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THE
MEDIAEVAL MIND
A HISTORY OF THE DEVELOPMENT
OF THOUGHT AND EMOTION
IN THE MIDDLE AGES
BY
HENRY OSBORN TAYLOR
IN TWO VOLUMES
VOL. II
MACMILLAN AND CO., LIMITED
ST. MARTIN'S STREET, LONDON
191 1
CONTENTS
BOOK IV
THE IDEAL AND THE ACTUAL: SOCIETY
(continued]
CHAPTER XXV
I'AGE
THE HEART OF HELOISE . 3
CHAPTER XXVI
GERMAN CONSIDERATIONS : WALTHER VON DER VOGELWEIDE 28
CHAPTER XXVII
SCRIPTURAL ALLEGORIES IN THE EARLY MIDDLE AGES ;
HONORIUS OF AUTUN . . 4 '
CHAPTER XXVIII
THE RATIONALE OF THE VISIBLE WORLD: HUGO OF ST.
VICTOR .,»«' -.. -. ,/; 60
vi THE MEDIAEVAL MIND
CHAPTER XXIX
PAGE
CATHEDRAL AND MASS ; HYMN AND IMAGINATIVE POEM 76
I. Guilelmus Durandus and Vincent of Beauvais.
II. The Hymns of Adam of St. Victor and the
Antidaudianus of Alanus of Lille.
BOOK VI
LATINITY AND LAW
CHAPTER XXX
THE SPELL OF THE CLASSICS . . ". . . .107
1. Classical Reading.
II. Grammar.
III. The Effect upon the Mediaeval Man; Hildebert of
Lavardin.
CHAPTER XXXI
EVOLUTION OF MEDIAEVAL LATIN PROSE . . . .148
CHAPTER XXXII
EVOLUTION OF MEDIAEVAL LATIN VERSE . . . .186
I. Metrical Verse.
II. Substitution of Accent for Quantity.
III. Sequence-Hymn and Student-Song.
IV. Passage of Themes into the Vernacular.
CONTENTS vit
CHAPTER XXXIII
rA(.K
MEDIAEVAL APPROPRIATION OF THE ROMAN LAW . 4 , 231
I. The Fontes Juris Civilis.
II. Roman and Barbarian Codification.
III. The Mediaeval Appropriation.
IV. Church Law.
V. Political Theorizing.
BOOK VII
ULTIMATE INTELLECTUAL INTERESTS OF
THE TWELFTH AND THIRTEENTH CEN-
TURIES
CHAPTER XXXIV
SCHOLASTICISM : SPIRIT, SCOPE, AND METHOD . ,..> .„' 283
CHAPTER XXXV
CLASSIFICATION OF TOPICS ; STAGES OF EVOLUTION . . 311
I. Philosophic Classification of the Sciences ; the
Arrangement of Vincent's Encyclopaedia, of the
Lombard's Sentences, of Aquinas's Summa theo-
logiae.
II. The Stages of Development : Grammar, Logic, Meta-
logics.
CHAPTER XXXVI
TWELFTH-CENTURY SCHOLASTICISM . . . ... 338
I. The Problem of Universals : Abaelard.
II. The Mystic Strain : Hugo and Bernard.
III. The Later Decades: Bernard Silvestris ; Gilbert de
la Porrde ; William of Conches ; John of Salisbury,
and Alanus of Lille.
viii THE MEDIAEVAL MIND
CHAPTER XXXVII
FA(,K
THE UNIVERSITIES, ARISTOTLE, AND THE MENDICANTS . . 378
CHAPTER XXXVIII
BONA VENTURA 40 2
CHAPTER XXXIX
ALBERTUS MAGNUS 420
CHAPTER XL
THOMAS AQUINAS 433
I. Thomas's Conception of Human Beatitude.
II. Man's Capacity to know God.
III. How God knows.
IV. How the Angels know.
V. How Men know.
VI. Knowledge through Faith perfected in Love.
CHAPTER XLI
ROGER BACON . . 484
CHAPTER XLII
DUNS SCOTUS AND OCCAM 509
CHAPTER XLIII
THE MEDIAEVAL SYNTHESIS : DANTE . i v» K -,.<> • • 525
INDEX . \ 561
BOOK IV
THE IDEAL AND THE ACTUAL:
SOCIETY
(Continued}
VOL. II i B
CHAPTER XXV
THE HEART OF HELOISE
THE romantic growth and imaginative shaping of chivalric
love having been followed in the fortunes of its great
exemplars, Tristan, Iseult, Lancelot, Guinevere, Parzival, a
different illustration of mediaeval passion may be had by
turning from these creations of literature to an actual
woman, whose love for a living man was thought out as
keenly and as tragically felt as any heart-break of imagined
lovers, and was impressed with as entire a self-surrender as
ever ravished the soul of nun panting with love of the
God-man.
There has never been a passion between a man and
woman more famous than that which brought happiness
and sorrow to the lives of Abaelard and Heloi'se. Here
fame is just. It was a great love, and its course was a
perfect soul's tragedy. Abaelard was a celebrity, the
intellectual glory of an active-minded epoch. His love-
story has done as much for his posthumous fame as all his
intellectual activities. Heloi'se became known in her time
through her relations with Abaelard ; in his songs her name
was wafted far. She has come down to us as one of the
world's love-heroines. Yet few of those who have been
touched by her story have known that Heloi'se was a great
woman, possessed of an admirable mind, a character which
proved its strength through years, and, above all, a capacity
for loving — for loving out to the full conclusions of love's
convictions, and for feeling in their full range and power
whatever moods and emotions could arise from an unhappy
situation and a passion as deeply felt as it was deeply
thought upon.
3
4 THE MEDIAEVAL MIND BOOK iv
Abaelard was not a great character — aside from his
intellect. He was vain and inconsiderate, a man who
delighted in confounding and supplanting his teachers, and
in being a thorn in the flesh of all opponents. But he
became chastened through his misfortunes and through
Helolse's high and self-sacrificing love. In the end, perhaps,
his love was worthy of the love of Helo'fse. Yet her love
from the beginning was nobler and deeper than his love of
her. Love was for him an incident in his experience, then
an element in his life. Love made the life of Helolse ; it
remained her all. Moreover, in the records of their passion,
Helo'fse's love is unveiled as Abaelard's is not. For all
these reasons, the heart of Heloi'se rather than the heart
of Abaelard discloses the greatness of a love that wept itself
out in the twelfth century, and it is her love rather than his
that can teach us much regarding the mediaeval capacity for
loving. Hers is a story of mediaeval womanhood, and sin,
and repentance perhaps, with peace at last, or at least the
lips shut close and further protest foregone.
Abaelard's stormy intellectual career1 and the story
of the love between him and the canon's niece are well
known. Let us follow him in those parts of his narrative
which disclose the depth and power of Helo'fse's love for
him. We draw from his Historia calamitatum, written " to
a friend," apparently an open letter intended to circulate.
" There was," writes he, referring to the time of his
sojourn in Paris, when he was about thirty-six years old,
and at the height of his fame as a lecturer in the schools —
"There was in Paris a young girl named Heloi'se, the niece of
a canon, Fulbert. It was his affectionate wish that she should
have the best education in letters that could be procured. Her face
was not unfair, and her knowledge was unequalled. This attainment,
so rare in women, had given her great reputation.
" I had hitherto lived continently, but now was casting my eyes
about, and I saw that she possessed every attraction that lovers
seek ; nor did I regard my success as doubtful, when I considered
my fame and my goodly person, and also her love of letters.
Inflamed with love, I thought how I could best become intimate
with her. It occurred to me to obtain lodgings with her uncle, on
, Chapter XXXVI., i.
CHAP, xxv THE HEART OF HELOlSE 5
the plea that household cares distracted me from study. Friends
quickly brought this about, the old man being miserly and yet
desirous of instruction for his niece. He eagerly entrusted her to
my tutorship, and begged me to give her all the time I could take
from my lectures, authorizing me to see her at any hour of the day
or night, and punish her when necessary. I marvelled with what
simplicity he confided a tender lamb to a hungry wolf. As he had
given me authority to punish her, I saw that if caresses would not
win my object, I could bend her by threats and blows. Doubtless
he was misled by love of his niece and my own good reputation.
Well, what need to say more : we were united first by the one roof
above us, and then by our hearts. Our hours of study were given
to love. The books lay open, but our words were of love rather
than philosophy, there were more kisses than aphorisms ; and love
was oftener reflected in our eyes than the lettered page. To avert
suspicion, I struck her occasionally — very gentle blows of love.
The joy of love, new to us both, brought no satiety. The more I
was taken up with this pleasure, the less time I gave to philosophy
and the schools — how tiresome had all that become ! I became
unproductive, merely repeating my old lectures, and if I composed
any verses, love was their subject, and not the secrets of philosophy ;
you know how popular and widely sung these have become. But
the students ! what groans and laments arose from them at my
distraction ! A passion so plain was not to be concealed ; every
one knew of it except Fulbert. A man is often the last to know of
his own shame. Yet what everybody knows cannot be hid forever,
and so after some months he learned all. Oh how bitter was that
uncle's grief ! and what was the grief of the separated lovers ! How
ashamed I was, and afflicted at the affliction of the girl ! And what
a storm of sorrow came over her at my disgrace. Neither com-
plained for himself, but each grieved at what the other must
endure."
Although Abaelard was moved at the plight of Heloi'se,
he bitterly felt his own discomfiture in the eyes of the once
admiring world. But the sentence touching HeloKse is a
first true note of her devoted love : what a storm of sorrow
(moeroris aestus} came over her at my disgrace. Through
this trouble and woe, Helo'fse never thought of her own
pain save as it pained her to be the source of grief to
Abaelard.
Abaelard continues :
"The separation of our bodies joined our souls more closely
and inflamed our love. Shame spent itself and made us unashamed,
so small a thing it seemed compared with satisfying love. Not long
6 THE MEDIAEVAL MIND BOOK iv
afterwards the girl knew that she was to be a mother, and in the
greatest exultation wrote and asked me to advise what she should
do. One night, as we agreed on, when Fulbert was away I bore
her off secretly and sent her to my own country, Brittany, where
she stayed with my sister till she gave birth to a son, whom she
named Astralabius.
" The uncle, on his return to his empty house, was frantic. He
did not know what to do to me. If he should kill or do me some
bodily injury, he feared lest his niece, whom he loved, would suffer
for it among my people in Brittany. He could not seize me, as I
was prepared against all attempts. At length, pitying his anguish,
and feeling remorse at having caused it, I went to him as a suppliant
and promised whatever satisfaction he should demand. I assured
him that nothing in my conduct would seem remarkable to any one
who had felt the strength of love or would take the pains to recall
how many of the greatest men had been thrown down by women,
ever since the world began. Whereupon I offered him a satisfaction
greater than he could have hoped, to wit, that I would marry her
whom I had corrupted, if only the marriage might be kept secret so
that it should not injure me in the minds of men. He agreed and
pledged his faith, and the faith of his friends, and sealed with kisses
the reconciliation which I had sought — so that he might more
easily betray me ! "
It will be remembered that Abaelard was a clerk, a
clericus, in virtue of his profession of letters and theology.
Never having taken orders, he could marry ; but while a
clerk's slip could be forgotten, marriage might lead people
to think he had slighted his vocation, and would certainly
bar the ecclesiastical preferment which such a famous clericus
might naturally look forward to. Nevertheless, he at once
set out to fetch Helolse from Brittany, to make her his wife.
The stand which she now took shows both her mind
and heart :
" She strongly disapproved, and urged two reasons against the
marriage, to wit, the danger and the disgrace in which it would
involve me. She swore — and so it proved — that no satisfaction
would ever appease her uncle. She asked how she was to have any
glory through me when she should have made me inglorious, and
should have humiliated both herself and me. What penalties would
the world exact from her if she deprived it of such a luminary ;
what curses, what damage to the Church, what lamentations of
philosophers, would follow on this marriage. How indecent, how
lamentable would it be for a man whom nature had made for all, to
declare that he belonged to one woman, and subject himself to such
CHAP, xxv THE HEART OF HELOlSE 7
shame. From her soul, she detested this marriage which would be
so utterly ignominious for me, and a burden to me. She expatiated
on the disgrace and inconvenience of matrimony for me and quoted
the Apostle Paul exhorting men to shun it. If I would not take
the apostle's advice or listen to what the saints had said regarding
the matrimonial yoke, I should at least pay attention to the
philosophers — to Theophrastus's words upon the intolerable evils
of marriage, and to the refusal of Cicero to take a wife after he had
divorced Terentia, when he said that he could not devote himself
to a wife and philosophy at the same time. ' Or,' she continued,
laying aside the disaccord between study and a wife, ' consider what
a married man's establishment would be to you. What sweet accord
there would be between the schools and domestics, between copyists
and cradles, between books and distaffs, between pen and spindle !
Who, engaged in religious or philosophical meditations, could
endure a baby's crying and the nurse's ditties stilling it, and all the
noise of servants? Could you put up with the dirty ways of
children ? The rich can, you say, with their palaces and apartments
of all kinds ; their wealth does not feel the expense or the daily
care and annoyance. But I say, the state of the rich is not that of
philosophers ; nor have men entangled in riches and affairs any
time for the study of Scripture or philosophy. The renowned
philosophers of old, despising the world, fleeing rather than
relinquishing it, forbade themselves all pleasures, and reposed in
the embraces of philosophy.' "
Speaking thus, Helolse fortified her argument with
quotations from Seneca, and the examples of Jewish and
Gentile worthies and Christian saints, and continued :
" It is not for me to point out — for I would not be thought to
instruct Minerva — how soberly and continently all these men lived
who, according to Augustine and others, were called philosophers
as much for their way of life as for their knowledge. If laymen
and Gentiles, bound by no profession of religion, lived thus, surely
you, a clerk and canon, should not prefer low pleasures to sacred
duties, nor let yourself be sucked down by this Charybdis and
smothered in filth inextricably. If you do not value the privilege
of a clerk, at least defend the dignity of a philosopher. If
reverence for God be despised, still let love of decency temper
immodesty. Remember, Socrates was tied to a wife, and through
a nasty accident wiped out this blot upon philosophy, that others
afterwards might be more cautious; which Jerome relates in his
book against Jovinianus, how once when enduring a storm of
Xanthippe's clamours from the floor above, he was ducked with
slops, and simply said, ' I knew such thunder would bring rain.'
8 THE MEDIAEVAL MIND BOOK w
" Finally she said that it would be dangerous for me to take her
back to Paris ; it was more becoming to me, and sweeter to her, to
be called my mistress, so that affection alone might keep me hers
and not the binding power of any matrimonial chain ; and if we
should be separated for a time, our joys at meeting would be the
dearer for their rarity. When at last with all her persuasions and
dissuasions she could not turn me from my folly, and could not
bear to offend me, with a burst of tears she ended in these words :
' One thing is left : in the ruin of us both the grief which follows
shall not be less than the love which went before.' Nor did she
here lack the spirit of prophecy."
Helo'fse's reasonings show love great and true and her
absolute devotion to Abaelard's interests. None the less
striking is her clear intelligence. She reasoned correctly ;
she was right, the marriage would do great harm to Abaelard
and little good to her. We see this too, if we lay aside our
sense of the ennobling purity of marriage — a sentiment not
commonly felt in the twelfth century. Marriage was holy
in the mind of Christ. But it did not preserve its holiness
through the centuries which saw the rise of monasticism and
priestly celibacy. A way of life is not pure and holy when
another way is holier and purer ; this is peculiarly true
in Christianity, which demands the ideal best with such
intensity as to cast reflection on whatever falls below the
highest standard. From the time of the barbarian inroads,
on through the Carolingian periods, and into the later
Middle Ages, there was enough barbarism and brutality to
prevent the preservation, or impede the development, of a
high standard of marriage. Not monasticism, but his own
half-barbarian, lustful heart led Charlemagne to marry and
remarry at will, and have many mistresses besides. It was
the same with the countless barons and mediaeval kings,
rude and half civilized. This was barbarous lust, not due
to the influence of monasticism. But, on the other hand,
it was always the virgin or celibate state that the Church
held before the eyes of all this semi-barbarous laity as the
ideal for a Christian man or woman. The Church sanctioned
marriage, but hardly lauded it or held it up as a condition
in which lives of holiness and purity could be led. Such
were the sentiments in which Helo'fse was born and bred.
They were subconscious factors in her thoughts regarding
CHAP, xxv THE HEART OF HELOISE 9
herself and her lover. Devoted and unselfish was her love ;
undoubtedly Helo'fse would have sacrificed herself for
Abaelard under any social conditions. Nevertheless, with
her, marriage added little to love ; it was a mere formal
and binding authorization ; love was no purer for it. To
her mind, for a man in Abaelard's situation to be entangled
in a temporary amour was better than to be chained to his
passion, with his career irrevocably ruined, in marriage. In
so far as her thoughts or Abaelard's were influenced by the
environment of priestly thinking, marriage would seem a
rendering permanent of a passionate and sinful state, which
it were best to cast off altogether. For herself, as she said
truly, the marriage would bring obloquy rather than re-
instatement. She had been mistress to a clerk ; marriage
would make her the partner of his abandonment of his
vocation, the accomplice of broken purposes if not of broken
vows. And finally, as there was then no line of disgrace as
now between bastard and lawful issue, Helo'fse had no
thought that the interests of her son demanded that his
mother should become his father's wife.
"Leaving our sdn in my sister's care, we stole back to Paris,
and shortly after, having in the night celebrated our vigils in a
certain church, we were married at dawn in the presence of her
uncle and some of his and our friends. We left at once separately
and with secrecy, and afterwards saw each other only in privacy, so
as to conceal what we had done. But her uncle and his household
began at once to announce the marriage and violate his word ;
while she, on the contrary, protested vehemently and swore that it
was false. At that he became enraged and treated her vilely.
When I discovered this I sent her to the convent of Argenteuil,
near Paris, where she had been educated. There I had her take
the garb of a nun, except the veil. Hearing this, the uncle and his
relations thought that I had duped them, ridding myself of Heloise
by making her a nun. So having bribed my servant, they came
upon me by night, when I was sleeping, and took on me a vengeance
as cruel and irretrievable as it was vile and shameful. Two of the
perpetrators were pursued and vengeance taken.
" In the morning the whole town was assembled, crying and
lamenting my plight, especially the clerks and students ; at which I
was afflicted with more shame than I suffered physical pain. I
thought of my ruined hopes and glory, and then saw that by God's
just judgment I was punished where I had most sinned, and that
10 THE MEDIAEVAL MIND BOOK iv
Fulbert had justly avenged treachery with treachery. But what a
figure I should cut in public ! how the world would point its finger
at me ! I was also confounded at the thought of the Levitical law,
according to which I had become an abomination to the Church.1
In this misery the confusion of shame — I confess it — rather than
the ardour of conversion drove me to the cover of the cloister, after
she had willingly obeyed my command to take the veil. I became
a monk in the abbey of St. Denis, and she a nun in the convent
of Argenteuil. Many begged her not to set that yoke upon her
youth ; at which, amid her tears, she broke out in Cornelia's lament :
' O great husband ! undeserving of my couch ! Has fortune rights
over a head so high ? Why did I, impious, marry thee to make
thee wretched ? Accept these penalties, which I gladly pay.' 2
With these words, she went straight to the altar, received the veil
blessed by the bishop, and took the vows before them all.'
Abaelard's Historia calamitatum now turns to troubles
having no connection with Heloi'se : his difficulties with the
monks of St. Denis, with other monks, with every one, in
fact, except his scholars ; his arraignment before the Council
of Soissons, the public burning of his book, De Unitate et
Trinitate divina, and various other troubles, till, seeking a
retreat, he constructed an oratory on the bank of the
Ardisson. He named it the Paraclete, and there he taught
and lectured. He was afterwards elected abbot of a
monastery in Brittany, where he discovered that those under
him were savage beasts rather than monks. Here the
Historia calamitatum was written.
The monks of St. Denis had never ceased to hate
Abaelard for his assertion that their great Saint was not
really Dionysius the Areopagite who heard Paul preach.
Their abbot now brought forward and proved an ancient
title to the land where stood the convent of Argenteuil, " in
which," to resume Abaelard's account,
"she, once my wife, now my sister in Christ, had taken the veil,
and was at this time prioress. The nuns were rudely driven out.
News of this came to me as a suggestion from the Lord to bethink
me of the deserted Paraclete. Going thither, I invited Heloi'se and
her nuns to come and take possession. They accepted, and I gave
it to them. Afterward Pope Innocent II. confirmed this grant to
them and their successors in perpetuity. There for a time they
1 Lev. xxi. 20; Deut. xxiii. I. 2 Lucan, Pharsalta, viii. 94.
CHAP, xxv THE HEART OF HELOISE 1 1
lived in want ; but soon the Divine Pity showed itself the true
Paraclete, and moved the people of the neighbourhood to take
compassion on them, and they soon knew no lack. Indeed as
women are the weaker sex, their need moves men more readily to
pity, and their virtues are the more grateful to both God and man.
And on our sister the Lord bestowed such favour in the eyes of all,
that the bishops loved her as a daughter, the abbots as a sister, the
laity as a mother ; and all wondered at her piety, her wisdom, and
her gentle patience in everything. She rarely let herself be seen,
that she might devote herself more wholly to prayers and meditations
in her cell ; but all the more persistently people sought her spiritual
counsel."
What were those meditations and those prayers uttered
or unuttered in that cell ? They did not always refer to the
kingdom of heaven, judging from the abbess's first letter to
her former lover. After the installation of Heloifse and her
nuns, Abaelard rarely visited the Paraclete, although his
advice and instruction was desired there. His visits gave
rise to too much scandal. In the course of time, however,
the Historia calamitatum came into the hands of Heloi'se,
and occasioned this letter, which seems to issue forth out of
a long silence ; ten years had passed since she became a
nun. The superscription is as follows :
"To her master, rather to a father, to her husband, rather to a
brother, his maid or rather daughter, his wife or rather sister, to
Abaelard, Heloi'se.
"Your letter, beloved, written to comfort a friend, chanced
recently to reach me. Seeing by its first lines from whom it was, I
burned to read it for the love I bear the writer, hoping also from
its words to recreate an image of him whose life I have ruined.
Those words dropped gall and absinthe as they brought back the
unhappy story of our intercourse and thy ceaseless crosses, O my
only one. Truly the letter must have convinced the friend that
his troubles were light compared with yours, as you showed the
treachery and persecutions which had followed you, the calumnies
of enemies and the burning of your glorious book, the machinations
of false brothers, and the vile acts of those worthless monks whom
you call your sons. No one could read it with dry eyes. Your
perils have renewed my griefs ; here we all despair of your life and
each day with trembling hearts expect news of your death. In the
name of Christ, who so far has somehow preserved thee for himself,
deign with frequent letters to let these weak servants of Him and
thee know of the storms overwhelming the swimmer, so that we who
12 THE MEDIAEVAL MIND BOOK iv
alone remain to thee may be participators of thy pain or joy. One
who grieves may gain consolation from those grieving with him ; a
burden borne by many is more lightly borne. And if this tempest
abates, how happy shall we be to know it. Whatever the letters
may contain they will show at least that we are not forgotten. Has
not Seneca said in his letter to Lucilius, that the letters of an absent
friend are sweet? When no malice can stop your giving us this
much of you, do not let neglect prove a bar.
" You have written that long letter to console a friend with the
story of your own misfortunes, and have thereby roused our grief
and added to our desolation. Heal these new wounds. You owe
to us a deeper debt of friendship than to him, for we are not only
friends, but friends the dearest, and your daughters. After God,
you alone are the founder of this place, the builder of this oratory
and of this congregation. This new plantation for a holy purpose
is your own ; the delicate plants need frequent watering. He who
gives so much to his enemies, should consider his daughters. Or,
leaving out the others here, think how this is owing me from thee :
what thou owest to all women under vows, thou shalt pay more
devotedly to thine only one. How many books have the holy
fathers written for holy women, for their exhortation and instruction !
I marvel at thy forgetfulness of these frail beginnings of our
conversion. Neither respect of God nor love of us nor the example
of the blessed fathers, has led thee by speech or letter to console
me, cast about, and consumed with grief. This obligation was the
stronger, because the sacrament of marriage joined thee to me, and
I — every one sees it — cling to thee with unmeasured love.
" Dearest, thou knowest — who knows not ? — how much I lost
in thee, and that an infamous act of treachery robbed me of thee
and of myself at once. The greater my grief, the greater need of
consolation, not from another but from thee, that thou who art
alone my cause of grief may be alone my consolation. It is thou
alone that canst sadden me or gladden me or comfort me. And
thou alone owest this to me, especially since I have done thy will
so utterly that, unable to offend thee, I endured to wreck myself at
thy command. Nay, more than this, love turned to madness and
cut itself off from hope of that which alone it sought, when I
obediently changed my garb and my heart too in order that I might
prove thee sole owner of my body as well as of my spirit. God
knows, I have ever sought in thee only thyself, desiring simply thee
and not what was thine. I asked no matrimonial contract, I looked
for no dowry ; not my pleasure, not my will, but thine have I
striven to fulfil. And if the name of wife seemed holier or more
potent, the word mistress (arnica} was always sweeter to me, or even
— be not angry ! — concubine or harlot ; for the more I lowered my-
self before thee, the more I hoped to gain thy favour, and the less I
CHAP, xxv THE HEART OF HELOISE 13
should hurt the glory of thy renown. This thou didst graciously
remember, when condescending to point out in that letter to a friend
some of the reasons (but not all !) why I preferred love to wedlock
and liberty to a chain. I call God to witness that if Augustus, the
master of the world, would honour me with marriage and invest me
with equal rule, it would still seem to me dearer and more honour-
able to be called thy strumpet than his empress. He who is rich
and powerful is not the better man : that is a matter of fortune, this
of merit. And she is venal who marries a rich man sooner than a
poor man, and yearns for a husband's riches rather than himself.
Such a woman deserves pay and not affection. She is not seeking
the man but his goods, and would wish, if possible, to prostitute
herself to one still richer. Aspasia put this clearly when she was
trying to effect a reconciliation between Xenophon and his wife :
' Until you come to think that there is nowhere else a better man
or a woman more desirable, you will be continually looking for
what you think to be the best, and will wish to be married to the
man or woman who is the very best.' This is indeed a holy, rather
than a philosophical sentiment, and wisdom, not philosophy, speaks.
This is the holy error and blessed deception between man and wife,
when affection perfect and unimpaired keeps marriage inviolate not
so much by continency of body as by chastity of mind. But what
with other women is an error, is, in my case, the manifest truth :
since what they suppose in their husbands, I — and the whole world
agrees — know to be in thee. My love for thee is truth, being free
from all error. Who among kings or philosophers can vie with your
fame ? What country, what city does not thirst to see you ? Who,
I ask, did not hurry to see you appearing in public and crane his
neck to catch a last glimpse as you departed? What wife, what
maid did not yearn for you absent, and burn when you were
present? What queen did not envy me my joys and couch?
There were in you two qualities by which you could draw the soul
of any woman, the gift of poetry and the gift of singing, gifts which
other philosophers have lacked. As a distraction from labour, you
composed love-songs both in metre and in rhyme, which for their
sweet sentiment and music have been sung and resung and have
kept your name in every mouth. Your sweet melodies do not
permit even the illiterate to forget you. Because of these gifts
women sighed for your love. And, as these songs sung of our
loves, they quickly spread my name in many lands, and made me
the envy of my sex. What excellence of mind or body did not
adorn your youth ? No woman, then envious, but now would pity
me bereft of such delights. What enemy even would not now be
softened by the compassion due me ?
" I have brought thee evil, thou knowest how innocently. Not
the result of the act but the disposition of the doer makes the
I4 THE MEDIAEVAL MIND BOOK iv
crime ; justice does not consider what happens, but through what
intent it happens. My intent towards thee thou only hast proved
and alone canst judge. I commit everything to thy weighing and
submit to thy decree.
" Tell me one thing : why, after our conversion, commanded by
thee, did I drop into oblivion, to be no more refreshed by speech
of thine or letter ? Tell me, I say, if you can, or I will say what I
feel and what every one suspects : desire rather than friendship drew
you to me, lust rather than love. So when desire ceased, whatever
you were manifesting for its sake likewise vanished. This, beloved,
is not so much my opinion as the opinion of all. Would it were
only mine and that thy love might find defenders to argue away my
pain. Would that I could invent some reason to excuse you and
also cover my cheapness. Listen, I beg, to what I ask, and it will
seem small and very easy to you. Since I am cheated of your
presence, at least put vows in words, of which you have a store, and
so keep before me the sweetness of thine image. I shall vainly
expect you to be bountiful in acts if I find you a miser in words.
Truly I thought that I merited much from you, when I had done
all for your sake and still continue in obedience. When little more
than a girl I took the hard vows of a nun, not from piety but at
your command. If I merit nothing from thee, how vain I deem
my labour ! I can expect no reward from God, as I have done
nothing from love of Him. Thee hurrying to God I followed, or
rather went before. For, as you remembered how Lot's wife turned
back, you first delivered me to God bound with the vow, and then
yourself. That single act of distrust, I confess, grieved me and
made me blush. God knows, at your command I would have
followed or preceded you to fiery places. For my heart is not with
me, but with thee ; and now more than ever, if not with thee it is
nowhere, for it cannot exist without thee. That my heart may be
well with thee, see to it, I beg ; and it will be well if it finds thee
kind, rendering grace for grace — a little for much. Beloved, would
that thy love were less sure of me so that it might be more
solicitous ; I have made you so secure that you are negligent.
Remember all I have done and think what you owe. While I
enjoyed carnal joy with you, many people were uncertain whether I
acted from love or lust. Now the end makes clear the beginning ;
I have cut myself off from pleasure to obey thy will. I have kept
nothing, save to be more than ever thine. Think how wicked it
were in thee where all the more is due to render less, nothing
almost ; especially when little is asked, and that so easy for you.
In the name of God to whom you have vowed yourself, give me
that of thee which is possible, the consolation of a letter. I promise,
thus refreshed, to serve God more readily. When of old you would
call me to pleasures, you sought me with frequent letters, and never
CHAP, xxv THE HEART OF HELOISE 15
failed with thy songs to keep thy Heloise on every tongue; the
streets, the houses re-echoed me. How much fitter that you should
now incite me to God than then to lust ? Bethink thee what thou
owest ; heed what I ask ; and a long letter I will conclude with a
brief ending : farewell only one ! "
Remarks upon this letter would seem to profane a shrine
— had the man profaned that shrine? He had not always
worshipped there. Heloise knew this, for all her love. She
said it too, writing in phraseology which had been brutalized
through the denouncing spirit of Latin monasticism. How
truly she puts the situation and how clearly she thinks
withal, discerning as it were the beautiful and true in love
and marriage. The whole letter is well arranged, and written
in a style showing the writer's training in Latin mediaeval
rhetoric. It was not the less deeply felt because composed
with care and skill. Evidently the writer is of the Middle
Ages ; her occasional prolixity was not of her sex but of
her time ; and she quotes the ancients so naturally ; what
they say should be convincing. How the letter bares the
motives of her own conduct : not for God's sake, or the
kingdom of heaven's sake, but for Abaelard's sake she
became a nun. She had no inclination thereto ; her letters
do not indicate that she ever became really and spontaneously
devoted to her calling. Abaelard was her God, and as her
God she held him to the end ; though she applied herself
to the consideration of religious topics, as we shall see.
Moreover, her position as nun and abbess could not fail to
force such topics on her consideration.
Is there another such love-letter, setting forth a situation
so triple-barred and hopeless ? And the love which fills the
letter, which throbs and burns in it, which speaks and argues
in it, how absolute is this love. It is love carried out to its
full conclusions ; it includes the whole woman and the whole
of her life ; whatever lies beyond its ken and care is scorned
and rejected. This love is extreme in its humility, and yet
realizes its own purity and worth ; it is grieved at the
thought of rousing a feeling baser than itself. Heloi'se had
been and still was Heloise, devoted and self-sacrificing in
her love. But the situation has become torture ; her heart
is filled with all manner of pain, old and new, till it is driven
16 THE MEDIAEVAL MIND BOOK iv
to assert its right at least to consolation. Thus Helolse's
love becomes insistent and requiring. Was it possibly
burdensome to the man who now might wish to think no
more of passion ? who might wish no longer to be loved in
that way? In his reply Abaelard does not unveil himself;
he seems to take an attitude which may have been the most
faithful expression that he could devise of his changed self.
"To Heloise his beloved sister in Christ, Abaelard her brother
in the Same."
This superscription was a gentle reminder of their present
relationship — in Christ The writer begins : his not having
written since their conversion was to be ascribed not to his
negligence, but to his confidence in her wisdom ; he did not
think that she who, so full of grace, had consoled her sister
nuns when prioress, could as abbess need teaching or
exhortation for the guidance of her daughters ; but if, in
her humility, she felt the need of his instruction in matters
pertaining to God, she might write, and he would answer,
as the Lord should grant. Thanks be to God who had
filled their hearts — hers and her nuns — with solicitude for
his perils, and had made them participators in his afflictions ;
through their prayers the divine pity had protected him.
He had hastened to send the Psalter, requested by his sister,
formerly dear to him in the world and now most dear in
Christ, to assist their prayers. The potency of prayer, with
God and the saints, and especially the prayer of women for
those dear to them, is frequently declared in Scripture ; he
cites a number of passages to prove it. May these move
her to pray for him. He refers with affectionate gratitude
to the prayers which the nuns had been offering for him,
and encloses a short prayer for his safety, which he begs and
implores may be used in their daily canonical hours. If the
Lord, however, delivers him into the hands of his enemies
to kill him, or if he meet his death in any way, he begs that
his body may be brought to the Paraclete for burial, so that
the sight of his sepulchre may move his daughters and
sisters in Christ to pray for him ; no place could be so safe
and salutary for the soul of one bitterly repenting of his sins,
as that consecrated to the true Paraclete — the Comforter ;
CHAP, xxv THE HEART OF HELOISE 17
nor could fitter Christian burial be found than among women
devoted by their vows to Christ. He begs that the great
solicitude which they now have for his bodily safety, they
will then have for the salvation of his soul, and by the
suffrage of their prayer for the dead man show how they
had loved him when alive. The letter closes, not with a
personal word to Heloi'se, but with this distich :
" Vive, vale, vivantque tuae valeantque sorores,
Vivite, sed Christo, quaeso, mei memores."
Thus as against Helolse's beseeching love, Abaelard
lifted his hands, palms out, repelling it. His letter ignored
all that filled the soul and the letter of Heloifse. His reply
did not lack words of spiritual affection, and its tone was
not as formal then as it now seems. When Abaelard asked
for the prayers of HeloYse and her nuns, he meant it ; he
desired the efficacy of their prayers. Then he wished to be
buried among them. We are touched by this ; but, again,
Abaelard meant it, as he said, for his soul's welfare ; it was
no love sentiment. The letter stirred the heart of Heloifse
to a rebellious outcry against the cruelty of God, if not of
Abaelard, a soul's cry against life and the calm attitude of
one who no longer was — or at least meant to be no longer
— what he had been to her.
" To her only one, next to Christ, his only one in Christ.
" I wonder, my only one, that contrary to epistolary custom and
the natural order of things, in the salutation of your letter you have
placed me before you, a woman before a man, a wife before a
husband, a servant before her lord, a nun before a monk and priest,
a deaconess before an abbot. The proper order is for one writing
to a superior to put his own name last, but when writing to an
inferior, the writer's name should precede. We also marvelled, that
where you should have afforded us consolation, you added to our
desolation, and excited the tears you should have quieted. How
could we restrain our tears when reading what you wrote towards
the end : ' If the Lord shall deliver me into the hand of my enemies
to slay me ' ! Dearest, how couldst thou think or say that ? May
God never forget His handmaids, to leave them living when you are
no more ! May He never allot to us that life, which would be
harder than any death ! It is for you to perform our obsequies and
commend our souls to God, and send before to God those whom
you have gathered for Him — that you may have no further anxiety,
and follow us the more gladly because assured of our safety.
VOL. II C
18 THE MEDIAEVAL MIND BOOK iv
Refrain, my lord, I beg, from making the miserable most miserable
with such words ; destroy not our life before we die. ' Sufficient
unto the day is the evil thereof — and that day will come to all with
bitterness enough. ' What need,' says Seneca, ' to add to evil, and
destroy life before death ? '
" Thou askest, only one, that, in the event of thy death when
absent from us, we should have thy body brought to our cemetery,
in order that, being always in our memory, thou shouldst obtain
greater benefit from our prayers. Did you think that your memory
could slip from us? How could we pray, with distracted minds?
What use of tongue or reason would be left to us? When the
mind is crazed against God it will not placate Him with prayer
so much as irritate Him with complaints. We could only weep,
pressing to follow rather than bury you. How could we live after
we had lost our life in you ? The thought of your death is death
to us ; what would be the actuality ? God grant we shall not have
to pay those rites to one from whom we look for them ; may we go
before and not follow ! A heart crushed with grief is not calm, nor
is a mind tossed by troubles open to God. Do not, I beg, hinder
the divine service to which we are dedicated,
" What remains of hope for me when thou art gone ? Or what
reason to continue in this pilgrimage, where I have no solace save
thee ? and of thee I have but the bare knowledge that thou dost live,
since thy restoring presence is not granted me. Oh ! — if it is right
to say it — how cruel has God been to me ! Inclement Clemency !
Fortune has emptied her quiver against me, so that others have
nothing to fear ! If indeed a single dart were left, no place could
be found in me for a new wound. Fortune fears only lest I escape
her tortures by death. Wretched and unhappy ! in thee I was lifted
above all women ; in thee am I the more fatally thrown down.
What glory did I have in thee ! what ruin have I now ! Fortune
made me the happiest of women that she might make me the most
miserable. The injury was the more outrageous in that all ways of
right were broken. While we were abandoned to love's delights, the
divine severity spared us. When we made the forbidden lawful and
by marriage wiped out fornication's stains, the Lord's wrath broke on
us, impatient of an unsullied bed when it long had borne with one
defiled. A man taken in adultery would have been amply punished
by what came to you. What others deserved for adultery, that
you got from the marriage which you thought had made amends for
everything. Adulteresses bring their paramours what your own wife
brought you. Not when we lived for pleasure, but when, separated,
we lived in chastity, you presiding at the Paris schools, I at thy
command dwelling with the nuns at Argenteuil ; you devoted to
study, I to prayer and holy reading ; it was then that you alone
paid the penalty for what we had done together. Alone you bore
CHAP, xxv THE HEART OF HELOlSE 19
the punishment, which you deserved less than I. When you had
humiliated yourself and elevated me and all my kin, you little
merited that punishment either from God or from those traitors.
Miserable me, begotten to cause such a crime ! O womankind ever
the ruin of the noblest men ! 1
" Well the Tempter knows how easy is man's overthrow through
a wife. He cast his malice over us, and the man whom he could
not throw down through fornication, he tried with marriage,
using a good to bring about an evil where evil means had failed.
I thank God at least for this, that the Tempter did not draw
me to assent to that which became the cause of the evil deed.
Yet, although in this my mind absolves me, too many sins had gone
before to leave me guiltless of that crime. For long a servant of
forbidden joys, I earned the punishment which I now suffer of
past sins. Let the evil end be attributed to ill beginnings ! May
my penitence be meet for what I have done, and may long remorse
in some way compensate for the penalty you suffered ! What once
you suffered in the body, may I through contrition bear to the end
of life, that so I may make satisfaction to thee if not to God. To
confess the infirmities of my most wretched soul, I can find no
penitence to offer God, whom I never cease to accuse of utter
cruelty towards you. Rebellious to His rule, I offend Him with
indignation more than I placate Him with penitence. For that
cannot be called the sinner's penitence where, whatever be the body's
suffering, the mind retains the will to sin and still burns with the
same desires. It is easy in confession to accuse oneself of sins,
and also to do penance with the body ; but hard indeed to turn the
heart from the desire of its greatest joys ! 2 Love's pleasures, which
we knew together, cannot be made displeasing to me nor driven
from my memory. Wherever I turn, they press upon me, nor do
they spare my dreams. Even in the solemn moments of the Mass,
when prayer should be the purest, their phantoms catch my soul.
When I should groan for what I have done, I sigh for what I have
lost. Not only our acts, but times and places stick fast in my mind,
and my body quivers. O truly wretched me, fit only to utter this
cry of the soul : ' Wretched that I am, who shall deliver me from the
body of this death ? ' Would I could add with truth what follows : —
* I thank God through Jesus Christ our Lord.' Such thanksgiving,
dearest, may be thine, by one bodily ill cured of many tortures of
the soul, and God may have been merciful where He seemed
against you ; like a good physician who does not spare the pain
needed to save life. But I am tortured with passion and the fires
of memory. They call me chaste, who do not know me for a
1 Heloise here in mediaeval fashion cites a number of examples from Scripture
showing the ills and troubles brought by women to men.
2 Again she quotes to prove this, from Job and St. Gregory and Ambrose.
20 THE MEDIAEVAL MIND BOOK iv
hypocrite. They look upon purity of the flesh as virtue — which is
of the soul, not of the body. Having some praise from men, I merit
none from God, who knows the heart. I am called religious at a
time when most religion is hypocrisy, and when whoever keeps from
offence against human law is praised. Perhaps it seems praise-
worthy and acceptable to God, through decent conduct, — whatever
the intent — to avoid scandalizing the Church or causing the Lord's
name to be blasphemed or the religious Order discredited. Perhaps
it may be of grace just to abstain from evil. But the Scripture says,
' Refrain from evil and do good ' ; and vainly he attempts either who
does not act from love of God. God knows that I have always
feared to offend thee more than I feared to offend Him ; and have
desired to please thee rather than Him. Thy command, not the
divine love, put on me this garb of religion. What a wretched life
I lead if I vainly endure all this here and am to have no reward
hereafter. My hypocrisy has long deceived you, as it has others,
and therefore you desire my prayers. Have no such confidence ; I
need your prayers ; do not withdraw their aid. Do not take away
the medicine, thinking me whole. Do not cease to think me needy ;
do not think me strong; do not delay your help. Cease from
praising me, I beg. No one versed in medicine will judge of inner
disease from outward view. Thy praise is the more perilous because
I love it, and desire to please thee always. Be fearful rather than
confident regarding me, so that I may have the help of your care.
Do not seek to spur me on, by quoting, ' For strength is made
perfect in weakness,' or ' He is not crowned unless he have contended
lawfully.' I am not looking for the crown of victory ; enough for
me to escape peril ; — safer to shun peril than to wage war ! In
whatever little corner of heaven God puts me, that will satisfy me.
Hear what Saint Jerome says : ' I confess my weakness ; I do not
wish to fight for the hope of victory, lest I lose.' Why give up
certainties to follow the uncertain ? "
This letter gives a view of Helctfse's mind, its strong
grasp and its capacity for reasoning, though its reasoning is
here distraught with passion. Scathingly, half-blinded by
her pain, she declares the perversities of Providence, as they
glared upon her. Such a disclosure of the woman's mind
suggests how broadly based in thought and largely reared was
that great love into which her whole soul had been poured,
the mind as well as heart. Her love was great, unique, not
only from its force of feeling, but from the power and scope
of thought by which passion and feeling were carried out so
far and fully to the last conclusions of devotion. The letter
also shows a woman driven by stress of misery to utter cries
CHAP, xxv THE HEART OF HELOISE 21
and clutch at remedies that her calmer self would have put
by. It is not hypocrisy to conceal the desires or imaginings
which one would ' never act upon. To tell these is not true
disclosure of oneself, but slander. Torn by pain, Helo'fse
makes herself more vile and needy than in other moments
she knew herself to be. Yet the letter also uncovers her,
and in nakedness there is some truth. Doubtless her nun's
garb did clothe a hypocrite. Whatever she felt — and here
we see the worst she felt — before the world she had to act
the nun. We shall soon see how she forced herself to act,
or be, the nun toward Abaelard.
Abaelard replied in a letter filled with religious argument
and consolation. It was self-controlled, firm, authoritative,
and strong in those arguments regarding God's mercy which
have stood the test of time. If they sometimes fail to satisfy
the embittered soul, at least they are the best that man
has known. And withal, the letter is calmly and nobly
affectionate — what place was there for love's protestations ?
They would have increased the evil, adding fuel to Heloise's
passionate misery.
The master-note is struck in the address : " To the
spouse of Christ, His servant." The letter seeks to turn
Helo'fse's thoughts to her nun's calling and her soul's salva-
tion. It divides her expressions of complaint under four
heads. First, he had put her name first, because she had
become his superior from the moment of her bridal with his
master Christ. Jerome writing to Eustochium called her
Lady, when she had become the spouse of Jerome's Lord.
Abaelard shows, with citations from the Song of Songs, the
glory of the spouse, and how her prayers should be sought
by one who was the servant of her Husband. Second, as to
the terrors roused in her by his mention of his peril and
possible death, he points out that in her first letter she had
bidden him write of those perils ; if they brought him death,
she should deem that a kind release. She should not wish
to see his miseries drawn out, even for her sake. Third, he
shows that his praise of her was justified even by her dis-
claimer of merit — as it is written, Who humbles himself shall
be exalted. He warns her against false modesty which may
be vanity.
22 THE MEDIAEVAL MIND BOOK iv
He turns at last to the old and ceaseless plaint which
she makes against God .for cruelty, when she should rather
glorify Him ; he had thought that that bitterness had
departed, so dangerous for her, so painful to him. If she
wished to please him, let her lay it aside ; retaining it, she
could not please him or advance with him to blessedness ; let
her have this much religion, not to separate herself from him
hastening to God ; let her take comfort in their journeying to
the same goal. He then shows her that his punishment
was just as well as merciful ; he had deserved it from God
and also from Fulbert. If she will consider, she will see in it
God's justice and His mercy ; God had saved them from ship-
wreck ; had raised a barrier against shame and lust For
himself the punishment was purification, not privation ; will
not she, as his inseparable comrade, participate in the work-
ings of this grace, even as she shared the guilt and its
pardon ? Once he had thought of binding her to him in
wedlock ; but God found a means to turn them both to Him ;
and the Lord was continuing His mercy towards her, causing
her to bring forth spiritual daughters, when otherwise she
would only have borne children in the flesh ; in her the curse
of Eve is turned to the blessing of Mary. God had purified
them both ; whom God loveth He correcteth. Oh ! let her
thoughts dwell with the Son of God, seized, dragged, beaten,
spit upon, crowned with thorns, hung on a vile cross. Let
her think of Him as her spouse, and for Him let her make
lament ; He bought her with himself, He loved her. In
comparison with His love, his own (Abaelard's) was lust,
seeking the pleasure it could get from her. If he, Abaelard,
had suffered for her, it was not willingly nor for her sake, as
Christ had suffered, and for her salvation. Let her weep for
Him who made her whole, not for . her corrupter ; for her
Redeemer, not for her defiler ; for the Lord who died for her,
not for the living servant, himself just freed from the death.
Let his sister accept with patience what came to her in mercy
from Him who wounded the body to save the soul.
"We are one in Christ, as through marriage we were one flesh.
Whatever is thine is not alien to me. Christ is thine, because thou
art His spouse. And now thou hast me for a servant, who formerly
was thy master — a servant united to thee by spiritual love. I trust
CHAP, xxv THE HEART OF HELOlSE 23
in thy pleading with Him for such defence as my own prayers may
not obtain. That nothing may hinder this petition I have composed
this prayer, which I send thee : ' O God, who formed woman from
the side of man and didst sanction the sacrament of marriage ; who
didst bestow upon my frailty a cure for its incontinence ; do not
despise the prayers of thy handmaid, and the prayers which I pour
out for my sins and those of my dear one. Pardon our great crimes,
and may the enormity of our faults find the greatness of thy ineffable
mercy. Punish the culprits in the present ; spare, in the future.
Thou hast joined us, Lord, and hast divided us, as it pleased thee.
Now complete most mercifully what thou hast begun in mercy ;
and those whom thou hast divided in this world, join eternally in
heaven, thou who art our hope, our portion, our expectation, our
consolation, Lord blessed forever. Amen.'
" Farewell in Christ, spouse of Christ ; in Christ farewell and in
Christ liva Amen."
In her next letter Heloi'se obeys, and turns her pen if
not her thoughts to the topics suggested by Abaelard's
admonitions. The short scholastically phrased address
cannot be rendered in any modern fashion : " Domino
specialiter sua singulariter."
" That you may have no further reason to call me disobedient,
your command shall bridle the words of unrestrained grief; in
writing I will moderate my language, which I might be unable to
do in speech. Nothing is less in our power than our heart ; which
compels us to obey more often than it obeys us. When our
affections goad us, we cannot keep the sudden impulse from
breaking out in words ; as it is written, ' From the fulness of the heart
the mouth speaketh.' So I will withhold my hand from writing
whenever I am unable to control my words. Would that the
sorrowing heart were as ready to obey as the hand that writes !
You can afford some remedy to grief, even when unable to dispel
it quite. As one nail driven in drives out another, a new thought
pushes away its predecessor, and the mind is freed for a time. A
thought, moreover, takes the mind up and leads it from others more
effectually, if the subject of the thought is excellent and of great
importance."
The rest of this long letter shows Helolse putting her
principles in practice. She is forcing her mind to consider
and her pen to discourse upon topics which might properly
occupy an abbess's thoughts — topics, moreover, which
would satisfy Abaelard and call forth long letters in reply.
Whether she cared really for these matters or ever came
24 THE MEDIAEVAL MIND BOOK iv
to care for them ; or whether she turned to them to distract
her mind and keep up some poor makeshift of intercourse
with one who would and could no longer be her lover ; or
whether all these motives mingled, and in what proportion,
perhaps may best be left to Him who tries the heart.
The abbess writes :
"All of us here, servants of Christ and thy daughters, make
two requests of thy fathership which we deem most needful. The
one is, that you would instruct us concerning the origins of the
order of nuns and the authority for our calling. The other is, that
you would draw up a written regula, suitable for women, which shall
prescribe and set the order and usages of our convent We do not
find any adequate regula for women among the works of the holy
Fathers. It is a manifest defect in monastic institutions that the
same rules should be imposed upon both monks and nuns, and
that the weaker sex should bear the same monastic yoke as the
stronger."
Heloi'se, having set this task for Abaelard, proceeds to
show how the various monastic regulae^ from Benedict's
downward, failed to make suitable provision for the habits
and requirements and weaknesses of women, the regidae
hitherto having been concerned with the weaknesses of men.
She enters upon matters of clothing and diet, and every-
thing concerning the lives of nuns. She writes as one
learned in Scripture and the writings of the Fathers, and
sets the whole matter forth, in its details, with admirable
understanding of its intricacies. She concludes, reminding
Abaelard that it is for him in his lifetime to set a regula
for them to follow forever ; after God, he is their founder.
They might thereafter have some teacher who would build
in alien fashion ; such a one might have less care and
understanding, and might not be as readily obeyed as
himself; it is for him to speak, and they will listen. Vale.
The first of Helo'fse's letters is a great expression of a
great love ; in the second, anguish drives the writer's hand ;
in the third, she has gained self-control ; she suppresses her
heart, and writes a letter which is discursive and impersonal
from the beginning to the little Vale at the end.
Abaelard returned a long epistle upon the Scriptural
origin of the order of nuns, and soon followed it with
another, still longer, containing instruction, advice, and rules
CHAP, xxv THE HEART OF HELOISE 25
for the nuns of the Paraclete. He also wrote them a letter
upon the study of Scripture. From this time forth he
proved his devotion to Helo'fse and her nuns by the large
body of writings which he composed for their edification.
Helofse sent him a long list of questions upon obscure
phrases and knotty points of Scripture, which he answered
diligently in detail.1 He then sent her a collection of
hymns written or " rearranged " by himself for the use of
the nuns, accompanied by a prefatory letter : " At thy
prayers, my sister Helo'fse, once dear to me in the world,
now most dear in Christ, I have composed what in Greek
are called hymns, and in Hebrew tillitn." He then explains
why, yielding to the requests of the nuns, he had written
hymns, of which the Church had such a store.
Next he composed for them a large volume of sermons,
which he also sent with a letter to Helo'fse : " Having
completed the book of hymns and sequences, revered in
Christ and loved sister Helo'fse, I have hastened to compose
some sermons for your congregation ; I have paid more
attention to the meaning than the language. But perhaps
an unstudied style is well suited to simple auditors. In
composing and arranging these sermons I have followed the
order of Church festivals. Farewell in the Lord, servant
of His, once dear to me in the world, now most dear in
Christ : in the flesh then my wife, now my sister in the
spirit and partner in our sacred calling."
At a subsequent period, when his opinions were con-
demned by the Council of Sens, he sent to Helo'fse a
confession of faith. Shortly afterward his stormy life
found a last refuge in the monastery of Cluny. His closing
years (of peace ?) are described in a letter to Helo'fse from
the good and revered abbot, Peter the Venerable. He
writes that he had received with joy the letter which her
affection had dictated,2 and now took the first opportunity
to express his recognition of her affection and his reverence
for herself. He refers to her keenly prosecuted studies
1 Heloise's last problems, did not relate to Scripture, and may have been
suggested by her own life. " We ask whether one can sin in doing what is
permitted or commanded by the Lord ? " Abaelard answers with a discussion
of what is permissible between man and wife.
2 This letter of Heloise is not extant.
26 THE MEDIAEVAL MIND BOOK iv
(so rare for women) before taking the veil, and then to the
glorious example of her sage and holy life in the nun's
sacred calling — her victory over the proud Prince of this
World. His admiration for her was deep ; his expression
of it was extreme. A learned, wise, and holy woman could
not be praised more ardently than Helofse is praised by this
good man. He had spoken of the advantages his monastery
would have derived from her presence, and then continued :
" But although God's providence denied us this, it was granted
us to enjoy the presence of him — who was yours — Master Peter
Abaelard, a man always to be spoken of with honour as a true servant
of Christ and a philosopher. The divine dispensation placed him
in Cluny for his last years, and through him enriched our monastery
with treasure richer than gold. No brief writing could do justice
to his holy, humble, and devoted life among us. I have not seen
his equal in humility of garb and manner. When in the crowd of
our brethren I forced him to take a first place, in meanness of
clothing he appeared as the last of all. Often I marvelled, as the
monks walked past me, to see a man so great and famous thus
despise and abase himself. He was abstemious in food and drink,
refusing and condemning everything beyond the bare necessities.
He was assiduous in study, frequent in prayer, always silent unless
compelled to answer the question of some brother or expound sacred
themes before us. He partook of the sacrament as often as possible.
Truly his mind, his tongue, his act, taught and exemplified religion,
philosophy, and learning. So he dwelt with us, a man simple and
righteous, fearing God, turning from evil, consecrating to God the
latter days of his life. At last, because of his bodily infirmities, I
sent him to a quiet and salubrious retreat on the banks of the
Saone. There he bent over his books, as long as his strength
lasted, always praying, reading, writing, or dictating. In these
sacred exercises, not sleeping but watching, he was found by the
heavenly Visitor ; who summoned him to the eternal wedding-feast
not as a foolish but as a wise virgin, bearing his lamp filled with
oil — the consciousness of a holy life. When he came to pay
humanity's last debt, his illness was brief. With holy devotion he
made confession of the Catholic Faith, then of his sins. The
brothers who were with him can testify how devoutly he received
the viaticum of that last journey, and with what fervent faith he
commended his body and soul to his Redeemer. Thus this master,
Peter, completed his days. He who was known throughout the
world by the fame of his teaching, entered the school of Him who
said, ' Learn of me, for I am meek and lowly of heart ' ; and con-
tinuing meek and lowly he passed to Him, as we may believe.
CHAP, xxv THE HEART OF HELOISE 27
" Venerable and dearest sister in the Lord, the man who was
once joined to thee in the flesh, and then by the stronger chain of
divine love, him in thy stead, or as another thee, the Lord holds
in His bosom ; and at the day of His coming, His grace will restore
him to thee."
The abbot afterwards visited the Paraclete, and on
returning to Cluny received this letter from the abbess :
"God's mercy visiting us, we have been visited by the favour of
your graciousness. We are glad, kindest father, and we glory that
your greatness condescended to our insignificance. A visit from
you is an honour even to the great. The others may know the great
benefit they received from the presence of your highness. I cannot
tell in words, or even comprehend in thought, how beneficial and
how sweet your coming was to me. You, our abbot and our lord,
celebrated mass with us the sixteenth of the Calends of last
December ; you commended us to the Ho}y Spirit ; you nourished
us with the Divine Word ; — you gave us the body of the master, and
confirmed that gift from Cluny. To me also, unworthy to be your
servant, though by word and letter you have called me sister, you
gave as a pledge of sincere love the privilege of a Tricenarium, to
be performed by the brethren of Cluny, after my death, for the
benefit of my soul. You have promised to confirm this under your
seal. May you fulfil this, my lord. Might it please you also to
send to me that other sealed roll, containing the absolution of the
master, that I may hang it on his tomb. Remember also, for the
love of God, our — and your — Astralabius, to obtain for him a
prebend from the bishop of Paris or another. Farewell. May God
preserve you, and grant to us sometime your presence."
The good abbot replied with a kind and affectionate
letter, confirming his gift of the Tricenarium, promising to
do all he could for Astralabius, and sending with his letter
the record of Abaelard's absolution, as follows :|
" I, Peter, Abbot of Cluny, who received Peter Abaelard to be
a monk in Cluny, and granted his body, secretly transported, to
the Abbess Heloise and the nuns of the Paraclete, absolve him, in
the performance of my office (pro officio) by the authority of the
omnipotent God and all the saints, from all his sins."
Abaelard died in the year 1142, aged sixty-three.
Twenty-one years afterward Helo'fse died at the same age,
and was buried in the same tomb with him at the
Paraclete :
" Hoc tumulo abbatissa jacet prudens Heloissa."
CHAPTER XXVI
GERMAN CONSIDERATIONS : WALTHER VON DER
VOGELWEIDE
A CRITICISM of the world of feudalism, chivalry, and love
may be had from the impressions and temperamental re-
actions of a certain thinking atom revolving in the same.
The atom referred to was Walther von der Vogelweide, a
German, a knight, a Minnesinger, and a national poet whose
thoughts were moved by the instincts of his caste and race.
In language, temperament, and character, the Germans
east of the Rhine were Germans still in the thirteenth
century. They had accepted, and even vitally appropriated,
Latin Christianity ; those of them who were educated had
received a Latin education. Yet their natures, though
somewhat tempered, showed largely and distinctly German.
Moreover, through the centuries, they had acquired — or
rather they had never lost — a national antipathy toward
those Roman papal well-springs of authority, which seemed
to suck back German gold and lands in return for spiritual
assurance and political betrayal.
A different and already mediaevalized element had also
become part of German culture, to wit, the matter of the
French Arthurian romances and the lyric fashions of
Provence, which, working together, had captivated modish
German circles from the Rhine to the Danube. Neverthe-
less the German character maintained itself in the Minne-
lieder which followed Provencal poetry, and in the hofisch
(courtly) epics which were palpable translations from the
French.1 The distinguished group of German poets whose
1 The Tristan of Gottfried von Strassburg and the Parzival of Wolfram
von Eschenbach have been given. One may also refer to works of older
28
CHAP, xxvi THE GERMAN VIEW 29
lives fall around the year 1200, were as German as their
language, although they borrowed from abroad the form
and matter of their compositions.
There could be no better Germans than the two most
thoughtful of this group, Wolfram von Eschenbach and
Walther von der Vogelweide. Most Germanically the
former wrestled with that ancient theme, " from suffering,
wisdom," which he pressed into the tale of Parzival. His
great poem, achieved with toil and sweat, was mighty in
its climaxes, and fit to strengthen the hearts of those men
who through sorrow and loneliness and despair's temptations
were growing " slowly wise."
The virtues which Wolfram praised and embodied in his
hero were those praised in the verses, and even, one may
think, strugglingly exemplified in the conduct, of Walther von
der Vogelweide,1 most famous of Minnesingers, and a power
in the German lands through his Spruche, or verses personal
and political. Less is known of his life than of his whole
and manly views, his poetic fancies, his musings, his hopes,
and great depressions. Many places have claimed the honour
of his birth, which took place somewhat before 1 1 70. He
was poor, and through his youth and manhood moved about
from castle to castle, and from court to court, seeking to win
some recompense for his excellent verses and good company.
Thus he learned much of men, " climbing another's stairs,"
with his fellows, at the Landgraf Hermann's Wartburg, or at
the Austrian ducal Court.
Walther's Spruche render his moods most surely, and
reflect his outlook on the world. His charming Minnelieder
bear more conventional evidence. The courtly German love-
songs passing by this name were affected by the conceits
and conventions of the Provengal poetry upon which they
contemporaries, e.g. to the Aeneid of Heinrich von Veldeke, translated (1184)
from a French rendering of Virgil ; and the two courtly narrative poems, the
Erec and Ivain (Knight of the Lion) taken from Chretien of Troies by
Hartmann von Aue, who flourished as the twelfth century was passing into the
thirteenth.
1 On Walther von der Vogelweide, see Wilmann, Leben und Dichtung
Walther s, etc. (Bonn, 1882); Schonbach, Walther von der Vogelweide (2nd ed.,
Berlin, 1895). The citations from his poems in this chapter follow the Pfeiffer-
Bartsch edition.
30 THE MEDIAEVAL MIND BOOK iv
were modelled. A strong nature might use such with power,
or break with their influence. Walther made his own the
high convention of trouvere and troubadour, that love uplifts
the lover's being. Besides this, and besides the lighter
forms and phrases current in such poetry, his Lieder carry
natural feeling, joy, and moral levity, according to the theme ;
they also may express Walther's convictions.
To take examples: Walther's Tagelied^ imitates the
Provencal alba (dawn), in which knight and truant lady
bewail the coming of the light and the parting which it
brings. Far more joyous, and as immoral as one pleases,
is Unter der Ltnde, most famous of his songs. Mar-
vellously it gives the mood of love's joy remembered — and
anticipated too. The immorality is complete (if we will be
serious), and is rendered most alluring by the utter gladness
of the girl's song — no repentance, no regret ; only joy and
roguish laughter.
Walther was young, he was a knight and a Minnesinger ;
he had doubtless loved, in this way ! His love-songs have
plenty to say of the red mouth, good for kissing — I care not
who knows it either. But he also realizes, and greatly sings,
the height and breadth and worth of love the true and
stable, the blessing and completion of two lives, which comes
to a false heart never.2 He seems to feel it necessary to
defend love for itself, perhaps because marriage was taken
more seriously in this imitative German literature than in
the French and Provencal originals : " Who says that love is
sin, let him consider well. Many an honour dwells with her,
and troth and happiness. If one does ill to the other, love
is grieved. I do not mean false love ; that were better
named un-love. No friend of that, am I." But his
thoughts turn quickly to love as a lasting union : " He
happy man, she happy woman, whose hearts are to each
other true ; both lives increased in price and worth ; blessed
their years and all their days." 3
Giving play to his caustic temper, Walther puts scorn
upon the light of love : " Fool he who cannot understand
what joy and good, love brings. But the light man is ever
1 No. 3 in the Pfeiffer-Bartsch edition.
2 184. * 33-
CHAP, xxvi THE GERMAN VIEW 31
pleased with light things, as is fit ! " 1 This Minnesinger
applied most earnest standards to life ; lofty his praise of the
qualities of womanhood, which are better than beauty or
riches : " woman " is a higher word than " lady " 2 — it took
a German to say this. " He who carries hidden sorrow in
his heart, let him think upon a good woman — he is freed." *
With a burst of patriotism, in one of his greatest poems
Walther praises German women as the best in all the world.4
But even in the Minnelieder, Walther has his despond-
encies. One of the most definite, and possibly conventional,
was regret for love's labour lost, and the days of youth
spent in service of an ungracious fair. The poet wonders hovr
it is that he who has helped other men is tongue-tied before
his lady. Again, his reflections broaden from thoughts of
unresponsive fair ones to a conviction of life's thanklessness.
" I have well served the World (Frau Welt, Society), and
gladly would serve her more, but for her evil thanks and her
way of preferring fools to me. . . . Come, World, give me
better greeting — the loss is not all mine." He knows his
good unbending temper which will not endure to hear ill
spoken of the upright. But he thinks, what is the use ?
why speak so sweetly, why sing, when virtue and beauty
are so lightly held, and every one does evil, fearing nought ?
The verse which carries these reflections is tossing in the
squally haven of Society ; soon the poet will encounter the
wild sea without. Still from the windy harbour comes one
grand lament over art's decline : " The worst songs please,
frogs' voices ! Oh, I laugh from anger ! Lady World, no
score of mine is on your devil's slate. Many a life of man
and woman have I made glad — might I so have gladdened
mine ! Here, I make my Will, and bequeath my goods
— to the envious my ill-luck, my sorrows to the liars, my
follies to false lovers, and to the ladies my heart's pain." *
He makes a solemn offering of his poems : " Good women,
worthy men, a loving greeting is my due. Forty years have
I sung fittingly of love; and now, take my songs which
gladden, as my gift to you. Your favour be my return.
And with my staff I will fare on, still wooing worth with
1 22. 2 14, 16,69. 8 18. * 39.
6 See Lieder, 46, 51, 56, 59, 61, 62, 71, 72, 75, 76, 77.
32 THE MEDIAEVAL MIND BOOK iv
undisheartened work, as from my childhood. So shall I be,
in lowly lot, one of the Noble — for me enough."
To relish Walther's love-songs, one need not know
whether she was dark or fair, kept forest-tryst or listened by
some castle's hearth, or in what German land that castle
stood. Likewise in his Spruche, which have other bearing,
the roll of his protesting voice carries the universal human.
To comprehend them it were well to know that life was then
as now niggardly in rewarding virtue ; beyond this, one
needs to have the type-idea of the Empire and the Papacy,
those two powers which were set, somewhat antagonistically,
on the decree of God ; both claiming the world's headship ;
the one, Roman in tradition, but in strength and temper
German, and of this world decidedly. The other, Roman
in the genius of its organization, and Christian in its sub-
ordination of the life below to the life to come, if not in the
methods of establishing this consummation ; Christian too,
but more especially mediaeval, in its formal disdain for
whatever belonged to earth. In Germany these two partial
opposites were further antagonized, since the native resources
recoiled from the foreign drain upon them, and the struggling
patriotism of a broken land resented the pressure of a state
within and above the state of duke and king and emperor.
In Walther's time Innocent III. swayed the nations from
Peter's throne. Just before Innocent's accession, Germany's
able emperor, Henry VI., died suddenly in Sicily (Septem-
ber 1197), leaving an heir not two years old. The queen-
mother, dying the next year, bequeathed this child, Frederick,
to the paternal care of Innocent, his feudal as well as ghostly
lord, since the queen, for herself and child, had accepted the
Pope as the feudal suzerain of their kingdom of Sicily. In
Germany (using that name loosely and broadly) Philip
Hohenstauffen, Henry's brother and Duke of Suabia, claimed
the throne. His unequal opponent was Otto of Brunswick,
of the ever-rebellious house of Henry the Lion. The Pope
opposed the Hohenstauffen ; but was obliged to acknowledge
him when the course of the ten years of wasting civil war in
Germany decided in his favour — whereupon, alack ! Philip
was murdered (1207). Quickly the Pope turned back to
Otto ; but the latter, after he had been crowned king and
CHAP, xxvr THE GERMAN VIEW 33
emperor, became intolerable to Innocent through the com-
pulsion of his position as the head of an empire inherently
hostile to the papacy. To thwart him Innocent set up his own
ward, Frederick. Soon this precocious youth began to make
head against pope-forsaken Otto ; and then the excommuni-
cated emperor was overthrown in 1214 by Philip Augustus
of France, who had intervened in Frederick's favour. So
Otto passed away, and, some time after, Frederick was
crowned German king at Aix-la-Chapelle.1 In the mean-
while Innocent died (1216), and amity followed between
Frederick and the gentle Honorius 1 1 1., who crowned Frederick
emperor at Rome in 1220. This peace ended quickly when
the sterner Gregory IX. ascended the papal throne on the
death of Honorius in 1227.
Walther's life extended through these events. Though
apparently changing sides under the stress of his necessities,
he was patriotically German to the end. First he clave to
the Hohenstauflfen, Philip, as the true upholder of German
interests against Otto and the Pope. On Philip's death, he
turned to Otto ; but with all the world left him at last for
Frederick. It is known that Walther, an easily angered man,
felt himself ill-used by Otto and justified in turning to the
open-handed Frederick, who finally gave him a small fief.
To the last, Walther upheld him as Germany's sovereign.
Probably the poet died in the year 1228, just as Gregory
was succeeding Honorius, and the death-struggle of the
Empire with the Papacy was opening.
With no light heart, as well may be imagined, had
Walther looked about him on the death of the emperor Henry
in 1 1 97. " I sat upon a rock, crossed knee on knee, and
with elbow so supported, chin on hand I leaned. Anxiously
I pondered. I could see no way to win gain without loss.
Honour and riches do not go hand in hand, both of less
value than God's favour. Would I have them all? Alas!
riches and worldly honour and God's favour come not within
the closure of one heart's wishes. The ways are barred ;
perfidy lurks in secret, and might walks the highroads.
Peace and law are wounded." -
1 A lucid account of this struggle is given in Luchaire, Innocent ///, vol. iii.
(•« La Papaute" et 1'Empire"), Paris, 1906. * 81.
VOL. II D
34 THE MEDIAEVAL MIND BOOK iv
The personal dilemma of the poet with his fortune to
make, but desirous of doing right, mirrors the desperate
situation of the State : " Woe is thee, German tongue ; ill
stand thy order and thy honour ! — I hear the lies of Rome
betraying two kings ! " And in verses of wrath Walther
inveighs against the Pope. The sweeping nature of his
denunciation raises the question whether he merely attacked
the supposed treachery of the reigning pope, or was opposed
to the papacy as an institution hostile to the German nation.
The answer is not clear. Mediaeval denunciations of
the Church range from indictments of particular abuses, on
through more general invectives, to the clear protests of
heretics impugning the ecclesiastical system. It is not
always easy to ascertain the speaker's meaning. Usually
the abuse and not the system is attacked. Hostility to the
latter, however sweeping the language of satirist or preacher,
is not lightly to be inferred. The invectives of St. Bernard
and Damiani are very broad ; but where had the Church
more devoted sons? Even the satirists composing in Old
French rarely intended an assault upon her spiritual authority.
It would seem as if, at least in the Romance countries, one
must look for such hostility to heretical circles, the Waldenses
for example. And from the orthodox mediaeval standpoint,
this was their most accursed heresy.
It would have been hard for any German to use broader
language than some of the French satirists and Latin
castigators. If there was a difference, it must be sought
in the specific matter of the German disapproval viewed in
connection with the political situation. Was a position ever
taken incompatible with the Church's absolute spiritual
authority ? or one intrinsically irreconcilable with the secular
power of the papacy ? At any time, in any country, papal
claims might become irreconcilable with the royal pre-
rogative— as William the Conqueror had held those of
Gregory VII. in England, and as, two centuries afterwards,
Philip the Fair was to hold those of Boniface VIII. in
France. But in neither case was there such sheer and
fundamental antagonism as men felt to exist between the
Empire and the Papacy. Perhaps it was possible in the
early thirteenth century for a German whose whole heart
CHAP, xxvi THE GERMAN VIEW 35
was on the German side to dispute even the sacerdotal
principle of papal authority. It is hard to judge otherwise
of Freidank, the very German composer or collector of
trenchant sayings in the early thirteenth century. Many of
these sneer at Rome and the Pope, and some of them strike
the gist of the matter : " Sunde nieman mac vergeben wan
Got alein" (" God alone can forgive sins"). This is the direct
statement ; he gives its scornful converse : " Could the Pope
absolve me from my oaths and duties, I'd let other sureties
go and fasten to him alone." * Such words mean denial of
the Church's authority to forgive, and the Pope's to grant
absolution from oaths of allegiance. Freidank is very near
rejecting the principles of the ecclesiastical system.
Walther, Freidank's contemporary, is more picturesque :
" King Constantine, he gave so much — as I will tell you —
to the Chair of Rome : spear, cross, and crown. At once the
angels cried : ' Alas ! Alas ! Alas ! Christendom before
stood crowned with righteousness. Now is poison fallen on
her, and her honey turned to gall — sad for the world hence-
forth ! ' To-day the princes all live in honour ; only their
highest languishes — so works the priest's election. Be that
denounced to thee, sweet God ! The priests would upset
laymen's rights : true is the angels' prophecy." 2
On Constantine's apocryphal gift, symbolized by the
emblems of Christ's passion, rested the secular authority of
the popes, which Walther laments with the angels. " The
Chair of Rome was first set up by Sorcerer Gerbert ! [Queer
history this, but we see what he means.] He destroyed his
own soul only ; but this one would bring down Christendom
with him to perdition. When will all tongues call Heaven
to arms, and ask God how long He will sleep ? They bring
to nought His work, distort His Word. His steward steals
His treasure ; His judge robs here and murders there ; His
shepherd has become a wolf among His sheep."3 The
clergy point their fingers heavenward while they travel fast
to hell.4 How laughs the Pope at us, when at home with
his Italians, at the way he empties our German pockets into
1 From " Freidank in Auswahl," in Hildebrand's Didaktik aus der Zeit der
Krcuzziigt, p. 336 (Deutsche Nat. Lit.).
2 85, cf. 164. 3 1 10. 4 113, cf. in, 112.
36 THE MEDIAEVAL MIND BOOK iv
his " poor boxes." l Walther's hatred of the foreign Pope is
roused at every point And at last, in a Spruch full of
implied meaning, he declares that Christ's word as to the
tribute money meant that the emperor should receive his
royal due.2
These utterances, considered in the light of the political
and racial situation, seem to deny, at least implicitly, the
secular power of the papacy. Yet in matters of religion
Walther apparently was entirely orthodox, and a pious
Christian. He has left a sweet prayer to Christ, with ample
recognition of the angels and the saints, and a beautiful
verse of penitent contrition, in which he confesses his sins to
God very directly — how that he does the wrong, and leaves
the right, and fails in love of neighbour. " Father, Son, may
thy Spirit lighten mine ; how may I love him who does me
ill ? Ever dear to me is he who treats me well ! " 3 Walther's
questing spirit also pondered over God's greatness and
incomprehensibility.4 His open mind is shown by the
famous line : " Him (God) Christians, Jews, and heathen
serve," 5 a breadth of view shared by his friend Wolfram von
Eschenbach, who speaks of the chaste virtue of a heathen
lady as equal to baptism.6
The personal lot of this proud heart was not an easy
one ; homelessness broke him down, and the bitterness of
eating others' bread. Too well had he learned of the world
and all its changing ways, and how poor becomes the soul
that follows them. Mortality is a trite sorrow ; there are
worse : " We all complain that the old die and pass away ;
rather let us lament taints of another hue, that troth and
1 115, 116.
2 133. My statement of the opposition to the papacy might be much more
analytical, and contain further apt distinctions. But this would remove it too far
from the anti-papal feeling of the common man ; and the period, moreover, is
not yet that of Occam and Marsilius of Padua — as to whom see Gierke, Political
Theories of the Middle Age, trans, by Maitland (Cambridge, 1900).
3 88, 137.
4 1 58. Walter shared the crusading spirit. The inference that he was him-
self a Crusader is unsafe ; but he wrote stirring crusading poems, one opening
with a line that in sudden power may be compared with Milton's
" Avenge, O Lord, Thy slaughtered saints."
" Rich, herre, dich und dine muoter, megede kint."
167. See also 78, 79.
6 87. « Parzival, L 824.
CHAP, xxvi THE GERMAN VIEW 37
seemliness and honour are dead."1 At the last Walther's
grey memory of life and his vainly yearning hope took form
in a great elegy. After long years he seemed, with heavy
steps, and leaning on his wanderer's staff, to be returning to
a home which was changed forever : " Alas ! whither are they
vanished, my many years ! Did I dream my life, or is it
real ? what I once deemed it, was it that ? And now I
wake, and all the things and people once familiar, strange !
My playmates, dull and old ! And the fields changed ; only
that the streams still flow as then they flowed, my heart
would break with thinking on the glad days, vanished in the
sea. And the young people ! slow and mirthless ! and the
knights go clad as peasants ! Ah ! Rome ! thy ban ! Our
groans have stilled the song of birds. Fool I, to speak and
so despair, — and the earth looks fair ! Up knights again :
your swords, your armour ! would to God I might fare with
your victor band, and gain my pay too — not in lands of
earth ! Oh ! might I win the eternal crown from that sweet
voyage beyond the sea, then would I sing O joy ! and never
more, alas — never more, alas." 2
1 186. 2 188.
BOOK V
SYMBOLISM
CHAPTER XXVII
SCRIPTURAL ALLEGORIES IN THE EARLY MIDDLE AGES J
HONORIUS OF AUTUN
WORDS, pictures, and other vehicles of expression are symbols
of whatever they are intended to designate. A certain un-
avoidable symbolism also inheres in human mental processes ;
for the mind in knowing " turns itself to images," as Aquinas
says following Aristotle ; and every statement or formula-
tion is a casting together of data in some presentable and
representative form. An example is the Apostles' Creed,
called also by this very name of Symbol, being a casting
together, an elementary formula, of the essentials of the
Christian Faith. In the same sense the " law of gravitation "
or a moral precept is a deduction, induction, or gathering
together into a representative symbol, of otherwise un-
assembled and uncorrelated experience. In the present and
following chapters, however, the term symbol will be used
in its common acceptation to indicate a thing, an act, or a
word invested with an adventitious representative significance.
All statements or expressions (through language or by
means of pictures) which are intended to carry, besides their
palpable meaning, another which is veiled and more spiritual,
are symbolical or figurative, and more specifically are called
allegories.1
1 While an allegory is a statement having another consciously intended
meaning, metaphor is the carrying over or deflection of a meaning from its
primary application. According to good usage, which has kept these terms
distinct, allegory implies a definite and usually a sustained intention, and suggests
the spiritual ; while metaphor suggests figures of speech and linguistic changes
often unconscious. Language develops through the metaphorical (not allegorical)
extension or modification of the meanings of words. The original meaning
sometimes is obscured (e.g. in profane or depend), and sometimes continues to
41
42 THE MEDIAEVAL MIND BOOK v
These devices of the mind have a history as old as
humanity. From inscrutable beginnings, in time they become
recognized as makeshifts ; yet they remain prone to enter
new stages of confusion. The mind seeking to express the
transcendental, avails itself of symbols. All religions have
teemed with them, in their primitive phases scarcely dis-
tinguishing between symbol and fact ; then a difference
becomes evident to clearer-minded men, while perhaps at the
same time others are elaborately maintaining that the symbol
magically is, or brings to pass, that which it represents.
Such obscuring mysticism existed not merely in confused
Egypt and Brahminical India, but everywhere — in antique
Greece and Rome, and then afterwards through the times of
the Christian Church Fathers and the entire Middle Ages.
Fact and symbol are seen constantly closing together and
becoming each other like the serpent-souls in the twenty-fifth
canto of Dante's Inferno.
Allegory properly speaking, which involves a conscious
and sustained effort to invest concrete or material statements
with more general or spiritual meaning, played an interesting
r61e in epochs antecedent to the patristic and mediaeval
periods. Even before Plato's time the personal myths of
the gods shocked the Greek ethical intellect, which thereupon
proceeded to convert them into allegories. Greek allegorical
interpretation of ancient myth was apologetic to both the
critical mind and the moral sense.
With Philo, the Hellenizing Jew of Alexandria, whose
philosophy revolted from the literal text of Genesis, the
motive for allegorical interpretation was similar. But the
document before him was most unlike the Iliad and Odyssey.
Genesis contained no palpably immoral stories of Jehovah
to be explained away. Its account of divine creation and
human beginnings merely needed to be invested with further
ethical meaning. So Philo made cardinal virtues of the four
rivers of Eden, and through like allegorical conceits trans-
formed the Book of Genesis into a system of Hellenistic
exist with the new one. In a vast number of languages, such words as straight,
oblique, crooked, seem always to have had both a direct and a metaphorical
meaning. Moral and intellectual conceptions necessarily are expressed in phrases
primarily applicable to physical phenomena.
CHAP, xxvn SCRIPTURAL ALLEGORIES 43
ethics. Not cosmogonic myths, but moral meanings, he had
discovered in his document.
Advancing along the path which Philo found, Christian
allegorical interpretation undertook to substantiate the
validity of the Gospel. To this end it fixed special
symbolical meanings upon the Old Testament narratives, so
as to make them into prefigurative testimonies to the truth
of Christian teachings.1 Allegory was also called on to
justify, as against educated pagans, certain acts of that
heroic but peccant " type " of Christ, David, the son of
Jesse. Such special apologetic needs hardly affected the
allegorical interpretation of the Gospel itself, which began at
an early day, and from the first was spiritual and anagogic,
constantly straining on to educe further salutary meaning
from the text.
The Greek and Latin Church Fathers created the mass
of doctrine, including Scriptural interpretation,2 upon which
mediaeval theologians were to expend their systematizing
and reconstructive labours. Through the Middle Ages, the
course of allegory and symbolism strikingly illustrates the
mediaeval way of using the patristic heritage — first painfully
learning it, then making it their own, and at last creating
by means of that which they had organically appropriated.
Allegory and symbolism were to impress the Middle Ages
as perhaps no other element of their inheritance. The
mediaeval man thought and felt in symbols, and the sequence
of his thought moved as frequently from symbol to symbol
as from fact to fact.
The allegorical faculty with the Fathers was dogmatic
and theological ; ingenious in devising useful interpretations,
but oblivious to all reasonable propriety in the meaning
which it twisted into the text : controversial necessities
readily overrode the rational and moral requirements of the
"historical" or "literal" meaning. For the deeply realized
allegorical significance was a law unto itself. These
characteristics of patristic allegory passed over to the Middle
Ages, which in the course of time were to impress human
qualities upon the patristic material.
1 Cf. Taylor, Classical Heritage, p. 97 sqq.
2 Ante, Chapters IV., V.
44 THE MEDIAEVAL MIND BOOK v
The Bathsheba and Uriah episode in the life of David
was of course taken allegorical ly, and affords a curious
example of a patristic interpretation originating in the
exigencies of controversy, and then becoming authoritative
for later periods when the echoes of the old controversy had
long been silent. Augustine was called upon to answer
the book of the clever Manichaean, Faustus, the stress
of whose attacks was directed against the Old Testament.
Faustus declared that he did not blaspheme " the law and
the prophets," but rejected merely the special Hebrew
customs and the vile calumnies of the Old Testament
writers, imputing shameful acts to prophets and patriarchs.
In his list of shocking narratives to be rejected, was the story
" that David after having had such a number of wives,
defiled the little woman of Uriah his soldier, and caused him
to be slain in battle."1
Augustine responds with a general exclamation at the
Manichaean's failure to understand the sacramental symbols
(sacramenta) of the Law and the deeds of the prophets. He
then speaks of certain Old Testament statements regarding
God and His demands, and proceeds to consider the nature
of sin and the questionable deeds of the prophets. Some of
the reprehended deeds he justifies, as, for instance, Abraham's
intercourse with Hagar and his deceit in telling Abimelech
that Sara was his sister when she was his wife. He
also declares that Sara typifies the Church, which is the
secret spouse of Christ. Proceeding further, he does not
justify, but palliates, the conduct of Lot and his daughters,
and then introduces its typological significance. At length
he comes to David. First he gives a noble estimate of
David's character, his righteousness, his liability to sin, and
his quick penitence.2 Afterwards he considers, briefly as he
says, what David's sin with Bathsheba signifies prophetically.3
The passage may be given to show what a mixture of
banality and disregard of moral propriety in drawing
analogies might emanate from the best mind among the
1 Contra Faustum, xxii. 1-5. 2 Contra Faustum, xxii. 66-68.
3 Augustine's method in this twenty-second Book is first to consider the actual
sinfulness or justification of these deeds, and afterwards to take up in succession
their typological significance. So, for example, he discusses the blamefulness of
Judah's conduct with Tamar in par. 61-64 and its typology in 83-86.
CHAP, xxvii SCRIPTURAL ALLEGORIES 45
Latin Fathers, and be repeated by later transitional and
mediaeval commentators.
"The names themselves when interpreted indicate what this
deed prefigured. David is interpreted ' Strong of hand ' or ' Desir-
able.' And what is stronger than that Lion of the tribe of Judah
that overcame the world? and what is more desirable than him of
whom the prophet says : ' The desired of all nations shall come '
(Hag. ii. 7)? Bathsheba means ' well of satiety,' or 'seventh well.'
Whichever of these interpretations we adopt will suit. For in
Canticles the Bride who is the Church is called a well of living
water (Cant. iv. 15); and to this well the name of the seventh
number is joined in the sense of Holy Spirit ; and this because of
Pentecost (the fiftieth), the day on which the Holy Spirit came.
For that same festival is of the weeks (de septimanis constare) as the
Book of Tobit testifies. Then to forty-nine, which is seven times
seven, one is added, whereby unity is commended. By this
spiritual, that is ' Seven-natured ' (septenario) gift the Church is
made a well of satiety ; because there is made in her a well of
living water springing up unto everlasting life, which whoso has
shall never thirst (John iv. 14). Uriah, indeed, who had been her
husband, what but devil does his name signify? In whose vilest
wedlock all those were bound whom the grace of God sets free,
that the Church without spot or wrinkle may be married to her own
Saviour. For Uriah is interpreted, ' My light of God ' ; and Hittite
means ' cut off,' or he who does not stand in truth, but by the guilt
of pride is cut off from the supernal light which he had from God ;
or it means, he who in falling away from his true strength which
was lost, nevertheless fashioneth himself into an angel of light
(2 Cor. xi. 14), daring to say : ' My light is of God.' Therefore this
David gravely and wickedly sinned ; and God rebuked his crime
through the prophet with a threat ; and he himself washed it
away by repenting. Yet likewise He, the desired of all nations, was
enamoured of the Church bathing upon the roof, that is cleansing
herself from the filth of the world, and in spiritual contemplation
surmounting and trampling on her house of clay ; and knowledge
of her having been had at their first meeting, He afterwards killed
the devil, apart from her, and joined her to himself in perpetual
marriage. Therefore we hate the sin but will not quench the
prophecy. Let us love that {ilium) David, who is so greatly to be
loved, who through mercy freed us from the devil ; and let us also
love that (istuni) David who by the humility of penitence healed
in himself so deep a wound of sin." x
1 Contra Faustum, xxii. 87. St. Ambrose, in his Apologia Prophetae David,
cap. iii. (Migne 14, col. 857), written some years before Augustine's treatise
46 THE MEDIAEVAL MIND BOOK v
Augustine's interpretation of the story of David and
Bathsheba was embodied verbatim in a work upon the Old
Testament by Isidore of Seville.1 The voluminous commen-
tator Rabanus Maurus took the same, also verbatim, either
from Isidore or Augustine.2 His pupil, Walafrid Strabo,
in his famous Glossa ordinaria, cited, probably from
Rabanus, the first part of the passage as far as the reference
to the well of living water from John's Gospel. He abridged
the matter somewhat, thus showing the smoothing compiler's
art which was to bring his Glossa ordinaria into such
general use. Walafrid omitted the lines declaring that Uriah
signified the devil. He did cite, however, again probably
from Rabanus, part of a long passage, taken by Rabanus
from Gregory the Great, where Bathsheba is declared to be
the letter of the Law, united to a carnal people, which David
(Christ) joins to himself in a spiritual sense. Uriah is that
carnal people, to wit, the Jews.3
Thus far as to the comments on the narrative from the
eleventh chapter of the Second Book of Samuel, otherwise
called the Second Book of Kings. When Rabanus came to
explain the sixth verse of the first chapter of Matthew — " And
David begat Solomon from her who was the wife of Uriah "
— he said : " Uriah indeed, that is interpreted ' My light of
God,' signifies the devil, who fashions himself into an angel
of light, daring to say to God : ' My light of God,' and ' I
will be like unto the Most High ' (Isaiah xiv.)." 4 Here pupil
Walafrid follows his master, but adds : " Whose bewedded
Church Christ became enamoured of from the terrace of His
paternal majesty and joined her, made beautiful, to himself
in matrimony."5
With Rabanus and Walafrid, as with Isidore and the
Venerable Bede who were the links between these Carolingians
against Faustus, finds Bathsheba to signify the " congregatio nationum quae non
erat Christo legitimo quodam fidei copulata connubio."
1 Quaestiones in Vet. Testam. in Regum II. (Migne 83, col. 411). Isidore
died A.D. 636 (ante, Chapter V.)
2 Comment, in Libras IV. Regum, in lib. ii. cap. xi. ; Migne, Pat. Lat. 109,
col. 98 (written in 834). On Rabanus and Walafrid see ante, Chapter X.
3 Glossa ordinaria, Lib. Regum, ii. cap. xi. (Migne 113, col. 571, 572)
4 Comment, in Matthaeum (Migne 107, col. 734).
6 Migne 114, col. 67.
CHAP, xxvn SCRIPTURAL ALLEGORIES 47
and the Fathers, the interest in Scripture relates to its
allegorical significance. Unmindful of the obvious and
literal meaning of the text, they were unabashed by the
incongruity of their allegorical interpretations.1 Rabanus,
for instance, had unbounded enthusiasm for Exodus, because
of its rich symbolism :
" Among the Scriptures embraced in the Pentateuch of the Law,
the Book of Exodus excels in merit ; in it almost all the sacraments
by which the present Church is founded, nourished, and ruled,
are figuratively set forth. For there, through the corporeal exit of
the children of Israel from the terrestrial Egypt, our exit from the
spiritual Egypt is made clear. There again, through the crossing of
the Red Sea and the submersion of Pharaoh and the Egyptians, the
mystery of Baptism and the destruction of spiritual enemies are
figured. There the immolation of the typifying lamb and the
celebration of the Passover suggest the passion of the true Lamb
and our redemption. There manna from heaven and drink from a
rock are given in order to teach us to desire the heavenly bread
and the drink of life. There precepts and judgments are delivered
to the people of God upon a mountain in order that we may learn
to be subject to supernal discipline. There the construction of the
tabernacle and its vessels is ordered to take place with worship and
sacrifices, that therein the adornment of the marvellous Church
and the rites of spiritual sacrifices may be indicated. There the
perfumes of incense and anointment are prepared, in order that the
sanctification of the Holy Spirit and the mystery of sacred prayers
may be commended to us." 2
The same commentator compiled a dictionary of allegories
1 It was the way of Bede in his commentaries to speak briefly of the literal
or historic meaning of the text, and then give the usual symbolical interpretations,
paying special attention to the significance of the Old Testament narratives as
types of the career of Christ (see e.g. the beginning of the Commentary on
Exodus, Migne 92, col. 285 sqq. ; and Prologue to the allegorical Commentary
on Samuel, Migne 92, col. 501, 502). For example, in the opening of the First
Book of Samuel, Elkanah is a type of Christ, and his two wives Peninnah and
Hannah represent the Synagogue and the Church. When Samuel is born to
Hannah he also is a type of Christ ; and Bede says it need not astonish one that
Hannah's spouse and Hannah's son should both be types of Christ, since the
Mediator between God and man is at once the spouse and son of Holy Church :
He is her spouse as He aids her with His confidence and hope and love, and her
son when by grace He enters the hearts of those who believe and hope and love.
In Samuelam, cap. iii. (Migne 91, col. 508). Bede's monastic mind balked at
the literal statement that Elkanah had two wives (see the Prologue, Migne 91,
col. 499).
2 Com. in Exodum, Praefatio (Migne 108, col. 9).
48 THE MEDIAEVAL MIND BOOK v
entitled Allegoriae in universam sacram scripturam? saying
in his lumbering Preface :
"Whoever desires to arrive at an understanding of Holy
Scripture should consider when he should take the narrative
historically, when allegorically, when anagogically, and when
tropologically. For these four ways of understanding, to wit,
history, allegory, tropology, anagogy, we call the four daughters of
wisdom, who cannot fully be searched out without a prior knowledge
of these. Through them Mother Wisdom feeds her adopted
children, giving to tender beginners drink in the milk of history ; to
those advancing in faith, the food of allegory ; to the strenuous and
sweating doers of good works, satiety in the savoury refection of
tropology ; and finally, to those raised from the depths through
contempt of the earthly and through heavenly desire progressing
towards the summit, the sober intoxication of theoretical contempla-
tion in the wine of anagogy. . . . History, through the ensample
which it gives of perfect men, incites the reader to the imitation of
holiness ; allegory, in the revelation of faith, leads to a knowledge of
truth ; tropology, in the instruction of morals, to a love of virtue ;
anagogy, in the display of everlasting joys, to a desire of eternal
felicity. In the house of our soul, history lays the foundation,
allegory erects the walls, anagogy puts on the roof, while tropology
provides ornament, within through the disposition, without through
the effect of the good work." 2
This work, alphabetically arranged, gave the allegorical
significations of words used in the Vulgate, with examples ;
for instance :
" Ager (field) is the world, as in the Gospel : ' To the man who
sowed good seed in his field,' that is to Christ, who sows preaching
through the world.
1 Migne 1 12, col. 849-1088. A number of these dictionaries were compiled,
the earliest being the De formulis spiritalis intellegentiae of Eucherius, Bishop
of Lyons, who died in 450, ed. by Pauly 1884. In the later Middle Ages
Alanus de Insulis (posi, Chapter XXIX.) compiled one.
2 These distinctions, not commonly observed, are frequently reiterated. Says
Hugo of St. Victor (see post, Chapter XXVIII.) in the Prologue to his De
sacramentis : "Divine Scripture, with threefold meaning, considers its matter
historically, allegorically, and tropologically. History is the narrative of facts,
and follows the primary meaning of words ; we have allegory when the fact
which is told signifies some other fact in the past, present, or future ; and
tropology when the narrated fact signifies that something should be done." Cf.
Hugo's Didascalicon, v. cap. 2, where Hugo illustrates his meaning, and points
out that this threefold significance is not to be found in every passage of Scripture.
In ibid, v. cap. 4, he gives seven curious rules of interpretation (Migne 176, col.
789-793). In his De Scripturis, etc.,praenotatiunculae, cap. 3 (Migne 175, col.
1 1 sqq. ), Hugo speaks of the anagogical significance in the place of the tropological.
CHAP, xxvii SCRIPTURAL ALLEGORIES 49
" Amicus (friend) is Christ, as in Canticles : ' He is my friend,
daughters of Jerusalem,' for He loved His Church so much that He
would die for her. . . .
" Ancilla (handmaid) is the Church, as in the Psalms : ' Make
safe the son of thine handmaid,' that is me, who am a member of
the Church. Ancilla, corruptible flesh, as in Genesis : ' Cast out
the handmaid and her son,' that is, despise the flesh and its carnal
fruit. Ancilla, preachers of the Church, as in Job : ' He will bind
her with his handmaids,1 because the Lord through His preachers
conquered the devil. Ancilla, the effeminate minds of the Jews,
as in Job: 'Thy handmaids hold me as a stranger,' because the
effeminate minds of the Jews knew me through faith.2 Ancilla,
the lowly, as in Genesis, 'and meal for his handmaids,' because
Holy Church affords spiritual refection to the lowly.
Aqua is the Holy Spirit, Christ, subtle wisdom, loquacity,
temporal greed, baptism, the hidden speech of the prophets, the
holy preaching of Christ, compunction, temporal prosperity,
adversity, human knowledge, this world's wealth, the literal mean-
ing, carnal pleasure, eternal reflection, holy angels, souls of the
blessed, saints, humility's lament, the devotions of the saints, sins
of the elect which God condones, knowledge of the heretics,
persecutions, unstable thoughts, the blandishments of temptations,
the pleasures of the wicked, the punishments of hell.
Mons, mountain (in the singular) the Virgin Mary, monies (in
the plural) angels, apostles, sublime precepts, the two Testaments,
inner meditations, proud men, the Gentiles, evil spirits.3
Thus Rabanus dragged into his compilation every mean-
ing that had ever been ascribed to the words defined. In
him and his contemporaries, the allegorical material, apart
1 Raban's Latin is " Ligabit earn ancillis suis " — the verse in Job xl. 24
reads " Ligabis earn ancillis tuis?" In the English version the verse is Job
xli. 5, " Wilt thou bind him for thy maidens? "
2 ' ' Per fidem me cognoverunt " ; I surmise a turn is omitted.
3 The Scriptural citations are omitted. Rabanus wrote an allegorical De
laudibus sanctae crucis (Migne 107, col. 133-294), composed in metre with prose
explanations, which explain very little. The metrical portion is a puzzle con-
sisting of twenty-eight " figures," or lineal delineations interwoven in hexameter
verses ; the words and letters contained within each figure ' ' make sense " when
read by themselves, and form verses in metres other than hexameters. The
whole is as incomprehensible in meaning as it is indescribable in form. Angels,
cherubim and seraphim, tetragons, the virtues, months, winds, elements, signs of
the Zodiac, and other twelvefold mysteries, the days of the year, the number
seven, the five books of Moses, the four evangelists, the seven gifts of the Holy
Spirit, the eight beatitudes, the mystery of the number forty, the sacrament
shown by the number fifty, — all these and much besides contribute to the glory
of the Cross, and are delineated and arranged in cruciform manner, so as to be
included within the scope of the cross's symbolical significance.
VOL. II B
50 THE MEDIAEVAL MIND BOOK v
from its utility for salvation, seems void of human interest or
poetic quality, as yet unstirred by a breath of life. That
was to enter, as allegory and all manner of symbolism began
to form the temper of mediaeval thought, and became a
chosen vessel of the mediaeval spirit in poetry and art The
vital change had taken place before the twelfth century had
turned its first quarter.1
There flourished at this time a worthy monk named
Honorius of Autun, also called "the Solitary." It has
been argued, and vehemently contradicted, that he was of
German birth. At all events, monk he was and teacher at
Autun. Those about him sought his instruction, and also
requested him to put his discourses into writing for their use ;
their request reads as if at that time Honorius had retired from
among them.2 This is all that is known of the man who com-
posed the most popular handbook of sermons in the Middle
Ages. It was called the Speculum ecclesiae. Honorius may
never have preached these sermons ; but still his book exists
with sermons for Sundays, saints' days, and other Church
festivals ; a sermon also to be preached at Church dedica-
tions, and one " sermo generalis," very useful, since it touched
up all orders of society in succession, and a preacher might
take or omit according to his audience. Before beginning,
the preacher is directed to make the sign of the cross and
invoke the Holy Spirit : he is admonished first to pronounce
his text of Scripture in the Latin tongue, and then expound
it in the vernacular ; 3 he is instructed as to what portions
of certain sermons should be used under special circum-
stances, and what parts he may omit in winter when the
church is cold, or when in summer it is too hot ; or this is
left quite to his discretion : " Here make an end if you wish ;
but if time permits, continue thus."
1 Since allegory and the spirit of symbolism pervaded all mediaeval thought,
the present and two following chapters aim only at setting forth the elements
(with pertinent examples) of this quite limitless subject.
2 See prefatory epistle to Speculum ecclesiae, Migne 172, col. 813. Com-
pare the prefatory epistle to the Gemma animae, ibid. col. 541, and the
Preface to the Elucidarium> ibid. col. 1109. Probably Honorius died about
1130.
3 We have these sermons only in Latin. Presumably a preacher using
them, gave them in that language or rendered them in the vernacular as he
thought fit.
CHAP, xxvn SCRIPTURAL ALLEGORIES 51
Most of these sermons are short, and contain much
excellent moral advice put simply and directly. They also
make constant use of allegory, and evidently Honorius's
chief care in their composition was to expound his text
allegorically and point the allegory's application to the needs
of his supposed audience. Neither he nor any man of his
time devised many novel allegorical interpretations ; but the
old ones had at length become part of the mediaeval spirit
and the regular means of apprehending the force and
meaning of Scripture. Consequently Honorius handles his
allegories more easily, and makes a more natural human
application of them, than Rabanus or Walafrid had done.
Sometimes the allegory seems to ignore the moral lesson
of the literal facts ; but while a smile may escape us in
reading Honorius, the allegories in his sermons are rarely
strained and shocking, likewise rarely dull. A general
point from which he regards the narratives and institutions
of the Old Testament is summed up in his statement, that
for us Christ turned all provisions of the law into spiritual
sacraments.1 The whole Old Testament has pre-figurative
significance and spiritual meaning ; and likewise every narra-
tive in the Gospels is spiritual.
Two or three examples will illustrate Honorius's edifying
way of using allegory. His sermon for the eleventh Sunday
after Pentecost is typical of his manner. The text is from
the thirty-first " Psalm : " Blessed is the man to whom the
Lord will not impute sin." Opening with an exhortation to
penitence and tears and almsgiving, the preacher turns to
the self-righteous " whose obstinacy the Lord curbs in the
Gospel for the day, telling how two went up into the temple
to pray, the one a Pharisee, to wit, one of the Jewish clergy,
the other a Publican." After proceeding for a while with
sound and obvious comment on the situation, Honorius says :
" By the two men who went up into the temple to pray, two
peoples, the Jewish and the Gentile, are meant. The Pharisee who
went close to the altar is the Jewish people, who possessed the
1 " Ommia legalia Christus nobis convertit in sacramenta spiritualia " is
Honorius's apt phrase (which may be borrowed !), Migne 172, col. 842. His
special reference is to circumcision.
a Ps. xxxi. Vulgate ; Ps. xxxii. 2, Authorized Version.
52 THE MEDIAEVAL MIND BOOK v
Sanctuary and the Ark. He tells aloud his merits in the temple,
because in the world he boasts of his observance of the law.
" The Publican who stands afar off is the Gentile people, who
were far off from the worship of God. He did not lift up his eyes
to heaven, because the Gentile was agape at the things of earth. He
beat his breast when he bewailed his error through penitence ; and
because he humbled himself in confession, God exalted him through
pardon. Let us also, beloved, thus stand afar off, deeming ourselves
unworthy of the holy sacraments and the companionship of the saints.
Let us not lift up our eyes to heaven, but deem ourselves unworthy
of it. Let us beat our breasts and punish our misdeeds with tears.
Let us fall prostrate before God ; and let us weep in the presence
of the Lord who made us, so that He may turn our lament to joy,
rend asunder our garb of mourning, and clothe us with happiness."
Honorius lingers a moment with some further exhortations
suggested by his parable, and then turns to the edification to
be found in fables wisely composed by profane writers. Let
not the congregation be scandalized ; for the children of
Israel despoiled the Egyptians of gold and gems and precious
vesture, which they afterwards devoted to completing the
tabernacle. Pious Christians spoil the Egyptians when they
turn profane studies to spiritual account. The philosophers
tell of a woman bound to a revolving wheel, her head now
up now down. The wheel is this world's glory, and the
woman is that fortune which depends on it. Again, they
tell of one who tries to roll a stone to the top of a mountain ;
but, near the top, it hurls the wretch prostrate with its weight
and crashes back to the bottom ; and again, of one whose
liver is eaten by a vulture, and, when consumed, grows
again. The man who pushes up the stone is he who toil-
somely amasses dignities, to be plunged by them to hell ;
and he of the liver is the man upon whose heart lust feeds.
From that pest, they say, Medusa sprang, with noble form
exciting many to lust, but with her look turning them
to stone. She is wantonness, who turns to stone the hearts
of the lewd through their lustful pleasure. Perseus slew her,
covering himself with his crystalline shield ; for the strong
man, gazing into virtue's mirror, averts his heart's countenance
(i.e. from wantonness). The sword with which he kills her
is the fear of everlasting fire.
Then, continues Honorius, we read of a boy brought up
CHAP, xxvn SCRIPTURAL ALLEGORIES 53
by one of the Fathers in a hermitage ; but as he grew to
youth he was tickled with lust. The Father commanded
him to go alone into the desert and pass forty days in
fasting and prayer. When some twenty days had passed,
there appeared a naked woman foul and stinking, who thrust
herself upon him, and he, unable to endure her stench, began
to repel her. At which she asked : " Why do you shudder
at the sight of me for whom you burned ? I am the image
of lust, which appears sweet to men's hearts. If you had
not obeyed the Father, you would have been overthrown by
me as others have been." So he thanked God for snatching
him from the spirit of fornication. Many other examples
lead us to the path of life.
Honorius closes with the story of the "Three Fools,"
observed by a certain Father : the first an Ethiopian who was
unable to move a faggot of wood, which he would continually
unbind and make still heavier by adding further sticks ; the
second, a man pouring water into a vase which had no
bottom ; and, thirdly, the two men who came bearing before
them crosswise a beam of wood ; as they neared the city gate
neither would let the other precede him even a little, and so
both remained without. The Ethiopian who adds to his insup-
portable faggot is he who continually increases his weight of
sin, adding new sins to old ones unrepented of; he who pours
water into the vase with no bottom is he who by his unclean-
ness loses the merit of his good acts ; and the two who bear
the beam crosswise are those bound by the yoke of Pride.1
Such are good examples of the queer stories to which
preachers resorted. One notices that whatever be the source
from which Honorius draws, his interest is always in the
allegory found in the narratives. Another very apt example
of his manner is his treatment of the story of the Good
Samaritan, so often depicted on Gothic church windows.
For us this parable carries an exhaustless wealth of direct
application in human life ; it was regarded very differently
by Honorius and the glass painters, whose windows are a
pictorial transcription of the first half of his sermon.2
1 Speculum ecclesiae, "Dominica XL" (Migne 172, col. 1053 sqq.). .
2 Yet, curiously enough, near the time when I was making the following
translation, I heard an elderly country clergyman preach substantially this sermon
54 THE MEDIAEVAL MIND BOOK v
" Blessed is the man who walketh not in the counsel of
the ungodly " — this is the text ; and Honorius proceeds :
"Adam was the unhappy man who through the counsel of the
wicked departed from his native land of Paradise and dragged all
his descendants into this exile. He thus stood in the way of sinners,
because he remained stable in sin. He sat 'in the seat of the
scornful,' because by evil example he taught others to sin. But
Christ arose, the blessed man who walketh in the counsel of the
Father from the hall of heaven into prison after the lost servant.
He did not walk in the counsel of the ungodly when the devil
showed Him all the kingdoms of the world ; He did not stand in the
way of sinners, because He committed no sin ; He did not sit in the
seat of the scornful, since neither by word nor deed did He teach
evil. Thus as that unhappy man drew all his carnal children into
death, this blessed man brought all His sons to life. As He himself
sets forth in the Gospel : ' A certain man went down from Jerusalem
to Jericho, and robbers attacked and wounded him, stripped him
and went away. And by chance there came that way a certain
priest, who seeing him half-dead, crossed to the other side. Like-
wise a Levite passed by when he had seen him. But a Samaritan
coming that same way, had compassion on the poor wretch, bound
up his wounds and poured in oil and wine, and setting him on his
own beast, brought him to an inn. The next day he gave the inn-
keeper two pence and asked that he care for him, and if more was
needed He promised to repay the innkeeper on His return.
" Surely man went down from Jerusalem to Jericho when our
first parent from the joys of Paradise entered death's eclipse. For
Jericho, which means moon, designates the eclipse of our mortality.
Whereby man fell among thieves, since a swarm of demons at once
surrounded the exile. Wherefore also they despoiled him, since
they stripped him of the riches of Paradise and the garment of
immortality. They gave him wounds, for sins flowed in upon him.
They left him half-dead, because dead in soul. The priest passed
down the same way, as the Order of Patriarchs proceeded along the
path of mortality. The priest left him wounded, having no power
to aid the human race while himself sore wounded with sins. The
Levite went that way, inasmuch as the Order of Prophets also had
to tread the path of death. He too passed by the wounded man,
because he could bear no human aid to the lost while himself
groaning under the wounds of sin. The wretch half-dead was
healed by the Samaritan, for the man set apart through Christ is
made whole.
" Samaria was the chief city of the Israelitish kingdom whose
of Honorius — wherever he may have culled it, perhaps from some useful
" Homiletical " Commentary.
CHAP, xxvii SCRIPTURAL ALLEGORIES 55
chiefs were led away to idolatry in Nineveh, and Gentiles were
placed in her. The Jews abhorred their fellowship, making them a
byword of malediction. So when reviling the Lord, they called
Him a Samaritan. The Lord was the true Samaritan, being called
guardian (custos) since the human race is guarded by Him. He
went down this way when from heaven He came into this world.
He saw the wounded traveller, inasmuch as He saw man held in
misery and sin. He was moved with compassion for him, since for
man He undergoes all pains. Approaching, He bound his wounds
when, proclaiming eternal life, He taught man to cease from sin.
He bound his wounds together with the two parts of the bandage
when He quelled sins through two fears — the servile fear which for-
bids through penalties, and the filial fear which exhorts the holy to
good works. He drew tight the lower part of the bandage when
He struck men's hearts with fear of hell. Their worm, He said,
does not die, and their fire is not quenched. He drew tight the
upper part when He taught the fear which belongs to the study of
good. ' The children of the kingdom,' said He, ' shall be cast into
outer darkness, where there is weeping and gnashing of teeth.' He
poured in wine and oil when He taught repentance and pardon.
He poured in wine when He said, ' Repent ye ' ; He added oil when
He said, ' for the kingdom of heaven is at hand.' He set him upon
His beast when He bore our sins in His body on the Cross. He
led him to the inn when He joined him to the supernal Church.
The inn, in which living beings are assembled at night, is the present
Church, where the just are harboured amid the darkness of this life
until the Day of Eternity blows and the shadows of mortality give
way.
" The next day He tendered the two pence. The first day was
of death, the next of life. The day of death began with Adam,
when all die. The day of life took its beginning from Christ, in
whom all shall be made alive. Before Christ's resurrection all men
were travelling to death ; since His resurrection all the faithful have
been rising to life. He tendered the two pence the next day —
when after His resurrection He taught that the two Testaments were
fulfilled by the two precepts of love. He gave the pence to the
innkeeper when He committed the doctrine of the law of life to the
Order of Doctors. He directed him to tend the sick man when He
commanded that the human race should be saved from sin. The
stench drove the sick man from the inn, because this world's
tribulation drives the righteous to seek the things celestial. Two
pence are given to the innkeeper when the Doctors are raised on
high by Scriptural knowledge and temporal honour. If they should
require more, He repays them on His return ; for if they exemplify
good preaching with good works, when the true Samaritan returns
to judgment and leads him, aforetime wounded but now healed,
56 THE MEDIAEVAL MIND BOOK v
from the inn to the celestial mansion, He will repay the zealous
stewards with eternal rewards." l
Here Honorius proceeds to expound the allegory con-
tained in the healing of the dumb man and the ten lepers,
and closes his sermon with two narratives, one of a poor
idiot who sang the Gloria without ceasing, and was seen in
glory after death ; the other of a lay nun (conversa) around
whose last hours were shed sweet odours and a miraculous
light, while those present heard the chant of heavenly voices.
The parables of Christ present types which we may
apply in life according to circumstances. In the concrete
instance of the parable we find the universal, and we deem
Christ meant it so. Thus we also view the parables as
symbols, which they were. Honorius, with the vast company
of mediaeval and patristic expounders, ordinarily directs the
symbolism of the parables in a special mode, whereby — like
the stories of the Old Testament — they become figurative of
Christ and the needy soul of man, or figurative of the
Christian dispensation with its historical antecedents and its
Day of Judgment at the end.
The like may be said of Honorius's allegorical interpreta-
tion of Greek legends. These ancient stories have the
perennial youth of human charm and meaning ever new.
They had been good old stories to the Greeks, and then
acquired further intendment as later men discerned a broader
symbolism in them. Even in classic times, Homer's stories
had been turned to allegories, philosophers and critics some-
times finding in them a spiritual significance not unlike that
which the same tales may bear for us. But with this
difference : the later Greeks usually were trying to explain
away the somewhat untrammelled ways of the Homeric
pantheon, and therefore maintained that Homer's stories were
composed as allegories, the wise and mystic poet choosing
thus to veil his meaning. To-day we find the clarity of
daybreak in Homer's tales, and if we make symbols of them
we know the symbolism is not his but ours. Honorius
chooses to think that allegory had always lain in the old
story ; he will not deem it the invention of himself or other
1 Speculum eccle siae, " Dominica XIII." (Migne 172, col. 1059-1061).
CHAP, xxvii SCRIPTURAL ALLEGORIES 57
Christian writers. Here his attitude is not unlike that of the
apologetic Greek critics. But his interpretations are apt to
differ from theirs as well as from our own. For his symbolism
tends to abandon the broadly human, and to become, like
the mediaeval Biblical interpretations, figurative of the tenets
of the Christian Faith.
There is an interesting example of this in the sermon for
Septuagesima Sunday, which was written on a somewhat
blind text from the twenty-eighth chapter of Job. Honorius
proceeds expounding it through a number of strained
allegories, which he doubtless drew from Gregory's Moralia ;
for that great pope was the recognized expositor of Job, and
the Book of Job was simply Gregory through all the Middle
Ages. Perhaps Honorius felt that this sermon was rather
soporific. At all events he stops in the middle to give a
piece of advice to the supposed preacher : " Often put some-
thing of this kind in your sermon ; for so you will relieve
the tedium." And he continues thus :
"Brethren, on this holy day there is much to say which I
must pass over in silence, lest disgusted you should wish to leave
the church before the end. For some of you have come far and
must go a long way to reach your houses. Or perhaps, some
have guests at home, or crying babies ; or others are not swift and
have to go elsewhere, while to some a bodily infirmity brings
uneasiness lest they expose themselves. So I omit much for every-
body's sake, but still would say a few words.
" Because to-day, beloved, we have laid aside the song of glad-
ness and taken up the song of sadness, I would briefly tell you
something from the books of the pagans, to show how you should
reject the melody of this world's pleasures in order that hereafter
with the angels you may make sweet harmonies in heaven. For
one should pick up a gem found in dung and set it as a kingly
ornament ; thus if we find anything useful in pagan books we
should turn it to the building up of the Church, which is Christ's
spouse. The wise of this world write that there were three Syrens
in an island of the sea, who used to chant the sweetest song in divers
tones. One sang, another piped, the third played upon a lyre.
They had the faces of women, the talons and wings of birds.
They stopped all passing ships with the sweetness of their song ;
they rent the sailors heavy with sleep ; they sank the ships in the
brine. When a certain duke, Ulysses, had to sail by their island,
he ordered his comrades to bind him to the mast and stuff their
ears with wax. Thus he escaped the peril unharmed, and plunged
58 THE MEDIAEVAL MIND BOOK v
the Syrens in the waves. These, beloved, are mysteries, although
written by the enemies of Christ. By the sea is to be understood
this age which rolls beneath the unceasing blasts of tribulations.
The island is earth's joy, which is intercepted by crowding pains,
as the shore is beat upon by crowding waves. The three Syrens
who with sweet caressing song overturn the navigators in sleep, are
three delights which soften men's hearts for vice and lead them into
the sleep of death. She who sings with human voice is Avarice,
and to her hearers thus she tunes her song : ' Thou shouldst get
together much, so as to be able to spread wide thy fame, and also
visit the Lord's sepulchre and other places, restore churches, aid
the poor and thy relatives as well.' With such baneful song she
charms the miser's heart, until the sleep of death oppresses him.
Then she tears his flesh, the wave devours the ship, and the wretch
by fierce pains is waked from his riches and plunged in eternal
flame. She who plays upon the pipe is Vainglory (Jactantia), and
thus she pipes her lay for hers : ' Thou art in thy youth, and noble ;
make thyself appear glorious. Spare no enemies, but kill them all
when able. Then people will call thee a good knight.' Again will
she chant : ' Thou shouldst win Jerusalem, and give great alms.
Then thou wilt be famous, and wilt be called good by all.' To the
lay brethren (conversis) she sings : ' Thou must fast and pray
always, singing with loud voice. Then wilt thou hear thyself
lauded as a saint by all.' Such song with vain heart she makes
resound till the whirlpool of death devours the wretch emptied of
worth.
"She who sings to a lyre is Wantonness (Luxuria), and she
chants melodies like these to her parasites : ' Thou art in thy
youth ; now is the time to sport with the girls — old age will do to
reform in. Here is one with a fine figure ; this one is rich ; from
this one you would gain much. There is plenty of time to save
your soul.' In such way she melts the hearts of the wanton till
Cocytus's waves engulf them suddenly tripped by death.
" They have the faces of women, because nothing so estranges
man from God as the love of women. They have wings of birds,
because the desire of worldlings is always unstable, their appetites
now craving one thing, and again their lust flying to another object.
They have also the talons of birds, because they tear their victims
as they snatch them away to the torments of hell. Ulysses is
called Wise. Unharmed he steers his course by the island, because
the truly wise Christian swims over the sea of this world, in the
ship of the Church. By the fear of God he binds himself to the
mast of the ship, that is, to the cross of Christ ; with wax, that is
with the incarnation of Christ, he seals the ears of his comrades,
that they may turn their hearts from lusts and vices and yearn only
for heavenly things. The Syrens are submerged, because he is
CHAP, xxvii SCRIPTURAL ALLEGORIES 59
protected from their lusts by the strength of the Spirit. Unharmed
the voyagers avoid the peril, inasmuch as through victory they
reach the joys of the saints." l
1 Speculum ecclesiae, "Dominica in Septuagesima" (Migne 172, col. 855-857).
Honorius may have forgotten the weariness of his supposed audience ; for his
sermon goes on with further admonition as to how the victory is to be won.
The allegorical interpretation of Scripture is exemplified in the whole limitless
mass of mediaeval sermons. Illustrations from St. Bernard's sermons on Canticles
are given in Chapter XVII., also/0rt, in Chapter XXXVI. , n.
CHAPTER XXVIII
THE RATIONALE OF THE VISIBLE WORLD : HUGO OF
ST. VICTOR
JUST as the Middle Ages followed the allegorical interpreta-
tion of Scripture elaborated by the Church Fathers, so they
also accepted, and even made more precise, the patristic
inculcation of the efficacy of such most potent symbols as the
water of baptism and the bread and wine transubstantiated
in the Eucharist1 Passing onward from these mighty bases
of conviction, the mediaeval genius made fertile use of
allegory in the polemics of Church and State, and exalted
the symbolical principle into an ultimate explanation of the
visible universe.
Notable was the career of allegory in politics. Through-
out the long struggle of the Papacy with the Empire and
other secular monarchies, arguments drawn from allegory
never ceased to carry weight. A very shibboleth was the
witness of the " two swords " (Luke xxii. 38), both of which,
the temporal as well as spiritual, the Church held to have
been entrusted to her keeping for the ordering of earthly
affairs, to the end that men's souls should be saved. Still
more fluid was the argumentative nostrum of mankind con-
ceived as an Organism, or animate body (unum corpus,
corpus mysticum). This metaphor was found in more than
one of the Latin classics ; but patristic and mediaeval writers
took it from the works of Paul.2 The likeness of the human
body to the body politic or ecclesiastic was carried out
1 For the Eucharist in the Carolingian period see ante, Chapter X. Berengar
of Tours is spoken of in Chapter XII., IV.
2 Many members in one body, one body in Christ (Rom. xii. 4, 5).
60
CHAP, xxvni THE SYMBOLIC UNIVERSE 61
in every imaginable detail, and used acutely or absurdly
by politicians and schoolmen from the eleventh century
onward.1
We turn to the symbolical explanation of the universe.
In the first half of the twelfth century, a profoundly medita-
tive soul, Hugo of St. Victor by name, attempted a systematic
exposition of the symbolical or sacramental plan inhering in
God's scheme of creation. Of the man, as with so many
monks and schoolmen whose names and works survive, little
is known beyond the presentation of his personality afforded
by his writings. He taught in the monastic school of St.
Victor, a community that had a story, with which may be
connected the scanty facts of the short and happy pilgrimage
to God, which made Hugo's life on earth.2
When William of Champeaux, according to Abaelard's
account, was routed from his logical positions in the
cathedral school of Paris,3 he withdrew from the school
and from the city to the quiet of a secluded spot on the
left bank of the Seine, not far distant from Notre-Dame.
Here was an ancient chapel dedicated to Saint- Victor, and
here William, with some companions, organized themselves
into a monastic community according to the rule of the
canons of St. Augustine. This was in 1108. If for a
time William laid aside his studies and lecturing, he soon
resumed them at the solicitations of his scholars, joined to
those of his friend Hildebert, Bishop of Le Mans.4 And so
the famous school of Saint- Victor began. William remained
there only four years, being made Bishop of Chalons in 1112,
and thereafter figuring prominently in Church councils,
frequent in France at this epoch.
1 Cf. fast, Chapter XXXIII., v.
2 The works of Hugo of Saint-Victor are contained in Migne's Patrologia
Latino., 175-177 (Paris, 1854; the reprint of 1882 is full of misprints).
The Prolegomena (in French) of Mgr. Hugonin are elaborate and valuable.
Mignon, Les Origints de la scholastique et Hugues de Saint- Victor (2 vols.,
Paris, 1895), follows Hugonin 's writing and adds little of value. An exposition
of Hugo's philosophy is to be found in Stockl, Geschichtt der Philosophic des
Mittelalters, Band I. pp. 305-355 (Mainz, 1864). On the authenticity of the
writings ascribed to him see Haur6au, Le s (Euvres de Hugues de Saint- Victor
(2nd ed., Paris, 1886). For Hugo's position in the history of scholasticism and
mysticism see post, Chapter XXXVI., n.
3 Post, Chapter XXXI., I.
4 Hildebert's letter is given post, Chapter XXX., III.
62 THE MEDIAEVAL MIND BOOK v
Under William's disciple and successor, Gilduin, the
community flourished and increased. King Louis VI.,
whose confessor was Gilduin himself, endowed it liberally,
and other donors were not lacking. Saint-Victor became
rich, and its fame for learning and holiness spread far and
wide.1 Abbot Gilduin lived to see more than forty houses
of monks or regular canons 2 flourishing as dependencies of
Saint- Victor. He died in 1155, some years after the death
of the young man whose scholarship and genius was the
pride of the Victorine community.
Notwithstanding a statement in an old manuscript, that
Hugo was born near Ypres in Flanders, the ancient tradition
of Saint-Victor, confirmed by the records of the cathedral of
Halberstadt, shows him to have been a son of the Count of
Blankemberg, and born at Hartingam in Saxony.3 His
uncle Reinhard was Bishop of Halberstadt, where his great-
uncle, named Hugo like himself, was archdeacon. Reinhard
had been a pupil of William of Champeaux at Saint-Victor,
and after becoming bishop continued to cherish a profound
esteem for him. The young Hugo renounced his inheritance
and entered a monastery not far from Halberstadt ; but
soon, in view of the disturbed affairs of Saxony, his uncle
Reinhard urged him to go and pursue his studies at Saint-
Victor. The young man persuaded his great-uncle Hugo
to accompany him. By circuitous routes, visiting various
places of pious interest on the way, the two reached Saint-
Victor, where they were received with all honour by the
abbot Gilduin. This was not far from the year 1115, and
Hugo was about twenty at the time. He was already an
accomplished scholar, and doubtless it is to his previous
1 On the neighbouring schools of Notre-Dame and St. Genevieve see post,
Chapter XXXVII.
2 At the opening of his Expositio in regulam ieati Augustini, Migne 1 76,
col. 88 1, Hugo explains that the precepts under which a monastic community
lives are called the regula, and what we call a regula is called a canon by the
Greeks; and those are called canonici or regulares, who "juxta regularia
praecepta sanctorum Patrum canonice atque apostolice vivunL" Thus the
" regular canons " of St. Augustine were monks who lived according to the rule
ascribed to that saint. In the case of the Victorines the rule was drawn up
chiefly by Abbot Gilduin. See Prolegomena to the works of Hugo, Migne 175,
col. xxiv. sqq.
3 See the Prolegomena to the works of Hugo de Saint- Victor, by Hugonin,
Migne 175, col. xl. sqq.
CHAP, xxvni THE SYMBOLIC UNIVERSE 63
studies that he refers when he speaks as follows in his book
of elementary instruction, called the Didascalicon :
" I dare say that I never despised anything pertaining to learn-
ing, and learned much that might strike others as light and vain.
I practised memorizing the names of everything I saw or heard of,
thinking that I could not properly study the nature of things unless
I knew their names. Daily I examined my notes of topics, that I
might hold in my memory every proposition, with the questions,
objections, and solutions. I would inform myself as to con-
troversies and consider the proper order of the argument on either
side, carefully distinguishing what pertained to the office of rhetoric,
oratory, and sophistry. I set problems of numbers ; I drew figures
on the pavement with charcoal, and with the figure before me I
demonstrated the different qualities of the obtuse, the acute and
the right angle, and also of the square. Often I watched out the
nocturnal horoscope through winter nights. Often I strung my
harp (Saepe ad numerum protensum in ligno magadam ducere solebam)
that I might perceive the different sounds and likewise delight my
mind with the sweet notes. All these were boyish occupations
(puerilia) but not useless. Nor does it burden my stomach to know
them now." J
Not long after Hugo's arrival at Saint-Victor he began
to teach at the monastery school, and upon the death of its
director, in 1133, succeeded to the office, which he held
until his death in I I4i.2 Colourless and grey are the outer
facts of a monk's life, counting but little. The soul of a
Hugo of Saint- Victor did not soil itself with any interest
in the pleasures of the world : " He is not solitary with
whom is God, nor is the power of joy extinguished because
his appetite is kept from things abject and vile. He rather
does himself an injustice who admits to the society of his
joy what is disgraceful or unworthy of his love."8
Hugo belonged to the aristocracy of contemplative piety,
with its scorn of whatever lies without the pale of the soul's
1 Didascalicon, vi. 3 (Migne 1 76, col. 799). Other contents of this work are
given post, Chapter XXXVI., I.
2 His death is touchingly described in a letter of Osbert, the canon in
charge of the infirmary. See Migne 175, col. xlvii and clxi.
8 Hugo, De arrha animae, Migne 176, col. 954. Yet Hugo sometimes
was stung with an irrelevant pang for the German fatherland, which he had left :
" I have been an exile since my boyhood, and I know how the mind grieves to for-
sake some poor hut's narrow hearth, and how easily it may then despise the marble
hall and fretted roof " (Didascalicon, iii. 20; Migne 176, col. 778). Compare
the single letter of Hugo that has a personal note, Ep. i. (Migne 176, col. ion).
64 THE MEDIAEVAL MIND BOOK v
companionship with God. In his independent way he
followed Augustine, and Augustine's Platonism, which was
so largely the Neo-Platonism of Plotinus and Porphyry. He
also followed the real Plato speaking in the Timaeus, with
which he was acquainted. Plato would have nothing to do
with allegorical interpretation as a defence of Homer's gods ;
but he could himself make very pretty allegories, and his
theory of ideas as at once types and creative intelligences
lent itself to Christian systems of symbolism. In this way
he was a spiritual ancestor of Hugo, who found in God the
type-ideas of all things that He created. Moreover, if not
Plato, at least his spiritual children — Clement of Alexandria,
Origen, Plotinus — recognized that the highest truths must
be known in modes transcending reason and its syllogisms,
although these were the necessary avenues of approach.
Hugo likewise regarded rational knowledge as but the
path by which the soul ascends to the plateau of con-
templation. The general aspects of his philosophy will be
considered in a later chapter. Here he is to be viewed as
a mediaeval symbolist, upon whom pressed a sense of the
symbolism of all visible things. An examination of his
great De sacramentis Christianae fidei will disclose that
with Hugo the material creation in its deepest verity is a
symbol ; that Scripture, besides its literal meaning, is allegory
from Genesis to Revelation ; that the means of salvation
provided by the Church are sacramental, and thus essentially
symbolical, consisting of perfected and potent symbols which
have been shadowed forth in the unperfected sacramental
character of all God's works from the beginning.1
Hugo's little Preface (praefatiuncula) mentions certain
requests made to him to write a book on the Sacraments.
In undertaking it, he proposes to present in better form
many things dictated from time to time rather negligently.
Whatever he has taken from his previous writings he has
revised as seemed best. Should there appear any in-
consistency between what he may have said elsewhere and
the language of the present work, he begs the reader to
regard the present as the better form of statement. His
1 The De sacramentis Christianae fidei is printed in Migne 176, col. 174-
6 1 8. It is thus a lengthy work.
CHAP, xxvui THE SYMBOLIC UNIVERSE 65
method will be to treat his matter in the order of time ;
and to this end his work is divided into two Books.
The first discusses the subject from the Beginning of the
World until the Incarnation of the Word ; the second
continues it from the Incarnation to the final Consummation
of all things. He explains that as he has elsewhere spoken
at length upon the primary or historical meaning of Holy
Writ,1 he will devote himself here rather to its secondary or
allegorical significance.
Hugo further explains the subject of his treatise in a
Prologue :
"The work of man's restoration is the subject-matter (materia)
of all the Scriptures. There are two works, the work of foundation
and the work of restoration, which include everything whatsoever.
The former is the creation of the world with all its elements ; the
latter is the incarnation of the Word with all its sacraments, those
which went before from the beginning and those which follow even
to the end of the world. For the incarnate Word is our King, who
came into this world to fight the devil. And all the saints who
were before His coming, were as soldiers going before His face ; and
those who have come and will come after, until the end of the world,
are as soldiers who follow their king. He is the King in the centre
of His army, advancing girt by His troops. And although in such
a multitude divers shapes of arms appear in the sacraments and
observances of those who precede and come after, yet all are soldiers
under one king and follow one banner; they pursue one enemy
and with one victory are crowned. In all of this may be observed
the work of restoration.
" Scripture gives first a brief account of the work of creation.
For it could not aptly show how man was restored unless it had
previously explained how he had fallen ; nor could it show how he
had fallen, without first showing how God had made him, for which
in turn it was necessary to set forth the creation of the whole world,
because the world was made for man. The spirit was created for
God's sake ; the body for the spirit's sake, and the world for the
body's sake, so that the spirit might be subject to God, the body
to the spirit, and the world to the body. In this order, therefore,
Holy Scripture describes first the creation of the world which was
1 Hugo evidently refers to his De Scriptoria et scriptoribus sacris prae-
notatiunculae, and his various Adnotationes elucidatoriae, which will be found
printed in vol. 175 of Migne's Patrologia Latina. In chap. v. of the work first
mentioned (Migne 175, col. 13) he speaks sensibly of the folly of those who
profess not to care for the literal historical meaning of the sacred text, but, in
ignorance, spring at once to very inept allegorical interpretations.
VOL. II F
66 THE MEDIAEVAL MIND BOOK v
made for man ; then it tells how man was made and set in the way
of righteousness and discipline ; after that, how man fell ; and
finally how he was restored (reparatus)"
In these first little chapters of his Prologue, Hugo has
grouped his topics suggestively. The world was made for
man, and therefore the account of its creation is needed in
order to understand man. Moreover, that man's body exists
for his spirit's sake, at once suggests that a significance
beyond the literal meaning is likely to dwell in that account
of the material creation which enables us to understand
man. The soul needs instruction and guidance ; and God
in creating the world for man surely had in view his most
important interests, which were not those of his mortal body,
but those of his soul. So the creation of the world subserves
man's spiritual interests, and the divine account of it carries
spiritual instruction. The allegorical significance of the
world's creation, which answers to man's spiritual needs, is
as veritable and real as the facts of the world's material
foundation, which answers to the needs of his body. Thus
symbolism is rooted in the character and purpose of the
material creation ; it lies in the God-implanted nature of
things ; therefore the allegorical interpretation of the
Scriptures corresponds to their deepest meaning and the
revealed plan of God.
These principles underlie Hugo's exposition of the
Christian sacraments, whose unperfected prototypes existed
in the work of the Creation. No fact of sacred history, no
single righteous pre-Christian observance, was unaffiliated
with them. An adequate understanding of their nature
involves a full knowledge not only of Christian doctrine, but
of all other knowledge profitable to men — as Hugo clearly
indicates in the remaining portion of his Prologue :
"Whence it appears how much divine Scripture in subtle
profundity surpasses all other writings, not only in its matter but in
the way of treating it. In other writings the words alone carry
meaning : in Scripture not only the words, but the things may mean
something. Wherefore just as a knowledge of the words is needed
in order to know what things are signified, so a knowledge of the
things is needed in order to determine their mystical signification
of other things which have been or ought to be done. The
CHAP, xxviir THE SYMBOLIC UNIVERSE 67
knowledge of words falls under two heads: expression, and the
substance of their meaning. Grammar relates only to expression,
dialectic only to meaning, while rhetoric relates to both. A
knowledge of things requires a knowledge of their form and of
their nature. Form consists in external configuration, nature in
internal quality. Form is treated as number, to which arithmetic
applies ; or as proportion, to which music applies ; or as dimension,
to which geometry applies ; or as motion, to which pertains
astronomy. But physics (physica) looks to the inner nature of
things.
"It follows that all the natural arts serve divine science, and
the lower knowledge rightly ordered leads to the higher. History,
i.e. the historical meaning, is that in which words signify things, and
its servants, as already said, are the three sciences, grammar, dialectic,
and rhetoric. When, however, things signify facts mystically, we
have allegory ; and when things mystically signify what ought to be
done, we have tropology. These two are served by arithmetic,
music, geometry, astronomy, and physics. Above and beyond all is
that divine something to which divine Scripture leads, either in
allegory or tropology. Of this the one part (which is in allegory)
is right faith, and the other (which is in tropology) is good
conduct : in these consist knowledge of truth and love of virtue,
and this is the true restoration of man." l
Hugo has now stated his position. The rationale of the
world's creation lies in the nature of man. The Seven
Liberal Arts, and incidentally all human knowledge, in hand-
maidenly manner, promote an understanding of man as well
as of the saving teaching contained in Scripture. This was
the common mediaeval view ; but Hugo proves it through
application of the principles of symbolism and allegorical
interpretation. By these instruments he orders the arts and
sciences according to their value in his Christian system, and
makes all human knowledge subserve the intellectual economy
of the soul's progress to God.
An exposition of the Work of the Six Days opens the
body of Hugo's treatise. God created all things from
nothing, and at once. His creation was at first unformed ;
not absolutely formless, but in the form of confusion, out of
which in the six days He wrought the form of ordered dis-
position. The first creation included the matter of corporeal
1 De sacramentis, Prologus (Migne 176, col. 183-185). A more elementary
statement may be found in De Scripturist etc., cap. xiii. (Migne 175, col. 20).
68 THE MEDIAEVAL MIND BOOK v
things and (in the angelic nature) the essence of things
invisible ; for the rational creature may be said to be un-
formed until it take form through turning unto its Creator,
whereby it gains beauty and blessedness from Him through
the conversion which is of love. Thus the matter of every
corporeal thing which God afterwards made, existed from
the time of His first creation, and likewise the image of
everything invisible. For although new souls are still
created every day, their image existed previously in the
angelic spirits.
Then God made light, the unformed material of which
He had created in the beginning.
" And at the very moment when light was visibly and corporeally
separated from darkness, the good angels were invisibly set apart
from the wicked angels who were falling in the darkness of sin.
The good were illumined and converted to the light of righteousness,
that they might be light and not darkness. Thus we ought to
perceive a consonance in the works of God, the visible work con-
forming to the issue of the invisible in such wise that the Wisdom
which worked in both may in the former instruct by an example
and in the latter execute judgment."
The severance of light from darkness is the material
example of how God executes judgment in dividing the
good from the evil. In this visible work of God a " sacra-
ment" is discernible, since every soul, so long as it is in
sin, is in darkness and confusion. All the visible works of
God offer spiritual lessons (spiritualia praeferunt documenta).
They have sacramental qualities, and yet are not perfected
and completed sacraments, as will hereafter appear from
Hugo's definition.
Following the order of creation, Hugo now speaks of
the firmament which God set in the midst of the waters to
divide them :
" He who believes that this was made for his sake will not look
for the reason of it outside of himself. For it all was made in the
image of the world within him ; the earth which is below, is the
sensual nature of man, and the heaven above is the purity of his
intelligence quickening to immortal life."
The rational and unseen are a world as well as the
material and visible. The sacramental quality of the
CHAP, xxvm THE SYMBOLIC UNIVERSE 69
material world lies in its correspondence to the unseen
world. When Hugo speaks of the " sacramenta " in the
creation of light and the waters divided by the firmament,
he means that in addition to their material nature as light
and water, they are essentially symbols. Their symbolism
is as veritably part of their nature as the symbolical character
of the Eucharist is part of the nature of the consecrated
bread and wine. The sacraments are among the deepest
verities of the Christian Faith. And the same representative
verity that exists in them, exists, in less perfected mode,
throughout God's entire creation. So the argument carries
out the principles of the sacraments and the principles of
symbolism to a full explanation of the world ; and Hugo's
work upon the Sacraments presents his theory of the
universe.
" Many other mysteries," says Hugo, closing the first " Part " of
his first Book, " could be pointed out in the work of the creation.
But we briefly speak of these matters as a suitable approach to the
subject set before us. For our purpose is to treat of the sacrament
of man's redemption. The work of creation was completed in six
days, the work of restoration in six ages. The latter work we
define as the Incarnation of the Word and what in and through the
flesh the Word performed, with all His sacraments, both those
which from the beginning prefigured the Incarnation and those
which follow to declare and preach it till the end."
It is unnecessary to follow Hugo through the discussion,
upon which he now enters, of the will, knowledge, and
power of the Trinity, or through his consideration of the
knowledge which man may have of God. In Part V. of
the first Book, he considers the creation of angels, their
qualities and nature, and the reasons why a part of them
fell. With Part VI. the creation of man is reached, which
Hugo shows to have been causally prior, though later in
time, to the creation of the world which God made for man.
From love God created rational creatures, the angels purely
spiritual, and man a spirit clothed with earth.1 Hugo
1 God is perfect and utterly good. His beatitude cannot be increased or
diminished, but it can be imparted. Therefore the primal cause for creating
rational creatures was God's wish that there should be partakers of His beatitude.
This reasoning may be Christian ; but it is also close to the doctrine of Plato's
Ttmatus, which Hugo had read.
70 THE MEDIAEVAL MIND BOOK v
considers the corporeal as well as the spiritual nature and
qualities of man, and his condition before the Fall. The
seventh Part is devoted to the Fall itself, and discusses its
character and sinfulness.
At length, in the eighth Part, Hugo reaches the true
subject of his treatise, the restoration of man. Man's first
sin of pride was followed by a triple punishment, consisting
in a penalty, and two entailed defects, the penalty being
bodily mortality, the defects carnal concupiscence and mental
ignorance.
" Regarding his reparation three matters are to be considered,
the time, the place, the remedy. The time is the present life, from
the beginning to the end of the world. The place is this world.1
The remedy is threefold, and consists in faith, the sacraments, and
good works. Long is the time, that man may not be taken unpre-
pared. Hard is the place, that the transgressor may be castigated.
Efficacious is the remedy, that the sick one may be healed."
Hugo then sets forth the situation, the case in court as
it were, to which God, the devil, and man, are the three
parties. In this trial
". . . the devil is convicted of an injury to God in that he
seduced God's servant by fraud and holds him by violence. Man
also is convicted of an injury to God in that he despised His
command and wickedly gave himself to evil servitude. Likewise
the devil is convicted of an injury toward man, in first deceiving
him and then bringing evil upon him. The devil holds man
unjustly, though man is justly held."
Since the devil's case against man was unjust, man
might defeat his lordship ; but he needed an advocate
(J>atronus\ which could be only God. God, angry at man's
sin, did not wish to undertake man's cause. He must be
placated ; and man had no equivalent to offer for the injury
he had done Him ; for he had deserted God when rational
and innocent, and could deliver himself back to God only as
an irrational and sinful creature. Therefore, in order that
1 Hugo also takes a wider view of the " place " of mankind's restoration,
and finds that it includes (i) heaven, where the good are confirmed and made
perfect ; (2) hell, where the bad receive their deserts ; (3) the fire of purgatory,
where there is correction and perfecting; (4) paradise the place of good beginnings ;
and (5) the world, the place of pilgrimage for those who need restoring.
CHAP, xxvin THE SYMBOLIC UNIVERSE 71
man might have wherewithal to placate God, God through
mercy gave man a man whom man might give in place of
him who had sinned. God became man for man and as
man gave himself for man. Thus He who had been man's
Creator became also his Redeemer. God might have
redeemed man in some other way, but took the way of
human nature as best suited to man's weakness.
After our first parent had been exiled from Paradise for
his sin, the devil possessed him violently. But God's
providence tempered justice with mercy, and from the
penalty itself prepared a remedy.
" He set for man as a sign the sacraments of his salvation, in
order that whoever would apprehend them with right faith and firm
hope, might, though under the yoke, have some fellowship with
freedom. He set His edict informing and instructing man, so that
whoever should elect to expect a saviour, should prove his vow of
election in observance of the sacraments. The devil also set his
sacraments, that he might know and possess his own more surely.
The human race was at once divided into opposite parties, some
accepting the devil's sacraments and some the sacraments of Christ.
. . . Hence it is clear, that from the beginning there were Christians
in fact, if not in name."
Hugo proceeds to show that the time of the institution
of the sacraments began when our first parent, expelled from
Paradise, was subjected to the exile of this mortal life, with
all his posterity until the end.
" As soon as man had fallen from his first state of incorruption,
he began to be sick, in body through his mortality, in mind through
his iniquity. Forthwith God prepared the medicine of his reparation
through His sacraments. In divers times and places God presented
these for man's healing, as reason and the cause demanded, some
of them before the Law, some under the Law and some under
grace. Though different in form they had the one effect and
accomplished the one health. If any one inquires the period of
their appointment he may know that as long as there is disease
so long is the time of the medicine. The present life, from the
beginning to the end of the world, is the time of sickness and the
time of the remedy. When a sacrament has fulfilled its time it
ceases, and others take its place, to bring about that same health.
These in turn have been succeeded at last by others, which are not
to be superseded."
72 THE MEDIAEVAL MIND BOOK v
Having followed Hugo's plan thus far, one sees why it is
only at the commencement of the ninth Part of his first Book
that he reaches the definition and discussion of those final
and enduring sacraments which followed the Incarnation.
He has hitherto been developing his theme, and now takes up
its very essence. Laying out the matter scholastically, he
says " there are four things to consider : first, what is a
sacrament ; second, why they were instituted ; third, what
may be the material of each sacrament, in which it is made
and sanctified ; and fourth, how many sacraments there are.
This is the definition, cause, material, and classification."
Proceeding to the definition, he says that the doctors
have briefly described a sacrament as the token of the sacred
substance (sacrae ret signutri).
" For as there is body and soul in man, and in Scripture the
letter and the sense, so in every sacrament there is the visible
external which may be handled and the invisible within, which is
believed and taught. The material external is the sacrament, and
the invisible and spiritual is the sacrament's substance (res) or virtus.
The external is handled and sanctified ; that is the signum of the
spiritual grace, which is the sacrament's res and is invisibly
apprehended."
Having thus explained the old definition, Hugo objects
to it on the ground that not every signum rei sacrae is a
sacrament ; the letters of the sacred text and the pictures of
holy things are signa rei sacrae, and yet are not sacraments.
He therefore offers the following definition as adequate :
\-?\ " The sacrament is the corporeal or material element set out
sensibly, representing from its similitude, signifying from its institu-
tion, and containing from its sanctification, some invisible and
spiritual grace." l
This, he maintains, is a perfect definition, since all sacra-
ments possess these three qualities, and whatever lacks them
cannot properly be called a sacrament. As an example
he instances the baptismal water :
1 " Sacramentum est corporate vel materiale elenientum foris sensibiliter
propositum ex similitudine repraesentans, et ex institutione significans, et ex
sanctificatione continens aliquam invisibilem et spiritalem gratiam " (pars ix. 2 ;
Migne 176, col. 317). In spite of Hugo the old definition held its ground, being
adopted by Peter Lombard and others after him.
CHAP, xxvm THE SYMBOLIC UNIVERSE 73
"There is the visible element of water, which is the sacrament;
and these three are found in one : representation from similitude,
significance from appointment, virtue from sanctification. The
similitude is from creation, the appointment from dispensation, the
sanctification from benediction. The first is imparted to it through
the Creator, the second is added through the Saviour, the third is
given through the administrator." l
Passing to the second consideration, Hugo finds that the
sacraments were instituted with threefold purpose, for man's
humiliation, instruction, and discipline or exercise. The
man contemning them cannot be saved. Yet God has saved
many without them, as Jeremiah was sanctified in the womb,
and John the Baptist, and those who were righteous under
the natural law. " For those who under the natural law
possessed the substance (res} of the sacrament in right faith
and charity, did not to their damnation lack the sacrament"
And Hugo warns whoever might take a narrower view, to
beware lest in honouring God's sacraments, His power and
goodness be made of no avail. " Dost thou tell me that he
who has not the sacraments of God cannot be saved ? I tell
thee that he who has the virtue of the sacraments of God
cannot perish. Which is greater, the sacrament or the
virtue of the sacrament — water or faith ? If thou wouldst
speak truly, answer, ' faith.' " One notes that the twelfth
century had its broad-mindedness, as well as the twentieth.
While passing on discursively to consider the classifica-
tion of the sacraments, Hugo considers many matters,2 and
then opens his treatment of the sacraments of the natural
law with a recapitulation :
"The sacraments from the beginning were instituted for the
restoration and healing of man, some under the natural law, some
1 Here we see clearly that the works of the Creation have the sacramental
quality of similitude and, in a way, the quality of institution, since their
similitude to spiritual things was intended by the Creator for the instruction of
man. They lack, however, the third quality of sanctification, which enables the
material signum to convey its spiritual res.
2 e.g. the material of the sacrament, which may consist in things, as in bread
and wine, or in actions (as in making the sign of the cross), or in words, as in
the invocation of the Trinity. He also shows how faith itself may be regarded
as a sacrament, inasmuch as it is that whereby we now see in a glass darkly and
behold but an image. But we shall hereafter see clearly through contemplation.
Faith then is the image, i.e. the sacrament, of the future contemplation which is
the sacrament's real verity, the res.
74 THE MEDIAEVAL MIND BOOK v
under the written law, and others under grace. Those which are
later in time will be found more worthy means of spiritual grace.
For all those sacraments of the former time, under the natural or
the written law, were signs and figures of those now appointed
under grace. The spiritual effect of the former in their time was
wrought through the virtue and sanctification drawn from the latter.
If any one therefore would deny that those prior sacraments were
effectual for sanctification, he does not seem to me to judge
aright."1
The sacraments of the natural law were as the umbra
veritatis ; those of the written law as the imago vel figura
veritatis ; but those under grace are the corpus veritatis?
The written law, though given fully only through Moses,
began with Abraham, upon whom circumcision was enjoined
as a sacrament and sign of separation from the heathen
peoples. In obedience to its precepts lies the merit, in its
promises lies the reward, while its sacraments aid men to
fulfil its precepts and obtain its reward. Hugo discusses the
sacraments of circumcision and burnt-offerings which were
necessary for the remission of sins ; then those which
exercised the faithful people in devotion — the peace-offering
is an example ; and again those which aided the people to
cultivate piety, as the tabernacle and its utensils.
Hugo's second Book, which makes the second half of his
work, is devoted to the " time of grace " inaugurated by the
Incarnation. It treats in detail the Christian sacraments
and other topics of the Faith, down to the Last Judgment,
when the wicked are cast into hell, and the blessed enter
upon eternal life, where God will be seen eternally, praised
without weariness, and loved without satiety. This blessed
lot flows from the grace of the salvation brought by Christ,
and is dependent on the sacraments, the enduring means of
grace. On their part, the sacraments, whatever more they
are, are symbols, in essence and function connected with the
1 De sacr. lib. i. pars xi. cap. i. The sacraments of the natural law
included tithes, oblations, and sacrifices. Hugo also considers the good works
which the natural law prescribed. This period ceases with the written law given
implicitly through Abraham and explicitly through Moses. See De sacr. lib. i.
pars xii. cap. i. Hugo appears to me to vary his point of view regarding the
natural law and its time, for sometimes he regards it as the law prevailing till the
time of Abraham or Moses, and again as the law under which pagan peoples
lived, who did not know the Mosaic law.
2 De sacr. lib. i. pars xi. cap. 6 (Migne 176, col. 346).
CHAP, xxvm THE SYMBOLIC UNIVERSE 75
symbolical nature of God's creation, with the prefigurative
significance of the fortunes of God's chosen people until the
coming of Christ, with the import and symbolism of Christ's
life and teachings, and with the symbolism inherent in
the organization and building up of Christ's holy Church.
Symbolism and allegory are made part of the constitution
of the world and man ; they connect man's body and
environment with his spirit, and link the life of this world
with the life to come. Hugo has thus grounded and
established symbolism in the purposes of God, in the
universal scheme of things, and in the nature and destinies
of man.1
1 Whoever should wish for further illustration of Hugo's allegorical methods
may examine his treatises entitled De area Noe morali and De area NoS mystica
(Migne 176, col. 618-702), where every detail of the Ark, which signifies the
Church, is allegorically applied to the Christian scheme of life and salvation.
With these treatises, Hugo's De vanitate mundi (Migne 176, col. 703-740) is
connected. They will be referred to when considering Hugo's position in
mediaeval philosophy, post, Chapter XXXVI., n.
CHAPTER XXIX
CATHEDRAL AND MASS ; HYMN AND IMAGINATIVE POEM
I. GUILELMUS DURANDUS AND VINCENT OF BEAUVAIS.
II. THE HYMNS OF ADAM OF ST. VICTOR AND THE ANTICLAUDI-
ANUS OF ALANUS OF LILLE.
UNDER sanction of Scriptural interpretation and the sacra-
ments, allegory and symbolism became accepted principles
of spiritual verity, sources of political argument, and modes
of transcendental truth. They penetrated the Liturgy,
charging every sentence and ceremonial act with saving
significance and power ; and as plastic influences they
imparted form and matter to religious art and poetry, where
they had indeed been potent from the beginning.
I
In the early Church the office of the Mass, the ordination
of priests, and the dedication of churches were not charged
with the elaborate symbolism carried by these ceremonies in
the twelfth and thirteenth centuries,1 when the Liturgy, or
speaking more specifically, the Mass, had become symbolical
from the introit to the last benediction ; and Gothic sculpture
and glass painting, which were its visible illustration, had
been impressed with corresponding allegory. Mediaeval
liturgic lore is summed up by Guilelmus Durandus in his
Rationale divinorum officiorum, which was composed in the
latter part of the thirteenth century, and contains much
that is mirrored in the art of the French cathedrals. It is
1 See Duchesne, Origines du culte chritien.
76
CHAP, xxix SYMBOLIC WORKS OF MEN 77
impossible to review the elaborate symbolical significance of
the Mass as set forth in the authoritative work of one who
was a bishop, theologian, jurist, and papal regent.1 But a
little of it may be given.
The office of the Mass, says Durandus, is devised with
great forethought, so as to contain the major part of what
was accomplished by and in Christ from the time when He
descended from heaven to the time when He ascended into
heaven. In the sacrifice of the Mass all the sacrifices of the
Ancient Law are represented and superseded. It may be
celebrated at the third hour, because then, according to
Mark, Christ ascended the cross, and at that hour also the
Holy Spirit descended upon the Apostles in tongues of fire ;
or at the sixth hour, when, according to Matthew, Christ
was crucified ; or at the ninth hour, when on the cross He
gave up His spirit.
The first part of the Mass begins with the introit. Its
antiphonal chanting signifies the aspirations and deeds, the
prayers and praises of the patriarchs and prophets who were
looking for the coming of the Son of God. The chorus of
chanting clergy represents this yearning multitude of saints
of the Ancient Law. The bishop, clad in his sacred vest-
ments,2 at the end of the procession, emerging from the
sacristy and advancing to the altar, represents Christ,
the expected of the nations, emerging from the Virgin's
womb and entering the world, even as the Spouse from
His secret chamber. The seven lights borne before him
on the chief festivals are the seven gifts of the Holy Spirit
descending upon the head of Christ. The two acolytes
preceding him signify the Law and the Prophets, shown in
Moses and Elias who appeared with Christ on Mount Tabor.
The four who bear the canopy are the four evangelists,
declaring the Gospel. The bishop takes his seat and lays
aside his mitre. He is silent, as was Christ during His early
1 See the epitaph from his tomb in S. Maria sopra Minerva in Rome, given
by Savigny, Geschichte des Romischen Rechtst v. 571 J^-> who also gives a sketch
of his life. With the work of Durandus, the Gemma animae of Honorius of
Autun (Books I. II. III. ; Migne 172, col. 541 sqq.) should be compared, as
marking a somewhat earlier stage in the interpretation of the Liturgy. It also
gives the symbolism of the church and its parts, its ministers, and services.
2 Every article worn or borne by the bishop (or celebrating priest) has
symbolic significance.
78 THE MEDIAEVAL MIND BOOK v
years. The Book of the Gospels lies closed before him.
Around him in the company of clergy are represented the
Magi and others.
The services proceed, every word and act filled with
symbolic import The reading of the Epistle is reached —
that is the preaching of John the Baptist, who preaches only
to the Jews ; so the reader turns to the north, the region of
the Ancient Law. The reading ended, he bows before the
bishop, as the Baptist humbled himself before Christ.
After the Epistle comes the Gradual or responsorium,
which relates to penitence and the works of the active life.
The Baptist is still the main figure, until the solemn moment
when the Gospel is read, which signifies the beginning of
Christ's preaching. The Creed follows the Gospel, as faith
follows the preaching of the truth. Its twelve parts refer to
the calling of the twelve apostles. Then the bishop begins
his sermon ; that is to say, after the calling of the Twelve,
the Word of God is preached to the people, and it henceforth
behoves the Church to hold fast to the Creed which has
just been recited.1
The authoritative allegorizing of the twelfth and thirteenth
centuries extended the symbolism of the Mass to the edifice
in which it was celebrated ; as the Rationale sets forth in its
opening chapter entitled " De ecclesia et eius partibus." There
it is shown that the corporeal church is the edifice, while the
Church, spiritually taken, signifies the faithful people drawn
together from all sorts of men as the edifice is constructed of
all sorts of stones. The various names ecclesia, synagogue,
basilica, and tabernacle are explained ; and then why the
Church is called the Body of Christ, and also Virgin, also
Spouse, Mother, Daughter, Widow, and indeed Meretrix, as
it shuts its bosom against no one seeking it. The form of
the church conforms to that of Solomon's temple, in the
anterior part of which the people heard and prayed, while
the clergy prayed and preached, gave thanks and ministered,
in the sanctuary or sacred place. Solomon's temple in turn
was modelled on the Tabernacle of the Exodus, which,
1 All this (which is taken from Book IV. of the Rationale) is but the first
part of the Mass. The maze of symbolism increases in vastness and intricacy as
the office proceeds.
CHAP, xxix SYMBOLIC WORKS OF MEN 79
because it was constructed on a journey, is the type of the
world which passes away and the lust thereof. It was made
with the four colours of the arch of heaven, as the world
consists of the four elements. Since God is in the world,
He is in the tabernacle (which also means the Church
militant) and in the midst of the faithful congregation. The
anterior part of the tabernacle, where the people sacrificed, is
also the Vita activa, in which the laity labour in neighbourly
love ; and the portion where the Levites ministered is the
Vita contemplativa.
The church should be erected in the following manner :
the place of its foundation should be made ready — well-
founded is the house of the Lord upon a rock — and the
bishop or licensed priest should sprinkle it with holy water
to dispel the demons, and should lay the first stone, on which
should be carved a cross. The head of the church, that is
the chancel, should be set toward the rising sun at the time
of the equinox. Now if the Jews were commanded to build
walls for Jerusalem, how much more ought we to build the
walls of our churches? The material church signifies the
Holy Church built of living stones in heaven, with Christ the
corner-stone, upon which are set the foundations of Apostles
and Prophets. The walls above are the Jews and Gentiles,
who believing come to Christ from the four quarters of the
world. The faithful people predestined to life are the stones
thereof.
The mortar in which the stones are set is made of lime,
sand, and water. Lime is fervent love, which takes to itself
the sand, that is, earthly toil ; then water, which is the Spirit,
unites the lime and sand. As the stones of the wall would
have no stability without the mortar, so men cannot be set
in the walls of the heavenly Jerusalem without love, which
the Holy Spirit brings. The stones of the wall are hewn
and squared, which means sanctified and made clean. Some
stones are borne, but do not themselves bear any burden,
and these are the feeble in the Church. Other stones are
borne, yet also bear ; while still others bear, but are not borne,
save by Christ alone, the one foundation ; and the last are
the perfect.
The Jews were subject to hostile attack while building
8o THE MEDIAEVAL MIND BOOK v
the walls of Jerusalem,1 so that with one hand they set
stones, while they fought with the other. Likewise are we
surrounded by hostile vices as we build the walls of the
Church ; but we oppose them with the shield of faith and
the breastplate of righteousness, and the sword of the Word
of God in our hands.
The church edifice is disposed like the human body.
The chancel, where the altar is, represents the head, and the
cross (transept) the arms and hands. The western portion
(nave and aisles) is the rest of the body. But indeed
Richard of St. Victor deems that the three parts of the
edifice represent in order of sanctity, first the virgins, then
the continent, and lastly married people.
Again, the Church is built with four walls ; that is, by
the teaching of the four evangelists it rises broad and high
into the altitude of the virtues. Its length is the long-
suffering with which it endures adversity ; its breadth is
love, with which it embraces its friends in God, and loves its
enemies for His sake ; its height is the hope of future reward.
Again, in God's temple the foundation is faith, which is as
to what is not seen ; the roof is charity, which covers a
multitude of sins. The door is obedience — keep the com-
mandments if thou wilt enter into life.2 The pavement is
humility. The four walls are the four virtues, righteousness,
(justitia\ fortitude, prudence, and temperance. The windows
are glad hospitality and free-handed pity.
Some churches are cruciform, to teach us that we are
crucified to the world, or should follow the Crucified. Some
are circular, which signifies that the Church is spread through
the circle of the world.
The apse signifies the faithful laity ; the crypts, the
hermits. The nave signifies Christ, through whom lies the
way to the heavenly Jerusalem ; the towers are the preachers
and prelates, and the pinnacles represent the prelates' minds
which soar on high. Also a weather-cock on top of the
church signifies the preachers, who rouse the sleeping from
the night of sin, and turning ever to the wind, resist the
rebellious. The iron rod upholding the cock is the preacher's
sermon ; and because this rod is placed above the cross on
1 Neh. iv. 2 Matt. xix. 17.
CHAP, xxix SYMBOLIC WORKS OF MEN 81
the church, it indicates the word of God finished and con-
firmed, as Christ said in His passion, " It is finished." The
lofty dome on which the cross is set, signifies how perfect
and inviolate should be the preaching and observance of the
Catholic Faith.
The glass windows of the church are the divine
Scriptures, which repel the wind and rain, but admit the
light of the true sun, to wit God, into the church, that is,
into the hearts of the faithful. The windows also signify
the five senses of the body.1
The door of the church (again) is Christ — " I am the
Door " ; the doors are also the Apostles. The pillars are the
bishops and doctors ; their bases are the apostolic bishops ;
their capitals are the minds of the doctors and bishops.
The pavement is the foundation of faith, and also signifies
the " poor in spirit," also the common crowd by whose
labours the church is upheld. The rafters are the princes
and preachers in the world, who defend the church by deed
and word. The seats in a church are the contemplative in
whom God rests without offence. The panels in the ceiling
are also preachers who adorn and strengthen.
The chancel, the head of the church, by being lower
than the rest, indicates how great should be the humility of
the clergy. The screens by which the altar is separated
from the choir signify the separation of heavenly beings
from things of earth. The choir stalls indicate the body's
need of recreation. The pulpit is the life of the perfect.
The horologe signifies the diligence with which the priests
should say the canonical hours. The tiles of the roof are
the knights who protect the church from pagans. The
spiral stairways concealed within the walls are the secret
knowledge had only by those who ascend to the heavenly
places. The sacristy, where the holy utensils are kept and
the priest puts on his vestments, signifies the womb of the
most holy Virgin, in which Christ put on His sacred garb of
flesh. From thence the priest emerges before the public,
as Christ went forth from the Virgin's womb into the world.
The lamp signifies Christ, who is the light of the world ;
1 Many parts of the church have more than one significance. The windows
were said before to represent hospitality and pity.
VOL. II G
82 THE MEDIAEVAL MIND BOOK v
or the lamps signify the Apostles and other doctors, whose
doctrine lights the church. Moses also made seven lights,
which are the seven gifts of the Holy Spirit.
Durandus next devotes a whole chapter to the symbolism
of the altar, and another to the significance and function of
ornaments, pictures, and sculpture. The latter opens with
the words : " The pictures and ornaments in a church are
the texts and scriptures (lectiones et scripturae] of the laity."
This chapter is long ; it explains how Christ and the angels,
also saints, Apostles and others, should be represented, and
describes the proper kinds of church ornament and utensils.
Much of the detail is symbolical.
Thus Durandus devised or brought together meanings
to fit each bit of the church edifice, its materials and furnish-
ings. In the work of a contemporary are stored the alle-
gorical meanings of the subjects of Gothic sculpture and
painted glass. The thirteenth century had a weakness for
the word " Speculum," and the idea it carried of a mirror
or compendium of all human knowledge. The chief of
mediaeval encyclopaedists was Vincent of Beauvais, a protege
of the saintly King Louis IX. An analysis of his huge
Speculum majus is given elsewhere.1 It was made up of
the Mirror of Nature, the Mirror of human Knowledge and
Ethics, and the Mirror of History. The compiler and his
assistants laboured during the best period of Gothic art,
and from their work, industry may draw an exhaustive
commentary upon the series of topics presented by the
sculpture and glass of a cathedral.2
The Mirror of Nature appears carved in the sculpture
of Chartres or Bourges. In rendering the work of the Six
Days, the Creator is shown (under the form of Christ) 3 con-
1 Post, Chapter XXXV., I.
2 The application of Vincent's work to the sculpture and painting of a Gothic
cathedral is due to Didron, Iconographie chretienne, histoire de Dieu, Introduction
(1843). Other writers have followed him, like Emile Male in his L'Art religieux
du XIII* sihle en France (2nd ed., Paris, 1902), to which the present writer is
much indebted. It goes without saying, that the sources from which Vincent
drew (e.g. the works of Albertus Magnus) likewise form a commentary upon the
subjects of Gothic glass and sculpture, and may even have suggested the manner
of their presentation.
3 The opening verses of John's Gospel account for this. Christ, or God in
the person of Christ, is shown in Old Testament scenes as early as the fourth
century upon sarcophagi in the Lateran at Rome.
CHAP, xxix SYMBOLIC WORKS OF MEN 83
templating His work, or resting from His toil ; here and
there a lion, sheep, or goat, suggests the animal creation,
and a few trees the vegetable world. This is the necessary
symbolism of the sculptor's art. But Gothic animals and
plants sometimes have other definite symbolic meanings,
as in the instance of the well-known signs of the four
Evangelists, the man, the lion, the ox, the eagle. The
allegorical interpretations of Scripture were an exhaustless
source of symbolism for Gothic sculptors ; another was the
Physiologus and its progeny of Bestiaries, with their symbolic
explanations of the legendary attributes of animals. In-
tentional symbolism, however, did not inhere in all this
carving, much of which is sheer fancy and decoration. Such
was the character of the splendid Gothic flora, of the birds
and beasts that move in it, and of the grotesque monsters.
They were not out of place, since the Gothic cathedral was
itself a Speculum or Summa, and should include the whole
of God's creation, not omitting even the devils who beset
men's souls.
Vincent may have drawn from Hugo of St. Victor the
current doctrine that the arts have part in the work of man's
restoration ; a doctrine abundantly justifying the presence of
the sciences and crafts (composing the Mirror of Knowledge)
in the sculpture and painting of the cathedral. There the
Seven Liberal Arts are rendered, through allegorical figures ;
and the months of the year are symbolized in the Zodiac
and the labours of the field which make up man's annual
toil. Philosophy is shown and Fortune's wheel ; the Virtues
and Vices are represented in personifications, and even their
conflict, the Psychomachia, may be shown.
At last the Mirror of History is reached. This will
teach in concrete examples what has been learned from the
figures of the abstract Virtues and Vices. Its chief source
is the Bible. Those Old Testament incidents were selected
which for centuries had been interpreted as prefigurements
of the life of Christ ; and each was presented as a pendant
to the Gospel scene which it typified. These make the
chief subjects of the coloured glass of Chartres and Bourges
and other cathedrals where the windows are preserved.
Here may be seen the Passion of Christ, surrounded by
84 THE MEDIAEVAL MIND BOOK v
scenes from the Old Testament typifying it ; likewise His
Resurrection and its ancient types ; and other significant
incidents in the life of the Saviour and His virgin mother.1
The latter is typified by the burning bush, by the fleece of
Gideon, by the rod of Aaron, even as in the hymns of Adam
of Saint-Victor.2 Besides these incidents, leading personages
of the Old Testament are presented as prefigurative of
Christ, as in the great series of statues of Melchizedek,
Abraham, Moses, Samuel, David, on the north portal of
Chartres ; while the four greater and twelve minor prophets
are shown as types of the four Evangelists and the twelve
Apostles. Christ himself is depicted on a window at St.
Denis, between the allegorical figures of the Ancient Law
and the Gospel, — figures which are allied to those of the
uncrowned and blinded Synagogue and the triumphant
Church, so frequently seen together upon cathedrals. Every-
where the tendency to symbolize is strong. Parts of the
Crucifixion scene are rendered symbolically, and many of the
parables. That of the Good Samaritan constantly appears
upon the windows, and is always designed so as to convey
the allegorical teaching drawn from it in Honorius's sermon.3
Obviously this Mirror of History was chiefly sacred
history. Pagan antiquity was scantily suggested by the
Sibyls, who stand for the dumb pagan prophecy of Christ.
Scenes from the history of Christian nations were more
frequent ; but they always told of some victory for Christ,
like the baptism of Clovis, or the crusading deeds of
Charlemagne, Roland, or Godfrey of Bouillon. God's drama
closed with the Last Judgment, the damnation of the damned
and the beatitude of the elect. The Last Judgments, usually
over-arching the tympanums above cathedral doors, are
known to all — as at Rheims, at Chartres, at Bourges. They
are full of symbolism, and full of " historic " reality as well.
The treatment becomes entirely allegorical when the sculptor
enters Paradise with the redeemed, and portrays in lovely
personifications the beatitudes of the blessed, as on the north
portal of Chartres.
1 These subjects illustrated the series of events celebrated in the calendar of
church services.
2 Post, pp. 86 sqq. * Ante, Chapter XXVII.
CHAP. xxix SYMBOLIC WORKS OF MEN 85
Those bands of nameless men who carved the statues
and designed the coloured glass which were to make Gothic
cathedrals speak, faithfully presented the teachings of the
Church. They rendered the sacred drama of mankind's
creation, fall, redemption, and final judgment unto hell or
heaven : they rendered it in all its dogmatic symbolism,
and with a plastic adequacy showing how completely they
thought and felt in the allegorical medium in which they
worked. They also created matchless ideals of symbolism
in art. The statuary of the portals and fagades of Rheims
and Chartres are in their way comparable to the sculptures
of the pediment of the Parthenon. But unlike those master-
pieces of antique idealism, these Christian masterpieces do
not seek to set forth mortal man in his natural strength
and beauty and completeness. Rather they seek to show
the working of the human spirit held within the power and
grace of God. Theirs is not the strength and beauty of the
flesh, or the excellence of the unconquerable mind of man ;
but in them man's mind and spirit are palpably the devout
creatures of God's omnipotence, obedient to His will,
sustained and redeemed by His power and grace. Attitude,
form, feature, alike designed to express the sacred beauty of
the soul, are not invested with physical excellence for its
own sake ; but every physical quality of these statues is a
symbol of some holy and beautiful quality of spirit. These
statues attain a symbolic, and not a natural, ideal in art.
Yet many of them possess the physical beauty of form and
feature, inasmuch as such may be the proper envelope for
the chaste and eager soul.1
On the other hand, in the filling out of the illustrative
detail of life on earth, of handicraft and art, the sculptor
showed how he could carve these actualities, and present
earth's beauty in the cathedral's wealth of vine and flower
and leaf. The level commonplace of humanity is deftly
rendered, the daily doings of the forge and field and market-
place, the tugging labourer, the merchant with his stuffs, the
1 So the composition and the arrangement of topics in the cathedral sculpture
and glass have scarcely the excellence of natural grouping. The arrangement is
intended to illustrate the series of successive acts making up God's own artist-
composition, itself symbolical of His purpose in the creation and redemption of
man.
86 THE MEDIAEVAL MIND BOOK v
scholar with his scrolls. He knew life well, this artist, and
had an eye for every catching scene, also for Nature's subtle
beauties. Sometimes a certain passing show was represented
because a window was given by some drapers' guild, desirous
of seeing its craft shown in a place of honour ; and the
artist loved his scenes from busy life, as he loved his
ornament from Nature. Such scenes (which rarely held
specific allegory) were not unconnected with the rest of the
drama of creation and redemption mirrored in the cathedral,
nor was the exquisitely cut leaf and rose without its suggestion
of the grace incarnate in the Virgin and her Son. Daily
life and natural ornament had at least an illustrative
pertinency to the whole, of which they were unobtrusive and
lovely elements ; and since that whole was primarily a visible
symbol of the unseen and divine power, these humble
elements had part in its unutterable mystery, and were
likewise symbols.
Finally, have not these nameless artists — even as Dante
and our English Bunyan — presented by their art a synthesis
of life's realities ? Their feet were on the earth ; with
sympathy and knowledge their hands worked in the media
of things seen and handled, and fashioned the little human
matters which are bounded by the cradle and the grave.
Such were the materials from which Dante formed his
Commedia, and Bunyan drew the Progress of his Pilgrim
soul to God. Yet as with Bunyan and Dante, so with
these artists in stone and coloured light, the mortal and
the tangible were but the elements through which the poem
or story, or the carved or painted picture, was made the
realizing symbol of the unseen and eternal Spirit.
II
Beneath the Abbey Church of Saint- Victor there was a
crypt consecrated to the Mother of God. Here a certain
monk was wont to retire and compose hymns in her honour.
One day his lips uttered the lines :
" Salve, mater pietatis,
Et totius Trinitatis
CHAP, xxix SYMBOLIC WORKS OF MEN 87
Nobile triclinium ;
Vcrbi tamen incarnati
Speciale majestati
Praeparans hospitium ! "
Whereupon a flood of light filled the crypt, and the Virgin,
appearing to him, inclined her head.
The monk's name was Adam,1 and he is deemed the best
of Latin hymn-writers. Breton born, he entered Saint- Victor
in his youth, about the year 1130. He was favoured with
the instruction of Hugo till the master's death in 1141.
Adam must have been of nearly the same age as Richard of
Saint- Victor, that other pupil of Hugo who makes the third
member of the great Victorine trio. Their works have been
the monastery's fairest fame. Hugo was a Saxon ; Adam
a Breton ; Richard was Scotch. So Saint- Victor drew her
brilliant sons from many lands. Richard, whose writings
worthily supplemented those of his master Hugo,2 died in
1173 ; his friend Adam outlived him, and died an old man
as the twelfth century was closing. He was buried in the
cloister, and over him was placed an elegiac epitaph upon
human vanity and sin, in part his own composition.
Adam's hymns were Sequences 3 intended for church use.
Their author was learned in Christian doctrine, skilled in the
Liturgy, and saturated with the spirit of devotional symbolism.
His symbolism, which his gift of verse made into imagery,
was that of the mediaeval church and its understanding of
the Liturgy ; he also shows the special influence of Hugo.
Adam's hymns, with their powerful Latin rhymes, cannot
be reproduced in English ; but a translation may give the
contents of their symbolism. The hymn for Easter, beginning
" Zyma vetus expurgetur," 4 is an epitome of the symbolic
prefiguration of Christ in the Old Testament. Each familiar
allegorical interpretation flashes in a phrase. Literally
translated, or rather maltreated, it is as follows :
1 Adam's hymns are edited with notes and an introductory essay by L.
Gautier, CEuvres pottiques d'Adam de S.- Victor (3rd ed., Paris, 1894). A
number of his hymns will be found in Migne 196, col. 1422 sqq. ; and also in
Clement's Carmina e poetis christianis excerpta. On Adam's verse see post,
Chapter XXXI I. , in.
2 Dante draws much from Richard of St. Victor.
3 See /to/, Chapter XXXII., HI.
4 Gautier, o.c. p. 46 (Migne 196, col. 1437).
88 THE MEDIAEVAL MIND BOOK v
" Let the old leaven be purged away that a new resurrection
may be celebrated purely. This is the day of our hope ; wonderful
is the power of this day by the testimony of the law.
"This day despoiled Egypt, and liberated the Hebrews from
the fiery furnace ; for them in wretched straits the work of servitude
was mud and brick and straw.1
" Now as praise of divine virtue, of triumph, of salvation, let the
voice break free ! This is the day which the Lord made, the day
ending our grief, the day bringing salvation.
" The Law is the shadow of things to come, Christ the goal of
promises, who completes all. Christ's blood blunts the sword the
guardians removed.2
" The Boy, type of our laughter, in whose stead the ram was
slain, seals life's joy.3 Joseph issues from the pit ; * Christ returns
above after death's punishment
" This serpent devours the serpents of Pharaoh secure from the
serpent's spite.5 Whom the fire wounded, them the brazen
serpent's presence freed.6
" The hook and ring of Christ pierce the dragon's jaw ; " the
sucking child puts his hand into the cockatrice's den, and the old
tenant of the world flees affrighted.8
" The mockers of Elisha ascending the house of God, feel the
bald-head's wrath;9 David, feigning madness, the goat cast forth,
and the sparrow escape.10
"With a jaw-bone Samson slays a thousand and spurns the
marriage of his tribe. Samson bursts the bars of Gaza, and,
carrying its gates, scales the mountain's crest.11
1 The Hebrews in bondage to the Egyptians are the symbol of all men in the
bonds of sin.
2 As Christ expires the cherubim at the gate of Eden lower the flaming
sword, so that the men bathed with His blood may pass in.
3 Isaac was always a type of Christ ; his name was interpreted laughter (rt'sus)
from Gen. xxi. 6 : " And Sarah said, God hath made me to laugh, so that all
that hear will laugh with me."
4 Joseph another type of Christ.
6 This serpent, i.e. Christ the rod of Aaron, safe from the devil's spite,
consumes the false idols.
6 The Brazen Serpent, a type of Christ. Cf. John iii. 14.
7 Cf. Job xli. i. The hook (Aamus) is Christ's divinity, whereby He pierces
the devil's jaw.
8 Cf. Isa. xi. 8. The guiltless child is Christ, and the cockatrice is the devil.
9 The children who mocked Elisha represent the Jews mocking Christ as He
ascended Calvary ; the bear is Vespasian and Titus who destroy Jerusalem.
10 These again are types of Christ : David feigning madness among the
Philistines, I Sam. xxi. 12-15; tne g°at cast forth for the people's sins, Lev.
xvi. 21, 22 ; and the sparrow in the rite of cleansing from leprosy, Lev. xiv. 2-7.
11 Samson a type of Christ, will not wed a woman of his tribe (Judges xiv.
1-3) as Christ chooses the Gentiles ; Samson bursts open Gaza's gates as Christ
the gates of death and hell.
CHAP, xxix SYMBOLIC WORKS OF MEN 89
" So the strong Lion of Judah, shattering the gates of dreadful
death, rises the third day ; at His lather's roaring voice, He carries
aloft His spoils to the bosom of the supernal mother.1
" After three days the whale gives back from his belly's narrow
house Jonas the fugitive, type of the true Jonas. The grape of
Cyprus 2 blooms again, opens and grows apace. The synagogue's
flower withers, while flourishes the Church.3
" Death and life fought together : truly Christ arose, and with
Him many witnesses of glory. A new morn, a glad morn shall
wipe away the tears of evening : life overcame destruction ; it is a
time of joy.
"Jesu victor, Jesu life, Jesu life's beaten way, thou whose
death quelled death, bid us to the paschal board in trust. O Bread
of life, O living Wave, O true and fruitful Vine, do thou feed us, do
thou cleanse us, that thy grace may save us from the second
death. Amen."
From the time of that old third-century hymn ascribed
to Clement of Alexandria,4 hymns to Christ had been filled
with symbolism, the symbolism of loving personification
of His attributes, as well as with the more formal symbolism
of His Old Testament prefigurements. Adam's symbolism is
of both kinds. It has feeling even when dogmatic,5 and
throbs with devotion as its theme approaches the Gospel
Christ. Prevailing modes of thought and feeling may
prescribe topics for verse which a succeeding age will find
curiously unpoetic. Yet if the later time have a sympathetic
understanding for the past, it will recognize how fervid and
how songful was that bygone verse — the verse of Adam's
hymns, for instance. In one for Christmas Day, beginning :
" Potestate, non natura,
Fit Creator creatura," 6
1 The allusion here is to the statement of mediaeval Bestiaries that the lion
cub, when born, lies lifeless for three days, till awakened by his father's roar.
The supernal mother is the Church triumphant.
2 The body of Christ, i.e. the Church.
3 A topic everywhere represented in church windows and cathedral sculpture.
4 Printed at the end of his Paedagogus ; see Taylor, Classical Heritage of
he Middle Ages, pp. 253-255, where it is translated.
5 Although the dogmas of Christianity were formulated by reason, they were
cradled in love and hate. Nowadays, in a time when dogmas are apt to be
thought useless clogs to the spirit, it is well for the historically-minded to remem-
ber the power of emotional devotion which they have inspired in other times.
6 Gautier, CEuvres d'Adam (ist ed., vol. i. p. n); Gautier (3rd ed., p.
269) doubts whether this hymn is Adam's. But for the purpose of illustrating
the symbolism of the twelfth-century hymn, the question of authorship is not
important.
90 THE MEDIAEVAL MIND BOOK v
a stanza touches on the reason why the Creator thus became
creature. It would be impossible to render its feeling in
English, and much circumlocution would be needed to
express even its literal meaning in any language but
mediaeval Latin. This stanza has twelve lines :
" Causam quaeris, modum rei :
Causa prius omnes rei,
Modus justum velle Dei,
Sed conditum gratia."
" Thou askest cause and modus of the fact : the causa rei
was before all, the modus was God's righteous willing, but seasoned
with grace."
These lines are scholastic. In the next four, the feeling
begins to rise, yet the phrases repel rather than attract us :
" O quam dulce condimentum
Nobis mutans in pigmentum,
Cum aceto fel cruentum
Degustante Messya ! "
" Oh ! how sweet the condiment changing for us into juice, as-
the Messiah tastes the bloody gall and vinegar."
The feeling touches its climax with the four concluding
lines, in which the parable of the Good Samaritan is invested
with the special allegorical significance set forth in the
sermon of Honorius : l
" O salubre sacramentum,
Quod nos ponit in jumentum
Plagis nostris dans unguentum
I lie de Samaria."
"O health-giving sacrament which sets us on a beast, giving
ointment for our stripes, — he of Samaria. " 2
Two stanzas from another of Adam's Christmas hymns
1 Ante, Chapter XXVII.
2 In these closing lines the "salubre sacramentum" is in apposition to " Ille
de Samaria" — i.e. the "sacramentum" is the Saviour, who is also typified by
the Good Samaritan. In another hymn for Christmas, Adam speaks of the
concurrence in one persona of Word, flesh, and spirit, and then uses the phrase
" Tantae rei sacramentum" (Gautier, o.c. p. 5)- Here the sacramentum
designates the visible human person of Christ, which was the life-giving signum
or symbol of so great a marvel (tantae rei) as the Incarnation. Adam has-
Hugo's teaching in mind, and the full significance of his phrase will appear by
taking it in connection with Hugo's definition of the Sacrament, ante. Chapter
XXVIII.
CHAP, xxix SYMBOLIC WORKS OF MEN 91
will show how curiously intricate could be his symbolism.
Having spoken of the ineffable wonder of the Incarnation,
he proceeds :
" Frondem, florem, nucem sicca
Virga profert, et pudica
Virgo Dei Filium.
Fert coelestem vellus rorem,
Creatura creatorem,
Creaturae pretium.
" Frondis, floris, nucis, roris
Pietati Salvatoris
Congruunt mysteria.
Frons est Christus protegendo,
Flos dulcore, nux pascendo,
Ros coelesti gratia." l
"A dry rod puts forth leafage, flower, nut,2 and a chaste Virgin
brings forth the Son of God. A fleece bears heavenly dew,3 a
creature the Creator, the creature's price.
"The mysteries of leafage, flower, nut, dew are suited to the
Saviour's tender love (pietas). The foliage by its protecting is
Christ, the flower is Christ by its sweetness, the nut as it yields
food, the dew by its celestial grace."
One observes that here the symbolism first touches
Christ's birth, the dry rod and the fleece representing the
Virgin. Then the leafage, flower, nut and dew typify His
qualities. The remaining stanzas of this hymn carry out in
further detail the symbolism of the nut.
Besides the hymns devoted to the Saviour, the greater
part of Adam's hymns are symbolical throughout. Those
written for the dedication of churches are among the
most interesting. One beginning " Quam dilecta tabernacula" 4
sketches the Old Testament facts which prefigure Christ's
holy Church. The keynote is in the lines :
" Quam decora fundamenta
Per concinna sacramenta
Umbra praecurrentia ! "
1 Gautier, o.c. p. 10.
2 The reference is to Aaron's rod in Numbers xvii.
3 The reference is to Gideon's fleece, Judges vi. 37, which is a type of the
Virgin Mary.
4 Gautier, o.c. ist ed., i. 155 (Migne 196, col. 1464). In his third
edition, Gautier is doubtful of Adam's authorship of this hymn because of its
irregular rhyme.
92 THE MEDIAEVAL MIND BOOK v
" How seemly the foundations through the appropriate sacra-
ments, the forerunning shadow."
The shadow is the Old Testament, and these three lines sum
up the teaching of Hugo as to the sacramental nature of
the Old Testament narratives. Throughout this hymn
Adam follows Hugo closely.1 In another dedicatory hymn 2
Adam gives the prefigurative meaning of the parts of
Solomon's temple. There is likewise much symbolism
in the grand hymns addressed to the Virgin. One for the
festival of the Assumption 3 gives the figures of the Virgin
in the Old Testament — the throne of Solomon, the fleece
of Gideon, the burning bush. Then with more feeling the
metaphorical epithets pour forth, voicing the heart's gratitude
to the Virgin's saving aid to man. A still more splendid
example of like symbolism and ardent metaphor is the great
hymn beginning :
" Salve mater Salvatoris,
Vas electum, vas honoris,"
which won the Virgin's greeting for the poet.4
The lives of Honorius, of Hugo, of Adam, from whose
works we have been drawing illustrations of mediaeval
symbolism, vie with each other in obscurity ; and properly
enough since they were monks, for whom self-effacement is
becoming. This personal obscurity culminates with one last
example to be drawn from monastic sources. The man him-
self was an impressive figure in his time ; a sight of him was
not to be forgotten : he was called magnus and doctor
universalis. Nevertheless it has been questioned whether he
lived in the twelfth or the thirteenth century, and whether
one man or two bore the name of Alanus de Insulis.
There was in fact but one, and he belongs to the twelfth
century, dying almost a centenarian, in the year 1 202. The
cognomen de Insulis has also been an enigma. From it he
has been dubbed a Sicilian, and then a Scot, born on the
island of Mona. But the name in reality refers to the chief
town of Flanders, which is called Lisle ; and Alanus doubt-
less was a Fleming.
1 Cf. Gautier's notes to this hymn, Gautier, o.c. ist ed., i. 159-167.
2 Gautier, o.c. i. 168. 3 Gautier, o.c. ii. 127.
4 Gautier, 3rd ed., p. 186. This is in Migne 196, col. 1502.
CHAP, xxix SYMBOLIC WORKS OF MEN 93
He became a learned man, and lectured at Paris. That
he was possessed with no small opinion of his talents would
appear from the legend told of him as well as of St.
Augustine. He had announced that on a certain day in
a single lecture he would set forth the complete doctrine of
the mystery of the most Holy Trinity. The afternoon before
the day appointed, he walked by the river, thinking how he
should arrange his subject so as to include it all. He
chanced upon a child who was dipping up the river water
with a snail shell and dropping it into a little trench.
Smiling, he asked what should be the object of this ; and
the child told him that he was putting the whole river into
his trench. As the great scholar was explaining that this
could not be done, he suddenly felt himself chidden and
taught — how much less might he perform what he had set
for the next morning. He stood speechless at his pre-
sumption, and burst into tears. The next day ascending
the platform he said to the crowd of auditors, " Let it suffice
you to have seen Alanus " ; l and with that he left them all
astonished, and himself hastily set out for Citeaux. On
arrival he asked to be admitted as a conversus, and was
given charge of the monastery's sheep. Patient and
unknown, he long plied this humble vocation. But at
length it chanced that the abbot took him to a council at
Rome, in the capacity of hostler. And there he beat down
the arrogance of a, heretic with such arguments that the
latter cried out that he was disputing either with the devil
or Alanus, and would say no more.
Such is one story. By another he is made to seek the
monastery of Clairvaux, and there become a monk under
St. Bernard. It is also written that he became an abbot,
and then a bishop, but afterwards resigned his bishopric.
However all this may have been, he died and was buried,
and was subjected to many epitaphs. On what purports
to be an old copy of his tomb at Citeaux, he is shown with
St. Bernard, and called Alanus Magnus. The title Doctor
universalis has always clung to his memory, which will not
altogether fade. For if Adam of Saint-Victor was the
1 A charlatan in Salimbene's Chronicle, ante, Chapter XXI., uses a like
phrase.
94 THE MEDIAEVAL MIND BOOK v
greatest of Latin mediaeval hymn-writers, Alanus has good
claim to be called the greatest of mediaeval Latin poets in
the field of didactic and narrative poetry.1
The many works ascribed to Alanus include an allegorical
Commentary on Canticles, a treatise on the art of preaching,
a book of sententiae, another of theologicae regulae, sundry
sermons, and a lengthy work " contra haereticos " ; also a
large dictionary of Biblical allegorical interpretations, entitled
Liber in distinctionibus dictionum theologicalium? All these
are prose. He composed besides his Liber de planctu naturae?
and his Anticlaudianus, a learned and profound, and likewise
highly imaginative allegorical poem upon man.4 Its Preface
in prose casts a curious light upon the author's enigmatical
personality, which combined the wonted or conventional
humility of a monk with the towering self-consciousness of
a man of genius.
"The lightning scorns to spend its force on twigs, but breaks
the proud tops of exalted trees. The wind's imperious rage passes
over the reed and drives the assaults of its wild blasts against the
highest summits. Wherefore let not envy's flame strike the pinched
humility of my work, nor detraction's breath overwhelm the driven
poverty of my little book, where misery's wreck demands a port of
pity, far more than felicity provokes the sting of spite."
More sentences of turgid deprecation follow, and the
author begs the reader not to approach his book with disgust
and irritation, but with pleasant anticipations of novelty (not
all a monk speaks here ! ).
" For although the book may not bloom with the purple vest-
ment of flowering speech, nor shine with the constellated light of
the flashing period, still in the tenuity of the fragile reed the honey's
sweetness may be found, and parched thirst can be tempered with
1 For the data as to Alanus see the Prolegomena to Migne, Pat. Lot.
210, which volume contains his works. See also Haureau, Mint, de Facad. des
inscriptions et des belles lettres, tome 32 (1886), p. I, etc. ; also Hist. lit. de
France, tome 1 6, p. 39^» etc. On Alanus and his place in scholastic philosophy,
see post, Chapter XXXVI., ill.
2 Migne 210, col. 686-1012.
3 Migne 210, col. 431-481. See/orf, Chapter XXXIL, i.
4 The significance of the title is not quite clear. The poem is written in
hexametre, and is not far from 4700 lines in length. It is printed in Migne 210,
col. 486-576 ; also edited by Thos. Wright, Master of the Rolls Series, vol. 59,
ii. (1872).
CHAP, xxix SYMBOLIC WORKS OF MEN 95
the scant water of a rill. In this book let nothing be made vulgar
(plebcscaf) with ribaldry, nor let anything be open to biting reproof,
as if it smacked of the coarseness of the moderns [to whom does
he refer ?] ; but let the flower of my talent be presented, and the
dignity of diligence ; for pigmy humility, thus raised upon a height,
may overtop the giant. Let not those dare to tire of this work,
who are squalling in the cradles of elementary instruction, sucking
milk from nurses' paps ; nor let those seek to cry it down, who are
pledged to the service of the higher learning ; nor those presume to
discredit it, who strike heaven from the top-notch of philosophy.
For in this work, the sWeetness of the literal meaning will tickle the
puerile ear ; moral teaching will instruct the more proficient under-
standing ; and the finer subtilty of allegory will sharpen the finished
intellect. Wherefore let all those be kept from ingress who,
abandoned to the mirrors of the senses, are not charioteered by
reason, and, pursuing the sense-image, have no appetite for reason's
truth, — lest indeed what is holy be defiled by dogs, and the pearl be
trampled by the feet of swine. But such as will not suffer the
things of reason to rest with the base images, and dare to lift their
view to forms divine, may thread the narrow passes of my book,
while they weigh with discretion's scales what is suited to the
common ear, and what should be buried in silence."
This Preface of strained sentence and laboured metaphor,
of forced humility and overweening self-consciousness, hardly
augurs well for the poem of which it is the prelude. But
prefaces are authors' pitfalls, and, moreover, many writers
have floundered in one medium of speech while in another
they have moved with ease. From the ungainly prose of
the Persones Tale, no one would expect the ease and force
of Chaucer's verse. And the reader of Alanus's Preface
need not be discouraged from entering upon his poem. Its
subject is man ; its philosophic or religious purpose is to
expound the functions of God, of Nature, of Fortune, of
Virtue and Vice, in making man and shaping his career.
The poem is an allegory, original in its general scheme of
composition, but in many of its parts following earlier
allegorical writings.
The opening lines tell of Nature's solicitude to bestow
her gifts so that the finished work may present a fair
harmony : as a patient workman she forges, trims and files,
and fashions with reason's chisel. But when she seeks to
invest her work with qualities beyond her giving, she is
96 THE MEDIAEVAL MIND BOOK v
obliged to call on the Celestial Council of her Sisters.
Responding, pilgrim-like the Crown of Heaven's soldiery
comes from on high, brightens the earth with its light, and
clothes the ground with blessed footprints.
Leading this galaxy, Concord advances, foster-child of
Peace ; then Plenty comes, and Favour, and Youth with
favour anointed, and Laughter, banisher of mental mists ;
then Shame and Modesty, and Reason the measure of good,
and Honesty, Reason's happy comrade ; then Dignity (decus)
and Prudence balancing her scales, and Piety and true Faith,
and Virtue. Last of all Nobility (nobilitas\ in grace not
quite the others' equal.1
In the midst of a great wood blessed with fountains and
multitudinous bird-song, a cloud-kissing mountain rose with
level top. Nature's palace was erected here, gemmed and
golden ; and within was a great hall hung upon bronze
columns. Here the painter's art had rendered the ways of
men, and inscriptions made plain the pictured story. " O
new wonders of painting," exclaims the poet ; " what cannot
be, comes into being ; and painting, the ape of truth, deluding
with novel art, turns shadows to realities, and transforms
particular falsehood into (general) truth." 2 There might be
seen the power of logic pressing its arguments and conquering
sophistry. There Aristotle was preparing his arms, and,
more divinely, Plato mused on heaven's secrets. There
Seneca moralized, and Ptolemy explained the stars in their
times and courses. There spoke the word of Tully, while
Virgil's muse painted many lies, and put truth's garb on
falsehood. There was also shown the might of Alcides and
Ulysses' wisdom, Turnus's valour prodigal of life, and Hippo-
lytus's shame, undone by Venus's reins.3 Such and many
1 The poem is highly imaginative in the delineation of its allegorical figures^
2 These curious lines are as follows :
" O nova picturae miracula, transit ad esse
Quod nihil esse potest ! picturaque simia veri,
Arte nova ludens, in res umbracula rerum
Vertit, et in verum mendacia singula mutat."
Anticlaudianus, i. cap. iv.
(Migne 196, col. 491.)
3 The allusion here is to the fate of Hippolytus, whose chariot-horses,
maddened by the wiles of Venus, dashed the chariot to pieces and caused their
lord's death.
CHAP, xxix SYMBOLIC WORKS OF MEN 97
other tropes of things and dreams of truth, this royal art set
forth.
Here, standing in the midst of her Council, Nature, with
bowed head, spoke her solemn words : " Painfully I remake
what my hand's solicitude has wrought. But the hand's
penitence does not wipe out the flaws. The shortcomings
of our works must be repaired by some perfect model, some
man divine, not smelling of the earth and earthly, but whose
mind shall hold to heaven while his body walks the earth.
Let him be the mirror in which we may see what our faith,
our potency, and virtue ought to be. As it is, our shame is
over all the earth."
When the Council had approved these words, Prudence
arose in all her beauty.1 She discoursed upon man's dual
nature, spirit and body. Nature and her helpers may be
the artificers of his mortal body, but the soul demands its
heavenly Artificer, and laughs at our rude arts. God's
wisdom alone can create the soul, as Prudence shows by an
exposition of its qualities.
Now Reason raised his reverend form, holding his triple
glass in which appear the causes and effects and qualities of
things. He humbly disclaimed the power to instruct
Minerva,2 and applauded the plan by which a new Lucifer
should sojourn in the world. May he unite all the gifts
which they can bestow, and be their champion against the
Vices. Now let their suppliant vows be sped to Him who
alone can create the divine mind. A legate should be
despatched above, bearing their request. For this office
none is so fit as Prudence, to whom the secrets of Heaven
are known, and whose energy and wisdom will surmount
the difficulties of the way.
Prudence at first refuses ; but Concordia rises, the
inspirer of chaste loves, she who knit the souls of David
and Jonathan, Pirithous and Theseus, Nisus and Euryalus,
Orestes and Pylades. Persuasively she speaks, and points
out all the ills the world had suffered by disobedience to her
behests. Prudence is won over to the task, and now wills
1 i. cap. vi. Her garb and attributes are elaborately told. In the latter
part of the poem she is usually called Phronesis.
2 A favourite commonplace ; Heloise uses it.
VOL. II H
98 THE MEDIAEVAL MIND BOOK v
only as her sisters will. She thinks upon the means and
way. Wisdom orders a chariot to be made, in which the
sea, the stars, the heavens may be traversed. Its artificers
are her seven daughters, wise and fair, who unite the skill
and knowledge of all those wise ancients who had excelled
in any Art. First Grammar (her functions and great writers
being told) forms the pole which goes before the axle-tree
(temo praeambulus axis}. Then Logic makes the axle-tree ;
and Rhetoric adorns the pole with gems and the axle with
flowers. Arithmetic constructs one wheel of the chariot, and
Music the second, Geometry the third, and the fourth wheel
is made by Astronomy.1
Now Reason, at Nature's nod, yokes to the chariot the
five horses, to wit, the Senses disciplined and controlled,
Sight, Hearing, Smell, Taste, and Touch. He himself mounts
as charioteer, and bids Prudence follow. Amid the farewells
and plaudits of all, the chariot soars aloft. As it speeds
along, Prudence investigates atmospheric phenomena, and
then the spirits of evil who wander through the air. They
passed on through the upper ether, reached the citadel and
fount of light, where the Sun holds sway ; next was reached
the region where Venus and the star of Mercury sing
together and Lucifer exults, the herald of the day. Then to
their rapid flight appeared Mars' flaming palace, seething
with fire and wrath. Onward they passed to the glad light
and unhurtful flames of Jupiter, and then to Saturn's sphere.
At length they ascended the stellar region where the Pole
stars contend in brightness, where are seen Hercules and
Orion, Leda's twins, the fiery Crab, the Lion, and the rest of
the Zodiac's constellations.2
Here at heaven's entrance the chariot halted. Those
five horses of the Senses, charioteered by Reason, could
ascend no farther. But a damsel was seen, seated upon the
summit of the Pole. She scrutinizes the hidden Cause and
End of all things, holding scales in her right hand and in
her left a sceptre. On her vestments a subtile point traces
1 The functions of these virgins, the Seven Liberal Arts, arc poetically told.
The Anticlaudianus is no text-book. But the poet apparently is following the
De nuptiis Philologiae el Mercurii of Martianus Capella, ante, Chapter IV.
2 Compare the succession of Heavens in Dante's Paradise.
CHAP, xxix SYMBOLIC WORKS OF MEN 99
God's secrets, and the formless is figured in form. Reverently
Phronesis, that is Prudence, saluted this Queen of the Pole,
and set forth the purpose of her journey, telling of Nature's
desire and her limitations. In reply Theology, for it is she,1
offered herself as a companion, and bade Prudence leave her
chariot, but keep the second courser (Hearing) to bear her
on. Prudence now surmounted the starry citadels, and
marvelled at heaven's nodes, where the four ways begin and
the crystalline waters flow, shot with agreeing fires ; for
here, in universal harmony transcending Nature's laws and
Reason's power, Concord unites those elements which war
below. Onward leads the way among those joys celestial
which know no tears, where there is peace without hate, and
light above all brightness. Here dwell the angel bands,
the Thunderer's princes, regulators of the world ; here glow
the seraphim, and cherubim drain draughts from the mind
of God ; and here are the Thrones whereon God balances
His weighed decrees, and with His band of Powers conquers
the tyrants.2 Here also rest the saints, freed from earth's
dross and passion, clothed in virgin white or martyr's purple,
or wearing the Doctor's laurel. Joyful alike are they, yet
diverse in merit, shining with unequal splendour.3 Here
finally, in honour surpassing all, is the Virgin Mother, clad
in the garb of our salvation — Star of the Sea, Way of Life,
Port of Salvation, Limit of Piety, Mother of Pity, Garden
closed, Sealed Font, Fruitful Olive, Sweet Paradise, Rose
without Thorn, Guiltless Grace, Way of the Wanderer, Light
of the Blind, Rest of the Tired — untold, unnumbered, and
unspeakable are her praises.4
Phronesis cannot bear the sight. Queen Theology calls
to her sister Faith to aid the fainting one. Faith comes
and holds her Mirror before the eyes of Phronesis ; and in
this glass her eyes can endure the shaded glory of the
overpowering vision. She staggers on, her trembling steps
1 One may recall Raphael's painting of Theology on the ceiling of the
Stanza del Segnatura in the Vatican. It is impossible not to compare the roles
of Alan's Reason and Theology with those of Virgil and Beatrice in the Commcdia.
8 Here we are back in the Celestial Hierarchy of Dionysius the Areopagite.
3 As in Dante's Paradise.
4 Most of these epithets of the Virgin come from allegorical interpretation*
of the text of the Vulgate.
ioo THE MEDIAEVAL MIND BOOK v
supported by Faith and Theology. In the glass she sees
the eternal and divine, the enduring, moveless, sure ; species
unborn, celestial ideas, the forms of men and principles of
things, causes of causes and the course of fate, the Thunderer's
mind ; why God condemns some, predestines others, prepares
that one for life and from this one withdraws His rewards ;
why poverty presses upon some and want is filled only with
tears ; why riches pour on others, why one is wise, another
lacking, and why the worthies of the past have been endowed
each with his several gifts.1
Marvelling at all these sights, Prudence, supported by
the sisters, reached at last the palace of the King, and fell
prostrate before God himself. He bade her rise, and speak.
Humbly she set forth Nature's plight and the evil upon
earth, and presented her petition. God accedes benignantly.
He will not destroy the earth again, but will send a human
spirit endowed with heavenly gifts, a pilgrim to the earth, a
medicine for the world. Prudence worships. God summons
Mind, and orders him to fashion the type-form, the idea of
the human mind. Mind searches among existing beings for
the traces of this new idea or type.2 His difficult search
succeeds at last, and in the Mirror which he constructs, every
grace takes its abode : Joseph's form, the intelligence of
Judith, the patience of righteous Job, the modesty of Moses,
Jacob's simplicity, Abraham's faith, Tobias's piety. He
presents this pattern-type to God, who sets an accordant
soul therein, and then entrusts the new-made being to
Phronesis, while Mind anoints it with an unguent against the
attacks of the Vices. Phronesis, with her prize, turned to
the way by which she had ascended, regained her chariot
and Reason her charioteer. Together they sped back to the
congratulations of Nature and her Council.
For this perfect soul Nature now forms a beautiful body.
Concord unites the two, and a new man is formed, perfect
and free from flaw. Chastity and guardian Modesty endow
him with their gifts ; Reason adds his, and Honesty. These
Logic follows, with her gift of skill in argument ; Rhetoric
brings her stores, then Arithmetic, next Music, next Geometry,
1 Compare the final vision of Dante in Paradiso, xxxiii.
2 The reader will notice the Platonism and Neo-Platonism of all this.
CHAP, xxix SYMBOLIC WORKS OF MEN 101
next Astronomy ; l while Theology and Piety are not behind
with theirs ; and to these Faith joins her gifts of fidelity and
truth. Last of all comes Nobility, Fortune's daughter. But
because she has nothing of her own to give, and must
receive all from her mother, she betakes herself to Fortune's
house of splendid mutability. What will Fortune give ? The
two return to Nature's palace, and Fortune's magnificence
is proffered by her daughter ; but Reason, standing by, will
allow only a measured acceptance.2
The report of this richly endowed creature reached
Alecto. Raging she summoned her pests, the chiefs of
Tartarus, doers of ill, masters of every sin — Injury, Fraud,
Perjury, Theft, Rapine, Fury and Anger, Hate, Discord,
Strife, Disease and Melancholy, Lust, Wantonness and
Need, Fear and Old Age. She roused them with a
harangue : their rule is threatened by this upstart Creature,
whom Parent Nature has prepared for war ; but what can
his untried imbecility do against them in arms ?
All clamour assent, and in a tumult of rage make ready
for the strife. The hostile ranks approach. The first attack
is made by Folly (Stultitia) and her comrades, Sloth,
Gaming, Idle Jesting, Ease and Sleep. But faithful Virtues
protect the constant youth against these foes. Next Discord
leads its mutinous band, but only to defeat. Onslaughts
follow from Poverty, next from Ill-Repute, from Old Age
and Disease. Then Grieving advances, and is overthrown by
Laughter. More deadly still are the attacks of Venus and
Lust ; then Excess and Wantonness take up the fray ; and
at the end Impiety and Fraud and Avarice. But still the
man conquers with the aid of his Virtues ever true.
The fight is over. The Virtues triumph and receive
their Kingdoms ; Vice succumbs ; Love reigns instead of
Discord ; the man is blessed ; and the earth, adorned with
flowers in a new spring of youth, brings forth abundance.
The Poet sums up his poem's teaching : From God must
everything begin and in Him end. But our genius may not
1 Notice that the Arts are here equipping and perfecting the man for his
fight against sin ; — which corresponds with the common mediaeval view of the
function of education.
2 The poem gives a full description of Fortune and her house, and unstable
splendid gifts.
102 THE MEDIAEVAL MIND BOOK v
stand inert ; ours is the strife as well, according to our
strength and faculty. Let the mind attach itself to the
things which are and do not pass, even as Plato sings, from
things of sense reaching on ever to the grades Angelic and
Olympus's steeps. Then it shall behold the universal praise
of God and the true ascription of all good to Him. He
in himself is perfect, Part and likewise Whole, and every-
where uncircumscribed. Nothing has power in itself, but
all would fall to nothing, did He close the flux of hidden
power.
Alanus, a good Christian Doctor, is also an eclectic in his
thought. A consistent system is hardly to be drawn from
his poem. It suggests Christ. But its hero is not the God-
man of the Incarnation. Its figures are semi-pagan. The
virtue Faith, for example, is the Fides, the Good Faith, of
the antique Roman, though it is the Christian virtue Faith
as well. In language the poem is antique ; its verse has
vigorous flow ; its imagery lacks neither beauty nor sub-
limity. It is in fact a poem, a creation, having a scheme
and unity of its own, although the author borrows con-
tinually. Martianus Capella is there and Dionysius the
Areopagite ; there also is the Psychomachia of Prudentius
and its progeny of symbolic battles between the Virtues and
the Vices.1 Yet Alanus has achieved ; for he has woven his
material into a real poem and has reared his own lofty
allegory. His work is another grand example of mediaeval
symbolism.
Thus we see the ceaseless sweep of allegory through
men's minds. They felt and thought and dreamed in
allegories ; and also spent their dry ingenuity on allegorical
constructions. It was reserved for one supreme poet to
create, out of this atmosphere, a supreme poem which is
as complete an allegory as the Anticlaudianus. But the
1 But the different names of Alanus 's Virtues and Vices, and their novel
antagonisms, indicate an original view of morality with him. On the Psychomachia
see Taylor, Classical Heritage, pp. 278 sqq. and 379. Allegorical combats and
dtbats (both in Latin and in the vernacular tongues) are frequent in mediaeval
literature. Cf. e.g. post, Chapter XXX. Again, in certain parabolae ascribed to
St. Bernard (Migne 183, col. 757 sqq.) the various virtues, Prudentia, Fortitude,
Discretio, Temperantia, Spes, Timor, Sapientia, are so naturally made to act
and speak, that one feels they had become personalities proper for poetry and art.
Compare Hildegard's characterizations of the Vices, ante, Chapter XIX.
CHAP, xxix SYMBOLIC WORKS OF MEN 103
Divina Commedia has also the power of its human
realities of actually experienced pain and joy, and hate and
love. Compared with it, the Anticlaudianus betrays the
vapourings of monk and doctor, imaginative indeed, but
thin. The author's feet were not planted on the earth of
human life.
But the Middle Ages did not demand that allegory
should have its feet planted on the earth, so long as its head
nodded high among the clouds — or its sentiments wandered
sweetly in fancy's gardens. In one of these dwelt that
lovely Rose, whose Roman once had vogue. In structure
the Roman de la rose is an allegory from the beginning of
the first part by De Lorris to the very end of that encyclo-
paedic sequel added by De Meun. The story is well
known.1 One may recall the fact that in De Lorris's poem
and De Meun's sequel every quality and circumstance of
Love's sentiment and fortunes are figured in allegorical
personifications — all the lover's hopes and fears and the
wavering chances of his quest.
In this respect the poem is the courtly and romantic
counterpart of such a philosophical or religious allegory
as the Anticlaudianus. Personifications of the arts and
sciences, the vices and virtues, current since the time of
Prudentius's Psychomachia and Capella's Nuptials of Philo-
logy, were all in the Anticlaudianus, while in the Roman
de la rose figure their secular and romantic kin : in
De Lorris's part, Love, Fair-Welcome, Danger, Reason,
Franchise, Pity, Courtesy, Shame, Fear, Idleness, Jealousy,
Wicked-Tongue ; then, with De Meun, others besides :
Richesse, False-Seeming, Hypocrisy, Nature, and Genius.2
The figures of the Roman de la rose have diverse antecedents
1 The English reader will derive much pleasure from F. S. Ellis's admirable
verse translation : The Romance of the Rose (Dent and Co., London, 1900).
Each of the three little volumes of this translation has a convenient synopsis of
the contents. Those who would know what is known of the tale and its authors
should read Langlois's chapter on it, in Histoirr. de la langue et de la literature
franfaise, edited by Petit de Julleville. It may be said here, for those whose
memories need refreshing, that William de Lorris wrote the first part, some forty-
two hundred lines, about the year 1237, and died leaving it unfinished ; John de
Meun took up the poem some thirty years afterwards, and added his sequel of
more than eighteen thousand lines.
8 The names are Englished after Ellis's translation.
104 THE MEDIAEVAL MIND BOOK v
scattered through the entire store of knowledge and classic
literature possessed by the Middle Ages ; perhaps their
immediate source of inspiration was the scheme of courtly
love which the mediaeval imagination elaborated and
revelled in.1 The poem of De Lorris was a veritable
romantic allegory. De Meun, in his sequel, rather plays
with the allegorical form, which he continues ; it has become
a frame for his stores of learning, his knowledge of the
world, his views of life, his wit and satire, and his great
literary and poetic gifts. Yet it ends in a regular
Psychomachia, in which Love's barons are hard beset by all
the foes of Love's delight, though Love has its will at last.
1 See ante, Chapter XXIII. ; De Meun took much from the De planttu
naturae of Alarms.
BOOK VI
LATINITY AND LAW
105
CHAPTER XXX
THE SPELL OF THE CLASSICS
I. CLASSICAL READING.
II. GRAMMAR.
III. THE EFFECT UPON THE MEDIAEVAL MAN ; HILDEBERT OF
LAVARDIN.
I
DURING all the mediaeval centuries, men approached the
Classics expecting to learn from them. The usual attitude
toward the classical heritage was that of docile pupils
looking for instruction. One may recall the antecedent
reasons of this, which have already been stated at length.
In Italy, letters survived as the most impressive legacy from
an overshadowing past. In the north, save where they
lingered on from the antique time, they came in the train
of Latin Christianity, and were offered to men under the
same imposing conditions of a higher civilization authori-
tatively instructing ruder peoples. Moreover, between the
ancient times which produced the classic literature and the
Carolingian period there intervened centuries of degeneracy
and transition, when the Classics were used pedagogically to
teach grammar and rhetoric. Then grammars were com-
posed or revised, and other handbooks of elementary
instruction. The Classics still wer? loved ; but how shall
men love beyond their own natures ? Gifted Jerome, great
Augustine, loved them with an ardour bringing its own
misgivings. Other lovers, like Ausonius and Apollinaris
Sidonius, were pedantic imitators.
Both north and south of the Alps another and obviously
enduring cause fostered the habit of regarding the Classics
107
108 THE MEDIAEVAL MIND BOOK vi
as storehouses of knowledge : the fact that they were such
for all the mediaeval centuries. They included not only
poetry and eloquence, but also history, philosophy, natural
knowledge, law and polity. The knowledge contained in
them exceeded what the men of western Europe otherwise
possessed. As century after century passed, mediaeval men
learned more for themselves, and also drew more largely on
the classic store. Yet it remained unexhausted. The
twelfth and thirteenth centuries constitute the great mediaeval
epoch. Men were then opening their eyes a little to observe
the natural world, and were thinking a little for themselves.
Nevertheless the chief increase in knowledge issued from the
gradual discovery and mastering of the works of Aristotle.
These centuries, like their predecessors, make clear that men
who inherit from a greater past a universal literature con-
taining the best they can conceive and more knowledge than
they can otherwise attain, will be likely to regard every part of
this literature as in some way a source of knowledge, physical
or metaphysical, historical or ethical. And the Classics
merited such regard ; for where they did not instruct in
science, they imparted knowledge of life, and norms and
instances of conduct, from which men still may draw guidance.
We have outlearned the physics, and perhaps the meta-
physics of the Greeks ; their knowledge of nature, in com-
parison with ours, was but as a genial beginning ; their
polities and their formal ethics we have tried and tested ;
but we have not risen above the power and inspiration of
the story of Greece and Rome, and the exemplifications of
life in the Greek and Latin Classics. It has not ceased to
be true that he who best loves the Classics, and most deeply
feels and glories in their unique excellence as literature, is he
who still draws life from them, and discipline and knowledge.
Their true lovers, like the true lovers of all noble literature,
are always in a state of pupilage to the poems and the
histories they love.
Obviously then no final word lies in the statement that
through the Middle Ages men turned to the Classics for
instruction. They did indeed turn to them for all kinds
of knowledge, and for discipline. Often they looked for
instruction from Ovid or Virgil in a way to make us smile.
CHAP, xxx SPELL OF THE CLASSICS 109
Often they were like schoolboys, dully conning words which
they did not feel and so did not understand. But in the
tenth century, and in the twelfth, some men admired and
loved the Latin Classics, and drew from them, as we may,
lessons which are learned only by those who love aright.
It would be hard to say what the men of the Middle
Ages did not thus gain. The pagan classical literature was
one of humanity in its full range of interests. This was
true of the Greek ; and from the Greek, the universal human
passed to the Latin, which the Middle Ages were to know.
In both literatures, man was a denizen of earth. The laws
of mortality and fate were held before his eyes ; and the
action of the higher powers bore upon mortal happiness,
rather than upon any life to come. When reflecting upon
the use and influence of the Classics through the Middle
Ages, it is always to be kept in mind that the antique
literature was the literature of this life and of this world ;
that it was universal in its humanity, and still in the Middle
Ages might touch every human love and human interest
not directly connected with the hopes and terrors of the
Judgment Day.
So whenever educated mediaeval men were drawn by the
ambitions or moved by the finer joys of human life, it lay
in their path to seek instruction or satisfaction from some
antique source. If a man wished the common education
of a clerk, he drew it from antique text-books and their
commentaries. Grammar and rhetoric meant Latin grammar
and Latin rhetoric ; dialectic also was Latin and antique.
Likewise the quadrivium of arithmetic, geometry, astronomy,
and music, could be studied only in Latin. These ordinary
branches of education having been mastered, if then the
man's tastes or ambitions turned to the interests of earth
(and who except the saintly recluse was not so drawn ?)
he would still look to the antique. A civilian or an ecclesi-
astic would need some knowledge of law, which for the
most part was Roman, even when disguised as Canon law.1
Did a man incline toward philosophy, and the scrutiny of
life's deeper problems, again the source was the antique ;
and when he lifted his mind to theology, he would still find
1 Post, Chapter XXXIII.
no THE MEDIAEVAL MIND BOOK vi
himself reasoning in categories of antique dialectic. Finally,
and this was a broad field of humane inclination, if a clerkly
educated man loved poetry, eloquence, and history, for their
own sakes, he also would turn to the antique.
There is scarcely need to revert again to the use of the
Classics in the earlier Middle Ages. We have seen that in
Italy they never ceased to form the conscious background
to all intellectual life ; and that in the north, letters came a
handmaid in the train of Latin Christianity — a handmaid
that was apt to assert her own value, and also charm the
minds of men. From the first, it was the orthodox view
that Latin letters should provide the education enabling men
to understand the Christian religion adequately. This is
the object set forth in Charlemagne's Capitularies upon
education.1 Three hundred years later Honorius of Autun
says in his sermonizing way :
" Not only, beloved, do the sacred writings lead us to eternal
life, but profane letters also teach us ; for edifying matter may be
drawn from them. In view of sacred examples no one should
be scandalized at this. For the children of Israel spoiled the
Egyptians ; they took gold and silver, gems and precious vestments,
which they afterwards turned into God's treasury to build the
tabernacle." 2
Honorius used Augustine's reference to the Egyptians,
and followed this Augustinian view, always recognized as
orthodox in the Middle Ages. It was narrower than the
practice among those who followed letters. Gerbert at the
close of the tenth century loved to teach and read the pagan
writers, and drew from them training and discipline.8 In
the next century, the German monk Froumund of Tegernsee,
with Bern ward and Godehard, bishops of Hildesheim, are
instances of German love of antique letters.4 Yet lofty
souls might choose to limit their reading of the Classics, at
least in theory, to the needs of their Latinity. Such a one
was Hugo of St-Victor, scholar, theologian, man of genius ; 5
he professed to care more for the Christian ardours of
the soul than for learning even as a means of righteousness,
1 Ante, Vol. I. p. 213. 2 Migne, Pat. Lot. 172, col. 1056.
3 Ante, Chapter XII., i. * Ante. Chapter XIII., i.
6 Ante, Chapter XXVIII.
CHAP, xxx
TUT? /~"T A CCI/^C •* v •
i rm, L/J-./VOOIL.O
and chose to take the side of those who would read the
classic authors only so far as the needs of education
demanded :
" There are two kinds of writings, first those which are termed
the artes proper, secondly, those which are the supplements
(appendentia} of the artes. Artes comprise the works grouped
under (stippommtur) philosophy, those which contain some fixed
and determined matter of philosophy, as grammar, dialectic and the
like. Appendentia artium are those [writings] which touch philo-
sophy less nearly and are occupied with some subject apart from
it ; and yet sometimes offer flotsam and jetsam from the artes, or
simply as narratives smooth the road to philosophy. All the songs
of poets are such — tragedies, comedies, satires, heroics, and lyrics
too, and iambics, besides certain didactic works (didascalica) ; tales
likewise, and histories ; also the writings of those nowadays called
philosophers, who extend a brief matter with lengthy circumlocution,
and thus darken a simple meaning.
" Note then well the distinction I have drawn for thee : distinct
and different (duo) are the artes and their appenditia, . . . and
often from the latter the student will gain much labour and little
fruit. The artes, without their appenditia, may make the reader
perfect ; but the latter, without the artes, can bring no whit
of perfection. Wherefore one should first of all devote himself to
the artes, which are so fundamental, and to the aforesaid seven
above all, which are the means and instruments (instrumenta) of all
philosophy. Then let the rest be read, if one has leisure, since
sometimes the playful mingled with the serious especially delights
us, and we are apt to remember a moral found in a tale." *•
Temperament affected Hugo's view. He was of the
spiritual aristocracy, who may be somewhat disdainful of
the common means by which men get their education and
round out their natures. The mechanical monotony of
pedagogy grated on him and evoked the ironical sketch of a
school-room, which he put in his dialogue on the Vanity of
the World. The little Discipulus, directed by his Magister,
is surveying human things.
"Turn again, and look," says the latter, "and what do you
see?"
" I see the schools of learners. There is a great crowd, and of
all ages, boys and youths, men young and old. They study various
1 Didascalicon, iii. 4 (Mignc 176, col. 768-769).
112 THE MEDIAEVAL MIND BOOK vr
things. Some practise their rude tongue at the alphabet and at
words new to them. Others listen to the inflection of words, their
composition and derivation ; then by reciting and repeating them
they try to commit them to memory. Others furrow the waxen
tablets with a stylus. Others, guiding the calamus with learned
hand, draw figures of different shapes and colours on parchments.
Still others with sharper zeal seem to dispute on graver matters and
try to trip each other with twistings and impossibilities (gryphisf}.
I see some also making calculations, and some producing various
sounds upon a cord stretched on a frame. Others, again, explain
and demonstrate geometric figures; and yet others with various
instruments show the positions and courses of the stars and the
movement of the heavens. Others, finally, consider the nature of
plants, the constitution of men, and the properties and powers of
things."
The Disciple is captivated with this many-coloured show
of learning ; but the Master declares it to be mostly foolish-
ness, distracting the student from understanding his own
nature, his Creator, and his future lot.1
These are examples, which might be multiplied indefinitely,
of the pious mediaeval view that the artes, with a very little
reading of the auctores, were proper for the educated Christian,
whose need was to understand Scripture. Sometimes, stung,
at least rhetorically, by fear of the lust and idolatry of the
antique, mediaeval souls cry out against its lures, even as
Jerome's Christianly protesting nature dreamed that famous
dream of exclusion from heaven as a " Ciceronian." Alcuin,
who led the educational movement under Charlemagne,
gently chides one whose fondness for Virgil made him
forget his friend — " would that the Gospels rather than the
Aeneid filled thy breast." 2 Three hundred years later, St.
Peter Damiani, himself a virtuoso in letters and a sometime
teacher of rhetoric, arraigns the monks for teaching grammar
rather than things spiritual.3 Damiani speaks with the
harshness of one who fears what he loves. In France, about
the same time, our worthy sermon -writer, Honorius of Autun,
liked the profanities well enough, and drew from them apt
moral tales, which preachers might introduce to rouse drowsy
1 De vanitate mundit i. (Migne 176, col. 709, 710).
* Ep. 169 (Migne, Pat. Lot. 100, col. 441).
3 Ofusf. xiii. ; De perfectione monachi, cap. xi. (Migne 144, col. 306).
See ante, Chapter XVI.
CHAP, xxx SPELL OF THE CLASSICS 113
congregations. Yet he directs his pulpit-thunder at the
cives Babyloniae, the superbi, who after their several tastes
finger profane literature to their peril : " Those delighting in
quibbling learn Aristotle : the lovers of war have Maro, and
the lustful idlers their Naso. Lucan and Statius incite
discords, while Horace and Terence equip the pert and
wanton (J>etulantes} — but since the names of these are blotted
from the book of life, I shall not commemorate them with
my lips." J
This with the excellent Honorius was pious rhetoric.
Yet the love and fear of antique letters caused anxiety in
many a mediaeval soul, deflected by them from its narrow
path to the heavenly Jerusalem. Indeed the love of letters
and of knowledge was to play its part, and might take one
side or the other, according to the motive of their pursuit,
in the great mediaeval psychomachia between the cravings of
mortal life and the militant insistencies of the soul's salva-
tion. This conflict, not confined to mediaeval monks, has
its universal aspects. It echoes in the sigh of Michel-
angelo over the
" affectuosa fantasia,
Che 1' arte si fece idolo e monarca,"
— which had so long drawn his heart from Eternity.2
Commonly, however, this conflict did not greatly disturb
scholars who felt in some degree the classic spell so manifold
of delight in themes delightful, of pleasure somehow drawn
from clear statement and convincing sequence of thought,
of even deeper happiness springing from the stirring of those
faculties through which man rejoices in knowledge. To be
sure, readers of the Classics, who drew joy from them or
satisfaction, or humane instruction, were comparatively few
in the mediaeval centuries, as they are to-day. And un-
doubtedly in the Middle Ages the Classics usually were
read in unenlightened schoolboy fashion. Yet making
these reservations, we may be sure that letters yielded up
their joys to the chosen few in every mediaeval century.
"Amor litterarum ab ipso fere initio pueritiae mihi est innatus,"
wrote Lupus in the ninth.3 Gerbert might have said the
1 Speculum ccclcsiae (Migne 172, col. 1085).
* Sonnet 56. 3 Ep. i. (Migne 119, col. 433).
VOL. II I
II4 THE MEDIAEVAL MIND BOOK vi
same, and many of the men who taught at Chartres in the
generations following. So likewise might have said John of
Salisbury. In studying the Classics he certainly looked to
them for instruction. But he also loved them, and found
companionship and solace in them, as he says, and as Cicero
before him had said of letters.
We may ask ourselves what sort of pleasure do we get
from reading the Classics ? not necessarily a light distract-
ing of the mind, but rather a deeper gratification : thought
is aroused and satisfied, and our nature is appeased by the
admirable presentation of things admirable. At the same
time we may be conscious of discipline and benefit. There
is good reason to suppose that a like pleasure, or satisfaction,
with discipline and instruction, came to this exceedingly clever
John from reading Terence, Virgil and Ovid, Horace, Juvenal,
Lucan, Persius and Statius, Cicero, Seneca and Quintilian
— for he read them all.1 John is affected, impressed, and
trained by his classic reading ; he has absorbed his authors ;
he quotes from them as spontaneously and aptly as he
quotes from Scripture. A quotation from the one or the
other may give final point to an argument, and have its own
eloquent suggestions. Sometimes the tone of one of his
own letters — which usually are excellent in form and
language — may agree with that of the pithy antique quota-
tion garnishing it. A mediaeval writer was not likely to
say just what we should when expressing ourselves on the
same matter. Yet John makes quite clear to us how he
cared for antique letters, in the Prologue to his Polycraticus,
his chief work on philosophy and life ; and we may take his
word as to the satisfaction which he drew from them, since
his own writings prove his assiduity in their cult. This
prologue is somewhat cherche, and imbued with a preciosity
of sentiment putting one in mind of Cicero's oration Pro
Archia poet a.
"Most delightful in many ways, but in this especially, is the
fruit of letters, that banishing the reserve of intervening place and
time, they bring friends into each other's presence, and do not
1 John approved of reading the auctores, for educational purposes, and not
confining the pupil to the artes. See Metalogicus, i. 23, 24 (Migne, Pat. Lot.
199, col. 453). On John, cf. post, Chapter XXXI. and XXXVI., HI.
CHAP, xxx SPELL OF THE CLASSICS 115
suffer noteworthy things to be obliterated by dust. For the arts
would have perished, laws would have vanished, the offices of faith
and religion would have fallen away, and even the correct use of
language would have failed, had not the divine pity, as a remedy
for human infirmity, provided letters for the use of mortals.
Ancient examples, which incite to virtue, would have corrected
and served no one, had not the pious solicitude of writers trans-
mitted them to posterity. . . . Who would know the Alexanders
and the Caesars, or admire Stoics and Peripatetics, had not the
monuments of writers signalized them? Triumphal arches pro-
mote the glory of illustrious men from the carved inscription of
their deeds. Thereby the observer recognizes the Liberator of his
Country, the Establisher of Peace. The light of fame endures for
no one save through his own or another's writing. How many and
how great kings thinkest thou there have been, of whom there is
neither speech nor cogitation? Vainly have men stormed the
heights of glory, if their fame does not shine in the light of letters.
Other favour or distinction is as fabled Echo, or the plaudits of
the Play, ceasing the moment it has begun.
" Besides all this, solace in grief, recreation in labour, cheerfulness
in poverty, modesty amid riches and delights, faithfully are bestowed
by letters. For the soul is redeemed from its vices, and even in
adversity refreshed with sweet and wondrous cheer, when the mind
is intended upon reading or writing what is profitable. Thou shalt
find in human life no more pleasing or more useful employment ;
unless perchance when, with heart dilated through prayer and
divine love, the mind perceives and arranges within itself, as with
the hand of meditation, the great things of God Believe one who
has tried it, that all the sweets of the world, compared with these
exercises, are wormwood." 1
Hereupon, still addressing himself to his friend and
patron, Thomas a Becket, John suggests that these recreations
are peculiarly beneficial to men in their circumstances,
burdened with affairs ; and he puts his principles in practice,
by launching forth upon his lengthy work of learned and
philosophic disquisition.
To supplement this outline of John's appreciation of the
Classics, it will be interesting to look into the literary inter-
pretation of a classical poem, from the pen of one of his
contemporaries. So little is known of the author, Bernard
Silvestris, that he usually has been confused with his more
famous fellow, Bernard of Chartres. We may refer to both
1 Polycraticus, Prologus (Migne, Pat. Lai. 199, col. 385).
Il6 THE MEDIAEVAL MIND BOOK vi
of them again.1 Here our business is solely with the
Commentum Bernardi Silvestris super sex libros Aeneidos
VirgiUi? The writer draws from the Saturnalia of the fifth-
century grammarian, Macrobius ; but his allegorical inter-
pretation of the Aeneid seems to be his own. He finds in
the Aeneid a twofold consideration, in that its author meant
to teach philosophic truth, and at the same time was not
inattentive to the poetic plot.
" Since then Virgil in this poem is both philosopher and poet,
we shall first expound the purpose and method of the poet. . . .
His aim is to unfold the calamities of Aeneas and other Trojans,
and the labours of the exiles. Herein disregarding the truth of
history as told by Dares the Phrygian,3 and seeking to win the
favour of Augustus, he adorns the facts with figments. For Virgil,
greatest of Latin poets, wrote in imitation of Homer, greatest of
Greek poets. As Homer in the Iliad narrates the fall of Troy and
in the Odyssey the exile of Ulysses ; so Virgil in the second Book
briefly relates the overthrow of Troy, and in the rest the labours of
Aeneas. Consider the twin order of narration, the natural and the
artistic (artificialem). The natural is when the narrative proceeds
according to the sequence of events, telling first what happened
first. Lucan and Statius keep to this order. The artistic is when
we begin in the middle of the story, and thence revert to the
commencement. Terence writes thus, and Virgil in this work. It
would have been the natural order to have described first the
destruction of Troy, and then brought the Trojans to Crete, from
Crete to Sicily, and from Sicily to Libya. But he first brings them
to Dido, and introduces Aeneas relating the overthrow of Troy and
the other things that he has suffered.4
" Up to this point we show how he proceeds : next let us
observe why he does it so. With poets there is the reason of use-
fulness, as with a satirist ; the reason of pleasure, as with a writer of
comedies ; and again these two combined, as with the historical
poet As Horace says :
' Aut prodesse volunt aut delectare poetae,
Aut simul et iucunda et idonea dicere vitae.'
" This kind of a historical poem is shown by its figurative and
1 Post, Chapter XXXVI., in.
* I draw upon the extracts given in the thesis of M. Demimuid, De Bernardo
Carnotensi grammatico professore et interprete Virgilii (Paris, 1873), who, as
appears by his title, confuses the two Bernards.
3 The author of a bastard epitome on the Trojan War, see post, Chapter
XXXII., iv.
4 The above, in substance, is taken from Macrobius.
CHAP, xxx SPELL OF THE CLASSICS 117
polished diction and in the various mischances and deeds narrated.
If any one will study to imitate it he will gain skill in writing.
The narrative also contains instances and arguments for following
the right and avoiding what is evil. Hence a twofold profit to the
reader : skill in writing, gained through imitation, and prudence in
conduct, drawn from example and precept. For instance, in the
labours of Aeneas we have an example of endurance ; and one of
piety, in his affection for Anchises and Ascanius. From the
reverence which he shows the gods, from the oracles which he
supplicates, from the sacrifices which he offers, from the vows and
prayers which he pours forth, we feel drawn to religion : while
through Dido's unbridled love, we are recalled from desire for the
forbidden."
The above is excellent, but not particularly original.
It shows, however, that Bernard could appreciate the Aeneid
in this way. His allegorical interpretation is of a piece with
current mediaeval methods. Yet to take a poem allegorically
was not distinctively mediaeval ; for Homer and other poets
had been thus expounded from the days of Plato, who did not
himself approve. With Bernard, each Book of the Aeneid
represents one of the ages of man, the first Book betokening
infancy, the second boyhood, and so forth. Allegorical
etymologies are applied to the names of the personages ; and
in general the whole natural course and setting of the poem
is taken allegorically. " The sea is the human body moved
and tossed by drunkenness and lusts, which are represented
by waves." Aeneas, to wit, the human soul joined to its
body, comes to Carthage, the mundane city where Dido
reigns, which is lust ; this allegory is unfolded in detail.
So the interpretation ambles on, not more and not less
jejune than such ingenuities usually are.
Classical studies reached their zenith in the twelfth
century. For in every way that century surpassed its pre-
decessors ; and in classical studies it excelled the thirteenth,
which devoted to them a smaller portion of its intellectual
energies. The twelfth century, to be sure, was prodigiously
interested in dialectic and theology. Yet these had not
quite engulfed the humanities ; nor had any newly awakened
interest in physical or experimental science distracted the
eyes of men from the charms of the ancient written page.
118 THE MEDIAEVAL MIND BOOK vi
The change took place in the thirteenth century. Its best
intellectual efforts, north of the Alps at least, were directed
to the study and theological appropriation of the Aristotelian
encyclopaedia of metaphysics and universal knowledge.1 The
effect of Aristotle was totally unliterary. And the minds
of men, absorbed in mastering this giant mass of knowledge
and argument, ceased to regard literary form and the
humane aspects of Latin literature.
Until the thirteenth century, dialectic and theology were
not completely severed from belles lettres. The Platonic-
Augustinian theology of the twelfth century had been
idealizing and imaginative, not to say poetical. Such an
interesting exponent of it as Hugo of St. Victor appears as
a literary personage, despite his stinted advocacy of classical
study. One notes that for his time the chief single source
of physical knowledge was the Latin version of the Timaeus,
certainly not a prosaic composition. Thus, for the twelfth
century, an effective cause of the continuance of the study of
letters lay herein : whatever branch of natural knowledge
might allure the student, he could not draw it bodily from
a serious but unliterary repository, like the Physics or De
animalibus of Aristotle, which were not yet available ; he
must follow his bent through the writings of various Latin
poets as well as prose-writers. In fine, the sources of profane
knowledge open to the twelfth century were literary in their
nature, and might form part of the literature which would be
read by a student of grammar or rhetoric.
One sees this in John of Salisbury. There may have
been a few men who knew more than he did of some
particular topic. But his range and readiness of knowledge
were unique. And it is evident from his writings that his
knowledge (except in logic) had no special or scientific
source, but was derived from a promiscuous reading of
Latin literature. As a result, he is himself a literary man.
One may say much the same of his younger contemporary,
Alanus de Insulis.2 He too has gathered knowledge from
literary sources, and he himself is one of the best Latin
poets of the Middle Ages. Another extremely poetic
1 Post, Chapter XXXVII.
* Ante, Chapter XXIX., n., and post, Chapter XXXVI., in.
CHAP, xxx SPELL OF THE CLASSICS 119
philosopher was Bernard Silvestris, the interpreter of Virgil.
His De mundi unitate is a Pantheistic exposition of the
Universe ; it is also a poem ; and incidentally it affords
another illustration of the general fact, that before the works
of Aristotle were made known and expounded in the
thirteenth century, all kinds of natural and quasi-philosophic
knowledge were drawn from a variety of writings, some of
them poor enough from any point of view, but none of them
distinctly scientific and unliterary, like the works of Aristotle.
Formal logic or dialectic, as cultivated by Abaelard for
example, appears as an exception. It had been specialized
and more scientifically treated than any branch of sub-
stantial knowledge ; for indeed it was based on the logical
treatises of Aristotle, most of which were in use before
Abaelard's death, and all of which were known to Thierry
of Chartres and John of Salisbury.1
The contrast between the cathedral school of Chartres
and the University of Paris illustrates the change from the
twelfth to the thirteenth century. The former has been
spoken of in a previous chapter, where its story was brought
down to the times of its great teachers, Bernard and Thierry,
of whom we shall have to speak in connection with the
teaching of grammar and the reading of classical authors.
The school flourished exceedingly until the middle of the
twelfth century.2 By that time the schools of Paris had
received an enormous impetus from the popularity of
Abaelard, and scholars had begun to push thither from all
quarters. But it was not till the latter part of the century
that the University, with its organization of Masters and
Faculties, began visibly to emerge out of the antecedent
cathedral school.3 Chartres was a home of letters ; and
there Latin literature was read enthusiastically. But in
1 Post, Chapter XXXVI., i.
2 For a successor or friendly rival to Chartres, in the interest taken in grammar
and classical literature, one should properly look to Orleans, where apparently
those studies continued to flourish. Cf. L. Delisle, " Les Ecoles d'Orleans au
douzieme siecle,'' Annuaire- Bulletin de la Societt de FHistoire de France, t. vii.
(1869), p. 139 sqq. In a Bataille des septs arts, by Henri d'Andeli, of the first
half of the thirteenth century, Logic, from its stronghold of Paris, vanquishes
Grammar, whose stronghold is Orleans. In the conflict, with much symbolic
truth, Aristotle overthrows Priscian, Histoire litUraire de la France, t. xxiii. p.
225. 3 Post, Chapter XXXVII.
120 THE MEDIAEVAL MIND BOOK vi
Paris Abaelard was pre-eminently a dialectician ; and after
he died, through those decades when the University was
coming into existence, the tide of study set irresistibly
toward theology and metaphysics. Students and masters
of the Faculty of Arts outnumbered all the other Faculties ;
nevertheless, counting not by tumultuous numbers, but by
intellectual strength, the great matter was Theology, and the
majority of the Masters in the Arts were students in the
divine science. The Arts were regarded as a preparatory
discipline. So through its great period, which roughly
coincides with the thirteenth century, the University of
Paris was for all Europe the supreme seat of Dialectic,
Metaphysics, and Theology, and yet no kindly nurse of
belles lettres.
The tendencies of Oxford were not quite the same as
those of Paris, yet Latin literature as such does not seem to
have been cultivated there for its own fair sake. This
apparently was unaffected by the fact that a movement for
" close " or exact scholarship existed at the English
university. Grosseteste, its first great chancellor, teacher
and inspirer, unquestionably introduced, or encouraged, the
study of Greek ; and his famous pupil, Roger Bacon, was a
serious Greek scholar, and wrote a grammar of that tongue.
But neither Grosseteste nor Bacon appears to have been
moved by any literary interest in Greek literature ; both one
and the other urged the importance of Greek, and of Hebrew
too and Arabic, in order to reach a surer knowledge
of Scripture and Aristotle. They sought to open the
veritable founts of theology and natural knowledge, an
intelligent aim indeed, but quite unliterary. In spirit both
these men belong to the thirteenth century, not to the
twelfth.1
In Italy, one does not find that the passage from the
twelfth to the thirteenth century displays the decline in
classical studies which is apparent north of the Alps. The
reasons seem obvious. The passion for metaphysical
theology did not invade this land of practical ecclesiasticism
and urban living, where pagan antiquity, dumb, broken, and
defaced, yet everywhere surviving, was the medium of life
See post, Chapter XLI. and XLII. for the work of Grosseteste.
CHAP, xxx SPELL OF THE CLASSICS 121
and thought and temperamental inclination in the thirteenth
as well as in the twelfth century. Nor was Italy as yet
becoming scientific, or greatly interested in physical
hypothesis ; although medicine was cultivated in various
centres, Salerno, for example, and Bologna. But for the
twelfth, and for the thirteenth century as well, Italy's great
intellectual achievement was in the two closely neighbouring
sciences of canon and civil law. These made the University
of Bologna as pre-eminent in law as Paris was in theology.
There had been schools of grammar and rhetoric at Bologna
and Ravenna, before the lecturing of Irnerius on the
Pandects drew to the first-named town the concourse of
mature and seemly students who were gradually to organize
themselves into a university.1 Thus at Bologna law
flourished and grew great, springing upward from an
antecedent base of grammatical if not literary studies. The
study of the law never cut itself away from this foundation.
For the exigencies of legal business demanded training in
the scrivener's and notarial arts of inditing epistles and
drawing documents, for which the ars dictaminis, to wit, the
art of composition was of primary utility. This ars, teaching
as it did both the general rules of composition and the more
specific forms of legal or other formal documents, pertained
to law as well as grammar. Of the latter study it was
perhaps in Italy the main element, or, rather, end. But even
without this hybrid link of the dictamen, grammar was needed
for the interpretation of the Pandects ; and indeed some of
the glosses of Irnerius and other early glossators are
grammatical rather than legal explanations of the text.
We should bear in mind that this august body of juris-
prudential law existed not in the inflated statutory Latin of
Justinian's time, but in the sonorous and correct language
-of the earlier empire, when the great Jurists lived, as well
as Quintilian. Accordingly a close study of the Pandects
required, as well as yielded, a knowledge of classical
Latinity. Thus law tended to foster, rather than repress,
grammar and rhetoric ; and had no unfavourable effect on
classical studies. And even as such studies " flourished " in
Italy in the eleventh and twelfth centuries, they did not
1 Cf. post, Chapter XXXIII. and XXXVII.
122 THE MEDIAEVAL MIND BOOK vi
cease to " flourish," there in the thirteenth, in the same
general though rather dull and uncreative way. For it will
hereafter appear that the productions of the Latin poets and
rhetoricians of Italy were below the literary level of those
composed north of the Loire in France, or in England.
II
From the days of the Roman Empire, the study of
grammar was, and never ceased to be, the basis of the
conscious and rational knowledge of the Latin tongue. The
Roman boys studied it at Rome ; the Latin -speaking
provincials studied it, and all people of education who
remained in the lands of western Europe which once had
formed part of the Empire ; its study was renewed under
Charlemagne ; he and Alcuin and all the scholars of the
ninth century were deeply interested in what to them
represented tangible Latinity, and in fact was to be a chief
means by which their mediaeval civilization should maintain
its continuity with its source. For grammar was most
instrumental in preserving mediaeval Latin from violent
deflections, which would have left the ancient literature as
the literature of a forgotten tongue. Had mediaeval Latin
failed to keep itself veritable Latin ; had it instead suffered
transmutation into local Romance dialects, the Latin classics,
and all that hung from them, might have become as unknown
to the Middle Ages as the Greek, and even have been lost
forever. It was the study of Latin grammar, with classic
texts to illustrate its rules, that kept Latin Latin, and
preserved standards of universal usage throughout western
Europe, by which one language was read and spoken
everywhere by educated people. From century to century
this language suffered modification, and varied according to
the knowledge and training of those who used it ; yet its
changes were never such as to destroy its identity as a
language, or prevent the Latin writer of one age or country
from understanding whatever in any land or century had
been written in that perennial tongue.
Therefore fortunately, as the Carolingian scholars studied
CHAP, xxx SPELL OF THE CLASSICS 123
Latin grammar, so likewise did those of all succeeding
mediaeval generations, thereby holding themselves to at least
a homogeneity, though not an unvarying uniformity, of usage.
Evidently, however, the method of grammatical instruction
had to vary with the needs of the learners and the teachers'
skill. The Romans prattled Latin on their mothers' knees ;
and so, with gradually widening deflections, did the Latinized
provincials. Neither Roman nor Provincial prattled Cicer-
onian periods, or used quite the vocabulary of Virgil ; yet it
was Latin that they talked. Thenceforward there was to be
a difference between the people who lived in countries where
Romance dialects had emerged from the spoken Latin and
prevailed, and those people who spoke a Teuton speech.
Although always drawing away, the natal speech of Romance
peoples was so like Latin, that in learning it they seemed
rather to correct their vulgar tongue than to acquire a new
language. So it was in the Christian parts of Spain, in
Gaul, and, above all, in Italy, where the vulgar dialects were
tardiest in taking distinctive form. Nevertheless, as the
Romance dialects, for instance in the country north of the
Loire, developed into the various forms of what is called Old
French, young people at school would have to learn Latin as
a quasi-foreign tongue. Across the Rhine in Germany boys
ordinarily had to learn it at school, as a strange language,
just as they must to-day ; and every effort was devoted to
this end.1 It was not likely that the grammars composed
for Roman boys, or at least for boys who spoke Latin from
their infancy, would altogether meet the needs of German, or
even French, youth. Yet only gradually and slowly in the
Middle Ages were grammars put together to make good
the insufficiencies of Donatus and Priscian.
The former was the teacher of St. Jerome. He
composed a short work, in the form of questions and
1 Cf. Specht, Geschichtc des Unterrichtswesens in Deutschland, etc. (Stutt-
gard, 1885), p. 75 and passim.
Yet how soon and with what childish prattle youths might begin to
speak and write Latin is touchingly shown by a boy's letter, written from a
monastic school, to his parents. It just asks for various little things, and its
superscription is : " Parentibus suis A. agnus ablactatus pium balatum" : which
seems to mean : "To his parents, A, a weaned lamb, sends a loving bah." This
and other curious little letters are ascribed to one Robertus Metensis (tir
A.D. 900) (Migne 132, col. 533).
124 THE MEDIAEVAL MIND BOOK vi
answers, explaining the eight parts of speech, but giving no
rules of gender, or forms of declension and conjugation,
needed for the instruction of those who, unlike the Roman
youth, could not speak the language. This little book went
by the name of the Ars minor. The same grammarian
composed a more extensive work, the third book of which
was called the Barbarismus, after its opening chapter. It
defined the figures of speech (figurae, locutiones\ and was
much used through the mediaeval period.
The Ars minor explained in simple fashion the elements
of speech. But the Institutiones grammaticae of Priscian, a
contemporary of Cassiodorus, offered a mine of knowledge.
Of its eighteen books the first sixteen were devoted to the
parts of speech and their forms, considered under the
variations of gender, declension, and conjugation. The
remaining two treated of construct™ or syntax. As early as
the tenth century Priscian was separated into these two
parts, which came to be known as Priscianus major and
minor. The Priscian manuscripts, whose name is legion,
usually present the former. Diffuse in language, confused
in arrangement, and overladen perhaps with its thousands of
examples, it was berated for its labyrinthine qualities even in
the Middle Ages ; yet its sixteen books remained the chief
source of etymological knowledge. Priscianus minor was
less widely used.
The grammarians of the ninth, tenth, and eleventh
centuries followed Donatus and Priscian, making extracts
from their works, or abridgements, and now and then
introducing examples of deviation from the ancient usage.
The last came usually from the Vulgate text of Scripture,
which sometimes departed from the idioms or even word-
forms approved by the old authorities.1 The Ars minor of
Donatus became enveloped in commentaries ; but Priscian
was so formidable that in these early centuries he was
merely glossed, that is, annotated in brief marginal fashion.
1 See Thurot, Histoire des doctrines grammaticales au moyen dge ; Notices et
extraits des MSS. vol. 22, part 2, p. 85. For what is said in the preceding
and following pages the writer's obligations are deep to this well-known work of
Thurot, and to Reichling's edition of the Doctrinale of Alexander de Villa-Dei
(Man. Germ, paedagogicdy XII., Berlin, 1893). Paetow's .^rft Course at Medieval
Universities (University of Illinois, 1910) treats learnedly of these matters.
CHAP, xxx SPELL OF THE CLASSICS 125
It would be tedious to dwell upon mediaeval
grammatical studies. But the tendencies characterizing
them in the twelfth and thirteenth centuries may be in-
dicated briefly. The substance of the Prisdanus major
was followed by mediaeval grammarians. That is to say,
while admitting certain novelties,1 they adhered to its
rules and examples relating to the forms of words, their
declension and conjugation. But the Prisdanus minor,
although used, was departed from. In the first place its
treatment of its subject (syntax) was confused and
inadequate. There was, however, a broader reason for seek-
ing rules elsewhere. Mediaeval Latin, in its progress as a
living or quasi-living language, departed from the classical
norms far more in syntax and composition than in word-
forms. The latter continued much the same as in antiquity.
But the popular and so to speak Romance tendencies of
mediaeval Latin brought radical changes of word-order and
style, which worked back necessarily upon the rules of
syntax. These had been but hazily stated by the old
writers, and the task of constructing an adequate Latin
syntax remained undone. It was a task of vital importance
for the preservation of the Latin tongue. Word-forms alone
will not preserve the continuity of a language ; it is essential
that their use in speech and writing should be kept
congruous through appropriate principles of syntax. Such
were intelligently formulated by mediaeval grammarians.
The result was not exactly what it would have been had
the task been carried out in the fourth century : yet it has
endured in spite of the attacks, pseudo-attacks indeed, of
the dnquecento ; and the mediaeval treatment of Latin
syntax is the basis of the modern treatment. One may
add that syntax or construct™ was taken broadly as
embracing not only the agreements of number and gender,
and the governing2 of cases, but also the order of words
in a sentence, which had changed so utterly between the
time of Cicero and Thomas Aquinas.
These general statements find illustration in the famous
Doctrinale of Alexander de Villa-Dei, whose author was
1 See Thurot, o.c. p. 204 sqq.
3 Regere> a mediaeval term not used in this sense by Priscian.
126 THE MEDIAEVAL MIND BOOK vi
born in Normandy in the latter half of the twelfth century.
He studied at Paris, and in course of time was summoned
by the Bishop of Dol to instruct his nepotes in grammar.
While acting as their tutor, he appears to have helped
their memory by setting his rules in rhyme ; and the bishop
asked him to write a Summa of grammar in some such
fashion. Complying, he composed the Doctrinale in the
year 1 1 99, putting his work into leonine or rhyming
hexameter, to make it easier to memorize. Rarely has a
school-book met with such success. It soon came into use
in Paris and elsewhere, and for some three hundred years
was the common manual of grammatical teaching through-
out western Europe. It was then attacked and apparently
driven from the field by the so-called Humanists, who,
however, failed to offer anything better in its place, and
plagiarized from the work which they professed to
execrate.1
The etymological portions of the Doctrinale follow the
teachings of the Priscianus major \ the part devoted to
syntax, or construct™, shows traces of the influence of the
Priscianus minor. But Alexander's treatment of syntax is
more systematic and elaborate than Priscian's ; and he did
not hesitate to defer to the Vulgate and other Christian
Latin writings. Thus he made his work conform to con-
temporary usage, which its purpose was to set forth. He
did the same in the section on Prosody, in which he says
that the ancient metricians distinguished a number of feet
no longer used, and he will confine himself to six — the
dactyl, spondee, trochee, anapaest, iambus, and tribrach.8 In
contradiction to classical usage he condemns elision ;3 and
in his chapter on accent he throws over the ancient rules :
" Accentus normas legitur posuisse vetustas ;
Non tamen has credo servandas tempore nostro.4
Alexander was not really an innovator. He followed
1 See the Einleitung to Reichling's edition of the Doctrinale already referred
to ; also Thurot, De Alexandra de Villa.- Dei dottrinali (Paris, 1850). The chief
mediaeval rival of the Doctrinale was the Graecismus of Eberhard of Bethune,
written a little later. See Paetow, o.c. p. 38.
* Doctrinale, line 1561 sqq.
3 Doctrinale^ 1603 sqq.
4 Doctrinale, 2330-2331.
CHAP, xxx SPELL OF THE CLASSICS 127
previous grammarians in condemning elision, and in what he
says of quantity and accent In his syntax he endeavoured
to set forth rules conforming to the best Latin usage of his
time, like other mediaeval grammarians before him. He
was indeed vehement in his advocacy of recent and Christian
authors as standards of writing, and he inveighed against
the scholars of Orleans, who read the Classics, and would
have us sacrifice to the gods and observe the indecent
festivals of Faunus and Jove.1 But others defended the
Orleans school, and perhaps still regarded the Classics as
the best arbiters of grammar and eloquence. There exist
thirteenth-century grammars which follow Priscian more
closely than Alexander does.2 Yet his work represents the
dominant tendencies of his time.
Twelfth and thirteenth century grammarians recom-
mended to their pupils a variety of reading, in which
mediaeval and early Christian compositions held as large
a place as Virgil and Ovid. The Doctrinale advocates no
work more emphatically than Petrus Riga's Aurora^ a
versified paraphrase of Scripture. Its author was a chorister
in Rheims, and died in I2O9-8 The works of scholastic
philosophers were not cited as frequently as the com-
positions of verse-writers ; yet mediaeval grammarians were
influenced by the language of philosophy, and drew from
its training principles which they applied to their own
science. Grammar could not help becoming dialectical when
the intellectual world was turning to logic and metaphysics.
Commencing in the twelfth century, overmasteringly in the
thirteenth, logic penetrated grammar and compelled an
application of its principles. Often grammarians might
better have looked to linguistic usage than to dialectic ; yet
if grammar was to become a rational science, it had to
systematize itself through principles of logic, and make use
of dialectic in its endeavour to state a reason for its rules.
Those who applied logic to grammar at least endeavoured
to distinguish between the two, not always fruitfully. But
1 See passage in Reichling's Einleitung, p. xxvii.
2 See e.g. Une Gratnmaire latine intdite du XIII' siic/e, par Ch. Fierville
(Paris, 1886).
3 See Reichling, o.c. Einleitung, p. xix ; Thurot, Not. ct extr. xxii. 2,
p. 112 sqq.
128 THE MEDIAEVAL MIND BOOK vi
a real difference could not fail to assert itself inasmuch as
logic was in truth of universal application, while mediaeval
grammar never ceased to be the grammar of the Latin
language. Nevertheless its terminology was largely drawn
from logic.1
So dialectic brought both good and ill, proving itself
helpful in the regulation of syntax, but banefully affecting
grammarians with the conviction that language was the
creature of reason, and must conform to principles of logic.
One likewise notes with curious interest, that, from their
dialectic training apparently, grammarians first found as
many species of grammar as languages,2 and then forsook
this idea for the view that, in order to be a science, grammar
must be universal, or, as they phrased it, one, and must
possess principles not applicable specially to Greek or Latin,
but to congruous construction in the abstract', "de constructione
congrua secundum quod abstrahit ab omni lingua speciali,"
are the words of the English thirteenth-century philosopher
and grammarian, Robert Kilwardby.3 A like idea affected
Roger Bacon, who composed a Greek grammar,4 which
appears to have been intended as the first part of a work
upon the grammars of the learned languages other than
Latin. It was adapted to afford a grounding in the elements
of Greek : yet it touches matters in a way showing that
the writer had thought deeply on the affinities of languages
and the common principles of grammar. Of this the follow-
ing passage is evidence :
"Therefore, because I wish to treat of the properties of Greek
grammar, it should be known that there are differences in the
Greek language, to be hereafter noted in giving the names of these
dialects (idiomata). And I call them idiomata and not linguas,
because they are not different languages, but different properties
which are peculiarities (idiomata) of the same language.5 Wishing
1 See e.g. Thurot, o.c. p. 176 sqq. ; p. 216 sqq.
2 Thurot, o.c. pp. 126-127. 3 Thurot, o.c. p. 127.
4 The Greek Grammar of Roger Bacon, ed. by Nolan and Hirsch (Cambridge,
1902).
6 Bacon defines idioma "as the determined peculiarity (proprietas) of
language, which one gens uses after its custom ; and another gens uses another
idioma of the same language " ( Greek Grammar, p. 26). Dialect is the modern
term.
CHAP, xxx SPELL OF THE CLASSICS 129
to set forth Greek grammar, for the use of the Latins, it is necessary
to compare it with Latin grammar, because I commonly speak
Latin myself, seeing that the crowd does not know Greek ; also
because grammar is of one and the same substance in all languages,
although varying in its non-essentials (accidentaliter\ also because
Latin grammar in a certain special way is derived from Greek, as
Priscian says, and other grammarians." l
The dialecticizing of grammar took place in the north,
under influences radiating from Paris, the chief dialectic
centre. These did not deeply affect grammatical studies
in Italy, or in the Midi of France, which in some respects
exhibited like intellectual tendencies. Grammar was
zealously studied in Italy, but it did not there become
either speculative or dialectical. To be sure northern
manuals were used, especially the Doctrinale ; but the study
remained practical, an art rather than a science, and its
chief element, or end, was the ars dictaminis or dictandi.
The grammatical treatises of Italians were treatises upon
this art of epistolary composition and the proper ways of
drawing documents. These works were studied also in
the North, where the ars dictaminis was by no means
neglected.2
Latin grammar, although over-dialecticized in the
North, and in Italy made very practical, remained of
necessity the foundation of classical studies, and of mediaeval
literary effort, in prose and verse. As the basis of liberal
studies, it had no truer home than the cathedral school of
Chartres.8 Contemporary writers picture the manner in
which this study was there made to perform its most liberal
office, under favourable mediaeval conditions, in the first
1 Greek Grammar, p. 27. Bacon appears to have followed Priscian chiefly.
As to whether he used Byzantine models, or other sources, see the Introduction
to Nolan and Hirsch's edition of the Greek Grammar. These thoughts inspiring
Bacon's Grammar became a veritable metaphysics in the Grammatica speculativa
ascribed to Duns Scotus, see post, Chapter XLII.
2 Cf. L. Rockinger, '« Die Ars Dictandi in Italien," Sitzungsber. bayerisch.
Akad., 1 86 1, pp. 98-151. For examples of these dictamina, see L. Delisle,
" Dictamina Magistri Berardi de Neapoli" (a papal notary equally versed in law
and rhetoric), Notices et txtraits des MSS., etc., vol. 27, part 2, p. 87 sqq. ;
Ch. V. Langlois, " Formulaires de lettres," etc., Not. et ext. vol. 32 (2), p. i sqq. ;
ibid. vol. 34 (l), p. I sqq. and p. 305 sqq. and vol. 35 (2), p. 409 sqq.
3 For the history of this school in the eleventh century, see ante, Chapter
XII. in.
VOL. II K
ijo THE MEDIAEVAL MIND
half of the twelfth century. The time antedates the
&*etrimmltt and one notes at once that the Chartrian
masters used the ancient grammatical authorities. This
is shown by the Fftmttmc&om of Thierry, who was head-
master (jdhinfliau) and then Chancellor there for a number
of years between 1120 and 1150. As its name implies,
the work was a manual, or rather an encyclopaedia, of the
Seven Arts. Thierry compiled it from the writings of the
" chief doctors on the arts." He transcribed the An minor
of Donates and then portions of his larger work. Having
commended this author for his conciseness and subtDty,
Thierry next copied out the whole of Prisdan. As text-
books for the second branch of the Trivinm, he gives
Cicero s J/t iMiMMfUHt rktt&riat lion 2% RStftoricontm 4uf
Haraaamm. Kbri /, De fnartitioitf mrmtoria dialogms, and con-
chides with the rhetorical writings of Martianus Capella
and J. Severianus.1
~ So much for the books. Now for the method of teach-
ing as described by John of Salisbury. He gives the
practice of Bernard of Chartres, Thierry's elder brother,
who was scholasticus and Qianceflot before him, in the
first quarter of the twelfth century. John has been advocat-
ing the study of grammar as the fmndamatinm atqme radix
of those exauses by which virtue and philosophy are
reached; and he is advising a generous reading of the
Classics by the student, and their constant use by the
ptofessor, to illustrate his teaching.
"This method was followed by Bernard of Chartres, ex**disa-
MUI imdh mr flnaJfcnfcffJJnr iTrfi i in • wr nr fimfKm By citations from
the authors be showed what was simple and regular; he brought
into reBef the grammatical figures, the rhetorical f*donT\ the
mlattxn of sophissiy, and pnirtrd out how the text in hand bore
•poo other studies; not that be sought to teach everything in a
single session, for be kept in mind die rapacity of his audience.
He im.dh*Md flmuxiuus and utouriety of diction, and a fitting
use of congruous figures. Realizing that practise strengthens
* The ^pMhBdhv «aasls IB iHumacnpe. I hcve taken the above firm
OtroL Us £aOa A rfci*n mm mtytm Sgt fOtaitRS, 1895!. PL 231 *ff-
appeals to hwe writte* a rnai»r»tiiiij am. Ckems KktUnt, See
pp. 41-46.
CHAP, xxx SPELL OF THE CLASSICS 131
memory and sharpens faculty, he urged his pupils to imitate what
they had heard, inciting some by admonitions, others by •liii
and penalties. Each pupil recited the next day something from
what he had heard on the preceding. The evening exercise, called
the dtclinatio, was filled with such an abundance of grammar that
any one, of fair intelligence, by attending it for a year, would have
at his ringers' ends the art of writing and speaking, and would
know the meaning of all words in common use. But since no
day and no school ought to be vacant of religion, Bernard would
select for study a subject edifying to faith and morals. The
closing part of this decUnatio, or rather philosophical recitation,
was stamped with piety : the souls of the dead were commended,
a penitential Psalm was recited, and the Lord's Prayer.
" For those boys who had to write exercises in prose or verse,
he selected the poets and orators, and showed how they should
be imitated in the unking of words and the elegant ending of
passages. If any one sewed another's cloth into his garment, he
was reproved for the theft, but usually was not punished. Yet
Bernard gentry pointed out to awkward borrowers that whoever
imitated the ancients (majorcs) should himself become worthy of
imitation by posterity. He impressed upon his pupils the virtue
of economy, and the values of things and words : he explained
where a meagreness and tenuity of diction was fitting, and where
copiousness or even excess should be allowed, and the advantage
of due measure everywhere. He admonished them to go through
the histories and poems with diligence, and dairy to fix passages in
their memory. He advised them, in reading, to avoid the super-
fluous, and confine themselves to the works of distinguished
authors. For, he said (quoting from QuintiHan) that to follow out
what every contemptible person has said, is irksome and vain-
glorious, and destructive of the capacity which should remain free
for better things. To the same effect he cited Augustine, and
remarked that the ancients thought it a virtue in a grammarian to
be ignorant of something. But since in school exercises nothing
is more useful than to practise what should be accomplished by the
art, his scholars wrote daily in prose and verse, and proved them-
selves in discussions." *
This passage indicates with what generous use of the
auctores Bernard expounded grammar and explained the
orators and poets ; how he assigned portions of their works
for memorizing, and with what care he corrected his pupils'
prose and metrical compositions, criticizing their know-
ledge and their taste. He was a man mindful of his
1 Metalogicta, L cap. ZZIT. (Migne, Pa*. Lot. 199, coL 853-856).
132 THE MEDIAEVAL MIND BOOK vi
Christian piety toward the dead and living, but caring
greatly for the Classics, and loving study. " The old man
of Chartres (senex Carnotensis\" says John of Salisbury,
meaning Bernard, " named wisdom's keys in a few lines,
and though I am not taken with the sweetness of the
metre, I approve the sense :
4 Mens humilis, studium quaerendi, vita quieta,
Scrutinium taciturn, paupertas, terra aliena. . . .' " l
Bernard, Thierry, and other masters and scholars of
their school, as the advocates of classical education, detested
the men called by John of Salisbury Cornificiani, who
were for shortening the academic course, as one would say
to-day, so that the student might finish it up in two or
three years, and proceed to the business of life. A good
many in the twelfth century adopted this notion, and turned
from the pagan classics, not as impious, but as a waste
of time. Some ol the good scholars of Chartres lost heart,
among them William of Conches and a certain Richard,
both teachers of John of Salisbury. They had followed
Bernard's methods ; " but when the time came that so many
men, to the great prejudice of truth, preferred to seem,
rather than be, philosophers and professors of the arts,
engaging to impart the whole of philosophy in less than
three years, or even two, then my masters vanquished by
the clamour of the ignorant crowd, stopped. Since then,
less time has been given to grammar. So it has come
about that those who profess to teach all the arts, both
liberal and mechanical, are ignorant of the first of them,
without which vainly will one try to get the rest." 2
Upon these people who seemed charlatans, and yet may
have represented tendencies of the coming time, Thierry,
Gilbert de la Porree,8 and John of Salisbury poured their
sarcasms. The controversy may have clarified Bernard's
consciousness of the value of classical studies and deepened
his sense of obligation to the ancients, until it drew from
him perhaps the finest of mediaeval utterances touching the
1 Polycraticus, vii. 13 (Migne 199, col. 666).
2 Metalogicus, i. 24 (Migne 199, col. 856).
8 Cf. Clerval, o.c. p. 211 sqq. and p. 227 sqq.
CHAP, xxx SPELL OF THE CLASSICS 133
matter : " Bernard of Chartres used to say that we were like
dwarfs seated on the shoulders of giants. If we see more
and further than they, it is not due to our own clear eyes or
tall bodies, but because we are raised on high and upborne
by their gigantic bigness." l
Echoes of this same controversy — have they ever quite
died away? — are heard in letters of the scholarly Peter of
Blois, who was educated at Paris in the middle of the twelfth
century, became a secretary of Henry Plantagenet and spent
the greater part of his life in England, dying about the year
1 200. He writes to a friend :
"You greatly commend your nephew, saying that never have
you found a man of subtler vein : because, forsooth, skimming over
grammar, and skipping the reading of the classical authors, he has
flown to the trickeries of the logicians, where not in the books
themselves but from abstracts and note-books, he has learned
dialectic. Knowledge of letters cannot rest on such, and the
subtilty you praise may be pernicious. For Seneca says, nothing is
more odious than subtilty when it is only subtilty. Some people,
without the elements of education, would discuss point and line
and superficies, fate, chance and free-will, physics and matter and
the void, the causes of things and the secrets of nature and the
sources of the Nile ! Our tender years used to be spent in rules of
grammar, analogies, barbarisms, solecisms, tropes, with Donatus,
Priscian, and Bede, who would not have devoted pains to these
matters had they supposed that a solid basis of knowledge could be
got without them. Quintilian, Caesar, Cicero, urge youths to study
grammar. Why condemn the writings of the ancients ? it is written
that in antiquis est scientia. You rise from the darkness of ignorance
to the light of science only by their diligent study. Jerome glories
in having read Origen ; Horace boasts of reading Homer over and
over. It was much to my profit, when as a little chap I was studying
how to make verses, that, as my master bade me, I took my matter
not from fables but from truthful histories. And I profited from
the letters of Hildebert of Le Mans, with their elegance of style and
sweet urbanity ; for as a boy I was made to learn some of them by
heart. Besides other books, well known in the schools, I gained
from keeping company with Trogus Pompeius, Josephus, Suetonius,
Hegesippus, Quintus Curtius, Tacitus and Livy, all of whom throw
into their histories much that makes for moral edification and the
advance of liberal science. And I read other books, which had
nothing to do with history — very many of them. From all of them
1 Metalogicus, iii. 4 (Migne 199, col. 900).
134 THE MEDIAEVAL MIND BOOK vi
we may pluck sweet flowers, and cultivate ourselves from their
urbane suavity of speech." 1
In another letter Peter writes to his bishop of Bath, as
touching the accusation of some " hidden detractor," that he,
Peter, is but a useless compiler, who fills letters and sermons
with the plunder of the ancients and Holy Writ :
" Let him cease, or he will hear what he does not like ; for I
am full of cracks, and can hold in nothing, as Terence says. Let
him try his hand at compiling, as he calls it. — But what of it !
Though dogs may bark and pigs may grunt, I shall always pattern
on the writings of the ancients ; with them shall be my occupation ;
nor ever, while I am able, shall the sun find me idle." 2
It is evident how broadly Peter of Blois, or John of
Salisbury, or the Chartrians, were read in the Latin Classics.
Peter mentions even Tacitus, a writer not thought to have
been much read in the Middle Ages. We have been looking
at the matter rather in regard to poetry and eloquence —
belles lettres. But one may also note the same broad
reading (among the few who read at all) on the part of those
who sought for the ethical wisdom of the ancients. This is
apparent (perhaps more apparent than real) with Abaelard,
who is ready with a store of antique ethical citations.3 It
is also borne witness to by the treatise Moralis philosophia
de honesto et uttli, placed among the works of Hildebert of
Le Mans,4 but probably from the pen of William of Conches,
grammaticus post Bernardum Carnotensem opulentissimus,
as John of Salisbury calls him.5 In some manuscripts it is
entitled Summa moralium philosophorum, quite appropriately.
One might hardly compare it for organic inclusiveness with
the Christian Summa of Thomas Aquinas ; but it may very
well be likened to the more compact Sentences of the
Lombard 6 which were so solidly put together about the
same time. The Lombard drew his Sentences from the
writings of the Church Fathers ; William's work consists of
moral extracts, mainly from Cicero, Seneca, Sallust, Terence,
1 Pctrus Blesensis, Epist. 101 (Migne 207, col. 312).
2 Epist. 92 (Migne 207, col. 289). These letters are cited by Clerval.
3 See/w/, Chapter XXXVI. I.
4 Migne, Pat. Lot. 171, col. 1007-1056.
6 Metalogicus, i. 5. 8 See post, Chapter XXXV. I.
CHAP, xxx SPELL OF THE CLASSICS 135
Horace, Lucan, and Boethius. The first part, De honesto,
reviews Prudentia, Justitia, Fortitude, and under these a
number of particular virtues in correspondence with which
the extracts are arranged. The De utili considers the
adventitious goods of circumstance and fortune.
The extracts forming the substance of this work were
intelligently selected and smoothly joined ; and the treatise
was much used by those who studied the antique philosophy
of life. It was drawn upon, for instance, by that truculent
and well-born Welshman, Giraldus Cambrensis, in his De
instructione principum, which the author wrote partly to show
how evilly Henry Plantagenet performed the functions of a
king. This irrepressible claimant of St. David's See had
been long a prickly thorn for Henry's side.1 But he was a
scholar, and quotes from the whole range of the Latin
Classics.
Ill
When a man is not a mere transcriber, but puts something
of himself into the product of his pen, his work will reflect
his personality, and may disclose the various factors of his
spiritual constitution. To discover from the writings of
mediaeval scholars the effect of their classical studies upon
their characters is of greater interest than to trace from their
citations the authors read by them. Such a compilation as
the Summa moralium which has just been noticed, while
plainly disclosing the latter information, tells nothing of the
personality of him who strung the extracts together. Yet
he had read writings which could hardly have failed to
influence him. Cicero and Seneca do not leave their reader
unchanged, especially if he be seeking ethical instruction.
And there was a work known to this particular compiler
which moved men in the Middle Ages. Deep must have
been the effect of that book so widely read and pondered on
and loved, the De consolatione of Boethius with its intimate
consolings, its ways of reasoning and looking upon life, its
setting of the intellectual above the physical, its insistence
1 The works of Giraldus Cambrensis are published in Master of Rolls Series,
21, in eight volumes. The last contains the De instructione principum. Giraldus
lived from about 1147 to 1220.
136 THE MEDIAEVAL MIND BOOK vr
that mind rather than body makes the man. Imagine it
brought home to a vigorous struggling personality — imagine
Alfred reading and translating it, and adding to it from the
teachings of his own experience.1 The study of such a book
might form the turning of a mediaeval life ; at least could
not fail to temper the convulsions of a soul storm-driven
amid unreconcilable spiritual conflicts.
One may look back even to the time of Alfred or
Charlemagne and note suggestions coming from classical
reading. For instance, the antique civilization being
essentially urban, words denoting qualities of disciplined and
polished men had sprung from city life, as contrasted with
rustic rudeness. Thus the word urbanitas passed over into
mediaeval use when the quality itself hardly existed outside
of the transmitted Latin literature. For an Anglo-Saxon or
a Frank to use and even partly comprehend its significance
meant his introduction to a new idea. Alcuin writes to
Charlemagne that he knows how it rejoices the latter to
meet with zeal for learning and church discipline, and how
pleasing to him is anything which is seasoned with a touch
of wit — urbanitatis sale concilium? And again, in more
curious phrase, he compliments a certain worthy upon his
metrical exposition of the creed, "wherein I have found
gold-spouting whirlpools (aurivomos gurgites) of spiritual
meanings abounding with gems of scholastic wit (scholasticae
urbanitatis}" s Though doubtless this " scholastic wit " was
flat enough, it was something for these men to get the notion
of what was witty and entertaining through a word so
vocalized with city life as urbanitas, a word that we have
seen used quite knowingly by the more sophisticated scholar,
Peter of Blois.
Again, it is matter of common observation that a
feeling for nature's loveliness depends somewhat on the
growth of towns. But mediaeval men constantly had the
idea suggested to them by the classic poetry of city-dwelling
poets. Here are some lines by Alcuin or one of his friends,
expressing sentiments which never came to them from the
woods with which they were disagreeably familiar :
1 Ante, Chapter VIII. 2 Akuin, Ep. 80 (Migne 100, col. 260).
3 Alcuin, Ep. 113, ad Paulinum patriarcham (Migne 100, col. 341).
CHAP, xxx SPELL OF THE CLASSICS 137
" O mea cella, mihi habitatio, dulcis, amata,
Semper in aeternum, o mea cella, vale.
Undique te cingit ramis resonantibus arbos,
Silvula florigeris semper onusta comis." J
These are little hints of the effect of the antique literature
upon men who still were somewhat rough-hewn. Advancing
a century and a half, the influence of classic study is seen,
as it were, " in the round " in Gerbert.2 It is likewise clear
and full in John of Salisbury, of whom we have spoken, and
shall speak again.3 For an admirable example, however, of
the subtle working of the antique literature upon character
and temperament, we may look to that scholar-prelate
whose letters the youthful Peter of Blois studied with profit,
Hildebert of Lavardin, Bishop of Le Mans, and Archbishop
of Tours. He shows the effect of the antique not so
strikingly in the knowledge which he possessed or the
particular opinions which he entertained, as in the balance
and temperance of his views, and incidentally in his fine
facility of scholarship.
Hildebert was born at Lavardin, a village near the
mouth of the Loire, about the year 1055. He belonged to
an unimportant but gentle family. Dubious tradition has it
that one of his teachers was Berengar of Tours, and that he
passed some time in the monastery of Cluny, of whose great
abbot, Hugh, he wrote a life. It is more probable that he
studied at Le Mans. But whatever appears to have been
the character of his early environment, Hildebert belongs
essentially to the secular clergy, and never was a monk.
While comparatively young, he was made head of the
cathedral school of Le Mans, and then archdeacon. In the
year 1096, the old bishop of Le Mans died, and Hildebert,
then about forty years of age, was somewhat quickly chosen
his successor, by the clergy and people of the town, in spite
of the protests of certain of the canons of the cathedral.
The none too happy scholar-bishop found himself at once a
powerless but not negligible element of a violently com-
plicated feudal situation. There was the noble Helias,
1 Traube, Poetae Lat. Aevi Carolini (Man. Ger»t.),i, p. 243. Cf. " Versus in
laude Larii laci," by Paulus Diaconus, ibid. p. 42.
2 Ante, Chapter XII. 3 Post, Chapter XXXVI. in.
138 THE MEDIAEVAL MIND BOOK vi
Count of Maine, who was holding his domain against Robert
de Bellesme, the latter slackly supported by William Rufus
of England, who claimed the overlordship of the land.
Helias reluctantly acquiesced in Hildebert's election. Not
so Rufus, who never ceased to hate and persecute the man
that had obtained the see which had been in the gift of his
father, William the Conqueror. It happened soon after that
Count Helias was taken prisoner by his opponent, and was
delivered over to Rufus at Rouen. But Fulk of Anjou now
thrust himself into this feudal melee> appeared at Le Mans,
entered, and was acknowledged as its lord. He left a garri-
son, and departed before the Red King reached the town.
The latter began its siege, but soon made terms with Fulk, by
which Le Mans was to be given to Rufus, Helias was to
be set free, and many other matters were left quite unsettled.
Now Rufus entered the town (1098), where Hildebert
nervously received him ; Helias, set free by the King, offered
to become his feudal retainer ; Rufus would have none of
him ; so Helias defied the King, and was permitted to go his
way by that strange man, who held his knightly honour sacred,
but otherwise might commit any atrocity prompted by rage
or greed. It was well for Helias that trouble with the French
King now drew Rufus to the north. The next year, 1099,
Rufus in England heard that the Count had renewed the
war, and captured Le Mans, except the citadel. He hurried
across the channel, rushed through the land, entered Le
Mans, and passed on through it, chasing Helias. But the
war languished, and Rufus returned to Le Mans, or to what
was left of it. Hildebert had cause to tremble. He had
met the King on the latter's hurried arrival from England
for the war. Rufus had spoken him fair. But now, at Le
Mans, he was accused before the monarch of complicity in
the revolt. Quickly flared the King's anger against the man
whom he never had ceased to detest. He ordered him to
pull down the towers of his cathedral, which rose threaten-
ing and massive over the city's ruins and the citadel of the
King. What could the defenceless bishop do to avert
disgrace and the desolation of his beloved church ? Words
were left him, but they did not prove effectual. Rufus
commanded him to choose between immediate compliance
CHAP, xxx SPELL OF THE CLASSICS 139
and going to England, there to submit himself to the judg-
ment of the English bishops. He accepted the latter
alternative, and followed the King, leaving his diocese ruined
and his people dispersed. In England, Rufus dangled him
along between fear and hope, till at last the disheartened
prelate returned to the Continent, having ambiguously
consented to pull down those towers. But instead, he set to
work to repair the devastation of his diocese. The reiterated
mandate of the King was not long in following him, and
this time coupled with an accusation of treason. Hildebert's
state was desperate. His clergy were forbidden to obey
him, his palace was sacked, his own property destroyed.
Such were William's methods of persuasion. Then the
King proposed that the bishop should purge himself by the
ordeal of hot iron. Hildebert, the bishop, the theologian,
the scholar, was almost on the verge of taking up the
challenge, when a letter from Yves, the saintly Bishop of
Chartres, dissuaded him. At this moment, with ruin for his
portion, and no escape, an arrow ended the Red King's life
in the New Forest. It was the year of grace 1 100.
Now, what a change ! Henry Beauclerc was from the
first his friend, as William Rufus to the last had been his
enemy. Hitherto Hildebert has appeared weakly endeavour-
ing to elude destruction, and perhaps with no unshaken
loyalty in his bosom toward any cause except his dire
necessities. Henceforth, sailing a calmer sea, he repays
Henry's favour with adherence and admiration. He has no
support to offer Anselm of Canterbury, still struggling with
the English monarchy over investitures ; nor has he one
word of censure for the clever cold-eyed scholar King who
kept his brother, Robert of Normandy, a prisoner for
twenty-eight years till he died.
Hildebert had still thirty years of life before him ; nor
were they all to be untroubled. Shortly after the Red
King's death, he made a voyage to Rome, to obtain the papal
benediction. To judge from his poems, he was deeply
impressed with the ruins of the ancient city. Returning he
devoted himself to the affairs of his diocese and to rebuilding
the cathedral and other churches of Le Mans. In 1125, in
spite of his unwillingness, for he was seventy years old, he
140 THE MEDIAEVAL MIND BOOK vi
was enthroned Archbishop of Tours, where he was to be
worried by disputes with Louis le Gros of France over
investitures. But he acquitted himself with vigour, especially
through his letters. A famous one relates to this struggle
of his closing years :
" In adversity it is a comfort to hope for happier times. Long
has this hope flattered me ; and as the harvest in the fields cheers
the countryman, the expectation of a fair season has comforted my
soul. But now I no longer hope for the clearing of the cloudy
weather, nor see where the storm-driven ship, on whose deck I sit,
may gain the harbour of rest.
"Friends are silent; silent are the priests of Jesus Christ.
And those also are silent through whose prayers I thought the king
would be reconciled with me. I thought indeed, but in their
silence the king has added to the pain of my wounds. Yet it was
theirs to resist the injury to the canonical institutes of the Church.
Theirs was it, if the matter had demanded it, to raise a wall before
the house of Israel. Yet with the most serene king there is call
for exhortation rather than threat, for advice rather than command,
for instruction rather than the rod. By these he should have been
drawn to agree, by these reverently taught not to sheath his arrows
in an aged priest, nor make void the canonical laws, nor persecute
the ashes of a church already buried, ashes in which I eat the
bread of grief, in which I drink the cup of mourning, from which
to be snatched away and escape is to pass from death to life.
" Yet amid these dire straits, anger has never triumphed over
me, that I should raise a hue and cry against the anointed of the
Lord, or wrest peace from him with the strong hand and by the
arm of the Church. Suspect is the peace to which high potentates
are brought not by love, but by force. Easily is it broken, and
sometimes the final state is worse than the first. There is another
way by which, Christ leading, I can better reach it. I will cast
my thought upon the Lord, and He will give me the desire of my
heart. The Lord remembered Joseph, forgotten by Pharaoh's
chief butler when prosperity had returned to him ; He remembered
David abandoned by his own son. Perhaps He will remember
even me, and bring the tossing ship to rest on the desired shore.
He it is who looks upon the petition of the meek, and does not
spurn their prayers. He it is in whose hand the hearts of kings
are wax. If I shall have found grace in His eyes, I shall easily
obtain the grace of the king or advantageously lose it. For to
offend man for the sake of God is to win God's grace." l
1 Ep. ii. 33 (Migne 171, col. 256). For the Latin text of this letter see post,
Chapter XXXI.
CHAP, xxx SPELL OF THE CLASSICS 141
Hildebert was a classical scholar, and in his time un-
matched as a writer of Latin prose and verse. Many of his
elegiac poems survive, some of them so antique in sentiment
and so correct in metre as to have been taken for products
of the pagan period. One of the best is an elegy on Rome
obviously inspired by his visit to that city of ruins :
" Par tibi, Roma, nihil, cum sis prope tota ruina."
Its closing lines are interesting :
" Hie superum formas superi mirantur et ipsi,
Et cupiunt fictis vultibus esse pares.
Non potuit natura deos hoc ore creare
Quo miranda deum signa creavit homo.
Vultus adest his numinibus, potiusque coluntur
Artificum studio quam deitate sua.
Urbs felix, si vel dominis urbs ilia careret,
Vel dominis esset turpe carere fide ! "
Such phrases, such frank admiration for the idols ot
pagan Rome, are startling from the pen of a contemporary
of St. Bernard. The spell of the antique lay on Hildebert,
as on others of his time. " The gods themselves marvel at
their own images, and desire to equal their sculptured forms.
Nature was unable to make gods with such visages as man
has created in these wondrous images of the gods. There
is a look (yultus) about these deities, and they are worshipped
for the skill of the sculptor rather than for their divinity." *
Hildebert was not only a bishop, he was a Christian ;
but the sense and feeling of ancient Rome had entered into
him. Besides the poem just quoted, he wrote another,
either in Rome or after his return, Christian in thought but
most antique in sympathy and turn of phrase.
" Dum simulacra mihi, dum numina vana placerent,
Militia, populo, moenibus alta fui ;
ruit alta senatus
Gloria, procumbunt templa, theatra jacent."
The antique feeling of these lines is hardly balanced by
the expressed sentiment : " plus Caesare Petrus ! " 2 And
again we hear the echo of the antique in
1 For the entire poem, which is of interest throughout, see post, Chapter
XXXII. i.
2 For the poem see Haureau, Melanges pottiques d* Hildebert de Lavardin,
p. 64 (Paris, 1882).
142 THE MEDIAEVAL MIND BOOK vi
" Nil artes, nil pura fides, nil gloria linguae,
Nil fons ingenii, nil probitas sine re." l
Hildebert has also a poem " On his Exile," perhaps
written while in England with the Red King. Quite in
antique style it sings the loss of friends and fields, gardens
and granaries, which the writer possessed while prospera fata
smiled. Then
" Jurares superos intra mea vota teneri ! "
— a very antique sentiment. But the Christian faith of the
despoiled and exiled bishop reasserts itself as the poem
closes.2 Did Hildebert also write the still more palpably
" antique " elegiacs on Hermaphrodite, and other questionable
subjects ? 3 That is hard to say. He may or may not
have been the author of a somewhat scurrilous squib against
a woman who seems to have sent him verses :
" Femina perfida, femina sordida, digna catenis.
" O miserabilis, insatiabilis, insatiata,
Desine scribere, desine mittere, carmina blandia,
Carmina turpia, carmina mollia, vix memoranda,
Nee tibi mittere, nee tibi scribere, disposui me.
" Mens tua vitrea, plumbea, saxea, ferrea, nequam,
Fingere, fallere, prodere, perdere, rem putat aequam." 4
With all his classical leanings, the major part of
Hildebert was Christian. His theological writings which
survive, his zeal against certain riotous heretics, and in
general his letters, leave no doubt of this. It is from the
Christian point of view that he gives his sincerest counsels ;
it is from that that he balances the advantages of an active
or contemplative life, the claims of the Christian vita activa
and vita contemplativa. Yet his classic tastes gave temper-
ance to his Christian views, and often drew him to sheer
scholarly pleasures and to an antique consideration of the
incidents of life.
How sweetly the elements were mixed in him appears
in a famous letter written to William of Champeaux, that
1 Haureau, o.c. p. 56. 2 Ibid. p. 82. 3 Ibid. p. 144.
4 Migne, Pat. Lat. 171, col. 1428. This volume of Migne also contains the
poems criticized and (some of them) edited by Haureau in the book already
referred to.
CHAP, xxx SPELL OF THE CLASSICS 143
Goliath of realism whom Abaelard discomfited in the Paris
schools. The unhappy William retreated a little way
across the Seine, and laid the foundations of the abbey of
St. Victor in the years between 1 108 and 1113. He sought
to abandon his studies and his lectures, and surrender himself
to the austere salvation of his soul, and yet scarcely with such
irrevocable purpose as would rebuff the temperate advice of
Hildebert's letter proffered with tactful understanding.
" Over thy change of life my soul is glad and exults, that at
length it has come to thee to determine to philosophize. For thou
hadst not the true odour of a philosopher so long as thou didst not
cull beauty of conduct from thy philosophic knowledge. Now, as
honey from the honeycomb, thou hast drawn from that a worthy
rule of living. This is to gather all of thee within virtue's
boundaries, no longer huckstering with nature for thy life, but
attending less to what the flesh is able for, than to what the spirit
wills. This is truly to philosophize; to live thus is already to
enter the fellowship of those above. Easily shall thou come to
them if thou dost advance disburdened. The mind is a burden
to itself until it ceases to hope and fear. Because Diogenes looked
for no favour, he feared the power of no one. What the cynic
infidel abhorred, the Christian doctor far more amply must abhor,
since his profession is so much more fruitful through faith. For
such are stumbling-blocks of conduct, impeding those who move
toward virtue.
" But the report comes that you have been persuaded to abstain
from lecturing. Hear me as to this. It is virtue to furnish the
material of virtue. Thy new way of life calls for no partial sacrifice,
but a holocaust. Offer thyself altogether to the Lord, since so He
sacrificed Himself for thee. Gold shines more when scattered than
when locked up. Knowledge also when distributed takes increase,
and unless given forth, scorning the miserly possessor, it slips away.
Therefore do not close the streams of thy learning."1
Eventually William followed this, or other like advice.
One sees Hildebert's sympathetic point of view ; he entirely
approves of William's renunciation of the world — a good
bishop of the twelfth century might also have wished to
renounce its troublous honours ! Yes, William has at last
turned to the true and most disburdened way of living. But
this abandonment of worldly ends entails no abandonment
of Christian knowledge or surrender of the cause of Christian
1 Hildebert, Epis. i. I (Migne 171, col. 141).
144 THE MEDIAEVAL MIND BOOK vi
learning. Nay, let William resume, and herein give himself
to God's will without reserve.
So the letter presents a temperate and noble view of the
matter, a view as sound in the twentieth century as in the
twelfth. And a like broad consideration Hildebert brings to
a more particular discussion of the two modes of Christian
living, the vita activa and the vita contemplativa, Leah and
Rachel, Martha and Mary. He amply distinguishes these
two ways of serving God from any mode of life with selfish
aims. It happened that a devout monk and friend of Hilde-
bert was made abbot of the monastery of St. Vincent, in the
neighbourhood of Le Mans. The administrative duties of
an abbot might be as pressing as a bishop's, and this good
man deplored his withdrawal from a life of more complete
contemplation. So Hildebert wrote him a long discursive
letter, of which our extracts will give the thread of argument :
"You bewail the peace of contemplation which is snatched
away, and the imposed burden of active responsibilities. You were
sitting with Mary at the feet of the Lord Jesus, when lo, you were
ordered to serve with Martha. You confess that those dishes which
Mary receives, sitting and listening, are more savoury than those
which zealous Martha prepares. In these, indeed, is the bread of
men, in those the bread of angels."
And Hildebert descants upon the raptures of the vita
contemplativa> of which his friend is now bereft.
" The contemplative and the active life, my dearest brother, you
sometimes find in the same person, and sometimes apart. As the
examples of Scripture show us. Jacob was joined to both Leah
and Rachel; Christ teaches in the fields, anon He prays on the
mountains ; Moses is in the tents of the people, and again speaks
with God upon the heights. So Peter, so Paul Again, action
alone is found, as in Leah and Martha, while contemplation gleams
in Mary and Rachel. Martha, as I think, represents the clergy of
our time, with whom the press of business closes the shrine of con-
templation, and dries up the sacrifice of tears.
" No one can speak with the Lord while he has to prattle
with the whole world. Such a prattler am I, and such a priest,
who when I spend the livelong day caring for the herds, have not a
moment for the care of souls. Affairs, the enemies of my spirit,
come upon me ; they claim me for their own, they thieve the private
hour of prayer, they defraud the services of the sanctuary, they
irritate me with their stings by day and infest my sleep ; and what
CHAP, xxx SPELL OF THE CLASSICS 145
I can scarcely speak of without tears, the creeping furtive memory
of disputes follows me miserable to the altar's sacraments, — all such
are even as the vultures which Abraham drove away from the
carcases (Gen. xv. n).
" Nay more, what untold loss of virtue is entailed by these
occupations of the captive mind ! While under their power we do
not even serve with Martha. She ministered, but to Christ ; she
bustled about, but for Christ. We truly, who like Martha bustle
about, and, like Martha, minister, neither bustle about for Christ nor
minister to Him. For if in such bustling ministry thou seekest to
win thine own desire, art taken with the gossip of the mob, or with
pandering to carnal pleasures, thou art neither the Martha whom
thou dost counterfeit nor the Mary for whom thou dost sigh.
" In that case, dearest brother, you would have just cause for
grief and tears. But if you do the part of Martha simply, you do
well ; if, like Jacob, you hasten to and fro between Leah and
Rachel, you do better ; if with Mary you sit and listen, you do best.
For action is good, whose pressing instancy, though it kill contem-
plation, draws back the brother wandering from Christ. Yet it is
better, sometimes seated, to lay aside administrative cares, and
amid the irksome nights of Leah, draw fresh life from Rachel's
loved embrace. From this intermixture the course to the celestials
becomes more inclusive, for thereby the same soul now strives for
the blessedness of men and anon participates in that of the angels.
But of the zeal single for Mary, why should I speak ? Is not the
Saviour's word enough, 'Mary hath chosen the best part, which
shall not be taken from her.' "
And in closing, Hildebert shows his friend the abbot that
for him the true course is to follow Jacob interchanging
Leah and Rachel ; and then in the watches of his pastoral
duties the celestial vision shall be also his.1
Could any one adjust more fairly this contest, so insistent
throughout the annals of mediaeval piety, between active
duties and heavenly contemplation ? The only solution for
abbot and bishop was to join Leah with Rachel. And how
clearly Hildebert sees the pervasive peril of the active life,
that the prelate be drawn to serve his pleasures and not
Christ. Many souls of prelates had that cast into hell !
In theory Hildebert is clear as day, and altogether
Christian, so far as we have followed the counsels of these
letters. But in fact the quiet life had for him a temptation,
to which he yielded himself more generously than to any of
1 Hildebert, Ep. i. 22 (Migne 171, col. 197).
VOL. II L
146 THE MEDIAEVAL MIND BOOK vi
the grosser lures of his high prelacy. This temptation, so
alluring and insidious, so fairly masked under the proffer of
learning leading to fuller Christian knowledge, was of course
the all too beloved pagan literature, and the all too humanly
convincing plausibilities of pagan philosophy. Hildebert's
writings evince that kind of classical scholarship which
springs only from great study and great love. His soul
does not appear to have been riven by a consciousness of sin
in this behoof. Sometimes he passes so gently from Chris-
tian to pagan ethics, as to lead one to suspect that he did
not deeply feel the inconsistency between them. Or again,
he seems satisfied with the moral reasonings of paganism,
and sets them forth without a qualm. For there was the
antique pagan side of our good bishop ; and how pagan
thoughts and views of life had become a part of Hildebert's
nature, appears in a most interesting letter written to King
Henry, consoling him upon the loss of his son and the noble
company so gaily sailing from Normandy in that ill-starred
White Ship in the year 1 120.
Hildebert begins reminding the King how much more it
is for a monarch to rule himself than others. Hitherto he
has triumphed over fortune, if fortune be anything ; now she
has wounded him with her sharpest dart. Yet that cannot
penetrate the well-guarded mind. It is wisdom not to vaunt
oneself in prosperity, nor be overwhelmed with grief in
adversity. Hildebert then reasons on the excellence of
man's nature and will ; he speaks of the effect of Adam's sin
in loss of grace and entailment of misery on the human race.
He quotes from the Old Testament and from Virgil. Then
he proceeds more specifically with his fortifying arguments.
Their sum is, let the breast of man abound in weapons of
defence and contemn the thrusts of fortune ; there is nothing
over which the triumphant soul may not triumph.
" Unhappy he who lacks this armament ; and most unhappy he
who besides does not know it. Here Democritus found matter for
laughter, Demosthenes (sic) matter for tears. Far be it from thee
that the chance cast of things should affect thee so, and the loss of
wisdom follow the loss of offspring. Thou hast suffered on dry
land more grievous shipwreck than thy son in the brine, if fortune's
storm has wrested wisdom from the wise."
CHAP, xxx SPELL OF THE CLASSICS 147
After a while Hildebert passes on to consider what is
man, and wherein consists his welfare :
" To any one carefully considering what man is, nothing will
seem more probable than that he is a divine animal, distinguished
by a certain share of divinity (numinis). By bone and flesh he
smacks of the earth. By reason his affinity to God is shown.
Moses, inspired, certifies that by this prerogative man was created
in the image of God. Whence it also follows for man, that he
should through reason recognize and love his true good. Now
reason teaches that what pertains to virtue is the true good, and
that it is within us. The things we temporally possess are good
only by opinion (ppinione, i.e. not ratione), and these are about us.
What is about us is not within our jus but another's (alterius juris
sunt). Chance directs them ; they neither come nor stand under
our arbitrament. For us they are at the lender's will (j>recarid), like
a slave belonging to another.1 Through such, true felicity is neither
had nor lost. Indeed no one is happy, no one is wretched by
reason of what is another's. It is his own that makes a man's good
or ill, and whatever is not within him is not his own."
Then Hildebert speaks of dignities, of wife and child,
of the fruits of the earth and riches — bona vaga, bona sunt
pennata haec omnia. Men quarrel and struggle about all
these things — ecce vides quanta mundus laboret insania?
No one need point out how much more natural this
reasoning would have been from the lips of Seneca than
from those of an archiepiscopal contemporary of St. Bernard.
One may, however, comment on the patent fact that this
reflection of the antique in Hildebert's ethical consolation
reflects a manner of reasoning rather than an emotional
mood, and in this it is an instance of the general fact that
mediaeval methods of reasoning consciously or unconsciously
followed the antique ; while the emotion, the love and yearning,
of mediaeval religion was more largely the gift of Christianity.
1 A technical illustration from Roman law.
2 Hildeberti, Ep. ii. 12 (Migne 171, col. 172-177). Compare Ep. \.
17, consoling a friend on loss of place and dignities. Hildebert's works are
in vol. 1 7 1 of Migne's Pat. Lat. A number of his poems are more carefully
edited by llaurcau in Notices et extraits des MSS., etc., vol. 28, ii. p. 289 sqq. ;
and some of them in vol. 29, ii. p. 231 sqq. of the same series. The matter is
more conveniently given by Haureau in his Melanges poMques d1 Hildebert de
Lavardin. On the man and his writings see De servillers, Hildebert et son temps
(Paris, 1876) ; Hebert Duperron, De Venerabilis Hildeberti vita et scriptis
(Bajocis, 1855) ; also vol. xi. of Hist. lit. de la France ; and (best of all)
Dieudonne, Hildebert de Lavardin, sa vie, ses lettres, etc. (Paris, 1898).
CHAPTER XXXI
EVOLUTION OF MEDIAEVAL LATIN PROSE
CLASSICAL antiquity lay far back of the mediaeval period,
while in the nearer background pressed the centuries of
transition, the time of the Church Fathers. The patristic
material and a crude knowledge of the antique passed over
to the early Middle Ages. Mediaeval progress was to
consist, very largely, in the mastery and appropriation of
the one and the other.
The varied illustration of these propositions has filled a
large portion of this work. In this and the next chapter
we are concerned with literature, properly speaking ; and
with the effect of the Classics, the pure literary antique,
upon mediaeval literary productions. The latter are to be
viewed as literature ; not considering their substance, but
their form, their composition, style, and temperamental
shading, qualities which show the faculties and temper of
their authors. We are to discover, if we can, wherein the
qualities of mediaeval literature reflect the Latin Classics, or
in any way betray their influence.
It is an affair of dull diligence to learn what Classics
were read by the various mediaeval writers ; and likewise is
it a dull affair to note in mediaeval writings the direct
borrowing from the Classics of fact, opinion, sentiment, or
phrase. Such borrowing was incessant, resorted to as of
course wherever opportunity offered and the knowledge was
at hand. It would not commonly occur to a mediaeval
writer to state in his own way what he could take from an
ancient author, save in so far as change of medium — from
prose to verse, or from Latin to the vernacular — compelled
148
CHAP, xxxi MEDIAEVAL LATIN PROSE 149
him. So the church builders in Rome never thought of
hewing new blocks of stone, or making new columns, when
some ancient palace or temple afforded a quarry. The
details of such spoliations offer little interest in comparison
with the effect of antique architecture upon later styles.
So we should like to discover the effect of the ancient
compositions upon the mediaeval, and observe how far the
faculties and mental processes of classic authors, incorporate
in their writings, were transmitted to mediaeval men, to
become incorporate in theirs.
Unless you are Virgil or Cicero, you cannot write like
Virgil or Cicero. Writing, real writing, that is to say,
creative self-expressive composition, is the personal product
and closely mirrored reflex of the writer's temperament and
mentality. It gives forth indirectly the influences which
have blended in him, education and environment, his past
and present. His personality makes his style, his untrans-
mittable style. Yet a group of men affected by the same
past, and living at the same time and place, or under
like spiritual influences, may show a like faculty and taste.
Having more in common with one another than with men
of other time, their mental processes, and therefore their
ways of writing, will present more common qualities.
Around and above them, as well as through their natal and
acquired faculties, sweeps the genius of the language, itself
the age-long product of a like-minded race. In harmony
with it, not in opposition and repugnancy, each writer must,
if he will write that language, shape his more personal
diction.
Obviously the personal elements in classic writings were
no more capable of transmission than the personal qualities
of the writers. Likewise, the genius of the Latin language,
though one might think it fixed in approved compositions,
changed with the spiritual fortune of the Roman people,
and constantly transmitted an altered self and novel tenets
of construction to control the linguistic usages of succeeding
men. None but himself could have written Cicero's letters.
No man of Juvenal's time could have written the Aeneid,
nor any man of the time of Diocletian the histories of
Tacitus. There were, however, common elements in these
ISO THE MEDIAEVAL MIND BOOK vr
compositions, all of them possessing certain qualities which
are associated with classical writing. These may be difficult
to formulate, but they become clear enough in contrast with
the qualities of mediaeval Latin literature. The mediaeval
man did not feel and reason like a contemporary of Virgil
or Cicero ; he had not the same training in Greek literature ;
he did not have the same definitude of conception, did not
care so much that a composition should have limit and the
unity springing from adherence to a single topic ; he did
not, in fine, stand on the same level of attainment and
faculty and taste with men of the Augustan time. He had
his own heights and depths, his own temperament and
predilections, his own capacities. Reading the Classics had
not transformed him into Cicero or Seneca, or set his feet in
the Roman Forum. His feet wandered in the ways of the
Middle Ages, and whatever he wrote in prose or verse, in
Latin or in his own vernacular, was himself and of himself,
and but indirectly due to the antecedent influences which had
been transmuted even in entering his nature and becoming
part of his temper and faculty.
Any consideration of the knowledge and appreciation of
the Classics in the Middle Ages would be followed naturally
by a consideration of their effect upon mediaeval com-
position ; which in turn forms part of any discussion of the
literary qualities of mediaeval Latin literature. But inas-
much as mediaeval form and diction tend to remove further
and further from classical standards, the whole discussion may
seem a lucus a non lucendo for all the light it throws upon
the effect of the Classics on mediaeval literature. Our best
plan will be to note the beginnings of mediaeval Latinity in
that post -Augustan and largely patristic diction which
had been enriched and reinvigorated with many phrases
from daily speech ; and then to follow the living if
sluggish river as it moves on, receiving increment along
its course, its currents mottled with the silt of mediaeval
Italy, France, Germany. We shall suppose this flood to
divide in rivers of Latin prose and verse ; and we may
follow them, and see where they overflow their channels,
carrying antique flotsam into the ample marshes of vernacular
poetry.
CHAP, xxxi MEDIAEVAL LATIN PROSE 151
There has always been a difference in diction between
speech and literature. At Rome, Cicero and Caesar, and of
course the poets, did not, in writing, use quite the language
of the people. All the words of daily speech were not
taken into the literary or classical vocabulary, which had
often quite other words of its own. Moreover the writers,
in forming their prose and verse and constructing their
compositions, were affected deeply by their study of Greek
literature.1 If Caesar, Cicero, Virgil, and their friends spoke
differently from the Roman shopkeepers, there was a still
greater difference between their writings and the parlance of
the town.
No one need be told that it was the spoken, and not
the classical Latin, which in Italy, Spain, Provence, and
Northern France developed into Italian, Spanish, Provencal,
and French. On the other hand, the descent of written
mediaeval Latin from the classical diction or the popular
speech, or both, is not so clear, or at least not so simple.
It cannot be said that mediaeval Latin came straight from
the classical ; and manifestly it cannot have sprung from
the popular spoken Latin, like the Romance tongues,
without other influence or admixture ; because then, instead
of remaining Latin, it would have become Romance ; which
it did not. Evidently mediaeval Latin, the literary and to
some extent the spoken medium of educated men in the
Middle Ages, must have carried classic strains, or have kept
itself Latin by the study of Latin grammar and a conscious
adherence to a veritable, if not classical, Latin diction.
The mediaeval reading of the Classics, and the earnest and
constant study of Latin grammar spoken of in the previous
chapter, were the chief means by which mediaeval Lat'n
maintained its Latinity. Nevertheless, while it kept the
word forms and inflections of classical Latin, with most of
the classical vocabulary, it also took up an indefinite supple-
1 It is well known that the great Latin prose, in spite of variances of stylistic
intent and faculty among the individual writers, was an artistic, not to say
artificial creation, formed under the influence of Greek models. Cicero is the
supreme example of this, and he is also the greatest of all Latin prose writers.
After his time some great writers (e.g. Tacitus, Quintilian) preserved a like
tradition ; others (e.g. Seneca) paid less attention to it. And likewise on through
the patristic period, and the Middle Ages too, some men endeavoured to preserve
a classic style, while others wrote more naturally.
152 THE MEDIAEVAL MIND BOOK vi
ment of words from the spoken Latin of the late imperial or
patristic period.
In order to understand the genesis and qualities of
mediaeval Latin, one must bear in mind (as with most things
mediaeval) that its immediate antecedents lie in the transi-
tional fourth, fifth, and sixth centuries, and not in the
classical period.1 Those centuries went far toward declassi-
cizing Latin prose, by departing from the balanced structure
of the classic sentences and introducing words from the
spoken tongue. The style became less correct, freer, and
better suited to the expression of the novel thoughts and
interests coming with Christianity. The change is seen in
the works of the men to whom it was largely due, Tertullian,
Jerome, and other great patristic writers.2 Such men knew
the Classics well, and regarded them as literary models, and
yet wrote differently. For a new spirit was upon them and
new necessities of expression, and they lived when, even
outside of Christian circles, the classic forms of style were
loosening with the falling away of the strenuous intellectual
temper, the poise, the self-reliance and the self-control
distinguishing the classical epoch.
The stylistic genius of Augustine and Jerome was not
the genius of the formative beginnings of the Romance
tongues, with, for instance, its inability to rely on the close
logic of the case ending, and its need to help the meaning
by the more explicit preposition. Yet the spirit of these
two great men was turning that way. They were not
classic writers, but students of the Classics, who assisted
their own genius by the study of what no longer was
themselves. So in the following centuries the most careful
Latin writers are students of the Classics, and do not study
Jerome and Augustine for style. Yet their writings carry
out the tendencies beginning (or rather not beginning) with
these two.
It was not in diction alone that the Fathers were the
forerunners of mediaeval writers. Classic Latin authors, both
1 Even as it is necessary, in order to appreciate some of the methods of the
Latin classical poetry, to realize that their immediate antecedents lay in Greek
Alexandrian literature rather than in the older Greek Classics.
2 See Taylor, Classical Heritage, chapter viii.
CHAP, xxxi MEDIAEVAL LATIN PROSE 153
from themselves and through their study of Greek literature,
had the sense and faculty of form. Their works maintain a
clear sequence of thought, along with strict pertinency to
the main topic, or adherence to the central current of the
narrative, avoiding digression and refraining from excessive
amplification. The classic writer did not lose himself in his
subject, or wander with it wherever it might lead him. But
in patristic writings the subject is apt to dominate the man,
draw him after its own necessities, or by its casual sugges-
tions cause him to digress. The Fathers in their polemic
or expository works became prolix and circumstantial, intent,
like a lawyer with a brief, on proving every point and
leaving no loophole to the adversary. In their works
literary unity and strict sequence of argument may be cast
to the winds. Above all, as it seems to us, and as it would
have seemed to Caesar or Cicero or Tacitus, allegorical
interpretation carries them at its own errant and fantastic
will into footless mazes.
Yet whoever will understand and appreciate the writings
of the Fathers and of the mediaeval generations after them,
should beware of inelastic notions. The question of unity
hangs on what the writer deems the veritable topic of his
work, and that may be the universal course of the providence
of God, which was the subject of Augustine's Civitas Dei.
Indeed, the infinite relationship of any Christian topic was
like enough to break through academic limits of literary
unity. Likewise, the proper sequence of thought depends
on what constitutes the true connection between one matter
and another ; it must follow what with the writer are the
veritable relationships of his topics. If the visible facts of a
man's environment and the narratives of history are to him
primarily neither actual facts nor literal narratives, but
symbols and allegories of spiritual things, then the true
sequence of thought for him is from symbol to symbol and
from allegory to allegory. He is justified in ignoring the
apparent connection of visible facts and the logic of the
literal story, and in surrendering himself to that sequence
of thought which follows what is for him the veritable
significance of the matter.
Yet here we must apply another standard besides that
154 THE MEDIAEVAL MIND BOOK vi
of the writer's conception of his subject's significance. He
should be wise, and not foolish. Other men and later ages
will judge him according to their own best wisdom. And
with respect to the writings of the Fathers viewed as
literature, the modern critic cannot fail to see them entering
upon that course of prolixity which in mediaeval writings will
develop into the endless ; looking forward, he will see their
errant habits resolving into the mediaeval lack of determined
topic, and their symbolically driven sequences of thought
turning into the most ridiculous topical transitions, as the
less cogent faculties of later men permit themselves to be
suggested any whither.
The Fathers developed their distinguishing qualities of
style and language under the demands of the topics absorbing
them, and the influence of modes of feeling coming with
Christianity. They were compelling an established language
to express novel matter. In the centuries after them,
further changes were to come through the linguistic
tendencies moulding the evolution of the Romance tongues,
through the counter influence of the study of grammar and
rhetoric, and also through the ignorance and intellectual
limitations of the writers. But as with the Latin of the
Fathers, so with the Latin of the Middle Ages, the change
of style and language was intimately and spiritually
dependent upon the minds and temperaments of the writers
and the qualities of the subjects for which they were seeking
an expression. A profound influence in the evolution of
mediaeval Latin was the continual endeavour of the mediaeval
genius to express the thoughts and feelings through which it
was becoming itself. With impressive adequacy and power
the Christian writers of the Middle Ages moulded their
inherited and acquired Latin tongue to utter the varied
matters which moved their minds and lifted up their hearts.
We marvel to see a language which once had told the
stately tale of Rome here lowered to fantastic incident and
dull stupidity, then with almost gospel simplicity telling the
moving story of some saintly life ; again sonorously uttering
thoughts to lift men from the earth and denunciations
crushing them to hell ; quivering with hope and fear and
love, and chanting the last verities of the human soul.
CHAP, xxxi MEDIAEVAL LATIN PROSE 155
As to the evolution of various styles of written Latin
from the close of the patristic period on through the
following centuries, one may premise the remark that there
would commonly be two opposite influences upon the writer ;
that of the genius of his native tongue, and that of his
education in Latinity. If he lived in a land where Teutonic
speech had never given way to the spoken Latin of the
Empire, his native tongue would be so different from the
Latin which he learned at school, that while it might impede,
it could hardly draw to its own geniu ; the learned language.
But in Romance countries there was no such absolute
difference between the vernacular and the Latin, and the
analytic genius of the growing Romance dialects did not fail
to affect the latter. Accordingly in France, for example, the
spoken Latin dialect, or one may say the genius that was
forming the old French dialects to what they were to be,
tends to break up the ancient periods, to introduce the
auxiliary verb in the place of elaborate inflections, and rely
on prepositions instead of case endings, which were dis-
appearing and whose force was ceasing to be felt. One
result was to simplify the order of words in a sentence ;
for it was not possible to move a noun with its accompanying
preposition wherever it had been feasible to place a noun
whose relation to the rest of the sentence was felt from its
case ending. Gregory of Tours is the famous example of
these tendencies, with his Historia francorum, an ideal
forerunner of Froissart. He became Bishop of Tours in the
year 573. In his writings he followed the instincts of the
inchoate Romance tongues. He acknowledges and perhaps
overstates his ignorance of Latin grammar and the rules of
composition. Such ignorance was destined to become still
blanker ; and ignorance in itself was a disintegrating in-
fluence upon written Latin, and also gave freer play to the
gathering tendencies of Romance speech.
Evidently, had all these influences worked unchecked,
they would have obliterated Latinity from mediaeval Latin.
Grammatical and rhetorical education countered them
effectively, and the mighty genius of the ancient language
endured in the extant masterpieces. Nevertheless the spirit
of classical Latinity was never again to be a spontaneous
156 THE MEDIAEVAL MIND BOOK vi
creative power. The most that men thenceforth could do
was to study, and endeavour to imitate, the forms in which
it had embodied its living self.
In brief, some of the chief influences upon the writing
of Latin in the Middle Ages were : the classical genius
dead, leaving only its works for imitation ; the school
education in Latin grammar and rhetoric ; endeavour to
follow classic models and write correctly ; inability to do so
from lack of capacity and knowledge ; conscious disregard
of classicism ; the spirit of the Teutonic tongues clogging
Latinity, and that of the Romance tongues deflecting it from
classical constructions ; and finally, the plastic faculties of
advancing Christian mediaeval civilization educing power
from confusion, and creating modes of language suited to
express the thoughts and feelings of mediaeval men.
The life, that is to say the living development, of
mediaeval Latin prose, was to lie in the capacity of suc-
cessive generations of educated men to maintain a sufficient
grammatical correctness, .while at the same time writing
Latin, not classically, but in accordance with the necessities
and spirit of their times. There resulted an enormous
literature which was not dead, nor altogether living, and
lacked throughout the spontaneity of writings in a mother
tongue ; for Latin was not the speech of hearth and home,
nor everywhere the tongue of the market-place and camp.
But it was the language of mediaeval education and acquired
culture ; it was the language also of the universal church,
and, above all other tongues, expressed the thoughts by
which men were saved or damned. More profoundly than
any vernacular mediaeval literature, the Latin literature of the
Middle Ages expresses the mediaeval mind. It thundered
with the authority that held the keys of heaven ; it was
resonant with feeling, and through long centuries gave voice
to emotions, shattering, terror-stricken, convulsively loving.
When, say with the close of the eleventh century, the
mediaeval peoples had absorbed with power the teachings of
patristic Christianity, and had undergone some centuries of
Latin schooling, and when under these two chief influences
certain distinctive and homogeneous ways of thinking,
feeling, and looking upon life, had been reached ; when, in
CHAP, xxxi MEDIAEVAL LATIN PROSE 157
fine, the Middle Ages had become themselves and had
evolved a genius that could create, — then and from that time
appears the adaptability and power of mediaeval Latin to
serve the ends of intellectual effort and the expression of
emotion.
To estimate the literary qualities of classical Latin is a
simpler task than to judge the Latinity and style of the
Latin literature of the Middle Ages. Classic Latin prose
has a common likeness. In general one feels that what
Cicero and Caesar would have rejected, Tacitus and
Quintilian would not have admitted. The syntax of these
writers shows still greater uniformity. No such common
likeness, or avoidance of stylistic aberration and gram-
matical solecism, obtains in mediaeval prose or verse. The
one and the other include many kinds of Latin, and vary from
century to century, diversified in idiom and deflected from
linguistic uniformity by influences of race and native speech,
of ignorance and knowledge. He who would appreciate
mediaeval Latin will be diffident of academic standards, and
mistrust his classical predilections lest he see aberration and
barbarism where he might discover the evolution of new
constructions and novel styles ; lest he bestow encomium
upon clever imitations of classical models, and withhold it
from more living creations of the mediaeval spirit. He will
realize that to appreciate mediaeval Latin literature, he must
shelve his Virgil and his Cicero.1
The following pages do not offer themselves even as a
slight sketch of mediaeval Latin literature. Their purpose
is to indicate the stages of development of the prose and the
phases of evolution of the verse ; and to illustrate the way in
which antique themes and antique knowledge passed into
vernacular poetry. Classical standards will supply us less
with a point of view than with a point of departure.
1 A palpable difficulty in judging mediaeval Latin literature is its bulk.
The extant Latin classics could be tucked away in a small corner of it. Every
well-equipped student of the Classics has probably read them all. One mortal
life would hardly suffice to read a moderate part of mediaeval Latin. And,
finally, while there are histories of the classic literature in every modern tongue,
there exists no general work upon mediaeval Latin writings regarded as literature.
Ebert's indispensable Allgemeine Geschichte der Literatur des Mittelalters ends
with the tenth century. The author died. Within the scope of its purpose Dr.
Sandys' History of Classical Scholarship is compact and good.
158 THE MEDIAEVAL MIND BOOK vi
Nothing more need be said of the Latin of the Church
Fathers and Gregory of Tours. But one must refer to the
Carolingian period, in order to appreciate the Latin styles of
the twelfth and thirteenth centuries.
The revival of education and classical scholarship under
the strong rule and fostering care of the greatest of mediaeval
monarchs has not always been rightly judged. The vision
of that prodigious personality ruling, christianizing, striving
to civilize masses of barbarians and barbarized descendants
of Romans and provincials ; at the same time with eager
interest endeavouring to revive the culture of the past, and
press it into the service of the Christian faith ; the striking
success of his endeavours, men of learning coming from
Ireland, England, Spain, and Italy, creating a peripatetic
centre of knowledge at the imperial court, and establish-
ing schools in many a monastery and episcopal residence
— all this has never failed to arouse enthusiasm for the
great achievement, and has veiled the creative deadness of
it all, a deadness which in some provinces of intellectual
endeavour was quite veritably moribund, while in others it
betokened the necessary preparation for creative epochs to
come.1
Carolingian scholarship was directed to the mastery of
Latin. Grammar was taught, and the rules of composition.
Then the scholars were bidden, or bade themselves, do
likewise. So they wrote verse or prose according to their
school lessons. They might write correctly ; but they had
no style of their own. This was hopelessly true as to their
metrical verses ; 2 it was only somewhat less tangibly true of
their prose. The " classic " of the period, in the eyes of
modern classical scholars and also in the opinion of the
mediaeval centuries, is Einhard's Life of Cliarlemagne.
Numberless encomiums have been passed on it, and justly
too. It was an excellent imitation of Suetonius's Life of
Augustus ; and the writer had made a careful study of
Caesar and Livy.3 There is no need to quote from a writing
so accessible and well known. Yet one remark may be
added to what others have said : if Einhard's composition
1 Ante, Chapter X. 2 Post, Chapter XXXII., I.
3 See Sandys, History of Classical Scholarship, i. 463-464.
CHAP, xxxi MEDIAEVAL LATIN PROSE 159
was an excellent copy of classical Latin it was nothing else ;
it has no stylistic individuality.1
Turning from this famous biography, we will illustrate
our point by quoting from the letters of him who stands as
the type of the Carolingian revival, the Anglo-Saxon Alcuin.
All praise to this noble educational coadjutor of Charlemagne ;
his learning was conscientious ; his work was important, his
character was lovable. His affectionate nature speaks in a
letter to his former brethren at York, where his home had
been before he entered Charlemagne's service. Here is a
sentence :
" O omnium dilectissimi patres et fratres, memores mei estote ;
ego vester ero, sive in vita, sive in morte. Et forte miserebitur mei
Deus, ut cujus infantiam aluistis, ejus senectutem sepeliatis. " 2
It were invidious to find fault with this Latin, in which
the homesick man expresses his hope of sepulture in his old
home. Note also the balance of the following, written to a
sick friend :
" Gratias agamus Deo Jesu, vulneranti et medenti, flagellanti et
consolanti. Dolor corporis salus est animae, et infirmitas temporalis,
sanitas perpetua. Libenter accipiamus, patienter feramus voluntatem
Salvatoris nostri."3
This too is excellent, in language as in sentiment. So
is another, and last, sentence from our author, in a letter
congratulating Charlemagne on his final subjugation of the
Huns, through which the survivors were brought to a
knowledge of the truth :
" Qualis erit tibi gloria, O beatissime rex, in die aeternae retribu-
tionis, quando hi omnes qui per tuam sollicitudinem ab adolatriae
cultura ad cognoscendum verum Deum conversi sunt, te ante
tribunal Domini nostri Jesu Christi in beata sorte stantem
sequentur ! " 4
Again, the only trouble is stylelessness. In fine, an absence
1 There was no attempt at classicism in the narrative in which he recounted
the Translation of the relics of the martyrs Marcellinus and Peter from Rome to
his own new monasteiy at Seligenstadt (Migne 104, col. 537-594). It was an
entertaining story of a pious theft, and one may be sure that he wrote it more
easily, and in a style more natural to himself than that shown in his consciously
imitative masterpiece.
2 Ep. vi. (Migne 100, col. 146). * Ep. xxxii. (Migne 100, col. 187).
4 Ep. xxxiii. (Migne 100, col. 187).
160 THE MEDIAEVAL MIND BOOK vi
of quality characterizes Carolingian prose, of which a last
example may be taken from the Spaniard Theodulphus, Bishop
of Orleans, " an accomplished Latin poet," and an educator
yielding in importance to Alcuin alone. The sentence is
from an official admonition to the clergy, warning them to
attach more value to salvation than to lucre :
" Admonendi sunt qui negotiis ac mercationibus rerum invigilant,
ut non plus terrenam quam viam cupiant sempiternam. Nam qui
plus de rebus terrenis quam de animae suae salute cogitat, valde a
via veritatis aberrat." l
Evidently there was a good knowledge of Latin among
these Carolingians, who laboured for the revival of education
and the preservation of the Classics. The nadir of classical
learning falls in the succeeding period of break-up, confusion,
and dawning re-adjustment. In the century or two following
the year 850, the writers were too unskilled in Latin and
often too cumbered by it, to manifest in their writings that
unhampered and distinctive reflex of a personality which we
term style. A rare exception would appear in such a potent
scholar as Gerbert, who mastered whatever he learned, and
made it part of his own faculties and temperament. His
letters, consequently, have an individual style, however good
or bad we may be disposed to deem it2
Accordingly, until after the millennial year Latin prose
shows little beyond a clumsy heaviness resulting from the
writer's insufficient mastery of his medium ; and there are
many instances of barbarism and corruption of the tongue
without any compensating positive qualities. A dreadful
example is afforded by the Chronicon of Benedictus, a monk
of St. Andrews in Monte Soracte, who lived in the latter
part of the tenth century. He relates, as history, the fable
of Charlemagne's journey to the Holy Land ; and his own
eyes may have witnessed the atrocious times of John XII.,
of whom he speaks as follows :
" Inter haec non multum tenipus Agapitus papa decessit (an.
956). Octabianus in sede sanctissima susceptus est, et vocatus est
Johannes duodecimi pape. Factus est tarn lubricus sui corporis, et
tarn audaces, quantum nunc in gentilis populo solebat fieri. Habe-
1 Capitttla ad Prcsbyteros (Migne 105, col. 202).
2 See ante, Chapter XII.
CHAP, xxxi MEDIAEVAL LATIN PROSE 161
bat consuetudinem sepius venandi non quasi apostolicus sed quasi
homo ferus. Erat enim cogitio ejus vanum ; diligebat collectio
feminarum, odibiles aecclesiarum, amabilis juvenis ferocitantes.
Tanta denique libidine sui corporis exarsit, quanta nunc (non ?)
possumus enarrare." l
No need to draw further from this writing, which is
characterized throughout by crass ignorance of grammar and
all else pertaining to Latin. It has no individual qualities ;
it has no style. Leaving this example of illiteracy, let us
turn to a man of more knowledge, Odo, one of the greatest
of the abbots of Cluny, who died in the year 943. He left
lengthy writings, one of them a bulky epitome of the famous
Moralia of Gregory the Great.2 More original were his
three dull books of Collationes, or moral comments upon the
Scriptures. They open with a heavy note which their
author might have drawn from the dark temperament of
that great pope whom he so deeply admired ; but the
language has a leaden quality which is not Gregory's, but
Odo's.
" Auctor igitur et judex hominum Deus, licet ab ilia felicitate
paradisi genus nostrum juste repulerit, suae tamen bonitatis memor,
ne totus reus homo quod meretur incurrat, hujus peregrinationis
molestias multis beneficiis demulcet."
And, again, a little further on :
" Omnis vero ejusdem Scripturae intentio est, ut nos ab hujus
vitae pravitatibus compescat. Nam idcirco terribilibus suis sententiis
cor nostrum, quasi quibusdam stimulis pungit, ut homo terrorepulsatus
expavescat, et divina judicia quae aut voluptate carnis aut terrena
sollicitudine discissus oblivisci facile solet, ad memoriam reducat." 8
1 Chronicon, cap. 35 (Migne 139, col. 46). The sense is easy to follow, but
the impossible constructions render an exact translation quite impossible. It is
doubtful whether this Benedictus was an Italian. The Italian writing of this
period, like that of Liutprand, is easier than among more painful students north
of the Alps. But otherwise its qualities are rarely more pronounced. Ease is
shown, however, in the Chronicon Venetum of John the Deacon (d. cir. 1008).
See ante, Chapter XIII., III.
2 Migne 133. This work fills four hundred columns in Migne. On Odo see
ante, Chapter XII., II.
3 Odo of Cluny, Collationes, lib. i. cap. i. (Migne 133, col. 519 and 520).
" Therefore God, Creator and Judge of mankind, although He have justly driven
our race from that felicity of Paradise, yet mindful of His goodness, lest man all guilt
should incur what he deserves, softens the sorrows of this pilgrimage with many
benefits. . . . Indeed the purpose of that same Scripture is to press us from the
VOL. II M
162 THE MEDIAEVAL MIND BOOK vi
One feels the dull heaviness of this. Odo, like many of
his contemporaries, knew enough of Latin grammar, and had
read some of the Classics. But he had not mastered what
he knew, and his knowledge was not converted into power.
The tenth century was still painfully learning the lessons
of its Christian and classical heritage. A similar lack of
personal facility may be observed in Ruotger's biography of
Bruno, the worthy brother of the great emperor Otto I., and
Archbishop of Cologne. Bruno died in 965, and Ruotger,
who had been his companion, wrote his Life without delay.
It has not the didactic ponderousness of Odo's writing, but
its language is clumsy. The following passage is of interest
as showing Bruno's education and the kind of learned man
it made him.
" Deinde ubi prima grammaticae artis rudimenta percepit, sicut
ab ipso in Dei omnipotentis gloriam hoc saepius ruminante didicimus,
Prudentium poetam tradente magistro legere coepit. Qui sicut est
et fide intentioneque catholicus, et eloquentia veritateque prae-
cipuus, et metrorum librorumque varietate elegantissimus, tanta mox
dulcedine palato cordis ejus complacuit, ut jam non tantum
exteriorum verborum scientiam, verum intimi medullam sensus, et
nectar ut ita dicam liquidissimum, majori quam dici possit aviditate
hauriret. Postea nullum penitus erat studiorum liberalium genus
in omni Graeca vel Latina eloquentia, quod ingenii sui vivacitatem
aufugeret. Nee vero, ut solet, aut divitiarum affluentia, aut turbarum
circumstrepentium assiduitas, aut ullum aliunde subrepens fastidium
ab hoc nobili otio animum ejus unquam avertit. . . . Saepe inter
Graecorum et Latinorum doctissimos de philosophiae sublimitate
aut de cujuslibet in ilia florentis disciplinae subtilitate disputantes
doctus interpres medius ipse consedit, et disputantibus ad plausum
omnium, quo nihil minus amaverat, satisfecit."1
The gradual improvement in the writing of Latin in the
depravities of this life. For to that end with its dreadful utterances, as with so
many goads, it pricks our heart, that man struck by fear may shudder, and may
recall to memory the divine judgments which he is wont so easily to forget, cut
off by lust of the flesh and the solicitudes of earth."
1 Ruotgerus, Vita Brunonis, cap. 4 and 6 ; Pertz, Mon. Germ. Script, iv. p. 254,
and Migne 134, col. 944 and 946. A translation of this passage is given ante,
Vol. I., p. 310. See ibid., p. 314, for the scholarship and writings of Hermannus
Contractus, an eleventh-century German. Ruotger's clumsy Latin is outdone by
the linguistic involutions of the Life of Wenceslaus, the martyr duke of Bohemia,
written toward the close of the tenth century by Gumpoldus, Bishop of Mantua,
who seems to have cultivated classical rhetoric most disastrously (Pertz, Mon.
Germ. Script, iv. p. 211, and in Migne 135, col. 923 sqq. }.
CHAP, xxxi MEDIAEVAL LATIN PROSE 163
Middle Ages, and the evolution of distinctive mediaeval
styles, did not result from a larger acquaintance with the
Classics, or a better knowledge of grammar and school
rhetoric. The range of classical reading might extend, or
from time to time contract, and Donatus and Priscian were
used in the ninth century as well as in the twelfth. It is
true that the study of grammar became more intelligent in
the eleventh and twelfth centuries, and its teachers deferred
less absolutely to the old rules and illustrations. They
recognized Christian standards of diction : first of all the
Vulgate ; next, early Christian poets like Prudentius ; and
then gradually the mediaeval versifiers who wrote and won
approval in the twelfth century. Thus grammar sought to
follow current usage.1 This endeavour culminated at the
close of the twelfth century in the Doctrinale of Alexander
of Villa Dei.2 Before this, much of the best mediaeval
Latin prose and verse had been written, and the period most
devoted to the Classics had come and was already waning.
That period was this same twelfth century. During its
earlier half, Latinity gained doubtless from such improvement
in the courses of the Trivium as took place at Chartres, for
example, an improvement connected with the intellectual
growth of the time. But the increase in the knowledge of
Latin was mainly such as a mature man may realize within
himself, if he has kept up his Latin reading, however little he
seem to have added to his knowledge since leaving his Alma
Mater.
So the development of mediaeval Latin prose (and also
verse) advanced with the maturing of mediaeval civilization.
That which was at the same time a living factor in this
growth and a result of it, was the more organic appropriation
of the classical and Christian heritages of culture and religion.
As intellectual faculties strengthened, and men drew power
from the past, they gained facility in moulding their Latin
1 From Thurot, Notices et extraits, etc., 22 (2), p. 87, and p. 341 sqq., one
may see that the principles of construction stated by mediaeval grammarians
followed the usage of mediaeval writers in adopting a simpler or more natural
order than that of classical prose. An extract, for example, from an eleventh-
century MSS. indicates the simple order which this grammarian author approved :
£.g. " Johannes hodie venit de civitate ; Petrus, quem Arnulfus genuit et nutrivit,
intellexit multa" (Thurot, p. 87).
2 Ante, Chapter XXX., II.
164 THE MEDIAEVAL MIND BOOK vi
to their purposes. Writings begin to reflect the personalities
of the writers ; the diction ceases to be that of clumsy or
clever school compositions, and presents an evolution of
tangible mediaeval styles. Henceforth, although a man be
an eager student of the Classics, like John of Salisbury for
example, and try to imitate their excellences, he will still
write mediaeval Latin, and with a personal style if he be a
strong personality. The classical models no longer trammel,
but assist him to be more effectively himself on a higher
plane.
If mediaeval civilization is to be regarded as that which
the peoples of western Europe attained under the two
universal influences of Christianity and antique culture,
then nothing more mediaeval will be seen than mediaeval
Latin. To make it, the antique Latin had been modified
and reinspired and loosed by the Christian energies of the
Fathers ; and had then passed on to peoples who never
had been, or no longer were, antique. They barbarized the
language down to the rudeness of their faculties. As they
themselves advanced, they brought up Latin with them, as
it were, from the depths of the ninth and tenth centuries,
but a Latin which in the crude natures of these men had
been stripped of classical quality ; a Latin barbarous and
naked, and ready to be clothed upon with novel qualities
which should make it a new creature. Throughout all this
process, while Latin was sinking and re-emerging, it was
worked upon and inspired by the spirit of the uses to which
it was predominantly applied, which were those of the
Roman Catholic Church and of the intimacies of the
Christian soul, pressing to expression in the learned tongue
which they were transforming.
In considering the Latin writings of the Middle Ages
one should bear in mind the differences between Italy and
the North with respect to the ancient language. These
were important through the earlier Middle Ages, when
modes of diction sufficiently characteristic to be called
styles, were forming. The men of Latin-sodden Italy
might have a fluent Latin when those of the North still
had theirs to learn. Thus there were Italians in the
eleventh century who wrote quite a distinctive Latin
CHAP, xxxi MEDIAEVAL LATIN PROSE 165
prose.1 Among them were St. Peter Damiani, and St. Anselm
of Aosta, Bee, and Canterbury.
The former died full of virtue in the year 1072. We
have elsewhere observed his character and followed his
career.2 He was, to his great anxiety, a classical scholar,
who had earned large sums as a teacher of rhetoric before
natural inclination and fears for his soul drove him to an
ascetic life. He was a master of the Latin which he used.
His style is intense, eloquent, personal to himself as well
as suited to his matter, and reflects his ardent character
and keen perceptions. The following is a rhetorical yet
beautiful description of a " last leaf," taken from one of
his compositions in praise of the hermit way of salvation.
"Videamus in arbore folium sub ipsis pruinis hiemalibus
lapsabundum, et consumpto autumnalis clementiae virore, jamjam
pene casurum, ita ut vix ramusculo, cui dependet, inhaereat, sed
apertissima levis ruinae signa praetendat : inhorrescunt flabra,
venti furentes hie inde concutiunt, brumalis horror crassi aeris
rigore densatur: atque, ut magis stupeas, defluentibus reliquis
undique foliis terra sternitur, et depositis comis arbor suo decore
nudatur ; cum illud solum nullo manente permaneat, et velut
cohaeredum superstes in fraternae possessionis jura succedat.
Quid autem intelligendum in hujus rei consideratione relinquitur,
nisi quia nee arboris folium potest cadere, nisi divinum praesumat
imperium ? " 3
1 So likewise in regard to verse, the perfected two-syllable rhyme came first
in Italy, and more slowly in the North, although the North was to produce better
Latin poetry. * Ante, Chapters XL, iv., and XVI.
3 Optfsc. xiv., De ordine erimitarum (Migne 145, col. 329).
" We may see upon a tree a leaf ready to succumb beneath the wintry frosts,
and, with the sap of autumnal clemency consumed, even now about to fall, so
that it barely cleaves to the twig it hangs from, but displays most evident signs
of (its) light ruin. The blasts are quivering, wild winds strike it from all sides,
the mid-winter horror of heavy air congeals with cold ; and that you may
marvel the more, the ground is strewn with the rest of the leaves everywhere
flowing down, and, with its locks laid low, the tree is stripped of its grace ; yet
that alone, none other remaining, endures, and, as the survivor of co-heirs,
succeeds to the rights of the brotherhood's possession. What then is left to be
understood from consideration of this thing, save that a leaf of a tree cannot fall
unless it receive beforehand the divine command ? "
This description is rhetorically elaborated ; but Damiani commonly wrote
more directly, as in this sentence from a letter to a nobleman, in which Damiani
urges him not to fail in his duty to his mother through affection for his wife :
" Sed forte dices : mater mea me frequenter exasperat, duns verbis meum et uxoris
meae corda perturbat ; non possumus tot injuriarum probra perferre, non valemus
austeritatis ejus et severae correptionis molestias tolerare " (Ep. vii. 3 ; Migne
144, col. 466). This needs no translation.
166 THE MEDIAEVAL MIND BOOK vi
Anselm's diction, in spite of its frequent cloister
rhetoric, has a simple and modern word-order. An account
has already been given of his life and of his thoughts, so
beautifully sky-blue, unpurpled with the crimson of human
passion, which made the words of Augustine more veritably
incandescent.1 The great African was the strongest
individual influence upon Anselm's thought and language.
But the latter's style has departed further from the classical
sentence, and of itself indicates that the writer belongs
neither to the patristic period nor to the Carolingian time,
busied with its rearrangement of patristic thought. The
following is from his Proslogion upon the existence of God.
Through this discourse, Deity and the Soul are addressed
in the second person after the manner of Augustine's
Confessions.
"Excita nunc, anima mea, et erige totum intellectum tuum,
et cogita quantum potes quale et quantum sit illud bonum (i.e.
Deus). Si enim singula bona delectabilia sunt, cogita intente
quam delectabile sit illud bonum quod continet jucunditatem
omnium bonorum ; et non qualem in rebus creatis sumus experti,
sed tanto differentem quanto differt Creator a creatura. Si enim
bona est vita creata, quam bona est vita creatrix ! Si jucunda est
salus facta, quam jucunda est salus quae fecit omnem salutem ! Si
amabilis est sapientia in cognitione rerum conditarum, quam
amabilis est sapientia quae omnia condidit ex nihilo ! Denique, si
multae et magnae delectationes sunt in rebus delectabilibus, qualis
et quanta delectatio est in illo qui fecit ipsa delectabilia ! " 2
In a more emotional passage Anselm arouses in his
soul the terror of the Judgment. It is from a " Meditatio " :
1 Ante, Chapter XI., IV.
2 Proslogion, cap. 24 (Migne 158, col. 239).
" Awaken now, my soul, and rouse all thy mind, and consider, as thou art
able, of what nature and how great is that Good (God). For if single goods are
objects of delight, consider intently how delightful is that good which contains
the joy of all goods ; and not such as in things created we have tried, but
differing as greatly as differs the Creator from the creature. For if life
created is good, how good is the life creatrix ! If joyful is the salvation wrought,
how joyful is the salvation which wrought all salvation ! If lovely is wisdom
in the knowledge of things created, how lovely is the wisdom which created
all from nothing. In fine, if there are many and great delectations in things
delightful, of what quality and greatness is delectation {i.e. the delectation that
we take) in Him who made the delights themselves ! "
The reader may observe that the word-order of Anselm's Latin is preserved
almost unchanged in the translation.
CHAP, xxxi MEDIAEVAL LATIN PROSE 167
"Taedet animam meam vitae meae; vivere erubesco, mori
pertimesco. Quid ergo restat tibi, o peccator, nisi ut in tota vita
tua plores totam vitam tuam, ut ipsa tota se ploret totam ? Sed
est in hoc quoque anima mea miserabiliter mirabilis et mirabili-
ter miserabilis, quia non tantum dolet quantum se noscit; sed
sic secura torpet, velut quid patiatur ignoret. O anima sterilis,
quid agis? quid torpes, anima peccatrix? Dies judicii venit,
juxta est dies Domini magnus, juxta et velox nimis, dies irae
dies ilia, dies tribulationis et angustiae, dies calamitatis et miseriae,
dies tenebrarum et caliginis, dies nebulae et turbinis, dies tubae
et clangoris. O vox diei Domini amara ! Quid dormitas, anima
tepida et digna evomi ? " x
Damiani wrote in the middle of the eleventh century,
Anselm in the latter part. The northern lands could as yet
show no such characteristic styles,2 although the classically
educated German, Lambert of Hersfeld, wrote as correctly
and perspicuously as either. His Annals have won admira-
tion for their clear and correct Latinity, modelled upon
the styles of Sallust and Livy. He died in 1077, the year
of Canossa, his Annals covering the conflict between Henry
IV. and Hildebrand up to that event. The narrative moves
with spirit, as one may see by reading his description
of King Henry and his consort struggling through Alpine
ice and snow to reach that castle never to be forgotten, and
gain absolution from the Pope before the ban should have
completed Henry's ruin.3
For the North, the best period of mediaeval Latin,
1 " Meditatio II." (Migne 158, col. 722).
" My soul is offended with my life. I blush to live ; I fear to die. What
then remains for thee, O sinner, save that all thy life thou weepest over all thy
life, that it all may lament its whole self. But in this also is my soul miserably
wonderful and wonderfully miserable, since it does not grieve as much as it knows
itself (i.e. to the full extent of its self-knowledge) but secure, is listless as if it
knew not what it may be suffering. O barren soul, what art thou doing ? why art
thou drowsing, sinner soul ? The Day of Judgment is coming, near is the great
day of the Lord, near and too swift the day of wrath, (that day ! ) day of tribulation
and distress, day of calamity and misery, day of shades and darkness, day of
cloud and whirlwind, day of the trump and the roar ! O voice of the day of
the Lord — harsh ! Why sleepest thou, soul lukewarm and fit to be spewed
out ? "
2 Perhaps it may seem questionable to treat Anselm as an Italian, since he
left Lombardy when a young man. Undoubtedly his theological interests were
affected by his northern environment. But his temperament and language, his
diction, his style, seem to me more closely connected with native temperament.
3 Annals for the year 1077 (Migne 146, col. 1234 sqq.) ; also in Mon. Germ.
Script, iii.
168 THE MEDIAEVAL MIND BOOK v.
prose as well as verse, opens with the twelfth century. It
was indeed the great literary period of the Middle Ages.
For the vernacular literatures flourished as well as the
Latin. Provencal literature began as the eleventh century
closed, and was stifled in the thirteenth by the Albigensian
Crusade. So the twelfth was its great period. Likewise
with the Old French literature : except the Roland which
is earlier, the chief chansons de geste belong to the twelfth
century ; also the romances of antiquity, to be spoken of
hereafter ; also the romances of the Round Table, and a
great mass of diansons and fabliaux. The Old German —
or rather, Mittd Hochdeutsch — literature touches its height
as the century closes and the next begins, in the works of
Heinrich von Veldeke, Gottfried von Strassburg, Wolfram
von Eschenbach, and Walther von der Vogelweide.
The best Latin writers of the century lived, or sojourned,
or were educated, for the most part in the France north of
the Loire. Not that all of them were natives of that
territory ; for some were German born, some saw the light
in England, and the birthplace of many is unknown. Yet
they seem to belong to France. Nearly all were ecclesiastics,
secular or regular. Many of them were notables in theology,
like Hugo of St. Victor, Abaelard, Alanus de Insulis (Lille) ;
many were poets as well, like Alanus and Hildebert and John
of Salisbury too ; one was a thunderer on the earth, and a
most deft politician, Bernard of Clairvaux. Some again are
known only as poets, sacred or profane, like Adam of St.
Victor, and Walter of Chatillon — but of these hereafter.
The best Latin prose writing of this, or any other, mediaeval
period, had its definite purpose, metaphysical, theological, or
pietistic ; and the writers have been or will be spoken of
in connection with their specific fields of intellectual achieve-
ment or religious fervour. Here, without discussing the men
or their works, some favourable examples of their writing
will be given.
In the last passage quoted from Anselm, the reader
must have felt the working of cloister rhetoric, and have
noticed the antitheses and rhymes, to which mediaeval Latin
lent itself so readily. Yet it is a slight affair compared with
the confounding sonorousness, the flaring pictures, and
CHAP, xxxi MEDIAEVAL LATIN PROSE 169
terrifying climaxes of St. Bernard when preaching upon the
same topic — the Judgment Day. In one of his famous
sermons on Canticles, the saint has been suggesting to his
audience, the monks of Clara Vallis, that although the Father
might ignore faults, not so the Dominus and Creator : " et
qui parcit filio, non parcet figmento, non parcet servo
nequam." Listen to the carrying out and pointing of this
thought :
"Pensa cujus sit formidinis et horroris tuum atque omnium
contempsisse factorem, offendisse Dominum majestatis. Majestatis
est timeri, Domini est timeri, et maxima hujus majestatis, hujusque
Domini. Nam si reum regiae majestatis, quamvis humanae,
humanis legibus plecti capite sancitum sit, quis finis contemnentium
divinam omnipotentiam erit ? Tangit montes, et fumigant ; et tarn
tremendam majestatem audet irritare vilis pulvisculus, uno levi
flatu mox dispergendus, et minime recolligendus ? Ille, ille
timendus est, qui postquam accident corpus, potestatem habet
mittere et in gehennam. Paveo gehennam, paveo judicis vultum,
ipsis quoque tremendum angelicis potestatibus. Contremisco ab
ira potentis, a facie furoris ejus, a fragore ruentis mundi, a con-
flagratione elementorum, a tempestate valida, a voce archangeli, et
a verbo aspero. [Feel the climax of this sentence, which tells the
end of the sinner.] Contremisco a dentibus bestiae infernalis, a
ventre inferi, a rugientibus praeparatis ad escam. Horreo vermem
rodentem, et ignem torrentem, fumum, et vaporem, et sulphur, et
spiritum procellarum ; horreo tenebras exteriores. Quis dabit
capiti meo aquam, et oculis meis fontem lacrymarum ut praeveniam
fletibus fletum, et stridorem dentium, et manuum pedumque dura
vincula, et pondus catenarum prementium, stringentium, urentium,
nee consumentium ? Heu me, mater mea ! utquid me genuisti
filium doloris, filium amaritudinis, indignationis et plorationis
aeternae ? Cur exceptus genibus, cur lactatus uberibus, natus in
combustionem, et cibus ignis ? " 1
As one recovers from the sound and power of this high-
wrought passage, he notices how readily it might be turned
into the form of a Latin hymn ; and also how very modern
is its sequence of words. Bernard's Latin could whisper
1 Sermo xvi. (Migne 183, col. 851). The power of this passage keeps it
from being hysterical. But the monkish hysteria, without the power, may be
found in the writings of St. Bernard's jackal, William of St. Thierry, printed
in Migne, Pat. Lat. 1 80. Notice his Meditationes, for example ; also his
De contemplando Deo, printed among St. Bernard's works (Migne 184, col.
365 W.).
170 THE MEDIAEVAL MIND BOOK vi
intimate love, as well as thunder terror. He says, preaching
on the medicina, the healing power, of Jesu's name :
"Hoc tibi electuarium habes, o anima mea, reconditum in
vasculo vocabuli hujus quod est Jesus, salutiferum, certe, quodque
nulli unquam pesti tuae inveniatur inefficax."1
With the music of this prose one may compare the
sweet personal plaint of the following :
"Felices quos abscondit in tabernaculo suo in umbra alarum
suarum sperantes, donee transeat iniquitas. Caeterum ego infelix,
pauper et nudus, homo natus ad laborem, implumis avicula pene
omni tempore nidulo exsulans, vento exposita et turbini, turbatus
sum et motus sum sicut ebrius, et omnis conscientia mea devorata
est." 2
Extracts can give no idea of Bernard's literary powers,
any more than a small volume could tell the story of that
life which, so to speak, was magna pars of all contemporary
history. But since he was one of the best of Latin letter-
writers, one should not omit an example of his varied
epistolary style, which can be known in its compass only
from a large reading of his letters. The following is a short
letter, written to win back to the cloister a delicately nurtured
youth whose parents had lured him out into the world.
" Doleo super te, fili mi Gaufride, doleo super te. Et merito.
Quis enim non doleat florem juventutis tuae, quern laetantibus
angelis Deo illibatum obtuleras in odorem suavitatis, nunc a
daemonibus conculcari, vitiorum spurcitiis, et saeculi sordibus
inquinari ? Quomodo qui vocatus eras a Deo, revocantem diabolum
sequeris, et quern Christus trahere coeperat post se, repente pedem
ab ipso introitu gloriae retraxisti ? In te experior nunc veritatem
sermonis Domini, quern dixit : Inimici hominis, domestic! ejus
(Matt. x. 36). Amici tui et proximi • tui adversum te appro-
pinquaverunt, et steterunt. Revocaverunt te in fauces leonis, et in
portis mortis iterum collocaverunt te. Collocaverunt te in obscuris,
sicut mortuos saeculi : et jam parum est ut descendas in ventrem
inferi ; jam te deglutire festinat, ac rugientibus praeparatis ad escam
tradere devorandum.
"Revertere, quaeso, revertere, priusquam te absorbeat profundum,
et urgeat super te puteus os suum ; priusquam demergaris, unde
ulterius non emergas ; priusquam ligatis manibus et pedibus pro-
jiciaris in tenebras exteriores, ubi est fletus et stridor dentium ;
1 Sermo xv. (Migne 183, col. 847). Translated ante, Vol. I., p. 411.
2 Ep. xii., ad Guigonem (Migne 182, col. 116).
CHAP, xxxi MEDIAEVAL LATIN PROSE 171
priusquam detrudaris in locum tenebrosum, et opertum mortis
caligine. Erubescis forte redire, quia ad horam cessisti. Erubesce
fugam, et non post fugam reverti in proelium, et rursum pugnare.
Necdum finis pugnae, necdum ab invicem dimicantes acies
discesserunt : adhuc victoria prae manibus est. Si vis, nolumus
vincere sine te, nee tuam tibi invidemus gloriae portionem. Laeti
occuremus tibi, laetis te recipiemus amplexibus, dicemusque :
Epulari et gaudere oportet, quia hie films noster mortuus fuerat, et
revixit; perierat, et inventus est " (Luc. xv. 3 a).1
The argument of this letter is, from the standpoint of
Bernard's time, as resistless as the style. Did it win back
the little monk ? Many wonderful examples of loving
expression could be drawn from Bernard's letters ; 2 but
instead an instance may be given of his none too subtle way
of uttering his hate : " Arnaldus de Brixia, cujus conversatio
mel et doctrina venenum, cui caput columbae, cauda
scorpionis est, quern Brixia evomuit, Roma exhorruit,
Francia repulit, Germania abominatur, Italia non vult
recipere, fertur esse vobiscum." s And then he proceeds to
warn his correspondent of the danger of intercourse with
this arch-enemy of the Church.
Considering that Latin was a tongue which youths
learned at school rather than at their mothers' knees, such
writing as Bernard's is a triumphant recasting of an ancient
language. One notices in him, as generally with mediaeval
religious writers, the influence of the Vulgate, which was
mainly in the language of St. Jerome — of Jerome when not
writing as a literary virtuoso, but as a scholar occupied with
rendering the meaning, and willing to accept such linguistic
innovations as served his purpose.4 But beyond this
influence, one sees how masterful is Bernard's diction,
quite freed from observance of classical principles, quite
of the writer and his time, adapting itself with ease and
power to the topic and character of the composition, and
always expressive of the personality of the mighty saint.
1 Bernard, Ep. 112, ad Gaufridum (Migne 182, col. 255). For translation
see ante, Vol. I., p. 398.
2 E.g. Ep. i. and 144 (Migne 182, col. 70 and 300).
3 Ep. 196, ad Guidonem (Migne 182, col. 363). Translated ante, Vol. I.,
p. 401. See also the preceding letter, 195.
4 As to Jerome's two styles see Goelzer, La Latiniti de St. Jerome,
Introduction.
172 THE MEDIAEVAL MIND BOOK vi
Hildebert of Le Mans was a few years older than St.
Bernard. As an example of his prose a letter may be
cited, of which the translation has been given. It was
written in 1128, when he was Archbishop of Tours, in
protest against the encroachments of the royal power of the
French king, Louis the Fat, upon the rights of the Archi-
episcopacy of Tours in the matter of ecclesiastical appoint-
ments within that diocese :
" In adversis nonnullum solatium est, tempora sperare laetiora.
Diutius spes haec mini blandita est, et velut agricolam messis in
herba, sic animum meum prosperitatis expectatio confortavit.
Caeterum jam nihil est quo serenitatem nimbosi temporis exspectem,
nihil est quo navis, in cujus puppi sedeo, crebris agitata turbinibus,
portum quietis attingat.
"Silent amici, silent sacerdotes Jesu Christi. Denique silent
et illi quorum suffragio credidi regem mecum in gratiam rediturum.
Credidi quidem, sed super dolorem vulnerum meorum rex, illis
silentibus, adjecit. Eorum tamen erat gravamini ecclesiae canonicis
obviare institutis Eorum erat, si res postulasset, opponere murum
pro domo Israel. Verum apud serenissimum regem opus est
exhortatione potius quam increpatione, consilio quam praecepto,
doctrina quam virga. His ille conveniendus fuit, his reverenter
instruendus, ne sagittas suas in sene compleret sacerdote, ne
sanctiones canonicas evacuaret, ne persequeretur cineres Ecclesiae
jam sepultae, cineres in quibus ego panem doloris manduco, in
quibus bibo calicem luctus, de quibus eripi et evadere, de morte ad
vitam transire est.
" Inter has tamen angustias, nunquam de me sic ira triumphavit,
ut aliquem super Christo Domini clamorem deponere vellem, seu
pacem ipsius in manu forti et brachio Ecclesiae adipisci. Suspecta
est pax ad quam, non amore sed vi, sublimes veniunt potestates.
Ea facile rescindetur, et fiunt aliquando" novissima pejora prioribus.
Alia est via qua compendiosius ad earn Christo perducente pertingam.
Jactabo cogitatum meum in Domino, et ipse dabit mini petitionem
cordis mei. Recordatus est Dominus Joseph, cujus pincerna
Pharaonis oblitus, dum prospera succederent, interveniendi pro eo
curam abjecit. . . . Fortassis recordabitur et mei, atque in
desiderate littore navem sistet fluctuantem. Ipse enim est qui
respicit in orationem humilium, et non spernit preces eorum. Ipse
est in cujus manu corda regum cerea sunt. Si invenero gratiam in
oculis ejus, gratiam regis vel facile consequar, vel utiliter amittam.
Siquidem offendere hominem proper Deum lucrari est gratiam
Del" l
1 Ep, ii. 33 (Migne 171, col. 256). Translation ante, Chapter XXX., ill.
CHAP, xxxi MEDIAEVAL LATIN PROSE 173
John of Salisbury (11 10-1180), much younger than
Hildebert and a little younger than Bernard, seems to have
been the best scholar of his time. With the Classics he is
as one in the company of friends ; he cites them as readily
as Scripture ; their sententiae have become part of his views
of life. John was an eager humanist, who followed his
studies to whatever town and to the feet of whatsoever
teacher they might lead him. So he listened to Abaelard
and many others. His writing is always lively and often
forcible, especially when vituperating the set who despised
classic reading. His most vivacious work, the Metalogicus^
was directed against their unnamed prophet, whom he dubs
" Cornificus." 1 Its opening passage is of interest as John's
exordium, and because a somewhat consciously intending
stylist like our John is likely to exhibit his utmost virtuosity
in the opening sentences of an important work :
" Adversus insigne donum naturae parentis et gratiae, calumniam
veterem et majorum nostrorura judicio condemnatam excitat
improbus litigator, et conquirens undique imperitiae suae solatia,
sibi proficere sperat ad gloriam, si multos similes sui, id est si eos
viderit imperitos ; habet enim hoc proprium arrogantiae tumor, ut se
commetiatur aliis, bona sua, si qua sunt, efferens, deprimens aliena ;
defectumque proximi, suum putet esse profectum. Omnibus autem
recte sapientibus indubium est quod natura, clementissima parens
omnium, et dispositissima moderatrix, inter caetera quae genuit
animantia, hominem privilegio rationis extulit, et usu eloquii
insignivit : id agens sedulitate officiosa, et lege dispositissima, ut
homo qui gravedine faeculentioris naturae et molis corporeae
tarditate premebatur et trahebatur ad ima, his quasi subvectus alis,
ad alta ascendat, et ad obtinendum verae beatitudinis bravium,
omnia alia felici compendio antecebat. Dum itaque naturam
fecundat gratia, ratio rebus perspiciendis et examinandis invigilat ;
naturae sinus excutit, metitur fructus et efficaciam singulorum : et
innatus omnibus amor boni, naturali urgente se appetitu, hoc, aut
solum, aut prae caeteris sequitur, quod percipiendae beatitudini
maxime videtur esse accommodum." 2
1 See ante, Chapter XXX., i.
2 "Against that signal gift of parent nature and grace, a shameless
wrangler has stirred up an old calumny, condemned by the judgment of our
ancestors ; and, seeking everywhere comfort for his ignorance, he hopes to
advance himself toward glory, if he shall see many like himself, see them
ignorant, that is to say. For he has this special tumour of arrogance, that he
would be making himself the equal of others, exalting his own good qualities (if
174 THE MEDIAEVAL MIND BOOK vi
One perceives the effect of classical studies ; yet the
passage is good twelfth-century Latin, quite different from
the compositions of the Carolingian epoch, those, for example,
from the pen of Alcuin, who had studied the Classics like
John, but unlike him had no personal style. One gains
similar impressions from the diction of the Polycraticus, a
lengthy, discursive work in which John surprises us with hfs
classical equipment. Although containing many quoted
passages, it is not made of extracts strung together ; but
reflects the sentiments or tells the opinions of ancient
philosophers in the writer's own way. The following shows
John's knowledge of early Greek philosophers, and is a fair
example of his ordinary style :
" Alterum vero philosophorum genus est, quod lonicum dicitur
et a Graecis ulterioribus traxit originem. Horum princeps fuit
Thales Milesius, unus illorum septem, qui dicti sunt sapientes. Iste
cum rerum naturam scrutatus, inter caeteros emicuisset, maxime
admirabilis exstitit, quod astrologiae numeris comprehensis, soils et
lunae defectus praedicebat. Huic successit Anaximander ejus
auditor, qui Anaximenem discipulum reliquit et successorem.
Diogenes quoque ejusdem auditor exstitit, et Anaxagoras, qui
omnium rerum quas videmus, effectorem divinum animum docuit.
Ei successit auditor ejus Archelaiis, cujus discipulus Socrates fuisse
perhibetur, magister Platonis, qui, teste Apuleio, prius Aristoteles
dictus est, sed deinde a latitudine pectoris Plato, et in tantam
eminentiam philosophiae, et vigore ingenii, et studii exercitio, et
omnium morum venustate, eloquii quoque suavitate et copia
subvectus est, ut quasi in throno sapientiae residens, praecepta
quadam auctoritate visus est, tarn antecessoribus quam successoribus
they exist), and depreciating those of others. And he deems his neighbour's
defect to be his own advancement.
" Now it is indubitable to all truly wise, that Nature, kindest parent of all,
and best-ordering directress, among the other living beings which she brought
forth, distinguished man with the prerogative of reason and ennobled him with
the exercise of eloquence (or ' with the use of speech ') : executing this with
unremitting zeal and best-ordering decree, in order that man who was pressed
and dragged to the lowest by the heaviness of a clodlike nature and the slowness
of corporeal bulk, borne aloft as it were by these wings might ascend to the
heights, and by obtaining the crown of true blessedness excel all others in happy
reward. While Grace thus fecundates Nature, Reason watches over the matters to
be inspected and considered ; Nature's bosom gives forth, metes out the fruits
and faculty of individuals ; and the inborn love of good, stimulating itself by its
natural appetite, follows this (i.e. the good) either solely or before all else, since
it seems best adapted to the bliss descried" (Metal, i. i ; Migne 199, col. 825).
These translations are kept close to the original, in order to show the construction
of the sentences.
CHAP, xxxi MEDIAEVAL LATIN PROSE 175
philosophis, imperare. Et primus quidem Socrates universam
philosophiam ad corrigendos componendosque mores flexisse
memoratur, cum ante ilium omnes physicis, id est rebus naturalibus
perscrutandis, maximam operam dederint." *
These extracts from the writings of saints and scholars
may be supplemented by two extracts from compositions of
another class. The mediaeval chronicle has not a good
reputation. Its credulity and uncritical spirit varied with
the time and man. Little can be said in favour of its
general form, which usually is stupidly chronological, or
annalistic. The example of classical historical composition
was lost on mediaeval annalists. Yet their work is not always
dull ; and, by the twelfth century, their diction had become
as mediaeval as that of the theologian rhetoricians, although
it rarely crystallizes to personal style by reason of the
insignificance of the writers. A well-known work of this
kind is the Gesta Dei per Francos, by Guibert of Nogent,
who wrote his account of the First Crusade a few years after
its turmoil had passed by. The following passage tells of
proceedings upon the conclusion of Urban's great crusading
oration at the Council of Clermont in 1099 :
"Peroraverat vir excellentissimus, et omnes qui se ituros voverant,
beati Petri potestate absolvit, eadem, ipsa apostolica auctoritate
firmavit, et signum satis conveniens hujus tarn honestae professionis
instituit, et veluti cingulum militiae, vel potius militaturis Deo
passionis Dominicae stigma tradens, crucis figuram, ex cujuslibet
1 " There is another class of philosophers called the Ionic, and it took its
origin from the more remote Greeks. The chief of these was Thales the
Milesian, one of those seven who were called 'wise.' He, when he had
searched out the nature of things, shone among his fellows, and especially stood
forth as admirable because, comprehending the laws of astrology, he predicted
eclipses of the sun and moon. To him succeeded his hearer, Anaximander, who
(in turn) left Anaximenes as disciple and successor. Diogenes, likewise his
hearer, arose and Anaxagoras who taught that the divine mind was the author of
all things that we see. To him succeeded his pupil Archelaus, whose disciple is
said to have been Socrates, the master of Plato, who, according to Apuleius, was
first called Aristotle, but then Plato from his breadth of chest, and was borne
aloft to such height of philosophy, by vigour of genius, by assiduity of study, by
graciousness in all his ways, and by sweetness and force of eloquence, that, as if
seated on the throne of wisdom, he has seemed to command by a certain
ordained authority the philosophers before and after him. And indeed Socrates
is said to have been the first to have turned universal philosophy to the
improvement and ordering of manners ; since before him all had devoted
themselves chiefly to physics, that is to examining the things of nature"
(Polycraticus, vii. 5 ; Migne 199, col. 643).
176 THE MEDIAEVAL MIND BOOK vi
materiae panni, tunicis, byrris et palliis iturorum, assui mandavit.
Quod si quis, post hujus signi acceptionem, aut post evidentis voti
pollicitationetn ab ista benevolentia, prava poenitudine, aut ali-
quorum suorum affectione resileret, ut exlex perpetuo haberetur
omnino praecepit, nisi resipisceret ; idemque quod omiserat foede
repeteret. Praeterea omnes illos atroci damnavit anathemate, qui
eorum uxoribus, filiis, aut possessionibus, qui hoc Dei iter
aggrederentur, per integrum triennii tempus, molestiam auderent
inferre. Ad extremum, cuidam viro omnimodis laudibus efferendo,
Podiensis urbis episcopo, cujus nomen doleo quia neque usquam
reperi, nee audivi, curam super eadem expeditione regenda
contulit, et vices suas ipsi, super Christiani populi quocunque
venirent institutione, commisit. Unde et manus ei, more
apostolorum, data pariter benedictione, imposuit. Quod ille quam
sagaciter sit exsecutus, docet mirabilis opens tanti exitus."1
This Frenchman Guibert is almost vivacious. A certain
younger contemporary of his, of English birth, could con-
struct his narrative quite as well. Ordericus Vitalis
(d. 1 142) is said to have been born at Wroxeter, though
he spent most of his life as monk of St. Evroult in
Normandy. There he wrote his Historia Ecclesiastica of
Normandy and England. His account of the loss of the
White Ship in 1 120 tells the story :
"Thomas, filius Stephani, regem adiit, eique marcum auri
offerens, ait : ' Stephanus, Airardi filius, genitor meus fuit, et ipse
1 "The most excellent man concluded his oration, and by the power of the
blessed Peter absolved all who had taken the vow to go, and by the same
apostolic authority confirmed it ; and he instituted a suitable sign of this so
honourable vow ; and as a badge of soldiering (or knighthood), or rather, of
being about to soldier, for God, he took the mark of the Lord's Passion, the
figure of a cross, made from material of any kind of cloth, and ordered it to be
sewed upon the tunics and cloaks of those about to go. But if any one, after
receiving this sign, or after making open promise, should draw back from that
good intent, by base repenting or through affection for his kin, he ordained that
he should be held an outlaw utterly and perpetually, unless he turn and set
himself again to the neglected performance of his pledge.
" Furthermore, with terrible anathema he damned all who within the term of
three years should dare to do ill to the wives, children, or property of those
setting forth on this journey of God. And finally he committed to a certain and
praiseworthy man (a bishop of some city on the Po, whose name I am sorry
never to have found or heard) the care and regulation of the expedition, and
conferred his own authority upon him over the tribute (?) of Christian people
wherever they should come. Whereupon giving his benediction, in the
apostolic manner, he placed his hands upon him. How sagaciously that one
executed the behest, is shown by the marvellous outcome of so great an
undertaking " (Guibert of Nogent, Gesta Dei per Francos, ii. 2 ; Migne 1 56,
coL 702).
CHAP, xxxi MEDIAEVAL LATIN PROSE 177
in omni vita sua patri tuo in mari servivit. Nam ilium, in sua
puppe vectum, in Angliam conduxit, quando contra Haraldum
pugnaturus, in Angliam perrexit. Hujusmodi autem officio usque
ad mortem famulando ei placuit, et ab eo multis honoratus
exeniis, inter contribules suos magnifice floruit. Hoc feudum,
domine rex, a te require, et vas quod Candida-Navis appellatur,
merito ad regalem famulatum optime instructum habeo.' Cui rex
ait : ' Gratum habeo quod petis. Mihi quidem aptam navim
elegi, quam non mutabo ; sed filios meos, Guillelmum et Richardum,
quos sicut me diligo, cum multa regni mei nobilitate, nunc tibi
commendo.'
" His auditis, nautae gavisi sunt, filioque regis adulantes, vinum
ab eo ad bibendum postulaverunt. At ille tres vini modios ipsis
dari praecepit. Quibus acceptis, biberunt, sociisque abundanter
propinaverunt, nimiumque potantes inebriati sunt. Jussu regis
multi barones cum filiis suis puppim ascenderunt, et fere trecenti,
ut opinor, in infausta nave fuerunt. Duo siquidem monachi
Tironis, et Stephanus comes cum duobus militibus, Guillelmus
quoque de Rolmara, et Rabellus Camerarius, Eduardus de
Salesburia, et alii plures inde exierunt, quia nimiam multitudinem
lascivae et pompaticae juventutis inesse conspicati sunt. Periti
enim remiges quinquaginta ibi erant, et feroces epibatae, qui jam
in navi sedes nacti turgebant, et suimet prae ebrietate immemores,
vix aliquem reverenter agnoscebant. Heu ! quamplures illorum
mentes pia devotione erga Deum habebant vacuas
' Qui maris immodicas moderatur et aeris iras.'
Unde sacerdotes, qui ad benedicendos illos illuc accesserant, alios-
que ministros qui aquam benedictam deferebant, cum dedecore et
cachinnis subsannantes abigerunt; sed paulo post derisionis suae
ultionem receperunt.
" Soli homines, cum thesauro regis et vasis merum ferentibus,
Thomae carinam implebant, ipsumque ut regiam classem, quae
jam aequora sulcabat, summopere prosequeretur, commonebant.
Ipse vero, quia ebrietate desipiebat, in virtute sua, satellitumque
suorum confidebat, et audacter, quia omnes qui jam praecesserant
praeiret, spondebat. Tandem navigandi signum dedit. Porro
schippae remos baud segniter arripuerunt, et alia laeti, quia quid
eis ante oculos penderet nesciebant, armamenta coaptaverunt,
navemque cum impetu magno per pontum currere fecerunt.
Cumque remiges ebrii totis navigarent conatibus, et infelix
gubernio male intenderet cursui dirigendo per pelagus, ingenti
saxo quod quotidie fluctu recedente detegitur et rursus accessu
maris cooperitur, sinistrum latus Candidae-Navis vehementer illisum
est, confractisque duabus tabulis, ex insperato, navis, proh dolor !
subversa est. Omnes igitur in tan to discrimine simul exclamaverunt ;
VOL. II N
i;8 THE MEDIAEVAL MIND BOOK vi
sed aqua mox implente ora, pariter perierunt. Duo soli virgae
qua velum pendebat manus injecerunt, et magna noctis parte
pendentes, auxilium quodlibet praestolati sunt. Unus erat Rotho-
magensis carnifex, nomine Beroldus, et alter generosus puer,
nomine Goisfredus, Gisleberti de Aquila filius.
"Tune luna in signo Tauri nona decima fuit, et fere ix horis
radiis suis mundum illustravit, et navigantibus mare lucidum
reddidit. Thomas nauclerus post primam submersionem vires
resumpsit, suique memor, super undas caput extulit, et videns
capita eorum qui ligno utcunque inhaerebant, interrogavit : ' Filius
regis quid devenit?' Cumque naufragi respondissent ilium cum
omnibus collegis suis deperisse: 'Miserum,' inquit, 'est amodo
meum vivere.' Hoc dicto, male desperans, maluit illic occumbere,
quam furore irati regis pro pernicie prolis oppetere, seu longas in
vinculis poenas lucre " l
1 Hist, ecclesiastica, pars iii. lib. xii. cap. 14 (Migne 188, col. 889-892).
" Thomas, son of Stephen, approached the king, and offering him a mark of
gold, said : ' Stephen, son of Airard, was my sire, and all his life he served thy
father (William the Conqueror) on the sea. For him, borne on his ship, he
conveyed to England, when he proceeded to England in order to make war on
Harold. In this manner of service serving him until death he gave him satis-
faction, and honoured with many rewards from him, he nourished grandly among
his people. This privilege, lord king, I claim of thee, and the vessel which is
called White Ship I have ready, fitted out in the best manner for royal needs.'
To whom the king said : ' I grant your petition. For myself indeed I have
selected a proper ship, which I shall not change ; but my sons, William and
Richard, whom I cherish as myself, with much nobility of my realm, I commend
now to thee.'
" Hearing these words the sailors were merry, and bowing down before the
king's son, asked of him wine to drink. He ordered three measures of wine to
be given them. Receiving these they drank and pledged their comrades' health
abundantly, and with deep potations became drunk. At the king's order many
barons with their sons went aboard the ship, and there were about three hundred, as
I opine, in that fatal bark. Then two monks of Tiron, and Count Stephen with
two knights, also William of Rolmar, and Rabellus the chamberlain, and Edward
of Salisbury, and a number of others, went out from it, because they saw such
a crowd of wanton showy youth aboard. And fifty tried rowers were there and
insolent marines, who having seized seats in the ship were brazening it, forgetting
themselves through drunkenness, and showed respect for scarcely any one. Alas !
how many of them had minds void of pious devotion toward God ! — ' Who
tempers the exceeding rages of the sea and air. ' And so the priests, who had
gone up there to bless them, and the other ministrants who bore the holy water,
they drove away with derision and loud guffaws ; but soon after they paid the
penalty of their mocking.
" Only men, with the king's treasure and the vessels holding the wine, filled
the keel of Thomas ; and they pressed him eagerly to follow the royal fleet
which was already cutting the waves. And he himself, because he was silly from
drink, trusted in his skill and that of his satellites, and rashly promised to
outstrip all who were now ahead of him. Then he gave the word to put to sea.
At once the sailors snatched their oars, and glad for another reason because they
did not know what hung before their eyes, they adjusted their tackle, and made
the ship start over the sea with a great bound. Now while the drunken rowers
CHAP, xxxi MEDIAEVAL LATIN PROSE i?g
Our examples thus far belong to the twelfth century.
As touching its successor, it will be interesting to observe
the qualities of two opposite kinds of writing, the one spring-
ing from the intellectual activities, and the other from the
religious awakening, of the time. In the thirteenth century,
scientific and scholastic writing was of representative import-
ance, and deeply affected the development of Latin prose.
Very different in style were the Latin stories and vitae of
the blessed Francis of Assist and other saints, composed
in Italy.
Roger Bacon, of whom there will be much to say, com-
posed most of his extant works about the year I26/.1 His
language is often rough and involved, from his impetuosity
and eagerness to utter what was in him. But it is always
vigorous. He took pains to say just what he meant, and
what was worth saying ; and frequently rewrote his sentences.
His writings show little rhetoric ; yet they are stamped with
a Baconian style, which has a cumulative force. The word-
order is modern with scarcely a trace of the antique. Per-
haps we may say that he wrote Latin like an Englishman
of vehement temper and great intellect. He is powerful in
continuous exposition ; yet instances of his general, and
very striking statements, will illustrate his diction at its best.
In the following sentence he recognizes the progressiveness
of knowledge, a rare idea in the Middle Ages :
were putting forth all their strength, and the wretched pilot was paying slack
attention to steering his course over the gulf, upon a great rock which daily is
uncovered by the ebbing wave and again is covered when the sea is at flood,
the left side of White Ship struck violently, and with two timbers smashed, all
unexpectedly the ship, alas ! was capsized. All cried out together in such a
catastrophe ; but the water quickly filling their mouths, they perished alike.
Two only cast their hands upon the boom from which hung the sail, and clinging
to it a great part of the night, waited for some aid. One was a butcher of
Rouen named Berold, and the other a well-born lad named Geoffrey, son of
Gislebert of Aquila.
" The moon was then at its nineteenth in the sign of the Bull, and lighted
the earth for nearly nine hours with its beams, making the sea bright for navigators.
Captain Thomas after his first submersion regained his strength, and bethinking
himself, pushed his head above the waves, and seeing the heads of those clinging
to some piece of wood, asked, ' What has become of the king's son ? ' When the
shipwrecked answered that he had perished with all his companions, ' Miserable,'
said he, 'is my life henceforth.' Saying this, and evilly despairing, he chose to
sink there, rather than meet the fury of the king enraged for the destruction of
his child, or undergo long punishment in chains."
1 Post, Chapter XLI.
i8o THE MEDIAEVAL MIND BOOK vi
"Nam semper posteriores addiderunt ad opera priorum, et
multa correxerunt, et plura mutaverunt, sicut maxime per Aristotelem
patet, qui omnes sententias praecedentium discussit"1
Again, he animadverts upon the duty of thirteenth-
century Christians to supply the defects of the old
philosophers :
"Quapropter antiquorum defectus deberemus nos posteriores
supplere, quia introivimus in labores eorum, per quos, nisi simus
asini, possumus ad meliora excitari ; quia miserrimum est semper
uti inventis et nunquam inveniendis." 2
Speaking of language, he says :
" Impossibile est quod proprietas unius linguae servetur in alia." 3
("The idioms of one language cannot be preserved in a transla-
tion.") And again : " Omnes philosophi fuerunt post patriarchas et
prophetas . . . et legerunt libros prophetarum et patriarcharum
qui sunt in sacro textu."4 ("The philosophers of Greece came
after the prophets of the Old Testament and read their works
contained in the sacred text.")
In the first of these sentences Bacon shows his linguistic
insight ; in the second he reflects an uncritical view enter-
tained since the time of the Church Fathers ; in both, he
writes with an order of words requiring no change in an
English translation.
In his time, Bacon had but a sorry fame, and his works
no influence. The writings of his younger contemporary
Thomas Aquinas exerted greater influence than those of any
man after Augustine. They represent the culmination of
scholasticism. He was Italian born, and his language,
however difficult the matter, is lucidity itself. It is never
rhetorical ; but measured, temperate, and balanced ; properly
proceeding from the mind which weighed every proposition
in the scales of universal consideration. Sometimes it gains
a certain fervour from the clarity and import of the state-
ment which it so lucidly conveys. In article eighth, of the
first Questio, of Pars Prima of the Summa theologiae>
Thomas thus decides that Theology is a rational (argumen-
tative?) science :
" Respondeo dicendum quod, sicut aliae scientiae non argu-
1 Opus majus, pars i. cap. 6. 2 Op. ma/. iL cap. 14.
3 Op. maj. iii. I. 4 Op. maj. ii. 14.
CHAP, xxxi MEDIAEVAL LATIN PROSE 181
mentantur ad sua principia probanda, sed ex principiis argumen-
tantur ad ostendendum alia in ipsis scientiis ; ita haec doctrina non
argumentatur ad sua principia probanda, quae sunt articuli fidei ;
sed ex eis procedit ad aliquid aliud ostendendum ; sicut Apostolus
i ad Cor. xv., ex resurrectione Christi argumentatur ad resur-
rectionem communem probandam.
" Sed tamen considerandum est in scientiis philosophicis, quod
inferiores scientiae nee probant sua principia, nee contra negantem
principia disputant, sed hoc relinquunt superiori scientiae : suprema
vero inter eas, scilicet metaphysica, disputat contra negantem sua
principia, si adversarius aliquid concedit : si autem nihil concedit,
non potest cum eo disputare, potest tamen solvere rationes ipsius.
Unde sacra scriptura (i.e. Theology), cum non habeat superiorem,
disputat cum negante sua principia : argumentando quidem, si
adversarius aliquid concedat eorum quae per divinam revelationem
habentur ; sicut per auctoritates sacrae doctrinae disputamus contra
hereticos, et per unum articulum contra negantes alium. Si vero
adversarius nihil credat eorum quae divinitus revelantur, non
remanet amplius via ad probandum articulos fidei per rationes,
sed ad solvendum rationes, si quas inducit, contra fidem. Cum
enim fides infallibili veritati innitatur, impossibile autem sit de
vero demonstrari contrarium, manifestum est probationes quae
contra fidem inducuntur, non esse demonstrationes, sed solubilia
argumenta."1
Of a different intellectual temperament was John of
Fidanza, known as St. Bonaventura.2 He also was born and
passed his youth in Italy. This sainted General of the
Franciscan Order was a few years older than the great
Dominican, who was his friend. Both doctors died in the
year 1274. Bona Ventura's powers of constructive reasoning
were excellent. His diction is clear and beautiful, and elo-
quent with a spiritual fervour whenever the matter is such as
to evoke it. His account of how he came to write his famous
little Itinerarium mentis in Deum is full of temperament.
"Cum igitur exemplo beatissimi patris Francisci hanc pacem
anhelo spiritu quaererem, ego peccator, qui loco ipsius patris
beatissimi post eius transitum septimus in generali fratrum ministerio
per omnia indignus succedo ; contigit, ut nutu divino circa Beati
ipsius transitum, anno trigesimo tertio ad montem Alvernae
tanquam ad locum quietum amore quaerendi pacem spiritus
declinarem, ibique existens, dum mente tractarem aliquas mentales
1 For translation see post, Chapter XXXIV.
3 Post, Chapter XXXVIII.
1 82 THE MEDIAEVAL MIND BOOK vi
ascensiones in Deum, inter alia occurrit illud miraculum, quod in
praedicto loco contigit ipsi beato Francisco, de visione scilicet
Seraph alati ad instar Crucifixi. In cuius consideratione statim
visum est mihi, quod visio ilia praetenderet ipsius patris suspensionem
in contemplando et viam, per quam pervenitur ad earn."1
And Bonaventura at the end of his Itinerarium speaks
of the perfect passing of Francis into God through the very
mystic climax of contemplation, concluding thus :
" Si autem quaeras, quomodo haec fiant, interroga gratiam, non
doctrinam ; desiderium, non intellectum ; gemitum orationis, non
studium lectionis ; sponsum, non magistrum ; Deum, non hominem ;
caliginem, non claritatem ; non lucem, sed ignem totaliter inflam-
mantem et in Deum excessivis unctionibus et ardentissimis
affectionibus transferentem." z
Bonaventura's fervent diction will serve to carry us over
from the more unmitigated intellectuality of Bacon and
Thomas to the simpler matter of those personal and pious
narratives from which may be drawn concluding illustrations
of mediaeval Latin prose. Some of the authors will show
the skill which comes from training ; others are quite
innocent of grammar, and their Latin has made a happy
surrender to the genius of their vernacular speech, which
was the lingua vulgaris of northern Italy.
One of the earliest biographers of St. Francis of Assisi
was Thomas of Celano, a skilled Latinist, who was enraptured
with the loveliness of Francis's life. His diction is limpid
and rhythmical. A well-known passage in his Vita prima
(for he wrote two Lives) tells of Francis's joyous assurance of
the great work which God would accomplish through the
simple band who formed the beginnings of the Order. This
assurance crystallized in a vision of multitudes hurrying to
join. Francis speaks to the brethren :
" Confortamini, charissimi, et gaudete in Domino, nee, quia
pauci videmini, efficiamini tristes. Ne vos deterreat mea, vel vestra
simplicitas, quoniam sicut mihi a Domino in veritate ostensum est,
in maximam multitudinem faciet vos crescere Deus, et usque ad
fines orbis multipliciter dilatabit. Vidi multitudinem magnam
hominum ad nos venientium, et in habitu sanctae conversationis
beataeque religionis regula nobiscum volentium conversari ; et ecce
1 Itiiierarium mentis in Deum, Prologus, 2.
2 Ibid. cap. vii. 6. For translations see post, Chapter XXXVIII.
CHAP, xxxi MEDIAEVAL LATIN PROSE 183
adhuc sonitus eorum est in auribus meis, euntium, et redeuntium
secundum obedientiae sanctae mandatum : vidique vias ipsorum
multitudine plenas ex omni fere natione in his partibus convenire.
Veniunt Francigenae, festinant Hispani, Teuthonici, et Anglici
currunt, et aliarum diversarum linguarum accelerat maxima
multitude.
"Quod cum audissent fratres, repleti sunt gaudio Salvatoris
sive propter gratiam, quam dominus Deus contulerat sancto suo,
sive quia proximorum lucrum sitiebant ardenter, quos desiderabant
ut salvi essent, in idipsum quotidie augmentari." l
We feel the flow and rhythm, and note the agreeable
balancing of clauses. Francis died in 1226. The Vita
prima by Celano was approved by Gregory IX. in 1229.
Already other matter touching the saint was gathering in
anecdote and narrative. Much of it was brought together
in the so-called Speculum perfectionis, which has been con-
fidently but very questionably ascribed to Francis's personal
disciple, Brother Leo. Brother Leo, or whoever may have been
the narrator or compiler, was no scholar ; his Latin is naively
incorrect, and has also the simplicity of Gospel narrative.
Indeed this Latin is as effectively " vulgarized " as the Greek
of Matthew's Gospel. An interesting passage tells with
what loving wisdom Francis interpreted a text of Scripture :
" Manente ipso apud Senas venit ad eum quidam doctor sacrae
theologiae de ordine Praedicatorum, vir utique humilis et spiritualis
valde. Quum ipse cum beato Francisco de verbis Domini simul
aliquamdiu contulissent interrogavit eum magister de illo verbo
Ezechielis : Si non annuntiaveris impio impietatem suam animam
ejus de manu tua requiram. Dixit enim : ' Multos, bone pater, ego
cognosco in peccato mortali quibus non annuntio impietatem
eorum, numquid de manu mea ipsorum animae requirentur ? '
" Cui beatus Franciscus humiliter dixit se esse idiotam et ideo
magis expedire sibi doceri ab eo quam super scripturae sententiam
respondere. Tune ille humilis magister adjecit : ' Frater, licet ab
aliquibus sapientibus hujus verbi expositionem audiverim, tamen
Hbenter super hoc vestrum perciperem intellectum.' Dixit ergo
beatus Franciscus : ' Si verbum debeat generaliter intelligi, ego
taliter accipio ipsum quod servus Dei sic debet vita et sanctitate in
seipso ardere vel fulgere ut luce exempli et lingua sanctae con-
versationis omnes impios reprehendat. Sic, inquam, splendor ejus
et odor famae ipsius annuntiabit omnibus iniquitates eorum.'
" Plurimum itaque doctor ille aedificatus recedens dixit sociis
1 Vita pritna, cap. xi. Translated ante, Vol. I., p. 427, note I.
1 84 THE MEDIAEVAL MIND BOOK vi
beati Francisci : ' Fratres mei, theologia hujus viri puritate et
contemplatione subnixa est aquila volans, nostra vero scientia ventre
graditur super terram.'"1
Another passage has Francis breaking out in song from
the joy of his love of Christ :
" Ebrius amore et compassione Christi beatus Franciscus
quandoque talia faciebat, nam dulcissima melodia spiritus intra
se ipsum ebulliens frequenter exterius gallice dabat sonum et vena
divini susurrii quam auris ejus suscipiebat furtive gallicum erumpebat
in jubilum.
"Lignum quandoque colligebat de terra ipsumque sinistro
brachio superponens aliud lignum per modum arcus in manu
dextera trahebat super illud, quasi super viellam vel aliud instru-
mentum atque gestus ad hoc idoneos faciens gallice cantabat de
Domino Jesu Christo. Terminabatur denique tota haec tripudiatio
in lacrymas et in compassionem passionis Christi hie jubilus
solvebatur.
"In his trahebat continue suspiria et ingeminatis gemitibus
eorum quae tenebat in manibus oblitus suspendebatur ad caelum."5
This Latin is as childlike as the Old Italian of the
Fioretti of St. Francis; it has a like word -order, and one
might almost add, a like vocabulary. The simple, ignorant
writer seems as if held by a direct and personal inspiration
from the familiar life of the sweet saint. His language
reflects that inspiration, and mirrors his own childlike
character. Hence he has a style, direct, effective, moving
to tears and joy, like his impression of the blessed Francis.
A not dissimilar kind of childlike Latin could attain to
a remarkable symmetry and balance. The Legenda aurea
is before us, written by the Dominican Jacobus a Voragine,
by race a Genoese, and living toward the close of the
thirteenth century. This book was the most popular
compend of saints' lives in use in the later Middle Ages.
Its stories are told with fascinating naivete. We cite the
opening sentences from its chapter on the Annunciation,
just to show the harmony and balance of its periods. The
passage is exceptional and almost formal in these qualities :
"Annunciatio dominica dicitur, quia in tali die ab angelo
adventus filii Dei in carnem fuit annuntiatus, congruum enim fuit,
1 Spec, perfections, ed. Sabatier, cap. 53. Transkted ante, Vol. I., p. 427.
* Ibid. cap. 93. Translated ante, VoL I., p. 432.
CHAP, xxxi MEDIAEVAL LATIN PROSE 185
ut incarnationem praecederet angelica annuntiatio, triplici ratione.
Primo ratione ordinis connotandi, ut scilicet ordo reparations
responderet ordini praevaricationis. Unde sicut dyabolus tentavit
mulierem, ut earn pertraheret ad dubitationem et per dubitationem
ad consensum et per consensum ad lapsum, sic angelus nuntiavit
virgini, ut nuntiando excitaret ad fidem et per fidem ad consensum
et per consensum ad concipiendum Dei filium. Secundo ratione
ministerii angelici, quia enim angelus est Dei minister et servus et
beata virgo electa erat, ut esset Dei mater, et congruum est
ministrum dominae famulari, conveniens fuit, ut beatae virgini
annuntiatio per angelum fieret. Tertio ratione lapsus angelici
reparandi. Quia enim incarnatio non tantum faciebat ad repara-
tionem humani lapsus, sed etiam ad reparationem ruinae angelicae,
ideo angeli non debuerunt excludi. Unde sicut sexus mulieris
non excluditur a cognitione mysterii incarnationis et resurrectionis,
sic etiam nee angelicus nuntius. Imo Deus utrumque angelo
mediante nuntiat mulieri, scilicet incarnationem virgini Mariae et
resurrectionem Magdelenae."1
These extracts bring us far into the thirteenth century.
Two hundred years later, mediaeval Latin prose, if one
may say so, sang its swan song in that little book which
is a last, sweet, and composite echo of all mellifluous
mediaeval piety. Yet perhaps this De imitatione Christi of
Thomas a Kempis can scarcely be classed as prose, so full
is it of assonances and rhythms fit for chanting.
1 Cap. li., ed. Graesse.
"Annunciation Sunday (Advent) is so called, because on that day by an
angel the advent of the Son of God in the flesh was announced, for it was
fitting that the angelical annunciation should precede the incarnation, for
a threefold reason. For the first reason, of betokening the order, that to
wit the order of reparation should answer to the order of transgression.
Accordingly as the devil tempted the woman, that he should draw her to
doubt and through doubt to consent and through consent to fall, so the
angel announced to the Virgin, that by announcing he should arouse her to faith
and through faith to consent and through consent to conceiving God's son. For
the second reason, of the angelic ministry, because since the angel is God's
minister and servant, and the blessed Virgin was chosen in order that she might
be God's mother, and it is fitting that the minister should serve the mistress, so
it was proper that the annunciation to the blessed Virgin should take place through
an angel. For the third reason, of repairing the angelical fall. Because since
the incarnation was made not only for the reparation of the human fall, but also
for the reparation of the angelical catastrophe, therefore the angels ought not to
be excluded. Accordingly as the sex of the woman does not exclude her from
knowledge of the mystery of the incarnation and resurrection, so also neither the
angelical messenger. Behold, God twice announces to a woman by a mediating
angel, to wit the incarnation to the Virgin Mary and the resurrection to the ,tf
Magdalene." The order of the Latin words is scarcely changed in the trans-
lation.
CHAPTER XXXII
EVOLUTION OF MEDIAEVAL LATIN VERSE
I. METRICAL VERSE.
II. SUBSTITUTION OF ACCENT FOR QUANTITY.
III. SEQUENCE-HYMN AND STUDENT-SONG.
IV. PASSAGE OF THEMES INTO THE VERNACULAR.
IN mediaeval Latin poetry the endeavour to preserve a
classical style and the irresistible tendency to evolve new
forms are more palpably distinguishable than in the prose.
For there is a visible parting of the ways between the reten-
tion of the antique metres and their fruitful abandonment
in verses built of accentual rhyme. Moreover, this formal
divergence corresponds to a substantial difference, inasmuch
as there was usually a larger survival of antique feeling and
allusion in the mediaeval metrical attempts than in the
rhyming poems.
As in the prose, so in the poetry, the lines of development
may be followed from the Carolingian time. But a difference
will be found between Italy and the North ; for in Italy the
course was quicker, but a less organic evolution resulted in
verse less excellent and less distinctly mediaeval. By the
end of the eleventh century Latin poetry in Italy, rhyming
or metrical, seems to have drawn itself along as far as it was
destined to progress ; but in the North a richer growth
culminates a century later. Indeed the most originative line
of evolution of mediaeval Latin verse would seem to have
been confined to the North, in the main if not exclusively.
The following pages offer no history of mediaeval Latin
poetry, even as the previous chapter made no attempt to
sketch the history of the prose. Their object is to point
1 86
CHAP, xxxii MEDIAEVAL LATIN VERSE 187
out the general lines along which the verse -forms were
developed, or were perhaps retarded. Three may be dis-
tinguished. The first is marked by the retention of quantity
and the endeavour to preserve the ancient measures. In
the second, accent and rhyme gradually take the place of
metre within the old verse-forms. The third is that of the
Sequence, wherein the accentual rhyming hymn springs from
the chanted prose, which had superseded the chanting of the
final a of the Alleluia.1
I
The lover of classical Greek and Latin poetry knows the
beautiful fitness of the ancient measures for the thought and
feeling which they enframed. If his eyes chance to fall on
some twelfth-century Latin hymn, he will be struck by its
different quality. He will quickly perceive that classic forms
would have been unsuited to the Christian and romantic
sentiment of the mediaeval period,2 and will realize that
some vehicle besides metrical verse would have been needed
for this thoroughly declassicized feeling, even had metrical
quantity remained a vital element of language, instead of
passing away some centuries before. Metre was but resus-
citation and convention in the time of Charlemagne. Yet it
kept its sway with scholars, and could not lack votaries so
long as classical poetry made part of the Ars grammatica
or was read for delectation. Metrical composition did not
cease throughout the Middle Ages. But it was not the true
mediaeval style, and became obviously academic as accentual
verse was perfected and made fit to carry spiritual emotion.
1 In order that no reader may be surprised by the absence of discussion of the
antique antecedents of the more particular genres of mediaeval poetry (Latin and
Vernacular), I would emphasize the impossibility of entering upon such exhaust-
less topics. Probably the very general assumption will be correct in most cases,
that genres of mediaeval poetry (e.g. the Conflicts or Dtbats in Latin and Old
French) revert to antecedents sufficiently marked for identification, in the antique
Latin (or Greek) poetry, or in the (extant or lost) productions of the "low"
Latin period from the third century downward. An idea of the difficulty and
range of such matters may be gained from Jeanroy, Les Origines de la potsie
lyrique en France an moyen dge (Paris, 1889), and the admirable review of this
work by Gaston Paris in the Journal des savants for 1891 and 1892 (four articles).
Cf. also Batiouchkof in Romania, xx. (1891), pages I sqq. and 513 sqq.
2 Cf. Taylor, Classical Heritage of the Middle Ages, chap. ix.
1 88 THE MEDIAEVAL MIND BOOK vi
Nevertheless the simpler metres were cultivated successfully
by the best scholars of the twelfth century.
Most of the Latin poetry of the Carolingian period was
metrical, if we are to judge from the mass that remains.
Reminiscence of the antique enveloped educated men, with
whom the mediaeval spirit had not reached distinctness of
thought and feeling. So the poetry resembled the contem-
porary sculpture and painting, in which the antique was
still unsuperseded by any new style. Following the antique
metres, using antique phrase and commonplace, often copy-
ing antique sentiment, this poetry was as dull as might be
expected from men who were amused by calling each other
Homer, Virgil, Horace, or David. Usually the poets were
ecclesiastics, and interested in theology ; l but many of the
pieces are conventionally profane in topic, and as humanistic
as the Latin poetry of Petrarch.2 Moreover, just as Petrarch's
Latin poetry was still-born, while his Italian sonnets live, so
the Carolingian poetry, when it forgets itself and falls away
from metre to accentual verse, gains some degree of life. At
this early period the Romance tongues were not a fit poetic
vehicle, and consequently living thoughts, which with Dante
and Petrarch found voice in Italian, in the ninth century
began to stammer in Latin verses that were freed from the
dead rules of quantity, and were already vibrant with a vital
feeling for accent and rhyme.3
Through the tenth century metrical composition became
rougher, yet sometimes drew a certain force from its rudeness.
A good example is the famous Waltarius, or Waltharilied, of
Ekkehart of St. Gall, composed in the year 960 as a school
exercise.4 The theme was a German story found in ver-
nacular poetry. Ekkehart's hexameters have a strong Teuton
flavour, and doubtless some of the vigour of his paraphrase
was due to the German original.
1 There is much verse from noted men, Alcuin, Paulus Diaconus, Walafrid
Strabo, Rabanus Maurus, Theodulphus. It is all to be found in the collection of
Diimmler and Traube, Poetae Latini aevi Carolini (Man. Germ, 1880-1896).
2 It is amusing to find a poem by Walafrid Strabo turning up as a favourite
among sixteenth -century humanists. The poem referred to, " De cultura
hortorum " (Poet. Lot. aev. Car. ii. 335-350), is a poetic treatment of gardening,
reminiscent of the Georgics, but not imitating their structure. It has many allu-
sions to pagan mythology.
3 Post, p. 193 sqq. * Ante, Vol. I., p. 147.
CHAP, xxxn MEDIAEVAL LATIN VERSE 189
The metrical poems of the eleventh century have been
spoken of already, especially the more interesting ones
written in Italy.1 Most of the Latin poetry emanating from
that classic land was metrical, or so intended. Frequently
it tells the story of wars, or gives the Gesta of notable lives,
making a kind of versified biography. One feels as if verse
was employed as a refuge from the dead annalistic form.
This poetry was a semi-barbarizing of the antique, without
new formal or substantial elements. Italy, one may say,
never became essentially and creatively mediaeval : the pres-
sure of antique survival seems to have barred original
development ; Italians took little part in the great mediaeval
military religious movements, the Crusades ; no strikingly
new architecture arose with them ; their first vernacular
poetry was an imitation or a borrowing from Provence and
France ; and by far the greater part of their Latin poetry
presents an uncreative barbarizing of the antique metres.
These remarks find illustration in the principal Latin
poems composed in Italy in the twelfth century. Among
them one observes differences in skill, knowledge, and
tendency. Some of the writers made use of leonine
hexameters, others avoided the rhyme. But they were all
akin in lack of excellence and originality both in composition
and verse-form. There was the monk Donizo of Canossa,
who wrote the Vita of the great Countess Matilda ; 2 there
was William of Apulia, Norman in spirit if not in blood,
who wrote of the Norman conquests in Apulia and Sicily ; 8
also the anonymous and barbarous De bello et excidio urbis
1 Ante, Chapter XL, in.
2 The following leonine hexameters are attributed to Donizo :
4 ' Chrysopolis dudum Graecorum dicitur usu,
Aurea sub lingua sonat haec Urbs esse Latina,
Scilicet Urbs Parma, quia grammatica manet alta,
Artes ac septem studiose sunt ibi lectae. ' '
Muratori, Antiquitatcs> iii. p. 912.
3 William was a few years older than Donizo, and died about the yearki 100.
His hero is Robert Guiscard, and his poem closes with this bid for the favour of
his son, Roger :
" Nostra, Rogere, tibi cognoscis carmina scribi,
Mente tibi laeta studuit parere Poeta :
Semper et auctores hilares meruere datores ;
Tu duce Romano Dux dignior Octaviano,
Sis mini, quaeso, boni spes, ut fuit ille Maroni."
Muratori, Scriptorcs, v. 247-248.
I9o THE MEDIAEVAL MIND BOOK vi
Comensis, in which is told the destruction of Como by Milan
between 1118 and II27;1 then the metrically jingling
Pisan chronicle narrating the conquest of the island of
Majorca, and beginning (like the Aeneid\) with
" Arma, rates, populum vindictam coelitus octam
Scribimus, ac duros terrae pelagique labores." 2
We also note Peter of Ebulo, with his narrative in
laudation of the emperor Henry VI., written about 1 1 94 ;
Henry of Septimella and his elegies upon the checkered
fortunes of divers great men ; 3 and lastly the more famous
Godfrey of Viterbo, of probable German blood, and notary
or scribe to three successive emperors, with his cantafable
Pantheon or Memoria saecularum? Godfrey's poetry is
rhymed after a manner of his own.
In the North, or more specifically speaking in the land
of France north of the Loire, the twelfth century brought
better metrical poetry than in Italy. Yet it had something
of the deadness of imitation, since the vis vivida of song had
passed over into rhyming verse. Still from the academic
point of view, metre was the proper vehicle of poetry ; as
one sees, for instance, in the Ars versificatoria of Matthew
of Vendome,5 written toward the close of the twelfth century.
" Versus est metrica descriptio," says he, and then elaborates
his, for the most part borrowed, definition : " Verse is metrical
description proceeding concisely and line by line through
the comely marriage of words to flowers of thought, and
containing nothing trivial or irrelevant." A neat conception
this of poetry ; and the same writer denounces leonine
rhyming as unseemly, but praises the favourite metre of
the Middle Ages, the elegiac ; for he regards the hexameter
and pentameter as together forming the perfect verse. It
was in this metre that Hildebert wrote his almost classic
1 Muratori, Script, v. 407-457.
2 Muratori, Script, vi. 110-161 ; also in Migne.
3 Written at the close of the twelfth century. On these people see Ronca,
Cultura medioevalc e poesia Latino, cF //a/za*(Rome, 1892).
4 Muratori, vii. pp. 349-482 ; Waitz, Man. Germ. xxii. 1-338. Godfrey lived
from about 1120 to the close of the century. The Pantheon was completed in
1185. Cf. L. Delisle, Instructions du comitt des travaux historiques, etc. ;
Literature latine, p. 41 (Paris, 1890).
6 Matthaei Vindocinensis ars versificatoria, L. Bourgain (Paris, 1879).
CHAP, xxxu MEDIAEVAL LATIN VERSE 191
elegy over the ruins of Rome. A few lines have been
quoted from it ; l but the whole poem, which is not long, is
of interest as one of the very best examples of a mediaeval
Latin elegy :
" Par tibi, Roma, nihil, cum sis prope tola ruina ;
Quam magni fueris Integra fracta doces.
Longa tuos fastus aetas destruxit, et arces
Caesaris et superum templa palude jacent.
I lie labor, labor ille ruit quern dirus Araxes
Et stantem tremuit et cecidisse dolet ;
Quern gladii regum, quern provida cura senatus,
Quem superi rerum constituere caput ;
Quern magis optavit cum crimine solus habere
Caesar, quam socius et pius esse socer,
Qui, crescens studiis tribus, hostes, crimen, amicos
Vi domuit, secuit legibus, emit ope ;
In quern, dum fieret, vigilavit cura priorum :
Juvit opus pietas hospitis, unda, locus.
Materiem, fabros, expensas axis uterque
Misit, se muris obtulit ipse locus.
Expendere duces thesauros, fata favorem,
Artifices studium, totus et orbis opes.
Urbs cecidit de qua si quicquam dicere dignum
Moliar, hoc potero dicere : Roma fuit.
Non tamen annorum series, non flamma, nee ensis
Ad plenum potuit hoc abolere decus.
Cura hominum potuit tantam componere Romam
Quantam non potuit solvere cura deum.
Confer opes marmorque novum superumque favorem,
Artificum vigilent in nova facta manus,
Non tamen aut fieri par stanti machina muro,
Aut restaurari sola ruina potest.
Tantum restat adhuc, tantum ruit, ut neque pars stans
Aequari possit, diruta nee refici.
Hie superum formas superi mirantur et ipsi,
Et cupiunt fictis vultibus esse pares.
Non potuit natura deos hoc ore creare
Quo miranda deum signa creavit homo.
Vultus adest his numinibus, potiusque coluntur
Artificum studio quam deitate sua.
Urbs felix, si vel dominis urbs ilia careret,
Vel dominis esset turpe carere fide." 2
The elegiac metre was used by Abaelard in his didactic
1 Ante, Chapter XXX., in.
2 Text from Haureau, Les Melanges poetiques d' ' Hildebert de Lavardin, p. 60 ;
also in Notices des manuscrits de la bib. not. t. 28, 2nd part (1878), p. 331.
192 THE MEDIAEVAL MIND BOOK vi
poem to his son Astralabius,1 and by John of Salisbury in
his Entheticus. The hexameter also was a favourite measure,
used, for instance, by Alanus of Lille in the Antidaudianus ,
perhaps the noblest of mediaeval narrative or allegorical
poems in Latin.2 Another excellent composition in hexa-
meter was the Alexandreis of Walter, born, like Alanus,
apparently at Lille, but commonly called of Chatillon. As
poets and as classical scholars, these two men were worthy
contemporaries. Walter's poem follows, or rather enlarges
upon the Life of Alexander by Quintus Curtius.3 He is
said to have written it on the challenge of Matthew of
Vendome, him of the Ars versificatoria. The Ligurinus of
a certain Cistercian Gunther is still another good example
of a long narrative poem in hexameters. It sets forth the
career of Frederick Barbarossa, and was written shortly after
the opening of the thirteenth century. Its author, like
Walter and Alanus, shows himself widely read in the
Classics.4
The sapphic was a third not infrequently attempted
metre, of which the De planctu naturae of Alanus contains
examples. This work was composed in the form of the De
consolatione philosophiae of Boethius, where lyrics alternate
with prose. The general topic was Nature's complaint over
man's disobedience to her laws. The author apostrophizes
her in the following sapphics :
" O Dei proles, genitrixque rerum,
Vinculum mundi, stabilisque nexus,
Gemma terrenis, speculum caducis,
Lucifer orbis.
Pax, amor, virtus, regimen, potestas,
Ordo, lex, finis, via, dux, origo,
Vita, lux, splendor, species, figura
Regula mundi.
1 I laureau gives a critical text of the Carmen ad Astralabium filium, in
Notices et extraits, etc., 34, part ii., p. 153 sqq. Other not unpleasing instances
of elegiac verse are afforded by the poems of Baudri, Abbot of Bourgueil (d.
1 1 30). They are occasional and fugitive pieces — nugae, if we will. See L.
Delisle, Romania, i. 22-50.
2 The substance of this poem has been given ante, Chapter XXIX. On
Alanus see also post, Chapter XXXVI., in.
3 It is printed in Migne 209. Cf. post, p. 230, note I.
4 The Ligurinus is printed in tome 212 of Migne's Patrol. Lot. On its
author see Pannenborg, Forschungen zur deutschen Geschichte, Band ii. pp.
161-301, and Band xiii. pp. 225-331 (Gottingen, 1871 and 1873).
CHAP, xxxn MEDIAEVAL LATIN VERSE 193
Quae tuis mundum moderas habenis,
Cuncta concordi stabilita nodo
Nectis et pacis glutino maritas
Coelica terris.
Quae noys (vovs) plures recolens ideas
Singulas rerum species monetans,
Res togas formis, chlamidemque formae
Pollice formas.
Cui favet coelum, famulatur aer,
Quam colit Tellus, veneratur unda,
Cui velut mundi dominae tributum
Singula solvunt.
Quae diem nocti vicibus catenans
Cereum solis tribuis diei,
Lucido lunae speculo soporans
Nubila noctis.
Quae polum stellis variis inauras,
Aetheris nostri solium serenans
Siderum gemmis, varioque coelum
Milite complens.
Quae novis coeli faciem figuris
Protheans mutas aridumque vulgus
Aeris nostri regione donans,
Legeque stringis.
Cujus ad nutum juvenescit orbis,
Silva crispatur folii capillo,
Et tua florum tunicata veste,
Terra superbit.
Quae minas ponti sepelis, et auges,
Syncopans cursum pelagi furori
Ne soli tractum tumulare possit
Aequoris aestus." a
Practically all of our examples have been taken from
works composed in the twelfth century, and in the land
comprised under the name of France. The pre-excellence
of this period will likewise appear in accentual rhyming
Latin poetry, which was more spontaneous and living than
its loftily descended relative.
II
The academic vogue of metre in the early Middle Ages
did not prevent the growth of more natural poetry. The
1 Alanus de Insulis, De planctu naturae (Migne 210, col. 447). A transla-
tion of the work has been made by D. M. Moffat (New York, 1908). For
other examples of Sapphic and Alcaic verses see Haureau in Notices et extraits,
etc., 31 (2), p. 165 sqq.
VOL. II O
I94 THE MEDIAEVAL MIND BOOK vi
Irish had their Gaelic poems ; people of Teutonic speech had
their rough verse based on alliteration and the count of the
strong syllables. The Romance tongues emerging from the
common Latin were as yet poetically untried. But in the
proper Latin, which had become as unquantitative and
accentual as any of its vulgar forms, there was a tonic poetry
that was no longer unequipped with rhyme.
Three rhythmic elements made up this natural mode of
Latin versification: the succession of accented and unaccented
syllables ; the number of syllables in a line ; and that
regularly recurring sameness of sound which is called rhyme.
The source of the first of these seems obvious. Accent
having driven quantity from speech, came to supersede it in
verse, with the accented syllable taking the place of the long
syllable and the unaccented the place of the short. In the
Carolingian period accentual verse followed the old metrical
forms, with this exception : the metrical principle that one
long is equivalent to two shorts was not adopted. Conse-
quently the number of syllables in the successive lines of an
accentual strophe would remain the same, where in the
metrical antecedent they might have varied. This is also
sufficient to account for the second element, the observance
of regularity in the number of syllables. For this regularity
seems to follow upon the acceptance of the principle that in
rhythmic verse an accented syllable is not equal to two
unaccented ones. The query might perhajjs be made why
this Latin accentual verse did not take up the principle of
regularity in the number of strong syllables in a line, like
Old High German poetry for example, where the number of
unaccented syllables, within reasonable limits, is indifferent.
A ready answer is that these Latin verses were made by
people of Latin speech who had been acquainted with
metrical forms of poetry, in which the number of syllables
might vary, but was never indifferent ; for the metrical rule
was rigid that one long was equivalent to two short ; and to
no more and no less. Hence the short syllables were as
fixed in number as the long.1
1 Wilhclm Meyer, a leading authority upon mediaeval Latin verse-structure,
derives the principle of a like number of syllables in every line from eastern
Semitic influence upon the early Christians. See Fraguienta Bur ana (Berlin,
CHAP, xxxii MEDIAEVAL LATIN VERSE 195
The origin of the third element, rhyme, is in dispute.
In some instances it may have passed into Greek and Latin
verses from Syrian hymns.1 But on the other hand it had
long been an occasional element in Greek and Latin
rhetorical prose. Probably rhyme in Latin accentual verse
had no specific origin. It gradually became the sharpening,
defining element of such verse. Accentual Latin lent itself
so naturally to rhyme, that had not rhyme become a fixed
part of this verse, there indeed would have been a fact to
explain.
These, then, were the elements : accent, number of
syllables, and rhyme. Most interesting is the development
of verse-forms. Rhythmic Latin poetry came through the
substitution of accent for quantity, and probably had many
prototypes in the old jingles of Roman soldiers and
provincials, which so far as known were accentual, rather
than metrical. Christian accentual poetry retained those
simple forms of iambic and trochaic verse which most readily
submitted to the change from metre to accent, or perhaps
one should say, had for centuries offered themselves as
natural forms of accentual verse. Apparently the change
from metre to accent within the old forms gradually took
place between the sixth and the tenth centuries. During
this period there was slight advance in the evolution of new
verses ; nor was the period creative in other respects, as
we have seen. But thereafter, as the mediaeval centuries
advanced from the basis of a mastered patristic and antique
heritage, and began to create, there followed an admirable
evolution of verse-forms : in some instances apparently
issuing from the old metrico-accentual forms, and in others
developing independently by virtue of the faculty of song
meeting the need of singing.
This factor wrought with power — the human need and
cognate faculty of song, a need and faculty stimulated in the
Middle Ages by religious sentiment and emotion. In the
1901), pp. 151, 1 66. That may have had its effect ; but I do not see the need
of any cause from afar to account for the syllabic regularity of Latin accentual
verse.
1 Again Wilhelm Meyer's view : see I.e. and the same author's " Anfange
der latein. und griech. rhythmischen Dichtung," Abhand. der Bairish. Akad.
Philos., philol. Masse, 1886.
196 THE MEDIAEVAL MIND BOOK vi
fusing of melody and words into an utterance of song — at last
into a strophe — music worked potently, shaping the com-
position of the lines, moulding them to rhythm, insisting upon
sonorousness in the words, promoting their assonance and
at last compelling them to rhyme so as to meet the stress,
or mark the ending, of the musical periods. Thus the
exigencies of melody helped to evoke the finished verse,
while the words reciprocating through their vocal capabilities
and through the inspiration of their meaning, aided the
evolution of the melodies. In fine, words and melody, each
quickened by the other, and each moulding the other to
itself, attained a perfected strophic unison ; and mediaeval
musician-poets achieved at last the finished verses of hymns
or Sequences and student-songs.
There were two distinct lines of evolution of accentual
Latin verse in the Middle Ages ; and although the faculty
of song was a moving energy in both, it worked in one of
them more visibly than in the other. Along the one line
accentual verse developed pursuant to the ancient forms,
displacing quantity with accent, and evolving rhyme. The
other line of evolution had no connection with the antique.
It began with phrases of sonorous prose, replacing inarticulate
chant These, under the influence of music, through the
creative power of song, were by degrees transformed to
verse. The evolution of the Sequence-hymn will be the
chief illustration. With the finished accentual Latin poetry
of the twelfth century it may become impossible to tell
which line of rhythmic evolution holds the antecedent of a
given poem. In truth, this final and perfected verse may
often have a double ancestry, descending from the rhythms
which had superseded metre, and being also the child of
mediaeval melody. Yet there is no difficulty in tracing by
examples the two lines of evolution.
To illustrate the strain of verse which took its origin in
the displacement of metre by accent and rhyme, we must look
back as far as Fortunatus. He was born about the year
530 in northern Italy, but he passed his eventful life among
Franks and Thuringians. A scholar and also a poet, he
had a fair mastery of metre ; yet some of his poems evince
the spirit of the coming mediaeval time both in sentiment
CHAP, xxxii MEDIAEVAL LATIN VERSE 197
and form. He wrote two famous hymns, one of them in the
popular trochaic tetrameter, the other in the equally simple
iambic dimeter. The first, a hymn to the Cross, begins with
the never-to-be-forgotten
" Pange, lingua, gloriosi proelium certaminis " ;
and has such lines as
" Crux fidelis, inter omnes arbor una nobilis
Dulce lignum, dulce clavo dulce pondus sustinens ! "
In these the mediaeval feeling for the Cross shows itself,
and while the metre is correct, it is so facile that one may
read or sing the lines accentually. In the other hymn, also
to the Cross, assonance and rhyme foretell the coming
transformation of metre to accentual verse. Here are the
first two stanzas :
" Vexilla regis prodeunt,
Fulget crucis mysterium,
Quo carne carnis conditor
Suspensus est patibulo.
Confixa clavis viscera
Tendens manus, vestigia
Redemtionis gratia
Hie immolata est hostia."
Passing to the Carolingian epoch, some lines from a
poem celebrating the victory of Charlemagne's son Pippin
over the Avars in 796, will illustrate the popular trochaic
tetrameter which had become accentual, and already tended
to rhyme :
" Multa mala iam fecerunt ab antico tempore,
Fana dei destruxerunt atque monasteria,
Vasa aurea sacrata, argentea, fictilia." l
Next we turn to a piece by the persecuted and interesting
Gottschalk, written in the latter part of the ninth century.
A young lad has asked for a poem. But how can he sing,
the exiled and imprisoned monk who might rather weep as the
Jews by the waters of Babylon ? 2 yet he will sing a hymn
1 Poet. Lai. aev. Car. i. 116. Cf. Ebert, Gesch. etc. ii. 86. For similar
verses see those on the battle at Fontanetum (A.D. 841), Poet. Lot. aev. Car.
ii. 138, and the carmen against the town of Aquilegia, ibid. p. 150.
2 Cf. ante, Vol. I., pp. 227, 228.
198 THE MEDIAEVAL MIND BOOK vi
to the Trinity, and bewail his piteous lot before the highest
pitying Godhead The verses have a lyric unity of mood,
and are touching with their sad refrain. Their rhyme, if not
quite pure, is abundant and catching, and their nearest
metrical affinity would be a trochaic dimeter.
" i. Ut quid tubes, pusiole,
quart mandas, filiole,
carmen dulce me cantare,
cum sim longe exul valde
intra mare ?
o cur tubes canere ?
2. Magis mihi, misenile,
flere Hbet, pnerule,
plus plorare quam cantare
carmen tale, rubes quale,
amor care,
o cor tubes canere ?
3. Mallem scias, pusiUule,
at velles tu, fratercule,
pio corde condolere
mihi atque prona mente
conlugere.
o cur tubes canere ?
4. Scis, divine tyruncule,
scis, superne clientule,
hie din me exulare,
rnulta die sive nocte
toJerare.
o cur rubes canere ?
5. Scis captive plebicule
Israhelt cognomine
praeceptum in Babilone
decantare extra longe
fines lude.
o cur iubes canere ?
6. Non potuerunt utique,
nee debuerunt itaque
carmen dulce corarn gente
aliene nostri terre
resonare.
o cur iubes canere ?
7. Sed quia vis omnimode,
segregie,
CHAP, xxxii MEDIAEVAL LATIN VERSE 199
canam patri filioque
simul atque procedente
ex utroque.
hoc cano ultronee.
8. Benedictus es, domine,
pater, nate, paraclite,
deus trine, deus une,
deus summe, deus pie,
deus iuste.
hoc cano spontanee.
9. Exul ego diuscule
hoc in mare sum, domine :
annos nempe duos fere
nosti fore, sed iam iamque
miserere,
hoc rogo humillime.
10. Interim cum pusione
psallam ore, psallam mente,
psallam voce (psallam corde ,
psallam die, psallam nocte
carmen dulce
tibi, rex piissime. " 1
Gottschalk (and for this it is hard to love him) was one
of the initiators of the leonine hexameter, in which a syllable
in the middle of the line rhymes with the last syllable.
" Septeno Augustas decimo praeeunte Kalendas "
is the opening hexameter in his Epistle to his friend
Ratramnus.2 To what horrid jingle such verses could attain
may be seen from some leonine hexameter-pentameters of
two or three hundred years later, on the Fall of Troy,
beginning :
" Viribus, arte, minis, Danaum clara Troja ruinis,
Annis bis quinis fit rogus atque cinis." *
1 Tranbe, Poetae Lot. acvi Car. iii. p. 731. Cf. Ebert, Gesch. etc. ii.
169 and 325.
2 Poet. Lai. aev. Car. iii. 733.
3 Da Meril, Pots us populairc; latines, L 400.
Perhaps the most successful attempt to write hexameters containing rhymes or
assonances is the twelfth-century poem of Bernard Morlanensis, a monk of Cluny,
beginning with the famous lines :
" Hora novissima, tempora pessima sunt, vigilemus.
Ecce minaciter imminet arbiter ille supremus."
Bernardi Morlanensis, De contemptu mundi, ed. by Thos. Wright, Master of
the Rolls Series, vol. 59 (ii.), 1872. Bernard says in his Preface, as to his
measures : "Id genus metri, turn dactylum continuum except is finalibus, torn
etiam sonoritatem leonicam serrans. .
200 THE MEDIAEVAL MIND BOOK vi
Hector and Troy, and the dire wiles of the Greeks never
left the mediaeval imagination. A poem of the early tenth
century, which bade the watchers on Modena's walls be
vigilant, draws its inspiration from that unfading memory,
and for us illustrates what iambics might become when
accent had replaced quantity. The lines throughout end in
a final rhyming a.
" O tu, qui servas armis ista moenia,
Noli donnire, moneo, sed vigila.
Dum Hector vigil extitit in Troia,
Non earn cepit fraudulenta Graecia." l
And from a scarcely later time, for it also is of the tenth
century, rise those verses to Roma, that old " Roma aurea et
eterna," and forever " caput mundi," sung by pilgrim bands as
their eyes caught the first gleam of tower, church, and ruin :
" O Roma nobilis, orbis et domina,
Cunctarum urbium excellentissima,
Roseo martyrum sanguine rubea,
Albis et virginum liliis Candida :
Salutem dicimus tibi per omnia,
Te benedicimus : salve per secula." 2
This verse, which still lifts the heart of whosoever hears
or reads it, may close our examples of mediaeval verses
descended from metrical forms. It will be noticed that
all of them are from the early mediaeval centuries ; a
circumstance which may be taken as a suggestion of the
fact that by far the greater part of the earlier accentual
Latin poetry was composed in forms in which accent simply
had displaced the antique quantity.
Ill
We turn to that other genesis of mediaeval Latin verse,
arising not out of antique forms, but rather from the
mediaeval need and faculty of song. In the chief instance
selected for illustration, this line of evolution took its
1 " Carmina Mutinensia," Poet. Lot. aev. Car. iii. 703. The poem has forty-
two lines, of which the above are the first four. The usual date assigned is 924,
but Traube in Poet. aev. Car. has put it back to 892.
8 See further text and discussion in Traube, "O Roma nobilis," Abhand.
Bairish. Akad. Pkilos., philol. Klasse, 1891.
CHAP, xxxn MEDIAEVAL LATIN VERSE 201
inception in the exigencies and inspiration of the Alleluia
chant or jubilation. During the celebration of the Mass, as the
Gradual ended in its last Alleluia, the choir continued chanting
the final syllable of that word in cadences of musical exultings.
The melody or cadence to which this final a of the Alleluia
was chanted, was called the sequentia. The words which
came to be substituted for its cadenced reiteration were
called the prosa. By the twelfth century the two terms
seem to have been used interchangeably. Thus arose the
prose Sequence, so plastic in its capability of being moulded
by melody to verse. Its songful qualities lay in the
sonorousness of the words and in their syllabic corre-
spondence with the notes of the melody to which they were
sung.1
In the year 860, Norsemen sacked the cloister ot
Jumieges in Normandy, and a fleeing brother carried his
precious Antiphonary far away to the safe retreat of St. Gall.
There a young monk named Notker, poring over its
contents, perceived that words had been written in the place
of the repetitions of the final a of the Alleluia. Taking the
cue, he set to work to compose more fitting words to
correspond with the notes to which this final a was sung.
So these lines of euphonious and fitting words appear to
have had their beginning in Notker's scanning of that
fugitive Antiphonary, and his devising labour. Their primary
purpose was a musical one ; for they were a device —
mnemotechnic, if one will — to facilitate the chanting of
cadences previously vocalized with difficulty through the
singing of one simple vowel sound. Notker showed his
work to his master, I so, who rejoiced at what his gifted
pupil had accomplished, and spurred him on by pointing
out that in his composition one syllable was still sometimes
repeated or drawn out through several successive notes.
One syllable to each note was the principle which Notker
now set himself to realize ; and he succeeded.
1 The verbal Sequence or prosa was thus a species or trope. Tropes were
interpolations or additions to the older text of the Liturgy. The Sequences were
the tropes appended to the last Alleluia of the Gradital, the psalm chanted in
the celebration of the Mass, between the reading of the Epistle and the Gospel.
Cf. Leon Gautier, Pohic liturgique an moyen dget chap. iii. (Paris, 1 886) ; ibid.
(Euvres pottiqucs d Adam de Saint Victor, p. 281 sqq, (3rd ed., Paris, 1894).
202 THE MEDIAEVAL MIND BOOK vi
He composed some fifty Sequences. In his work, as
well as in that of others after him, the device of words
began to modify and develop the melodies themselves
Sometimes Notker adapted his verbal compositions to those
cadences or melodies to which the Alleluia had long been
sung ; sometimes he composed both melody and words ; or,
again, he took a current melody, sacred or secular, to which
the Alleluia never had been sung, and composed words for
it, to be chanted as a Sequence. In these borrowed melodies,
as well as in those composed by Notker, the musical periods
were more developed than in the Alleluia cadences. Thus
the musical growth of the Sequences was promoted by
the use of sonorous words, while the improved melodies
in turn drew the words on to a more perfect rhythmic
ordering.
Notker died in 912. His Sequences were prose, yet
with a certain parallelism in their construction ; and, even
with Notker in his later years, the words began to take on
assonances, chiefly in the vowel sound of a. Thereafter the
melodies, seizing upon the words, as it were, by the principle
of their syllabic correspondence to the notation, moulded
them to rhythm of movement and regularity of line ;
while conversely with the better ordering of the words for
singing, the melodies in turn made gain and progress,
and then again reacted on the words, until after two
centuries there emerged the finished verses of an Adam of
St. Victor.
Thus these Sequences have become verse before our
eyes, and we realize that it is the very central current of
the evolution of mediaeval Latin poetry that we have been
following. How free and how spontaneous was this
evolution of the Sequence. It was the child of the Christian
Middle Ages, seeing the light in the closing years of the
ninth century, but requiring a long period of growth before it
reached the glory of its climacteric. It was born of musical
chanting, and it grew as song, never unsung or conceived of
as severable from its melody. Only as it attained its
perfected strophic forms, it necessarily made use of trochaic
and other rhythms which long before had changed from
quantity to accent and so had passed on into the verse-
CHAP, xxxn MEDIAEVAL LATIN VERSE 203
making habitudes of the Middle Ages.1 If there be any
Latin composition in virtue of origin and growth absolutely
un-antique, it is the mediaeval Sequence, which in its final
forms is so glorious a representative of the mediaeval Hymn.
And we shall also see that much popular Latin poetry,
" Carmina Burana " and student-songs, were composed in
verses and often sung to tunes taken — or parodied — from
the Sequence-hymns of the Liturgy.
There were many ways of chanting Sequences. The
musical phrases of the melodies usually were repeated once,
except at the beginning and the close ; and the Sequence
would be rendered by a double choir singing antiphonally.
Ordinarily the words responded to the repetition of the
musical phrases with a parallelism of their own. The lines
(after the first) varied in length by pairs, the second and
third lines having the same number of syllables, the fourth
and fifth likewise equal to each other, but differing in
length from the second and third ; and so on through the
Sequence, until the last line, which commonly stood alone
and differed in length from the preceding pairs. The
Sequence called " Nostra tuba " is a good example. Probably
it was composed by Notker, and in his later years ; for it is
filled with assonances, and exhibits a regular parallelism of
structure.
" Nostra tuba
Regatur fortissime Dei dextra et preces audiat
Aura placatissima et serena ; ita enim nostra
Laus erit accepta, voce si quod canimus, canat pariter et pura con-
scientia.
Et, ut haec possimus, omnes divina nobis semper flagitemus adesse
auxilia.
1 On the Sequence see Leon Gautier, Pohie liturgiqtte au moyen dge
(Paris, 1886), passim, and especially the comprehensive summary in the notes
from p. 154 to p. 159. Also see Schubiger, Die Sangerschule St. Callus (1858),
in which many of Notker's Sequences are given with the music ; also v. Winter-
feld, " Die Dichterschule St. Callus und Reichenau," Neve Jahrbiicher f. d,
klassisch. Altertum, Bd. v. (1900), p. 341 sqq.
The present writer has found Wilhelm Meyer's Fragnienta Burana (Berlin,
1901) most suggestive; and in all matters pertaining to mediaeval Latin verse-
forms, use has been made of the same writer's exhaustive study : " Ludus de
Antichristo und iiber lat. Rythmen," Sitzungsber. Bairisch. Akad. Philos., philoL
IClasse, 1882. See also Ch. Thurot, " Notices, etc., de divers MSS. latins pour
servir a 1'histoire des doctrines grammaticales au moyen age," in vol. xxii. (2) of
Notices et extraits des MSS. pp. 417-457.
204 THE MEDIAEVAL MIND BOOK vi
O bone Rex, pie, juste, misericors, qui es via et janua,
Portas regni, quaesumus, nobis reseres, dimittasque facinora
Ut laudemus nomen nunc tuum atque per cuncta saecula." l
Here, after the opening, the first pair has seventeen
syllables, and the next pair twenty-six. The last pair
quoted has twenty ; and the final line of seventeen syllables
has no fellow. A further rhythmical advance seems reached
by the following Sequence from the abbey of St. Martial at
Limoges. It may have been written in the eleventh century.
It is given here with the first and second line of the couplets
opposite to each other, as strophe and antistrophe ; and the
lines themselves are divided to show the assonances (or
rhymes) which appear to have corresponded with pauses in
the melody :
"(i) Canat omnis turba
(2a) Fonte renata (zb) Laude jucunda
Spiritusque gratia et mente perspicua
(3#) Jam restituta (3^) Sicque jactura
pars est decima coelestis ilia
fuerat quae culpa completur in laude
perdita. divina.
(40) Ecce praeclara (46) Enitet ampla
dies dominica per orbis spatia,
(50) Exsultat in qua (5^) Quia destructa
plebs omnis redempta, mors est perpetua." 2
A Sequence of the eleventh century will afford a final
illustration of approach to a regular strophic structure, and
of the use of the final one-syllable rhyme in a, throughout
the Sequence :
1 " May our trumpet be guided mightily by God's right hand, and may He hear
our prayers with gentle and tranquil ear : for our praise will be accepted if what
we sing with the voice a pure conscience sings likewise. And that we may be
able, let us all beseech divine aid to be always present with us. ... O good King,
kind, just, and pitying, who art the way and the door, unlock the gates of the
kingdom for us, we beg, and pardon our offences, that we may praise thy
name now and through all the ages."
2 G. M. Dreves, " Die Prosen der Abtei St. Martial zu Limoges," p. 59 (vol.
vii. of Dreves's Analecta hymnica medii aevi; Leipzig, 1889). "Let every
band sing with fount renewed and the Spirit's grace with joyful praise and clear
mind. Now is made good the tenth part (i.e. the fallen angels), undone by
fault ; and thus that celestial casting out is made good in divine praise. Lo !
the bright day of the Lord gleams through the broad spaces of the world : in
which all the redeemed people exult because everlasting death is destroyed."
CHAP, xxxii MEDIAEVAL LATIN VERSE 205
" Alleluia,
Turma, proclama leta ;
Laude canora,
Facta prome divina,
Jam instituta
Superna disciplina,
Christi sacra
Per magnalia
Es quia de morte liberata
Ut destructa
Inferni claustra
Januaque cell patefacta !
3
Jam nunc omnia
Celestia
Terrestria
Virtute gubernat eterna.
In quibus sua
Judicia
Semper equa
Dat auctoritate paterna/'
As the eleventh century closed and the great twelfth
century dawned, the forces of mediaeval growth quickened
to a mightier vitality, and distinctively mediaeval creations
appeared. Our eyes, of course, are fixed upon the northern
lands, where the Sequence grew from prose to verse, and
where derivative or analogous forms of popular poetry
developed also. Up to this time, throughout mediaeval
life and thought, progress had been somewhat uncrowned
with palpable achievement. Yet the first brilliant creations
of a master-workman are the fruit of his apprentice years,
during which his progress has been as real as when his
works begin to make it visible. So it was no sudden birth
1 Published by Boucherie, "Melanges Latins, etc.," Revue des langues
romanes, t. vii. (1875), p. 35.
" Alleluia ! O flock, proclaim joy ; with melodious praise utter deeds divine
now fixed by revealed doctrine. Through the great sacrifice of Christ thou art
liberated from death ; the gates of hell destroyed, opened are heaven's doors.
Now He rules all things celestial and terrestrial by eternal power ; wherein by
the Father's authority He gives judgment always just."
206 THE MEDIAEVAL MIND BOOK vi
of power, but rather faculties ripening through apprentice
centuries, which illumine the period opening about the year
noo. This period would carry no human teaching if
its accomplishment in institutions, in philosophy, in art
and poetry, had been a heaven -blown accident, and not the
fruit of antecedent discipline.
The poetic advance represented by the Sequences of
Adam of St. Victor may rouse our admiration for the poet's
genius, but should not blind our eyes to the continuity of
development leading to it Adam is the final artist and his
work a veritable creation ; yet his antecedents made part ot
his creative faculty. The elements of his verses and the
general idea and form of the sequence were given him ; — all
honour to the man's holy genius which made these into
poems. The elements referred to consisted in accentual
measures and in the two-syllabled Latin rhyme which
appears to have been finally achieved by the close of the
eleventh century.1 In using them Adam was no borrower,
but an artist who perforce worked in the medium of his art
Trochaic and iambic rhythms then constituted the chief
measures for accentual verse, as they had for centuries, and
do still. For, although accentual rhythms admit dactyls
and anapaests, these have not proved generally serviceable.
Likewise the inevitable progress of Latin verse had developed
assonances into rhymes ; and indeed into rhymes of two
syllables,y for Latin words lend themselves as readily to
rhymes of two syllables as English words to rhymes of one.
There existed also the idea and form of the Sequence,
consisting of pairs of lines which had reached assonance and
some degree of rhythm, and varied in length, pair by pair,
following the music of the melodies to which they were
sung. For the Sequence -melody did not keep to the same
recurring tune throughout, but varied from couplet to
couplet In consequence, a Sequence by Adam of St
Victor may contain a variety of verse-forms. Moreover, a
number of the Sequences of which he may have been the
author show survivals of the old rhythmical irregularities,
and of assonance as yet unsuperseded by pure rhyme.
1 See Gautier, Potsie liturgiqtu, p. 147 sqq. It came somewhat earlier in
Italy. See Ronca, Culture. mediocvaU, etc., p. 348 sqq. (Rome, 1892).
CHAP, xxxii MEDIAEVAL LATIN VERSE 207
Before giving examples of Adam's poems, a tribute
should be paid to his great forerunner in the art of Latin
verse. Adam doubtless was familiar with the hymns1 of
the most brilliant intellectual luminary of the departing
generation, one Peter Abaelard, whom he may have seen
in the flesh. Those once famous love-songs, written for
Helo'fse, perished (so far as we know) with the love they
sang. Another fate — and perhaps Abaelard wished it so —
was in store for the many hymns which he wrote for his
sisters in Christ, the abbess and her nuns. They still exist,2
and display a richness of verse-forms scarcely equalled even
by the Sequences of Adam. In the development of Latin
verse, Abaelard is Adam's immediate predecessor ; his verses
being, as it were, just one stage inferior to Adam's in
sonorousness of line, in certainty of rhythm, and in purity ol
rhyme.
The " prose " Sequences were not the direct antecedents
of Abaelard's hymns. Yet both sprang from the freely
devising spirit of melody and song ; and therefore those
hymns are of this free-born lineage more truly than they are
descendants of antique forms. To be sure, every possible
accentual rhythm, built as it must be of trochees, iambics,
anapaests, or dactyls, has unavoidably some antique
quantitative antecedent ; because the antique measures
exhausted the possibilities of syllabic combination. Yet
antecedence is not source, and most of Abaelard's verses by
their form and spirit proclaim their genesis in the creative
exigencies of song as loudly as they disavow any antique
parentage.
For example, there may be some far echo of metrical
asclepiads in the following accentual and rhyme-harnessed
twelve-syllable verse :
" Advenit veritas, umbra praeteriit,
Post noctem claritas diei subiit,
1 While Sequences may be called hymns, all hymns are not Sequences. For
the hymn is the general term designating a verbal composition sung in praise
of God or His saints. A Sequence then would be a hymn having a peculiar
history and a certain place in the Liturgy.
J Contained in Migne 178, col. 1771 sgg. They have not been properly
edited or even fully published.
208 THE MEDIAEVAL MIND BOOK vi
Ad ortum rutilant superni luminis
Legis mysteria plena caliginis."
But the echo if audible is faint, and surely no antique whisper
is heard in
" Est in Rama
Vox audita
Rachel flentis
Super natos
Interfectos
Ejulantis."
Nor in
" Golias prostratus est,
Resurrexit Dominus,
Ense jugulatus est
Hostis proprio ;
Cum suis submersus est
Ille Pharao."
The variety of Abaelard's verse seems endless. One or
two further examples may or may not suggest any ante-
cedents in those older forms of accentual verse which
followed the former metres :
" Ornarunt terram germina,
Nunc caelum luminaria.
Sole, luna, stellis depingitur,
Quorum multus usus cognoscitur."
In this verse the first two lines are accentual iambic
dimeters ; while the last two begin each with two trochees,
and close apparently with two dactyls. The last form of
line is kept throughout in the following :
" Gaude virgo virginum gloria,
Matrum decus et mater, jubila,
Quae commune sanctorum omnium
Meruisti conferre gaudium."
Next come some simple five-syllable lines, with a catch-
ing rhyme :
" Lignum amaras
Indulcat aquas
Eis immissum.
Omnes agones
Sunt sanctis dulces
Per crucifixum."
CHAP, xxxn MEDIAEVAL LATIN VERSE 209
In the following lines of ten syllables a dactyl appears
to follow a trochee twice in each line :
"Tuba Domini, Paule, maxima,
De caelestibus dans tonitrua,
Hostes dissipans, cives aggrega.
Doctor gentium es praecipuus,
Vas in poculum factus omnibus,
Sapientiae plenum haustibus."
These examples of Abaelard's rhythms may close with
the following curiously complicated verse :
" Tu quae carnem edomet
Abstinentiam,
Tu quae carnem decoret
Continentiam,
Tu velle quod bonum est his ingeris
Ac ipsum perficere tu tribuis.
Instrumenta
Sunt his tua
Per quos mira peragis,
Et humana
Moves corda
Signis et prodigiis."
In general, one observes in these verses that Abaelard
does not use a pure two-syllable rhyme. The rhyme is
always pure in the last syllable, and in the penult may
either exist as a pure rhyme or simply as an assonance, or
not at all.1
Probably Abaelard wrote his hymns in 1 1 30, perhaps
the very year when Adam as a youth entered the convent
of St. Victor, lying across the Seine from Paris. The latter
appears to have lived until 1192. Many Sequences have
been improperly ascribed to him, and among the doubtful ones
are a number having affinities with the older types. These
may be anterior to Adam ; for the greater part of his
unquestionable Sequences are perfected throughout in their
versification. Yet, on the other hand, one would expect
some progression in works composed in the course of a long
1 Reference should also be made to the six laments (planctus) composed
by Abaelard (Migne 178, col. 1817-1823). They are powerful elegies, and
exhibit a richness and variety of poetic measures. It may be mentioned that the
pure two-syllable rhyme is found in hymns ascribed to Saint Bernard.
VOL. II P
2io THE MEDIAEVAL MIND BOOK vi
life devoted to such composition — a life covering a period
when progressive changes were taking place in the world of
thought beyond St. Victor's walls. We take three examples
of these Sequences. The first contains occasional assonance
in place of rhyme, and uses many rhymes of one syllable.
It appears to be an older composition improperly ascribed
to Adam. The second is unquestionably his, in his most
perfect form ; the third may or may not be Adam's ; but is
given for its own sake as a lovely lyric.1
The first example, probably written not much later than
the year 1 1 oo, was designed for the Mass at the dedication
of a church. The variety in the succession of couplets and
strophes indicates a corresponding variation in the melody.
" Clara chorus dulce pangat voce nunc alleluia,
Ad aeterni regis laudem qui gubernat omnia !
2
Cui nos universalis social Ecclesia,
Scala nitens et pertingens ad poli fastigia ;
3
Ad honorem cujus laeta psallamus melodia,
Persolventes hodiernas laudes illi debitas.
4
O felix aula, quam vicissim
Confrequentant agmina coelica,
Divinis verbis alternatim
Jungentia mellea cantica !
5
Domus haec, de qua vetusta sonuit historia
Et moderna protestatur Christum fari pagina :
' Quoniam elegi earn thronum sine macula,
' Requies haec erit mea per aeterna saecula.
6
Turris supra montem sita,
Indissolubili bitumine fundata
Vallo perenni munita,
Atque aurea columna
1 Leon Gautier, the editor of the CEuvres poetiques d" Adam de Saint- Victor,
in his third edition of 1894, has thrown out from among Adam's poems our first
and third examples. On Adam see ante, Chapter XXIX., n.
CHAP, xxxn MEDIAEVAL LATIN VERSE 211
Miris ac variis lapidibus distincta,
Stylo subtili polita !
7
Ave, mater praeelecta,
Ad quam Christus fatur ita
Prophetae facundia :
' Sponsa mea speciosa,
' Inter filias formosa,
' Supra solem splendida !
' Caput tuum ut Carmelus
' Et ipsius comae tinctae regis uti purpura j
' Oculi ut columbarum,
' Genae tuae punicorum ceu malorum fragmina '
9
' Mel et lac sub lingua tua, favus stillans labia ;
4 Collum tuum ut columna, turris et eburnea ! :
Ergo nobis Sponsae tuae
Famulantibus, o Christe, pietate solita
Clemens adesse dignare
Et in tuo salutari nos ubique visita.
ii
Ipsaque mediatrice, summe rex, perpetue,
Voce pura
Flagitamus, da gaudere Paradisi gloria.
Alleluia ! " 1
The second example is Adam's famous Sequence for
St. Stephen's Day, which falls on the day after Christmas.
It is throughout sustained and perfect in versification, and
in substance a splendid hymn of praise.
" Heri mundus exultavit
Et exultans celebravit
Christi natalitia ;
Heri chorus angelorum
Prosecutus est coelorum
Regem cum laetitia.
1 Gautier, CEuvres pottiqties cCAdam cU Saint- Victor ; i. 174.
212 THE MEDIAEVAL MIND BOOK
Protomartyr et levita,
Clams fide, clarus vita,
Clarus et miraculis,
Sub hac luce triumphavit
Et triumphans insultavit
Stephanus incredulis.
3
Fremunt ergo tanquam ferae
Quia victi defecere
Lucis adversarii :
Falsos testes statuunt,
Et linguas exacuunt
Viperarum filii.
4
Agonista, nulli cede,
Certa certus de mercede,
Persevera, Stephane ;
Insta falsis testibus,
Confuta sermonibus
Synagogam Satanae.
5
Testis tuus est in coelis,
Testis verax et fidelis,
Testis innocentiae.
Nomen habes coronati :
Te tormenta decet pati
Pro corona gloriae.
Pro corona non marcenti
Perfer brevis vim tormenti
Te manet victoria.
Tibi fiet mors natalis,
Tibi poena terminalis
Dat vitae primordia.
Plenus Sancto Spiritu,
Penetrat intuitu
Stephanus coelestia.
Videns Dei gloriam,
Crescit ad victoriam,
Suspirat ad praemia.
CHAP. »xii MEDIAEVAL LATIN VERSE 213
En a dextris Dei stantem,
Jesum pro te dimicantem,
Stephane, considera :
Tibi coelos reserari,
Tibi Christum revelari,
Clama voce libera.
9
Se commendat Salvatori,
Pro quo dulce ducit mori
Sub ipsis lapidibus.
Saulus servat omnium
Vestes lapidantium,
Lapidans in omnibus.
ro
Ne peccatum statuatur
His a quibus lapidatur,
Genu ponit, et precatur,
Condolens insaniae.
In Christo sic obdormivit,
Qui Christo sic obedivit,
Et cum Christo semper vivit,
Martyrum primitiae."
. i
The last example, in honour of St. Nicholas's Day, is a
lovely poem by whomsoever written. Its verses are extremely
diversified. It begins with somewhat formal chanting of the
saint's virtues, in dignified couplets. Suddenly it changes to
a joyful lyric, and sings of a certain sweet sea-miracle wrought
by Nicholas. Then it spiritualizes the conception of his
saintly aid to meet the call of the sin-tossed soul. It closes
in stately manner in harmony with its liturgical function.
i
" Congaudentes exultemus vocali concordia
Ad beati Nicolai festiva solemnia !
Qui in cunis adhuc jacens servando jejunia
A papilla coepit summa promereri gaudia.
3
Adolescens amplexatur litterarum studia,
Alienus et immunis ab omni lascivia.
1 Gautier, o.f. 3rd edition, p. 87.
214 THE MEDIAEVAL MIND BOOK vi
4
Felix confessor, cujus fuit dignitatis vox de coelo nuntia !
Per quam provectus, praesulatus sublimatur ad summa fastigia.
5
Erat in ejus animo pietas eximia,
Et oppressis impendebat multa beneficia.
Auro per eum virginum tollitur infamia,
Atque patris earumdem levatur inopia.
7
Quidam nautae navigantes,
Et contra fluctuum saevitiam luctantes,
Navi pene dissoluta,
Jam de vita desperantes,
In tanto positi periculo, clamantes
Voce dicunt omnes una :
8
'O beate Nicolae,
Nos ad maris portum trahe
De mortis angustia.
Trahe nos ad portum maris,
Tu qui tot auxiliaris,
Pietatis gratia.'
9
Dum clamarent, nee incassum,
' Ecce ' quidam dicens, ' assum
Ad vestra praesidia.'
Statim aura datur grata
Et tempestas fit sedata :
Quieverunt maria.
Nos, qui sumus in hoc mundo,
Vitiorum in profundo
Jam passi naufragia,
Gloriose Nicolae
Ad salutis portum trahe,
Ubi pax et gloria.
I Ham nobis unctionem
Impetres ad Dominum,
Prece pia,
CHAP, xxxn MEDIAEVAL LATIN VERSE 215
Qua sanavit laesionem
Multorum peccaminum
In Maria.
12
Hujus festum celebrantes gaudeant per saecula,
Et coronet eos Christus post vitae curricula ! " l
The foregoing examples of religious poetry may be
supplemented by illustrations of the parallel evolution of
more profane if not more popular verse. Any priority in
time, as between the two, should lie with the former ; though
it may be the truer view to find a general synchronism in
the secular and religious phases of lyric growth. But
priority of originality and creativeness certainly belongs to
that line of lyric evolution which sprang from religious
sentiments and emotions. For the vagrant clerkly poet of
the Court, the roadside, and the inn, used the forms of verse
fashioned by the religious muse in the cloister and the school.
Thus the development of secular Latin verse presents a
derivative parallel to the essentially primary evolution of the
Sequence or the hymn.
It was in Germany that the composition of Sequences
was most zealously cultivated during the century following
Notker's death ; and it was in Germany that the Sequence,
in its earlier forms, exerted most palpable influence upon
popular songs.2 In these so-called Modi (Modus = song), as
in the Sequence, rhythmical compositions may be seen
progressing in the direction of regular rhythm, rhyme, and
strophic form. As in the Sequences, the tune moulded the
words, which in turn influenced the melody. The following
is from the Modus Ottinc, a popular song composed about
1 Gautier, o.c. 1st edition, i. 201.
2 Did the Sequence exert an influence upon Hrotsvitha, the tiresome but
unquestionably immortal nun of Gandersheim, who flourished in the middle and
latter part of the tenth century ? She wrote narrative poems, like the Gesta
Ottonis (Otto I. ) in leonine hexameters. Her pentameter lines also commonly
have a word in the middle rhyming with the last syllable of the line. But it is
in those famous pious plays of hers, formed after the models of Terence, that we
may look for a kind of writing corresponding to that which was to progress to
clearer form in the Sequence. Without discussing to what extent the Latin of
these plays may be called rhythmical, one or two things are clear. It is filled
with assonances and rude rhymes, usually of one syllable. It has no clear verse-
structure, and the utterances of the dramatis personae apparently observe no
regularity in the number of syllables, such as lines of verse require.
216 THE MEDIAEVAL MIND BOOK vi
the year 1000 in honour of a victory of Otto III. over the
Hungarians :
11 His incensi belia iremunt, arma poscunt, hostes vocant, signa secuntur,
tubis canunt.
Clamor passim oritur et milibus centum Theutones inmiscentur.
Pauci cedunt, plures cadunt, Francus instat, Parthus fugit ; vulgus
exangue undis obstat ;
Licus rubens sanguine Danubio cladem Parthicam ostendebat."
Another example is the Modus florum of approximately
the same period, a song about a king who promised his
daughter to whoever could tell such a lie as to force the
king to call him a liar. It opens as follows :
; " Mendosam quam cantilenam ago,
puerulis commendatam dabo,
quo modules per mendaces risum
auditoribus ingentem ferant.
Liberali s et decora
cuidam regi erat nata
quam sub lege hujusmodi
procis opponit quaerendam."
Here the rhyme still is rude and the rhythm irregular.
The following dirge, written thirty or forty years later on
the death of the German emperor, Henry II., shows
improvement :
" Lamentemur nostra, Socii, peccata,
amentemur et ploremus ! Quare tacemus ?
Pro iniquitate corruimus late ;
scimus coeli hinc oftensum regem immensum.
Heinnco requiem, rex Christe, dona perennem."2
We may pass on into the twelfth century, still following
the traces of that development of popular verse which
paralleled the evolution of the Sequence. We first note
1 For these and other songs, written after the manner of Sequences, see Du
Meril, Palsies pop. lot. i. p. 273 sqq. They are also printed by Piper in
Nathtrage zur dlteren deutschen Lit. (Deutsche Nat. Lit.) p. 206 sqq. and p. 234
sqq. See also W. Meyer, Fragmcnta JSurana, p. 1 74 sqq. and Ebert, Allgemeine
Gesch. etc. ii. 343 sqq.
8 Du Meril, ibid. i. p. 285.
CHAP, xxxn MEDIAEVAL LATIN VERSE 217
some catchy rhymes of a German student setting out for
Paris in quest of learning and intellectual novelty :
" Hospita in Gallia nunc me vocant studia.
Vadam ergo ; flens a tergo socios relinquo.
Plangite discipuli, lugubris discidii tempore propinquo.
Vale, dulcis patria, suavis Suevorum Suevia !
Salve dilecta Francia, philosophorum curia !
Suscipe discipulum in te peregrinum,
Quern post dierum circulum remittes Socratinum." l
This Suabian, singing his uncouth Latin rhymes, and
footing his way to Paris, suggests the common, delocalized
influences which were developing a mass of student-songs,
" Carmina Burana," or " Goliardic " poetry. The authors
belonged to that large and broad class of clerks made up of
any and all persons who knew Latin. The songs circulated
through western Europe, and their home was everywhere, if
not their origin. Some of them betray, as more of them do
not, the author's land and race. Frequently of diabolic
cleverness, gibing, amorous, convivial, they show the virtuosity
in rhyme of their many makers. Like the hymns and later
Sequences, they employed of necessity those accentual
measures which once had their quantitative prototypes in
antique metres. But, again like the hymns and Sequences,
they neither imitate nor borrow, but make use of trochaic,
iambic, or other rhythms as the natural and unavoidable
material of verse. Their strophes are new strophes, and not
imitations of anything in quantitative poetry. So these
songs were free-born, and their development was as in-
dependent of antique influence as the melodies which ever
moulded them to more perfect music. Many and divers
were their measures. But as that great strophe of Adam's
Heri mundus exultavit (the strophe of the Stabat Mater} was
of mightiest dominance among the hymns, so for these
student-songs there was also one measure that was chief. This
was the thirteen-syllable trochaic line, with its lilting change
of stress after the seventh syllable, and its pure two-syllable
rhyme. It is the line of the Confessio poetae, or Confessio
Goliae^ where nests that one mediaeval Latin verse which
everybody still knows by heart :
1 Wil. Meyer, Fragmenta Burana, p. 1 80.
218 THE MEDIAEVAL MIND BOOK vi
" Meum est prop>ositum in taberna mori,
Vinum sit appositum morientis ori,
Tune cantabunt laetius angelorum chori,
' Sit Deus propitius huic potatori.' "
It is also the line of the quite charming Phyllis and
Flora of the Carmina Burana :
" Erant ambae virgines et arnbae reginae,
Phyllis coma libera, Flora compto crine :
Non sunt formae virginum, sed formae divinae,
Et respondent facie luci matutinae." l
Another common measure is the twelve-syllable dactylic
line of the famous Apocalypsis Goliae Episcopi :
" Ipsam Pythagorae formam aspicio,
Inscriptam artium schemate vario.
An extra corpus sit haec revelatio,
Utrum in corpore, Deus scit, nescio.
In fronte micuit ars astrologica :
Dentium seriem regit grammatica ;
In lingua pulcrius vernat rhetorica,
Concussis aestuat in labiis logica."
An example of the not infrequent eight-syllable line is
afforded by that tremendous satire against papal Rome,
beginning :
" Propter Sion non tacebo,
Sed ruinam Romae flebo,
Quousque justitia
Rursus nobis oriatur,
Et ut lampas accendatur
Justus in ecclesia."
Here the last line of the verse has but seven syllables,
as is the case in the following verse of four lines :
"Vinum bonum et suave,
Bonis bonum, pravis prave,
Cunctis dulcis sapor, ave,
Mundana laetitia ! "
But the eight-syllable lines may be kept throughout, as
in the following lament over life's lovely, pernicious charm,
so touching in its expression of the mortal heartbreak of
mediaeval monasticism :
1 The best text of the " Phillidis et Florae altercatio " is Haureau's in
Notices et exfratts, 32 (i), p. 259 sqq. The same article has some other disputes
or causae, e.g. causa pauperis scholaris cum presbytero, p. 289.
CHAP, xxxn MEDIAEVAL LATIN VERSE 219
" Heu ! Heu ! mundi vita,
Quare me delectas ita ?
Cum non possis mecum stare,
Quid me cogis te amare ?
Vita mundi, res morbosa,
Magis fragilis quam rosa,
Cum sis tola lacrymosa,
Cur es mihi graciosa ? " 1
IV
Our consideration of the different styles of mediaeval
Latin prose and the many novel forms of mediaeval Latin
verse has shown how radical was the departure of the one
and the other from Cicero and Virgil. Through such
changes Latin continued to prove itself a living language.
Yet its vitality was doomed to wane before the rivalry of
the vernacular tongues. The vivida vis, the capability of
growth, had well-nigh passed from Latin when Petrarch
was born. In endeavouring to maintain its supremacy as a
literary vehicle he was to hold a losing brief, nor did he
strengthen his cause by attempting to resuscitate a classic
style of prose and metre. The victory of the vernacular
was announced in Dante's De vulgari eloquentia and
demonstrated beyond dispute in his Divina Commedia.
A long and for the most part peaceful and unconscious
conflict had led up to the victory of what might have been
deemed the baser side. For Latin was the sole mediaeval
literature that was born in the purple, with its stately lineage
of the patristic and the classical back of it. Latin was
the language of the Roman world and the vehicle of Latin
Christianity. It was the language of the Church and its
clergy, and the language of all educated people. Naturally
1 Du Meril, Poesies pop. lat. ii. p. 108 sqq. The piece is a cento, and its tone
changes and becomes brutal further on. The poems, from which are taken the
preceding citations, are to be found in Wright's Latin Poems commonly attributed
to Walter Mapes (London, 1841, Camden Society) ; Carmina Burana, ed. J. A.
Schmeller ; "Gedichte auf K. Friedrich I. (archipoeta)," in vol. iii. of Grimm's
Kleinere Schriften. Cf. also Hubatsch, Die lateinischen Vagantcnlieder (Gorlitz,
1870). The best texts of many of these and other " Carmina Burana," and such
like poems, are to be found in the contributions of Haur&iu to the Notices et
extraits, etc. ; especially in tome 29 (2), pp. 231-368 ; tome 31 (I), p. 51 sqq.
220 THE MEDIAEVAL MIND BOOK vi
the entire contents of existing and progressive Christian and
antique culture were contained in the mediaeval Latin
literature, the literature of religion and of law and govern-
ment, of education and of all serious knowledge. It was to
be the primary literature of mediaeval thought ; from which
passed over the chief part of whatever thought and
knowledge the vernacular literatures were to receive. For
scholars who follow, as we have tried to, the intellectual and
the deeper emotional life of the Middle Ages, the Latin
literature yields the incomparably greater part of the
material of our study. It has been our home country, from
which we have made casual excursions into the vernacular
literatures.
These existed, however, from the earliest mediaeval
periods, beginning, if one may say so, in oral rather than
written documents. We read that Charlemagne caused a
book to be made of Germanic poems, which till then
presumably had been carried in men's memories. The
Hildebrandslied is supposed to have been one of them.1 In
the Norse lands, the Eddas and the matter of the Sagas
were repeated from generation to generation, long before
they were written down. The habit, if not the art, of
writing came with Christianity and the Latin education
accompanying it. Gradually a written literature in the
Teutonic languages was accumulated. Of this there was
the heathen side, well represented in Anglo-Saxon and the
Norse ; while in Old High German the Hildebrandslied
remains, heathen and savage. Thereafter, a popular and
even national or rather racial poetry continued, developed,
and grew large, notwithstanding the spread of Latin
Christianity through Teutonic lands. Of this the
Niebelungenlied and the Gudrun are great examples. But
individual still famous poets, who felt and thought as
Germans, were also composing sturdily in their vernacular
— a lack of education possibly causing them to dictate
(dictieren, dichteri) rather than to write. Of these the
greatest were Wolfram von Eschenbach and Walther von
der Vogelweide. With them and after them, or following
upon the Niebelungenlied, came a mass of secular poetry,
1 Ante, Vol. I., p. 145.
CHAP, xxxn MEDIAEVAL LATIN VERSE 221
some of which was popular and national, reflecting Germanic
story, while some of it was courtly, transcribing the courtly
poetry which by the twelfth century flourished in Old
French.
Thus bourgeoned the secular branches of German
literature. On the other hand, from the time of Christianity's
introduction, the Germans felt the need to have the new
religion presented to them in their own tongues. The
labour of translation begins with Ulfilas, and is continued
with conscientious renderings of Scripture and Latin
educational treatises, and also with such epic paraphrase
as the Heliand and the more elegiac poems of the Anglo-
Saxon Cynewulf.1 Also, at least in Germany, there comes
into existence a full religious literature, not stoled or mitred,
but popular, non-academic, and non-liturgical ; of which
quantities remain in the Middle High German of the
thirteenth and fourteenth centuries.2
Obviously the Romance vernacular literatures had a
different commencement. The languages were Latin,
simply Latin, in their inception, and never ceased to be
legitimate continuations and developments of the popular
or Vulgar Latin of the Roman Empire. But as the speech
of children, women, and unlettered people, they were not
thought of as literary media. All who could write under-
stood perfectly the better Latin from which these popular
dialects were slowly differentiating themselves. And as
they progressed to languages, still their life and progress
lay among peoples whose ancestral tongue was the proper
Latin, which all educated men and women still understood
and used in the serious business of life.
But sooner or later men will talk and sing and think
and compose in the speech which is closest to them. The
Romance tongues became literary through this human need
of natural expression. There always had been songs in the
old Vulgar Latin ; and such did not cease as it gradually
became what one may call Romance. Moreover, the clergy
might be impelled to use the popular speech in preaching to
1 Ante, Chapter IX., M. and in.
2 For generous samples of it, see Geistliche Lit. des Mittelalttrs, ed. P. Piper
(Deutsche National Literatur).
222 THE MEDIAEVAL MIND BOOK vi
the laity, or some unlearned person might compose religious
verses. Almost the oldest monument of Old French is
the hymn in honour of Ste. Eulalie. Then as civilization
advanced from the tenth to the twelfth century, in southern
and northern France for example, and the langue (foe and
the langue doil became independent and developed languages,
unlearned men, or men with unlearned audiences, would
unavoidably set themselves to composing poetry in these
tongues. In the North the chansons de geste came into
existence ; in the South the knightly Troubadours made
love-lyrics. Somehow, these poems were written down, and
there was literature for men's eyes as well as for men's ears.
In the twelfth century and the thirteenth, the audiences
for Romance poetry, especially through the regions of
southern and northern France, increased and became
diversified. They were made up of all classes, save the
brute serf, and of both sexes. The chansons de geste met
the taste of the feudal barons ; the Arthurian Cycle charmed
the feudal dames; the coarse fabliaux pleased the bourgeoisie;
and chansons of all kinds might be found diverting by various
people. If the religious side was less strongly represented,
it was because the closeness of the language to the clerkly
and liturgical Latin left no such need of translations as was
felt from the beginning among peoples of Germanic speech.
Still the Gospels, especially the apocryphal, were put into
Old French, and miracles de Notre Dame without number ;
also legends of the saints, and devout tales of many kinds.
The accentual verses of the Romance tongues had their
source in the popular accentual Latin verse of the later
Roman period. Their development was not unrelated to
the Latin accentual verse which was superseding metrical
composition in the centuries extending, one may say, from
the fifth to the eleventh. Divergences between the Latin
and Romance verse would be caused by the linguistic
evolution through which the Romance tongues were becoming
independent languages. Nor was this divergence uninfluenced
by the fact that Romance poetry was popular and usually
concerned with topics of this life, while Latin poetry in the
most striking lines of its evolution was liturgical ; and even
when secular in topic tended to become learned, since it was
CHAP, xxxii MEDIAEVAL LATIN VERSE 223
the product of the academically educated classes. Much of
the vernacular (Romance as well as Germanic) poetry in the
Middle Ages was composed by unlearned men who had at
most but a speaking acquaintance with Latin, and knew
little of the antique literature. This was true, generally, of
the Troubadours of Provence, of the authors of the Old
French chansons de geste> and of such a courtly poet as
Chretien de Troies ; true likewise of the great German
Minnesingers, epic poets rather, Gottfried von Strassburg,
Wolfram von Eschenbach, and Walther von der Vogelweide.
On the other hand, vernacular poetry might be written
by highly learned men, of whom the towering though late
example would be Dante Alighieri. An instance somewhat
nearer to us at present is Jean Clopinel or de Meun, the
author of the second part of the Roman de la rose. His
extraordinary Voltairean production embodies all the learning
of the time ; and its scholar-author was a man of genius, who
incorporated his learning and the fruit thereof very organically
in his poem.
But here, at the close of our consideration of the
mediaeval appreciation of the Classics, and the relations
between the Classics and mediaeval Latin literature, we are
not occupied with the very loose and general question of the
amount of classical learning to be found in the vernacular
literatures of western Europe. That was a casual matter
depending on the education and learning, or lack thereof, of
the author of the given piece. But it may be profitable to
glance at the passing over of antique themes of story into
mediaeval vernacular literature, and the manner of their
refashioning. This is a huge subject, but we shall not go
into it deeply, or pursue the various antique themes through
their endless propagations.
Antique stories aroused and pointed the mediaeval
imagination ; they made part of the never-absent antique
influence which helped to bring the mediaeval peoples on
and evoke in them an articulate power to fashion and create
all kinds of mediaeval things. But with antique story as
with other antique material, the Middle Ages had to turn it
over and absorb it, and also had to become themselves with
power, before they could refashion the antique theme or
224 THE MEDIAEVAL MIND BOOK vi
create along its lines. All this had taken place by the
middle of the twelfth century. As to choice of matter,
twelfth-century refashioners would either select an antique
theme suited to their handling, or extract what appealed to
them from some classic story. In the one case as in the
other they might recast, enlarge, or invent as their faculties
permitted.
Mediaeval taste took naturally to the degenerate pro-
ductions of the late antique or transition centuries. The
Greek novels seem to have been unknown, except the
Apollonius of Tyre.1 But the congenially preposterous story
of Alexander by the Pseudo-Callisthenes was available in a
sixth-century Latin version, and was made much of. Equally
popular was the debasement and intentional distortion of the
Tale of Troy in the work of " Dares " and " Dictys " ; other
tales were aptly presented in Ovid's Metamorphoses ; and
the stories of Hero and Leander, of Pyramus and Thisbe, of
Narcissus, Orpheus, Cadmus, Daedalus, were widely known
and often told in the Middle Ages.
The mediaeval writers made as if they believed these
tales. At least they accepted them as they would have
their own audiences accept their recasting, with little reflec-
tion as to whether truth or fable. But was the work of
the refashioners conscious fiction ? Scarcely, when it simply
recast the old story in mediaevalizing paraphrase ; but when
the poet went on and wove out of ten lines a thousand, he
must have known himself devising.
The mediaeval treatment of classic themes of history and
epic poetry shows how the Middle Ages refashioned and
reinspired after their own image whatever they took from
the antique. If it was partly their fault, it was also their
unavoidable misfortune that they received these great themes
in the literary distortions of the transition centuries. Doubt-
less they preferred encyclopaedic dulness to epic unity ;
1 For this novel, a Greek original is usually assumed ; but the Middle Ages
had it only in a sixth-century Latin version. It was copied inJourdaindeBlaie,
a chanson de geste. See Hagen, Der Roman von Konig Apollonius in seinen
vcrschiedenen Bearbeitungen (Berlin, 1878). The other Greek novels doubtless
would have been as popular had the Middle Ages known them. In fact, the
Ethiopica of Heliodorus, and others of these novels, did become popular enough
through translations in the sixteenth century.
CHAP, xxxii MEDIAEVAL LATIN VERSE 225
they loved fantasy rather than history, and of course de-
lighted in the preposterous, as they found it in the Latin
version of the Life and Deeds of Alexander. As for the
Tale of Troy, the real Homer never reached them : and
perhaps mediaeval peoples who were pleased, like Virgil's
Romans, to draw their origins from Trojan heroes, would
have rejected Homer's story just as " Dares " and " Dictys,"
whoever they were, did.1 The true mediaeval rifacimenti,
to wit, the retellings of these tales in the vernacular, mirror
the mediaeval mind, the mediaeval character, and the whole
panorama of mediaeval life and fantasy.
The chief epic themes drawn from the antique were the
Tales of Troy and Thebes and the story of Aeneas. In
verse and prose they were retold in the vernacular literatures
and also in mediaeval Latin.2 We shall, however, limit our
view to the primary Old French versions, which formed the
basis of compositions in German, Italian, English, as well as
French. They were composed between 1150 and 1170 by
Norman- French trouveres. The names of the authors of
the Roman de Thebes and the Eneas are unknown ; the
Roman de Troie was written by Benoit de St. More.
These poems present a universal substitution of mediaeval
manners and sentiment. For instance, one observes that
the epic participation of the pagan gods is minimized, and
in the Roman de Troie even discarded ; necromancy, on the
1 Hugo of St. Victor says in the twelfth century : " Apud gentiles primus
Darhes Phrygius Trojanam historian) edidit, quam in foliis palmarum ab eo
scriptam esse ferunt " (Erud. didas. iii. cap. 3 ; Migne 176, col. 767).
On the Trojan origin of the Franks, Britons, and other peoples, see Joly in
his " Benoit de St. More et le Roman de Troie," pp. 606-635 (Mem, de la Soc. des
Antiquaires de Normandie, vol. vii. 3me sen, 1869) ; also Graf, Roma nella
memoria, etc., del media aevo. The Trojan origin of the Franks was a common-
place in the early Middle Ages, see e.g. Aimoinus of Fleury in beginning of
his Historia Francorum, Migne 139, col. 637.
On Dares the Phrygian and Dictys the Cretan see " Dares and Dictys," N. El.
Griffin (Johns Hopkins Studies, Baltimore, 1907) ; Taylor, Classical Heritage^
pp. 40 and 360 (authorities) ; also, generally, L. Constans, " L'Epope'e antique,"
in Petit de Julleville's Histoire de la langne et de la littfrature francaise, vol. u
(Paris, 1896).
a Joseph of Exeter or de Iscano, as he is called, at the close of the twelfth*
century composed a Latin poem in six books of hexameters entitled De bello
Trojano. It is one of the best mediaeval productions in that metre. The
author followed Dares, but his diction shows a study of Virgil, Ovid, Statius, and
Claudian. See J. J. Jusserand, De Josepho Exoniensi vel Iscano (Paris, 1877);
A. Sarradin, De Josepho Iscano, Belli Trojani, etc. (Versailles, 1878).
VOL. II O
226 THE MEDIAEVAL MIND BOOK vi
other hand, abounds. A more interesting change is the
transformation of the love episode. That had become an
epic adjunct in Alexandrian Greek literature as early as the
third century before Christ. It existed in the antique
sources of all these mediaeval poems. Nevertheless the
romantic narratives of courtly love in the latter are mediaeval
creations.
The Eneas relates the love of Lavinia for the hero, most
correctly reciprocated by him. The account of it fills four-
teen hundred lines, and has no precedent in Virgil's poem,
which in other respects is followed closely. Lavinia sees
Aeneas from her tower, and at once understands a previous
discourse of her mother on the subject of love. She utters
love's plaints, and then faints because Aeneas does not seem
to notice her. After which she passes a sleepless night.
The next morning she tells her mother, who is furious, since
she favours Turnus as a suitor. The girl falls senseless, but
coming to herself when alone, she recalls love's stratagems,
and attaches a letter to an arrow which is shot so as to fall
at Aeneas's feet. Aeneas reads the letter, and turns and
salutes the fair one furtively, that his followers may not see.
Then he enters his tent and falls so sick with love that he
takes to his bed. The next day Lavinia watches for him,
and thinks him false, till at last, pale and feeble, he appears,
and her heart acquits him ; amorous glances now fly back
and forth between them.1
To have this jaded jilt grow sick with love is a little too
much for us, and Aeneas is absurd ; but the universal human
touches us quite otherwise in the sweet changing heart of
Briseida in the Roman de Troie. There is no ground for
denying to Benoit of St. More his meed of fame for creating
this charming person and starting her upon her career.
Following " Dares," Benoit calls her Briseida ; but she
becomes the Griseis of Boccaccio's Filostrato ; and what
good man does not sigh and love her under the name of
Cressid in Chaucer's poem, though he may deplore her
somewhat brazen heartlessness in Shakespeare's play.
It is not given to all men, or women, in presence or
absence, in life and death, to love once and forever. One has
1 Eneas, ed. by Salverda de Grave (Halle, 1891), lines 7857-9262.
CHAP, xxxn MEDIAEVAL LATIN VERSE 227
the stable heart, another's fancy is quickly turned. Sometimes,
of course, our moral sledge-hammers should be brought to
bear ; but a little hopeless smile may be juster, as we sigh
" she (it is more often " he ") couldn't help it." Such was
Briseida, the sweet, loving, helpless — coquette ? jilt ? flirt ?
these words are all too belittling to tell her truly. Benoit
knew better. He took her dry-as-dust characterization from
" Dares " ; he gave it life, and then let his fair creature do
just the things she might, without ceasing to be she.
The abject " Dares " (Benoit may have had a better
story under that name) in his catalogue of characters has
this : " Briseidam formosam, alta statura, candidam, capillo
flavo et molli, superciliis junctis, oculis venustis, corpore
aequali, blandam, affabilem, verecundam, animo simplici [O
ye gods !], piam." He makes no other mention of this tall,
graceful girl, with her lovely eyes and eyebrows meeting
above, her modest, pleasant mien, and simple soul ; for
simple she was, and therein lies the direst bit of truth about
her. For it is simple and uncomplex to take the colour of
new scenes and faces, and of new proffered love when the
old is far away.
Now see what Benoit does with this dust : Briseida is
the daughter of Calchas, a Trojan seer who had passed over
to the Greeks, warned by Apollo. He is in the Grecian
host, but his daughter is in Troy. Benoit says, she was
engaging, lovelier and fairer than the fleur de Us — though
her eyebrows grew rather too close together. " Beaux yeux "
she had, " de grande maniere," and charming was her talk, and
faultless her breeding as her dress. Much was she loved
and much she loved, although her heart changed ; and she
was very loving, simple, and kind :
" Molt fu amee et molt ameit,
Mes sis corages li changeit ;
Et si esteit molt amorose,
Simple et almosniere et pitose." 1
Calchas wants his daughter, and Priam decides to send
1 Roman de Trote, 5257-5270, ed. Joly ; " Benoit de St. More et le Roman
de Troie, etc.," Mem. de la Soc. des Antiquaires de Normandie, vol. vii. 3me ser.,
1869. On its sources see also L. Constans, in Petit de Julleville's Hist, de la
lang ue et de la Hit. fran$ aise, vol. i. pp. 188-220.
228 THE MEDIAEVAL MIND BOOK vi
her. There is truce between the armies. Troilus, Troy's
glorious young knight, matchless in beauty, in arms second
only to his brother Hector, is beside himself. He loves
Briseida, and she him. What tears and protestations, and
what vows ! But the girl must go to her father.
On the morrow the young dame has other cares — to see
to the packing of her lovely dresses and put on the loveliest
of them ; over all she threw a mantle inwoven with the
flowers of Paradise. The Trojan ladies add their tears to
the damsel's ; for she is ready to die of grief at leaving her
lover. Benoit assures us that she will not weep long ; it is
not woman's way, he continues somewhat mediaevally.
The brilliant cortege is met by one still more distinguished
from the Grecian host. Troilus must turn back, and the
lady passes to the escort of Diomede. She was young ; he
was impetuous ; he looks once, and then greets her with a
torrential declaration of love. He never loved before ! ! He
is hers, body and soul and high emprize. Briseida speaks
him fair :
" At this time it would be wrong for me to say a word of love.
You would deem me light indeed ! Why, I hardly know you ! and
girls so often are deceived by men. What you have said cannot
move a heart grieving, like mine, to lose my — friend, and others
whom I may never see again. For one of my station to speak to
you of love ! I have no mind for that. Yet you seem of such rank
and prowess that no girl under heaven ought to refuse you. It is
only that I have no heart to give. If I had, surely I could hold
none dearer than you. But I have neither the thought nor^ power,
and may God never give it to me ! " l
One need not tell the flash of joy that then was
Diomede's, nor the many troubles that were to be his before
at last Briseida finds that her heart has indeed turned to this
new lover, always at hand, courting danger for her sake, and
at last wounded almost to death by Troilus's spear. The end
of the story is assured in her first discreetly halting words.
Enough has been said to show how far Benoit was from
Omers qui fu clers merveillos, and what a story in some
thirty thousand lines he has made of the dry data of " Dares "
and " Dictys." His Briseida, with her changing heart, was to
1 Roman de Troie, 13235 sqq.
CHAP, xxxn MEDIAEVAL LATIN VERSE 229
rival steadier -minded but not more lovable women of
mediaeval fiction — Iseult or Guinevere. And although the
far-off echo of Briseid's name comes from the ancient cen-
turies, none the less she is as entirely a mediaeval creation
as Lancelot's or Tristram's queen. Thus the Middle Ages
took the antique narrative, and created for themselves within
the altered lines of the old tale.1
The transformation of themes of epic story in vernacular
mediaeval versions is paralleled by mediaeval refashionings
of historical subjects which had been fictionized before the
antique period closed. A chief example is the romance of
Alexander the Great. The antique source was the con-
queror's Life and Deeds, written by one who took the
name of Alexander's physician, Callisthenes. The author
was some Egyptian Greek of the first century after Christ.
His work is preposterous from the beginning to the end, and
presents a succession of impossible marvels performed by
the somewhat indistinguishable heroes of the story. Its
qualities were reflected in the Latin versions, which in turn
were drawn upon by the Old French rhyming romancers.
1 The Roman de Thebes, the third of these large poems, is temperate in the
adaptation and extension of its theme. Its ten thousand or more lines of eight-
syllable rhyming verse are no longer than the Thebaid of Statius, and as a narra-
tive make quite as interesting reading. Statius, who lived under Domitian,
was a poet of considerable skill, but with no genius for the construction of an
epic. His work reads well in patches, but does not move. Several books are
taken up with getting the Argive army in motion, and when the reader and
Jove himself are wearied, it moves on — to the next halt. And so forth through
the whole twelve books. See Nisard, j?tudes surles poetes latins de la decadence,
vol. i. p. 261 sqq. (2nd ed., Paris, 1849) ; Pichon, Hist, de la litt. lat. p. 606
(2nd ed., Paris, 1898). The Roman de Thebes was not drawn directly from the
work of Statius, but through the channels, apparently, of intervening prose
compendia. It also evidently drew from other works, as it contains matters not
found in Statius's Thebaid. It is easy, if not inspiring reading. The style is
clear, and the narrative moves. Of course it presents a general mediaevalizing of
the manners of Statius's somewhat fustian antique heroes ; it introduces courtly
love (e.g. the love between Parthonopeus and Antigone, lines 3793 sqq.\ mediaeval
commonplaces, and feudal customs. It drops the antique conception of accursed
fate as a fundamental motive of the plot, substituting in its place the varied play
of romantic and chivalric sentiment.
Leopold Constans has made the Roman de Thebes his own. Having followed
the story of Oedipus through the Middle Ages in his Ltgende cTCEtiipe, etc. (Paris,
1881) he has corrected some of his views in his critical edition of the poem, " Le
Roman de Thebes," 2 vols., 1890 (Soc. des anciens textes franfais), and has
treated the same matters more popularly in Petit de Julleville's Hist, de la languc et
de la litt. francaise, vol. i. pp. 170-188. These works fully discuss the sources, date,
and language of the poem, and the later redactions in prose and verse through
Europe.
230 THE MEDIAEVAL MIND BOOK vi
The latter mediaevalized and feudalized the tale. Nor were
they halted by any absurdity, or conscious of the character-
lessness of the puppets of the tale.1
Further to pursue the fortunes of antique themes in
mediaeval literature would lead us beyond bounds. Yet
mention should be made of the handling of minor narratives,
as the Metamorphoses of Ovid. They were very popular,
and from the twelfth century on, paraphrases or refashionings
were made of many of them. These added to the old tale
the interesting mediaeval element of the moral or didactic
allegory. The most prodigious instance of this moralizing
of Ovid was the work of Chretien L£gouais, a French
Franciscan who wrote at the beginning of the fourteenth
century. In some seventy thousand lines he presented the
stories of the Metamorphoses, the allegories which he
discovered in them, and the moral teaching of the same.2
Equally interesting was the application of allegory to
Ovid's Ars amatoria. The first translators treated this
frivolous production as an authoritative treatise upon the art
of winning love. So it was perhaps, only Ovid was amusing
himself by making a parable of his youthful diversions.
Mediaeval imitators changed the habits of the gilded youth
of Rome to suit the society of their time. But they did
more, being votaries of courtly love. Such love in the
Middle Ages had its laws which were prone to deduce their
lineage from Ovid's verses. But its uplifted spirit revelled
in symbolism ; and tended to change to spiritual allegory
whatever authority it imagined itself based upon, even though
the authority were a book as dissolute, when seriously
considered, as the Ars amatoria. It is strange to think of
this poem as the very far off street-walking prototype of De
Lorris's Roman de la rose.
1 On Pseudo - Callisthenes see Paul Meyer, Alexandre le Grand dans la
literature franfaise du moyen dge (Paris, 1 886) ; Taylor, Classical Heritage, etc.,
pp. 38 and 360. In the last quarter of the twelfth century Walter of Lille, called
also Walter of Chatillon, wrote his Alexandreis in ten books of easy-flowing
hexameters. It is printed in Migne, Pat. Lat. 209, col. 463-572. Cf. ante,
page 192. His work shows that a mediaeval scholar- poet could reproduce
a historical theme quite soberly. His poem was read by other bookmen ;
but the Alexander of the Middle Ages remained the Alexander of the fabulous
vernacular versions.
2 See Gaston Paris, " Chretien Le"gouais et autres imitateurs d'Ovide," Hist,
lift, de la France, t. xxix., pp. 455-525.
CHAPTER XXXIII
MEDIAEVAL APPROPRIATION OF THE ROMAN LAW
I. THE FONTES JURIS CIVILIS.
II. ROMAN AND BARBARIAN CODIFICATION.
III. THE MEDIAEVAL APPROPRIATION.
IV. CHURCH LAW.
V. POLITICAL THEORIZING.
CLASSICAL studies, and the gradual development of mediaeval
prose and verse, discussed in the preceding chapters, illustrate
modes of mediaeval progress. But of all examples of
mediaeval intellectual growth through the appropriation of
the antique, none is more completely illuminating than the
mediaeval use of Roman law. As with patristic theology
and antique philosophy, the Roman law was crudely taken
and then painfully learned, till in the end, vitally and broadly
mastered, it became even a means and mode of mediaeval
thinking. Its mediaeval appropriation illustrates the legal
capacity of the Middle Ages and their concern with law both
as a practical business and an intellectual interest.
I
Primitive law is practical ; it develops through the
adjustment of social exigencies. Gradually, however, in an
intelligent community which is progressing under favouring
influences, some definite consciousness of legal propriety,
utility, or justice, makes itself articulate in statements of
general principles of legal right and in a steady endeavour
to adjust legal relationships and adjudicate actual con-
troversies in accordance. This endeavour to formulate just
231
THE MEDIAEVAL MIND BOOK vi
and useful principles, and decide novel questions in accordance
with them, and enunciate new rules in harmony with the
body of the existing law, is jurisprudence, which thus works
always for concord, co-ordination, and system.
There was a jurisprudential element in the early law of
Rome. The Twelve Tables are trenchant announcements
of rules of procedure and substantial law. They have the
form of the general imperative : " Thus let it be ; If one
summons [another] to court, let him go; As a man shall
have appointed by his Will, so let it be ; When one makes a
bond or purchase,1 as the tongue shall have pronounced it, so
let it be." These statements of legal rules are far from
primitive ; they are elastic, inclusive, and suited to form the
foundation of a large and free legal development And the
consistency with which the law of debt was carried out to
its furthest cruel conclusion, the permitted division of the
body of the defaulting debtor among several creditors,2 gave
earnest of the logic which was to shape the Roman law in
its humaner periods. Moreover, there is jurisprudence in
the arrangement of the Laws of the Twelve Tables. Never-
theless the jurisprudential element is still but inchoate.
The Romans were endowed with a genius for law.
Under the later Republic and the Empire, the minds of
their jurists were trained and broadened by Greek philosophy
and the study of the laws of Mediterranean peoples ; Rome
was becoming the commercial as well as social and political
centre of the world. From this happy combination of causes
resulted the most comprehensive body of law and the noblest
jurisprudence ever evolved by a people. The great juris-
consults of the Empire, working upon the prior labours of
long lines of older praetors and jurists, perfected a body of
law of well-nigh universal applicability, and throughout
logically consistent with general principles of law and equity,
recognized as fundamental. These were in part suggested
by Greek philosophy, especially by Stoicism as adapted to
the Roman temperament. They represented the best ethics,
1 The words " nexum mandphimqne " are more formal and special than the
English given above.
* The early law had as yet devised no execution against the debtor's
property.
CHAP, xxxin ROMAN AND CANON LAW 233
the best justice of the time. As principles of law, however,
they would have hung in the air, had not the practical as
well as theorizing genius of the jurisconsults been equal to
the task of embodying them in legal propositions, and apply-
ing the latter to the decision of cases. Thus was evolved
a body of practical rules of law, controlled, co-ordinated,
and, as one may say, universalized through the constant
logical employment of sound principles of legal justice.1
The Roman law, broadly taken, was heterogeneous in
origin, and complex in its modes of growth. The great
jurisconsults of the Empire recognized its diversity of source,
and distinguished its various characteristics accordingly.
They assumed (and this was a pure assumption) that every
civilized people lived under two kinds of law, the one its
own, springing from some recognized law-making source
within the community ; the other the jus gentium, or the
law inculcated among all peoples by natural reason or
common needs.
The supposed origin of the jus gentium was not simple.
Back in the time of the Republic it had become necessary
to recognize a law for the many strangers in Rome, who were
not entitled to the protection of Rome's jus civile. The
edict of the praetor Peregrinus covered their substantial
rights, and sanctioned simple modes of sale and lease which
did not observe the forms prescribed by the jus civile. So
this edict became the chief source of \ht jus gentium so-called,
to wit, of those liberal rules of law which ignored the
peculiar formalities of the stricter law of Rome. Probably
foreign laws, that is to say, the commercial customs of the
Mediterranean world, were in fact recognized ; and their
study led to a perception of elements common to the laws
of many peoples. At all events, in course of time the jus
gentium came to be regarded as consisting of universal rules
of law which all peoples might naturally follow.
1 The jurisconsults whose opinions were authoritative flourished in the second
and third centuries. The great five were Gaius, Julian, Papinian, Ulpian,
Paulus. Inasmuch as these jurisconsults of the Empire were members of the
Imperial (or, later, Praetorian) Auditory, they were judges in a court of last
resort, and their "responsa" were decisions of actual cases. They subsequently
" digested " them in their books. See Munroe Smith, " Problems of Roman Legal
History," Columbia Law Review, 1904, p. 538.
234 THE MEDIAEVAL MIND BOOK vi
The recognition of these simple modes of contracting
obligations, and perhaps the knowledge that certain rules of
law obtained among many peoples, fostered the concep-
tion of common or natural justice, which human reason
was supposed to inculcate everywhere. Such a concep-
tion could not fail to spring up in the minds of Roman
jurists who were educated in Stoical philosophy, the ethics
of which had much to say of a common human nature.
Indeed the idea naturalis ratio was in the air, and the
thought of common elements of law and justice which
naturalis ratio inter omnes homines constituit, lay so close at
hand that it were perhaps a mistake to try to trace it to
any single source. Practically the jus gentium became
identical with jus naturale, which Ulpian imagined as taught
by nature to all animals ; the jus gentium, however, belonged
to men alone.1
Thus rules which were conceived as those of the jus
gentium came to represent the principles of rational law, and
impressed themselves upon the development of the jus civile.
They informed the whole growth and application of Roman
law with a breadth of legal reason. And conceptions of a
jus naturale and a jus gentium became cognate legal fictions,
by the aid of which praetor and jurisconsult might justify
the validity of informal modes of contract. In their appli-
cation, judge and jurist learned how and when to disregard
the formal requirements of the older and stricter Roman law,
and found a way to the recognition of what was just and
convenient. These fictions agreed with the supposed nature
and demands of aequitas, which is the principle of progressive
and discriminating legal justice. Law itself (Jus) was iden-
1 Dig. i. I ("De Just, et jure") I. See Savigny, System deshcutigen romischen
Rechts, i. p. 109 sqq. Apparently some of the jurists (e.g. Gaius, Ins. i. i) draw
no substantial distinctions between they«j naturale and the/wj gentium. Others
seem to distinguish. With the latter, jus naturale might represent natural or
instinctive principles of justice common to all men, and jus gentium, the laws
and customs which experience had led men to adopt. For instance, libertas is
jure naturali, while dominatio or servitus is introduced ex gentium jure (Dig.
i. 5, 4 ; Dig. xii. 6, 64). Jus gentium represented common expediency, but its
institutions (e.g. servitus) might or might not accord with natural justice. For
manumissio as well as servitus was ex jure gentium (Dig. i. I, 4), and so were
common modes and principles of contract. Ulpian's notion of the jus naturale
as pertaining to all animals, and jus gentium as belonging to men alone, was but
a catching classification, and did not represent any commonly followed distinction.
CHAP, xxxm ROMAN AND CANON LAW 235
tical with aequitas conceived (after Celsus's famous phrase)
as the ars boni et aequi.
The Roman law proper, the jus civile, had multifarious
sources. First the leges, enacted by the people ; then the
plebiscita, sanctioned by the Plebs ; the senatus consulta,
passed by the Senate ; the constitutiones and rescripta *
principum, ordained by the Emperor. Excepting the
rescripta, these (to cover them with a modern expression)
were statutory. They were laws announced at a specific
time to meet some definite exigency. Under the Empire, the
constitutiones prindpum became the most important, and
then practically the only kind of legal enactment.
Two or three other sources of Roman law remain for
mention : first, the edicta of those judicial magistrates,
especially the praetors, who had the authority to issue them.
In his edict the praetor announced what he held to be the
law and how he would apply it. The edict of each successive
praetor was a renewal and expansion or modification of
that of his predecessor. Papinian calls this source of law
the "jus praetorium, which the praetors have introduced to
aid, supplement, or correct the jus civile for the sake of
public utility."
Next, the responsa or auctoritas jurisprudentium, by
which were intended the judicial decisions and the authority
of the legal writings of the famous jurisconsults. Imperial
rescripts recognized these responsa as authoritative for the
Roman courts ; and some of the emperors embodied
portions of them in formally promulgated collections,
thereby giving them the force of law. Justinian's Digest
is the great example of this method of codification.2 One
need scarcely add that the authoritative writings and
responsa of the jurisconsults extended and applied the jus
gentium, that is to say, the rules and principles of the best-
considered jurisprudence, freed so far as might be from
1 Constitutio is the more general term, embracing whatever the emperor
announces in writing as a law. The term rescript properly applies to the
emperor's written answers to questions addressed to him by magistrates, and to
the decisions of his Auditory rendered in his name.
2 For this whole matter, see vol. i. of Savigny's System des heutigen
romischen Rechts ; Gaius, Institutes, the opening paragraphs ; and the first two
chapters of the first Book of Justinian's Digest,
236 THE MEDIAEVAL MIND BOOK vi
the formal peculiarities of the jus civile strictly speaking.
And the same was true of the praetorian edict. The
Roman law also gave legal effect to inveterata consuetude,
the law which is sanctioned by custom : " for since the
laws bind us because established by the decision of the
people, those unwritten customs which the people have
approved are binding." *
Simply naming the sources of Roman law indicates the
ways in which it grew, and the part taken by the juris-
consults in its development as a universal and elastic
system. It was due to their labours that legal principles
were logically carried out through the mass of enactments
arid decisions ; that is, it was due to their large considera-
tion of the body of existing law, that each novel decision —
each case of first impression — should be a true legal
deduction, and not a solecism ; and that even the new
enactments should not create discordant law. And it was
due to their labours that as rules of law were called forth,
they were stated clearly and in terms of well-nigh universal
applicability.
The Laws of the Twelve Tables showed the action of
legal intelligence and the result of much experience. They
sanctioned a large contractual freedom, if within strict
forms ; they stated broadly the right of testamentary
disposition. Many of their provisions, which commonly
were but authoritative recognitions, were expressions of
basic legal principles, the application of which might be
extended to meet the needs of advancing civic life. And
through the enlargement of this fundamental collection of
law, or deviating from it in accordance with principles which
it implicitly embodied, the jurists of the Republic and the
first centuries of the Empire formed and developed a body
of private and public law from which the jurisprudence of
Europe and America has never even sought to free itself.
Roman jurisprudence was finally incorporated in
Justinian's Digest, which opens with a statement of the
most general principles, even those which would have
hung in the air but for the Roman genius of logical and
practical application to the concrete instance. " Jus est ars
1 Dig. i. 3, 32.
CHAP, xxxin ROMAN AND CANON LAW 237
boni et aequi " — it is better to leave these words untranslated,
such is the wealth of significance and connotation which
they have acquired. " Justitia est constans et perpetua
voluntas jus suum cuique tribuendi. Juris praecepta sunt
haec : honeste vivere, alterum non laedere, suum cuique
tribuere. Jurisprudentia est divinarum atque humanarum
rerum notitia, justi atque injusti scientia."
The first pregnant phrase is from the older jurist
Celsus ; the longer passage is by the later Ulpian, and
may be taken as an expansion of the first Both the one
and the other expressed the most advanced and philosophic
ethics of the ancient world. They are both in the first
chapter of the Digest, wherein they become enactments.
An extract from Paulus follows : ''''Jus has different mean-
ings ; that which is always aequum ac bonum is called jus,
to wit, the jus naturale : jus also means the jus civile, that
which is expedient (utile) for all or most in any state.
And in our state we have also the praetorian jus'' This
passage indicates the course of the development of the
Roman law : the fundamental and ceaselessly growing core
of specifically Roman law, the jus civile ; its continual
equitable application and enlargement, which was the
praetor's contribution ; and the constant application of the
aequum ac bonum, observed perhaps in legal rules common
to many peoples, but more surely existing in the high
reasoning of jurists instructed in the best ethics and
philosophy of the ancient world, and learned and practised
in the law.
Now notice some of the still general, but distinctly
legal, rather than ethical, rules collected in the Digest :
The laws cannot provide specifically for every case that
may arise ; but when their intent is plain, he who is
adjudicating a cause should proceed ad similia, and thus
declare the law in the case.1 Here is stated the general
and important formative principle, that new cases should
be decided consistently and eleganter, which means logically
and in accordance with established rules. Yet legal
solecisms will exist, perhaps in a statute or in some rule
of law evoked by a special exigency. Their application
1 Dig. i. 3, 10, and 12.
238 THE MEDIAEVAL MIND BOOK vi
is not to be extended. For them the rule is : " What has
been accepted contra rationem juris, is not to be drawn out
(producendum} to its consequences," l or again : " What was
introduced not by principle, but at first through error, does
not obtain in like cases." 2
These are true principles making for the consistent
development of a body of law. Observe the scope and
penetration of some other general rules : " Nuptias non
concubitus, sed consensus facit." * This goes to the legal
root of the whole conception of matrimony, and is still the
recognized starting-point of all law upon that subject.
Again : " An agreement to perform what is impossible will
not sustain a suit." 4 This is still everywhere a fundamental
principle of the law of contracts. Again : " No one can
transfer to another a greater right than he would have
himself,"5 another principle of fundamental validity, but,
of course, like all rules of law subject in its application to
the qualifying operation of other legal rules.
Roman jurisprudence recognized the danger of definition :
" Omnis definitio in jure civili periculosa est." e Yet it could
formulate admirable ones ; for example : " Inheritance is
succession to the sum total (universum jus} of the rights of
the deceased." 7 This definition excels in the completeness
of its legal view of the matter, and is not injured by the
obvious omission to exclude those personal privileges and
rights of the deceased which terminate upon his death.
Thus we note the sources and constructive principles
of the Roman law. We observe that while certain of the
former might be called " statutory," the chief means and
method of development was the declarative edict of the
praetor and the trained labour of the jurisconsults. In
these appears the consummate genius of Roman juris-
prudence, a jurisprudence matchless in its rational conception
of principles of justice which were rooted in a philosophic
consideration of human life ; matchless also in its carrying
through of such principles into the body of the law and
the decision of every case.
1 Dig. i. 3, 14. 2 Ibid. 39. 3 Dig. 1. 17, 30.
4 Dig. 1. 17, 31. 5 Ibid. 54. 6 Ibid. 202.
7 Dig. 1. 1 6, 24; Ibid. 17, 62.
CHAP, xxxni ROMAN AND CANON LAW 239
II
The Roman law was the creation of the genius of
Rome and also the product of the complex civilization of
which Rome was the kinetic centre. As the Roman power
crumbled, Teutonic invaders established kingdoms within
territories formerly subject to Rome and to her law — a
law, however, which commonly had been modified to suit
the peoples of the provinces. Those territories retained
their population of provincials. The invaders, Burgundians,
Visigoths, and Franks, planting themselves in the different
parts of Gaul, brought their own law, under which they
continued to live, but which they did not force upon the
provincial population. On the contrary, Burgundian and
Visigothic kings promulgated codes of Roman law for the
latter. And these represent the forms in which the Roman
law first passed over into modes of acceptance and applica-
tion no longer fully Roman, but partly Teutonic and
incipiently mediaeval. They exemplify, moreover, the fact,
so many aspects of which have been already noticed, of
transitional and partly barbarized communities drawing
from a greater past according to their simpler needs.
One may say that these codes carried on processes of
decline from the full creative genius of Roman jurisprudence,
which had irrevocably set in under the Empire in the
fourth and fifth centuries. The decline lay in a weakening
of the intellectual power devoted to the law and its
development. The living growth of the praetorian edict
had long since come to an end ; and now a waning juris-
prudential intelligence first ceased to advance the develop-
ment of law, and then failed to save from desuetude the
achieved jurisprudence of the past. So the jurisprudential
and juridical elements (jus) fell away from the law, and
the imperial constitutions (leges} remained the sole legal
vehicle and means of amendment. The need of codification
was felt, and that preserving and eliminating process was
entered upon.
Roman codification never became a reformulation. The
Roman Codex was a collection of existing constitutions. A
240 THE MEDIAEVAL MIND BOOK vi
certain jurist (" Gregorianus ") made an orderly and compre-
hensive collection of such as early as the close of Diocletian's
reign ; it was supplemented by the work of another jurist
(" Hermogenianus ") in the time of Constantine. Each com-
pilation was the work of a private person, who, without
authority to restate, could but compile the imperial con-
stitutions. The same method was adopted by the later
codifications, which were made and promulgated under
imperial decree. There were two which were to be of
supreme importance for the legal future of western Europe,
the Theodosian Code and the legislation of Justinian. The
former was promulgated in 438 by Theodosius II. and
Valentinianus. The emperors formally announce that " in
imitation (ad similitudinem) of the Code of Gregorianus and
Hermogenianus we have decreed that all the Constitutions
should be collected " which have been promulgated by
Constantine and his successors, including ourselves.1 So
the Theodosian Code contains many laws of the emperors
who decreed it.2 It was thus a compilation of imperial
constitutions already in existence, or decreed from year to
year while the codification was in process (429-438).
Every constitution is given in the words of its original
announcement, and with the name of the emperor.
Evidently this code was not a revision of the law.
The codification of Justinian began with the promulga-
tion of the Codex in 529. That was intended to be a com-
pilation of the constitutions contained in the previous codes
and still in force, as well as those which had been decreed
since the time of Theodosius. The compilers received
authority to omit, abbreviate, and supplement. The Codex
was revised and promulgated anew in 534. The constitu-
tions which were decreed during the remainder of Justinian's
long reign were collected after his death and published as
Novellae. So far there was nothing radically novel. But,
under Justinian, life and art seemed to have revived in the
East ; and Tribonian, with the others who assisted in these
labours, had larger views of legal reform and jurisprudential
1 Cod. Theod. (ed. by Mommsen and Meyer) i. I, 5.
2 With the Theodosian Code the word lex, leges, begins to be used for the
constitutiones or other decrees of a sovereign.
CHAP, xxxm ROMAN AND CANON LAW 241
conservation than the men who worked for Theodosius.
Justinian and his coadjutors had also serious plans for
improving the teaching of the law, in the furtherance of
which the famous little book of Institutes was composed
after the model, and to some extent in the words, of the
Institutes of Gaius. It was published in 533.
The great labour, however, which Justinian and his
lawyers were as by Providence inspired to achieve was the
encyclopaedic codification of the jurisprudential law. Part
of the emperor's high-sounding command runs thus :
"We therefore command you to read and sift out from the
books pertaining to the jus Romanum composed by the ancient
learned jurists (antiqui prudentes\ to whom the most sacred
emperors granted authority to indite and interpret the laws, so
that the material may all be taken from these writers, and incon-
gruity avoided — for others have written books which have been
neither used nor recognized. When by the favour of the Deity this
material shall have been collected, it should be reared with toil
most beautiful, and consecrated as the own and most holy temple
of justice, and the whole law (totum jus) should be arranged in
fifty books under specific titles." l
The language of the ancient jurists was to be preserved
even critically, that is to say, the compilers were directed
to emend apparent errors and restore what seemed " verum
et optimum et quasi ab initio scriptum." It was not the
least of the providential mercies connected with the compila-
tion of this great body of jurisprudential law, that Justinian
and his commission did not abandon the phrasing of the old
jurisconsults, and restate their opinions in such language as
we have a sample of in the constitution from which the
above extract is taken. This jurisprudential part of
Justinian's Codification was named the Digest or Pandects?
Inasmuch as Justinian's brief reconquest of western
portions of the Roman Empire did not extend north of the
Alps, his codification was not promulgated in Gaul or
1 From the constitution directing the compilation of the Digest, usually
cited as Deo auctore,
2 The original plan of Theodosius embraced the project of a Codex of the
jurisprudential law. See his constitution of the year 429 in Theod. C. i. i, 5.
Had this been carried out, as it was not, Justinian's Digest would have had a
forerunner.
VOL. II R
242 THE MEDIAEVAL MIND BOOK vi
Germany. Even in Italy his legislation did not maintain
itself in general dominance, especially in the north where
the Lombard law narrowed its application. Moreover,
throughout the peninsula, the Pandects quickly became as if
they were not, and fell into desuetude, if that can be said of
a work which had not come into use. This body of juris-
prudential law was beyond the legal sense of those monarchi-
cally-minded and barbarizing centuries, which knew law only
as the command of a royal lawgiver. The Codex and the
Novellae were of this nature. They, and not the Digest,
represent the influence upon Italy of Justinian's legislation
until the renewed interest in jurisprudence brought the
Pandects to the front at the close of the eleventh century.
But Codex and Novellae were too bulky for a period that
needed to have its intellectual labours made easy. From
the first, the Novellae were chiefly known and used in the
condensed form given them in the excellent Epitome of
Jutianus, apparently a Byzantine of the last part of Justinian's
reign.1 The cutting down and epitomizing of the Codex
is more obscure ; probably it began at once ; the incomplete
or condensed forms were those in common use.2
It is, however, with the Theodosian Code and certain
survivals of the works of the great jurists that we have
immediately to do. For these were the sources of the
•codes enacted by Gothic and Burgundian kings for their
Roman or Gallo-Roman subjects. Apparently the earliest
of them was prepared soon after the year 502, at the com-
mand of Gondebaud, King of the Burgundians. This, which
later was dubbed the Papianus* was the work of a skilled
Roman lawyer, and seems quite as much a text-book as a
code. It set forth the law of the topics important for the
Roman provincials living in the Burgundian kingdom, not
merely making extracts from its sources, but stating their
contents and referring to them as authorities. These sources
1 Juliani epitome Latino. Novellarum Justiniani, ed. by G. Haenel (Leipzig,
1873)-
2 Conrat, Ges. der Qitellen und Lit. des rbm. Rechts, pp. 48-59, and 161
sqq, ; Mommsen, Zeitschrift fur Rechtsges. 21 (1900), Roman. Abteilung, pp.
I50-I55-
3 Ed. by Bluhme, Man. Germ, leges, iii. 579-630. Cf. Tardif, Sources du
droit franfats, 124-128. A code of Burgundian law had already been made.
CHAP, xxxni ROMAN AND CANON LAW 243
were substantially the same as those used by the Visigothic
Breviarium, which was soon to supersede the Papianus even
in Burgundy.
Breviarium was the popular name of the code enacted by
the Visigothic king Alaric II. about the year 506 for his
provinciates in the south of Gaul.1 It preserved the integrity
of its sources, giving the texts in the same order, and with
the same rubrics, as in the original. The principal source
was the Theodosian Code ; next in importance the collections
of Novellae of Theodosius and succeeding emperors : a few
texts were taken from the Codes of " Gregorianus " and
" Hermogenianus." These parts of the Breviarium consisted
of leges, that is, of constitutions of the emperors. Two
sources of quite a different character were also drawn upon.
One was the Institutes of Gaius, or rather an old epitome
which had been made from it. The other was the Sententiae
of Paulus, the famous " Five Books of Sentences ad filium"
This work of elementary jurisprudence deserved its great
repute ; yet its use in the Breviarium may have been due to
the special sanction which had been given it in one of the
constitutions of the Theodosian Code, also taken over into
the Breviarium : " Pauli quoque sententias semper valere
praecipimus." * The same constitution confirmed the Insti-
tutes of Gaius, among other great jurisconsults. Presum-
ably these two works were the most commonly known as
well as the clearest and best of elementary jurisprudential
compositions.
An interesting feature of the Breviarium, and destined
to be of great importance, was the Interpretatio accompany-
ing all its texts, except those drawn from the epitome of
Gaius. This was not the work of Alaric's compilers,
but probably represents the approved exposition of the
leges, with the exposition of the already archaic Sentences
of Paulus, current in the law schools of southern Gaul in
the fifth century. The Interpretatio thus taken into the
Breviarium had, like the texts, the force of royal law, and
soon was to surpass them in practice by reason of its
1 Edited by Haenel, with the epitomes of it in parallel columns, under the
name of Lex Romano. Visigothorum (Leipzig, 1849). See Tardif, o.c. 129-143.
8 Cod. Theod. i. 4, 3 ; Brev. i. 4, I.
244 THE MEDIAEVAL MIND BOOK vi
perspicuity and modernity. Many manuscripts contain only
the Interpretatio and omit the texts.
The Breviarium became the source of Roman law,
mdeed the Roman law par excellence, for the Merovingian
and then the Carolingian realm, outside of Italy. It was
soon subjected to the epitomizing process, and its epitomes
exist, dating from the eighth to the tenth century : they
reduced it in bulk, and did away with the practical incon-
venience of lex and interpretatio. Further, the Breviarium^
and even the epitomes, were glossed with numerous marginal
or interlinear notes made by transcribers or students. These
range from definitions of words, sometimes taken from
Isidore's Etymologiae, to brief explanations of difficulties in
the text1 In like manner in Italy, the Codex and Novellae
of Justinian were, as has been said, reduced to epitomes,
and also equipped with glosses.
These barbaric codes of Roman law mark the passage
of Roman law into incipiently mediaeval stages. On the
other hand, certain Latin codes of barbarian law present the
laws of the Teutons touched with Roman conceptions, and
likewise becoming inchoately mediaeval.
Freedom, the efficient freedom of the individual, belongs
to civilization rather than to barbarism. The actual as well
as imaginary perils surrounding the lives of men who do not
dwell in a safe society, entail a state of close mutual
dependence rather than of liberty. Law in a civilized
community has the twofold purpose of preserving the
freedom of the individual and of maintaining peace. With
each advance in human progress, the latter purpose, at least
in the field of private civil law, recedes a little farther, while
1 On these epitomes and glosses see Conrat, Ges. der Quellen, etc., pp.
222-252. Mention should be made of the Edict of Theodoric the Ostrogoth, a
piece of legislation contemporary with the Breviarium and the Papianus. In
pursuance of Theodoric's policy of amalgamating Goths and Romans, ihe Edict
was made for both (Barbari Romanique). Its sources were substantially the
same as those of the Breviarium, except that Gaius was not used. The sources
are not given verbatim, but their contents are restated, often quite bunglingly.
Naturally a Teutonic influence runs through this short and incomplete code,
which contains more criminal than private law. No further reference need be
made to it because its influence practically ceased with the reconquest of Italy
by Justinian. It is edited by Bluhme, in Mon. Ger. leges, v. 145-169. See
as to it, Savigny, Geschichte des rom. Rechts, ii. 172-181 ; Salvioli, Storia del
diritto italiano, 3rd ed., pp. 45-47.
CHAP, xxxin ROMAN AND CANON LAW 245
the importance of private law, as compared with penal law,
constantly increases.
The law of uncivilized peoples lacks the first of these
purposes. Its sole conscious object is to maintain, or at
least provide a method of maintaining peace ; it is scarcely
aware that in maintaining peace it is enhancing the freedom
of every individual.
The distinct and conscious purpose of early Teutonic
law was to promote peace within the tribe, or among the
members of a warband. Thus was law regarded by the
people — as a means of peace. Its communication or
ordainment might be ascribed to a God or a divine King.
But in reality its chief source lay in slowly growing regula-
tive custom.1 The force of law, or more technically speaking
the legal sanction, lay in the power of the tribe to uphold
its realized purpose as a tribe ; for the power to maintain
its solidarity and organization was the final test of its law-
upholding strength.
Primarily the old Teutonic law looked to the tribe and
its sub-units, and scarcely regarded the special claims of an
individual, or noticed mitigating or aggravating elements
in his culpability — answerability rather. It prescribed for
his peace and protection as a member of a family, or as
one included within the bands of Sippe (blood relationship) ;
or as one of a warband or a chiefs close follower, one of
his comitatus. On the other hand, the law was stiff, narrow,
and ungeneralized in its recognized rules. The first Latin
codifications of Teutonic law are not to be compared for
breadth and elasticity of statement to the Law of the Twelve
Tables. And their substance was more primitive.2
The earliest of these first codifications was the Lex
Salica, codified under Clovis near the year 500. Unquestion-
ably, contact with Roman institutions suggested the idea,
even as the Latin language was the vehicle, of this code.
Otherwise the Lex Salica is un-Christian and un-Roman,
although probably it was put together after Clevis's baptism.
It was not a comprehensive codification, and omitted much
1 Cf. Brunner, Deutsche Rechtsgeschichte, \. p. 109 sqq,
2 For the characteristics and elements of early Teutonic law see Brunner,
Deutsche Rechtsgeschichte, Bd. i.
246 THE MEDIAEVAL MIND BOOK vi
that was common knowledge at the time ; which now
makes it somewhat enigmatical. One finds in it lists of
thefts of every sort of object that might be stolen, and of
the various injuries to the person that might be done, and
the sum of money to be paid in each case as atonement or
compensation. Such schedules did not set light store on
life and property. On the contrary, they were earnestly
intended as the most available protection of elemental
human rights, and as the best method of peaceful redress.
The sums awarded as Wergeld were large, and were reckoned
according to the slain man's rank. By committing a
homicide, a man might ruin himself and even his blood
relatives (Sippe), and of course on failure to atone might
incur servitude or death or outlawry.
The Salic law is scarcely touched by the law of Rome.
From this piece of intact Teutonism the codes of other
Teuton peoples shade off into bodies of law partially
Romanized, that is, affected by the provincialized Roman
law current in the locality where the Teutonic tribe found
a home. The codes of the Burgundians and the Visigoths
in southern France are examples of this Teutonic-Romanesque
commingling. On the other hand, the Lombard codes,
though later in time, held themselves even harshly Teutonic,
as opposed to any influence from the law of the conquered
Italian population, for whom the Lombards had less regard
than Burgundians and Visigoths had for their subject pro-
vincials. Moreover, as the Prankish realm extended its
power over other Gallo-Teuton states, the various Teuton
laws modified each other and tended toward uniformity.
Naturally the law of the Franks, first the Salic and then the
partly derivative Ribuarian code, exerted a dominating
influence.1
These Teuton peoples regarded law as pertaining to
the tribe. There was little conscious intention on their part
of forcing their laws on the conquered. When the Visigoths
established their kingdom in southern France they had no
idea of changing the law of the Gallo-Roman provincials
living within the Visigothic rule ; and shortly afterwards,
•when the Franks extended their power over the still Roman
1 See Brunner, Deutsche Recktsgeschichte, \. p. 254 sqq., and 338-340.
CHAP, xxxin ROMAN AND CANON LAW 247
parts of Gaul, and then over Alemanni, Burgundians, and
Visigoths, they likewise had no thought of forcing their
laws either upon Gallo-Romans or upon the Teuton people
previously dominant within a given territory. This remained
true even of the later Prankish period, when the Carolingians
conquered the Lombard kingdom in upper Italy.
Indeed, to all these Teutons and to the Roman pro-
vincials as well, it seemed as a matter of course that tribal
or local laws should be permitted to endure among the
peoples they belonged to. These assumptions and the
conditions of the growing Prankish Empire evoked, as it
were, a more acute mobilization of the principle that to
each people belonged its law. For provincials and Teuton
peoples were mingling throughout the Prankish realm, and
the first obvious solution of the legal problems arising was
to hold that provincials and Teutons everywhere should
remain amenable and entitled to their own law, which was
assumed to attend them as a personal appurtenance. Of
course this solution became intolerable as tribal blood and
delimitations were obscured, and men moved about through
the territories of one great realm. Archbishop Agobard of
Lyons remarks that one might see five men sitting together,
each amenable to a different law.1 The escape from this
legal confusion was to revert to the idea of law and custom
as applying to every one within a given territory. The
personal principle gradually gave way to this conception in
the course of the ninth, tenth, and eleventh centuries.2 In
the meanwhile during the Merovingian, and more potently
in the Carolingian period, king's law, as distinguished from
people's law, had been an influence making for legal uni-
formity throughout that wide conglomerate empire which
acknowledged the authority of the Prankish king or
emperor. The king's law might emanate from the delegated
authority, and arise from the practices, of royal functionaries ;
1 " Adversus Gunclobadi legem," c. 4 (Man. Germ, leges, Hi. 504). As to
Agobard see ante. Vol. I. p. 232.
3 The matter is suggested here only in its general aspects. The details
present every kind of complication (for some purposes to-day a court will apply
the law of the litigant's domicile). The professio (frofessus sum or professa sum),
by which a man or woman formally declares by what law he or she lives,
remained common in Italy for five centuries after Pippin's conquest, and indicates
the legal situation there, especially of the Teutonic newcomers.
248 THE MEDIAEVAL MIND BOOK vi
it was most formally promulgated in Capitularies, which with
Charlemagne reach such volume and importance. Some of
these royal ordinances related to a town or district only.
Others were for the realm, and the latter not only were
instances of law applying universally, but also tended to
promote, or suggest, the harmonizing of laws which they did
not modify directly.
Ill
The Roman law always existed in the Middle Ages.
Provincialized and changed, it was interwoven in the law
and custom of the land of the langue cCoc and even in the
customary law of the lands where the langue (foil was
spoken. Through the same territory it existed also in the
Breviarium and its epitomes. There was very little of it
in England, and scarcely a trace in the Germany east of the
Rhine. In Italy it was applied when not superseded by the
Lombard codes, and was drawn from works based on the
Codex and Novels of Justinian. But the jurisprudential
law contained in Justinian's Digest was as well forgotten in
Italy as in any land north of the Alps, where the Codifica-
tion of Justinian had never been promulgated. The extent
to which the classic forms of Roman law were known or
unknown, unforgotten or forgotten, was no accident as of
codices or other writings lost accidentally. It hung upon
larger conditions — whether society had reached that stage
of civilized exigency demanding the application of an
advanced commercial law, and whether there were men
capable of understanding and applying it This need and
the capacity to understand would be closely joined.1
The history of the knowledge and understanding of
Roman law in the Middle Ages might be resolved into a
consideration of the sources drawn upon, and the extent and
manner of their use, from century to century. In the fifth
century, when the Theodosian Code was promulgated, law
was thought of chiefly as the mandate of a ruler. The
1 One sees an analogy in the fortunes of the Boethian translations of the
more advanced treatises of Aristotle's Organon. They fell into disuse (or
never came into use) and so were " lost " until they came to light, i.e. into use,
in the last part of the twelfth century.
CHAP, xxxni ROMAN AND CANON LAW 249
Theodosian Code was composed of constitutiones principum.
Likewise the Breviarium, based upon it, and other barbarian
codes of Roman law, were ordained by kings ; and so were
the codes of Teutonic law. For law, men looked directly
to the visible ruler. The jus, reasoned out by the wisdom
of trained jurists, had lost authority and interest. To be sure,
a hundred years later Justinian's Commission put together in
the Digest the body of jurisprudential law ; but even in
Italy where his codification was promulgated, the Digest fell
still-born. Never was an official compilation of less effect
upon its own time, or of such mighty import for times to
come.
The Breviarium became par excellence the code of Roman
law for the countries included in the present France. With
its accompanying Interpretatio it was a work indicating
intelligence on the part of its compilers, whose chief care
was as to arrangement and explanation. But the time was
not progressive, and a gathering mental decadence was
shown by the manner in which the Breviarium was treated
and used, to wit, epitomized in many epitomes, and practi-
cally superseded by them. Here was double evidence of
decay ; for the supersession of such a work by such epitomes
indicates a diminishing legal knowledge in the epitomizers,
and also a narrowing of social and commercial needs in the
community, for which the original work contained much that
was no longer useful.
There were, of course, epitomes and epitomes. Such a
work as the Epitome Juliani, in which a good Byzantine
lawyer of Justinian's time presented the substance of the
Novellae, was an excellent compendium, and deserved the
fame it won. Of a lower order were the later manipulations
of Justinian's Codex, by which apparently the Codex was
superseded in Italy. One of these was the Summa Perusina
of the ninth or tenth century, a wretched work, and one of
the blindest.1
Justinian's Codex and Julian's Epitome were equipped
with glosses, some of which are as early as Justinian's time ;
but the greater part are later. The glosses to Justinian's
legislation resemble those of the Breviarium before referred
1 See Conrat, Ges. der Quellen, pp. 182-187.
250 THE MEDIAEVAL MIND BOOK vi
to. That is to say, as the centuries pass downward toward
the tenth, the glosses answer to cruder needs : they become
largely translations of words, often taken from Isidore's
Etymologiae} Indeed many of them appear to have had
merely a grammatical interest, as if the text was used as an
aid in the study of the Latin language.
The last remark indicates a way in which a very super-
ficial acquaintance with the Roman law was kept up through
the centuries prior to the twelfth : it was commonly taught
in the schools devoted to elementary instruction, that is to
say, to the Seven Liberal Arts. In many instances the
instructors had only such knowledge as they derived from
Isidore, that friend of every man. That is, they had no
special knowledge of law, but imparted various definitions to
their pupils, just as they might teach them the names of
diseases and remedies, a list of which (and nothing more)
they would also find in Isidore. It was all just as one
might have expected. Elementary mediaeval education was
encyclopaedic in its childish way ; and, in accordance with
the methods and traditions of the transition centuries, all
branches of instruction were apt to be turned to grammar
and rhetoric, and made linguistic, so to speak — mere subjects
for curious definition. Thus it happened to law as well as
medicine. Yet some of the teachers may have had a prac-
tical acquaintance with legal matters, with an understanding
for legal documents and skill to draw them up.
The assertion also is warranted that at certain centres of
learning substantial legal instruction was given ; one may
even speak of schools of law. Scattered information touching
all the early mediaeval periods shows that there was no time
when instruction in Roman law could not be obtained some-
where in western Europe. To refer to France, the Roman
law was very early taught at Narbonne ; at Orleans it was
taught from the time of Bishop Theodulphus, Charlemagne's
contemporary, and probably the teaching of it long continued.
One may speak in the same way of Lyons ; and in the
eleventh century Angers was famed for the study of law.
Our information is less broken as to an Italy where
through the early Middle Ages more general opportunities
1 See Conrat, Ges. der Quellen, etc., pp. 162-166, 168-182, 192-202, 240-252.
CHAP. XXXHI ROMAN AND CANON LAW 251
offered for elementary education, and where the Roman law,
with Justinian's Codification as a base, made in general the
law of the land. There is no reason to suppose that it was
not taught. Contemporary allusions bear witness to the
existence of a school of law in Rome in the time of Cassio-
dorus and afterwards, which is confirmed by a statement of
the jurist Odofredus in the thirteenth century. At Pavia
there was a school of law in the time of Rothari, the legislat-
ing Lombard king ; this reached the zenith of its repute in
the eleventh century. Legal studies also flourished at
Ravenna, and succumbed before the rising star of the
Bologna school at the beginning of the twelfth century.1
In these and doubtless many other cities2 students were
instructed in legal practices and formulae, and some substance
of the Roman law was taught. Extant legal documents of
various kinds afford, especially for Italy, ample evidence of
the continuous application of the Roman law.3
As for the merits and deficiencies of legal instruction in
Italy and in France, an idea may be gained from the various
manuals that were prepared either for use in the schools of
law or for the practitioner. Because of the uncertainty,
however, of their age and provenance, it is difficult to connect
them with a definite foyer of instruction.
Until the opening of the twelfth century, or at all events
until the last quarter of the eleventh, the legal literature
evinces scarcely any originality or critical capacity. There
are glosses, epitomes, and collections of extracts, more or
less condensed or confused from whatever text the compiler
had before him. Little jurisprudential intelligence appears
in any writings which are known to precede the close of the
eleventh century ; none, for instance, in the epitomes of the
Breviarium and the glosses relating to that code ; none in
1 See Salvioli, Storia di diritto italiano, 3rd ed., 1899, pp. 84-90; ibid.
/,' htruzione pubblica in Italia net secoli VIII. IX. X. ; Tardif, Hist, des sources
du droit fratifais, p. 281 sqq. ; Savigny, Geschichte, etc., iv. pp. 1-9; Fitting,
" Zur Geschichte der Rechtswissenschaft im Mittelalter," Zeitschriftfur Rges. Sav.
Stiff., Roman. Abteil., Bd. vi., 1885, pp. 94-186 ; ibid. Juristisc he Schriften des
fruheren Mittelalters, 108 sqq. (Halle, 1876).
2 A contemporary notice speaks of the enormous number of judges, lawyers,
and notaries in Milan about the year 1000. Salvioli, L' htruzione pubblica, etc.,
p. 78. It is hard to imagine that no legal instruction could be had there.
3 The evidence is gathered in different parts of Savigny's Geschichte.
252 THE MEDIAEVAL MIND BOOK vi
those works of Italian origin the material for which was
drawn directly or indirectly from the Codex or Novels of
Justinian, for instance the Summa Perusina and the Lex
Romano, canonice compta, both of which probably belong to
the ninth century. Such compilations were put together
for practical use, or perhaps as aids to teaching.
Thus, so far as inference may be drawn from the extant
writings, the legal teaching in any school during this long
period hardly rose above an uncritical and unenlightened
explanation of Roman law somewhat mediaevalized and
deflected from its classic form and substance. There was
also practical instruction in current legal forms and customs.
Interest in the law had not risen above practical needs, nor
was capacity shown for anything above a mechanical handling
of the matter. Legal study was on a level with the other
intellectual phenomena of the period.
In an opusculum * written shortly after the middle of the
eleventh century, Peter Damiani bears unequivocal, if some-
what hostile, witness to the study of law at Ravenna ; and it
is clear that in his time legal studies were progressing in
both France and Italy. It is unsafe to speak more definitely,
because of the difficulty in fixing the time and place of
certain rather famous pieces of legal literature, which show a
marked advance upon the productions to be ascribed with
certainty to an earlier time. The reference is to the Petri
exceptiones and the Brachylogus. The critical questions relat-
ing to the former are too complex even to outline here.
Both its time and place are in dispute. The ascribed dates
range from the third quarter of the eleventh century to the
first quarter of the twelfth, a matter of importance, since the
opening of the twelfth century is marked by the rise of the
Bologna school. As for the place, some scholars still adhere
to the south of France, while others look to Pavia or
Ravenna. On the whole, the weight of argument seems to
favour Italy and a date not far from IO75.2
The Petrus, as it is familiarly called, is drawn from
1 De parentelae gradibus, see Savigny, Geschichte, Bd. iv. p. i sqq.
2 See Savigny, Geschichte, Bd. ii. pp. 134-163 (the text is published in an
Appendix to that volume, pp. 321-428); Conrat, Ges. der Quellen, etc., pp.
420-549 ; Tardif, Hist, des sources du droit francais, pp. 213-246.
CHAP, xxxm ROMAN AND CANON LAW 253
immediately prior and still extant compilations. The
compiler wished to give a compendious if not systematic
presentation of law as accepted and approved in his time,
that is to say, of Roman law somewhat mediaevalized in tone,
and with certain extraneous elements from the Lombard
codes. The ultimate Roman sources were the Codification
of Justinian, and indeed all of it, Digest, Codex, and Novels,
the last in the form to which they had been brought in
Julian's Epitome. The purpose of the compilation is given
in the Prologue,1 which in substance is as follows :
" Since for many divers reasons, on account of the great and
manifold difficulties in the laws, even the Doctors of the laws
cannot without pains reach a certain opinion, we, taking account
of both laws, to wit, the jus civile and the jus naturale, unfold the
solution of controversies under plain and patent heads. Whatever
is found in the laws that is useless, void, or contrary to equity, we
trample under our feet. Whatever has been added and surely held
to, we set forth in its integral meaning so that nothing may appear
unjust or provocative of appeal from thy judgments, Odilo ; 2 but
all may make for the vigour of justice and the praise of God"
The arrangement of topics in the Petrus hardly evinces
any clear design. The substance, however, is well presented.
If there be a question to be solved, it is plainly stated, and
the solution arrived at may be interesting. For example, a
case seems to have arisen where the son of one who died
intestate had seized the whole property to the exclusion
of the children of two deceased daughters. The sons of
one daughter acquiesced. The sons of the other per placitum
et guerram forced their uncle to give up their share.
Thereupon the supine cousins demanded to share in what
had so been won. The former contestants resisted on the
plea that the latter had borne no aid in the contest and that
they had obtained only their own portion. The decision
was that the supine cousins might claim their heritage from
whoever held it, and should receive their share in what the
1 This follows the so-called Tubingen MSS., the largest immediate source of
the Petrus. As well-nigh the entire substance of the Petrus is drawn from the
immediately prior compilations (which are still unpublished) its characteristics are
really theirs.
2 Apparently the chief magistrate of Valence : " Valentinae civitatis magistro
wagnifico. "
254 THE MEDIAEVAL MIND BOOK vi
successful contestants had won ; but that the latter could
by counter-actions compel them to pay their share of the
necessary expenses of the prior contest.1
Sometimes the Petrus seems to draw a general rule of
law from the apparent instances of its application in
Justinian's Codification. Therein certain formalities were
prescribed in making a testament, in adopting a son, or
emancipating a slave. The Petrus draws from them the
general principle that where the law prescribes formalities,
the transaction is not valid if they are omitted.2 In fine,
unsystematized as is the arrangement of topics, the work
presents an advance in legal intelligence over mediaeval law-
writings earlier than the middle of the eleventh century.
If the Petrus was adapted for use in practice, the
Brachylogus, on the other hand, was plainly a book of
elementary instruction, formed on the model of Justinian's
Institutes. But it made use of his entire codification, the
Novels, however, only as condensed in Julian's Epitome.
The influence of the Breviarium is also noticeable ; which
might lead one to think that the treatise was written in
Orleans or the neighbourhood, since the Breviarium was
not in use in Italy, while the Codification of Justinian was
known in France by the end of the eleventh century. The
beginning of the twelfth is the date usually given to the
Brachylogus. It does not belong to the Bologna school of
glossators, but rather immediately precedes them, wherever
it was composed.3
The Brachylogus, as a book of Institutes, compares
favourably with its model, from the language of which it
departed at will. Both works are divided into four libri\
but the libri of the Brachylogus correspond better to the
logical divisions of the law. Again, frequently the author
of the Brachylogus breaks up the chapters of Justinian's
Institutes and gives the subject-matter under more pertinent
headings. Sometimes the statements of the older work
are improved by rearrangement. The definitions of the
1 Petri cxcepliones, iii. 69. '2 Petrus, i. 66.
3 See Conrat, Ges. der Quellen, etc., 550-582 ; Tardif, Hist, des sources, etc.,
pp. 207-213; Fitting, Zeitschrift fur Rges. Bd. vi. p. 141. It is edited by
Booking (Berlin, 1829) under the title of Corpus legum sive Brachylogus juris
civilis.
CHAP, xxxiii ROMAN AND CANON LAW 255
Brachylogus are pithy and concise, even to a fault. Often
the exposition is well adapted to the purposes of an
elementary text-book,1 which was meant to be supplemented
by oral instruction. On the whole, the work shows that
the author is no longer encumbered by the mass or by
the advanced character of his sources. He restates their
substance intelligently, and thinks for himself. He is no
compiler, and his work has reached the rank of a treatise.
The merits of the Brachylogus as an elementary text-
book are surpassed by those of the so-called Summa Codicis
Irnerii, a book which may mark the beginning of the
Bologna school of law, and may even be the composition of
its founder. Many arguments are adduced for this author-
ship.2 The book has otherwise been deemed a production
of the last days of the school of law at Rome just before the
school was broken up by some catastrophe as to which there
is little information. In that case the work would belong
to the closing years of the eleventh century, whereas the
authorship of Irnerius would bring it to the beginning of the
twelfth. At all events, its lucid jurisprudential reasoning
precludes the likelihood of an earlier origin.
This Summa is an exposition of Roman law, following
the arrangement and titles of Justinian's Codex, but making
extensive use of the Digest. It thus contains Roman juris-
prudential law, and may be regarded as a compendious text-
book for law students, forming apparently the basis of a
course of lectures which treated the topics more at length.3
The author's command of his material is admirable, and his
presentation masterly. Whether he was Irnerius or some
one else, he was a great teacher. His work may be also
called academic, in that his standpoint is always that of the
Justinianean law, although he limits his exposition to those
topics which had living interest for the twelfth century.
Private substantial law forms the chief matter, but procedure
is set forth and penal law touched upon. The author
1 For instance, Brack, ii. 12, " De juris et fact! ignorantia," is short and clear.
It follows mainly Digest xxii. 6.
2 Summa Codicis des Irnerius^ ed. by Fitting (Berlin, 1894). See Introduction,
and also Fitting in Zeitschrift fur Rechtsgeschichte, Bd. xvii. (1896), Romanischf
Abteilung, pp. 1-96.
3 Cf. Summa Codicis frnerii, vii. 23, and vii. 31. I.
256 THE MEDIAEVAL MIND BOOK vi
appreciates the historical development of the Roman law
and the character of its various sources — praetorian law,
constitutiones principum, and responsa prudentium. He also
shows independence, and a regard for legal reasoning and
the demands of justice. While he sets forth the jus civile,
his exposition and approval follow the dictates of the jus
nattirale.
"The established laws are to be understood benignly, so as to
preserve their spirit, and prevent their departure from equity ; for
the Judge recognizes ordainments as legitimate when they conform
to the principles of justice (ratio equitatis). . . . Interpretation is
sometimes general and imperative, as when the lawgiver declares
it : then it must be applied not only to the matter for which it is
announced, but in all like cases. Sometimes an interpretation is
imperative, but only for the special case, like the interpretation
which is declared by those adjudicating a cause. It is then to be
accepted in that cause, but not in like instances ; for not by pre-
cedents, but by the laws are matters to be adjusted. There is
another kind of interpretation which binds no one, that made by
teachers explaining an ambiguous law, for although it may be
admissible because sound, still it compels no one. For every
interpretation should so be made as not to depart from justice, and
that all absurdity may be avoided and no door opened to fraud." *
One must suppose that such concise statements were
explained and qualified in the author's lectures. But even
as they stand, they afford an exposition of Roman principles
of interpretation. Not only under the Roman Empire, but
subsequently in mediaeval times, the Roman lawyer or the
canonist did not pay the deference to adjudicated precedent
which is felt by the English or American judge. The
passage in the Codex which " Irnerius " was expounding
commands that the judge, in deciding a case, shall follow
the laws and the reasoning of the great jurists, rather than
the decision of a like controversy.
Since the author of this Summa weighs the justice, the
reason, and the convenience of the laws, and compares them
with each other, his book is a work of jurisprudence. Its
qualities may be observed in its discussion of possession and
the rights arising therefrom. The writer has just been
1 Summa Codicis Irnerii, i. 14. The corresponding passages in Justinian's
Codification are Dig. i. 3, lex 12 and 38, and Codex vii. 45, lex 13.
CHAP, xxxin ROMAN AND CANON LAW 257
expounding the usucapio, an institution of the jus civile
strictly speaking, whereby the law of Rome in certain
instances protected and, after three years, perfected, the title
to property which one had in good faith acquired from a
vendor who was not the owner :
" Now we must discuss the ratio possessions. Usucapio in the
jus civile hinges on possession, and ownership by the jus naturale
may take its origin in possession. There are many differences in
the ways of acquiring possession, which must be considered. And
since in the constitutiones and responsa prudentium divers reasons are
adduced regarding possession, my associates have begged that I
would expound this important and obscure subject in which is
mingled the ratio both of the civil and the natural law. So I will
do my best. First one must consider what possession is, how it is
acquired, maintained, or lost. Possession (here the author follows
Paulus and Labeo in the Digest} is as when one's feet are set upon
a thing, when body naturally rests on body. To acquire possession
is to begin to possess. Herein one considers both the fact and the
right. The fact arises through ourselves or our representative. It
is understood differently as to movables and as to land ; for the
movable we take in our hand, but we take possession of a farm
by going upon it with this intent and laying hold of a sod. The
intent to possess is crucial. Thus a ring put in the hand of a
sleeper is not possessed for lack of intent on his part. You possess
naturally when with mind and body (yours or another's who
represents you) you hold or sit upon with intent to possess. Cor-
poreal things you properly possess, and acquire possession of, by
your own or your agent's hand. In the same manner you retain.
Incorporeal things cannot be possessed properly speaking, but the
civil law accords a quasi possession of them."
Then follows a discussion of the persons through whom
another may have possession, and of the various modes of
possessing longa manu without actual touch :
"It is one thing when the possession begins with you, and
another when it is transferred to you by a prior possessor : for
possession begins in three ways, by occupation, accession, and
transfer. You occupy the thing that belongs to no one. By
accession you acquire possession in two ways. Thus the increment
may be possessed, as the fruit of thy handmaid ; or the accession
consists in the union with a larger thing which is yours, as when
alluvium is deposited on your land. Again possession is transferred
to you,"
voluntarily or otherwise. He now discusses the various
VOL. II S
258 THE MEDIAEVAL MIND BOOK vi
modes in which possession is acquired by transfer, then the
nature of the justa or injusta causa with which possession
may begin, and the effect on the rights of the possessor, and
then some matters more peculiar to the time of Justinian.
After which he passes to the loss of possession, and concludes
with saying that he has endeavoured to go over the whole
subject, and whatever is omitted or insufficiently treated, he
begs that it be laid to the fault of humanae imbecillitatis.
The discussion reads like a carefully drawn outline which his
lecture should expand.1
The knowledge and understanding of the Roman law in
the mediaeval centuries should be viewed in conjunction with
the general progress of intellectual aptitude during the same
periods. The growth of legal knowledge will then show
itself as a part of mediaeval development, as one phase
of the flowering of the mediaeval intellect. For the treat-
ment of Roman law presents stages essentially analogous to
those by which the Middle Ages reached their understand-
ing and appropriation of other portions of their great
inheritance from classical antiquity and the Christianity of
the Fathers. Let us recapitulate : the Roman law, adapted,
or corrupted if one will, epitomized and known chiefly in its
later enacted forms, was never unapplied nor the study of it
quite abandoned. It constituted a great part of the law of
Italy and southern France ; in these two regions likewise
was its study least neglected. We have observed the super-
ficial and mainly linguistic nature of the glosses which this
early mediaeval period interlined or wrote on the margins of
the source-books drawn upon, also the rude and barbarous
nature of the earlier summaries and compilations. They
were helps to a crude practical knowledge of the law.
Gradually the treatment seems to become more intelligent, a
little nearer the level of the matter excerpted or made use
of. Through the eleventh century it is evident that social
conditions were demanding and also facilitating an increase
in legal knowledge ; and at that century's close a by no
means stupid compilation appears, the Petri exceptiones, and
perhaps such a fairly intelligent manual for elementary
1 Summa Codicis Inurii, vii. 22 and 23. The chief Justinianean sources are
Dig. xli. 2, and Cod. xii. 32.
CHAP, xxxm ROMAN AND CANON LAW 259
instruction as the BracJiylogus. These works indicate that
the instruction in the law was improving. We have also
the sparse references to schools of law, at Rome, at Ravenna,
at Orleans. Then we come upon the Summa Codicis called
of Irnerius, of uncertain provenance, like the Petrus and
Brachylogus. But there is no need to be informed specifically
of its place and date in order to recognize its advance in
legal intelligence, in veritable jurisprudence. The writer was
a master of the law, an adept in its exposition, and his oral
teaching must have been of a high order. With this book
we have unquestionably touched the level of the strong be-
ginnings of the greatest of mediaeval schools of Roman law.
Its seat was Bologna, one of the chief centres of the
civic and commercial life of Lombardy. The Lombards
themselves had shown a persistent legal genius : their own
Teutonic codes, enacted in Italy, had maintained themselves
in that land of Roman law and custom. Lombard codifica-
tion had almost reached a jurisprudence of its own, at Pavia,
the juridical centre of Lombardy. The provisions of various
codes had been compared and put together in a sort of
Concordia, as early as the ninth century.1 Possibly the
rivalry of Lombard law might stimulate those learned in the
law of Rome to sharper efforts to expound it and prove its
superiority. Moreover, all sides of civic life and culture were
flourishing in that region where novel commercial relations
were calling for a corresponding progress in the law, and
especially for a better knowledge of the Roman law which
alone afforded provision for their regulation.
As some long course of human development approaches
its climax, the advance apparently becomes so rapid as to
give the impression of something suddenly happening, a
sudden leap upward of the human spirit. The velocity of
the movement seems to quicken as the summit is neared.
One easily finds examples, for instance the fifth century
before Christ in Greek art, or the fourth century in Greek
philosophy, or again the excellence so quickly reached
apparently by the Middle High German poetry just about
the year 1200. But may not the seeming suddenness of
1 See Salvioli, Manualf, etc., pp. 65-68 ; ibid. L' Istruzione pubblica in
Italia, pp. 72-75 ; Brunner, Deutsche Rechtsgeschichte> i. p. 387 sqq.
260 THE MEDIAEVAL MIND BOOK vi
the phenomenon be due to lack of information as to
antecedents ? and the flare of the final achievement even
darken what went before ? Yet, in fact, as a movement
nears its climax, it may become more rapid. For, as the
promoting energies and favouring conditions meet in con-
junction, their joint action becomes more effective. Forces
free themselves from cumbrances and draw aid from one
another. Thus when the gradual growth of intellectual
faculty effects a conjunction with circumstances which offer
a fair field, and the prizes of life as a reward, a rapid increase
of power may evince itself in novel and timely productivity.
This may suggest the manner of the apparently sudden
rise of the Bologna school of Roman law, which, be it noted,
took place but a little before the time of Gratian's achieve-
ment in the Canon law, itself contemporaneous with the
appearance of Peter Lombard's novel Books of Sentences}
The preparation, although obscure, existed ; and the school
after its commencement passed onward through stages of
development, to its best accomplishment, and then into a
condition of stasis, if not decline. Irnerius apparently was
its first master ; and of his life little is known. He was a
native of Bologna. His name as causidicus is attached to a
State paper of the year 1113. Thereafter he appears in the
service of the German emperor Henry V. We have no
sure trace of him after 1 1 1 8, though there is no reason to
suppose that he did not live and labour for some further
years. He had taught the Arts at Ravenna and Bologna
before teaching, or perhaps seriously studying, the law. But
his career as a teacher of the law doubtless began before the
year 1113, when he is first met with as a man of affairs.
Accounts agree in ascribing to him the foundation of the
school.
Unless the Summa Codicis already mentioned, and a book
of Quaestiones, be really his, his glosses upon Justinian's
Digest, Codex, and Novels, are all we have of him ; 2 of the
1 Post, Chapter XXXV., I.
2 The Bologna school is commonly called the school of the glossators. Their
work was to expound the law of Justinian ; and their glosses, or explanatory
notes, were the part of their writings which had the most permanent influence.
The glosses were originally written between the lines or on the margins of the
codices of the Digest, Codex, Novels, and Institutes.
CHAP, xxxin ROMAN AND CANON LAW 261
rest we know by report. The glosses themselves indicate
that this jurist had been a grammarian, and used the
learning of his former profession in his exposition of the law.
His interlinear glosses are explanations of words, and would
seem to represent his earlier, more tentative, work when he
was himself learning the meaning of the law. But the
marginal glosses are short expositions of the passages to
which they are attached, and perhaps belong to the time of
his fuller command over the legal material. They indicate,
besides, a critical consideration of the text, and even of the
original connection which the passage in the Digest held in
the work of the jurisconsult from which it had been taken.
Some of them show an understanding of the chronological
sequence of the sources of the Roman law, e.g. that the law-
making power had existed in the people and then passed to
the emperors. These glosses of Irnerius represent a clear
advance in jurisprudence over any previous legal comment
subsequent to the Interpretatio attached to the Breviarium.
It was also part of his plan to equip his manuscripts of the
Codex with extracts taken from the text of the Novels, and
not from the Epitome of Julian. He appears also as a
lawyer versed in the practice of the law. For he wrote a
book of forms for notaries and a treatise on procedure,
neither of which is extant.1
The accomplishment of the Bologna school may be
judged more fully from the works, still extant, of some of its
chief representatives in the generations following Irnerius.
A worthy one was Placentinus, a native of Piacenza. The
year of his birth is unknown, but he died in 1192, after a
presumably full span of life, passed chiefly as a student and
teacher of the law. He taught in Mantua and Montpellier,
as well as in Bologna. He was an accomplished jurist and
a lover of the classic literature. His work entitled De
varietate actionum was apparently the first attempt to set
forth the Roman law in an arrangement and form that did
not follow the sources.2 He opens his treatise with an
1 Savigny gives examples of Irnerius's glosses in an appendix to the fourth
volume of his Gesehichte. Pescatore (Die Classen des Irnerius, Greifswald,
1888) maintains that Savigny overstates the difference between the interlinear
and the marginal glosses of Irnerius.
2 On Placentinus see Savigny, Gesehichte, iv. pp. 244-285.
262 THE MEDIAEVAL MIND BOOK vi
allegory of a noble dame, hight Jurisprudentia, within the
circle of whose sweet and honied utterances many eager
youths were thronging. Placentinus drew near, and received
from her the book which he now gives to others.1 This little
allegory savours of the De consolatione of Boethius, or, if one
will, of Capella's De nuptiis Philologiae.
The most admirable surviving work of Placentinus is his
Summa of the Codex of Justinian. His autobiographical
proemium shows him not lacking in self-esteem, and tells
why he undertook the work. He had thought at first to
complete the Summa of Rogerius, an older glossator, but
then decided to put that book to sleep, and compose a full
Summa of the Codex himself, from the beginning to the end.
This by the favour of God he has done ; it is the work of
his own hands, from head to heel, and all the matter is his
own — not borrowed. Next he wrote for beginners a Summa
of the Institutes. After which he returned to his own town,
and shortly proceeded thence to Bologna, whither he had
been called. " There in the citadel (in castello] for two
years I expounded the laws to students ; I brought the
other teachers to the threshold of envy ; I emptied their
benches of students. The hidden places of the law I laid
open, I reconciled the conflicts of enactments, I unlocked
the secrets most potently." His success was great, and he
was besought to continue his course of lectures. He
complied, and remained two years more, and then returned
to Montpellier, in order to compose a Summa of the Digest?
If indeed Placentinus speaks bombastically of his work, its
excellence excuses him. His well-earned reputation as a
jurist and scholar long endured.
Quaestiones, Distinctions, Libri disputationum, Summae of
the Codex or the Institutions, and other legal writings, are
extant in goodly bulk and number from the Bologna school.
The names of the men are almost legion, and many were of
great repute in their day both as jurists and as men of
affairs. We may mention Azo and Accursius, of a little
1 Proemium to De var. actionum, given by Savigny, iv. p. 540.
8 This is from the proemium attached to one old edition, and is given in Sav.
Ges. iv. p. 245. In an appendix, p. 542, Savigny gives an even more florid
proemium to the Summa Codicis from a manuscript.
CHAP, xxxin ROMAN AND CANON LAW 263
later time. Azo's name appears in public documents from
the year 1190 to 1220 — and he may have survived the
latter date by some years. His works were of such compass
and excellence as to supersede those of his predecessors.
His glosses still survive, and his Lectura on the Codex, his
Summae of the Codex and the Institutes, and his Quaestiones ',
and Brocarda, the last a sort of work stating general legal
propositions and those contradicting them. Azo's glosses
were so complete as to constitute a continuous exposition of
the entire legislation of Justinian. His Summae of the
Codex and Institutes drove those of Placentinus out of use,
which we note with a smile.1
None of the glossators is better known than Accursius.
He comes before us as a Florentine, and apparently a
peasant's son. He died an old man rich and famous, about
the year 1260. Azo was his teacher. In 1252 he was
Podesta of Bologna, which indicates the respect in which
men held him. Villani, the Florentine historian, describes
him as of martial form, grave, thoughtful, even melancholy in
aspect, as if always meditating ; a man of brilliant talents
and extraordinary memory, sober and chaste in life, but
delighting in noble vesture. His hearers drank in the laws
of living from his mien and manners no less than from the
dissertations of his mouth.2 Late in life he retired to his villa,
and there in quiet worked on his great Glossa till he died.
This famous, perhaps all too famous, Glossa ordinaria
was a digest and, as it proved, a final one, of the glosses
of his predecessors and contemporaries. He drew not only
from their glosses, but also on their Summae and other
writings. He added a good deal of his own. Great as
was the feat, the somewhat deadened talent of a compiler
shows in the result, which flattened out the individual
labours of so many jurists. It came at once into general
use in the courts and outside of them ; for it was a complete
commentary on the Justinianean law, so compendious and
convenient that there was no further need of the glosses of
earlier men. This book marked the turning-point of the
Bologna school, after which its productivity lessened. Its
1 On Azo, see Savigny, Ges. v. pp. 1-44.
* Quoted by Savigny. On Accursius see Sav. Ges. v. pp. 262-305.
264 THE MEDIAEVAL MIND BOOK vi
work was done : Codex, Novels, and above all the Pandects
were rescued from oblivion, and fully expounded, so far
as the matter in them was still of interest. When the
labours of the school had been conveniently heaped together
in one huge Glossa, there was no vital inducement to
do this work again. The school of the glossators was
functus officio. Naturally with the lessening of the call,
productivity diminished. Little was left to do save to
gloss the glosses, an epigonic labour which would not attract
men of talent. Moreover, treating the older glosses, instead
of the original text, as the matter to be interpreted was
unfavourable to progress in the understanding of the latter.
Yet, for a little, the breath of life was still to stir in
the school of the glossators. There was a man of fame,
a humanist indeed, named Cino, whose beautiful tomb still
draws the lover of things lovely to Pistoia. Cino was also
a jurist, and it came to him to be the teacher of one whose
name is second to none among the legists of the Middle
Ages. This was Bartolus, born probably in the year 1314
at Sassoferrato in the duchy of Urbino. He was a scholar,
learned in geometry and Hebrew, also a man of affairs.
He taught the law at Pisa and Perugia, and in the last-
named town he died in 1357, not yet forty-four years old.
Bartolus wrote and compiled full commentaries on the
entire Corpus juris civilis ; and yet he produced no work
differing in kind from works of his predecessors. Moreover,
between him and the body of the law rose the great mass
of gloss and comment already in existence, through which
he did not always penetrate to the veritable Corpus. Yet
his labours were inspired with the energy of a vigorous
nature, and he put fresh thoughts into his commentaries.1
The school of glossators presented the full Roman law
to Europe. The careful and critical interpretation of the
text of Justinian's Codification, of the Digest above all, was
their great service. In performing it, these jurists also had
educated themselves and developed their own intelligence.
They had also put together in Summae the results of their
own education in the law. These works facilitated legal
study and sharpened the faculties of students and professors.
1 On Bartolus see Savigny, Ges. etc. vi. pp. 137-184.
CHAP, xxxm ROMAN AND CANON LAW 265
Books of Quaestiones, legal disputations, works upon legal
process and formulae, served the same ends.1 These men
were deficient in historical knowledge. Yet they compared
Digest, Codex, and Novels ; they tried to re-establish the
purity of the text ; they weighed and they expounded.
Theirs was an intellectual effort to master the jurisprudence
of Rome : their labours constituted a renaissance of juris-
prudence ; and the fact that they were often men of affairs
as well as professors, kept them from ignoring the practical
bearings of the matters which they taught.
The work of the glossators may be compared with that
of the theologian philosophers of the thirteenth century —
Alexander of Hales, Albertus Magnus, Thomas Aquinas —
who were winning for the world a new and comprehensive
knowledge of Aristotle. Both jurists and philosophers, in
their different spheres, carried through a more profound
study, and reached a more comprehensive knowledge, of a
great store of antique thought, than previous mediaeval
centuries conceived of. Moreover, the interpretation of
the Corpus juris was quite as successful as the interpreta-
tion of Aristotle. It was in fact surer, because freer from
the deflections of religious motive. No consideration of
agreement or disagreement with Scripture troubled the
glossators' interpretation of the Digest, though indeed they
may have been interested in finding support for whatever
political views they held upon the claims of emperor and
pope. But this did not disturb them as much as Aristotle's
opinion that the universe was eternal, worried Albertus and
Aquinas.
IV
The Church, from the time of its first recognition by the
Roman Empire, lived under the Roman law ; 2 and the
constitutions safeguarding its authority were large and
ample before the Empire fell. Constantine, to be sure,
never dreamed of the famous " Donation of Constantine "
1 Cf. Savigny, Ges. v. pp. 222-261.
2 " Ecclesia vivit lege Romana," Lex Ribuaria, 58. This was universally
recognized, although the individual clericus might remain amenable to the law of
his birth.
266 THE MEDIAEVAL MIND BOOK vi
forged by a later time, yet his enactments fairly launched
the great mediaeval Catholic Church upon the career which
was to bring it more domination than was granted in this
pseudo-charter of its power. A number of Constantine's
enactments were preserved by the Theodosian Code, in
which the powers and privileges of Church and clergy were
portentously set forth.
The Theodosian Code freed the property of the Church
from most fiscal burdens, and the clergy from taxes, from
public and military service, and from many other obligations
which sometimes the Code groups under the head of sordida
munera. The Church might receive all manner of bequests,
and it inherited the property of such of its clergy as did
not leave near relatives surviving them. Its property
generally was inalienable ; and the clergy were accorded
many special safeguards. Slaves might be manumitted in
a church. The church edifices were declared asylums of
refuge from pursuers, a privilege which had passed to the
churches from the heathen fanes and the statues of the
emperors. Constitution after constitution was hurled
against the Church's enemies. The Theodosian Code has
one chapter containing sixty-six constitutions directed
against heretics, the combined result of which was to
deprive them, if not of life and property, at least of protected
legal existence.
Of enormous import was the sweeping recognition on
the Empire's part of the validity of episcopal jurisdiction.
No bishop might be summoned before a secular court as a
defendant, or compelled to give testimony. Falsely to
accuse one of the clergy rendered the accuser infamous.
All matters pertaining to religion and church discipline
might be brought only before the bishop's court, which
likewise had plenary jurisdiction over controversies among
the clergy. It was also open to the laity for the settlement
of civil disputes. The command not to go to law before
the heathen came down from Paul (i Cor. vi.), and together
with the severed and persecuted condition of the early
Christian communities, may be regarded as the far source
of the episcopal jurisdiction, which thus divinely sanctioned
tended to extend its arbitrament to all manner of legal
CHAP, xxxni ROMAN AND CANON LAW 267
controversies.1 To be sure, under the Christian Roman
Empire the authority of the Church as well as its privileges
rested upon imperial law. Yet the emperors recognized,
rather than actually created, the ecclesiastical authority. And
when the Empire was shattered, there stood the Church erect
amid the downfall of the imperial government, and capable
of supporting itself in the new Teutonic kingdoms.
The constitutions of Christian emperors did not from
their own force and validity become Ecclesiastical or Canon
law — the law relating to Christians as such, and especially
to the Church and its functions. The source of that law
was God ; the Church was its declarative organ. Accept-
ance on the Church's part was requisite before any secular
law could become a law of the Church.
Canon law may be taken to include theology, or may
be limited to the law of the organization and functions of
the Church taken in a large sense as inclusive of the laity
in their relations to the religion of Christ.2 Obviously
part comes from Christ directly, through the Old Testament
as well as New. The other part, and in bulk far greater,
emanates from His foundation, the Church, under the guid-
ance of His Spirit, and may be added to and modified by
the Church from age to age. It is expressed in custom,
universal and established, and it is found in written form
in the works of the Fathers, in the decrees of Councils, in
the decretals of the popes, and in the concordats and conven-
tions with secular sovereignties. From the beginning, canon
law tacitly or expressly adopted the constitutions of the
Christian emperors relating to the Church, as well as the
Roman law generally, under which the Church lived in its
civil relations.
The Church arose within the Roman Empire, and who
shall say that its wonderfully efficient and complete organiza-
tion at the close of the patristic period was not the final
creation of the legal and constructive genius of Rome,
1 For these matters see primarily the sixteenth book of the Theodosian
Code, and book L chap. 27. Also the suspected Constitutiones Sirmondianae
attached to that Code. Justinian's Codex and Novellae add much. Zorn, in
his Kirchenrecht, p. 29 sqq. , gives a convenient synopsis of the matter.
2 One observes that the opening chapter of Justinian's Digest speaks of
jurisprudentia as knowledge of divine as well as human matters.
268 THE MEDIAEVAL MIND BOOK vi
newly inspired by the spirit of Christianity ? But the
centre of interest had been transferred from earth to heaven,
and human aims had been recast by the Gospel and the
understanding of it reached by Christian doctors. Evidently
since the ideals of the Church were to be other than those
of the Roman Empire, the law which it accepted or evolved
would have ideals different from those of the Roman law.
If the great Roman jurists created a legal formulation and
rendering of justice adequate for the highly developed social
and commercial needs of Roman citizens, the law of the
Church, while it might borrow phrases, rules, and even
general principles, from that system, could not fail to put
new meaning in them. For example, the constant will to
render each his due, which was justitia in the Roman law,
might involve different considerations where the soul's
salvation, and not the just allotment of the goods of this
world, was the law's chief aim. Again, what new meaning
might attach to the honeste vivere and the alterum non
laedere of pagan legal ethics. Honeste vivere might mean
to do no sin imperilling the soul ; alterum non laedere would
acquire the meaning of doing nothing to another which
might impede his progress toward salvation. Injuries to a
man in his temporalities were less important.
Further, Christianity although conceived as a religion
for all mankind, was founded on a definite code and revela-
tion. The primary statement was contained in the canoni-
cal books of the Old and New Testaments. These were
for all men, universal in application and of irrefragable
validity and truth. Here was some correspondence to the
conception of the jus gentium as representative of universal
principles of justice and expediency, and therefore as equiva-
lent to the jus naturale. There was something of logical
necessity in the transference of this conception to the law
of Christ. Says Gratian at the beginning of his Decretum :
" It is jus naturae which is contained in the Law and the
Gospel, by which every one is commanded to do to another
as he would be done by, and forbidden to inflict on him
what he does not wish to happen to himself." Since the
Law and the Gospel represent the final law of life for all
men, they are par excellence the jus naturae, as well as lex
CHAP, xxxui ROMAN AND CANON LAW 269
divina. Gratian quotes from Augustine : " Divinum jus in
scripturis divinis habemus, humanum in legibus regum." *
And then adds : " By its authority the jus naturale prevails
over custom and constitution. Whatever in customs or
writings is contrary to the jus naturale is to be held vain
and invalid." Again he says more explicitly : " Since
therefore nothing is commanded by natural law other than
what God wills to be, and nothing is forbidden except what
God prohibits, and since nothing may be found in the
canonical Scripture except what is in the divine laws, the
laws will rest divinely in nature (divine leges natura con-
sistent). It is evident, that whatever is proved to be
contrary to the divine will or canonical Scripture, is like-
wise opposed to natural law. Wherefore whatever should
give way before divine will or Scripture or the divine laws,
over that ought the jus naturale to prevail. Therefore
whatever ecclesiastical or secular constitutions are contrary
to natural law are to be shut out." -
The canon law is a vast sea. Its growth, its age-long
agglomerate accretion, the systematization of its huge
contents, have long been subjects for controversialists and
scholars. Its sources were as multifarious as those of the
Roman law. First the Scriptures and the early quasi-
apostolic and pseudo-apostolic writings ; then the traditions
of primitive Christianity and also the writings of the Fathers ;
likewise ecclesiastical customs, long accepted and legitimate,
and finally the two great written sources, the decretals or
decisions of the popes and the decrees of councils. From
patristic times collections were made of the last. These
collections from a chronological gradually acquired a topical
and more systemic arrangement, which the compilers
followed more completely after the opening of the tenth
century. The decisions of the popes also had been collected,
and then were joined to conciliar compilations and arranged
after the same topical plan.
In all of them there was unauthentic matter, accepted
as if its pseudo-authorship or pseudo-source were genuine.
But in the stormy times of the ninth century following the
1 Decretum, i. dist. viii. c. i.
2 Decretum, i. dist. ix. c. xi. ; see ibid. dist. xiii., opening.
270 THE MEDIAEVAL MIND BOOK vi
death of Charlemagne, the method of argument through
forged authority was exceptionally creative. It produced
two masterpieces which won universal acceptance. The
first was a collection of false Capitularies ascribed to
Charlemagne and Louis the Pious, and ostensibly the work
of a certain Benedictus Levita, deacon of the Church of
Mainz, who worked in the middle of the century. Far
more famous and important was the book of False Decretals,
put together and largely written, that is forged, about the
same time, probably in the diocese of Rheims, and appear-
ing as the work of Saint Isidore of Seville. This contained
many forged letters of the early popes and other forged
matter, including the Epistle or " Donation " of Constantine ;
also genuine papal letters and conciliar decrees. These
false collections were accepted by councils and popes, and
formed part of subsequent compilations.
From the tenth century onward many such compilations
were made, all of them uncritical as to the genuineness of
the matter taken, and frequently ill-arranged and discordant.
They were destined to be superseded by the great work in
which appears the better methods and more highly trained
intelligence developing at the Bologna School in the first
part of the twelfth century. Its author was Gratianus, a
monk of the monastery of St. Felix at Bologna. He was
a younger contemporary of Irnerius and of Peter Lombard.
Legend made him the latter's brother, with some pro-
priety ; for the compiler of those epoch-making Sentences
represents the same stage in the appropriation of the
patristic theological heritage of the Middle Ages, that
Gratian represents in the handling of the canon law. The
Lombard's Sentences made a systematic and even harmoniz-
ing presentation of the theology of the Fathers in their
own language ; and the equally immortal Decretum of
Gratian accomplished a like work for the canon law.
This is the name by which his work is known, but not the
name he gave it. That appears to have been Concordia
discordantium canonum^ which indicates his methodical
presentation of his matter and his endeavour to reconcile
conflicting propositions.
The first part of the Decretum was entitled " De jure
CHAP, xxxni ROMAN AND CANON LAW 271
naturae et constitutionis." It presents the sources of the
law, the Church's organization and administration, the
ordination and ranking of the clergy, the election and
consecration of bishops, the authority of legates and
primates. The second part treats of the procedure of
ecclesiastical courts, also the law regulating the property of
the Church, the law of monks and, the contract of marriage.
The third part is devoted to the Sacraments and the
Liturgy.
Gratian's usual method is as follows : He will open
with an authoritative proposition. If he finds it universally
accepted, it stands as valid. But if there are opposing
statements, he tries to reconcile them, either pointing out
the difference in date (for the law of the Church may be
progressive), or showing that one of the discordant rules
had but local or otherwise limited application, or that
the first proposition is the rule, while the others make
the exceptions. If he still fails to establish concord, he
searches to find which rule had been followed in the Roman
Church, and accepts that as authoritative. A rule being
thus made certain, he proceeds with subdivisions and
distinctions, treating them as deductions from the main
rule and adjusting the supporting texts. Or he will suppose
a controversy (causa) and discuss its main and secondary
issues. Throughout he accompanies his authoritative matter
with his own commentary — commonly cited as the Dicta
Gratiani} The Decretum was characterized by sagacity
of interpretation and reconcilement, by vast learning, and
clear ordering of the matter. Only it was uncritical as to
the genuineness of its materials ; and a number of Gratian's
own statements were subsequently disapproved in papal
decretals. The Dicta Gratiani never received such formal
sanction by pope or council as the writings of Roman
jurists received by being taken into Justinian's Digest.
The papal decretals had become the great source of
canonical law. Gratian's work was soon supplemented by
various compilations known as Appendices ad Decretum or
Decretales extravagantes, to wit, those which the Decretum
1 Tardif, Sources du droit canonique, p. 175 sqq.t has been chiefly followed
here.
272 THE MEDIAEVAL MIND BOOK vi
did not contain. These, however, were superseded by the
collection, or rather codification, made at the command of
the great canonist Gregory IX. and completed in the year
1234. This authoritative work preserved Gratian's Decretum
intact, but suppressed, or abridged and reordered, the
decretals contained in subsequent collections. Arranged
in five books, it forms the second part of the Corpus juris
canonici. In 1298 Boniface VIII. promulgated a supple-
mentary book known as the Sextus of Boniface. This
with a new collection promulgated under the authority of
Clement V. in 1313, called the Clementinae, and the
Extravagantes of his successor John XXII. and certain
other popes, constitute the last portions of the Corpus
juris canonici}
According to the law of the Empire the emperor's
authority extended over the Church, its doctrine, its dis-
cipline, and its property. Such authority was exercised
by the emperors from Constantine to Justinian. But the
Church had always stood upon the principle that it was
better to obey God rather than man. This had been
maintained against the power of the pagan Empire, and
was not to be sunned out of existence by imperial favour.
It was still better to obey God rather than the emperor.
The Church still should say who were its members and
entitled to participate in the salvation which it mediated.
Ecclesiastical authorities could excommunicate ; that was
their engine of coercion. These principles were incarnate
in Ambrose, Bishop of Milan, withstanding and prohibiting
Theodosius from Christian fellowship until he had done
penance for the massacre at Thessalonica. Of necessity
they inhered in the Church ; they were of the essence of
its strength to fulfil its purpose ; they stood for the duly
constituted power of Christian resolution to uphold and
advance the peremptory truth of Christ.
1 On the above matters see (with the authorities and bibliographies therein
given) Maasen, Geschichte der Quellen, etc., der canonischcn Rechts (Bd. i., to the
middle of the ninth century) ; Tardif, Sources du droit canonique (Paris, 1887) ;
Zorn, Lehrbuch des Kirchenrechts (Stuttgart, 1888) ; Gerlach, Lehrbuch des
catholischen Kirchenrechts (5th edition, Paderborn, 1890). Hinschius, Decretales
pseudo-Isidorianae (Leipzig, 1863) ; Corpus juris canonici, ed. by Friedberg
(Leipzig, 1879-1881).
CHAP, xxxni ROMAN AND CANON LAW 273
So such principles persisted through the time of the
hostile and then the favouring Roman Empire. And when
the Empire in fact crumbled and fell, what de facto and de
jure authority was best fitted to take the place of the imperial
supremacy? The Empire represented a universal secular
dominion ; the Church was also universal, and with a
universality now reaching out beyond the Empire's shrinking
boundaries. In the midst of political fragments otherwise
disjoined, the Church endured as the universal unity. The
power of each Teutonic king was great in fact and law within
his realm. Yet he was but a local potency, while the Church
existed through his and other realms. And when the power
of one Teutonic line (the Carolingian) reached something
like universal sway, the Church was also there within and
without. It held the learning of the time, and the culture
which large-minded seculars respected ; and quite as much
as the empire of Charlemagne, it held the prestige of Rome.
Witness the attitude of Charles Martel and Pippin toward
Boniface the great apostle, and the attitude of Boniface
toward the Gregories whose legate he proclaimed himself,
and upon whose central authority he based his claims to be
obeyed. Through the reforms of the Prankish Church,
carried out by him with the support of Charles Martel and
Pippin, the ecclesiastical supremacy of Rome was established.
Charlemagne, indeed, from the nature and necessities of his
own transcendent power, possessed in fact the ecclesiastical
authority of the Roman emperors, whom men deemed his
predecessors. But after him the secular power fell again
into fragments scarcely locally efficient, while the Church's
universality of authority endured.
In the unstable fragmentation of secular rule in the ninth
century, the Isidorean Decretals presented the truth of the
situation as it was to be, although not as it had been in the
times of the Church dignitaries whose names were forged for
that collection. And thereafter, as the Church recovered
from its tenth -century disintegration, it advanced to the
pragmatic demonstration of the validity of those false
Decretals, on through the tempests of the age of Hildebrand
to the final triumph of Innocent III. at the opening of the
thirteenth century. Evidently the canon law, whatever
VOL. II T
274 THE MEDIAEVAL MIND BOOK vi
might be its immediate or remote source, drew its authority
from the sanction of the Roman Catholic Church, which
enunciated it and made it into a body corresponding to the
Church's functions. It was what the Church promulgated
as the law of the ecclesiastical hierarchy and the kingdom
of God on earth. It should be the temporal and legal
counterpart of the Church's spiritual purposes. Its general
tendency and purpose was the promotion of the Church's
saving aim, which regarded all things in the light of their
relationship to life eternal. Therefore the Church's law
could not but define and consider all worldly interests, all
personal and property rights and secular authority, with
constant regard to men's need of salvation. The advance-
ment of that must be the final appellate standard of legal
right.
Such was the event. The entire canon law might be
lodged within those propositions which Hildebrand enunciated
and Innocent III. realized. For the salvation of souls, all
authority on earth had been entrusted by Christ to Peter
and his successors. Theirs was the spiritual sword ; secular
power, the sword material, was to be exercised under the
pope's mandate and permission. No king or emperor, no
layman whatsoever, was exempt from the supreme authority
of the pope, who also was the absolute head of the Church,
which had become a monarchy. " The Lord entrusted to
Peter not only the universal Church, but the government of
the whole world," writes Innocent III., whose pontificate
almost made this principle a fact. In private matters no
member of the clergy could be brought before a secular
court ; and the jurisdiction of the ecclesiastical courts over
the laity threatened to reduce the secular jurisdiction to
narrow functions.1 The property of the Church might not
be taxed or levied on by any temporal ruler or government ;
nor could the Church's functions and authority be controlled
or limited by any secular decree. Universally throughout
every kingdom the Church was a sovereignty, not only in
matters spiritual, but with respect to all the personal and
1 Jurisdiction of the ecclesiastical courts embraced marriage and divorce,
wills and inheritance, and, by virtue of their surveillance of usury and vows and
oaths, practically the whole relationship between debtor and creditor.
CHAP, xxxin ROMAN AND CANON LAW 275
material relationships that might be connected in any way
with the welfare of souls.1
The exposition of the Corpus juris civilis in the school
of the glossators was of great moment in the evolution of
mediaeval political theory, which in its turn yields one more
example of the mediaeval application of thoughts derived
from antique and patristic sources. Political thinking in
the Middle Ages sought its surest foundation in theology ;
then it built itself up with concepts drawn from the philosophy
and social theory of the antique world ; and lastly it laid
hold on jurisprudence, using the substance and reasoning of
the Roman and the Canon law.
Mediaeval ideas upon government and the relations
between the individual and his earthly sovereign, started
from theological premises, of patristic origin : e. g. that the
universe and man were made by God, a miraculous creation,
springing from no other cause, and subject to no other
fundamental law, than God's unsearchable will, which never
ceases to direct the whole creation to the Creator's ends.
A further premise was the Scriptural revelation of God's
purpose as to man, with all the contents of that revelation
touching the overweening importance of man's deathless
soul.
Unity — the unity of the creation — springs from these
premises, or is one of them. The principle of this unity
is God's will. Within the universal whole, mankind also
constitutes a unit, a community, specially ordained and
ordered. The Middle Ages, following the example of the
patristic time, were delivered over to allegory, and to an
unbridled recognition of the deductions of allegorical
reasoning. Mankind was a community. Mankind was also
an organism, the mystical body whereof the head was Christ
Here was an allegory potent for foolishness or wisdom. It
1 Volume ii. of R. W. and A. J. Carlyle's History of Mediaeval Political
Theory in the West (1909) maintains that the statements of papal pretensions
which were incorporated in the recognized collections of Decretals were less
extreme than those emanating from the papacy under stress of controversy.
276 THE MEDIAEVAL MIND BOOK vi
was used to symbolize the mystery of the oneness of all
mankind in God, and the organic co-ordination of all sorts
and conditions of men with one another in the divine
commonwealth on earth ; it was also drawn out into every
detail of banal anthropomorphic comparison. From John
of Salisbury to Nicholas Cusanus, Occam and Dante, no
point of fancied analogy between the parts and members of
the body and the various functions of Church and State was
left unexploited.1
Mankind then is one community ; also an organism.
But within the human organism abides the duality of soul
and body ; and the Community of Mankind on earth is
constituted of two orders, the spiritual and temporal, Church
and State.2 There must be either co-ordination between State
and Church, body and soul, or subordination of the temporal
and material to the eternal and spiritual. To evoke an adjust-
ment of what was felt to be an actually universal opposition,
was the chief problem of mediaeval polity, and forms the
warp and woof of conflicting theories. The Church asserted
a full spiritual supremacy even in things temporal, and,
to support the claim, brought sound arguments as well as
foolish allegory — allegory pretending to be horror-stricken
at the vision of an animal with two heads, a bicephalic
monstrosity. But does not the Church comprise all man-
kind ? Did not God found it ? Is not Christ its head,
and under Him his vicegerent Peter and all the popes ?
Then shall not the pope who commands the greater, which
is the spiritual, much more command the less, the temporal ?
And all the argumentation of the two swords, delivered to
Peter, comes into play. That there are two swords is but
a propriety of administration. Secular rulers wield the
secular sword at the pope's command. They are instruments
1 See Gierke, Political Theories of the Middle Ages, trans, by Maitland
(Cambridge, 1900), p. 22 sqq. and notes. I would express my indebtedness to
this book for these pages on mediaeval political theories. Dunning's History of
Political Theories is a convenient outline ; Carlyle's History of Mediaeval Political
Theory gives the sources carefully.
2 Occasionally studium (knowledge, study, or science) is introduced as a third
part or element of the human community or of human life. Thus in the famous
statement of Jordanes of Osnabriick — the Romans received the Sacerdotium, the
Germans the Imperium, the French the Studium. See Gierke, Political
Theories, p. 104, note 8.
CHAP, xxxin ROMAN AND CANON LAW 277
of the Church. Fundamentally the State is an ecclesiastical
institution, and the bounds of secular law are set by the
law spiritual : the canon law overrides the laws of every
State. True, in this division, the State also is ordained of
God, but only as subordinate. And divinely ordained
though it be, the origin of the State lies in sin ; for sin
alone made government and law needful for man.1
On the other hand, the partisans of the State upheld
co-ordination as the true principle.2 The two swords
represent distinct powers, Sacerdotium and Imperium. The
latter as well as the former is from God ; and the two are
co-ordinates, although of course the Church which wields
the spiritual sword is the higher. This theory creates no
bicephalic monster. God is the universal head. And even
as man is body as well as soul, the human community is
State as well as Church ; and the State needs the emperor
for its head, as the Church has the pope. The Roman
Dominion, imperium mundi, was legitimate, and by divine
appointment has passed over to the Roman -German
emperor. Other views sustaining the scheme of co-ordina-
tion upheld a plurality of states, rather than one universal
Imperium. Of course these opposing views of subordination
or co-ordination of State and Church took on every shade
of diversity.
As to both Church and State, mediaeval political theory
was predominantly monarchical. Ideally this flowed from
the thought of God as the true monarch of the universe.
Practically it comported with mediaeval social conditions.
Under Innocent III., if not under Gregory VII., the Church
had become a monarchy well-nigh absolute.3 The pope's
power continued plenary until the great schism and the
age of councils evoked by it. For the secular state, the
common voice likewise favoured monarchy. The unity of
the social organism is best effected by the singleness of its
head. Thomas Aquinas authoritatively reasons thus, and
1 Cf. Gierke, o.c. p. 109, note 16. But compare Carlyle, o.c. vol. ii. part
ii. chaps, vii.-xi.
2 Even toward the close of the Middle Ages Marsilius of Padua was almost
alone in positing the absolute supremacy of the State, says Gierke.
3 See Gierke, o.c. p. 144, note 131, and compare notes 132, 133, and 183
for attacks upon the plenary power of the pope.
278 THE MEDIAEVAL MIND BOOK vi
Dante maintains that as the unifying principle is Will, the
will of one man is the best means to realize it.1 But
monarchy is no absolute right existing for the ruler's
benefit, rather it is an office to be righteously exercised
for the good of the community. The monarch's power is
limited, and if his command outrages law or right, it is a
nullity ; his subjects need not obey, and the principle
applies, that it is better to obey God than man. Even
when, as in the days of the Hohenstaufen, the civil jurists
claimed for the emperor the plenitudo potestatis of a Roman
Caesar, the opposite doctrine held strong, which gave him
only a limited power, in its nature conditioned on its
rightful exercise.
Moreover, rights of the community were not un-
recognized, and indeed were supported by elaborate theories
as the Middle Ages advanced to their climacteric. The
thought of a contract between ruler and people frequently
appears, and reference to the contract made at Hebron
between David and the people of Israel (2 Sam. v. 3).
The civil jurist also looked back to the principle of the
jus gentium giving to every free people the right to choose
a ruler ; also to that famous text of the Digest, where,
through the lex regia, the people were said to have conferred
their powers upon the princeps.2 With such thoughts of
the people's rights came theories of representation and of
the monarch as the people's representative ; and Roman
corporation law supplied the rules for mediaeval representa-
tive assemblies, lay and clerical.3
The old Germanic state was a conglomerate of positive
law and specific custom, having no existence beyond the
laws, which were its formative constituents. Such a con-
ception did not satisfy mediaeval publicists, imbued with
antique views of the State's further aims and potency. Nor
were all men satisfied with the State's divinely ordered
origin in human sinfulness. An ultimate ground for its
existence was sought, commensurate with its broadest aims.
Such was found, not in positive, but in natural law — again
1 Gierke, o.c. pp. 31-32, and p. 139, notes 107 and 108.
* Dig. i. 4, I ; Gierke, o.c. p. 39 and pp. 146, 147.
3 Gierke, o.c. p. 64.
CHAP, xxxin ROMAN AND CANON LAW 279
an antique conception. That a veritable natural law
existed, all men agreed ; also that its source lay back of
human conventions, somehow in the nature of God. All
admitted its absolute supremacy, binding alike upon popes
and secular monarchs, and rendering void all acts and
positive laws contravening it. It must be the State's
ultimate constituent ground.
God was the source of natural law. Some argued that
it proceeded from His will, as a command, others that its
source was eternal Reason announcing her necessary and
unalterable dictates ; again its source was held to lie more
definitely in the Reason that was identical with God the
summa ratio in Deo existens, as Aquinas puts it From
that springs the Lex naturalis, ordained to rest on the
participation of man, as a rational creature, in the moral
order which he perceives by the light of natural reason.
This lex naturalis (or jus naturale) is a true promulgated
law, since God implants it for recognition in the minds of
men.1 Absolute unconditional supremacy was ascribed to
it, and also to the jus divinum, which God revealed super-
naturally for a supramundane end. A cognate supremacy
was ascribed to the jus commune gentium, which was
composed of rules of the jus naturale adapted to the
conditions of fallen human nature.
Such law was above the State, to which, on the other
hand, positive law was subject. Whenever the ruler was
conceived as sovereign or absolute, he likewise was deemed
above positive law, but bound by these higher laws. They
were the source and sanction of the innate and indestructible
rights of the individual, to property and liberty and life
as they were formulated at a later period. It is evident
how the recognition of such rights fell in with the Christian
revelation of the absolute value of every individual in and
for himself and his immortal life. On the other hand,
certain rights of the State, or the community, were also
indestructible and inalienable by virtue of the nature of
their source in natural law.2
This abstract of political theory has been stated in
1 Gierke, o.c. p. 172, note 256. Cf. ante, p. 268.
2 See Gierke, o.c. pp. 73-86, and corresponding notes.
280 THE MEDIAEVAL MIND BOOK vi
terms generalized to vagueness, and with no attempt to
follow the details or trace the historical development. The
purpose has been to give the general flavour of mediaeval
thought concerning Church and State, and the Individual
as a member of them both. One observes how the patristic
and mediaeval Christian thought mingles with the antique ;
and one may assume the intellectual acumen applied by
legist, canonist, and scholastic theologian to the discussion
and formulation of these high arguments. The mediaeval
genius for abstractions is evident, and the mediaeval faculty
of linking them to the affairs of life ; clear also is the
baneful effect of mediaeval allegory. Even as men now-
a-days are disposed to rest in the apparent reality of
the tangible phenomenon, so the mediaeval man just as
commonly sought for his reality in what the phenomenon
might be conceived to symbolize. Therefore in the higher
political controversies, even as in other interests of the
human spirit, argument through allegory was accepted as
legitimate, if not convincing ; and a proper sequence of
thought was deemed to lie from one symbolical meaning
to another, with even a deeper validity than from one
palpable fact to that which followed from it
BOOK VII
ULTIMATE INTELLECTUAL INTERESTS
OF THE TWELFTH AND
THIRTEENTH CENTURIES
281
CHAPTER XXXIV
SCHOLASTICISM : SPIRIT, SCOPE, AND METHOD
THE religious philosophy or theology of the Middle Ages is
commonly called scholasticism, and its exponents are called
the scholastics. The name applies most properly to the
respectable academic thinkers. These, in the early Middle
Ages, usually were monks living in monasteries, like St.
Anselm, for instance, who was Abbot of Bee in Normandy
before, to his sorrow, he was made Archbishop of Canterbury.
In the thirteenth century, however, while these respected
thinkers still were monks, or rather mendicant friars, they
were also university professors. Albertus Magnus and St
Thomas Aquinas, the great Dominicans, and their friend St.
Bonaventura, who became the head of the Franciscan Order,
all lectured at the University of Paris, the chief university
of the Middle Ages in the domain of philosophy and
theology. Moreover, as the scholastics were respectable
and academic, so they were usually orthodox Churchmen,
good Roman Catholics. The conduct or opinions of some
of them, Abaelard for example, became suspect to the
Church authorities ; yet Abaelard, although his book had
been condemned, kept within the Church's pale, and died a
monk of Cluny. There were plenty of obdurate heretics in
the Middle Ages ; but their bizarre ideas, sometimes coming
down from Manichaean sources, were scarcely germane to the
central lines of mediaeval thought.1
1 Little will be said in these pages of palpable crass heretics like the Cathari,
for example. The philosophic ideas of such seem gathered from the flotsam and
jetsam of the later antique world ; their stock was not of the best, and bore little
interesting fruit for later times. Such mediaeval heresies present no continuous
evolution like that of the proper scholasticism. Progress in philosophy and
283
284 THE MEDIAEVAL MIND BOOK vu
One hears of scholastic philosophy and scholastic
theology ; and assuredly these mediaeval theologian-philo-
sophers endeavoured to distinguish between the one and
the other phase of the matters which occupied their minds.
The distinction was intelligibly drawn and, in many treatises,
doubtless affected the choice and ordering of topics.
Whether it was consistently observed in the handling of
those topics, is another question, which perhaps should be
answered in the negative. At all events, to attempt to
observe this distinction in considering the ultimate intel-
lectual interests of the twelfth and thirteenth centuries, might
sap the matter of the human interest attaching to it, to
wit, that interest and validity possessed by all serious effort
to know — and to be saved. These were the motives of the
scholastics, whether they used their reason, or clung to
revelation, or did both, as they always did.
Mediaeval methods of thinking and topics of thought
are no longer in vogue. For the time, men have turned
from the discussion of universals and the common unity or
separate individuality of mind, and are as little concerned
with transubstantiation as with the old dispute over
investitures. But the scholastics were men and so are we.
theology came through academic personages, who at all events laid claim to
orthodoxy. All lines of advance leading on to later phases of philosophic,
scientific, and religious thought, lay within the labours of such, some of whom,
however, were suspected or even condemned by the Church, like Eriugena,
Abaelard, or Roger Bacon. But these men did not stand apart from orthodox
academic circles, and were never cast out by the Church. Thought and learning
in the Middle Ages were domiciled in monastic, episcopal, or university circles ;
and these were at least conventionally orthodox.
It has been said, to be sure, that the heresy of one generation becomes the
orthodoxy of another ; but this is true only of tendencies like those of Abaelard,
which represent the gradual expansion and clearing up of scholastic processes.
For the time they may be condemned, perhaps because of the vain and contentious
character of the suspected thinker ; but in the end they are recognized as
admissible.
The Averroists constitute an apparent exception. Yet they were a philosophic
and academic sect, whose heresy consisted in an implicit following of Aristotle
as interpreted by Averroes. Moreover, they sought to save their orthodoxy
by their doctrine of the two kinds of truth, philosophic and theological or
dogmatic. It is not clear that much fruitful thought came from their school.
The positions of Siger de Brabant, a prominent Averroist and contemporary of
Aquinas, are referred to post, Chapter XXXVII. The best account of Averroism
is Mandonnet's Siger de Brabant et Paverroisme latin au XIIIe siecle (a second
edition, Louvain, is in preparation). See also De Wulf, Hist, of Medieval
Philosophy (3rd. ed., Longmans, 1909) p. 379 sqq. with authorities cited.
CHAP, xxxiv METHODS OF SCHOLASTICISM 285
Our humanity is one with theirs. Men are still under the
necessity of reflecting upon their own existence and the
world without, and still feel the need to reach conclusions
and the impulse to formulate consistently what seem to
them vital propositions. Herein we are blood kin to Gerbert
and Anselm, to Abaelard and Hugo of St. Victor, to Thomas
Aquinas as well as Roger Bacon : and our highest nature is
one with theirs in the intellectual fellowship of human
endeavour to think out and present that which shall appease
the mind. Because of this kinship with the scholastics, and
the sympathy which we feel for the struggle which is the
same in us and them, their intellectual endeavours, their
achieved conclusions, although now appearing as but apt or
necessitated phrases, may have for us the immortal interest
of the eternal human.
Let us then approach mediaeval thought as man meets
man, and seek in it for what may still be valid, or at least
real to us, because agreeing with what we find within our-
selves. Being men as well as scholars, we would win from
its parchment-covered tomes those elements which if they
do not represent everlasting verities, are at least symbols of
the permanent necessities of the human mind. Whatever
else there is in mediaeval thought, as touching us less
nearly, may be considered by way of historical setting and
explanation.
In different men the impulse to know bears different
relationships to the rest of life. It sometimes seems self-
impelled, and again palpably inspired by a motive beyond
itself. In some form, however, it winds itself into every
action of our mental faculties, and no province of life appears
untouched by this craving of the mind. Nevertheless to
know is not the whole matter ; for with knowledge comes
appetition or aversion, admiration or contempt, love or
abhorrence ; and other impulses — emotional, desiderative,
loving — impel the human creature to realize its nature in
states of heightened consciousness that are not palpable
modes of knowing, though they may be replete with all the
knowledge that the man has gained.
These ultimate cravings which we recognize in ourselves,
inspired mediaeval thought. Its course, its progress, its
286 THE MEDIAEVAL MIND BOOK vn
various phases, its contents and completed systems, all
represent the operation of human faculty pressing to expres-
sion and realization under the accidental or " historical "
conditions of the mediaeval period. We may be sure that
many kinds of human craving and corresponding faculty
realized themselves in mediaeval philosophy, theology, piety
and mysticism — the last a word used provisionally, until we
succeed in resolving it into terms of clearer significance.
And we also note that in these provinces, realization is
expression. Every faculty, every energy, in man seeks to
function, to realize its power in act. The sheer body — if
there be sheer body — acts bodily, operates, and so makes
actual its powers. But those human energies which are
informed with mind, realize themselves in ardent or rational
thought, or in uttered words, or in products of the artfully
devising hand. All this clearly is expression, and corresponds,
if it is not one and the same, with the passing of energy
from potency to the actuality which is its end and consum-
mation. Thus love, seeking its end, thereby seeks expression,
through which it is enhanced, and in which it is realized.
Likewise, impelled by the desire to know, the faculties of
cognition and reason realize themselves in expression ; and
in expression each part of rational knowledge is clarified,
completed, rendered accordant with the data of observation
and the laws or necessities of the mind.
Human faculties form a correlated whole ; and this
composite human nature seeks to act, to function. Thus the
whole man strives to realize the fullest actuality of his being,
and satisfy or express the whole of him, and not alone his
reason, nor yet his emotions, or his appetites. This utter-
most realization of human being — man's summum bonum
or summa necessitas — cannot unite the incompatible within
its synthesis. It must be kept a consistent ideal, a possible
whole. Here the demiurge is the discriminating and con-
structive intelligence, which builds together the permanent
and valuable elements of being, and excludes whatever
cannot coexist in concord with them. Yet the intelligence
does not always set its own rational activities as man's
furthest goal of realization. It may place love above
reason. And, of course, its discriminating judgment will
CHAP, xxxiv METHODS OF SCHOLASTICISM 287
be affected by current knowledge and by dominant beliefs
as to man and his destiny, the universe and God.
Manifestly whatever the thoughtful idealizing man in
any period (and our attention may at once focus itself upon
the Middle Ages) adjudges to belong to the final realization
of his nature, will become an object of intellectual interest
for him ; and he will deem it a proper subject for study and
meditation. The rational, spiritual, or even physical ele-
ments, which may enter and compose this, his summum
bonum, represent those intellectual interests which may be
termed ultimate, for the very reason, that they relate to
what the thinker deems his beatitude. These ultimate
intellectual interests possess an absolute sanction, for the
lack of which whatever lies outside of them tends to adjudge
itself vain.
The philosophy, theology, and the profoundly felt and
reasoned piety, of the twelfth and thirteenth centuries made
up that period's ultimate intellectual interests. We are not
concerned with other matters occupying its attention, save
as they bore on man's supreme beatitude, which was held to
consist in his everlasting salvation and all that might con-
stitute his bliss in that unending state. The elements of
this blessedness were not deemed to lie altogether in
rational cognition and its processes ; for the conception of
the soul's beatitude was catholic ; and while with some men
the intellectual elements were dominant, with others salva-
tion's summit was attained along the paths of spiritual
emotion.
Obviously, from the side of the emotions, there could
come no large and lasting happiness, unless emotional desire
and devotion were directed to that which might also satisfy
the mind, or at all events, would not conflict with its judg-
ment. Hence the emotional side of the ultimate mediaeval
ideal was pietistic ; because the mediaeval dogmatic faith
regarded the emotional impulses between one human being
and another as distracting, if not wicked. Such mortal
impulses were so very difficult to harmonize with the eternal
beatitude which consisted in the cognition and love of God.
This principle was proclaimed by monks and theologians, or
philosophers ; it was even recognized (although not followed)
288 THE MEDIAEVAL MIND BOOK vn
in the literature which glorified the love of man and woman,
but in which the lover-knight so often ends a hermit, and
the convent at last receives his sinful mistress. On the
other hand, reason, with its practical and speculative know-
ledge, is sterile when unmixed with piety and love. This is
the sum of Bonaventura's fervid arguments, and is as clearly,
if more quietly, recognized by Aquinas, with whom fides
without caritas is informis, formless, very far indeed from its
true actuality or realization.
Thus, for the full realization of man's highest good in
everlasting salvation, the two complementary phases of the
human spirit had to act and function in concord. Together
they must realize themselves in such catholic expression as
should exclude only the froward or evil elements, non-
elements rather, of man's nature. Both represent ultimate
mediaeval interests and desires ; and perhaps deep down and
very intimately, even inscrutably, they may be one, even as
they clearly are complementary phases of the human soul.
Yet with certain natures who perhaps fail to hold the balance
between them, the two phases seem to draw apart, or, at
least, to evince themselves in distinct expression, and indeed
in all men they are usually distinguishable.
Generally speaking, the conception of man's divinely
mediated salvation, and of the elements of human being
which might be carried on, and realized in a state of ever-
lasting beatitude, prescribed the range of ultimate intellectual
interests for the Middle Ages. The same had been
despotically true of the patristic period. Augustine would
know God and the soul ; Ambrose expressed equally em-
phatic views upon the vanity of all knowledge that did not
contribute to an understanding of the Christian Faith. This
view was held with temperamental and barbarizing narrow-
ness by Gregory the Great. It was admitted, as of course,
throughout the Carolingian period, although humanistically-
minded men played with the pagan literature. Nor was it
seriously disputed in the eleventh or twelfth century, when
men began to delight in dialectic, and some cared for pagan
literature ; nor yet in the thirteenth when an increasing
number were asking many things from philosophy and
natural knowledge, which had but distant bearing on the
CHAP, xxxiv METHODS OF SCHOLASTICISM 289
soul's salvation. One of these men was Roger Bacon, whose
scientific studies were pursued with ceaseless energy. But
he could also state emphatically the principle of the worth-
lessness of whatever does not help men to understand the
divine truths by which they are saved. In Bacon's time, the
love of knowledge was enlarging its compass, while, really or
nominally as the individual case might be, the criterion of
relevancy to the Faith still obtained, and set the topics with
which men should occupy themselves. All matters of
philosophy or natural science had to relate themselves to the
summum bonum of salvation in order to possess ultimate
human interest. Therefore, if philosophy was to preserve
the strongest reason for its existence, it had to remain the
handmaid of theology. Still, to be sure, the conception of
man's beatitude would become more comprehensive with the
expansion and variegation of the desire for knowledge.
As the summum bonum of salvation prescribed the topics
of ultimate intellectual interest for the Middle Ages, so the
stress which it laid upon one topic rather than another
tended to direct their ordering or classification, as well as
the proportion of attention devoted to each one. Likewise
the form or method of presentation was controlled by the
authority of the Scriptural statement of the way and means
of salvation, and the well-nigh equally authoritative inter-
pretation of the same by the beatified Fathers. Thus the
nature of the summum bonum and the character of its
Scriptural statement and patristic exposition suggested the
arrangement of topics, and set the method of their treatment
in those works of the twelfth and thirteenth centuries which
afford the most important presentations of the ultimate
intellectual interests of that time. Obvious examples will
be Abaelard's Sic et non and his Theologia, Hugo of St.
Victor's De sacramentis, the Lombard's Books of Sentences,
and the Summa theologiae of Thomas Aquinas.
It will be seen in the next chapter that the arrangement
of topics in these comprehensive treatises differed from what
would have been evolved through the requirements of a
systematic presentation of human knowledge. Aquinas sets
forth the reasons why one mode of treatment is suitable to
philosophy and another to sacred science, and why the
VOL. II U
290 THE MEDIAEVAL MIND BOOK VH
latter may omit matters proper for the former, or treat them
from another point of view. The supremacy of sacred
science is incidentally shown by the argument. In his
Contra Gentiles* chapter four, book second, bears the title :
" Quod aliter considerat de creaturis Philosophus et aliter
Theologus " (" That the philosopher views the creation in
one way and the theologian in another"). In the text he
says :
" The science (doctrina) of Christian faith considers creatures
so far as there may be in them some likeness of God, and so far as
error regarding them might lead to error in things divine. . . .
Human philosophy considers them after their own kind, and its
parts are so devised as to correspond with the different classes
(genera) of things ; but the faith of Christ considers them, not after
their own kind, as for example, fire as fire, but as representing the
divine altitude. . . . The philosopher considers what belongs to
them according to their own nature ; the believer (fidelis) regards
in creatures only what pertains to them in their relationship to God,
as that they are created by Him and subject to Him. Wherefore
the science of the Faith is not to be deemed incomplete, if it
passes over many properties of things, as the shape of the heaven
or the quality of motion. ... It also follows that the two sciences
do not proceed in the same order. With philosophy, which regards
creatures in themselves, and from them draws on into a knowledge
of God, the first consideration is in regard to the creatures and the
last is as to God. But in the science of faith, which views
creatures only in their relationship to God (in ordine ad Deum), the
first consideration is of God, and next of the creatures."
Obviously sacra doctrina^ which is to say, tluologia,
proceeds differently from philosophia humana, and evidently
it has to do with matters of ultimate importance, and
therefore of ultimate intellectual interest. The passage
quoted from the Contra Gentiles may be taken as intro-
ductory to the more elaborate statement at the beginning
of his Summa t/teologiae, where Thomas sets forth the
principles by which sacra doctrina is distinguished from the
philosophicae disciplinae, to wit, the various sciences of human
philosophy :
" It was necessary to human salvation that there should be a
science (doctrina) according with divine revelation, besides the
1 Called also his Summa pkilosophua, to distinguish it from his Summa
theologiae.
CHAP, xxxiv METHODS OF SCHOLASTICISM 291
philosophical disciplines which are pursued by human reason.
Because man was formed (ordinatur) toward God as toward an end
exceeding reason's comprehension. That end should be known to
men, who ought to regulate their intentions and actions toward an
end. Wherefore it was necessary for salvation that man should
know certain matters through revelation, which surpass human
reason."
Thomas now points out that, on account of many errors,
it also was necessary for man to be instructed through
divine revelation as to those saving truths concerning God
which human reason was capable of investigating. He next
proceeds to show that sacra doctrina is science.
" But there are two kinds of sciences. There are those which
proceed from the principles known by the natural light of the
mind, as arithmetic and geometry. There are others which proceed
from principles known by the light of a superior science : as per-
spective proceeds from principles made known through geometry,
and music from principles known through arithmetic. And sacra
doctrina is science in this way, because it proceeds from principles
known by the light of a superior science or knowledge which is the
knowledge belonging to God and the beatified. Thus as music
believes the principles delivered to it by arithmetic, so sacred
doctrine believes the principles revealed to it from God."
The question then is raised whether sacra doctrina is one
science, or many. And Thomas answers, that it is one, by
reason of the unity of its formal object For it views every-
thing discussed by it as divinely revealed ; and all things
which are subjects of revelation (revelabilia) have part in the
formal conception of this science ; and so are comprehended
under sacra doctrina, as under one science. Nevertheless it
extends to subjects belonging to various departments of
knowledge so far as they are knowable through divine
illumination. As some of these may be practical and some
speculative, it follows that sacred science includes both the
practical and the speculative, even as God with the same
knowledge knows himself and also the things He makes.
" Yet this science is more speculative than practical, because
on principle it treats of divine things rather than human actions,
which it treats in so far as man by means of them is directed
(ordinatur) to perfect cognition of God, wherein eternal beatitude
consists. This science in its speculative as well as practical
292 THE MEDIAEVAL MIND BOOK vu
functions transcends other sciences, speculative and practical.
One speculative science is said to be worthier than another, by
reason of its certitude, or the dignity of its matter. In both
respects this science surpasses other speculative sciences, because
the others have certitude from the natural light of human reason,
which may err ; but this has certitude from the light of the divine
knowledge, which cannot be deceived ; likewise by reason of the
dignity of its matter, because primarily it relates to matters too high
for reason, while other sciences consider only those which are
subjected to reason. It is worthier than the practical sciences,
which are ordained for an ulterior end ; for so far as this science is
practical, its end is eternal beatitude, unto which as an ulterior end
all other ends of the practical sciences are ordained (ordinantur).
" Moreover although this science may accept something from
the philosophical sciences, it requires them merely for the larger
manifestation of the matters which it teaches. For it takes its
principles, not from other sciences, but immediately from God
through revelation. So it does not receive from them as from
superiors, but uses them as servants. Even so, it uses them not
because of any defect of its own, but because of the defectiveness
of our intellect which is more easily conducted (manuducitur) by
natural reason to the things above reason which this science
teaches."
Thomas now shows, with scholastic formalism, that God
is the subjectum of this science ; since all things in it are
treated with reference to God (sub ratione Dei), either
because they are God himself, or because they bear relation-
ship (habent ordinem} to God as toward their cause and end
(principium et finem). The final question is whether this
science be argumentative^, using arguments and proofs ; and
Thomas thus sets forth his masterly solution :
" I reply, it should be said that as other sciences do not prove
their first principles, but argue from them in order to prove other
matters, so this science does not argue to prove its principles,
which are articles of Faith, but proceeds from them to prove some-
thing else, as the Apostle, in i Corinthians xv., argues from the
resurrection of Christ to prove the resurrection of us all. One
should bear in mind that in the philosophic sciences the lower
science neither proves its own first principles nor disputes with
him who denies them, but leaves that to a higher science.
But the science which is the highest among them, that is
metaphysics, does dispute with him who denies its principles,
if the adversary will concede anything ; if he concede nothing
CHAP, xxxiv METHODS OF SCHOLASTICISM 293
it cannot thus argue with him, but can only overthrow his argu-
ments. Likewise sacra Scriptura (or doctrina or sacred science,
theology), since it owns no higher science, disputes with him
who denies its principles, by argument indeed, if the adversary will
concede any of the matters which it accepts through revelation.
Thus through Scriptural authorities we dispute against heretics,
and adduce one article against those who deny another. But
if the adversary will give credence to nothing which is divinely
revealed, sacred science has no arguments by which to prove to him
the articles of faith, but has only arguments to refute his reasonings
against the Faith, should he adduce any. For since faith rests on
infallible truth, its contrary cannot be demonstrated : manifestly the
proofs which are brought against it are not proofs, but contro-
vertible arguments.
" To argue from authority is most appropriate to this science ;
for its principles rest on revelation, and it is proper to credit the
authority of those to whom the revelation was made. Nor does
this derogate from the dignity of this science ; for although proof
from authority based on human reason may be weak, yet proof from
authority based on divine revelation is most effective.
" Yet sacred science also makes use of human reason ; not
indeed to prove the Faith, because this would take away the merit
of believing ; but to make manifest other things which may be
treated in this science. For since grace does not annul nature, but
perfects it, natural reason should serve faith, even as the natural
inclination conforms itself to love (caritas). Hence sacred science
uses the philosophers also as authority, where they were able to know
the truth through natural reason. It uses authorities of this kind
as extraneous arguments having probability. But it uses the
authorities of the canonical Scriptures arguing from its own
premises and with certainty. And it uses the authorities of other
doctors of the Church, as arguing upon its own ground, yet only
with probability. For our faith rests upon the revelation made to
the Apostles and Prophets, who wrote the canonical books ; and
not upon the revelation, if there was any, made to other doctors." ]
Mediaeval thought was beset behind and before by the
compulsion of its conditions. Its mighty antecedents lived
in it, and wrought as moulding forces. Well we know them,
two in number, the one, of course, the antique philosophy ;
the other, again of course, the dogmatic Christian Faith,
itself shot through and through with antique metaphysics, in
the terms of which it had been formulated. These two,
1 Summa theologiae, i. i., quaestio i. art. 1-8.
294 THE MEDIAEVAL MIND BOOK vn
very dual and yet joined, antagonistic and again united,
constituted the form-giving principles of mediaeval thinking.
They were, speaking in scholastic phrase, the substantial as
well as accidental forms of mediaeval theology, philosophy,
and knowledge. Which means that they set the lines of
mediaeval theology or philosophy, and caused the one and
the other to be what it became, rather than something else ;
and also that they supplied the knowledge which mediaeval
men laboured to acquire, and attempted to adjust their
thinking to. Thus, through the twelfth, the thirteenth, and
the fourteenth centuries, they remained the inworking
formal causes of mediaeval thought ; while, on the other
hand, the moving and efficient causes (still speaking in
scholastic-Aristotelian phrase) were the human impulses
which those formal causes moulded, or indeed suggested, and
the faculties which they trained.
The patristic system of dogma with the antique
philosophy, set the forms of mediaeval expression, fixed the
distinctive qualities of mediaeval thought, furnished its topics,
and even necessitated its problems — in two ways : First,
through the specific substance which passed over and filled
the mediaeval productions ; and secondly, simply by reason
of the existence of such a vast authoritative body of antique
and patristic opinion, knowledge, dogma, which the Middle
Ages had to accept and master, and beyond which the
substance of mediaeval thinking was hardly destined to
advance.
The first way is obvious enough, inasmuch as patristic
and antique matter palpably make the substance of mediaeval
theology and philosophy. The second is less obvious, but
equally important. This mass of dogma, knowledge, and
opinion, existed finished and complete. Men imperfectly
equipped to comprehend it were brought to it by the
conviction that it was necessary to their salvation, and then
gradually by the persuasion also that it offered the only
means of intellectual progress. The struggle to master such
a volume of knowledge issuing from a more creative past,
gave rise to novel problems, or promoted old ones to a novel
prominence. The problem of universals was taken directly
from the antique dialectic. It played a monstrous rdle in
CHAP, xxxiv METHODS OF SCHOLASTICISM 295
the twelfth century because it was in very essence a
fundamental problem of cognition, of knowing, and so
pressed upon men who were driven by the need to master
continually unfolding continents of thought1 This is an
instance of a problem transmitted from the past, but blown
up to extraordinary importance by mediaeval intellectual
conditions. So throughout the whole scholastic range,
attitude and method alike are fixed by the fact that
scholasticism was primarily an appropriation of transmitted
propositions.
In considering the characteristics of mediaeval thought, it
is well to bear in mind these diverse ways in which its
antecedents made it what it was : through their substance
transmitted to it ; through the receptive attitude forced upon
men by existing accumulations of authoritative doctrine, and
the method entailed upon mediaeval thought by its scholastic
rather than originative character. Also one will not omit to
notice which elements came from the action of the patristic
body of antecedents, rather than from the antique group,
and vice versa.
Since the antique and patristic constituted well-nigh the
whole substance of philosophy and theology in the Middle
Ages, a separate consideration of what was thus transmitted
would amount to a history of mediaeval thought from a
somewhat unilluminating point of view. On the other hand,
one may learn much as to the qualities of mediaeval thought
from observing the attitudes of various men in successive
centuries toward Greek philosophy and patristic theology.
The Fathers had used the concepts of the former in the
construction of their systems of acceptance of the Christian
Faith. But the spirit of inquiry from which Greek philosophy
had sprung, was very different from the spirit in which the
Fathers used its concepts and arguments, in order to
substantiate what they accepted on the authority of Scripture
and tradition. It is true that Greek philosophy in the Neo-
Platonism of Porphyry and lamblicus was not far from the
patristic attitude toward knowledge. But the spirit of these
declining moods of Neo-Platonism was not the spirit which
had carried the philosophy of the Greeks to its intellectual
» Pott, Chapter XXXVI. i.
296 THE MEDIAEVAL MIND BOOK vn
culmination in Plato and Aristotle, and to its attainment of
the ethically rational in Stoicism and the system of Epicurus.
Thus patristic thinking was essentially different in
purpose and method from the philosophy which it forced to
serve its uses ; and the two differed by every difference of
method, spirit, and intent which were destined to appear
among the various kinds of mediaeval thinkers. But the
difference between Greek philosopher and Church Father
was deeper than any that ever could exist among mediaeval
men. Some of the last might be conventionally orthodox
and passionately pious, while others cared more distinctly
for the fruits of knowledge. But even these could not be as
Greek philosophers, because they were accustomed to rely
on authority, and because they who drew their knowledge
from an existing store would not have the independence
and originality distinguishing the Greeks, who had created
so much of that store from which they drew.1 Moreover,
while neither Plato's inquiry for truth, nor Aristotle's catholic
search for knowledge, was isolated from its bearing on either
the conduct or the event of life, nevertheless with them
rational inquiry was a final motive representing in itself that
which was most divinely human, and so the best for man.'2
But with the philosophers of the Middle Ages, it never was
quite so. For the need of salvation had worked in men's
blood for generations. And salvation, man's highest good,
did not consist in humanly-attained knowledge or in virtue
won by human strength ; but was divinely mediated and
had to be accepted upon authority. Hence, even in the
great twelfth and thirteenth centuries, intellectual inquiry
was never unlimbered from bands of deference, nor ever
quite dispassionately rational or unaffected by the mortal
need to attain a salvation which was bestowed or withheld
by God according to His plan authoritatively declared.
Accordingly all mediaeval variances of thought show
common similitudes : to wit, some consciousness of need of
1 Even the Averroists were more mediaeval than Greek, inasmuch as they
professed to follow Aristotle implicitly. Cf. post, Chapter XXXVII., at the end.
2 A touch of "salvation," or salvation's need, is on Plato when his
" philosophy " becomes a consideration of death (^f\irt\ Bavdrov) and a process
of growing as like to God (ojuoJaxru 6e£) as man can. Phaedo, 80 E, and
Thcaetetus, 176 A.
CHAP, xxxiv METHODS OF SCHOLASTICISM 297
super-rational and superhuman salvation ; deference to some
authority ; and finally a pervasive scholasticism, since
mediaeval thought was of necessity diligent, acceptant,
reflective, rather than original. One will be impressed with
the formal character of mediaeval thought. For being thus
scholastic, it was occupied with devising forms through which
to express, or re-express, the mass of knowledge proffered to
it. Besides, formal logic was a prominent part of the
transmitted contents of antique philosophy; and became
a chief discipline for mediaeval students ; because they
accepted it along with all the rest, and found its training
helpful for men burdened with such intellectual tasks as
theirs.
Within the lines of these universal qualities wind the
divergencies of mediaeval thought ; and one will notice how
they consist in leanings toward the ways of Greek philosophy,
or a reliance more or less complete upon the contents and
method of patristic theology. One common quality, of
which we note the variations, is that of deference to the
authority of the past The mediaeval scholar could hardly
read a classic poet without finding authoritative statements
upon every topic brushed by the poet's fancy, and of course
the matter of more serious writings, history, logic, natural
science, was implicitly accepted. If the pagan learning was
thus regarded, how much more absolute was the deference to
sacred doctrine. Here all was authority. Scripture was
the primary source ; next came the creed, and the dogmas
established by councils ; and then the expositions of the
Fathers. Thus the meaning of the authoritative Scripture
was pressed into authoritative dogma, and then authoritatively
systematized. The process had been intellectual and
rational, yet with the driven rationality of Church Fathers
struggling to formulate and express the accepted import of
the Faith delivered to the saints. Authority, faith, held the
primacy, and in two senses, for not only was it supreme and
final, but it was also prior in initiative efficiency. Tertullian's
certum est, quia impossibile est, was an extreme paradox.
But Augustine's credimus ut cognoscamus was fundamental,
and remained unshaken. Anselm lays it at the basis of his
arguments ; with Bernard and many others it is credo first
298 THE MEDIAEVAL MIND BOOK vn
of all, let the intelligere come as it may, and as it will
according to the fulness of our faith. The same principle
of faith's efficient primacy is temperamentally as well as
logically fundamental with Bonaventura.
Here then was a first general quality of mediaeval
thought : deference to authority. Now for the variances.
Scarcely diverging, save in emphasis, from Augustine and
Bonaventura, are the greatest of the schoolmen, Albert and
Thomas. They defer to authority and recognize the primacy
of faith, and yet they will, with abundant use of reason,
deliminate the respective provinces of grace and human
knowledge, and distinguish the absolute authority of Scrip-
ture from the statements even of the saints, which may be
weighed and criticized. In secular philosophy, these two
will, when their faith admits, accept the views of the
philosophers — Aristotle above all — yet using their own
reason. They are profoundly interested in knowledge and
metaphysical dialectic, but follow it with deferential tempers
and believing Christian souls.
Outside the company of such, are men of more independent
temper, whose attitude tends to weaken the principle of
acceptance of authority in sacred doctrine. The first of
these was Eriugena with his explicit statement that reason
is greater than authority ; yet we may assume that he was
not intending to impugn Scripture. Centuries later another
chief example is Abaelard, whose dialectic temper leads him
to wish to prove everything by reason. Not that he stated,
or would have admitted this ; yet the extreme rationalizing
tendency of the man is projected through such a passage
as the following from his Historia calamitatum, where he
alludes to the circumstances of the composition of his work
upon the Trinity. He had become a monk in the monastery
of St. Denis, but students were still thronging to hear him,
to the wrath of some of his superiors.
" Then it came about that I was brought to expound the very
foundation of our faith by applying the analogies of human reason,
and was led to compose for my pupils a theological treatise on
the divine Unity and Trinity. They were calling for human and
philosophical arguments, and insisting upon something intelligible,
rather than mere words, saying that there had been more than
CHAP, xxxiv METHODS OF SCHOLASTICISM 299
enough of talk which the mind could not follow; that it was
impossible to believe what was not understood in the first place ;
and that it was ridiculous for any one to set forth to others what
neither he nor they could rationally conceive (intcllectu capere)"
And Abaelard cites the verse from Matthew about the
blind leaders of the blind, and goes on to tell of the success
of his treatise, which pleased everybody, yet provoked the
greater envy because of the difficulty of the questions which
it elucidated ; and at last envy blew up the condemnation
of his book, at the Council of Soissons, in the year of grace
I I2I.1
Here one has the plain reversal. We must first under-
stand in order to believe. Doubtless the demands of
Abaelard's students to have the principles of the Christian
Faith explained, that they might be understood and accepted
rationally, echoed the master's imperative intellectual need.
Not that Abaelard would breathe the faintest doubt of these
verities ; they were absolute and unquestionable. He
accepted them upon authority just as implicitly (he might
think) as St. Bernard. Herein he shows the mediaeval
quality of deference. But he will understand with his mind
the profoundest truths enunciated by authority ; he will
explain them rationally, that the mind may rationally
comprehend them.
Men of an opposite cast of mind foresaw the outcome of
this rationalization of dogma more surely than the subtle
dialectician for whom this process was both peremptory and
proper. And the Church acted with a true instinct in
condemning Abaelard in spite of his protestations of belief,
just as with a like true instinct Friar Bacon's own Franciscan
Order looked askance on one whose mind was suspiciously set
upon observation and experiment — and cavilling at others.
Celui-ci tuera cela ! The ultra-scientific spirit is dangerous to
faith — and Bacon's asseverations that no knowledge was of
value save as it helped the soul's salvation, was doubtless
regarded as a conventional insincerity. Yet Roger Bacon
had his mediaeval deferences, as will appear.2
Neither one extreme view nor the other was to represent
1 Historia calamitatum, cap. 9 and 10. Cf. post, p. 3°3-
- Post, Chapter XLI.
300 THE MEDIAEVAL MIND BOOK vn
the attitude of thoughtful and believing Christendom ; not
William of St. Thierry and St Bernard, nor yet (on these
points) Abaelard and Friar Bacon should prevail ; but the
all-balancing and all-considering Aquinas. He will draw the
lines between faith and reason, and bulwark them with
arguments which shall seem to render unto reason the things
of reason, and unto faith its due. Yet it is actually Roger
Bacon who accuses Thomas of making his Theology out of
dialectic and very human reasonings. It was true ; and we
are again reminded how variant views shaded into each other
in the Middle Ages, and all within certain lines of similarity.
Practically all mediaeval thinkers defer to authority — more or
less ; and all hold to some principle of faith, to the necessity
of believing something, for the soul's salvation. There is
likewise some similarity in their attitudes toward intellectual
interests. For all recognized their propriety, and gave credit
to the human desire to know. Likewise all saw that
salvation, the summum bonum for man, included more than
intellection ; and felt that it held some consummation of
other human impulses ; that it held love — the love of God
along with the intellectual ardour of contemplation ; and well-
nigh all recognized also that the faith held mystery, not to
be solved by reason. Thus all were rational — some more,
some less ; and all were devotional and believing, pietistic,
ardent — some more, some less ; according as the intellectual
nature dominated over the emotional, or the emotions quelled
the conscious exercise of reason, yet reached out and upward
from what knowledge and reason had given as a base to
spring from.
Thus the mediaeval spirit, variant within its lines of like-
ness ; and of a piece with it was the field it worked in, which
made its range and scope. Here as well, a saving know-
ledge of God and the soul was central and chief among
all intellectual interests. None denied this. Augustine, the
universal prototype of the mediaeval mind, had cried, " God
and the soul, these will I know, and these are all." But wide
had been the scope of his knowledge of God and the soul ;
and in the centuries which hung upon his words, wide also
was the range of knowledge subsumed under those capitals.
How would one know God and the soul ? Might one not
CHAP, xxxiv METHODS OF SCHOLASTICISM 301
know God in all His universe, in the height and breadth
thereof, and backwards and forwards through the reach of
time ? Might not one also know the soul in all its operations,
all its queries and desires ; would not it and they, and their
activities, make up the complementary side of knowledge —
complementary to the primal object, God, known in His
eternity, in His temporal creation, in His everlasting govern-
ance ? Wide or narrow might be the intellectual interests
included within a knowledge of God and the soul. And while
many men kept close to the centre and saving nexus of these
potentially universal themes, others might become absorbed
with data of the creature-world, or with the manifold actions
of the mind of man, so as to forget to keep all duly ordered
and connected with the central thought.
So the search for knowledge might roam afield. Like-
wise as to its motive ; practically with many men it was, in
itself, a joy and end ; although they might continue to
connect this end formally with the salvation of the soul.
Roger Bacon of a surety was such a one. Another was
Albertus Magnus. The laborious culling of twenty tomes
of universal knowledge surely had the joy of knowing as the
active motive. And Aquinas too ; no one could be such an
acquisitive and reasoning genius, without the love of know-
ledge in his soul. Yet Thomas never let this love point
untrue to its goal of research and devotion, to wit, sacred
doctrine, theology, the Christian Faith in its very widest
compass, yet in its unity of saving purpose.
In Thomas Aquinas the certitude of faith, the sense of
grace, the ardour of love, never quenched the conscious
action of the reasoning and knowing mind ; nor did
reasoning quench devotion. A balance too, though perhaps
with one scale higher than the other, was kept by
Bonaventura, whose mind had reason's faculty, but whose
heart burned perpetually toward God. Another rationally
ardent soul was Bonaventura's intellectual forerunner, Hugo
of St. Victor. In these men intellect did not outstrip the
fervours of contemplation. But such catholic balance did
not hold with Abaelard and Bacon, who lacked the pietistic
temperament. With others, conversely, the strength of the
pietistic and emotional nature overbore the intellect ; the
302 THE MEDIAEVAL MIND BOOK vn
mind was less exacting ; and devotional ardour used reason
solely for its purposes. The mightiest of these were Bernard
and Francis. To the same key might chime the woman, St.
Hildegard of Bingen. We narrow down from these to
hectic souls content with a few thoughts which serve as a
basis for the heart's fervours.
The varying attitudes of mediaeval thinkers toward
reason and authority, and even their different views upon
the limits of the field of salutary knowledge, are exemplified
in their methods, or rather in the variations of their
common method. Here the factors were again authority
and the intellect which considers the authority, and in
terms of its own rational processes reacts upon the proposi-
tion under view. The intellect might simply accept
authority ; or, on the other hand, it might, through dialectic,
seek a conclusion of its own. But midway between a mere
acceptance of authority, and the endeavour of dialectic for
a conclusion of its own, there is the reasoning process
which perceives divergence among authorities, compares,
discriminates, interprets, and at last acts as umpire. This
was the combined and catholic scholastic method. It
contained the two factors of its necessary duality ; and its
variations (besides the gradual perfecting of its form from
one generation to another) consisted in the predominant
employment of one factor or the other.
The beginning was in the Carolingian time, when
Rabanus compiled his authorities from sources sacred and
profane, scarcely discriminating except to maintain the
pre-eminence of the sacred matter. His younger con-
temporary, Eriugena, was a translator of his own chief
source, Pseudo-Dionysius, him of the Hierarchies, Celestial
and Ecclesiastical. Yet he composed also a veritable book,
De divisiom naturae, in which he put his matter together
organically and with argument. And while professing to
hold to the authority of Scripture and the Fathers, he not
only took upon himself to select from their statements, but
propounded the proposition that the authority which is not
confirmed by reason appears weak. Eriugena made his
authorities yield him what his reason required. His
argumentative method became an independent rehandling of
CHAP, xxxiv METHODS OF SCHOLASTICISM 303
matter drawn from them. It was very different from the
plodding excerpt-gathering of Rabanus.
We pass down the centuries to Anselm. Contemplative
and religious, his reverence for authority was unimpaired by
any conscious need to refashion its meaning. Though he
possessed creative intellectual powers, they were incited and
controlled by his deep piety. Hence his works were con-
structed of original and lofty arguments, but such as did not
infringe upon either the efficient or the final priority of
faith.
With Abaelard of many-sided fame the duality of
method becomes explicit, and is, if one may say so, set by
the ears. On the one hand, he advances in his constructive
theological treatises toward a portentous application of
reason to explain the contents of the Christian Faith ; on
the other, somewhat sardonically, he devises a scheme for
the employment and presentation of authorities upon these
sacred matters, a scheme so obviously apt that once made
known it could not but be followed and perfected.
The divers works of a man are likely to bear some
relation and resemblance to each other. Abaelard was a
reasoner, more specifically speaking, a dialectician according
to the ways of Aristotelian logic. And in categories of
formal logic he sought to rationalize every matter appre-
hended by his mind. Swayed by the master-interest of the
time, he turned to theology ; and his own nature impelled
him to apply a constructive dialectic to its systematic
formulation. The result is exemplified in the extant portion
of his Theologia (mis-called Introductio ad Theologiam\ which
was condemned by the Council of Sens in 1141, the year
before the master's death. The spirit of this work appears
in the passage already quoted from the Historia calamitatum,
referring to what was substantially an earlier form of the
Theologia} The Theologia argues for a free use of dialectic
in expounding dogma, especially in order to refute those
heretics who will not listen to authority, but demand reasons.
Like Abaelard's previous theological treatises, it is filled with
1 Ante, p. 298. I cannot avoid referring to Abaelard several times before
considering the man and his work more specifically, and in the proper place ;
post, Chapter XXXVI. I.
304 THE MEDIAEVAL MIND BOOKVII
citations of authority, principally Augustine ; and the reader
feels the author's hesitancy to reveal that dialectic is the
architect. Nor, in fact, is the work an exclusively dialectic
structure ; yet it illustrates (if it does not always inculcate)
the application of the arguments of human reason to the
exposition and substantiation of the fundamental and most
deeply hidden contents of the Christian Faith. Obviously
Abaelard was not an initiator here. Augustine had devoted
his life to fortifying the Faith with argument and explanation ;
Eriugena, with a far weaker realization of its contents, had
employed a more distorting metaphysics in its presentation ;
and saintly Anselm had flown his veritable eagle flights of
reason. But Abaelard's more systematic work represents a
further stage in the application of independent dialectic to
dogma, and an innovating freedom in the citation of pagan
philosophers to demonstrate its philosophic reasonableness.
Nevertheless his statement that he had gathered these
citations from writings of the Fathers, and not from the
books of the philosophers (quorum pauca novz),1 shows that
he was only using what the Fathers had made use of before
him, and also indicates the slightness of his independent
knowledge of Greek philosophy.
On the other hand, Abaelard's way of presenting
authorities for and against a theological proposition was
more distinctly original. He seems to have been the first
purposefully to systematize the method of stating the
problem, and then giving in order the authorities on one side
and the other — sic et non ; as he entitled his famous work.
But the trail of his nature lay through this apparently
innocent composition, the evident intent of which was to
emphasize, if not exaggerate, the opposition among the
patristic authorities, and without a counterbalancing attempt
to show any substantial accord among them. This, of
course, is not stated in the Prologue, which however, like
everything that Abaelard wrote, discloses his fatal facility
of putting his hand on the raw spot in the matter ; which
unfortunately is likely to be the vulnerable point also. In
it he remarks on the difficulty of interpreting Scripture,
upon the corruption of the text (a perilous subject), and the
1 Introdttctio ad theologiant, lib. ii. (Migne 178, col. 1039).
CHAP, xxxiv METHODS OF SCHOLASTICISM 305
introduction of apocryphal writings. There are discrepancies
even in the sacred texts, and contradictions in the writings
of the Fathers. With a profuse backing of authority he
shows that the latter are not to be read cum credendi
necessitate, but cum judicandi libertate. Assuredly, as to
anything in the canonical Scriptures, " it is not permitted to
say : ' The Author of this book did not hold the truth ' ; but
rather ' the codex is false or the interpreter errs, or thou
dost not understand.' But in the works of the later ones
(postenontm, Abaelard's inclusive designation of the Fathers),
which are contained in books without number, if passages
are deemed to depart from the truth, the reader is at liberty
to approve or disapprove."
This view was supported by Abaelard's citations from
the Fathers themselves ; and yet, so abruptly made, it was
not a pleasant statement for the ears of those to whom the
writings of the holy Fathers were sacred. Nothing was
sacred to the man who wrote this prologue — so it seemed to
his pious contemporaries. And who among them could
approve of the Prologue's final utterance upon the method
and purpose of the book ?
" Wherefore we decided to collect the diverse statements of the
holy Fathers, as they might occur to our memory, thus raising an
issue from their apparent repugnancy, which might incite the
teneros lectores to search out the truth of the matter, and render
them the sharper for the investigation. For the first key to
wisdom is called interrogation, diligent and unceasing. ... By
doubting we are led to inquiry ; and from inquiry we perceive the
truth."
To use the discordant statements of the Fathers to
sharpen the wits of the young ! Was not that to uncover
their shame ? And the character of the work did not
salve the Prologue's sting. Abaelard selected and arranged
his extracts from pagan as well as Christian writers, and
prepared sardonic titles for the questions under which he
ordered his material. Time and again these titles flaunt an
opposition which the citations scarcely bear out. For
example, title iv. : " Quod sit credendum in Deum solum, et
contra " — certainly a flaming point ; yet the excerpts display
merely the verb credere, used in the palpably different senses
VOL. II X
306 THE MEDIAEVAL MIND BOOK vn
borne by the word " believe." There is no real repugnancy
among the citations. And again, in title Iviii. : " Quod
Adam salvatus sit, et contra" — there is no citation contra.
And the longest chapter in the book (cxvii.) has this
bristling title : " De sacramento altaris, quod sit essentialiter
ipsa veritas carnis Christi et sanguinis, et contra."
Because of such prickly traits the Sic et non did not
itself come into common use. But the suggestions of its
method once made, were of too obvious utility to be
abandoned. First, among Abaelard's own pupils the result
appears in Books of Sentences, which, in the arrangement of
their matter, followed the topical division not of the Sic et
non, but of Abaelard's TJieologia, with its threefold division
of Theology into Fides, Caritas, and Sacramenttim.1 But the
arrangement of the J*lieologia was not made use of in the
best and most famous of these compositions, Peter Lom-
bard's Sententiarum libri quatuor. This work employed the
method (not the arrangement) of the Sic et non, and
expounded the contents of Faith methodically, " Distinctio "
after " Distinctio," stating the proposition, citing the
authorities bearing upon it, and ending with some con-
ciliating or distinguishing statement of the true result In
canon law the same method was applied in Gratian's
Decretum, of which the proper name was Concordia
discordantium canonum.
These Books of Sentences have sometimes been called
Sumtnae, inasmuch as their scope embraced the entire
contents of the Faith. But the term Summa may properly
be confined to those larger and still more encyclopaedic
compositions in which this scholastic method reached its
final development. The chief makers of these, the veritable
Summae tlieologiae, were, in order of time, Alexander of
Hales, Albertus Magnus, and Thomas Aquinas. The Books
of Sentences were books of sentences. The Summa pro-
ceeded by the same method, or rather issued from it,
as its consummation and perfect logical form ; thus the
1 See Denifle, " Die Sentenzen Abaelard's und die Bearbeitungen seiner
Theologia," Archiv fur Literatur und Kirchengcschichte, i. p. 402 sqq. and p.
584 sqq. Also Picavet, " Abelard et Alexander de Hales, createurs de la
methode scholastique/' Bib. de Ftcole dts hautes etudes, sciences religieuses, t.
vii. p. 221 sqq.
CHAP, xxxiv METHODS OF SCHOLASTICISM 307
scholastic method arrived at its highest constructive energy.
In the Sentences one excerpted opinion was given and
another possibly divergent, and at the end an adjustment
was presented. This comparative formlessness attains in the
Summa a serried syllogistic structure. Thomas, who finally
perfects it, presents his connected and successive topics
divided into quaestiones, which are subdivided into articuli,
whose titles give the point to be discussed. He states first,
and frequently in his own syllogistic terms, the successive
negative arguments; and then the counter -proposition,
which usually is a citation from Scripture or from Augustine.
Then with clear logic he constructs the true positive conclusion
in accordance with the authority which he has last adduced.
He then refutes each of the adverse arguments in turn.
Thus the method of the Sentences is rendered dialectic-
ally organic ; and with the perfecting of the form of quaestio
and articulus, and the logical linking of successive topics,
the whole composition, from a congeries, becomes a structure,
organic likewise, a veritable Summa, and a Summa of a
science which has unity and consistency. This science is
sacra doctrina, tJteologia. Moreover, as compared with the
Sentences, the contents of the Summa are enormously enlarged.
For between the time of the Lombard and that of
Thomas, there has come the whole of Aristotle, and what is
more, the mastery of the whole of Aristotle, which Thomas
incorporates in a complete and organic statement of the
Christian scheme of salvation.1
1 Two extracts, one from the Sentences and one from the Summa, touching
the same matter, will illustrate the stage in the scholastic process reached by
Peter Lombard, about the year 1150, and that attained by Thomas Aquinas a
hundred years later.
The Lombard's Four Books of Sentences are divided into Distinctiones, with
sub-titles to the latter. Distinctio xlvi. of the first Book l>ears the general title :
"The opinion (sententia) declaring that the will of God which is himself, cannot
be frustrated, seems to be opposed by some opinions." The first subdivision of
the text begins : " Here the question rises. For it is said by the authorities
above adduced [the preceding Distinctio had discussed " The will of God which
is His essence, one and eternal "] that the will of God, which is himself, and is
called His good pleasure (betieplacitnm) cannot te frustrated, because by that
will fecit qttaecumque voluit in caelo el in terra, which — witness the Apostle —
nihil resistit. [I leave the Scriptural quotations in Latin, so as to mark them.]
It is queried, therefore, how one should understand what the Apostle says
concerning the Lord, I Tim. 2 : Qui vult omnes homines salvos fieri. For since
all are not saved, but many are damned, that which God wills to take place.
308 THE MEDIAEVAL MIND BOOK vn
seems not to take place (become, fieri}, the human will obstructing the will of God.
The Lord also in the Gospel reproaching the wicked city, Matt, xxiii., says :
Quoties volui congregare filios tuos, sicut gallina congregat pullos sues sub alis, et
noluisti. Thus it might seem from these, that the will of God may be over-
come by the will of men, and, resisted by the unwillingness of the weakest, the
Most Strong may prove unable to do what He willed. Where then is that
omnipotence by which in coelo et terra, according to the Prophet, omnia quae-
cumque voluit fecit ? And how does nothing withstand His will, if He wished
to gather the children of Jerusalem, and did not? For these sayings seem
indeed to oppose what has been stated."
The second paragraph proceeds : " But let us see the solution, and first hear
how what the Lord said should be understood. For it was not intended to
mean (as Augustine says, Enchiridion, c. 97, solving this question) that the Lord
wished to gather the children of Jerusalem, and did not do what He willed
because she would not ; but rather she did not wish her children to be gathered
by Him, yet in spite of her unwillingness (qua tamen nolente) He gathered all He
willed of her children. . . . And the sense is : As many as I have gathered by
my will, always effective, I have gathered, thou being unwilling. Hence it is
evident that these words of the Lord are not opposed to the authorities
referred to."
(Paragraph 3) "Now it remains to see how the aforesaid words do not con-
tradict what the Apostle said of the Lord : Vult omncs homines salvos fieri.
Because of these words many have wandered from the truth, saying that God willed
many things which did not come to pass. But the saying is not thus to be,
understood, as if God willed any to be saved, and they were not. For who can
be so impiously foolish as to say that God cannot change the evil wills of men to
good when and where He will? Surely what is said in Psalm 113, Quaecumque
voluit fecit, is not true, if He willed anything and did not accomplish it. Or, —
(and this is still more shameful) for that reason He did not do it, because what
the Omnipotent willed to come to pass, the will of man obstructed. Hence when
we read in Holy Scripture velit omnes homines salvos fieri, we should not detract
from the will of omnipotent God, but understand the text to mean that no man
is saved except whom He wills to be saved : not that there is no man whom
He does not will to be saved, but that no man may be saved except whom He
wills should be saved. . . . Thus also is to be understood the text from John i. :
Illuminat omnem hominem venientem in hunc mundum ; not as if there is no
man who is not lighted, but that none is lighted save from Him. ..."
The next and fourth paragraph takes up the problem whether evil, that is sin,
takes place by the will of God, or He unwilling (eo nolente). "As to this, divers
men thinking diversely have been found in contradiction. For some say that
God wills evils to be or become (esse vel fieri) yet does not will evils. But others
say that He neither wills evils to be nor to become. Yet these and those agree in
declaring that God does not will evils. Yet each with arguments as well as
authorities strives to make good his assertion. " We will not follow the Lombard
through this thorny problem. He cuts his way with passages from his chief
patristic authority, Augustine, and in the end concludes : " Leaving this and
other like foolish opinions, and favouring the sounder view, which is more fully
sanctioned by the testimonies of the Saints, we may say that God neither wills
evils to become, nor wills that they should not become, nor yet is He unwilling
(nolle') that they should become. All that He wills to become, becomes, and all
that He wills not to become does not become. Yet many things become which
He does not will to become, as every evil."
Thus the Lombard. Now let us see how Thomas, in his Summa theologiae,
Pars Prima, Quaestio xix. Articulus ix. expounds the point : utrum voluntas Dei
sit malorum.
" As to the ninth articulus thus one proceeds. (I) It seems \Videtur, formula
for stating the initial argument which will not be approved] that the will of God
CHAP, xxxiv METHODS OF SCHOLASTICISM 309
is [the cause] of evils. For God wills every good that becomes (i.e. comes into
existence). But it is good that evils should come ; for Augustine says in the
Enchiridion : ' Although those things which are evils, in so far as they are
evils, are not goods ; yet it is good (bonum) that there should be not only
goods (bona) but evils.' Therefore God wills evils."
" (2) Moreover [Praeterea, Thomas's regular formula for introducing the
succeeding arguments, which he will not approve] Dionysius says, iv. cap. de
divinis nominibus : ' There will be evil making for the perfection of the
whole.' And Augustine says in the Enchiridion : ' Out of all (things) the
admirable beauty of the universe arises ; wherein even that which is called evil,
well ordered and set in its place, commends the good more highly ; since the
good pleases more, and is the more praiseworthy, when compared with evil.'
But God wills everything that pertains to the perfection and grace of the
universe ; since this is what God chiefly wills in His creation. Therefore God
wills evils."
"(3) Moreover, the occurrence and non-occurrence of evils (mala fieri, et
non fieri) are contradictory opposites. But God does not will evils not to
occur ; because since some evils do occur, the will of God would not be
fulfilled. Therefore God wills evils to occur."
" Sed contra est [Thomas's formula for stating the opinion which he will
approve] what Augustine says in his book of Eighty - three Questions : ' No
wise man is the author of man's deterioration ; yet God is more excellent than
any wise man ; much less then, is God the author of any one's deterioration.
But He is said to be the author when He is spoken of as willing anything.
Therefore man becomes worse, God not willing it. But with every evil,
something becomes worse. Therefore God does not will evils.' "
" Respondeo dicendum quod [Thomas's formula for commencing his
elucidation] since the reason (or ground or cause, ratio) of the good is likewise
the reason of the desirable (as discussed previously), evil is opposed to good : it
is impossible that any evil, as evil, should be desired, either by the natural
appetite or the animal, or the intellectual, which is will. But some evil may
be desired per accidens, in so far as it conduces to some good. And this is
apparent in any appetite. For the natural impulse (agens naturale) does not aim
at privation or destruction (corruptio) ; but at form, to which the privation of
another form may be joined (i.e. needed, conjungitur) ; and at the generation of
one, which is the destruction of another. Thus a lion, killing a stag, aims at
food, to which is joined the killing of an animal. Likewise the fornicator aims
at enjoyment, to which is joined the deformity of guilt.
"Thus evil which is joined to some good, is privation of another good.
Never, therefore, is evil desired, not even per accidens, unless the good to which
the evil is joined appears greater than the good which is annulled through the
evil. But God wills no good more than His goodness ; yet He wills some one
good more than some other good. Hence the evil of guilt, which destroys
relationship to divine good (quod privat ordinem ad bonum divinum), God in no
way wills. But the evil of natural defect, or the evil of penalty, He wills in
willing some good to which such evil is joined ; as, in willing righteousness He
wills penalty ; and in willing that the order of nature be preserved, He wills
certain natural corruptions.
" Ad primum ergo dicendtim [Thomas's formula for commencing his reply to
the first false argument] that certain ones have said that although God does not
will evils, He wills evils to be or become : because, although evils are not
goods, yet it is good that evils should be or become. They said this for the
reason that those things which are evil in themselves, are ordained for some
good ; and they deemed this ordainment involved in saying mala esse vel Juri.
But that is not said rightly. Because evil is not ordained for good per se but per
accidens. For it is beyond the sinner's intent, that good should come of it ; just
as it was beyond the intent of the tyrants that from their persecutions the
310 THE MEDIAEVAL MIND BOOK vn
patience of the martyrs should shine forth. And therefore it cannot be said that
such ordainment for good is involved in saying that it is good for evil to be or
become : because nothing is adjudged according to what pertains to \\. per accidens
but according to what pertains to it per se."
" Ad secundum dicendum that evil is not wrought for the perfection or
beauty of the whole except per accidens, as has been shown. Hence this which
Dionysius says that evil makes for the perfection of the whole may lead to an
illogical conclusion."
" Ad tertiu m dicendum that although the occurrence and non-occurrence of
evils are opposed as contradictories ; yet to will the occurrence and to will the
non-occurrence of evils, are not opposed as contradictories, since both one and
the other may be affirmative. God therefore neither wills the occurrence nor the
non-occurrence of evils ; but wills to permit their occurrence. And this is good."
CHAPTER XXXV
CLASSIFICATION OF TOPICS ; STAGES OF EVOLUTION
I. PHILOSOPHIC CLASSIFICATION OF THE SCIENCES ; THE ARRANGE-
MENT OF VINCENT'S ENCYCLOPAEDIA, OF THE LOMBARD'S
SENTENCES, OF AQUINAS'S SUMMA THEOLOGIAE.
II. THE STAGES OF DEVELOPMENT: GRAMMAR, LOGIC, META-
LOGICS.
I
HAVING considered the spirit, the field, and the dual
method, of mediaeval thought, there remain its classifications
of topics. The problem of classification presented itself to
Gerbert as one involved in the rational study of the ancient
material.1 But as scholasticism culminated in the twelfth
and thirteenth centuries, the problem became one of
arrangement and presentation of the mass of knowledge and
argument which the Middle Ages had at length made their
own, and were prepared to re-express. This ordering was
influenced by a twofold principle of classification ; for, as
abundantly shown by Aquinas,2 theology in which all is
ordered with reference to God, will properly follow an
arrangement of topics quite unsuitable to the natural or
human sciences, which treat of things with respect to
themselves. But the mediaeval practice was more confused
than the theory ; because the interest in human knowledge
was apt to be touched by motives sounding in the need of
divine salvation ; and speculation could not free itself of the
moving principles of Christian theology. On the other
hand, an enormous quantity of human dialectic, and a
prodigious mass of what strikes us as profane information, or
1 Ante, Chapter XII. - Ante, pp. 289 sqq.
3"
312 THE MEDIAEVAL MIND BOOK vn
misinformation, was carried into the mediaeval Summa, and
still more into those encyclopaedias, which attempted to
include all knowledge, and still were influenced in their aim
by a religious purpose.1
As the human sciences came from the pagan antique,
the accepted classifications of them naturally were taken
from Greek philosophy. They followed either the so-called
Platonic division, into Physics, Ethics, and Logic,2 or the
Aristotelian division of philosophy into theoretical and
practical. The former scheme, of which it is not certain
that Plato was the author, passed on through the Stoic and
Epicurean systems of philosophy, was recognized by the
Church Fathers, and received Augustine's approval. It was
made known to the Middle Ages through Cassiodorus,
Isidore, Alcuin, Rabanus, Eriugena and others.
Nevertheless the Aristotelian division of philosophy into
theoretical and practical was destined to prevail. It was
introduced to the western Middle Ages through Boethius's
Commentary on Porphyry's Isagogef and adopted by
Gerbert ; later it passed over through translations of Arabic
writings. It was accepted by Hugo of St. Victor, by
Albertus Magnus and by Thomas, to mention only the
greatest names ; and was set forth in detail with explanation
and comment in a number of treatises, such as Gundissalinus's
De divisione philosophiae^ and Hugo of St. Victor's Eruditio
didascalica? which were formal and schematic introductions
to the study of philosophy and its various branches.
The usual subdivisions of these two general parts of
philosophy were as follows. Theoretica (or Theorica) was
divided into (i) Physics, or scientia naturalis, (2) Mathematics,
and (3) Metaphysics or Theology, or divina scientiat as it
might be called. Physics and Mathematics were again
divided into more special sciences. Practica was divided
1 The Speculum ma/us of Vincent of Beauvais will afford the principal
example of the resulting hybrid arrangement.
2 Ludwig Baur, Dominuus GundissaJinus, De divisione philosophiac
(Baeumker's Bettrage, Miinster, 1903), p. 193 sqq., to which I am indebted for
what I have to say in the next few pages.
3 Migne, Pat. Lat. 64, col. IO sqq,
4 These works were written near the middle of the twelfth century.
Gundissalinus was Archdeacon of Segovia and drew upon Arab writings.
CHAP, xxxv CLASSIFICATION OF TOPICS 313
commonly into Ethics, Economics, Politics, or into Ethics
and Artes mechanicae. There was a difference of opinion as
to what to do with Logic. It had, to be sure, its position in
the current Trivium, along with grammar and rhetoric. But
this was merely current, and might not approve itself on
deeper reflection. Gundissalinus speaks of three propaedeutic
sciences, the scientiae eloquentiae, grammar, poetics, and
rhetoric, and then puts Logic after them as a sdentia media
between these primary educational matters and philosophy,
i.e. the whole range of knowledge, theoretical and practical.
Again, over against philosophia realis, which contains both the
theoretica (or speculative?) and the practica, Thomas Aquinas
sets \.\\Q philosophia rationalis, or logic; and Richard Kilwardby
opposes logica, the sdentia rationalis, to practica, in his
division.1
The last-named philosopher was the pupil and then the
hostile critic of Aquinas, and also became Archbishop of
Canterbury. He was the author of a careful and elaborate
classification of the parts of philosophy, entitled De ortu et
divisione philosophiae? In it, following the broad distinction
between res divinae and res humanae, Kilwardby divides
philosophy into speculativa and practica. Speculativa is
divided into naturalis (physics), mathematica, and divina
(metaphysics). He does not divide the first and third of
these ; but he divides mathematica into those sciences which
treat of quantity in continuity and separation respectively
(quantitas continua and quantitas discreta). The former
embrace geometry, astronomy and astrology, and perspective ;
the latter, music and arithmetic. Practica, which is concerned
with res humanae, is divided into activa and sermodnalis :
because res humanae consist either of operationes or locutiones.
The activa embraces Ethics and mechanics ; the sdentia
sermodnalis embraces grammar, logic, and rhetoric. Such
are Kilwardby's bare captions ; his treatise lengthily treats
of the interrelations of these various branches of knowledge.
An idea of the scholastic discussion of the classification
of sciences may be had by following Albertus Magnus's
1 See L. Baur, Gundissalinus, etc., p. 376 sqq.
2 The treatise is not printed. Its captions are given by L. Baur in his
Gundissalinus, pp. 368-375, from which I have borrowed what I give of them.
314 THE MEDIAEVAL MIND BOOK vn
ponderous approach to a consideration of logic : whether it
be a science, and, if so, what place should be allotted it.
We draw from the opening of his liber on the Predicablesf
that is to say, his exposition of Porphyry's Introduction.
Albert will consider " what kind of a science (qualis scientia)
logic may be, and whether it is any part of philosophy ; what
need there is of it, and what may be its use ; then of what
it treats, and what are its divisions." The ancients seem
to have disagreed, some saying that logic is no science, since
it is rather a modus (mode, manner or method) of every
science or branch of knowledge. But these, continues
Albertus, have not reflected that although there are many
sciences, and each has its special modus, yet there is one
modus common to all sciences, pertaining to that which is
common to them all : the principle, to wit, that through
reason's inquiry, from what is known one arrives at know-
ledge of the unknown. This mode or method common
to every science may be considered in itself, and so may
be the subject of a special science. After further balancing
of the reasons and authorities pro and con, Albertus con-
cludes :
" It is therefore clear that logic is a special science just as in
ironworking there is the special art of making a hammer, yet its
use pertains to everything made by the ironworker's craft. So this
process of discovering the unknown through the known, is something
special, and may be studied as a special art and science ; yet the
use of it pertains to all sciences."
He next considers whether logic is a part of philosophy.
Some say no, since there are (as they say) only three divisions
of philosophy, physics, mathematics, and metaphysics ; others
say that logic is a modus of philosophy and not one of its
divisions. But, on the contrary, it is shown by others that
this view of philosophy omits the practical side, for
philosophy's scope comprehends the truth of everything
which man may understand, including the truth of that
which is in ourselves, and strives to comprehend both truth
1 Liber de praedicabilibus (tome I of Albertus's works), which in scholastic
logic means the five " universals," genus, species, difference, property, accident,
(also called the quinque voces) discussed in Porphyry's Introduction to the
Categories. The Categories themselves are called praedicamenta.
CHAP, xxxv CLASSIFICATION OF TOPICS 315
and the process of advancing from the known to a knowledge
of the unknown. These point out that
"... the Peripatetics divided philosophy first into three parts, to
wit, into physicam generaliter dictam, and etJiicam genera/iter dictam
and rationale™ likewise taken broadly, \ca\\physicageneralitcrdicta
that which embraces scientia naturalis, disciplinalis, and divina (i.e.
physics in a narrower sense, mathematics which is called scientia
disriplinalis, and metaphysics which is scientia divina). And I
call ethica, that which, broadly taken, contains the scientia monastica,
oeconomica and civilis. And I call that the scientia rationalis, broadly
taken, which includes every mode of proceeding from the known
to the unknown. From which it is evident that logic is a part of
philosophy."
And finally it may be shown that
"if anything is within the scope of philosophy it must be that
without which philosophy cannot reach any knowledge. He who is
ignorant of logic can acquire no perfect cognition of the unknown,
because he is ignorant of the way in which he should proceed from
the known to the unknown."
From these latter arguments, approved by him and in
part stated as his own, Albertus advances to a classification
of the parts of logic, which he makes to include rhetoric,
poetics, and dialectic, and to be demonstrative, sophistical or
disputatious, according to the use to which logic (broadly
taken) is applied and the manner in which it may in each
case proceed, in advancing from the known to some farther
ascertainment or demonstration.1 Soon after this, in dis-
cussing the subject of this science, Albertus points out how
logic differs from rhetoric and poetics, although with them
it may treat of sermo, or speech, and be called a scientia
sermonalis ; for, unlike them, it treats of sermo merely as a
means of drawing conclusions, and not in and for itself.
From the purely philosophical division of the sciences
we pass to the hybrid arrangement adopted by Vincent of
Beauvais, who died in 1264. This man was a prodigious
devourer of books, and for a sufficient pabulum, St. Louis
set before him his collection of twelve hundred volumes.
1 The above gives the arguments of chapters i. nnd ii. of the work. One
notices that Albertus in this exposition of the subject of Porphyry's treatise, is
using the method which Thomas brings to syllogistic perfection in his Stimma.
316 THE MEDIAEVAL MIND BOOK vn
Thereupon Vincent compiled the most famous of mediaeval
encyclopaedias, employing in that labour enormous diligence
and a number of assistants. His ponderous Speculum majus
is drawn from the most serviceable sources, including the
works of Albertus, his contemporary, and great scholastics
like Hugo of St. Victor, who were no more. It consisted
of the Speculum naturale^ doctrinale, and historiale ; and
a fourth, the Speculum morale, was added by a later hand.1
Turning its leaves, and reading snatches here and there,
especially from its Prologues, we shall gain a sufficient
illustration of the arrangement of topics followed by this
writer, whose faculties seem to drown in his shoreless
undertaking.2
In his turgid generalis prologus to the Speculum naturale,
Vincent presents his motives for collecting in one volume
"... certain flowers according to my modicum of faculty, gathered
from every one I have been able to read, whether of our Catholic
Doctors or the Gentile philosophers and poets. Especially have I
drawn from them what seemed to pertain either to the building up of
our dogma, or to moral instruction, or to the incitement of charity's
devotion, or to the mystic exposition of divine Scripture, or to the
manifest or symbolical explanation of its truth. Thus by one
grand opus I would appease my studiousness, and perchance, by my
labours, profit those who, like me, try to read as many books as
possible, and cull their flowers. Indeed of making many books
there is no end, and neither is the eye of the curious reader satisfied,
nor the ear of the auditor."
He then refers to the evils of false copying and the
ascription of extracts to the wrong author. And it seems to
him that Church History has been rather neglected, while
men have been intent on expounding knotty problems.
1 It was printed, more than once, in the late fifteenth century ; the most
readable edition is that printed at Douai in 1624, in four huge folios.
2 Boundless as the work appears, neither in mental powers, nor learning, nor
in massiveness of achievement, is its author to be compared with Albertus
Magnus. The De universe of Rabanus Maurus, Migne in, col. 9-612, is in
its arrangement and method a forerunner of Vincent's Speculum. Later pre-
decessors were the English Franciscan Bartolomaeus, whose encyclopaedic De
proprtetatibus rerum was written a little before the middle of the twelfth century
(see Felder, Studien in Franciscanerorder, etc., pp. 251-253); and Lambertus
Audomarensis (St. Omer) with his Liber floridtts, a general digest of knowledge,
historical, ecclesiastical, and natural, taken from many writers, an account of which
is given in Migne 163, col. 1004 sqq.
CHAP, xxxv CLASSIFICATION OF TOPICS 317
And now considering how to proceed and group his various
matters, Vincent could find no better method than the one
he has chosen, " to wit, that after the order of Holy Scripture,
I should treat first of the Creator, next of the creation, then
of man's fall and reparation, and then of events (rebus
gestis} chronologically." He proposes to give a summary
of titles at the end of the work. Sometimes he may state
as his own, things he has had from his teachers or from very
well-known books ; and he admits that he did not have time
to collate the gesta martyrum, and so some of the abstracts
which he gives of these are not by his own hand, but by the
hand of scribes (notariorunt).
Vincent proposes to call the whole work Speculum
majus, a Speculum indeed, or an Imago mundt, " containing
in brief whatever, from unnumbered books, I have been able
to gather, worthy of consideration, admiration, or imitation
as to things which have been made or done or said in the
visible or invisible world from the beginning until the end, and
even of things to come" He briefly adverts to the utility of
his work, and then gives his motive for including history.
This he thinks will help us to understand the story of Christ ;
and from a perusal of the wars which took place " before the
advent of our pacific King, the reader will perceive with
what zeal we should fight against our spiritual foes, for our
salvation and the eternal glory promised us." From the
great slaughter of men in many wars, may be realized also
the severity of God against the wicked, who are slain like
sheep, and perish body and soul.1
As to nature, Vincent says :
"Moreover I have diligently described the nature of things,
which, I think, no one will deem useless, who, in the light of grace,
has read of the power, wisdom and goodness of God, creator, ruler
and preserver, in that same book of the Creation appointed for us
to read."
Moreover, to know about things is useful for preachers
and theologians, as Augustine says. But Vincent is
conscious of another motive also :
1 Here, of course, we have the hands of Esau, but the voice of Augustine and
Orosius !
3i8 THE MEDIAEVAL MIND BOOK VH
" Verily how great is even the humblest beauty of this world, and
how pleasing to the eye of reason diligently considering not only
the modes and numbers and orders of things, so decorously appointed
throughout the universe, but also the revolving ages which are
ceaselessly uncoiled through abatements and successions, and are
marked by the death of what is born. I confess, sinner as I am,
with mind befouled in flesh, that I am moved with spiritual sweet-
ness toward the creator and ruler of this world, and honour Him
with greater veneration, when I behold at once the magnitude, and
beauty and permanence of His creation. For the mind, lifting itself
from the dunghill of its affections, and rising, as it is able, into the
light of speculation, sees as from a height the greatness of the
universe containing in itself infinite places filled with the divers
orders of creatures."
Here Vincent feels it well to apologize for the limitless-
ness of his matter, being only an excerptor, and not really
knowing even a single science ; and he refers to the example
of Isidore's Etymologiae. He proceeds to enumerate the
various sources upon which he relies, and then to summarize
the headings of his work ; which in brief are as follows :
The Creator.
The empyrean heaven and the nature of angels ; the state of
the good, and the ruin of the proud, angels.
The formless material and the making of the world, and the
nature and properties of each created being, according to the order
of the Works of the Six Days.
The state of the first man.
The nature and energies of the soul, and the senses and parts
of the human body.
God's rest and way of working.
The state of the first man and the felicity of Paradise.
Man's fall and punishment.
Sin.
The reparation of the Fall.
The properties of faith and other virtues in order, and the gifts
of the Holy Spirit, and the beatitudes.
The number and matter of all the sciences.
Chronological history of events in the world, and memorable
sayings, from tJu beginning to our time, with a consideration of the
state of souls separated from their bodies, of the times to come, of
Antichrist, the end of the World, the resurrection of the dead, the
glorification of the saints and the punishments of the wicked
One may stand aghast at the programme. Yet practi-
CHAP, xxxv CLASSIFICATION OF TOPICS 319
cally all of it would go into a Summa theologiae, excepting
the human history, and the matter of what we should call
the arts and sciences ! A programme like this might be
handled summarily, according to the broad captions under
which it is stated ; or it might be carried out in such detail
as to include all available information, or opinion, touching
every part of every topic included under these universal heads.
The latter is Vincent's way. Practically he tries to include-
all knowledge upon everything. The first of his tomes (the
Speculum naturale] is to be devoted to a full description of
the forms and species of created beings, which make up the
visible world. Yet it includes much relating to beings
commonly invisible ; for Vincent begins with a treatment of
the angels. He then passes to a consideration of the seven
heavens ; and then to the physical phenomena of nature ;
then on to every known species of plant, the cultivation of
trees and vines, and the making of wine ; then to the celestial
bodies, and after this to living things, birds, fishes, savage
beasts, reptiles, the anatomy of animals. — and at last comes
to man. He discusses him body and soul, his psychology, and
the phenomena of sleep and waking ; then human anatomy
— nor can he keep from considerations touching the whole
creation ; then human generation, and a description of the
countries and regions of the earth, with a brief compendium
of history until the time of Antichrist and the Last
Judgment. Of course he is utterly uncritical, even the
pseudo-Turpin's fictions as to Charlemagne serving him for
authority.
Vincent's Prologue to his second tome, the Speculum
doctrinale, briefly mentions the topics of the tota naturalis
historia, contained in his first giant tome. In that he had
brought his matter down to God's creation of humana
natura, omnium rerum finis ac summa — and its spoliation
(destitutid) through sin. Humana natura as constituted by
God, was a universitas of all nature or created being,
corporeal and spiritual. Now
"in this second part, in like fashion we propose to treat of the
plenary restitution of that destitute nature. . . . And since that
restitution, or restoration, is effected and perfected by doctrina
(imparted knowledge, science), this part not improperly is called
320 THE MEDIAEVAL MIND BOOK vn
the Speculum doctrinak. For of a surety everything pertaining to
recovering or defending man's spiritual or temporal welfare (salutem)
is embraced under doctrina. In this book, the sciences (doctrinae)
and arts are treated thus : First concerning all of them in general,
to wit, concerning their invention, origin, and species ; and concern-
ing the method of acquiring them. Then concerning the singular
arts and sciences in particular. And here first concerning those of
the Trivium, which are devoted to language (grammar, rhetoric,
logic) ; for without these, the others cannot be learned or communi-
cated. Next concerning the practical ones (practica), because
through them, the eyes of the mind being clarified, one ascends to
the speculative (theorica). Then also concerning the mechanical
ones ; since, as they consist in making (operatio\ they are joined by
affinity to the practica. Finally concerning the speculative sciences
(theoricd), because the end and aim (finis) of all the rest is placed
by the wise in them. And since (as Jerome says) one cannot know
the power (vis) of the antidote unless the power of the poison first
is understood, therefore to the reparatio doctrinalis of the human
race, the subject of the book, something is prefixed as a brief
epilogue from the former book, concerning the fall and misery of
man, in which he still labours, as the penalty for his sin, in
lamentable exile."
So Vincent begins with the fall and misery of man ;
the peccatmn and the supplicium. Then he proceeds to
discuss the goods (bond) which God bestows, like the mental
powers, by which man may learn wisdom, and how to strive
against error and vice, and be overcome solely by the desire
of the highest and immutable good. He speaks also of the
corporeal goods bestowed on man, and the beauty and
utility of visible things ; and then of the principal evils ; —
ignorance which corrupts the divine image in man, concupis-
cence which destroys the divine similitude, sickness which
destroys his original bodily immortality. " And the remedies
are three by which these three evils may be repelled, and
the three goods restored, to wit, Wisdom, Virtue, and Need."
Here we touch the gist of the ordering of topics in the
Speculum doctrinale, which treats of all the arts and
sciences :
" For the obtaining of these three remedies every art and every
disciplina was invented. In order to gain Wisdom, Theorica was
devised ; and Practica for the sake of virtue ; and for Need's sake,
Mechanica. Theorica driving out ignorance, illuminates Wisdom ;
CHAP, xxxv CLASSIFICATION OF TOPICS 321
Pmctica shutting out vice, strengthens Virtue ; Mecfianica providing
against penury, tempers the infirmities of the present life. Theoriea,
in all that is and that is not, chooses to investigate the true.
Practica determines the correct way of living and the form of
discipline, according to the institution of the virtues. Alec/ianica
occupied with fleeting things, strives to provide for the needs of the
body. For the end and aim of all human actions and studies,
which reason regulates, ought to look either to the reparation of the
integrity of our nature or to alleviating the needs to which life is
subjected. The integrity of our nature is repaired by Wisdom, to
which Theorica relates, and by Virtue, which Practica cultivates.
Need is alleviated by the administration of temporalities, to which
Mechanica attends. Last found of all is Logic, source of eloquence,
through which the wise who understand the aforesaid principal
sciences and disciplines, may discourse upon them more correctly,
truly and elegantly ; more correctly, through Grammar ; more
truly through Dialectic ; more elegantly through Rhetoric." *
Thus the entire round of arts and sciences is connected
with man's corporeal and spiritual welfare, and is made to
bear directly or indirectly on his salvation. All constitutes
doctrina, and by doctrina man is saved. This is the reason
for including the arts and sciences in one tome, rightly called
the Speculum doctrinale. We need not follow the detail, but
may view as from afar the long course ploughed by Vincent
through his matter. He first sketches the history of antique
philosophy, and then turns to books and language, and
presents a glossary of Latin synonyms. Book II. treats of
Grammar, Book III. of Logic, Book IV. of Practica scientia
or Ethica, first giving pagan ethics and then passing on to
the virtues of the monastic life. Book V. is a continuation
of this subject. Book VI. concerns the Scientia oeconomica,
treating of domestic economy, then of agriculture. Books
VII. and VIII. take up Politica, and, having discussed
political institutions, proceed to a treatment of law — the law
of persons, things, and actions, according to the canon and
the civil law. Books IX. and X. consider Crimes — simony,
heresy, perjury, sacrilege, homicide, rape, adultery, robbery,
usury. Book XI. is more cheerful, De arte mechanics, and
tells of building, the military art, navigation, alchemy, and
metals. Book XII. is Medicine, and Books XIII. and XIV.
discuss Physics, in connection with the healing art. Book
1 The above is from cap. 9 of liber i. of the Speculum doctrinale.
VOL. II Y
322 THE MEDIAEVAL MIND BOOK™
XV. is Natural Philosophy — animals and plants. Book
XVI., De mathematica, treats of arithmetic, music, geometry,
astronomy, and metaphysics cursorily. Book XVII. likewise
thins out in a somewhat slight discussion of Theology, which
was to form the topic of the tome that Vincent did not
write.
But Vincent did complete another tome, the Speculum
historiale. It is a loosely chronological compilation of
tradition, myth, and history, with discursions upon the
literary works of the characters coming under review. It
would be tedious to follow its excerpted presentation of
the profane and sacred matter.
We may leave Vincent, with the obvious reflection that
his work is a conglomerate, both in arrangement and contents.
It has the pious aim of contributing to man's salvation, and
yet is an attempted universal encyclopaedia of human
knowledge, much of which is plainly secular and mundane.
The monstrous scope and dual purpose of the work prevented
any unity in method and arrangement. More single in aim,
and better arranged in consequence, are the Sentences of
Peter Lombard and the Summa theologiae of Aquinas. For
although their scope, at least the scope of the Summa, is
wide, all is ordered with respect to the true aim of sacra
doctrina, just as Thomas explained in the passage which we
have already given.
The alleged principle of the Lombard's division strikes
one as curious ; yet he got it from Augustine : Signum and
res — the symbol and the thing : verily an age-long play of
spiritual tendency lay back of these contrasted concepts.
Christian doctrina related, perhaps chiefly, to the significance
of signa, signs, symbols, allegories, mysteries, sacraments.
It was not so strange that the Lombard made this antithesis
the ground of his arrangement. Quite as of course he
begins by saying it is clear to any one who considers, with
God's grace, that the " contents of the Old and New Law
are occupied either with res or signa. For as the eminent
doctor Augustine says in his Doctrina Christiana, all teaching
is of things or signs ; but things also are learned through
signs. Properly those are called res which are not employed
in order to signify something ; while signa are those whose
CHAP, xxxv CLASSIFICATION OF TOPICS 323
use is to signify." Then the Lombard separates the
sacraments from other signa, because they not only signify,
but also confer saving aid ; and he points out that evidently
a signum is also some sort of a thing ; but not everything is
a signum. He will treat first of res and then of signa.
As to res, one must bear in mind, as Augustine says,
that some things are to be enjoyed (fruendum\ as from love
we cleave to them for their own sake ; and others are to be
used (utendum) as a means; and still others to be both
enjoyed and used.
" Those which are to be enjoyed make us blessed (bcatos) ;
those which are to be used, aid us striving for blessedness. . . . We
ourselves are the things which are both to be enjoyed and used,
and also the angels and the saints. . . . The things which are to
be enjoyed are Father, Son, and Holy Spirit ; and so the Trinity is
summa res."
So the Lombard's first two Books consider res in the
descending order of their excellence ; the third considers the
Incarnation, which, if not itself a sacrament, and the chief and
sum of all sacraments, is the source of those of the New Law,
considered in the fourth Book. The scheme is single and
orderly ; the difficulty will be in actually arranging the
various topics within it. Endeavouring to do so, the
Lombard in Book I. puts together the doctrine of the
Trinity, the three Persons composing it, and their attributes
and qualities. Book II. considers in order, the Angels, and
very briefly, the work of the Six Days down to the creation
of man ; then the Christian doctrina as to man is presented :
his creation and its reasons ; the creation of his anima ; the
creation of woman ; the condition of man and woman
before the Fall ; their sin ; next free-will and grace. Book
III. treats of the Incarnation, in all the aspects in which it
may be known, and of the nature of Christ, His saving merit,
and the grace which was in Him ; also of the virtues of
faith, hope, and charity, the seven gifts of the Spirit, and the
existence of them all in Christ. Book IV. considers the
Sacraments of the New Law : Baptism, Confirmation, the
Eucharist, penance, extreme unction, ordination to holy
orders, marriage. It concludes with setting forth the
Resurrection and the Last Judgment.
324 THE MEDIAEVAL MIND BOOK VH
The first chapters of Genesis were the ultimate source of
the Lombard's actual arrangement. And the Summa will
follow the same order of treatment. One may perceive how
naturally the adoption of this order came to Christian
theologians by glancing over Augustine's De Genesi ad
litteram.1 This Commentary was partially constructive, and
not simply exegetical ; and afforded a cadre, or frame, of
topical ordering, which could readily be filled out with the
contents of the Sentences or even of the Summa : God, in
His unity and trinity, the Creation, man especially, his fall,
the Incarnation as the saving means of his restoration, and
then the Sacraments, and the final Judgment unto heaven
and hell. One may say that this was the natural and
proper order of presenting the contents of the Christian
sacra doctrina.
So the great Summa theologiae of Thomas Aquinas
adopts the same order which the Lombard had followed.
The Pars prima begins with defining sacra doctrina? It
then proceeds to consider God — whether He exists ; then
treats of His simplicitas and perfectio ; next of His attributes ;
His bonitas, infinitas, immutabilitas, aeternitas, unitas ; then
of our knowledge of Him ; then of His knowledge, and
therein of truth and falsity ; thereupon are considered the
divine will, love, justice, and pity ; the divine providence
and predestination ; the divine power and beatitude.
All this pertains to the unitas of the divine essence ;
and now Thomas passes on to the Trinitas personarum, or
the more distinctive portions of Christian theology. He
treats of the processio and relationes of the divinae Personae,
and then of themselves — Father, Son, Holy Spirit, and
then of their essential relationship and properties. Next he
discusses the missio of the divine Persons, and the relations
between God and His Creation. First comes the consideration
of the principle of creation, the processio creaturarum a Deo,
and of the nature of created things, with some discussion of
evil, whether it be a thing.
Among created beings, Thomas treats first of angels, and
at great length ; then of the physical creation, in its order —
the work of the six days, but with no great detail. Then
1 Migne, Pat. Lat. 34, col. 246-485. * Ante, p. 290.
CHAP, xxxv CLASSIFICATION OF TOPICS 325
man, created of spiritual and corporeal substance his
complex nature is to be analysed and fathomed to its
depths. Thomas discusses the union of the anima ad corpus ;
then the powers of the anima, in generali and in speciali — the
intellectual faculties, the appetites, the will and its freedom
of choice ; how the anima knows — the full Aristotelian theory
of cognition is given. Next, more specifically as to the
creation of the soul and body of the first man, and the
nature of the image and similitude of God within him ; then
as to man's condition and faculties while in a state of
innocence ; also as to Paradise.
This closes the treatment of the creatio et distinctio
rerum ; and Thomas passes to their gubernatio, and the
problem of how God conserves and moves the corporeal
and spiritual ; then concerning the action of one creature
on another, and how the angels are ranged in hierarchies,
and although purely spiritual beings, minister to men and
guard them ; then concerning the action of corporeal things,
concerning fate, and the action of men upon men.
Here ends Pars prima. The first section of the second
part (Prima secundae) begins. In a short Prologue Thomas
says :
" Because man is made in the image of God, that is, free in his
thought and will, and able to act through himself (perse potestativum),
after what has been said concerning the Exemplar, God, and every-
thing proceeding from the divine power according to His will, it
remains for us to consider His image, to wit, man, in so far as he is
the source or cause (prinripiwri) of his own works, having free-will
and power over them."
Hereupon Thomas takes up in order : the ultimate end
of man ; the nature of man's beatitude, and wherein it con-
sists, and how it may be attained ; then voluntary and
involuntary acts, and the nature and action of will ; then
fruition, intention, election, deliberation, consent, and actions
good and bad, flowing from the will ; then the passions ;
concupiscence and pleasure, sadness, hope and despair, fear,
anger ; next habits (habitus) and the virtues, intellectual,
cardinal, theological ; the gifts of the Spirit, and the
beatitudes ; the vices, and sin, and penalty. Thereupon it
becomes proper to consider the external causes (principid)
326 THE MEDIAEVAL MIND BOOK vn
of acts : " The external cause (jprincipiuwi) moving toward
good is God ; who instructs us through law, and aids us
through grace. Therefore we must speak, first of law, then
of grace." So Thomas discusses : the essentia of law, and
the different kinds of law — lex aeterna, lex naturalis, lex
kumana — their effect and validity ; then the precepts of the
Old Law (of the Old Testament) ; then as to the law of the
Gospel and the need of grace ; and lastly, concerning grace
and human merit.
The Secunda secundae (the second division of the second
part) opens with a Prologue, in which the author says that,
having considered generally the virtues and vices, and other
things pertaining to the matter of ethics, it is needful to
consider these same matters more particularly, each in turn ;
" for general moral statements (sermones morales universales)
are less useful, inasmuch as actions are always in particu-
larzbus" A more special statement of moral rules may
proceed in two ways : the one from the side of the moral
material, discussing this or that virtue or vice ; the other
considers what applies to special orders (speciales status] of
men, for instance prelates and the lower clergy, or men
devoted to the active or contemplative religious life. " We
shall, therefore, consider specially, first what applies to all
conditions of men, and then what applies to certain orders
(determinates status)" Thomas adds that it will be best to
consider in each case the virtue and corresponding gift, and
the opposing vice, together ; also that " virtues are reducible
to seven, the three theological,1 and the four cardinal virtues.
Of the intellectual virtues, one is Prudence, which is numbered
with the cardinal virtues ; but ars does not pertain to morals,
which relate to what is to be done, while ars is the correct
faculty of making things (recta ratio factibilium)?' The
other three intellectual virtues, sapientia, intellectus, et scientia,
bear the names of certain gifts of the Holy Spirit, and are
1 The three theological virtues are fides, spes, and carifas. They are called
thus because Deum habent pro objecto ; and because they are poured (infitndun-
tur) into us by God alone. They are distinguished from the moral and intel-
lectual virtues because their object surpasses our reason, while the object of the
moral and intellectual virtues can be comprehended by human reason (S«mma,
Pars prima secundae, Quaestio Ixii. , Art. I -4).
3 ?£« Aterd \6yov dXr/floOs Troiijrurf* Arist. Nick. Efhits, vi. 4.
CHAP, xxxv CLASSIFICATION OF TOPICS 327
considered with them. Moral virtues are all reducible to
the cardinal virtues ; and therefore, in considering each
cardinal virtue, all the virtues related to it are considered,
and the opposite vices."
This classification of the virtues seems anything but
clear. And perhaps the weakest feature of the Summa is
this scarcely successful ordering, or combination, of the
Aristotelian virtues with those more germane to the Chris-
tian scheme. However this may be, the author of the
Summa proceeds to consider in order : fides, and the gifts
(dona) of intellectus and scienlia which correspond to the
virtue faith ; next the opposing vices : infidelitas, haeresis,
aposiasia, blasphemia, and caecitas mentis (spiritual blindness).
Next in order come the virtue spes, and the corresponding
gift of the Spirit, timor, and the opposing vices of desperatio
and praesumptio} Next, caritas, with its dilectio, its gaudium,
its pax, its misericordia, its beneficentia and eleemosyna, and
its correctio fraterna ; then the opposite vices, odium, acedia,
invidia, discordia, contentio, schisma, bellum, rixa, seditio,
scandalum. Next the donum sapientiae, and its opposite,
stultitia ; next, prudentia, and its correspondent gift, con-
silium ; and its connected vices, imprudentia, negligentia, and
its evil semblances, dolus and fraus.
Says Thomas : Consequenter post prudentiam consideran-
dum est de Justitia. Whereupon follows a juristic treat-
ment otjus,justitia,judicium, restitutio, acceptio personarum ;
then homicide and other crimes recognized by law. Then
come the virtues, connected with justitia, to wit, religio, and
its acts, devotio, oratio, adoratio, sacrificium, oblatio, decimae,
votum, juramentum ; then the vices opposed to religio :
superstitio, idolatria, tentatio Dei, perjurium, sacrilegium.
simonia. Next is considered the virtue of pietas ; then
observantia, with its parts, i.e. dulia (service), obedientia, and
its opposite, inobedientia. N&xt, gratia (thanks) or gratitude,
and its opposite, ingratitude ; next, vindicatio (punishment) ;
next, veritas, with its opposites, hypocrisis, jactantia (boasting),
and ironia ; next, amicitia, with the vices of adulatio and
litigium. Next, the virtue of liberalitas, and its vices,
1 One notes that these two, like many other of the vices enumerated, are
vices in that they are extremes, in the Aristotelian sense.
328 THE MEDIAEVAL MIND BOOK vn
avaritia and prodigalitas ; next, epieikeia (aequitas). Finally,
closing this discussion of all that is connected with Justitia,
Thomas speaks of its corresponding gift of the Spirit, pietas.
Now comes the third cardinal virtue, Fortitude — under
which martyrium is the type of virtuous act ; inttmiditas
and audacia are the two vices. Then the parts of Fortitude,
to wit, magnanimitas, magnificentia, patientia, perseverantia,
and the obvious opposing vices. Next, the fourth cardinal
virtue, Temperantia, its obvious opposing vices, and its parts,
to wit, verecundia, honestas, abstinentia, sobrietas, castitas,
dementia, modestia, humilitas, and the various appropriate
acts and opposing vices related to these special virtues.
So far,1 Thomas has been considering the virtues proper
for all men ; and now he comes to those specially pertaining
to certain kinds of men, according to their gifts of grace,
their modes of life, or the diversity of their offices, or
stations. Of the special virtues related to gifts of grace, the
first is prophetia, next raptus (vision), then gratia linguarum,
and gratia miraculorum. After this, the vita activa and con-
templativa, with their appropriate virtues, are considered.
And then Thomas proceeds to speak De officiis et statibus
hontinum, and their respective virtues.
Here ends the Secunda secundae, and Pars tertia opens
with this Prologue :
"Inasmuch as our Saviour Jesus Christ (as witnesseth the
Angel, populum suum salvum faciens a peccatis eoruni) has shown in
himself the way of truth, through which we are able to come to the
beatitude of immortal life by rising again, it is necessary, for the
consummation of the whole theological matter, after the considera-
tion of the final end of human life, and of the virtues and vices,
that our attention should be fixed upon the Saviour of all and His
benefactions to the human race.
"As to which, first one must consider the Saviour himself;
secondly, His sacraments, by which we obtain salvation ; thirdly,
concerning the end (finis), immortal life, to which we come by
rising again through Him.
" As to the first, one has to consider the mystery of the Incarna-
tion, in which God was made man for our salvation, and then those
things that were done and suffered by our Saviour, that is, God
incarnate."
1 We are at Quaestio clxxi. of Secunda secundae.
CHAP, xxxv STAGES OF EVOLUTION 329
This Prologue indicates sufficiently the order of topics in
the Pars tertia of the Summa, through Quaestio xc., at
which point the hand of the Angelic Doctor was folded to
eternal rest. He was then considering penance, the fourth
in his order of Sacraments. All that he had to say as to
the person, and attributes, and acts and passion of Christ
had been written ; and he had considered the Sacraments of
baptism, confirmation, and the eucharist ; he was occupied
with poenitentia ; and still other sacraments remained, as
well as his final treatment of the matters which lie beyond
the grave. So he left his work unfinished, and, in spite of
many efforts, unfinishable by any of his pupils or successors.1
II
Inasmuch as the matter of their thoughts was trans-
mitted to the men of the Middle Ages, and was not drawn
from their own observation or constructive reasoning, the
fundamental intellectual endeavour for mediaeval men was
to apprehend and make their own, and re-express. Their
intellectual progress followed this process of appropriation,
and falls into three stages — learning, organically appro-
priating, and re-expressing with added elements of thought.
Logically, and generally in time, these three stages were
successive. Yet, of course, they overlapped, and may be
observed progressing simultaneously. Thus, for example,
what was known of Aristotle at the beginning of the twelfth
century was slight compared with the knowledge of his
philosophy that was opened to western Europe in the latter
part of the twelfth and the beginning of the thirteenth.
And while, by the middle of the twelfth century, the elements
of Aristotle's logic had been thoroughly appropriated, the
substantial Aristotelian philosophy had still to be learned and
mastered, before it could be reformulated and re-expressed
as part of mediaeval thought.
1 The order which Thomas would have followed in the unfinished conclusion
of his Summa theologiae, may be inferred from the order of the last half of
Book IV. of his Contra Gentiles, or indeed from the last part of the fourth Book
of the Lombard's Sentences.
330 THE MEDIAEVAL MIND BOOK vn
Looking solely to the outer form, the three stages of
mediaeval thought are exemplified in the Scriptural Com-
mentary of the later Carolingian time, in the twelfth-century
Books of Sentences, and at last in the more organic Summa
theologiae. With this significant evolution and change of
outer form, proceeded the more substantial evolution
consisting in learning, appropriating, and re-expressing the
inherited material. In both cases, these three stages were
necessitated by the greatness of the transmitted matter ; for
the intellectual energies of the mediaeval period were fully
occupied with mastering the data proffered so pressingly,
with presenting and re-presenting this superabundant
material, and recasting it in new forms of statement,
which were also expressions, or realizations, of the mediaeval
genius. So the mediaeval product may be regarded as
given by the past, and by the same token necessitated
and controlled. But, on the other hand, each stage of
intellectual progress rendered possible the next one.
The first stage of learning is represented by the
Carolingian period, which we have considered. It was then
that the patristic material was extracted from the writings
of the Fathers, and rearranged and reapplied, to meet the
needs of the time. The mastery of this material had
scarcely made such vital progress as to enable the men of
the ninth and tenth and eleventh centuries to re-express it
largely in terms of their own thinking. In the ninth century,
Eriugena affords an extraordinary exception with his drastic
restatement of what he had drawn from Pseudo-Dionysius
and others ; and at the end comes Anselm, whose genius
is metaphysically constructive. But Anselm touches the
coming time ; and the springs of Eriugena's genius are
hidden from us.
As for the antique thought during these Carolingian
centuries, Eriugena dealt in his masterful way with what he
knew of it through patristic and semi-patristic channels.
But let us rather seek it in the curriculum of the Trivium
and Quadrivium. What progress Gerbert made in the
Quadrivium, that is, in the various branches of mathematics
which he taught, has been noted, and to what extent his
example was followed by his pupil Fulbert, at the cathedral
CHAP, xxxv STAGES OF EVOLUTION 331
school of Chartres.1 The courses of the Trivium — grammar,
rhetoric, logic — demand our closer attention ; for they were
the key of the situation. We must keep in mind that we
are approaching mediaeval thought from the side of the innate
human need of intellectual expression — the impulse to know
and the need to formulate one's conceptions and express
them consistently. For mediaeval men the first indispensable
means to this end was grammar, including rhetoric, and the
next was logic or dialectic. The Latin language contained
the sum of knowledge transmitted to the Middle Ages.
And it had to be learned. This was true even in Italy and
Spain and France, where each year the current ways of
Romance speech were departing more definitely from the
parent stock ; it was more patently true in the countries of
Teutonic speech. Centuries before, the Roman youth had
studied grammar that they might speak and write correctly.
Now it was necessary to study Latin grammar, to wit, the
true forms and literary usages of the Latin tongue, in order
to acquire any branch of knowledge whatsoever, and express
one's corresponding thoughts. And men would not at first
distinguish sharply between the mediating value of the
learned tongue and the learning which it held.2
Thus grammar, the study of the Latin language,
represented the first stage of knowledge for mediaeval men.
This was to remain true through all the mediaeval centuries ;
since all youths who became scholars had to learn the
language before they could study what was contained in it
alone. One may also say, and yet not speak fantastically,
1 Ante, Chapter XII.
2 There were, of course, attempts at translation, notably those of Notker the
German (see ante, Vol. I., p. 308) and Alfred's translation of Boethius's De
consolatione. But such were made only of the popular parts of Scripture (e.g.
the Psalms) or of veiy elementary profane treatises. To what extent Notker's
translations were used, is hard to say. But at all events any one really seeking
learning, studied and worked and thought in the medium of Latin ; for the hulk
of the patristic writings never were translated ; and when the works of Aristotle
had at last reached the Middle Ages in the Latin tongue, they were studied in
that tongue. Because of the crudeness of the vernacular tongues, the Latin
classics were even more untranslatable in the tenth or eleventh century than now.
One may add, that it was fortunate for the progress of mediaeval learning
that Latin was the one language used by all scholars in all countries. This
facilitated the diffusion of knowledge. How slow and painful would have been
that diffusion if the different vernacular tongues had been used in their
respective countries, for serious writing.
332 THE MEDIAEVAL MIND BOOK vn
that grammar, the study of the correct use of the language
itself, corresponded spiritually with the main intellectual
labour of the Carolingian period. Alcuin's attention is
commonly fixed upon the significance of language, Latin of
course. And the labours of his pupil Rabanus, and the
latter's pupil Walafrid, are as it were devoted to the
grammar of learning. That is to say, they read and
endeavour to understand the works of the Fathers ; they
compare and collate, and make volumes of extracts, which
they arrange for the most part as Scripture commentaries ;
commentaries, that is, upon the significance of the canonical
writings which were the substance of all wisdom, but needed
much explication. Such works were the very grammar of
knowledge, being devoted to the exposition of the meaning
of the Scriptures and the vast burden of patristic thought.
A like purpose was evinced in the efforts of the great
emperor himself to re-establish schools of grammar, in
order that the Scriptures might be more correctly understood,
and the expositions of the holy Fathers. In fine, just as
knowledge of the Latin tongue was the end and aim of
grammar, so a correct understanding of what was contained
in Latin books was the aim of the intellectual labours of
this period. It all represented the first stage in the
mediaeval acquisition of knowledge, or in the presentation or
expression of the same ; and thus the first stage in the
mediaeval endeavour to realize the human impulse to know.
The next course of the Trivium was logic ; and likewise
its study will represent truly the second stage in the
mediaeval realization of the human impulse to know, to wit,
the second stage in the appropriation and expression of the
knowledge transmitted from the past. We have spoken at
some length of the logical studies of Gerbert, and his
endeavours to adjust his thinking and classify the branches
of knowledge by means of formal logic.1 Those discussions
of his which seem somewhat puerile to us, were essential
to his endeavours to formulate what he had learned, and
present it as rational and ordered knowledge. Logic is
properly the stage succeeding grammar in the formulation of
rational knowledge. At least it was for men of Gerbert's
1 Ante, Chapter XII., i.
CHAP, xxxv STAGES OF EVOLUTION 333
time, and the following centuries. Rightly enough they
looked on logic as a scientia sermotionalis, which on one side
touched sheer linguistics, and on the other, had for its field
the further processes of reason. Thus Hugo of St. Victor,
Abaelard's very great contemporary, says :
" Logic is named from the Greek word logos, which has a two-
fold interpretation. For logos means either sermo or ratio ; and
therefore logic may be termed either a scientia sermotionalis or a
scientia rationalis. Logica rationalis embraces dialectic and rhetoric,
and is called discretiva (argumentative and exercising judgment) ;
logica sermotionalis is the genus which includes grammar, dialectic
and rhetoric, to wit, discursive science (disertiva}." *
The close connection between grammar and logic is
evident. Logic treats of language used in rational expression,
as well as of the reasoning processes carried on in language.
Its elementary chapters teach a rational use of language,
whereby men may reach a more deeply consistent expression
of their thoughts than is gained from grammar. Yet
grammar also is logic, and based on logical principles. All
this is exemplified in the logical treatises composing the
Aristotelian Organon, whicli the Middle Ages used. First
comes Porphyry's Isagoge, which clearly is bound up in
language. Likewise Aristotle's Categories treat of the rational
and consistent use of language, or of what may be stated in
language. Next it is obvious that the De interpretatione
treats of language used to express thought, its generic
function. The more advanced treatises of the Organon, the
Prior and Posterior Analytics, the Topics, and Sophistical
Elenchi, treat directly and elaborately of the reasoning
processes themselves. So one perceives the grammatical
affinities of the simpler treatises in the Organon. The more
advanced ones seem to stand to them as oratorical rhetoric
stands to elementary grammar. For the Analytics, Topics,
and Sophistical Elenchi are a kind of eristic, training the
student to use the processes of thought and their expression
in order to attain an end, commonly argumentative. The
prior treatises have taught the elements, as it were the
orthography and etymology of the rational expression of
thought in language ; the latter (even as syntax and rhetoric),
1 Eruditio didascalica, \. cap. 12 (Migne, Pat. Lot. 176, col. 750).
334 THE MEDIAEVAL MIND BOOK vn
train the student in the use of these elements. And one
observes a nice historical fitness in the fact that only the
simpler treatises of the Organon were in common use in the
early Middle Ages, since they alone were necessary to the
first stage in the appropriation of the substance of patristic
and antique thought. The full Organon was rediscovered,
and retaken into use in the middle or latter part of the
twelfth century, when men had progressed to a more organic
appropriation of the patristic material and what they knew
of the antique philosophy.
Thus in mediaeval education, and in the successive order
of appropriating the patristic and the antique, logic stood on
grammar's shoulders. It was grammar's rationalized stage,
and treated language as the means of expressing thought
consistently and validly ; that is, so as not to contravene the
necessities of that whereof it was the vehicle. And since
language thus treated was in accord with rational thought, it
would accord with the realities to which thought corresponds ;
and might be taken as expressing them. This last reflection
introduces metaphysics.
And properly. For the three stages in the mediaeval
appropriation and expression of knowledge were grammar,
logic, metaphysics. Logic has to do with the processes of
thought ; with the positing of premises and the drawing of
the conclusion. It does not necessarily consider whether
the contents of its premises represent realities. This is
matter for ontology, metaphysics. Now mediaeval meta-
physics, which were those of Greek philosophy, were extremely
pre-Kantian, in assuming a correspondence between the
necessities or conclusions of thought and the supreme
realities, God and the Universe. Nor did mediaeval logic
doubt that its processes could elucidate and express the
veritable natures of things. So mediaeval logic readily
wandered into the province of metaphysics, and ignored the
line between the two.
Yet there is little metaphysics in the Organon ; none in
its simpler treatises. So there was none in the elementary
logical instruction of the schools before the twelfth century
at least.1 One may always distinguish between logic and
1 Cf. Abelson, The Seven Liberal Arts (New York, 1906).
CHAP, xxxv STAGES OF EVOLUTION 335
metaphysics ; and it is to our purpose to do so here. For
as we have taken logic to represent the second stage in the
mediaeval appropriation of knowledge, so metaphysics,
poised in turn on logic's shoulders, is very representative of
the third stage, to wit, the stage of systematic and organic
re-expression of the ancient matter, with elements added by
the great schoolmen.
Metaphysics was very properly the final stage. The
grammatical represented an elementary learning of what the
past had transmitted ; the logical a further retrying of the
matter, an attempt to understand and express it, formulate
parts of it anew, with deeper consistency of expression.
Then follows the attempt for final and universal consistency :
final inasmuch as thought penetrates to the nature of things
and expresses realities and the relationships of realities ; and
universal, in that it seeks to order and systematize all its
concepts, and bring them to unity in a Summa — a perfected
scheme of rational presentation of God and His creation.
This will be, largely speaking, the final endeavour of the
mediaeval man to ease his mind, and realize his impulse to
know and express himself with uttermost consistency.
So for mediaeval men, metaphysics stood on logic's
shoulders and represented the final completion of their
thought, in a universal system and scheme of God and man
and things.1 But the first part of this proposition had not
been true with Greek philosophy. Metaphysics is properly
occupied with being, in its ultimate essence and relationships ;
with the consistent putting together of things, to wit, the
presentation or expression of them so as not to disagree
with any of the data recognized as pertinent. The thinker
considers profoundly, seeking to penetrate the ultimate
reality and relationships of things, through which a universal
whole is constituted. This makes ontology, metaphysics —
the science of being, of causes, and so the science of the first
Cause, God. Aristotle called this the "first" philosophy,
because lying at the base of all branches of knowledge, and
1 I am speaking generally, that is to say, omitting for the present the aberrant
or special or intrusive tendencies found in a man like Roger Bacon, for example.
They were of importance for what was to come thereafter ; but are not broadly
representative of the Middle Ages.
336 THE MEDIAEVAL MIND BOOK vn
depending on nothing beyond itself. Some time after his
death, the Peripatetics and then the Neo-Platonists called
this first science by the name of Metaphysics, " after " or
" beyond " physics, if one will, perhaps because of the actual
order of treatment in the schools.
The term Metaphysics is vague enough ; either " first "
philosophy or " ontology " is preferable. Yet as to Greek
philosophy the term has apt historical suggestiveness. For
it did come after physics in time, and was in fact evoked
by the imperfect method and consequent contradictions
of the earlier philosophies. From the beginning, Greek
philosophy drove straight at the cause or origin of things —
surely the central problem of metaphysics. Thales and the
other lonians began with rational, though crude, hypotheses
as to the sources of the universe. These were first attempts
to reach a consistent expression of its origin and nature.
Each succeeding philosopher considered further, from the
vantage-ground of the recognized inconsistencies or inade-
quacies in the theories of his predecessors. He was thus
led on to consider more profoundly the essential relationships
of things, the very truth of their relationships, and on and
on into the problem of their being. For the verity of rela-
tions must be according to the verity of being of the things
related. The world about us consists in relationships, of
antecedents and sequences, of cause and effect ; and our
thought of it is made up of consistencies or contradictions,
which last we struggle to eliminate, or to transform to
consistencies.
These early philosophers looked only to the Aristotelian
material cause for the origin and cause of things ; yet
reflection plunged them deeper into a consideration of the
nature of being and relationships. The other causes were
evoked by Anaxagoras and then by Plato, and by them
were led into the arena of debate ; and philosophers dis-
cussed the efficient and final cause as well as the material.
Such discussions are recognized by Plato, and finally by
Aristotle as relating to the first principles of cognition and
being, and so as constituting metaphysics. The constant
search for a deeper consistency of explanation had led on
and on through a manifold consideration of those palpable
CHAP, xxxv STAGES OF EVOLUTION 337
relationships which make up the visible world ; it had dis-
closed the series of necessary assumptions required by those
visible relationships ; and thus the search for causality and
origins, and essential relationships, became one and the
same — metaphysics.
Metaphysics was not ineptly called so, since it had in
time come after the cruder physical hypotheses. But such
was not the order of mediaeval intellectual progress. The
Middle Ages passed through no preliminary course of
physical hypotheses, explanatory of the universe. Not
physics, but logic (introduced by grammar) led up to the
final construction — or rather adoption and reconstruction — of
ultimate hypotheses as to God and man, led up to the all-
ordering and all-compassing Theologia. Metalogics^ rather
than Metaphysics, would be the proper name for these final
expressions or actualizations of the mediaeval impulse to
know.
VOL. II
CHAPTER XXXVI
TWELFTH-CENTURY SCHOLASTICISM
I. THE PROBLEM OF UNIVERSALS : ABAELARD.
II. THE MYSTIC STRAIN: HUGO AND BERNARD.
III. THE LATER DECADES: BERNARD SILVESTRIS ; GILBERT DE LA
PORREE ; WILLIAM OF CONCHES ; JOHN OF SALISBURY, AND
ALANUS OF LILLE.
FROM the somewhat elaborate general considerations which
have occupied the last two chapters, we turn to the
representative manifestations of mediaeval thought in the
twelfth century. These belong in part to the second or
" logical," and in part to the third or " meta-logical," stage
of the mediaeval mind. The first or " grammatical " stage
was represented by the Carolingian period ; and in reviewing
the mental aspects of the eleventh century, we entered upon
the second stage, that of logic, or dialectic, to use the more
specific mediaeval term. Toward the close of the tenth
century Gerbert was found strenuously occupying himself
with logic, and using it as a means of ordering the branches
of knowledge. At the end of the eleventh, Anselm has not
only considered certain logical problems, but has vaulted
over into constructive metaphysical theology. Looking
back over Anselm's work, from the vantage-ground of the
twelfth century's further reflections, one may be conscious
of a certain genial youthfulness in his reliance upon single
arguments, noble and beautiful soarings of the spirit, which
however pay little regard to the firmness of the premises
from which they spring, and still less to a number of cognate
338
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 339
and pertinent considerations, which the twelfth century was
to analyze.
Anselm's thoughts perhaps overleaped logic. At all
events he appears only occasionally absorbed with its formal
problems. Yet he lived in a time of dawning logical con-
troversy. Roscellin was even then blowing up the problem
of universals, a problem occasioned by the entering of
mediaeval thought upon the " logical " stage of its appropria-
tion of the patristic and antique.
The problem of universals, or general ideas, from the
standpoint of logic, lies at the basis of consistent thinking.
It reverts to the time when Aristotle's assertion of the pre-
eminently real existence of individuals broke away from
the Platonic doctrine of Ideas. For the early mediaeval
philosophers, it took its rise in a famous passage in
Porphyry's Introduction to the Categories, the concluding
sentence of which, as translated into Latin by Boethius, puts
the question thus : " Mox de generibus et speciebus illud
quidem sive subsistant sive in nudis intellectibus posita
sint, sive subsistentia corporalia sint an incorporalia, et
utrum separata a sensibilibus an in sensibilibus posita et
circa haec consistentia, dicere recusabo." " Next as to genera
and species, do they actually exist or are they merely in
thought ; are they corporeal or incorporeal existences ; are
they separate from sensible things or only in and of them ?
— I refuse to answer," says Porphyry ; " it is a very lofty
business, unsuited to an elementary work."
Thus, in three pairs of crude alternatives, the question
came over to the early Middle Ages. The men of the
Carolingian period took one position or another, without
sensing its difficulties, or observing how it lay athwart the
path of knowledge. Students were not as yet attempting
such a dynamic appropriation of the ancient material as
would evoke this veritable problem of cognition. Even
Gerbert at the close of the tenth century was still so busy
with the outer forms and figments of logic that he had
no time to enter on those ulterior problems where logic
links itself to metaphysics. One Roscellin, living and
teaching apparently at Besangon in the latter part of the
eleventh century, seems to have been the first to attack the
340 THE MEDIAEVAL MIND BOOK vn
currently accepted " realism " with some sense of the
matter's thorny intricacies. With his own " nominalistic "
position we are acquainted only through his adversaries, who
imputed to him views which a thoughtful person could
hardly have entertained — that universals were merely words
and breath {flatus vocis). Roscellin seems at all events
to have been a man strongly held by the reality of
individuals, and one who found it difficult to ascribe a
sufficient intellectual actuality to the general idea as dis-
tinguished from the perception of things and the demands
of the concepts of their individual existences. His logical
difficulties impelled him to theological heresy. The unity
in the Trinity became an impossibility ; he could only con-
ceive of three beings, just as he might think of three angels ;
and he would have spoken of three Gods had usage not
forbidden it, says St. Anselm.1 As it was, he said enough
to draw on him the condemnation of a Council held at
Soissons in 1092, before which he quailed and recanted.
For the remainder of his life he so constrained the expression
of his thoughts as to ensure his safety.
One may say that Plato's theory of ideas was a meta-
physical presentation of the universe, sounding in conceptions
of reality. But for the Middle Ages, the problem whether
genera and species exist when abstracted from their par-
ticulars, sprang from logical controversy. It was a prob-
lem of cognition, cognizance, understanding : how should
one understand and analyze the contents of a statement,
e.g. Socrates is a man. Moreover, it was a fundamental
and universal problem of cognition ; for it was not merely
occupied, like all mental processes, with bringing data to
consistent formulation, but pertained to those processes them-
selves by which any and all data are stated or formulated.
It touched every formulation of truth, asking, in fine, how
are we to think our statements ? The philosophers of the
1 St Anselm, Epist. lib. iii. 41, ad Fulconem (Migne, Pat. Lot. 158,
coL 1192). So Roscellin showed in his own case how problems primarily
logical could pass over to metaphysics or theology. Likewise, although on the
other side of the controversy, one, Odo of Tournai, a good contemporary realist,
found realism an efficient aid in explaining the transmission of original sin ; since
for him all men formed but one substance, which was infected once for all by
the sin of the first parents. Cf. Haureau, Hist, de la philosophic scholastique, L
pp. 297-308 ; De Wulf, Hist, of Medieval Philosophy, p. 156, 3rd ed.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 341
eleventh and twelfth centuries, however, did not view this
problem as one pertaining to the mind's processes, and as
having to do solely with the understanding of the contents
of a statement. Rather, even as Plato had done, they
approached it as if it were a problem of modes of existence ;
and for this very reason it had pushed Roscellin into
theological error.
The discussion was to pass through various stages ; and
each stage may seem to us to represent the point reached by
the thinker in his analysis of his conscious meaning in
stating a proposition. Moreover, each solution may be
valid for him who gives it, because of its correspondence to
the meaning of his utterances so far as he has analyzed
them. But mediaeval men could not take it in this way.
Their intellectual task lay in appropriating, and in their own
way re-expressing, all that had come to them from an
authoritative past. The problem of universals had been
stated by a great authority, who put it as pertaining to the
objective reality of genera and species. How then might
mediaeval men take it otherwise, especially when at all
events it pertained in all verity to their endeavour to grasp
and re-express the contents of transmitted truth ? It became
for a while the crucial problem, the answer to which might
indicate the thinker's general intellectual attitude. Far from
keeping to logic, to the organon or instrumental part of the
mediaeval endeavour to know, it wound itself through meta-
physics and theology. Obviously the thinker's answer to
the problem would bear relation to his thoughts upon the
transcendent reality of spiritual essences.
The men who first became impressed with the importance
of this problem, gave extreme answers to it, sometimes
crassly denying the real existence of universals, but more
often hailing them as antecedent and all-permeating realities.
If Roscellinus took the former position, a pupil of his,
William of Champeaux, held the extreme opposite view,
when both he and the twelfth century were still young.
One may, however, bear in mind that as the views of the
older nominalist are reported only by his enemies, so our
knowledge of William's lucubrations comes mainly from the
exacerbated pen of Peter Abaelard.
342 THE MEDIAEVAL MIND BOOK vu
William held apparently " that the same thing, in its
totality and at the same time, existed in its single individuals,
among which there was no essential difference, but merely
a variety of accidents." * Abaelard appears to have performed
a reductio ad absurdum upon this view that the total genus
exists in each individual. He pointed out that in- such case
the total genus Jioino would at the same time exist in
Socrates and also in Plato, when one of them might be in
Rome and the other in Athens. " At this William changed
his opinion," continues Abaelard, " and taught that the genus
existed in each individual not essentialiter but indifferenter
or [as some texts read] indrvidualiter? Which seems to
mean that William no longer held that the total genus
existed in each individual actually, but " indistinguishably,"
or " individually."
And the students flocked away with Abaelard, he also
says ; and William fled the lecture chair. William and
Peter ; shall we say of them arcades ambo ? This would be
but a harmless depreciation of Abaelard, in the face of the
universal and correct tradition as to his epoch-making
intellectual progressiveness. Indeed it might be well to let
the phrase sound in our ears, just for the reminder's sake,
that Abaelard was, like William, a man of logic, although far
more expert both in manipulating the dialectic processes
and in applying them to theology.
Before endeavouring briefly to reconstruct the intellectual
qualities of Abaelard from his writings, let us see how the
famous open letter to a friend, in giving an apologetic story
of the writer's life, discloses the fatalities of his character.
This Historia calamitatum suarum makes it plain enough
why the crises of his life were all of them catastrophes — even
leaving out of view his liaison with Helol'se and its penalty.
A fatal impulse to annoy seems to drive him from fate to
fate; the old word of Heraclitus ?J0o9 av&parrrq) Sai/iav
(character is a man's genius) was so patently true of him.
Much that he said was to receive orthodox approval after
his time. Quite true. It has often been remarked, that the
heresy of one age is the accepted doctrine of the next, even
within the Church. But would the heretic have been persona
1 Abaelard, Hist, calamitatitm, chap. 2.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 343
grata to the later time ? Perhaps not. Peter Abaelard at
all events would have led others and himself a life of thorns
in the thirteenth century, or the fourteenth had he been
born again, when some of his methods and opinions had
become accepted commonplace. Did he have an eye for
logical and human truth more piercing than his twelfth-
century fellows ? Apparently. Was his need to speak out
his truth so much the more imperative than theirs ?
Possibly. At all events, he was certainly possessed with an
inordinate impulsion to undo his rivals. He sits down
before their fortress walls by night, and when they see him
there, they know not whether they look on friend or foe — in
this auditor. They will find out soon enough. He studied
dialectic under William of Champeaux at Paris, as all men
were to know. He got what William had to teach, and
moved on, to lecture in Melun and elsewhere. Then he
returned and sat at William's feet awhile to learn rhetoric, as
he announced. But quickly he rose up, and assailed his
master's doctrine of universals, and overthrew him, as we
have seen. The victim's friends made Abaelard's eristically
won lecturer's seat a prickly one. He left Paris for a while,
and then returned and taught on Mount St. Genevieve, out-
side the city.
Up to this time he had not been known to study
theology. But in 1 1 1 3, at the age of thirty-four, he went
to Laon to listen to a famous theologian named Anselm,
who himself had studied at Bee under a greater Anselm.
Says Abaelard in his Historia calamitatum : " So I came to
this old man, whose repute was a tradition, rather than
merited by talent or learning. Any one who brought his
uncertainties to him, went away more uncertain still ! He
was a marvel in the eyes of his hearers, but a nobody before
a questioner. He had a wonderful word flow, but the sense
was contemptible and the reasoning abject" Well, I didn't
listen to him long, Abaelard intimates ; but began to absent
myself from his lectures, and was brought to task by his
auditors, to whom jokingly I said, I, too, could lecture on
Scripture ; and I was taken up. Nothing loath, the next
day I lectured to them on the passage they had chosen from
Ezekiel's obscure prophecies. So, all unprepared, and trusting
344 THE MEDIAEVAL MIND BOOK VH
in my genius, I began to lecture, at first to sparse audiences,
but they quickly grew. Such is the substance of Abaelard's
own account, and he goes on to tell how " the old man
aforesaid was violently moved with envy," and shortly
Abaelard had to take his lecturings elsewhere. He returned
to Paris, and we have the episode of Helo'fse, for whom, as
his life went on, he evinced a devoted affection.1
Now he is monk in the abbey of St. Denis ; and there
again he lectures, and takes up certain themes against
Roscellinus, whom he seems to resurrect from the quiet of
old age to make a target of. This old man, too, hits back,
and other vicious people blow up a cloud of envy, until the
gifted lecturer finds himself an accused before the Council of
Soissons, and his book condemned. Untaught by the
burning of his book, Abaelard returns to his convent, and
proceeds to unearth statements of the Venerable Bede show-
ing that Dionysius the Areopagite who heard Paul preach,
was not the St. Denis who became patron saint of France,
and founder of the great abbey which even now was
sheltering a certain Abaelard, and drawing power and
revenue from the fame of its reputed almost apostolic
founder. Its abbot and monks did not care to have the
abbey walls undermined by truth, and Abaelard was hunted
forth from among them.
It was after this that he made for himself a lonely
refuge, which he named the Paraclete, not far from Troyes,
and thither again his pupils followed him in swarms, and
built their huts around him in the wilderness. But still
mightier foes — or their phantoms — rise against this hunted
head. The Historia seems to allude to St. Norbert and to
St. Bernard. Whatever the storm was, it was escaped by
flight to a remote Breton convent which — still for his sins ! —
had chosen Abaelard its abbot. There in due course they
tried to murder him, and again he fled, this time back to his
congenial sphere, the schools of Paris, where he lectured,
now at the summit of fame, to enthusiastic multitudes of
students. Some years pass, and then the pious jackal,
William of St. Thierry, rouses his lion Bernard to contend
with Abaelard and crush him, not with dialectic, at the
* Ante, Chapter XXV.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 345
Council of Sens in 1141. In a year he died, a broken man,
in Cluny's shelter. The conflict had not been of his seeking.
Perhaps, had he been less vain, he might have avoided it.
When it was upon him, the unhappy athlete of the schools
found himself a pigmy matched against the giant of
Clairvaux — the Thor and Loki of the Church ! Whether or
not the unequal battle raises Abaelard in our esteem, its
outcome commends him to our pity ; and all our sympathy
stays with him to the last days of a life that was, as if
physically, crushed. This accumulation of sad fortune bears
witness enough to the character of the man on whose neck
it did not fall by accident. Now let us try to reconstruct
him intellectually.
We have heretofore observed the genius and noted the
somewhat swaddling dialectic categories of a certain eager
intellect bearing the name of Gerbert.1 Abaelard's mental
processes have advanced beyond such logical stammerings.
He and his time are in the fulness of youth, and feel the
strength and joyful assurance of an intellectual progress, to
be brought about by a new-found proficiency in dialectic.
In the first half of the twelfth century, the intellectual genius
of the time — and Abaelard was its quintessence — knew
itself advancing by this means in truth. A like intellectual
consciousness had rejoiced the disputants in Plato's academy,
under the inspiration of that beautiful reasoner's exquisite
dialectic. The one time, like the other, was justified in
its confidence. For in such epochs, language, reasoning,
and knowledge advance with equal step ; thought clears up
with linguistic and logical analysis ; it becomes clear and
illuminated because more distinctly conscious of the char-
acter of its processes, and the nature of statement. There
is thus a veritable progress, at least in the methodology
of truth.
In Abaelard's time men had already studied grammar,
the grammar of the Latin tongue, and the quasi-grammar of
rearrangement and first painful learning of the knowledge
which it held. They had studied logic too, its simpler
elements, those which consist mainly in a further clearing
up of the meanings of language. Some men — Anselm of
1 Ante, Chapter XII., I.
346 THE MEDIAEVAL MIND BOOK vn
Canterbury — had already made sudden flights beyond
grammar, and out of logic's pale. And the labour of logical
and organic appropriation, with some reconstruction of the
ancient material, was to go on in this first half of the twelfth
century, when Hugo of St. Victor lived as well as Abaelard.
Progress by means of dialectic controversy, and first attempts
at systematic construction, mark this period intellectually.
Abaelard lived and moved and had his being in dialectic.
The further interest of Theology was lent him by the spirit
of his time. Through the medium of the one he reasoned
analytically ; and in the province of the other he applied his
reasoning constructively, using patristic materials and the
fragments of Greek philosophy scattered through them.
Thus Abaelard, a true man of the twelfth century, passes
on through logic to theology or metaphysics.
For the completeness of his logical knowledge he lived
and worked twenty or thirty years too soon. He was
unacquainted with the more elaborate logical treatises of
Aristotle, to wit, the Prior and Posterior Analytics, the
Topics, and Sophistical Elenchi. The sources of his
own treatises upon Dialectic are Porphyry's Introduction,
Aristotle's Categories and De interpretation, and certain
treatises of Boethius.1 A first result of the elementary and
quasi-grammatical character of the sources of logic upon
which he drew, is that the connection between logic and
grammar is very plain with him. Note, for example, this
paragraph of his, the substance of which is drawn from
Aristotle's Categories :
" But neither can substances be compared,2 since comparison
relates to attribute, and not to substance; so it is shown that
comparison lies not as to nouns, but as to their attributes. Thus
we say whiter but not whitenesser. Much more are substances
which have no attribute (adjaeentiani) immune from comparison.
More or less cannot be predicated of nouns (nomina substantiva).
For one cannot say more man or less man, as more or less white" 3
1 Abaelard's Dialectica was published by Cousin, Outrages intdits cFAbtlard
(Paris, 1836). For a thorough exposition of Abaelard's logic see Prantl, Ges.
der Logik, ii. p. 160 sqq.
1 I.e. as positive, comparative, and superlative.
3 Cousin, Ouvr, intdits, p. 175. Cf. Aristotle's Categories, ii. v. 20. The
opening of Pars tertia of Abaelard's Dialectica (in Cousin's edition, p. 324 sqq.)
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 347
Evidently this elementary sort of logic, whether with
Aristotle or Abaelard, represents a clearing up of the mind
on current modes of expression. And sometimes from such
studies men make discoveries like that of Moliere's Bourgeois
Gentilhomme, who discovered that he had always been
talking prose. Some of the points on which the minds of
Abaelard's contemporaries required clarification, would be
foolish word-play to ourselves, as, for instance, whether the
significance of the sentence homo est animal is contained in
the subject, copula, or predicate, or only in all three ; and
whether when a word is spoken, the very same word and
the whole of it comes to the ears of all the hearers at the
same time : " utrum ipsa vox ad aures diversorum simul
et tota aequaliter veniat." 1 Such questions, as was observed
regarding the problems of logical arrangement in Gerbert's
mind, may be pertinent and reasonable enough, if viewed in
connection with the intellectual conditions of a period ; just
as many questions now make demand on us for solution,
being links in the chain of our knowledge, or manner of
reasoning. But future men may pass them by as not lying
in their path to progressive knowledge of the universe and
man.
So the problem of universals was still cardinal with
Abaelard and his fellow-logicians, who through logic were
advancing, as they believed, along the path of objective
truth. Its solution would determine the nature of the
categories into which logic was fitting whatever might be
enunciated or expressed. The inquiry represented an
ultimate analysis of statement, of the general nature of
propositions ; and also related to their assumed corre-
spondence with realities. What William of Champeaux had
unqualifiedly alleged, Abaelard tried to determine more
analytically, to wit, the value of the proposition " si aliquid
sit ea res quae est species, id est vel homo vel equus et
caetera, sit quaelibet res quae eorum genus est, veluti animal
aut corpus aut substantia," — if species be something, as man,
affords an interesting example of this logical analysis and reconstruction of
statement, which seems to originate in sheer grammar, and then advance
beyond it.
1 Cousin, o.c. pp. 190, 192.
348 THE MEDIAEVAL MIND BOOK vn
horse, and so forth, then that which is the genus of these
may be something, as animal, body, or substance.1
Abaelard's discussion of this matter is a discussion of
the true content of propositions. His conclusion is not so
clear as to have occasioned no dispute. One must not think
of him as an Aristotelian — for he knew little of the sub-
stantial philosophy of Aristotle. Our dialectician had
absorbed more of Plato, through turbid patristic channels
and the current translation of the Timaeus. So his solution
of the question of genus and species may prove an analytic
bit of eclecticism, an imagined reconcilement of the two
great masters. The universal or general is, says he, " quod
natum est de pluribus praedicari," that which is by its nature
adapted to be predicated of a number of things. The
universal consists neither in things as such nor in words as
such ; it consists rather in general predicability ; it is sermo,
sermo praedicabilis , that which may be stated, as a predicate,
of many. As such it is not a mere word : sermo is not
merely vox ; that is not the true general predicable. On the
other hand, one thing cannot be the predicate of another ;
res de re non praedicatur : therefore sermo is not res. Yet
Abaelard does not limit the existence of the universal to
the concept of him who thinks it. It surely exists in the
individuals, since substantia specierum is not different from
the essentia individuorum. But does not the general con-
cept exist as an objective unity ? Apparently Abaelard
would answer : Yes, it does thus exist as a common sameness
(consimilitudo).
All this is anything but clear. And the various twelfth-
century opinions on universals no longer possess human
interest. It is hard for us to distinguish between them, or
understand them clearly, or state them intelligibly. They
are bound up in a phraseology untranslatable into modern
language, because the discussion no longer corresponds to
modern ways of thought. But one is interested in the
human need which drove Abaelard and his fellows upon the
horns of this problem, and in the nature of their endeavours
to formulate their thought so as to escape those opposing
horns — of an extreme realism which might issue in pantheism,
1 Cousin, o.e. p. 331.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 349
and an extreme nominalism which seemed to deprive
predication of substance and validity.1
So much for Abaelard as sheer logician, formal adjuster
of the instrumental processes of thinking. Dialectic was for
him a first stage in the actualization of the impulse to know,
and bring knowledge to consistent expression. It was also
his way of approach to the further systematic presentation
of his thoughts upon God and man, human society and
justice, divine and human.
" A new calumny against me, have my rivals lately devised,
because I write upon the dialectic art; affirming that it is not
lawful for a Christian to treat of things which do not pertain to the
Faith. Not only they say that this science does not prepare us
for the Faith, but that it destroys faith by the implications of its
arguments. But it is wonderful if I must not discuss what is
permitted them to read. If they allow that the art militates against
faith, surely they deem it not to be science (scientia). For the
science of truth is the comprehension of things, whose species is the
wisdom in which faith consists. Truth is not opposed to truth.
For not as falsehood may be opposed to falsity, or evil to evil, can
the true be opposed to the true, or the good to the good ; but
rather all good things are in accord. All knowledge is good, even
that which relates to evil, because a righteous man must have it.
Since he should guard against evil, it is necessary that he should
know it beforehand : otherwise he could not shun it. Though an
act be evil, knowledge regarding it is good ; though it be evil to
sin, it is good to know the sin, which otherwise we could not shun.
Nor is the science malhematica to be deemed evil, whose practice
(astrology) is evil. Nor is it a crime to know with what services
and immolations the demons may be compelled to do our will, but
to use such knowledge. For if it were evil to know this, how
could God be absolved, who knows the desires and cogitations of
all His creatures, and how the concurrence of demons may be
obtained ? If therefore it is not ; wrong to know, but to do, the
evil is to be referred to the act and not to the knowledge. Hence
we are convinced that all knowledge, which indeed comes from
God alone and from His bounty, is good. Wherefore the study of
every science should be conceded to be good, because that which is
good comes from it ; and especially one must insist upon the study
of that doctrina by which the greater truth is known. This is
dialectic, whose function is to distinguish between every truth and
1 Prantl's Geschichte der Logik, vol. ii., contains an exhaustive discussion of
the various phases of this controversy : its language is little less difficult than
that of the twelfth-century word-twisters.
350 THE MEDIAEVAL MIND BOOKVII
falsity : as leader in all knowledge it holds the primacy and rule of
all philosophy. The same also is shown to be needful to the
Catholic Faith, which cannot without its aid resist the sophistries of
schismatics." l
In this passage the man himself is speaking, and dis-
closing his innermost convictions. For Abaelard's nature
was set upon understanding all things through reason, even
the mysteries of the Faith. He does not say, or quite think,
that he will disbelieve whatever he cannot understand ; but
his reasoning and temper point to the conclusion. This was
obviously true of Abaelard's ethical opinions ; his enemies
said it was true of his theology. Such a man would
naturally plead for freedom of discussion, even for freedom
of conclusion ; but within certain bounds ; for who in the
twelfth century could maintain that heretics or infidels did
rightly in rejecting the Christian Faith? Yet Abaelard
says heretics should be compelled (coercendi) by reason
rather than force.2 And he could at least conceive of the
rejection of the Faith upon, say, imperfect rational grounds.
In his dialogue between Philosopher, Jew, and Christian, the
Christian says to the Philosopher : One cannot argue
against you from the authority of Scripture, which you do
not recognize ; for no one can be refuted save with arguments
drawn from what he admits : Nemo quippe argui nisi ex
concessis potest? However this sounded in Abaelard's time,
the same was enunciated by Thomas Aquinas after him, in
a passage already given.4 But it is doubtful whether
Thomas would have cared to follow Abaelard in some of
the arguments of his Ethics or Book called, Know Thyself, in
which he maintains that no act is a sin unless the actor was
conscious of its sinfulness ; and therefore that killing the
martyrs could not be imputed as sin to those persecutors
who deemed themselves thereby to be doing a service
acceptable to God.6
The titles given by Abaelard to his various treatises are
indicative of the critical insistency of his nature. He called
1 Cousin, o.e. pp. 434, 435.
2 Theologia Christiana, iv. (Migne 178, col. 1284).
3 Migne, Pat. Lat. 178, col. 1641.
* Ante, p. 292.
5 Scito te ipsum, cap. 13 (Migne 178, col. 653).
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 351
his Ethica, Scito te ipsum, Know Thyself: understand thy
good and ill intentions, and what may be vice or virtue in
thee. Through the book, the discussion of right and wrong
directs itself as pertinaciously to considerations of human
nature as was possible in an age when theological dogma
held the final criteria of human conduct. And Abaelard is
capable of a lofty insight touching the relationship between
God and man.
" Penitence," says he, " is truly fruitful when grief and contrition
proceed from love of God, regarded as benignant, rather than from
fear of penalties. Sin cannot endure with this groaning and con-
trition of heart : for sin is contempt of God, or consent to evil,
and the love of God in inspiring our groaning, suffers no ill." *
Possibly when reading the Scito te ipsum one is con-
scious of a dialectician drawing distinctions, rather than of
a moralist searching the heart of the matter. Everything
is set forth so reasonably. Yet Abaelard's impartial delight
in a rational view of belief and conduct shows nowhere
quite as obviously as in his Dialogue between Philosopher
and Jew and Christian. Each in turn is made to set forth
the best arguments his position admits of. The author does
his best for each, and perhaps seems temperamentally
drawn to the position of the Philosopher, whom he permits
to call the Jews stultos and the Christians insanos. This
philosopher naturally is no Greek of Plato's or Aristotle's
time, but a good Roman, who regards moralis philosophia as
the finis omnium disciplinarum, and hangs all intellectual
considerations upon a discussion of the summum bonum.
His well-worn arguments are put with earnestness. He
deprecates the blind acceptance of beliefs by children from
their fathers, and the narrowness of mind which keeps men
from perceiving the possible truth in others' opinions :
" so that whomsoever they see differing from themselves in belief,
they deem alien from the mercy of God. Thus condemning all
others, they vaunt themselves alone as blessed. Long reflecting on
this blindness and pride of the human race, I have unceasingly
besought the Divine Pity that He would deign to draw me forth
from this miserable Charibdian whirlpool of error, and guide me to
1 Scito te ipsum, cap. 19 (Migne 178, col. 664).
352 THE MEDIAEVAL MIND BOOK vn
a port of safety. So you [addressing both Jew and Christian]
behold me solicitous and attentive as a disciple, to the documents
of your arguments." l
The qualities cultivated by dialectic, and the impartial
rational temper, here displayed, reappear in the works of
Abaelard devoted to sacred doctrine. Enough has been
said of the method and somewhat captious qualities of the
Sic et non? Unquestionably its manner of presenting the
contradictory opinions of the Fathers, without any attempt
to reconcile them, tended to bring into view the difficulties
inhering in the formulation of Christian belief. And indeed
the book made prominent all the diabolic insoluble problems
of the Faith, or rather of life itself and any view of God and
man : Predestination, for example ; whether God causes
evil ; whether He is omnipotent ; whether He is free. The
Lombard's Sentences and Thomas's Summa considered all
these questions ; but they strove to solve them ; and
Thomas did solve every one, leaving no loose ends to his
theology. More potently than Abaelard did the Angelic
Doctor employ dialectic in his finished scheme. With him,
this propaedeutic discipline, this tool of truth, perfectly
performs its task of construction. So also Abaelard
intended to work with it ; but his somewhat unconsidered
use of the tool did not meet the approval of his con-
temporaries. Accordingly, in his more constructive theo-
logical treatises his impulse to know and state appears
finally actualized in the systematic formulation of convictions
upon topics of ultimate interest, to wit, theology, the
contents of the Christian Faith, the full relationship of God
and man. Did he sever theology from philosophy? Nay,
rather, with him theology was ultimate philosophy.
Several times Abaelard rewrote what was substantially
the same general work upon Theology. In one of its
earliest forms it was burnt by the Council of Soissons
in II2I.3 In another form it exists under the title
Theologia Christiana ; 4 and the first part of its apparently
1 Migne 178, col. 1615. 2 Ante, pp. 304 sqq,
3 This has been published by Stolzle : Abaelards 1121 zu Soissons
verurteilter Tractatus de Unitate et Trinitate divina (1891).
4 Migne 178, col. 1123-1330; Cousin and Jourdain, P. Abaelardi opera,
"• PP- 357-566 (1859).
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 353
final revision is now improperly entitled, Introductio ad
theologiam. *
The first Book of the Theologia Christiana is an exposition
of the Trinity, not clinched in syllogisms, but consisting
mainly of an orderly presentation of the patristic authorities
supporting the author's view of the matter. The testimonies
of profane writers are also given. Liber II. opens by saying
that in the former part of the work " we have collected the
testimonia of prophets and philosophers, in support of the
faith of the Holy Trinity." Hereupon, by the same method
of adducing authorities, Abaelard proceeds to refute those
who had blamed him for citing the pagan philosophers.
He marshals his supporting excerpts from the Fathers, and
remarks : " That nothing is more needful for the defence of
our faith than that as against the importunities of all the
infidels we should have witness from themselves wherewith
to refute them." Then he points to the moral worth of
some of the philosophers, to their true teaching of the soul's
immortality, and quotes Horace's
" Oderunt peccare boni virtutis amore."
He continues at some length setting forth their well-
nigh evangelical virtue, and speaks of the Gospel as refor-
mat™ legis naturalis.
At the beginning of Liber III. comes the statement:
" We set the faith of the blessed Trinity as the foundation
of all good." Whereupon Abaelard breaks out in a de-
nunciation of those who misuse dialectic ; but again he
passes to a defence of the art as an art and branch of know-
ledge, and shows its need as a weapon against those wranglers
who will be quieted neither by the authority of the saints
nor the philosophers : against whom, he, Abaelard, trusting
in the divine aid, will turn this weapon as David did the
sword of Goliath. He now states the true object of his
work : " First then is to be set forth the theme of our whole
labour, and the sum of faith ; the unity of the divine
substance and the Trinity of persons, which are in God,
and are one God. Next we state the objections to our
theses, and then the solutions of those objections." And he
1 Migne 178, col. 979-1 1 14 ; Cousin and Jourdain, o.c. pp. 1-149-
VOL. II 2 A
354 THE MEDIAEVAL MIND BOOK vu
gives the substance of the Athanasian Creed. From this
point, his work becomes more dialectical and constructive,
although of course continuing to quote authorities. He is
emboldened to discuss the deepest mysteries, the very
penetralia of the Trinity, and in a way which might well
alarm men like Bernard, who desired acceptance of the
Faith, with rhetoric, but without discussion. To be sure
Abaelard pauses to justify himself by reverting to his
apologetic purpose : " Heretics must be coerced with reason
rather than by force." However this may be, the work
henceforth shows the passing on of logic to the exercise of
its architectonic functions in constructing a systematic
theological metaphysics.
The miscalled Introductio ad theologiam, as might be
expected of a last revision of the author's Theology, is a
more organic work. In the Prologue, Abaelard speaks of
it as a Summa sacrae eruditionis or an Introductio to Divine
Scripture. And again he states the justifying purpose of
his labour, or rather puts it into the mouths of his disciples
who have asked for such a work from him : " Since our
faith, the Christian Faith, seems entangled in such difficult
questions, and to stand apart from human reason (et ab
humana ratione longius absistere), it should be fortified by
so much the stronger arguments, especially against the
attacks of those who call themselves philosophers." Con-
tinuing, Abaelard protests that if in any way, for his sins,
he should deviate from the Catholic understanding and
statement, he will on seeing his error revise the same, like
the blessed Augustine.
The work itself opens with a statement of its intended
divisions : " In three matters, as I judge, rests the sum
of human salvation : Fides > caritas, and sacramentum " ; and
he gives his definition of faith, which was so obnoxious to
Bernard and others, as the existimatio rerum non apparentium.
The three extant Books do not conclude the treatment even
of the first of these three topics. But one readily sees that
were the work complete, its arrangement might correspond
with that of Thomas's Summa} One may reiterate that it
was more constructively argumentative than the Tlieologia
i Ante, Chapter XXXV., i.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 355
Christiana, even in the manner of using the cited authorities.
For instance, Abaelard's mind is fixed on the analogy
between the Neo-Platonic Trinity of Deus, nous, and anima
mundi, and that of Father, Son, and Holy Ghost. The
nous fitly represents Christ, who is the Sapientia Dei — which
Abaelard sets forth ; but then with even greater insistency
he identifies the Holy Spirit with the world-soul. Nothing
gave a stronger warrant to the accusations of heresy brought
against him than this last doctrine, with which he was
obsessed. Yet what roused St. Bernard and his jackals
was not so much any particular opinion of Abaelard, as his
dialectic and critical spirit, which insisted upon understand-
ing and explaining, before believing. " The faith of the
righteous believes ; it does not dispute. But that man,
suspicious of God (Deum habens suspectum}, has no mind
to believe what his reason has not previously argued." l
Still, when Bernard says that faith does not discuss, but
believes, he states a conviction of his mind, a conviction
corresponding with an inner need of his own to formulate
and express his thought. Only, with Abaelard the need
to consider and analyse was more consciously imperative.
He could not avoid the constant query : How shall I think
this thing — this thing, for example, which is declared by
revelation ? Just as other questioning spirits in other times
might be driven upon the query : How shall we think these
things which are disclosed by the variegated walls of our
physical environment? Those yield data, or refuse them,
and force the mind to put many queries, and come to some
adjustment. So experience presents data for adjustment,
just as dogma, Scripture, revelation present that which
reason must bring within the action of its processes, and
endeavour to find rational expression for.
II
The greatest dialectician of the early twelfth century
felt no problems put him by the physical world. That did
not attract his inquiry ; it did not touch the reasonings
evolved by his self-consciousness, any more than it impressed
1 Bernard, Ep. 338 (Migne 182, col. 542).
356 THE MEDIAEVAL MIND BOOKVH
the fervid mind of his great adversary, St. Bernard. The
natural world, however, stirred the mind of Abaelard's con-
temporary, Hugo of St. Victor.1 Its colours waved before
his reveries, and its visible sublimities drew his mind aloft
to the contemplation of God : for him its things were all the
things of God — opus conditionis or opus restaurationis ; ~ the
work of foundation, whereby God created the physical world
for the support and edification of its crowning creature man ;
and the work of restoration, to wit, the incarnation of the
Word, and all its sacraments.
Hugo was a Platonic and very Christian theologian.
He would reason and expound, and yet was well aware that
reason could not fathom the nature of God, or bring man
to salvation. " Logic, mathematics, physics teach some
truth, yet do not reach that truth wherein is the soul's safety,
without which whatever is is vain." 3 So Hugo was not
primarily a logician, like Abaelard ; nor did he care chiefly
for the kind of truth which might be had through logic.
Nevertheless the productions of his short life prove the
excellence of his mind and his large enthusiasm for
knowledge.
As Hugo was the head of the school of St. Victor for
some years before his death, certain of his works cover
topics of ordinary mediaeval education, secular and religious ;
while others advance to a more profound expression of the
intellectual, or spiritual, interests of their author. For
elementary religious instruction, he composed a veritable
book of Sentences? which preceded the Lombard's in time,
but was later than Abaelard's Sic et non. Without striking
features, it lucidly and amiably carried out its general
purpose of setting forth the authoritative explanations of the
elements of the Christian Faith. The writer did not hesitate
to quote opposing views, which were not heralded, however,
1 Whose sacramental theory of the Creation has already been given at length,
ante, Chapter XXVIII. For the incidents of Hugo's life see the same chapter.
Bibliography, note to page 61. See also Ostler, "Die Psychologic des Hugo
von St. Viktor" (Baeumker's Beitrtige, Minister, 1906).
2 De script, cap. 2 (Migne 175, col. u).
3 De script, cap. 2 (Migne 175, col. 10).
4 Sumtna sententiarum (Migne 176, col. 42-174); also under title of
Tractatus theologicus, wrongly ascribed to Hildebert of Lavardin, in Migne 171,
col. 1067-1150.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 357
by such danger-signals of contradiction as flare from the
chapter headings of the Sic et non.
The corresponding treatise upon profane learning — the
Eruditio didascalica — is of greater interest.1 It commences
in elementary fashion, as a manual of study : " There are
two things by which we gain knowledge, to wit, reading
and meditation ; reading comes first." The book is to be
a guide to the student in the study both of secular and
divine writings ; it teaches how to study the artes, and then
how to study the Scriptures.2 Even in this manual, Hugo
shows himself a meditative soul, and one who seeks to base
his most elementary expositions upon the nature and needs
of man. The mind, says he, is distracted by things of
sense, and does not know itself. It is renewed through
study, so that it learns again not to look without for what
itself affords. Learning is life's solace, which he who finds
is happy, and he who makes his own is blessed.3
For Hugo, philosophy is that which investigates the
rationes of things human and divine, seeking ever the final
wisdom, which is knowledge of the primaeval ratio : this
distinguishes philosophy from the practical sciences, like
agriculture : it follows the ratio , and they administer the
matter. Again and again, Hugo returns to the thought
that the object of all human actiones and studia is to restore
the integrity of our nature or mitigate its weaknesses, restore
the image of the divine similitude in us, or minister to the
needs of life. This likeness is renewed by speculatio veritatis,
or exercitium virtutis*
Such is a pretty broad basis of theory for a high school
manual. Hugo proceeds to set forth the scheme, rather
than the substance, of the arts and sciences, pausing
occasionally to admonish the reader to hold no science
vile, since knowledge always is good ; and he points out
that all knowledge hangs together in a common coher-
ency. He sketches 6 the true student's life : Whoever seeks
1 Migne 176, col. 740-838.
2 I think of no previous work so closely resembling the Enid, didas. as the
Institutiones divinarum et saecularum lectionum of Cassiodorus.
3 Erud. did. i. 2.
4 Here one sees the source of much that we quoted from Vincent de Beauvais,
ante, Chapter XXXV., I. 6 Lib. iii. cap. 13 syy.
358 THE MEDIAEVAL MIND BOOKVII
learning, must not neglect discipline ! He must be humble,
and not ashamed to learn from any one ; he must observe
decent manners, and not play the fool and make faces at
lecturers on divinity, for thereby he insults God. Yea, and
let him mind the example of the ancient sages, who for
learning's sake spurned honours, rejected riches, rejoiced in
insults, deserted the companionship of men, and gave
themselves up to philosophy in desert solitudes, that they
might be more free for meditation. Diligent search for
wisdom in quietude becomes a scholar ; and likewise
poverty, and likewise exile : he is very delicate who clings
to his fatherland ; " He is brave to whom every land is
home (patria] ; and he is perfect to whom the whole world
is an exile ! " 1
Hugo has much to say of the pulchritudo and the decor
of the creature-world. But with him the world and its
beauty point to God. One should observe it because of
its suggestiveness, the visible suggesting the invisible.
Hugo has already been followed in his argument that the
world, in its veriest reality, is a symbol.2 Here we follow
him along his path of knowledge, which leads on and
upward from cogitatio, through meditatio, to contemplatio.
The steps in Hugo's scheme are rational, though the
summit lies beyond. This path to truth, leading on from
the visible symbol to the unseen power, is for him the
reason and justification of study ; drawing to God it makes
for man's salvation.
Hugo has put perhaps his most lucid exposition of
the three grades of knowledge into the first of his Nineteen
Sermons on Ecclesiastes? He is fond of certain numbers,
and here his thought revolves in categories of the number
three. Solomon composed three works, the Proverbs,
Ecclesiastes, and Canticles. In the first, he addresses his
son paternally, admonishing him to pursue virtue and shun
vice ; in the second, he shows the grown man that nothing
in the world is stable ; finally, in Canticles, he brings the
consummate one, who has spurned the world, to the
Bridegroom's arms.
1 Erud. did. iii. cap. 20. Cf. ante, p. 63.
2 Ante, Chapter XXVIII. 3 Migne, Pat. Lot. 175, col. 115 sqq.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 359
" Three are the modes of cognition (visiones} belonging to the
rational soul : cogitation, meditation, contemplation. It is cogita-
tion when the mind is touched with the ideas of things, and the
thing itself is by its image presented suddenly, either entering
the mind through sense or rising from memory. Meditation is
the assiduous and sagacious revision of cogitation, and strives to
explain the involved, and penetrate the hidden. Contemplation is
the mind's perspicacious and free attention, diffused everywhere
throughout the range of whatever may be explored. There is this
difference between meditation and contemplation : meditation
relates always to things hidden from our intelligence ; contempla-
tion relates to things made manifest, either according to their
nature or our capacity. Meditation always is occupied with some
one matter to be investigated ; contemplation spreads abroad for
the comprehending of many things, even the universe. Thus
meditation is a certain inquisitive power of the mind, sagaciously
striving to look into the obscure and unravel the perplexed.
Contemplation is that acumen of intelligence which, keeping all
things open to view, comprehends all with clear vision. Thus
contemplation has what meditation seeks.
" There are two kinds of contemplation : the first is for
beginners, and considers creatures ; the kind which comes later,
belongs to the perfect, and contemplates the Creator. In the
Proverbs, Solomon proceeds as through meditation. In Ecclesiastes
he ascends to the first grade of contemplation. In the Song of
Songs he transports himself to the final grade. In meditation
there is a wrestling of ignorance with knowledge ; and the light of
truth gleams as in a fog of error. So fire is kindled with difficulty
in a heap of green wood ; but then fanned with stronger breath,
the flame burns higher, and we see volumes of smoke rolling up,
with flame flashing through. Little by little the damp is exhausted,
and the leaping fire dispels the smoke. Then victrix flamma
darting through the heap of crackling wood, springs from branch
to branch, and with lambent grasp catches upon every twig ; nor
does it rest until it penetrates everywhere and draws into itself all
that it finds which is not flame. At length the whole combustible
material is purged of its own nature and passes into the similitude
and property of fire; then the din is hushed, and the voracious
fire having subdued all, and brought all into its own likeness,
composes itself to a high peace and silence, finding nothing more
that is alien or opposed to itself. First there was fire with flame
and smoke; then fire with flame, without smoke; and at last
pure fire with neither flame nor smoke."
So the victrix flamma achieves the three stages of
spiritual insight, fighting its way through the smoke of
360 THE MEDIAEVAL MIND BOOKVII
cogitation, through the smoke and flame of meditation,
and at last through the flame of creature contemplation,
to the high peace of God, where all is love's ardent vision,
without flame or smoke. It is thus through the grades of
knowledge that the soul reaches at last that fulness of
intelligence which may be made perfect and inflamed with
love, in the contemplation of God. All knowledge is
good according to its grade ; only let it always lead on to
God, and with humility. Hugo makes his principles clear
at the opening of his commentary on the Celestial Hierarchy
of Dionysius.1
" The Jews seek a sign, and the Greeks wisdom. There was a
certain wisdom which seemed such to them who knew not the
true wisdom. The world found it, and began to be puffed up,
thinking itself great in this. Confiding in its wisdom, it presumed,
and boasted that it would attain the highest wisdom. . . . And
it made itself a ladder of the face of the creation, shining toward
the invisible things of the Creator. . . . Then those things which
were seen were known, and there were other things which were
not known ; and through those which were manifest they expected
to reach those which were hidden ; and they stumbled and fell
into the falsehoods of their own imaginings. ... So God made
foolish the wisdom of this world; and He pointed out another
wisdom, which seemed foolishness, and was not. For it preached
Christ crucified, in order that truth might be sought in humility.
But the world despised it, wishing to contemplate the works of
God, which He had made to be marvelled at, and it did not wish
to venerate what He had set for imitation. Neither did it look
to its own disease, and seek a medicine with piety ; but presuming
on a false health, it gave itself over with vain curiosity to the study
of alien matters."
This study made the wisdom of the world, whereby it
devised the arts and sciences which we still learn. But the
world in its pride did not read aright the great book of
nature. It had not the knowledge of the true Exemplar,
for the sanitation of its inner vision, to wit, the flesh of the
eternal Word in the humanity of Jesus.
" There were two images (simulacra} set for man, in which he
might perceive the unseen : one consisting of nature, the other of
grace. The former image was the face of this world ; the latter
1 Migne, Pat. Lot. 175, col. 923 sqq.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 361
was the humanity of the Word. And God is shown in both, but
He is not understood in both; since the appearance of nature
discloses the artificer, but cannot illuminate the eyes of him who
contemplates it."
Hugo then classifies the sciences in the usual Aristotelian
way, and shows that Christian theology is the end of all
philosophy. The first part of philosophia theorica is
mathematics, which speculates as to the visible forms of
visible things. The second is physics, which scrutinizes the
invisible causes of visible things. The third, theology, alone
contemplates invisible substances and their invisible natures.
Herein is a certain progression ; and the mind mounts to
knowledge of the true. Through the visible forms of visible
things, it comes to invisible causes of visible things ; and
through the invisible causes of visible things, it ascends to
invisible substances, and to knowing their natures. This
is the summit of philosophy and the perfection of truth.
In this, as already said, the wise of this world were made
foolish ; because proceeding by the natural document alone,
making account only of the elements and appearance of the
world, they missed the instructive instances of Grace : which
in spite of humble guise afford the clearer insight into
truth.
This is Hugo's scheme of knowledge ; it begins with
cogitatio> then proceeds through meditatio to contemplatio
of the creature world, and finally of the Creator. The arts
and sciences, as well as the face of nature, afford a simu-
lacrum of the unseen Power ; but all this knowledge by
itself will not bring man to the perfect knowledge of God.
For this he needs the exemplaria of Grace, shown through
the incarnation of the Word. Only by virtue of this added
means, may man attain to perfect contemplation of the
truth of God. That end and final summit is beyond
reason's reach ; but the attainment of rational knowledge
makes part of the path thither. Keen as was Hugo's
intellectual nature, his interest in reason was coupled with
a deeper interest in that which reason might neither include
nor understand. The intellect does not include the emotional
and immediately desiderative elements of human nature ;
neither can it comprehend the infinite which is God ; and
362 THE MEDIAEVAL MIND BOOK vn
Hugo drew toward God not only through his intellect, but
likewise through his desiderative nature, with its yearnings
of religious love. That love with him was rational, since
its object satisfied his mind as far as his mind could
comprehend it.
So Hugo's intellectual interests were connected with the
emotional side of human nature, and also led up to what
transcended reason. Thus they led to what was a mystery
because too great for human reason, and they included
that which also was somewhat of a mystery to reason
because lying partly outside its sphere. Hugo is an instance
of the intellectual nature which will not rest in reason's pro-
vince, but feels equally impelled to find expression for matters
that either exceed the mind, or do not altogether belong to
it. Such an intellect is impelled to formulate its convictions
in regard to these ; its negative conviction that it cannot
comprehend them, and why it cannot ; and its more positive
conviction of their value — of the absolute worth of God,
and of man's need of Him, and of the love and fear by
which men may come close to Him, or avoid His wrath.
What Hugo has had to say as to cogitation, meditation,
and contemplation, represents his analysis of the stages by
which a sufficing sense may be reached of the Creator and
His world of creature-kind. In this final wisdom and ardour
of contemplation, both human reason and human love have
part. The intellect advances along its lines, considering
the world, and drawing inferences as to the unseen Being
who created and sustains it. Mind's unaided power will
not reach. But by the grace of God, supremely manifested
in the Incarnation, the man is humbled, and his heart is
touched and drawn to love the power of the divine pity and
humility. The lesson of the Incarnation and its guiding
grace, emboldens the heart and enlightens the mind ; and
the man's faculties are strengthened and uplifted to the
contemplation of God, wherein the mind is satisfied and the
heart at rest.
We have here the elements of piety, intellectual and
devotional. Hugo is an example of their union ; they also
preserve their equal weight in Aquinas. But because Hugo
emphasizes the limitations of the intellect, and so ardently
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 363
recognizes the heart's yearning and immediacy of appercep-
tion, he is what is styled a mystic ; a term which we are
now in a position to consider, and to some extent exchange
for other phrases of more definite significance.1
Quite to avoid the term is not possible, inasmuch as the
conception certainly includes what is mysterious because
unknowable through reason. For it includes a sense of
the supreme, a sense of God, who is too great for human
reason to comprehend, and therefore a mystery. And it
includes a yearning toward God, the desire of Him, and the
feeling of love. The last is also mysterious, in that it has
not exclusive part with reason, but springs as well from
feeling. Yet the essence or nature of this spirit of piety
which we would analyse, consists in consciousness of the
reality of the object of its yearning or devotion. Not
altogether through induction or deduction, but with an
irrational immediacy of conviction, it feels and knows its
object. In place of the knowledge which is mediated through
rational processes, is substituted a conviction upheld by
yearning, love's conviction indeed, of the reality and presence
of that which is all the greater and more worthy because it
baffles reason. And the final goal attainable by this
mystic love is, even as the goal of other love, union with
the Beloved.
The mystic spirit is an essential part of all piety or
religion, which relates always and forever to the rationally
unknown, and therefore mysterious. Without a consciousness
of mystery, there can be neither piety nor religion. Nor can
there be piety without some devotion to God, nor the
deepest and most ardent forms of piety, without fervent
love of God. This devotion and this love supply strength
of conviction, creating a realness of communion with
the divine, and an assurance of the soul's rest and peace
therein. But that the intellect has part, Hugo abundantly
demonstrates. One must have perceptions, and thought's
severest wrestlings — cogitatio and meditatio — before reaching
that first stage of wide and sure intelligence, which relates
1 The following consideration of the mysticism of Christian theologians is
not intended to include other forms of "mysticism '' (Pantheistic, poetical, patho-
logical, neurotic, intellectual, and sensuous) within or without the Christian pale.
364 THE MEDIAEVAL MIND BOOK vn
to the creature world, and affords a broad basis of assurance,
whence at last the soul shall spring to God. Intellectual
perceptions and rational knowledge, and all the mind's
puttings together of its data in inductions and deductions
and constructions, form a basis for contemplation, and yield
material upon which the emotional side of human nature
may exercise itself in yearning and devotion. Herein the
constructive imagination works ; which is intellectual faculty
illuminated and impelled by the emotions.
This spirit actualizes itself in the power and scope of
its resultant conviction, by which it makes real to itself the
qualities, attributes, and actions of its object, God, and the
nature of man's relationship or union with the divine. In
its final energy, when only partly conscious of its intellectual
inductions, it discards syllogisms, quite dissatisfied with their
devious and hesitating approach. Instead, by the power of
love, it springs directly to its God. Nevertheless the soul
which feels the inadequacy of reason even to voice the
soul's desires, will seek means of expression wherein reason
still will play a submerged part. The soul is seeking to
express what is not altogether expressible in direct and
rational statement. It seeks adumbrations, partial unveilings
of its sentiments, which shall perhaps make up in warmth
of colour what they lack in definiteness of line. In fine, it
seeks symbols. Such symbolism must be large and elastic,
in order to shadow forth the soul's relations with the Infinite ;
it must also be capable of carrying passion, that it may
satisfy the soul's craving to give voice to its great love.
In Greek thought as well as in the Hellenizing Judaism
of a Philo, symbolism, or more specifically speaking, alle-
gorical interpretation, was obviously apologetic, seeking to
cloud in naturalistic interpretations the doings of the rather
over-human gods of Greece.1 But it sprang also from the
unresting need of man to find expression for that sense of
things which will not fit definite statement. This was the
need which became creative, and of necessity fancifully
creative, with Plato. Though he would have nothing to do
with falsifying apologetics, all the more he felt the need of
allegories, to suggest what his dialectic could not formulate.
1 Ante, p. 42 sqq.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 365
In the early times of the Church militant of Christ, alle-
gorical interpretation was exploited to defend the Faith ; in
the later patristic period, the Faith had so far triumphed,
that allegory as a sword of defence and attack might be
sheathed, or just allowed to glitter now and then half-drawn.
But piety's other need, with increasing energy, compelled
the use of symbols and articulate allegory to express the
directly inexpressible. Thereafter through the Middle Ages,
while the use of allegory as a defence against the Gentiles
slumbered, so much more the other need of it, and the sense
of the universal symbolism of material things, filled the
minds of men ; and in age-long answer to this need, alle-
gory, symbolism, became part of the very spirit of the
mediaeval time.
Thus it became the universal vehicle of pious expression :
it may be said almost to have co-extended with all mediaeval
piety. It was ardently loving, as with St. Bernard ; it
might be filled with scarlet passion, as with Mechthild of
Magdeburg ; or it might be used in the self-conscious, and
yet inspired vision -pictures of Hildegard of Bingen. And
indeed with almost any mediaeval man or woman, it might
keep talking, as a way of speech, obtrusively, conventionally,
ad nauseam. For indeed in treatise after treatise even of
the better men, allegory seems on the one hand to become
very foolish and perverse, banal, intolerably talking on and
on beyond the point ; or again we sense its mechanism,
hear the creaking of its jaws, while no living voice emerges, —
and we suspect that the mystery of life, if it may not be
compassed by direct statement, also lies deeper than alle-
gorical conventions.
Hugo's great De sacramentis showed the equipoise of
intellectual and pietistic interests in him, and the Platonic
quality of his mind's sure sense of the reality of the super-
sensual.1 Other treatises of his show his yearning piety, and
the Augustinian quality of his soul, " made toward thee, and
unquiet till it rests in thee." The De area Noe morali? that
is to say, the Ark of Noah viewed in its moral significance,
is charming in its spiritual refinement, and interesting in its
i Ante, Chapter XXVIII.
2 Migne, Pat. Lat. 176, col. 617-680.
366 THE MEDIAEVAL MIND BOOK vn
catholic intellectual reflections. The Prologue presents a
situation :
"As I was sitting once among the brethren, and they were
asking questions, and I replying, and many matters had been cited
and adduced, it came about that all of us at once began to marvel
vehemently at the unstableness and disquiet of the human heart ;
and we began to sigh. Then they pleaded with me that I
would show them the cause of such whirlings of thought in the
human heart ; and they besought me to set forth by what art or
exercise of discipline this evil might be removed. I indeed
wished to satisfy my brethren, so far as God might aid me, and
untie the knot of their questions, both by authority and by
argument. I knew it would please them most if I should compose
my matter to read to them at table.
" It was my plan to show first whence arise such violent changes
in man's heart, and then how the mind may be led to keep itself in
stable peace. And although I had no doubt that this is the proper
work of grace, rather than of human labour, nevertheless I know
that God wishes us to co-operate. Besides it is well to know the
magnitude of our weakness and the mode of its repairing, since so
much the deeper will be our gratitude.
"The first man was so created, that if he had not sinned, he
would always have beheld in present contemplation his Creator's
face, and by always seeing Him, would have loved Him always, and,
by loving, would always have clung close to Him, and by clinging
to Him who was eternal, would have possessed life without end.
Evidently the one true good of man was perfect knowledge of his
Creator. But he was driven from the face of the Lord, since for
his sin he was struck with the blindness of ignorance, and passed
from that intimate light of contemplation ; and he inclined his
mind to earthly desires, as he began to forget the sweetness of the
divine. Thus he was made a wanderer and fugitive over the earth.
A wanderer indeed, because of disordered concupiscence ; and a
fugitive, through guilty conscience, which feels every man's hand
against it. For every temptation will overcome the man who has
lost God's aid.
" So man's heart which had been kept secure by divine love,
and one by loving one, afterwards began to flow here and there
through earthly desires. For the mind which knows not to love its
true good, is never stable and never rests. Hence restlessness, and
ceaseless labour, and disquiet, until the man turns and adheres to
Him. The sick heart wavers and quivers ; the cause of its disease
is love of the world ; the remedy, the love of God."
Hugo's object is to give rest to the restless heart, by
directing its love to God. One still bears in mind his three
CH.XXXVI TWELFTH-CENTURY SCHOLASTICS 367
plains of knowledge, forming perhaps the three stages of
ascent, at the top of which is found the knowledge that turns
to divine contemplation and love. There may be a direct
and simple love of God for simple souls ; but for the man
of mind, knowledge precedes love.
" In two ways God dwells in the human heart, to wit, through
knowledge and through love ; yet the dwelling is one, since every
one who knows Him, loves, and no one can love without knowing.
Knowledge through cognition of the Faith erects the structure ; love
through virtue, paints the edifice with colour." l
Then make a habitation for God in thy heart. This is
the great matter, and indeed all : for this, Scripture exists,
and the world was made, and God became flesh, through
His humility making man sublime. The Ark of Noah is
the type of this spiritual edifice, as it is also the type of the
Church.
The piety and allegory of this work rise as from a basis
of knowledge. The allegory indeed is drawn out and out,
until it seems to become sheer circumlocution. This was
the mediaeval way, and Hugo's too, alas ! We will not
follow further in this treatise, nor take up his De area Noe
mystica? which carries out into still further detail the
symbolism of the Ark, and applies it to the Church and the
people of God. Hugo has also left a colloquy between man
and his soul on the true love, which lies in spiritual
meditation.8 But it is clear that the reaches of Hugo's
yearning are still grounded in intellectual considerations,
though these may be no longer present in the mind of him
whose consciousness is transformed to love.
One may discern the same progression, from painful
thought to surer contemplation, and thence to the heart's
devoted communion, in him whom we have called the Thor
and Loki of the Church. No twelfth -century soul loved
God more zealously than St. Bernard. He was not strong
in abstract reasoning. His mind needed the compulsion of
1 De area Noe morali, \. cap. 2 (Migne 176, col. 621).
2 Migne 176, col. 681-703. With Hugo's pupil, Richard of St. Victor, this
constant allegory, especially the constant allegorical use of Scripture names,
becomes pedantic, frecieux, impossible. See e.g. his Benjamin major in Migne
196, col. 64-202.
3 De arrha animae, Migne 176, col. 951-970.
368 THE MEDIAEVAL MIND BOOK vn
the passions to move it to sublime conclusions. Commonly
he is dubbed a mystic. But his piety and love of God
poise themselves on a basis of consideration before springing
to soar on other wings. In his De consideration^ Bernard
explains that word in the sense given by Hugo to meditatio,
while he uses contemplatio very much as Hugo does. It
applies to things that have become certain to the mind,
while " consideratio is busy investigating. In this sense
contemplatio may be defined as the true and certain intuition
of the mind (intuitus animt) regarding anything, or the sure
apprehension of the true : while consideratio is thought
intently searching, or the mind's endeavour to track out the
true." 2
Contemplatio^ even though it forget itself in ecstasy, must
be based on prior consideration ; then it may take wings of
its own, or rather (with orthodox Hugo and Bernard) wings
of grace, and fly to the bosom of its God. This flight is the
immediacy of conviction and the ecstasy which follows.
One may even perceive the thinking going on during the
soul's outpour of love. For the mind still supports the
soul's ardour with reasonings, original or borrowed, as
appears in the second sermon of that long series preached
by Bernard on Canticles to his own spiritual elite of
Clairvaux.3 The saintly orator is yearning, yearning for
Christ Himself; he will have naught of Moses or Isaiah;
nor does he desire dreams, or care for angels' visits : ipse,
ipse me osculetur, cries his soul in the words of Canticles — let
Him kiss me. The phrasing seems symbolical ; but the
yearning is direct, and at least rhetorically overmastering.
The emotion is justified by its reasons. They lie in the
personality of Christ and Bernard's love of Him, rising from
all his knowledge of Him, even from his experience of Jesus'
whisperings to the soul. He knows how vastly Jesus sur-
passes the human prophets who prefigured or foretold Him :
ipsos longe superat Jesus meus — the word meus is love's very
articulation. The orator cries : " Listen ! Let the kissing
1 Migne 182, col. 727-808. A translation is announced by George Lewis in
the Oxford Library of Translations.
2 De consid. lib. ii. cap. 2.
3 Migne 183, col. 7895^. Chapter XVII., ant*, is devoted to Bernard, and
his letters and sermons.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 369
mouth be the Word assuming flesh ; and the mouth kissed
be the flesh which is assumed ; then the kiss which is
consummated between them is the persona compacted of
the two, to wit, the mediator of God and men, the man
Christ Jesus."
This identical allegory goes back to Origen's Commentary
on Canticles. Bernard has kindled it with an intimate love
of Jesus, which is not Origen's. But the thought explains
and justifies Bernard's desire to be kissed by the kiss of His
mouth, and so to be infolded in the divine love which " gave
His only-begotten Son," and also became flesh. Os osculans
signifies the Incarnation : one realizes the emotional power
which that saving thought would take through such a
metaphor. At the end of his sermon, Bernard sums up the
conclusion, so that his hearers may carry it away :
"It is plain that this holy kiss was a grace needed by the
world, to give faith to the weak, and satisfy the desire of the perfect.
The kiss itself is none other than the mediator of God and men, the
man Christ Jesus, who with the Father and the Holy Spirit lives
and reigns God, per omnia saecula saeculorum. Amen."
Ill
There is small propriety in speaking of these men of the
first half of the twelfth century as Platonists or Aristotelians ;
nor is there great interest in trying to find in Plato or
Aristotle or Plotinus the specific origin of any of their
thoughts. They were apt to draw on the source nearest
and most convenient ; and one must remember that their
immediate philosophic antecedents were not the distinct
systems of Plato and Aristotle and Plotinus, but rather the
late pagan eras of eclecticism, followed by that strongly
motived syntheticism of the Church Fathers which selected
whatever might accord with their Christian scheme. So
Abaelard must not be called an Aristotelian. Neither he
nor his contemporaries knew what an Aristotelian was, and
when they called Abaelard Peripateticus, they meant one
skilled in the logic which was derived from the simpler
treatises of Aristotle's Organon. Nor will we call Hugo a
VOL. II 2 B
370 THE MEDIAEVAL MIND BOOK vn
Platonist, in spite of his fine affinities with Plato ; for many
of Hugo's thoughts, his classification of the sciences for
example, pointed back to Aristotle.
Abaelard, Hugo, St. Bernard suggest the triangulation
of the epoch's intellectual interests. Peter Lombard, some-
what their junior, presents its compend of accepted and
partly digested theology. He took his method from
Abaelard, and drew whole chapters of his work from Hugo ;
but his great source, which was also theirs, was Augustine.
The Lombard was, and was to be, a representative man ; for
his Sentences brought together the ultimate problems which
exercised the minds of the men of his time and after.
The early and central decades of the twelfth century
offer other persons who may serve to round out our general
notion of the character of the intellectual interests which
occupied the period before the rediscovery of Aristotle, that
is, of the substantial Aristotelian encyclopaedia of knowledge.
Among such Adelard of Bath (England) was somewhat older
than Abaelard. His keen pursuit of knowledge made him
one of its early pilgrims to Spain and Greece. He compiled
a book of Quaestiones naturales, and another called De eodem
et diverse* in which he struggled with the problem of uni-
versals, and with palpable problems of psychology. His
cosmology shows a genial culling from the Timaeus fragment
of Plato, and such other bits of Greek philosophy as he had
access to.
Adelard was influenced by the views of men who taught
or studied at Chartres. Bernard of Chartres, the first of the
great Chartrian teachers of the early twelfth century,2 wrote
on Porphyry, and after his death was called by John of Salis-
bury perfectissimus inter Platonicos saeculi nostri. He was
one of those extreme realists whose teachings might bear
pantheistic fruit in his disciples ; he had also a Platonistic
imagination, leading him to see in Nature a living organism.
Bernard's younger brother, Thierry, also called of Chartres,
extended his range of studies, and compiled numerous works
on natural knowledge, indicating his wide reading and recep-
tive nature. His realism brought him very close to pantheism,
1 Ed. by Willner {Baeumker's Bcitrage> Miinster, 1903).
2 See ante, Chapter XXX., i.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 371
which indeed flowered poetically in his admirer or pupil,
Bernard Silvestris of Tours.
If we should analyze the contents of the latter's De
mundi universitate, it might be necessary to affirm that the
author was a dualistic thinker, in that he recognized two first
principles, God and matter ; and also that he was a pantheist,
because of the way in which he sees in God the source of
Nature : " This mind (nous) of the supreme God is soul
(intellectus), and from its divinity Nature is born."1 One
should not, however, drive the heterogeneous thoughts of
these twelfth-century people to their opposite conclusions.
A moderate degree of historical insight should prevent our
interpreting their gleanings from the past by formulas of our
own greater knowledge. Doubtless their books — Hugo's as
well as Thierry's and Bernard Silvester's — have enough of
contradiction if we will probe for it with a spirit not their
own. But if we will see with their eyes and perceive with
their feelings, we shall find ourselves resting with each of
them in some unity of personal temperament ; and t/iat,
rather than any half-borrowed thought, is Hugo or Thierry
or Bernard Silvestris. Silvester's book, De mundi universi-
tate, sive Megacosmus et microcosmus, is a half poem, like
Boethius's De consolatione and a number of mediaeval pro-
ductions to which there has been occasion to allude. It is
fruitless to dissect such a composite of prose and verse. In
it Natura speaks to Nous, and then Nous to Natura ; the
four elements come into play, and nine hierarchies of angels ;
the stars in their firmaments, and the genesis of things on
earth ; Physics and her daughters, Theorica and Practica,
and all the figures of Greek mythology. An analysis of
such a book will turn it to nonsense, and destroy the breath
of that twelfth-century temperament which loved to gather
driftwood from the wreckage of the ancient world of thought.
Thus perhaps they expected to draw to themselves, even
from the pagan flotsam, some congenial explanation of the
universe and man.
1 Bernardus Silvestris, De mundi universitate, i. 2 (ed. by Barach and
Wrobel ; Innsbruck, 1876). As to Bernard Silvestris, see Clerval, Ecoles de
Chartres au moyen dge, p. 259 sqq. and passim ; also Haur&u (who confuses
him with Bernard of Chartres), Hist, de la phil. scholastique, ii. 407 sqq.
372 THE MEDIAEVAL MIND BOOK vn
(A far more acute thinker was Gilbert de la Porr^e,1 who
taught at Chartres for a number of years, before advancing
upon Paris in 1141. He next became Bishop of Poictiers, and
died in 1154. Like Abaelard, he was primarily a logician,
and occupied himself with the problem of universals, taking
a position not so different from Abaelard's. Like Abaelard
also, Gilbert was brought to task before a council, in which
St Bernard sought to be the guiding, scilicet, condemning
spirit. But the condemnation was confined to certain sen-
tences, which when cut from their context and presented in
distorting isolation, the author willingly sacrificed to the
flames. He refused, some time afterwards, to discuss his
views privately with the Abbot of Clairvaux, saying that the
latter was too inexpert a theologian to understand them.
Gilbert's most famous work, De sex principiis, attempted to
complete the last six of Aristotle's ten Categories, which the
philosopher had treated cursorily ; it was almost to rival the
work of the Stagirite in authority, for instance, with Albertus
Magnus, who wrote a Commentary upon it in the same
spirit with which he commented on the logical treatises of
the Organon.
In the same year with Gilbert (1154) died a man of
different mental tendencies, William of Conches,2 who like-
wise had been a pupil of Bernard of Chartres. He was for
a time the tutor of Henry Plantagenet. William was
interested in natural knowledge, and something of a humanist.
He made a Commentary on the Timaeus, and wrote various
works on the philosophy of Nature, in which he wavered
around an atomistic explanation of the world, yet held fast
to the Biblical Creation, to save his orthodoxy. He also
pursued the study of medicine, which was a specialty at
Chartres ; through the treatises of Constantinus Africanus 3
he had some knowledge of the pathological theories of Galen
and Hippocrates. For his interest in physical knowledge,
1 See Haureau, Hist. etc. ii. 447-472 ; R. L. Poole, Illustrations oj
Mediaeval Thought, chap, vi His Liber de sex principiis is printed in Migne
1 88, col. 1257-1270.
2 Werner, " Die Kosmologie und Naturlehre des scholastischen Mittelalters,
mil specialler Beziehung auf Wilhelm von Conches," Sitzungsb. K. Akad., philos.
Klassc, 1873, Bd. Ixxv. ; Haureau, Hist. etc. i. 431-446; ibid. Singular-He's
littiraires, etc. * Ante, VoL L, p. 251.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 373
he may be regarded as a precursor of Roger Bacon. On
the other hand, he was a humanist in his strife against those
" Cornificiani " who would know no more Latin than was
needful ; l and he compiled from the pagan moralists a sort of
Summa. It is called, in fact, a Summa moralium philoso-
phorum (an interesting title, connecting it with the Christian
Summae sententiarutn)? It treats the virtues under the
head of de honesto ; and under that of de utile, reviews the
other good things of mind, body, and estate. It also dis-
cusses whether there may be a conflict between the twnestum
and the utile.
These men of the first half of the twelfth century lived
before the new revealing of the Aristotelian philosophy and
natural knowledge coming at the century's close. Their
muster is finally completed by two younger men, the one an
Englishman and the other a Lowlander. The youthful years
of both synchronize with the old age of the men of whom
we have been speaking. For John of Salisbury was born
not far from the year 1115, and died in 1 1 80 ; and Alanus
de Insulis (Lille) was probably born in 1128, and lived to
the beginning of the next century. They are spiritually
connected with the older men because they were taught by
them, and because they had small share in the coming
encyclopaedic knowledge. But they close the group : John
of Salisbury closing it by virtue of his critical estimate of its
achievement ; Alanus by virtue of his final rehandling of the
body of intellectual data at its disposal, to which he may
have made some slight addition. Abaelard knew and used
the simpler treatises of the Aristotelian Organon of logic.
He had not studied the Analytics and the Topics, and of
course was unacquainted with the body of Aristotle's philo-
sophy outside of logic. John of Salisbury and Alanus know
the entire Organon ; but neither one nor the other knows
the rest of Aristotle, which Alexander of Hales was the first
to make large use of.
John of Salisbury, Little John, Johannes Parvus, as he
was called, was the best classical scholar of his time.8 His
1 Ante, Chapter XXX., I.
8 Under another title, Moralis philosophia de honesto et utt'te, it has been
ascribed to Hildebert of Lavardin, Migne 171, col. 1007-1056.
3 For examples of John's Latin, see ante, p. 173.
374 THE MEDIAEVAL MIND BOOK vn
was an acute and active intellect, which never tired of
hearing and weighing the views of other men. He was,
moreover, a man of large experience, travelling much, and
listening to all the teachers prominent in his youth. Also he
was active in affairs, being at one time secretary to Thibaut,
Archbishop of Canterbury, and then the intimate of Becket,
of Henry II., and Pope Adrian IV.! A finished scholar,
who knew not one thing, but whatever might be known,
and was enlightened by the training of the world, Little
John critically estimates the learning and philosophy of the
men he learns from. Having always an independent point
of view he makes acute remarks upon it all, and admirable
contributions to the sum of current thought. But chiefly he
seems to us as one who looks with even eye upon whatsoever
comes within his vision. He knows the weaknesses of men
and the limitations of branches of discipline ; knows, for
instance, that dialectic is sterile by itself, but efficient as an
aid to other disciplines. So, as to logic, John keeps his own
point of view, and is always reasonable and practical.1
Likewise, with open mind, he considers what there may be
in the alleged science of the Mathematicians, i.e. diviners
and astrologers. He uses such phrases as " probabilia quidem
sunt haec . . . sed tamen the venom lies under the honey ! "
For this science sets a fatal necessity on things, and would
even intrude into the knowledge of the future reserved for
God's majesty. And as John considers the order of events
to come, and the diviner's art, cornua succrescunt — the horns
of more than one dilemma grow.2
John knew more than any man of the ancient philosophies.3
For himself, of course he loved knowledge ; yet he would
not dissever it from its value in the art of living. " Wisdom
indeed is a fountain, from which pour forth the streams
which water the whole earth ; they fill not alone the garden
of delights of the divine page, but flow on to the Gentiles,
and do not altogether fail even the Ethiopians. ... It is
1 See e.g. his treatment of logic in Lib. III. and IV. of the Metalogicus
(Migne 199).
2 Polycraticus, ii. 19-21 sqq. There is now a critical edition of this work
by C. C. J. Webb (Joannis Saresberiensis Policratici libri VIII. ; Clarendon
Press, 1910).
8 Polycraticus, lib. vii. , is devoted to a history of antique philosophy.
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 375
certain that the faithful and wise reader, who from love keeps
learning's watch, escapes vice and draws near to life."1
Philosophy is the moderatrix omnium (a favourite phrase
with John) ; the true philosopher, as Plato says, is a lover of
God : and so philosophia is amor divinitatis. Its precept is
to love God with all our strength, and our neighbour as
ourselves : " He who by philosophizing has reached c/taritas,
has attained philosophy's true end." 2 John goes on to show
how deeply they err who think philosophy is but a thing of
words and arguments : many of those who multiply words,
by so doing burden the mind. Virtue inseparably accom-
panies wisdom ; this is John's sum of the matter. Clearly
he is not always, or commonly, wrestling with ultimate
metaphysical problems ; he busies himself, acutely but not
metaphysically, with the wisdom of life. He too can use
the language of piety and contemplation. In the sixth
chapter of his De septem septenis (The seven Sevens) he
gives the seven grades of contemplation — meditatio, soli-
loquium, circumspectio, ascensto, revelatio, emissio, inspiration
He presents the matter succinctly, thus perhaps giving clarity
to current pietistic phraseology.
Alanus de Insulis was a man of renown in his life-time,
and after his death won the title of Doctor Universalis.
Although the fame of scholar, philosopher, theologian, poet,
may have uplifted him during his years of strength, he died
a monk at Citeaux, in the year 1202. Fame came justly
to him, for he was learned in the antique literature, and a
gifted Latin poet, while as thinker and theologian he made
skilful and catholic use of his thorough knowledge of
whatever the first half of the twelfth century had achieved
in thought and system. Elsewhere he has been considered
as a poet ; 4 here we merely observe his position and
accomplishment in matters of salvation and philosophy.8
Alanus possessed imagination, language, and a faculty
of acute exposition. His sentences, especially his definitions,
1 Polycratuus, vii. cap. 10. * Polycrat. vii. cap. u.
3 Migne 199, col. 955.
* Ante, Chapter XXIX., n. and XXXII., I.
6 The works of Alanus are collected in Migne, Pat, Lot. 210. Wh»t follows
in the text is much indebted to M. Baumgartner, "Die Philosophic des Alanus
de Insulis" (Baeumker's Beitrage, MUnster, 1896).
376 THE MEDIAEVAL MIND BOOK VH
are pithy, suggestive, and vivid. He projected much thought
as well as fantasy into his poem, Antidaudtanus, and his
cantafable, De planctu naturae. He showed himself a man
of might, and insight too, in his Contra haereticos. His
suggestive pithiness of diction lends interest to his encyclo-
paedia of definitions, Distinctiones dictionum theologicalium ;
and his keen power of reasoning succinctly from axiomatic
premises is evinced in his De arte fidei catholicae.
The intellectual activities of Alanus fell in the latter
decades of the twelfth century, when mediaeval thought
seemed for the moment to be mending its nets, and preparing
for a further cast in the new waters of Aristotelianism.
Alanus is busy with what has already been won ; he is
unconscious of the new greater knowledge, which was
preparing its revelations. He is not even a man of the
transition from the lesser to the greater intellectual estate;
but is rather a final compendium of the lesser. Himself no
epoch-making reasoner, he uses the achievements of Abaelard
and Hugo, of Gilbert de la Porre"e and William of Conches,
and others. Neither do his works unify and systematize the
results of his studies. He is rather a re-phraser. Yet his
refashioning is not a mere thing of words ; it proceeds with
the vitalizing power of the man's plastic and creative
temperament. One may speak of him as keen and acquisi-
tive intellectually, and creative through his temperament.
Alanus shows a catholic receptivity for all the mingled
strains of thought, Platonic, Aristotelian, Neo-Platonic and
Pythagorean, which fed the labours of his predecessors. He
has studied the older sources, the Timaeus fragment, also
Apuleius and Boethius of course. His chief blunder is his
misconception of Aristotle as a logician and confuser of
words (verborum turbator} — a phrase, perhaps, consciously
used with poetic license. For he has made use of much
that came originally from the Stagirite. Within his range
of opportunity, Alanus was a universal reader, and his
writings discover traces of the men of importance from
Pseudo-Dionysius and Eriugena down to John of Salisbury
and Gundissalinus.
These remarks may take the place of any specific pre-
sentation of Alanus's work in logic, of his view of universals,
CH. xxxvi TWELFTH-CENTURY SCHOLASTICS 377
of his notions of physics, of nature, of matter and form, of
man's mind and body, and of the Triune Godhead.1 In his
cosmology, however, we may note his imaginatively original
employment of the conception or personification of Nature.
God is the Creator, and Nature is His creature, and His vice-
regent or vicarious maker, working the generation and decay
of things material and changeable.2 This thought, imagi-
natively treated, makes a good part of the poetry of the
De planctu and the Antidaudianus. The conception with
him is full of charming fantasy, and we look back through
Bernardus Silvestris and other writers to Plato's divine
fooling in the Tiwaeus, not as the specific, but generic, origin
of such imaginative views of the contents and generation of
the world. Such imaginings were as fantasy to science,
when compared with the solid and comprehensive con-
sideration of the material world which was to come a few
years after Alanus's death through the encyclopaedic
Aristotelian knowledge presented in the works of Alexander
of Hales and Albertus Magnus.
1 AH this is thoroughly done by Baumgartner, o.c.
2 See Baumgartner, p. 76 sqq. and citations.
CHAPTER XXXVII
THE UNIVERSITIES, ARISTOTLE, AND THE MENDICANTS
INTELLECTUALLY, the thirteenth century in western Europe
is marked by three closely connected phenomena : the
growth of Universities, the discovery and appropriation of
Aristotle, and the activities of Dominicans and Franciscans.
These movements were universal, in that the range of none
of them was limited by racial or provincial boundaries.
Yet a line may still be drawn between Italy, where law and
medicine were cultivated, and the North, where theology with
logic and metaphysics were supreme. Absorption in these
subjects produced a common likeness in the intellectual
processes of men in France, England, and Germany, whose
writings were to be no longer markedly affected by racial
idiosyncrasies. This was true of the logical controversy
regarding universals, so prominent in the first part of the
twelfth century. It was very true of the great intellectual
movement of the later twelfth and the thirteenth centuries, to
wit, the coming of Aristotle to dominance, in spite of the
counter-currents of Platonic Augustinianism.
The men who followed the new knowledge had slight
regard for ties of home, and travelled eagerly in search of
learning. So, even as from far and wide those who could
study Roman law came to Bologna, the study of theology
and all that philosophy included drew men to Paris. Thither
came the keen-minded from Italy and from England ; from
the Low Countries and from Germany ; and from the many
very different regions now covered by the name of France.
Wherever born and of whatever race, the devotees of
philosophy and theology at some period of their career reached
378
CHAP, xxxvn THE NEW KNOWLEDGE 379
Paris, learned and taught there, and were affected by the
universalizing influence of an international aggregate of
scholarship. So had it been with Breton Abaelard, with
German Hugo, and with Lombard Peter ; so with English
John, hight of Salisbury. And in the following times
of culmination, Albertus Magnus comes in his maturity
from Germany ; and his marvellous pupil Thomas, born of
noble Norman stock in southern Italy, follows his master,
eventually to Paris. So Bonaventura of lowly mid-Italian
birth likewise learns and teaches there ; and that unique
Englishman, Roger Bacon, and after him Duns Scotus.
These few greatest names symbolize the centralizing of
thought in the crowded and huddled lecture-rooms of the
City on the Seine.
The origins of the great mediaeval Universities can
scarcely be accommodated to simple statement. Their history
is frequently obscure, and always intricate ; and the selection
of a specific date or factor as determining the inception, or
distinctive development, of these mediaeval creations is likely
to be but arbitrary. They had no antique prototype :
nothing either in Athens or Rome ever resembled these
corporations of masters and students, with their authoritative
privileges, their fixed curriculum, and their grades of formally
certified attainment. Even the Alexandria of the Ptolemies,
with all the pedantry of its learned litterateurs and their
minute study of the past, has nothing to offer like the
scholastic obsequiousness of the mediaeval University, which
sought to set upon one throne the antique philosophy and
the Christian revelation, that it might with one and the same
genuflection bow down before them both. It behoves us
to advert to the conditions influencing the growth of
Universities, and give a little space to those which were chief
among them.
The energetic human advance distinguishing the twelfth
century in western Europe exhibits among its most obvious
phenomena an increased mobility in all classes of society, and
a tendency to gather into larger communities and form strong
corporate associations for profit or protection. New towns
came into being, and old ones grew apace. Some of
them in the north of Europe wrested their freedom from
380 THE MEDIAEVAL MIND BOOK vn
feudal lords ; and both in the north and south, municipalities
attained a more complex organization, while within them
groups of men with common interests formed themselves
into powerful guilds. As strangers of all kinds — merchants,
craftsmen, students — came and went, their need of protection
became pressing, and was met in various ways.
No kind of men were more quickly touched by the
new mobility than the thousands of youthful learners who
desired to extend their knowledge, or, in some definite field,
perfect their education. In the eleventh century, such would
commonly have sought a monastery, near or far. In the
twelfth and then in the thirteenth, they followed the human
currents to the cities, where knowledge flourished as well as
trade, and tolerable accommodation might be had for teachers
and students. Certain towns, some for more, some for less,
obvious reasons, became homes of study. Bologna, Paris,
Oxford are the chief examples. Irnerius, famed as the
founder of the systematic study of the Roman law, and
Gratian, the equally famous orderer of the Canon law, taught
or wrote at Bologna when the twelfth century was young.
Their fame drew crowds of laymen and ecclesiastics, who
desired to equip themselves for advancement through the
business of the law, civil or ecclesiastical. At the same time,
hundreds, which grew to thousands, were attracted to the
Paris schools — the school of Notre Dame, where William of
Champeaux held forth ; the school of St. Victor, where he
afterwards established himself, and where Hugo taught ; and
the school of St Genevieve, where Abaelard lectured on
dialectic and theology. These were palpable gatherings
together of material for a University. What first brought
masters and students to Oxford a few decades later is not so
clear. But Oxford had been an important town long before
a University lodged itself there.
In the twelfth century, citizenship scarcely protected one
beyond the city walls. A man carried but little safety with
him. Only an insignificant fraction of the students at
Bologna, and of both masters and students at Paris and
Oxford, were citizens of those towns. The rest had come
from everywhere. Paris and Bologna held an utterly
cosmopolitan, international, concourse of scholar-folk. And
CHAP, xxxvu THE NEW KNOWLEDGE 381
these scholars, turbulent enough themselves, and dwelling
in a turbulent foreign city, needed affiliation there, and
protection and support. Organization was an obvious
necessity, and if possible the erection of a civitas within a
civitas, a University within a none too friendly town. This
was the primal situation, and the primal need. Through
somewhat different processes, and under different circum-
stances, these exigencies evoked a University in Bologna,
Paris, and Oxford.1
In Italy, where the instincts of ancient Rome never were
extinguished, where some urban life maintained itself through
the early helpless mediaeval centuries, where during the same
period an infantile humanism did not cease to stammer ;
where " grammar " was studied and taught by laymen, and
the " ars dictaminis " practised men in the forms of legal
instruments, it was but natural that the new intellectual
energies of the twelfth century should address themselves to
the study of the Roman law, which, although debased and
barbarized, had never passed into desuetude. And inasmuch
as abstract theology did not attract the Italian temperament
or meet the conditions of papal politics in Italy, it was
likewise natural that ecclesiastical energies should be directed
to the equally useful and closely related canon law. Such
studies with their practical ends could best be prosecuted at
some civic centre. In the first part of the twelfth century,
Irnerius lectured at Bologna upon the civil law ; a generation
later, Gratian published his Decretum there. The specific
reasons inducing the former to open his lectures in that city
are not known ; but a large and thrifty town set at the
meeting of the great roads from central Italy to the north
and east, was an admirable place for a civil doctor and his
audience, as the event proved. Gratian was a monk in a
1 What I havefelt obliged to say upon the organization of mediaeval Universities,
I have largely drawn from Rashdall's Universities of Europe in the Aliddle Ages
(Oxford, 1895). The subject is too large and complex for independent investi-
gation, except of the most lengthy and thorough character. Extracts from
illustrative mediaeval documents, with considerable information touching mediaeval
Universities, are brought together by Arthur O. Norton in his Mediaeval Univer-
sities (Readings in the History of Education, Harvard University, 1909). For
the Paris University, the most important source is the Chartularium Uttivtrsitatis
Parisiensis, ed. by Denifle and Chatelain (1889-1891). See also Ch. Thnrot,
D Organisation de Fenseignement dans PUniversiti de Paris (Paris, 1850), and
Denifle, Die Universitdten des Mittelalters (Berlin, 1885).
382 THE MEDIAEVAL MIND BOOK vn
Bologna convent, and may have listened to Irnerius. The
publication of his Decretum from Bologna, by that time (cir.
1142) famous for jurisprudence, lent authority to this work,
whose universal recognition was to enhance in turn Bologna's
reputation.
From the time of this inception of juristic studies, the
talents of the doctors, and the city's fame, drew a prodigious
concourse of students from all the lands of western Europe.
The Doctors of the Civil and Canon Laws organized
themselves into one, and subsequently into two, Colleges.
Apparently they had become an efficient association by the
third quarter of the twelfth century. But the University of
Bologna was to be constituted par excellence, not of one or
more colleges of doctors, but of societies of students. The
persons who came for legal instruction were not boys getting
their first education in the Arts. They were men studying
a profession, and among them were many individuals of
wealth and consequence, holding perhaps civil or ecclesiastic
office in the places whence they came. The vast majority had
this in common, that they were foreigners, with no civil rights
in Bologna. It behoved them to organize for their protection
and mutual support, and for the furtherance of the purposes
for which they had come. That a body of men in a foreign
city should live under the law of their own home, or the law
of their own making, did not appear extraordinary in the
twelfth century. It was not so long since the principle that
men carried the law of their home with them, had been
widely recognized, and in all countries the clergy still lived
under the law of the Church. The gains accruing from the
presence of a great number of foreign students might induce
the authorities of Bologna to permit them to organize as
student guilds, and regulate their affairs by rules of their
own, even as was done by other guilds in most Italian
cities. At Bologna the power of Guelf and Ghibeline clubs,
and of craftsmen's guilds, rivalled that of the city magistrates.
There is some indirect evidence that these students first
divided themselves into four Nationes. If so, the arrangement
did not last. For by the middle of the thirteenth century
they are found organized in two Universitates, or corpora-
tions, a Universitas Citramontanorum and a Universitas
CHAP, xxxvii THE NEW KNOWLEDGE 383
Ultramontanorum ; each under its own Rector. These two
corporations of foreign students constituted the University.
The Professors did not belong to them, and therefore were
not members of the University. Indeed they fought against
the recognition of this University of students, asserting that
the students were but their pupils. But the students
prevailed, strong in their numbers, and in the weapon which
they did not hesitate to use, that of migration to another
city, which cut off the incomes of the Professors and
diminished the repute and revenue of Bologna. So great
became the power of the student body, that it brought the
Professors to complete subjection, paying them their salaries,
regulating the time and mode of lecturing, and compelling
them to swear obedience to the Rectors. The Professors
protested, but submitted. To make good its domination
over them, and its independence as against the city, the
student University migrated to Arezzo in 1215 and to Padua
in I222.1
In origin as well as organization, the University of Paris
differed from Bologna. It was the direct successor of the
cathedral school of Notre Dame. This had risen to
prominence under William of Champeaux. But Abaelard
drew to Paris thousands of students for William's hundreds
(or at least hundreds for William's tens) ; and Abaelard at
the height of his popularity taught at the school of St.
Genevieve, across the Seine. Therefore this school also,
although fading out after Abaelard's time, should be regarded
as a causal predecessor of the Paris University. So, for that
matter, should the neighbouring school of St. Victor, founded
by the discomfited William ; for its reputation under Hugo
and Richard drew devout students from near and far, and
augmented the scholastic fame of Paris.
It was both the privilege and duty of the Chancellor
of Notre Dame to license competent Masters to open schools
near the cathedral. In the course of time, these Masters
formed an Association, and assumed the right to admit to
1 What has been said applies to the Bologna Law University. That had been
preceded by a school of Arts, and later there grew up a flourishing school of
Medicine, where surgery was also taught. These schools became affiliated
Universities, but never equalled the Law University in importance.
384 THE MEDIAEVAL MIND BOOK vn
their Society the licentiates of the Chancellor, to wit, the new
Masters who were about to begin to teach. In the decades
following Abaelard's death, the Masters who lectured in the
vicinity of Notre Dame increased in number. They spread
with their schools beyond the island, and taught in houses
on the bridges. They were Masters, that is, teachers, in the
Arts. As the twelfth century gave way to the thirteenth,
interest in the Arts waned before the absorbing passion for
metaphysical theology. This was a higher branch of study,
for which the Arts had come to be looked on as a preparation.
So the scholars of the schools of Arts became impatient to
graduate, that is, to reach the grade of Master, in order to
pass on to the higher study of theology. A result was that
the course of study in the Arts was shortened, while Masters
multiplied in number. Their Society seems to have become
a definite and formal corporate body or guild, not later than
the year 1175. Herein was the beginning of the Paris
University. It had become a studium generate, like Bologna,
because there were many Masters, and students from every-
where were admitted to study in their schools.
Gradually the University came to full corporate existence.
From about 1210, written statutes exist, passed by the
Society of Masters ; at the same date a Bull of Innocent
III. recognizes the Society as a Corporation. Then began
a long struggle for supremacy, between the Masters and the
Chancellor : it was the Chancellor's function to grant the
licence to become a Master ; but it was the privilege of the
Society to admit the licentiate to membership. The action
of both being thus requisite, time alone could tell with
whom the control eventually should rest. Was the self-
governing University to prevail, or the Chancellor of the
Cathedral ? The former won the victory.
The Masters in Arts constituted par excellence the
University, because they far outnumbered the Masters in
the upper Faculties of Theology, Law, and Medicine. They
were the dominant body ; what they decided on, the other
Faculties acquiesced in. These Masters in Arts, besides
being numerous, were young, not older than the law students
at Bologna. With their still younger students,1 they made
1 The Masters who taught were called Regentes.
CHAP, xxxvn THE NEW KNOWLEDGE 385
the bulk of the entire University, and were the persons who
most needed protection in their lawful or unlawful conduct
At some indeterminate period they divided themselves into the
four Nattones, French, Normans, Picards, and English. They
voted by Nationes in their meetings ; but from a period
apparently as early as their organization, a Rector was
elected for all four Nationes, and not one Rector for each.
There were, however, occasional schisms or failures to agree.
It was to be the fortune of the Rector thus elected to
supplant the Chancellor of the Cathedral as the real head of
the University.
The vastly greater number of the Masters in Arts were
actually students in the higher Faculties of Theology, Law,1
or Medicine, for which graduation in the Arts was the
ordinary prerequisite. The Masters or Doctors of these
three higher Faculties, at least from the year 1213,
determined the qualifications of candidates in their depart-
ments. Nevertheless the Rector of the Faculty of Arts
continued his advance toward the headship of the whole
University. The oath taken by the Bachelors in the Arts,
of obedience to that Faculty and its Rector, was strengthened
in 1256, so as to bind the oath-taker so long as he should
continue a member of the University.
The University had not obtained its privileges without
insistence, nor without the protest of action as well as word.
Its first charter of privileges from the king was granted in
1 200, upon its protests against the conduct of the Provost
of Paris in attacking riotous students. Next, in combating
the jurisdiction of the Chancellor, it obtained privileges from
the Pope; and in 1229, upon failure to obtain redress for
an attack from the Provost's soldiers, ordered by the queen,
Blanche of Castile, the University dispersed. Thus it re-
sorted to the weapon by which the University of Bologna
had won the confirmation of its rights. In the year 1231
the great Papal Bull, Parens scientiarum, finally confirmed
the Paris University in its contentions and demands : the
right to suspend lectures was sanctioned, whenever satisfac-
tion for outrage had been refused for fifteen days ; likewise
1 Both civil and canon law were studied till 1219, when a Bull of Honor iu*
III. forbade the study of the former at Paris.
VOL. II 2 C
386 THE MEDIAEVAL MIND BOOK vn
the authority of the University to make statutes, and expel
members for a breach of them. The Chancellor of Notre
Dame and the Bishop of Paris were both constrained by
the same Bull.
A different struggle still awaited the University, in
which it was its good fortune not to be altogether success-
ful ; for it was contending against instruments of intellectual
and spiritual renovation, to wit, the Mendicant Orders. The
details are difficult to unravel at this distance of time. But
the Dominicans and Franciscans, in the lifetime of their
founders, established themselves in Paris, and opened
schools of theology. Their Professors were licensed by the
Chancellor, and yet seem to have been unwilling to fall in
with the customs of the University, and, for example, cease
from teaching and disperse, when it saw fit to do so. The
doctors of the theological Faculty became suspicious, and
opposed the admission of Mendicants to the theological
Faculty. The struggle lasted thirty years, until the
Dominicans obtained two chairs in that Faculty, and the
Franciscans perhaps the same number, on terms which
looked like a victory for the Orders, but in fact represented
a compromise ; for the Mendicant doctors in the end
apparently submitted to the statutes of the University.1
The origin of Oxford University was different, and one
may say more adventitious than that of Paris or Bologna.
For Oxford was not the capital of a kingdom, nor is it
known to have been an ancient seat of learning. The city
was not even a bishop's seat, a fact which had a marked
effect upon the constitution of the University. The old
town lay at the edge of Essex and Mercia, and its position
early gave it importance politically, or rather strategically,
and as a place of trade. How or whence came the nucleus
of Masters and students that should grow into a University
is unknown. An interesting hypothesis 2 is that it was a
colony from Paris, shaken off by some academic or political
disturbance. This surmise has been connected with the
year 1167. Some evidence exists of a school having
existed there before. Next comes a distinct statement
from the year 1185, of the reading of a book before the
1 See post, p. 399. 2 Mr. Rashdall's.
CHAP, xxxvn THE NEW KNOWLEDGE 387
Masters and students.1 After this date the references
multiply. In 1209, one has a veritable "dispersion," in
protest against the hanging of some scholars. A charter
from the papal legate in 1214 accords certain privileges,
among others that a clerk arrested by the town should be
surrendered on demand of the Bishop of Lincoln ~ or the
Archdeacon, or the Chancellor, whom the Bishop shall set over
the scholars. This document points to the beginning of the
chancellorship. The title probably was copied from Paris ;
but in Oxford the office was to be totally different. The
Paris Chancellor was primarily a functionary of a great
cathedral, who naturally maintained its prerogatives against
the encroachments of university privilege. But at Oxford
there was no cathedral ; the Chancellor was the head of the
University, probably chosen from its Masters, and had
chiefly its interests at heart.
Making allowance for this important difference in the
Chancellor's office, the development of the University closely
resembled that of Paris. Its first extant statute, of the year
1252, prescribes that no one shall be licensed in Theology
who has not previously graduated in the Arts. To the
same year belongs a settlement of disputes between the
Irish and northern scholars. The former were included in
the Australes or southerners, one of the two Nationes com-
posing the Faculty of Arts. The Australes included the
natives of Ireland, Wales, and England south of the Trent ;
the other Natio, the Boreales, embraced the English and
Scotch coming from north of that river. But the division
into Nationes was less important than in the cosmopolitan
University of Paris, and soon ceased to exist. The Faculty
of Arts, however, continued even more dominant than at
Paris. There was no serious quarrel with the Mendicant
Orders, who established themselves at Oxford — the Domini-
cans in 1 22 1, and the Franciscans three years later.
The curriculum of studies appears much the same at
both Universities, and, as followed in the middle of the
thirteenth century, may be thus summarized. For the
lower degree of Bachelor of Arts, four or five years were
1 Rashdall, o.c. ii. p. 341.
2 Oxford ky in the diocese of Lincoln.
388 THE MEDIAEVAL MIND BOOK v»
required ; and three or four years more for the Master's
privileges. The course of study embraced grammar
(Priscian), also rhetoric, and in logic the entire Organon of
Aristotle, preceded by Porphyry's Isagoge^ and with the
Sexprincipia of Gilbert de la Porree added to the course.
The mathematical branches of the Ouadrivium also were
required : arithmetic, music, geometry, and astronomy.
And finally a goodly part of the substantial philosophy of
Aristotle was studied, with considerable choice permitted to
the student in his selection from the works of the
philosopher. At Oxford he might choose between the
Physics or the De coelo et mwido, or the De anima or the
De animalibus. The Metaphysics and Ethics or Politics
were also required before the Bachelor could be licensed
as a Master.
In Theology the course of study was extremely lengthy,
especially at Paris, where eight years made the minimum,
and the degree of Doctor was not given before the candi-
date had reached the age of thirty-five. The chief sub-
jects were Scripture and the Sentences of Peter Lombard.
Besides which, the candidate had to approve himself in
sermons and disputations. The latter might amount to a
trial of nerve and endurance, as well as proficiency in learn-
ing, since the candidate was expected to militare in sckolis,
against a succession of opponents from six in the morning
till six in the evening, with but an hour's refreshment at
noon.1
In spite of the many resemblances of Oxford to Paris
in organization and curriculum, the intellectual tendencies
of the two Universities were not altogether similar. At
Paris, speculative theology, with metaphysics and other
branches of " philosophy," regarded as its adjuncts, were of
absorbing interest. At Oxford, while the same matters
were perhaps supreme, a closer scholarship in language or
1 For the course of medicine and the list of books studied or lectured on,
especially at Montpellier, from which we have the most complete list, see Rash-
dall, ii. p. 1 1 8 sgf. and ibid. p. 780. In Hanard Studies in Classical Philology,
vol. rx., 1909, C. H. Haskins publishes An unpublished List of Text-books, be-
longing to the dose of the twelfth century, when classical studies had not as yet
been overshadowed by Dialectic. See also, generally, Paetow, The Arts Cottnt
mt MuKeval Universities (Univ. of Illinois, 1910).
CHAP, xxxvn THE NEW KNOWLEDGE 389
philology was cultivated by Grosseteste, and his pupils,
Adam of Marsh and Roger Bacon. The genius of observa-
tion was stirring there ; and a natural science was coming
into being, which was not to repose solely upon the
authority of ancient books, but was to proceed by the way
of observation and experiment. Yet Roger Bacon imposed
upon both his philology and his natural science a certain
ultimate purpose : that they should subserve the surer
ascertainment of divine and saving truth, and thus still
remain handmaids of theology, at least in theory.
The year 1200 may be taken to symbolize the middle
of a period notable for the enlargement of knowledge. If
one should take the time of this increase to extend fifty
years on either side of the central point, one might say that
the student of the year 1250 stood to his intellectual
ancestor of the year 1150, as a man in the full possession
and use of the Encyclopaedia Britannica would stand toward
his father who had saved up the purchase money for the
same. The most obvious cause of this was an increasing
acquaintance with the productions of the so-called Arabian
philosophy, and more especially with the works of Aristotle,
first through translations from the Arabic, and then through
translations from the Greek, which were made in order to
obviate the insufficiency of the former.
It would need a long excursus to review the far from
simple course of so-called Arabian thought, philosophic and
religious. It begins in the East, and follows the setting
sun. Even before the Hegira (622) the Arabs had rubbed
up against the inhabitants of Syria, Christian in name,
eastern or Hellenic in culture and proclivity. Then in a
century or two, when the first impulsion of Mohammedan
conquest was spent, the works of Aristotle and his later
Greek commentators were translated into Arabic from Syrian
versions, under the encouragement of the rulers of Bagdad.
The Syrian versions, as we may imagine, were somewhat
eclecticized and, more especially, Neo-Platonized. So it was
not the pure Aristotle that passed on into Arabic philosophy,
but the Aristotelian substance interpreted through later
phases of Greek and Oriental thought. Still, Aristotle was
390 THE MEDIAEVAL MIND BOOK vn
the great name, and his system furnished the nucleus of
doctrine represented in this Peripatetic eclecticism which was
to constitute, par excellence, Arabic philosophy. Also Greek
mathematical and medical treatises were translated into
Arabic from Syrian versions. El-Farabi (d. 950) and
Avicenna (980-1036) were the chief glories of the Arabic
philosophy of Bagdad. These two gifted men were com-
mentators upon the works of the Stagirite, and authors of
many interesting lucubrations of their own.1 Arabian
philosophy declined in the East with Avicenna's death ; but
only to revive in Mussulman Spain. There its great repre-
sentative was Averroes, whose life filled the last three
quarters of the twelfth century. So great became his
authority as an Aristotelian, with the Scholastics, that he
received the name of Commentator, par excellence, even as
Aristotle was par excellence, Philosophus. We need not
consider the ideas of these men which were their own rather
than the Stagirite's ; nor discuss the pietistic and fanatical
sects among the Mussulmans, who either sought to harmonize
Aristotle with the Koran, or disapproved of Greek philosophy.
One readily perceives that in its task of acquisition and
interpretation, with some independent thinking, and still
more temperamental feeling, Arabic philosophy was the
analogue of Christian scholasticism, of which it was, so to
speak, the collateral ancestor.2
And in this wise. The Commentaries of Averroes, for
example, were translated into Latin ; and, throughout all
the mediaeval centuries, the Commentary tended to supplant
the work commented on, whether that work was Holy
Scripture or a treatise of Aristotle. By the middle of the
thirteenth century all the important works of Averroes had
been translated into Latin, and he had many followers at
Paris ; and before then, from the College of Toledo, had
come translations of the principal works of the other chief
1 See generally, Carra de Vaux, Avicenne (Paris, 1900) ; also Gasali, by the
same author.
2 Whoever will read the two monographs of the Baron Carra de Vaux,
Avicenne and Gazali, will be struck by the closely analogous courses of Moslem
and Christian thought ; each showing the parallel phases of scholastic rationalism
(reliant upon reason and rational authority) and scholastic theological piety, or
mysticism (reliant upon the authority of Revelation and sceptical as to the validity
of human reason).
CHAP, xxxvn THE NEW KNOWLEDGE 391
Arabian philosophers. Of still greater importance for the
Christian West was the work of Jews and Christians in Spain
and Provence, in translating the Arabic versions of Aristotle
into Latin, sometimes directly, and sometimes first into
Hebrew and then into Latin. They attempted a literal
translation, which, however, frequently failed to give the
significance even of the Arabic version. These Arabic- Latin
translations were of primary importance for the first intro-
duction of Aristotle to the theologian philosophers of Christian
Europe.
They were not to remain the only ones. In the twelfth
century, a number of Western scholars made excursions into
the East ; and the capture of Constantinople by the Crusaders
in 1 204 enlarged their opportunities of studying the Greek
language and philosophy. Attempts at direct translation
into Latin began. One of the first translators was the
sturdy Englishman, Robert Grosseteste. He was born in
Suffolk about 1175; studied at Lincoln, then at Oxford, then
at Paris, whence he returned to become Chancellor of the
University of Oxford. He was made Bishop of Lincoln in
1236, and died seventeen years later. It was he who laid
the foundation of the study of Greek at Oxford, and Roger
Bacon was his pupil. But the most important and adequate
translations were the work of two Dominicans, the Fleming,
William of Moerbeke, and Henry of Brabant, who translated
the works of Aristotle at the instance of Thomas Aquinas,
possibly all working together at Rome, in 1263 and the
years following. Aquinas recognized the inadequacy of the
older translations, and based his own Aristotelian Com-
mentaries upon these made by his collaborators, learned in
the Greek tongue. The joint labour of translation and
commentary seems to have been undertaken at the command
of Pope Urban IV., who had renewed the former prohibitions
put upon the use of Aristotle at the Paris University, in the
older, shall we say, Averroistic versions.
If these prohibitions, which did not touch the logical
treatises, were meant to be taken absolutely, such had been
far from their effect In 1210 and again in 1215, an
interdict was put upon the naturalis philosophia and the
methafisica of the Stagirite. It was not revoked, but rather
392 THE MEDIAEVAL MIND BOOK VH
provisionally renewed, in 1231, until those works should be
properly expurgated. A Commission was appointed which
accomplished nothing ; and the old interdict still hung in
the air, unrescinded, yet ignored in practice. So Pope
Urban referred to it as still effective — which it was not — in
1263. For Aristotle had been more and more thoroughly
exploited in the Paris University, and by 1255 tne Faculty
of Arts formally placed his works upon the list of books to
be studied and lectured upon.1
So the founding of Universities and the enlarged and
surer knowledge brought by a study of the works of Aristotle
were factors of power in the enormous intellectual advance
which took place in the last half of the twelfth and the first
half of the thirteenth century. Yet these factors could not
have operated as they did, but for the antecedent intellectual
development. Before the first half of the twelfth century
had passed, the patristic material had been mastered, along
with the current notions of antique philosophy, for the most
part contained in it. Strengthened by this discipline, men
were prepared for an extension and solidifying of their
knowledge • of the universe and man. Not only had they
appropriated what the available sources had to offer, but,
when we think of Abaelard and Hugo of St. Victor, we see
that organic restatements had been made of what had been
acquired. Still, men really knew too little. It is very well
to exploit logic, and construct soul -satisfying schemes of
cosmogonic symbolism, in order to represent the deepest
truth of the material world. But the evident sense-realities
of things are importunate. The minds even of spiritual
men may, in time, crave explanation of this side of their
consciousness. Abaelard seems to have been oblivious to
natural phenomena ; Hugo recognizes them in order to elicit
their spiritual meaning ; and Alanus de Insulis, a generation
and more afterwards, takes a poet's view of Nature. Other
men had a more hard-headed interest in these phenomena ;
but they knew too little to attempt seriously to put them
1 See for this matter Mandonnet, O.P., Aristote et la mouvement intcllcctiul
du moyen dge, contained in his Siger de Brabant, and printed separately ; De
Wulf, History of Medieval Philosophy, 3rd ed., pp. 243-253 and authorities ; C.
Marchesi, Z.' Etica Nicomachea nella tradizione medievale (Messina, 1904).
CHAP, xxxvn THE NEW KNOWLEDGE 393
together in some sense -rational scheme. The natural
knowledge presented by the writings of the Church Fathers
was little more than foolishness ; the early schoolmen were
their heirs. They observed a little for themselves ; but very
little.
There is an abysmal difference in the amount of natural
knowledge exhibited by any writing of the twelfth century,
and the works of Albertus Magnus belonging say to the
middle of the thirteenth. The obvious reason of this is,
that the latter had drawn upon the great volume of natural
observation and hypothesis which for the preceding five
hundred years had been actually closed to western Europe,
and for five hundred years before that had been spiritually
closed, because of the ineptitude of men to read therein.
That volume was of course the encyclopaedic Natural
Philosophy of Aristotle, completed, and treated in its
ultimate causal relationships, by his Metaphysics. The
Metaphysics, the First Philosophy, gave completeness and
unity to the various provinces of natural knowledge ex-
pounded in his special treatises. For this reason, one
finds in the works of Albertus a fund of natural knowledge
solid with the solidity of the earth upon which one may
plant his feet, and totally unlike the beautiful dreaming
which drew its prototypal origins from the skyey mind of
Plato.
The utilization of Aristotle's philosophy by the English-
man, Alexander of Hales, who became a Franciscan near
the year 1230, when he had already lectured for some
thirty years at Paris ; its far more elaborate and complete
exposition by the very Teutonic Dominican, Albertus
Magnus ; and its even closer exposition and final incorpora-
tion within the sum of Christian doctrine, by Thomas, — this
three-staged achievement is the great mediaeval instance of
return to a genuine and chief source of Greek philosophy.
These three schoolmen went back of the accounts and
views of Greek philosophy contained in the writings of the
Fathers. And in so doing they also went back of what
was transmitted to the Middle Ages by Boethius and other
" transmitters." '
1 Ante, Chapter V.
394 THE MEDIAEVAL MIND BOOK vn
But the achievement of these schoolmen had other
import. Their work represents the culmination of the
third stage of mediaeval thought : that of systematic
and organic restatement of the substance of the patristic
and antique, with added elements ; for there can be no
organic restatement which does not hold and present
something from him who achieves it. The result, attained
at least by Thomas, was even more than this. Based upon
the data and assumptions of scholasticism, it was a complete
and final statement of the nature of God so far as that
might be known, of the creature world, corporeal and
incorporeal, and especially of man, his nature, his qualities,
his relationship to God and final destiny. And herein, in
its completeness, it was satisfying. The human mind in
seeking explanation of the phenomena of its consciousness —
presumably a reflex of the universe without — tends to
seek a unity of explanation. A unity of explanation
requires a completeness in the mental scheme of what is
to be explained. Thoughtful men in the Middle Ages
craved a scheme of life complete even in detail, which
should educe life's currents from a primal Godhead, and
project them compacted, with none left straying or pointing
nowhither, on toward universal fulfilment of His will.
Mediaeval thought had been preceded by whole views,
entire schemes of life. Greek philosophy had held only
such from the time when Thales said that water was the
cause of all things. Plato's view or scheme also was
beautiful in its ideally pyramided structure, with the Idea
of the Good at the apex. For Aristotle, knowledge was
to be a syllogistic, or at least rational and jointed,
encyclopaedia, rounded, unified, complete. After the pagan
times, another whole scheme was that of Augustine, or
again, that of Gregory the Great, though barbarized
and hardened. Thus as patterns for their own thinking,
mediaeval men knew only of entire schemes of thought.
Their creed was, in every sense, a symbol of a completed
scheme. And no mediaeval philosopher or theologian
suspected himself of fragmentariness. Yet, in fact, at first
they did but select and compile. After a century and
more of this, they began to make organic statements of
CHAP, xxxvii THE NEW KNOWLEDGE
395
parts of Christian doctrine. So we have Anselm's
Proslogium and Cur Deus Homo. Abaelard's Theologia is
far more complete ; and so is Hugo's De sacramentis,
which offers an entire scheme, symbolical, sacramental,
Christian, of God and the world and man. Hugo's scheme
might be ideally satisfying ; but little concrete knowledge
was represented in it And when in the generations follow-
ing his death, the co-ordinated Aristotelian encyclopaedia
was brought to light and studied, then and thereafter any
whole view of the world must take account of this new
volume of argument and concrete knowledge. Alexander
of Hales begins the labour of using it in a Christian
Summa ; Albertus makes prodigious advance, at least in
the massing and preparation of the full Aristotelian material.
Both try for whole views and comprehensive results.
Then Thomas, most highly favoured in his master Albert,
and gifted with a genius for acquisition and synthetic
exposition, incorporates Aristotle, and Aristotle's whole
views, into the whole view presented by the Catholic Faith.
Thomas's view, to be satisfying, had to be complete.
It was knowledge united and amalgamated into a scheme
of salvation. But a scheme of salvation is a chain, which
can hold only in virtue of its completeness ; break one link,
and it snaps ; leave one rivet loose, and it may also snap.
A scheme of salvation must answer every problem put to
it ; a single unanswered problem may imperil, it. The
problem, for example, of God's foreknowledge and pre-
destination— that were indeed an open link, which Thomas
will by no means leave unwelded. Hence for us modern
men also, whose views of the universe are so shamelessly
partial, leaving so much unanswered and so much unknown,
the philosophy of Thomas may be restful, and charm by
its completeness.
It is of great interest to observe the apparently unlikely
agencies by which this new volume of knowledge was
made generally available. In fact, it was the new know-
ledge and the demand for it that forced these agencies
to fulfil the mission of exploiting it. For they had been
created for other purposes, which they also fulfilled. Verily
it happened that the chief means through which the new
396 THE MEDIAEVAL MIND BOOK vn
knowledge was gained and published were the two new
unmonastic Orders of monks, friars rather we may call
them. Francis of Assisi was born in 1182 and died in
1226; Dominic was born in 1177 and died in 1221.
The Orders of Minorites and Preachers were founded by
them respectively in 1209 and 1215. Neither Order was
founded to promote secular knowledge. Francis organized
his Minorites that they might imitate the lives of Christ
and His apostles, and preach repentance to the world.
Dominic founded his Order to save souls through preaching :
" For our Order is known from the beginning to have
been instituted especially for preaching and the saving of
souls, and our study (studium nostrum} should have as
the chief object of its labour to enable us to be useful to
our neighbours' souls (ut proximorum animabus possimus
utiles esse)." 1
Within an apparent similarity of aim, each Order from
the first reflected the temper of its founder ; and the temper
of Francis was not that of Dominic. For our purpose here,
the difference may perhaps be symbolized by the Dominican
maxim to preach the Gospel throughout the world equally
by word and example (verbo pariter et exemplo) ; and
the Franciscan maxim, to exhort all plus exemplo quam
verbo? A generation later St Bonaventura puts it thus :
" Alii (scilicet, Praedicatores) principaliter intendunt specu-
lation! . . . et postea unctioni. Alii (scilicet, Minores)
principaliter unctioni et postea speculationi." 3
It is safe to say that St Francis had no thought of
secular studies ; and as for the Order of Preachers, the
Constitutions of 1228 forbade the Dominicans to study
libros gentilium and seculares scientias. They are to study
libros theologicos? Francis, also, recognized the necessity of
Scriptural study for those Minorites who were allowed
to preach. In these views the early Franciscans and
Dominicans were not peculiar ; but rather represented the
attitude of the older monastic Orders and of the stricter
1 Constitutiones des Prcdigcr-Ordens vom Jahre 1228, Prologus ; H. Denifle,
Archiv fur Lift, und Kirehenges. des Mittelalters, Bd i. (1885), p. 194.
2 See Felder, Wissenschaftlichen Studien im Franciskanerorden, p. 24
(Freiburg im Breisgau, 1904) ; a valuable work.
3 See Felder, o.c. p. 29. 4 Constitutionts, etc., cap. 28-31.
CHAP, xxxvn THE NEW KNOWLEDGE 397
secular clergy. The Gospel teaching of Christ had nothing
to do with secular knowledge — explicitly. But the first
centuries of the Church perceived that its defenders should
be equipped with the Gentile learning, into which indeed they
had been born. And while Francis was little of a theologian,
and Dominic's personality and career remain curiously
obscure, one can safely say that both founders saw the
need of sacred studies, and left no authoritative expression
prohibiting their Orders from pursuing them to the best
advantage for the cause of Christ. Yet we are not called
on to suppose that either founder, in founding his Order
for a definite purpose, foresaw all the means which after
his death might be employed to attain that purpose — or
some other !
The new Order cometh, the old rusteth. So has it
commonly been with Monasticism. Undoubtedly these
uncloistered Orders embodied novel principles of efficiency
for the upholding of the Faith : their soldiers marched
abroad evangelizing, and did not keep within their fastnesses
of holiness. The Mendicant Orders were still young, and
fresh from the inspiration of their founders. In those years
they moved men's hearts and drew them to the ideal which
had been set for themselves. The result was, that in the
first half of the thirteenth century the greater part of
Christian religious energy girded its loins with the cords of
Francis and Dominic.
At the commencement of that century, when the Orders
of Minorites and Preachers were founded, the world of
Western thought was prepared to make its own the new
Aristotelian volume of knowledge and applied reason.
Once that was opened and its contents perceived, the old
Augustinian-Neo-Platonic ways of thinking could no longer
proceed with their idealizing constructions, ignoring the
pertinence of the new data and their possible application
to such presentations of Christian doctrine as Hugo's De
sacramentis or the Lombard's Sentences. The new know-
ledge, with its methods, was of such insistent import, that
it had at once to be considered, and either invalidated by
argument, or accepted, and perhaps corrected, and then
accommodated within an enlarged Christian Philosophy.
398 THE MEDIAEVAL MIND BOOK vn
The spiritual force animating a new religious movement
attracts the intellectual energies of the period, and furnishes
them a new reality of purpose. This was true of early
Christianity, and likewise true of the fresh religious impulse
which proceeded from Francis's energy of love and the
organizing zeal of Dominic. From the very years of their
foundation, 1209 and 1215, the rapid increase of the two
Orders realized their founders' visions of multitudes hurry-
ing from among all nations to become Minorites or
Preachers. And more and more their numbers were
recruited from among the clergy. The lay members,
important in the first years of Francis's labours, were soon
wellnigh submerged by the clericals ; and the educated or
learned element became predominant in the Franciscan
Order as it was from the first in the Dominican.
Consider for an instant the spread of the former. In
1216, Cardinal Jacques of Vitry finds the Minorites in
Lombardy, Tuscany, Apulia, and Sicily. The next year
five thousand are reported to have assembled at the
general meeting of the Order. Two years later Francis
proceeds to carry out his plan of world-conquest by apportion-
ing the Christian countries, and sending the brethren into
France, Germany, Hungary, Spain, and throughout Italy.1 It
was a period when in the midst of general ignorance on the
part of the clergy as well as laity, Universities (generalia
studio] were rising in Italy, France, and England. The
popes, Innocent III. (died 1216), Honorius III. (died 1221),
and Gregory IX. (died 1241), were seeking to raise the
education and even the learning of the Church. Their
efforts found in the zeal of the Mendicants a ready response
which was not forthcoming from the secular clergy. The
Mendicants were zealous for the Faith, and loyal liegemen
of the popes, who were their sustainers and the guarantors
of their freedom from local ecclesiastical interference. What
more fitting instruments could be found to advance the cause
of sacred learning at the Universities, and enlarge it with
the new knowledge which must either serve the Faith or
be its enemy. If all this was not evident in the first
decades of the century, it had become so by the middle of
1 Cf. Felder, o.c. p. 107 sqq.
CHAP, xxxvn THE NEW KNOWLEDGE 399
it, when the Franciscan Bonaventura and the Dominicans
Albertus and Thomas were the intellectual glories of the
time. And thus, while the ardour of the new Orders drew
to their ranks the learning and spiritual energy of the
Church, the intellectual currents of the time caught up those
same Brotherhoods, which had so entrusted their own
salvation to the mission of saving other souls abroad in the
world, where those currents flowed.
The Universities, above all the University par excellence,
were in the hands of the secular clergy ; and long and
intricate is the story of their jealous endeavours to exclude
the Mendicants from Professors' chairs. The Dominicans
established themselves at Paris in 1217, the Franciscans
two years later. The former succeeded in obtaining one
chair of theology at the University in 1229, and a second
in 1231 ; and about the same time the Franciscans obtained
their first chair, and filled it with Alexander of Hales.
When he died an old man, fifteen years later, they wrote
upon his tomb :
" Gloria Doctorum, decus et flos Philosophorum,
Auctor scriptorum vir Alexander variorum,"
closing the epitaph with the words : " primus Doctor eorum,"
to wit, of the Minorites. He was the author of the first
Summa theologiae, in the sense in which that term fits the
work of Albert and Thomas. And there is no harm in
repeating that this Summa of Alexander's was the first work
of a mediaeval schoolman in which use was made of the
physics, metaphysics, and natural history, of Aristotle.1 He
died in I 245, when the Franciscans appear to have possessed
two chairs at the University. One of them was filled in
1248 by Bonaventura, who nine years later was taken from
his professorship, to become Minister-General of his Order.
It was indeed only in this year 1257 that the University
itself had been brought by papal injunctions formally to
recognize as magister this most eloquent of the Franciscans,
and the greatest of the Dominicans, Thomas Aquinas. The
latter's master, Albert, had been recognized as magister by
the University in 1245.
1 Cf. Felder, o.c. p. 177 W-
400 THE MEDIAEVAL MIND BOOK vn
Before the intellectual achievements of these two men,
the Franciscan fame for learning paled. But that Order
went on winning fame across the Channel, which the
Dominicans had crossed before them. In 1224 they came
to Oxford, and were received as guests by an establishment
of Dominicans : this was but nine years after the foundation
of the preaching Order ! Perhaps the Franciscan glories
overshone the Dominican at Oxford, where Grosseteste
belongs to them and Adam of Marsh and Roger Bacon.
But whichever Order led, there can be no doubt that together
they included the greater part of the intellectual productivity
of the maturing thirteenth century. Nevertheless, in spite
of the vast work of the Orders in the field of secular
knowledge, it will be borne in mind that the advancement
of sacra doctrina, theology, the saving understanding of
Scripture, was the end and purpose of all study with
Dominicans and Franciscans, as it was universally with all
orthodox mediaeval schoolmen ; although for many the
nominal purpose seems a mere convention. Few men of the
twelfth or thirteenth century cared to dispute the principle
that the Carmina poetarum and the Dicta philosophorum
" should be read not for their own sake, but in order that
we may learn holy Scripture to the best advantage : I say
they are to be offered as first-fruits, for we should not grow
old in them, but spring from their thresholds to the sacred
page, for whose sake we were studying them for a while." *
Within the two Orders, especially the Franciscan, men
differed sharply as to the desirability of learning. So did
their contemporaries among the secular clergy, and their
mediaeval and patristic predecessors as far back as Clement
of Alexandria and Tertullian. On this matter a large
variance of opinion might exist within the compass of
orthodoxy ; for Catholicism did not forbid men to value
secular knowledge, provided they did not cleave to opinions
contradicting Christian verity. This was heresy, and indeed
was the sum of what was called Averroism, the chief
intellectual heresy of the thirteenth century. It consisted
in a sheer following of Aristotle and his infidel commentator,
wheresoever the opinions of the Philosopher, so interpreted,
1 From Denifle, Universitaten des Mittelalters, i. 99, note 192.
CHAP, xxxvn THE NEW KNOWLEDGE 401
might lead. They were not to be corrected in the interest
of Christian truth. A representative Averroist, and one so
important as to draw the fire of Aquinas, as well as the
censures of the Church, was Siger de Brabant. He followed
Aristotle and his commentator in maintaining : The universal
oneness of the (human) intelligence, the anima intellectiva,
an opinion which involved the denial of an individual
immortality, with its rewards and punishments ; the eternity
of the visible world, — uncreated and everlasting ; a rational
necessitarianism which precluded freedom of human action
and moral responsibility.
It would be hard to find theses more fundamentally
opposed to the Christian Faith. Yet Siger may have deemed
himself a Christian. With other Averroists, he sought to
preserve his religious standing by maintaining that these
opinions were true according to philosophy, but not according
to the Catholic Faith : " Dicunt enim ea esse vera secundum
philosophiam, sed non secundum fidem catholicam." a With
what sincerity Siger held this untenable position is hard to
say.
1 See generally, Mandonnet, Siger de Brabant et taverroisme latin an
moyen Age (Fribourg, Switzerland, 1899); Baeumker (Beitrage, 1898), Die
Impossibilia des Siger von Brabant ; De Wulf, Hist, of Medieval Philosophy, 3rd
ed., p. 379 sqq. (Longmans, 1909).
VOL. II
2 D
CHAPTER XXXVIII
BONAVENTURA
THE range and character of the ultimate intellectual interests
of the thirteenth century may be studied in the works of
four men : St. Bonaventura, Albertus Magnus and St.
Thomas, and lastly, Roger Bacon. The first and last were
as different as might be ; and both were Franciscans.
Albertus and Thomas represent the successive stages of one
achievement, the greatest in the course of mediaeval thought.
In some respects, their position is intermediate between
Bonaventura and Bacon. Bonaventura reflects many twelfth-
century ways of thinking ; Albert and Thomas embody par
excellence the intellectual movement of the thirteenth century
in which they all lived ; and Roger Bacon stands for much,
the exceeding import of which was not to be recognized
until long after he was forgotten. The four were contem-
poraries, and, with the possible exception of Bacon, knew
each other well. Thomas was Albert's pupil ; Thomas and
Bonaventura taught at the same time in the Faculty of
Theology at Paris, and stood together in the academic con-
flict between their Orders and the Seculars. Albertus and
Bonaventura also must have known each other, teaching at
the same time in the theological faculty. As for Bacon, he
was likewise at Paris studying and teaching, when the others
were there, and may have known them.1 Albert and
Thomas came of princely stock, and sacrificed their fortune
in the world for theology's sake. Bacon's family was well-
to-do ; Bonaventura was lowly born.
1 Albert was born probably in 1193, and died in 1280; Bacon was born
some twenty years later, and died about 1292. Bonaventura was bom in 1221,
and Thomas in 1225 or 1227 ; they both died in 1274.
402
CHAP, xxxvin BONA VENTURA
403
John of Fidanza, who under the name of Bonaventura
was to become Minister-General of his Order, Cardinal, Saint,
and Doctor Seraphicus, saw the light in the Tuscan village of
Bagnorea. That he was of Italian, half Latin-speaking,
stock is apparent from his own fluent Latin. Probably in
the year 1238, when seventeen years old, he joined the
Franciscan Order ; and four years later was sent to Paris,
where he studied under Alexander of Hales. In 1248 he
was licensed to lecture publicly, and thenceforth devoted
himself at Paris to teaching and writing, and defending his
Order against the Seculars, until 1257, when, just as the
University conferred on him the title of Magister, he was
chosen Minister-General of his Order, in the thirty-seventh
year of his age. The greater part of his writings were com-
posed before the burdens of this primacy drew him from his
studies. He was still to become Prince of the Church, for
he was made Cardinal of Albano in 1273, the year before
his death.
For all the Middle Ages the master in theology was
Augustine. Either he was studied directly in his own writ-
ings, or his views descended through the more turbid channels
of the works of men he influenced. Mediaeval theology
was overwhelmingly Augustinian until the middle of the
thirteenth century ; and since theology was philosophy's
queen, mediaeval philosophy conformed to that which
Augustine employed in his theology. This, if traced back-
ward to its source, should be called Platonism, or Neo-
Platonism if we turn our mind to the modes in which
Augustine made use of it. His Neo-Platonism was not
unaffected by Peripatetic and later systems of Greek philo-
sophy ; yet it was far more Platonic than Stoical or
Aristotelian.
Those first teachers, who in the maturity of their powers
became Brothers Minorites, were Augustinians in theology,
and consequently Platonists, in so far as Platonism made
part of Augustine's doctrines. Thus it was with the first
great teacher at the Minorites school in Oxford, Robert
Grosseteste, and with the first great Minorite teacher at
Paris, Alexander of Hales. Both of these men were pro-
moters of the study of Aristotle ; yet neither became so
404 THE MEDIAEVAL MIND BOOK vn
imbued with Aristotelianism as to revise either his theological
system or the Platonic doctrines which seemed germane to
it. Moreover, in so far as we may imagine St. Francis to
have had a theology, we must feel that Augustine, with his
hand on Plato's shoulder, would have been more congenial
to him than Aristotle. And so in fact it was to be with
his Order. Augustine's fervent piety, his imagination and
religious temperament, held the Franciscans fast. Surely he
was very close to the soul of that eloquent Franciscan
teacher, who called Alexander of Hales " master and father,"
sat at his feet, and never thought of himself as delivering
new teachings. It would have been strange indeed if Bona-
ventura had broken from the influences which had formed
his soul, this Bonaventura whose most congenial precursor
lived and wrote and followed Augustine far back in the
twelfth century, and bore the name of Hugo of St. Victor.
Bonaventura's writings did much to fix Augustinianism
upon his Order ; rivalry with the Dominicans doubtless
helped to make it fast ; for the latter were following another
system under the dominance of their two Titan leaders, who
had themselves come to maturity with the new Aristotelian
influences, whereof they were magna pars.
But just as Grosseteste and Alexander made use of what
they knew of Aristotle, so Bonaventura had no thought of
misprizing him who was becoming in western Europe " the
master of those who know." In specific points this wise
Augustinian might prefer Aristotle to Plato. For example,
he chose to stand, with the former, upon the terra frma of
sense perception, rather than keep ever on the wing in the
upper region of ideal concepts.
"Although the anima, according to Augustine, is linked to
eternal principles (legibus aeternis\ since somehow it does reach the
light of the higher reason, still it is unquestionable, as the Philo-
sopher says, that cognition originates in us by the way of the senses,
of memory, and of experience, out of which the universal is deduced,
which is the beginning of art and knowledge (artis et scientiae).
Hence, since Plato referred all certain cognition to the intelligible
or ideal world, he was rightly criticized by Aristotle. Not because
he spoke ill in saying that there are ideas and eternal rationes ; but
because, despising the world of sense, he wished to refer all certain
cognition to those Ideas. And thus, although Plato seems to
CHAP, xxxvin BONAVENTURA 405
make firm the path of wisdom (sapientiae) which proceeds according
to the eternal rationes, he destroys the way of knowledge, which
proceeds according to the rationes of created things (rationes
creatas). So it appears that, among philosophers, the word of
wisdom (sermo sapientiae) was given to Plato, and the word of
knowledge (scientiae) to Aristotle. For that one chiefly looked
to the things above, and this one considered things below.1 But
both the word of wisdom and of knowledge, through the Holy
Spirit, was given to Augustine, as the pre-eminent declarer of the
entire Scripture."2
So there is Aristotelian ballast in Bonaventura's Platonic-
Augustinian theology. His chief divergence from Albert
and Thomas (who, of course, likewise held Augustine in
honour, and drew on Plato when they chose) is to be found
in his temperamental attitude, toward life, toward God, or
toward theology and learning. His Augustinian soul held
to the pre-eminence of the good above the true, and tended
to shape the second to the first. So he maintained the
primacy of willing over knowing. Man attains God through
goodness of will and through love. The way of knowledge
is less prominent with Bonaventura than with Aquinas.
Surely the latter, and his master Albert, saw the main
sanction of secular knowledge in its ministry to sacra doctrina;
but their hearts may seem to tarry with the handmaid.
Bonaventura's position is the same ; but his heart never
tarries with the handmaid ; for with him heart and mind are
ever constant to the queen, Theology. Yet he recognizes
the queen's need of the handmaid. Holy Writ is not
for babes ; the fulness of knowledge is needed for its
understanding : " Non potest intelligi sacra Scriptura sine
aliarum scientiarum peritia." 8 And without philosophy many
matters of the Faith cannot be intelligently discussed. There
is no knowledge which may not be sanctified to the purpose
of understanding Scripture; only let this purpose really
guide the mind's pursuits.
1 So Raphael represents them in his " School of Athens."
2 Bonaventura, Sermo IV., Quaracchi edition, tome v. p. 572 (cited by De
Wulf, Hist. etc. p. 304, note). With all their Augustinian-Platonism, the
Franciscans made a good second to the Dominicans in the study of Aristotle, as
is proved by the great number of commentaries upon his works by members of the
former Order. See Felder, o.c. p. 479.
3 Epist. de tribus quaestionibus , § 1 2.
406 THE MEDIAEVAL MIND BOOK vn
Bonaventura wrote a short treatise to emphasize these
universally admitted principles, and to show how every form
of human knowledge conformed to the supreme illumination
afforded by Scripture, and might be reduced to the terms
and methods of Theology, which is Scripture rightly
understood. He named the tract De reductione artium ad
theologiam 1 (The leading back of the Arts to Theology).
" ' Every good and perfect gift is from above, coming down from
the Father of lights,' says James. This indicates the source of all
illumination, and the streaming of all enlightenment from that
fontal light. While every illumination is inner knowledge (pmnis
illuminatio cognitio internet sit} we may distinguish the external
light, (lumen exterius), to wit, the light of mechanical art ; the lower
light, to wit, the light of sense perception ; the interior light, to
wit, the light of philosophical cognition ; the superior light, to wit,
the light of grace and Holy Scripture. The first illuminates as to
the arts and crafts ; the second as to natural form ; the third as to
intellectual truth ; the fourth as to saving truth."
He enumerates the mechanical arts, drawing from Hugo
of St. Victor ; then he follows with Augustine's explanation
of the second lumen, as that which discerns corporeal things.
He next speaks of the third lumen which lightens us to the
investigation of truths intelligible, scrutinizing the truth of
words (Logic), or the truth of things (Physics), or the truth
of morals (Ethics). The fourth lumen, of Holy Scripture,
comes not by seeking, but descends through inspiration from
the Father of lights. It includes the literal, the spiritual,
moral and anagogic signification of Scripture, teaching the
eternal generation and incarnation of Christ, the way to live,
and the union of God and the soul. The first of these
branches pertains to faith, the second to morals, and the
third to the aim and end of both.
<l Let us see," continues Bonaventura, " how the other
illuminations have to be reduced to the light of Holy
Scripture. And first as to the illumination from sense
cognition, as to which we consider its means, its exercise,
and its delight (oblectamentum)" Its means is the Word
eternally generated, and incarnated in time ; its exercise is
in the sense perception of an ordered way of living, following
1 Tome v. (Quaracchi ed.) pp. 319-325.
CHAP, xxxvm BONAVENTURA 407
the suitable and avoiding the nocuous ; and as for its object
of delight, as every sense pursues that which delights it, so
the sense of our heart should seek the beautiful, harmonious,
and sweet-smelling. In this way divine wisdom dwells
hidden in sense cognition.
Next, as to the illumination of mechanical art, which is
concerned with the production of the works of craft. Herein
likewise may be observed analogies with the light from Holy
Scripture, which reveals the Word, the order of living, and
the union of God and the soul. No creature proceeds from
the great Artificer, save through the Word ; and the human
artificer works to produce a beautiful, useful, and enduring
work ; which corresponds to the Scriptural order of living.
Each human artificer makes his work that it may bring him
praise or use or delight ; as God made the rational soul, to
praise and serve and take delight in Him, through love.
By similar methods of reasoning Bonaventura next
" reduces," or leads back, Logic, and Natural and Moral
Philosophy to the ways and purposes of Theology, and
shows how " the multiform wisdom of God, which is set
forth lucidly by Scripture, lies hidden in every cognition,
and in every nature. It is also evident that all kinds of
knowledge minister to Theology ; and that Theology takes
illustrations, and uses phrases, pertaining to every kind of
knowledge (cognitionis). It is also plain how ample is the
illuminating path, and how in every thing that is sensed or
perceived, God himself lies concealed." 1
Ways of reasoning change, while conclusions sometimes
endure. Bonaventura's reasoning in the above treatise is for
us abstruse and fanciful ; yet many will agree with the
conclusion, that all kinds of knowledge may minister to our
thought of God, and of man's relationship to Him. And
with Bonaventura, all his knowledge, his study of secular
philosophy, his logic and powers of presentation, had theology
unfailingly in view, and ministered to the satisfaction, the
1 This is from § 26, the last in the work. Bonaventura has already said
(§ 7) : " Omnes istae cognitiones ad cognitionem Sacrae Scripturae ordinantur, in
ea clauduntur et in ilia perficiuntur, et mediante ilia ad aeternam illuminationem
ordinantur." ("All kinds of knowledge are ordained for the knowledge of Holy
Scripture, are in it enclosed and thereby are perfected ; and through its mediation
are ordered for eternal illumination.")
408 THE MEDIAEVAL MIND BOOK vn
actualization (to use our old word) of his religious nature. He
belongs among those intellectually gifted men — Augustine,
Anselm, Hugo of St. Victor — whose mental and emotional
powers draw always to God, and minister to the conception
of the soul's union with the living spring of its being. The
life, the labours of Bonaventura were as the title of the little
book we have just been worrying with, a reductio artium ad
theologiam, a constant adapting of all knowledge and ways
of meditation, to the sense of God and the soul's inclusion
in the love divine. No one should expect to find among
his compositions any independent treatment of secular
knowledge for its own sake. Rather throughout his writings
the reasonings of philosophy are found always ministering
to the sovereign theme.
The most elaborate of Bonaventura's doctrinal works
was his Commentary upon the Lombard's Sentences. In
form and substance it was a Summa theologiae} He also
made a brief and salutary theological compend, which he
called the Breviloquium? The note of devotional piety is
struck by the opening sentence, taken from the Epistle to
the Ephesians, and is held throughout the work :
" ' I bow my knees unto the Father of our Lord Jesus Christ,
from whom the whole fatherhood in heaven and earth is named,
that He would grant you according to the riches of His glory to be
strengthened by His Spirit in the inner man ; that Christ may dwell
in your hearts through faith ; that ye, being rooted and grounded
in love, may be able to comprehend with all saints, what is the
breadth and length and height and depth ; and to know the love
of Christ which passeth knowledge, that ye might be filled in all
the fulness of God.' The great doctor of the Gentiles discloses in
these words the source, progress, and state (ortus, progressus, status]
of Holy Scripture, which is called Theology; indicating that the
source is to be thought upon according to the grace (influentiani)
of the most blessed Trinity; the progress with reference to the
needs of human capacity ; and the state or fruit with respect to the
superabundance of a superplenary felicity.
" For the Source lies not in human investigation, but in divine
revelation, which flows from the Father of lights, from whom all
fatherhood in heaven and earth is named, from whom, through His
1 It is contained in tomes i. -iv. of the Quaracchi edition.
2 T. v. pp. 201-291.
CHAP, xxxvin BONAVENTURA 409
Son Jesus Christ, the Holy Spirit flows in us; and through the
Holy Spirit bestowing, as He wills, gifts on each, faith is given, and
through faith Christ dwells in our hearts. This is the knowledge
of Jesus Christ, from which, as from a source, comes the certitude
and understanding of the whole Scripture. Wherefore it is
impossible that any one should advance in its knowledge, unless he
first has Christ infused in him. . . .
" The Progress of Holy Scripture is not bound to the laws of
reasonings and definitions, like the other sciences ; but, conformably
to supernatural light, proceeds to give to man the wayfarer (homini
viatori) a knowledge of things sufficing for his salvation, by plain
words in part, and in part mystically : it presents the contents of
the universe as in a Summa, in which is observed the breadth ; it
describes the descent (from above) in which is considered the
length ; it describes the goodness of the saved, in which is considered
the height; it describes the misery of the damned, in which
consists the depth not only of the universe itself but of the divine
judgment. . . .
" The State or fruit of Holy Scripture is the plentitude of eternal
felicity. For the Book containing words of eternal life was written
not only that we might believe, but that we might have eternal life,
in which we shall see, we shall love, and all our desires shall be
filled, whereupon we shall know the love which passeth knowledge,
and be filled in all the fulness of God. . . .
" As to the progress of Scripture, first is to be considered the
breadth, which consists in the multitude of parts. . . . Rightly is
Holy Scripture divided into the Old and New Testament, and not
in theorica and practica, like philosophy ; because since Scripture is
founded on the knowledge of faith, which is a virtue and the basis
of morals, it is not possible to separate in Scripture the knowledge
of things, or of what is to be believed, from the knowledge of
morals. It is otherwise with philosophy, which handles not only
the truth of morals, but the true, speculatively considered. Then
as Holy Scripture is knowledge (notitia) moving to good and recalling
from evil, through fear and love, so it is divided into two Testaments,
whose difference, briefly, is fear and love. . . .
" Holy Scripture has also length, which consists in the description
of times and ages from the beginning to the day of Judgment . . .
The progress of the whole world is described by Scripture, as in a
beautiful poem, wherein one may follow the descent of time, and
contemplate the variety, manifoldness, equity, order, righteousness,
and beauty of the multitude of divine judgments proceeding from
the wisdom of God ruling the world : and as with a poem, so with
this ordering of the world, one cannot see its beauty save by
considering the whole. . . .
" No less has Sacred Scripture height (sublimitatem\ consisting in
410 THE MEDIAEVAL MIND BOOK vn
description of the ranged hierarchies, the ecclesiastical, angelic, and
divine. . . . Even as things have being in matter or nature, they
have also being in the anima through its acquired knowledge ; they
have also being in the anima through grace, also through glory ; and
they have also being in the way of the eternal — in arte aeterna.
Philosophy treats of things as they are in nature, or in the anima
according to the knowledge which is naturally implanted or acquired.
But theology as a science (scientia) founded upon faith and revealed
by the Holy Spirit, treats of those matters which belong to grace
and glory and to the eternal wisdom. Whence placing philosophic
cognition beneath itself, and drawing from nature (de naturis rerum)
as much as it may need to make a mirror yielding a reflection of
things divine, it constructs a ladder which presses the earth at the
base, and touches heaven at the top : and all this through that one
hierarch Jesus Christ, who through his assumption of human nature,
is hierarch not in the ecclesiastical hierarchy alone, but also in the
angelic; and is the medial person in the divine hierarchy of the
most blessed Trinity." l
The depth (profunditas} of Scripture consists in its
manifold mystic meanings. It reveals these meanings of
the creature world for the edification of man journeying to
his fatherland. Scripture throughout its breadth, length,
height, and depth uses narrative, threat, exhortation, and
promise all for one end. " For this doctrina exists in order
that we may become good and be saved, which comes not
through naked consideration, but rather through inclination
of the will. . . . Here examples have more effect than
arguments, promises are more moving than ratiocinations,
and devotion is better than definition." Hence Scripture
does not follow the method and divisions of other sciences,
but uses its own diverse means for its saving end. The
Prologue closes with rules of Scriptural interpretation.2
In our plan of following what is of human interest in
mediaeval philosophy or theology, prologues and introductions
are sometimes of more importance than the works which
they preface ; for they disclose the writer's intent and
purpose, and the endeavour within him, which may be more
1 Breviloquium, Prologus.
2 One feels the reality of Bonaventura's distinctions here between theology
and philosophy. They are enunciations of his religious sense, and possess a
stronger validity than any elaborate attempt to distinguish by argument between
the two. Thomas distinguishes them with excellent reasoning. It lacks
convincingness perhaps from the fact that Thomas's theology is so largely
philosophy, as Roger Bacon said.
CHAP, xxxvin BONAVENTURA 411
intimately himself, than his performance. So more space has
been given to Bonaventura's Prologue than the body of the
treatise will require. The order of topics is that of the
Lombard's Sentences or Aquinas's Summa, Seven successive
paries consider the Trinity, the creation, the corruption from
sin, the Incarnation, the grace of the Holy Spirit, the
sacramental medicine, and the Last Judgment. Each pars
is divided into chapters setting forth some special topic.
Bonaventura's method, pursued in every chapter, is to state
first the scriptural or dogmatic propositions, and then give
their reason, which he introduces with such words as : Ratio
autem ad praedictorum intelligentiam haec est. The work is
a complete systematic compend of Christian theology ; its
conciseness and lucidity of statement are admirable. For
an example of its method and quality, the first chapter of
the sixth part may be given, upon the origin of Sacraments.
" Having treated of the Trinity of God, of the creation of the
world, the corruption of sin, the incarnation of the Word, and the
grace of the Holy Spirit, it is time to treat of the sacramental
medicine, regarding which there are seven matters to consider : the
origin of the sacraments, their variation, distinction, appointment,
dispensation, repetition, and the integrity of each.
" Concerning x the origin of the Sacraments this is to be held,
that sacraments are sensible signs divinely appointed as medicaments,
in which under cover of things sensible, divine virtue secretly
operates ; also that from likeness they represent, from appointment
they signify, from sanctification they confer, some spiritual grace,
through which the soul is healed from the infirmities of vice ; and
for this as their final end they are ordained ; yet they avail for
humility, instruction, and exercise as for a subsidiary end.
" The reason and explanation of the aforesaid is this : The
reparative principle (principium), is Christ crucified, to wit, the
Word incarnate, that directs all things most compassionately
because divine, and most compassionately heals because divinely
incarnate. It must repair, heal, and save the sick human race, in
a way suited to the sick one, the sickness and the occasion of it,
and the cure of the sickness. The physician is the incarnate Word,
to wit, God invisible in a visible nature. The sick man is not
simply spirit, nor simply flesh, but spirit in mortal flesh. The
disease is original sin, which through ignorance infects the mind,
1 As this chapter opens a pars, it begins with a recapitulation of what has
preceded and a summary of what is to come. The specific topic of the chapter
commences here.
4i2 THE MEDIAEVAL MIND BOOK vn
and through concupiscence infects the flesh. While the origin of
this fault primarily lay in reason's consent, yet its occasion came
from the senses of the body. Consequently, in order that the
medicine should correspond to these conditions, it should be not
simply spiritual, but should have somewhat of sensible signs ; for
as things sensible were the occasion of the soul's falling, they
should be the occasion of its rising again. Yet since visible signs
of themselves have no efficiency ordained for grace, although
representative of its nature, it was necessary that they should by
the author of grace be appointed to signify and should be blessed
in order to sanctify ; so that there should be a representation from
natural likeness, a signification from appointment, and a sanctifica-
tion and preparedness for grace from the added benediction,
through which our soul may be cured and made whole.
"Again, since curative grace is not given to the puffed up, the
unbelieving, and disdainful, so these sensible signs divinely given,
ought to be such as not only would sanctify and confer grace, and
heal, but also would instruct by their signification, humble by their
acceptance, and exercise through their diversity ; that thus through
exercise despondency (acedia) should be shut out from the de-
siderative [nature], through instruction ignorance be shut out from
the rational [nature], through humiliation pride be shut out from
the irascible [nature], and the whole soul become curable by the
grace of the Holy Spirit, which remakes us according to these
three capacities (foienttas)1 into the image of the Trinity and
Christ. Finally, whereas the grace of the Holy Spirit is received
through these sensible signs divinely appointed, it is found in them
as an accident. Hence sacraments of this kind are called the
vessels and cause of grace: not that grace is of their substance
or produced by them as by a cause ; for its place is in the soul,
and it is infused by God alone; but because it is ordained by
divine decree, that in them and through them we shall draw the
grace of cure from the supreme physician, Christ ; although God
has not fettered His grace to the sacraments.2
"From the premises, therefore, appears not only what may be
the origin of the sacraments, but also the use and fruit. For their
origin is Christ the Lord; their use is the act which exercises,
teaches, and humbles ; their fruit is the cure and salvation of men.
It is also evident that the efficient cause of the sacraments is the
divine appointment ; their material cause is the figurement of the
sensible sign ; their formal cause the sanctification by grace ;
their final cause the medicinal healing of men. And because they
are named from their form and end they are called sacraments,
1 /.«. the desiderative, rational, and irascible elements in man.
- Bonaventura closely follows Hugo of St. Victor's De sacramentis, see ante,
Chap. XXVIII., especially p. 72.
CHAP, xxxvm BONAVENTURA 41,
as it were medicamenta sanctificantia. Through them the soul is
led back from the filth of vice to perfect sanctification. And so,
although corporeal and sensible, they are medicinal, and to be
venerated as holy because they signify holy mysteries, and make
ready for the holy gifts (charismata) given by most holy God ; and
they are divinely consecrated by holy institution and benediction
for the holiest worship of God appointed in holy church, so that
rightly they should be called sacraments."
The Breviloquium was Bonaventura's rational com-
pendium of Christian theology. It offered in brief compass
as complete a system as the bulkiest Summa could carry
out to doctrinal elaboration. Quite different in method and
intent was his equally famous Itinerarium mentis in Deuin?
the praise of which, according to the great Chancellor
Gerson, could not fitly be uttered by mortal mouth. We
have seen how in the Reductio artium ad theologian Bona-
ventura conformed all modes of perception and knowledge
to the uses and modes of theology ; the final end of which
is man's salvation, consisting in the union of the soul with
God, through every form of enlightenment and all the
power of love. The Breviloquium has given the sum of
Christian doctrine, an intelligent and heart-felt understand-
ing of which leads to salvation. And now the Itinerarium
— well, it is best to let Bonaventura tell how he came to
compose it, and of its purpose and character.
" Since, after the example of our most blessed father Francis, I
pant in spirit for the peace which he preached in the manner of
our Lord Jesus Christ, I a sinner who am the seventh, all un-
worthy, Minister- General of the Brethren, — it happened that by
God's will in the thirty-third year after our blessed father's death,
I turned aside to the mountain of Alverna, as to a quiet place,
seeking the spirit's peace. While I lingered there my mind dwelt
on the ascensions of the spirit, and, among others, on the miracle
which in that very spot came to blessed Francis, when he saw the
winged Seraph in the likeness of the Crucified. And it seemed
to me his vision represented the suspension of our father in
contemplation, and the way by which he came to it. For by
those six wings may be understood the suspensions of the six
illuminations, by which the soul, as by steps and journeys, through
ecstatic outpourings of Christian wisdom, is prepared to pass
beyond to peace. For the way lies only through love of the
1 Opera, t. v. pp. 295-313.
414 THE MEDIAEVAL MIND BOOK vn
Crucified, which so transformed Paul carried to the third heaven,
that he could say : ' I am crucified with Christ : nevertheless I
live ; yet not I, but Christ liveth in me.' So the image of the six
seraph's wings represents the six rungs of illumination, which begin
with the creatures and lead on to God, to whom no one can come
save through the Crucified. . . .
" For one is not prepared for the divine contemplations, which
lead to the rapt visions of the mind, unless he be with Daniel, a
man of desires.1 Desires are stirred within us by the cry of prayer
and the bright light of speculation. I shall invite the reader first
to the sighings of prayer through Christ crucified, lest perchance
he believe that study might suffice without unction, or diligence
without piety, knowledge without charity, zeal without divine grace,
or the mirror (speculum) without the wisdom divinely inspired.
Then to those humble and devout ones, to whom grace first has
come, to those lovers of the divine wisdom, who burn with desire
of it, and are willing to be still, for the magnifying of God, I shall
propose pertinent speculations, showing how little or nothing is it
to turn the mirror outward unless the mirror of our mind be
rubbed and polished."
Thus Bonaventura writes his prologue to this devotional
tract, which will also hold " pertinent speculations." Re-
markable is the intellectuality and compacted thought
which he fuses in emotional expression. He will write
seven chapters, on the seven steps, or degrees, in the ascent
to God, which is the mind's true itinerarium. Since we
cannot by ourselves lift ourselves above ourselves, prayer is
the very mother and source of our upward struggle. Prayer
opens our eyes to the steps in the ascent. Placed in the
universe of things, we find in it the corporeal and temporal
footprint (vestigium} leading into the way of God. Then
we enter our mind, which is the everlasting and spiritual
image of God ; and this is to enter the truth of God.
Whereupon we should rise above us to the eternal most
spiritual first cause ; and this is to rejoice in the knowledge
of God's majesty. This is the threefold illumination, by
which we recognise the triple existence of things, in matter,
in the intelligence, and in the divine way — in arte divina.
And likewise our mind has three outlooks, one upon the
corporeal world without, which is called sense, another into
and within itself, which is called spiritus, and a third above
1 Vir dcsideriorum, Dan. ix. 23 (Vulgate).
CHAP, xxxvin BONAVENTURA 415
itself, which is called mens. By means of all three, man
should set himself to rising toward God, and love Him
with the whole mind, and heart, and soul.
Then Bonaventura makes further analysis of his triple
illumination into
" six degrees or powers of the soul, to wit, sense, imagination,
reason, intellect, intelligence, and apex mentis seu synteresis scintilla.
These degrees are planted within us by nature, deformed through
fault, reformed through grace, purged through righteousness,
exercised through knowledge, perfected through wisdom. . . .
Whoever wishes to ascend to God should shun the sins which
deform nature, and stretch forth his natural powers, in prayer,
toward reforming grace, in mode of life, toward purifying righteous-
ness, in meditation, toward illuminating knowledge, in contempla-
tion toward the wisdom which makes perfect. For as no one
reaches wisdom except through grace, righteousness, and knowledge,
so no one reaches contemplation, except through meditation, a
holy life, and devout prayer."
Chapter one closes with little that is novel ; for we
seem to be retracing the thoughts of Hugo of St Victor.
The second chapter is on the " Contemplation of God in
His Footprints in the Sensible World." This is the next
grade of speculation, because we shall now contemplate God
not only through His footprints, but in them also, so far as
He is in them through essence, power, or presence. The
sensible world, the macrocosmus, enters the microcosmus,
which is the anima, through the gates of the five senses.
The author sketches the processes of sense-perception,
through which outer facts are apprehended according to
their species, and delighted in if pleasing, and then adjudged
according to the ratio of their delightfulness, to wit, their
beauty, sweetness, salubrity, and proportion. Such are the
footprints in which we may contemplate our God. All
things knowable possess the quality of generating their
species in our minds, through the medium of our perceptions ;
and thus we are led to contemplate the eternal generation
of the Word — image and Son — from the Father. Like-
wise sweetness and beauty point on to their fontal source.
And from speculation on the local, the temporal, and
mutable, our reason carries us to the thought of the immut-
able, the uncircumscribed and eternal. Then from the
416 THE MEDIAEVAL MIND BOOK vn
beauty and delightfulness of things, we pass to the thought
of number and proportion, and judge of their irrefragable
laws, wherein are God's wisdom and power.
" The creatures of this sensible world signify the invisible
things of God ; in part because God is the source and exemplar
and end of every creature ; in part through their proper likeness ;
in part from their prophetic prefiguring ; in part from angelic
operations; and in part through superadded ordainment. For
every creature by nature is an effigy of the eternal wisdom ;
especially whatever creature in Scripture is taken by the spirit of
prophecy as a type of the spiritual ; but more especially those
creatures in the likeness of which God willed to appear by an
angelic minister; and most especially that creature which he
chose to mark as a sacrament."
From these first grades of speculation, which contemplate
the footprints of God in the world, we are led to contemplate
the divine image in the natural powers of our minds. We
find the image of the most blessed Trinity in our memory,
our rational intelligence, and our will ; the joint action of
which leads on to the desire of the summum bonum. Next
we contemplate the divine image in our minds remade by
the gifts of grace upon which we must enter by the door
of the faith, hope, and love of the Mediator of God and
men, Jesus Christ. As philosophy helped us to see the
image of God in the natural qualities of our mind, so
Scripture now is needed to bring us to these three theological
virtues (faith, hope, and love), which enable the mind of
fallen man to be repaired and made anew through grace.
From this fourth grade, in which God is still con-
templated in his image, we rise to consider God as pure
being, wherein there is neither privation, nor bound, nor
particularity ; and next in his goodness, the highest com-
municability (summam communicabilitatem) of which may
be contemplated, but not comprehended, in the mystery of
the most blessed Trinity. "In whom [the persons of the
Trinity] it is necessary because of the summa bonitas that
there should be the summa communicabilitas, and because
of the latter, the summa consubstantialitas, and because of
this the summa configurabilitas, and from these the summa-
coaequalitas, and through this the summa coaeternitas , and
CHAP, xxxviii BON A VENTURA 4x7
from all the preceding the summa cointinritas, by which each
is in the other, and one works with the other through every
conceivable indivisibility (indivisionem) of the substance,
virtue, and operation of the same most blessed Trinity. . . ."
" And when thou contemplatest this," adds Bonaventura,
" do not think to comprehend the incomprehensible."
From age to age the religious soul finds traces of its
God in nature and in its inmost self. Its ways of finding
change, varying with the prevailing currents of knowledge ;
yet still it ever finds these vestigia, which represent the
widest deductions of its reasoning, the ultimate resultants
of its thought, and its own brooding peace. Therefore may we
not follow sympathetically the Itinerarium of Bonaventura's
mind as it traces the footprints of its God ? Thus far the
way has advanced by reason, uplifted by grace, and yet
still reason. This reason has comprehended what it might
comprehend of the traces and evidences of God in the
visible creation and the soul of man ; it has sought to
apprehend the being of God, but has humbly recognized its
inability to penetrate the marvels of his goodness in the
mystery of the most blessed Trinity. There it stops at the
sixth grade of contemplation ; yet not baffled, or rendered
vain, for it has performed its function and brought the soul
on to where she may fling forth from reason's steeps, and
find herself again, buoyant and blissful, in a medium of
super-rational contemplation. This makes the last chapter
of the mind's Itinerarium ; it is the apex mentis, the summit of
all contemplations in which the mind has rest. Henceforth
" Christ is the way and door, the ladder and the vehicle, as the
propitiation placed on the Ark of God, and the sacrament hidden
from the world. He who looks on this propitiation, with his look
full fixed on him who hangs upon the cross, through faith, hope,
and charity, and all devotion, he makes his Passover, and through
the rod of the cross shall pass through the Red Sea, out of Egypt
entering the desert, and there taste the hidden manna, and rest
with Christ in the tomb, dead to all without; and shall realize,
though as one still on the way, the word of Christ to the believing
thief: 'To-day thou shall be with me in Paradise.' Which was also
revealed to the blessed Francis when in ecstasy of contemplation
on the high mountain, the Seraph with six wings, nailed on a
cross, appeared to him. There, as we have heard from his com-
VOL. II 2 E
4i8 THE MEDIAEVAL MIND BOOK vn
panion, he passed into God through ecstasy of contemplation, and
was set as an exemplar of perfect contemplation, whereby God
should invite all truly spiritual men to this transit and ecstasy, by
example rather than by word. In this passing over, if it be perfect,
all the ways of reason are relinquished, and the apex affectus is
transferred and transformed into God. This is the mystic secret
known by no one who does not receive it, and received by none
who does not desire it, and desired only by him whose heart's core
is aflame from the fire of the Holy Spirit, whom Christ sent on
earth. . . . Since then nature avails nothing here, and diligence
but little, we should give ourselves less to investigation and more
to unction ; little should be given to speech, and most to inner
gladness ; little to the written word, and all to God's gift the
Holy Spirit ; little or nothing is to be ascribed to the creature, and
all to the creative essence, Father, Son, and Holy Spirit."
Here Bonaventura loses himself in an untranslatable
extract from Eriugena's version of the Areopagite, and then
proceeds :
"If thou askest how may these things be, interrogate grace
and not doctrine, desire and not knowledge, the groaning of prayer
rather than study, the Spouse rather than the teacher, God and
not man, mist rather than clarity, not light but fire all aflame and
bearing on to God by devotion and glowing affection. Which fire
is God, and the man Christ kindles it in the fervour of his passion,
as only he perceives who says : ' My soul chooseth strangling and
my bones, death.' He who loves this death shall see God. Then
let us die and pass into darkness, and silence our solicitudes, our
desires, and phantasies ; let us pass over with Christ crucified
from this world to the Father ; that the Father shown us, we may
say with Philip : ' it sufficed! us.' Let us hear with Paul : ' My grace
is sufficient for thee.' Let us exult with David, saying: 'Defecit
caro mea et cor meum, Deus cordis mei et pars mea Deus in
aeternum '." *
It is best to leave the saint and doctor here, and not
follow in other treatises the current of his yearning thought
till it divides in streamlets which press on their tortuous
ways through allegory and the adumbration of what the
mind disclaims the power to express directly. Those more
elaborate treatises of his, which are called mystic, are
difficult for us to read. As with Hugo of St. Victor, from
whom he drew so largely, Bonaventura's expression of his
1 The Breviloquium and Itinerarium are conveniently edited by Hefele in
a little volume (Tubingen, 1861).
CHAP, xxxviii BONAVENTURA 419
religious yearnings may interest and move us ; but one needs
perhaps the cloister's quiet to follow on through the allegorical
elaboration of this pietism. Bonaventura's Soliloquium might
weary us after the Itinerarium, and we should read his De
septem itineribus aeternitatis with no more pleasure than
Hugo's Mystic Ark of Noah. It is enough to witness the
spiritual attitude of these men without tracking them
through the " selva oscura " to their lairs of meditation.
CHAPTER XXXIX
ALBERTUS MAGNUS
ALBERT THE GREAT was prodigious in the mass of his
accomplishment. Therein lay his importance for the age
he lived in ; therein lies his interest for us. For him,
substantial philosophy, as distinguished from the instru-
mental r61e of logic, had three parts, set by nature, rather
than devised by man ; they are physics, mathematics, and
metaphysics. "It is our intention," says Albert at the
beginning of his exposition of Aristotle's Physics, " to make
all the said parts intelligible to the Latins." And he did.
Perhaps the world has had no greater purveyor of a
knowledge not his own. He is comparable with Boethius,
who gave the Latin world the Aristotelian Organon, a gift
but half availed of for many centuries. Albert gave his
Latin world the rest of Aristotle, the philosophia realis.
His world was as ready to receive this great donation, as
the time of Boethius was unready to profit by any intel-
lectual gift demanding mental energies for its assimilation.
Boethius stood alone in his undertaking ; if his hand failed
there was none to take up his task. Fate stayed his hand ;
and the purpose that was his, to render the whole of Plato
and Aristotle intelligible to the Latin world, perished with
him, the Latin world being by no means eager for the whole
of Aristotle and Plato, and unfit to receive it had it been
proffered. But Albert's time was eager ; it was importunate
for the very enlargement of knowledge which Albert, more
than any other man, was bringing it. An age obtains what
it demands. Albert had fellow-labourers, some preceding,
some assisting, and others following him, to perfect the
420
CHAP, xxxix ALBERTUS MAGNUS 421
knowledge in which he worked, and build it into the
scholastic Christian scheme. But in this labour of purveyor-
ship he overtopped the rest, the giant of them all.
He was born Count of Bollstadt, in Suabia, probably in
the year 1193. Whether his youth was passed in the
profession of arms, or in study, is not quite clear. But
while still young he began his years of studious travel, and
at Padua in 1223 he joined the Dominican Order. He
became a miracle of learning, reputed also as one who could
explain the phenomena of nature. From 1228 to 1245 he
taught in German cities, chiefly at Cologne. Then the
scene changed to Paris, where he lectured and won fame
from 1245 to 1248. With this period begins the publica-
tion of his philosophical encyclopaedia. Perhaps it was first
completed in 1256. But Albert kept supplementing and
revising it until his death. In 1248 he was remanded to
Cologne to establish a school there. His life continued
devoted to study and teaching, yet with interruptions. For
he filled the office of Provincial of his Order for Germany
from 1254 to 1257, and was compelled to be Bishop of
Regensburg from 1260 to 1262. Then he insisted on
resigning, and retired to a cloister at Cologne. Naturally
he was engaged in a number of learned controversies, and
was burdened with numerous ecclesiastical affairs. In
1277 for the last time he set his face toward Paris, to
defend the doctrines and memory of his great pupil, who
had died three years before. His own illustrious life closed
at Cologne on the fifteenth of November, 1280. Albert
was a man of piety, conforming strictly to the rules of his
Order. It is said that he refused to own even the manu-
scripts which he indited ; and as Dominican Provincial of
Germany he walked barefoot on his journeys through the
vast territory set under his supervision. Tradition has him
exceeding small of stature.
Albert's labours finally put within reach of his con-
temporaries the sum of philosophy and science contained
in the works of Aristotle, and his ancient, as well as
Arabian, commentators. The undertaking was grandly
conceived ; it was carried out with tireless energy and
massive learning. Let us observe the principles which
422 THE MEDIAEVAL MIND BOOK vn
informed the mind of this mighty Teuton scholar. He
transcribed approvingly the opinion expressed by Aristotle
at the opening of the Metaphysics, that the love of know-
ledge is natural to man ; and he recognized the pleasure
arising from knowledge of the sensible world, apart from
considerations of utility.1 He took this thought from
Aristotle ; but the proof that he made it his own with
power lay in those fifty years of intellectual toil which
produced the greatest of all mediaeval storehouses of
knowledge.
In his reliance on his sources, Albert is mediaeval ; his
tendency is to accept the opinion which he is reproducing,
especially when it is the opinion of Aristotle. Yet he
protested against regarding even him as infallible. " He
who believes that Aristotle was God, ought to believe that
he never erred. If one regards him as a man, then surely
he may err as well as we." z Albert was no Averroist to
adhere to all the views of the Philosopher ; he pointedly
differed from him where orthodoxy demanded it, maintaining,
for instance, the creation of the world in time, contrary to
the opinion of the Peripatetics. Albert, and with him
Aquinas, had not accepted merely the task of expounding
Aristotle, but also that of correcting him where Truth (with
a large Christian capital) required it. Albert held that
Aristotle might err, and that he did not know everything.
The development of science was not closed by his death :
" Dicendum quod scientiae demonstrativae non omnes factae
sunt, sed plures restant adhuc inveniendae." 3 This is not
Roger Bacon speaking, but Albertus ; and still more might
one think to hear the voice of the recalcitrant Franciscan in
the words : " Oportet experimentum non in uno modo, sed
secundum omnes circumstantias probare." 4 Yet these words
too are Albert's, and he is speaking of the observation of
nature's phenomena ; regarding which one shall not simply
transcribe the ancient statement ; but observe with his own
eyes and mind.
1 Albertus, Metaphysicorum libri XIII., lib. i. tract. I, cap. 4.
2 Physic, lib. viii. tract, i, cap. 14.
3 Poster. Analyt. lib. i. tract. I, cap. I. This and the previous citation are
from Mandonnet's Siger de Brabant.
* Ethic, lib. vi. tract. 2, cap. 25.
CHAP, xxxix ALBERTUS MAGNUS
423
This was in the spirit of Aristotle ; Albert recognizes
and approves. But did he make the experimental principle
his own with power, as he did the thought that the desire
to know is inborn ? This is a fundamental question as to
Albert. No one denies his learning, his enormous book-
diligence. But was he also an observer of natural pheno-
mena ? One who sought to test from his own observation
the statements of the books he read ? It is best here to
avoid either a categorical affirmation or denial. The
standard by which one shapes one's answer is important.
Are we to compare Albert with a St. Bernard, whose
meditations shut his eyes to mountains, lakes, and woods ?
Or are we to apply the standards of a natural science which
looks always to the tested results of observation ? There is
sufficient evidence in Albert's writings to show that he kept
his eyes open, and took notice of interesting phenomena,
seen, for instance, on his journeys. But, on the other hand,
it is absurd to imagine that he dreamed of testing the
written matter which he paraphrased, or of materially
adding to it, by systematic observation of nature. Accounts
of his observations do not always raise our opinion of his
science. He transcribes the description of certain worms,
and says that they may come from horse-hairs, for he has
seen horse-hairs, in still water, turning into worms.1 The
trouble was that Albert had no general understanding of
the processes of nature. Consequently, in his De animalibus
for instance, he gives the fabulous as readily as the more
reasonable. Nevertheless let no one think that natural
knowledge did not really interest and delight him. His
study of plants has led the chief historian of botany to
assert that Albert was the first real botanist, after the
ancient Theophrastus, inasmuch as he studied for the sake
of learning the nature of plants, irrespective of their medical
or agricultural uses.2
The writings of Albertus Magnus represent, perhaps
more fully than those of any other man, the round of know-
ledge and intellectual interest attracting the attention of
western Europe in the thirteenth century. At first glance
1 Carus, Ges. der Zoologie, p. 231.
2 Ernst Meyer, Ges. der Botanik, Bd. iv. p. 77.
424 THE MEDIAEVAL MIND BOOK vn
they seem to separate into those which in form and substance
are paraphrases of Aristotelian treatises, or borrowed exposi-
tions of Aristotelian topics ; and those which are more
independent compositions. Yet the latter, like the Summa
de creaturis, for example, will be found to consist largely of
borrowed material ; the matter is rearranged, and presented
in some new connection, or with a purpose other than that
of its source.
In his Aristotelian paraphrases, which were thickly sown
with digressive expositions, Albert's method, as he states at
the beginning of the Physica, is " to follow the order and
opinions of Aristotle, and to give in addition whatever is
needed in the way of explanation and support ; yet without
reproducing Aristotle's text (tamen quod textus eius nulla
fiat mentio}. And we shall also compose digressiones to
expound whatever is obscure." The titles of the chapters
will indicate whether their substance is from Aristotle.
Thus inetead of giving the Aristotelian text, with an attached
commentary, Albert combines paraphrase and supplementary
exposition. Evidently the former method would have pre-
sented Aristotle's meaning more surely, and would have
thus subserved a closer scholarship. But for this the Aris-
totelian commentaries of Aquinas must be awaited.
The compass of Albert's achievement as a purveyor of
ancient knowledge may be seen from a cursory survey of his
writings ; which will likewise afford an idea of the quality
of his work, and how much there was of Albert in it.1 To
begin with, he sets forth with voluminous exposition the
entire Aristotelian Organon. The preliminary questions as
to the nature of logic were treated in the De praedicabilibus?
which expanded the substance of Porphyry's Isagoge. In
this treatise Albert expounds his conclusions as to universals,
the universal being that which is in one yet is fit (aptum) to
be in many, and is predicable of many. " Et hoc modo
prout ratio est praedicabilitatis, ad logicam pertinet de uni-
versali tractare ; quamvis secundum quod est natura quaedam
1 The works of Albertus were edited by the Dominican Jammy in twenty-one
volumes (Lyons, 1651); they are reprinted by Borgnet (Paris, 1890 et seq.). My
references to volumes follow Jammy's edition.
2 See ante, pp. 314 sqq.
CHAP, xxxix ALBERTUS MAGNUS 425
et differentia entis, tractare de ipso pertineat ad metaphysicam."
That is to say, It pertains to logic to treat of the universal
in respect to its predicability ; but in so far as the question
relates to the nature and differences of essential being, it
pertains to metaphysics. This sentence is an example of
Albert's awkward Latin ; but it shows how firmly he dis-
tinguishes between the logical and the metaphysical material.
His treatment of logic is exhaustive, rather than acutely dis-
criminating. He works constantly with the material of
others, and the result is more inclusive than organic.1 In
his ponderous treatment of logical themes, no possible con-
sideration is omitted.
The De praedicabilibus is followed by the De praedica-
mentis, Albert's treatise on the Categories. Next comes his
Liber de sex principiis, which is a paraphrasing exposition
of the work of Gilbert de la Porre"e. Then comes his
Perihermenias, which keeps the Greek title of the De inter-
pretatione. These writings are succeeded by elaborate
expositions of the more advanced logical treatises of
Aristotle, all of them, of course, Analytics (Prior and
Posterior), Topics, and Elenchi. The total production is
detailed, exhaustive, awful ; it is ingens truly, only not quite
informis ; and Teutonically painstaking and conscientious.
Thus logic makes Tome I. of the twenty-one tomes of
Albert's Opera. Tome II. contains his expository paraphrases
of Aristotle's Physics and lesser treatises upon physical topics,
celestial and terrestrial. From the opening chapter we have
already taken the programme of his large intention to make
known all Aristotle to the Latins. In this chapter likewise
he proceeds to lay out the divisions of philosophia realis into
Aristotelian conceptions of metaphysica, mathematica, and
physica. With chapter two he falls into the first of his
interminable digressions, taking up what were called "the
objections of Heracleitus " to any science of physics.
Another digressive chapter considers the proper subject of
physical science, to wit, corpus mobile, and another considers
its divisions. After a while he takes up the opinions of the
ancients upon the beginnings (principid) of things, and then
1 Prantl, Ges. der Logik, Hi. 89 sqq., calls him an " unklarer Kopf," incapable
of consistent thinking.
426 THE MEDIAEVAL MIND BOOK vit
reasons out the true opinion in the matter. Liber II. of his
Physica is devoted to Natura, considered in many ways, but
chiefly as the principium intrinsecum omnium eorum quae
naturalia sunt. It is the principle of motion in the mobile
substance. Next he passes to a discussion of causes ; and
in the succeeding books he considers movement, place, time,
and eternity. Albert's paraphrase is replete with logical
forms of thinking ; it seems like formal logic applied in
physical science. The world about us still furnishes, or is,
data for our thoughts ; and we try to conceive it consistently,
so as to satisfy our thinking ; so did Aristotle and Albertus.
But they avowedly worked out their conceptions of the
external world according to the laws determining the con-
sistency of their own mental processes ; and deemed this a
proper way of approach to natural science. Yet the work
of Aristotle represents a real consideration of the universe,
and a tremendous mass of natural knowledge. The
achievement of Albertus in rendering it available to the
scholar-world of the thirteenth century was an extension of
knowledge which seems the more prodigious as we note its
enormous range. This continues to impress us as we turn
over Albert's next treatises, paraphrasing those of Aristotle,
as their names indicate : De coelo et mundo ; De generatione
et ccrruptione ; Libri 1 V. meteorum ; De mineralibus, which
ends Tome II. and the physical treatises proper.
Tome III. introduces us to another region, opening with
Albert's exhaustive paraphrase, De anima. It is placed
here because the scientia de anima is a part of naturalis
scientia, and comes after minerals and other topics of physics,
but precedes the science of animate bodies — corporum
animatorum ; for the last cannot be known except through
knowing their animae. In this, as well as in other works of
Albert, psychological material is gathered from many sources.
One may hardly speak of the psychology of Albertus
Magnus, since his matter has no organic unity. It is largely
Aristotelian, with the thoughts of Arab commentators taken
into it, as in Albert's Aristotelian paraphrases generally.
But it is also Augustinian, and Platonic and Neo-Platonic.
Albert is capable of defending opposite views in the same
treatise ; and in spite of best intentions, he does not succeed
CHAP, xxxix ALBERTUS MAGNUS 427
in harmonizing what he draws from Aristotle, with what he
takes from Augustine. Hence his works nowhere present a
system of psychology which might be called Albert's, either
through creation or consistent selection. But at least he
has gathered, and bestowed somewhere, all the accessible
material.1
Tome III. of Albert's Opera contains also his Aristotelian
paraphrase, Metaphysicorum libri XI IL In this vera sapientia
philosophiae^ he follows Aristotle closely, save where orthodoxy
compels deviation.2 Tome IV. contains his paraphrasing
expositions, Ethica and In octo libros politicorum Aristotelis
commentarii. Tome V. contains paraphrases of Aristotle's
minor natural treatises, — parva naturalia ; to wit, the Liber
de sensu et sensato, treating problems of sense-perception ;
next the Liber de memoria et reminiscentia, in which the two
are thus distinguished : " Memoria motus continuus est in
rem, et uniformis. Reminiscibilitas autem est motus quasi
interceptus et abscissus per oblivionem." Treatises follow :
De somno et vigilia ; De motibus animalium ; De aetate, sive de
juventute et senectute ; De spiritu et respiratione ; De morte et
vita \ De nutrimento et nutribile ; De natura et origine animae ;
De unitate intellectus contra Averroem (a controversial tract) ;
De intellectu et intelligibile (an important psychological writ-
ing) ; De natura locorum ; De causis proprietatum elementorum ;
De passionibus aert's, sive de vaporum impressionibus ; and
next and last, saving some minor tracts, Albert's chief
botanical work, De vegetabilibus.
Aristotle's Botany was lost, and Albert's work was based
on the De plantis of Nicolas of Damascus, a short compend
vulgarly ascribed to Aristotle, but really made in the first
century, and passing through numerous translations from one
language to another, before Albert accepted it as the com-
position of the Stagirite. It consisted of two short books ;
Albert's work contained seven long ones, and made the
most important work on botany since the times of Aristotle
1 This is the view of A. Schneider, Die Psychologic Alberts des Grossen
(Baeumker's Beitrage, Miinster, 1903). The author presents analytically the
disparate elements — Aristotelian, Neo-Platonic, and theological-Augustinian,
which are found in Albert's writings.
1 See Endriss, Albertus Magnus als Interpret der Arittottliscke* Mttaphysik
(Munich, 1886).
428 THE MEDIAEVAL MIND BOOK vn
and his pupil Theophrastus. In opening, Albert says that
generalities applicable to all animate things have been
already presented, and now it is time to consider more
especially and in turn, vegetabilia, sensibilia, rationabilia. In
the first eight chapters of his first book, Albert follows his
supposed Aristotelian source, and then remarks that the
translation of the Philosopher's treatise is so ignorantly
made that he will himself take up in order the six problems
thus far incompetently discussed. So he considers whether
plants have souls ; whether plant-souls feel and desire ;
whether plants sleep ; as to sex in plants ; whether without
sex they can propagate their species ; and as to their hidden
life.
In the second book, having again bewailed the in-
sufficiency of his source, Albert takes up the classification
of plants, and proceeds with a description of their various
parts, then passes on to the shape of leaves, the generation
and nature of flowers, their colour, odour, and shape. Liber
III., still as an independent digressto, discusses seeds and
fruit. In Liber IV. Albert returns to his unhappy source,
and his matter declines in interest ; but again, in Liber V.,
he frees himself in a digressio on the properties and effects
of plants, gathered from many sources, some of which are
foolish enough. His sixth book is a description of trees and
other plants in alphabetical order. The last and seventh is
devoted to agriculture.1
In the De vegetabilibus, Albert, as an expounder of natural
knowledge, is at his best. A less independent and intelli-
gent production is his enormous treatise De animalibus libri
XXVI., which fills the whole of Tome IV. of Albert's Opera.
A certain Thomas of Cantimpre", an admiring pupil of Albert,
may have anticipated the above-named work of his teacher
by his own compilation, De naturis rerum, which appears to
have been composed shortly before the middle of the thirteenth
century. Its descriptions of animals, although borrowed and
uncritical, were at least intended to describe them actually,
and were not merely fashioned for the moral's sake, after the
manner of the Physiologus? and many a compilation of the
1 The above is mainly drawn from E. Meyer's Ges. der Botanik, Bd. iv. pp.
38-78. * Ante, Volume I. p. 76.
CHAP, xxxix ALBERTUS MAGNUS 429
early Middle Ages. Yet the work contains moralities enough,
and plenty of the fabulous. But Thomas diligently gathered
information as he might, and from Aristotle more than any
other. Thus, in his lesser way, he, as well as Albert, repre-
sents the tendency of the period to interest itself in the
realities, as well as in the symbolisms, of the natural world.
Albert's work is not such an inorganic compilation as
Thomas's. He has paraphrased the ten books of Aristotle's
natural histories, his four books on the parts of animals,
and his five books on their generation. To these nineteen,
he has added seven books on the nature of animal bodies
and on their grades of perfection ; and then on quadrupeds,
birds, aquatic animals, snakes, and small bloodless creatures.
Besides Aristotle, he draws on Avicenna, Galen, Ambrose (!),
and others, including Thomas of Cantimpre\ Thus, his
work is made up mainly of the ancient written material.
Moreover, Albert is kept from a natural view of his subject
through the need he feels to measure animals by the standards
of human capacity, and learn to know them through knowing
man. His digressiones usually discuss abstract problems, as,
for instance, whether beyond the four elements, any fifth
principle enters the composition of animal bodies. As for
his anatomy, he describes the muscles, and calls the veins
nerves, having no real knowledge of the latter. He corrects
few ancient errors, either anatomical or physiological ; and
his own observations, occasionally referred to in his work,
scarcely win our respect. Nor does he exclude fabulous
stories, or the current superstitions as to the medicinal or
magical effect of parts of certain animals. On the whole,
Albert's merit in the province of Zoology lies in his intro-
duction of the Aristotelian data and conceptions to the
mediaeval Latin West.1
After Tome IV. of Albert's Opera, follow many portly
tomes, the contents of which need not detain us. There are
enormous commentaries on the Psalms and Prophets, and the
Gospels (Tomes VII.-XI.); then a tome of sermons, then a tome
of commentaries on the Hierarchies of Pseudo-Dionysius ; and
three tomes of commentaries on the Lombard's Sentences^ —
commentaries, that is to say, upon works which stood close
1 See Carus, Geschichte der Zoologie, pp. 211-239.
430 THE MEDIAEVAL MIND BOOK vn
to Scripture in authority. With these we reach the end of
Albert's labours in paraphrase and commentary, and pass
to his more constructive work. Of course, the first and chief
is his Summa theologiae, contained in Tomes XVII. and
XVIII. of the Opera. With Albert, theology is a science, a
branch of systematic knowledge, the highest indeed, and yet
one among others. This science, says he in the Prologue to
his Summa,
"... is of all sciences the most entitled to credence — certissimae
credulitaiis et fidei. Other sciences, concerning creatures, possess
rationes immobile*, yet those rationes are mobiles because they are in
created things. But this science founded in rationibus aeternis is
immutable both secundum esse and secundum rationem. And since
it is not constituted of the sensible and imaginable, which are not
quite cleared of the hangings of matter, plainly it, alone or supremely,
is science : for the divine intellect is altogether intellectual, being
the light and cause of everything intelligible ; and from it to us is
the divine science."
Albert's dialectic is turgid enough, and lacks the lucidity
of his pupil. Yet his reasoning may be weighty and even
convincing. Intellect, Reason and its realm of that which
is known through Reason, is higher than sense perceptions
and imaginations springing from them : it affords the surest
knowledge ; the science that treats of pure reason, which is
in God, is the surest and noblest of sciences. Albert clearly
defines the province and nature of theology.
" It is srientia secundum pietatem ; it is not concerned with the
knowable (scibile] simply as such, nor with the knowable universally ;
but only as it inclines us to Piety. Piety, as Augustine says, is the
worship of God, perfected by faith, hope, charity, prayer, and
sacrifices. Thus theology is the science of what pertains to salva-
tion ; for piety conduces to salvation." J
The Summa theologiae treats of the encyclopaedic
matter of the sacred science, in the order and arrangement
with which we are familiar.2 It is followed (Tome XIX.)
by Albert's Summa de creaturis, a presentation of God's
creation, omitting the special topics set forth in the De
vegetabilibus and De animalibus. It treats of creation, of
1 Sum. theol. pars prima, tract. I, quaest. ii.
2 Ante, Chapter XXXV., I.
CHAP, xxxix ALBERTUS MAGNUS 431
matter, of time and eternity, of the heavens and celestial
bodies, of angels, their qualities and functions, and the
hierarchies of them ; of the state of the wicked angels, of
the works of the six days, briefly ; and then of man, soul
and body, very fully ; of man's habitation and the order and
perfection of the universe. Thus the Sumnta de creaturis
treats of the world and man as God's creation ; but it is not
directly concerned with man's salvation, which is the dis-
tinguishing purpose of a Sumnta theologiae, however encyclo-
paedic such a work may be.
Two tomes remain of Albert's opera, containing much
that is very different from anything already considered.
Tome XX. is devoted to the Virgin Mary, and is chiefly
made up of 'two prodigious tracts : De laudibus beatae Mariae
Virginis libri XII r., and the Mariale, sive quaestiones super
evangelium, Missus est angelus Gabriel. These works — it
is disputed whether Albert was their author — are a glorifica-
tion, indeed a deification, of Mary. They are prodigious ;
they are astounding. The worship of Mary is gathered up
in them, of Mary the chief and best beloved religious creation
of the Middle Ages ; only not a creation, strictly speaking,
for the Divine Virgin, equipped with attribute and quality,
sprang from the fecund matrix of the early Church. The
works before us represent a simpler piety than Albert's
Summa theologiae. They contain satisfying, consoling state-
ments, not woven of dialectic. And the end is all that the
Mary-loving soul could wish. " Christ protects the servants
of His genetrix : — and so does Mary, as may be read in her
miracles, protect us from our bodily enemies, and from the
seducers of souls." l The praises of Mary will seem mar-
vellous indeed to anyone turning over the tituli of books
and chapters. There is here a whole mythology, and a
universal symbolism. Symbolically, Mary is everything
imaginable ; she has every virtue and a mass of power
and privileges. She is the adorable and chief efficient
Goddess mediating between the Trinity and the creature
man.
Tome XXL, last tome of all, has a variety of writings,
some of which may not be Albert's. Among them is a work
1 Tome xx. p. 41*7.
432 THE MEDIAEVAL MIND BOOK vn
of sweet and simple piety, a work of turning to God as a little
child ; and one would be loath to take it away from this
man of learning. De adhaerendo Deo is its title, which tells
the story. Albert wished at last to write something pre-
senting man's ultimate perfection, so far as that might be
realized in this life. So he writes this little tract of chamber-
piety, as to how one should cling to Christ alone. Yet he
cannot disencumber himself of his lifelong methods of com-
position. He might conceive and desire ; but it was not for
him to write a tract to move the heart. The best he can
say is that the end of all our study and discipline is intendere
et quiescere in Domino Deo intra te per purissimum intellectum,
et devotissimum affectum sine phantasmatibus et implicationibus.
The great scholar would come home at last, like a little child,
if he only could.
CHAPTER XL
THOMAS AQUINAS
I. THOMAS'S CONCEPTION OF HUMAN BEATITUDE.
II. MAN'S CAPACITY TO KNOW GOD.
III. How GOD KNOWS.
IV. How THE ANGELS KNOW.
V. How MEN KNOW.
VI. KNOWLEDGE THROUGH FAITH PERFECTED IN LOVE.
I
WITH Albert it seemed most illuminating to outline the
masses of his work of Aristotelian purveyorship and in-
choate reconstruction of the Christian encyclopaedia in
conformity with the new philosophy. Such a treatment
will not avail for Thomas. His achievement, even measured
by its bulk, was as great as Albert's. But its size and
encyclopaedic inclusiveness do not represent its integral
excellences. The intellectual qualities of Thomas, evinced
in his work, are of a higher order than those included in
intelligent diligence, however exceptional. They must be
disengaged from out of the vast product of their energies,
in order that they may be brought together, and made to
appear in the organic correlation which they held in the
mind of the most potent genius of scholasticism.
We are pleased to find some clue to a man's genius in
the race and place from which he draws his origin. So for
whatever may be its explanatory value as to Thomas, one
may note that he came of Teutonic stocks, which for some
generations had been domiciled in the form-giving Italian
land. The mingled blood of princely Suabian and Norman
lines flowed in him ; the nobility of his father's house, the
VOL. II 433 2 F
434 THE MEDIAEVAL MIND BOOK vn
Counts of Aquinum, was equalled by his mother's lineage.
Probably in 1225 he was born, in Southern Italy, not far
from Monte Cassino. Thither, as a child, he was sent to
school to the monks, and stayed with them through child-
hood's formative period. His education did not create the
mind which it may have had part in directing to sacred
study. Near his tenth year, the extraordinary boy was
returned to Naples, there to study the humanities and
philosophy under selected masters. When eighteen, he
launched himself upon the intellectual currents of the age
by joining the Dominican Order. Stories have come down
of the violent, but fruitless opposition of his family. In
two years, with true instinct, Thomas had made his way
from Naples to the feet of Albert in Cologne. Thenceforth
the two were to be together, as their tasks permitted, and
the loyal relationship between master and scholar was un-
disturbed by the latter's transcendent genius. Plato had
the greatest pupil, and Aristotle the greatest master, known
to fame. That pupil's work was a redirecting of philosophy.
The work of pupil Thomas perfected finally the matter
upon which his master laboured ; and the master's aged eyes
beheld the finished structure that was partly his, when the
pupil's eyes had closed. Thomas, dying, left Albert to
defend the system that was to be called " Thomist," after
him who constructed and finished it to its very turret
points, rather than " Albertist," after him who prepared the
materials.
To return to the time when both still laboured. Thomas
in 1245 accompanied his master to Paris, and three years
later went back with him to Cologne. Thereafter their
duties often separated them. We know that in 1252
Thomas was lecturing at Paris, and that he there received
with Bonaventura the title of magister in 1257. After this
he is found south of the Alps; it was in the year 1263
that Urban IV. at Rome encouraged him to undertake
a critical commentary upon Aristotle, based on a closer
rendering into Latin of the Greek. In 1268, at the height
of his academic fame, he is once more at Paris ; which he
leaves for the last time in 1272, having been directed to
establish a studium generate at Naples. Two years later
CHAP. XL AQUINAS . 435
he died, on his way to advise the labours of the Council
assembled at Lyons.1
Thomas wrote commentaries upon the Aristotelian De
interpretatione and Posterior Analytics ; the Physics, the
De coelo et mundo, the Meteorum, the Metaphysics, Ethics,
Politics, and certain other Aristotelian treatises. His work
shows such a close understanding of Aristotle as the world
had not known since the days of the ancient Peripatetics.
Of course, he lectured on the Sentences, and the result remains
in his Commentaries on them. He lectured, and the re-
sulting Commentaries exist in many tomes, on the greater
part of both the Old and New Testaments. It would little
help our purpose to catalogue in detail his more constructive
and original works, wherein he perfected a system of
philosophy and sacred knowledge. Chief among them
were the Summa contra Gentiles and the Summa theologiae,
the latter the most influential work of all western mediaeval
scholasticism. Many of his more important shorter treatises
are included in the Quaestiones disputatae, and the Quod-
libetalia. They treat of many matters finally put together
in the Summa theologiae. De malo in communi, de peccatis,
etc. ; De anima ; De virtutibus in communi, etc. ; De veritate ;
De ideis ; De cognitione angelorum ; De bono ; De voluntate ;
De libero arbitrio ; De passionibus animae ; De gratia ; — such
are titles drawn from the Quaestiones. The Quodlibetalia
were academic disputations held in the theological faculty,
upon any imaginable thesis having theological bearing.
Some of them still appear philosophical, while many seem
bizarre to us ; for example : Whether an angel can move
from one extreme to the other without passing through the
middle. One may remember that such questions had been
put, and put again, from the time of the Church Fathers.
This question answered by Thomas whether an angel may
pass from one extreme to the other without traversing the
middle is pertinent to the conception of angels as com-
pletely immaterial beings, — a conception upon the elabora-
tion of which theologians expended much ingenious thought.
In the earlier Middle Ages, when men were busy putting
1 The Vita of Thomas by Guilielmus de Thoco, Ada sanctorum, Martius,
tome i. folio 657 sqq. (March 7), is wretchedly confused.
436 THE MEDIAEVAL MIND BOOK vn
together the ancient matter, the personalities of the writers
may not clearly appear. It is different in the twelfth
century, and very different in the thirteenth, when the
figures of at least its greater men are thrown out plainly
by their written works. Bonaventura is seen lucidly reason-
ing, but with his ardently envisioning piety ever reaching
out beyond ; the personality of Albert most Teutonically
wrestles itself into salience through the many-tomed results
of his very visible efforts ; when we come to Roger Bacon,
we shall find wormwood, and many higher qualities of mind,
flowing in his sentences. And the consummate fashioning
faculty, the devout and intellectual temperament of Thomas,
are writ large in his treatises. His work has unity ; it is
a system ; it corresponds to the scholastically creative
personality, from the efficient concord of whose faculties
it proceeded. The unity of Thomas's personality lay in his
conception of man's summum bonum, which sprang from
his Christian faith, but was constructed by reason from
foundation to pinnacle ; and it is evinced in the compulsion
of an intellectual temperament that never let the pious
reasoner's energies or appetitions stray loitering or aberrant
from that goal. Likewise the unity of his system consists
in its purpose, which is to present that same summum
bonum, credited by faith, empowered, if not empassioned,
by piety, and constructed by reason. To fulfil this purpose
in its utmost compass, reason works with the material of
all pertinent knowledge ; fashioning the same to complete
logical consistency of expression.
Therefore, it is from his conception of this summum
bonum as from a centre of illumination, that we may trace
the characteristic qualities alike of Thomas and his work.
His faith, his piety, and his intellectual nature are revealed
in his thought of supreme felicity. Man's chief good being
the ground of the system, the thought and study which
Thomas puts upon the created universe and upon God, re-
garded both as Creator and in the relationships of Father,
Son, and Holy Spirit, conduce to make large and sure and
ample this same chief good of man. To it likewise conduce
the Incarnation, and the Sacraments springing therefrom ;
in accord with it, Thomas accepts or constructs his meta-
CHAP. XL AQUINAS 437
physics, his psychology, his entire thought of human capacity
and destiny, and sets forth how nearly man's reason may
bring him to this goal, and where there is need of divine
grace. In this goal, moreover, shall be found the sanction
of human knowledge, and the justification of the right
enjoyment of human faculties ; it determines what elements
of mortal life may be gathered up and carried on, to form
part of the soul's eternal beatitude.
Thomas's intellectual powers work together in order
to set his thought of man's summum bonunt on its surest
foundations, and make clear its scope : his faculty of
arrangement, and serious and lucid presentation ; his careful
reasoning, which never trips, never overlooks, and never
either hurries or is taken unprepared ; his marvellous
unforgetfulness of everything which might remotely bear
on the subject ; his intellectual poise, and his just weighing
of every matter that should be taken into the scales of
his determination. Observing these, we may realize how
he seemed to his time a new intellectual manifestation of
God's illuminating grace. There was in him something
unknown before ; his argument, his exposition, was new
in power, in interest, in lucidity. On the quality of newness
the wretched old biographer rings his reiteration :
" For in his lectures he put out new topics (articulos\ inventing
a new and clear way of drawing conclusions and bringing neiv
reasons into them, so that no one, who had heard him teach new
doubts and allay them by new arguments, would have doubted
that God had illumined with rays of new light one who became
straightway of such sure judgment, that he did not hesitate to
teach and write new opinions, which God had deigned newly to
inspire." 1
His biographer's view is justified. Thomas was the
greatest of the schoolmen. His way of teaching, his
translucent exposition, came to his hearers as a new
inspiration. Only Bonaventura (likewise Italian-born) may
be compared with him for clearness of exposition — of
solution indeed; and Thomas is more judicial, more
supremely intellectual ; his way of treatment was a stronger
1 Vita, cap. iii. § 15.
438 THE MEDIAEVAL MIND BOOK va
incitement and satisfaction to at least the minds of his
auditors. Albert, with his mass of but half -conquered
material, could not fail to show, whether he would or not,
the doubt-breeding difficulties of the new philosophy, which
was yet to be worked into Christian theology. Thomas
exposed every difficulty and revealed its depths ; but then
he solved and adjusted everything with an argumentation
from whose careful inclusiveness no questions strayed un-
shepherded. Placed with Thomas, Albert shows as the
Titan whose strength assembles the materials, while Thomas
is the god who erects the edifice. The material that
Thomas works with, and many of his thoughts and argu-
ments, are to be found in Albert ; and the pupil knew
his indebtedness to the great master, who survived him
to defend his doctrines. But what is not in Albert, is
Thomas, Thomas himself, with his disentangled reasoning,
his clarity, his organic exposition, his final construction
of the mediaeval Christian scheme.1
In the third book of his Summa philosophica contra
Gentiles, and in the beginning of Pars prima secundae
of his Summa theologiae, Thomas expounds man's final
end, ultimus finis, which is his supreme good or perfect
beatitude. The exposition in the former work, dating from
the earlier years of the author's academic activities, seems
the simpler at first reading ; but the other includes more
surely Thomas's last reasoning, placed in the setting of
argument and relationship which he gave it in his greatest
work. We shall follow the latter, borrowing, however,
from the former when its phrases seem to present the
matter more aptly to our non-scholastic minds. The
general position of the topic is the same in both Summae ;
and Thomas gives the reason in the Prologus to Pars prima
secundae of the Summa theologiae. His way of doing this
is significant :
"Man is declared to be made in the image of God in this
1 One may see the truth of this by comparing the treatment of a matter in
Albert's Summa theologiae with the corresponding sections in Thomas. For
example, compare Albert's Summa theol. prima, Tract, vii. Quaest. xxx.-xxxiii.,
on generatio, processio, missio of the divine persons, with Thomas, Sum. theol.
prima, Quaest. xxvii. and xliii.
CHAP. XL AQUINAS 439
sense (as Damascenus1 says) that by 'image' is meant intellectual,
free to choose, and self-potent to act. Therefore, after what has been
said of the Exemplar God, and of those things which proceed
from the divine power according to its will, there remains for
us to consider His image, to wit, man, in so far as he is himself
the source (principium} of his acts, possessing free will and power
over them."
Thereupon Thomas continues, opening his first Quaestio: *
"First one must consider the final end (ultimus finis} of human
life, and then those things through which man may attain this end,
or deviate from it. For one must accept from an end the rationale
of those things which are ordained to that end."
Assuming the final end of human life to be beatitude,
Thomas considers wherein man as a rational creature
may properly have one final end, on account of which he
wills all that he wills. Quaestio ii. shows that man's
beatitude cannot consist in riches, honours, fame, power,
pleasures of the body, or in any created good, not even
in the soul. Man gains his beatitude through the soul ;
but in itself the soul is not man's final end. The next
Quaestio is devoted to the gist of the matter: what
beatitude is, and what is needed for it. Thomas first
shows in what sense beatitude is something increate
(increatum). He has already pointed out that end (finis)
has a twofold meaning : the thing itself which we desire
to obtain, and the fruition of it.
" In the first sense, the final end of man is an increate good,
to wit God, who alone with His infinite goodness can perfectly
fulfil the wish (voluntas) of man. In the second sense the final
end of man is something created existing in himself; which is
nought else than attainment or fruition (adeptio vel fruitio) of
the final end. The final end is called beatitude. If then man's
beatitude is viewed as cause or object, it is something increate ;
but if it is considered in its beatific essence (quantum ad ipsam
essentiam beatitudinis) it is something created."
Thomas next shows :
"... that inasmuch as man's beatitude is something created
existing in himself, it is necessary to regard it as action (operatio).
1 John of Damascus, an important Greek theologian of the eighth century,
often cited by Thomas.
a Quaestiones are the larger divisions of the argument.
440 THE MEDIAEVAL MIND BOOK vn
For beatitude is man's ultimate perfection. But everything is
perfect in so far as it is actually (eutu, i.e. in realized actuality) : for
potentiality without actuality is imperfect. Therefore beatitude
should consist in man's ultimate actuality. But manifestly action
(operatid) is the final actuality of the actor (pperantis) ; as the
Philosopher shows, demonstrating that everything exists for its
action (propter suam operationem). Hence it follows of necessity
that man's beatitude is action."
The next point to consider is whether beatitude is the
action of man's senses or his intellect. Drawing distinctions,
Thomas points out that
" the action of sense cannot pertain to beatitude essentially ; because
man's beatitude essentially consists in uniting himself to the increate
good ; to which he cannot be joined through the action of the
senses. Yet sense-action may pertain to beatitude as an antecedent
or consequence : as an antecedent, for the imperfect beatitude
attainable in this life, where the action of the senses is a prerequisite
to the action of the mind ; as a consequence, in that perfect
beatitude which is looked for in heaven ; because, after the
resurrection, as Augustine says, from the very beatitude of the
soul, there may be a certain flowing back into the body and its
senses, perfecting them in their actions. But not even then will the
action by which the human mind is joined to God depend on sense."
Beatitude then is the action of man's intellectual part ;
and Thomas next inquires, whether it is an action of the
intelligence or will (intellectus aut voluntatis}. With this
inquiry we touch the pivot of Thomas's attitude, wherein he
departs from Augustine, in apparent reliance on the word of
John : " This is eternal life that they should know thee, the
one true God." Life eternal is man's final end ; and there-
fore man's beatitude consists in knowledge of God, which is
an act of mind. Thomas argues this at some length. He
refers to the distinction between what is essential to the
existence of beatitude, and what is joined to it per accidens,
like enjoyment (delectatid}.
" I say then, that beatitude in its essence cannot consist in an
act of will. For it has appeared that beatitude is the obtaining
(consecutio) of the final end. But obtaining does not consist in any
act of will ; for will attaches to the absent when one desires it, as
well as to the present in which one rests delighted. It is evident
that the desire for an end is not an obtaining of it, but a movement
CHAP. XL AQUINAS
441
toward it. Enjoyment attaches to will from the presence of the
end ; but not conversely does anything become present because the
will shall delight in it Therefore there must be something besides
an act of will, through which the end may become present to the
will. This is plain respecting the ends of sense (fines sensibiles).
For if to obtain money were an act of will, the miser would have
obtained it from the beginning. And so it comes to pass with
respect to an end conceived by the mind ; we obtain it when it
becomes present to us through an act of the intellect ; and then the
delighted will rests in the end obtained. Thus, therefore, the
essence of beatitude consists in an act of mind. But the delight
which follows beatitude pertains to will, even in the sense in which
Augustine says : ' beatitude est gaudium de veritate,' because indeed
joy is the consummation of beatitude."
The supremely intellectual attitude of the Angelic
Doctor, shows at once, and as it were universally, in his
conviction of the primacy of the true over the good, and of
knowledge over will. Sometimes he argues these points
directly ; and again, his temperamental attitude appears in
the course of argument upon other points. For example,
Quaestio xvi. of Pars prima has for its subject Veritas.
And in the first article, which discusses whether truth is in
the thing (in re) or only in the mind, he argues thus :
" As good signifies that upon which desire (appetitus) is bent, so
true signifies that at which understanding aims. There is this
difference between desire and understanding or any kind of cogni-
tion : cognition exists in so far as what is known (cognituni) is in
the knower ; but desire is as the desirous inclines toward the desired.
Thus the end (terminus = finis) of desire, which is the good, is in
the desirable thing ; but the end of knowing, which is the true, is in
mind itself."
In Articulus 4, Thomas comes to his point : that the true
secundum rationem (i.e. according to its formal nature) is
prior to the good.
" Although both the good and the true have been taken as
convertible with being, yet they differ in their conception (ratione) ;
and that the true is prior to the good appears from two considerations :
First, the true is more closely related to being, which is prior to the
good ; for the true regards being itself, simply and directly ; while
the ratio of the good follows being as in some way perfect, and
therefore desirable. Secondly, cognition naturally precedes desire.
442 THE MEDIAEVAL MIND BOOK VH
Therefore, since the true regards cognition, and the good regards
desire, the true is prior to the good secundum rationem."
This argument, whatever validity it may have, is signifi-
cant of its author's predominantly intellectual temperament,
and consistent with his conception of man's supreme beatitude
as the intellectual vision of God. Obviously, moreover, the
setting of the true above the good is another way of stating
the primacy of knowledge over will, which is also maintained :
" Will and understanding (intellectus} mutually include each
other : for the understanding knows the will ; and the will
wills that the understanding should know." * Evidently all
rational beings have will as well as understanding ; God
wills, the Angels will, man wills. Indeed, how could know-
ledge progress but for the will to know ? Yet of the two,
considered in themselves, understanding is higher than will —
"for its object is the ratio, the very essential nature, of the
desired good, while the object of will is the desired good whose
ratio is in the understanding. . . . Yet will may be the higher,
if it is set upon something higher than the understanding. . . .
When the thing in which is the good is nobler than the soul
itself, in which is the rational cognizance (ratio intellecta), the
will, through relation to that thing, is higher than the under-
standing. But when the thing in which is the good, is lower than
the soul, then in relation to that thing, the understanding is higher
than the will. Wherefore the love of God is better than the
cognizance (cognitio) ; but the cognizance of corporeal things is
better than the love. Yet taken absolutely, the understanding is
higher than the will." 2
These positions of the Angelic Doctor were sharply
opposed in his lifetime and afterwards. Without entering
the lists, let us rather follow him on his evidently Aristotelian
path, which quickly brings him to his next conclusion : " That
beatitude consists in the action of the speculative rather than
the practical intellect, as is evident from three arguments :
" First, if man's beatitude is action, it ought to be the man's best
(optima} action. But man's best action is that of his best faculty in
respect to the best object. The best faculty is intelligence, whose
best object is the divine good, which is not an object of the practical,
1 Pars prima, Qu. xvi. Art. 3.
2 Pars prima, Qu. Ixxxii. Art. 3.
CHAP. XL AQUINAS 443
but of the speculative intelligence. Wherefore, in such action, to
wit, in contemplation of things divine, beatitude chiefly consists.
And because every one seems to be that ivhich is best in him, as is said
in the Ethics, so such action is most proper to man and most
enjoyable.
"Secondly, the same conclusion appears from this, that con-
templation above all is sought on account of itself. The perfection
(actus, full realization) of the practical intelligence is not sought on
account of itself, but for the sake of action : the actions themselves
are directed toward some end. Hence it is evident that the final
end cannot consist in the vita activa, which belongs to the practical
intelligence.
" Thirdly, it is plain from this, that in the vita contemplativa man
has part with those above him, to wit, God and the Angels, unto
whom he is made like through beatitude; but in those matters
which belong to the vita activa, other animals, however imperfectly,
have somehow part with him.
"And so the final and perfect beatitude which is looked for in
the life to come, in principle consists altogether in contemplation.
But the imperfect beatitude which may be had here, consists first
and in principle in contemplation, and secondly in the true opera-
tion of the practical intellect directing human actions and passions,
as is said in the tenth book of the Ethics"
It being thus shown that perfect beatitude lies in the
action of the speculative intelligence, Thomas next shows
that it cannot consist in consideration of the speculative
sciences —
"for the consideration of a science does not reach beyond the
potency (virtus) of the principles of that science, seeing that the
whole science is contained potentially (virtualiter) in its principles.
But the principles of speculative sciences are received through the
senses, as the Philosopher makes clear. Therefore the entire con-
sideration of the speculative sciences cannot be extended beyond
that to which a cognition of sense-objects (sensibilium) is able to
lead. Man's final beatitude, which is his perfection, cannot consist
in the cognition of sense-objects. For no thing is perfected by
something inferior, except as there may be in the inferior some
participation in a superior. Evidently the nature (forma) of a stone,
or any other sensible thing, is inferior to man, save in so far as
something higher than the human intelligence has part in it, like the
light of reason. . . . But since there is in sensible forms some
participation in the similitude of spiritual substances, the considera-
tion of the speculative sciences is, in a certain way, participation in
true and perfect beatitude."
444 THE MEDIAEVAL MIND BOOK vn
Neither can perfect beatitude consist in knowledge of the
higher, entirely immaterial, or, as Thomas calls them, separate
(separatae) substances, to wit, the Angels. Because it cannot
consist in that which is the perfection of intelligence only
from participation. The object of the intelligence is the
true. Whatever has truth only through participation in
something else cannot make the contemplating intelligence
perfect with a final perfection. But the angels have their
being (esse) as they have their truth, from the participation
of the divine in them. Whence it remains that only the
contemplation of God, Who alone is truth through His
essential being, can make perfectly blessed. " But," adds
Thomas, " nothing precludes the expectation of some
imperfect beatitude from contemplating the angels, and
even a higher beatitude than lies in the consideration of the
speculative sciences."
So the conclusion is that " the final and perfect beatitude
can be only in the vision of the divine essence. The proof
of this lies in the consideration of two matters : first, that
man is not perfectly blessed (beatus] so long as there remains
anything for him to desire or seek ; secondly, that the per-
fection of every capacity (potentiae), is adjudged according to
the nature (ratio} of its object." And a patent line of
argument leads to the unavoidable conclusion : " For perfect
beatitude it is necessary that the intellect should attain to
the very essence of the first cause. And thus it will have
its perfection through union with God as its object."
There are few novel thoughts in Thomas's conception of
man's supreme beatitude. But he has taken cognizance of
all pertinent considerations, and put the whole matter together
with stable coherency. He continues,discussing in the succeed-
ing Quaestiones a number of important matters incidental to
his central determination of the nature of man's supreme
good. Thus he shows how joy (delectatid) is a necessary
accompaniment of beatitude, which, however, in principle
consists in the action of the mind, which is vt'sio, rather than
in the resulting delectatio. The latter consists in a quieting
or satisfying of the will, through the goodness of that in
which it is satisfied. When the will is satisfied in any action,
that results from the goodness of the action ; and the good lies
CHAP. xi. AQUINAS 445
in the action itself rather than in the quieting of the will.1
Here Thomas's reasoning points to an active ideal, an ideal
of energizing, rather than repose. But he concludes that
for beatitude " there must be a concurrence of vt'sio, which
is the perfect cognizance of the intelligible end ; the getting
it, which implies its presence ; and the joy or fruition, which
implies the quieting of that which loves in that which is
loved." - Thomas also shows how rectitude of will is needed,
and discusses whether a body is essential ; his conclusion
being that a body is not required for the perfect beatitude of
the life to come ; yet he gives the counter considerations,
showing the conduciveness of the perfected body to the
soul's beatitude even then. Next he follows Aristotle in
pointing out how material goods may be necessary for the
attainment of the imperfect beatitude possible on earth,
while they are quite impertinent to the perfect beatitude of
seeing God ; and likewise he shows how the society of
friends is needed here, but not essential hereafter, and yet
a concomitant to our supreme felicity.
The course of argument of the Liber iii. of the Contra
Gentiles is not dissimilar. A number of preliminary chapters
show how all things tend to an end ; that the end of all is
God ; and that to know God is the end of every intellectual
being. Next, that human felicitas does not consist in all
those matters, in which the Summa theologiae also shows
that beatitude does not lie ; but that it consists in contempla-
tion of God. He puts his argument simply :
" It remains that the ultimate felicity of man lies in contempla-
tion of truth. For this is the sole action (pperatio) of man which is
proper to man alone. This alone is directed to nothing else, as an
end ; since the contemplation of truth is sought for its own sake.
Through this action, likewise, man is joined to higher substances
(beings) through likeness of action, and through knowing them in
some way. For this action, moreover, man is most sufficient by
himself, needing but little external aid. To this also all other
human acts seem to be directed as to an end. For to the perfection
of contemplation, soundness of body is needed, to which all the
arts of living are directed. Also quiet from the disturbance of
passions is required, to which one comes through the moral virtues,
1 Prima sec. Qu. iv. Art. 2. * Prima tec. Qu. iv. Art. 3.
446 THE MEDIAEVAL MIND BOOK vn
and prudence ; and quiet also from tumults, to which end all rules
of civil life are ordained ; and so, if rightly conceived, all human
business seems to serve the contemplation of truth. Nor is it
possible for the final felicity of man to consist in the contemplation
which is confined to an intelligence of beginnings (j>rincipiorum\
which is most imperfect and general (universalis), containing a
knowledge of things potentially : it is the beginning, not the end of
human study. Nor can that felicity lie in the contemplation of the
sciences, which pertain to the lowest things, since felicity ought to
lie in the action of the intelligence in relationship to the noblest
intelligible verities. It remains that man's final felicity consists in
the contemplation of wisdom pursuant to a consideration of things
divine. From which it also is evident by the way of induction,
what was before proved by arguments, that the final felicity of man
consists only in contemplation of God." *
Having reached this central conclusion of the Contra
Gentiles, as well as of the Summa theologiae, Thomas proceeds
to trim it further, so as clearly to differentiate that know-
ledge of God in which lies the ultimate felicity of intelligent
beings from other ways of knowing God, which do not
fully represent this supreme and final bliss. He first
excludes the sort of common and confused knowledge of
God, which almost all men draw from observing the natural
order of things ; then he shuts out the knowledge of God
derived from logical demonstration, through which, indeed,
one rather approaches a proper knowledge of Him ; 2 next,
he will not admit that supreme felicity lies in the cognition
of God through faith ; since that is still imperfect. This
felicity consists in seeing 3 the divine essence, an impossibility
in this life, when we see as in a glass. The supreme felicity
is attainable only after death. Hereupon Thomas continues
with the very crucial discussion of the capacity of the
rational creature to know God. But instead of following
him further in the Contra Gentiles, we will rather turn to
his final presentation of this question in his Summa
theologiae.
1 Sum. Phil, contra Gentiles, iii. 37.
2 One cannot avoid applying the masculine pronouns to God, and to the
angels also. But, of course, this is a mere convenience of speech. Thomas
ascribes no sex either to God or the angels.
3 It will, of course, be borne in mind, that Thomas's use of videre and vista
to express man's perception of God's essential nature, does not mean a physical
but an intellectual seeing.
CHAP. XL AQUINAS 447
II
The great Summa, having opened with an introductory
consideration of the character of sacra doctrina} at once
fixes its attention upon the existence and attributes of God.
These having been reviewed, Thomas begins Quaestio xii.
by saying, that " as we have now considered what God is
in His own nature (secundum se ipsum} it remains to
consider what He is in our cognition, that is, how He is
known by creatures." The first question is whether any
created intelligence whatsoever may be able to see God
per essentiam. Having stated the counter arguments, and
relying on John's "we shall see Him as He is," Thomas
proceeds with his solution thus :
"Since everything may be knowable so far as it exists in
actuality,2 God, who is pure actuality, without any mingling of
potentiality, is in Himself, most knowable. But what is most
knowable in itself, is not knowable to every intelligence because
of the exceeding greatness of that which is to be known (profiler
excessum intelligibilis supra intellectum) ; as the sun, which is most
visible, may not be seen by a bat, because of the excess of light
Mindful of this, some have asserted that no created intelligence
could behold the essential nature (essentiam) of God.
"But this is a solecism. For since man's final beatitude
consists in his highest action, which is the action of the intelligence,
if the created intelligence is never to be able to see the essential
nature of God, either it will never obtain beatitude, or its beatitude
will consist in something besides God : which is repugnant to the
faith. For the ultimate perfection of a rational creature lies in
that which is the source or principle (principium) of its being.
Likewise the argument is against reason. For there is in man a
natural desire to know the cause, when he observes the effect ; and
from this, wonder rises in men. If then the intelligence of the
rational creature is incapable of attaining to the first cause of
things, an inane desire must be ascribed to nature.
" Wherefore it is simply to be conceded that the blessed may
see the essential nature of God."
So this general conclusion, or assumption, is based on
faith, and also leaps, as from the head of Jove, the creature
1 Given ante, pp. 290 sqq.
2 Secundum quod est in actu, i.e. in realized actuality as distinguished from
potentiality (Aristotelian conceptions).
448 THE MEDIAEVAL MIND BOOK vn
of unconquerable human need, which never will admit the
inaneness of its yearnings. And now, assuming the
possibility of seeing God in his true nature, Thomas proves
that He cannot be seen thus through the similitude of any
created thing : in order to behold God's essence some
divine likeness must be imparted from the seeing power
(ex parte visivae potentiae\ to wit, the light of divine glory
(which is consummated grace) strengthening the intelligence
that it may see God. And he next shows that it is
impossible to see God by the sense of sight, or any other
sense or power of man's sensible nature. For God is
incorporeal. Therefore He cannot be seen through the
imagination, but only through the intelligence. Nor can
any created intelligence through its natural faculties see
the divine essence. " Cognition takes place in so far as
the known is in the knower. But the known is in the
knower according to the mode and capacity {modus} of
the knower. Whence any knower's knowledge is according
to the measure of his nature. If then the being of the
thing to be known exceeds the measure of the knowing
nature, knowledge of it will be beyond the nature of that
knower." In order to see God in His essential nature,
the created intellect needs light created by God : In
lumine tuo videbimus lumen. And it may be given to
one created intellect to see more perfectly than another.
Do those who see God per essentiam, comprehend
Him ? No.
" To comprehend God is impossible for any created intelligence.
To have any true thought of God is a great beatitude. . . . Since
the created light of glory received by any created intelligence,
cannot be infinite, it is impossible that any created intelligence
should know God infinitely, and comprehend Him."
Again he reasons ; They who shall see God in His
essence will see what they see through the divine essence
united to their intelligence ; they will see whatever they
see at once, and not successively ; for the contents of this
intellectual, God-granted vision are not apprehended by
means of the respective species or general images, but in
and through the one divine essence. But in this life, man
may not see God in His essential nature :
CHAP. XL AQUINAS 449
" The mode of cognition conforms to the nature of the knower.
But our soul, so long as we live in this life, has its existence (esse)
in corporeal matter. Wherefore, by nature, it knows only things
that have material form, or may through such be known. Evidently
the divine essence cannot be, known through the natures of
material things. Any cognition of God through any created like-
ness whatsoever, is not a vision of His essence. . . . Our natural
cognition draws its origin from sense ; it may extend itself so far
as it can be conducted (tnanuduci) by things of sense (scnsi&ilia).
But from them our intelligence may not attain to seeing the
divine essence. . . . Yet since sensible creatures are effects,
dependant on a cause, we know from them that God exists, and
that as first cause He exceeds all that He has caused. From which
we may learn the difference between Himself and His creatures,
to wit, that He is not any of those things which He has caused. . . .
"Through grace a more perfect knowledge of God is had
than through natural reason. For cognition through natural reason
needs both images (phantasmata) received from things of sense,
and the natural light of intelligence, through whose virtue we
abstract intelligible conceptions from them. In both respects
human cognition is aided through the revelation of grace. For
the natural light of the intellect is strengthened through the in-
fusion of light graciously given (luminis gratuiti) ; while the images
in the man's imagination are divinely formed so that they are ex-
pressive of things divine, rather than of what naturally is received
through the senses, as appears from the visions of the prophets." !
Natural reason stops with the unity of God, and can
give no knowledge of the Trinity of divine Persons. Says
Thomas : 2
" It has been shown that through natural reason man can know
God only from His creatures. Creatures lead to knowledge of God
as effects lead to some knowledge of a cause. Only that may be
known of God by natural reason which necessarily belongs to Him
as the source of all existences. The creative virtue of God is
common to the whole Trinity ; it pertains to the unity of essence,
not to the distinction of persons. Through natural reason, there-
fore, those things concerning God may be known which pertain to
the unity of essence, but not those which pertain to the distinction
of persons. . . . Who strives to prove the Trinity of Persons by
natural reason, doubly disparages faith : first as regards the dignity
of faith itself, which concerns invisible things surpassing human
reason ; secondly as derogating from its efficiency in drawing men
1 The foregoing is taken from the thirteen articuli into which Quaestio xii.
is divided. 2 Pars frima, Quaestio xxxii. Art. I.
VOL. II 2 G
450 THE MEDIAEVAL MIND BOOK vn
to it. For when any one in order to prove the faith adduces
reasons which are not cogent, he falls under the derision of the
faithless ; for they think that we use such arguments, and that we
believe because of them. One shall not attempt to prove things
of faith save by authorities, and in discussion with those who
receive the authorities. With others it is enough to argue that
what the faith announces is not impossible."
Here Thomas seems rationally to recognize the limits
upon reason in discovering the divine nature. In the regions
of faith, reason's feet lack the material footing upon which
to mount. So Thomas would assert. But will he stand to
his assertion ? The shadowy line between reason and faith
wavers with him. At least so it seems to us, for whom
ontological reasoning has lost reality, and who find proofs
of God not so much easier than proofs of the Trinity. But
Thomas and the other scholastics dwelt in the region of the
metaphysically ideal. To them it was not only real, but
the most real ; and it was so natural to step across the line
of faith, trailing clouds of reason. The feet of such as
Thomas are as firmly planted on the one side of the line
as on the other. And now, as it might also seem, Thomas,
having thus formally reserved the realm of faith, quickly
steps across the line, to undertake a tremendous meta-
physical exposition of the Trinity, of the distinctions between
its Persons, of their properties, respective functions, and
relationships ; and all this is carried on largely in the
categories of Aristotelian philosophy. Yet is he not still
consistent with himself? For he surely did not conceive
the elements of his discussion to lie in the lucubrations or
discoveries of the natural reason ; but in the data of revela-
tion, and their explanation by saintly doctors. And was
not he also a vessel of their inspiration, a son of faith, who
might humbly hope for the light of grace, to transfigure and
glorify his natural powers in the service of revealed truth ?
Thomas's ideal is intellectual, and yet ends in faith.
His intellectual interests, by faith emboldened, strengthened,
and pointed heavenward, make on toward the realisation of
that intellectual beatitude which is to be consummate here-
after, when the saved soul's grace -illumined eye shall
re-awaken where it may see face to face.
AQUINAS 45,
III
Knowledge, then, supplemented in this life by faith, is
the primary element of blessedness. We now turn our
attention to the forms of knowledge and modes of knowing
appropriate to the three rational substances : God, angel,
man. The first is the absolute incorporeal being, the primal
mover, in whom there is no potentiality, but actuality
simple and perfect. The second is the created immaterial
or " separated " substance, which is all that it is through
participation in the uncreate being of its Creator. The
third is the composite creature man, made of both soul and
body, his capacities conditioned upon the necessities of his
dual nature, his sense-perception and imagination being as
necessary to his knowledge, as his rational understanding ;
for whom alone it is true that sense-apprehension may lead
to the intelligible verities of God : " etiam sensibilia intellecta
manuducunt ad intelligibilia divinorum." 1
The earlier Quaestiones of Pars prima, on the nature
of God, lead on to a consideration of God's knowledge
and ways of knowing. Those Quaestiones expounded the
qualities of God quite as far as comported with Thomas's
realization of the limitation of the human capacity to know
God in this life. Quaestio iii. upon the Simplicitas of God,
shows that God is not body (corpus] \ that in Him there is
no compositeness of form and material ; that throughout
His nature, He is one and the same, and therefore that He is
His Deitas, His vita, and whatever else may be predicated
of Him. Next it is shown (Qu. iv.) that God is perfect ;
that in Him are the perfectiones of all things, since whatever
there may be of perfection in an effect, should be found in
the effective cause ; and as God is self-existent being, He
must contain the whole perfection of being in Himself (totam
perfectionem essendi in se). Next, that God is the good
(bonum) and the summum bonum ; He is infinite ; He is in
all things (Qu. viii. Art i) not as a part of their essence,
but as accidens, and as the doer is in his deeds ; and not
only in their beginning, but so long as they exist ; He acts
1 Quaestiones disputatae: De Veritate, x. 6. Citing Rom. i. 20.
452 THE MEDIAEVAL MIND BOOK vn
upon everything immediately, and nothing is distant from
Him ; God is everywhere : as the soul is altogether in every
part of the body, so God entire is in all things and in each.
God is in all things created by Him as the working cause ;
but He is in the rational creature, through grace ; as the
object of action is in the actor, as the known is in the
knower, and the desired in the wishful. God is immutable
(Qu. ix.) ; for as final actuality (actus purus\ with no
admixture of potentiality, He cannot change ; nor can He
be moved ; since His infinitude comprehends the plenitude
of all perfection, there is nothing that He can acquire, and
no whither for Him to extend. God is eternal (Qu. x.) ; for
him there is no beginning, nor any succession of time ; but
an interminable now, an all at once (iota siniul), which is the
essence of eternity, as distinguished from the successiveness
of even infinite time. And God is One (Qu. xi.). " One
does not add anything to being, save negation of division.
For One signifies nothing else than undivided being (ens
indivisum). And from this it follows that One is convert-
ible with being." That God is One, is proved by His
simplicitas ; by the infiniteness of His perfection ; and by
the oneness of the world.
"After a consideration," now says Thomas, "of those matters
which pertain to the divine substance, we may consider those which
pertain to its action (operatio). And because certain kinds of
action remain in the doer, while others pass out into external effect,
we first treat of knowledge and will (for knowing is in the knower
and willing in him who wills) ; and then of God's power, which is
regarded as the source of the divine action passing out into external
effect. Then, since knowing is a kind of living, after considering
the divine knowledge, the divine life will be considered. And
because knowledge is of the true, there will be need to consider
truth and falsity. Again since every cognition is in the knower,
the rations (types, essential natures) of things as they are in God
the Knower (Deo cognoscente) are called ideas (ideat) ; and a
consideration of these will be joined to the consideration of know-
ledge." x
Thus clearly laying out his topic, Thomas begins his
discussion of God's knowledge (scientia Dei] ; of the modes
in which God knows and the knowledge which He has. In
1 Prooemium to Qu. xiv. Pars prima.
CHAP. XL AQUINAS 453
God is the most perfect knowledge. God knows Himself
through Himself; in Him knowledge and Knower (intellectual
and intellectus] are the same.1 He perfectly comprehends
Himself; for He knows Himself so far as He is knowable ;
and He is absolutely knowable being utter reality (actus
purus}. Likewise He knows things other than Himself.
For He knows Himself perfectly, which implies a know-
ledge of those things to which His power (virtus] extends.
Moreover, He knows all things in their special natures
and distinctions from each other : for the perfection, or
perfected actuality, of everything is contained in Him ;
and therefore God in Himself is able to know all things
perfectly, and the special nature of everything exists
through some manner of participation in the divine per-
fection. God knows all things in one, to wit, Himself; and
not successively, or by means of discursive reasoning. "God's
knowledge is the cause of things. It stands to all created
beings as the knowledge of the artificer to the things he
makes. God causes things through His knowledge, since
His being is His knowing (cum suum esse sit suutn intelli-
gere)" His knowledge causes things when it has the will
joined with it, and, in so far as it is the cause of things,
is called scientia approbations. God knows things which are
not actually (actu\ Whatever has been or will be, He knows
by the knowledge of sight (scientia visionis, which by implica-
tion is equivalent to scientia approbations'}. For God's know-
ing, which is His being, is measured by eternity ; and eternity
includes all time, as present, and without succession ; so the
present vision (intuitus] of God embraces all time and all
things existing at any time, as if present. As for whatever
is in the power of God or creature, but which never has been
or will be, God knows it not as in vision, but simply knows
it.
God also knows evil.
"Whoever knows anything perfectly should know whatever
might happen to it. There are some good things to which it may
happen to be corrupted through evils : wherefore God would not
1 Qu. xiv. Art. 2— a point which Thomas reasons out in interesting scholastic
Aristotelian fashion, hut in language too technical to translate.
454 THE MEDIAEVAL MIND BOOK vn
know the good perfectly, unless He also knew the evil. Everything
is knowable so far as it is ; but the being (esse) of evil is the priva-
tion of good : hence inasmuch as God knows good, He knows evil,
as darkness is known through light."
Thomas now takes up a point curious perhaps to us,
but of importance to him and Aristotle : does God know
individuals (singularia}, the particular as opposed to the
universal ? This point might seem disposed of in the
argument by which Thomas maintained that God knew
things in their special and distinct natures. But he now
proves that God knows singularia by an argument which
bears on his contention that man does not know singularia
through the intelligence, but perceives them through sense ;
and as we shall see, that the angels have no direct know-
ledge of individuals, being immaterial substances.
"God knows individuals (cognoscit singularia}. For all perfections
found in creatures pre-exist in higher mode in God. To know
(cognoscere) individuals pertains to our perfection. Whence it
follows that God must know them. The Philosopher (Aristotle)
holds it to be illogical that anything should be known to us, and not
to God. . . . But the perfections which are divided in inferior
beings, exist simply and as one in God. Hence, although through
one faculty we know universals and what is immaterial, and through
another, individuals and what is material ; yet God simply, through
His intelligence, knows both. . . . One must hold that since God is
the cause of things through His knowledge, the knowledge of God
extends itself as far as His causality extends. Wherefore, since
God's active virtue extends itself not only to forms, from which is
received the ratio of the universal, but also to matter, it is necessary
that God's knowledge should extend itself to individuals, which are
such through matter."
And replying to a counter-argument Thomas continues :
"Our intelligence abstracts the intelligible species from the
individuating principles. Therefore the intelligible species of our
intelligence cannot be the likeness of the individual principles ;
and, for this reason, our intelligence does not know individuals.
But the intelligible species of the divine intelligence, which is
the essence of God, is not immaterial through abstraction, but
through itself ; and exists as the principle of all principles entering
the composition of the thing, whether principles of species or of
CHAP, xi, AQUINAS 455
the individual. Therefore through His essence God knows both
universals and individuals." 1
With these arguments still echoing, Thomas shows that
God can know infinite things ; also future contingencies ;
also whatever may be stated (enuntiabilid). His knowledge,
which is His substance, does not change. It is speculative
knowledge, in so far as relating to His own unchangeable
nature, and to whatever He can do, but does not ; it is
practical knowledge so far as it relates to anything which He
does.
Thomas concludes his direct discussion of God's know-
ledge, by an application of the Platonic theory of ideas, in
which he mainly follows Augustine.
" It is necessary to place ideas in the divine mind. Idea is the
Greek for the Latin forma. Thus through ideas are understood the
forms of things existing beyond the things themselves. By which
we mean the prototype (exemplar) of that of which it is called the
form; or the principle of its cognition, in so far as the forms of
things knowable are said to be in the knower."
There must be many ideas or (as Augustine phrases it)
stable rationes of things. There is a ratio in the divine
mind corresponding to whatever God does or knows.
" Ideas were set by Plato as the principles both of the cognition
and the generation of things, and in both senses they are to be
placed in the divine mind. So far as idea is the principle of the
making of a thing, it may be called the prototype (exemplar), and
pertains to practical knowledge (practicam cognitionem) ; but as the
principle of cognition (prindpium cognoscitivum), it is properly called
ratio, and may also pertain to speculative knowledge. In the
signification of exemplar, it relates to everything created at any time
by God : but when it means principium cognoscitivum, it relates to
all things which are known by God, although never coming into
existence."2
Such are the divine modes of knowledge. Thomas
proceeds to discuss other aspects of the divine nature, the
life and power, will and love, which may be ascribed to God.
He then passes on to a discussion of the Persons of the
Trinity. This completed, he turns to the world of created
substances ; into which we will follow him so far as to observe
1 Pars prima, Qu. xiv. Art. II. J Pars ft irna, Qu. xv. Art. 1-3.
456 THE MEDIAEVAL MIND BOOK vn
the forms of knowledge and ways of knowing proper to
angels and mankind. We shall hereafter have to speak of
the divine and angelic love, and of man's love of God ; but
here, as our field is intellectual, we will simply recall to mind
that Thomas applies a like intellectual conception of beatitude
to both God and His rational creatures :
" Beatitude, as has been said, signifies the perfect good of the
intellectual nature; as everything desires its perfection, the intel-
lectual [substance] desires to be beata. That which is most perfect
in every intellectual nature, is the intellectual operation wherein, in
a measure, it grasps all things. Wherefore the beatitude of any
created intellectual nature consists in knowing (in intelligendo)" *
IV
Thomas regards the creation as a processio, a going out
of all creatures from God. Every being (ens} that in any
manner (quocumque modo] is, is from God.
" God is the prima causa exemplaris of all things. . . . For the
production of anything, there is needed a prototype (exemplar), in
order that the effect may follow a determined form. . . . The
determination of forms must be sought in the divine wisdom.
Hence one ought to say that in the divine wisdom are the
rationes of all things : these we have called ideas, to wit, prototypal
forms existing in the divine mind. Although such may be multiplied
in respect to things, yet really they are not other than the divine
essence, according as its similitude can be participated in by divers
things in divers ways. Thus God Himself is the first exemplar of
all. There may also be said to be in created things certain
exemplaria of other things, when they are made in the likeness of
such others, or according to the same species or after the analogy
of some resemblance." 2
God not only is the efficient and exemplary cause, but
also the final cause of all things (Divina bonitas est finis
omnium rerum). " The emanation (emanatio) of all being
from the universal cause, which is God, we call creation." *
God alone may be said to create. The function pertains
not to any Person, but to the whole Trinity in common.
And there is found some image of the Trinity in rational
1 Pars prima, Qu. xxvi. Art. 2. 2 Pars pritna, Qu. xliv. Art. 3.
s Pars prima, Qu. xlv. Art. I.
CHAP. XL AQUINAS 457
creatures in whom is intelligence and will ; and in all
.creatures may be found some vestiges of the creator.
Thomas, after a while, takes up the distinction between
spiritual and corporeal creatures, and considers first the
purely spiritual, called Angels. We enter with him upon
the contemplation of these conceptions, which scholasticism
did not indeed create, but elaborated with marvellous logic,
.and refined to a consistent intellectual beauty. None had
larger share in perfecting the logical conception of the
angelic nature, as immaterial and essentially intellectual,
than our Angelic Doctor. A volume might well be devoted
to tracing the growth of these beings of the mind, from
their not unmilitant career in the Old Testament and the
Jewish Apocrypha, their brief but classically beautiful
mention in the Gospels, and their storm-red action in the
Apocalypse ; then through their treatment by the Fathers,
to their hierarchic ordering by the great Pseudo-Areopagite ;
and so on and on, through the earlier Scholastics, the
Lombard's Sentences, and Hugo of St. Victor's appreciative
presentation ; up to the gathering of all the angelic matter
by Albertus Magnus, its further encyclopaedizing by Vincent
of Beauvais, and finally its perfect intellectual disembodiment
by Thomas ; — while all the time the people's mythopoeic
love went on endowing these guardian spirits with heart and
soul, and fashioning responsive stories of their doings.
For men loved and feared them, and looked to them as
God's peculiar messengers. Thus they flash past us in the
Divina Commedia ; and their forms become lovely in Christian
;art.
As we enter upon the contemplation of the angelic
nature, let us not as of course regard angels simply as
imaginative conceptions of Scripture and of the patristic
and mediaeval mind. Thomas will show his reasons for
their necessary existence, which may not convince us. Yet
we may believe in angels, inasmuch as any real conception
of the world's governance by God requires the fulfilling of
His thoughts through media that bring them down to move
.and live and realize themselves with each of us. Who, in
striving to express, can do more than symbolize, the ways of
God ? What symbols truer than angels have been devised ?
458 THE MEDIAEVAL MIND BOOK VH
"It is necessary," opens Thomas,1 "to affirm (ponere) that
there are incorporeal creatures. For in created things God
chiefly intends the good, which consists in assimilation to Him.
Perfect assimilation of the effect to the cause is seen when the
effect resembles the cause in that through which the cause produces
the effect. God produces the creature through intelligence and
will. Consequently the perfection of the universe requires that
there should be intellectual creatures. To know cannot be the
act (actus) of the body or of any corporeal faculty (virtus) ;
because all body is limited to here and now. Therefore it is
necessary, in order that the universe may be perfect, that there
should be incorporeal creatures." 2
Thomas then argues that the intellectual substance is
entirely immaterial. " Angelic substances are above our
understanding. So our understanding cannot attain to
apprehending them as they are in themselves ; but only
in its own fashion as it apprehends composite things."
These immaterial substances exist in exceeding great
number, and each is a species, because there cannot be
several immaterial beings of one species, any more than
there could be separate whitenesses or many humanities.
Angels in their nature are imperishable. For nothing is
corrupted save as its form is - separated from its matter.
But these immaterial substances are not composed of
matter and form, being themselves subsisting forms and
indestructible. Brass may have and lose a circular shape ;
but the circular shape cannot be separated from the circle,
which it is.
Thomas next shows (Pars prima, Qu. li.) that angels
have no bodies by nature joined to them. Body is not of
the ratio of intellectual substances. These (when perfect and
not like the human soul) have no need to acquire knowledge
through sensation. But though angels are intellectual
substances, separate (separatae) from bodies, they sometimes
assume bodies. In these they can perform those actions
1 Summa theol. pars prima, Qu. 1. As heretofore, I follow the exposition of
the Summa theologiae. But Thomas began a large and almost historical treatment
of angels in his unfinished Tract, de substantiis separafis, feu de Angelorunt
natura (unfinished, in Opuscula theol.). He has another and important
tractatus, De cognitione Angelorunt, Quaestiones disput. de veritate, viii.
2 Pars prima, Qu. 1. Art. I. Thomas goes on to contradict Aristotle, in
holding quod nullum ens esset nisi cwpus.
CHAP. XL AQUINAS 459
of life which have something in common with other kinds
of acts ; as speech, a living act, has something in common
with inanimate sounds. Thus far only can physical acts
be performed by angels, and not when such acts essentially
belong to living bodies. Angels may appear as living men,
but are not ; neither are they sentient through the organs
of their assumed bodies ; they do not eat and digest food ;
they move only per accidens, incidentally to the inanimate
motion of their assumed bodies ; they do not beget, nor
do they really speak ; " but it is something like speech,
when these bodies make sounds in the air like human
voices."
Dropping the sole remark, that scholasticism has no
sense of humour, we pass on to Thomas's careful considera-
tion of the angelic relations to space or locality (Qu. Hi.
and liii.). " Equivocally only may it be said that an
angel is in a place (in loco} : through application of the
angelic virtue to some corporeal spot, the angel may be
said in some sense to be there." But, as angels are finite,
when one is said, in this sense, to be in a place, he is not
elsewhere too (like God). Yet the place where the angel is
need not be an indivisible point, but may be larger or
smaller, as the angel wills to apply his virtue to a larger
or smaller body. Two angels may not be in the same place
at the same time, " because it is impossible that there
should be two complete immediate causes of one and the
same thing." Angels are said, likewise equivocally, to
move, in a sense analogous to that in which they are said
to be in a place. Such equivocal motion may be continuous
or not. If not continuous, evidently the angel may pass
from one place to another without traversing the intervening
spaces. The angelic movement must take place in time ;
there must be a before and after to it, and yet not
necessarily with any period intervening.
Now as to angelic knowledge : De cognitione Angelorum.
Knowing is no easy thing for man ; and we shall see that
it is not a simple matter to know, without the senses to
provide the data and help build up knowledge in the
mind. The function of sense, or its absence, conditions
much besides the mere acquisition of the elements from
460 THE MEDIAEVAL MIND BOOK vn
which men form their thoughts. Thomas's exposition of
angelic knowledge and modes of knowing is a logical and
consistent presentation of a supersensual psychology and
theory of knowledge.
Entering upon his subject, Thomas shows (Qu. liv.)
that knowing (intelligere) is not the substantia or the esse of
an angel. Knowing is actio, which is the actuality of
faculty, as being (esse} is the actuality of substance. God
alone is actus purus (absolute realized actuality), free from
potentiality. His substantia is His being and His action
(suum esse and suum agere). " But neither in an angel,
nor in any creature, is virtus or the potentia operativa the
same as the creature's essentia" or its esse or substantia.
The difficult scholastic-Aristotelian categories of intellectus
agens and possibilis do not apply to angelic cognition (for
which the reader and the angels may be thankful). The
angels, being immaterial intelligences, have no share in
those faculties of the human soul, like sight or hearing,
which are exercised through bodily organs. They possess
only intelligence and will. " It accords with the order of
the universe that the supreme intellectual creature should
be intelligent altogether, and not intelligent in part, like
our souls."
Quaestio lv., concerning the medium cognitionis angelicas,
is a scholastic discussion scarcely to be rendered in modern
language. The angelic intelligence is capable of knowing
all things ; and therefore an angel does not know through
the medium of his essentia or substantia, which are limited.
God alone knows all things through His essentia. The
angelic intellect is made perfect for knowing by means of
certain forms or ideas (species). These are not received
from things, but are part of the angelic nature (connaturales}.
The angelic intelligence (potentia intellectivd) is completed
through general concepts, of the same nature with itself
(species intelligibiles connaturales]. These come to angels
from God at the same time with their being. Such concepts
or ideas cover everything that they can know by nature
(naturaliter). And Thomas proves that the higher angels
know through fewer and more universal concepts than the
lower.
CHAP. XL
AQUINAS 46i
"In God an entire plenitude of intellectual cognition is held
in one, to wit, in the divine essence through which God knows
all things. Intelligent creatures possess such cognition in inferior
mode and less simply. What God knows through one, inferior
intelligences know through many ; and this many becomes more as
the inferiority increases. Hence the higher angel may know the
sum total of the intelligible (universitatem intelligibilium) through
fewer ideas or concepts (species) ; which, however, are more
universal since each concept extends to more [things]. We find
illustration of this among our fellows. Some are incapable of
grasping intelligible truth, unless it be set forth through particular
examples. This comes from the weakness of their intelligence.
But others, of stronger mind, can seize many things from a few
statements " (Qu. Iv. Art. 3).
Through this argument, and throughout the rest of his
exposition of the knowledge of God, angel, and man, we
perceive that, with Thomas, knowledge is superior and
more delightful, as it is abstract in character, and universal
in applicability. By knowing the abstract and the uni-
versal we become like to God and the angels ; knowledge
of and through the particular is but a necessity of our half-
material nature.
Thomas turns now to consider the knowledge had by
angels of immaterial beings, i.e. themselves and God (Qu.
Ivi.) : " An angel, being immaterial, is a subsisting form,
and therefore intelligible actually (actu, i.e. not potentially).
Wherefore, through its form, which is its substance, it knows
itself." Then as to knowledge of each other : God from the
beginning impressed upon the angelic mind the likenesses of
things which He created. For in Him, from the beginning,
were the rationes of all things, both spiritual and corporeal.
Through the impression of these rationes upon the angelic
mind, an angel knows other angels as well as corporeal
creatures. Their natures also yield them some knowledge
of God. The angelic nature is a mirror holding the divine
similitude. Yet without the illumination of grace the angelic
nature knows not God in His essence, because no created
likeness may represent that.
As for material things (Qu. Ivii.), angels have know-
ledge of them through the intelligible species or concepts
impressed by God on the angelic mind. But do they know
462 THE MEDIAEVAL MIND BOOK vn
particulars — singulariat To deny it, says Thomas, would
detract from the faith which accords to angels the ministra-
tion of affairs. This matter may be thought thus :
" Things flow forth from God both as they subsist in their own
natures and as they are in the angelic cognition. Evidently what
flowed from God in things pertained not only to their universal
nature, but to their principles of individuation. . . . And as He
causes, so He also knows. . . . Likewise the angel, through the
concepts (species) planted in him by God, knows things not only
according to their universal nature, but also according to their
singularity, in so far as they are manifold representations of the one
and simple essence."
One observes that the whole scholastic discussion of universals
lies back of arguments like these.
The main principles of angelic knowledge have now
been set forth ; and Thomas pauses to point out to what
.extent the angels know the future, the secret thoughts of our
hearts, and the mysteries of grace. He has still to consider
the mode and measure of the angelic knowledge from other
points of view. Whatever the angels may know through
their implanted natures, they know perfectly (actu} ; but it
may be otherwise as to what is divinely revealed to them.
What they know, they know without the need of argument
And the discussion closes with remarks on Augustine's
phrase and conception of the matutina and vespertina know-
ledge of angels : the former being the knowledge of things
as they are in the Word ; the latter being the knowledge of
things as they are in their own natures.1
That the abstract and the universal is the noble and
delectable, we learn from this exposition of angelic knowledge.
We may learn the same from Thomas's presentation of the
modes and contents of human understanding. The Summa
theologiae follows the Scriptural order of presentation ; 2
1 All that has been given concerning the knowledge of angels relates to
what they know through their own natures as created. Further enlightenment
(as with men) comes through grace as soon as they become beati through turning
to good. Pars pritna, Qu. Ixii. Art. I sqq.
4 Ante, Chapter XXXV., i.
CHAP. XL AQUINAS 463
which is doubtless the reason why Thomas, instead of passing
from immaterial creatures to the partly immaterial creature
man, considers first the creation of physical things — the
Scriptural work of the six days. After this he takes up
the last act of the Creation — man. In the Summa he
considers man so far as his composite nature comes within
the scope of theology. Accordingly the principal topic is
the human soul (anima) ; and the body is regarded only in
relation to the soul, its qualities and its fate. Thomas will
follow Dionysius (Pseudo-Areopagite) in considering first
the nature (essentid) of the soul, then its faculties (virtus
sive potentiae), and thirdly, its mode of action (operatic).
Under the first head he argues (Pars prima, Qu. Ixxv.)
that the soul, which is the primum principium of life, is
not body, but the body's consummation (actus) and forma.
Further, inasmuch as the soul is the principium of mental
action, it must be an incorporeal principle existing by itself.
It cannot properly be said to be the man ; for man is not
soul alone, but a composite of soul and body. But the soul,
being immaterial and intellectual, is not a composite of form
and matter. It is not subject to corruption. Concerning its
union with the body (Qu. Ixxvi.), " it is necessary to say
that the mind (intellectus), which is the principle of intellectual
action, is the form (forma) of the human body." One and
the same intellectual principle does not pertain to all human
bodies : there is no common human soul, but as many souls
as there are men.1 Yet no man has a plurality of souls.
"If indeed the anima intellectiva were not united to the
body as form, but only as motor (as the Platonists affirm),
it would be necessary to find in man another substantial
form, through which the body should be set in its being.
But if, as we have shown, the soul is united to the body as
substantial form, there cannot be another substantial form
beside it" (Qu. Ixxvi. Art. 4). The human soul is fitly
joined to its body ; for it holds the lowest grade among
intellectual substances, having no knowledge of truth im-
planted in it, as the angels have ; it has to gather know-
ledge per viam sensus. " But nature never omits what is
necessary. Hence the anima intellectiva must have not only
1 A burning controversy between the Averroists and the orthodox schoolmen.
464 THE MEDIAEVAL MIND BOOK vi>
the faculty of knowing, but the faculty of feeling (sentiendf).
Sense-action can take place only through a corporeal instru-
ment Therefore the aninta intellectiva ought to be united
to such a body, which should be to it a convenient organ
of sense" (Art. 5). Moreover, "since the soul is united ta
the body as form, it is altogether in any and every part of
the body" (Art. 8).
It is a cardinal point (Qu. Ixxvii.) with Thomas that
the soul's essentia is not \\spotentia: the soul is not its faculties.
That is true only of God. In Him there is no diversity.
There is some diversity of faculty in an angel ; and more
in man, a creature on the confines of the corporeal and
spiritual creation, in whom concur the powers of both.
There is order and priority among the powers of the soul :
the potentiae intellectivae are higher than the potentiae
sensitivae, and control them ; while the latter are above the
potentiae nutritivae. Yet the order of their generation is-
the reverse. The highest of the sensitive faculties is sight.
The anima is the subject in which are the powers of know-
ing and willing (potentiae intellectivae} ; but the subject in
which are the powers of sensation is the combination of the
soul and body. All the powers of the soul, whether the
subject be soul alone or soul and body, flow from the essence
of the soul, as from a source (principium).
Thomas follows (Qu. Ixxviii.) Aristotle in dividing the
powers of the soul into vegetative, sensitive, appetitive, motor,
and intellectual. In taking up the last, he points out (Qu<
Ixxix.) that intelligence (intellectus) is a power of the soul,
and not the soul itself. He then follows the Philosopher in
showing how intelligence (intelligere) is to be regarded as a
passive power, and he presents the difficult Aristotelian device
of the intellectus agens, and argues that memory and reason
are not to be regarded as powers distinct from the intelli-
gence (intellectus}.
How does the soul, while united to the body (the anima
conjuncta}, ( I ) know corporeal things which are beneath it ?
(2) how does it know itself and what is in itself? and (3)
how does it know immaterial substances which are above
it ? The exposition of these problems is introduced by (Qu,
Ixxxiv.) a historical discussion of the primi philosopki who
CHAP. XL
AQUINAS 465
thought there was nothing but body in the world. Then
came Plato, seeking " to save some certain cognition of
truth " by means of his theory of Ideas. But Plato seems
to have erred in thinking that the form of the known must
be in the knower as it is -in the known. This is not
necessary. In sense-perception the form of the thing is
not in sense as it is in the thing. " And likewise the intelli-
gence receives the species (Ideas) of material and mobile
bodies immaterially and immutably, after its own mode ;
for the received is in the recipient after the mode of the
recipient. Hence it is to be held that the soul through the
intelligence knows bodies by immaterial, universal, and
necessary cognition."
Thomas sets this matter forth in a manner very illuminat-
ing as to his general position regarding knowledge :
" It follows that material things which are known must exist in
the knower, not materially, but immaterially. And the reason of
this is that the act of cognition extends itself to those things which
are outside of the knower. For we know things outside of us.
But through matter, the form of the thing is limited to what is
single (aliquid unutri}. Hence it is plain that the ratio (proper
nature) of cognition is the opposite of the ratio of materiality. And
therefore things, like plants, which receive forms only materially, are
in no way cognoscitivae, as is said in the second book of De anima.
The more immaterially anything possesses the form of the thing
known, the more perfectly it knows. Wherefore the intelligence,
which abstracts the species (Idea) not only from matter, but also
from individualizing material conditions, knows more perfectly than
sense, which receives the form of the thing known without matter
indeed, but with material conditions. Among the senses them-
selves, sight is the most cognoscitivus, because least material. And
among intelligences, that is the more perfect which is the more
immaterial " (Qu. Ixxxiv. Art. 2).
Then Thomas again differs from Plato, and holds with
Aristotle, that the intelligence through which the soul knows
has not its ideas written upon it by nature, but from the first
is capable of receiving them all (sed est in principio in
potentia ad hujusmodi species omnes). Hereupon, and with
further arguments, Thomas shows "that the species intelli-
gibiles, by which our soul knows, do not arise from separate
forms " or ideas.
VOL. II 2 H
466 THE MEDIAEVAL MIND BOOK vn
To the converse question, whether intelligent cognition
comes from things of sense, Thomas answers, following
Aristotle : " One cannot say that sense perception is the
whole cause of intellectual cognition, but rather in a certain
way is the matter of the cause (materia causae)" On the
other hand,
" it is impossible that the mind, in the state of the present life, wherein
it is joined to the passive body (passibitt corpori), should know
anything actually (actu) except by turning itself to images (pkanta-
smata). And this appears from two arguments. In the first place,
since the mind itself is a power (vis) using no bodily organ, its
action would not be interrupted by an injury to any bodily organ, if
for its action there was not needed the action of some faculty using
a bodily organ. Sense and imagination use a bodily organ. Hence
as to what the mind knows actually (actu\ there is needed the action
of the imagination and other faculties, both in receiving new know-
ledge and in using knowledge already acquired. For we see that
when the action of the imaginative faculty is interrupted by injury
to an organ, as with the delirious, the man is prevented from
actually knowing those things of which he has knowledge. Secondly
(as any one may observe in himself), whenever he attempts to know
(intelligere) anything, he forms images by way of example, in which
he may contemplate what he is trying to know. And whenever we
wish to make any one else understand, we suggest examples, from
which he may make for himself images to know by.
" The reason of this is that the knowing faculty is suited to the
knowable {potentia cognoscitiva proportionatur cognosribilt). The
appropriate object of the intelligence of an angel, who is separate
from all body, is intelligible immaterial substance (substantia intclli-
gibilis a corpore separata) ; through this kind of intelligible he
cognizes also material things. But the appropriate object of the
human mind, which is joined to a body, is the essence or nature
(ffuidditas sive naturd) existing in material body ; and through the
natures of visible things of this sort it ascends to some cognition of
invisible things. It belongs to the idea (ratio] of this nature that it
should exist in some individual having corporeal matter, as it is of
the concept (ratio) of the nature of stone or horse that it should
be in this stone or this horse. Hence the nature of a stone or any
material thing cannot be known completely and truly, unless it is
known as existing in some particular [instance]. We apprehend the
particular through sense and imagination ; and so it is necessary,
in order that the mind should know its appropriate object, that it
should turn itself to images, in order to behold the universal nature
existing in the particular. If, indeed, the appropriate object of our
intelligence were the separate form, or if the form of sensible things
CHAP. XL AQUINAS 467
did not subsist in the particular [instances], as the Platonists say, our
mind in knowing would have no need always to turn itself to
images ' (Qu. Ixxxiv. Art. 7).
It is next queried whether the judgment of the mind is
impeded through binding (per liganientuni) the senses. In
view of the preceding argument the answer is, that since " all
that we know in our present state, becomes known to us
through comparison with sensible things, it is impossible that
there should be in us perfect mental judgment when the
senses are tied, through which we take cognizance of sensible
things " (Qu. Ixxxiv. Art 8).
This entire argument shows in what firm Aristotelian
manner, scholasticism, in the person of Thomas, set itself
upon a basis of sense perception ; through which it still
pressed to a knowledge of the supersensible and abstract.
In this argument we also see, as always with Thomas, that
knowledge is perfect and blessed, the more immaterial and
abstract are its modes. All of which will continue to impress
us as we follow Thomas, briefly, through his exposition of
the modus and ordo of knowing (intelligendf) (Qu. Ixxxv.).
The first question is whether our mind knows corporeal
things by abstracting the species from the images — the type
from the particular. There are three grades of the cognizing
faculty (yirtutis cognoscitivae). The lowest is sensation,
which is the act of a bodily organ. Its appropriate object is
form as existing in matter. And since matter is the principle of
individuation (i.e. the particularizing principle from which
results the particular or individual), sense perception is confined
to the particular. The highest grade of the cognitient faculty
is that which is independent of bodily organs and separate
from matter, as the angelic intelligence ; and its object is
form subsisting without matter. For though angels know
material things, they view them only in the immaterial, to
wit, themselves or God. Between the two is the human
mind, which
"is the forma of the body. So it naturally knows form existing
individually in corporeal matter, and yet not as form is in such
matter. But to know form, which is in concrete matter, and yet
know it not as it is in such matter, is to abstract it from this
particular matter which the images represent. It follows that our
468 THE MEDIAEVAL MIND BOOK vn
intelligence knows material things by abstracting them from images ;
and through reflecting on these material abstractions we reach some
cognition of the immaterial, just as conversely the angels know the
material through the immaterial" (Qu. Ixxxv. Art i).
It is next proved that the soul, through the intelligible
species or forms abstracted from particulars, knows things
which are outside the soul. In a way, intellection arises
from sense perception ; therefore the sense perception of the
particular precedes the intellectual knowledge of universals.
But, on the other hand, the intelligence, in coming to perfect
cognition, proceeds from the undistinguished to the dis-
tinguished, from the more to the less general, and so knows
animal before it knows homo, and homo before it knows
Socrates. The next conclusion reads very neatly in scholastic
Latin, but is difficult to paraphrase : it is that the intelligence
may know many things at once (simul} per modum untus,
but not per modum multorum ; that is to say, the mind may
grasp at once whatever it may grasp under one species, but
cannot know a number of things at once which fall under
different species.
Next as to what our mind knows in material things (Qu.
Ixxxvi.). It does not know the particular or singular
(singularid) in them directly ; for the principle of singularity
in material things is the particular matter. But our mind knows
by abstracting from such the species, that is, the universal.
This it knows directly. But it knows singularia indirectly,
inasmuch as, when it has abstracted the intelligible species, it
must still, in order to know completely (actu)t turn itself to
the images in which it knows the species.
How does the anima intellectiva know itself,and those things
which are in it (Qu. Ixxxvii.) ? Everything is knowable in
so far as it is actually (in actu] and not merely potentially.
So the human intelligence knows itself not through its essence,
which is still but potential, but in so far as it has actually
realized itself ; knows itself, that is, through its actuality.
The permanent qualities (habitus} of the soul exist in a con-
dition between potentiality and actuality. The mind knows
them when they are actually present or operative.
Does the human intelligence know its own act — know
that it knows ? In God, knowing and being are one.
CHAP. XL
AQUINAS 469
Although this is not true of the angelic intelligence, never-
theless with an angel the prime object of knowledge is his
own essence. With one and the same act an angel knows
that it knows, and knows its essence. But the primal object
of the human intelligence is neither its knowledge (knowing,
intelligere) nor its essence, but something extrinsic, to wit, the
nature of the material thing. Hence that is the first object
known by the human intelligence ; and next is known its
own actus, by which that first object is known. Likewise the
human intelligence knows the acts of will. An act of will is
nothing but a certain inclination toward some form of the
mind (formam intellectam} as natural appetite is an inclina-
tion toward a natural form. The act of will is in the knowing
mind and so is known by it.
So far as to how the soul knows material things, which
are below it, and its own nature and qualities. It is another
question whether the soul knows those things which are above
it, to wit, the immaterial substances. Can the soul in the
state of the present life know the angels in themselves ?
With lengthy argument, differing from Plato and adhering
to Aristotle, Thomas proves the negative : that in the
present life we cannot know substantias separatas tnt-
materiales secundum seipsas. Nor can we come to a know-
ledge of the angelic substances through knowing material
things.
"For immaterial substances are altogether of another nature
(ratio] from the whatnesses (guidditates) of material things ; and
however much our intelligence abstracts from matter the essence
(guidditas) of the material thing, it will never arrive at anything like
an immaterial substance. And so, through material substances,
we cannot know immaterial substances perfectly " (Qu. Ixxxviii.
Art. 2).
Much less can we thus know God.
The discussion hitherto has been confined to the intel-
lectual capacities of souls united to their bodies. As to the
knowledge which the " separated " soul may have, other
considerations arise akin to those touching the knowledge
possessed by the separated substances called angels. Is the
separated soul able to know? Thomas has shown that so
long as the soul is joined to the body it cannot know any-
470 THE MEDIAEVAL MIND BOOK vn
thing except by turning itself to images. If this were a
mere accident of the soul, incidental to its existence in the
body, then with that impediment removed, it would return to
its own nature and know simply. But if, as we suppose, this
turning to images is of the nature of the soul, the difficulty
grows. Yet the soul has one mode of existence when united
to the body, and another when separated, but with its nature
remaining. Souls united to bodies may know through resort
to images of bodies, which are in the bodily organs ; but
when separated, they may know by turning to that which is
intelligible simply, as other separate substances do. Yet
still this raises doubt ; for why did not God appoint a nobler
way for the soul to know than that which is natural to it
when joined to the body ? The perfection of the universe
required that there should be diverse grades among intel-
lectual substances. The soul is the lowest of them. Its
feeble intelligence was not fit to receive perfect knowledge
through universal conceptions, save when assisted by concrete
examples. Without these, souls would have had but a con-
fused knowledge. Hence, for their more perfect knowledge
of things, they are naturally united to bodies, and so receive
a knowledge from things of sense proper to their condition ;
just as rude men can be led to know only through examples.
So it was for a higher end that the soul was united to the
body, and knows through resort to images ; yet, when
separated, it will be capable of another way of knowing.1
Separated from the body, the soul can know itself through
itself. It can know other separated souls perfectly, but the
angels, who are higher natures, only imperfectly, at least
through the knowledge which the separated soul has from
its nature ; but that may be increased through grace and
glory. The separated soul will know natural objects through
the species (ideas) received from the inflowing divine light ;
yet less perfectly than the angels. Likewise, less universally
than angels, will separated souls, by like means of species
received from the divine light, know particular things, and
only such as they previously knew, or may know through
some affection or aptitude or the divine decree. For the
habit and aptitude of knowledge, and the knowledge already
1 This is the substance of Qu. Ixxxix. Art. I .
CHAP. XL AQUINAS 471
acquired, will remain in the separated soul, so far as relates
to the knowledge which is in the intellect, and no longer in
the lower perceptive faculties. Neither will distance from
the object affect the soul's knowledge, since it will know
through the influx of forms (species} from the divine light.
" Yet through the cognition belonging to their nature, separated
souls do not know what is doing here below. For such souls know
the particular and concrete (singularia} only as from the traces
(vestigia) of previous cognition or affection, or by divine appoint-
ment. And the souls of the dead by divine decree, and in accordance
with their mode of existence, are separated from the intercourse of
the living and joined to the society of spiritual substances. There-
fore they are ignorant of those things which are done among us."
Nevertheless, it would seem, according to the opinions of
Augustine and Gregory, " that the souls of the saints who see
God know all that is done here. Yet, perfectly joined to the
divine righteousness, they are not grieved, nor do they take
part in the affairs of the living, save as the divine disposition
requires."
" Still the souls of the dead are able to care for the affairs of the
living, although ignorant of their condition ; just as we have care
for the dead, though ignorant of their state, by invoking the suffrages
of the Church. And the souls of the dead may be informed of the
affairs of the living from souls lately departed hence, or through
angels or demons, or by the revealing spirit of God. But if the
dead appear to the living, it is by God's special dispensation, and to
be reckoned as a divine miracle " (Qu. Ixxxix. Art 8).
VI
We have thus traced Thomas's view of the faculty of
knowledge, the primary constituent of beatitude in God, and
in angels and men. There are other elements which not
only supplement the faculty of knowledge, but even flow as
of necessity from a full and true conception of that faculty
and its perfect energizing. These needful, yet supplementary,
factors are the faculties of will and love and natural appetite ;
though the last does not exist in God or angel or in
" separated soul." The composite creature man shares it
with brutes : it is of enormous importance, since it may
472 THE MEDIAEVAL MIND BOOK vn
affect his spiritual progress in this life, and so determine
his state after death. Let us observe these qualities in
God, in the immaterial substances called angels, and in
man.
In God there is volition as well as intelligence ; for
voluntas intellectum consequitur ; and as God's being (esse)
is His knowing (intelligere\ so likewise His being is His will
(yelle)} Essentially alike in God and man and angel are
the constituents of spiritual beatitude and existence —
knowing, willing, loving. From Creator down to man,
knowledge differs in mode and in degree, yet is essentially
the same. The like is true of will. As to love, because
passion is of the body, love and every mode of turning
from or to an object is passionless in God and the angels.
Yet man through love, as well as through willing and through
knowing, may prove his kinship with angels and with God.
God is love, says John's Epistle. " It is necessary to
place love in God," says Thomas. " For the first movement
of will and any appetitive faculty (appetitivae virtutis) is
love (amor}" It is objected that love is a passion ; and
the passionless God cannot love. Answers Thomas, " Love
and joy and delight are passions in so far as they signify
acts (or actualities, actus) of the appetitus sensitivi ; but
they are not passions when they signify the actus of the
appetitus intellectivi ; and thus are they placed in God "
(Pars prima, Qu. xx. Art. i).
God loves all existences. Now all existences, in so far
as they are, are good. For being itself (esse) is in a sense
the good of any thing, and likewise its perfection. It has
been shown that God's will is the cause of all things ; and
thus it is proper that a thing should have being, or good,
in so far as it is willed by God. God wills some good to
every existent thing. And since to love is nothing else
than to will good to something, it is evident that God loves
all things that are, yet not in the way we love. For since
our will is not the cause of the goodness of things, but is
moved by it as by an object, our love by which we will
good to anything is not the cause of its goodness ; but its
goodness calls forth the love by which we wish to preserve
1 Pars prima, Qu'. xix. ArU I.
CHAP. XL AQUINAS 473
and add to the good it has ; and for this we work. But
God's love imparts and creates goodness in things.
The divine love embraces all things in one and the
same act of will ; but inasmuch as His love creates good-
ness, there could be no greater goodness in one thing than
in another unless He willed greater good to one than to
the other : in this sense He may be said to love one
creature more than another ; and in this way He loves
the better things more. Besides love, the order of the
universe proves God's justitia ; an attribute which is to
be ascribed to Him, as Dionysius says, in that He grants
to all things what is appropriate, according to the dignity
of the existence of each, and preserves the nature of each
in its own order and virtue. Likewise misericordia is to
be ascribed to God, not as if He were affected by pitying
sadness, but in that He remedies the misery or defects of
others.
Thus far as to will and love in God. Next, as to these
qualities in Angels. Have angels will ? (Pars printa, Qu. lix.).
Thomas argues : All things proceed from the divine will,
and all per appetitum incline toward good. In plants this
is called natural appetite. Next above them come those
creatures who perceive the particular good as of the senses ;
their inclination toward it is appetitus sensitivus. Still
above them are such as know the ratio of the good uni-
versally, through their intelligence. Such are the angels ;
and in them inclination toward the good is will. Moreover,
since they know the nature of the good, they are able to
form a judgment as to it ; and so they have free will :
ubicumque est intellectus, est liberum arbitrium. And as
their knowledge is above that of men, so in them free will
exists more excellently.
The angels have only the appetitus intellectivus which is
will ; they are not irascible or concupiscent, since these
belong to the appetitus sensitivus. Only metaphorically can
furor and evil concupiscence be ascribed to demons, as anger
is to God — propter similitudinem effectus. Consequently
amor and gaudium do not exist as passions in angels. But
in so far as these qualities signify solely an act of will,
they are intellectual. In this sense, to love is to will good
474 THE MEDIAEVAL MIND BOOK VH
to anything, and to rejoice (gaudere) is to rest the will in a
good obtained. Similarly, caritas and spes, in so far as they
are virtues, lie not in appetite, but in will ; and thus exist in
angels. With man the virtues of temperance and fortitude
may relate to things of sense ; but not so with angels,
who have no passions to be bridled by these virtues.
Temperance is ascribed to them when they temper their
will according to the will divine, and fortitude, when they
firmly execute it (Qu. lix. Art. 4).
In a subsequent portion of Pars prima (Qu. ex.)
Thomas has occasion to point out that, as in human affairs,
the more particular power is governed by the more universal,
so among the angels.
"The higher angels who preside over the lower have more
universal knowledge. It is likewise clear that the virtus of a body
is more particular than the virtus of a spiritual substance ; for
every corporeal form is form particularized (individuate?) through
matter, and limited to the here and now. But immaterial forms
are unconditioned and intelligible. And as the lower angels, who
have forms less universal, are ruled by the higher angels, so all
corporeal things are ruled by angels. And this is maintained not
only by the holy Doctors, but by all philosophers who have
recognized incorporeal substances."
Next Thomas considers the action of angels upon men,
and shows that men may have their minds illumined by the
lower orders of angels, who present to men intelligibilem
veritatem sub similitudinibus sensibilium. God sends the
angels to minister to corporeal creatures ; in which mission
their acts proceed from God as a cause (principio). They
are His instruments. They are sent as custodians of men,
to guide and move them to good. " To every man an
angel is appointed for his guard : of which the reason is,
that the guardianship (custodia) of the angels is an execution
of divine providence in regard to men." Every man, while
as viator he walks life's via non tuta, has his guardian
angel. And the archangels have care of multitudes of
men (Qu. cxiii.).
Thus Thomas's, or rather, say the Christian doctrine as
to angels, becomes a corollary necessary to Christian theism,
and true at least symbolically. But — and this is the last
CHAP. XL AQUINAS 475
point as to these ministering spirits — do the angels who love
without passion, grieve and suffer when those over whom
they minister are lost ?
"Angels grieve neither over the sins nor the punishment of
men. For, as says Augustine, sadness and grief arise only from
what contravenes the will. But nothing happens in the world that
is contrary to the will of the angels and other blessed ones. For
their will is entirely fixed (totaliter inhaeret} in the order of the
divine righteousness (Justitiae) ; and nothing takes place in the
world, save what takes place and is permitted by the same. And
so, in brief, nothing takes place in the world contrary to the will of
the blessed " (Qu. cxiii. Art. 7).
We come to man. He has will, and free will or choice,
as the angels have. Will is part of the intellectual nature :
it is as the intellectivus appetitus. But man differs from the
angels in possessing appetites which belong to his sense-
nature and do not perceive the good in its common aspects ;
because sense does not apprehend the universal, but only
the particular.1 Sometimes Thomas speaks of amor as in-
cluding every form of desire, intellectual or pertaining to
the world of sense. "The first movement of will and of
any appetitive faculty (virtus) is amor." 2 So in this most
general signification amor " is something belonging to
appetite ; for the object of both is the good."
" The first effect of the desirable (appetibilis) upon the appetitus,
is called amor ; thence follows desiderium, or the movement toward
the desirable ; and at last the quies which is gaudium. Since then
amor consists in an effect upon the appetitus^ it is evidently passio \
most properly speaking when it relates to the yearning element
(concupiscibile), but less properly when it relates to will " (Pars prima,
Qu. xxvi. Art. 2).
Further distinguishing definitions are now in order :
" Four names are applied to what pertains to the same : amor,
dilectio, caritas, et amiritia. Of the three first, amor has the broadest
meaning. For all dilectio or caritas is amor; but not conversely.
Dilectio adds to amor a precedent choice (electionem praecedentem)
as its name indicates. Hence dilectio is not in the concupiscent
1 Pars frima, Qu. Ixxxii. and Ixxxiii.
* Pars prima, Qu. xx. i.
476 THE MEDIAEVAL MIND BOOK vn
nature, but in the will, and therefore in the rational nature. Caritas
adds to amor a certain perfectionem amoris, inasmuch as what is loved,
is esteemed as very precious, as the name shows " (Ibid. Art. 3).
Moreover, amor may be divided into amor amicitiae> whereby
we wish good to the amicus, and amor concupiscentiae, whereby
properly we desire a good to ourselves.
The Good is the object and, in that sense, the cause, of
amor (Qu. xxvii.).
"But love requires a cognition of the good which is loved.
Therefore the Philosopher says, that bodily sight is the cause of
amoris sensitivi. Likewise contemplation of spiritual beauty or
goodness is the cause of amoris spiritualis. Thus, therefore, cogni-
tion is the cause of love, inasmuch as the good cannot be loved
unless known."
From this broad conception of amor the argument rises
to amor in its purest phases, which correspond to the highest
modes of knowledge man is capable of. They are considered
in their nature, in their causes, and effects. It is evident
whither we are travelling in this matter.
" Love (amor) may be perfect or imperfect. Perfect love is
that by which some one is loved for himself, as a man loves a friend.
Imperfect love is that by which some one loves a thing, not for
itself, but in order that that good may come to him, as a man loves
the thing he desires. The first love pertains to caritas which cleaves
to God (inhaeret Deo) for Himself (secundum seipsum)" *
Caritas is one of the theological virtues, and as such
Thomas treats it To it corresponds the " gift " of sapientia,
likewise a virtue bestowed by God, but more particularly
regarded as the " gift " of the Holy Spirit. Caritas is set
not in the appetitus sensitivus, but in the will. Yet as it
exceeds our natural faculties, "it is not in us by nature,
nor acquired through our natural powers ; but through the
infusion of the Holy Spirit, who is the amor Patris et Filiir
He infuses caritas according to His will ; and it will increase
as we draw near to God ; nor is there any bound to its
augmentation. May caritas be perfect in this life? In one
sense it never can be perfect, because no creature ever can
love God according to His infinite lovableness.
1 Sum ma theol., Pars secunda secundae, Qu. xvii. Art 8.
CHAP. XL AQUINAS 477
"But on the part of him who wills to love (ex parte diligentis),
caritas is perfect when he loves as much as he is able. Which may
be taken in three ways. In one way, as the whole heart of man is
always borne toward God ; and this is the perfection of the love
of home (caritas patriae\ unattainable here, where because of
this life's infirmities it is impossible always actually to think upon
God, and be drawn toward Him by voluntary love (dilectione). In
another way, as a man may strive to keep himself free for God and
things dirine, laying other matters aside, save as life's need requires :
and that is the perfection of caritas, possible in this life, yet not for
all who have caritas. And the third way, when any one habitually
sets his heart on God, so that he thinks and wills nothing that is
contrary to the divine love : this perfection is common to all who
have caritas." x
The caritas with which we love God, extends to our
neighbours, and even to our enemies, for God's sake ;
also to ourselves, including our bodies ; it embraces sinners,
but not their sinfulness. It embraces the angels. There is
order and grade in caritas^ according to its relationship to
God, the source of beatitude and voluntary love (dilectionis).
God is to be loved ex caritate above all ; for He is loved as
the cause of beatitude, while our neighbour is loved as
a participant with us in the beatitude from God. We
should love God more than ourselves ; because beatitude
is in God as in the common and fontal source of all things
that participate in beatitude.
"But, after God, man should love himself, in so far as he is
spirit (secundum naturam spiritualem), more than any one else.
This is plain from the very reason of loving. God is loved as the
principle of good, on which the dilectio caritatis is based. Man
loves himself ex caritate for the reason that he is a participator
in that good. He loves his neighbour because of his association
(societas) in that good. . . . Participation in the divine good is a
stronger reason for loving, than association in this participation.
Therefore, man ex caritate should love himself more than his
neighbour ; and the mark (signutn) of this is, that man should not
commit any sin barring his participation in this beatitude, in order
to free his neighbour from sin. . . . But one should love his neigh-
bour's salvation more than his own body" 2
1 Pars secunda secundae, Qu. xxiv. Art. 8.
2 Pars secunda seatndae, Qu. xxvi. Art. 4 and 5.
478 THE MEDIAEVAL MIND BOOK vn
We may love some of our neighbours more than others ;
for those bound to us by natural ties and proximity can be
loved more and in more actual ways. The order and grades
of love will endure when our natures are perfected in glory.
Love (caritas) is the supreme theological virtue. It
comes to us in this life through grace ; it can be perfected
only when grace is consummated in glory. Likewise the
highest knowledge possible in this life comes through grace,
to be perfected in glory. All is from God, and that which,
of all the rest, seems most freely given is the divine influence
disposing the intelligence and will toward good, and illuminat-
ing these best God-given faculties. This, as par excellence,
through the exceeding bounty of its free bestowal, is called
gratia (grace). It is a certain habitual disposition of the
soul ; it is not the same as virtus^ but a divinely implanted
disposition, in which the virtues must be rooted ; it is the
imparted similitude of the divine nature, and perfects the
nature of the soul, so far as that has part in likeness to the
divine : it is the medial state between nature and that
further consummation of the grace-illumined nature, which
is glory ; and so it is the beginning, the inchoatio, of our
glorified beatitude. Clearly, grace is no part of our inborn
nature, and does not belong to our natural faculties. It is
a divinely bestowed increment, directing our natural faculties
toward God and uplifting them to higher capacities of know-
ing and loving.
To follow Thomas's exposition of grace a little more
closely : * man, through his natural powers, may know truth,
but not the highest ; and without grace, our fallen nature
cannot will all the good belonging to it (connaturale\ nor
love God above all else, nor merit eternal life. " Grace is
something supernatural in man coming from God." It
" is not the same as virtue ; and its subject (i.e. its possessor,
that in which it is set) cannot be a faculty (potentia) of the soul ;
for the soul's faculties, as perfected, are conceived to be virtues.
Grace, which is prior to virtue, is set, not in the faculties, but in the
essence of the soul. Thus, as through his faculty of knowing
(potentiam intellectivani), man shares the divine knowledge by the
virtue of faith, and through the faculty of will shares the divine love
1 Pars prima secundae, Qy. cix. sqq.
CHAP. XL AQUINAS 479
by the virtue of caritas, so by means of a certain similitude he shares
in the divine nature through some regeneration or recreation"
(Pars I. ii., Qu. ex. Art. 4).
Grace may be conceived either as " divine aid, moving us to
willing and doing right, or as a formative and abiding
(habituate) gift, divinely placed in us" (Qu. cxi. Art. 2).
" The gift of grace exceeds the power of any created nature ;
and is nothing else than a sharing (participatio) of the divine
nature " (Qu. cxii. Art. I ).
So it is clear that without grace man cannot rise to the
highest knowledge and the purest love of which he is capable
in this life ; far less can he reach that final and perfected blessed-
ness which is expected hereafter. For this he must possess
the virtue of Faith, which cornes not without grace.
" The perfection of the rational creature consists not only in that
which may be his, in accordance with his nature ; but also in that
which may come to him from some supernatural sharing in the
divine goodness. The final beatitude of man consists in some
supernatural vision of God. Man can attain to that only through
some mode of learning from God the Teacher, and he must believe
God as a disciple believes his master " (Pars II. ii., Qu. ii. Art 3).
Within the province of the Christian Faith " it is necessary
that man should accept per modum fidei not only what is
above reason, but also what may be known through reason."
(Art. 4). He must believe explicitly the prima credibitia,
that is to say, the Articles of Faith ; it is enough if he
believes other credibilia implicitly, by holding his mind
prepared to accept whatever Scripture teaches (Art. 5).
" To believe is an act of the intellect (actus intellectus) as moved
by will to assenting. It proceeds from the will and from the
intellect. . . . Yet it is the immediate act of the intellect, and
therefore faith is in the intellect as in a subject [i.e. possessor] "
(Qu. iv. Art. 2).
And Thomas, having shown the function of will in any act
of faith, passes on by the same path to connect fides with
caritas :
" Voluntary acts take their species from the end which is the object
of volition. That from which anything receives its species, occupies
the place held by form in material things. Hence, as it were, the
480 THE MEDIAEVAL MIND BOOK vn
form of any voluntary act is the end to which it is directed (ordinatur).
Manifestly, an act of faith is directed to the object willed (which is
the good) as to an end. But good which is the end of faith, to wit,
the divine good, is the proper object of caritas. And so cantos is
called the form of faith, in so far as through caritas the act of faith
is perfected and given form " (Qu. iv. Art 3).
Thomas makes his conclusion more precise :
" As faith is the consummation of the intellect, that which per-
tains to the intellect, pertains, per se, to faith. What pertains to
will, does not, per se, pertain to faith. The increment making the
difference between the faith which has form and faith which lacks
it (fides for mata, fides informis), consists in that which pertains to
will, to wit, to caritas, and not in what pertains to intellect " (Qu.
iv. Art. 4).
Only the fides which is formed and completed in caritas
is a virtue (Art. 5). And Thomas says concisely (Qu. vi.
Art. i ) what in many ways has been made evident before :
For Faith, it is necessary that the credibilia should be
propounded, and then that there should be assent to them ;
but since man, in assenting to those things which are of the
Faith, is lifted above his nature, his assent must proceed
from a supernatural principle working within him, which is
God moving him through grace.
It is not hard to see why two gifts (dona} of the Holy
Spirit should belong to the virtue Faith, to wit, understand-
ing and knowledge, intellectus et scientia. Thomas gives the
reasons in an argument germane to his Aristotelian theory of
cognition :
" The object of the knowing faculty is that which is. ...
Many kinds of things lie hidden within, to which the intellectus of
man should penetrate. Beneath the accidens the substantial nature
of the thing lies hidden ; beneath words lie their meanings ; beneath
similes and figures, lies the figured truth — veritas figurata (for
things intelligible are, as it were, within things sensible) ; and in
causes lie hidden the effects, and conversely. Now, since human
cognition begins with sense, as from without, it is clear that the
stronger the light of the intellect, the further it will penetrate to the
inmost depths. But the light of our natural intellect is of finite
virtue, and may reach only to what is limited. Therefore man
needs the supernatural light, in order to penetrate to the knowledge
which through the natural light he is not able to know ; and that
CHAP. XL AQUINAS 481
supernatural light given to man is called the donum intellcctus"
(Qu. viii. Art. i).
This gift follows grace. Grace is more perfect than nature.
It does not abrogate, but perfects the natural faculties. Nor
does it fail in those matters in which man's natural power is
competent (Qu. ix. Art. i). So, besides the donum intellectus,
to Faith belongs the donum scientiae also, which brings and
guides knowledge of human things (Art. 2).
And now we shall not be surprised to find sapientia, the
very highest gift of the Spirit, attached to the grace-given
virtue carttas. For caritas is the informing principle of
Faith, and the highest virtue of the grace-illumined will.
The will, be it remembered, belongs to man's intellectual
nature ; its object is the good which is known by the mind
(bonum intellectum). " Sapientia (wisdom, right knowledge as
to the highest cause, which is God) signifies rectitude of
judgment in accordance with the rationes divinae" the ideas
and reasons which exist in God. Rectitude of judgment
regarding things divine may arise from rational inquiry ; in
which case it pertains to the sapientia which is an intellectual
virtue. But it may also spring from affinity to those things
themselves; and then it is a gift of the Holy Spirit (II. ii.,
Qu. xlv. Art. 2).
Says Thomas :
" By the name beatitude is understood the final perfection of the
rational or intellectual nature. This consists for this life in such
contemplation as we may have here of the highest intelligible good,
which is God ; but above this felicity is that other felicity which we
expect when we shall see God as He is " (Pars I., Qu. IxiL Art i ).
But mark : the perfection of the intellectual nature does not
consist merely in knowing, narrowly taken. The right
action of will is also essential, of the will directed toward the
highest good, which is God : and this is caritas, of which the
corresponding gift from the Spirit is wisdom. In accord
with this full consummation of human nature, comprising
the perfection of cognition and will, Thomas outlines his
conception of the vita contemplativa, the life of most perfect
beatitude attainable on earth:
" The vita contemplativa is theirs whose resolve is set upon the
VOL. II 2 I
482 THE MEDIAEVAL MIND BOOK vn
contemplation of truth. Resolve is an act of will ; because resolve
is with respect to the end, which is the object of will. Thus the
vita contemplative according to the essence of its action, is of the
intelligence ; but so far as it pertains to what moves us to engage
in such action, it is of the will, which moves all the other faculties,
including the intelligence, to act. Appetitive energy (vis appetitivd)
moves toward contemplating something, either sensibly or intel-
lectually : sometimes from love of the thing seen, and sometimes
from love of the knowledge itself, which arises from contemplation.
And because of this, Gregory sets the vita contemplativa in the love
of God — in caritate Dei — to wit, inasmuch as some one, from a
willing love (dilectio] of God burns to behold His beauty. And
because any one is rejoiced when he attains what he loves, the
vita contemplativa is directed toward dilectio x which lies in affect (in
affectu) ; by which amor also is intended " (II. ii., Qu. clxxx. Art. i).
The moral virtues, continues Thomas, do not pertain
essentially to this vita. But they may promote it, by
regulating the passions and quieting the tumult of outside
affairs. In principle it is fixed upon the contemplation of
truth, which here we see but in a glass darkly ; and so we
help ourselves along by contemplating the effects of the
divine cause in the world.
Thus final beatitude, and its mortal approach in the vita
contemplativa of this earth, is of the mind, both in its know-
ledge and its love. Immateriality, spirituality, is with
Thomas primarily intellectual. Yet his beatitude is not
limited to the knowing faculties. It embraces will and love.
The grace of God and the gifts of the Holy Spirit touch love
as well as knowledge, raising one and both to final unison of
aim. Thus far in this life, while in the life to come, these
grace-uplifted qualities of knowledge, and that choosing love
(dilectio) which rises from knowledge of the good, are perfected
in gloria.
Further than this we shall not go with Thomas, nor
follow him, for example, through his exposition of the means
of salvation — the Incarnation and the sacraments. Nor
need we further mark the prodigious range of his theology,
or his metaphysics, logic, or physics. To all this many books
have been devoted. We are but seeking to realise his intel-
lectual interests and qualities, in such way as to bring them
1 Another reading is delect atio, i.e. enjoyment.
CHAP. XL
AQUINAS 483
within the compass of our sympathy. A more encyclopaedic
and systematic presentation of his teaching is proper for
those who would trace, or perhaps attach themselves to,
particular doctrines ; or would find in scholasticism, even in
Thomas, some special anthoritativeness. For us these
doctrines have but the validity of all human striving after
truth. Moreover, perhaps a truer view of Thomas, the
theologian and philosopher, is gained from following a few
typical forms of his teaching presented in his own exposition,
than by analyzing his thought with later solvents which he
did not apply, and presenting his matter classified as he
would not have ordered it, and in modern phrases, which
have as many meanings foreign to scholasticism as scholas-
ticism has thoughts not to be translated into modern ways
of thinking.
CHAPTER XLI
ROGER BACON
OF all mediaeval men, Thomas Aquinas achieved the most
organic and comprehensive union of the results of human
reasoning and the data of Christian theology. He may be
regarded as the final exponent of scholasticism, perfected in
method, universal in scope, and still integral in purpose.
The scholastic method was soon to be impugned and the
scholastic universality broken. The premature attack upon
the method came from Roger Bacon j1 the fatal breach in
the scholastic wholeness resulted from the constructive, as
well as critical, achievements of Duns Scotus and Occam.
Bacon is a perplexing personality. With other
mediaeval thinkers one quickly feels the point of view
from which to regard them. Not so with this most
disparate genius of the Middle Ages. Reading his rugged
1 Bacon's Opus majus was edited in incomplete form by Jebb in 1733, and
reprinted in 1750 at Venice. This edition is superseded by that of Bridges, in
two volumes, published with the Moralis philosophia and Multiplicatio specie-rum
by the Clarendon Press in 1897. The text of this edition had many errors,
which have been corrected by a third volume published in 1900 by Williams
and Norgate, who are now the publishers of the three volumes. In 1859
Brewer edited the Opus tertium, the Opus minus, and Compendium philosophic^
for the Master of the Rolls Series.
" An unpublished Fragment of a work by Roger Bacon " was discovered by
F. A. Gasquet in the Vatican Library, and published in the English Historical
Remeto for July 1897. It appears to be a letter to Clement IV., written
in 1267.
In 1 86 1 appeared the excellent monograph by £mile Charles, entitled Roger
Bacon, saviet ses ouvrages, ses doctrines. To this one still must turn for extracts
from the Compendium theologiae, and the Communia naturalium. The last-
named work, with the Compendium philosophiae and the Multiplicatio specierum
(which appears not to be an intrinsic part of the Opus majus), may have been
composed as parts of what was to be the writer's Opus principale. Bacon's
Greek Grammar has been edited by Nolan and Hirsch (Cambridge, 1902).
484
CHAP. XLI ROGER BACON 485
statements, and trying to form a coherent thought of him,
we are puzzled at the contradictions of his mind. One may
not say that he was not of his time. Every man is of his
time, and cannot raise himself very far out of the mass of
knowledge and opinion furnished by it, any more than a
swimmer can lift himself out of the water that sustains him.
Yet personal temper and inclination may aline a man with
less potent tendencies, which are obscured and hampered by
the dominant intellectual interests of the period. Assuredly,
through all the Middle Ages, there were men who noticed
such physical phenomena as bore upon their lives, even men
who cared for the dumb beginnings of what eventually
might lead to natural science. But they were not repre-
sentative of their epoch's master energies ; and in the
Middle Ages, as always, the man of evident and great
achievement will be one who, like Aquinas, stands upon
the whole attainment of his age. Roger Bacon, on the
contrary, was as one about whose loins the currents of his
time drag and pull ; they did not aid him, and yet he could
not extricate himself. It was his intellectual misfortune
that he was held by his time so fatally, so fatally, at least,
for the proper doing of the work which was to be his
contribution to human enlightenment, a contribution well
ignored while he lived, and for long afterward.
Bacon accepted the dominant mediaeval convictions :
the entire truth of Scripture ; the absolute validity of the
revealed religion, with its dogmatic formulation ; also (to
his detriment) the universally prevailing view that the end
of all the sciences is to serve their queen, theology. Yet he
hated the ways of mediaeval natural selection and survival
of the mediaeval fittest, and the methods by which Albert
or Thomas or Vincent of Beauvais were at last presenting
the sum of mediaeval knowledge and conviction. Well
might he detest those ways and methods, seeing that he
was Roger Bacon, one impelled by his genius to critical
study, to observation and experiment. He was impassioned
for linguistics, for mathematics, for astronomy, optics,
chemistry, and for an experimental science which should
confirm the contents of all these, and also enlarge the scope
of human ingenuity. Yet he was held fast, and his thinking
486 THE MEDIAEVAL MIND BOOK v»
was confused, by what he took from his time. Especially
he was obsessed by the idea that philosophy, including every
branch of knowledge, must serve theology, and even in that
service find its justification. But what has chemistry to do
with theology ? What has mathematics ? And what has
the physical experimental method ? By maintaining the
utility of these for theology, Bacon saved his mediaeval
orthodoxy, and it may be, his skin from the fire. But it
wrecked the working of his genius. His writings remain,
such of them as are known, astounding in their originality
and insight, and almost as remarkable for their inconsist-
encies ; they are marked by a confusion of method and a
distortion of purpose, which sprang from the contradictions
between Bacon's genius and the current views which he
adopted.
The career of Bacon was an intellectual tragedy, con-
forming to the old principles of tragic art : that the hero's
character shall be large and noble, but not flawless, inasmuch
as the fatal consummation must issue from character, and
not happen through chance. He died an old man, as in his
youth, so in his age, a devotee of tangible knowledge. His
pursuit of a knowledge which was not altogether learning
had been obstructed by the Order of which he was an
unhappy and rebellious member ; quite as fatally his
achievement was deformed from within by the principles
which he accepted from his time. But he was responsible
for his acceptance of current opinions ; and as his views
roused the distrust of his brother Friars, his intractable
temper drew their hostility (of which we know very little)
on his head. Persuasiveness and tact were needed by one
who would impress such novel views as his upon his fellows,
or, in the thirteenth century, escape persecution for their
divulgence. Bacon attacked dead and living worthies, tact-
lessly, fatuously, and unfairly. Of his life scarcely anything
is known, save from his allusions to himself and others ; and
these are insufficient for the construction of even a slight
consecutive narrative. Born ; studied at Oxford ; went to
Paris, studied, experimented ; is at Oxford again, and a
Franciscan ; studies, teaches, becomes suspect to his Order,
is sent back to Paris, kept under surveillance, receives a
CHAP. XLI ROGER BACON 487
letter from the pope, writes, writes, writes, — his three best-
known works ; is again in trouble, confined for many years,
released, and dead, so very dead, body and fame alike,
until partly unearthed after five centuries.
Inference and construction may fill out this sombre
outline. England was the land of Bacon's birth, and
Ilchester is said to have been the natal spot. The approxi-
mate date may be guessed at from his reference to himself
as senex in 1267, and his remark that he had then been
studying forty years. His family seems to have been
wealthy. Besides the letter of Pope Clement, hereafter to
be quoted, there is one contemporary reference to him.
Mathew Paris has a story of a certain dericus de curia, scilicet
Rogerus Bacum, speaking up with bold wit to King Henry
III. at Oxford in 1233. Bacon when a young man studied
there under Robert Grosseteste and Adam of Marsh. He
frequently refers to both, and always with respect His
chief enthusiasm is for the former. For years this admirable
man was chancellor of Oxford ; until made bishop of
Lincoln in 1235. Although never a Franciscan, he was
the Order's devoted friend, and lectured in its house at
Oxford. Grosseteste founded the study of Greek at Oxford,
and collected treatises upon Greek grammar. Bacon, follow-
ing him, .wrote a Greek grammar. Grosseteste, before
Bacon, devoted himself to physics and mathematics, and all
that these many-branched sciences might include. Besides
a taste for these studies Bacon may have had from him the
idea that they were useful for theology. " No one," says
Bacon, " knew the sciences save Lord Robert, Bishop of
Lincoln, from his length of life and experience, and studious-
ness and industry, and because he knew mathematics and
optics, and was able to know all things ; and he knew
enough of the languages to understand the saints and
philosophers of antiquity ; but not enough to translate
them, unless towards the end of his life when he invited
Greeks, and had books of Greek grammar gathered from
Greece and elsewhere." * There is evidence that others at
Oxford, besides Grosseteste, were interested in the study of
Greek and natural science.
1 Opus tertium, chap. xxv. p. 91 (Brewer's text).
THE MEDIAEVAL MIND
From Oxford Bacon went to Paris, where apparently
he remained for a number of years ; he was made a doctor
there, and afterwards became a Franciscan. Since a monk
could own nothing, one may perhaps infer that Bacon did
not join the Order until after the lapse of certain twenty
years of scientific research, in which he spent much money,
as he says in 1267, in an often-quoted passage of the Opus
M For now I have laboured from my youth in the sciences and
languages, and for the furtherance of study, getting together much
that is useful I sought the friendship of all wise men among
the Latins, and caused youth to be instructed in languages, and
geometric figures, in numbers and tables and instruments, and many
needful matters. I examined everything useful to the purpose, and
I know how to proceed, and with what means, and what are the
impediments : but I cannot go on for lack of the funds which are
needed. Through the twenty years in which I laboured specially in
the study of wisdom, careless of the crowd's opinion, I spent more
than two thousand pounds in these pursuits on occult books (tibros
sec/etas) and various experiments, and languages and instruments,
and tables and other things."1
After his first stay at Paris Bacon returned to Oxford.
There he doubtless continued his researches, and divulged
them, or taught in some way. For he roused the suspicions
of his Order, and in the course of time was sent or conducted
back to Paris, where constraint seems to have been put upon
his actions and utterances. Like the first, this second, possibly
enforced, stay was a long one; he speaks of himself in the first
chapter of the Opus tcrtrxm as " for ten years an exile." Yet
here as always, one is not quite certain how literally to take
Bacon's personal statements, either touching himself or others.
A short period of elation was at hand. He had evidently
. been forbidden to write, or spread his ideas ; he had been
disciplined at times with a diet of bread and water. All
this had failed to sweeten his temper, or conform his mind
to current views. In 1265, an open-minded man who had
been a jurist, a warrior, and the counsellor of a king, before
becoming an ecclesiastic, was made Pope Clement IV.
While living in Paris he had been interested in Bacon's
1 Opms tarfna*, chap. rrfi. (pp. 5&-S9, Brewer's ed.).
CHAP. XLI ROGER BACON 489
work. Soon after the papal election our sore - bestead
philosopher managed to communicate with him, as appears
by the pope's reply, written from Viterbo, in July 1 266 :
"To our beloved son, Brother Roger, called Bacon, of the
Order of Brothers Minorites. We have received with pleasure the
letter of thy devotion; and we have well considered what our
beloved son called Bonecor, Knight, has by word of mouth set
forth to us, with fidelity and prudence. So then, that we may
understand more clearly what thou purposest, it is our will, and we
command thee by our Apostolic mandate that, notwithstanding the
prohibition of any prelate, or any constitution of thy Order, thou
sendest to us speedily in good script that work which, while we
held a minor office, we requested thee to communicate to our
beloved son Raymond, of Laudunum. Also, we command thee
to set forth in a letter what remedies thou deemest should be
applied to those matters which thou didst recently speak of as
fraught with such peril. Do this as secretly as possible without
delay." »
Poor Bacon ! The pope's letter roused him to ecstasy,
then put him in a quandary, and elicited elaborate apologies,
and the flood of persuasive exposition which he poured forth
with tremulous haste in the eighteen months following.
Delight at being solicited by the head of Christendom
breaks out in hyperbole, not to be wondered at : he is
uplifted and cast prone ; that his littleness and multiple
ignorance, his tongue-tied mouth and rasping pen, and
himself unlistened to by all men, a buried man delivered
to oblivion, should be called on by the pope's wisdom for
wisdom's writings (sapientales scripturas) \
" The Saviour's vicar, the ruler of the orb, has deigned to solicit
me, who am scarcely to be numbered among the particles of the
world — inter paries universae \ Yet, while my weakness is oppressed
with the glory of this mandate, I am raised above my own powers ;
I feel a fervour of spirit ; I rise up in strength. And indeed I ought
to overflow with gratitude since your beatitude commands what I
have desired, what I have worked out with sweat, and gleaned
through great expenditures." *
The word " expenditures " touches one horn of Bacon's
dilemma. He is a Franciscan ; therefore penniless ; and,
1 Brewer, fi. Bacon, Opera inedita, p. I.
* Opus tcrtium, pp. 7 and 8.
490 THE MEDIAEVAL MIND BOOK vn
besides that, apparently under the restraining ban of his
own Order. The pope has enjoined secrecy ; therefore
Bacon cannot set up the papal mandate against the
probable interference of his own superiors. The pope has
sent no funds ; sitting in culmine mundi he was too busy
with high affairs to think of that1 And now comes the
chief matter for Bacon's apologies : his Beatitude mis-
apprehends, has been misinformed : the work is not yet
written ; it is still to be composed.
In spite of these obstacles the friendless but resourceful
philosopher somehow obtained opportunity to write, and the
means needed for the fair copy. And then in those great
eighteen, or perhaps but fifteen, months, what a flood of
enlightenment, of reforming criticism, of plans of study and
methods of investigation, of examples and sketches of the
matter to be prepared or discovered, is poured forth. Four
works we know of,2 and they may have made the greater
part of all that Bacon ever actually wrote. With variations
of emphasis, of abridgement and elaboration, the four have
the one purpose to convince the pope of the enormous value
of Bacon's scheme of useful and saving knowledge. To a
great extent they set forth the same matters ; indeed the
Opus tertium was intended to convey the substance of the
Opus mafus, should that fail to reach the pope. So there
is much repetition and some disorder in these eager, hurried
works, defects which emphasise the dramatic situation of the
impetuous genius whose pent-up utterance was loosed at last.
The Opus minus and the Vatican Fragment are as from a
man overpowered by the eagerness to say everything at once,
lest the night close in before he have chance of speech. And
1 In Opus tertium, chap. iii. (Brewer, p. 15), Bacon plainly tells the pope
the difficulties in which he had been placed by this injunction of secrecy: "The
first cause of delay came through those who are over me. Since you have written
nothing to them in my excuse, and I could not reveal to them your secret, they
insisted with unspeakable violence that I should obey their will ; but I refused,
because of the bond of your mandate, which bound me to your work, notwith-
standing any order from my prelates. And, of a surety, as I was not excused by
you, I met with obstacles too great and many to enumerate. . . . And another
obstacle, enough to defeat the whole business, was the lack of funds."
2 These are, of course, the Opus majns, the Opus minus, and the Opus
tertium ; also the Vatican Fragment, the position of which is not quite clear ;
but it is part of the writings of this year, and constitutes apparently the intro-
ductory letter to Clement.
CHAP. XLI ROGER BACON
491
when the Opus majus was at last sent forth, accompanied
by the Opus minus, as a battleship by a light armed cruiser,
the Opus tertium was despatched after them, filled with the
same militant exposition, for fear the former two should
perish en voyage.
Did they ever reach the pope ? We may presume so.
Did he read any one of them ? Here there is no informa-
tion. Popes were the busiest men in Europe, and death
was so apt to cut short their industry. Clement died the
next year, and so far as known, no syllable of acknowledge-
ment from him ever reached the feverishly expectant
philosopher.
A few words will tell the rest. In 1271, apparently,
Bacon wrote his Compendium studii philosophiae> taking the
occasion to denounce the corruptions of Church and society
in unmeasured terms. He rarely measured his vituperation !
His life was setting on toward its long last trial. In 1277,
Jerome of Ascoli, the General of the Franciscan Order, held
a Chapter at Paris, and Bacon was condemned to imprison-
ment (carceri condempnatus} because of his teachings, which
contained aliquas novitates suspectas} Jerome became Pope
Nicholas IV. At a Chapter of the Order held in Paris in
1292, just after his death, certain prisoners condemned in
1277, were set free. Roger Bacon probably was among the
number. If so, it was in the year of his liberation that he
wrote a tract entitled Compendium theologiae ; for that was
written in 1292. This is the last we hear of him. But as
he must now have been hard on to eighty, probably he did
not live much longer.
There seems to have been nothing exceptional in Bacon's
attitude toward Scripture and the doctrines of the Church.
He deemed, with other mediaeval men, that Scripture held,
at least implicitly, the sum of knowledge useful or indeed
possible for men. True, neither the Old Testament nor the
New treats of grammar, or physics, or of minerals, or plants,
or animals. Nevertheless, the statements in these revealed
writings are made with complete knowledge of every topic
or thing considered or referred to — bird, beast, and plant,
1 The authority for this is the Chronica XXIV., Generalium Ordinis
Minorum ; see Bridges, vol. iii. p. 158.
492 THE MEDIAEVAL MIND BOOK vn
the courses of the stars, the earth and its waters, yea, the
arts of song or agriculture, and the principles of every science.
Conversely (and here Bacon even gave fresh emphasis and
novel pointings to the current view) all knowledge whatso-
ever, every art and science, is needed for the full under-
standing of Scripture, sacra doctrina, in a word, theology.
This opinion may hold large truth ; but Bacon's advocacy
of it sometimes affects us as a reductio ad absurdum,
especially when he is proceeding on the assumption that the
patriarchs and prophets had knowledge of all sciences,
including astrology and the connection between the courses
of the stars and the truth of Christianity.
There was likewise nothing startling in Bacon's view
of the Fathers, and their knowledge and authoritativeness.
Thomas did not regard them as inspired. Neither did
Bacon ; he respects them, yet discerns limitations to their
knowledge ; by reason of their circumstances they may have
neglected certain of the sciences ; but this is no reason why
we should.1
As for the ancient philosophers, Bacon holds to their
partial inspiration. " God illuminated their minds to desire
and perceive the truths of philosophy. He even disclosed
the truth to them." 2 They received their knowledge from
God, indirectly as it were, through the prophets, to whom
God revealed it directly. More than once and with every
detail of baseless tradition, he sets forth the common view
that the Greek philosophers studied the prophets, and drew
their wisdom from that source.3 But their knowledge was
not complete ; and it behoves us to know much that is not
in Aristotle.4
" The study of wisdom may always increase in this life, because
nothing is perfect in human discoveries. Therefore, we later men
ought to supplement the defects of the ancients, since we have
entered into their labours, through which, unless we are asses, we
may be incited to improve upon them. It is most wretched
1 See Op. tertium, p. 26 sqq. (Brewer).
2 Opus majus, pars ii. end of chap. v. and beginning of chap. vi.
(Bridges, iii. p. 49) ; see Op. tcrtium (Brewer), p. 8 1.
3 Op. maj. pars ii. chap. xv. (Bridges, iii. p. 71).
4 Op. tertium, p. 39.
CHAP. XLI ROGER BACON
493
always to be using what has been attained, and never reach further
for one's self." l
It may be that Bacon was suspected of raising the
philosophers too near the Christian level ; and perhaps his
argument that their knowledge had come from the prophets
may have seemed a vain excuse. Says he, for example :
" There was a great book of Aristotle upon civil science,2 well
agreeing with the Christian law ; for the law of Aristotle has precepts
like the Christian law, although much is added in the latter excelling
all human science. The Christian law takes whatever is worthy in
the civil philosophical law. For God gave the philosophers all truth,
as the saints, and especially Augustine, declare. . . . And what
noble thoughts have they expressed upon God, the blessed Trinity,
the Incarnation, Christ, the blessed Virgin, and the angels." 3
Possibly one is here reminded of Abaelard, and his
thought of Christianity as reformatio legis naturalis. Yet
Christ had said, He came not to destroy, but to fulfil ; and
the chief Christian theologians had followed Augustine in
" despoiling the Egyptians " as he phrased it ; the very
process which in fact was making the authority of Aristotle
supreme in Bacon's time. So there was little that was
peculiar or suspicious in Bacon's admiration of the philo-
sophers.
The trouble with Bacon becomes clearer as we turn to
his views upon the state of knowledge in his time, and the
methods of contemporary doctors in rendering it worse,
rather than better. These doctors were largely engaged
upon sacra doctrina ; they were primarily theologians and
expounders of the truth of revelation. Bacon's criticism of
their methods might disparage that to which those methods
were applied. His caustic enumeration of the four ever-
lasting causes of error, and the seven vices infecting the
study of theology, will show reason enough why his error-
stricken and infected contemporaries wished to close his
mouth. The anxiousness of some might sour to enmity
under the acerbity of his attack ; nor would their hearts
be softened by Bacon's boasting that these various doctors,
i Op. maj. pars ii. (Bridges, iii. pp. 69-70). Cf. ante, p. 180.
- The reference seems to be to the Ethics and Politics.
8 Compendium studii, p. 424 (Brewer).
494 THE MEDIAEVAL MIND BOOK vn
of course including Albert, could not write in ten years what
he is sending to the pope.1 Bacon declares that there is at
Paris a great man (was it Albert ? was it Thomas ?), who is
set up as an authority in the schools, like Aristotle or
Averroes ; and his works display merely " infinite puerile
vanity," " ineffable falsity," superfluous verbiage, and the
omission of the most needful parts of philosophy.2 Bacon is
not content with abusing members of the rival Dominican
Order ; but includes in his contempt the venerable Alexander
of Hales, the defunct light of the Franciscans. " Nullum
ordinem exclude" cries he, in his sweeping denunciation of his
epoch's rampant sins. As for the seculars, why, they can
only lecture by stealing the copy-books of the " boys " in
the " aforesaid Orders." 3 " Never," says Bacon in the
Compendium studii from which the last phrases are taken,
" has there been such a show of wisdom, nor such prosecu-
tion of study in so many faculties through so many regions
as in the last forty years. Doctors are spread everywhere,
especially in theology, in every city, castle, and burg, chiefly
through the two student Orders. Yet there was never so
great ignorance and so much error — as shall appear from
this writing." 4
Bacon never loses a chance of stating the four causes of
the error and ignorance about him. These causes preyed
upon his mind — he would have said they preyed upon the
age. They are elaborately expounded in pars i. of the Opus
majus : 5
" There are four principal stumbling blocks (pffendiculd) to compre-
hending truth, which hinder well-nigh every one : the example of
frail and unworthy authority, long-established custom, the sense of
the ignorant crowd (vulgi sensus imperiti), and the hiding of one's
own ignorance under the pretence of wisdom. In these, every man
is involved and every state beset. For in every act of life, or business,
or study, these three worst arguments are used for the same con-
clusion : this was the way of our ancestors, this is the custom, this
1 Op. tertittm, p. 14. 2 Op. tertium, p. 30.
8 Compendium studii phil. p. 429 (Brewer).
4 Ibid. p. 398 — written in 1271.
6 I follow the paging of Bridges, vol. iii. These four causes of error are also
given in Opus tertium, p. 69, Compendium studii ', p. 414 (Brewer), and the
Gasquet Fragment, p. 504.
CHAP. XLI ROGER BACON
495
is the common view : therefore should be held. But the opposite
of this conclusion follows much better from the premises, as I will
prove through authority, experience, and reason. If these three are
sometimes refuted by the glorious power of reason, the fourth is
always ready, as a gloss for foolishness ; so that, though a man know
nothing of any value, he will impudently magnify it, and thus,
soothing his wretched folly, defeat truth. From these deadly pests
come all the evils of the human race ; for the noblest and most
useful documents of wisdom are ignored, and the secrets of the arts
and sciences. Worse than this, men blinded by the darkness of
these four do not see their ignorance, but take every care to
palliate that for which they do not find the remedy ; and what is
the worst, when they are in the densest shades of error, they deem
themselves in the full light of truth." l
Therefore they think the true the false, and spend their time
and money vainly, says Bacon with many strainings of
phrase.
" There is no remedy," continues Bacon, " against the
first three causes of error save as with all our strength we set
the sound authors above the weak ones, reason above custom,
and the opinions of the wise above the humours of the crowd ;
and do not trust in the triple argument : this has precedent,
this is customary, this is the common view." But the fourth
cause of error is the worst of all. " For this is a lone and
savage beast, which devours and destroys all reason, — this
desire of seeming wise, with which every man is born."
Bacon arraigns this cause of evil, through numerous witnesses,
sacred and profane. It has two sides : display of pretended
knowledge, and excusing of ignorance. Infinite are the
verities of God and the creation : let no one boast of know-
ledge. It is not for man to glory in his wisdom ; faith goes
beyond man's knowledge ; and still much is unrevealed. In
forty years we learn no more than could be taught youth in
one. I have profited more from simple men " than from all
my famous doctors."
Bacon's four universal causes of ignorance indicate his
general attitude. More specific criticisms upon the academic
methods of his time are contained in his septem peccata studii
prindpalis quod est tfaologiae. This is given in the Opus
minus? Bacon, it will be remembered, says again and again
1 Op. maj. pp. 2 and 3. a P. 322 W- (Brewer).
496 THE MEDIAEVAL MIND BOOK VH
that all sciences must serve theology, and find their value
from that service : the science of theology includes every
science, and should use each as a handmaid for its own ends.
Accordingly, when Bacon speaks of the seven vices of the
studium principale quod est theologia, we may expect him to
point out vicious methods touching all branches of study,
yet with an eye to their common service of their mistress.
" Seven are the vices of the chief study which is theology ; the
first is that philosophy in practice dominates theology. But it
ought not to dominate in any province beyond itself, and surely not
the science of God, which leads to eternal life. . . . The greater
part of all the quaestiones in a Summa theologiae is pure philosophy,
with arguments and solutions ; and there are infinite quaestiones con-
cerning the heavens, and concerning matter and being, and concerning
species and the similitudes of things, and concerning cognition through
such ; also concerning eternity and time, and how the soul is in the
body, and how angels move locally, and how they are in a place,
and an infinitude of like matters which are determined in the books
of the philosophers. To investigate these difficulties does not
belong to theologians, according to the main intent and subject of
their work. They ought briefly to recite these truths as they find
them determined in philosophy. Moreover, the other matter of the
quaestiones which concerns what is proper to theology, as concern-
ing the Blessed Trinity, the Incarnation, the Sacraments, is
discussed principally through the authorities, arguments, and
distinctions of philosophy."
Evidently, this first vice of theological study infected
the method of Albert and Thomas, and of practically all
other theologians ! Its correction might call for a complete
reversal of method. But the reversal desired by Bacon would
scarcely have led back to Gospel simplicity, as may be seen
from what follows.
"The second vice is that the best sciences, which are those
most clearly pertinent to theology, are not used by theologians. I
refer to the grammar of the foreign tongues from which all theology
comes. Of even more value are mathematics, optics, moral science,
experimental science, and alchemy. But the cheap sciences (scientiac
viles) are used by theologians, like Latin grammar, logic, natural
philosophy in its baser part, and a certain side of metaphysics. In
these there is neither the good of the soul, nor the good of the
body, nor the good things of fortune. But moral philosophy draws
out the good of the soul, as far as philosophy may. Alchemy is
CHAP. XLI ROGER BACON 497
experimental and, with mathematics and optics, promotes the good
of the body and of fortune. . . . While the grammar of other
tongues gives theology and moral philosophy to the Latins. . . .
Oh ! what madness is it to neglect sciences so useful for theology,
and be sunk in those which are impertinent !
"The third vice is that the theologians are ignorant of those
four sciences which they use ; and therefore accept a mass of false
and futile propositions, taking the doubtful for certain, the obscure
for evident ; they suffer alike from superfluity and the lack of what
is necessary, and so stain theology with infinite vices which proceed
from sheer ignorance." For they are ignorant of Greek and Hebrew
and Arabic, and therefore ignorant of all the sciences contained in
these tongues; and they have relied on Alexander of Hales and
others as ignorant as themselves. The fourth vice is that they
study and lecture on the Sentences of the Lombard, instead of the
text of Scripture ; and the lecturers on the Sentences are preferred
in honour, while any one who would lecture on Scripture has to beg
for a room and hour to be set him.
"The fifth fault is greater than all the preceding. The text of
Scripture is horribly corrupt in the Vulgate copy at Paris."
Bacon goes at some length into the errors of the Vulgate,
and gives a good account of the various Latin versions of
the Bible. Next, the " sextum peccatum is far graver than
all, and may be divided into two peccata maxima : one is that
through these errors the literal sense of the Vulgate has
infinite falsities and intolerable uncertainties, so that the
truth cannot be known. From this follows the other peccatum,
that the spiritual sense is infected with the same doubt and
error." These errors, first in the literal meaning, and thence
in the spiritual or allegorical significance, spring from ignorance
of the original tongues, and from ignorance of the birds and
beasts and objects of all sorts spoken of in the Bible. " By
far the greater cause of error, both in the literal and spiritual
meaning, rises from ignorance of things in Scripture. For
the literal sense is in the natures and properties of things, in
order that the spiritual meaning may be elicited through
convenient adaptations and congruent similitudes." Bacon
cites Augustine to show that we cannot understand the
precept, Estate prudentes sicut serpentes, unless we know that
it is the serpent's habit to expose his body in defence of his
head, as the Christian should expose all things for the sake
of his head, which is Christ. Alack ! is it for such ends as
VOL. II 2 K
498 THE MEDIAEVAL MIND BOOK vn
these that Bacon would have a closer scholarship fostered,
and natural science prosecuted? The text of the Opus
minus is broken at this point, and one cannot say whether
Bacon had still a seventh peccatum to allege, or whether the
series ended with the second of the vices into which he
divided the sixth.
Bacon's strictures upon the errors of his time were
connected with his labours to remedy them, and win a
firmer knowledge than dialectic could supply. To this end
he advocated the study of the ancient languages, which he
held to be " the first door of wisdom, and especially for
the Latins, who have not the text, either of theology or
philosophy, except from foreign languages." l His own
knowledge of Greek was sufficient to enable him to read
passages in that tongue, and to compose a Greek grammar.2
But he shows no interest in the classical Greek literature,
nor is there evidence of his having studied any important
Greek philosopher in the original. He was likewise
zealous for the study of Hebrew, Chaldee, and Arabic, the
other foreign tongues which held the learning so inade-
quately represented by Latin versions. He spoke with
some exaggeration of the demerits of the existing transla-
tions ; 3 but he recognised the arduousness of the translator's
task, from diversity of idiom and the difficulty of finding an
equivalent in Latin for the statements, for example, in the
Greek. The Latin vocabulary often proved inadequate ;
and words had to be taken bodily from the original tongue.
Likewise he saw, and so had others, though none had
declared it so clearly, that the translator should not only
be master of the two languages, but have knowledge of
the subject treated by the work to be translated.4
After the languages, Bacon urged the pursuit of the
sciences, which he conceived to be interdependent and
corroborative ; the conclusions of each of them susceptible
of proof by the methods and data of the others,
1 Opus tertium, p. 102. 2 Ante, p. 128.
3 As, e.g. where he says that it would have been better for the Latins ' ' that
the wisdom of Aristotle should not have been translated, than to have been
translated with such perverseness and obscurity." Compend. studii, p. 469,
(Brewer).
4 See Opus majus, pars iii.
CHAP. XLI ROGER BACON
499
"Next to languages," says Bacon in chapter xxix. of the
Opus tertium, " I hold mathematics necessary in the second place,
to the end that we may know what may be known. It is not
planted in us by nature, yet is closest to inborn knowledge, of all
the sciences which we know through discovery and learning
(tnventionem et doctrinam). For its study is easier than all other
sciences, and boys learn its branches readily. Besides, the laity
can make diagrams, and calculate, and sing, and use musical
instruments. All these are the opera of mathematics."
Thus, with antique and mediaeval looseness, Bacon con-
ceived this science. He devotes to it the long Pars quarto,
of the Opus majus : saying at the beginning that of —
"the four great sciences the gate and key is mathematics, which
the saints found out (invenerunf) from the beginning of the world,
and used more than all the other sciences. Its neglect for the
past thirty or forty years has ruined the studies (studium) of the
Latins. For whoso is ignorant of it cannot know the other sciences,
nor the things of this world. But knowledge of this science
prepares the mind and lifts it to the tested cognition (certificatam
cognitionem) of all things."
Bacon adduces authorities to prove the need of mathe-
matics for the study of grammar and logic ; he shows that
its processes reach indubitable certitude of truth ; and " if in
other sciences we would reach certitude free from doubt, and
truth without error, we must set the foundations of cognition
in mathematics." l He points out its obvious necessity in
the study of the heavens, and in everything pertaining to
speculative and practical astrologia ; also for the study of
physics and optics. Thus his interest lay chiefly in its
application. As human science is nought unless it may
be applied to things divine, mathematics must find its
supreme usefulness in its application to the matters of
theology. It should aid us in ascertaining the position of
paradise and hell, and promote our knowledge of Scriptural
geography, and more especially, sacred chronology. Next
it affords us knowledge of the exact forms of things
mentioned in Scripture, like the ark, the tabernacle, and
the temple, so that from an accurate ascertainment of the
literal sense, the true spiritual meaning may be deduced.
i Opus majus, Bridges, vol. i. p. 106.
500 THE MEDIAEVAL MIND BOOK vn
It should not be confused with its evil namesake magic,1
yet the true science is useful in determining the influence
of the stars on the fortunes of states. Moreover, mathe-
matics, through astrology, is of great importance in the
certification of the faith, strengthening it against the sect
of Antichrist ; 2 then in the correction of the Church's
calendar ; and finally, as all things and regions of the
earth are affected by the heavens, astrology and mathematics
are pertinent to a consideration of geography. And Bacon
•concludes Pars quarta with an elaborate description of the
regions, countries, and cities of the known world.
Bacon likewise was profoundly interested in optics, the
scientia perspectiva, which he sets forth elaborately in Pars
quinta of the Opus majus. Much space would be needed
to discuss his theories of light and vision, and the propaga-
tion of physical force, treated in the De multiplicatione
specierum. He knew all that was to be learned from
Greek and Arabic sources, and, unlike Albert, who com-
piled much of the same material, he used his knowledge
to build with. Bacon had a genius for these sciences : his
Scientia perspectiva is no mere compilation, and no work
used by him presented either a theory of force or of vision,
containing as many adumbrations of later theorizing.8 Yet
he fails to cast off his obsession with the " spiritual meaning "
and the utility of science for theology. He discussed the
composition of Adam's body while in a state of innocence,4
a point that may seem no more tangible than Thomas's
reasonings upon the movements of Angels, which Bacon
ridicules. Again in his Optics, after an interesting dis-
cussion of refraction and reflection, he cannot forego a
consideration of the spiritual significations of refracted rays.5
Even his discussion of experimental science has touches
of mediaevalism, which are peculiarly dissonant in this most
original and " advanced " product of Bacon's genius, which
now must be considered more specifically.
1 Commonly called " mathematical'
2 Opus majus (Bridges, i. p. 253). Bacon goes into this matter elaborately.
3 Cf. S. Vogl, Die Physik Roger Bacos (Erlangen, 1906). Gives Bacon's-
sources.
* Opus minus, pp. 367-371.
5 Opus majus, pars v. dist. iii. (Bridges, ii. p. 159 sqq.}.
CHAP. XLI ROGER BACON
501
The speculative intellect of the twelfth and thirteenth
centuries was so widely absorbed with the matter and
methods of the dominant scholasticism, that no one is likely
to think of the eminent scholastics as isolated phenomena.
Plainly they were but as the highest peaks which somewhat
overtop the other mountains, through whose aggregation
and support they were lifted to their supreme altitude.
But with Bacon the danger is real lest he seem separate
and unsupported ; for the influences which helped to make
him are not over-evident Yet he did not make himself.
The directing of his attention to linguistics is sufficiently
accounted for by the influence of Grosseteste and others,
who had inaugurated the study of Greek, and perhaps
Hebrew at Oxford. As for physics or optics, others also
were interested — or there would have been no translations
of Greek and Arabic treatises for him to use ; * and in
mathematics there was a certain older contemporary,
Jordanus Nemorarius (not to mention Leonardo Fibonacci),
who far overtopped him. It is safe to assume that in the
thirteenth, as in the twelfth and previous centuries, there
were men who studied the phenomena of nature. But they
have left scant record. A period is remembered by those
features of its main accomplishment which are not super-
seded or obliterated by the further advance of later times.
Nothing has obliterated the work of the scholastics for
those who may still care for such reasonings ; and Aquinas
to-day holds sway in the Roman Catholic Church. On
the other hand, the sparse footprints of the mediaeval men
who essayed the paths of natural science have long since
been trodden out by myriad feet passing far beyond them,
along those ways. Yet there were these wayfarers, who
made little stir in their own time, and have long been
well forgotten. Had it not been for the letter from Pope
Clement, Bacon himself might be among them ; and only
his writings keep from utter oblivion the name of an
1 A contemporary of Bacon named Witelo composed a Persfectiva about
1270, following an Arab source ; and a few years later a Dominican, Theodoric
of Freiburg, was devoted to optics, and wrote on light, colour, and the rainbow.
Baeumker, " Witelo, ein Philosoph und Naturforscher des XIII. Jahrh." (Beitragt,
etc., Munster, 1908) ; Krebs, " Meister Dietrich, sein Leben, etc." (Baeumker's
Beitrage, 1906).
502 THE MEDIAEVAL MIND BOOK vn
individual who, according to Bacon, carried the practice
of " experimental science " further than he could hope to
do. It may be fruitful to approach Bacon's presentation of
this science, or scientific method, through his references
to this extraordinary Picard, named Peter of Maharncuria,
or Maricourt.
In the Opus tertium, Bacon has been considering optics
and mathematics, and has spoken of this Peter as proficient
in them ; and thus he opens chapter xiii., which is devoted
to the scientia experimentalis :
" But beyond these sciences is one more perfect than all, which
all serve, and which in a wonderful way certifies them all : this is
called the experimental science, which neglects arguments, since they
do not make certain, however strong they may be, unless at the
same time there is present the experientia of the conclusion. Ex-
perimental science teaches experiri, that is, to test, by observation
or experiment, the lofty conclusions of all sciences." This science
none but Master Peter knows.
By following the text further, we may be able to
appreciate what Bacon will shortly say of him :
" Another dignity of this science is that it attests these noble
truths in terms of the other sciences, which they cannot prove or
investigate : like the prolongation of human life ; for this truth is
in terms of medicine, but the art of medicine never extends itself
to this truth, nor is there anything about it in medical treatises.
But the fidelis experimentator has considered that the eagle, and the
stag, and the serpent, and the phoenix prolong life, and renew their
youth, and knows that these things are given to brutes for the in-
struction of men. Wherefore he has thought out noble plans (yias
nobiles) with this in view, and has commanded alchemy to prepare
a body of like constitution (aequalis complexionis\ that he may
use it."
It may be pertinent to our estimate of Bacon's experi-
mental science to query where the experimentator ever
observed an eagle or a phoenix renewing its youth, outside
of the Physiologus ?
"The third dignity of this science is that it does not accept
truths in terms of the other sciences, yet uses them as hand-
maids. . . . And this science attests all natural and artificial data
specifically and in the proper province, per experientiam perfectam ;
CHAP. XLI ROGER BACON
503
not through arguments, like the purely speculative sciences, and not
through weak and imperfect experientias, like the operative sciences
(scientiae operativae).1 So this is the mistress of all, and the goal
of all speculation. But it requires great expenditures for its pro-
secution ; Aristotle, by Alexander's authority, besides those whom
he used at home in experientta, sent many thousands of men through
the world to examine (ad experiendum) the natures and properties
of all things, as Pliny tells. And certainly to set on fire at any
distance would cost more than a thousand marks, before adequate
glasses could be prepared; but they would be worth an army
against the Turks and Saracens. For the perfect experimenter
could destroy any hostile force by this combustion through the sun's
rays. This is a marvellous thing, yet there are many other things
more wonderful in this science ; but very few people are devoted
to it, from lack of money. I know but one, who deserves praise for
the prosecution of its works ; he cares not for wordy controversies,
but prosecutes the works of wisdom, and in them rests. So what
others as purblind men try to see, like bats in the twilight, he
views in the full brightness of day, because he is dominus experi-
mentorum. He knows natural matters per experientiam, and those
of medicine and alchemy, and all things celestial and below. He
is ashamed if any layman, or old woman, or knight, or rustic, knows
what he does not. He has studied everything in metal castings,
and gold and silver work, and the use of other metals and minerals ;
he knows everything pertaining to war and arms and hunting ; he
has examined into agriculture and surveying ; also into the experi-
ments and fortune-tellings of old women, knows the spells of wizards ;
likewise the tricks and devices of jugglers. In fine, nothing escapes
him that he ought to know, and he knows how to expose the frauds
of magic."
It is impossible to complete philosophy, usefully and
with certitude, without Peter ; but he is not to be had for
a price ; he could have had every honour from princes ; and
if he wished to publish his works, the whole world of Paris
would follow him. But he cares not a whit for honours or
riches, though he could get them any time he chose through
his wisdom. This man has worked at such a burning-glass
for three years, and soon will perfect it by the grace of God.
There is a great deal of Roger Bacon in these curious
passages ; much of his inductive genius, much of his sanguine
hopefulness, not to say inventive imagination ; and enough
of his credulity. No one ever knew or could perform all he
1 With Bacon, experientia does not always mean observation; and may
mean either experience or experiment.
504 THE MEDIAEVAL MIND BOOK vn
ascribes to this astounding Peter, from whom, apparently,
there is extant a certain intelligent treatise upon the magnet.1
And as for those burning-glasses, or possibly reflectors, by
which distant fleets and armies should be set afire — did they
ever exist ? Did Archimedes ever burn with them the Roman
ships at Syracuse ? Were they ever more than a myth ?
It is, at all events, safe to say that no device from the hand
and brain of Peter of Maharncuria ever threatened Turk or
Saracen.
It is knowledge that gives insight. Modern critical
methods amount chiefly to this, that we know more. Bacon
did not have such knowledge of animal physiology as would
assure him of the absurdity of the notion that an eagle or
any animal could renew its youth. Nor did he know enough
to realise the vast improbability of Greek philosophers draw-
ing their knowledge from the books of Hebrew prophets.
And one sees how loose must have been the practice, or the
dreams, of his "experimental science." His fundamental
conception seems to waver : Scientia experimentalis, is it a
science, or is it a means and method universally applicable
to all scientific investigation ? The sciences serve it as
handmaids, says Bacon ; and he also says, that it alone can
test and certify, make sure and certain, the conclusions of
the other sciences. Perhaps he thought it the master-key
fitting all the doors of knowledge ; and held that all sciences,
so far as possible, should proceed from experience, through
further observation and experiment. But he has not said
quite this.
He is little to be blamed for his vagueness, and greatly
to be admired for having reached his possibly inconsistent
conception. Observation and experiment were as old as
human thought upon human experience. And Albert the
Great says that the conclusions of all sciences should be
tested by them. But he evinces no formal conception of
either an experimental science or method ; though he has
much to say as to logic, and ponderously considers whether
it is a science or the means or method of all sciences.2
1 See Charles, Roger Bacon, pp. 17-18.
2 Ante, pp. 313-315. Duns Scotus puts clearly the double aspect of logic,
which Albertus Magnus approached: "It should be understood that logic is
to be considered in two ways. First, in so far as it is docens (instructs, holds
CHAP. XLI ROGER BACON 505
Herein he is discussing consciously with respect to logic, the
very point as to which Bacon, in respect to experimental
science, rather unconsciously wavers : is it a science, and
almost the queen ? Or is it the true scientific method to be
followed by all sciences when applicable ? l Bacon had no
high regard for the study of logic, deeming that the thoughts
of untaught men naturally followed its laws.2 This was
doubtless true, and just as true, moreover, of experimental
its own school) : and from its own necessary and proper principles proceeds to
necessary conclusions, and is therefore a science. Secondly, in so far as we
use it, by applying it to those matters in which it is used : and then it is not
a science" (Super universalia Porphyrii, Quaestrio i., Duns Scotus, Ofera^
t. i. p. 50.
1 The two aspects of the experimental science appear in the following
statement from the Gasquet Fragment: "The antcpenultima science is called
experimental ; and is the mistress of those which precede it ; for it excels the
others in three chief prerogatives. One is that all the sciences except this either
use arguments alone to prove their conclusions, like the purely speculative
sciences, or possess general and imperfect experiences. But only the perfect
experience (experientia perfecta, i.e. the scientific experiment or observation), sets
the mind at rest in the light of truth ; which is certain and is proved in that part
[of my work]. Wherefore it was necessary that there should be one science
which should certify for us, all the magnificent truths of the other sciences,
through the truth of experience, and this is that whereof I say that it is called
scientia experimentalis of its own right from the truth of experience (per autono-
masiam ab experienciae veritate) ; and I show by the illustration of the rainbow
and other things, how this prerogative is reserved to that science.
"The second prerogative is the dignity which relates to those chief truths
which, although they are to be formulated (nontinandae) in the terms (voeabulis)
of the other sciences, yet the other sciences cannot furnish (procurart) them ; and
of this character are the prolongation of life through remedies to counteract the
lack of a hygienic regimen from infancy, or constitutional debility inherited
from parents who have not followed such a regimen. I shall show how it is
possible thus to prolong life to the term set by God. But men, through neglecting
the rules of health, pass quickly to old age, and die before reaching that term.
The art of medicine is not able to furnish (dare) these remedies, nor does it ; but
it says they are possible (sed fatctur ea possibilia), and so experimental science
has devised remedies known to the wisest men alone, by which the ills of old age
are delayed, or are mitigated when they arrive.
" The third prerogative of this science belongs to it secundum se et absolute ;
for here it leaves the two ways already touched on, and addresses itself to all
things which do not concern the other sciences, save that often it requires the
service of the others. As a mistress it commands the others as servants . . .
and orders them to do its work, and furnish the wise instruments which it uses ;
as navigation directs the art of carpentry, to make a ship for it ; and the military
art directs the forger's art to make it a breastplate and other arms. In like
manner, this science [the experimental], as a mistress, directs geometry to m»ke
it a burning-glass, which shall set on fire things near or far, one of the mo«t
sublime wonders that can come to pass through geometry. So it commands
the other sciences in all the wonderful and hidden things of nature and art "
(pp. 510-511).
2 Opus tertium, chap, xxviii.
506 THE MEDIAEVAL MIND BOOK vn
science as of logic. The one and the other were built up
from the ways of the common man and universal processes
of thought. Yet the logic of the trained mind is the surer ;
and so experimental science may reach out beyond the crude
observations of unscientific men.
Manifestly with Roger Bacon the scientia experimentalis
held the place which logic held with Albert, or queenly
dialectic with Abaelard. He repeats himself continually in
stating its properties and prerogatives, yet without advancing
to greater clearness of conception. Pars sexta of the Opus
majus is devoted to it : and we may take one last glance to
see whether the statements there throw any further light
upon the matter.
"The roots of the wisdom of the Latins having been placed
and set in Languages, Mathematics, and Perspective, I now wish to
re-examine these radices from the side of scientia experimentalis ;
because, without experientia nothing can be known adequately.
There are two modes of arriving at knowledge (cognoscendf), to wit,
argument and experimentum. Argument draws a conclusion and
forces us to concede it, but does not make it certain or remove
doubt, so that the mind may rest in the perception of truth, unless
the mind find truth by the way of experience."
And Bacon says, as illustration, that you could never
by mere argument convince a man that fire would burn ;
also that " in spite of the demonstration of the properties of
an equilateral triangle, the mind would not stick to the
conclusion sine experientia"
After referring to Aristotle, and adducing some examples
of foolish things believed by learned and common men
alike, because they had not applied the tests of observation,
he concludes : " Oportet ergo omnia certificari per viam
experientiae." He continues with something unexpected :
" Sed duplex est experientia : one is through the external senses,
and thus those experimenta take place which are made through
suitable instruments in astronomy, and by the tests of observation
as to things below. And whatever like matters may not be
observed by us, we know from other wise men who have observed
them. This experientia is human and philosophical ; but it is
not sufficient for man, because it does not give plenary assurance as
to things corporeal ; and as to things spiritual it reaches nothing.
The intellect of man needs other aid, and so the holy patriarchs
CHAP. XLI ROGER BACON 507
and prophets, who first gave the sciences to the world, received
inner illuminations and did not stand on sense alone. Likewise
many believers after Christ. For the grace of faith illuminates
much, and divine inspirations, not only in spiritual but corporeal
things, and in the sciences of philosophy. As Ptolemy says, the
way of coming to a knowledge of things is duplex, one through the
experientia of philosophy, and the other through divine inspiration,
which is much better." l
Any doubt as to the religious and Christian meaning of
the last passage is removed by Bacon's statement of the
" seven grades of this inner science : the first is through illumina-
tiones pure scientiales ; the next consists in virtues, for the bad
man is ignorant ; . . . the third is in the seven gifts of the
Holy Spirit, which Isaiah enumerates ; the fourth is in the
beatitudes which the Lord defines in the Gospel ; the fifth is in the
sensibus spiritualibus ; the sixth is in fructibus, from which is the
peace of God which passes omnem sensum • the seventh consists in
raptures (in raptibus) and their modes, as in various ways divers
men have been enraptured, so that they saw many things which it is
not lawful for man to tell. And who is diligently exercised in these
experiences, or some of them, can certify both to himself and others
not only as to spiritual things, but as to all human sciences." •
These utterances are religious, and bring us back to the
religious, or practical, motive of Bacon's entire endeavour
after knowledge : knowledge should have its utility, its
practical bearing ; and the ultimate utility is that which
promotes a sound and saving knowledge of God. The true
method of research, says Bacon in the Compendium studii,
" . . . is to study first what properly comes first in any science, the
easier before the more difficult, the general before the particular,
the less before the greater. The student's business should lie in
chosen and useful topics, because life is short ; and these should be
set forth with clearness and certitude, which is impossible without
experientia. Because, although we know through three means,
authority, reason, and experientia, yet authority is not wise unless
1 Opus majus, pars vi. I (Bridges, ii. p. 169).
2 Ibid. p. 171. Doubtless the meaning of the above is connected with
Bacon's view of the Aristotelian intelltctus agens, which he takes to signify the
direct illumination of the mind of man by God. " All the wisdom of philosophy
is revealed by God and given to the philosophers, and it is Himself that
illuminates the minds of men in all wisdom. That which illuminates our minds
is now called by the theologians intellectus agens. But my position is that this
intelltctus agens is God printipaliter, and secondarily, the angels, who illuminate
us" (Opus (ertium, p. 74 ; cf. Op, majus, pars i. chap. v.).
508 THE MEDIAEVAL MIND BOOK vn
its reason be given (auctoritas non sapit nisi detur ejus ratio), nor
does it give knowledge, but belief. We believe, but do not know,
from authority. Nor can reason distinguish sophistry from
demonstration, unless we know that the conclusion is attested
by facts (experiri per opera]. Yet the fruits of study are insigni-
ficant at the present time, and the secret and great matters of
wisdom are unknown to the crowd of students." l
It is as with an echo of this thought, that Bacon begins
the second chapter of his exposition of experimental science
in the sixth part of the Opus majus, from which we have but
now withdrawn our attention. He anxiously reiterates
what he has already said more than once, as to the properties
and prerogatives of this scientia experimentalis. Then he
gives his most interesting and elaborate example of its
application in the investigation of the rainbow, an example
too lengthy and too difficult to reproduce. In stating the
three prerogatives, he makes but slight change of phrasing ;
yet his restatement of the last of them : — " The third dignitas
of this science is that it investigates the secrets of nature by
its own competency and out of its own qualities, irrespective
of any connection with the other sciences," — signifies an
autonomous science, rather than a method applicable to all
investigation. The illustrations which Bacon now gives,
range free indeed ; yet in the main relate to " useful dis-
coveries " as one might say : to ever-burning lamps, Greek
fire, explosives, antidotes for poison, and matters useful to
the Church and State. Along these lines of discovery
through experiment, Bacon lets his imagination travel and
lead him on to surmises of inventions that long after him
were realised. " Machines for navigating are possible
without rowers, like great ships suited to river or ocean,
going with greater velocity than if they were full of rowers :
likewise wagons may be moved cum impetu inaestimabili, as
we deem the chariots of antiquity to have been. And there
may be flying machines, so made that a man may sit in the
middle of the machine and direct it by some devise : and
again, machines for raising great weights." 2 The modern
reality has outdone this mediaeval dream.
1 Compendium studii (Brewer), p. 397.
2 De secretis operibus artis et naturae, et de nullitate magiae, p. 533
(Brewer). Cf. Charles, Roger Bacon, p. 296 sqq.
CHAPTER XLII
DUNS SCOTUS AND OCCAM
THE thirteenth century was a time of potent Church unity,
when the papacy, triumphant over emperors and kings, was
drawing further strength from the devotion of the two
Orders, who were renewing the spiritual energies of Western
Christendom. Scholasticism was still whole and unbroken,
in spite of Roger Bacon, who attacked its methods with
weapons of his own forging, yet asserting loudly the single-
eyed subservience of all the sciences to theology. This
assertion from a man of Bacon's views, was as vain as the
Unam sanctum of Pope Boniface VIII., fulminated in 1302,
arrogating for the papacy every power on earth. In earlier
decades such pretensions had been almost acquiesced in ;
but the Unam sanctam was a senile outcry from a papacy
vanquished by the new-grown power of the French king,
sustained by the awakening of a French nation.
The opening years of the fourteenth century, so fatal for
the papacy, were also portentous for scholasticism. The
Summa of Thomas was impugned by Joannes Duns Scotus,
whose entire work, constructive as well as critical, was im-
pressed with qualities of finality, signifying that in the forms
of reasoning represented by him as well as Thomas, thought
should advance no farther. Bacon's attack upon scholastic
methods had proved abortive from its tactlessness and
confusion, and because men did not care for, and perhaps
did not understand, his arguments. It was not so with the
arguments of Duns Scotus. Throughout the academic
world, thought still was set to chords of metaphysics ; and
although men had never listened to quite such dialectic
509
5io THE MEDIAEVAL MIND BOOK vn
orchestration as Duns provided, they liked it, perceived its
motives, and comprehended the meaning of its themes. So
his generation understood and appreciated him. That he
was the beginning of the end of the scholastic system, could
not be known until the manner of that ending had disclosed
itself more fully. We, however, discern the symptoms of
scholastic dissolution in his work. His criticism of his
predecessors was disintegrating, even when not destructive.
His own dialectic was so surpassingly intricate and dizzy
that, like the choir of Beauvais, it might some day collapse.
With Duns Scotus, scholasticism reasoned itself out of
human reach. And with him also, the wholeness of the
scholastic purpose finally broke. For he no longer main-
tained the union of metaphysics and theology. The latter,
to be sure, was valid absolutely ; but, from a speculative,
it has become a practical science. It neither draws its
principles from metaphysics, nor subordinates the other
sciences — all human knowledge — to its service. Although
rational in content, it possesses proofs stronger than dialectic,
and stands on revelation.
There had always been men who maintained similar
propositions. But it was quite another matter that the
severance between metaphysics and theology should be
demonstrated by a prodigious metaphysical theologian after
a different view had been carried to its farthest reaches by
the great Aquinas. Henceforth philosophy and theology
were set on opposite pinnacles, only with theology's pinnacle
the higher. In spite of the last circumstance, the coming
time showed that men cannot for long possess in peace two
standards of truth — philosophy and revelation ; but will be
driven to hold to the one and ignore the other. By break-
ing the rational union of philosophy and theology, Duns
Scotus prepared the way for Occam. The latter also
asserts vociferously the superiority of the divine truth over
human knowledge and its reasonings. But the popes
are at Avignon, and the Christian world no longer bows
down before those willing Babylonian captives. Under
such a blasted condition of the Church, how should any
inclusive Christian synthesis of thought and faith be main-
tained ?
CHAP. XLII SCOTUS AND OCCAM 511
Duns Scotus l could not have been what he was, had he
not lived after Thomas. He was indeed the pinnacle of
scholasticism ; set upon all the rest. Yet this pinnacle had
its more particular supports — or antecedents. And their
special line may be noted without intending thereby to
suggest that the influences affecting the thought of Duns
Scotus did not include all the men he heard or read, and
criticised.
That Duns Scotus was educated at Oxford, and became
a Franciscan, and not a Dominican, had done much to set
the lines of thought reflected in his doctrines. Anselm of
Aosta, of Bee, of Canterbury, had been an intellectual force
in England. Duns was strongly influenced by his bold
realism, by his emphasis upon the power and freedom of the
will, and by his doctrine of the atonement2 But Anselm
also affected Scotus indirectly through the English worthy
who stands between them.
This, of course, was Robert Grosseteste, to whom we
have had occasion to refer, yet, despite of his intrinsic
worth, always in relation to his effect on others. He was a
great man ; in his day a many-sided force, strong in the
business of Church and State, strong in censuring and
bridling the wicked, strong in the guidance of the young
university of Oxford, and a mighty friend of the Franciscan
Order, then establishing itself there. To his pupils, and
their pupils apparently, he was a fruitful inspiration ; yet
the historian of thought may be less interested in the master
than in certain of these pupils who brought to explicit form
divers matters which in Grosseteste seem to have been but
inchoate.3 One thinks immediately of Roger Bacon, who
was his pupil ; and then of Duns, the metaphysician, who
possibly may have listened to some aged pupil of Grosseteste.
In different ways, Duns as well as Bacon took much from
the master. And it is possible to see how the great teacher
1 The most convenient edition of the works of Joannes Duns Scotus is that
published by Vives, at Paris (1891 sgg.) in twenty-six volumes. It is little more
than a reprint of Wadding's Edition.
2 See Seeberg, Die Theologie des Johannes Duns Scofus (Leipzig, 1900), p. 8
sqq., a work to which the following pages owe much.
3 Grosseteste's philosophical or theological works are still unpublished or
very difficult of access ; and there is no sufficient exposition of his doctrines.
512 THE MEDIAEVAL MIND BOOK vn
and bishop may have incited the genius of Scotus as well as
that of Bacon to perform its task. For Grosseteste was a
rarely capable and clear-eyed man, honest and resolute, who
with the entire strength of a powerful personality insisted
upon going to the heart of every proposition, and testing its
validity by the surest means obtainable. By virtue of his
training and intellectual inheritance, he was an Augustinian
and a Platonist ; a successor of Anselm, rather than a pre-
decessor of the great Dominican Aristotelians. He was
accordingly an emphatic realist, yet one who would co-
ordinate the reality of his " universals " with the reality of
experience. Even had he not been an Augustinian, such a
masterful character would have realised the power of the
human will, and felt the practical insistencies of the art of
human salvation, which was the science of theology.
Views like these prevailed at Oxford. They may be
found clearly stated by Richard of Middleton, an Oxford
Franciscan somewhat older than Duns Scotus. He declares
that theology is a practical science, and emphasises the
primacy and freedom of the will. Voluntas est nobilissima
potentia in anima. Again : Voluntas simpliciter nobilior est
quant intellectus : the intellect indeed goes before the Will,
as the servant who carries the candle before his lord. So
the idea of the Good, toward which the Will directs itself, is
higher than that of the True, which is the object of the
mind ; and loving is greater than knowing.1 Roger Bacon
had also held that Will (Voluntas') was higher than the
knowing faculty (intellectus'} ; and so did Henry 'of Ghent,2
a man of the Low Countries, doctor solemnis hight, and a
ruling spirit at the Paris University in the latter part of the
'thirteenth century. Many of his doctrines substantially
resembled those of Scotus, although attacked by him.
So we seem to see the pit in which Duns may have
digged. This man, who was no mere fossor, but a builder,
and might have deserved the name of Poliorcetes, as the
overthrower of many bulwarks, has left few traces of himself,
beyond his twenty tomes of metaphysics, which contain no
personal references to their author. The birthplace of
1 Seeberg, o.c. p. 16 sqq.
8 See De Wulf, History of Medieval Philosophy ; p. 363 sqq.
CHAP, xui SCOTUS AND OCCAM 513
Johannes Duns Scotus, whether in Scotland, England or
Ireland, is unknown. The commonly accepted date, 1274,
probably should be abandoned for an earlier year. It is
known that he was a Franciscan, and that the greater part
of his life as student and teacher was passed at Oxford.
In a letter of commendation, written by the General of his
Order in 1 304, he is already termed subtilissimus. He was
then leaving for Paris, where, two or three years later, in
1 307, he was made a Doctor. The following year he was
sent to Cologne, and there he died an enigmatical death on
November 8, 1 308. Report has it that he was buried alive
while in a trance.1 Probably there was little to tell of the
life of Duns Scotus. His personality, as well as his career,
seems completely included and exhausted in his works. Yet
back of them, besides a most acutely reasoning mind, lay an
indomitable will. The man never faltered in his labour any
more than his reasoning wavered in its labyrinthic course to
its conclusions. His learning was complete : he knew the
Bible and the Fathers ; he was a master of theology, of
philosophy, of astronomy, and mathematics.
The constructive processes of his genius appear to issue
out of the action of its critical energies. Duns was the most
penetrating critic produced by scholasticism. Whatever he
considered from the systems of other men he subjected to
tests that were apt to leave the argument in tatters. No
logical inconsequence escaped him. And when every point
had been examined with respect to its rational consistency,
this dialectic genius was inclined to bring the matter to the
bar of psychological experience. On the other hand he was
a churchman, holding that even as Scripture and dogma were
above question, so were the decrees of the Church, God's
sanctioned earthly Civitas.
Having thus tested whatever was presented by human
reason, and accepting what was declared by Scripture or the
Church, Duns proceeds to build out his doctrine as the case
may call for. No man ever drove either constructive logic
or the subtilties of critical distinctions closer to the limits of
human comprehension or human patience than Duns Scotus.
And here lies the trouble with him. The endless ramifica-
1 See Seeberg, o.c. p. 34 sqq,
VOL. II 2 L
514 THE MEDIAEVAL MIND BOOK vn
tion and refinement of his dialectic, his devious processes
of conclusion, make his work a reductio ad absurdum of
scholastic ways of reasoning. Logically, eristically, the
argumentation is inerrant. It never wanders aimlessly, but
winding and circling, at last it reaches a conclusion from
some point unforeseen. Would you run a course with this
master of the syllogism ? If you enter his lists, you are lost.
The right way to attack him, is to stand without, and laugh.
That is what was done afterwards, when whoever cared for
such reasonings was called a Dunce, after the name of this
most subtle of mediaeval metaphysicians.
Thus a man is judged by his form and method, and by
the bulk of his accomplishment. Form, method, bulk of
accomplishment, with Scotus were preposterous. When the
taste or mania for such dialectics passed away, this kind of
form, this maze of method, this hopelessness of bulk, made
an unfit vehicle for a philosophy of life. Men would not
search it through to find the living principles. Yet living
principles were there ; or, at least, tenable and consistent
views. The main positions of Duns Scotus, some of which
he held in opposition to Thomas, may strike us as quite
reasonable : we may be inclined to agree with him. Perhaps
it will surprise us to find sane doctrine so well hidden in
such dialectic.
He held, for example, that there is no real difference
between the soul and its faculties. Thomas never demon-
strated the contrary quite satisfactorily. Again, Duns Scotus
was a realist : the Idea exists, since it is conceived. For
the intellect is passive, and is moved by the intelligible.
Therefore the Universal must be a something, in order to
occasion the conception of it Thus the reality of the
concept proves the actuality of the Idea.1 Duns adds
further explanations and distinctions regarding the actuality
of universals, which are somewhat beyond the comprehension
1 The kernel of Duns's proof is contained in the following passage, which is
rather simple in its Scotian Latin : " Dicendum, quod Universale est ens, quia
sub ratione non entis, nihil intelligitur : quia intelligibile movet intellectum.
Cum enim intellectus sit virtus passiva (per Aristotelem 3, de Anima, cont. 5 et
inde saepe), non operatur, nisi moveatur ab objecto ; non ens non potest movere
aliquid ut objectum ; quia movere est entis in actu ; ergo nihil intelligitur sub
ratione non entis. Quidquid autem intelligitur, intelligitur sub ratione Universalis:
ergo ilia ratio non est omnino non ens" (Super universalia Porphyrii, Quaestio iv.).
CHAP. XLII SCOTUS AND OCCAM 5 1 5
of the modern mind. But one may remark that he reaches
his views of the actuality of universals through analysis of
the processes of thought. Sense - perception occasions the
Idea in us ; there must exist some objective correspondence
to our general concepts, as there must also be in things
some objective correspondence to our perception of them as
individuals, whereby they become to us this or that individual
thing. Such individual objectivity is constituted by the
thisness of the thing, its haecceitas which is to be contra-
distinguished from its general essence, to wit, its whatness,
or quidditas. Duns holds that we think individual things
directly as we think abstract Ideas ; and so their Jiaecceitas
is as true an object of our thought as their quidditas. This
seems a reasonable conclusion, seeing that the individual and
not the type is the final end of creation. So our conceptions
prove for us the actuality both of the universal and the
concrete ; and the proof of one and the other is rooted in
sense-perception.
Nothing was of greater import with Duns than the
doctrine of the primacy of the Will over the intellect Duns
supports it with intricate argument The soul in substance
is identical with its faculties ; but the latter are formally
distinguishable from it and from each other. Knowing and
willing are faculties or properties of the soul. The will is
purely spiritual, and to be distinguished from sense-appetite :
the will, and the will alone, is free ; absolutely undetermined
by any cause beyond itself. Even the intellect, that is the
knowing faculty, is determined from without Although
some cognition precedes the act of willing, the will is not
determined by cognition, but uses it So the will, being
free, is higher than the intellect It is the will that
constitutes man's greatness ; it raises him above nature, and
liberates him from her coercions. Not the intellect, but the
will directs itself toward the goal of blessedness, and is the
subject of the moral virtues. Such seems to be Duns's main
position ; but he distinguishes and refines the matter beyond
the limits of our comprehension.1
Another fundamental doctrine with Duns Scotus is that
theology is not a speculative, but a practical, science — a
1 Cf. the far from clear exposition in Seeberg, o.t. p. 86 sqq. and 660 sqq.
516 THE MEDIAEVAL MIND BOOK vn
position which Duns unfortunately disproved with his tomes
of metaphysics ! But in spite of the personal reductio ad
absurdum of his argument, the position taken by him
betokens the breaking up of the scholastic system. The
subject of theology, at least for men, is the revelation of
God contained in Scripture. " Holy Scripture is a kind of
knowledge (quaedam notitia) divinely given in order to direct
men to a supernatural end — in finem supernaturalem" 1 The
knowledge revealed in Scripture relates to God's free will
and ordain ment for man ; which is, that man should attain
blessedness. Therefore the truths of Scripture are practical,
having an end in view ; they are such as are necessary for
Salvation. The Church has authority to declare the meaning
of Scripture, and supplement it through its Catholic tradition.
Is theology, then, properly a science ? Duns will not
deny it ; but thinks it may more properly be called a
sapientia, since according to its nature, it is rather a know-
ledge of principles than a method of conclusions. It consists
in knowledge of God directly revealed. Therefore its
principles are not those of the human sciences : for example,
it does not accept its principles from metaphysics, although
that science treats of much that is contained in theology.
Nor are the sciences — we can hardly say the otlier sciences
— subordinated to it ; since their province is natural know-
ledge obtained through natural means. Theology, if it be a
science, is one apart from the rest. The knowledge which
makes its substance is never its end, but always means to
its end ; which is to say, that it is practical and not specula-
tive. By virtue of its primacy as well as character, theology
pertains to the Will, and works itself out in practice :
practical alike are its principles and conclusions. Apparently,
with Duns, theology is a science only in this respect, that its
substance, which is most rational, may be logically treated
with a view to a complete and consistent understanding
of it.2
1 Miscell. quacst. 6, 18, cited by Seeberg, o.c. p. 114.
2 The last two or three pages have been drawn mainly from Seeberg, o.c.
p. 113 sqq. In discussing Duns Scotus, I have given less from his writings than
has been my wont with other philosophers. And for two reasons. The first, as
I frankly avow, is that I have read less of him than I have of his predecessors.
With the exception of such a curious treatise as the (doubtful) Grammatua
CHAP. XLII SCOTUS AND OCCAM 517
In entire consistency with these fundamental views,
Duns held that man's supreme beatitude lay in the complete
and perfect functioning of his will in accordance with the
will of God. This was a strong and noble view of man, free
to think and act and will and love, according to the will,
and aided by the Grace, of the Creator of his will and mind.
The trouble lay, as said before, in the method by which all
was set forth and proved. The truly consequent person
who made theology a practical matter, was such a one as
Francis of Assisi, with his ceaselessly-burning Christlike love
actualizing itself in living act and word — or possibly such a
one as Bonaventura with his piety. But can it ever seem
other than fantastic, to state this principle, and then bulwark
it with volumes of dialectic and a metaphysics beyond the
grasp of human understanding ? Not from such does one
learn to do the will of God. This was scarcely the way to
make good the ultimate practical character of religion, as
against Thomas's frankly intellectual view. Duns is as
intellectual as Thomas ; but Thomas is the more consistent.
And shall we say, that with Duns all makes toward God, as
the final end, through the strong action of the human will
and love ? So be it — Thomas said, through intellection
and through love. Again one queries, did the Scotian
reasoning ever foster love ?
And then Duns set theology apart, — and supreme.
Again, so be it. Let the impulsive religion of the soul
assert its primacy. But this was not the way of Duns.
Theology and philosophy do not rest on the same principles,
says he ; but how does he demonstrate it ? By substanti-
ating this severance by means of metaphysical dialectic, and
using the same dialectic and the same metaphysics to prove
speculativa (tome i. of the Paris edition) ; and the elementary, and comparatively
lucid, De rerum principle (tome iv. of the Paris edition)— with these exceptions
Duns is to me unreadable. My second reason for omitting excerpts from his writ-
ings, is that I wished neither to misrepresent their quality, nor to cause my reader
to lay down my book, which is heavy enough anyhow ! If I selected lucid and
simple extracts, they would give no idea of the intricacy and prolixity of Duns.
His commentary on the Sentences fills thirteen tomes of the Paris edition ! No
short and simple extract will illustrate that \ On the other hand, I could not
bring myself by lengthy or impossible quotations to vilify Duns. It is unjust to
expose a man's worst features, nakedly and alone, to those who do not know his
better side and the conditions which partly explain the rest of him.
5i8 THE MEDIAEVAL MIND BOOK vn
that theology can do without either. Not by dialectic and
metaphysics can theology free itself from them, and set itself
on other foundations.
Duns Scotus exerted great influence, both directly and
through the reaction occasioned by certain of his teachings.
The next generations were full of Scotists, who were proud
if only they might be reputed more subtle than their master.
They succeeded in becoming more inane. There were other
men, whom the critical processes of Duns led to deny the
validity of his constructive metaphysics. Of those who
profited by his teaching, yet represented this reaction against
parts of it, the ablest was the Franciscan, William of Occam,
a man but few years younger than Duns. He was born in
England, in the county of Surrey ; and studied under Duns
at Paris. It is known that in 1320 he was lecturing with
distinction at this centre of intellectual life. Three years
afterward, he quitted his chair, and in the controversies then
rending his Order, hotly espoused the cause of the Spirituales
— the Franciscans who would carry out the precepts of
Francis to the letter. Next, he threw himself with all the
ardour of his temper into the conflict with the papacy, and
became the literary champion of the rights of the State.
He was cited before the pope, and imprisoned at Avignon,
but escaped, in 1328, and fled to the Court of the emperor,
Louis of Bavaria, to whom, as the accounts declare, he
addressed the proud word : Tu me defendas gladio, ego te
defendant calamo. He died about 1347.
The succession, as it were, of Occam to Duns Scotus, is
of great interest. It was portentous for scholasticism. The
pupil, for pupil in large measure he was, profited by the
critical methods and negations of the master. But he
denied the validity of the metaphysical constructions whereby
Duns sought to rebuild what his criticism had cast down
or shaken. Especially, Occam would not accept the subtle
Doctor's fabrication of an external world in accord with the
apparent necessities of thought For with all Duns's critical
insistency, never did a man more unhesitatingly make a
universe to fit the syllogistic processes of his reason, pro-
jected into the external world. Here Occam would not
follow him, as Aristotle would not follow Plato.
CHAP. XLII SCOTUS AND. OCCAM 519
It were well to consider more specifically these two sides
of Occam's succession to Duns Scotus, shown in his accept-
ance and rejection of the master's teaching. He followed
him, of course, in emphasising the functions of the will ;
and accepted the conception of theology as practical, and
not speculative, in its ends ; and, like Duns, he distinguished,
nay rather, severed, theology from philosophy, widening the
cleft between them. If, with Duns, theology was still, in a
sense, a science ; with Occam it could hardly be called one.
Although Duns denied that theology was to be controlled
by principles drawn from metaphysics, he laboured to
produce a metaphysical counterfeit, wherein theology,
founded on revelation and church law, should present a
close parallel to what it would have been, had its controlling
principles been those of metaphysics. Occam quite as
resolutely as his master, proves the untenability of current
theological reasonings. More unreservedly than Duns, he
interdicts the testing of theology by reason : and goes
beyond him in restricting the sphere of rationally demon-
strable truth, denying, for instance, that reason can
demonstrate God's unity, infinity, or even existence.
Unlike Duns, he would not attempt to erect a quasi-
scientific theology, in the place of the systems he rejects.
To make up for this negative result, Occam asserted the
verity of Scripture unqualifiedly, as Duns also did. With
Occam, Scripture, revelation, is absolutely infallible, neither
requiring nor admitting the proofs of reason. To be sure
he co-ordinates with it the Law of Nature, which God has
implanted in our minds. But otherwise theology, faith,
stands alone, very isolated, although on the alleged most
certain of foundations. The provinces of science and faith
are different. Faith's assent is not required for what is
known through evidence ; science does not depend on faith.
Nor does faith or theology depend on scientia. And since,
without faith, no one can assent to those verities which are
to be believed (veritatibus credibilibus), there is no scientia
proprie dicta respecting them. So the breach in the old
scholastic, Thomist, unity was made utter and irreparable.
Theology stands on the surest of bases, but isolated, un-
supported ; philosophy, all human knowledge, extends
520 THE MEDIAEVAL MIND BOOK vn
around and below it, and is discredited because irrelevant to
highest truth.
Thus far as to Occam's loyal and rebellious succession to
the theology of Duns. In philosophy, it was much the same.
He accepted his critical methods, but would not follow him
in his constructive metaphysics. Although the older man
was pre-eminently a metaphysician, the critical side of his
intellect drew empiric processes within the sweep of its
energies. Occam, unconvinced of the correspondence
between the logic of concepts and the facts of the external
world, seeks to limit the principles of the former to the
processes of the mind. Accordingly, he rejects the inferences
of the Scotian dialectic which project themselves outward, as
proofs of the objective existence of abstract or general ideas.
It is thus from a more thoroughgoing application of the
Scotian analysis of mental processes, and a more thorough-
going testing of the evidence furnished by experience, that
Occam refuses to recognise the existence of universals save
in the mind, where evidently they are necessary elements of
thinking. Manifestly, he is striving very earnestly not to go
beyond the evidence ; and he is also striving to eliminate all
unevidenced and unnecessary elements, and those chimeras
of the mind, which become actual untruths when posited as
realities of the outer world.
Such were the motives of Occam's far from simple
theory of cognition. In it, mental perceptions, or cognitions,
were regarded as symbols (signa, termini] of the objects repre-
sented by them. They are natural, as contrasted with the
artificial symbols of speech and writing. They fall into
three classes ; first, sense-perception of the concrete object,
and thirdly, so to speak, the abstract concept representative
of many objects, or of some ideal figment or quality. Inter-
mediate between the two, Occam puts notitia intuitiva, which
relates to the existence of concrete things. It serves as a
basis for the cognition of their combinations and relation-
ships, and forms a necessary antecedent to abstract know-
ledge. Notitia abstractiva praesupponit intuitivam} Occam
holds that notitia intuitiva presents the concrete thing as it
exists. Otherwise with abstract or general concepts. They
1 Quodltbetalia, i. Qu. 14, cited by De Wulf, o.c. p. 422.
CHAP. XLII SCOTUS AND OCCAM 521
are signa of mental presentations, or processes ; and there is
no ground for transferring them to the world of outer realities.
Their existence is confined to the mind, where they are
formed from the common elements of other signa, especially
those of our notitia intuitiva. " And so," says Occam, " the
genus is not common to many things through any sameness
in them, but through the common nature (communitatem)
of the signum, by which the same signum is common to
many things signified." 1 These universals furnish predicates
for our judgments, since through them we conceive of realities
as containing a common element of nature. They are not
mere words ; but have a real existence in the mind, where
they perform functions essential to thinking. Indirectly,
through their bases of notitiae intuitivae, they even reflect
outer realities. " The Universal is no mere figment, to
which there is no correspondence of anything like it (cut
non correspondet aliquod consimile) in objective being, as that
is figured in the thinker."
It results from the foregoing argument, that science,
ordered knowledge, which seeks co-ordination and unity, has
not to do with things ; but with propositions, its object
being that which is known, rather than that which is.
Things are singular, while science treats of general ideas,
which are only in the mind. " It should be understood,
that any science, whether realis or rationalis, is only con-
cerned with propositions (propositionibus} ; because proposi-
tions alone are known." 2
It was not so very great a leap from the realism of
Duns, which ascribed a certain objective existence to general
ideas, to the nominalism, or rather conceptualism, of Occam,
which denied it, yet recognised the real existence and neces-
sary functions of universals, in the mind. The metaphysically
proved realities of Duns were rather spectral, and Occam's
universals, subjective though they were, lived a real and
active life. One feels that the realities of Duns's meta-
physics scarcely extended beyond the thinker's mind. In
1 Expos, aurea, cited by De Wulf, o.c. p. 423, whose exposition of Occam's
theory I have followed here.
2 On Occam, see Seeberg's article in Hauck's Encyclopaedia ; Siebeck,
"Occams Erkenntnislehre, etc.," in Archiv fur Ges. der Philosophic Bd. x.,
Neue Folge (1897).
522 THE MEDIAEVAL MIND BOOK vn
many respects Occam's philosophy was a strenuous carrying
out of Duns's teachings ; and when it was not, we see the
younger man pushed, or rather repelled, to the positions
which he took, by the unsatisfying metaphysics of his
teacher. History shows other rebounds of thought, which
seem abrupt, and yet were consequential in the same dual
way that Occam's doctrine followed that of Duns. Out of
the Brahmin Absolute came the Buddhist wheel of change ;
even as Parmenides was followed hard by Heraclitus. And
how often Atheism steps on Pantheism's heels !
Thus, developing, revising, and changing, Occam carried
out the work of Duns, and promulgated a theory of know-
ledge which pointed on to much later phases of thinking.
In his school he came to be called venerabilis inceptor, a
proper title for the man who shook loose from so much
previous thought, and became the source of so many novel
views. He had, indeed, little fear of novelty. " Novelties
(novitates) are not altogether to be rejected ; but as what is
old (vetustd), on becoming burdensome, should be abolished,
so novelties when, to the sound judgment, they are useful,
fruitful, necessary, expedient, are the more boldly to be
embraced." *
It is not, however, as the inceptor of new philosophies or
of novel views on the relations between State and Papacy
that we are viewing Occam here at the close of this long
presentation of the ultimate intellectual interests of the
twelfth and thirteenth centuries. But rather as the man
who represented the ways in which the old was breaking up,
and embodied the thoughts rending the scholastic system ;
who even was a factor in the palpable decadence of scholastic
thinking that had set in before his eyes were closed. For
from him came a new impulse to a renewed overstudy of
formal logic — with Thomas, for example, logic had but
filled its proper rdle. Withdrawing from metaphysics the
matter pertaining to the problem of universals and much
more besides, Occam transferred the same to logic, which
he called omnium artium aptissimum instrumentum? This
reinstatement of logic as the instrument and means of all
knowledge was to be the perdition of emptier-minded men,
1 Quoted by Seeberg. 2 De Wulf, o.c. p. 425.
CHAP. XLII SCOTUS AND OCCAM 523
who felt no difference between philosophy and the war of
words. And in this respect at least the decadence of
scholasticism took its inception from this bold and virile
mind which had small reverence for popes or for the idols of
the schools. We shall not follow the lines of this decay,
but simply notice where they start.
In the growth and decline of thought, things so go hand in
hand that it is hard to say what draws and what is drawn.
In the scholastic decadence, the preposterous use of logic was
a palpable element. Yet was it cause or effect ? Obviously
both. Scholasticism was losing its grasp of life ; and the
universities in the fourteenth century were crowded with men
whose minds mistook words for thoughts ; and because of
this they gave themselves to hypertrophic logic. On the
other hand, this windy study promoted the increasing
emptiness of philosophy.
Likewise, as cause and effect, inextricably bound together,
the other factors work, and are worked upon. The number
of universities increases ; professors and students multiply ;
but there is an awful dearth of thinkers among them. There
ceases even to be a thorough knowledge of the scholastic
systems ; men study from compendia ; and thereby remain
most deeply ignorant, and unfecundated by the thoughts of
their forbears. Cause and effect again ! We can hardly
blame them, when tomes and encyclopaedias were being
heaped mountain high, with life crushed beneath the
monstrous pile, or escaping from it. But whether cause
or effect, the energies of study slackened, and even rotted,
both at the universities and generally among the members
of the two Student Orders, from whom had come the last
creators — and perhaps destroyers — of scholasticism.
Next : the language of philosophy deteriorated, becoming
turbid with the barbarisms of hair-splitting technicalities.
Likewise the method of presentation lost coherence and
clarity. All of which was the result of academic decadence,
and promoted it.
So decay worked on within the system, each failing
element being both effect and cause, in a general subsidence
of merit. There were also causes, as it were, from without ;
which possibly were likewise effects of this scholastic decay
524 THE MEDIAEVAL MIND BOOK vn
As the life of the world once had gone out of paganism, and
put on the new vigour of Christianity, so the life of the world
was now forsaking scholasticism, and deriding, shall we say,
the womb it had escaped from. Was the embryo ripe, that
the womb had become its mephitic prison ? At all events,
the fourteenth century brought forth, and the next was filled
with, these men who called the readers of Duns Scotus Dunces
— and the word still lives. Men had new thoughts ; the
power of the popes was shattered, and within the Church,
popes and councils fought for supremacy ; there was no
longer any actual unity of the Church to preserve the unity
of thought ; Wicliffe had risen ; Huss and Luther were close
to the horizon ; a new science of observation was also stirring,
and a new humanism was abroad. The life of men had
not lessened nor their energies and powers of thought. Yet
life and power no longer pulsed and wrought within the old
forms ; but had gone out from them, and disdainfully were
flouting the emptied husks.
CHAPTER XLII1
THE MEDIAEVAL SYNTHESIS : DANTE
IT lies before us to draw the lines of mediaeval development
together. We have been considering the Middle Ages very
largely, endeavouring to fix in mind the more interesting
of their intellectual and emotional phenomena. We have
found throughout a certain spiritual homogeneity ; but have
also seen that the mediaeval period of western Europe is
not to be forced to a fictitious unity of intellectual and
emotional quality — contradicted by a disparity of traits and
interests existing then as now. Yet just as certain ways of
discerning facts and estimating their importance distinguish
our own time, making it an " age " or epoch, so in spite
of diversity and conflict, the same was true of the mediaeval
period. From the ninth to the fourteenth century, inter-
related processes of thought, beliefs, and standards prevailed
and imparted a spiritual colour to the time. While not
affecting all men equally, these spiritual habits tended to
dominate the minds and tempers of those men who were
the arbiters of opinion, for example, the church dignitaries,
or the theologian-philosophers. Men who thought effectively,
or upon whom it fell to decide for others, or to construct or
imagine for them, such, whether pleasure-loving, secularly
ambitious, or immersed in contemplation of the life beyond
the grave, accepted certain beliefs, recognized certain authori-
tatively prescribed ideals of conduct and well-being, and did
not reject the processes of proof supporting them.
The causes making the Middle Ages a characterizable
period in human history have been scanned. We observed
the antecedent influences as they finally took form and
525
526 THE MEDIAEVAL MIND BOOK vn
temper in the intellectual atmosphere of the latter-day pagan
world and the cognate mentalities of the Church Fathers.
We followed the pre-Christian Latinizing of Provence, Spain,
Gaul, and the diffusion of Christianity throughout the same
countries, where, save for sporadic dispossession, Christianity
and Latin were to continue, and become, in the course of
centuries, mediaeval and Romance. As waves of barbarism
washed over the somewhat decadent society of Italy and her
Latin daughters, we saw a new ignorance setting a final
seal upon the inability of these epigoni to emulate bygone
achievements. Plainly there was need of effort to rescue
the disjecta membra of the antique and Christian heritages.
The wreckers were famous men, young Boethius, old
Cassiodorus, the great pope Gregory, and princely Isidore.
For their own people they were gatherers and conservers ;
but they proved veritable transmitters for Franks, Anglo-
Saxons and Germans, who were made acquainted with
Christianity and Latinity between the sixth and the ninth
centuries, the period in the course of which the Mero-
vingian kingdoms were superseded by the Carolingian
Empire.
With the Carolingian period the Middles Ages unques-
tionably are upon us. The factors and material of mediaeval
development, howsoever they have come into conjunction,
are found in interplay. It was for the mediaeval peoples,
now in presence of their spiritual fortunes, to grow and draw
from life. Their task, as has appeared from many points
of view, was to master the Christian and antique material,
and change its substance into personal faculty. Under
different guises this task was for all, whether living in Italy
or dwelling where the antique had weaker root or had been
newly introduced.
This Carolingian time of so much sheer introduction
to the teaching of the past presented little intellectual
discrimination. That would come very gradually, when
men had mastered their lesson and could set themselves
to further study of the parts suited to their taste. Never-
theless, there was even in the Carolingian period another
sort of discrimination, towards which men's consciences were
drawn by the contrast between their antique and Christian
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 527
heritages, and because the latter held a criterion of selection
and rejection, touching all the elements of human life.
Whoever reflects upon his life and its compass of
thought, of inclination, of passion, action, and capacity for
happiness or desolation, is likely to consider how he may
best harmonize its elements. He will have to choose and
reject ; and within him may arise a conflict which he must
bring to reconcilement if he will have peace. He may need
to sacrifice certain of his impulses or even rational desires.
As with a thoughtful individual, so with thoughtful people
of an epoch, among whom like standards of discrimination
may be found prevailing. The ninth century received, with
patristic Christianity, a standard of selection and rejection.
In conformity with it, men, century after century, were to
make their choice, and try to bring their lives to a dis-
criminating unity and certain peace. Yet in every mediaeval
century the soul's peace was broken in ways demanding
other modes of reconcilement.
What profiteth a man to gain the world and lose his
eternal life ? Here was the Gospel basis of the matter.
And, following their conception of Christ's teaching, the
Fathers of the Church elaborated and defined the conditions
of attainment of eternal life with God, which was salvation.
This was man's whole good, embracing every valid and
righteous element of life. Thus it had been with Christ ;
thus it was with Augustine ; thus it was with Benedict of
Nursia and Gregory the Great ; only in Benedict and
Gregory the salvation which represented the true and
uncorrupt life of man on earth, as well as the assured
preparation for eternal life with God, had shrunken from the
universality of Christ, and even from the fulness of desire
with which Augustine sought to know God and the soul.
In these later men the conception of salvation had contracted
through ascetic exclusion and barbaric fear.
Yet with Benedict and Gregory, in whom there was
much constructive sanity, and indeed with all men who were
not maniacally constrained, there was recognition that
salvation was of the mind as well as through faith and love,
or abhorrent fear. It is necessary to know the truth ; and
surely it is absolutely good to desire to know the truth forever,
528 THE MEDIAEVAL MIND BOOK vn
without the cumbrances of fleshly mortality. This desire is
a true part of everlasting life. Through it Origen, Hilary
of Poictiers, Augustine largely, and after them the great
scholastics with Dante at their close, achieved salvation.
But why should one desire to know the truth utterly
and forever, were not the truth desirable, lovable ? Naturally
one loves that which through desire and effort one has come
to know. Love is required and also faith by him who will
have and know the salvation which is eternal life ; the
emotions must take active part. Yet salvation comes not
through the unguided sense-desiderative nature. It is for
reason to direct passionate desire, and raise it to desire
rationally approved, which is volition.
Thus salvation not only requires the action of the whole
man, but is in and of his entire nature. It presents a unity
primarily because of its agreement with the will of God, and
then because of its unqualified and universal insistence that
it, salvation, life eternal, be set absolutely first in man's
endeavour. What indeed could be more irrational, and
more loveless and faithless, than that any desire should
prevail over the entire good of man and the will of God as
well ? Oneness and peace consist in singleness of purpose
and endeavour for salvation. Herein lies the standard of
conduct and of discrimination as touching every element
of mortal life.
With mediaeval men, the application of the criterion of
salvation depended on how the will of God for man, and
man's accordant conduct, was conceived. What kind of
conduct, what elements of the intellectual and emotional life
were proper for the Kingdom of Heaven? What matters
barred the way, or were unfit for the eternal spiritual state ?
The history of Christian thought lies within these queries.
An authoritative consensus of opinion was represented by
the Church at large, holding from century to century a juste
milieu of doctrine, by no means lax and yet not going to
ascetic extremes. Seemingly the Church maintained varying
standards of conduct for different orders of men. Yet in
truth it was applying one standard according to the responsi-
bilities of individuals and their vows.
The Church (meaning, for our purpose, the authoritative
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 529
consensus of mediaeval ecclesiastical or religious approvals)
always upheld as the ideal of perfect living the religious
life, led under the sanction and guidance of some recognized
monastic regula. So lived monks and nuns, and in more
extreme or sporadic instances, anchorites and reclusae. The
main peril of this strait and narrow path was its forsaking,
the breaking of its vows. Less austerely guarded and
exposed to further dangers were the secular clergy, living in
the world, occupied with the care of lay souls, and with
other cares that hardly touched salvation. The world
avowedly, the flesh in reality, and the devil in all prob-
ability, beset the souls of bishops and other clergy. In
view of their exposed positions " in the world," a less
austerely ascetic life was expected of the seculars, whose
lapses from absolute holiness God might — or perhaps might
not — condone.
Around, and for the most part below, regulars and
seculars were the laity of both sexes, of all ages, positions,
and degrees of instruction or ignorance. They had taken
no vows of utter devotion to God's service, and were expected
to marry, beget children, fight and barter, and fend for
themselves amid the temptations and exigencies of affairs.
Well for them indeed if they could live in communion with
the Church, and die repentant and absolved, eligible for
purgatory.
For all these kinds of men and women like virtues were
prescribed, although their fulfilment was looked for with
varying degrees of expectation. For instance, the distinctly
theological virtues, faith, hope, and charity, especially the
first, could not be completely attained by the ignorance and
imperfect consecration of laymen. The vices, likewise, were
the same for all, pride, anger, hypocrisy, and the rest ; only
with married people a venial unchastity was sacramentally
declared not to constitute mortal sin. For this one case,
human weakness, also mankind's necessity, was recognized ;
while, in practice, the Church, through its boundless oppor-
tunities for penitence and absolution, mercifully condoned all
delinquency save obstinate pride, impenitence, and disbelief.
These were the bare poles ethical of the orthodox
mediaeval Christian scheme. How as to its intellectual and
VOL. II 2 M
530 THE MEDIAEVAL MIND BOOK vn
emotional inclusiveness ? The many-phased interest of the
mind, i.e. the desire to know, was in principle accepted, but
with the condition that the ultimate end of knowledge
should be the attainment of salvation. It was stated and
re-emphasized by well-nigh every type of mediaeval thinker,
that Theology was the queen of sciences, and her service
alone justified her handmaids. All knowledge should make
for the knowledge of God, and enlarge the soul's relation-
ship to its Creator and Judge. " He that is not with me is
against me." Knowledge which does not aid man to know
his God and save his soul, all intellectual pursuits which are
not loyal to this end, minister to the obstinacy and vain-
glory of man, stiff-necked, disobedient, unsubmissive to the
will of God. Knowledge is justified or condemned accord-
ing to its ultimate purpose. Likewise every deed, business,
occupation, which can fill out the active life of man. As
they make for Christ and salvation, the functions of ruler,
warrior, lawyer, artisan, priest, are justified and blessed — or
the reverse.
But how as to the appetites and the emotions? How
as to love, between the sexes, parent and child, among
friends ? The standard of discrimination is still the same,
though its application vary. Appetite for food, if unre-
strained, is gluttony ; it must be held from hindering the
great end. One must guard against love's obsession, against
sense-passion, which is so forgetful of the ultimate good :
concupiscence is sinful. Through bodily begetting, the taint
of original sin is transmitted ; and in all carnal desire, though
sanctioned by the marriage sacrament, is lust and spiritual
forgetfulness. When in fornication and adultery its acts
contravene God's law, they are mortal sins which will, if
unabsolved, cast the sinner into hell.
Few men in the Middle Ages were insensible to their
future lot, and therefore the criterion of salvation unto
eternal life would rarely be rejected. But often there was
conflict within the soul before it acquiesced in what it felt
compelled to recognize ; and sometimes there was clear
revolt against current convictions, or practical insistence
that a larger volume of the elements of human nature were
fit for life eternal.
CHAP, xuii THE MEDIAEVAL SYNTHESIS 531
Conflict before acquiescence had agitated the natures of
sainted Fathers of the Church, who marked out the path to
salvation which the Middle Ages were to tread. One thinks
at once of Jerome's never-forgotten dream of exclusion from
Paradise because of too great delight in classic reading.
Another phase was Augustine's, set forth somewhat retro-
spectively in his Confessions. Therein, as would seem, the
drawings of the flesh were most importunate. Yet not
without sighs and waverings did the mind of Augustine settle
to its purpose of knowing only God and the soul. At all
events the chafings of mortal curiosity, the promptings of
cultivated taste, and the cravings of the flesh, were the
moving forces of the Psychomachia which passed with
Patristic Christianity to the Middle Ages. Thousands upon
thousands of ardent souls were to experience this conflict
before convincing themselves that classic studies should be
followed only as they led heavenward, and that carnal love
was an evil thing which, even when sacramentally sanctioned,
might deflect the soul.
The revolt against the authoritatively accepted standard
declared itself along the same lines of conflict, but did not
end in acquiescence and renunciation. It contended rather
for a peace and reconcilement which should include much
that was looked upon askance. It was not always violent,
and might be dumb to the verge of unconsciousness, merely
a tacit departure from standards more universally recognized
than followed.
There were countless instances of this silent departure
from the standard of salvation. With cultivated men, it
realized itself in classical studies, as with Hildebert of Le
Mans or John of Salisbury. It does not appear that either
of them experienced qualms of conscience or suffered rebuke
from their brethren. No more did Gerbert, an earlier in-
stance of catholic interest in profane knowledge, though
legends of questionable practices were to encircle his fame.
Other men pursued knowledge, rational or physical, in
such a way as to rouse hostile attention to its irrelevancy
or repugnancy to saving faith, and this even in spite of
formal demonstration by the investigator — Roger Bacon is
in our mind — of the advantage of his researches to the
532 THE MEDIAEVAL MIND BOOK vn
Queen Theology. Bacon might not have been so suspect
to his brethren, and his demonstration of the theological
serviceableness of natural knowledge would have passed,
had he not put forth bristling manifestos denouncing the
blind acceptance of custom and authority. Moreover, the
obvious tendencies of methods of investigation advocated by
him countered methods of faith ; for the mediaeval and
patristic conception of salvation, whatever collateral supports
it might find in reason, was founded on the authority of
revelation.
Indeed it was the lifting up of the standard of rational
investigation which distinguished the veritable revolt from
those preliminary inner conflicts which often strengthened
final acquiescence. And it was the obstinate elevation of
one's individual wisdom (as it appeared to the orthodox)
that separated the accredited supporters of the Church
among theologians and philosophers, from those who were
suspect. We mark the line of the latter reaching back
through Abaelard to Eriugena. Such men, although
possibly narrower in their intellectual interests than some
who more surely abode within the Church's pale, may be
held as broader in principle. For inasmuch as they tended
to set reason above authority, it would seem that there was
no bound to their pursuit of rational knowledge, wherewith
to expand and fortify their reason.
But if the intellectual side of man pressed upon the
absolutism of the standard of salvation, more belligerent
was the insistency of love — not of the Crucified. To the
Church's disparagement of the flesh, love made answer
openly, not slinking behind hedges or closed doors, nor
even sheltering itself within wedlock's lawfulness. It, love,
without regard to priestly sanction, proclaimed itself a
counter-principle of worth. The love of man for woman
was to be an inspiration to high deeds and noble living as
well as a source of ennobling power. It presented an ideal
for knights and poets. It could confer no immortality on
lovers save that of undying fame : but it promised the
highest happiness and worth in mortal life. If only knights
and ladies might not have grown old, the supremacy of love
and its emprize would have been impregnable. But age
CHAP, xuii THE MEDIAEVAL SYNTHESIS 533
must come, and the ghastly mediaeval fear of death was
like to drive lover and mistress at the last within some con-
vent refuge. Fear brought compunction and perhaps its
tears. Renunciation of the joy of life seemed a fit penance
to disarm the Judge's wrath. So at the end of life the ideal
of love was prone to make surrender to salvation. Asceticism
even enters its literature, as with the monkish Galahad.
There was, however, another way of reconcilement between
the carnal and the spiritual, the secular and the eternal,
by which the secular and carnal were transformed to symbols
of the spiritual and eternal — the way of the Vita nuova
and the Divina Corn-media, as we shall see.
So in spite of conflicts or silent treasons within the
natures of many who fought beneath the Christian banner,
in spite of open mutinies of the mind and declared revolts
of the heart, salvation remained the triumphant standard
of discrimination by which the elements of mediaeval life
were to be esteemed or rejected. What then were these
elements to which this standard, or deflections from it,
should apply? How specify their mediaeval guise and
character? It would be possible to pass in review synopti-
cally the contents of this work. We might return, and
then once more travel hitherward over the mediaeval path,
the many paths and byways of mediaeval life. We might
follow and again see applied — or unapplied — these standards
of discrimination, salvation over all, and the deviations of
pretended acquiescence or subconscious departure. We
might perhaps make one final attempt to draw the currents
of mediaeval life together, or observe the angles of their
divergence, and note once more the disparity of taste and
interest making so motley the mediaeval picture. But
this has been done so excellently, in colours of life, and
presented in the person of a man in whom mediaeval
thought and feeling were whole, organic, living — an achieve-
ment by the Artist moving the antecedent scheme of things
which made this man Dante what he was. We shall find
in him the conflict, the silent departures, and the reconcile-
ment at last of recalcitrant elements brought within salvation
as the standard of universal discrimination. Dante accom-
plishes this reconcilement in personal yet full mediaeval
534 THE MEDIAEVAL MIND BOOK vn
manner by transmuting the material to the spiritual, the
mortal to the eternal, through the instrumentality of
symbolism. He is not merely mediaeval ; he is the end
of the mediaeval development and the proper issue of the
mediaeval genius.
Yes, there is unity throughout the diversity of mediaeval
life ; and Dante is the proof. For the elements of medi-
aeval growth combine in him, demonstrating their congruity
by working together in the stature of the full-grown
mediaeval man. When the contents of patristic Christianity
and the surviving antique culture had been conceived anew,
and had been felt as well, and novel forms of sentiment
evolved, at last comes Dante to possess the whole, to think
it, feel it, visualize its sum, and make of it a poem. He
had mastered the field of mediaeval knowledge, diligently
cultivating parts of it, like the Graeco- Arabian astronomy ;
he thought and reasoned in the terms and assumptions
of scholastic (chiefly Thomist-Aristotelian) philosophy ; his
intellectual interests were mediaeval ; he felt the mediaeval
reverence for the past, being impassioned with the ancient
greatness of Rome and the lineage of virtue and authority
moving from it to him and thirteenth-century Italy and
the already shattered Holy Roman Empire. He took
earnest joy in the Latin Classics, approaching them from
mediaeval points of view, accepting their contents un-
critically. He was affected with the preciosity of courtly
or chivalric love, which Italy had made her own along with
the songs of the Troubadours and the poetry of northern
France. His emotions flowed in channels of current con-
vention, save that they overfilled them ; this was true as
to his early love, and true as to his final range of religious
and poetic feeling. His was the emotion and the cruelty
of mediaeval religious conviction ; while in his mind (so
worked the genius of symbolism) every fact's apparent
meaning was clothed with the significance of other modes
of truth.
Dante was also an Italian of the period in which he
lived ; and he was a marvellous poet. One may note in
him what was mediaeval, what was specifically Italian, and
what, apparently, was personal. This scholar could not
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 535
but draw his education, his views of life and death, his
dominant inclinations and the large currents of his purpose,
from the antecedent mediaeval period and the still greater
past which had worked upon it so mightily. His Italian
nature and environment gave point and piquancy and very
concrete life to these mediaeval elements ; and his personal
genius produced from it all a supreme poetic creation.
The Italian part of Dante comes between the mediaeval
and the personal, as species comes between the genus and
the individual. The tremendous feeling which he discloses
for the Roman past seems, in him, specifically Italian :
child of Italy, he holds himself a Latin and a direct heir
of the Republic. Yet often his attitude toward the antique
will be that of mediaeval men in general, as in his disposi-
tion to accept ancient myth for fact ; while his own genius
appears in his beautifully apt appropriation of the Virgilian
incident or image ; wherein he excels his " Mantuan "
master, whose borrowings from Homer were not always
felicitous. Frequently the specifically Italian in Dante, his
yearning hate of Florence, for example, may scarcely be
distinguished from his personal temper ; but its civic bitter-
ness is different from the feudal animosities or promiscuous
rages which were more generically mediaeval. As a lighter
example, there are three lines in the fourth canto of the
Purgatorio which do not reflect the Middle Ages, nor yet
pertain to Dante's character, but are, we feel, Italian.
They are these : " Thither we drew ; and there were persons
who were staying in the shadow behind the rock, as one
through indolence sets himself to stay."
Again, Dante's arguments in the De monarchia1 seem
to be those of an Italian Ghibelline. Yet beyond his intense
realization of Italy's direct succession to the Roman past, his
reasoning is scholastic and mediaeval, or springs occasionally
from his own reflections. The Italian contribution to the
book tends to coalesce either with the general or the
personal elements. Dante argues that the rewards or fruits
of virtue belonged to the Roman people because of the pre-
1 In view of the enormous literature upon Dante, popular as well as learned,
it would be absurd to give any bibliographical, biographical or historical informa-
tion as to his works, himself, or his Italian circumstances.
536 THE MEDIAEVAL MIND BOOK vn
eminent virtue, high lineage, and royal marriage-connections,
of their ancestor Aeneas.1 Here, of course, the statements
of Virgil are accepted literally, and one notes that while the
argument is mediaeval in its absurdity, it will be made
Italian in its application. Likewise his further arguments
making for the same conclusion, however Italianized in
their pointing, are mediaeval, or patristic, in their proven-
ance : for example, that the Roman Empire was divinely
helped by miracles ; that the divine arbitrament decided the
world-struggle or duellum in its favour ; and that Christ was
born and suffered legally to redeem mankind under the
Empire's authority and jurisdiction.2 Moreover, in refuting
the very mediaeval papal arguments from " the keys," from
" the two swords," and from the analogy of the sun and
moon, Dante himself reasons scholastically.3
The De vulgari eloquentia illustrates the difference
between Dante accepting and reproducing mediaeval views,
and Dante thinking for himself. In opening he speaks of
mixing the stronger potions of others with the water of his
own talent, to make a beverage of sweetest hydromel — we
have heard such phrases before ! Then the first chapters
give the current ideas touching the nature and origin of
speech, and describe the confusion of language at the
building of Babel : each group of workmen engaged in
the same sort of work found themselves speaking a new
tongue understood only by themselves ; while the sacred
Hebrew speech endured with that seed of Shem who had
taken no part in the impious construction. After this
foolishness, the eighth chapter of Book I. becomes startlingly
intelligent as Dante discusses the contemporary Romance
tongues of Europe and takes up the idioma which uses the
particle si. Out of its many dialects he detaches his thought
of a volgare, a mother tongue, which shall be the illustrious,
noble, and courtly speech in Latium, and shall seem to be
of every Latian city and yet of none, and afford a standard
by which the speech of each city may be criticized. The
mediaeval period offers no such penetrating linguistic
observation ; and in the De Vulgari Eloquentia, as in the
1 Dz man. ii. 3. 2 De num. ii. chaps. 4, IO, 12.
3 De mon. iii. 4 sqq.
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 537
Convito, Dante is deeply conscious of the worth of the
Romance vernacular.
Written in the volgare, the style of the latter nondescript
work bears curious likeness to scientific Latin writing. The
Latin scholastic thought shows plainly through this involved
and scholastic volgare, while the scholastic substance is
rendered in a scarcely altered medium. The Convito is
indeed a curious work which one need not lament that
Dante did not carry out to its mediaeval interminableness in
fourteen books. The four that he wrote suffice to show its
futility and apparent confusion in conception and form.
Besides incidentally explaining the thought of the idyllic
Vita nuova, it professed to be a commentary upon fourteen
of Dante's canzone, the meaning of which had been mis-
understood. Indeed they had been suspected of disclosing
a passion bearing a morganatic relationship to the love
of Beatrice. Truly understood they referred to that love
which is the love of knowledge, philosophy to wit ; and
their commentary should expound that, and might properly
set forth the contents of the Seven Liberal Arts and the
higher divine reaches of knowledge. The Convito seems also
to mark a stage in Dante's life : the time perhaps when he
turned, or imagined himself as turning, to philosophy for
consolation in youthful grief, or the time perhaps when his
nature looked coldly upon its early faith and sought to
stay itself with rational knowledge. The book might thus
seem a De consolatione philosophiae, after the temper, if not
the manner, of Boethius' work, which then was much in
Dante's mind. Yet it was to be a setting forth of know-
ledge for the ignorant, a sort of Summa contra Gentiles, as is
hinted in the last completed chapter. These three purposes
fall in with the fact that the work was apparently the
expression of Dante's intellectual nature, and of his spiritual
condition between the experience of the Vita nuova and the
time or state of the Commedia.1
Certainly the Convito gives evidence touching the writer's
mental processes and the interests of his mind. Except for
its lofty advocacy of the volgare and its personal apologetic
1 All this seems supported by Conv. \. i, and it 13, the main explanatory
chapters of the work.
538 THE MEDIAEVAL MIND BOOK vn
references, it contains little that is not blankly mediaeval.
And had it kept on to its completion, so as to have become
no torso, but a full Summa or Tesoro of liberal knowledge,
its whimsical form as a commentary upon canzone would
have made it one of the most bizarre of mediaeval composi-
tions. One should not take this most repellent of Dante's
writings as an adequate expression of the intellectual side of
his nature ; though a significant phrase may be drawn from
it : " Philosophy is a loving use of wisdom (uno amoroso uso
di sapienza) which chiefly is in God, since in Him is utmost
wisdom, utmost love, and utmost actuality." ] A loving use
of wisdom — with Dante the pursuit of knowledge was no
mere intellectual search, but a pilgrimage of the whole
nature, loving heart as well as knowing mind, and the
working virtues too. This pilgrimage is set forth in the
Commedia, perhaps the supreme creation of the Middle
Ages, and a work that by reason of the beautiful affinity of
its speech with Latin,2 exquisitely expressed the matters
which in Latin had been coming to formulation through the
mediaeval centuries.
The Commedia (Inferno, Purgatorio, Paradiso) is a
Summa, a Summa salvationis, a sum of saving knowledge.
It is such just as surely as the final work of Aquinas is
a Summa theologiae. But Aquinas was the supreme
mediaeval theologian - philosopher, while Dante was the
supreme theologian - poet ; and with both Aquinas and
Dante, theology includes the knowledge of all things, but
chiefly of man in relation to God. Such was the matter of
the divina scientia of Thomas, and such was the subject of
the Commedia, which was soon recognized as the Divina
Commedia in the very sense in which Theology was the
divine science. The Summa of Thomas was scientia not
only in substance, but in form ; the Commedia was scientia,
or sapientia, in substance, while in form it was a poem, the
epic of man the pilgrim of salvation. In every sense,
Aristotelian and otherwise, it was a work of art ; and
herein if we cannot compare it with a Summa, we may
certainly liken it to a Cathedral, which also was a work of
art and a Summa salvationis wrought in stone. For a
1 Conv, iii. 12. 2 e.g. " benigna volant ode" Par. xv. i.
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 539
Cathedral — it is the great French type we have in mind —
was a Summa of saving knowledge, as well as a place for
saving acts. And presenting the substance of knowledge in
the forms of art, very true art, the matter of which had long
been pondered on and loved or hated, the Cathedral in its
feeling and beauty, as well as in the order of its manifested
thought, was a Corn-media ; for it too was a poem with a
happy ending, at least for those who should be saved.
The Cathedral had grown from dumb barrel-vaulted
Romanesque to Gothic, speaking in all the terms of sculpture
and painted glass. It grew out of its antecedents. The
Commedia rested upon the entire evolution of the Middle
Ages. Therein had lain its spiritual preparation. To be
sure it had its casual forerunners (precursor?) : narratives, real
or feigned, of men faring to the regions of the dead.1 But
these signified little ; for everywhere thoughts of the other
life pressed upon men's minds : fear of it blanched their
hearts ; its heavenly or hellish messengers had been seen,
and not a few men dreamed that they had walked within
those gates and witnessed clanging horrors or purgatorial
pain. Heaven they had more rarely visited.
Dante gave little attention to any so-called "forerunners,"
save only two, Paul and Virgil. The former was a warrant
for the poet's reticence as to the manner of his ascent to
Heaven ; 2 the latter supplied much of his scheme of Hell.
Yet there were one or two others possessed of some affinity
of soul with the great Florentine, who perhaps knew nothing
of them. One of these was Hildegard of Bingen, with her
vision of the spirits in the cloud, and her pungent sights of
the bitterness of the pains of hell.3 Another sort of affinity-
is disclosed in the allegorical Antidaudianus of Alanus de
Insulis, in which Reason can take Prudentia just so far
upon her heavenly journey, and then gives place to
Theology, even as Virgil, symbol of rational wisdom, gives
1 Cf. A. d' Ancona, / Precursori di Dante (Florence, 1874) ; M. Dods, Fore-
runners of Dante (Edinburgh, 1903); A.J. Butler, Forerunners of Dante (Oxford,
1910) ; Hettinger, Gottliche A'omodie, p. 79 (2nded., Freiburg im Breisgau, 1889).
Mussafia, " Monument! antichi di dialetti italiani," Sitzungsber. philos. knt.
Classe (Vienna Academy), vol. 45, 1864, p. 136 sff., gives two old ItalUn
descriptions, one of the heavenly Jerusalem, the other of the infernal Babylon.
2 2 Cor. xii. 2 ; Paradho, i. 73'75-
3 Ante, Chapter XIX.
540 THE MEDIAEVAL MIND BOOK vn
place to Beatrice at the summit of the Mount of Purgatory.1
Dante might have drawn still more enlightenment from the
De sacramentis of Hugo of St. Victor, in which the rational
basis of the universal scheme of things is shown to lie in the
principle of allegorical intendment. Yet one finds few traces
of Hugo in Dante except through Hugo's pupil, Richard,
whose works he had read. That such apt forerunners should
scarcely have affected him shows how he was taught and
inspired, not by individuals, but by the entire Middle Ages.
One observes mediaeval characteristics in the Commedia
raised to a higher power. The mediaeval period was marked
by contrasts of quality and of conduct such as cannot be
found in the antique or the modern age. And what other
poem can vie with the Commedia in contrasts of the beautiful
and the loathsome, the heavenly and the hellish, exquisite
refinement of expression and lapses into the reverse,2 love
and hate, pity and cruelty, reverence and disdain ? These
contrasts not only are presented by the story ; they evince
themselves in the character of the author. Many scenes of
the Inferno are loathsome : 3 Dante's own words and conduct
there may be cruel and hateful 4 or show tender pity ; and
every reader knows the poetic beauty which glorifies the
Paradise, renders lovely the Purgatorio, and ever and anon
breaks through the gloom of Hell.
Another mediaeval quality, sublimated in Dante's poem,
is that of elaborate plan, intended symmetry of composition,
the balance of one incident or subject against another.5
And finally one observes the mediaeval inclusiveness which
belongs to the scope and purpose of the Commedia as a
Sumnta of salvation. Dante brings in everything that can
illuminate and fill out his theme. Even as the Summa of St.
Thomas, so the Commedia must present a whole doctrinal
scheme of salvation, and leave no loopholes, loose ends,
broken links of argument or explanation.
1 Ante, pp. 98-100.
2 The coarseness of Inf. xxi. 137-139 is of a piece with the way of mediaeval
art in making demons horrible through a grotesquely indecent rendering of their
persons.
3 e.g. Inf. xviii. 100 sqq. ; and Inf. xxviii. and xxix.
4 Inf. viii. 37 sqq. ; xxxii. 97 sqq. ; xxxiii. 116 and 149.
6 Cf. Moore, Dante Studies, vol. ii. pp. 266-267.
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 541
The substance of the Corn-media, practically its whole
content of thought, opinion, sentiment, had source in the
mediaeval store of antique culture and the partly affiliated,
if not partly derivative, Latin Christianity. The mediaeval
appreciation of the Classics, and of the contents of ancient
philosophy, is not to be so very sharply distinguished from
the attitude of the fifteenth or sixteenth, nay, if one will,
the eighteenth, century, when the Federalist in the young
inchoately united States, and many an orator in the revolu-
tionary assemblies of France, quoted Cicero and Plutarch as
arbiters of civic expediency. Nevertheless, if we choose to
recognize deference to ancient opinion, acceptance of antique
myth and poetry as fact,1 unbounded admiration for a shadowy
and much distorted ancient world, as characterizing the
mediaeval attitude toward whatever once belonged to Rome
and Greece, then we must say that such also is Dante's attitude,
scholar as he was ;2 and that in his use of the Classics he
differed from other mediaeval men only in so far as above
them all he was a poet.
Lines of illustrative examples begin with the opening
canto of the Inferno, where Dante addresses Virgil as famoso
saggio, an appellative strictly corresponding with the current
mediaeval view of the " Mantuan." Mediaeval also is the
grouping of the great poets who rise to meet Virgil, first
Homer, then Orazio satiro, and Ovid and Lucan.8 More
1 Any one who looks through the first volume of Tiraboschi's great Storia
delta letteratura italiana, written in the early part of the nineteenth century, will
find a generous acceptance of myth as fact ; just as he would find the same in the
Histoirc andenne of the good Rollin, written a century or more before.
2 Dante has frequently been spoken of as the " first scholar " of his time. I
do not myself know enough regarding the scholarship of every scholar in the
thirteenth and fourteenth centuries to confirm or deny this. Personally, I do
not regard him as a Titanic scholar, like Albertus Magnus for example. He
studied all the classic Latin authors available. Doubtless he had a memory
corresponding to his other extraordinary powers. His also was the intellectual
point of view, and the intellectual interest in knowledge and its deductions. His
view of life was as intellectual as that of Aquinas. But as Dante's powers of
plastic visualization were unequalled, so also, it seems to me, were his faculties
of using as a poet what he had acquired as a scholar. Regarding the extent of
Dante's use and reading of the Classics, nothing could be added to Dr. Moore's
Studies in Dante, First Series ; though I think what Dr. Moore has to say of
" Dante and Aristotle " would have cast a more direct light upon the matter, had
he cited as far as possible from the Latin translation probably used by Dante,
instead of from the original Greek.
3 Inf. iv. 88. Cf. Moore, Studies in Dante, i. p. 6. The application of
the term satirist to Horace is peculiarly mediaeval.
542 THE MEDIAEVAL MIND BOOK vn
narrowly mediaeval, that is, pertaining particularly to the
thirteenth century, is Dante's profound reverence for the
authority of Aristotle, il maestro di color che sanno} It may
be that the poet's sense of the enormous, elect , importance
of Aeneas,2 and his putting Rhipeus, most righteous of the
Trojans, as the fifth regal spirit in the Eagle's eye,3 belonged
more especially to Dante as the Ghibelline author of the De
monarchia. But generically mediaeval was his acceptance
of antique myth for fact, a most curious instance of which is
his referring to the consuming of Meleager with the con-
suming of the brand, to illustrate a point of physiological
psychology.4 Antique heroes, even monsters, seem as real
to him as the people of Scripture and history. It is not,
however, his mediaevalism, but his own greatness that
enables him to lift his treatment of them to the level of
their presentation in the Classics. Noble as an antique demi-
god is the damned Jason, silent and tearless, among the
scourged ; 5 and Ulysses is as great in the tale he tells from
out the lambent flame as he was in the palace of Alcinoos,
telling the tale which Dante never read.6
The poet, especially in the Purgatorio, constantly balances
moral examples alternately drawn from pagan and sacred
story. This propensity was quite mediaeval ; for through-
out the Middle Ages the antique authority was used to
fortify or parallel the Christian argument. Yet herein, as
always, Dante is Dante as well as a mediaeval man ; and his
moral examples, for the aid of souls who are purging them-
selves for Heaven, are interesting and curious enough. On
the pavement of the first ledge of Purgatory, Lucifer is
figured falling from Heaven and Briareus transfixed by the
bolt of Jove ; then Nimrod, Niobe, Saul, Arachne, Rehoboam,
Eriphyle and Sennacherib, the Assyrians routed after Holo-
phernes' death, and Troy in ashes.7 On the third ledge,
.as instances of gentle forgivingness, he sees in vision the
Virgin Mary, and then appear Peisistratus (tyrant of Athens)
refusing to avenge himself, and Stephen asking pardon for
.his slayers.8 But the most wonderful instance of this com-
1 Inf. iv. 131. 2 Inf. ii. 20. 3 Par. xx. 68.
4 Purg. xxv. 22. 6 Inf. xviii. 83 sqq. 6 Inf. xxvi. 88 sqq.
1 Purg. xii. 8 Purg. xv.
CHAP.XLIII THE MEDIAEVAL SYNTHESIS 543
birring of the Christian and the antique, each at its height
of feeling, occurs in the thirtieth canto of the Purgatorio,
where angels herald the appearance of Beatrice with the
chant, Benedictus qui vents, and, as they scatter flowers, sing
Manibus o date lilia plenis. This unison of the hail to Christ
upon His sacrificial entry into Jerusalem and the Virgilian
heartbreak over the young Marcellus, shows how Dante rose
in his combinings, and how potent an element of his imagina-
tion was the antique.1
Of course the plan of Hell reflects the sixth Book
of the Aeneid, and throughout the whole Coin-media the
Virgilian phrase rises aptly to the poet's lips. " Thou
wouldst that I renew the desperate grief which presses my
heart even before I put it into words," says Ugolino, nearly
as Aeneas speaks to Dido.2 And in the Paradiso the power
of the Dantesque reminiscence rouses the reader, spiritually
as it were, to emulate the glorious ones who passed to
Colchos.3 A more desperate passage was the lot of those
who must drop from Acheron's bank into Charon's boat ; —
the whole scene here is quite reminiscent of Virgil. The
simile :
" Quam multa in silvis auctumni frigore primo
Lapsa cadunt folia,"
is even beautified and made more pregnant with significance
in Dante's
" Come d' autunno si levan le foglie
L' una appresso dell' altra . . ."*
On the other hand, the threefold attempt of Aeneas to
embrace Anchises is stripped of its beautiful dream-simile
in Dante's use.5 A lovelier bit of borrowing is that of the
quick springing up again of the rush, the symbol of humility,
/' umile pianta, with which the poet is girt before proceeding
up the Mount of Purgatory.6
1 According to Dr. Moore, Dante quotes or refers to the " Vulgate more thai)
500 times, to Aristotle more than 300, Virgil about 200, Ovid about too, Cicero
and Lucan about 50 each, Statius and Boethius between 30 and 40 each,
Horace, Livy, and Orosius between 10 and 20 each," — and other scattering
references.
2 Inf. xxxiii. 4 ; Aen. ii. 3. 3 Par. ii. 16.
4 Aen. vi. 309 ; Inf. iii. 1 1 2. 6 Aen. ri. 700 ; Purg. \\. 80.
6 Purg. i. 135 ; cf. Aen. vi. 143 " Primo avulso non deficit alter, etc. "
544 THE MEDIAEVAL MIND BOOK vn
With Dante the pagan antique represented much that
was philosophically true, if not veritably divine. In his
mind, apparently, the heathen good stood for the Christian
good, and the conflict of the heathen deities with Titan
monsters symbolized, if indeed it did not continue to make
part of, the Christian struggle against the power of sin.1
We may be jarred by the apostrophe :
". . . O sommo Giove,
Che fosti in terra per noi crucifisso." 2
But this is a kind of Christian-antique phrase by no means
unexampled in mediaeval poetry. And we feel the poetic
breadth and beauty of the invocation in which Apollo
symbolizes or represents, exactly what we will not presume
to say, but at all events some veritable spiritual power, as
Minerva does, apparently, in another passage.3 In such
instances the antique image which beautifies the poem is
transfigured to a Christian symbol, if it does not present
actual truth.
Yet however universally Dante's mind was solicited by
the antique matter and his poet's nature charmed, he was
profoundly and mediaevally Christian. The Commedia is a
mediaeval Christian poem. Its fabric, springing from the
life of earth, enfolds the threefold quasi-other world of
damned, of purging, and of finally purified, spirits. It is
dramatic and doctrinal. Its drama of action and suffering,
like the narratives of Scripture, offers literal fact, moral
teaching, and allegorical or spiritual significance. The
doctrinal contents are held partly within the poem's dramatic
action and partly in expositions which are not fused in the
drama. Thus whatever else it is, the poem is a Summa
of saving doctrine, which is driven home by illustrations of
the sovereign good and abysmal ill coming to man under
the providence of God. One may perhaps discern a twofold
purpose in it, since the poet works out his own salvation
and gives precepts and examples to aid others and help
truth and righteousness on earth. The subject is man as
1 See Inf. xxxi. ; Purg. xii. 25 sqq.
4 Purg. vi. 1 1 8 : " O highest Jove that wast on earth crucified for us.
3 Par. i. 13 sqq. ; Par. ii. 8.
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 545
rewarded or punished eternally by God — says Dante in the
letter to Can Grande. This subject could hardly be con-
ceived as veritable, and still less could it be executed, by a
poet who had no care for the effect of his poem upon men.
Dante had such care. But whether he, who was first and
always a poet, wrote the Commedia in order to lift others
out of error to salvation, or even in order to work out his
own salvation, — let him say who knows the mind of Dante.
No divination, however, is required to trace the course of the
saving teaching, which, whether dramatically exemplified or
expounded in doctrinal statement, is embodied in the great
poem ; nor is it hard to note how Dante drew its substance
from the mediaeval past.
The Inferno, which is the most dramatic and realistic,
" Dantesque," part of the Commedia, and replete with
terrestrial interest, is doctrinally the least rich. Its doctrine
chiefly lies in its scheme of punishment, or divine vengeance,
for different sins. Herein Dante followed no set series like
the seven deadly sins expiated in Purgatory. Neither the
Church nor authoritative writers had laid out the plan of
Hell. Dante had in mind Thomas Aquinas and Aristotle,
also Cicero's De officiis^ and, structurally, Virgil. His
scheme also was affected by his own character, situation, and
aversions, and assuredly by the movement of its own
composition. At the mouth of Hell the worthless nameless
ones and the neutral angels receive their due. Then after
the sad calm of the place of the unbaptized and the great
blameless heathen, the veritable Hell begins, and the series of
tortures unfold, the lightest being such as punish incon-
tinence, while the most awful are reserved for those fraudulent
ones who have betrayed a trust. Dante's power of pre-
senting the humanly loathsome does not let the progress of
hellish torment fail in climax even to the end, where Brutus,
Cassius, and Judas are crunched in the dripping mouths of
Lucifer at the bottom of the lowest pit of Hell.
1 The provenance, etc., of Dante's classification of sins in the Inferno, like
everything else in Dante, has been interminably discussed. The reference to
the De oficiis of Cicero is due to Dr. Moore. See " Classification of Sins in the
Inferno and Purgatorio," Studies in Dante, 2nd Series. Also cf. Hettinger,
Die g'dttlictie Kbmodie, pp. 159-162, and notes 6 and 23 on p. 204 and 207
(2nd ed., Freiburg in Breisgau, 1889). Dante's main statement is in Inf. xi.
VOL. II 2 N
546 THE MEDIAEVAL MIND BOOK vn
The general idea of hell torments came to the poet from
current beliefs and authoritative utterances, ranging from
the " outer darkness " of the Gospel to the lurid oratory
of St. Bernard. Dante's thoughts were drawn generically
from the stores of mediaeval convictions, approvals, and
imaginings : they were given to him by his epoch. Of
necessity — innocently, one may say — he made them into
concrete realities because he was Dante. Terrifying phrases
and crude ghastliness were raised through his dramatic
power to living experiences. The reader goes through Hell,
sees with his own eyes, hears with his own ears, and stifles
in the choking air. Doubtless the narrative brought fear
and contrition to the men of Dante's time. But for us the
disproportion of the vengeance to the crime, the outrage of
everlasting torments for momentary, even impulsive sin, is
shocking and preposterous.1 The torments themselves
present conditions which become unthinkable when we try
to conceive them as enduring eternally. Human flesh, or
implicated spirit, could not last beneath them. And as for
our impulses, there is many a tortured soul with whom we
would keep company, for instance, with the excellent band
of Sodomites — Priscian (!) Brunetto Latini, and those three
Florentines whose " honoured names " the poet greets with
reverence and affection.2 One might even wish to make a
third in the flame which enwraps Diomede and Ulysses. In
fact, Dante's dramatic genius has brought the mediaeval hell
to a reductio ad absurdum, to our minds.
The poet is of it too. He can pity those who touch
his pity. And how great he can be, how absolute. There
is compacted in the story of Francesca all that can be
thought or felt over unhappy love. Yet Dante never doubts
the justice of the punishment he describes ; sometimes he
calmly or cruelly approves. Nd mio bel San Giovanni !
How many thousands have quoted these detached words to
show the poef s love of his beautiful baptistery. But, in fact,
he refers to the little cylindrical places where stood the
1 In whom does not the awful anguish of the suicides (Inf. xiiL) arouse
grief and horror ?
* Inf. xvL 59. They are more respectable than the blessed denizens of the
Heaven of Venus, Pear. Ls.
THE MEDIAEVAL SYNTHESIS 547
baptizing priests, in order to bring home to the reader the
size of the holes in the burning rock from which protruded
the quivering feet of Simoniacs ! * It appears that the
souls of all the damned will suffer more when they shall
again be joined to their bodies after the resurrection.2
The Inferno fully exemplifies the doctrinal statement
obscurely set over the gate which shut out hope : moved by
justice, the Trinity, " divine power, supreme wisdom, primal
love, created me (Hell) to endure eternally." Dante follows
this current authoritative opinion, stated by Aquinas. Here
one may repeat that Dante is the child of the Middle Ages,
rather than a disciple of any single teacher. If he follows
Aquinas more than any other scholastic, he follows Bona-
ventura also with breadth and balance. These two,
however, were themselves final results of lines of previous
development Both were rational and also mystically
contemplative, though the former quality predominates in
Thomas and the latter in Bonaventura. And in Dante's
poem, at the end of the Paradise^ Theology, the rational
apprehension of divine truth, gives place to contemplation's
loftier insight Dante is kin to both these men ; but when
he thinks, more frequently he thinks like Thomas, and the
intellectual realization of life is dominant with him. This
was evident in the Convito ; and that the intellectual vision
constitutes the substance of the Comnudia^ becomes
luminously apparent in the Paradiso? It is even suggested
at the gate of Hell, within which the wretched people will be
seen, who have lost the good of the Intellect,4 by which is
meant knowledge of God.
The Purgatorio presents more saving doctrine than the
cantica of damnation. Its Mount, with the earthly paradise
at the top, may have been his own, but might have been
taken from the Venerable Bede or Albertus Magnus.5 The
ante-purgatory appears as a creation of the poet, influenced
by certain passages of the Aeneid and by ancient disciplinary
practices which kept the penitents waiting outside the
1 Inf. xix. * I*f. vL 103 sff.
* The intellectual temperament finds voice in many great expressions, which
are very Dante and also very Thomas, as Par. xxviii. 106-114; oix. 17;
xxx. 40-42.
« Inf. Si. 1 8. * Hettinger, o.i. p, 254-
548 THE MEDIAEVAL MIND BOOK vn
church.1 The teaching of the whole cantica relates to the
purgation of pride, envy, anger, accidia (sloth), avarice,
gluttony, lust. These are the seven deadly sins whose
provenance is early monasticism.2 Through their purgation
man is made pure and fit to mount to the stars.
We shall not follow Dante through the Purgatorio and
Paradiso, or observe in detail the teachings set forth and
the sources whence they were derived.3 But a brief reference
to the successive incidents and topics of instruction will show
how the Commedia touches every key of saving doctrine.
The soul entering Purgatory goes seeking liberty from sin,4
and as a first lesson learns to detach itself from memories of
the damned.5 It receives some slight suggestion of the
limits of human reason ; 6 and is told that according to the
correct teaching there is one soul in man with several
faculties.7 It learns the risk of repentance in the hour of
death ; 8 and the efficacy of the prayers of others to help
souls through their purifying expiation ; also, that, after
death, souls can advance only by the aid of grace.9 The
symbolism of the gate of Purgatory teaches the need of
contrition and confession. Upon the first ledge, the proud do
penance, disciplined with examples of humility, and through
the Lord's Prayer are taught man's entire dependence upon
God. It is fitting that Pride should be the first sin expiated,
since it lies at the base of all sins in the Christian scheme.
Much doctrine is inculcated by the treatment of the different
sins and the appositeness of the hymns sung by the
penitents.10
Ascending the second ledge, Virgil, i.e. human reason,
expounds the first principles of the doctrine of that love
which is of the Good.11 Next is set forth the theory of
human free-will and the effect of the spheres in directing
1 Aeneid\\. 327 sqq.; Hettinger, o.c. p. 226.
2 See Taylor, Classical Heritage, p. 162.
3 These are pointed out in the Commentaries (e.g. Scartazzini's) and in many
monographs. Hettinger's Gottliche KomiJdic is serviceable : also Moore's
Studies in Dante and Toynbee's Dante Studies.
4 Purg. i. 7 1 ; John viii. 36.
6 Purg. i. 89. • Purg. iii. 34 sqq.
7 Purg. iv. 4 sqq. 8 Purg. v. 105 sqq.
9 Purg. vii. 54; iv. 133-135. 10 Cf. e.g. Purg. xii. 109.
11 Purg. xv. 40 sqq.
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 549
human inclination — all in strict accord with the teaching of
Thomas ; l and then, still in accord with Thomas, the fuller
nature of love (or desire) is expounded, and the allotment of
purgatorial pains in expiation of the various modes of evil
desire or failure to love aright.2 These fitting pains are as
a solace to the soul yearning to accomplish its purgation.8
Next, generation is explained, the creation of the soul, and
the manner of its existence after separation from the body,
according to dominant scholastic theories.4 In the concluding
cantos of the Purgatorio, much Church doctrine is symbolically
set forth by the Mystic Procession and the rivers of the
earthly paradise, Lethe and Eunoe — the latter representing
sacramental grace through which good works, killed by later
sins, are made to live again.5 The earthly paradise symbolizes
the perfect happiness of life in the flesh, and the state wherein
man is fit to pass to the heavenly Paradise.
Besides doctrine directly bearing on Salvation, the
Commedia contains explanations by the way, needed to
understand Dante's journey through the earth and heavens,
and give it verisimilitude. Apparently these explanations
were also intended to afford a sufficient knowledge of the
structure of the universe. The Paradiso abounds in this
kind of information, largely physical and astronomical. Its
first canto offers a general statement, beautifully put, of the
ordering of created things. In this instance, the instruction
is not exclusively astronomical or physical,6 but touches upon
animated creatures, and follows Thomist teaching. Another
interesting instance is the explanation in the second canto
of the spots on the moon and then of the influence of the
heavens. Here the astronomical matter runs on into elucida-
tions touching human nature, even that human nature which
is to be saved through saving doctrine. In this way the
Christian -Thomist -Dantesque scheme of knowledge holds
together. The Commedia is the pilgrimage of the soul after
1 Purg. xvi. 64 sqq.
2 Purg. xvii. 85 sqq., and xviii. ; Hettinger, o.c. p. 235 sqq., and pp. 261-264.
3 Purg. xxiii. 72 ; xxvi. 14.
4 Purg. xxv. The notes in Hettinger, o.c., are quite full in citations of
passages from Thomas and other scholastics.
6 Thomas, Summa, iii. Qu. 89, Art. 5.
6 As it is rather in far. xxvii. 76 sqq.
550 THE MEDIAEVAL MIND BOOK vn
all wisdom, and includes, implicitly at least, the matter of
the Convito.
The Paradiso contains the chief store of saving knowledge.
It sets forth the ultimate problems of human life and divine
salvation, with due emphasis laid upon the limitations of
human understanding. Dante, conscious of the strenuousness
of his high argument, warns off all but the chosen few.
A first point learned in the heavenly voyage is that no
soul in Paradise desires aught save what it has ; since such
desire would contravene the will of God. Paradise is every-
where in Heaven, though the divine grace rains not upon all
in one mode.1 Beatified souls do not dwell in any particular
star, though Plato seems to say so. Scripture condescends
to figure the intelligible under the guise of sensible forms, as
Plato may have done.2 Broken vows and their reparation
are now considered. Then the history of the Roman Eagle
brings out the fact that Christ was crucified under Tiberius
and His death avenged by Titus, which leads on to the
explanation of the Fall and the Redemption, occupying the
seventh canto. The next offers comment upon the divine
goodness and the diversity of human lots ; and shows how
the bitter may rise from the sweet. With deep consistency
the poet exclaims against the insensate toilsome reasonings
through which mortals beat their wings downward, away
from God.3
In canto thirteen the reader is enlightened regarding the
wisdom of Adam, of Solomon, and of Christ ; and then as
to the existence of the beatified soul before and after it
is clothed with the glorified body of the Resurrection.4
Incidentally the justice of eternal punishment is adverted
to.5 The depth of the divine righteousness is next presented,6
and its application to the heathen, with illustrations of God's
saving ways, in the instances of certain princes who loved
righteousness, including Trajan and the Trojan Rhipeus.7
The incomprehensibility of Predestination next receives
attention.
Now intervenes the marvellous and illuminative beauty
of canto twenty-three, preceding Dante's declaration of his
1 Par. iii. 52, 64, 89. 2 Par. iv. 3 Par. xi. I sqq. * Par. xiv.
6 Par. xv. 10. 6 Par. xix. 40 sqq. 7 Par. xx.
CHAP.XUII THE MEDIAEVAL SYNTHESIS 551
creed, upon interrogatories from the apostles, Peter, James,
and John. In this way he states the dogmatic funda-
mentals of the Christian Faith, and the substantiating rdles
of philosophic argument and authority.1 After this, the
vision of the hierarchies of angels leads on to discourse
upon their creation and nature, the immediate fall of those
who fell, the exaltation of the steadfast with added grace,
and the mode and measure of their knowledge. Thomas
is followed in this scholastic argument.
With the vision of the Rose, rational theology gives place
to mystic contemplation ; 2 and further visions of the divine
ordering precede the prayer to the Virgin, with which the
last canto opens — that prayer so beautiful and so expressive
of mediaeval thought and feeling as to the most kind and
blessed Lady of Heaven. This prayer or hymn is made
of phrases which the mediaeval mind and heart had been
recasting and perfecting for centuries. It is almost a great
cento, like the Dies Irae. After the Lady's answering
benediction, there comes to Dante, in grace, the final mystic
vision of the Trinity, enfolding all existence — substance,
accidents and their modes, bound with love in one volume.
Supreme dogmatic truth is set forth, and the furthest
strainings of reason are stilled in supersensual and super-
rational vision, which satisfies all intellectual desire. This
vision, vouchsafed through the Virgin's grace, assures the
pilgrim soul : the goal is reached alike of knowledge and
salvation.
One may say that the Commedia begins and ends with
the Virgin. It was she who sent Beatrice into the gates of
Hell to move Virgil — meaning human reason — to go to
Dante's aid. The prayer which obtains her benediction,
and the vision following, close the Paradiso. So the teaching
of the poem ends in mediaeval strains. For the Virgin was
the mediaeval goddess, beloved and universally adored, helpful
in every way, and the chief aid in bringing man to Heaven.
But no more with Dante than with other mediaeval men is
she the end of worship and devotion. Her eyes are turned
1 Par. xxiv.-xxvi.
2 Typified in St. Bernard, Par. xxxi. and following. Suitable r
this choice may be suggested by the extracts from Bernard's De deligtxdo
and Sermons on Canticles, ante, Chapter XVII.
552 THE MEDIAEVAL MIND BOOK vn
on God. So are those of Beatrice, of Rachel, and of all
the saints in Paradise. As for man on earth, he is viator,
journeying on through discipline, in righteousness and
beneficence, but above all in faith and hope and love of
God, with his eyes of knowledge and desire set on God.
God is the goal, even of the vita activa, which is also training
and enlightenment. Loving his brother whom he hath seen,
man may learn to love God — practising himself in love.
Even Christ's parable, " Inasmuch as ye did it unto one of
the least of these," rightly interpreted, implies that the end
of human charity is God : the human charity is preparation,
obedience, means of enlightenment. The brother for whom
Christ died — that is he whom thou shalt love, and that is
why thou shalt love him. In themselves human relationships
are disciplinary, ancillary, as all the sciences are ancillary to
Theology. Mediaeval religion is turned utterly toward God ;
the relationship of the soul to God is its whole matter. It
is not humanitarian : not human, but divina scientia, fides,
et amor, make mediaeval Christianity. Thus Dante's doctrine
is mediaeval. Toward God moves the desire of the viatores
in Purgatory, though they still are incidentally mindful of
earth's memories. In Paradise the eyes of all the blessed
are set on Him. Because of the divine love they may for a
moment turn the eyes of their knowledge and desire to aid
a fellow-creature ; the occasion past, they fix them again on
God : thus the Virgin, thus Bernard, thus Beatrice.
As a son of the Middle Ages, Dante was possessed
with the spirit of symbolism. Allegory, with him, was not
merely a way of expressing that which might transcend
direct statement : it embodied a principle of truth. The
universally accepted allegorical interpretation of Scripture
justified the view that a deeper verity lay in allegorical
significance than in literal meaning. This principle applied
to other writings also. " Now since the literal sense [of the
first canzone] is sufficiently explained, it is time to proceed
to the allegorical and true interpretation." 1
1 Conv. ii. 13. The symbolism inherent in all human mental processes
seems indicated by the argument of Aquinas (ante, p. 466) that the mind
knows "the particular through sense and imagination; ... it must turn itself
to images in order to behold the universal nature existing in the particular."
This is a necessity of our half material nature.
CHAP. XLIII THE MEDIAEVAL SYNTHESIS 553
In the Vita Nuova and somewhat more lifelessly in the
Convito, Dante explains that it is his way to invest his
poetry with a secondary or allegorical sense. He proposes
in the latter work to carry out the formal notion of the four
kinds of meaning contained in profound writings — literal,
allegorical, moral, anagogical.1 He never holds himself,
however, to the lines of any such obsession, but is content
in practice with the literal and the broadly allegorical sense.*
Even then the great Florentine occasionally can be jejune
enough. The conception of the ten heavens figuring the
Seven Liberal Arts along with metaphysics, ethics, and
theology, as a plan of composition for the Convito? was on
a level with the structural symbolism of the De nuptiis
Philologiae et Mercurii of Capella. Yet the likening of
Ethics to the primum mobile and Theology to the Empyrean
has bearing on Dante's, and the mediaeval, scheme of the
sciences, among which Theology is chief.
Allegory moulds the structure and permeates the sub-
stance of the Commedia. For this Dante himself vouches
in the famous dedicatory letter to Can Grande, where his
thoughts may be heard creaking scholastically, as he de-
scribes the nature of his poem, and explains why he entitled
it Comoedia :
" Literally, the subject is the state of souls after death taken
simply. If, however, the work be accepted allegorically, the subject
is man, according as by merit or demerit through freedom of choice
(arbitrii libertatem) he is subject to Justice, rewarding or punitive."
This is the positive statement emanating, in all prob-
ability, from the poet. Perhaps it is as well that he did
not live to inaugurate the series of Commentaries upon his
poem, which began within a few years of his death and
show no signs of ceasing.4 So it has been left to others to
1 Convito ii. I. Letter to Can Grande, par. 7.
2 In the Can Grande letter, having stated this fourfold significance, Dante
does not proceed to exemplify it in the interpretation which follows of the
opening lines of the Paradise. Possibly those lines did not admit of the fourfold
interpretation ; yet, in general, Dante does not try to carry it out in practice, any
more than other mediaeval writers commonly.
3 Convito ii. ch. 14 and 15.
4 Doubtless the commentator habit is fixed in the nature of man ; l>
pre-eminently mediaeval. We have seen enough elsewhere of the multiplication
554 THE MEDIAEVAL MIND BOOK vn
determine the metes and bounds and special features of
the Commedia's allegorical intent. The task has proved
hazardous, because Dante was such a great poet, so realistic
in his visualizing and so masterful in forcing the different
phases of his many-sided thoughts to combine in concrete
creations. His drama is so living that one can hardly think
it an allegory.
Evidently certain matters, like the Mystic Procession
and its apocalyptic appurtenances in the last cantos of the
Purgatorio, are sheer allegory. Such, while suited to suggest
theological tenets, are formal and lifeless, a little like the
hieratic allegorical mosaics of the fourth and fifth centuries,
which were composed before Christian art had become
imbued with Christian feeling.1 Indeed, doffing for an
instant one's reverence for the great poet, one may say
that from the point of view of art and life, Dante's symbolism
becomes jejune, or at least ceases to draw us, according as
it becomes palpable allegory.2
Beyond such incidents one recognizes that the general
course of the poem, its more pointed occurrences, together
with its chief characters and the scenes amid which they
move, have commonly both literal and allegorical meaning.3
Usually it is wise not to press either side too rigorously.
The poet's mind worked in the clearly imagined setting and
dramatic action of his poem, where fact and symbolism
combined in that reality which is both art and life. Surely
the Commedia was completed and rendered real and beauti-
ful through many a touch and incident which had no
allegorical intent. Even as in a French cathedral, the main
sculptured and painted subjects have doctrinal, that is to
of Commentaries on the Sentences of the Lombard and other scholastic works.
Dante's friend, Gnido Cavalcanti, wrote a little poem beginning Donna mi
priego, upon which we have eight Commentaries, the first from Egidio Colonna
in 1316.
1 Yet, however obvious the meaning, tying the pole of the Chariot to the
Tree of Life was a great stroke (Purg. xxxii. 49).
2 There is a piece of allegory in the Paradiso which almost gets on one's
nerves, i.e. the ceaseless whirling of the blessed spirits, usually in wheel forma-
tions: e.g. Par. xii. 3 ; xxi. 81 ; xxiv. 10 sqq. : cf. x. 145 ; xiii. 20.
3 One notes that all the symbolizing personages of the poem — Virgil, Statius,
Matilda, Lia, Beatrice — have literal reality, however subtle or far-reaching may
be the allegorical intendment with which the poet has invested them.
CHAP. XLHI THE MEDIAEVAL SYNTHESIS 555
say, allegorical, significance, besides their literal truth ; but
there is also much lovely carving of scroll and flowered
ornament and beast and bird, which beautifies the building.
For Dante's purpose, to set out the state of disembodied
spirits after death, allegory might prove prejudicial, because
of the intensity of his artist's vision. Much of the poem's
symbolism, especially in the Paradise, belongs to that un-
avoidable imagery to which every one is driven when
attempting to describe spiritual facts. Such symbolism,
however, when constructed with the plastic power of a
Dante, may become itself so convincing or compelling as to
reduce the intended spiritual signification to the terms of
its concrete embodiment in the symbol. In view of the
carnality of most sin, one is not surprised to find the place
of punishment a converging cavity within the earth. With
Dante, as with Hildegard, the sights and torments of Hell
are realistically given quite as of course. Perhaps Dante's
Mount of Purgatory begins to give us pause, and its corniced
mise en sc&ne tends to enflesh the idea of spirit and materialize
its purgation. But the limiting effect of symbolism is most
keenly felt in the Paradise, notwithstanding the beauty of
that cantica ; for its very concrete symbolism seems some-
times to ensphere the intended truths of spirit in a sort of
crystalline translucency. It is all a marvellously imagined
description of the state of blessed souls. Yet in the final
pure and glorious image of a white rose (candida rosd) the
company of the glorified spirits is so visualized as to become,
surely not theatrical, but as if assembled upon the rounding
tiers of seats occupied by an audience.1 There are topics
in which the sheer ratiocination of Thomas is more com-
pletely spiritual than the poetic vision of Dante.
Dante's most admirable symbolic creation was also his
dearest reality — Beatrice. And while this being in which
he has immortalized his fame and hers, is eminently the
creation of his genius, the elements were drawn from the
many-chambered mediaeval past. Some issued out of the
vast matter of chivalric love, with its high heart of service
and sense of its own worth, its science, its foolish and most
wise reasoning, its preciosity of temper — Dante and his
1 See e.g. Par. xxxi. 67.
556 THE MEDIAEVAL MIND BOOK VH
literary friends were virtuosos in everything pertaining to
its understanding.1 This love was of the fine-reasoning
mind. The first canzone of the Vita Nuova does not begin
" Donne, che sentite amore," but : " Donne, ch' avete intelletto
d' amore." Through that book love is what it never ceases
to be with Dante, intelligenza :
" Intelligenza nuova, cbe 1' Amore
Piangendo mette in lui. . . ."
The piangendo, the tears, have likewise part ; without
them love is not had or even understood. The enormous
sense of love's supreme worth — that too is in Dante. It
had all been with the Troubadours of Provence, with Chretien
de Troies, and with the great Minnesingers, and had been
reasoned on, appreciated, felt and wept over, by ladies and
knights who listened to their poems. From France and
Provence love and its reasonings had come to Italy even
before Dante's eyes had opened to it and other matters.
This was one strain that entered the Beatrice of the
Vita Nuova, of the Convito, of the Commedia. But Beatrice
is something else : she is, or becomes, Theology, the God-
given science of the divine and human. Long had Theologia
(divina scientid} been a queen ; and even before her,
Philosophia, as with Boethius, had been a queenly woman
gowned with as full symbolical particularity as ever the
Beatrice of Dante. Indeed from the time of the Psycho-
machia of Prudentius to the Roman de la Rose of De Lorris
and De Meun, every human quality, and many an aspect
of human circumstance, had been personified, for the most
part under the forms of gracious or seductive women. Above
all of these rose, sweet, gracious, and potent, the Virgin Queen
of Heaven. It came as of course to Dante to symbolize his
conception of divine wisdom in a woman's form. The
achievement of his genius was the transfusing combination
of elements of courtly love, didactic allegory, and divina
scientia, in a creature before whom the whole man Dante,
heart and reason and religious faith, could stand and gaze
and love and worship.
Beatrice was his and of him always ; but with the visions
1 Cf. De Sanctis, Storia della lettcratura italiana, i. p. 46 sqq*
CHAP.XUII THE MEDIAEVAL SYNTHESIS 557
and experience of that mature and grace-illuminated man-
hood, which expressed itself in the Commedia, she comes to
be much that she had not been when she lived on earth or
had just left it, and Dante was a maker of exquisite verses
in Florence ; and much too that she had scarce become
while the poet was consoling himself with philosophy for his
bereavement and the dulling of his early faith. Beatrice
lives and moves and has her ever more uplifted being as the
reality as well as symbol of Dante's thoughts of life. With
all first love's idealism, he loved a girl ; then she, having
passed from earth, becomes the inspiration and object of
address of the young maker of sonnets and canzoni, who
with such intellectual preciosity was intent on building these
verses of fine-spun sentiment. Thereafter, when he is in
darker mood, she does not altogether leave him, whatever
variant attitudes his thought and temper take. And at last
the yearning self-fulfilments of his renewed life draw together
in the Beatrice of the Commedia.
It is very beautiful, and the growth, as well as work, of
genius ; but it is not strange. For there is no bound to the
idealizing of the love which first transfuses a youth's nature
with a mortal golden flame, and awakens it to new under-
standing. Out of whatever of experience of life and joy and
sorrow may come to the man, this first love may still vivify
itself anew — often in dreams — and become again living and
beautiful, in tears, and will awaken new perceptions and
disclose further vistas of the intettigenza nuova which love
never ceases to impart to him who has loved.
Dante's mind was always turning from the obvious
sense-actuality of the fact to its symbolism ; which held the
truer reality. With such a man it is not strange that the
beloved and adored woman, the love of whom was virtue
and enlightenment, should, when dead to earth, become that
divine wisdom which opens Heaven to the lover who would
follow, for all eternity, whither his beloved has so surely
gone. No, it was not strange, but only as wonderful as all
the works of God, that she who while living had been the
spring of virtue of all kinds and meanings in the poet's
breast, should after death become the emblem, even the
reality, of that whereby man is taught how to win his
INDEX
NOTE.— Of several references to t/se same matter the more important an shtnen
by heavy type.
Abaelard, Peter, career of, ii. 342-5 ; at
Paris, ii. 343, 344, 383 ; popularity
there, ii. 119 ; love for Heloise, ii.
4'5» 344 I love-songs, ii. 13, 207 ;
Heloi'se's love for, L 585 ; ii. 3, 5,
8, 9, 15-16 ; early relations with
Heloi'se, ii. 4-5 ; suggestion of
marriage opposed by her, ii. 6-9 ;
marriage, ii. 9 ; suffers vengeance
of Fulbert, ii. 9 ; becomes a monk
at St. Denis, ii. 10 ; at the Paraclete,
ii. 10, 344 ; at Breton monastery,
ii. 10 ; St. Bernard's denunciations
of, i. 229, 401 ; ii. 344-5. 355 ;
letters to, from Heloise quoted, ii.
11-15, 17-20, 23, 24 ; letters from, to
Heloi'se quoted, ii. 16-17, 21-3, 24-5 ;
closing years at Cluny, ii. 25, 26,
345 ; death of, ii. 27, 345 ; estimate
of, ii. 4, 342 ; rationalizing temper,
i. 229 ; ii. 298-9 ; skill in dialectic,
ii. 303, 345-6, 353 ; not an Aristo-
telian, ii. 369 ; works on theology,
ii. 352-5 ; De Unitate et Trinitate
divina, ii. 10, 298-9, 352 and n.3 •
Theologia, ii. 303-4, 395 ; Scito te
ipsum, ii. 350-1 ; Sic et non, i. 17 ;
ii. 304-6, 352, 357 ; Dialectica, ii.
346 and nn. , 349-50 ; Dialogue
between Philosopher, Jew, and
Christian, ii. 350, 351 ; Historia
calamitatum , ii. 4-11, 298-9, 343 ;
Carmen ad Astralabium filium, ii.
192 ; hymns, ii. 207-9 '• otherwise
mentioned, ii. 134, 283 and n.
Abbo, Abbot, i. 294 and n., 324
Abbots :
Armed forces, with, i. 473
Cistercian, position of, i. 362-3 and n.
Investiture of, lay, i. 244
Social class of, i. 473
Accursius, Glossa ordinaria of, ii. 262,
263
VOL. II
561
Adalberon, Abp. of Rheims. i. 340.
282-3, 287
Adam of Marsh, ii. 389, 400, 487
Adam of St. Victor, editions of hymns
of, ii. 87 w.1; examples of the
hymns, ii. 87 seqq. ; Latin originals.
ii. 206, 209-15
Adamnan cited, i. 134 ».«, 137
Adelard of Bath, ii. 370
Aedh, i. 132
Agobard, Abp. of Lyons, i. 215, 232-3 ;
cited, ii. 247
Aidan, St, i. 174
Aimoin, Vita Abbonis by, i. 994 and n.
Aix, Synod of, i. 359
Aix-la-Chapelle :
Chapel at, i. 212 ;/.
School at, see Carolingian period —
Palace school
Alans, i. 113, 116, 119
Alanus de Insulis, career of, ii. 93-4 ;
estimate of, ii. 375-6 ; works of.
ii. 48 n.1. 94, 375 *•*. 37$ ;
Anticlaudianus, ii. 94-103, 193.
377> 539 I U* plo-nctu naturae, ii.
192-3 and n.1, 376
Alaric, i. 112
Alaric II., i. 117; ii. 243
Alberic, Card., L 252 «.a
Alberic, Markgrave of Camerino, i. 242
Alberic, son of Marozia, i. 342-3
Albertus Magnus, career of, ii. 431 ;
estimate of, ii. 298, 301, 421 :
estimate of work of, ii. 393, 395 ;
attitude toward Gilbert de la Porree.
ii. 372 ; compared with Bacon, ii.
422 ; with Aquinas, ii. 433. 438 ;
relations with Aquinas, ii. 434 :
on logic, ii. 314-15 : method of.
ii. 315 n. ; edition of works, ii.
424 n.1; De praedicabilibus, ii. 314
and *.-3i5. 4*4- S 1 wofk on the
rest of Aristotle, ii. 430-1 ; analysis
2 O
INDEX
NOTE.— Of several references to tfie same matter the more important art skpten
by heavy type.
Abaelard, Peter, career of, ii. 342-5 ; at
Paris, ii. 343, 344, 383 ; popularity
there, ii. 119; love for Heloise. ii.
4"5> 344 • love-songs, ii. 13, 207 ;
Heloi'se's love for, i. 585 ; ii. 3, 5,
8, 9, 15-16 ; early relations with
Heloi'se, ii. 4-5 ; suggestion of
marriage opposed by her, ii. 6-9 ;
marriage, ii. 9 ; suffers vengeance
of Fulbert, ii. 9 ; becomes a monk
at St. Denis, ii. 10 ; at the Paraclete,
ii. 10, 344 ; at Breton monastery,
ii. 10 ; St. Bernard's denunciations
of, i. 229, 401 ; ii. 344-5, 355 ;
letters to, from Heloise quoted, ii.
11-15, 17-20,23, 24 ; letters from, to
Heloise quoted, ii. 16-17, 21-3, 24-5 ;
closing years at Cluny, ii. 25, 26,
345 ; death of, ii. 27, 345 ; estimate
of, ii. 4, 342 ; rationalizing temper,
i. 229 ; ii. 298-9 ; skill in dialectic,
"'• 3°3. 345-6, 353 : not an Aristo-
telian, ii. 369 ; works on theology,
"• 352'5 ! &e Unitate et Trinitate
divina, ii. 10, 298-9, 352 and n.3 ;
Theologia, ii. 303-4, 395 ; Scito te
ipsum, ii. 350-1 ; Sic et non, i. 17 ;
ii. 304-6, 352, 357 ; Dialectica, ii.
346 and nn. , 349-50 ; Dialogue
between Philosopher, Jew, and
Christian, ii. 350, 351 ; Historia
calamitatum , ii. 4-11, 298-9, 343 ;
Carmen ad Astralabium filiiim, ii.
192 ; hymns, ii. 207-9 ! otherwise
mentioned, ii. 134, 283 and n.
Abbo, Abbot, i. 294 and n., 324
Abbots :
Armed forces, with, i. 473
Cistercian, position of, i. 362-3 and n.
Investiture of, lay, i. 244
Social class of, i. 473
Accursius, Glossa ordinaria of, ii. 262,
263
VOL. II 561
Adalberon, Abp. of Rheims. i. 340,
282-3, 287
Adam of Marsh, ii. 389, 400, 487
Adam of St. Victor, editions of hymns
of, ii. 87 «. ' ; examples of the
hymns, ii. 87 seqq. ; Latin originals.
ii. 206, 209-15
Adamnan cited, i. 134 ».«, 137
Adelard of Bath, ii. 370
Aedh, i. 132
Agobard, Abp. of Lyons, i. 215, 232-3;
cited, ii. 247
Aidan, St., i. 174
Aimoin, Vita Abbonis by. i. 394 and n.
Aix, Synod of, i. 359
Aix-la-Chapelle :
Chapel at, i. 212 n.
School at, see Carolingian period-
Palace school
Alans, i. 113, 116, 119
Alanus de Insulis, career of, ii. 93-4 .
estimate of, ii. 375-6 ; works of.
ii. 48 n.1, 94, 375 *•*• 37*:
Anticlaudianus, ii. 94-103. 193.
377, 539 ; De planet* naturae, ii.
192-3 and n.1. 376
Alaric, i. 112
Alaric II., i. 117; ii. 243
Alberic, Card., L 252 *.'
Alberic, Markgrave of Camerino, i. 343
Alberic, son of Marozia, i. 343-3
Albertus Magnus, career of, it 431 :
estimate of, ii. 298, 301, 421 :
estimate of work of, ii. 393. 395 ;
attitude toward Gilbert de la Porrt*.
ii. 372 ; compared with Bacon, ii.
422 ; with Aquinas, ii. 433, 438 ;
relations with Aquinas, ii. 434 :
on logic, ii. 314-15 ; method of.
ii. 315 n. \ edition of works, ii.
424 w.1; Dt pratditabilibui, ii. 314
and *.-3i5. 4»4-5 • w«* °° ***
rest of Aristotle, ii. 4*>-« ; analysis
2 O
562
THE MEDIAEVAL MIND
of this work, ii. 424 seqq. ; attitude
toward the original, ii. 422 ; Sum ma
theologiae, ii. 430, 431 ; Summa de
creaturis, ii. 430-1 ; De adhaerendo
Deo, ii. 432 ; otherwise mentioned,
i. 17 ; ii. 82 «.2, 283, 312, 402,
541 «.2
Albigenses, i. 49 ; persecution of, i.
366-7, 461, 481, 572 ; ii. 168
Alboin the Lombard, i. 115
Alchemy, ii. 496-7
Alcuin of York, career of, i. 214 ; works
of, i. 216-21 and «.2; extracts from
letters of, ii. 159 ; stylelessness of,
ii. 159, 174 ; verses by, quoted, ii.
136-7; on urbanitas, ii. 136; other-
wise mentioned, i. 212, 240, 343;
ii. ii2, 312, 332
Aldhelm, i. 185
Alemanni, i. 9, 121, 122, 145 «.2, 174, 192
Alemannia, Boniface's work in, i. 199
Alexander the Great, Pseudo-Callis-
thenes' Life of, ii. 224, 225, 229-
230 ; Walter of Lille's work on, ii.
230 n.1
Alexander II., Pope, i. 262 n., 263
and n.1
Alexander de Villa- Dei, Doctrinale of,
ii. 125-7, 163
Alexander of Hales — at Paris, i. 476 ; ii.
399 ; Bacon's attack on, ii. 494,
497 ; estimate of work of, ii. 393,
395, 399 ; Augustinianism of, ii.
403-4
Alfred, King of England, i. 144 and n.z,
187-90
Allegory (See also Symbolism) :
Dictionaries of, ii. 47-8 and n. *, 49
Greek examples of, ii. 42, 364
Metaphor distinguished from, ii. 41 «.
Politics, in, ii. 60-1, 275-6, 280
Roman de la rose as exemplifying, ii.
103
Scripture, see under Scriptures
Two uses of, ii. 365
Almsgiving, i. 268
Alphanus, i. 253-4
Amadas, i. 565
Ambrose, St., Abp. of Milan, on
miracles, i. 85-6 ; attitude toward
secular studies, i. 300 ; ii. 288 ;
Hexaemeron of, i. 72-4 ; De officiis,
i. 96 ; hymns, i. 347-8 ; otherwise
mentioned, i. 70, 75, 76, 104, 186,
354 ; ii. 45 n. , 272
Anacletus II., Pope, i. 394
Anchorites, see Hermits
Andrew the Chaplain, Flos amoris of, i.
575-6
Angels :
Aquinas' discussion of, ii. 324-5, 435,
457 seqq., 469, 473-5
Angels (cont. ) :
Dante's views on, ii. 551
Emotionalizing of conception of, i.
348 «.4
Hugo of St. Victor on, ii. 68, 69
Symbols, regarded as, ii. 457
Vincent's Speculum as concerning, ii.
319
Writings regarding, summary of, ii.
457
Angilbert, i. 234-5
Angles, i. 140
Anglo-Saxons :
Britain conquered by, i. 141
Characteristics of, i. 142, 196
Christian missions by, i. 196, 197
Christian missions to, i. 172, 174,
1 80 seqq.
Customs of, i. 141
Poetry of, i. 142-4
Roman influence slight on, i. 32
Aniane monastery, i. 358-9
Annals, i. 234 and n.1
Anselm (at Laon), ii. 343-4
Anselm, St., Abp. of Canterbury, dream
of, L 269-70 ; early career, i. 270 ;
at Bee, L 271-2 ; relations with
Rufus, i. 273, 275 ; journey to
Italy, i. 275 ; estimate of, i. 274,
276-7 ; ii. 303, 330, 338 ; style of,
i. 276 ; ii. 166-7 • influence of, on
Duns Scotus, ii. 511 ; works of, i.
275 seqq.; Cur Deus homo, i. 275,
277 n.1, 279 ; ii. 395 ; Monologion,
'• 275-7 I Proslogion, i. 276-8 ; ii.
166, 395 ; Meditationes, i. 276,
279: De grammatico, i. 277 n.z;
otherwise mentioned, i. 16, 19,
301-2 ; ii. 139, 283, 297, 340
Anselm of Besate, i. 259
Anthony, St. , i. 365-6 ; Life of, by
Athanasius, i. 47, 52 and n.
Antique literature, see Greek thought and
Latin classics
Antique stories, themes of, in vernacular
poetry, ii. 223 seqq.
Apollinaris Sidonius, ii. 107
Apollonius of Tyana, i. 44
Apollonius of Tyre, ii. 224 and n.
Aquinas, Thomas, family of, ii. 433-4 ;
career, ii. 434-5 ; relations with
Albertus Magnus, ii. 434 ; transla-
tions of Aristotle obtained by, ii.
391 ; Vita of, by Guilielmus de
Thoco, ii. 435 «. ; works of, ii. 435 ;
estimate of, and of his work, i. 17,
18 ; ii. 301, 436-8, 484 ; complete-
ness of his philosophy, ii. 393-5 >
pivot of his attitude, ii. 440 ; pre-
sent position of, ii. 501 ; style, ii.
1 80 ; mastery of dialectic, ii. 352 ;
compared with Eriugena, i. 23 in.1;
INDEX
563
with Albertus Magnus, ii. 433, 438 ;
with Bonaventura, ii. 437 ; with
Duns. ii. 517; Dante compared
with and influenced by, ii. 541 «.2,
547' 549- 55*. 555: on monarchy,
ii. 277 ; on faith, ii. 288 ; on differ-
ence between philosophy and theo-
logy, ii. 290 ; on logic, ii. 313 ;
Summa theologiae, \. 17, 18 ; ii.
290 seqq. ; style of the work, ii.
180-1 ; Bacon's charge against it,
ii. 300 ; Peter Lombard's work con-
trasted with it, ii. 307-10 ; its
method, ii. 307 ; its classification
scheme, ii. 324-9 ; analysis of the
work, ii. 438 seqq, 447 seqq. ; Summa
philosophica contra Gentiles, ii. 290,
438, 445-6 ; otherwise mentioned, i.
69 n.* ; ii. 283, 298, 300, 312, 402
Aquitaine, i. 29, 240, 573
Arabian philosophy, ii. 389-90, 400-1
Arabs, Spanish conquest by, i. 9, 118
Archimedes, i. 40
Architecture, Gothic :
Evolution of, i. 305 ; ii. 539
Great period of, i. 346
Argenteuil convent, ii. 9, 10
Arianism :
Teutonic acceptance of, i. I2O, 192,
194
Visigothic abandonment of, i. 118 n».
Aristotle, estimate of, i. 37-8 ; works of,
i. 37-8 ; unliterary character of writ-
ings of, ii. 118, 119 ; philosophy as
classified by, ii. 312 ; attitude of, to
discussions of final cause, ii. 336 ;
the Organon, i. 37, 71 ; progressive
character of its treatises, ii. 333-4 ;
Boethius' translation of the work,
i. 71, 91-2; advanced treatises
"lost" till i2th cent., ii. 248 «.,
334 ; Porphyry's Introduction to
the Categories, i. 45, 92, 102 ; ii.
312, 314 n., 333, 339; Arabian
translations of works, ii. 389-90 ;
introduction of complete works, i.
17; Latin translations made in i3th
cent., ii. 391 ; three stages in schol-
astic appropriation of the Natural
Philosophy and Metaphysics, ii. 393 ;
Paris University study of, ii. 391-2
and n. ; Albertus Magnus' work on,
ii. 420-1, 424 seqq. ; Aquinas' mas-
tery of, i. 17, 18 ; Dominican ac-
ceptance of system of, ii. 404 ;
Dante's reverence for, ii. 543
Arithmetic :
Abacus, the, i. 299
Boethius' work on, i. 72, 90
Music in relation to, ii. 291
Patristic treatment of, i. 72
Scholastic classification of, ii. 313
Arnold of Brescia, i. 401 ; ii. 171
Arnulf, Abp. of Rheims. i. 283-4
Art, Christian (For particular arts, ttt
their names} :
Demons as depicted in, ii. 540 ».*
Early, i. 345 ».
Emotionalizing of, i. 345-7
Evolution of, i. 19-30
Germany, in (nth cent), i. 313
Symbolism the inspiration of, i. ai ;
ii. 82-6
Arthur, King, story of youth of, i. 568-
569 ; relations with Lancelot and
Guinevere, i. 584 ; with Parzival, L
592, 599-600, 612
Arthurian romances :
Comparison of, v,-\\h Chansons de geste,
>• S64-S
German culture influenced by, ii. 38
Origin and authorship of, question as
to, i. 565-7
Universal vogue of, i. 565, 573. 577
otherwise mentioned, i. 531, 538
Arts, the (See also Latin classics) :
Classifications of, ii. 312 seqq. •
Course of, shortening of, ii. 132, 384
Die/amen, ii. 121. I2Q, 381
Grammar, see that heading
Masters in, at Paris and Oxford, ii.
384-5 ; course for, ii. 388
Seven Liberal, see that heading
Asceticism :
Christian :
Carthusian, L 384
Early growth of. i. 333-5
Manichean, i. 49
Women's practice of. i. 444. 462-3
Neo-Platonic, i. 43, 44, 46, 50, 331,
334
Astralabius, ii. 6, 9, 27 ; Abaelard's
poem to, ii. 191-2 and n.1
Astrology, i. 44 and n. ; ii. 374 : Bacon's
views on, ii. 499-500
Astronomy :
Chartres study of, i. 209
Gerbert's teaching of, i. 288-9
Patristic attitude toward, i. 72
Ataulf, i. ii2, 116
Athanasius, St.. estimate of work of. i.
54, 68 ; Life of St. Anthony by,
i. 47, 52 and n. , 84 ; Orationts.
i. 68
Atlantis, i. 36
Attila the Hun, i. 112-13; in legend.
>• 145-7
Augustine, Abp. of Canterbury, i. 6.
171, 180-2; Gregory's letters to,
cited, i. 102
Augustine, St. . Bp. of Hippo, Platonism
of, i. 55 ; personal affinity of. with
Plotinus, i. 55-7 ; bartaarization of.
by Gregory the Great, i. 98, 103 ;
564
THE MEDIAEVAL MIND
compared with Gregory the Great,
i. 98-9 ; with Anselm, i. 279 ; with
Guigo, i. 385, 390 ; overwhelming
influence of, in Middle Ages, ii.
403 ; on numbers, i. 72 and n.z,
105 ; attitude toward physical
science, i. 300 ; on love of God, i.
342, 344 ; allegorizing of Scripture
by, ii. 44-5 ; modification by, of
classical Latin, ii. 152 ; Confessions,
i. 63 ; ii. 531 ; De Trinitate, i.
64, 68, 74, 96 ; Civitas Dei, i. 64-
65, 69 «.2, 81-82 ; De moribus
Ecclesiae, i. 65, 67-8 ; De doctrina
Christiana, i. 66-7 ; classification
scheme based on the Doctrina, ii.
322 ; De spiritu et littera, i. 69 ;
De cura pro mortuis, i. 86 ; De
genesi ad litteram, ii. 324 ; Alcuin's
compends of works of, i. 220 ;
otherwise mentioned, i. 5, 53, 71,
75, 82, 87, 89, 104, 186, 225, 340,
354. 366, 370 ; ii. 107, 269, 297,
312
Augustus, Emp. , i. 26, 29
Aurillac monastery, i. 281
Ausonius, i. 126 «.2 ; ii. 107
Austrasia :
Church organization in, i. 199
Feudal disintegration of, i. 240
Irish monasteries founded in, i. 174
Rise of, under Pippin, i. 209
Authority v. reason, see Reason
Auxerre, i. 506-7
Averroes, ii. 390
Averroism, ii. 400-1
Averroists, ii. 284 n.. 296 n.1
Avicenna, ii. 390
Avitus, Bp. of Vienne, i. 126 ».2
Azo, ii. 262-3
Bacon, Roger, career of, ii. 486-7 ;
tragedy of career, ii. 486 ; relations
with Franciscan Order, ii. 299, 486,
488, 490-1 ; encouragement to,
from Clement IV., ii. 489-90 and
a.1; estimate of, ii. 484-6 ; estimate
of work of, ii. 402 ; style of, ii.
179-80; attitude toward the
classics, ii. 120 ; predilection for
physical science, ii. 289, 486-7 ;
Albertus Magnus compared with,
ii. 422 ; on four causes of ignorance,
ii. 494-5 ; on seven errors in
theological study, ii. 495-8 ; on
experimental science, ii. 502-8 ;
on logic, ii. 505 ; on faith, ii. 507 ;
editions of works of, ii. 484 n. ;
Greek Grammar by, ii. 128 andn.s,
484 n. , 487, 498 ; Multiplicatio
specierum, ii. 484 «. , 500 ; Opus
tertium, ii. 488, 490 and nn., 491,
492, 498, 499 ; Opus majus, ii.
490-1, 492. 494-5, 498, 499-500'
506-8 ; Optics, ii. 500 ; Opus
minus, ii. 490-1, 495-8 ; Vatican
fragment, ii. 490 and n.*, 505 n.1 ;
Compendium studii philosophiae, ii.
491, 493-4, 507-8 ; Compendium
theologiae, ii. 491 ; otherwise men-
tioned, ii. 284 «., 335 «., 389,
53i-2
Bartolomaeus, De proprietatibus rerum
of, ii. 316 «.2
Bartolus, ii. 264
Baudri, Abbot of Bourgueil, ii. 192 n.1
Bavaria :
Irish monasteries founded in, i. 174
Merovingian rule in, i. 121
Otto's relations with, i. 241
Reorganization of Church in, 198-9
Bavarians, i. 145 w.2, 209, 210
Beauty, love of, i. 340
Bee monastery, i. 262 n., 270-2
Bede, estimate of, i. 185-6 ; allegorizing
of Scripture by, ii. 47 n.1; Church
History of the English People, i.
172, 186, 234«.2 ; De artemetrica,
i. 187, 298 ; Liber de temporibus,
300 ; otherwise mentioned, i. 184,
212
Beghards of Lie"ge, i. 365]
Belgae, i. 126
Belgica, i. 29, 32
Benedict, Prior, i. 258
Benedict, St., of Xursia, i. 85 and n.2,
94, 100 «.4 ; Regula of, see under
Monasticism
Benedictus, Chronicon of, ii. 160-1
Benedictus Levita, Deacon, ii. 270
Benoit de St. More, Roman de Troie
by, ii. 225, 227-9
Beowulf, i. 141, 143-4 and n.1
Berengar, King, i. 256
Berengar of Tours, i. 297, 299, 302-3 ;
ii. 137
Bernard, Bro. , of Quintavalle, i. 502
Bernard, disciple of St. Francis, i. 425-6
Bernard of Chartres, ii. 130-2, 370
Bernard, St., Abbot of Clairvaux, at
Citeaux, i. 360, 393 ; inspires Temp-
lars' regula, i. 531 ; denounces and
crushes Abaelard, i. 229, 401 ; ii.
344-5, 355 ; denounces Arnold of
Brescia, i. 401 ; ii. 171 ; relations
with Gilbert de la Porr^e, ii. 372 ;
Lives of, i. 392 n. , 393 n.1 ; appear-
ance and characteristics of, i. 392-3 ;
estimate of, i. 394 ; ii. 367-8 ; love
and tenderness of, i. 344, 345, 394
seqq. ; ii. 365 ; severity of, i. 400-1 ;
his love of Clairvaux, i. 401-2 ; of
his brother, i. 402-4 ; Latin style of,
ii. 169-71 ; on church corruption,
INDEX
565
i. 474 ; on faith, ii. 298 ; uncon-
cerned with physics, ii. 356 ; St.
Francis compared with, i. 415-16 ;
extracts from letters of, i. 395 seqq. ;
ii. 170-1 ; Sermons on Canticles —
cited, 337 n. ; quoted, i. 409-13 ;
ii. 169, 368-9 ; De consideratione,
ii. 368 ; otherwise mentioned, i. 17,
20, 279, 302, 472, 501 ; ii. 34, 168
Bernard Morlanensis, De contemptu
mundi by, ii. 199 n.3
Bernard Silvestris, Commentum ... of, ii.
116-17 and n* i De mundi univer-
sitate, ii. 119, 371 and n.
Bernardone, Peter, i. 419, 423-4
Bernward, Bp. of Hildesheim, i. 312
and n.1
Bible, see Scriptures
Biscop, Benedict, i. 184
Bishops :
Armed forces, with, i. 473
Francis of Assisi's attitude toward, i.
430
Gallo- Roman and Frankish, position
of, i. 191-2, 194 and nn., 198,
201 n.
Investiture of, lay, i. 244-5 an^ n-* '•
ii. 140
Jurisdiction and privileges of, ii. 266
Papacy's ascendancy over, i. 304
Reluctance to be consecrated, i. 472
Social class of, i. 473
Vestments of, symbolism of, ii. 77 «.2
Blancandrin, i. 565
Bobbio monastery, i. 178, 282-3
Boethius, death of, i. 89, 93 ; estimate
of, i. 89, 92, IO2 ; Albertus Magnus
compared with, ii. 420 ; works of,
i. 90-3 ; Gerbert's familiarity with
works of, i. 289 ; works of, studied
at Chartres, i. 298-9 ; their import-
ance, i. 298 ; De arithmetica, i.
72, 90 ; De geometria, i. 90 ; com-
mentary on Porphyry's Isagoge, i.
92 ; ii. 312 ; translation of the
Organon, i. 71, 91-2; "loss" of
advanced works, ii. 248 n. , 334 ;
De consolatione philosophiae, i. 89,
1 88, 189-90, 299; mediaeval study
of the work, i. 89 ; ii. 135-6
Bologna :
Clubs and guilds in, ii. 382
Fight of, against Parma, i. 497
Law school at, ii. 121, 251, 259-62,
378
Medical school at, ii. 121, 383 «.
University, Law, inception and charac-
ter of, ii. i2i, 381-3; affiliated
universities, ii. 383 n.
Bonaventura, St. (John of Fidanza),
career of, ii. 403 ; at Paris, ii. 399,
403 ; estimate of, ii. 301 ; style of,
ii. 181-2 ; contrasted with Albertus.
ii. 405 ; compared with Aquinas, ii.
4°S- 437 ; with Dante, ii. 547 ; on
faith, ii. 298 ; on Minorites and
Preachers, ii. 396 ; attitude toward
Plato and Aristotle, ii. 404-5 ; to-
ward Scriptures, ii. 405 seqq. ; Dt
reductione artivm ad theologiam, ii.
406-8 ; Breviloqvivm. ii. 408-13 ;
Itinerarium mentis in Deitm, ii.
413-18; otherwise mentioned, ii.
283, 288
Boniface, see Winifried-Boniface
Boniface VIII., Pope, Sextusof. ii. 373 ;
Unam sanctam bull of, ii. 509
Books of Sentences, method of, ii. 307
(See also under Lombard)
Botany, ii. 427-8
Bretons, i. 113
Breviarium, i. 117, 239, 243-4
Britain :
Anglo-Saxon conquest of, i. 141
Antique culture in relation to, before
Middle Ages, i. 10-11
Celts in, i. 127 «.
Christianity of, i. 171-2
Romanization of, i. 32
Brude (Bridius), King of Picts, i. 173
Brunhilde, i. 176, 178
Bruno, Abp. of Cologne, i. 309-10, 383-4 ;
Ruotger's Life of, i. 310 ; ii. 162 and
n.1
Burgundians :
Christianizing of, i. 193
Church's attitude toward, i. 120
Roman law code promulgated by
(Papianus), ii. 239, 242
Roman subjects of, i. 121
otherwise mentioned, i. 9-10, 113,
145
Burgundy, i. 175, 243 n.1
Byzantine architecture, 212 n.
Byzantine Empire, see Eastern Empire
Csedmon, i. 183, 343
Caesar, C. Julius, cited, i. 27-9, 138, 296
Caesar of Heisterbach, Life of Engelbert
by, i. 482-6 andn. ; Diabgi miraett-
lorum, cited, i. 488 «.. 491.
Canon law :
Authority of, ii. 274
Basis of, ii. 267-9
Bulk of, ii. 269
Conciliar decrees, collections of, ii. 269
Decretals :
Collections of, ii. 269. 271-2. 975 n
False, ii. 270, 273
Gratian's Dtcrttvm, ii. 268-9, 270-1,
306
Jus naturate in, ii. 268-9
Lex romana canonict comfta, ii. 252
Scope of, ii. 267
566
THE MEDIAEVAL MIND
Canon law (cont.) :
Sources of, ii. 269
Supremacy of, ii. 277
Canossa, i. 244
Cantafables, i. 157 n.1
Canticles, i. 350 ; Origen's interpretation
of. >• 333 : St. Bernard's Sermons
on, i. 337 «., 409-13 ; ii. 169, 368-9
Capella, Martianus, De nuptiis Philo-
logiaeet Mercurii of, i. 71 and n.3 ;
ii. 553-
Caritas, ii. 476-8 ; in relation to faith,
ii. 479-81 ; to wisdom, ii. 481
Carloman, King of Austrasia, i. 199-200
and n. , 209
Carloman (son of Pippin), i. 209-10.
Carnuti, i. 296
Carolingian period :
Breviarium epitomes current during,
ii. 244, 249
Continuity of, with Merovingian, i.
210-12
Criticism of records non-existent in,
i- 234
Definiteness of statement a character-
istic of, i. 225, 227
Educational revival in, 218-19, 222,
236 ; ii. 122, 158 ; palace school,
i. 214, 218, 229, 235
First stage of mediaeval learning repre-
sented by, ii. 330, 332
History as compiled in, i. 234-5
King's law in, ii. 247
Latin poetry of, ii. 188, 194, 197
Latin prose of, ii. 158
Originality in, circumstances evoking,
i. 232-3
Restatement of antique and patristic
matter in, i. 237. 342-3
Carthaginians, i. 25
Carthusian Order, origin of, i. 383-4
Cass\a.n's Institutes znAConlocations, i-335
Cassiodorus, life and works of, i. 93-7 ;
Chronicon, i. 94 ; Variae epistolae,
\. 94 ; De anima, 94-5 ; Institu-
tiones divinarum et saecularium
litterarum, i. 95-6 ; ii. 357 «-2 ;
otherwise mentioned, i. 6, 88-9,
115 ; ii. 312
Cathari, i. 49 ; ii. 283 ».
Catullus, i. 25
Cavallini, i. 347
Celsus cited, ii. 235, 237
Celtic language, date of disuse of, L 31
and n.
Celts:
Gaul, in, i. 125 and n., 126-7, I39 "-1
Goidelic and Brythonic, i. 127 n.
Ireland, in, see Irish
Italy invaded by (yd cent. B.C.), i. 24
Latinized, i. 124
Teutons compared with, i. 125
Champagne, i. 240, 573
Chandos, Sir John, i. 554-5
Chanson de Roland, i. 12 n., 528 and
n.*, 559-62
Chansons de geste, i. 558 seqq. ; ii. 222
Charlemagne, age of, see Carolingian
period ; estimate of, i. 213 ; rela-
tions of, with the Church, i. 2OI,
239 ; ii. 273 ; relations with Angil-
bert, i. 234-5 ; educational revival
by, i. 213-14; ii. no, 122, 158.
332 ; book of Germanic poems com-
piled by order of, ii. 220 ; Capitu-
laries of, ii. no, 248; open letters
of, i. 213 n. ; Einhard's Life of, ii.
158-9 ; poetic fame of, i. 210 ; false
Capitularies ascribed to, ii. 270 ;
empire of, non-enduring, i. 238 ;
otherwise mentioned, i. 9, 115, 153,
562 ; ii. 8
Charles Martel, i. 197, 198, 209 ; ii. 273
Charles II. (the Bald), King of France,
i. 228, 235
Charles III. (the Simple), King of France,
i. 239-40
Charles IV. , King of France, i. 551
Chartres Cathedral, sculpture of, i. 20.
297 ; ii. 82-5
Chartres Schools :
Classics the study of, i. 298 ; ii. 119
Fulbert's work at, i. 296-7, 299
Grammar as studied at, ii. 129-30
Medicine studied at, ii. 372
Orleans the rival of, ii. 119 ».*
Trivium and quadrivium at, i. 298-9 ;
it. 163
mentioned, i. 287, 293
Chartreuse, La Grande, founding of,
i. 384 (See also Carthusian)
Chaucer, ii. 95
Childeric, King, i. 119, 122
Chivalry :
Literature of :
Arthurian romances, see that
heading
Aube (alba) poetry, i. 571; ii. 30
Chansons de geste, i. 558 seqq.
Nature of, i. 20
Pastorelle, i. 571
Pietistic ideal recognized in, ii. 288,
533
Poems of various nations cited,
i. 570 n.
Religious phraseology in love poems,
i. 350 «•*
Romans oTaventure, i. 564-5, 571 «.
Three branches of, i. 558
Nature of, i. 522, 570 n.
Order of, evolution of, i. 524 seqq.
(See also Knighthood)
Chretien de Troies, romances by, i
566-7 ; Tristan, i. 567 ; Perceval, i-
INDEX
567
567, 588-9 ; Erec (Geraint), i. 567,
586 ; ii. 29 «. ; Lancelot or Le Conte
de la charrette, i. 567, 569-70 ;
582-5; Cliges, i. 567, 586 n.2;
Ivain, i. 571 n.5, 586 n.3 ; ii. 29 n. ;
translation of Ovid's Ars amatoria,
'• 574
Christianity :
Appropriation of, by mediaeval peoples,
stages in, i. 17-18
Aquinas' Summa as concerning, ii.
324
Art, in, see Art
Atonement doctrine, Anselm's views
on, i. 279
Basis of, ii. 268
Britain, in, i. 171-2
Buddhism contrasted with, i. 390
Catholic Church, see Church
Completeness of scheme of, ii. 394-5
Dualistic element in, i. 59
Eleventh century, position in, i. 16
Emotional elements in :
Fear, i. 103, 339, 342, 383
Hate, i. 332, 339
Love, i. 331, 345
Synthetic treatment of, i. 333
Emotionalizing of, angels as regarded
in, i. 348 «.*
Eternal punishment doctrine of, i. 65,
339- 486
Faith of, see Faith
Feudalism in relation to, i. 524, 527-9
and n.2, 530
Fifth century, position in, L 15
Gallo-Roman, i. 191-2
German language affected by, i. 202
Greek Fathers' contribution to, i. 5
Greek philosophic admixture in, i.
33-4
Hell-fear in, i. 103, 339, 342, 383
Hymns, see that heading
Ideal v. actual, i. 354-5
Incarnation doctrine of, ii. 369
Irish missionaries of, see under Irish
Latin as modified for expression of,
ii. 152, 154, 156, 164, 171
Marriage as regarded by, ii. 8, 529
Martyrs for, see Martyrs
Mediaeval development in relation to,
i. ii, 170
Mediation doctrine of, i. 54, 59-60
Militant character of, in early centuries,
i. 69-70, 75
Miracles, attitude toward, i. 50-1
Monasticism, see that heading
Neo-Platonism compared with, i. 51
Pagan ethics inconsistent with, i. 66
Pessimism of, toward mortal life, i. 64
Saints, see that heading
Salvation :
Master motive, as, i. 59, 6l, 79, 89
Christianity (cont.) :
Salvation (cont. ) :
Scholasticism's main interest, as, it.
296-7, 300, 311
Standard of discrimination, as, ii.
530. 533- 559
Scriptures, see that heading
Teutonic acceptance of, ste under
Teutons
Trinity doctrine of :
Abaelard's works on, ii. 10, 298 9.
352-3. 355
Aquinas on, ii. 449-50, 456
Bonaventura on, ii. 416-17
Dante's vision, ii. 551
Peter Lombard's Book on, ii. 323
Roscellin on, ii. 340
Vernacular presentation of, ii. 221
Visions, see that heading
Chronicles, mediaeval, ii. 175
Chrysostom, i. 53
Church, Roman Catholic :
Authority of, Duns' views on, ii. 516
Bishops, see that heading
British Church's divergencies from.
171-2
Canon Law, see that heading
Charlemagne's relations with, i. 2OI,
239 ; ii. 273
Classical study as regarded by, i. 260 ;
ii. zioseqq., 396-7
Clergy, see that heading
Confession doctrine of, i. 489
Constantine's relations with, ii. 266
Creation of, i. ii, 68, 86-7
Decretals, etc. , see -under Canon Law
Denunciations of, i. 474-5 ; ii. 34-5
Diocesan organization of, amongJGt-r-
mans, i. 196
Doctrinal literature of, i. 68-70
Duns' attitude towards, ii. 513
East and West, solidarity of develop-
ment of, i. 55
Empire's relations with, set under
Papacy
Eternal punishment doctrine of, i. 65.
339, 486 ; ii. 550
Eucharistic controversy, see thai head-
ing
Fathers of the, see Greek thought,
patristic ; Latin Fathers ; andchufy
Patristic thought
Feudalism as affected by, i. 524, 527-
9 and n.2. 530
Feudalism as affecting, i. 244, 473
Prankish, see under Franks
Gallo-Roman, i. 191-2, 194
Hildegard's visions regarding, i. 457
Intolerance of, see sub-heading Per-
secutions
Investiture controversy, stt under
Bishops
568
THE MEDIAEVAL MIND
Church, Roman Catholic (cont. ) :
Irish Church's relations with, i. 172-4
and n.1
Isidore's treatise on liturgical practices
of, i. 106
Knights' vow of obedience to, i. 530
Mass, the :
Alleluia chant and Sequence-hymn,
ii. 196, 201 seqq.
Symbolism of, ii. 77-8
Nicene Creed, i. 69
Papacy, Popes, see those headings
Paschal controversy, see Eucharistic
Penance doctrine of, i. 101, 195
Persecutions by, i. 339; of Albigenses,
i. 366-7, 461, 481, 572 ; ii. 168 ;
of Jews, i. 118, 332; of Montanists,
i- 332
Popes, see that heading
Predestination, attitude toward, i. 228
Property of, enactments regarding, ii.
266
Rationalists in, i. 305
Reforms in (nth cent.), i. 304
Roman law for, ii. 265 and n.z
Sacraments :
Definition of the word, ii. 72 and
n.1
Hugo of St. Victor on, ii. 64, 66,
68-9, 7L 72-4- 90 «.*
Origin of, Bonaventura on, ii. 411-
13
Pagan analogy with, i. 53, 59-60
Secularization of dignities of, i. 472
Simony in, i. 244, 475
Spain, in, see under Spain
Standards set by, ii. 528-9
Suspects to, estimate of, ii. 532
Synod of Aix (817), i. 359
Theodosian Code as concerning, ii.
266-7 an-d n-1
Transubstantiation doctrine of, i. 226-
227
"Truce of God" promulgated by, i.
529 «.2
Churches :
Building of, symbolism in, ii. 78-82
Dedication of, sequence designed for,
ii. 2IO-H
Cicero, i. 26 n.3, 39, 78, 219
Cino, ii. 264
Cistercian Order :
Charta charitatis, i. 361-3
Clairvaux founded, i. 393
Cluniac controversies with, i. 360
Citeaux monastery :
Bernard at, i. 360, 393
Foundation and rise of, i. 360-3
Cities and towns :
Growth of, in i2th cent., i. 305 ; ii.
379-80
Italian, see under Italy
Cities (civitates) of Roman provinces, i.
29-30
Clairvaux (Clara Vallis) :
Founding of, i. 360, 393
Position of, i. 362
St. Bernard's love of, i. 401-9
Classics, see Latin classics
Claudius, Bp. of Turin, i. 215, 231-2
and n.1
Claudius, Emp. , i. 30
Clement II., Pope, i. 243
Clement IV., Pope, ii. 489-91
Clement V. , Pope, Decretales Clementinae
of, ii. 272
Clement of Alexandria, ii. 64
Clergy :
Accusations against, false, penalty for,
ii. 266
Legal status of, ii. 382
Regular, see Monasticism
Secular :
Concubinage of, i. 244
Francis of Assisi's attitude toward, i.
430, 440
Marriage of, i. 472 n.1
Reforms of, i. 359
Standard of conduct for, i. 471 ; ii.
529
Term, scope of, i. 356
Clerval, Abb6, cited, i. 300 n.1
Clopinel, Jean, see De Meun
Clovis (Chlodoweg), i. 114, 117, 119-21,
122, 138, 193-4 ; ii. 245
Cluny monastery :
Abaelard at, ii. 25, 26, 345
Characteristics of, i. 359-60
Monastic reforms accomplished by, i.
293. 3°4
Cologne, i. 29, 31
Columba, St. , of lona, i. 133-7, X73
Columbanus, St. , of Luxeuil and Bobbio,
i. 6, 133, 174-9. J9^ I Life and
works of, 174 «.*
Combat, trial by, i. 232
Commentaries, mediaeval :
Boethius', i. 93
Excerpts as characteristic of, i. 104
General addiction to, ii. 390, 553 w.4
Originals supplanted by, ii. 390
Raban's, i. 222-3
Compends :
Fourteenth century use of, ii. 523
Mediaeval preference for, i. 94
Medical, in Italy, i. 251
Saints' lives, of (Legenda aurea), ii.
184
Conrad, Duke of Franconia, i. 241
Conrad II., Emp., i. 243
Constantine, Emp., ii. 266; "Donation"
of, ii. 35, 265, 270
Const an tinus Africanus, i. 251 and n. ;
ii. 372
INDEX
569
Cordova, i. 25
Cornelius Nepos, i. 25
Comificiani, ii. 132, 373
Cosmogony :
Aquinas' theory of, ii. 456
Mediaeval allegorizing of, ii. 65 seqq.
Patristic attitude toward, i. 72-4
Cosmology, Alan's, in Anticlaudianus,
»• 377
Cremona, i. 24
Cross, Christian :
Magic safeguard, as, i. 294-5
Mediaeval feeling for, ii. 197
Crusades :
Constantinople, capture of, as affect-
ing Western learning, ii. 391
First :
Chansons concerning, i. 537-8
Character of, i. 535-7
Guibert's account of, ii. 175
Hymn concerning, quoted, i. 349 and n.
Italians little concerned in, ii. 189
Joinville's account of, quoted, i. 546-9
Language of, i. 531
Results of, i. 305
Second, i. 394
Spirit of, i. 535-7
Cuchulain, i. 129 and nn.*-3
Cynewulf's Christ, i. 183
Cyprian quoted, i. 337 it.
Cyril of Alexandria, i. 227
Cyril of Jerusalem, i. 53
Da Romano, Alberic, i. 515-16
Da Romano, Eccelino, i. 505-6, 516
Dacia, Visigoths in, i. 112
Damiani, St. Peter, Card. Bp. of Ostia,
career of, i. 262-4 > attitude of, to
the classics, i. 260 ; ii. 112, 165 ; on
the hermit life, i. 369-70 ; on tears, i.
371 andn.; extract illustrating Latin
style of, ii. 165 andn.3; works of,
i. 263 n.1; writings quoted, i. 263-7;
Liber Gomorrhianus, \. 265, 474 ;
Vita Romualdi, i. 372 seqq. ; bio-
graphy of Dominicus Loricatus, i.
381-2 ; De parentelae gradibus, ii.
252 ; otherwise mentioned, i. 17, 19,
20, 260, 343, 345, 391 ; ii. 34
Damianus, i. 262, 265
Danes, i. 142, 153
Dante, estimate of, ii. 534-5 ; scholar-
ship of, ii. 541 ».a ; possessed by
spirit of allegory, ii. 552-5 ; com-
pared with Aquinas and influenced
by him, ii. 541 n.*, 547, 549. 551-
555 ; compared with Bonaventura,
ii. 547 ; attitude to Beatrice, ii.
555-8 ; on love, ii. 555-6 ; on mon-
archy, ii. 278 ; De monarckia, ii.
535 ; De vulgari eloquentia, ii. 219,
536 ; Vita nuava, ii. 556, 559 ;
Convito, ii. 537-8, 553;
Commedia. \. 12 i». ; ii. 86, 99 ».',
103, 219 ; commentaries on this
work, ii. 553-4 ; estimate of it. ii.
538. S40-I. 544. 553-4 : Inferno
cited, n. 42. 541-3. 545-7; Pvrga-
torio cited, ii. 535, 542-3, 548 9.
554. 558 I Paradiso cited, i. 395 ;
". 54a-3, 549-51, 558
Dares the Phrygian, ii. 116 and m.',
224-5 and nn. . 226-7
De bello et excidio vrbis Comexrit, ii.
189-90
De Boron, Robert, i. 567
De casu Diaboli, i. 279
De consolatione philosofkiae. tee tinder
Boethius
De Lorris, Guillaume. Roman de la rose
by, i. 586-7 ; ii. 103 and a.1, 104
De Meun, Jean (Clopinel). Roman de la
, rose by, ii. 103 and n.1. 104. 223
Denis, St., i. 230
Dermot (Diarmaid, Diarmuid). High-
King of Ireland, L 132-3. 135, 136
Desiderius, Bp. of Vienne. i. 99
Desiderius, Pope, i. 253. 263
Devil, the :
Mediaeval beliefs and stories as to. L
487 seqq.
Romuald's conflicts with, i. 374, 379-
80
Dialectic (See also Logic) :
Abaelard's skill in, ii. 118. 119, 345-6,
353 ; his subjection of dogma to, ii.
304 ; his Dialectica, ii. 346 and nn. ,
349-5°
Chartres study of, i. 298
Duns Scotus' mastery of, ii. 510, 514
Grammar penetrated by, ii. \rj seqq.
Hugo of St. Victor on. ii. 67
Raban's view of, i. 222
Thirteenth century study of. ii. 118-20
Diarmaid (Diarmuid), see Dermot
Dictamen, ii. 121, 129. 381
Dictys the Cretan, ii. 224, 225 andn.1
Dies irae, i. 348
Dionysius the Areopagite. \\ 10, 102, 344
Divina Commedia, see under Dante
Divination, ii. 374
Dominic, St , i. 366-7. 497 ; ii. 396
Dominican Order :
Aristotelianism of, ii. 404
Founding of, i. 366 ; "- 396
Growth of, i. 498 ; ii. 398
Object of, ii. 396
Oxford University, at. ii. 387
Papacy, relations with, ii. 398. 509
Paris University, position in. ii. 386,
399
Dominicus Loricatus. i. 263. 381-3
Donatus, i. 71. 297 ; Ars minor and
BarbariimMsal, ii. 123-4
570
THE MEDIAEVAL MIND
Donizo of Canossa, ii. 189 and «.2
Druids :
Gallic, i. 28, 296
Irish, i. 133
Du Guesclin, Bertrand, Constable of
France, i. 554-6, 557 n.
Duns Scotus, education of, ii. 511 ;
career of, ii. 513 ; estimate of, ii.
513 ; intricacy of style of, ii. 510,
514, 516 n.2 ; on logic, ii. 504 w.8 ;
Occam's attitude toward, ii. 518
seqq. ; editions of works of, ii. 511
n.1; estimate of his work, ii. 509-10,
SI4
Dunstan, St., Abp. of Canterbury, i.
323-4
Durandus, Guilelmus, Rationale divino-
rum officiorum of, ii. 76 seqq.
Eadmer, i. 269, 273, 277
Eastern Empire :
Prankish relations with, i. 123
Huns' relations with, i. 112-13
Norse mercenaries of, i. 153
Ostrogoths' relations with, i. 114
Roman restoration by, i. 115
Ebroin, i. 209
Eckbert, Abbot of Shonau, i. 444
Ecstasy :
Bernard's views on, ii. 368
Examples of, i. 444, 446
Eddas, ii. 220
Education :
Carolingian period, in, i. 213-14,
218-19, 222> 236; ii. no, 122,
158. 332
Chartres method of, ii. 130-1
Grammar a chief study in, ii. 122
&99-, 331-2
Italy, in, see under Italy
Latin culture the means and method
of, i. 12 ; ii. 109
Schools, clerical and monastic, i. 250
n.2. 293
Schools, lay, i. 249-51
Seven Liberal Arts, see that heading
Shortening of academic course, ad-
vocates of, ii. 132, 373
Edward II., King of England, i. 551
Edward III., King of England, i. 550-1
Edward the Black Prince, i. 554-6
Einhard the Frank, i. 234 n.1 ; Life of
Charlemagne by, i. 215 ; ii. 158-9
Ekkehart family, i. 309
Ekkehart of St Gall, Waltarius ( Wat-
tharilitd) by, ii. 188
El-Farabi, ii. 390
Eleventh century :
Characteristics of, i. 301 ; in France,
i. 301, 304, 328 ; in Germany, i.
307-9 ; in England, i. 324 ; in Italy,
i. 327
Eleventh century (cont. ) :
Christianity in, position of, i. 16
Elias, Minister-General of the Minorites,
i. 499
Elizabeth, St., of Hungary, i. 391, 465
n.1
Elizabeth, St. , of Schonau, visions of, i.
444-6
Emotional development, secular, i. 349-50
and «.2
Empire, the, see Holy Roman Empire
Encyclopaedias, mediaeval, ii. 316 «.'•*;
Vincent's Speculum majus, ii. 315-22
Eneas, ii. 225, 226
Engelbert, Abp. of Cologne, i. 481-6 ;
estimate of, i. 482
England (See also Britain) :
Danish Viking invasion of, i. 153
Eleventh century conditions in, i. 324
Law in, principles of, i. 141-2;
Roman law almost non-existent in
Middle Ages, ii. 248
Norman conquest of, linguistic result
of, i. 324
English language, character of, i.*324
Epicureanism, i. 41, 70; ii. 296, 312
Eriugena, John Scotus, estimate of, i.
215, 228-9, 23J I "• 33° : on reason
v. authority, ii. 298, 302 ; works of,
studied at Chartres, i. 299 ; De
divisione naturae, i. 230-1 ; ii. 302 ;
otherwise mentioned, i. 16 ; ii.
282 «., 312
Essenes, i. 334
Ethelbert, King of Kent, i. 180-1
Etymologies of Isidore, i. 33, 105 and
w.1, 107-9; "• 3*8; law codes glossed
from, ii. 250
Eucharistic (Paschal) controversy :
Berengar's contribution to, i. 302-3
Paschasius' contribution to, i. 225-7
Eucherius, Bp. of Lyons, ii. 48 «. *
Euclid, i. 40
Eudemus of Rhodes, i. 38
Eunapius, i. 47, 52
Euric, King of the Visigoths, i. 117 and
w.1
Eusebius, i. 81 ».2
Evil or sin :
Abaelard's views concerning, ii. 350
Eriugena's views concerning, i. 228
Original sin, realism in relation to, ii.
340 «.
Peter Lombard and Aquinas contrasted
as to, ii. 308-10
Experimental science, Bacon on, ii. 502-8
Fabliaux, i. 521 n.* ; ii. 222
Facts, unlimited actuality of, i. 79-80
Faith :
Abaelard's definition of, ii. 354
Bacon's views on, ii. 507
INDEX
571
Faith (cont, ) :
Bernard of Clairvaux's attitude toward,
''• 355
Caritas in relation to, ii. 479-81
Cognition through, Aquinas' views on,
ii. 446
Occam's views on, ii. 519
Proof of matters of, Aquinas on, ii. 450
Will as functioning in,-ii. 479
False Decretals, i. 104 «., 118 n.1
Fathers of the Church (See also Patristic
thought) :
Greek, see Greek thought, patristic
Latin, see Latin Fathers
Faustus, ii. 44
Felix, St., i. 86
Feudalism (See also Knighthood) :
Anarchy of, modification of, i. 304
Austrasian disintegration by, i. 240
Chansons regarding, i. 559 seqq. , 569
Christianity in relation to, i. 524, 527-
9 and n.2, 530
Church affected by, i. 244, 473
Italy not greatly under, i. 241
Marriage as affected by, i. 571, 586
Obligations of, i. 533-4
Origin of, 522-3
Principle and practice of, at variance,
i. 522
Fibonacci, Leonardo, ii. 501
Finnian, i. 136
Flamenco, i. 565
Flore et Blanchefleur, i. 565
Floras, Deacon, of Lyons, i. 229 and n.
Fonte Avellana hermitage, i, 262-3, 3&1
Forms, new, creation of, see Mediaeval
thought — Restatement
Fortunatus, Hymns by, ii. 196-7
Fourteenth century :
Academic decadence in, ii. 523
Papal position in, ii. 509-10
France (For particular districts, towns,
etc. , see their names) :
Antique, the, in relation to, before
Middle Ages, i. 9-10
Arthurian romances developed in, i.
566
Cathedrals of, ii. 539, 554-5
Church in, secularization of, i. 472-3
Eleventh century conditions in, i. 301,
304, 328
History of, in nth century, i. 300
Hundred Years' War, i. 550 seqq.
Jacquerie in (1358), i. 556
Language modifications in, ii. 155
Literary celebrities in (i2th cent.), ii.
168
Monarchy of, advance of, i. 305
North and South, characteristics of, i.
328
Rise of, in i4th century, ii. 509
Town-dwellers of, i. 495. 5°8
Francis, St., of Assisi. birth of. i. 415 ;
parentage, i. 419 ; youth, L 410-3 ;
breach with his father, i. 433-4 .
monastic career, i. 427 «yy. ;
French songs sung by, i. 419 and
n.8, 427, 432 ; Lives of, L 415 * ;
style of Thomas of Celano's Life, \\.
182-3 ! Speculum perfectionii, i.
415 "•• 4*6 n., 438 a*; ii. 183:
literal acceptance of Scripture by, i.
365, 406-7 ; on Scripture interpreta-
tion, i. 427 n.1; ii. 183; universality
of outlook, i. 417 ; mediacvalism,
i. 417; Christ - influence, i. 417,
418, 432-3 ; inspiration, i. 4190.'.
441 ; gaiety of spirit, i. 421, 427-8,
431-2 ; poetic temperament, i. 433,
435 ; love of God, man. and nature,
i. 366, 428. 432-3. 435-7 ; sim-
plicity, i. 429 ; obedience and
humility, i. 365 n. , 429 - 30 ;
humanism, i. 495 ; St. Bernard
compared with. i. 415-16 ; St
Dominic contrasted with, ii. 396 ;
Fioretti, ii. 184 ; Canticle of
Brother Sun, i. 433-4, 439-40 :
last testament of, i. 440-1 ; other-
wise mentioned, L 20, 21, 279, 344,
345. 355-6 ; ii. 302
Franciscan Order :
Attractiveness of, i. 498
Augustinianism of, ii. 404
Bacon's relations with, ii. 486, 488,
490-1
Characteristics of, i. 366
Founding of, i. 427 ; ii. 396
Grosseteste's relations, ii. 4871 5 ' i
Object of, ii. 396
Oxford University, at, ii. 387, 400
Papacy, relations with, ii. 398, 509
Paris University, in, ii. 386, 399
Rise of, ii. 398
Franconia, i. 241
Franks (See also Germans) :
Christianity as accepted by, i. 193
Church among :
Bishops, position of, i. 194 and nn .
198, 201 n.
Charlemagne's relations with, i. 201.
239 ; ii. 273
Clovis, under, i. 194
Lands -held by, i. 194. '99 • ao° •
immunities of, i. soi and n.\
Organization of, i. 199
Reform of, by Boniface. i. 196 : N.
373
Roman character of, i. 301
Division of the kingdom a custom of.
i. 338-9
Gallo- Roman relations with, i. 133
Language of, i. 145 *.*,
Law of, ii. 345-6
572
THE MEDIAEVAL MIND
Franks (cont. ) :
Missi dominici, i. 211
Ripuarian, i. 119, 121 ; ii. 246
Romanizing of, partial, i. 9-10
Salian, i. 113, 119; Code, ii. 245-6
Saracens defeated by, i. 209-10 n.1
Trojan origin of, belief as to, ii. 225
and n,1
Frederic, Count of Isenburg, i. 483-6
Frederick I. (Barbarossa), Emp., i.
448
Frederick II., Emp., under Innocent's
guardianship, ii. 32-3 ; crowned,
ii. 33 ; estimate of, i. 497 ; other-
wise mentioned, i. 250 «.4, 417,
481, 505, 510, 517
Free, meaning of term, i. 526 n.3
Free Companies, i. 556
Free will :
Angelic, ii. 473
Duns Scotus on, ii. 515
Human, ii. 475
Richard of Middleton on, ii. 512
Freidank, i. 475 ; ii. 35
Frescoes, i. 346-7
Friendship, chivalric, i. 561-2, 569-70,
583
Frisians, i. 169, 174 ; missionary work
among, i. 197, 200, 209
Froissart, Sir John, Chronicles of, i. 549
seqq. ; estimate of the work, i. 557
Froumund of Tegernsee, i. 312-13 ; ii.
no
Fulbert, Bp. of Chartres, i. 287, 296-7,
299
Fulbert, Canon, ii. 4-6, 9
Fulco, Bp. of Toulouse, i. 461
Fulda monastery, i. 198, 221 w.2
Fulk of Anjou, ii. 138
Gaius, Institutes of, ii. 241, 243
Galahad, i. 569-70, 583, 584 and n*
Galen of Pergamos, i. 40, 251
Gall, St., i. 6, 178, 196
Gallo- Romans :
Feudal system among, i. 523
Frankish rule over, i. 120, 123
Literature of, i. 126 «.2
Gandersheim cloister, i. 311
Gaul (For particular districts, towns, etc.,
see their names) :
Celtic inhabitants of, i. 125 and n.,
126-7, I29 w-1
Druidism in, i. 28, 296
Ethnology of, i. 126
Heathenism in, late survival of, i.
191 n.1
Latinization of, i. 9-10, 29-32
Visigothic kingdom in south of, i. 112,
116, 117, 121
Gauls, characteristics and customs of, i.
27-8
Geoffrey of Beaulieu, Life of St. Louis
by, i. 539-42
Gepidae, i. 113, 115
Geraldus, St., i. 281.
Gerard, brother of St. Bernard, i. 402-4
Gerbert of Aurillac, see Sylvester II.
German language :
Christianity as affecting, i. 202
High and Low, separation of, i. 145 «.2
Middle High German literature, ii.
168, 221
Old High German poetry, ii. 194, 220
Germans (Saxons) (See also Franks) :
Characteristics of, i. 138-40, 147, 151-2
Language of, see German language
Latin as studied by, i. 307-9 ; ii.
123, 155
Literature of, ii. 220-1 (See also sub-
heading Poetry)
Marriage as regarded by, ii. 30
Nationalism of, in i3th cent., ii. 28
Poetry of :
Hildebrandslied, \. 145-7
Kudrun (Gndruti), i. 148, 149-52 ;
ii. 220
Nibelungenlied, i. 145-6, 148-9,
152, 193, 203 n.2 ; ii. 220
Waltarivs, i. i^-j and n. , 148
otherwise mentioned, i, 113, 115,
119, 174, 209, 210
Germany :
Antique, the, in relation to, before
Middle Ages, i. 10-11
Art in (nth cent.), i. 312
Church in, secularization of, i. 472
Italy contrasted with, as to culture, i.
249-50
Merovingian supremacy in, i. 121
Papacy as regarded by, ii. 28, 33, 34-5
Sequence-composition in, ii. 215
Gertrude of Hackeborn, Abbess, i. 466
Gilbert de la Porree, Bp. of Poictiers,
ii. 132, 372
Gilduin, Abbot of St. Victor, ii. 62 and n.2
Giraldus Cambrensis, ii. 135 and n.
Girard, Bro. , of Modena, i. 498
Glaber, Radulphus, Histories of, i. 488 w.
Glass-painting, ii. 82-6
Gnosticism, i. 51 w.1
Gnostics, Eriugena compared with, i. 231
and n.1
Godehard, Bp. of Hildesheim, i. 312
Godfrey of Bouillon, i. 535-8
Godfrey of Viterbo, ii. 190 and n.4
Gondebaud, King of the Burgundians, ii.
242
Good and the true compared, ii. 441, 512
Goths (See also Visigoths) :
Christianity of, i. 192, 194
Roman Empire invaded by, i. 1 1 1 seqq.
Gottfried von Strassburg, i. 567 ; ii. 223 ;
Tristan of, i. 577-82
INDEX
573
Gottschalk, i. 215, 221 ».a. 224-5, 227-8;
verses by, ii. 197-9
Government :
Church v. State controversy, ii. 276-7
(See also Papacy — Empire)
Ecclesiastical, see Canon Law
Monarchical, ii. 277-8
Natural law in relation to, ii. 278-9
Representative assemblies, ii. 278
Grace, Aquinas' definition of, ii. 478-9
Grail, the, i. 589, 596-7, 607, 608, 613
Grammar :
Chartres studies in, i. 298 ; ii. 129-30
Current usage followed by, ii. 163
and a. J
Hugo of St. Victor on, ii. 67
Importance and predominance of, in
Middle Ages, i. 109 and n. , 2Q2 ;
ii. 331-2
Italian study of, ii, 129, 381
Language continuity preserved by, ii.
122-3, ^L iSS
Law studies in relation to, ii. 121
Logic in relation to, ii. 127 seqq.,
333-4 ; in Abaelard's work, ii. 346
Raban's view of, i. 222
Scholastic classification of, ii. 313
Syntax, connotation of term, ii. 125
Works on — Donatus, Priscian, Alex-
ander, ii. 123 seqq.
Grammarian, meaning of term, i. 250
Gratianus, Decretum of, ii. 268-9, 270-1,
306, 380-2 ; dicta, ii. 271
Greek classics, see Greek thought,
pagan
Greek language :
Oxford studies in, ii. 120, 391, 487
Translations from, direct, in i3th
cent., ii. 391
Greek legends, mediaeval allegorizing of,
ii. 52, 56-9
Greek novels, ii. 224 and n.
Greek thought, pagan :
Bacon's attitude toward, ii. 492-3
Breadth of interest of, ii. 109
Christian standpoint contrasted with,
i. 390 ; ii. 295-6
Church Fathers permeated by, i. 33-4
Completeness of schemes presented by,
»• 394
Limitless, the, abhorrent to, i. 353-4
Love as regarded by, i. 575
Metaphysics in, ii. 335-7
Scholasticism contrasted with, ii. 296
Summa moralium philosophorum, ii.
373
Symbolism in, n. 42, 50
Transmutation of, through Latin me-
dium, i. 4
Greek thought, patristic (See also Patristic
thought) :
Comparison of, with Latin, i. 68
Greek thought, patristic (font. ) :
Pagan philosophic thought contrasted
with, ii. 395-6
Symbolism in, ii. 43
Transmutation of, through Latin me*
dium, i. 5. 34 and n.
Gregorianus, ii. 240. 243
Gregory. Bp. of Tours, i. iai ; Historic
Francorum by, L 234 ».* ; ii. 155
Gregory I. (the Great). Pope, family and
education of. i. 97 ; Augustine of
Hippo compared with. i. 98-9 ;
Augustinianism barbarized by. i. 98.
102 ; sends mission to England, i.
6, 33, 180 I and n.1 ; estimate of.
i- 56. 89, 103-3, 342 ; estimate of
his writings, i. 354 ; on miracles, i.
i QO, 182 ; on secular studies, ii.
288 ; letter to Theoctista cited. L
102 n.1 ; editions of works of. i. 97
n. ; works of, translated by King
Alfred, i. 187; Dialogues on the
Lives and Miracles of the Italian
Saints, i. 85 and n.*, 100 ; Moralia,
i. 97. 100 ; ii. 57 ; Odo's epitome of
this work, ii. 161 ; Commentary on
Kings, i. ioo n.l\ Pastoral Rule. i.
102, 187-8 ; otherwise mentioned,
i. 16 and n.*, 65, 87, 104, 116
Gregory II., Pope, i. 197-8 ; ii. 273
Gregory III., Pope, i. 198 ; ii. 273
Gregory VII., Pope (Hildebrand). claims
of, i. 244-5 ' "• 274 • relations with
Damiani, i. 263 ; exile of, i. 244,
253 ; estimate of, i. 261 ; otherwise
mentioned, i. 17, 174 x.1. 243, 304
Gregory IX., Pope, codification by. of
Canon law, ii. 272 ; efforts of, to
improve education of the Church, ii.
398 ; mentioned, i. 476 ; ii. 33
Gregory of Nyssa, i. 53, 80, 87, 340
Grosseteste, Robert, Chancellor of Oxford
University and Bp. of Lincoln, Greek
studies promoted by, ii. 120. 391,
487 ; estimate of, ii. 511-12; Augus-
tinianism of, ii. 403-4 : attitude to-
ward the classics, ii. 120, 389 ;
relations with Franciscan Order, ii.
487, 511 ; Bacon's relations with,
ii. 487
Gudrun (Kudrun), i. 148, 149-52 ; ii.
220
Guigo, Prior, estimate of, i. 390-1 ; re-
lations with St. Bernard, i. 405 ;
Consuetudines Cartkusiat by, i. 384;
Meditatione* of, i. 385-90
Guinevere, i. 569, 584 and it.1. 585
Guiot de Provens. " Bible" of. i. 475-6
and n.1
Guiscard, Robert, ii. 189 n.*
Gumpoldus, Bp. of Mantua. Lift tf
Wencalaus by, it. 162 x. '
574
THE MEDIAEVAL MIND
Gundissalinus, Archdeacon of Segovia,
ii. 312 and n.4, 313
Gunther, Ligurinus of, ii. 192 and n.*
Gunzo of Novara, i. 257-8
Harding, Stephen, Abbot of Citeaux, i.
360. 36l. 393
Harold Fairhair, i. 153
Hartmann von Aue, i. 348-9 and n. ,
567 ; ii. 29 «.
Harun al Raschid, Caliph, i. 210
Heinrich von Veldeke, i. 567 ; ii. 29 n.
Heliand, i. 203 and nn. , 308
Helias, Count of Maine, ii. 138
Hell.
Dante's descriptions of, ii. 546-7
Fear of, i. 103, 339, 342, 383
Visions of, i. 454-5, 456 n.
Heloi'se, Abaelard's love for, ii. 4-5, 344;
his love-songs to, ii. 13, 207 ; love
of, for Abaelard, i. 585 ; ii. 3, 5> 8,
9, 15-16 ; birth of Astralabius, ii. 6 ;
opposes marriage with Abaelard, ii.
6-9 ; marriage, ii. 9 ; at Argenteuil,
ii. 9, 10 ; takes the veil, ii. 10 ; at
the Paraclete, ii. 10 seqq. ; letters of,
to Abaelard quoted, ii. 11-15, 17-
20, 23, 24 ; Abaelard's letters to,
quoted, ii. 16-17, 2I-3- 24"5 ; Peter
the Venerable's letter, ii. 25-7 ; letter
of, to Peter the Venerable, ii. 27 ;
death of, ii. 27; intellectual capacity
of, ii. 3
Henry the Fowler, i. 241
Henry II., Emp. , i. 243 ; dirge on death
of, ii. 216
Henry IV., Emp., i. 244; ii. 167
Henry VI., Emp., ii. 32, 190
Henry I., King of England, ii. 139, 146,
176-8
Henry II., King of England, ii. 133,
I3S. 372
Henry of Brabant, ii. 391
Henry of Ghent, ii. 512
Henry of Huntington cited, i. 525
Henry of Septimella, ii. 190 and n.3
Heretics (For particular sects, see their
names') :
Abaelard's views on coercion of, ii.
35°. 354
Insignificance of, in relation to medi-
aeval thought, ii. 283 and n.
Theodosian enactments against, ii. 266
Twelfth century, in, i. 305
Herluin, Abbot of Bee, i. 271
Hermann, Landgrafof Thiiringen, 1.589;
ii. 29
Hermann Contractus, i. 314-15 and n.1
Hermits :
Irish, i. 133
Motives of, i. 335, 363
Temper of, i. 368 seqq.
Hermogenianus, ii. 240, 243
Herodotus, i. 77
Hesse, Boniface's work in, i. 197-8
Hilarion, St., i. 86
Hilary, Bp. of Poictiers, i. 63, 68, 70
Hildebert of Lavardin, Bp. of Le Mans
and Abp. of Tours, career of, ii.
137-40 ; love of the classics, ii.
141-2, 146, 531 ; letters of, quoted,
ii. 140, 143, 144-5, J46-7 1 Latin
text of letter, ii. 172 ; Latin elegy
by, ii. 191 ; otherwise mentioned,
ii. 61, 134, 373 n.z
Hildebrand, see Gregory VII.
Hildebrandslied, ii. 220
Hildegard, St., Abbess of Bingen, dedica-
tion of, i. 447 ; visions of, i. 267,
449-59 ; affinity of, with Dante, ii.
539 ; correspondence of, i. 448 ;
works of, i. 446 n. ; Book of the
Rewards of Life, i. 452-6 ; Scivias,
'• 457*9 1 otherwise mentioned, i.
20, 345, 443 ; ii. 302, 365
Hildesheim, bishops of (nth cent.), i.
312
Hilduin, Abbot, i. 230
Hincmar, i. 215, 230, 233 n.1
Hipparchus, i. 40
Hippocrates, i. 40
History :
Carolingian treatment of, i. 234-5
Classical attitude toward, i. 77-8
Eleventh century treatment of, i. 300
Historia tripartita of Cassiodorus, i.
96-7
Patristic attitude toward, i. 80-4
Seven Books of Histories adversum
paganos by Orosius, i. 82-3
Holy Roman Empire :
Burgundy added to, i. 243 n.1
German character of, ii. 32
Papacy, relations with, see under
Papacy
Refounding of, by Otto, i. 243
Rise of, under Charlemagne, i. 212
Honorius II., Pope, i. 531
Honorius III., Pope, i. 366, 482,497;
»• 33- 385 «•• 398
Honorius of Autun — on classical study, ii.
no, 112-13; Speculum ecclesiae of,
ii. 50 seqq. ; Gemma animae, ii. 77
w.1
Hosius, Bp. of Cordova, i. 118 n.1
Hospitallers, i. 531
Hrotsvitha, i. 311 and «.2, ii. 215 n.2
Huesca (Osca), i. 25
Hugh, Abbot of Cluny, ii. 137
Hugh Capet, i. 239-40 and n.
Hugh the Great, Count of Paris, i. 241
Hugh of Payns, i. 531
Hugo, Archdeacon of Halberstadt, ii. 62
Hugo, Bro., of Montpellier, i. 510-14
INDEX
575
Hugo, King, i. 242
Hugo of St. Victor, estimate of, ii. 63,
III, 118, 301, 356; allegorizing
by, ii. 367 ; on classical study, ii.
1 10- 1 1 ; on logic, ii. 333; pupils
of, ii. 87 ; works of, ii. 61 «.2 ;
Didascalicon, ii. 48 n.2, 63, III, 312,
357 and tin.2"5 ; De sacramenlis
Christianaefidei, ii. 48 «.2, 64 seqq. ,
365, 395, 540 ; Expositio in regulam
beati Augustini, ii. 62 «.2 ; De area
Not morali, ii. 75 «., 365-7; De
area Noe mystica, ii. 367 ; De vani-
tatemundi,\\.7Sn.,l\l-l2\ Sumtna
sententiarum, ii. 356 ; Sermons on
Ecclesiastes, ii. 358-9 ; otherwise
mentioned, i. 17, 20, 457 ; ii. 404
Humanists, ii. 126
Humiliati of Lombardy, i. 365
Hungarians, i. 241-2
Huns, i. 112, 119, 193
Huon de Bordeaux, i. 564
Hy (lona) Island, i. 136, 173
Hymns, Christian :
Abaelard, by, ii. 25, 207-9
Estimate of, i. 21
Evolution of, i. 347-9 andn.; ii. 196,
200 seqq.
Hildegard's visions regarding, i. 459
Hugo of St. Victor, by, ii. 86 seqq.
Sequences, development of, ii. 196,
201-6 ; Adam of St. Victor's, ii.
209-15
lamblicus, i. 42, 47, 51, 56-7 ; ii. 295
Iceland, Norse settlement in, i. 153
Icelanders, characteristics and customs
of, i. 154
Icelandic Sagas, see Sagas
Ideal v. actual, i. 353 seqq.
Innocent II., Pope, i. 394; ii. 10
Innocent III., Pope, i. 417, 481, 497;
ii. 32, 274, 384- 398
Innocent IV., Pope, i. 506
Intellectus agens, ii. 464, 507 n.2
lona (Hy) Island, i. 136, 173
Ireland :
Celts in, see Irish
Church of, missionary zeal of, i. 133,
136, 172 seqq.
Danish settlements in, i. 153
Monasteries in, i. 153 n.1, 173
Norse invasion of, i. 134
Scholarship in, i. l8on., 184-5
Irenaeus, Bp. of Lyons, i. 225
Irish:
Art of, i. 128 w.1
Characteristics of, i. 128, 13°. *33'
179
History of, i. 1 27 and n.
Influence of, on mediaeval feeling, i.
179 and n.
Irish (font. ) :
Literature of. i. 128 and n -. xapaeqq. .
134 ; poetry, ii. 194
Missionary labours of. i. 133, 136.
172 seqq. ; defect of. i. 179. 196
Norse harryings of, i. 133-4 ; inter-
course with. i. 152 «.'
Oxford University, at. ii. 387
Irnerius. ii. 121, 260. 380-1 ; Stimma
codicis of, ii. 255-9
Irrationality (See also Miracles) :
Neo-Platonic teaching as to. i. 43-4.
48. 52
Patristic doctrine as to. i. 51-3
Isabella, Queen, wife of Edward II., i.
55°-i
Isidore, Abp. of Seville, estimate of.
L 89, 103, 118 w.1; Bede com-
pared with, i. 185-7 ; False Decrttaii
attributed to, i. 1 18 n.1 ; ii. 270. 273 ;
works of, i. 104-9 '• Etymohgiae, tu
Etymologies of Isidore ; Origines. L
236, 300 ; otherwise mentioned, i. 6,
88 ; ii. 46, 312
Italian people in relation to the antique,
i. 7-8
Italy (For particular districts, towns,
etc., see their names) :
Celtic inroads into (30! cent. B.C.), i.
24
Church in, secularization of. i. 472
Cities in :
Continuity of, through dark ages, i.
248, 494-5; ii. 381
Fighting amongst, i. 497-8
Importance of, i. 241, 326. 494 5
Continuity of culture and character in.
i. 326. 495 : "• 120-2
Dante as influenced by. ii. 534-5
Education in— lay, persistence of. i.
249-51 ; clerical and monastic, i.
250 «.2
Eleventh-century conditions in. i. 327
Feudalism not widely fixed in, L 241
Feuds in. i. 515-16
Grammar as studied in. i. 250 andn.* ;
ii. 129
Irish monasteries founded in. i. 174
Literature of, mediaeval, lack of ori-
ginality in, ii. 189 ; eleventh-century
verse, i. 251 seqq. ; ii. 165 it.1. 186
Lombard kingdom of (6th cent.), i.
115-16
Medicine studied in, i. 250 and n.*,
251 ; ii. I2i
Unification of,, under Rome. i. 23
Jacobus a Voragine. Legtnda aurta by.
ii. 184
Jacques de Vitry, Bp. and Card, of
Tusculum, i. 461 andn.; Exemfla
of. i. 488 i». , 490
THE MEDIAEVAL MIND
Jerome, St., estimate of, i. 344, 354;
letter of, on asceticism, i. 335 and
n.1 ; love of the classics, ii. 107,
112, 531 ; modification by, of clas-
sical Latin, ii. 152, 171 ; two styles
of, ii. 171 and n.4 • Life of Paulus
by, i. 84, 86 ; Life of Hilarion, i.
86 ; Contra Vigilantium, i. 86 ;
otherwise mentioned, i. 56, 75, 76,
104
Jerome of Ascoli ( Pope Nicholas IV. ), ii.
491
Jews :
Agobard's tracts against, i. 232-3
Gregory the Great's attitude toward,
i. 102
Louis IX. 's attitude toward, i. 545
Persecution of, i. 118, 332
Joachim, Abbot of Flora, Evangelicum
eternum of, 502 «. , 510, y.2-1^,
517
John, Bro. , of Vicenza, i. 503-4
John X., Pope, i. 242
John XI. , Pope, i. 242
John XII., Pope, i. 243 ; ii. l6o-I
John XIII., Pope, i. 282
John XXII., Pope, Decrctales extra-
•uagantes of, ii. 272
John of Damascus, ii. 439 n.1
John of Fidanza, see Bonaventura
John of Parma, Minister-General of
Franciscans, i. 507, 508, 5IO-II
John of Salisbury, estimate of, ii. 118,
373-4 ; Chartres studies described
by, ii. 130-2 ; attitude of, to the
classics, ii. 114, 164, 173, 531 ;
Latin style of, ii, 173-4 ; Polycrati-
cus, ii. 114-15, 174-5 ; Metalogicus,
ii. 173-4 ; Entheticus, ii. 192 ; De
septem septenis, ii. 375
John the Deacon, Chronicon Venetum
by, i. 325-6
Joinville, Sire de, Histories of St. Louis
by, i- 539- 542-9
Jordanes, compend of Gothic history by,
i. 94
Jordanes of Osnabriick cited, ii. 276 «.-
Joseph of Exeter, ii. 225 ».2
Jotsaldus, Life of Odilo by, i. 295-6
Judaism, emotional elements in, i. 331-2
Julianus, Epitome of, ii. 242, 249, 254
Jumieges cloister, ii. 201
Jurisprudence (See also Roman law) :
Irnerius an exponent of, ii. 256, 259
Mediaeval renaissance of, ii. 265
Roman law, in, beginnings of, ii.
232
Justinian, Codex, Institutes, Novellae of,
see under Roman law ; Digest of,
see Roman law — Pandects
Jutes, i. 140
Jutta, i. 447
Keating quoted, i. 136
Kilwardby, Richard, Abp. of Canter-
bury, De ortu et divisions philo-
sophiae of, ii. 313
Kilwardby, Robert, ii. 128
Knighthood, order of:
Admission to, persons eligible for, i.
527
Code of, i. 524
Hospitallers, i. 531
Investiture ceremony, i. 525-8
Love the service of, i. 568, 573
Templars, i. 531-5
Virtues and ideals of, i. 529-31,
567-8
Knowledge :
Cogitation, meditation, contemplation
(Hugo's scheme), ii. 358 seqq.
Forms and modes of, Aquinas on —
divine, ii. 451-5 ; angelic, ii. 459-
62 ; human, ii. 463 seqq.
Grades of, Aquinas on, ii. 461, 467
Primacy of, over will maintained by
Aquinas, ii. 440-1
La Ferte' Monastery, i. 362
Lambert of Hersfeld, Annals of, i. 313 ;
ii. 167
Lambertus Audomarensis, Liber Flori-
dus of, ii. 316 w.2
Lancelot of the Lake, i. 567, 569-70,
582-5 ; Old French prose version
of, i. 583 seqq.
Land tenure, feudal, i. 523-4
Lanfranc, Primate of England, i.
174 n.1, 261 n. , 273
Langue a"oc, ii. 222, 248
Langue d'oil, ii. 222, 248
Languedoc, chivalric society of (nth
and 1 2th centuries), i. 572
Latin classics :
Abaelard's reference to, ii. 353
Alexandrian antecedents of the verse,
ii. 152 n.1
Artificial character of the prose, ii.
151 n.
Breadth of interest of, ii. 109
Characteristics of, ii. 153
Chartres a home of, i. 298 ; ii. 119
Common elements in, ii. 149, 157
Dante's attitude toward, ii. 541, 544 ;
his quotations from, ii. 543 w.1
Ecclesiastical attitude toward, i. 260 ;
ii. no seqq. , 396-7
Familiarity with, of Damiani, i. 260 ;
ii. 165 ; Gerbert, i. 287-8 ; ii. no ;
John of Salisbury, ii. 114, 164, 173.
531 ; Bernard of Chartres, ii. 132-3 ;
Peter of Blois, ii. 133-4 ; Hildebert,
ii. 141-2, 146, 531
Knowledge-storehouses for the Middle
Ages, as, ii. 108
INDEX
577
Latin classics (cont. ) :
Mastery of, complete, as affecting
mediaeval writings, ii. 164
Reverential attitude of mediae vals
toward, ii. 107-9
Scripture study as aided by study of,
ii. no, 112, 120
Suggestions of new ideas from, for
Northern peoples, ii. 136
Themes of, in vernacular poetry, ii.
223 seqq.
Twelfth-century study of, ii. 117-18
Latin Fathers (See also their names and
Patristic thought) :
Comparison of, with Greek, i. 68
Style and diction of, ii. 150, 152 seqq.
Symbolism in, ii. 43-6
Transmutation by, of Greek thought,
i. 5, 34 and n.
Latin language :
Britain, position in, i. 10, 32
Children's letters in, ii. 123 ».
Christianity as modifying, ii. 152,
154, 156, 164, 171
Continuity of, preserved by universal
study of grammar, ii. 122-3, I5I>
iSS
" Cornificiani " in regard to, ii. 132,
373
Educational medium as, ii. 109
Genius of, susceptible of change, ii.
149
German acquisition of, i. 10, 32, 307-8,
313; ii. 123, 155
Grammar of, see Grammar
Mediaeval modifications in, ii. 125,
164
Patristic modifications of, ii. 150,
152 seqq. \ Jerome's, ii, 152, 171
Spelling of, mediaeval, i. 219
Sphere of, ii. 219-20
Supremacy of (during Roman con-
quest period), i. 4, 23-4 and n.1,
25. 30-1
Translations from, scanty nature of,
ii. 331 «.2
Translations into, difficulties of, ii.
498
Universality of, as language of scholars,
ii. 219, 331 n.2
Vernacular, developments of, ii. 151
Vitality of, in relation to vernacular
tongues, ii. 219
Latin prose, mediaeval :
Antecedents of, ii. 151 seqq.
Best period of, ii. 167-8
Bulk of, ii. 157 n.
Carolingian, ii. 158-60
Characteristics of, ii. 156
Estimation of, difficulties of, ii. 157
and n.
Influences upon, summary of, ii. 156
VOL. II
Latin prose, mediaeval (cont. ) :
Prolixity and inconsequence of. u.
154
Range of, ii. 154
Simplicity of word - order in, it
163 *.»
Stages of development of, ii. 157 uqq.
Style in, beginnings of, ii. 164
Stylelessness of, in Carolingian period.
ii. 158-60
Thirteenth-century styles, ii. 179
Value of, as expressing the mediaeval
mind, ii. 156, 164
Latin verse, mediaeval :
Accentual and rhyming compositions.
ii. 194 ; two kinds of, ii. 196
Antecedents of, ii. 187 n.1
Carmina Burana (Goliardic poetry).
ii. 203, 217-19 and n.
Development of, stages in, ii. 187
Leonine hexameters, ii. 199 and n*
Metrical composition, ii. 187 seqq. ;
elegiac verse, ii. 190-2 and n. ' ;
hexameters, ii. 192 ; Sapphics, ii.
192-3 and n.1
Modi, ii. 215-16
Rhyme, development of ii. 195. 206
Law :
Barbarian, Latin codes of, ii. 344
seqq.
Barbaric conception of, ii. 245.
248-9
Breviarium, see under Roman law
Canon, see Canon law
English, principles of, i. 141-2
Grammar in relation to, ii. lai
Lombard codes, i. 115 ; ii. 242, 246.
248, 253 ; Concordia, ii. 259
Natural :
Gratian on, ii. 268-9
Jus gentium in relation to, ii. 234
and n. , 268
Occam on, ii. 519
Sacraments of, ii. 74 and n. '
Supremacy of, ii. 269, 279
Roman, see Roman law
Salic, ii. 245-6
Territorial basis of, i. 123 ; ii. 247
Tribal basis of, i. 123 ; ii. 845-7
Visigothic codification of, in Spain, i.
»8
Leander, Bp. of Seville, i. 118 n.1
L£gonais. Chretien, ii. 230 and ».*
Leo, Brother. Speculum perfections by.
ii. 183-4
Leo I. (the Great). Pope. i. 113. 116
Leo IX., Pope, i. 243
Leon, Sir Guy de, i. 552-3
Leon, Sir Herv<* de. i. 552-3
Leowigild, i. 1x7 ».*. 118 ».'
Lerins monastery, i. 195
Lewis. Lord, of Spain, i. 552-3
2 P
578
THE MEDIAEVAL MIND
Liberal arts, see Seven Liberal Arts
Liutgard of Tongern, i. 463-5
Liutprand, Bp. of Cremona i. 256-7 ; ii.
161 n.1
Liutprand, King of Lombards, i. 115-16
Logic (See also Dialectic) :
Albertus Magnus on, ii. 313-15, 504,
506
Aristotelian, mediaeval apprehension
of, ii. 329 (See also Aristotle —
Organon )
Bacon's attitude toward, ii. 505
Gerbert's preoccupation with, i. 282,
289, 292
Grammar in relation to, ii. 127 seqq. ,
333-4 ; in Abaelard's work, ii. 346
Importance of, in Middle Ages, i. 236;
ii. 297
Nature of, ii. 333 ; schoolmen's views
on, ii. 313-15, 333
Occam's views on, ii. 522
Patristic attitude toward, i. 71
Raban's view of, i. 222
Scholastic classification of, ii. 313 seqq.
Scholastic decay in relation to, ii. 523
Second stage of mediaeval develop-
ment represented by, ii. 332-4
Specialisation of, in I2th cent., ii. 119
Theology in relation to, ii. 340 n. ,
346
Twofold interpretation of, ii. 333
Universals, problem of, ii. 339 seqq. ;
Abaelard's treatment of, ii. 342,
348
Lombard, Peter, estimate of, ii. 370 ;
Gratian compared with, ii. 270 ;
Bacon's attitude toward, ii. 497 ;
Books of Sentences by, i. 17, 18 ;
ii. 134, 370 ; method of the work,
ii. 306 ; Aquinas' Summa con-
trasted with it, ii. 307-10 ; its
classification scheme, ii. 322-4 ;
Bonaventura's commentary on it,
ii. 408
Lombards :
Italian kingdom of (6th cent), i.
115-16
Italian influence on, i. 7, 249
Law codes of, see under Law
Louis of Bavaria, Emp. , ii. 518
Louis I. (the Pious), King of France, i.
233, 239, 359 ; false capitularies
ascribed to, ii. 270
Louis VI. (the Fat), King of France, i.
304-5, 394, 400 ; ii. 62 ; Hilde-
bert's letter on encroachments of,
ii. 140, 172
Louis IX. (the Saint), King of France,
Geoffrey's Vita of, i. 539-42 ; Join-
ville's Histoire of, i. 542-9 ; Testa-
ment of, i. 540 n. 1 ; otherwise men-
tioned, i. 476, 507-9, 515
Love, Aquinas on distinguishing defini-
tions of, ii. 475-6
Love, chivalric :
Antique conception of love contrasted
with, i. 575
Chansons de geste as concerned with,
i- 564
Code of, by Andrew the Chaplain, i.
575-6
Dante's exposition of, ii. 555-6
Estimate of, mediaeval, i. 568, 570
Literature of, see Chivalry — Literature
Marriage in relation to, i. 571 and n.z
Minnelieder as depicting, ii. 30
Nature of, i. 572-5, 582-7
Stories exemplifying — Tristan, i. 577
seqq. ; Lancelot, 582 seqq.
Love, spiritual :
Aquinas' discussion of, ii. 472-3, 476
Bernard of Clairvaux as exemplifying,
i. 394 seqq.
Lupus, Servatus, Abbot of Ferrieres, i.
215 ; ii. 113
Luxeuil, i. 175-7
Lyons :
Diet of the "Three Gauls " at, i. 30
Law studies at, ii. 250
Macrobius, Saturnalia of, ii. 116 and
n*
Magic, i. 46-8 ; ii. 500 and n.1
Majolus, Abbot of Cluny, i. 359
Manichaeism, i. 49 ; ii. 44, 283
Manny, Sir Walter, i. 552-4
Mapes (Map), Walter, i. 475, 567; ii.
219 n.
Marie, Countess, de Champagne, i. 566,
573- 576
Marie de France, i. 566, 567, 573 ;
Eliduc by, i. 571 «.2
Marinus (hermit), i. 373
Marozia, i. 242
Marriage :
Christian attitude toward, ii. 8 ;
ecclesiastical view, ii. 529
Feudalism as affecting, i. 571, 586
German view of, ii. 30
Marsilius of Padua, ii. 277 «.2
Martin, St. , of Tours, i. 334 ; Life of,
i. 52 and n., 84, 85 n.z, 86
Martyrs :
Mediaeval view of, i. 483
Patristic attitude toward, i. 86
Mary, St., of Ognies, i. 462-3 ; nature
of visions of, i. 459
Massilia, i. 26
Mathematics :
Bacon's views on, ii. 499-500
Gerbert's proficiency in, i. 282, 288
Mathew Paris cited, ii. 487
Matthew of Vendome, Ars versificatoria
by, ii. 190 and n.5
INDEX
579
Maurus, Rabanus, see Rabanus
Mayors of the palace, i. 240
Mechthild of Magdeburg, i. 20, 345 ; ii.
365 ; Book of, i. 465 and «.2 -70
Mediaeval thought :
Abstractions, genius for, ii, 280
Characteristics of, i. 13
Commentaries characteristic of, ii. 390,
553 *-4
Conflict inherent in, i. 22 ; ii. 293-4
Deference of, toward the past, i. 13 ;
»• 534
Emotionalizing by, of patristic Christi-
anity, i. 345
Metalogics rather than metaphysics the
final stage of, ii. 337
Moulding forces of, i. 3, 5, ia ; ii.
293-4
Orthodox character of, ii. 283 and n.
Political theorizing, ii. 275 seqq.
Problems of, origins of, ii. 294-5
Restatement and rearrangement of
antique matter the work of, i. 13-
15, 224. 237, 292, 342; ii. 297,
329. 34i :
Culmination of third stage in, ii.
394
Emotional transformations of the
antique, i. 18 seqq.
Intellectual transformations of the
antique, i. 14 seqq.
Salvation the main interest of, i. 58-9,
334 ; ii. 296-7, 300
Scholasticism, see that heading
Superstitions accepted by, i. 487
Symbolism the great influence in, ii.
43, 102, 365
Three stages of, ii. 329 seqq.
Ultimate intellectual interests of, ii.
287 seqq.
Medicine :
Relics used in, i. 299
Smattering of, included in Arts course,
ii. 250
Study of — in Italy, i. 250 and n.*, 2511
ii. 383 «. ; at Chartres, i. 299 ; ii.
372
Mendicant Orders, see Dominican and
Franciscan
Merovingian Kingdom :
Character of, i. 208
Church under, i. 194
Extent of, i. 210 «.3
German conquests of, i. 121, 138
Merovingian period :
Barbarism of, i. 9
Continuity of, with Carolingian, i.
2IO-I2
King's law in, ii. 247
Merovingians, estimate of, i. 195
Metaphor distinguished from allegory, ii.
41 n. (See also Symbolism)
Metaphysics :
Final stage of mediaeval development
represented by, ii. 335-7
Logic, mediaeval, in relation to, ii. 334
Theology dissociated from, by Duns,
ii. 510, 516. 517
Michelangelo quoted, ii. 113
Middle Ages (See alu Mediaeval
thought) :
Beginning of, i. 6
Extremes characteristic of, i. 355
Milan, lawyers in, ii. 251 «.*
Miles, signification of word, i. 525-6
and «.*
Minnelieder, ii. 28-31
Minorites, i. 430 (See also Franciscan
Order)
Miracles (See also Irrationality) :
Devil, concerned with, i. 488 seqq.
Nostre Dame, Miracles de, i. 491-3
Patristic attitude toward, i. 85-6, 100,
182
Roman Empire aided by, belief as to,
»• 536
Salimbene's instance of, i. 516
Universal acceptance of, i. 74, 182
Vitae sanctorum in regard to, i. 85
and n.z
Mithraism, i. 49
Modena (Mutina), i. 24
Modi, ii. 215-16
Monasteries :
Immunities granted to, i. 523 and n.
Regula of, meaning of, ii. 62
Monasticism (For particular Monasteries,
Orders, etc. , see their names) :
Abuses of, i. 357-8 ; Rigaud's Registet
quoted, i. 477-481
Benedictine rule :
Adoption of — in England, i. 184 ;
among the Franks, i. 199, 201 ;
generally, i. 358
Papal approval of, i. 335
Cassiodorus a pioneer in literary func-
tions of, i. 94
General mediaeval view regarding, i.
472; ii. 529
Ideal v. actual, i. 355
Ireland, in, i. 135 «.'
Lament over deprivations of, ii. 218-19
Modifications of, by St. Francis, i. 366
Motives of, i. 357
Nature of, i. 336-7
Nuns, see Women — monastic life
Origin of, i. 335
Pagan literature condemned by, L 260
Popularity of, in 5th and 6th centuries,
i. 195-6
Poverty — of monks, i. 365 ; of Orders,
i. 366. 425, 430
Reforms of. i. 358 seqq.
Schools, monastic, in Italy, i. 250 ».
58o
THE MEDIAEVAL MIND
Monasticism (cont. ) :
Sex-relations as regarded by, i. 338
Studies of, in 6th cent. , i. 94, 95
Subordinate monasteries, supervision
of, i. 361
Uncloistered, see Dominican and Fran-
ciscan
Vita activa accepted by, i. 363-6
Vita contemplativa , see that title
Women vilified by devotees of, i. 354
n., 521 «-2. S32- 533: »• 58
Montanists, 332
Monte Cassino, i. 250 n.2. 252-3
Montfort, Countess of, i. 552-4
Moorish conquest of Spain, i. 9, 118
Morimond monastery, i. 362
Mosaics, i. 345-7
Music :
Arithmetic in relation to, ii. 291
Chartres studies in, i. 299
Poetry and, interaction of, ii. 195-6 ;
2OI-2
Scholastic classification of, ii. 313
Mysticism :
Hugo's strain of, ii. 361-3
Nature of, i. 443 n. 1 ; ii. 363 and n. -4
Symbolism as expressing, see Sym-
bolism
Narbo, i. 26
Narbonensis, see Provincia
Narbonne, law studies at, ii. 250
Natural history and science, see Physical
science
Nemorarius, Jordanus, ii. 501
Neo-Platonism :
Arabian versions of Aristotle touched
with, ii. 389
Augustinian, i. 55 '• "• 4°3
Christianity compared with, i. 51 ;
Patristic habit of mind compared,
ii. 295
Ecstasy as regarded by, i. 331
Metaphysics so named by, ii. 336
Pseudo-Dionysian, i. 54 and n.1
Tenets and nature of, i. 41-9 ; a
mediatorial system, i. 50, 54, 57-8,
70
Trinity of, ii. 355
Neustria, i. 200, 209, 239
Nibelungenlied, i. 145-6, 148-9, 152,
193, 203 n.2 ; ii. 220
Nicholas II., Pope, i. 243 n.z
Nicholas III., Pope, i. 504
Nicholas IV., Pope (Jerome of Ascoli),
ii. 491
Nicholas, St. , sequence for festival of, ii.
213-15
Nicolas of Damascus, ii. 427
Nilus, St., Abbot of Crypta-Ferrata, i.
374 n.
Nithard, Count, i. 234-5
Nominalism, i. 303
Norbert, ii. 344
Normandy, Norse occupation of, i. 153
Norsemen (Scandinavians, Vikings) :
Characteristics of, i. 138, 154-5
Continental and insular holdings of, i.
153
Eddie poems of, i. 154-5 and n.3
Irish harassed by, i. 133-4 ; later
relations, i. 152 n.3
Jumieges cloister sacked by, ii. 201
Metal- working among, i. 152 n.s
Ravages by, in 8th and gth centuries,
•• IS2-3
Sagas of, i. 155 seqq.
Settling down of, i. 240
Notker, i. 308-9 and n.1 ; sequences of,
ii. 201-2
Numbers, symbolic phantasies regarding,
i. 72 and nn. J> 2 ; ii. 49 n.3
Oberon, fairy king, i. 564 and n.
Occam, William of, career of, ii. 518 ;
estimate of his work, ii. 522-3 ;
attitude toward Duns, ii. 518 seqq. ;
on faith and reason, ii. 519 ; on
Universals, ii. 520-1
Odilo, Abbot of Cluny, i. 294-5, 359 '•
Jotsaldus' biography of, quoted, i.
295-6
Odo, Abbot of Cluny, i. 343 and n.3,
359 ; Epitome by, of Gregory's
Moralia, i. 16 n.* ; ii. 161 and «.2 ;
Latin style of Collationes, ii. 161-2
Odo of Tournai, ii. 340 n.
Odoacer, i. 114, 145
Olaf, St., i. 156, l6p-I
Olaf Tryggvason, King, i. 156, i6l-2
Old French :
Formation of, ii. 155
Latin as studied by speakers of, ii. 123
Poetry, ii. 222, 225 seqq.
Ontology, see Metaphysics
Ordeal, trial by, i. 232-3 and n.1
Ordericus Vitalis, i 525 ; Historia ec-
clesiastica by, ii. 176-8
Organon, see under Aristotle
Origen, estimate of, i. 51, 62-3; on
Canticles, i. 333 ; ii. 369 ; De frin-
cipiis, i. 68 ; otherwise mentioned,
i- 53. 76. 8°. 87. i°4. 411 I "• *>4
Orleans School :
Classical studies at, ii. 119 «.*, 127
Law studies at, ii. 250
Rivalry of, with Chartres, ii. rig n.2
Orosius, i. %2 and n.1 188
Ostrogoths, i. 7, 113, 114-15, 120
Otfrid the Frank, i. 203-4, 3°8
Other world :
Irish beliefs as to, i. 131 and «.2
Voyages to, mediaeval narratives of
i. 444 n.1
INDEX
581
Othloh, i. 315 ; visions of. i. 443 ; Book
concerning the Temptations of a
certain Monk, i. 316-23
Otric, i. 289-91
Otto I. (the Great), Emp., i. 241-3.
256-7. 3°9
Otto II., Emp., i. 243, 282-3, 289
Otto III., Emp., i. 243, 283, 284;
Modus Ottinc in honour of, ii. 215-
216
Otto IV. (of Brunswick), Emp., i. 417;
»• 32-3
Otwin, Bp. of Hildesheim, i. 312
Ovid, Ars amatoria of, i. 574-5 ; mediae-
val allegorizing of, and of Metamor-
phoses, ii. 230
Oxford University :
Characteristics of, ii. 388-9
Curriculum at, ii. 387-8
Foundation of, ii. 380, 386-7
Franciscan fame at, ii. 400
Greek studies at, ii. 120, 391, 487
Palladius, Bp. , i. 172
Pandects, see under Roman law
Papacy (See also Church and Popes) :
Ascendancy of, over prelacy, i. 304
Character of, ii. 32
Denunciations against, i. 475 ; ii. 34-5,
218
Empire's relations with :
Concordat of Worms, i. 245 «. 4
Conflict (nth cent.), i. 244; (i2th
cent.), i. 245 «.4 ; ii. 273; (i3th
cent.), ii. 33, 34-5 ; (i4th cent.),
ii. 518 ; allegory as a weapon in,
ii. 60
Recognition of ecclesiastical author-
ity, ii. 265-7, 272-3
Reforms by Otto I. , i. 243
Gregory VII. 's claims for, i. 245; ii.
274
Mendicant Orders' relations with, ii.
398. 509
Nepotism of, i. 504-5, 511
Schisms of popes and anti-popes, i. 264
Temporal power of, rise of, i. 116;
claims advanced, i. 245 ; realized,
ii. 274, 276-7
Papinian cited, ii. 235
Paraclete oratory :
Abaelard at, ii. 10, 344
Heloi'se at, ii. 10 seqq.
Paradise :
Dante's Paradiso, see under Dante
Hildegard's visions of, i. 455-6
Paris:
Schools :
Growth of, ii. 380
Notre Dame and St. Genevieve, ii.
383
St. Victor, ii. 61-3, 143. 383
Paris (cont. ) :
University :
Aristotle prohibited at, ii. 391-2
Authorities on, ii. 381 «.
Bacon at, ii. 488
Bonaventura at, ii. 403
Curriculum at, ii. 387-8
Dominicans and Franciscans at, ii.
399
Prominence of, in philosophy and
theology, ii. 283, 378-9.
Rise, constitution, and struggles of,
ii. 119-20, 383-6
Viking sieges of, i. 1 53
Parma, i. 497, 505-6
Parzival :
Chretien's version of, i. 567, 588-9
Wolfram's version of, i. I2«., 571 ».f,
589 613 ; ii. 29
Paschal controversy, see Eucharistic
Paschasius, Radbertus, Abbot of Corbie
i. 215, 225-7
Patrick, St., i. 172-3
Patristic thought and doctrine (See also
Greek thought, patristic, and Latin
Fathers) :
Abaelard's attitude toward, ii. 305
Achievement of exponents of, i. 86-7
Bacon's attitude toward, ii. 492
Completeness of schemes presented
by. ii. 394
Emotion as synthesized by, i. 340-2
Intellectual rather than emotional, i.
343-4 ; emotionalizing of, by mediae-
val thinkers, i. 345
Latin medium of, i. 5
Logic as regarded by, i. 71
Mediaeval attitude toward, i. 16
Miracle accepted by, i. 51-3, 85-6
Natural knowledge as treated by, i.
61 seqq., 72-3, 76-7, 99 : »• 393
Pagan philosophy permeating ex-
ponents of, i. 33-4. 58, 61
Philosophy as classified by, ii. 312
Rearrangement of, undertaken in
Carolingian period, i. 224, 237
Symbolism of, see under Symbolism
Paulinus of Aquileia, i. 215
Paulinus, St., of Nola, i. 86, 126 *.*
Paulus — on jus, ii. 237 : Sentential of,
ii. 243
Paulus, St.. i. 84, 86
Paulus Diaconus, i. 214-15, 252
Pavia, law school at, ii. 251, 259
Pedro, Don. of Castille, i. 554-5
Pelagians, i. 225
Pelagius, i. 172 n.
Peripatetic School, i. 38-9 (Set also
Aristotle)
Peter. Bra. of Apulia, i. 512-14
Peter, disciple of St. Francis, L 426
Peter Damiani, see Damiani
582
THE MEDIAEVAL MIND
Peter of Blois, ii. 133-4
Peter of Ebulo, ii. 190
Peter of Maharncuria, ii. 502-4
Peter of Pisa. i. 214
Peter the Venerable, Abbot of Cluny, i.
360 ; letter of, to HeloTse, ii. 25-7
Petrarch, ii. 188, 219
Petrus Riga, Aurora of, ii. 127
Philip VI., King of France, i. 551
Philip Augustus, King of France, ii.
33
Philip Hohenstauffeu, Duke of Suabia,
i. 481 ; ii. 32, 33
Philo, i. 37, 231 ; allegorizing of, ii.
42. 364
Philosophy :
Division of, schemes of, ii. 312 seqq.
End of :
Abaelard's and Hugo's views on,
ii. 352, 361
John of Salisbury on, ii. 375
Philosophy, antique :
Divine source of, Bacon's view as to,
ii. 507 n.z
"First" (Aristotelian), ii. 335
Position of, in Roman Empire (3rd-
6th cent.), i. 34 (See also Greek
thought)
Philosophy, Arabian, ii. 389-90, 400-1
Philosophy, scholastic :
Completeness of, in Aquinas, ii. 395
Divisions of, ii. 312 seqq.
Importance of, as intellectual interest,
ii. 287-8
Physical sciences included in, see Phy-
sical science
Theology as the end of (Abaelard's
and Hugo's view), ii. 352, 361
Theology distinguished from, ii. 284,
288 ; by Aquinas, ii. 290, 311 ; by
Bonaventura, ii. 410 and n. ; con-
sidered as superior to, by Aquinas,
ii. 289-90, 292 ; dominated by
(Bacon's contention), ii. 496 ; dis-
sociated from, by Duns and Occam,
ii. 510, 517, 519
Physical science :
Albertus Magnus' attitude toward, ii.
423 ; his works on, ii. 425-9
Bacon's predilection for, ii. 486-7
Classifications of, ii. 312 seqq.
Experimental science or method, ii.
502-8
Mediaeval attitude toward, i. 300
Oxford school of, ii. 389
Patristic attitude toward, i. 63, 66-7,
72-3, 76-7, 99 ; ii. 393
Theology as subserved by, ii. ffj, in,
289, 486, 492, 496, 500, 530;
denial of the theory — by Duns, ii.
510 ; by Occam, ii. 519-20
Physiologus, i. 76-7 and n. , 300 ; ii. 83
Pippin of Heristal, i. 208-9 • "• X97
Pippin of Neustria, i. 115, 2OO, 209.
210 and n.1 • ii. 273
Pippin, son of Charlemagne, ii. 197
Placentia (Piacenza), i. 24
Placentinus, ii. 261-2
Plato, supra-rationalism of, i. 42 ;
allegorizing by, i. 36 ; ii. 364 ;
doctrine of ideas, i. 35, ; ii. 339-
340 ; Aquinas on this doctrine, ii.
455' 465 ! Augustine of Hippo as
influenced by, ii. 403 ; "salvation "
suggestion in, ii. 296 n.~ ; Republic,
i. 36 ; Timaeus, i. 35-6, 291 ;
ii. 64, 69, 118, 348, 370, 372,
377
Platonism :
Alanus' Anticlaudianus, in, ii. 100 «.2
Augustinian, i. 55
Nature of, i. 35-6, 57, 59
Philosophy as classified by, ii. 312
Pliny the Elder, Historia naturalis by,
i. 39-40. 75
Plotinus, estimate of, i. 43, 45 ;
personal affinity of Augustine with,
i- 55~7« I philosophic system of, i.
42-6, 50, 51 ; Enneads of, i. 55 ;
otherwise mentioned, i. 50, 51 ;
ii. 64
Plutarch, i. 44
Poetry, mediaeval :
Carmina Burana (Goliardic poetry),
ii. 203, 217-19 and n.
Chivalric, see Chivalry — Literature
Hymns, see that heading
Italian, of nth cent., i. 251 seqq. ;
ii. 1 86
Latin, see Latin verse
Modi, ii. 215-16
Music and, interaction of, ii. 195-6,
2OI-2
Old High German, ii. 194
Popular verse, see sub -headings Car-
mina and Modi ; also Vernacular
Prosody, Alexander de Villa-Dei on,
ii. 126
Vernacular :
Germanic, Norse, and Anglo-Saxon,
ii. 220- 1
Romance, ii. 221-3, 225 X99~
Pontigny monastery, i. 362
Poor of Lyons (Waldenses), i. 364,
365 n. ; ii. 34
Popes (See also Papacy ; and for par-
ticular popes see their names) :
Avignon, at, ii. 510
Decretals of, see under Canon law
Degradation of (loth cent.), i. 242
Election of, freed from lay control, i.
243 «.*
Popular rights, growth of, in izth
cent., i. 305
INDEX
Porphyry, i. 42. 44-7, 50. 51, 56; ii.
295 I Is<Lgoge ( Introduction to the
Categories of Aristotle), i. 45, 92,
102 ; ii. 312, 314 a, 333, 339
Preaching Friars, see Dominican Order
Predestination, Got tsc balk's controversy
as to, i. 224-5, 227-8
Priscianus, i. 71; ii. 119 ».* ; /*-
stitutiones grammatical of (Pris-
cianus major and minor), ii. 124-5
Prosper of Aquitaine, i. 106 n.1
Provencal literature, i. 571 ; ii. 168 ;
Alba (aube) poetry, i. 20, 571 ; ii.
3°
Frovincia (Narbonensis) :
Antique, the, in relation to, before
Middle Ages, i. 9
Latinization of, i. 26-7 and n.1
Ligurian inhabitants of, i. 126
Teutonic invasion of, i. 125
Prudentius, ii. 63 ; Psychomachia of, ii.
102-4
Pseudo-Callisthenes, Life and Deeds of
Alexander by, ii. 224, 225, 229-
230
Pseudo - Dionysius, ii. 302 ; Celestial
Hierarchy by, i. 54 and n.1
Pseudo-Turpin, ii. 319
Ptolemy of Alexandria, i. 40
Purgatory :
Dante's Purgatorio, see under Dante
Hildegard's visions as to, i. 456 n.
Popular belief as to, i. 486
Quadrivium, see under Seven Liberal
Arts
Rabanus Maurus, Abp. of Mainz,
allegorizing of Scripture by, ii.
46-7 ; interest in the vernacular, i.
308 ; works of, i. 222-4 ; &e
universe, i. 300 ; ii. 316 ».a ;
Allegoriae in universam sacrum
scripturam, ii. 48-9 ; De laudibus
sanctae crucis, ii. 49 n.3 ; otherwise
mentioned, i. 16, 100, 215 ; ii. 302-
303, 312, 332
Race, tests for determining, i. 124 ».
Radbertus, see Paschasius
Raoul de Cambrai, i. 563-4
Ratherius, i. 309 and n.2
Ra-.ramnus of Corbie, i. 215, 227 ; ii.
199
Ravenna :
Gerbert's disputation in, i. 289-91
Grammar and rhetoric studies at, ii.
121
Law studies at, ii. 251, 252
S. Apollinaris in Classe, i. 373. 377
Raymond of Agiles quoted, i. 536
Realism, Duns' exposition of, ii. 514
and n.
Reason v. authority controversy :
Berengar's position in, i. 303-3
Eriugena's contribution to, i. 339-30
Reccared, i. 118 nn.
Reinhard, Bp. of Halberstadt, ii. 62
Relics of saints and martyrs :
Arms enshrining, i. 538
Curative use of, i. 299
Patristic attitude toward, L 86. 101 ».
Renaissance, misleading nature of term,
i. six n.
Renaud de Montaubon, i. 564
Rheims cathedral school, i. 393
Rhetoric :
Chartres study of, i. 298
Hugo of St. Victor on, ii. 67
Predominance of, L 109 and n.
Richard, Abbot of Jumieges. i. 480-1
Richard of Middleton, ii. 512
Richard of St Victor, ii. 80, 87 and*.*,
367 n-4. 54°
Richer, Abbot of Monte Cassino, i. 353,
300 «.a ; history of Gerbert by,
quoted, i. 287-91
Ricimer, Count, i. 113
Riddles, didactic, i. 218-19 and n.1
Rigaud, Eude (Oddo Rigaldus), Abp. of
Rouen, i. 476, 508, 509 ; Register
of, quoted, i. 476-81
Robert, cousin of St. Bernard, L 395-7
Robert of Normandy, ii. 139
Rollo, Duke, of Normandy, i. 153, 339-40
Roman de la rose, i. 586-7; ii. 103
and nn., 104, 223
Roman de Thebes, ii. 227, 229 n.
Roman Empire :
Barbarization of, i. 5, 7, III seqq
Billeting of soldiers, custom as to, i.
114 *., 117
Christianity accepted by, i. 345
Church, relations with, ii. 265-7, 372-3
Cities enjoying citizenship of — in Spain,
i. 26 and n.'- ; in Gaul, i. 30
City life of, i. 27, 326
Clientage system under, i. 117 «.*
Dante's views on, ii. 536
Decadence of. i. 84. 97' HI
Eastern, see Eastern Empire
Enduring nature of. conditions of. i.
338*.
Greek thought diffused by, i. 4
Italian people under, i. 7
Jurisconsults of, authority and capacity
of, ii. 233-3 and n. , 236
Latinization of Western Europe due
to, i. 23 seqq. , 1 10
Mediaeval attitude toward. I if
Scandinavians under influence of. i.
152 *.*
Roman law :
Auditory. Imperial or Praetorian, ii.
233*-. a35 "-1
584
THE MEDIAEVAL MIND
Roman law (con/. ) :
Bologna famed for study of, ii. 121,
251. 259-62, 378
Brachylogus, ii. 254-5
Breviarium and its Interpretatio, i.
117 ; ii. 243-4 ; Epitomes of, ii.
244, 249-50 ; Brachylogus influenced
by, ii. 254
Burgundian tolerance of, i. 121 ; code
(Papianus), ii. 239, 242
Church under, ii. 265 and «.2
Codes of :
Barbaric, nature of, ii. 244 (See also
sub-headings Breviarium and Bur-
gundian)
Gregorianus', ii. 240, 243
Hermogenianus', ii. 240, 243
Nature of, ii. 239-40
Theodosian, ii. 240 and «.2, 241 n.z,
242-3, 249, 266-7 afld n.1
Codex of Justinian, ii. 240, 242, 253 :
Azo's and Accursius' work on, ii.
263-4
Glosses to, ii. 249-50
Placentinus' Summa of, ii. 262
Summa Perusina an epitome of, ii.
249, 252
Constitutions and rescriptaprincipum,
ii. 235 and n.1, 239, 240
Custom recognized by, ii. 236
Digest of, by Justinian, see sub -heading
Pandects
Elementary education including smat-
tering of, ii. 250
Epitomes of, various, ii. 249-50 ; Epi-
tome of Julianus, ii. 242, 249,
254
Glosses :
Accursius' Glossa ordinaria, ii.
263-4
Irnerius', ii. 261 and n.1
Justinian's Codex, to, ii. 249-50
Gothic adoption of, i. 114
Institutes of Gaius, ii. 241, 243
Institutes of Justinian, ii. 241, 243,
254 =
Azo's Summa of, ii. 263
Placentinus' Summa of, ii. 262
Jurisprudential element in early stages
of, ii. 232
Jus identified with aequitas, ii. 235
Jus civile, ii. 237, 257
Jus gentium :
Jus naturale in relation to, ii. 234
and n.
Origin of, ii. 233-4
Popular rights as regarded by, ii.
278
Jus praetorium, ii. 235
Lex romana canonice compta, ii. 252
Lombard attitude toward, i. 115
Novellae of Justinian, ii. 240, 242
Roman law (cont. ) :
Pandects (Justinian's Digest), ii. 235
and n.2, 236-8, 241-2, 248, 253,
255:
Accursius' Glossa on, ii. 264
Glossators1 interpretation of, ii. 265
Permanence of, ii. 236
Petrus (Petri exceptions}, ii. 252-4
Placentinus' work in, ii. 261-2
Principles of, examples of, ii. 237-8 ;
possession and its rights, ii. 256-8
Principles of interpretation of, ii. 256
Provincia, in, i. 27 n.1
Responsa or auctori tasjuri sprudentium ,
ii. 235-6
Sources of, multifarious, ii. 235
Sphere of, ii. 248
Study of, centres for — in France, ii.
250 ; in Italy, ii. 121, 251 and xz,
259-62, 378
Summa codicis /merit, ii. 255
Theodosian Code, see under subheading
Codes
Treatises on, mediaeval, ii. 252 seqq.
Twelve Tables, ii. 232, 236 •
Visigothic code of, see subheading
Breviarium
Romance, spirit of, i. 418
Romance languages (See also Old French):
Characteristics of, ii. 152
Dante's attitude toward, ii. 537
Latin as modified by, ii. 155
Literature of, ii. 221-3 (^ee a^so fro"
venpal literature)
Strength of, i. 9
Romance nations, mediatorial rdle of, i.
IIO-II. 124
Romans d'aventure, i. 564-5. 571 n.z
Rome :
Bishops of, see Popes
Factions in (loth cent.), i. 242
Law School in, ii. 251, 255
Mosaics in, i. 347
Verses to, i 348 ; ii. 2OO
Romualdus, St. , youth of, i. 373 ; austeri-
ties of, i. 374, 379, 381 ; relations
with his father, i. 374-5 ; harshness
and egotism of, i. 375-7 ; at Vails
de Castro, i. 376-7, 380 ; at Sytrio, i.
378-9; death of, i. 372 n.3, 380;
Commentary of, on the Psalter, i. 379
Romulus Augustulus, Emp. , i. 114
Roncesvalles, battle of, i. 559 n.z -62
Roscellinus, i. 303-4 ; ii. 339-40
Rothari, King of Lombards, i. 115 ; ii.
2S1
Ruadhan, St., i. 132-3
Ruotger, Life of Abp. Bruno by, i. 310;
ii. 162 and n.1
Sacra doctrina, see Theology
Sacraments, see under Church
INDEX
5«5
Sagas, Norse :
Character of, i. 12 «., 155 seqq.
Egil, \. 162-4
Gisli, i. 158
Heimskringla, i. 160-2 and «.a
Njala, i. 157 andn., 159, 164-7
Oral tradition of, ii 220
St. Denis monastery, ii. 10, 344
St. Emmeram convent (Ratisbon), i. 315,
316
St. Gall monastery, i. 257-8 ; Notker's
work at, ii. 201-2
St. Victor monastery and school, ii. 61-3,
143 ; ii. 383
Saints :
Austerities of, i. 374 and n. , 375
Interventions of, mediaeval beliefs as
to, i. 487-8, 490
Irish clergy so called, i. 135 ».8
Lives of :
Compendof (Legenda Aurea), ii. 184
Conventionalized descriptions in, i.
393 f-1
Defects of, i. 494
Estimate of, i. 84-5 and nn.
otherwise mentioned, i. 298, 300
Relics of, see Relics
Visions of, i. 444-5
Worship of, i. 101
Salerno medical school, i. 250 n.4, 251 ;
ii. i2i
Salian Franks, see under Franks
Salimbene, i. 496-7, 499-500 ; Chronica
of, quoted and cited, i. 498 seqq. ;
editions and translations of the work,
i. 496 n.
Salvation, see under Christianity
Salvian, De gubernatione Dei by, i. 84
Saracens :
Crusades against, see Crusades
Fran kish victories against, i. 209-10 «.'
Wars with, necessitating mounted
warriors, i. 525
otherwise mentioned, i. 239, 252, 274,
332
Saxons, see Anglo-Saxons and Germans
Scandinavians, see Norsemen
Scholasticism :
Arab analogy with, ii. 390 and «.2
Aristotle's advanced works, stages of
appropriation of, ii. 393-5
Bacon's attack on, ii. 484, 493-4. 496,
5°9
Classification of topics by :
Schemes of, various, ii. 312 seqq.
Twofold principle of, ii. 311
Conceptualism, ii. 520-1
Content of, i. 301
Deference to authority a characteristic
of, ii. 297, 300
Disintegration of — through Duns, ii.
510, 516; through Occam, ii. 522-3
Scholasticism (cont.) :
Elementary nature of discussions of.
»• 347
Evil, problem of. set Evil
Exponents of, ii. 383 and n.
Final exposition of, by Aquinas, ii. 484
Greek thought contrasted with, ii. 296
Humour non-existent in, ii. 459
Method of. ii. 302. 306-7. 315 n. ;
prototype of, i. 95
Nominalism, ii. 340
Philosophy of, tee Philosophy,
scholastic
Phraseology of, untranslatable, ii. 348,
483
Praedicables, ii. 314 n.
Present interest of. ii. 285
Realism, ii. 340 ; Pantheism in relation
to, ii. 370
Salvation a main interest of, ii. 296-7,
300, 311
Scriptural authority, position of, ii.
289, 291-2
Secular studies as regarded by, ii. 349,
357
Stages of development of, ii. 333 teya.
Sympathetic study of, the key to con-
tradictions, ii. 371
Theology of, see Theology
Universal*, problem of :
Aquinas' treatment of, ii. 462
Duns' treatment of, ii. 515
Occam's contribution toward, ii.
520-1
Roscellin's views on, i. 303-4
Sciences, classifications of, ii. 312 seqq.
(See also Physical science)
Scotland, Christianizing of. i. 173
Scriptures, Christian :
Allegorizing of :
Examples of:
David and Bathsheba episode, ii.
44-6
Exodus, Book of, ii. 47
Good Samaritan parable, ii. 53-6.
84. 90
Hannah, story of. ii. 47 ».'
Pharisee and Publican parable,
ii. 51-2
Hugo of St. Victor's view of, ii.
65 n.
Writers exemplifying— Philo. ii. 42-
43 ; the Fathers, ii. 43 seqq., 68-
9 and n.'* ; Rabnnus. ii. 46-50 ;
Bede. ii. 47 i.1 ; Honorius of
Autun, ii. 51 stqq. ; Hugo of St.
Victor, ii. 67 seqq.
Anglo-Saxon version of. i. 142 B.1, 183
Authority of — in patristic doctrine, ii.
295 ; acknowledged by Eriugena.
i. 231 ; by Berengar. i. 303 ; in
scholasticism, ii. 289, 291-2
586
THE MEDIAEVAL MIND
Scriptures, Christian (cont.) :
Bacon's attitude toward, ii. 491-2, 497
Bonaventura's attitude toward, and
writings on, ii. 405 seqq.
Canon law based on, ii. 267-9
Classical studies in relation to, see sub-
heading Secular
Classification of topics based on, ii.
317- 324
Commentaries on — Alcuin's, i. 220-1 ;
Raban's, i. 222-3
Duns' attitude toward, ii. 516
Francis of Assisi's literal acceptance
of, i. 365, 426-7 ; his realization of
spirit of, i. 427 n.1 ; ii. 183
Gothic version of, i. 143 n.
Heliand, i. 203 and nn. , 308
Hymns based on, ii. 88 seqq.
Interpretation of — by the Fathers, i.
43 seqq., 68-9 and n? ; by Eriugena,
i. 231 ; by Berengar, i. 303
Isidore's writings on, i. 104-5
Love, human, as treated in OldTesta-
ment, i. 332-3
Scenes from, in Gothic art, ii. 82 seqq.
Secular knowledge in relation to, i. 63,
66; ii. 110, 112, 120, 499
Song of Songs, see Canticles
Study of, by monks, i. 94 ; Cassiodo-
rus' Institutiones, i. 95-6
Theology identified with, ii. 406, 408
Vulgate, the :
Corruption in Paris copy of, ii. 497
Language of, ii. 171
Sculpture, Gothic :
Cathedrals, evolution of, ii. 538-9
Symbolism of, i. 457 n.2 ; ii. 82-6
Sedulius Scotus, i. 215
Seneca, i. 26, 41
Sentences, Books of:
Isidore's, i. io6a«rf«.1
Paulus' Sententiae, ii. 243
Peter Lombard's, see under Lombard
Prosper 's, i. 106 n.1
Sequence-hymns, development of, ii. 196,
2OI-6; Adam of St. Victor's, ii. 209-
2iS
Serenus, Bp. of Marseilles, i. 102
Sermons, allegorizing :
Bernard of Clairvaux, by, i. 337 n. ;
409-13 ; ii. 169, 368-9
Honorius of Autun, by, ii. 50 seqq.
Seven Liberal Arts (See also separate
headings Grammar, Logic, etc. ) :
Alanus de Insulis on functions of, ii.
98 n.1
Carolingian study of, i. 236
Clerical education in, i. 221-2
Compend of, by Cassiodorus, i. 96
De nuptiis as concerned with, i. 71 ».3
Hugo of St. Victor on function of, ii.
67, in
Seven Liberal Arts (cont. ) :
Latin the medium for, ii. 109
Law smattering included with, ii. 250
Quadrivium :
Boethius on, i. 90 and n.z
Chartres, at, i. 299
Thierry's encyclopaedia of, ii. 130
Trivium :
Chartres, at, i. 298-9 ; ii. 163
Courses of, as representing stages of
mediaeval development, ii.^331
seqq.
otherwise mentioned, 5. 217 ; ii. 553
Severinus, St., i. 192
Severus, Sulpicius, i. 126 w.2; Life of
St. Martin by, i. 52, 84, 85 n.z, 86
Sidonius, Apollinaris, i. 126 n.z ; cited,
i. 117 n.1, 140
Siger de Brabant, ii. 401 and n.
Sippe, i, 122
Smaragdus, Abbot, i. 215
Socrates, i. 34-5 ; ii. 7
Songs, see Poetry
Sophists, Greek, i. 35
Sorbon, Robert de, i. 544-5
Sorcery, i. 46
Spain :,
Antique, the, in relation to, before
Middle Ages, i. 9
Arabian philosophy in, ii. 390
Church in, i. 9, 103, 118 and n.
Latinization of, i. 25-6 and «.2
Moorish conquest of, i. 9, 118
Visigoths in, i. 113, 116-17 and n.2,
118
Stabat Mater, i. 348
Statius, ii. 229 «.
Statius Caecilius, i. 25
Stephen IX., Pope, i. 263
Stephen, St. , sequence for festival of, ii.
211-13
Stephen of Bourbon quoted, i. 365 «.
Stilicho, i. 112
Stoicism :
Emotion as regarded by, i. 330
Nature of, i. 41, 57, 59
Neo-Platonism contrasted with, 0/296
Philosophy as classified by, ii. 312
Roman law as affected by, ii. 232
otherwise mentioned, i. 40, 70
Strabo, Walafrid, see Walafrid
Suevi, i. 116-17 ana' n-2< 139
Summae, method of, ii. 306-7 (See also
under Theology)
Summum bonum, Aquinas' discussion of,
ii. 438 seqq. , 456
Switzerland, Irish monasteries founded
in, i. 174
Sylvester II., Pope (Gerbert of Aurillac),
career of, i. 281-4 ; disputation with
Otric, i. 289-91 ; estimate of, i. 281,
285-7 I l°ve °f tne ^assies, i. 287-8 ;
INDEX
5»7
ii no ; Latin style of, ii. 160 ;
logical studies of, ii. 333, 338, 339.
345 ; letters of, quoted, i. 283-7 ;
estimated, i. 284-5 ; editions of works
of, i. 280 n. ; Libcllus de rationali
et rations uti, i 292 n. , 299 ;
otherwise mentioned, i. 249 ; ii.
35
Symbolism :
Alanus' Antic laudianus as exempli-
fying, ii. 94-103
Angels as symbols, ii. 457
Art, mediaeval, inspired by, i. 21
Augustine and Gregory compared as
to, i. 56-7
Carolingian, nature and examples of,
ii. 46-50
Church edifices, of, ii. 78-82
Dante permeated with, ii. 534, 552-5
Greek, nature of, ii. 56-7
Hildegard's visions, in, i. 456 seqq.
Marriage relationship, in, i. 413-14
Mass, of the, ii. 77-8
Mediaeval thought deeply impressed
by. ii- 43, 50 a.1, 102, 365
Mysticism in relation to, ii. 364
Neo- Platonic, i. 52
Ovid's works interpreted by, ii. 230
Patristic, i. 37, 43-6, 52, 53. 58. 80
Platonic, i. 36
Raban's addiction to, i. 223 and ».2
Signum et res classification, ii. 322-3
Twelfth century — in Honorius of
Autun, ii. 51 seqq. ; in Hugo of St.
Victor, ii. 64 seqq.
Universal in mental processes, ii. 41,
S52 »•
Universe explained by, ii. 64, 66
seqq.
otherwise mentioned, i. 15, 22
Sytrio, Romualdus at, i. 378-9
Tacitus, i. 78 ; ii. 134
Tears, grace of, i. 370-1 and n., 462,
463
Templars, i. 531-5
Tenth century, see Carolingian period
Tertullian, i. 5, 58, 87, 99, 171, 332,
344, 354 n. ; ii. 152 ; paradox of,
i. 51 ; ii. 297 ; Adversvs Mar-
done m, \. 68
Teutons (See also Anglo-Saxons, Danes,
Germans, Norsemen) :
Celts compared with, i. 125
Characteristics of, i. 138
Christianizing of :
Manner of, i. 181-3, 196-7, 193 ;
results of, i. 5, 170-1
Motives of converts, i. 193
Customs of, i. 122, 139, 141. 523
Law of, early, tribal nature of, ii.
245-7
Teutons (ctml.)-
Rdle of, in mediaeval evolution, i.
"5
Roman Empire permeated by, i. m
seqq.
Theodora, i. 342
Theodore, Abp. of Canterbury, i. 184
Theodoric of Freiburg, ii. 501 m.
Tbeodoric the Ostrogoth, i. 89. 91 ».*.
93, 114-15. 120-1, 138, 249; in
legend, i. 145-6; Edict of. ii
244*1.
Theodosius the Great. Emp.. i. na;
ii. 272 ; Code of, ii. 340 and *.«.
241 n-. 242. 249. 266 7 and n
Theodulphus, Bp. of Orleans, i. 9,
215 ; Latin diction of, ii. 160
Theology, scholastic :
Abaelard's treatises on. see under
Abaelard
Aquinas' Summa of. tee under
Aquinas
Argumentative nature of, ii. 292-3
Augustinian character of, ii. 403
Course of study in, ii. 388
Importance of, as intellectual interest.
ii. 287-8
Logic in relation to. ii. 340 n. , 346
Mysticism of, ii. 363-4
Natural sciences, etc., as handmaids
to, ii. 67, in, 289. 486. 402. 496.
500, 530 ; denial of the theory — by
Duns, ii. 510; by Occam, ii. 519-
520 (See also Physical science —
Patristic attitude toward)
Paris the centre for, ii. 283. 379
Philosophy in relation to. see under
Philosophy
Practical, not speculative, regarded as.
ii. 512, 515. 519
Scientific nature of, as regarded by
Albertus, ii. 291, 430
Scripture identified with, ii. 406. 408
Summae of — by Alexander of Hales,
ii. 399 ; by Bonaventura. ii. 408 ;
by Albertus Magnus, ii. 430-1 ; by
Aquinas, see under Aquinas
Thirteenth-century study of. ii. 118-
120
Theophrastus. i. 38
Theresa. St. , i. 443 n. l
Theurgic practice, i. 46-8
Thierry, Chancellor of Chartres. ii 119.
370-1 ; Eptateuckan of, ii 130
and n.
Thirteenth century :
Intellectual interests of. ultimate, ii
287
Latin prose styles of. ii. 179
Papal position in. ii. 509
Personalities of writers emergent in.
ii. 436
588
THE MEDIAEVAL MIND
Thirteenth century (cont. ) :
Theology and dialectic the chief
studies of, ii. 118-20
Three phenomena marking, ii. 378
Thomas a Kempis, De imitatione
Christi by, ii. 185
Thomas Aquinas, see Aquinas
Thomas of Brittany, Tristan fragment
by, i. 582
Thomas of (^antirapre\ ii. 428-9
Thomas of Celano, Life of St. Francis
by, quoted, i. 435, 436-8 ; style of
the work, ii. 182-3
Thucydides, History of the Peloponnesian
War by, i. 77-8
Thuringia :
Boniface's work in, i. 197-8
Merovingian rule in, i. 121
Thuringians, language of, i. 145 w.a
Torriti, i. 347
Trance, see Ecstasy
Treves, i. 30, 31, 192
Tristan :
Chretien's version of, i. 567
Gottfried von Strassburg's version of,
i. 577-82
Trivium, see under Seven Liberal Arts
Troubadours (trouveres), i. 572-3 and
nn.
Troy, tales of, in mediaeval literature, ii.
200, 224-5 a^d n.2, 227-9
True and the good compared, ii. 441,
Si2
Truth, Guigo's Meditationes as concern-
ing, i. 385-6
Twelfth century :
Classical studies at zenith in, ii. 117-
118
Growth in, various, i. 305-6
Intellectual interests of, ultimate, ii.
287
Literary zenith in, ii. 168, 205-6
Mobility increased during, ii. 379
Ulfilas, i. 192 ; ii. 221
Ulpian — on Jus naturale andjus gentium,
ii. 234 and n. ; on justitia, jus and
jurisprudentia, ii. 237
Ulster Cycle, Sagas of, i. 128 and n.2,
129 seqq.
Universals, see under Scholasticism
Universities, mediaeval (For particular
universities see their names} :
Increase in (i4th cent.), ii. 523
Rise of, ii. 379, 381 seqq.
Studies at, ii. 388 and n.
Urban II., Pope, ii. 175
Urban IV., Pope, ii. 391-2, 434
Utrecht, bishopric of, i. 197
Vallombrosa, i. 377
Vandals, i. 112, 113, 120
Varro, Terentius, i. 39, 71, 78
Vercingetorix, i. 28
Vernacular poetry, see under Poetry
Verse, see Poetry
Vikings, see Danes and Norsemen
Vilgard, i. 259-60
Vincent of Beauvais, Speculum majus of,
ii. 82 and n.2, 315-22
Virgil, Bernard Silvestris' Commentum
on, ii. n6-i70«rf«.2 ; Dante in rela-
tion to, ii. 535, 536, 539, 543
Virgin Mary :
Dante's Paradise as concerning, ii.
SSI
Hymns to, by Hugo of St. Victor, ii.
86-7, 92
Interventions of, against the devil, i.
487. 490-2
Mediaeval attitude toward, i. 53, 54
andn.z; ii- 431. 551. 55^
Virtues :
Aquinas' classification of, ii. 326-8
Odilo's Cardinales disciplinae, i. 295
Virtues and vices, poetic treatment of — by
Alanus, ii. 102 n. ; by De Lorris
and De Meun, ii. 103
Visigoths :
Arianism of, i. 120
Dacian settlement of, i. 112
Gaul, Southern, kingdom in, i. 7, 112,
Il6 ; Clovis' conquest of, i. 121
Roman law code promulgated by, see
Roman law — Breviarium
Spain, in, i. 9, 113, 116-17 ^^ n.2,
118
Visions :
Examples of, i. 444-6, 451, 452-9
Monastic atmosphere in, i. 184 and
Nature of, i. 443,
and n.
Vita contemplativa :
Aquinas' views on, ii. 443, 481-2
Hildebert on, ii. 144-5
Vitae sanctorum, see Saints — Lives of
Walafrid Strabo, i. 100, 215 ; ii. 332 ;
Glossa ordinaria of, i. 16, 221 n.2 ;
ii. 46 ; De cultura hortorum, ii.
188 «.2
Waldenses, i. 365 n. ; ii. 34
Walter of Lille (of Chatillon), Alexan-
dreis of, ii. 192 and n.3, 230 w.1
Walther von der Vogelweide, political
views of, ii. 33 ; attitude of, toward
Papacy, ii. 34-6 ; piety and crusad-
ing zeal of, ii. 36 ; melancholy, ii.
36-7 ; Minnelieder of, ii. 29-31 ;
Spriiche, ii. 29, 32, 36 ; Tagelied,
ii. 30 ; Unier der Linde, ii. 30 ;
otherwise mentioned, i. 475, 482,
589 ; ii. 223
INDEX
589
Wergeld, i. 122. 139 ; ii. 246
Will, primacy of, over intellect, ii. 512,
SIS
William, Abbot of Hirschau, i. 315
William II. (Rufus), King of England,
i. 273, 275 ; ii. 138-9
William of Apulia, ii. 189 and n.3
William of Champeaux — worsted by
Abaelard, ii. 342-3 ; founds St.
Victor, ii. 61, 143 ; Hildebert's
letter to, quoted, ii. 143
William of Qonches, ii. 132 ; studies
and works of, ii. 372-3 ; Summa
moralium philosophorum, ii. 134-5,
373 and w.2
William of Malmsbury cited, i. 525
William of Moerbeke, ii. 391
William of Occam, see Occam
William of St. Thierry, ii. 300, 344
Willibrord, St., i. 197
Winifried- Boniface. St., i. 6, 197-200,
308 ; ii. 273
Wisdom, Aquinas on, ii. 481
Witelo, Perspectiva by, ii. 501 «.
Witiza of Aquitaine, i. 358-9
Wolfram von Eschenbach, ii. 223 ;
Parsivalby, i. 12 ». , 149 n.1, 152,
567, 571 n.2, 589-613; ii. 36;
estimate of the work, i. 588 ; ii. 29
Women :
Emotion regarding, i. 349-50
Emotional Christ-love experienced by,
i. 442. 459 seqq.
Fabliaux' tone toward, i. 521 «.z
Women (cont.) :
German prae - mediaeval attitude
toward, i. 139, 150; mediaeval, ii.
3»
Monastic life, in :
Abuses among, i. 491-2; Rigaud's
Register as concerning, i. 479-
480
Consecration of, i. 337 and n.
Gandersheim nuns, i. 311
Visions of, i. 442 uqq. , 463 tfff.
Monkish vilification of, i. 354 n. .
521 ».». 532, 533; ii. 58
Romantic literature as concerned
with, i. 564
Romantic poems for audiences of. i.
565
Walther von der Vogelweide on, ii.
3*
Worms, Concordat of (1123). i.
«45 *•*
Xenophon's Cyropaedia, i. 78
Year-books (Annales), \. 234 and n.1
Yves, Bp. of Chartres, i. 262 *. ; ii.
139
Zacharias, Pope, i. 199
Zoology :
Albertus Magnus' works on, ii. 429
Aristotle's work in, i. 38
Pkyriologus, \. 76-7 and n. . 300 ; ii.
83
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