NOT TO BE TAKEN
From the Library
KUS!C l
LIBRARY OF
WELLESLEY COLLEGE
PURCHASED FROM
LIBRARY FUNDS
Digitized by the Internet Archive
in 2011 with funding from
Boston Library Consortium IVIember Libraries
http://www.archive.org/details/medievalrenaissaOOcoov
Detroit Studies in Music Bibliography
Detroit Studies in Music Bibliography
Bruno Nettl, General Editor
Number 1 REFERENCE MATERIALS IN ETHNOMUSICOLOGY, by
Bruno Nettl 1961 46p $1. 50
A bibliographic essay on primitive, oriental, and
folk music which organizes, describes and evalu-
ates books and articles on the subjects.
Number 2 SIR ARTHUR SULLIVAN: AN INDEX TO THE TEXTS OF
HIS VOCAL WORKS, compiled by Sirvart Poladian
1961 91p $2.75
The first comprehensive index to first lines,
titles, and refrains of Sir Arthur Sullivan's vocal
works, sacred and secular.
Number 3 AN INDEX TO BEETHOVEN'S CONVERSATION BOOKS,
by Donald W. MacArdle 1962 46p $2. 00
A complete index of the persons and places named
in Georg Schilnemann's 'Ludwig van Beethovens
Konversationshefte' (3 vols. , Berlin, 1941-1943)
and in portions of Jacques -Gabriel Prod'homme's
'Les cahiers de conversation de Beethoven' (Paris,
1946).
Number 4 GENERAL BIBLIOGRAPHY FOR MUSIC RESEARCH, by
Keith E. Mixter 1962 38p $2.00
This study of references to general bibliographic
tools describes material that would be of direct
interest to musicians, as well as pertinent material
in related fields such as history, the fine arts, or
the social sciences.
Number 5 A HANDBOOK OF AMERICAN OPERATIC PREMIERES, by
Julius Mattfeld 1963 135p $3. 00
A guide, arranged alphabetically by title, to the
first American performances of operas from 1731
to 1962. Included are operas by American com-
posers performed in Eurof)e as well as a selection
of better known light operas and musical comedies
of native and foreign origin. The details furnish
the date, place, and language of the performances.
MEDIEVAL AND
RENAISSANCE MUSIC
ON
LONG-PLAYING RECORDS
by
Jajnes Coover
Music Librarian
Vassar College
Poughkeepsie, New York
Richard Colvig
Music Librarian
Oakland Public Library
Oakland, California
1964
Detroit Studies in Music Bibliography
Number 6
Copyright 1964
by
JAMES COOVER
and
RICHARD COLVIG
Publication has been assisted by a grant from the
Lucy Maynard Salmon Fund of Vassar College.
Published by
INFORMATION SERVICE, INCORPORATED
10 West Warren Detroit 1, Michigan
IS&. 2
TABLE OF CONTENTS
INTRODUCTION vii-viii
ABBREVIATIONS . ix-xii
Record label abbreviations ix-x
Sources cited xl
Other abbreviations xii
PART I: ANTHOLOGIES OF MEDIEVAL AND RENAISSANCE MUSIC 1-37
Chant (Numbers 1-84) 5-7
Medieval (Numbers "85 -123) 8-13
Renaissance (Numbers 124-317) 14-36
Addenda (Numbers 318-322) 37
PART II: INDEX TO ANTHOLOGIES AND INDIVIDUAL DISCOGRAPHIES, BY COMPOSER, . . , 39-78
A-Z 43-76
Anonymous 76-78
PART III: PERFORMER INDEX 79-88
Choruses 83-84
Conductors 84-85
Harpsichordists 86
Instrumental ensembles 86
Lute (or Guitar) 86
Organ 87
Pianoforte 87
Viols and gambas 87
Virginals 87
Vocal soloists 87-88
Vocal and instrumental ensembles 88
FIRST SUPPLEMENT, 1960-1961 89-122
A note on the Supplement 91
PART I: ANTHOLOGIES OF MEDIEVAL AND RENAISSANCE MUSIC 93-102
Chant (Numbers 323-339) 95
Medieval and Renaissance (Numbers 340-387) ^ 96-102
PART II: INDEX TO ANTHOLOGIES AND INDIVIDUAL DISCOGRAPHIES, BY COMPOSER. . . . 103-118
A-Z 105-117
Anonymous 117-118
PART III: PERFORMER INDEX 119-122
Ensembles (Choral and Instrumental) 121
Conductors 121-122
Solo and featured instrumentalists and singers 122
INTRODUCTION
The effect of the first decade of the long-playing record upon our musical life has been
momentous indeed. We have been presented, in a short ten years, with a quantity of recorded serious
music which would exceed the wildest imaginings of our grandparents' generation. Not only is the
quantity greater, but the quality of performance has improved markedly, too, for the LP and its wide
dissemination have focussed more attention than ever before in music history on the proprieties or
improprieties of various performing practices. Yet withal, this is a profusion of riches whose real
value and extent we ourselves have not been permitted to appreciate fully, since bibliographical
organization, which is essential if not tantamount to aural accessibility, has fallen far behind the
flood of recordings being issued. The fine discographies contributed by the Messrs Clough and Cuming,
Myers and Hill, Miller, Schonberg and Kolodin, Darrell and the rest are extremely useful, it is true,
but they are for the most part general works or reviewing media which do not attempt to furnish the
intensive indexing of special periods, styles, media, genre, performers, and species which becomes
more necessary every day.
Not the least of the formidable tasks facing us is that of providing access to the contents
of anthologies, especially those of chants and medieval and renaissance compositions. The protracted
playing time of the microgroove record makes the anthology the natural vehicle for presenting works
from these periods, since the bulk of them, of course, are short-- e. g. , laude, madrigals, chansons,
instrumental dance pieces, and the like. For this reason--and for musicological reasons such as the
necessity to identify anonymous compositions and their sources, and the need to recognize variant
settings of the same text--these discs need more knowledgeable, more thorough, and more frequent
bibliographical analysis than those in perhaps any other category.
Some analysis of this sort is performed regularly by most libraries, although it duplicates
the efforts of many other libraries (at enormous aggregate expense), and despite the fact that the
analyses are very temporary, being discarded as the discs themselves wear out and are withdrawn.
At no time, either, does the amount of analysis by any library provide what might be called a com-
prehensive overview of the phonographic resources for these periods, or a dependable inventory of the
number of compositions by, say, Machaut, now available, or a reliable indication of gaps in the
recorded. literature which need to be filled (see, e.g. , under Busnois in the Index here). Nor does any
library's catalog benefit anyone other than its own users!
For these reasons, and also because there has been always a faint hope that a list such as
the present one would appear someday to obviate the need for such expensive cataloging, the Vassar
College Music Library has analyzed to date only a few of the many medieval and renaissance antholo-
gies in its collection. When it became apparent several years ago that no such list was in the offing,
however, and that sooner or later some bibliographical access to these works would have to be fur-
nished the students and faculty at Vassar, it seemed only reasonable then to expand the scope and de-
tail of the undertaking to a point where it would benefit interested persons everywhere, not only those
at Vassar.
A dittoed list of recorded medieval and renaissance music was therefore prepared by one
of the present compilers and issued by Vassar in December of 1957. It was warmly received by
musicians, and the limited number of copies which had been run off was quickly exhausted. Despite
subsequent continuing demands for it, it was decided not to reissue the list until the expansions and
improvements evident in this, the revised version, could be made.
Like the original, the scope of the index at hand includes all microgroove recordings,
either 33.3 or 45rpm, issued in Great Britain, France, Italy, Germany, and the United States which
are devoted solely or mainly to music from the medieval and renaissance periods. In several in-
stances where only one or two works from these periods appeared in an anthology but were considered
important or unusual they were also included. The greatest expansion of this index over the earlier,
however, is not in the r.umber of records listed but in the detail with which the contents of each have
been analyzed. Thus, where before only the last names of the composers whose compositions
appeared in a particular collection were set out, this index specifies the exact title for each composi-
tion on each disc.
Titles themselves, however, are not always precise identification of a composition, and
other descriptive features have had to be added, such as indications of the sources for certain com-
positions, particularly anonymous works, known to be from, e.g. the Bayeux Ms., an Attaignant
collection, or the Glogauer or Locheimer Liederbuch. If only a portion of a work appears on a
record--just the Kyrie of a Mass, e. g. --an attempt has been made to specify which portion. Where
the nominal performance medium of a work differs from that in which it appears on a record, in
most instances some indication of this has also been given. Finally, whenever supplied in the source
(i.e., usually the record itself), the species of certain compositions whose titles alone might be mis-
leading has been noted; thus, "lauda," "organum," "motet," "villanelle, " "chanson" and other
comments appear parenthetically throughout the list. Much of the indexing has had to be done from
secondary sources, and it has not been possible therefore to supply as much of this kind of identifying
data as we should have lilced.
It should be emphasized that this work covers not only anthologies of compositions by
several composers, but anthologies of compositions by only one composer as well. Part I sets out
the former; the latter are included in Part II of the Index, where we hope to have provided a compre-
hensive (but probably not complete) inventory of the recorded works of each composer listed. The
user is advised to read carefully the instructions which precede the Index for an explanation of its
coverage and its method of operation.
Although it is regrettable that not all of the records listed are still commercially avail-
able, such availability is of but small moment in the over-all intent of this index; doubtless all of
them are in libraries' and archives' collections somewhere and consequently accessible for some
years to come.
The work of enlarging the original dittoed list has been done by Mr. Richard Colvig,
Music Cataloger at Vassar, 1959-1960, whose manifest interest in and knowledge of the music of the
periods covered, and whose thoroughness, are the chief reasons for the index's enhanced utility. He
has had, from time to time, the assistance of several music students ac Vassar, including Miss Jean
Sa'id, Miss Kathryn Kleckley, and Miss Mahala Burck. Neither they nor Mr. Colvig are to blame,
however, 'for the errors which will probably turn up as the natural result of the decision to include all
pertinent recordings, whether they were available for direct consultation at Vassar or not. Hopefully,
these have been kept to a minimum, but we shall welcome, of course, corrections and additions.
JC
Poughkeepsie, N.Y.
May 13, 1960
RECORD LABEL ABBREVIATIONS
A
Philips 10"
DS
Gregorian Inst of America
ABC
ABC-Paramount
DT, Due
Ducretet-Thomson
Acad
Academy
DTX
Pathe (Fr)
ACLP
Gregorian Inst of America
DX
Decca
Aeolian
Aeolian-Skinner
EA
Experiences Anonymes
Al
Allegro
EGB
Delyse
ALP
HMV
Eco
Eco 10"
AMS
Lumen (Archives Sonores de
ED
Pathe
la Musique Sacfee)
Educo
Amad
Amadeo
EFM
Erato
Ang
Angel
Efour
AP
Heliodor
EIA
Erato
APM
Archive (Br) 12"
. EKL
Elektra
ARC
Archive (US)
EL
Gregorian Inst of America
AVRS
Amadeo
Elec
Electrola
AWD
Decca 7" 45 rpm (Ger)
EMS
Elaine Music Shop
AWT
Telefunken
EP
HMV
Bam
Boite a Musique
EPA
Archive 7" 45 rpm
Bartok
EPL
Dt. Grammophon 7" 45 rpm
BG
Bach Guild
ES. ESJ
Esoteric
BLE
Telefunken
ESBF
Columbia 7" 45 rpm
Bible
Bible -tone
Esq
Esoteric'
BM
Barenreiter-Musicaphon
Fan
Fantasy
BN
Gregorian Inst of America
Fest
Festival (US)
C
Columbia (Ger)
FM
Montilla
Can
Cantate
FS
Folkways
Cam
Cambridge (US)
GC
Golden Crest
Cath
Catholic
GIA-PM
Gregorian Inst of America 10'
CCL
Pye
HM, HMC
Harmonia Mundi
CdM
Chant du Monde
HMV
His Master's Voice
CE
Classic Editions
HP-APM
Archive (Fr)
Cetra
Cetra-Soria
HS-AS
Anthologie Sonore
CHC.CHS
Concert Hall Society
HSL
Haydn Society
CID
Comp. Ind. du Disque
KCL
Kapp
CLP
HMV
KL
Columbia (US)
CLPS
Colosseum
KSL
Columbia (US)
CM
Camerata
LAY
Gregorian Inst of America 10'
CND
Club National du Disque
LCT
Victor —
Concord
LD
Boite a Musique
Cot
Contrepoint
LD
Lumen
CR
Gregorian Inst of America
LD
Victor (US)-
CRS
Cambridge (US)
LDE
Erato
CS
Paar Records
LDS
Victor (stereo) -
CX
Columbia (Br)
LDY
Erato
Dec
Decca (US)
UST
Lyrichord
DGA-AP
Archive 10"
LL, LLA
London
Dis
Discophiles Francais
LM
Victor —
DL
Decca (US)
Lon
London
DS
Delyse (stereo)
LPC
Cetra (Fr)
LPEM
Dt. Grammophon
RSS
Record Society (stereo)
LSA
London
S
Gregorian Inst of America
LW
Decca 10"
SA
Gregorian Inst of America 10
LX
Decca 10" (Ger)
SAPM
Archive (stereo)
LXT
Decca (Br)
SEG
Columbia (Br) 1" 45rpm
Lyr
M
Lyrichord
Classics Club
SLPM
SM
Dt. Grammophon (stereo)
Studio SM
MA
Gregorian Inst of America
SP
Capitol (stereo) ■
MB
MB
Valois
BSrenreiter-Musicaphon
SPA
SPL
Soc. of Participating Artists
Period
MC
Vogue (Fr)
St -Jose
ph's
MCA
Carisch
STDL
Vox (US, stereo)
UG
Mir
Mercury
Mirrosonic
Sunset
SVF
Supraphon
ML
Columbia
SXL
Decca (Br, stereo)
MS
Columbia (stereo)
SXOL
L'oiseau-Lyre
Mus Lib
Music Library Recordings
Tel
Telefunken (Ger)
NRLP
New Records
Tele
Telefunken (US)
OL
Oiseau-Lyre
TW
London International
OL-LD
Oiseau-Lyre (Br)
Unicorn
OS
London (stereo)
URLP
Urania
Over
Overtone
Van
Vanguard
P
Capitol
VD
Decca (Ger) 7" 45 rpm
Pat
Pathe
Vega
Phil
Philips
Verve
PL
Vox
Vox
PLP
Period
VSM
Voix de son maitre
PM
Pastorale et Musique
WAL
Pol
PTL
Polydor
Vox
West
WL
Westminster
PVC
Vogue (Fr)
WLE
PX
Gregorian Inst of America 10"
WST ^
QCLP
HMV
Wash
Washington
Rad
Radium
WLSM
World Library of Sacred Music
RCA-F
Radio Corp of America (Fr)
WST
Westminster
Ren
Renaissance
WSX
Columbia (Ger, stereo)
RG
Argo
XPM
Pathe Marconi
RRT
Campion 7" 45 rpm
XWN
Westminster
RS
Record Society (Br)
ZRG
Argo (stereo)
SOURCES CITED
adv
arg
arl
biel
disques 58
disques juil 57
disques 83:871
gram
hi-fi
len
mil
sant 6:5
sch
werm 3:450
advertisement (of the issuing company)
American Record Guide
American Record Letter
Bielefelder Katalog der klassischen Musik (Die Langspielplatte)
Disques de longue duree. Catalogue general annuel.
The example given: for 1958.
. . Catalogue complet permanent, Supplement.
The example given: for July, 1957.
Disques (monthly issue). The example given: no. 83, p871
Gramophone Long Playing Classical Record Catalogue
High Fidelity magazine
Wm. Lennard Concerts. Notes on Records
Miller, Philip L. Vocal Music (Guide to Long Playing
Records, v. 2)
Music Library Association. Notes
Myers, K. and R. Hill. Record Ratings
Santandrea. Catalogo generale, dischi microsolco.
The example given: Anno 6, numero 5.
Schwann Long-Playing Record Catalog
Clough, F. and G. Cuming. The World's Encyclopaedia
of Recorded Music. The example given: 3rd Supplement,
p. 450
OTHER ABBREVIATIONS
b
bar
coll
c-tnr
d
dir
ed
fl
Fr
guit
hpsi
attributed to
born
baritone
century
circa
collection(s)
counter-tenor
died
director
editor
flourished
French
guitar
harpsichord
instr (or i)
It
m-sop
org
pfte
sop
Sp
tnr
var
virg
via
I
instrumental performance
of nominally vocal work
Italian
mezzo-soprano
organ
pianoforte
soprano
Spanish
virginals
viola da gamba
used to separate simultane-
ous texts in motets of the
13th c
PART I
ANTHOLOGIES OF MEDIEVAL
AND RENAISSANCE MUSIC
PARTI
All records are 12", 33 1/3 rpm unless otherwise indicated. In some cases two
or more issue numbers are given (separated by a semicolon); these may represent foreign
and domestic issues of the same recording, monaural and stereophonic issues, or successive
numbers issued by the same company (in the last case earlier issue numbers are usually
given first).
The Chant list (nos. 1-84) is by performer; contents are indicated in most
cases only in a general way and often the title alone was felt to be sufficient. Anthol-
ogies containing, but not restricted to chants, may be found by consulting the Index
(under the headings Ambrosian, Byzantine, Gregorian, etc.).
Medieval and Renaissance anthologies (nos. 85-322) are listed by title (or
by performer when no title could be determined). In general, only that part of the
contents falling within the scope of this discography is given in detail. Composers not
within the scope are sometimes listed. The abbreviation "Etc. " at the end of the con-
tents for a disc indicates that it includes other compositions of a later period. Note that
anonymous compositions are always given last. When a disc includes both vocal and
instrumental performances, the items in the contents may be assumed to be vocal unless
otherwise specified. -
[Discs devoted to the works of one or two composers are listed under the
name of the composer in Part II].
References; All entries for anthologies not owned by Vassar College are
followed by the source from which the information was tal<en. In addition, a reference
is given for all anthologies included in Record Ratings. For explanation of abbreviations,
see p.ix.
CHANT
1 Angers Cathedral Choir.
ANTOLOGIA SONORA DELLA MUSICA ITALIANA.
Polifonica Ambrosiana; Biella, dir.
2 V. 1, II canto cristiano nel Medio Evo.
«««««««
ARCHIVE PRODUCTION: I. Gregorian Chant
Beuron. Monks of the Benedictine Abbey of St. Martin; Pfaff. dir.
Ser . A . The Office
3 Christmas Compline and 2nd Vespers.
Ser . B . The Mass
4 Solemn intercessions & veneration of the cross from the liturgy
of Good Friday.
5 The blessings and the Easter song.
6 The Baptismal Promises and the Mass of the Easter Vigil.
7 Easter Sunday Mass. (previous issue ARC 3001)
Ser. C. The Office for the
8 Requiem Mass.
(foreign issues)
9 Ires Vepres Nativite. (1st Christmas Vespers)
10 Solemnis palmarum processio. (Palm Sunday procession)
11 Laudes solennes. [Te Deum; Christus vincit]
12 Mass VIII (De angelis); Credo III.
13 Missa brevis cum Asperges me.
14 Antiphonae finales B.M.V.
SM 3302
7" 33.3rpm MCA 28013
APM 14110; ARC 3102
APM 14034; ARC 3050A^'^^-'4
APM 14104; ARC 3088 ^///^jD";
APM 14105; ARC 3089 5^ .
APM 14106; ARC 3090£/^^p^ .
Dead
APM 14002; ARC 3031 /U4-P 4
10" DL 7546; ARC 13005
10"
7" 45rpm
7" 45rpm
7" 45rpm
7" 45rpm
DGA 13041 AP
EPA 37111
EPA 37112
EPA 37123
EPA 37168
15
16
17
18
19
20
21
22
23
24
25
26
FS 3865
Dom Baron, O.S.B.
Plamchant.
Catholic Univ. Theological Students; Leddy, dir.
Selections from the liturgical year. [Range lingua; Salve Regina; Benedictus; Te Deum;
Veni creator spiritus; Vexilla Regis; Ave Maria] 10" Cath
Darlington Seminary Choir; Murphy, dir.
Holy Saturday Exultej. [verso: GRASSL Laudate Dominum. PALESTRINA. O bone Jesu;
Tenebrae factae sunt. VICTORIA, Ave Maria] (r.r. 347) 10" DS-1
Ehmann, Rev. Benedict A. , Rochester, N.Y.
Preface and Pater Noster.
En Calcat. Monks of the Benedictine Abbey.
ler et 2e Dimanches de Careme. 2-7" 45rpm SM P15/16
3e et 4e Dimanches de Careme. 2-7" 45rpm SM P17/18
Dimanche de la Passion. T' 45rpm SM P19
Office for Good Friday; Veneration of the Cross; Officium pro defunctis; Requiem Mass
(plus Epistles, Gospels, etc.) 2-12" SM 3313/4
Gethsemani, Ky. Trappist Monks.
A Child is Bom. [Excerpts from Mass "Rorate coeli"; O Antiphons. Christmas midnight
1 ML 5310
Mass, etc]
Hail Holy Queen. [Excerpts from the Assumption Liturgy] ML 5205
^ . ML 4394
Laudate Dominum.
Missa Festum Mariae Assumptae. (in part) ^^
GREGORIAN CHANT (series)
27 f V. 1. Trappist Monks of a Cistercian Abbey, Nuns of a Benedictine Monastery
I SPL 569 ''^i''?
28/''rt j/>\ V. 2. En Calcat. Monks of the Benedictine Abbey; Boys' Choir from L'Alumnat
-'.f..'J''-,'^ SPL 5^0^f'7D
29 V. 3. Benedictine Monks of St. Wandrille de Fontenelle; David, dir. SPL 516 f^^yi
30 V.4. En Calcat. Monks of the Benedictine Abbey; Trappist Monks SPL 707
«ft««0«»
Liguge. Monks' Choir.
31 ler et- 2e Dimanches de I'Avent. 2-7" 45rpm SM Pl/2
32 3e et 4e Dimanches de I'Avent. 2-7" 45rpm SM P3/4
33 Dimanche dans I'Octave de Noel; Messe du jour. 7" 45rpm SM P6
34 Dimanche des Rameaux. SM 3330
35 Jeudi-Saint. SM 3331
36 Masses XVll. XVIII. 2-7" 45rpm SM K17/18
Mt. Alvernia Seminary Franciscan Brothers.
37 Sons of St. Francis Sing. [6 chants, also PALESTRINA. O quam amabilis. VICTORIA.
Ave Maria, etc.] ABC 206
Mt. Angel Seminary Choir.
38 Holy Week Chants. 2-12" EL 5
39 Kyrie II ad lib. , Gloria XV, Sanctus XI, various Propers. MA 1
Pius X Choir of Liturgical Music, Manhattanville College of the Sacred Heart, Purchase, N. Y.
40 Requiem Mass and Burial Service. 10" PX.l
41 Masses VIII, IX; Credo I, III. 10" PX 2
42 Masses IV, XI; Ambrosian Gloria; Credo IV. 10" PX 3
43 Masses V, XII, XVII, XVIII. 10" PX 4
Polifonica Ambrosiana; Biella, dir.
44 Ambrosian chants. 3-12" Vox DL 343
Pueri di Milano.
45 Missa "De angelis". Credo III, Missa "Cum jubilo". Credo IV. 10" Eco 103
Rennes Cathedral Choir; Orphant, dir.
46 Proper of Whitsunday, (with A. Gabrieli. Missa brevis) SM 3323
Schola of St. Benedict Convent, St. Joseph, Minn.
47 Mass 1, Simple Te Deum, Sequence: Victimae Paschali, Christus vincit, Palm Sunday
antiphons. 10" BN 1
48 Mass X, Veni Sancte Spiritus, all Mass Responses, all Ites & Responses. 10" BN 2
Schola des Peres du St. -Esprit du Grand Scholasticat de Chevilly; Deiss, dir.
49 Easter Liturgy and Christmas Cycle. Ang 35116
50 Semaine Sainte, Antiennes mariales, VSpres. ' 2-7" 45rpm ESBF 128/129
51 ler et 2e Dimanches aprfes Paques. 2-7" 45rpm SM P21/22
52 3e, 4e, 5e Dimanches apres Paques. 2-7" 45rpm SM P23/25
53 St. Francis of Assisi Chorus. QCLP 12005
St. Joseph's Abbey Choir; Gajard, dir.
54 Jerusalem, [includes propers; Vespers for the feast of a dedication of a church]
St. Joseph's 1001
St. Martin's Abbey Monks' Choir, Beuron; Pfaff, dir.
55 [Magnificat with organ versets; bells] 7" 45rpm EPL 30094
St. Mary's Seminary Schola, Houston, Tex.
56 Confirmation service. EL 8
57 Forty Hours Adoration. -[Mass of exposition, procession, litany, etc.] EL 9
St. Meinrad's Abbey Schola; Siedling, dir.
58 Advent, Christmas, Epiphany, Lent and Holy , Week. 10" Lumen 1
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
Easter, Low Sunday, Ascension, Pentecost, Corpus Christi. 10" Lumen 2
Chanoines Abbaye St. -Michel de Frigolet.
Chant liturgique. [NoSl, Paques, Ascension, Toussaint, Introit de Saint Norbert, etc.]
RCA F530001
Seiner, Rev. John; Baltimore, Md.
Priest's Chants at the Altar. Intonations for parts of the Mass and liturgical occasions.
10" ACLP 1
Solesmes Abbey Monks Choir; Gajard, dir.
Chant Gregorien. [selected Ordinaries and Propers]
Gregorian Chant.
Christmas Midnight Mass; Mass for the Day.
Easter Sunday Mass.
Corpus Christi Mass; Pentecost Mass.
Ascension & Assumption Masses.
Festivity della S. Vergine; Immacolata Concezione.
Toussaint; Fete du Christ -Roi. ,
Epifania; Dedicazione.
Vepres du dimanche; Les complies (au rite monastique)
Mass I, XVII, XVIII.
Mass IX. XI.
Mass XII, XV.
Missa pro d'efunctis
Masses I, IX, X, various Propers.
Stanbrook Abbey Schola; Worcester, Eng.
Antiphons of the Blessed Virgin; Magnificat; Blessed Sacrament Chants 10" SA 1
Christmas Introits, Communions, etc. 10" SA 2
Choeurs'du Seminaire de Strasbourg
Epiphanie. 7" 45rpm SM P8
2e et 3e Dimanches apres I'Epiphanie. 2-7" 45rpm SM PlO/11
Messe X. 7" 45rpm SM KIO
Versailles Cathedral Choir.
Puer natus; Alleluia dies sanctificatus. SM 3303
Roger Wagner Chorale.
Antiphons of the Blessed Virgin; Blessed Sacrament Chants; Hymns and Sequences.
10" LAY 106
Introits in the Eight Gregorian Modes. 10" LL 111
LL 547/51 5-12" LLA 14
Lon A 4501 IT X
4-10" LSA 17
LL 1384; Lon 5217
LL 1408; Lon 5222
LL 1463; Lon 5241 L - I : 3 ^-
LL 1464; Lon 5242
Dec 173856
Dec 173857
Dec 173858
Dec 173859
10" LX 3118
10" LX 3119
10: LX 3120
10" LX 3121
2-12" LCT 6011,^f-£:LQ
MEDIEVAL
Aires a boire. See no. 125
ANTHOLOGIE SONORE:
85 V. 1, reel: Gregorian Chant to the 13th Century. Paraphonistes de St. Jean des Matines,
Brussels Pro Musica, Meili (tnr), & others.
[LEONINUS. Deum time (organum duplum). PEROTINUS, Diffusa est gratia (organum
triplum). WALTHER VON DER VOGELWEIDE. Nu alerst leb ich. RUMELANT. Ob aller
///fS - / mynne. BLONDEL DE NESLES. A I'entrant d'este. PERRIN D'AGINCOURT. Quant voi
an la fin. RICHARD COEUR-DE-LION. Ja nuns hons pris. ADAM DE LA HALLE. Li dous
regars; Virelai. CHANT. Adiuvabit earn Deus; Easter alleluia. ANON. Transfretasse
legitur (conductus); Deus misertus (conductus); 13th cent, melismas & estampie; O lobal
Zio (alpine song); Ich setze minen vuoz; Alleluia psallat; A la clarte; In saeculum
viellatoris (instr. trio); Au tens pascour (secular motet)] HS-AS 1
86 V. 1, rec.2: The 13th and 14th Centuries. Brussels Pro Musica, Meili (tnr), & others.
[VINCENZO DA RIMINI. Ita se n'era. GIOVANNI DA CASCIA. lo son un pellegrin.
LANDINO. Gram plant' agl'occhi. MATHEUS DE PERUSIO. Plus onques dame.
A/n S ' 2^ PIERRE DE MOLINS. De ce que fol pense. JACOPO DA BOLOGNA, Fenice fu.
GHIRARDELLUS. Tosto che I'alba. ANON. En may la rosee; Benedicamus trope;
English & French dances; Gloria in cielo (lauda). (Motets): Alma Redemptoris/ Descend!
in hortum/Anima mea; Ad regnum/Noster cetus; Je voi douIeur/Fauvel autant/Fauvel
nous a fait (Roman de Fauvel). Lamento di Tristano (ballo); Se je chant mains (chace)]
HS-AS 2
87 V. 1, rec.3: The 14th and 15th Centuries. Brussels Pro Musica, various soloists.
[MACHAUT. Je puis trop bien; Quant Theseus; De tout sui si confortee; Mass (Credo,
^ Sanctus, Agnus, Ite missa est). DUFAY. Mass "Se la face ay pale" (Kyrie); Alma Re-
demptoris Mater; Salve que fama; Adieu m'amour] HS-AS 3
ANTOLOGIA SONORA DELLA MUSICA ITALIANA:
88 v. 2: Canti religiosi nel basso Medio Evo e nel Rinascimento. Polifonica Ambrosiana;
Biella, dir.
[ANON, Planctus Mariae. (Laude monodiche): Dal cielo venne; Cristo e nato; Gloria in
cielo. (Laude polifoniche): Giu per la mala via; Quando rimiro il ciel; Nell'apparir del
sempiterno sole; Madre divina; II pietoso Gesu; Anime affaticate; Lodate Die]
7" 33.3rpm MCA 28018
89 V.3: Musiche profane nel basso Medio Evo. Lucca (sop), Nobile (ten) & others.
[JACOPO DA BOLOGNA. Fenice fu. GIOVANNI DA CASCIA. Per larghi prati; lo son un
pellegrin. LANDINO. El mie dolce sospir; Non avr^ mai piet^. ANON. Lamento di
Tristano; Merce, merce, o morte] (sant 6:5) 7" 33.3rpm MCA 28017
ARCHIVE PRODUCTION: II, The Central Middle Ages (1100-1350)
Brussels Pro Musica Antiqua; Cape, dir.
90 Ser.A. (Troubadours, Trouveres & Minnesingers)
Rec. 1: A DE LA HALLE. Le jeu de Robin et Marion; 13 rondeaux.
- Ser.B. (Music of the Minstrels).
^' 17 Danses du 13e et 14e siecle. [Raimbaut de Vaqueiras, Guillaume d'Amiens (3), Anon.]
APM 14018; ARC 3002
91 Ser.A. Rec.2: Chansons et Motets du 13e siecle.
[BERNART DE VENTADORN. Lancan vei la folha. JAUFRE RUDEL. Lanquand li jorn.
GUIRAUT RIQUIER. Pus sabers. ANON. Chevauchoie lez un bruel; Gaite de la tor;
!i\P
En un vergier; Volez vos que je vos chant; Main se leva. (Motets): L'autre jour/Au tens
pascour/In saeculum; Chanconnete/A la chemin6e/Veritatem; Prend6s-y-garde/He! mi
enfant; Diens! je suis j^i pres/Et vide]
Ser.C. (Early Polyphony before 1300). 2 Organ'a.
: [LEONINUS, Judaea et Jerusalem. PEROTINUS. Sederunt principes. 1
APM 14068; ARC 3051
92 Ser. D. (The Ars Nova in France).
/) [MACHAUT. La messe de Nostre Dame; (secular works): Sans cuer/amor doleur/Dame par
r vous; Je puis trop bien; Qui fes promesses/Ha! Fortune/Et non est; Puis qu'en oubli; De
v" '^ tout sui si confortee; Nes que on porroit; De triste cuer/Certes je di/Quant vrais amans;
p (s)P^ Se je souspir; Tels rit au main; Quant Theseus/Ne quier veoir]
5 • V APM 14063; ARC 3032
0«««««0
.^93 English Medieval Christmas Carols. Primavera Singers; Greenberg, dir.
[DUNSTABLE. Sancta Maria. POWER. Beata progenies. ANON. Nowell sing we; Ave
Maria; Gloria; Alleluia; Lullay lullow; What tidings; Marvel not, Joseph; Alma
redemptoris mater, Make we joy; Nowell, nowell, tidings true; Hail Mary; Ave rex
angelorum; Tibi laus; Nova, nova] (mil 346) Eso 521
.3A French Troubadour Songs. Tessier (tnr). Clary (lute)
[RAIMBAUT DE VAQUEIRAS. Kalenda maya. JAUFRE RUDEL. No sap chantar; Lan can li
jorn. BLONDEL DE NESLES. A I'entree d'este. GACE BRULE. Cil qui d'amor.
MARCABRU. Pax in nomine; L'autrier jost. THIBAUT DE NAVARRE. O Dame.
GUIRAUT RIQUIER. Aisi com es sobronrada. CHARDON DE REIMS. Chanson de croisade.
GAUTIER DE COINCY. Ma viele. BERNART DE VENTADORN. Can vei I'alauzeta.
GUIRAUT DE BORNELH. Reis Glorios. ANON. Un sirventes; Quant hom es en autrui
poder] (werm 3:540) 10" EKL 31
95 ' French Troubadour Songs. Cuenod (tnr); Leeb (lute)
[BINCHOIS. De plus en plus. CERTON. Exultate iusti; Quare fremuerunt; Verba mea.
CLEMENT. Misericorde au martyr; Puisque voulez. CREQUILLON. L'ardent amour;
A vous en est; Je suis aime; Puisque malheur; Cessez, mes yeux. DUFAY. Jour s'endort.
ADAM DE LA HALLE. Helas! il n'est mais nuns. LANTINS. A madame playsante et
belle. MACHAUT. Ma chiere dame; Chanson balladee. THIBAUT IV. Pour ce se
d'amer] West 18683
German Songs from the Minnesingers to the 17th Century. See no. 210
German Songs of the Middle Ages and Renaissance. See no. 211
.-96 Histoire de la Musique Vocale, v. 1-2, Various groups; W^ildike, Noyre & Pagot, dir.
[NEIDHARDT VON REUENTHAL. Willekommen Mayenschein. PEROTIN. Alleluya
(Nativitas). MACHAUT. Mass (Agnus Dei). LANDINI. Chi piu le vuol sapere. BIN-
CHOIS. Adieu m'amour. DUFAY. Mass "Se la face ay pale" (Kyrie I). OKEGHEM.
Missa prolationum: Sanctus. OBRECHT. Parce, Domine. DESPRES. Ave Maria.
CREQUILLON. Pour ung plaisir. JANNEQUIN. Ce sont gallans. SERMISY. Hau le boys.
LASSUS. Tristis est anima mea. PALESTRINA. Mass "Veni sponsa Christ!" (Agnus 1).
VICTORIA, Ave Maria. GOUDIMEL. Psalm 133. BYRD. Ego sum panis. MARENZIO.
S'io parto, RENNET. Thyrsis, sleepest thou? DU CAURROY. Missa pro defunctis.
CHANTS. (4). ANON. Or la truix. (Organa): Res coeli; Agnus Dei; Benedicamus Domino
(13th c). En non diu; De castitatis thalamo. (also Bouzignac, Caccini, etc.)] NB.
French issue of Masterpieces of Music Before 1750, v. 1-2, with substitutions (werm
3:541). See also no. 312 2-12" LDE 3018/3019
97 History of Music in Sound, v. 2: Early Medieval Music up to 1300. Brompton Oratory Choir
(H. Washington), Bodley Singers (Hughes), Brussels Pro Musica, & others.
Aj ^1 'I, [BERNARD DE VENTADORN. Quant vei I'aloete. GACE BRULE. Je ne puis pas. ADAM DE
. ^ LE HALLE. Bergeronette. THIBAUT DE NAVARRE. Tuit mi desir. GUIOT DE DIJON.
■rP"
^i-S
Chanterai por mon coraige. FRAUENLOB„ Ey ich sach in dem trone. ANON. Lament
from Daniel; Quern quaeritis in sepulchro? (Medieval songs): O admirabile Veneris;
Au tans d'aoust; Quant je voi yver; Tuit cil qui sunt enamourat; Worldes blis; Quen a
Virgen; Como poden per sas culpas; O divina Virgo; Plangiamo quel crudel basciare.
(Polyphony): Sit gloria Domini; Alleluia, surrexit Christus; Regi regum glorioso; Rex
immense; Congaudeant Catholici; Verbum Patris humanatur; Orientis partibus; Sumer is
icumen in; Foweles in the frith; Ex semine Abrahae; Mariam sanctificans; Beata viscera;
O Maria Virgo Davidica; Puellare gremium; Triumphat hodie; Marionette douce; Rosa
fragrans; Alleluia psallat. Veri floris sub figura (conductus). Dances; Byzantine,
Ambrosian, Pre-Gregorian and Gregorian chant] 2^12" LM 6015
Italian Troubadour Songs. See no. 221
Manhattan Recorder Consort.
[GIBBONS, Fantasia. GERVAISE. 3 dances. ISAAC. 3 instr. settings. ANON. J'aloie
I'autre; 13th c. Fr. danse; 14th c. Engl, trotto; 2 brawls; 2 basses danses. Also Fasch,
Loeillet] (sch D 58) Classic 1056
99 Masterpieces of Music before 1750. Schola Gregoriana of Copenhagen (Lewkovitch) ,
Copenhagen Boys' and Mens' Choir (Miller), & others.
nj ^ C. Rec- 1: Gregorian Chant to the 16th Century.
[NEIDHARDT VON REUENTHAL. Willekommen Mayenschein. PEROTIN. Alleluya.
MACHAUT. Mass (Agnus I). LANDINI, Chi piu le vuol sapere. DUFAY. Mass "Se la
face ay pale" (Kyrie I). BINCHOIS. Adieu m'amour. OKEGHEM. Missa prolationum
/Col?"!-*?^ ") (Sanctus). OBRECHT, Parce, Domine. DESPRES. Ave Maria. CREQUILLON. Pour ung
plaisir. (with hpsi.arr.,by A. GABRIELI). CHANT. Laus Deo; Laudate pueri; Vidimus
stellam; Victimae Paschali. ANON. Or la truix; Prinzen-Tanz; Proportz. (Organa):
Rex coeli, Domine; Agnus Dei; Benedicamus Domino; En non diu! /Quant voi; Eius in
Oriente. De castitatis thalamo (conductus); Estampie] (werm 3:534; mil 342)
Rec.2: See no. 235 HSL 2071; HS 9038
100 Monumenta Italicae Musicae: Trouvferes & Laude. Carbi (m-sop); Monterosso (hpsi).
QAUFRE RUDEL, Can lo rieus; Lan can li jorn. MARCABRU. Dire vos vuelh ses duptansa.
BERNARD DE VENTADOUR. Can vei I'alauzeta mover. PEIROL. Mainta jen me mal
razona. VIDAL. Anc no mori; Be'm pac d'ivern. RAIMBAUT DE VAQUEIRAS. Kalenda
maya. JACOPONE DA TODI, Troppo perde'l tempo. GARZO. Altissima luce. ANON.
(laude): Sia laudata San Francesco; Salve, salve, Virgo pia; San Domenico beato;
Spiritu Sancto] (werm 3:543) 10" A 0073R
101 Music from the Middle Ages to the Renaissance. M. Rollin Ensemble
[MACHAUT, Rondeau. OKEGHEM. Les desleaulx. DUFAY. Ce moys de May; La Belle
se siet. TROMBONCINO. Come harb donque ardire. CARMEN. Der Ratten Schwanz.
ANON. (13th c): Agniaus dous; Bale Doette; Chanson d'amour; Sovent me fait souspirer;
Danse anglaise. (15th c): Saltarello. (16th c): Pavane. ] (werm 3:544)
10" Lon Int W91116
Music of the Gothic Period and Early Renaissance. See no. 255
102 Music of the Medieval Court and Countryside. New York Pro Musica; Greenberg, dir.
. I j [LEONINUS. Viderunt. DUFAY. Hostis Herodes; Vergine bella; Ave Regina. SMERT.
i ' Nowell, nowell. ANON. There is no rose; Riu, riu; Dadme albricias; Te Deum (carol).
RIVAFLECHA. Salve Regina. Dances from Attaignant collection, etc. ] DL 9400
103 Music of the Middle Ages. Krefeld Collegium Musicum; Haas, dir.
[WOLKENSTEIN. Der Mai mit lieber zal. NEIDHARDT VON REUENTHAL. Mei hat
. , , ~ wunniklich; Der Mei hat mennik herze; So schonen wir den Anger. WITZLAW VON
i^' RUGEN. We ich han gedacht; Loybere risen. WALTHER VON DER VOGELWEIDE. Nu
alerst leb. RAIMBAUT DE VAQUEIRAS. Kalenda maya. BERNARD DE VENTADORN.
Lancan vei la folha. ADAM DE LA HALLE. Dieu soit en cheste maison. ANON.
Chevalier mult estes guariz; Lamento de Tristano; Spielmannstanz;
10
Estampie; Saltarello] (werm 3:544, mil 331, r.r. 408) Bam LD-08; PL 8110;
Lyr 85
«««««««
MUSIC OF THE MIDDLE AGES:
104 v.l: Troubadour and Trouvere Songs. Oberlin (c-tnr); Barab (viol)
[GIRAUT DE BORNEIL. Reis glorios. GUIRAUT RIQUIER. Pies de tristor. ARNAUT DANIEL.
Chanson do. BERNARD DE VENTADOUR. Can vei la lauzeta. GAUTIER D'EPINAL.
Commencemens de dolce saison. GACE BRULE. Cil qui d'amor. ] EA 0012
105 V.2: The Twelfth Century. Oberlin (c-tnr); Dressier, Perry (tnr); Barab (viol).
[LEONINUS. Viderunt omnes; AUeluya, epulemur; Propter veritatem; Gaude Maria.
PEROTINUS. Alleluya, nativitas; Sederunt principes] EA 0021
106 v. 3: The Thirteenth Century. Oberlin (c-tnr); ladone (lute)
[ALFONSO EL SABIO. Las cantigas de Santa Maria (11 selections)] EA 0023
107 V.4; English Polyphony of the Xlllth & Early XI Vth Centuries. Oberlin (c-tnr); Bressler,
Perry (tnr); Barab, Blackman (viol)
[ANON. Verbum patris humanatur; Opem nobis/Salve Thoma/Pastor cesus; o nobilis/O
mira/O decus/Apparuit; Worldes blisce/Benedicamus Domino; Deus tuorum militum/De
flore martyrum/Ave rex gentis; Jesu Cristes milde moder; Fowles in the frith; Edi beo
thu hevene queue; Puellare gremium/Purissima virgo; Ada finit perpete/Ade finit misere/
A definement; Civitas nusquam conditur/Cibus esurientum/Tu es celestis curie; Beata
viscera; Thomas gemma cantuarie/Thomas cesus in doviria.] EA 0024
108 v. 5: English Medieval Songs. Oberlin (c-tnr); Barab (viol)
jJB'^ '5 [St. Godric songs. ANON. Worldes blis; Man mei longe; Bryd one brere; Stond wel,
moder] EA0029
109 V.6: XlVth and Early XVth Century English Polyphony. Oberlin (c-tnr); Bressler (tnr);
Myers (bar); Wolfe (organ)
[COOKE. Stella coeli; Alma proles regia/Christe miles inclite/Ab inimicis. DAMETT.
Salve Virgo; Beata Dei genetrix; Salvatoris Mater/Sancte Georgi/Benedictus. POWER.
Ave Regina. STURGEON. Salve Mater/Salve templum/(N)it in nomine Domini.
ANONo 14th c. settings of the ordinary] EA 0031
«««««««
110 Music of the 12th and 13th Centuries. Brussels Pro Musica Antiqua; Cape, dir.
[LEONINUS. Deumtime. ALFONSO EL SABIO. Beneyto foi. PEROTINUS, Deus misertus;
Virgo. NEIDHART VON REUENTHAL. Mayenzeit. BERNART DE VENTADORN. Can vei
>, la lauzeta. MONIOT D'ARRAS, Ce fut en mai. ADAM DE LA HALLE. Amours et ma
' ' dame; Li dous regard. ANON. In saeculum'artifex; Alleluia psallet haec familia; Ave
verum; A la clarte; Bele doette; En Mai la rousee; In saeculum viellatoris; Entre copin
et bourgeois; Stantipes; Estampie; Benedicamus Domine] (mil 355, r.r. 345)
EMS 201
p.'!'' Musica corale Bizantina del XIII e XIV secolo. Schola Mellurgica Badia Grottaferrata;
Tardo, dir. LPC 50133
Musikkunde in Beispielen. See no. 264
Musique chorale du 13e au 16e siecle. See no. 265
Musique du Moyen Age et Debut Renaissance. See no. 258
^112 La Musique et la Poesie franijaise. RoUin (sop); Tessier (tnr); Demigny (bar); Rollin Trio & Cho.
[BERNARD DE VENTADORN. La douza votz. THIBAUT DE NAVARRE. En chantant veuil.
G. FAIDIT. Planh sur la mort de Richard Coeur de Lion. FROISSART. Mon coeur s'ebat.
ESCUREL. A vous, douce debonnaire. MACHAUT. Je suis aussi (instr). BINCHOIS. De
plus en plus (instr). CHARLES D'ORLEANS. Dieu qu'il la fait bon regarder. VERGER.
Puis 9a, puis la. LASSUS. Qui dort icy?. SERMISY. Secourez-moi. RONSARD. Marie,
levez-vous. JANNEQUIN. Petite nymphe folatre; Laissez cela. MAUDUIT. Vous me
tuez si doucement. ANON, Quand je vois I'hiver; Mort, j'appelle. (instr.): Estampie;
11
W'43
Conductus; Hoquet; Motet; Fantasia (lute); Languir m'y faut (lute). Etc.] (werm 3:545)
CND 9
113 Musique rituelle k travers temps et pays. Karine (m-contr); Caron, Boyer, & others.
[ANON. (Fr, med.): Stirps Jesse; Motet. (Sp. med.): Cant de la Verge; Maravillosos et
piadosos. Also traditional Hebraic, Greek, Syrian, Armenian, Inca, Scotch, African,
Indian, Arabic, and Brazilian negro] (disques 83:871) 10"FLD88
114 Notre-Dame de Paris au Xllle siecle. Voice, trombones, organ, (adv)
10" SXOL' 20501 Stereo
115 Pastourelles et Bergerettes. Ensemble M. Rollin.
[ADAM DE LA HALLE. Robin m'aime. ANON (13th c): Hier matin jouer m'en allait;
Pastourelle de Gilbert de Berneville; L'autre jour me chevauchoie; Pastourelle de CoUn
Muset; Hier matin chevauchoie; Bele Aelis; Par un matinet. (15th c): Pastourelle en
un vergier; de Pierre Fontaine; Ne I'oserai-je dire; Loseraie dire (Petrucci): Vostre
bargeronette; etc.] (disques 91:787) 10" Fr Dec 123739
116 Petit concert of French Vocal Music from 12th-20th Century. N. Boulanger Instrumental
Ensemble and soloists.
[CONSILIUM. L'autre jour. COSTELEY. Las je n'irai plus. SERMISY. Amours partez.
DE LA GROTTE. Quand ce beau printemps. ANON. S'on me regarde (12th c); A pris ai
qu'en chantant (13th c); Le lay des amants. Etc.] (mil 302, r.r. 407) PL 6380
The Play of Daniel. New York Pro Musica; Greenberg dir.
[Concludes with Gregorian Te Deum] Dec 9402; 79402
Polyphonic sacree en France (Xlth to XXth Century). Dijon Cathedral Choir and Instrumental
Ensemble; Samson, dir.
[COMPERE. Royne du ciel. FEVIN. Mass "Mente tota" (Agnus). LE JEUNE. Psalm 35.
A-i. RUDEL. Amor de lonh. ANON, (13th c): Iste confessor; Propheties de la Sibylle;
,N '■~3 Haec est clara dies; Concordi laetitia; Rex virginum; Gaude, felix Francia, Etc.]
(werm 3:546) SM 33-05
119 Les primitifs francais de Philippe -Auguste a Philippe -le -Bel. Ensemble Instrumental et Vocal
Blanchard
[PEROTINUS. Alleluia viderunt. GAUTIER DE CHATILLON. Ver pacis aperit. ADAM DE
LA HALLE. Fines Amourettes. PIERRE DE LA CROIX. S 'amours eust point de poer/Au
renouveler du joli tans. ANON. Gaude felix Francia (attr. Perotinus); Beata nobis
gaudia; Deus in adjutorium; Benedicamus Domino; AUe psallite; Alleluia psallat; A
la clarte; Face de moi; Quant je parti; Hier main toz; Amor vincens; 2 hoquets; Roman
de Fauvel (4 excerpts); Joliement en douce desiree/Quand voi la florette/Je suis
joliette; Se je chante/Bien doi amer] Due 320 C 107
Recorder Music of Six Centuries. See no. 282
120 Seven Centuries of Sacred Music. Tinayre (tnr).
v.l: [LEONINUS. Deum time; Haec dies. PEROTIN. Beata viscera. PAUMANN.
Allmachtiger Gott. DUFAY. Alma redemptoris Mater; Verginebella. ATTEY. Sweet
was the song. BENET. Pleni sunt coeli. DELLA TORRE. Adoramos te, Senor.
GOMBERT. In Festis B.V.M. SCHUTZ. Herr, unser Herrscher. ANON. (13th c):
Agniaus douz; Ave, gloriosa Mater; Ille (melisma). (14th c): Sancto Lorenzo; Ave
Mater]
v. 2: [GOMBERT. Confitemini Domino, (rest of contents Baroque & Classic)] (werm
3:548, r.r. 338) 2-12" DX-120
«««««««
STORIA DELLA MUSICA ITALIANA (ed. Valabrega).
121 v.l: Dal Canto Gregoriano a Carissimi. Various performing groups.
[Record 1: Canto Gregoriano. Ecce ancilla Domini; Nunc Sancte nobis Spiritus; Constitues
cos principes; Veni Sancte Spiritus (sequence); Emitte Spiritum tuum (alleluja). Canto
Ambrosiano. Asperges me (antiphon); Gaudeamus (antiphon); Quod tu illuminas;
12
Te laudamus; Venite, exultemus (alleluja). Lauda a Dialogo (sec, XIII). O Cristo
omnipotente; Annunciazione, Nativita, Passione e Resurrezione di Cristo. ]
122 [Record 2: Ars Nova: JACOBUS DE BONANIA. Non al so amante (madrigal). GIOVANNI
DA CASCIA. lo son un pellagrin (ballata); GHIRARDELLUS DE FLORENTIA. Tosto che
I'alba (caccia), LANDINI. Amor c'al tuo suggetto (ballata); El mio dolce sospir
(madrigal). TROMBONCINO. Se ben or . . .(frottola), MARCHETTO CARA. Forsi che
si, forsi che no (frottola). DONATI. Chi la gagliarda (villanesca); Viva sempre in
ogni etate (villanesca). STEFANO FELIS. Scacchier e diventato lo mio core
(villanella), ANTIQUIS. Madonna non so far tante parole (villanella). FANELLO.
Ardo per voi Madonna (villanella). A. GABRIELI. Forestier inamorao. PALESTRINA.
Ahi, che quest'occhi miei; Da cosi dotta man sei stato fatto (canzonets). VECCHI.
S'udia un pastor I'altr'ieri; Felici e liete spiagge (canzonets); Buon di e buon anno.
ANON. O vaghe montanine pastorelle (villotta); Da I'orto se ne vien la villanella
(villotta); Un cavalier di Spagna (villotta). ] For remainder of contents see nos. 304-
305. 10-12" RCA Vic LM 40 000
123 Trouv^res, troubadours et gregorien; Chanterelle Lanza del Vasto; Tessier (tnr); Clary (lute).
/ [MARCABRU. Pax in nomine. ANON. Chanson de mai. Also G. de Bornelh, Ventadour,
J, Rudel, Le Viniers, G, Riquiers] (disques 106:167) 10" SM 33-48
13
RENAISSANCE
-124 Adolescence Clementine, ou des vers de Maitre Clement Marot. Tessier (tnr). Clary (lute).
Ensemble Vocal Blanchard.
[CONSEIL. Si de nouveau. COSTELEY. Toutes les nuits. CREQUILLON. Je suis aime;
Plaisir n'est plus. DULOT. Longtemps y a. JANEQUIN. O cruaute. LA'SSUS.
Secourez-moy; Pour courir en poste; Un chien petit. SERMISY. Tant que vivray;
D'ou vient cela; Changeons propos; Secourez-moy (lute). SANDRIN. Puisque de vous.
ANON. 2 branles (lute)] (len Spr 59) 10" DTF 270C115
. 125 Airs a boire. Doniat (bar), Vessieres (bass), Rollin (lute), (with Poemes sur le vin, spoken)
[DUFAY. Adieu ces bon vins. CLEMENT. Venes mes serfs. ANON. (Bayeu^c ms, 15th c):
Gentile gallans; Bevons ma com^re; Bon vin je ne te puis laisser. (13th c): Chanson
bachique on Letabundus. Etc.] (warm 3:535) 10" Bam LD 019
-126 Altenglische Lautenlieder, I. Pears (tnr). Bream (lute).
[DOWLAND. I saw my lady weep; Awake, sweet love. MORLEY. It was a lover; Come
sorrow, come] (biel N 59) 7" 45rpm AWD 8519
^ 127 Anthologie de la musique chorale allemande: Les maitres de la Renaissance. Radio-Berlin
Chorus; Koch, dir.
[ISAAC. Innsbruck, ich muss dich lassen. LEMUN. Der Gutzgauch. SCANDELLUS. Ein
Hennlein weiss. HASSLER. Jungfrau, dein schon Gestalt. FINK. Ach herzig's Herz.
SCHEIN. Ihr BrUder. LASSUS. Audite nova. ANON. Ich sag' ade] (disques juil 57)
10" CdM LDZ-A 8199
«««««««
ANTHOLOGIE SONORE:
128 v. 1, rec.4: The 15th Century. Mainly by Pro Musica Antiqua; Cape, dir, and Les
Paraphonistes de St. -Jean des Matines.
[ISAAC. H61as. OCKEGHEM. Ma maitresse. OBRECHT. Mass "Maria zart" (Qui propter,
Et incarnatus); Tsat een meskin. COMPERE. Crucifige. LANTINS. Puisque je voy.
/U.4S' ^ BINCHOIS. De plus en plus. GROSSIN DE PARIS. Vat-t'ent, souspier. BRASART. O flos
flagrans. LA RUE. Autant en emporte le vent. ANON. Parce, Domine; Gloria a 4; Le
point agu. (Frottole): Dal letto me levava; Rusticus; Rende I'arme. (Laude): Sancta
Maria; Anima Christi; Poiche] HS-AS 4
129 v. 1, rec,5: Josquin des Pres and Other Composers of the Late 15th and Early 16th Centuries.
Les Paraphonistes de St. -Jean des Matines; unspecified instrumental ensemble; Netherlands
Vocal Quartet; Raugel, dir.
[DEPRES. Mass "Hercules" (Kyrie); Miserere; Vive le roy; Se congie prens; Stabat Mater;
Scaramella. OBRECHT. Ic Weinsche alle vrouwen eere; Den Haghel ende. ISAAC.
l/n'^" t> Christus is opgestanden; Tmeiskin was jonck; Innsbruck ich muss dich lassen. SUSATO.
Int Midden von den meye. DELATRE. Al Hadden wy 45 bedden. WILLAERT. Un giorno
mi prego; Madonn'io non lo so; O bene mio. SWEELINCK. Rosette pour un peu
d'absense] HS-AS 5
130 V.2, reel: French Vocal Music of the 16th Century, (various performing groups)
[JANEQUIN. Le chant des oyseaux; Ce moys de may; Au joly jeu. COSTELEY. Mignonne;
Aliens, gay. GOUDIMEL. Ps. 25 (2 versions); Ps. 19. LE JEUNE. Ps. 42; Ps. 69.
MAUDUIT. Ps. 42; A la fonteine; Si d'une petite oeillade. GARNIER. Resveillez-moi.
(V'V\"3*^ V* GENTIAN. La loy d'honneur. SERMISY. En entrant en ung jardin. BERCHEM. Que feu
craintif; Jehan de Lagny. RENE. Gros Jehan menoit. DE LA GROTTE. Je suis amour.
CLEMENT. Aymer est ma vie. LASSUS. Mass "Le bergier" (Sanctus, Agnus); Omnia
tempus habent. ANON. II me suffit.] HS-AS 6
14
l^/\&-
131 V.2, rec.2: German Vocal Music of the 15th, 16th, and 17th Centuries. Basler Kammerchor;
Sacher, cond; & other groups.
[FINCK, Wach auf; Ach herzigs Herz. SENFb. Also heilig ist der tag; Kling klang; Es
Af A<y-~7 taget vor dem Walde. HASSLER. Wenn mein Standlein. PRAETORIUS. Beati omnes,
'^ '^ SCHUTZ. Selig sind die Toten; Ps. 40, 51. 111. KRIEGER. Cantata. ANON. Ich sach
eins mals; Der wallt hat sich entlawbet] HS-AS 7
132 v.2, rec.3: The Italian Madrigal at the End of the Renaissance. "Luca Marenzio" Ensemble,
Saraceni, dir.
[BANCHIERI. II festino della sera del Giovedi Grasso. AGAZZARI. Dimmi donna gentile.
-/^C,^<^ GIAN DOMENICO. Tri ciechi siamo. MARINI. O luci belle. MARENZIO. Scendi dal
paradiso Venere; Ahi dispietata morte; A Roma. MONTEVERDI. S'andasse amor;
Vattene pur crudel] HS-AS 8
133 v.2, rec.4: Italian Vocal Music of the 16th and 17th Centuries. Meili (tnr), and others.
[PALESTRINA, O crux ave; La cruda mia nemica. GESUALDO. Moro lasso. MANZOLI.
A/,'^ S' 7 Quando tu mi guardi; Se vedeste le piaghe. FRESCOBALDI. Voi partite mio solo.
Also Miniscalchi, Busca, Steffani, Monteverdi] HS-AS 9
134 v.2, rec.5: 16th Century Vocal Music of Russia, Poland, Spain, and England. "Motet et
Madrigal" Chorale; Opienski, dir; various soloists.
[SZAMOTULSKI. Juz sye zymerka. GOMOLKA. Ps. 77. ZIELENSKI. In monte Oliveti;
Per signum crucis. MILAN. Durandarte. FUENLLANA. Paseabase el Rey moro.
VASQUEZ. Vos me matasteis. PISADOR. A las armas moriscote. TAVERNER. Quemad-
modum (instr); Magnificat. MORLEY. Since my tears, JONES. Farewell deare love.
DOWLAND. Go crystal tears. Russian liturgical chants] HS-AS 10
135 v. 3, reel: Organ Music of the 16th and 17th Centuries. Bonnet, Dupre, Marchal (org)
[CABEZON. Diferencias sobre el Canto del Caballero. TOMAS DE SANCTA MARIA.
Clausula de Octavo Tono. G. GABRIELI. Ricercar for 4 voices in the 10th mode.
FRESCOBALDI. Toccata for the elevation. SWEEUNCK. O Mensch, bewein; Mein
junges Leben. SCHEIDT. Credo. Also Cabanilles, Couperin, Grigny, Pachelbel]
HS-AS 11
136 V.3, rec.2: Brass and Orchestral Music of the 16th and 17th Centuries. Various performing
groups.
[G. GABRIELI. Sonata plan e forte; Canzona a sei. M. FRANCK. Pavana-Tantz-Intrada.
SCHEIN. 14th suite from Banchetto Musicale. Also Pezel, Rosenmuller, J. K.F.
Fischer] HS-AS 12
137 v.3, rec. 3: 16th and 17th Century Chamber Music. Various performers.
[BYRD. The bells. FARNABY. The new sa-hoq; A toye. PEERESON. The fall of the leafe.
jQ^ ORTIZ. Ricercada. MILAN. 3 pavanes for vihuela, BESARD. 4 lute pieces. ANON.
"^ Danceries francaises of the 16th c. Also Purcell, Dall'Abaco, Corbett, de Visee]
HS-AS 13
-138 • V.8, reel: Les vingt-quatre violons du roy. String orchestra; Raugel, dir.
[CAROUBEL. Bransles. PRAETORIUS. Gaillarde, LAZARIN. Allemande. L. ROSSI. Les
pleurs d'Orphee. PRAETORIUS. Courante-Sarabande; Passepieds de Bretaigne. Also
De la Voys, Dumanoir, De la Haye, Mazuel, Bruslard, Anon. 17th c] HS-AS 36
139 V. 9, reel: French Masters of the Renaissance. Chanteurs Traditionnels de Paris; M.
Honegger, dir.
[BERTRAND. Je meurs, hllas; Vivons, mignarde; Beaute qui, sans pareille; Hola, Caron;
Certes mon oeil. COSTELEY. La prise du Havre. GOUDIMEL. Ps. 1; Ps. 65; Ps. 130;
Ps. 68. LEJEUNE. Te Deum] HS-AS 41
A/AV
«««««««
140 Anthology of Guitar Music, 16th Century. Byrd (guit)
. [VALDERRABANO. 2 sonatas; Diferencias sobre Guardance las vacas. MILAN. 2 pavanes;
N" '' O 3 fantasias. MUDARRA. Diferencias sobre el Conde Claros; Gallarda; Fantasia.
15
PISADOR. Pavane y villanesca. NARVAEZ. Diferencias sobre Guardance las vacas;
Cancion del Emperador; Baxa de contrapunta] (notes Mar 59) Wash 411
141 Anthology of Renaissance Music. Primavera Singers; Greenberg, dir.
[DUFAY. Kyrie. DEPRES. Tu solus; Ave Maria. LASSUS. Adoramus te; Salve Regina;
Resonet in laudibus. MORLEY„ Agnus Dei; Eheu, sustulerunt Dominum; Domine, fac
A' ' C* 0 mecum. VICTORIA. Ave Maria; O vos omnes. PALESTRINA. Assumpta est Maria.
BERCHEM. O Jesu Christe. MOUTON. Jocundare, Jerusalem. ] (mil 346) SPL 597
ANTOLOGIA SONORA DELLA MUSICA ITALIANA: (sant 6:5)
142 Antologia sonora della musica italiana, v. 4: La polifonia sacra nel Rinascimento. Coro
Polifonico Romano; Tosato, dir.
[Paleslrina; A. Gabrieli; G. Gabrieli; Monteverdi] Disques 115:123 notes another
issue, 10" Harmonia Mundi HMC 25106, and specifies the following contents:
PALESTRINA. Dies sanctificatus (motet); Mass "Dies sanctificatus" (Benedictus);
Improperia; Regina coeli; O bone Jesu. A. GABRIELI. Sacerdos et pontifex. G.
CROCEc Jube, Domine, benedicere. MONTEVERDI. Crucifixus. G. GABRIEU.
Beata es Virgo Maria. (Italian issue) 7" 33.3rpm MCA 28016
143 V.5: La polifonia profana nel Rinascimento. Madrigalisti Milanesi; Fait; dir.
[Despres, Pesenti, Caimo, Lassus, Palestrina, Marenzio, Gesualdo, Monteverdi]
7" 33,3rpm MCA 28009
144 V, 6: Musiche strumentale nel Rinascimento.
[Depres, Tromboncino, da Crema, Palestrina, Galilei, Morzanis, Bassano, etc.]
7" 33.3rpm MCA 28019
145 V. 7: L'arte organistica nel Rinascimento e nell'eta barocca. Esposito (org)
[Cavazzoni, A. Gabrieli, G. Gabrieli, Luzzaschi, Frescobaldi, Zipoli]
7" 33.3rpm MCA 28008
«««««««
ARCHIVE PRODUCTION: III. The Early Renaissance (1350-1500) .
146 Ser.A. (The Florentine Group). Madrigale e caccie from the Codex of Antonio Squarcialupi.
Brussels Pro Musica Antiqua; Cape, dir.
[LANDINO. Caro Signer; Nessun ponga speran(ja; Cosi pensoso; El mie dolce sospir; Gram
\'P ' Cl piant'agl'occhi. JACOPO DA BOLOGNA. Fenice fu. GIOV. DA CASCIA. Nascoso el
viso stava. SER GHERARDELLO. Tosto che I'alba]
Ser.D. (The Netherlanders to Okeghem). Rec. 1: DUFAY, 5 Sacred Songs.
[Vergine bella; In tempore passionis; Flos florum; In festo Pentecostes; Alma redemptoris
Mater] APM 14019; ARC 3003
147 Ser.B. (From Oswald von Wolkenstein to the Locheimer Liederbuch). Various performers.
[WOLKENSTEIN, (9 Lieder): Sag an, herzlieb; Wolauff gesell; Nu huss; Ave mater; Der
mai mit lieber zal; Gelflck und hail; Es fuegt sich; Ich klag ain engel; Stand auff
Maredel. ANON, (Lieder & Spielstiicke from Glogauer Liederbuch): (vocal): Christ,
der ist erstanden; Elzeleyn; Ich bynss erfrewt; Al fol. (instr); Probitate eminentem;
! O plasmator; Der phfawn schwantcz; Dy katzen phote] (Selections from Glogauer
Liederbuch also issued on AP 13030, with 2 additions: Du Lenze gut; Seh hin mein
Herz) APM 14512; ARC 3033
148 Ser.C. (John Dunstable and his Circle). Brussels Pro Musica Antiqua; Cape, dir.
[DUNSTABLE, (motets): Sancta Maria non est; Ave Regina; Sancta Dei Genitrix; Quam
, A /> n pulchra es; Speciosa facta es; O rosa bella (chanson)]
Ser.D, Rec.2: Brussels Pro Musica Antiqua; Cape, dir.
[OCKEGHEM. (chansons): Petite camusette; Ma bouche rit; Ma maistresse; Fors seulement;
L'autre d'antan] APM 14069; ARC 3052
16
k9'(il
ARCHIVE PRODUCTION: IV. The High Renaissance (16th Century)
I4d Ser. A. (The Netherlanders from Josquin des Prds). 9 Chansons from the "NotenbUcher der
Margarete von Osterreich. " Brussels. Pro Musica Antiqua; Cape, dir.
[LA RUE. Pourquoy non; Autant en emporte le.vent. BRUMEL. Vray Dieu. ISAAC.
Et qui la dira. ANON. Belle pour I'amour; Triste suis; Entree suis en pensee; II me
fait mal; Anima mea]
Ser.G (Dance Music) SUSATO. 16 Danserye. APM 14032; ARC 3071
150 Ser.C. (Evangelical Church Music). Kinderchor Bender.
[PRAETORIUS. (8 Geistliche Tricinien): Nun komm; Christ lag; Jesus Christus; Nun freut
T^JA 'f~ euch; Ich ruf zu dir; Ein feste Burg; Mit Fried und Freud; Wie schon leuchtet]
' 'I Ser.H. (The German Lied). Reel. 11 Weltliche ZwiegesSnge from Georg Rhaw's "Bicinia
/•^ , . ■ gallica. " Kinderchor Bender.
• ' [STAHL. Hildebrandslied. STOLTZER. Ich stund an einem morgen (instr). VOIT. FUr
I? jiyj f^p» all ich kr5n. ANON. Der mai tritt herein; Herzlich tut mich erfreuen; Erfreu sich
Q 4^^- alles; Ich hab heimlich ergeben; Appenzeller Kuhrelhen (instr); Frohlichen will ich
singen; Entlaubet ist der walde; Ach Elselein] APM 14003; ARC 3072
151 Ser.D. (Social Music in Italy). Rec. 1. Singgemeinschaft R. Lamy.
( » a ^. [MARENZIO. (madrigals): Vezzosi augelli; Ahi, dispietata morte; Zefiro torna; Ecco piu
p,^* ^g, che mai; Scaldav'il sol; O dolc'anima mia. GESAULDO. (madrigals): Luci serene;
*^^^ Ecco moriro dunque; lo tacer6; Dolcissima mia vita; Itene o miei sospiri; Moro lasso]
'K.iJA?!) '"S APM 14045; ARC 3073
•152 Ser.F. (Palestrina and his School). Aachener Domsingl<naben; Rehmann, dir.
. [PALESTRINA. Mass "Papae Marcelli" (L'homme arme); Improperia; Stabat Mater]
Nn?P ' " APM 14526; ARC 3074
153 Ser.H. (The German Lied). Rec. 2. Berliner Motettenchor.
[HASSLER. (10 Teutsche Gesang): Nun fanget an; Jungfrau, dein schon Gestalt; Feinslieb;
Das Herz tut mir aufspringen; Ich brinn und bin entziindt; Fahr hin, guts Liedelein; Ach
weh des Leiden; Tantzen und springen; Ihr Musici, frisch auf; Im kuhlen Maien.
LECHNER., (7 Teutsche Lieder): O Lieb, wie suss; Die Musik ist eine schone Kunst;
Die Musik g'schrieben auf Papier; Mit Tanzen und mit Springen; Gott b'hiite dich;
GrOn ist der Mai; Ein edler Jager] APM 14010; ARC 3075
154 Ser.D. Rec. 2. Brussels Pro Musica; Cape, dir.
ilAO T)"' [GASTOLDI. 12 balletti]
'* ■^ bar. I. (The French Chanson). Brussels Pro Musica; Cape, dir.
^ ' I P\ f^- 1)? ^ [JANNEQUIN. II estoit une fillette; Petite nymphe folastre; La guerre; Las! povre coeur; Le
chant des oyseaux; Ma peine n'est pas grande; Au joli jeux] APM 14042; ARC 3034
155 Ser.K. (Orlandus Lassus). Reel. Singgemeinschaft R. Lamy.
[LASSUS. (Neue teutsche Lieder): Audite nova; Hort zu ein news gedicht; Baur, was tragst
klA 0- T) ^ ™ Sacke; Die Fasznacht; Ist keiner hie; Der wein der schmeckt; Im lant zu
'^ ' Wirtenberg; Im Mayen; Tritt auff den rigel; Ein meidlein zu dem brunnen gieng.
(chansons): Je I'ayme bien; Un doux nenny; Helas, quel jour; Le tems passe; En
espoir vis; Or sus, filles; Scais-tu dire I'Ave. (madrigals): Un dubbio verno; Hor vi
riconfortate. (villanelle): S'io ti vedess' una sol; lo ti vorria contar; Matona mia
cara; O \\, o che bon eccho] APM 14055; ARC 3076
156 Ser.K. Rec. 2. Aachener Domchor, Aachener Dom-Singknaben; Rehmann, dir.
[LASSUS. Mass "Puisque j'ai perdu." (motets): Tristis est anima mea; Justorum animae;
Venite ad me; Miserere mei, Domine; Domine convertere; Improperium exspectavit;
Super flumina; Tui sunt coeli] APM 14071; ARC 3077
157 Ser.L. (The Spanish Masters). Michaelis (tnr), Gerwig (lute), Guilleaumei(sop);
Wenzinger (via da gamba), Mliller (hpsi)
*] A-p-Tj^l [MILAN. (Musica de vihuela de mano): Durandarte; Amor che nel mio pensier; Sospirastes
baldovinos; Fantasias; Pavanes. ORTIZ. (Musica de violones): O felici occhi;
Doulce memoire; Recercadas; etc.] APM 14075; ARC 3078
17
J)-^
158 Ser.M, (The Elizabethan Age). Reel. Deller Consort.
_ [GIBBONS, (anthems): O Lord, I lift my heart; Thus angels sung; Almighty and everlasting
jV' i/ I '^ God; Oh my love; O lord increase my faith; This is the record of John. 2 fantasias.
kILO- /V l7\ (madrigals): What is our life; The silver swan; The cries of London. Fantasias]
''''"■ ■^' ' APM 14056; ARC 3053
l/if-^
159 Ser.M. Rec.2. Soames (tnr); Gerwig (lute)
[CAMPION. My sweetest Lesbia; Though you are young; I care not for these ladies; Follow
thy fair sun; My love hath vowed; When to her lute Corinna; Turn back, you wanton
flyer; It fell on a summer's day; Follow your saint. MORLEY. It was a lover; Mistress
mine; Can I forget; Fair in a morn. DOWLAND. I saw my lady ](ieep; Flow my tears]
APM 14501; ARC 3004
«««««««
160 Ave Maria. Bonaventura Choir
[Arcadelt, Victoria, Greg, chant, etc.] (Sch Aug 59) WLSM 4
161 Chansons and Motets. Harvard Glee Club, Radcliffe Choral Society; Woodworth, cond.
[LASSUS. Mon coeur se recommande a vous; Bonjour, mon coeur. ARCADELT. Nous
voyons que les hommes. REGNARD. Petite nymfe folatre. PALESTRINA, Mass "O
admirabile commercium" (Benedictus) Etc.] (r.r. 302) 10" CRS 202
162 Chansons de France (XVIth & XVIIth Centuries). Pifteau (m-sop), Verger (pf).
[ANON. Les anneaux de Marianson; lis sont bien pelez; Suis-je belle?; La jeune
religieuse] (werm 3:536) Bam LD 010
163 Chansons polyphoniques fran9aises. Choeur d'Enfants de la Maitrise R. T.F. , Besson, cond.
[Sermisy, Godard, Lassus, Costeley, Passereau, Depres] (disques juill 57)
7" 45rpm ED 82
164 Chanteurs de St. -Eustache; Martin, cond.
[DEPRES. Miserere. MANCHICHOURT. Mass "Quo abiit dilectus. " ANON. Emendemus
(16th c. motet)] (disques 83:801) Bam LDE 022
165 Chants d'Espagnes sacres et profanes. Concert Chorale Saint -Jordi (Barcelona); Martorell, cond.
[ENCINA. A quiem debo; Que es de ti des consolado; Ay triste. GUERRERO. Si tu penas.
PUJOL. Gloria patri. ROBLEDO. Hoc corpus. VICTORIA. Tantum ergo; Ave Maria;
O magnum mysteriurh. RIMONTE. Madre, la mi madre. BRUDIEU. Cid, old. ANON.
Por la puente juana. ROMERO. Entre dos mansos. ] (disques 90:628)
CID 263617; DL 9837
166 Children's Songs of Shakespeare's Time. New York Pro Musica; Greenberg, cond.
[JONES. An archer great. RAVENSCROFT. It was a frog; There were three ravens; Willie
prithee go to bed. HILTON. Come let us all a-maying go (round). MORLEY. About
the Maypole new; Now is the month of maying; recorder duet. BYRD. Hey ho to the
greenwood (round). BARTLETT. Whither runneth my sweetheart. PILKINGTON. The
messenger of the delightful spring; Rest, sweet nymphs. PEERSON. Now robin laugh.
CAMPIAN. Jack and Joan. BULL. Dr. Bull's my selfe (virg); Duke of Brunswick's toye.
FARNABY. A dream (virg). ANON. 4 rounds. Also Purcell] (mil 347) CPT 540
167 Choral Masterpieces of the Renaissance. Nonesuch Singers, French Circle Choir, Open
Score Society
[DEPRES. Ave Maria; Ave verum. VICTORIA. Jesu dulcis memoria; Gaudent in coelis.
SERMISY. Vive la serpe; Au joli bois. JANNEQUIN. La plus belle de la ville.
COSTELEY. Mignonne, aliens voir. BYRD. Ave verum. FARRANT. Hide not Thou
Thy face; Call to remembrance. GIBBONS. Magnificat; Nunc dimittis (short service).
REDFORD. Rejoice in the Lord. PASSEREAU. II est bel et bon] (Mil 306, r.r. 374)
SPLP 535
168 Choral Music from the Lowlands; 15th and 16 Centuries. Netherlands Chamber Choir; de
Nobel, cond.
[OCKEGHEM. Mass "Sine nomine" (Kyrie & Gloria). OBRECHT. Parce Domine. DEPRES.
18
Ave Maria. SCHUYT. O Leyda gratiosa. SWEELICK, Madonna con quest'occhi.
TOLLIUS, Delia veloce sona. LASSUS. Matona mia cara] (verso: Palestrina) (Side 1
same as no. 291, with additions) (mil 346) (Side 1 also on 2 - 10" Phil 402 141 NE
and 402 142 NE) LC 3045
169 Choral Music of France. Pro Musica Choral Society; Calder, cond.
[LASSUS. Qui s'y frotte. MOUTON. Ave Maria. DEPRES. Cueurs desolez. JANEQUIN.
Au joli jeu. Also Debussy, Ravel, Coupeiin.] (r.r. 298) 10" AL 17
170 Choral Music of the 13th to 16th Centuries. Quartetto Polifonico
[PALESTRINA. Impropeaa ei hymnus. VICTORIA, O vos omnes; Tenebrae lactae sunt.
ANON. (Laude): De la crudel morte; Alleluja; Dimmi dolce Maria; Giu per la mala
via; O cor soave. CHANT. Ave de coelis; Hodie Christus; Magnificat; Good Friday
, Mass] (phonolog) Lon 5359
1,71 Choral Songs (c. 1600). Berlin Motet Choir; Arndt, cond.
[FRIDERICI. Wir lieben sehr im Herzen. ZANGIUS. Der Kolner Marl<t. DEMANTIUS.
MSgdlein, woUt ihr nicht. WIDMANN. Schneiderlied. ANON. Ich sag ade;
Presulem sanctissimum] (werm 3:537) 7" 45rpm Pol 37006
172 Christmas Music. Renaissance Singers; Campbell, cond.
[CAUSTUN. Rejoice in the Lord. GIBBONS, The record of John. PALESTRINA. Dies
sanctificatus. HANDL. Resonet in laudibus. BYRD. An earthly tree. VICTORIA,
O quam gloriosam. DUFAY, Salvete floras. SWEELINCK. Hodie Christus. Plainsong,
anon, etc.] (gram D 59) RG 148
1,73 Columbia Teachers College Choir; Wilson, cond.
[CORSI, Adoramus te. HASSLER, Agnus Dei. HANDL. Resonet in laudibus. FARRANT.
Call to remembrance. LEISRING. Let all ye sons and daughters. HASSLER. Dancing
and springing. VAUTER. Mother, I will have a husband. GIBBONS. The silver swan.
PASSEREAU, He is good and handsome. DOWLAND. Sweet love doth now invite.
y PITONI. Cantate Domino] (adv) CS 7002
LtC Courtly Music of the XVIth Century. Harvard and Radcliffe Music Clubs Chorus
[LASSUS, Ich waiss mirein Meidlein. JANNEQUIN, Au joly bois. WERT. Un jour je
m'en allai. DEPRES. Mille regretz. CERTON. Je ne I'ose dire. REGNART. Plus qu'il
vous plait. GOMBERT, En aultre avoir. JACOTIN. Je suis desheritee. SERMISY.
Aupres de vous. ISAAC, Vergangen ist mir GlUck] (werm 2:258, r.r. 297)
10" Acad 308
175 The Cries of London. Deller Consort, Ambrosian Singers, London Chamber Players.
[COBB. These are the cryes of London. RAVENSCROFT. New oysters; Bellman's song;
\^ /ig Painter's song; Brooms for old shoes. DERING. The cries of London; Country cries.
SAVAGE. Muffins ho. WEELKES. The cries of London. Anon. , etc. ] BG 563
1,76' Danceries de la Renaissance. Groupe des Instrument Anciens, Paris; Cotte, cond.
[Gervaise, Du Tertre, Arbeau, and Anon, from Attaignant collection] (werm 3:537)
7" 45rpm ED 42
177 Dances of Shakespeare's Time. Boyd Neel String Orchestra; Dart, cond.
[DOWLAND. Pavan. SIMPSON. Ricercar; Alman. PHILIPS. Passamezzo pavan.
^1 ^;, « HOLBORNE, The funerals; Galliard "The honeysuckle"; Hey-ho holiday. FARRANT,
^' *"*• 4-note pavan. JOHNSON. The temporise:; The witty wanton. ADSON. Ayre. BRADE.
Galliard; Alman, Coranto. FERRABOSCO II. 4-note pavan. ] (gram Jun 57)
OL 50127
17^ Danseries et Fanfares de la Renaissance. Concert de I'Ensemble P. Devevey.
[28 allemandes, pavanes, bransles, etc. 16 by Gervaise] (disques 83:803) MC 20128
y Darlington Seminary Choir. See no. 17.
1-7^ Dix motets de la Renaissance. Petits Chanteurs de St. -Laurent; Zurfluh, dir.
[NANINI. Diffusa est gratia. BRUMEL. Sicut lilium. BOUZIGNAC. Ave Maria. FEVIN.
Descende in hortum meum. AICHINGER. Assumpta est Maria. PALESTRINA. Sicut
19
cervus; Exultate Deo. DEPRES, Ave verum. VICTORIA. Tantum ergo. LOTTI.
Crucifixus] (disques 111:545) 10" EFM 42052
180 Douze Chansons de la Renaissance. Ensemble Vocal Caillard.
[DEPRES. Mille regrets. SERMISY. Au joli bois. JANEQUIN. Plut a Dieu; Chant de
I'alouette. ARCADELT. Margot laboures les vignes. BERTRAND. Ce ris plus doux.
COSTELEY. Quand le berger. LASSUS. Serenade du Lansquenet; Un jeune moine;
Le rossignol. PASSEREAU. II est bel et bon. MAUDUIT. Void le vert et beau mai)
(disques 90:683) 10" EFM 42021
181 Dowland and his Contemporaries. Fuller (bar); Azpiazu (lute & guit)
[ATTEY. On a time; Sweet was the song; (instr): Greensleeves; Mrs. Vauxes gigge; My
Lady Hundson's puffe. BARTLETT. What thing is love? DOWLAND. Flow not so fast;
Sweet, stay awhile; Fine knacks for ladies; Come away, (instr): Forlorne hope; Heartes
ease; Queen Elizabeth's galliard; Orlando sleepeth; An unnamed piece; Dowland 's
adew; Melancholy galliard. JONES. Go to bed, sweet muse. ROSSETER. When Laura
smiles. ANON. Have you seen but a white lily] (notes Mar 55) EMS 11
182 nresdner Kreuzchor; Mauersberger, dir.
[HASSLER. Cantate Domino. CALLUS. Zwei der Seraphim; Pater noster. SWEELINCK.
Venite] (biel N 59) 7" 45rpm DGA 37179 EPA
183 Dutch Folk Songs. Netherlands Chamber Choir; de Nobel, cond.
[DASCANIO. 1) II grillo. DUFAY. In festis Beatae Mariae Virginis. OBRECHT. La
Tortorella. VALEWUS. Al woud' ick; Geen dingen; Geluckig is het land; Heere, keere
van ons af; Merck toch hoe sterck; O Heer, die daer des hemels; Die vast'lijck; Waer
dat men sich al keerd; Wilt heden nu treden. ANON. Dutch folk songs] (notes Jun 57)
LC 3263
184 Early English Keyboard Music. Dart (hpsi), Donington (gamba), Goble (hpsi), Jones (org)
[BYRD. Carman's whistle; Earl of Salisbury's Pavan and Galliard; Pavan and galliarda
Bray; Preludium. BULL. Walsingham variations; Queen Elizabeth's pavan; King's
Hunt. PHILIPS. Pavana dolorosa; Galliarda dolorosa. TOMKINS, Pavan. GIBBONS.
2 fantasies; Lord Salisbury's Pavan and Galliard. FARNABY. Woodycock. ANON.
The lord's masque; The new noddy] (werm 2:258, r.r. 359) LL 712/13
185 Echoes from a 16th Century Cathedral. Roger Wagner Chorale.
; • [HASSLER. Missa secunda; Cantate Domino; Dixit Maria. DEPRES. Ave vera virginitas.
/ [' NANINI. Diffusa est gratia. PALESTRINA. Alma redemptoris mater; Missa brevis
(Agnus); Super flumin a. SWEELINCK, Hodie Christus natus est. VIADANA, Exultate justi.
VICTORIA. Ave Maria; Vere languores] (sch Apr 59) P 8460; SP 8460
186 Ecole anglaise de clavecin. Gerlin (hpsi).
' [BYRD. 4 pieces. PHILIPS. Gallarda dolorosa. FARNABY. 3 pieces. BULL. 3 pieces.
PEARSON. Fall of the leaves. Etc.] (disques 58) 10" LD 2-411
187 Elizabethan and Jacobean Music. Deller (c-tnr), Dupre (lute), Leonhardt (hpsi). Consort of
Viols,
[v/ 9 / [DOWLAND. Can she excuse; If my complaints; From the silent night; My Lady Hunsdon's
r'6o Puffe (lute). MORLEY. Air (viols). BARTLETT. Of all the birds. JOHNSON. Alman
(hpsi). JENKINS. Pavane and Fancy (viols). CAMPIAN. I care not for these ladies.
PARSONS. Pandolpho. FARNABY. Up tails all (var. . hpsi)] BG 539
188 Elizabethan Keyboard Music. Koenig (hpsi)
[MORLEY, Fantasia. PEARSON. The primerose; Fall of the leafe. JOHNSON-FARNABY.
Pavana. FARNABY. Fayne would I wedd. BULL. In nomine; Pavana; Galiarda.
ANON. A toy; Corranto] (r. r. 345) EMS 236
1) i.e. Josquin Depres
20
k/'^
N'\^
189 Elizabethan Love Songs and Harpsichord Pieces. Cuenod (tnr), Chiasson (hpsi)
[ROSSETER, When Laura smiles. JONES. Go to bed, sweet muse; Sweet Kate. PILKING-
TON. Underneath a cypress tree. DOWLAND. Weep you no more; Sorrow, sorrow, stay;
Now, O now, I needs must part; Away with these self-loving lads. ANON. Drink to me
only; Have you seen but a white lily. Why dost thou turn away (Earle's ms). (Hpsi):
BULL. Galiarda. JOHNSON. Alman, GIBBONS. Lord of Salisbury Pavan. R. FARNABY.
Fayne would 1 wed. PEERSON. Fall of the leafe; The primerose. G. FARNABY. Tower
Hill; His dreame. ANON. The King's morisco; A toye] (werm 3:538; mil 309, r.r.
363) Lyr 37
190 Elizabethan Lute Songs. Pears (tnr). Bream (lute)
' [FORD. Fair sweet, cruel. MORLEY, Come, sorrow, come; It was a lover; Mistress mine,
well may you fare. ROSSETER. What then is love but mourning; When Laura smiles.
DOWLAND, I saw my lady weep; Awake sweet love; In darkness let me dwell] (also
on 12" LL 1532, with additions by more recent composers) (gram D 59)
10" LW 5243
An Elizabethan Songbag for Young People (Reissued as Children's Songs of Shakespeare's
Time. See no. 166) 10" ESJ 6
191 Elizabethan Songs. Notley and Brynley (vocalists); Wolfe (hpsi)
[ANON(?): Sweet nymph; On a time; Thrice toss these oaken ashes; O death rock me asleep;
It was a lover; My complaining and others] (adv 1959-60) TLP 1012
192 English Church Music. Canterbury Cathedral Choir; Campbell, cond.
[TYE, O come ye servants. HILTON (attr. Farrant). Lord, for thy tender mercy's sake.
TALLIS. Salvator mundi] (gram D 59) 7" 45rpm SEG 7808
193 English Keyboard Music: Tudor Age to the Restoration. Wolfe (hpsi)
[EDWARDS. When griping griefs. MUNDAY. Tres partes in una. REDFORD. Christe qui
%tC'A >l lux; Christe qui lux with a meane; Eterne rex. BLITHEMAN. Gloria tibi trinitas iii & iv.
) \-n I NEWMAN. Pavan; Fansye. TALLIS. Ex more docti; Natus est nobis; O ye tender babes.
TOMKINS. The perpetual round; Fortune my foe. BULL. In nomine. BYRD. Ut re my
fa sol la. ANON. O ye happy dames; Galliard] (adv) EA 0013
194 English Lute Songs. Deller (c-tnr)
[PILKINGTON. Rest, sweet nymphs. DOWLAND. What if 1 never speed; Shall I sue;
Come again; Me, me, and none; Wilt thou unkind. CAMPIAN. Care charming sleep;
h^~b>% Shall I come sweet love. ROSSETER. When Laura smiles. DAN YEL. Chromatic tunes,
songs for lute, viol and voice. MORLEY. Will ye buy a fine dog. ANON. Have you
seen but a white lily] (arl Jul 58)
verso: In Nomines. In Nomine Players.
[Fantasias for viols by Tye, Taverner. Bull, Tomkins, R. White] Bach 576
195 The English Madrigal School. Deller Consort.
V. 1: [MORLEY, Ho! who comes here; Sweet nymph, come. WEELKES. Cease, sorrows,
now; To shorten winter's sadness; O care, thou wilt despatch; The ape, the monkey and
itETi baboon; Strike it up, Tabor. VAUTOR. Mother I will have a husband. EDWARDS. In
' ' going to my naked bed. BARTLETT. Of all the birds. BENNET. All creatures now;
jS.h/" 6"/ Weep O mine eyes. WILBYE. Oft have I vowed. WARD, Hope of my heart]
V.2: [WILBYE. Sweet honey-sucking bees; Flora gave me fairest flowers; Lady when 1 behold;
Adieu sweet Amaryllis. JOHNSON. Defiled is my name; Benedicam Domino. WEELKES.
On the plains; All at once; Young Cupid; Thule, the period of Cosmography. EDWARDS.
'^ When griping griefs. TALLIS. Like as the doleful dove. SHEPHERD. O happy dames.
^/'5
Q%1„^ 7 ANON. The bitter sweet; My friends, the things; I smile to see]
2-12" EG 553/4
196 English Madrigals. New England Conservatory Alumni Chorus; de Varon, cond.
[MORLEY, My bonnie lass; April is in my mistress' face. WEELKES. Fire, fire my heart;
As Vesta was from Latmos Hill. GIBBONS. The silver swan. FARMER. Fair Phyllis.
21
DOWLAND. Weep you no more. (r.r. 348) RAVENSCROFT. Willy, prithee go to bed]
(verso: Music of the Pilgrims) (mil 356) HSL 2068
197 English Madrigals. Randolph Singers.
[BENNET. All creatures now. DOWLAND. Come again. ESTE. How merrily we live.
FARMER. Fair Phyllis. FORD. Since first I saw your face. MORLEY. Fire, fire.
TOMKINS. When David heard] (verso: American Part Songs) (r.r. 336) CHC 52
^. English music for the Virginal. See no. 252.
198 English Organ Music. Dart (org)
[BYRD. Fancie; Voluntary. BULL. Salvator mundi; Fantasia, GIBBONS. In nomine;
Fantasia, TOMKINS. Fancy. Also Blow, Locke, Purcell, Greene, Handel] (gram
D 59) CLP 1212
199 Evening of Elizabethan Verse and Music. New York Pro Musica Antiqua; Greenberg, dir.
(Auden reading)
[WEELKES. Tan ta ra cries Mars. JONES. Sweet, if you like; Sweet Kate; Though your
strangeness. WILBYE. Flora gave me fairest flowers; Sweet honey-sucking bees.
FERRABOSCO. Come my Celia; So leave off. MORLEY. I saw my lady weeping.
KIRBYE. Up then Melpomene. DOWLAND. In darkness let me dwell. GIBBONS.
What is our life. WARD. Upon a bank. TOMKINS. When David heard] (werm 3:538)
ML 5051
200 A Festival of Choral Music. Pamplona Chorus; Morondo, dir.
'' [LASERNA. Tumbayle que me voy contigo. ALFONSO X. (attr.) Cantiga No. 96.
J. HIDALGO. Que dito pasito. VICTORIA. O vos omnes. SENFL. (arr.) Campanas.
ANON. 3 canciones; Pregon. Also folk songs, etc.] (werm 2:261, r.r. 410)
WL 5195
201 Fifteenth and Sixteenth Century Motets. Renaissance Chorus; Brown, cond.
[RUFFO. Adoramus te. TALUS. Magnificat. DEPRES. Misericordias Domini. HASSLER.
Ad Dominum cum tribularer. PALESTRINA. Exultate Deo] (verso: Isaac) ES 546
202 Five Centuries of Spanish Song. De Los Angeles (sop)
[CORNAGO. Que es mi vida. PISADOR. Porque es dama; No mellames segalaherba.
VALDERRABANO, De donde venis amore. ANON. (Gothic): Mariam matrem; Ay
triste vida. (Renaissance): Pastorcico non te aduermas; Ay luna que reluces. Etc.]
(sch F 59) VSM FALP-509;
Cap G-7155; LM 2144
203 Flemish Choral Music. Ghent Oratorio Society; de Pauw, cond.
[LASSUS. O la, o che bon eccho; Matona mia cara (in Flemish). DEPRES, Milles regretz.
VAN BELLE. In't Groene. DE RORE, Gagliarda (guit). CLEMENS NON PAPA. Ic seg
adieu. ANON. (16th c): Maria die sonde; Het was een maghet; Fiamengo (guit).
Etc.] (werm 3:539; mil 322, r.r. 346) ES 514
204 Florentine Carnival Songs. Antique Players
[PESENTl. Dal lecto me levava. ISAAC. Donna di dentro; (instr); Palle, palle; La mi la
sol. WILLAERT. O dolce vita mia; Zoia zentil. RORE. En voz adieux; Beato me direi
(instr). CAVAZZONI. Madame vous aves mon cuor (virg). GANASSI. Ricercar (viol).
DALZA. Calata (lute). ANON. Buona roba abbiam (canto delle rivenditore); Per
chazzar maninconie (canto di lanzi allegri)] CE 1042
205 Four Centuries of Liturgical Music. Washington Cathedral Choir; Callaway, dir.
'[MORLEY, Magnificat. TALUS. If ye love me. BYRD. Sing joyfully unto God. GIBBONS.
Nunc dimittis. PALESTRINA, Exaltabo te. VICTORIA, Jesu dulcis memoria. Also
SchUtz, Bach, etc.] (arg May 59) Van 1036; Van 2021 Stereo
206 French Chansons. Ensemble Vocal Blanchard.
v.l: La fleur des chansons d'amour. [COMPERE. Vous me faites mourir; Le grant de'sir.
SERMISY. Tant que vivray. MACHAUT. Plus dure qu'un dyamant. MUREAU, Grace
attendant. JENNEQUIN. Ce sont gallans. BATAILLE. Un jour que ma rebelle.
22
fj
/
CREQUILLON. Puisque malheur. COSTELEY. Helas! que de mal. BOESSET. Creul
tyran. ANON. Fretillarde amoureuse pucette; Mort, j'apelle; J'ay prins amours,
(ed. Attaignant): Ung petit coup; Destre amoureux; Et gentil Mareschal]
V. 2: Chansons polyphoniques fran^aises. [BORLET. Ma tredol cosignol. LE JEUNE. Quand
la terre. JANNEQUIN. Le chant de I'alouette; Chant des oyseaulx; Or, viens ca.
DEPRES. Bergerette savoysienne. PASSEREAU. Je ne seray jamais bergere; Pourquoy
done. BATAILLE. Ma bergfere non legfere; Ma belle, je vous prie; Foux, taisez vous.
CLEMENT. Aymer est ma vie. LE ROY. Has tu point veu. ANON. Or sus vous dormes
trop; Ne I'oserey-je dire; (ed. Attaignant): Pourquoi voules vous cousturier] (warm
3:539) Phil N 00993/4
207 French Chansons and Dances of the 16th Century. Brussels Pro Musica Antiqua; Cape, dir.
[CRECQUILLON, Alix avoir aux dents; L'ardent amour. LASSUS. O occhi; S'io ve dico;
Saccio na cosa; Et d'ou venez-vous; Le rossignol; Chi non sa. GOMBERT. Souffrir me
convient; Quand je suis auprez de -ma mye. CLEMENT. Puisque voulez. RORE.
' I ' Rejouissons-nous. LE ROY. Las je n'eusse jamais pense. SERMISY. Vivray-je tousjours
f-rs''. en soucy. GOUDIMEL. 11 me semble que la journee. GERVAISE. (instr); Allemande;
C ' ' Branle de Champagne; Branle courant. DU CAURROY. (instr): Fantaisie. ANON.
(Attaingnant collection): Fortune laissemoy; (instr): 2 Tourdions; 2 Pavanes; Basse danse;
Gaillarde] SPL 738
208 French Renaissance Music. Vocal and Instrumental Ensemble; Boulanger, cond.
[DEPRES. Milles regretz. JANNEQUIN. Ce moys de May; Le chant des Oyseaulx. LE
JEUNE. Helas, mon Dieu; Revecy venir du printans; Tu ne I'entends pas. LASSUS. Bon
f^ • O jour, mon coeur; Quand mon mary. COSTELEY. Noblesse git au coeur; Mignonne,
allons voir, SERMISY. Hau, hau, hau, le boys; Au joly boys. MAUDUIT. Vous me
tuez. BONNET. Francion vint I'autre jour. ANON, (ed Attaignant): A de'clarer mon
affection] (mil 301, r.r. 344) DL 9629
Fench Sacred Music. See no. 313
French Songs (16th century). See no. 297
French Troubador Songs. See no. 95
209 Geistliche Volkslieder. Hessische Kantorei; Reich, dir.
[PRAETORIUS. Herzlich tut mich erfreuen; Geh aus mein Herz. GASTOLDI. In dir ist
Freude] (biel N 59) 7" 45rpm CAN T 71691 N
^-0' German Song from the Minnesingers to the 17th Century. Rogers (tnr), de la Torre (guit)
[ISAAC. Abschied von Innsbruck. GERLE. Es flog ein kleines Vogelein. AHLE.
Brtlnstiges Verlangen. OTT, jagers Morgenbesuch. HASSLER. Gagliarda. ANON. Ach
Elslein. Aderlassen der Nonnen (Liederbuch Anna von Coin). (Lochamer Liederbuch):
Minelied; Die Linde im Thai; Verlangen thut mich kranken. (Jugenheimer liederblatt):
Maria durch ein Dornwald ging. (Fabricium Liederbuch): Bist du des Goldschmieds
Tochter? (Zupfgeigenhansl coll.): Von Himmel hoch O Englein kommt; Kein Feur,
keine Kohle; Sie gleicht wohl einen Rosenstock. ] (mil 359, r.r. 298) AL 90
211 German Songs of the Middle Ages and the Renaissance. Cuenod (tnr), Leeb (lute)
[ISAAC. Innsbruck, ich muss dich lassen. WALTHER VON DER VOGELWEIDE. Pales-
tinalied; Wie soli ich den gemynnen. SCHLICK. Mein Maid ich hab dich auserwelt;
Maria zart; Vil hinderlist. SENFL, Ewiger Gott; Die v^eyber mit den flohen. WALTHER.
l^tV"' ^St. Christ lag in Todesbanden. SACHS, Silberweise. ALBERT. O der rauhen Grausamkeit;
Mein schones Lieb. FOLZ, Kettenton. ANON, Gar lustig ich spazieren ging; Aus fahr
ich hin; Entlaubet ist der Walde; Gut gsell; Lied der Geissler. ] (gram Oct 61)
XWN 18848
212'^ Germani (org)
[BULL, Laet ons met herte reijne; Fantasia on a theme of Sweelinck. SWEELINCK. Mein
junges Leben] (gram D 59) 7" 45rpm 7EP 7078
23
N'-e^
y
21S Harvard Glee Club; Woodworth, cond.
[PALESTRINA. Supplicationes; Confitemini Domino. BYRD. lustorum anlmae. LASSUS.
Tibi laus, tibi gloria. VICTORIA. Miserere mei. ANERIO. Adoramus te. ANON. O
Maria, diana Stella (lauda)] (r.r. 302) 10" CRC 101
214 Heinrich-Schtltz-Kreis (Munich); A. Schutz, dir.
[BRUCK. Christ, der ist erstanden. SENFL. Gelobet seist du. Also Schutz] (biel N 59)
7" 45rpm CAN T 71673 F
Histoire de la musique vocale. See no. 96.
HISTORY OF MUSIC IN SOUND
215 V. 3: Ars Nova and the Renaissance, c. 1300-1540. Brussels Pro Musica; Bodley Singers, Rose,
dir.; Brompton Oratory Choir, H. Washington, dir., & others
[ADAM DE LA HALLE. Tant con je vivrai. JEHANNOT DE L'ESCUREL. A vous, douce
debonaire. MACHAUT. Ma fin est mon commencement; Mass: Benedictus. GIOVANNI
DA CASCIA. Nel mezzo a sei paon. LANDINI. Amar si li alti tuo gentil costumi.
MAESTRO PIERO. Cavalcando. BYTTERING. Nesciens mater. DUNSTABLE. Veni
, r^ '\ sancte spiritus. CICONIA. O rosa bella. DUNSTABLE. O rosa bella. DUFAY. Ave
Regina coelorum; Pour Tamour de ma douce amye. BINCHOIS. Filles a marier.
OCKEGHEM. Mass "Fors Seulement" (Kyrie). OBRECHT. Si oblitus fuero. LA RUE.
Requiem (Introit). DEPRES. El grille; Je ne me puis tenir; Tribulatio et angustia;
Mass "L'homme arm^" (Sanctus). DAVY. Timuerunt valde. FAYRFAX. Magnificat
(excerpts). TAVERNER. Mass "Gloria tibi" (Benedictus). PAUMANN. Mit ganczem
Willen (org). BUCHNER. Es gieng ein Mann. (org). REDFORD. O Lux (org). ISAAC,
(instr): Chanson; La la ho ho; Innsbruck, ich muss dich lassen. DE LA TORRE. Alta.
(instr). COMPERE. Nous sommes de I'ordre (instr). RUBINUS. Der Bauern Schwanz
(instr). ANON. (14th c): Le moulin de Paris; Se je chant; Angelus ad virginem; Deo
gratias Anglia. (15th c): Now wel may we merthis make; Tappster, drinker; Credo;
Mass "Custodi nos" (Gloria)] 2-12" LM 6016
216 V. 4: The Age of Humanism (1540-1630). Brompton Oratory Choir; H. Washington, dir.;
London Chamber Singers, other groups & soloists
[DEMOPHON. A che son hormai conducto. MARENZIO. Scendi dal Paradiso. LUZZASCHI.
Quivi sospiri. WILBYE. Ye that do live in pleasures. GREAVES. Come away, sweet
love. WEELKES. O care, thou wilt despatch. MORLEY. Ho! who comes here; Thyrsis
and Miila; Agnus Dei. COSTELEY. Allons au vert bocage. SERMISY. Tant que vivray;
id, Vivray-je tousjours. PASSEREAU. II est bel et bon. VICTORIA. O Domine Jesu. DE
^ f MONTE. Mass "Benedicta es" (Benedictus & Agnus). PALESTRINA. Mass "Aeterna
Christi" (Sanctus); Missa brevis (Agnus II). LASSUS. Scio enim; Mass "Puisque j'ay
perdu" (Benedictus & Hosanna). GALLUS. Mirabile mysterium. TALLIS. Adesto nunc
propitius. BYRD. Haec dies. GIBBONS. Behold Thou hast made; Fantasia (instr); The
King's Juell (virg). PRAETORIUS. Wie schon leuchtet der Morgenstern. G. GABRIELI.
In ecclesiis. MILAN. Toda mi vida. DOWLAND. Sleep, wayward thoughts.
WILLAERT. Ricercar (instr). PEUERL. Padouan & intrada (instr). COPERARIO. Fantasia.
BULL. My selfe (virg). FARNABY. His humor (virg). FRESCOBALDI. Capriccio (hpsi).
A. GABRIELI. Ricercar (org). SWEELINCK. Ach Gott von Himmel (variations, org).
ANON. My Lady Carey's dompe (virg). Also Monteverdi, Landi]
2-12" LM 6029
«««««««
In Nomines. See no. 194.
2i7 The Italian Madrigal: Ars Nova and the 16th Century. Vassar Madrigal Singers; Geer, dir.
[GIOVANNI DA CICONIA. Una panthera. JACOPO DA BOLOGNA. Uselletto selvaggio.
LANDINI. Cosi pensoso; De! dimmi tu. GIOVANNI DA CASCIA. lo son un pellegrin.
BANCHIERI. La pazzla senile (excerpts); lo son bella e favorita. FESTA. Amor che mi
24
consign. VECCHI. Damon e Filli. PALESTRINA. Da cosi dotta man; Ahi che quest'
occhi] Al 3029
218 Italian Madrigals & German Motets. Bavarian Radio Chorus; Kugler, dir.
( [MARENZIO. Scaldava il sol; Ti guardo negli occhi. GESUALDO. Ecco morirb; Ahi, gia
mi discoloro; lo taceri; In van dunque. HASSLER. Ach Herr, lass dein' lieb Engelein.
HAMMERSCHMIDT. Schaffe in mir] (in German except 1st item) (werm 2:258,
r,r. 366) MG 10087
219 Italian Songs, 16th and nth Centuries. Cuenod (tnr), Leeb (lute)
[GAGUANO. Valli profonde. VERDELOT-WILLAERT. Fuggi. fuggi cuor mio; Con lagrime
e sospir. FIORENTINO. Fantasy (lute). ANON. Veneziana. Also Frescobaldi,
rJ * ^*^ Scarlatti] verso: Spanish Songs, 16th and 17th Centuries. [MILAN. Perdida; Sospiro;
Durandart; Pavane (lute). MUDARRA. Si me llaman; Triste estaba; Pavane (lute)]
(sch May 58, r.r. 409) West 18654; 50-59
220 Italian Music in the Age of Exploration. Fleetwood Singers.
[LUZZASCHI. Quivi sospiri; O primavera. PORTA. Erasi al sole. CIMELLO. Gli occhi
tuoi. ARCADELT. S'infinite bellezza. GABRIELI. Ecco I'aurora. DASCANIO. ^^ El
Q^ grillo. MARENZIO. Fiere silvestre. VECCHI. L'Amfiparnasso; Act 2, Sc 3. RORE.
K'" Dalle belle contrade-. CAIMO. The cuckoo; Ben ragio. MERULO. Quand'io pens'ai
martire. CARA. Non e tempo. MONTE. Verament'in amore] (arl N 10 58)
LLST 775 . •
221 Italian Troubadour Songs. Cuenod (tnr), Leeb (lute) ,"'"■ '■-'■■0> -r--^
W-'S? [ARCADELT. Voi me ponest' in foco. CIMELLO. Canzona villanesca. LANDINO.
~« Angelica belta. CARA. Non e tempo; lo non compro. RORE. Vergine pura. ANON.
^^•"0 / Ave mitis (lauda). Etc.] XWN 18776
222 Jacobean Consort Music. Instrumental Ensemble; Dart, cond.
L/^4^'^ [COPERARIO. Fantasy; Suites. WARD. Ayre. LUPO. Fantasia. HUME. Lamentation;
Galliard. GIBBONS. Gaillarde. ANON. Miserere] (disques 90:630) OL 50133
228^ Kirkpatrick (hpsi).
[BYRD. Pavane & Galliard. SWEELINCK. Mein junges Leben. CABEZON. 2 tientos.
^ Etc.] (gram D 59) ALP 1518
224 Klingende Kathedralen, Aachener Domchor and symphony orchestra (Rehmann).
[PALESTRINA. Surge illuminare Hierusalem (motet). VON BINGEN. O virga ac diadema.
OCKEGHEM. Kyrie. DEPRES. Sanctus. LASSUS. Missa "In die tribulationis" (Agnus),
MANGON. Salve Regina. MONTE. Laudate Dominum (Ps. 150). LOTTI. Crucifixus.
FRANZ NEKES. Veritas mea. HASSLER. Verbum caro factum est. ANON. Urbs
aquensis (chant); other from later period.] (adv Sept 1960) Col C-80102; WSX-502
2S5 Lute Music of the XVIth and XVlIth Centuries. Podolsky (lute)
' [DALZA. Pavana. ATTAIGNANT. Basse-danse. NEUSIEDLER. Ein gut Preambel;
Preambel; Bethler Tantz; Juden Tantz. MUDARRA. Pavana; Galliarda; Fantasia.
GORZANIS. La dura partita. FRANCISQUE. 3 branles; Gavotte. NEGRI. Catena
d'amore; Villancico; Spagnoletto. DOWLAND. Pavan "Semper Dowland"; Galliard
"King of Denmark"; Allemande "Englessa. " Also Gaultier] (werm 3:542, r.r. 375)
SPL 577
Lute Songs and Dances from Germany, Italy, France and England. Bloch (voice & lute)
[ALLISON. Fyre in my meditation. ATTAIGNANT. D'estre amoureaux. BATAILLE.
Renee. BESARD. Beaux yeux. CARA. Non e tempo. CAVENDISH. Down in a valley.
COINCY. Ma viJ;le veut vieler. DALZA. Ricercare. DOWLAND. Shall 1 sue.
R. DOWLAND. Volte & Coranto. MILANO. Fantasia. GALILEI. Passometzo e salta-
rello. GAULTIER. Fantasia. LE ROY. Pseaume L; Branles. NEUSIEDLER. Judentanz.
SPINACCINO. Ricercare. VON LOGI. Courante. WILLAERT. Con lagrime e sospir.
1) i.e. Josquin Depres.
25
^
CACCINI. Amarilli. ANON. Goe from my window; Ich gieng ein mage Bayerien;
Galliarda tamburina; Now wolde y faine. Also Bach.] (r.r. 299) Al 93
Lutenist Songs. See no. 278
227 Madrigali amorosi. Sestetto Luc a Marenzio; Cavalli, dir.
[MONTEVERDI. Rimanti in pace; Ond'ei di morte; Come faro cuor mio; Sfogava con le
stelle. MARENZIO. Dono Cinzia a Damone; Amor e ritornato; Zefiro torna.
GESUALDO. Luci serene e chiare; Dolcissima mia vita.] (disques 112:609)
10" Bam LD 051
228 Madrigalisti Milanesi; Fait, dir.
[AZZAIOLO. Come t'aggio lasciata; L'amanza mia. DONATO. Chi la gagliarda.
FALCONIERI. Folti boschetti. INGEGNERI. Tenebrae factae sunt. MONTEVERDI.
Ecco mormorar I'onde; Lamento di Arianna. NANINI. Ahi, che debbo morire; Come
fenice; D'una donna gentil; lo son farfalla; Sonno soave. PALESTRINA. Tristis est
anima mea] (werm 2:259. mil 341) CLPS 1027
229 Madrigals and Motets. Stanford University Chorus; Schmidt, dir.
[VICTORIA. Missa Dominicans (Kyrie). MORLEY. Agnus Dei; My bonny lass. TALLIS.
Audlvi vocem. HASSLER. Cantate Domino. CLEMENT. Adoramus te. PALESTRINA.
Super flumina. COSTELEY. Je vols de glissantes eaux; Lautrier priay de danser.
MAUDUIT. En paradis. CERTON. La, la, la, je ne I'ose dire. WEELKES. Hark, all
ye lovely saints. LICHFILD. I always loved to call my lady Rose. Also folksongs,
etc.] (werm 3:542) 10" ML 7022
230 Madrigals and Motets, 13th to 17th Century. Coro de Madrigalistas de Mexico; Sandi, cond.
[AUONSO EL SABIO. Cantiga de Santa Maria 117. DUFAY. Gloria in excelsis.
VICTORIA. O vos omnes. ARCADELT. II bianco e dolce cigno. PALESTRINA, O
quantus luctus. LE JEUNE. O vilanella. LASSUS. Quand mon mari. BYRD. Ave
verum corpus; Ave Maria. INGEGNERI. O bone Jesu. PHILIPS. Cantantibus organis.
HASSLER, Luce negl'occhi. MONTEVERDI. Cor mio; Quel augellin; Non piu guerra;
Si ch'io vorrei morire; Lasciatemi morire] URLP 7168
231 Madrigals, Balletts, Folk Songs of 4 Centuries. English Singers of London.
[BYRD, This sweet and merry month. GIBBONS. The silver swan. GREAVES. Come away,
sweet love. MORLEY, Now is the month of maying; Sing we and chaunt it. WEELKES,
To shorten winter's sadness. WILBYE. Stay Corydon and traditional] (notes Mar 58)
Ang 35461
232 Madrigaux anglais des XVIe et XVIIe siecles; Chansons francaises des XVIe et XVIIe siecles.
Golden Age Singers; Field-Hyde, cond.
[WEELKES. On the plains. FARMER, Fair Phyllis. BENNET, Weep, O mine eyes. WILBYE.
Sweet honey sucking bees. GIBBONS. The silver Swan. BYRD, Though Amaryllis dance.
TESSIER, Au joli bois. COSTELEY, Mignonne aliens voir; Je voy des glissantes eaux.
REGNARD, Petite nymfe folatre. LASSUS. Bon jour mon coeur; Quand mon mari.
PLAN(^ON. Puisque le ciel veut ainsi. BERTRAND, Mon Dieu, que ma maitresse est
belle. PASSEREAU, II est bel et bon.] (disques 109:422) 10" Pretoria CL 8004
233 Les maitres italiens des XVIe de XVIIe siecles. Ensemble Italian d'Instruments Anciens;
Menestrelli, dir. (adv) Pretoria CL 8000
234 Manuscrit de Bayeux. la Marc'Hadour, Sandri (bar); Cotelle (hpsi); instrumental ensemble
(arr. by Fremiot & Nigg)
[ANON. (15th c): Le roi anglais; A la duchee de Normandie; lis ont menty; Quand je voye
renouveler; Et cuidez-vous que je me joue; Virelai sur la mort d'Olivier Basselin]
(werm 3:542) 10" CdM LDYA 8065
235 Masterpieces of Music before 1750. Rec.2: The 16th and 17th Centuries. Various groups;
W^ildike, dir.
[LASSUS. Tristis est anima mea. PALESTRINA. Mass "Veni sponsa Christi" (Agnus I).
BYRD. Ego sum panis. MARENZIO. S'io parto. BENNET. Thyrsis, sleepest thou.
26
M
FARNABY. Loth to depart (virg). CACCINI. Dovro dunque morire. ANON. Canzona
per I'epistola (org). Also Monteverdi, Schiltz, etc.] Reel. See no. 99.
HSL 2072; HS 9039
MASTERS OF EARLY ENGLISH KEYBOARD MUSIC: (Dart, keyboard instr)
236 V. 1: Four Centuries of Music for Organ, Harpsichord and Clavichord.
[(organ): PRESTON (?). Upon la mi re. WHITE. Ut re mi. BUTHEMAN. Eterne rerum
conditor III. TALLIS. Natus est nobis, GIBBONS. Fancy. ANON. Retroue (14th c);
'wl Felix namque (15th c). (hpsi): NEWMAN. Pavyon. BULL, Galiardo; Courant the
princes. JOHNSON. Alman. HOOPER, Alman. FARNABY. His humor, GIBBONS.
CA^'sC I Pavin & Gallardo the lord of Salisbury. Also Clarke, Blow, Roseingrave, Arne.
(clavichord): ANON. (16th c): La bounette; La doune cella; La shy myze. Also Croft,
anon. 17th c] OL 50075
237 v. 2: William Byrd and Thomas Tomkins. (org & hpsi)
[BYRDo Lord Willoby's welcome home; 1st Pavan & Galliard; Queen's Alman; 5th Pavan &
id - 'i\ Galliard; 1st French Coranto; Pavan & 2 Galliards "Earl of Salisbury. " TOMKINS.
Worcester Brawls; Pavan & Galliard Earl Strafford; Clarifica me Pater; Pavan & Galliard
CTVSC ^ A minor; Toy made at Poole Court; Fancy; Pavan & Galliard in G; Var. on What if a
day] OL 50076
238. v. 3: John Bull & Matthew Locke, (org)
I { «.- Bl i [BULL, Een kindeken is uns geboren; Prelude & Fantasy on ut-mi fa sol; Fantasy in G;
a\^ Pavan & Galliard "Sinfoniae"; Vexilla regis; "La Guamina"; Laet uns met Herten reyne;
^pQ^' 3 Salve regina; Fantasy on a theme of Sweelinck. LOCKE. 6 voluntaries. ] OL 50130
239 v. 4: Orlando Gibbons & Giles Farnaby. (hpsi)
[GIBBONS. Preludium; Galiardo in C; Almain in C; The wood so wilde; Lady Hatton's
*/ gj j Galliard; French ayre; French almain; Maske "Welcome Home"; Galliard in D; Italian
ground; Fantasia of 4 parts. FARNABY. Old Spagnoletta; Spagnioletta; Meridian
/4 iV f* ^ ( alman; Tell me, Daphne; His dreame; His toye; His reste; His conceit; Tower Hill;
' Muscadin; The new Sahoo; Rosasolis; Galiarda; Lord Zouche's Maske; Loth to depart.]
(all Farnaby pieces from FitzWilliam Virginal Book) OL 50131
240 Mastreechter Staar Chorus; Koekelkoren, dir.
[HANDL. Haec dies. VICTORIA. Domine non sum dignus; Cruce; Cantate Domino.
PALESTRINA. O bone Jesu. HASSLER. Et incarnatus est. DIEPENBROCK, Veni
creator spiritus] (sant 6:5) 7" 45rpm Phil 402 057 NE
241 La Menestrandi; Teysseire, dir. (instr)
" [Obrecht, Costeley, G. Gabrieli, de Rore, d'Anglebert, Charpentier] (disques juil 57)
10" Rad LD 01
242''' Monaco Cathedral Choir; Carol, dir.
"^ [VICTORIA. Popule meus. PALESTRINA. Improperium exspectavit. LASSUS. Nos qui
sumus. MORALES. Peccantem me. MAUDUIT. En son temple sacre. JANNEQUIN.
Mass "La Bataille" (Benedictus, Osanna). AICHINGER. Regina coeli. Etc.]
(werm 2:260) SM 33-01
^5' Motets. Stanford University Choir; Schmidt, dir.
[PALESTRINA. Sicut cervus. BYRD. I will not leave you comfortless. INGEGNERI.
Tenebrae factae sunt. VICTORIA. Ave Maria. AICHINGER. Regina coeli. Also
Tchesnokov.] (mil 367, r.r. 372) ML 5001
244 Motets de la Nativite. Ensemble Vocal Blanchard.
[DEPRES. In principio erat Verbum. PIETON. O beata infantia. MOUTON. Quaeramus
cum pastoribus. CREQUILLON. Verbum caro factum est. VICTORIA. Quem vidisti
pastores] (disques 108:300) 10" SM 33.60
27
245 Motets for Christmas and Easter. Caillard Vocal Ensemble.
[AICfflNGER. Regina coell. COOPER. Gloria in excelsis. LASSUS. Resonet in laudibus;
1 ^ L.'^i'J Surgens Jesus; Tristis est anima mea; Videntes stellam magi. PALESTRINA. Alma
redemptoris mater. PRAETORIUS. Ecce Maria. VICTORIA. O crux ave; O vos
omnes.] 10" Erato 1041/1042;
12" XWN 18809
246 Motets for Christmas and Other Festivities. Welch Chorale.
[VICTORIA. O quam gloriosum; O magnum mysterium. GIBBONS. Hosanna to the son of
/(/"* 3 o David. SWEELINCK. Hodie Christus natus est. PALESTRINA. Hodie Christus riatus
est; Rotate caeli desuper; Dies sanctificatus. WEELKES. Gloria in excelsis. BYRD.
Dies sanctificatus; O magnum mysterium. HANDL, Resonet in laudibus. 3 Plainsong]
(r.r. 363) Lyr LL 35
247 Motets of the Fifteenth & Sixteenth Centuries, with Easter Themes. Welch Chorale.
[DUFAY. Gloria in excelsis. DEPRES. Ave verum. LA RUE. O salutaris hostias.
DUNSTABLE. Quam pulchra es. PALESTRINA. Super flumina; Tu es Petrus; Sicut
P "* ' cervus; Haec dies. VICTORIA. Tantum ergo; Vere languoris. BYRD. Confirma hoc
^. A I ) Deus; Beata viscera; Haec dies. ROSSELLI. Adoramus te. INGEGNERI. Tenebrae
factae sunt. AICHINGER. Regina coeli. LOTTI. Crucifixus. ] (mil 378)
Lyr LL 52
MOTETS OF THE VENETIAN SCHOOL (16th Century); Choir of the Capella di
Treviso; d'Alessi, dir.
248 V. 1:
^ [A. GABRIELI. Cantate Domino; Bonum est confiteri; O sacrum convivium; Egredimini et
videte; Mass "Pater peccavi" (Sanctus & Benedictus). G. GABRIELI. Sancta Maria.
NASCO. Tristis est anima mea; O salutaris hostia; Lamentations of Jeremiah (I).
MERULO. Sancta et justi. ASOLA. Adoramus te. Domine] (r.r. 408) PL 8030
24^, v. 2:
[ASOLA. Cantabant Sancti; Hoc signum Crucis; Surge arnica mea; Introduxit me; Omnes
de Saba; Surrexit Pastor. CROCE. Benedicam Dominum; Beati eritis; Ego sum pauper;
Exaltabo te; Cantate Domino. WILLAERT. Ego dormivi. PORTA. Virtute magna.
RUFFO. Adoramus te Christe. VECCHI. Salutis humanae. NASCO. Migravit Judas.
INGEGNERI, O Domine Jesu Christe] PL 8610
250 V. 3:A. Gabrieli & Contemporaries.
[A. GABRIELI. In decachordo psalterio; Sacerdos et pontifex; Filiae Jerusalem; Maria
Magdalena; Cor meum; Annuntiate inter genres. ASOLA. Lapidaverunt Stephanum;
Te gloriosus Apostolorum; Ave rex noster; Cum autem venisset; Surge propera; O
altitudo divitiarum; Tu es Petrus. NASCO, Facti sunt hostes; Ave Maria. PORTA.
Praeparate corda vestra Domino. VIADANA. O sacrum convivium] (mil 334, werm
3:543) PL 8790
«««««««
251 Motets polyphoniques du XVIe siecle. Schola du Grand Scolasticat des Peres du St. -Esprit
de Chevilly; Deiss, dir.
[DEPRES. O Domine Jesu Christe. LASSUS. Serve bone. HANDL. Haec dies. VAN
BERCHEM. Alleluia surrexit Dominus. VIADANA. Exsultate justi in Domino; O
sacrum convivium. VICTORIA, O regem caeli; Duo Seraphim] (disques 106:167)
10" SM 33-41
252 Music for the Virginal. S. Bloch (virg)
'' [FARNABY. Tower Hill; A toye; Fantasia. BYRD. Coranto; Carman's Whistle; Alman.
MORLEY-BYRD. La volta. GIBBONS. Lord Salisbury's Pavan & Galliard. MUNDY.
Robin; Goe from my window. BULL, Prelude; In Nomine. PEERSON. The falle of the
leafe, TOMKINS. Worster's braule. ANON. Why aske you; Alman, ] (r,r. 298)
AL 28
28
Music from the Middle Ages to the Renaissance. See no. 101
2^3 Music of the Church. New York Blessed Sacrament Quartet & Chorus; Sparks, (org)
^ [ROSA. Selve, voi che le speranza. BERCHEM. O Jesu Christe. CASCIOLINI. Panis
angelicus; O esca viatorum. LASSUS. Missa brevis (Sanctus & Benedictus). ANON.
(11th c): Ave Maria. Also M. Haydn, Menegali] (werm 3:544)
10" Bible CL 221
254 Music of the Episcopal Church. Choir of the Cathedral of St. John the Divine; Wyton, dir.
/ [FAYRFAX. O lux beata trinitas. TYE. Praise ye the Lord. BYRD. Nunc dimittis (short
service). MORLEY. Fauxbourdons to the Magnificat. Also Purcell, etc.] (arg Mar 59)
Word W 4014
MUSIC OF THE GOTHIC PERIOD AND THE EARLY RENAISSANCE: Vielle Trio;
Robertson, (tnr)
255 V. 1:
[ARCADELT. Voi me ponest'in foco. DEPRES. Fantazies (instr). GREITER. Ich stund an
einem Morgen. MAHU. Song of the Lansquenet. ISAAC. Fortuna desperata; Der
U^"7 Hund. MACHAUT. Si j'aime. RAIMBAUT DE VAQUEIRAS, Estampida. ALONSO
DE MONDEJAR. Mios fueron. DUFAY. Bon jour, bon mois, bon an; 2 liturgical pieces;
Virgine bella. WILLAERT. Canzone; Ricercare. HOFHAYMER. Greiner Zanner. ANON.
2 organa; Christ ist erstanden (Glogauer Liederbuch); Din di rin din (Spanish); Entlaubet
ist der Walde (Egenolf Songbook); Italian court dance] (r.r. 298) 2-12" AL 14
256 V.2:
[ISAAC, (instr): Helas, que denera; Der Hundt. GIOVANNI DA FIRENZE. lo son un
pellegrino. JACOPO DI BOLOGNA. Compositione (3 instr). LANDINO. El mie dolce
sospir. OBRECHT. 3 pieces (3-part). GABRIEL. No so yo quien la descubre. DE LA
/\/-^ TORRE. Spanish dance. ENCINA. Amor con fortuna. DUFAY. Craindre vols vueil;
Je ne vis oncques; Pourrai j 'avoir (instr). CARA. Non e tempo. ANON. (Glogauer
Liederbuch): Ich sah einmal den Morgenstern; Ich bin erfreut. Ein laeppisch Mann
(Egenolf Songbook); En trinitatis (14th c. It.); Pase el aqua (Sp.); Ya cantan los
gallos (Sp.); Toda me casa (Port.); Die Drei Bauern; various dances] 2-12" AL 72
257 Music of the Renaissance. Krefeld Collegium Musicum; Haas, dir.
[DUFAY. Veni creator spiritus; A flos florum; Se la face ay pale. BINCHOIS. De plus en
^i^<'<5 plus. LANDINI. Gran piant'agli occhi. TROMBONCINO. Non val aqua (instr).
PENALOSA. A tierras ajenas (instr). DE LA TORRE. O cuam dulce; Aire de danza.
ESCOBAR. Corazun triste. ANON. (Glogauer Liederbuch); Der neue Bauernschwanz;
Ich bins erfreut; Ich sach's einsmals dem lichten Morgenstern. (Locheimer Liederbuch):
Ein Vroulein edel von Naturen; Der Walt hat sich entlaubet. (Schoffers Liederbuch):
Ich kam vor Liebes Fensterlein. Perche ciascun difender; Saltarello] (werm 3:544,
r.r. 408) PL 8120; Lyr 86
258 Musical Hours at St. -Eustache. Chanteurs de St. -Eustache; Martin, dir.
[VICTORIA. O vos omnes; Tantum ergo; O quam gloriosum. HANDL. Ecce quomodo.
AICHINGER. Factus est repente. VIADANA. O sacrum convivium; Exultate justi.
PALESTRINA. O bone Jesu. CERTON. Sancta Maria. ] (arl O 15 58)
^__ Rondo 1004 Stereo
} 259 Musiche profane del Rinascimento. Polifonica Ambrosiana; Biella, dir.
} I f_ .',Q [CARA. S'io sedo all'ombra. MARENZIO. Quando sorge I'aurora. VECCHI. Fa una
I L. t- i ^ canzone senza note nere. GASTOLDI. Viver lieto voglio] (sant 6:5)
J ■• 7" 33.3rpm Amad 15062
1260 Musiche sacre del Rinascimento. Polifonica Ambrosiana; Biella, dir.
-, Q [GAFFURIO. O sacrum convivium; Sanctus. PALESTRINA, Sanctus; Benedictus. ANON.
L^oT^ OJesu dulcissime.] (sant 6:5) 7" 33. 3rpm Amad 15061
I ; O « « » « « «
( re^sSiad ox^ a 5iuj2jU 12'' d^'lf)
MUSICIENS DE LA COUR DE BOURGOGNE: Chapelle de Bourgogne Chor & Instrumental-
ists; Eeckhout, cond.
261 V. 1:
[BINCHOIS (attr.). Mass. ISAAC, La Martinella (instr). CREQUILLON. Quand me
souvient. TURNHOUT. En regardant. OCKEGHEM. Ma maitresse. FINCK. O schones
Weib. ANON, (instr): Gepenst licht mij so vast. (Glogauer Liederbuch): Bauernschwanz;
Das Yeger Horn; Piece] ■ OL 50104
262 V. 2:
[(motets): LA RUE. Salve Regina. BINCHOIS, Virgo prefulgens; Kyrie feriale. DEPRES.
Quam pulchra es. DE CASTRO. Jubilate. BRUMEL, Mater Patris et filia, COMPERE.
O vos omnes. ANON. Virgo gloriosissima; Vitrum nostrum, (instr): CLEMENT. Die
Winter ist vergangen. MORLEY, Though Philomela lost her love. COMPERE.
Garissez moi. SCHEIN. Der kuhle Maien. DEPRES. Si je perdu men SLihy. BRUMEL.
Vray Dieu d'amour. DUFAY. Mon chier amy. GASTOLDL Musica a due voci. ANON.
La plus grant chiere; Fantasie; Fontaine a vous dire] (werm 3:544) OL LD 81
»««*«««
263 Musik der alten Niederlander. Muziekkring Obrecht.
[DUNSTABLE. Alma redemptoris mater. DUFAY, Franc cueur gentil. OBRECHT,
Rompeltier; Weet ghy wat mynder jonghen herten deert. DEPRES, De tous biens
playne] (biel N 59) 7" 45rpm Tel AW 8008
264 Musikkunde in Beispielen.
V. [6] [Gregorianik, Troubadours und Trouveres, Spielmannsmusik, AnfSnge der Mehr-
stimmigkeit,' Lied, Chanson, Madrigal, Messe, Motette, Instrumentalmusik]
V. [17] [Suite, Altklassische Sonate, Concerto. Susato, etc.] (biel N 59) (entire
set 20 discs) 2-12" LPEM 19306, 19317
265 Musique chorale du 13e au 16e si^cle. Quartetto Polifonico.
[VICTORIA, O vos omnes; Tenebrae factae sunt. PALESTRINA, Ave de coelis; Hodie
Christus natus est; Magnificat quarti toni; Popule meus; Range lingua gloriosi. ANON,
(laude): De la crudel morte; Alleluia; Dimmi dolce Maria; Giu per la mala via; O
cor soave] (werm 3:537) ' LL 995
MUSIQUE D'AUTREFOIS: Chaille, cond.
226 v, 1: XVe si^cle.
[BINCHOIS, Triste plaisir; Deuil angoisseux. BUSNOIS. Pucelotte (instr). COMPERE.
Ne doibt-on prendre; Che fa la Ramacina. DELAHAYE. Mort, j'apelle. DUFAY.
Donnes I'assault; Les doleurs. CARA. Occhi miei lassi. DUNSTABLE. O rosa bella.
GHISELIN. La Alfonsina (instr). ISAAC. Morte che fai?; La Morra (instr). TROM-
BONCINO. Non peccando; Ostinato vo seguire. VAROTER. Voi che passate. ANON.
Epitaphe de I'amant vert; Perla mia. (instr): Dit le Bourguignon; Tuba gallicalis; Coda
di volpe (Glogauer Liederbuch)] CdM LDX 8180
267 V.2: XVIe siecle.
[CHARDAVOINE. Mignonne, aliens voir. CHASTELAIN. Je ne desire que la mort.
TERTRE. Pavane & Galliarde. GERVAISE. Allemande; 3 bransles. LE HEURTEUR,
Mirelaridon. LE JEUNE. Fantasie (instr). SERMISY. 11 me suffit. DOWLAND. Come
again sweet love; Fine knacks for ladies; I saw my lady weep; Sir Henry Umpton's
funerall (instr); King of Denmark's galliard (instr); Up, merry mates, HOLBORNE.
(instr): Courante; Galliard; The night watch. JONES, Though your strangeness; Sweet
Kate. PHILIPPS. Allemande "Tregian." ANON, Basse-danse; Bransle; Tourdion;
Gentil mareschal] CdM LDX 8181
268 Musique du Moyen Age et debut Renaissance. Collegium Musicum Krefeld; Haas, dir.
[MACHAUT. Ma chere dame. DUFAY. Malheureux cueur. BINCHOIS. Adieu, mon
30
27i
joileux souvenir. CARON. Tanto I'afano (instr). VIDE. Amans doubles. ISAAC. Hora
h di maggio; Der Hund (instr). ALANUS. Mein Herz will allzeit, STOLTZER.
Melodia terti toni (instr). RUBINUS. Der bauernschwanz (instr). ENCINA. De neustra
Senora. LEON. Ay que non se. MONDEJAR. (instr): Sospiro; Mios fueron. GABWEL
(MENA), A quella mora garrida. ANON. Jesu corona virginum; In seculum viellatoris;
Virgo; Ich sachs eins mals; O lux luminis; (instr): Septimus; Estampie; Der Pfauen-
schwanz] (disques 85:29) (Fr) Anthol Sonore LD 3012
y-' La musique et la poesie franqaise. See no. 112
2.S9 Netherlands Chamber Choir; de Nobel dir. ; Stam (org)
^ [Ockeghem, Lassus, Handl, Lotti, Bach.] (issued in U.S. with Palestrina's Mlssa Brevis
and Missa ad Fugam on 12" Epic LC 3359) 10" Phil. S-06026R
270 Northern Consort.
[WEELKES, Welcome sweet pleasure. CAMPION. Never weather-beaten sail. DOWLAND.
Fine knacks for ladies. GIBBONS. The silver swan. LASSUS. O lady fair; S'io ti
vedess'una sol. DEPRES. El grillo. Also Monteverdi] (gram D 59)
7" 45rpm RRT 1001
Old English Masters. Peeters (org)
[BYRD. The bells. BULL. Laet ons met herten reyne; Vexilla regis. PHILIPS. Trio;
/ Fantasy. Also Puroell, etc.] (werm 3:545. r. r. 375) SPL 578
272 Old Italian Masters. Peeters (org)
' [A. GABRIELI. Canzon arioso. PALESTRINA (attr.) Ricercar. BRIGNOLL Canzona
francese. CAVAZZONI. Ad coenam. GUAMl. La Guamina. G. GABRIELI. Ricercare.
^ Also Frescobaldi, etc.] (werm 3:545) PLP 586
^73 Old Netherlands Masters. Peeters (org)
' [CORNET. Fantasia, 8th tone. DUFAY. Alma redemptoris mater. ISAAC. Herr Gott,
lass dich erbarmen. DEPRES. Canzona. DE MONTE. Canzona. KERCKHOVEN.
Prelude & fugue. OBRECHT. Ein frolich Wesen. OKEGHEM. Fuga trium vocum.
/- SWEELINCK. Fantasia in echo style. WILLAERT. Ricercare] (r.r. 380) Ren X 39
274' L'orgue k I'or^e de I'ere Baroque. Esposito (org)
■^ [CAVAZZONI. Ave Maris Stella. A. GABRIELI. Ricercare, 12th tone. G. GABRIELI.
La spiritata (canzone). LUZZASCHl. Toccata, 4th tone. Also Frescobaldi, Zipoli.]
(disques 111:548) 10" Harmonia Mundi
25.109
275 Parisian Songs of the XVIth Century. Vocal ensemble; Lamy, dir.
[SERMISY. Las, je m'y plains; Dictes sans peur. PASSEREAU. Pourquoi done ne
fringuerons nous; Sur la rous^e. JANNEQUIN. L'amour, la mort et la vie; II estoit une
It A I fillette; Ma peine n'est pas grande. CERTON. Que n'est-elle aupres de moi. HESDIN.
^ ' ' Plaindre I'ennui de la peine. GARDANE. O doulx regard. SANDRIN. Amour si haut.
DE LA GROTTE. Quand je te veux reconter. RORE. Tout ce qu'on peut. COSTELEY
7.CC>^(^* En ce beau moys. GOUDIMEL. Amour me tue. BONI. Rossignol mon mignon.
BONNET. Mon pere et ma mere. LE JEUNE. Rossignol mon mignon; Fiere cruelle;
Prince, la France te veut. ANON. Fretillarde amoureuse pucette.] (mil 322)
OL 50027
Pastourelles et bergerettes du 13e au 18e siecles. See no. 115
2J76 Paulist Choir, Chicago
■^ [PALESTRINA. Alma redemptoris. VICTORIA. Tantum ergo. ARCADELT. Ave Maria.
WEELKES. Welcome sweet pleasure. MORLEY. April is in my mistress' face; Now is
the month of maying. GIBBONS. Silver swan. Etc. ] (sch Mar 59) Efom 100
277 "Pentecote" Maitrise de la Metropole de Rennes; Orhant, dir.
[A. GABRIELI. Missa brevis. VIADANA. Magnificat. LE JEUNE. Ps. 138] (disques
juil 57) SM 3323
Petit concert of French Vocal Music. See no. 116
31
278. Pieces for Voice and Lute. (Deller (c-tnr), Dupre (lute)
[CAMPIAN. Never weatherbeaten sail; Most sweet and pleasing; Author of light. MILANO.
To music bent; Fantasia (lute). ANON. Miserer my maker. Also Buxtehude]
(gram jun 57) OL 50102
2/9 Polyphonic Masters of the XVlth Century. Gregorian Institute Choir
[PALESTRINA. O vos omnes; Laudate Dominura. INGEGNERI. Ecce quomodo moritur.
LASSUS. In pace, in idipsum. DEPRES. Ave vera virginitas; Mass "Ave maris Stella"
(Kyrie). ANDREAS. Jubilate Deo. VIADANA, Cantate Domino. ] (werm 3:546,
r.'r. 347) 10" GIA PM 1
Polyphonic Motets of the XVIth Century. See no. 313
V Polyphonic sacree en France. See no. 118
280 Pre-Baroque Sacred Music. Harvard & Radcliffe Choirs; Russell, dir.
[BYRD. Non nobis Domine. DEPRES. Veni creator spiritus. DUFAY. Magnificat octavi
toni. INGEGNERI. O bone Jesu. LASSUS. Spiritus tuus; Auditui meo; Non avertas
faciem; Ipsa te cogat. PALESTRINA. Magnifi(/at quarti toni. PRAETORIUS. Singet
dem Herrn. CHANT. Veni sancte spiritus] (werm 2:260, mil 326, r.r. 347)
10" Fest 70-202
2^1 Le Psautier Huguenot. Maitrise de I'Oratoire du Louvre; Hornung, dir.
[Psalm settings by Jambe de Fer, Signac, Crassot, Goudimel, Le Jeune, Sureau, de
I'Estocart] (disques 107:225) Cot MC 20160
282 Recorder Music of Six Centuries. Musicians' Workshop Recorder Consort.
[NEIDHARDT VON REUENTHAL. Tanzlied. MACHAUT, Mes espris. LANDINI. Gran
piant'agli occhi. DEPRES. Si je perdu mon amy. SUSATO. Suite. PRAETORIUS.
2 dances. WILLAERT. Ricercare. BASSANO. Fantasia a 3. LASSUS. 3 fantasias.
BYRD. Fantasia. MORLEY. 2 fantasias. DIOMEDE. Chromatic fantasia. GIBBONS.
2 fantasias. ANON. Stantipes; Saltarello; 3 villanellas. ] (werm 3. 547) CE 1018
283 Regensburger Domspatzen; Schrems, dir.
[Lassus, Victoria, Lotti] (biel N 59) ' 7" 45rpm VD 610
284 El Renacimiento EspaiToI. Pamplona Chorus; Morondo, dir.
[VASQUEZ. Zagaleje. MORALES. Inter vestibulum. CABEZON, Cancion. GUERRERO.
Villanesca. MORATA. Endecha. LASERNA. El cordero perdido. VICTORIA. Officium
defunctorum] (werm 3:550) DT LPG 8738
Renaissance and Baroque Lute and Guitar Music. Scheidt (guit)
[NEUSIEDLER. Preambul. MILAN. Pavan. WAISSEL. Phanrasia. GRAF VON LOGI.
Partita. DOWLAND. 2 galliards. (Capt. Digorie Piper; King of Denmark) Also
Weiss, de Visee] (werm 3:547) BG 548
286 Renaissance: Chants sacres et profanes. Ensemble Vocal Jouve
[DEPRES. Ave Maria. . JANNEQUIN. Ce moys. COSTELEY.. Je voys de glissantes eaux;
Mignonne allons voir. ANON. Belle qui tiens ma vie] (disques 68:670)
7" 33.3rpm Due 190-C-002
287 Renaissance Choral Music. Chorus Pro Musica of Boston; Patterson, dir.
[BYRD. I laid me down to rest; Christe qui lux. HANDL. Lord in thy resurrection.
JOAO IV. Crux fidelis. LASSUS. Ave verum corpus. TYE. Laudate nomen Domini.
VICTORIA. Ave Maria; O vos Omnes; Vere languores. SWEELINCK. Hodie Christus
natus est. ANON. Mother & maiden] (notes Mar 58) Unicorn 1025
288 Renaissance Music for the Lute. S. Bloch (voice & lute)
[(lute): WAISSEL. Polish dance. DOWLAND. Lachrymae pavan. FIORENTINO. Fantasia.
NIGRINO. Passamezzo. ANON. Scotch canaries; (ed. Attaignant): Pavane; La Roque.
f\f,X (^'^- Neusiedler): Preambul. (voice and lute): JONES. Go to bed, sweet muse.
■' ^ NEUSIEDLER. Freundlicher Gruss. TROMBONCINO, Ben che amor. CARA. lo non
compro. ROSSETER. When Laura smiles. ANON, (ed. Attaignant): Ces fScheux sotz;
II me suffit; Tant que vivray; Willow, willow] 10" AL 6
32
2&9 Ronsard par les musiciens de son temps.
[BERTRAND. Ce ris plus dous. CERTON. J'espere et crains. COSTELEY. Mignonne allons
voir. GOUDIMEL. Certes mon oeil fut trop adventureux; Amour me tue. LE JEUNE.
Rossignol mon mignon. JANEQUIN. Bel aubepin. LASSUS. O doux parler; Que dis-tu
MURET. Ma petite colombelle. ROSSELLI. Je ne veux plus chanter. LE ROY.
Demandes-tu, douce ennemie. ANON, (lute, ed. Attaignant): Haulberroys; Pavane;
Interlude; Basse danse; Laroque; Branle de Poitou] Ensemble Vocal Blanchard.
10" Vega C-35-A
290 Royal Music. Elizabethan Players; Nesbitt, dir.
*' [(viols): HENRY VIII. 3 fantasias. MARENZIO. Alas what a wretched life. DOWLAND.
Lachrymae. ANON. Sweet Amaryllis stay, (musette & virg): JAMES 1 OF SCOTLAND,
Duke of Rothesay's reel; Randolphes Hall; Queen Margaret's bridal ring; Because he was
a bonny lad. BRETON. All flowers in broome. BYRD, Carman's whistle, (virg):
COSYN. Thomas Lupoe's galliard; Packington's pounde. GIBBONS, Queenes commande.
(songs): HENRY VIII, Pastime with good company; Though some say. ANON, O death,
rock me to sleep] (gram D 59) (French issue has slightly different contents)
CCL 30121; PVC 16015
291 Sacred and Secular Songs from the Renaissance. Netherlands Chamber Choir; de Nobel, dir.
/ [OKEGHEM. Mass "Sine nomine" (Kyrie & Gloria). DUFAY. In festis beatae Mariae
Virginis. OBRECHT. Farce, Domine; La tortorella, DEPRES, Ave Maria, DASCANIO
1), Ul grillo. SCHUYT, O leyda gratiosa. SWEELINCK. Madonna, con quest'occhi.
TOLLIUS. Delia veloce sona. LASSUS, Matona mia cara] (Werm 3:548) (cf. no, 168)
Phil N 00678R
292 Sacred Music of the Renaissance. Vatican Choir; Refice, cond.
''' [LASSUS. Jubilate Deo. PALESTRINA. Incipit oratio Jeremiae; Regina coeli; Super
flumina. VIADANA, Exsultate justi. VICTORIA, Gaudent in coelis; Ave Maria;
Tenebrae factae sunt; Animam meam] (r.r,365) MG 10063
293' Sacred Polyphony. Harvard-Radcliffe Glee Clubs; Woodworth, dir.
[PALESTRINA, Supplicationes; Stabat mater; Confitemini Domino; Adoramus te;
J Benedictus & Hosanna. BYRD. lustorum animae. LASSUS. Laus tibi; Tibi gloria; Mass
* "Oadmirabile commerciuin" (Sanctus & Hosanna)] (sch May 58) Cam 405
Seven Centuries of Sacred Music. See no. 120
,.^4 Shakespeare Songs and Lute Solos. Deller (c-tnr); Dupre (lute)
[JOHNSON, Where the bee sucks; Full fathom five. MORLEY. It was a lover; O mistress
mine. WILSON. O take those lips away. ANON. Willow song; Callinore castore me;
Peg-a-Ramsay; Greensleeves. (lute): DOWLAND. Tarleton's resurrection. CUTTING.
^- Var. on Walsingham. VAUTOR. Alamaine] (gram D 59) Ang 45016
295 Sistine Chapel Choir; Bartolucci, dir.
' [VICTORIA. Ave Maria; Tenebrae; Caligaverunt; Animam meam; Vere languores; O crux
ave; Popule mens. ANCHIETA, Domine Jesu Christe. BINCHOIS. Ave verum.
PALESTRINA, Improperium; Sicut cervus, LASSUS, Nos qui sumus] (hi-fi Apr 55)
S PL 706
296 Sistine Chapel Choir; Bartolucci, dir.
[Palestrina, Victoria, Plainsong. From sound tracks of two Vatican films] (adv)
CR 600
297 Sixteenth and XVII Century Songs. French & English. Cuenod (tnr), Leeb (lute)
[CERTON, Ps. 130. LE ROY. Ps. 50. CREQUILLON. Quand me souvient. ATTAIGNANT.
. jQ Tant que vivray. DE VISEE. Suite en re (lute). BESARD. En quelque lieu; La voila la
iV '>' nacelle; Beau yeux. DOWLAND. Flow my tears; 1 saw my lady weep; Fantasie (lute).
BARTLETT. When from my love; A pretty duck there was; What thing is love.
1) i.e. Josquin Depths
33
/
/
HLKINGTON. Rest sweet nymphs. MORLEY. It was a lover.] (French songs also on
7" Due LAP 1021) (r.r. 410) West 18653; WL 5085
2^8 Sixteenth Century French Madrigals and Chansons; Sixteenth Century Italian Madrigals.
Randolph Singers.
[P. BONNET. Francion vint. CERTON. Je le vous dirai. LASSUS. Mon coeur se
recommande a vous; Si vous n'estes en bon point; Quand mori mari; Matona mia cara.
COSTELEY, Mignonne, allons voir; Las! je n'irai plus. WERT. Un'jour m'en allai;
Ah dolente partita. PASSEREAU. II est bel et bon. MARENZIO. Scendi dal paradiso.
VECCHI. Margarita dai corai. PIZZONI. Duo degli'occhi lucenti. FRESCOBALDI.
Fortuna per me] (r.r. 336) CHC 36
299 Sixteenth Century Music. Robert Shaw Chorale.
[MONTEVERDI. Lasciatemi morire. LE JEUNE. Revecy venir du printans. MORLEY.
Agnus Dei. BYRD. Christ rising again. LASSUS. Ol^! che bon eccho. LEISRING.
Lift up your heads. VICTORIA. O vos omnes] (r.r. 394) 10" LM 136
300 Songs of the Renaissance. (Germany & Austria). Vienna Academy Choir; Gillesberger, dir.
[LASSUS. Ich weiss mir ein Meidlein; Wohl kommt der May. HASSLER. Nun fanget an;
Jungfrau, dein schon Gestalt; Tantzen und Springen. SENFL. Das GelSut zu Speyer;
Ach Elsie in. SCANDELLI. Ein Hennlein weiss. FRANCK, Ich habs gewagt. FINCK.
Ach herzigs Herz. LEMLIN. Der Gutzgauch. OTHMAYER. Es steht ein Lind.
PRAETORIUS. Wach auf mit heller Stimm. LECHNER. Gott b'hute dich. ECCARD.
Hans und Crete. VULPIUS. Hinunter est der Sonnenschein. FRIDERICI. Wir lieben
sehr im Herzen; Einstmals das Kind Kupido] SPA 58
Sons of St. Francis Sing. See no. 37
301 Spanish Choral Music. Capilla Clasica Polifonica; Ribo, dir.
[VICTORIA. Ave Maria; Jesu dulcis memoria; O magnum mysterium. MORALES. Puer
natus est nobis. BRUDIEU. Ma voluntat amb la rao. VASQUEZ. Ya florecen los
arboles; D'aquel pastor de la sierra; De los alamos vengo; Morenica, dame unbeso.
ANON. Dadme albricias. Also traditional songs] (gram Jun 57)
CX 1308; Ang 35257
302 Spanish Court Music & Polyphonic School. Pamplona Chorus; Morondo, dir.
[ENZINA, Songs of the palace. VICTORIA. Resp. Tenebrae factae sunt. MORALES.
Sanctus. LASSUS. Echo. SENFL. Bells. CABEZON. Fantasia. Also Anon. ] (sch
Jul 59) (French issue includes Morales & Cabezon, a Villanesca by Guerrero, and 2
motets by Victoria; In elevatione corporis Christi; Respons. tenebrae factae sunt.
10" Lum LD 2422) ML 5373; MS 6057 Stereo
303 Spanish Music from the Court of Ferdinand & Isabella, (c. 1500). Brussels Pro Musica
Antiqua; Cape, dir.
[MUNOZ. Pues bien para esta. ENCINA. Ninguno cierre las puertas; Ay triste; Una sanosa
porfia; Gasajemonos de hucia; Fata la parte; Triste Espana; Caldero y Have; Hermitano
quiero ser; Hoy comanos y bebamus. VILCHES. Ya cantan los gallos. PONCE. De la
resurrection. RIBERA, Por unos puertos. GABRIEL. A la caza. ANON. Calabaza, no
se; Pase el agua; Dale si le das; Dios te salve; Desciende al valle] (mil 355, r.r. 345)
EMS 219
Spanish Songs, 16th and 17th Century. See no. 219
*«««»««
STORIA DELLA MUSICA ITALIANA (ed Valabrega)
304 v. 1: Various performing groups (cont. from no. 122)
[Record 3, side 1. Polifonia profana del 1400 e 1500: VECCHI. So ben mi ch'a bon tempo.
COPPINUS. Contrari i venti (carnival song). CORTECCLA. Di strani et vari luoghi; Hor
chi mai cantera. ANON. Alia battaglia (canzonet); Fortune dfsperata; Siam galanti di
Valenza (carnival song); Quel principe che regge.
Side 2. La musica strumentale, liuto e flauti: DALZA. Tasta de corde e pavane alia
34
Veneziana (Petrucci, 1508). CREMA. Recercare sexto (Gardano, 1546). TROMBON-
CINO. Longi dal mio bel sol (frottola). FRANCESCO DA MILANO. Fantasia no. 1
(lute); Fantasia (2 lutes). GALILEI. Duo nel primo modo (2 flutes); Contrapunto (2
lutes). GASTOLDI. Canzone a due voci per flauti diritti. NEGRI. Baletto e saltarello.
CAROSO. Laura suave (balletto). ANON. Aria per liuto. ]
[Record 4, side 1. Musiche per Organo, sec. XVI: CAVAZZONI. Jesu Redemptor
omnium; Ave maris Stella; Ricercare IV^. A. GABRIELI. Ricercare nel VII° tono.
MERULO. Toccata dell' undecimo detto quinto tono. G. GABRIELI. Canzone detta "La
Spiritata." LUZZASCHI. Toccata nel quarto tono. Side 2, Musiche Strumentali da
Concerto: S. ROSSI. Sinfonia; Gagliarda; Canzone (4 viols). INGEGNERI. Aria di
canzon francese per sonar (4 viols). FERRABOSCO. Fantasia (4 viols). G. GABRIELI.
Quattro canzoni per sonar (4 viols & spinet). GASTOLDI. Balletto per cantare e sonare
(sop & 4 viols). FRANCESCO D'ANA. Quest'e quel loco amore (sop & 3 viols).
[Record 5, side 1 (continues record 4): MONTEVERDI. De la bellezza le dovute lodi;
Parlo miser o taccio (madrigal); Chiome d'oro (canzonet, 2 voices & instrs); Augellin
(madrigal); Eccomi pronta ai baci (madrigal); Dolci miei sospiri; Fugge il verno dei
dolori. Side 2: PALESTRINA. Sicut cervus; O quantus luctus; Dilectus meus; Nigra
sum (motets); Popule meus; Sanctus & Benedictus (Missa Papae Marcelli).]
10-12" RCA Vic LM 40 000
305 [Record 6, side 1. La Polifonia Sacra dei Maestri di Scuola Romana: NANINI. Diffusa est
; gratia (offertorio). ANERIO. Jerusalem surge (response); Plange quasi virgo (response).
FRANCESCO SORIANO. Passio Domini nostri Jesu Christi secundum Joannem. Side 2,
La Polifonia Sacra. . . di Scuola Veneziana: G. GABRIELI. Jubilate Deo; In te Domine
speravi (motets). CROCE. Percussit Saul; Buccinate; Incipit Domino (motets).]
10-12" RCA Vic LM 40 000
306 [Records 7-8, II Madrigale: MARENZIO. Zefiro torna; Dono Cinzia a Damone; A Roma.
• GESUALDO. Luci serene e chiare; Dolcissima mia vita. VECCHI. Margherita dai
' • corai. CROCE, Canzone del cucco e del rosigriolo con sentenza del Pappagallo.
BANCHIERI. Brani dalla braci di Venezia per Padova. A. GABRIELI. Sento, sento un
rumor; Alia battaglia. STRIGGIO. II gioco di primiera; II cicalamento delle donne ai
bucato. MONTEVERDI. Introduzione al ballo; Volgendo il ciel; Movete al mio bel
suon. ]
[Records 9-10, works by PERI, CACCINI, GAGLIANO. CAVALIERI. and CARISSIMI.]
10-12" RCA Vic LM 40 000
«««««««
^Qi Tientos du si^cle d'or espagnol. Castellvi (org)
[Tientos by Cabezon, P. Vila, and Anon. ] (disputes 91:741) 7" 45rpm Due 450-C-040
3P8' A Treasury of Madrigals. Renaissance Singers; Engel, dir.
[LE JEUNE. Revecy venir du printans. COSTELEY. Allez. mes premieres amours. LASSUS.
Ne vous soit etrange. BERTANI. Ch'a mi la vita. GESUALDO. Tu m'uccide o crudele.
MONTEVERDI. Non piii guerra. BATESON, T. Sister, awake. BYRD. I tfiought that
love had been a boy. GIBBONS. The silver swan; What is our life. GREAVES. Come
away, sweet love. LICHFILD. I always loved to call my lady Rose. TALLIS. When
shall my sorrowful sighing. WEELKES. To shorten winter's sadness; Hark all ye lovely
saints. WILBYE. Down in a valley. VAUTOR. Mother, I will have a husband]
(r.r. 326, werm 2:261) ML 4517
309 The Triumphs of Oriana. Madrigal Guild, Washington, dir.
[EAST. Hence stars. NORCOME. With angel's face. MUNDY. Lightly she whipped.
E. GIBBONS, Long live fair Oriana; Round about her charret. BENNET. All creatures
now. HILTON. Fair Oriana. MARSON. The nymphs and shepherds. CARLTON. Calm
was the air. HOLMES. Thus Bonny-boots. NICHOLSON, Sing, shepherds all.
TOMKINS. The fauns and satyrs. CAVENDISH. Come, gentle swains. COBBOLD.
35
With wreaths of rose. MORLEY. Arise, awake; Hard by a crystal fountain. FARMER.
Fair nymphs. WILBYE. The lady Oriana. HUNT. Hark! did ye ever. WEELKES. As
Vesta was from Latmos Hill. MILTON. Fair Oriana. KIRBYE. Bright Phoebus. JONES.
Fair Oriana. USLEY. Fair Citherea. JOHNSON, Come, blessed bird. ] (mil 374,
r.r. 372, werm 2:261) (Complete recording of the original edition)
3-12" ML 7000/2
310 The Triumphs of Oriana. Randolph Singers.
[Contents identical to no. 309, with the addition of "other Oriana madrigals": BATESON.
Hark! hear you not; When Oriana walked. CROCE. Hard by a crystal fountain (Ove tra
I'herb). GREAVES. Long have the shepherds sung; Sweet nymphs. HLKINGTON. When
Oriana walked. VAUTOR. Shepherds and nymphs. ] (r.r. 411)
2-12" West WAL 212; 2225
311 Two-hundred Years of Brass Music. Chamber Brass Players.,
[Gabrieli, Schein, Susato, etc.] (sch Jul 58) Classic 1039
312 Vienna Choir Boys; Brenn, dir.
[HANDL, Ascendit Deus. PALESTRINA. Salvator mundi; Super flumina. INGEGNERI. O
bone Jesu. VICTORIA. Tenebrae factae sunt. NASCO. O salutaris hostia. ] (gram
Apr 55) 10" Phi N-00624;
Phi NBR 6013
313 Vocal Polyphony from the 15th to the 17th Century. Petits Chanteurs de la Renaissance;
Noyre & Pagot, conds.
a. Polyphonic Motets of the XVIth Century, (separate French issue 7" Erato LDE 1001)
[LA RUE. O salutaris hostia. LASSUS. Nos qui sumus. PALESTRINA. Ego sum panis.
MORALES. Puer natus est. MARENZIO. O rex gloriae] (werm 3:546)
b. French Sacred Music, (separate French issue 1" Erato LDE 1009) [WEERBECKE. Virgo
Maria. GOUDIMEL. Ps. 133. BOUZIGNAC. Jubilate Deo. DU CAURROY. Missa pro
defunctis: Requiem] (werm 3:540) (Items in b. , except Weerbecke, also in Histoire
de la Musique Vocale. See no. 96) HSL 9007
314 Wiener Kammerchor; Grossmann, dir.
[LASSUS. Serenade du Lansquenet. HANDL. Hodie Christus natus est; Ecce quomodo.
Etc.] (disques 42:565) Due LPG 8238
315 William Byrd and his Age: Divers Songs for Voice and Viols. Deller (c-tnr); Wenzinger
Consort of Viols
[BYRD. My sweet little darling; Ye sacred muses; Lullaby; My sweet little baby; Come,
pretty babe; Fantasia (instr). WHYTHORNE. Buy new broom. CORKINE. What
booteth love. NICHOLSON. In a merry May morn. PARSONS. Pandolpho. Fantasias
by Ferrabosco, Anon.] (hi-fi Jan 57) BG 557
316 Yale Collegium Musicum; Hindemith, dir.
v. 1: [WEELKES. O care, thou wilt despatch me; Hence care, thou art too cruel; A sparrow-
P I h/— (3 ■ hawk proud. GESUALDO. Dolcissima mia vita; lo pur respiro. MONTEVERDI. Lagrime
' ' d'amante. Also Bach]
V. 2: [PEROTIN. (organum): Alleluia, nativitas gloriosae. DUFAY. Missa "Ave regina
caelorum" (Kyrie). LASSUS. Ogni Occhio del Signer; Ah quanti gia felici (both from
0 j M^\^ "Lagrime di San Pietro"); Im lant zu Wittenberg. HANDL. Mirabile mysterium. G.
GABRIELI. Nunc dimittis; Virtute magna. PALESTRINA. Missa "Sine nomine" (Credo)]
(mil 307; r.r. 373) 2-12" Over 4/5
317 Zabaleta (harp)
[MUDARRA. Fantaisie. NARBAEZ. Variations pop. CABEZON. Pavane & var. MILANO.
Pavane. Etc.] (disques 57:378, r.r. 346) Eso 509; Cot MC 20012
36
ADDENDA
318 Dessoff Choirs; Boepple. cond.
[PEROTINUS. Viderunt omnes; Salvatoris hodie; Vetus abit littera; Noblilis humilis. ANON.
Alle, psallite; Bon vin] (r.r. 337) CHS 1112
319 Five Centuries of Choral Music. All Saints Church Male Choir, Worcester, Mass; Self, cond.
[M. FRANCK. Father, Thy Holy Spirit send. PALESTRINA. Alma redemptoris mater.
ROSSELLL Adoramus te. TALLIS. If ye love me. Etc.] (r.r. 309) Classic 1023
320 Organ Music of the 16th and nth Centuries. Noehren (org)
[CABEZON. Diferencias sobre el canto del caballero. SCHLICK. Maria zart. SWEEUNCK.
Fantasia super ut, re, mi, fa sol, la; Mein junges Leben. SCHEIDT, Da Jesus an dem
Kreuze stund. Also Freecobaldi, Pachelbel] (r.r. 298) AL 36
321 Sacred Music Around the Church Year. Trapp Family Singers; Wasner, cond.
[AICHINGER. Regina coeli. ECCARD. Resonet in laudibus. JOAO IV. Crux fidelis.
LASSUS. Salve Regina; Surrexit pastor. PALESTRINA. O bone Jesu. ANON. O Maria
Diana Stella. PRAETORIUS. Psallite unigenito. Also Ambrosian chant, etc.]
(r.r. 337) CHS 1100
322 Sixteenth Century Harpsichord Music. Kirkpatrick, (hpsi)
[BULL, Dr. Bull's grief; Dr. Bull's myself; Praeludium. BYRD. Why do you walk the woods
so wild? CABEZON. La galliarda milanesa; Pavana italiana. GIBBONS. Fantasia in four
parts. SWEELINCK. Toccata & var. on "Soil es sein"] (r.r. 335) CHD 8
37
PART II
INDEX TO ANTHOLOGIES AND
INDIVIDUAL DISCOGRAPHIES
BY COMPOSER
PART II
Discs devoted mainly to the works of one or two composers are listed here,
immediately following the composer's name, rather than with the anthologies in Part I.
In most cases, contents for these are indicated only by underlined numbers, which
correspond to the list of works following the entries for the discs. The numbers not
underlined following each title refer to the anthologies in Part I.
Examples;
BYRD (p. 45) The composition "Ave Maria" (no. 2), is included in West-
minster recording XWN 18402 (performed by the Renaissance Singers conducted by
Howard), and also in anthology no. 230 (p. 26). "Assumpta est Maria" is included in
the same Westminster recording, but is not found in any of the anthologies.
LASSUS (p. 60) The recording on Unicorn 1013 by the Vienna Kammerchor
conducted by Gillesberger contains only one composition by Lassus--the complete mass
"Puisque j'ai perdu" (note that the word mass is not repeated before each title). Another
complete recording of the same mass will be found in anthology no. 156 (p. 17), and an
excerpt from it (the Benedictus) in no. 216 (p. 24). Contents of the remainder of disc
Unicorn 1013 will be found under PALESTRINA.
Anonymous compositions are listed at the end of this index (p. 76), arranged
alphabetically by title. Some are also listed elsewhere in the index, under names of
collections such as "Glogauer Liederbuch" and, in a few cases, names of manuscripts,
e.g. "Bayeux" 1). Titles of individual plainsong compositions are not generally included
here (see headings "Ambrosian chant, " "Gregorian chant" etc. in the main list).
Additional information, such as the medium of performance, is not usually
included in the index; a more detailed entry will often be found in the anthology to
which reference is made.
It may be found in some cases i,hat the same composition has been listed
under two or more different titles. Since secondary sources had to be so often relied
upon, it was obviously impossible for the compilers to establish the exact identity of
every composition.
1) Such entries are by no means complete, since there are undoubtedly numerous other
anonymous pieces from these collections and manuscripts which could not be so
identified from the information available.
41
ADAM DE LA HALLE, c a 1 23 5 - c a 1 2 8 8
Amours et ma dame:110 Bergeronette:97 Dieu soit en cheste maison:103 Li dous regars:
85,110 Fines amourettes: 119 Helas, il n''est mais nuns:95 Le jeu de Robin et Marion:
90 Robin m'aime:115 Rondeaux (13):90 Tant con je vivrai:215 Virelai:85
AGAZZARI, AGOSTINO, 1578-1640
Dimmi donna gentile: 132
Agincourt, Perrin d'. See PERRIN d'AGINCOURT
AICHINGER, GREGOR, 1564-1628
Assumpta est Maria:179 Factus est repente:258 Regina coeli: 242, 243, 245, 247, 321
ALANUS, MAGISTER, 15th c
Mein Herz will allzeit:268
ALBERT, HEINRICH, 1604-1651
Mein schones Lieb:211 O der rauhen Grausamkeit:211
ALFONSO EL SABIO, 1252-1284
Beneyto foi:110 Cantigas de Santa Maria:106 (11 selections). 200 (no. 96), 230 (no. 117)
ALISON (ALLISON. ALOYSON), RICHARD, 16th-17th c
Fyre in my meditation: 226
AMBROSIAN CHANT
44,97.121,321
ANA, FRANCESCO D". 15th-16th c
Quest'e quel loco amore:304
ANCHIETA, JUAN DE, cal450-1523
Domine Jesu Christe:295
ANDREAS, 16th c
Jubilate Deo:279
ANERIO, FELICE, cal560-1614
Adoramus te:213 Jerusalem surge:305 Plangi quasi virgo:305
ANNA VON COLN, LIEDERBUCH DER
210
ANTIQUIS, GIOVANNI D", 16th c
Madonna non so far tante parole: 122
ARCADELT, JACOB, c a 1 5 1 4 - c a 1 5 6 2
Ave Maria:276 II bianco e dolce cigno:230 Margot laboures les vignes:180 Nous voyons
que les hommes:161 S 'infinite bellezza: 220 Voi me ponest'in foco:221, 255 Also 160
Arimini, Vincenzo d". See VINCENZ.O DA RIMINI
ARNAUT DANIEL, 12th c
Chanson do: 104
Arnold de Lantins. See LANTINS, ARNOLD DE
ARNOLD VON BRUCK, d 1554
Christ der ist erstanden:214
Arras, Monio d'. See MONIO D'ARRAS
ASOLA, GIOVANNI MATTEO, d 1609
Adoramus te, Domine:248 Ave rex noster:250 Cantabant sancti:249 Cum autem venisset:
250 Hoc signum crucis:249 Introduxit me:249 Lapidaverunt Stephanum:250 O alti-
tude divitiarum:250 Omnes de Saba:249 Surge amica mea:249 Surge propera:250
Surrexit pastor: 249 Te gloriosus apostolorum:250 Tu es Petrus:250
ATTAINGNANT, PIERRE, ed.
102, 130, 176, 206, 207, 208, 225, 226, 288, 289, 297
ATTEY. JOHN, d cal640
Greensleeves:181 Mrs. Vauxe's gigge:181 My Lady Hundson's puffe:181 On a time:181
Orlando sleepeth:181 Sweet was the song:120,181
43
AZZAIOLO (AZZAIUOLO). FILIPPO. 16th c
L'amanza mia:228 Come t'aggio lasciata:228
3ANCHIERI, ADRIANO, d 1634
Brani dalla braci di Venezia per Padova:306 II festino della sera del Giovedi Grasso:132
lo son bella e favorita:217 La pazzia senile (excerpts):217
3ARTLET, JOHN, fl 1606-1610
Of all the birds:187, 195 A pretty duck there was:297 What thing is love:181, 297 When
from my love: 297 Whither runneth my sweetheart: 166
3ASSANO, GIOVANNI, fl 1585-1615
Fantasia: 282 Also 144
3ATAILLE, GABRIEL, b cal575
Foux, taisez vous:206 Ma belle, je vous prie:206 Ma bergere non legere:206 Un jour
que ma rebelle:206 Renee:226
3ATESON, THOMAS, cal570-1630
Hark! hear you not:310 Sister, awake:308 When Oriana walked:310
5AYEUX MANUSCRIPT
125,234,318
SELLE, JAN VAN, 16th c
In't groene:203
iENET, JOHN, 15th c
Pleni sunt coeli:120
SENNET, JOHN, 16th-17th c
All creatures now:195, 197, 309, 310 Thyrsis, sleepest thou?:96, 235 Weep O mine eyes:
195.232
lERCHEM (Jachet, 16th c?)
Alleluia surrexit Dominus: 251 Johan de Lagny:130 O Jesu Christe:141, 253 Que feu
craintif:130
lERNARD DE VENTADOUR, d 1195
Can vei la lauzeta:94, 97,100, 104, 110 La doura votz:112 Lancan vei la folha:91,.103
Also 123
iERTANI, LELIO, d cal600
Ch'a mi la vita:308
iERTRAND, ANTOINE DE, 16th c
Beaute qui sans pareille: 139 Ce ris plus doux:180, 289 Certes mon oeil:139 Hola, Caron:
139 Je meurs, helas:139 Mon Dieu, que ma maitresse est belle:232 Vivons, mignarde:
139
JESARD, JEAN-BAPTISTE, c a 1 5 6 7 - c a 1 6 2 5
Beaux yeux:226, 297 En quelque lieu:297 La voila la nacelle:297 Lute pieces: 137
3INCH0IS, GILLES, cal400-1460
Adieu m'amour:96, 99 Adieu, mon joileux souvenir:268 Ave verum:295 De plus en plus:
95.112,128,257 Deuil angoisseux:266 Filles a marier:215 Kyrie feriale:262 Mass
(attr):261 Triste plaisir:265 Virgo prefulgens:262
HNGEN, VON
O virga ac diadema:224
3LITHEMAN, WILLIAM, d 1591
Eterne rerum conditor 111:236 Gloria tibi trinitas:193
3LONDEL DE NESLES, 12th c
A I'entrant d'este:85,94
30ESSET, ANTOINE, cal585-1643
Cruel tyran:206
44
30NI. GUILLAUME, b cal545
Rossignol mon mignon:275
BONNET. PIERRE, 1538-1608
Francion vint I'autre jour:208,298 Mon pere et ma mere:275
30RLET
Ma tre dol rosignol:206
3RADE, WILLIAM, 1560-1630
Dances:177
3RASART, JOHANNES, 15th c
O flos flagrans:128
3RET0N, NICHOLAS. 16th c
All flowers in broome:290
3RIGN0LI, GIACOMO, b cal550
Canzona francese:272
3ruck, Arnold von. See ARNOLD VON BRUCK
3RUDIEU, JOAN, d 1591
Cid. cid:165 Ma voluntat amb la rao:301
Jrule. Gace. See GAGE BRULE
3RUMEL, ANTOINE, c a 1 48 0 - c a 1 5 2 0
Mater patris et filia:262 Sicut lilium:179 Vray Dleu d'amour:149, 262
5UCHNER. HANS (JOHANNES). 1483-1538
Schmidt (org)
[Christ ist erstanden; Kyrie magnae Deus potentiae] (verso: Schlick) 7" DGA 37170 EPA
Es gieng ein Mann:215
)ULL, JOHN, d 1628
International Congress of Organists, v. 5
[4 canons on Miserere] 2-12" Mir 1010
Courant:236 Dr. Bull's my selfe:166, 216. 322 Dr. Bull's grief:322 Duke of Brunswick's
toye:166 Een kindeleen is uns geboren:238 Fantasias: 198, 238 Fantasia on a theme of
Sweelinck:212, 238 Galliards:188, 189, 236, 238 (La Guamina) In nomine:188, 193, 194,
252 Laet ons met herte reijne:212,238,271 Pavanes:184, 188, 238 Preludium:252,322
Prelude & fantasy on ut mi fa sol:238 Salvator mundi:198 Salve regina:238 Vexilla
regis:238,271 Walsingham variations: 184 Hpsi pieces:186
5USNOIS. ANTOINE, d 1492
Pucelotte:266
iYRD, WILLIAM, 1542 or 43-1623
Choral Society of London (Bath)
38.39 Al 101; Al Elite 3005
Fleet St. Choir (Lawrence)
39.40 LL 888; LPS 372
International Congress of Organists, v. 3
32,39
Neumeyer (hpsi)
42,46
Nonesuch Singers (Smith), King (org)
40,43.47,50.51.53.54
Pro Musica Antiqua (Cape)
39,40
Renaissance Singers (Campbell)
9,11,38
Renaissance Singers (Howard)
39,40
2-12" Mir 1006
10" DGA 13026 AP
Al 3021
EMS 234
RG 114
XWN 18401
45
Renaissance Singers (Howard)
1.2,3.4.8.20,25.26.27.28.29.30 XWN 18402
Washington Chamber Chorus (Callaway)
36 Vang 453
(vocal):l. Assumpta est Maria 2. Ave Maria:230 3. Ave verum:167, 230 4. Beata virgo
5^. Beata viscera: 247 6. Confirma hoc Deus:247 ]_. Christ rising again: 299 8. Christe
qui lux: 287 9. Civitas sancti tui 1^. Come, pretty babe: 315 11. De Lamentatione
12. Dies sanctificatus:246 1^. An earthly tree:172 14. Ego sum panis:96, 235 15.
Haec dies:216,247 16. Hey ho to the greenwood (round):166 17. I laid me down to
rest:287 1£. I thought that love had been a boy:308 19. I will not leave you comfort-
less:243 20. lustorum animae:213, 293 21. Lullaby:315 22. My sweet little baby:315
23. My sweet little darling:315 24. Non nobis Domine:280 25. O magnum mysterium:
246 26, O sacrum convivium 27. Sacerdotes Domini 28. Salve Re gina '29. Salve
sancta parens 30. Senex puerum portabat 31. Sing joyfully unto God: 205 32. Specie
tua 33. This sweet and merry month:231 34. Though Amaryllis dance:232 35. Ye
sacred muses:315
(liturgical): 36^. Great Service 37_. Short service (Nunc dimittis):254 3£. Mass for 3 voices
39. Mass for 4 voices 40. Mass for 5 voices
(instr): 4]^. Almans:252, 237 42. The bells: 137, 271 43. Carman's whistle:183, 252, 290
44. Coranto:237,252 45. Fantasias: 198, 282, 315 46. Fortune variations 47_. Grounde
48. The King's hunt:184 49. Lord Willoby's welcome home:237 50. Miserere 51.
Pavans & galliards: 184, 223,237 52. Preludium:184 53. Ut, re, my, fa, sol, la:193
54. Veni creator spiritus 55. Voluntary:198 56. The wood so wild:322 Hpsi pieces:186
BYTTERING (or G YTTERING) ,~~15 th c
Nesciens mater: 215
BYZANTINE CHANT
97,111
CABEZON, ANTONIO DE, 1510-1566
Musique d'orgue en Espagne. Giro (org)
2,6.7 Cot 20142
1_. Canci6n:284 2. Diferencias sobre el canto del caballero: 135, 320 3. Fantasia:302
4. Galliarda:322 5. Pavana:317,322 6. Tientos:223.307 7. Versets Ave Maria
CAIMO, GIUSEPPE, cal540-1584
Ben ragio:220 The cuckoo:220 Also 143
CAMPION, THOMAS, 1567-1620
Author of light:278 Care-charming sleep:194 Follow thy fair sun:159 Follow your saint:
159 It fell on a summer's day:159 I care not for these ladies:159. 187 Jack & Joan:166
Most sweet and pleasing:278 My love hath vowed:159 My sweetest Lesbia:159 Never
weather-beaten sail:270.278 Shall I come sweet love:194 Though you are young:159
Turn back you wanton flyer:15,9 When to her lute Corinna:159
CARA, MARCO, fl 1495-1525
Forsi che si:122 lo non compro:221, 288 Non e tempo:220, 221, 226.256 Occhi miei lassi:
266 S'io sedo all'ombra:259
CARLTON, RICHARD, c a 1 5 5 8 - c a 1 6 3 8
Cahn was rhe air:309.310
CARMEN, JOHANNES, fl 1403-1415
Der ratten schwanz (Glogauer Liederbuch):101
CARON, PHILIPPE, 15th c
Tanto I'afano (Glogauer Liederbuch):268
CAROSO, FABRITIO, b 1535
L'aura soave:304
46
CAROUBEL, FRANCISQUE, d cal619
Branles:138
CASTRO, JEAN DE, 16th c
Jubilate:262
Cato, Diomedes. See DIOMEDES, CATO
Caurroy, Fran9oisdu. SeeDUCAURROY
CAVAZZONI, GIROLAMO, 16th c
Ad coenam:272 Ave maris Stella: 274, 304 Jesu Redemptor omnium:304 Madame vous
avez mon cuor:204 Ricercare IV:304 Also 145
CAVENDISH, MICHAEL, cal565-1628
Come, .gentle swains:309, 310 Down in a valley:226
CERTON, PIERRE. cal510-1572
J'espere et crains:289 Exultate iusti:95 Je ne I'ose dire:174, 229 Je le vous dirai:298
Ps. 130:297 Quare fremuerijnt:95 Que n'est-elle aupres de moi:275 Sancta Maria:258
Verba mea:95
Chant. See AMBROSIAN, BYZANTINE, GREGORIAN, RUSSIAN CHANT.
CHARDAVOINE, JEHAN, 1537-cal580
Mignonne, allons voir:267
CHARDON DE REIMS
Chanson de croisade:94
CHARLES D'ORLEANS
Dieu qu'il la fait bon regarder:112
CHASTELLAIN (CHASTELAIN), CHARLES, cal490-1578
Je ne desire que la mort:267
CICONIA, JOANNES, 15th c
O rosa bella:215 Una panthera:217
CIMELLO, THOMAS, 16th c
Canzona villanesca:221 Gli occhi tuoi:220
CLEMENT, JACQUES, called Clemens non Papa, d cal556
Antwerp Collegium Musicum (Weyler)
[Souterliedeken (Psalms)] 10" CAN 1116K
Adoramus te:229 Aymer est ma vie:130, 206 Ic sag adieu:230 Misericorde au martyr:
95 Puisque voulez:95, 207 Venez mes serfs: 125 Die Winter ist vergangen: 262
COBBOLD, WILLIAM, cal559-1639
With wreaths of rose:309,310
Coincy, Gautier de. See GAUTIER DE COINCY
COMPERE, LOYSET. d 1518
Che fa la ramacina:266 Crucifige:128 Garissez moi:262 Le grant desir:206 Ne doibt-on
prendre:266 Nous sommes de rordre:215 O vos omnes:262 Reyne du ciel:118 Vous
me faites mourir:206
CONSILIUM, JOANNES (JEAN CONSEIL), d 1535
L'autre jour:116 Si de nouveau:124
COOKE, 15th c (in Old Hall Ms.)
109
COOPER, JOHN (GIOVANNI COPERARIO), cal570-1627
Fantasy:216,222 Gloria in excelsis:245 Suites:222
COPPINUS, ALEXANDER, 16th c
Contrari i venti:304
CORKINE, WILLIAM, 16th-17th c
What booteth love: 315
CORNAGO, 15th c
Que es mi vida:202
47
CORNET, PIETER, d 1626
Fantasia:273
■CORTECCIA, FRANCESCO, d 1571
Di strani e vari luoghi:304 Hor chi mai camera: 304
COSTELEY, GUILLAUME, 1531-1606
Ensemble Vocal, M. Couraud
12 Chansons:4, 7, 8. 9, 11, 12. 15, 16, 17, 18, 21, 22 ' 10" Dis 325. 042
Ensemble J. -P. Kreder.
2,9,12,19 (with Lassus) 7" Erato LDE 1044
1. Allez, mes premieres amours:308 2. Aliens, gay:130 3. Aliens au vert bocage:216
4. Dessoubz le may 5. En ce beau moys:275 6. Helas! que de mal:206 ]_. Je t'aime
8. Je vois de glissantes eaux:229,232,286 9. Las je n'irai plus:116, 298 10. Lautrier
priay de danser:229 11. Ma douce fleur 12. Mignonne allons voir:130,..167, 208, 232,
286,289,298 13. Noblesse git au coeur:208 14. La prise du Havre:139 1^5. Puisque ce
beau moy. 16. Quand le berger:180 17. Quand I'ennuy 18. Quand ma maitresse
19. Si c'est un grand tourment 20. Toutes les nuits:124 21. Un usurier 22. Voyci la
saison Also 163,241
CRASSOT, RICHARD, b cal530
Psalm(s):281
CRECQUILLON, THOMAS, d cal557
A vous en est:95 Alix avoit aux dents:207 L'ardent amor:95, 207 Cessez, mes yeux:95
Je suis aime:95,^124 Plaisir n'est plus:124 Pour ung plaisir:96, 99 Puisque malheur:95,
206 Quand me souvient:261, 297 Verbum caro factum est:244
CREMA, GIOVANNI MARIA DA. 16th c
Recercare sexto:304 Also 144
CROCE, GIOVANNI, cal557-1609
Beati eritis:249 Benedicam Dominum:249 Buccinate:305 Cantate Domino:249 Canzone
del cucco e del rossignolo:306 Ego sum pauper:249 Exaltabo te:249 Hard by a
crystal fountain (Ove tra rherb):310 Incipit Domino: 305 Jube, Domine, benedicere:
142 Percussit Saul:305
CUTTING (FRANCIS or THOMAS, 16th-17th c)
Variations on Walsingham:294
DALZA, JEAN-AMBROSIO, 15th-16th c
Calata:204 Pavana:225 Ricercare:226 Tasta de corde e pavana:304
DAMETT, THOMAS, 15th c (in Old Hall Ms)
109
Daniel, Playof
117 (lament): 97
DANYEL (DANIEL), JOHN, d 1630
194
Dascanio, Josquin. See DEPRES, JOSQUIN
DAVY, RICHARD, 15th-16th c
Timuerunt valde:215
DEERING, RICHARD, d 1630
Country cries: 175 The cries of London: 175
de la Grotte, Nicolas. See GROTTE, NICOLAS DE LA
DELAHAYE, JEAN, 15th c
Mort, j'apelle:266
DELAHAYE. 17th c
138
48
de La Rue. Pierre. See LA RUE, PIERRE DE
de la Torre, Francisco. See TORRE, FRANCISCO DE LA
DELATRE, CLAUDE PETIT JEAN, 16th c
Al hadden wy 45 bedden:129
DEMANTIUS, CHRISTOPH, 1567-1643
MSgdlein, wollt ihr nicht:171
de Monte, Philippe. See MONTE, PHILIPPE DE
DEMOPHON, ALEXANDEFT, 16th c
A che son hormai conducto:216
DEPRES, JOSQUIN. d 1521
Berkeley Chamber Singers (Aird)
1^ Mus Lib 7075
Ensemble Vocal Caillard
12 10" Era LDE 2010
West 18836 (verso: Palestrina)
Catawba College Choir (Weaver) (verso: Sacred Music)
12 Mus Lib 7085
Ensemble Vocal M. Couraud 13 Chansons Francaises
18, 19, 21, 26, 27, 28, 29, 31, 33. 34, 36, 42 (2 versions of 19) 10" Dis DF 7
Dessoff Choirs (Boepple). (verso: Lassus)
4 CHC 47
Ensemble Vocal- de Paris (Jouve). (verso: Lassus)
1 10" Due 255-C-013
Pomona College Glee Clubs (Russell)
12
Pro Musica Antiqua (Cape). Secular Works.
18', 19, 20, 23, 24, 27, 29, 33', 34, 35', 37'. 38^, 44, 47' EMS 213
Chanteurs' de St. -Eustache (Martin)
7.15 AMS 4
(motets): 1. Ave Maria:96, 99, 141, 167, 168, 286, 291 2. Ave vera virginitas:185, 279
3. Ave verum:167, 179, 247 4. De profundis 5. In principio erat verbum:244 6.
Miserere: 164, 129 2- Misericordias Domini: 201 8. O Domine Jesu Christe:251 9.
Quam pulchra es:262 10- Stabat Mater: 129 U. Tribulatio et angustia:215 12. Tu
solus: 141 13.- Veni creator spiritus:280
(masses): 14. Ave maris stella:279 (Kyrie) l^- Hercules Dux Ferrariae:129 (Kyrie) 16.
L'homme arme:215 (Sanctus) 17. Pange lingua
(chansons): 18. Allegez-moy 1^. Basiez-moy 20. Bergerette savoysienne:206 21. Cueur
langoreulx 22. De tous biene playne:263 _23. Douleur me bat 24. Faulte d'argent
25. El grillo:183,215,220,270,291 26. L'homme arme 27. Incessament mon povre
cueur 28. J 'ay bien cause 29. Je me complains 30. Je ne me puis tenlr:215 31. Ma
bouche rit 32. Mille regretz:174, 180, 203, 208 33. N'esse pas un grand deplaisir
34. Parfonds regretz 35^. Petite camusette 36. Plaine de dueil 37. La plus des plus
38. Pour souhaitter 39. Se congie prens:129 40. Scaramella:129 41. Si je perdu
mon amy: 262, 282 42. Tenez-moy 43. Vive le roy: 129 44. Deploration de J.
Ockeghem (Cueurs desoles):169
(instr): 45. Canzona:273 46. Fantazies:255 47. Fortuna d'un gran tempo Also 143, 144,
163,224
Dering, Richard. See DEERING, RICHARD
de Rore, Cipriano. See RORE, CYPRIAN DE
DIOMEDES, CATO, b cal570
Chromatic fantasia:282
49
XWN 18429
EMS 12
3-12" West 18711.
18761,18763
Ren 27
TW 91067
EA 0034
OL 50163
Per 727
AL 96
DOMENICO, GIAN, d cal570
Tri ciechi siamo:132
DONATO (DONATI), BALDASSARE, 1548-1603
Chi la gagliarda:122, 228 Viva sempre in ogni etate:122
DOWLAND, JOHN, 1563-1626
Bream (lute). Julian Bream Plays Dowland
43, 44, 45,47, 48, 50, 51, 52, 53, 54, 55, 57, unnamed piece
Geneva Chamber Ensemble (Walter)
[Lachrymae]
Golden Age Singers (Field -Hyde)
[Ayres, complete]
Langstaff (bar), Chessid (hpsi) (verso: Purcell)
10,15,16,22,27,30,32,35,39
Lewis (ten), Bonneau (pfte) (verso: Bellman)
6,8,12,24,26,32.37
Oberlin (c-tnr). ladone (lute)
4, 5, 9, 11, 12, 15, 18, 19, 23. 29. 32, 34. 36. 54. 55
Philomusica of London (Dart)
[Lachrymae, complete]
Pro Musica Antique (Cape)
[Ayres for 4 voices, v. 1]
Robertson (tnr). S. Bloch (lute)
1. 3, 4, 5, 6. 7. 11, 12. 17. 20. 21. 22, 25, 26, 28. 33. 38
Vocal Ensemble. NCRV Hilversum (Voorberg)
[Come holy ghost] (with Blow. Purcell) 7" CAN Z 71884 F
(Ayres): 1^. Awake sweet love:126.190 2. Away with these self-loving lads:189 3. By a
fountain 4. Can she excuse:187 5. Come again, sweet love:173, 194. 197, 267
6. Come away:181 7. Come sweet love 8^. Dear, if you change 9. Far from trium-
phing 10. Fine knacks for ladies: 181, 267, 270 11. Flow my tears:159, 297 12_. Flow
not so fast:181 13. From the silent night:187 14. Go crystal tears:134 15. I saw my
lady weep:126, 159, 190, 267, 297 1^. If floods of tears 17. If my complaints: 187
18. In darkness let me dwell: 190, 199 19. Lady if you so spite 20. Me, me and none
but me: 194 21. Now, O now:189 22. Say love, if ever 23. Shall I sue: 194, 226
24. A shepherd in the shade 25. Sleep wayward thoughts:216 26. Sorrow, stay:189
27. Sweet, stay awhile: 181 2^. Thou art returned 29. Thou mighty God 30. Toss
not my soul 31. Up, merry mates:267 32. Weep you no more:189, 196 33. What if
I never speed: 194 34. When David's life 35. When Phoebus first 36. When the poor
cripple 37. Whoever thinks 38. Wilt thou unkind: 194 39. Woeful heart
(instr): 40. Allemande:225 41. Dowland's adew:181 42. Fantasie:297 43. Farewell
44. Forlorn hope: 181 45. Melancholy galliard:181 46. Galliard "Capt. Digorie Piper":
285 47. Galliard "King of Denmark":225, 267, 285 48. Galliard "Queen Elizabeth":181
49. Heartes ease:181 50. Mrs. Vaux's gigge 5^. Mrs. White's nothinge 52. My Lady
Hunsdon's puffe:187 53. Orlando sleepeth: 181 54. Lachrimae Pavan:288, 290 55.
Pavan "Semper Dowland":225 56. Pavan (unspec.):177 57. Sir Henry Umpton's
funerall:267 58. Tarleton's resurrection:294
DOWLAND, ROBERT, cal586-1641
Volte & co6anto:226
DU CAURROY, FRANCOIS EUSTACHE. 1549-1609
Chanteurs de St. -Eustache (Martin)
[Requiem] Era 3056
Requiem: 96, 313 Fantaisie:207
50
DUFAY, GUILLAUME, d 1474
Ambrosian Singers (Stevens)
21 OL 50069
Ensemble Vocal Blanchard
22 Dec 320-C-108
Ensemble Vocal Caillard. (verso: Langlais)
24 LDE 3023; Haydn 9008
Dessoff Choirs & instrumental ensemble (Boepple, Chabay)
4,6,10.12,14.16. 18.27,29.39.50 Bach 582; 5008 Stereo
Pro Musica Antiqua (Cape)
26. 28\ 29. 30. 31. 36. 37, 38\ 39, 44\ 45, 47, 48^ LD 025; EMS 206
St. Antoine Choir (Stevens)
21 10" OL LD 75
(sacred):!. Alma redemptoris Mater:87, 120, 146, 273 2. Ave Regina:102, 215 3. Flos
florum:146, 257 4. Gloria ad modum 5. Gloria in excelsis: 230, 247 6. Hostis Herodies:
102 7. In festis Beatae Mariae Virginis:183,291 8. In festo Pentecostes:146 9. In
tempore passionis:146 1£. Iste confessor 11. Magnificat octavi toni:280 12. Pange
lingua 1£. Salve que fama:87 14. Salve Regina 15. Salvete flores:172 16. Sanctus
papale 17. Veni creator spiritus:257 18. Vergine bella:102, 120, 146, 255 19. Vexilla
Regis 2 liturgical pieces:25.5
(masses): 20. Ave regina caeIorum:316 (Kyrie) 21. Caput 22. L'homme arme 23. Se la
face ay pale:87 (Kyrie), 96 (Kyrie), 99 (Kyrie) 24. Sine nomine Unspec. Kyrie:141
(secular): 25.- Adieu ces bon vins: 125 26. Adieu m'amour:87 27. Aurea luce 28. La belle
se siet:101 29. Bon jour, bon mois, bon an:255 30. Ce jour de I'an 31. Ce moys de
May:101 32. Craindre vols vueil: 256 33. Les doleurs:266 34. Donnes l'assault:266
35. Franc cueur gentil:263 36. He! compaignons 32. J'atendray 38. Je donne a tous
39. Je languis 40. Je ne vis oncques:256 41. Jour s'endort:95 42. Malheureux cueur:
268. _43. Mon chier amy:262 44. Mon cuer me fait 45. Par droit je puis bien 46.
Pour I'amour de ma douce amye:215 47. Pourrai j'avoir:256 48. Resvelons-nous,
amoureux 49. Se la face ay pale:257 50. Vostre bruit
DULOT, FRANCOIS, 16th c
Longtemps y a: 124
DUNSTABLE, JOHN, cal370-1453
Alma redemptoris mater: 263 Ave Regina: 148 O rosa bella:148, 215, 266 Quam pulchra es:
148,247 Sancta Maria: 93, 148 Sancta Dei genitrix:148 Speciosa facta es: 148
EAST, THOMAS, c a 1 540 - c a 1 6 0 8
Hence stars:309, 310 How merrily we live: 197
ECCARD, JOHANNES, 1553-1611
Kantorei Barmen-Gemarke (Kahlhofer)
[Zu dieser osterlichen Zeit] (with Vulpius, Praetorius, (q. v.); Ebeling)
7" CAN T 72090
Windsbacher Knabenchor (Thamm)
[Herr Christe tu mir geben; O Freude Uber Freudj Ubers Gebirg Maria geht]
7" CAN T 71695
Hans und Grete:300 Resonet in laudibus:321
EDWARDS, RICHARD, cal523-1566
In going to my naked bed:195 When griping griefs:193, 195-
ENCINA (ENZINA), JUAN DEL, 1469-1534
A quiem debo:165 Amor con fortuna: 256 Ay triste:165, 303 Caldero y llave:303 De
neustra senora:268 Fata la parte:303 Gasajemonos de hucia:303 Hermitano quiero ser:
51
303 Hoy comanos y bebamos:303 Ninguno cierre las puertas:303 Que es de ti des
consolado:165 Una sanosa porfia:303 Songs of the palace: 302 Triste Espana:303
Epinal, Gautier d". See GAUTIER D'EPINAL
ESCOBAR (probably Pedro, early 16th c)
Corazun triste: 257
Escurel, Jehannot de 1". See L'ESCUREL, JEHANNOT DE
Este. Thomas. See EAST, THOMAS
Estocart, Pascal de 1'. See L'ESTOCART, PASCAL DE
Faidit, Guacelm. See FAYDIT. GAUCELM
FANELLO, GIOVANNI BERNARDINO, 16th c
Ardo per voi Madonna:122
FARMER, JOHN, 16th-17th c
Fairnymphs:309,310 Fair Phyllis:196, 197, 232
FARNABY, GILES, c a 1 5 64 - c a 1 6 0 0
Oriana Singers (Hobbs), Winogron (virg)
2, 3, 4, 5, 7^ 10\ 13^ 14, 16', 17^ 20. 24, 25, 31^ EMS 5
1. A dream: 166 2. Among the daffodillies 3. Ay me, poor heart 4. Construe my
meaning 5. The curtain drawn 6. Fantasia:252 7. Galiarda:239 8. His conceit:239
9. His dreams: 189, 239 10. His humor:216, 236 11. His reste:239 12. His toye:239
13. Lachrimae pavan 14. Lady, the silly flea 15. Loth to depart: 235, 239 16. Mai
Sims 17. Maske:239 (Lord Zouche's) 18. Meridian alman:239 19. Muscadin:239
20. My lady's coloured cheeks _21. The new sa-hoo:137, 239 22. Old Spagnoletta:239
23. Rosasolis:239 24. Simkin said that sis was fair 25. Some time she would 26.
Spagnioletta:239 27. Tell me. Daphne:239 28. Tower Hill:189, 239, 252 29. A toye:
137.252 30. Up tails all: 187 31. Woodycock:184 Also 186
FARNABY, RICHARD
Fayne would I wedd:188, 189
FARRANT, RICHARD, cal530-1580
Call to remembrance:167, 173 Hide not thou thy face: 167 Lord, for thy tender mercy
(attr. , probably by Hilton):192 Pavan:177
FAYDIT, GAUCELM, b call50
Planh sur la mort de Richard Coeur de Lion:112
FAYRFAX, ROBERT, d 1521
Magnificat (excerpts):215 O lux beata trinitas:254
FELIS, STEFANO, c a 1 5 5 0 - c a 1 6 0 3
Scacchier e diventato lo mio core: 122
FERRABOSCO, ALFONSO II, cal575-1628
Come my Celia:199 Fantasia:304, 315 Pavan:177 So leave off: 199
FESTA, CONSTANZO. d 1545
Amor che mi consigli:217 Also 306
FEVIN, ANTOINE DE, d 1515
Descende in hortum meum:179 Mass "Mente tota" (Agnus):118
FINCK, HEINRICH, 1445-1527
Ach herzig's Herz:127, 131. 300 O schones Weib:261 Wach auf:131
FIORENTINO, 16th c
Fantasia:219,288
FOLZ, HANS, 16th c
Kettenton:211
FORD, THOMAS, cal580-1648
Fair sweet, cruel: 190 Since first I saw your face:197
52
Francesco d'Ana. See ANA, FRANCESCO D'
FRANCESCO DA MILANO b cal490
Fantasia:226,278,304 Pavane:317 To music bent:278 Also 304
FRANCISQUE. ANTOINE, cal565-1605
Dances: 225
FRANCK, MELCHIOR, d 1639
Father thy holy spirit send:319 Ich habs gewagt:300 Pavana:136
FRAUENLOB, (HEINRICH VON MEISSEN) d 1318
Ey ich sach in den trone:97
FRIDERICI, DANIEL, d 1638
Einstmals das Kind Kupid:300 Wir lieben sehr im Herzen:171, 300
FROISSART, JEAN, c a 1 3 3 7 - c a 1 4 1 0
Mon coeur s'ebat:112
FUENLLANA, MIGUEL DE, 16th c
Paseabase el Rey moro:134
GABRIEL (or MENA), 15th-16th c
A la caza:303 A quella mora garrida:268 No so yo quien la descubre:256
GABRIELI, ANDREA, cal510-15.86
Brass Choir (Schuman)
1,9,22 (with G. Gabrieli; Pezold) S PL 526
Capella di Treviso (d'Alessi)
2,16,18 Vox 8370
de Dona (org)
7,11,21,22,24 (with G. Gabrieli) PL 8470
French Navy Band
4 7" Due 190-C-005
Vienna State Opera Brass Ens (Stone)
4 (with G. Gabrieli) West 18887; 14081 stereo
1. Agnus Dei a 2 2. Angelas ad pastores 3. Annunciate inter genres (a 5):250 4. Aria
della battaglia. (1590):306 5. Bonum est confiteri:248 6. Cantate Domino: 248 7.
Canzon arioso (1596):272 8. Cor meum:250 9. De profundis (a 6) 10^. Egredimini et
videte (a 8, 1578):248 U. Fantasia allegra XX toni (1596) 12. Filiae Jerusalem
(a 4, 1576):250 12a. Forestier inamorao:122 13. In decachordo psalterio:250 14.
Maria Magdalena (a 7, 1578):250 15. Missa Brevis:46, 277 16. Mass "Pater peccavi":
248 (Sanctu$,Benedictus) 17^. O sacrum convivium (a 4, 1576):248 1£. Pater peccavi
(motet) 19^. Pour ung plaisir (after Crequillon):99 20. Ricercar ariosa no. 1 (1605):216
21. Ricercar V toni 21a. Ricercar nel VII tono:304 22. Ricercar XII toni (a 4, 1589):
274 23. Sacerdos et pontifex:142,250 23a. Sento, sento un rumor:306 24. Toccata
X toni (1593) Also 145, 220, 311, 305
GABRIELI, GIOVANNI 1557-1612 1)
Albert, orch
[Canzoni for orchestra: Symphoniae Sacrae 1 & 3] West 18903
Brass ensemble (Schuman)
[Canzona a 6 (1615); Canzona VII toni no. 1 (1597)] (with A. Gabrieli, Pezold)
Per 526
1) It was found impossible to Identify precisely the compositions of G. Gabrieli, especially the
canzonas, from the sources available, since some give only the mode, others the year, etc.
For this reason the contents of each disc is given in whatever way it was cited in the source.
53
Capella di Treviso (d'Alessi)
[Ego dixi Domine (a 7); Inclina Domine (a 6); O magnum mysterium (a 8); Benedixisti
Domine (a 7); Beata es Virgo Maria (a 6); Cantate Domino (a 6); Domine exaudi (a 10);
Exaudi Deus (a 7); Magnificat (a 8); Miserere mei (a 6); O quam suavis (a 7); Sancta
Maria (a 7)] Vox 8830
M. Casadesus Ensemble
[Canzoni] . XWN 18130
Chor der St. Hedwigs Kathedrale, Berlin (Forsier)
[Jubilate Deo] (with Palestrina) 7" Elec EPE 41012
de Dona (org)
Pntonazione e ricercare; Canzon "La spiritata", 1608; Fantasia VI toni; Fuga IX toni;
Fantasia IV toni; Ricercare; Ricercare VII toni (1593); Ricercare VIII toni (1595)] (with
A. Gabrieli) PL 8470-
Gabrieli Festival Choir & Orchestra (Appia)
[Sancta et immaculata Virginitas (1597); O magnum mysterium (1587); Nunc dimittis (1597);
Angelus ad pastores (1587); O Jesu mi dulcissime (1615); Exaudi Deus (1597); Hodie com-
pleti sunt (1615); O Domine Jesu Christe (1597); Canzona quarti toni (1597); Inclina
Domine (1587)] Bach 581; 5004 Stereo
Harvard & Radcliffe Choirs (Woodworth)
[in ecclesiis (1615); Benedictus (1597); O Jesu mi dulcissime (1615); Jubilate Deo (a 8, 1597)]
CRS 201
I Musici
[Canzon in echo XII toni] Angel D35088
New York Brass Ensemble (Baron)
[Canzoni: Per sonar a 5; per sonar a 4 (nos. 2 & 4); "La spiritata"; VII toni; IX toni.
Sonata piano e fort] Eso 503
Orchestra Angelicum (Lupi)
[4 canzoni per sonar a quattro] Angel 961
Quatetto Italiano
[Canzoni per sonar a 4 (nos. 1 & 4)] (Early Italian Music, v. 2) Angel 45002
Stuttgart Chamber Orchestra (MUnchinger)
[Canzoni for double string orchestra] (with Telemann) LS 686
Stuttgart Chamber Orchestra (MUnchinger)
[Canzona no. 1; Sonata plan e fort] 7" Dec AW 8503
Vienna State Opera Orchestral Brass Ensemble (Stone)
[Canzon in echo XII toni; Canzona VII toni (nos. 1 & 2); Sonata VIII toni; Sonata pian e
forte)] (with A. Gabrieli) West 18887;
14081 stereo
Beata es virga Maria:142 Canzona "La spiritata":274, 304 4 canzoni per sonar:304 In eccle-
siis:216 In te Domine speravi:305 Jubilate Deo:305 Nunc dimittis:316 Ricercar:135,
272 Sancta Maria:248 Sonata pian e forte: 136 Virtute magna:316 Also 142, MS, 241
GACE BRULE, d cal220
Cil qui d'amor:94, 104 Je ne puis pas:97 ' -
GAFFURIO (GAFORI), FRANCHINO, 1451-1522
O sacrum convivium:260 Sanctus:260
GAGLIANO, MARCO DA, d 1642
Valli profonde:219
GALILEI, VINCENZO, d 1591
Duo (2 flutes):304 Contrapunto (2 lutes):304 Passametzo e saltarello:226 Also 144
Gallus, Jacobus. See HANDL, JACOB
GANASSI, SYLVESTRO DI , 16th c
Ricercar:204
54
GARDANO, ANTONIO (ANTHOINE GARDANE), d cal569
O doulx regard: 275
GARNIER, 16th c
Resveillez-nioi:130
GARSI, SANTINO, DA PARMA, d 1604
Gerwig (lute) (verso: Neusiedler)
[8 airs] . 10" DGA 13031 AP
GARZO
Altissima luce:100
GASTOLDI, GIOVANNI GIACOMO, 16th-17th c
Balletti:154, 304 Canzone a due voci per flauti diritti:304 In dir ist Freude:209 Musica a
due voci: 262 Viver lieto voglio:259
GAUTIER DE CHATILLON
Ver pacis aperit:119
GAUTIER DE COINCY, call77-1236
Ma viele:94,226
GAUTIER D'EPINAL, 12th c
Commencemens de dolce saison:104
GENTIAN, 16th c
La loi d'honneur:130
GERLE, HANS, d 1570
Es flog ein kleines Vogelein:210
GERVAISE, CLAUDE, 16th c
AIIemande:207,267 Branle:207, 267 Dances:98, 176, 178
GESUALDO, CARLO, PRINCIPE DI VENOSA, cal560-1613
Craft (cond) Madrigals and Sacred Music
v. 1:9. 11, 12, 18, 28, 37, 38, 41, 48, 49, 52, 53, 54, 55, 58 ML 5234
v. 2:4, 13, 14, 15, 19. 24, 26, 29, 32, 36, 40. 43, 45, 46, 51, 56, 57, Gailliarda seconda & ottava,
Sinfonia a 4 ML 5341: MS 6048
Stereo
Singers of Ferrara (Craft). Aldous Huxley presents Madrigals of Gesualdo. v. 1
2. 6, 8. 9, 10, 20, 21, 26, 27, 30, 39, 40, 42, 46, 50, 56 Sunset LP 600
Randolph Singers. Italian Madrigals (verso:Monteverdi)
17,22,23.29,30,35.36,39 WL 5171: West 18652
Randolph Singers (verso: Frescobaldi)
1,2.3.5, 16,21,25,27,31,33,34,44.47 XWN 18812
(madrigals): 1^. Ahi! bella si 2. Ahi! gia n:ii discoloro:218 3. Ahi ! troppo saggia 4.
All'ombra degli allori 5. Amor ti chiam 6_. Ancide sol la morta 7. Ancor che per
amarti 8. Arde il mio cor 9. Ardita Zanzaretta 10. Ardo per te 11. Asciugate i
begli occhi 12. Belta poi che t'assenii 13. Chiaro risplender 14. Come vini cor mio
15. Cor mio & Dunque non m'offendete 16^. Da qual sfera 17. Danzan le ninfe 18^.
Deh! comeiin van sospiro 19. Deh coprite 20. Dolcissima mia vita:151. 227, 306, 316
21. Ecce mGriro:151, 218 22. Et ardo e vivo 23. Felice primavera 24. Felicissimo
sonno 25. Fortunata per me 26. Gi^ piansi nel dolore 27^. In van dunque:218 28.
lo parto 29. lo pur respiro:316 30. lo tacer6:151, 218 3j^. Itene o miei sospiri:151
32. Languisce al fin 33. Luci serene:151,227. 306 34. Mentre madonna 35. Meravig-
lia d'amore 36. Merce! grido piangendo 37. Mille volte 38. Moro e mentre sospiro
39. Moro lasso:133, 151 40. Non t'amo 41. O dolce mio tesoro 42. O dolorosa gioia
43. Or che in gioia 44. Perche spess a veder 45. Psalmi delle complete 46. Resta di
darmi noia 47. Se la doglia 48. Se la mia morte 49. S'io non miro 50. Sparge la
morte 51. T'amo mia vita 52. Tu m'uccide o crudele:308 53. Tu piangi
55
(sacred); 54. Aestimatus sum 55. Illuminos nos 56. O crux benedicta 57. O vox omnes
58. Tristis est anima mea Also 143,306
GHIRARDELLUS DE FLORENTIA (GHIRARDELLO DA FIRENZE), 14th c
Teste che ralba:86, 122, 146
GHISELIN, JEAN, 15th-16th c
La Alfonsina:266
GIBBONS, ELLIS, 1573-1603
Long live fair Oriana:309, 310 Round about her charret:309, 310
GIBBONS, ORLANDO, 1583-1625
King's College Choir (Ord)
1,6,7,8,10,11, 16 (Magnificat & Nunc dimittis), 31 (nes. 1-3), First Preces, Song 44
RG 80; XWN 18165
King's College Choir; Jacobean Ensemble (Dart)
3,4.5,13,14,17.31 RG 151; ZRG 5151
Stereo
New Music String Quartet
22 (1 & 2) Bartok 913
(anthems): 1. Almighty and everlasting God:158 2. Behold thou hast made:216 3. First
song of Moses ^4. Glorious and powerful God 5. Great King of Gods 6. Hosanna to the
son of David: 246 !_. O clap your hands 8. O God the king of glory 9. O Lord, I lift
my heart: 158 10_. O Lord in thy wrath 11_. O Lord increase my faith:158 12. O my
love:158 13. See see the Word is incarnate 14. This is the record of John:158, 172
15. Thus angels sung: 158 16. Short service: 167 (Magnificat & Nunc dimittis) 17.
Second service Nunc dimittis (unspecified):205
(madrigals): 18_. The cries of London:158 19. The silver swan: 158, 173, 196, 231, 232, 270,
276, 308 20. What is our life:158. 199, 308
(instr): 21. Almains:239 22. Fantasias:98, 158, 184, 198,216, 236, 239, 282, 322 23. French
ayre:239 24. GaIIiards:222,239 25. In nomine: 198 26. Italian ground: 239 27. The
King's Juell:216 28. Pavan & Galliard "Lord Salisbury":184, 189, 252 29. Preludium:
239 30. Queenes commande:290 31. Voluntaries (org) 32. Welcome home (maske):
239 33. The wood so wilde:239 Recorder pieces: 98
Gines de Morata. See MORATA, GINES DE
GIOVANNI DA CASCIA (GIOVANNI DA FIRENZE, JOHANNES DE FLORENTIA),
14th c
lo son un pellegrin:86, 89, 122, 217, 256 Nascoso el viso stava:146 Nel mezzo a sei paon:
215 Per, larghi prati:89
GLOGAUER LIEDERBUCH, 15th c
ANON. Elselein:147 All voll:147 Christ der ist erstanden: 147, 214, 255 Du Lenze gut:
147 Ich bins erfreut: 147, 256, 257 Ich sachs einsmals:131, 256. 257, 268 Die katzen ^
pfote:148 O plasmator:147 "Der neue bauern schwanz:257 Der pfauen schwanz:147,
268 Probitate eminentem:147 Seh in mein herz:147 Das jager horn:261 Der fuchs
.schwans:266 Piece:261 CARON. Tanto rafano:268 CARMEN. Der ratten schwanz:
101 OCKEGHEM. Ma bouche rit:148 RUBINUS. Bauernschwanz:215, 261. 268
GODARD, 16th c
163
GODRIC, SAINT, d 1170
St. Godric songs: 108
GOMBERT, NICOLAS. 16th c
Confitemini Domine:120. En aultre avoir:174 In Festis B. V. M. :120 Quand je suis auprez
de ma mye:207 Souffrir me convient:207
GOMOLKA, MICOLAJ, cal539-1609
Psalm 77:134
56
GORZANIS(cfMorzanis)
La dura partita: 225 Also 304
GOUDIMEL, CLAUDE, d 1572
Amour me tue:275,289 Certes mon oeil:289 II me semble que la journee:207 Ps. 1:139
Ps. 19:130 Ps. 25:130 Ps. 65:139 . Ps. 68:139 Ps. 130:139 Ps. 133:96,313
Unspec. psalms:281
GREAVES, THOMAS, 16th-17th c
Come away, sweet love:216, 231, 308 Long have the shepherds sung:310 Sweet nymphs:
310
GREGORIAN CHANT
1-84.85,96,97,99,117,121,123,160,170,172,246,264,280,296
GREITER, MATTHIAS, d 1550
Ich stund an einem Morgen:255
GROSSIN DE PARIS, 15th c
Va-t'ent, souspier:128
GROTTE, NICOLAS DE LA, 16th c
Je suis amour:130 Quand ce beau printemps:116 Quand je te veux reconter:275
GUAMl
La Guamina:272
GUERRERO, FRANCISCO, 1527-1599
Si tu penas:165 Villanesca:284, 302
GUILLAUME D'AMIENS, 13th c
Dances: 90
Guillaume Le Heurteur. See LE HEURTEUR, GUILLAUME
GUIOT DE DIJON, 12th c
Chanterai por mon coraige:97
GUIRAUT DE BORNELH, 12th c
Reis glorios:94, 104 Also 123
GUIRAUT RIQUIER, d 1292
Aisi com es sobronrada:94 Pies de tristor:104 Pus sabers:91 Also 123
Gyttering. See BYTTERING
Halle, Adam de la. See ADAM DE LA HALLE
HANDL, JACOB (JACOBUS GALLUS), 1550-1591
Vienna Akademie Kammerchor (Grossmann)
1,2,4,5,6.8,9,10,12,13 (verso: Palestrina) (also issued on WL 5347, with Isaac)
West 18632
1. Adoramus te 2. Ascendit Deus:312 3. Ascendo ad Patrem 4. De Sancte Michaele
5. Diffusa est gratia 6. Ecce quomodo moritur:258, 314 7. Haec dies:240, 251
8^. Hodie Christus natus est:314 9^. Jerusalem gaude 10^. Laetantur coeli 11^. Lord in
thy resurrection:287 1^. Mirabile mysterium:216, 316 1£. Pater noster:182 14.
Resonet in laudibus:172.173,246 15. Zwei der Seraphim: 182 Also 269
HASSLER, HANS LEO, 1564-1612
Biaser der Westfaiischen Kantorei (Ehmann)
[Intraden zu 6 Stimmen aus dem Lustgarten] (verso: Praetorius) 7" CAN T 72455 F
Ach Herr, lass dein' lieb Engelein:218 Ach weh des Leiden:153 Ad Dominum cum
tribularer:201 Agnus Dei:173. Cantate Domino:182, 185, 229 Dixit Maria: 185 Et
incarnatus est:240 Fahr hin, guts Liedelein:153 Feinslieb:153 Galliard:210 Das Herz
tut mir aufspringen:153 Ich brinn and bin entzundt:153 Ihr musici, frisch auf:153
Im kilhlen Maien:153 Jungfrau, dein schbn gestalt:127, 153, 300 Luce negrocchi:230
Missa secunda:185 Nun fanget an:153, 300 Tantzen und springen:153, 173, 300 Verbum
caro:224 Wenn mein StQndlein:131
57
HENRY VIII, KING OF ENGLAND, 1491-1547
290
HESDIN, PIERRE, 16th c
Plaindre I'ennui de la peine:275
HILTON, JOHN, 16th-17th c
Fair Oriana:309, 310
HILTON. JOHN, 1599-1657
166,192
HOFHAIMER, PAUL, 1459-1537
Hager (org) (verso: Muff at)
[O dulcis Maria; Salve regina] 7" Phi 402 148 NE
Greiner zauner:255
HOLBORNE, ANTHONY. 1565-1602
Courante:267 Galliard:267 The funerals:177 Hey-ho holliday:177 The honeysuckle
(galliard);177 The night watch: 267
HOLMES, JOHN, 16th-17th c
Thus Bonny-boots:309, 310
HOOPER, EDMUND, cal553-1621
Alman:236
HUME, TOBIAS, d 1645
Galliard:222 Lamentation: 222
HUNT, THOMAS, fl 1600
Hark! did ye ever:309,310
INGEGNERI, MARC ANTONIO, cal545-1592
Aachener Domsingknaben (Rehmann)
[Resp. : Ecce vidimus eum] (with Palestrina) 7" DGA 37125 EPA
Aria di canzon francese:304 Ecce quomodo moritur:279 O bone Jesu:230, 280, 312
O Domine Jesu Christe:249 Tenebrae factae sunt: 228, 243, 247
ISAAC, HEINRICH, cal450-1517
Aachener Domchor (Rehmann)
[Proprium missae in Dominica Laetare] 7" DGA 37094 EPA
Renaissance Chorus (Brown) (verso: see no. 201)
[Motets from Choralis Constantinus, Bk. 3] ES 546
Vienna Akademie Kammerchor (Grossman)
[Missa Carminum] West 5215; 18633
Vienna Akademie Kammerchor (Grossmann)
[Ami souffree; Es wolt ein Madlein; Greiner, Zanker; Ich stand an einem Morgen; Innsbruck,
ich muss dich lassen; Jubilate; Mein Freud allein; Mein Lieb war jung; Zwischen Berg und
tiefem Thai] (verso: Handl) WL 5347
Christus is opgestanden:129 Donna di dentro:204 Et qui la dira:149 Fortuna desperata:255
Helas, que denera:128,256 Herr Gott, lass dich erbarmen: 273 Hora e di maggio:268
Innsbruck, ich muss dich lassen:127, 129. 210, 211, 215 Der Hund:255, 256, 268 La la
ho h6:215 La mi la sol:204 La Martinella:261 La Morra:266 Morte che fai?:266
Palle, Palle:204 Tmeiskin was jonck:129 Vergangen ist mir Gluck:174 Other instr
pieces: 98, 215
58
JACOPO DA BOLOGNA, 14th c
Fenice fu:86,89.146 Non al so amante:122 Uselletto selvaggio:217 Also 122,256
JACOPONE DA TODI, c a 1 228 - c a 1 3 0 6
Troppo perde'l tempo: 100
JACOTIN (pseud of Jacob Godebrie), d 1529
Je suis ddsherit^e:174
JAMBE DE FER, PHILIBERT, d 1572
Psalm(s):281
JAMES I, KING OF SCOTLAND, 1394-1437
290
JANEQUIN, CLEMENT, c a 1 4 9 5 - c a 1 5 6 0
Ensemble Vocal Caillard
8.10,11,12, 14.19.22,31.32 10" Era 42. 041
Ensemble Vocal S. Caillat
3,7.17,23.31.35,37,41,43,44,45.46 10" Dec 133723
Ensemble Vocal M. Couraud
1.2.6,7.12,13.18,20.24.26.33,38.39.40 10" Dis DF 12
Ensemble Vocal J. -P. Kreder
15.42 ' 7" Erato LDE 1053
Ensemble Vocal J. -P. Kreder
9.14.16,19 10" Due 255-C-041
Chanteurs Traditionnels de Paris (M. Honegger)
19,28 10" SM-33-36
1. A ce joly moys 2. L'amour, la mort et la vie:275 3. Assouvy suis 4. Au joly
bois:174 5. Au joly jeu:130, 154, 169 6. Au premier jour 7. Au vert boys 8. Bel
aubepin:289 9. Le caquet des femmes 10. Ce faux amour 11. Ce moys de may:
130,208,286 12. Ce sont gallans:96. 206 13. Chant de l'alouette:180, 206 14. Chant
des oyseaux:130. 154. 206,208 15. La chasse 16^. Les cris de Paris 17. De ta bouche
18. Du beau tetin 19. La guerre: 154 20. Helas, mon Dieu 21^. II estoit une
fillette:275 22. II s'en va 23. Je ne fus jamais si aise 24. Je suys a vous 25.
Laissez cela:112 26. Las! povre coeur:154 27. Ma peine n'est pas grande:154, 275
28. Mass "La bataille":242 (Benedictus) 29. O cruaute:124 30. Or. viens ca:206
31. Ouvrez-moi I'huis 32_. Par fin depit 33. Petit jardin 34. Petite nymphe folatre:
112.154 35. La plus belle de la ville: 167 36. Plut a Dieu:180 37. Pourquoi tournez-
vous 38. Puisque mon coeur 39. Quand j'ay ete 40. Quand je boys 4^. Qu'est-ce
d'amour 42. Le rossignol 43. Si Dieu voulait 44. Toutes les nuits 45. Tu as tout
seul 46. Vents hardis
JAUFRE RU DEL, 12th c
Amor de lonh: 118 Can lo rieus:100 Lanquand li jorn:91, 94. 100 No sap chantar:94
Also 123
Jehannot de I'Escurel. See L'ESCUREL, JEHANNOT DE
JENKINS, JOHN, 1592-1678
Pa vane and fancy: 187
Joan de Latre. See DELATRE, CLAUDE PETIT JEAN
Johannes de Florentia. See GIOVANNI DA CASCIA
JOHN (JOAO) IV, KING OF PORTUGAL, 1604-1656
Crux fidelis:287,321
JOHNSON, ROBERT, 1569-1633
Alman:187.189.236 Benedicam Domino: 195 Come, blessed bird:309, 310 Defiled is
my name: 195 Full fathom five:294 Pavana (arr Farnaby):188 The temporiser:177
Where the bee sucks:294 The witty wanton: 177
59
JONES, ROBERT, 16th-17th c
An archer great: 166 Fair Oriana:309, 310 Farewell deare love:134 Go to bed, sweet
muse:181,189,288 Sweet, if you like:199 Sweet Kate:189, 199, 267 Though your
strangeness: 199, 267
Josquin des Pres. See DEPRES, JOSQUIN
KIRBYE, GEORGE, cal570-1634
Bright Phoebus:309, 310 Up then Melpomene: 199
LANDING (LANDINI). FRANCESCO, cal325-1397
Amar si li alti tuo gentil costumi:215 Amor c'al tuo suggetto:122 Angelica belta:221
Caro Signor:146 Chi piu le vuol sapere:96, 99 Cosi pensoso:146, 217 De! dimmi tu:
217 Gram piant'agl'occhi:86, 146, 257. 282 El mie dolce sospir:89, 122, 146, 256
Nessun ponga speranza:146 Non avra mai pieta:89
LANTINS. ARNOLD DE, fl 1431
A madame playsante et belle: 95
LA RUE, PIERRE DE , d 1518
Autant en emporte le vent: 128, 149 O salutaris hostia:247, 313 Pourquoy non:149
Requiem: 215(Introit) Salve Regina:262
LASERNA 1)
El cordero perdido:284
LASSUS, ORLAND DE, d 1594
Aachener Domsingknaben, Instrumental Ensemble (Pohl)
111 2-12" DGA 14129/14130; APM;
198014/15 SAPM stereo; ARC 3134/5; 73134/5
Amsterdam Motet Choir (de Nobel)
111 (with Monteverdi) CHS 1196
Dessoff Choirs (Boepple)
3, 5, 6, 18. 28, 42, 48, 58, 59, 79, 82, 92, 94, 101. 103, 105 Fan 5006; 8015 stereo
Dessoff Choirs (Boepple)
109 CHC 47
Ensemble Vocal M. Couraud, 15 Chansons
40.41,42.49,44, 50, 51, 55, 58, 60, 61, 69, 71, 74. 76 10" Dis 325. 045
Ensemble Vocal J. -P. Kreder
42,54,58,65,70 (with Costeley) LDE 1044
Ensemble Vocal de Paris (Jouve)
35 (with Depres) 10" Due T 255-C-013
Madrigalistes de Prague (Venhoda)
112.36 Dis 530. 001
Swabian Chorus (Grischkat)
8. 28. 29. 48. 52, 77. 78, 82, 87, 89, 91, 94, 97, 100, 101, 103 Vox DL380
Swabian Chorus & Soloists (Grischkat)
113 Vox DL 400
Utrechts Motetgezelschap (Mudde)
110 (pt. 7) 7" CANT 72076 F
1) Presumably a Renaissance composer. The item in no. 200 is by Bias Laserna, 18th c
60
Vienna Kammerchor (Gillesberger)
39 (with Palestrina) Unicorn 1013
(motets): 1. Adoramus te:141 2 Auditui iTieo:280 3. Ave Regina 4 Ave verum corpus:
287 5. Christe, Dei soboles 6. De profundis (Penit. Ps.) 7. Domine convertere:156
8. Gustate et videte 9, Improperium exspectavit:156 10. In pace, in idipsum:279
jQ. Ipsa te Logat: 280 12. Jubilate Deo: 292 13. Justorum animae:156 14. Miserere
mei. Domine:156 15. Non avertas facienn:280 16. Nos qui sumus:242, 295, 313
17. Omnia tempus habent: 130 18. Pulvis et umbra ^9. Resonet in laudibus:141, 245
20. Salve Regina:141, 321 21. Scio enim:216 22. Serve bone:251 23. Spiritus tuus:
280 24. Super flumina: 156 25. Surgensjesus:245 26. Surrexit pastor:321 27. Tibi
laus, tibi gloria:312, 293 28. Timor et tremor 29. Tristis est anima mea:96, 156, 235,
245 30. Tui sunt coeli:156 31. Venite ad me:156 32. Videntes stallam magi:245
(masses): 33. Le Bergier:130 (Sanctus, Agnus) 34. Missa brevis:253 (Sanctus & Benedictus)
35. Douce memoire 36^ Ecce nunc 37. In die tribulationis:224 (Agnus) 38. O
admirabile commercium:293 (Sanctu: & Hosanna) 39. Puisque j'ai perdu:156, 216
(Benedictus)
(French chansons): 40. A ce matin 41. Amour 42. Bonjour, mon coeur:161, 208, 232
43. Un chien petit:124 44. Dessus le marche 45. Un doux nenny:155 46. En espoir
vis:155 47. Et d'ou venez-vous:207 48. Gallans, qui par terre 49. Guerir ma douleur
50. Helas, quel jour;155 51.'J'ai cherche 52. Je I'ayme bien:155 53. Un jeune
moine:180 54. Un jour vis un foulon 55^. Margot labourez 56. Mon coeur se
recommande a vous:161, 298 57. Ne vous soit etrange:308 58. La nuit froide 59. O
doux parler:289 60_. O m^re des amours 63^. O vin en vigne 62. Or sus, filles:155
63. Pour courir en poste:124 64. Puisque je voy: 128 65. Quand mon mary:208, 230,
232,298 66. Que dis-tu:289 67. Qui dort icy:112 68. Qui s'y frotte:169 69. Le
rossignol:180,207 70. Sauter, danser Tl. Scais-tu dire rave:155 72. Secourez-moy:
124 73.- Si vous n'estes en bon point: 298 74. Suzanne un jour 15_. Le terns passe: 155
76. Toutes les nuits
(German Lieder, etc.): 77^. Audite nova:127, 155 78. Baur, was tragst im Sacke:155 79-
Christ ist erstanden 80. Die Fasznacht:155 81. Hort zu ein news gedicht:155 82. Ich
weiss mir ein Meidlein:174, 300 83. Im lant zu Wirtenberg:155, 316 84. Im Mayen:155
85. Ist l<einer hie:155 86. Ein meidlein zu den brunnen gieng:155 87. Selig ist 88.
Tritt auff den rigel:155 89. Von morgens friJh 90. Der wein der schmeckt:155 91.
Wie lang O Gotl 92. Wohl kommt der May:300
(Italian madrigals, etc.): 93. Ah quanti gia felici (Lagrime di San Pietro):316 94. Ardo,
si 95. Chi non sa:207 96. Un dubbio verno:155 _97. II grave dell'eta 98. Hor vi
riconfortate:155 99. lo ti vorria contar:155 100. Matona mia cara:155, 168, 203, 291,
298,314,180 101. Ola, o che bon eccho:155, 203, 299, 302 102. O occhi manza mia:
207 103. Occhi piangete 104. Ogni occhio del Signor (Lagrime di San Pietro):316
105. Passan vostri triomphi 106. Saccio na cosa:207 107. S'io ti vedess' una sol:155,
270 108. S'io ve dico: 207
(miscellaneous): 109. Lamentations of Jeremiah 110. Lamentations of Job 111. Peneten-
tial Psalms 112. Propheties des Sibylles 113. St. Matthew Passion 114. Fantasias:282
Also 143,163.269,270,283
Latre, Joan de. See DELATRE, CLAUDE PETIT JEAN
LAUDE
Alieluia:170, 265 Anima Christi: 128 Anime affaticate:88 Annunciazione, nativita,
passione e resurrezione di Cristo:121 Ave mitis:221 Christo h nato:88 Dal cielo
venne:88 De la crudel morte:nO, 265 Dimmi dolce Maria: 170, 265 Giu per la mala
via:88,170,265 Gloria incielo:86, 88 Lodate Dio:88 Madre divina:88 Nell'apparir:
88 O cor soave:170 O Cristo omnipotente:121 O Maria, Diana stella:213. 321 II
pietoso Gesil:88 Poiche:128 Quando rimiro il ciel:88 Salve, salve:100 San Domenico:
100 Sancta Maria: 128 Sia laudato S. Francesco: 100 Spiritu sancto:100 Also 121
61
LAZARIN, d 1635
Allemande:138
LECHNER, LEONHARD, d 1606
Heinrich-SchUtz Chor, Heilbronn (Werner)
[Deutsche SprUche vom Leben und Tod] CAN 1113 LP
Westfaiische Kantorei (Ehmann)
[Christ, der du bist der helle Tag] 7" CAN T 71681 F
10 Teutsche Gesang:153
LE HEURTEUR, GUILLAUME, 16th c
Mirelaridon:267
LEISRING, VOLCKMAR, 1588-1637
Let all ye sons and daughters: 173 Lift up your heads:299
LEJEUNE. CLAUDE, d 1600
Fantasie:267 Fiere cruelle:275 Helas, mon Dieu:208 O vilanella:230 Prince, la France
te veut:275 Psalm 35:118 Psalm 42:130 Psalm 69:130 Psalm 138:277
Unspec. psalm(s):281 Quand la terre:206 Revecy venir du printans:208, 299, 308
Rossignol mon mignon:275, 289 Te Deum:139 Tu ne I'entends pas:208
LEMLIN, LORENZ, 16th c
Der Gutzgauch:127,300
LEON. JUAN DE, 16th c
Ay que non se:268
LEONINUS, MAGISTER, 12th c
Alleluya, epulemur:105 Deum time:85, 110, 120 Gaude Maria: 105 Haec dies: 120 Judaea
et Jerusalem:91 Propter veritatem:105 Viderunt:102, 105
LE ROY, ADRIAN, d cal599
Van Acker (sop), Podolski (lute) Airs de cour pour voix et lute
[1-14] 10" BAM LD 030
!_. Ah Dieu que c'est un estrange martire 2. J'ai bein mal choisi 3_. Autant qu'on voit au
cieux 4. Ce n'est point pour t'estrenner 5_. Le ciel qui fut large donneur 6.
Demandes-tu, douce ennemie:289 1_. Has tu point veu:206 8. Je suis Amour 9. Las
je n'eusse jamais pense:207 10_. Or voy je bien Tl. Quand ce beau printems 12.
Quand le gril chante 13_. Tant que j'estoys L£. La terre nagueres glacee 15'. Branles:
226 16_. Psalm 50:226, 297
L'ESCUREL. JEHANNOT DE, d 1303
A vous, douce debonnaire:112, 215
L'ESTOCART, PASCAL DE, b cal540
Psalm(s):281
Le Vinier See VINIER, LE
LICHFILD, HENRY, 16th-17th c
I always loved to call my lady Rose:229,308
LISLEY, JOHN, 16th-17th c
Fair Citherea:309, 310
LOCHAMER (LOCHEIMER) LIEDERBUCH
210,257
LUZZASCHI, LUZZASCO, d 1607
Le Nuove Musiche. Vocalwerke italienische Meister. . .
[Aura soave] (with Caccini, Peri, etc.) Phi A 00385 L
O primavera:220 Quivi sospiri:216, 220 Toccata:274, 304 Also 145
62
MACHAUT, GUILLAUME DE, d 1377
Collegium Musicum, University of Illinois (I-Iunter)
1,5,7,8.11,12.15.17,18.23.25.28.29 XWN 18166
Dessoff Choirs (Boepple)
14 CHS 1107
Ensemble Vocal Blanciiard
14 ' 10" Due 270-C-085
1. Amours me fait desirer 2. Chanson ballad6e:95 3. Dame, je sui cilz 4. De tout sui si
confortee:87, 92 5. De toutes flours 6. De triste cuer:92 7. Douce dame jolie 8.
Douce dame, tant 9. Je puis trop bien:87. 92 10. Je suis aussi:112 VI. Loyaute 1^. Ma
chiere dame:95.268 13. Ma fin est mon commencement:215 14. Mass "Notre Dame":
92,87 (Credo. Sanctus. Agnus). 96 (Agnus), 99 (Agnus). 215 (Benedictus) 15. Mes espris:
282 16. Nes que on porroit:92 11_. Pourquoy me bat mes maris 18. Plus dure qu'un
dyamant:206 19. Puis qu'en oubli:92 20. Quant Theseus:87. 92 21. Qui es promesses:
92 22. Rondeau:101 23. Rose, liz 24. Sans cuer:92 25. Se je souspir:92 26. 81
j'aime:255 27. Tels rit au main: 92 28. Tres bonne et belle 29. Tres douce dame
MAHU, STEPHAN, early 16th c
Song of the Lansquenet:255
MANCHICOURT, PIERRE DE, early 16th c
Mass "Quo abiit dilectus":164
MANGON, JOHANN, d cal578
Salve Regina:224
MARCABRU OF GASCONY, d call47
L'autrier jost:94 Dire vos vuelh ses duptansa:100 Pax in nomine: 94, 123
MARENZIO, LUCA. d 1599
Coro Polifonico Goriziano (Seghizzi)
[Villanella (1 or several?) a 3 voci] Ang 963
Golden Age Singers (Field-Hyde)
[Quel augellin; Cruda Amarilli; Ah dolente partita; O Mirtillo; Deh Miriillo; Che se tu cor
mio] WLE 105; West 18712
A Roma:132,306 Ahi dispietata morte:132, 151 Alas what a wretched life:290 Amor e
ritornato:227 Dono Cinzia a Damone:227, 306 Ecco piu che mai:151 Fiere silvestre:
220 O dolc'anima mea:151 O rex gloriae:313 Quando sorge raurora:259 Scaldav'il
sol:151.218 Scendi dal paradise Venere:132. 216. 298 S'io parto:96. 235 Ti guardo
negli occhi:218 Vezzosi augelli:151 Zefiro torna:151, 227, 306 Also 143
MARGARETHE VON OESTERREICH (No t e n bu c he r)
149
MARSON, GEORGE, d cal631
The nymphs and shepherds:309. 310
MASCHERA, FLORENTIO, 16th c
Marius Casadesus Ensemble
[La Capriola; Canzone] (with G. Gabrieli. etc.) XWN 18130
MATHEUS DE PERUSIO, 15th c
Plus onques dame:86
MAUDUIT, JACQUES, 1557-1627
A la fonteine:130 En paradis:229 En son temple sacre:242 Psalm 42:130 Si d'une petite
oeillade:130 Voici le vert et beau mai:180 Vous me tuez si doucement:112. 208
MERULO, CLAUDIO, 1533-1604
Quand'io pens'ai martire:220 Sancta et justi:248 Toccata:304
MILAN, LUIS , 16th c
Amor che nel mio pensier: 157 Durandarte:134. 137. 219 Fantasias:140. 157 Pavanes:137,
140.157.219,285 Perdida:219 Sospiro:219 Toda mi vida:216 Sospirastes baldovinos:
157
63
Milano, Francesco da. See FRANCESCO DA MILANO
MILTON, JOHN, cal563-1647
Fair Oriana:309, 310
MONDEJAR, ALONSO DE, 16th c
Mios fueron:255,268 Sospiro:268
MONIOT D'ARRAS, 13th c
Ce fut en mai:110
MONTE, PHILIPPE DE, cal521-1603
Canzona:273 Laudate Dominum (Ps. 150):224 Mass "Benedicta es":216 (Benedictus &
Agnus) Verament'in amore:220
MONTEVERDI, CLAUDIO, 1567-1643 1)
Augellin:304 Chiome d'oro:304 Combattimento di Tancredi e CIorinda:133 Come faro
cuor mio:227 Cor mio:230 Crucifixus:142 De la bellezza:304 Dolci miei sospiri:
304 Ecco mormorar ronde:228 Eccomi pronta ai baci:304 Fugge il verno:304 Intro-
duzione al baIlG:306 Lagrime d'amante:316 Lamento di Arianna:228 Lasciatemi
morire:230,299 Movete al mio bel suon:306 Non piu guerra:230, 308 Ond'ei di morte:
227 Orfeo (excerpts):216,235 Parlo miser o taccio:304 Quel augellin:230 Rimanti
in pace:227 S'andasse amor:132 Sfogava con le stelle:227 Si ch'io vorrei morire:230
Vattene pur crudel:132 Volgendo il ciel:306 Also 143
MORALES, CRISTOBAL, cal500-1553
Hamline Singers (Holiday)
[La mentabatur Jacob] 10" NRLP 305
Inter vestibulum:284 Peccantem me:242 Puer natus est nobis:301, 313 Sanctus:302
MORATA, GINES DE, 16th c
Endecha:284
MORLEY, THOMAS, 1557-cal603
Deller Consort. Elizabethan Madrigals
4,6.7.17,20,21,22.25,26.28.34.37,41,42.44.45.49.52,53 Bach 577; 5002 Stereo
Golden Age Singers (Field -Hyde).
6, 17. 23, 26, 28. 29, 31, 33, 39, 41, 42 West 18764
Primavera Singers (Greenberg), Winogron (virg)
9, 10. 16, 17, 18i,19\ 26. 32. 34. 35.37,39.40.41,43,47 [ANON, (virg): Can shee; "Irish
dumpe] Eso 520
1. About the Maypole new: 166 2. Agnus Dei: 141, 216, 229, 299 3. Air (viols):187 4.
April is in my mistress' face:196, 276 5. Arise. awake:309, 310 6. Arise get up 7.
Beside a fountain 8^. Can I forget: 159 9. Cease, mine eyes 10. Clorinda false 11.
Come sorrow, come:126.190 12. Domine, fac mecum:141 13. Eheu. sustulerunt
Dominum:141 14. .Fair in a morn:159 1^. Fantasias:188, 282 16^. The fields abroad
17. Fire, fire: 197 18_. Gagliarda j_9. Goe from my window 20. Good morrow fair
ladies 21. Hard by a crystal fountain:309, 310 22. Hark alleluia 23. Hark jolly
shepherds 24. Ho! who comes here?:195. 216 25^. 1 follow lo the footing 26. I go
before my darling 27. I saw my lady weeping:199 28_. In dew of roses 29. In every
place 30. It was a lover and his lass:126, 159, 190, 295, 297 31. Lady if I go 32. Lady,
those cherries plenty 33. Leave now mine eyes 34. Leave this tormenting 35. Lo she
flies 36. Magnificat:205.254 (fauxbourdons) 37. Miraculous love's wounding 38.
Mistress mine: 159, 190, 294 39. My bonnie lass:196, 229 40. Now is the gentle season
41. Now is the month of Maying:166, 231, 276 42. O grief 43. Phyllis. I fain would
die 44. Say gentle nymphs 45. Shoot false love 46. Since my tears:134 47. Sing
1) No attempt has been made at a complete discography of Monteverdi. Shown above are such works
as are included in the anthologies.
64
we and chaunt it:231 48. Sweet nymphs, come:195 49. Though Philomela lost her
love:262 50. Thyrsis and Milla:216 51. La volta (arr. Byrd):252 52. When lo by
break of morning 53. Whither away 54. Will ye buy a fine dog: 194 l^ecorder duet:
166
MORZANlS(Gorzanis?)
144
MOUTON, JEAN, d 1522
Ave Maria: 169 Jecundare, Jerusalem: 141 Quaeramus cum pastoribus:244
MUDARRA, ALONSO, 16th c
Diferencias sobre el Conde Claros:140 Gallarda:140, 225 Fantasias:140, 225, 317 Pavane:
219,225 Si me llaman:219 Triste estaba:219
MUNDY, JOHN, d 1630
Goe from my window:252 Lightly she whipped:309, 310 Robin:52 Tres partes in una:193
MUNOZ, GARCIA
Pues bien para esta:303
MUREAU, GILLES, d 1512
Grace attendant: 206
MURET, MARC-ANTOINE, 16th c
Ma petite colombelle:289
NANINO (NANINI), GIOVANNI MARIA, cal545-1607
Ahi, che debbo morire:228 Come fenice:228 Diffusa est gratia:n9, 185, 305 D'una
donna gentil:228 lo son farfalla:228 Sonno soave:228
NARVAEZ, LUIS DE , 16th c
Baxa de contrapunta:140 Cancion del Emperador:140 Diferencias sobre Guardance las
vacas:140 Variations pop. :317
NASCO, GIOVANNI, 16th c
Ave Maria:250 Facti sunt hostes:250 Lamentations of Jeremiah:248 Migravit Judas:249
O salutaris hostia:248, 312 Tristis est anima mea:248
NEGRI, CESARE, b cal546
Balletto e saltarello:304 Also 225
NEIDHARDT VON REUENTHAL, 12th-13th c
Mayenzeit:110 Der Mei hat mennik herze:103 Mei hat wunniklich:103 So schonen wir
den Anger: 103 Willekommen Mayenschein:96, 99 Tanzlied:282
NEUSIEDLER, HANS, cal508-1563
Bethler Tantz:225 Freundlicher Grusse:288 Juden Tantz:225, 226 Preambel:225, 285
NEWMAN, 16th c
Fansye:193 Pavan:193, 236
NICHOLSON, RICHARD, d 1639
In a merry May morn:315 Sing, shepherds all:309,310
NIGRINO, NICOLO, 16th c
Passamezzo:288
NORCOME, DANIEL, 1576-cal626
With angel's face:309,310
OBRECHT, JACOB, cal430-1505
Den Haghel ende:129 Ein frolich Wesen:273 Fuga trium vocum:273 Ic Weinsche alle
vrouwen eere:129 Mass "Maria zart":128 (Qui propter; Et incarnatus) Parce, Domine:
96,99,168,291 Rompeltier:263 Se oblitus fuerG:215 La Tortorella:183, 291 Tsat een
meskin:128 Weet ghy wat mynder:263 Also 241,256
65
OCKEGHEM, JEAN DE, d 1496?
Fleetwood Singers
[Missa Prolationum] Kings 221
L'autre d'antan:148 Les desleaulx:101 Fors seulement:148 Ma bouche rit (Glogauer
Liederbuch):148 Ma maitresse:128, 148, 261 Mass "Fors seulement":215 (Kyrie)
Mass "Sine nomine":168, 291 (Kyrie & Gloria) Missa prolationum (Sanctus):96, 99
Petite c amuse tte: 148 Also 224, 269
ORTIZ, DIEGO, 16th c
Doulce memoire:157 O felici occhi:157 Ricercada:137, 157
OTHMAYER, KASPAR, 1515-1553
Es staht ein Lind:300
OTT, HANS, d cal550
jagers Morgenbesuch:210
PALESTRINA, GIOVANNI PIERLUIGI DA, cal525-1594
Aachener Domsingknabeo (Rehmann)
24 (verso: Ingegneri)
Chanteurs de St. -Eustache (Martin)
56
Chanteurs de St. -Eustache (Martin)
55,60
Chanteurs de St. -Eustache (Martin)
62
Chor der St. Hedwigs-Kathedrale, Berlin (Forster)
62
Chor der St. Hedwigs-Kathedrale, Berlin
12 (with Gabrieli)
Chorale "La Chanson de Fribourg" (Kaelin)
1,11.20,25,48,53
Dessoff Choirs (Boepple)
23,43,56
Lecco Academy Choir (Camillucci)
43.44.69
Mt. Angel Choir, Portland Symphony Choir
23 (with Victoria)
Netherlands Chamber Choir (de Nobel)
54.57 (see no. 269)
Netherlands Chamber Choir (de Nobel)
62 (verso: see no. 168)
Netherlands Chamber Choir (de Nobel)
2.26,42,.43,68
Period Choral Society, Strassbourg
2,9,17,21,23.40,52,58 (Pleni sunt)
Petits Chanteurs de la Sainte Croix
57 (with Chansons populaires)
Roger Wagner Chorale
62
Sistine Chapel Choir (Bartolucci)
8, 10, 14, 15, 17. 22, 34, 35, 36, 44, 48, 49, 53
Sistine Chapel Choir
Vienna Akademie Kammerchor (Theuring)
33.43.44 (with Handl)
7" DGA 37125 EPA
West 18836
LDE 3036; West 18693
DTX 213; PL 6790
10" Elec E 60602
7" Elec EP E 41012
10" SM-33-58
CHS 1631
Vox 9740 X
Educo 4003
LC 3359
LC 3045
Ang 35667
SPL 513
10" Dec 133746
P8126
Cot MC 20066; Ren 55
Per 744
West 18632
66
Vienna Akademie Kammerchor (Theuring)
62 West 18364
Vienna Kammerchor (Gillesberger)
64 (with Lassus) Unicorn 1013
Vienna Pro Musica Choir (Grossmann)
56.62 Vox 10020
Welch Chorale
4.57 Al 3097
Welch Chorale
59.63 Lyr 49
(motets, hymns, etc.): 1.. Adjuro vos 2. Adoramus te:293 3. Alma rede mptoris mater:
185,245,276,319 4. Ascendo ad patrem 5. Assumpta est Maria: 141 6. Ave de
coelis:265 7. Benedictus:260,293 8. Bonum est 9. Confitemini Domino:213, 293
10. Dies sanctificatus:142, 172, 246- Vi. Dilectus meus:304 12. Dum complerentur
dies pentecostes 13. Ego sum panis:313 14. Exaltabo te:205 15. Exultate Deo:179,
201 1^. Haec dies:247 17. Hodie Christus natus est:246, 265 18. Improperia:142,
152,170,242,295 19. Incipit oratio Jeremiae:292 20. Introduxit me Rex 21. Jesus,
Rex admirabilis 22. Laudate Dominum:279 23. Magnificat:265, 280 24. Manum
suam 25. Nigra sum: 304 2^. O beata et gloriosa Trinitas 27. O bone Jesu:17, 142,
240,258,321 28. O crux a ve: 133 29. O quam amabilis:37 30. O quantus Iuctus:230,
304 31. O vos omnes:279 32. Range lingua gloriosi:265 33. Pater noster 34.
Peccavimus 35. Popule meus:265,304 36. Pueri Hebraeorum 37. Regina coeli:142,
292 38. Rotate coeli desuper:246 39. Salvator mundi:312 40. Salve Regina 41.
Sanctus:260 42. Sicut cervus:179, 243, 247, 295, 304 43. Stabat Mater: 152, 293
44. Super flumina:185, 229, 247, 292, 312 45. Supplicationes:213, 293 46. Surge
illuminare:224 47. Tenebrae factae sunt:17 48. Tota pulchra es 49. Tribulationes
civitates 50. Tristis est anima mea:228 51. Tu es Petrus:247 52. Tua Jesu dilecto
53. Vox dilecti
(masses): 54. Ad fugam:269 55. Aeterna Christi munera:216 (Sanctus) 56. Assumpta est
Maria 57. Missa brevis:269 (Agnus):185, 216 58. Descendit Angelus 58a. Dies
sanctificatus:142 (Benedictus) 59. Iste confessor 60. Lauda Sion 61. O admirabile
commercium:161 (Benedictus) 62. Papae Marcelli (L'homme arme):152, 304 (Sanctus,
Benedictus) 63. Sine nomine: 316 (Credo) 64. Veni sponsa Christi: 96 (Agnus), 235
(Agnus)
(madrigals): 65. Ahi che quest' occhi:122. 217 66. La cruda mia nemica:133 67_. Da
cosi dotta man:122,217 68. Soave fia il morir 69. Le vergini (8 madrigali spirituali)
Ricercar (attr. ):272 Also 143, 144, 296
PARSONS, JOHN, d 1623
Pandolpho:187,315
PASSEREAU , 16th c
II est bel et bon:167, 173, 180, 216, 232, 298 Je ne seray jamais bergere:206 Pourquoy
donc:206,275 Sur la rousee:275 Also 163
PAUMANN, CONRAD, cal410-1473
AllmSchtiger Gott:120 Mit ganczem Willen:215
PEERSON (PEERESON, PEARSON), MARTIN, cal580-1650
The fall of the leafe:137, 186, 188, 189, 251 Now robin laugh:166 The primerose:188, 189
PEIROL (D'ALVERGNE). 12th-13th c
Mainta jen me mal razona:100
PENALOSA, FRANCISCO, 15th-16th c
A tierras ajenas:257
PEROTINUS, 12th c
AUeluya Nativitas:96, 105,316 Alleluya viderunt:119 AUeluya (?):99 Beata viscera: 120
67
Deus misertus:110 Diffusa est gratia:85 Nobilis, humilis:318 Salvatores hodie:318
Sederunt principes:91, 105 Vetus abit littera:318 Viderunt omnes:318 Virgo:110
PERRIN D'AGINCOURT, 13th c
Quant voi an la fin: 85
PESENTI, MICHELE, 15th-16th c
Dal lecto me levava:204 Also 143
PETRUS DE CRUCE, 13th c
S'amours east point de poer:119
PHILIPS, PETER, cal560-cal633
Allemande "Tregian":267 Cantantibus organis:230 Fantasy:271 Galliarda dolorosa:184,
186 Passamezzo pavan:177 Pavana dolorosa:184 Trio:271
Piccioni, Giovanni. See PIZZONI (PICCIONI). GIOVANNI
PIERO, MAESTRO, 14th c
Cavalcando:215
Pierre de la Croix. See PETRUS DE CRUCE
Pierre de la Rue. See LA RUE, PIERRE DE
PIERRE DE MOLINS. 14th c
De ce que fol pense:86
PIETON, LOYSET, d cal545
A beata infantia (ed. Attaignant):244
PILKINGTON, FRANCIS, d 1638
The messanger of the delightful spring: 166 Rest, sweet nymphs: 166, 194, 297 Underneath
a cypress tree:189' When Oriana wall<ed:310
PISADOR, DIEGO, fl 1552
A las armas moriscote:134 No mellames segalaherba:202 Pavane y villanesca:140
Porque es dama:202
PIZZONI (PICCIONI), GIOVANNI, 16th c
Duo degli'occhi lucenti:298
Plainsong. See AMBROSIAN, BYZANTINE, GREGORIAN, & RUSSIAN CHANT
PLANCQN, JEHAN, c a 1 5 5 9 - c a 1 6 1 2
Puisque le ciel veut ainsi:232
PONCE, JUAN, fl 1500
De la resurrection: 303
PORTA, COSTANZO, cal530-1601
Erasi al sole:220 Praeparate corda vestra Domine:250 Virtute magna:249
POWER, LIONEL, d 1445
Ave Regina:109 Beata progenies:93
PRAETORIUS, MICHAEL, 1571-1621 1)
Berliner Motettenchor (Arndt)
[Mitten wir im Leben sind] (with Schiitz)
Biaser der Westfaiischen Kantorei (Ehmann)
[Suite zu 4 Stimmen aus "Terpsichore"]
Caillard Vocal Ensemble
[Canticum trium puerorum] (with Scheldt, Schiitz, etc.)
Dresdener Kreuzchor (Mauersberger)
[7 Weihnachtslieder]
Hessische Kantorei (Reich)
[Nun bitten wir den heiligen Geist] 7" CAN T 72013 N
7" Tel AW 8003
7" CAN T 72455 F
West 18898; 14090 Stereo
7" DGA 37172 EPA
1) Partial discography. No attempt has been made to list, for example, recordings of Es ist ein Ros'
68
Kantorei Barmen-Gemarke (Kahlhflfer)
[Wir wollen aJle fr5hlich sein] (with Vulpius, Eccard. Ebeling) 7" CAN T 72090
Stiftskantorei Gtitersloh (G. Wagner)
[Den die Hirten lobeten sehre] (with Schein) 7" CAN T 72072 F
Westfaiische Kantorei (Ehmann)
[In dulci jubilo] 7" CAN T 71885 F
Beati omnes:131 Christ lag:150 Courante-Sarabande:138 Ecce Maria:245 Ein feste
Burg:150 Gaillarde:138 Geh aus main Herz: 209 8 geistliche Tricinien:]50 Herzlich
tut mich erfreuen:209 Ich ruf zu dir:150 Jesus Christus: 150 Mit Fried und Freud:150
Nun freut euch:150 Nun komm:150 Passepieds de Bretaigne:138 Psallite unigenito:
321 Singet dem Herrn:280 Wach auf mit heller Stimm:300 Wie schfln leuchtet:150,
216 Dances:282
PRESTON, THOMAS. 16th c
236
RAIMBAUT DE VAQUEIRAS, d 1207
Estampida:255 Dances:90 Kalenda maya:94, 100, 103
RAVENSCROFT, THOMAS, c a 1 5 9 0 - c a 1 63 3
Bellman's song:175 Brooms for old shoes: 175 It was a frog: 166 New oysters: 175 Painter's
song:175 There were three ravens:166 Willie prithee go to bed:166, 196
REDFORD, JOHN, fl 1535
Christe qui lux: 193 Aeterne rex: 193 O lux:215 Rejoice in the Lord:167
REGNART, FRANCOIS, 16th c
Petite nymfe fol3tre:161, 232 Plus qu'il vous plait:174
RENE, 16th c
Gros Jehan menoit:130
Reuenthal, Neidhardt von. See NEIDHARDT VON REUENTHAL
RHAW, GEORG, 1488-1548. ed
Bicinia gallica:150
RIBERA, ANTONIO DE. early 16th c
Por unos puertos:303
RICHARD I, KING OF ENGLAND, 1157-1199
Ja nuns hons pris:85
Rimini, Vincenzo da. See VINCENZO DA RIMINI
RIMONTE (RUIMONTE), PEDRO, 16th-17th c
Madre, la mi madre:165
RIPA, ALBERTO, 1529-1551
304
Riquier. Guiraut. See GUIRAUT RIQUIER
RIVAFLECHA, MARTIN DE , d 1528
Salve Regina:102
ROBLEDO, MELCHOR, d 1587
Hoc corpus:165
ROMERO, MATEO, d 1647
Entre dos mansos:165
RORE, CYPRIEN DE, 1516-1565
Beato me direi:204 Dalle belle contrade:220 En voz adieux:204 Galiarda:203
Rejouissons-nous:207 Tout ce qu'on peut:275 Vergine pura:221 Also 241
ROSSELLI, FRANCESCO, 16th c
Adoramus te:247.319 Je ne veux plus chanter:289
69
ROSSETER, PHILIP, cal575-1623
What then is love:190 When Laura smiles:181, 189, 190, 194, 288
ROSSI. SALOMONE, 16th-17th c
Pro Musica Antiqua (Greenberg).
Instrumental & Liturgical Works ML 5204
Canzone:304 Gagliarda:304 Sinfonia:304
Roussel, Francois. See ROSSELLI, FRANCESCO
RUBINUS, 15th c
Der bauern schwanz (Glogauer Liederbuch):215, 261, 268
Rudel, Jaufre. See JAUFRE RUDEL
RUFFO. VINCENZO, 16th c
Adoramus te:201,249
RUMELANT , 13th c
Ob aller mynne:85
RUSSIAN LITURGICAL CHANTS
134
SACHS, HANS, 1494-1576
Silberweise:211
SANDRIN, PIERRE REGNAULT, 16th c
Amour si haut:275 Puisque de vous:124
Santa Maria, Tomas de. See TOMAS DE SANTA MARIA
SCANDELLO (SCANDELLI, SCANDELLUS), ANTONIO. 1517-1580
Ein Hennlein weiss:127, 300
SCHLICK. ARNOLT. fl 1512
Schmidt, (org)
[Maria zart; Da pacem, Domine] (with Buchner) 7" DGA 37170 EPA
Maria zart:211,320 Mein Maid ich hab dich auserwelt:211 Vil hinderlist:211
SCHROTER. LEONHARD. c a 1 5 3 2 - c a 1 6 0 1
Hannoverscher Knabenchor (Hennig)
[8 neue Weihnachtsliedlein (1587)] 10" DGA 13071 AP;
195003 SAP stereo
SCHUYT (SCUTIUS). CORNELIS FLORISZOON, 1557-1616
OLeyda gratiosa:168,291
SENFL. LUDWIG. cal492-1555
Feyerabend (ten), instrumental ensemble
[3 Liedsatze] 7" DGA 37007 EPA
Ach Elslein:300 Also heilig ist der tag:131 Es taget vor dem Walde:131 Ewiger Gott:
211 Das GelaUt zu Speyer (Kling, klang):131, 200.300, 302 Gelobet seist du:214
Die weyber mit den flohen:211
SERMISY. CLAUDE DE. cal490-1562
Amours partez: 116 Au joli bois:167, 180, 208 Aupres de vous:174 Changeons propos:124
Dictes sans peur:275 D'ou vient cela:124 En entrant en ung jardin:130 Hau le boys:
96,208 II me suffit:267 Las, je m'y plains:275 Secourez-moi:112, 124 T ant que
vivray:124,206, 216 Vive la serpe:167 Vivray-je tousjours en soucy:207, 216
Also 163
SERVIN. JEAN,. 16th c
Ensemble vocal J. P. Kreder
[Mordant mordu; Les Badauds; La fricassee des oris de Paris; La Piafe guerriere; Les regrets
de Didon] 7" LDE 1054
SHEPHERD, JOHN. 16th c
O happy dames:195
70
SIGNAC, 16th c
Psalm(s):281
SMERT, RICHARD, 15th c
Nowell, nowcll:102
SORIANO (SURIANO) , FRANCESCO, 1549-cal621
Passio ... secundum Joannem:305
SPINACCINO, FRANCESCO, 16th c
Ricercare:226
STAHL, JOHANNES, 16th c
Hildebrandslied:150
STOLTZER, THOMAS, early 16th c
Ich stund an einem morgen:150 Melodia terti toni:268
STRIGGIO, ALESSANDRO, 1 5 3 5 (c a) - 1 5 8 7
II cicalamento delle donne al bucato:306 II gioco di primiera:306
STURGEON, NICHOLAS, 15th c (in Old Hall Ms)
Salve Mater:109
SUREAU , HUGUES, 16th c
Psalm(s):281
SUSATO, TIELMAN, dcal561
Int Midden von den Maye: 129 ■ 16 Danserye: 149 Suite:282 Also 264,311
SWELINCK, JAN PIETERSZ, 1562-1621
Biggs (org)
3, 12. 18.22- SL219
Eisner (hpsi)
3,4,5,6.12,23,25, Toccatas 23 & 24
Heitmann (org)
18
Kee (org)
4.16
Netherlands Chamber Choir (de Nobel)
17.21
Noehren (org)
12
Schonstedt (org)
14
Supper (org)
12
Utrechts Motetgezelschap (Mudde)
9.20
van Royen (hpsi)
12
Vocaal Ensemble NCRV Hilversum (Voorberg)
1.10,13
Wyton (org)
12
PL 9270
in Tele 66037/8
7" Tel AWT 8014
Phi N00127 R
Cone 4002
7" CAN T 72070 F
in Cot MC 20029 A
7" CAN T 72076 F
DTL 93046
7" CAN T 71881 F
in Aeolian 6
1. A toye, O Dieu (Ps. 123) 2. Ach Gott von Himmel (var):216 3. Balletto del Granduca
4. Est-ce Mars (var) 5. Fantaisie chromatique 6^. Fantasia in echo style:273
7. Fantasia super ut, re, mi, fa, sol, la:320 8. Hodie Christus natus est:172, 185, 246,
287 9. II faut que de tous mes esprit^ (Ps. 138) 10. J'aime mon Dieu (Ps. 116) il.
Madonna con quest'occhi:168. 291 12. Mein junges Leben (var):135, 212. 223, 320
13. Ne veuilles pas (Ps. 6) 14. Nun l<omm der Heiden Heiland (var) 15^. O Mensch,
bewein (var):135 16^. Pavana hispanica 17. Rosette pour un peu d'absense:129
71
18. Toccata, A minor 19. Toccata & variations on "Soil es sein":322 20. Tu as ete,
Seigneur (Ps. 90) 21. Tu as tout seul 22. Unter der Linden grllne (var) 23. Variations
sur des airs et des danses profanes 24. Venite:182 25. Von der Fortuna
SZAMOTULSKI, WACLAW, 1525-1572
Juz sye zymerka:134
TALLIS, THOMAS, cal505-1585
Deller Consort
3,5.8.9.14,16 BG 551
Madrigal Guild
9 Mus Lib 7057
Pro Musica Antiqua (Greenberg)
7,9,12 Dec 9404; 79404 stereo
Renaissance Singers
9,12 RG 91
San Jose State College Choir (Erlendson)
14 Mus Lib 7007
1. Adesto nunc propitius:216 2. Audivi vocem:229 3. Deus tuorum militum 4. Ex more
docti:193 5^. lam Christus astra ascenderat 6^. If ye love me:205.319 1_. In jejunio et
fletu 8. Jesu salvator saeculi 9. Lamentations of Jeremiah 1^. Like as the doleful
dove:195 _n. Magnificat: 201 12. Mass for 4 voices 13. Natus est nobis:193. 236
14. O nata lux d^ lumine 15. O ye tender babes: 193 16. Salvator mundi:192 1/7.
When shall my sorrowful sighing: 308
TAVERNER, JOHN, cal495-1545
In nomine:194 Magnificat:134 Mass "Gloria tibi":215 (Benedictus) Quemadmodum:134
TERTRE, ESTIENNE DU, 16th c
Pavane & Galliarde:267 Dances:176
TESSIER, CHARLES, b. cal550
Au joli bois:232
THIBAUT IV, KING OF NAVARRE, 1201-1253
En chantant veuil:112 O dame:94 Pour ce se d'amer:95 Tuit mi desir:97
TOLLIUS, JAN, cal550-cal603
Delia veloce sona:168,291
TOMAS DE SANTA MARIA, fray d 1570
Clausula de octavo tono:135
TOMKINS, THOMAS, cal575-1656
Golden Age Singers (Field-Hyde)
7.21,22,26,30,32.35 West 18764
In Nomine Players, Ambrosian Singers (Stevens), Sidwell (org)
v.l: 1.8,9,12,14,24,25,28
V. 2: 2, 4. 10, 13. 15, 16, 17, 18, 23, 26, 29, 33 2-12" EA 0027/0028
1. Above the stars 2. Adieu, ye city-prisoning towers 3. Clarifica me Pater:237
4. Fantasias:198.237 5. The fauns and satyrs:309, 310 6. Fortune my foe: 193
!_. Fusca, in thy starry eyes 8. God who was at this time 9. The heavens declare
10. How great delight lA. In nomine: 194 12. Jubilate Deo (5th Service) 13. Music
divine 14. O clap your hands 1^. O let me live 1^. Oft did I marie 17. Our hasty
life 18^, Pavan:184 19. Pavans & galliards:237 20. The perpetual round: 193
21. Phyllis, now cease 22. See, see the shepherd's queen 23. Sure there is no God of
love 24. Then David mourned 25. Thou art my king 26. Too much I once lamented
27. Toy made at Poole court: 237 28. Voluntaries 29. Was ever wretch tormented
30. Weep no more thou sorry boy 31. What if a day (var);237 32. When David heard:
197,199 33. When I observe 34. Worcester Brawls:237, 252 35. Yet again
72
TORRE, FRANCISCO DE LA, 1 5 1 h c
Adoramos te, sciioi:120 Aire dc daniia:257 Alta:215 O cuam dulce:257 Dancc:256
TOURNHOUT, GERARD, 1520-158 0
En regardant:261
TROMBONCINO, BARTOLOMEO. 1 5 i: h - 1 6 t h c
Ben che amor:288 Come haro donque ardire:101 Long! dal mio bel sol:304 Non
peccando:266 Non val acqua:257 Ostinato vo seguire:266 Se ben or: 122 Also 144
TYE, CHRISTOPHER, 14977-1572
In nomine:194 Laudate nomen Domini:287 O come ye servants:192 Praise ye the Lord:
254
Sonatas: 140
Shepherds and nymphs:310
Cetra 50066
LD-3-405
Damon e Filli:217 Fa una
VALDERRABANO, ENRIQUE, 16th c
De donde venis amore:202 Diferencias sobre Guardance las vacas:140
VALERIUS, ADRIANUS, d 1625
Songs: 183
Vaqueiras, Raimbaut de. See RAIMBAUT DE VAQUEIRAS
VAROTER, FRANCESCO, 15th c
Voi che passate:266
VASQUEZ. JUAN, 16th c
D'aquel pastor de la sierra:301 De los alamos vengo:301 Morenica, dame un beso:301
Vos me matasteis:130 Ya florecen los arboles:301 Zagaleje:284
VAUTOR, THOMAS, 16th-17th c
Alamaine:294 Mother, I will have a husband:173, 195, 308
VECCHI, HORATIO, cal550-1605
Chorus of Circolo Musicale di Lecco (Camillucci)
[L'Amfiparnaso]
Pamplona Chours (Morondo)
[L'Amfiparnaso]
L'Amfiparnaso (Act 2, Sc 3):220 Buon di e buon anno: 122
canzone senza note nere:259 Felici e liete spiagge:122 Margarita dai corai:298, 306
Salutis humanae:249 So ben me ch'a bon tempo:304 S'udia un pastor:122
Ventadour (Ventadorn), Bernard de. See BERNARD DE VENTADOUR
VERDELOT, PHILIPPE, 16th c
Con lagrime e sospir & Fuggi, fuggi (arr Willaert):219
VERGER
Puis ca, puis la:112
VIADANA, LODOVICO GROSSI, cal564-1645
Cantate Domino: 279 Exultate justi:185, 251, 258, 292 Magnificat:277 O sacrum
convivium:251, 258
VICTORIA, TOMAS LUIS DE, cal540-1611
Aachener Domchor (Rehmann)
35 (with Palestrina Stabat Mater, cf. no. 152) 7" 45 rpm ARC 37142
Chanteurs de St. -Eustache (Martin)
34 10" PM 25002
Choir of the Abbey of Montserrat (Segarra)
[18 responses from Officium Hebdomadae Sanctae] 2-12" SM 3315/3316
Choir of the Abbey of Montserrat (Segarra)
33,35 SM 3317
Lecco Academy Choir (Camillucci)
14,37
Mt. Angel Choir, Portland Symphonic Choir
31 (verso: Palestrina)
Vox 8930; 690
Educo 4003
73
Mt. Angel Choir, Portland Symphonic Choir
36
Netherlands Chamber Choir (de Nobel)
19,24.25,37
Pamplona Chorus (Morondo)
n
Pamplona Chorus (Morondo)
7, 16,25, 27 (all from Officium Hebdomadae Sanctae)
Pamplona Chorus (Morondo)
1,4
Spanish Nat'l Radio Chorus (Odon)
3.5,9
Versailles Choir (Roussel)
32
Washington University Choir (Weiss)
19,23
LM 2254; LSC 2254
stereo
Ang 35668
Tel BLE 14056
10" LD 2108
7" AW-T 8017
FM 41 .
Per 712
in Aspen 1511
Welch Chorale
32 Lyr 46
(motets, responses, etc.): 1. Amicus meus 2. Animan meam:292, 295 3. Ave Maria:
17, 37. 96. 141, 165, 185. 243. 287, 292. 295. 301 4. Benedictus (Canticum Zachariae)
5. Caligaverunt:295 6. Cantate Domino:240 7. Cogitavit Dominus 8_. Doming non
sum dignus:240 9. Duo seraphim:251 W. Gaudent in coelis:167. 292 11. In coena
Domini 12. In elevatione corporis Christi:302 13. Jesu dulcis memoria:167. 205, 301
14. Magnificat quarti toni 1^, Miserere mei:213 16. Misericordiae Domini jj^. O
crux ave:240. 245, 295 18. O Domine Jesu:216 19. O magnum mysterium:165. 246.
301 20. O quam gloriosam:172,246,258 21. O regem coeli:251 22. O sacrum
convivium:250 23. O vos omnes:141, 170, 200. 230, 245, 258. 265. 287. 299 24. Pastores
loquebantur 25. Popule meus (Improperia):242. 295 26. Quem vidisti pastores:244
27. Quomodo obscuratum 28. Tantum ergo:165. 179. 247, 258, 276 29. Tenebrae
factae sunt:170, 265. 292. 295. 302, 312 30. Vere languores:185. 247. 287, 295
(masses): 31^. Missa Dominicalis:229 (Kyrie) 32. O magnum mysterium 33. O sacrum
convivium 34. Quarti toni 35. Vidi speciosam 36. Missa pro defunctis (1583)
37. Officium defunctorum (Missa pro defunctis. 1605):284 Also 160,283.296
VIDAL, PEIRE, d cal217
Anc no mori; Be'm pac d'ivern:100
VIDE, JACOBUS, 15th c
Amans doubles:268
VILA, PEDRO ALBERCH, 1517-1582
Tientos:307
VILCHES
Ya cantan los gallos:303
VINCENZO DA RIMINI, 14th c
Ita se n'era:86
VINIER, LE (Guillaume or GiUes. both 13th c)
123
Vogelweide, Walther von der. See WALTHER VON DER VOGELWEIDE
VOIT, HANS, 16th c
FUr all ich kron:150
VULPIUS, MELCHIOR, cal560-1615
Hinunter ist der Sonnenschein:300
74
WAISSEL, MATHEUS, 16th c
Phantasia:285 Polish dance:288
WALTHER VON DER VOGELWEIDE, 12th c,
Nu alerst leb ich (Palestinalied):85, 103,211 Wie soil ich den gemynnen:211
WALTHER, JOHANN, 1496-1570
Christ lag in Todesbanden:211
WARD, JOHN, 16th-17th c
Ayre:222 Hope of my heart:195 Upon a bank:199
WEELKES, THOMAS, cal575-1623
Randolph Singers
2.5.6,8,12,13.14,19 West 18657
1^. AH at once:195 2. Andalusian merchant 3. The ape. the monkey and baboon: 195
4. As Vesta was from Latmos Hill: 196, 309, 310 5. As wanton birds 6. Cease sorrows
now: 195 2- The cries of London: 175 8. Death hath deprived me 9. Fire, fire my
heart:196 10. Gloria in excelsis:246 11. Hark all ye lovely saints:229. 308 12. Hence
care:316 13. Lord, when I think 14. O care, thou wilt despatch:195, 316, 216 15. On
the plains: 195, 232 16^. A sparrow-hawk proud: 31 6 17. Strike it up, Tabor:195
18. Tan ta ra cries Mars: 199 19. Thule, the period of Cosmography: 195 20. To
shorten winter's sadness:195, 231, 308 21. Welcome sweet pleasure:270, 276 22. Young
Cupid: 195
WEERBEKE, CASPAR VAN, 15th-16th c
Virgo Maria:313
WERT, GIACHES DE , 1535-1596
Ah dolente partita:298 Un jour je m'en allai:174, 298
WHITE, ROBERT, cal530-1574
In nomine: 194 Ut re mi:236
WHYTHORNE, THOMAS, b cal528
Buy new broom:315
WIDMANN, ERASMUS, 1572-1634
Schneiderlied:171
WILBYE, JOHN, 1574-1638
Deller Consort Bach 578; 5003 stereo
Randolph Singers
[all except 5, 11.12,15] WL 5221; 18702
1^. Adieu sweet Amaryllis: 195 2. All pleasure 3. And though my love 4. As fair as
morn 5. Down in a valley:308 6. Flora gave me fairest flowers: 195, 199 1_. Fly not
so swift 8^. Happy O happy he 9. Hard destinies 1^. I fall IT. The lady Oriana:
309,310 12. Lady when I behold:195 13. O what shall I do 14. Oft have I vowed: 195
15. Stay Corydon: 231 ]_6. Sweet honey-sucking bees:195, 199, 232 17. Thus saith my
Cloris bright 18^. Weep, O mine eyes 1_9. Ye that do live in pleasures: 216 20. Yet
sweet
WILLAERT, ADRIAN, 14907-1562
Canzona:255 Con lagrime e sospir:226 Ego dormivi:249 Madonn'io non lo so:129
O bene mioa29 O dolce vita mia: 204 Ricercar:216, 255, 273, 282 Un giorno mi
prego:129 Zoia zentil:204
WIZLAW III, PRINCE OF RUGEN, d 1325
Loybere risen; We ich han gedacht:103
WOLKENSTEIN, OSWALD VON, cal377-1445
Ave mater: 147 Es fuegt sich:147 GelUck und hail:147 Ich klag ain engel:147 Der mai
mit lieber zal:103, 147 Nu huss:147 Sag an, herzlieb:147 Stand auff Maredel: 147
Wolauff gesell:147
75
ZANGIUS, NICOLAUS, d cal618
Der Kolner Markt:171
ZIELENSKI, MIKOLAJ, early 17th c
In monte Oliveti; Per signum crucis:134
ZUPFGEIGENHANSL COLLECTION
210
ANONYMOUS (see also Anna von Coin, Attaingnant, Bayeux Ms, Glogauer Liedeibuch, Laude
Lochamer Liederbuch, Margarethe von Oesterreich, Zupfgeigenhansl. Titles under these
headings are also included here)
A declarer mon affection (Attaingnant):208 A la clarte:85, 110, 119 A la duchee de
Normandie (Ms de Bayeux):234 A pris ai qu'en chantant:116 Ach Elslein (Rhaw):150,
210 Ad regnum/Noster cetus:86 Ade finit perpete/Ade finit misere/A definement:107
Aderlassen ner Nonnen (Anna v. C61n):210 Agnus Dei (organum):96, 99 Agniaus dous,
13th c:101, 120 All voll (Glogauer):147 Alia battaglia:304 Alma redemptoris/
Descendi in hortum/Anima mea:86 Alma redemptoris mater (carol);93 AUe-psallite:
119,318 Alleluia (carol): 93 Alleluja (lauda):170, 265 Alleluia psallat:85, 97, 110, 119
Alleluia, surrexit Christus: 97 Alman:252 Amor vincens: 119 Angelus ad virginem:
215 Anima mea:149 Anima Christi (lauda):128 Anime affaticate (lauda):88 Les
anneaux de Marianson:162 Annunciazione, Nativita, Passione e Resurrezione di
Cristo:121 Appenzeller Kuhreihen:150 Aria per liuto:304 Au tans d'aoust:97 Au
tens pascour:85 Aus fahr ich hin:211 L'autre jour/Au tens pascour/In saeculum:91
L'autre jour me chevauchoie:115 Ave, gloriosa Mater: 120 Ave Maria: 93, 253 Ave
Mater:120 Ave mitis (lauda):221 Ave rex angelorum (carol): 93 Ave verum:110
Ay luna que reluces:202 Ay triste vide:202
Basse danse (Attaingnant):225, 289 Basses danses:98, 207, 267 Beata viscera: 97, 107
Beata nobis gaudia:119 Belle qui tiens ma vie:286 Belle pour ramour:149 Bele
Aelis:115 Bele Doette:101, 110 Benedicamus (trope):86 Benedicamus Domine:96, 99,
110,119 Bevons ma comere:125 Bist du des Goldschmieds Tochter:210 The bitter
sweet:195 Bon vin (Bayeux Ms): 125, 318 La Bounette:236 Branles:124,267 Branle de
Poitou (Attaingnant): 289 Brawls:98 Bryd one brere:108 Buona roba abbiam:204
Calabaza, no se:303 Callinore castore me:294 Can shee (see Morley, Eso 520)
Canciones:200 Cant de la Verge: 113 Canzona per repistola:235 Un cavalier di
Spagna:122 Ces facheux sotz (Attaingnant): 288 Chanson d'amour:101 Chanson de
mai:123 Chan^onnete/A la cheminee/Veritatem:91 Chevalier mult estes guariz:103
Chevauchoie lez un bruel:91 Christ der ist erstanden (Glogauer):147, 214, 255 Civitas
musquam/Cibus esurientum/Tu es celestis curie: 107 Coda di volpe (see Der fuchs
schwanz) Como poden per sas culpas:97 Concord, laetitia:118 Conductus:112
Congaudeant Cathollci:97 Corranto:188 Credo (15th c):215 Cristo e nato (lauda):88
Da I'orto se ne vien la pastorella:122 Dadme albricias:102, 301 Dal cielo venne (lauda):
88 Dal letto me levava:128 Dale si le das: 303 Dances:86, 90, 98, 101, 102, 137, 176,
178,255,256 De castitatis thalame (conductus):96, 99 De la crudel morte (lauda):
170,265 Deo gratias Anglia:215 Desciende al valle:303 Destre amoureux (Attaing-
nant):206, 226 Deus in adjutorium:119 Deus misertus (conductus):85 Deus tuorum
militum/De flore martyrum/Ave rex gentis:107 Dieus! je suis j^ preVEt vide: 91
Dimmi dolce Maria (lau4a):170, 265 Din di rin din:255 Dios te salve:303 Dit le
Bourguignon:266 Domine (organum):99 La Doune cella:236 Die drei Bauern:256
Drink to me only:189 Du Lenze gut (Glogauer):147
76
Edi beo thu hevene quene:107 Eius in oriente (organum):99 Elslein (Glogauer):147
Emendemus:164 En may la rosee:86, 110 En non diu:96, 99 En un vergier:91, 115
En trinitatis:256 Entlaubet ist der walde:130, 211, 255 Entre copin et bourgeois:110
Entree suis en pensle:149 Epitaphe de I'amant vert:266 Erfreu sich alles:150
Estampie:99, 103, 110, 112, 268 Et cuidez-vous que je me joue (Bayeux Ms):234 Et
gentil Mareschal (Attaingnant):206, 267 Ex semine Abrahae:97
Face de moi:119 Fantasie:112, 262 Felix nanique:236 Fiamengo:203 Fontaine a vous
dire:262 Fortuna disperata:304 Fortune laisse-moy (Attaingnant):207 Foweles in the
frith:97,107 Fretillarde amoureuse pucette:206, 275 FrShlichen will ich singen:150
Der fuchs schwanz (Glogauer):266
Gaite de la tor:91 Galliards:193, 207, 226 Gar lustig ich spazieren ging:211 Gaude felix
Francia (attr. Perotinus):118, 119 Gentils gallans (Bayeux Ms):125 Gepenst licht mij
so vast:261 Goe from my window:226 Giu per la mala via (lauda):88, 170, 265
Gloria (carol): 93 Gloria a 4:128 Gloria in cielo (lauda):86, 88 Greensleeves:294
Gut gsell:211
Haec est clara dies: 118 Hail Mary (carol): 93 Haulberroys (Attaingnant):289 Have you
seen but a white lily:181, 189, 194 Herzlich tut mich erfreuen:150 Hier main toz:
119 Hier matin jouer:115 Hier matin chevauchoie:115 Hoquet:112, 119 Het was
een maghet:203
I smile to see: 195 Ich bins erfreut (Glogauer):147, 256, 257 Ich gieng ein mage bayerien:
226 Ich hab heimlich ergeben:150 Ich kam vor liebes Fensterlein:257 Ich sachs eins
mals den lichten morgensterne (Glogauer):131, 256, 257, 268 Ich sag ade:127,171 Ich
setze minen vuoz:85 II me fait mal:149 II me suffit (Attaingnant):130,288 Ille
(melisma);120 lis ont menty (Bayeux Ms):234 lis sont bien pelez:162 In saeculum
artifex:110 In seculum viellatoris:85, 110,268 Interlude (Attaingnant):289 Irish
dumpe (see Morley, Eso.520) Iste confessor: 118
Das jager horn (Glogauer):261 J'aloie rautre:98 J 'ay prins amours: 206 Je voi douleur/
Fauvel autant/Fauvel nous a fait (Roman de Fauvel):86 Jesu Christes milde moder:107
Jesu corona virginum:268 La jeune religieuse:162 Joliement en douce desiree/Quand
voi la florette/Je suis joliette:119
Die katzenpfote (Glogauer):148 Kein Feur, Keine Kohle (Zupfgeigenhansl):210 The
king's morisco:189
Ein laeppisch Mann: 256 Lamento de Tristano:86, 89, 103 Languir m'y faut:112 Laroque
(Attaingnant):288,289 Le lay des amants:116 Letabundus:125 Lied der
Geissler:211 Die Linde im Thai (Locl>amer):210 Lodate Dio (lauda):88 The lord's
masque: 184 Loseraie dire: 115 Lullay luUow (carol): 93
Madre divina (lauda):88 Der mai tritt herein: 150 Main se leva: 91 Make we joy (carol):
93 Man mei longe:108 Maravillosos et piadosos:113 Maria die sonde: 203 Maria
durch ein Dornwald ging:210 Mariam matrem:202 Mariam sanctificans:97 Marionette
douce:97 Marvel not, Joseph (carol):93 Mass "Custodi nos":215 (Gloria) Mass "De
Tournai"; M. Honegger, Instr & Vocal Ens; 10" LD-2-128 Mass:14th c settings:109
Merce, merc^ o morte:89 Melismas & estampie:85 Minelied (Lochamer):210 Miserer
my maker:278 Miserere:222 Mort, j'apelle:112, 206 Motet:112 Mother & maiden:
287 Le moulin de Paris:215 My friends, the things:195 My Lady Carey's dompe:216
Ne I'oserey-je dire (Bayeux Ms):115,206 Nell'apparir del sempiterne sole (lauda):88 Der
neue bauern schwanz (Glogauer):257 The new noddy: 184 Nova, nova (carol):93 Now
wel may we merthis make:215 Now wolde y faine:226 Nowell, nowell (carol):93
Nowell sing we: 93
O admirabile Veneris:97 O cor soave (lauda):170, 265 O Cristo omnipotente (lauda):121
O death, rock me to sleep:191,290 O divina Virgo:97 O Jesu dulcissime:260 O
lobal Zio:85 O lux luminis:268 O Maria. Diana Stella (lauda):213, 321 O Maria Virgo
Davidica:97 O nobilis/O mira/O decus/Apparuit:107 O plasmator (Glogauer):147
O vaghe montanine:122 O ye happy dames: 193 Opem nobis/Salve Thoma/ Pastor
cesus:107 Or la truix:96,99 Or sus vous dormes trop:206 Organa:255 Orientis
partibus:97
Par un matinet:115 Parce Domine:128 Pase el aqua:256,303 Passione di Cristo:121
Pastorcico non te aduermos:202 Pastourelle de Colin Muset:115 Pastourelle de Gilbert
de Berneville:115 Pavane (Attaingnant):288, 289 Pavanes:101,207 Peg-a-Ramsay:294
Per chazzar maninconie:204 Perche ciascun difendere:257 Perla mia:266 Ung petit
coup (Attaingnant):206 Der pfauen schwanz (Glogauer):147, 268 II pietoso Gesu (lauda):
88 Planctus Mariae:88 Plangiamo quel crudel basciare:97 La plus grant chiSre:262
Poiche (lauda):128 Le point agu:128 Por la puenta juana:165 Pourquoi voules vous
cousturier (Attaingnant):206 Preambul (Neusiedler):288 Pregon:200 Prendes-y -garde/
He! mi enfant: 91 Presulem sanctissimum:171 I^inzen-Tanz:99 Probitate eminentem
(Glogauer):147 Propheties de la Sibylle:118 Proportz:99 Puellare gremium:97, 107 .
Quand je parti:119 Quand je vols rhiver:97, 112 Quant horn es en autrui poder: 94 Quand
je voye renouveler (Bayeux Ms):234 Quando rimiro il ciel (lauda):88 Quel principe che
regge:304 Quam quaeritis in sepulchro:97 Quen a Virgen:97
Regi regum glorioso:97 Rende rarme:128 Retroue:236 Rex coeli:96, 99 Rex immense:
97 Rex virginum:118 Riu, riu:102 Le roi anglais (Bayeux Ms):234 Roman de Fauvel:
86,119 Rosa fragrans:97 Rounds:166 Rusticus:128
Saltarello:101, 103, 257,282 Salve, salve, Virgo pia (lauda):100 San Domenico beato
(lauda):100 Sancta Maria (lauda):128 Sancto Lorenzo:120 Scotch canaries:288 Se je
chant:86,119, 215 Seh in mein herz (Glogauer):147 Septimus:268 La shy myze:236
■ Siam galanti di Valenza:304 Sit ^gloria Domini: 97 Sia laudata San Francesco (lauda):
100 S'on me regarde:116 Sovent me fait souspirer:101 Splelmannstanz:103 Spiritu
Sancto (lauda):100 Sie gleicht wohl einen Rosenstock (Zupfgeigenhansl):210 Un
sirventes:94 Stantipes:110, 282 Stirps Jesse:113 Stond wel, moder:108 Suis-je belle:
162 Sumer is icumen in:97 Sweet Amaryllis stay:290
Tant que vivray (Attaingnant):288,297 Tappster, drinker:215 Te Deum (carol): 102
There is no rose:102 Thomas gemma cantuarie:107 Tibi laus (carol):93 Toda me
casa:256 Tourdions:207, 267 Tournai mass, see Mass "De Tournai" A toye:188, 189
Transfretasse legitur (conductus):85 Triste suis:149 Triumphal hodie:97 Trotto:98
Tuba gallicalis:266 Tuit oil qui sunt enamourat:97
Urbs aquensis (chant):224
Veneziana:219 Verbum Patris humanatur:97, 107 Veri floris sub figura:97 Verlangen
that mich kranken (Lochamer):210 Villanellas:282 Virelai sur la mort d'Olivier
Basselin (Bayeux Ms):234 Virgo:268 Virgo gloriosissima:262 Vitrum nostrum:262
Volez vos que je vos chant: 91 Vom Himmel hoch O Engelein kommt (Zupfgeigenhansl):
210 Vostre bargeronette:115 Ein Vroulein edel (Lochamer):257
Der Walt hat sich entlaubet (Lochamer) (cf Entlaubet ist der Walde):131, 257 What tidings:
93 Why aske you:252 Why dost thou turn away: 189 Willow song: 288, 294 Worldes
blis:97,107,108
Ya cantan los gallos:256
Recorder pieces: 98 Piece (Glogauer):261
78
PART
III
PERFORMER
INDEX
PART III
This is not intended as an exhaustive index, i.e. : every performer or
performing group for every selection in all the anthologies listed previously is not
set out here. It is an extensive index, however, and should provide still another
effective approach to recorded medieval and renaissance works in addition to the
previous approaches by anthology title (as in Part 1) and by composer and compo-
sition (as in Part II).
81
CHORUSES
AACHENER DOMCHOR (Rehmann):156, 224
Victoria
AACHENER DOMSINGKNABEN (Rehmann):152,
156 Isaac, Lassus, Palestrina
AGRUPACION CORAL DE CAMERA DE PAM-
PLONA (Morondo):200,284.302 Vecchi,
Victoria
ALL SAINTS MALE CHOIR, Worcester, Mass.:
319
AMBROSIAN SINGERS: 175 Duf ay , T o m -
kins
AMSTERDAM MOTET CHOIR: Lassus
BASLER KAMMERCHOR:131
BAVARIAN RADIO CHORUS:218
BERKELEY CHAMBER SINGERS: D e p r e s
BERLINER MOTETTENCHOR:153, 171 P r a e -
torius
BODLEY SINGERS:97, 215
BONA VENTURA CHOIR: 160
BOSTON CHORUS PRO, MUSICA:287
BROMPTON ORATORY CHOIR (H. Washington):
97,215,216
CAILLARD VOCAL ENSEMBLE:180, 245 Depres,
Dufay, Janequin, Praetorius
CAILLAT [sic] VOCAL ENSEMBLE: Janequin
CANTERBURY CATHEDRAL CHOIR: 192
CAPILLA CLASICA POLIFONICA:301
CATAWBA COLLEGE CHOIR: Depres
LA CHANSON DE FRIBOURG: Palestrina
CHANTEURS DE ST. -ESTACHE (Martin): 164,
258 Depres, Du Caurroy, Pales-
trina , Victoria
CHANTEURS TRADITIONNELS DE PARIS: 139
Janequin
CHANTERELLE LANZA DEL VASTO:123
CHOEUR D'ENFANTS DE LA MAITRISE RTF:163
CIRCOLO MUSICALE DI LECCO: Vecchi
COLUMBIA TEACHERS' COLLEGE CHOIR: 173
COPENHAGEN BOYS' AND MENS' CHOIR: 99
CORO DE MADRIGALISTAS DE MEXICO:230
CORO POLIFONICO GORIZIANO: Marenzio
CORO POLIFONICO ROMA NO: 142
COURA UD VOCAL ENSEMBLE: C o s t e 1 e y ,
Depres, Janequin, Lassus
DESSOFF CHOIRS (Boepple):318 Depres, Du-
fay, Lassus, Machaut, Palestrina
DUON CATHEDRAL CHOIR: 118
DRESDNER KREUZCHOR: 182Praetorius
ENGLISH SINGERS:231
ENSEMBLE VOCAL DE PARIS: Depres,
Lassus
FERRARA SINGERS: G e s u a 1 d o
FLEET ST. CHOIR: Byrd
FLEETWOOD SINGERS:220 Ockeghem
FRENCH CIRCLE CHOIR: 167
GHENT ORATORIO SOCIETY:203
GOLDEN AGE SINGERS (Field-Hyde):232 Do w -
land, Marenzio, Morley, Tomkins
GREGORIAN INSTITUTE CHOIR:279
HAMLINE SINGERS: Morales
HANNOVERSCHER KNABENCHOR: S c h r o e t e r
HARVARD GLEE CLUB (Woodworth):161, 213
HARVARD & RADCLIFF CHOIRS: 174, 280, 293
G. Gabrieli
HEINRICH-SCHOtZ-KREIS, MUNICH:214
HEINRICH-SCHUTZ CHOR, HEILBRONN:
Lee hne r
HESSISCHE KANTOR£I:209 Praetorius
JOUVE VOCAL ENSEMBLE:286
KANTOREI BARMEN-GEMARKE: Eccard,
Praetorius
KINDERCHOR BENDER:150
KING'S COLLEGE CHOIR: Gibbons
KREDER VOCAL ENSEMBLE: Costeley , Jane-
quin, Lassus, Servin
LAMY SINGGEMEINSCHAFT:151, 155,275
LECCO, CIRCOLO MUSICALE DI: Vecchi
LECCO ACADEMY CHOIR: Palestrina,
Victoria
LONDON CHAMBER SINGERS:216
LONDON CHORAL SOCIETY (Bath): Byrd
LUCA MARENZIO ENSEMBLE: 132
MADRIGAL GU1LD:309 T a 1 1 i s
MADRIGALISTI MILANESI (Fait):143, 228
MAITRISE DE LA METROPOLE DE RENNES:277
MAITRISE DE L'ORATOIRE DU LOUVRE:281
MASTREECHTER STAR CHORUS:240
MEXICO, Coro de Madrigalistas de:230
MONACO CATHEDRAL CHOIR:242
MONTSERRAT ABBEY CHOIR: Victoria
"MOTET ET MADRIGAL" CHORALE:134
MT. ANGEL CHOIR: Palestrina, Victoria
MUZIEKKRING OBRECHT:263
NETHERLANDS CHAMBER CHOIR (de Nobel):168,
183,269,291 Palestrina, Swelinck,
Victoria
NETHERLANDS VOCAL QUARTET:129
NEW ENGLAND CONSERVATORY ALUMNI
CHORUS:196
NONESUCH SINGERS:167 Byrd
LE NUOVE MUSICHE: L u z z a s c h i
ORIANA SINGERS: F a rn a b y
83
OPEN SCORE SOCIETY: 167
Pamplona Chorus. See AGRUPACION CHORAL
DE CAMERA DE PAMPLONA
PARAPHONISTES DE ST. -JEAN DES MATINES:
85,128,129
PAULIST CHOIR, CHICAGO:276
PERIOD CHORAL SOCIETY, STRASSBOURG:
Palestrina
PETITS CHANTEURS DE LA RENAISSANCE:
313 Palestrina
PETITS CHANTEURS DE ST, -LAURENT: 179
POLIFONICA AMBROSIANA:88,259,260
POMONA COLLEGE GLEE CLUBS: Depres
PORTLAND SYMPHONIC CHOIR: Victoria
PRAGUE MADRIGALISTS: Lass us
PRIMA VERA SINGERS: 93, 141 Morley
PRO MUSICA CHORAL SOCIETY: 169
QUARTETTO POLIFONICO:170, 265
RADIO-BERLIN CHORUS:127
RANDOLPH SINGERS:197,298,310 Gesualdo,
Weelkes, Wilbye
REGENSBURGER DOMSPATZEN:283
RENAISSANCE CHORUS:201
RENAISSANCE SINGERS:172. 308 Byrd,
Isaac, TaUis
ROBERT SHAW CHORALE:299
ROGER WAGNER CHORALE: 185 Palestrina
ST. ANT OINE CHOIR: Dufay
ST. HEDWIGS CATHEDRAL CHOIR: G .
Gabrieli, Palestrina
ST. JOHN THE DIVINE CATHEDRAL CH01R:254
ST. -JORDI CHOIR, BARCELONA: 165
SAN JOSE STATE COLLEGE CHOIR: T a 1 1 i s
SCHOLA DU GRAND SCOLASTICAT DES P^RES
DU ST. -ESPRIT DE CHEVILLY:251
SCHOLA GREGORIANA OF COPENHAGEN: 99
SCHOLA MELLURGICA BADIA GROTTAFERRATA:
111
SESTETTO LUCA MARENZI 0:227
SINGGEMEINSCHAFT LAMY:151, 155, 275
SISTINE CHAPEL CHOIR:295, 296 Palestrina
SPANISH NATIONAL RADIO CHORUS: Victoria
STANFORD UNIVERSITY CHORUS (Schmidt):
229,243
STIFTSKANTOREI GUTERSLOH: Praetorius
SWABIAN CHORUS: L a s s u s
TRAPP FAMILY:321
TREVISO, CAPELLA DI:248-250 A , & G .
Gabrielli
VASSAR MADRIGAL SINGERS:217
VATICAN CHOIR:292
VERSAILLES CHOIR: Victoria
VIENNA ACADEMY CHOIR:300
VIENNA AKADEMIE KAMMERCHOR: H a n d 1 ,
Isaac , Palestrina
VIENNA CHAMBER CHOIR:314
VIENNA CHOIR BOYS:312
VIENNA KAMMERCHOR: Lassus
VIENNA PRO MUSICA CHOIR: Palestrina
VOCAAL ENSEMBLE, NCRV HILVERSUM (Voor-
berg): Do wland , Swelinck
WASHINGTON CATHEDRAL CHOIR:205
WASHINGTON CHAMBER CHORUS: Byrd
WASHINGTON UNIVERSITY CHOIR: Victoria
WELCH CHORALE:246,247 Palestrina,
Victoria
WESTFALISCHEN KANTOREI: Hassler.
Lechner, Praetorius
WINDSBACHER KNABENCHOR: Eccard
CONDUCTORS
AIRD: Depres
ALBERT: G. Gabrieli
D'ALESSI:248-250 A . & G. Gabrieli
APPIA:G. Gabrieli
ARNDT:171 Praetorius
BARON: G. Gabrieli
BARTOLUCCI:295,236 Palestrina
BATH: Byrd
BESSON:163
Biella. See POLIFONICA AMBROSIANA
Boepple. See DESSOFF CHOIRS
BOULANGER:116,208
BRENN:312
BROWN:201 Isaac
CALDER:169
CALLAWAY:205 Byrd
CAMILLUCCI: Palestrina , Vecchi,
Victoria
CAMPBELL:172. 192 B y r d
Cape. See PRO MUSICA ANTIQUA, BRUSSELS
84
CAROL:242
CAVALLI:227
CHABAY: Dufay
CHAILLE:266/7
COTTE:176
CRAFT: Gesualdo
DART:n7, 222 Dow land , Gibbons
DEISS:251
DAVENPORT:98.282
de Nobel. See NETHERLANDS CHAMBER
CHOIR AND LASS US
DE VERON:196
DE PAUW:203
EECKHOUT:261-2
Ehmann. See WESTFALISCHE KANTOREI
ENGLE:308
ERLENDSON: T a 1 1 i s
Fait. See MADRIGALISTI MLANESI
Field-Hyde. See GOLDEN AGE SINGERS
FORSTER: G . Gabrieli, Palestrina.
GEER:217
■GILLESBERGER:300 Lassus, Palestrina
GREENBERG:93,141 Morley , Tallis, See
also N.Y. Pro Musica
GRISCHKAT: Lassus
GROSSMAN:314 Handl, Isaac, Pales-
trina
Haas. See'KREFELD COLLEGIUM MUSICUM
HENNIG: S c h r o e t e r
HINDEMITH:316
HOBBS: Farnaby
HOLIDAY: Morales
M. HONEGGER:139 Jane qui n
HORNUNG:281
HOWARD: B y r d
HUGHES: 97
HUNTER: M a c h a u t
lOUVE: Depres , Lassus
KAELIN: Palestrina
KAHLHOFER: Eccard, Praetorius
KOCH:126
KOEKELKOR£N:240
KUGLER:218
LAWRENCE: Byrd
LEWKOVITCH:99
LUPI: G. Gabrieli
Martin. See CHANTEURS DE ST. -EUSTACHE
MART ORELL: 165
MAUERSBERGER:182 Praetorius
MENESTR£LLI:233
M0LLER:99
Morondo. See PAMPLONA CHORUS
MUDDE: Lassus, Swell ncl<
MONCHINGER: G . Gabrieli
NESBITT:290
NOYRE:96,313
ODON: Victoria
OPIENSKI:134
ORD: Gibbons
ORHANT:277
PAGOT:96,313
PATTERS ON: 28 7
POHL: Lassus
RAUGEL:129,138
REFICE:292
Rehmann. See AACHENER DOMCHOR; AACHEN -
ER DOMSINGKNABEN
REICH:209 Praetorius
RIBO:301
ROSE:215
ROUSSEL: Victoria
RUSSELL:280 Depres
SACHER:131
SAMS0N:118
SANDI:230
SARACENI:132
Schmidt. See STANFORD UNIVERSITY CHORUS
SCHREMS:283
SCHUMAN: A . & G, Gabrieli
SEGARRA: Victoria
SEGHIZZI: Marenzio
SMITH: Byrd
STEVENS: Dufay
STONE: A . & G. Gabrieli
TARDO:lll
TEYSSEIRE:241
THEURING: Palestrina
TOSATO:142
VOORBERG: Dowland, Swelinck
G, WAGNER: Praetorius
WALTER: Dowland
E. WASHINGTON:309
H. Washington. See BROMPTON ORATORY
CHOIR
WASNER:321
WEAVER: Depres
WEISS: Victoria
WERNER: Lechner
WEYLER: Clement
WILSON: 173
W0LDIKE:96,235
Woodworth. See HARVARD GLEE CLUB
WYTON:254
ZURFLUH:179
85
HARPSICHORD
CHESSID: Dow land
CHIASSON:189
COTELLE:234
DART:184, 198, 236-239
ELSNER: S w e 1 i n c k
GERLIN:186
GOBLE:184
KIRKPATRICK:223, 322
KOENIG:188
LEONHARDT:187
MONTEROSSO:100
MULLER:157
NEUMEYER: B y r d
VAN ROYEN: S w e 1 i n c k
WOLFE:191,193
INSTRUMENTAL ENSEMBLE
ANGELIC UM ORCHESTRA: G. Gabrieli
BOYD NEEL STRING ORCHESTRA: 177
CHAMBER BRASS PLAYERS:311
DEVEVEY ENSEMBLE: 178
ELIZABETHAN PLAYERS: 2 90
ENSEMBLE ITALIEN DTNSTRUMENTS
ANCIENS:233
FRENCH NAVY BAND: A . Gabrieli
GENEVA CHAMBER ENSEMBLE: Dow land
GROUPE DES INSTRUMENTS ANCIENS,
PARIS:176
IN NOMINE PLAYERS: T o m k i n s
JACOBEAN ENSEMBLE: Gibbons
LONDON CHAMBER PLAYERS :175
LE MENESTRANDI:241
IMUSIChG. Gabrieli
MUSICIANS WORKSHOP RECORDER CONSORT:
282
NEW MUSIC STRING QUARTET: Gibbons
NEW YORK BRASS ENSEMBLE: G . Gabrieli
NORTHERN CONSORT :270
PHILOMUSICA OF LONDON: Do wla nd
QUARTETTO ITALIANO: G . Gabrieli
ROLLIN TRIO: 112
ROLLIN ENSEMBLE: 101, 115
STUTTGART CHAMBER ORCHESTRA: G.
Gabrieli
VIELLE TRIO:255,256
VIENNA STATE OPERA BRASS ENSEMBLE: A . 6
G . Gabrieli
LUTE (or GUITAR)
AZPIAZU:181
BLOCH:226,252,288 Dow land
BREAM:126,190 Dowland
BYRD (guit):140
CLARY: 94, 123, 124
DUPRE:187,278,294
GERWIG:157.159 Garsi
IADONE:106 Dowland
LEEB:95,211,219,221,297
PODOLSKY:225 Le Roy
ROLLIN: 125
SCHEIDT (guit):285
86
ORGAN
BIGGS: S we line k
BONNET: 135
CASTELLVI:307
DEDONA:A.&G. Gabrieli
DUPRE:135
ESPOSITO:145.274
GERMANI:212
HAGER: Hofhaimer
HEITMANN: Swelinrk
JONES:184
KEE: S welinck
KING: Byrd
MARCHAL:135
NOEHREN:320 S welinck
PEETERS:271,272.273
SCHMIDT: Schlick
SCHOnSTEDT: S w e 1 i n c k
SUPPER: S welinck
WOLFE: 109
WYTON: S welinck
PIANOFORTE
BONNEAU: Dow land
VERGER: 162
VIOLS AND GAMBAS
BARAB:104,105,107,108
BLACKMAN:107
DONlNGTON:184
WENZINGER:157
VIRGINALS
WINOGRON: Farnaby, Morley
VOCAL SOLOISTS
BRESSLER (tnr):105, 107, 109
BRYNLEY:191
CARBI (m-sop):100
CUENOD (tnr):95. 189, 211, 219, 211, 297
DELLER (c-tnr):187, 194, 202, 278, 294, 315
DEMIGNY (bar):112
DONIAT (bar):125
FEYERABEND (tnr): Senfl
FULLER (bar):181
GUILLEAUME (sop):157
KARINE (m-sop):113
LA MARC 'HADOUR (bar):234
LANGSTAFF (bar): Dow land
LEWIS (tnr): Dowland
87
LUCCA (sop):89
MEILI (tnr):85,88,133
MICHAELIS (tnr):157
MYERS (bar): 10 9
NOBILE (tnr):89
NOTLEY:191
OBERLIN (c-tnr):104-109 Dow land
PEARS (tnr):126.190
PERRY (tnr):105,107
PIFTEAU(m-sop):162
ROBERTSON (tnr):255, 256 Dow land
SANDRI (bar): 234
SOAMES (tnr):159
TESSIER (tnr):94, 112, 123, 124
TINAYRE (tnr):120
VAN ACKER (sop): le Roy
VESSiIrES (bass): 125
VOCAL AND INSTRUMENTAL ENSEMBLE
ANTIQUA PLAYERS: 204
ANTWERP COLLEGIUM MUSICUM: Clement
BLANCHARD INSTRUMENTAL AND VOCAL
ENSEMBLE:119, 124, 206, 244. 289 D e p r e s ,
Dufay, Machaut
M. CASADES US ENSEMBLE: G. Gabrieli,
Maschera
CHAPELLE DE BOURGOGNE CHORUS AND IN-
STRUMENTS:261-262
DELLER CONSORT:158, 175, 195 Morley ,
T allis , Wilbye
NEW YORK BLESSED SACRAMENT QUARTET
AND CHORUS:253
NEW YORK PRO MUSICA (Greenberg):102, 117,
166,199 Tallis
ILLINOIS UNIVERSITY COLLEGIUM MUSICUM:
Machaut
KREFELD COLLEGIUM MUSICUM (Haas):103,
257,268
PRO MUSICA ANTIQUA, BRUSSELS:85-87, 90-92,
97, 110, 128, 146, 148, 149, 154, 207, 215, 303
Byrd, Depres, Dowland, Dufay
UTRECHTS MOTETGEZELSCHAP: Lassus,
S welinck
WENZINGER CONSORT :315
YALE COLLEGIUM MUSICUM:316
MEDIEVAL AND
RENAISSANCE MUSIC
ON
LONG-PLAYING RECORDS
FIRST SUPPLEMENT
1960-1961
A NOTE ON THE SUPPLEMENT
This Supplement brings the coverage of this total volume down to the end
of 1961. With but a few minor exceptions, it follows the format and methods of the
basic index, pages 1-88.
Only in this Part I have any sizeable changes in format been made. Here,
since there are fewer anthologies which need be included under names of individual
composers, and fewer works by each composer which require indexing than there were
in the index to the basic list, the contents of a record devoted to the works of an
individual, e.g. , Depres, are simply set out beneath each separate record cited. The
pattern of indexing within indexing, which was a necessary feature of the basic list, has
not been followed.
In scope, the Supplement is identical to the basic list.
The method of indicating performers, and the form for citing chant record-
ings, remain relatively unchanged and easy to interpret. Most abbreviations used here
are those appearing in the earlier list (see pages vii-x).
Since the completion of the earlier portion of the work, Mr. Colvig has
taken a position in the Music Division of the Oakland, California Public Library. The
geographic distance between the two compilers, we hope, has not introduced more
inconsistencies and errors than might otherwise be expected. In any case, we shall
welcome, as we stated earlier, users informing us of such faults as they notice them.
JBC
April, 1962
91
SUPPLEMENT
PART I
ANTHOLOGIES OF MEDIEVAL
AND RENAISSANCE MUSIC
Numbering is continued from basic list p37
CHAN T
323 Beuron. Monks of the Benedictine Abbey of St. Martin; Pfaff, cond.
Exsequiarum ordo (Absolution after tfie Requiem) 7" DGG Arch (Br)
EPA 37139
324 Tertia missa in Nativitate Domini Nostri Jesu Christi. (sch Feb 61)
DGG ARC-3143; 73143
325 Prima missa in Nativitate Domini Nostri Jesu Christi. APM 14152; SAPM 198153
326 Choeur des Moines de I'Abbaye de Montserrat; Dom Cunill, dir.
Messe "Spiritus Domini" (Propre du dimanche de la Pentecote) 7" 33.3rpm
327 Messe "Salve Sancta Parens" (Commun des fetes de la Sainte Vierge)
7" 33.3rpm
328 Messe I "Lux et Origo" (Commun des ihesses au temps pascal) 7" 33.3rpm
329 Messe "Misericordia Domini" (Propre du 2e dimanche apres Paques)
7" 33.3rpm
330 Nuns Choir of the Benedictine Abbey Unserer Lieben Frau; Varensell, cond. (NB: sch June 61
says performed by Solesmes Abbey Choir; Gajard, dir.)
Missa in Festo Assumptionis B. M. V.
331 St. Joseph's Abbey Choir; Gajard, dir.
This is high mass, (sch June 61)
332 St, Susanna Choir; MacEwan, dir.
Mass orbis factor, (sch feb 60)
333 Solesmes Abbey Choir; Gajard, dir.
Midnight mass for Christmastide. (sch June 61)
334 Messes du temps pascal: Dimanche du Quasimodo
335 Messe VIII (etc.)
336 Good Friday (sch mar 61)
337 Septuagesima (sch mar 61)
338 Roger Wagner Chorale.
[program unspecified, sch dec 61]
339 Welch Chorale.
Mass XVI; Gloria XV; Credos I & III; Responses at high mass (sch may 60)
10" Greg EL 11
AMS 12.001
AMS 12.002
AMS 12.003
AMS 12.004
DGG ARC-3152; 73152
St. Joseph's-1002
Col
KL 5311
0-/
DGG ARC-3142; 73142
Dec 173956
7" 45rpm Dec 462525
Lon 5598; OS 25229 (st) ^-766
Lon 5590; OS 25230 (st)j^-y(^^
Greg
EL 23
95
MEDIEVAL AND RENAISSANCE
340 Alte deutsche Weihnachtschore. Kantorei Barmen -Gemarke (Kahlhofer).
[PRAETORIUS, Dem neugebornen Kindelein; Der Morgenstern ist aufgedrungen. ECCARD,
Uebers Gebirg Maria geht; Maria wallt zum Heiligtum. ZANGIUS. Congratulamini
nunc omnes. SCHROETER. Freut euch, ihr lieben Christen. SCHEIN. Vom Himmel
hoch. LECHNER. Nun schein, du Glanz der Herrlichkeit] (adv nov 61)
10" BM R-603
341 Anthologie de la chanson francaise de 1450 a 1550; de Gilles Binchois a Guillaume Costeley.
Edited by Albert Seay. Ensemble Vocal Roger Blanchard (and many soloists).
[AGRICOLA. De tons biens pleine; D'ung autre amer. BINCHOIS, Marguerite fleur de
valeur; Men coeur chante. BRUHIER, Laturatu. BUSNOIS. Seule a par moy. CERTON.
Ho! le vilain. CLEMENS NON PAPA. Aymer est ma vie; Une filiette bien gorri^re.
CONSEIL. Si de nouveau. COSTELEY, Toutes les nuits. CREQUILLON. A vous en est;
Je suis aime de la plus belle; Plaisir n'ay plus. PIERRE DE LA RUE. Pourquoi non.
GIACHES DE PONT. Fringotez, jeunes fillettes; Hai de par Dieu. DUC DE BOURGOGNE.
Madame trop vous me spremSs. DUFAY. Je ne vis oncques la pareille; Mon coeur me
fait tons dispenser. DULOT. Longtemps y a. HAYNE VAN GHIZEGHEM. Mon souvenir.
GOMBERT. Vostre beaute plaisante. HESDIN. Plaindre I'eiinuy; Ramonez moy ma
cheminee; Ung vray musicien. ISAAC. Le serviteur; Mon pere m'a donne mari.
JACOTIN. Du feu d'amours; Moi qui ne fais jamais. JANEQUIN. La chasse; Mais ma
mignonne; O cruaute; Or sus vous dormes trop; Qu'est-ce d'amours. DEPRES. La deplor-
ation d'Ockeghem; Petite camusette; Plusieurs regrets. LE HEURTEUR. Aliens un peu
plus avant; Or m'y rendez mon karolus. LOURDOYS. Amours m'y trottent par la panse.
COMPERE. L'autre jour m'y chevauchoye; Faisons boutons. R. MORTON. N'aray-je
jamais. MOUTON. Jamais, jamais. MUREAU. Je ne fais plus. OKEGHEM. Aultre
Venus. PASSEREAU. Helas Madame; Sur la rous^e. RENES. L'ardent d^sir. SANDRIN.
Puisque de vous. SENTERRE. Fait elle pas bien? SERMISY. Changeons propos; D'ou
vient cela; Tant que vivray; Secourez moy; Tu disais que j'en mourrais. STOCKEM.
Ha traistre amours. VILLIERS. Ne te plains tant. WILLAERT. Dessus le marche d'Arras.
ANON. L'amour de moy; Branle de Poitou (lute); Ces facheux sots; La cuiller d'or;
Faictes si vous plaist vostre omosne; Je demeure seule egaree; Ma Marie; Ma miette m'a
mande; Nostre dince; Pavane des dieux; Plut a la vierge Marie; Rossignolet, connais-tu
point ma mie; Le Rote de Rode; La tete me fait si grand mal; Tourdion (lute); and other
dances. (Many of these are from the Attaingnant collection).]
3-12" Dis 330.222-4
342 Anthologie de la Musique d'Orgue des Primitifs a la Renaissance. Pierre Froidebise (organ)
[SHEPHERD. JOHN. I give you a new commandment (Mulliner). NEWMAN (16th c) A pavan
(Mulliner). BUCHNER, Es gieng ein man den burg uff, HOFHAIMER. Ave maris Stella;
Dulcis Virgo Maria. KLEBER. 8 preludes. KOTTER. Aus tieffer nodt schry ich zu dir
(De profundis); Nach willen dein (after Hofhaimer). PAUMANN. Mit ganczem Willen.
CAVAZZONI. Canzona sopra il le bel e bon. M. A. CAVAZZONI. Salve Virgo.
ATTAINGNANT, ed. Duels amica (Trieze Motets); Versets 1,2,5.6. du Kyrie Cuncti-
potens. CARREIRA. Fantasie du l^r son. BERMUDO. Cantus del primero por elami;
Cantus del primero por mi; Range lingua (Tantum ergo). CABEZON. Hymno a 3; Die
nobis Maria; Tiento del primer tono; Diferencias sobre la pavana italiana; Magnificat
du 4™e ton. PERAZA. Medio registro alto del primer tono. TOMAS DE SANTA MARIA.
Fugue in G; 8 Fantasias on the 8 Modes; Tanido de corcheas. CORREA DE AR.'^UXO.
Lauda Sion. JEAN DE LUBLIN. Saltarella. ANON. (English): Organ estampie (Roberts-
bridge Fragment); Upon la mi re; O ye happy dames (Mulliner); My Lady Carey's dompe;
96
Whose faithful service (Mnlliner); l^a shy muse (Mullinei); l.a Douiie cella (Mulliner).
ANON. (German): Christ isterstanden (Glogauer); Mocht ich din bergerii (Buxheimer);
3 verses of "Kyrie de Sancta Maria Virgine. " ANON. (Italian): Qucsta faneiulla (after
Landini); 4 versetti per organo; Fantaisie (Liber Fratrum Cruciferorum Leodiensium).
ANON. (Polish): Cantio Polonico. ANON. (Flemisli): Saltarella (Tabulature Jean de
Lublin). ANON. (French): Jour a jour la vie (Codex Faenza, 117); Kyrie (Codex Faenza,
117); Belle jeune fleur de 15 ans (Codex Carminum Gallicorum); Ducis arnica (Attain-
gnant collection). ANON. (Spanish): Tres (Libro de Cifra Neuva Venegas de Henestrosa);
Suite des faux bourdons en dialogue.] 3-12" Due 320131-3
343 An Anthology of Elizabethan Keyboard Music. Michael Thomas.
[BULL. Duke of Brunswicke's alman; Duchesse of Brunswicke's toye; A gigge; Dr. Bull's my
selfe. BYRD. O mistris myne; La volta; Callino Casturame; Rowland. FARNABY. A
maske. GIBBONS. The galliard. MUNDAY. Munday's joye. OYSTERMAYRE. Gali-
arda. ANON. 2 almans. 10" Classics Club M-510
ARCHIVE PRODUCTION: IV. The High Renaissance
344 Ser. N. (The Circle of the Venetian Style). Schola Cantorum Basiliensis; A. Wenzinger, dir.
[MASCHERA. Canzon V "La Maggia." A GABRIELI. Ricercare IX del XII tono. VIADANA.
Canzon a 8 "La Padovano." MASSAINO. Canzon XXXIV; Canzon XXV a 16. Verso:
works by G. GABRIELI, q.v.'] DGG ARC-3154
«««««««
345 Chants religieux du moyen ige et de la renaissance. Ensemble Vocal du Conservatoire, Milan;
Bortone, dir. , and Polifonica Ambrosiana; Biella, dir.
[QUAGLIATI. Madre divina. SOTO. Quando rimlro il ciel; II pietoso Gesu. ANIMUCCIA.
Lodate Die. ANON, (monodic laude): Dal ciel venne messo novello; Cristo e nato;
Gloria in cielo. (polyphonic laude): Giu per la mala via; Nell'apparir del sempiterno
sole; Anime affaticate] (dis 116) 10" HMC 25104
346 Choir of Christ Church Cathedral, Oxford; Dr. S. Watson, cond.
[VICTORIA. Mass, "Simile est Regnum Coelorum" (trans. Leon Saint Requier): Kyrie;
Gloria; Sanctus; Hosanna; Benedictus; Agnus Dei I and II. BYRD. Prevent us, O Lord;
Sing joyfully; Bow thine ear. BATTEN. O Praise the Lord; Deliver us, O Lord; Hear my
prayer] (gram aug 61) Delyse' ECB-3159; DS-6059
347 Consort of Musicke. Consort Players; S. Beck, dir.
[ALLISON. Allison's knell; Batchelars delight; Goe from my window. BULL. Pipers galliard.
BYRD. My Lord of Oxenford's maske. DOWLAND. Can she excuse my wrongs; Galliard,
can she excuse; Galliard to Captaine Pipers pavin; Flow, my tears; If my complaints
could passions move; Lachrimae pavin. GIBBONS. Wood so wild. MORLEY. Joyne
hands (See, my own sweet jewel); Sola soletta. PEERSON. Pipers paven. ANON. Those
eyes that set my fancie on a fire; Cries of London. ] Col KL 5627
348 Deutsche Liedsatze des 16. und 17. Jahrhunderts. Various performers.
[BODENSCHATZ. Josef, lieber Josef mein. ARNOLD VON BRUCK. Christ der ist erstanden,
Halleluja. CALVISIUS. Nun lob mein Seel den Herren. ECCARD. Nun lob mein Seel
den Herren. GESIUS. O Christe Morgenstern. PRAETORIUS. Geh aus mein Herz und
suche Freud; In duici jubilo, nun singet und seid froh; Nun bitten wir den Heiligen Geist;
Nun lob mein Seel den Herren; Wir wollen alle frohlich sein. SENFL. Gelobet seist du
Christe. VULPIUS. Gelobet sei Gott im hochsten Thron. WALTER. All Morgen ist ganz
frisch un neu; Josef, lieber Josef mein (plus works by Scheln, Bach, Schiitz, Buxtehude,
Ebeling, andStaden).] Can 1114-P
349 Elizabethan and Jacobean Ayres, Madrigals and Dances. N.Y. Pro Musica; Noah Greenberg,
dir.
[MORLEY, About the May Pole; Clorinda false; My bonny lass she smyleth; Phyllis, I faine
would die now. DOWLAND. Flow my tears (Lacrimae); Shall I sue?; Lady, if you so
97
spight mee. BYRD. A pavan and the galliard (hpsi); This sweet merry month of May.
HUME. Tobacco. GIBBONS. London street cries. COPERARIO. 3 dances for a masque
(instr). JONES. Dreames and Imaginations. FAEIMER. Fair Phyllis I saw. CAMPIAN.
Breake now my heart and dye. ANON. Woodycock; 3 dances from the MuUiner Book
(instr)] Dec 9406; 79406 (st)
350 The English Country Dancing Master. Telemann Society Orchestra; Schulze, cond.
[arrangements for string orch. , recorders, and keyboard instruments of: Playford dances;
"Rigs O'Marlowe"; "The Maid Peep'd out at the Window" or "Friar in the Well";
"Woodycock"; "Greensleeves"; 3 country dances; PURCELL. "Hole in the Wall, ' from
Abdelazer] Vox DL 470
351 The Festive Pipes (5 Centuries of Dance Music for Recorders). Krainis Recorder Consort.
[GERVAISEo Passamezzo, Pavane, and Galliarde; Allemande; Bransle de Champaigne;
Bransle de Bourgogne. SCHEIDT. Intrada; Galliarde; Courant dolorosa a 4; Courante.
DOWLAND. Lachrimae antiquae; Earl of Essex Galiard; Mr. George Whitehead his al-
mand. ANON. A Toye; My Robbin; Tickle my toe; Daphne; Stantipes (13th c); La
Quinte estampie real and La Quarte estampie real (13th c); Paduana del re; Saltarella
de la ragione; La Rocha e'l Fuso; La Manfrolina; Lamento di Tristano; Saltarello (14th c);
Alta (14th c); and others] (arg sept 60) Kapp KCL 9034
352 Flemish and German Motets from the 16th and 17th Centuries.
[LECHNER, Deutsche SprUche von Leben und Tod. SCHEIN. Zion spricht; Der Herr hat
mich verlassen; Dennoch bleibe ich stets an dir. LASSUS, Die Klagen des Hiob, Teil
VII, Also works by Hammerschmidt, Kuhnau, and Eccard] (adv)
Cantate 1113 LP
353 Franzosische Chormusik des 16. Jahrhunderts. Ensemble Vocal de Paris; P. Caillard, cond.
[COSTELEY. Que de passions et douleurs; Quand le berger vit la bergfere; Je vols de
glissantes eaux. BONNET. Francion vint I'autre jour. LLANSON. Chamberifere.
PASSEREAU. II est bel et bon] (adv, nov 61) Camerata CM 17006
(EP)
354 The French Ars Antiqua. (Music of the Middle Ages, Vol. VII: The 13th Century). Composi-
tions from the Montpellier Ms. Oberlin (c-tnr); Bressler (tnr); Price (tnr); Myers (bar);
Blackman (viol)
[Salve, Virgo/ Verbum caro factum (284 in Ms); Desconfortes ai este/ Amors, qui m'a
(124); Ne m'a pas oublie (207); Salvatoris hodie (Perotin); Blanchete comme flenr/
Quant je pens (168); J'ai si bien/ Aucun m'ont par (128); Qui amours/ Li dous pensers/
Cis a cui (280); Li doz/ Trop ai lone/ Ma loiaute's (28); Mors a primi/ Mors, que/
Mors morsu (35); Ja n'amerai/Sire Dieus (137); J'ai mis/Je n'en puis (255); O natio que
vitiis (47); Deus in adiutorium (1); Deus in adiutorium (303); Povre secors/Gaude, chorus
(39); Quant vol I'erbe/Salve, Virgo (43); Flor de lis/Je n'en puis/Douce dame (164); On
parole/A Paris/Frese nouvelle (319); Dame, qui j 'aim/Amors vaint/Au tous d'este (23);
Cest quadruble/Voz n'i dormires/Biaus cuers (30)] EA 35
355 French Music of the Courts of Burgundy and Versailles. Saturday Consort.
[BINCHOIS. Mon cuer chante; De plus en plus. BUSNOIS. Aucune dame. DUFAY. Pour
I'amour; Ce jour le doibt; Donnes I'assault. BARDIREAU. Een frolic wesen; Der pfoben
swancz. Also Couperin and Leclair. ] CE 1037
356 The Golden Age of English Lute Music. Bream (lute)
[R. JOHNSON. 2 Almaines; Carman's whistle. J. JOHNSON. Fantasia. CUTTING. Wal-
singham; Almaine; Greensleeves. DOWLAND. Mignarda; Galliard upon a galliard of
Daniel Batchelar; Batell galliard. ROSSETER. Galliard. MORLEY. Pavan. BULLMAN.
Pavan. BATCHELAR. Mounsieurs almaine. HOLBORNE. Pavan; Galliard. ]
LD 2560; LDS 2560
98
357 The Golden Age of Spanish Music. Peloquin Chorale.
[HEREDIA. Ensalada; Obra de octavo tona. CABEZON. Differencias sobre "Ut queant
laxis"; Differencias sobre la gallarda Milanesa. MORALES. O Crux ave (motet).
VICTORIA. Missa quarti toni. Plus works by Cabanilles] (sch mar 61)
Greg S 204
358 Histoire de France par les chansons, Vol. 1: Les Croisades. Various performers.
[THIBAUT DE CHAMPAGNE. Seigneurs sachiez. . . ; Au temps plein de felonie. QU^NES
DE BETHUNE. Ahi ! Amors. HUGUES D'OISY. Maugre tous saints. GUIOT DE DIJON.
Chanterai pour mon courage (Ms du Roi). FAIDIT. Mort de Richard Coeur de Lion]
This disc is to accompany the book by Pierre Barbier and France Vernillat of the same
title, (adv) 7" 33. 3 LDY-4101
359 Hufstader Singers.
[JANNEQUIN. Ce mois de mai. LASSUS. Soyons joyeux. PILKINGTON. Rest sweet
nymphs. MORLEY. April is in my mistress' face. PALESTRINA. Sicut cervus. DOW-
LAND. Weep you no more sad fountains. Plus works by S. Barber, Ravel and others]
(sch mar 61) Cook 11312 (ST)
360 Italienische Lautenmusik der Renaissance. Walter Gerwig (lute)
[GALILEI. Zwei Madrigale; Ricercare. MICHELANGELO GALILEI. Correnta. FRANCESCO
DA MILANO. Ricercare. ANON. Various dances and madrigals. ] (adv)
10" Harmonia Mundi
HM 25-151
361 Italienische Musik der Renaissance. Chorus and Soloists of the Polifonica Ambrosiana; Biella,
dir.
[CARA. S'o sedo all'ombra. DEMOPHON, Vidi or cogliendo rose. A. GABRIELI. Toccata
del X tono. GAFFURIO. O sacrum convivium; Missa trombetta (Sanctus). GASTOLDI.
Viver lieto voglio. MARENZIO, Quando sorge Taurora. MILANO. Canzon de le ucelli.
NEGRI. 3 dances. PALESTRINA. Mass Aeterna Christi munera (Sanctus & Benedictus).
SOTO. Pietoso Gesu. TROMBONCINO. Ave Maria. VECCHI. Fa una canzona senza
note nere. ANON. O Jesu dulcissime. ] (sch may 62) Amadeo AVRS 6126 (ST);
Bach 623
362 "Jubilate Deo. " Norddeutscher Singkreis; G. Wolters, cond.
[G. GABRIEU. Jubilate Deo omnis terra. BOUZIGNAC. Jubilate Deo. LASSUS. Surgens
Jesus] (adv nov 61) Camerata CM 17004 (EP)
363 Die klingende Musikgeschichte, I. Teil. Various performers. This disc, plus others covering
later periods, plus accompanying text books form a large project known as the "Orbis-
Lexikon," which is similar in intent and format to the well-known "History of Music in
Sound"/"New Oxford History of Music."
[AMBROSIUS. Jerusalem, luce splendida. WIPO. Victimae paschali laudes (sequence).
GUIRAUT D'ESPANHA DE TOLOZA, Dansa. GUILLAUME D'AMIENS. Rondeau; Virelai.
ADAM DE LA HALLE. Robin m'aime. FRIEDRICH VON HAUSEN. Deich von der guoten
Schiet. WALTHER VON DER VOGELWEIDE. Kreuzzugslied. NEIDHARDT VON REUEN-
TAL. Maienzit; Mei hat wunnlich entsprossen. FRAUENLOB. Anckelwyse. HANS
SACHS. Silberweise. NEUSIDLER. Welscher Tanz und Hupfauff (lute). Side 2: DUFAY.
Veni creator spiritus; Flos florum. LASSUS. Tristis est anima mea; Audite nova.
PALESTRINA, Missa Papae Marcelli (Gloria). A. GABRIELI. Canzona ariosa. G.
GABRIELI. Inclina, Domine. ANON. Kyrie and Agnus Dei from 2. Choralmesse
(gregorian); Christ ist erstanden (Glogauer); Quem pastores laudavere (14th c); Balada
(12th c troubadour); Estampie (13th c trouv^re); Ich spring an diesem Ringe (Lochamer);
Es waren zwei Konigskinder (15th c folk); Greensleeves (lute); Tant que vivray (Attain-
gnant collection, 1529); Wach auf, meins Herzens Schone (16th c folk).] (adv)
Issued by Ring der Musikfreunde Schallplatten
Gesellschaft mbh, Koln a/R.
99
364 Lute Songs. P. Pears (tnr); Bream (lute).
[DOWLAND. Fine knacks for ladies; Sorrow stay; If my complaints; What if I never speed.
ROSSETER. Sweet come again; What is a day; Whether men do laugh. MORLEY.
Thyrsis and Milla; I saw a lady weeping; With my love my life was nestled; What if my
mistress now. FORD. Come Phyllis come. PILKINGTON. Rest sweet nymphs. CAM-
PIAN. Come let us sound with melody; Fair if you expect admiring; Shall I come sweet
love. ANON. Have you seen buy a white lily; Miserer my Maker] (gram may 60)
Decca LXT 5567; SXL
2191 (ST)
365 Madrigal Masterpieces. Alfred Deller (c-tnr) and Deller Consort.
[TOMPKINS. When David heard. MONTEVERDI. Sfogava con le stelle; Non piu guerra
pietata; A un giro sol de begl'ochi; Ecco mormorar I'onde; Baci soave e cari. GESUAL-
DO. Hoy gia mi discolar; Ecco, morire dunque. MORLEY. Now is the month of may-
ing. BYRD. Lullaby my sweet little baby. MARENZIO. Scaldava il sol. LASSUS.
Matona mia cara; Mon coeur se recommande a vous. JANNEQUIN. Au joly boys;
Bataille de Marignan; Ce moys de May. ] (sch) ' BG 604; 5031 (ST)
366 Madrigals and Motets. Budapest Madrigal Ensemble; F. Szekeres, dir.
[FELICE DE GIARDINI. Viva tutte le vezzose. MONTEVERDI. Lasciate mi morire.
SCANDELLI. Bongiorno Madonna. GESUALDO. Itene o miei sospiri. CERTON. Je ne
I'ose dire, chanson joyeuse. JANEQUIN. Au joly jeu. VIADANA. Exultate justi.
LASSUS. Jubilate Deo. Plus works by Liszt, Bardos, Kodaly, Farkas, Lajtha, Bartok,
and Petrovics.] (adv) MC 2054
.367 Madrigaux joyeux d6 la Renaissance Italienne. Sextuor Vocal Luca Marenzio.
[GASTOLDI, Lo schernito; L'Acceso. BANCHIERI. Capricciata e contrapunto bestiale alia
mente; La Trananaina. VECCHI. Mi vorrei trasformare; Margarita dai corai; Tiridola
non dormire. AZZAIOLO. O spazzacamin'. GIUSEPPE CAIMO. Mentre il cucolo.
PESENTI. De lecto me levava. DONATO. Chi la gagliarda. CROCE. Canzon del
cucco e del rossignolo con sentenza del pappagallo. ] (dis 120)
10" Erato EFM 42061
368 Motets a Cappella. Ensemble Vocal Caillard; P. Caillard, dir.
[LOTTI, Crucifixus. G. GABRIELI. Beata es. HASSLER. Exsultate Deo. AICHINGER.
Factus est. FEVIN. Descende in hortum. PALESTRINA. Ego sum panis. BERCHEM.
O Jesu Christe. VIADANA. Exsultate justi. VICTORIA. O magnum mysterium; Vere
languores. LASSUS. Super flumina; Christus resurgens. ] (dis nov 61)
Erato (Jardin des Arts)
EJA 11
369 Motets a la Vierge. Ensemble Vocal Blanchard.
[DUFAY. Alam redemptoris Mater. DEPRES. Salve Regina. MOUTON, Ave Sanctissima
Maria. CREQUILLON. Quae est ista. FESTA. O pulcherrima. MORALES. Sancta et
immaculata virginitatis. LASSUS. Missus est Angelas Gabriel. GESUALDO. Ave
dulcissima Maria.] (dis 115:124) Vega C-30-S-261
370 Music at Notre Dame, Paris, 1200. Deller Consort.
[PEROTINUS. Graduale "Viderunt omnes"; Alleluja nativitas; Graduale "Sederunt princi-
pes. " ANON. Alleluja Christus resurgens; Conductus "Pater noster commiserans";
Conductus "Die Christi Veritas"] (adv) 2-10" AMS 5009/5010
371 Music for Antiphonal Choirs. Gregg Smith Singers.
[LASSUS. Echo song. HASSLER. Ich bring mein Bruder ein guten Trunk. DEPRES. La
Deploration de Johann Ockeghem. G. GABRIELI. O magnum mysterium. PALESTRINA.
Hodie Christus natus est. Plus works by Bach, Mendelssohn, R. Thompson and others. ]
(adv) Verve 2137; 6151 (ST)
100
372 Musical Panorama of Shakespeare's England. Deller Consort.
[DOWLAND. My Lady Hunsdon's Puffe. WILBYE. Ye that do live in pleasures. RAVEN-
SCROFT. New oysters. TALLIS. O nata lux de lumine. JOHNSON-FARNABY. Alnnan.
BENNET. Lure, falconers, lure. MORLEY, Sweet nymph. FERRABOSCO. Fantasia for
viols in G. BYRD. Non nobis Domine. ANON. We be soldiers three; Heigh ho, the wind
and rain; Munday's joy and Watkins ale; Have you seen but a white lily; Frog galliard,
coranto and borey; Greensleeves; Boar's head carol; Deo gracias Anglia (Agincourt song);
O death, rock me asleep; He who will an alehouse keep; Lord Rendall. ]
BG 606
373 Musique ancienne du VII^ du XVIII'^ siecle. (Disc 1 of 6 to accompany Walter Starkie's
Espagne; Voyage musical a travers le temps et I'espace). Antica Escolans de Montserrat,
and others.
[VICTORIA. O vos omnes. GUERRERO. Esclarecida madre. GINES DE MORATA. En el
campo me Meti (Cancionero de Medinaceli). ESCOBAR. Virgen Bendita (chanson).
DE LA TORRE. Alta danza. MORALES. O magnum mysterium (motet). CABEZON,
Diferencias sobre el Canto del Caballero. NARVAES. Paseabase el rey Maro. ANON.
Sa Sibil-La; Riu riu riu (villancico, 15th c); Cantiga no. 353 par Alphonse X le Sage
1252-1284; Ave maris Stella; Cantantibus hodie (sequence); Mozarabic antiphon (7th c)]
10" Pathe Marconi XPM
56/57
374 Musique sacree et profane des 16e et 17e siecles. Vider^ (org)
[CABEZON. Tiento del prime tono; Diferencias sobre el canto del caballero. SWEELINCK.
O lux beata trinitas; Balletto del granduca. SCHEIDT. Magnificat secundi toni.
SIEFERT, Nun komm. CABANILLES. Tiento. ANON, airs.] (dis 115:124)
Valois MB-17
375 Netherlands Organ Music. F. Peeters (org)
[OBRECHT. Ein frohlich Wesen. ISAAC. Herr Gott, lass dich erbarmen. SWEELINCK.
Echo fantasia in A minor; Variations on "Est-ce Mars?" Verso is "North German Organ
Music"--not in this list.] (gram June 61) HMV CLP 1442
376 New York Brass Quintet.
[HOLBORNE. 3 pieces. SENFL. Carmen in la. FINCK. Greiner zanner. G, GABRIELI.
Canzona per sonar no. 1. ANON. Ich sag ade; Als ich anschau das frolich Gsicht. Plus
works by Bozza and Pezel and others. ] (sch may 60) GC 4023
377 Old Tower Music. Winds of Westphalian Kantorei; Ehmann, cond.
[HASSLER. Preludes. PRAETORIUS. Suite. PEZEL. Tower sonata no. 1; Preludes 1 and 76.
PlusReiche.] (adv) 10" Cantate T72715
378 St. Paul's Cathedral Choir, London; Bower, dir.
[WEELKES. Hosanna to the son of David. BYRD. Ave verum. GIBBONS. The silver swan.
BENNET. Weep o mine eyes. MORLEY. My bonnie lass. Plus many other works. ] (adv)
2-12" Angel 35138/9
379 El Siglo de Oro. Coral Antica Escolans, Barcelona; Gassuli-Duro, dir.
[ESCOBAR. Virgen Bendita. MORALES. O magnum mysterium. VICTORIA. Tenebrae
factae sunt. MORATA. En el campo me meti. BRUDIEU. Madrigal. GUERRERO.
Prado verde y florido; Tu dorado Cabello. ANON, Catalan folk song.] (dis 114:47)
10" Harmonia Mundi no. ?
380 Sing we and Chant it. NiedersSchsischer Singkreis; G. Wolters, dir.
[MORLEY. Sing we and chant it. DOWLAND. Say love; Shall I sue. WEELKES. Hark, all
ye lovely saints. PILKINGTON. Rest, sweet nymphs. No others?] (adv)
10" Camerata CM 25001
381 Sixteenth Century Music. Prague Madrigal Singers; M. Venhoda, dir.
[REGNART. Wann Gedenck' der stund; Ardo si. HANDL. Peccantem me. GASTOLDI.
Viver lieto voglio. ARCADELT. II bianco e dolce cigno; Quand je vous aime. ARBEAU,
101
Pavana from Orch6sographie. " DONATO. Gagliard. ] (gram jan 61)
10" Supraphon SUF 20009
382 Spanish Masters of the 15th and 16th Centuries. St. -Jordi Choir, Barcelona; O. Martorell,
cond.
[PONCE. Allegresse de la Resurrection. ENCINA. A qui dirais-je? GUERRERO. Si je ne
partage pas tes peines. BRUDIEU. Libera animas. MORALES. Salut, o Croix. PUJOL.
Gloria Patri. VICTORIA. Ave Maria. Side 2: VICTORIA, Messe quarti toni a 4]
(dis 116) SM 30-06 (ST)
383 Spanish Music of the Renaissance. N. Y. Pro Musica; N. Greenberg, dir.
[MARTIN DE RIVAFLECHA. Anima mea; Vox dilecti. MORALES, Pastores dicite (motet);
Missa de Beata Virgine (Kyrie and Agnus Dei). MUDARRA, Romanesca (lute); Regia
qui mesto; Triste estava el rey David. MILAN, Pavana (lute). FLECHA. Teresica
hermana; Que farem del pobre Joan (villancico). ORTIZ. Recercada quinta; Recercada
on "O felici occhi miei. " GOMBERT. Dezilde al caballero (villancico). CABEZON.
Variations on "Caballero" (hpsi). ANON, (villancicos) E la don don; Si la noche haze
escura; Ay de mi qu'en tierra agena; Vesame y abracame.]
DL 9409; 79409 (ST)
384 The Theory of Classical Greek Music. J. M. Barbour and F. Kuttner.
["Rex coeli" (parallel organum from Musica Enchiriadis; "Cunctipotens genitor" (free
organum), OBRECHT. O beate Basili (motet). CORNYSH. A dew, a dew. "The
Skolion of Seikilos" (in 2 intonations). "Hymn to Helios" (in 2 intonations). "First
Delphic Hymn" (in 3 different intonations). Plus examples of temperament problems.]
Musurgia A-1
385 The Theory and Practice of Just Intonation. J. M. Barbour andF. Kuttner.
[DUNSTABLE. Veni, Creator spiritus. DUFAY. Alma redemptoris Mater. ASTON.
Hornpipe. KOTTER. Praeambulum (chordal excerpts in just inton.); (the same in
Pythagorean inton.). CORNYSH. A dew, a dew (organ, just inton)); (the same,
Pythagorean inton.). COOPER. I have been a foster (organ, just inton.); (the same,
hpsi, just inton.). Plus examples of temperament problems.]
Musurgia A -3
386 Thirteen Centuries of Christian Choral Art. Peloquin Chorale.
[Vol. 1: PEROTIN. Hec dies. MACHAUT. Mass Notre Dame (Et incarnatus). DUNSTABLE.
Sancta Maria. WEERBECKE. Virgo Maria. DUFAY. Gloria. DEPRES. Ave verum.
PALESTRINA. O bone Jesu; Missa brevis (Sanctus). MARENZIO, O Rex gloriae.
VICTORIA. Jesu dulcis memoria. LASSUS, Jubilate Deo. AICHINGER. Regina coeli.
BYRD. Mass for 3 voices (Agnus). GIBBONS. Why art thou so heavy. MAUDUIT. En
son temple sacre. ANON. Sumer is icumen in. Plus Byzantine and Gregorian chants.
Vols. 2 and 3 cover the 17th to 20th centuries. ] (sch may 60)
3-12" Greg EL 100
387 Two Thousand Years of Music. Berlin State Academy Choir, and others.
[BERN ART DE VENTADORN. Pois preyatz me, senhor. REIMBAUTZ DE VAQUEIRAS. .
Kalenda maya. "DER UNVURZAGHETE. " Der kuninc Rodolp minnet Gott. WALTHER
VON DER VOGELWEIDE, Nun alerst leb ich. WITZLAW VON RUGEN, We, ich han
gedacht. EUFAY. Gloria. DEPRES. Et incarnatus. FINCK. Christ ist erstanden.
ARNOLDT VON BRUCK. Aus tiefer Not. PALESTRINA. Missa Papae Marcelli (Sanctus).
LASSUS. Miserere. GESUALDO. Resta di darmi noia. HASSLER. Mein Lieb will mit
mir kriegen. BYRD. Sellenger's Round. M. FRANCK. Pavane. V, HAUSMANN. Tanz.
G. GABRIEL!. Benedixisti, Domine. ANON. Congaudeant catholici (12th c); plus
Gregorian and Hebrew chants. ] 2-12" DX 106
102
SUPPLEMENT
PART II
INDEX TO ANTHOLOGIES AND
INDIVIDUAL DISCOGRAPHIES
BY COMPOSER
ADAM DE LA HALLE, c a 1 2 3 5 - c a 1 2 8 8
Robin m'aime:363
AGRICOLA, ALEXANDER, 1446-1506
De tous biens pleine:341 D'ung autre amer:341
AICHINGER, GREGOR, 1564-1628
Factus est:368 Regina coeli:386
ALISON (ALLISON, ALOYSON). RICHARD, 16th-17th c
Allison's l<ncll:347 Batchelar's delight:347 Goe from my wiiidow:347
AMBROSIAN CHANT
363
ANIMUCCIA, GIOVANNI, cal500-1571
Lodate Dio:345
ARBEAU, THOINOT, 1519-1595
Pavana from "Orchesographie":381
ARCADELT, JACOB, c a 1 5 1 4 - c a 1 5 6 2
11 bianco e dolce cigno:381 Quand je vous aime:381
ARNOLD VON BRUCK, d 1554
Aus tiefer not:387 Christ der ist erstanden, Halleluja:348
ASTON, HUGH, d 1522'
Hornpipe:385
ATTAINGNANT, PIERRE, ed.
341,342,363
AZZAIOLO, FILIPPO, 16th c
O spazzacamin':367
BANCHIERI, ADRIANO, d 1634
Capricciata e contrapunto bestiale alia mente:367 La Trananaina':367
BARBIREAU, JACOB, d 1491
Een frolic wesen:355 Der pfoben swancz:355
BATCHELAR, DANIEL, 16th c
Mounsieurs almaine:356
BATTEN, ADRIAN, cal585-1637
Deliver us, O Lord:346 Hear my prayer:346 O praise the Lord:346
BENNET, JOHN, 16th-17th c
Weep o mine eyes:378 Lure, falconers, lure:372
BERCHEM, JACHET, 16th c
O Jesu Christe:368
BERMUDO, JUAN, fray, b calSlO
Cantus del primero por elami:342 Cantus del primero por mi:342 Pange lingua (Tantum
Ergo): 342
BERNARD DE VENTADOUR, d 1195
Pois preyatz me, senhor:387
BINCHOIS, GILLES, ca 1400-1460
De plus en plus:355 Marguerite fleur de valeur:341 Men coeur chante:341, 355
BODENSCHATZ, ERHARD, 1576-1636
Josef, lieber Josef mein:348
BONNET, PIERRE, 1538-1608
Francion vint I'autre jour:353
BOUZIGNAC, GUILLAUME, fl 1600
Jubilate Deo:362
Bruck, Arnold von. See ARNOLD VON BRUCK
105
BRUDIEU, JOAN, d 1591
Libera animas:382 Madrigal:379
BRUGIER (BRUHIER), ANTOINE, 16th c
Laturatu:341
BUCHNER, HANS (JOHANNES), 1483-1538
Es gieng ein man den burg uff:342
BULL, JOHN, d 1628
Dr. Bull's my selfe:343 Duchesse of Brunswicke's toye:343 Duke of Brunswicke's alman:343
A gigge:343 Pipers galliard:347
BULLMAN
Pavan:356
BUSNOIS, ANTOINE, d 1492
Aucune dame:355 Seule a par moy:341
BUXHEIMER ORGELBUCH
342
BYRD, WILLIAM, 1542 or 43-1623
King's College Choir, Cambridge (Willocks)
[Mass for 5 voices; Great Service (Magnificat and Nunc dimittis); Ave verum]
Lon 5725; OS 25725;
RG 226; ZRG 5226
The In Nomine Players (Stevens)
[Music for voice and viols: Prelude and fantasia a 5; La virginella; My sweet little darling;
Fantasia a 3; What a pleasure have great princes; Though Amaryllis dance in green; In
nomine a 5; Blessed is he that fears the Lord; O Lord, how long wilt Thou forget; Fantas-
ia a 6; The man is blest that God doth fear; Why do I use my paper, ink, and pen]
EA-37
Ave verum:378 Bow thine ear:346 Callino Casturame:343 Lullaby my sweet little baby:
365 Mass for 3 voices (Agnus):386 My Lord of Oxenford's masque:347 Non nobis
Domine:372 O mistris myne:343 A pavan and the galliard (harpsi):349 Prevent us, O
Lord:346 Rowland:343 Sellenger's round:387 Sing joyfully:346 This sweet and merry
month of May:349 La volta:343
BYZANTINE CHANT
386
CABEZON, ANTONIO DE, 1510-1566
Die nobis Maria:342 Differencias sobre el canto del caballero:373, 374, 383 Differencias
sobre la gallarda milanesa:357 Differencias sobre la pavana italiana:342 Differencias
sobre Ut queant laxis:357 Hymno a 3:342 Magnificat du 4ine ton:342 Tiento del
primeo tono:342, 374
CAIMO, GIUSEPPE, cal540-1584
Mentre il cucolo:367
CALVISIUS, SETHUS, 1556-1615
Nun lob mein Seel den Herren:348
CAMPION, THOMAS, 1567-1620
Breake now my heart and dye:349 Come let us sound with melody:364 Fair if you expect
admiring:364 Shall I come sweet love:364
CARA, MARCO, fl 1495-1525
S'o sedo airombra:361
CARREIRA, ANTONIO, cal525-1599
Fantasie du l^t son:342
106
CAVAZZONI, GIROLAMO, 16th c
Canzona sopra il le bel e bon:342
CAVAZZONI, MARCO ANTONIO, c a 1 4 9 0 -c a 1 5 5 0
Salve Virgo:342
CERTON, PIERRE, cal510-1572
Ho! le vilain:341 Je ne I'ose dire, chanson joyeuse:366
CLEMENT, JACQUES, called CLEMENS NON PAPA, d cal556
Aymer est ma vie:341 Une fillette bien gorri^re:341
CODEX FAENZA 117
342
COMPERE, LOYSET, d 1518
L'autre' jour m'y chevauchoye:341 Faisons,boutons:341
CONSILIUM, JOANNES (JEAN CONSEIL), d 1535
Si de nouveau:341
COOPER, probably ROBERT, fl ca 1500
I have been a foster: 385
COOPER, JOHN (GIOVANNI COPERARIO), cal570-1627
3 dances for a masque (instr):349
CORNYSH, ROBERT, 1465-1523
A dew, a dew:384, 385
CORREA DE ARAUXO, FRANCISCO, before 1575-cal663
Lauda Sion:342
COSTELEY, GUILLAUME, 1531-1606
Je vois de glissantes eaux:353 Quand le berger vit la bergere:353 Que de passions et
douleurs:353 Toutes les nuits:341
CREQUILLON, THOMAS, d cal557
A vous en est:341 Je suis aime de la plus belle:341 Plaisir n'ay plus:341 Quae est ista:369
CROCE, GIOVANNI, cal557-1609
Canzone del cucco e del rossignolo con sentenza del pappagallo:367
CUTTING (FRANCIS or THOMAS, 16th-17th c)
Almaine:356 Greensleeves:356 Walsingham:356
de La Rue, Pierre. See LA RUE, PIERRE DE
de la Torre, Francisco. See TORRE, FRANCISCO DE LA
de Monte, Philippe. See MONTE, PHILIPPE DE
DEMOPHON, ALEXANDER, 16th c
Vidi or cogliendo rose:361
DEPRES, JOSQUIN, d 1521
Ensemble Vocal Roger Blanchard
[Missa Hercules Dux Ferrariae; Miserere; "La Bernardina"] RS-29
Ensemble Vocal Roger Blanchard
[Motets: Ave Maria; Stabat Mater; Prater rerum seriem; Benedicta es coelorum]
10" SM 25-03 (St)
Ensemble Instrumental et Vocal Roger Blanchard
[Missa Hercules Dux Ferrariae. verso: Ockeghem motets, q. v.] Music Guild M-7; S-7
The Dessoff Choirs (Boepple)
[Missa de "Beata Virgine"] Vox DL 600; STDL-500
600
The Dessoff Choirs (Boepple)
[Choral works: Dominus regnavit (Psaume 92); Ave Christe immolate; Tulerunt Dominum
meum (motet); O Jesu fili David; La plus des plus (rondeau); De tous biens plaine;
107
Parfons regretz (chanson); Bergerotte Savoysienne (ballade)] Vox DL 580; STDL 500.
580
New York Pro Musica, with Oberlin, Bressler, Myers and Lewis (Greenberg)
[Missa Pange lingua; Fanfare for Louis XII. Chansons: Heth sold ein meisken; Fama malum;
Dulces exuviae; La Bernardina; Si j'ai perdu mon ami; Tu solus] Dec 9410; 79410
Pro Musica Antiqua (Cape)
[Missa Pange lingua. Chansons: N'esse pas ung grant desplaisir; Deploration de Johannes
Okeghem; Fortuna d'un gran tempo; Bergerette Savoyenne; Parfons regretz; Scaramella;
Faulte d'argent; Basiez-moy.] ARC 3159; 73159
Renaissance Chorus (Brown)
[Missa Una Musque de Buscaya] Baroque- 9002
Ave Verum:386 La deploration d'Ockeghem:341, 371 Et incarnatus:387 Petite camusette:
341 Plusiers regrets: 341 Salve Regina:369
DONATO (DONATI), BALDASSARE, 1548-1603
Chi la gagliarda (villanesca):367 Gagliarda:381
DOWLAND, JOHN, 1563-1626
Batell galliard:356 Can she excuse my wrongs: 347 Earl of Essex galliard:351 Fine knacks
for ladies:364 Flow my teares (Lacrimae):347, 349 Galliard, can she excuse:347 Gal-
liard to Captain Piper's pavin:347 Galliard upon a galliard of Daniel Batchelar:356 If
my complaints could passions move:347,364 Lachrimae pavin:347 Lachrimae antiquae:
351 Lady, if you so spight mee:349 Mignarda:356 Mr. George Whitehead his almand:
351 My Lady Hunsdon's puffe:372 Say love:380 Shall I sue?:349. 380 Sorrow stay: 364
Weep you no more sad fountains:359 What if I never speed:364
DUC DE BOURGOGNE
Madame trop vous me spremes:341
DUFAY, GUILLAUME, d 1474
Alma redemptoris Mater:369, 385 Ce jour le doibt:355 Donnes rassault:355 Flos florum:
363 Gloria:386, 387 Je ne vis oncques la pareille:341 Mon coeur me fait tous dispen-
ser:341 Pour ramour:355 Veni creator spiritus:363
DULOT, FRANCOIS, 16th c
Longtemps y a: 341
DUNSTABLE, JOHN, cal370-1453
Ambrosian Singers, Poulter, Oberlin, Brimer (Stevens)
[Sancta Maria; Quam pulchra es; Speciosa facta es; Puisque m'amour (original rondeau and
organ arr.); Regina coeli letare; O rose bella; Da guadiorum premia; Albanus roseo;
Ave maris Stella; Gloria in excelsis; Sanctus and beneditcus] EA-36
Sancta Maria:386 Veni, creator spiritus:385
Dupont, Jacques. See PONTE, JACQUES DE
ECCARD, JOHANNES, 1553-1611
Maria wallt zum Heiligtum:340 Nun lob mein Seel den Herren:348 Uebers Gebirg Maria
geht:340 Also 352
ENCINA, JUAN DEL, 1469-1534
A qui dirais-je?:382
ESCOBAR, PEDRO, early 16th c
Virgen bendita:373,379
Faidit. See FAYDIT, GAUCELM
FARMER, JOHN, 16th-17th c
Fair Phyllis I saw:349
108
FARNABY, GILES, c a 1 5 6 5 - c a 1 6 0 0
A masl<e:343
FAYDIT, GAUCELM, b callSO
Mort de Richard Coeur de Lion:358
FERRABOSCO, ALFONSO II, cal575-1628
Fantasia (4 viols):372
FESTA, CONSTANZO, d 1545
O pulcherrima:369
FEVIN, ANTOINE DE, d 1515
Descende in hortum:368
FINCK, HEINRICH, 1445-1527
Christ ist erstanden:387 Greiner zanner:376
FLECHA, MATEO, 1481?-1553?
Teresica hermana:383 Que farem del pobre Joan:383
FORD, THOMAS, cal580-1648
Come Phyllis come: 364
FRANCESCO DA MILANO, b cal490
Canzon de le ucelli:361 Ricercare (lute):360
FRANCK, MELCHIOR, d 1639
Choeurs GUnther Arndt
[Das Bergwerk wolln wir preisen; Ade meins Herzens Krbnelein; So wiinsch ich dir ein gute
Nacht. Verso: Staden] 7" 45 rpm Arch 37.176
Pa vane: 387
FRAUENLOB (HEINRICH VON MEISSEN), d 1318
Anckelwyse:363
FRIEDRICH VON HAUSEN, call55-1190
Deich yon der guoton Schiet:363
GABRIELI, ANDREA, cal510-1586
Canzona ariosa:363 Ricercare IX del XII tono:344 Toccata dal X tono:361
GABRIELI, GIOVANNI, 1557-1612
Schola Cantorum Basiliensis (Wenzinger)
[Canzon II a 6; Canzon I a 4 "La Spiritata"; Canzon XIII septimi et octavi toni a 12; Son-
ata pian e forte a 8; Sonata con tre violini a 3; Canzon VIII a 8; Canzon XIV i 12;
Verso: works by Maschera, Viadana, et al. See no. 344, Part I] ARC 3154
Biggs (organ), Boston Brass Ensemble (Burgin)
pntonazioni d'organo; Canzona 1 in g minor "La Spiritata"; Canzona 2 in C major; Canzon
3 in C major; Fantasia in 6th tone. Verso: Frescobaldl. ] ML 5443; MS 6117
Choir and Brass Ensemble of the Gabrieli Festival (Gillesberger)
[Jubilate Deo; Beata es Virgo Maria; lam non dicam; Domine exaudi orationem meam;
Laudate nomen Domini; Canzone per sonar primi toni a 8; O quam suavis; Hodie
Christus natus est; Sonata pian e forte; Diligam te domine; Canzone duodecimi toni, a
8; Audi domine hymnum] BG 611; 5037
Brass Ensemble of the Vienna State Opera Orchestra (Stone)
[Symphoniae sacrae: Canzon quarti toni; Canzone septimi toni (nos. 1 and 2); Canzon duo-
decimi toni; Sonata pian e forte; Sonata octavi toni. With: A. Gabrieli, Aria della
battaglia.] WST-14081
Beata es Virgo Maria:368 Benedixisti, Domine:387 Canzona per sonar no. 1:376 Inclina,
Domine:363 Jubilate Deo:362 O magnum mysterium:371
GAFFURIO (GAFORI), FRANCHINO, 1451-1522
O sacrum convivium:361 Missa trombetta (Sanctus):361
109
GALILEI, MICHELANGELO, fl end of 16th c
Correnta (lute):360
GALILEI, VINCENZO (?) d 1591
Ricercare (lute):360 Zwei Madrigale (lute):360
Gallus, Jacobus. See HANDL, JACOB
GASTOLDI, GIOVANNI GIACOMO, 16th-17th c
L'acceso:367 Lo schernito:367 Viver lieto voglio:381, 361
GERVAISE, CLAUDE, 16th c
Allemande:351 Bransle de Bourgogne:351 Bransle de Champaigne:351 Passamezzo pavane
and galliarde:351
GESIUS, BARTHOLOMAUS, cal555-1613
O Christe Morgenstern:348
GESUALDO, CARLO, PRINCIPE DI VENOSA, cal560-1613
N.C.R.V. Vocaal Ensemble (Voorberg)
[Luci serene e chiare; Moro lasso al n^io duolo. Verso: Monteverdi Canzonetten, q.v.]
7" 45 rpm BM 17-E-Oll
Ave dulcissima Maria:369 Ecco, moriredunque:365 Hoy gia mi discolor:365 Itene o
miei sospiri:366 Resta di darmi noia:387
Giaches de Pont. See PONTE, JACQUES DE
GIBBONS, ORLANDO, 1583-1625
The Galliard:343 London street cries:349 Silver swan:378 Why art thou so heavy:386
Wood so silde:347
Gines de Morata. See^MORATA, GINES DE
GLOGAUER LIEDERBUCH
342, 363
GOMBERT, NICOLAS, 16th c
Dezilde al caballero (vilIancico):383 Vostre beaute plaisante:341
GREGORIAN CHANT
363.386,387
GUERRERO, FRANCISCO, 1527-1599
Esclarecida madre:373 Pr«do verde y florido:379 Si je ne partage pas tes peines:382 Tu
dorado Cabello:379
GUILLAUME D'AMIENS, 13th c
Rondeau:363 Virelai:363
Guillaume Le Heurter. See LE HEURTEUR, GUILLAUME
GUIOT DE DIJON, 12th c
Chanterai pour mon courage (Ms. du Roi):358
GUIRAUT D'ESPANHA DE TOLOZA, 13th c
Danza:363
HANDL, JACOB (JACOBUS GALLUS), 1550-1591
Peccantem me: 381
HASSLER, HANS LEO, 1564-1612
Exsultate Deo:368 Ich bring mein Bruder ein guten Trunk:371 Mein Lieb will mit mir
kriegen:387 Preludes: 377
HAUSSMANN, VALENTIN, d cal611
Tanz:387
HAYNE VAN GHI^EGHEM, 15th c
Mon souvenir: 341
HEREDIA, PEDRO, d 1648
Ensalada:357 Obra de octavo tona:357
110
HESDIN, PIERRE, 16th c
Plaindre rennuy:341 Ramonez moy ma cheminee:341 Ung vray mu3icien:341
HOFH AIMER, PAUL, 145 9-1537
Ave maris stella:342 Dulcis Virgo Maria:342
HOLBORNE, ANTHONY, 1565-1602
Galliard:356 Pavan:356 Three pieces for brass:376
HUME, TOBIAS, d 1645
Tobacco:349
HUGUES, D'OISY (LE CONTE DE BETHUNE). 12th c
Maugre tous saints:358
INGEGNERI, MARC ANTONIO, cal545-1592
Les Chanteurs de Saint-Eustache (Martin)
[Huit repons de la Semaine Sainte: In Monte Olivetti; Tristis est anima mea; Velum templi;
Sicut ovis; Jerusalem surge; Plange quasi virgo; Recessit pastor noster; Ecce quomodo
moritur Justus; Lamentation de J^remie. ] Boite a Musique LD 028 (A)
ISAAC, HEINRICH, cal'450-1517
N. Y. Pro Musica Motet Choir, Boy's Choir & Wind Ensemble (Greenberg)
[Donna di dentro; In meinem Sinn; Quis dabit capiti meo aquam?; La mi la sol. Verso:
Obrecht,.q.v.] Dec 9413; 79413
Herr Gott, lass dich erbarmen:375 Mon p6re m'a donne mari:341 Le Serviteur:341
JACOTIN (pseud for Jacob Godebrie), d 1529
Du feu d'amours:341 Moi qui ne fais jamais:341
JANEQUIN, CLEMENT, c a 1495 - c a 1 5 6 0
Montreal Bach Choir Society. (Little)
[Chant des oizeaux; Ou mettre Ton un baiser; Chantons, sonnons trompettes; La plus belle
de la ville; Ce sont gallans; Petite oymphe folastre; R^confortez le petit coeur de moi;
Quant je bois du vin claret; Au joli jeu; La guerre; Assouvy-suis; Ouvrez I'husi; Quant
j'etais quinze heures; Sur I'aubepin; Helas mon Dieu; Bel aubepin; Pleut a Dieu; Si
Dieu voulalt.] Vox 710; STDL-500710
L'Ensemble Polyphonique de Paris. (Ravier)
[Chansons Francaises. Contents not further identified at time of this compilation]
Bar. MB-428; 928
Au joly boys:365 Au joly jeu:366 Bataille de Marignan:365 Ce mois de mai:359,365 La
chasse:341 Mais ma mignonne:341 O cruaute:341 Or sus vous dormes trop:341 Qu'est-
ce d'amours:341
JEAN DE LUBLIN, 16th c
Saltarella:342
JOHNSON, JOHN, d 1594
Fantasia:356
JOHNSON, ROBERT, 1569-1633
Almaine:356 Carman's whistle:356
JOHNSON-FARNABY
Alman for virglnal:372
JONES, ROBERT, 16th-17th c
Dreames and imaginations:349
Josquin des Pres. See DEPRES, JOSQUIN
111
KLEBER, LEONHARD, cal495-1556
8 Preludes: 342
KOTTER. HANS (JOHANNES), cal480-1541
"Aus tieffer nodt schry ich zu dir" on "De Profundis":342 Nach willen dein (after Hof-
haimer):342 Praembulum:385
LA RUE, PIERRE DE, d 1518
Pourquoi non:341
LASSUS, ORLAND DE, d 1594
N.C.R.V. Vocaal Ensemble Hilversum (Voorberg)
[Prophetiae Sibyllarum] 10" BSr. BM25R604
Stuttgart Swabian Chorus (Grischkat).
[Ubi est Abel; Justorum animae; In hora ultima; De profundis; Requiem (Missa 5 vocum
pro defunctis] Lyr 87
Audite nova:363 Christus resurgens:368 Echo song: 371 Jubilate Deo:366. 386 Die Klagen
des Hiob, Teil VII:352 Matona mia cara:365 Miserere:387 Missus est Angelus Gabriel:
369 Mon coeur se recommande a vous:365 Soyons joyeux:359 Super flumina:368 Sur-
gens Jesus:362 Tristis est anima mea:363
LAUDE
Ensemble Vocal du Conservatoire, Milan. (Bortone) and Polifonica Ambrosiana (Biella).
[See contents under no. 345 in Part I] 10" HMC 25104
LECHNER, LEONHARD, d 1606
Deutsche Sprilche von Leben und Tod:352 Nan schein, du Glanz der Herrlichkeit:340
LE HEURTEUR. GUILLAUME, 16th c
AUons un peu plus avant:341 Or m'y rendez mon karolus:341
LLANSON
Chamberiere:353
LOCHAMER LIEDERBUCH
363
LOURDOYS, 15th c
Amours m'y trottent par la panse:341
MACHAUT, GUILLAUME DE, d 1377
Deller Consort
[Notre Dame Mass] 10" HM 25-148
"Et incarnatus" from the Notre Dame Mass:386
MARENZIO, LUCA, d 1599
O Rex gloriae:386 Quando sorge raurora:361 Scaldava il sol:365
MASCHERA, FLORENTIO, 16th c -
Canzon V, "La Maggia":344
MASSAINO, TIBURTIO, 16th c
Canzon a 16:344 Canzon XXXIV:344
MAUDUIT, JACQUES, 1557-1627
En son temple sacre (Ps. 150):386
MILAN, LUIS, 16th c
Pavana (lute):383
Milano, Francesco da. See FRANCESCO DA MILANO
MONTE, PHILIPPE DE, cal521-1603
Maitrise de la Cathedrale St. -Rombajt de Malines (Vijverman). (Peeters, org.)
[Missa secunda sine nomine. Organ pieces by Lebegue, Cornet, and van der Kerckhoven. ]
Mus Sac AMS-5
112
MONTEVERDI, CLAUDIO, 1567-1643
N.C.R, V. Vocaal Ensemble Hilversum (Voorberg).
[Canzonettas: Qual si puo clir maggiore; Raggi dov'e '1 mio bene; Quanclo sperai; Su su su.
Verso: Gesualdo. q.v.] 7" 45 rprn Bar, BM 17-E-Oll
A un giro sol de begrocchi:365 Baci soave e cari:365 Ecco mormorar ronde:365 Lasciate
mi morire:366 Non pi^ guerra pi,etata:365 Sfogava con le stelle:365
MONTPELLIER MS, (H 196)
354
MORALES, CRISTOBAL, cal500-1553
Missa de Beata Virgine (Lyrie and Agnus Dei):383 O Crux ave:357,382 O magnum myster-
ium:373,379 Pastores dicite:383 Sancta et immaculata Virginitas:369
MORATA. GINES DE, 16th c
En el campo me meti ("Cancionero de Medinaceli"):373, 379
MORLEY, THOMAS, 1557-cal603
About the maypole:349 April is in my mistress' face:359 Clorinda false:349 I saw a lady
weeping:364 Joyne hands (see my own sweet jewel):347 My bonnie lass:349, 378 Now
is the month of maying:365 Pavan:356 Phyllis, I fain would die now:349 Sing we and
chant it:380 Sola soletta:347 Sweet nymph:372 Thyrsis and Milla:364 What if my
mistress now:364 With my love my life was nestled:364
MORTON, ROBERT, d 1475
N'aray-je jamais:341
MOUTON, JEAN, d 1522
Ave sanctissima Maria:369 Jamais, jamais:341
MOZARABIC CHANT
373
MUDARRA, ALONSO, 16th c
Regia qui mesto:383 Romanesca (lute):383 Triste estava el rey David:383
MULLINER BOOK
342,349
MUNDY. JOHN, d 1630
Munday's joye:343
MUREAU, GILLES, d 1512
Je ne fais plus: 341
NARVAEZ, LUIS DE. 16th c
Paseabase el rey Moro:373
NEGRI, CESARE, b cal546
3 dances:361
NEIDHARDT VON REUENTHAL, 12th-13th c
Maienzeit:363 Mei hat wunnlich entsprossen:363
NEUSIEDLER, HANS, cal508-1563
Welscher Tanz und Hupfauff (lute):363
NEWMAN, 16th c
A pavan (Mulliner):342
OBRECHT, JACOB, cal430-1505
N. Y. Pro Musica Motet Chorus and Wind Ensemble (Greenberg)
[Missa Fortuna desperata. Verso:lsaac, q.v.] Dec 9413; 79413
Ein frolich Wesen:375 O beate Basili:384
113
OCKEGHEM, JEAN DE, d 1496?
Ensemble Instrumental et Vocal Roger Blanchard
[Motets: Prenez sur moi; Intemerata Dei Mater; Ut heremita solus. Verso: Deprez, q. v.]
Music Guild M-7; S-7
Ensemble Instrumental et Vocal Roger Blanchard
[Missa Mi mi (quarti toni); Canon, Prenez sur moi votre exemple; Motets: Intermerata Dei
Mater; Ut heremita solus. ] Rec See RS-48; RSS-10
Aultre Venus: 341
ORTIZ, DIEGO, 16th c
Recercade on "O felici occhi miei":383 Recercada quinta:383
OYSTERMAYRE, JEHAN, 16th c
Galiarda (Fitzwilliam):343
PALESTRINA, GIOVANNI PIERLUIGI DA, cal525-1594
Chanteurs de St. -Eustache
[Missa brevis] (dis 115:123) 10" Pastorale Musique (no. ?)
Ego sum panis:368 Hodie Christus natus est:371 Missa brevis (Sanctus):386 Missa Aeterna
Christi munera (Sanctus & Benedictus):361 Missa Papae Marcelli:363 (Gloria); 387 (Sanc-
tus) O bone Jesu:386 Sicut cervus:359
PASSEREAU, 16th c
Helas Madame:341 II est bel et bon:353 Sur la rousee:341
PAUMANN, CONRAD, cal4iO-1473
Mit ganczem Willen:342
PEERSON (PEERESON, PEARSON), MARTIN, cal580-1650
Pipers paven:342
PERAZA, FRANCISCO DE, 1564-1598
Medio registro alto del primer tono:342
PEROTINUS, 12th c
Alleluja nativitas:370 Haec dies:386 Salvatoris hodie:354 Sederunt principes:370 Vide-
runt omnes:370
PESENTI, MICHELE, 15th-16th c
De lecto me levava:367
Pierre de Villiers. See VILLIERS, PIERRE DE
Pierre de La Rue. See LA RUE. PIERRE DE
PILKINGTON, FRANCIS, d 1638
Rest sweet nymphs:359, 364, 380
PONCE, JUAN, fl 1500
Allegresse de la resurrection: 382
PONTE, (PONT, DUPONT). JACQUES DE, 16th c
Fringotez, jeunes fillettes:341 Hai de par Dieu:341
PRAETORIUS, MICHAEL, 1571-1621
Geh aus mein Herz und suche Freud: 348 In dulci jubilo, nun singet und seid froh:348 Der
Morgenstern ist aufgedrungen:340 Dem neugebornen Kindelein:340 Nun bitten wir den
Heiligen Geist:348 Nun lob mein Seel den Herren:348 Suite:377 Wir woUen alle
frohlich sein:348
PUJOL, JUAN, cal573-1626
Gloria patri:382
114
QUAGLIATI. PAOLO, cal555-1628
Madre divina:345
QUENES DE BETHUNE (HUGUES D'OISY?)
Ahi! Amors:358
RAIMBAUT DE VAQUEIRAS, d 1207
Kalenda maya:387
RAVENSCROFT, THOMAS, c a 1 5 90 - c a 1 6 3 3
New oysters: 372
REGNART, FRANCOIS, 16th c
Ardo si:381 Wann Gedenck' der Stund:381
RENe's, NICOLAS, 16th c
L'Ardent desir:341
Reuenthal, Neidhardt von. See NEIDHARDT VON REUENTHAL
RIVAFLECHA, MARTIN DE, d 1528
Anima mea:383 Vox dilecti:383
robertsbridge fragment
342
ROSSETER, PHILIP, cal575-1623
Galliard:356 Sweet come again:364 What is a day:364 Whether men do laugh:364
SACHS, HANS, 1494-1576
Silberweise:363
SANDRIN, PIERRE REGNAULT, 16th c
Puisque de vous:341
SANSERRE (SENTERRE). PIERRE, 16th c
Fait elle pas bien?:341
Santa Maria, Toma's de. See TOmAs DE SANTA MARIA
SCANDELLO (SCANDELLI, SCANDELLUS), ANTONIO, 1517-1580
Bongiorno Madonna:366
SCHEIN, JOHANN HERMANN, 1586-1630
Dennoch bleibe ich stets an Din 352 Vom Himmel hoch:340 Zion spricht: Der Herr hat
mich verlassen:352
SCHROTER, LEONHARD, c a 1 5 3 2 - c a 1 6 0 1
Freut euch, ihr lieben Christen:340
SENFL. LUDWIG, cal492-1555
Carmen in la:376 Gelobet seist du Christe:348
Senterre, Pierre. See SANSERRE (SENTERRE), PIERRE
SERMISY, CLAUDE DE , cal490-1562
Changerons propos:341 D'ou vient cela:341 Secourez moy (lute):341 Tant que vivray:341
Tu disais que j'en mourrais:341
SHEPHERD, JOHN, 16th c
I give you a new commandment (Mulliner):342
SOTO DE LANGA, FRANCISCO, cal539-1619
II pietoso Gesu:345, 361 Quando rimiro il ciel:345
STADEN, JOHANN, 1581-1634
Choeurs GUnther Arndt
[Der Kuckuck und die Nachtigall. Verso: M. Franck] 7" 45 rpm Arch 37.176
STOCKEM (STOCKHEM), JOHANNES, 15th c
He traistre amours:341
115
SWELINCK, JAN PIETERSZ, 1562-1621
Balletto del granduca:374 Echo fantasia in A minor:375 O lux beata trinitas:374 Varia-
tions on "Est-ce Mars":375
TALLIS, THOMAS, cal505-1585
O nata lux de lumine:372
THIBAUT IV DE CHAMPAGNE, KING OF NAVARRE, 1201-1253
Au temps plain de f?lonie:358 Seigneurs sachiez:358
TOMAS DE SANTA MARIA, fray, d 1570
Fugue in G:342 8 fantasias on the 8 modes:342 Tanido de corcheas:342
TOMKINS, THOMAS, cal575-1656
Magdalen College Chapel Choir, Oxford (Rose).
[Responses and Psalm XV: Te Deum and Benedictus; My shepherd is the living Lord; When
David heard that Absalom was slain; Turn unto the Lord; Holy, holy, holy; Above the
stars my Savior dwells; Hear my prayer, O Lord; Organ pieces: Voluntary; Fancy for two
to play] Argo RG-249; ZR-249
When David heard:365
TORRE, FRANCISCO DE LA, 15th c
Alta danza (woodwind quintet):373
TROMBONCINO, BARTOLOMEO, 15th-16th c
Ave Maria:361
DER UNVURZAGHETE" , 13th c
Der kunic Rodolp minnet Gott:387
Vaqueiras, Raimbaut de. See RAIMBAUT DE VAQUEIRAS
VECCHI, HORATIO, cal550-1605
Fa una canzona senza note nere:361 Margherita dai corai:367 Mi vorrei trasformare:367
Tiridola non dormire:367
Ventadour. Bernard de. See BERNARD DE VENTADOUR
VIADANA, LODOVICO GROSSI , cal564-1645
Canzon a 8, "La Padovano":344 Exultate justi:366, 368
VICTORIA, TOMAS LUIS DE, cal540-1611
Capilla et Escolania de Montserrat (Segarra)
[Messe de la Pentec6te, "Dum complerentur dies Pentecostes"] AMS-23
St. -Jordi Chorale (Martorell)
[Messe quarti toni. Verso: see 382] SM-30-06
Ave Maria:382 Jesu dulcis memoria:386 Missa quarti toni:357 O magnum mysterium:368
O vos omnes:373 Mass "Simile est Regnum Coelorum":346 Tenebrae factae sunt:379
Vere languores:368
VILLIERS, PIERRE DE , 16th c
Ne te plains tant:341
Vogelweide, Walther von der. See WALTHER VON DER VOGELWEIDE
VULPIUS, MELCHIOR, 1560-1615
Gelobt sei Gott im hochsten Thron:348
116
WALT HER, J OH ANN. 1496-1570
All Morgen ist ganz frisch unci iieu:348 Josef, lieber Josef mein:348
WALTHER VON DER VOGELWEIDE, 12th c
Kreuzzugslied:363 Nun alerst leb ich:387
WEELKES, THOMAS, cal575-1623
Hark, all ye lovely saints:380 Hosanna to the Son of David:378
WEERBEKE, CASPAR VAN, 15th-16th c ■
Virgo Maria:386
WILBYE, JOHN, 1574-1638
Ye that do live in pleasures:372
WILLAERT, ADRIAN, 1490?-1562
Dessus le marche d'Arras:341
WIPO, calOOO-1050
Victimae paschali laudes (sequence):363
WIZLAW III, prince of RUgen, d 1325
We, ich ban gedacht:387
ZANGIUS, NICOLAUS, d cal618
Congratulamini nunc omnes:34'0
ANONYMOUS
Alleluja Christus resurgens:370 Alman:343 Als ich anschau das frSlich Gsicht:376
Alta (instr. , Span. , 14th c):351 L'amour de moy:341 Anime affaticate (lauda):345
Antifona (Mozarabic, 7th c):373 Ave maris stella:373 Ay de mi qu'en tierra agena
(vilIancico):383
Balada (12th c troubadour):363 Belle jeune fleur de 15 ans (Codex Carminum Gallicorum):
342 Blanchete comme fleur/Quant je pens (Montpellier 168):354 Boar's head carol:
372 Branle de Poitou (lute);341
Cantantibus hodie (sequence):373 Cantiga no. 353 par Alphonse X le Sage (1252-1284):373
Cantio Polonico:342 Ces facheux sots (hate):341 Cest quadruble/Voz n'i dormires/
Biaus cuers (Montpellier 30):354 Christ ist erstanden (Glogauer):342,363 Cries of
London:347 Cristo e nato (lauda):345 Congaudeant cathoIici:387 La cuiller d'or:341
Cunctipotens genitor (organum, 11th c):384
Dal ciel venno messo novello (Iauda):345 Dame, qui j'aim/Amors vaint/Au tons d'este
(Montpellier 23):354 Dances (Iute):360 Dances (Mulliner):349 Daphne (instr. ,
cal600):351 First Delphic hymn:384 Deo gracias Anglia (Agincourt song):372
Desconfortes ai este/Amors, qui m'a (Montpellier 124):354 Deus in adiutorium (Mont-
pellier 1):354 Deus in adiutorium (Montpellier 303):354 Die Christi Veritas (conductus):
370 La Doune cella (Mulliner):342 Ducis amica (Attaingnant coIlection):342
E la don don (villancico):383 Es waren zwei K6nigskinder:363 Estampie:342, 351,363
Faictes si vous plaist vostre omosne:341 Fantaisie (Liber Fratrum Cruciferorum Leodiensiem):
342 Flor de lis/Je n'en puis/Douce dame (Montpellier 164):354 Friar in the well:350
Frog galliard, coranto and borey:372
Gloria in cielo (lauda):345 Giu per la mala via (lauda):345 Greensleeves:350, 363, 372
Have you seen but a white lily:364, 372 He who will an alehouse keep:372 Heigh ho,
the wind and the rain:372 Hymn to Helios:384
Ich sage ade:376 Ich spring an diesem Ringe (Lochamer):363 Ja n'amerai/Sire Dieus
117
(Montpellier 137):354 J'ai mis/Je n'en puis (Montpellier 255):354 J'ai si bien/Aucun
m'ont par (Montpellier 128):354 Je demeure seule e'garee (lute):341 Jour a jour la
vie (Codex Faenza, 117):342
Kyiie (Codex Faenza, 117):342 Kyrie de Sancta Maria Virgine:342
La mi re':342 Lamento di Tristano (instr. , It. , 14ih c):351 Li doz/Trop ai lonc/Ma
loiautes (Montpellier 28):354 Lord Rendall:372
Ma Marie:341 Ma miette m'a mande:341 The Maid peep'd out at the window:350
La Manfrolina (instr. , It. , 16ih c):351 Miserer my Maker:364 Mocht ich din
bergern (Buxheimer):342 Mors a primi/Mors, que/Mors morsu (Montpellier 35):354
Munday's joy and Watkins ale:372 My Lady Carey's dompe:342 My Robbin (instr):351
Ne m'a pas oublie (Montpellier 207):354 Nell'apparir del sempiterno sole (laada):345
Nostra dince:341
O death rock me asleep:372 O Jesu dulcissime:361 O nato que vitiis (Montpellier 47):354
O ye happy dames (Mulliner):342 On parole/A Paris/Frese nouvelle (Montpellier 319):
354
Paduana del Re (instr, , It. , 16th c):351 Pater noster comm'iserans (conductus):370
Pavane des Dieux:341 Plut a la Vierge Marie:341 Povre secors/Gaude, chorus
(Montpellier 3 9): 3 54
Quant voi I'erbe/Salve, Virgo (Montpellier 43):354 La quarte estampie real (instr. ,
Fr. , 13th c):351 Quem pastores laudavere (14th c):363 Questa fanciulla (after
Landim):342 Qui amours/Li dous pensers/Cis a cui (Montpellier 280):354 La quinte
estampie real (instr. , Fr. , 13th c):351
Rex coeli (Musica enchiriadis, ca850):384 Rigs O'Marlowe:350 Riu riu (villancico):373
La Rocha e'lFuso (instr., It., 16th c):351 Rossignolet, connais-tu point ma mie:341
Le Rote de Rode (lute):341
Sa Sibil-la:373 Saltarella (Tabulature de Jean de Lublin):342 Saltarella de la ragione
(instr., It., 16th c):351 Saltarello (instr. , It., 14th c):351 Salve, Virgo/Verbum
Caro factum (Montpellier 284):354 La shy muse (Mulliner):342 Si la noche haze
escura (villancico):383 Skolion of Seikilos:384 Stantipes (instr. , Engl. , 13th c):351
Sumer is icumen in:386 Suite des faux bourdons en dialogue :342
Tant que vivray (Attaingnant, 1529):363 La tete me fait si grand mal:341 Those eyes
that set my fancie on fire:347 Tickle my toe (instr):351 Tourdion (lute):341
A toye (instr):351 Tres (Libra de cifra neuva, Venega de Henestrosa):342
Upon la mi re:342
Vesame y abracame (villancico):383
Wach auf, meins Herzens Sch8ne:363 We be soldiers three:372 Whose faithful service
(Mulliner):342 Woodycock:349, 350
118
U P P L E
PART
MEN
III
PERFORMER
INDEX
ENSEMBLES (CHORAL AND INSTRUMENTAL)
AMBROSIAN SINGERS: Dunstable
ANTICA ESCOLANS DE MONTSERRAT:373, 379
BERLIN STATE ACADEMY CHOIR:387
BEURON, MONKS OF THE BENEDICTINE ABBEY:
323-25
BLANCHARD VOCAL ENSEMBLE:341. 369
Depres(3), Ockeghem
BOSTON BRASS ENSEMBLE:G a brie li , G
BUDAPEST MADRIGAL ENSEMBLE:366
ENSEMBLE VOCAL CAILLARD:368
CHANTEURS DE ST . -EUSTACHE:I n g e g n e r i ,
Palestrina
CHRIST CHURCH CATHEDRAL CHOIR, OXFORD:
346
CONSORT PLAYERS:347
CORAL ANTICA ESCOLANS. BARCELONA:373.379
DELLERCONSORT:365.370,372, Mac haul
DESSCFF CHOIRS:Depres , Victoria-
ENSEMBLE POLYPHONIQUE DE PARIS:] a ne qu i n
ENSEMBLE VOCAL DE PARIS:353
ENSEMBLE VOCAL DU CONSERVATOIRE, MILAN:
345
ESCOLIANA DE MONTSERRAT, CAPILLA:326-29,
Victoria
GABRIELI FESTIVAL CHOIR AND BRASS ENSEM-
BLE:G . Gabrieli
GREGG SMITH SINGERS:371
HUFSTADER SINGERS:359
IN NOMINE PLAYERS:Byrd
KANTOREI BARMEN -GEMARKE:340
KING'S COLLEGE CHOIR, CAMBRIDGE:B yrd
KRAINIS RECORDER CONSORT:351
MAGDALEN COLLEGE CHAPEL CHOIR:T cm ki ns
MAITRISE DE CATHe'dRALE ST, -ROMBOUT DE
MALINE:Monte
MONTREAL BACH CHOIR:] a ne q u i n
MONTSERRAT ABBEY CHOIR:326-29 V i c t or i a
NX.R.V. VOCAALENS. HILVERSUM:L ass us .
Monteverdi
NEW YORK BRASS QUINTET:376
NEW YORK PRO MUSICA:349. 383 Depres
NEW YORK PRO MUSICA MOTET CHOIR:Isaac ,
Obrecht
NIEDERSACHSISCHER SINGKREIS:380
NORDDEUTSCHER SINGKREIS:362
PELOQUIN CHORALE:357,386
POLIFONICA AMBROSIANA:345.361
PRAGUE MADRIGALISTS:381
PROMUSICA ANTIQUA (CAPE):D e pr e s
RENAISSANCE CHORUS:D e p r e s
ST.-IORDI CHORALE:382 Victoria
ST. ]OSEPH'S ABBEY CHOIR:331
ST. PAUL'S CATHEDRAL CHOIR, LONDON:378
ST. SUSANNA CHOIR:332
THE SATURDAY CONSORT:355
SCHOLA CANTORUM BASILIENSIS:344 G . G a b -
rieli
SEXTUOR VOCAL LUCA MAR£NZIO:367
SOLESMES ABBEY CHOIR:333-37
SWABIAN CHORUS:Lassus
TELEMANN SOCIETY ORCHESTRA:350
UNSERER LIEBEN FRAU ABBEY CHOIR:330
VIENNA STATE OPERA ORCHESTRA BRASS
ENSEMBLE:G . Gabrieli
WAGNER CHORALE:338
WELCH CHORALE:339
WESTPHALIAN KANTOREI WINDS:377
CONDUCTORS
ARNDT:Franck, Staden
S. BECK:347
BERCKENBOSCH:342
BIELLA:345,361
BLANCHARD:369 Ockeghem
BOEPPLE:Depres
BORTONE:345
BOWER:378
BROWN:Depres
BURGIN:G. Gabrieli
CAILLARD:353,368
CAPE:Depres
CUNILL:326-29
EHMANN:377
GAJARD:331-37
GASSULI-DURO:379
GILLESBERGER:G . Gabrieli
GREENBERG:349, 383 Depres, Isaac, Ob'
recht
GRISCHKAT:Lassus
KAHLHCFER:340
LITTLE:] a ne quia
1?1
MAC EWAN:332
MARTIN:! n g e g n e r i
MARTORELL:382 Victoria
PFAFF:323-25
RIVIERJanequin
ROSE:Tomkins
SCHULZE:350
SEGARRA:Victoria
SMITH:371
STEVENS:Byrd, Dunstable
STONE:G. Gabrieli
SZEKERES:366
VENHODA:381
VIJVERMAN:Monte
VOORBERG:Lassus, Monteverdi
WATSON:346
WAGNER:338
WENZINGER:344 G . Gabrieli
WILLOCKS:Byrd
WOLTERS:362,380
SOLO AND FEATURED INSTRUMENTALISTS AND SINGERS
BIGGS (organ) :G . Gabrieli
BLACKMAN (viol):354
BREAM (lute):356, 364
BRESSLER (tenor):354
DELLER (counter-tenor):365. 370, 372
FROIDEBISE (organ) :342
GERWIG (lute):360
MYERS (baritone):854
OBERLIN (counter-tenor):354 Depres
PEARS (tenor) :3 64
PEETERS (organ):375
PRICE (tenor):354
M. THOMAS (keyboard instruments);343
VIDER0 (organ):374
122
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