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/  "vi  Oil*, 


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SIXTY 


SELECTED     POPULAR 


W<B>E3B>S    &i»    3MBS2€c 


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THE  LADS  OF  THE  VILLAGE. 

Melody,  with  Words  and  Pianoforte  Accompaniments,  in  "The  Musical  Bouquet,"  No.  177  Price  3d. 

Allegretto. 
#  Jg*  Music  by  Chas.  Dibdin. 


IS       4    '  • 


* 


Ei3p 


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While  the        Lads      of      the      vil  -  lage      so  mer    -   ri     -  ly      ah !       Sound  their 


mi 


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ta  -  bors     I'll        hand    thee     a  -  long,  .... 


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And      I  say        un    -  to 

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tbee        that 


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ve  -   ri  -  ly      ah ! 


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ah !  ve    -  ri  -  ly    ah  I  ve  -   ri  -  ly       ah !  Thou  and     I      will  be   first    in  the 

--  1  Fine. 


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throng, 


i-e4,'f  .'U.:  J- 


Thou  and     I  . 

-V- 


will   be        first        in     the  throng.     Just 


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then  when  the  Swain,  who  last  year  won  the    dower,  With  his  mates  shall  the  sports  have  be- 


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gun,  When  the     gay  voice    of      glad  -  ness    re  -  sounds  from  each  bow'r,  And  thou 

B 


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lentando. 


POPULAR  SONGS  AND  BALLADS. 

Z)aZ  sef/rao  §  al  Fine. 


© 


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±=± 


Us  1/  j, 

Those    joys  that  are   harm-less  what 


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long'st      in     thy     heart      to  make  one. 


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mor  -  tal  can  blame? 'Tis my    max  -  im  that    youth  should  be    free; 


And    to 


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"i*-^ \t  -        m  r        —       r 

prove  that  my  words  and    my    deeds    are    the  same,  To     prove  that    my     words  and  my 

D.C.  al  Fine. 


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deeds    are    the    same,      Be  -  lieye  me    thou'lt      pre   -  sent  -  ly       tee. 


CATAWBA    WINE: 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  2107,  Pr.  3d. 

Words  by  Longfellow.  Music  by  W.  R.  Dempster. 

Allegretto  con  spirito. 


3~flp    I  T 


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This    song    of    mine       Is      a       song      of     the    vine,      To    be        sung  by 


the 


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glow     -      ing  . 


bers, 


Of      way     -     - 


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side    inns,      When    the 
roll,  ad  lib. 


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dark-en 


be  -  gins        To 


the 


drear 


No    -     -  vem 


bers. 


I 


ws^m 


it 


song 


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Of     the 


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Prom 


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warm  Ca    -  ro    -    li     -     nian     val    -    -    leys,     Nor   the      I     - 
a  tempo.  cres. 


bel,      And  the 


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Mus    -    ca   -  del,         that     bask       in      our      gar 


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Nor    the 


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Mus    -  tnng,       Whose        clus     -     ters      bang     O'er  the 


POPDLAE  SONGS  AND  BALLADS 


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waves    of      the 


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do,      And  the 


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ple    blood        Has    a 


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of      Span  -  ish     bra    -  va 


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rich   -    est    and    best,        Is    the     Wine      of     the   west,      That  . 

cres. 


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& 


grows  by     the 
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beau   -    ti 


ful 


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per  -  fume,      Fills 
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all 


the    room,    With    a      be  -  ni   -  son 


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There  grows  no  vine 
By  the  haunted  Rhine, 

By  the  Danube  or  Guadalquiver, 
Nor  on  island  or  cape, 
That  bears  such  a  grape, 

As  grows  by  the  beautiful  river. 
Very  good  in  its  way 
Is  the  Verzenay, 

Or  the  Sillery,  soft  and  creamy ; 
But  Catawba  wine 
Has  a  taste  more  divine, 

More  dulcet,  delicious,  and  dreamy. 


And  pure  as  a  spring 
Is  the  wine  I  sing, 

And  to  praise  it  one  needs  but  name  it, 
For  Catawba  wine 
Has  need  of  no  sign, 

No  tavern  bush  to  proclaim  it. 
And  this  song  of  the  vine, 
This  greeting  of  mine, 

The  winds  and  the  birds  shall  deliver, 
To  the  Queen  of  the  West, 
In  her  garlands  dress'd, 

On  the  banks  of  the  beautiful  river. 


CEASE  FOND  HEART. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  2023,  Pr.  3d. 
Words  by  Horace  Martin.  Music  by  C.  M.  yon  Weber. 


Moderate. 


mm 


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re  -  peat    -    ed 

5   r»   . 


Cease  fond  heart,    no    long  -    er 


grieve  thee,    Why  this      oft 


-P— *- 


a    cj  s 


gpjgp 


sigh? 


Let    not 


hope 


for 


~*3r~+ 

leave    thee,        Or    'twere 


P     • 


3==t 


^ 


bet    -  ter    far 


die! 


Far  from  home,  no  smiles  to  greet  me, 
No  one  sees  the  exile's  tear, 

And  my  heart  for  e'er  is  beating 
For  the  land  to  me  so  dear. 

All  around  though  grand  and  lovely, 
Mountains,  lakes,  and  valleys  green, 


Or  . 


'twere    bet     -  ter    far 


die! 


Seem,  alas  !  but  to  remind  me, 
And  recall  each  home-lov'd  scene. 

Cease,  fond  heart,  no  longer  grieve  thee, 
Soon  the  grasp  of  friendships  hand 

Will,  with  smiles  of  welcome  cheer  me, 
In  my  own  lov'd  Switzerland. 


POPULAR   SONGS  AND   BAXLADS. 


THE  TIGHT  LITTLE   ISLAND. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "Musical  Bouquet,"  No  614,  Pr.  3d. 
Moderato.  Words  and  Music  bv  Dibdix. 


fe 


h    h    f    pg 


«^ 


^=^ 


5 


| y ;, 1 ' 

Dad-dy  Neptune,  one    day,     to    Pree-dom  did   say,    "If      e  -  ver       I     liv'd  up  -  on 


^=^1 


3 


dry      laud,     The    spot       I    should   hit      on    would  be        lit    -  tie       Bri  -  tain,"  Says 


%^ 


3 


Pree  -  dom,  "  Why  that's    my      own      Is    -  land," 


Oh!  what      a      snug    lit  -    tie 


I 


IE 


_1»     h     p     {» — N 

4      d r — * r 


S 


Is 


land,     A    right    lit  -  tie,  tight    lit  -  tie      Is    -    land,  All     the    globe  round 


fe 


m 


5 


-9—. — r-=- 

Is    -  land. 


None      can       be      found        So     hap    -    py 


this        lit 


tie 


Julius  Cassar  the  Roman,  who  yielded  to  no  man,     Then  the  Spanish  Armada  set  out  to  invade  her, 

Came  by  water,  he  could  not  come  by  land,  Quite  sure  if  they  ever  came  nigh  land, 

And  Dane,  Pict,  and  Saxon,  their  homes  turn'd  theirThey  could  not  do  less  than  tuck  up  Queen  Bess, 


And  take  their  full  swing  in  the  Island  ; 
The  drones  came  to  plunder  the  Island, 
Oh  !  the  poor  Queen  and  the  Island, 
But  snug  in  the  hive, 
The  Queen  was  alive, 
And  buz  was  the  word  at  the  Island. 

These  proud  pufF'd  np  cakes  thought  to  make  duck3 
and  drakes 
Of  our  wealth,  but  they  scarcely  could  spy  land, 
It  would  be  much  more  handy  to  leave  this  Nor-  Ere  our  Drake  had  the  luck  to  make  their  pride 
mandy,  duck, 

And  live  on  yon  beautiful  Island."  And  stoop  to  the  lads  of  the  Island  ; 

Says  he,  "  'tis  a  snug  little  Island,"  The  good  Wooden  Walls  of  the  Island, 

Shan't  us  go  visit  the  Island?  Huzza !  for  the  lads  of  the  Island, 

Hop,  skip,  and  jump,  Devil  or  Don, 

There  he  was  plump,  Let  'em  come  on, 

And  he  kicked  up  a  dust  in  the  Island.  But  how'd  they  come  off  at  the  Island. 


backs  on, 
And  all  for  the  sake  of  our  Island. 
Oh  !  what  a  snug  little  Island, 
They'd  all  have  a  touch  at  the  Island, 

Some  were  shot  dead, 

Some  of  them  fled, 
And  some  stayed  to  live  in  the  Island. 

Then  a  very  great  war  man,  call'd  Billy  the  Norman, 
Cried  "  hang  it,  I  never  lik'd  my  land, 


Yet  party  deceit  help'd  the  Normans  to  beat, 

Of  traitors  they  managed  to  buy  land, 
By  Dane,  Saxon,  or  Pict  we  had  never  been  lick'd, 
Had  they  stuck  to  the  King  of  the  Island; 
He  lost  both  his  life  and  his  Island, 
Poor  Harold  the  King  of  the  Island ; 
That's  very  true, 
What  could  he  do  ? 
Like  a  Briton  he  died  for  his  Island. 


I  don't  wonder  much  that  the  French  and  the  Dutch 

Have  since  been  oft  tempted  to  try  land, 
And  I  wonder  much  less  they  have  met  no  success, 
For  why  should  we  give  up  our  Island  ? 
Oh  !  'tis  a  wonderful  Island, 
All  of  'em  long  for  the  Island, 
Hold  a  bit  there, 
Let  'em  take  fire  and  air, 
But  we'll  have  the  Sea  and  the  Island. 


Then  since  Freedom  and  Neptune  have  hitherto  kept 
tune 
In  each  saying  "This  shall  be  my  land," 
Should  the  Army  of  England,  or  all  they  can  bring, 
land, 
We'd  show  them  some  play  for  the  Island ; 
We'd  fight  for  our  right  to  the  Island, 
We'd  give  them  enough  of  the  Island, 
Invaders  should  just 
Bite  at  the  dust, 
Bnt  not  a  bit  more  of  the  Island. 


POPULAR  SONGS  AND  BALLADS.  { 

WE  MET  BY  CHANCE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  1985,  Pr.  3d. 

Words  by  H.  Martin.  Music  by  F.  Kucken. 

Allegretto. 


e&E 


■-P 


? 


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it 


4- 


At      eve  -  ning  ere    the    sun    has    set,      I  has  -  ten    to      her   bow'r, 


And 


1 


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4* 


-22 


there 


a    glance  I've      oft  -  ten    met 


Of 


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soft,        be  -  witch  -  ing  pow'r  ;     She 
ritard.     _ 


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Be 


ne  -  ver  whispers     go      nor    stay,    She      ne  -  ver  whis-pers    go      nor    stay, 
tempo. 


Our 


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glan  -  ces   meet     the       u  -  sual  way,  Our    glan  -  ces  meet   the      u  -   sual  way,      Our 


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glan    -  ces  meet      Our    glan  -  ces  meet,     Our    glan-ces  meet    the     u    -  sual    way. 


And  many  times  I've  shared  the  bliss, 

But  how  I  cannot  say, 
Her  lips  were  close,  and  so  a  kiss, 

And  neither  whisper'd  nay  ; 
I  do  not  ask,  she  does  not  give. 
Our  lips  will  meet  but  nothing  say, 
As  if  bv  chance  the  usual  wav. 


The  dew-drop  loves  to  woo  the  rose, 
The  white,  the  pink,  the  red, 

It  leaves  a  kiss  before  it  goes, 
Bnt  not  a  word  is  said ; 

'Tis  thus  with  us  as  both  must  know, 

But  neither  tells  the  other  so. 


EICH  AND  RARE  WERE  THE  GEMS  SHE  WORE. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1751,  Pr.  3d. 
Words  by  T.  Moore. 
Moderate. 


m 


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Rich      and    rare    were  the    gems     she    wore,    And    a      bright  gold    ring 
\ma.  2da. 


on      her 


3=3 


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wand         she      bore ; 


bore ;     But    oh !     her      beau  -   ty      was      far  . 


be- 


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yond         Her       spark    -    ling 


gems 


and     snow  -  white  wand ;    But      oh  ! 


her 


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beau  -  ty    was    far 


be -yond    Her      spark  -  ling      gems      and    snow-white  wand. 


"  Lady,  dost  thou  not  fear  to  stray, 
So  lone  and  lovely,  thro'  this  bleak  way  ? 
Are  Erin's  sons  so  good  or  so  cold, 
As  not  to  be  tempted  by  woman  or  gold  ?  ' 

".Sir  Knight,  I  feel  not  the  least  alarm, 
No  son  of  Erin  will  offer  me  harm  ; 


For  tho'  thev  love  woman  and  golden  store, 
Sir  Knight,  they  love  honour  and  virtue  more." 

On  she  went,  and  her  maiden  smile, 
In  safety  lighted  her  round  the  green  isle ; 
And  bless'd  for  ever  is  she  who  relied 
Upon  Erin's  honour  and  Erin's  pride. 


POPULAR   SONGS   AND   BALLADS. 


THE   RAINY  DAT. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  952-3,  Pr.6d. 
Words  by  H.  W.  Longfellow.  Music  by  C.  Reinhakdt. 


T=t 


T 


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It      rains,  and    the  wind     is 


I 


The     day       is      cold,    and       dark,  and     drea  -  ry ; 


S 


± 


ne  -    ver     wea  -  ry  : 


The      vine    still  clings    to      the      moul-d'ring    wall,    But      at 


ev    -    ry 


gust      the 


dead     leaves 
ritard.   ' 


And      the       day 


dark 


and 


drea    -    ry,        and       the       day      .     . 

My  life  is  cold,  and  dark,  and  dreary, 
It  rains,  and  the  wind  is  never  weary  ; 
My  thoughts  still  cling  to  the  mould'ring  Past, 
But  the  hopes  of  youth  fall  thick  in  the  blast, 
And  the  days  are  dark  and  dreary. 


is      dark      and     drea    -     -    -     -    ry. 

Be  still,  sad  heart,  and  cease  repining, 
Behind  the  cloud  is  the  sun  still  shining ; 
Thy  fate  is  the  common  lot  of  all, 
Into  each  life  some  rain  must  fall — 
Some  days  must  he  dark  and  dreary. 


THOU  LOVELY  ANGEL  MINE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "Musical  Bouquet,"  No.  1934,  Pr.  3d. 

Music  by  C.  L.  Fishek. 


Ife 


When      dew  -  drops    fall        on        sleep  -  ing  flow'rs,    And    stars 


T- 


N  i      .    I   J       h    E    & 

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love     in-cline;  When  mooniignt  plays    in      dark'- ning  how  -  ers,    in     dark' 


-     ning 


=P=*= 


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± 


-\~i      V 


bow'rs  : 


I        think 


of      thee, 


my 


light 


di- 


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s  .• 


I      think      of       thee, 


of 


thee, 


Thou    love    -  ly        an    -    gel 


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W=^f 


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mine ! 


think 


of     thee,   Thou  love  -  ly,    love  -  ly      an    -  gel  mine  ! 


When  slowly  on  the  glist'ning  waves, 
The  hark  floats  homeward  down  the  Rhine, 

With  music  echo'd  from  its  caves, 
I  think  of  thee,  my  light  divine, 

I  think  of  thee,  of  thee, 
Thou  lovely  angel  mine. 


When,  in  a  weary  wanderer's  eve, 

The  lights  of  well-known  places  shine ; 

And  move  his  lips  to  songs  of  joy: 
I  think  of  thee,  my  light  divine, 

I  think  of  thee,  of  thee, 
Thou  lovely  angel  mine. 


POPDAR  SONGS  AND  BALLADS.  ( 

THE  NEW  YEAR'S  BELLS. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet."  No.  1994,  Pr.  3d. 
Words  by  Tennyson.  Music  by  F.  Boott. 

P  Allegretto.  


M 


5 


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Ring    out  wild  bells     to      the  wild  sky,  The       fly  -  ing  cloud,  the    fros  -  ty    light,      The 
-*—       fel     P       S      1       si     I 


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year    is    dy   -  ing      in    the  night ;    Ring      out  wild  bells  and       let      him    die ; 

ad  lib.  ,. 


Rin" 


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out    the     old,  Ring      in     the    new,  Ring  hap  -  py     bells 
a  tempo.  >  f      -£■ 


cross     the     snow, 


The 


I 


IE 


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year       is 


-H 


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-hi 


go  -  ing,      let       it       go,      Ring    out     the     false,  Ring       in      the      true. 

Ring  in  the  valiant  man  and  free, 
The  larger  heart,  the  kindlier  hand  ; 
Ring  out  the  darkness  of  the  land, 

Ring  in  the  light  that  is  to  be. 


Ring  out  the  grief  that  saps  the  mind, 
For  those  that  here  we  see  no  more, 
Ring  out  the  fear  of  rich  and  poor, 

Riug  out  redress  for  all  mankind. 


THE  LAST  ROSE  OF  SUMMER. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  1740-1,  Pr.  6iL 
Words  by  T.  Moore. 
m  P  Andante. 


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lone ;       All     her    love    -    Iy 


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To     re  -  fleet   back      her      blush  -es,  Or      give      sigh       for     sigh ! 


I'll  not  leave  thee,  thou  lone  one, 

To  pine  on  the  stem ; 
Since  the  lovely  are  sleeping, 

Go,  sleep  thou  with  them: 
Thus  kindly  1  scatter 

Thy  leaves  o'er  the  bed, 
Where  thy  mates  of  the  garden 

Lie  scentless  and  dead. 


So  soon  may  I  follow 

When  friendships  decay, 
And  from  love's  shining  circle 

The  gems  drop  away  ! 
When  true  hearts  lie  wither'd, 

And  fond  ones  are  flown, 
Oh  !  who  would  inhabit 

This  bleak  world  alone  ? 


8 


POPULAR  SONGS  AND  BALLADS. 


FLY  NOT  YET. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  1748,  Pr.  3d.  ' 

Words  by  T.  Moore. 
Lively. 


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'Twas      but      to    bless   these   hours     of  shade    That 


maids     that      love      the      moon ! 


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beau-  ty      and     the    moon  were  made;    'Tis     then    their  soft      at  -  trac  -  tions  glow  -  ing 


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Set     the  tides    and   gob  -  lets  flow  -  ing,    Oh !     stay —    oh  !     stay —    Joy      so    sel  -  don 


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weaves    a    chain  Like  this      to-night,  that,    oh!      'tis  pain    To    break      its      links 


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soon,  . 


Oh! 


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To      break      its     links       so       soon.  . 

Nor  kindle  till  the  night,  returning, 
Brings  their  genial  hour  for  burning 
Oh  !  stay — oh  !  stay — 
When  did  morning  ever  break, 
And  find  such  beaming  eyes  awake, 
As  those  that  sparkle  here  ! 


this        to  -  night,   that      oh !        'tis     pain 

Fly  not  yet,  the  fount  that  play'd 
In  times  of  old  thro'  Ammon's  shade, 
Tho'  icy  cold  by  day  it  ran, 
Yet  still,  like  souls  of  mirth,  began 

To  burn  when  night  was  near. 
And  thus  should  woman's  heart  and  looks 
At  noon  be  cold  as  winter  brooks, 


FAREWELL!  BUT  WHENEVER  YOU  WELCOME  THE  HOUR. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "Musical  Bouquet,"  No.  1797,  Pr.  3d. 

Words  by  T.  Moore. 
P  Moderato. 


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wel  -  com'd   it    too,    And  for    -    got      his  own    griefs    to     be      hap  -  py     with    you. 

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His      griefs      may     re    -    turn, 
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17 


vi  -  sion,  that  threw    Its      en    -  chant-ment    a  -  round  him,  while     ling'  -  ring  with  you ! 


And  still,  on  that  evening,  when  pleasure  fills  up, 
To  the  highest  top-sparkle  each    heart  and  each 

cup, 
Where'er  my  path  lies,  he  it  gloomy  or  bright, 
My  soul,  happy  friends,  shall  bo  with   you  that 

night, 
Shall  join  in  your  revels,  your  sport,   and  your 

wiles, 
And  return  to  me  beaming  all  o'er  with  your  smiles — 
Too  blest,  if  it  tells  me  that,  mid  the  gay  cheer, 
Some  kind  voice  had  murmured,  "I  wish  he  were 

here ! " 


Let  Fate  do  her  worst,  there  are  relics  of  joy, 
Bright  dreams  of  the  past,  which  she  cannot  de- 
stroy, 
Which  come  in  the  night-time  of  sorrow  and  care, 
And  bring  back  the  features  that  joy  used  to  wear. 
Long,  long  be  my  heart  with  such  memories  fill'd, 
Like  the  vase  in  which  roses  have  once  been  dis- 

till'd— 
Tou  may  break,  you  may  ruin  the  vase,  if  you  will 
But  the  scent  of  the  roses  will  hang  round  it  still. 


BEWARE!    BEWARE! 

Published,  fnll  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  Nos.  950-1,  Pr.  6d. 

Words  by  H.  W.  Longfellow.  Music  by  Franz  Kullak. 

Allegretto  Moderato. 


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I  know  a    maid  -  en   fair   to    see,  Take  care!  Take  care  !   She  can  both  false  and  friendly 

A  A  A  A 


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be, 


Be  -  ware  1 


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Be  -  ware !      Trust  her 
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not,      She's  fool- ing    thee!      She's  fool  -  ing 

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thee !  She's  fool  -  ing    thee!     Trust  her     not,  She's  fool  -  ing    thee!  Be  -  ware,    Be  -  ware! 


She  has  two  eyes  so  soft  and  brown, 
Take  care !     Take  care  ! 

She  gives  a  side  glance  and  looks  down, 
Beware !    Beware ! 

Trust  her  not,  she's  fooling  thee, 
Beware !    Beware ! 

And  she  has  hair  of  a  golden  hue, 
Take  care !     Take  care  1 

And  what  she  says  it  is  not  true, 
Beware !     Beware ! 

Trust  her  not,  she's  fooling  thee, 
Beware !     Beware  I 


She  has  a  bosom  as  white  as  snow, 
Take  care !     Take  care ! 

She  knows  how  much  it  is  best  to  show, 
Beware !     Beware ! 

Trust  her  not,  she's  fooling  thee, 
Beware  1    Beware ! 

She  gives  thee  a  garland  woven  fair, 
Take  care  !    Take  care ! 

It  is  a  fool's  cap  for  thee  to  wear, 
Beware !    Beware ! 

Trust  her  not,  she's  fooling  thee, 
Beware !     Beware  1 


10 


POPULAR    SONGS    AND    BALLADS. 

LESBTA  HAS  A  BEAMING  EYE. 


Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1781,  Pr.  8d. 

Words  by  T.  Moore. 
P  Moderato. 

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Les  -  bia    has      a     beam  -  ing    eye,     But      no      one  knows  for    whom     it      beam  -  eth, 

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S 


Right  and    left      its  ar  -  rows      fly,      But      what    they  aim 


no      one  dream  -  eth. 


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Sweet  -  er    'tis       to        gaze     up  -  on      My        No  -  ra's    lid,     that       sel  -  dom      ri 


ses, 


I 


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-\ — bi 


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=t 


-j , ,— , y- 

Few    her  looks,  but 


ev   -  ry     one, 


Like 


ex  -  pect  -  ed       light    sur  -  pri  -  ses. 


^^ 


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Oh !    my    No  -  ra        Crei  -  na    dear ;   My       gen  -  tie,  bash  -  ful,       No  -   ra      Crei  -  na. 


« 


Beau  -  ty    lies 


ma  -  ny    eyes,    But    love      in  yours    my      No  -    ra    Crei  -  na ! 


Lesbia  wears  a  robe  of  gold, 

But  all  so  close  the  nymph  has  laced  it, 
Not  a  charm  of  beauty's  mould 

Presumes  to  stay  where  nature  placed  it. 
Oh  !  my  Nora's  gown  for  me, 

That  floats  as  wild  as  mountain  breezes, 
Leaving  ev'ry  beauty  free 

To  sink  or  swell  as  heaven  pleases ; 
Yes,  my  Nora  Creina  dear, 

My  simple,  graceful  Nora  Creina ; 
Nature's  dress  is  loveliness, 

The  dress  you  wear  my  Nora  Creina. 


Lesbia  has  a  wit  refin'd, 

But  when  its  points  are  gleaming  round  us, 
Who  can  tell  if  they're  design'd 

To  dazzle  merely  or  to  wound  us  ? 
Pillow'd  on  my  Nora's  heart, 

In  safer  slumber  love  reposes  ; 
Bed  of  peace,  whose  roughest  part 

Is  but  the  crumpling  of  the  roses. 
Oh  !  my  Nora  Creina  dear, 

My  mild,  my  artless  Nora  Creina, 
Wit,  tho'  bright,  has  not  the  light 

That  warms  your  eyes,  my  Nora  Creina  1 


GOODNIGHT!   FAREWELL! 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  719,  Pr.3d. 

Music  by  F.  Kucken. 

P  Con  anima.  -■""      ^ 


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Be    -   ful  -  gent,    like      the        stars        a    -  bovc,   Will      be  .  .  .        my 

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love     for      yon ; 


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POPULAR    SONGS    AND    BALLADS. 


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Good  night,      good    night, 


f     r 

fare    -  well,       good  -  night ! 


dieu  ! 


Out  from  thy  heart  was  breathed  a  sigh 
When  last  thou  said  farewell  1 

A  look  of  love  beam'd  from  thine  eye, 
'Twas  more  than  tongue  could  tell. 

No  pledge  of  troth  thou  gav'st  to  me, 
And  yet  thy  faith  is  known  ; 


For  though  I  may  be  far  from  thee, 

I  claim  thee  as  my  own. 
Farewell,  my  only  lore, 
A  thousand  times  adieu. 
Good  night,  good  night,  farewell,  good  night. 


THE  HARP  THAT  ONCE  THROUGH  TARA'S  HALLS. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1747  Pr.  3d. 
Words  by  T.  Moore. 
p  Moderate. 

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The     harp    that  once  thro'    Ta  -  ra's  halls,  The       soul       of    mu  -  sic  shed, 


Now 


I 


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hangs      as    mute    on      Ta  -  ra's    walls,  As 


that      soul    were    fled : 


So 


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for  -  mer  days,     So 
cres.         -. 


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dim. 


thrill      is         o'er: 


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hearts,     that    once   beat   high       for   praise,  Now      feel    that  pulse       no    more ! 


No  more  to  chiefs  and  ladies  bright 

The  harp  of  Tara  swells ; 
The  chord  alone,  that  breaks  at  night, 

Its  tale  of  ruin  tells : 


Thus  Freedom  now  so  seldom  wakes, 

The  only  throb  she  gives 
Is  when  some  heart  indignant  breaks, 

To  show  that  still  she  lives. 


12 


POPULAR    SONGS    AND    BALLADS. 


THE  SOLDIEE'S  ADIEU. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  667,  Pr.  3d, 

Words  and  Music  by  Dibdin. 
P    With  spirit. 


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ly    life,       My    ho-nour  calls    me    from    thee,    Re- 
™P / 


A  -  dieu,      a  -  dieu      my 


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come    thee  ;  What 


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though    by     du    -  ty  I         am  call'd,     Where        thund'ring  can  -  nons       rat  -  tie,      Where 

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va  -  lour's    self     might  stand     ap-pall'd,  Where  va  -  lour's    self  might  stand  ap-pall'd,  When 
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son3      are  flown ;    The    ten  -  der    pray'r 


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an  -  gel  down,  Shall   call      a   guar-dian      an  -  gel  down,  To    watch    me  in     the    bat-tie. 


My  safety  thy  fair  truth  shall  be, 

As  sword  and  buckler  serving ; 
My  life  shall  be  more  dear  to  me, 

Because  of  thy  preserving: 
Let  peril  come,  let  horrors  threat, 

Let  thund'ring  cannons  rattle, 
I'll  fearless  seek  the  conflict's  heat, 
Assur'd  when  on  the  wings  of  love, 
To  heav'n  above  thy  fervent  orisons  are  flown, 
The  tender  pray'r  thou  put'st  up  there, 
Shall  call  a  guardian  angel  down, 

To  watch  me  in  the  battle. 


Enough,  with  that  benignant  smile, 

''Some  kindred  god  inspired  thee, 
Who  saw  thy  bosom,  void  of  guile, 

Who  wonder'd  and  admir'd  thee  : 
I  go  assur'd,  my  life  adieu, 

Tho'  thund'ring  cannons  rattle, 
Tho'  murd'ring  carnage  stalk  in  view, 
When  on  the  wings  of  my  true  love, 
To  heav'n  above  thy  fervent  orisons  are  flown, 
The  tender  pray'r  thou  put'st  up  there. 
Shall  call  a  guardian  angel  dowu, 

To  watch  me  in  the  battle. 


WHEN  THOU  WERT  NIGH. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Mcsical  Bouquet,"  No.  1954,  Pr.3d. 
Words  by  Eliza  Cook.  Music  by  J.  R.  Thomas. 

Andante  espressivo. 


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When    thou    wert   nigh,         I         did      not    heed     What      voi 
ad  lib.  a  tempo,  i  fc 


ces      blam'd —    what 


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POPULAR    SONGS    AND    BALLADS. 


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al  -wavs  scrune  a     flow'r     as        well.        Th( 


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The  shades  of      life    might    come  and  go, 

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thought  not  how—  I    cared  not    when—    The      dark  -  est  cloud  the     world  could  show  Was 


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ne'er    with  -  out      its 


rain  -  how    then,  Was    ne'er  with  -  out      its       rain  -  bow  then. 


But,  now  thou'rt  gone,  the  morning  ray. 
Seems  dim  and  dull  as  evening's  close, 

I  see  the  cypress  on  my  way, 

But  cannot  find  the  rich  red  rose. 


The  cloud  now  comes  with  gloom  alone, 
The  weed  now  springs  with  baneful  pow'r ; 

With  secret  tears  my  heart  must  own, 
Thou  wert  the  rainbow  and  the  flow'r. 


GO  WHEKE  GLORY  WAITS  THEE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1742,  Pr.  3d. 

Words  by  T.  Moore. 
P  Slow  and  tenderly. 


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Go    where  glo  -  ry  waits  thee  ;  But,  while  fame  e  -  lates  thee,  Oh  !      still      re  -  mem-ber 


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When      the  praise  thou    meet  -  est,       To      thine    ear       is    sweet  -  est, 


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then 


mem  -  ber       me. 


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Dear  -  er  friends   ca  -  ress   thee,    All     the  joys  that  bless  thee,  Sweet  -er    far     may  be  ; 


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But  when  friends  are  nearest,  And  when  joys  are    dear-est,  Oh!  then  re-mem-ber    me. 


When,  at  eve,  thou  rovest, 
By  the  star  thou  lovest, 

Oh !  then  remember  me. 
Think,  when  home  returning, 
Bright  we've  seen  it  burning, 

Oh  !  thus  remember  me. 
Oft  as  summer  closes, 
When  thine  eye  reposes, 
On  its  ling'ring  roses, 

Once  so  lov'd  by  thee, 
Think  of  her  who  wove  them, 
Her  who  made  thee  love  them- 

Oh !  then  remember  me. 


When  around  thee,  dying, 
Autumn  leaves  are  lying, 

Oh  !  then  remember  me. 
And,  at  night,  when  gazing 
On  the  gay  hearth  blazing, 

Oh !  still  remember  me. 
Then,  should  music,  stealing 
All  the  soul  of  feeling, 
To  thy  heart  appealing, 

Draw  one  tear  from  thee ; 
Then  let  mem'ry  bring  thee, 
Strains  I  used  to  sing  thee, 

Oh !  then  remember  me. 


14 


POPULAR  SONGS  AND  BALLADS. 


THE  YOUNG  MAY  MOON. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  1793,  Pr.  3d. 
Words  by  T.  Moore. 
P  Lively. 


te 


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The  young  May  moon  is      beam  -  ing,  love,  The  glow-worm's  lamp  is    gleam-ing,  love,  How 
ad  lib.  . 

r,  rs     ffs  ©  a  tempo. 


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sweet      to      rove,     Thro' 


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While    the       drow  -    sy        world     is 


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dream  -  ing,    love  ! 


Then      a    -  wake !     the    heav'ns  look    bright,       my      dear !         'Tis 

lentandu. 


ne  -  ver     too     late      for    de    -  light,      my    dear,     And  the      best      of     all    ways      To 


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length  -  en      our    days,        Is     to       steal      a      few    hours    from  the     night,      my    dear. 


Now  all  the  world  is  sleeping,  love, 

But  the  sage,  his  star.watch  keeping,  love, 

And  I,  whose  star, 

More  glorious  far, 
Is  the  eye  from  that  casement  peeping,  love! 


Then  awake,  till  rise  of  sun,  my  dear ! 
The  sage's  glass  we'll  shun,  my  dear, 

Or  in  watching  the  flight 

Of  bodies  of  light, 
He  might  happen  to  take  thee  for  one,  my  dear. 


MY  HEART'S  ON  THE   RHINE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "Musical  Bouquet,"  No.  Ill,  Pr.  3d. 

Music  by  Speyek. 
P  Vivace. 


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My  heart's  on    the  Rhine,   the      land      I    love  best,      My  heart's   on    the  Rhine,  dear   to 


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child-hood's  young  breast, 


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childhood's  young  breast ;  The    hours    of     my   boy-hood  were    blithe-some  and    gay.       My 

ft        fc.  ,  W         h  h.         »    I       N  k         •      i!m  ft 


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heart      e  -  ver  light  -  ed    by     joy's    gold  -  en    ray,     My      youth  seem'd  a     vi  -  sion     or 


POPULAR    SONGS    AND    BALLADS. 


15 


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My      heart's     on       the  Rhine,      My 


heart,    yes,      my  heart's      on      the     Rhine. 


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own       na  -  tive    land.        My  heart's    on    the  Rhine,    My 


own        na  -  tive        land. 


The  bright  orb  of  day  changing  mist  into  morn, 
Brought  freshly  the  flowers  my  cot  to  adorn  ; 
Whilst  the  glittering  waters  of  streamlet  and  rill, 
Reflected  his  rays  on  the  old  watermill. 
Fond  scene  of  my  boyhood,  how  sadly  I  pine, 

To  behold  thee  again ! 
My  heart,  my  heart,  oh!  my  heart's  on  the  Rhine, 


My  heart's  on  the  Rhine,  the  true  land  of  mirth, 
My  heart's  on  the  Rhine,  the  scene  of  my  birth  ; 
Those  scenes  when  reflected  so  clear  to  my  mind, 
Bring  nought  but  regret  that  I  left  them  behind: 
For  there  with  loved  faces  I  wander'd  and  play'd, 
And  'long  thy  lov'd  waters  I  cheerfully  stray'd, 
And  for  ever  thy  banks  and  thy  waters  are  mine, 
My  heart,  my  heart,  yes !  my  heart's  on  the  Rhine 


THE  MEETING  OF  THE  WATERS. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Booquet,"  No.  1753,  Pr.  3d. 
Words  by  T.  Moore. 


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There     is      not      in     the      wide    world       a 


val    -    ley        so       sweet        As   that 


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fade  from  my  heart !  Ere  tho    bloom     of      that      val  -  ley       shall    fade    from     my    heart. 


Yet  it  was  not  that  Nature  had  shed  o'er  the  scene  'Twas  that  friends,  the  beloved  of  my  bosom,  were  near, 

Her  purest  of  crystal  and  brightest  of  green  ;  Who  made  every  scene  of  enchantment  more  dear, 

'Twas  not  the  soft  magic  of  streamlet  or  hill :  And  who  felt  how  the  best  charms  of  nature  improve 

Oh,  no!  it  was  something  more  exquisite  still.  When  we  see  them  reflected  from  looks  that  we  love. 

Sweet  vale  of  Avoca !  how  calm  could  I  rest 

In  thy  bosom  of  shade,  with  the  friends  I  love  best, 

Where  the  storms  which  we  feel  in  this  cold  world  should  cease, 

And   our  hearts,   like  thy  waters,  be   mingled   in  peace  1 


16 


POPULAR  SONGS  AND  BALLADS. 

THE  GREEN  TREES  WHISPERED  LOW  AND  MILD. 


Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  964-5,  Pr.  6d. 

Words  by  H.  W.  Longfellow.  Music  by  C.  Rexnhardt. 

Andantino.    f>  _ 


fir  r> 


i — nr 


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joy,        They       were    my    play  -  mates     when      a      child,  And    rock'd     me      in      their 


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arms    so      wild,        Still    they  look'd   at         me      and  smil'd,   As         if  I      were       a 

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boy,        As  if  I      were      a         boy. 


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arms      so     wild,       Still    tbey  look'd    at         me        and  smil'd,    As        if        I    were 


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POPULAR    SONGS    AND    BALLADS. 


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I      were 


boy, 


As 


boy. 


ALL'S  FOR  THE  BEST. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  In  the  "  Musical  Bouquet,"  No.  1620,  Pr.  3d. 

Words  by  M.  F.  Tupper. 
P  Allegretto.         -> 


Music  by  J.  K.  Thomas. 


I 


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All's    for    the    best!    be      san-guine  and  cheerful; 


Trou  -  ble   and      sor    -  row   are 


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friends      in      dis  -  guise ; 
cres. 


No  -  thing     but         fol     -    ly     goes  faith  -  less  and     fear  -  ful ; 
dim.  mf 


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Cou  -  rage  for       e   -  ver  1    is       hap  -  py     and  wise. 


All's      for    the    best ! 


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I 


man  would   but  know    it, 
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Pro   -  vi-dencewish  -  es     that      all     may    be      blest; 


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Fact     is     not    Fan  -  cy —  and    all's    for    the    best !        Fact      is       not     fan  -  cy —     and 

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All's       for       the     best ! 


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All's    for    the    best !        Hope    and     be     hap  -  py,  Then     all's        for      the       best ! 


All's  for  the  best! — set  this  on  your  standard, 

Soldier  of  sadness  or  pilgrim  of  love, 
Who  to  the  shores  of  despair  may  have  wander'd, 

A  way-wearied  swallow  or  heart-stricken  dove. 
All's  for  the  best!— be  a  man,  but  confiding, 

Providence  tenderly  governs  the  rest, 
And  the  frail  bark  of  his  creature  is  guiding, 

Wisely  and  warily — all's  for  the  best ! 

All's  for  the  best,  &c.     (Repeat  Chorus.) 


All's  for  the  best ! — dispel  idle  terrors, 

Meet  all  your  fears  and  your  foes  in  the  van  ; 
And,  in  the  midst  of  your  dangers  and  errors, 

Trust  like  a  child  and  strive  like  a  man. 
All's  for  the  best ! — unfailing,  unbounded, 

Providence  wishes  that  all  may  be  blest, 
And  both  by  wisdom  and  mercy  surrounded, 

Hope  and  be  happy,  then— all's  for  the  beet! 
All's  for  the  best,  &c.     (Repeat  Chorus.) 
D 


18 


POPULAR  SONGS  AND  BALLADS. 


'TIS  SAD  TO  PART. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  No.  2111,  Pr.  3d. 

Words  by  C.  Sheard.  Music  by  W.  H.  Montgomery. 

P  Andante  con  affetto. 


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'Tis     sad      to      part        from  those    we       love,  We     ne'er        may    meet        a- 


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gain,        When    kin  -  dred      spi    -     rits    friend-ship    prove,  They      se   -  ver     but    with 


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pain ;     And       oh !      the     part    -  ing       word     and    tear,      The      sigh,  the     last     fare- 

ad  lib.  : 


*=S= 


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Sit 


& 


well,         Give 
a  tempo. 


to    the   soul 


tone    of     fear,     Par  more  than  lips,  than  lips   can 
.  fit. 


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tell.      'Tis      sad      to        part, 
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'Tis     sad      to      part,   'Tis   sad    to     part    from  those  we 


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gain,  When    kin  -  dred       spi    -   rits  friendship  prove,   They      se  -  ver   but    with    pain. 


And  when  from  those  we  have  to  part 
Who've  loos'd  a  friendship's  tie, 

'Tis  then  that  sorrow  wounds  the  heart 
And  makes  the  bosom  sigh  ; 

Kind  words  and  acts  will  ever  prove 
The  means  to  bury  hate  ; 


Then  let  us  all  forgive  and  love, 

Ere  it  may  be  too  late. 
'Tis  sad  to  part  from  those  we  love, 

We  ne'er  may  meet  again; 
When  kindred  spirits  friendship  prove, 

They  sever  but  with  pain. 


EVANGELINE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1600,  Pr.3d. 

Words  and  Music  by  J.  R.  Thomas. 
f)  Mcderato  con  espress. 


I 


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She     is      lost      to     us    for      e    -  ver,    And   we     look      for    her    in      vain,—  She    is 


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gone,     and      we     shall       ne  -  ver        See    that        an    -    gel      face      a    -  gain ; 


las !        that      one      so        love   -    ly      Should      per    -    ish      like    the    flowr's. 


Yet 


POPULAR  SONGS  AND  BALLADS. 


m 


dolce. 


19 


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now       she  blooms  ua 
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fa  -    ding,      In 


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A  -  las !      that    one      so        love   -  ly,     Should    per    -   ish     like    the    flow'rs,      Yet 
dolce. 


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now      she  blooms  un    -    fa    -  ding 

She  was  lovelier  than  the  glowing 
Of  the  morning's  rosy  beam; 

And  a  light  seemed  round  her  flowing, 
Like  the  radiance  of  a  dream. 


In        a      bright   -    er     land      than     ours. 

She  faded  from  our  vision, 

Like  a  calm,  sweet  summer  day; 

But  the  image  of  her  beauty 
Shall  never  pass  away. 

Alas !  that  one,  &c.     (Repeat  Chorus.) 


THE  OLD,  OLD  STORY. 

Published,  full  Music  size,  with  words  and  Ff.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  1444-5,  Pr.  6d. 

Words  by  Eliza  Cook.  Music  by  W.  H.  Montgomery. 

P  Moderato. 


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Sum-mer     moon  -  beams    soft    -    y       play  -  ing,        Light   the    woods    of      Cas  -  tie 


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Keep ! 


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creep.  She      is      list'  -    ning  meek  -  ly,    pure  -  ly,      To    the    woo    -    er      at      her 

fit. 


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side ,      "Tis      the     "  old,     old     sto  -  ry,"        sure  -  ly,       Run  -  ning     on     like    time    and 
a  tempo. 


22 


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rare,      Mai-den    fair,       oh !  have   a      care ;    Vows  are    ma  -  ny —  truth         is     rare. 


He  is  courtly,  she  is  simple, 

Lordly  doublet  speaks  his  lot; 
She  is  wearing  hood  and  wimple — 

His  the  castle,  hers  the  cot. 
Sweeter  far  she  deems  his  whisper 

Than  the  night-bird's  dulcet  trill : 
She  is  smiling,  he  beguiling — 

'Tis  the  "  old,  old  story,"  still. 
Maiden  fair,  oh !  have  a  care — 
Vows  are  many,  truth  is  rare. 


The  autumn  sun  is  quickly  going 

Behind  the  woods  of  Castle  Keep, 
The  air  is  chill,  the  night  wind  blowing, 

And  there  I  see  a  maiden  weep. 
Her  cheeks  are  white,  her  brow  is  aching, 

The  "  old,  old  story,"  sad  and  brief, 
Of  heart  betray'd  and  left  nigh  breaking, 

In  mute  despair  and  lonely  grief. 
Maidens  fair,  oh  have  a  care — 

Vows  are  many,  truth  is  rare. 


20 


POPULAR    SONGS    AND    BALLADS. 


DKINK  TO  HER  WHO  LONG. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "Musical  Bouquet,"  No.  1767,  Pr.  3d. 

Words  by  T.  Moore. 
P  Playful. 


I 


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Drink    to    her,  who  long  Hath  wak'd  the   po  -  et's  sigh — The  girl    who  gave    to   Song  What 


■^     j^     M^     m    . 


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Gold  could  ne-ver  buy  !    Oh!   woman's  heart  was  made  For     minstrel-hands  a  -  lone  ;        By 


^hH^-^-^^LjUL+JU 


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o  -  ther  fin-gers  play'd,  It       yields     not  half  the  tone.  Then  here's    to    her,  who  long  Hath 


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wak'd   the  po  -  et's  sigh — The    girl,    who  gave  to    Song  What    Gold    could  ne  -  ver  buy  ! 


At  Beauty's  door  of  glass, 

When  Wealth  and  Wit  once  stood, 
They  ask'd  her,  "  Which  might  pass  ?  " 

She  answer'd,  "  He  who  could." 
With  golden  key  Wealth  thought 

To  pass — but  'twould  not  do ; 
While  Wit  a  diamond  brought, 

Which  cut  his  bright  way  thro'. 
Then  here's  to  her  who  long 

Hath  wak'd  the  poet's  sigh — 
The  girl  who  gave  to  song 

What  gold  could  never  buy. 


The  love  that  seeks  a  home 

Where  wealth  or  grandeur  shines, 
Is  like  the  gloomy  gnome 

That  dwells  in  dark  gold  mines: 
But  oh  !  the  poet's  love 

Can  boast  a  brighter  sphere, 
Its  native  home's  above, 

Tho'  woman  keeps  it  here. 
Then  drink  to  her  who  long 

Hath  wak'd  the  poet's  sigh — 
The  girl  who  gave  to  song 

What  gold  could  never  buy  ! 


THE  CAPTAIN  WITH  HIS  WHISKERS. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  No.  1992,  Pr.  3d. 

Arranged  by  T.  Comer. 
p  Allegretto. 


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As      they   march'd  thro'    the      town     with    their     ban    -   ners 


gay. 


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to      the       win   -  dow      to        hear    the    band    play ;        i        peep'd    thro'    the 


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blinds     ve   -  ry         cau  -  tious  -  ly      then,    Lest    the    neigh  -  hours  should    say      I    was 
P^  lento. 


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Oh !     I      heard  the  drums     beat      and  the     mu  -  sic 


look-in;:    at    tha      men. 


POPULAR    BONGS    AND    BALLADS. 


21 


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sweet,       But       my 
a  tempo. 


treat ; 


eyes 


at        the       time      caught      a  much      great   -    er 


The        troop 


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■•c* — * — * — ' — *~ 

sly     glance     at         me. 


see,      And    the       Cap  -  tain    with    his    whis-kers  took   a 


When  we  met  at  the  ball,  I  of  course  thought  'twas 

right 
To  pretend  that  we  never  had  met  before  that  night ; 
But  he  knew  me  at  once  I  perceived  by  his  glance, 
So  I  hung  down  my  head  when  he  ask'd  me  to  dance. 
Oh !  he  sat  by  my  side  at  the  end  of  the  set, 
And  the  sweet  words  he  spoke  I  shall  never  forget ; 
For  my  heart  was  enlisted  and  could  not  get  free, 
As  the  Captain  with  his  whiskers  took  a  sly  glance 

at  me. 

But  he  marched  from  the  town,  and  I  saw  him  no 

more, 
Yet  I  think  of  him  oft,  and  the  whiskers  he  wore  ; 
I  dream  all  the  night,  and  I  talk  all  the  day, 
Of  the  love  of  a  Captain  who  went  far  away. 


I  remember,  with  superabundant  delight,         [night: 
When  we  met  in  the  street  and  we  danc'd  all  the 
And  keep  in  my  mind,  how  my  heart  jumped  with 
glee,  [at  me, 

As  the  Captain  with  his  whiskers  took  a  sly  glance 

But  there's  hope,  for  a  friend  just  ten  minutes  ago 
Said  the  Captain's  return'd  from  the  war,  and  I  know 
He'll  be  searching  for  me  with  considerable  zest ; 
And  when  I  am  i'ound — but  ah !  you  know  all  the 

rest. 
Perhaps  he  is  here — let  me  look  round  the  house — 
Keep  still,  ev'ry  one  of  you — still  as  a  mouse — 
For  if  the  dear  creature  is  here  he  will  be 
With  his  whiskers  a-taking  sly  glances  at  me. 


THE  MINSTREL  BOY. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  1794,  Pr.  3d, 

Words  by  T.  Moore. 

p  Moderato.  , . 


H 


F^P 


± 


± 


The     Min  -  strel     Boy      to     the     war       is       gone,     In      the     ranks       of        death        you'll 


1 


& 


re 


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-h 


find 


him ;    His         fa    -  ther's    sword        he       has 


1 


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gird 

4= 


ed 


on.        And      his 

-z. a •- 


& 


± 


wild       harp 


I 


slung         be   -  hind 
tenderly. 


him. 


'  Land       of 


song ! 


said      the 


3*: 


± 


X 


± 


war  -  rior     bard, 


$ 


1  Though      all 
cres. 


the      world 


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be     -     trays  .  .  . 


thee,       One 


^ 


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sword,      at     least,      thy       rights   shall  guard,  One      faith  -   ful       harp    shall     praise    thee." 


The  minstrel  fell,  but  the  foeman's  chain 
Could  not  bring  that  proud  soul  under, 

The  harp  he  lov'd  ne'er  spoke  again, 
For  he  tore  its  chords  asunder  ; 


And  said,  "No  chains  shall  sully  thee, 
Thou  soul  of  love  and  bravery  ! 

Thy  songs  were  made  for  the  pure  and  free, 
They  shall  never  sound  in  slavery  ! " 


22 


POPULAR  SONGS  AND  BALLADS. 


BELIEVE  ME  IF  ALL  THOSE  ENDEARING  YOUNG  CHARMS. 

Published,  full  Music  size,  withWords  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  No.  1765,  Pr.  3d. 

Words  by  T.  Moore, 
j,     f)  Moderate. 

%A f»-— . : 


I 


5^ 


£ 


£ 


P-T- 


5 


Be     -    lieve 


if        all    those    en   -  dear   -  ing    young  charms,  Which      I 


i 


m 


3r=^ 


T 


S 


m 


^E 


3 


gaze      on     so      fond  -  ly      to 


day,        Were    to     change    by    to  -  mor  -  row,    and 


3E 


^E 


r   *■ 


3=Eg 


=S= 


fleet      in      my  arms,  Like       fai    -  ry     gifts,     fad    -   ing 


way,        Thou  would'st 


a_>    J"    r 


zr 


still        be 


dor'd 


this 


mo   -  ment      thon      art, 


Let       thy 


^^-^?-^^■.Y.^^^ 


^ 


&fi 


lore  -   li  -  ness  fade     as      it  will ;        And    a    -  round    the    dear      ru    -   in      each 


£=£ 


? 


* 


wish 


of       my    heart    Would    en    -  twine    it    -    self    ver   -  dant  -  ly 


still. 


It  is  not  while  beauty  and  youth  are  thine  own,  Oh !  the  heart  that  has  truly  lov'd  never  forgets, 

And  thy  cheeks  unprofaned  by  a  tear,  But  as  truly  loves  on  to  the  close, 

That  the  fervour  and  faith  of  a  soul  can  be  known,  As  the  sun -flow'r  turns  on  her  god  when  he  sets 

To  which  time  will  but  make  thee  more  dear.  The  same  look  which  she  turn'd  when  he  rose. 


PRETTY  NELLY. 

Published  by  permission  of  Messrs.  Metzlek  &  Co.,  the  Proprietors  of  the  Copyright. 
Words  by  J.  Brougham,  Esq.  Music  by  J.  E.  Thomas. 

p  Moderate.  . 


PE 


s 


3E 


Pret  -  ty      Nel  -  ly, 


IS  i  j  j 


5 


win  -  some  Nel  -  ly,        Pret  -  ty     Nel  -  ly's       bright   and    gay, 


Ev'  -  ry    light     of       joy        a  -  round    her      Beam  -  ing    like       a        sum  -  mer      day; 


§i    ^     £  g 


I 


We    are     poor,  both      I       and    Nel  -  ly,        Nei  -  ther    laud    nor       gold    have     we, 

r\  /C\  t\ 


3t=fc 


-#-7- 


r 


tefc 


e 


But     she   says,  "I        am     her    trea-sure," — And    6he's   all      the         world      to    me. 


POPULAR    SONGS    AND    BALLADS. 


Chorus.  n>p 


ilii 


^^ 


3=3= 


Pret-ty      Nel  -  ly, 


I 


win  -some  Nel  -  ly,        Pret  -  ty      Nel  -  ly's      bright     and      gay, 

Vks      P  nt. 


^m 


£=F 


¥^, 


*$-%£-*■ 


Ev'  -  ry   light      of 


joy 


a  •  round  her,    Beam  -  ing    like      a        sum  -  mer    day. 


Pretty  Nelly,  guileless  Nelly, 

Pretty  Nelly's  ever  mild, 
Lovely  as  a  poet's  dreaming, 

Simple  as  a  very  child: 
Let  the  wealthy  boast  their  splendour, 

Still  a  greater  gift  have  we, 
For  she  says,  "  I  am  her  treasure," 

And  she's  all  the  world  to  me. 

Pretty  Nelly,  <fcc.     (Repeat  Chorus.) 


Pretty  Nelly,  faithful  Nelly, 

Pretty  Nelly's  true  as  gold, 
With  a  heart  as  pure  as  ever 

Beat  within  a  mortal  mould  ; 
Are  we  poor,  then,  I  and  Nelly  ? 

No  I  but  rich  as  rich  can  be, 
For  I  know  I  am  her  treasure, 

And  she's  all  the  world  to  me. 

Pretty  Nelly,  &c.     (Repeat  Chorus.) 


WE'LL  BE  TRUE  TO  EACH  OTHER. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1955,  Pr.  3d. 

Words  by  Eliza  Cook.  Music  by  J.  R.  Thomas. 

P  Moderate). 


£ 


m 


-A- 


=*t 


EH 


V 


We'll    be      true        to    each 


ther,     tho'       Fate      has     now     part  -  ed 


Two 


$ 


rfc 


-Q-^-JL 


4- 


^=STC 


s-b-F 


spi  -  rits  that  yearn  with  de 


vo  -  tion  and  love  ;  We  w'"  show    the  wide  world  that  we 

P 


*-^— *=£ 


both 


1 


SE± 


are   strong-heart  -  ed,         That    the     wings 
^       dolce.  

>    r>    r-;    >■    k 


of      the      ea    -  gle 


fc      I     1 


Mn 


^=0i 


=tf 


nur  -  ture  the  dove.     Per  -  haps      it 


I 


well    that  our    faith     and     af  -  fee  -  tion  Are 
ores 


:*=*: 


S 


jfcjfej: 


-M— W- 


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tried      in    our  youth  by      a 


m 


lin  -  ger  -  ing  test ;  But,     if     both     of    us    love    by    the 

>         P 


m 


soul's      free        se    -    lee   -  tion,     We'll      be 
cres. 


true 


to 


each 
rit. 


o     -  ther. 


and 


f=rr 


e: 


-4-r 


hope      for    the    rest,    We'll  be     true      to    each    o  -  ther    and      hope     for    the  rest. 

Let  us  chafe  not  unwisely  by  rudely  defying  We  are  parted,  but  tru3t  me  it  is  not  for  ever, 

The  doubts  and  denials  that  echo  in  vain  ;  Our  vows,  breathed  in  earnest,  will  surely  be  blest; 

Like  the  ship  in  the  stream  on  her  anchor  relying,     So  we'll  work  and  we'll  wait  with  Love's  fervent 
We'll  live  on  our  truth  till  the  tide  turns  again.  endeavour, 

Be  true  to  each  other,  and  hope  for  the  rest. 


24 


POP0LAB    SONGS    AND    BALLADS. 


THE  FOND  HEARTS  AT  HOME. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  No.  1892,  Pv.  3d. 

Music  by  J.  E.  Thomas. 
P  Andante  con  espressione. 


i 


K     fr     N     Is 


W4r^ 


S- 


When  I       left      the  dear  home  of   my      fa    -  thers,  And    saw    its   blue  hills  melt  a- 


* 


4 


m 


I 


dt 


way,  Young  Hope      chas'd  the      tears     from    mine        eye    -    lids, 

vif 


Like    the 


fc 


5 


2=± 


at 


I 


night  -  dew      in    morn  -  ing's  bright    ray, 
jrrb- — a — : 1 rr — i c ta N- 


"  Stay,    stay,"  said    the    lov'd   ones,     at 


;ee 


5 


y 


3J«: 


part 


ins 


1  Oli !      tempt     not        the        wild 


cean    foam, 


It 


I 


* 


S    i»    n 


^s=c 


3*=*: 


W 


l=t 


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may    be  thou  leav'st  us    for        e  -  ver,     Oh  1     stay  with    the  fond  hearts  at    home,  It 

.  cres.  ... 


EE 


2=£±*5 


m 


—p — * — / — p — + — p- 

may    be  thou  leav'st  us    for        e  -  ver,     Oh  !        stay  with  the  fond  hearts  at        home." 


But  dreams  of  the  future  allured  me, 

Such  dreams  as  young  hearts  only  know, 
When  the  skies  are  all  sunshine  and  glory, 

And  this  earth  seems  a  heaven  below ; 
And  swiftly  my  bark  bore  me  onward, 

As  gaily  she  dashed  through  the  foam, 
Par  from  the  arms  of  my  kindred — 

The  true  hearts,  the  fond  hearts  at  home. 


Like  the  beautiful  tints  of  the  evening. 

My  fancy's  bright  dream  soon  was  o'er, 
I  returned  to  the  home  of  my  fathers, 

To  the  arms  of  my  kindred  once  more; 
"  Stay,  stay,"  said  the  lov'd  ones  at  meeting, 

"  Oh !  say  thou  wilt  never  more  roam  ;" 
"If  there's  bliss," I  replied,  "in  this  wide  world, 

'Ti6  found  with  the  fond  hearts  at  home." 


GATHER  YE  ROSEBUDS  WHILE  YE  MAY. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  1956,  Pr.  3d. 
Words  by  Hekeick.  Music  by  W.  Knowles. 

P  Moderato. 


'  •     ' 


3*= 


=P= 


=0i 


a 


ru 


=t 


± 


*: 


Ga  -  ther    ye  rose-buds  while  ye     may,    Old  Time      is      e   -  ver        fly    -    ing;    And 

* ■    .         ■    -    r    . ^_4-^-v 


* 


T- 


1 


that   same  flow'r   which  blooms   to  -day,    To  -  mor-row    may     be        dy    -    ing; 

3    "I         I        -        *    ■     ° r 


± 


* 


m 


=i*= 


i 


The 


2 


glo  -  rious  lamp     of     heav'n,    the    sun,      The    high  -  er       he       is        get    -   ting, 


The 


I 


£=± 


POPULAR    SONGS    AND    BALLADS. 
„  dim.  e  rail. 


25 


m 


:*c 


it 


± 


i- 


+ 


soon  -  er      will      his       race     be      run,      And      near  -  er      he's      to         set    -  ting.    Then 
a  tempo.  ->. 


l& 


m 


X 


*-=r 


ga  -  ther    ye   rose  -  buds  while    ye     may,     Old    Time 


I 


is       e    -  ver         fly  -  ing,       And 
rail.  -^ 


T- 


X 


IE 


*=^f 


f    Ifr     ' 


7) 


that    same  flow'r  which  blooms  to  -  day,        To    -  mor  -  row    may      be        dy 


ing. 


When,  in  the  days  of  youth  and  love, 
The  heart  with  joy  is  glowing, 

Remember  age  will  soon  remove 
The  pleasures  now  o'er-flowing. 

Then,  be  not  coy,  go  use  your  time, 
And,  while  ye  may,  go  marry, 


For  having  lost,  but  once,  your  prime, 

Ye  may  for  ever  tarry. 
Then  gather  ye  rosebuds  while  ye  may, 

Old  Time  is  ever  flying, 
And  the  same  flower  which  blooms  to-day 

To-morrow  may  be  dying. 


WOMAN'S  RESOLUTION; 

OR,  THE  SOBER  SECOND  THOUGHT. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  1881,  Pr.  3d, 

Music  by  L .  Heath. 
f)  Allegretto. 


£ 


h    E    fr    fr 


£ 


« 


m 


9 


I'll      tell     you      of 


fel  -  low,     of       a       fel  -  low      I    have    seen,     Who      is 


I 


¥ 


2EE5 


» 


nei  -  ther  white    nor        yel  -  low,    but 


I 


al    -   to    -  ge  -  ther    green ;     And      his 

-. U+- 


*=r* 


I 


not      charm-ing,       it 


on    -  ly       com  -  mon  "  Bill,"      And      he 
a  tempo. 


¥ 


2t=fc 


wish  -  es 


to 


wed      him, 


but 


hard    -  ly 


think 


will. 


Oh,  he  whisper'd  of  devotion,  of  devotion  pure  and  He  was  here  last  night  to  see  me,  but  he  made  so 

deep,  long  a  stay, 

And  it  seemed  so  very  silly,  that  I  almost  fell  asleep ;  I  began  to  think  the  blockhead  never  meant  to  go 
And  he  thinks  it  would  be  pleasant,  as  we  journey  away ; 

down  the  hill,  At  first  I  learnt  to  hate  him,  and  I  know  I  hate  him 

To  go  hand-in-hand  together — but  I  hardly  think  I  still, 

will.  Yet  he  urges  me  to  wed  him — but  I  hardly  think  I 

will. 

He  has  told  me  of  a  cottage,  of  a  cottage  'mong  the  I  am  sure  I  would  not  choose  him,  but  that  I  am 

trees ;  fairly  in  it : 

And  don't  you  think  the  fellow  tumbled  down  upon  For  he  says  if  I  refuse  him,  he  could  not  live  a 

his  knees,  minute  ; 

While  the  tears  the  creature  wasted  were  enough  to  Now  you  know  that  the  commandment  plainly  says 

turn  a  mill,  we  must  not  kill, 

And  he  begged  me  to  accept  him — but  I  hardly  So  I've  thought  the  matter  over — and  I  rather  think 

think  I  will.  I  will. 


26 


POPULAR    SONGS    AND    BALLADS. 

THE  FALSE  HEARTED. 


Published,  fall  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1898,  Pr.Sd. 

Music  by  J.  R.  Thomas. 

P  Moderato.  >. 


± 


+ 


I 


Oh,      would    that      we       had 
cres. 


1- 


ver     met,      Oh,     would      that       we       had 


a 


qS  h 


££ 


« 


-s#= 


I 


ne  -  ver  lov'd !  Then     I       bad    ne  -  ver    known    re  -  gret,    Nor    she    un  -     -  faith  -  ful 
con  energin.         cres >>> 


^^ 


T  r  fr   r 


IE 


:d=± 


P 


^2= 


3*=^ 


-V— f P 

.  .  and  ne'er  a  -  gain    .  .  Shall  love  en-thrall  . 


proved  ;  But  now  'tis      past 
f^ ^ 


me   with    its 


32: 


§ 


± 


± 


1 


chain,      'Tis      past, 


and      I      have      lov'd  in    vain —  False  -  heart  -  ed    one,    fare 

dim.  ad  lib.         ^ 


fe  '  i 


=s 


^ 


±=± 


-*—b 


^T 


well !     'Tis     past, 


and    I   have  lov'd  in    vain — False  heart    -   ed  one,  fare  -  well  1 


So  false  and  yet  so  fair  to  see, 

Her  dream-like  beauty  haunts  me  yet, 
And,  tho'  she  now  be  dead  to  me, 

I  cannot  all  forget. 


But  now  'tis  past,  and  ne'er  again 

Shall  love  enthrall  me  with  its  chain  ; 

'Tis  past,  and  I  have  lov'd  in  vain — 
False-hearted  one,  farewell ! 


THE  GAY  DECEIVER. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  1979-80,  Pr.  6d. 
Words  by  Eliza  Cook.  Music  by  W.  H.  Montgomery. 

P  Allegro  moderato.  ,  , 


M 


n 


s 


lea 


Gal  -  lant  and  tall,  and     a         sol  -  dier  with  -  al,       Sir        Har  -  ry    goes  court  -  ing    the 


w 


Elt 


-3 — 4- 


1 

He      has       bur  -  nish'd    his    curls,         and      bis     white    hand  twirls  Through  the 


fair, 


I 


=5f 


-S\-J- 


=t 


tres  -  ses    with       ten   -  der      care. 


He      is        whis    -    per  -  ing     low,        But    don't 


-*-*- 


3*=^ 


5 


-I— 
let       your  hearts    go,        Maid  -  ens,     just    watch,  and     you'll     see, 


That      Sir 


=£ 


5= 


m 


« f 


Har  -  ry    can  smile,  and  mean      no  -  thing    the  while,  For    a  gay       de  -  cei  -  ver      is 


POPULAR    SONGS    AND    BALLADS. 


27 


m 


he. 


f.     E     !— £ 


^ 


Scout     him      and      flout      him     with       pride      and  scorn,     For    he'll 

-N h, * 1 — . —       — ik —  — c S- 


5 


± 


3E 


sue    you,  and   woo  you,    and  leave   you     for  -  lorn.     Scout    him    and    flout    him    with 


I 


=?= 


y 


S^ 


5 


?   j   j 


p  p  r 

pride      and  scorn,  For    he'U    sue    you,     and    woo    you,     and  leave    you     for  -  lorn. 


He  holds  up  his  head,  and  tells  of  the  dead, 

And  the  wounded  his  beauty  has  left ; 
Lightly  he'll  boast  of  the  love-smitten  host 

By  his  charms  of  their  peace  bereft. 
Oh  !  heave  not  a  sigh  at  the  blink  of  his  eye, 

Though  melting  its  beam  may  be ; 
He  seeks  to  entrance  your  souls  with  a  glance, 

But  a  gay  deceiver  is  he. 
Scout  him  and  flout  him — he  worships  a  stone, 

For  the  image  he  doats  on  is  only  his  own. 


This  gallant  and  gay  Sir  Harry,  they  say, 

Has  reckon'd  his  worth  in  gold, 
Sir  Harry  is  not  to  be  given  away, 

He  is  only  a  thing  to  be  sold. 
Maidens,  don't  fret,  though  his  whiskers  of  jet 

Right  daintily  trimm'd  may  be  ; 
Oh  I  give  him  no  part  of  a  woman's  warm  heart, 

For  a  gay  deceiver  is  he. 
Scout  him  and  flout  him  with  pride  and  scorn, 

And  leave  him  and  his  beauty  to  live  forlorn. 


DEEP  GAZE  TO  GAZE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  2022,  Pr.  3d 

Music  by  Carl  Wilhelm 
Jt 


ASl 


m 


m 


4'    * 


Deep  gaze      to 


gaze,      warm   lip 
mf 


to    lip,  .  .  .    Let 


heart    to   heart  . 


be 


1 


^■F? 


warm      lip  to        lip, 


Let      heart    to    heart 


be 


^S 


V- 


But      what      this      love 


can      be,     my       child,      Thou 
Pf  cres. 


not      keep         re    -    peat      -     ing, 


Thou 
dim. 


keep 


re    -    -  peat 


ing. 


Who  truly  loves,  he  has  no  time 
This  love  in  words  to  measure, 

Who  once  has  lov'd  if  that  is  fled, 
Ne'er  finds  in  love  a  pleasure. 

But  what  are  words  ?  the  blissful  glance, 
The  firm  hand's  silent  pressure, 


The  glowing  kiss — they  tell  the  tale 
In  words  that  have  no  measure. 

But  really  love,  oh !  truly  love, 

Sigh,  weep,  long  love  complaineth  ! 

But  shout  aloud,  through  all  that  lives, 
'Tis  love  eternal  reigneth. 


J>8  POPULAR   SONGS   AND   BALLADS. 

BE  QUIET  DO,  I'LL  CALL  MY  MOTHER. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  196S,  Pr.  3d. 
P  Moderato  scherzando.  Music  by  J.  R.  Thomas. 


1 


h    r»    h 


K      K      N 


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As    Kate  was    sit-ting    in      a  wood,  Be  -  Death   an    oak  tree's  leaf  -  y        co  -  ver, 


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press'd  her   hand,    he   kiss'd  her  cheek,  Then  warm  -er    glow-  iug,  kiss'd  the      o  -  ther,  While 


« 


she      ex-claim'd  and  strove    to     shriek;    Be      qui  -  et      do,      I'll    call    my    mo-ther!    Be 

In  a  subdued  tone. 


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hi     h    j  — hi  h 


qui  -    et         do,      I'll    call     my     mo-ther!        Be        qui  -  et, 

With  a  shrill  voice. 


be       qui   -  et, 


I'll 


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call,  I'll  call    my  mo-ther!    Be  quiet  do,      Be    qui  -  et,      I'll  call,    I'll  call  my  mo-ther! 
mf  Chokus. 

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Be        qut  -  et,        be       qui  -  et,         I'll        call,      I'll      call,      my      mo  -  ther !  Be 


3 


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qui 


et, 


be       qui 


I'll        call,        I'll        call 


my 


mo    -  ther! 


He  saw  her  anger  was  sincere, 

And  lovingly  begun  to  chide  her ; 
Then  wiping  from  her  cheek  the  tear, 

He  sat  him  on  the  grass  beside  her ; 
He  feigned  such  pretty,  am'rous  woe, 

Breathed  such  sweet  vows  one  after  t'other, 
She  could  but  smile  and  whisper — low, 

Be  quiet  do,  I'll  call  my  mother  ! 

Be  quiet,  &c.     (Repeat  Chorus.) 


He.  talk'd  so  long,  and  talk'd  so  well, 

And  vow  d  he  meant  not  to  deceive  her, 
Kate  felt  more  grief  than  she  could  tell, 

When,  with  a  sigh,  he  rose  to  leave  her. 
"  Ohl  John,"  said  she,  "and  must  you  go  ? 

I  love  you  better  than  all  other  ; 
There  is  no  use  to  hurry  so, 

I  never  meant  to  call  my  mother ! 

Be  quiet,  &c.     (Repeat  Chorus.) 


GOOD  BYE. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1508,  Pr.  3d. 

Music  by  J.  R.  Thomas. 


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Fare  -  well,  fare-well,     is       of  -  ten  heard,  From  the    lips       of    those  who    part,    'Tis 

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whis-per'd  tone,     a      gen  -  tie  word,     But    it    comes      not    from      the      heart,      It    may 


POPULAR    SONGS    AND    BALLADS. 


29 


I 


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But 


=■  '  ' — " — i — ■ — *~-\ — V — ¥ — i 

serve    for     the     lov  -  er's      elos  -  ing   lay   To     be    sung  'neath  a    sum  -  mer 
a  tempo.  ad  lib. 


sky. 


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give      to        me 
my  Chorus. 


the     lips    that    say,       The         ho  -  nest  words,  "  Good      bye  1 " 


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good  bye,  good  bye,  good  bye,  good  bye,  bye,  good  bye, 


Good    bye, 


good    bye, 


The  mother  sending  forth  her  child 

To  meet  with  cares  and  strife, 
Breathes  through  her  tears,  her  doubts,  her  fears, 

For  the  lov'd  one's  future  life. 
No  cold  "Adieu,"  no  "Farewell"  lives 

Within  her  choking  sigh, 
But  the  deepest  sob  of  anguish  gives, 

"  God  bless  thee,  boy,  Good-bye." 

Good-bye,  &c.     (Repeat  Chorus.) 


Go  watch  the  pale  and  dying  one, 

When  the  glance  has  lost  its  beam, 
When  the  brow  is  cold  as  the  marble  stone, 

And  the  world's  a  passing  dream  j 
And  the  latest  pressure  of  the  hand, 

The  look  of  the  closing  eye, 
Yield  what  the  heart  must  understand — 

A  long  and  last  "  Good-bye." 

Good-bye,  &c.     (Repeat  Chorus.) 


WE  MEET  AGAIN. 

COMPANION     TO     "GOOD     BYE.'* 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bodquet,''  No.  1509,  Pr.  3d. 

Music  by  J.  E.  Thomas. 
P  Andante  affettuoso. 
»  i  H  J    — M'  r*\-  ,rr771T7T   .     55     f\ 


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When    friend  from  friend  is    doom'd  to  stray,  And  glist'-ning      is       each       eye ; 


When 


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lips  with  trembling    ac-cents  say  The  last  fond  word,  "Good  bye,"    One  thought  still  cheers  the 

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a  tempo. 


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dim.   p 


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we      de  -  part,     In    joy      we    meet      a  - 
mf  Chorus. 


gain,     we     meet,    we      meet 


gain. 


a 


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We  meet      a  -  gain,     we    meet     a  -  gain,      we    meet      a   -  gain,      we    meet      a  -  gain. 


The  wand'rer  far  from  those  he  loves, 

And  all  his  heart  holds  dear, 
Oft  ling'ring,  as  he  onward  roves, 

To  check  the  rising  tear  : 
When  thoughts  of  home  and  by-gone  days 

Come  crowding  o'er  his  brain, 
How  sweet  the  voice  within  that  says, 

"Hope  on,  we  meet  again." 

We  meet  again,  &c.    (Repeat  Cfmrns.) 


And  when  we  near  the  bed  of  death, 

Shall  watch  life's  less'ning  ray, 
While,  as  we  gaze,  the  feeble  breath 

Is  fleeting  fast  away  ; — 
In  that  dark  hour  of  bitter  woe, 

When  tears  are  all  in  vain, 
Calm  o'er  the  soul  these  words  shall  flow, 

"In  Heav'n  we  meet  again." 

We  meet  again,  &c.     (Repra.t  Chorus.) 


so 


POPDLAE  SONGS  AND  BALLADS. 


I  KNOW  A  PRETTY  WIDOW. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  2036,  Pr.  3d 

Music  by  F.  Buckley. 
P  Allegretto  moderato. 


£ 


^ 


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She    is      mo-dest,    but    not    bash-ful,  free    and      ea  -  sy,    but    not    bold,       Like     an 


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ap  -  pie    ripe     and     mel  -  low,     not     too    young    and    not 


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There     is 


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mis  -  chief     in      her     dim  -  pie,  There    is        dan   -  ger 


her      eye, 


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stu  -  died      hu  -  man       na  -  ture,   She      is    school'd    in       all      her      arts, 
cres.       ,'  rit  e  dim.  -. 


She       has 
P  a  tempo. 


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ken      her       di  -  plo  -  ma 


the     "  mis  -  tress     of       all    hearts,' 


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tell     the      ve    -  ry        mo  -  ment  when    to        8igh     and    when    to     smile ; 


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maid       is     some-times  charm-ing,     but 


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all 


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the     while, 


O! 


maid 


some  -  times    charm  -  ing,      but 


wi    -   dow 


all 


the      while. 


Are  you  sad?  how  very  serious  will  her  handsome  Ye  old  bachelors  of  forty,  who  have  grown  «o  bald 

face  become;  and  wise, 

Are  you  angry?  she  is  wretched,  lonely,  friendless,  Fast  young  Englishmen  of  twenty,  with  the  love-locks 

tearful,  dumb;  in  your  eyes, 

Are  you  mirthful?  how  her  laughter, silver-sounding, You  may  practise  all  the  lessons  tanght  by  Cupid 

will  ring  out ;  since  the  fall. 

She  can  lure,  and  catch  and  play  you  as  the  angler  But  I  know  a  little  widow  who  would  win  and  fool 

does  the  trout.  you  all. 

TOM  BOWLING. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  518,  Pr.  3d. 

Words  and  Music  by  DrBDm. 


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Here 


sheer  -  hulk,   lies     poor      Tom     Bow  -  ling,  The       dar  -  ling      of         our 


POPULAR  SONGS  AND  BALLADS. 


31 


1 


IE 


S 


^ 


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*  '  g       iT 


No      more    he'll  hear    the    tern  -  pest   howl-ing,  for  Death    has  broach'd  him 


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His      form      was 


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heart       was        kind       and 


soft, 


Faith  -  ful     be-low     he      did     his     du  -  ty,  And 


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s 


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now    he's    gone      a    -   loft And        now        he's        gone 


loft. 


Tom  never  from  his  word  departed, 

His  virtues  were  so  rare, 
His  friends  were  many  and  true-hearted, 

His  Poll  was  kind  and  fair : 
And  then  he'd  sing  so  blythe  and  jolly, 

Ah,  many's  the  time  and  oft ; 
But  mirth  is  turned  to  melancholy, 

For  Tom  is  gone  aloft. 


Yet  shall  poor  Tom  find  pleasant  weather, 

When  He  who  all  commands, 
Shall  give,  to  call  lite's  crew  together, 

The  word  to  pipe  all  hands. 
Thus  Death,  who  Kings  and  Tars  despatches, 

In  vain  Tom's  life  has  doff 'd, 
For  though  his  body's  under  hatches, 

His  soul  has  gone  aloft. 


HEARTS  OF  OAK. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Mcsical  Booq.het,"  No.  2026,  Pr.3d. 
mf  Boldly.  .  Music  by  Dr.  Boyce. 


I 


± 


ffc 


H^ 


3 


-\ — \t- 

Come,     cheer         up 
-. I*— I 


my 


lads! 


to 


glo 


ry 


we      steer, 


To 


i 


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^=* 


J 


fci 


add    something  more  to    this    won  -  der  -  ful  year ;      To      ho  -  nour  we    call      you — Not 


± 


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press   you  like  slaves — For    who    are    so   free     as    the    sous    of    the  waves  ?  Hearts  of 


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Oak    are    our  ships  1  Hearts  of    Oak     are     our  men  ! 


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We       al     -     ways    are   rea  -  dy ; 

Repeat  from  fi  for  Chorus. 


W=* 


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Stea  -  dy  boys,  stea  -  dy  ;    We'll     fight    and  we'll  con  -  quer    a  -  gain     and    a  -  gain. 


We  ne'er  see  our  foes  but  we  wish  them  to  stay, 
They  never  see  us  but  they  wish  us  away ; 
If  they  run,  why  we  follow  and  run  them  ashore, 
For  if  they  won't  fight  us  we  cannot  do  more ! 

Hearts  of  Oak,  &c.     (Repeat  Chorus.") 

They  vow  they'll  invade  us,  if  all  lose  their  lives, 
But  that  scarcely  frightens  our  children  and  wives; 


But  should  their  screw  steamers  in  darkness  get  o'er, 
Free  Britons  they'll  find  to  receive  them  on  shore ! 
Hearts  of  Oak,  &c.     (Repeat  Chorus.) 

Our  Rifles  are  ready  our  rights  to  maintain — 
Like  their  sires  be  victorious  again  and  again  ; 
Then  cheer  up,  my  lads,  let  them  come  if  they  mean, 
And  we'll  all  fight  like  Britons  for  country  and  Queen ! 
Hearts  of  Oak,  &c.     (Repeat  Chorus.) 


82 


POPULAR    SONGS    ANT    BALLADS. 

BE  WHAT  YOU  SEEM  TO  BE. 


Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  Nos.  1500-1,  Pr.  6d. 

Words  by  B.  S.  Montgomery.  Music  by  W.  H.  Montgomery. 

it  Moderate. 


1 


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^=^ 


Be  what  you  seem      to    be,     Scorn    ev'  -  ry  wile,  No      ho  -  nest  heart       is    e'er 


ftt 


m 


Sha  -  dow'd  with  guile  ; 


Be    what    you    seem      to     be,     Scorn     ev'  -  ry      wile, 


S& 


^=S: 


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e 


• — • — s — * — <■ — *- 

No    ho  •  nest  heart  is    e'er      Sha-dow'd  with  guile.        Still      as    you're  sail    -  ing    o'er 


fci£ 


£ 


5: 


Life's       trou    -    bled       stream, 


Let        Truth 


be 


your 


com    -    pass       And 


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be    what    you    seem  1     Still      as    you're   sail  -  ing    o'er    Life's  trou  -  bled  stream,     Let 


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Truth      be      your    com  -  pass  And        be      what    you    seem!        Be    what      you   seem, 


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Be    what    you  seem,      Let    Truth     be  your    com  -  pats  And        be     what   you    seem ! 

Be  what  you  seem  to  be,  staunch  friend  or  foe,  "  Honour  and  Truth  ever  win  men's  esteem  " — 

Steadily,  manfully,  onward  still  go ;  Let  this  be  your  motto,  and  be  what  you  seem. 


IN  THE  SPRING  TIME. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  1627,  Pr.  3d 
Words  by  Horace  Martin.  Music  by  Flotow. 

■p  Dolce  con  espress.  . 


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In      the      Spring  -  time   first      I    sought    thee,  And    thy    friend  -  ly        roof       did 


I 


BE 


T 


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share,       'Twas      my 


fa    -   ther   brought    me      To        thy      fond       and 


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tie      care :        Home  -  less      wan  -  d'rers,      sad,      for    -    sa   -  ken,      All        our 


POPULAR    SONGS    AND    BALLADS. 


33 


Thoughts    of    grate  -  ful       me     -  mo  -  ry,    Thoughts  of        grate  -  ful    me     -  mo  -  ry. 


Joy  has  come,  and  sorrow's  dying, 
For  thy  smiles  have  cheered  the  past, 

Ever  on  thy  faith  relying, 
Thou  wilt  love  me  to  the  last ; 


I  was  left  thee — to  thee  gireu, 
And  have  had  a  mother's  care, 

Thy  reward  will  be  in  heaven 

When  the  angels  greet  thee  there. 


THE  PORTER  SONG. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  No.  1628,  Pr.  3d. 
Words  by  Horace  Martin.  Music  by  Flotow. 

p  Jovially. 


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tell 


will     ask      you,  and      come    quick 


With 


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emp  -  ty  horn      to        fill,     Does  no     one 


'?    Ah    welll  . 


It      shall    be 


I 


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por  -  ter,  best      of       beer        Sent      for       Bri  -  tons  hearts  to      cheer,    To       ev' 


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Eng  -  lish     home     so     dear ;  Through  fags    and    mists,  ,  by      land    and        sea,         Yes,     hur- 


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rah, 


the 


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and 


stout       for      me.        Hur    -  rah        for        malt,     the 


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hops  and   the  beer,  Hur  -  rah ! 
f  Chorus. 


tra     la        la     tra     la      la     tra  la 


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la       Hurrah ! 


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Hur-rah  I     Hur  -  rah!    The   por  -  ter —    beer,      The         por  -  ter—   beer,  Hur -rah!  Hur- 


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1     1     I 


^r-^r- 


rah! 


the.     por    -  ter —    beer, 


the 


por 


ter —       beer,      Hur    -  rah ! 


And  who  among  all  this  jovial  throng 
Will  praise  the  beer  in  joyous  song  ? 

You're  all  agreed?  Ah,  well! 
Let  all  who  will  deride  and  jeer, 
What  more  hearty  than  porter-beer? 


So  bright,  and  clear,  and  fragrant,  too — 
My  comrades  all,  I  drink  to  you ! 
Hurrah,  the  porter,  it  drives  away  fear, 
Hurrah,  the  malt,  the  hops,  and  the  beer, 
Hurrah,  tra  la  la  tra  la  la  tra  la  la. 


34:  POPULAR  SONGS  AND  BALLADS. 

THE  WIDOW'S  DREAM. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  2093,  Pr.  3d. 
Words  by  T.  Loker,  Esq.  Music  by  W.  H.  Montgomery 


i 


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P  Andante. 


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My      day's      toil      was      o'er,        and      as 


pen 


and      wear    -  ry, 


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the    fu  • 


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ture 


b— h— ^- 


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darksome  and  drea-ry,  Com-par'd  with    the  days  that  are      gone  long    a  -  go,  When    I 


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wan-der'd  at    will     a  -  mid      green  sha  -  dy      bowr's,     Or    sought  in    the  wild  woods  the 


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sweet  breathing  flow'rs,  And   a      fore-taste   of  heav'n,      I    thought  those  bright  hours,  When 


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gain  stood    be  -  fore  me    As   when     he      first  wooed   me,      a         gall  -  lant     Hus-sar. 


"Oh,  Ellen  !"  he  cried,  "give  no  heed  to  their  story, 

Who  say  I  am  fallen  and  sleep  with  the  slain ; 
Behold  me  return'd,  crown'd  with  laurels  and  glory, 

In  safety  to  home  and  my  Ellen  again  : 
Again  through  the  wild  wood  and  green  shady  bow'rs, 

We'll  seek  with  our  darling  the  sweet-breathing 
flow'rs, 
And  a  foretaste  of  heav'n  again  shall  be  ours, 

As  when  you  first  call'd  me  your  gallant  Hussar." 


Oh !  my  heart  leapt  with  rapture  again  to  behold  him, 

I  thought  on  his  breast  was  a  bright  shining  star, 
Which  seem'd,  as  I  eagerly  strove  to  enfold  him, 

To  vanish,  disclosing  the  life-letting  scar. 
I  awoke  from  my  dream, 'twas  the  dawning  of  morning, 

So  cheerless  and  cold  with  the  sad  truth  returning, 
And  knew  that  I  still  was  a  widow  left  mourning, 

For  ever  bereft  of  my  gallant  Hussar. 


POPULAR  SONGS  AND  BALLADS. 

MARTHA,  MARTHA,  THOU  WILT  LEAVE  ME. 


35 


Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bocquet,"  No.  1585,  Pr.3d 

Words  by  Horace  Martin.  Music  by  Flotow. 

P  Allegro  moderato. 


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live      but         to  re  -  pine !        Yes !        I  live       but  to  .  .  .        re  -  pine ! 


36  POPULAR  SONGS  AND  BALLADS. 

THE  MOONLIT  SEA. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  BonQUET,"  No.  1507,  Pr.  3d. 

p  Allegretto  moderato. 


Music  by  J.  R.  Thom-as. 


^^ 


SB 


V     g 


Oh      come    love    with      me,     O'er  the     bright  moon  -  lit      sea,    No      Ion  -  ger      de- 


m 


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lay      love,   I'm      wait  -  ing        for       thee ;      The      winds     are        all     hush'd,    not      a 


5 


cloud's  in      the       sky,      And    the      moon      in      her    beau  -  ty 


beam  -  ing      on 


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-> — f~ 


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high,        I'll       sing      thee       soft      lays      while        I 


by        thy       side ;  As 


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-b  r   fr 


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o'er      the    still     wa  -  ters    we 


lent  -  ly      glide Then  come   love  with 


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o'er    the     bright  moon  -  lit        sea,        No 
,_,  Chorus,  mf 


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wait 


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for       thee. 


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come      love        with 


O'er      the 


bright  moon  -  lit       sea,        No     Ion  -  ger    de    -   lay    love,    I'm      wait  -  ing    for      thee. 

Come  away,  love,  away,  oh,  why  dost  thou  stay  ?       My  bosom  is  burning  with  eager  delight, 
'Tis  love's  witching  hour,  love,  oh  haste  thee,  I  pray,To  gaze  on  thy  beauty,  thou  queen  of  the  night. 
Above  and  below  all  is  calm  and  serene,  Then  come,  love,  with  me  o'er  the  bright  moonlit  sea, 

It  wants  but  thy  presence  to  perfect  the  scene.  No  longer  delay,  love,  I'm  waiting  for  thee. 

Then,  come,  &c.     (Repeat  Chorus.') 


WILL  YOU  COME  TO  MY  MOUNTAIN  HOME? 

Published,  full  Music  size,  with  Words  andPf.  Accomps.,  in  the  "Musical  Bouquet,"  Nos.  1089-90,  Pr.  Od. 
Words  by  Alfred  Wheeler,  Esq.  Music  by  F.  H.  Brows. 


I 


M 


Spiritoso. 


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^ 


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3 


Will  you  come    to    my  moun  -  tain    home,  love  ?  Will  you     come    to     the    hills      with 


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me, 


In    the      wild  woods  we    will      roam,    love,  With  our     spi  -  rits     light    and 


POPULAR   SONGS   AND   BALLADS. 


37 


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ru    -    by      lip       shall    the       nee    -  tar      sip      From    the 


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come    love,  come     to  .  day,  .  .      And  list !    'tis     the  sound  of  their    woo-ing  voice,  To  the 


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Hil  -  li       ho  !  . 


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Oh  !  sweet  is  the  mountain  air,  love, 
Where  our  bridal  couch  shall  be, 

And  the  bloom  on  thy  cheek  so  fair,  love, 
Shall  ne'er  fade  in  the  wild  wood  free : 

Our  dreams  shall  all  be  of  fairy-laud, 
For  we'll  rest  by  a  silv'ry  lake, 


And  fays  shall  be  waiting  for  thy  command, 
When  each  rosy  morn  shall  break. 

And  thus  we'll  dwell  in  the  tiladsome  dell, 
Where  our  love  shall  unchanging  be, 

And  at  morning  bright,  or  by  pale  moonlight, 
I'll  ever  be  near  to  thee. 

Hark  !  'tis  the  woods,  &c. 


3S  POPULAR  SONGS  AND  BALLADS. 

NATURE'S  NOBLEMAN. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "Musical  Bouquet,"  No.  2106,  Pr.  3d. 

Words  by  M.  F.  Tupper,  Esq.  Music  by  G.  J.  Webb. 

•p  Allegretto  con  energia. 


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A  -  way  with  false  fashion,     so    calm  and    so    chill,  Where  pleasure    it  -  self  can  -  not 


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please ;  . 


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A    -  way      with     cold    breed  -  ing,   that      faith  -  less -ly      still 
ritard.  a  tempo. 


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deep   -  est      in     feel  -   ing 


high  -  est     in    rank,    The    free-est      is     first     of     the 


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band,  . 


And    Na  -  ture's  own      No  -  ble  -  man,  friend  -  ly      and     frank,       Is 
^  a  tempo. 


EE 


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man  with   his   heart     in     his     hand,      Is      a     man   with   his   heart  in     his        hand. 


Fearless  in  honesty,  gentle  yet  just, 

He  warmly  can  love  and  can  hate, 
Nor  will  he  bow  down  with  his  face  in  the  dust, 

To  fashion's  intolerant  state. 
For  best  in  good  breeding,  and  highest  in  rank, 

Though  lowly  or  poor  in  the  land, 
Is  nature's  own  nobleman,  friendly  and  frank, 

The  man  with  his  heart  in  his  hand. 


His  fashion  is  passion,  sincere  and  intense, 

His  impulses  simple  and  true, 
Yet  temper'd  by  judgment,  and  taught  by  good  sense, 

And  cordial  with  me  and  with  you. 
For  the  finest  in  manners,  as  highest  in  rank, 

It  is  you,  man,  or  you,  man,  who  stand, 
Nature's  own  nobleman,  friendly  and  frank — 

A  man  with  his  heart  in  his  hand ! 


THE  RED  CROSS  OF  ENGLAND,  THE  FLAG  OF  THE  BRAVE. 

Published,  full  Music  size,  with  Words  andPf.  Accomps.,  in  the  "Musical  Bouquet,"  Nos.  1930-31,  Pr.  6d. 
Words  by  Eliza  Cook.  Music  by  W.  H.  Montgomery. 

mf  Boldly. 


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man      and     the     steed    that    won     no  -    bly      our    Wa  -  ter  -     loo    wreath ;  We  have 


POPULAR   SONGS   AND    BALLADS. 


39 


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Repeat  from  :<g  for  Chorus. 


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Flag      of   the  Brave,  'Neath  the  Red    Cross  of  Eng-land —  the       Flag        of      the  Brave. 


We  have  jackets  of  blue,  still  as  dauntless  and  true, 

As  the  tars  that  our  Nelson  led  on  ■, 
Give  them  room  on  the  main,  and  they'll  show  us 
again, 
How  the  Nile  and  Trafalgar  were  won. 
Let  a  ball  show  its  teeth,  let  a  blade  leave  its  sheath, 

To  defy  the  proud  strength  of  our  might, 
We  have  Iron-mouth'd  guns,  we  have  steel-hearted 
sons, 
That  will  prove  how  the  Britons  can  fight, 
Our  ships  and  our  sailors  are  kings  of  the  wave, 
'.Neath  the  Red  Cross  of  England  the  flag  of  the 
Brave,  The  flag,  &c.     {Repeat  Chorus.') 


Though  a  tear  might  arise  in  our  women's  bright  eyes, 

And  a  sob  choke  the  fearful  "  Good-bye," 
Yet  those  women  would  send  lover,  brother,  or  friend, 

To  the  war- field  to  conquer  or  die, 
Let  the  challenge  be  flung  from  the  braggart's  bold 
tongue, 
And  that  challenge  will  fiercely  be  met ; 
And  our  banner  unfurl'd  shall  proclaim  to  the  world, 

That  "  there's  life  in  the  old  dog  yet." 
Hurrah  !  for  our  men  on  the  land  or  the  wave, 
'Neath  the  Red  Cross  of  England— the  Flag  of  the 
Brave. 

The  Flag,  &c.     {Repeat  Chorus.) 


KISS,  BUT  NEVER  TELL. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps,  in  the  "  Musical  Bouquet,"  No.  2168,  Pr.  3d. 

Words  by  S.  Steele,  Esq.  Music  by  Buckley. 

p  Allegretto. 


»E 


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— *- 

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When  love    grows  warm  there  is        a    charm,  and     oft       a        sa  -  -cred  bliss, 
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kiss  but    never      tell.        Oh    kiss  but    never       tell, 


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oh      never!      Breathing  breaks  the 
Repeat  from  Jj§  for  Chorus. 


ZJ 


spell,  True    lo  -  -  vers    pledge  to      keep 

At  night  when  eyes  like  stars  beam  bright, 

And  kindred  souls  commune, 
And  heart  to  heart,  love's  vows  impart, 

Beneath  the  smiling  moon  ; 
At  such  an  hour  of  magic  pow'r, 

What  hallow'd  raptures  dwell, 


for        e  -  -  ver,  Kiss     but    ne  -  ver  tell. 

In  each  true  breast  by  honour  blest, 

To  kiss  and  never  tell. 
Then  kiss  but  never  tell  oh  never1 

Breathing  breaks  the  spell, 
True  lovers  pledge  to  keep  for  ever, 

Kiss  but  never  tell. 


40  POPULAR  SONGS  AND  BALLADS. 

I'M  THINKING  OF  THE  TIME,  MART. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  1502-3,  Pr.  6d. 


I 


Words  by  R.  S.  Montgomery. 
Andante. 


Music  by  W.  H.  Montgomery. 


3^ 


3 


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I'm      think  -  ing      of      the  time,   Ma  -  ry,   When       I        wa9    young    and    gay,    When 


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think  -  ing    of      the  time,    Ma  -  ry, 


I'm     think  -  ing      of        the    time,  Ma    -    ry,     I'm 
_  ad  lib. 


think  -  ing       of        the     time,       Ma     -     ry,       When 


was     young      and       gny. 


When  I  was  young  and  gay,  Mary, 

I  gave  my  vows  to  you ; 
For  weary  years  we've  sever'd  been, 

Yet  still  this  heart  is  true. 
I  cast  my  all  of  earthly  bliss 

Upon  a  hopeless  die, 


Yet  proudly  boast  that  none  but  thee 
E'er  won  my  heart's  fond  sigh. 

For  oh,  the  heart  that  worshipp'd  thee, 
Could  never  downwards  stray ! 

The  angel  of  my  life  thou  wert, 
When  I  was  young  and  gay. 

For  oh,  &c. 


POPOLAK  SONGS  AND  BALLADS. 


41 


SHE'S  BLACK,  BUT  THAT'S  NO  MATTER. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "  Musical  Bouquet,"  No.  2169,  Pr.3d. 

Music  by  Henry  Howard  Paul. 
■p  Allegretto  moderate 


I 


« 


T     h    J 


£S 


tJ 


My      Di  -  nab,    dear     me,      she's    as    beau  -  ti   -  ful      quite,      As     a       star  that  shines 


i 


p 


calm  -  ly        at      close      of        the      night, 


voice    like 


Sy 


ren,     a 


m 


m 


foot     like 


Fay —      She's    just     such 


I 


you  don't    meet 
calando. 


ry 


5 


± 


££ 


3 


1 


day,         She's     just       such         a         gal       you 

(Spoken.)    But  she's  black,  she's  so  very  black. 
P  Allegretto. 


don't     meet 


ev   -  ry 


day. 


£=* 


clef 


3e 


» 


^3 


x  '  e 


I      know  she     is,     but    what      of     that,  You'd    love   could  you  look      at     her,    I'd 


£e£ 


r    r  •  g 


& 


have    her    just     the      way    she      is — she's  black,     but  that's    no        mat-ter; 

-> fN 1 


fe 


know   she       is,      but      what      of     that,  You'd    love,  could   you    look        at      her,         I'd 


t=£ 


5e 


r—f- 


m 


have    her     just    the       way    she 


:fc 


She's    black, 

«_ 


but     that's    no        mat  -  ter,    She's 


m 


r— 

ma  -  ter,      She's       black,      but    that's      no        mat  -  ter. 


I 


black,     but      that's 
mf  Chorus. 


mm 


*=* 


£ 


8 


I'd    have    her    just      the    way    she       is —  She's  black,     but  that's   no      mat  -  ter,    She's 


I 


±=ft 


IE 


black,    but      that's      no         mat  -  ter,      She's    black,       but    that's      no         mat  -  ter. 


She  lives  on  the  bank  of  a  bright  flowing  stream, 
In  a  cabin  that  might  have  been  built  in  a  dream, 
Surrounded  by  roses  and  woodbines  and  leaves, 
That  twine  and  climb  lovingly  up  to  the  eaves, 

(Spoken.)    But  she's  black,  she's  so  very  black, 

I  know  she  is,  &c.     (Repeat  Chorus.) 


If  ever  I  marry  this  dark  colour'd  maid, 
You'll  believe  in  the  truth  of  what  I  have  said  ; 
I  love  her  because  her  complexion  will  keep, 
And  they  say  that  all  beauty  is  only  skin  deep. 

(Spoken.)     But  she's  black,  she's  so  very  black. 

I  know  she  is,  &c.     (Repeat  Chorus.) 

G 


42 


POPULAR  SONGS  AND  BALLADS 


THERE  WOULD  I  BE. 

Published,  full  Music  size,  with  Words  andPf.  Accomps.,  in  the  "  Musical  Bouquet,"  Nos.  215C-7,  Pr.  Cd. 

Words  by  Eliza  Cook,  Music  by  W.  H.  Montgomery 

f)  Andante  cctntabile. 


»5 


j£i^ 


9 


Where   the    blue     bil  -  lows     and  bright  peb  -  bles  meet,  Where   the  sand   glit-ters      and 


iE 


IE 


j-£- 


=t 


-f * = 1 * — *- 

Where  the    white   foam  would  come  kiss  -  ing  my  feet,   And  the 


wild    wa  -  ters    flow ; 


g^j 


5 


± 


± 


breath    of    the    night  -  ze-phyr   fall       on    my  brow.      Where    my  rapt     spi  -  rit      might 


I 


^ 


$== 


±±Z 


~. 


wan  -  der        a  -  lone,        Blest     in      its  dreams  'mid     the      fresh     and      the    free ; 


Where 


^m 


1 


o 


sea      gulls  ca  -  reer 


and       the       storm  de  -  mous    moan,         By 

ritard.  ^  ^  *       a  tempo. 


tne 


m 


^ 


&E 


m 


* 


*= 


shell  -  stud  -  ded   o  -  cean —  there,  there    would    I      be there 


would 


I 


ZT 


zaz 


be, 


there        would 


be, 


Where     sea 


gulls 


and       the 


-£=r- 


1 


± 


IE 


storm  de  -  mons  moan,     By      the      shell  -  stud-ded     o  -  cean  there,      there    would    I      be. 

Where  the  dark  forest-lords  tangle  their  boughs,        Among  the  blue  hills  or  beside  the  deep  flood, 
And  close  shadow'd  dew-drops  are  sparkling  at      Where  the  weed  robes  the  rock  and  the  moss  folds 
noon  ;  the  tree ; 

Where  gipsy  bands  linger  to  sleep  and  carouse  With  the  surge  of  the  wave  and  the  song  of  the  wood, 

In  the   covert  that  shuts  out  the  wind  and  the  With  freedom  and  nature  there,  there  would  I  be, 
moon; 


HURRAH  FOR  OUR  RIFLEMEN. 

Published,  full  Music  size,  with  words  and  Pf.  Accomps., in  the  "Musical  Bouquet,"  Nos.  21G3-4,  Pr.  Gd 

Words  by  Eliza  Cook.  Music  by  J.  L  Hatton. 

mf   With  spirit. 


1 


£ 


£ 


m 


w 


^^ 


*c 


£ 


=ft£ 


E±± 


Hur  -   rah 


for 


m 


fle  -   men,    men        of        the       land !         Who     have 


i 


J=M-^ 


± 


sprung  with      a    brave  •  heart  -  ed      yearn  -  ing  ;  Not       wil  -  ling      nor      ea  -  ger 


POPDLAR  SONGS  AND  BALLADS. 


43 


I 


=P=*c 


^^ 


5E^ 


± 


£ 


kin  -  die  War's  brand,  But    to    guard  what    that  brand  might    set    burn  -  ing.  They  have 


i=4± 


Ml  J   **T 


m 


*t 


limbs    for      a  march,  they  hare  fronts   for      a  blow — Show  them  lau-rels   and    see   how  they'll 


f 


3=£ 


$==£ 


-m ft- 


^ 


1- 


win  them;  They  have  hands  for       a       trig-  ger      and      eyes    for       a       foe,    They  have 


n 


*=» 


# 


hands  for      a    trig  -  ger  and    eyes  for       a     foe,    That  will     prove  the    true  Bri  -  ton     is 


I 


Eg 


^=P= 


IS 


them,      That      will      prove    the       true      Bri  -  ton 


I 


nm  r-e-*- 


^££ 


them.  Then 


fc— N- 


3c=3= 


3»F 


S: 


^ 


here's  to      the  Gray,  and  the     Green,  and  the  Blue,   Ne  -  ver    heed    in  what    co  -  lour  you 


ife* 


£3E 


s 


find    them  ;  But    be      sure  they'll   be    dyed    a      blood  -  red,  through  and  through,  Ere  the 


m 


^ 


m 


chain  of      a    des  -  pot  shall    bind  them.  Ere    the  chain  of      a    des  -  pot  shall   bind  them. 
Chorus. 


^ 


£=* 


-Sp= 


3*= 


£ 


Then    here's    to        the      Gray,     and       the    Green,      and       the      Blue, 


Ne 


i 


-ta d m — 


^H^-^ 


w=y- 


3 


heed     in     what      co  -  lour    you 


find    them ;      But   be      sure  they'll  be  dyed    a    blood- 


£=* 


m 


~d£ 


zz 


m) 


I 


red,     through      and    through, 
S  ff 


Ere        the        chain      of 


des     -   pot      shall 


w 


£ 


5 


i — 

des    -    pot      shall      bind 


bind      them,       Ere        the      chain 


of 


them. 


Let  them  come  from  the  loom,  from  the  plough,  and  Let  them  dwell  in  sweet  peace  till  a  moment  may 
the  forge,  come 

Let  their  bugles  ring  louder  and  louder ;  When  the  shot  of  an  enemy  rattle ; 

Let  the  dark  city  street  and  the  deep  forest  gorge      And  the  spirits  that  cling  the  most  fondly  to  home, 
Prove  that  labour  makes  valour  the  prouder.  Will  be  first  to  rush  forth  in  the  battle". 

Then  here's  to  the  Gray,  &c.    (Repeat  Chorus.) 


44 


POPULAR  SONGS  AND  BALLADS. 


BREAK,  BREAK. 

Published,  full  Music  size,  with  Words  and  Pf.  Accomps.,  in  the  "Musical,  Bouquet,"  No.  1993,  Pr.  3d. 

Words  by  Testnyson..  Music  by  F.  Boott. 

ft  Amlantinn. 


I 


£S 


h     h     h     f 


BE 


± 


-p  .    p- 


5E 


nr^ir 


± 


fcp: 


^ 


tt 


Break,    break,      break  ....         at       the     foot      of      thy   crags,      O        sea !  .  .  . 


^ 


■t—t     t    ^J    1 


£5 


9 


± 


Break,      break,      break 


at  the       foot        of        thy        crags, 


0 


i 


&t 


FEE: 


^ 


5 


*=gw= 


^ 


But    the        ten  -  -  -  der    grace         of      a      day     that      is      dead,     "Will 
cres.  _.  dim. 


Hxrn 


5 


*=1* 


1 


iit 


ne  -  -  -  ver    come      back         to      me, 
Fine.  pin  mosso. 


Will  . 


ne  -  ver      come  back       to 


m 


W 


-*—?- 


If 


K  |      *        *        * 


-3— f- 


5^ 


O,        well    for      the      fish  -  er  -  man's    boy, 


That     he 


§fe 


S 


^ 


f 


<  1  r    ,.  j 


£E 


shouts     with      his  sis  -   ter  at       play !  O,     well       for        the  sai   -  lor 


I 


9s 


-t-T-fc: 


IT7r7 1  .y  j  tg^i 


^    y    * 


I 


lad,  That  he       sings   in      his   boat  on    the     bay!       And  the      state  -  ly     ships   go 


~*~^> 


3*=*= 


b    Ml' 


»Q>     g      f      .«— rr 


3=Tfe 


*      • 


m     P 


s 


V    l>  i  LJ  k 


te 


on,        To  their      ha  -  -ven  un  -  der  the    hill ;  .  .     But,  .  .        O,    for    the    touch  of      a 

cres. 


&E 


h    h    h 


h    I-    h 


£ 


T=^ 


p    *  I*  i1    s\  p    •    «=p: 


s 


*    .IB*        *      J 


I 


van  -  ish'd  hand,  And  the    sound  of      a    voice  that    is    still !     But,    O,    for,    the  touch  of      a 
>        >        >       /  P  rit.  D.C. 


6=P 


J  i  r  i 


-t 


EE 


s 


van  -  -  -ish'd    hand,    And       the      sound      of        a     voice     that       is        still! 

Verse  2. 

Break,  break,  break,  on  thy  cold  gray  stones,  0  sea! 
And  I  would  that  my  tongue  could  utter 
The  thoughts  that  arise  in  me. 

O,  well,  ic.