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Muficks Delight
ON THE
C I T H R E N,
Reftored and Refined to a mort Eafie and Pleafant
Manner of Playing than formerly ; And fet forth with
Leflbns Ala Mode^ being the Choiceft of our late new Ayres 9
Cor ants 3 Sarabands Turns 3 and Jigg*.
To which is added fever al New Songs and Ayres to Sing to theClthren.
a.
By John V lay ford Philo-Mu ties?.
London , Printed by W. G. and are fold by J. Play ford at -bis Shop in the Temple, i 6 6 6.
■ :» i
&MMM&M&MMMMMM
The Pre f ace.
Tis obferved that of late year x ^Solemn and Grave Mufick
is mnxh laid ajtde, being ejieemed too heavy and dull for the
light Heels a??d Brains of this Nimble and wanton Jgc^Nor
is any Muiick rendred accept dbk^ or ejieemed by many ' but
what is presented by Foreigners 5 Not a City Dame though
a Tap-\vife 3 but is ambitious to have her Daughters Taught
by Mounfieur L a Novo Kickfhawibus on theGhta.r,which
Jnjirument is but a new (old one) ujed in London in the time of Q. Mary 9 as
appears by a Bookjrintcd inFnglijh of Infirulfions and Lefjons for the fame^.
about the beginning of <£*/.. Elizabeths Reign, being not much different from the
Cithren, only that was ftrung with Gut-firings, this with Wyre 3 which
was accounted tfa more Jprightly and Cheerful Muiick 9 and was in more efieem
til/
The Preface.
{till of late years ) then ^Gittar : Therefore to revive and reftore this Har-
monious Injirument, I have adventured to publifi this little Bookjf Inftru&ions
W Leffons > making it my defign andfiudy to be upfulfor the practice of young
Beginners 3 by a more plain and eafie method then has been heretofore published a
Omitting all thofe difficult full Stops which former Lejjons wereftuft with, where-
by the Tune intended was quite loft y theEarandPatienceofthe Pradhtioner
Confounded 5 (yet to its old Tuning 5) The Tunes herein are moji of them New ,
andfet after the manner of the Gittar way of Playing y which I hope will render
it the more acceptable among our young Gallants , for whofe delight is aljo added
Jdmefiort Ayres and Songs toft ng to the Cithren , as a Tajiofwhat may be
done on the fame 3 All which if it prove ufefal to any ^ihavetae end of my Ex-
p Nation 9 and remain a Well-tvifier to all Lovers an dVraUiU oners of Muiick.
JchfhyfQrd.
Brief Inprntfidns to the P laying mtb* Citbren.
«®®|HE Cithrtn is ftrung with eight Wyre Strings, which are divided into four cZZ
Inflru&iQM for the Playing m the Cithren.
By this Example alfo is demonftrated the leveral Frets or Stofs made on the Neck of the
Cithren^ the Alphabetical Letters as they are aligned to each Fret or Stop, the Letters,
omitted, that being let where the String is ftruck open and not ftop'd, th^fe feveral Letters
in your Leffons you will find varioufly placed on the feveral Lines on which places and
Strings you are to ftrike ; the firft Prehdium otLeffon of rhis Book will lead your fingers to
the Afcending and Defcending of ufual Notes on the Cithren , and your next being the
Changes on the Bells y your Ear will guide your Hand , which by a little praaicewill per-
fect you therein. .
Secondly , That being underftood I proceed to the Tuning of the Cithren , which can-
not be eafier underftood then by the Umfon , which is to make two or more Strings to agree
in one Sound, the one ftop'd, the otji^r open.
Ex ample for Tutting the Cithren..
Trebles
Means.,
naffes.
'fSM/S
ftnifo*. Un'ifon.
^.1-^.^— 1— .^L—
U ifon. rfio.
CClOt c&o.
ifo.
i v ..
InftrnStionsfor the Flaying en the Citbrefo
Begin firft with the Treble winding up one of them as high as it will bear and not break, then
wind up his Feltow,and make them two agree in Sound or Unifon both alike ; that done,turn
up one of your Means and flop it in (jjand Tune it to agree in Unifon or Sound with 'your
Trebles, then Tune his Fellow to him : Next, Tune the Temrs in the fame manner flopping
them in (^) and make them to agree in one Sound with your Means, laft Tune your hakes
as you did the other , topping them in (Jl) to agree irr Sound with your Tenors, by this
Rule your Cithren will be in per eft Tune , which for the proof thereof , ftrike the iBos
of each tiring as is fet in the former Example.
Thirdly , The nex* Rule you are to underftand, The proportion of Time- or Meafure,
which is ex^refled by (everal Notes or Charaders which are placed over the Tabletnre or
feveral Letters of \ our Leffons, there are 8 feveral Notes ufed in Mufic^ but 5 are only
in the Leffons to the C7:£r*«.which are the r e ,
The Names of the Notes*.
1 ! 1 1
II
i
■ ' 1
"•*•"■ «
Semibrtef,
Mimm,
Crotcbei.
A
hmver.
InfirnBions f&r the Flaying on the Cithren.
Thefe five'Htfw arc varioufly placed on the feveral Stops or Letters for the continuing
of Somds long or fliort , and are divided into two Meafures or proportions the one called
the Semibrief or Common-Tim* % the other Tripla ; and are diftinguulied by two feveral
Moods , one of which is ufual put at the beginning of the Leffon.
The Common-Time Mood is thus marked (T The Tripla thus 7
The Semihreve or Common-Time is , when all Notes double their proportions by two
to the Semiheveflkal is,two Minims to the Semibrevt , two Crotchets to the Minim y &c.
Example.
JL t.l t.t 1,1 1.1
The Trlp!a-Time is , when the Time is meafured by three Minims to a Smllrtvt with
1 Prick, <f Addition. Or, in more quicker Meafure , the Time is meafured by three Cr§-
ehets
InftruBionsfor the TUying on the Citbren.
chets to a Minim with a Prick.of Addition , which /ViV^added to the Semibreve , or to a
Minim , make his meafure half fo much longer than he was befo-e : the Semibreve which
was but two Minims is th^n three , and the Minim which was but a Crochets is then three
Crochets. Example.
*• i 1 I
The Mood in the more flow
Tripk time.
ttt 1 1 -n j 'j
J- i I
The Mtod m the more quicker "9 ^S /^\ /~N
g^s 5 rtt i \ t i
Example of tht Meafure of the 'Prick, Notes.
♦•ill
m m m m
Inftm&ions for the flaying on the Cithrw*
Thofe who defire a more full and large Accompt of the Notes , their Meafures and
Proportion, I Refer them to that Book of my Iutrotlutt Ion to the Skill of Mnfick^t lardy
printed jwg. 22. But this obferve in the Time or Notes let over your LeiTons where you
lave a Note placed over a Letter, and more Letters follow with no Notes over them >
thofe Letters are to be plaid to that Nous Meafure till another of the contrary appear.
Some G osier d Ruks4o be obfervedin Flaying on the Cithren.
-l . For your left hand in the right fingering the Stops , ever where you leave a Fret or
Stop there to leave a finger • For Example , If your firft Letter be (^) flop it with the
third finger,then your firft and fecond ringer will be ready for ( Jx& jrj if they happen to
follow: But when you have many Letters which run down to (-dLurdLjihsre fhift your firft
finger again to (f) the reft will follow with more eajfe.
For the true fingering or flopping of the full flops obferve the four fingers on the left
hand are thus accompted, the finger next the Thumb is the firfl, in order to the little finger
the fourth ; In this Example mark , the figures, placed under the Letters are afligned to the
Letters as they Hand in order.
Example
InftruSlionsforthe Flaying on the Cifbretr.
Example of feme ufitalfull ft&ps with the Fingering.
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2. For your right hand,reft only your little finger on the belly of your Cithr a^ind fo with
.your Thucnbaad firll dinger and iotne times the iecond rtrike your firings ,.. as is uied on
.the Gittar • that old Fallvion of playing with a quil is not good, and therefore my advice is
to lay itafide ; and be. Cure you keep your Nails lliort on the right hand.
j. To ftrive to (top clear ; Which to do, be lure not to flop fhort of 'the Fret, nor juft
upon it, but with the end of the finger as neer the Fret as vou can, and the harder the better.,
Tb'M leaving thsje few Rules to your Memory and Pratlice in the following Lfjfons, which
I hope will merit your kind Acceptances and be a further E-vcoure-gememto do you more Ser-
vice in this Nature. ' ; J> P.
A TABLE of the Leflbns contained in this Book.
Afhort Preludium I
The 24 Changes on 6 Bells 1
Maying Tin. e 3
'John come kifs me now 4
Over the Mountains 5
Light of Love 6
A la mode de France 7
What you pleafe 8
A Round 9
A T'gg . I0
Wilfons mid 1 1
The Hunt is up 12
Trip andgoe I 3
Porters Rant 14
Ghry of the Weft 1 5
Glory of the North \6
Maiden fair 1 7
7 he Kir, gs del'ght 18
Parthenia 1 9
Step Stately 20
The Whisky 21
Blew Cap for me 22
Lady Banburies Hornpipe 2 3
i/rfz/* <tt thy Coat old Wom.iq
A Jig 24
Thomas I cannot 25
Nonefhall plunder hut I 26
tJHlardike 27
The King's Marsh 2 8
The King enjoyes his own 29
Duke of Tories March 30
Lesley's March 3 1
Bow Fells 32
Tow a Bedlam 3 3
Chirping of the Nighting 34
77><r Spanijh Gipfies 3 5
Bobing foe 3 5
^f Symphony 3,6
77>* Zrww
Hunfdon Houfe
Green- (joofe Fair
Lady Spellor
(jrimfloek.
31
38
39
39
40
rfo Fr^r and the Nan 41
Health to Betty 42
Greenwood 42
/ /ww /«/? «» few and I 43
*L>/w» ^ Summers day 44
PVw /<* Roy 4 5
7/>* Cyprus Grove 45
Tta -LW/ Nevils delight 46
-^ ?#* or the Symphony 47
Tta »w Gavot y 48
Willobys %ant 48
Singleton s Slip 49
Tfa Queens de.lght 50
Amarillis
A Table of the Lcffons contained in this Book.
zAmar'illis 5; 1
On the cold ground 5 2
NewMutar 53
'Hew Marlnet J4
The Running Borer 54
The Apes Dance 55
A F ajjinqalia $6
The new Figgary J7
7>he Hobby fjorfe Dance- 5 8
Drive the cold winter away 59
La Cuke ley anew dance 60
The Lady Savills delight &i
NewGalliardo 6z
The HMlths 62
The Kings Fores 6 3
Rofalyna 64
A Saraband 64
Macbeth a Jigg 6 5
The Highlanders March 66
MontrofsV March 67
A Gavot 6
An Ayre by M. L. 69
A Saraband by M. L. 7c
Saraband La Chamboneer 7 !
T&* Golden Grove 7 -
Cor ant Mr. Will.Lawes 7 ;
Symphony S. I. J 4,
Saraband S. I. 75
-4/r*.^ C.C. 76
Saraband C. C 77
^/* Ayre by C. C. 78
Coram by C. C. 79
Saraband by C. C . 8c
A Jigg 8
CV,*«f £7 W. L. 8:
Cooant La evee 8 3
Corant La Londoneers 84
. Table of the 17 SONGS.
Gather your Rofe buds 8 5
/ <??# a young & harmless 8 6
f p ethee fend me backjny 87
In the merry month of May 88-
(Low happy art thou and 1 89
O/w/CIariia! thou 9&
Come, oh come ! I brooks 9"I
Silly heart forbeajfrghaft- 9 1
Clor s now thou art fled 95
I am confirmed a woman 574
tie , be no lunger coy , 9 f
I can lave for an hour 96
He that will court Wench 9"J
Fond love what dofl thou 98
Mans life is but vain , 99
The wifemen were but 7 1 00
A Boat , a Boat have to u 1
Some few Errata 's having faffed by reafon of my abfence •> and the Printer's want of Skill
in (JMnJick.-, 1 crave the judicious to mend with a Pen thefe effecially j
f Effon 3 o, the third and fourth Lettered muft be upon the third Rule; and in the feeond Strain ninth
*^and tenth Letters j^ on the third Line alfo. 3 j Leflbn » Line the feeond , the fixth Letts; ^.rauft
be upon the lower orfoiuth Rule.
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FINIS.
Here followed Ten Short Ayres or Songs *0 jfog ^*
tfeGlTHREN.
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The Words to this Tune..
I . Gather your Rofe buds while you may ,
Old time isftill a flying
And that fame flower that fmiles to day
To morrow will be dying.
fe The Glorious Lamp of Heaven the Sun.
The higher he is a getting,
The fooner will his race be run j,
And neater hcVofeuing.
■
3. That Age is be ft that is the fir ft'
While youth and blood are warmer
Expeft not then the laft and wotfb
Time ftill fucceeds the former.
4. Then be not Coy but ufe your time j
And while ypu rmy 60 marry j
For haying once but loft your prime 3
You may for cycr tarry>
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The Words to this Tune.
x. lama, young and harmlefs Maid ,
And fome arc pleas' d'tn call me fair j
No man hub yet m Ambush laid
To catch me ,, but I bro^e thefnare ;
And though they (lile me proud and coy s
Yet in my freedome is my joy,
t. Yet conld t quickly be in /< «; ,
If men were noi/ofa'flywife;
With (izhs-and teat's winch daily prove ,
To blhrl onr tender hearts and eyes j
Yet m(Jj belief (ball ne'r deflroy
My freedome , which is all my )oy.
3 . We are accurfi to be fa fair ,
Ani-menfor their abu fin g wit j
when we are wife then they dtfpxir }
And count our pajftot but a fit:
Then for a while I will be coy ,
Since freedome is awomans joy.
4. Yet I do hope this fa fe delay
Shall ma\e me live and never mourn ;
And though my beauty pajs away ,
Ilechoofe a Hatband for my turn ,
And he [hull be a Lover true ,
1 hen mm , lamas wife as you.
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The Words to this Tune.
/ pre thee fend me bac\ my heart
Smce 1 cannot have thine ; .
For if from yours you. will- net fan ,
Why then (hotfld you\ee p mine ?
Yet »oW I thi*\ on't let it lye j
To fend it me ine'Cfwm ;
For th' hafl a Thief in fithreye
K'illftealit bac\ again.
whs (bould two hearts in one breafl lie »
And yet not lodge together j
Love , where is thy Sympathy ?
If thus our hearts thou fever.
But Love is fuch a. myftery ,
I cannot find it out }
For when I think I'm br(l refolVd ,
I then am moll in doubt.
Then farewell care , and farewell woe ,
J will no lo'^er pine :
But rlcbeicve 1 have her heart
M much asfhe hath mine.
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I» the merry Month «/ May ,
0* a Mornby brea{ of day ,
Forff? I wa^'d ^e rvoodfo wde
When as May w*.f i» be? /»r«fe j
fberelfpyd all alene t aU alone ,
philida *?»rf Coridon.
Mu h a do th ft Was god wot ,
H^ did low , for /ft: ro«W nof 5
He (aid his true w.is ever true j
She [aid , sane wasfdfe to you ; .
W? [aid, he had Inv'd h-r long ;
Shejaidjove (hoitid ta^e no wrong.
111
The words
— o ihn Tune
.jaji IE
Coridon w«M feav. Ififs 'dh'r then 5
Sfce /W</, AiaiV/ ««/? ^*// m men >
Ti# tfe'jf £i 'sfor good and all ;
Tbenfh: bid th? jhepheard e*U
A'l the Gods '0 wttn ft truth,
Ne'r was lov'A Jo fait a youth.
Then with many a pretty oath ,
As ye* , and nay , and Faith , and Troth j
Such as (illy Shepberdsufe
When thiy would not love abufe ;
Love which had been lon% He 'ufad ,
Was with WesfrveetCoKdudetli
Then Philida with GtirUnds fay*
was crowned Ladj of the M»/«
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Thvi Words t© this Tune.
i/i?tt> happy art thou and I , that never knew how to love ,
There's nofrtch He flings here beneath , what ere there is above ;
'7~» liberty, 'tis Liberty , that every wife man loves.
Cut, ottt upon thefe eyes , that thlnhjo mart her me ,
And he's an Afsbeleives her fair , that is not kind and free ;
There's nothing fweet , there's nothing fweet, to man bat Libcrtie.
He tye my heart to none , nor yet Confine mine eyes :
But I wiH play my Game fo well , He never want a pr'&e ;
"Tis Liberty , *tis Liberty , has made me now thus -wife.
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The Word* to this Tune.
O my Chrifa ! thou cruel fair ,
Bright as the morning, and f>ft as the air;
Frcjher then F loiters in May ,
Tet far msre jwret then they ;
Love lithe SujeSi of my fray er,
L»t not fuel) fertile my love he tide ,
Q let your rocky Urea]} be mollified !
Seni me not to my Grave ,
tin pitied like a Slave ;
Haw can Love fitch 'nfage abide ?
When I firfi fm thee , / left a flame ,
which from thine eyes like light nine came ;
Sure it was ( upld's dart ,
It pelrcd quite throng h my heart ;
O could thy Breafl once feel the fame.
Sym ath'z,e with me a while in grief \
This pxjfion (jitickjy will find relief ;
Cup'd will from hii Bowers ,
[Warm thefe chill hearts of ours ;
Andmaks hisfotfer Rale their in chief.
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Cfl«f , ob MMf ! I broe{ no [lay ,
She doth not lev?, that can delay j
See how the flealing night ,
Hath b'otted out the light >
/f«<j( r<?p'"/'/ dofupp'y the day.
To be ih.ijl is to be old,
And that ftolift) Girl that's cold }
Is four/core at fifteen 5
D? fires i do wright her green ;
Aadloofer flams our youth unfold.
The Words to this Tune.
See , the firfl Taper's almofl gone ,
Thy ftme-> like that, will (Iraigbt be ncne ■
And I as It empire ,
Not able to hold fir*-,
She loofeih time that lyes alone.
Let ut then cberift tbeje our powe- S ,
U biles we yet may call them ours y
Then wc btftjpend our time ,
when no dull %f.a\om Ch'me :
Ut fprigbiful ^ spike xhe hours.
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The Words to this Tune.
Since you love yourtll, and your good defpife :
CupA(hmi*g, Cupid darting, M d hi* bMdl
Moitdgowets canm mtb-fland.
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The words tQ
his Tune. __
C loris nnvp thou a; t Hed awiy ;
Amin[or\r faep d't von aft ay ;
And all the \oy he took ;o jee ,
H'sp >ety Lambs » un eftef thee j
Is %one t is go4e, and he atone
Sings Mhi*g nowt butweRadaj.
H S MM m ib*t in thy praife The Mav-po:e where thy ittlefect ,
u'at wont to play fuch Roundelays; So roundly in m-afuns meet ;
Is thrown away., and not a Swain Is broken down, and no content
Dares pipe,or fmgjwibin this plain-, ComcS neer Amimor finceyou went ;
» tis Death for any now to fay All that I ever heard bim fay
One word to bim but welladay. U'ai Clor'u» Oor'ts, fnUdai) &C.
Upon tbofe ban\s you us'd to tread ,
He ever fince bath laid his head ,
And whifper'd there fuch pintng woe ,
As not a blade of grafs will grow.
Cloris ! do i <■ , come away >
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the laft once.
The Words to this Tune.
/ am confirm da woman can ,
Love this y or that, or any man ;
Tl)-u4ay her love is^ melting hot ,
To morrow (wears [he fyowesyou not :
Let her but an new objett find
Aadfhe is of another mind.
Then hang me I adi'es at your dure
» •$££ I -dote ftps ny oh more.
Tttfiill He love the fair one , why ?
For nothing but topieafe mine eye j
And fo the Fat , andfoft-skin'd dame ?
lie flitter to appeafe my flame :
For her that's Mufical I long ,
When I am fad to ^ng a fong.
But hang me Ladies at your dore
If eWe 1 dote upon yon more.
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Ftf> fo no longer coy 3
But let's crjoy
Wbti's by the woddconfeft
Women love be(l.
Thy Beauty frejb as May
n 'illfoon decay :
BefiJcf within a year or two
1 [ball be old, andcmnotdo.
1 The Words to this Tuns.
Ddfttbh\ that Nature cm
Far every mm
( Had (he more s{M ) provide
So fair a Bride.
Whoever made a Feaft
For jingle gue {I ?
No, without Jhe did intend
Toferve the bwbmd&b'n friend,
To be x little n>ce ,
Sets better price
On yirgins, and improves
Their Servants loves.
But on the Kip' r years
I fill appears ,
After a while you I find this t ue.
I need provoking more then yon.
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Words to
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/ can love for an hour wfon I am ftifa e ,
He that lovs half a day foo's without m' a r u e^
Cupid then tell me what Ait had thy Mather
To ma\e men lov o>e face more then another.
Same to be thought more wife daily endevour
To ma\e the world believ they can lov* ever ;
Ladhs be Rev* them not, they'll but deceive you »
For when they have their inks then they w.U leave you.
Men cannot tire themfelvcs with your fweet features ,
7 hey Uh>ve variety of 'ovn^ Creatures ;
Too much vf any thing f ts them a tolling %
Though they can ruvet do' t yet they'll befooling*
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//if tJwf w/V/ £Wf 4 #W& fW at Coy, that is proud, that is Pevl(h and Antlek, ,
Let htm ,e carelefs to jpo t and to toy y and at wild as (he can lefr*tttick>;
Flatter her and flight her, laugh at her andfpight her , rail and commend her a fen ,
y Tii the way to woe her , if pu mean to de her , fttch Cities love [nth mep.
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The. Words to vh.s Tune
Fend love , w/wf do'/J ib<?« jam* to^conrt an idle folly ?
PUtonick love u nothing e'fe but meerly M- Lincholy.
'Tit Active love (bat ma\es usjcUy.
nb.u though I'm (ond£tbey Jay) aid apt to be in love ,
J fiid it rvill no longer (Uy , then fb mil conflant prove j
Such Qualmes oft[quctm'fb Stomachs move,
'fo dote upon a face , or C art a fpar\ll'g eye ,
Or to believe a Dimpl'd Cheek, complete feticitie >
Is 1$ betray a Libertie.
they care not for your figbs , nor your (reeled eyes ,
they hate to bear a fool lament, and crye be dyes he dyes j
Qno l Love k * better pri^e.
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The Angler's SONG.
Mans life is hit vain , for 'tis Subject to^a'in
Andforrow y andfh rt at a bubble j
'7# a hvlge of Budnefs , antimony , and ca- c ,
And care , and, many , and trouble*
Bnt well take no care when the weather proves fair- ,
I\or will we now vex though it ram ;
We'll bani\h all forrotv , and 'jng till to rmrrort y
And Angle , and Angle again.
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The Words to this Tune.
A CA re H.
The Wifemen were hut [even , neer more JhaR he for me $
7 be Mufcs were hut nine , the Worthies three times three ;
A nd three merry Boy es t and three merry eyes are we!
The Virtues were hut [even , and three the g> eater he •
The Cxiirsthey were twelve , and the fatal Sifters three;
And three merry (jirtc's, and three merry Girles are we.
>yii linn- a mm- n
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A CATCH.
A "oate , * F^f e h*vc to the Ferry ,
for we'll go over to be merry ,
To iangh and fag and drlnkjiM Sherry,
FINIS.
MufichJBooks fo by John Play ford at \m Shop in the Temple.
A Brief and Plain fntrod»5tlon to the Skill of cMufck, By which Book ma.ny have
learn'd to Sing , and Phy on the Bafs.Viol , and aLo on the Treble -Violin , without
the Alfilhnce of any Teachers.
2. Select Ayres and Dialogues for i , 2, and 3 Voices , to Sing to the Theorbo-Lute ex
Bajs-Viol. Compofed by feveral Eminent Matters of this Kingdom.
3. Catch that Catch can. A Book of merry Catches and Rounds for 3 Voices.
l.lhzDanclng Mafter.Qt Direaions for Dancing Country Dances with the Tunes to
each Dance ; and an 1 00 other New Tunes added to be phid on the Treble-Violin.
5 . Mufickj Recreation on the Lyra-Vld Cor t^in ^ an 1 50 New and Choice Leffons of
feveral 1 unin»s , with Inltru&ions for beginners,
'6. Mujlckj Handmaid. Prefenring New and Pleafanl Leffons for the Vln/mah. with
Iri ImcYions for Beginners jvho practice by Book.
Afo aSfor-ts of RhI' d* Paper , and Ruled Book- fa Mufickxeady bound f fever */ Siz,cs,
and very goad Black^Inkfor bricking of Muftcal Leffons.
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