouraged by
his friend, Sir Lucius O'Trigger, he chal
lenged Beverley to a duel. Never having
seen young Beverley, he was forced to
give the challenge to the ensign's friend,
Jack Absolute, to deliver.
832
The great crisis in Jack's love affairs
came when he was forced to face Lydia
in the company of his father. With his
true identity revealed, Lydia's dreams of
a romantic elopement with a penniless
ensign vanished. She dismissed Jack from
her life forever. Chagrined by his abrupt
dismissal, Jack accepted with positive
gusto another challenge to a duel from
Sir Lucius O'Trigger. Sir Lucius named
the place as King's Mead Fields at six
o'clock that very evening, when he had
an appointment to act as a second to his
friend, Acres, in a duel with a certain
Ensign Beverley.
When Lydia learned that Jack had in
volved himself in a duel on her account,
he became a different person in her eyes,
and she hurried with her aunt to King's
Mead Fields in an effort to halt the duel.
Meanwhile Sir Lucius OTrigger had
alarmed Acres with his bloodthirsty-
stories of dueling, so that when Acres
recognized his opponent as his old friend,
Jack Absolute, he heaved a distinct sigh
of relief.
With the arrival of Lydia and Mrs.
Malaprop, the whole situation was
quickly explained. Sir Lucius, much to
his chagrin, was forced to realize that the
writer of tender love letters to whom he
addressed his own impassioned corre
spondence was not Lydia but Mrs. Mala
prop. Faulkland was content to accept
Julia's love for the whole-hearted thing
it was. Lydia at last saw Ensign Beverley
and Jack Absolute as the same person
with whom she was in love. And Bob
Acres, happy because he would not be
forced to fight a duel with anyone,
ordered fiddles and entertainment for all
in the fashionable parlors of Bath.
RIVER OF EARTH
Type of work: Novel
Author: James Still (1906- )
Type of 'plot: Regional romance
Time of 'plot: Early twentieth century
Locale; Kentucky
First published: 1940
Principal characters;
BRACK BALDRIDGE, a Kentucky mountaineer
ALPHA BALDRIDGE, his wife
BRACK'S OLDEST BOY, the narrator
EULY, the narrator's sister
GRANDMOTHER MIDDLETON, Alpha's mother
UNCLE JOLLY, Alpha's brother
Critique:
It is obvious that James Still is a poet
as well as a novelist, for his words almost
sing as he describes the Kentucky hills
and the people who inhabit them. He
tells the story of the River of Earth
through the words of a very young boy,
and through the eyes of that boy shows
us the tiny, barren farms; the smoky,
sooty mining towns; the bat-filled school-
houses; the local jails where a prisoner
could have company for as many days
as he wished. Although the boy did not
understand all that he saw and heard, he
makes us understand what the author is
trying to say — that life flows as a river
flows and that the cycle of life is never
finished but goes on and on.
The Story:
When the mines closed in March,
there was very little food left in die
house. It was still a long time before
the garden crops would be ready, and
Alpha wanted Brack to tell his two
RIVER OF EARTH by James Still. By permission of the author and the publishers, The Viking Press, Inc
Copyright, 1940, by James Still.
833
cousins, Had and Tibb Logan, to leave
the house and find food for themselves.
But the father said that as long as he
had food in his house, he would never
turn his blood kin away. Then Uncle
Samp came to live with them, and the
mother saw her four children getting
hungrier and leaner. Knowing that the
kin would leave if there were no place
for them to sleep, she calmly set fire to
ihe house, first moving the children and
die skimpy furniture to the smokehouse.
All spring, while the family lived in
die smokehouse, they ate less and less
and waited for the first vegetables. When
the beans were almost ready and the
whole family dreamed of having their
stomachs full, three men came from the
mining town to beg food for their fam
ilies. Unable to turn down starving peo
ple, Brack sent the men into his garden.
When they came out, the boy saw that
they had taken every bean from the
patch. He turned away, wanting to cry.
In May, Brack took the boy with him
when he went to help a neighbor de
liver a colt. The boy expected to get the
colt for his own, as his father's fee, but
the neighbor's son told him that no Bald-
ridge was going to get the colt, that
the Baldridges were cowards, and that
after their Grandpa Middleton had been
killed by Aus Coggins no Baldridge had
done anything about it. The boy fought
with the neighbor's son. Wnen the fight
was over, they found that the colt was
dead.
One day Uncle Jolly arrived and
brought them a pair of guineas from
Grandmother Middleton. Uncle Jolly
spent as much time in jail as out. It
was said that he was avenging Grandpa's
death by tormenting Aus Coggins — cut
ting his fences, breaking his dam, and
doing other mischief.
Soon after Uncle Jolly left, Brack
wanted to move the family down to
Blackjack, for the mines were going to
open again. The mother did not want
to go because the smoky valley would be
a bad place for her sickly baby. But
she resigned herself to her husband's
wishes.
In the middle of August the boy and
his sister Euly started to school. They
were anxious to learn to read and write,
the boy especially, for he did not want
to be a miner. He hoped that some day
he could be an animal doctor, as his
father had always wanted to be. But
it seemed to the boy and Euly that the
most important thing they learned in
school was how to smoke bats out of the
building?.
o
In late September the boy was sent to
stay with his Grandmother Middleton
while Uncle Jolly served a term in jail.
He was to stay with her only until Uncle
Luce came, but the corn was husked and
the other grain harvested before Uncle
Luce arrived. The boy was astonished
at his grandmother's ability to do heavy
work, for she was very old. When she
learned that Uncle Jolly had been sen
tenced to two years in the state peniten
tiary, she asked the boy to stay with her
during the winter. As soon as the crops
were in she spent a great deal of time in
bed. She spent hours telling him about
her children and her husband. It was
easy to see that Jolly was her favorite.
In January Uncle Jolly came home.
There had been a fire at the penitentiary,
and Jolly had been so brave in helping
to fight the fire that the governor had
pardoned him. Grandmother Middleton
said nothing when Uncle Jolly told her
that he had started the fire.
Uncle Jolly also brought the news that
the boy's family had moved at last to
Blackjack, but there was no other word
of his family. Visitors were scarce in the
hills.
Spring and summer passed pleasantly
for the boy. In October Uncle Jolly was
in jail again, this time for fighting. Uncle
Toll came to bring Grandmother Middle-
ton the news and he took the boy back
to Hardin Town with him. They found
Jolly content to be in jail except that
he was lonesome. Uncle Toll begged
him not to breai out for one more jail-
834
break would send him to the penitentiary
for a long time. Toll left the boy at the
jail so that Uncle Jolly would not break
out for lack of companionship. The boy
slept in the hall outside his uncle's cell.
When Uncle Jolly thought he would
have to break out of jail or die, he stole
the keys from the deputy and told the
boy to take the key of Jolly's cell to his
mother and ask her to keep it until the
remaining days of the sentence were
served. In that way the boy went back
to his family.
In March the family moved from
Blackjack again, this time to a little
rented farm on a hillside. There the
baby died of croup. Another garden was
planted, and in the summer they had a
funeral for the baby. The boy saw more
relatives than he had known he had. At
the end of summer Brack decided to go
back to the mines and moved his family
to Blackjack and into a house with
windows.
Uncle Samp and Harl and Tibb Logan
came back to live with the family. Harl
and Tibb worked in the mine, but Uncle
Samp had never worked and did not in
tend to start now. Soon the mines began
to close down, and men everywhere were
laid off again. Brack was kept on, with
only one or two days of work each week.
Harl and Tibb, angry because they
were laid off, dynamited one of the veins.
At first it was thought that they were
trapped in the mine and had died, but
Uncle Samp and Brack rescued them.
They left the Baldridge house after Harl
and Tibb were kicked out by the mine
boss and Uncle Samp married a fortune
teller.
Food was scarce again, and the mothei
sickly most of the time, her stomach
swollen terribly. In March Uncle Jolly
brought Grandmother Middleton's body
to the house. The old lady had died at
last, and Jolly was taking her to hei
old home to be buried. While they were
sitting with the body in the front room
of the house, the boy noticed his father
looking constantly at the closed dooi
behind which the mother had been taken
by a neighbor woman. In the morning
the boy knew what his father had been
waiting for and why his mother had been
so swollen. As he stood looking at the
tracks the wagon had made as it carried
his grandmother's body away for the last
time, he heard a baby begin to cry.
ROAN STALLION
Type of work: Poem
Author: Robinson Jeffers (1887- )
Type of plot: Symbolic melodrama
Time of 'plot: 1920's
Locale: Carmel Coast, California
First published: 1925
Principal characters:
CALIFORNIA, a farm wife
JOHNTSTY, her husband
CHRISTINE, their daughter
Critique:
Roan Stallion is a powerful and highly
symbolic narrative poem. Jeffers is a de-
centralist who believes that the only
salvation for man lies in his escaping
from himself and his fellow men to a
communion with nature. In this poem he
employs the roan stallion as a symbol of
the rejection of man and the embracing
of the natural life. It is a brutal story,
but its difficult theme is handled with
delicacy and power.
ROAN STALLION by Robinson Jeffers. By permission of the author and Random Ho-use, Inc. ^ Published
by The Modern Library, Inc. Copyright, 1925, by Booni & Liveright, Inc., 1935, by The Modern Library, Inc.
835
The Story:
California was the daughter of a
Scottish father and a Spanish and Indian
mother. From her mother she had in
herited a dark beauty and a passionate
nature. When she was still very young
she married a fanner, Johnny, and at
twenty-one her features were already be
ginning to show the marks of hard work.
Johnny spent much of his time away
from the farm drinking and gambling.
One evening he brought home a splendid
roan stallion he had won. It was shortly
before Christmas, and California, pleased
with his good fortune, decided to go into
town to buy some Christmas presents for
her young daughter, Christine. Johnny
delayed her departure in the morning so
that it was quite late before she could
hitch their old mare to the buggy and
set out for Monterey. By nightfall, when
she was ready to return home, a heavy
rainstorm had started. The water was
high when she reached the ford. Before
trying to cross in the darkness, she lashed
the presents around her body and hoped
that they would keep dry. Refusing to
cross the swollen stream, the mare
floundered back to shore. California
soothed the mare and tried once more to
guide her across the ford, but the animal
was still frightened. Desperate, California
prayed for light. Suddenly the heavens
tit up brilliantly and she saw in them the
face of a child over whom hovered angels.
The mare, startled by the light, scrambled
back to shore. Sobbing, California
climbed out of the buggy, fastened the
presents securely to her back, and
mounted the horse. By the light of the
heavens she was able to guide the mare
across the stream and reach home safely.
California thought she hated the roan
stallion, but she could not forget the
magnificent beast. When she told young
Christine of the miraculous light at the
ford and described the birth of Christ,
she could hardly restrain herself from
identifying God and the stallion. She
knew that outside Johnny was mating
the stallion with a neighbor's mare.
That evening Johnny went down the
valley to the home of a neighbor. After
Christine was asleep, California stole out
to the stable. She leaned against the
fence, listening to the far-off cries of the
coyotes and watching the moon rise over
the hill. Once before she had seen God.
If she were to ride to the top of the hill,
perhaps she might see Him again. She
hurried down to the corral. The stallion
heard her as she approached. She ca
ressed his flanks, wishing that nature
had not made it impossible for him to
possess her. Then she sprang upon his
back and reveled in the feel of his
muscles as he galloped up the hillside.
At the top they halted, and she tethered
him lightly to a tree. Overwhelmed by
his majesty and her desire, she threw
herself at his feet.
The following night California could
not bear the thought of being with
Johnny. He had brought home some wine
and, half drunk, lie ordered her to drink
some. Revolted at the thought of the
night ahead, California stole to the door,
opened it, and fled. Excited by the pros
pect of a chase, Johnny called to his dog
to help him. When California heard
them approaching, she crawled under
the fence into the corral, the dog close
behind her. The stallion plunged,
frightened by the snarling, snapping dog.
Johnny climbed into the corral, where
the fierce stallion trampled him to death.
In the meantime Christine had awak
ened. Frightened by the lonely house,
she made her way to the corral. When
she saw her father's body she ran back
to the house for the rifle. California took
the gun and shot the dog. While she
watched, the stallion struck again at
Johnny's body. Then, prompted by a
remnant of fidelity to the human race,
she raised the rifle and shot the stallion.
It was as though she had killed God.
836
ROB ROY
Type of work: Novel
Author: Sir Walter Scott (1771-1832)
Type of plot: Historical romance
Time of plot: 1715
Locale: Northumberland and Glasgow
First published: 1818
Principal characters:
MR. WILLIAM OSBALDISTONE, of the firm of Oshaldistone & Tresham
FRANK OSBALDISTONE, his son
SIR HILDEBRAND OSBALDISTONE, Frank's uncle
RASHLEIGH OSBALDISTONE, his son
SIR FREDERICK VERNON, a Jacohite
DIANA VERNON, his daughter
ROB ROY MACGREGOR CAMPBELL, a Scottish outlaw
Critique:
Rob Roy MacGregor Campbell is not
the hero of this novel; he is the man
behind the scenes. The novel itself con
cerns the fortunes of Frank Osbaldistone
and his adventures with Rob Roy, the
Scottish Robin Hood. Scott, as he usually
does, manipulates Scottish history to suit
his purpose. The story is told by Frank
Osbaldistone, writing to his friend, Tre
sham. Always a popular Waverley novel,
it has been dramatized several times and
was the subject of an opera by Flotow.
The Story:
Frank Osbaldistone was recalled from
France where he had been sent to learn
his father's mercantile business. Disap
pointed in his son's progress, the angry
parent ordered the young man to Osbaldi
stone Hall, home of his uncle, Sir Hilde-
brand Osbaldistone, in northern England.
His father gave him fifty guineas for ex
penses and instructions to learn who
among Sir Hildebrand's sons would ac
cept a position in the trading house of
Osbaldistone and Tresharn.
On the road Frank fell in with a
traveler named Morris, who was carrying
a large sum of money in a portmanteau
strapped to his saddle. That evening
they stopped at the Black Bear Inn, in
the town of Darlington, where they were
joined at dinner by Mr. Campbell, a
Scotsman. Campbell was Rob Roy, the
Scottish outlaw. The next morning
Campbell and Morris left together, and ai
a secluded spot along the road the men
were halted and a highwayman robbed
Moms of his saddlebag. Frank, mean
while, rode toward Osbaldistone Hall. As
he neared the rambling old mansion, he
saw a fox hunt and met Diana Vernon,
Sir Hildebrand's niece. Outspoken Diana
told Frank that his cousins were a mix
ture of sot, gamekeeper, bully, horse-
jockey, and fool, these characteristics be
ing mixed in varying proportions in each
man. Rashleigh, she said, was the most
dangerous of the lot, for he maintained a
private tyranny over everyone with whom
he came in contact.
It was Rashleigh, however, who was
prevailed upon to accept Frank's vacant
position. The cousins disliked each other.
One night, while drinking with the fam
ily, Frank became enraged at Rashleigh's
speech and actions and struck him. Rash
leigh never forgot the blow, although to
all intents and purposes he and Frank
declared themselves friends after their
anger had cooled.
Shortly after Frank's arrival he was
accused of highway robbery and he went
at once to Squire Inglewood's court to
defend himself and to confront his ac
cuser, who turned out to be Morris. Rob
Roy, however, appeared at the squire's
court of justice and forced Morris to
confess that Frank had not robbed him.
When Rashleigh departed to go into
837
business with Frank's father, Frank be
came Diana's tutor. Their association
developed into deep affection on both
sides, a mutual attraction marred only by
the fact that Diana was by faith a Catho
lic and Frank a Presbyterian.
One day Frank received a letter from
his father's partner, Mr. Tresham. The
letter informed him that his father, leav
ing Rashleigh in charge, had gone to the
continent on business, and that Rashleigh
had gone to Scotland, where he was re
ported involved in a scheme to embezzle
funds of Osbaldistone and Tresham.
Frank, accompanied by Andrew Fair-
service, Sir Hildebrand's gardener, set
off for Glasgow in an attempt to frustrate
Rashleigh's plans. Arriving in the city
on Sunday, they went to church. As
Frank stood listening to the preacher, a
voice behind him whispered that he was
in danger and that he should not look
hack at his informant. The mysterious
messenger asked Frank to meet him on
the bridge at midnight. Frank kept the
tryst and followed the man to the Tol-
booth prison. There he found his father's
chief clerk, Mr. Owen, who had been
arrested and thrown into prison at the in
stigation of MacVirtie and MacFin, Glas
gow traders who did business with his
rather. Frank learned that Campbell had
been his mysterious informant and guide,
and for the £rst time he realized that
Campbell and Rob Roy were one and the
same.
Shortly thereafter Frank saw Morris,
MacVittie, and Rashleigh talking to
gether. He followed them and when
Morris and MacVittie departed, leaving
Rashleigh alone, Frank confronted his
cousin and demanded an explanation of
his behavior. As their argument grew
more heated, swords were drawn, but the
duel was broken up by Rob Roy, who
cried shame at them because they were
men of the same blood. Rob Roy con
sidered both men his friends. Frank
learned also that his father's funds were
mixed up with a Jacobite uprising, in
which Sir Hildebrand was one of the
plotters. He suspected that Rashleigh
had robbed Morris on information sup
plied by Rob Roy.
Frank and Andrew were arrested by an
officer on their way to meet Rob Roy,
and the officer who searched Frank dis
covered a note which Rob Roy had writ
ten to him. On the road the company
was attacked by Scotsmen under the
direction of Helen, Rob Roy's wife, who
captured or killed all the soldiers. Helen,
a bloodthirsty creature, ordered the death
of Morris, who had fallen into the hands
of the Highlanders. In the meantime,
Rob Roy had also been captured but had
made his escape when one of his captors
rode close to Rob Roy and surreptitiously
cut his bonds. Rob Roy threw himself
from his horse into the river and swam
to safety before his guards could over
take him.
With a Highland uprising threaten
ing, Frank thought he had seen Diana
for the last time. But he met her soon
afterward riding through a wood in the
company of her father, Sir Frederick
Vemon, a political exile. She gave hin>
a packet of papers which Rashleigh had
been forced to give up; they were notes
to the credit of Osbaldistone and Tre
sham. The fortune of Frank's father was
safe.
In the Jacobite revolt of 1715, Rash
leigh became a turncoat and joined the
forces of King George. At the beginning
of the revolt Sir Hildebrand had made
his will, listing the order in which his
sons would fall heir to his lands. Be
cause Rashleigh had betrayed the Stuart
cause, he substituted Frank's name for
that of Rashleigh in the will. Sir Hilde
brand was captured by the royal forces
and imprisoned at Newgate, where he
died. His four sons died in various ways
and Frank inherited all the lands and
properties belonging to Sir Hildebrand.
When Frank went to Osbaldistone
manor to take over, Rashleigh showed
up with a warrant for Diana and her
father. But he obtained no end that he
desired, for he was killed in a fight with
838
Rob Roy. Frank became the lord o£
Osbaldistone Hall. At first Frank's father
did not like the idea of having his son
marry a Papist, but at last he relented
and Frank and Diana were married.
ROBINSON CRUSOE
Type of work: Novel
Author: Daniel Defoe (166P-1731)
Type of plot: Adventure romance
Time of plot: 1651-1705
Locale: An island off the coast of South America, and the Several Seas
First 'published: 1719
Principal characters:
ROBINSON CRUSOE, a castaway
FRIDAY, his faithful servant
Critique:
The Life and Strange Surprising Ad
ventures of Robinson Crusoe as Defoe
called his novel, is read as eagerly today
as when it was first published. At times
the narrative seems too detailed, since the
routine of Crusoe's life on the island was
much the same. But Defoe knew the
theatrical device of timing, for no sooner
do we begin to tire of reading the daily
account of his hero's life than a new situ
ation breaks the monotony of Crusoe's
life and of our reading. The book has
attained a high place in the literature of
the world, and justly so.
The Story:
Robinson Crusoe was the son of a
middle-class English family. Although
his father desired that Robinson go into
some business and live a quiet life, Robin
son had such longing for the sea that he
found it impossible to remain at home.
Without his parents* knowledge he took
his first voyage. The ship was caught in
a great storm, and Robinson was so vio
lently ill and so greatly afraid that he
vowed never to leave the land again
should he be so fortunate as to escape
death.
But when he landed safely, he found
his old longing still unsatisfied, and he
engaged as a trader, shipping first for
the coast of Africa. The ship on which
he sailed was captured by a Turkish pirate
vessel, and he was carried a prisoner into
Sallee, a Moorish port. There he be
came a slave, and his life was so unbear
able that at the first opportunity he es
caped in a small boat. He was rescued
by a Portuguese freighter and carried
safely to Brazil. There he bought a small
plantation and began the life of a
planter.
When another English planter sug
gested they make a voyage to Africa for
a cargo of slaves, Robinson once more
gave way to his longing and sailed again.
This voyage was destined to be the most
fateful of all, for it brought him his
greatest adventure.
The ship broke apart on a reef near
an island off the coast of South America,
and of the crew and passengers only
Robinson was saved. The waves washed
him ashore, where he took stock of his
unhappy plight. The island seemed to
be completely uninhabited, and there
was no sign of wild beasts. In an attempt
to make his castaway life as comfortable
as possible, he constructed a raft and
brought away food, ammunition, water,
wine, clothing, tools, sailcloth, and lum
ber from the broken ship.
He first set up a sailcloth tent on the
side of a small hill. He encircled his ref
uge with tall, sharp stakes and entered
his shelter by means of a ladder which
he drew up after him. Into this area
he carried all of the goods he had sal
vaged, being particularly careful of the
gunpowder. His next concern was his
food supply. Finding that there was
839
little which had not been mined hy rats
or by water, he ate sparingly during his
first days on the island.
Before long, having found some ink
and a quill among the things he had
brought from the ship, he began to keep
a journal. He also added the good and
evil of his situation and found that he
had much for which to thank God. He
began to make his shelter permanent.
Behind his tent he found a small cave
which he enlarged and braced. With
crude tools he made a table and a chair,
some shelves, and a rack for his guns.
He spent many months on the work, all
the time able to find wild fowl or other
small game which kept him well supplied
with food. He also found several springs
and so was never in want for water.
His life for the next twenty-four years
was spent in much the same way as his
first days upon the island. He explored
the island and built what he was pleased
to call his summer home on the other
side of it. He was able to grow corn,
barley, and rice. He carefully saved the
new kernels each year until he had
enough to plant a small field. With these
grains he learned to grind meal and bake
coarse bread. He caught and tamed wild
goats to supply his larder and parrots for
companionship, He made better fur
niture and improved his cave, making
it even safer from intruders, whom he stifl
feared, even though he had seen no sign
of any living thing except small game and
fowl and goats. From the ship he had
brought also three Bibles, and he had
time to read them carefully. At a devo
tional period each morning and night,
he never failed to thank God for deliver
ing him from the sea.
In the middle of Robinson's twenty-
fourth year on the island, an incident
occurred which altered his way of living.
About a year and a half previously he
had observed some savages who had ap
parently paddled over from another
island. They had come in the night and
gorged themselves on some other savages,
obviously prisoners. Robinson had found
the bones and the torn flesh the next
morning and had since been terrified that
the cannibals might return and find him.
Finally a band of savages did return.
While they prepared for their gruesome
feast, Robinson shot some of them and
frightened the others away. Able to res
cue one of the prisoners, he at last had
human companionship. He named the
man Friday after the day of his rescue,
and Friday became his faithful servant
and friend.
After a time Robinson was able to
teach Friday some English. Friday told
him that seventeen white men were
prisoners on the island from which he
came. Although Friday reported the men
well-treated, Robinson had a great desire
to go to them, thinking that together they
might find some way to return to the
civilized world. He and Friday built a
canoe and prepared to sail to the other
island, but before they were ready for
their trip another group of savages came
to their island with more prisoners. Dis
covering that one of the prisoners was a
white man, Robinson managed to save
him and another savage, whom Friday
found to be his own father. There
was great joy at the reunion of father
and son. Robinson cared for the old man
and the white man, who was a Spaniard,
one of the seventeen of whom Friday had
spoken. A hostile tribe had captured
Friday's island, and thus it was that the
white men were no longer safe.
Robinson dispatched the Spaniard and
Friday's father to the neighboring island
to try to rescue the white men. While
waiting for their return, Robinson saw an
English ship one day at anchor near
shore. Soon he found the captain of
the ship and two others, who had been set
ashore by a mutinous crew. Robinson
and Friday and the three seamen were
able to retake the ship, and thus Robin
son was at last delivered from the island.
He disliked leaving before the Spaniard
and Friday's father returned, and he
determined to go back to the island some
day and see how they had fared. Five of
840
the mutinous crew chose to remain rather
than be returned to England to hang.
And so Robinson and Friday went to Eng
land, Robinson returning to his homeland
after an absence of thirty-five years. He
arrived there, a stranger and unknown,
in June of 1687.
But he was not through with adven
ture. When he visited his old home, he
found that his parents had died, as had
all of his family but two sisters and the
two children of one of his brothers.
Having nothing to keep him in England,
he went to Lisbon to inquire about his
plantation. There he learned that friends
had saved the income of his estate for
him and that he was now worth about
five thousand pounds sterling. Satisfied
with the accounting, Robinson and Fri
day returned to England, where Robin
son married and had three children.
After his wife died, Robinson sailed
again in 1695 as a private trader on a
ship captained by his nephew and bound
for the East Indies and China. The ship
put in at his castaway island, where he
found that the Spaniards and the English
mutineers had taken native wives ^ om
an adjoining island, so that the popula
tion was greatly increased. Robinson was
pleased with his little group and gave a
feast for them. He also presented them
with gifts from the ship.
After he had satisfied himself that the
colony was well cared for, Robinson and
Friday sailed away. On their way to
Brazil some savages attacked the ship and
Friday was killed. From Brazil Robinson
went around the Cape of Good Hope and
on to the coast of China. At one port,
after the sailors had taken part in a mas
sacre, Robinson lectured them so severely
that the crew forced their captain, Rob
inson's nephew, to set him ashore in
China, as they would have no more of
his preaching. There Robinson joined a
caravan which took him into Siberia. At
last he reached England. Having spent
the greater part of fifty-four years away
from his homeland, he was glad to live
out his life in peace and in preparation
for that longer journey from which he
would never return.
RODERICK RANDOM
Type of -work: Novel
Author. Tobias Smollett (1721-1771)
Type of plot: Picaresque romance
Time of plot: Eighteenth century
Locale: England
First published: 1748
Principal characters:
RODERICK RANDOM, an adventurer
TOM BOWLING, his uncle
STRAP, Tom's friend and companion
Miss WILLIAMS, an adventuress
NAB.CISSA, Roderick's sweetheart
Critique:
The Adventures of Roderick Random
is unique in being the first English novel
to describe with any detail life on a
British warship. For this material Smol
lett drew upon his own experience as a
ship surgeon. There is little structure to
the book. The success of the novel lies
in Smollett's ability to narrate and de
scribe incident after incident and to keep
his readers interested and, usually*
amused. The central character of Roder
ick Random is used, as in a picaresque
novel, to unite the incidents into a story
and to provide a reason for the develop
ment of the climax. Roderick's adven
tures provide an opportunity for satire
on the follies and affectations of the age
841
The Story:
Although Roderick Random came
from a wealthy landowning family of
Scotland, his early life was one of vicissi
tudes. Roderick's father had married a
servant in the Random household, and
for that reason he had been disowned
without a penny. Soon after Roderick's
birth his mother died. When his father
disappeared, heartbroken, the grand
father was prevailed upon to send the
lad to school for the sake of the family's
reputation.
At school Roderick was the butt of the
masters, although a great favorite with
the boys his own age. His whippings
were numerous, for he could be used as
a whipping boy when something had
gone wrong and the real culprit could not
be determined. In Roderick's fourteenth
year, however, there was a change in his
fortunes. His mother's brother, Tom
Bowling, a lieutenant in the navy, came
to visit his young nephew.
Lieutenant Bowling remonstrated with
his nephew's grandfather over his treat
ment of Roderick, but the old man was
firm in his refusal to do anything beyond
what necessity dictated for the offspring
of the son whom he had disinherited.
When the grandfather died, he left Rod
erick nothing. Tom Bowling sent the lad
to the university, where Roderick made
great progress, Then Tom Bowling be
came involved in a duel and was forced
to leave his ship. This misfortune cut off
the source of Roderick's funds and made
it necessary for him to leave the uni
versity.
Casting about for a means of making
a livelihood, Roderick became a surgeon's
apprentice. He proved to be so capable
that before long his master sent him to
London with a recommendation to a
local member of Parliament, who was to
;et Roderick a place as surgeon's mate in
' .e navy.
Securing a place on a man-of-war was
a difficult task. To keep himself in
funds, Roderick worked for a French
chemist in London. In the shop he met
Miss Williams, with whom he fell in
love, but much to his chagrin he dis
covered one day that she was a prostitute
trying to better her fortune. Soon after
ward Roderick was accused of stealing
and was dismissed by his employer.
While he was leading a precarious ex
istence, waiting for his navy warrant, he
learned that Miss Williams lived in the
same lodging-house. He won the ever
lasting gratitude of the young woman by
acting as her doctor while she was ill.
One day, while walking near the
Thames, Roderick was seized by a press-
gang and shanghaied aboard the man-of-
war Thunder, about to sail for Jamaica.
Roderick, who had found friends on the
ship, was made a surgeon's mate.
The voyage to Jamaica was a terrible
one as the commanding officer, Captain
Oakhum, was a tyrant who came very
close to hanging Roderick and another
surgeon's mate because one of the ship's
officers claimed he had heard them speak
ing ill of both the surgeon and the cap
tain. Thinking that Roderick's Greek
notebook was a military code, the captain
threatened again to hang him as a spy.
After seeing action against the Spanish
at Cartagena, Roderick secured a billet
as surgeon's mate aboard the Lizard, a
ship returning to England with dis
patches. On the way the captain died
and Lieutenant Crampley, an officer who
greatly disliked Roderick, took command
of the ship. Crampley, being a poor of
ficer, ran the ship aground off the Sussex
coast. The crew robbed and tried to kill
Roderick when they reached the shore,
but an old woman befriended him, cured
him of his wounds, and found him a
place as footman with a spinster gentle
woman who lived nearby.
Roderick spent several months in her
service. He found his way into his em
ployer's good-will by his attention to his
duties and by showing a knowledge of
literature, even to the extent of explain
ing passages from Tasso's Italian poetry
to her. The spinster had a niece and a
842
nephew living with her. Narcissa, the
niece, was a beautiful girl of marriage
able age to whom Roderick was immedi
ately attracted. Her brother, a drunken,
fox-hunting young squire, was deter
mined that she should marry a wealthy
knight in the neighborhood.
One day Roderick prevented the girl's
brutal suitor from forcing his attentions on
her and beat the man severely with a
cudgel. While he was deliberating on his
next move, he was taken prisoner by a
band of smugglers who for their own
safety carried him to Boulogne in France.
There Roderick found his uncle, Tom
Bowling, and assured him that he would
be safe if he returned to England, for the
man Bowling believed he had killed in
a duel was very much alive,
Roderick set out for Paris in company
with a friar who robbed him one night
and left him penniless. Meeting a band
of soldiers, Roderick enlisted in the army
of King Louis XIV and saw service at the
battle of Dettingen. After the battle his
regiment went into garrison and Roder
ick unexpectedly met a boyhood com
panion, Strap, who was passing as Mon
sieur D'Estrapes and who was friendly
with a French nobleman. Strap be
friended Roderick and secured his release
from onerous service as a private in the
French army.
Strap and Roderick schemed for a way
to make their fortunes and finally hit
upon the idea of setting up Roderick as
a wealthy gentleman. They hoped that
he would marry, within a short time,
some wealthy heiress.
The two men went to Paris, where
Roderick bought new clothes and became
acquainted with the ways of a man about
town. Then they went to London.
There Roderick quickly became ac
quainted with a group of young men
who were on the fringe of fashionable
society.
Roderick's first attempt to become inti
mate with a rich woman was a dismal
failure, for she turned out to be a
woman of the streets. On the second
attempt he met Melinda, a young woman
of fortune, who won many pounds from
him at cards and then refused to marry
him because he did not have an inde
pendent fortune of his own. Finally one
of Roderick's friends told him of a cousin,
Miss Snapper, who was a wealthy
heiress. The friend promised that he
would help Roderick in his suit in return
for Roderick's note for five hundred
pounds, due six months after the
marriage.
Falling in with this suggestion, Roder
ick immediately started out for Bath in
company with the young woman and her
mother. On the way he saved them from
being robbed by a highwayman, a deed
which established him in the good graces
of both mother and daughter. At Bath,
Roderick squired the young woman about
day and night. Although she was crip
pled and not good-looking, the thought
of her fortune was greater in his mind
than her appearance. Besides, she was
an intelligent and witty young woman.
All went well with the plan until
Roderick caught sight of Narcissa, the
young girl he had known while he was
employed as a footman by her aunt.
Realizing that he was in love with her,
he promptly deserted Miss Snapper.
Narcissa soon revealed to Roderick
that she returned his love. The young
squire, her brother, had no objections to
Roderick because he thought that Ran
dom was a wealthy man. Unfortunately
Roderick's former love, Melinda, arrived
in Bath and caught the attention of Nar-
cissa's brother. At a ball she spread evil
reports about Roderick because he had
left her. The result was that Roderick
first fought a duel with Lord Quiverwit,
one of Narcissa's admirers, and then saw
his Narcissa spirited away Ly her brother.
The only thing that kept Roderick's hope
alive was the fact that he knew Narcissa
loved him and that her maid, the Miss
Williams whom Roderick had long be
fore befriended, was eternally grateful to
him and would help him in any way
which lay in her power.
843
Returning to London, Roderick again
met his uncle, Tom Bowling, who had
been appointed to take a merchant ship
on a mysterious trip. He proposed to
take Roderick with him as ship surgeon,
and he gave Roderick a thousand pounds
with which to buy goods to sell on the
voyage. He also made out a will leaving
all his property to Roderick in case he
should die.
The mysterious trip proved to be a
voyage to the Guinea Coast to pick up
Negro slaves for the Spanish American
trade. The slaves and the cargo, includ
ing the goods shipped by Roderick, were
sold at a handsome profit. While their
ship was being prepared for the return
voyage, Roderick and his uncle spent
several weeks ashore, where they were
entertained by people they met and with
whom they did business. One of their
acquaintances was a rich Englishman
known as Don Rodrigo, who invited
them to visit him on his estate. During
their stay it was discovered that the man
was Roderick's father, who had gone to
America to make his fortune after having
been disinherited because of his marriage
to Roderick's mother.
The voyage back to England was a
happy one. Roderick was full of confi
dence, for he had made a small fortune
out of the voyage and had expectations
of quite a large fortune from the estates
of his father and his uncle. He immedi
ately paid his addresses to Narcissa, who
accepted his offer of marriage in spite of
her brother's opposition. They were
married shortly afterward and went to
live in Scotland on the Random estate,
which Roderick's father had bought from
his bankrupt elder brother.
ROGUE HERRIES
Type of -work: Novel
Author: Hugh Walpole (1884-1941)
Type of 'plot: Historical chronicle
Time of ylot: 1730-1774
Locale: England
First Mished: 1930
Principal characters:
FRANCIS HERRTES, the Rogue
MARGARET HERRIES, his first wife
MTRABELL STARR, his second wife
DAVTD HERRIES, ids son
DEBORAH HERRIES, his daughter
ALICE PRESS, his mistress
SARAH DENBURN, David's wife
Critique:
Rogue Herries is the first novel of a
tetrology which traces in detail the story
of an English family over a period of two
hundred years. The story of the Herries
becomes also the story of England through
the Georgian, Victorian, and modem
periods, largely upon the domestic level
of morals and manners. There is a grow
ing complexity to the novel as new gen
erations appear and succeed one another,
but Hugh Walpole keeps the narrative
within bounds by relating the action to
the descendants of the notorious Rogue
Herries. Throughout there is a fairly
successful capturing of the flavor of the
period.
The Story;
In the year 1730 Francis Herries
brought his family from the roistering
life of Doncaster to live in a long-de
serted family house — called Herries — at
ROGUE HERRIES by Hugh Walpole By permission of the Executors, estate of Sir Hugh Walpole, and the
publishers, Messrs. MacMillan & Co., London. Copyright, 1930, by Doubleday, Doran & Co., Lac.
844
Rosthwaite not far from Keswick in
Cumberland. In addition to his wife and
three children, he brought along the
most recent of his many mistresses, Alice
Press, who, under pretense of being the
children's governess, had actually been
unkind and overbearing with them and
insolent to their mother. The family
rested for a period at the Keswick inn,
and met Francis' oldest brother and his
wife. After an uncomfortable journey on
horseback over a scarcely discernible road,
the party reached Herries.
Francis Herries had led a life of dis
sipation. His respectable relatives, of
whom there were a great many, looked
on him as the black sheep of the family
and avoided him. His wife Margaret
he had married more for pity than for
love. But she had brought him some
money. The one person whom Francis
really loved was his son David. And
David returned his love.
One day Francis, now tired of Alice
Press, came upon her berating his wife.
Although he did not love Margaret, he
loved Alice less. He tried from that day
to make Alice leave the house, but she
refused. When he took David to Keswick
to a fair, they saw Alice Press. Furious,
Francis told Alice that she must not re
turn to Herries. At last he began to
shout, announcing that Alice was for
sale. People were shocked and astounded.
Then a man threw down a handful of
silver. Francis picked up a token piece
and walked away. David felt that his
father was possessed of a devil.
Francis became notorious throughout
the district for his escapades and before
long acquired the epithet of Rogue Her
ries. One Christmas night, at a feast in a
friend's house, he was challenged to a
duel by young Osbaldistone. Francis had
won money from him gambling in Kes
wick and had also paid some attention to
a young woman that Osbaldistone
fancied. In the course of the duel, Fran
cis had the advantage. Then, when Fran
cis' guard was down, Osbaldistone slashed
him from temple to chin. The resulting
scar marked Rogue Herries for the rest
of his life.
One evening in the spring following,
Francis came in from working on his
land and found Margaret ailing. They
had never had any warmth of feeling
between them, but even in the moment
of her death she felt that he would be
at a loss without her. After making
David promise never to leave his father,
she called for Francis and died in his
arms.
In 1745 Francis had a strange ad
venture. After a long walk through the
hills near his home, he lay down to rest
and fell sound asleep. When he awoke
he was bound hand and foot. His
mysterious captor untied his bonds aftei
questioning him as to his identity and led
him to a cave where he saw several des
perate-looking men and a lovely young
girl. One of the men gave him a cross
and chain which the girl's mother had
left for him at her death. Years before,
he had seen her shuddering with cold
by the roadside and had given her
his cloak. Fascinated now by the girl, he
talked kindly to her and learned that
her name was Mirabell Starr. The men
with whom she lived were thieves and
smugglers.
In November Francis took David to
Carlisle. The Young Pretender had
landed in Scotland and was marching to
ward London. At an inn in Carlisle,
Francis saw Mirabell with a young man
of her own age. He was jealous, for he
knew that he loved Mirabell despite the
great difference in their ages. He also
saw that an ugly man of considerable
age was jealous of Mirabell's lover. Dur
ing the siege of the city all able men
were pressed into service. When Carlisle
fell to the Pretender's forces, the city
became quiet once more. On a dark
night Francis, out for a walk, saw Mira
bell and the young man walking ahead
of him. He also saw the ugly man of
the inn approach the pair. He yelled a
warning too late. The boy Harry dropped
dead. Mirabell escaped in the darkness.
845
In the summer of 1756 David and his
sister Deborah attended a ball in Kes-
wick. At the dance Deborah fell in love
with a young clergyman. When they
arrived home next day, they were met
by their father, who explained to them
that Mirabell had arrived and had
promised to marry him. After her hard
life on the roads Mirabell had come to
offer herself to Francis in return for food
and protection.
In 1758 David was thirty-eight. On
a business trip he met and fell in love
with a girl named Sarah Denburn, a
frank, friendly girl of more than average
beauty. Her uncle-guardian intended her
for another man, but David carried her
off one night after killing his rival.
For about two years David and Sarah
lived at Herries. Mirabell hated Sarah.
At last David bought a house not far
off and moved with his wife to it. Deb
orah went to Cockermouth to wed her
clergyman. Alone with his young wife,
Francis unsuccessfully tried to teach her
to read and write and to love him. Mira
bell had something of the gipsy in her.
One day she ran away. From then on
most of Francis' life was devoted to
traveling over England looking for Mira
bell.
Meanwhile David and Sarah, settled
at Uldale, had three children and be
came well established in the community.
•Sarah loved the society of the people of
Uldale and David prospered.
After many years of wandering, Fran
cis at last saw Mirabell again among a
troupe of players in Penrith. She
promised to meet him after the play,
but did not. Francis searched the town
in vain. As he returned to his inn, he
fell ill of an old ailment, a fever, and
was forced to stay there for six months.
When at last he returned home, he found
Mirabell waiting for him. She explained
that she could not desert the acting com
pany on that fateful night because the
leader, her lover, had threatened to kill
himself if she deserted him, and his death
would have left his children friendless
orphans. But at last he had run away
with a younger woman, and Mirabell
had come back to Francis once more for
protection. She tried to make him under
stand that the only man she had ever
truly loved was the boy killed in Car
lisle.
In 1774 an old woman from a nearby
village came in to cook for Francis and
Mirabell, for at last Mirabell was going
to have a baby. Francis, stricken again
by his fever, was in bed in the next room
as Mirabell gave birth to a daughter and
died. Francis, in a final spasm of vigor,
rose from his bed and then fell back, he
thought, into MirabelTs arms. He too
was dead. Only the new-born child and
the old woman were alive in the house
on that stormy winter night.
THE ROMANTIC COMEDIANS
Type, of work: Novel
Author: Ellen Glasgow (1874-1945)
Type, of plot: Humorous satire
Time of plot: 1920's
Locale: Richmond, Virginia
First published: 1926
Principal characters:
JUDGE GAMALIEL BLAND HONEYWELL, a widower of sixty-five
ANNABEL, his second wife, a girl of twenty-three
MRS. UPCHURCH, Annabel's mother
EDMONIA BREDALBANE, the judge's sister
AMANDA LIGHTFOOT, the judge's childhood sweetheart
THE ROMANTIC -COMEDIANS i by Ellen Glasgow. By permission of the publishers, Harcourt, Brace & Co,
Inc. Copyright, 1926, 1933. by Ellen Glasgow.
846
Critiqtie:
The Romantic Comedians presents the
age-old problem of the old man who
marries a young girl. But symbolized in
these two people is the struggle between
two diverse eras in American culture.
The man represents the faded Victorian-
ism of the American South in the last
third of the nineteenth century. The
girl represents the generation of Southern
Americans in the decade after the first
World War. Since Ellen Glasgow's pur
pose was to present the new South, the
novel succeeds because it reflects the
forces which pervade that section of our
country today.
The Story:
As Judge Honeywell walked home
from church on the first Easter morning
after his wife's death, he was surprised
by his own reactions to the Virginia
springtime. He felt quite young, for
sixty-five, and life with his wife, now
dead, seemed so remote as never to have
happened. In fact, he felt relieved, for
his first wife had seldom let him lead an
existence of his own.
The judge looked after Mrs. Upchurch
and her daughter Annabel in a friendly
way because they were kinswomen of his
late wife. But shortly after that memor
able Easter morning he began to think
of twenty- three-year old Annabel in quite
another way. His changed attitude be
gan because he was secretly sorry for her.
She had been engaged to a young man
who had left her almost at the altar. It
had hurt her bitterly, as the judge and
her mother knew.
As time passed the judge found him
self thinking more and more of Annabel
Upchurch and of Amanda Lightfoot, his
childhood sweetheart. Unfortunately, the
judge's sister, Mrs. Bredalbane, tried to
convince him that falling in love with
Amanda would be the sensible thing for
him to do. The judge, like most men,
promptly closed his mind to Amanda and
began thinking more of Annabel, who
had asked the judge if he would help
her to open a flower shop.
Soon the judge had purchased a house
with a large garden for Mrs. Upchurch
and her daughter, so that Annabel might
practice landscape gardening. When he
told the girl, he added that he only ex
pected the reward of seeing her happy.
But when she left, he kissed her.
By the time that Mrs. Upchurch and
Annabel were settled in their new home,
the judge knew he was in love with the
girl, who was more than forty years
younger than he. He bought new clothes
and had his hair and beard trimmed to
lessen the amount of gray which had
appeared. He felt that he could give
Annabel everything she needed — love,
tenderness, security, and wealth.
The number and quality of the judge's
gifts soon made apparent to Annabel and
her mother what was in the old man's
mind. Annabel thought at first that it
would be more suitable for him to marry
her mother. But, as she informed her
mother, marrying an older man was cer
tainly better than living in an atmosphere
of shabby gentility. Annabel decided to
visit Amanda Lightfoot. Knowing that
Amanda had never married because she
had been in love with the judge, An
nabel wished to find out if the older
woman still loved him. If she did not,
Annabel decided, she herself would
marry him. But the older woman almost
refused to say anything at all. Annabel
was disappointed but secretly relieved.
When she arrived home, Judge Honey
well was waiting with a present for her,
a sapphire bracelet. Before he left the
house he told her he loved her, and she
accepted him.
After the marriage the judge and
Annabel traveled in Europe and in Eng
land. The judge felt that he was as fine
a man as he had been at thirty-five,
although his nerves were jarred a little
when some one occasionally referred to
Annabel as his daughter. That she often
danced with young men did not bother
him. He felt no envy of their youth?
847
after all, she was his wife.
The judge was glad to be back in his
home in Virginia after the honeymoon.
His dyspepsia soon disappeared after he
began to eat familiar cooking once more,
and he felt at peace to be living in the
familiar old house which had not been
refurnished in over thirty years.
The couple dined out frequently and
went to many dances. The judge, after
noting how silly his contemporaries ap
peared on the dance floor, abstained from
any dancing, but he encouraged Annabel
to enjoy herself. He always went with
her, not from jealousy but because he
felt that he had to keep up with her
life. It cost him a great deal of effort,
for on those evenings he sometimes
thought that he had never before known
what fatigue was really like.
At home, Annabel had brought
changes into the house. While he did
not approve, the judge said nothing until
she tried to change the furniture in his
own room. She learned then, although
it cost him a ring she had admired, that
he would not let her meddle with his
own privacy.
When the judge came down with
bronchitis, Annabel proved an able and
attentive nurse. During his convales
cence, however, she found it difficult to
remain at home reading night after night.
He, noticing her restlessness, told her to
begin going out again, even though he
could not go with her. When Annabel
went out, her mother or the judge's sis
ter would corne to have dinner and stay
with him during the evening.
The passing weeks brought in An
nabel a change which many people
noticed. Noted for her boisterous spirits
and lack of reticence, she surprised them
by becoming more vague about her
comings and goings. At the same time
they complimented the judge on how
happy she seemed. The compliments
made the old gentleman content, for, as
he said, Annabel's happiness was what
he wanted most.
Slowly the judge began to feel that
all was not right in his home. Annabel
was distant in her manner. When he
talked with his sister and Annabel's
mother, both reassured him of the girl's
devotion. Still, he knew something was
not right. He received proof one day
when he found Annabel kissing a young
man. Dabney Birdsong belonged to an
old family in the community. Annabel
had resolved to have him, cost what it
might. To the judge, his greatest sorrow
was that it might be only an infatuation
which would not make Annabel happy.
The girl, on the other hand, thought if
she did not have Dabney she would die.
Annabel and her lover ran away and
went to New York. The judge followed
them to the city. Unable to understand
his young wife, he felt sorry for her be
cause she defied convention, and he
thought that he himself was to blame for
what had happened. After a talk with
Annabel he left New York, defeated, to
return to Virginia.
The rain and the draughty train gave
the judge a cold which turned into in
fluenza, and he was in bed for several
weeks in a serious condition. During his
convalescence he discovered that spring
had once more arrived. With the stir
ring in nature, he felt a resurgence of life
in his weary body. Like many an old
man before him, the season of freshness
and greenery gave him the feeling of
youth that he had had on the previous
Easter Sunday morning. He found him
self beginning to look with new, eager
interest at the young nurse who was at
tending him during his illness.
848
THE ROMANY RYE
Type of work: Novel
Author: George Henry Borrow (1803-1881)
Type of 'plot: Simulated autobiography
Time of plot: Nineteenth century
Locale: England
First published: 1857
Principal characters:
LAVENGRO, a scholar gipsy
ISOPEL BERJNERS (BELLE J, his companion
JASPER PETULENGRO, a gipsy
JACK DALE, a horse-trader
MURTAGH, an Irishman and Lavengro's childhood friend
THE COACHMAN
Critique:
The Romany Rye continues without a
break the story of Lavengro. The novel
is a collection of stories about the people
Lavengro met, together with his many
side remarks and observations on gipsy
customs, English fairs, religion, and liter
ature. The Romany Rye is unevenly
written, but its pictures of English life
in the first half of the nineteenth century
are at all times vivid and dramatic.
The Story:
In those days, Lavengro and Isopel
Berners traveled the English highroads
together. Lavengro was a scholar who
had become a gipsy tinker, and Isopel,
whom he called Belle, was a strapping
woman of the roads and dingles. One
night they rescued a coachman whose
carriage had overturned in a swollen
stream, and, while they waited for day
light, he entertained them with the story
of his life. In the morning Lavengro
forged a new linch-pin for the broken
wheel, and the coachman continued on
his way. The Man in Black, a Catholic
priest whom Lavengro had met before,
visited Lavengro again that evening, and
the two of them discussed and argued
the merits of Catholicism and Protes
tantism, with an occasional remark from
Belle.
The next morning Lavengro informed
Belle that Jasper Petulengro and his band
of gipsies had camped nearby during the
night and that he was going to invite
Mr. and Mrs. Petulengro for breakfast,
Lavengro's gipsy friend refused his invi
tation, however, saying that he and his
wife would pay a visit later in the day
when they were better settled. On the
next Sunday they all went to church to
gether. Following the service, Jasper and
Lavengro began a lengthy discussion on
morals.
Belle had indicated to Lavengro that
she thought it about time their paths
separated. When she informed him she
was going on a journey, he feared she
was leaving for good, but she told him
she would come back before too long.
One evening while she was gone Laven
gro had a long talk with Ursula, Mrs,
Petulengro's sister, and thus he learned
her story. She had been married some
years previously. Her husband, escaping
from a constable, had met with an un
fortunate accident and had drowned
She had been a widow until just two
days before, when she had married Syl
vester, another member of the gipsy band
and a widower with two children. Lav
engro and Ursula discussed many sub
jects, including morals, virtue, marriage
customs, and words. It was about th/s
meanings of some of the gipsy words thai
Lavengro wanted most to talk with
Ursula.
Belle returned that night and the next
day Lavengro, who had thought the mat
ter over in her absence, asked Belle to
marry him and to migrate with him tc
849
America, When she told him that she
could not give him her answer immedi
ately, he planned to attend a fair in a
nearby village the next day. Belle agreed
to consider his proposal during his ab
sence and to give him her reply when he
returned. At the fair Lavengro saw a
horse which he desired, but he did not
have the money to buy the animal and
he refused to borrow the money from
Jasper, who was willing to lend it to him.
When Lavengro returned to the
dingle, Belle had disappeared. At first
he thought she had gone only on a short
journey, but when two days went by
and she did not appear, he began to fear
she would not return. A few days later
he received a letter from her, telling him
that on her previous short journey she
had made arrangements to dispose of all
her goods and to go to America. When
he proposed to her, she had been tempted
to accept his offer, but after thinking it
over carefully she had decided that her
first plan would be the best after all.
Lavengro never saw her again.
That night, at a nearby public house,
Lavengro again saw the horse he had ad
mired at the fair and learned the animal
could be bought for fifty pounds. Jasper
insisted on giving Lavengro the money
with which to buy the horse, and Laven
gro reluctantly agreed. He and Jasper
planned to meet about ten weeks later.
Lavengro departed the following morn
ing. On his way he met an old man who
had just had his mule taken away from
him by force. Lavengro rode after the
offender and returned the mule.
One afternoon, as Lavengro and his
horse were resting at the door of an inn,
he met his old friend, the coachman, and
through him obtained a job in the hos
telry as a keeper of accounts in exchange
for room and board for himself and his
horse.
After a short while at the inn, Laven
gro decided it was time for him to be on
his way again. He had decided to go to
Horncastle, a town at a distance of about
one hundred and twenty-five miles. There
he hoped to sell his horse at a good profit.
He journeyed at a leisurely pace foi
several days and was nearing Horncastle
late one evening when his horse, fright
ened by a light on a gig, threw him and
knocked him unconscious. When he
recovered consciousness, he found him
self in the home of the man who owned
the gig. The man informed him that his
horse was safe and uninjured in the barn.
A surgeon came soon after to examine
Lavengro and to bandage his injured arm.
While recuperating, Lavengro learned his
host's story, how at the shattering of ail
his hopes for happiness with the death of
his beloved, he had turned to the study
of Chinese as a way to occupy his mind.
Through this man, Lavengro learned
much of the character of Chinese lan
guage and writing.
The surgeon finally declared Lavengro
well enough to continue to the fair and
gave him a letter to an innkeeper in
Horncastle, so that he might find room
and board for both himself and his horse.
He proceeded to Horncastle, and the next
morning, after displaying his horse's abil
ities to the best advantage, he sold him to
Jack Dale, a horse-trader, who was acting
as a representative for a Hungarian. Later
that evening Lavengro and the Hun
garian began a discourse in German, and
Lavengro learned much of the history of
Hungary. He also heard Jack Dale's life
story. Jack, the son of a forger, had ex
perienced a difficult and unhappy child
hood. His life had been made even harder
because of his physical ugliness. After
his father was convicted and sent away
to serve a prison sentence, Jack decided
to live an upright life, as he had promised
his father he would do. After much strug
gling, he had finally achieved a respect
able place in the community.
While walking through the town the
next morning, Lavengro saw a thimble-
rigger chased off by Jack Dale. Laven
gro recognized the thimblerigger as a
boyhood friend, Murtagh, and followed
him. After much recollection of old
times he gave Murtagh five pounds to
850
return to Ireland and become a priest, a
profession for which Murtagh had
studied as a young man, but in which
he had never been ordained because of
difficulties over card playing.
Lavengro left Horncastle and walked
eastward. He continued his journey for
two days until he came to a large town.
There, on the outskirts, he was accosted
by a recruiting sergeant who tried to get
him to join the Honorable East India
Company and to go to India to fight.
Lavengro was struck by the similarity of
words the sergeant used and those of the
gipsies. But when the sergeant noticed
that Lavengro's hair was beginning to
turn gray, he withdrew his offer. All of
his life Lavengro was to wonder what
new adventures he might have encount
ered if he had gone to India.
ROME HAUL
Type of work: Novel
Author: Walter D. Edmonds (1903- )
Type of 'plot: Regional romance
Time of 'plot: 1850
Locale: Erie Canal
First published: 1929
Principal characters:
DAN HARROW, a newcomer on the canal
MOLLY LARKTNS, his cook
FORTUNE FEJENDLY, a canal character
GENTLEMAN JOE CALASH, a canal highwayman
JOTHAM KLORE, a canal bully
Critique:
There is a native tang and sharpness to
this novel, which reclaims a segment of
the American past in its picture of life
along the Erie Canal. The book is vivid
in its painstaking detail. The description
of a flock of geese becomes more than
description for pictorial effect; it becomes
a symbol of the passing of a season and
a passing of a way of life. There is
poignancy and passion in the lives of
people like Dan and Molly, Mrs. Gurget
and Sol, and even Gentleman Joe Calash,
who lived on the big ditch before the
railroads destroyed its free, picturesque
life. Rome Haul is authentic Americana.
The Story:
It was early summer. A young man
carrying a carpetbag was walking to
Boonville, New York, when a peddler
named Jacob Turnesa picked him up.
The young man said his name was Dan
Harrow, lately a farmhand and now look
ing for work on the Erie Canal, A farm
woman stopped them for news and gave
them some root beer. She and Turnesa
talked about Gentleman Joe Calash, a
highwayman on the canal.
While Dan was looking for lodgings
in one of the taverns, he saw Gentleman
Joe Calash quarreling with Jotham Klore,
canal bully. The highwayman struck
Klore with his revolver and rode off
in the darkness. Dan made no effort to
give the alarm, not even for the two
thousand dollars reward. Inwardly he
felt sympathy for the robber, who was,
like himself, alone and without friends.
Looking for work, Dan went to the
Ella-Romeyn, the canal boat of Hector
Berry. He found Berry playing cards
with Sol Tinkle and Mrs. Gurget, Sol's
cook. Mrs. Gurget was enormously fat
and addicted to rum noggins with lots
of lemon in them. Mrs. Berry was
away, and so Hector, who could make no
decisions without his wife, could only
offer Dan a job for the short haul to
ROME HAUL by Walter D. Edmonds. By permission of the author, of Harold Ober, and the publishers,
Uttle, Brown & Co. Copyright, 1929, by Walter D. Edmonds.
851
Rome. Later that day Mrs. Berry came
aboard. She was suspicious of Dan be
cause lie was a stranger. Dan left the
boat on reaching Rome.
At Rome he went to Hennessy's Sa
loon to see Julius Wilson about a job.
While he waited he overheard more talk
of Gentleman Joe Calash and of the
reward for capturing him. Then Molly
Larkins, a pretty canal cook, joined
him. Molly cooked for Jotham Klore.
When Klore came in, he accused Dan
of getting too familiar with Molly.
Angry, Dan hit Klore. Gentleman Joe
suddenly appeared, knocked out Klore,
and held Molly and Dan with his weap
on. When they promised not to give
the alarm, he made his escape.
A little later Wilson hired Dan for
the haul to Albany on his boat, the
Xerxes. Ben Rae was the captain and
William Wampy, the cook and fiddler.
Near Utica they saw a tall thin man
running from a crowd that chased him
into a haymow. They learned that the
man was a traveling preacher who had
been paid for six sermons but had tried
to sneak out without giving the last one.
Cornered, the minister preached a fire-
and-brimstone sermon from the mow.
After he had finished, Ben Rae took the
minister aboard. He explained that
though he had been trained for the
ministry he was not really a preacher.
His name was Fortune Friendly.
At the next stop Dan went ashore and
encountered Molly Larkin again. She
had given up her job with Klore and
was going to Lucy Cashdollar's place to
get a new position. Later that night
Dan got into another fight with Klore
and was knocked out. When he came
to, he found that someone had carried
him to the boat. He caught a glimpse
of Gentleman Joe.
At Albany Samson Weaver, captain of
the Sarsy Sal, hired him to drive his
team. On the first day of their haul they
saw a burning canal boat condemned be
cause of cholera. Samson claimed he
was not afraid of cholera, but he began
to drink hard. Ill, he asked Dan to use
his money for a doctor, but before Dan
could get a doctor Samson died. While
looking for an undertaker, Dan found a
funeral director who offered him ten dol
lars for Samson's corpse. He took the
money because he could not afford to
pay for Samson's funeral.
Deciding to carry on alone, he headed
for Lucy Cashdollar's agency, Lucy sup
plied girls as cooks for lonely canal men.
Whether they married the canal men
was no concern of hers, but usually she
was glad if they did. By nightfall Molly
was installed as the cook aboard the
Sarsy Sal.
Mr. Butterfield, the agent for whom
Samson had worked, offered to keep Dan
hauling for him at the rates he had
paid Samson. Together they planned to
reclaim Samson's body from the surgeon
to whom the undertaker had sold it, and
give it decent burial.
On the wharf Dan saw old Fortune
Friendly again and hired him as a driver.
Molly and Friendly talked about Jotham
Klore and agreed that sooner or later
there would have to be a show-down
fight between Klore and Dan. Molly
and Dan found Samson's money hidden
aboard the Sarsy Sal, over eight hundred
dollars. Dan thought it was enough to
start a small farm.
When Dan decided to buy a pair of
horses at the Utica fair, Molly, Sol
Tinkle, Mrs. Gurget, Hector Berry, and
Mrs. Berry went with him. While Molly
and Dan shopped for a suit for Dan, the
clerk treated them as man and wife.
Dan almost asked Molly to marry him,
but he lost his chance when Hector
hurried them along so that his wife could
witness the hanging of a woman who
had browbeaten her husband and finally
killed him. Hector hoped the hanging
would be a lesson to his nagging wife.
At the fair Dan purchased two well-
matched horses.
Autumn was in the air, and soon the
canal would be closed for the season.
Jotham Klore had not appeared. His
852
fight with Dan would be postponed
until spring. Dan and Molly saw Gentle
man Joe again, and the highwayman
gave them a jeweled pin as a memento.
Dan had always linked himself with
Gentleman Joe, feeling that neither he
nor the highwayman was really part of
the canal.
That winter Dan and Molly realized
that the initial warmth of their feeling
for each other was over. Molly confided
to her friends that she intended to stay
on the canal and that if Dan decided
to go back to the land she would leave
him. When spring came, Dan received
an offer to work on a farm, but the
offer was good only if he were not mar
ried. Not knowing what to do and un
willing to desert Molly, Dan headed the
Sarsy Sal west on the canal. At the Lan
sing Kill they met Jotham Klore's boat
coming toward the lock. Dan and Klore
fought on a square of grass that the
excited, shouting boaters marked off
beside the locks. It was a battle that
men talked about on the Erie for years
afterward, Dan and Klore pummeling
each other under the hot sunshine while
Molly Larkin stood by to see what the
outcome would be. Dan won, and he
and Molly started west once more. But
the feeling between them was no longer
the same. Dan felt that she was pitying
Klore, the beaten bully of the canal.
Then Gentleman Joe was caught and
killed, and for the first time Dan saw
the highwayman's cruel, mean face.
Somehow, he felt that the highwayman's
death freed him from life on the canal.
One day Molly left him to go back to
Klore. Dan took the farm job that had
been offered him. He knew that he be
longed in the farm country from which
he had come.
ROMEO AND JULIET
Type of work: Drama
Author: William Shakespeare (1564-1616)
Type of plot: Romantic tragedy
Time of plot: Fifteenth century
Locale: Verona, Italy
First presented: c. 1595
Principal characters:
ROMEO, son of the house of Montague
JULIET, daughter of the house of Capulet
FRIAR LAWRENCE, a Franciscan
MERCUTIO, Romeo's friend
TYBALT, Lady Capulet's nephew
Critique:
This story of two star-crossed lovers is
one of Shakespeare's tenderest dramas.
Shakespeare was evidently quite sympa
thetic toward Romeo and Juliet, and in
attributing their tragedy to fate, rather
than to a flaw in their characters, he
raised them to heights near perfection.
They are both sincere, kind, brave, loyal,
virtuous, and desperately in love, and
their tragedy is greater because of their
innocence. The feud between the lovers'
families represents the fate which Romeo
and Juliet are powerless to overcome.
The lines capture in poetry the youthful
and simple passion which characterizes
the play.
The Story:
Long ago in Verona, Italy, there lived
two famous families, the Montagues and
the Capulets. These two houses were
deadly enemies, and their enmity did not
stop at harsh words, but extended to
bloody duels and sometimes death.
Romeo, son of old Montague, thought
himself in love with haughty Rosaline, a
beautiful girl who did not return his
affection. Hearing that Rosaline was to
853
attend a great feast at the house of Capu-
let, Romeo and his trusted friend, Mer-
cutio, donned masks and entered the
great hall as invited guests. But Romeo
was no sooner in the ballroom than he
noticed the exquisite Juliet, Capulet's
daughter, and instantly forgot his dis
dainful Rosaline. Romeo had never seen
Juliet "before, and in asking her name he
aroused the suspicion of Tybalt, a fiery
member of the Capulet clan. Tybalt
drew his sword and faced Romeo. But
old Capulet, coming upon the two men,
parted them, and with the gentility that
comes with age requested that they have
no bloodshed at the feast. Tybalt, how
ever, was angered that a Montague
should take part in Capulet festivities,
and afterward nursed a grudge against
Romeo.
Romeo spoke in urgent courtliness to
Juliet and asked if he might kiss her hand.
She gave her permission, much impressed
by this unknown gentleman whose affec
tion for her was so evident. Romeo then
begged to kiss her lips, and when she
had no breath to object, he pressed her
to him. They were interrupted by
Juliet's nurse, who sent the young girl
off to her mother. When she had gone,
Romeo learned from the nurse that Juliet
was a Capulet. He was stunned, for he
was certain that this fact would mean his
death. He could never give her up.
Juliet, who had fallen instantly in love
with Romeo, discovered that he was a
Montague, the son of a hated house.
That night Romeo, too much in love
to go home to sleep, stole to Juliet's
house and stood in the orchard beneath
a balcony that led to her room. To his
surprise, he saw Juliet leaning over the
railing above him. Thinking herself
alone, she began to talk of Romeo and
wished aloud that he were not a Mon
tague. Hearing her words, Romeo could
contain himself no longer, but spoke to
her. She was frightened at first, and
when she saw who it was she was con
fused and ashamed that he had overheard
her confession. But it was too late to
pretend reluctance, as was the fashion
for sweethearts in those days. Juliet
freely admitted her passion, and the two
exchanged vows of love. Juliet told
Romeo that she would marry him and
would send him word by nine o'clock
the next morning to arrange for their
wedding.
Romeo then went off to the monastery
cell of Friar Lawrence to enlist his help
in the ceremony. The good friar was
much impressed with Romeo's devotion.
Thinking that the union of a Montague
and a Capulet would dissolve the enmity
between the two houses, he promised to
marry Romeo and Juliet.
Early the next morning, while he was
in company with his two friends, Ben-
volio and Mercutio, Romeo received
Juliet's message, brought by her nurse.
He told the old woman of his arrange
ment with Friar Lawrence and bade her
carry the word back to Juliet. The nurse
kept the secret and gave her mistress the
message. When Juliet appeared at the
friar's cell at the appointed time, she and
Romeo were married. But the time was
short and Juliet had to hurry home. Be
fore she left, Romeo promised that he
would meet her in the orchard under
neath the balcony after dark that night.
That same day, Romeo's friends, Mer
cutio and Benvolio, were loitering in the
streets when Tybalt came by with some
other members of the Capulet house.
Tybalt, still holding his grudge against
Romeo, accused Mercutio of keeping
company with the hateful and villainous
young Montague. Mercutio, proud of his
friendship with Romeo, could not take
insult lightly, for he was as hot-tempered
when provoked as Tybalt himself. The
two were beginning their heated quarrel
when Romeo, who had just returned
from his wedding, appeared. He was
appalled at the situation because he knew
that Juliet was fond of Tybalt, and he
wished no injury to his wife's people.
He tried in vain to settle the argument
peaceably. Mercutio was infuriated by
Romeo's soft words, and when Tybalt
854
called Romeo a villain, Mercutio drew
his sword and rushed to his friend's de
fense. But Tybalt, the better swordsman,
gave Mercutio a mortal wound. Romeo
could ignore the fight no longer. Enraged
at the death of his friend, he rushed at
Tybalt with drawn sword and killed him
quickly. The fight soon brought crowds
of people to the spot. For his part in the
fray, Romeo was banished from Verona.
Hiding out from the police, he went,
grief-stricken, to Friar Lawrence's cell.
The friar advised him to go to his wife
that night, and then at dawn to flee to
Mantua until the friar saw fit to publish
the news of the wedding. Romeo con
sented to follow this good advice. As
darkness fell, he went to meet Juliet.
When dawn appeared, heartsick Romeo
left for Mantua.
Meanwhile, Juliet's father decided
that it was time for his daughter to
marry. Having not the slightest idea of
her love for Romeo, the old man de
manded that she accept her handsome
and wealthy suitor, Paris. Juliet was
horrified at her father's proposal but
dared not tell him of her marriage be
cause of Romeo's part in Tybalt's death.
She feared that her husband would be
instantly sought out and killed if her
family learned of the marriage.
At first she tried to put off her father
with excuses. Failing to persuade him,
she went in dread to Friar Lawrence to
ask the good monk what she could do.
Telling her to be brave, the friar gave
her a small flask of liquid which he told
her to swallow the night before her wed
ding to Paris. This liquid would make
her appear to be dead for a certain length
of time; her seemingly lifeless body
would then be placed in an open tomb
for a day or two, and during that time
the friar would send for Romeo, who
should rescue his bride when she awoke
from the powerful effects of the draught.
Then, together, the two would be able
to flee Verona. Juliet almost lost courage
over this desperate venture, but she
promised to obey the friar. On the way
home she met Paris and modestly prom
ised to be his bride.
The great house of the Capulets had
no sooner prepared for a lavish wedding
than it became the scene of a mournful
funeral. For Juliet swallowed the strong
liquid and seemed as lifeless as death
itself. Her anguished family sadly placed
her body in the tomb.
Meanwhile Friar Lawrence wrote to
Romeo in Mantua, telling him of the
plan by which the lovers could make
their escape together. But these letters
failed to reach Romeo before word of
Juliet's death arrived. He determined to
go to Verona and take his last farewell
of her as she lay in her tomb, and there,
with the help of poison procured from
an apothecary, to die by her side.
Reaching the tomb at night, Romeo
was surprised to find a young man there.
It was Paris, who had come to weep over
his lost bride. Thinking Romeo a grave
robber, he drew his sword. Romeo, mis
taking Paris for a hated Capulet, warned
him that he was desperate and armed.
Paris, in loyalty to Juliet, fell upon
Romeo, but Romeo with all the fury of
his desperation killed him. By the light
of a lantern, Romeo recognized Paris
and, taking pity on one who had also
loved Juliet, drew him into the tomb so
that Paris too could be near her. Then
Romeo went to the bier of his beautiful
bride. Taking leave of her with a kiss, he
drank the poison he had brought with
him and soon died by her side.
It was near the time for Juliet to
awaken from her deathlike sleep. The
friar, hearing that Romeo had never re
ceived his letters, went himself to deliver
Juliet from the tomb. When he arrived,
he found Romeo dead. Juliet, waking,
asked for her husband. Then, seeing him
lying near her with an empty cup in his
hands, she guessed what he had done.
She tried to kiss some of the poison from
his lips that she too might die, but fail
ing in this, she unsheathed his dagger
and without hesitation plunged it into
her breast.
855
By this time a guard had come up.
Seeing the dead lovers and the body of
Paris, he rushed off in horror to spread
the news. When the Capulets and Mon
tagues arrived at the tomb, the friar told
them of the unhappy fate which had
befallen Romeo and Juliet, whose only
sin had been to love. His account of
their tender and beautiful romance
shamed the two families, and over the
bodies of their dead children they swore
to end the feud of many years.
ROMOLA
Type of -work: Novel
Author: George Eliot (Mary Ann Evans, 1819-1880)
Type of ylot: Historical romance
Time of yZot: 1492-1498
Locale: Italy
First published: 1863
Principal characters:
BARDO, a Florentine scholar
ROMOLA, his daughter
TITO MELEMA, an adventurer
TESSA, a peasant girl
BAT.DASABJUS CALVO, Tito's benefactor
Critique:
Romola is the story of a thoroughly
good woman and a thoroughly wicked
man. It is not an easy novel to read, for
the author has attempted a work involv
ing more than literary craftsmanship. She
has dipped into the history of an age of
political intrigue and mystical religious
personalities, and often the plot of the
story becomes lost in the maze of its own
environment. But if the plot of this
novel fails to stand out clearly from its
background, the characters themselves
can carry the burden of brilliant develop
ment.
The Story:
Tito Melema arrived in Florence pen
niless and unknown, but the sale of some
rare jewels in his possession soon brought
him into the circle of the wealthy, learned
men of the city, among them the blind
antiquarian, Bardo. Bardo was a great
scholar who continued his annotations of
Greek and Roman books through the eyes
of his beautiful daughter, Romola.
Bardo's only interest in life was his library
and museum, and he had brought up his
daughter in innocence of the outside
world. Bardo accepted Tito eagerly, for
he was always eager to meet a scholar and
a man who had traveled much. He also
told Tito of a son whom he had lost.
Tito's fortune had at last come to him
with the sale of all his jewels except a
single ring. He recalled that the money
properly belonged to Baldasarre Calvo,
the man who had been almost a father
to him, the man who might now be a
slave in the hands of the Turks. If
Baldasarre were really alive, Tito told
himself, he would spend the money for
the old man's ransom. But he was not
sure his foster father still lived.
Quickly Tito entrenched himself in
the learned society of Florence. At the
yearly festival of San Giovanni, patron
saint of Florence, Tito, while sitting at
a window with a friend, fancied that he
saw in the crowd below a monk who
gazed upon him with a malicious glance.
Also glancing up at Tito from below was
the beautiful Tessa, daughter of a milk
vendor, whom Tito had met on the day
of his arrival in Florence.
Later as he walked through the
crowded streets, he rescued Tessa from
some jostling revelers. When he had left
her, he met the strange monk who had
gazed at him from the crowd earlier in
the afternoon. The monk, Fra Luca,
856
gave him a note that had been brought
from a pilgrim in the Near East. The
note was from Baldassare, who pleaded
that Tito should rescue him from slavery.
Tito wondered what was so familiar
about the Fra's face.
Attracted by the lovely, grave Romola,
Tito spent many hours reading and writ
ing manuscripts with her blind father.
One day, when Tito had the opportunity
to be alone with Romola for a brief mo
ment, he declared his love to her, and
Romola shyly confessed her love for him.
That same day Monna Brigida paid a
call on her cousin Bardo. When she acci
dentally mentioned the name of a
Dominican monk, Dino, Tito discovered
that the lost son of Bardo was not dead,
but banished from his father's house. Re
alizing that Fra Luca was Dino, Tito
feared exposure of his benefactor's slav
ery. He felt the time ripe for asking the
old man for permission to marry Romola.
Bardo readily consented.
Tito learned that Fra Luca was dan
gerously ill at Fiesole. One evening
Romola told him that her dying brother
had sent for her. Tito feared that Fra
Luca would tell her the story which Tito
had hoped would die with him. In de
spair, he wandered through the city and
accidentally met Tessa. In a ribald cere
mony which amused the gaping crowd,
Tito allowed Tessa to believe that he
had really married her. Unwilling to un
deceive her, he made her promise to keep
the marriage a secret. Meanwhile Dino
died without revealing to Romola the
story of Baldasarre and the ungrateful
Tito. Tito and Romola were married.
Bardo died, leaving Romola to carry
on his scholarly work. Meanwhile polit
ical events in Florence helped to ad
vance Tito's fortunes; he became an inter
preter in negotiations with the French. On
the day the French king arrived in the
city, the soldiers led through the streets
a group of prisoners who begged their
ransoms from the Florentines. The mock
ing mob cut an old man loose from his
fetters and allowed him to escape into
the crowd. The prisoner ran blindly into
Tito> who stood with a group of digni
taries on the steps of San Marco. Tito
turned and found himself looking into
the face of Baldasarre Calvo, who then
disappeared into the crowd.
Fearing Baldasarre's revenge, Tito
bought a coat of mail to wear under his
clothes as a defense against the thrust
of a knife or a spear. Tito begged Romola
to sell her father's library and leave
Florence with him. When Romola re
fused, he secretly sold the library and
the antiquities it contained.
In his search for a place to stay, Balda
sarre came by chance to the house where
Tessa and her children by Tito lived
with a deaf old peasant woman. The
woman gave the old man permission to
sleep in the loft. Tessa eagerly confided
in Baldasarre. Tito had not abandoned
her after their mock-marriage. At first
he had been too flattered by her innocent
admiration to tell her they were not man
and wife. Instead, he had sent her to
live with the old peasant woman, whom
he paid well for the care she gave Tessa
and his children, and he had sworn the
two women to secrecy, While Baldasarre
lay in the hayloft, Tito came to see Tessa.
Suspecting from her description the iden
tity of the old man, Tito went to his foster
father to ask his forgiveness. He had de
cided that Baldasarre should come to live
with him and share his comfort. But
the old man did not forgive. He threat
ened to expose Tito and ruin him.
At a dinner in Florence, Baldasarre
appeared to denounce Tito before his
political friends. The trembling old man
was pronounced mad and sent to prison.
During a plague the jails were emptied
to make room for the sick, and Baldasarre
was released. He spied upon Tito until
he learned that the youth had two wives,
one noble and brave, the other timid and
stupid. He approached Romola to expose
Tito. When he told Romola of Tito's
betrayal, she was able to piece together
all the suspicions she had felt toward her
husband, his long absences from home,
857
his strange moods, and his secret fears.
One day she found little Lillo, Tessa's
son, wandering lost in the streets. She
took the child to his home, and there
she realized that she had discovered
Tito's Tessa.
The final blow came to Romola when
her godfather, Bernardo Del Nero, the
only person in the world she still loved,
was arrested. The Medici had been plot
ting to return to Florence, and Bernardo
was a member of the committee which
plotted their return. Romola knew Tito
had been a spy for both political fac
tions; he had gained his own safety by
betraying others. Romola revealed to Tito
her knowledge of Baldasarre's story and
the truth of the old man's accusation
against him. Then, disillusioned and sor
rowful at the execution of Bernardo, she
fled from Florence.
Tito also planned to flee from Florence,
for his double dealings had been dis
covered. A mob followed him out of the
city. To escape his pursuers, he threw
away his money belt, and while the
crowd scrambled for it, he jumped into
the river. Weakly he pulled himself
ashore on the opposite side. There Bal-
dasarre, now a starving beggar, found
him. In a final effort the old man threw
himself upon his exhausted enemy and
strangled him.
After passing many months in another
city, Romola returned to Florence to
learn of her husband's murder at the
hands of an old man who had long been
his enemy. Romola understood the jus
tice of Tito's violent end. She found
Tessa and the children and brought them
to live with her. Hers was the one good
deed that resulted from Tito's false and
guilty life.
ROUGHING IT
Type of work: Record of travel
Author: Mark Twain (Samuel L. Clemens, 1835-1910)
Type of plot: Travel sketches and autobiography
Time of plot: Mid-nineteenth century
Locale: The West
First published: 1872
Principal characters:
MARK TWAIN, a tenderfoot
BRIGHAM YOUNG, the Mormon leader
SLADE THE TERRIBLE, a Western desperado
HAJNK ERICESON, a correspondent of Horace Greeley
Critique:
Mark Twain's recollections are inter
esting because they present a picture of
the still expanding Western frontier. Al
though the book is badly organized, it is
excellent for its eye-witness accounts of
Virginia City and the Nevada mining
camps, Mormonism, early San Francisco,
and the Hawaiian Islands. Always, of
course, the book is enlivened by Mark
Twain's boisterous, native humor.
The Story:
When Mark Twain traveled West
with his brother, he had no idea that he
would stay out there for any long period
of time. His brother had been appointed
Secretary of the Nevada Territory, and
Twain went along as his secretary, with
no salary. Instead of the three months
he intended to stay, however, he was six
years away from home.
The trip itself was exciting. There
were many inconveniences, naturally, as
well as danger from the Indians and at
tacks by highwaymen. But Twain saw
the country and enjoyed the adventure,
nonetheless. On the way he came face
to face with Slade the Terrible. Slade
was foreman of the stagecoach workers,
a man who would kill anyone if crossed,
858
a man whose repute went far and wide.
To Twain he seemed very polite, a
gentleman, and quite harmless. But
Slade's days were numbered. The vigi
lantes were after him. Although he was
warned, he was drunk at the time, and
so was unable to avoid capture. Brought
to trial by a vigilante court, he was found
guilty and ordered hanged. He died
without having seen his wife, probably
a fortunate circumstance for the vigi
lantes. At an earlier time, with blazing
six-shooters flaming from under her petti
coats, she had rescued Slade from a simi
lar situation.
Twain also met Brigham Young, the
Mormon leader, who bemoaned the fact
that he had so many wives, wives who
were jealous and argumentative. Out of
curiosity Twain also read the Mormon
Bible.
Twain and some companions set out to
prospect for gold in the Nevada moun
tains. Once they were caught in a snow
storm and seemingly doomed to die. Each
of them renounced a particular vice.
Twain threw away his pipe, another his
cigarettes, and the third his bottle of
whiskey. But they did not die. At dawn
they discovered that they had been but
a few yards away from an inn. Then
Twain was sorry he had thrown away his
pipe. He found it in the snow and
sneaked behind the barn for a smoke.
There he came upon one of his comrades
drinking from the whiskey bottle and
the other rolling a cigarette.
At first they had no luck in their search
for gold. True, they found places where
there was gold, but the operations needed
to extract it were too complicated and ex
pensive. Finally they had real luck.
When they found rock that would yield
millions of dollars for them, they claimed
it and dreamed of spending their lives
in luxury. The law specified that some
work must be done on each new claim
within ten days; otherwise the claimants
lost their right to the claim and anyone
else could get control of it. Twain left,
having confidence that his partners would
work the new claim. But each thought
the other would do the work, and so
none was done. At the end of ten days
the mine was claimed by others. Twain
and his partners were relegated to a
common, working existence.
He wandered from place to place,
working for newspapers, being fired from
them, and moving on. Eventually he
landed in San Francisco and went from
there to the Hawaiian Islands, where he
visited the spot on which Captain Cook
had been killed by natives. At first the
natives had treated the British explorer
kindly. Cook, in turn, had made them
believe that he was a god, and he had
treated them brutally. One day. injured,
he showed his pain. Convinced by his
hurt that he was not divine, but a man
like themselves, the natives killed him —
rightly, according to Twain, for he bad
returned their kindness with cruelty.
Then there was Hank Erickson, the
crazy stranger. Erickson had once written
a letter to Horace Greeley. A widow had
a son who liked turnips. She wanted to
find out if turnips sometimes grew into
vines. This was the question Erickson
asked in the letter he wrote to Greeley.
Greeley replied, but the handwriting was
so illegible that nothing could be made of
it. In fact, every time Erickson read the
letter it seemed different, but always
meaningless. Finally he deciphered it
and became convinced that Greeley had
insulted him. Erickson wrote to Greeley
again. The publisher had a clerk copy
the letter, which turned out to be infor
mative and not at all insulting. Twain
slyly maintained that he never found out
why Erickson was crazy.
Twain decided to try his luck at lec
turing. At his first appearance he was
afraid that nobody would laugh at his
jokes. He gave free tickets to various
people> and told them to laugh at the
right moments. When he got to the audi
torium the seats were empty. He sat in
the wings and felt sad. However, ht
soon heard the noise of voices and came
out of his dream to find that the hall
859
was crowded. His lecture was a great
success; people even laughed when his
talk was not funny.
When lie returned to San Francisco
from Hawaii, Twain planned a trip to
Japan. Later he abandoned the idea to
go back home. He traveled to New York
by way of Panama. So ended his Wild
West and Hawaiian adventures.
SALAMMBO
Type of work: Novel
Author: Gustave Flaubert (1821-1880)
Type of plot: Historical romance
Time of plot: Third century B.C.
Locale: Carthage
First published: 1862
Principal characters:
HAMLLCAR, Suffete of Carthage
SAHAMMBO, his daughter
MATHO, a Libyan chief
SPENDIUS, a Greek slave
NARR' HAVAS, a Numidian chief
Critique:
Salamrnbd is a monumental descrip
tion of Carthage while that city-republic
was still a great power. Into this novel
Flaubert put five years of reading, years
when he read every scrap of information
he could find about Carthage during the
Punic Wars. The result is a vast, erudite
reconstruction for which there are few
parallels. Flaubert was a careful, slow
worker, and this novel demonstrates his
exact style. Character analysis is scant
and the plot little more than animated
history, but critical opinion accords it a
distinguished place because of its faithful
picture of the people and the times.
The Story:
Inside the walls of Carthage a vast
army of mercenaries gathered in the
gardens of Hamilcar. There were Liguri-
ans, Lusitanians, nomadic barbarians
from North Africa, Romans, Greeks,
Gauls, and Egyptians. A feast for these
thousands of hired warriors was in prepa
ration. Odors of cooking food came from
Hamilcar's kitchens, and the Council of
Elders had provided many oxen to roast
over the open fires in the gardens. The
men, tired from their defeat at the hands
of the Romans and weary from the sea
journey over the Mediterranean, waited
with ill-concealed impatience for the
feasting to begin.
More than that, they were in an ugly
mood because they had not been paid.
Hamilcar, their beloved leader even in
defeat, had promised them their pay
many times. The elders, however, par
simonious and afraid of this huge as
sembly of fierce foreigners, withheld their
pay. Offers of token payment had been
angrily refused.
While the revelry was at its height,
many men were emboldened by drink
and began to pillage the palace of Hamil
car. In a private lake, surrounded by a
heavy hedge, they found fish with jewels
in their gill flaps. With joy they ruth
lessly tore off the gems and boiled the
sacred fish for their feast. The slaves
brought new foods and fresh casks of
wine for the drunken revelers. Then
above them on a high balcony appeared
Salammb6, the priestess of the moon god
dess and daughter of Hamilcar. Her great
beauty stilled the wild barbarians. She
called down a malediction on their heads
and in a wailing refrain lamented the sad
state of Carthage.
Among those who watched the young
860
girl, none was more attracted than Narr'
Havas, a Numidian chief who had been
sent by his father to Carthage to serve
with Hamilcar. Although he had been
in Carthage six months, this was his first
sight of Salammbo. Also watching her
keenly was Matho, a gigantic Libyan.
He had heard of Salammbo, and already
loved her. With Matho was Spendius, a
former Greek slave who, tricky and
shrewd, played the jackal to brave Math6.
Spendius had been long in service to
Carthage, and he whispered the delights
of Salammb6 to his master.
The elders gave each soldier a piece
of gold if he promised to go to Sicca and
wait for the rest of his money to be sent
to him. The gold and the solemn prom
ises enticed many, and finally all the mer
cenaries and barbarians joined the march
to Sicca. Many of their leaders distrusted
the words of the elders, but they were
sure of better treatment when Hamilcar
returned to Carthage.
Math6 lay in his tent all day long at
Sicca. He was in love, and since he had
no prospect of ever seeing Salammbft
again, he despaired. Finally the wily
Spendius profited greatly by Math6Js in
action and ingratiated himself with the
Libyan.
At Sicca the enormous Hanno ap
peared in his costly litter. Hanno, one of
the Council of Elders, was tremendously
fat; the fat on his legs even covered his
toenails and his body was covered with
weeping sores. Pompously he addressed
the crowd, telling them of Carthage's in
tent to pay later and urging them all to
return to their homes. But the Gauls and
the Campanians and the rest understood
not a word of Punic. Spendius leaped up
beside Hanno and offered to translate.
Falsely he told the soldiers that Hanno
was exalting his own gods and reviling
theirs. The mob became unruly and
Hanno barely escaped with his life.
Soon the inflamed barbarians were on
the march again, this time to besiege
Carthage. At their head rode Math6,
Narr* Havas, and Spendius, now a leader.
The mob camped at the gates of Car
thage. The city sent Cisco, a famous
warrior, to treat with them. In fear the
Carthaginians raised a little money and
began to pay the soldiers. They felt pow
erless without Hamilcar. But the pay*
ment was slow. Cisco had insufficient
funds, and many barbarians claimed
more pay than they merited.
As the unrest grew, Spendius went to
Matho with a project of his own. He was
sure he had found a way into the city,
and if Matho would follow his lead and
help him in his own private errand, he
would take Math6 to Salammb6.
Outside the walls Spendius had found
a loose stone in the pavement over the
aqueduct that supplied the city with
water. Math6 with his giant strength
lifted the stone, and the two swam with
the current in the darkness until they
came to a reservoir inside the city itself.
Then Spendius revealed his project. He
and Matho were to steal the zaimph, the
mysterious veil of Tanit, goddess o£ the
moon. Since the Carthaginians put their
trust in Tanit, and Tanit's strength lay
in the veil, Spendius hoped to cripple
the morale of the city. Matho was fearful
of committing sacrilege, but he was forced
to consent in order to see Salammb6.
While the female guards slept, the
two stole into Tank's sanctuary and
Math6 seized the veil. Then quietly
Spendius led the trembling Math6, who
wore the sacred robe, into Salamrnbd's
sleeping chamber.
As Matho advanced with words of love
to Salamrnb6's bed, the terrified girl
awoke and shouted an alarm. Instantly
servants came running. Math6 had to
flee, but while he wore the sacred veil
no one dared to lay a hand on him. So
Matho left the city and returned to the
barbarians with his prize.
Hamilcar returned to Carthage in time
to organize the defense of the city, and
the siege melted away. Because the bar
barians were short of food, they marched
to Utica to demand supplies. Only loosely
bound to Carthage, Utica was glad to
861
harass Carthage by aiding its enemies.
Newly supplied with arms and food,
the barbarians were a more formidable
Jiost. Hamilcar, however, had brought
nis army out of Carthage and joined the
battle on the plain. Although the Car
thaginians were few in number, they
were disciplined and well led. They
engaged the barbarians several times, al
ways indecisively. Finally, by a stroke of
luck, the army of Hamilcar was trapped,
and the barbarian's surrounded the city's
defenders.
Meanwhile Salammbo was goaded by
the high priest into retrieving the sacred
veil. Disguised and with a guide, she
made her way into the barbarian camp,
under priestly injunction to do whatever
might be necessary to reclaim the robe.
Finding Matho's tent, she went in and
asked for the veil which hung among his
trophies of war. Matho was thunder
struck and stammered eager protestations
of love. Remembering the commands of
the priest, Salammb6 submitted to Matho.
While the Libyan slept, she took the veil
and went unmolested into her father's
camp.
Hamilcar noticed immediately that the
thin golden chain linking her ankles was
broken, and in his shame he promised
her to Narr' Havas, who had long since
deserted the barbarians and returned to
help Hamilcar. But the marriage was
delayed until after the final defeat of
Hamilcar's enemies.
Hamilcar, wary of the stalemate in the
battle, led his followers back to Carthage
and the barbarians again laid siege to
the city. Spendius sought to end the
siege by breaking the aqueduct. Thirst
and famine threatened the city from with
in. When pestilence broke out, the chil
dren of Carthage were burned in sacrifice
to Moloch. Moloch was appeased, and
torrential rains saved the city.
With help from his allies, Hamilcar
began to reduce the forces of the enemy.
A large part of the army was trapped in
a defile in the mountains and left to
starve. Matho was taken prisoner.
On the wedding day of Narr' Havas
and Salammbo, Matho was led through
the city and tortured by the mob. Still
alive but with most of his flesh torn away,
he staggered up to the nuptial dais of
Salarnmb6. There he fell dead. Salam
mbo recalled how he had knelt before
her, speaking gentle words. When the
drunken Narr' Havas embraced her in
token of possession and drank to the
greatness of Carthage, she lifted a cup
and drank also. A moment later she fell
back on the wedding dais, dead. So died
the warrior and the priestess who by
their touch had profaned the sacred robe
of Tanit.
SANCTUARY
Type of work: Novel
Author: William Faultier (1897- )
Type of 'plot: Psychological melodrama
Time of plot: 1929
Locale: Mississippi and Memphis, Tennessee
First published: 1931
Principal characters:
POPEYE, a racketeer
HORACE BENBOW, a lawyer
TEMPLE DRAKE, a girl attacked and held by Popeye
TOMMY, a moonshiner killed by Popeye
LEE GOODWIN, a moonshiner accused of Tommy's murdov
RUBY LAMAR, Goodwin's woman
REBA RIVERS, madam of a Memphis bawdy house
GOWAN STEVENS, a college student
862
Critique:
Sanctuary is a harsh and brutal book
which on one level reads like a sensa
tional and motiveless recital of horrors
enacted by a sinister cast of grotesques
and perverts. Beneath its surface vio
lence, however, the novel has a deeper
meaning for which an interesting allegor
ical interpretation has been suggested:
The social order of the old South has
been corrupted and defiled by progressive
modernism and materialistic exploitation,
represented by Popeye and his boot
legging activities, so that historic tradi
tion, symbolized by Horace Benbow, is
powerless to act because it is opposed
by middle-class apathy and inbred vio
lence which victimizes both the Negro
and poor white trash. Viewed in this
light, Sanctuary is a social document
which has its proper place in William
Faulkner's tragic legend of the South.
The Story:
Horace Benbow, on his way to Jef
ferson one afternoon, stopped to drink
from a spring on the Old Frenchman
place. When he rose he saw an under
sized man in a black suit watching him,
the man's hand in a pocket which held
his gun. Satisfied at last that the lawyer
was not a revenue officer, Popeye led
Benbow to the gaunt, gutted ruins of
a plantation house. That night the law
yer ate with Popeye, several moonshiners,
and a blind and deaf old man, the father
of Lee Goodwin, one of the moonshiners.
They were fed by Ruby, Goodwin's
woman. Later Benbow was given a lift
into Jefferson on a truck loaded with
whiskey on its way to Memphis.
The next afternoon, at his widowed
sister's home, Benbow watched her walk
ing in the garden with young Gowan
Stevens. Stevens left that evening after
supper because he had a date with a
girl at the State University the following
night. The girl was Temple Drake.
After a dance Stevens got drunk. He
awoke the next morning in front of the
railroad station. A special train taking
university students to a baseball game had
already left. Driving rapidly, Stevens
caught up with the train in the next
town. Temple jumped from the train
and climbed into his car. Disgusted with
his disheveled appearance, she ordered
him to drive her back to the university.
Stevens insisted that he had promised
to drive her to the game. On the way
he decided to stop at Goodwin's place to
buy more whiskey.
Stevens wrecked his car when he struck
a barrier across the lane leading to the
house. Popeye took Temple and Stevens
to the house. Temple went into the
kitchen, where Ruby sat smoking and
watching the door.
When she saw Stevens again, he was
drunk. Then Popeye refused to drive
them back to town. Temple was fright
ened. Ruby told Temple to go into
the dining-room to eat with the men.
One of the men tried to seize her and
Temple ran from the room. Tommy,
one of the moonshiners, followed her
with a plate of food. The men began
to quarrel and Stevens was knocked un
conscious and carried into the house.
Goodwin and a moonshiner named Van
tussled until Popeye stopped them. When
Van found Temple in one of the bed
rooms, Goodwin knocked him down.
Then began a series of comings and
goings in the bedroom. Ruby came to
stand quietly in the darkness. Later
Popeye appeared and stood silently over
the girl. After he had gone, Goodwin
entered to claim a raincoat in which
Temple had wrapped herself. Popeye re
turned once more, followed noiselessly
by Tommy, who squatted in the dark
beside Ruby. When the men finally left
the house to load the truck for its run
to Memphis, Ruby took Temple out to
the barn and stayed with her until day
light.
SANCTUARY by William Faulkner. By permission of the author and the publishers, Random House, Inc.
Copyright, 1931, by William Faulkner.
863
Stevens awoke early and started out ki
the nearest house to hire a car. Feeling
that he could not face Temple again
after his drunken night, he paid a farmer
to drive to the house for Temple, while
he thumbed a ride into town.
Learning that Stevens had already
gone, Temple went into the kitchen with
Ruby. When she left the house again,
she saw the shadowy outline of a man
who was squatting in the bushes and
watching her. She returned to the house.
Seeing Goodwin coming toward the
house, she ran to the barn and hid in the
comcrib.
Watching, Popeye saw Goodwin look
ing from the house toward the barn. In
the barn Popeye found Tommy at the
door of the corncrib. Wliile Tommy
stood watching Goodwin, Popeye shot
him. A short time later Goodwin told
Ruby that Tommy had been shot. He
sent her to the nearest house to phone
for the sheriff.
Benbow stayed with his sister for two
days. When Goodwin was brought in,
charged with Tommy's murder, Benbow
agreed to defend the prisoner. Goodwin,
afraid of Popeye, claimed only that he
had not shot Tommy. It was Ruby who
told Benbow that Popeye had taken
Temple away in his car.
Benbow attempted to trace the girl's
whereabouts. State Senator Snopes told
him that Judge Drake's daughter was
supposed to be visiting an aunt in Mich
igan after an attempted runaway mar
riage.
A week before the opening of the
court session Benbow met Senator
Snopes again. For a price the politician
was willing to reveal that Temple was
in Reba Rivers' bawdy house in Mem
phis. Benbow went at once to see the
girl. Temple, although reluctant to talk,
confirmed many details of Ruby's story.
The lawyer realized that without the
e'rl's testimony he could not prove that
oodwin was innocent of Popeye's crime.
One morning Temple bribed Reba's
colored servant to let her out of the house
to make a phone call. That evening she
managed to sneak out again, just as a
car with Popeye in it pulled up at the
curb. When she refused to go back to
her room, he took her to the Grotto,
where Temple had arranged to meet a
young man called Red, whom Popeye
had taken to her room.
At the Grotto she danced with Red
while Popeye played at the crap table.
She begged Red to take her away with
him. Later in the evening two of Pop-
eye's henchmen forced Temple into a
car waiting outside. As they drove away,
Temple saw Popeye sitting in a parked
car.
Red's funeral was held in the Grotto,
For the occasion the tables had been
draped in black and a downtown orches
tra had been hired to play hymns. Drinks
were on the house.
The night before the trial Benbow
learned from Reba Rivers that Popeye
and Temple had left her house. Ruby
took the witness stand the next day and
she told the story of Tommy's murder*
She and Benbow spent that night in
the jail cell with Goodwin, who was
afraid that Popeye might shoot him from
one of the buildings across the street.
Temple, located through the efforts
of Senator Snopes, was called to testify
the next morning. She indicated that
Goodwin was the man who had first
attacked her on the day of Tommy's mur
der. Goodwin was convicted. That night
a mob dragged the prisoner from the
jail and burned him.
Popeye, on his way to Pensacola, was
arrested for the murder of a policeman
in Birmingham. The murder had oc
curred the same night Red was shot
outside the Grotto. Popeye made no de
fense, and his only claim was that he
knew nothing about the Birmingham
shooting. Convicted, he was executed
for a crime he had not committed.
Judge Drake took his daughter to
Europe. In the Luxembourg Gardens
with her father, listening in boredom to
the band, Temple sat in quiet, sullen dis
content.
864
SAPPHO
Type of work: Novel
Author: Alphonse Daudet (1840-1897)
Type of plot: Naturalism
Time of 'plot: Nineteenth century
Locale: Paris
First published: 1884
Principal characters:
JEAN GAUSSIN, a student
FANNY LEGRAND, his mistress
IRENE, his fiancee
BOUCHEREAU, a famous physiologist
DECHELETTE, a wealthy engineer
LAGOURNERIE, a poet
DE POTTER, a composer
ROSA, de Potter's mistress
FLAMANT, convict engraver
CESAXRE, Jean's uncle
Critique:
To many people Daudet's name is a
synonym for naturalism, and in some
respects Daudet is the outstanding repre
sentative of his school. His writing is
carefully documented; his style releases
a sustained emotion. Above all Daudet
is an intuitive psychologist. Sappho,
concerned with the half- world of prosti
tutes and crime, is generally considered
a surprisingly delicate and sure study of
a distasteful milieu.
The Story:
D^chelette, a vigorous though aging
engineer, spent all but two months of the
year on construction projects far from
Paris. Each summer, however, he re
turned to the gay city to compress into
two months enough pleasure to make up
for his enforced absences. To one of his
masquerade parties came Jean Gaussin,
a young student from the south of France.
Jean was bewildered at the extravagant
ball. Unhappy and lost, he wandered
into a gallery and found there a woman
dressed as an Egyptian.
When he was ready to leave, the
woman stopped him and asked him to
take her to his room. In this way he be
came her lover. Her name, she told him,
was Fanny Legrand.
She continued to come to his room
f requently. When he finally visited her
apartment, he was astonished at the hu-
ury of the place. In the morning before
he was up, the servant announced a visi
tor. Fanny went into another room to
see the early caller, and Jean was horrified
to overhear a violent quarrel. Fanny was
shouting insults and curses at the man
in the language of the gutter. Finally
the man began to sob and pressed money
on Fanny. He begged her not to dis
miss him, whatever else she did. Jean
went back to his classes much disturbed.
Unable to end the affair, he rented an
apartment and set up housekeeping with
Fanny. She proved to be a capable house
wife and a demanding mistress. Jean
felt settled and at ease. He made good
progress in his consular studies.
The following summer he met D6che-
lette and Caoudal, a sculptor, at a cafe
and learned the past history of his mis
tress. Thirty years before, she had lived
with Caoudal and had been the model
for his well-known figure of Sappho. She
had lived with Dechelette at various
times and LaGournerie, the poet, had
kept her for some years. Jean felt nause
ated when he came to understand that
she owed her imaginative diction to La
Gournerie, her graceful gestures to Caou
dal, her ample spending money to D6che-
lette. One of her latest lovers had been
Flamant. The poor man, an engraver,
865
had counterfeited some bank notes and
had been sentenced to prison. Jean
learned that Fanny was nearly fifty, al
most thirty years older than he.
When he taxed Fanny with his
knowledge, she readily admitted her past.
When she protested her love for him
alone, Jean asked for her box of keep
sakes. In her letters he traced her history
of loose love for nearly thirty years. The
farewell letter from Flamant asked Fanny
to look after his young son. Jean sus
pected that the child was Fanny's also.
But in spite of this knowledge, Jean could
not leave his mistress after Fanny meekly
submitted to his reproaches. They con
tinued to live together.
Cesaire, Jean's uncle, came to Paris
with news that Jean's family had been
ruined by failure of the grape crop and
that he had been sent to Paris to collect
an old debt of eight thousand francs.
With Fanny's help, Cesaire collected the
money but soon lost it gambling. Fanny
volunteered to get more money from
Dechelette. Jean and Cesaire awaited her
return anxiously. Jean tortured himself
by imagining how she would get it. After
some hours Fanny returned with the
money. C6saire left for home, loudly as
serting the goodness of Fanny and prom
ising to keep silent about Jean's loose
life.
With the decline in the Gaussin for
tunes, Jean and Fanny decided to sepa
rate. Fanny went to work managing an
apartment for Rosa, mistress of the
wealthy composer, de Potter. She and
Jean were together each Sunday on her
day off. After reckoning his decreased
allowance, Jean found that they could
take a small hut in the country. He was
sure they could exist there for another
year, and then he would be through with
his course of study. But Jean hated their
life in the country. The grumbling old
servant Fanny hired had been revealed as
Fanny's mother. Her father, a dissolute
cab driver, came to visit them, Flamant's
child, a savage boy of six, lived with
them. Jean counted on an appointment
to a consular office to break away from
Fanny.
On his trips into town, he became ac
quainted with Bouchereau, the eminent
physiologist. Then he met and fell in
love with Bouchereau's niece, Irene. Jean
hoped that he would receive an appoint
ment in South America and that Irene
would go with him as his wife.
As he was gradually permitted to see
Irene more often, Jean became troubled.
Her innocent enjoyment of simple things
was disturbing, for he had become so
satiated with his experienced courtesan
that other women had little attraction for
him. When he told Fanny of his ap
proaching marriage, a furious quarrel
broke out.
Shortly afterward Jean met de Potter,
who congratulated him on his approach
ing marriage. De Potter's story was a hor
rible warning to Jean; the composer had
never been able to get away from his
mistress, and the attraction of her flesh
had held him fast for many years. De
Potter's wife rarely saw him; his children
were almost strangers. De Potter was
bitter about his wasted life, but he could
not leave the aging Rosa, whom he sup
ported in luxury.
Despite de Potter's example, despite
his engagement to Ir&ne, Jean resolved
to keep Fanny. On the eve of his de
parture for his post in South America, he
broke his engagement to Irene and wrote
to Fanny to join him in Marseilles. Wait
ing with tense expectancy in a hotel room
in the Mediterranean port, Jean received
a letter from Fanny. She had gone back
with Flamant on his release from prison.
Fanny was too old to go traveling about.
She could not leave her beloved Paris.
866
THE SCARLET LETTER
Type of work: Novel
Author; Nathaniel Hawthorne (1804-1864)
Type of plot: Psychological romance
Time of plot: Early days of the Massachusetts Colony
Locale: Boston
First published: 1850
Principal characters:
HESTER PRYNNE, a woman convicted of adultery
ARTHUR DIMMESDALE, a minister of the community
ROGER CHILLINGWORTH, a physician, and Hester's husband
PEARL, Hester's daughter
Critique:
Critics have called The Scarlet Letter
the greatest book ever written in the
Western Hemisphere. The theme of the
novel is the universal subject of sin.
Specifically, Hawthorne traces the effect
of one particular sin on the lives of four
people. In the pages of The Scarlet Letter
we watch the almost beneficial effect of
her sin upon Hester Prynne, who wears
her shame openly for all the world to see;
upon the Reverend Arthur Dimmesdale,
who is killed by the distressing secret
which he keeps hidden in his own breast;
upon Roger Chillingworth, who becomes
a devil incarnate; and upon little Pearl,
who develops into a capricious, wayward
child, but still sympathetic and lovable.
The Story:
On a summer morning in Boston, in
the early days of the Massachusetts Col
ony, a throng of curious people had gath
ered outside the jail in Prison Lane. They
were there to watch for Hester Prynne,
who had been found guilty of adultery
by a court of stern Puritan judges. Con
demned to wear on the breast of her
gown the scarlet letter, the A which stood
for adulteress, she was to stand on the
stocks before the meeting house, so that
her shame might be a warning and a re
proach to all who saw her. The crowd
waited to see her ascend the scaffold with
her child in her arms, and there for three
hours bear her shame alone.
At last, escorted by the town beadle,
the woman appeared. She moved serenely
to the steps of the scaffold and stood
quietly under the staring eyes that
watched her public disgrace. It was
whispered in the gathering that she had
been spared the penalty of death or
branding only through the intercession of
the Reverend Arthur Dimmesdale, into
whose church she had brought her scan
dalous sin.
While Hester stood on the scaffold,
an elderly, almost deformed man ap
peared from the edge of the forest. When
her agitation made it plain that she had
recognized him, he put his finger to his
lips as a sign of silence.
Hester's story was well-known in the
community. She was the daughter of
an ancient house of decayed fortune, and
when she was young her family had mar
ried her to a husband who had great
repute as a scholar. For some years they
had lived in Antwerp. Two years before,
the husband had sent his wife alone
across the ocean to the Massachusetts
Colony, intending to follow her as soon
as he could put his affairs in order. There
had been news of his departure, but his
ship had never been heard of again.
Hester, a young, attractive widow, had
lived quietly in Boston until the time of
her disgrace.
The scaffold of the pillory on which
Hester stood was situated next to the bal
cony of the church where all the digni
taries of the colony sat to watch her hu-
THE SCARLET LETTER by Nathaniel Hawthorne. Published by Houghton Mifflin
867
miliation. The ministers of the town
called on her to name the man who with
herself was equally guilty, and the most
eloquent of those who exhorted her was
the Reverend Arthur Dimmesdale, her
pastor. Still Hester refused to name the
father of her child, and she was led back
to the prison after her period of public
shame had ended.
On her return to prison Hester was
found to be in a state of great nervous
excitement. When at last medical aid
was called, a man was found who pro
fessed knowledge of medicine. His name
was Roger CKillingworth, he told the
jailer, recently arrived in town after a
year of residence among the Indians.
Chillingworth was the stranger who
had appeared so suddenly from the forest
while Hester stood on the scaffold that
afternoon, and she knew him as her
husband, the scholar Prynne. His ship
had been wrecked on the coast and he
had been captive among the Indians for
many months.
He also asked Hester to name the
father of her child. When she refused,
he stated that Lie would remain in Boston
to practice medicine, swearing at the same
time that he would devote the rest of
his life to discovering the identity of the
man who had dishonored him. He com
manded Hester not to betray the relation
ship between them, and she swore she
would keep his secret.
When Hester's term of imprisonment
was over, she found a small house on the
outskirts of town, far removed from other
habitation. There with her child, whom
she had named Pearl, she settled down
to earn a living from needlework, an out
cast from society and still wearing the
scarlet emblem on her breast.
Hester Prynne dressed her child in
bright highly-ornamented costumes, in
contrast to her own sober dress. As she
grew up, Pearl proved to be a capricious,
wayward child, hard to discipline. One
day Hester called on Governor Belli ng-
ham to deliver a pair of embroidered
gloves. She also wanted to see Ibim about
the custody of Pearl, for there was a
movement afoot among the strict church
members to take the child away from her.
In the garden of the governor's mansion,
Hester found the governor, Dimmesdale,
and old Roger Chillingworth. Because
the perverse Pearl would not repeat the
catechism, the governor was about to
separate the child from her mother. Dim
mesdale saved the situation, however, by
a persuasive speech which resulted in the
decision to let Hester keep Pearl, who
seemed to be strangely attracted to the
minister.
Roger Chillingworth had become in
timately acquainted with Arthur Dim
mesdale both as his parishioner and his
doctor, for the minister had been in ill
health ever since the physician had come
to town. As the two men lodged in the
same house, the physician came to know
Dimmesdale's inmost thoughts and feel
ings. The minister was much perturbed
by thoughts of conscience and guilt, but
when he expressed these ideas in general
ities to his congregation, the people
thought him only the more righteous.
Slowly in Chillingworth the conviction
grew that Dimmesdale was Pearl's father,
and he conjured up for the sick man
visions of agony, terror, and remorse.
One night, unable to sleep, Dimmes
dale walked to the pillory where Hester
Pyrnne had stood in ignominy. He went
up the steps and stood for a long time in
the same place. A little later Hester, who
had been watching at a deathbed, came
by with little Pearl. The minister called
them to the scaffold, saying that they had
been there before when he lacked courage
to stand beside them. Thus the three
stood together, Dimmesdale acknowledg
ing himself as Pearl's father and Hester's
partner in sin. This striking tableau was
not unobserved. Roger Chillingworth
watched them from the shadows.
Hester Prynne was so shocked by Dim-
mesdale's feeble and unhealthy condi
tion that she determined to see her former
husband and plead with him to free the
sick minister from his evil influence.
868
One day she met the old physician
gathering herbs in the forest and begged
him to be merciful to his victim. But
Chillingworth was inexorable; he would
not forego his revenge on the man who
had wronged him. Hester then advised
him that she would tell Arthur Dimmes-
dale their secret and warn him against
his physician. A short time later, Hester
and Pearl intercepted Dimmesdale in the
forest as he was returning from a mission
ary journey to the Indians. Hester con
fessed her true relation with Chilling-
worth and warned the minister against
the physician's evil influence. She and
the clergyman decided to leave the colony
together in secret, to take passage in a
ship then in the harbor and return to
the Old World. They were to leave four
days later, after Dimmesdale had preached
the Election Sermon.
Election Day, on which the new gov
ernor was to be installed, was a holiday
in Boston, and the port was lively with
the unaccustomed presence of sailors
from the ship in the harbor. In the crowd
was the captain of the vessel, with whom
Hester had made arrangements for her
own and Dimmesdale's passage. During
the morning the captain informed Hester
that Roger Chillingworth had also ar
ranged for passage on the ship. Filled
with despair, Hester turned away and
went with Pearl to listen to Dimmes
dale's sermon.
Unable to find room within the
church, she stood at the foot of the scaf
fold where at least she could hear the
sound of his voice. As the procession left
the church, everyone had only words of
praise for the minister's inspired address.
Dimmesdale walked like a man in a
dream and once he tottered and almost
fell. When he saw Hester and Pearl at
the foot of the scaffold, he stepped out
of the procession and called them to him.
Then, taking them by the hand, he
climbed the steps of the pillory. Almost
fainting, but with a voice terrible and
majestic, the minister admitted his guilt
to the watching people. With a sudden
motion he tore the ministerial band frorc
across his breast and sank dying to the
platform. When he thus exposed his
breast, witnesses said that the stigma of
the scarlet letter A was seen imprinted on
the flesh above his heart.
Chillingworth, no longer able to wreak
his vengeance on Dimmesdale, died with
in the year, bequeathing his considerable
property to Pearl. For a time Hester dis
appeared from the colony, but years later
she returned alone to live in her humble
thatched cottage and to wear as before
the scarlet emblem on her breast. But
the scarlet letter, once her badge of
shame, became an emblem of her tender
mercy and kindness — an object of ven
eration and reverence to those whose sor
rows she alleviated by her deeds of
kindness and mercy. At her death she
directed that the only inscription on her
tombstone should be the letter A.
THE SCHOOL FOR SCANDAL
Type of work: Drama
Author: Richard Brmsley Sheridan (1751-1816)
Type of plot: Comedy or manners
Time of plot: Eighteenth century
Locale: London
First presented: 1777
Principal characters:
SIR PETER TEAZLE, an elderly nobleman
LADY TEAZLE, his young wife
MARIA, Sir Peter's ward
SIR OLIVER SURFACE, Sir Peter's friend
869
JOSEPH SURFACE, and
CHARLES SURFACE, Sir Oliver's nephews
LADY SPTEERWELL, Lady Teazle's triend
ROWLEY, Sir Peter's servant
Critique:
The School for Scandal contains ele
ments of Restoration comedy as well as
the usual sentimentalism of the comedy
of sensibility. There are two plots: Lady
SneerwelTs love for Charles and her scan
dalous tales about Lady Teazle and the
latter's relations with Joseph, and Sir
Oliver Surface's tests to discover the wor
thier of his two nephews. Sheridan bril
liantly brings the two plots together in
the famous screen scene, which demon
strates his adeptness as a writer of com
edy. The School for Scandal, revived
from time to time as a costume play, con
tinues to hold the interest of audiences
everywhere.
The Story:
Lady Sneerwell, who in her youth was
the target of slander, had set her life
upon a course to reduce the reputations
of other women to the level of her own.
Aided by her intimate, Snake, she was
intriguing to involve the Teazles in scan
dal, to bring Joseph Surface's true char
acter to light, to wreck the love of Charles
and Maria, and to gain Charles for herself
along with Sir Oliver's fortune. To her
the world was nothing but scandal and
scandalous intrigues, and she did her best
to make her vision a reality. But when
she abused Charles Surface, Maria, Sir
Peter Teazle's ward, refused to listen to
her. Instead, Maria trustingly confided
in Lady Candour, whose defense of a
reputation insured its complete annihila
tion.
Sometimes Sir Peter Teazle pondered
the wisdom of his marriage to Lady
Teazle, doubting the judgment of an
old bachelor in marrying a young wife.
Lady Teazle was a country-bred girl who
was extravagantly enjoying London life
to the full. Sir Oliver Surface was con
cerned about his two nephews, his prob
lem being the disposal of his great
fortune. Sir Oliver, having been abroad
for the past fifteen years, felt that he did
not know their real natures, and he hoped
by some stratagem to catch them un
awares and test their characters.
One day Sir Peter and Lady Teazle
quarreled because Sir Peter objected vio
lently to her attendance at the home of
Lady Sneerwell. Lady Teazle accused
Sir Peter of wishing to deprive her of all
freedom and reminded him that he had
promised to go to Lady Sneerwell's with
her. He retorted that he would do so
for only one reason, to look after his own
character. When he arrived, Lady Sneer-
well's rooms were full of people uttering
libelous remarks about their enemies and
saying even worse things about theii
friends. Sir Peter escaped as soon as
possible.
When the rest of Lady Sneerwell's
guests retired to the card room, leaving
Maria and Joseph alone, Joseph once
more pressed his suit for Maria's hand.
He insinuated that she was in love with
Charles and was thus running counter to
Sir Peter's wishes. Lady Teazle inter
rupted as Joseph was on his knees avow
ing his honest love. Surprised, Lady
Teazle told Maria she was wanted in the
next room. She then asked Joseph for an
explanation. Joseph informed her that
he was pleading with Maria not to tell
Sir Peter of his tender concern for Lady
Teazle.
Sir Oliver consulted Rowley, Sir
Peter's shrewd and observing servant, in
an attempt to learn more of his nephews'
characters. Rowley himself believed that
Joseph had less good character than his
reputation seemed to indicate and that
Charles had more. Sir Peter was also
THE SCHOOL FOR SCANDAL b7 Richard Brinsley Sheridan. Published by The Macmillan Co.
870
consulted. He declared that he was ready
to stake his life on Joseph's honor. He
was much put out, therefore, when Maria
once more refused to marry Joseph.
Sir Peter, Sir Oliver, and Rowley
planned to test the worthiness of the
nephews. Charles, as usual, was in dire
need of money. Since Moses, a Jew, was
going to see Charles, Sir Oliver was to
accompany him as Mr. Premium, a man
who could supply the money Charles
needed.
When they anived at Charles' lodging,
a drinking party was in progress. Some
of the guests were at games of dice. Sir
Oliver was not at all impressed with Trip,
Charles' footman, who gave himself the
airs of a fashionable man about town.
Upon investigation, Sir Oliver discovered
that Charles had turned his inherited pos
sessions into cash with the exception of
the portraits of his ancestors. Convinced
that Charles was a scamp, Sir Oliver,
still calling himself Premium, agreed to
buy the paintings, and he purchased each
picture as presented except his own,
which Charles would not sell for any
amount of money. Sir Oliver was pleased
by this fact and discounted Charles'
reputation for extravagance. Charles re
ceived a draft for eight hundred pounds
for the portraits and immediately sent one
hundred pounds to Mr. Stanley, a poor
relation in even more straitened circum
stances.
During an assignation between Joseph
Surface and Lady Teazle in Joseph's
library, he advised her to give her hus
band grounds for jealousy rather than
suffer his jealousy without cause. He
argued that to save her reputation she
must ruin it and that he was the man
best able to help her. Lady Teazle said
that such a doctrine was very odd.
While they were talking, Sir Peter
arrived unexpectedly, and Lady Teazle
hid behind the screen which Joseph
ordered placed against the window.
Joseph pretended to be reading when
Sir Peter walked in. The purpose of Sir
Peter's call was to inform Joseph of his
suspicions that Lady Teazle was having
an affair with Charles, and he showed
Joseph two deeds he had brought with
him. One deed settled eight hundred
pounds a year upon Lady Teazle for her
independent use, the other gave her the
bulk of his fortune at his death. Joseph's
dissimulation before Sir Peter and Sir
Peter's generosity to her were not lost
on Lady Teazle. Then Sir Peter began
to discuss Joseph's desire to wed Maria.
Hidden, Lady Teazle realized that Joseph
had been deceiving her.
Below stairs, Charles inopportunely
demanded entrance to the house to see
his brother. Not wishing to see Charles,
Sir Peter asked where he could hide.
Sir Peter caught a glimpse of a petticoat
behind the screen, but Joseph assured
him that the woman was only a French
milliner who plagued him. Sir Peter hid
in a closet; Lady Teazle remained behind
the screen.
When Charles carne in, he and Joseph
discussed Lady Teazle and Sir Peter's
suspicion that Charles was her lover.
Charles mentioned that he believed
Joseph to be her favorite and recounted
all the little incidents which led him to
think so. Embarrassed by this turn in the
conversation, Joseph interrupted to say
that Sir Peter was within hearing. Placed
in a difficult position, Charles explained
to Sir Peter that he was merely playing
a joke on Joseph. Sir Peter knew a good
joke on Joseph, too, he said; Joseph was
having an affair with a milliner. Charles
decided that he would have a look at the
milliner and threw down the screen.
Joseph was undone because Lady Teazle
refused to agree with any excuses he
made. She angrily informed her husband
of the whole nature of Joseph's intentions
and departed. Sir Peter followed her,
leaving Joseph to his own conscience.
Sir Oliver, masquerading as Mr. Stan
ley and badly in need of assistance,
gained admittance to Joseph's apartment,
Joseph refused to help Mr. Stanley, say
ing that he received very little money
from Sir Oliver and claiming that he
871
had advanced all his funds to Charles,
After Sir Oliver left, Rowley, who was
a party to the whole scheme, came to
tell Joseph that Sir Oliver had arrived
in town.
Sir Oliver went again to see Joseph.
Still believing that his uncle was Mr.
Stanley, Joseph was showing him out
just as Charles entered, Charles, sur
prised to see Mr. Premium in his
brother's apartment, also insisted that he
leave. But at that moment Sir Peter
Teazle arrived and addressed Sir Oliver
by his right name. Both Sir Oliver and
Sir Peter were now aware of Joseph's
real character. Charles, promising to try
to reform, got Maria and his uncle's in
heritance as well. Then Lady Sneerwell
was exposed by Snake, who was paid
double to speak the truth, and Lady
Teazle returned her diploma to the
School for Scandal of which Lady Sneer-
well was president. Everyone was happy
except Lady Sneerwell and Joseph Sur
face.
THE SEA OF GRASS
Type of work: Novel
Author: Conrad Richtei (1890- )
Type of plot: Regional romance
Time of plot: 1885-1910
Locale: The Southwest
First published: 1936
Principal characters:
- COLONEL JIM BREWTON, a pioneer rancher
LUTIE,, his wife
HAL, his nephew
BRICE CHAMBERLAIN, a lawyer
Critique:
The Sea of Grass conveys within its
brief framework the whole atmosphere
of space and freedom of the West, the
sweeping drama of the cow country
at the end of the last century, when
cattlemen fought to hold their free range
against the homesteader's fence and plow.
For a few years an empire was available.
Whether the ranchers had a greater right
to it than the n esters is open to dispute,
but the battle they fought was frontier
history in brief passage. In this novel
Conrad Richter has reclaimed a dramatic
segment of the American past.
The Story:
Hal Brewton never forgot the day he
stood on the railroad platform at Salt
Fork, where he waited to meet Lutie
Cameron, who was arriving from St.
Louis to marry his uncle, Colonel Jim
Brewton, owner of the vast Cross B
Ranch. At present Colonel Brewton was
involved in a range war with nesters
coming to rip the sod off the grazing
lands in order to raise wheat.
On the day of Lutie's arrival two of
the colonel's cowhands were being tried
for shooting at a homesteader on the
Brewton range. Although the colonel's
lawyer, Henry McCurtin, won the case,
the opposition lawyer, young Brice
Chamberlain, protested indignantly that
the victory would not be permanent.
Colonel Brewton was contemptuous of
the lawyer's warnings.
Lutie Cameron was a lovely woman,
too lovely for that still-wild territory.
When men saw her, she won them com
pletely. Only Hal refused to be moved
by her charm. All that winter in an
academy at Lexington, Missouri, he
872
thought of her as part o£ the destruc
tion coming from the East to destroy the
sea of grass he loved.
The following summer he returned to
a changed ranch house. Lutie had filled
it with furniture and flowers and had
planted a row of cottonwoods and tam
arisks about it. Guests from the whole
territory came and went. Officers from
the Army posts, officials of the railroad
companies, neighboring ranch men — all
found ample welcome at the home of
Colonel and Mrs. Brewton.
The old-timers who had known the
colonel before he had married Lutie
hoped she would settle down after her
babies came. The babies were born, two
boys and a girl; however, Lutie did not
settle down. The third baby was scarcely
in its cradle before she was dancing with
Brice Chamberlain as her favored part
ner. Colonel Brewton ignored the gossip
which was whispered about Lutie.
Local politics shifted with the admin
istration in Washington, for the territory
depended upon appointments to its
judicial staffs. For a while Brice Cham
berlain had influential support from
Washington. Then, during another ad
ministration, the forces which backed
Colonel Brewton were in power, and
the incoming tide of settlers seemed to be
checked. Hal read of the change with
great pleasure, but when he returned to
Salt Fork he discovered that Chamberlain
was still in his law office on the Salt
Fork plaza. He learned that hundreds
of settlers were waiting nearby for a
change in government which would per
mit them to stake claims upon the miles
of land held by men like Colonel Brew-
ton.
Then Lutie calmly announced that she
was leaving her husband and children.
She explained that she had had enough
of the flat grass country and the fighting
between ranchers and homesteaders. She
claimed she would be able to get pos
session o£ her three children, Jimmy,
Brock, and Sarah Beth later, by court
action.
The town was informed that Mrs.
Brewton was leaving for a visit in St.
Louis. Most of the people knew better.
Their feelings were confirmed when they
saw Brice Chamberlain with a bag
packed, ready to head east on the same
train. But the colonel paced the station
platform, a gun belt buckled under his
broadcloth coat. Chamberlain did not
board the train.
A few days later the colonel sent Hal
to Denver, to give Lutie a thousand dol
lars. He knew that his wife's cowardly
lover had no intention of following her.
But Hal could find no trace of Lutie
in Denver. At the same time a new
administration appointed Chamberlain a
judge of the district court. Back in Salt
Fork, Hal saw the white-covered wagons
of the emigrant trains moving westward
into the range country.
When Colonel Brewton planned tc
run the homesteaders off his land, a
troop of cavalry from Fort Ewing was
sent to guard him until all chances of
his stopping the land-grabbers were gone.
Studying for his medical degree, Hal
spent three more years away from Salt
Fork. When he returned, he discovered
that his sea of grass had been hopelessly
despoiled. His uncle seemed much older.
The Brewton children were growing up
wild, for their mother had never sent
for them.
One day Hal saw Jimmy and Brock
fighting in the dusty Salt Fork street.
Then a nester among the onlookers called
out that he was betting on the Chamber
lain brat. So Hal heard for the first time
the rumor that Brock was not his uncle'i.
son. Hal fired at the nester but missed.
When Colonel Brewton appeared, the
crowd, even the jeering nesters, grew
quiet.
As young Brock grew older, he became
the image of Brice Chamberlain. It was
obvious that he realized the truth and
resented it, He took to gambling, drink
ing, and barroom brawling. At last he
was caught cheating in a card game.
For that disgrace Colonel Brewton could
873
not forgive him, but tie continued to
indulge the boy and pay his debts.
By that time Hal was practicing
medicine in Salt Fork. He was glad
when Sarah Beth, who had been away
at school, returned and began to look
after her father.
One day Brock shot and killed Dutch
Charley, who had accused Brock of using
a woman to help him cheat at cards.
Brock was locked up, but Brice Chamber
lain soon got him out of jail. When
Brock returned home, he defied Colonel
Brewton and said he was leaving the
Brewton ranch to go to work for Brice
Chamberlain's interests. This last blow
to the colonel's pride permanently
wrecked his health.
Brock now took the name of Cham
berlain, an act which cut the old colonel
still more. Brock began to ride wild,
shooting up towns and staging reckless
holdups. He became the talk of the
Southwest for his daring lawlessness.
At last he was trapped by a posse of
homesteaders and held at bay in a cabin
by twenty or thirty vigilantes.
That same day Lutie Brewton un
expectedly returned. She was fifteen
years older, but she still carried herself
with quiet self-possession. Lutie im
mediately assumed her place in her
household as though she had been away
fifteen days, not fifteen years.
Meanwhile the colonel rode out to
the cabin where Brock was holding off
the sheriff and the armed and angry
nesters. With Hal, who had been sum
moned to attend a wounded deputy, he
broke through to Brock, who lay dying
from a bullet wound in his lung. They
brought his body back across desolate
country scorching in raw sunlight, with
nesters' families huddled about sagging
shacks and plows rusting in fields where
wheat would not grow in hot, rainless
summers. Sand was beginning to drift
among dugouts and rotting fence posts.
Brock was buried on the Brewton
ranch. The stone inscribed with the
name "Brock Brewton" was the old
colonel's challenge to all gossip and spec
ulation around Salt Fork. He and Lutie
took up their life where she had broken
it off years before, and no one ever dared
ask either the colonel or his wife where
she had been. It seemed to Hal that the
colonel had found peace at last.
THE SEA WOLF
Type of work: Novel
Author: Jack London (1876-1916)
Type of plot: Adventure romance
Time of -plot: 1904
Locale: Pacific Ocean, Bering Sea
First published: 1904
Principal characters:
HUMPHREY VAN WEYDEN (HUMP), an unwilling sailor aboard the Ghost
WOLF LARSEN, captain of the Ghost
MUGRIDGE, ship's cook
MAUD BREWSTER, a survivor picked up at sea
Critiqite:
Jack London began his career as a
sailor, and on shipboard he observed the
sea life that he later described. A teller
of two-fisted yarns, he wrote brilliant
description to go with tailor-made plots.
Enormously popular with American
THE SEA WOLF by Jack London. By permission of
Co. Copyright, 1903, by The Century Co. Renewed,
readers, many of his books have been
filmed and many of them republished
year after year. In The Sea Wolf London
told an impossible story with such gusto
and fervor that he created reality all his
own within his limited, specialized world
of violent action and masculine interests.
Mrs. Charmian London. Published by The Macmillan
1931, by Charmian K. London.
874
The Story:
When the ship in which he was a
passenger sank in a collision off the coast
of California, Humphrey Van Weyden
was picked up by the crew of Wolf
Larsen's ship, the Ghost, a sailing vessel
headed for seal hunting ranges in the
Bering Sea. Wolf Larsen was a brute.
Van Weyden witnessed the inhuman
treatment of a sick mate who died shortly
afterward. He saw a cabin boy badly
beaten. In his own interview with the
captain, he fared little better. Instead
of promising to help him return to San
Francisco, Wolf demanded that Van
Weyden sign as cabin boy and stay with
his ship.
The crew set to work taking in the top
sails and jibs. From that moment Hump,
as the crew called Van Weyden, learned
life the hard way. He had to get his sea
legs and he had to learn the stoical in
difference to pain and suffering which
the sailors seemed to have mastered al
ready. As cabin boy, he peeled potatoes
and washed greasy pots and pans. Mug-
ridge, the cook, abused him and robbed
him of his money.
Only one man, Louis, seemed to share
Hump's feelings about the captain and
his ship. Louis predicted many deaths
would result from this voyage. He said
that Wolf Larsen was a violent, danger
ous man, that the crew and seal hunters
were vicious outcasts. Wolf did seem
mad. He varied from moods of wild
exultation to spells of extreme depres
sion. In his cabin were classic books of
literature, and when he spoke he chose
either to use excellent English or the
lingo of the sailors. Sometimes he amused
himself by arguing with Hump. He
claimed that life was without meaning.
During a southeaster Hump badly
dislocated his knee, and Wolf unex
pectedly allowed Hump to rest for three
days while he talked to him about phi
losophy and literature. When Hump
returned to the galley, the cook was
whetting his knife. In return, Hump
obtained a knife and began whetting
it also. His actions so frightened the
cowardly cook that Hump was no longei
the victim of his abuse.
Louis talked of the coming season with
the seals. Moreover, he hinted that
trouble would come if the Macedonia,
a sealing steamer, came near. Captained
by Death Larsen, the brother and enemy
of Wolf, the Macedonia was a certain
menace. As a prelude to things to come,
an outbreak of fury took place aboard
the Ghost. First, Wolf Larsen and the
mate beat a seaman named Johnson to
a pulp because he complained of ill
treatment; then Leach, the former cabin
boy, beat the cook. Later two hunters
exchanged shots, severely wounding each
other, and Wolf beat them because they
had crippled themselves before the hunt
ing season began. Afterward Wolf suf
fered from one of his periodic head
aches. To Hump, life on shipboard was
a tremendous experience in human
cruelty and viciousness.
A few days later the men tried to
mutiny. In the row which followed,
Johansen, .the mate, was drowned and
Wolf was nearly killed. While Hump
dressed Wolfs wounds, Wolf promoted
him to mate in Johansen's place. Both
Leach and Johnson would have killed
Wolf in a second, but he remained too
wary for them.
At the seal hunting grounds a terrific
storm cost them the lives of four men.
The ship itself was beaten, its sails torn
to shreds and portions of the deck swept
into the sea.
When Leach and Johnson deserted in
a small skiff, Wolf started out in pur
suit. On the morning of the third day
an open boat was sighted. The boat
contained a young woman and four
men, survivors from a sinking steamer.
Wolf took them aboard, planning to
make sailors of the men as he had of
Hump. Shortly afterward the Ghost
overtook Johnson and Leach. Refusing
to pick them up, Wolf let them struggle
to get aboard until their small craft
875
capsized. He watched them drown with
out comment and then ordered the ship's
course set for a return to the seal hunt
ing grounds.
The woman survivor was Maud Brew
ster, a rich woman and a poet, as weak
physically for a woman as Hump had
been for a man. Wolf resented the in
timacy which sprang up at once between
Maud Brewster and Hump, but he took
out his resentment by deciding to give
the cook the first bath the cook had
ever been known to take.
At his orders Mugridge was thrown
into the water with a tow rope slung
about his middle. First, however, the
cook fled madly about the ship, causing
one man to break a leg and another to
be injured in a fall. Before Wolf was
ready to bring Mugridge back aboard
ship, a shark bit off the cook's right foot
at the ankle. Dragged aboard, Mugridge
in his fury tried to bite Wolfs leg, and
the captain almost strangled him. Then
Hump bandaged the wounded man's leg.
Maud Brewster looked on, nearly faint
ing.
he Macedonia appeared one day and
robbed Wolfs hunters of their day's
catch of seals by cutting off the line of
approach to the Ghost. In revenge, Wolf
set his men to work capturing hunters
from the Macedonia, When the Mace
donia gave chase, Wolf sailed his ship
into a fog bank.
That night Wolf tried to seize Maud,
but Hump, awakening, ran his knife
into Wolfs shoulder. At the same time,
Wolf was overcome by one of his head
aches, this seizure accompanied by blind
ness. Hump helped him to his bunk
and under cover of darkness he and
Maud made their escape in an open
boat. After days of tossing they came
to a small island. Using supplies they
had taken from the Ghost, they set about
making themselves houses and gathering
food for the coming winter.
One morning Hump saw the wreck
of the Ghost lying offshore. Going
aboard, he discovered Wolf alone, his
crew having deserted him to go aboard
Death Larsen's ship. Wolf seemed nearly
insane, and had only a sick man's desire
to sleep. Hump stole some pistols and
food which he took to the island.
Hump, planning to repair the masts
of the Ghost, began work on the crippled
ship. That night Wolf undid all Hump's
work, and cast the masts off the vessel.
Hump and Maud began anew to refit
the ship. One day Wolf attempted to
murder Hump, but during the struggle
he had one of his spasms and fainted.
While he was still unconscious, they
handcuffed him and shut him in the
hold.
Then they moved aboard the Ghost
and the work of refitting the vessel went
forward. Wolf became more than a
prisoner. He had a stroke which par
alyzed the right side of his body.
Hump continued to repair the vessel.
At last it was able to sail. Wolf Larsen
finally lost the use of his muscles and
lay in a coma. When he died, Hump
and Maud buried him at sea. By that
time they were deeply in love. When a
United States revenue cutter discovered
them one day, they felt that their
dangerous odyssey was at an end. But
they were about to begin another, less
perilous journey, together.
A SENTIMENTAL EDUCATION
Type of work: Novel
Author: Gustave Flaubert (1821-1880)
Type of plot: Naturalism
Time of plot: Nineteenth century
Locale: France
First published: 1869
876
Principal characters:
FREDERIC MOREAU, a young student
M. ARNOUX, a businessman
MME. ARNOUX, his wife
M. DAMBREUSE, a banker
MME. DAMBREUSE, his wife
ROSANETTE, mistress of many
DESLAURJERS, Frederic's friend
LOUISE ROQUE, Frederic's neighbor
Critique:
This novel by Flaubert illustrates well
his style. Flaubert's writing is always
exact, concise, and detailed. His fame
rests on a rather small number of works,
of which the best known are Madame
Eovary and Salammbo, all of them ex
hibiting the careful, labored work of
a superb craftsman. A Sentimental
Education, like the others, is a careful
piece of work. Although the plot interest
is slight, there are many impressive
analyses of French character.
The Story:
In 1840 the boat down the Seine to
Nogent had among its passengers Fred
eric Moreau, who was returning home
after finishing his course at the College
de Sens. Frederic, with the prospect
of a long vacation before beginning his
law studies, saw on the boat an older
man whose conversation was eagerly
followed by a group of admirers.
Frederic drew closer to hear what was
being said. M. Arnoux was holding
forth on the subject of women; his re
marks were worldly in the extreme.
Noticing Frederic in the circle, he made
the young man's acquaintance and the
two promenaded for some time. Amoux
invited Frederic to call when he arrived
in Paris. Frederic went up to the first-
class deck to sit and reflect on his home
coming. There he saw a woman knit
ting. Frederic thought her the most
beautiful woman he had ever seen. She
was a little older than he and demure
of manner; she never once looked directly
at him.
They were alone on the deck. Fred
eric moved several times to see her from
different angles. Finally she dropped
her ball of yarn. When Frederic re
trieved it, her murmur of thanks was
pleasant to hear. A few minutes later
a little girl came up, and he knew the
child was her daughter. Then Arnoux
appeared on deck, and Frederic learned
that the woman was his wife. When the
boat docked, he watched them drive
away.
Mme. Moreau, a widow, was glad to
see her son, for all her hopes were in
his future career in diplomacy. As soon
as he decently could, Frederic went out
to meet his friend Deslauriers, an older
boy also planning a legal career. The two
friends discussed at great length their
plans for Paris in the fall.
A neighbor of the Moreaus, M, Roque,
gave Frederic a letter for M. Dambreuse,
a rich banker in Paris. Mme. Moreau
advised her son to call on Dambreuse as
soon as he could; the banker could be
of great help to a young lawyer. Bid
ding goodbye to his relatives and Louise
Roque, a girl who had become his special
friend during the summer, Frederic left
for Paris and his studies at the univer
sity.
Deslauriers and Frederic took an apart
ment together and began to attend lec
tures in law. Frederic, however, found
great difficulty in keeping his mind on
his studies, for he thought most of the
time of Mme. Arnoux. He finally re
ceived an invitation to the Arnoux store,
a big establishment dealing in paintings
and other works of art. He was patient
enough to become intimate with Amoux,
and he lived in hopes of meeting his
wife.
877
One night Arnoux invited Frederic
co a ball. At the masquerade Arnoux
introduced him to Rosanette, an attrac
tive woman called la Marechale by her
friends. Frederic was sure that Rosanette
was Arnoux's mistress. He was glad
to learn about the liaison; he had more
hopes of becoming friendly with Mine.
Arnoux.
When Frederic was finally invited to
dine at the Arnoux home, he was happy
to learn that Mme. Arnoux remembered
him perfectly. She was a friendly wom
an, but as time went on Frederic saw
little chance of ever becoming more
intimate with her. Even when he was
regularly included in gatherings at their
country house, he made no progress. At
last Frederic had to conclude that his
friends were right; Mme. Arnoux was
an honest woman.
So great was his preoccupation with
the pursuit of Mme. Amoux that Frederic
failed his examinations that spring. Be
fore he left for home he called at the
Dambreuse home, where he was well
received. He vowed to study hard, to
forget about Mme. Arnoux, and to try
his luclc in public life under the sponsor
ship of M. Darnbreuse. For a time Fred
eric studied diligently, cultivated the
Dambreuse family, and went only oc
casionally to see Mme. Arnoux. Having
passed his examinations, he was admitted
to the bar.
Before leaving Paris, he was included
in a picnic in honor of Mme. Amoux's
birthday. During the party she seemed
put out with her husband. Arnoux
shrugged off his wife's pique and sent
her back to the city with Frederic. As
they left, Arnoux gave his wife a bou
quet which she surreptitiously threw
away. Thinking she had dropped it,
Frederic picked it up and gave it to her
in the carriage. As soon as they had
started the trip, she begged him to throw
the flowers out the window. Frederic
had never felt so close to her.
At Nogent Frederic had bad news.
His mother's income had dwindled con
siderably because of the troubled politics
of monarchial France, and she had been
forced to sell some of her lands. Hence
forth she would have only enough for
a frugal living. A worse blow fell when
Frederic's rich uncle in Le Havre an
nounced that he would not leave his
wealth to Frederic. Feeling that he
was ruined, with no income and no
expectations, Frederic resigned himself
to a dull life in Nogent and spent three
years in almost complete idleness. His
only friend was Louise Roque, who had
grown into an attractive woman.
At last a telegram came. The uncle
in Le Havre had died intestate and
Frederic was his only heir. Hastily
Frederic prepared to return to Paris, in
spite of his mother's remonstrances. He
declared his love for Louise before he
left, but all the while he was thinking
of Mme. Arnoux.
In Paris, Frederic took a fashionable
apartment and settled down to a life
of ease. He became an intimate of the
Amoux household and renewed his
friendship with Deslauriers. He agreed
to furnish the money to found a journal
of political opinion, his intention being
to give employment to Deslauriers and
at the same time control a paper that
would support his own future career in
politics. But when he learned that
Arnoux was pressed financially, he lent
money to him on Arnoux's promise of
repayment in a few days. But Arnoux
never repaid the money, and in disap
pointment Deslauriers broke off their
friendship. Frederic consoled himself by
his increasing intimacy with Mme. Ar
noux.
Little by little Arnoux lost most of
his money, and an oil company he had
founded went bankrupt. He began to
spend less time at home and more with
various mistresses. His wife, becoming
aware of his many affairs, turned to
Frederic for sympathy. At last she agreed
to meet him and spend the afternoon
in his company.
With high hopes Frederic rented a
878
room for their rendezvous and filled it to Frederic. When she finally met him,
with expensive trinkets. He was to she understood that he no longer was
meet Mme. Arnoux between two and interested in her.
four, and on the appointed day he went In spite of his affair with Rosanette,
to the meeting place at one-thirty. He Frederic took another mistress, Mme.
waited until six-thirty, but she did not Dambreuse. When the banker died,
appear. In despair he went to see Frederic decided to marry his widow,
Rosanette, for to him it seemed a just But in his will, canny Dambreuse had
retaliation to make Arnoux's mistress left his money to his niece. Frederic gave
his own. up all thought of the proposed mar-
Mme. Arnoux had not kept the ap- riage.
pointment because her son was ill. Tak- Although Frederic had many loves,
ing his illness as a sign from heaven, none was permanent. When he was
she was much ashamed of her interest nearly fifty, Mme. Arnoux went to see
in Frederic. him. They agreed that they had been
During the riots which attended the right not to love carnally. Deslauriers
overthrow of the monarchy and the had been for twenty-five years a lawyer
establishment of the republic, Frederic in Nogent. He came to visit Frederic, and
spent the time agreeably enough in the they talked over the past. Deslauriers
country with Rosanette. He returned to had married Louise Roque, but she had
Paris only after he received word that run away with a singer. To the old
one of his friends had been wounded. friends it seemed that love was fickle,
Louise Roque went to Paris with her selfish, unhappy — like life itself,
father, chiefly to see what had happened
A SENTIMENTAL JOURNEY
Type of work: Novel
Author: Laurence Sterne (1713-1768)
Type of 'plot: Novelized autobiography
Time of plot: 1760's
Locale: France
First published: 1768
Principal characters:
MR. YORICK, a sentimental traveler
MADAME DE L — , a fellow traveler
MADAME DE R — , Madame de L — 's friend
COUNT DE B — , an admirer of Englishmen
LA FLEUR, a servant
MARIA, a country girl
Critique:
Steme called his book A Sentimental ful accounts and observations of whatevei
Journey Through France and Italy, but came into the author's mind. Like Tris-
the tide of this unconventional mixture tram Shandy, the book broadened the
of autobiography, travel impressions, and scope of prose fiction for later writers by
fiction is misleading. Sterne told of his demonstrating that form and unified plot
travels through France, but he died of are not necessary for a successful novel,
tuberculosis before he had written the
Italian section of his narrative. Senti- *he Story:
mental, as the title implies, outrageous With all the different kinds of travei-
and eccentric in its humorous effects, the ers, the Idle Travelers, the Inquisitive
novel entertains the reader with delight- Travelers, the Travelers of Necessity, the
879
Simple Travelers, and the rest, Mr.
Yorick felt no kinship. He was a Senti
mental Traveler. As such, he collected
sentimental adventures as other tourists
collected postcards of the points of in
terest they visited. Mr. Yorick had started
his journey because a man had asked
him, with a sneer, if he had ever been
in France. Yorick had just made some
statement on the French and did not like
being answered so tardy merely because
he did not have first-hand experience.
The same evening he packed some clothes
and left by boat for Calais.
While he was having supper at an inn
in Calais, a poor monk approached him
and begged alms for his monastery.
Yorick rebuffed him with caustic and
witty remarks. A little later Yorick saw
the monk talking with an attractive
woman who was also staying at the inn.
Afraid the monk might tell her how
rudely he had behaved, Yorick ap
proached the couple, apologized to the
monk, and offered his shell snuffbox to
him as a peace offering. Having made
friends with the monk and the lady,
Yorick planned to ask the lady to travel
with him to Paris. Her name, he learned,
was Madame de L — .
Proposing to make the trip to Paris in
a private carriage, Yorick invited the lady
to go with him to look over some of the
vehicles for sale in a nearby courtyard.
Their admi ration of each other grew with
unusual rapidity. Before Yorick had a
chance to ask her to travel with him,
however, she was called away by a mes
sage that her brother, Count L — , had
arrived. He had come to take her back
to Belgium with him. Yorick was broken
hearted.
In parting, Madame de L — asked
Yorick to visit her in Belgium if he passed
through that country. She also gave him
a letter of introduction to a good friend
in Paris, Madame de R — .
The next day Yorick set off in a small
carriage for Paris. His baggage fell out
of the chaise several times, and he had
a most uncomfortable trip to Montriul.
There an innkeeper suggested he needed
a servant, and Yorick saw that the man
was quite right. He hired a young boy
named La Fleur, whose greatest accom
plishments were playing the flute and
making love to the girls. La Fleur was
delighted at the prospect of traveling
around Europe with a generous and un
predictable English milord; his only sad
ness on leaving home was the necessity
to say goodbye to all his village sweet
hearts. Yorick was pleased with the lad's
quickness and wit, as he was sure that the
young Frenchman would be equal to any
emergency arising along the way.
The first problem the travelers met on
their journey was a dead ass lying in the
middle of the road. The horses refused
to pass the carcass, and La Fleur's horse
threw him and ran away. Proceeding to
the next town, they met and talked with
the owner of the poor dead beast. He
had taken the ass with him from Ger
many to Italy, and was very unhappy at
its death, not so much because the beast
had been a help to him, but because he
felt sure that the ass had loved him
dearly and had been a good friend to
him for many years.
In Paris, Yorick went to the opera.
A quotation from Shakespeare popping
into his mind, he suddenly decided to go
and buy the works of that writer. He
went into a bookstore and found a set
on the counter. Unfortunately they were
not for sale, but had been sent to be re
bound for Count de B — , a great lover
of English authors and Englishmen. In
the shop Yorick saw a most attractive
young girl who, he decided, must be a
chambermaid. When she left the shop,
he followed her and began a conversation
about the book she had bought. Yorick
was surprised and pleased to discover that
the young girl belonged to the household
of Madame de R — . He told her to
inform her mistress that he would call
the next day.
On returning to his rooms, Yorick
learned from La Fleur that the police
wanted to see him. In his rush out of
880
England he had forgotten to get a pass
port, and he had overlooked completely
the fact that England and France were
at war. Since he did not wish to be put
in jail, he decided that he would have to
get a passport. But he did not know how
these matters were arranged in France.
Madame de R — was the only person in
Paris to whom he carried a letter of intro
duction, and he did not want to bother
the lady about the matter. The only
other chance of help was from Count de
B — , who at least liked Englishmen.
It took Yorick some time to get in to
see the count, but when he did the count
was most polite. As an amusing way to
introduce himself, Yorick opened one of
the volumes of Shakespeare, which had
just been sent from the bookseller's.
Turning to The Tragedy of Hamlet and
pointing to the passage about the jester
Yorick, he said that was his name. The
count was overcome with pleasure at
meeting so famous a person, and Yorick
could say nothing that would change the
count's mind. The count left the room
and did not return for a long while.
When he did, he presented Mr. Yorick
with a passport which called him the
King's Jester. Realizing that he could
not correct the mistake without losing
his passport, Yorick thanked the count
and returned to his rooms.
The next day Madame de R — 's
chambermaid called to see why Mr.
Yorick had not visited her mistress as
he had promised. Yorick explained about
the passport and asked her to present his
apology. Some hours later, after the girl
had gone, the manager of the hotel came
in and objected to Yorick's having young
ladies in his room. In order to keep from
being evicted from the hotel, Yorick had
to buy some lace from a young woman.
He suspected that the manager pocketed
most of the profits from such sales.
On Sunday La Fleur appeared in a
fine suit of clothes which he had bought
second-hand. He asked if he might be
allowed to have the day off, as he had
been able to make friends with a young
woman he would like to see again tha*
day. Yorick asked him to bring some food
before he left for the day. Wrapped
about the butter, which La Fleur brought
with Yorick's dinner, was a piece of
paper which bore on it some old printing.
Yorick became interested in the story it
told and spent the whole day translating
the faded characters to read the story of
a luckless notary. But he was never to
know the ending of the tale, for La Fleur
had used the rest of the paper to wrap up
a bouquet for his new ladylove.
Yorick had a fine time at parties to
which he was invited by Count de B — •
and the count's friends. He agreed with
everyone to whom he talked, and made
no remarks of his own, and so he was
thought the finest wit in Paris. After
several minor sentimental adventures,
Yorick and La Fleur set out to travel
through southern France. At Moulines,
Yorick stopped to see Maria, a poor un
happy girl who wandered about the coun
try grieving for her dead father. He had
heard of the girl from his old friend,
Mr. Toby Shandy, who had met her sev
eral years before. Yorick sat down on a
rock with Maria and, moved by her puri
ty and sadness, shed a few tears with her.
Before ascending Mount Taurira,
Yorick stopped and had dinner with a
pleasant peasant family. That night he
was forced to stay in a roadside inn.
There was only one room in the inn, and
Yorick had to share it with a French lady
and her maid. In the room there were
two large beds standing beside each other
and, in a closet connected to the room, a
cot. After much deliberation, the lady
and Yorick took the big beds and sent the
maid into the closet. Yorick had to prom
ise to stay in his bed all night, and not
to say a word. Unable to sleep, both
Yorick and the lady began talking. Afraid
that something untoward might occur,
the maid come out of the closet and,
unseen, stood between the two beds.
Yorick stretched out his hand. With this
sentimental gesture Sterne ended abrupt
ly the story of his sentimental journey.
881
SEVENTEEN
Type of work: Novel
Author: Booth Tarkington (1869-1946)
Type of plot: Humorous romance
Time of plot: Early twentieth century
Locale: Small Midwestern town
First published: 1916
Principal characters:
WILLIAM SYLVANUS BAXTER, aged seventeen
MRS. BAXTER, his mother
JANE BAXTER, his sister
Miss PRATT, a summer visitor
Critique:
Seventeen is the hilarious story of
William Sylvanus Baxter, just seventeen,
who is in love with Miss Pratt, a summer
visitor in the neighborhood. There is
nothing weighty in this hook to arrest
the reader's thought, nothing sublime,
but everything ridiculous. The adoles
cent antics of a small-town Lothario are
beguiling and utterly harmless, and the
completely normal but demoniacal ac
tions of Jane, William's pesky younger
sister, are foolish and delightful. The
only really sane person in the tale is
Mrs. Baxter, who sadly tries to keep
up with her children's whims and moods.
The Story:
William Sylvanus Baxter had at last
reached the impressive age of seventeen,
and as he emerged from the corner drug
store after indulging in two chocolate
and strawberry sodas, he tried to impress
the town with his lofty air of self-im
portance. But no one noticed him except
his friend, Johnny Watson, who de
stroyed William's hauteur in one breath
by calling him "Silly Bill." At that mo
ment William saw a feminine vision in
pink and white. A stranger in town, she
carried her parasol and her little white dog
with easy grace. William, not daring to
speak, managed only an insincere yawn.
The vision, taking no apparent notice
of William, spoke in charming lisps to
her little dog Flopit, and disappeared
around the corner.
William went home in a daze, hardly
bothering to speak to his outrageous
little sister, Jane, who greeted him be
tween mouthfuls of applesauce and
bread. Scorning her, he went up to his
room, his heart full of the mystery of
love, and composed a poem to his new
and unknown lady. He was interrupted
by his mother, who asked William to go
with Genesis, the Negro handyman, to
pick up some laundry tubs from the
second-hand store. The errand, to Wil
liam, was worse than being seen in
public with a leper, for he looked on
Genesis as a ragged, bedraggled, down-
at-the-heels pariah, whose presence was
an unwholesome reproach to the whole
neighborhood.
Genesis was in reality a wise old phi
losopher, despite his semi-nudity and the
ubiquitous presence of his mongrel dog,
Clematis. But William was in no mood
to be tolerant. His worst fears were
realized when, on the way home, he
heard behind him the silvery voice of the
fair stranger referring to Clematis as a
nasty old dog. William was hidden by
the laundry tub he carried over his
head, but his invisibility in no way
diminished his growing horror at being
taken for a companion of Genesis and
the owner of the dreadful Clematis.
Clematis, meanwhile, was fascinated by
Flopit, and when William heard the yips
and barks of the two dogs, he ran away,
still hidden under his protecting tub.
SEVENTEEN by Booth Tarkington. By permission of Brandt & Brandt and the publishers. Harper &
Bnwherj. Copyright, 19 17, by Stuart Walker. Renewed, 1945, by Arthur Walker.
882
The young vision m pink and white
was the summer visitor of May Parcher.
Her name, William learned, was Miss
Pratt. Soon the boys in the neighborhood
collected OP the Parcher porch and
swarmed around the adorable girl every
evening afte^ supper, much to the disgust
of Mr. Parch ~t, who lay awake for hours
in his room over the porch and listened
reluctantly to the drivel of conversation
below. William had an advantage over
the other suitors, for he borrowed his
father's dress suit without his parents'
knowledge and arrived each night in
splendid attire.
During the day William could not
escape his sister Jane, who insisted on
appearing in dirty summer sunsuits, her
face smeared with her favorite repast
of applesauce and bread, just at the
moment when William would be walk
ing by the house with Miss Pratt. His
angry demands that his sister present a
more ladylike appearance irritated Jane
to a calm, smouldering intent to get
even with William. She knew that Wil
liam wore his father's dress suit every
evening when he visited Miss Pratt.
She also knew that Mr. Parcher was
nearly crazy over the nightly sessions
on his front porch. Putting these facts
together, she coldly repeated to her
mother some of Mr. Parcher's comments.
Mrs. Baxter was horrified that William
had worn out his welcome at the Parch
er's, and when she discovered Mr. Bax
ter's dress suit under William's window
seat she took it to a tailor and had it
altered to fit only Mr. Baxter. William
could not go to see Miss Pratt without
the dress suit. He was not among Miss
Pratt's evening admirers thereafter.
As a reward to Jane, who had im
mediately told him of her part in de
creasing by one the population of his
front porch, Mr. Parcher sent her a
five-pound box of candy, much to the
amazement of the whole Baxter house
hold. No one suspected Jane's perfidy.
Feeling herself to blame for William's
gloomy moods, Mrs. Baxter decided to
have a tea for her son's friends, with
Miss Pratt as guest of honor. The great
day arrived, swelteringly hot. Upstairs,
William had no sooner broken his only
collar button on his fifth and last white
shirt than he had the misfortune to tear
his white trousers. Another suit was
splattered by Jane's paints. By the
time he found a heavy winter suit in
a trunk in the attic, the guests had
gone. Angry and miserable, William sat
down on Jane's open, wet paint box.
The time came for Miss Pratt to return
home. As a farewell party, the relieved
Parchers scheduled a picnic in their
guest's honor. To impress Miss Pratt,
William bought a package of Cuban
cigarettes. But coy Miss Pratt gave all
her attention to George, a braggart who-
stuffed himself with food to impress the
beauty with his gustatory prowess. Lunch
over, William offered George his ciga
rettes. Before long he had the satisfac
tion of seeing George disappear behind
a woodpile. William was blissful once
more.
When Miss Pratt unexpectedly granted
the weary Parchers the privilege of her
company for another week, they gave
a final farewell dance in her honor.
Mrs. Baxter had her husband's dress
suit again altered to fit William. Re
splendent, but late as usual, William
arrived at the dance to find all Miss
Pratt's dances taken, and he was forced
to spend the evening with a lonely wall
flower. His dignity suffered another
blow when Genesis, serving sandwiches,
not only greeted William with familiarity
but also chided him about the dress
suit. His evening was a dismal failure.
The next day William went down to
the train to see Miss Pratt off. Laden
with candy and lush poetry, he found
her surrounded by her many admirers.
He had the uncomfortable sensation that
they were all laughing at him, for they
were pointing derisively in his direction.
Turning, he saw Jane, who had de
liberately come to torment him in com
pany with an equally disreputable female
883
companion. The two pranksters were
walking with a vulgar strut that William
abhorred. So flustered was he that he
merely waved to Miss Pratt and went
sadty home, forgetting that he still
carried under his arm the box of candy
and the poem intended for the pink
and white beauty who was going out of
his life forever.
SHADOWS ON THE ROCK
Type of work: Novel
Author: Willa Gather (1876-1947)
Type of plot: Historical chronicle
Time of plot: Late seventeenth century
Locale: Quebec, Canada
First published: 1931
Principal characters:
EUCLIDE AUCLAIR, the apothecary in Quebec
CECILE AUCLAIR, his daughter
COUNT FRONTENAC, governor of New France and Auclair *s patron
PIERRE CHARRON, a Canadian woodsman
Critique:
Shadows on the Rock is a very human
story about a little-known segment of
North American history, the early colo
nies in Canada. Unlike many fictional
French people in the literature of Britain
and America, Willa Gather's characters
maintain personalities and enlist the
sympathies of the Anglo-Saxon reader.
The author has divested them of any
alien spirit, so that they become members
of the human family rather than mem
bers of a different national stock. The
book is also a mine of information on
life in Quebec at the end of the seven
teenth century. The author noted in
great detail the customs, habits, and daily
routine of the people whom she de
scribed, even to the food they ate and
the homes in which they lived.
The Story:
Late in October of 1697 the last ship
left Quebec to return to France, and the
colony of New France was isolated from
the world until the arrival of the fleet
in June or July of the following year.
One of the persons who watched as the
last vessel passed out of sight down the
St. Lawrence Rivei was Euclide Auclair,
the apothecary in Quebec.
WiUa
Auclair lived on the street which
wound up the slope and connected the
Upper Town on the cliff with the Lower
Town that clustered along the shore of
the river at the foot of the mountain.
In his home behind his shop, Auclair
and his daughter Ce~cile did their
best to re-create the atmosphere they had
known in France. So successful were
they that many people came to the shop
merely to visit and snatch a breath of
the France they had left behind.
Cecile was only thirteen years old
and her mother had been dead for sev
eral years. Although she was content
to remain in Canada, her father seemed
to live only for the time when he could
return to France with his patron, the
governor of the colony, Count Fronte-
nac. Auclair, who had served the count
for many years, was a trusted friend of
the governor as well as his apothecary.
A few weeks after the last ship had
departed, Cecile went to see the count
to ask his aid in obtaining some shoes
for a little orphan boy. The governor
was glad to see her, for too many of
the people who came to him were
anxious only to help themselves. He said
that when he made his will he would
permission of the
A-
884
leave the girl a bowl of glass fruit she
had always admired.
The first days of December brought
a heavy fall of snow which ushered in
the deepest reality of life in Canada, the
long, dark winter. The snow also re
minded Cecile of the boxes of Christmas
presents which had been sent to her
by aunts in France the previous sum
mer. On the twenty-fourth of December
the Auclairs brought the boxes out of
their storage place. In one was a creche
to be set up in their living room. The
creche was the crowning point of Christ
mas for many of their friends, for the
French colonists were, as a rule, very
devout.
One day in March Father Hector
Saint-Cyr put in his appearance. The
priest spent several evenings recounting
to the Auclairs stories of the mission
aries, the Indians, and the hardships of
backwoods life. When he left, Euclide
Auclair wondered if, after all, the gifts
of an educated man like Father Saint-
Cyr might not be going to waste in mis
placed heroisms among the Canadian
missions to the Indians.
About the middle of March the
weather changed. There was a con
tinuous downpour of rain which the
snow soaked up as if it were a gigantic
sponge. Even the ice in the St. Lawrence
broke up and floated downstream in huge
gray blocks. It was a season of sickness,
and the apothecary was busy from morn
ing until night acting as doctor to many
of the inhabitants of the town. Cecile
herself caught a cold and was in bed
for several days.
One evening while C6cile was ill,
Auclair had a strange visit with a mis
shapen hunchback who secured water
and wood for the Auclairs in return for
a bowl of soup and a small glass of
brandy each evening. Blinker, as the
hunchback was called, told Auclair that
as a boy he had been an apprentice to
the king's torturer at Rouen. While an
apprentice, Blinker had tortured an old
woman into admitting that she had
murdered her son. Some months after
her execution the son had returned. The
shock of what he had done was too great
for the apprentice. He ran away, took
ship, and went to Quebec to begin a
new life. But visions of the old woman
haunted him so that he could not sleep.
Filled with sympathy, the apothecary
gave Blinker some laudanum so that he
might have a little untroubled rest.
One day, while Cecile was regaining
her strength, her father wrapped her in
a blanket and carried her to the door.
There, outside the door, Cecile saw the
first swallow hunting for its old nest
in the wall of the cliff that rose sharply
to the chateau above. As soon as she
was well, Cecile hurried to inform old
Bishop Laval of the bird's appearance.
The old man had kept a record of the
changing seasons for thirty-eight years
and he had always included the date
of the first swallow's arrival.
On the first day of June the leaves
began to bud and the hunters arrived
from the woods with their loads of pelts.
Among the first hunters to reach Quebec
was Pierre Charron, an old friend of the
apothecary and his daughter. Pierre, the
son of a rich family in Montreal, had
been disappointed in love. His sweet
heart had decided to build a chapel with
her dowry and enter the Church as a
recluse. After she had taken her vows,
Pierre had become a hunter traveling
through the wilderness as far as Michili-
mackinac and Lake Superior in his quest
for furs and forgetfulness. During the
spring Pierre Charron took Cecile with
him to visit some friends on the Isle
d'Orleans, in the St. Lawrence some
miles below Quebec. The squalid and
primitive life there disgusted Cecile.
Early in July the ships from France
arrived. The count had requested the
king to recall him from Canada, and he
had promised that he would take the
Auclairs back to France with him. As
each ship arrived through the summer,
the Auclairs looked for the governor's
recall. Toward the end of summer the
885
count called Euclide Auclair to the
chateau to warn him that the king's
request would never come. When the
count offered to send the Auclairs back
to France, Euclide refused, assuring the
count that he could not leave while his
patron was forced to remain in Quebec.
The last ship left Quebec in October.
Shortly afterward Count Frontenac be
came ill. Euclide Auclair knew that
his patient could not live through the
winter. When the count died, Euclide
carried out his patron's last wish. He
sealed the count's heart in a lead box
and sent it with a missionary priest to
the English colonies in the south. From
there it was returned to France for
burial.
The death of the count was a great
blow to the Auclairs, for security seemed
to have gone from their lives. Thinking
to return to France that year, they had
not even laid in a proper supply of food
to last through the winter. Fortunately
for them, Pierre Charron arrived in Que
bec with an offer of help. Later he
married Ce'cile. Charron had not the
authority of documents and seals which
the count had had to protect them, but
he had his knowledge of the woods and
the people, which was as good or better
in the wilds of Canada. The future was
safe.
SHE
Type of work: Novel
Author: H. Rider Haggard O856-1925)
Type of plot: Adventure romance
Time of 'plot: Late nineteenth century
Locale-. Africa
First published: 1887
Principal characters:
LUDWIG HORACE HOLLY, a teacher
LEO VINCEY, his ward
SHE, a beautiful ageless woman, in love with Leo
JOB, Holly's servant
USTANE, a woman also in love with Leo
BILLALI, an old man of the AmaKagger tribe
Critique:
She contains such deft allusions to
real events and places that the reader
frequently finds himself wondering if
the whole invention could not be true.
This story of a land presided over by an
ageless white queen and of the fire which
enabled her to live for thousands of
years is in the tradition of adventure
romance and fantasy.
The Story:
Late one night in his rooms at Cam
bridge, Ludwig Holly received an urgent
visit from a fellow student named Vin-
cey. The man was dying of a lung con
dition, and because he had no living
relatives he asked Holly to undertake
the guardianship of his young son after
his death. Vincey explained that the
boy would be the last representative of
one of the oldest families in the world.
He could trace his ancestry back to the
ancient Egyptians, to a priest of Isis
named Kalh'krates, who had broken his
vows and fled the country with an
Egyptian princess. Kallikrates had been
murdered by the queen of a savage
tribe, but his wife had escaped and had
borne a son, from whom the boy was
descended.
Holly agreed to rear the boy. It was
understood that he was to be tutored at
home, where he would be taught Greek,
mathematics, and Arabic. On his twenty-
fifth birthday he was to receive an iron
box which Vincey would leave with
886
Holly; at that time he could decide
whether he wanted to act upon its con
tents.
The following morning Vincey was
found dead in his rooms. Shortly after
ward five-year-old Leo Vincey went to
live with his guardian.
Twenty years passed happily for Leo
and for the man whom he called his
uncle. Then, on the morning of the
youth's twenty-fifth birthday, the iron
chest was opened. Inside was an ebony
box which, in turn, contained a silver
chest. Within the silver chest was a
potsherd inscribed by the wife of the ill-
fated Kallikrates. A message to her son,
it declared that the queen who had
murdered Kallikrates had shown them
both the Pillar of Life. The message
ended by begging that he, or some brave
descendant, should try to find the Pillar
of Life and slay the evil queen.
There was also a letter to Leo from
his father in the inmost chest. He
wrote that he had journeyed to Africa
to find the land which his ancestors had
visited, but had gone only as far as the
coast. There, suffering a shortage of
provisions, he had been forced to turn
back. Before he could plan another trip,
he had been taken with his fatal illness.
Leo determined at once that he would
carry on from the point where his father
had been forced to give up his quest.
Three months later, he, Holly, and their
servant, Job, were on their way to Africa.
Their destination was a rock shaped
like a Negro's head, which reared as a
landmark on the eastern coast of Central
Africa, As they drew near shore the
little party readied the whaleboat which
they planned to use for travel inland.
The boat was tied onto the large dhow
that carried them down the coast. Sud
denly a squall came up, and huge waves
wrecked the dhow. The three white men
and an Arab named Mahomed managed
to launch the small boat and reach the
shore.
The men found themselves at the
mouth of a river whose teeming marshy
banks were crowded with crocodiles.
After refreshing themselves, the little
party started inland in the whaleboat.
Holly and his companions traveled with
out much difficulty for five days, but at
the end of that time the river grew too
shallow to continue farther and they were
forced to branch off into another stream,
which proved to be an ancient canal.
During the next four days the trip
became increasingly more difficult. Be
cause the canal was full of weeds, the
boat had to be towed. While the ex
hausted men were resting, on the fourth
evening, they were suddenly attacked
by a party of about fifty tall, light-colored
men who spoke Arabic. They would have
been slain on the spot, had not the old
man who was the leader of the natives
ordered that their lives be spared. He
explained that word had come from some
one whom he called "She-who-must-be-
obeyed" that any white men who wan
dered into the country were to be brought
to her. The man, whose name the
adventurers later learned was Billali, de
creed that Mahomed's life should also
be spared. In litters the prisoners were
carried to a cave village of the Amahag-
ger tribe. There Billali left them with
his people while he went on to report to
She-who-must-be-obeyed.
The next four days passed peacefully.
The men were well-treated, and Ustane,
one of the Amahagger women, took Leo
for her husband by the simple ceremony
of throwing her arms around him and
kissing him.
On the fourth night the three white
men and Mahomed were invited to a
party. The only refreshment served was
a fermented drink. After the brew had
been passed around several times, a
terrible thing occurred. Suddenly a wom
an slipped a rope around Mahomed's
body. At the same time some of the
men reached into the fire around which
they were sitting, dragged out a red-hot
pot, and tried to slip it on the Arab's
head. Holly, realizing that the natives
were preparing to kill and eat Mahomed,
887
drew his gun and snot the woman. The
bullet passed through her body and killed
the Arab as well. In the furious struggle
that followed Leo was seriously wounded
in the side. The situation was growing
desperate when Billali appeared to restore
order.
Three days later, when Leo's wound
had barely healed, the three white men,
accompanied by Billali and Ustane, were
taken to meet She in her hidden city of
Kor. The way led through deep swamps
which at last gave way to spreading
plains. The next day the travelers reached
a tunneled mountain. Their guides led
Holly and his friends, blindfolded,
through the tunnel to a great plain that
had once been a lake. There the blind
folds were removed, and the men were
taken to some apartments cut into the
solid rock.
After he had refreshed himself, Holly
was taken to the apartments of the
heavily-veiled queen. She, asking about
the ancient Greeks and Egyptians, ex
plained that she had been living in the
mountain for the past two thousand
years. Holly wondered at the strange
power which had enabled her to live
untouched, apparently, by time or death.
She declared that she stayed with the
Amahagger only to await the return of
the man she had once loved, for he
was destined to be born again, Ayesha,
as she asked Holly to call her, removed
her veil. She was exceedingly beautiful.
That night Holly could not sleep
from excitement. Wandering in the pas
sages which led off from his room, he
saw Ayesha uttering curses over a fire.
They were, ne discovered, directed
against an Egyptian woman. Near the
fire, on a stone shelf, lay a corpse with
a shroud over it. HoDy, fearful for his
own life if he were discovered, crept
back to his room.
The next day the savages who had
plotted Mahomed's death were brought
before Ayesha and condemned to death
by torture. In the evening Ayesha went
to visit Leo, who was ill with a fever
and near death. When she saw his face,
the queen staggered back with a scream.
Leo had the face of the dead Kallikrates.
It was he whose arrival Ayesha awaited.
She quickly forced some life-giving
fluid down the young man's throat. In
her jealousy she would have killed
Ustane, had not Holly reminded her of
the suffering she had had to bear for
killing Kallikrates so long ago. Ustane
was sentenced to leave the mountain.
On the following evening the three
white men were invited to attend a
dance performed by natives dressed in
animal skins. The caves were honey
combed by preserved human bodies, and
these were used to illuminate the pro
ceedings, for when a torch was applied
to them they burned brightly.
Ustane, who had not been able to
bear the parting from Leo, was one of
the dancers. She revealed herself to Leo
when he strolled to a dark corner of the
room, but she was discovered by Ayesha
before she could flee with him. When
Ustane refused to leave Leo's side, Aye
sha killed her with a fierce look.
Ayesha led Leo and Holly to the place
where Holly had seen her uttering her
incantations. Drawing back the shroud
which covered the corpse, she disclosed
the body of Kallikrates. Then over it
she poured some acid that destroyed it
quickly. With Leo present in the flesh,
she explained, she had no more need
for the body of the dead man.
Leo quickly fell under Ayesha's spell
and forgot Ustane. That night the queen
and the three white men started their
journey to the place where Leo was to
bathe in the fire of the Pillar of Life and
so be assured of thousands of years of
existence.
Traveling across the plain, through
the ruins of the ancient city of Kor,
the party reached a steep mountain. At
its foot they left the litter bearers in the
charge of Billali, who had accompanied
them, and began the ascent. When, by
difficult stages, they reached the top,
they were forced to walk a plank across
888
a deep chasm to reach the cave which
held the pillar of fire, the Pillar of Life.
When Leo hesitated to immerse him
self in that spiraling flame, Ayesha, to
show that there was nothing to fear,
walked into it. As she stood in its rising
flame, a sudden change came over Aye
sha. Her face and limbs began to
shrivel until finally, before the horrified
onlookers, she shrank into a little old
monkey-like creature and died. Whether
her death was caused by some fatal qual
ity which had crept into the flame, or
whether her earlier immersion in it had
been neutralized, the men did not know.
Shaken to their depths, Holly and Leo
started back to Billali. They left Job, who
had died of shock, in the cave with the
remains of Ayesha.
Informed of Ayesha's fate, Billali hur
ried to lead the white men back through
the swamps toward the coast, before the
Amahagger tribe learned they no longer
had to fear their dread queen. Much
the worse for wear, Holly and Leo man
aged to make their way to Delagoa Bay
after leaving the old native at the edge
of the swamp country. Though they
had only spent three weeks in the in
terior, Leo's hair had turned white.
The two men eventually arrived in
England and resumed their old existence.
However, as he sat alone at night, Holly
frequently wondered what the next step
in the drama he had witnessed would be,
and what, some day, would be the role
of the Egyptian princess whom Kalli-
krates had loved.
SHE STOOPS TO CONQUER
Type of work: Drama
Author: Oliver Goldsmith (1728-1774)
Type, of plot: Comedy of situation
Time of plot: Eighteenth century
Locale: England
First presented: 1773
Principal characters:
MR. HARDCASTLE, an English gentleman
MRS. HARDCASTLE, his wife
TONY LUMPKTN, Mrs. Hardcastle's son
ELATE HARDCASTLE, Mr. Hardcastle's daughter
CONSTANCE NEVILLE, Tony's cousin
MARLOW, Kate's reluctant suitor
HASTINGS, in love with Constance
SIR CHARLES, Marlow's father
Critiqiie:
This charming play has entertained
audiences for more than one hundred and
seventy-five years. Conditions of society
on which the comedy is based have long
since ceased to exist, but the gaiety of
the plot and the racy dialogue are still
amusing. Designed to satirize the senti
mental comedy of Goldsmith's day, She
Stoops to Conquer far outshines the ex
aggerated sentimentality of the author's
contemporary stage.
The Story:
Mrs. Hardcastle, the wife of Mr. Hard-
castle by a second marriage, had by hei
first husband a son, Tony Lumpldn.
Tony was a lazy, spoiled boy, but his
mother excused his actions by imagining
him to be sickly. Mr. Hardcastle vowed
that his stepson looked the picture of
good health.
Kate Hardcastle, Mr, Hardcastle's
daughter, was headstrong. To overcome
his daughter's wish to be a lady of im
portance, Mr. Hardcastle had struck a
bargain with her whereby she wore ordi
nary clothes and played a country gir]
during part of the day; at other times she
889
was allowed to appear in fine clothes.
Knowing it was time for his daughter to
many, Mr. Hardcastle sent for Mr. Mar-
low, the son of his closest friend, to meet
Kate. Kate was pleased by her father's
description of the young man in all fea
tures except one. She did not like the
fact that he was considered shy and re
tiring.
Mrs. Hardcastle hoped to arrange a
match between Tony and Constance
Neville, her ward and Kate's best friend.
The two young people mutually hated
each other but pretended otherwise for
Mrs. Hardcastle's sake. On the day of
Mr. Marlow's expected arrival, Constance
identified the prospective bridegroom as
the friend of Hastings, the man whom
Constance really loved. Constance de
scribed Marlow as being very shy with
fashionable young ladies but quite a
different character with girls of lower
station.
En route to the Hardcastle home, Has
tings and Marlow lost their way and ar
rived at an ale-house where Tony was
carousing with friends. Recognizing the
two men, Tony decided to play a trick
on his stepfather. When Hastings and
Marlow asked the way to the Hardcastle
home, Tony told them that they were
lost and would be wise to stop at an inn
a short distance up the road. Marlow and
Hastings arrived at their destination but
thought it the inn Tony had described.
Hardcastle, knowing nothing of their mis
conception, treated them as guests, while
Hastings and Marlow treated him as an
innkeeper, each party thinking the other
extremely rude. Hardcastle decided that
Marlow's apparent character was in con
tradiction to the modest personage who
had been described to him.
When Hastings met Constance, she
quickly recognized Tony's hand in the
mischief, but Hastings and Constance
kept the secret to themselves. Hastings
explained to Marlow that the two young
ladies had arrived at the inn after a long
journey through the country. When
Tony came home, Hastings took him
aside and explained his desire to marry
Constance, an arrangement quite satis
factory to the rascal. He promised to help
the lovers and even to try to secure Con
stance's jewelry, which was in Mrs.
Hardcastle's keeping. The bargain hav
ing been made, Tony went to his mother's
room and stole the gems. He gave them
to Hastings. When Constance asked for
the jewels, Tony whispered to his mother
that she should tell Constance they had
been lost. Thinking it a capital plan,
Mrs. Hardcastle complied with Tony's
suggestion, only to discover later that
the gems actually were gone. Meanwhile,
Kate, according to her agreement with
her father, had put on a pleasant, simple
dress.
Learning of Marlow's mistaken idea
that he was at an inn, Kate decided to
keep him in error. Marlow, seeing Kate
in her simple dress, thought she was a
serving-girl, and revealed himself as a
flirtatious dandy. As he was trying to
kiss her, Mr. Hardcastle entered the
room, and Marlow fled. Mr. Hardcasde
remarked to Kate that obviously she now
had proof that Marlow was no modest
young man. Kate vowed she would con
vince her father Marlow had the kind of
personality pleasing to them both. How
ever, Marlow's continued impudence
aroused Hardcastle to such an uncontrol
lable state that he ordered him to leave
his house. Kate, thinking the time had
come to enlighten her deceived suitor,
told Marlow about the trick Tony had
played. Marlow, still unaware of Kate's
real identity, found himself more and
more attracted to her, while Kate was
discovering him to be a fine and honest
person.
Hastings had given Marlow the jewels
which Tony had stolen from Mrs. Hard
castle. To protect the valuables, Marlow
had sent them to Mrs. Hardcasde, sup
posing her to be the innkeeper's wife.
The servants, under Tony's instructions,
then explained to the distraught lady that
the jewels had been mislaid because of
some confusion in the household.
890
Mrs. Hardcastle discovered that Has
tings planned to elope with Constance.
Enraged, she decided to punish Con
stance by sending her to visit her Aunt
Pedigree. To add to the confusion, news
came that Sir Charles, Marlow's father,
was on his way to the Hardcastle home.
Tony offered to drive the coach for
Mrs. Hardcastle, but instead of taking
the ladies to the house of Aunt Pedigree,
he drove them around in a circle for
three hours until Mrs. Hardcastle be
lieved they were lost. After hiding his
terrified mother in the bushes, Tony took
Constance back to Hastings. But Con
stance was determined not to leave with
out her jewels. When Mrs. Hardcastle
at last discovered Tony's trick, she was
furious.
Sir Charles, on his arrival, was greatly
amused by Hardcastle's account of Mar-
low's mistake. Hardcastle assured Sir
Charles that Marlow loved Kate, but
Marlow insisted he was not interested in
Miss Hardcastle. Kate promised the two
fathers she would prove that Marlow
loved her, and she told them to hide
while she talked with Marlow. Still
under the impression that Kate was a
serving-girl, the wretched young man told
her he loved her and wanted to marry
her. Sir Charles and Hardcastle emerged
from their hiding place satisfied that the
marriage would be arranged. Marlow was
upset to leam that the serving-girl with
whom he had behaved so freely was
really Miss Hardcastle.
Mrs. Hardcastle reminded her husband
that she had full control of Constance's
fortune until Tony married her when he
became of age. But if he should refuse
her, Constance would be given control
of her inheritance. It was then announced
that Tony's real age had been hidden in
the hope that the lad would improve his
character. Informed that he was already
of age, Tony refused to marry Constance.
Sir Charles assured Mrs. Hardcastle that
Hastings was a fine young man, and Con
stance obtained her jewels from her
guardian.
So Kate married Marlow, and Con
stance married Hastings. And Tony
gained his freedom from his mother.
THE SHELTERED LIFE
Type of "work: Novel
Author: Ellen Glasgow (1874-1945)
Type of plot: Social criticism
Time of plot: Twentieth century
Locale: Virginia
First published: 1932
Principal characters:
GENERAL ARCHBALD, a Southern gentleman
JENNY BLAIR ARCHBALD, his granddaughter
GEORGE BIRDSONG, his neighbor
EVA BIRDSONG, George's wife
Critique:
Ellen Glasgow, at a time when many
writers of her generation and section of
the United States saw fit to write in
experimental patterns, kept to established
traditions of writing. The result was a
lucid, realistic approach to the problem
of Southern society in the early twentieth
century. A tragedy that is the necessary
outcome of folly is presented clearly and
with distinction in The Sheltered Life.
There can be no criticism of Miss Glas
gow's logic. The novel is a revealing
picture of manners and morals,
The Story:
The Archbalds and the Birdsongs
THE SHELTERED LIFE by Ellen Glasgow. By permission of the publishers, Harcourt, Brace & Co., Inc.
Copyright, 1932, by Ellen Glasgow.
891
were the last of the old families left on
once-fashionable Washington Street, and
they clung to it along with their pas
sion for the gentility of the past decades
in an effort to keep things as they had
always known them. They not only
disliked change; they also forbade it on
their premises.
Jenny Blair Archbald was five when
her father died. A short time later her
mother had gone to live with her hus
band's father and his two unmarried
daughters, Etta and Isabella.
At the end of the block lived Eva and
George Birdsong. Eva, after twelve years
of marriage, was still the acknowledged
beauty among her wide circle of friends.
They had no doubt that had she so
chosen she might have been a famous
prima donna or a great actress. Her
husband, however, was not successful;
he lost his inheritance, he drank, and
he was unfaithful to her.
Jenny Blair Archbald wanted new
roller-skates. Her grandfather, General
Archbald, promised to give her a penny
a page for reading Little Women, but
Jenny Blair found the book dull read
ing. She would rather have been in
vestigating Canal Street against her
mother's wishes.
Aunt Etta was having one of her
spells. Doomed to a single life by her
unpopularity with men, Etta suffered
all sorts of nervous disorders. Isabella,
having just broken off an engagement,
was currently allowing herself to talk
frequently with Joseph Crocker, a car
penter.
Jenny Blair finally took her old roller-
skates and skated in the direction of
Canal Street. There she stumbled and
was taken in by Memoria, the Birdsong's
mulatto laundress. While she was re
covering she saw George Birdsong, who
took her home but made sure that she
promised to tell no one where she had
met him.
The Peytons were giving a ball which
Jenny Blair was to attend, although she
and young Bena Peyton were to keep
out of sight and out of the way. Her
aunts were preparing to go. Eva Bird-
song was making over an old gown for
the affair and was planning to dance only
two dances, the first and the last, both
with her husband.
At the dance Eva saw George walking
in the garden with Delia Barron. She
promptly fainted, recovered in the chil
dren's nursery, and had to be carried
home by her husband.
Seven years passed. Old General
Archbald, now eighty-three, mused over
his life and that of his relatives. He
had always surrendered the things he
wanted most for the things he had felt
were his duty. Now he wondered what
he had done with his life. Isabella had
broken two engagements to marry Joseph
Crocker, a man socially beneath her.
Jenny Blair's mother had loved his son
and his son had died while fox hunting.
Eva Birdsong had given up everything
for a husband who was indifferent to
her beauty and her wit. And now Eva,
whom he admired greatly, was being
operated on.
Eva was past the age when she was
likely to have children, but she had hid
den the nature of her illness as long as
possible until now her life was in danger.
For many long hours the old general
relived in his memories the fleeting events
of his life.
The general visited Eva in the hos
pital. Eva seemed despondent. She
made him promise to look after George
and retold many amusing old tales about
her life with her husband. As he left
the sick woman's room, the old man
wondered how he could help her or if
there were any help on earth for her.
Now old enough to make her appear
ance in the formal society of the dignified
old city, Jenny Blair rebelled against her
mother's formal plans. Instead, she and
Bena Peyton hoped to go to New York.
Jenny Blair thought that she wanted to
be an actress.
One day George Birdsong waited for
Jenny Blair outside the hospital, where
892
they talked as the sun was setting. Sud
denly, before she knew what had hap
pened, George seized her and kissed her.
Jenny Blair was unsure of her emotions,
although George pretended it was the
kind of a kiss he had always given her
— a sort of little girl's kiss. But this
kiss, she was positive, was different.
When she accompanied her grand
father home, she told him that she
thought she would give up going on the
stage or even going to New York.
The old man was puzzled and tired.
Cora, Jenny Blair's mother, mixed a mint
julep for him in an effort to revive him,
but he felt that the drink had little effect,
As he went upstairs to dress for dinner
he saw his sick daughter Etta reading
in bed one of her endless French love
stories. He wished in vain she might
have had some of Isabella's charm so
that she might have married.
At the hospital the next day Jenny
Blair left a kimono for Eva to wear.
Old General Archbald listened with dis
gust to George Birdsong's exhibition of
grief for his wife's suffering. Then, just
as the operation was about over, the old
man had a heart attack which he kept
secret.
Jenny Blair had become infatuated
with George Birdsong, or thought she
was, and to her that was the same thing.
She pretended to be angry with him,
but when he took his wife away for a
rest after her illness Jenny Blair counted
the days until he should return. She
wondered why she had ever wanted to go
to New York, and she decided that she
hated Eva's cousin, John Welch, a doc
tor, because he seemed to understand her
strange moods better than she herself
understood them.
When George Birdsong returned
alone, Jenny Blair sought him out and
admitted she loved him. George, some
what surprised, tried to put her off.
Finally he kissed her as she desired him
to do, but he tried to make her see that
she was being very foolish.
When autumn came and the Arch-
balds returned from their summer vaca
tion, Jenny Blair was glad because she
could see George Birdsong again. At
the same time she visited Eva, who
seemed to get no better.
George had shot some ducks and tied
cards to their necks with bits of Eva's
green ribbon, for he intended to give
them away to his friends. That evening
Jenny Blair and George stood together
in the garden of the Birdsong home. As
George bent to embrace her, they heard
Eva, who had arisen from her bed.
George went into the house at his wife's
insistence. A few minutes later there
was a shot. When John Welch called
Jenny Blair into the house, she saw
George dead from a gunshot wound and
Eva with a strangely vacant look on her
face. The dead ducks and George's gun
were lying in the hall. John insisted that
the shooting had been an accident. Old
General Archbald, when he arrived, as
serted also that it had been an accident.
Jenny Blair, in terror and shame, found
refuge in hysteria.
SILAS MARKER
Type of work: Novel
Author: George Eliot (Mary Ann Evans, 1819-1880)
Type of plot: Domestic realism
Time of plot: Early nineteenth century
Locale: England
First published: 1861
Principal characters:
SILAS MAKNTER, a weaver
EPPIE, his adopted daughter
AAEON WrNnmop, whom Eppie married
893
GODFREY CASS, Eppie's father
DUNSTAN CASS, his wastrel brother
NANCY LAMMETER, whom Godfrey married
Critique:
George Eliot's intent in writing Silas
Marner: the Weaver of Raveloe was to
show that good things come to pure,
natural people. In contrast to the deadly
serious nature of the hero are the simple
and humorous village characters. Silas
does not belong to the realm of important
literary characters. He is merely a symbol
of patience, pathos, and goodness; the
victim of an injustice which he does
nothing to rectify. He waits for sixteen
years until justice, the abstraction, con
quers, and Silas, the man, reaps his de
served harvest.
The Story:
In the small community of Raveloe
lived the linen-weaver, Silas Marner.
Long years at his spinning-wheel had left
Silas extremely near-sighted so that his
vision was limited to only those objects
which were very bright or very close to
him. Because of an unjust accusation of
theft, Silas had left his former home at
Lantern Yard and had become a recluse.
For fifteen years the lonely, shriveled
man had lived for no purpose but to
hoard the money he received in pay
ment for his weaving. Night after night
he took his golden hoard from its hiding
place in the floor of his cottage and let
the shining pieces run through his
fingers.
The leading man in Raveloe was
Squire Cass, who had one fine son, God
frey, and one wastrel son, Dunstan. It
was said that Godfrey would marry
Nancy Lammeter. But Godfrey had be
come involved in Duns tan's gambling
debts. He had lent his spendthrift brother
some of the squire's rent money, which
Dunstan had lost in gambling. Since
neither brother could raise the money,
they decided that Dunstan must sell
Godfrey's favorite horse, Wildfire, at a
nearby fair. Godfrey's one fear was that
this affair would harm his reputation in
the neighborhood and his chance with
Nancy. Another thing that weighed on
Godfrey's conscience and prevented his
declaration to Nancy was the fact that
he was already married. Once he had
been drunk in a tavern in a distant ham
let, and in that condition he had married
a low-bred, common woman. Sober, he
had fled back to Raveloe and kept his
marriage a secret.
Dunstan rode Wildfire across the fog-
dimmed fields and crippled the animal
on a high jump. With no means of rais
ing the money, half-drunk and fear-
driven, Dunstan came to Silas Marner Js
cottage. He knew the neighborhood gos
sip that the weaver had a hoard of gold
hidden away. The cottage was empty,
and instinct soon led the drunken boy
to the hiding place of the gold. Stealing
out of the cabin with his prize and stum
bling through the night, Dunstan fell
into an abandoned quarry pit and was
1*111
killed.
The robbery of Silas' cottage furnished
gossip for the entire community. Another
mystery was the disappearance of Dun
stan Cass. Godfrey was forced now to
tell his father about the rent money he
had given Dunstan and about the loss of
the valuable horse, which had been found
dead. Silas began to receive visitors from
the neighborhood. One of his most fre
quent callers was Dolly Winthrop and
her son Aaron, a charming little boy.
Yet Silas could not be persuaded to come
out of his hermitage; he secretly mourned
the loss of his gold.
On New Year's Eve a destitute woman
died in the snow near Silas' cottage. She
had with her a little yellow-haired girl
who made her way toward the light shin
ing through the cottage window and en
tered the house. Returning from an
errand, Silas saw a golden gleam in front
of his fireplace, a gleam which he mistook
for his lost gold. On closer examination,
894
he discovered a sleeping baby. Follow
ing the child's tracks through the snow,
he came upon the body of the dead
woman.
Godfrey was dancing happily with
Nancy when Silas appeared to say that he
had found a body. Godfrey went with
the others to the scene and saw to his
horror that the dead woman was his
estranged wife. He told no one of her
identity, and had not the courage to
claim the baby for his own. Silas, with
a confused association between the
golden-haired child and his lost hoard,
tenaciously clung to the child. After
Dolly Winthrop spoke up in favor of his
proper attitude toward children, the vil
lagers decided to leave the baby with the
old weaver.
Years passed. Under the spell of the
child who in her baby language called
herself Eppie instead of the Biblical
Hephzibah that Silas had bestowed upon
her, the cottage of the weaver of Raveloe
took on a new appearance. Lacy curtains
decorated the once drab windows, and
Silas himself outgrew his shell of reti
cence. Dolly brought her son to play
with Eppie, Silas was happy. After many
years he even returned to Lantern Yard,
taking Eppie. He searched his old neigh
borhood hopefully but could find no one
who could clear his blighted past.
Godfrey Cass married Nancy, but it
was a childless union. For sixteen years
Godfrey secretly carried with him the
thought of his child growing up under
the care of Silas. At last the old stone
quarry was drained and workmen found
a skeleton identified by Dunstan's watch
and seals. Beside the skeleton was Silas*
lost bag of gold, stolen on the night of
Dunstan's disappearance. With this dis
covery, Godfrey's past reopened its sealed
doors. He felt that the time had come
to tell Nancy the truth. When he con
fessed the story of Eppie's birth, Nanc)
agreed with him that they should go tc
Silas and Eppie with their tale. Hearing
this strange story of Eppie's parentage*
the unselfish weaver opened the way foi
Eppie to take advantage of her wealthy
heritage; but Eppie fled to the arms of
the man who had been a father and a
mother to her when no one else would
claim her.
There was one thing remaining to com
plete the weaver's happiness. Eppie mar
ried Aaron Winthrop, her childhood
playmate, while Silas beamed happily on
the scene of her wedding.
SISTER CARRIE
Type of -work: Novel
Author: Theodore Dreiser (1871-1945)
Type of plot: Naturalism
Time of plot: 1889
Locale: Chicago and New York
First published: 1900
Principal characters:
CARRIE MEEBER, a small-town girl
CHARLES DROUET, her first lover
G. W. HURSTWOOD, Drouet's friend and Carrie's second lover
Critique:
Dreiser's first novel is, in some ways,
somewhat superior to much of his later
work. As usual, his characters are vivid
and lifelike, sympathetically portrayed.
Carrie is well-unified, the style more
fluent and natural. A companion piece
to Stephen Crane's Maggie — and a com
parison between the two books is always
Unlike some of the later novels, Sister interesting and revealing — it is also his-
SISTER CARRIE by Theodore Dreiser. By permission of Mrs. Theodore Dreiser and the publishers, The
World Publishing Co. Copyright, 1900, by Doubleday, Page & Co. Renewed, 1927, by Theodore Dreiser.
895
torically significant as a pioneer work
of the naturalistic movement in American
literature.
The Story:
When Carrie Meeber left her home
town in Wisconsin, she had nothing but
a few dollars and a certain unspoiled
beauty and charm. Young, inexperienced,
she was going to Chicago to live with
her sister and to find work. While on
the train, she met Charles Drouet, a
genial, flashy traveling salesman. Before
the train pulled into the station, they
had exchanged addresses, and Drouet
promised to call on Carrie at her sister's
house.
When she arrived at her sister's home,
Carrie discovered that her life there
would be far from the happy, carefree
existence o£ which she had dreamed. The
Hansons were hard-working people, grim
and penny-pinching, allowing them
selves no pleasures, and living a dull,
conventional life. It was clear to Carrie
that Drouet could not possibly call there,
not only because of the unattractive at
mosphere, but also because the Hansons
were sure to object to him. She wrote
and told him that he was not to call,
that she would get in touch with him
later.
Meanwhile Carrie went job-hunting
and finally found work in a small shoe
factory. Of her first wages, all but fifty
cents went to her sister and brother-in-
law. Then she fell ill and lost her job.
Once again she had to look for work. Day
after day she trudged the streets, without
success. It seemed as if she would have
to go back to Wisconsin, and the Han
sons encouraged her to do so. If she
could not bring in money, they did not
want her.
One day, while Carrie was looking for
work, she met Drouet and told him her
troubles. He offered her money which,
with reluctance, she finally accepted.
The money was for clothes she needed,
but she did not know how to explain
the source of the money to her sister.
Drouet solved the problem by suggesting
that he rent a room for her, where she
could keep her clothing. A few days later
Carrie went to live with Drouet, who
had promised to marry her as soon as he
had completed a business deal.
In the meantime Drouet introduced
her to a friend, G. W. Hurstwood.
Hurstwood had a good job as the man
ager of a saloon, a comfortable home, a
wife, and two grown children. More
than twice Carrie's age, he nevertheless
accepted Drouet's suggestion that he look
in on her while the salesman was out
of town on one of his trips. Before
long Hurstwood was passionately in love
with her. When Drouet came back, he
discovered from a chambermaid that
Came and Hurstwood had been going
out together frequently. A scene fol
lowed. Carrie was furious when Drouet
told her that Hurstwood was already
married. She blamed Drouet for her
folly, saying that he should have told
her that Hurstwood was a married man.
Meanwhile, Mrs. Hurstwood had be
come suspicious of her husband. Drouet
had secured for Carrie a part in a theatri
cal entertainment which a local lodge
was presenting. Hurstwood, hearing that
Carrie was to appear, persuaded many of
his friends to go with him to the show.
Mrs. Hurstwood learned of the affair and
heard, too, that her husband had been
seen riding with an unknown woman.
She confronted Hurstwood and told him
that she intended to sue for divorce.
Faced with social and financial ruin,
Hurstwood was in despair. One night
he discovered that his employer's safe
was open. He robbed it of several thou
sand dollars and went to Carrie's apart
ment. Drouet had just deserted her.
Pretending that Drouet had been hurt,
Hurstwood succeeded in getting Carrie
on a train bound for Montreal. In Mont
real Hurstwood was approached by an
agent of his former employer, who urged
him to return the money and to settle
the issue quietly. Hurstwood returnee?
all but a relatively small sum.
896
Under the name of Wheeler, he and
Carrie were married, Carrie being all the
while under the impression that the
ceremony was legal. Then they left for
New York. There Hurstwood looked
for work, but with no success. Finally he
bought a partnership in a small tavern.
After a time the partnership was dis
solved and he lost all his money. Every
day he went looking for work. Gradually
he grew less eager for a job, and began
staying at home all day. When bills
piled up, he and Carrie moved to a new
apartment to escape their creditors.
Carrie set out to find work and was
lucky enough to get a job as a chorus
girl. With a friend, she took an apart
ment and left Hurstwood to himself.
Soon Carrie became a well-known ac
tress, and a local hotel invited her to
become a guest there, at a nominal ex
pense. Carrie had many friends and
admirers. She had money and all the
comforts and luxuries which appealed to
a small-town girl.
Hurstwood had not fared so well. He
could find no work. Once he worked
as a scab, during some labor troubles,
but he left that job because it was too
hazardous. He became a bum, living in
Bowery flophouses and begging on the
streets. One day he went to see Carrie.
She gave him some money, largely be
cause she had seen Drouet and had
learned for the first time of Hurstwood's
theft in Chicago. She believed that
Hurstwood had kept his disgrace a secret
in order to spare her feelings.
Although Carrie was a toast of the
town, she was not happy in spite of her
success. She was invited to give per
formances abroad. In the meantime
Hurstwood died and, unknown to Car
rie, was buried in the potter's field. As
Carrie was sailing for London, Hurst-
wood's ex-wife, daughter, and prospec
tive son-in-law were coining into the city,
eager for pleasure and social success, a
success made possible by the daughter's
coming marriage and by Hurstwood's
divorce settlement, which had given the
family all of his property.
SMOKE
Type of work: Novel
Author: Ivan Turgenev (1818-1883)
Type of 'plot: Social criticism
Time of plot: 1862-1865
Locale: Germany and Russia
First published: 1867
Principal characters:
GRIGORY LrrvrNOFF, a serious Russian
TANYA SHESTOFF, his fiancee
KAPITOLINA SHESTOFF, Tanya's aunt
IRTNA, a fashionable lady
GENERAL RATMIROFF, her husband
POTUGIN, a retired clerk
Critique:
Smoke has for background the nihil
istic movement in Russian politics just
after the emancipation of the serfs. In
background of period and place it is
comparable to fathers and Sons. But
Smoke is different from its predecessor
in time in that it is a pleasant, unen
cumbered love story, a novel of deftly
drawn characters. The political theme
of Smoke is not intrusive; few modem
readers will even be aware of the political
tensions involved. The character of
Irina was modeled from a mistress of
Alexander II.
The Story:
At Baden Grig6ry Litvlnoff decided to
enjoy a few days of vacation. The fash-
897
ionable German watering place was full
of Russians, and there, in a week or so,
Litvinoff was to meet Tanya Shestoff, his
fiancee, who was coming to Baden with
her Aunt Kapitolina.
Litvinoff was poor, comparatively
speaking. His father owned a large farm
with forests, meadows, and a lake, but
Russian fanning was so unproductive
that he could barely make ends meet.
After his university days, Litvinoff had
decided to learn progressive farming, but
because Russia was so far behind in
agriculture he had to go abroad to study.
He had been in the Crimea, in France,
Switzerland, and England. Everywhere
his keen mind had absorbed the latest
agricultural methods, and he was par
ticularly impressed by the superiority of
the few pieces of American machinery
he had seen. Full of ideas, his life was
planned; he would make a model farm.
But first, he would marry Tanya.
Quite by chance he ran into Bambaeff,
a former acquaintance. Bambdeff was
an ebullient person, filled with windy
politics and intimate with the most ad
vanced thinkers in Baden. When Bam-
bdeff took Litvinoff to meet Gubaryoff,
the idol of the liberals, Litvinoff was re
pelled by the company he met in Gu-
baryorFs room. They all talked long
and loud in their assertions that Russia
produced nothing good, that all virtue
resided in Europe proper, that the eman
cipation of the serfs was a foolish step.
He met Bindasoff, a choleric boor who
borrowed a hundred roubles from him;
he never repaid the debt, although Lit-
vinoff later watched him win four hun
dred roubles with the money. Only one
man in the gathering was quiet; he
sat unnoticed in a comer.
The next morning the quiet man came
to Litvinoff's room and presented him
self; he was Potugin, a former clerk in
Moscow. They talked agreeably for a
long time. Both men disliked very much
their compatriots who were so sure that
nothing good came out of Russia, and
they both agreed that by hard work
Russia could advance. At last, as Potugin
rose to go, he excused himself by saying
that he had a girl with him. Seeing
LitvfnofFs look of polite blankness, he
explained that he was looking after a
little child who had no parents.
After a short walk Litvinoff returned
to his hotel. He had a letter from
Tanya to read, and as he read he was
bothered by a heavy sweet smell. Look
ing around, he saw a bunch of fresh
heliotrope in a glass. Here was a mystery.
The servant said that a lady had given
him two gulden to get into the room.
She must have left the flowers. Suddenly
he remembered Irina.
Ten years before Litvinoff had been
a student in Moscow. He was poor, and
he visited frequently another poor fam
ily, the Osinins. The family was of the
real nobility, but for generations the
Osinins had declined, until they existed
only on a small pension the father re
ceived from some obscure sinecures. Lit
vinoff was attracted gready to Irina, the
seventeen-year-old daughter of the house
hold, but for a long time Irina paid little
heed to the poor student. One day her
haughtiness suddenly changed. Pliant
and cheerful, she talked eagerly with
Litvinoff of his ambitions. When he
declared his love, Irina was pleased and
grateful. Without any formal under
standing, Litvinoff became her accepted
suitor.
By a trick of fate, Prince Osinin, her
father, received an invitation to the
court ball. Now that Irina was grown,
he decided to accept, to show his daugh
ter in fine society. Litvinoff urged
Irina to go to the ball. She repeated
many times that she was going only at
LitvinorFs insistence.
On the night of the ball, Litvinoff
brought her a bunch of heliotrope to
wear. She took the flowers and kissed
him passionately. The next day Irina
had a headache and refused to see him.
Two days after the ball Irina had gone
to St. Peterburg with Count Reisenbach,
a distant cousin of her mother.
898
The explanation was brief and tragic.
The count needed an ornament in his
household. Grasping and ambitious as
she was, Irina had accepted and had gone
to stay with her debauched cousin. Lit-
vinoff put her out of his mind; he had
almost forgotten the incident until the
heliotrope appeared mysteriously in his
room.
Litvinoff wrestled with his conscience
and decided not to see Irina again. He
held to his resolve until Potugin came to
him with a pressing invitation to visit the
home of General Ratmiroff. At the parry
he met Irina again, now the wife of
General RatmirorT, a vain, cruel aristo
crat. Litvinoff was as much repelled by
the empty smart set as he had been by
the empty liberals he had met in Baden.
Irina would not let him ignore her.
She begged her former suitor to love her
again, and when she came to his rooms
he admitted his love had never died.
Tanya and her Aunt Kapitolina ap
peared. Even naive T£nya saw at once
that something had happened to her
fiance; she was not wholly unprepared
when he confessed his affair with Irina.
Potugin tried his best to get Litvinoff
to abandon Irina. He had good reason to
do so. For love of Irina, he had agreed
to marry a friend of hers who was soon
to bear an illegitimate child. Although
the girl fell ill and the marriage never
took place, Potugin was burdened with
the care of the little girl. He had acted
because of his hopeless infatuation for
Irina, and he warned Litvinoff that only
evil could come of leaving Tanya for
the shallow aristocrat.
In his despair Litvinoff made a com
pact. He would not become Irina's
secret lover; she must go away with
him and be his alone. He named the
train on which he would leave. Irina
was not at the station and Litvinoff sadly
took his seat. Just then he saw Irina,
dressed in her maid's costume, rush to
the platform. He motioned her to come
aboard; she understood, but she refused
by gesture and motioned him to dis
mount. She stood in a hopeless attitude
on the platform as the train pulled out.
Litvinoff recovered almost wholly from
his hurt. He was too quiet for his
years, but he was fairly happy. He found
his father s farm in bad shape, with not
even enough income to keep up the
house. His father, pathetically glad to
see him, abandoned the control of the
estate to his son. That end accomplished,
he died content. For a long time there
was no opportunity to introduce new
methods; Litvinoff had all he could do to
remain solvent.
After three years he learned that
Tanya was living on a farm a day's
journey away. Resolved to mend his
life, he decided to go to her and ask her
forgiveness. He found Tanya ready to
forget as well as forgive, and she was
even embarrassed by his penitence. They
were soon married.
Irina continued to attract admirers in
St. Petersburg, for, in spite of her thirty
years, she retained the freshness of
youth. Although many gallants were in
attendance upon her, she never singled
out a special admirer. The society ladies
all agreed that Irina was not generally
liked; she had such an ironical turn of
mind.
SNOW-BOUND
Type of work: Poem
Author: John Greenleaf Whittier (1807-1892)
Type of 'plot: Pastoral idyl
Time of 'plot: Early nineteenth century
Locale: Haverhill, Massachusetts
First published: 1866
Principal characters:
MEMBERS OF THE WHITTIEK FAMILY
THE SCHOOLMASTER
A GUEST
899
Critique:
Snow-Bound, Whittier's popular idyl,
is one of the most beautiful pastorals in
American literature. The harshness of
winter life on a New England farm is
scarcely suggested, for the glow of the
aging poet's memory gives the impression
that in his youth life was serene, secure,
and joyful. The title suggests a nature
poem, but the poet's chief interest is not
in the external world. He dwells upon
the people who were dear to him, pic
turing a family circle which represents
an idealization of the American home.
The Story:
One December day a wind from the
east and a leaden sky forecast snow. As
night came on, the members of the
Whittier family brought in firewood, lit
tered the cattle stalls with fresh straw,
and fed the stock. All night the storm
raged, and in the morning the Whittiers
looked upon a world of fleecy snow. The
elder Whittier, a man of action, ordered
a path dug to the barn, and his sons
merrily turned to the work, making a
crystal-walled tunnel through the deepest
drift. Though the snow no longer fell,
all day a north wind drove bits of sleet
against the windows of the house. Again,
as night fell, wood was brought in for the
great fireplace around which the family
gathered. While the moon shone on the
snow outside and the north wind still
battered the house, the family stayed
snug and warm inside.
As the poet recalled this happy scene
of long ago, he paused a moment to think
of the many changes which had later
taken place. Only he and his brother
now remained; death had taken all the
others. Again his memory went back to
the old fireside, the stories told there,
the puzzles and riddles solved, the poems
recited. The elder Whittier told of ad
ventures he had had with the Indians,
of fishing trips, and of the witches re
puted to have inhabited the land in olden
days. The mother told of Indian raids
and of the happy times she had had as
a girL To these stories from her own
life she added some which she had read
in books by famous and revered Quakers.
Next the poet called to mind the tales
of the world of nature told by his uncle,
a man unschooled in a formal way but
seemingly filled with a boundless knowl
edge of moons and tides, of weather signs,
of birds and beasts. The memory of the
poet's maiden aunt brought her also
vividly before him. He remembered how
she lived for others instead of bewailing
her lonely maidenhood. He saw again his
elder sister whose rich, full nature had
prompted many deeds of self-sacrifice.
Tenderly he recalled his dearly loved
younger sister, who had been with him
until a year ago, but whose body now lay
with the others in the earth.
From the members of his family, the
poet turned to the young schoolmaster, a
boarder in the Whittier home. The son
of a poor man, the schoolmaster had as a
boy learned independence. As a student
he had helped to pay his way through
Dartmouth College by taking varied jobs.
Later as a teacher he had, when school
was out, joined in schoolboy sports. In
the schoolroom he was the earnest shaper
of youthful minds. The poet prayed that
Freedom might have many young apostles
like him.
Another guest of the Whittier house
hold on that night of long ago came to
the poet's mind. A strange woman, half-
feared, half-welcome, she was as well-
known for her violent temper as she was
for her eccentric devotion to religion.
Leaving her home, she later went to
Europe and the Near East, prophesying
everywhere the imminent second coming
of Christ. The poet asked His mercy
upon the poor woman whose mind had
seemed so odd to her neighbors.
As the hour grew late the group about
the fire retired for the night. The next
morning teamsters came to clear the
snow-filled roads. The young folks played
in the snowbanks. Later, along the
cleared road came the neighborhood doc
900
tor on his rounds. A week passed before of memory upon these happy scenes of
the mailman finally delivered a news- the past, and he put the book away with
paper to tell of happenings beyond the the hope that readers in the future might
Whittiers* snow-bound world. pause with him to view for a little while
The poet shut the covers of his book these Flemish pictures of old days.
SO RED THE ROSE
Type of work: Novel
Author: Stark Young (1881- )
Type of 'plot: Historical romance
Time of -plot: 1860-1865
Locale: Mississippi
First published: 1934
Principal characters:
MALCOLM BEDFORD, owner of Portobello
MRS. SARAH TAIT BEDFORD, his wife
DUNCAN,
MARY HARTWELL, and
FRANCES, their children
VALETTE, an adopted daughter
MIDDLETON, an orphaned nephew
HUGH McGEHEE, owner of Montrose
AGNES McGEHEE, his wife, Malcolm Bedford's sister
EDWARD, and
LUCINDA (Lucy), their children
SHELTON TALIAFERRO, a distant relative of the McGehees
CHARLES, his son
ZACH McGEHEE, Hugh's nephew
AMELTE BALFOUR, Zach's fiancee
Critique:
Stark Young takes rather long to set three children, an adopted daughter,
the stage for the action in this novel. Valette, and an orphaned nephew, Mid-
The gradual unfolding of character and dleton. Malcolm's sister Agnes had
scene is necessary, however, because the married Hugh McGehee, and they and
book is not so much a story of the politi- their two children occupied a neighbor-
cal and military aspects of the Civil War ing plantation, Montrose. Plantation life
as it is a study of the effects of the war in Mississippi flowed easily in those days
upon those who stayed at home. The just preceding the Civil War, witb
book presents an excellent picture of frequent parties and visits between fam-
the background of plantation life prior ilies to provide hospitality and entertain-
to the Civil War, tells of people's ment. But other happenings, less pleas-
thoughts at the time, and shows what ant, gradually intruded upon the serenity
happened to the civilian population dur- of plantation life. Talk of secession,
ing the war years. states' rights, slavery, emancipation, Lin
coln, and war began to be more seriously
The Story: discussed and argued whenever a group
Malcolm Bedford was the owner of of people assembled. Hugh McGehea
Portobello plantation, where he lived and his son Edward discussed these
with his second wife, Sarah, and their problems and Edward's possible enlist-
so RED THE ROSE by Stark Young. By permission of the author and th« publishers, Charles Scribncr'»
Sons. Copyright, 1934, by Charles Scribner's Sons.
901
ment when the latter returned home for
a short visit from the Louisiana Seminary
o£ Learning and Military Academy.
Duncan Bedford was also in school,
at Washington College in Virginia. In
love with Valette, he accused her of
leading other young men on. When he
went back to college, they were no
longer on friendly terms.
Shelton Taliaferro, a distant relative
of the McGehees, and his son Charles
came to visit Montrose. Edward was
home for a visit at the time, and the two
young men became friends. They spent
a short time together at the seminary
until Charles resigned. It was this young
man, to whom life seemed to flow gen
erously, who attached himself to Ed
ward. A year after his first visit to
Montrose he and Edward enlisted under
General Beauregard. Shelton Taliafer
ro, his father, and Edward McGehee
were the only two people for whom
Charles cared, to the disappointment of
Lucy, who had fallen in love with him.
Duncan also enlisted, but without first
coming home. He wrote a letter to
Valette to tell her of his enlistment and
to assure her that he still loved her.
About a year later, at the time of the
battle of Pittsburg Landing, Agnes re
ceived a letter from her son. It was
dated three days earlier and according
to his letter the battle would be taking
place at that moment she was reading
the letter. Feeling instinctively that
Edward was dead, she ordered William
Veal, the butler, to hitch up the wagon
so that they might set out for the battle
field and bring home the body of her
dead son. When she returned, she
brought with her Edward's body and
those of two other boys of the neighbor
hood. She also brought word that
the body of Charles Taliaferro had not
been found, although it was almost cer
tain that he was dead since he was not
with the survivors of the desperate fight
ing. Lucy was heartbroken.
After the Emancipation Proclamation
on January 2, 1863, many of the slaves
deserted their former owners to flee to
the Union lines. A short time later
Malcolm Bedford, who had been helping
to strengthen the defenses at Vicksburg,
carne home with a very bad case of
dysentery from which he never re
covered. He died, on the day Vicksburg
fell, claiming that with the fall of Vicks
burg the doom of the South was sealed.
Life went on at both plantations under
much altered circumstances. Natchez, the
nearest town, had been bombarded and
occupied. Federal soldiers swarmed over
the countryside, burning, looting, and
carrying off horses, food, and clothing.
More slaves ran away to the protection
of Federal troops in Natchez, and many
joined the Federal army to help fight
against their former masters. But when
disease broke out in the Natchez stock
ades, where the Negroes were confined,
some of the former slaves, especially the
older ones, began to return to the
plantations, the only place they had
ever known security.
Sherman, on a visit to Natchez, rode
out to see the McGehees because he
had known their son Edward when he
was superintendent of the seminary
Edward had attended. He was very much
of an enigma to the McGehees, as he was
to many. His kindness and personal
interest could not be reconciled with his
toleration of plunder and destruction by
his troops. Shortly after his visit Mont
rose was destroyed by a mob of former
slaves under the direction of a few
white officers. They burned the place to
the ground, after permitting the family
to save only what could be rescued in
twenty minutes. After the fire the family
moved into a five-room cottage on the
plantation.
The Bedfords at Portobello were hav
ing their own difficulties. One night a
group of Confederate soldiers hanged
three Federals on the trees not far from
the house. A fourth soldier escaped, in
jured, and he was taken into the house
and cared for until a way could be found
to smuggle him out. The three Union
902
soldiers were quickly buried to avoid re
prisals.
There had been no word of Duncan
for many months, and the Bedfords at
Portobello believed that he must be dead.
Now that the war was over, they thought
that they should at least have a letter
from him if he were still alive. Then
one day Duncan, without any previous
warning, walked in. He had been taken
prisoner but had been booked for ex
change soon afterward. A Union officer
had spoken insultingly of General Lee,
however, and Duncan had struck him.
His order for exchange was immediately
revoked and he was placed in irons,
charged with having struck an officer
of the United States Army. When peace
was declared and all prisoners were re
leased, Duncan's charge still stood. But
at his trial the judge, who felt that a
great injustice had been done Duncan,
dismissed the case.
The South was beginning to feel the
vengeance of the North. Many of the
plantations had been burned and many
of the men had been killed. The slave
labor gone, there was no one to work
the plantations. Heavy taxes were im
posed to make the South pay for its
military government. Negroes were in
solent and destructive and carpetbaggers
were beginning to buy up mortgages on
the plantations, thus gaining control of
huge amounts of property. Mrs. Bedford
and Duncan decided that they would not
mortgage their property but would try
to make the land productive once more.
During those grim years Duncan found
Valette kinder and more understanding
than she had been in the proud old days
at Portobello.
Amelie Balfour and Zach McGehee,
nephew of Hugh, were to be married.
Amelie convinced Valette that they
should make it a double wedding. Their
plans were all made on the spur of the
moment, and the next evening at Home-
wood, the home of Amelie's aunt, Dun
can and Valette were married. They were
to have a honeymoon in New Orleans
and then return to Portobello to live.
THE SONG OF BERNADETTE
Type of work: Novel
Author: Franz Werfel (1890-1945)
Type of 'plot: Religious chronicle
Time of plot: 1858-1875
Locale: Lourdes, France
First published: 1941
Principal characters:
BERNADETTE SOUBIROUS, a religious mystic
LOUISE SOUBEROUS, her mother
FRANCOIS SOUBIROUS, her father
DEAN PEYRAMALE, the parish priest
SISTER MARIE THERESE, Bernadette's teacher and superior
Critique:
Franz Werfel wrote this book as a
fulfillment of a vow he made while hid
ing from the Nazis at the beginning of
World War II. Every fact he records
is absolutely true, but from the records
of the actual apparition at Lourdes he
has produced a novel of great interest
and emotional power. Franz Werfel did
not write a purely religious story; his
book is a story of people who have the
same emotions, the same hopes and fears,
that all men and women share. For that
reason The Song of Bernadette is a
masterful work, haunted by shadows of
THE SONG OF BERNADETTE by Franz Werfel. Translated by Ludwig Lewisohn. By permission of the
publishers, The Viking Press, Inc. Copyright, 1942, by The Viking Press, Inc.
903
the unknown, filled with delicate beauty
and a strong affirmation of man's essential
goodness*
The Story:
In Lourdes the Soubirous family had
fallen into pitiful poverty. Frangois Sou
birous., having lost the mill whose pro
ducts provided a livelihood for his fam
ily, was reduced to taking odd jobs that
he could beg from the prosperous citizens
of the little French village. His wife
Louise helped out by taking in wash
ing. But their combined earning, scant
and irregular, were insufficient for the
care of the children. The family lived
in the Cachot, a dank, musty building
that had been abandoned as a jail because
it was unhealthy.
The oldest Soubirous child, Berna-
dette, was weak and suffered from
asthma. At school she was considered,
both by her schoolmates and her teacher,
Sister Marie Therese, to be the most
ignorant and stupid of all the children.
Her ignorance extended even to religion.
Although fourteen years old and the
daughter of Catholic parents, she did
not understand the meaning of the Holy
Trinity. It was clear that little could
oe expected from the daughter of the
poor and uneducated Soubirous family.
One day the children were sent out
to gather firewood near the grotto of
Massabielle. Close to the grotto ran a
small stream into which the offal of
the town was emptied. Carcasses of dead
beasts were swept along by the current,
and earlier that day Francois Soubirous
had dumped there a cartload of ampu
tated limbs and filthy bandages from the
contagion ward of the local hospital. It
was rumored that the spot had once
been the scene of pagan religious cere
monies.
Slower than the rest, Bernadette be
came separated from the other children
and went to the cave alone. Suddenly,
to her great astonishment, a strange light
shone at the mouth of the grotto. She
was unable to believe her eyes when a
beautiful lady appeared before her.
Dressed in blue, her face shining with
brilliant light, her bare feet twined with
roses, the lady smiled at the frightened
child. Bernadette threw herself on her
knees and prayed.
When the other children came upon
her they found her kneeling on the
ground. After making the others promise
to keep her secret, Bernadette told of her
vision. But the children told and soon the
whole town was laughing at stupid Ber
nadette. The next day she returned to
the grotto and saw the lady once more.
The vision told her to return each day
for fifteen days.
When she returned again and again to
the grotto, the townspeople were aroused.
To the local intellectuals and the atheists,
Bernadette's vision was an example of
ignorant superstition. To government
officials, it was a plot of the Church
against the state. To the Church, it
was a dangerous event that could lead
to disaster for Catholics. No one in
authority believed Bernadette, but the
common people became more and more
interested. Soon many went with her
when she made her daily visits. At last
the authorities tried every method to
make the girl confess that her vision
was a hoax, but without success.
One day the lady told Bernadette to
ask Dean Peyramale to build a chapel
on the site of the grotto. When Berna
dette told the dean of the request, he
angrily asked who the lady was. If she
were truly a heaven-sent vision, per
sisted the dean, let her give some sign
that would prove it. Let her make the
rose bush in the cave bloom with roses
in February.
The lady smiled when she heard the
dean's message. She beckoned to Ber
nadette, wanting her to come forward.
The girl moved toward the lady, bent
down, and kissed the rose bush, scratch
ing her face on the thorns. Then the
lady told her to go to the spring and
drink from it. When Bernadette started
for the stream, the lady shook her head
904
and toid the girl to dig with her hands.
In a short while, Bernadette reached
moist soil. Scooping it up with her
hands, she tried to drink the little water
in it. The earth that she swallowed
made her ill, however, and she vomited.
The crowd that had followed her was
disgusted. To the people her actions had
seemed those of a lunatic because they
had seen no lady there, only the gray
stone walls of the cave and its opening.
They scoffed when Bernadette was taken
away.
A few days later one of the towns
people went to the grotto. There, where
Bernadette had dug, water had hegun
to flow. He scooped up some of the
moist soil and applied it to his blind
eye. After a while he could see; his
blindness was gone. Local experts swore
that there could be no spring there, that
no water could flow from solid rock.
By that time both the Church and the
government were thoroughly aroused.
Bernadette was forbidden to visit the
grotto, and the place was barred to the
public.
Reluctantly the dean began to wonder
whether a miracle had occurred. After
he discovered that roses were indeed
blooming in the cave, he persuaded the
Church authorities to set up a commis
sion to investigate the whole affair. The
dean was at last convinced that Berna
dette had seen the Blessed Virgin. The
commission agreed with his views. Finally
the emperor ordered that the public be
allowed to visit the grotto.
Throughout all the excitement Berna
dette remained calm and humble. After
the Church had given its sanction to
her vision, she agreed to enter a con
vent. There her immediate superior was
her former teacher, Sister Marie Therese.
The nun, proud, arrogant, skeptical, re
fused to believe in Bernadette^ vision.
As a nun Bernadette won the hearts
of everyone by her humility, her friend
liness, her genuine goodness. The pros
perity of Lourdes, where pilgrims came
from all over the world to be healed
by the miraculous water, did not matter
to her. When her family came to visit
her, she was glad to see diem, especially
her father; but she was relieved when
they left. For more than seventeen year?
she lived in the convent.
At last a tumor of the leg afflicted
her with a long and agonizing illness.
As she lay dying, Sister Marie Therese
admitted her error and confessed belief
in the miracle. In Lourdes, the town
atheist was converted. Dean Peyramale,
disappointed and sad because the Church
authorities had ignored him in the
establishment of a shrine built at the
grotto, went to visit Bernadette during
her last moments. Her death was peace
ful and serene.
After her death the fame of Lourdes
became world-wide. Bernadette has been
canonized and is now a saint of the
Roman Catholic Church.
THE SONG OF HIAWATHA
Type of work: Poem
Author: Henry Wadsworth Longfellow (1807-1882)
Type of plot: Legendary romance
Time of plot: Aboriginal period
Locale: Indian territory around Lake Superior
First published.: 1855
Principal characters-.
HTAWATHA, an Indian hero
MrNNEHAHA, whom he married
NOKOMIS, his grandmother
MUDJEKEEWIS, the West Wind, Hiawatha's father
905
Critique:
Longfellow based his story on tradi
tional legend among North American
Indians of a warrior hero sent to clear
the rivers, forests, and lakes, and to unite
the tribes in peace. With this legend the
poet combined other Indian traditions.
Of particular interest are the folklore
stories of the way the woodpecker got a
red streak on his tuft of feathers, the
introduction of picture writing, the gift
of corn to man, and the origin of the
peace pipe.
The Story:
Weary of the constant fighting of his
people, the Great Spirit called together all
Indian tribes to reprimand them for their
foolish ways. He had given them fertile
lands, abundant streams, and forests,
but they had continued to hunt each
other. He promised to send a prophet
who would guide and teach them. Should
they fail to follow his counsel, they
would perish. Breaking off a piece of
a red-stone precipice, he molded a pipe
as a symbol of peace among them. He
told the warriors to plunge themselves
into the stream and wash the war paint
from their faces, the bloodstains from
their hands.
One evening in twilight the beautiful
Nokomis fell to earth from the full moon.
There among the ferns and mosses she
bore a daughter, Wenonah. As Wenonah
grew tall and lovely, Nokornis feared for
her daughter and warned her to beware
of Mudjekeewis, the West Wind. When
Wenonah failed to heed the warning and
succumbed to his wooing, she bore a son,
Hiawatha. Deserted by the false and
faithless Mudjekeewis, Wenonah died
grieving for his love.
Hiawatha grew up in the wigwam of
Nokomis. From boyhood he was skilled
in the craft of hunters, in sports and
manly arts and labors. He was a master
of speed and accuracy with a bow and
arrow. He had magic deerskin mittens
which gave him great physical power.
Upon his feet he wore magic moccasins
which allowed him to stride a mile vtritb
each step.
Aroused by the story of his father's
treachery, he vowed to visit Mudjekee
wis and seek revenge. In the land of
the West Wind the two fought for three
days. At last Mudjekeewis told Hiawatha
that it would be impossible for him to
kill his immortal father. Pleased with
the boy's courage, however, Mudjekeewis
sent him back to his people as the
prophet who had been promised. On his
long journey home Hiawatha stopped in
the land of the Dacotahs to purchase ar
rowheads from an old man. There he
saw Minnehaha, the arrow-maker's lovely
daughter.
When Hiawatha returned to his peo
ple, he built a wigwam in the forest and
went there to fast. On the fourth day of
his fast, as he lay exhausted on his couch,
Hiawatha saw a youth dressed in green
and yellow garments with green plumes
over his forehead. The stranger informed
Hiawatha that his prayers had been
heard and that they would be answered
should Hiawatha overcome him. In
spite of his weakness, Hiawatha struggled
bravely until the young stranger yielded
himself. He ordered Hiawatha to strip
his green and yellow garments and bury
him, and then to guard his grave until
he leaped again into the sunshine.
Hiawatha faithfully guarded the grave
until a green shoot appeared, then the
yellow silk, and finally the matured ear
of corn which was to feed his people.
Hiawatha next shaped a canoe from
the birch tree. Then he set out with his
strong friend, Kwasind, and cleared the
rivers of roots, sandbars, and dead trees,
to make the streams safe for the people,
At another time he rid the lake of its
greatest menace, the sturgeon.
Nokomis then bade Hiawatha to un
dertake the destruction of Pearl-Feather,
the magician, who was responsible for
fever, pestilence, and disease. Hiawatha
prepared to battle the dozen serpents
that guarded the entrance to the wizard's
906
domain. As he approached, he killed
them with his arrows. A woodpecker
helped Hiawatha to overcome the magi
cian hy telling him to aim his arrows at
the roots of the wizard's hair. Hiawatha
rewarded the woodpecker by dabbing his
tuft of feathers with the magician's
blood, which the woodpecker wears to
this day.
When Hiawatha told Nokomis that
he intended to make Minnehaha his
wife, Nokomis urged him to marry a
woman of his own tribe. Hiawatha re
fused to listen to her arguments, how
ever, and assured her that the marriage
would unite the two tribes. On his re
turn with Minnehaha, they were honored
at a huge banquet at which Hiawatha's
beloved friend, Chibiabos, sang his fa
mous love songs, and lagoo related his
fanciful tales.
Hiawatha's people prospered in peace
and raised abundant crops of corn. In
order to keep a record of their tribal
history, Hiawatha invented picture writ
ing to tell their story.
One winter famine struck Hiawatha's
people. Snow covered the forests and
lakes so deeply that it was impossible
for hunters to seek food. Hiawatha's
people were starving and dying of fever,
When Minnehaha died, Hiawatha
mourned her death for seven days.
At last came the warmth and fertility
of spring, and life began to return to
the earth. There were rumors of the
approach of white men in large canoes
with sails. Hiawatha confirmed the
rumors, for he had seen the white men
in a vision. He urged his people to wel
come the strangers and be friendly, add
ing that if they ignored his counsel the
tribes would only destroy themselves.
As Hiawatha stood by the wigwam of
Nokomis one evening, three white men
approached, one of them a priest. Hia
watha welcomed them and invited his
people to hear the stories the priest told
of the Saviour. That night, as the white
men lay sleeping, Hiawatha told Noko
mis that the time for him to leave had
arrived. Having fulfilled his promises,
he left to travel through the portals of
the Sunset, to the Land of the Here
after.
THE SONG OF ROLAND
Type of work: Tale
Author: Unknown
Type of 'plot: Chivalric romance
Time of 'plot: About 800
Locale: Western Europe
First transcribed: Medieval manuscript
Principal characters:
ROLAND, prince in Charlemagne's court
OLIVER, his friend
CHARLEMAGNE, the Holy Roman Emperor
OGIER THE DANE, Roland's friend
GANELON, a wicked courtier
BERTHA, Roland's mother
Critique:
The Song of Roland is the latest of
great hero tales. As a result it incorpo
rates all of those which go before. In its
narrative framework are legends of the
Greeks and the Germans, and a fusing
of historical accounts from the dark ages
of Europe with folklore from the Fax
East. Poetic legends of the troubadours,
the tales of Virgil, Dante, and Hebrew
testament all blend together in this vast
fabrication of chivalric ideals and ro
mantic lore.
907
The Story:
The boy Roland grew up far from his
home country and lived with his penni
less mother in a cave formerly occupied
by a lonely monk. Nevertheless, his
mother had taught him that some day he
should be a brave hero like his father,
Milon, and serve with the great army of
Charlemagne. When he asked his mother
to tell him the story of his birth, he
learned that through his father he was
descended from great heroes of old, Tro
jan Hector on one side and Wotan, king
of the Norse gods, on the other. His
father, Milon, having incurred the wrath
of Charlemagne for taking the king's
sister, the Princess Bertha, as his wife,
had come to Italy and there had died
fighting pagans in single-handed combat.
One summer, when he was still only
a lad, his friend Oliver, the son of a local
prince, met him and the two watched the
coming of the great Charlemagne into
Italy, where the king was to receive the
blessing of the Pope at Rome.
Roland was impressed by the royal
pageant but not overawed. That night
he walked into Charlemagne's banquet
hall and demanded his rights for himself
and his mother. Amused by the boy's
daring, Charlemagne ordered that Bertha
be brought to him. When the emperor
recognized his long-lost sister, he rejoiced
and gave her and her son a place of
honor in his court.
Roland's boyhood years passed quickly
and with increasing honors. At first he
was merely a page in the court, his duties
being to attend the ladies, to carry mes
sages, and to learn court etiquette. He
was permitted to accompany the king's
knights during war with the Saxons, and
he was present when the swan knight,
of the race of Lohengrin, appeared at the
court of Charlemagne.
When Roland was fourteen years old,
he became a squire and made the ac
quaintance of Ogier the Dane, a hostage
prince at Charlemagne's court. The two
boys became great friends. Then, urged
by a new queen, Ogier's father, Duke
Godfrey, planned a revolt against Charle
magne. In retaliation Charlemagne
threatened to kill Ogier. Roland inter
vened and saved his friend's life.
In the meantime barbarians attacked
Rome. In an effort to save the Pope,
Charlemagne ignored the rebellion of the
Danes and set off to the south, taking
Ogier with him as a prisoner. The great
army was assisted on its passage across
the Alps when a magnificent white stag
appeared to lead the army through the
mountain passes.
In the battles which followed, Charle
magne's army was divided. One force,
led by the cowardly son of Charlemagne
and the false knight Alory, attempted to
retreat and placed the emperor's life in
jeopardy. Roland and Ogier, aided by
other squires, donned the garments of the
cowards and saved the day. Charlemagne
knighted them upon the battlefield.
One of the pagan knights proposed a
personal combat. In this encounter Char-
lot, a son of Charlemagne, and Ogier met
two barbarians, Prince Sadone and Kara-
heut. The pagans trapped Ogier and
threatened to put him to death, but
Chariot escaped. Karaheut, who was to
have fought Ogier, rebelled against the
unchivalrous action of his pagan prince
and gave himself up to Charlemagne, to
be treated exactly as Ogier would be
treated. Reinforcements came to the
pagans, among them the giant king of
Maiolgre. In a dispute over the marriage
of Glorianda, a Danish prisoner, Ogier
fought for Glorianda and put his enemy
to rout. Charlemagne attacked at the
same time. Ogier and Roland were re
united. The Pope was restored to his
throne.
Roland was invested with royal arms.
His sword was the famous Durandal; his
battle horn was the horn of his grand
father, Charles the Hammer. None but
Roland could blow that horn. His armor
was the best in the kingdom.
A new war began when Count Gerard
refused homage to the emperor. Oliver,
908
grandson of the count, was among the
knights opposed to Charlemagne. After
the French had hesieged the fortress of
Viana for seven months, it was decided
to settle the war by encounter between a
champion from each army. Roland was
chosen to fight for Charlemagne. Un
known to him, his adversary was to be
Oliver, his boyhood friend. When the
two discovered each other's identity, they
embraced.
A few weeks later Charlemagne on a
boar hunt near Viana was captured by
Count Gerard. The two leaders declared
a truce and Count Gerard agreed to be
a faithful liegeman of the emperor there
after. Roland met Oliver's sister, Alda,
and became betrothed to her.
At Christmas time the Princess of
Cathay arrived with her brothers at
Charlemagne's court. She proposed a
contest between a Christian knight and
her brother Argalia. If one of Charle
magne's knights were the victor, he should
have her hand in marriage. If the knight
were defeated, he should become a hos
tage. Malagis, the wizard, discovered that
the princess and her brothers really
sought by sorcery to destroy Charle
magne. He visited the apartment of the
foreigners but was discovered by them.
They complained and Charlemagne, not
understanding the wizard's desire to help
him, sentenced Malagis to be imprisoned
in a hollow rock beneath the sea forever.
The jousts began. After Argalia had
defeated the first knight, Ferrau, the
fierce Moor, began combat. Unhorsed,
the Moor fought Argalia on foot and
overpowered him. Then the princess be
came invisible, and Argalia rode away,
the Moor in pursuit.
In the forest of Ardennes the Moor
discovered Argalia sleeping, killed him
without honor, and seized his wonderful
helmet. Roland, having followed them,
discovered the murder of Argalia, and
sought the Moor to punish him for his
unknightly deed.
Remold of Montalban found the Prin
cess of Cathay in the forest after he had
drunk from the waters of the fountain
of Merlin, and the effect of this water
was to make him see the princess as an
ugly crone. She thought him handsome,
but he felt disgust and hurried away.
Roland discovered the Moor and chal
lenged him to combat, but the Moor sud
denly remembered that his liege lord in
Spain was in need of his help and did
not remain to fight with Roland.
When the Princess of Cathay saw the
Moor wearing her brother's helmet, she
knew a tragedy had occurred and she
transported herself by magic to her
father's kingdom.
Roland went on a quest to the Far
East in search of the complete armor of
Trojan Hector. Whether by chance or
by evil design he came to a fountain and
there drank the water of forgetfulness.
He was rescued by the Princess of Cathay
and fought many a battle for her sake,
even though she was a pagan princess.
At last he came to the castle of the
fairy queen, Morgan the Fay, where the
armor of Trojan Hector was said to be
hidden. Overcome for the first time, he
failed to gain the armor and was ordered
to return to the court of Charlemagne.
He arrived home in time to help the
Danes resist an invasion of their country.
When Ogier's father, Duke Godfrey,
summoned help, Ogier and Roland set
out for Denmark. The invaders fled. At
the same time Ogier's father died, but
Ogier, on the advice of Morgan the Fay,
renounced his rights to his father's hold
ings in favor of his younger brother.
On his way back to France, Roland
heard of a fierce ore said to be the prop
erty of Proteus. The ore devoured one
beautiful maiden each day until Roland
overcame it and was rewarded by Oberto,
the king of Ireland, whose daughter he
had saved.
In the meantime Charlemagne's forces
were being attacked by Saracens, and
Roland set out to help Charlemagne's
knights. On the way he was trapped in
a wizard's castle. From this captivity he
was saved by Bradamant, a warrior
909
maiden. She, having won a magic ring
from the Princess of Cathay, overcame
the wizard and released all of the knights
and ladies held prisoner in the wizard's
castle.
Ferrau, the Moorish knight, lost the
helmet he had stolen from Argalia and
vowed he would never again wear a hel
met until he should wear that of Roland.
By trickery he managed to get Roland's
helmet.
Roland was set upon by Mandricardo,
the fierce knight to whom fortune had
awarded the arms of Trojan Hector. They
fought for the possession of Durandal,
Roland's sword, the only part of Trojan
Hector's equipment which Mandricardo
did not possess. At last Mandricardo was
forced to flee for his life.
Roland visited the forest where the
Princess of Cathay and Medoro, a Moor
ish prince, had fallen in love. Some de
clared it was jealousy for the princess hut
others declared it was sheer exhaustion
which caused Roland now to lose his
mind. He cast his armor away from him
and went wandering helplessly through
the forest. Mandricardo seized Duran
dal and made Roland his prisoner.
Astolpho and Oliver set out from the
court of Charlemagne to save Roland.
Astolpho journeyed on the back of a
flying horse to the fabulous land of
Prester John. Having freed Prester John
from a flock of harpies, Astolpho jour
neyed to the rim of the moon and there
saw stored up all the things lost on earth.
There he found Roland's common sense,
which he brought back with him and
returned to Roland so that the knight
became his former self.
In a battle against the Saracens the
wicked Ganelon betrayed the knights of
Charlemagne and they, greatly outnum
bered, fell one By one to their enemies.
Roland, unwilling to call for help, re
fused to use his famous horn to summon
aid, and he died last of all. Charlemagne,
discovering the dead hero, declared a
great day of mourning. Alda, the be
trothed of Roland, fell dead and was
buried with many honors. Then Charle
magne died and was buried with great
pomp. Only Ogier the Dane, remained,
and it is said that Morgan the Fay carried
him to Avalon where he lives in com
pany with Arthur of the Round Table.
It is said also that Charlemagne dwells
inside a vast mountain cave with all his
heroes gathered around him. There they
wait for the day when they shall march
out to avenge the wrongs of the world.
THE SONG OF SONGS
Type of work: Novel
Author: Hermann Sudermann (1857-1928)
Type of plot: Naturalism
Time of fat: Early twentieth century
Locale: Germany
First published: 1909
Principal characters:
LILLY CZEPANEK, daughter of a music master
FRITZ REDLICH, a student
COLONEL VON MERTZBACH, Lilly's elderly first husband
WALTER VON PRELL, Lilly's first lover
RICHARD DEHNICKE, Lilly's lover and later her husband
KONRAD RENISTSCHMTDT, Lilly's great love
Critique:
The Song of Songs belongs to the literature. In its detailed study of a
naturalistic movement in European woman's fall from virtue, the novel re-
THE SONG OF SONGS by Hermann Sudermann. Translated by Thomas Seltzer. By permission of the
publishers, The Viking Press, Inc. Copyright, 1909, by j. G. Cotta'sche Buchhandlung Nachfolger. Re
newed, 1937, by Thomas Seltzer.
910
sembles in many ways the novels o£
Balzac and Zola. There is no mistaking
the critical purpose and the symbolism
behind Sudermann's frank study of
social hypocrisy and vice.
The Story:
Lilly Czepanek was fourteen years
old when her temperamental father, a
music master, disappeared from home.
The girl and her mother became desti
tute, but they looked forward every
day to Czepanek's return since he had
left behind his cherished musical com
position, The Song of Songs, around
which the entire family had built its
hopes for success.
Lilly grew into an attractive young
woman. She attended school in prepara
tion for a career as a governess. Mean
while Mrs. Czepanek, beginning to lose
her mind, projected mad schemes to re
gain her social position. One day, in a
fit of rage, she attacked Lilly with a
bread knife and was subsequently com
mitted to an asylum. Lilly, now alone,
took work as a clerk in the circulating
library of Mrs. Asmussen; she assuaged
her loneliness by reading voraciously.
She admired a high-minded young stu
dent, Fritz Redlich, who spumed her
because he misunderstood her overtures
of friendship.
Mrs. Asmussen's two worldly daugh
ters, home after having failed to find
their fortunes elsewhere, coached Lilly
in the ways of catching a man. Lieuten
ant von Prell, attached to the local
regiment, came to the library, saw Lilly,
and was overwhelmed by her simple
charm. His visit was followed by the
visits of many young officers and men of
fashion of the town. The sisters, Lona
and Mi, jealous of Lilly, hated her for
her ability to attract men without even
venturing out of the Asmussen house.
When Colonel von Mertzbach, the
commander of the regiment, offered Lilly
a job as his secretary and reader in order
to save her from such sordid surround
ings, she declined because she was sus
picious of his intentions. She received
'dozens of fine Christmas gifts from the
colonel, but she returned them all. At
the colonel's request, Lilly went to his
quarters, where he proposed after re
vealing his passion for her. Seeing a
chance for freedom and luxury, Lilly ac
cepted and became his wife. Soon she
discovered, however, that the colonel had
only a physical attraction for her and that
she was little more than his chattel. Their
wedding trip to Italy was interrupted
when the colonel, who was extremely
jealous, saw Lilly take a passive interest
in a young man who shared their com
partment.
The couple went to East Prussia to
the colonel's castle. The colonel, retired
from military service, devoted his time
to molding Lilly into an aristocratic
Junker lady, and in this task he was
assisted by the housekeeper, Miss von
Schwertfeger.
Von Prell, who had resigned his corn-
mission, was now employed on the estate
of his former commanding officer. He
taught Lilly to ride, and on one of their
jaunts together into the countryside she
surrendered herself to him. Having access
to the castle, he made his way to her
room secretly at night. One night the
colonel returned home unexpectedly from
one of his frequent trips to the nearby
town and almost surprised the two to
gether. Miss von Schwertfeger covered
up Lilly's infidelity, however, and later
told her mistress that she hated von
Mertzbach because he had forced her for
years to be a party to mad orgies which
had taken place in the castle. But she
forbade any further relations between
Lilly and von Prell.
Later Lilly, hearing that von Prell
was philandering in the town, went to
his lodge. The colonel discovered them
together, and ordered Lilly off the estate.
She went to Berlin; von Prell went to»
the United States.
Lilly, now divorced, assisted a maker
of lampshades until, being herself pro
ficient, she opened her own shop. When
911
her business venture proved unsuccess
ful, she went to Dehnicker a friend of
von Prell, who was a bronze statuary
manufacturer and who, von Prell had
assured her, would help any friend of
his. To escape Dehnicke's attentions,
Lilly left him and went to Kellermann,
a glass painter, whom Dehnicke recom
mended to her. Kellermann made ad
vances, hut Lilly immediately made him
understand that she was there only to
learn glass painting. As she produced
transparencies, Dehnicke took them and
acted as her agent in selling them. One
day Dehnicke gave Lilly a large check
drawn on an American bank and sent to
her, he said, by von Prell. With her new
wealth, Lilly was able to establish her
studio in a fine apartment in a decent
part of the city. But soon she lost in
terest in her transparencies and began
to live as Dehnicke's creature. She toured
the bronze factory, but was barred from
entering one small storeroom.
Lilly, now virtually a prisoner in the
luxurious surroundings provided by Deh
nicke, grew morose and melancholy. She
and Dehnicke attended an elaborate car
nival at Kellermann's studio. There she
learned that not one of her transparencies
had sold, that the forbidden storeroom
in the factory was their repository.
One day Dehnicke, a bachelor and
very much under the influence of his
mother, announced to Lilly that at his
mother's insistence he intended to marry
an heiress. Lilly, confused and helpless,
yielded herself to Kellermann. But Deh-
oicke gave up the heiress and returned
to Lilly; their old way of life was re
sumed. Still Lilly grew more lonely and
waited for the one man in her life to
appear.
After several years in Berlin, Lilly
again met Fritz Redlich. Seeing that the
former student was a failure and in ex
treme poverty, she prepared to dedicate
her life to regenerating him. She fed
and clothed him, made him a frequent
guest at her table, and finally secured
for him a position as tutor in another
part of Germany. Still misunderstanding
her interest in him, he refused to have
dinner with her the night before he was
to leave for his new job.
Lilly next met Konrad Rennschmidt,
a young student of art history. There
was an immediate sympathy between
the two, and Lilly knew what she
thought was real happiness at last. Be
cause Konrad did not know all the true
facts of Lilly's past, she told him many
lies in her frantic desire to keep his
friendship. At last she surrendered her
self to Konrad and drifted away from
Dehnicke, whose mother still had hopes
that her son would marry well.
Konrad had a rich uncle who came
to Berlin to meet Lilly when he heard
that his nephew planned to marry her.
The old uncle, an adventurer of sorts,
tricked Lilly into disclosing her true
tortured and fallen soul to him. Sure
that Lilly would do Konrad no good and
that his family and friends would not
accept her, he persuaded Lilly never to
see Konrad again.
Having never been essentially evil,
and seeing little hope of happiness in
her life, Lilly attempted to throw herself
in the River Spree after her last great
disappointment. But she failed even in
that attempt. She did, however, throw
The Song of Songs into the river. For
years she had guarded the musical com
position as a symbol of all that was fine
and good in life. At last, when his
mother had resigned herself to the in
evitable, Dehnicke again asked Lilly to
marry him. She accepted. It seemed to
her by this time that Dehnicke was her
fate.
912
SONS AND LOVERS
Type of work: Novel
Author: D. H. Lawrence (1885-1930)
Type of plot: Psychological realism
Time of plot: Late nineteenth century
Locale: England
First 'published: 1913
Principal characters:
GERTRUDE MOREL, a devoted mother
WALTER MOREL, her husband, a collier
WILLIAM, her oldest son
ANNIE, her daughter
PAUL, her favorite son
ARTHUR, another son
MIRIAM LEIVERS, Paul's sweetheart
CLARA DAWES, Paul's mistress
BAXTER DAWES, Clara's husband
Critique:
Sons and Lovers is a realistic novel de
veloping two significant psychological
themes. The first is the story of Paul
Morel's beautiful but terrible relation
ship with his mother, who gives to him
all her warmth of feeling because her
husband has denied her the love she
craves. The second is a study of at
traction and repulsion in love, presented
through Paul's relations with two quite
different women, Clara and Miriam. It
is, on the whole, a tragic story of work,
love, and despair. Lawrence's psycho
logical insight and the poetry of his style
make this novel one of the great land
marks in modern autobiographical fiction.
The Story:
Walter Morel, a collier, had been a
handsome, dashing young man when
Gertrude had married him. But after a
few years of marriage he proved to be an
irresponsible breadwinner and a drunk
ard, and his wife hated him for what
he had once meant to her and for what
he now was. Her only solace lay in her
children, William, Annie, Paul, and
Arthur, for she leaned heavily upon them
for companionship, lived in their hap
piness. She was a good parent; her chil
dren loved her. The oldest son, William,
was successful in his work but he longed
to go to London, where he had promise
of a better job. After he had gone, Mrs.
Morel turned to Paul for the companion
ship and love she had found in William.
Paul liked to paint. More sensitive
than his brothers and sister, he was closer
to Mrs. Morel than any of the others.
William brought a girl named Lily home
to visit, but it was apparent that she
was not the right kind of girl for him;
she was too shallow and self-centered.
Before long, William himself became
aware of that fact, but he resigned him
self to keeping the promise he had made
to his fiance'e.
When William became ill, Mrs. Morel
went to London to nurse her son and
was with him there when he died. Home
once more after she had buried her first
son, Mrs. Morel could not bring her
self out of her sorrow. Not until Paul
became sick did she realize that her duty
lay with the living rather than with the
dead. After that she centered all her
attention upon Paul. The two other
children were capable of carrying on
their affairs without the constant at
tention that Paul demanded.
At sixteen Paul went to visit some
friends of Mrs. Morel. The Leivers were
a warm-hearted family, and Paul easily
gained the friendship of the Leivers
SONS AND LOVERS by D. H. Lawrence. By permission of the publishers, The Viking Press, Inc. Copy
right, 1913, by Mitchell Kennerley.
913
tidldreii. Fifteen-year-old Miriam Leivers
tvas a strange girl, but her inner charm
attracted Paul. Mrs. Morel, like many
others, did not care for Miriam. Paul
went to work at a stocking mill, where
he was successful in his social relation
ships and in his work. He continued
to draw. Miriam watched over his work
and with quiet understanding offered
judgment concerning his success or
failure. Mrs. Morel sensed that some
day her son would become famous for
his art.
By the time Miriam and Paul had
grown into their twenties, Paul realized
that Miriam loved him deeply and that
he loved her. But for some reason he
could not bring himself to touch her.
Then through Miriam he met Clara
Dawes. For a long while Mrs. Morel
had been urging him to give up Miriam,
and now Paul tried to tell Miriam that
it was all over between them. He did
not want to marry her, but he felt that
he did belong to her. He could not make
up his own mind.
Clara Dawes was separated from her
husband, Baxter Dawes. She was five
years Paul's senior, but a beautiful
woman whose loveliness charmed him.
Although Clara became his mistress, she
refused to divorce her husband and marry
Paul. Sometimes Paul wondered whether
he could bring himself to marry Clara
if she were free. She was not what he
wanted. His mother was the only woman
to whom he could turn for complete un
derstanding and love, for Miriam had
tried to possess him and Clara maintained
a barrier against him. Paul continued to
devote much of his time and attention
to making his mother happy. Annie had
married and gone to live with her hus
band near the Morel home, and Arthur
had married a childhood friend who bore
him a son six months after the wedding.
Baxter Dawes resented Paul's relation
ship with his wife. Once he accosted
Paul in a tavern and threatened him.
Paul knew that he could not fight with
Baxter, but lie continued to see Clara.
Paul had entered pictures in local
exhibits and had won four prizes. With
encouragement from Mrs. Morel, he con
tinued to paint. He wanted to go abroad,
but he could not leave his mother. He
began to see Miriam again. When she
yielded herself to him, his passion was
ruthless and savage. But their relation
ship was still unsatisfactory. He turned
again to Clara.
Miriam knew about his love affair
with Clara, but the girl felt that Paul
would tire of his mistress and come back
to her. Paul stayed with Clara, how
ever, because he found in her an outlet
for his unknown desires. His life was
a great conflict. Meanwhile Paul was
earning enough money to give his mother
the things her husband had failed to
provide. Mr. Morel stayed on with his
wife and son, but he was no longer
accepted as a father or a husband.
One day it was revealed that Mrs.
Morel had cancer and was beyond any
help except that of morphine and then
death. During the following months
Mrs. Morel declined rapidly. Paul was
tortured by his mother's pain. Annie and
Paul marveled at her resistance to death,
wishing that it would come to end her
suffering. Paul dreaded such a catas
trophe in his life, although he knew it
must come eventually. He turned to
Clara for comfort, but she failed to make
him forget his misery. Then, visiting
his mother at the hospital, Paul found
Baxter Dawes recovering from an attack
of typhoid fever. For a long time Paul
had sensed that Clara wanted to return
to Dawes, and now, out of pity for
Dawes, he brought about a reconcilia
tion between the husband and wife.
When Mrs. Morel's suffering had
mounted to a torturing degree, Annie
and Paul decided that anything would
be better than to let her live in agony.
One night Paul gave her an overdose of
morphine, and Mrs. Morel died the next
day.
Left alone, Paul was lost. He felt
that his own life had ended with the
914
death, of his mother. Clara, to whom he
had turned before, was now back with
Dawes. Because they could not bear to
stay in the house without Mrs. Morel,
Paul and his father parted, each taking
different lodgings.
For a while Paul wandered helplessly
trying to find some purpose in his life.
Then he thought of Miriam, to whom he
had once belonged. He returned to her,
but with the renewed association he
realized more than ever that she was
not what he wanted. Once he had
thought of going abroad. Now he wanted
to join his mother in death. Leaving
Miriam for the last time, he felt trapped
and lost in his own indecision. But he
also felt that he was free from Miriam
after many years of passion and regret.
His mother's death was too great a
sorrow for Paul to cast off immediately.
Finally, after a lengthy inner struggle,
he was able to see that she would always
be with him and that he did not need to
die to join her. With his new found
courage he set out to make his own life
THE SORROWS OF YOUNG WERTHER
Type of work: Novel
Author: Johann Wolfgang von Goethe (1749-1832)
Type of plot: Sentimental romance
Time of plot: Mid-eighteenth century
Locale: Germany
Zirst published: 1774
Principal characters:
WERTHER, a sentimental young man
CHARLOTTE (Loirs), his beloved
ALBERT, betrothed to Charlotte
Critique:
Many teachers of literature consider
The Sorrows of Young Werther the
starting point of a certain phase of the
romantic movement which in England
reached its peak in the early nineteenth
century and which at a later date left
its mark upon the novels of Charles
Dickens and others. The interest in land
scape, in excessive emotion, and in de
spairing passion developed more freely
and earlier on the continent, but when
such books reached England they found
immediately a sympathetic audience of
readers and many imitators among the
writers of the period. Today, however,
the novel belongs almost exclusively to
poets, scholars, and special readers of
one kind or another. Perhaps it will
always appeal to the very young in
spirit.
The Story:
Young Werther, having left his former
home, wrote to his friend Wilhelm to
describe the secluded region where he
had gone to forget the unhappiness of his
earlier years. He had discovered a pleas
ant cottage surrounded by a lovely gar
den, and he felt that in his peaceful
retreat he could live in happy solitude
forever.
A few days later he reported that his
soul had recovered in his rustic surround
ings. He did not want books or the
companionship of his old friends, for he
had been transported into a new world
of kinship with nature. He mentioned
a nearby hamlet called Walheim and the
village inn where he could drink good
coffee, sit in solitude, and read his
Homer. Several letters to Wilhelm told
the same story of Werther* s simple life
among scenes of natural beauty.
Suddenly there was a break in his
letters. Then he wrote to tell his frienc)
that he had met an angel. At a ball he
had been introduced to Charlotte S., the
daughter of a judge who had retired t<?
915
a hunting lodge not far fxom Walheim.
Charlotte was a beautiful and charming
girl, and in spite of the fact that she was
betrothed to another, Werther had fallen
deeply in love with her at first sight.
Perhaps his passion ran all the more
deeply because he had been warned not
to fall in love with her, since she was
betrothed to a young man not present
at the ball. The warning went unheeded.
At the dance Werther had demanded
much of her attention. He had begun
to ask her some questions about the
Albert to whom she was betrothed when
a storm suddenly interrupted the dance.
The hostess led the guests into a room
protected by curtains and shutters. There
they played a game called counting.
Once Werther kissed Charlotte's hands.
When the party broke up at sunrise,
he took her to her home through a
dazzling world of raindrops and morning
sun.
From that time on he called every
day on Lotte, as he referred to her in his
letters. He grieved over their separation
when she went to attend a sick woman
whom she knew. One day he went with
her to visit an old pastor; he noted that
her youthful presence seemed to bring
new life to the old man as well.
Because he could not bear to have her
out of his sight, Werther began to object
to the time Lotte gave to sick friends and
to other acquaintances. A glimpse of her
as she rode away on some errand was
enough to set his head spinning and his
heart beating wildly. If her finger ac
cidentally touched his, the blood pounded
through his veins. To his friend he con
fessed that he had done little of the
painting he had intended; all of his time
was taken up with his love for Charlotte.
After his friend Wilhelm had written,
advising him either to press his suit for
Lotte or else to give up his hopeless pas
sion, Werther decided to see the girl
less frequendy. His decision was further
strengthened when Albert returned to
Walheim. Jealous of Albert, Werther
wrote nevertheless that he admired his
rival's fine character. In answer to further
urging from his friend, Werther replied
that he could neither give up Lotte nor
hope to win her from Albert.
Werther grew more and more melan
choly. Because he could hope to possess
Lotte only in his dreams, he was plunged
into gloom and despair. At last, de
ciding that he must leave Walheim, he
asked Wilhelm to secure a government
post for him. When Wilhelm suggested
a post with an ambassador, Werther post
poned his acceptance or refusal of the
position. But Wilhelm obtained the ap
pointment without waiting to hear from
his friend, and so Werther's course was
decided for him. During the two last
hours he spent with Lotte and Albert,
he pretended all the time that he was
not going away. He felt that their fare
wells would be more than he could
bear.
At first the official duties of his new
position kept Werther from brooding
over his sorrows. But as time passed he
began to dislike the ambassador under
whom he worked. No longer interested
in government affairs, he reproached Wil
helm for securing his appointment. He
chafed constantly at the responsibilities
he was forced to assume.
At last he wrote a letter to Lotte. Al
bert wrote to him in reply and informed
him that the two had been married some
time before.
Meanwhile Werther had resigned his
position at court. Failing in his attempt
to enter the army, he accepted the offer
of a young prince to spend the summer
on his estate. When he failed to find
in the nobleman's household the peace
and calm for which he had hoped, he
decided at last to return to Walheim in
order to be near Lotte.
His first .encounter with Albert and
Lotte threw him into such a state that
his letter to Wilhelm was almost in
coherent. He could not understand why
Albert did not look more distractedly
happy. Lotte pitied Werther and Albert
sympathized with him, hut they were
916
unable to help him. At the same time
Werther was concerned with the fate
of a peasant who had been convicted of
murder. Failing to save the man from
his fate, Werther was more wretched than
ever. At last, following her husband's
suggestion, Lotte suggested that Werther
visit her house less frequently. In de
spair, he wrote that when he could bear
his sorrows no longer he intended to
end his life.
The rest of his story was told by
others. One night, while Albert was
away from home, Werther went to Lotte's
house. Frightened by his speech and
appearance, she asked him to read aloud
some passages from Ossian. After he had
seized her in a wild embrace, she fled
and locked herself in her room. He
stood outside the door and begged her
to speak so that he could hear her voice
for the last time.
The next day he sent a servant to
Albert and asked for the loan of a brace
of pistols to take with him on an unex
pected journey. He shot himself that
night, but he was not quite dead when
his servant found him the next morning.
He died at noon without regaining con
sciousness. Charlotte, hearing of his
death, fell into a swoon so deep that her
life was despaired of. Workmen of the
village carried Werther' s body to its rest
ing place under the lime trees at Wai
heim.
THE SOUND AND THE FURY
Type of work: Novel
Author: William Faulkner (1897- )
Type of 'plot: Psychological realism
Time of plot: 1910-1928
Locale: Mississippi
First published: 1929
Principal characters:
MRS. COMPSON, the mother
BENJAMIN, her idiot son
QUENTIN, another son
CANDACE, her daughter
JASON, another son
SYDNEY HERBERT HEAD, Candace's husband
QUENTTN, Candace's daughter
DILSEY, a Negro servant
Critique:
Beneath its involved and difficult tech
nique, The Sound and the Fury is a
compelling study of the dissolution of an
old southern family gone to seed. The
members of the Compson family are
victims of lust, incest, suicide. The story
is told through the minds of the various
characters, and the scene jumps from
1928 to 1910 without so much as a
change of sentence. The lack of punctua
tion is effective, but confusing, for it
is difficult to tell where reality ends and
memory begins. The book is divided into
four parts, but only in the last two parts
does the story fall into a clear pattern.
Then the pieces of the puzzle begin to
fit into place and the reader finds that
he is experiencing stark tragedy and
horrible reality. The novel is not e;
to read, but it is powerful work that wi
haunt the reader for many days after
the last page has been turned.
The Story:
The Compson family had once been
a good one, but the present generation
THE SOUND AND THE FURY by William Faulkner. By permission of the author and the publishers,
Raadom House, Inc. Copyright, 1929, by William Faulkner.
917
had done everything possible to ruin
the name of Compson for all time. In
the little Mississippi town in which they
lived everyone laughed and made slight
ing remarks when the name Compson
was mentioned.
Mrs. Compson had come from what
she considered good stock, but she
thought she must have sinned terribly in
marrying a Compson and now she was
paying for her sins. For eighteen years
she had been saying that she did not
bave long to live and would no longer
be a burden to her family. Benjamin
was her greatest cross. He was an idiot
who moaned and cried and slobbered all
day long. The only person who could
quiet Benjamin was Candace, his sister.
When they were small, Candace loved
Benjamin very much and made herself
his protector. She saw to it that the
other children of the family and the
Negro servants did not tease him. As
Candace grew up, she continued to love
Benjamin, but she also loved every man
she met, giving herself freely to any man
who would have her. Mrs. Compson
thought Candace was another cross she
had to bear and did very little to force
her daughter to have better morals.
Quentin, another son, was a moody,
morose boy whose only passion was his
sister Candace. He loved her not as a
sister, but as a woman, and she returned
his love. Quentin was sent to school at
Harvard. But although she loved Quen
tin in the spirit, Candace could not keep
away from other men. Sydney Herbert
Head was the one serious lover she had.
He wanted to marry her. Head, a banker,
promised to give her brother Jason a job
in his bank after they were married.
When Quentin learned that Candace
was in a condition which made her mar
riage necessary, he was wild. He lied
to his father and told him that he had
had incestuous relations with Candace
and that she must not be allowed to
marry. His father did not believe him,
and the family went along with their
plans for the wedding. At last Quentin
could stand no more. On the day of his
sister's wedding he drowned himself in
the Charles River in Cambridge, Massa
chusetts. Mrs. Compson resigned her
self to one more cross.
When Candace had a baby too soon,
Head threw her out of his house with
her child. Her mother and father and
her brother Jason would not let her come
home, but they adopted the baby girl,
Quentin. Jason believed that Quentin
was the child of his brother Quentin and
Candace, but the rest of the family re
fused to face such a fact and accept it.
They preferred to believe, and rightly,
that Quentin was the child of some other
lover who had deserted Candace. Can-
dace stayed away from the little town
for many years.
Quentin was as wild as her mother as
she grew up. She, too, gave herself to
any man in town and was talked about
as her mother had been. Every month
Candace sent money to Mrs. Compson
for Quentin's care. At first Mrs. Comp
son burned the checks, for she would
have none of Candace's ill-gotten money.
When Mr. Compson died, Jason became
the head of the family. He blamed
Quentin for his not getting the job in
the bank, for if the child had not been
born too soon Head would not have left
Candace and would have given Jason the
job. Hating his sister, he wrote checks
on another bank and gave those to his
mother in place of the checks Candace
had sent. The old lady was almost
blind and could not see what she burned.
Jason then forged her signature on the
real checks and cashed them, using the
money to gamble on the cotton market.
Quentin hated her Uncle Jason as
much as he hated her, and the two were
always quarreling. He tried to make her
go to school and keep away from the
men, but Mrs. Compson thought he
was too cruel to Quentin and took the
girl's part.
A show troupe came to town and
Quentin took up with one of the per
formers. Jason locked her in her room
918
each night, but she climbed out the win
dow to meet her lover. One morning she
did not answer when old Dilsey, the
colored mammy who had cared for the
family for years, called her to breakfast.
Jason went to her room and found that
all her clothes were gone. He also
found that the three thousand dollars
he had hidden in his room had been
stolen. He tried to get the sheriff to
follow the girl and the showman, but
the sheriff wanted no part of the Comp-
son family affairs. Jason set out to find
the fugitives, but he had to give up his
search when a severe headache forced
him to return home for medicine.
Jason felt more than cheated. His
money was gone and he could not find
Quentin so that he could punish her for
stealing it. He forgot that the money
really belonged to Quentin, for it was
part of the amount he had saved from
the money Candace had sent for the
girl's care. There was nothing left for
Jason but blind rage and hatred for every
one. He believed that everyone laughed
at him because of his horrible family —
because Benjamin was an idiot, Candace
a lost woman, Quentin a suicide, and
the girl Quentin a village harlot and a
thief. He forgot that he, too, was a thief
and that he had a mistress. He felt
cursed by his family as his mother was
cursed.
When he saw Benjamin riding through
town in a carriage driven by one of the
colored boys, he knocked the colored
boy down and struck Benjamin with all
his force, for there was no other way for
him to show his rage. Benjamin let out
a loud moan, then settled back in the
carriage. He petted a wilted flower and
his face assumed a calm, quiet, blankness,
as if all the strife in the world were
over and things were once more serene.
It was as if he had understood what old
Dilsey meant when she said she had
seen the beginning and the end of life.
Benjamin had seen it all, too, in the
pictures he could never understand but
which flowed endlessly through his dis
ordered mind.
THE SPOILERS
Type of -work: Novel
Author: Rex Beach (1877-1949)
Type of plot: Adventure romance
Time of 'plot: The Alaska gold rush
Locale: The Yukon
First published: 1906
Principal characters:
ROY GLENISTER, the owner of the Midas gold mine
BILL DEXTRY, Glenister's partner
MR. McNAMARA, a politician
HELEN CHESTER, the girl with whom Glenister is in love
JUDGE STILLMAN, her uncle
CHERRY MALOTTE, a notorious woman in love with Glenister
MR. STBUVE, a dishonest lawyer
Critique:
The Spoilers is a lusty book about a
raw new land filled with adventurers and
gamblers of all kinds. Blood and thunder
leap forth from every page. The real
fault of the novel is the number of
coincidences. In his scenes of action the
author is at his best. His descriptions
and dramatic incidents, like the battle at
the mines or the epic bare-handed duel
between the hero and the villain, are
THE SPOILERS by Rex Beach. By permission of the author and the publishers, Harper & Brothers. Copy-
right, 1905, by Rex Beach. Renewed, 1932, by Rex Beach.
919
his best work. The merit of the book
lies in such, not in the loosely-planned
plot or the love story.
The Story:
Trouble began for Glenister and Dex-
try, the owners of the Midas mine, the
moment they started from Seattle back
to the frozen North. First of all a
young woman, Helen Chester, enlisted
their aid in stowing away aboard their
ship. Then Roy Glenister fell in love
with her. After they were aboard Dex-
try told Glenister that the government
was sending a court to institute law and
order in the gold country and warned
hirp that they would have to be careful
lest they lose their claim to the Midas
mine.
In Nome Helen delivered a packet of
documents to the law firm of Struve and
Dunham and then went with the two
partners up to the Midas mine. There
was no place else for her to go for the
time being.
Two weeks later her uncle, Judge
Stillman, arrived in Nome with a poli
tician named McNamara. Stillman had
been appointed the first Federal judge in
Nome, Alaska. Trouble soon brewed for
the owners of the mines on Anvil Creek,
including Glenister and Dextry. Their
claims were relocated and possession of
the mines was given to McNamara as a
receiver appointed by the court until the
claims could legally be cleared. Con
vinced that the receivership was dis
honest, Glenister and Dextry robbed their
mine of ten thousand dollars in gold with
which to send their attorney to San
Francisco. By the time the attorney had
made the trip and returned, all the mine
owners on Anvil Creek realized that
there was collusion between Judge Still
man and McNamara. When the attorney
tried to serve an injunction which would
force the judge to return the mines to
the owners, Stilhnan refused to recognize
the writ from the San Francisco court.
Glenister and Dextry immediately smug
gled their attorney aboard a ship bound
for San Francisco, with a request that
United States marshals be sent to Nome
to serve the writ and arrest Stillman for
contempt of court.
Meanwhile Glenister and Dextry spied
on McNamara and discovered the part
Helen Chester had played in bringing
in the documents which had made pos
sible the theft of the mines by Mc
Namara. Cherry Malotte also told Glen
ister that Helen had informed McNamara
of the money Glenister and Dextry had
at their camp. The last straw for Glen
ister was the announcement that Mc
Namara and Helen were to be married.
Deciding to repossess their mines by
violence, the owners on Anvil Creek
formed a vigilante committee with the
intention of lynching McNamara and
tarring and feathering the judge.
After spreading the word that troops
were going to guard the mines, Mc
Namara laid a trap for the vigilantes at
his office in Nome. He thought that the
mine owners, not daring to attack the
troops, would attack his own office. To
his surprise, the owners attacked the
mines and seized them after a short,
sharp battle. They discovered that the
defending force had been only a few
guards posted by McNamara.
In the meantime Helen Chester had
gone to Struve to discover what she could
about the dealings of her uncle and Mc
Namara. At a deserted hotel outside
Nome he tried to bargain with the girl
for the documents he had, papers which
would incriminate himself, the judge,
and McNamara of collusion to rob the
mines. After Helen had read the papers,
he tried to attack her. As he was about
to overpower her, a gambler — Helen's
long-lost brother — appeared on the scene
and shot Struve. Helen and her rescuer
set out through a terrific storm to return
to Nome and turn over the incriminating
documents to Glenister and other mine
owners.
A few hours after they had left, Glen
ister himself came to the hotel and dis
covered the wounded man. Struve told
920
Glenister that Helen had left the hotel
with a cheap gambler. Furious, Glen
ister rode back to Nome. He resolved to
hunt down McNamara and the gambler
and to kill them both.
When Glenister arrived in Nome early
the following morning, he found Mc
Namara alone in his office. Glenister
laid aside his coat and gun to fight the
man hand-to-hand. In their struggle they
demolished the office. A crowd gathered
to watch them. Feeling himself slipping,
McNamara tried to reach for a pistol.
As he did so, Glenister seized him in a
hammerlock and slowly broke his arm.
At that moment Judge Stillman arrived
at the office with several soldiers and put
Glenister under arrest.
As he was being led away to jail, a
ship sailed into the harbor. Shortly after
ward Glenister's attorney came ashore
with several United States marshals and
the court orders from San Francisco.
With Stillman's power broken, Glenister
was quickly released. When he returned
to his cabin to rest, Dextry told him that
his fight with McNamara was the talk
of the town, for no one had ever seen
a combat like it in all the rugged North
country. Glenister, too tired to care,
stumbled into his bunk and fell asleep.
He was finally awakened when Helen
and her gambler brother entered his
cabin. Helen told Glenister of the
gambler's real identity and tried to prove
to him that she had not willingly been
a partner in the plot to rob the mine
owners of Anvil Creek. What she told
him convinced Glenister that she was
telling the truth. She also told him that
she had seen his fight with McNamara,
that she could never marry a man who
was more of a brute animal than a
civilized human being.
The next day all was again peaceful
in Nome. Glenister planned to return
to his mine and resume operations there.
While he was preparing to leave, Dextry
walked into his cabin. Dextry told him
that he was going to sell his share of the
Midas mine and leave Nome. His ex
cuse was that law and order had finally
come to Alaska, so that the country was
growing too civilized for an old frontiers
man like himself.
After Dextry left, Glenister wandered
down toward the beach, too downhearted
to finish his preparations for going to the
mine. Helen Chester saw him on the
beach. Calling him to her, she told him
that she finally understood why he could
be as brutal as he was, for her own battle
with Struve had shown her how thin the
veneer of civilization was in the far
North, where life had to be fought for
against both men and the elements.
Glenister pretended not to understand
what she meant, and asked her when
she was leaving. Her reply to him was
that she did not intend to leave, unless
he sent her away.
THE SPY
Type of work: Novel
Author: James Fenimore Cooper (1789-1851)
Type of plot: Historical romance
Time of plot: 1780; 1812
Locale: New York State
First published: 1821
Principal characters:
HARVEY BIRCH, a peddler
MR. HARPER, General George Washington
MR, WHARTON, a Loyalist sympathizer
FRANCES, his daughter
SARAH, another daughter
HENRY, his son
921
MAJOR PEYTON DUNWOODEB, an American officer
CAPTAIN LAWTON, another American officer
COLONEL WEULMERE, a British officer
Critique:
Judged by modern standards, The Spy:
A Tale of the Neutral Ground is still a
satisfactory historical novel. As Cooper
remarked in the introduction to his novel,
however, his purpose in The Spy is
frankly patriotic. If the reader bears this
fact in mind, he can understand that
Peyton Dunwoodie is supposed to repre
sent the ideal American soldier and
officer; Frances Wharton, the ideal of
American womanhood; and Washington,
of course, the ideal father of his country,
combining Roman strength and vigor
with American humanity and humility.
This understanding will help the reader
to appreciate Cooper's point of view. The
great historical novelist of the early nine
teenth century was an intensely nation
alistic individual who, conscious of the
;t achievements and potentialities of
country, looked forward eagerly to
the development of a great nation.
The Story:
At the beginning of the Revolutionary
War, Harvey Birch, a peddler, became
a spy against the British. Because of the
extremely secret nature of Birch's work,
few Americans were aware of his true
mission. As a matter of fact, they sus
pected that he was a British spy, and they
denounced him as a bold and shameless
Tory.
At the time, Westchester County in
New York was considered common
ground for both the rebels and the Loyal
ists, and the inhabitants of the county
affected a neutrality they did not feel.
This was the case of Mr. Wharton, a
British sympathizer, who at the outbreak
of hostilities had retired to his country
estate with his two daughters, Sarah and
Frances, and their aunt, Miss Jeanette
Peyton*
One evening as a storm was approach
ing a horseman rode up to the Whanon
house, The Locusts. He was a tall man
of powerful frame, military in his bearing
but plain and sober in his dress. After
being let into the house by the Whartons*
Negro servant, Caesar Thompson, the
traveler introduced himself as Mr. Harper
and asked for shelter from the storm. Mr.
Wharton courteously granted the travel
er's request, and the two men were soon
engaged in conversation concerning the
progress of the war. Mr. Wharton ex
pressed his views cautiously in order to
determine Mr. Harper's sentiments, but
the stranger remained tight-lipped and
uncommunicative in his replies.
The conversation between the two
men was interrupted by the arrival of
Henry Wharton, Mr. Wharton's son and
a captain in the British army. The young
man wore a disguise because he had been
compelled to cross the American lines in
order to visit his home. He was discon
certed when Mr. Harper recognized him,
despite the disguise.
Later Harvey Birch, the peddler be
lieved by all in the neighborhood to be a
royalist spy, came to the Wharton home,
bringing with him laces for the ladies,
tobacco for Mr. Wharton, and news of
the war — news which included a report
of the hanging of Major Andre*. During
Birch's visit, Caesar, the colored servant,
remarked to his master that he had heard
voices in Mr. Harper's room. There
seemed to be no reason why the traveler
and the peddler should have matters to
talk over in private.
With the return of fair weather, Mr.
Harper said goodbye to his host. Before
he departed he promised to help Henry
Wharton, if the latter ever needed help,
in return for Mr. Wharton's hospitality.
Shortly after Mr. Harper left, the Whar
ton home was surrounded by a troop of
Virginia cavalry looking for a man an
swering Mr. Harper's description. When
922
the American soldiers entered Mr. Whar-
ton's house, they discovered Henry,
whose disguise was so hastily assumed
that Captain Lawton, in command of the
troop, was able to discover the deception.
The captain was certain that Henry was
a spy because he knew that Birch, whom
he believed a British spy, had recently
been visiting the Whartons.
Not certain what course he should fol
low with Henry, Captain Lawton con
sulted his superior, Major Peyton Dun-
woodie, who was interested not only in
Henry Wharton but also in Henry's sis
ter, Frances. She pleaded with her lover
for Henry's release, but when Henry was
found to have a pass signed by General
Washington, Major Dunwoodie thought
that the case warranted Henry's arrest.
Further investigation by Major Dun
woodie into the matter was halted by a
report that British troops were in the
neighborhood. The major rushed to his
command, leaving Henry guarded by two
soldiers.
In the confusion Henry escaped. He
reported to his superior, Colonel Well-
mere, leader of the advancing British
troops, who professed to be in love with
Sarah Wharton. When Henry advised
the colonel to be wary of Major Dun
woodie and his Americans, Wellmere
scorned the advice and determined to
force a fight with the rebels. In the brief
engagement which followed the British
were routed and Captain Lawton suc
ceeded in recapturing Henry, who was
returned under guard to his father's
home. Colonel Wellmere, also taken pris
oner, was slightly wounded in the action.
Chagrined by his defeat and capture, he
gave the impression that his injuries were
mortal, much to the distress of Sarah
Wharton.
Birch was watching Major Dun-
woodie's success from a distant hill when
he was sighted by Captain Lawton, who
determined to capture the spying peddler
dead or alive. In the pursuit, Captain
Lawton overtook Birch, but he fell from
his horse and found himself at the ped
dler's mercy. Birch, however, spared Cap
tain Lawton's life, and for that act oi
magnanimity the captain would not allow
his men to overtake the peddler.
A price was put on Birch's head. One
night his house was ransacked and burned
by a band of lawless men called Skinners,
who surprised the peddler and his dying
father. They then delivered Birch to
Captain Lawton and claimed their re
ward. Major Dunwoodie, who was also
present when the peddler was brought in,
accused him of treason. Although Birch
possessed a paper which would have
cleared him of the charge, he swallowed
it rather than betray the confidence of
his secret employer. Captain Lawton paid
the Skinners in gold for their captive, but
he also ordered them whipped for burn
ing, robbing, and murdering.
Birch was put in jail, but that night he
escaped in the guise of a washerwoman
who visited his cell. The next morning,
on the outskirts of the American camp, he
confronted Major Dunwoodie again,
With a gun pointed at the officer, to
prevent recapture, the peddler warned
him to be on guard against danger
to the Whartons. Major Dunwoodie was
alarmed by the thought of danger threat
ening Frances Wharton. He was also
much disturbed because he felt that he
could never win Frances if her brother
were executed as a spy. Major Dun-
woodie's troubles were magnified when,
after assuring Frances that he would try
to get General Washington's help for her
brother, she turned from him coldly be
cause she believed that he was in love
with Isabella Singleton, the sister of an
American officer who was recuperating at
The Locusts from injuries sustained in
the battle.
Meanwhile Sarah Wharton had ac
cepted Colonel Wellmere's proposal of
marriage, and a date for the wedding had
been set, the night when there was to
be an exchange of prisoners at the WTiar-
ton house. Major Dunwoodie and Cap
tain Lawton were among the guests dur
ing the truce arranged for the exchange
923
and the wedding. The ceremony was sud
denly interrupted, however, by the ap
pearance of Birch, who told the colonel
that the Englishman's wife had crossed
the ocean to meet him. Sarah fainted.
Captain Lawton challenged Colonel
Wellrnere to a duel. The Englishman
missed his mark, but Captain Lawton
was prevented from killing his adversary
when the Skinners leaped upon him and
overpowered him. Colonel Wellrnere
fled the scene, and Captain Lawton was
able to escape his enemies only after a
fierce struggle.
The Skinners then proceeded to burn
Mr. Wharton's house. Captain Lawton
returned to the scene with troops he had
met on the road, and after routing the
Skinners he rescued Frances from the
blazing house. Birch rescued Sarah and
again Captain Lawton permitted the ped
dler to escape. A bullet fired at Captain
Lawton from the darkness, apparently by
the Skinners, struck Isabella Singleton
and wounded her mortally. On her death
bed she confessed to Frances her love for
Major Dunwoodie but said that he
thought of her only as a friend.
At his trial Henry Wharton admitted
that he had used a disguise in order to
pass through the American lines, but he
insisted that his reason for doing so had
been for the one purpose of visiting his
family, especially his aged father. Major
Dunwoodie himself vouched for Henry's
character. Frances, however, ruined her
brother's chances for acquittal when she
confessed that Henry had had dealings
with Birch, who, she told the court, had
given her brother his disguise. Henry's
fate seemed certain. He was found guilty
and sentenced to be hanged on the fol
lowing day.
Major Dunwoodie declared that he
would go to General Washington to make
an appeal for the life of his friend. His
attempt was unsuccessful, however, for
the commander-in-chief was not at his
headquarters.
Soon afterward a tall, gaunt man in
clerical dress appeared and announced
himself as a minister from a nearby vil
lage, come to offer spiritual comfort to
the condemned man. Admitted to
Henry's cell, he revealed himself as Har
vey Birch. He helped Henry to disguise
himself as Caesar Thompson, the faithful
black servant of the Whartons, and led
the young officer past the unsuspecting
sentinel with the remark that the black
servant was being sent on an errand for
his master.
Frances, hearing of the escape, thought
that her brother and the peddler would
probably hide in a cabin not far away.
Stealing away from the American lines,
she set out to join them. But to her
surprise, she found the cabin occupied
by Mr. Harper, who was poring over an
outspread map. Recalling his promise to
help her brother, she told him the whole
story. He reassured her that all would
be well and told her to return to head
quarters to await Major Dunwoodie.
Orders from General Washington ar
rived in time to relieve Major Dun
woodie of the necessity of tracking down
Henry, who was thus allowed to escape.
Several days later Birch saw him safely
aboard a British man-of-war in New York
harbor.
Frances and Major Dunwoodie decided
to be married immediately. Within a
short time, however, their bliss was tem
pered by the news that Captain Lawton
had fallen in battle with the British.
Some time later Birch appeared at the
headquarters of the American army in
a New Jersey town. There he had a long
interview with a grave and noble man
whom the Whartons would have recog
nized as Mr. Harper. The peddler called
him General Washington. During their
talk the general attempted to reward his
faithful spy by giving him money. The
peddler refused to accept payment for
his services to his country, but he did
welcome a letter of approbation from his
commander-in-chief. It was agreed that
the peddler's real mission as an American
spy should remain a secret which only
they would share.
924
Thirty-two years later, in the War of
1812, a gaunt old peddler appeared on
the Canadian border and carried word
of British troop movements to the Ameri
can lines. There he met Captain Whar-
ton Dunwoodie, the son of Major Peyton
Dunwoodie and his wife Frances. To
him the peddler acknowledged his earlier
acquaintanceship with the young officer's
parents.
A few days later, during a battle, the
old peddler threw away his pack and with
a musket seized from a fallen soldier
rushed into the fight. After the battle
Captain Dunwoodie found the old man's
body and on his person a letter, signed
by George Washington, which revealed
Harvey Birch, not as a despicable spy but
as a loyal, heroic, and long-suffering
patriot.
STATE FAIR
Type of work: Novel
Author: Phil Stong (1899-1957)
Type of plot: Regional romance
Time of plot: Early 1930's
Locale: Iowa
First published: 1932
Principal characters:
ABEL FRAKE, a prosperous fanner
MELISSA FRAKE, his wife
WAYNE, his son
MARGY, his daughter
ELEANOR, Wayne's friend
HARRY WARE, Margy's friend
EMILY, a girl Wayne met at the fair
PAT GILBERT, a newspaperman
THE STOREKEEPER, a local philosopher
BLUE BOY, a prize boar
Critique:
In State Fair Phil Stong has accurately
and sympathetically shown us the re
actions of a typical Midwestern family to
that most important event of the year,
the state fair. The members of the Frake
family might be any of our neighbors,
and the storekeeper the cracker-barrel
sage at whom all small towns smile in
dulgently. State Fair has no lesson to
teach or moral to point up. It is interest
ing in characterization and entertaining
in story and therefore achieves the pur
pose for which it was written.
The Story:
Abel Frake knew that this year Blue
Boy would be judged the finest boar at
the state fair. As he discussed his hog
with the men loafing in the store one
Saturday night, he found the store
keeper as pessimistic as usual.
The storekeeper believed that some
thing intangible was always working to
see that things did not go too well for
most people. What it was he could not
exactly say, but he was willing to bet
Abel five dollars that it would either
keep him from winning the blue ribbon
or let him win because some other catas
trophe would occur later. Abel, ac
customed to the storekeeper's gloom, went
home with his confidence in Blue Boy
unshaken.
As Abel and his wife Melissa made
plans for the next day's start for the
fair, their son and daughter were not so
carefree. Wayne was with Eleanor, home
from her first year in college. But she
STATE FAIR by Phil Stong. By permission of the author and his agent Harold Matson. Copyright, 1932,
by Phil Stong
925
was changed. Before she went away she
had always been his girl; now she did
not want to he committed to any promises
for the future. Wayne drove home in
gloomy silence. When he pulled into
die farmyard, he found his sister Margy
and Harry Ware sitting in his con
vertible. Harry was begging Margy to
marry him as soon as she came home
from the fair. But Margy, like Eleanor,
did not know whether it was Harry she
wanted.
Sunday was spent in making last-
minute preparations for their departure.
Melissa checked the jars of pickles she
intended to exhibit at the fair. Abel could
do nothing except groom Blue Boy.
That evening they started out in the
farm truck. The pickles and Blue Boy
were given most consideration in the
packing, for they were to win honors
for the family. Abel drove all night and
reached the fairgrounds in Des Moines
on Monday morning. Blue Boy was
taken at once to the stock pavilion, and
the family set up their tent in an area
reserved for fair visitors.
As soon as Wayne could get away, he
went to the fairgrounds to look tor a
barker who had cheated him the year be
fore. During the past year Wayne had
practiced throwing hoops, and he almost
cleaned out the barker before he stopped
throwing. When the barker threatened
to call the police, a girl who had been
watching called his bluff and walked
away with Wayne. Her name was Emily;
she was the daughter of a stock-show
manager. She and Wayne visited other
booths together. In the afternoon they
went to the horse races and Emily won
some money for them to spend.
While Wayne was busy with Emily,
Margy strolled around the fairgrounds
and looked at the exhibits. That night
she and Wayne planned to visit the mid
way, but they became separated and
Margy went on alone. On the roller
coaster she met Pat Gilbert, a reporter
for a Des Moines paper. Margy found
that she could talk easily with Pat.
On Wednesday Melissa's pickles won
three blue ribbons. A photographer who
was with Pat took pictures of Melissa
and Margy. Neither Wayne nor Margy
had told their family about their new
friends, and Margy had to pretend that
she did not see Pat at the exhibit. As
soon as she could get away, she and
Pat went again to the roller coaster. As
they walked back to the tent grounds that
night, they stopped in a grassy spot that
was hidden from the walks and paths.
Pat took Margy in his arms and kissed
her, and she gave herself to him willingly.
On Thursday the most important event
was the judging of the hogs. Although
Abel was nervous and at times had doubts
of his victory, he was not really much
surprised when Blue Boy had the blue
ribbon pinned on his stall. The judges
declared him the finest boar they had
ever seen, and from then on the fair
was over for Abel. In fact, the judging
over, he and Melissa had little interest
in the remainder of die week.
That evening Wayne and Emily went
to a stage show in the city, and Wayne
thought it the most wonderful show he
had ever seen. Afterward Emily took
Wayne to her hotel room and gave him
a drink of whiskey. He had never tasted
liquor before; it gave him a wonderful,
warm feeling inside. Emily went into
another room to change from her eve
ning gown. Wayne was not surprised
when she returned wearing only a thin
kimona. He had known what to expect
when he had gone to the hotel with her.
On Friday evening Pat asked Margy to
marry him right away. He loved her and
wanted to keep her with him. But
she knew that a marriage between them
would never work out. Pat was resdess
and wanted to see the world. He thought
now that he would gladly setde down in
Des Moines for the rest of his life if he
could have Margy with him, but she
knew that he would grow resdess again
and be unhappy with her. When she
told him goodbye, she knew she would
not see him again.
926
That same night Wayne told Emily
that he loved her and asked her to marry
him and go back to the farm with him.
Emily also refused. She, like Pat, could
never stand quiet life on the farm. She
was not a wild girl, but she still wanted
to enjoy the pleasures of youth.
The next morning the family packed
their truck and went back home. On
Sunday Eleanor and Harry came to
dinner as though nothing had happened
that made this Sunday different from any
other. The storekeeper drove out and
paid his five dollars to Abel, conceding
that nothing would happen in the next
two months to make him win the bet.
But as he looked at Wayne and Margy,
he smiled, as if he saw that something
had already happened.
THE STORY OF A BAD BOY
Type of work: Novel
Author: Thomas Bailey Aldrich (1836-1907)
Type of 'plot: Regional romance
Time of plot: Nineteenth century
Locale: New Hampshire
First published: 1869
Principal characters:
TOM BAILEY ALDRICH, the narrator
CAPTAIN NUTTER, his grandfather
Miss ABIGAIL, the captain's sister
KITTY COLLINS, the Nutter maid
BILL CONWAY, and
SETH RODCERS, Tom's enemies
SAILOR BEN, Tom's friend; Kitty's missing Husband
PHIL ADAMS,
PEPPER WHITCOMB, and
BINNY WALLACE, Tom's friends
Critique:
The Story of a Bad Boy is one of the
most fascinating and amusing accounts
of the life of an American boy in the
early part of the nineteenth century.
Acknowledged by the author to be largely
autobiographical, it is an adult recapture
of childhood experience. The fictional
Rivermouth is Portsmouth, New Hamp
shire, the author's childhood home.
The Story:
Tom, the son of a banker, was born at
Rivermouth in New England. When he
was eighteen months old, however, his
family moved to New Orleans, and there
he lived until he was ten, growing up in
almost complete ignorance of everything
that was not Southern. In his tenth year,
he was sent North to live with his Grand
father Nutter. Tom soon learned to ad
mire his hale, cheery grandfather and to
respect his great-aunt, Miss Abigail. The
fourth member of the household was Kitty
Collins, the maid, an Irish girl happily
married to a sailor until he sailed away
one day and failed to return.
Tom's grandfather sent him to school
immediately — to keep him out of mis
chief. At the Temple Grammar School
he made friends with many boys and in
curred the enmity of two, Bill Conway
and Seth Rodgers. Tom's friends de
cided to put on a play, William Tellf in
Tom's barn. Pepper Whitcomb, as Wai'
ter Tell, balanced an apple on his head,
while Tom played the part of William,
Tom's arrow missed the apple and struck
Pepper in the mouth. The theatricals
ceased abruptly.
Bill Conway 's tyranny finally drove
THE STORY OF A BAD BOY by Thomas Bailey Aldrich. By permission of the publishers, Houghtoa
Mifflin Co. Copyright, 1869, 1897, by Thomas Bailey Aldrich, 1911, by Mary Elizabeth Aldrich.
927
Tom to make preparations to fight Kis
tormentor, and Phil Adams tutored Tom
in the manly art of self-defense. The
fight did not occur, however, until after
Tom had experienced several more ad
ventures.
As the Fourth of July approached, the
boys in the Temple Grammar School
could not concentrate on their studies.
One of the boys placed a torpedo under
the cloth on the desk, at the exact spot
where Mr. Grimshaw usually struck with
his heavy ruler. The resultant explosion
created quite a commotion and nearly
caused the strangulation of Charley Mar-
den, who was at the water pail getting a
drink.
On the night before the Fourth, Tom
slipped out of bed and used Kitty's
clothesline to escape from his bedroom.
He did not tie knots in the rope and, as
a result, burned his hands in his descent.
He went to the square, where a big bon
fire was to be lit. When the fire burned
down after a while, Tom and his friends
took an old stagecoach from Ezra Win-
gate's bam and used the vehicle as fuel.
The boys were caught and put in jail,
but they escaped. The next day Ezra
collected three dollars from the family of
each boy who had aided in the theft. Ezra
made a good profit, for he had previously
offered the coach to anyone who would
pay seventy-five cents for it. During the
celebration of the Fourth, Tom acciden
tally stepped on a mine and was blown
into the air and knocked unconscious.
As a result, he was a hero among his
friends for about two weeks.
Shortly after this experience, Tom
was initiated into the mysterious order of
the Centipedes, an organization notorious
for the pranks of its members. One of
these pranks was the stealing of the drug
gist's gilt mortar and pestle, which the
Centipedes placed over the Widow Con-
way's front door. On the drug store
window shutters they tacked a sign ad
vertising for a seamstress. The town
laughed, because everyone except Mr.
Meeks himself knew that Widow Con-
way had set her cap for the mild-man
nered druggist.
One day after school, Tom found Bill
Conway tormenting Binny Wallace.
Tom lowered his head and swung right
and left as he prepared to give Conway
a thrashing. Tom pummeled the school
pump for twenty seconds before he dis
covered that Conway had already retired.
Miss Abigail could not stand the odor
of tobacco. When she took over as house
keeper for her brother, she restricted his
smoking to the barn. One morning dur
ing a very cold winter Grandfather Nut
ter descended the stepi with a clay pipe
in his mouth. Abigail objected strenu
ously but the captain merely removed the
pipe from his lips and blew a cloud into
the hall, where the temperature was two
degrees below zero. Miss Abigail fainted
dead away. When she was revived,
Grandfather Nutter told her that there
had been no tobacco in the pipe and that
she had seen only his congealed breath
in the frosty hallway.
At Slatter's Hill, the North-End boys
and the South-End boys met for a snow
ball fight at specified times during the
week. But the fights became too dan
gerous because frozen snowballs were
used, and parents and police put an end
to the snow battles.
One summer Tom bought a boat called
the Dolphin, and he and three of his
friends planned a day's trip to Sandpeep
Island. When the boys landed on the
island, they found that they had left the
lemons in the boat. Binny Wallace vol
unteered to get them. The boat, after
he stepped into it, broke loose from its
mooring-place and floated away. Binny
drifted farther and farther out to sea. A
rising squall developed into a full-sized
storm, and the boys waited through it,
hoping that Binny would be rescued.
However, such was not to be. He was
drowned.
One day Tom saw Sailor Ben, whom
he had met during his voyage north from
New Orleans. The old sailor failed tc
recognize Tom because he had grown so
928
tall. When Tom took Sailor Ben home
with him, Kitty at once recognized the
sailor as her long-lost husband and the
two were reunited. Grandfather Nutter
broke out a fresh decanter of Madeira
and they all celebrated the happy occa
sion. Deciding to quit the sea, Sailor
Ben bought a small cottage near the
wharf. Kitty remained as the Nutter
maid, but spent her free time with her
husband.
Silas Trefethen bought all the cannon
available in Rivermouth because he
thought that war with England was im
minent. When he died, still thinking so,
the cannon rusted and became unfit for
any use except as monuments. Tom and
his gang decided to have some fun with
the cannon after they found several pieces
near the wharf and cleaned them. Every
thing went well with their plan to set
them off, except that Tom and his con
spirators could not make the proper fuse.
Sailor Ben, learning of their plan, told
them how to prepare the fuse. When
everything was in readiness, the Centi
pedes drew lots to determine who would
fire the cannon. The chance fell to Tom.
That night he slipped out of bed, lit the
fuse, and returned to his room before the
first cannon went off. The operation suc
ceeded as planned. Everyone was aroused
from bed by the explosions. The only
casualty was Sailor Ben's chimney. No
one was ever able to solve the mystery
of the explosions.
With Primrose Hall, a girls' school,
close by, it was not surprising that Torn
should fall in love, but he was unsuccess
ful with the girls attending the seminary.
Tom finally fell in love with Nelly Glent-
worth, who came to visit his grandfather,
but she scorned him, and so for some
time Tom rather enjoyed the pangs of
unrequited love.
In New Orleans the yellow fever broke
out, causing the death of Tom's father.
His mother came north and settled in
New York, where Tom was offered a
position with an uncle in his counting-
house. Ready at last to make his own
way in the world, Tom left Rivermouth
regretfully. He felt that the happiest
days of his life were over.
THE STORY OF A COUNTRY TOWN
Type of work: Novel
Author: Edgar Watson Howe (1853-1937)
Type of plot: Social criticism
Time of plot: Mid-nineteenth century
Locale: The Middle West
First published: 1883
Principal characters:
NED WESTLOCK, a boy on the Middle Border
REV. JOHN WESTLOCK, his father
JOE ERRING, his uncle
MATEEL SHEPHEKD, Joe Erring's sweetheart
CLTNTON BRAGG, Joe Erring's rival for Mateel
Critique:
This novel is the earliest of a numher
of books that sounded a revolt against the
popular conception that the American
small town was an idyllic place in which
to live. In it Howe drew a deadly pic
ture of village life — the shallowness of
thought, the materialism, the ever-present
sense of failure and the underlying
spirit of petty and mischievous enmity.
Through all of the book rings a note of
sincerity which makes Howe's iconoclas
tic efforts valid, giving his novel depth
and lasting value as a social document.
The Story:
The Westlocks had gone west to grow
up with the country. They lived first
on a farm near a church where the father
929
acted as the volunteer preacher. It was
a life of toil and privation on the bleak
prairie. Days began early and ended soon
after supper, when fatigue drove the
Westlocks to bed. There were four of
them, John Westlock and his wife, their
son Ned, and Mrs. Westlock's younger
brother, Joe Erring. The only real amuse
ment Ned had was visiting a nearby
miller with his young uncle. The miller,
Mr. Barker, had been a sailor in early
life and he regaled the boys with stories
of his travels.
When Ned was eleven years old a
minister was sent from the East to take
charge of the country church where Mr.
Westlock had been acting as preacher.
Erring immediately fell in love with
Mateel Shepherd, the daughter of the
new preacher, but he found no favor in
her eyes because he was uneducated and
crude. With the miller's help he began
to improve himself. The miller became
so fond of Erring that he took him on as
an apprentice who would some day take
over the mill. This was a great oppor
tunity for the seventeen-year-old boy.
The only flaw in his happiness then was
that Mateel Shepherd was being courted
by a young lawyer named Clinton Bragg.
Shortly after Erring left the farm,
Mr. Westlock sold his farm and bought
the almost defunct paper in the town of
Twin Mounds. When the Wesdocks
moved into town, Ned went to the office
every day to learn the printing trade and
to help his father in the newspaper office.
Twin Mounds was an unprepossessing
village with a post-office, several stores, a
jail, and about six hundred people. The
only pleasures in which the people
seemed to indulge, so far as Ned could
see, were drinking, gossiping, and fight
ing. Although the Westlocks lived in a
large stone house, the father had Ned
stay at the newspaper office in the com
pany of one of the printers, under whom
he was learning the trade.
Erring, apprenticed to the miller, made
such excellent progress that after a year
or so the community subscribed to a fund
so that he could build a mill of his own,
the growing population justifying a sec
ond mill in the district. He was also
successful in his suit with Mateel Shep
herd, who had promised to marry him
when his mill was completed and in op
eration.
One day the quiet life of the Westlock
family was rudely shattered. Mr. West-
lock left the deeds to all his property in
the custody of Ned and his mother and
ran away with another woman. Ned took
over the newspaper, which became more
profitable under his management than it
had been under his father, for the people
in the community had not liked Mr.
Westlock. He had been too solitary and
strange to suit their natures.
The family gradually began to grow
out of the feeling of disgrace which had
fastened itself upon them when the father
disappeared. Their friends did what they
could for them and rallied in support of
Mrs. Westlock and her son. At times it
seemed as if the disappearance of Mr.
Westlock were of more benefit than
harm. Ned was left with some valuable
property and a chance to make a name
for himself at a very early age.
The following Christmas Eve Erring
married Mateel Shepherd. Just before
the marriage he and Ned had a long talk,
in which he told Ned that in some way
he was not as anxious for the marriage
as he had been when he first met Mateel.
What Erring did not realize was that he
had been so zealous in getting an edu
cation that he had not only reached
Mateel's level but he had already passed
her. It was not a happy wedding. Only
a handful of guests came to the wedding
supper, and those who stayed away did
not bother to send their regrets. Th<?
Shepherds were not popular in the con>
munity.
After the marriage of Mateel and Er
ring, life in the community of Twin
Mounds settled into a quiet routine for
everyone. Ned was more disappointed
than ever in the town. Its people seldom
thought out anything for themselves, and
930
every opinion they had was made for
them, often by Ned's own editorials.
Their shallowness and smugness irked
him.
One cold winter night Erring appeared
at the door of the Westlock home. Nerv
ous and disheveled, he had come because
he felt the need to talk to someone whom
he could trust. He had found a letter
which his wife had written to his rival
before her marriage, a letter disclosing
Mateel's belief that she could never love
any man but Bragg. This idea rankled in
Erring's mind. He had been thoughtful
and tender with his wife, but she had
always been distant and cool to him, in
keeping with the vow she had made in
her letter to Bragg.
Ned listened to his uncle's story and
then took him back to the mill and
Mateel. After Erring had confronted his
wife with what he had discovered, he and
Ned sat up all night, unable to sleep.
Clinton Bragg disappeared from Twin
Mounds within a few days, apparently
afraid of Mateel's husband.
That same winter Ned's father re
turned to Twin Mounds and accidentally
met his son on the street at a late hour.
He told Ned that he had been faced
with misfortune ever since he had left
his wife and son. The woman with
whom he had run away had not really
loved him and had deserted him soon
after she learned that he had left his
money and property in Ned's hands. John
Westlock was a pathetic and broken fig
ure, unwilling to face the wife he had
deserted. Ned gave him the little money
he happened to have in his pocket, and
the older man then turned away into the
snowy night and was soon lost to sight.
Ned knew that he had seen his father
for the last time.
Meanwhile matters between Erring
and his wife had gone from bad to worse.
He had taken a vow never to speak to his
wife or touch her again, and Mateel
began to fade quickly under his harsh
treatment. At last she asked Erring to let
her return to her father's home. He
agreed. A day later Bragg drove up in a
buggy to take the girl back to her father
and mother. It was a bitter experience
for Erring to see another man carry his
wife away from his house. Ned was with
his uncle and left only when the older
man had fallen asleep, exhausted.
When Ned arrived home he discovered
that his mother had died in his absence.
Always quiet and subdued, she had died
as she had lived, asking nothing from
anyone.
In the spring Ned braved a heavy rain
storm to visit his uncle. He arrived to
find the mill deserted. Suddenly the
door opened and Erring walked in, carry
ing Mateel, who was unconscious. In a
calm voice he told Ned how he had lain
in wait along the road until Bragg and
Mateel had come along in a buggy. He
had dragged his rival from the vehicle
and killed him with his bare hands while
Mateel looked on. Then he had carried
Mateel back to the mill. Unable to face
the fact that Mateel had divorced him and
married Bragg, he felt it was better to
murder and then to die himself than to
live with Mateel married to another.
Erring surrendered quietly to the au
thorities and was taken to jail. He was
never tried, however, because one night
he took poison. The jailer discovered him
with a letter for Ned clutched in his
hand.
After Erring's burial, Ned stopped at
the Shepherd home to ask about Mateel.
The poor girl was demented. While he
was in the house she came into the room
and mistook Ned for Erring. She drew
a dagger from her dress and told Ned she
had gone by the mill that day to have one
last look at the place where she had been
happy. Now she intended to kill herself.
Her mother led her away. That same
night she died, shortly after telling her
father and mother she hoped to see Joe
Erring soon.
931
THE STORY OF AN AFRICAN FARM
Type of work: Novel
Author: Olive Schreiner (1855-1920)
Type of 'plot: Social criticism
Time of 'plot: 1880's
Locale: South. Africa
First published: 1883
Principal characters:
TAJST* SANNIE, a Boer farm woman
LYNDALL, her stepdaughter
EM, LyndalTs cousin
WALDO, son of a German overseer
BONAPARTE BLENKTNS, a hypocrite
GREGORY ROSE, a young Englishman
Critique:
The Story of an African Farm was an
early attempt to present realistically the
problem of a woman's place in the world.
The struggle of Lyndall to find power
and freedom in a world of strict moral
conventions and restricted social op
portunities foreshadows woman suffrage
struggles still to come. The novel is also
noteworthy for its finely wrought pas
sages concerning religious doubts and
moral independence.
Tke Story:
Just before the Englishman had died
he had married Tant' Sannie, so that
there would be someone to take care of
his farm and his motherless daughter,
Lyndall. Tant* Sannie, a heavy, slow
simple Boer woman, took over the farm
and the care of Lyndall and her cousin,
Em. Most of the hard work was done
by an old German, who lived with his
young son in a small house nearby. The
boy, Waldo, watched over the sheep and
helped his father take charge of the
black natives who did the heaviest work.
The farm lay in a dreary flat plain of
red sand that was sparsely dotted with
pale bushes. The sun always glittered
in a blinding way on the zinc roofs of the
buildings and on the stone walls of the
enclosures for the animals. Life was
monotonous and deadly. Tant' Sannie
sat in the farmhouse drinking coffee; the
children played in a half-hearted way;
young Waldo did his chores, and the
German went about seeing that things
were as they should be.
Tant' Sannie had been asked by the
Englishman to see that the two girls were
educated, but she, believing only in the
Bible, paid no attention to their demands
for books. The two girls and Waldo
found some old histories, and studied
them when they could. Lyndall learned
rapidly, for she was a quick, serious girl,
fascinated especially by the story of Na
poleon. Em was more quiet and reserved.
Waldo was the strangest of the three.
His father was deeply devout, with an
innocent faith in the goodness of man and
the mercy of God. He had filled the
boy's head with ideas which were fright
ening and overpowering.
One day a visitor came to the farm
and asked for a night's lodging. He in
troduced himself as Bonaparte Blenkins,
but because he was English-speaking
Tant' Sannie would have nothing to do
with him. The old German interceded
for the visitor, however, and finally won
Tant* Sannie's grudging permission for
him to spend the night. The German
could not bear to pass up an opportunity
to practice Christian charity.
Blenkins soon won the German over
completely with his fantastic tales of ad
venture and travel, and he even con
quered Tant' Sannie by the wonderful
way he read and preached the service
on Sunday. But the children were not
fooled. Lyndall knew that the man was
932
lying when he talked, and that his
religion was all hypocrisy. But Blenkins
was soon installed on the farm as tutor
to the children. After a few days, Lyn-
dall walked out of class and refused to
return.
Slowly Blenkins gained Tant' Sannie's
esteem, until he felt that it was safe to
try to get rid of the German and take
over his job. With a trumped-up charge,
he accused the overseer to his mistress,
and stood by happily as the old German
was ordered off the farm. Shocked the
more deeply because of the support he
had given Blenkins, the German went to
his house to pack up and leave. It was
not in his nature to argue or fight for
his rights; what God sent must be ac
cepted. In his grief he died that night.
Bonaparte Blenkins took over the farm.
Like his namesake, he loved power and
took advantage of his new position. He
ordered Waldo about, beat him, and de
stroyed the model for a sheep-shearing
machine the boy had made. None of
these matters made any impression on
Tant* Sannie. She thought that Blenkins
had a wonderful sense of humor, and
daily he grew more and more valuable to
her. She hoped some day to be his wife.
A visit by one of Tant' Sannie's nieces
disillusioned her. The niece was young,
only a little overweight, and wealthy.
One day Tant' Sannie climbed up to the
loft to see if everything there was neat
and let her maid take the ladder away.
While she was there, Blenkins came into
the room below with the niece and began
to make love to her. Furious at Blen
kins' deception, Tant' Sannie dropped a
barrel of salt meat on his head, almost
knocking him out, and drenching him
with pickle-water. His stay on the farm
was over.
When the children grew up, Lyndall
had her way about going to the city to
work and study. Waldo began to doubt
the God he had so terribly feared in his
childhood, and Em grew to attractive, if
not beautiful, womanhood. Tant' Sannie
rented part of the farm to a young Eng
lishman named Gregory Rose, who soon
fell in love with Em. It was the first time
anyone had paid much attention to the
girl, and she was enraptured at the pros
pect of marriage. Tant' Sannie thought
she herself might as well many again,
and she sent out word to the surrounding
farms that she was looking for a hus
band.
Waldo eagerly awaited Lyndall's re
turn from the city. He wanted to know
what she had found out about the world
and to tell her of his own problems. He
had learned wood carving. One day,
while he was watching the sheep, a
stranger had come up and talked with
him. After looking at one of Waldo's
carvings, the traveler told the boy a story
of a man who searched for Truth but
found merely a creed until, just before
his death, he caught a glimpse of his
goal. The meeting was short but un
forgettable. Waldo wanted to go out
into the world, to find the man again, to
learn more about the search for Truth.
When Lyndall returned, she was a
different person. Waldo found that he
could not talk with her as he had before.
She had learned the problems a woman
faces in the world, and she refused to
be held down by the laws and re
strictions which bound her. Neither Em
nor Gregory Rose, her fiance, could
understand Lyndall. Gregory disliked
her at first, but as time passed he became
more attracted to her. At Tant' Sannie's
wedding feast, for she had found a
widower who wanted to marry again,
Em discovered that she did not really
love Gregory, and she asked him to forget
the plans they had made.
When Lyndall asked him to marry
her — just to give her his name — Gregory
consented. It was a long time before he
discovered the reason. Lyndall had made
a friend in the city, a man who wanted
her to marry him, but she could not stand
the idea of being tied down by legal
marriage. She wanted freedom, not bond
age. She felt that if she could threaten
her lover with marriage to another man,
933
she could get what she wanted from him.
Her plan worked. When he received a
letter telling of her plans, he set out at
once to see her. Lyndall met her friend
secretly at the farm and went away to
live with him, but not as his wife.
Since Waldo, too, had gone off to seek
his way in the world, the farm was quiet
for a time. Gregory did not know what
to do about LyndalTs disappearance. The
longer she was away, the more he felt
he loved her. At last he started out to
learn what had become of her.
As Gregory tracked Lyndall from town
to town, he learned the story of a slowly
fading love between the two people he
was following. In time he found Lyndall,
lying sick in a hotel room, deserted by
her lover. She had had a child, but it
had died shortly after birth. Seeing her
so weak and sick, Gregory wanted to be
near her, to care for her. Dressed as a
woman, he was hired as LyndalTs nurse.
When she died, he took her body back
to the farm for burial.
One night Em was startled by a knock
on the door. Waldo had returned. He
had traveled much, but had learned little.
Once he had seen the stranger who had
talked to him so wonderfully about
Truth, but the man, not recognizing him,
had turned away. The first thing Waldo
did was to sit down and begin a letter
to Lyndall. When Em learned what he
was doing, she told him that Lyndall
was dead.
Gregory still thought of Lyndall and
kept as his greatest treasure the one letter
he had received from her, a letter which
advised him to marry Em. In time he
asked Em again to be his wife, and she
accepted. Waldo knew that Em felt she
would have only half a husband, but he
also knew that she had never learned to
hope for much, as he had, as Lyndall
had. Waldo kept one of Lyndall's dancing
shoes in his blouse. He spent much of
his time wandering about the farm
watching the insects, looking at the
flowers. He wanted to be like them, to
die, to sleep in the same earth with Lyn
dall. One day, lying in the warm sun
shine, he died.
THE STORY OF GOSTA BERUNG
Type of work: Novel
Author: Selma Lagerlof (1858-1940)
Type of plot: Picaresque romance
Time of plot: Early nineteenth century
Locale: Sweden
First 'published: 1894
Principal characters:
GOSTA BERLTNG, formerly a minister
THE COUNTESS ELIZABETH, Gosta's wife
MARGARETA SAMZEUUS, the major's wife
MARIANNE SINCLAIR, in love with Gosta
CHRISTIAN BERGH, Gosta's crony
Critique:
The Story of Gosta Berling has re- tone of Swedish country life. The use
mained since its publication a great of the almost supernatural, which can
favonte, and the esteem in which it is be explained reasonably, is unique. The
held is due to several noteworthy qualities moral theme of Gosta's redemption is a
of the novel. Selma Lagerlof has re- powerful one. In addition, the tale is told
created much of the warm, emotional with a light, sure touch that adds to the
S^onS<^f °FKi??STAnBESLfNG b^ Sel?a L^16*- Translated by Pauline Bancroft Flach. By per-
1925, by PaufinSBanoSt Hack Copyright, 1898, by Pauline Bancroft Flach. Renewed,
delight of the reader. The novelist takes
the point of view of an old resident who
recalls with difficulty the tales of long
ago, a process which gives an air of
realism.
The Story:
Gosta Berling stood in the pulpit on
what was a critical Sunday for him, for
the bishop was present to make a strict
investigation of his ministry. Gosta drank
far too much and too often. With his
crony, Christian Bergh, he spent more
and more time in tavern taprooms, and
brandy had become for him a necessity.
The congregation had complained of his
conduct to the bishop, and now Gosta
felt himself on trial.
That morning he preached his sermon
as if inspired by God Himself. At the
end of the service, the bishop stood up
and asked for complaints against the
minister, but no one would say a word.
In his heart Gosta felt love for his flock.
As he sat up that night, thinking of
the wonder that had happened, Bergh
came to his window to assure him that
the bishop would never trouble him
again. Thinking to help his drinking
crony, Bergh had driven the bishop and
his attendant priests in his carriage. He
took them on a wild ride, up and down
hill and over plowed fields at top speed.
Then, as he drew up at the inn which
was their destination, he warned the
bishop not to bother Gosta thereafter.
The bishop did not come to see Gosta
any more on any errand, nor did any
other bishop, for Gosta was dismissed
from the church.
He became a beggar. In the winter he
had only rags on his feet. He met the
twelve-year-old daughter of the wicked
clergyman of Bro. Neglected by her
father, she was hauling a heavy sled with
a sack of meal for her own food. Gosta
took hold of the rope with her. When
she left him in charge of the sled, he
promptly bartered both sled and meal for
brandy.
Awaking from a drunken sleep, Gosta
saw Margareta Samzelius, the major's
wife, looking at him; out of compassion
she intended to help Gosta. Margareta,
strong and rough, ruled Ekeby and six
estates. She had been betrothed to a
young man named Altinger, but her
parents made her take the major while
she was waiting the five years for Altinger
to make his fortune. Then Altinger came
back rich and famous and Margareta
became his mistress. At his death he left
his lands ostensibly to the major, but in
reality to Margareta.
After great urging, Gosta became a
pensioner, one of the group of merry
wastrels who existed handsomely on the
bounty of Margareta. On Christmas Eve
the pensioners had a great party, with
much to drink. Then Sintram, who was
so evil that he thought himself the chosen
of Satan, came in dressed as the deviL
He said he was going to renew his pact
with Margareta. The half-drunk pen
sioners thought uneasily of Margareta's
great wealth and power. Surely some
thing supernatural had helped her. It
was said that she held her power by
sacrificing the soul of one pensioner to
the devil each year.
In a frightening bit of nonsense the
pensioners made a pact with the devil;
no one of their number was to die that
year. Once in charge of Ekeby and the
six estates, the pensioners agreed to con
duct themselves as masters in a manner
pleasing to Satan himself.
The next day when the grouse was
passed at the Christmas feast, Bergh
called the birds crows and threw them
one by one against the wall. Margareta
ordered him out of the house. In his
wrath, Bergh accused her of having been
Altinger's mistress with the compliance
of her husband. Margareta proudly con
fessed the truth of what he said. Then,
to save his honor, the major disowned his
wife. All the pensioners, who owed her
so much, turned their faces when she
asked for help. Margareta left her home
to become a beggar.
That year the pensioners were in
935
charge at Ekeby. The major, indifferent
to the estates, returned to his own farm.
Gosta learned that Anna Stjarnhok, the
rich and beautiful belle of the district,
had broken her engagement to a timid
man named Ferdinand to become en
gaged to a rich old man with a bald head.
Determined to bring Anna back to
Ferdinand, Gosta harried her so much
at a ball that she slapped his face. But
that slap revealed the truth; Anna really
loved Gosta. Forgetting his duty to Fer
dinand, Gosta set out with Anna for
Ekeby. But on the way their sleigh was
followed by wolves and they were forced
to stop at Ferdinand's home for pro
tection. So Gosta involuntarily brought
Anna back to Ferdinand, and so he was
saved from committing a sin.
Ferdinand, however, soon died, and
Anna went through a marriage ceremony
with his corpse. Ever after she con
cealed her love for Gosta.
At a ball at Ekeby, Gosta and Mari
anne Sinclair took part in a tableau pre
senting them as lovers. Marianne, suc
cumbing to the charm of Gosta, kissed
him after the tableau. Later, at the gam
ing table, Gosta won all the money
Marianne's father had, and then, in jest,
won his consent to a betrothal with
Marianne. When the father discovered
that Gosta, a drunkard and an unfrocked
minister, was in earnest, he was furious
with his daughter.
After the ball the pensioners found
Marianne locked out by her father and
half-frozen. Supposedly asleep in the
guest room at Ekeby that night, the girl
heard Margareta, who had returned full
of wrath against her pensioners, plan a
riot to drive the wastrels out. Marianne
ran to a bear hunter and enlisted his a^d,
and succeeded in breaking up the riot.
But Marianne contracted smallpox on
her errand, and the scars gready marred
her beauty. Not wishing Gosta to see
her, she returned to her father, and Gosta
thought she had discontinued their
romance. Too proud to go after her, he
soon forgot her.
Countess Elizabeth Dohna, at twenty,
was a gay, sympathetic girl married to a
stupid husband. At a dance Gosta asked
her for a polka. She refused because she
had heard that Gosta had caused the
death of Ebba, her husband's sister, who
had died in sorrow after hearing the
story of Gosta's life. Angry at her re
fusal, Gosta and his friends abducted the
countess and took her home. There
the stupid husband sided with Gosta.
The poor girl led a miserable life. Finally
she ran away to live as a peasant, and
the count had the marriage annulled.
After she was legally a single woman
again, she bore a child. Not wishing to
have an unnamed baby, she asked Gosta
to marry her. Gosta accepted, awed and
grateful, for he loved the countess.
Gosta, helped by his wife, turned over
a new leaf, and all the pensioners fol
lowed his lead. Ekeby rang with the
smith's hammer; walls and docks were
repaired. When Margareta came back
after the death of the major, she re-
entered Ekeby as mistress of a prosperous
estate.
Gosta and his wife retired to a modest
cottage where Gosta could earn his living
as a carpenter and help all who were in
trouble, and the countess could serve
the sick. So Gosta became, after many
years, a good man.
STRIFE
Type of work: Drama
Author: John Galsworthy (1867-1933)
Type of ^plot: Social criticism
Time of plot: Early twentieth century
Locale: Industrial town near London
First presented: 1909
936
Principal characters:
JOHN ANTHONY, chairman of the Trenartlia Tin Plate Works
EDGAR ANTHONY, his son
FRANCIS UNDERWOOD, manager of the plant
ENID UNDERWOOD, his wife, and John Anthony's daughter
SIMON HARNESS, a Trades Union official
DAVID ROBERTS, leader of the strike
ANNIE ROBERTS, David's wife
Critique:
Galsworthy wrote this play at a time
when the rights of laborers were only
beginning to be asserted. Strife presents
a picture of both sides of the strike
question, for Galsworthy was always an
impartial realist. Aside from its social
implications, the play is also notable for
several very real and forceful characters,
Roberts and old Anthony among them.
The Story:
The strike at the Trenartha Tin Plate
Works had lasted so long without any
sign of a settlement that the directors
had begun to fear for their dividends.
They had all gathered at the Underwood
home at the request of the workers, and
at first there was some talk of com
promise. Facing them, however, was
the stern figure of the chairman of
the board, seventy-five-year-old John
Anthony, who refused to consider any
plan for compromise.
Anthony belonged to the old school
of businessmen who refused to move
with the times. For him there could be
only one master at the plant, and that
was John Anthony himself. He had
defeated four strikes in his thirty- two
years as chairman of the board, and he
was certain that a little more perseverance
would defeat the strikers once more.
The other directors were a little uneasy
under his stern refusal In his report
Underwood, the plant manager, had
made no attempt to disguise the terrible
suffering of the striking workers and
their families. The directors were also
aware that if the strike lasted much
longer their stockholders would begin to
protest strongly*
Although the union had withdrawn
support from the strikers because two
of their conditions exceeded the pre
vailing standards, Simon Harness, a
Trades Union official, had been sent
to attempt mediation between the board
and the workers. His interview with
the directors accomplished nothing be
cause of Anthony's obstinacy. The meet
ing between the representatives of the
workers and the directors was equally
unhappy. Roberts, the leader of the
striking workmen, was just as unyielding
on his side as Anthony was on his. Both
sides faced a deadlock.
Conditions among the workers were
so terrible that many of them were ready
to give in, but Roberts remained ada
mant. Mrs. Roberts was dying; her weak
heart could not stand the cold and
hunger which the strike imposed upon
them all. At one time she had been
the maid in Underwood's home, and
one afternoon Enid Underwood went
to visit her. Mrs. Underwood had tried
to send food to Mrs. Roberts, but the
strike leader was too proud and too
stubborn to accept help from the daugh
ter of John Anthony. Mrs. Underwood
tried to plead with Roberts, asking him,
for his wife's sake, to give in and end
the strike. But he was fanatic in his
certainly that in the end the workmen
could bring their employers to terms.
At a meeting of the men and Harness,
the Trades Union official, it became
evident that most of the strikers were
willing to compromise, to accept the
union suggestions. A few were willing
to give in completely. When Roberts
appeared at the meeting, the men did
STRIFE by John Galsworthy, from PLAYS by John Galsworthy. By permission of the publishers, Charlef
STRIFE by John Galsworthy, rrom .PLAYb by jonn ijaiswormy. j>y permission 01 me puun
Scribner's Sons. Copyright, 1909, 1910, by John Galsworthy, 1928, by Charle& Scribner's Son*.
937
not wish to hear him speak. But Roberts
was a powerful orator, and as he talked
to them again about the eventual victory
which they could win if they refused
to give in now, they were once more
moved and convinced by his oratory.
As he was speaking, a young woman
approached the platform and told him
that his wife had died. With this tragedy
as an example of what they must expect
if they continued to resist, the men de
cided to accept the terms of the union
compromise.
The news of Mrs. Roberts' death was
a blow to the directors. Edgar Anthony,
in spite of the respect which he had for
his father, now faced his colleagues and
accused them of responsibility for the
woman's condition and death. They felt
uncomfortably that what he said was
very close to the truth. Old Anthony,
weak and unwell as he was, still in
sisted that the company should not
yield. But the directors had decided to
act in spite of him, although they knew
that should they decide to accept the
union terms, Anthony would resign.
That evening the meeting between
the workers, Harness, and the directors
was painful in the extreme, Anthony
found himself outvoted by his colleagues.
Wearily, with an acknowledgement of
his defeat, he resigned. Roberts, who
knew nothing of the action which his
men had decided to take after he had
left the meeting, arrived at the Under
wood home in time to watch Harness
complete the settlement. The terms
agreed upon were those which the union
had suggested to both sides before the
strike began, but it had needed months
of suffering to bring agreement in the
dispute. The two leaders stared at each
other, both deserted by their supporters,
both defeated by the compromise. As
they recognized the courageous battle
which each had put up, their expression
of hate turned to one of grudging ad
miration and mutual respect.
A STUDY IN SCARLET
Type of work: Novel
Author: Arthur Conan Doyle (1859-1930)
Type of 'plot: Mystery romance
Time of plot: Nineteenth century
Locale: London
First published: 1887
Principal characters:
SHERLOCK HOLMES, the detective
DR. JOHN WATSON, his friend
JEFFERSON HOPE, an American cab driver
TOBIAS GREGSON, of Scodand Yard
LESTRADE, of Scotland Yard
Critique:
A Study in Scarlet was the first of the
many adventures of Sherlock Holmes,
the most delightful as well as the most
durable of fictional detectives. No
ordinary criticism can apply to the canon
of Sherlock Holmes. From 1887 until
Doyle's death in 1930 the amazing
Holmes appeared in a total of sixty novels
and short stories. Many of the plots
are incredible; many of the deductions
sre improbable; all of Doyle's Americans
are people from another planet. Dr.
Watson's bullet wound was sometimes
in his shoulder, sometimes in his leg,
and he was married and widowed at
Doyle's convenience. These matters are
irrelevant. Let us have a puzzle, let us
have Holmes to solve it, let us have Wat
son foi a foil, and we are all content.
The Story:
To many the Afghan wars brought
938
fame and promotion, but to John H.
Watson, M.D., they brought only mis
fortune. He was wounded by a Jezail
bullet, and during his convalescence was
struck down with enteric. After months
of suffering he was invalided home on
eleven shillings and sixpence a day.
At first Watson lived in a hotel, but
his pension scarcely covered his bills.
By chance he met Stamford, an old
friend, and confided his difficulties.
Through him he learned of an amateur
scientist, Sherlock Holmes, who had rooms
at 22 IB Baker Street and was looking
for some one to share them. On the
spot Watson arranged to have Stamford
bring them together. Stamford warned
that Sherlock Holmes pursued no
orthodox studies; one day Stamford had
found him beating a cadaver to see if
bruises could be produced after death.
Holmes had a queer habit of making
deductions from trifling, often personal
things. Watson grew curious about Sher
lock Holmes. Soon after their first meet
ing Watson went to share Holmes' rooms
in Baker Street.
Watson never went out; consequently
he spent much time studying his new
friend. He found Holmes an amazingly
contradictory man who knew nothing at
all of literature, philosophy, or astronomy,
but who had a profound knowledge of
chemistry, anatomy, and sensational
crime stories. He also played the violin.
From time to time Holmes had visitors,
but Watson never knew why they came.
One day at breakfast Watson learned
a good deal more about his friend.
Holmes showed Watson a letter from
Tobias Gregson, a Scotland Yard in
vestigator, who asked help in a case of
murder. A gentleman identified by his
visiting cards as Enoch J. Drebber, Cleve
land, Ohio, U. S. A., had been found
murdered in a deserted house in Lauris-
ton Gardens. Holmes then explained
his profession; he was a consulting de
tective. Whenever an unusual case, out
side police jurisdiction or too difficult
for Scotland Yard, came up, Holmes was
asked to step in and help solve che
mystery.
Holmes and Watson took a cab to
Lauriston Gardens to look into the
affair. Holmes spent a long time out
side in the road and in the yard. Wat
son was impatient at the delay, but
Holmes examined everything carefully.
Inside the house Gregson and Lestrade,
another detective from Scotland Yard,
greeted them and pointed out the body
of Drebber, surrounded by spatters of
blood. Holmes went over the body pains-
As the orderlies were carrying out the
corpse, a woman's wedding ring fell to
the floor. The Scotland Yard men were
sure a woman was involved, and Le
strade was triumphant when he found
the word Roche printed in letters of
blood on the wall. As Sherlock Holmes
left the room, he announced his findings
to the detectives. The murderer was
over six feet in height and florid; he
wore square-toed boots; and he smoked
a Trichinopoly cigar. He had long
nails on his right hand. He had driven
up to the house in a four-wheeler drawn
by a horse with a new shoe on his off
forefoot. The murder was done by
poison, and Rache was not short for
Rachel but was rather the German word
for revenge.
The cigar ashes, the tracks, the height
of the writing, and the scratches during
the writing on the wall had told theii
story to Holmes. The blood on the floor
came from a nosebleed, indicating the
ruddy coloring of the murderer. But
after uncovering these initial clues
Holmes was balked for a time. He ad
vertised the wedding ring as lost, and
an old woman came to claim it. When
the old woman eluded him, he knew
that he was searching for a clever op
ponent.
The trail of Drebber led to his sec
retary, Stangerson. Gregson was sure
that if Stangerson could be found, he
would have the murderer. But a short
time later Stangerson was found dead,
939
stabbed through the heart, in his hotel
room. The case seemed impenetrable, at
least to Scotland Yard.
Gregson and Lestrade came to Holmes
one night, and the three detectives and
Watson went over their difficulties.
Holmes was tying up a trunk preparatory
to sending it away. He called a cab to
deliver it, and when the bell rang he
asked the cabbie up to help with the
ropes. As the man bent down, Holmes
quickly slipped handcuffs over the cab
bie's wrists. The cabbie was a large,
vigorous man who fought as if possessed,
but finally the four men subdued him.
With a theatrical flourish, Holmes pre
sented him — Jefferson Hope, the mur
derer of Drebber and Stangerson!
Hope calmed down. He told the
men he had nothing to fear and he asked
Watson to feel his pulse. Watson de
tected an aneurism immediately. He
agreed that Hope had not long to live.
Indeed, Hope never came to trial, for
he died in less than a week; but from
him the English officers learned his
strange story.
On the great alkali plain in Utah,
John Ferrier and little Lucy were the
only survivors of a wagon train. But
the two were providentially picked up
by Mormons, who under the leadership
or Brigham Young were on their way
to a new settlement in the wilderness.
Ferrier had to agree to adopt the Mor
mon faith, and in return he and Lucy
were taken along.
Ferrier prospered as a Mormon and
soon became a rich man; Lucy grew up
to be a beautiful woman. But Ferrier,
although a Mormon, refused to take
wives, and he made a vow that Lucy
should never marry a Mormon. When a
traveler named Jefferson Hope stopped
at their house on his way to the silver
mines, an attraction soon developed be
tween him and Lucy. After Hope left,
the blow fell. The Mormon elders de
creed that before thirty days should
elapse, Lucy must choose a husband. She
could marry either Drebber or Stanger
son, who already had several wives, but
she must marry.
In his dilemma, Ferrier sent word to
Hope, who returned on the last day of
grace. At night Hope, Ferrier, and Lucy
stole out of the Mormon village and rode
furiously toward the mountains.
When he judged that they were safely
away, Hope left Ferrier and Lucy in
camp while he went hunting. On his
return, he saw his error. Ferrier had
been murdered, and Lucy was gone.
Hope hid near the Mormon village in
the hope of rescuing Lucy, but he was
balked by the strong, watchful Latter-
day Saints. Lucy was given in marriage
to Drebber. She survived only a month.
While the women watched at night
over her coffin, Hope stormed in, kissed
his dead love, and took the wedding ring
from her finger. Then he vanished.
Shortly afterward both Drebber and
Stangerson renounced Mormonism and
moved to Cleveland. When Hope took
up the trail again, he became a nemesis.
Drebber and Stangerson were wealthy
and afraid, for they knew Hope was
after them. They fled to Russia and
Germany, and finally ended up in Lon
don. Hope followed them from place to
place.
To exist, Hope took a job as cab
driver, and as such he could follow his
prey conveniently. Drebber engaged him
one night when he was drunk, and Hope
drove him to the deserted house. There
he showed Drebber the wedding ring.
Taking from his pocket a small box con
taining two pills, one harmless and one
deadly, he forced Drebber to choose one
and swallow it. Hope put the other in
his own mouth. Hope felt that Lucy's
spirit guided the choice; it was Drebber
who died. On impulse, Hope had scrib
bled Roche on the wall with the blood
which had gushed from his nose in his
excitement. Later, finding Stangerson
in his hotel room, Hope offered him the
fatal choice. When Stangerson had at
tacked him, Hope had killed him with
a knife. He refused to give the name of
940
the old woman who had appeared to
claim the ring.
On the day he was to appear in court
Hope died from the bursting of the
aneurism in his heart. His work was
done; Lucy was avenged.
THE SUN ALSO RISES
Type of work: Novel
Author: Ernest Hemingway (1899-1961)
Type of plot: Social criticism
Time of plot: 1920's
Locale: Paris and Pamplona, Spain
First published: 1926
Principal characters:
JAKE BARNES, an American newspaper man
LADY BRETT ASHLEY, one of the lost generation
ROBERT COHN, a young writer
MICHAEL CAMPBELL (MIKE), Brett's fianc<§
BILL GORTON, Jake's friend
PEDRO ROMERO, a Spanish bullfighter
Critique:
This early Hemingway novel reflects
the period following the first World
War, a period of maladjustment and
despair on the part of a war-weary gen
eration for whom life had lost its signifi
cance. The opening quotation from
Gertrude Stein and the quotation from
Ecclesiastes, from which the tide of the
novel is taken, clearly point to this
theme. Such reference is not necessary,
however, once the reader has started
the book. The Sun Also Rises describes
realistically life among American ex
patriates on the Left Bank in Paris and
the color and excitement of a Spanish
fiesta. Above all, the skillful character
analysis, sketched in so rapidly by Hem
ingway, will make the reader feel that
he has really lived with the disillusioned
people who appear in the novel.
The Story:
Jake Barnes knew Robert Cohn in
Paris shortly after the first World War.
Somehow Jake always thought that Cohn
was typical of the place and the time.
Cohn, the son of wealthy Jewish par
ents, had once been the middleweight
boxing champion of Princeton. He never
wanted anyone to forget that fact. After
leaving college, he had married and had
lived incompatibly with his wife until
she ran off with another man. Then in
California he met some writers and
decided to start a little, arty review of
his own. He also met Frances Clyne,
who became his mistress, and when Jake
knew Cohn the two were living un
happily in Paris, where Cohn was writ
ing his first novel. Cohn wrote and
boxed and played tennis, and he was
always careful not to mix his friendships.
A man named Braddocks was his literary
friend. Jake Barnes was his tennis friend.
Jake Barnes was an American news
paperman who had fought with the
Italians during the war. His own private
tragedy was a war wound which had
emasculated him so that he could never
marry Lady Bred: Ashley, a young Eng
lish war-widow with whom he was in
love. In order not to think too much
about himself, Jake spent a lot of time
listening to the troubles of his friends
and drinking heavily. When he grew
tired of Paris, he went on fishing trips
to the Basque country or to Spain for
the bullfights.
One night, feeling lonely, Jake asked
Georgette, a girl of the streets, to join
THE SUN ALSO RISES by Ernest Hemingway. By permission of the author and the publishers, Charlei
Scribner's Sons. Copyright, 1926, by Charles Scribner's Sons.
94)
him in a drink at the Cafe Napolitain.
They dined on the Left Bank, where
Jake met a party of his friends, including
Robert Cohn and Frances Clyne. Later
Brett Ashley came in with a group of
young men. It was evident that Cohn
was attracted to her, and Frances was
jealous. Brett refused to dance with
Cohn, however, saying that she had a
date with Jake in Montmartre. Leaving
a fifty-franc note with the cafe proprietor
for Georgette, Jake left in a taxi with
Brett for a ride to the Pare Montsouris.
They talked for a time about themselves
without mentioning what was in both
their minds, Jake's injury. At last Brett
asked Jake to drive her back to the Cafe
Select.
The next day Cohn cornered Jake
and asked him questions about Brett.
Later, after drinking with Harvey Stone,
another expatriate, on the terrace of the
Cafe Select, Jake met Cohn and Frances,
who announced that her lover was dis
missing her by sending her off to Lon
don. She abused Cohn scornfully and
taunted him with his inferiority complex
while he sat quietly without replying.
Jake was embarrassed. The same day
Jake received a telegram from his old
friend, Bill Gorton, announcing his ar
rival on the France. Brett went on a
trip to San Sebastian with Robert Cohn.
She thought the excursion would be
good for him.
Jake and Bill Gorton had planned to
go to Spain for the trout fishing and the
bullfights at Pamplona. Michael Camp
bell, an Englishman whom Brett was
to marry, had also arrived in Paris. He
and Brett arranged to join Jake and Bill
at Pamplona later. Because Cohn had
gone to San Sebastian with Brett and
because she was staying now with Mike
Campbell, everyone felt that it would be
awkward if Cohn accompanied Jake and
Bill on their trip. Nevertheless, he de
cided to join them at Bayonne. The
agreement was that Jake and Bill would
first go trout fishing at Burguete in the
mountains. Later the whole party would
meet at the Montoya Hotel in Pamplo
na for the fiesta.
When Jake and Bill arrived in Ba
yonne, they found Cohn awaiting them.
Hiring a car, they drove on to Pamplona.
Montoya, the proprietor of the hotel,
was an old friend of Jake's because he
recognized Jake as a true aficionado — one
who is passionate about the bullfight.
The next morning Bill and Jake left by
bus for Burguete, both riding atop the
ancient vehicle with several bottles of
wine and an assortment of Basque pas
sengers. At Burguete they enjoyed good
fishing in the company of an Englishman
named Wilson-Harris.
Once back in Pamplona, the whole
party had gathered for the festival of
San Fermin. The first night they went
to see the bulls come in, to watch the
men let the savage bulls out of the cages
one at a time. Much wine made Mike
Campbell loquacious and freed his tongue
so that he harped constantly on the fact
that Cohn had joined the group, al
though he knew he was not wanted. At
noon on Sunday the fiesta exploded.
The carnival continued for seven days.
Dances, parades, religious processions,
the bullfights — these and much wine
furnished the excitement of that hectic
week. Also staying at the Montoya Hotel
was Pedro Romero, a bullfighter about
twenty years old, who was extremely
handsome. At the fights Romero acquit
ted himself well, and Brett fell in love
with him, a fact she admitted with em
barrassment to Jake. Brett and the young
man met at the hotelj Romero soon
became interested in her.
Besides the bullfights, the main di
version of the group was drunken prog
ress from one drinking spot to another.
While they were in the Caf6 Suizo,
Jake told Cohn that Brett had gone off
with the bullfighter to his room. Cohn
swung at both Mike and Jake and
knocked them down. After the fight
Cohn apologized, crying all the while.
He could not understand how Brett
could go off with him to San Sebastian
942
one week and then treat him like a
stranger when they met again. He
planned to leave Pamplona the next
morning.
The next morning Jake learned that
after the fight Cohn had gone to Pedro
Romero's room, where he found Brett
and the bullfighter together. Cohn had
beaten Romero badly. But that day, in
spite of his swollen face and battered
body, Romero performed beautifully in
the ring, dispatching a bull which had
recently killed another torero. That night,
after the fights, Brett left Pamplona with
Romero. Jake got very drunk.
The fiesta over, the party dispersed.
Bill Gorton went back to Paris, Mike
Campbell to Saint Jean de Luz. Jake was
in San Sebastian when he received a
wire from Brett asking him to come to
the Hotel Montana in Madrid. Taking
the express, Jake met her the next day.
Brett was alone. She had sent Pedro
Romero away, she said, because she
thought she was not good for him. Then,
without funds, she had sent for Jake.
She had decided to go back to Mike,
she told Jake, because the Englishman
was her own sort.
After dinner Jake and Brett rode
around in a taxi, seeing the sights of
Madrid. This, Jake reflected wryly, was
one of the few ways they could ever be
alone together — in bars and cafe's and
taxis. Both knew the ride was as pur
poseless as the war- wrecked world in
which they lived, as aimless as the drift
ing generation to which they belonged.
THE SWISS FAMILY ROBINSON
Type of work: Novel
Author: Johann Rudolf Wyss (1781-1830)
Type of plot: Adventure romance
Time of plot: Late eighteenth century
Locale: An island near New Guinea
First 'published: 1813
Principal characters:
MR. ROBINSON, a shipwrecked Swiss gentleman
MRS. ROBINSON, his wife
FRITZ,
ERNEST,
JACK, and
FRANCIS, their sons
EMILY MONTROSE, an English girl, also shipwrecked
Critique:
The adventures of the Robinson family
are familiar to most school children, for
the account of their life on an uninhab
ited island has long been a favorite. For
adults the story moves rather slowly; the
events are related in such detail that they
become tiring at times. All ages, how
ever, can admire the perfect harmony in
which the Robinsons lived. Obedience to
parental wishes and love for one's family
are points the author apparently wished
to stress in the story.
The Story:
Of all the passengers and crew on
board the ship, only the Robinson family
was saved when the vessel broke apart on
a reef and the crew and other passengers
jumped into lifeboats without waiting
for the little family to join them. As the
ship tossed about, the father prayed that
God would spare them. There was plenty
of food on board, and after they had eaten
the boys went to sleep, leaving the father
and the mother to guard them.
In the morning their first concern was
to get to the island they could see beyond
the reef. With much effort, they con
structed a vessel out of tubs. After they
had filled the tubs with food and ammu-
943
nition and all other articles of value they
could safely cany, they rowed toward the
island. Two dogs from the ship swam
beside them, and the boys were glad they
would have pets when they reached their
new home*
Their first task on reaching the island
was to erect a tent of sailcloth they had
brought from the ship. They gathered
moss and dried it, so that they would
have some protection from the ground
when they slept. They were able to
find a lobster and to shoot some game,
and thus to add fresh food to their
supplies. Since they had no utensils for
eating, they used shells for spoons, all
dipping out of the iron kettle which they
had brought from the ship. They had re
leased some geese and pigeons while they
were still on the ship and had brought
two hens and two cocks with them. The
father knew that they must prepare for
a long time on the island, and his
thoughts were as much on provisions for
the future as for their immediate wants.
The father and Fritz, the oldest son,
spent the next day exploring the island.
They found gourds from which they
would make dishes and spoons, and many
edible fruits and roots. Coconuts, grow
ing in abundance, provided a treat for
the mother and the younger boys. Fritz
captured a small monkey which he took
back for a pet. The younger boys were
enchanted with the mischievous little
animal.
The Robinsons spent the next few days
securing themselves against hunger and
danger from wild animals. The father
and Fritz made several trips to the ship
in their efforts to bring ashore everything
that they could possibly use. The do
mesticated animals on the ship were
towed back to the island. There was
also a great store of firearms and ammu
nition, hammocks for sleeping, carpenter's
tools, lumber, cooking utensils, silver
ware, and dishes.
While the father and Fritz were sal
vaging these supplies, the mother and the
younger boys were working on the shore,
sowing seeds, examining the contents of
the kegs which floated to shore, and in
every way possible making the tent home
more livable. The mother and boys also
explored the island to find a spot for a
more permanent home. When the father
and Fritz could join them, the whole
family helped to construct a tree house
which would give them protection from
wild animals which they feared might
dwell on the island.
Through the following weeks each
day brought a new adventure of some
kind. There were encounters with wild
birds and terrifying animals. Emest, the
second son, had studied nature with great
interest before their ill-fated voyage, and
it was he who identified many of the
animals and birds. They found some
food which they considered luxuries,
sugarcane, honey, potatoes, and spices.
They fenced in a secluded area for their
cattle, so that they might have a constant
supply of milk and fresh meat. Several
new dwellings were constructed to pro
vide homes on all sides of the island.
The father found a tree which contained
long threads, and after he had constructed
a loom the mother was able to weave cloth
for new clothing. Jack and Francis, the
younger boys, contributed to the welfare
of the family by helping their mother to
care for the animals and thresh the grain
grown from seeds brought from the ship.
Many times the little band found their
labor destroyed by forces they could not
control. Goats ate the bark off young
fruit trees they had planted. Monkeys
robbed their food stores frequently, and
jackals and serpents killed some of their
pets. But the family would not be too
discouraged, for they knew that they had
been very fortunate to be saved on an
island which provided food and shelter
in such abundance.
About a year later they discovered a
cave which became a home and a storage
place for their supplies. In it they were
protected from the rains and their sup
plies were safe from intruders. They
spent many enjoyable evenings reading
944
books they salvaged from the ship. The
father and mother had found a way to
make candles from the sap of a native
tree. Altogether, their lives were agree
able and happy, and each morning and
evening they thanked God for His good
ness.
Ten years passed. The boys had be
come young men, and Fritz often sailed
long distances in the canoe he had con
structed. One day he captured a wounded
albatross and found attached to it a note,
written in English, asking someone to
help an English girl who was in a cave
near a volcano. The father and Fritz
decided that Fritz must try to find her
without telling the rest of the family of
the note or the proposed search. Fritz,
successful in his search, found a young
girl, Emily Montrose, who had also been
shipwrecked as she was sailing from India
to her home in England. The members
of the Robinson family accepted Emily
as a daughter and a sister who was able
to help the mother in her duties and give
the boys much joy with her stories of life
in India. Her own mother was dead.
Emily had lived in India with her father,
an army officer, who had sailed back to
England on a different ship. She knew
he would be worried about her, but there
was no way for her to communicate with
him.
One morning, a few months later, the
castaways were astonished to hear the
sound of three cannon shots. Not know
ing whether the sound came from a
friendly ship or from a pirate vessel, they
loaded their small boat with firearms and
sailed out to investigate the noise. There
they found an English ship which had
been driven off her course by a storm.
It was impossible for this ship to take
Emily back to England, but the captain
promised to notify her father and to
send a ship back for her. A captain, his
wife and two children, who were on
board, were so enchanted with the island
that they asked to be allowed to stay.
It seemed as if a little colony would grow
there.
Six months later the ship sent by
Emily's father arrived. Fritz and Jack
had a great longing to see their homeland
again, and since they were now mature
young men, their mother and father al
lowed them to return with Emily. Before
he left Fritz told his father that he loved
Emily and intended to ask her father's
permission to propose marriage to her.
The Robinsons, who loved Emily dearly,
gave their blessing to their son.
The father, who had prepared a manu
script relating their adventures, gave it
to Fritz before the boy sailed, in the
hope that their story might be of interest
to the rest of the world. The father and
mother wanted to spend their remaining
days on the island. Now that their island
was known, commerce would begin and
a colony could grow there. The father
prayed that the little colony would in
crease in prosperity and piety, and con
tinue to deserve and receive the blessings
of the merciful God who had cared for
them all so tenderly in the past.
A TALE OF TWO CITIES
Type of -work: Novel
Author: Charles Dickens (1812-1870)
Type of flat: Historical romance
Time of flat: French Revolution
Locale: France and England
First published: 1859
Principal characters
DR. MANETTE, a former prisoner in the Bastille
Lucre MANETTE, his daughter
MR. LORRY, an agent of Tellson & Co.
CHARLES DARNAY, Marquis St. Evre"monde
945
SYDNEY CARTON, a lawyer's clerk
Miss PROSS, a servant
MADAME DEFARGE, a French revolutionary
M. DEFARGE, her husband
Critique:
Dickens is a remarkable story-teller.
Although one may complain of the many
characters in his stories, each character is
necessary to complete the pattern of the
Dickens plot. In this novel of the French
Revolution, Dickens' treatment of his
complicated plot, every event of which
draws toward one great climax against
the greater drama of history, is both de
lightful and fascinating to experience.
The Story:
The eaily rumbling of the French
Revolution was echoing across the Eng
lish Channel. In Paris a lonely old man
waited in an attic for his first meeting
with a daughter whom he had not seen
since she was a baby. With the aid of
Mr. Jarvis Lorry, an agent for the Franco-
British banking house of Tellson & Co.,
the lovely Lucie Manette had been
brought to Paris to find her father, im
prisoned for eighteen years in the Bas
tille. Above the wine shop of Madame
and M. Defarge, Dr. Manette was kept
secretly until his rescuers could take him
safely back to England. Day after day
Madame Defarge sat outside her wine
shop, knitting into a long scarf strange
symbols which would later spell out a
death list of hated aristocrats.
Five years later Lucie Manette sat be
side her father in the courtroom of the
Old Bailey, where Charles Darnay, a
teacher of languages, was on trial for
treasonable activities which involved his
passing between France and England on
secret business. A man named John Bar-
sad had brought charges against him.
Lucie and her father had testified they
had met Damay on the boat when they
had traveled from France five years
earlier. But an unusual circumstance
saved the prisoner. Mr. Stryver, the
prisoner's counsel, pointed across the
courtroom to another man who so re
sembled the prisoner that legal identifica
tion of Darnay was shaken. The other
man was Sydney Carton, and because of
the likeness between the two Mr. Stryver
secured an acquittal for the prisoner.
Carton's relationship to Stryver was that
of the jackal to the lion, for the alcoholic,
aimless Carton wrote the cases which
Stryver pleaded in court.
Lucie and her father lived in a small
tenement under the care of their maid,
Miss Press, and their kindly friend, Mr.
Lorry. Jerry Cruncher, porter at Tellson
& Co., and a secret resurrectionist, was
often helpful. Darnay and Carton be
came frequent callers in the Manette
household, after the trial which had
brought them together.
In France the fury of the people grew.
Monseigneur the Marquis St. Evremonde,
was driving in his carriage through the
countryside when he carelessly killed a
child of a peasant named Gaspard. The
nobleman returned to his castle to meet
his nephew, who was visiting from Eng
land, Charles Darnay 's views differed
from those of his uncle. Darnay knew
that his family had committed grave in
justices, for which he begged his uncle
to make amends. Monseigneur the mar
quis haughtily refused. That night the
marquis was murdered in his bed.
Darnay returned to England to seek
Dr. Manette's permission to court Lucie.
In order to construct a bond of complete
honesty, Damay attempted to tell the
doctor his true French name, but Manette
fearfully asked him to wait until the
morning of his marriage before revealing
it. Carton also approached Lucie with a
proposal of marriage. When Lucie re
fused, Carton asked her always to re
member that there was a man who would
give his own life to keep a life she loved
beside her.
Meanwhile in France Madame De>
946
farge knitted into her scarf the story of
the hated St. Evremondes. Gaspard had
been hanged for the assassination of the
marquis; monseigneur's house must he
destroyed. John Barsad, the spy, brought
news that Lucie Manette would marry
Charles Darnay, nephew of the marquis.
This news disturbed Defarge, for Dr.
Manette, a former prisoner of the Bas
tille, held a special honor in the eyes of
the Revolutionists.
Lucie and Darnay were married. Syd
ney Carton became a loyal friend of the
family. Time passed, and tiny Lucie
arrived. When the child was six years
old, in the year 1789, the French people
stormed the Bastille. At the Bastille De-
farge went to the cell where Dr. Manette
had been a prisoner and extracted some
papers hidden behind a stone in the wall.
One day, while Darnay was talking to
Mr. Lorry at Tellson & Co., a letter ad
dressed to the Marquis St. Evremonde
was placed on Mr. Lorry's desk. Darnay
offered to deliver it to the proper person.
When he was alone, he read the letter.
It was from an old family servant who
had been imprisoned by the Revolution
ists. He begged the Marquis St. Evre*-
monde to save his life. Damay realized
that he must go to Paris. Only Dr. Ma
nette knew of Darnay's family name, and
the doctor had been sworn to secrecy.
Damay and Mr. Lorry went to Paris,
the latter to look after the French branch
of Tellson & Co. Shortly after his arrival
Darnay was seized as an undesirable im
migrant after Defarge had ordered his
arrest. Mr. Lorry was considerably upset
when Lucie and Dr. Manette suddenly
arrived in Paris. Some of the doctor's
friends had informed him of Darnay 's
arrest. The old man felt that his own
imprisonment in the Bastille would win
the sympathy of the Revolutionists and
enable him to save his son-in-law.
After fifteen months of waiting, Dar
nay was brought to trial. Able to prove
his innocence of harming the French
people, he was freed, but forbidden to
leave France. A short time later he was
again arrested, denounced by Defarge
and one other person whose name thff
officer refused to disclose.
While shopping one day in the Paris
market, Miss Pross and Jerry Cruncher,
who were in Paris with Lucie and Mr.
Lorry, met a man who caused Miss Pross
to scream in amazement and Jerry to
stare in silent astonishment. The man
was Solomon, Miss Pross' lost brother.
Jerry remembered him as John Barsad,
the man who had been a spy-witness at the
Old Bailey. Carton arrived on the scene
at that moment, and he was able to force
Barsad to come with him to the office of
Tellson & Co. for a private conference
Barsad feared detection of his duplicity
for he was now an employee of the Re
publican French Government. Carton
and Jerry threatened to expose him as a
former spy for the English government,
the enemy of France. Carton made a deal
with Barsad.
When Darnay was once more brought
before the tribunal, Defarge testified
against him and named Dr. Manette as
the other accuser. Defarge produced the
papers which he had found in Dr. Ma-
nette's cell in the Bastille. Therein the
doctor had written the story of his arrest
and imprisonment because he had learned
of a secret crime committed by a St.
Evr6rnonde against a woman of humble
birth and her young brother. His ac
count was enough to convict Darnay.
Sentenced for the crimes of his ancestors,
Darnay, the young St. Evre'monde, was
condemned by the tribunal to the guillo
tine.
Now Sydney Carton began to act. He
visited the Defarge wine shop, where he
learned that Madame Defarge was the
sister of the woman ruined by St. Evre'
monde years before. Then with the help
of the false Barsad, he gained admit
tance to the prison where Darnay had
been taken. There he drugged the pris
oner and, still aided by the cowed Barsad,
had him carried from the cell. Carton
remained. The resemblance between the
two would allow him to pass as Darnay
947
and prevent discovery of the aristocrat's
escape.
Madame Defarge went to tie lodgings
of Lucie and Dr. Manette to denounce
them. Only Miss Pross was there; the
others, including Darnay, were already
on their way to safety. To keep Madame
Defarge from learning of their escape,
Miss Pross struggled with the furious
woman demanding admittance to Lucie's
apartment. Madame Defarge was killed
when her pistol went off. Miss Pross was
deaf for the rest of her life.
Lucy and Darnay returned safely to
England. Sydney Carton died at the
guillotine, giving his own life for the
happiness of his dear friends.
TAMAR
Type of work: Poem
Author: Robinson Jeffers (1887- )
Type of plot: Psychological melodrama
Time of plot: World War I
Locale: Caimel Coast Range, California
First published: 1924
Principal characters:
TAMAR CAULDWELL, a neurotic girl
LEE CAULDWELL, her brother
DAVID CAULDWEIX, her father
JINNY CAIILDWELL, David's idiot sister
STELLA MORELAND, sister of David's dead wife
WILL ANDREWS, Tamar's suitor
Critique:
Tamar is one of the greatest of Jeffers'
long narrative poems. In powerful and
rugged language he outlines the turbu
lent lives of the Cauldwell family and
their terrible but inevitable destruction.
The symbol which he employs to in
dicate humanity's absorption in itself is
incest and its resulting miseries. Tamar
is a violent and powerful story told
against the harshly magnificent back
ground of the Carmel coastline range.
It is at once thrilling and moving.
The Story:
Injured when his horse stumbled and
fell over a sea cliff, young Lee Cauldwell
was nursed back to health by his sister
Tamar. Lee, who had lived a wild and
dissolute life, vowed to give up his
drinking and debauchery. He and Tarnar
became devoted to each other during his
convalescence, so much so that Lee
jealously warned a former suitor of his
sister to stay away from her. Old David
Cauldwell feared what might result from
the isolation of his family. His fears were
confirmed when the brother and sister,
after swimming in the river, were drawn
to each other against their wills.
The Cauldwell family was a peculiar
group. Besides the father and the two
children, it contained two old women.
Aunt Jinny, an idiot sister of David
Cauldwell, was cared for by Aunt Stella,
the sister of David's dead wife. Through
the confused mumblings of Jinny, Tamar
realized that an incestuous relationship
had occurred between David and his own
sister Helen.
A short time later, Tamar discovered
that she was pregnant. Rather than
admit that Lee was the father of her
child, she deliberately sought out and
seduced her former suitor, Will Andrews.
Disgust and revulsion grew in her until
she hated her two lovers and, most of all,
herself. She felt that she would lose
her mind unless she talked to someone.
**d Random
Inc. Published by The
948
Aunt Stella was a medium through
whom the voices of the dead sometimes
spoke. In desperation, Tamar appealed
to her to let her speak to Helen. That
evening she and Stella, with the im
becile Jinny between them, stole down
to the seashore, so that they would not
be discovered by the men. Stella grad
ually fell into a trance, and through
her lips Tamar heard the voice of a
man who told her that the coastline
country had been the land of the Indians,
where their gods used to come to them.
He ordered Tamar to strip and dance so
that the gods would come again. Against
her will, Tamar danced to strange gut
tural chants from the lips of the tranced
woman. After a while the chanting
ceased and Tamar returned slowly to
her senses. Then through the lips of
Stella she heard the voice of Helen
taunting her for the shameful orgy. The
voice, after warning Tamar that she
would lose her child, told her that a
fire Tamar had earlier set in the cabin
would be quenched before it fulfilled its
purpose of destroying the corruption of
the Cauldwell family. Then in a mourn
ful voice Helen told Tamar of the horror
of death, of her longing for life, and of
her need to haunt Tamar as long as
she lived, because she possessed life. On
the shore, unassisted by anyone and in
great agony, Tamar lost her baby.
Back in the cabin once more, Tamar
could scarcely restrain the hatred she
felt for her family. All pity had left
her, and all love. In order to revenge
herself on Helen, she tempted her old
father with her beauty. Through the
medium of Stella, Helen cursed Tamar
and pleaded with her not to commit that
ultimate folly.
Lee, who had returned to his drinking,
enlisted in the army, but Tamar was
determined not to let him go. She told
him that the child had not been his but
the child of Will Andrews, who had
visited her late at night after she had set
a lighted lamp in her window as a signal.
Tamar taunted Lee until he lashed her
with a whip.
When Will Andrews came to the
cabin that night, Tamar told him that
Lee would leave the following day for
the army and would like to say goodbye
to him. The meeting between the two
men was cool but amiable. But while Lee
was out of the room, Tamar showed Will
her whip-lash wounds and told him that
she had lost his child through outrages
which both her father and Lee had per
petrated upon her. When Lee returned
with his father, Will accused him of
those atrocities, In turn, Lee accused
Will of having attempted to set fire to
their home. Tamar, who herself had
been responsible, said nothing but goaded
on the fight with her smiles and wordless
encouragement to Will. Lee stabbed
Will horribly and fatally.
Helen, through the person of Stella,
tried to save old David Cauldwell from
the destroying forces of hate and evil,
but he refused to heed her warnings.
Downstairs the idiot Jinny, alone and
disturbed, was attracted by the light of
a candle. She carried it to the window,
where the flame set fire to the blowing
curtains. Her dying shrieks attracted
the attention of those upstairs.
Lee tried to run to her, but Tamar
clung to him and would not let him
go. Will, dying, dragged himself as far
as the window. Stella rushed out into
the flaming hall and perished. The old
man prayed brokenly, groveling on the
floor. Lee made one last effort to escape,
but Tamar, glorying in the destruction
of her three lovers, embraced him until
the flames consumed them all.
949
TAMBURLAINE THE GREAT
Type of work: Drama
Author: Christopher Marlowe (1564-1593)
Type of plot: Romantic tragedy
Time of plot: Fourteenth century
Locale: Asia
First presented' ^ 1587
Principal characters:
TAMBURLATNE, the Scythian conqueror
ZENOCRATE, his wife
BAJAZETH, Emperor o£ the Turks
CALLAPESTE, his son
MYCETES, King of Persia
COSROE, his brother
THERIDAMAS,
TECHELLES, and
USUMCASANE, followers of Tamburlaine
ORCANES, King of Natolia
Critique:
A study of driving ambition, Tambur
laine the Great is also notable for the
dignity and beauty of Marlowe's lines.
The poetry of the play is all the more
remarkable in view of die fact that it
was among the first written in English
blank verse. Marlowe wrote so well, with
so much original invention, that for a
time many scholars believed him the au
thor of some plays now attributed to
Shakespeare. It is safe to say that Mar
lowe is the best of pre-Shakespearean
playwrights.
The Story:
When Mycetes became king of Persia,
bis brother, Cosroe, blatantly told the
new king that he was not fit for the
office. Among Mycetes' greatest concerns
were the raids of Tamburlaine, the Scy
thian bandit, upon the Persian people.
Because it was rumored that this robber
chief aspired to rule the East, Mycetes
sent Theridarnas with a thousand troops
to capture Tamburlaine, and ordered
another lord named Menaphon to follow
Theridarnas. Cosroe sarcastically pointed
out to the king that Menaphon was
needed in Babylon, where the province
was about to revolt against such an in
ferior sovereign as Mycetes. At this in
sult Mycetes vowed to revenge himself
against his brother.
Menaphon asked Cosroe if he were not
afraid of the king's threat, but Cosroe
assured the Persian lord that there was a
plot afoot to make Cosroe emperor of
Asia, explaining that it hurt him to wit
ness the scorn now being directed toward
the Persian monarchy, which had for
merly awed the entire world. Shortly
afterward there was a revolt, and the
rebellious lords offered Cosroe the crown.
Cosroe set out to annex the thousand
troops of Theridarnas in order to conquer
his brother Mycetes.
Meanwhile, on a Scythian hill, Tam
burlaine held Zenocrate, the daughter of
the sultan of Egypt. To her the former
shepherd spoke grandly of kingdoms he
would conquer. Techelles and Usumca-
sane echoed his boasts, vowing to follow
Tamburlaine to the death. To Zeno
crate the ambitious leader promised all
the wealth and power in his kingdom; he
was in love. Suddenly the thousand horse
troops of Mycetes attacked the five hun
dred foot soldiers of Tamburlaine. When
Theridarnas accosted the Scythian, he
was so impressed by the appearance of
the former shepherd that Tamburlaine
was able to persuade Theridarnas to be
come an ally. Visions of mighty king
doms and power had persuaded Theri
darnas.
Cosroe, smugly discussing Tambur-
950
laine's personality and latest conquest,
was preparing to send troops to join
Tamburlaine and Theridamas by the
river Araris, there to engage the forces of
Mycetes, who was fuming with rage at
the revolt. Meander, a follower of My
cetes, conceived the idea that he who
could conquer Tamburlaine would be
offered the province of Albania, and who
ever took Theridamas could have Media,
but Mycetes asked that Cosroe be cap
tured alive. Mycetes was convinced that
the followers of the bandit Tamburlaine
could be bribed to desert their leader,
who had purchased them by bribes in
the first place.
When Cosroe met Tamburlaine, the
Scythian boasted of his great future;
Theridamas indicated to Cosroe that he
believed in Tamburlaine's ability. Cer
tain of victory, Cosroe promised Techelles
and Usumcasane rewards for their deeds.
Mycetes was defeated. After the vic
tory, Tamburlaine bribed Theridamas,
Techelles, and Usumcasane with a prom
ise of kingdoms of their own if they
would attack Cosroe. Marveling at Tam-
burlaine's arrogant daring, Cosroe pre
pared for battle. Cosroe was wounded
in battle, and Tamburlaine, gloating over
his easy conquest, proclaimed himself
king of Persia.
At the court in Algiers, the kings of
Fez, Morocco, and Algiers fumed at the
bandit who had taken Persia and who
now was forcing them to raise their siege
of Greek Constantinople. Bajazeth, king
of the Turks, dispatched a message to
Tamburlaine and offered threats if the
Scythian conqueror dared set foot in
Africa. Meanwhile the kings planned to
take Greece by siege.
Zenocrate had grown slowly to admire
Tamburlaine, who was now plotting the
conquest of the Turkish kings. Zabina,
wife of Bajazeth, sneered at Zenocrate
and called her a concubine. When he
had subdued Bajazeth, Tamburlaine
made Zabina Zenocrate's attendant slave.
The next victim of the Scythian's lust
for power was the sultan of Egypt, Zeno-
crate's father. To show his might, Tam
burlaine had put Bajazeth in a cage and
subjected him to base ridicule by using
his prisoner as a footstool. Still Bajazeth
and Zabina courageously insulted their
master by hurling disdainful remarks and
threats at him.
As Tamburlaine's armies prepared to
take Damascus, Zenocrate gently asked
her paramour to deal kindly with the
city of her father, but he refused. Zeno
crate grieved until Tamburlaine promised
not to harm her father when Damascus
fell. By now the Scythian conqueror
loved Zenocrate dearly, and while he
ordered three emissaries from Damascus
to be killed, he thought of his beloved's
beauty and tenderness. Zenocrate herself
was torn between her conscience, which
revolted against her lord's cruelty, and
her love for him.
When Tamburlaine brought the sul
tan alive to Zenocrate, the conqueror
promised to give the sultan's kingdom
back to him if Zenocrate would accept
the title of Queen of Egypt. She readily
accepted this condition and Tamburlaine
planned his wedding with Zenocrate.
Bajazeth and Zabina had killed them
selves by dashing their heads against the
bars of the cage in which Tamburlaine
had imprisoned the Turkish monarch.
Orcanes, king of Natolia, preparing for
a battle with Sigismund, king of Hun
gary, learned that Tamburlaine was mus
tering for an attack. He sent for all the
Christian rulers of Europe to form an
alliance against an invasion by the Scy
thian. The former enemies, Sigismund
and Orcanes the Mohammedan, entered
into a pact of friendship with the rulers
of Buda and Bohemia.
Callapine, son of Bajazeth and a pris
oner of Tamburlaine, was guarded by Al-
meda, whom the young prince bribed
with offers of wealth and power if he
would help Callapine to escape. Tam
burlaine by now had three sons, Caly-
phas, Amyras, and Celebinus. Calyphas
expressed a desire to lead a peac
with his mother Zenocxate.
951
The treaty of the monarchs against
Tamburlaine did not hold. When the
Mohammedan Orcanes withdrew his
troops from his campaign against the
Christians, Sigismund was urged by his
allies to attack Orcanes. Orcanes was
trapped, for he was at the same time
preparing to attack Tamburlaine. The
betrayed monarch, crying for his enemies'
Christ to help him defeat the traitors,
prepared to defend himself. Sigismund
was killed in the fighting, and Orcanes
was the victor in the battle.
Zenocrate had become ill, and when
she died, Tamburlaine was overcome
with such grief that he would not have
her buried until after his own death.
Escaping with the aid of Almeda, Cal-
lapine returned to his father's kingdom
and marshaled the allies to defeat Tam
burlaine and revenge Bajazeth's death.
Inconsolable in his grief for Zenocrate,
Tamburlaine prepared to fight the forces
of Callapine. The Scythian's sons, Amy-
ras and Celebinus, were eager for battle,
but Calyphas, disliking his father's career
of bloodshed, refused to join the fighting.
After he had vanquished his Turkish
enemies, Tamburlaine returned to his
camp and wrathfully stabbed Calyphas,
who had remained in his tent all the
while. The Turkish monarchs were
bridled like horses, and under Tambur-
laine's whip, forced to pull his carriage.
The conqueror then planned to take
Babylon. After this city was taken, ter
rible plunder, rape, and murder followed,
Tamburlaine was now mad with lust and
power. Only Callapine was still free to
oppose him.
Tamburlaine fell ill with some mysteri
ous malady, and his physician declared
that he was dying. After the dying con
queror had crowned his son Amyras
monarch of his empires, he sent for
Zenocrate's hearse. Bidding his son to
reign with power, Tamburlaine, the
scourge of God, died leaning over his
beloved Zenocrate Js coffin.
TAPS FOR PRIVATE TUSSIE
Type of -work: Novel
Author: Jesse Stuart (1907- )
Type of plot: Regional romance
Time of 'plot: Twentieth century
Locale: Kentucky
First published: 1943
Principal characters:
GRANDPA TUSSIE, head of the Tussie clan
GRANDMA TUSSIE, ids wife
GEORGE TUSSIE, his brother
UNCLE MOTT TUSSIE, his son
UNCLE KIM TirssrE, his deceased son
AUNT VITTIE TUSSIE, Kim's wife
Sn> SEAGKAVES TUSSIE, a grandson
Critique:
Jesse Stuart, who came into sudden
fame with his book of Kentucky poems,
Man With a Rull-Tongue Plow, has con
tinued to use this familiar background
in the series of novels and short stories
which have followed. Stuart displays a
great understanding for the people about
whom he writes in Taps for Private Tus
sie. In this novel of the Kentucky moun
tain people the plot is unimportant; the
characters are the story. Stuart's treat
ment of this region grows out of his
authot
E- p-
952
deep familiarity with the place and its
people. He himself has lived the life
about which he writes.
The Story:
There was trouble at Grandpa Tussie's.
In the coal shed behind the schoolhouse
where the Tussies lived, Uncle Kim's
body was beginning to smell. Kim Tus-
sie had been killed in the war. The
government had sent his body home, and
now the Tussie clan had gathered for
the funeral. Kim's folks, Grandpa and
Grandma Tussie, comforted Aunt Vittie,
Kim's wife, who was screaming and wail
ing. Uncle Mott, Kim's brother, was
telling how he had identified the body.
Sid, Kim's young nephew, was just
excited. There had not been so much
going on since he could remember. The
noise the Tussie kin made as they carried
the coffin up the mountainside could
not soon be forgotten by a young boy.
Uncle Kim had left Aunt Vittie ten
thousand dollars in government insur
ance, and the day after the funeral she
rented the Rayburn mansion and filled
it with new furniture, all ready for
Grandpa and Grandma, Uncle Mott, and
Sid to move in. It was the biggest and
best house any of the Tussies had ever
seen. Uncle Mott flicked the electric
lights off and on all day. Sid used the
bathroom over and over. Aunt Vittie
bought them all new clothes to go with
the house. To Sid it was all wonderful,
but his happiness was spoiled a little
when he realized Uncle Kim had to die
in order for the rest of them to have that
splendor.
The next few weeks were really a
miracle in the lives of the Tussies,
Grandpa continued to get his relief gro
ceries and Aunt Vittie bought more gro
ceries at the store. Grandpa began to
look for more of the Tussies to come
when they heard about the money.
Grandpa thought his brother George
would be the first. Brother George had
been married five times. He could play
a fiddle till it made a man cry.
Grandpa was right. When George
heard about the money, he decided to
come home to die. Uncle Mott hoped
that that time would come soon, but
Aunt Vittie looked at George and smiled.
George played his fiddle far into the
night, playing tunes Aunt Vittie asked
for, and Grandpa knew George had come
to stay. Aunt Vittie bought George new
clothes, too, and Uncle Mott began to
look mean.
Then more Tussies came, first Unclfl
Ben, then Dee, then Young Uncle Ben,
then Starkie, then Watt, then Sabie, then
Abe, all with their wives and young
ones. The mansion was ready to burst.
Only Grandpa knew them all. Wher»
Grandma counted forty-six of them, she
would stand for no more.
The money began to go fast. Sid knew
now why Grandpa and Grandma had
not cried at Kim's funeral. They had
known Aunt Vittie would get the money
and all the Tussies would live high.
Brother George's fiddle playing had Aunt
Vittie looking as she had never looked
before. Uncle Mott was losing out and
he looked dangerous.
Grandpa knew things were bound to
change. He was right. First the govern
ment man came and stopped their relief.
It hurt Grandpa to lose his relief. He
had had it for years and had expected it
to go on forever. Then George Rayburn
came to inspect his house. When he saw
the floor full of nail holes, the broken
windowpanes, the charcoal and pencil
marks on the walls, he threatened to
bring suit if the Tussies did not leave at
once. But the uncles and the brothers
and the cousins twice removed refused
to leave. It was not until Sheriff White-
apple came with the law papers that
they knew they were whipped. That
night there was the grandest dance of
all. Aunt Vittie kissed Brother George
and then she kissed Uncle Mott, but
not very hard. It looked as if George
were winning.
The next day the Tussies began to
leave. Grandpa and Grandma, Aunt Vit-
953
rfe, Brother George, Uncle Mott, and
Sid were the last to go. Aunt Vittie had
bought fifty acres of land and an old
shack with the last of her money, and
she put the farm in Grandpa's name.
They had no furniture, no sheets, no
dishes, since Rayburn had attached
everything to pay for damages to his
house. There was only Grandpa's old-
age pension check to look forward to.
But Uncle Mott and Brother George
made a tahle and sapling beds and Sid
found their old dishes in the gully by
the old schoolhouse, and the Tussies
began living as they had always lived.
Then came the worst blow of all.
Someone had reported that Grandpa now
owned land, and his old-age pension
was stopped. Sometimes there was not
enough to eat. Uncle Mott and George
began to look dangerous. Sid knew bad
trouble was coming. After Brother
George and Vittie were married, Uncle
Mott stayed in town most of the time,
drinking bootleg and getting mean drunk.
Grandpa knew his time on earth was
about up, but he felt something was
going to happen that he did not want
to miss. And he was right again. Uncle
Mott came home from town one day
and told them that he had found Young
Uncle Ben and Dee and had shot them
for reporting Grandpa to the relief
agency. As Uncle Mott talked, Brother
George began to stroke his fiddle, and
he played a note of death. Uncle Mott,
cursing the fiddle for being the cause
of all his trouble, shot the fiddle from
George's hands. George drew his gun
and shot Uncle Mott through the head.
Aunt Vittie had been to town, too,
begging food for Grandpa and the rest,
and now they saw her coming, walking
close beside a strange man. That is, he
was a stranger until he came nearer, and
then they saw that it was Uncle Kim,
who was supposed to be buried on the
mountainside. When George saw the
ghost, he went through the windowpane.
But it was simple for Sheriff Whiteapple,
when he came a little later, to follow his
footprints in the snow.
After Kim had explained that he had
not been killed after all, they began
to understand what had happened. Uncle
Mott had always wanted Aunt Vittie,
and it had been easy for him to identify
a body as Kim's. And Kim told more.
He told Sid that he was Aunt Vittie's
son, that she had been wronged by a
rich man who paid Kim to marry her,
and that now Sid would be their son.
That night it was as if nothing had
happened, except for Uncle Mott's body
in the shack. To Sid it was like a
dream, but a dream with life in it. For
the first time he began to feel really
good. Peace had come to the Tussies.
TARAS BULBA
Type of work: Novel
Author: Nikolai V. Gogol (1809-1852)
Type of plot: Historical romance
Time of plot: Fifteenth century
Locale: Russia
First published: 1835
Principal characters:
TARAS BULBA, a Cossack warrior
OSTAP, Taras' older son
ANDRH, Taras' younger son
YANEEL, a Jewish merchant
DAUGHTER OF THE POLISH WATWODE, Andrii's sweetheart
Critique:
Taras Bulba is a prose poem in praise
of the Cossack warrior, celebrating, as it
does, the brave deeds of those hardy
fighters. Presenting the life of the Cos
sack band on the march and in battle,
Gogol uses a theme which is truly epic
954
Certainly Gogol intended this heroic tale
as a romantic commentary of the dullness
of life in his own day. Its application
for our own time is just as apt.
The Story:
When the two sons of Taras Bulba re
turned home after finishing their studies
at the Royal Seminary in Kiev, their
father ridiculed their monastic garb.
Ostap, the older of the two, insisted that
any insult must he avenged, and father
and son began to exchange blows. Taras,
learning in this manner that Ostap was
a stout contender, embraced him heartily.
The father would have liked also f to try
the mettle of his younger son, Andrii, but
his wife intervened, preventing any more
fisticuffs.
In honor of his sons' arrival Taras
entertained all the local officers of the
Zaporozhian Cossacks. Under the stimu
lus of corn brandy, Taras resolved to take
his sons the next day to the Setch, the
permanent camp of the fighting Cossacks.
The mother was heartbroken to hear that
she must part with her sons, but Taras
was firm. Before the party left for the
encampment, all sat down, even the
servants, while the mother blessed her
sons and gave them holy pictures to wear
around their necks.
Taras Bulba and his sons rode off to
gether across the steppes, each concerned
with his own thoughts. Taras was a Cos
sack leader imbued with the old-fashioned
ideas that the only good life was that of
the soldier. Ostap, when first enrolled
at the seminary, had found life there un
bearable; but he gradually grew accus
tomed to scholastic life and became a
good student. Though not a leader at the
seminary, he was willing to follow other
boys whose main interests, like his own,
were war and revelry. Andrii was of a
different sort. He was a willing student,
a better leader, but was also passionately
fond of women, who came in his dreams
to trouble his sleep. He remembered a
beautiful girl who one day had laughed
from her window. Learning that she was
the daughter^ of the Polish Waiwode oi
Koven, Andrii daringly visited the girl
in her bedroom the following night. To
his regret she left the city with her
father soon afterward.
Three days later Taras and his sons
reached the suburb of the Setch, where
the workmen and merchants for the
great encampment were located. Finally
they came to the Setch itself, and the
Cossacks uproariously greeted Taras, their
old comrade-in-arms. The only require
ments for admission to the Setch were
belief in Christ, the Holy Trinity, and
the Church. If the members lacked
money, they simply plundered the mer
chants in the suburb. Andrii and Ostap
fitted well into this wild life and soon
they gained recognition among the Cos
sacks for their bravery and daring.
Not wanting his sons to be idle, Taras
consulted the Cossack leader about the
possibility of stirring up some bold enter
prise. Taras suggested attacking the
Turks, but he was told that a treaty
of peace had been signed with the sultan,
Sly Taras then arranged for a meeting of
the whole encampment, at which Kird-
yaga, a close friend, was chosen as the
new leader. The next day Kirdyaga called
the group together and harangued them
into voting for a raid on the coasts of
Anatolia.
Immediately the Setch became active
with preparations for the march. Before
arrangements were completed, however,
a group of Cossacks appeared in a barge
and reported persecution and defeat at
the hands of the Poles. The Jews were
also accused, and so the enraged Cossacks
threw the Jewish merchants into the
Dnieper River. Only one escaped, a
trader named Yankel, who was saved by
the intercession of Taras Bulba.
The Zaporozhti began their trek of
pillage and plunder throughout southeast
Poland. Arriving at the city of Dubno,
they found it heavily garrisoned and
walled. The Zaporozhti then surrounded
Dubno, cutting off all food supplies from
the surrounding district, and gave them-
955
selves up to pillage and drunken revelry.
Both of Taras* sons were bored with
this inactivity. One night Andrii was
awakened by a Tatar serving-woman.
She told him that her mistress was the
beautiful daughter of the waiwode, the
girl whom he had encountered at Kiev.
Having seen him from the walls, the girl
had sent her servant through a secret
gate to ask Andrii to visit her in the city
and to bring food for her starving family.
Andrii stole a sack of bread and accom
panied the Tatar into Dubno. When he
met the waiwode's daughter, she seemed
more beautiful to his sight than ever; in
her embrace he forgot home, honor, coun
try, loyalty, and Church.
A short time later Taras learned of his
son's treachery from Yankel, who had
been inside the city walls. The old Cos
sack was furious at Andrii, but proud of
Ostap, who had been raised in rank and
put in command of a large unit. Then
news came that the Setch had been in
vaded by the Tatars. Half of the Cos
sacks departed to pursue the Tatars, while
the others remained at the siege of Dub-
no, Taras and Ostap among them. Taras,
to bolster the courage of his warriors,
gave the Cossacks a large supply of wine
e had brought along for just such a
purpose.
One day there was a great battle, a
fight in which most of the Cossacks were
killed or captured. Toward the end of the
fray Andrii appeared, richly attired, to
fight against his own people. Taras, who
saw him come into the battle, maneu
vered his men so that he ^and His son
met alone. Taras shot Andrii, who died
with the name of the waiwode's daughter
on his lips. The victorious Poles captured
Ostap, who had distinguished himself
in the battle. After receiving a serious
wound, Taras was rescued by a faithful
servant. He regained consciousness on
the way back to the Setch, where he
learned that not another man who had
been on the expedition had returned.
Unable to forget Ostap, now a prisoner
of the Poles, Taras set out for the city
of Ouman. There he found Yankel, who
for a large sum was persuaded to conduct
Taras to the hostile city of Warsaw in
search of Ostap. Hidden under a load
of bricks, Taras entered the city, but he
was unable to see Ostap before the day
the Cossack prisoners were led out for
torture and death. When Ostap called
out for his father, Taras was unable to
endure the sight of his son's torture in
silence. Taras answered him so that
Ostap knew his father was close by at
his death.
Thus discovered, Taras was pursued
but escaped to the Ukraine, where he
became the leader of a Cossack band.
When the Zaporozhian chiefs made peace
with the Poles, Taras broke away with
a band of his followers and raided towns
and cities through all Poland. Finally,
pursued by five regiments, he was taken
prisoner. Crucified to a burning tree,
Taras Bulba died calling to his comrades
to carry on their fight for freedom.
TARTARIN OF TARASCON
Type of work: Novel
Author: Alphonse Daudet (1840-1897)
Type of -plot: Satiric romance
Time of plot: Nineteenth century
Locale: France and North Africa
First published: 1872
Principal characters:
TARTAKJN, a huntsman
BAM, a Moorish beauty
PRINCE GREGORY OF MONTENEGRO
BABBASSOU, captain of the Zouave
956
Critique:
The saying is that words fly so quickly
in southern France "because the air is so
light and buoyant. Indeed the Midi is
renowned for its braggarts. Tartarin was
a real braggart, but in this story he made
good his boasts — to a certain extent.
Tartarin of Tarascon was written with
the sure touch of a humorist combined
with the fantastic imagination of the
Provencal poet. In his understanding of
people and in his method of character
portrayal, Daudet is often compared with
Dickens.
The Story:
In the little town of Tarascon in the
Midi, Tartarin enjoyed an enviable repu
tation which was based first of all on his
farden. But Tartarin grew no plants of
ranee. He had banana trees, palm trees,
cacti, and all the most exotic plants he
could find.
To understand the second reason for
Tartarin's fame one must know the town
of Tarascon. The Tarasconese were
mighty hunters and all the men had
ample arsenals. Tartarin's study con
tained a complete collection of deadly
weapons. He had rifles, carbines, blun
derbusses, Malayan krishes, and Indian
tomahawks. It was too bad that there
was no game at all for many leagues
around the town, for in order to indulge
their passion for the chase, the Tarasco
nese had to hunt their own caps. A man
would throw his cap in the air and fire
while it was still in flight. Tartarin had
the distinction of ruining more caps than
all his rivals put together.
The third reason for his fame came
from the custom of each Tarasconese to
sing his OVJTI particular song at all social
events. Tartarin had no particular song,
for he could sing them all. It was a brave
thing to hear Tartarin sing "NO, NO,
NO" in a duet with Mme. Bezuquet.
True, all Tartarin could sing was "No,"
but this he sang with enviable gusto,
Fourth, Tartarin had once been offered
a job as clerk in the Shanghai office of
a French importing firm. Although he
had not taken the job, it was almost the
same to him in later years, when he
talked in a knowing way of the mys
terious customs of the Far East. Even
if he had never stayed overnight outside
of Tarascon, he was a true cosmopolite.
Often he would roam the poorer streets
of Tarascon looking for those stealthy
people who carry on international in
trigue and thuggery. He would arm
himself with knuckle dusters, his bowie
knife, his trusty forty-five, and then fear
lessly seek adventure. Every one he met,
unfortunately, was a harmless citizen who
greeted him by name. However, one
never knew when something unusual
might happen.
One night a member of the club came
running to announce that a carnival had
brought a lion to Tarascon. Tartarin
bravely affixed a bayonet to his elephant
gun and went to the carnival. It was an
inspiring sight to see Tartarin swagger in
front of the lion's cage, and he never
flinched no matter how the lion roared.
This experience, coupled with his own
ability at telling tales, soon gave Tartarin
a reputation as a great lion hunter, and
in some way the impression grew that
Tartarin was actually going to Africa to
hunt lions. It must be admitted that
Tartarin enjoyed the story and actually
talked about his coming trip. But as the
months went by he showed no signs of
leaving. He could not bring himself to
give up his regular hot chocolate.
Finally even the Tarasconese could no
longer stand the suspense. When Com
mander Bravida told Tartarin that he
must go, Tartarin, with uneasy heart,
put on his costume of full white linen
trousers, a cummerbund two feet wide,
and a gigantic red fez. On each shoulder
he carried a heavy gun, in his belt a hunt
ing knife, and on his hip a revolver. In
his two copper-lined chests were his re
serve weapons. Other boxes contained
drugs, pemmican for emergency rations,
and a shelter tent. Thus attired and sup-
957
plied, he put on his spectacles and left,
amid the hurrahs of the town.
On the trip across the sea the good
ship Zouave was unsteady, and Tartarin's
great fez was often inclined over the rail.
But in Algeria he still had strength to go
on deck, where to his horror, he saw the
ship invaded by hordes of natives he
mistook for Algerian pirates. Taking out
his sheath knife, he courageously rushed
upon the invaders. Luckily Captain Bar-
bassou caught him around the middle
before he could harm the startled porters.
The first morning in Algiers Tartarin
arose at daybreak and prepared to hunt
lions. Dashing out into the road, he
met hunters with game bags filled with
rabbits. Tartarin pushed on over the
desert country. By nightfall he was in
a thicket. Uttering cries to imitate a
stray kid, he settled down to wait. Before
long he saw a lion bearing down upon
him. Up went his trusty gun. Two shots
rang out, and the wounded lion thrashed
away. Not daring to move for fear the
female would come to the aid of her mate,
Tartarin sat uneasily until dawn.
Then to his dismay he found himself
sitting in a garden among rows of beets.
He had killed no lion, but there in a ditch
lay a donkey with two bullet holes in
him.
Tartarin decided to go back to Algiers,
get his equipment, and head south. On
the bus he was stricken by the bold
glance of a Moorish lady. Losing his
head, he started on a conquest of love.
After weeks of fruitless searching,
Prince Gregory of Montenegro, whom
he had met aboard the Zouave, helped
Tartarin find the beautiful Moor. She
was Baia, a widow of twenty and sister
of a pipe seller in the bazaar. Prince
Gregory kindly offered to placate the
brother by buying his pipes. The smitten
Tartarin gave his friend enough money
over several weeks to buy gross after gross
of pipes before the matter was arranged
to the satisfaction of all.
Tartarin took a house in the native
quarter with his Baia. At first glance
Baia seemed much fatter than the lady in
the bus, but Tartarin put down such base
suspicions. Now he was known as Sidi
Tart'ri ben Tart'rL All day he puffed his
narghile and ate sweetmeats flavored with
musk. Baia entertained her lord by sing
ing monotonous airs through her nose or
dancing the stomach dance. The only
flaw in the household was that Bai'a spoke
no French and Tartarin no Arabic.
One day Tartarin met Barbassou by
chance. The cynical captain warned
Tartarin against all Montenegrin princes
and expressed doubt that Baia knew no
French. Although Tartarin disdained the
suspicions of Barbassou, the sight of a
fellow Tarasconese again recalled lion
hunting to his mind. He stoutly resolved
to leave his bliss and go south to hunt
the terrible lion.
After two days of rough jolting in an
obsolete coach, Tartarin entered the city
of Milianah, where on a street corner
he saw a degrading sight. A lion had been
trained to hold a bowl in his mouth and
beg for alms. Incensed at this debase
ment of the most noble of beasts, Tartarin
seized the bowl from the lion's jaws and
dashed it on the ground. Thinking him
a robber, the two Negro attendants set
on him with clubs. A riot was averted
by the arrival of suave Prince Gregory,
who had hurried south after his friend.
Now with a proper caravan made up
of the prince, Tartarin, and one camel,
Tartarin wandered for nearly a month.
Each time they entered a town, the prince
would visit the military post, the com
mander would extend full hospitality to
Tartarin, and Tartarin would pay the
bill. But he found no lions anywhere.
Finally, on a notable night, Tartarin
was hiding in a copse of oleanders when
he heard a lion cough. Giving his purse
to the prince to hold, he lay in wait. No
lion appeared. The prince vanished.
Without lion or money, Tartarin sat in
despair on the steps of a saint's tomb.
To his great astonishment, a noble lion
advanced down the path. Tartarin fired
twice, and bagged his lion at last.
958
But the lion was a holy, blind lion
belonging to a Mohammedan convent,
and Tartarin had to pay a fine of twenty-
five hundred francs. He was forced to
sell all his fine weapons to pay the sum,
but he skinned the lion and sent the
skin to Tarascon.
In disgust Tartarin walked back to
Algeria, followed by his faithful camel,
which had formed a liking tor him. Tar
tarin could not shake off the beast. The
camel swam the Mediterranean behind
the Zouave and trotted behind the train
from Marseille to Tarascon.
So the great hero of Tarascon came
home. The story of how he killed twenty
lions was told over and over again.
TARTUFFE
Type of -work: Drama
Author: Moliere (Jean Baptiste Poquelin, 1622-1673)
Type of plot: Comedy
Time of plot: Seventeenth century
Locale: Paris
First presented: 1664
Principal characters:
ORGON, a wealthy ex-officer of the King's Guard
MADAME PERNELLE, his mother
ELMERE, his wife
DAMIS, his son
MARIANE, his daughter
VALERE, Mariane's lover
DORTNE, Mariane's maid
CLEANTE, Orgon's brother-in-law
TARTUFFE, a hypocrite
Critique:
It is almost impossible for a modern
reader to realize the disturbance Tartuffe,
or tlie Hypocrite caused when it was orig
inally produced. Moliere was attacked
for undermining the very basis of religion
in his portrait of the hypocrite. For
moderns, the comedy is valuable mainly
as the ancestor of similar satiric portraits,
ranging from Dickens' Mr. Pecksniff to
Sinclair Lewis' Elmer Gantry. Moli&re's
Tartuffe is hardly convincing to us, how
ever, because we do not know why or
how he became what he was.
The Story:
Orgon's home was a happy one. He
himself was married to Elmire, a woman
much younger than he, who adored him.
His two children by a former marriage
were fond of their stepmother, and she
of them. Mariane, the daughter, was
engaged to be married to Valere, a very
eligible young man, and Darnis, the son,
was in love with Valere's sister.
Then Tartuffe came to live in the
household. Tartuffe was a penniless
scoundrel whom the trusting Orgon had
found praying in church. Taken in by
his cant and his pose of fervent religious
ness, Orgon had invited the hypocrite
into his home. As a consequence, the
family was soon demoralized. Once
established, Tartuffe proceeded to change
their normal, happy mode of life to a
strictly moral one. He set up a rigid
puritan regimen for the family, and per
suaded Orgon to force his daughter to
break her engagement to Valere in order
to marry Tartuffe. He said she needed
a pious man to lead her in a righteous
life.
Valere was determined that Mariane
would marry no one but himself, but
unfortunately Mariane was too spineless
to resist Tartuffe and her father. Con
fronted by her father's orders, she re
mained silent and remonstrated only
weakly. As a result, Tartuffe was cor-
959
dially hated by every member of the
family, including Dorine, the saucy, out
spoken servant, who did everything in
her power to break the hold that the
hypocrite had secured over her master.
Dorine hated not only Tartuffe but also
his valet, Laurent, for the servant imi
tated the master in everything. In fact,
the only person besides Orgon who liked
and approved of Tartuffe was Orgon's
mother, Madame Pernelle, who was the
type of puritan who wished to withhold
from others pleasures she herself could
not enjoy. Madame Pernelle highly dis
approved of Elmire, maintaining that in
her love for clothes and amusements she
was setting her family a bad example
which Tartuffe was trying to correct.
Actually, Elmire was merely full of the
joy of living, a fact that her mother-in-
law was unable to perceive. Orgon him
self was little better. When Elmire fell
ill, and he was informed of this fact,
his sole concern was for the health of
Tartuffe. Tartuffe, however, was in fine
fettle, stout and ruddy-cheeked. For his
evening meal, he consumed two par
tridges, half a leg of mutton, and four
flasks of wine. He then retired to his
warm and comfortable bed and slept
soundly until morning.
Tartuffe Js designs were not really for
the daughter, Mariane, but for Elmire
herself. One day, after Orgon's wife had
recovered from her illness, Tartuffe ap
peared before her. He complimented El
mire on her beauty, and even went so
far as to lay his fat hand on her knee.
Damis, Orgon's son, observed all that
went on from the cabinet where he was
hidden. Furious, he determined to reveal
to his father all that he had seen. Orgon
refused to believe him. Wily Tartuffe
had so completely captivated Orgon that
he ordered Damis to apologize to Tar
tuffe. When his son refused, Orgon,
violently angry, drove him from the
house and disowned him. Then to show
his confidence in Tartuffe's honesty and
piety, Orgon signed a deed of trust turn
ing his estate over to TartufTe's manage
ment, and announced his daughter's be
trothal to Tartuffe.
Elmire, embittered by the behavior of
this impostor in her house, resolved to
unmask him. She persuaded Orgon to
hide under a cloth-covered table and see
and hear for himself the real Tartuffe.
Then she enticed Tartuffe to make love
to her, disarming him with the assurance
that her foolish husband would suspect
nothing. Emboldened, Tartuffe poured
out his heart to her, leaving no doubt as
to his intention of making her his mis
tress. Disillusioned and outraged when
Tartuffe asserted that Orgon was a com
plete dupe, the husband emerged from
his hiding place, denounced the hypo
crite, and ordered him from the house.
Tartuffe defied him, reminding him that
the house was now his according to
Orgon 's deed of trust.
Another matter made Orgon even more
uneasy than the possible loss of his
property. This was a casket given him
by a friend, Argas, a political criminal
now in exile. It contained important
state secrets, the revelation of which
would mean a charge of treason against
Orgon and certain death for his friend.
Orgon had foolishly entrusted the casket
to Tartuffe, and he feared the use that
villain might make of it. He informed
his brother-in-law, Cleante, that he would
have nothing further to do with pious
men; that in the future he would shun
them like the plague. But Cleante pointed
out that such rushing to extremes was
the sign of an unbalanced mind. Be
cause a treacherous vagabond was mas
querading as a religious man was no
good reason to suspect religion.
The next day Tartuffe made good this
threat, using his legal right to force
Orgon and his family from their house.
Madame Pernelle could not believe Tar
tuffe guilty of such villainy, and she
reminded her son that in this world vir
tue is often misjudged and persecuted.
But when the sheriff's officer arrived
with the notice for evacuation, even she
believed that Tartuffe was a villain.
960
The crowning indignity came when
Tartuffe took to the king the casket con
taining the state secrets. Orders were
issued for Orgon's immediate arrest. But 0 _ — r
fortunately the king recognized Tartuffe unopened,
as an impostor who had committed crimes
in another city. Therefore, because of
Orgon's loyal service in the army, the king
annulled the deed Orgon had made cov
ering his property and returned the casket
THE TEMPEST
Type of work: Drama
Author: William Shakespeare (1564-1616)
Type of 'plot: Romantic fantasy
Time of plot: Fifteenth century
Locale: An island in the sea
First presented: 1611
Principal characters:
PROSPERO, the rightful Duke of Milan
MIRANDA, his daughter
FERDINAND, son of the King of Naples
ARIEL, a spirit, Prosperous servant
CALIBAN, Prosperous slave
ALONSO, King of Naples
SEBASTIAN, Alonso's brother
ANTONIO, Duke of Milan, Prosperous brother
GONZALO, a philosopher who saved the lives of Prospero and Miranda
Critique:
The Tempest, written toward the close
of Shakespeare's career, is a work of fan
tasy and courtly romance* The story of a
wise old magician, his beautiful, un
worldly daughter, a gallant young prince,
and a cruel, scheming brother, it contains
all the elements of a fairy tale in which
ancient wrongs are righted and true lovers
live happily ever after. The play is also
one of poetic atmosphere and allegory. Be
ginning with a storm and peril at sea, it
ends on a note of serenity and joy. No
other of Shakespeare's dramas holds so
much of the author's mature reflection on
life itself.
The Story:
When Alonso, King of Naples, was re
turning from the wedding of his daughter
*o a foreign prince, his ship was overtaken
by a terrible storm. In his company were
Duke Antonio of Milan and other gentle
men of the court. As the gale rose in
fury, and it seemed certain the vessel
would split and sink, the noble travelers
were forced to abandon ship and trust to
fortune in the open sea.
The tempest was no chance disturbance
of wind and wave. It had been raised by a
wise magician, Prospero, as the ship sailed
close to an enchanted island on which he
and his lovely daughter Miranda were the
only human inhabitants. Theirs had been
a sad and curious history. Prospero was
rightful Duke of Milan. Being devoted
more to the study of philosophy and magic
than to affairs of state, he had given much
power to ambitious Antonio, his brother,
who twelve years before had seized the
dukedom with the aid of the crafty
Neapolitan king. The conspirators set
Prospero and his small daughter adrift in
a boat, and they would have perished
miserably had not Gonzalo, an honest
counsellor, secretly stocked the frail
craft with food, clothing, and the books
Prospero valued most.
The helpless exiles drifted at last to an
island which had been the refuge of
Sycorax, an evil sorceress. There Prospero
found Caliban, her son, a strange, mis
shapen creature of brute intelligence, able
961
anly to hew wood and draw water. Also
obedient to Prosperous will were many
good spirits of air and water, whom he
had freed from torments to which the
sorceress Sycorax had condemned them
earlier. Ariel, a lively sprite, was chief of
these.
Prospero, having used his magic arts to
draw the ship bearing King Alonso and
Duke Antonio close to his enchanted is
land, ordered Ariel to bring the whole
party safely ashore, singly or in scattered
groups. Ferdinand, King Alonso's son, was
moved by Ariel's singing to follow the
sprite to Prosperous rocky cell. Miranda,
who remembered seeing no human face
but her father's bearded one, at first sight
fell deeply in love with the handsome
young prince, and he with her, Prospero
was pleased to see the young people so at
tracted to each other, but he concealed his
pleasure, spoke harshly to them, and to
test Ferdinand's mettle commanded him
to perform menial tasks.
Meanwhile Alonso, Sebastian, Antonio,
and Gonzalo wandered sadly along the
beach, the king in despair because he be
lieved his son drowned. Ariel, invisible in
air, played solemn music, lulling to sleep
all except Sebastian and Antonio. Draw
ing apart, they planned to kill the king
and his counsellor and make Sebastian
tyrant of Naples. Watchful Ariel awak
ened the sleepers before the plotters could
act.
On another part of the island Caliban,
carrying a load of wood, met Trinculo, the
king's jester, and Stephano, the royal but
ler, both drunk. In rude sport they offered
drink to Caliban. Tipsy, the loutish mon
ster declared he would be their slave for
ever.
Like master, like servant. Just as Se
bastian and Antonio had plotted to murder
Alonso, so Caliban, Trinculo, and Steph
ano schemed to kill Prospero and become
rulers of the island. Stephano was to be
king, Miranda his consort; Trinculo and
Caliban would be viceroys. Unseen, Ariel
listened to their evil designs and reported
the plan to Prospero.
Meanwhile Miranda had disobeyed her
father to interrupt Ferdinand's task of
rolling logs and, the hidden magician's
commands forgotten, the two exchanged
lovers' vows. Satisfied by the prince's
declarations of devotion and constancy,
Prospero left them to their own happy
company. He, with Ariel, went to mock
Alonso and his followers by showing them
a banquet which vanished before the
hungry castaways could taste the rich
dishes. Then Ariel, disguised as a harpy,
reproached them for their conspiracy
against Prospero. Convinced that Ferdi
nand's death was punishment for his own
crime, Alonso was moved to repentance
for his cruel deed.
Returning to his cave, Prospero released
Ferdinand from his hard toil. While spirits
dressed as Ceres, Iris, Juno, nymphs, and
reapers entertained Miranda and the
prince with a pastoral masque, Prospero
suddenly remembered the schemes which
had been devised by Caliban and the
drunken servants. Told to punish the
plotters, Ariel first tempted them with a
display of kingly garments; then, urging
on his fellow spirits in the shapes of fierce
hunting dogs, he drove them howling
with pain and rage through bogs and brier
patches.
Convinced at last that the King of
Naples and his false brother Antonio had
repented the evil deed they had done him
years before, Prospero commanded Ariel
to bring them into the enchanted circle
before the magician's cell. Ariel soon re
turned, luring by strange, beautiful music
the king, Antonio, Sebastian, and Gon
zalo. At first they were astonished to see
Prospero in the appearance and dress of
the wronged Duke of Milan. Prospero
confirmed his identity, ordered Antonio to
restore his dukedom, and severely warned
Sebastian not to plot further against the
king. Finally he took the repentant Alonso
into the cave, where Ferdinand and
Miranda sat playing chess. There was
a joyful reunion between father and son
at this unexpected meeting, and the king
was completely captivated by the beauty
962
and grace of Miranda. During this
scene of reconciliation and rejoicing,
Ariel appeared with the master and boat
swain of the wrecked ship; they reported
the vessel safe and ready to continue the
voyage* The three grotesque conspirators
were driven in by Ariel, and Prospero
released them from their spell. Caliban
was ordered to prepare food and set it
before the guests. Prospero invited his
brother and the King of Naples and his
train to spend the night in his cave.
Before he left the island, Prospero
dismissed Ariel from his service, leaving
that sprite free to wander as he wished.
Ariel promised calm seas and auspicious
winds for the voyage back to Naples
and Milan, where Prospero would jour
ney to take possession of his lost duke
dom and to witness the marriage of his
daughter and Prince Ferdinand.
THE TENANT OF WILDFELL HALL
Type of work: Novel
Author: Anne Bronte (1820-1849)
Type of plot: Domestic romance
Time of 'plot: Early nineteenth century
Locale: England
First published: 1848
Principal churacters:
HELEN GRAHAM, in reality Helen Huntingdon, the tenant
FREDERICK LAWRENCE, her landlord
ARTHUR HUNTINGDON, her first husband
GILBERT MABKHAM, Ler second husband
Critique:
The story of The Tenant of Wildfell
Hall is told in a series of letters written
by Gilbert Markham to his brother-in
law, Mr. Halford. This epistolary device,
so common to fiction writers of the eight
eenth and nineteenth centuries, gives a
certain psychological value to Anne
Bronte's study of marital difficulties.
There is keen irony here, as well, for
Arthur Huntingdon's male superiority
and brutal dominance is offset in large
measure by the inherent priggishness and
short-sightedness of the woman whom
he should never have married. Hunting
don, the attractive but drunken profligate,
is generally identified with Bramwell
Bronte, brother of the writer.
The Story:
Gilbert Markham, a young man of
good family, was mildly interested when
the strange tenant came to Wildfell Hall.
Mrs. Graham, as her neighbors knew
her, was young and beautiful, and her
demand for seclusion stimulated the in
terest of the gentry of the neighborhood.
She was particularly criticized for
the way in which she was caring for her
small son, Arthur, whom she would not
allow out of her sight. Gilbert's mother
declared the child would become the
worst of milksops.
On his first visit to Wildfell Hall, Gil
bert learned that Mrs. Graham was a
landscape painter of considerable ability
and that she was concealing her where
abouts from her former friends. Her air
of secrecy aroused both his curiosity and
sympathy.
Hoping to avoid the attentions of a
local girl for whom he had at one time
shown a preference, Gilbert spent much
of his time in the company of the
young widow. He accompanied her and
young Arthur on long walks to find
scenes for Mrs. Graham to paint. His
friends, however, attempted to dis
courage his attentions to the tenant of
Wildfell Hall. Rumor spread that she
was having an affair with Frederick Law
rence, her landlord, and Lawrence as
sured Gilbert that he would fail in his
963
attentions to Mrs. Graham. When he
tried to tell her of his growing affection,
Mrs. Graham herself insisted that Gilbert
regard her simply as a friend.
After the vicar of the parish had
accused the widow of improper conduct,
Gilbert overheard Mrs. Graham deep in
a mysterious discussion with her land
lord. Suspecting that the rumors about
them were true, Gilbert resolved to have
no more to do with her. On his next
encounter with Lawrence, Gilbert struck
his rival and wounded him severely.
A short time later Gilbert met Mrs.
Graham and she gave him a copy of her
journal to read. The journal, beginning
in 1821, told the story of Helen Gra
ham's life for the past six years. It
opened with an account of her meeting
with Arthur Huntingdon, whom she
loved in spite of her aunt's claim that
the young man was wild and wayward.
Her aunt, with whom she made her
home, had taken her away so that she
might see no more of the objectionable
Huntingdon. But by a miscalculation
her unwelcome suitor was invited to their
summer home for partridge hunting.
That autumn the two were married, and
shortly afterward the young wife dis
covered that her husband's true character
was exactly that which her aunt had
described. He was a drunkard, a man
incapable of high principle or moral re
sponsibility. She began to be contemp
tuous of him, and he responded by
growing indifferent to her. More and
more frequently he began to absent him
self from his home, and during his
absences she had no way of knowing
where he was.
Several years passed. When Helen
bore a child, a boy, she hoped that her
husband's conduct would improve. But
Huntingdon absented himself again and
again. Each time she welcomed him
back because she still loved him.
When Helen's father died, she was
greatly disturbed by her husband's cal
lous attitude toward her grief. Then a
reconciliation took place, and for a time
Huntingdon seemed to reform. One day,
however, she discovered her husband
making love to Lady Lowborough, a
visitor in their house. When she de
manded a separation for herself and her
child, Huntingdon refused. To keep
the affair from becoming known to
others, Helen decided at last to stay on
with her husband.
Lord Lowborough also learned of the
affair Helen's husband was having with
Lady Lowborough. Indifferent to public
scandal, Huntingdon kept up his wild
hunting parties and filled his house with
drunken, riotous men. Helen began to
make her plans for escape. All that
time she had to fight off a would-be lover
of her own, a Mr. Hargrave, who was
determined to win her. She hoped to
find refuge in a place where her husband
could not find her and legally take her
child from her. Her pride kept her from
appealing to her brother or her uncle
and aunt.
Helen's husband learned of her plan
when he read her journal. From that
time on he had her closely watched. He
refused to let her have any money in
her possession.
Her position became unendurable,
however, when Huntingdon brought
his mistress into the house on the pretext
of providing a governess for young
Arthur. Helen determined to make her
escape without money or resources. The
diary ended with the arrival of Helen
at Wildfell Hall.
Reading the journal, Gilbert realized
that Frederick Lawrence was the brother
mentioned several times in the diary.
He at once sought out Helen to renew
his suit, but in spite of his entreaties she
insisted that they should not see each
other again. Gilbert then went to see
her brother, whom he had treated so
roughly at their last meeting. The re
conciliation between the two men was
prompt and sincere.
A short time later the whole com
munity learned the secret of the tenant
of Wildfell Hall. Huntingdon had a
964
fall from his horse and his wife, learning
of his serious condition, went to his
house at Grassdale to look after him.
Frederick Lawrence told Gilbert that
Huntingdon had received her un
graciously, but that she was determined
to stay with him out of a sense of duty.
In spite of her care, however, Hunt
ingdon secured a bottle of wine and
drank it in defiance of his doctor's orders.
His indiscretion brought on a relapse
which ended in his death.
Several months later Gilbert heard
that Helen's uncle had died and that she
had gone to live with her aunt at Stan-
ingley. More than a year passed before
he dared to go to her. He found her
at Staningley, and the welcome of young
Arthur was as joyous as Helen's was
warm and gracious. She and Gilbert
were married a short time later.
TESS OF THE D'URBERVILLES
Type of work: Novel
Author: Thomas Hardy (1840-1928)
Type of 'plot: Philosophical realism
Time of plot: Late nineteenth century
Locale: England
First published: 1891
Principal characters:
JACK DURBEYFEELD, a poor worker
TESS, his daughter
ALEC D'URBERVILLE, her betrayer
ANGEL CLARE, her husband
Critique:
Thomas Hardy's Tess of the d'Ur'ber-
villes has become a modern classic. In it
Hardy concerned himself with the ques
tion of fate and its influence upon the
lives of most people. If Tess's father had
not learned that he was a d'Urberville,
if Angel had found the letter Tess
slipped under the door, her life would
have been much different But fate ruled
that these things were to happen, and
so determined the course of Tess's life.
Hardy called Tess a pure girl, and so
she was. He believed that she was not
responsible for her actions, and he forces
us to agree with him.
The Story:
It was a proud day when Jack Durbey-
field learned that he was descended from
the famous d'Urberville family. Durbey-
field had never done more work than was
necessary to keep his family supplied
with meager food and himself with beer,
but from that day on he ceased doing
even that small amount of work. His
wife joined him in thinking that such a
2h family should live better with less
>rt, and she persuaded their oldest
daughter, Tess, to visit the Stoke-d'Urber-
villes, a wealthy family who had assumed
the d'Urberville name because no one
else claimed it. It was her mother's hope
that Tess would make a good impression
on the rich d'Urbervilles and perhaps
a good marriage with one of the sons.
When Tess met her supposed relatives,
however, she found only a blind mother
and a dapper son who made Tess un
comfortable by his improper remarks to
her. The son, Alec, tricked the innocent
young Tess into working as a poultry
maid, not letting her know that his
mother was unaware of Tess's identity.
After a short time Tess decided to look
for work elsewhere to support her parents
and her numerous brothers and sisters.
She was innocent, but she knew that
Alec meant her no good. Alec, more
clever than she, at last managed to get
her alone and then possessed her.
965
When Tess returned to her home and
told her mother of her terrible experience,
her mother's only worry was that Alec
was not going to marry Tess. The poor
girl worked in the fields, facing the slan
der of her associates bravely. Her trouble
was made worse by the fact that Alec
followed her from place to place, trying
to possess her again. By going about to
different farms during the harvest season,
Tess managed to elude Alec long enough
to give birth to her baby without his
knowledge. The baby did not live long,
however, and a few months after its
death, Tess went to a dairy farm far to
the south to be dairymaid.
At the dairy farm Tess was liked and
well treated. Also at the farm was Angel
Clare, a pastor's son who had rejected
the ministry to study fanning. It was
his wish to own a farm some day, and
he was working on different kinds of
farms, so that he could learn something of
the many kinds of work required of a
general farmer. Although all the dairy
maids were attracted to Angel, Tess in
terested him the most. He thought her a
beautiful and innocent young maiden, as
she was, for it was her innocence which
had caused her trouble with Alec.
Tess felt that she was wicked, how
ever, and rejected the attentions Angel
paid to her. She urged him to turn to
one of the other girls for companionship.
It was unthinkable that the son of a
minister would marry a dairymaid, but
Angel did not care much about family
tradition. In spite of her pleas, he con
tinued to pay court to Tess. At last,
against the wishes of his parents, Angel
asked Tess to be his wife. Not only did
he love her, but also he realized that a
farm girl would be a help to him on his
own land. Although Tess was in love
With Angel by this time, the memory of
her night with Alec caused her to refuse
Angel again and again. At last his in
sistence, coupled with the written pleas
of her parents to marry someone who
could help the family financially, won
her over, and she agreed to marry him.
On the night before the wedding,
which Tess had postponed many times
because she felt unworthy, she wrote
Angel a letter, telling everything about
herself and Alec. She slipped the letter
under his door, sure that when he read
it he would renounce her forever. But
in the morning Angel acted as tenderly
as before and Tess loved him more than
ever for his forgiving nature. When she
realized that Angel had not found the
letter, she attempted to tell him about
her past. Angel only teased her about
wanting to confess, thinking that such
a pure girl could have no black sins in her
history. They were married without
Angers learning about Alec and her dead
baby.
On their wedding night Angel told
Tess about an evening of debauchery in
his own past. Tess forgave him and then
told about her affair with Alec, thinking
that he would forgive her as she had him.
But such was not the case. Angel was
at first stunned, and then so hurt that
he could not even speak to Tess. Finally
he told her that she was not the woman
he loved, the one he had married, but a
stranger with whom he could not live,
at least for the present. He took her to
her home and left her there. Then he
went to his home and on to Brazil, where
he planned to buy a farm. At first neither
Tess nor Angel told their parents the
reason for their separation. When Tess
finally told her mother, that ignorant
woman blamed Tess for losing her hus
band by confessing something he need
never have known.
Angel had left Tess some money and
some jewels which had been given to
him by his godmother. The jewels Tess
put in a bank; the money she spent on
her parents. When it was gone, her
family went hungry once more, for her
father still thought himself too high-born
to work for a living. Tess again went
from farm to farm, doing hard labor in
the fields in order to get enough food tc
keep herself and her family alive,
While she was working in the fields,
966
she met Alec again. He had met Angel's
minister father and, repenting his evil
ways, had become an itinerant preacher.
The sight of Tess, for whom he had al
ways lusted, caused a lapse in his new
religious fervor, and he began to pursue
her once more. Frightened, Tess wrote
to Angel, sending the letter to his parents
to forward to him. She told Angel that
she loved him and needed him, that an
enemy was pursuing her. She begged
him to forgive her and to return to her.
The letter took several months to reach
Angel. Meanwhile Alec was so kind to
Tess and so generous to her family that
she began to relent in her feelings toward
him. At last, when she did not receive
an answer from Angel, she wrote him a
note saying that he was cruel not to
forgive her and that now she would not
forgive his treatment of her. Then she
went to Alec again, living with him as
his wife.
It was thus that Angel found her. He
had come to tell her that he had for
given her and that he still loved her. But
when he found her with Alec, he turned
away, more hurt than before.
Tess, too, was bitterly unhappy. She
now hated Alec because once again he
had been the cause of her husband's re
pudiation of her. Feeling that she could
find happiness only if Alec were dead,
she stabbed him as he slept. Then she
ran out of the house and followed Angel,
who was aimlessly walking down a road
leading out of the town. When they met
and Tess told him what she had done,
Angel forgave her everything, even the
murder of Alec, and they went on to
gether. They were happy with one
another for a few days, even though
Angel knew that the authorities would
soon find Tess.
When the officers finally found them,
Tess was asleep. Angel asked the officers
to wait until she awoke. As soon as she
opened her eyes, Tess saw the strangers
and knew that they had come for her and
that she would be hanged, but she was
not unhappy. She had had a few days
with the husband she truly loved, and
now she was ready for her punishment.
She stood up bravely and faced her cap
tors. She was not afraid.
THADDEUS OF WARSAW
Type of work: Novel
Author: Jane Porter C 1776-1 850)
Type of 'plot: Historical romance
Time of -plot: Late eighteenth century
Locale: Poland and England
First published: 1803
Principal characters:
THADDEUS SOBIESKI, a patriotic young Pole
COUNT SOBIESKT, his grandfather
GENERAL KOSCIUSKO, a Polish leader
PEMBROKE SOMERSET, Thaddeus* English friend
GENERAL BUTZOU, another Polish patriot
MARY BEAUFORT, Somerset's Cousin, whom Thaddeus married
Critique:
This novel combines factual history
with considerable imaginative invention.
The Englishman of the early nineteenth
century was already familiar with the
spectacle of the political refugee. Pity
for the plight of the exile who must adapt
himself to a diEerent land and strange
customs is one of the chief themes oJ
Miss Porter's novel.
The Story:
Thaddeus Sobieski was educated ii\
the palace of Count Sobieski, his grand
father, an enlightened nobleman of Wai •
967
saw. On the evening of Thaddeus' eight
eenth birthday, his mother gave him a
letter in which she revealed that his
father, an Englishman, had deserted his
mother in Italy before Thaddeus was
born. The man's name was Sackville.
Thaddeus' mother had returned to Po
land and her father maintained the fiction
that she had married and had been
widowed within two months. None knew
of the deception save the king. At the
end of the letter Thaddeus' mother
begged him to be honorable always for
the sake of his grandfather and the illus
trious Sobieski name.
In 1792 the Poles began a war of in
dependence against Russia. Before Thad
deus and his grandfather set off to the war,
Thaddeus heard the story of how Count
Sobieski and General Butzou had long
ago saved the life of King Stanislaus of
Poland, Both the knowledge of his own
past and the story of his grandfather's
bravery helped to shape Thaddeus' char
acter into heroic mold.
Later, Thaddeus met General Koscius-
ko and was filled with hope for Poland.
In one of the skirmishes with the enemy
Thaddeus displayed both bravery and in
telligence. With dismay he learned that
the Poles were immediately to retreat, for
they were outnumbered by the Russians.
His grandfather was injured during the
retreat but refused to let Thaddeus attend
him. He ordered him to stay with the
troops.
Thaddeus took a prisoner, an English
man named Pembroke Somerset, who
had joined the Russian army for the
sake of adventure. Somerset and Thad
deus became close friends. Thaddeus
gained Somerset's freedom, and when
Thaddeus returned to his mother's home
Somerset accompanied him.
The tremendous patriotism and the
sense of honor existing in Thaddeus now
transferred themselves to Somerset, who
in his letters home wrote of his great ad
miration of the Poles. Somerset soon
returned home to England, at the insist
ence of his family.
Count Sobieski had greater cares, for
Poland was falling under the Russian
attack. When the Germans broke their
treaties of assistance, the king decided
that organized resistance was useless. He
surrendered for his people. In Warsaw
the sons of the nobles vowed eternal re
sistance to the enemy, and Thaddeus
was among those taking the sacred oath.
Poland in November, 1793, was shorn
of her best lands and her nobles were
humbled. In the meantime Thaddeus
led troops into the south, where resist
ance continued. He managed to join with
General Kosciusko and so brought a
measure of hope to the Poles.
Thaddeus managed to free his grand
father from a Russian prison. Later
Thaddeus led the other nobles in the
surrender of all his personal property
for the continuation of the war. In a
battle fought soon afterward, Thaddeus'
grandfather was killed. With his last
breath he made Thaddeus promise never
to take any name other than Sobieski.
Devastation spread over Poland as the
fighting continued. In one of the last
campaigns of the war Thaddeus found a
moment to talk to his mother, who said
she would not survive the destruction
of Poland. She made him promise to go
to England if Poland should fall. The
Sobieski palace was burned to the ground.
Thaddeus, along with General Butzou,
watched as the towers of Villanow crum
bled. Inside lay the dead body of his
mother, who had died during the battle.
Taking his farewell of the defeated king,
Thaddeus left Poland forever.
True to his promise, he went to Eng
land. In London he took lodgings under
the name of Mr. Constantme and then
became ill with a slow and disastrous
fever which threatened his life. His land
lady, Mrs. Robson, had become quite at
tached to him because of his gentle
manners and deep courtesy and she
watched over him during his illness.
When he recovered he sold his jewelry in
order to pay his bills. He tried also to
sell some original drawings but was in-
968
suited by the merchant to whom he
showed them, and he refused to do busi
ness with the man.
Mrs. Robson's sick grandson died in
spite of the care that Thaddeus gave the
child. Dr. Vincent, suspecting that Thad
deus had a large fortune, sent a huge bill
for his services. Thaddeus promised to
raise the money for the medicine and for
the burial, but he had not a shilling in
his pocket. He was forced to sell more
of his possessions.
Thaddeus tried to contact Somerset,
but without success. About the same time
he found General Butzou in the greatest
distress of poverty and took him to his
lodgings with Mrs. Robson. Thaddeus
now began to earn enough for the ex
penses of himself and the penniless gen
eral by means of his drawings. Once he
saw Pembroke Somerset on the street,
but Somerset passed without noticing
him.
One day Thaddeus saved a woman,
Lady Tinemouth, from ruffians in Hyde
Park. Out of gratitude, Lady Tinemouth
took Thaddeus in hand and found em
ployment for him as a tutor in German.
At the same time her friend, Lady Sara
Ross, attempted to involve him in a love
affair, but she found him indifferent.
The old general was going mad. The
doctor whom Thaddeus called in was Dr.
Cavendish, a good man who would not
take the payment when he heard the
cause of the old general's illness.
Thaddeus went to the home of Lady
Dundas, where he was to serve as a
tutor. Lady Dundas proved to be a bore
and her daughters ill-favored and ill-
mannered. Attracted by Thaddeus* noble
appearance, the two girls, Diana and Eu-
phemia, determined to study hard, Eu-
phemia Dundas and Lady Sara Ross
pursued him.
A visitor in the Dundas household was
Miss Mary Beaufort, a gentle girl who
saw at once the noble nature of Thaddeus
and tried to ease the slights and rebuffs
he received from the rich and vulgar
Lady Dundas on the one hand and the
embarrassing attentions of Euphemia
Dundas on the other. In the meantime
Mary Beaufort occupied herself with try
ing to discover the true name of Mr.
Constantine.
One day some of Lady Tinemouth's
friends were discussing the tutor. One
laughed at Euphemia for her interest in
a man no better than a mere school
master. But Mary Beaufort defended
him. Lady Tinemouth remained silent,
for to her alone Thaddeus had confessed
his true identity. Shortly afterward gos
sip caused Lady Tinemouth to receive
unpleasant notice from her relatives that
her attentions to Mr. Constantine were
intolerable. Lady Tinemouth planned to
leave London. In her letter announcing
her departure she told Thaddeus that
Mary Beaufort was deeply interested in
him.
When old General Butzou died, Thad
deus realized that one of Poland's bravest
sons was dead. In order to meet the
death expenses, Thaddeus, who still had
not received any payment from Lady
Dundas, was forced to sell his last tokens.
The same pawnbroker took them, but
the amount gained was not enough to
pay his debts and Thaddeus was put in
Newgate prison.
Hearing of his misfortune, Mary Beau
fort searched out his apartment and
learned from Mrs. Robson the story of
his imprisonment. Mary's plan to aid
Thaddeus was interrupted by the arrival
of Pembroke Somerset, her cousin, and
by the betrayal of Euphemia. Euphemia
declared that Thaddeus had made pas
sionate love to her. Euphemia's mother
screamed for revenge and announced her
intention of sending her daughter to
Scotland.
Somerset, not knowing that Mr. Con
stantine was really his old friend Thad
deus, paid the debt of the tutor at Mary's
request, but he did not so much as look
at Thaddeus.
When Thaddeus returned to his room,
he discovered a note in which Lady Dun
das called him a rogue. Before he could
969
demand an explanation for the note, the
whole group had left London. He then
took a stage to the place where Lady
Tinemouth had found refuge.
At Lady Tinemouth's home Thaddeus
and Somerset met again and Somerset
revealed that he actually had not seen
Thaddeus on the occasion of their meet
ing on a London street.
This meeting also brought about a
reunion between Thaddeus and Mary
Beaufort. A more surprising revelation
was the discovery that Somerset's father
was the same Sackville who was the
father of Thaddeus. To right the old
wrong, Thaddeus was given a large in
heritance from the Somerset estate. With
this fortune he married Mary Beaufort
and spent the rest of his days happily
with his wife and the half-brother whom
he had found after many strange ad
ventures.
THE THIN MAN
Type of work: Novel
Author; DasHell Hammett (1894- )
Type of plot; Mystery romance
Time of plot: 1930's
Locale: New York
First published: 1934
Principal characters:
MIMI JORGENSEN, Clyde Wynant's ex-wife
DOROTHY WYNANT, her daughter
GILBERT WYNANT, her son
CHRISTIAN JORGENSEN, her present husband, Wynant's former associate
NICK CHARLES, a detective
NORA CHARLES, his wife
HERBERT MACAULAY, Wynant's attorney
MORELLI, a gangster
ARTHUR NUNHEIM, an ex-convict
Critique:
As detective fiction, this novel pre
sents a picture of sophisticated New York
life at the end of the prohibition era.
The plot itself follows the pattern set
by Poe in The Murders of the Rue
Morgue in 1841 and by Arthur Conan
Doyle in his Sherlock Holmes stories.
Here are the astute detective, the some
what obtuse and distrustful police, the
questioning companion, the dropping of
clues to give the reader a chance to
solve the mystery, and the final explana
tion by the detective.
The Story:
Nick Charles, one-time detective and
now a California lumberman, arrived in
New York with his wife Nora for the
Christmas holidays. He was drawn into
investigation of a murder case because
the dead woman, Julia Wolf, was the
secretary of Nick's old client, a lunatic-
fringe inventor whose wife had divorced
him in order to marry a man named
Christian Jorgensen. Clyde Wynant, the
inventor, was reported to be out of
town, working on some new project.
Herbert Macaulay, attorney for Wynant,
had told police that he had not seen
Wynant since October, when Wynant
had given the lawyer power of attorney.
Suspicion fell on Mimi Jorgensen, just
returned from Europe, for she had gone
to see Julia on the afternoon of the
murder, had arrived, in fact, in time for
Julia to die in her arms. She had
wanted, she said, to get her husband's
address, for she needed more money to
support his two children, twenty-year-
old Dorothy and eighteen-year-old Gil-
970
bert, since Jorgensen had run through
the large settlement Wynant had made
on Mimi at the time of their divorce.
Suspicion fell on Jorgensen, who
turned out to be a man formerly known
as Kelterman, with whom Wynant had
worked several years before. He thought
that Wynant had not treated him fairly.
Then it was discovered that Jorgensen
had a wife living in Boston and that
he had married Mimi only to get
Wynant's money.
Suspicion fell on Morelli, a gangster
who had been fond of Julia. When he
learned that Nick was on the case,
Morelli went to Nick's apartment and, as
the police arrived, shot Nick in the
chest, a glancing shot that did not pro
duce a serious wound. Nick told the
police he would not press charges, for
the man was apparently in enough
trouble. Although the police beat up
Morelli, they could find no reason for
holding him. He was released the same
day.
Suspicion fell on Gil Wynant, for the
members of the Wynant family did not
have much love for one another. Gil
was an odd young man who asked Nick
about bizarre subjects such as incest and
cannibalism. He was frequently found
at keyholes listening to private conver
sations.
Suspicion fell on Arthur Nunheim,
who identified Julia Wolfs body. When
Nick went with Guild, a detective, to
see Nunheim, they found him living in
an extremely untidy apartment with a
big, frowzy blonde. In the presence of
their callers, Nunheim and the blonde
insulted each other until the woman
left him. Nunheim escaped from Nick
through a back window. He was re
ported murdered a little while later.
Suspicion fell on Wynant himself,
for Macaulay reported that Wynant had
made an appointment with him on the
day the murder was committed, but had
failed to appear. During the course of
the investigation several people received
from Wynant communications which
seemed to throw suspicion on Mimi and
Jorgensen. One day Wynant was re
ported to have tried to commit suicide
in Allentown, Pennsylvania. The report
was false, however, for the man was
not Wynant.
On First Avenue Wynant had main
tained a shop which the police had given
a cursory examination. Nick insisted
that they return and tear it apart if
necessary, for he felt sure that some
clue was to be found there. The police
discovered a section of the cement floor
newer than the rest. When they tore it
up, they found the bones of a dead man,
with a cane, some clothes apparently for
a larger man than Wynant and a key
chain bearing the initials D.W.Q.
At last Nick accused Macaulay of
murdering Wynant, Julia, and Nun
heim. He believed that Macaulay and
Julia had joined forces to get Wynant's
money, that Wynant had gone to Macau-
lay's house in Scarsdale to accuse
Macaulay of the plot, and that Macaulay
had killed his client there. Then, Nick
reasoned, Macaulay had dismembered the
body and brought it back to the work
shop, where he discharged the two me
chanics and buried the body under new
cement. The cane, the large-size clothes,
and the key chain were intended to pre
vent identification of the body.
Macaulay, according to Nick, had re
newed the lease on the shop and kept
it vacant while with a forged power of
attorney and Julia's help he began to
transfer Wynant's fortune to his own
accounts. Then Mimi had come back
from Europe with her children and had
asked for Wynant. When Nick had ar
rived for his Christmas holiday and had
agreed to help Mimi find the missing
inventor, Macaulay felt he would be safer
with Julia dead. Later he sent letters
to members of Wynant's family, and even
to himself, supposedly from Wynant.
Nick thought Macaulay had killed Nun
heim because the ex-convict had been
near Julia's apartment and had probably
heard the shots that killed her. When
37)
Nunheim had demanded hush money
from Macaulay, the lawyer had murdered
him also to keep him permanently quiet.
So Nick outlined his case. But on
the day he made the accusation, Gilbert
Wynant received a letter, supposedly
from his father, telling him to use the
enclosed key, go to Julia's apartment,
and look for an important paper between
ihe pages of a certain book. Following
the instruction in the letter, Gilbert en
tered the apartment, where a plain-
clothesman struck him, fettered him,
and took him to police headquarters.
The boy showed the officials and Nick
the letter that he had received. The
book and paper had been invented.
When Nick took Gilbert home, he
learned from Mimi that Wynant had
just been there to leave with Mimi ten
thousand dollars in bonds.
As it turned out, Macaulay, knowing
that the police would be in Julia's apart
ment, had sent the letter to Gilbert in
an attempt to shift the suspicion back
to Wynant once more. Also, Macaulay
himself had brought Wynant's bonds to
Mimi, making her promise to say that
Wynant had brought them and thus
give credence to his own story that
Wynant was in town. Nick forced Mimi
to admit the truth by explaining that
Macaulay now had possession o£
Wynant's fortune and that if she played
his game she would have to be satisfied
with comparatively small sums occasion
ally, whereas if she were to stop shield
ing Macaulay — however innocent of
Wynant's death — she would, through hei
children, have control of her ex-husband's
entire fortune. Jorgensen, meanwhile,
had gone back to his legal wife in Boston.
After Nick had explained the whole
case to Nora, she could not help feeling
that the business of a detective, based
as it is on so much probability, is at
best unsatisfactory.
THE THIRTY-NINE STEPS
Type of work: Novel
Author: John Buchan (1875-1940)
Type of plot: Adventure romance
Time of ?1ot: 1914
Locale: England and Scotland
First published: 1915
Principal characters:
RICHAHD HATCNAY, a retired mining engineer
FRANKLIN SCUDDER, a private investigator
SIR WALTER, a government official
THE BLACK STONE, espionage agents
Critique:
Well-told spy stories are always excit
ing, and The Thirty-Nine Steps is no
exception to the rule. Both as fiction
and in motion picture versions, the novel
has survived with remarkable popularity
the time for which it was written.
Buchan's style was always crisp and
lively, a fact which helps to explain the
widespread appeal of his novels during
the first three decades of this century.
The Story:
Richard Hannay was a mining engi
neer who had made a modest fortune in
South Africa and returned to England
to retire. Before long he found himself
bored beyond belief with the conversa
tions and actions of the Englishmen he
met. He had just about decided to re
turn to South Africa when a strange
series of events provided him with ample
excitement.
THE THIRTY-NINE STEPS by John Buchan. By permission of the Executors, estate of John Buchan, of
MCA Management Ltd., and the publishers, Houghton Mifflin Co. Copyright, 1915, by George H. Doran Co
Xeaewed, 1943, by Lady Susan Tweedsmuir.
972
As he was unlocking the door of his
flat, he was startled by the sudden ap
pearance of Franklin Scudder, another
tenant in the building. Scudder, ob
viously a badly frightened man, begged
Hannay to give him refuge in his flat.
After the two men were setded com
fortably, Scudder told Hannay a fantas
tic tale. He said that a plot to start a
war between England and Germany was
being hatched. A Greek diplomat, Ka-
rolides, the only really strong man in
Europe, was to visit London on June
fifteenth. At that time his assassination
would create an excuse for a declaration
of war.
Scudder told Hannay that a group
called The Black Stone were the agents
arranging for the assassination. This
group of men knew that Scudder had
learned of their plot, and they had tried
several times to kill him. He had now
planted a body in his flat, hoping that
the murderers would think the body his.
He asked Hannay to let him stay with
him until plans could be made to prevent
the assassination.
Impressed by the sincerity of Scudder's
story, Hannay gave him sanctuary. One
day he returned to his flat to find Scud
der with a knife through his heart.
Hannay knew then that The Black
Stone had found Scudder and that his
own life was in danger. The police, too,
would want Hannay for questioning.
When he saw two men strolling in
front of his flat, he decided that they
were part of the enemy group. By a
ruse he exchanged clothes with the
milkman and left his flat, taking with
him a little black book in which he had
seen Scudder making notes. He was
afraid to go to any government office
with his fantastic story. His plan was to
disappear for the three weeks remaining
before June fifteenth, and at the last
minute to try to get to someone in
authority to listen to him.
He went to Scotland, thinking that he
could hide more easily there. But the
London papers carried the story of the
murder of Scudder and Hannay's descrip
tion. He had several narrow escapes
from local Scottish police. The Black
Stone had also traced him. When an air
plane flew low over his refuge, obviously
on the lookout for him, he took shelter
in an inn until The Black Stone found
him there and he was forced to flee
again. In every spare moment he studied
Scudder's little black book. Deciphering
the code, he learned that Scudder had
told him only part of the truth. The
murder of Karolides was only a small
part of the plot. The main threat of the
plan was an invasion of England without
warning. Airfields were already laid out
and mines had been placed to line the
shores at a given signal. The time for
invasion was to be determined after
The Black Stone intercepted a French
envoy who was coming to London to
secure the plans which showed the ar
rangement of the British fleet. When the
enemy learned where the ships were,
they could lay mines in strategic positions
and destroy a great portion of the fleet.
The only clue Hannay could find about
the time and place of the enemy opera
tion was a reference to thirty-nine steps
and a high tide at 10:17 P. M.
By luck, Hannay met a man who had
an uncle in an influential position in the
government. This man believed the story
and promised to write his uncle and ask
him to talk to Hannay and to help in
thwarting the plot. Hannay traveled care
fully, for the police and The Black Stone
were still after him. Once he was cap
tured by a member of The Black Stone,
but he blew up the building in which he
was held and escaped. At last he reached
Sir Walter, the uncle of his friend, and
Sir Walter listened carefully to Hannay 's
report. At first he dismissed Scudder's
story as that of a loyal but overly anxious
young man. But when he received a
call informing him that Karolides had
been killed, he knew that Scudder's
information had been right, and he
promised to take Hannay's information
to the proper authorities.
973
Although Hannay was not to be al
lowed, to attend the secret conference of
government officials, he had the uneasy
reeling that his presence there was of
utmost importance, that only he could
find out how the highly confidential
information about the French envoy's
visit had leaked out to the enemy.
Against Sir Walter's orders, he went to
the house where the officials were meet
ing. As he sat in the hall waiting to be
admitted, one of the officials came out
of the meeting room. Realizing that the
man had recognized him and that he
had seen the official elsewhere, he burst
into the room and told the astonished
officials that the man who had just left
was an impostor.
They thought him mad, for the man
was the First Lord of the Admiralty and
they knew him well. But at Hannay 's
insistence they called the official's home
and learned that he was there. Then
they remembered that the impostor had
scanned the drawings and figures care
fully and could have memorized them.
If he left the country, the whole plan
of defense would be in the hands of the
enemy. The only hope was to capture
him. But there were hundreds of small
ports where a little boat could leave
English shores; not all could be watched.
By checking isolated spots along the
coast, Hannay finally found a small cove
where the tide was high at 10:17 P. M.
and nearby a house with thirty-nine
steps leading down to the cove. Ac
companied by police, he went to the
house. There he found three English
men on a vacation. Their actions were
so natural that he doubted that they
could be spies. Only the presence of a
fast yacht in the water close to the
cove supported his suspicions. But an
unconscious finger tapping by one of
the vacationers identified him as the
enemy agent who had once captured
Hannay. Hannay and the police were
able to capture two of the men. The
third escaped to the ship, but as it had
already been boarded by English police,
he too was taken.
The murder charge against Hannay
had been dropped, and he was safe for
the first time in many weeks. Three
weeks later war was declared between
England and Germany. But the war
was not fought on English soil and there
was no surprise invasion. Hannay en
listed in the army, but he knew that he
had done his greatest service for his
country before he put on a uniform.
The Black Stone was no more and
Scudder's murder was avenged.
THIS ABOVE ALL
Type of work: Novel
Author: Eric Knight (1897-1943)
Type of -plot: Sentimental romance
Time of plot: Summer, 1940
Locale: England
First 'published: 1941
Principal characters:
CLIVE BRTGGS, a soldier
PEUE CATHAWAY, in love with Clive
MONTY, dive's friend
DR. CATHAWAY, Prue's father
Critique:
This Above All is a story of great cricket, and afternoon tea, and a .nan
emotional conflict between a girl who who knew and hated the England of
knew and loved the England of hunting, slums, mines, starvation, and disease. The
J^JS^ ABOVE ALL by Eric Kaight. By permission of the publishers, Harper & Brothers. Copyright 1 94 1
by iij
974
author attempted to show what war can
mean to a civilian as well as to a front
line soldier.
The Story:
Home on rest leave, after the disaster
of Dunkirk, Clive Briggs went first to
Leaford and then to Gosley, both resort
towns on the coast of England. At a
band concert in Gosley he met Prudence
Cathaway, who was stationed nearby
with the women's army corps. Prue was
of an upper middle-class family and
Clive was from the slums, but they were
attracted to each other and became lovers
the second time they were together.
Prue told him of her family. Her
grandfather had been a general in the
last war and felt unwanted and useless
in this one; her father was a doctor, a
famous brain specialist. She told him
of her Aunt Iris, who wanted only to
get to America and who pretended that
she wanted her children to be safe when
it was really for herself she feared. Iris*
brother was in America, buying steel
for the British government. Prue also
told Clive that she had broken her en
gagement to a conscientious objector,
and because she was ashamed for him
she had joined the W. A. A. F.
Clive seemed reluctant to talk about
himself, other than to say he had been
born in the slums. In fact, it was many
days before Prue knew he was in the
army and had been in the rear-guard
action at Dunkirk.
When they found that Prue could get
a leave which would give them ten days
together, they went to Leaford. Most
of the time they were quite happy but
each time Prue mentioned the War Clive
became angry and sullen and seemed to
get pleasure from taunting her about her
family. Sometimes they quarreled with
out knowing the reason and were recon
ciled only because of their desire for each
other.
During the last five days of their stay,
Clive's friend Monty joined them. Monty
was also slum-born. It was Monty who
told Prue of Clive's heroism at Dunkirk.,
Monty's story puzzled Prue more than
ever. She could understand even less
why Clive was so bitter.
While they were at Leaford, air raids
became frequent. One night during a
heavy raid Clive told Prue why he would
not go back to the army, why he intended
to desert. He told her of his childhood,
of his illegitimate birth and of his sordid
remembrances of childhood in the slums.
He asked her if a country that ignored
its poor were worth fighting for. England
was still fighting a gentleman's war, he
said, and the leaders were asking the
slum boys to win the war and then go
back to the mines and the factories and
the mills from which they had come.
He was through. Prue tried to tell him
that he must go back to save himself.
She said it was his pride that had brought
him up from the filth, and his pride and
that of the others like him would change
all the conditions of which he had told
her. He would not listen to her.
At the end of the leave Prue re
turned to her camp. Clive, true to his
word, did not go back to the army at
the end of his furlough. He wandered
along the coast while trying to decide
what he really wanted to do. Once he
went into a church and talked with the
pastor, but he scoffed when the minister
told him that we fight because we have
faith in our ability to build a better life
than we have had. He accused the min
ister and all the churches of betraying
Christ and His teachings because the
rich who support the church must not
be told of their sin in neglecting their
fellow men. Before he left the church
the minister told him that realism and
reasoning like his had brought war and
hunger and cruelty, and that only faith
could restore human dignity and freedom
throughout the world.
At last Clive tired of running away;
there was no place for him to go. Finally
he decided to give himself up, to let the
army decide for him whether he was
wrong, for he was too exhausted to de-
975
cide his problem for himself. Perhaps
Pnie and the minister had been right;
perhaps faith in. himself meant faith in
his country and the willingness to die
for it.
On the train to London, Clive sud
denly remembered something Prue had
said, a remark which had no meaning
at the time. Now he knew she was
going to have a baby. He felt that he
could not give himself up before he saw
Prue and asked her to marry him. He
managed to evade the military police
in London and call Prue. They arranged
to meet at the station in London and
to marry as soon as possible. Clive
knew at last that he loved Prue, and
he was determined that his child would
never know the hurt an illegitimate child
must always feel.
While he was waiting for Prue's
train, a bomb fell on a nearby building.
As he tried to help rescue a woman
trapped in the basement of the building,
the wall collapsed on him. He regained
consciousness with Prue sitting beside
him in a hospital room. Monty and her
father had helped her find him. Prue's
father was honest with her. He had
tried to save Olive's life with an emer
gency operation, but part of the brain
tissue was gone and there was no hope
that Clive would live. During one of
his periods of consciousness Clive told
Prue that he had risked his life to save
a strange woman, because he knew at
last that he did have faith in himself
and his country.
Clive died in the night during a heavy
bombing raid. Afterward Prue walked
along the streets of London and saw the
volunteer firemen and the Cockney
policemen performing their duties among
the wreckage, and she knew why Clive
had died. Feeling the child stir within
her, she hoped that by sacrifices like
dive's his child and all children might
have the chance to live in a good and
free world.
THE THREE BLACK PENNYS
Type of work: Novel
Author: Joseph Hergesheimer (1880-1954)
Type of plot: Period chronicle
Time of plot: c. 1750-1910
Locale: Pennsylvania
First published: 1917
Principal characters:
HOWAT PENNY, son of the owner of Myrtle Forge
LUDOWIKA WINSCOMBE, in love with Howat Penny
JASPER PENNY, Howat Penny's great-grandson
SUSAN BRUNDON, Jasper's sweetheart
HOWAT PENNY, Jasper's and Susan's grandson
MARIANA JANNAN, Howat's cousin
JAMES POLDER, Mariana's lover
Critique:
The Three Black Pennys is, in an un- ties of a Victorian generation which
usual way, the history of American cul- passed away without ever understanding
ture, the first of the Pennys representing the modern society supplanting it. The
the beginning of a culture, the second author aptly named the three sections
representing the essential crudeness of of his book The Furnace, The Forge,
the early nineteenth century, and the and The Metal, in keeping with a story
last Penny representing the effete quali- dealing with a family engaged in the
TSEJTPIS'E ?L£CK PENNYS by Joseph Hergesheimer. By permission of the author and the publishers,
Alfred A. Knopf, Inc. Copyright, 1917, by Alfred A. Knopf, Inc. Renewed 1944, by Alfred A. Knopf, Inc.
976
steel industry in Pennsylvania. The
symbolism is obvious. The characteriza
tion is excellent, as is the description.
Two of the highlights of the book are
the descriptions of an all-night raccoon
hunt in the eighteenth century and the
tapping of an open-hearth converter in
a twentieth-century steel mill.
The Story:
The Penny family was English, except
for a Welsh ancestor whose blood
cropped out from time to time among his
descendants. Those who showed the
Welsh strain were called black Pennys
by their relatives in an attempt to de
scribe the mental make-up of individuals
to whom it was applied. Howat was
the first black Penny in over a hundred
years; the last one had been burned to
death as a heretic by Queen Elizabeth,
long before the family had emigrated
to the Colonies.
Living at Myrtle Forge, on the edge
of the Pennsylvania Wilderness, Howat
Penny was far more interested in the
deep woods than he was in becoming
an ironmaster. Nor did the appearance
of Ludowika Winscombe make him any
more satisfied or contented with his life.
Ludowika Winscombe, the young
Polish wife of an elderly British envoy,
had been left at the Penny home while
her husband traveled through the Col
onies on the king's business. Before
long Howat Penny fell in love with
her. Ludowika warned him, however,
that she was a practical person who felt
it was best for her to remain married to
her husband rather than to run away
with a young frontiersman. Howat stub
bornly told her that she would have to
marry him, for he would permit nothing
to stand in the way of their happiness.
Winscombe returned ill to Myrtle
Forge and Howat Penny found himself
acting as Winscombe's nurse. It was an
ironic situation filled with tension. Howat
Penny waited for the old man to die.
Ludowika was torn between two desires.
She wanted Howat Penny, but she hated
to face a life with him in the wilderness.
The climax came late one night while
Howat and Ludowika sat by the sick
man's bed while Winscombe made a
gallant effort to remain alive. Howat
and Ludowika dared not even look at
each other foi fear of what they might
see behind each other's eyes. Early in
the morning the old man died. As they
faced each other in the gray dawn
Howat and Ludowika realized that she
was destined to remain with him in
Pennsylvania and never to see London
again.
Three generations later the Welsh
Penny blood again appeared in the per
son of Howat's great-grandson, Jasper.
By that time the forge, which had been
the beginning of the Penny fortune, had
been replaced by a great foundry with
many furnaces. Jasper Penny was a rich
man, steadily growing richer by supply
ing the tremendous amounts of iron
needed for the new railroads in the
United States.
Jasper Penny had never married. Like
his great-grandfather Howat, he was a
man of great passions whose energies
were spent in building up his foundry
and fortune. He was still painfully re
minded, however, of his earlier indiscre
tions with a woman who had borne him
an illegitimate daughter. The woman
hounded Jasper for money and he found
it easier to give her money than it was
to refuse her demands.
He saw very little of Eunice, his
daughter, for he assumed that she would
be cared for by her mother as long as he
paid all expenses. One day in Philadel
phia Jasper decided, on impulse, to visit
Eunice. He discovered her, ill-clothed
and underfed, in the home of a poor
family, and, horrified, he took her away
with him. Not knowing what to do with
her, he finally placed her in a school in
New York.
In Philadelphia Jasper had also met
Susan Brundon, mistress of a girls' school
and friend of a distant branch of Jas
per's family. Jasper fell in love with
977
her and in his abrupt fashion proposed
marriage. Being honest, he told her that
he had an illegitimate child. Susan re
fused to marry Jasper because she felt
that his first duty was to Eunice's mother.
Shortly after his proposal Jasper was
involved in a murder. Eunice's mother
had killed another lover and suspicion
fell on Jasper Penny. He hated to involve
Susan Brundon in the sordid affair, but
he found that the only way he could
clear himself was through her testimony
that he had been with her when the
crime was committed.
After the trial Susan told Jasper that
she could not marry him until Eunice's
mother was dead, that she could not have
the past intruding itself upon her love
for him after they were married. Almost
a decade passed before they were finally
able to marry.
The last of the black Pennys was also
the last of the family name, for the
family died out with the second Howat
Penny, the grandson of Jasper Penny
and Susan Brundon. Howat was a bach
elor who lived alone in the country near
the site of the original Penny forge.
-Interested in music and art, he had never
married, and the management of the
Penny foundries had gone out of his
hands. Possessed of a comfortable for
tune, he had in the closing years of his
life the companionship of Mariana Jan-
nan, a cousin. She was a young woman
in her twenties and little understood by
old-fashioned Howat.
He did not understand Mariana be
cause he could not understand her gen
eration. Because Jasper's son and grand
son had never had anything to do with
that branch of the family descended from
Jasper's illegitimate daughter, Howat was
horrified when Mariana told him that
she was in love with James Polder, a
distant cousin.
Howat thought Mariana mad to fall
in love with James Polder, who had be
gun working in the Penny foundries as
a boy. The fact that he had worked his
way up to a position of importance failed
to redeem him in old Howat's eyes.
Polder finally ran away with an ac
tress. Three years after his marriage,
Mariana and Howat Penny called on him
and his wife. Polder, unhappy with his
slatternly wife, had begun drinking
heavily. Howat, at Marianna's insistence,
invited Polder to visit his home in the
country. Polder accepted. Shortly after
ward he learned that his wife had de
serted him and returned to the stage.
He no longer cared; in love once more,
he and Mariana realized they should
never have permitted family differences
to come between them.
Mariana's relatives, shocked by the
affair, protested to Howat. Howat him
self said nothing, for he now felt that
he was too old and understood too little
of modern life to intrude in the affairs
of Mariana and Polder. Although he
was as much Mariana's friend as ever, he
could not understand how she was able
to live with Polder as his mistress while
they waited for his wife to divorce him.
Howat believed until the end of his
life that women should be protected from
reality. Even when he knew he was
dying, he said nothing to Mariana, who
sat reading by his side. The delicacy of
his sensibilities prevented him from
shocking her with the fact of his ap
proaching death and kept him from say
ing goodbye to her when he died, the
last of the three black Pennys.
THE THREE-CORNERED HAT
Type of work: Novel
Author: Pedro Antonio de Alarc6n (1833-1891)
Type of plot: Comedy of intrigue
Time of plot: Early nineteenth century
Locale: Spain
First published: 1874
978
Principal characters:
LUCAS, a miller
FRASQUITA, his wife
DON EUGENIC, the corregidor
DONA MERCEDES, the corregidor's wife
Critique:
This novel is based on a famous folk
tale that could belong to every age and
almost every people. The plot is simple
yet satisfying; the characters lack com
plexity but are delightful and real. Al
though the story is set in a particular
place and time, it is basically universal,
for the cuckold is an invariable subject
for humor in all nations. This story is
among the most delightful on the sub
ject ever written.
The Story:
The early years of the nineteenth
century were calm ones for Spain. Life
there still followed the old pattern, and
an almost medieval attitude toward gov
ernment existed. The Church was a
great power, and government officers
treated their commands like petty king
doms. Corregidor Don Eugenio was a
fine example. He ruled one of the
Andalusian cities like a little Caesar.
Near the city was a famous old flour
mill. Lucas was its owner. There the
military and the gentry visited every day
to eat the miller's good food and to talk
with the miller's beautiful wife, Fras-
quita.
These daily visits the miller shrewdly
put to good use. He did not give his
food without recompense, although he
was never so blunt as to demand anything
for his hospitality. If he needed some
wood, a word to the bishop would secure
him the right to cut some on the bishop's
grounds, or if he needed to have his
taxes lowered, a word to Don Eugenio,
the corregidor, would suffice. Life for
him was pleasant and fruitful. His
wife Frasquita was a beautiful woman
who loved him deeply and sincerely de
spite the miller's ugly face and the slight
hump on his back. They joked together,
and tried to outdo one another in kind
ness, Only children were lacking to
make their love complete.
To those who met every day under
the shady grape arbor outside the mill,
it became obvious that Don Eugenio had
fallen in love with Frasquita. There was
nothing unusual in this, for everyone
who knew her was in love with her.
Fortunately, the miller was not jealous
of his wife; she had never given him
any reason to be so. Yet where so im
portant a person as Don Eugenio was
concerned, suspicion was certain to arise.
Don Eugenio was a sight to see. He
wore a huge black three-cornered hat, a
scarlet cape, white stockings, and black
shoes with gold buckles. His face was
deeply wrinkled, for he had no teeth.
On his back was a hump much larger
than the miller's, and in his breast a
heart much smaller. But he was the
corregidor, and everyone bowed to him
when he passed, with his bailiff, Weasel,
following always at his heels.
One day Don Eugenio came to the
mill much earlier than usual, and the
miller, spying him at a distance, plotted
to surprise him. Knowing that Don
Eugenio would try to make love to
Frasquita, the miller hid in the grape
arbor above the spot where the cor
regidor would sit. He told his wife to
act as if she knew nothing of his presence
there.
Don Eugenio began to talk of love,
but when he tried to take one of Fras-
quita's hands in his own she knocked
over his chair in pretended confusion.
At that moment the miller fell from the
arbor. Don Eugenio was furious. The
couple pretended that the miller, asleep
in the arbor, had not overheard the silly
love scene. Although the affair seemed
to pass off easily, Don Eugenio planned
revenge.
979
That night, as the miller and his wife
were preparing for bed, they heard a
knock at the door. It was a messenger
from the mayor, demanding that the
miller go at once to testify in an im
portant case. The miller, guessing cor
rectly that this request was part of Don
Eugenio's plot, told Frasquita to bolt
the door and not to let anyone in after
he had gone.
When the miller arrived at the mayor's
home, he found that his testimony was
not needed. The mayor insisted, how
ever, that he go up to the loft and spend
the night, to be on hand for the trial
the next morning. The miller pretended
to go to bed, but shortly afterward he
let himself down from the window, got
his mule, and started back to the mill.
On his way he passed another rider
whose mule neighed at his and received
an answer. Alarmed, the miller turned
aside from the road. When he arrived
at the mill, he found the doors all open.
Furious, he got a gun and crept up to
the bedroom. Peeking through the key
hole, he saw Don Eugenio in his bed.
The miller did not know what to do.
He wanted to kill his wife and Don
Eugenio, but he knew he would be
hanged for the crime. He went down
stairs, where Don Eugenie's clothes were
scattered about on chairs in front of the
fire. An idea came to the miller. Turn
about is fair play. He dressed in Don
Eugenio's clothes and set out for town.
What had actually happened was dif
ferent from what the miller suspected.
Don Eugenio had come to the house,
but Frasquita had let him in only after
he had fallen into the millpond. When
he had tried to make love to her, she
threatened him with a gun. Then she
had called the bailiff, who was waiting
outside, and told him to put his master
to bed. Saying that she was going for
a doctor, she had started out to get her
husband. It had been her mule that
had alarmed the miller on his way to
the house. Don Eugenio had sent the
bailiff away at the moment the miller
arrived home and judged the circum
stances so falsely.
Arriving at the mayor's house, Fras-
Tiita learned that her husband had fled,
ogether she and the mayor set out for
the mill. They arrived in time to meet
Don Eugenio leaving in the miller's
clothes. The bailiff had returned, noticed
that his master's clothes were gone, and
guessed that the miller had taken them.
The whole group, for different reasons,
started out for Don Eugenio's house.
On their arrival the maid, insisting
that Don Eugenio had returned home
some time before, refused to admit them.
Don Eugenio angrily demanded entrance,
and at last his wife told the maid to
admit the party. They all went upstairs.
Dona Mercedes refused to recognize
Don Eugenio until she had learned what
he had been doing. Frasquita would not
speak to the miller. Dona Mercedes
ordered her husband to leave the room.
Then she told Frasquita that she had
found the miller hiding under her bed.
At first she had been furious, but after
she heard his story she had become angry
at her husband. Frasquita, reconciled
with the miller, proved her own inno
cence by telling him about the neighing
mules, and he apologized for doubting
her honor.
When Don Eugenio returned to the
room, Dona Mercedes refused to tell
him anything about what had happened
that night and ordered him never to
come to her room again. There was noth
ing his guilty conscience would allow
him to say. The miller and his wife
went home.
The next day the bishop and the other
officials came to the mill as usual, for
they did not want anyone to feel that
the night's happenings had anything to
do with the miller's reputation. But Don
Eugenio never came to the mill again.
The miller and his wife both lived to
a happy and prosperous old age.
980
THE THREE MUSKETEERS
Type of work; Novel
Author: Alexandra Dumas, father (1802-1870)
Type of 'plot: Historical romance
Time of plot: 1626
Locale: France
First published: 1844
Principal characters:
D'ARTAGNAN, a Gascon adventurer
ATHOS,
PORTHOS, and
ARAMIS, the three musketeers
CONSTANCE BONACIEUX, the queen's seamstress
LADY DE WINTER, Cardinal Richelieu's agent
CARDINAL RICHELIEU, minister of state
Critique:
Of all the stories by Dumas, this is
probably the best. It is true that today
we may find it too melodramatic, but
once we accept the fact that the novel
is a romance, we can read it as such and
enjoy it. For it is a highly interesting
story, full of adventure and intrigue, con
sidered a classic of its type by all who
admire historical romances of love and
intrigue.
The Story;
In the spring of 1625 a young Gascon
named D'Artagnan, on his way to Paris
to join the musketeers, proudly rode up
to an inn in Meung. He was mounted
on an old Beam pony given him by his
father, along with some good advise and
a letter of introduction to the captain
of the musketeers. In Meung he showed
his fighting spirit by fiercely challenging
to a duel a stranger who seemed to be
laughing at his orange horse. Before
continuing his journey to Paris he had
another encounter with the stranger,
identified by a scar on his face, and the
stranger's companion, a young and beau
tiful woman.
Athos, Porthos, and Aramis were the
three best blades in the ranks of the
Musketeers of the Guard, in the service
of Louis XIII. D'Artagnan became a
fourth member of the group within three
months of his arrival in Paris. He had
made himself loved and respected by the
others when he challenged each in turn
to a duel and then helped them drive
off Cardinal Richelieu's guards, who
wished to arrest them for brawling.
D'Artagnan was not made a rnusketeei
at once; he had to serve an apprentice
ship as a cadet in a lesser company of
guards before being admitted to the
musketeer ranks. Athos, Porthos, and
Aramis looked forward to the day he
would become their true comrade in
arms and each took turns accompanying
him when he was on guard duty. D'Ar
tagnan was curious about his friends,
but could learn nothing about them.
Athos looked like a nobleman. He was
reserved, never mentioned women, and
it was said that a great treachery had
poisoned his life. Porthos was a squire
of dames, bragging incessantly of his
loves. Aramis, who always dressed in
black, insisted that he was a musketeer
only temporarily, that he was a church
man at heart and soon would enter a
monastery and exchange his plumed hat
for a monk's cowl.
The three musketeers had been re
warded in gold by the timid king for
their bravery against the cardinal's
guards, but had since spent all their
money. They were trying to figure a
way out of their difficulties when Bona-
cieux, D'Artagnan's landlord, came to
D'Artagnan because he had heard that
his tenant was a brave man. He said
981
that his wife Constance, who was a
seamstress to the queen and whose devo
tion to the queen was well-known, had
been abducted, He suggested that
D'Artagnan find and rescue Constance in
payment for long-overdue rent and for
financial compensation.
When Bonacieux described the ab
ductor, D'Artagnan recognized him as
the man he had challenged at Meung.
On these two scores, the Gascon was
willing to help the stricken husband. But
he was even more eager when he dis
covered that the purpose of the abduc
tion was to force Constance to tell what
she knew of a rumored romance between
the queen and the Duke of Buckingham,
Constance escaped her abductors and
returned to her home, where the car
dinal's men again tried to seize her, only
to be attacked and scattered by D'Artag
nan who had overheard the struggle.
Later that evening D'Artagnan met Con
stance who was hurrying along alone
on the streets at a late hour. He ques
tioned her, but she would not say where
she was going. He told her that he loved
her, but she gave him no encouragement.
Still later that evening he encountered
her again as she was leading the Duke
of Buckingham, in disguise, to the queen.
The queen had sent for Buckingham
to beg him to leave the city where his
life was in danger. As they talked she
confessed her love for him, and gave him
as a memento a rosewood casket con
taining twelve diamond studs that the
king had given her.
Richelieu, through his spies, learned
of the gift and suggested to the king that
he should give a fete and ask the queen
to wear her diamond studs. The cardinal
then ordered Lady de Winter who was
in London, to snip off two of the studs
from Buckingham's clothing. This deed
gave him a chance to strike at the king,
the queen, and also Buckingham. Learn
ing of this scheme, Constance went to
D'Artagnan. Because he loved Constance
and because he wanted to serve his
queen, he undertook to recover the
jewels. With his three comrades he
started out for London. Only D'Artag
nan arrived there, tor when the car
dinal's agents ambushed the comrades the
three musketeers were wounded and left
behind. D'Artagnan reached the duke
in time to recover the studs and return
to Paris with them. Richelieu's plot was
foiled.
After D'Artagnan had received the
thanks of the queen he was to meet
Constance that evening, but Constance
was again seized and imprisoned by the
cardinal's spies, one of whom was identi
fied as the man from Meung. D'Artag
nan decided he needed the help of his
three friends and, accompanied by his
servant Planchet, he went to find them.
First he called at the inn where he had
left Porthos and found him still there,
recovering from his wounds. Later he
found Aramis talking with some doctors
of theology and about to renounce the
world. Athos had barricaded himself in
a wine-cellar. Drunk, he related a story
about a friend of his, a count, who, when
he was young, had married a beautiful
girl and had made her the first lady in
his province. However, he had later
discovered that she was branded on the
shoulder with the fleur-de-lis, the brand
for a convicted criminal, and he had
hanged her on a tree, leaving her for
dead.
Once again the four friends were to
gether. Then D'Artagnan, who had fol
lowed Porthos into a church, saw a
beautiful woman whom he recognized
as the companion of the man he had
met at Meung. He followed her out of
church and saw her get into her coach.
Later he and his friends took the same
road her coach had taken and encountered
the coach by the side of the road. The
lady was talking to a young man who,
D'Artagnan discovered, was her brother-
in-law, Lord de Winter. D'Artagnan be
came a friend of Lord de Winter after
sparing his life in a duel; the lord in
troduced him to his sister-in-law. D'Ar
tagnan fell in love with Lady de Winter.
982
But she loved another, a M. de Wardes,
who, unknown to her, had been killed.
D'Artagnan deceived her one night
into believing she had an assignation
with de Wardes. D'Artagnan presented
himself to her as de Wardes that night
and she gave him a magnificent sap
phire ring. When D'Artagnan showed
the ring to Athos, he recognized it as
the one which had belonged to his
mother and which he had given to his
wife. Athos began to suspect that his
wife was not dead, but was Lady de
Winter.
D'Artagnan overheard Lady de Winter
make slurring remarks about him because
he had spared the life of her brother-in-
law. She was Lord de Winter's heir,
D'Artagnan also realized that Lady de
Winter was the cardinal's spy. At his
next meeting with her, D'Artagnan, as
himself, confessed his duplicity to her
and she angrily struck a blow which
caused him to step on her dress. The
dress pulled from her shoulder, exposing
the brand of the fleur-de-lis. As D'Ar
tagnan realized the truth, Lady de Winter
attacked him with a knife and screamed
that she would get revenge. D'Artagnan
fled to Athos.
The war between England and France
was reaching a climax, and the siege of
La Rochelle was of particular political
importance. The four friends prepared
to go to La Rochelle. Before they left,
D'Artagnan was called for an interview
with the cardinal. Richelieu tried to
bribe D'Artagnan to enter his own
guards, but D'Artagnan refused and left
with the knowledge that his refusal might
mean his death. In La Rochelle two
young soldiers tried to kill D'Artagnan.
From them he learned that they had
been hired by Lady de Winter to kill
him, and he also learned that she was
responsible for the imprisonment of Con
stance.
The musketeers did not have much to
do with the siege and led a carefree life.
One evening they encountered two horse
men on a lonely road. One was the
cardinal on his way to a nearby inn. The
cardinal ordered the musketeers to go
with him. Lady de Winter was at the
inn and the musketeers overheard the
cardinal instruct her to go to London,
where she was to tell Buckingham that
unless he ended the war his affair with
the queen would be exposed. If he re
fused, Lady de Winter was to poison him.
As her reward Lady de Winter asked to
have two of her enemies killed. These
two were Constance, who had been con
veyed to a convent by an order the queen
had obtained from the king, and D'Artag
nan. Richelieu then wrote out a safe-
conduct for Lady de Winter.
A few minutes later, Athos, who had
recognized her voice, was in Lady de
Winter's room. There he revealed him
self as the Count de la Fere, her husband.
She was terrified, for she had thought him
dead as well. Athos took from her the
cardinal's letter of safe-conduct and
ordered her to leave France at once under
threats of exposure.
The four friends returned to the siege
of La Rochelle, where they conducted
themselves with such bravery that they
again drew notice from the cardinal.
When the cardinal spoke of them to
him, their captain said that D'Artagnan
was not in the service of the musketeers.
The cardinal then gave orders that D'Ar
tagnan was to be made a musketeer, and
this news, when relayed to D'Artagnan,
made him very happy. The friends now
wrote out a message to warn Lord de
Winter against his sister-in-law and sent
Planchet to deliver it. They also sent
a message to a cousin of Aramis, and
learned from her the name of the con
vent in which Constance had been con
fined.
When Lady de Winter arrived in
England, she was held a prisoner by
Lord de Winter. But her pretense of re
ligious fervor and her beauty convinced
her young Puritan jailer of her inno
cence. After she had told him a fan
tastic tale to the effect that her downfall
had been caused by Buckingham, he
983
helped her to escape. To avenge her he
then went to Buckingham and stabbed
him. De Winter, who discovered her
escape also hurried to Buckingham, but
arrived too late to save his life. Before
he died, a messenger from Paris brought
Buckingham word from the queen of her
faithful love.
Lady de Winter escaped to France, to
the convent where Constance was stay
ing. There she managed to poison Con
stance and flee again before the four
companions arrived to rescue the queen's
faithful servant. Lord de Winter, also
in pursuit of Lady de Winter, arrived
a few minutes after they had discovered
Constance. Continuing their pursuit of
Lady de Winter, they overtook her and
held a trial. They condemned her to
die. She was executed by the public
executioner of Lille, who had branded
her for her crimes, many years before.
On his return to La Rochelle, D'Ar-
tagnan was arrested and taken to the
cardinal. The man who took him pris
oner was the stranger D'Artagnan had
met at Meung, identified now as the
Chevalier de Rochefort. The cardinal
charged D'Artagnan with treason, but
D'Artagnan interrupted and named the
long list of crimes of the woman who
had charged him. Then he informed the
cardinal of her death and produced the
safe-conduct pass, signed by the car
dinal, which Athos had taken from the
woman. D'Artagnan told Richelieu that
as bearer of the pass he should be al
lowed to go free. The cardinal was so
pleased by the Gascon's cleverness that
he could not be angry. Instead, he offered
D'Artagnan a commission in the musket
eers. D'Artagnan offered it to his friends,
but each refused it, insisting that he de
served the rank, an honor great nobles
often sought in vain.
La Rochelle surrendered to the French
and the faithful four disbanded. Athos
returned to his estate, Porthos married
a rich widow, and Aramis became a
monk. D'Artagnan became a famous
soldier. He and de Rochefort, his old
enemy at Meung, fought three times, but
finally became good friends.
THREE SOLDIERS
Type of -work: Novel
Author: John Dos Passes (1896- )
Type of plot: Social criticism
Time of plot: 1917-1919
Locale: France
First published: 1921
Principal characters:
DAN FUSELLI, an American soldier from San Francisco
CHRISFIEUD, an American soldier from Indiana
JOHN ANDREWS (ANDY), an American soldier from Virginia
GENEVTEVE ROD, Andrews' friend
Critique:
This novel attempts to do for World
War I what Stephen Crane's The Red
Badge of Courage did for the Civil War;
that is, to destroy the myth of glamour
and glory and to expose the brutal reality
of war. Unlike the hero of The Red
Badge of Courage, who deserts in fright
and returns proudly to battle, John
Andrews of Three Soldiers can only tak&
a self-respecting step by deserting after
months of ignominious conformity. The
novel succeeds best in its presentation of
the tedium, de-humanizing regimenta
tion, and the physical horrors of war.
As such, it is a vividly realized social
document.
984
The Story:
Private Dan Fuselli was anxious to
become Corporal Dan Fuselli. He had
seen movies of Huns spitting Belgian
babies on their bayonets and then being
chased like rabbits by heroic Yankee
soldiers who were later rewarded with
embraces by the pretty and picturesque
Belgian milkmaids. He looked forward
to the time when his girl, Mabe, writing
from San Francisco, his home town,
would address her letters to Corporal Dan
Fuselli.
Private First Class Fuselli of the Med
ical Corps hated the Army and every
thing about it, but he knew that to be
come a corporal he must keep clean, keep
his mouth shut, obey the brass, and con
tinually cajole the sergeant. He was
infuriated one night when he went to
town to see Yvonne and learned that the
sergeant had taken her over. Then,
when he returned to camp, he heard that
the consumptive corporal was back, the
one in whose absence Fuselli had been
made acting corporal. But Private Fuselli
kept his mouth shut. Someday he would
be a corporal, perhaps even a sergeant;
but now he kept his mouth shut.
Finally, after a setback doing endless
K. P. and following his recovery from a
venereal disease, after the Armistice, he
did become Corporal Dan Fuselli. But
by that time his girl had married a naval
officer.
Matters worked out differently for
Chrisfield. The Army was not as easy
going as life in the Indiana farm country
had been. The officers shouted at you,
made you do things you hated. You
had to take it. One night Chrisfield was
so furious he pulled a knife on a sergeant
named Anderson, but his friends held
him back and nothing happened. In
Europe, things were not much better.
Occasionally he had a talk about the
stars and the fields with his educated
buddy, John Andrews. Mostly, however,
the war was awful.
The marches were endless, and his
shoulders ached from his heavy pack.
When bombardments came, the marchers
scattered face down in a field. Once
Chrisfield asked Andrews to speak
French for him to a French girl at an
inn, but nothing came of it.
One day, walking alone through a
wood near the front, Chrisfield found
a dead German lying prone. When he
kicked the body over, he saw that it had
no face, only a multicolored, pulpy mass
with green flies hovering around it. In
the man's hand was a revolver — he was
a suicide. Chrisfield ran off panting,
Chrisfield was high-strung. When he
was sitting thinking, a soldier prodded
him and asked him what he was dream
ing about. Chrisfield punched the fel
low in the nose. He and Andy hated
the Y. M. C. A. men who were always
telling the men at the front what brutes
the Huns were and urging them in the
name of Old Glory to kill Germans.
Chrisfield was court-martialed when he
announced that he intended to kill Ser
geant Anderson after the war was over.
One day he went wandering and made
his way silently into the kitchen of a
house near the front. Looking into the
next room, he saw a man in a German
uniform. He reached into his pocket,
pressed the spring on the grenade he
had, withdrew it, and tossed it into the
room. Not long afterward he came
across Anderson, now a lieutenant, seated
wounded in a deserted section of the
wood. Chrisfield had two more grenades
in his pocket, and he threw them at the
man he hated.
After the Armistice, the rumor that
he had killed Anderson somehow leaked
out. Afraid, Chrisfield went A. W. O. L.
and became a refugee in France, eter
nally on the move.
John Andrews was a Harvard graduate
and a would-be composer. The Queen
of Sheba section of Flaubert's Tempta
tion of Saint Anthony kept recurring to
his mind as he washed/ the barracks
windows, and he thought how fine the
subject would be for § musical composi-
985
tion. He cursed the Army for slowly
stamping him into its iron mold. Over
seas, he saw action and was more con
vinced than ever that war was needless
butchery. He felt happiest away from
the regiment. One day he walked away
from his company in order to be alone.
He was looking at little frogs in a pool
when a shell burst near him. He awoke
on a stretcher.
For a while the hospital was a relief
from the endless orders and general
mechanization of Army routine. Lying
in his bed, he began to realize that he
had respect for himself only when he
thought of rebelling against the system,
of going A. W. O. L. Soon the tedium
of the hospital began to gall him. After
his leg healed, he rejoined his company
reluctantly and full of rebellion. The
Armistice had been signed. When he
heard that he could go to a French Uni
versity through a school detachment
being set up, he lied, secured some recom
mendations, and found himself in Paris.
In Paris he met Genevieve Rod, a
young Frenchwoman who admired his
piano playing and his artistic tastes. She
thought of artists as men who, because
of their special sensitivity, should be
exempt from the horrors of war. Andrews
disagreed; one worker was like another;
it was the whole of humanity that should
be exempt. One day he left Paris with
out official leave for a country trip with
Genevieve. An MP picked him up and
took him to a local office where he was
beaten by several MP's. He was sent
to a labor battalion loading concrete for
a stadium being presented by the Ameri
cans to the French. It was crushing
work. Convinced that Army life was a
menace to human freedom, Andrews de
cided to desert, for one man less in the
system made it weaker by that much.
One night he leaped from a plank and
swam out to a barge in the Seine.
The barge family cared for him for
a few days. They sank his uniform in the
river, bought him new clothes, and as
anarchists proclaimed their solidarity with
him. He went back to Paris to find
Genevieve, and stayed for a while with
Chrisfield and a group of other concealed
deserters. Then, hearing that Genevieve
was at her country place, he joined her
there.
At first he did not tell her of his de
sertion. He lived in an inn nearby and
began composing, not about the Queen
of Sheba, but about John Brown, lib
erator of slaves. When he finally con
fessed his plight to Genevieve, a notice
able reserve crept into her attitude toward
him. Perhaps, she suggested, he should
give himself up. She could not compre
hend the social motive in his rebellion.
One day he heard an American officer's
voice at the door of the inn below his
window. He thought of the prison sen
tence he must face. Too late he dis
covered that the landlady, experienced in
the ways of impecunious Americans who
were possible deserters, had stolen his
revolver. As the MP's took him away,
the wind blew in through the window
of his room and the music papers on
which he had been working fluttered one
by one to the floor.
THE TIME MACHINE
Type of -work: Novel
Author: H. G. Wells (1866-1946)
Type of plot: Fantasy
rime of plot: Late nineteenth century
Locale: England
First published: 1895
Principal characters:
THE TIME TRAVELER
WEENA, a woman the Time Traveler meets in the future
986
Critique:
The Time Traveler's description of
the people of the future, the weak
Eloi and the predatory Morlocks, has its
roots in some interesting scientific hy
potheses. This speculative chronicle of a
space-time concept and a picture of life
in the world of the future is so exciting,
however, that it may be read merely as
an adventure story. The hook is a mix
ture of fantasy and pseudo-scientific
romance.
The Story:
After dinner, one evening, the Time
Traveler led the discussion to the subject
of the relationship of time and space.
It was his theory that time was a fourth
dimension, and that his concept could
be proved. To the astonishment of his
guests, he exhibited a model of his Time
Machine, which, he declared, could travel
backward or forward in time. One of
the guests was invited to touch a lever.
To the amazement of all, the machine
disappeared. The Time Traveler ex
plained that the instrument was no longer
visible because it was traveling into the
past at such great speed that it was
below the threshold of visibility.
The following week the Time Traveler
was not at home to greet his dinner guests
when they arrived, but he had left word
that they were to proceed without him.
Everyone was at the table when their
host came in, dirty from head to toe,
limping, and with a cut on his chin.
After he had changed his clothes and
dined, he told his friends the story of the
day's adventures.
That morning he had taken off on his
Time Machine. As he reeled through
space, the days shot past him like min
utes, the rapid alternation of light and
darkness hurting the Time Traveler's
eyes. Landing and falling from his ma
chine when he braked too suddenly, he
found himself on the side of a hill. In
the misty light he could see the figure
of a winged sphinx on a bronze pedestal.
As the sun came out, the Time Traveler
saw enormous buildings on the slope.
Some figures were coming toward him.
One was a little man about four feet tall.
Regaining his confidence, the Time
Traveler waited to meet this citizen of
the future.
Soon a group of these creatures gath
ered around the voyager. Without a
common language, he and his new ac
quaintances had to communicate with
signs. After they had examined the Time
Machine, from which he had the presence
of mind to remove the levers, one of them
asked him if he had come from the sun.
The Time Traveler was led to one of
the large buildings, where he was seated
upon a cushion and given fruit to eat.
r .-IT
Everyone was a vegetanan, animals hav
ing become extinct. When he had eaten,
he tried to learn his new friends' lan
guage, but without much success. These
people, who called themselves the Eloi,
were not able to concentrate and tired
quickly.
Free to wander about, the Time
Traveler climbed a hill and from the
crest saw the ruins of an enormous gran
ite structure. Looking at some of the
creatures who were following him, he
realized that all wore similar garb and
had the same soft, rounded figures. Chil
dren could be distinguished only by their
size. j,
The Time Traveler realized that he
was seeing the sunset of humanity. In
the society of the future there was no
need for strength. The world was at
peace and secure. The strong of body
or mind would only have felt frustrated.
As he looked about to find a place to
sleep, he saw that his Time Machine had
disappeared. He tried to wake the people
in the building in which he had dined,
but he succeeded only in frightening
THE TIME MACHINE hy H. G. Wells. By permission of the Executors, estate of H. G. Wells, and thr
Sublishers, Henry Holt a Co., Inc., Copyright, 189S, by Henry Holt & Co., lac, Renewed 1923, by
. G, Wellt.
987
them. At last he went back to the lawn
and there, greatly worried over his
plight, fell asleep.
The next morning he managed to trace
the path the Time Machine made to the
base of the sphinx, but the bronze doors
in the pedestal were closed. The Tirr.e
Traveler tried to intimate to some of the
Eloi that he wished to open the doors,
but they answered him with looks of in
sult and reproach. He attempted to ham
mer in the doors with a stone, but he
soon stopped from weariness.
Weena, a young girl he rescued from
drowning, became the Time Traveler's
friend and guide. On the fourth morn
ing, while he explored one of the ruins,
he saw eyes staring at him from the
dark. Curious, he followed a small, ape
like figure to a well-like opening, down
which it retreated. He was convinced
that this creature was also a descendant
of man, a subterranean species that
worked below ground to support the
dwellers in the upper world.
Convinced that the Morlocks, as the
subterranean dwellers were called, were
responsible for the disappearance of his
Time Machine and hoping to learn more
about them, he climbed down into one
of the wells. At its bottom he discovered
a tunnel which led into a cavern in which
he saw a table set with a joint of meat.
The Morlocks were carnivorous. He was
able to distinguish, too, some enormous
machinery.
The next day the Time Traveler and
Weena visited a green porcelain museum
containing animal skeletons, books, and
machinery. Since they had walked a
long distance, he planned to sleep in the
woods that night with Weena and to
build a fire to keep the dark-loving Mor
locks away. When he saw three crouch
ing figures in the brush, however, he
changed his mind and decided he and
Weena would be safer on a hill beyond
the forest. He started a fire to keep theii
enemies at a distance.
When he awoke the fire had gone out,
his matches were missing, and Weena
had vanished. A fire he had started
earlier was still burning, and while he
slept it had set the forest on fire. Between
thirty and forty Morlocks perished in the
blaze while the Time Traveler watched.
When daylight returned, the Time
Traveler retraced his steps to the sphinx.
He slept all day and in the evening
prepared to ram open the doors in the
pedestal with the lever he had found in
the porcelain palace. He found the
doors open, his machine in plain view.
As a group of Morlocks sprang at him,
he took off through space.
The Time Traveler had his encounter
with the Morlocks and the Eloi in the
year 802,701. On his next journey he
moved through millions of years, toward
that time when the earth will cease ro
tating. He landed on a deserted beach,
empty except for a flying animal, which
looked like a huge white butterfly, and
some crab-like monsters. On he traveled,
finally halting thirty million years after
the time he had left his laboratory. In
that distant age the sun was setting.
It was bitter cold and it began to snow.
All around was deathly stillness. Horri
fied, the Time Traveler started back
toward his present.
That evening, as he told his story, his
f jests grew skeptical. In fact, the Time
raveler himself had to visit his labora
tory to make sure his machine existed.
The next day, however, all doubts
ceased, for one of his friends watched
him depart on his vehicle. It was this
friend who wrote the story of the Time
Traveler's experiences three years later.
The Time Traveler had not reappeared
during that time, and his friends specu
lated on the mishap which had made
him a lost wanderer in space and time.
988
THE TIME OF MAN
Type of work: Novel
Author; Elizabeth Madox Roberts (1886-1941)
Type of plot: Regional romance
Time of plot: Early twentieth century
Locale: Kentucky
First published: 1926
Principal characters:
ELLEN CHE s SEE, a farm girl
NELLIE, her mother
HENRY, her father
JASPER KENT, her husband
JONAS, her fianc^
Critique:
The Time of Man is a farm story
that strikes a nice balance between the
sordid and the romantic. Here we have
the life of the migrant Kentucky farmer
as it is, unvarnished and plain. But
deeper, we see the springs from which
these people draw their strength. They
lived in poverty, with little hope of
security. But in their love for the soil
and in their fierce independence they
find meaning for their lives. To call
this novel a story of local color would
be true but inadequate. The regionalism
of The Time of Man is but a convenient
frame for the depiction of human and
enduring values.
The Story:
Henry and Nellie Chesser had been
on the road a long time. People some
times called the Chessers and their
friends gipsies, and they did tell fortunes
and swap horses and mules. But Henry
liked the earth, and he worked as a
tenant for different farmers from time
to time. Only his restless spirit kept him
from settling somewhere permanently.
One day Henry's wagon broke down.
The others could not wait for the Ches
sers, and Henry haunted the smithy,
hoping to speed repairs. But when Hep
Bodine offered him twenty dollars a
month, a tenant house, and a garden
spot, he accepted. The house had only
one room and a loft, but it was better
than sleeping outside.
Henry's daughter, Ellen, was greatly
disappointed. She hated to leave Tes-
sie, her great friend, the fortune-teller.
Ellen knew no one on the Bodine farm,
nor did she make friends easily. Mrs.
Bodine even ordered her out of the
berry patch. Only Joe Trent, home
from college, noticed her.
Joe was elegant, always wearing shoes
and clothes of different kinds of cloth.
He would joke with Ellen as she got in
the firewood. She was growing up, and
Joe awakened some spark of longing in
her thin body. Then one day Joe drove
past her with Emphira Bodine. He pre
tended not to see Ellen in her skimpy
skirt above her bare feet and legs. After
that, Joe would stand behind a big bush
where the men from the house could
not see him and call to Ellen. Ellen was
ashamed. She was glad when her father
decided to move over to the Wakefield
farm.
Their new house was better; even the
loft had once been papered. Miss Tod
Wakefield let Ellen look after the
turkeys for money wages. So with set
ting out tobacco plants, getting in the
firewood, and going regularly to the big
barnyard, she settled into a pleasant
routine. By fall Nellie was able to get
Ellen a store dress and new shoes.
THE TIME OF MAN by Elizabeth Madox Roberts. By permission of the publishers, The Viking Frew, Inc
Copyright, 1926, by The Viking Press, Inc.
989
In an old abandoned bam where she
went to look for turkey eggs she often
noticed Amanda Cain waiting in the
hay loft for Scott MacMurtrie, who was
married to Miss Cassie. All the field
workers knew of the affair, and they
discussed eagerly how Miss Cassie would
lay into Scott when she learned he was
carrying on with her cousin Amanda,
for Miss Cassie was strong and inde
pendent. One day Scott and Amanda
disappeared. That night Ellen was
awakened by the tolling bell on the
MacMurtrie place. She hurried over,
outdistancing her father, who thought
the barn must be on fire. Ellen found
the old Negress pulling the bell rope in
a frenzy. Miss Cassie had hanged her
self.
Dorine moved into one of the tenant
houses. She was merry and gay and at
tracted others to her. She and Ellen
became friends. At her house Ellen
went to her first party. Shy, she hoped
desperately that no one would notice
her. But in her agony of timidity she
sang a ballad her father had taught her,
and she was accepted as one of the
group. At their dances and games and
on their Sunday walks she went some
times with Jonas Prather but more often
with Sebe Townley. Sebe was kind and
gentle, but she liked Jonas better.
Jonas took little part in their gay
dances. He would call the figures and
then retire with the old folks. He seemed
to withdraw from contact with girls;
some even said he had got religion.
One night Jonas told Ellen he wanted
her to marry him. When he went away
to work for wages, he promised to come
back during the summer to get married.
Ellen had a letter from him and she
wrote him a letter in return. But the
summer wore on and Jonas did not come.
At last she heard that Jonas had mar
ried Sallie Lou.
When Henry rented a patch of
twenty-five acres called the Orkeys place,
Ellen felt a sense of escaping from her
troubles. Their new home had once
been a toll house. It contained three
rooms on one floor, and Ellen's bedroom
was weather- tight.
The nearest neighbors were on the
Wingate place. Old Mrs, Wingate,
half mad, sat suspiciously in her house
all day long and Jasper Kent worked her
farm on half shares. Albert Wingate,
the son, seldom came to the farm, and
when he did appear he would often be
roaring drunk. He would beg or steal
money from his mother and sometimes
he would turn the house upside down
looking for more. When he began driv
ing off cattle in which Jasper had a half
interest, Jasper felt his anger mount.
Although Jasper prudently kept his
own pigs in a corral far from the house,
Albert discovered them. One morning
Jasper found the corral empty; Albert
had sold the pigs to a passing trader.
That night Albert and Jasper fought in
the barn. Jasper was stronger than his
opponent. Then Albert drew a gun.
Jasper wrested it away and threw it in
the brush. But in the fighting Jasper
forgot his lantern on the barn floor.
When the building went up in flames,
Jasper fled. He had been in jail before,
and he was afraid.
He found work on the Phillips farm.
Joe Phillips offered a house to Jasper.
So Jasper and Ellen were married and
set up housekeeping in their own place.
Their house was tight, and Joe promised
to add a room. Ellen was carrying her
first child and was very content with
her marriage.
The letter they had been dreading
came, an indictment for arson drawn up
against Jasper for the burning of the
Wingate barn. Henry was Jasper's wit
ness and Jasper was freed. At last Ellen
and Jasper seemed to he free of all care;
they had only to work the land and
raise their family. Each year they had
another child.
Following the custom of the migrant
people, they left the Phillips farm. It
became a matter of indifference to Ellen
where she lived; a year on the Goodrich
990
place, a year on the McKnight farm —
it was all the same. Then they moved
back to the Phillips farm. Joe Phillips,
greatly attracted to Ellen, spoke sweet
words to her. When Jasper began to go
off for all-night carouses, Ellen accepted
Joe's attentions. She did not tell Jasper
right away about the new baby she was
carrying. When she did, Jasper was
bitter and swore it was Joe's. But when
the sickly child was born, Jasper was
very fond of it. The baby died in its
third year.
When a nearby barn burned, suspicion
unjustly fell on Jasper. One night masked
raiders came to their home, seized Jaspei
while he slept, and bound him with
ropes, They beat him savagely. Ellen
brought him in and washed his bleeding
welts. Jasper was greatly shamed.
The family loaded all their goods on
the wagon and set out. They scarcely
knew where they were ..going, but it
would be far away. As they went they
dreamed of a homeplace of land they
could call their own. Perhaps they could
even set out trees for an orchard, some
where, someday.
THE TITAN
Type of work: Novel
Author: Theodore Dreiser (1871-1945)
Type of plot: Naturalism ( ,
Time of plot: 1890's
Locale: Chicago
First published: 1914
Principal characters:
FRANK ALGERNON COWPERWOOD, a multimillionaire and financial genius
AILEEN COWPERWOOD, his mistress and then his wife
PETER LAUGHLIN, his business partner
STEPHANIE PLATOW, Cowperwood's mistress
BERENICE FLEMING, Cowperwood's prot^ge'e and mistress
Crfoique:
Dreiser's full-length portrait of a great
financial wizard is one of the triumphs of
the naturalistic school of writers. Be
tween 1890 and the publication of this
book scores of novels dealing with the
American financier were published, but
none approached the thoroughness and
the psychological insight of The Titan,
which continues the psychological and
sociological study of Cowperwood begun
by Dreiser in The Financier. While the
man Dreiser portrays is wholly without
a conventional moral code, he is never
theless a strong man with a purpose.
The author makes no effort to judge
his character, and the reader feels that it
is best if he, too, refrains from passing
judgment.
The Story:
Released from a Pennsylvania prison
in the 1870's, Frank Algernon Cowper
wood, still young and a millionaire, went
to Chicago to begin a new life with
Aileen Butler, his mistress. Within a
short time Cowperwood made friends
among influential businessmen there.
Divorced by his first wife, Cowper
wood finally married Aileen. He pre
pared to increase his fortune, to become
a power in the city, and to conquer its
society. To this end, he sought an enter
prise which would quickly yield him
heavy returns on his investment. His
first battle among the financial barons of
Chicago was to gain control of the gas
companies.
At the same time the Cowperwoods
THE TITAN by Theodore Dreiser. By permission of Mrs. Theodore Dreiser and the publisher*, The World
Publishing Co. Copyright, 1914, by John Lane Co.
991
made their first attack on Chicago society,
but with little success. Aileen Cowper-
wood was too high-spirited and lacking
in the poise which would win her social
success. Then Cowperwood became in
volved in several lawsuits and his earlier
political-economic disgrace in Philadel
phia was exposed in the Chicago news
papers. But after a long battle Cowper
wood was able to force the rival gas
companies to buy out his franchises at a
profit to himself.
Unfortunately, the deal brought social
defeat, at least temporarily, to the Cow-
perwoods, for his rivals in finance were
the social powers of Chicago at that
time. Cowperwood turned once again
to a mistress, but the affair ended when
Aileen attempted to kill her rival.
For several years a cable-car system
of street railways claimed most of Cow-
perwood's time. He bought control of
the horsecar company which served the
north side of Chicago. Then the naturally
promiscuous temperament of Cowper
wood intruded itself when he met dark,
lush Stephanie Platow. Ten years
younger than his wife and interested in
art, literature, and music, she was able to
occupy a place in his life Aileen could
never fill.
While involved in that affair, Cow
perwood coerced the west side street
railway company into giving its franchise
to him. But the sweetness of his victory
was partially lost by the exposure of
Stephanie as another man's lover. Mean
while financial forces were at work
against Cowperwood. Through two city
bosses, these forces hoped to play the
city politicians against Cowperwood, for
without the support of the city council
to aid him with franchises and grants
the financier would find himself helpless
to merge all the street railways of the
city under his control.
The first battle was fought in an
election to gain possession of the Chi
cago city council. It was far more pain
ful for Cowperwood to learn at this time
that his wife had been unfaithful to him
than to discover that he had arrayed the
whole financial and social element of the
city against himself. The loss of the
election proved no permanent setback to
Cowperwood, however, nor did his wife's
infidelity. From the latter he recovered,
and the first was soon undone by his
opponents because they did not pave
the way with favors and money when
they tried to push bills through the new
reform council. Even the new mayor
was soon an ally of Cowperwood.
Soon afterward Cowperwood met Bere
nice Fleming, daughter of a procuress,
who was being prepared in a fashionable
boarding-school for a career in society.
Taking her and her family under his
wing, Cowperwood became her lover
with some misgivings, for the girl was
but seventeen and he was fifty-two at
the time. By this time his enemies were
trying to gain franchises for elevated
lines powered by electricity.
This new effort by his financial rivals
meant that his own street railways had
to be converted to electricity, and he
had to compete for at least a share of
the elevated lines to prevent his ruin.
The south side "L" was already a tre
mendous success because of the World's
Fair of 1893, and the whole city was
now clamoring for better transportation
service. Cowperwood's opponents held
control over the city banks, which pre
vented those institutions from lending
him funds needed to begin his opera
tions. When he attempted to secure funds
in the East, Cowperwood discovered that
his assets were in question. But by one
master stroke the financier wiped out
any question of his ability and his credit;
he donated three hundred thousand dol
lars to the local university for a telescope
and observatory.
Even with unlimited credit, the prob
lem of gaining franchises was not easy.
He was determined to keep control of
the Chicago transportation system, but
he began to realize that neither he nor
his wife could ever become socially ac
ceptable there. He decided to build a
992
mansion in New York to hold his collec
tion of art and be his card of entry into
society.
Meanwhile, having obtained his fran
chises, he began work on Chicago ele
vated lines. Cowperwood's enemies
planned to let him overreach himself, so
that they could force him out of Chi
cago financially as well as socially. Then
the collapse of the American Match
Corporation, par daily engineered by Cow-
perwood, began a series of runs on the
Chicago banks controlled by his enemies.
When their attempts to recall the enor
mous loans made to Cowperwood failed,
he emerged from the affair stronger than
ever.
The final battle, the climax of Cow
perwood's financial career in Chicago,
was die one he waged to secure fifty-
year franchises for his growing transporta
tion system. This project was made
doubly difficult because of Cowperwood's
latest property, the Union Loop, by
which he controlled the elevated lines.
This loop of elevated track, encircling
the downtown business district, had to
be used by all the lines in the city. The
moneyed interests opposed Cowperwood
because he was not with them; the
newspapers, because they wanted to see
better and cheaper facilities. In the face
of the opposition, even the most reck
less of the city's aldermen feared to
grant the franchises Cowperwood wanted,
regardless of the money and power he
was prepared to give to them. Then his
lawyers informed Cowperwood that the
state constitution prevented the city from
granting such long-term franchises, even
if the city council could be coerced intc
approving them.
Cowperwood's next idea was to have
a transportation commission set up by
bribery in the state legislature. In the
bill which set up the commission was a
clause extending existing franchises for
a period of fifty years. The bill, passed
by the legislature, was vetoed by the
governor.
Meanwhile the New York mansion
had been completed, and Aileen Cowper
wood moved in. She met with no social
success, except among the Bohemian
set. Berenice Fleming was settled at the
same time with her family in a mansion
on Park Avenue. The next step in
Cowperwood's personal affairs was to
be his second divorce. Then Aileen heard
of his affair with Berenice Fleming, When
he asked her for the divorce, she tried
to commit suicide but failed.
Cowperwood again tried to force his
bill through the Illinois Legislature, but
the legislators returned it to the city
council. There, as before, Cowperwood
lost. The people and the newspapers
frightened the aldermen so that they
dared not grant what the financier
wished, despite his fantastic bribes.
With his hope of controlling the Chi
cago transportation system gone, Cow
perwood sold his interests. Admitting
defeat, he and Berenice went to Europe.
The Titan's empire had fallen.
TO THE LIGHTHOUSE
Type of work: Novel
Author: Virginia Woolf (1882-1941)
Type of 'plot: Psychological realism
Time of plot: c. 1910-1920
Locale; The Isle of Skye in die Hebrides
First published: 1927
Principal characters:
MR. RAMSAY, a professor of philosophy
MRS. RAMSAY, his wife
JAMES, their son
CAMILLA, their daughter
993
MR. TANSLEY, Mr. Ramsay's guest and friend
LILY BRISCOE, an artist
MR. CARMICHAEL, a poet
Critique:
Set in the out-of-the-way Hebrides
Islands, this book has an other-world
quality. There is an air of unreality
about it, achieved, perhaps, by the odd
structure of the book. Virginia Woolf
learned a great deal from James Joyce
about the psychological novel. Although
her stream of consciousness does not get
out of hand or lead the story into hidden
depths, it does dominate the entire novel
and make good its effect. The past has,
throughout the novel, an effect upon
the present action, and this mingling of
past and present is the secret of the
book's unity.
The Story:
Mrs. Ramsay promised James, her
seven-year-old son, that if the next day
were fair he would be taken on a visit
to the lighthouse they could see from
the window of their summer home on
the Isle of Skye. James, the youngest
of Mrs. Ramsay's eight children, was his
mother's favorite. The father of the fam
ily was a professor of philosophy whose
students often thought that he was in
spiring and one of the foremost meta
physicians of the early twentieth century;
but his own children, particularly the
youngest, did not like him because he
made sarcastic remarks.
Several guests were visiting the Ram
says at the time. There was young Mr.
Tansley, Ramsay's student, who was also
unpopular with the children because he
seemed to delight in their discomfiture.
Tansley was mildly in love with his
hostess, despite her fifty-five years and
her eight children. There was Lily
Briscoe, who was painting a picture of
the cottage with Mrs. Ramsay and little
James seated in front of it. There was
old Mr. Carmichael, a ne'er-do-well who
amused the Ramsay youngsters because
he had a white beard and a mustache
tinged with yellow. There was also
Mr. Bankes, a young man in love with
Prue, the prettiest of the Ramsay daugh
ters.
The afternoon went by slowly. Mrs.
Ramsay went to the village to call on a
sick woman. She spent several hours
knitting stockings for the lighthouse
keeper's child, whom they were planning
to visit. Many people wondered how
the Ramsays, particularly the wife, man
aged to be as hospitable and as charitable
as they were, for they were not rich;
Mr. Ramsay could not possibly make a
fortune by expounding Locke, Berkeley,
and Hume to students or by publishing
books on metaphysics.
Mr. Carmichael, pretending to read,
had actually fallen asleep early after
lunch. The children, except for James,
who was busy cutting pictures out of
a catalogue, had busied themselves in a
game of cricket. Mr. Ramsay and Mr.
Tansley had passed the time in a point
less conversation. Miss Briscoe had only
made a daub or two of paint on her can
vas. For some reason the lines of the scene
refused to come clear in her painting.
Prue and Mr. Bankes had gone walking
along the shore.
Even the dinner went by slowly. The
only occasion of interest to the children,
which was one of tension to their mother,
came when Mr. Carmichael asked the
maid for a second bowl of soup, thereby
angering his host, who liked to have
meals dispatched promptly. As soon as
the children had finished, their mother
sent the younger ones to bed. Mrs. Ram
say hoped that Prue would not fall in
love with Mr. Bankes, and that Lily
Briscoe, who always became seasick,
TO THE LIGHTHOUSE by Virginia Woolf. By permission of the publishers, Harcourt, Brace & Co., Inc.
Copyright, 1927, by Harcourt, Brace & Co., Inc.
994
would not want to accompany them in
the small sailboat if they should go to
the lighthouse the following day. She
thought also about the fifty pounds
needed to make some necessary repairs
on the house.
After dinner Mrs. Ramsay went up
stairs to the nursery. James had a boar's
skull which his sister detested. When
ever Camilla tried to remove it from the
wall and her sight, he burst into a frenzy
of screaming. Mrs. Ramsay wrapped
the skull in a handkerchief. Afterward
she went downstairs and joined her hus
band in the library, where they sat
throughout the evening, she knitting
and Mr. Ramsay reading. Before they
went to bed it was agreed that the trip
for the next day would have to be can
celed. The night had turned stormy.
Night followed night. The trip to
the lighthouse was never made that sum
mer, nor did the Ramsays return to their
summer home for some years. In the
meantime Mrs. Ramsay died quietly in
her sleep. Prue was married, although
not to Mr. Bankes, and died in child
birth. The first World War began.
Andrew Ramsay enlisted and was sent
to France, where he was killed by an
exploding shell.
Time passed. The wallpaper in the
house came loose from the walls. Books
mildewed. In the kitchen a cup was
occasionally knocked down and broken
by old Mrs. McNab, who .came to look
after the house from time to time. In
the garden the roses and the annual
flowers grew wild or died.
Mr. Carmichael brought out a volume
of poems during the war. About the
time his book appeared, daffodils and
violets bloomed on the Isle of Skye.
Mrs. McNab looked longingly at a warm
cloak left in a closet. She wished the
cloak belonged to her.
At last the war ended. Mrs. McNab
received a telegram requesting that the
house be put in order. For several days
the housekeeper worked, aided by two
cleaning women, and when the Ramsays
arrived the cottage was in order once
more. Several visitors came again to
share a summer at the cottage. Lily
Briscoe returned for a quiet vacation.
Mr. Carmichael, the successful poet, also
arrived.
One morning Lily Briscoe came down
to breakfast and wondered at the quiet
which greeted her. No one had been
down ahead of her, although she had
expected that Mr. Ramsay and the two
youngest children, James and Camilla,
would have eaten early and departed
for the long-postponed sail to the light
house, to which the youngsters had been
looking forward with joyful anticipation.
Within a few minutes the three straggled
down, all having slept past the time
they had intended to arise. After a swift
breakfast they disappeared toward the
shore, their going watched by Lily
Briscoe, who had set up her canvas with
the intention of once again trying to
paint her picture of the cottage.
The journey to the island where the
lighthouse stood was not as pleasant as
the children had expected. They had
never really liked their father; he had
taken too little time to understand them.
He was short and sharp when they did
things which seemed foolish to him,
though those actions were perfectly com
prehensible to his son and daughter.
James, especially, expected to be blamed
caustically and pointlessly if the crossing
were slow or not satisfactory in some
other way, for he had been delegated
to handle the sheets and the tiller of the
boat.
Mr. Ramsay strode down to the beach
with his offspring, each carrying a paper
parcel to take to the keepers of the light
house. They soon set sail and pointed
the prow of the sailboat toward the black
and white striped pillar of the light
house in the hazy distance. Mr. Ramsay
sat in the middle of the boat, along with
an old fisherman and his son. They
were to take over the boat in case of an
emergency, for Mr. Ramsay had little
trust in James as a reliable seaman. In
995
ihe stern sat James himself, nerves ting- little party reached the lighthouse, and,
ling lest his Father look up from his book wonderful to relate, Mr. Ramsay sprang
and indulge in unnecessary and hateful ashore like a youngster,^ smiled back at
criticism. But his nervous tension was
needless, for within a few hours the
his children, and praised his son for his
seamanship.
TOBACCO ROAD
Type of work: Novel
Author: Erskine Caldwell (1903- )
Type of plot; Social melodrama
Time of ^lot: 1920's
Locale: Georgia
First published: 1932
Principal characters:
JEETER LESTER, a poor white
ADA, his wife
DUDE, his son
ELLIE MAY, his daughter
PEARL, another daughter
Lov BENSEY, Pearl's husband
BESSIE, a backwoods evangelist
Critique:
The uproarious, Rabelaisian episodes
of Tobacco Road make the novel appear
to be a burlesque on rural life of the
southern United States. Granted the
exaggeration for effect, the book deals
truthfully, in the main, with a human
element which is in evidence in the
eastern piedmont from Virginia to Geor
gia. The character of Jeeter Lester, al
though repulsive in many respects, is
nevertheless a curiously moving one. In
creating Jeeter, Caldwell gave the world
another minor hero, a man whose futile
hopefulness attracts the sympathy of the
sentimental and the social-minded.
The Story:
Lov Bensey, husband of Pearl, fifteen-
year-old daughter of Jeeter Lester, felt
low in his mind when he stopped by the
Lester house on his way home with a bag
of turnips. Pearl, he complained, refused
to have anything to do with him; she
would neither sleep with him nor talk
to him.
The Lesters lived in a one-room shack
which was falling apart. They had noth
ing to eat but pork-rind soup. Jeeter was
trying to patch an inner tube so that
the Lester car, a nondescript wreck which
had been refused even by the junk
dealer, could be used to carry firewood to
Augusta. Jeeter 's harelipped daughter
Ellie May charmed Lov away from his
bag of turnips. While she and Lov
were dallying in the yard in front of
the shack, the other Lesters pounced
upon the bag of turnips. Jeeter grabbed
it and ran into the scrub woods, fol
lowed by his worthless son Dude. Jeeter
ate his fill of turnips. He gave Dude
several and even saved a handful for the
rest of the family. They returned from
the woods to find Lov gone. Sister
Bessie, a woman preacher, had come for
a visit. Bessie, middle-aged, and Dude,
sixteen, were attracted to each other.
Bessie, upon leaving, promised to return
to take Dude away to be her husband.
The Lesters were starving. Jeeter had
long since been unable to get credit at
the local stores in order to buy seed,
fertilizer, and food. His land was ex
hausted and there was no chance of re-
TOBACCO ROAD by Erskine Caldwell. By permission of the author and the publishers, Duell, Sloan &
PCA/TC. lac. Copyright, 1932, by Erskine Caldwell.
996
claiming it because of Jeeter's utter
laziness. Jeeter and his wife Ada had had
seventeen children. Twelve of them
survived, but all except Ellie May and
Dude had left home.
Bessie returned and announced that
God had given her permission to marry
Dude, but Dude refused to listen until
Bessie said that she was planning to
buy a new car with some money that
her late husband had left her. She and
Dude went to town and bought a new
Ford, the loud horn of which Dude
highly approved. At the county court
house, over the mild protestations of the
clerk because of Dude's youth, Bessie
got a marriage license. Back at the
Lester shack, Bessie, using her authority
as preacher, married herself to Dude.
The newlyweds went for a ride in
their new car; they returned to the tobacco
road at sundown with one fender of the
car completely ruined. They had run
into a farm wagon on the highway and
had killed a Negro whom they left lying
by the roadside.
Jeeter, anxious to get food and snuff,
persuaded Bessie and Dude to take him
to Augusta with a load of firewood.
Their arrival in Augusta was delayed,
however, by the breakdown of the car.
A gallon and a half of oil poured into
the crank case enabled them to get to
the city, where Jeeter failed to sell one
stick of wood. The trio sold the car's
spare tire, for which they could see no
use, and bought food. They mistook a
house of ill-repute for a hotel; Bessie
was absent from Jeeter and her young
husband most of the night.
During the return trip to the tobacco
road, Jeeter unloaded the wood beside the
highway and set fire to it. He was about
to suggest another trip in the car, but
Bessie and Dude rode away before he
could stop them.
As the car rapidly fell apart, the
warmth between Bessie and her young
husband cooled. In a fight between Bes
sie and the Lesters over Jeeter's right
to ride in the car again, Dude sided with
his wife. After all, the car still ran a
little.
Meanwhile Pearl ran away from Lov;
she had managed to escape after he had
tied her to their bed. Jeeter advised
Lov not to look for Pearl, but to take
Ellie May in her place. He asked Ellie
May to bring back victuals and clothes
from Lov's house. The grandmother, who
had been run over by Bessie's Ford, died
in the yard.
Jeeter anticipated seeding time by
burning the broomsedge off his land.
A wind blew the fire to the house while
Jeeter and Ada were asleep. The destitute
sharecroppers were burned to death on
the land that Jeeter's family had once
owned as prosperous fanners.
TOM CRINGLE'S LOG
Type of work: Novel
Author: Michael Scott (1789-1835)
Type of 'plot: Adventure romance
Time of plot: Nineteenth century
Locale: West Indies
First published: 1833
Principal characters:
TOM CRINGLE, a young midshipman
MARY PALMA, his cousin and wife
OBADIAH, a smuggler and pirate
CAPTAIN TKANSOM, of the Firebrand
Critique:
There is almost no plot in Tom
Cringle's Log and even little connection
between episodes. Great numbers of
people appear briefly in disconnected in-
997
cidents and then disappear, for the novel
is, as the name implies, a recital of one
man's experience as an officer on various
British warships during the Napoleonic
wars. Although the book gives the reader
some first-hand accurate accounts of
minor actions in the war with Napoleon
and many sidelights on the War of 1812
with America, Scott emphasizes merry
bibulous exploits ashore rather than the
business of fighting.
The Story:
Tom Cringle, aged thirteen and four
feet four inches tall, looked upon himself
as a successor to Nelson. In pursuing
his aim, he pestered his relative, Sir
Barnaby Blueblazes, to such lengths that
at last Tom was appointed midshipman
aboard the frigate Breeze and ordered to
report for foreign duty in four days.
Poor Tom had envisioned a period of
months ashore after his appointment,
time to strut his uniform before all his
friends. His time being so short, he hard
ly knew whether he wanted to go to sea
after all, and his widowed mother wept
and begged him not to leave. But on the
appointed day Tom went aboard his ship,
bound for action.
He had a trip to the Bay of Biscay on
the Breeze, and a tour of duty on the
Kraaken. Then, an old hand, Tom
boarded the Torch, an eighteen-gun sloop
bound for the North Sea.
Near Cuxhaven the ship's boat was
lowered and Tom w?s put second in com
mand of a party to enter the harbor. The
captain was sure no French were near;
consequently the party shoved off with
light hearts. To their astonishment they
were challenged by French sentries. In
trying to regain the ship, Tom's boat
was hit by a shell from a shore battery,
and subsequently he was taken prisoner.
A resident of Hamburg went surety
for Tom and took him to his own country
house. The next day the Russians ad
vanced and drove out the French. In
the confusion Tom and the Hamburg
family escaped and safely boarded the
Torch.
The Torch stood off Cork, where Tom
played the part of a spy. By a clever
tale he induced a group of British sea
men to rendezvous in a small tavern.
There they were captured and pressed
into service. Then with her full com
plement the Torch left for Caribbean
waters, where Tom was to spend many
years. In the West Indies the French,
Spaniards, English, and Americans were
all privateering, and there was much
work for a British man-of-war, in escort
ing merchantmen, keeping a lookout for
American marauders, and trying to keep
slavery and smuggling within bounds.
Tom had an early introduction to the
horrors of piracy the day a London mer
chantman was sighted behaving errati
cally. With great difficulty a boarding
party captured the ship after subduing a
pirate crew. In the main cabin of the
merchantman the British found a terri
fying situation. The captain had been
tied on the table, his throat so savagely-
slashed that he was almost decapitated.
Tied in a chair was a prosperous gentle
man very nearly hysterical. On the sofa
was the man's wife, violated by the
pirates. The poor lady was mad with
shame and fright and spent her last days
in an asylum. The leader of the pirates,
who subsequently escaped, was a tall,
handsome Spaniard. Tom learned much
later that his name was Francesco Can-
grejo.
During a violent hurricane the Torch
went down, and Tom, believing himself
the only survivor, spent three terrible
days in an open boat. At last thirst and
privation overcame him. When he re
gained consciousness he was on shore,
tended by Lieutenant Splinter, the only
other crew member to escape. Captain
Deadeye, of the Torch,, was stretched out
under a canvas on the beach. Scarcely
had Tom recovered his senses when they
were taken prisoners by a Spanish pla
toon. When Tom and splinter had satis
factorily established their identity, they
were freed, but they were stranded in the
tiny port of Cartagena, far from the
British forces.
998
On the beach Tom made the acquaint
ance of a black pilot, Peter Musgrave,
who was wanted by the Admiralty for
running a British ship aground. Tom
agreed to act as Peter's friend at court,
and in turn Peter would procure passage
to Jamaica.
Peter went aboard a suspiciously de
crepit small craft in the harbor and re
turned with the American mate of the
vessel Obadiah, the mate, took them
aboard, and the black captain consented
to take the Englishmen to Jamaica for a
reasonable fee. As soon as they were
at sea, however, some astonishing changes
took place. Obadiah assumed the cap
taincy, and under his directions the vil
lainous but alert crew re-rigged the worn
sails and mounted guns on deck. Then
the truth dawned on Tom; he was aboard
a pirate ship.
Two British men-of-war bore down on
the ship, but Captain Obadiah, refusing
to heave to, held his course in the face
of almost certain suicide. By clever sea
manship the pirate craft outran its pur
suers, although many of the crew were
killed or wounded. Making a landfall
in Cuba, the pirates put in to a small
river, and after a narrow passage came
to anchor in a secluded lagoon a mile
in diameter. The lagoon was filled with
armed craft of many types. Tom was in
the secret den of the West Indian pirates.
When the Firebrand, an English war
ship, engaged a pirate felucca near the
river's mouth, Tom escaped with the
help of Peter. Going aboard the Fire
brand, to which he had been assigned
by dispatch, Tom took part in the cap
ture of the whole pirate band. Obadiah,
who was a renegade Englishman, as Tom
learned later, was shot as he tried to swim
away. For his bravery in the engagement
Tom was promoted to the rank of lieu
tenant.
Captain Transom of the Firebrand
proved to be a genial commander with
many friends in the islands. Tom spent
much time ashore indulging in high
jinks. One trip ashore, however, was a
somber one. Tom served iis interprets
at the trial of the pirates, who were all
condemned to death. One of the pris
oners, Tom found, was Francesco Can-
grejo, who cut a brave figure in the dock
in spite of his confessed career of villainy.
At the pirate's request, Torn took his
miniature and crucifix to deliver to the
pirate's betrothed.
In Kingston, where Tom called on his
relatives, the Palmas, he was most cor
dially received. There he met and fell
in love with Mary Palrna, his cousin.
When he was called away on duty, it
was with the understanding that the)
would be married after his next pro
motion.
At Santiago Tom went ashore to visit
Ricardo Campana, a rich merchant.
There a priest who met him and Ricardo
on the street seemed much upset. Tom
could hear the name Cangrejo men
tioned and learned that Maria, Fran
cesco's sweetheart, was dying. The party
hastened to the Cangrejo house in time
for Tom to have a few words with Maria
before she died. Tom was saddened when
he heard of Francesco's early promise and
reflected on the Spaniard's later death for
piracy.
On a trip out from Santiago, Tom was
ordered to take command of the small
schooner Wave. At twenty-three, Tom
Cringle, lieutenant, became master of his
own ship. Sent to patrol for suspicious
vessels, Tom sighted a large schooner
that failed to heed his signals. After a
two days' chase the Wave closed with
the heavily-armed, larger ship. Display
ing great courage at close quarters, the
gallant crew of the Wave boarded the
schooner, which proved to be a slaver.
Unable to land the ship with a prize
crew, Tom had the slaver shelled until
it caught fire and sank. Tom rescued as
many slaves as the Wave could carry and
put them ashore.
Tom was afterward trusted with many
missions, including one to Panama. Since
he was always diligent in doing his duty
and since he had always displayed great
999
courage in "battle, he received his second
epaulet. Tom Cringle, one time mid
shipman, became Commander Cringle.
At dinner in Kingston, wearing his
two epaulets, Tom was surprised that
none of the Palmas remarked on his
promotion. Mary herself was quite agi
tated and left the table. In his embar
rassment Tom had the misfortune to
drink a glass of catsup. But in spite of
all his awkwardness, Tom managed to
see Mary alone and win her consent to
an immediate marriage.
TOM JONES
Type of work\ Novel
Author: Henry Fielding (1707-1754)
Type of -plot: Comic epic
Time of plot: Early eighteenth century
Locale: England
First published: 1749
Principal characters:
TOM JONES, a foundling
SQUIRE ALLWORTHY, his foster father
BRIDGET, Allworthy's sister
MASTER BLIFIL, Bridget's son
MR. PARTRIDGE, the schoolmaster
MR. WESTERN, an English squire
SOPHIA WESTERN, his daughter
Critique:
It is difficult to determine whether
greater pleasure is derived from the nar
rative parts of The History of Tom Jones,
a Foundling, as Fielding titled his novel,
or from the essays written at the begin
ning of each book. The story itself is a
long, involved plot in which Tom finally
wins the confidence of those he loves.
Most of the humor in this novel lies in
Fielding's exaggerated dramatic emphasis
and in his lengthy, delicate dissections
of the motives of his characters. It must
be remembered that Fielding had few
examples of the novel form from which
to learn, but his novels are so far ad
vanced in development over their prede
cessors that Fielding must be recog
nized as a literary innovator. The author
knew the follies of human nature, and
he attempted to laugh mankind out of its
own weaknesses.
The Story:
Squire Allworthy lived in retirement
in the country with his sister Bridget.
Returning from a visit to London, he
was considerably surprised upon entering
his room to find an infant lying on his
bed. His discovery caused much astonish
ment and consternation in the household,
for the squire himself was a childless
widower. The next day Miss Bridget
and the squire inquired in the com
munity to discover the baby's mother, and
their suspicions were shortly fixed upon
Jenny Jones, who had spent many hours
in the squire's home while nursing Miss
Bridget through a long illness. The
worthy squire sent for the girl and in his
gentle manner reprimanded her for her
wicked behavior, assuring her, however,
that the baby would remain in his home
under the best of care. Fearing malicious
gossip of the neighborhood, Squire All-
worthy sent Jenny away.
Jenny Jones had been a servant in the
house of a schoolmaster named Mr. Par
tridge, who had educated the young
woman during her four years in his
house. Mrs. Partridge, because of Jenny's
comely face, was jealous of her. Neigh
borhood gossip soon convinced Mrs. Par
tridge that her husband was the father of
Jenny's son, whereupon Squire Allworthy
1000
called the schoolmaster before him and
talked to him at great length concerning
morality. Mr. Partridge, deprived of his
school, his income, and his wife, also left
the country.
Not long afterward Captain Blifil won
the heart of Bridget Allworthy. Eight
months after their nuptials Bridget bore
a son. The squire thought it would be
well to rear the foundling and his sister's
child together. The foundling had been
named Jones, after his mother.
Squire Allworthy became exceedingly
fond of the foundling. Captain Blifil died
during his son's infancy, and Master Bli
fil grew up as Squire Allworthy's acknowl
edged heir. Otherwise, he remained on
even terms with the foundling so far as
opportunities for advancement were con
cerned. But Tom was such a mischievous
lad that he had but one friend among
the servants, the gamekeeper, Black
George, an indolent man with a large
family. Hired to instruct the lads were
Mr. Thwackum and Mr. Square, who
considered Tom a wicked soul, Tom's
many deceptions were always discovered
through the combined efforts of Mr.
Thwackum, Mr. Square, and Master
Blifil, who as he grew older disliked Tom
more and more. It had been assumed by
all that Mrs. Blifil would dislike Tom,
but at times she seemed to show greater
affection for him than for her own son. In
turn, the compassionate squire took Mas
ter Blifil to his heart and became cen
sorious of Tom.
Mr. Western, who lived on a neigh
boring estate, had a daughter whom he
loved more than anyone else in the
world. Sophia had a tender fondness for
Tom because of a deed of kindness he
had performed for her when they were
still children. At the age of twenty, Mas
ter Blifil had become a favorite with the
young ladies, while Tom was considered
a ruffian by all but Mr. Western, who
admired his ability to hunt. Tom spent
many evenings at the Western home,
with every opportunity to see Sophia, for
whom his affections were increasing
daily. One afternoon Tom had the good
fortune to be nearby when Sophia's horse
ran away. Tom, in rescuing her, broke
his arm. He was removed to Mr. West
ern's house, where he received medical
care and remained to recover from his
hurt. One day he and Sophia had occa
sion to be alone in the garden, where they
exchanged confessions of love.
Squire Allworthy became mortally ill.
Assuming that he was dying, the doctor
sent for the squire's relatives. With his
servants and family gathered around him,
the squire announced the disposal of his
wealth, giving generously to Tom. Tom
was the only one satisfied with his por
tion; his only concern was the impending
death of his foster father and benefactor.
On the way home from London to see
the squire, Mrs. Blifil died suddenly.
When the squire was pronounced out of
danger, Tom's joy was so great that he
became drunk through toasting the
squire's health, and quarreled with young
Blifil.
Sophia's aunt, Mrs. Western, perceived
the interest her niece showed in Blifil,
for Sophia, wishing to conceal her affec
tion for Tom, gave Blifil the greater part
of her attention when she was with the
two young men. Informed by his sister
of Sophia's conduct, Mr. Western sug
gested to Squire Allworthy that a match
be arranged between Blifil and Sophia,
When Mrs. Western told the young girl
of the proposed match, Sophia thought
that she meant Tom, and she immedi
ately disclosed her passion for the found
ling. But it was unthinkable that Mr.
Western, much as he liked Tom, would
ever allow his daughter to marry a man
without a family and a fortune, and Mrs.
Western forced Sophia to receive Blifil
under the threat of exposing the girl's
real affection for Tom. Sophia met Tom
secretly in the garden and the two lovers
vowed constancy. Discovering them, Mr.
Western went immediately to Squire
Allworthy with his knowledge.
Blifil, aware of his advantage, told the
squire that on the day he lay near death
1001
Tom was out drinking and singing. The
squire felt that he had forgiven Tom any
wrongs, but his show of unconcern for
the squire's health infuriated the good
man. He sent for Tom, reproached him,
and banished him from his house.
With the help of Black George, the
gamekeeper, and Mrs. Honour, Sophia's
maid, Tom and Sophia were able to ex
change love letters. When Sophia was
confined to her room because she re
fused to many Blifil, she bribed her maid
to flee with her from her father's house.
Tom, setting out to seek his fortune,
went to an inn with a small company of
soldiers. A fight followed in which he
was severely injured, and a barber was
summoned to treat his wound. When
Tom had told the barber his story, the
man surprisingly revealed himself to be
Partridge, the schoolmaster, banished
years before because he was suspected
of being Tom's father. When Tom was
well enough to travel, the two men set
out together on foot.
Before they had gone far they heard
screams of a woman in distress and came
upon a woman struggling with a soldier
who had beguiled her to that lonely spot.
Promising to take her to a place of safety,
Tom accompanied the unfortunate crea
ture to the nearby village of Upton,
where the landlady of the inn refused to
receive them because of the woman's
torn and disheveled clothing. But when
she heard the true story of the woman's
misfortune and had been assured that
the woman was the lady of Captain
Waters, a well-known officer, she re
lented. Mrs. Waters invited Tom to dine
with her so that she could thank him
properly for her rescue.
Meanwhile a lady and her maid ar
rived at the inn and proceeded to their
rooms. They were followed, several
hours later, by an angry gentleman in
pursuit of his wife. Learning from the
chambermaid that there was a woman
resembling his wife in the inn, he burst
into Mrs. Waters' chambers, only to
confront Tom Jones. At his intrusion,
Mrs. Waters began to scream. The
gentleman, abashed, identified himself as
Mr. Fitzpatrick and retreated with apol
ogies. Shortly after this disturbance had
subsided, Sophia and Mrs. Honour ar
rived at the inn. When Partridge un
knowingly revealed Tom's relation with
Mrs. Waters and the embarrassing situ
ation which Mr. Fitzpatrick had disclosed,
Sophia, grieved by Tom's fickleness, de
cided to continue on her way. Before
leaving the inn, however, she had Mrs.
Honour place on Tom's empty bed a muff
which she knew he would recognize as
hers.
Soon after setting out, Sophia overtook
Mrs. Fitzpatrick, who had arrived at the
inn early the previous evening and who
had fled during the disturbance caused
by her husband. Mrs. Fitzpatrick was
Sophia's cousin, and they decided to go
on to London together. In London Sophia
proceeded to the home of Lady Bellaston,
who was known to her through Mrs.
Western. Lady Bellaston was sympa
thetic with Sophia's reasons for running
away.
Unable to overtake Sophia, Tom and
Partridge followed her to London, where
Tom took lodgings in the home of Mrs.
Miller, whom Squire Allworthy patron
ized on his visits to the city. The land
lady had two daughters, Nancy and
Betty, and a lodger, Mr. Nightingale,
who was obviously in love with Nancy.
Tom found congenial residence with
Mrs. Miller, and he became friends with
Mr. Nightingale. Partridge was still
with Tom in the hope of future advance
ment for himself. Repeated visits to Lady
Bellaston and Mrs. Fitzpatrick finally
gave Tom the opportunity to meet Sophia
during an intermission at a play. There
Tom was able to allay Sophia's doubts as
to his love for her. During his stay with
the Millers, Tom learned that Mr. Night
ingale's father objected to his marrying
Nancy. Through the kindness of his
heart Tom persuaded the elder Nightin
gale to permit the marriage, to Mrs.
Miller's great delight.
1002
Having learned Sophia's whereabouts
from Mrs. Fitzpatrick, Mr. Western came
to London and took Sophia from Lady
Bellaston's house to his own lodgings.
When Mrs. Honour brought the news
to Tom, he was in despair. Penniless,
he could not hope to marry Sophia, and
now his beloved was in the hands of her
father once more. Then Partridge brought
news that Squire Allworthy was coming
to London, bringing with him Master
Blifil to marry Sophia. In his distress
Tom went to see Mrs. Fitzpatrick, but
encountered her jealous husband on her
doorstep. In the duel which followed,
Tom wounded Fitzpatrick and was car
ried off to jail.
There he was visited by Partridge, the
friends he had made in London, and Mrs.
Waters, who had been traveling with
Mr. Fitzpatrick ever since their meeting
in Upton. When Partridge and Mrs.
Waters met in Tom's cell, Partridge
recognized her as Jennv Jones, Tom's
reputed moiher. Horrified, he revealed
his knowledge to everyone, including
Squire Allworthy, who by that time had
arrived in London with Blifil.
In Mrs. Miller's lodgings so many
people had praised Tom's goodness and
kindness that Squire Allworthy had al
most made *ir% ^ mind to relent in his
attitude toward the foundling when news
of his conduct with Mrs. Waters reached
his ears. But fortunately the cloud was
soon dispelled by Mrs. Waters herself,
who assured the squire that Tom was ne
son of hers but the child of his sister
Bridget and a student the squire had be
friended. Tom's true father having died
before his son's birth, Bridget had con
cealed her shame by putting the baby on
her brother's bed upon his return from
a long visit to London. Later she had
paid Jenny liberally to let suspicion fall
upon her former maid.
Squire Allworthy also learned that
Bridget had claimed Tom as her son in
a letter written before her death, a letter
Master Blifil had destroyed. There was
further proof that Blifil had plotted to
have Tom hanged for murder, although
Fitzpatrick had not died. That gentle
man recovered sufficiently to acknowledge
himself the aggressor in the duel, and
Tom was released from prison.
Upon these disclosures of Blifil's vil
lainy, Squire Allworthy dismissed Blifil
and made Tom his true heir. Tom's
proper station having been revealed, Mr.
Western withdrew all objections to his
suit. Reunited, Tom and Sophia were
married and retired to Mr. Western's
estate in the country.
TOM SAWYER
Type of work: Novel
Author: Mark Twain (Samuel L. Clemens, 1835-1910)
Type of plot: Adventure romance
Time of plot: Nineteenth century
Locale: St. Petersburg on the Mississippi River
First published: 1876
Principal characters:
TOM SAWYER
AUNT POLLY, Tom's aunt
HUCKLEBERRY FINN, and
JOE HARPER, Tom's friends
BECKY THATCHER, Tom's girl
INJUN JOE, a murderer
MUFF POTTER, a village ne'er-do-well
Critique:
Rich native humor and shrewd obser- Adventures of Tom Sawyer one of the
vation of human character make The greatest boys' books ever written. Aiorc
TOM SAWYER by Mark Twain. Published by Harper & Brother*.
inru
than a boot for boys, it is an idyl of
America's golden age, of that pastoral
time and scene which had already van
ished when Mark Twain re-created St.
Petersburg from memories of his own boy
hood. Of a lesser greatness and different
in purpose from The Adventures of
Huckleberry Finn, the story of Tom
Sawyer's adventures is true to both the
fantasies of boyhood and adult nostalgia.
Tom's pirate gang, cures for warts, the
white-washing of the fence, Jackson's
island, Becky Thatcher, Injun Joe, and
Huck Finn — American literature would
be poorer without them.
The Story:
Tom Sawyer lived securely with the
knowledge that his Aunt Polly loved
him dearly. When she scolded him or
whipped him, he knew that inside her
breast lurked a hidden remorse. Often
he deserved the punishment he received,
but there were times when he was the
victim of his tale-bearing half-brother,
Sid. Tom's cousin, Mary, was kinder to
him. Her worst duty toward him was to
see to it that he washed and put on clean
clothes, so that he would look respectable
when Aunt Polly took Tom, Sid, and
Mary to church on Sunday.
A new family had moved into the
neighborhood. Investigating Tom saw a
pretty, blue-eyed girl with lacy pantalets.
She was Becky Thatcher. Instantly the
fervent love he had felt for Amy Law
rence fled from his faithless bosom, to be
replaced by devotion to the new girl he
had just beheld.
She was in school the next day, sitting
on the girls' side of the room with an
empty seat beside her. Tom had come
late to school that morning. When the
schoolmaster asked Tom why he had
been late, that empty seat beside Becky
Thatcher caught Tom's eye. Recklessly
he confessed he had stopped to talk with
Huckleberry Finn, son of the town
drunk. Huck wore castoff clothing, never
attended school, smoked and fished as
often as he pleased, and slept wherever
he could. For associating with Huck, Tom
was whipped by the schoolmaster and
ordered to sit on the girls' side of the
room. Amid the snickers of the entire
class, he took the empty seat next to
Becky.
Tom first attracted Becky's attention
by a series of drawings on his slate. At
length he wrote the words, "I love you/'
and Becky blushed. Tom urged her to
meet him after school. Sitting with her
on a fence, he explained to her the pos
sibilities of an engagement between them.
Innocently she accepted his proposal,
which Torn insisted must be sealed by a
kiss. In coy resistance she allowed Tom
a brief chase before she yielded to his
embrace. Tom's happiness was unbound
ed. But when he mentioned his previous
tie with Amy Lawrence, the brief ro
mance ended. Becky left her affianced
with a haughty shrug of her pretty
shoulders.
That night Tom heard Huck's whistle
below his bedroom window. Sneaking
out, Tom joined his friend, and the two
went off to the cemetery, Huck dragging
a dead cat behind him. They were about
to try a new method for curing warts.
The gloomy atmosphere of the burial
ground filled the boys with apprehen
sion, and their fears increased still more
when they spied three figures stealing
into the graveyard. They were Injun
Joe, Muff Potter, and Doctor Robinson.
Evidently they had come to rob a grave.
When the two robbers had exhumed the
body, they began to quarrel with the
doctor about money, and in the quarrel
Potter was knocked out. Then Injun
Joe took Potter's knife and killed the
doctor. When Potter recovered from his
blow, he thought he had killed Robin
son, and Injun Joe allowed the poor old
man to believe himself guilty.
Terrified, Tom and Huck slipped away
from the scene they had just witnessed,
afraid that if Injun Joe discovered them
he would kill them too.
Tom brooded on what he and Huck
had seen. Convinced that he was ill,
1004
Aunt Polly dosed him with Pain Killer
and kept him in bed, but he did not seem
to recover. Becky Thatcher had not come
to school since she had broken Tom's
heart. Rumor around town said that she
was also ill. Coupled with this sad news
was the fear of Injun Joe. When Becky
finally returned to school, she cut Tom
coldly. Feeling that there was nothing
else for him to do, he decided to run
away. He met Joe Harper and Huck
Finn. Together they went to Jackson's
Island and pretended to be pirates.
For a few days they stayed happily on
the island and learned from Huck how
to smoke and swear. One day they heard
a boat on the river, firing cannon over
the water. Then the boys realized that
the townspeople were searching for their
bodies. This discovery put a new aspect
on their adventure; the people at home
thought they were dead. Gleeful, Tom
could not resist the temptation to see how
Aunt Polly had reacted to his death. He
slipped back to the mainland one night
and into his aunt's house, where Mrs.
Harper and Aunt Polly were mourning
the death of their mischievous but good-
hearted children. When Tom returned
to the island, he found Joe and Huck
tired of their game and ready to go home.
Tom revealed to them an attractive plan
which they immediately decided to carry
out.
With a heavy gloom overhanging the
town, funeral services were held for the
deceased Thomas Sawyer, Joseph Harper,
and Huckleberry Finn, The minister
pronounced a lengthy eulogy about the
respective good characters of the unfor
tunate boys. When the funeral proces
sion was about to start, Tom, Joe, and
Huck marched down the aisle of the
church into the arms of the startled
mourners.
For a while Tom was the hero of all
the boys in the town. They whispered
about him and eyed him with awe in
the schoolyard. But Becky ignored him
until the day she accidentally tore the
schoolmaster's book. When the irate
teacher demanded to know who had torn
his book, Tom confessed, Becky's grati
tude and forgiveness were his reward.
After Muff Potter had been put in
jail for the murder of the doctor in the
graveyard, Tom and Huck had sworn to
each other they would never utter a
word about what they had seen. Afraid
Injun Joe would murder them for re
venge, they furtively sneaked behind the
prison and brought Muff food and other
cheer. But Tom could not let an inno
cent man be condemned, At the trial he
appeared to tell what he had seen on
the night of the murder. While Tom
spoke, Injun Joe, a witness at the trial,
sprang from the window of the court
room and escaped. For days Tom worried,
convinced that Injun Joe would come
back to murder him. But as time went
by and nothing happened, he gradually
lost his fears. With Becky looking upon
him as a hero, his world was filled with
sunshine.
Huck and Tom decided to hunt for
pirates' treasures, One night, ransacking
an old abandoned house, they watched,
unseen, while Injun Joe and a compan
ion unearthed a chest of money buried
under the floorboards of the house. The
two frightened boys fled before they were
discovered. The next day they began a
steady watch for Injun Joe and his ac
complice, for Tom and Huck were bent
on rinding the lost treasure.
When Judge Thatcher gave a picnic
for all the young people in town, Becky
and Tom were supposed to spend the
night with Mrs. Harper. One of the
biggest excitements of the merrymaking
came when the children went into a cave
in the riverbank. The next day Mrs.
Thatcher and Aunt Polly learned that
Tom and Becky were missing, for Mrs.
Harper said they had not come to spend
the night with her. Then everyone re
membered that Tom and Becky had not
been seen since the picnickers had left
the cave. Meanwhile the two, having
lost their bearings, were wandering in
the cavern. To add to Tom's terror, he
1005
discovered that Injun Joe was also in the
cave. Miraculously, after spending five
days in the dismal cave, Tom found an
exit that was five miles from the place
where they had entered. Again he was
a hero.
Injun Joe starved to death in the cave.
After searchers had located his body,
Tom and Huck went back into the cavern
to look for the chest which they be
lieved Injun Joe had hidden there. They
found it and the twelve thousand dollars
it contained.
Adopted shortly afterward by the
Widow Douglas, Huck planned to re
tire with an income of a dollar a day for
the rest of his life. He never would have
stayed with the widow or consented to
learn her prim, tidy ways if Tom had
not promised that he would form a
pirates' gang and make Huck one of the
bold buccaneers.
TONO-BUNGAY
Type of work: Novel
Author. H. G. Wells (1866-1946)
Type of 'plot; Social criticism
Time of plot: Late nineteenth and early twentieth centuries
Locale: Enoland, West Africa, Bordeaux
First -published: 1908
Principal characters:
GEORGE PONDEREVO, a young scientist and the narrate
THE HONORABLE BEATRICE NORMANDY, an aristocrat
EDWARD PONDEREVO, George's uncle
SUSAN PONDEREVO, George's aunt
MARION RAMBOAT, George's wife
Critique:
Tono-Bungay is a spirited novel, in
teresting from several points of view.
The references to early stages of avia
tion have a quaint charm for the modern
reader, and the use of science as a motive
of fiction throws light upon the intellec
tual development of the period. The
manufacture and sale of patent medicine
becomes a symbol of disintegrating
society. Frequently unconvincing, the
novel is still good reading, if only for
the Dickensian characters it presents.
Wells' critical views are always relieved
by humor and a shrewd analysis of hu
man motives.
The Story:
George Ponderevo grew up in the
shadow of Bladesover House, where his
mother was the housekeeper. In that
Edwardian atmosphere the boy soon be
came aware of the wide distinctions
between English social classes, each ac
cording to their station and degree, for
the neighborhood around Bladesover was
England in miniature, a small world made
up of the quality, the church, the vil
lage, the laborers, and the servants. Al
though George spent most of his time
away at school, he returned to Blades-
over for his vacations. During one of
his vacations he learned for the first time
the class he himself represented — the
servants.
His lesson came as the result of the
arrival at Bladesover House of the Hon
orable Beatrice Normandy, a child of,
eight, and her snobbish young half-
brother, Archie Garvell. Twelve-year-old
George Ponderevo fell in love with the
little aristocrat that summer. Two years
later their childish romance ended
abruptly when George and Archie fought
each other. George was disillusioned be
cause the Honorable Beatrice did not
come to his aid. In fact, she betrayed
TONO-BUNGAY by H. G. Wells. By permission of the Executors, estate of H. G Wells, and the publishers,
Dodd, Mead & Co., lac. Copyright, 1909, by H. G. Wells. Renewed, 1936, by H. G. Wells.
1006
him, abandoned him, and lied about
him, picturing George as an assailant of
his social betters.
When George refused flatly to apolo
gize to Archie Garvell, he was taken to
Chatham and put to work in the bakery
of his mother's brother, Nicodemus
Frapp. George found his uncle's family
dull, cloddish, and over-religious. One
night, in the room he shared with his
two cousins, he told them in confidence
that he did not believe in any form of
revealed religion. Traitorously, his
cousins reported George's blasphemy to
their father. As a result, George was
called upon in a church meeting to
acknowledge his sins. Humiliated and
angry, he ran away to his mother at
Bladesover House.
Mrs. Ponderevo then took him to live
with another uncle, his father's brother,
Edward Ponderevo, at Wimblehurst, in
Sussex. There George worked in his
uncle's chemist shop out of school hours.
Edward Ponderevo was a restless, dis
satisfied man who wanted to expand, to
make money. Aunt Susan Ponderevo
was a gentle, patient woman who treated
George kindly. His mother died during
his years at Wimblehurst.
But George's pleasant life at Wimble
hurst was brought suddenly to an end.
By foolish investments Edward Ponder
evo lost everything of his own, including
the chemist shop and also the small fund
he was holding in trust for George. The
Ponderevos were forced to leave Wimble
hurst, but George remained behind as
m apprentice with Mr. Mantell, the new
owner of the shop.
At the age of nineteen George went
up to London to matriculate at the Uni
versity of London for his Bachelor of
Science degree. On the trip his unclr,
now living in London, showed him the
city and first whispered to him the name
of Tono-Bungay, an invention on which
the older Ponderevo was working.
When George finally arrived in Lon
don to begin his studies he was nearly
twenty-two, and in the meantime he had
decided to accept a scholarship at the
Consolidated Technical Schools at South
Kensington instead of the one offered at
the university. One day he met an old
schoolfellow, Ewart, an artist who ex
erted a broadening influence on the
young man. He also met Marion Ram-
boat, the girl who was later to become
his wife. Because of these influences,
George began to neglect his studies.
When he saw a billboard which adver
tised Tono-Bungay, he remembered the
hints his uncle had thrown out several
years before. A few days later his uncle
sent George a telegram in which he
offered the young man a job at three
hundred pounds a year.
Tono-Bungay was a patent medicine, a
stimulant most inexpensive to make and
only slightly injurious to the person who
took it. After a week of indecision,
George joined the firm. One factor that
helped to sway him was the thought that
Marion Ramboat might be persuaded to
marry him if his income were greater.
Using new and bold methods of advertis
ing, George and his exuberant uncle
made Tono-Bungay a national product.
The enterprise was highly successful;
both George and his uncle became
wealthy. At last Marion consented to
marry George but their marriage was un
successful. They were divorced when
Marion learned that her husband had
gone off for the weekend with Effie
Rink, one of the secretaries in his office,
After his divorce George devoted himsell
to science and research. He became in
terested in flying.
Edward Ponderevo, in the meantime,
branched out into many enterprises, part
ly through the influence of the wealthy
Mr. Moggs, with whom he became as
sociated. His huge corporation, Domestic
Utilities, became known as Do-Ut, and
his steady advancement in wealth could
be traced by the homes in which he lived.
The first was the elaborate suite of rooms
at the Hardingham Hotel. Next came
a gaunt villa at Beckenharn; next, an
elaborate estate at Chiselhurst. followed
1007
by the chaste simplicity of a medieval
castle, Lady Grove, and finally the am
bitious but uncompleted splendor of the
great house at Crest Hill, on which three
hundred workmen were at one time
employed. While his uncle was buying
houses, George was absorbed in his
experiments with gliders and balloons,
working in his special workshop with
Cothope, his assistant. The Honorable
Beatrice Normandy was staying near
Lady Grove with Lady Osprey, her step
mother. She and George became ac
quainted again and after a glider accident
she nursed him back to health. Although
the two fell in love, Beatrice refused to
marry him.
Suddenly all of Edward Ponderevo's
world of top-heavy speculation collapsed.
On the verge of bankruptcy, he clutched
at anything to save himself from financial
ruin and the loss of his great, uncom
pleted project at Crest Hill.
George did his part by undertaking
a voyage to Mordet Island in the brig
Maude Mary, to secure by trickery a
cargo of quap, an ore containing two
new elements valuable to the Ponderevos
largely because they hoped to use can-
adium — one of the ingredients — tor mak
ing a new and better lamp filament. The
long, difficult voyage to West Africa
was unpleasant and unsuccessful. After
the quap had been stolen and loaded on
the ship, the properties of the ore were
such that the ship sank in mid-ocean.
Rescued by the Portland Castle, George
learned of his uncle's bankruptcy as soon
as he came ashore at Plymouth.
To avoid arrest, George and his uncle
decided to cross the channel at night in
George's airship, and escape the law by
posing as tourists in France. The strata
gem proved successful, and they landed
about fifty miles from Bordeaux. Then
Uncle Ponderevo became dangerously ill
at a small inn near Bayonne, and a few
days later he died, before his wife could
reach his side. Back in England, George
had a twelve-day love affair with Beatrice
Normandy, who still refused to marry
him because she said she was spoiled by
the love of luxury and the false pride of
her class.
George Ponderevo, by that time a se
vere critic of degeneration in England,
became a designer of destroyers.
THE TOWER OF LONDON
Type of work: Novel
Author: William Harrison Ainsworth (1805-1882)
Type of plot: Historical romance
Time of plot: Sixteenth century
Locale: England
First published: 1840
Principal characters:
DUKE OF NORTHUMBERLAND
GUILFORD DUDLEY, Northumberland's son
LADY JANE GREY, Dudley's wife
CUTHBERT CHOLMONDELEY, Dudley's squire
CICELY, in love with Cuthbert
LAWRENCE NIGHTGALL, the jailer
SIMON RENARD, Spanish ambassador
QUEEN MARY
PRINCESS ELIZABETH, Mary's sister
EDWARD COURTENAY, Earl of Devonshire
Critique:
Fictionalized history holds a twofold
interest for the reader. First it tells a
romantic story; secondly it tells a pardy
one more factor to the reader, a lively
description of one of the most famous
structures in England. The story proper
true story. The Tower of London brings is concerned with Queen Mary's troubled
1008
reign, one of the least understood by
students of history and literature.
The Story:
At the death of King Edward the
Sixth, there were several claimants to
the English throne, among them Mary,
Elizabeth's older sister, and Lady Jane
Grey, wife of Lord Guilford Dudley, who
was supported by her father-in-law, the
Duke of Northumberland. According to
custom, Lady Jane was brought to the
Tower of London for her coronation.
There the supporters of Mary, while pre
tending to be in accord with Northum
berland, waited to betray Lady Jane.
Among those present was Cuthbert
Cholmondeley, Dudley's squire, who hav
ing seen a beautiful young girl in the
Tower, had fallen in love with her. From
inquiries among his servants, Cuthbert
learned that she was the adopted daugh
ter of Peter the pantler and Dame Po-
tentia Trusbut, the true circumstances
of Cicely's birth being unknown. The
chief jailer of the Tower, Lawrence
Nightgall, also loved Cicely. When
Simon Renard, the Spanish ambassador,
and Lord Pembroke, Mary's supporters,
conspired to assassinate Cuthbert because
they knew him to be Dudley's favorite,
Nightgall eagerly agreed to help them.
Nightgall told Cicely that her new
lover had been taken from the Tower
and that she would never see him again.
Meanwhile, a prisoner in a dungeon be
low the Tower, Cuthbert was accosted
by a strange woman who cried out that
she wanted her child to be returned to
her. When Nightgall visited Cuthbert,
the prisoner asked his jailer about the
woman, but Nightgall evaded the ques
tion by stating that the woman was mad.
An old woman, Gunnora Broase, had
at Northumberland's command adminis
tered a dose of poison to the late boy-
king, Edward the Sixth. She was directed
by a strange man to reveal Northumber
land's part in the murder and thus to
defeat his intention to place Lady Jane
on the throne of England.
Simon Renard and Lord Pembroke had
effected a rupture between Lady Jane and
Northumberland by convincing Lady
Jane that she should not consent to make
Dudley a king. Northumberland desired
this distinction for his son, but Lady Jane
believed that making her husband a king
would cause too much dissention in the
kingdom. In anger at this slight from his
wife, Dudley left the Tower. Surrounded
by intrigue, Lady Jane was convinced
that Renard and Lord Pembroke were her
friends and that Northumberland was
her enemy. Lord Pembroke next per
suaded Lady Jane to send Northumber
land against Mary's forces, which were
reported advancing on London. With
Northumberland separated from Lady
Jane, Lord Pembroke and Renard were
certain that they could destroy her rule.
Lady Jane was easily persuaded because
she did not suspect the treachery of her
two advisers.
Cuthbert Cholmondeley escaped from
his dungeon. Dudley returned to his
wife and his queen in time to convince
her of the treachery of Lord Pembroke
and Renard, whom Lady Jane ordered
imprisoned. Cicely came to Dudley and
Lady Jane with the tale of what had
happened to Cholmondeley. Soon after
the imprisonment of Lord Pembroke and
Renard, Nightgall helped them to escape
from the Tower. Meanwhile Lady Jane
had made Cicely a lady-in-waiting.
Gunnora Broase came to Lady Jane for
an audience. The old woman declared
that Northumberland had poisoned Ed
ward and that his purpose in marrying
his son to Lady Jane was to elevate Dud
ley to the throne, after which Lady Jane
was to be poisoned. Meanwhile Cuth
bert had found his way from the lower
dungeons and he and Cicely were re
united. He was present when the Duke
of Suffolk, Lady Jane's father, urged hei
to save her head by abdicating. Dudley,
however, persuaded his wife not to sur
render the crown. Mary was proclaimed
queen, and Lady Jane was placed in
prison with Cicelv and Cuthbert. Dud-
1009
ley was separately confined. Gunnora
Broase sneaked into Lady Jane's cell and
secreted her from the prison with the
promise that Dudley would follow shortly.
But when Northumberland disbanded his
forces and acknowledged Mary as queen,
Lady Jane surrendered herself and re
turned to her cell in the Tower.
The people acclaimed Mary when she
entered London. The new queen's first
act was to release all Catholic prisoners
and replace them with her former ene
mies. When Northumberland was ar-
iested and condemned to the scaffold, he
pleaded for mercy for Lady Jane because
he had been the chief proponent of her
pretension to the throne. Although the
duke publicly embraced Catholicism in
the mistaken belief that his life would
be spared, he was executed by Mary's
order.
Mary put pressure upon Lady Jane
and Dudley to embrace Catholicism as
Northumberland had done in order to
save their heads, but Lady Jane was de
termined to die a Protestant.
Released from custody, Cuthbert re
turned to Dame Trusbut seeking Cicely,
but she was nowhere to be found. Cuth
bert did find the strange madwoman
again. She was lying in a cell, dead.
Among the prisoners Mary had re
leased from the Tower was Edward Cour-
tenay, the Earl of Devonshire. The young
nobleman was really in love with Eliza
beth, although, covetous of Mary's throne,
he pretended to love Mary. Without
scruple, he was able to win Mary's prom
ise that she would make him her husband.
Renard, however, lurked menacingly in
the background. When Courtenay went
to Elizabeth with one last appeal of
love, Mary and Renard were listening be
hind a curtain and overheard the con
versation. In anger Mary committed
Courtenay to the Tower and confined
Elizabeth to her room. Then, on Renard's
advice, Mary affianced herself to Philip,
King of Spain. Later Mary's counselors
persuaded her to release Elizabeth.
Moved by compassion for the innocent
Lady Jane, Mary issued a pardon for the
pretender and her husband. The couple
retired to the home of Lady Jane's father,
where Dudley began to organize a new
plot to place his wife on the throne. See
ing that Dudley was fixed in his design,
Lady Jane, faithful to her husband, con
sented to follow him in whatever he did.
Another revolt was led by Sir Thomas
Wyat, a fervent anti-Catholic, supported
by those who opposed an alliance between
England and Spain. The rebellion was
quelled, and Wyat and Dudley were
captured. Lady Jane and Cuthbert sur
rendered themselves to Mary, Lady Jane
to plead for the life of her husband in
exchange for her surrender. The only
condition on which Mary would grant
Dudley's life was that Lady Jane should
embrace Catholicism. When she refused,
she was sentenced to death along with
Dudley. Elizabeth was brought to the
Tower, Mary planning to do away with
Courtenay and her sister after she had
completed the destruction of Lady Jane
and Dudley.
Nightgall, still suffering from jealousy
over Cicely's love for Cuthbert, had held
the girl in prison since the fall of Lady
Jane. Meanwhile Nightgall had been
hired by the French ambassador to assas
sinate Renard. Renard and Nightgall
met in Cuthbert's cell after the squire
had been tortured, and in the ensuing
fight Cuthbert escaped and ran to find
Cicely. Renard succeeded in killing
Nightgall, who lived long enough to
prove Cicely's noble birth. She was the
daughter of the unfortunate madwoman,
Lady Grace Mountjoy. Before her execu
tion, Lady Jane requested that Cicely and
Cuthbert be allowed to marry. Mary,
with strange generosity, pardoned them
and granted their freedom.
At the scene of her execution, even the
enemies of Lady Jane shuddered at the
sight of so good and fair a woman about
to die. On the block she reaffirmed her
Christian faith as the ax descended upon
one of the most ill-fated of English
monarchs.
1010
THE TRAVELS OF MARCO POLO
Type of 'work: Record of travel
Author: Marco Polo (1254-1324), as set down by the scribe, Rustigielo
Type of 'plot: Adventure romance
Time of plot: 1260-1295
Locale: Greater Asia
First transcribed: Fourteenth-century manuscript
Principal characters:
NICOLO POLO, a Venetian merchant
MAFFEO POLO, his brother
MARCO POLO, Nicole's son
KUBLAI KHAN, Emperor of China
Critique:
The story of Marco Polo's Asiatic jour
ney is the most astounding of all travel
books of Western civilization. One rea
son for its popularity is that Marco Polo
did not mind mixing some real facts with
his fiction. Another is that he possessed
in high degree a quality few travelers
have ever had; he was able to see more
objectively than the many who have de
scribed lands visited only in terms of their
home countries. His book is the record
of a merchant-gentleman who sets forth
his own observations and at the same time
reveals the medieval viewpoint — its in
terest in alchemy and enchantments, its
concern with mystery, and its sound,
logical way of thinking beneath the sur
face superstition and credulity of the age.
The Story:
Marco Polo's father and uncle set
forth on their first trip East in 1260, with
a cargo of merchandise for Constanti
nople. From there Nicolo and MafFeo
Polo ventured on into the lands of the
Tartar princes. Having at last reached
the court of Kublai Khan, they managed
to ingratiate themselves into his highest
favor. During their stay the khan ques
tioned them about the Catholic faith and
asked them to return to Europe and to
request the Pope to send missionaries to
his distant land. In the year 1269, the
two Polos arrived in Venice, to learn that
Pope Clement was dead and that Nicolo
Polo's wife had also died after giving
birth to a son, Marco Polo.
There was a long delay in the naming
of a new Pope. At last the Polos decided
to return to Kublai Khan and to take
young Marco with them. Scarcely had
they left Italy, however, when word fol
lowed them that Gregory the Tenth had
been elected in Rome. The Polos at once
asked the new Pope to send missionaries
to Kublai Khan, and Gregory appointed
two priests to accompany the merchants,
Before their arrival at the khan's court,
the priests turned back when confronted
by strange lands and unknown dangers.
Young Marco Polo remembered that the
journey to the land of Kublai Khan took
three and a half years.
Kublai Khan received them graciously
and appointed Marco one of his attend
ants. In a short time Marco Polo had
learned four different languages and he
was sent by Kublai Khan on various
important missions.
For seventeen years the Polos remained
at the court of Kublai Khan before they
finally expressed a desire to return to their
own country with their wealth. They
felt that if the great khan should die
they would be surrounded by envious
princes who might harm them. The khan
was unwilling to part with the Polos, but
they managed to get his permission by
offering to transport some barons to the
East Indies. Fourteen ships were made
ready for the homeward voyage. The ex
pedition arrived at Java after about three
months. Eighteen months more were re
quired for the voyage to the territory
THE TRAVELS OF MA&CO POLO by Marco Polo. Published by Doublcday & Co., Inc.
1011
of King Argon in the Indian seas. During
the voyage six hundred of the crew were
lost as well as two of the barons. From
there the Polos took an overland route
to Trebizond. En route they learned that
the great Kublai Khan was dead. The
three arrived home safely in 1295, in
Eossession of their wealth and in good
ealth.
When the rime came for him to dic
tate to the scribe, Rustigielo, the story of
his travels, Marco Polo remembered that
Armenia was divided into two sections,
the lesser and the greater. In Armenia
Major was the mountain said to have
been Mount Ararat, where Noah's ark
came to rest. Near this place was a foun
tain of oil so great that caravans of
camels hauled away the oil, which was
used for an unguent as well as for heat
and light
At the boundaries of the province of
Georgiania, Alexander the Great had
caused a gate of iron to be constructed.
This gate, though not all of iron, was
commonly said to have enclosed the Tar
tars between two mountains.
At Teflis was a fountain wherein hun
dreds of fish made their appearance from
the first day of Lent until Easter Eve.
During the remainder of the year they
were not to be seen.
Baudas, or Baghdad, anciently known
as Babylon, lay along the river that
opened out upon the Sea of India. The
city was one of the great cities of the
world, and its ruler one of the richest
men of all time. He lost his life through
his unwillingness to spend a penny of
his wealth for its protection. His captor
locked him up in his tower where he
starved to death surrounded by gold. In
that region also a Christian cobbler had
caused a mountain to move and by his
miracle converted many Arabs to Chris
tianity.
In Irak Marco Polo visited a monas
tery in which the monks wove woolen
girdles said to be good for rheumatic
pains. He also visited Saba, from whence
were said to have come the three Magi
who adored Christ in Bethlehem. At
Kierrnan, on the eastern confines of Per
sia, Marco saw the manufacture of steel
and products in which steel was used.
Much rich embroidery was also found
there as well as splendid turquoises. The
Karaunas of the region had learned the
diabolical art of producing darkness in
order to obscure their approach to cara
vans they intended to rob.
At Ormus he encountered a land-wind
so hot that people exposed to it died. A
whole army was once wiped out by the
wind and the inhabitants, seeking to bury
the invaders, found the bodies baked so
hard that they could not be moved.
Bitter, undrinkable water, the tree of the
sun, and the old man of the mountain
were all of that region. The old man
of the mountain used to administer drugs
to young men to make them think they
were truly in Paradise. At his orders
they assassinated any one not of the true
faith. His followers held their own lives
of little worth, convinced that they would
return to Paradise upon their deaths.
On the overland route to Cathay,
Marco met Nestorian Christians as well
as people who were part Christian and
part Mohammedan. There too he found
a miraculous pillar said to remain up
right without any visible means of sup
port. In Peyn he discovered chalcedony
and jasper and also peculiar marriage
customs. Passing over a desert, he heard
the strange sounds attributed to evil
spirits but since explained as the sounds
of shifting sand dunes, At Kamul he dis
covered the primitive hospitality of turn
ing over houses and wives for the enter
tainment of strangers. At Chinchitalas
he discovered the use of material which
would not bum; it was asbestos.
On the borders of the Gobi the Polos
gathered supplies for their trip through
the desert. They passed close to the land
of Prester John and heard the history of
the war between Prester John and Gen
ghis Khan. He saw the land of Tenduk,
governed by the princes of the race of
Prester John.
1012
Kublai Khan was a great king who haa
rewarded generously those who had aided
him in the conquest of other nations.
Each noble so favored received a golden
tablet inscribed by the khan for the
protection of its wearer. Kublai Khan
had four principal wives, plus a number
of women who were given to him each
year. He had some fifty sons, all of whom
were appointed to high places in the em
pire. In the winter the khan lived in
Peking, in a magnificent palace that was
eight miles square. His personal body
guard consisted of twelve thousand horse
men,
Greatest in interest among his people
were the Tibetans, who produced the
scent of musk, used salt for money, and
dressed in clothes of leather. Gold dust
was found in their rivers and among their
inhabitants were many said to be sorcer
ers. Karazan was known for its huge
serpents, or crocodiles, which the natives
killed for hides and gall. This gall was
a medicine for bites from mad dogs.
In Kardandan, Marco observed fathers
who took over the nursing of babies. In
the city of Mien he saw two towers, one
of silver and one of gold. Bengal he found
rich in cotton, spikenard, galangal, gin
ger, sugar, and many drugs. The region
also supplied many eunuchs.
For a time Marco Polo held the gov
ernment of the city of Yan-Gui upon
orders of the khan. Nicolo and Maffeo
Polo aided the khan in overcoming the
city of Sa-Yan-Fu, the two Venetians
having designed a catapult capable of
hurling stones weighing as much as three
hundred pounds.
Marco thought the city of Kin-sai, or
Hang-chau, so beautiful that the inhab
itants might imagine themselves in Para
dise. There were twelve thousand bridges
over the canals and rivers of the city, and
the houses w<sre well-built and adorned
with carved ornaments. Tlie streets were
paved with stone and brick. The people
were greatly concerned with astrology.
Moreover, tie inhabitants had provided
for fire fighters who kept a constant guard
throughout the city. From it the khan re
ceived revenue of gold, salt, and sugar.
In the kingdom of Kon-cha, Marco
found people who ate human flesh. He
also found there a kind of chicken cov
ered with black hair instead of feathers.
He observed with much interest the man
ufacture of Chinese porcelain.
In his travels he saw the merchant
ships of India, which were large and built
in sections so that if one section sprang
a leak, it could be closed off while repairs
were made. On the island of Java he
obtained pepper, nutmegs, spikenard
galangal, cubebs, cloves, and gold. Idola
ters lived there as well as cannibals. Ele
phants, rhinoceroses, monkeys, and vul
tures were in abundance. He also dis
covered the practice of the natives which
was to pickle certain monkeys so that they
resembled dead pygmies. These creatures
were then sold as souvenirs to sailors and
merchants.
In Lambri he saw what he thought
were men with tails. He also saw the sago
tree from which the natives made flour.
On the island of Nocueran he visited
people living like naked beasts in trees.
They possessed the red and white sandal
wood, coconuts, sapanwood, and cloves.
At Angarnan he saw more cannibals. In
Ceylon he found rubies, sapphires, to
pazes, amethysts, and garnets. The grave
of Adam was believed to be on a high
mountain in Ceylon.
Marco thought India the noblest and
richest country in the world. Pearls were
found in abundance. The kingdom of
Murphili was rich in diamonds. In the
province of Lac he heard that people
often lived to the age of one hundred
and fifty years and managed to preserve
their teeth by a certain vegetable they
chewed. In Kael he found people chew
ing a leaf called tembul, sometimes mixed
with camphor and other aromatic drugs
as well as quicklime. At Cape Comorin
he found apes of such a size as to ap
pear like men. At Malabar he found
gold brocades, silk, gauzes, gold, and
silver. At Guzzerat he discovered pirates
1013
of the worst character. In Bombay he
bought incense and horses.
Marco visited the island of Madagas
car, where the inhabitants reported a
bird so large it was able to seize an ele
phant in its talons. He thought the
women of Zanzibar the ugliest in the
world. The people did business in ele
phant teeth and tusks.
Marco recalled how Kublai Khan and
his nephew, Kaidu, fought many battles
for the possession of Great Turkey. Over
a hundred thousand horsemen were
brought to fight for each side. At first
Kaidu was victorious. Kaidu had a man
nish daughter, Aigiarm, who battled with
any man who wanted her for a bride. At
last she seized the man of her choice from
the hosts of enemies in battle.
Marco believed that Russia was a re
gion too cold to be pleasant. He spoke
of trade in ermine, arcolini, sable, marten,
fox, silver, and wax among the natives,
who were included in the nation of the
king of the Western Tartars.
Marco Polo gave thanks to God that
the travelers were able to see so much and
return to tell about the marvels of many
lands.
TRAVELS WITH A DO1MKEY
Type of work: Record of travel
Author: Robert Louis Stevenson (1850-1894)
Type of 'plot: Sketches and impressions
Time of plot: 1878
Locale: The CeVennes, French Highlands
First published: 1879
Principal characters:
ROBERT Louis STEVENSON, the traveler
MODESTINE, a donkey
FATHER APOLLINARIS, a Trappist monk
Critique:
Stevenson said that every book is a
circular letter to the friends of him who
wrote it. Travels with a Donkey in the
Cevennes takes much of its merit from
the warm-hearted spirit of Stevenson him
self. Throughout the narrative the reader
is led by Stevenson's voice as if Steven
son were talking in the same room for the
enjoyment of his reader. More vivid than
either his account of the people or his ac
count of the history made in the Ceven
nes is Stevenson's way of describing the
countryside and its variations in mood.
The Story:
In twelve days, from September 22,
1878, until October 3, 1878, Robert
Louis Stevenson walked from Le Monas-
tier to St. Jean du Card in the C6vennes.
His only companion was Modestine, a
donkey. He traveled as his fancy led him,
stopping to sleep whenever occasion of
fered. One morning after a night's sleep
out of doors Stevenson scattered coins
along the road upon the turf in payment
for his night's lodging.
Modestine, the donkey, demanded that
her owner exercise all his ingenuity. At
first he loathed her for her intractable
differences of opinion displayed concern
ing the rate of travel to be maintained.
Repeated blows seemed not to influence
her until he learned to use the magical
word "Proot" to get her moving. Later
he obtained a real goad from a sympa
thetic innkeeper at Bouchet St. Nicolas.
Modestine was dainty in her eating. She
seemed to prefer white bread, but she
learned to share half of Stevenson's brown
loaves with him.
Modestine and her owner quarreled
about a short cut. She hacked, she
reared; she even brayed in a loud, ag
grieved tone. However, he forced her
to give in. A few days later Stevenson
began to understand his strong-willed
1014
donkey; he came to understand her stu
pidity, and he overlooked her flights of
ill-judged light-heartedness.
Stevenson, like many who buy at the
insistence of others and sell at their own
pleasure, was eager to dismiss the matter
of Modestine's cost. He had paid sixty-
five francs and a glass of brandy for her,
but he sold her for thirty-five francs.
Stevenson commented that the pecuniary
gain was not obvious, but that he had
bought freedom into the bargain.
More absorbing than the pleasure with
which Stevenson contrasted his vagabond
life and that of deeply-rooted monks and
peasants was his interest in long-remem
bered, local conflicts. Such a conflict was
that struggle at Pont de Montvert where
Camisards, led by Pierre Seguier, mur
dered the Archpriest: of the CeVennes.
Seguier was soon taken and his right
hand cut off. He himself was then
burned alive. Stevenson also identified
the characteristic elements in the land
scape as he went along. He thought the
Ce"vennes remarkably beautiful.
Stevenson's account of the local peas
antry was less appreciative than his ac
count of the landscape. He described
two mishaps. In the first place, the peas
ants looked with suspicion upon a traveler
wandering on their bleak high hills with
very little money and no obvious purpose
other than to stare at them. At his ap
proach to one village the people hid them
selves. They barricaded their doors and
gave him wrong directions from their
windows. Secondly, two girls whom he
termed "impudent sly sluts" bade him
follow the cows. For these reasons, Stev
enson came to feel sympathy for the in
famous beast of Gevauden, who, accord
ing to tradition, ate about a hundred
children of the district.
During his travels he visited Our Lady
of the Snows Monastery. Approaching
the monastery, he encountered Father
Apollinaris, who, clad in the white robe
of his order, greeted him and led him
to the entrance of the monastery. He
felt the atmosphere of his environment
and portrayed it in descriptions of the
monks at their duties, the feel of the
highland wind on his face, the cheerless,
four-square buildings which were bleak
and too new to be seasoned into the place.
The belfry and the pair of slatted gables
seemed plain and barren. When he de
parted after a day of quiet repose, the
lonely Trappist, Father Apollinaris, ac
companied him, holding Stevenson's
hands in his own.
Stevenson continued on to St. Jean du
Card. He lost his way and found it
again. Modestine learned to wait pa
tiently when he wanted to stop to talk
with someone. The procession of days
took him through gullies, along river
beds, and over high ridges. At St. Jean
du Card he parted from Modestine.
Then, seated by the driver en route to
Alais through a rocky gully past orchards
of dwarf olive trees, Stevenson began to
reflect what Modestine had become in his
life. She had been patient and she had
come to regard him as a god. She had
eaten from his hand. He felt that he hacf
parted from his best friend.
TREASURE ISLAND
Type of work: Novel
Author: Robert Louis Stevenson (1850-1894)
Type of plot: Adventure romance
Time of plot: 1740's
Locale: England and the Spanish Main
Pirst published: 1883
Principal characters:
JIM HAWKINS, cabin boy of the Hispaniola
DR. LIVESEY, a physician and Jim's friend
SQUIRE TRELAWNEY, a wealthy landowner
1015
MR. SMOLLETT, captain of the Hispaniola
LONG JOHN SILVER, leader of the mutineers
BEN GUNN, a pirate
Critique:
' Since its publication, this novel has
been a favonte of boys everywhere. With
end thTT8 ?J rT be/nnin§ t0
end the story 1S told m the first person
for the most part by the boy hero; the
rest « told m the person of Doctor Live-
sey. The character of John Silver domi-
nated Stevenson so completely that the
outcome :s not entirely acceptable from a
conventionally moral point of view. The
book accordmg to Stevenson, was born
sue idand
treasure island.
The Story
The one-legged sailor never came fn
the inn, but aSther sealn naLd Bkck
°°? did The *»<> men fou§ht ^ Aeinn
parlor, to the terror of Jim and his mother
before Captain Bones chased his visitor
up the road and out of sight He el
down in a fit when he camfback to S
inn, and Doctor Livesey comint fc to
attend Jim's father, cauione™ Captain
Bones to contain himself and drink C
Jim's father died soon aftemard On
** ^ °f ** funeral a ^formed blSd
manjnamed Pe^ ^pped his way up to
tte door of ^ Ad^ fim^ P £
man forced Jiln to lead him to the cap-
s
le§- He wa« alarmed when he saw Black
1016
Dog again in the inn operated by Silver,
but Silver's smooth talk quieted Jim's
suspicions.
After the Hispaniola had sailed, Cap
tain Smollett, hired by Squire Trelawney
to command the ship, expressed his dis
like of the first mate and the crew and
complained that Silver had more real
authority with the crew than he did.
One night Jim, in a barrel after an apple,
overheard Silver discussing mutiny with
members of the crew. Before Jim had a
chance to reveal the plot to his friends,
the island was sighted.
The prospects of treasure on the island
caused the disloyal members of the crew
to pay little heed to Captain Smollett's
orders; even the loyal ones were hard to
manage. Silver shrewdly kept his party
under control. Wisely, the captain al
lowed part of the crew to go ashore; Jim
smuggled himself along in order to spy
on Silver and the men on the island.
Ashore, Silver killed two of the crew
who refused to join the mutineers. Jim,
alone, met Ben Gunn, who was with
Captain Flint when the treasure was
buried. Gunn told Jim that he had been
marooned on the island three years be
fore.
While Jim was ashore, Dr. Livesey
went to the island and found Captain
Flint's stockade. Hearing the scream of
one of the men Silver murdered, he
returned to the Hispaniola, where it was
decided that the honest men would move
to the fort within the stockade, Several
dangerous trips in an overloaded boat
completed the move. During the last
trip the mutineers aboard the ship un-
limbered the ship's gun. Squire Tre
lawney shot one seaman from the boat.
In the meantime the gang ashore saw
what was afoot and made efforts to keep
Jim's friends from occupying the stock
ade. The enemy repulsed, Squire Tre
lawney and his party took their posts in
the fort. The mutineers on the His-
paniola fired round shot into the stockade,
but did little damage.
After leaving Ben Gunn, the marooned
seaman, Jim made his way to the stock
ade. The Hispaniola now flew the Jolly
Roger skull and crossbones. Carrying a
flag of truce, Silver approached the
stockade and offered to parley. Admitted
by the defenders, he demanded the treas
ure chart in exchange for the safe return
of Squire Trelawney's party to England.
Captain Smollet would concede nothing
and Silver returned to his men in a rage.
The stockade party prepared for the com
ing battle. A group of the pirates at
tacked from two sides, swarmed over the
paling and engaged the defenders in
hand-to-hand combat. In the close fight
ing the pirates were reduced to one man,
who fled back to his gang in the jungle.
The loyal party was reduced to Squire
Trelawney, Dr. Livesey, Captain Smol
lett, and Jim.
During the lull after the battle, Jim
sneaked off and borrowed Ben Gunn's
homemade boat. In this he rowed out
to the Hispaniola under cover of dark
ness and cut the schooner adrift. In try
ing to return to shore, he was caught
offshore by coastal currents. Daylight
having come, Jim saw that the Hispan-
iola was also aimlessly adrift. When the
ship bore down upon him, he jumped
to the bowsprit. Ben Gunn's little boat
was smashed. Jim found himself on
board alone with pirate Israel Hands,
wounded in a fight with another pirate.
Jim took command and proceeded to
beach the ship. Pursued by Hands, he
climbed quickly to a crosstree just before
Hands threw his knife into the mast not
more than a foot below Jim as he climbed,
Jim had time to prime and reload his
pistols, and he shot the pirate after he
had pinned the boy to the mast with
another knife throw.
Jim removed the knife from his shoul
der, made the ship safe by removing the
sails, and returned to the stockade at
night, only to find it abandoned by his
friends and now in the hands of the
pirates. When Silver's parrot, Captain
Flint, drew attention to the boy's pres
ence, the pirates captured him. Silver's
1017
men, dissatisfied with the buccaneer's
methods of gaining the treasure, grum
bled. One attempted to kill Jim, who had
bragged to them of his exploits in behalf
of his friends. But Silver, for reasons of
his own, took the boy's side and swore
he would take the part, also, of Squire
Trelawney. Silver's disaffected mates
met and gave Silver the Black Spot, de
posing him as their chief. The pirate
leader talked his way out of his difficulty
by showing them, to Jim's amazement
and to their delight, Captain Flint's chart
of Treasure Island.
Dr. Livesey came under a flag of truce
to the stockade to administer to the
wounded pirates. He learned from Jim
that Silver had saved the boy's life. And
Jim heard, to his mystification, that the
doctor had given Captain Flint's chart to
Silver.
Following the directions of the chart,
the pirates went to find the treasure.
Approaching the hiding place, they heard
a high voice singing the pirate chantey,
'To ho ho, and a bottle of mm." Also,
the voice spoke the last words of Captain
Flint. The men were terrified until Sil
ver recognized Ben Gunn's voice. Then
the pirates found the treasure cache
opened and the treasure gone. When
they uncovered only a broken pick and
some boards, they turned on Silver and
Jim. At this moment Jim's friends, with
Ben Gunn, arrived to rescue the boy.
Early in his stay on the island Ben
Gunn had discovered the treasure and
carried it to his cave. After Dr. Livesey
had learned all this from Gunn, the
stockade was abandoned and the useless
chart given to Silver. Squire Trelawney 's
party moved to Gunn's safe and well-
provisioned quarters.
The Hispaniola having been floated
by a tide, the group left Treasure Island,
leaving on it three escaped buccaneers.
They sailed to a West Indies port where,
with the connivance of Ben Gunn, John
Silver escaped the ship with a bag of
coins. A full crew was taken on, and the
schooner voyaged back to Bristol. There
the treasure was divided among the sur
vivors of the adventure. "Drink and the
devil had done for the rest."
A TREE GROWS IN BROOKLYN
Type of work: Novel
Author: Betty Smith (1904- )
Type of 'plot: Domestic romance
Time of plot: Early twentieth century
Locale: Brooklyn, New York
First published: 1943
Principal characters:
FRANCIS NOLAN, a Brooklyn girl
NEELEY NOLAN, her brother
KATIE NOLAN, her mother
JOHNNIE NOLAN, her father
Critique:
A Tree Grows In Brooklyn is the story
of a young girl affected by the realities
and mysteries o£ life. The setting of
Brooklyn tenement life in the early
1900's makes full use of local color.
Francie's struggles to overcome poverty
and to obtain an education in a world
A TREE GROWS IN BROOKLYN by Betty Smith.
Copyright, 1943, by Betty Smith.
in which only the fittest survive make
absorbing reading.
The Story:
For their spending money Francie and
Neeley Nolan relied on a few pennies
they collected from the junkey every
By permission of the publishers. Harper & Brothers.
1018
Saturday. Katie, their mother, worked
as a jani tress in a Brooklyn tenement, and
the money she and their father earned
— he from his Saturday night jobs as a
singing waiter — was barely enough to
keep the family alive and clothed.
After their Saturday morning trips
with the rags, metal, and rubber they
had collected during the week, Francie
would visit the library. She was me
thodically going through its contents in
alphabetical order by reading a book each
day, but on Saturdays she allowed herself
the luxury of breaking the sequence. At
home, sitting on the fire escape, she
could look up from her book and watch
her neighbors' preparations for Saturday
night. A tree grew in the yard; Francie
watched it from season to season during
her long Saturday afternoons.
At five o'clock, when her father came
home, Francie would iron his waiter's
apron and then go to the dry-goods store
to buy the paper collar and muslin
dickey which would last him for the
evening. It was her special Saturday
night privilege to sleep in the front
room, and there she could watch the
people in the street. She got up briefly
at two in the morning when her father
came home, and was given a share of
the delicacies he had salvaged from the
wedding or party at which he had served.
Then, while her parents talked far into
the night, Francie would fix Saturday's
happenings in her mind and gradually
drift off to sleep.
Johnnie Nolan and Katie Rommely
had met when he was nineteen and
she was seventeen, and they were mar
ried four months later. In a year's time
Francie was born. Johnnie, unable to
bear the sight of Katie in labor, had
got drunk, and when the water pipes
burst at the school in which he was
janitor, he was discharged. Neeley was
born soon after Francie's first birthday.
By that time Johnnie was drinking so
heavily that Katie knew she could no
longer rely on him for the family's sup
port. In return for free rent, the Nolans
moved to a house in which Katie could
be janitress,
Francie was not sent to school until
she was seven, and Neeley was old
enough to go with her. In that way the
children were able to protect each other
from would-be tormentors. Seated two-
at-a-desk among the other poverty-stricken
children Francie soon grew to look for
ward to the weekly visits of her art and
music teachers. They were the sunshine
of her school days.
By pretending that Francie had gone
to live with relatives, Johnnie was able
to have her transferred to another school
which Francie had seen on one of her
walks. A long way from home, it was,
nevertheless, an improvement over the
old one. Most of the children were of
American parentage and were not ex
ploited by cruel teachers, as were those
from immigrant families.
Francie noted time by holidays. Be
ginning the year with the Fourth of
July and its firecrackers, she looked for
ward next to Halloween. Election Day,
with its snake dances and bonfires, came
soon after. Then followed Thanksgiving
Day, on which the children disguised
themselves with costumes and masks
and begged trifles from storekeepers.
Soon afterward came Christmas. The
year Francie was ten and Neeley nine,
they stood together on Christmas Eve
while the biggest tree in the neighbor
hood was thrown at them. Trees unsold
at that time were thrown at anyone who
volunteered to stand against the impact.
Bruised and scratched, Francie and her
brother proudly dragged their tree home.
The week before Christmas, when
Francie had just become fourteen, John
nie staggered home drunk. Two dayn
later he was found, huddled in a door
way, ill with pneumonia. The next day
he was dead. After the funeral, Neeley
was given his father's ring and Francie
his shaving mug, his only keepsakes aside
from his two waiter's aprons. To his wife
Johnnie left a baby, due to be born the
following spring.
1019
In March, when their funds were
running low, Katie cashed the children's
insurance policies. The twenty-five dol
lars she received carried them through
until the end of April. Then Mr. Mc-
Garrity, at whose saloon Johnnie had
done most of his drinking, came to their
rescue. He hired Neeley to help prepare
free lunches after school and Francie to
do housework, and the money the chil
dren earned was enough to tide them
over until after Katie's baby was born.
Laurie was born in May. In June,
after their graduation from grade school,
Francie and Neeley found their first real
jobs, Neeley as errand boy for a broker
age house and Francie as a stemmer in
a flower factory. Dismissed two weeks
later, she became a file clerk in a clip
ping bureau. She was quickly advanced
to the position of reader.
In the fall there was not money
enough to send both her children to high
school, and Katie decided that the more
reluctant Neeley should be chosen.
With the money Francie earned and
with Neeley's after-school job at Mc-
Garrity's saloon, the Nolans had more
comforts that Christmas than they had
ever known before. The house was
warm; there was enough food; and there
was money for presents. Fourteen-year-
old Neeley received his first pair of
spats? and Francie almost froze in her
new black lace lingerie when they went
to church on Christmas morning.
When the clipping bureau closed with
the outbreak of the war, Francie got a
job as teletype operator. By working at
night, she was able to take advanced
college credits in summer school that
year. With the help of a fellow student,
Ben Blake, she passed her chemistry and
English courses.
Francie was eighteen when she had
her first real date, with a soldier named
Lee Rhynor. The evening he was to
leave to say goodbye to his parents be
fore going overseas, Lee asked her to
marry him when he returned. Francie
promised to write to him every day.
Three days later she received a letter
from the girl he married during his trip
home.
Katie also had a letter that day. Officer
McShane had long been fond of Katie.
Now retired, he asked her to marry
him. To this proposal all the Nolans
agreed. As the time approached for the
wedding, Francie resigned her job. With
Katie married, she intended to go to
Michigan to college, for with Ben Blake's
help she had succeeded in passing the
entrance exams.
The day before Katie was to be wed,
Francie put the baby in the carriage
and walked down the avenue. For a
time she watched the children carting
their rubbish into the junk shop. She
turned in her books at the library for
the last time. She saw another little
girl, a book in her hand, sitting on a
fire escape. In her own yard the tree
had been cut down because the tenants
had complained that it was in the way
of their wash. But from its stump another
trunk was growing.
THE TRIAL
Type of work: Novel
Author: Franz Kafka (1883-1924)
Type of plot: Fantasy
Time of plot: Twentieth century
Locale: Germany
First published: 1925
Principal characters:
JOSEPH K., a bank employee
THE ADVOCATE
TITORELLI, a painter
LENI, the Advocate's servant
1020
Critique:
The Trial is one of the most effective
and most discussed works to come out of
Central Europe between wars. To many,
perhaps most, readers it is a highly en
gaging comedy filled with buffoonery and
fantasy. More serious students of lit
erature see in it, however, a vast sym
bolism and a first rate psychological study
of a system whose leaders are convinced
of their own righteousness. To some the
court is a symbol of the Church as an
imperfect bridge between the individual
and God. To others the symbolism rep
resents rather the search of a sensitive
Jew for a homeland that is always denied
him. At any rate The Trial is a powerful
and provocative book.
The Story:
Perhaps some one had been telling
lies about Joseph K., for one morning
he was arrested. The landlady's cook
always brought him his breakfast at
eight o'clock, but this morning she
failed to appear. Joseph looked out of
the window and noticed that the old
lady across the way was peering into his
room. Feeling uneasy, he rang the bell.
At once a man entered dressed like a
tourist. He advised Joseph to stay in his
room, but Joseph failed to obey. In the
next room he saw another strange man
reading a book. The missing breakfast
was explained by the empty dishes he
saw. The two strangers had eaten it.
The two strangers had come to notify
Joseph he was under arrest. They were
so sure of themselves and yet so con
siderate that Joseph was at a loss as to
the attitude he should take toward them.
They tried to take his underwear, saying
it was of too good quality, but when he
objected they did not press him. They
refused to tell him the reason for his
arrest, saying only that he would be
interrogated. Finally, after Joseph had
dressed according to their choices of his
wardrobe, they led him to another room
to be questioned by the Inspector.
To his dismay Joseph saw that the
Inspector was occupying Fraiilein Biirst-
ner's room. The Inspector gave no
further hint as to the reason for the
arrest, nor did he inquire into Joseph's
defense. The latter at one point said
that the whole matter was a mistake; but
under pertinent if vague questioning,
Joseph admitted that he knew little of
the law. All he learned, really, was that
some one in high authority had ordered
his arrest.
Then Joseph was told that he could
go to work as usual. His head fairly
aching from bewilderment, Joseph went
to the bank in a taxi. Arriving half an
hour late, he worked all day long as
diligently as he could. He was, however,
frequently interrupted by congratulatory
callers, for this day was his thirtieth
birthday.
He went straight home at nine- thirty
to apologize for using Fraiilein Biirstner s
room. She was not in, however, and he
settled down to anxious waiting. At
eleven-thirty she arrived, tired from an
evening at the theater. In spite of her
uninterested attitude he told her the
whole story very dramatically. At last
Fraiilein Biirstner sank down exhausted
on her bed. Joseph rushed to her, kissed
her passionately many times, and returned
to his room.
A few days later Joseph received a
brief note ordering him to appear before
the court for interrogation on the follow
ing Sunday. Oddly enough, although the
address was given, no time was set for
the hearing. By some chance Joseph de
cided to go at nine o'clock. The street
was a rather mean one, and the address
proved to be that of a large warehouse.
Joseph did not know where to report,
but after trying many doors he finally
reached the fifth floor. There a bright-
THE TRIAL by Franz Kafka. Translated by Edwin and Willa Muir. By permi«sion of the publisher*,
Alfred A. Knopf, Inc. Copyright, 1937, by Alfred A. Knopf, Inc.
1021
eyed washerwoman seemed to be expect
ing him and motioned him through her
flat into a meeting hall. Joseph found
the room filled with old men, most of
them with long beards. They all wore
badges.
When the judge asked Joseph if he
were a house painter, he snappishly re
joined that he was the junior manager
of a bank. Then the judge said he was
an hour and ten minutes late. To this
charge Joseph replied that he was present
now, his appearance in court being the
main thing. The crowd applauded. En
couraged, Joseph launched into a ha
rangue damning the court, its methods,
the warders who had arrested him, and
the meeting time and place.
The judge seemed abashed. Then an
interruption occurred. At the back of
the room a man clasped the washer
woman in his arms and screamed, all
the while looking at the ceiling. Joseph
dashed from the room, loudly refusing
to have any more dealings with the court.
All that week Joseph awaited another
summons. When none came, he decided
to revisit the meeting hall. The washer
woman again met him kindly and ex
pressed her disappointment that the
court was not in session. She told him
a little about the court and its methods.
It seemed that the court was only a
lower body which rarely interfered with
the freedom of the accused people. If
one were acquitted by the court, it meant
little, because a higher court might re-
arrest the prisoner on the same charge.
She seemed to know little of Joseph's
particular case, although she said she
knew as much as the judge. As she was
speaking, a law student seized the
washerwoman and carried her up the
stairs.
The woman's husband kindly offered
to lead Joseph up to the law offices, the
inner sanctum of the court located in the
attic. There Joseph found a number
of people waiting for answers to petitions.
Some of them had been waiting for
years, and they were becoming a little
anxious about their cases. The hot room
under the roof made Joseph dizzy and
he had to sit down. The hostess tried
to soothe him and the director of public
relations was very pleasant. Finally some
one suggested that Joseph ought to leave
and get some fresh air.
On his uncle's advice, Joseph hired
an Advocate, an old man who stayed in
bed most of the time. His servant, Leni,
took a liking to Joseph and would often
kiss him while he was conferring with
the Advocate. Joseph liked best to dally
with her in the kitchen. After some
months, all the Advocate had done was
to think about writing a petition. In
desperation Joseph discharged him from
the case.
Leni was heartbroken. She was in her
nightgown entertaining another client.
This man, a businessman, Leni kept
locked up in a small bedroom. The
Advocate warned Joseph of his high
handed behavior and pointed to the
businessman as an ideal client. Disgusted,
Joseph left the house.
Then Joseph went to see Titorelli, the
court painter. Titorelli told him he
could hope for little. He might get
definitive acquittal, ostensible acquittal,
or indefinite postponement. No one was
ever really acquitted, but sometimes cases
could be prolonged indefinitely. Joseph
bought three identical paintings in re
turn for the advice.
Even the priest at the cathedral, who
said he was court chaplain, offered little
encouragement when consulted. He was
sure that Joseph would be convicted of
the crime charged against him. Joseph
still did not know what that crime was,
nor did the priest.
At last two men in frock coats and
top hats came for Joseph at nine o'clock
on the evening before his thirty-first
birthday. Somehow they twined their
arms around his and held his hands
tightly. They walked with him to a
quarry. There one held his throat and
the other stabbed him in the heart, turn
ing the knife around twice.
1022
TRILBY
Type of work: Novel
Author: George du Maurier (1834-1896)
Type of 'plot: Sentimental romance
Time of 'plot: Nineteenth century
Locale: Paris and London
First 'published: 1894
Principal characters:
TRILBY O'FERRALL, an artist's model
SVENGALI, a Hungarian musician
GECKO, another musician
TAFFY,
SANDY, and
LITTLE BILLEE, English art students
Critique:
This novel has had an astonishing
success both in its original form and in
a dramatic version for stage presentation.
Its chief merit lies in its picture of stu
dent life in the Latin Quarter of Paris.
Du Maurier, who wrote the hook from
recollections of his own youth, seems to
have set down only the glamorous ele
ments. The result is delightful reading
so long as the reader remembers that
the account of Bohemian life is idealized
and sentimentalized.
The Story:
In the large Latin Quarter studio
which Taffy, Sandy, and Little Billee
shared, the three students were hosts
to Svengali, an unconventional musician,
and Gecko, a fiddler. Suddenly there
was a knock on the door. An artist's
model came in; she had heard music and
decided to stop by. She wore a mixture
of clothing — a soldier's coat, a pair of
men's shoes, a frilled petticoat — and she
carried her lunch. When she began to
sing, her voice was so flat that the
listeners did not know whether to be
amused or embarrassed. Only Svengali
realized the quality of her untrained
voice.
Svengali went one morning to borrow
money from Sandy. Trilby was in the
studio when he arrived. Because she
complained of a headache, Svengali
hypnotized her. Sandy, thinking of the
control Svengali might have over Trilby,
was alarmed.
Trilby came more often to the studio.
She cooked for the three Englishmen,
darned their clothing, joined in their
meals and parties. In return they taught
her how to speak correct English and
treated her as a highly respected sister.
When Sandy fell ill, Trilby refused to let
anyone else look after him.
Svengali had a stroke of luck when he
was hired to appear in concerts. He was
anxious to hypnotize the model again,
but the three Englishmen would not
permit it.
Because Trilby posed in the nude,
Little Billee, who had fallen in love
with her, became angry and left Paris.
Trilby, unhappy at this turn of events,
became a laundress. She began to take
care of her appearance, so that when
Little Billee returned he was completely
charmed by her. At Christmas time
Trilby promised to marry Little Billee.
But a few days later his mother and a
clergyman arrived and made Trilby prom
ise that she would not marry Little Billee.
Trilby left Paris. Little Billee became
ill and with his mother and sister re
turned to England.
Five years passed. Little Billee
achieved success in London. Sandy and
Taffy traveled on the continent. When
TRILBY by George du Maurier. By permission of the publishers, Harper & Brothers. Copyright, 1894, by
Harper & Brothers. Renewed, 1922, by Gerald du Maurier and May du Maurier Coles.
1023
the three friends met again at a ball in
London, there was much talk of old days
in Paris. Word went around that Sven-
gali had found a great pupil, that he
had married her and was making a famous
singer of her. Little Billee painted more
pictures and fell in and out of love with
a girl named Alice. The other two friends
went their ways.
At last the three met in Paris. During
their stay they attended the first per
formance of the famous La Svengali in
Paris and discovered that the singer was
their Trilby of earlier days. Under the
hand of her master she had gained a
great voice that thrilled her audience.
The three Englishmen were overcome.
The next day, when they saw Trilby
and Svengali in the park, Little Billee
ran up to greet her. She looked at her
old friends vaguely, listened to some
thing which Svengali said to her, and
then to their surprise glanced coldly at
them as if she had never seen them
before.
The next day Little Billee encountered
Svengali, who spat on him. A fight began
in which the tall musician was more
than a match for the small artist. Then
Taffy appeared. With one hand he
seized Svengali's nose and with the
other he slapped Svengali on the cheek.
Svengali was only too glad to escape.
A few days later the Englishmen left
for home.
When Svengali brought his star to
London, she was the talk of the city.
Little Billee and his friends bought
tickets for Trilby's first concert.
At the last minute the concert was
canceled. Svengali had scolded Trilby
past the limit of Gecko's endurance, and
Gecko had attacked Svengali with a
knife. At that moment Trilby became
imbecile in her manner. While her hus
band remained ill she was incapable of
speech, and she spent all her time with
him. Svengali would not permit her
to leave him either to practice or to sing
her concert without him.
At last Svengali recovered. Not well
enough to conduct the orchestra, how
ever, he was compelled to occupy a seat
in a box facing Trilby as she sang.
When Little Billee and his friends ar
rived, they saw Svengali rise from his
place with a look of unalterable hatred
on his face. Then he slumped forward.
Trilby, led from the wings, took her place
somewhat mechanically. She seemed to
be looking for Svengali. The orchestra
began her number. She remained in
different, refusing to sing. Again and
again the orchestra began to play. At
last she demanded, in her old gutter
French, what they wanted of her. When
they said she was to sing, she told the
orchestra to be quiet; she would sing
without an accompaniment. Then she
began in the same flat voice with which
she had sung for Little Billee and his
friends years before. At once catcalls
shook the house. Terrified, Trilby had
to be led away. The confusion increased
when someone shouted that Svengali
was dead in his box.
The three friends went to Trilby's
dressing-room. Finding her frightened,
they took her to Little Billee's lodgings,
where the next day he and his friends
called on her. Trilby knew nothing of
her career as a singer, and she remem
bered Svengali only as the kindest man
in her life. She was pale and seemed
vastly aged.
She told them that Svengali had of
fered to look after her when she left
Paris. He had not married her, how
ever, for he already had a wife and
three children. As Trilby talked, her
mind seemed disturbed beyond recovery,
and a doctor was called in. She grad
ually became weaker and weaker. There
seemed little that could be done for
her.
Gecko went to prison for striking
Svengali. Svengali's money, which Tril
by had earned, went to his wife and
children. Each afternoon the three
friends went to visit Trilby. She became
more and more emaciated, and could no
longer rise from her chair. Only by
1024
smiles and gestures could she reveal to
them the gay, carefree Trilby of other
days in Paris.
One day a large life-like photograph of
Svengali was shown her. She began to
sing and charmed her listeners to tears
with the sadness of her song. Then
she fell asleep. A doctor, summoned
immediately, said she had been dead
for a quarter of an hour or more.
Years later Taffy and his wife, Little
Billee's sister, met Gecko in a cafe* in
Paris and he told them of Svengali's
influence over Trilby. Svengali had
hypnotized the girl, had made her a
singing automaton of matchless voice,
When the spell was broken, there was
no Trilby, Gecko claimed, for Svengali
had destroyed her soul. Taffy and his
wife told him how Little Billee had died
shortly after Trilby's death. There was
little any of them could say. They could
only wonder at the strangeness and sad
ness of Trilby's story.
TRISTRAM
Type of work: Poem
Author: Edwin Arlington Robinson (1869-1935)
Type of plot: Chivalric romance
Time of plot: Arthurian period
Locale: England and Brittany
First published: 1927
Principal characters:
TRISTRAM, Prince of Lyonesse
MARK, his uncle, King of Cornwall
HOWEL, King of Brittany
ISOLT OF THE WHITE HANDS, Howel's daughter
JSOLT, Princess of Ireland
GOUVERNAIL, Tristram's friend
ANDRED, Mark's minion
QUEEN MORGAN, the wily queen
Critique:
The old Breton lay of Tristram and
Yseidt is here reworked with happy re
sults. In Robinson's version the romance
loses some of its air of remoteness and
its rather stereotyped romantic conven
tion, and we have, instead, a genuine
love story with little except the names
to remind us of the Middle Ages. The
characters talk and think in a plausible
Always she looked to the north, toward
England, and her father, King Howel
of Brittany, loved his daughter too much
to let her attitude go unquestioned.
Isolt told her father she was waiting
for Tristram, who some time before had
made a visit to the Breton court. Fond
of Isolt as a man is fond of a child, he
had given her on his departure an agate
manner which adds to the ease of read- for a keepsake and had promised to come
ing. More than the modernization, how
ever, Robinson tells the story with real
lyric power. The use of symbolism, as
in the quiet ship on a still ocean at the
death of Tristram, brings vividness and
appeal to the tale.
The Story:
back. Now Isolt was a woman of eighteen
and she waited for Tristram as a woman
waitb for her lover. King Howel tried
to tell her that Tristram thought of her
as a child, and that he probably would
not return; but Isolt would not be con
vinced.
In Cornwall it was the wedding day of
Isolt of the white hands was too pen- old, lecherous King Mark and the dark
sive and preoccupied for a young girl, and beautiful Isolt of Ireland, his hride.
TRISTRAM by Edwin Arlington Robinson. By permission of the publishers, The Macmillan Co.
•ight, 1927, by Edwin Arlington Robinson.
1025
With the wedding feast in full swing,
the wine cup was often passed. Sick of
the drunken merriment and sicker with
inner torment, Tristram, nephew of the
king, left the feast and wandered in the
fresh night air.
King Mark, displeased by his nephew's
absence, sent Gouvernail, Tristram's pre
ceptor and friend, to ask him to return.
Tristram said only that he was sick. Then
feline Queen Morgan came to talk to
Tristram. She used all her arts and
blandishments on the brooding knight,
and they were cunning indeed, for
Queen Morgan, much experienced in the
arts of love, was more than a little at
tracted to Tristram. But Tristram re
peated stubbornly that he was sick.
Then there was a soft step on the
stair, as Brangwaine came, followed a
moment later by dark-caped, violet-eyed
Isolt of Ireland herself. She looked at
Tristram but said nothing as he took her
in his arms. Memories hung about them
like a cloud.
King Mark was old and unattractive,
and he had wanted a young wife in his
casde. Yearning for Isolt of Ireland, he
had sent as emissary his gallant nephew,
Tristram, to plead his cause. Tristram
had to fight even to get to the Irish
court. After he had slain the mighty
Morhaus, Isolt's uncle, he made a bar
gain of state with the Irish king and took
Isolt back to Cornwall in his boat. One
night they were alone with only the
sea and the stars to look upon them.
Isolt waited in vain for Tristram to
speak. If he had, she would have loved
him then, and there would have been
no marriage of convenience with King
Mark. But bound by knightly fealty
Tristram kept silent and delivered Isolt
to his uncle. Now he looked at her and
regretted bitterly that he had not spoken
on the boat.
Andred stole behind them to spy on
their love-making, He- was a faithful
servitor of King Mazrk? but jealousy of
Tristram and love for Jsolt motivated
Kim as well. But Tristram saw Andred
skulking in the shadow, seized him, and
threw him heavily on the rocks. When
King Mark himself came out to inquire
about his absent guests, he stumbled over
Andred's unconscious body and stood
unseen long enough to hear the pas
sionate avowals of Tristram and Isolt.
Since Tristram was his nephew, King
Mark did not have him killed, but he
banished Tristram forever from Corn
wall on pain of burning at the stake.
The sick Tristram wandered in a fever.
When he recovered, he found himself the
captive of Queen Morgan in her castle.
Queen Morgan eventually gave up her
siege of Tristram's heart and let him
go-
Next Tristram went to Brittany,
where a griffin, giant scourge of the
Breton land, was threatening King Howel
and his court. Knightly Tristram, fierce
in battle although sick for love, slew the
griffin and put his hosts to flight. As
a hero, Tristram had a secure place at
King Howel's court, and there he mar
ried Isolt of the white hands. He pitied
her and she loved him, although she
knew of his sorrow. For two years Tris
tram was a faithful husband and reigning
prince.
Then from the north came another
ship with Gawaine aboard bringing a
message from King Arthur. For his
deeds Tristram was to become a Knight
of the Round Table; hence his summons
to Camelot. Isolt watched her husband
go with quiet despair, for she feared he
would not come back. She had little
dread of King Mark, for Gawaine had
told her in secrecy that King Mark was
in prison. The Cornish king had forged
the Pope's signature on a paper ordering
Tristram to go fight the Saracens, and
his forgery had been detected. But some
how Isolt knew that Tristram's danger
lay in Cornwall.
Guinevere, Arthur's queen, and her
lover, Lancelot, plotted to bring Irish
Isolt and Tristram together. Lancelot
took Tristram to Joyous Guard, his tryst-
ing casde, and Guinevere brought Isolt
1026
of Ireland secretly out of Cornwall. So
the lovers were together again, while
King Mark was in prison.
They had a happy summer together
and as autumn drew near Tristram lost
a little of his apprehension. Early one
morning he went out on the sea while
Isolt slept. When he returned, there
were strangers in Joyous Guard and
Isolt was gone. King Mark, released
from prison, had abducted his wife and
carried her off to Cornwall.
Tristram moped in silence until he
had a letter from Queen Morgan. She
chided him for his lovesickness and urged
him to see his Isolt once more. Goaded
by the wily queen, Tristram rode to
Cornwall prepared to fight and die for
a last look at Isolt. But when he ar
rived at his uncle's castle, he entered
easily and in surprised joy sought out
Isolt. She told him that she was near
death. King Mark, in pity for her wast
ing figure and sick heart, had given her
permission to receive her lover. Isolt
and Tristram, sad in their love because
Isolt was to die, sat on the shore and
gazed out at a still ship on the quiet
ocean. While they sat thus, the jealous
Andred crept up behind them and stabbed
Tristram in the back. So Tristram died
before Isolt after all. King Mark finally
realized that Andred was also in love
with Isolt, and he regretted that his
lecherous lust for a young queen had
brought sorrow and death to many lives.
Gouvernail went back to Brittany to
convey the grievous news of Tristram's
death to Isolt of the white hands, who
divined the truth when he disembarked
alone. He told her only part of Tristram's
sojourn in England, only that Tristram
had seen the dying Isolt of Ireland a last-
time with King Mark's consent, and that
Andred had killed Tristram by treachery.
Isolt was silent in her grief; no one could
know what she was thinking, nor how
much she divined of Tristram and the
other Isolt.
Now Isolt looked no more for a ship
from England. On the white sea the
white birds and the sunlight were alive.
The white birds were always flying and
the sunlight flashed on the sea.
TRISTRAM SHANDY
Type of work; Novel
Author; Laurence Sterne (1713-1768)
Type of plot: Humorous sensibility
Time of plot: 1718-1766
Locale: Shandy Hall in England
First published: 1760-1767 (published in several books)
Principal characters:
TRISTRAM SHANDY, who tells the story
MR. WALTER SHANDY, his father
MR. TOBY SHANDY, his uncle, an old soldier
CORPORAL TRIM, Uncle Toby's servant
MR. YORICK, a parson
DR. SLOP, a medical quack
WIDOW W ADMAN, a romantic widow
Critique:
The Life and Opinions of Tristram
Shandy, Gentleman is one of the most
amusing books ever written. In part, its
humor derives from Sterne's delight in
oddities of material and method. His
pleasure in the unexpected creates sur
prise on almost every page. Memory and
an intense sensibility combine to create
the first true psychological novel in Eng
lish literature. The organization of the
novel is based on little more than Sterne's
whims. Diagrams, unusual uses of type,
and strange numbering of the pages are
amusing pranks played by the author.
1027
The Story:
Tristram Shandy, in telling the story
of his earliest years, always believed that
most of the problems of his life were
brought about by the fact that the mo
ment of his conception was interrupted
when his mother asked his father if he
had remembered to wind the clock. Tris
tram knew the exact date of his con
ception, the night between the first Sun
day and the first Monday of March,
1718. He was certain of this date be
cause, according to his father's notebook,
Mr. Shandy set out immediately after
this date to travel from Shandy Hall up
to London. Before this date Mr. Shandy
had been seriously inconvenienced by an
attack of sciatica.
Another complication of Tristram's
birth was the marriage settlement of his
parents. According to this settlement,
quoted in full by Tristram, Mrs. Shandy
had the privilege of going to London
for her lying-in. But, if Mrs. Shandy
were to put Mr. Shandy to the expense
of a trip to London on false pretenses,
then the next child was to be bom at
Shandy Hall. The circumstance of a
needless trip to London having occurred
some time before, Mr. Shandy stoutly
insisted that Tristram should be born at
Shandy Hall, the birth to be in the
hands of a country midwife, rather than
in those of a London doctor.
On the night of Tristram's birth, his
father and his Uncle Toby were sitting
in the living-room engaged in one of
their interminable discussions and de
bates. Informed by Susannah, the maid,
that Mrs. Shandy was about to be deliv
ered of a child, they sent for the mid
wife. As an extra measure of safety, they
sent also for Dr. Slop, a bungling country
practitioner whom Mr. Shandy admired
because he had written a five-shilling
book on the history of midwifery. While
the midwife attended Mrs. Shandy, the
doctor would, for a fee of five guineas,
drink a bottle of wine in the back parlor
with Mr. Shandy and his brother, Toby.
Uncle Toby, who had been called the
highest compliment ever paid human na
ture, had been a soldier until he was
wounded during the siege o£ Namur in
1695. The wound, the exact position of
which was to play such a large part in
Tristram's story later on, forced him to
retire to the country. There at the sug
gestion of his faithful servant, Corporal
Trim, he had built, on a bowling green
behind Shandy Hall, a large and compli
cated series of model fortifications and
military emplacements. Uncle Toby's
entire time was spent playing soldier and
thinking about this miniature battlefield.
It was his hobbyhorse, and he rode it
continually with the greatest of pleasure.
Mr. Shandy was not at all taken with
his brother's hobby, and had to keep him
from discussing it by violent interruptions
so that he could himself continue, or
start, one of his long and detailed digres
sions on obscure information.
As the two brothers sat awaiting the
arrival of the midwife and her rival, Dr.
Slop, Mr. Shandy made a rhetorical ques
tion of the subject of Mrs. Shandy's pref
erence for a midwife rather than a male
doctor. Uncle Toby suggested naively
that modesty might explain her choice.
This innocent answer led Mr. Shandy
into a long discussion of the nature of
women, and of the fact that everything
in the world has two handles. Uncle
Toby's innocence, however, always made
it impossible for him to understand such
affairs.
Dr. Slop, with his bag of tools, finally
arrived. The midwife was already in
attendance when he went up to see about
the birth of the child. Meanwhile, to
pass the time, Corporal Trim read a ser
mon aloud. Dr. Slop, in attending Mrs.
Shandy, unfortunately mistook Tristram's
hip for his head. In probing with his
large forceps, he flattened what Tristram
always referred to as his nose. This mis
take Tristram blamed essentially on the
affair of the winding of the clock men
tioned earlier. This, and a later incident
concerning the falling of a window sash
1028
when Tristram, still a little boy, was
relieving himself through a window,
brought about a problem in his anatomy
which he mentioned often in his story of
his life.
Between Tristram's birth and almost
immediate baptism, Mr. Shandy enter
tained the company with a long story he
had translated from the Latin of the old
German writer, Slawkenbergius, a tale
telling of the adventures of a man with
an especially long nose. By the time Mr.
Shandy had recovered from the bad news
of the accident with the forceps, and had
asked about his child, he learned that it
was very sickly and weak; consequently
he summoned Mr. Yorick, the curate, to
baptize the child immediately. While
rushing to get dressed to attend the cere
mony, Mr. Shandy sent word to the par
son by the maid, Susannah, to name the
child Trismegistus, after an ancient phi
losopher who was a favorite of Mr.
Shandy, Susannah forgot the name, how
ever, and told Mr. Yorick to name the
child Tristram. This name pleased the
old man because it happened to be his
own as well. When Mr. Shandy, still
half unbuttoned, reached the scene, the
evil had been done. Despite the fact
that Mr. Shandy thought correct naming
most important, his child was Tristram,
a name Mr. Shandy believed the worst
in the world. He lamented that he had
lost three-fourths of his son in his un-
Fortunate gcniture, nose, and name.
There remained only one fourth — Tris
tram's education.
Tristram managed to give a partial
account of his topsy-turvy boyhood be
tween many sidelights on the characters
of his family. Uncle Toby continued to
answer most of his brother's arguments
by softly whistling Lillibullero, his fa
vorite tune, and going out to the little
battlefield to wage small wars with his
servant, Corporal Trim. The next im
portant event in the family was the
death of Master Bobby, Tristram's older
brother, who had been away at West
minster school. To this event Mr. Shandy
reacted in his usual way by calling up all
the philosophic ideas of the past on
death and discoursing on them until
he had adjusted himself to the new
situation. The tragic news was carried to
the kitchen staff and Susannah, despite
a desire to show grief, could think of
nothing but the wonderful wardrobe of
dresses she would inherit when her mis
tress went into mourning. The vision of
all Mrs. Shandy's dresses passed through
her mind. Corporal Trim well demon
strated the transitory nature of life by
dropping his hat, as if it had suddenly
died, and then making an extem
poraneous funeral oration.
After many more digressions on war,
health, the fashions of ancient Roman
dress, his father's doubts as to whether
to get Tristram a tutor, and whether
to put him into long trousers, Tristram
proceeded to tell the history of his Uncle
Toby, both in war and in love. Near
Shandy Hall lived the Widow Wadman,
who, after laying siege to Uncle Toby's
affections for a long period, almost got
him to propose marriage to her. But the
gentle ex-soldier, who literally would not
kill a fly, finally learned the widow's pur
pose when she began to inquire so
pointedly into the extent and position
of his wound. First he promised the
widow that he would allow her to put
her finger on the very spot where he was
wounded, and then he brought her a
map of Namur to touch. Uncle Toby's
innocence balked her real question until
Corporal Trim finally told his master
that it was the spot on his body, not
the spot on the surface of the world
where the accident took place, that was
the point of the Widow Wadman's in
terest. This realization so embarrassed
the old man that the idea of marriage
disappeared from his mind forever. Tris
tram concluded his story with Parson
Yorick's statement that the book had
been one of the cock and bull variety,
the reader having been led a mad, but
merry, chase through the satirical and
witty mind of the author.
1029
TROILUS AND CRISEYDE
Type of work: Poem
Author: Geoffrey Chaucer (1340M400)
Type of 'plot: Chivalxic romance
Time of flot: Trojan War
Locale: Troy
First transcribed: c. 1382
Principal characters:
TROILUS, young prince of Troy
CRISEYDE, a young widow
PANDARUS, Troilus' friend and Criseyde's uncle
DTOMEDES, a Greek warrior
Critique:
Troilus and Criseyde, the only long
work completed by Chaucer, is based on
the legend of the Trojan War. The char
acters, however, behave in the best tradi
tion of the medieval court of love. As
an incomparable teller of tales, and as a
great poet, Chaucer combined his two
talents to produce this almost perfectly
constructed narrative poem. The effective
depiction of character and its develop
ment in the poem forecast the shrewd
observations of human nature made by
Chaucer in the prologue to The Canter
bury Tales.
The Story:
Calchas, a Trojan prophet, divining
that Troy was doomed to defeat, fled
to the Greeks. He left behind him his
beautiful daughter, Criseyde, a young
widow.
One day in April the citizens of
Troy were observing the rites of the
spring festival. Among those in the
temple was Troilus, a younger son of
King Priam of Troy. Troilus, scornful
of the Trojan swains and their love-
sickness at this season, saw Criseyde for
the first time and fell deeply in love
with her. Sick with the love malady he
had always scorned, Troilus invoked the
god of love to have pity on him. Feeling
that he had no hope of winning Criseyde,
he became the scourge of the Greeks on
the battlefield.
Pandarus, friend of Troilus, offered
his advice and help when he learned
that Troilus had lost his heart to a beauti
ful Trojan. When Troilus at length dis
closed that his lady was the fair Criseyde,
Pandarus offered to become a go-between,
a service he was well able to perform
since he was Criseyde's uncle.
Pandarus called on his niece to gossip
with her. They discussed Priam's sons
and Pandarus praised the bravery of
Troilus. Subtly he disclosed to Criseyde
that young Troilus was dying for love
of her. Criseyde, suspecting that the
intentions of neither Troilus nor Pan
darus were honorable, cried out in dis
tress at this information, but Pandarus
soon convinced her that Troilus' love
was pure. She felt herself drawn to the
prince when she beheld his modesty as
he rode past her house after a day of
battle outside the walls of Troy. She
decided, after much inner turmoil, that
it would not be dishonorable to show
friendship to Troilus in order to save
the young man's life.
At the suggestion of Pandarus, Troilus
wrote a letter to Criseyde. Impressed,
she wrote a restrained letter in return.
When Troilus, wishing to be with
Criseyde, soon tired of this correspond
ence, Pandarus arranged a meeting by
asking Deiphobus, brother of Troilus, to
invite the pair to his house for dinner.
After the dinner Criseyde gave the
miserable prince permission to be in her
service and to adore her.
Pandarus, eager to bring about a pri
vate meeting of the lovers, studied the
stars and decided on a night which
would be propitious for their tryst. He
1030
invited Criseyde to dine with him on that
evening. Troilus was already hidden in
his house. As the lady prepared to take
her leave, it began to rain and Pandarus
persuaded her to stay. So through Pan-
dams' wiles the lovers were brought to
gether. After yielding, Criseyde gave
Troilus a brooch as a token of their love.
About that time a great battle was
fought between the Greeks and the
Trojans and several of the Trojan leaders
were captured. In an exchange of
prisoners Calchas persuaded the Greeks
to ask for Criseyde in return for Antenor,
a Trojan warrior. The Trojan parlia
ment, after much debate, approved of
the transaction. Fleeter, another brother
of Troilus, argued that Criseyde should
remain in Troy, but without success.
Troilus was in despair, and Criseyde pre
pared to be separated from her lover,
Pandarus brought the lovers together
secretly after plans for the exchange had
been made. Criseyde, broken-hearted,
told the prince that their separation
would not be for long, and that she
would remain faithful to him.
Troilus and his party accompanied
Criseyde to the place appointed for the
exchange. There they met Antenor and
conducted him to Troy, while Diomedes,
a young Greek warrior, led Criseyde away
to the Greek camp. Troilus returned to
Troy to await the passing of ten days, at
the end of which time Criseyde had
promised she would return. But
Diomedes had seduced the fair Criseyde
by the tenth day. She gave him a brooch
she had received from Troilus at their
parting; Diomedes gave her a horse he
had captured from Troilus in battle.
After several weeks of anxious wait
ing, Troilus wrote to Criseyde. She
answered him, avowing weakly her love
for him and saying that she would return
to Troy at the earliest opportunity,
Troilus, sensing that something was
amiss, grieved. One day he saw the
brooch which he had given Criseyde on a
piece of armor taken from Diomedes on
the battlefield. Knowing that Criseyde
had forsaken him for another, Troilus
sought out and fought Diomedes inde
cisively many times. Eventually the un
happy Troilus was killed by mighty
Achilles.
TWENTY THOUSAND LEAGUES UNDER THE SEA
Type of work: Novel
Author. Jules Verne (1828-1905)
Type of plot: Adventure romance
Time of plot: 1866-1867
Locales The Seven Seas
First published,: 1870
Principal characters;
PROFESSOR PIERRE ARONNAX, a French scientist
CONSEIJL, his servant
NED LAJNT>, his friend and companion
CAPTAIN NEMO, captain of the Nautilus
Critique:
Many writers have had vivid and
penetrating imaginations which permitted
them to speculate about things to come.
Jules Verne was one of these, and his
book is in the tradition that has given
us Utopian stories of revealed discoveries
and inventions yet to occur. In this in
stance Verne was really prophetic. The
submarine and most of the inventions
conceived by Captain Nemo have be
come realities. Books of this nature are
seldom great, but they are always in
teresting.
The Story:
In different parts of the ocean, a
number of ships had sighted a mysterious
monster, gleaming with light, such as no
1031
man had ever seen before. After this
monster had attacked and sunk several
vessels, people all over the world were
both amazed and alarmed. Finally an
American frigate, the Abraham Lincoln,
was fitted out to track down and destroy
the mysterious sea creature. Among its
passengers was Pierre Aronnax, Pro
fessor of Natural History in the Museum
of Paris, who had published his opinion
that the monster was a giant narwhal.
One of the crew was Ned Land, an
expert harpooner. For quite a while
the ship sailed without sighting anything
even remotely resembling the reported
terror of the seas.
The creature was sighted at last. When
an opportunity presented itself, Ned
Land threw his harpoon, but the mon
ster was uninjured and Land realized
that it was protected by a thick steel-like
armor. During a pursuit in the dark
ness, a terrific explosion rocked the ship.
Professor Aronnax, Ned Land, and Con-
seil found themselves floundering in the
water. Aronnax fainted. Regaining con
sciousness, he discovered that they were
aboard some sort of underwater craft.
Later two men came to greet them. The
survivors from the ship spoke to them
in various languages, but the men ap
peared not to understand. Then the
captain of the vessel appeared and spoke
to them in French. He revealed that
his name was Nemo, that the vessel was
a submarine, that they were, in effect,
prisoners who would have every liberty
aboard, except on occasions when they
would receive orders to retire to their
cabins.
The submarine Nautilus, Aronnax
learned, had been built in a complicated
manner. Parts of it had been secured
from various places and secretly assem
bled on a desert island. Then a fire
had been set to destroy all traces of the
work done there. The ship manufactured
its own electricity, had provisions for
quantities of oxygen which allowed it
to remain submerged, and was as com
fortable as any home. All food came
from the ocean. There was fish, but
fish such as Aronnax had never before
tasted. There was clothing made from
some sort of sea fibres. There were
cigars, not of tobacco but of a special
seaweed. Captain Nemo showed them
air guns which allowed him and the
crew to go hunting, as well as a device
that permitted the crew to walk the
ocean floor.
In the Pacific, Captain Nemo invited
the three survivors to a hunt in the
marine forest of Crespo, where Ned
Land saved Captain Nemo's life by
killing a creature which was about to
put an end to the captain. Later, the
captain saved Land's life. In Ceylon
they watched the pearl divers in the
oyster beds. There Nemo saved an
Indian from the jaws of a shark.
Off the coast of Borneo the three sur
vivors decided to go ashore in the hope
of bagging some land game. While they
were hunting, they were attacked by
natives. Although they managed to get
back to the Nautilus, the savages re
mained clustered about the ship. Aron
nax was alarmed, certain that the natives
would board the submarine when the
hatches were opened for oxygen the
next morning. He took his problem to
Captain Nemo, who was not at all
worried. Instead he told the professor
about an eighteenth-century ship that
had sunk with a full cargo of gold. The
next morning, when the hatches were
opened, the natives did try to come
aboard, but the few who touched the
rails let out a shriek and retreated in
terror. Ned Land touched the rail and
was paralyzed with shock; the rail was
electrified.
The captain announced suddenly thai
he would enter the Mediterranean.
Aronnax supposed that he would have
to circle the Cape of Good Hope. To
his astonishment, he learned that the
captain had discovered a passage under
the Isthmus of Suez. The submarine
entered the Mediterranean through the
underwater passage.
1032
On one occasion the three companions
were ordered to go to their cabins. Some
sort of encounter occurred, and later
Aronnax was called upon to treat a crew
member who had been injured. When
the sailor died, he was buried in a coral
forest on the ocean floor. By that time
the survivors had discovered that Cap
tain Nemo had a tremendous fortune
in gold salvaged from sunken vessels.
Although the captain had some mysteri
ous hatred against society, he neverthe
less used the money to benefit his un
fortunate fellow men.
Ned Land grew to dislike the captain
very much. He told Aronnax that he
would escape as soon as an opportunity
presented itself. They thought such an
opportunity had come when they rounded
Spain, but their plan did not materialize.
When they came close to Long Island,
they thought the time for escape had
come. But a sudden hurricane blew the
ship off its course, toward Newfound
land.
On another occasion the captain
astonished them by heading toward the
South Pole. There the ship was en
dangered by an iceberg, and for several
days passengers and crew were in danger
of their lives. Escaping, they headed
northward. As the Nautilus approached
the coast of Norway, it was suddenly
drawn into the notorious maelstrom, the
deathtrap for so many ships. Shortly
before, the submarine had encountered
a mysterious ship which had attacked it,
The submarine succeeded in sinking
the unknown vessel. Aronnax believed
that in this incident there was a clue
to Captain Nemo's hatred of society.
The professor never knew what
actually happened after the Nautilus was
drawn into the maelstrom. When he
awoke, he and his companions were safe
and sound on a Norwegian island. They
also had no idea how they had reached
the island. They were the only men
who now knew the secrets of the ocean
— if Captain Nemo and his crew had
perished.
TWO YEARS BEFORE THE MAST
Type of work: Record of travel
Author: Richard Henry Dana, Jr. (1815-1882)
Type of plot; Adventure romance
Time of plot: 1834-1836
Locale: California and the high seas
First published: 1840
Principal character:
RICHARD HENRY DANA, JR.
Critique:
The author wrote this realistic account
of the life of a common sailor to make
the public aware of the hardships and
injustices to which American sailors were
subjected. In his narrative, chiefly in the
form of a journal, Dana explains life at
sea at great length. The book also re
veals much about life in Spanish Cali
fornia in the early nineteenth century.
Dana was a careful observer, and his
story has the ring of authenticity through
out.
The Story:
In August, 1834, Richard Henry
Dana, Jr., shipped aboard the brig
Pilgrim out of Boston for a voyage to
California. He went as an ordinary sea
man, hoping to relieve his eye trouble
by the journey; upon his return he
planned to reenter Harvard College.
Since Dana was a completely green
hand, he was forced to bunk in the
steerage instead of in the forecastle with
the other sailors. At first his duties were
confusing, doubly so during the first
1033
two days, for he was violently seasick.
But he soon found his sea legs and
quickly learned shipboard routine. He
and his companions were kept busy all
day cleaning and repairing the ship. At
night they took turns standing watch.
The voyage was uneventful until
October, when the Pilgrim passed near
the mouth of the River Plate. Here
Dana encountered his first real storm at
sea. The weather then began to get
cold, and all the crew prepared to round
Cape Horn.
The seas at the Horn were high, and
they encountered snow and hail. Every
one's clothing was perpetually wet. By
the middle of November the ship rounded
the Horn and headed northward.
The first mishap of the voyage occurred
soon afterward, when a young sailor was
swept overboard. A boat lowered to
search for him found no trace of the lost
man. Following the custom of the sea,
the captain auctioned off the dead man's
clothing.
Near the end of November the brig
made the island of Juan Fernandez and
dropped anchor for the first time since
her departure from Boston. Dana was
glad to see land and managed to get
on shore for a short time. As soon as
the ship had taken on water, however, it
weighed anchor and headed for Cali
fornia.
Shortly after Christmas Dana was
acknowledged by the crew to be ex
perienced enough to move into the fore
castle with them. Now he was a real
seaman.
By the middle of January the Pilgrim
made her first California port at Santa
Barbara. There Dana learned that his
work for the next year would be loading
cattle hides into the ship. The sailors
carried the stiff, undressed hides out
through the surf on their heads and de
posited them in a boat. Then the crew
of the boat took the hides to the ship and
stowed them away.
The Pilgrim next sailed northward to
Monterey with some passengers. At that
port Mexican customs officers inspected
the cargo. Then the company agent
aboard the ship set up a store in order
to trade with the townspeople. The crew
was kept busy on a shuttle service be
tween ship and shore. Because he had
some knowledge of languages, Dana
became the interpreter for the Pilgrim,
and he was sent ashore on errands which
required a knowledge of Spanish. In
this way he became acquainted with the
town and its people. He found the
Spaniards to be pleasant but lazy, with
most of the trade carried on by foreigners.
Everyone owned horses; they were so
numerous that the price of a fine animal
was very low.
When business began to fall off, the
Pilgrim returned to Santa Barbara. There
the crew again began the work of collect
ing catde hides from shore. At the time
trouble was brewing aboard the ship.
Captain, mate, and crew were all at odds.
One day the captain began to flog a sailo
unjustly; when one of his shipmates stood
up for him, the captain flogged the second
sailor also. The sailors were angry, but
they had no higher power to which they
could appeal, for the captain's word was
law. Her hold filled with hides, the
Pilgrim sailed for San Diego.
In San Diego, Dana got his first
shore lenve. After drinking for a time
with the rest of the crew, he and a
friend hired horses and rode to a nearby
mission, where they were able to get a
good Mexican meal, a welcome change
£rom the salt beef served aboard ship.
The undressed hides were unloaded
from the Pilgrim and placed in a large
shed on the beach, where they were to
be dressed and stored until enough hides
had been collected for the voyage home.
Just as the ship had finished unloading
and was ready to set sail, a man deserted
ship. After an unsuccessful search, the
brig put to sea without him.
The Pilgrim took on more hides at
San Pedro and then continued on to
Santa Barbara. It was the Lenten season,
and Dana saw the celebrations ashore.
1034
The ship gathered more hides at several
places and returned to San Diego. After
the hides had been unloaded, the captain
sent Dana and another man ashore to
assist with the dressing of the hides.
Then the ship sailed northward on an
other coastal voyage.
Dana became acquainted with some
Sandwich Islanders who lived on the
beach and worked with him; he found
them to be generous men and true
friends. Some of his spare time he spent
reading books and studying navigation.
Each day he had to perform a certain
amount of work on a certain number of
hides, which had to be cleaned, soaked
in brine, scraped, dried, beaten, and then
stored away.
When the ship Alert arrived at San
Diego, Dana, anxious to be at sea again,
exchanged places with a boy aboard the
ship. The Alert belonged to the same
company as the Pilgrim; she was to take
aboard the hides collected by the brig
and carry them to Boston. The Pilgrim
was not to sail for home until later. The
two vessels had exchanged captains, and
Dana was under the same master as be
fore. However, the first mate of the
Alert was a good officer, and Dana found
conditions much more pleasant in his
new berth.
Loading hides, the Alert moved up and
down the coast for several months. In
the middle of November, 1835, she left
Santa Barbara with some passengers
bound for Monterey. However, such a
gale came up that the ship could not
put in at Monterey but went on up the
coast to San Francisco.
The ship then continued working up
and down the coast until there were
enough hides at San Diego to make her
full cargo. In May she headed south
ward for Cape Horn.
Rounding the Horn on the return
journey was even worse than on the way
out. Dana became sick with a toothache
at the time he was needed most on deck.
For days everyone had to work extra hours
because of the danger from icebergs.
Finally, however, the Alert got clear of
the ice and ran before a strong wind
around the Horn.
Once the ship entered the Atlantic
tropics, the weather was fair except for
occasional violent storms. Some of the
men began to come down with the
scurvy, but they were soon cured after
the crew obtained fresh vegetables from
a passing ship.
On September 21, 1836, the Alert
anchored in Boston harbor. Hurriedly
the crew performed their last duties in
bringing her to the wharf. Within five
minutes after the last rope had been
made fast, not one of the crew was left
aboard.
TYPEE
Type of work: Novel
Author: Herman Melville (1819-1891)
Type of floti Adventure romance
Time of ^lot: Mid-nineteenth century
Locale: Marquesas Islands
First published: 1846
Principal characters:
HERMAN MELVILLE (TOM), an American sailor
TOBY, his friend
MEHEVI, chief of the Typees
KORY-KORY, a native servant
FAYAWAY, a native girl
MARNOO, a native taboo man
Critique;
Typee is a fictionized narrative of Melville. Although most of the narrative
actual adventures of young Herman is based upon the capture and escape of
1035
Tom and Toby, much of the hook is
devoted to a description of the life of
the Typee cannibals. In spite o£ its some
what antiquated style, the book makes
fascinating reading. Typee has historical
interest because it is the first romance of
the South Seas.
The Story:
The whaler Dolly had been long at
sea, and the men were discontented
and restless when the captain finally
gave orders to put in at Nukuheva, one
of the Marquesas Islands. This was the
chance Tom and Toby, two young sailors,
had been waiting for. Even though the
natives of the island were known to be
cannibals, Tom and Toby deserted the
ship and fled inland, planning to hide
until the Dolly sailed. Then they hoped
to sign aboard another ship where they
would get better treatment.
Tom and Toby began their flight with
only a few biscuits for food. On the
first night away from the ship Tom
contracted some disease which caused his
leg to swell, and he was in much pain.
Nevertheless, he and Toby went on. At
last, when their food was all gone, they
realized that they could stay alive only
by giving themselves up to one of the
savage tribes that inhabited the island.
They discovered too late that the
natives to whom they surrendered them
selves were the Typee tribe, the most
ferocious cannibals on Nukuheva. Tom
and Toby were treated with respect,
however, and were given food and com
fortable quarters. All the natives came
to see the strangers. Mehevi, the king of
the Typees, appointed Kory-Kory as per
sonal servant to Tom. The captives
went to live in the home of Tinor, Kory-
Kory 's mother. Mehevi had a medicine
man examine Tom's swollen leg, but the
native remedies had no effect on the
disease.
Tom, unable to walk, spent most of
his time reclining in the house while
Kory-Kory attended to his needs. A
beautiful young maiden, Fayaway, was
also his constant companion. She, among
all the Typees, seemed to understand the
painful situation of the two captives.
Toby convinced the Typees that he
should be allowed to return to the main
harbor on the island to seek medical
aid for Tom. On the trail he was at
tacked by hostile warriors from a neigh
boring tribe, and he returned to the
Typees with an ugly head wound.
A few days later Toby discovered a
boat offshore. He was allowed to go
down by the beach, but Tom was de
tained in his house. Toby promised to
bring medical aid to Tom within three
days. But the three days passed without
the return of Toby. Tom could learn
nothing from the natives; he realized
that now he was the single captive of the
Typees. Somewhat recovered, he was
allowed to roam almost at will within
the country of the Typees. But he was
always accompanied by Kory-Kory; there
was no chance for escape.
As Tom's leg improved, he began to
indulge in the pleasures allowed him and
to observe the native life with interest.
The Typees seemed to exist in a per
petual state of happiness, interrupted
only by skirmishes with neighboring
tribes.
One of Tom's greatest pleasures was
to paddle a canoe about a small lake in
company with Fayaway. For the privilege
of taking Fayaway with him he had to
ask special permission, since entering a
canoe was ordinarily taboo for a woman.
One day a handsome stranger ap
peared among the Typees bearing news
from other parts of the island. He was
Marnoo, a taboo man, who was free to
go among all the tribes without harm.
When Tom learned that Marnoo knew
English, he asked the native to help
him escape. This Marnoo could not do
for fear of arousing the anger of the
Typees.
The daily life of the natives was ex
tremely regular. Each morning they
bathed and ate breakfast. After the meal
they smoked their pipes. The rest of
1036
the morning they spent sleeping, con
versing, or doing odd jobs about their
houses. The men often spent the after
noon in the large meeting house of
Mehevi; there they relaxed and joked in
a sort of bachelors' club. Before the eve
ning meal they bathed again. After the
meal the young girls entertained the rest
with dancing. Everyone retired at an
early hour.
Tom was present at the Feast of the
Calabashes. It seemed to have some
religious significance, but most of the
time was spent in eating and drinking.
During the two days of the festival Tom
decided the natives did not take their
religion seriously. They possessed many
idols not treated with any high degree
of respect. The most universal religious
observance was that of tattooing; every
one was tattooed upon the face, even
the women. The bodies of some of the
men were completely covered with intri
cate designs.
Since the men outnumbered the
women in the tribe, the women often
had two or three husbands. But the men
never had more than one wife. All in
the tribe seemed happy with the various
aspects of their social organization. Pri
vate property was limited to household
goods, food was common property. All
understood and followed the laws and
customs of the tribe; there were never
disputes among the Typees.
One day a battle was fought between
the Typees and a neighboring tribe. After
ward the bodies of the dead enemies
were taken to the ceremonial feasting
place. For the next day or two Tom was
not allowed to leave the vicinity of his
house. lie suspected that the Typees
were making a meal of their dead
enemies. Later he discovered the re
mains of the meal and found that he was
correct, though the Typees denied they
were cannibals.
A few days later Marnoo again ap
peared among the Typees. This time he
told Tom to try to escape by means of
the same path by which he left. Tom was
unable to leave the village, however, for
Kory-Kory kept close watch on him day
and night.
Not many days after Marnoo had left,
the Typees excitedly announced the ap
proach of a boat. Tom argued with the
natives and finally persuaded them to let
him go to the beach. He had some dif
ficulty in getting there, since his leg
had begun to swell again.
At the beach Tom found a boat from
an Australian ship standing just outside
the surf. Marnoo had told the Australian
captain of Tom's trouble, and he had
sent a boat loaded with presents to obtain
Tom's release. The Typees, however,
had no wish to release their captive. In
desperation, Tom broke away from the
guard which had been placed around
him and plunged into the surf. He
managed to reach the boat, and the
sailors pulled away from shore.
Thus ended Tom's captivity among
the Typees. His only regret was in leav
ing the faithful Kory-Kory and the
beautiful Fayaway.
Many years later Tom again met Toby
and learned from him that he had in
tended to return to the aid of his in
jured friend, but he had been tricked into
boarding a vessel which sailed from
Nukuheva the following day. It was
only long after Toby had given Tom
up for lost that the two friends learned
of each other's fate after their separation.
THE UGLY DUCHESS
Type of work: Novel
Author; Lion Feuchtwanger (1884-1958)
Type of ylot: Historical clironicle
Time of plot: Fourteenth century
Locale: Central Europe
First published: 1926
1037
Principal characters:
DUCHESS
PRINCE JOHANN, her husband
CHRETIEN BE LAFEKTE, aide to Prince Johann
MARGRAVE KARL LUDWIG, Margarete's second husband
PRINCE MEESTHARD, Margarete's son
KONRAD VON FRAUENBERG, Margarete's adviser
AGNES VON FLAVON, Margarete's rival
Critique:
Although this historical novel relies
mainly on interesting events to keep the
story going, the characters are well de
veloped and credible. To some readers,
however, the book may seem confusing,
because the plot is complicated by the
rivalries of various monarchs and the
political situations of the fourteenth cen
tury. In spite of these difficulties, the
character ol the ugly duchess gives the
novel a proper center at all times.
The Story:
Heinrich, King of Bohemia, Dulce of
Carinthia, and Count of Tyrol, was an
important person to three people — King
John of Luxemburg, Albert of Austria,
and Ludwig of Wittelshach. Though
most of the Icing's hereditary territory
had long been taken by others, the
Tyrol and other lands he still owned were
valuable. The three rival monarchs
sought, by various means, to control
them in order to extend their respective
empires.
John of Luxemburg persuaded Hein
rich to agree that his daughter, Princess
Margarete, should marry John's son,
Prince Johann of Luxemburg, and that
Princess Margarete should be declared
Heinrich's heir. It was not likely that
Heinrich himself should have another
heir, despite the fact that his wife,
Princess Beatrix, was still young.
Princess Margarete and Prince Johann
were married in childhood. At the wed
ding feast, Margarete took a fancy to
the prince's page, Chretien de Laferte,
and insisted that he be made a knight.
Johann refused, but Margarete had her
way when the prince's father agreed.
Margarete was undoubtedly one of
the ugliest women ever born. To com
pensate for her lack of charm, she con
centrated upon becoming a good ruler
and achieving power. Always she had to
be vigilant against the encroachments of
other nations, even against her own
barons and nobles, who were despoiling
the land. When her father died and
John of Luxemburg was killed in battle,
she and Johann were the joint heirs of
their principalities, but it was Margarete
who ruled, governing so cleverly that
her fame spread throughout Europe.
She and Chretien had become close
friends. When Heinrich's mistress died,
she left three daughters. One of these,
Agnes von Flavon, appealed to Mar
garete and Johann to be permitted to
retain the two fiefs which Heinrich had
granted her mother. Johann was will
ing, but the princess declared that one
of the estates should go to Chretien.
When a group of barons, including her
illegitimate brother, Albert, plotted to
drive the Luxemburgers from the coun
try, Margarete consented to the revolt
and urged that Chretien be made leader
of the rebels. Then Johann informed
Margarete that Agnes was to marry
Chretien. Margarete sent anonymous
letters telling of the planned revolt, and
the rebellion was put down. Chretien's
head was sent to her by Johann, who did
not know that Margarete herself had re
vealed the conspiracy.
A Jew named Mendel Hirsch came to
the castle to ask for permission to settle
in the Tyrol. Margarete granted his
petition and the country prospered from
the industry and crafts which the Jews
THE UGLY DUCHESS by Lion Feuchtwanger. Translated by Wills and Edwin Muir. By permission of
:he publishers, The Viking Press, Inc. Copyright, 1928, by The Viking Press, Inc.
1038
brought to the area. Mendel Hirsch be
came her confidant. Meanwhile another
rebellion was brewing. Jacob von
Schenna, a friend from her youth,
brought the news of die plot to Marga-
rete. She consented to it listlessly, for her
spirit had been broken because of a
pogrom which resulted in the death of
Hirsch and the other Jews. When Prince
Johann returned to the castle, he found
it barred to him. Margarete had their
marriage annulled.
Margarete and Margrave Karl, son of
Emperor Ludwig, were married. As a
result, Luxemburgers close to the Pope
influenced the pontiff to excommunicate
Margarete and Karl and to place the
land under an interdict. John's son was
elected Holy Roman Emperor in place
of the excommunicated Ludwig. The
years that followed were not happy ones,
and plagues and destructive fires ravaged
the country. Margarete was blamed be
cause the people thought these visita
tions a punishment for her illegal mar
riage. She and Karl had a son, Prince
Meinhard, who grew up easy-going and
not intelligent. Conditions of the coun
try were so perilous that Margarete, in
an effort to secure money, entered into
an agreement with Albert of Austria,
who promised financial assistance in re
turn for a treaty by which Tyrol should
go to Austria if she died without heirs.
In the meantime Prince Johann wished
to remarry. Accordingly, he went to
Margarete and made an agreement with
her. When a new Pope was elected, the
marriage of Margarete and Karl was
solemnized and Prince Meinhard was
declared their rightful heir. Later the
interdict was lifted and church bells
pealed as services were resumed.
One day, as the margrave was setting
out on a trip, Konrad von Frauenberg,
Margarete's unscrupulous adviser, went
to her to say goodbye and hinted that
his death might occur at any moment
since Karl detested him. But it was the
margrave who died, mysteriously poi
soned, leaving Margarete the undisputed
ruler of the principality. Then Prince
Meinhard and another young prince
formed the Arthurian Order, which pil
laged the community. Later the order
was put down, but Prince Meinhard
stayed in Munich, the pawn of a rival
prince. Agnes von Flavon was also in
Munich and plotting against Margarete.
At the castle a group led by Konrad
von Frauenberg had organized a council
for the control of the state. Margarete
wanted her son back, sure that her posi
tion would be stronger if he could be
married to an Austrian princess. Von
Frauenberg went to Munich and after
some time succeeded in persuading
Prince Meinhard to return home. But
as they were crossing the mountains, von
Frauenberg pushed Meinhard off a cliff.
He told the pursuers that the prince's
death had been an accident.
Agnes von Flavon returned to Tyrol,
where she was promptly imprisoned by
Margarete. Tried for crimes against the
state, she was convicted. Margarete in
sisted that Agnes be executed, but the
council refused to pass the death sen
tence. Balked, Margarete was willing to
free Agnes if the prisoner would acknowl
edge her crimes against die state, promise
to plot no more, and leave Tyrol Agnes,
believing that Margarete would not ordei
her execution, refused. A few days later
Konrad von Frauenberg slipped into her
cell and poisoned Agnes.
Her funeral took place on the same
day that Prince Meinhard was buried.
All the nobles and barons went to Agnes'
funeral; no one went to that of the
prince. Even in death Agnes had won.
A few days later Margarete was called
upon to honor her agreement with
Austria. Accordingly, she signed a proc
lamation to the effect that her territories
were now the property of the Austrian
duke. Then Margarete went into exile,
to spend the rest of her days in a peasant's
hut. A greedy, ugly old woman, she
sniffed hungrily whenever she smelled
fish cooking for dinner.
1039
ULYSSES
Type of work: Novel
Author: James Joyce (1882-1941)
Type of fat: Psychological realism
Time of fat: June 16, 1904
Locale: Dublin
First yuHlisheci: 1922
Principal characters:
STEPHEN DEDALUS, a young Irish writer and teacher
BUCK MULLIGAN, a medical student
LEOPOLD BLOOM, a Jewish advertising salesman
MARION TWEEDY BLOOM (MOLLY), his wife
BLAZES BOYLAN, Mrs. Bloom's lover
Critique:
Ulysses is an attempt at the complete
recapture, so far as it is possible in fiction,
ot the life of a particular time and place.
Ine scene is Dublin, its streets, homes,
shops newspaper offices, pubs, hospitals,
brothels, schools. The time is a single
day in 1 904. A continuation of the story
ot btepnen Dedalus as told in A For-
trait of the Artist as a Young Man, the
novel is also a series of remarkable
Homeric parallels, the incidents, charac-
ters, and scenes of a Dublin day cor-
responding to those of the Odyssean
myth. Leopold Bloom is easily recogniz-
able as Ulysses; Molly Bloom, his wife,
as Fenelope, and Dedalus himself as
Telemachus, son of Ulvsses— in Joyce's
novel Blooms spiritual son. The book
is written in a variety of styles and
techniques, the most important being
the stream of consciousness method by
which Joyce attempts to reproduce not
only the sights, sounds, and smells of
Dublin, but also the memories, emotions,
and desires of his people in the drab
modern world . Ulysses is the most widely
discussed novel of our time, the most
influential for technique and style.
The, Story:
tt^V A/T n- i ,
Buck Mulligan mounted the stairs
MnSf T' ^T1 t0 Shave
1904 A°L that^™§ ?£ J™ |6>
1904. A moment later Stephen Dedalus
came^the stairhead and stood looking
out over Dublin Bay. When Mulligan
spoke of the sea glinting in the morn
ing sunlight, Stephen had a sudden
vision of his own mother, to whose
deathbed he had been called back
from Paris a year before. He re
membered how she had begged him to
pray for her soul and how he, rebelling
against the churchly discipline of his
boyhood, had refused.
After breakfast Stephen and Mulligan
went off with Haines, a young English
man who also lived in the old tower.
In spite of the Englishman's attempts to
be friendly, Stephen disliked Haines,
who was given to night-long drunken
sprees. Stephen felt that his own life
was growing purposeless and dissolute
through his association with Mulligan
and other medical students.
Stephen was a teacher. Because it was
a half-holiday at school, the boys were
resdess. One of his pupils was unable
to do his simple arithmetic problems,
and in the boy Stephen saw for a mo
ment an image of his own awkward
youth. He was relieved when he could
dismiss the class.
Later he walked alone on the beach.
He thought of literature and his student
days, of his unhappiness in Dublin, his
lack of money, his family sinking into
poverty while his shabby-genteel father
made his daily round of the Dublin
pubs. He saw the carcass of a dead doe
o
<* the publish'»> *«*» House, lac. Copyright, 1914. 1918,
10*0
rolling in the surf. Stephen remembered
how a dog had frightened him in his
childhood; he was, he thought wryly,
not one of the Irish heroes.
Meanwhile Leopold Bloom had crawled
out of hed to prepare his wife's break
fast. He was a Jewish advertising sales
man, for sixteen years the patient, un
complaining husband of Marion Tweedy
Bloom, a professional singer of mediocre
talent. He was vaguely unhappy to
know that she was carrying on an affair
with Blazes Boylan, a sporting Irish
man who was managing the concert tour
she was planning.
Munching his own breakfast, Bloom
read a letter from his daughter Milly,
who was working in a photographer's
shop in Mullingar. Her letter reminded
Bloom of his son Rudy, who had died
when he was eleven days old. Bloom
read Milly's letter again, wondering
about a young student his daughter
mentioned. For a moment he was afraid
that Milly might grow up like her
mother.
Bloom set out on his morning walk. At
the post-office he stopped to pick up a
letter addressed to Henry Flower, Esq.,
a letter from a woman who signed her
self Martha. Bloom, unhappy at home
and under another name, was carrying
on a flirtation by mail. Idly he wandered
into a church and listened to part of the
mass. Later he joined a party of mourners
on their way to the funeral of an old
friend, Paddy Dignam, who had died
suddenly of a stroke. During the service
Bloom watched Father Coffey. He
thought again of little Rudy and of his
own father, a suicide.
The day's business for Bloom was a
call at a newspaper office to arrange for
the printing of an advertisement. While
he was there, Stephen Dedalus also came
to the office. The two men saw each
other, but they did not speak.
Leaving the newspaper building,
Bloom walked across the O'Connell
bridge. He met Mrs, Breen and gave her
an account of Dignam's funeral. She
told him that Mrs. Purefoy was in the
maternity hospital in Holies Street. Bloom
walked on, watching the sights of Dub
lin on a summer day. At last he entered
Davy Byrne's pub and ordered a cheese
sandwich. Later he went to the National
Library to look at some newspaper files.
There Stephen, flushed with the drinks
he had taken at lunch, was expounding
to Buck Mulligan and some literary
friends his own ingenious theory of
Shakespeare's plays and the second-best
bed of Shakespeare's will. Again Bloom
and Stephen saw one another but did not
speak.
Bloom went to the Ormond Hotel for
a late lunch. Blazes Boylan came into
the bar before he went off to keep an
appointment with Molly.
Late in that afternoon Bloom got into
a brawl in a pub where the talk was all
about money Blazes Boylan had won in
a boxing match. Escaping from the
jeering crowd, Bloom walked along the
Sandymount shore and in the dimming
twilight watched young Gertie Mac-
Dowell. The moon rose. Bloom decided
to stop by the hospital to ask about Mrs.
Purefoy. As he walked slowly along
the strand a cuckoo-clock struck nine
in a priest's house he was passing. Bloom
suddenly realized that he had been
cuckolded again, while he sat dreaming
his amorous fantasies on the Dublin
beach.
At the hospital he learned that Mrs.
Purefoy 's baby had not yet been born.
There he saw Stephen Dedalus again,
drinking with Buck Mulligan and a
group of medical students. Bloom was
disturbed to find the son of his old
friend, Simon Dedalus, in that ribald,
dissolute company.
Bloom went with the medical students
to a nearby pub, where Stephen and Buck
Mulligan began a drunken argument
over the possession of the key to the
old tower. When the group broke up
Stephen and one of the students went
on to a brothel in the Dublin slums,
Bloom following them slowly. All were
1041
drunk by that time. Bloom had a dis- his breakfast in the morning,
torted, lurid vision of his wife and Blazes Molly Bloom lay awake thinking oi
Boylan together. Stephen, befuddled, Blazes Boylan. She thought of the
thought that his dead mother suddenly mysteries of the human body, of people
appeared from the grave to ask him again she had known, of her girlhood at a mili-
to pray for her soul. Running headlong tary post on Gibraltar. She considered
into the street, he was knocked down in the possibility that Stephen Dedalus
a scuffle with two British soldiers. Bloom might come to live with her and her hus-
took Stephen home with him. Stephen, band. Stephen was a writer, young, re-
exhausted by his wild night, remained fined, not coarse like Boylan. She heard
silent and glum while Bloom talked a far, shrill train whistle. She recalled
about art and science. Bloom had begged the lovers she had had, Bloom's court-
him to spend the night, to leave Mulligan ship, their years together, the rose she
and his wild friends and come to live with wore in her hair the day Bloom had
the Blooms, but Stephen refused. The asked her to marry him as they stood
bells of St. George's Church were ring- close under a Moorish arch. So wake-
ing as he walked ofi down the silent ful, earthy Penelope's thoughts flowed
street. on, while her tawdry Ulysses, Bloom, the
Bloom went slowly to bed. As he far wanderer of a Dublin day, snored in
drifted off to sleep he told Molly firmly the darkness by her side,
that she was to get up and prepare
THE UNBEARABLE BASSINGTON
Type of work: Novel
Author: Saki (Hector Hugh Munro, 1870-1915)
Type of plot; Social satire
Time of 'plot-. Early 1900's
Locale: London
First published: 1912
Principal characters:
COMUS BASSINGTON, the "unbearable" Bassington
FRANCE SCA BASSINGTON, his mother
ELAINE DE FRET, an heiress
COURTNEY YOUGHAL, a young M. P.
HENRY CREECH, Mrs. Bassington's brother
Critique:
H. H. Munro, who wrote under the the fake masterpiece represents a typical
pen name of Saki, belongs to the tradi- Saki touch,
tion of the social satirists, including Oscar
Wilde and Evelyn Waugh. The Unbear- The Story:
able Bassington represents the essence Francesca Bassington was a successful
of the inimitable Saki: his amusing di- member of London society who was able
alogue, his skillful use of poetic figures, to make a little money go a long way.
his sharp wit. This short novel is a Her greatest interest in life was the
brilliant piece of satire, excellent in its drawing-room in her small, perfect house
character studies and pungent dialogue. on Blue Street. Foremost of her treasures
Though it has been said that the dis- was a famous Van der Meulen master-
covery about the painting at the end of piece, which hung in the paneled place
the volume is an unnecessary feature, of honor in that charming room. She also
1042
had a son Comus who presented a
serious problem to his mother because of
his casual attitude toward life. Francesca
had come to the conclusion that there was
only one solution for her son's future.
He must marry a wealthy girl. Her first
choice was Emmeline Chetrof, who
would eventually come into a comfortable
fortune and, most important of all, would
upon her marriage inherit the house in
which Francesca lived.
During the time Comus was at school
Francesca wrote her son, asking him to
show special kindness to Emmeline's
brother Lancelot. That suggestion on the
part of his mother caused Comus to treat
the child even more cruelly, and her
plans for a match between Comus and
Emmeline Chetrof ended dismally.
Two years later, when Comus was
turned loose in his mother's fashionable
world of Mayfair and Ascot, she per
suaded her brother, Henry Greech, to
secure a position for the young man as
a secretary to Sir John Jull, the governor
of an island in the West Indies. Because
he did not want to leave England, Comus
sent to a newspaper an article criticizing
Sir John. This scurrilous attack was
written by Courtney Youghal, a young
politician whom Comus knew and ad
mired. Printed over Comus' signature,
it had the desired, result. Comus lost
the position Sir John had promised.
At a dinner given by Lady Caroline
Benaresq, Francesca Bassington first
learned that her son was interested in
Elaine de Frey, a wealthy girl who re
sembled a painting by Leonardo da Vinci.
At the same party Francesca learned
that Courtney Youghal was also interested
in the young heiress.
One summer afternoon Elaine de Frey
entertained her two suitors, Comus and
Courtney, at tea in her garden, Elaine,
an earnest and practical young lady, had
analyzed her suitors carefully, but even
though she realized that Comus was
both frivolous and undependable she
found herself falling in love with him
and making excuses for his shortcomings.
Courtney, as a rising member of Parlia
ment, also interested her and seemed to
her practical mind a better risk than
Comus. When the tea was served, Comus
snatched up a silver basket containing
the only bread and butter sandwiches
and dashed off to feed the swans. Re
turning with the basket, an heirloom of
the de Frey family, Comus asked per
mission to keep it as a souvenir of a
delightful tea party. Elaine did not wish
to part with the piece of silver, but
Comus made such a scene that she finally
gave in to his wishes.
One fine June morning all of London
society had turned out to ride, walk, or
sit in the chairs along the Row. Court
ney Youghal was there discussing the
theater with Lady Veula Croot. In a
secluded part of the Row, Elaine and
Comus had rented chairs. The two had
drifted apart slightly because of small
unrepaid loans which Comus had re
quested and because of the affair of the
silver basket. That morning Comus
again asked Elaine to lend him money
— five pounds to pay a gambling debt.
She promised to send him two pounds
by messenger and curtly asked to be ex
cused. He had hurt her pride and
alarmed her practical sense of caution,
As she was leaving the Row she me£
Courtney. Over the luncheon table they
became engaged.
At an exhibition at the Rutland Gal
leries Comus learned of Elaine's engage
ment. Elaine had intended to write
Comus a gracious but final note, but
instead she went to call on her cousin
Suzette, to break the news of her en
gagement. When Elaine returned home
after her call, she found a letter from
Comus awaiting her. In the letter he
thanked her for the loan, returned the
money, and promised to return the silver
basket in lieu of a wedding gift.
Francesca Bassington learned of the
engagement, a blow to her elaborate
plans, from that inveterate gossip, George
St. Michael. She informed Comus that
he must take a position in West Africa,
1043
for which Henry Greech had made
arrangements. With his eyes on the
Van der Meulen masterpiece, Comus
asked his mother if she could not sell
something. Mrs. Bassington was fiercely
angry at such a suggestion and scolded
him severely.
That night, as lonely Comus watched
the play from the stalls of the Straw
Exchange Theatre, he envied Courtney
and Elaine and their circle of friends.
Francesca learned from St. Michael, her
usual source, that Emrneline Chetrof
was to be married but only after a long
engagement Thus her beloved house on
Blue Street was safe for a time. Fran
cesca entertained at a dull dinner party
in honor of her son's departure — a party
to which none of Comus' friends was
invited.
In the meantime, Courtney and Elaine
were taking their wedding trip on the
continent. During their honeymoon they
soon discovered that neither loved the
other, that the marriage was not likely
to be highly successful. Comus Bas
sington, exiled to West Africa, was bored
and unhappy. Shortly before Christmas
Francesca received a cablegram saying
that Comus was dangerously ill. To calm
herself, she walked in the park, for the
first time realizing how selfish her love
for her possessions, especially the Van
der Meulen, had been. During the time
she was walking, her brother brought
an eminent critic to inspect the master
piece. Returning to the house, she found
a cablegram announcing the death of
Comus. A few minutes later George
Greech arrived to inform her that the
Van der Meulen masterpiece was not
an original, but only a good copy. While
his voice buzzed on and on, Francesca
sat stricken among her prized pieces of
silver, bronze, and porcelain — all of them
as beautiful and soulless as Francesca
herself.
UNCLE TOM'S CABIN
Type of -work: Novel
Author: Harriet Beecher Stowe (1811-1896)
Type of plot: Sentimental romance
Time of plot: Mid-nineteenth century
Locale: Kentucky and Mississippi
First published: 1852
Principal characters:
UNCLE TOM, a Negro slave
EVA ST. CLARE, daughter of a wealthy Southerner
SIMON LEGREE, a planter
ELIZA, a runaway slave
TOPSY, a black imp
Critique:
A sentimental but powerful document
in the controversy over slavery, Uncle
Tom's Cabin, or, Life Among the Lowly
is a novel whose political and humani
tarian pleading is now outdated. The
highly exaggerated Legree and the
highly exaggerated Eva, however, have
become properties of the American imagi
nation. The novel seems linked to two
popular traditions. It incorporates all the
sentimental elements of the novel of
feeling, and in its horror scenes it suggests
the Gothic novels of Mrs. Raddiffe and
Horace Walpole.
The Story:
Because his Kentucky plantation was
encumbered by debt, Mr. Shelby made
plans to sell one of his slaves to his chief
creditor, a New Orleans slave dealer
named Haley. The dealer shrewdly
selected Uncle Tom as part payment on
UNCLE TOM'S CABIN by Harriet Beecher Stowe. Published by Houghton Mifflin Co.
1044
Mr. Shelby's debt. While they were
discussing the transaction, Eliza's child,
Harry, came into the room. Haley
wanted to buy Harry too, but at first
Shelby was unwilling to part with the
child. Eliza listened to enough of the
conversation to be frightened. She con
fided her fears to George Harris, her
husband, a slave on an adjoining planta
tion. George, who was already bitter
because his master had put him to work
in the fields when he was capable of
doing better work, promised that some
day he would have his revenge upon
his hard masters. Eliza had been brought
up more indulgently by the Shelbys and
she begged him not to try anything rash.
After supper in the cabin of Uncle
Tom and Aunt Chloe, his wife, the
Shelby slaves gathered for a meeting.
They sang songs, and young George
Shelby, who had eaten his supper there,
read from the Bible. In the big house
Mr. Shelby signed the papers making
Uncle Tom and little Harry the property
of Haley. Eliza, learning her child's fate
from some remarks of Mr. Shelby to his
wife, fled with her child, hoping to reach
Canada and safety. Uncle Tom, hear
ing of the sale, resigned himself to the
wisdom of providence.
The next day, after Haley had dis
covered his loss, he set out to capture
Eliza. However, she had a good start.
Moreover, Mrs. Shelby purposely delayed
the pursuit by serving a late breakfast.
When her pursuers came in sight, Eliza
escaped across the Ohio River by jump
ing from one floating ice cake to an
other, young Harry in her arms.
Haley hired two slave-catchers, Marks
and Loker, to track Eliza through Ohio.
For their trouble she was to be given to
them. They set off that night
Eliza found shelter in the home of
Senator and Mrs. Bird. The senator
took her to the house of a man known to
aid fugitive slaves. Uncle Tom, however,
was not so lucky. Haley made sure Tom
would not escape by shackling his ankles
before taking him to the boat bound for
New Orleans. When young George
Shelby heard Tom had been sold, he
followed Haley on his horse. George
gave Tom a dollar as a token of his
sympathy and told him that he would
buy him back one day.
At the same time George Harris began
his escape. White enough to pass as a
Spaniard, he appeared at a tavern as a
gentleman and took a room there, hoping
to find before long a station on the
underground railway.
Eliza was resting at the home of
Rachel and Simeon Halliday when
George Harris arrived in the same
Quaker settlement.
On board the boat bound for New
Orleans, Uncle Tom saved the life of
young Eva St. Clare, and in gratitude
Eva's father purchased the slave. Eva
told Tom he would now have a happy
life, for her father was kind to every
one. Augustine St. Clare was married to
a woman who imagined herself sick and
therefore took no interest in her daughter
Eva. He had gone north to bring back
his cousin, Miss Ophelia, to provide care
for the neglected and delicate Eva. When
they arrived at the St. Clare plantation,
Torn was made head coachman.
Meanwhile Loker and Marks were on
the trail of Eliza and George. They
caught up with the fugitives and there
was a fight in which George wounded
Loker. Marks fled, and so the Quakers
who were protecting the runaways took
Loker along with them and gave him
medical treatment.
Unused to lavish Southern customs,
Miss Ophelia tried to understand the
South. Shocked at the extravagance of
St. Clare's household, she attempted to
bring order out of the chaos, but she
received no encouragement because the
slaves had been humored and petted too
long. Indulgent in all things, St. Clare
was indifferent to the affairs of his family
and his property. Uncle Tom lived an
easy life in the loft over the stable. He
and little Eva became close friends with
St. Clare's approval. Sometimes St. Clare
1045
had doubts regarding the institution of
slavery, and in one of these moods he
bought an odd pixie-like child, Topsy,
for his prim New England cousin to
educate.
Eva grew more frail. Knowing that she
was about to die, she asked her father
to free his slaves, as he had so often
promised. After Eva's death St. Clare
began to read his Bible and to make
plans to free all his slaves. He gave
Topsy to Miss Ophelia legally, so that
the spinster might rear the child as she
wished. Then one evening he tried to
separate two quarreling men. He received
a knife wound in the side and died shortly
afterward. Mrs. St. Clare had no inten
tion of freeing the slaves, and she
ordered Tom sent to the slave market.
At a public auction he was sold to a
brutal plantation owner named Simon
Legree. Legree drank heavily, and his
plantation house had fallen to ruin. He
kept dogs for the purpose of tracking
runaway slaves. At the slave quarters
Tom was given his sack of corn for the
week, told to grind it himself and bake
the meal into cakes for his supper. At
the mill he aided two women. In return
they baked his cakes for him. He read
selections from the Bible to them.
For a few weeks Tom quietly tried
to please his harsh master. One day he
helped a sick woman by putting cotton
into her basket. For this act Legree
ordered him to flog the woman. When
Tom refused, his master had him flogged
until he fainted. A slave named Cassy
came to Tom's aid. She told Tom the
story of her life with Legree and of a
young daughter who had been sold years
before.
Then she went to Legree's apartment
and tormented him. She hated her master
and she had power over him. Legree
was superstitious. When she talked,
letting her eyes flash over him, he felt
as though she were casting an evil spell.
Haunted by the secrets of his guilty
past, he drank until he fell asleep. But
he had forgotten his fears by the next
morning, and he knocked Tom to the
ground with his fist.
Meanwhile, far to the north, George
and Eliza and young Harry were making
their way slowly through the stations
on the underground railway toward
Canada.
Cassy and Emmeline, another slave,
determined to make their escape. Know
ing the consequences if they should be
caught, they tricked Legree into think
ing they were hiding in the swamp.
When Legree sent dogs and men after
them, they sneaked back into the house
and hid in the garret. Legree suspected
that Tom knew where the women had
gone and decided to beat the truth out
of his slave. He had Tom beaten until
the old man could neither speak nor
stand.
Two days later George Shelby arrived
to buy Tom back, but he came
too late. Tom was dying. When George
threatened to have Legree tried for
murder, Legree mocked him. George
struck Legree in the face and knocked
him down.
Still hiding in the attic, Cassy and
Emmeline pretended they were ghosts.
Frightened, Legree drank harder than
ever. George Shelby helped them to
escape. Later, on a river boat headed
north, the two women discovered a
Madame de Thoux, who said she was
George Harris' sister. With this dis
closure, Cassy learned also that Eliza,
her daughter, was the Eliza who had
married George and with him and her
child had escaped safely to Canada.
These relatives were reunited in
Canada after many years. In Kentucky
George Shelby freed all his slaves when
his father died. He said he freed them
in the name of Uncle Tom.
1046
UNDER FIRE
Type of work: Novel
Author: Henri Barbusse (1874-1935)
Type of 'plot: Social criticism
Time of plot: 1914-1915
Locale: France
First published: 1917
Principal characters:
VOLPATTE,
EUDORJE,
POTERLOO, and
JOSEPH MESNIL, French soldiers
Critique:
Barbusse ranks in time with die first
of the writers who deglorified war. To
him war in the trenches was a saga of
mud, lice, and death. When they had to,
the poilus worked and fought with a will,
but anyone who had a wound severe
enough for hospitalization was considered
lucky. The characters have neither il
lusions nor glamour, but they do ap
preciate the necessity of stamping out
war. To most of them the essence of
war means killing Germans, but a few
look on die enemy as people like them
selves. Under Fire has no diread of plot;
it is a mere series of incidents with only
the war to connect diem. The merit of
the book lies in the vivid pictures it
presents.
The Story:
High up in the mountains, the rich
old men had every medical care at their
sanatorium. When an obsequious servant
softly told them that war had begun,
they took the news in various ways. One
said France must win; another thought
it would be the last war.
Far down on the plain one could see
specks, like ants, hurrying to and fro.
Those thirty million men, in their com
mon misery, held great power in their
hands. When they became miserable
enough, they would stop wars.
That morning they came out of the
Jugouts to the sound of rifle fire and
cannonading. They were in fantastic
dress against the cold, the damp, the
mud; and all were incredibly dirty. As
they stumbled out into the trenches, they
reached inside their clothes to scratch
their bare skins. As they walked along
the trench, the oozy mud released each
foot with a sticky sigh, Bertrand's squad,
holding a secondary trench in the reserve
line, was getting ready for another day.
Lamuse, the ox-man, was puffy around
the eyes; he had been on fatigue duty
during the night.
Three breathless fatigue men brought
up the breakfast. One of the squad asked
what was in the cans; the mess man
merely shrugged. Paradis looked in the
cans; there were kidney beans in oil,
bully beef, pudding, and coffee.
Cocon explained to his neighbor the
arrangement of the trenches, for Cocon
had seen a military map and had made
some calculations. There were over six
thousand miles of trenches on the French
side and as many more on the German
side. The French front was only an
eighth part of the total world front.
Just to daink about it made one more
insignificant, and it was terrible to im
agine so much mud. The only possible
way to look at the whole matter was to
concentrate on dislodging the Boches in
the opposite lines.
Tinoir had once seen a captured Ger
man officer, a Prussian colonel, who was
being led along the communication
trench when Tirloir kicked him. The
UNDER FIRE by Henri Barbusse. Translated by Fitxwater Wray. By permission of the publishers E P
Dutton & Co., Inc. Copyright, 1917, by E. P. Button & Co., Inc. Renewed. 1947.
1047
colonel nearly had a seizure when he
realized that a mere private had touched
him. The squad agreed that the German
officers were the real evil.
There was a disturbance just ahead;
some important people were coming to
visit. One could hear oaths and grunts
when it became known that they were
civilians. One of the visitors was so bold
as to ask if the coffee were good. The
squad remembered the saying that win
ning a war is certain if the civilians can
hold out.
When the mail came around, rumors
flew fast. Many were sure that their
squad was soon to be sent to the Riviera
for a long rest; another had heard they
were going to Egypt. The troops stopped
their gossip as a company of African
soldiers moved by; they decided an attack
had been planned. The Africans were
notoriously ferocious fighters.
During a sharp attack, Volpatte had
both of his ears almost cut off. At the
dressing station the doctors bandaged
his head. Volpatte was happy to be going
to the rear, for at last he could rest.
After a long while he came back to the
trenches with his ears nicely sewed.
When his comrades asked him about the
hospital he was so angry he could scarcely
speak. Then it all came out; the hospital
was swarming with malcontents, malin
gerers, and general shirkers. The worst
were those assigned to the hospital for
duty; they seemed to think they ran the
whole war. The squad soothed Volpatte;
let those who could, get by easily.
When the squad retired for a brief
rest, they were billeted in a village where
for an outrageous sum they rented a
cow shed without walls. For a table they
had a door on some boxes and a plank for
a bench. But it was a wonderful ex
perience to be above ground once more.
The woman who ran the house sold them
wine for twenty-two sous, although the
established price was fifteen sous a^botde.
Everywhere they went they heard the
same story; the civilians had all the hard
ships.
Eudore got a fourteen-day leave. His
wife, a practical person, applied well in
advance for a permit to go to the village
of her husband's people. She herself ran
a tiny inn with only one room, where
she would have no privacy to entertain
her man, and Eudore's people had a big
house. Eudore arrived in his village after
much delay with only seven days left of
his furlough, but his wife was not there;
her permit had not arrived. Fearing to
miss her, he stayed with his parents and
waited. Then she wrote to say that no
permits were allowed for civilian travel.
Eudore went to the mayor and got per
mission to go to his wife. It was raining
very hard when he got off the train to
walk the several additional miles to his
home. On the way he fell in with four
poilus returning from leave. They
tramped along together in the rain until
they came to the inn. But Eudore and
his wife could not turn out the four
poilus in the rain, and so all six of them
spent the night on chairs in the tiny
room. Early in the morning Eudore left;
his furlough was over.
Fraternization with the Boche was
strictly forbidden. While out looking for
bodies, Poterloo took a chance and fell
in with some German privates, jolly fel
lows who offered to go with Poterloo to a
nearby Alsatian village so that he could
see his wife. Poterloo put on some great
boots and a Boche coat and followed his
friends behind the German lines. They
reached the village safely. That night
Poterloo walked twice past the house
where his wife was staying with rela
tives. Through the lighted window he
could see his wife and her sister at dinner
with a group of German non-coms. They
were laughing and eating well. Poterloo
carried Lack to the trenches a disheart
ening picture of his wife laughing up
into the face of a German sergeant.
There were six Mesnil brothers, four
of them already killed by 1915. Joseph
and Andre" were pessimistic about their
own chances. On reconnaissance, one
of Bertrand's squad discovered Andre"
1048
propped upright in a shell crater. At
first they were afraid to tell Joseph, but
he did not seem much affected by the
news. Bertrand was killed. Then Joseph
was wounded in the leg and taken to the
dismal dressing station, a large dugout.
There were many men in the dugout,
most of them resigned to death, all of
them given to spiritless discussion. It
was agreed that to stop war you had
to kill the spirit of war. That appeared
to be a difficult job. It came as a new
thought to some of them that they were
the masses, and the masses had die power
to stop war. But it was just too much to
do. Many men thought only in terms of
killing Bodies. It hardly mattered any
way. Nearly all of them would be dead
soon. The war went on.
UNDER TWO FLAGS
Type of -work: Novel
Author: Ouida (Marie Louise de la Ram£e, 1839-1908)
Type of -plot: Sentimental romance
Time of 'plot: Early nineteenth century
Locale: London and environs, the continent, Algeria
First published: 1867
Principal characters:
THE HONORABLE BERTIE CECIL, a young Guardsman
BERKELEY, his younger brother
LORJ> ROCKINGHAM (.TuB SERAPH}, Bertie's friend
RAKE, Bertie's servant
CIGARETTE, a French patriot
COLONEL CHATEAUROY, Bertie's enemy
PRINCESS CORONA D'AMAGTJE, the Seraph's sister
Critique:
Under Two Flags is a tale written by
a master of her craft. As a novel it
combines two popular traditions of Eng
lish fiction, the adventure and the senti
mental romance. Ouida was a widely
read writer of her generation, and her
books are still popular with those who
have a fondness for a story of heroic
adventure and characters of moral virtue.
The Story:
The Honorable Bertie Cecil, of the
First Life Guards, although a fashionable
member of his London set and an ad
mirable fellow iii every other respect,
was uncommonly hard put to it for
money. No money-lender in London
would accept his note after he had mort
gaged his whole inheritance. In those
circumstances he depended upon win
ning a race with his six-year-old, Forest
King, and he had staked! everything on
the race. Nevertheless with good-humored
generosity he lent his younger brother,
Berkeley, fifty pounds. The following
day he rode Forest King to victory over
a difficult course and received the praise
of his lady, a fashionable peeress who
had worn his scarlet and white.
His father, Lord Royallieu, who lived
in the same mortgaged splendor that he
had taught his sons to enjoy, loved his
sons with the exception of Bertie, who
looked too much like his dead wife's
lover and, to the old viscount's detesta
tion, carried the dead lover's name. The
old man took every occasion to sneer
at Bertie's extravagance, and one day re
vealed his suspicions that Bertie was
really the son of Alan Bertie,
Bertie was petted by the world. Sought
alter by half the women in London, he
carried on flirtations with many. Lady
Cuenevere was one of his conquests.
Rake, his valet, was devoted to him.
Bertie had salvaged Rake from a bad
affair and had treated him as he treated
others, with friendly decency.
1049
While he was disturbed by his finan
cial affairs, tis head groom had promised
to dope Forest King for a fee. When it
was learned that Forest King had been
doped before a race, his friends, far from
blaming him, pretended to agree that the
horse was merely ill, but Bertie felt
himself disgraced.
While Bertie's best friend, Lord Rock
ingham, known to his comrades of the
Guards as the Seraph, was attempting
to discover the mystery of Forest King's
condition, he received a report that Ber
tie Cecil had forged the Seraph's name
to a note. Bertie could not deny the
charge, for the note had been pre
sented at a time when he had been
dining with Lady Guenevere. Wishing
to protect her name from scandal, Bertie
allowed himself to be accused. Know
ing that his brother had forged the note
and hoping to protect Berkeley's name
as well, he left London suddenly in
order to escape arrest.
Bertie, accompanied by Rake, made
his escape on Forest King. Rake had
discovered that the groom had doped
Forest King, and he had pummeled him
for it. He and his master rode to a place
of safety; then Bertie ordered Rake to
take Forest King to Lord Rockingham.
He waited in hiding for a time, in the
hope Lady Guenevere would save him by
telling of his whereabouts when the
forged note was presented. She chose
to keep silent, however, holding her rep
utation at greater worth than Bertie's
name.
At last, by a throw of the dice, Bertie
decided to cast his lot with the French
Foreign Legion. The faithful Rake ac
companied him. Back in England people
believed Bertie dead as well as ruined.
Rockingham had Forest King; the old
viscount burned Bertie's picture.
As Louis Victor, Bertie made his mark
with his new companions in the Foreign
Legion. They marveled at his sMIl
with the horses, at his bravery, at his
brilliance at dancing or cards. Bertie
was a veteran Legionnaire when he re
ceived, six months late, the news that
his father had died at the age of ninety.
His older brother inherited the title.
Cigarette, a woman of independent
spirit, a dancer and singer for the troops,
came to understand and like Bertie. She
warned him against Colonel Chateauroy,
who hated Bertie because of his gallant
record and popularity, and asked him
never to disobey any of the colonel's
unreasonable commands. Partly because
he pitied her, Bertie promised. Shortly
afterward Cigarette saved Bertie's life
from some drunken Arabs. She was in
love with him, but he was indifferent
to her.
Bertie spent his spare time carving
chessmen of ivory and through this oc
cupation he met the lovely Princess
Corona d' Am ague, a woman who had
been unhappily married to a man in
jured while saving her brother's life.
Her husband had died soon after, and
the princess had felt ever since a feeling
of responsibility for his death. Bertie
soon fell in love with Princess Corona.
Colonel Chateauroy made it clear
that he would never permit Bertie to be
promoted above the rank of corporal.
Bertie learned that Rake was purposely
getting himself into trouble to prevent
his own promotion, for he did not wish
to outrank his master.
One day, in an old English journal,
Bertie read that his older brother had
died suddenly and that Berkeley had be
come Viscount Royallieu.
The regiment was ordered out. In
the fighting that followed, Cigarette saved
the day when she arrived at the head of
a fresh squadron of cavalry. She found
Bertie, badly wounded, on the battle
field. In the tent to which she had him
carried, Bertie began to talk incoherently
while Cigarette sat beside him. All she
heard him say made her more jealous
of the princess. She also learned that
Bertie was English. No French person
ever hated the English more than she.
At her request Bertie was not told who
had brought him back from the battle-
1050
field and cared for him during his sick
ravings.
Three weeks later Bertie was startled
when the Seraph came as an English
tourist to visit the Legion camp. Not
wishing to encounter his former friend,
Bertie asked for and received permission
to carry dispatches through hostile ter
ritory to another legion post, With
faithful Rake, he rode away on a mis
sion that meant almost certain death.
Rake was killed in an Arab ambush, but
Bertie delivered his dispatches safely.
On his return trip he stopped at a way
station and there saw his brother Berke
ley, who was one of a party of tourists
traveling with Princess Corona. Bertie
gave no sign of recognition but spurred
his horse and rode on.
Berkeley followed Bertie. When he
caught up with his older brother, he re
vealed his fear that Bertie might claim
the title. Indifferent to all except Berke
ley's selfishness, Bertie asked his brother
to leave Algeria at once.
Shortly afterward he discovered that
Princess Corona was really the younger
sister of the Seraph. She also became
aware of Bertie's real name, and insisted
that he make himself known to her
brother. She begged him to claim his
title, but he refused.
Cigarette wont to Princess Corona,
who requested her to tell Bertie that the
Seraph was looking for his former friend.
In another interview with Bertie, the
princess asked him to tell his story and
let the world be the judge. As he left
her tent Colonel Chateauroy intercepted
him and insulted the princess. In sudden
rage Bertie struck his superior officer.
Colonel Chateauroy arrested him. Bertie
was sentenced to death.
When Cigarette heard Bertie's fate,
she forced Berkeley, whom she met ac
cidentally, to acknowledge that Bertie
was in reality his brother, an exile for
Berkeley's crime, and the true heir to
the estate of Royallieu. She carried her
story to a marshal of France, demanding
that Bertie's honor be saved even though
his life were already forfeited. With a
stay of execution signed by the marshal
she rode at full speed to reach the Legion
camp before the hour set for Bertie's
execution.
The Seraph, not Cigarette, reached
Bertie first. But in spite of the Seraph's
entreaties, Colonel Chateauroy refused to
delay the time of execution.
Cigarette reached the spot just as the
volley was fired. With her own body
she took the bullets intended for Bertie.
She died, the marshal's order safely de
livered. A child of the army and a
soldier of France, she gave her life to
save a comrade. It was a sacrifice that
Bertie and Princess Corona, happily re
united, were never to forget.
U. S. A.
Type of work: Novel
Author: John Dos Passos (1896- )
Type of plot; Social chronicle
Time of plot; 1900-1935
Locale: The United States
First published: 1930, 1933, 1936
Principal characters:
FAINY MCCKHARY (MAC), a labor organizer
JANEY WILLIAMS, a private secretary
JOE WILLIAMS, her brother
J. WAEI) Moonnnousfi, a public relations executive
ELEANOR STODDABD, an interior decorator
CHARLEY ANDERSON, an airplane manufacturer
RICHARD ELLSWORTH SAVAGE, Moorehouse's assistant
1051
EVELINE HUTCHINS, Eleanor Stoddard's partner
ANNE ELIZABETH TRENT (DAUGHTER), a relief worker
BEN COMPTON, a radical
MARY FRENCH, a labor worker
MARGO DOWLING, a movie star
Critique:
U. S. A. is a collective novel in the
sense that it deals with a great variety
of characters, each moving upon his own
social level, but all presented within the
limits of a single novel. The result is
a complete cross-section of American life
covering the political, social, and eco
nomic history of the United States from
the beginning of the century to the
depression-ridden, war-threatened thirties.
In addition to the life stories of his
people, Dos Passos employs three tech
nical devices to make his survey more
complete: the Newsreel, quotations from
newspapers, speeches, popular songs;
the Camera Eye, brief impressionistic
sketches from the author's own life;
and biographies of public figures, such
as radicals, inventors, and statesmen
typical of their times. No other writer
has attempted a wider panoramic view
of our national life. The separate titles
of Dos Passos' trilogy are The 42nd
Parallel, Nineteen Nineteen, and The
Big Money.
The Story:
The Spanish-American War was over.
Politicians with mustaches said that
America was now ready to lead the
world.
Mac McCreary was a printer for a
fly-by-night publisher in Chicago. Later
he worked his way to the West Coast.
There he got work as a printer in Sacra
mento and married Maisie Spencer, who
could never understand his radical views.
TTiey quarreled and he went to Mexico
to work in the revolutionary movement
there.
Janey Williams, growing up in Wash
ington, D. C., became a stenographer.
She was always ashamed when her sailor
brother, Joe, showed up, and even more
ashamed of him after she became secre
tary to J. Ward Moorehouse. Of all
Moorehouse's female acquaintances, she
was the only one who never became his
mistress.
J. Ward Moorehouse^ boyish manner
and blue eyes were the secret of his
success. They attracted Annabelle
Srrang, the wealthy nymphomaniac he
later divorced. Gertrude Staple, his sec
ond wife, helped to make him a prom
inent public relations expert. His shrewd
ness made him an ideal man for govern
ment service in France during World
War I. After the war he became one of
the nation's leading advertising execu
tives.
Because Eleanor Stoddard hated the
sordid environment of her childhood
her delicate, arty tastes led her naturally
into partnership with Eveline Hutchins
in the decorating business, and eventually
to New York and acquaintanceship with
J. Ward Moorehouse. In Europe with the
Red Cross during the war, she lived
with Moorehouse. Back in New York
in the twenties she used her connections
in shrewd fashion and became engaged
to a member of the Russian nobility.
Charley Anderson had been an aviator
in the war. A successful invention and
astute opportunism made him a wealthy
airplane manufacturer. He married a
wife who had little sympathy for his
interest in mechanics. In Florida, after
a plane crash, he met Margo Dowling,
an actress. Charley Anderson's series
of drunks ended in a grade crossing acci
dent.
Joe Williams was a sailor who had
been on the beach in Buenos Aires. In
Norfolk he met Delia, who urged him
U. S. A. by John Dos Passos. By permission of the author and the publishers, Houghton Mifflin Co. Copy
right, 1930, 1932, 1933, 1934, 193^ 1936. 1937, by John Dos Passos.
1052
to give up seafaring and settle down.
Unable to hold a job, he shipped out
again and almost lost his life when the
ship he was on was sunk by a German
submarine. When Joe got his third
mate's license, he and Delia were mar
ried. He was ill in the East Indies, ar
rested in New York for not carrying a
draft card, and torpedoed once more
off Spain. Delia was unfaithful to him.
Treated coldly the few times he looked up
his sister Janey, he shipped for Europe
once more. One night in St. Nazaire
he attacked a huge Senegalese who was
dancing with a girl he knew. His skull
was crushed when he was hit over the
head with a bottle.
Teachers encouraged Dick Savage in
his literary talents. During his teens
he worked at a summer hotel and there
he slept with a minister's wife who
shared his taste in poetry. A government
official paid his way through Harvard,
where Dick cultivated his estheticism
and mild snobbery before he joined the
Norton-Harjes ambulance service and
went to Europe. There some of his let
ters about the war came to the attention
of censorship officials and he was shipped
back to the United States. His former
sponsor got him an officer's commission
and he returned to France. In Italy he
met a relief worker named Anne Eliza
beth Trent, who was his mistress for a
time. When he returned to the United
States, he became an idea man for
Moorehouse's advertising agency.
Eveline Hutchins, who had a small
artistic talent, became Eleanor Stod-
dard's partner in a decorating establish
ment in New York. All her life she
tried to escape from boredom through
sensation. Beginning with the Mexican
artist who was her first lover, she had
a succession of affairs. In France, where
she was Eleanor's assistant in the Red
Cross, she married a shy young soldier
named Paul Johnson. Later she had a
brief affair with Charley Anderson. Dis
satisfied, she decided at last that life
was too dull for endurance and died
from an overdose of sleeping pills.
Anne Elizabeth Trent, known as
Daughter, was the child of moderately
wealthy Texans. In New York she met
Webb Cruthers, a young anarchist.
One day, seeing a policeman kick a
woman picketer in the face, Daughter
attacked him with her fists. Her night
in jail disturbed her father so much that
she returned to Texas and worked in
Red Cross canteens. Later she went over
seas. There she met Dick Savage. Preg
nant, she learned he had no intention of
marrying her. In Paris she went on a
drunken spree with a French aviator
and died with him in a plane crash.
Benny Compton was the son of Jewish
immigrants. After six months in jail for
making radical speeches, he worked his
way west through Canada. In Seattle
he and other agitators were beaten by
deputies. Benny returned East. One day
police broke up a meeting where he was
speaking. On his twenty-third birthday
Benny went to Atlanta to serve a ten-
year sentence. Released after the war,
he lived for a time with Mary French,
a fellow traveler in the party.
Mary French spent her childhood in
Trinidad, where her father, a physician,
did charity work among the native
miners. Mary, planning to become a
social worker, spent her summers at
Jane Addams' Hull House. She went
to Washington as secretary to a union
official, and later worked as a union
organizer in New York City. There
she took care of Ben Compton aftei
his release from Atlanta. While work
ing with the Sacco-Vanzetti Committee
she fell in love with Don Stevens, a
fellow party member. Summoned to
Moscow with a group of party leaders,
Stevens returned to New York with a
wile assigned to him by the party. Mary
went back to her committee work for
laboring men's relief.
Margo Dowling grew up in a rundown
house in Rockaway, Long Island, with
her drunken father and Agnes, her
father's mistress. At last Agnes left her
1053
lover and took Margo with her. In New
York Agnes became the common-law wife
of an actor named Frank Mandeville.
One day, while drunk, Mandeville raped
the girl. Margo ran off to Cuba with
Tony, an effeminate Cuban guitar player,
whom she later deserted. She was a cheer
ful companion for Charley Anderson,
who gave her a check for five thousand
dollars on his deathbed. In Hollywood
she met Sam Margolies, a successful pro
ducer, who made a star of her.
Jobless and hungry, a young hitch
hiker stood by the roadside. Overhead
droned a plane in which people of the
big money rode the skyways. Below the
hitchhiker with empty belly thumbed
cars speeding by. The haves and the
have-nots — that was America in the de
pression thirties.
VANESSA
Type of work: Novel
Author: Hugh Walpole (1884-1941)
Type of plot: Historical chronicle
Time of plot: Late nineteenth and early twentieth centuries'
Locale: England
First published: 1933
Principal characters:
VANESSA PAKJS, daughter of Adam Paris
BENJIE., her cousin and lover
TOM, Benjie's son
SALLY, daughter of Vanessa and Benjie
ELLIS, Vanessa's husband
Critique:
Vanessa, the last novel in the Herries
chronicle, brings the family to the 1930's.
Like its three predecessors, Vanessa is
concerned with many people and many
years, and the multiplicity of characters
becomes necessarily more marked and
confusing. Although many readers of
the novel are lost in trying to follow the
fortunes of so many descendants of the
earlier Herries, Walpole does accomplish
very well what appears to be a chief aim
— to show that the strength of the Her
ries family is a strength of England and
that its weakness is a national defect.
The Story:
Vanessa was fifteen when her grand
mother, Judith Paris, died. At the funeral
Adam, her sincere but unpolished father,
made a speech which was admired only
by Vanessa and her mother, Margaret.
Adam loved his mother well and spoke
with too much sincerity. His numerous
relatives would rather have heard a
eulogy of the proud family of Herries.
At the funeral Vanessa noticed every
one, and her beauty made even the
most distant relatives notice her. She
had special interest, however, for her
cousin Benjie. Already she knew she
loved him. Benjie was a rascal who could
not fit in well with his haughty family.
He was capable of hard work and com
mon sense for a while, but he had spor
adic fits of wildness. Some of his rela
tives believed that no good could come
from Benjie's heritage. His uncle had
killed his father. One grandfather had
committed suicide. The other one was
living out a mad dotage.
Vanessa also noticed hesitant, stiff Ellis
Herries, her distant cousin. Ellis man
aged to remark that it was a nice day. As
soon as Vanessa agreed, she ran out —
to meet Benjie.
Adam did not like to have her go
VANESSA 'by Hugh Walpole By permission of the Executors, estate of Sir Hugh Walpole, and the pub
lishers, Messrs. MacMillan & Co., London. Copyright, 1933, by Doubleday, Doran & Co., Inc.
1054
walking with Benjie, even though Benjie
was personable. Benjie kissed Vanessa,
however, and she promised to marry him
when she grew up. Vanessa was so good
and beautiful that Benjie had qualms
about such a promise. He told her the
truth about his character and his wild-
ness, and he attacked her faith in God.
But Vanessa resolved to hold fast to her
promise.
In 1880 Vanessa became engaged to
Benjie. Still uneasy about his unworthi-
ness, Benjie agreed that no one should
know of the engagement and that they
should not meet for two years. Then if
they still wanted to do so, they would
be married.
In the meantime Vanessa went to
London to stay with her city cousins.
Dressed in fashionable clothes, lovely
Vanessa soon became an admired belle.
She had many proposals of marriage, the
most insistent from her cousin Ellis.
Ellis was good and sober, already a re
spected financier. But Vanessa thought
only of Benjie,
Vanessa returned home to Fell House
to care for her ailing father and wait
for the two years to end. Then, in 1882,
Fell House burned down and Adam
perished in the blaze. Too distraught to
think of marriage at that time, Vanessa
put Benjie off. Several weeks later she
went to The Fortress to stay with Eliza
beth, Benjie's mother, and to await the
return of her fiance\ When he did come
back, Vanessa knew that something had
happened.
She soon learned the story. Sometime
before Benjie had become acquainted
with the Halliday family and had been
attracted to their daughter Marion. After
Adam Paris died, he went to visit the
Hallidays. Following an evening of gaiety,
he went upstairs to bed. In his room
he found Marion, who was waiting for
him at the urging of her mother. Marion
became pregnant, and she and Benjie
were married. Without bitterness Va
nessa wished him a happy marriage and
went back to London.
At the age of twenty-six, honored as
the reigning beauty of London society,
Vanessa finally decided to give in to Ellis
and be kind to him. So Ellis and Vanessa
were married, and Vanessa became the
great lady of highly fashionable Hill
House.
One day, quite by accident, she saw
Benjie and his son Tom at the Jubilee
Celebration. She did not talk with him,
but she did learn that Marion had left
Benjie for another man. After struggling
with her inclinations for some time, she
met Benjie again and visited with him
as an old friend.
Meanwhile it was becoming more and
more impossible for her to live with Ellis.
His mind was weakening rapidly and he
had delusions of persecution. To the
outward eye, however, he still was the
sober financier. One night he locked
himself and Vanessa in their room and
announced that he intended to cut her
throat and then his own. She talked him
out of the notion, but she was afraid of
him from that time on.
Then Ellis brought in two elderly
cousins to take charge of the house and
to spy on Vanessa. As his next step he
engaged an obliging doctor to interview
his wife. Before Vanessa was quite aware
of what was happening, she learned that
she was to be confined in an asylum for
the insane. In her fear and helplessness
she turned to Benjie for help. At last,
when both were nearing forty and with
out benefit of marriage, Vanessa and
Benjie went away to live together.
Tom, Benjie's son, and Vanessa be
came great friends, and for a time she
lived a happy life at The Fortress. Grad
ually Benjie's absences from home be
came less frequent, and sometimes Va
nessa would accompany him on his week-
long rambles. On one occasion they were
caught in a storm. Much upset and ex
hausted, he and Vanessa found shelter
in a farmhouse, and there among stran
gers their daughter Sally was born.
But the household at The Fortress was
soon broken up. Ellis' mind gave way
1055
:ompletely, and he could amuse himself
only by playing with toys. He cried much
of the time for Vanessa, until it seemed
that he could not live long without her.
At last Vanessa took Sally to London
and vowed she would stay with Ellis
until he died.
Ironically, Ellis became stronger and
better, and for years Benjie could not
see Vanessa. In fact, Vanessa died before
Ellis. At her deathbed Benjie and Ellis
met without rancor.
The rest of the numerous Herries fam
ily were all stolid, respectable people,
still pillars of Victorian rectitude. Only
Benjie and Sally were free and untram-
meled. Sally expected to marry Arnold
Young, and even became his mistress
for a year. But Arnold's mother objected
to the marriage. Benjie's reputation was
bad, and Sally herself was illegitimate.
At last Arnold married another woman.
Benjie continued his irregular life.
In South Africa he had lost an arm
fighting the Boers. In World War I, in
spite of being over sixty years old, he
served with the Russians. At the age of
seventy he was still brown of skin and
spare of body. Sally, too, became re
spectable and redeemed herself in the
eyes of her relatives. At a social gather
ing she met a blind French veteran who
was working for the League of Nations
in Berlin. She married him and went to
Berlin to aid the cause ot international
peace. From that time on she rarely saw
her father or any other members of the
Herries family.
Only Benjie, of all the Herries, was
still unconventional. After he was
seventy, he bought a caravan and with
one manservant lived a gipsy life. He
intended to spend his last days going
to fairs and visiting farm folk. Faith
fully he did his setting up exercises and
took cold showers out of doors. The other
Herries always said that he was truly the
great-grandson of that Francis Herries
who married Mirabell Starr, the gipsy —
lusty old Rogue Herries of whom the
family was now half ashamed, half proud.
VANITY FAIR
Type of work: Novel
Author: William Makepeace Thackeray (1811-1863)
Type of 'plot: Social satire
Time of plot; Early nineteenth century
Locale: England and Europe
First published: 1847-1848
Principal characters:
BECKY SHARP, an adventuress
AMELIA SEDLEY, her friend
JOSEPH SEDLEY (Jos), Amelia's brother
RAWDON CRAWLEY, Becky's husband
Miss CRAWLEY, Rawdon's wealthy aunt
OLD SIR PITT CRAWLEY, Rawdon's father
YOUNG SIR PITT CRAWLEY, Rawdon's brother
GEORGE OSBOKNE, Amelia's husband
CAPTAIN WILLIAM DOBBEST, Amelia's friend
Critique:
Vanity Pair, the best known of
Thackeray's works, has justly joined the
ranks of the classics, for in it Thackeray
has created characters as great as any in
English literature. Most of his people are
not good people, but then they were
not intended to be. Thackeray shows
that goodness often goes hand in hand
with stupidity and folly, that cleverness
is often knavery. A cynical story, this
novel was intended to expose social
hypocrisy and sham. Although Thack-
1056
eray was frankly moralistic, his moral
does not in any way overshadow a mag
nificent novel or the life-like characters he
created.
The Story:
Becky Sharp and Amelia Sedley be
came good friends while they were
students at Miss Pinkerton's School for
girls. It was proof of Amelia's good,
gentle nature that she took as kincQy as
she did to her friend, who was generally
disliked by all the other girls. Amelia
overlooked as much as she could the
evidences of Becky's selfishness,
After the two girls had finished their
education at the school, Becky accom
panied her friend to her home for a
short visit. There she first met Joseph
Sedley, Amelia's older brother Jos, who
was home on leave from military serv
ice in India. Jos was a shy man, unused
to women, and certainly to women as
designing and flirtatious as Becky. His
blundering and awkward manners did
not appeal to many women, but Becky
was happy to overlook these faults when
she compared them with his wealth and
social position, Amelia innocently be
lieved that her friend had fallen in love
with her brother, and she discreetly tried
to further the romance.
To this end she arranged a party at
Vauxhall, at which Becky and Jos, along
with Amelia and her admirer, George
Osbome, were present. There was a
fifth member of the group, Captain
Dobbin, a tall, lumbering fellow, also in
service in India. He had long been
in love with Amelia, but he recognized
how much more suitable for her was the
dashing George Osborne. But all the
maneuvering of the flirtatious Becky and
the amiable Amelia was not sufficient
to corner Jos, who drank too much punch
and believed that he had made a silly
figure of himself at the party. A day
or soi later a letter delivered to the Sedley
household announced that Jos was ill
and planned to return to India as soon
as possible.
Since there was no longer any reason
for Becky to remain with the Sedleys,
she left Amelia, after many tears and
kisses, to take a position as governess to
two young girls at Queen's Crawley. The
head of the household was Sir Pitt
Crawley, a cantankerous old man re
nowned for his miserliness. Lady Craw-
ley was an apathetic soul who lived in
fear of her husband's unreasonable out
bursts. Deciding that she would have
nothing to fear from her timid mistress,
Becky spent most of her time ingratiating
herself with Sir Pitt and ignoring her
pupils. Becky also showed great interest
in Miss Crawley, a spinster aunt of the
family, who was exceedingly wealthy.
Miss Crawley paid little attention to Sir
Pitt and his children, but she was fond
of Rawdon Crawley, a captain in the
army and a son of Sir Pitt by a previous
marriage. So fond was she of her dash
ing young nephew that she supported him
through school and paid all his gambling
debts with hardly a murmur.
During Becky's stay, Miss Crawley
visited Sir Pitt only once, at a time when
Rawdon was also present. The handsome
young dragoon soon fell prey to Becky's
wiles and followed her about devotedly.
Becky also took care to ingratiate hersell
with the holder of the purse strings. Miss
Crawley found Becky witty and charm
ing, and did not attempt to disguise her
opinion that the little governess was
worth all the rest of the Crawley house
hold put together. And so Becky found
herself in a very enviable position. Sir
Pitt was obviously interested in her, as
was his handsome son. Miss Crawley
insisted that Becky accompany her back
to London.
Becky had been expected to return to
her pupils after only a short stay with
Miss Crawley. But Miss Crawley was
taken ill and she refused to allow anyone
but her dear Becky to nurse her. After
ward there were numerous other excuses
to prevent the governess from returning
to her duties. Certainly Becky was not
unhappy. Rawdon Crawley was a con-
1057
stant caller, and a devoted suitor for
Becky's hand. When the news arrived
that Lady Crawley had died, no great
concern was felt by anyone. But a few
days later Sir Pitt himself appeared, ask
ing to see Miss Sharp. Much to Becky's
surprise, the baronet threw himself at
her feet and asked her to marry him.
Regretfully, she refused his offer. She
was already secretly married to Rawdon
Crawley.
Following this disclosure, Rawdon and
his bride left for a honeymoon at Brigh
ton. Old Miss Crawley, chagrined and
angry, took to her bed, changed her
will, and cut off her nephew without
a shilling. Sir Pitt raved with anger.
Amelia's marriage had also precipitated
a family crisis. Her romance with George
had proceeded with good wishes on both
sides until Mr. Sedley, through some
unfortunate business deals, lost most of
his money. Then George's snobbish
father ordered his son to break his en
gagement to a penniless woman. George,
whose affection for Amelia was never
stable, was inclined to accept this paren
tal command. But Captain Dobbin, who
saw with distress that Amelia was break
ing her heart over George, finally pre
vailed upon the young man to go through
with the marriage, regardless of his
father's wishes. When the couple arrived
in Brighton for their honeymoon, they
found Rawdon and Becky living there
happily in penniless extravagance.
Captain Dobbin also arrived in Brigh
ton. He had agreed to act as intercessor
with Mr. Osbome. But his hopes of
reconciling father and son were shattered
when Mr. Osborne furiously dismissed
Captain Dobbin and took immediate
steps to disown George. Captain Dobbin
also brought the news that the army
had been ordered to Belgium. Napoleon
had landed from Elba. The Hundred
Days had begun.
In Brussels the two couples met again.
George Osborne was infatuated with
Becky. Jos Sedley, now returned from
India, and Captain Dobbin were also
stationed in that city, Captain Dobbin
faithful attendance upon neglected
in
Amelia. Everyone was waiting for the
next move Napoleon would make, but
in the meantime the gaiety of the Duke
of Wellington's forces was widespread.
The Osbornes and Crawleys attended the
numerous balls. Becky, especially, made
an impression upon military society and
her coquetry extended with equal effect
from general to private. The fifteenth
of June, 1815, was a famous night in
Brussels, for on that evening the Duchess
of Richmond gave a tremendous ball.
Amelia left the party early, broken
hearted at the attentions her husband
was showing Becky. Shortly after she
left, the men were given orders to
march to meet the enemy. Napoleon
had entered Belguim, and a great battle
was impending.
As Napoleon's forces approached, fear
and confusion spread through Brussels,
and many of the civilians fled from the
city. Not so Amelia or Becky. Becky
was not alarmed, and Amelia refused to
leave while George was in danger. She
remained in the city some days before
she heard that her husband had been
killed. Rawdon returned safely from the
battle of Waterloo. He and Becky spent
a gay and triumphant season in Paris,
where Becky's beauty and wit gained her
a host of admirers. Rawdon was very
proud of the son she bore him.
Amelia, too, had a child. She had re
turned to London almost out of her mind
with grief, and only after her son was
born did she show any signs of rallying.
When Becky grew bored with the
pleasures of Paris, the Crawleys returned
to London. There they rented a large
home and proceeded to live well on noth
ing a year. By this time Becky was a
past master at this art, and so they lived
on a grander scale than Rawdon's small
winnings at cards would warrant. Becky
had become acquainted with the nobility
of England, and had made a particular
impression on rich old Lord Steyne. At
last all society began to talk about young
1058
Mrs. Crawley and her elderly admirer.
Fortunately Rawdon heard nothing of
this ballroom and coffee house gossip.
Eventually, through the efforts of
Lord Steyne, Becky achieved her dearest
wish, presentation at Court. Presented
along with her was the wife of the new
Sir Pitt Crawley. The old man had died,
and young Sir Pitt, his oldest son and
Rawdon's brother, had inherited the
tide. Since then friendly relations had
been established between the two
brothers. If Rawdon realized that his
brother had also fallen in love with
Becky, he gave no sign, and he accepted
the money his brother gave him with
good grace. But more and more he felt
himself shut out from the gay life that
Becky enjoyed. He spent much time
with his son, for he realized that the
child was neglected. Once or twice he
saw young George Osborne, Amelia's son.
Amelia struggled to keep her son with
her, but her pitiful financial status made
it difficult to support him. Her parents
had grown garrulous and morose with
disappointment over their reduced cir
cumstances. At length Amelia sorrow
fully agreed to let Mr, Osborne take the
child and rear him as his own. Mr. Os-
born still refused to recognize the woman
his son had married against his wishes,
however, and Amelia rarely saw the boy.
Rawdon was now deeply in debt.
When he appealed to Becky for money,
she told him that she had none to spare.
She made no attempt to explain the jew
elry and other trinkets she bought. When
Rawdon was imprisoned for a debt, he
wrote and asked Becky to take care of the
matter. She answered that she could not
get the money until the following clay.
But an appeal to Sir Pitt brought about
Rawdon's release, and he returned to his
home to find Becky entertaining Lord
Steyne. Not long afterward Rawdon
accepted a post abroad, never to return
to his unfaithful, designing wife,
Amelia's fortunes had now improved.
When Jos Sedley returned home, he
established his sister and father in a more
pleasant home. Mrs. Sedley having died,
Jos resolved to do as much as he could to
make his father's last days happy. Captain
Dobbin had returned from India and
confessed his love for Amelia. Although
she acknowledged him as a friend, she
was not yet ready to accept his love. It
was Captain Dobbin who went to Mr.
Osborne and gradually succeeded in
reconciling him to his son's wife. When
Mr. Osborne died, he left a good part of
his fortune to his grandson, appointing
Amelia as the boy's guardian.
Amelia, her son, Captain Dobbin, and
Jos Sedley took a short trip to the con
tinent. This visit was perhaps the happiest
time in Amelia's life. Her son was with
her constantly, and Captain Dobbin was
a devoted attendant. Eventually his de
votion was to overcome her hesitation and
they were to be married.
At a small German resort they en
countered Becky once more. After Raw
don left her, Becky had been unable to
live down the scandal of their separation.
Leaving her child with Sir Pitt and his
wife, she crossed to the continent. Since
then she had been living with first one
considerate gentleman and then another.
When she saw the prosperous Jos, she
vowed not to let him escape as he had
before. Amelia and Jos greeted her in a
friendly manner, and only Captain Dob
bin seemed to regard her with distrust.
He tried to warn Jos about Becky, but
Jos was a willing victim of her charms.
Becky traveled with Jos wherever he
went. Although she could not get a
divorce from Rawdon, Jos treated her as
his wife, and in spite of Captain Dobbin's
protests he took out a large insurance
policy in her name. A few months later
his family learned that he had died while
staying with Becky at Aix-la-Chapelle.
The full circumstances of his death were
never established, but Becky came into
a large sum of money from his insurance.
She spent the rest of her life on the
continent, where she assumed the role
of the virtuous widow and won a reputa
tion for benevolence and generosity.
1059
VENUS AND ADONIS
Type of work: Poem
Author: William Shakespeare (1564-1616)
Type of 'plot: Mythological romance
Time of plot: Remote antiquity
Locale: Ancient Greece
First published: 1593
Principal characters:
VENUS, goddess of love
AJX>NIS, a handsome youth loved by Venus
Critique:
Shakespeare's Venus and Adonis gains
most o£ its beauty from the magnificent
imagery and figurative language with
which the poet adorned the ancient tale.
The sources for the poem, whether they
were from Ovid or more recent writers,
are unimportant, as the value of Shakes
peare's version lies in his additions and
not in the original story. The discussion
of hunting, the incident of the stallion
and the jennet, and the scenes of the fox
and the hare are among the beauties
which Shakespeare added.
The Story:
In all the world there was no more
beautiful figure, no more perfectly made
creature, than young Adonis. Although
his beauty was a delight to the sun and
to the winds, he had no interest in love.
His only joy was in hunting, in riding
over the hills and fields after the deer
and the fox. When Venus, the goddess
of love, saw the beauty of young Adonis,
she came down to earth because she was
filled with love for him.
Meeting him one morning in the fields
as he rode out to the hunt, she urged
him to dismount, tie his horse to a tree,
and talk with her. Adonis had no desire
to talk to any woman, or even to the
goddess, but she forced him to do as she
wished. Reclining by his side, she looked
at him with caressing glances and talked
passionately of the wonder and glory
of love. The more she talked, the more
she begged him for a kind look, a kiss,
the more anxious he became to leave her
and go on with his hunting. But Venus
was not easily repulsed, and although
Adonis sought to leave she urged him
to stay. She told him how even the god
of war had been a willing prisoner of
her charms, and she numbered al* ; the
pleasures she could offer him if he would
accept her love. Blushing, Adonis finally
broke from her arms and went to get his
horse.
At that moment his stallion heard the
call of a jennet in a field nearby.
Aroused, he broke the leather thong that
held him and ran to her. At first the
jennet pretended to be cold to the stal
lion's advances, but when she perceived
that Adonis was about to overtake his
mount, she gave a neigh of affection and
the two horses galloped away to another
field. Adonis was left behind.
Dejected, he stood thinking of the
hunt that he was missing because his
horse had run away. Venus came up to
him again and continued her pleas of
love. For a while he listened to her, but
in disgust he turned finally and gave
her such a look of scorn that the lovesick
goddess fainted and fell to the ground.
Thinking that with an unkind look he
had killed her, Adonis knelt beside her,
rubbed her wrists, and kissed her in
hope of forgiveness.
After a while Adonis rose to his feet.
Venus, recovering from her swoon, asked
him for one last kiss. He grudgingly con
sented before he turned to leave. Venus
asked when she could meet hiin the
next day. Adonis replied that he would
not see her, for he was to go boar hunt
ing. Struck with a vision, the guddess
1060
warned the youth that he would be
killed by a boar if he hunted the next
day, and she begged him to meet her
instead. When she threw herself on the
boy and carried him to the earth in her
arms in a last attempt to gain his love,
Adonis admonished the goddess on the
difference between heavenly love and
earthly lust. He left her alone and
weeping.
The next morning found Venus wan
dering through the woods in search of
Adonis. In the distance she could hear
the cries of the dogs and the voices of
the hunters. Frantic because of her
vision of the dead Adonis, she rushed
through the forest trying to follow the
sounds of the hunt. When she saw a
wounded and bleeding dog, the fear she
felt for Adonis became almost overpower
ing. Suddenly she came upon Adonis
lying dead, killed by the fierce wild
boar he had hunted.
The grief of Venus knew no bounds.
If this love were taken from her, then
never again should man love happily.
Where love was, there also would mis
trust, fear, and grief be found.
The body of Adonis lay white and
cold on the ground, his blood coloring
the earth and plants about him. From
this soil there grew a flower, white and
purple like the blood that spotted the
skin of Venus' dead love. With a broken
heart Venus left earth to hide her sorrow
in the dwelling place of the gods.
THE VICAR OF WAKEFIELD
Type of work: Novel
Author: Oliver Goldsmith (1728-1774)
Type of 'plot: Sentimental romance
Time of 'plot: Eighteenth century
Locale: Rural England
First 'published: 1766
Principal characters:
DR. PRIMROSE, the vicar of Wakefield
DBBORAH, his wife
GEORGE, the oldest son
SOPHIA, the younger daughter
OLIVIA, the older daughter
MR. BURCHELL, in reality Sir William Thornhill
SQUIRE THORNHILL, Dr. Primrose's landlord and Olivia's betrayer
ARABELLA WILMOT, betrothed to George
Critique:
Buried in the rationalism of the
eighteenth century was a strain of
idealism and sentimentality which is
clearly expressed in The Vicar of Wake-
field. In this novel the interplay of the
ideal and the real present a simple,
lovable character in his struggle to main
tain his ideals. Goldsmith's material can
not be said to be original, but his wit and
gentle candor are his own. For these
qualities he has been loved by many
readers.
The Story:
Dr. Primrose and his wife, Deborah,
were blessed with five fine children, of
whom the two daughters, Olivia and
Sophia, were remarkable for their beauty.
The Primrose family lived in a quiet rural
community, where they enjoyed both
wealth and good reputation. The oldest
son, George, fell in love with Arabella
Wilmot, daughter of a neighbor, and
the two families made mutual prepara
tions for the wedding. Before the wed
ding, however, Dr. Primrose and Miss
Wilmot's father quarreled over die ques
tion of a man's remarrying after the
death of his wife. Dr. Primrose stoutly
upheld the doctrine of monogamy. Mr.
1061
Wilmot, who was about to take his fourth
wife, was insulted. The rift between the
two families widened when news came
that Dr. Primrose's broker had run off
with all his money. Mr. Wilmot broke
off the wedding plans, for the vicar was
now a poor man.
George departed for London to make
his fortune and the rest of the family
prepared to go to another part of the
country, where Dr. Primrose had found
a more modest living. On the way they
met a man who won the admiration of
Dr. Primrose by a deed of charity to a
fellow traveler. The man, Mr Burchell,
rode along with them. Suddenly Sophia
was thrown from her horse into a stream,
from which Mr. Burchell was able to save
her. The gratitude of Deborah assured
Mr. Burchell of a warm welcome when
ever he should choose to call on them.
Their new home was on the estate of
wealthy Squire Thornhill, a young man
known for his attentions to all the
young ladies in the neighborhood.
Deborah thought that either of her
daughters would make a good match for
the young squire. Soon afterward a for
tunate meeting drew the squire's at
tention toward Olivia, and her mother's
scheming made Squire Thornhill a steady
caller at the Primrose home, where Olivia
blushingly protested that she thought
him both hold and rude. Mr. Burchell,
too, called frequently, but his interest
seemed to center upon Sophia, who did
not deny her pleasure at his attention.
Dr. Primrose, however, could not ap
prove of Mr. Burchell, for he had lost
all his fortune and seemed to live in
comparative poverty that revealed indif
ference to his fallen condition,
Two noble ladies from the city met
the Primrose family in their rustic re
treat, and Sophia and Olivia became
charmed by talk of city ways. When
the women spoke of their need for com
panions in their households, Deborah
immediately suggested that Olivia and
Sophia be selected. The two daughters
were pleased at the thought of going to
the city, despite Mr. BurchelFs vigorous
objections. All was set for the journey,
however, when Deborah received a letter
stating that a secret informant had so
slandered Olivia and Sophia that the
city ladies would not consider them as
fit companions. At first Deborah and her
husband could not imagine who the
slanderer could have been. When they
learned that Mr. Burchell had been the
informant, Dr. Primrose ordered him
from the house. With no signs of re
morse or shame Mr. Burchell left.
Olivia began to insist that Squire
ThornhiU's repeated visits meant only
that he intended to marry her. Dr.
Primrose, not believing that the squire
really would marry Olivia, suggested to
his daughter that she consider the offer
of a neighboring farmer, Mr. Williams.
When the squire still failed to ask for her
hand, Olivia agreed to marry the young
farmer and the wedding date was set.
Four days before her wedding Olivia
ran away. Through the help of Squire
Thornhill, Dr. Primrose learned that it
was Mr. Burchell who had carried the
girl away.
Saddened by his daughter's indiscre
tion, the resolute father set out to find
her and to help her. On his journey he
became ill and lay in bed in an inn for
three weeks. On his recovery he gave
up all hope of finding Olivia and started
home. On the way there he met Miss
Arabella Wilmot, who inquired about
George. Dr. Primrose assured her that
George had not been heard from since
he had left his family to go to London.
Squire Thornhill, who was courting
Arabella, asked about Olivia, but the
father could give him no news. Fortune
brought George, impoverished and in ill
luck, back to his father at that time.
Pitying the bad fortune of the young boy,
Squire Thornhill gave him a commis
sion in the army and sent him away.
Arabella promised to wait for her for
mer sweetheart to make his fortune and
to return to her.
Dr. Primrose started for home once
1062
more. At a roadside inn he found his
dear Olivia, who told him her terrible
story. The villain with whom she had
run away was not Mr. Burchell. It had
been Squire Thornhill, who had seduced
her after a mock ceremony by a false
priest. Growing tired of her, the squire
had left her. Dr. Primrose took the girl
home with him. But bad luck had not
forsaken the vicar. As he approached his
house he saw it catch fire and burn to
the ground. His family escaped, but
all their belongings were destroyed.
Kindly neighbors helped the penniless
Primroses to set up living quarters in an
outbuilding on the estate. News came
that Squire Thornhill intended to marry
Arabella Wilmot. This report angered
Dr. Primrose; then to add to his in
dignation Squire Thornhill came to see
him and offered to find a husband for
Olivia so that she could stay near the
squire. Enraged at this offer, the doctor
ordered him away. The squire then
demanded Dr. Primrose's quarterly rent
payment which, since the disaster of
losing his home, the vicar could not pay.
Squire Thornhill had Dr. Primrose
sent to debtors' prison. Soon after being
lodged in prison, the vicar encountered
his son, George, who, having learned of
the squire's cruelty, had attacked him
and had been sentenced to hang for
attempted murder. Dr. Primrose felt
that the happiness of his life was com
pletely shattered. Next he learned that
Sophia had been kidnaped.
But virtue and honesty were soon re
warded. Sophia had been rescued by
Mr. Burchell, who turned out to be the
squire's uncle, Sir William Thornhill.
With the squire's treachery exposed, the
Primrose family was released from its
misery. Arabella and George were re
united. Even Olivia was saved from
shame, for she learned that the priest
who had married her to the squire had
been a genuine priest. Sophia married
Sir William, and Arabella married
George. Dr. Primrose looked forward to
his old age with happiness and joy in
the good fortune of his children. Even
he was rewarded for his virtue. The
broker who had run away with his money
was apprehended, and Dr- Primrose was
once again a wealthy man.
THE VICOMTE DE BRAGELONNE
Type of work: Novel
Author: Alexandre Dumas, father (1802-1870)
Type of 'plot: Historical romance
Time of 'plot: Seventeenth century
Locale: France and England
First published: 1848-1850
Principal characters:
Louis XIV, King of Fiance
LOUISE DE LA VALLTERE, lady in waiting and mistress of the kin*
D'ARTAGNAN, an officer of the king's musketeers
AXHOS, the Comte de la Fere
PORTHOS, M. du Vallon
ARAMIS, M. D'Herblay and Bishop of Vannes
RAOUL, the Vicomte de Bragelonne, son of Athos
FOUQTIET, Minister of Finance
COLBERT, an ambitious politician
CHARLES II, King of England
Critique:
The novels of the older Dumas have of the D'Artagnan romances, is no excep-
an enduring popularity for many readers, tion. This novel has particular interest
and The Vicomte de Bragelonne, the last because it deals with the last adventures
1063
of that swashbuckling hero, D'Artagnan.
The story itself is the characteristic Du
mas type, filled with vivid action, humor
ous incident, and interesting characters.
In reality this romance contains four
different hut related plots — the restora
tion of Charles II, the story of Louis
XIV's infatuation for Louise de la Val-
liere, the intrigues and downfall of the
ambitious Fouquet, and the perennially
popular tale of the mysterious prisoner
in the iron mask. These stories have,
from time to time, been taken from the
longer romance and printed as novels
complete in themselves. As a result, some
confusion has arisen over the tides and
order of the D'Artagnan series.
The Story:
Louis XTV, the young king of France,
en route to Spain to ask for the hand of
Marie Theresa, the Spanish Infanta,
stopped overnight at the castle of Blois
to visit his uncle, the Due d'Orleans.
There he met for the first time Louise de
la Valliere, the lovely stepdaughter of the
duchess' steward. Louise was betrothed
to Raoul, the Vicomte de Bragelonne,
son of the Comte de la Fere. Another
arrival at Blois during the royal visit
was the Stuart pretender, Charles II,
who came to ask for a loan of a million
livres and French aid in regaining the
English throne. When Cardinal Mazarin,
chief minister of King Louis, refused to
lend the money, Charles then turned for
assistance to- the Comte de la Fere, who
had been an old friend of his royal father.
The comte was a former musketeer who
had been known as Athos many years
before, when he had performed many
brave feats with his three friends, Por-
thos, Aramis and D'Artagnan.
Disappointed because Mazarin and
the king refused to help Charles, D'Ar
tagnan resigned his commission as lieu
tenant of the king's musketeers and
joined his old friend, Athos, in an at
tempt to place Charles upon the throne
of England. Planning to capture Gen
eral Monk, leader of the Parliamentary
army, D'Artagnan visited Planchet, a
former servant who had been successful
in trade. Using funds borrowed from
Planchet, he recruited fourteen resolute
and dependable men and sailed with
them for England, In England, in the
meantime, the troops of Lambert and
General Monk prepared to fight at New
castle. While the armies waited, Athos
arrived to see General Monk and get his
aid in recovering a treasure left by the
unfortunate Charles I in a vault in New
castle. This treasure was to be General
Monk's bribe for restoring Charles II to
the throne. On the general's return from
Newcastle, D'Artagnan daringly captured
the Parliamentary leader and took him,
concealed in a coffin, to France. Athos,
who had promised General Monk to
remain in England for a time, was ar
rested by Monk's soldiers and accused
of complicity in the general's disap
pearance.
In France D'Artagnan took Monk to
Charles and after a satisfactory interview
with the pretender Monk was released
and sent back to England. There Monk
on his return secured the release of
Athos. Monk, won over to the Stuart
cause, planned for the return of Charles
to England, while the pretender made
like preparations in France.
When Charles became king, he made
General Monk Duke of Albemarle and
commander of the English armies. To
Athos the grateful king gave the Order
of the Golden Fleece. For his part in the
restoration D'Artagnan requested only
Monk's sword. After he had received
it, he resold it to Charles for three hun
dred thousand livres. General Monk
gave D'Artagnan lands in England. After
paying off his men D'Artagnan went to
Calais to see Planchet, whom he ap
proached with a long face and a sad
tale of failure. When Planchet showed
his true loyalty to his former master,
D'Artagnan had not the heart to tease
the merchant any longer; he acknowl
edged the success of the venture and paid
Planchet one hundred thousand livres
1064
in return for the funds he had advanced.
Louis XIV had been completely dom
inated by Cardinal Mazarin, his minister,
but the death of the latter eased the
king's unhappy situation. After Mazarin's
death, the ambitious Fouquet, as finance
minister, and Colbert, as intendant, be-
g^in a race for power. Suspicious of Fou
quet, the king sent for D'Artagnan, re-
commissioned him as captain of the
king's musketeers, and sent him to
Belle-Isle-en-Mer to secure a report on
Fouquet's mysterious activities there.
At Belle-Isle D'Artagnan found his
old companion in arms, Porthos, now M.
du Vallon, busy with plans for fortify
ing the island. The former musketeer
was working under the direction of
Aramis, now Bishop of Vannes and also
known as M. D'Herblay. D'Artagnan
hurried back to Paris to the king to
give him the details of the situation
at Belle-Isle, but he was beaten in the
race to arrive there first by the two con
spirators, who reported to Fouquet the
discovery of the plot to fortify the island.
To prevent trouble, Fouquet at once
rushed to the king and presented to him
the plan for the fortifications on Belle-
Isle. He explained glibly that the fortifi
cations might be useful against the
Dutch.
Athos, the Comte de la Fere, asked the
king's consent to the marriage of his son
Raoul, the Vicomte de Bragclonne, to
Louise de la Vallicre, now a maid of
honor at the court. Louis refused on the
grounds that Louise was not good enough
for Raoul. In reality the king, a pas
sionate lover of various ladies of the
court, had, in spite of his recent mar
riage to Marie Theresa, fallen in love
with Louise. He dispatched Raoul at
once to England to be rid of him as a
rival.
Aramis and Fouquet were plotting to
replace the king with a man of their
choice, and to this end they annually
paid a large sum of money to M. de
Baisemeaux, governor of the Bastille.
These schemers also attached themselves
to Louise de la Valliere after they real
ized the power she would have with
the king.
Among the court plotters also were
Mademoiselle de Montalais, a lady in
waiting, and her lover, Malicorne, a
courtier. They were interested in all
court affairs, particularly in the relation
ship between Mademoiselle de la Val
liere and the king, and they stole letters
with the idea of blackmail at an oppor
tune time.
D'Artagnan moved to an estate close
to the court to watch for palace intrigues.
He was particularly interested in the
plans of Aramis, who was trying to be
come a cardinal and planning to betray
the king to secure his ends. D'Artagnan,
interested in adventure for the sake of
adventure, was devoted to the king.
As the affair between Louise and the
king continued, Madame, the sister-in-
law of Louis, also in love with him, grew
jealous and determined to send for
Raoul and have him marry Louise at
once. The queen mother and the young
queen disapproved thoroughly of the
flirtation of Madame with the king and
told her so. Madame then decided that
the quickest solution would be to send
Mademoiselle de la Valliere away from
the court. At the same time the king
learned that Louise had at one time
returned Raoul de Bragelonne's affec
tion, and in a fit of envy and jealousy he
decided to forget her. Madame ordered
Louise to leave at once.
Broken-hearted, the girl resolved to
enter a convent. In her flight, however,
she encountered D'Artagnan, who took
her under his protection and informed
the king of her whereabouts. Louis went
to her immediately. Convinced of her
love, he returned with her to the court.
Plotters in the king's pay had a secret
trapdoor constructed from Louise's rooms
to those of Saint-Aignan, a gentleman
of the king, and Louis and Louise were
able to meet there after Madame had
made other meetings between them im
possible. In London Raoul heard whal
1065
was happening and rushed to France.
He arrived at Louise's apartments just
as the king was entering by the secret
door. Realizing that the rumors he
had heard were true, he went away in
despair.
Aramis, who had now become General
of the Jesuits, who visited by an elderly
duchess who wished to sell him certain
letters from Mazarin which would ruin
his friend Fouquet. When he refused
to buy them, she sold them to Colbert,
Fouquet's rival and enemy. Aramis,
learning of the transaction, hurried to
warn Fouquet, who assured Aramis that
the supposed theft of state funds at
tributed to him in the letters was credited
by a receipt in his possession. The re
ceipt, however, had been stolen. Further
more, Colbert had arranged for Fouquet
to sell his position of procureur-general.
Aramis, with his immense financial back
ing, was able to rescue Fouquet.
Raoul de Bragelonne, grieved and
angry at Louise's faithlessness, challenged
Saint-Aignan to a duel and Porthos prom
ised to act as his foster son's second.
Saint-Aignan, however, revealed the mat
ter to the king. Then Athos publicly
denounced Louis over the proposed duel.
When the long ordered D'Artagnan to
arrest Athos, D'Artagnan, by his honest
fearlessness, won a pardon for his old
friend.
Fouquet, backed by Aramis, grandly
and recklessly humiliated Colbert in the
king's presence. He announced a great
f6te at his estate in honor of the king.
Colbert, although temporarily eclipsed,
vowed revenge. Fouquet, as minister of
the king's finances, was tottering under
the growing strength of his enemy Col
bert, and he hoped the f£te would se
cure his position.
Aramis, through his influence with
M. de Baisemeaux, the governor of the
Bastille, visited a prisoner there and
revealed to him that he was actually the
twin brother of Louis XIV. The con
spirators planned to put him on the
mrone in place of Louis. Aramis then
busied himself to learn the details of the
king's costume for the f£te, for he
planned to substitute the twin brother
Philippe for Louis during the grand ball.
Although both D'Artagnan and Porthos
were suspicious of Aramis, they could
prove nothing.
Aramis freed the young prince from
the Bastille and coached him thoroughly
in the details of the role he was to play.
By means of trapdoors in Fouquet's house,
Aramis overpowered Louis XIV and
hustled him off to the Bastille to replace
the released prince. Philippe, in grati
tude, was to make Aramis as powerful
in the kingdom as Richelieu had been.
But Aramis made a grave error in
revealing his deeds to Fouquet. When
Fouquet heard of the abduction of the
king, the minister, hoping to win the
king's gratitude, rushed to the Bastille
and freed Louis. Aramis and Porthos
fled hastily. D'Artagnan was instructed
to capture Philippe, cover his face with
an iron mask to hide his resemblance
to the king, and imprison him for life
in the He Sainte-Marguerite fortress.
These orders he executed faithfully.
Raoul de Bragelonne, who had never
forgiven the king for stealing Louise de
la Valliere, decided to kill himself as
soon as possible and joined the Due de
Beaufort on a campaign to Africa. When
he went to say goodbye to his father,
Athos realized sadly that he would never
see his son again.
Louis XIV insisted that D'Artagnan
arrest Fouquet, despite Fouquet's efforts
in the king's behalf. After a mad chase
in which both of their horses were raced
to death, D'Artagnan captured Fouquet.
Colbert then rose completely to power,
D'Artagnan was ordered by the king
to go to Belle-Isle-en-Mer and take the
fortress in which Aramis and Porthos
were hiding and shoot the conspirators.
D'Artagnan, too good a friend of each
of the plotters to take their lives, planned
to capture the fortress but to allow the
two to escape. Louis had realized that
this possibility might occur and had
1066
forewarned his officers so that D'Artag-
nan's scheme failed and he was ordered
to return to France. A fierce battle en
sued at Belle-Isle and Porthos was killed
after many deeds of great heroism. Ara-
mis escaped to Bayonne.
D'Artagnan, out of favor with the
king over his disobedience to orders, re
signed his position as captain of the
musketeers and the king accepted, only
to send for him later and ask him to take
back his resignation. D'Artagnan agreed
and won a pardon from the king for
Aramis, who had settled in Spain.
Athos died of shock upon hearing thai
his son had been killed in Africa; they
were buried in a double funeral. Louise
de la Valliere, who had been replaced
as the king's mistress by a younger favor
ite, attended the funeral. There D'Artag-
nan reproached her for causing the deaths
of both Athos and Raoul de Bragelonne.
D'Artagnan remained in the service
of Louis XIV and died four years later
while fighting against the Dutch. His
death came only a few moments after
he had received the baton of a marshal
of France.
VICTORY
Type of work: Novel
Author: Joseph Conrad (Teodor J6zef Konrad Korzeniowski, 1857-1924)
Type of plot: Psychological romance
Time of plot: Early twentieth century
Locale: East Indies
First published: 1915
Principal characters:
AXFX HEYST, an idealist
LENA, whom he befriends
MR. SCHOMBERG, a hotel owner
MR. JONES, and
MARTIN RICARDO, gamblers
PEDRO, their servant
DAVIDSON, a sea captain
WAJSTG, Heyst's servant
Critique:
Axel Heyst was not looking for material
gain in bis world. He had escaped life's
demands by retreating to the East Indies,
and there he found the one true value in
his own life, love of a woman. But the
victory was not Heyst's; it was Lena's.
Every tense moment of the drama enacted
on the island between the three bandits
and the two innocent victims points trag
ically to Lena's final triumph. Although
English was not Joseph Conrad's native
tongue, he was able to use the English
language with stylistic force and vigor.
One startling feature of this novelist
is his ability to encompass a mass of
ideas into the force of one cryptic word
or phrase. Victory is a romance between
a man who is sensitive only to truth and
honesty and a woman who had never
known such things from other men,
The Story:
After the Tropical Belt Coal Com
pany had gone into liquidation, Axel
Heyst continued to live at the No. 1
coaling station on Samburan. Strange
in his manners and desires, he was a
legend among the islanders; they called
him a Utopist. The coal company had
come into existence after Heyst had met
Morrison in a Portuguese seaport where
the Englishman was about to lose his
trading ship Capricorn because of an un
paid debt. Heyst, always sympathetic,
VICTORY by Joseph Conrad. By permission of J. M. Dent & Sons, Ltd., agents for the trustees of the
estate of Joseph Conrad. Published by Doubleday & Co., Inc. Copyright, 1915, 1921, by Doubleday, Page
& Co. Renewed, 1942, by John Alexander Conrad.
1067
had offered him a loan. Because Heyst
was anxious to keep his generosity a
secret and Morrison eager to conceal
his shaky finances, the two men pledged
secrecy, with the understanding that
Heyst would thereafter have a share of
the Capricorn's shipping business.
Schomberg, the owner of a hotel in
Sourabaya, heard of the partnership and
said that Heyst maintained some kind of
hold over Morrison. Morrison instigated
the coal company and then died in Eng
land. After that Schomberg, who for
some reason hated Heyst, constructed a
mysterious kind of villainy around Mor
rison's partner, and he was gleeful when
the coal company liquidated.
After Heyst had retired from the hu
man society of the islands, Davidson, a
ship's captain, came upon him living
alone on Samburan. Worrying over
Heyst's welfare, Davidson adopted the
habit of sailing ten miles out of his way
around the north side of Samburan in
case Heyst were to need aid. Once
Davidson brought the hermit around
to Sourabaya, where he put up at
Schomberg's hotel. Later, Davidson heard
bits of a story that Heyst had run off
with a girl who was at the hotel with a
troupe of entertainers. He was baffled
that the shy, quiet Heyst would take a
girl back to Samburan with him. Mrs.
Schomberg, pitying the girl, had helped
Heyst spirit the girl away. The affair
had caused quite a hubbub on the island
because it concerned Heyst.
When Heyst had come to the hotel, he
had been unaware of Schomberg's hatred.
The entertainers were not very attractive
to his fastidious mind, but one white-
muslined girl seemed younger than the
others. Noticing her distress at being
ordered to join a guest at a table, Heyst
was prompted by the same instinct which
had led him to help Morrison. He in
vited the girl to sit with him. Lena
told Heyst about herself. Her father in
England had taught her to play the vio
lin. After his death, she had joined the
group of entertainers with whom she
now worked. Schomberg had been stalk
ing her ever since the troupe came to the
hotel. The contrast between Heyst and
the other men she had met was enough
to cause the girl to be attracted to her
new friend, and she welcomed his prom
ise of help. After Heyst had taken her
away, Schomberg's hatred was tremen
dous.
To Schomberg's hotel came three
strangers, Mr. Jones, Martin Ricardo,
his secretary, and a beast-like, hairy crea
ture whom they called Pedro. Before
long these men had transformed Schom-
berg's hotel into a professional gambling
house. Schomberg's obsession for Lena
was increased by the notion that with her
at his side he could rid his hotel of the
gamblers. One afternoon Ricardo told
Schomberg that he had been employed
on a yacht where he was first attracted
by Jones' polished manners. The two had
stolen the captain's cash box and jumped
the ship. Later Pedro became attached
to them. Schomberg decided that these
thieves might leave his hotel if he could
arouse their greed by the prospect of
richer plunder. He offhandedly men
tioned Heyst's alleged wealth and told
how Heyst lived on a lonely island with
a girl and a hoard of money. Together
Ricardo and Schomberg began to plan
their pillage of the island where Heyst
lived.
On his island Heyst had lived with
only his Chinese servant, Wang, until
Lena joined him. She told him that he
had saved her from more than misery and
despair. Heyst told her the story of his
own background. His father had been
a cynical, domineering man whom he
disliked. After his death Heyst had
drifted, searching for some meaning in
life, a meaning never glimpsed until he
met Lena.
One evening Wang appeared to an
nounce that he had seen a boat drifting
offshore. Heyst went to investigate. He
discovered Ricardo, Jones, and the beast-
like Pedro perishing of thirst in a boat
moored beside a small jetty. Heyst helped
1068
the men to shore and took them to an
abandoned bungalow for temporary
quarters. That night Heyst found that
his gun was missing from his desk; Wang,
frightened, had taken it. Meanwhile
Ricardo and Jones speculated about lo
cating Heyst's money.
Early in the morning Ricardo stole
into Heyst's bungalow and saw Lena
combing her hair. He jumped at her
hungrily, but she was able to defend her
self. When the struggle was over and
the repulsed man saw that she raised
no outcry, his admiration for her in
creased. She asked him what the men
wanted on the island. Surprised that
they had come for money which she
knew Heyst did not possess, she deter
mined to protect Heyst from Schom-
berg's evil design. Loving Heyst, she
could repay his kindness by leading Ri
cardo and his partners on to their de
struction.
Observing Ricardo's attack on Lena,
Wang had decided to withdraw from this
confusion of white men's affairs; he fled
to the forest. When Heyst reported the
loss of his servant to Jones and Ricardo,
they offered him the service of Pedro.
Because their manner made it impossible
for him to refuse, Lena and Heyst knew
then that they were lost. Davidson would
not sail past the island for three more
weeks. Their only weapon having been
stolen, they were left defenseless.
That night Ricardo came to the
bungalow for dinner with Heyst and
Lena. When Heyst had regretted his
helpless position without any weapon of
defense, Lena had recalled that during
their scuffle she had glimpsed the knife
Ricardo wore under his trouser leg.
During the evening Ricardo indicated
that Jones wished Heyst to visit him.
Before he left, Heyst insisted that Pedro
be sent out of the way, and Ricardo
ordered the brute to go down to the
jetty.
After Heyst had gone, Lena allowed
Ricardo to make love to her so that she
could take possession of his knife. Heyst
told Jones about her presence in the
bungalow. Jones, who suffered a path
ological hatred for women, had nof
known of Lena's existence. Heyst con
vinced him that Schomberg had lied to
get rid of the gamblers and to inflict upon
Heyst a revenge Schomberg was too
cowardly to inflict himself. Enraged by
what he considered Ricardo's treachery,
Jones suggested that they go to Heyst's
bungalow.
Meanwhile Lena had taken Ricardo's
knife. As the two men entered the bun
galow, Jones fired over Heyst's shoulder,
the bullet piercing Lena's breast. Ricardo
sprang through the doorway. Jones fol
lowed his partner outside and shot him
in the darkness. Heyst carried Lena to
the bed, and as she lay there, deathly
pale in the candlelight, she demanded the
knife, her symbol of victory. She died as
Heyst took her in his anus and for the
first time spoke words that came from th*1
depths of his heart.
VIRGIN SOIL
Type of work: Novel
Author: Ivan Turgcnev (1818-1883)
Type of plot: Social criticism
Time of 'plot: 1868
Locale: Russia
First 'published: 1872
Principal characters:
NEZHDANOFP, a student
PAHKLIN, his friend
SIPYAGIN, a nobleman
VALENT! NA, his wife
1069
MARKELOFF, Valentina Js brother
MARIANTSTA, Sipyagin's niece
SOLOMIN, a factory superintendent
Critique:
Virgin Soil is in many respects typical
of Turgenev. It is realistic, almost photo
graphically so, reflecting the dominant
pessimism of the author. Here we have
a sensitive and sympathetic portrayal of
the beginnings of Russian liberalism after
the emancipation of the serfs. We see
also the essential humanitarianism of
the socialists and the frivolity of the
aristocracy as both sides struggle in the
developing industrialization. But in the
conflict the chief liberal protagonists
prove incapable and seal their own
doom.
The Story:
Miss Masturin and Ostrodiimoff, both
socialists, were waiting in NezhddnofFs
room in a poor quarter of St. Petersburg.
A letter from a high leader had made a
conference necessary, for another vague
revolutionary project was under way.
While they waited, they were joined by
Pdhklin, a sly hanger-on of the intelli
gentsia, who wanted to discuss a critical
matter with Nezhdanoff the student.
Nezhddnoff was late, but when he
came they plunged into a discussion of
their project. They needed money for a
trip to Moscow, and they were all poor.
Nezhddnoff, however, was the illegiti
mate son of a nobleman, and in a pinch
he could secure small sums of money
from his father. He promised to have
the required sum the next day.
The conspirators were interrupted by
the arrival of the elegant and noble Sip
yagin, who had sat next to Nezhddnoff
at the theater. A dilettante liberal, he had
been attracted by the opinions and views
of the poor student, and he came to offer
Nezhdanoff a post as tutor to his young
son at a salary of a hundred roubles a
month. Sipyagin was generous, even
offering to pay a month's salary in ad
vance. So with the blessing of his social
ist comrades, Nezhdanoff accepted the
offer and went to live on the country
estate of Sipyagin.
The household of Sipyagin was inter
esting, and after Nezhdanoff got over
his shyness he made good progress with
nine-year-old Kolya, his student. For a
time, Nezhdanoff was content to live a
leisurely life, for his duties were light.
Although she scarcely spoke to him,
Marianna, the penniless niece, attracted
Nezhddnoff greatly. She was evidently
unhappy, and she was abrupt and forth
right in her attitude toward her rich
relatives.
Valentina, Sipydgin's wife, was a beau
tiful woman without much heart. Al
though she herself was coldly virtuous,
she enjoyed snaring men to see them
dance at her bidding. She invited Nezh-
ddnoff to her boudoir ostensibly to dis
cuss her son's education, but in reality
to captivate the young tutor. When he
failed to respond to her attractions, she
was nettled at his indifference. Then it
became apparent that Nezhddnoff was
attracted to Marianna, and Valentina be
came jealous.
Markeloff, Valentina's brother, came to
visit the family. He was a savage, intense
man who expressed his liberal opinions
with great emphasis and alienated most
of the company with his boorish ways.
During a walk Nezhddnoff surprised
Marianna and MarMoff in a lonely
wood; he heard Marianna refuse some
thing vigorously. Later, in an impulsive
outburst, Marianna confided that Mar
keloff had proposed marriage.
This confidence strengthened the bond
between Marianna and Nezhddnoff. That
evening the tutor was surprised by an
invitation to MarkelofFs room. There he
learned that MarMoff was a party mem
ber and a vigorous exponent of immedi
ate action, who had been ordered to
question Nezhddnoff about party activi
ties on Sipydgin's estate and in his fac-
1070
tory. Nezhddnoff had done nothing to
stir up discontent among the peasants or
workers, for he had been apathetic toward
socialism for some time. Under Markel-
ofFs urging he resolved to spread propa
ganda among the workmen.
Nezhddnoff confided his aims and
problems to Marianna, who became a
ready convert to revolutionary thought,
her zeal surpassing that of Nezhddnoff.
With Mark£loff, Nezhddnoff visited some
of the party members in the neighbor
hood, among them a man named Solomin.
Sol6min was a factory manager and a
good one, a calm, taciturn man of great
strength of character. Sipydgin had tried
to hire him to manage Sipydgin's own
factory, but Sol6min had refused. He
was content where he was and he could
scarcely conceal his contempt for the
whole aristocracy. Sipydgin had taken
the refusal with bad grace, and now be
gan to show suspicion of Nezhddnoff.
From time to time Marianna and
Nezhddnoff met in her room at night to
discuss socialism. Although they were
in love, they did not act as lovers. Valen-
tlna spied on the girl constantly. She
made insinuations about her niece's char
acter, and the atmosphere in the house
hold became quite unpleasant. At length
Sipydgin discharged Nezhcldnoff. Early
the next morning Nezhddnoffi returned
with a cart for Marianna, and the two
fled for shelter to the factory where Sol6-
min was employed. The manager con
cealed them in his living quarters, and
Nezhddnoff and Marianna lived together
as brother and sister, waiting for the time
when Nezhddnoff could be sure enough
of his love to marry.
Marianna put on peasant clothes and
tried to learn peasant ways so that she
would be a good worker for the revolu
tion. Nezhddnoff, roughly clothed, made
many trips among the farmers and mill
hands to talk to them of liberty and
freedom. He was unsuccessful in his
attempts, however, for he was far too
impetuous and harangued peasant groups
in words they could not understand. On
one occasion Nezhddnoff tried to drink
vodka to ingratiate himself with the
workers, but strong drink only made him
sick. More and more he became con
scious of failure, and felt that he could
not marry Marianna. She, in turn, be
came more aware of NezhddnofFs weak
ness and Soldmin's strength.
When the peasants in Mark£LofF s dis
trict rebelled against paying their taxes,
Mark£loff rashly urged complete and
armed rebellion, but his manner was so
abusive that the peasants turned against
him, beat him severely, and delivered
him to the general commanding the dis
trict police. This disquieting news
reached So^min's factory, and the con
spirators there made plans to flee.
Pdhklin, misguided in his sympathy,
decided to appeal to Sipydgin to intercede
for his brother-in-law, Markeloff. Fool
ishly he babbled the hiding place of Mari
anna and NezhddnofF. Sipydgin kept
Pdhklin under close surveillance and
went to see the general. So great was
Sipydgin's influence that the general con
sented to release Mark6loff if he would
confess his crime and promise to stir up
no more trouble. But Mark61off was
stubborn. He repeated his belief in the
revolution and refused to acknowledge
any errors. The general had no choice
but to imprison him. Then at the instiga
tion of Sipydgin, the police prepared to
raid SoWmin's factory.
Sol6min quietly made plans to disap
pear. Nezhddnoff , confronted by his own
weakness and by his inability to love
Marianna enough to marry her, wrote a
last letter and killed himself with a re
volver. In the letter he asked that Mari
anna marry Sol6min. An obliging priest
performed the ceremony quickly and
Sol6min and Marianna departed. When
the police arrived, they discovered only
the suicide of Nezhddnoff,
Mark61off was tried and sentenced to
Siberia. Sol6min reappeared, but was re
leased because the police had no evidence
against him. Fie rejoined Marianna, who
had by that time agreed to live with him
1071
as his wife. They were busy with Sol6-
min's new factory.
Back in St. Petersburg, Pahklin was
unhappy, for the liberals now called him
a spy. By chance he met Miss Mashurin
in the street. She was now supposedly an
Italian countess. Somewhere she had se
cured an Italian passport and funds for
traveling. Pahklin invited her to have tea
with him. Although she despised him,
she accepted, for he had been Nezhdan-
offs friend. From Pahklin Miss Ma
shurin got a photograph of Nezhdanoff,
with whom she had always been in love.
THE VIRGINIAN
Type of work: Novel
Author: Owen Wister (1860-1938)
Type of plot: Regional romance
Time of plot: Late nineteenth cennuy
Locale: Wyoming
First published: 1902
Principal characters:
THE VIRGINIAN, a cowboy
JUDGE HENRY, the Virginian's employer
TRAMPAS, a cowboy, the Virginian's enemy
STEVE, a cowboy friend of the Virginian
SHORTY, a cowboy at Judge Henrys ranch
MOIXY WOOD, a young schoolteacher at Bear Creek, Wyoming
Critique:
The Virginian is one of the classic
novels of the American West. Owen
Wister was familiar with Wyoming and
the cowboys who worked there, for he
himself had spent several years in the
Western country. Wister saw that al
though the mountains and the plains
would remain, the picturesque cowboy
was rapidly disappearing, along with the
antelope, the buffalo, and the unfenced
grazing lands.
The Story:
The Virginian had been sent by his
employer to meet an Eastern guest at
Medicine Bow and escort him the two
hundred and sixty miles from the town
to Sunk Creek Ranch. While the Vir
ginian and the guest were awaiting the
arrival of the Easterner's trunk on the
following westbound train, the cowboy
entered into a poker game. One of the
players, a cowboy named Trampas, ac
cused the Virginian of cheating. The
man backed down, however, before the
gun of the cowboy from Sunk Creek.
It was apparent to everyone that the
Virginian had made an implacable
enemy.
A few months later, in the fall, a
schoolmistress came West from Vermont
to teach in the new school at Bear Creek,
Wyoming. All the single men, and there
were many of them in the territory,
anxiously awaited the arrival of the new
teacher, Molly Wood. The Virginian was
fortunate in his first meeting with her.
A drunken stage driver tried to ford a
creek in high water and marooned his
coach and passenger. The Virginian,
passing by, rode to the stage, lifted out
the young woman, and deposited her
safely on the bank of the stream. After
he had ridden away, Molly missed her
handkerchief and realized the young cow
boy had somehow contrived to take it.
The next time the Virginian saw
Molly, she was a guest at a barbecue.
The cowboy had ridden his horse for two
days for an opportunity to see her, but
she coquettishly refused to notice him.
The Virginian and another cowboy,
THE VIRGINIAN by Owen Wister. By permission of the publishers, The Macmillan Co. Copyright. 1902.
1904. 1911, by The Macmillan Co. Renewed, 1929, by Owen Wister.
1072
piqued by her attitude, got drunk and
played a prank on all the people who had
brought their children to the barbecue.
They switched the babies and their
clothing, so that when the barbecue was
over many of the mothers carried off the
wrong babies. Before he left for Sunk
Creek, the Virginian warned Molly that
she was going to love him eventually, no
matter what she thought of him then.
During the next year the Virginian
began to read books for the first time
since he had left school in the sixth
grade. He borrowed the books from
Molly in order to ride to Bear Creek to
see her at intervals. In the meantime
he had risen high in the estimation of
his employer. Judge Henry put him in
charge of a party of men who were
to escort two trainloads of steers to the
Chicago market.
On the trip back to the ranch the
Virginian's men threatened to desert
the train to go prospecting for gold which
had been discovered in the Black Hills.
The ringleader of the insurgents was
Trampas.
The Virginian saw that the best way
to win over the men was to make a fool
of Trampas. His chance came when the
train stopped near a bridge that was
being repaired. Since there was no food
on die train, the Virginian went out
and gathered a sackful of frogs to cook.
Then he began a story about frogs: a
tall story by which Trampas was com
pletely taken in. As soon as the rest of
the cowboys saw how foolish Trampas
appeared, they were willing to return to
the ranch, much to the discomfiture of
their ringleader.
Back at Sunk Creek, the Virginian
found a pleasant surprise awaiting him.
The foreman of the ranch had been
forced to leave because of an invalid
wife, and the judge had made the Vir
ginian his foreman.
Trampas had expected to be discharged
from his job as soon as the Virginian
became foreman at the Sunk Creek
Ranch. The Virginian, however, decided
it was better to have his enemy in sight,
and so Trampas stayed on, sullen and
defiant in his behavior.
The following spring the Virginian
made a trip to a neighboring ranch. On
the way back he was attacked by Indians
and severely wounded. He managed to
escape from the Indians and make his
way to a spring. There he was found,
half dead, by Molly Wood. The girl
stayed with him at the risk of her life,
for the Indians were still in the vicinity.
She then bound his wounds and took
him back to her cabin and called a
doctor.
Molly, meanwhile, had packed her
possessions, for she was preparing to leave
for her home in the East. By the time
the Virginian had recovered sufficiently
to go back to work, she had decided not
to leave Wyoming. She was sure by
then that she was in love with the cow
boy foreman. When the Virginian left
her cabin for Sunk Creek, Molly had
promised to marry him.
Upon returning to work, the Virginian
found that his enemy, Trampas, had
disappeared, taking another of the cow
boys, Shorty, with him. About the same
time the ranches in that territory began
to lose cattle to rustlers, and a posse
was formed to track down the cattle
thieves. After several weeks of searching,
two of the thieves were caught. Since
the rustlers had somehow managed to
gain control of the local courts and had
already been freed on one charge, the
posse hanged both of them. It was a
terrible experience for the Virginian,
because one of the men, Steve, had been
a close friend. The Virginian hated to
think he had hanged his friend, and the
hurt was made worse by the fact that
the condemned man had refused to say
a word to his former companion,
On his way back to Sunk Creek, the
Virginian came across the trail of the
other two rustlers. They were Trampas
and Shorty. Because they had only one
horse between them, Trampas murdered
Shorty in order to escape.
1073
When Molly Wood heard of the
lynching and the Virginian's part in it,
she refused to marry him. But after a
conversation with Judge Henry, she
realized that the Virginian had done no
more than his duty. She and the Vir
ginian were reconciled and a date was
.iet for their wedding.
On the day before their wedding,
Molly and the Virginian started to ride
to Medicine Bow. On the way they met
Irampas, who galloped ahead of them
into the town. Molly questioned the Vir
ginian about the man and discovered the
enmity between the two. When they
arrived in town, they were warned that
Trampas had said he would shoot the
Virginian if he were not out of town
by sunset. Molly told him that she could
never marry him if he fought with
Trampas and killed him. The Virginian,
knowing that his honor was at stake,
left her in the hotel and went out to
face his enemy. Trampas fired first and
missed. Then the Virginian fired and
killed Trampas.
When the Virginian returned to the
hotel, Molly was too glad to see him
alive to remember her threat. Hearing
the shots, she had been afraid that the
Virginian had been killed. They were
married the following day, as they had
planned, and spent two months or theii
honeymoon high in the Rocky Mountains
where no other humans ever went.
THE VIRGINIANS
Type of work: Novel
Author: William Makepeace Thackeray (1811-1863)
Type of 'plot: Historical romance
Time of plot: Late eighteenth century
Locale: England and the Colony of Virginia
First published: 1857-1859
Principal characters:
GEORGE, and
HARRY WARRTNGTON, the Virginians
RACHEL ESMOND WASHINGTON, their mother
GEORGE WASHINGTON, a family friend
LORD CASTLEWOOD, an English kinsman
MARIA CASTLEWOOD, Lord Gastlewood's sister
BARONESS BERNSTEIN, Rachel Warrington's half -sister, formerly Beatrix Esmond
COLONEL LAMBERT, a friend
THEO LAMBERT, Colonel Lambert's daughter and George's wife
HETTY LAMEERT, Colonel Lambert's other daughter
FANNY MOUNTAIN WARRTNGTON, Harry's wife
Critique;
The Virginians might almost be
studied as a group of portraits of the
lesser nobility of England and the gentry
of Virginia. The author shows us many
pictures: a despotic mother who is the
head of a great Colonial estate; her two
sons, one to become a great soldier under
Washington, the other an English gentle
man. We see England in the time of
Johnson and Richardson and David Gar-
rick and America in the early days of her
struggle for independence. For his ma
terial Thackeray studied the letters, either
real or imagined, of two brothers who
lived on opposite sides of the ocean and
who had opposing views on the Revolu
tionary War. From these letters he cre
ated his story of romance and adventure.
The Story:
Although Harry and George Warring-
ton were twins, George was declared the
heir to their father's estate by virtue of
having been born half an hour before
1074
his brother. Both were headstrong lads,
greatly pampered by their widowed
mother, Rachel Esmond Warrington,
who managed her Virginia estate, Castle-
wood, much as she would have managed
the mansion in the old country. She
never let her sons forget their high birth,
and she herself had dropped the name
of Warrington in favor of her maiden
name, Esmond, in order that everyone
would remember she was of noble rank.
Rachel was a dictator on her plantation,
and although she was respected by many,
she was loved by few.
Harry and George were trained accord
ing to the place and the time. They
learned to ride and shoot and gamble
like gentlemen, but had little formal edu
cation other than a small knowledge of
Latin and French. Their mother hoped
they might pattern themselves after Colo
nel George Washington, who was their
neighbor and her close friend. Harry
worshipped Washington from his youth
to his death, but George and Colonel
Washington were never to be friends,
When General Braddock arrived from
England to command the English troops
in the war against the French, Washing
ton and George Warrington joined his
forces. Although Harry was the better
soldier, George represented the family
because of his position as elder son. Brad-
dock was defeated and George was re
ported captured and killed by the
French. George's mother blamed Colonel
Washington for not guarding her son,
and Washington was no longer welcome
at Castlewood,
Upon George's death, Harry became
the heir, and his mother sent him to
visit his relatives in England. There he
met his mother's kinsman, Lord Castle-
wood; her half-sister, Baroness Bernstein;
and Will, Maria, and Fanny Esmond, his
cousins. Of all his relatives, only Baron
ess Bernstein was fond of him. Harry
and Will were enemies from their first
meeting, and the rest of the family
thought him a savage and tolerated him
only because he would some day inherit
the estate in Virginia. Harry thought
himself in love with Maria, who was his
mother's age, and sent her many gifts
and passionate letters declaring himself
hers and asking for her hand in marriage.
Harry was the toast of the country.
He spent money lavishly on fine clothes
and horses and at first won thousands of
pounds at cards. But when his luck
turned and he lost all his money, most of
his former friends had only unkind words
for him. Matters became so desperate
that he was jailed for his debts, and
Baroness Bernstein was the only one of
his relatives who offered to help him. But
there was a string attached to her offer.
She was violently opposed to his in
tended marriage to Maria and would pay
his debts only if he promised to break his
word to that lady. Harry was tired of
Maria, but he felt it was beneath a
gentleman of his position to break his
word, and he refused the baroness' help
under her conditions. He would rather
remain in prison.
There his brother George found him.
For George had escaped from the French
after eighteen months in prison and had
returned to his home in Virginia, where
he and his mother had decided that he,
too, should visit England. He paid his
brother's debts, and the two boys had a
joyful reunion. Harry now had to re
turn to his status as younger brother and
George assumed his place as heir to
Castlewood in Virginia.
Before Harry's imprisonment and
George's arrival in England, Harry had
made the acquaintance of Colonel Lam
bert and his family. There were two
daughters, Theo and Hetty, whom the
twin brothers found most charming. Theo
and George fell in love, and after over
coming her father's objections, they were
married. At first they lived in poverty, for
George had spent all his money to rescue
Harry from debtor's prison and to buy
for him a commission in the army.
George's only income for a time was from
two tragedies he had written, one a
success and the other a failure.
1075
Shortly after Harry received his com
mission he joined General Wolfe and
sailed for America to fight the French
tn the Colonies. Maria had released him
from his promise to her, and he gladly
took leave of his English relatives. About
this time George inherited a tide and an
estate from an unexpected source. Sir
Miles Warrington, his father's brother,
died; and as young Miles Warrington,
the only male heir, had been killed in
an accident, the tide and the estate fell
to George. Now he and Theo lived in
comparative luxury. They traveled ex
tensively, and one day they decided to
visit George's mother and. brother in
Virginia.
When they arrived in America they
found the Colonies to be in a state of
unrest. The colonists were determined
not to pay all the taxes which the
British crown levied against them, and
there was much talk of war. At Casde-
wood there was also trouble. Harry had
married Fanny Mountain, the daughter
of his mother's housekeeper, and his
mother refused to accept the girl. Harry
had moved to his own smaller estate, but
there was a great tension between the
members of the family. George and
Theo and their mother were loyal to the
king. Harry became a true Virginian and
followed General George Washington
into battle. In spite of their different
loyalties the brothers remained friends.
Shortly before the end of the war
George and Theo returned to England.
Although they were grieved at the out
come of the war, it made little difference
in their lives. Harry visited them in
England after the death of his wife, but
their mother never again left her native
Virginia. George and Theo tried to
persuade Hetty to marry Harry, whom
she had once loved deeply, but she re
fused to leave her widowed father. The
only departure from their quiet life
came when Lord Castlewood tried to
steal Castlewood in Virginia from their
mother after her deed and title were
burned during the war. But George was
able to prevent the fraud and save the
estate. Intending never to leave England
again, he renounced his right to the
Virginia land. Harry returned to Vir
ginia, where he was made a general, to
live out his life at Castlewood in the
company of his mother. The brothers
were destined never to meet again, but
their love for each other went with them
throughout their lives.
VOLPONE
Type of work: Drama
Author: Ben Jonson (1572?-1637)
Type of plot: Social satire
Time of plot: Sixteenth century
Locale: Venice
First presented: 1605
Principal characters:
VOLPONE, a knave
MOSCA, his servant
CORBACCIO, an old gentleman
CORVINO, a merchant
VOLTORE, an advocate
LORD POLITICK WOULD-BE, a knight
LADY POLITICK WOULD-BE, his wife
BONARIO, Corbaccio's son
CELIA, Corvino's wife
PEREGRINE, a gentleman traveler
1076
Critique:
Although the extant copies of Volpone,
or, The Fox, are revised versions of the
original drama, the plan in its printed
form is essentially Jonson's. The story
is intricately plotted, so much so that
it is likely to be confusing. The drama
points toward the seventeenth-century
theater with its sermonized ending.
Jonson attempted to teach the social
lesson that mischief leads to its own un
doing.
The Story:
Volpone and his servant, Mosca, were
playing a cunning game with all who pro
fessed to be Volpone's friends, and the
two conspirators boasted to themselves
that Volpone acquired his riches not by
the common means of trade but by a
method which cheated no one in a com
mercial sense. Volpone had no heirs.
Since it was believed he possessed a
large fortune, many people were court
ing his favor in hopes of rich rewards
after his death.
For three years, while the foxy Vol
pone feigned gout, catarrh, palsy, and
consumption, valuable gifts had been
given him. Mosca's role in the grand
deception was to assure each hopeful
donor that he was the one whom Vol
pone had honored in an alleged will
To Voltore, one of the dupes, Mosca
boasted that particular attention was
being paid to Voltore's interests. When
Voltore the vulture left, Corbaccio the
crow followed. He brought a potion to
help Volpone, or so he claimed. But
Mosca knew better than to give his
master medicine from those who were
awaiting the fox's death. Mosca suggested
that to influence Volpone, Corbaccio
should go home, disinherit his own son,
and leave his fortune to Volpone. In
return for this generous deed, Volpone,
soon to die, would leave his fortune to
Corbaccio, whose son would benefit
eventually.
Next came Corvino, who was as
sured by Mosca that Volpone, now near
death, had named him in a will. Aftei
the merchant had gone, Mosca told
Volpone that Corvino had a beautiful
wife whom he guarded at all times. Vol
pone resolved to go in disguise to see
this woman.
Sir Politick Would-Be and his wife
were traveling in Venice. Another
English visitor, Peregrine, met Sir Poli
tick on the street and gave him news
from home. While the two Englishmen
were trying to impress one another, Mosca
and a servant came to the street and
erected a stage for a medicine vendor to
display his wares. Volpone, disguised as
a mountebank, mounted the platform.
While he haggled with Sir Politick and
Peregrine over the price of his medicine,
Celia appeared at her window and tossed
down her handkerchief. Struck by Celia's
beauty, Volpone resolved to possess her.
Meanwhile Corvino brutally scolded
Celia and told her that henceforth he
would confine her to her room.
Mosca went to Corvino with news that
physicians had recommended a healthy
young girl to sleep by Volpone's side
and that other men were striving to be the
first to win Volpone's gratitude in this
manner. Not to be outdone, Corvine
promised that Celia would be sent to
Volpone.
Mosca also told Bonario, Corbaccio's
son, that his father was about to dis
inherit him. He promised to lead Bonario
to a place where he could witness his
father's betrayal.
When Lady Politick Would-Be came
to visit Volpone, she was so talkative
Volpone feared she would make him sick
in actuality. To relieve Volpone's dis
tress, the servant told the lady that Six
Politick was in a gondola with a young
girl. Lady Would-Be hurried off in pur
suit of her husband. Volpone retired to
a private closet while Mosca led Bonario
behind a curtain so the young man could
spy on Corbaccio. At that moment, eager
to win favor with Volpone, Corvino ar
rived with Celia, and Mosca had to send
1077
Bonario off to another room so lie would
not know of her presence. Meanwhile
Corvino had told Celia what she must do
to prove her chastity. To quiet her fears,
and to guarantee the inheritance from
Volpone, Corvino assured his distressed
wife that Volpone was so decrepit he
could not harm her.
When they were alone, Volpone
leaped from his couch and displayed
himself as an ardent lover. As he was
ahout to force himself upon Celia, Bonario
appeared from his hiding place and saved
her. While Mosca and Volpone, in terror
of exposure, bewailed their ruined plot,
Corbaccio knocked. Volpone dashed back
to his couch. As Mosca was assuring
Corbaccio of Volp one's forthcoming
death, Voltore entered the room and over
heard the discussion. Mosca drew Voltore
aside and assured the lawyer that he
was attempting to get possession of Cor-
baccio's money so that Voltore would
inherit more from Volpone. Mosca
further explained that Bonario had mis
taken Celia's visit and had burst upon
Volpone and threatened to kill him.
Taken in by Mosca's lies, Voltore
promised to keep Bonario from accusing
Volpone of rape and Corvino of villainy;
he ordered the young man arrested.
Mosca proceeded with his case against
Celia and Bonario. He had assured Cor
vino, Corbaccio, and Voltore, inde
pendently, that each would be the sole
heir of Volpone. Now he added Lady
Would-Be as a witness against Celia. In
court Voltore presented Celia and Bonario
as schemers against Corvino, and he
further showed that Bonario's father had
disinherited his son and that Bonario had
dragged Volpone out of bed and had at
tacked him. Both Corvino and Cor
baccio testified against Celia and Bonario,
while Mosca whispered to the avaricious
old gentlemen that they were helping
justice. To add to the testimony, Mosca
presented Lady Would-Be, who told the
court she had seen Celia beguiling Sir
Politick in a gondola. Mosca promised
Lady Would-Be that as a reward for
her testimony her name would stand first
on Volpone's list of heirs.
When the trial was over, Volpone
sent his servants to announce that he
was dead and that Mosca was his heir.
While Volpone hid behind a curtain,
Mosca sat at a desk taking an inventory
of the inheritance as the hopefuls arrived.
The next step in Volpone's plan was to
escape from Venice with his loot. Mosca
helped him disguise himself as a com
modore. Mosca also put on a disguise.
Having lost his hopes for the in
heritance, Voltore withdrew his false
testimony at the trial, and Corbaccio
and Corvino trembled lest their own
cowardly acts be revealed. The court
ordered Mosca to appear. Suspecting
that Mosca planned to keep the fortune
for himself, the disguised Volpone went
to the court. When the dupes, learning
that Volpone was still alive, began to
bargain for the wealth Mosca held,
Volpone threw off his disguise and ex
posed to the court the foolish behavior of
Corbaccio, Corvino, and Voltore, and the
innocence of Celia and Bonario. The
court then sentenced each conspirator
according to the severity of his crime.
Bonario was restored to his father's in
heritance, and Celia was allowed to re
turn to her father because Corvino had
attempted to barter her honor for wealth.
The court announced that evil could
go only so far and then it killed itself.
1078
THE VOYAGE OF THE BEAGLE
Type of work: Journal
Author: Charles Darwin (1809-1882)
Type of 'plot: Travel and Natural History
Time of plot: 1831-1836
Locale: South America and the South Seas
First published: 1839
Principal character:
CHARLES DARWIN, English naturalist
Critique:
In this book the reader finds Darwin's
brilliant mind already at work upon
the problems which led to his world-
shaking theory of evolution. The tide
of the work is misleading, for the author
has little to say about the voyage. What
interests him is the natural history of
the lands at which the Beagle stops.
Nothing escapes Darwin's eye; his ob
servations are exact and beautifully writ
ten.
The Story:
In December, 1831, the brig Beagle of
the Royal Navy set sail from Devonport,
England, on a voyage which would in
clude surveys of Patagonia, Tierra del
Fuego, Chile, Peru, and some of the
islands of the Pacific. Also, some chrono-
metric measurements were to be made
while the ship circumnavigated the earth.
Charles Darwin shipped aboard as a
naturalist at the wish of the Beagle's
commander, Captain Btz Roy, Darwin
kept a record of the journey in the form
of a journal, besides making observations
in natural history and geology.
The ship sailed to the coast of South
America by way of the Canary Islands,
the Cape Verde Islands, and the island
of St. Paul's Rocks. The first American
seaport that the Beagle touched was Rio
de Janeiro. There Darwin went inland
with an Englishman who was going to
visit his estate. Upon his return Darwin
resided near Botofogo Bay, where he
made natural history observations.
From Rio de Janeiro the expedition
went southward to the mouth of the
River Plate. Darwin remained there for
several weeks collecting animals, birds,
and reptiles. On his journeys to the
interior he met gauchos for the first time
and witnessed their skill with the lasso
and the bolas in capturing horses and
cattle.
The next anchorage was at Rio Negro.
Between this river and Buenos Aires the
land was mostly inhabited by hostile
Indians. At the time, General Rosas was
making war on the various native tribes.
Darwin decided to go by land from the
Rio Negro to Buenos Aires under the
protection of the Spanish Army. On this
journey he was able to observe the
habits of the South American ostrich.
Upon his arrival in Buenos Aires, Dar
win was struck by the large size of the
city; it had about sixty thousand in
habitants. From there he set out for
Santa Fe by means of a slow bullock
wagon. He returned by boat down the
Parana River to the seacoast and sailed
in a small vessel to join the Beagle at
Montevideo. On an excursion inland
from that seaport, Darwin observed herds
of sheep that were watched only by
dogs. The dogs were brought up with
the flocks from infancy; thus they ac
quired an uncommon attachment for
the sheep.
The Beagle sailed for the coast of
Patagonia, a land where Spanish settle
ment had been unsuccessful. There Dar
win observed the guanaco, or wild llama.
These animals were extremely wary.
Once caught, however, they were easily
domesticated.
From Patagonia the Beagle went to the
Falkland Islands, where Darwin found
horses, cattle, and rabbits thriving on the
seemingly desolate land. Captain Fitz
Roy soon set sail for Tierra del Fuego.
There the natives were curious about
1079
their white visitors. The natives existed
«n an utterly savage state with barely
enough food and clothing to maintain
their miserable existence.
The Beagle had aboard three Fuegians
who had been taken to England to re
ceive education and be taught the Chris
tian religion. A missionary accompanied
them. The plan was to return these
natives to their own tribes, and for
that purpose the Beagle anchored in
Ponsonby Sound. Four boats set out to
carry the natives to their homeland. All
the natives on shore congregated about
the English wherever they landed and
asked for gifts. When their wants were
not entirely satisfied, they became hostile.
The missionary decided that it would be
useless for him to stay among them.
From Tierra del Fuego the Beagle
proceeded to Valparaiso, Chile. From
there Darwin set out to observe the
geological formations of the base of the
Andes Mountains. On that journey he
saw copper and gold mines.
The Beagle sailed from Valparaiso
southward to the island of Chiloe and
the southern part of Chile. While the
ship was anchored in a harbor of Chiloe,
all those aboard were able to observe the
eruption of a volcano on the mainland.
About a month later, after the Beagle
had sailed northward for a distance, a
great earthquake shook parts of the coast
and the nearby islands. Darwin saw the
damage caused by the earthquake in
the harbor city of Conception, where
almost every building had been de
molished. Part of the town had been
swept also by a tremendous wave that
had rushed in from the sea.
After the Beagle returned to Val
paraiso, Darwin procured guides and
mules and set out to cross the Andes to
Mendoza. He went eastward through the
Portillo Pass and returned through the
Uspallata Pass. He reported the scenery
beautiful, and he collected much in
teresting geological and natural history
data.
Next, the Beagle sailed up the coast
of northern Chile and continued north
ward to Peru. At Iquique, in Peru,
Darwin visited a saltpeter works. Lima
was the next port of call for the Beagle.
Darwin was not impressed by the city.
It was dirty and ugly, having suffered
from many revolutions, and the people,
living in an almost continual state of
anarchy, were unable to take time to
improve the city.
Lima was the last point at which the
Beagle touched on the western coast of
South America. The ship proceeded next
to the Galapagos archipelago, where the
most interesting feature was the prev
alence of great tortoises. The inhabitants
often killed these reptiles for their meat.
Most of the birds on the islands were
completely tame; they had not yet
learned to regard man as their enemy.
The ship then sailed on the long pas
sage of three thousand miles to Tahiti.
There Darwin was impressed by the
swimming ability of the Polynesians. He
explored the mountains of the island
with the help of guides.
From Tahiti the Beagle went south to
New Zealand, New South Wales, and
Australia. There Darwin first saw the
social greeting of rubbing noses per
formed by the aborigines. This custom
took the place of shaking hands, as prac
ticed by Europeans.
After leaving this group of islands the
ship headed back to Brazil in order to
complete chronometric measurements
that were to be made. On the way Dar
win visited the island of St. Helena.
Now that the Beagle was on the last
part of her journey, Darwin recorded
in his journal his theories as to the for
mation of coral reefs, many of which he
had observed during his stay in the
South Seas.
Darwin was glad to leave Brazil for
the second time; the practice of slavery
in that country sickened him. In October
of 1836 the Beagle reached the shores
of England. At Falmouth, Darwin left
the ship. He had spent nearly five
years on his journey.
1080
THE WANDERER
Type of work: Novel
Author: Alain-Fournier (Henri Alain Fournier, 1886-1914)
Type of plot: Psychological romance
Time of plot: Nineteenth century
Locale: France
First published: 1913
Principal characters:
AUGUSTTN MEAULNES, the wanderer
FRANCOIS SEUREL, his friend
FKANTZ DE CALAIS, a young aristocrat
YVONNE DE CALAIS, his sister
VALENTINE BLONDE AU, Frantz's fiancee
Critique:
Half fantasy and half reality, this
dream-like story skillfully mixes the
vague dream world with the material
world. A dream of delightful wonder
obsesses a young man all his life. But
when he finds the material existence of
his dream, he is disillusioned, for he
would prefer to return to the dream.
The Story:
M. Seurel was head of the Middle
School and one of the Higher Elementary
classes, and Madame Seurel taught the
infants at Sainte-Agathe's School. Liv
ing in the school with his parents and
his sister Millie, Frangois Seurel attended
the classes along with the other pupils.
Young Seurel, however, never played
much with the village boys because of
an infection in his hip.
When Francois Seurel was fifteen,
Augustin Meaulnes entered the school.
His arrival marked a new life for Seurel,
for Meaulnes soon banished his con
tentment with his family and his love
for his home. His hip healing, Seurel
began to spend more time with Meaul
nes in the village. Even the school be
came livelier, for Meaulnes always drew
a crowd of people around him in the
evenings.
The adventure began one Christmas
when Meaulnes set out for the railroad
station to meet Seurel's grandparents, M.
and Mme. Charpentier, When the
grandparents arrived, Meaulnes had dis
appeared. Three days later, he casually
took his seat in the classroom where M.
Seurel was conducting a lesson. No one
knew where Meaulnes had gone and he
claimed when questioned that he himself
did not know, Sometimes at night, in the
attic room they shared, Seurel would be
awakened to find Meaulnes pacing the
floor, fully clothed, eager to enter again
a mysterious world which once he had
glimpsed briefly. Meaulnes promised to
take Seurel along the next time he left
on a journey.
At last Meaulnes told Seurel the story
of his adventure after he had run off
from the school. It had been a very cold
December day, and Meaulnes, losing his
way, had found his horse lame and
darkness falling. He had wandered to a
cottage, where he was fed. Then he had
stumbled on until he found a barn in
which, cold and lost, he fell asleep. The
next day he wandered a long distance,
until that night he had come to a manor
where small children and old people
were merrily planning a wedding feast.
Tired and cold, Meaulnes had crawled
through a window and climbed into a
bed. There he slept all night. The
next day, thinking him one of the guests;
some strolling players invited him to eat
with them. Then Meaulnes discovered
the reason for the feast. Frantz de Calais,
the son of the man who owned the
THE WANDERER by Alaia-Fournicr. Translated by Francois Deli»lc. By permission of the publishers.
Houghton Mifilm Co. Copyright. 1928, by Houghton Miiflin Co.
1081
manor, had gone off to fetch his fiancee
for the wedding.
All the first day Meaulnes danced and
played with the other guests. The next
day he met a beautiful girl with whom
he immediately fell in love. Although
she sadly declined to see him again, she
promised to wait for his return to the
manor. Inquiring about the strange
girl, Meaulnes learned that she was
Yvonne de Calais, the sister of Frantz.
Frantz returned to the manor without
his bride and dismissed all the guests.
Meaulnes joined the crowd of children
and old people as they dejectedly walked
or rode away from the manor. He fell
asleep in a cart and did not awake until
he found himself again near Sainte-
Agathe's School.
Meaulnes' story would have seemed
too unreal to young Seurel if the arrival
of a strange boy at Sainte-Agathe's had
not brought the story to reality. The
boy, dressed as a gipsy, reminded Meaul
nes of those Bohemians he had seen at
the manor. After the gipsy had stolen
the map which Meaulnes had been mak
ing in order to find his way back to the
manor, Meaulnes and Seurel learned
that the gipsy was young Frantz de
Calais, who in a fit of despair after
losing his sweetheart had run away with
a band of gipsies. The boys swore to
Frantz that they would help him if they
could. One night Frantz disappeared.
Meaulnes went at last to Paris and
wrote only three letters to Seurel after
his arrival there.
Months passed. Seurel finished his
school days and went to a village to visit
some relatives. There he heard that a
mysterious manor was not far off. Eagerly
Seurel took up his friend's quest. His
cousins, he learned, knew Yvonne. The
manor had been razed after the disap
pearance of Frantz, but his sister often
came to visit Seurel's cousins. One night
while Seurel was there she arrived. He
told her that Meaulnes hoped someday
to find her again. Seurel then learned
from his aunt that Frantz's fianc6e had
feared to marry him because she was
certain that such great happiness could
not come to her, die daughter of peas
ants. She was now in Paris working as
a dressmaker. Seurel recalled his promise
to Frantz to help him if ever he could.
But first Seurel intended to find Meaul
nes and bring him to Yvonne de Calais.
When Seurel found Meaulnes, the
adventurer was packing his clothes to go
on a journey. Abandoning his plans,
he and Yvonne married. But there was
some mysterious element in their lives
which kept them from being as happy as
Seurel had expected them to be. One
night Frantz appeared near the village.
Seurel met him and listened to his com
plaint of loneliness and sorrow. The
next morning Meaulnes left Yvonne to
go on another adventure.
For months Seurel, now a teacher
at Sainte-Agathe's, and Yvonne awaited
the return of Meaulnes. When her baby
was born, Yvonne died, leaving Seure]
with an untold sadness. Searching
through his friend's old papers, Seurel
found a diary which told him why
Meaulnes had been so troubled before
his disappearance.
While Meaulnes had lived in Paris,
he had met Valentine Blondeau, a girl
who became his mistress. Valentine
often spoke of her former lover, whom
she had deserted because she feared to
marry him. When she showed Meaulnes
her lover's letters, he realized that Val
entine was the fiancee tor whom Frantz
de Calais had never stopped searching.
In anger, Meaulnes told her he would
leave her, and Valentine cried that she
would then return to Paris to become a
street-walker. After he had returned to
his mother's home, where Seurel had
found him, Meaulnes began to feel re
morse for his treatment of Valentine.
Seurel, reading the diary, realized that
Meaulnes must have been packing to
go in search of Valentine when Seurel
brought the news that Yvonne had been
found. He decided that Meaulnes had
deserted Yvonne to go on the same quest.
1082
As Yvonne's daughter grew into a
lovable, pretty child, Seurel often went
to play with her, but she would not
allow him completely to possess her
affections. She seemed always to be
waiting for someone. One afternoon,
while playing with the little girl, Seurel
noticed a burly stranger approaching. As
the man neared him, Seurel recognized
Meaulnes. He told Seurel that he had
brought Valentine and Frantz together
at last. With tears in his eyes at the
news of his wife's death, Meaulnes took
his daughter into his arms.
Seurel watched the father and daugh
ter play together, and the schoolmaster
smilingly imagined that he could en
vision Meaulnes arising in the middle of
the night, wrapping his daughter in a
cloak, and silently slipping off with her
on some new adventure.
THE WANDERING JEW
Type of work: Novel
Author: Eugene Sue (1804-1857)
Type of plot: Mystery melodrama
Time of plot: 1831-1832
Locale: France
First published: 1844-1845
Principal characters;
RODIN, an ambitious Jesuit
M. i/ ABBE D'AIGRIGNY, Provincial of the Jesuits
BLANCHE SIMON,
ROSE SIMON,
FRANCOIS HABJDY,
PRINCE DJALMA,
JACQUES DE RENNEPONT (COUCHE-TOUT-NUD),
GABRIEL DE RENNEPONT, and
ADRIENNE DE CARDOVILLE, descendants of Marius de Rennepont
and heirs to his legacy
SAMUEL, the Wandering Jew
HERODIAS, who demanded the head of John the Baptist
Critique:
The Wandering Jew is a sprawling
narrative written in a pedestrian style
and dealing with one-dimensional char
acters whose conversations and behavior
are unrealistic. In spite of its limitations,
however, the novel has survived; and
more than a hundred years after its pub
lication it has become a minor classic of
sorts. Probably the reasons for its sur
vival are twofold. First, the legend of
the Wandering Jew has always com
manded interest. Second, Sue has tech
nical skill in building up effects of
mystery and terror. In addition, Sue's
vivid knowledge of social and economic
conditions of the time lend added value
to a romantic work which was also a
novel of social protest.
The Story:
Down a bleak hill in Poland a solitary
figure stalked. He was an old man, his
face gentle and sad. His footsteps left in
the soil imprints of a cross made by the
seven large nails in his shoes. He was
hurrying, for he must be in Paris on
the thirteenth of February, 1832, when
the surviving descendants of his sister
would gather in that city — the last mem
bers of that family over which he had
watched for eighteen centuries. The
lonely traveler was the Wandering Jew,
that artisan of Jerusalem who mocked
Christ on the day of the Crucifixion, the
sinner condemned to wander undying
through the centuries over all the world.
Far in the wilds of America a woman
also set her face toward Paris, driven by
1083
that same power which guided the
Wandering Jew. She was Herodias, who
had demanded the head of John the
Baptist on a charger, also condemned to
live through centuries of sorrow.
Francois Baudoin, called Dagobert, a
faithful friend of Marshal Simon, an old
Bonapartist hero, never faltered in his
loyalty toward the Simon family. Years
before he had followed the marshal's
Polish wife into Siberia, where she was
exiled, and after her death he set out
with her twin daughters, Blanche and
Rose, for Paris where, on a certain day
in February, 1832, a legacy awaited the
two girls. This was the legacy of Marius
de Rennepont, an ancestor who, despoiled
by the Jesuits, had salvaged out of his
ruined estate a house and a small sum
of money. The money he had placed
in the hands of a faithful Jewish friend
named Samuel, who had promised to
invest it profitably. A hundred and
fifty years later the descendants of this
ancestor were to gather at a house where
each was to receive a share of the legacy.
Blanche and Rose Simon were only half-
aware of the fortune awaiting them, for
they were too young to understand what
Dagobert told them about their inherit
ance.
But if these heirs of Marius de Ren
nepont did not know of the legacy,
others did. For many years the Jesuits,
masters of an intricate and diabolical
conspiracy, had plotted to prevent the
descendants from acquiring the money.
They were responsible for Marshal
Simon's exile, for his wife's banishment
to Siberia.
The plotters had been so meticulous,
so thorough in their scheming, that they
had persuaded young Gabriel de Renne
pont to become a priest and a member
of the Society of Jesus. Through Gabriel
they hoped to acquire the tremendous
fortune; for by preventing the other
heirs from reaching Paris — and the
society had agents all over the world who
would do its bidding under any condi
tions — Gabriel would inherit the legacy.
Then, since he was forbidden by his vow
of poverty to possess money, the funds
would revert to the society. With that
money the Jesuits would be able to re
establish their supremacy over the French
people, would be able once more to
govern countries and guide the destiny
of Europe.
As soon as Dagobert and the two girls
arrived in Paris, the Jesuits arranged to
have them spirited away to a convent.
Adrienne de Cardoville, another descend
ant of the de Rennepont family, was
declared insane and committed to an
asylum. Jacques de Rennepont, a good-
hearted sensualist named Couche-tout-
Nud, was jailed for debt. Prince Djalma,
who had left India in spite of the efforts
of the Jesuits, was drugged. Francois
Hardy, a benevolent manufacturer, was
sent out of town through the treachery
of a friend who was a Jesuit spy.
As a result of that Jesuit conspiracy,
on that fateful day in February, 1832,
only the priest, Gabriel de Rennepont,
went to claim the legacy at the house of
an old Jew known as Samuel. With
Gabriel were M. 1'AbW d'Aigrigny, Pro
vincial of the Jesuits, and Rodin, his
secretary. Before the reading of the will,
Gabriel was persuaded to sign a paper
in which he renounced all claims to the
legacy. When the bequest was an
nounced, the Jesuits were astounded at
the incredible sum of the inheritance,
which had grown from 150,000 francs
to a fortune of 212,175,000 francs. But
just as the money was being handed over
to the priests, a strange woman appeared
and produced a codicil to the will, a
document suspending its execution for
three months. The woman was Herodias,
but none then called her by that name.
The priests were enraged, and they feared
that their conspiracy would be exposed.
Adrienne de Cardoville was certain to
be released from the asylum. Genera]
Simon was reported to be on his way
back to France to claim his daughters.
Couche-tout-Nud would borrow money
from his friends to pay his debts. Prince
1084
Djalma would soon awaken. Francois
Hardy would return to Paris from his
fruitless errand.
Rodin immediately produced a paper
which placed him in complete charge of
the Jesuit cabal. He proclaimed that they
had not lost, that they could and would
win by employing psychological methods
instead of violence. He would let each
heir destroy himself by his own desires,
passions, or vices.
During the three months that fol
lowed Rodin pretended that he had left
the service of the Abb6 d'Aigrigny and
passed himself off as a friend of the de
Rennepont heirs. He secured the re
lease of the Simon girls and Adrienne,
and by those acts became known as a
good, unselfish man. One of Adrienne's
servants confessed, shortly before her
death, that she had been blackmailed
into spying for the Jesuits, and she re
vealed the whole sordid, brutal, un
principled conspiracy. But Rodin was
not yet willing to accept defeat. At his
direction, Francois Hardy's factory was
burned to the ground, his best friend's
treachery was revealed, and his beautiful
young mistress was spirited away. A
broken man, Hardy was taken to a
Jesuit retreat, where he accepted the
doctrines of the order and died as the
result of the penances and fasts imposed
upon him. Couche-tout-Nud, separated
from his mistress, died a miserable death
after an orgy induced by another Jesuit
agent. The Simon girls were taken to
a hospital during a cholera epidemic and
died there of the disease. Prince Djalma,
led to believe that Adrienne had become
the mistress of Agricola Baudoin, Dago-
bert's son, attacked Agricola and killed
a girl whom he mistook for Adrienne. He
discovered his error too late, for in his
remorse he had already swallowed poison.
Adrienne chose to die with him.
When the time came for the final
disposition of the de Rennepont legacy,
Gabriel was the only survivor. Just as
Rodin was about to claim the inheritance
in the name of his churchly office, the
casket containing the money and securi
ties burst into flames and the fortune
was lost forever. A moment later Rodin
fell to the floor and writhed in agony.
As he had left a church, shortly before
claiming the legacy, he had taken holy
water from the fingers of an Indian whc
had accompanied Prince Djalma from
India and who had become a lay mem
ber of the Jesuits. Too late, Rodin real
ized that he had been poisoned in some
manner by the Indian. He died a few
minutes later.
Gabriel de Rennepont, shocked when
he realized the crimes of greed and lust
for power that the lost fortune had
caused, retired to live out the rest of his
brief life with his friends, the Beaudoin
family.
After Gabriel's body had been laid
in the de Rennepont tomb, old Samuel
went to a secret spot where a great cross
was set upon a lonely hill. There Hero-
dias found him. In the dawn's light each
saw upon the face of the other the marks
that age had put upon them, but they
had found peace and happiness at last.
Samuel — for he was the Wandering Jew
— gave praise that their long punishment
was ended, and Herodias echoed his
words.
WAR AND PEACE
Type of work: Novel
Author: Count Leo Tolstoy (1828-1910)
Type of 'plot: Historical romance
Timeofpkt: 1805-1813
Locale: Russia
First published: 1865-1869
1085
Principal characters:
PEERED BE2UHOV, illegitimate son of a wealthy count
NATASHA ROSTOV, beautiful daughter of a well-to-do Moscow family
NIKOLAY ROSTOV, Natasha's older brother
ANPREY BOLKONSKY, wealthy Russian prince
ELLEN KURAGIN BEZUHOV, Pierre's beautiful and immoral wife
ANATOLE KUKAGIN, Ellen's brother
PRINCESS MARYA BOLKONSKY, Audrey's sister
OLD PRINCE BOLKONSKY, Audrey's tyrannical father
KUTUZOV, Commander-in-Chief of the Russian Army, appointed in August, 1812
NAPOLEON BONAPARTE
Critique:
Count Leo Tolstoy's War and Peace
is a panorama of Russian life in that
active period of history known as the
Napoleonic Era. The whole structure of
the novel indicates that Tolstoy was
writing a new kind of book. He was
not concerned with plot, setting, or even
people, as such. His purpose was simply
to show that the continuity of life in
history is eternal. Each human life holds
its influence on history, and the de
velopments of youth and age, war and
peace, are so interrelated that in the
simplest patterns of social behavior vast
implications are recognizable. Tolstoy
seemed to feel a moral responsibility to
present history as it was influenced by
every conceivable human force. To do
this, it was necessary for him to create
not a series of simple, well-linked inci
dents but a whole evolution of events
and personalities. Each character must
change, must affect those around him;
these people in turn must influence
others, until imperceptibly, the whole
historical framework of the nation
changes. War and Peace, then, is a
moving record of historical progress, and
the dual themes of this vast novel — Age
and Youth, War and Peace — are shown
as simultaneous developments of history.
The Story:
In 1805, it was evident to most
well-informed Russians that war with
Napoleon was inevitable. Austria and
Russia joined forces at the battle of
Austerlitz, where they were soundly de
feated by the French. But in the highest
Russian society, life went on quite as
though nothing of tremendous import
were impending. After all, it was really
only by a political formality that Russia
had joined with Austria. The fact that
one day Napoleon might threaten the
gates of Russia seemed ridiculous. And
so soirees and balls were held, old
women gossiped, young women fell in
love. War, though inevitable, was being
waged on foreign soil, and was, therefore,
of little importance.
The attraction held by the army for
the young noblemen of Russia was
understandable enough, for the Russian
army had always offered excellent op
portunities for ambitious, politically in
clined young men. It was a wholesome
release for their energies. Young Nikolay
Rostov, for example, joined the hussars
simply because he felt drawn to that way
of life. His family idolized him because
of his loyalty to the tsar, because of his
courage, and because he was so hand
some in his uniform. Natasha, his sister,
wept over him, and Sonya, his cousin,
promptly fell in love with him.
While young Nikolay was applauded
in St. Petersburg society, Pierre Bezuhov,
a friend of the Rostov family, was looked
upon as somewhat of a boor. He had
just returned from Paris, where he had
studied at the university, and he had not
yet made up his mind what to do with
his life. He would not join the army
for he saw no sense in a military career.
His father gave him a liberal allowance,
and he spent it frivolously at gambling.
In truth, he seemed like a man lost. He
1086
would start long arguments, loudly shout
ing in the most conspicuous manner in
the quiet drawing-rooms, and then
suddenly lapse into sullen silence. He
was barely tolerated at soirees before
his father died and left him millions.
Then, suddenly, Pierre became popular,
although he attributed his rise to some
new personality development of his own.
He was no longer sullen, but loved
everyone, and it was quite clear that
everyone loved him. His most dogged
follower was Prince Vassily Kuragin, the
father of a beautiful, unmarried daugh
ter, Ellen, who was recognized every
where as a prospective leader of St.
Petersburg society. Pierre was forced into
marrying her by the crafty prince, who
knew a good catch when he saw one.
The marriage was never a success.
Pierre Bezuhov's closest friend was
Prince Andrey Bolkonsky, an arrogant,
somewhat cynical man who also despised
his wife. Lise, the "Little Princess/' as
she was called, was pregnant, but Prince
Andrey could endure the bondage of
domesticity no longer. When he received
a commission in the army, he left his wife
at the family estate, Bleak Hills, in the
care of his sister Marya and his tyran
nical old father, and went off to war.
During his absence, Princess Lise bore
him a son, but died in childbirth. Prince
Andrey returned after the battle of
Austerlitz to find himself free once more,
but he enjoyed no feeling of satisfaction
in his freedom. Seeking Pierre, Prince
Andrey turned to his friend for answer
to some of the eternal questions of lone
liness and despair that tortured him.
Pierre, meanwhile, had joined the
brotherhood of Freemasons, and through
this contact had arrived at a philosophy of
life which he sincerely believed to be
the only true philosophy. Had Pierre
realized that the order nad initiated him
solely because of his wealth, he would
never have adopted their ideals. How
ever, in true faith, Pierre restored some
of Prince Andrey's lost courage by means
of a wild if unreasoning enthusiasm.
In the belief that he was now an un
selfish, free individual, Pierre freed his
peasants and set about improving his
estate; but having absolutely no sense
of business administration he lost a great
deal of money. Finally, with his affairs
in almost hopeless disorder, he left an
overseer in charge and retired to Bleak
Hills and Prince Andrey's sane company.
Meanwhile, Nikolay Rostov was in the
thick of the fighting. Napoleon, having
overcome the Prussian forces at Jena,
had reached Berlin in October, The Rus
sians once more had gone to the as
sistance of their neighbors, and the two
opposing armies met in a terrible battle
at Eylau in February, 1807. In June,
Nikolay had entered the campaign at
Friedland, where the Russians were
beaten. In June of that year Nikolay
naively thought the war was over, for
Napoleon and Tsar Alexander signed
the Peace of Tilsit. What the young
officer did not know was that Napoleon
possessed a remarkable gift for flattery,
and had promised, with no intention of
keeping his word, that Russia would be
given a free hand with Turkey and
Finland. For two years Nikolay enjoyed
all the privileges of his post in the army,
without having to endure any of the risks.
Napoleon had gone to Spain.
Prince Andrey, having served in minor
skirmishes as an adjutant under General
Kutuzov, leader of the Russian forces,
returned to the country. He had some
business affairs to straighten out with
Count Rostov, marshal of his district,
and so he went to the Rostov estate at
Otradnoe. There Andrey fell almost im
mediately under die spell of Count
Rostov's lovely young daughter, Natasha.
He fancied himself in love as he had
never loved before. Once again he turned
to Pierre for advice. Rut Pierre had had
an unfortunate quarrel with his wife,
Ellen. They were now separated, and
Pierre had fought a senseless duel with
an innocent man because he had sus
pected his wife of being unfaithful. But
at the sight of Prince Andrey, so hope-
1087
lessly in love, Pierre's great heart was
touched. He had always teen fond of
Natasha, whom he had known since
childhood, and the match seemed to him
ideal. With love once more flowing
through his heart, he took his wife
back, feeling very virtuous at his own
generosity. Meanwhile he encouraged
Prince Andrey in his suit.
Natasha had ignored previous offers
of marriage. When dashing and wealthy
Prince Andrey came upon the scene,
however, she lost her heart to him
instantly. He asked her parents for
her hand, and they immediately con
sented to the match, an excellent one
from their point of view. But when
Prince Andrey broke the news to his
quarrelsome and dictatorial old father,
the ancient prince said he would not give
his blessing until a year had elapsed. He
felt that Natasha had little money and
was much too young to take charge of
Prince Andrey's home and his son.
Marya, Prince Andrey* sister, also dis
approved of the match. She was jealous
of her brother's fiancee.
Natasha, heartbroken, agreed to wait
a year, and Prince Andrey kept their
betrothal a secret, in order, as he said,
to let her have complete freedom.
Natasha went to visit a family friend in
Moscow. There her freedom was too
complete. One night at the opera with
Pierre's wife Ellen, who was now
recognized as an important social leader,
she met Ellen's disreputable brother,
Anatole. Unknown to Natasha, Anatole
had already been forced to marry a
peasant girl, whom he had ruined. The
young rake now determined to conquer
Natasha. Aided by his unscrupulous
sister, he forced his suit. Natasha be
came confused. She loved Prince Andrey,
but he had joined the army again and she
never saw him; and she loved Anatole,
who was becoming more insistent every
day. At last she agreed to run away with
Anatole and marry him. Anatole ar
ranged with an unfrocked priest to have
a mock ceremony performed.
On the night set for the elopement
Natasha's hostess discovered the plan.
Natasha was confined to her room.
Unfortunately, she had already written
to Prince Andrey's sister asking to be re
lieved of her betrothal vows.
When Pierre heard the scandal, he
forced Anatole to leave town. Then
he went to see Natasha. Strangely, he
was the only person whom she trusted
and to whom she could speak freely. She
looked upon him as if he were an older
uncle, and was charmed with his gruff,
friendly disposition. Pierre realized that
he felt an attraction toward Natasha he
should not have had, since he was not
free. He managed to let her know his
affection for her, however, and she was
pleased over his attentions. She soon
began to get well, although she was
never again to be the frivolous girl
whom Prince Andrey had loved.
Prince Andrey had suffered a terrible
blow to his pride, but in the army there
were many engrossing matters to take
his attention away from himself. By
1810, the Franco-Russian alliance had
gradually dissolved. When France
threatened to free Russia of responsibility
for Poland, the tsar finally understood
that Napoleon's promises meant little.
The dapper little French emperor had
forsaken Russia in favor of Austria as
the center of his European domination,
had married Marie Louise, and in 1812,
with Ids eyes unmistakably fixed on
Moscow, crossed the Nieman River.
From June to August Napoleon enjoyed
an almost uninterrupted march to
Smolensk.
In Smolensk he found burned and
wrecked houses. The city was deserted.
By that time Napoleon began to run
into fierce opposition. Old General
Kutuzov, former leader of the army of
the East and now in complete charge of
the Russian forces, was determined to
halt the French advance. Oddly enough,
he was doing the very thing that kept
the Russians from a decisive victory
because of the tactics used to stop
1088
Napoleon. If he had not attempted to
halt the French, but instead had drawn
them deeper and deeper into Russia,
lengthening their lines of communication
and cutting them off in the rear, the
Russians might have won their war
earlier. It was odd, too, that Napoleon,
in attempting to complete his march,
also lessened his chances for victory. Both
sides, it seemed, did the very things which
would automatically insure defeat.
Battle after battle was fought, with
heavy losses on both sides before
Napoleon finally led his forces to
Borodino. There the most senseless battle
in the whole campaign was fought. The
Russians, determined to hold Moscow,
which was only a short distance away,
lost nearly their whole army. The French
forces dwindled in proportion. But it
was clear that the Russians got the worst
of the battle. General Kutuzov, bitter
and war-weary, decided, against his will,
that the army could not hold Moscow.
Napoleon, triumphant, marched once
more into a deserted city.
Prince Andrey was gravely wounded at
Borodino. The Rostovs were already
abandoning their estate to move into the
interior, when many wagons loaded with
wounded soldiers were brought to the
house for shelter. Among these was
Prince Andrey himself. Natasha nursed
him and sent for Marya, his sister, and
his son, Nikolushka. Old Prince Bolkon-
sky, suffering from the shock of having
French soldiers almost upon his doorstep,
had died of a stroke. Nikolay managed
to move Marya and the boy to safer
quarters. Although Prince Andrey wel
comed his sister, it was evident that he
no longer expected to recover. Natasha
nursed him tenderly, and they once more
declared their love for each other. When
his wound festered, Prince Andrey knew
at last that he was dying. He died one
night in his sleep. United in tragedy,
Marya and Natasha became close friends,
and young Nikolay found Prince
Andrey's sister attractive.
Pierre Bezuhov, meanwhile, had de
cided to remain in Moscow. Fired with
thoughts of becoming a national hero,
he hit upon the plan of assassinating
Napoleon. But in his efforts to rescue a
Russian woman, who was being molested
by French soldiers, Pierre was captured as
a prisoner of war.
Napoleon's army completely disin
tegrated in Moscow. After waiting in
vain for peace terms from the tsar,
Napoleon decided to abandon Moscow
and head for France. A ragged, irrespon
sible, pillaging group of men, who had
once been the most powerful army in
the world, gathered up their booty,
threw away their supplies, and took the
road back to Smolensk. Winter came
on. Pierre Bezuhov, luckily, was robust
and healthy. Traveling with the other
prisoners, he learned from experience
that happiness could consist of merely
being warm and having enough to eat.
His privations aged and matured him.
He learned responsibility and gained
courage. He developed a sense of humor
at the irony of his plight. His simplicity
and even temperament made him a fa
vorite with French and Russians alike.
On the road to Smolensk the French
forces became completely demoralized.
Cossacks charged out of the forests,
cutting the lines, taking countless French
prisoners, and rescuing the Russian cap
tives. Many Frenchmen deserted. Others
fell ill and died on the road. Pierre,
free at last, returned to Orel, where he
fell ill with fever. Later he learned of the
deaths of Prince Andrey and his own
wife. Ellen had died in St. Petersburg
after a short illness. These shocksr
coupled with the news of the defeat of
the French, seemed to deprive him of a!J
feeling. When he finally recovered, he
was overwhelmed with a joyous sense of
freedom of soul, a sense that he had at
last found himself, that he knew him
self for what he really was. He knew
the sheer joy of being alive, and he was
humble and grateful. He had discovered
a faith in God that he had never known
before.
1089
Pierre returned to Moscow and re
newed ids friendships with Marya
Bolkonsky and the Rostovs. Once more
Natasha charmed him, and Pierre
suddenly realized that she was no longer
a child. He loved her now, as always,
and so when the opportunity presented
itself he dutifully asked her parents for
Natasha's hand. At the same time
Nikolay Rostov entertained the thought
of marrying Marya. Natasha and Pierre
were married. They were very happy.
Natasha was an efficient wife who
dominated her husband, much to the
amusement of their friends, but Pierre
loved her and respected her because she
knew how to take charge of everything.
She managed his estates as well as her
household.
Nikolay, though not entirely sure thai
he loved Marya, knew that to marry hei
would be a wise thing. The Rostovs were
now poor, the old count having left his
affairs in a deplorable state. At the
insistence of his mother, Nikolay finally
proposed to Marya and the two families
were joined. The union proved happier
than Nikolay had expected. They
adopted Prince Andrey's son, Nikolushka.
After eight years of marriage, Pierre
and Natasha had four fine children, of
whom they were very proud. It was
thought, in society, that Natasha carried
her devotion to her husband and children
to an extreme. But Natasha and Pierre
were happier than they had ever been
before, and they found their lives to
gether a fulfillment of all their dreams.
THE WAR OF THE WORLDS
Tyve of work: Novel
Author: H. G. Wells O866-1946)
Type of flat: Pseudo-scientific romance
Time of plot: Late nineteenth century
Locale: London and environs
First published: 1898
Principal characters:
THE NARRATOR
His WIFE
THE ARTILLERYMAN
THE CURATE
Critique:
This novel is representative of Wells'
pseudo-scientific romances. Founded as
it is on popular conceptions of Mars,
it exploits interplanetary travel and war
fare. In its day it was popular, but it
has very little more than historical in
terest for the modem reader. We have
advanced so far in scientific sophistica
tion that the wonders of the War of the
Worlds seem rather tame. The narrative
method and the use of an unnamed I
lend probability to the work. The novel
contains little character study, and the
plot is a bare narrative of a few days
of horror.
THE WAR OF THE WORLDS by H. G. Wells. By
and the publishers, Harper & Brothers. Copyright, 189!
& Brothers.
The Story:
I was interested in Mars, interested
enough to observe the planet often
through a telescope. Mars, I knew, was
smaller than the earth and probably
much older. One night in the observatory
I noticed a small pinpoint of light leave
our neighboring planet. Later I saw three
more shooting off into space. My as
tronomer friends speculated on these
strange meteors.
One evening a meteor fell near our
suburban house, and I went over with
other curious sightseers to look at it.
Only one end of its roughly cylindrical
shape was visible. In size it had a
permission of the Executors, estate of H. G. Wells,
J, by Harper & Brothers. Renewed, 1925, by Harper
1090
diameter of about thirty yards. I looked
for a while but went home little im
pressed. The next day there were
strange stories of the projectile. Noises
could be heard inside, a kind of pound
ing. The end was slowly turning around,
and it seemed to be unscrewing. I could
hear the pounding all night long.
In the morning I went to look again
at the object. While I was there the
cap came completely off. Then there
emerged a strange creature, brownish in
color, about the size of a man's torso.
It had a head with two enormous eyes
and a mouth without teeth. Around the
mouth were many pairs of tentacles. The
creature hopped off the projectile and be
gan circling the huge cylinder. It moved
with much difficulty. Probably the
greatly increased pull of gravity on our
ply net made the creature comparatively
heavier. The man from Mars began to
dig industriously.
Then I noted that many more of
these creatures were crawling from the
cylinder and beginning to dig. Soon it
became apparent that they were trying
to make a big pit around their projectile.
Within a day or so the Martians had
their huge pit completed, and they
turned it into a workshop where they
hammered night and day. The London
papers paid little attention to the Mar
tians or gibed at the fantastic news.
We in the neighborhood saw that the
creatures could not get out of their pit,
and the few scientific men who came
to observe asked us not to harm them.
One evening my wife and I heard a
loucl clanking and trembling. Rushing
to the window we saw a giant metal
frame about a hundred feet high and
shaped like a big milk stool. The metal
monster strode aisjointedly over a field
where it met two others. The three
stood together, apparently looking
around. Then a great beam of heat shot
from each, and a forest disappeared,
seared as if from a giant's breath. The
three monsters clanked away.
Shortly thereafter refugees in carts
and wagons, on bicycles and on foot,
began to stream past our door. They
were all panic-stricken and we learned
that they were the few survivors of a
town destroyed by the Martian heat
rays. The war of the worlds had begun.
Before long we heard the reassuring
sounds of army artillery moving up. As
soon as Martians had been spotted, the
soldiers fired their field pieces. But
there was little at which to aim and the
Martians were little affected, Then,
luckily, a heavy gun made a direct hit
on the solid portion at the top of one
of the machines and it went out of con
trol. From the top fell one of the brown
octopuses, the man from Mars who was
the guiding genius of the machine. The
metal tripod continued on in a straight
line until it fell over. We were horrified
to see another monster go after it and
transfer a Martian warrior to the prostrate
frame. In a moment the tripod was up
and on its path of destruction.
I hired a cart from my landlord and
took my wife to Leatherheacl. When I
returned late that night, the roads were
jammed with panicky crowds. My own
house was somewhat damaged, but I
spent the rest of the night there.
In the morning the countryside was
alive with metal monsters. Our soldiers
had no defense against their heat rays,
The Martians quickly learned about
guns. Before them as they strode they
loosed heavy clouds of dense green smoke
which killed everyone it touched. A
detachment of artillery had no chance
against them.
A weary artilleryman stumbled into
my house that evening. The rest of his
outfit had been killed by the smoke.
While he was telling me his story, a
monster came toward our street, de
stroying each house as he came. In my
fear I would have fled immediately, but
the artilleryman made us stop for pro
visions. Supplied with bread and mut
ton, we left the house and escaped by
hiding in bushes and streams. Behind
us clanked the monster.
1091
1 left the artilleryman along the road
because I was intent on getting hack
to my wife in Leatherhead. I hid in
cellars to escape the green smoke. On
my wanderings I picked up a hysterical
curate. One night, while we were sleep
ing in a deserted cellar, a loud explosion
rocked our retreat. In the morning we
saw diat we were trapped by a Martian
projectile resting against our refuge.
Forced to stay there, forced to keep
still to avoid detection, I learned much
about the Martians. They were all
head. In their evolution they had learned
to do without stomach, legs, and glands.
They had a sensitive area where they
could hear, but they had no noses. I
even learned how they fed; from captured
men they drained the blood and let it
flow directly into their veins from a
pipette. The curate went raving mad
during our close confinement and I had
to kill him. When the Martians ex
plored the cellar with tentacles, I es
caped, but they took the curate's body.
After twelve days the Martians left
and I was free. In London I saw a
ruined city. The Martian machines,
however, were standing idle. The men
from Mars had fallen victim to our
bacteria and the world was saved. My
wife found me in our London studio.
THE WARDEN
Type of work: Novel
Author: Anthony Trollope (1815-1882)
Type of 'plot: Domestic realism
Time of plot: Mid-nineteenth century
Locale: London and "Barchester," England
First published: 1855
Principal characters:
MR. HARprNG, warden of Hiram's Hospital
ELEANOR HARDING, his younger daughter
JOHN BOIJ>, her lover
DR. GRANTLY, husband of Mr. Harding's older daughter
TOM TOWERS, a newspaperman
SIR ABRAHAM HAPHAZARD, Mr. Harding's counsel
Critique:
The Warden is a pleasant story about
British ecclesiastical life in the time of
Queen Victoria, and the amiable style
of the novel fits the leisurely existence it
describes. The narrative is frequently
interrupted by the author, who comments
on character, situation, or life in general,
as his fancy strikes him. Trollope does
not pretend to any depth, but he has
produced here a delightful picture of
life in a particular time and place.
The Story:
At the age of fifty the Reverend
Septimus Harding was appointed precen
tor of Barchester Cathedral, a position
which carried with it the wardenship of
Hiram's Hospital. This institution had
for over four hundred years provided a
home for twelve men in their old age, and
as the income had grown to a consider
able size, the warden and the steward
received substantial yearly salaries. With
his income of eight hundred pounds a
year, Mr. Harding was able to provide
comfortably for his younger daughter,
Eleanor. His older daughter, Susan, was
married to Dr. Grantly, archdeacon of
the cathedral.
John Bold, a young physician with a
small practice, turned his energies to re
form. On investigation he discovered that
the will of John Hiram, donor of the
hospital, made no stipulation which
would result in such a discrepancy as
existed between the warden's and the
steward's incomes and those of the twelve
inmates, and he felt that his duty obliged
1092
him to bring this discrepancy to light. He
engaged the interest of a newspaper
friend, Tom Towers, and the services of a
solicitor named Finney. Finney ex
plained the situation to the inmates and
encouraged them to think in terms of an
annual income of one hundred pounds a
year. Most of them signed a petition
addressed to the bishop, asking that
justice be done.
The Juyiter, for which Towers worked,
published editorials about the greediness
of the church and unscrupulous clergy
men. Mr. Harding was distressed. It had
never entered his head that he was living
off an income not his by rights, and he
began to talk of resigning. Eleanor agreed
that if her father were unhappy at
Hiram's Hospital, they would be better
off at Crabtree Parva, a small parish
which belonged to Mr. Harding and
which paid an annual income of fifty
pounds.
Dr. Grantly, a worldly man, would
not hear of Mr. Harding's resignation.
He insisted that the warden had an
obligation to the church and to his
fellow members of the clergy which re
quired a firm stand against the laity and
the press. Besides, as he pointed out,
the living at Crabtree Parva could not
provide a suitable match for Eleanor.
Dr. Grantly came to the hospital
and addressed the inmates. He told them
John Hiram had intended simply to
provide comfortable quarters for old single
men who had no other homes. But Dr.
Grantly's speech had little effect, except
on John Bunce and his two cronies. John
Bunce, who was especially close to Mr.
Harding, served as a sub-warden of the
old men. Tho others felt they had a
right to a hundred pounds a year.
When Eleanor saw how unhappy the
whole affair made her father, she begged
him to resign. Finally she went to John
Bold and begged him to give up the suit.
After promising to do anything he could
for her, Bold declared his love. Eleanor,
who had hoped not to let matters go so
far, confessed her love in return.
Bold went to see Dr. Grantly and told
him that for reasons best known to him
self he was withdrawing the charges he
had made. Dr. Grantly replied that he
did not think the defendants wished to
have the suit withdrawn. He had been
advised that Mr. Harding and the steward
were, in effect, servants, and so were
not responsible and could not be de
fendants in a suit.
Mr. Harding decided to go to London
for a conference with Sir Abraham Hap
hazard, counsel for the defense. Eleanor
had come home expecting to tell her
father all that Bold had told her, but
she could not bring herself to discuss
her own affairs before those of the
wardenship had been settled. Mr. Hard
ing had decided that he had no right
to the income from Hiram's Hospital.
Bold also was going to London. When
he arrived there, he went to Tom Towers
and asked him not to print any more
editorials about the Barchester situation.
Towers said he could not be responsible
for the attitude of the Jupiter. Bold then
went to the offices of his lawyer and told
him to drop the suit. The lawyer sent
word to Sir Abraham.
Mr. Harding arrived in London and
was given an appointment with Sir
Abraham the next night at ten. Having
explained his intention in a note to
Dr. Grantly, he was afraid that Dr.
Grantly would arrive in London before
he would have a chance to carry out
his plan. He left his hotel at ten in the
morning and spent most of the day in
Westminster Abbey in order to avoid
Dr. Grantly. That night he told Sir
Abraham that he must in all conscience
resign his post as warden, When he
returned to his hotel, he found Dr. and
Mrs. Grantly waiting for him, but their
arguments could not make the warden
change his mind. Back in Barchester,
he wrote a formal letter of resignation
to the bishop and sent a copy to Dr.
Grantly.
The bishop offered him a position as
chaplain in his household. Mr. Harding
1093
declined the offer. Then it was suggested
that a trade be effected between Mr.
Harding and Mr, Quiverful of Pudding-
dale. Mr. Quiverful, who had ten chil
dren, would be glad to double his annual
income and would be impervious to any
attacks from the press. But this arrange
ment, too, met with opposition, for
Puddingdale was too far from Barchester
for Mr. Harding to attend to his duties
as precentor at the cathedral.
As the time for Mr. Harding's de
parture from Hiram's Hospital drew
near, he called in all the inmates and
had a last talk with them. They were
disturbed, even those who had petitioned
the bishop, for they felt that they were
being deprived of a friendly and
sympathetic warden.
Mr. Harding took lodgings and was
given a tiny parish at the entrance to
the cathedral close. His daughter Eleanor
married John Bold. So Mr. Harding's
income continued to be ample for his
needs. He dined frequently with the
bishop and kept his cello at Eleanor's
house, where he often went to make
music. In short, Mr. Harding was not
an unhappy man.
WAVERLEY
Type of work: Novel
Author: Sir Walter Scott (1771-1832)
Type of 'plot: Historical romance
Time of ^plot: 1745
Locale: England and Scotland
First published: 1814
Principal characters:
EDWARD WAVERLEY, a young English officer
BARON BRADWARDINE, a Scottish nobleman
ROSE BRADWARDESTE, the baron's daughter
EVAN DHU MACCOMBICH, follower of Fergus Aoac Ivor
DONALD BEAN LEAN, a Highland bandit
FERGUS MAC IVOR VICH IAN VOHR, leader of the clan of Mac Ivor
FLORA MAC IVOR, Fergus' sister
PRTNCE CHARLES EDWARD STUART, the Young Pretender
Critique:
When this novel was published anony
mously in 1814, it created great interest
among readers who sought to learn the
identity of its author. Scott himself
claimed, in his preface to the 1829 edi
tion, that he had published his work
anonymously to avoid political discus
sion. Because the book was written only
sixty years after the invasion of Prince
Charlie and because the dark and bloody
days of 1745 still rankled in the minds
of many living men and women, it is
conceivable that Scott spoke the truth j
however, observing the nineteenth-cen
tury fondness for publishing anonymous
works, one might add the opinion that
Sir Walter was also following a custom
of the times. Waverley is a romantic
novel in which Scott paid tribute to a
group of people who had been considered
no more than fierce, ignorant barbarians.
In the person of Fergus Mac Ivor we
find not only intellect and sentiment, but
also formal, courtly manners. Especially
contributing to the reader's delight in
Waverley is a picturesque Scottish High
land background.
The Story
The English family of Waverley had
long been known for its Jacobite sym
pathies. In the year 1745, Waverley-
Honour, the ancestral home of the fam
ily, was a quiet retreat for Sir Everard
Waverley, an elderly Jacobite. His
brother, Richard Waverley, seeking po-
1094
litical advantage in London, had sworn
loyalty to the king.
Edward Waverley, the son of Whig
Richard, divided his time between his
father and his Uncle Everard at Waver-
ley-Honour. On that great estate Ed
ward was free to come and go as he
pleased, for his tutor Pembroke, a devout
dissenter, was often too busy writing
religious pamphlets to spend much time
in the education of his young charge.
When Edward became old enough, his
father obtained for him a commission
in the army. Shortly afterward he was
ordered to Scotland to join the dragoons
of Colonel Gardiner. Equipped with the
necessary articles of dress, accompanied
by a retinue of men who had been se
lected by Sir Everard, and weighed down
by the dissenting tomes of Pembroke,
Edward left Waverley-Honour in quix
otic fashion to conquer his world.
Tie had been instructed by Sir Ever
ard to visit an old friend, Sir Cosmo
Comyne Bradwardine, whose estate was
near the village of Tully-Veolan in the
Scottish Lowlands. Edward, soon after
his arrival at the post of Colonel Gardi
ner, obtained a leave in order to go to
Tully-Veolan. There he found Sir
Everard's friend both cordial and happy
to see him. The few days spent at Tully-
Veolan convinced Edward that Scotland
was a wilder and more romantic land
than his native England. He paid little
attention to Rose Bradwardine, the
baron's daughter, his youthful imagina
tion being fired by the songs and dances
of Davie Gellatley, the baron's servant,
and by talcs about the Scottish High
landers and their rude ways. At Tully-
Veolan he was also confronted by a
political issue that had been but an ideal
istic quarrel in his former existence; these
Scottish people were Jacobites, and Ed
ward ostensibly was a Whig royalist be
cause of his father's politics and his own
rank in the army of Hanoverian George
II of England.
During his stay at Tully-Veolan an
event occurred which was to change
Edward's life. It began with the un
expected arrival of Evan Dhu Mac-
combich, a Highlander in the service
of the renowned clan chieftain, Fergus
Mac Ivor Vich Ian Vohr, a friend of the
baron's. His taste for romantic adventure
having been aroused, Edward begged
another extension of his leave in order
to accompany Evan Dhu into the High
lands. In those rugged hills Edward
was led to the cave that sheltered the
band of Donald Bean Leaii, an outlaw
who robbed and plundered the wealthy
Lowlanders. Staying with the bandit
only long enough to discover the roman
tic attachment between Donald's daugh
ter Alice and Evan Dhu, Edward again
set out into the hills with his cheerful
young guide. His curiosity had been
sufficiently whetted by Evans' descrip
tions of Fergus Mac Ivor and his ancient
castle deep in the Highland hills at
Glennaquoich.
The welcome that Mac Ivor extended
to Edward was open-handed and hearty.
No less warm was the quiet greeting
which Flora, Fergus Mac Ivor's sister,
had for the English soldier. Flora was
a beautiful woman of romantic, poetic
nature, and Edward found himself be
fore long deeply in love with the chief
tain's sister, Mac Ivor himself seemed
to sanction the idea of a marriage. That
union could not be, however, for Flora
had vowed her life to another cause —
that of placing Charles, the young Stuart
prince, upon the throne of England.
At Edward's proposal of marriage, Flora
advised him to seek a woman who could
attach herself wholeheartedly to his hap
piness; Flora claimed that she could not
divide her attentions between the Jacobite
cause and marriage to one who was not
an ardent supporter of Charles Edward
Stuart.
Edward's stay at Glennaquoich was
interrupted by letters carried to him by
Davie Gellatley from Tully-Veolan. The
first was from Rose Bradwardine, who
advised him that the Lowlands were in
a state of revolt. Her father being ab-
1095
sent, she warned Edward not to return
to Tully-Veolan. The other letters in
formed him that Richard Waverley had
engaged in some unfortunate political
maneuvers which had caused his political
downfall. On the heels of this news
came orders from Colonel Gardiner,
who, having heard reports of Edward's
association with traitors, was relieving the
young officer of his command. Repulsed
by Flora and disgraced in his army
career, Edward resolved to return to
Waverley-Honour. He equipped him
self suitably for the dangerous journey
and set out toward the Lowlands.
Because of armed revolt in Scotland
and the linldng of the Waverley name
with the Jacobite cause, Edward found
himself under arrest for treason against
King George. The dissenting pamphlets
of Pembroke which he carried, his stay
in the Highlands, and the company he
had kept there, were suspicious circum
stances which made it impossible for
him to prove his innocence. Captured
by some of the king's troopers, he was
turned over to an armed guard with
orders to take him to Stirling Castle for
trial on a charge of treason.
But the friend of Fergus Mac Ivor
Vich Ian Vohr was not to be treated
in such a scurvy manner. On the road
a quick ambush rescued Edward from
his captors, and he found himself once
again in the hands of some Highlanders
whom he was able to recognize as a
party of Donald Bean Lean's followers.
Indeed, Alice once appeared among the
men to slip a packet of letters to him,
but at the time he had no opportunity
to read the papers she had given him so
secretively.
A few days' journey brought Edward
to the center of Jacobite activities at
Holyrood, the temporary court of Charles
Edward Stuart, who had secretly crossed
the Channel from France. There Ed
ward Waverley found Fergus Mac Ivor
awaiting him. When the Highlander
presented Edward to Prince Charles, the
Pretender welcomed the English youth
because of the name he bore. The
prince, trained in French courts, was a
model of refinement and courtesy. His
heartfelt trust gave Edward a feeling
of belonging, after he had lost his com
mission, his cause unheard, in the Eng
lish army. When Charles asked him to
join in the Scottish uprising, Edward
assented. Mac Ivor seemed quite happy
about Edward's new allegiance. When
the young Englishman asked about Flora,
Mac Ivor explained that he had brought
her along to the prince's court so that
he could make use of her graces in gain
ing a political foothold when the battle
was won. Edward resented this man
ner of using Flora as bait, but soon he
perceived that the court of the Pre
tender functioned very much like the
French court where Charles and his
followers had learned statecraft. Mac
Ivor pressed Edward to continue his
courtship of Flora. The sister of Mac
Ivor, however, met his advances coldly.
In the company of the Highland beauty
was Rose Bradwardine, whose father
had also joined the Stuart cause.
Accepted as a cavalier by the women
who clustered around the prince and
under the influence of the Pretender's
courtly manners, Edward soon became
a favorite, but Mac Ivor's sister per
sisted in ignoring him. He began to
compare the two women, Rose and Flora,
the former gaining favor in his eyes as
he watched them together.
The expedition of the Pretender and
his Highlanders was doomed to failure.
As they marched southward to England,
they began to lose hope. The prince
ordered a retreat to Scotland. Many of
the clansmen were killed at the disastrous
battle of Culloden. The survivors escaped
to the Highlands, to spend their days
in hiding from troops sent to track them
down. A few were fortunate enough to
make their way in safety to France.
Edward managed to get away and to
find a friend who helped him to steal
back to Scotland, where he hoped to
find Rose Bradwardine. So far Edward
1096
had cleared himself of the earlier charges
of treachery and desertion, which had
been the initial cause of his joining the
Pretender. It had been Donald Bean
Lean who had deceived Colonel Gardiner
with a false report of Edward's activities.
The letters Alice had slipped to him had
conveyed that information to Edward.
Now he hoped to escape to France with
Rose and wait for a pardon from Eng-
*and. Richard Waverley had died and
Edward had inherited his fortune.
Fergus Mac Ivor and Evan Dhu Mac-
combich were executed for their crimes
against the crown, and the power of the
Highland clan was broken. Flora en
tered a Catholic convent in France, the
country in which she had been reared.
Edward Waverley and Rose were mar
ried after Edward was certain of his
pardon. They returned to Tully-Veolan,
where the baron's estate was awaiting its
heirs.
THE WAY OF ALL FLESH
Type of work: Novel
Author: Samuel Butler (1835-1902)
Type of plot: Social criticism
Time of plot: Nineteeenth century
Locale: England
First published: 1903
Principal characters:
GEORGE PONTIFEX, a printer
THEOBALD PONTIFEX, George's son
ALTHEA PONTIFEX, George's daughter
CHRISTINA PONTIFEX, Theobald's wife
ERNEST, Theobald's oldest son
MR. OVERTON, Ernest's friend
ELLEN, Ernest's wife
Critique:
Reared in the family of a strict clergy
man, Samuel Butler patterned Theobald
Pontifex after his own father. Aimed at
a type of parent-children relationship that
bred maladjusted, introverted children,
this novel depicts one son who broke
the parental ties, thereby freeing him
self to make his own way in life.
Pointing to the foibles of his fellow
man, probing the motive of an indignant
parent or burlesquing a controversy of
ideas, Butler's wit and sarcastic humor
lighten at all times the heavy tones of
his social study.
The Story:
Mr. and Mrs. Pontifex were well up
in years when their son George was
born. When the time came for George
to learn a trade, they accepted the offer
of Mr. Pontifex's brother-in-law to take
George with him to London as an ap
prentice in his printing shop. George
learned his trade well, and when the
uncle died he willed the shop to his
nephew.
George had married, and five children
were born to him and his wife; John,
Theobald, Eliza, Maria, and Aldiea, at
whose birth Mrs. Pontifex died. George
considered himself a parent motivated
only by the desire to do the right thing
by his children. When Theobald proved
himself not as quick as John but more
persistent, George picked the clergy as
Theobald's profession. Shortly before
his ordination, Theobald wrote to his
father that he did not wish to become
a minister. George, in reply, threatened
to disinherit his son. Submitting, Theo-
THE WAY OF ALL FLESH by Samuel Butler. By permission of the publishers, E. P. Dutton & Co., Inc,
Copyright, 1916, by E. P. Dutton & Co., Inc. Renewed, 1944.
1097
bald was ordained. His next step was
to wait for some older member of the
clergy to die so that he could be given
a living.
The Allabys had three daughters, all
of marriageable age. After having selected
Theobald as a possible husband for one
of the daughters, Mr. Allaby suggested
to his offspring that they play a game
of cards to decide who would become
Theobald's wife. Christina won. Theo
bald unwittingly fell in with Mr. Allaby 's
plans and obligingly courted Christina
until he won her promise to marry him.
George wrote to Theobald that he ob
jected to his son's marriage into the
impoverished Allaby family, but Theo
bald was too deeply embroiled in his
engagement to untangle himself. In
five years he obtained a decent living in
a community called Battersby, where he
and Christina settled. Their first child
was a son. Since this child was the first
new male Pontifex, George was pleased,
and Theobald felt that for the first time
in his life he had done something to
satisfy his father. After Ernest came
Joseph and then Charlotte. Theobald
and Christina reared their children with
strict adherence to principles which they
believed would mold fine character. The
children were disciplined rigorously and
beaten when their parents deemed it
appropriate. When George Pontifex
died, he left seventeen thousand, five
hundred pounds to Theobald and twenty-
five hundred pounds to Ernest.
From an oppressive existence under
the almost obsessed rule of his parents,
Ernest was sent to Roughborough to be
educated under Dr. Skinner, who was
as strict a disciplinarian as Theobald.
Ernest was physically weak and mentally
morose. He might have succumbed com
pletely to his overpowering environ
ment had not he been rescued by an
understanding and loving relative. Althea
Pontifex, Theobald's sister, had retired
to London, where she lived comfortably
on an inheritance wisely invested. Look
ing about for someone to whom she could
leave her money when she died, Althea
hit upon Ernest. Not wishing to bestow
her fortune blindly, she determined to
learn more about the boy. She moved to
Roughborough so that she could spend a
great deal of time with Ernest.
From the first, she endeared herself
to the lonely youngster. She encouraged
him to develop his own talents, and
when she learned that he had a passion
for music she suggested that he learn
how to build an organ. Enthusiastically
he set about to learn wood construction
and harmony. Theobald disapproved,
but he did not forbid Ernest's activities
because he and Christina were eager to
have Ernest inherit Althea's money.
Ernest's shrinking personality changed
under the benevolent influence of his
aunt. When Althea died, she left her
money in the hands of her best friend,
Mr. Overton, whom she had appointed
to administer the estate which would go
to Ernest on his twenty-eighth birthday.
After Ernest had completed his course
at Roughborough, Theobald sent him to
Cambridge to study for the ministry.
At Cambridge Ernest made a few friends
and took part in athletics. He was
ordained soon after he received his
degree. Then he went to London. Still
innocent and unworldly, he entrusted to
a friend named Pryer the income he had
inherited from his grandfather. Pryer
cheated him out of his legacy. Because
he could not differentiate between good
and evil in human character, Emest also
became entangled in a charge of assault
and battery and was sentenced to a term
in the workhouse. Theobald sent word
that henceforth Ernest was to consider
himself an orphan.
Ernest was twenty-three years old at
the time. Mr. Overton, who held, un
known to Ernest, the estate Althea had
left for her nephew, began to take an
interest in Ernest's affairs. When Emest
was released from prison, he went to
Mr. Overton for advice concerning his
future, since it was no longer possible
for him to be a clergyman.
1098
While Ernest was still at Roughbor-
ough, Christina had hired as a maid
a young girl named Ellen. She and
Ernest had become good friends simply
because Ellen was kinder to him than
anyone else at home. When Ellen be
came pregnant and Christina learned of
her condition, she sent Ellen away.
Ernest, fearing that the girl might starve,
followed her and gave her all the money
he had. Theobald learned what Ernest
had done through John, the coachman,
who had been present when Ernest
had given Ellen the money. Theobald
became angry and dismissed the coach
man.
Soon after his release from prison,
Ernest met Ellen in a London street.
Because both were lonely, they married
and set up a small second-hand clothing
and book shop with the help of Mr.
Overton, who deplored the idea of
Ernest's marrying Ellen. Unknown to
Ernest, Ellen was a habitual drunkard.
Before long she had so impoverished him
with her drinking and her foul ways
that he disliked her intensely, but he
could not leave her because of the two
children she had borne him.
One day Ernest again met John, his
father's former coachman, who revealed
that he was the father of Ellen's illegiti
mate child and that he had married
Ellen shortly after she had left Theo
bald's home in disgrace. Acting on this
information, Mr. Overton arranged mat
ters for Ernest, Ellen was promised an
income of a pound a week if she would
leave Ernest, a proposal she readily ac
cepted. The children were sent to live
in a family of happy, healthy children,
for Ernest feared that his own upbring
ing would make him as bad a parent as
Theobald had been.
When Ernest reached his twenty-
eighth birthday, he inherited Althea's
trust fund of seventy thousand pounds.
By that time Ernest had become a writer.
With a part of his inheritance he trav
eled abroad for a few years and then
returned to England witn material for a
book he planned to write.
Before he died he published many
successful books, but he never told hit;
own story. Mr. Overton, who had access
to all the Pontifex papers and who knew
Ernest so well, wrote the history of the
Pontifex family.
THE WAY OF THE WORLD
Type of work: Drama
Author: William Congreve ( 1670-1 729 )
Type of plot: Comedy of manners
Time of plot: Seventeenth century
Locale: London
First presented: 1700
Principal characters;
LADY WISHFORT, an aged coquette
MRS. FAINALL, her daughter
MRS. MILLAMANT, Lady Wishfort's niece
FOIBLE, a servant
SIR WILFULL WITWOUD, Lady Wishfort's nephew
WITWOUD, his half-brother
MIRABELL, a gentleman of fashion
WAITWELL, his servant
FAINALL, married to Lady Wisnfort's daughter
MRS. MARWOOD, in love with Fainall
Critique:
The Way of the World is the best of
the Restoration dramas, a true comedy of
manners. Criticism had paid particular
attention to this play, for some hold that
the famous scene between Mirabell and
Millamant is one of the most profound
1099
analyses of the marriage relation ever
written. The play as a whole is a realistic
statement of a problem every individual
must face in his adjustment to society.
The Story:
Mrs. Millamant, who was by far the
most beautiful and wittiest of all the fine
ladies in London, was sought after by
all the beaux in town, The niece of the
rich Lady Wishfort, she was also an
heiress in her own right, and was looked
upon with great favor by Witwoud, a
kinsman of Lady Wishfort. But Mil-
lamant's acknowledged preference among
her suitors was for young Mirabell, who
was the only man in London who could
match that lady's devastating wit.
Mirabell himself was as great a favor
ite among the ladies in the town as Mil-
lamant was among the beaux. She was
the perfect coquette; he was the per
fect gallant. Among Mirabell's jealous
admirers was Mrs. Marwood, the mistress
of Fainall, Lady Wishfort's son-in-law.
In fact, Mirabell had but one real enemy
among the ladies, and that was Lady
Wishfort herself. On one occasion, in
order to further his suit with Millamant,
Mirabell had falsely made love to the old
lady. Discovering his subterfuge later,
she had never forgiven him. She de
termined that he would never marry her
niece so long as she controlled Mil-
lamant's fortune. In consequence, Mira
bell was hard put to devise a scheme
•vhereby he might force Lady Wishfort
to consent to the marriage,
The plan he devised was an ingenious
one. Realizing that Lady Wishfort would
respond to anything which even re
sembled a man, he promptly invented an
imaginary uncle, Sir Rowland, who, he
said, had fallen madly in love with
Lady Wishfort and wanted to marry
her. He forced his servant, Waitwell, to
impersonate this fictitious uncle. To
placate Waitwell and further insure the
success of his plan, he contrived his serv
ant's marriage to Lady Wishfort's maid,
T~" •! 1
roible.
His scheme might have worked had
it not been for the counterplans of the
designing Mrs. Marwood and her un
scrupulous lover, Fainall. Although she
pretended to despise all men, Mrs. Mar-
wood was secretly in love with Mirabell,
and had no intention of allowing him to
marry Millamant. Fainall, although he
detested his wife heartily, realized that
he was dependent upon her and her
mother's fortune for his well-being, and
he resolved to stop at nothing to make
sure that fortune was in his control.
While these plans were proceeding,
Millamant gave little thought to plots or
counterplots. She had not the slightest
intention of compromising with life, but
insisted that the world's way must some
how be made to conform to her own de
sires. She had little use for the life
around her, seeing through its shallow
pretenses and its falsity, and yet she
knew that it was the world in which
she had to live. She realized that any
attempt to escape from it into some
idyllic pastoral existence, as her aunt
often suggested, would be folly.
Millamant laid down to Mirabell the
conditions under which she would marry
him, and they were stringent conditions,
not at all in conformity with the average
wife's idea of her lot. She would have
in her marriage no place for the ridiculous
codes and conventions which governed
the behavior of the people around her.
She would be entirely free of the cant
and hypocrisy of married life, which were
only a cloak for the corruption or misery
hidden underneath social custom. In
short, she refused to be merely a married
woman in her husband's or society's eyes.
Mirabell, likewise, had certain con
ditions which must be fulfilled before
he was turned from bachelor into hus
band. When his demands proved reason
able, both lovers realized that they saw
life through much the same eyes. They
decided that they were probably made
for one another.
But the world had not come to the
same conclusion. Lady Wishfort, still
1100
embittered against Mirabell for his gross
deception, resolved that Millamant was
to marry a cousin, Sir Wilfull Witwoud,
a country lout many years her senior,
who had just arrived in London. For
tunately for Millamant, Sir Wilfull
turned out to be a harmless booby,
who, when he was in his cups, became
the most understanding of men.
There was a greater obstacle, how
ever, in the scheme which Mirabell him
self had planned. Waitwell, disguised as
Mirabell's imaginary uncle, Sir Rowland,
paid ardent court to Lady Wishfort,
and would have been successful in in
veigling her into marriage had it not
been for a letter from Mrs. Marwood
exposing the whole scheme. Lady Wish-
fort's maid, Foible, succeeded in in
tercepting the letter, but Mrs. Mar-
wood appeared at Lady Wishfort's in
person and disclosed the deception.
Lady Wishfort was furious, and more
determined than ever to prevent any
marriage between her niece and Mirabell.
She angrily discharged Foible from her
employ. But Mrs. Fainall, Lady Wish-
fort's daughter, was on the side of the
two lovers. When Foible informed her
that she had tangible proof of the re
lationship between Fainall and Mrs.
Marwood, Mrs. Fainall resolved to
prosecute her husband to the limit.
Meanwhile the wily Fainall had taken
pains to have all his wife's property
transferred to his name by means of
trumped up evidence of an affair between
his wife and Mirabell.
In this act Lady Wishfort began to
see for the first time the scheming villainy
of her daughter's husband. Mirabell,
with the aid of Foible and Millamant's
servant, Mincing, exposed the double-
dealing Mrs. Marwood and her lover,
and further proved that while she was
yet a widow Mrs. Fainall had conveyed
her whole estate in trust to Mirabell.
Lady Wishfort was so delighted that she
forgave Mirabell all his deceptions, and
consented to his marriage to Millamant.
THE WEB AND THE ROCK
Type of work: Novel
Author: Thomas Wolfe (1900-1938)
Tyye of ylot; Impressionistic realism
Time of 'plot: 1900-1928
Locale: North Carolina, New York, Europe
First published: 1939
Principal characters:
GEORGE WEBBER, a young writer
ESTHER JACK, whom he loved
Critique:
Critics have said that T"he Web and
the Rock is at once the best and the
worst novel that Thomas Wolfe wrote.
Certainly the first part of the book, that
describing George Webber's childhood
in a Southern town, is an excellent
regional chronicle. Here Wolfe's genius
with words reaches new heights. But the
rest of the novel drags somewhat from
overdone treatment of a love story in
which similar scenes are repeated until
they become monotonous. From his own
experience, Wolfe here retells the story
of a young man's search for the meaning
of life. Like his other novels, it is a
book of passion and fury and wild rhet
oric.
The Story:
George Webber's childhood was one
of bleakness and misery. He was really
a charity ward, even though he lived
THE WEB AND THE ROCK by Thomas Wolfe. By permission of Edward C. Aswcll, Admimstrator EiUtc
of Thomas Wolfe, and the publishers, Harper & Brothers. Copyright, 1937, 1938, 1939, by Maxwell Perkin.
as Executor.
1101
with his aunt and uncle. For George*s
Father had deserted him and his mother,
and had gone off to live with another
woman. After the death of George's
mother, her Joyner relatives took George
into their home, where the boy was
never allowed to forget that he had some
of the blood of the Webbers mixed with
his Joyner blood. Strangely, all his good
and beautiful dreams were dreams of
his father, and often he hotly and pas
sionately defended his father to the
Joyners. His love for his father made
his childhood a divided one. George
hated the people his aunt and uncle
called good; and those they called bad,
he loved. A lonely child, George kept
his thoughts and dreams to himself
rather than expose them to the ridicule
of the Joyners* But the picture of that
happy, joyful world of his father, and
others like him, stayed with him during
those bleak years of his childhood.
When George was sixteen, his father
died, leaving the boy a small inheritance.
With that money, George left the little
southern town of Libya Hill and went
to college. There he found knowledge,
freedom, life. Like many other young
men, George wasted some of that free
dom in sprees of riotous and loose living.
But he also used his freedom to read
everything he could get his hands on,
and he was deeply impressed with the
power of great writers. George was be
ginning to feel the need of getting down
some of his thoughts and memories on
paper. He wanted to write of the two
sides of the world — the bright, gay
world of the people who had everything
and the horrible, dreary world of the
derelicts and the poor.
His college years ended, George ful
filled the dream of every country boy in
the nation; he went to the city, to the
beautiful, wonderful enfabled rock, as he
called New York.
The city was as great and as marvelous
as George had known it would be. He
shared an apartment with four other
boys; it was a dingy, cheap place, but
it was their own apartment, where they
could do as they pleased. But George
found the city a lonely place in spite
of its millions of people and its bright
lights. There was no one to whom he
was responsible nor to whom he be
longed. He thought he would burst with
what he knew about people and about
life, and, since there was no one he could
talk to about those things, he tried to
write them down. He began his first
novel.
The next year was the loneliest one
George had ever known. He drove him
self mercilessly. He was wretched, for
the words torturing his mind would not
go on the paper as he wanted them to.
At the end of a year he took the last of
his inheritance and went to Europe. He
hoped to find there the peace of mind
he needed to finish his book.
The cities of Europe did not hold
his salvation. He was still lonely and
bitter because he could not find the
answer to the riddle of life. He went
back to New York. But the city was no
longer an unfriendly enemy, for George
had found Esther.
They had met on the ship bound for
New York. Esther was Mrs. Esther
Jack, a well-known and successful stage
set designer. She was fifteen or twenty
years older than George, but she was
also younger in many ways, for Esther
loved people and believed in them.
Where George was silent and distrust
ful, Esther was open and trusting. George
sometimes felt that theirs was the great
est love of all times, at once brutal and
tender, passionate and friendly, so deep
that it could not last But for the next
three years he was the king of the
world. To Esther, George told all his
dreams, all his memories, all his formerly
wordless thoughts about life and people.
George failed to realize at first that
Esther meant more than a lover to him.
Gradually he came to know that through
her he was becoming a new person, a
man who loved everyone. For the first
time in his life George Webber belonged
1102
to someone. Since he was no longer
lonely, the torture and the torment left
him. At last his book began to take
shape, to become a reality. George Web
ber was happy.
Slowly the magic of his affair with
Esther began to disappear. He still
loved her more than he believed pos
sible, knew that he would always love
her; but they began to quarrel, to have
horrible, name-calling scenes that left
them both exhausted and empty, even the
quarrels that ended with passionate love-
making. At first George did not know
the reason for those scenes, although he
always knew that it was he who started
them. Slowly he began to realize that
he quarreled with Esther because she
possessed him so completely. He had
given her his pride, his individuality, his
dreams, his manhood. Esther had also
unknowingly been a factor in his disil
lusionment, for through her he had met
and known the great people of the world
— the artists, the writers, the actors —
and he had found those people disgust
ing and cheap. They had destroyed his
childhood illusions of fame and great
ness, and he hated them for it.
When his novel was finished, Esther
sent the manuscript to several pub
lishers she knew. After months had
passed without his hearing that it had
been accepted, George turned on Esthei
in one final burst of savage abuse and
told her to leave him and never return,
Then he went to Europe again.
Although he had gone to Europe to
forget Esther, he did nothing without
thinking of her and longing for her.
Esther wrote to him regularly, and he
paced the floor if the expected letter did
not arrive. But he was still determined
to be himself, and to accomplish his
purpose he must not see Esther again.
One night, in a German beer hall,
George got into a drunken brawl and
was badly beaten up. While he was
in the hospital, a feeling of peace came
over him for the first time in ten years.
He looked into a mirror and saw his
body as a thing apart from the rest of
him. And he knew that his body had
been true to him, that it had taken the
abuse he had heaped upon it for almost
thirty years. Often he had been almost
mad, and he had driven that body be
yond endurance in his insane quest — for
what he did not know. Now he was
ready to go home again. If his first novel
should not be published, he would write
another. He still had a lot to say. The
next time he would put it down right,
and then he would be at peace with him
self. George Webber was beginning to
find himself at last
WESTWARD HO!
Type of work: Novel
Author: Charles Kingsley (1819-1875)
Type of plot: Historical romance
Time of plot: Sixteenth century
Locale: England and South America
First published: 1855
Principal characters:
AMYAS LEIGH, an adventurer
FRANK LEIGH, his brother
SIR RICHARD GRENVILE, Amyas' godfather
EUSTACE LEIGH, Amyas' and Frank's cousin
ROSE SALTERNE, loved by Amyas and Frank
SALVATION YEO, Amyas' friend
DON GUZMAN DE SOTO, a treacherous Spaniard
AYACAJSTORA, an Indian maiden
MRS. LEIGH, Amyas' and Frank's mother
1103
Critique:
In Westward Ho! Charles Kingsley
has taken us back to the days of Queen
Elizabeth, when such men as Sir Francis
Drake, Sir Walter Raleigh, and Sir
Richard Grenvile sailed the seas in search
of adventure and treasure for their queen.
He has shown us that were it not for
such men, the history of the world
would have been different, for these
men won for England the supremacy of
the sea and determined who would setde
North America. Westward Ho! is a story
of great sea batdes, duels of honor,
romantic rescues, and deeds of horror in
the Spanish Inquisition. Kingsley has
woven all these into one of the most
romantic adventure stories in our litera
ture.
The Story:
Amyas Leigh had always had a secret
longing to go to sea, but he had not
spoken of it because he knew his parents
thought him too young for such a rough,
hard life. When he met John Oxenham
and Salvation Yeo, who were recruiting
a crew to sail to the New World after
Spanish treasure, he begged to be allowed
to join them, but his parents and Sir
Richard Grenvile, his godfather, per
suaded him to wait a while. The next
year his father died of fever and his
brother Frank went to the court of Queen
Elizabeth. Then Sir Richard Grenvile
persuaded Amyas' mother to let the boy
accompany Drake on that first English
voyage around the world. Now Drake
and his adventurers had returned, and
Amyas, no longer a boy but a blond
young giant, came back to his home at
Bideford, in Devon.
One face in the village he remembered
better than any, Rose Salterne, the
mayor's daughter. All the young men
loved and honored her, including Amyas
and his brother Frank, who had returned
from court. She was also loved by Eustace
Leigh, the cousin of Amyas and Frank.
Eustace was a Catholic, distrusted by his
cousins because they suspected he was
in league with the Jesuit priests. When
Rose spurned his love he vowed revenge.
The other young men who loved Rose
formed the Brotherhood of the Rose, and
all swore to protect her always and to
remain friends, no matter who should win
her.
Shortly after Amyas had returned from
his voyage with Drake, Salvation Yeo
came to him and Sir Richard Grenvile
with a strange and horrible tale. The
voyage which he had made with John
Oxenham had been ill-fated, and Oxen-
ham and most of the crew had been
captured by Spanish Inquisitors. Oxen-
ham had had a child by a Spanish lady,
and before they were separated Yeo
had vowed that he would protect the
child. Yeo had done his best, but the
child had been lost, and now Yeo begged
that he might attach himself to Amyas
and go wherever Amyas went. He
thought that he might in his travels
someday find the little maid again. Amyas
and Sir Richard Grenvile were touched
by the story, and Amyas promised to
keep Yeo with him. Before long the two
sailed with Sir Walter Raleigh for Ire
land, there to fight the Spaniards.
In Ireland, Raleigh defeated the
Spaniards, and Amyas took as hostage
Don Guzman de Soto, a Spanish noble
man. Don Guzman accompanied him
back to Bideford, there to wait for his
ransom from Spain. Don Guzman was a
charming gentleman, and it was not
long before he had caught the eye of
Rose Salterne. After his ransom had
been paid, he left England, and then
it was learned that Rose had also dis
appeared in the company of Lucy the
witch. Her father was wild with grief,
as were Amyas and Frank and the other
young men of the Brotherhood of the
Rose. All vowed to sail to La Guayra
in Caracas, where Don Guzman had
gone to be governor and where they
ielt Rose had fled to join him.
1104
Their voyage was an eventhil one.
When they neared La Guayra they were
seen by the Spaniards, and they had to
fight many times before they reached
shore. Amyas and Frank went ashore
with a few men to try to rescue Rose.
There they learned that Eustace had
known of their voyage and had beaten
them to their destination to warn Don
Guzman of their approach. Frank and
Amyas heard Rose tell Eustace that she
was happily married to Don Guzman, and
so they knew she would never leave
with them. But they also heard Eustace
beg her to run away with him, threaten
ing to turn her over to the Inquisition
if she refused. At that threat, Frank
and Amyas attacked Eustace, but he
escaped, never to be heard of again. Rose
fled into the fort. As they made their
way back to their ship, Frank was
captured by Don Guzman's men. Amyas
was knocked unconscious, but his men
carried him back to the ship.
When the ship was damaged in a
later encounter with the Spaniards, the
crew beached her and began a march
toward the fabled city of Manoa. It was
a long and hazardous journey over high
mountains and through a land of hostile
Indians. They found no El Dorado, but
a young priestess of one of the tribes
fell in love with Amyas and followed him
the rest of the journey. She was called
Ayacanora, and although she was of an
Indian tribe she seemed to have the
look of a white woman.
After more than three years the little
band reached the shore of New Granada
and there, after a furious fight, captured
a Spanish galleon. After they had secured
her and set sail, they went into the
hold and released the prisoners the
Spaniards had aboard. One of them
was Lucy the witch, who told them of
the horrible fate of Rose and Frank.
Before Eustace disappeared from La
Guayra, he had reported to the Inquisi
tion that Rose had kept her Protestant
faith. She and Lucy were taken before
that terrible tribunal, where Frank also
had been turned over to the torturers.
Lucy confessed that she had accepted the
Catholic faith, but Frank and Rose, re
fusing to yield to the Inquisitors, had
been tortured for many days before they
were burned at the stake. When Amyas
heard this story, he was like a madman,
vowing never to rest until he had killed
every Spaniard he saw. On the ship
were two Spanish dignitaries who had
witnessed the burning of Frank and Rose,
and Amyas had them hanged im
mediately.
At last the ship reached Devon and
Amyas took Ayacanora to his home,
where his mother welcomed her and
treated her as a daughter. During the
voyage Yeo had discovered that she was
the little maid he had promised Oxenham
to protect, and he became as a father to
her. Amyas treated her as he might a
sister; Ayacanora was not happy at his
treatment.
After a time Amyas fitted out a ship
and prepared to go with Drake to Vir
ginia, but before they sailed the Spanish
Armada arrived off English shores. Amyas
with his ship joined the rest of the fleet
in that famous battle. After twelve
terrible days, the Armada was defeated
and almost every Spanish ship destroyed.
But Amyas was not satisfied. Don Guz
man was aboard one of the Spanish ships,
and though Amyas pursued him relent
lessly he had to sit by and watch a
storm tear the Spaniard's ship apart.
And Arnyas cursed that he himself had
not been able to kill Don Guzman and
thus avenge his brother's death.
As Don Guzman's ship broke apart, a
bolt of lightning struck Amyas' ship,
blinding him and killing Yeo. At first
Amyas was full of despair. One day he
had a vision. He saw Rose and Don
Guzman together, and knew that the
Spaniard had really loved her and
mourned her until his death. Then he
saw himself with Don Guzman, acknowl
edging their sins to each other, and
asking forgiveness. After that he felt
at peace with himself.
1105
Amyas returned to his mother's home,
and there she and Ayacanora cared for
him. Realizing how much the girl loved
him, he was so grateful for the tender
ness she showed him that he gave her
his heart. In Bideford the Hind hero
spent his remaining days dreaming of his
past deeds and of the great glory to
come for his country and his queen.
WHAT EVERY WOMAN KNOWS
Type of -work: Drama
Author: James M. Barrie (1860-1937)
Type of 'plot: Social satire
Time of plot: Early twentieth century
Locale: Scotland and England
First presented,: 1908
Principal characters:
MAGGIE WYUCE, plain and sprnsterish
ALICE WYLTE, her father
JAMES WYUE, and
DAVID WYLTB, her brothers
JOHN SHAND, a young student
LADY SYBIL TENTEKDEN, a young and beautiful aristocrat
THE COMTESSE DE LA BRIERE, her aunt
MR. CHARLES VENABLES, a minister of the Cabinet
Critique:
What Every Woman Knows is one
of the most realistic of Barriers plays,
developing as it does the familiar theme
that behind every man there is a wom
an who makes him either a success or
a failure. There are, however, flashes
of Barrie's sly humor and dramatic irony
throughout. The play has been a pop
ular success on both sides of the Atlantic,
and a favorite role with many distin
guished actresses.
The Story:
The Wylies, like most Scotsmen,
were a clannish lot. They had built up
their business, a granite quarry, on the
spot where their father once worked as
a stonemason. They called it Wylie and
Sons, Alick Wylie wanted it called
Wylie Brothers, but David, his brother
James, and their sister Maggie all in
sisted that first credit for the business
should go to Alick, their father.
Maggie, who kept house for her
father and two brothers, was their only
problem, for she had reached twenty-
seven years, an age when a woman must
marry or be regarded as an old maid,
and they were considerably downcast
because their latest prospect, the minister
at Galashiels, had married another wom
an. There was no question but that
Maggie was plain, a fact of which she
herself was only too conscious, and the
brothers realized that if their sister were
to find a husband they would have to do
everything in their power to help her.
The opportunity came while the
Wylies were at the dambrod board, their
favorite pastime on Saturday evenings.
Maggie was seated in a chair in the
comer knitting, and the brothers were
trying to get her off to bed so that they
could be on the lookout for a burglar
they thought they had seen prowling
about the house the night before. At
last the burglar appeared, but to their
astonishment they discovered the in
truder was young John Shand, a neigh
bor, who confessed that his purpose in
entering the house was to read. He was
a student preparing for the ministry,
WHAT EVERY WOMAN KNOWS by James M. Barrie, from THE PLAYS OF JAMES M. BARRIE. By
permission of the publishers, Charles Scribner's Sons. Copyright, 1914, by Charles Scribner'* Sous, 1918,
1928, by T. M. Barrie.
1106
but since he was too poor to buy books
he had to choose that method of study.
David was impressed at such earnestness.
After a brief conference with his brother
he made the boy an offer. He promised
to pay up to three hundred pounds for
John Shand's education if, at the end of
five years, he would marry Maggie, pro
viding she were at that time still un
married and wanted him. After some
quibbling to decide whether the full
three hundred pounds would be de
posited in his name at the bank im
mediately, John Shand agreed to the
transaction. Maggie, wanting him to go
into the deal with his eyes open, ad
mitted that she had never had an offer
of marriage, and that she was five years
older than he. But those matters meant
little to ambitious young John Shand,
who left the house content that he was
free to browse in the Wylie library with
out being mistaken for a burglar.
Six years later, having in the mean
time abandoned his ambitions for the
ministry, John Shand was standing for
Parliament. His great hour had come,
the hour for which he and Maggie had
waited. She might have forced him to
rnarry her one year before, but they both
agreed to wait for his triumph. Maggie
was almost frantic between hope and
anxiety. At one time, certain that John
had lost, she promised herself that she
and John would begin another six years
of waiting that very night.
Her fears were groundless, however,
for John Shand won the election by an
overwhelming majority. Her real problem
lay in his victory. Immediately after his
election John was taken up and lionized
by women with whom plain little Mag
gie could not hope to compete. Among
these was Lady Sybil Tenterden. Mag
gie, overwhelmed by a sense of her own
inferiority, offered to release John from
his contract and tore up the document
which bound him to her* But John
Shand was a man of his word, and in
his speech to the Cowcaddens Club he
announced his forthcoming marriage and
introduced Maggie as the Mrs. John
Shand soon to be.
Before long it was apparent that Lady
Sybil's aunt, the Comtesse de la Briere,
had been perfectly right when she
warned Maggie against allowing John
to see too much of her niece. For John,
tiring of his plain wife, fell in love with
Lady Sybil. They spent most of their
time together, and as a consequence
John's speeches in the House of Com
mons grew more dull. Essentially a
humorless man, John had nevertheless
built up a reputation for sudden flashes
of humor which were called Shandisms,
and which won him great popularity.
There was a simple reason for his suc
cess. Maggie, who typed his speeches,
supplied the humor without letting her
husband know it. The Comtesse saw
through the subterfuge, and thereby
named Maggie The Pin, meaning that
she was like the pin every successful man
is supposed to pick up at the beginning
of a successful career.
By that time John was so absorbed in
Lady Sybil that he considered her his
sole inspiration, and he even went so
far as to forget completely his wedding
anniversary. Maggie's brothers were
shocked at his neglect, but Maggie
covered the situation perfectly by reach
ing out her hand to Lady Sybil for her
ruby pendant, displaying it as her an
niversary present. She then forced John
to admit that he had given the pendant
to Lady Sybil. John was defiant, declar
ing to Maggie and her brothers that Lady
Sybil was the great love of his life, and
that he would sacrifice everything for
her sake. The brothers reminded him
that if he deserted Maggie he could
count on no career, A short time before,
Mr. Charles Venables, a cabinet min
ister and John's political mentor, had
offered him the opportunity to be third
speaker at Leeds on the same platform
with two ministers, an occasion which
would mean John's appointment to a
ministerial post. Maggie suggested that
John go away for a few weeks with Lady
1107
Sybil and write the speech under her
inspiration. When Maggie promised to
keep silent concerning the marital diffi
culties between them, John agreed to the
arrangement*
When John read to Mr. Venables the
speech he had written, the minister was
greatly disappointed and said it lacked
the spark of Hfe his earlier speeches had
contained. Maggie, realizing what was
at stake, informed Venables that her
husband had written another speech
which she had typed for him; it was a
speech Maggie herself had written from
notes John had left at home.
In the meantime, Lady Sybil admitted
that she had tired of John and had no
intention of going on with the affair.
Her decision was a jolt to John's vanity,
but the final blow came when Venables
congratulated him on the speech which,
he realized, only Maggie could have
written for him. When they were alone,
Maggie told him that every man who is
high up likes to think he has climbed
there by himself, but every wife knows
better. It was, she said, every woman's
private joke. Whereupon Maggie
laughed, and for perhaps the first time
in his life John Shand laughed at him
self. His marriage and career were both
saved.
THE WHITE COMPANY
Type of work: Novel
Author: Arthur Oman Doyle (1859-1930)
Type of plot: Historical romance
Time of plot: Fifteenth century
Locale: England, France, Spain
First published: 1891
Principal characters:
AJLLEYNE EDBICSON, an English youth
SAMXIN AYLWARD, a bowman
HOMXLE JOHN, a bowman
SIR NIGEL LORTNG, a nobleman
LADY MAUDE, his daughter
Critique:
The White Company is a story of
exciting adventures near the end of the
age of chivalry. From its pages we can
get accurate pictures of many types of
people in feudal times as well as some
insight into the interminable and fruit
less wars with France. The charm of
the story, however, lies in its romantic
plot. The English nobles are all valiant
men, but none so valiant as Sir Nigel.
Hordle John is the strongest Englishman
ever seen, as Aylward is the lustiest bow
man. Everything turns out well for the
heroes, and the villains came to grief.
For many years The White Company
has been a favorite, especially with young
people.
The Story:
The Abbot of Beaulieu was a stern
judge, and the charges against Hordle
John, the novitiate, were severe. John
had drunk all the ale from the firkin
when he had the first turn; John had
held a monk's head down over the beans
in protest against poor fare; worst of
all, John had carried a woman across
a stream. When she smiled at him, he
did not keep his eyes on the ground.
At the trial, huge John seemed out
of place in a monastery. He cheerfully
admitted the charges and did not even
have the grace to be ashamed. But when
the monks advanced to punish him, he
picked up an altar and threw it at them.
Then he dived out of the window and
was never seen again in Beaulieu.
Much disturbed, the abbot retired to
his study to meditate. There he received
another visitor, Alleyne Edricson. It
1108
was Alleyne's twentieth birthday, and
according to his father's will the boy was
to leave the abbey for a year. When he
was twenty-one, he would choose either
a monastic or a secular life. Alleyne
had never known any other life than
that of the abbey and he was hesitant
about entering a world of sin and lust.
The abbot solemnly warned Alleyne of
the perils of the secular life; but true to
his promise he sent the youth forth with
his blessing.
Alleyne started on foot for the estate
of Minstead, where his older brother
was the socman. Alleyne had never seen
his brother, but from all reports he was
a rude and sinful man, On this, his
first trip into the world, Alleyne was con
tinually alarmed at the sin his eyes be
held on every hand. Two robbers who
molested an old woman were summarily
executed on the spot by the king's bail
iffs. Shaken by what he saw, Alleyne
thankfully turned into the shelter of
the Pied Merlin Inn to spend his first
night away from the abbey.
There lie found a rough company
drinking and quarreling. Hordle John
was there, making merry in his cups but
kindly disposed toward the timid clerk.
When a minstrel took up his harp and
began to sing a bawdy song, Alleyne
stood up and cried shame on the com
pany for listening. The rough travelers
shouted him down and they would have
done hurt to Alleyne if John had not
risen to defend the clerk.
At that instant Samkin Aylward burst
in, bearing letters from France to Sir
Nigel of nearby Christchurch. The
White Company of English bowmen
wanted Sir Nigel to lead them in the
war against Spain. Samkin was trying
to recruit other bowmen, and Hordle
John agreed to go with him. Alleyne
refused because he was intent on seeing
his brother.
The next morning Alleyne came to
the park of the Socman of Minstead.
There he saw a strange sight. A great,
yellow-bearded man held a struggling
girl, and appeared determined to drag
her into the house. Alleyne ran up to
the rescue, armed with his iron-tipped
staff. Only after Alleyne had threatened
to run his staff through the yellow-beard
was he informed that his adversary was
his brother. The socman, furious at
being balked by clerkly Alleyne, ran to
the stables and whistled for his hunting
dogs. Alleyne and the girl escaped into
the woods.
The girl's page soon found them, and
she rode away with a brilliant, mocking
smile of thanks. Alleyne resolved to join
John and Aylward and take service with
Sir Nigel. He hurried to catch up with
them before they arrived at Christchurch.
Alleyne's first view of Sir Nigel was
disappointing. The lord was a slight,
squinting, soft-spoken man, apparently
the least warlike of nobles. But Alleyne
changed his mind. A giant bear broke
his chain and charged down the road,
where he scattered all in front of him.
Sir Nigel, however, merely looked in
his near-sighted way to see the cause
of the disturbance. Then, unarmed as
he was, he walked up to the maddened
bear and flicked the animal across the
snout with his silk handkerchief. Dis
comfited, the bear retired in confusion
and was soon rechained by the bearward.
Then Alleyne knew he would serve a
true knight.
At the castle Sir Nigel was making
all in readiness for his expedition to
France. Alleyne worked diligently in
the courtyard as he learned the trade of
man-at-arms. His efforts soon made him
a favorite and his good education set
him above his fellows. Sir Nigel asked
him to take charge of his daughter's
reading that winter, and Alleyne went
into the lord's quarters for the first
time. There he found that his pupil
was the girl he had rescued from his
brother. Lady Maude was a high-spirited
girl, but charming and gracious. Alleyne
felt her charm keenly, but he was only
a poor clerk and so he kept silent as hi*
fondness for hex grew.
1109
Just before the expedition departed,
Sir Nigel made Alleyne his squire. After
receiving the honor, Alleyne sought out
Lady Maude and stammered some words
of love. Lady Maude rebuked him for
his presumption, hut she did give him
her green veil to wear to the wars. As
Squire Alleyne rode away behind his
lord, he thought more of Lady Maude
than of the fighting to come.
At Bordeaux Sir Nigel and his party
were received with all honors by Ed
ward, their prince. Edward needed all
his knights, for the English were em
barking upon a long, difficult campaign
to put Don Pedro upon the throne of
Spain. Then, too, the White Company
was becoming a great nuisance, as it was
pillaging the country roundabout and
earning few friends for England.
One night, on their way to join the
White Company, Sir Nigel and his party
stayed with the notorious Seneschal of
Villefranche. This knight, a rapacious
and cruel lord, had reduced all the peas
ants on his lands to the status of animals.
That night, while the party slept, the
peasants broke into the castle, murdered
all the men-at-arms, and foully desecrated
the bodies of the seneschal and his lady.
Although Sir Nigel and his Englishmen
were innocent of the wrongs committed
by the French lord, the peasants made
no distinction between aristocrats. They
set fire to the castle when they were
afraid to face the sword of Sir Nigel and
the mace of Hordle John, and Sir Nigel's
bowmen retired to the keep.
The frenzied serfs fired the keep as
well. The English party was rescued
only by the timely arrival of the White
Company, which had been attracted by
the great fires. The peasants slunk away
in the darkness.
The White Company, under Sir
Nigel, marched with Edward's army
through the Pyrenees. Selected for
scouting duty, the White Company har
ried the Spanish forces successfully. One
day the whole company was trapped on
a small mesa by the main Spanish body.
Despite great slaughter by the English
arrows and the might of Sir Nigel, the
Englishmen were in great danger of
being wiped out.
Alleyne was chosen as a messenger to
summon reinforcements. He carried out
his mission valiantly despite his wounds,
but the rescuers found only Hordle John
and a handful of survivors still uncon-
quered. Even Sir Nigel and Aylward
had been captured.
Alleyne returned to England with a
heavy heart. His brother in the mean
time had been killed while trying to
assault Sir Nigel's castle, and now Al
leyne, knighted by Prince Edward, was
the Socman of Minstead. With his new
position he could aspire to the hand of
Lady Maude.
The happiness of all returned when
Sir Nigel and Aylward finally came back
from their captivity among the Moors,
Aylward married the mistress of the Pied
Merlin and Hordle John became Al-
leyne's squire. Alleyne lived a long and
happy life with Lady Maude. He went
back to France to fight several times, and
on each occasion reaped great honors
there. Toward the end of his life he
spent much time at Windsor as adviser
to Edward.
WICKFORD POINT
Type of work: Novel
Author: John P, Marquand (1893-1960)
Type of plot; Social satire
Time of plot: Twentieth century
Locale: New York and Wickford Point
First published: 1939
1110
Principal characters:
JIM CALDER, a writer
MRS. CLOTHILDE WRIGHTT, his cousin, formerly Clothilde BriU
BELLA BRILL, her daughter
MARY BRILL, another daughter
PATRICIA LEIGHTON, Jim's friend
JOE STOWE, Bella's former husband
Critique:
Next to The Late George Apley, this
novel is perhaps Marquand's best. His
technique here is marked by the use of
flashbacks to make the present meaning
ful and to explain the motives of his
characters. His touch is deft, his theme
well-handled, his story interesting, his
irony amusing. The impact of the out
side world upon the little, complacent
society of Wickford Point is admirably
demonstrated.
The Story:
Jim Calder made his living by writing
fiction for popular magazines. For this
reason the contradiction between the
actual life of his relatives at Wickford
Point and the fiction he was required
to write was extremely obvious. His rela
tives, the Brills, were a group of New
Englanders who had little money, but
who were disinclined to make a living.
Being himself close to the Brills, he had
attempted to escape from them and the
enervating atmosphere of Wickford
Point, tie was only a second cousin to
the Brill children, but his continual
association with them in his early life
produced bonds that were exceedingly
hard to break. No matter how many
times he left Wickford Point, he always
returned. No matter how many times
he returned, he always planned to get
away as soon as possible.
Jim attended Harvard and there met
Joe Stowe. Harry Brill also attended
Harvard, where he made sure that he
knew the right people. All through his
life Harry was concerned with meeting
the right people, but he never did make
the right connections, Jim and Joe were
fortunate in the fact that they became
fast friends and were never elected to the
right campus clubs. This polite ostracism
served only to strengthen their friendship
and to bring with it the assurance that
they at least would be more successful
than many of their snobbish classmates
in their dealings with people.
When World War I arrived and
America became involved, Joe and Jim
were among the first to go into service,
and they were shipped overseas as first
lieutenants before they had completed
their officers' training. After the war
they went to China and served with the
forces of General Feng. Some years
later Jim returned to America to find a
new way of life; Joe went to Italy. Both
decided upon writing as a career.
When Jim returned to Wickford Point,
he found the Brills just the same and
as inconsequential as when he had left.
Cousin Clothilde was still unable to
manage finances satisfactorily. When she
received her check on the first of the
month, her children all raced to get their
share of the cash, the first one arriving
getting the greater share. Cousin Clo
thilde was always broke within a few
hours after receiving her money.
Bella had grown into quite a beautiful
young woman during Jim's absence from
America, and at the moment of his
return she was involved in a rather serious
affair with a nice young man named
Avery Gifford. Jim, who had always been
Bella's confidant, continued in this role
when Bella sought advice from him.
Since she was not sure that she loved
Avcry, it was decided that she should
wait until her return from Europe to
WICKFORD POINT by John P. Marcjmmd. By permission of the author and the publishers, Little, Brown
& Co. Copyright, 1939, by John P. Marauand.
1111
decide whether she would marry him.
She went to Italy with her stepfather,
Archie Wright, and while there she met
Joe Stowe and eloped with him.
Their marriage was doomed to failure
from the start, and after some years it
ended in divorce. Bella never really knew
what she wanted. She seemed to want
everything but could never be satisfied
with anything she had. She went from
one affair to another because she was
extremely attractive to men, but her
affairs always remained platonic. Some
times Jim felt that he was Bella's only
friend, for none of her other friendships
ever lasted and she made new friends as
fast as she lost old ones. She was always
confident that whenever she got into
difficulties she could fly to Jim and he
would straighten out the situation for
her.
Jim met Patricia Heighten, a woman
of great executive ability who had a pent
house in New York City and an income
of several thousand dollars a year. Jim's
affair with her was a lasting one, each
party contributing equally to the rela
tionship. At first Jim went to Pat to
escape the inanities of his relatives at
Wickford Point. Pat was a very under
standing woman who realized clearly
what Jim's problem really was, and she
tried in an unobtrusive manner to help
him make the final break with his family
background.
In spite of their divorce, Bella and Joe
thought often of each other, even though
they both realized that to remarry would
lead only to another divorce. Joe, since
his divorce, had become a famous novel
ist, well off financially. Bella expressed
her selfishness to Jim in her regretful
admission that when she divorced Joe
she had no idea that he would ever be
so successful.
Bella went from one contemplated
marriage to another, led her admirers on,
and finally put herself into a rather
delicate situation with Avery Gifford and
Howard Berg. When she called upon
Jim to rescue her once more, Jim decided
that this time Bella would have to extri
cate herself, his refusal being motivated
by his memory of recent conversations
with Pat. Into the midst of these mis
understandings and resolves came Joe
as a result of a telegram sent to him by
Bella. At first Bella and Joe seemed
likely to try marriage once more. But as
a result of Jim's attitude toward her, Bella
did the first generous deed in her life;
she told Joe that she would not marry
him again.
Jim took Bella back to changeless
Wickford Point to find the place, as
usual, thronged with visitors. Pat Leigh-
ton, as had previously been arranged,
came down to Wickford Point to visit.
Allen Southby, a friend of Jim's and a
professor of English at Harvard, came to
stay with the Brills while gathering
material for his novel about Wickford
Point. Mary Brill looked upon Allen as
her own particular conquest until Bella's
arrival. All her life Bella had been steal
ing Mary's eligible young men.
With the arrival of Pat, she and Jim
faced once more the problem of getting
Jim to break away from Wickford Point
and the Brills. Jim finally made the
decision to leave, after telling Pat that
a part of him would always remain at
Wickford Point and that he would al
ways have to return occasionally for short
visits. Under the circumstances Pat
agreed. Seeing Southby 's apparent will
ingness to marry Bella, Jim felt free of
Wickford Point and the clinging past.
He began to pack his bag to return with
Pat to New York.
THE WILD DUCK
Type of work: Drama
Author: Henrik Ibsen (1828-1906)
Type of plot: Social criticism
Time of plot: Nineteenth century
Locale: Norway
first presented: 1884
Principal characters:
WERLE, a wealthy merchant
GREGERS WERLE, his son
OLD EKDAL, Werle's former partner
HJALMAR EKDAL, his son
GESTA EKDAL, Hjalmar's wife
HEDVIG, their daughter
RELLING, a doctor
Critique:
In this play Ibsen has made us feel
as well as think his message, for in the
symbolism of the wild duck he has
paralleled perfectly the meaning of his
story. The wild duck wounded by old
Werle and retrieved by his dog is an
image of the Ekdal family, hurt by the
world, diving to the depths of self-de
ception and finally rescued only to be
hurt the more. In the character of
Gregers Werle Ibsen seems to be turn
ing the knife upon his own youthful
idealism.
The Story:
Gregers Werle, son of a wealthy mer
chant and of a sensitive and high-
minded mother, had early in life de
veloped a loathing for the unscrupulous
means his father had used to amass his
fortune. After his mother's death, young
Werle left his father's house for a time,
but eventually returned.
His father, hoping to persuade his
son to accept a partnership in his business,
gave a large dinner party to which
Gregers took the liberty of inviting a
thirteenth guest, his old school friend,
Hjalmar Ekdal. This act displeased his
father very much; first, because Hjalmar
did not belong in the social set of the
Werles; second, because he was the son
of a former business partner old Werle
had wronged. The older Ekdal now
held a menial position in Werle's employ,
to which he had been reduced after a
term in prison had broken his mind and
spirit.
Gregers was aware that his father's
machinations had sent Ekdal to prison
after a scandal in which both had been
involved, and he hated his father for
this injury to the father of his friend. He
discovered also that the older Werle
had arranged a marriage between Hjal
mar Ekdal and Gina Hansen, a former
maid in the Werle household and,
Gregers suspected, his father's mistress.
Therefore Gregers was not hospitable
to Werle's offer of a partnership nor to
his forthcoming marriage to Mrs. Sorby,
his housekeeper. Gregers announced that
his future mission in life was to open
Hjalmar Ekdal's eyes to the lie he had
been living for the past fifteen years.
Outwardly, the Ekdal home was a
shabby one. Hjalmar Ekdal was a pho
tographer, a business in which Werle had
set him up after his marriage to Gina.
But Gina ran the business while hei
husband worked on an invention in
tended to enable his aged father to recoup
some of his fortune. Old Ekdal him
self, now practically out of his mind,
spent most of his time in. a garret IP
which he kept a curious assortment of
animals ranging all the way from chickem.
to rabbits. Ekdal was under the illusion
THE WILD DUCK by Henrik Ibsen. Published by Charles Scribner's Sont.
1113
that this garret was a forest like the
one in which he had hunted as a young
man. There he would shoot an oc
casional xabhit, and on holidays and spe
cial occasions he would appear before
the family dressed in his old military
uniform.
Although it was based almost entirely
on self-deception and illusion, the Ekdal
home was actually a happy one. Gina
took good care of her husband and his
aged father, and Hedvig, the fourteen-
year-old daughter, loved Hjalmar dearly.
To Hjalmar, Hedvig was his whole life,
and he and Gina kept from her the
fact that she was rapidly losing her eye
sight. Gregers Werle, intent on his new
mission, was shocked at the depths to
which his old friend had sunk. His
feelings found expression when old Ekdal
showed him Hedvig's prize possession, a
wild duck that the older Werle had once
shot. The wounded duck had dived to
the bottom of the water, but Werle's dog
had retrieved it and brought it to the
surface again. Gregers saw himself as the
clever dog destined to bring the Ekdal
family, like the wild duck, out of the
muck of their straitened circumstances.
To accomplish his end, he rented a
room from the Ekdals, a room Gina was
unwilling to let him have. Gina was
not the only one to resent his presence
in the house. Dr. Relling, another
roomer, knew Gregers Werle, and was
aware of his reputation for meddling in
the affairs of others. He agreed that
Gregers was the victim of a morbid
conscience, probably derived from his
hysterical mother. Hjalmar, in his in
nocence, however, saw nothing amiss in
his friend's behavior and allowed him to
stay.
Gregers set about the task of rehabilita
ting his friend in a systematic way. His
first discovery was that the little family
was indirectly supported by the older
Werle, and not by the photographic
studio, as Hjalmar supposed. Also, and
more
important, Hedvig's approaching
blindness and his own father's weak eye
sight too nearly coincided to make il
reasonable that Hjalmar was the child's
natural father. Gregers resolved to open
Hjalmar's eyes to his true position in his
own house, and during a long walk he
laid bare all the facts he had learned
except his suspicion of Hedvig's il
legitimacy, which was as yet unproved.
Having no real integrity or resources
within himself, Hjalmar naturally fell
back on all the cliches in the stories he
had read as to how a wronged husband
should behave. He demanded from
Gina an accounting of all the money
paid into the household by Werle, and
asserted that every cent should be paid
back out of the proceeds from his hypo
thetical invention. His outburst did
nothing but disturb Gina and frighten
Hedvig.
Hjalmar's pride might have been
placated and the whole matter straight
ened out had not a letter arrived from
old Werle, who was giving Hedvig a
small annuity. Hjalmar announced that
Hedvig was no child of his and that
he wanted nothing more to do with her.
Hedvig was heartbroken at her father's
behavior, and Gregers Werle, beginning
to realize the unfortunate condition his
meddling had caused, persuaded the girl
that her one hope of winning back her
father's love was to sacrifice the thing
she loved most for his sake. He urged
her to have her grandfather kill the
wild duck.
In the meantime Gina had succeeded
in convincing Hjalmar that he was quite
helpless without her. As they were dis
cussing their plans for the future, they
heard a shot. At first they thought old
Ekdal was firing at his rabbits. Hedvig,
in her despair, had put a bullet through
her breast.
Gregers Werle had righted no wrongs
with his meddling. He had merely made
his friend's tragedy complete.
1114
WILLIAM TELL
Type of work: Drama
Author: Johann Christoph Friedrich von Schiller (1759-1805)
Type of plot: Historical romance
Time of 'plot: Fifteenth century
Locale: Switzerland
First presented: 1804
Principal characters:
WILLIAM TELL, a forester
WALTEK TELL, his son
WALTER FURST, William TelTs father-in-law
GESSLER, Governor of the Swiss Forest Cantons
WERNER, a nobleman
ULRICH, his nephew
BERTHA OF BRUNECK, a rich heiress
Critique:
William Tell is based on a popular
legend which in time became localized
in Switzerland. In it Schiller demon
strated his admiration for natural man in
a setting of primitive beauty. The love
of liberty dramatized by the plot shows
how Schiller agreed with and differed
from the principles of the French Revo
lution. Schiller was a strong proponent
of the dignity and worth of the common
man, but he would have each man
acknowledge and serve his rightful
master.
The Story:
A storm was rising on Lake Lucerne
and the ferryman was making his boat
fast to the snore as Baumgarten rushed
up, pursued by the soldiers of the tyrant,
Gessler. He implored the ferryman to
take him across the lake to safety. First,
however, the crowd made him tell the
reason for the pursuit.
The Wolfshot, a nobleman who had
been appointed seneschal of the castle,
had come into Baumgarten's house and
had ordered the wife to prepare him a
bath. When he had started to take
liberties with the woman, she had escaped
and had run to her husband in the
forest. Baumgarten had hurried back and
with his ax had split the Wolfshot's
skull. Now he had to leave the country.
Because the sympathies of the com
mon people were with Baumgarten,
they begged the ferryman to take him
across. But the storm was almost upon
them, and the ferryman was afraid. Then
William Tell came up, Tell the huntei,
the only man in the crowd with courage
to steer the boat in a tempest. As soon
as he heard Baumgarten's story, Tell
unhesitatingly embarked to take the fugi
tive to the other shore. As they cast
off, the soldiers thundered up. When
they saw their prey escaping, they took
their revenge on the peasants by killing
their sheep and burning their cottages.
The free Switzers were greatly troubled
because the Emperor of Austria had sent
Gessler to rule as viceroy over the Forest
Cantons. Gessler, a younger son of no
fortune, was envious of the prosperity
of the thrifty Switzers and enraged by
their calm and independent bearing, for
the inhabitants held their lands directly
in fief to the emperor and the rights
and duties of the viceroy were carefully
limited. To break the proud spirit of
the Switzers, Gessler mounted a cap on a
pole in a public place and required that
each man bow to the cap.
Henry of Halden was an upright man.
To his farm came the emissaries of
Gessler, attempting to take from him his
best team of oxen. When Arnold, his
son, sprang on the men and struck
them with his staff, they released the
oxen and left. Arnold thought it best
to go into hiding. While he was away,
1115
the soldiers came and tortured old Henry
and put out his eyes. Arnold joined the
malcontents against Gessler.
Fiirst became the leader of the
Switzers. It was agreed that ten men
from the three Cantons would meet and
plan to overthrow the viceroy.
At the mansion of Werner, the com
mon people and their lord were gathered
for the morning cup of friendship. Old
Werner gladly drank with his men, but
his nephew Ulrich refused. He had
been attracted to the Austrian court by
the fine dress and high positions of the
rulers, and he felt no bond with free
Switzerland. Werner upbraided him for
being a turncoat and finally accused
Ulrich of turning to Austria because of
love for the rich Bertha.
In great secrecy the representatives
of the people met at night under the
leadership of Fiirst. Feeling their wrongs
too great to bear, they revived their
ancient Diet. Some of the more fiery
members were in favor of an immediate
uprising, but the cooler heads followed
Furst and voted to wait until Christmas,
when by tradition all the peasants would
be present in the castle.
Ulrich at last approached Bertha and
declared his love for her. A true Switzer
at heart, she spurned him for his loyalty
to Austria.
Tell with his sons came near the hated
cap. When Tell, more by accident than
by design, paid no attention to the
symbol of authority, he was arrested by
two guards who tried to bind him and
lead him to prison. Although Fiirst came
and offered bail for his son-in-law, law-
abiding Tell submitted to his captors and
was being led away when Gessler him
self rode by.
Gessler ordered an apple placed on
Walter TelTs head. Then he commanded
William Tell to shoot the apple from his
son's head. Tell protested in vain. Ulrich
courageously defied Gessler and spoke hot
words of blame to the tyrant, but Gessler
was unmoved. In the confusion Tell
rook out two arrows, fitted one to his
crossbow, and neatly pierced the apple.
While the crowd rejoiced, Gessler
asked Tell why he had taken two
arrows, but Tell refused to answer until
Gessler promised not to execute him no
matter what the reply might be. Then
Tell boldly declared that if he had
missed the apple and hurt his son, he
would have killed Gessler with the
second arrow. Infuriated, Gessler ordered
Tell led away to life imprisonment.
Chained, Tell was put on the boat
which was to take him to Gessler's
castle, and Gessler himself went along to
gloat over his victim. Once again a
terrible storm arose. To save his own
life, Gessler had Tell unbound and made
him helmsman. Watching his chance,
Tell steered the boat close to shore and
sprang to safety on a rocky ledge.
He came with his crossbow to a pass
through which Gessler must travel if
he escaped the fury of the storm. Under
Tell's hiding place a poor woman and
her children waited for Gessler. Her
husband was in prison for a minor of
fense, and she intended to appeal to
Gessler for clemency.
At last Gessler approached with his
train. The woman blocked his way and
appealed for mercy on behalf of her hus
band. Waiting long enough to hear her
plea denied, Tell pierced the breast of
the tyrant with a bolt from his crossbow.
Dropping down on the road, Tell an
nounced to the gathered people that
he had killed Gessler; then he dis
appeared into the forest.
Gessler lay in the road, with no
friendly hand to pull the arrow from the
bleeding heart. So died Switzerland's
oppressor.
The people had hoped that Werner
would lead them in their revolt, but he
was old and on his deathbed. He
hoped to remain alive until Ulrich
would come to receive from him the
leadership, but Ulrich did not arrive until
after his uncle's death. The assembled
peasants, however, acknowledged Ulrich
as their leader, and they found in him a
1116
hardy knignt, all the more anxious for
war because the Austrians had abducted
Bertha. At last the three Cantoris rose up
against harsh Austrian rule.
At the height of the revolt, the news
came that the emperor himself had been
assassinated. Duke John of Austria, his
nephew, had struck down the emperor
after being robbed of his estates. The
Switzers despised the duke for the crime
because assassination for robbery seemed
to them unjust. When Duke John
sought refuge with Tell, the forester was
indignant. Tell was a soldier for free
dom, not a murderer. But his natural
humanity kept him from exposing John,
and the duke left unharmed to seek a
safer sanctuary in Italy.
Tell put away his crossbow for good
when the announcement came that the
Count of Luxembourg had been elected
emperor. The Cantons settled down to
peaceful days once more. Bertha gave
her hand freely to Ulrich, as one proud
Switzer to another.
WINDSOR CASTLE
Type of work: Novel
Author: William Harrison Ainsworth (1805-1882)
Type of 'plot: Historical romance
Time of 'plot: Sixteenth century
Locale: England
First published: 1843
Principal characters:
HENRY THE EIGHTH, King of England
CATHERINE OF ARAGON, Queen of England
ANNE BOLEYN, Catherine's successor
CARDINAL WOLSEY, Lord High Chancellor
THE EARL OF SURREY, a member of the court
THE DUKE OF RICHMOND, Henry's natural son
LADY ELIZABETH FITZGERALD, the fair Geraldine
MABEL LYNDWOOD, granddaughter of a royal forester
MORGAN FENWOLF, a gamekeeper
HERNE THE HUNTER, a spectral demon
Critique:
This interesting novel of the reign of
King Henry the Eighth combines two
traditions of English fiction — the his
torical romance and the Gothic romance
of mystery and terror. An element of
the weird is imparted to the novel by
the mysterious figure of Herne the
Hunter, an apparition out of the imagina
tion of medieval England and still a
creature of legend in the history of
Windsor Castle. In his novel Ainsworth
gave Herne the function of a somewhat
disorganized conscience. Linked to
forces of evil as well as to those of good,
he had a never clearly defined symbolic
value, a representation of the incon
sistency of man's nature, as illustrated in
the person and acts of Henry Tudor.
The Story:
In April, 1529, the young Earl of
Surrey was at Windsor Castle preparing
for the arrival of King Henry the Eighth.
One night, having dismissed his attend
ants with orders to meet him at the Gar
ter Inn in the nearby village, he began a
walk through the home park. On the
way he passed near an ancient tree
known as Herne's Oak, where a demon
hunter was reported to lie in wait for
wayfarers through the forest at night.
Suddenly a Hue light surrounded the
old tree. Beneath its branches stood the
figure of a man wearing upon his head
the skull and antlers of a stag. From the
left arm of the specter hung a heavy
rusted chain; on its right wrist perched
an owl with red, staring eyes.
1117
When Surrey crossed himself in fear,
the figure vanished. Hurrying from the
haunted spot, he encountered another
traveler through the park. The man was
Morgan Fen wolf, a gamekeeper who led
the earl to the inn where the young
nobleman was to rejoin his companions.
Surrey arrived at the Garter in time
to witness a quarrel between a butcher
and an archer calling himself the Duke
of Shoreditch. Speaking angry words
that came close to treason, the butcher
declared himself opposed to royal Henry's
desire to put aside Catherine of Aragon.
When words led to blows, Surrey and
Fenwolf stepped in to halt the fight. The
self-dubbed Duke of Shoreditch insisted
that the butcher be imprisoned in the
castle. As he was led away, the butcher
charged that Fenwolf was a wizard.
Surrey, much amused, rode off to Hamp
ton Court to meet the royal procession.
Henry and his court arrived at Wind
sor Castle amid the shouts of the crowd
and volleys of cannon from the walls.
In his train Lady Anne Boleyn, dressed
in ermine and cloth of gold, rode in a
litter attended by Sir Thomas Wyat, the
poet; the youthful Duke of Richmond,
natural son of the king, and the Earl of
Surrey. Also in the procession was
Cardinal Wolsey, the Lord High Chan
cellor.
Informed on his arrival of the arrest
of the treasonous butcher, Henry ordered
his immediate execution. The body of
the butcher was swinging from the battle
ments as Henry escorted Anne Boleyn
into the castle.
After Surrey had told Richmond of
his ghostly encounter in the park, the
two young men agreed to go that night
to Herne's Oak. There they watched a
ghostly chase — the demon hunter pur
suing a deer, a great owl flying before
him and black hounds running silently
beside his horse.
On their return to the castle, their
haggard looks led to many questions
from the ladies attending Anne Boleyn,
among them Lady Elizabeth Fitzgerald,
the fair Geraldine, as she was called, an
Irish beauty with whom both Surrey and
Richmond were in love. Later that
night, suspecting that they may have
been the victims of a hoax arranged by
Morgan Fenwolf, Surrey and the duke
returned to the forest in search of the
gamekeeper. There they found the body
of the hanged butcher. Pinned to his
clothing was an inscription which in
dicated that a political party opposed to
the king now considered the butcher a
martyr to their cause.
Bad blood was brewing between Sur
rey and the duke over the fair Geraldine,
Finding the girl and the young earl
meeting in a secret tryst, the duke chal
lenged Surrey to a duel. Royal guards
stopped the fight and Surrey was im
prisoned for drawing steel against the
king's son.
Orders were given for a royal hunt.
During the chase Anne Boleyn was en
dangered by the charge of a maddened
stag, but her life was saved by a well-
aimed arrow from Morgan Fenwolfs
bow. To avoid the charging stag, Anne
threw herself into the arms of Sir Thomas
Wyat, who was riding by her side.
Henry, seeing her action, was furious.
Henry's jealousy immediately gave
cheer to the supporters of Catherine of
Aragon, who hoped that Henry would
give up his plan to make Anne the
next Queen of England. Shortly after
the return of the party to Windsor, a spy
informed Henry that Wyat was in Anne's
apartment. Henry angrily went to see
for himself, but before his arrival Sur
rey, just liberated from his cell to hear
the king's judgment on his case, hurried
to warn Wyat and Anne. Wyat escaped
through a secret passage. Surrey ex
plained that he had come to ask Anne's
aid in obtaining a royal pardon for his
rashness in quarreling with the Duke of
Richmond. Through Anne's favor, his
sentence was shortened to confinement
for two months.
Heme the Hunter continued to haunt
the home park. One night the Duke of
U18
Richmond went alone to the forest and
there saw the demon accompanied by a
band of spectral huntsmen, one of whom
he recognized as the butcher. The
horsemen rode rapidly through the forest
and then plunged into a lake and disap
peared. Sir Thomas Wyat, angry and
wretched at having lost Anne to Henry,
met the ghostly hunter and promised
to give his soul to the powers of evil if
he could only win back Anne. The
demon assured him that he should have
his wish. Soon afterward, however,
Henry decided to send Wyat on a mis
sion to France.
Cardinal Wolsey, thwarted in his at
tempt to make Wyat the agent of Anne's
overthrow, planned to use Mabel Lynd-
wood, granddaughter of a royal forester,
to attract Henry.
One night Herne the Hunter appeared
to Surrey in his prison tower and showed
the fair Geraldine to the young man in
a vision. After the demon had disap
peared Surrey was unable to find a holy
relic that the girl had given him.
But Wyat had not gone to France.
Kidnaped by the demon, he was im
prisoned in a cave and forced to drink
a strange brew which affected his reason
and made him swear to become one of
Herne's midnight huntsmen. Fenwolf,
who was a member of the band, promised
to betray the king into Wyat's hands.
While riding through the home park,
Henry and the Duke of Suffolk were
attacked by Herne's followers. Henry,
corning face to face with Wyat, was
about to kill his rival, but Mabel Lynd-
wood suddenly appeared and asked the
king to spare Wyat because he had saved
Henry's life when the attack began.
Henry sternly ordered Wyat, once more
in possession of his senses, to continue
on his way to France. Fenwolf, captured
by royal guards who had ridden out in
search of the king, was imprisoned in
the castle. Later he escaped under
mysterious circumstances. Henry, aftei
failing to track down Herne, ordered the
haunted oak felled and burned.
In disguise, Catherine of Aragon ap
peared at Windsor Castle and sought an
audience with Henry in order to con
vince him of her love and to warn him
against Anne's fickle and unfaithful
nature. When Anne interrupted them,
Catherine foretold Anne's bloody doom.
Shordy afterward Herne appeared be
fore the king on the castle terrace and
prophesied Henry's fearful end. A ter
rible storm broke at that moment and
the demon disappeared.
Meanwhile Mabel Lyndwood had
been brought to the castle, where her
grandfather was being held for question
ing following the attack on Henry. Find
ing her in the kitchen, Henry gave orders,
that she was to be cared for until he
sent for her.
Questioned by the king, old Lynd
wood refused to talk. Henry then ordered
the guards to bring Mabel to her grand
father's cell. There Henry threatened
them with death if the old forester re
fused to reveal his knowledge of the
demon hunter. That night a strange
messenger, after presenting the king's
signet ring to the guards, led Mabel and
her grandfather from the castle and told
them to go to a secret cave. Meanwhile
the castle was in an uproar. When the
guards, led by Henry himself, cornered
the demon in one of the upper chambers
of the castle, the specter disappeared
after pointing out to Henry a coffin con
taining the body of the hanged butcher.
Determined at last to put Catherine
aside, and knowing that Wolsey would
block his attempts so long as the cardinal
remained in power, Henry removed Wol
sey from office and disgraced him pub
licly, Anne Boleyn would be the next
Queen of England.
Surrey, released from imprisonment,
learned that the fair Geraldine had gone
back to Ireland. Surrey and Richmond,
riding near the castle, met Wyat, who
had returned secretly from France to
discover the whereabouts of Mabel Lynd
wood and to rid the forest of the demon
hunter.
1119
His disclosure of his plans was over
heard by the hunter and Fenwolf, who
were hiding in the loft of a nearby cot
tage. A short time later Heme and
Fenwolf quarreled ovei Mabel's favors.
When Fenwolf tried to stab the demon,
his dagger would not pierce the demon's
body. Heme, who claimed that he was
more than a hundred years old, asked
Mabel to love him and to pray for his
liberation from the spell which caused
him to walk the earth and do evil. Wyat,
who had been captured by the hunter,
was offered his freedom if Mabel would
accept the demon's love. Herne also
promised her jewels and revealed that she
was the unacknowledged daughter of the
disgraced Cardinal Wolsey.
The hunter told her finally that
whether she loved him or not he in
tended to marry her the next night near
an ancient Druid ruin. Fenwolf, over
hearing his declaration, promised to re
lease Mabel if she would wed him. The
girl refused; she said that Fenwolf was
almost as evil as the demon himself.
The next day Mabel managed to free
Wyat from the cave where he was con
fined and the two made their escape.
Old Lyndwood and Fenwolf planned to
destroy the hunter by setting off a blast
of powder in the cave. In their flight
Wyat and Mabel were forced to swim
their horse across a lake. Mabel fainted.
On the opposite shore Wyat encountered
Surrey, Richmond, and a party search
ing for the demon. Mabel was placed
upon a litter of branches. At that moment
Herne the Hunter rode up, seized the
girl, and raced with her toward the cave,
the others in pursuit until their way was
blocked by a forest fire that followed the
roar of an explosion from the direction
of the cave. Fenwolf was burned in the
blaze. The next morning Wyat, Surrey,
and Richmond found old Lyndwood
kneeling over his granddaughter, whose
dead body he had dragged from the lake.
The searchers found no trace of the
demon hunter.
Seven years passed. Richmond had
married Lady Mary Howard, the sister
of Surrey. Surrey himself had been
forced to wed Lady Frances Vere, for the
king had refused permission to marry
the fair Geraldine. Wolsey and Cath
erine were dead. Anne had become
queen, but she was beginning to realize
that Henry was growing cool toward her
and their little daughter, Elizabeth. Al
though she was not faithful to the king,
she would not allow another to share
Henry's affection. Jealous of his atten
tions to Jane Seymour, she reproached
and threatened her rival. Jane replied
by accusing Anne of misconduct with
Sir Henry Norris,
While the court was at Windsor
Castle, Herne the Hunter appeared once
more. Disguised as a monk, he led Anne
and Norris to an apartment where they
found the king and Jane Seymour to
gether. Anne knew then what her end
was to be; but when Norris asked her to
flee with him she refused,
In May some jousts were held at the
castle. Norris, who had formed a com
pact with the demon hunter, defeated
the king in the tourney and as his reward
Anne gave him a handkerchief which
Henry had presented to her. Furious,
Henry charged her with incontinence
and sent Norris to the tower. Soon after
ward Anne was also imprisoned. There
Herne visited her and offered to carry
her and her lover to a place of safety.
Rather than sacrifice her soul, Anne
refused. At her trial she was pronounced
guilty and sentenced to die.
Henry was in retirement at Windsor
Castle on the day of her execution. As
her head rolled from the block, Herne
the Hunter appeared before Henry,
bowed mockingly, and told the king that
he was free to wed once more.
1120
WINESBURG, OHIO
Type of work: Short stories
Author: Sherwood Anderson (1876-1941)
Type of 'plot: Psychological realism
Time of plot: Late nineteenth century
Locale: Winesburg, Ohio
First 'published: 1919
Principal characters:
GEORGE WILLABB, a young reporter
ELIZABETH WILLARD, his mother
DR. REEFY, Elizabeth's confidant
HELEN WHITE, George's friend
KATE SWIFT, George's former teacher
REV. CURTIS HARTMAJST, Kate's unknown admirer
Wnsrc BIDDLEBAUM, a berry picker
Critique:
Winesburg, Ohio has the stature of a
modern classic. It is at once beautiful
and tragic, realistic and poetic. Without
being a novel in the usual sense of the
word, the connected stories have the full
range and emotional impact of a novel.
In simple, though highly skillful and
powerful language, Sherwood Anderson
has told the story of a small town and
the lonely, frustrated people who live
there. Though regional in its setting
and characters, the book is also intensely
American. No one since Anderson has
succeeded in interpreting the inner com
pulsions and loneliness of the national
psyche with the same degree of ac
curacy and emotional impact.
The Story:
Young George Willard was the only
child of Elizabeth and Tom Willard.
Mis father, a dull, conventional, insensi
tive man, owned the local hotel. His
mother had once been a popular young
belle. She had never loved Tom Wil
lard, but the young married women of
the town seemed to her so Happy, so
satisfied, that she had married him in
the hope that marriage would somehow
change her own life for the better. Be
fore long she realized that she was
caught in the dull life of Winesburg,
her dreams turned to drab realities by
her life with Tom Willard.
The only person who ever understood
her was Dr. Reefy. Only in his small,
untidy office did she feel free; only there
did she achieve some measure of self-
expression. Their relationship, doomed
from the start, was nevertheless beautiful,
a meeting of two lonely and sensitive
people. For Dr. Reefy, too, had his
sorrows. Once, years ago, a young girl,
pregnant and unmarried, had come to
his office, and shortly afterward he had
married her. The following spring she
had died, and from then on Dr. Reefy
went around making little paper pills
and stuffing his pockets with them. On
the pieces of paper he had scribbled his
thoughts about the beauty and strange
ness of life.
Through her son George, Elizabeth
Willard hoped to express herself, for she
saw in him the fulfillment of her own
hopes and desires. More than anything,
she feared that George would settle down
in Winesburg. When she learned thai
he wanted to be a writer, she was glad,
Unknown to her husband, she had put
away money enough to give her son a
start. But before she could realize hei
ambition, Elizabeth Willard died. Lying
on her bed, she did not seem dead to
WINESBURG, OHIO by Sherwood Anderson. By permission of Mra. Sherwood Anderson, of Harold Ober,
and the publishers, The Viking Press, Inc. Copyright, 1919, by B. W. Huebsch. Renewed, 1947, by Eleanor
Coponhaver Anderson.
1121
either George or Dr. Reefy. To both she
was extremely beautiful. To George,
she did not seem like his mother at all.
To Dr. Reefy, she was the woman he
had loved, now the symbol of another
lost illusion.
Many people of the town sought out
George Willard; they told him of their
lives, of their compulsions, of their
failures. Old Wing Biddlebaum, the
berry picker, years before had been a
schoolteacher. He had loved the boys
in his charge, and he had been, in fact,
one of those few teachers who under
stand young people. But one of his
pupils, having conceived a strong affec
tion for his teacher, had accused him
of homosexuality. Wing Biddlebaum,
though innocent, was driven out of town.
In Winesburg, he became the best berry
picker in the region. But always the
same hands that earned his livelihood
were a source of wonder and fear to
him. When George Willard encountered
him in the berry field. Wing's hands
went forward as if to caress the youth.
But a wave of horror swept over him,
and he hurriedly thrust them into his
pockets. To George, also, Wing's hands
seemed odd, mysterious.
Kate Swift, once George's teacher, saw
in him a future writer. She tried to tell
him what writing was, what it meant.
George did not understand exactly, but
he understood that Kate was speaking,
not as his teacher, but as a woman. One
night, in her house, she embraced him.,
for George was now a young man with
whom she had fallen in love. On another
night, when all of Winesburg seemed
asleep, she went to his room. But just
as she was on the point of yielding to
him, she struck him and ran away, leav
ing George lonely and frustrated.
Kate lived across the street from the
Presbyterian church. The pastor, Rev
erend Curtis Hartman, accidentally had
learned that he could see into Kate's room
from his study in the bell tower of the
church. Night after night he looked
through the window at Kate in her bed.
He wanted at first to prove his faith,
but his flesh was weak. One night, the
same night Kate had fled from George
Willard, he saw her come into her room.
He watched her. Naked, she threw her
self on the bed and furiously pounded
the pillows. Then she arose, knelt, and
began to pray. With a cry, the minister
got up from his chair, swept the Bible
to the floor, smashed the glass in the
window, and dashed out into the dark
ness. Running to the newspaper office,
he burst in upon George. Wild-eyed, his
fist dripping blood, he told the astonished
young man that God had appeared to
him in the person of a naked woman, that
Kate Swift was the instrument of the
Almighty, and that he was saved.
Besides Kate Swift, there were other
women in George's life. There was
Helen White, the banker's daughter. One
night George and Helen went out to
gether. At first they laughed and kissed,
but then a strange new maturity over
came them and kept them apart. Louise
Trunnion, a farm girl, wrote to George,
saying that she was his if he wanted her.
After dark he went out to the farm and
they went for a walk. There, in a berry
field, George Willard enjoyed the love
that Helen White had refused him.
Like Louise Trunnion, Louise Bent-
ley also wanted love. Before going to
live in Winesburg, Louise had lived on
a farm, forgotten and unloved by a
greedy, fanatical father who had desired
a boy instead of a daughter. In Wines
burg she lived with the Hardy family
while she went to school. She was a
good student, praised by her teachers, but
she was resented by the two Hardy girls,
who believed that Louise was always
showing off. More than ever, she wanted
someone to love. One day she sent young
John Hardy a note, and a few weeks later
she gave herself to him. When it be
came clear that she was pregnant, Louise
and John were married.
John reproached her for cruelty toward
her son David. She would not nurse her
child and for long periods of time she
1122
would ignore him. Since she had never
really loved her husband, nor he her, the
marriage was not a happy one. At last
she and John separated, and shortly
afterward her father took young David
to live with him on the farm.
Old Jesse Bentley was convinced that
God had manifested himself in his grand
child, that the young David, like the Bib
lical hero, would be a saviour, the con
queror of the Philistines who owned the
land Jesse Bentley wanted for himself.
One day the old man took the boy into
the fields with him. Young David had
brought along a little lamb, and the
grandfather prepared to offer the animal
as a sacrifice to the Almighty. The young
ster, terrified, struck his grandfather and
ran away, never to return to Winesburg.
The time came when George Willard
had to choose between staying in Wines-
burg and starting out on his career as
a writer. Shortly after his mother's death,
George got up early one morning and
walked to the railroad station. There,
with the postmistress' expression of good
luck in his ears, he boarded the train and
left Winesburg behind him.
WINTERSET
Type of work: Drama
Author: Maxwell Anderson (1888-1959)
Type of plot: Romantic tragedy
Time of 'plot: Twentieth century
Locale: New York
First presented: 1935
Principal characters:
ESDRAS, an old man
GARTH, his son
MIRIAMNE, his daughter
TROCK, a murderer
SHADOW, his henchman
JUDGE GAUNT
Mio, Romagna's son
Critique:
The plot of Winterset is based upon
the famous murder trial of Sacco and
Vanzetti. Mio is a classical tragic char
acter in the sense that his weakness lay
in his desire to revenge his father's
death, yet his love for Miriamne would
not allow him to consummate his desire.
He had lived all his seventeen years for
the revenge which he could no longer
fulfill without injuring the girl he loved.
Because he still felt compelled to ex
onerate his father, there was no solution
to his conflict, and he had to die.
The Story:
Trock and Shadow walked warily un
der the bridge by the tenement where
Garth lived with his old father, Esdras,
and his fifteen-year-old sister, Miriamne
Trock had just been released from jail,
where he had served a sentence for his
part in a murder for which Romagna had
been electrocuted. Judge Gaunt, who
had presided over the trial when Romagna
had been convicted, was said to be mad
and to be roaming the country telling
people that the trial had been unfair. A
college professor had also begun an
investigation of the old murder trial.
Trock had come to the tenement district
to see Garth, who had witnessed the
murder which Trock had really com
mitted. Garth had not testified at the
trial, and Trock wanted to warn hin?
never to tell what he had seen.
Trock threatened to kill Garth if he
WINTERSET by Maxwell Anderaon. By permission of the publishers, William Sloaae A**ociatc8, Inc. Copy
right, 193 S, by Anderson House,
1123
talked. Miriamne knew nothing about
her brother's part in this crime, but after
she heard Trock threaten her brother,
she questioned him and learned a little
about the killing. Miriamne loved Garth,
but she knew that his silence about the
murder was wrong. Old Esdras watched
and comforted his two children.
To the same tenement district came
Mio and his friend, Carr. Mio was
seventeen, and he had learned that some
where in the tenements lived a man who
knew that Romagna was innocent. Mio
and Miramne saw one another on the
street and fell in love. Knowing that
he had to speak to Miriamne, Mio sent
Carr away. When Miriamne heard Mio's
full name, Bartolemeo Romagna, she
told him that he must go away and never
see her again, for Miriamne knew then
that Mio was the son of the man who
had died for the murder Trock had com
mitted. Mio told Miriamne that he had
been four years old when his father had
been electrocuted and that he lived only
co prove his father's innocence.
While the lovers were talking, Shadow
and Trock appeared on the street, and
Miriamne hid Mio in the shadow so
that the two men could not see him.
The gangsters were looking for Judge
Gaunt in order to silence him. The
judge had also come to the tenement,
and Garth, meeting him, had made the
crazed man go to Esdras' apartment for
safety. But Shadow wanted no part in
killing the judge. As he left, Trock
sent two henchmen after Shadow to kill
him. Mio saw the shooting. Feeling
that he had come to the right place to
learn the truth of the old killing, he
waited.
In Esdras' room the judge awoke, re
freshed and normal once more. Realiz
ing where he was and what he had done,
the judge asked Garth and Esdras to say
nothing of his mad claims that Romagna's
trial had been unfair. The judge did not
want the case to be reopened any more
than did Trock. Esdras offered to guide
Judge Gaunt part way back to his home.
After the two old men had left, Mij>
knocked on the door. He had been di
rected to Garth's home by neighbors. At
the sight of Miriamne he was bewildered
until she explained that Garth was her
brother. She asked Mio to leave, but
first she wanted him to tell her that he
loved her. Garth angrily interrupted the
lovers and ordered Mio to leave. As Mio
was preparing to go, Judge Gaunt and
Esdras returned, forced to turn back by
driving sleet. Mio recognized the judge
and began questioning him and Garth
about the trial. Garth's story was that he
had not witnessed the murder for which
Mio's father had died. Judge Gaunt
insisted that Romagna was guilty. Mio
pointed out that evidence at the trial was
biased because his father had been an
anarchist. The judge said that if he had
thought the trial unjust, he would have
allowed a retrial.
The steady denials of Garth and Judge
Gaunt nearly broke Mio's spirit. Sud
denly Trock entered the apartment. Mio
grew more suspicious. Then Shadow
came to the door. The sight of the hench
man he had thought dead terrified Trock.
Shadow had been shot, but he lived
long enough to accuse Trock of his
murder. After Shadow died, Judge
Gaunt again became deranged. He
thought he was in court, and Mio tricked
him into admitting that Romagna had
been an anarchist and as such should
have been put to death. When Trock
threatened to kill them all, Mio knew
that he was near the end of his search.
In the midst of Mio's glory the police
came looking for Judge Gaunt, who had
been missing from his home for many
days. Mio accused Trock of murdering
Shadow, but when he sent the police
into an inner room where Garth had
dragged the body, the corpse was not
there. When Miriamne also denied his
charges, Mio admitted that he must have
been dreaming, for he had seen a plead
ing message in Miriamne's eyes that
directed his decision.
As the police took Judge Gaunt away,
Trock went also, leaving Garth to face
Mio's accusations. But Mio was help
less because he loved Miriamne. Free
at last to vindicate his father's name, he
was tied by Miriamne's love for her
brother. In spite of Miriamne's fears
that his life was in danger, Mio left
Esdras' home.
Mio felt that there was nothing left
for him but to die, for he could not live
and remain silent about his father's
death. While he hesitated outside the
tenement, Miriamne came to join him,
and they saw Garth carrying the body of
Shadow from the alley where it had
fallen. Esdras joined Mio outside. The
boy's search for justice and his courage
had made the old man see that Garth's
silence had been wrong. Esdras told Mio
that he was going to the police to report
Shadow's murder. Mio cautioned Esdras
that he would not try to save Garth by
remaining silent about the Romagna case,
but Esdras said that Mio owed them
nothing. He went to inform the police.
Alone with Mio, Miriamne tried to
find hope of happiness for him. At last
she reminded him that his father would
have forgiven his killers, and Mio real
ized that she was right. Still, he was
determined to reveal the truth. Then
Esdras returned and told him that Trock's
henchmen were guarding the streets and
that there was no way of escape.
As Mio dashed down a passage toward
the river, Miriamne heard the sound of
shooting. She ran to her lover and found
him dying. Then she ran toward the
same passage, into the fire of Trock's
machine gun. Dying, she crawled back
to Mio. Esdras and Garth, still alive,
carried the dead lovers out of the cold,
wet winter night.
THE WOMAN IN WHITE
Type of work: Novel
Author: Wilkie Collins (1824-1889)
Type of plot: Mystery romance
Time of 'plot: 1850's
Locale: England
First published: 1860
Principal characters:
WALTER HARTKIGHT, a young artist
FREDERICK FAIBLIE, owner of Limnxeridge House
LAURA FAIRLIE, his niece and ward
MARIAN HALCOMBE, her half-sister
SIR PERGIVAL CLYDE, Laura Fairlie's suitor
COUNT Fosco, a scheming nobleman
ANNH CATHERIGK, the woman in white
Critique:
The story of The Woman in White is
told by a collection of papers by different
hands. This method gives Collins a
chance to show the versatility of his style
and to lend interest to the narrative. The
plot, brought together with deftness, in
volves considerable suspense. The un
usual characteristics of the villains and
their victims are easily adaptable to
motion picture versions of the story, and
they have been successful in that form.
There is not a great deal of background
atmosphere or thought in the novel; its
appeal is almost entirely on the basis of
plot and characterization.
The Story:
Through the help of his Italian friend,
Professor Pesca, Walter Hartright was
engaged as drawing master to the nieces
of Frederick Fairlie, of Limmeridge
House, in Cumberland, England. On
the day before he left to take up his
new position, he met a girl dressed
1125
in white wandering about the outskirts
of London. Walter discovered that she
knew Limmeridge and had once gone to
school there with Laura Fairlie. Sud
denly the strange girl left him. Shortly
afterward a coach came by. Its passenger
leaned from the window to ask a police
man if he had seen a girl in white.
The policeman had not, and Walter
hesitated to intrude. As the coach went
off, he heard the man say the girl had
escaped from an asylum.
On arriving at Limmeridge, Walter
met the first of his two pupils, Marian
Halcombe. Marian was homely, but in
telligent and charming in manner. Her
half-sister, Laura, was the beauty of the
family and heiress of Limmeridge House.
The two girls ivere living under the pro
tection of Laura's uncle, Frederick Fairlie,
a selfish and fastidious hypochondriac.
Walter fell in love with Laura almost
at once. Hearing his story about the
strange woman in white, Marian searched
her mother's letters and discovered that
the woman must have been a girl named
Anne Catherick, in whom Mrs. Fairlie
had taken great interest because she
looked so much like Laura.
After several months, Marian realized
that Walter was deeply in love with
Laura. She advised him to leave, as
Laura's father had asked her on his
deathbed to marry Sir Percival Clyde.
Then Walter met the girl in white
again. She was in the graveyard cleaning
the stone which bore Mrs. FairhVs name.
She admitted that she hoped to thwart
Laura's coming marriage to Sir Percival.
Told of this incident, Marian promised
she would request a full explanation from
Sir Percival.
Walter left Limmeridge. When Sir
Percival arrived he explained to Marian
that Anne Catherick was the daughter
of a woman in his family's service in the
past, and that she was in need of hospital
treatment. He said he had kept her in an
asylum at her mother's request, and he
proved the statement with a letter from
Mrs. Catherick. His explanation was
accepted, and his marriage to Laura took
place. Walter, heartbroken, went to Cen
tral America as a painter for an archaeo
logical expedition.
When Sir Percival and Laura came
home from their wedding trip, some
months later, Marian found them much
changed. Laura was extremely unhappy,
and Sir Percival was not at all pleased
to have Marian live with them in his
house at Blackwater Park. Count Fosco,
a huge and very self-assured Italian, ar
rived with his wife, Laura's aunt, for a
visit. Marian soon learned that the count
was involved in money matters with Sir
Percival. When Laura was asked to sign
a document without looking at it, both
she and Marian knew Sir Percival and
Count Fosco were trying to get money
from her by fraudulent means. Over
Sir Percival's loud protests, Laura re
fused to sign the paper unless he would
let her read it. The count interfered and
made Sir Percival give up the matter
for a time. Marian overheard a conver
sation between the count and Sir Percival
in which they decided to get loans and
wait three months before trying again to
persuade Laura to sign away her money.
The household became one of suspicion
and fear.
By chance, one day, Laura met die
woman in white and learned that there
was some secret in Sir Percival's life, a
secret involving both Anne Catherick and
her mother. Before Anne could tell her
the secret, Count Fosco appeared and
frightened the girl away. As soon as
Sir Percival learned Anne was in the
neighborhood, he became alarmed. He
tried to lock both Marian and Laura in
their rooms. Marian spied on the two
men by climbing to the roof during a
pouring rain, where she overheard a plot
to get Laura's money by killing her.
Before she could act, however, Marian
caught a fever from the chill of her
rain-soaked clothing, and she was put to
bed. Laura, too, became mysteriously
ill.
When Laura was better, she was told
1126
that Marian had gone to London. She
could not believe her sister had left her
without saying goodbye and insisted on
going to London herself. Actually,
Marian had been moved to another room
in the house. When Laura arrived in
London, Count Fosco met her. She was
given drugs, falsely declared insane,
dressed in Anne Catherick's old clothes,
and taken to the asylum from which
Anne had escaped. In the meanwhile,
Sir Percival had found Anne. Because
of her resemblance to Laura, he planned
to have her die and be buried under
Laura's name. Anne was very ill any
way. When she died suddenly in London
of natural causes, she was buried under
the name of Laura, Lady Clyde.
After Marian recovered she was told
that her sister was dead. She did not
believe cither the count or Sir Percival.
She went to find Anne and discovered
that the woman in the asylum was
really Laura. Arranging Laura's escape,
she took her back to Limmeridge. At
Limmeridge, however, Frederick Fairlie
refused to recognize the sickly Laura
as anyone but Anne Catherick. Laura's
memory had been so impaired by die
experience that she could not prove
who she was. Furious, Marian and Laura
left, and went to look at the false tomb
bearing the name of Lady Clyde. There
they met Walter Hartright, recently re
turned from Central America. He had
come to pay his respects at Laura's grave.
There was no possibility of returning
Laura to her rightful estate as long as her
mind was impaired by her terrible ex
perience. Meanwhile Walter Hartright
attempted to learn Sir Percival's secret.
Finally he discovered that Sir Percival'si
father and mother had never been
legally married. Hoping to destroy the
evidence of his birth, Sir Percival at
tempted to burn an old church record that
Walter needed. In the fire he set, Sir
Percival burned up the church and him
self as well. Mrs. Catherick, after his
death, hinted that Laura's father had
been the father of illegitimate Anne as
well. After more searching, Walter found
that this must be true.
Walter returned to London, and to
gether the three planned to clear Laura
by forcing the count to confess. Walter's
old friend, Professor Pesca, revealed that
Count Fosco was a traitor to the secret
society to which both Pesca and the
count had belonged. Through Pesca's
help Walter was able to frighten the
count into giving him a confession and
written proof in Sir Percival's hand
writing that Laura was still alive when
Anne had been buried under the name
of Lady Clyde. The count fled England,
to be killed soon afterward by the secret
society he had betrayed.
Walter, Marian, and Laura, who was
now much improved, were happy to
have proof of the substitution that had
been made. Walter and Laura married
and went to Limmeridge to confront
Frederick Fairlie with the evidence. He
was forced to admit Laura was really
Laura and his heir. The friends then left,
not to return until after Fairlie's death.
After his death Laura's and Walter's son
took over the estate. Marian lived
the happy family until she died.
A WOMAN'S LIFE
Type of -work: Novel
Author: Guy de Maupassant (1850-1893)
Type of 'plot; Naturalism
Time af plot: Early nineteenth century
Locale: Normandy and the island of Corsica
First ^published: 1883
Principal characters:
JEAKNE DE LAMAHE
JULXEN DE LAMABJB, her husband
1127
PAUL DE LAMAKB, her son
BARON SIMON-JACQUES LB PEHTHUIS DBS VAUDS, her father
ROSAIJE, her foster sister
Critique:
A Woman's Life is one of the master
ful long fictions of that master of the
short story, de Maupassant. The chroni
cle of a sheltered woman's life, her
thoughts and misfortunes, it describes
more than a quarter century of Jeanne
de Lamare's existence. Such is the skill
of the author that, though the book is
short, neither the characterizations nor
the narrative suffer from being briefly
sketched.
The Story:
In the spring of 1819 Jeanne Le Per-
thuis des Yauds and her parents went to
live in an old chateau, The Poplars, on
the Normandy coast. Baron Simon-
Jacques Le Perthuis des Vauds had been
left a large inheritance, but he had so
reduced it by his free-handedness that he
was finally forced to reconcile himself to
a simple country life for the remainder of
his days.
Jeanne, wno had spent the past five
years in a convent, looked forward hap
pily to her new life and dreamed of the
day when she would find the man who
loved her.
All of her expectations were fulfilled.
She found a beautiful countryside to
wander over, the sea to bathe in and to
sail on. She met a neighbor, the hand
some young Viscount Julien de Lamare,
who came to call. M. de Lamare and
Jeanne quickly became good friends.
When the baron presented his daughter
with a boat, he invited the village priest
and his acolytes to christen it. To Jeanne
the ceremony seemed like a wedding,
and under the spell of her illusion she
accepted his proposal when Julien asked
her to marry him. The wedding took
place that summer, six weeks after they
became engaged.
At Jeanne's wish the couple journeyed
to Corsica on their honeymoon. She had
been romantically in love with her hus
band before her marriage, but during
the two months she was away from home
with him her emotion grew into a pas
sion. Thus she was amazed, when they
stopped in Paris on their way home, to
find Julien not perfect. She had given
him her filled purse, her mother's pres
ent, to look after, and when she re
quested it back to buy some gifts for her
family he gruffly refused to dole out more
than a hundred francs to her. Jeanne
was afraid to ask for more.
When Jeanne and Julien returned to
The Poplars, Julien took over the man
agement of the estate. During the long,
monotonous days of winter he began to
wear old clothes and no longer bothered
to shave. He paid little attention to his
wife. Having sold the carriage horses to
save the cost of their feed, he used the
tenants' nags and became furious when
Jeanne and her parents laughed at the
ugly team.
In January Jeanne's parents went to
Rouen and left the young couple alone.
It was then that Jeanne was completely
disillusioned about her husband. One day
the maid, her foster sister Rosalie, bore
a child. Julien insisted that the mother
and her illegitimate infant should be
sent off immediately, but Jeanne, who
was fond of Rosalie, opposed him. A few
weeks 'later she found the pair in bed
together.
The shock was so great that Jeanne
could only think that she must get away
from her husband. She ran out of the
house in her night clothes, to the edge
of the cliffs which hung over the sea.
There Julien found her and brought her
back to the house before she could jump.
For several weeks the young wife was
ill as the result of her exposure. When
A WOMAN'S LIFE by Guy de Maupassant. Published by The Viking Preti. Inc.
1128
she began to recover and could convince
her parents of her discovery, Rosalie con
fessed that Julien had seduced her on the
first day he had come to call at the
house.
The maid and her haby were sent
away. Jeanne would have preferred sepa
ration from her husband, but the knowl
edge that she herself was pregnant and
the priest's intercession on Julien's be
half made her agree to a reconciliation.
Jeanne's baby was born in July, nearly
a year after her marriage. On the in
fant, Paul, she lavished all the love which
Julien had not accepted.
After the baby's birth the de Lamares
became friendly with their neighbors, the
Count and Countess de Fourville. The
count was passionately in love with his
wife, but Gilberte de Fourville rode alone
with Julien almost every day. One morn
ing, as Jeanne was walking her horse
through the woods in which Julien had
proposed, she found her husbands and
Gilberte's horses tied together.
Shortly afterward the baroness died
after an illness which had kept her
partly crippled for many years. To Jeanne,
who had been deeply attached to her
mother, it came as a great shock to find
that she, too, had not been above an
affair, documented in the letters she had
saved.
Jeanne had kept the secret of Julien's
latest intrigue to herself, fearful of the
steps the count might take if he ever
discovered his wife's unfaithfulness. The
old village priest, Abb£ Picot, also held
his peace. Unfortunately, Abb6 Picot
was called elsewhere. His successor was
not so liberal in his views.
Abb£ Tolbiac, who was conscious of
his parishioners' morals and determined
to guard them, discovered by chance the
philandering of Julien and Gilberte de
Fourville, He had no hesitation about
discussing the subject with Jeanne, and
when she refused to desert her husband
or to inform the count he took the story
to Gilberte's husband.
One day, while the couple were in a
shepherd's hut, the count, a powerful
giant, pushed the building down an
incline and into a ravine. He then
managed to dash home without being
seen. Under the wreckage of the hut
lay the two mangled bodies.
That night, after Julien's body had
been carried home, Jeanne bore her sec
ond child, a stillborn girl.
Although she suspected that Julien's
death had not been an accident, she
remained silent. The memories of her
husband's infidelities faded quickly, leav
ing her at peace with her recollections
of their early life together, as it had been
on Corsica. Soon even these began to
dim, and she turned all her attention to
Paul.
Paul de Lamare did not go to school
until he was fifteen. At home he was
petted and indulged by his mother, grand
father, and a maiden aunt who had come
to live at The Poplars after the death
of the baroness. When he was finally
sent off to Le Havre to school, Jeanne
visited him so frequently that the prin
cipal had to beg her not to come so often.
The third year Paul was away from
home he stopped spending his Sundays
with his mother. When a usurer called
on her to collect money for the youth's
debts, Jeanne visited his school and
learned that he had not been there for a
month. While living with a mistress, he
had signed his mother's name to letters
stating that he was ill.
After his escapade Paul was taken
home and watched. He managed to es
cape from The Poplars, however, and two
days later Jeanne received a letter from
him from London. It was the first of
many begging notes he was to send her.
In addition to asking for money, he an
nounced that the woman he had known
in Le Havre was living with him.
For over a year Paul sent a series of
requests for financial help which were
never ignored, even though they meant
the mortgaging of The Poplars and the
two farms that went with the estate.
Anxiety over his grandson and his prop-
1129
erty caused the baion's death from apo
plexy.
Soon after the baron's death, Jeanne's
aunt followed him to the grave. Jeanne
would have been alone then if Rosalie,
who had since been married and wid
owed, had not returned to look after her.
Her foster sister insisted on working
without pay and on putting a much-
needed check on Jeanne's expenditures,
It was necessary to sell The Poplars,
however, and the two women settled
down in a small farmhouse.
Although Jeanne was forced to limit
the sums she sent Paul, she did not curb
her affection for him. When he had
been away from home for seven years, she
wrote begging him to come home. Paul's
reply was that before he would return he
wanted her consent to marry his mistress,
who was living with him in Paris.
Jeanne, who was not without a strain
of jealousy, decided that she would per
suade him to come without the woman.
As quickly as possible she set out for
Paris. Although she had written to an
nounce her visit, Paul did not meet her.
In order to avoid his creditors, he had
moved without leaving a forwarding ad
dress. His disconsolate mother returned
to Normandy.
Some months later Jeanne heard from
her son once more. His wife, whom he
had at last married without his mother's
blessing, was dying, and he entreated
Jeanne to come for their little daughter.
This time it was Rosalie who went to
Paris. When she came back she had the
infant with her, and she brought the
news that Paul would follow her the
next day.
THE WORLD OF THE THTBAULTS
Type of -work: Novel
Author: Roger Martin du Gard (1881-1958)
Type of 'plot: Social chronicle
Time of 'plot: Early twentieth century
Locale: France
First published: 1922-1940
Principal characters:
M. TEDOBAULT, tibe father
ANTOINE, his older son
JACQUES, his younger son
GrsE, an orphan girl reared by the Thibaults
MME. DE ?ONTANTN, a Protestant woman
JEROME DE FONTANTN, her husband
DANIEL, her son
JENNY, her daughter
MEYNESTREL, a socialist leader
Critique:
The story of the Thibaults is a re
markable depiction of French bourgeois
family life. The length of the completed
work is of little importance when one
considers that Martin du Gard has
achieved a closely-knit plot and an ab
sorbing story of pre-World War I days,
making his novel a history of a place, a
people, and a whole society. For man
aging his vast story within unified bounds
the author of The World of the Thi-
baults richly merits the honor and praise
he has received. In the United States
the novel has appeared in two volumes,
The Thibaults and Summer 1914.
The Story:
M. Thibault was furious when he
THE WORLD OF THE THIBAULTS by Roger Martin du Gard. Translated by Stuart Gii
misuon of the publithuers. Tb* Viking Press. Inc. Copyright, 1939, by The Viking Press, Inc.
Gilbert. By per-
1130
learned that Jacques had lied to him and
had run away with young Daniel de
Fontanin. The Abb6 Binot, Jacques'
teacher, had even more disquieting news.
From a copybook which had fallen into
the abbess hands, it was apparent that
Jacques, not yet fourteen, had formed
an unnatural friendship with Daniel.
What was worse, the de Fontanins were
Protestants.
Antoine Thibault, already a doctor,
went to see Mme. de Fontanin to learn
what he could about Daniel and his
friendship with Jacques. Antoine found
her a very attractive, sensible woman,
who rejected Antoine's hints of improper
relationship between the boys.
They questioned Jenny, Daniel's
younger sister, who had come down with
a fever. To Antoine's practiced eye,
Jenny was suffering from meningitis.
When neither Antoine nor the other
doctors could help Jenny, Mme. de Fon
tanin called in Pastor Gregory, her min
ister. He effected a miraculous cure of
the girl by faith healing.
Jacques and Daniel got as far as Mar
seilles. Although Jacques was the
younger, he was the moving spirit in the
escapade. He had revolted against the
smug respectability of his father and the
dull Thibault household. M. Thibault
was such an eminent social worker that
he had no time to understand his own
family. But the suspicions of the Thi
baults were unfounded; the friendship
between Daniel and Jacques was only a
romanticized schoolboy crush.
When the runaways were returned by
the police, Daniel was scolded and for
given by his mother. Jacques, on the
other hand, was put in a reformatory
founded by his father. There, Jacques'
spirit was nearly broken by brutal guards
and solitary confinement. Only by devi
ous means was Antoine able to get his
brother away from his father's stern
discipline. He took a separate flat and
had Jacques live with mm, assuming
responsibility for his younger brother's
upbringing.
Jerome de Fontanin, Daniel's father,
ran away with No6mie, a cousin, and
Nicole, No£mie's daughter, came to live
with the de Fontanins. Nicole was very
attractive and Daniel tried to seduce her.
But Nicole had before her the unhappy
example of her mother and resisted him.
Under Antoine's care, Jacques slowly
recovered his mental health. During the
summer vacation he was greatly attracted
to Jenny de Fontanin. Just as Jenny
was beginning to care for him and to
overcome her aversion to physical con
tact, Jacques disappeared.
For three years the Thibaults thought
Jacques was dead. Only Gise, an orphan
girl reared by the Thibaults, had hoped
that he was still alive. One day she
received from England a box of rose
buds like those she had sprinkled on
Jacques just before his disappearance.
Sure that Jacques was alive in England,
Gise went to school in England, where
she hoped to find him.
Antoine followed a different course.
He came by chance on a Swiss magazine
which carried a story called Sarellina or
Little Sister. Antoine thought that he
could see both the Thibault and de
Fontainin families thinly disguised in the
story. Disquieted, Antoine engaged a
detective agency in Geneva to trace the
author.
Antoine's own life was not too happy.
On an emergency case one night he met
Rachel, an adventuress. They became
lovers. Little by little Rachel told him
the story of her sordid past, a story which
strangely endeared her the more to
Antoine.
She had once been the mistress of the
ferocious Hirst, a man of fifty, who had
been having incestuous relations with
his daughter, Clara. Rachel's brother
had married Clara and they had gone
to Italy on their honeymoon. A few days
later Clara had written to her father,
asking him to join them. After his ar
rival, the young husband learned the
true relationship between father and
daughter. To avoid a scandal, Hirst had
1131
strangled Clara and her husband and
had thrown their bodies into a lake.
Rachel said she was through with
Hirst. But one day she said she had to
make a trip to the Congo to see about
some investments. When Antoine saw
through the ruse, she admitted she was
going back to Hirst. He had sent for
her. Antoine sadly accompanied Rachel
to Le Havre and helped her embark.
In Geneva, Jacques had become an
international socialist and an influential
writer, according to a report from the
detective agency. Then M. Thibault de
veloped a serious illness. Fearing that
his father would die, Antoine went to
Geneva and asked Jacques to return, but
M. Thibault died without recognizing
his errant son. At the funeral Gise saw
Jacques again and realized that she still
loved him. But Jacques had lost all his
affection for her.
Jenny was still afraid of Jacques, and
in her frigidity she had even come to
hate him. Daniel was busy as a success
ful artist. Feeling no ties in Paris,
Jacques returned to Geneva.
He worked there during that fateful
summer of 1914. Under the leadership
of Meynestrel, a group of socialists were
busy uniting the workers of England,
France, and Germany in an effort to stop
the impending war by paralyzing strikes.
Jacques was frequently sent on secret
missions. One such trip was to Paris
just before general mobilization was de
creed.
By chance Jacques saw Jenny again.
The new Jacques, mature and valuable
to the pacifist movement, soon converted
Jenny to his views. They finally fell in
love.
Mme. de Fontanin's husband had died
in Vienna, where he was suspected of
embezzlement. Thinking to clear his
name, she went to Austria in spite of
the imminence of war. While she was
gone, Jacques became a frequent visitor
to the de Fontanin flat. When Mme. de
Fontanin returned early one morning,
she was shocked to find Jacques and
Jenny sleeping together.
Jenny planned to leave for Geneva
with Jacques. At the last moment, how
ever, she decided to remain at home.
Jacques was free for his humanitarian
mission. He and Meynestrel had their
own plan for ending the war.
Jacques took off from Switzerland in
a light plane piloted by Meynestrel. He
had with him several million pamphlets
which called on both Germans and
French to lay down their arms. But the
plane went into a dive over the French
lines and Meynestrel was burned to
death. Jacques, severely wounded, was
captured by the French as a spy. While
he was being carried to headquarters on
a stretcher, one of the orderlies shot him
in the temple.
Gassed severely during the war, An
toine realized that his recovery was im
possible. On leave, he visited his old
country home near Paris, where he found
Mme. de Fontanin a competent hospital
administrator and Nicole a good nurse.
Jenny was happy, bringing up Jean-
Paul, her son and Jacques'. Daniel had
come back from the front a changed
man, for a shell splinter had unsexed
him. Now he spent his time looking
after Jean-Paul and helping the nurses.
Back at the hospital in southern
France, Antoine received a necklace
from Rachel, who had died of yellow
fever in Africa. He tried to keep notes
on the deteriorating condition of his
lungs. He lived until November 18,
1918, but he never knew that the Armi
stice had been signed before his death.
1132
THE WORLD'S ILLUSION
Type of work: Novel
Author: Jacob Wassermann (1873-1934)
Type of plot: Social criticism
Time of plot: Prior to World War I
Locale: Europe
First published: 1919
Principal characters:
CHRISTIAN WABQSTSCHAFFE, son of a wealthy German capitalist
BBRNABD CRAMMON, Wahnschaffe's aristocratic friend
EVA SOREI,, a dancer
IVAN BECKER, a Russian revolutionist
AMADBUS Voss, Wahnschaffe's boyhood friend
KAREN ENGELSCHALL, a prostitute befriended by Wahnschaffe
Critique:
The World's Illusion is a representa
tion by the German novelist, Jacob Was
sermann, of the dual nature of European
society prior to the first World War.
The first book of the novel deals with
brilliant, upper-class life in European
society, of which the protagonist of the
novel is an example. The second book
deals with the same protagonist, who left
the vanity and culture of his world for
the horrors of life among the proletariat
in the worst of European slums. Thus
the author was able to show the decay
of European society on its highest and
lowest levels.
The Story:
Christian Wahnschaffe was an un
usual person, even as a child. In boy
hood he was without fear. He would
harry an entire pack of mastiffs belonging
to his father, ride the wildest horses, and
take risks in huntings; but he always
came away without harm, as if his life
were charmed. As young Wahnschaffe
grew older he lost none of his daring.
Because his father was a very rich man,
Christian lived in the best European
society. One of his close friends was
Bernard Crammon, a member of the
Austrian aristocracy, who traveled with
him everywhere.
During a stay in Paris, Crammon saw
a young dancer, Eva Sorel, in an obscure
theater. The dancer so impressed Cram
mon that he introduced her into his
circle of leisure-class intellectuals, where
she met Christian Wahnschaffe. Or
phaned at an early age, the first things
that Eva could remember were con
nected with her training as a tight-rope
walker with a troupe of traveling play
ers. One day a crippled Spaniard bought
the little girl's liberty from the gipsies in
order to train her as a dancer, for he
recognized the possibilities of her beauty
and grace. When she was eighteen the
Spaniard sent her to Paris with his sister
to make her debut. Shortly afterward
she had met Bernard Crammon.
Christian Wahnschaffe fell desperately
in love with Eva Sorel, but she refused
him as a lover. Although she was charmed
by his appearance and his personality,
she remained aloof, for she saw in him
a man who had not yet learned to ap
preciate the aesthetic and intellectual life
of his time.
Christian had a rival for the love of
Eva Sorel, a young English nobleman,
Denis Lay. Lay was as handsome as
Christian and more talented in the world
of the intellect; he was also Christian's
equal in the world of physical accom
plishments. Lay appealed far more to
Eva than did the German. However,
there was something about Christian
that mysteriously fascinated the girl.
THE WORLD'S ILLUSION by Jacob Wassermann. Translated by Ludwig Lewisohn. By permission, of the
publishers., Harcpurt, Brace & Co., Inc. Copyright, 1920, by Harcourt, Brace & Co., Inc. Renewed, 1948,
by Ludwig Lewisohn.
1133
Denis Lay's rivalry lasted but a few
months. One night while he entertained
Eva Sorel, Crammon, Christian, and a
large company aboard his yacht in the
Thames, die passengers saw a crowd of
striking dock workers gathered on the
banks of the river. Lay dared Christian
to compete with him in a swimming race
to the shore to investigate the crowd.
When the Englishman leaped overboard
and started for the shore, strong under
currents soon dragged him under, despite
Christian's efforts to save him. The next
morning his body was recovered. The
incident had a profound effect on Chris
tian.
Some time later, in Paris, Christian
met a refugee Russian revolutionary, Ivan
Becker. Becker tried to make Christian
understand something of the misery
everywhere in Europe and the exploita
tion of the poor by the classes above
them. When Christian finally asked
Becker what he should do, the Russian
replied that everyone in the upper classes
asked the same question when con
fronted by problems of inequality and
poverty. But, continued Becker, it was
really a question of what the poor man
was to do.
One night Becker took Christian to
see the wife and four children of a man
who had attempted to assassinate the
elder WahnschafTe. Disturbed by the
degrading poverty of the household,
Christian gave them a large sum of
money. Later he learned that it was
almost the worst thing he could have
done, for the woman wasted the gold
in foolish purchases and loans to people
who had no intentions of repaying her.
Christian began to be bored with the
life of leisure and luxury he had led. It
seemed to him that he should do some
thing better with his life. He lost interest
in his gem collection and when he dis
covered that Eva Sorel desired his world-
famous diamond, the Ignifer, he sent it
to her.
Tbe dancer, meanwhile, had achieved
great success. In Petrograd the Grand
Duke Cyril, a man of great political in
fluence under the tsar, offered to lay
everything he could command at her
feet. She refused him and, still fasci
nated by the memory of Christian, re
turned to Western Europe. During a
holiday she sent for Christian and took
him as her lover. The sweetness of the
affair was blunted, however, by Chris
tian's new liberalism. He had become
friendly with Amadeus Voss, a young
man who once had studied for the
priesthood, and consequently had become
more than ever convinced of the futility
of his life. One day Eva was injured
when a large stone, thrown by a drunken
man at a fair, struck her feet. At her
home, while Christian was bathing and
binding her swollen feet, he felt that
he was kneeling to her spiritually as
well as physically. His whole mind re
belled against this discovery, and he left
the dancer precipitately.
A few weeks later, with Crammon,
Christian went to Hamburg to see a
friend off to America. After the ship had
sailed, Christian and his friend wandered
about the waterfront. Hearing screams
in a tavern, they entered. There they
found a man mistreating a woman whom
they rescued and took to an inn. The
following morning Christian returned
and told her that he would take care of
her. When she said that she was Karen
Engelschall, a prostitute, Christian as
sured her that he only meant to take
care of her as a human being. He had
already decided to go to Berlin to study
medicine and she readily agreed to go
there too, since her mother and brother
were living in that city.
Christian's father and brother had
become much richer, and both held posts
in the German diplomatic service. The
elder Wahnschaffe wished Christian to
take charge of his business, but Christian
refused. Deciding to become a poor
man and to help humanity, he also sold
the land he had inherited from his
mother's family. That was the reason foi
his decision to study medicine. His
1134
friends and his family thought him mad,
and his father threatened to have him
placed in protective custody in a sana
torium. Even the people Christian had
taken into his care, Amadeus Voss and
Karen Engelschall, thought he was mad.
They had previously had visions of great
wealth to be gained through him.
Karen died within a few months of
bone tuberculosis. By that time Christian
had returned all of his fortune to his
family and was almost penniless. Then
Karen's brother committed a murder and
tried to implicate Christian. With pa
tience Christian played upon the nerves
of the brother until he admitted having
committed the crime, exonerating Chris
tian. Shortly afterward the elder Wahn-
schaffe appeared at the Berlin tenement
where his son was living and attempted
to persuade him to return to his rightful
place in society before the reputation of
the entire Wahnschaffe family was ut
terly ruined. Christian refused, but he
agreed to disappear entirely. Nothing
more was heard of him. Sometimes
rumors sifted back to his former friends
and his family that he had been seen
among the poorest people in London,
New York, or some continental city, and
that he was doing his best to make
life easier for the unfortunates of this
world,
THE WRECK OF THE GROSVENOR
Type of work: Novel
Author: W. Clark Russell (1844-1911)
Type of plot: Adventure romance
Time of ^lot: Nineteenth century
Locale: The Atlantic Ocean
First <puUished; 1877
Principal characters:
MR. ROYLE, second mate of the Grosvenor
MR. COXON, the captain
MR. DUCKLING, the first mate
MARY ROBERTSON, a survivor from a shipwreck
Critique:
This novel, quite apart from its love
story, is in the true romantic tradition.
The characterization is credible, and the
action well-motivated. In addition, the
author underlines a period in maritime
history with his arguments for better
treatment of the sailor.
The Story:
As the Grosvenor was preparing to
leave its British port, the wind died and
the ship lay anchored in the Downs.
The crew aboard grew more and more
discontented, until at last the cook
stopped Mr. Royle, the second mate, and
showed him a biscuit from the ship's
store. This biscuit, as well as the other
food served to the crew, was crawling
with vermin and inedible. When Mr.
Royle brought the matter to the attention
of Captain Coxon, that officer was in
dignant; the food was good enough for
sailors who, he insisted, had eaten much
worse food. Furthermore, he did not
want Mr. Royle to fraternize with the
crew. It was apparent, however, that
the crew was likely to mutiny once the
ship was on the high seas, and so the
captain and Mr. Duckling, the first mate,
went ashore and came back with an en
tirely new crew.
After the ship had been a few days
at sea, the new crew approached Mr.
Royle to complain of the rations. The
captain had the food brought to his
table, where he tasted it without flinch
ing, but he hinted that he would put in
at some convenient port and take aboard
1135
new stores. When he made no attempt
to change the ship's* course, however, the
crew became even more resentful. Mr.
Royle tried to remain neutral. If he so
much as spolce to any of the crew, the
captain would consider him mutinous.
If he sided with the captain and Mr.
Duckling, the crew, in the event of a
mutiny, would probably kill him. But
his anger mounted and his disgust
reached a high point when the captain
refused to rescue survivors from a ship
wrecked vessel.
Some time later another wrecked ves
sel was sighted, and the crew insisted that
Mr. Royle be permitted to bring the
survivors aboard. The survivors were
Mr. Robertson, owner of a shipping firm,
his daughter Mary, and a man who had
gone mad from the terrifying experience
of shipwreck at sea. Mr. Royle did
everything he could for the Robertsons;
the third survivor died. For his part in
the rescue Mr. Royle was confined to
his cabin and put in irons.
One night the crew mutinied. The
captain and Mr. Duckling were killed,
and Mr. Royle was set free. He promised
to steer as the crew wished, if they in
turn would promise not to kill the stew
ard, whom they especially hated because
he was in charge of ship stores.
It was the plan of the mutineers to
anchor off the coast of the United States,
and then, after they had reached shore,
to pass themselves off as shipwrecked
sailors. But after a while Mr. Royle dis
covered that the real intention was to
scuttle the ship and leave him and the
Robertsons aboard to die. With the help
of the loyal boatswain, he hoped to foil
the scuttling attempt.
Mr. Royle, who had become very
fond of Mary Robertson, told her frankly
of the situation. They decided to say
nothing to her father, who was losing
his memory. Mr. Royle planned to steer
the ship close to Bermuda instead of
the Florida coast. Since none of the crew
knew anything about navigation, he was
able to set his own course. The
swain planned to hide himself below
decks and kill the man who went below
to bore the holes in the ship's bottom.
One dark night Mr. Royle threw a box
of nails over the rail and everyone
thought that the boatswain had fallen
overboard. In reality, he had gone into
hiding. When the time for the scuttling
drew near, Stevens, the leader of the
mutineers, went down to do the work,
instead of another member of the crew.
Mr. Royle was frightened, for if Stevens
were killed the crew would soon discover
his death. But the leader came back
and ordered the lowered longboat to pull
out. As the crew rowed away from the
ship, the boatswain appeared to tell that
he had merely plugged in the holes as
fast as Stevens bored them. When the
crew in the longboat saw what had oc
curred, they attempted to board the ves
sel. All, except one, were unsuccessful.
That sailor was put to work.
When a storm arose, those on board
were unable to handle the ship. The
ship began to leak and Mr. Royle realized
that the water could not be pumped out.
During the storm Mr. Robertson died.
A Russian steamer passed by, and re
fused to save them. The mutineer lost
his mind and died. Then the longboat,
pushed toward them by the storm, col
lided with the ship. Mr. Royle decided
to abandon the Grosvenor. Before they
left the sinking ship he and Mary Robert
son pledged their love to each other.
Mr. Royle, Mary, the boatswain, and
the steward pushed off in the longboat.
At last they sighted a steamer which
answered their signals. After Mr. Royle
had gotten Mary Robertson aboard, he
collapsed. When he awoke, he found
himself in bed, attended by a Scottish
doctor. Mary came in with the boat
swain. They told him the steward had
gone completely mad.
Mary reminded Mr. Royle of his
promise of marriage, but he said that he
could not marry her before he had made
his fortune. She insisted that he would
not be a poor man if he were married to
1136
her. She said that she loved him for
himself, and she knew that he loved her
for herself, not for her money. Mr. Royle
finally agreed. They were married, and
Mary provided handsomely for both the
boatswain and the steward for the re-
mainder of their lives.
WITHERING HEIGHTS
Type of work: Novel
Author: Emily Bronte (1818-1848)
Type of ^lot: Impressionistic romance
Time of 'plot: 1750-1802
Locale: The moors of northern England
First published: 1847
Principal characters:
MR. EARNSHAW, owner of Wuthering Heights
CATHERINE, his daughter
HINDLEY, his son
HEATHCLIFF, a waif
MR. LINTON, proprietor of Thrushcross Grange
MRS. LINTON, his wife
ISABELLA, their daughter
EDGAR, their son
FRANCES EARNSHAW, Hindley's wife
HARETON EARNSHAW, Frances' and Hindley's son
CATHERINE LINTON, Catherine Earnshaw's and Edgar Linron's daughter
LINTON HEATHCLIFF, Isabella Linton's and HeathclifFs son
ELLEN DEAN, housekeeper at Thrushcross Grange
MR. LOCKWOOD, tenant at Thrushcross Grange and narrator of the story
Critique:
Published under the pseudonym of
Ellis Bell, Wuthering Heights was con
sidered such a risk by its publishers that
Emily Bronte had to defray the cost
of publication until a sufficient number
of copies had been sold. The combina
tion of lurid and violent scenes in this
novel must have been somewhat shock
ing to mid-nineteenth-century taste. De
spite its exaggerated touches, Wuthering
Heights is an intriguing tale of revenge,
and the main figures exist in a more than
life-size vitality of their own consuming
passions. For her novel Emily Bronte
chose a suitable title. The word
wuthering is a provincial adjective used
to describe the atmospheric tumult of
stormy weather.
The Story:
In 1801 Mr. Lockwood became a
tenant at Thrushcross Grange, an old
farm owned by Mr. Heathcliff of
Wuthering Heights. In the early days
of his tenancy he made two calls on his
landlord. On his first visit he met
Heathcliff, an abrupt, unsocial man, sur
rounded by a pack of snarling, barking
dogs. When he went to Wuthering
Heights a second time, he met the other
members of that strange household; a
rude, unkempt but handsome young man
named Hareton Earnshaw and a pretty
young woman who was the widow of
HeathclifFs son.
During his visit snow began to fall,
covering the moor paths and making
travel impossible for a stranger in that
bleak countryside. Heathcliff refused to
let one of the servants go with him as
a guide, but said that if he stayed the
night he could share Hareton's bed or
that of Joseph, a sour, canting old servant.
When Mr. Lockwood tried to borrow
Joseph's lantern for the homeward
journey, the old fellow set the dogs on
1137
him, to the amusement of Hareton and
Heathclifi. The visitor was finally
rescued by Zillah, the cook, who hid him
in an unused chamber of the house.
That night Mr. Lockwood had a
strange dream. Thinking that a branch
was rattling against the window, he
broke the glass in his attempt to unhook
the casement. As he reached out to
break off the fir branch outside, his
fingers closed on a small ice-cold hand
and a weeping voice begged to be let
in. The unseen presence, who said that
her name was Catherine Linton, tried to
force a way through the broken case
ment, and Mr. Lockwood screamed.
HeathclijQF appeared in a state of
great excitement and savagely ordered
Mr. Lockwood out of the room. Then he
threw himself upon the bed by the
shattered pane and begged the spirit
to come in out of the dark and the
storm. But the voice was heard no more
— only the hiss of swirling snow and the
wailing of a cold wind that blew out
the smoking candle.
Ellen Dean satisfied part of Mr. Lock-
wood's curiosity about the happenings
of that night and the strange household
at Wuthering Heights. She was the
housekeeper at Thrushcross Grange, but
she had lived at Wuthering Heights dur
ing her childhood.
Her story of the Earnshaws, Lintons,
and Heathcliffs began years before,
when old Mr. Earnshaw was living at
Wuthering Heights with his wife and
two children, Hindley and Catherine.
Once on a trip to Liverpool Mr. Eam-
shaw had found a starving and homeless
orphan, a ragged, dirty, urchin, dark
as a gipsy, whom he brought back with
him to Wuthering Heights and christened
HeathclifF — a name which was to serve
the fourteen-year-old boy as both a given
and a surname. Gradually the orphan
began to usurp the affections of Mr.
Earnshaw, whose health was failing.
Wuthering Heights became a bedlam of
petty jealousies; Hindley was jealous of
both HeathclifT and Catherine; old
Joseph, the servant, augmented the
bickering; and Catherine was much too
fond of HeathclifT. At last Hindley was
sent away to school. A short time later
Mr. Earnshaw died.
When Hindley Earnshaw returned
home for his father's funeral, he brought
a wife with him. As the new master
of Wuthering Heights, he revenged him
self on HeathclifT by treating him as a
servant. Catherine became a wild and
undisciplined hoyden who still continued
her affection for Heathcliff.
One night Catherine and HeathclifT
tramped over the moors to Thrushcross
Grange, where they spied on their neigh
bors, the Lintons. Catherine, attacked
by a watchdog, was taken into the house
and stayed there as a guest for five weeks
until she was able to walk again. Thus
she became intimate with the pleasant
family of Thrushcross Grange — Mr. and
Mrs. Linton, and their two children,
Edgar and Isabella. Afterward the Lin
tons visited frequently at Wuthering
Heights. The combination of ill-treat
ment on the part of Hindley and ar
rogance on the part of Edgar and Isabella
made HeathclirT jealous and ill-tempered.
He vowed revenge on Hindley Earnshaw,
whom he hated with all the sullen fury
of his savage nature.
The next summer Hindley's con
sumptive wife, Frances, gave birth to a
son, Hareton Earnshaw, and a short
time later she died. In his grief Hindley
became desperate, ferocious, and de
generate. In the meantime, Catherine
Earnshaw and Edgar Linton had become
sweethearts. The girl confided to Ellen
Dean that she really loved Heathcliff,
but she felt it would be degrading for
her to marry the penniless orphan. Heath
clifT, who overheard this conversation, dis
appeared the same night, not to return
for many years. Edgar and Catherine
soon married, taking up their abode at
Thrushcross Grange with Ellen Dean as
their housekeeper. There the pair lived
happily until HeathclifFs return caused
trouble between them. When he re-
1138
turned to the moors, Heathcliff, greatly
improved in manners and appearance,
accepted Hindley's invitation to live at
Wuthering Heights — an invitation of
fered by Hindley because he found in
Heathcliff a boon companion at cards
and drink, and he hoped to recoup his
own dwindling fortune from HeathclifFs
pockets.
Isabella Linton began to show a
sudden, irresistible attraction to Heath-
cliff, much to the dismay of Edgar and
Catherine. One night Edgar and Heath-
cliff came to blows. Soon afterward
Heathcliff eloped with Isabella, obviously
marrying her only to avenge himself and
provoke Edgar. Catherine, an expectant
mother, underwent a serious attack of
fever. When Isabella and her husband
returned to Wuthering Heights, Edgar
refused to recognize his sister and forbade
Heathcliff to enter his house. Despite
this restriction, Heathcliff managed a
final tender interview with Catherine.
Partly as a result of this meeting, her
child, named Catherine Linton, was born
prematurely. The mother died a few
hours later.
Isabella, in the meantime, had found
life with Heathcliff unbearable. Leaving
him, she went to London, where a few
months later her child, Linton, was born.
With the death of Hindley, Heathcliff
the guest became the master of
Wuthering Heights, for Hindley had
mortgaged everything to him. Hareton,
the natural heir, was reduced to de
pendency on his father's enemy.
Twelve years after leaving Heathcliff,
Isabella died and her brother took the
sickly child to live at Thrushcross Grange.
Heathcliff soon heard of the child's ar
rival and demanded that Linton be sent
to Wuthering Heights to live with his
father. Young Catherine once visited
Wuthering Heights and met her cousin
Linton. Her father had tried to keep her
in ignorance about the tenants of the
place, for Heathcliff had been at pains
to let it be known that he wished the
two children, Cathy and Linton, to be
married. And Heathcliff had his way.
About the time that Edgar Linton be
came seriously ill, Heathcliff persuaded
Cathy to visit her little cousin, who
was also in extremely bad health. Cathy,
on her arrival, was imprisoned for five
days at Wuthering Heights and forced
to marry her sickly cousin Linton before
she was allowed to go home to see her
father. Although she was able to re
turn to Thrushcross Grange before her
father's death, there was not enough time
for Edgar Linton to alter his will. Thus
his land and fortune went indirectly to
Heathcliff. Weak, sickly Linton Heath-
cliff died soon after, leaving Cathy a
widow and dependent on Heathcliff.
Mr. Lockwood went back to London
in the spring without seeing Wuthering
Heights or its people again. Traveling
in the region the next autumn, he had
a fancy to revisit Wuthering Heights.
He found Catherine and Hareton now
in possession. From Ellen Dean he heard
die story of HeathclifFs death three
months before. He had died after four
days of deliberate starvation, a broken
man disturbed by memories of the beauti
ful young Catherine Earnshaw. His
death freed Catherine Heathcliff and
Hareton from his tyranny. Catherine
was now teaching the ignorant boy to
read and to improve his rude manners.
Mr. Lockwood went to see Heath-
cliff's grave. It was on the other side of
Catherine Earnshaw from her husband,
They lay under their three headstones;
Catherine's in the middle weather-dis
colored and half-buried, Edgar's partly
moss-grown, HeathclifFs still bare. In the
surrounding countryside there was a
legend that these people slept unquietly
after their stormy, passionate lives. Shep
herds and travelers at night claimed that
they had seen Catherine and Heathcliff
roaming the dark moors as they had done
so many years before.
1139
THE YEARLING
Type of work: Novel
Author: Marjorie Kinnan Rawlings (1896-1953)
Type of plot: Regional romance
Time of 'plot: Late nineteenth century
Locale: The Florida scrub country
First published: 1938
Principal characters:
JOBY BAXTER, a young
PENNY BAXTER, his
rboy
ather
ORA BAXTER, his mother
FODDER-WING FORRESTER, Jody's crippled friend
OLIVER HUTTO, Penny's friend
GRANDMA HUTTO, his mother
TWINK WEATHERBY, Oliver's sweetheart
Critique:
Marjorie Kinnan Rawling's novel, The
Yearling, deals with one year in the life
of a twelve-year-old boy, the year in
which he passed from adolescence into
young manhood. As the author has
pointed out, the book is a description
of childhood — its intense sorrows and
transient joys. The boot also introduces
the reader to a way of life which is new
and strange. Because of the author's
sympathy and understanding, her pleas
ant interest in nature and wild life, her
deep knowledge of human nature, read
ing The Yearling becomes a highly per
sonal experience.
The Story:
The Baxter family consisted of Penny
Baxter, his plump wife Ora, and the
boy Jody. They lived in a simple cabin
in the Florida scrub, where patient, hard
working Penny eked out a meager living
by farming and hunting.
Young Jody still saw life through the
eyes of a child and found a boy's pleasure
in building a flutter mill at the spring
when he should have been hoeing the
garden patch.
One spring morning the family dis
covered that Betsy, their black brood
sow, had been killed by a bear. Penny
recognized the tracks as those of Old
Slewfoot, a giant black bear with one
toe missing. Determined to be rid of
this offender he cornered the animal in
the scrub, but his old gun would not fire
and the bear escaped.
Unable to afford a new gun, Penny
traded a worthless feist to his neighbors,
the Forresters, for a new double-barreled
shotgun of fine make. The Forrester
family consisted of the old parents, six
gigantic, lawless sons, and Fodder-wing,
a deformed and crippled boy who was
Jody's best friend. Penny was reluctant
to dupe his neighbors but his very living
depended upon Old Slewfoot's destruc
tion. He eased his conscience by telling
the Forrester boys truthfully that the
feist could not be trained for hunting.
His words convinced the suspicious For
resters that the dog was even more valu
able than they had thought and it was
they who insisted on the trade.
After the old gun had been repaired, it
became Jody's great pride. One day while
hunting with his father, he shot a buck
which Penny sold at the store in Volusia.
After selling the venison, Penny and
Jody went to see Grandma Hutto, at
whose house they spent the night. In
the morning everyone was made glad by
the unexpected arrival of Oliver Hutto,
Grandma's son, just home from sea.
Later that day Oliver went downtown,
where he met Lem Forrester. Both of
THE YEARLING by Marjorie Kinnan Rawlings. By permiss
Scribner't Son«. Copyright, 1938, by Marjorie Kinnan Rawlin
By permission of the author and the publishers, Charles
gs.
1140
the men were courting a yellow-haired
girl, Twink Weatherby. When the two
started to fight, all of Lem's brothers
joined in against Oliver Hutto. Wiry
Penny and small Jody also entered the
fight with Oliver, since the odds against
him were so heavy. After the fight Oliver
was badly battered. Jody had been
knocked unconscious. To keep people
from talking, Twink Weatherby left
town on the river boat the next morning.
A short time later Penny discovered
that his hogs had disappeared. He sus
pected the Forresters of having trapped
them in order to get revenge for the
shotgun deal, and he and Jody started
to track the hogs. In the swamp a rattle
snake bit Penny on the arm. He saved
himself by shooting a doe and applying
the liver to the bite to draw out the
poison. Even in the excitement, Jody had
noticed that the doe had a fawn. While
Penny staggered homeward, Jody went
to the Forresters to ask them to ride for
Doc Wilson.
The Forresters, with the exception of
Lem, evidently held no grudge over the
trading of the dog and the fight in town,
and they did all they could for the Bax
ters. One of the boys brought Doc Wil
son to the cabin, Later they rounded up
the hogs and returned them, and Buck
Forrester stayed on at the Baxter cabin
to help with the work.
While Penny was still desperately ill,
Jody returned to the place where his
father had been bitten, and there he
found the helpless young fawn. lie was
so eager to have it for his own that his
parents allowed him to bring it home as
a pet. Rations were scarcer than ever at
the Baxters during Penny's illness, but
Jody was willing to share his own food
and milk with the fawn. Fodder-wing
gave the fawn its name. He called it
Flag.
In September a great storm came, de
stroying most of the Baxter crops. About
a month later Old Slewfoot visited the
Baxter land again and killed a fat hog.
Penny, who was in bed with chills and
fever, was not able to follow the great
black bear. Later wolves killed one of the
calves, and with the Forresters the Bax
ters hunted down the whole pack which
had been bothering all the neighbor
hood. During the hunt they found ten
bear cubs, left motherless after hunters
had killed the mother bear. Two of the
Forresters took the cubs to Jacksonville
and sold them. Penny's share of the
profits was used to buy the necessities
which would tide the Baxters over the
coming winter.
The Baxters had planned to spend
Christmas in Volusia with Grandma Hut-
to and to attend the town's festivities on
Christmas Eve. But a few days before
Christmas Old Slewfoot again appeared
and killed a calf. Penny swore that he
would kill the raider, and after several
days of determined hunting he found and
shot the five-hundred-pound bear.
The Baxters joined Grandma Hutto
at the Christmas party. During the eve
ning Oliver Hutto arrived in town with
his wife, Twink. To get revenge, Lem
Forrester and his brothers fired Grandma
Hutto's house and burned it to the
ground. Without Oliver's knowing that
the house had been fired by the For
resters, Grandma Hutto, Oliver, and
Twink left town the next morning on the
river boat. They had decided to go to
Boston to live.
Back in their cabin, the Baxters settled
down to a quiet winter of fishing and
hunting. Flag, the fawn, had grown
until he was a yearling. The fawn had
never been a favorite of Ma Baxter be
cause she begrudged him the food and
milk Jody fed him, and because he was a
nuisance around the cabin.
In the spring, while Jody was helping
his father plant corn, Flag got into the
tobacco field and destroyed about half
of the young plants. One day, while
trying to pull a stump out of the ground,
Penny ruptured himself and afterward
spent many days in bed. Then Jody had
to do all of the farm work. He watched
the corn sprouting through the ground
1141
One morning he found that Flag had
eaten most of the tender green shoots.
Mrs. Baxter wanted to kill the fawn at
once, but Penny suggested that Jody
build a fence around the corn to keep
Flag out. Accordingly, Jody spent many
days replanting the corn and building
a high fence around the field. When the
new planting of corn came up, Flag
leaped the high fence with ease and
again nibbled off the green shoots.
Her patience exhausted Mrs. Baxter
took Penny's gun and shot the fawn.
Unhappy Jody had to shoot his pet again
because his mother's aim was so poor.
Jody felt that the family had betrayed
him. He hated them. He left the clear
ing and wandered into the scrub. With
the vague idea of running away from
home to join the Huttos in Boston, he
headed for the river and set out in Nellie
Ginright's dugout canoe. After several
days without food, he was picked up by
the river mail boat. He returned home,
ashamed and penitent, but a yearling —
no longer interested in the flutter mill,
which now he considered only a play
thing for children.
YOU CAN'T GO HOME AGAIN
Type of work: Novel
Author: Thomas Wolfe (1900-1938)
Type of ylot: Impressionistic realism
Time of flat: 1929-1936
Locale: New York, England, Germany
First published: 1940
Principal characters:
GEORGE WEBBER, a writer
ESTHER JACK, whom he loved
FOXHALL EDWARDS, his editor and best friend
LLOYD McHARG, a famous novelist
ELSE VON KOHLER, also loved by Webber
Critique:
What heights Thomas Wolfe might
have attained if his life had not ended
so suddenly, no one can predict. Cer
tainly he was one of the most forceful
writers of the present century. His
ability to present real scenes and real
people has seldom been equaled by the
most mature writers; yet he was a young
man when he gave us Of Time and the
River, Look Homeward, Angel, The Web
and the Rock, and You Can't Go Home
Again. His youth showed itself clearly
in his novels, in his over-exuberant de
sire to help humanity in spite of itself,
in his lyric enthusiasm for the American
dream. But these are minor sins, if they
are sins, completely overshadowed by his
great ability to portray believable char
acters and even more by his mastery of
the English language. You Can't Go
Home Again was his last novel.
The Story:
As George Webber looked out of his
New York apartment window that spring
day in 1929, he was filled with happi
ness. The bitter despair of the previous
year had been lost somewhere in the
riotous time he had spent in Europe, and
now it was good to be back in New
York with the feeling that he knew where
he was going. His book had been ac
cepted by a great publishing firm, and
Foxhall Edwards, the best editor of the
house, had been assigned to help him
with the corrections and revisions. George
had also resumed his old love affair with
Esther Jack, who, married and the mother
rOU CAN'T GO HOME AGAIN by Thomas Wolfe. By permission of Edward C. Aswell, Administrator
Estate of Thomas Wolfe, and the publishers, Harper & Brothers. Copyright 1934, 1937, 1938, 1939, 1940 by
Maxwell Perkini aa Executor,
1142
of a grown daughter, nevertheless re
turned his love with tenderness and
passion. This love, however, was a flaw
in George's otherwise great content, for
he and Esther seemed to be pulling dif
ferent ways. She was a famous stage de
signer who mingled with a sophisticated
artistic set. George thought that he could
find himself completely only if he lived
among and understood the little people
of the world.
Before George's book was published,
he tried for the first time to go home
again. Home was Libya Hill, a small
city in the mountains of Old Catawba.
When the aunt who had reared George
died, he went back to Libya Hill for her
funeral. There he learned that he could
never really go home again, for home was
no longer the quiet town of his boyhood
but a growing city of money-crazy spec
ulators who were concerned only with
making huge paper fortunes out of real
estate.
George found some satisfaction in the
small excitement he created because he
had written a book which was soon to
be published. But even that pleasure
was not to last long. For when he re
turned to New York and the book was
published, almost every citizen in Libya
Hill wrote him letters filled with threats
and curses. George had written of Libya
I lill and the people he knew there. His
only motive had been to tell the truth
as he saw it, but his old friends and
relatives in Libya Hill seemed to think
that he had spied on them through his
boyhood in order to gossip about them
in later years. Even the small fame he
received in New York, where his book
was favorably reviewed by the critics,
could not atone for the abusive letters
from Libya Hill. He felt he could re
deem himself only by working feverishly
on his new book.
George moved to Brooklyn, first telling
list her goodbye. This severance from
Esther was difficult, but George could not
live a lie himself and attempt to write
the truth. And in Brooklyn he did
learn to know and love the little people
— the derelicts, the prostitutes, the petty
criminals — and he learned that they,
like the so-called good men and women,
were all representative of America. His
only real friend was Foxhall Edwards,
who had become like a father to George.
Edwards was a great man, a genius
among editors and a genius at under
standing and encouraging those who,
like George, found it difficult to believe
in anything during the depression years.
Edwards, too, knew that only through
truth could America and the world be
saved from destruction; but, unlike
George, he believed that the truth can
not be thrust suddenly upon people.
He calmly accepted conditions as they
existed. George raged at his friend's
skepticism.
After four years in Brooklyn, George
finished the first draft of his new book.
Tired of New York, he thought that he
might find in Europe the atmosphere he
needed to complete his manuscript. In
London he met Lloyd McHarg, the em
bodiment of all that George wanted to
be. George yearned for fame in that
period of his life. Because his book had
brought him temporary fame, quickly ex
tinguished, he envied McHarg his world
reputation as a novelist. George was dis
illusioned when he learned that McHarg
thought fame an empty thing. He had
held the world in his hand for a time,
but nothing had happened. Now he was
living feverishly, looking for something
he could not name.
When his manuscript was ready for
publication, George returned to New
York, made the corrections Edwards sug
gested, and then sailed again for Europe,
He went to Germany, a country he had
not visited since 1928. In 1936, he was
more saddened by the change in the
German people than he had been by
anything else in his life. He had always
felt a kinship with the Germans, but
they were no longer the people he had
known before. Persecution and fear
tinged every life in that once proud
1143
country, and George, sickened, wondered
if there were any place in the world
where truth and freedom still lived.
There were, however, two bright hor
izons in his visit to Germany. The first
was the fame which greeted him on his
arrival there. His first book had been well
received, and his second, now published,
was a great success. For a time he basked
in that glory, but soon he, like McHarg,
found fame an elusive thing that brought
no real reward. His other great experience
was his love for Else von Kohler. That
was also an elusive joy, for her roots
were deep in Germany, and George knew
he must return to America to cry out to
his own people that they must live the
truth and so save America from the
world's ruin.
Before he left Germany, he saw more
examples of the horror and tyrannny
under which the people existed, and he
left with a heavy heart. He realized once
more that one can never go home again.
Back in New York, he knew that
he must break at last his ties with Fox-
hall Edwards. He wrote to Edwards,
telling him why they could no longer
travel the same path. First he reviewed
the story of his own life, through which
he wove the story of his desire to make
the American people awake to the great
need for truth so that they might keep
their freedom. He told Edwards, too,
that in his youth he had wanted fame
and love above all else. Having had
both, he had learned that they were not
enough. Slowly he had learned humility,
and he knew that he wanted to speak
the truth to the downtrodden, to all
humanity. Because George knew he had
to try to awaken the slumbering con
science of America, he was saying fare
well to his friend. For Edwards believed
that if the end of freedom was to be
the lot of man, fighting against that end
was useless.
Sometimes George feared that the
battle was lost, but he would never stop
fighting as long as there was hope that
America would find herself. He knew
at last the real enemy in America. It
was selfishness and greed, disguised as
a friend of mankind. He felt that if he
could only get help from the little people,
he could defeat the enemy. Through
George, America might go home again.
1144
AUTHOR INDEX
ADAMS, HENRY
Education of Henry Adams, The, 238
AESCHYLUS
House of Atreus, The, 378
Prometheus Bound, 786
AINSWORTH, WILLIAM HARRISON
Tower of London, The, 1008
Windsor Castle, 1117
ALAIN-FOURNIER
Wanderer, The, 1081
ALARC6N, PEDRO ANTONIO DE
Three-Cornered Hat, The, 978
ALCOTT, LOUISA MAY
Little Women, 515
ALDRICH, THOMAS BAILEY
Story of a Bad Boy, The, 927
ALLEN, HERVEY
Anthony Adverse, 34
ANDERSON, MAXWELL
Winterset, 1123
ANDERSON, SHERWOOD
Dark Laughter, 185
Poor White, 762
Winesburg, Ohio, 1121
APULEIUS, LUCIUS
Golden Ass of Lucius Apuleius, The, 309
ARISTOPHANES
Clouds.The, 152
Frogs, The, 297
Knights, The, 480
ASCH, SHOLEM
Apostle, The, 38
Nazarene, The, 645
AUSTEN, JANE
Emma, 246
Mansfield Park, 562
Persuasion, 734
Pride and Prejudice, 780
BALZAC, HONORfe DB
Cousin Bette, 166
Eug6nie Grander, 258
Father Goriot, 271
BARBUSSE, HENRI
Under Fire, 1047
BAROJA, PiO
Caesar or Nothing, 97
BARRJE, JAMES M.
Admirable Crichton, The, 10
Dear Brutus, 196
Little Minister, The, 513
Quality Street, 793
What Every Woman Knows, 1106
BAUM, VICKI
Grand Hotel, 318
BEACH, REX
Spoilers, The, 919
BELLAMANN, HENRY
King's Row, 478
BELLAMY, EDWARD
Looking Backward, 520
BEN£T, STEPHEN VINCENT
John Brown's Body, 445
BENNETT, ARNOLD
Clayhanger Trilogy, The, 148
Old Wives' Tale, The, 684
Riceyman Steps, 823
BJORNSON, BJORNSTJERNB
Arne, 42
BLACKMORE, R. D.
Lorna Doone, 524
BOJER, JOHAN
Emigrants, The, 244
BORROW, GEORGE HENRY
Lavengro, 501
Romany Rye, The, 849
BOURGET, PAUL
Disciple, The, 209
BOYD, JAMES
Drums, 228
Marching On, 566
BROMFIELD, LOUIS
Green Bay Tree, The, 331
BRONTE, ANNE
Tenant of Wildfell Hall, The, 965
BRONTE, CHARLOTTE
Jane Eyre, 432
BRONTE, EMILY
Wuthering Heights, 1137
BROWNING, ROBERT
Ring and the Book, The, 826
BUCHAN, JOHN
Thirty-Nine Steps, The, 972
BUCK, PEARL S.
Dragon Seed, 226
Good Earth, The, 313
BULLEN, FRANK T.
Cruise of the Cachalot, The, 178
BULWER-LYTTON, EDW. GEORGE EARIJB
Last Days of Pompeii, The, 490
Last of the Barons, The, 492
BUNYAN, JOHN
Pilgrim's Progress, The, 748
BUTLER, SAMUEL
Erewhon, 252
Way of All Flesh, The, 1097
BYRNE, DONN
Messer Marco Polo, 584
BYRON, GEORGE GORDON
Don Juan, 217
CABELL, JAMES BRANCH
Cream of the Jest, The, 168
Jurgen, 464
CABLE, GEORGE W.
Grandissimes, The. 320
AUTHOR INDEX
CALDWEIX, ERSKINE
Tobacco Road, 996
CARROLL, LEWIS
Alice in Wonderland, 21
GATHER, WILLA
Death Comes for the Archbishop, 199
Lost Lady, A, 529
My Antonia, 630
O Pioneers!, 663
Shadows on the Rock, 884
CELINE, LOUIS-FERDINAND
Journey to the End of the Night, 453
CERVANTES SAAVEDRA, MIGUEL DE
Don Quixote de la Mancha, 220
CHAUCER, GEOFFREY
Troilus and Criseyde, 1030
CHURCHILL, WINSTON
Crisis, The, 172
CLARK, WALTER VAN TILBURG
Ox-Bow Incident, The, 706
COLERIDGE, SAMUEL TAYLOR
Rime of the Ancient Mariner, The, 825
COLLINS, WILKIE
Moonstone, The, 623
No Name, 659
Woman in White, The, 1125
CONGREVE, WILLIAM
Way of the World, The, 1099
CONRAD, JOSEPH
Lord Jim, 522
Victory, 1067
COOPER, JAMES FENIMORE
Deerslayer, The, 203
Last of the Mohicans, The, 494
Pathfinder, The, 715
Pilot, The, 750
Pioneers, The, 753
Prairie, The, 776
Red Rover, The, 813
Spy, The, 921
CORNEILLE, PIERRE
Cid, The, 142
CRANE, STEPHEN
Maggie: A Girl of the Streets, 543
Red Badge of Courage, The, 811
CUMMINGS, E. E.
Enormous Room, The, 250
DANA, RICHARD HENRY, JR.
Two Years Before the Mast, 1033
DANTE ALIGHIERI
Divine Comedy, The, 211
DARWIN, CHARLES
Voyage of the Beagle, The, 1079
DAUDET, ALPHONSE
Sappho, 865
Tartarin of Tarascon, 956
DAVIS, H. L.
Honey in the Horn, 37 1
DAY, CLARENCE, JR.
Life With Father, 506
DEFOE, DANIEL
Moll Flanders, 614
Robinson Crusoe, 839
DE LA MARE, WALTER
Memoirs of a Midget, 577
DE MORGAN, WILLIAM
Joseph Vance, 450
DICKENS, CHARLES
Bleak House, 77
Christmas Carol, A, 139
David Copperfield, 189
Great Expectations, 326
Oliver Twist, 686
Pickwick Papers, 743
Tale of Two Cities, A, 945
DOS PASSOS, JOHN
Manhattan Transfer, 555
Three Soldiers, 984
U. S. A., 1051
DOSTOEVSKI, FYODOR MIKHAILOVICH
Brothers Karamazov, The, 88
Crime and Punishment, 170
Idiot, The, 415
Possessed, The, 771
DOUGLAS, LLOYD C.
Magnificent Obsession, The, 547
DOYLE, ARTHUR CONAN
Micah Clarke, 585
Study in Scarlet, A, 938
White Company, The, 1108
DREISER, THEODORE
American Tragedy, An, 29
Financier, The, 280
Sister Carrie, 895
Titan, The, 991
DUMAS, ALEXANDRA (FATHER)
Count of Monte-Cristo, The, 158
Three Musketeers, The, 981
Vicomte de Bragelonne, The, 1063
DUMAS, ALEXANDRE (SON)
Camille, 105
DU MAURIER, DAPHNE
Rebecca, 806
DU MAURIER, GEORGE
Peter Ibbetson, 736
Trilby, 1023
EDGEWORTH, MARIA
Castle Rackrent, 126
EDMONDS, WALTER D.
Drums Along the Mohawk, 230
Rome Haul, 851
EGGLESTON, EDWARD
Hoosier Schoolmaster, The, 373
ELIOT, GEORGE
Adam Bede, 8
Middlemarch, 588
Mill on the Floss, The, 593
Romola, 856
Silas Marner, 893
EURIPIDES
Alcestis, 16
Electra, 243
Medea, 573
FAULKNER, WILLIAM
Absalom, Absalom!, 5
Light in August, 509
Sanctuary, 862
Sound and the Fury, The, 917
FEUCHTWANGER, LION
Power, 773
Ugly Duchess, The, 1037
FIELDING, HENRY
Amelia, 24
Joseph Andrews, 448
Tom Jones, 1000
FISHER, VARDIS
Children of God, 137
II
AUTHOR INDEX
FITZGERALD, F. SCOTT
Great Gatsby, The, 329
FLAUBERT, GUSTAVE
Madame Bovary, 539
Salammbo, 860
Sentimental Education, A, 876
FOLK TRADITION
Beowulf, 68
Cadmus, 96
Cupid and Psyche, 180
Hercules and His Twelve Labors, 366
Jason and the Golden Fleece, 435
Orpheus and Eurydice, 700
Proserpine and Ceres, 789
FORESTER, C. S,
Captain Horatio Hornblower, 109
FORSTER, E. M,
Passage to India, A, 713
FRANCE, ANATOLE
Penguin Island, 729
Revolt of the Angels, The, 821
GABORIAU, IiMILE
File No. 113, 278
GALSWORTHY, JOHN
Forsyte Saga, The, 284
Justice, 466
Loyalties, 533
Modern Comedy, A, 612
Strife, 936
GARNETT, DAVID
Lady Into Fox, 486
GAUTIER, TH&DPHILE
Mademoiselle de Maupin, 542
GAY, JOHN
Beggar's Opera, The, 59
GIDE, ANDR£
Counterfeiters, The, 160
GILBERT, W. S.
H.M.S. Pinafore, 370
Mikado, The, 591
GISSING, GEORGE
New Grub Street, The, 647
GLASGOW, ELLEN
Barren Ground, 57
Romantic Comedians, The, 846
Sheltered Life, The, 891
GODWIN. WILLIAM
Caleb Williams, 101
GOETHE, JOHANN WOLFGANG VON
Faust, 276
Sorrows of Young Werther, The, 915
GOGOL, NIKOLAI V,
Dead Souls, 194
Taras Bulba, 954
GOLDSMITH, OLIVER
She Stoops to Conquer, 889
Vicar of Wakcfield, The, 1061
GORDON, CAROLINE
Aleck Maury, Sportsman, 17
GOURMONT, REMY DE
Night in the Luxembourg, A, 655
GRAVES, ROBERT
Claudius the God, 146
I, Claudius, 406
GUTHRIE, A. B., JR.
Big Sky, The, 76
HAGGARD, H. RIDER
King Solomon's Mines, 475
She, 886
HAKLUYT, RICHARD
Hakluyt's Voyages, 346
HALE, EDWARD EVERETT
Man Without a Country, The, 553
HALEVY, LUDOVIC
Abbe* Constamin, The, 1
HAMMETT, DASHIELL
Glass Key, The, 307
Maltese Falcon, The, 551
Thin Man, The, 970
HAMSUN, KNTUT
Growth of the Soil, 338
Hunger, 400
HARDY, THOMAS
Dynasts, The, 234
Far from the Madding Crowd, 266
Jude the Obscure, 455
Mayor of Casterbridge, The, 571
Return of the Native, The, 818
Tess of the d'Urbervilles, 965
HAWTHORNE, NATHANIEL
House of the Seven Gables, The, 383
Marble Faun, The, 564
Scarlet Letter, The, 867
HEGGEN, THOMAS
Mister Roberts, 605
HEMINGWAY, ERNEST
Farewell to Arms, A, 269
For Whom the Bell Tolls, 282
Sun Also Rises, The, 941
HERGESHEIMER, JOSEPH
Java Head, 437
Three Black Pennys, The, 976
HERSEY, JOHN
Bell for Adano, A, 64
HEYWARD, DuBOSE
Porgy, 764
HILTON, JAMES
Goodbye, Mr. Chips, 316
Lost Horizon, 527
HOMER
Iliad, The, 423
Odyssey, The, 665
HOPE, ANTHONY
Prisoner of Zenda, The, 784
HOWE, EDGAR WATSON
Story of a Country Town, The, 929
HOWELLS, WILLIAM DEAN
Rise of Silas Lapham, The, 828
HUDSON, W. H.
Green Mansions, 333
Purple Land, The, 791
HUGO, VICTOR
Hunchback of Notre Dame, The, 397
Misdrables, Les, 597
HUTCHINSON, A. S. M.
If Winter Comes, 421
HUXLEY, ALDOUS
Brave New World, 79
Crome Yellow, 177
Point Counter Point, 760
IBSEN, HENRIK
Doll's House, A, 216
Ghosts, 301
Hedda Gabler, 359
Peer Gynt, 722
Wild Duck, The, 1113
JACKSON, CHARLES
Lost Weekend, The, 531
AUTHOR INDEX
JAMES, HENRY
American, The. 27
Daisy Miller, 182
Portrait of a Lady, The, 766
JEFFERS, ROBINSON
Cawdor, 130
Roan Stallion, 835
Tamar, 948
JEWETT, SARAH ORJNTE
Country of the Pointed Firs, The, 163
JOHNSON, SAMUEL
Rasselas, 804
JONSON, BEN
Volpone, 1076
JOYCE, JAMES
Portrait of the Artist as a Young Man, A, 769
Ulysses, 1040
KAFKA, FRANZ
Castle, The, 122
Trial, The, 1020
KEATS, JOHN
Eve of St. Agnes, The, 263
KENNEDY, JOHN P.
Horseshoe Robinson, 376
KINGSLEY, CHARLES
Hereward the Wake, 367
Hypatia, 402
Westward Ho!, 1103
KIPLING, RUDYARD
Captains Courageous, 111
Jungle Books, The, 461
Kim, 473
KNIGHT, ERIC
This Above All, 974
KOESTLER, ARTHUR
Darkness at Noon, 187
LAGERLOF, SELMA
Story of Gosta Berling, The, 934
LAWRENCE, D. H.
Rainbow, The, 800
Sons and Lovers, 913
LAXNESS, HALLDOR
Independent People, 425
LE SAGE, ALAIN EJENE
Gil Bias of Santillane, 305
LEVER, CHARLES
Charles O'Malley, 133
LEWIS, SINCLAIR
Arrowsinith, 44
Babbitt, 50
Cass Timberlane, 120
Main Street, 549
LLEWELLYN, RICHARD
How Green Was My Valley, 385
LONDON, JACK
Call of the Wild, The, 103
Sea Wolf, The, 874
LONGFELLOW, HENRY WADSWORTH
Courtship of Miles Standish, The, 165
Evangeline, 261
Song of Hiawatha, The, 905
LONGUS
Daphnis and Chloe, 183
LOTI, PIERRE
Iceland Fisherman, An, 410
McFEE, WILLIAM
Casuals of the Sea, 128
MALORY, SIR THOMAS
Morte d' Arthur, Le, 625
MALRAUX, ANDRJ6
Man's Fate, 559
MANN, THOMAS
Buddenbrooks, 91
Magic Mountain, The, 545
MARLOWE, CHRISTOPHER
Jew of Malta, The, 444
Tamburlaine the Great, 950
MARQUAND, JOHN P.
Late George Apley, The, 499
Wickford Point, 1110
MARRYAT, FREDERICK
Mr. Midshipman Easy, 602
MARTIN DU GARD, ROGER
World of the Thibaults, The, 1130
MAUGHAM, W. SOMERSET
Cakes and Ale, 99
Moon and Sixpence, The, 621
Of Human Bondage, 670
MAUPASSANT, GUY DE
Bel-Ami, 62
Mont-Oriol, 618
Woman's Life, A, 1127
MELVILLE, HERMAN
Moby Dick, 609
Omoo, 689
Typee, 1035
MEREDITH, GEORGE
Diana of the Cross ways, 206
Egoist, The, 241
Ordeal of Richard Feverel, The, 692
MEREJKOWSKI, DMITRI
Death of the Gods, The, 201
M£RIM£E, PROSPER
Carmen, 116
MILTON, JOHN
Paradise Lost, 711
MITCHELL, SILAS WEIR
Hugh Wynne, Free Quaker, 390
Misanthrope, The, 595
Tartuffe, 959
MOLNAR, FERENC
Liliom, 511
MOORE, GEORGE
Esther Waters, 254
MORIER, JAMES
Hajji Baba of Ispahan, 343
NORDHOFF, CHARLES and
HALL, JAMES NORMAN
Mutiny on the Bounty, 628
NORRIS, FRANK
McTeague, 537
Pit, The, 756
OUIDA
Under Two Flags, 1049
PARKMAN, FRANCIS
Oregon Trail, The, 695
PEACOCK, THOMAS LOVE
Nightmare Abbey, 657
PIRANDELLO, LUIGI
Old and the Young, The, 676
POE, EDGAR ALLAN
Narrative of Arthur Gordon Pym, The, 640
POLO, MARCO
Travels of Marco Polo, The, 1011
IV
AUTHOR INDEX
POPE, ALEXANDER
Rape of the Lock, The, 802
PORTER, JANE
Thaddcns of Warsaw, 967
PREVOST, ABBE'
Manon Lescaut, 557
PRIESTLEY, J. B.
Good Companions, The, 311
PROUST, MARCEL
Remembrance of Things Past, 815
PUSHKIN, ALEXANDER
Captain's Daughter, The, 113
RABELAIS, FRANCOIS
Gargantua and Pantagruel, 298
RACINE, JEAN BAPTISTE
Phaedra, 741
RADCLIFJPE, MRS. ANN
Mysteries of Udolpho, The, 635
RAWLINGS, MARJORIE KINNAN
Yearling, The, 1140
READE, CHARLES
Cloister and the Hearth, The, 150
Peg Woifington, 724
REYMONT, LADISLAS
Peasants, The, 720
RICHARDSON, SAMUEL
Clarissa Harlowe, 143
Pamela, 708
RJCHTER, CONRAD
Sea of Grass, The, 872
ROBERTS, ELIZABETH MADOX
Time of Man, The, 989
ROBINSON, EDWIN ARLINGTON
Tristram, 1025
HOLLAND. ROMAIN
Jcan-Chnstophe, 439
ROLVAAG, O. JE.
Giants in the Earth, 303
RUSSELL, W. CLARK
Wreck of the Grosvenor, The, 1135
SAKI
Unbearable Bassiagton, The, 1042
SALTEN, FELIX
Barnbi, 52
SAND, GEORGE
Consuclo, 156
SANTAYANA, GEORGE
Last Puritan, The, 497
SAROYAN. WILLIAM
Human Comedy, The, 392
SASSOON, SIEGFRIED
Memoirs of a Fox -Hunting Man, 575
Memoirs of an Infantry Officer, 579
SCHILLER, JOHANN CHRISTOPH
FKIKIMUCII VON
William Tell, 1115
SCimittNKR, OUVli
Story of an African Farm, The, 932
SCOTT, MIUIAKL
Tom Cringle's Log, 997
SCOTT, SIR WALTER
Heart of Midlothian, The, 355
Ivanhoc, 430
Kenilworth, 469
Old Mortality, 6$l
Quentin Durward, 795
Rob Roy, 837
Wavcrley, 1094
SHAKESPEARE, WILLIAM
As You Like It, 46
Hamlet, Prince of Denmark, 348
Henry the Fifth, 364
Macbeth, 534
Merchant of Venice, The, 581
Othello, 701
Romeo and Juliet, 853
Tempest, The, 961
Venus and Adonis, 1060
SHELLEY, MARY GODWIN
Frankenstein, 295
SHELLEY, PERCY BYSSHE
Cenci, The, 131
Prometheus Unbound, 788
SHERIDAN, RICHARD BRINSLEY
Rivals, The, 831
School for Scandal, The, 869
SHERWOOD, ROBERT E.
Abe Lincoln in Illinois, 3
SHOLOKHOV, MIKHAIL
And Quiet Flows the Don, 30
SIENKIEWICZ, HENRYK
Quo Vadis, 797
SILONE, IGNAZIO
Bread and Wine, 81
SINCLAIR, UPTON
Jungle, The, 459
SINGMASTER, ELSIE
I Speak for Thaddeus Stevens, 408
SMITH, BETTY
Tree Grows in Brooklyn, A, 1018
SMOLLETT, TOBIAS
Humphry Clinker, 394
Peregrine Pickle, 731
Roderick Random, 841
SOPHOCLES
Antigone, 37
Oedipus Ty^annus, 668
SPENSER, EDMUND
Faerie Queene, The, 264
STEINBECK, JOHN
Grapes of Wrath, The, 324
Of Mice and Men, 672
STENDHAL
Charterhouse of Parma, The, 133
Red and the Black, The, 808
STEPHENS, JAMES
Crock of Gold, The, 175
STERNE, LAURENCE
Sentimental Journey, A, 879
Tmtram Shandy, 1027
STEVENS, JAMES
Paul Bunyan, 717
STEVENSON, ROBERT LOUIS
Black Arrow, The, 72
Dr. Jekyll and Mr. Hyde, 214
Kidnapped, 471
Master of Ballantrae, The, 568
1 ravels with a Donkey, 1014
Treasure Island, 1015
ST:LL, JAMES
River of Karth, 833
STONG, PHIL
State Fair, 925
STOWE, HARRIET BEECHER
Uncle Tom's Cabin, 1044
STUART, JESSE
Taps for Private Tussie, 952
SUDERMANN, HERMANN
Song of Songs, The. 910
V
AUTHOR INDEX
SUE, EUGENE
Masteries of Paris, The, 632
Wandering Jew, The, 1083
SURTEES, ROBERT SMITH
Handley Cross, 352
SWIFT, JONATHAN
Gulliver's Travels, 341
SWINNERTON, FRANK
Nocturne, 661
SYNGE, JOHN MILLINGTON
Playboy of the Western World, The, 758
L'ARKINGTON, BOOTH
Alice Adams, 20
Kate Fennigate, 467
Monsieur Beaucalre, 616
Seventeen, 882
TASSO, TORQUATO
Jerusalem Delivered, 441
TENNYSON, ALFRED
Enoch Arden, 249
Idylls of the King, The, 417
THACKERAY, WILLIAM MAKEPEACE
Henry Esmond, 361
Newcomes, The, 650
Pendenms, 726
Vanity Fair, 1056
Virginians, The, 1074
TOLSTOY, COUNT LEO
Anna Kare"nina, 32
Kreutzer Sonata, The, 481
War and Peace, 1085
TROLLOPE, ANTHONY
Barchester Towers, 55
Framley Parsonage, 293
Warden, The, 1092
TURGENEV, IVAN
Fathers and Sons, 273
Smoke, 897
Virgin Soil, 1069
TWAIN, MARK
Connecticut Yankee at King Arthur's Court,
A, 154
Huckleberry Finn, 387
Life on the Mississippi, 504
Roughing It, 858
Tom Sawyer, 1003
UNDSET, SIGRID
Kristin Lavransdatter, 483
UNKNOWN
Aucassin and Nicolette, 48
Grettir the Strong, 335
Nibelungenlied, The, 652
Song of Roland, The, 907
VAN VECHTEN, CARL
Peter Whiffle, 739
VERGILIUS MARO, PUBLIUS
Aeneid, The, 1 1
VERNE, JULES
Twenty Thousand Leagues Under the Sea,
1031
VOLTAIRE, FRANf OIS MARIE AROUET DE
Candida, 107
WALLACE, LEWIS (LEW)
Ben Hur; A Tale of the Christ, 66
WALPOLE, HORACE
Castle of Otranto, The, 124
WALPOLE, HUGH
Fortitude, 286
Fortress, The, 288
Judith Paris, 457
Rogue Herries, 844
Vanessa, 1054
WASSERMANN, JACOB
World's Illusion, The, 1133
WAUGH, EVELYN
Brideshead Revisited, 83
Edmund Campion, 237
Handful of Dust, A, 350
WEBB, MARY
Precious Bane, 778
WEBSTER, JOHN
Duchess of Main, The, 232
WELLS, H. G.
Invisible Man, The, 428
Mr. Britling Sees It Through, 600
Time Machine, The, 986
Tono-Bungay, 1006
War of the Worlds, The, 1090
WERFEL, FRANZ
Forty Days of Musa Dagh, The, 291
Song of Bernadette, The, 903
WESCOTT, GLENWAY
Apple of the Eye, The, 40
Grandmothers, The, 322
WEST, REBECCA
Black Lamb and Grey Falcon, 75
WESTCOTT, EDWARD NOYES
David Harum, 192
WHARTON, EDITH
Age of Innocence, The, 14
Ethan Frome, 256
House of Mirth, The, 380
Old Maid, The, 679
WHITTIER, JOHN GREENLEAF
Snow-Bound, 899
WILDE, OSCAR
Lady Windermere's Fan, 488
Picture of Dorian Gray, The, 746
WILDER, THORNTON
Bridge of San Luis Rey, Ther 86
Cabala, The, 94
Heaven's My Destination, 357
Ides of March, The, 413
Our Town, 704
WISTER, OWEN
Virginian, The, 1072
WOLFE, THOMAS
Look Homeward, Angel, 517
Of Time and the River, 674
Web and the Rock, The, 1101
You Can't Go Home Again, 1 142
WOOLF. VIRGINIA
Mrs. Dalloway, 607
Orlando, 698
To the Lighthouse, 993
WRIGHT, RICHARD
Native Son, 643
WYSS, JTOHANN RUDOLF
Swiss Family Robinson, The, 943
YOUNG, STARK
So Red the Rose, 901
ZOLA, &MILE
Downfall, The, 223
Nana, 638
ZWEIG, ARNOLD
Case of Sergeant Grischa, The, 118
VI
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