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MUSA    PROTERVA: 

LOVE-POEMS   OF    THE    RESTORATION. 


Gay,fro/ic  versefor  idle  hours, 

Ligkt  as  thefoam  whence  Venus  sprang ; 
Strains  heard  of  old  in  courtly  bowers, 

When  Nelly  danced  and  Durfey  sang. 


MUSA    PROTERVA: 

LOVE-POEMS    OF    THE 
RESTORATION. 


j     EDITED   BY 


A>    H.    BULLEN. 


LONDON: 

PRIVATELY  PRINTED. 
1889. 


LlMITED    EDITION. 


n 

/a/3 

68 


PREFACE. 

THE  poems  in  my  anthology  Speculum  Amantis 
belonged,  with  few  exceptions,  to  the  first 
half  of  the  seventeenth  century.  In  the  present 
volume  I  have  attempted  to  deal  with  the  love- 
poetry  of  the  Restoration  and  Revolution. 

Manners  were  loose  in  the  days  of  "  old  Rowley," 
and  poets  too  frequently  indulged  in  ribaldry.1 
No  sensible  reader  will  tolerate  the  foul  and  tedious 
grossness  of  the  abandoned  Rochester;  and  the 
obscenities  of  Restoration  Drolleries  have  no  place 
in  honest  literature.  Who  would  care  to  watch  a 
crew  of  goldfinders  dancing  round  the  shrine 
of  Venus  Cloacina?  By  all  means  let  us  shuh 
such  unedifying  spectacles ;  but  we  need  not  wrap 
a  thick  cloak  of  prudishness  about  us  and  put  on 

1  Professor  Alexandre  Beljame,  in  the  early  chapters  of 
his  learned  and  valuable  work  Le  Public  et  les  Hommes  de 
Leltres  en  Angkterre  au  Dix-huitibnc  Sicc/c,  discusses  this 
subject  very  fully. 


vi  PREFACE. 

a  vinegar  aspect.  t  I  like  to  see  the  Muse  in  good 
humour.  Prior's  lightest  verses  do  not  offend 
me,  and  I  am  enlivened  by  Sedley's  gaiety.  A 
few  of  the  poems  here  collected  may  occasionally 
pass  the  bounds  of  strict  decorum ;  but  it  will  be 
found  that  these  delinquencies  (never  of  a  violent 
character)  are  atoned  by  some  happy  jerk  of  fancy 
or  playful  sally  of  wit. 

The  Restoration  was  not  one  of  the  great  ages 
of  English  poetry.  Even  in  the  poorest  of  Eliza- 
bethan  dramatists  and  lyrists  we  find  flashes  of 
Shakespearean  imagination,  stray  breaths  of  divine 
harmony,  touches  of  romantic  tenderness.  But 
one  may  read  Shadwell's  plays  (and  they  are  well 
worth  reading)  from  end  to  end  without  once 
catching  a  note  of  higher  poetry.  Shadwell  is 
thoroughly  representative  of  his  age ;  he  was  the 
Ben  Jonson  of  the  Restoration, — Jonson  stripped 
of  his  graces.  Of  the  noble  dramatists — "the 
giant  race  before  the  flood" — Shirley  alone  sur- 
vived.  Oldys  tells  how  "  young  persons  of  parts  " 
used  to  resort  to  Chapman  in  his  declining  days 
"  as  a  poetical  chronicle  " ;  but  no  such  homage 
was  paid  to  Shirley  by  the  wits  of  the  Restoration. 
The   author  of  The  Lady  of  Pleasure  and   The 


PREFACE.  n 

Grateful  Servant,  The  Cardinal  and  The  Traitor, 
would  surely  in  any  generous  age  have  won  the 
respect  and  gratitude  of  younger  aspirants  to 
fame  but  Shirley  at  the  end  of  his  honourable 
career  had  to  encounter  neglect  and  contumely. 

There  was  a  dash  of  vulgarity,  an  absence  of  re- 
finement  and  romance,  in  the  dissipation  of  the 
king  and  his  courtiers.  In  such  uncongenial  soil 
the  rarer  flowers  of  poetry  could  not  take  root. 
The  finest  poem  in  the  present  collection  is  Andrew 
MarvelFs  "  Address  to  his  Coy  Mistress."  There 
we  have  the  clear  spirit  of  poetry  ! — 

.  .  .*  "  But  at  my  back  I  always  hear 
Time's  winged  chariot  hurrying  near, 
And  yonder  all  before  us  lie 
Deserts  of  vast  eteraity."  .  .  . 

This  is  hardly  the  strain  in  which  the  Court  poets 
wooed  their  mistresses.  Marvell,  the  friend  of 
Milton,  was  a  rare  visitor  at  Court. 

Cowley  does  not  come  within  our  scope,  for 
"The  Mistress"  was  published  in  1645.  It  is  said 
that  in  later  life  he  showed  "an  aversion  to  the 
company  of  women  ";  he  did  indeed  pay  (in  1664) 
a  poetical  tribute  to  the  memory  of  Katherine 
Philips,  the  matchless  Orinda,  but  long  before  the 


viii  PREFACE. 

Restoration  he  had  ceased  to  write  love-poetry. 
Waller,  who  died  in  1687  at  the  ripe  age  of  eighty- 
two,  was  regarded  in  Charles  II.'s  time  and  for 
many  years  afterwards  as  the  master  of  harmonious 
numbers,  the  refiner  of  English  speech,  the  Phcenix 
of  politeness.  "  His  compositions,"  wrote  Gerard 
Langbaine  in  1690,  "are  universally  applauded; 
and  they  are  thought  fit  to  serve  as  a  standard  for 
all  succeeding  Poems."  He  is  only  now  recover- 
ing  from  the  damage  inflicted  on  his  reputation  by 
such  extravagant  eulogy.  His  happiest  lyrics  were 
written  in  the  days  of  Charles  I. ;  but  the  tone 
and  temper  of  his  poetry  connect  him  rather  with 
the  writers  of  the  Restoration  than  with  Suckling 
or  Randolph.  For  chronological  reasons  I  have 
reluctantly  excluded  him  from  my  anthology. 

Flatman  and  Charles  Cotton  are  not  seen  to 
best  advantage  in  their  love-poetry.  I  have  a 
great  liking  for  both,  and  heartily  regret  that  the 
former  bore  so  unfortunate  a  name.  Undoubtedly 
Flatman  was  a  man  of  genius.  His  miniatures, 
though  they  are  inferior  at  all  points  to  Cooper's 
matchless  masterpieces,  are  often  singularly  attrac- 
tive,  and  his  verses  in  praise  of  Faithorne  are  a 
splendid  tribute  to  the  worth  of  that  distinguished 


PREFACE.  ix 

master;  but  the  fine  and  solemn  poems  inspired 
by  his  meditations  on  death  constitute  his  chief 
claim  to  remembrance.  Nahum  Tate  was  a 
fervent  admirer  of  Flatman ;  both  were  serious- 
minded  poets  (if  Tate  may  be  reckoned  among 
the  poets)  in  an  age  of  frivolity.  Charles  Cotton's 
accomplishments  were  many  and  varied.  He 
could  throw  a  fly  with  any  man  in  Christendom ; 
he  was  a  recognized  authority  on  gardening; 
he  made  an  excellent  translation  of  Montaigne  ; 
he  wrote  that  most  entertaining  and  ingenious 
treatise  The  Compleat  Gamester;  and  he  keenly 
appreciated  the  virtues  of  nut-brown  ale.  His 
crediiors  harried  him,  and,  to  escape  their  impor- 
tunity,  he  had  often  to  fly  from  his  house  at 
Beresford  and  take  refuge  in  a  cave  beside  the 
Dove.  But,  in  debt  or  in  drinkj  he  was  always 
"  honest  cheerful  Master  Cotton."  His  poems 
addressed  to  Izaak  Walton,  and  his  ode  on  Winter, 
are  not  likely  \o  be  lightly  forgotten.  Here  was  a 
man  of  parts,  a  free  frank  jovial  spirit,  a  boon- 
companion,  a  scholar,  and  a  poet ! 

Sir   William    Davenant    continued  his   literary 
activity  to  the  end  of  his  days.     Born  in  1605,  he 
had  been  a  copious  writer  for  the  stage  in  the  reign 
b 


x  PREFACE. 

of  Charles  I.  An  ardent  loyalist,  he  had  suffered 
some  inconveniences — in  the  way  of  imprisonment 
— at  the  hands  of  the  Parliamentarians.  Much  of 
his  time  was  spent  in  France,  where  he  had  the 
misfortune  to  lose  his  nose.  His  briskness  as- 
tonished  younger  men.  M I  found  him,"  said 
Dryden,  "  of  so  quick  a  fancy  that  nothing  was 
proposed  to  him  on  which  he  could  not  suddenly 
produce  a  thought  extremely  pleasant  and  surpris- 
ing."  On  Restoration  literature  his  influence  was 
considerable.1 

The  songs  in  Dryden's  plays  are  cheerful  and 
sprightly.  In  the  higher  graces  of  poetry  they  are 
infinitely  inferior  to  Fletcher's,  but  they  are  very 
good  of  their  kind.  With  all  his  consummate 
genius  Dryden  could  not  reproduce  such  strains 
as  "Lay  a  garland  on  my  hearse  "  or  "  God  Lyaeus 
ever  young."  Mrs.  Behn,  the  divine  Astraea,  was 
undoubtedly  possessed  of  lyrical  skill.  The 
famous  "  Love  in  fantastic  triumph  sate  "  has  been 
justly  admired  by  a  host  of  critics ;  but  equally 
admirable  is  her  impassioned  song  in  praise  of 

1  The  best  account  of  Davenant  is  to  be  found  in  Mr. 
Joseph  Knight's  admirable  article  contributed  to  the  Dic- 
tionary  of  National  Biography. 


PREFACE.  xi 

Love,  "O  Love,  that  stronger  art  than  wine."1 
One  of  the  lightest  and  happiest  lyrists  of  the 
Restoration  was  Charles  Sackville,  Earl  of  Dorset. 
His  song  written  at  sea  the  night  before  an  en- 
gagement,8  M  To  all  you  ladies  now  at  land,"  was 
very  popular  and  provoked  many  imitations  and 
parodies.  He  was  the  early  patron  of  Prior,  who 
attributed  to  him  more  virtues  and  talents  than 
were  ever  centred  in  a  single  individual  since  the 
world  began. 

1  But  did  Mrs.  Behn  write  these  fine  verses  ?  They  first 
appeared  in  her  comedy  The  Lucky  Chanee,  1687.  Henry 
Playford,  a  well-known  publisher  of  music,  issued  in  the 
same  year  the  Fourth  Book  of  The  Theater  of  Music,  where 
"  O  Love,  that  stronger  art "  appeared  with  the  heading 
"  The  Song  in  Madam  Bhen's  last  new  Play,  sung  by  Mr. 
Bowman,  set  by  Dr.  John  Blow."  At  the  end  of  the  song 
Playford  adds,  "  These  words  by  Mr.  Ousley."  It  is  possible 
that  Playford  was  misinformed  ;  but  playwrights  were  in  the 
habit  of  introducing  songs  written  by  their  friends  (frequently 
by  some  "  person  of  quality  ").  Mrs.  Behn  usually  acknow- 
ledges  her  obligations ;  but  she  may  have  been  neglectful  on 
the  present  occasion.  Ousley's  claim  cannot  be  lightly  set  aside. 

8  "  I  have  heard,"  says  Dr.  Johnson,  "from  the  late  Earl 
of  Orrery,  who  was  likely  to  have  good  hereditary  intelligence, 
that  Lord  Buckhurst  had  been  a  week  employed  upon  it,  and 
only  retouched  or  finished  it  on  the  memorable  evening.  But 
even  this,  whatever  it  may  subtract  from  his  facility,  leaves 
him  his  courage." 


xii  PREFACE. 

Some  specimens  of  the  abilities  of  genial  Tom 
Durfey  have,  of  course,  been  included.  Superfine 
critics  sneer  at  honest  Tom,  but  the  gay  rollicking 
ballad  "  The  Winchester  Wedding "  will  survive 
the  assaults  of  these  worthies.  In  his  lifetime 
Durfey  was  attacked  with  spiteful  virulence  by 
Tom  Brown,  but  he  did  not  allow  himself  to  be 
disconcerted  by  the  snarls  and  snaps  of  that 
malicious  creature.  Of  late  he  has  found  a  stal- 
wart  champion  in  the  person  of  the  Rev.  J.  W. 
Ebsworth,  editor  of  The  Roxburghe  Ballads,  who 
has  sounded  his  praises  in  prose  and  verse.  Tom 
Brown  hardly  deserves  a  place  in  my  anthology ; 
but  I  have  found  room  for  one  copy  of  verses — a 
clever  imitation  of  one  of  MartiaFs  epigrams. 

John  Oldmixon,  the  pamphleteer,  was  a  waspish 
person.  He  was  continually  attacking  somebody, 
and  even  ventured  to  have  his  fling  at  Pope,  who 
promptly  gibbeted  him  in  The  Dunciad.  As  he  was 
universally  disliked,  his  verses  were  usually  kept  out 
of  the  miscellanies  of  the  time  ;  but  from  his  little 
volume  of  poems  in  the  manner  of  Anacreon, 
published  in  1696,  I  have  chosen  some  dainty 
trifles. 

I  have  stopped  at  the  last  decade  of  the  seven- 


FREFACE.  xiii 

teenth  century,  though  I  should  have  liked  to 
advance  a  little  further.  Of  John  Bancks  (not  the 
playwright),  who  trod  in  the  steps  of  La  Fontaine 
and  Prior,  it  would  have  been  pleasant  to  give 
some  specimens;  for  his  poems  are  somewhat 
scarce. 

From  Sir  Charles  Sedley  I  have  drawn  very 
freely.  In  his  own  sphere  Sedley  is  unapproach- 
able ;  such  songs  as  "  Love  still  has  soraething  of 

1  The  reader  shall  have  a  taste  of  Bancks'  quality  :  the 
mirthful  catastrophe  must  atone  for  the  freedom  of  the  writing. 

"  A  Fragment. 

In  Chloe's  chamber  she  and  I 

Together  sate,  no  creature  nigh  ; 

The  time  and  place  combined  to  move 

A  longing  for  the  joys  of  love. 

I  sighed  and  kissed,  and  pressed  her  hand  ; 

Did  all  to  make  her  understand. 

She,  pretty,  tender-hearted  creature 

Obeyed  the  dictates  of  good  nature, 

As  far  as  modesty  would  let  her : 

A  melting  virgin  seldom  speaks 

But  with  her  breasts  and  eyes  and  cheeks  : 

Nor  was  it  hard  from  these  to  find 

That  Chloe  had — almost — a  mind. 

Thus  far  'twas  well ;  but,  to  proceed, 

What  should  I  do  ?    Grow  bold— I  did. 

At  last  she  faltered  '  What  woukTst  have  ? ' 

'  Your  love,1  said  I,  '  or  else  my  grave.' 


xiv  PREFACE. 

the  sea  "  or  "  Phillis  is  my  only  joy  "  easily  out- 
distance  all  rivals.  He  does  not  occupy  an 
exalted  place  in  English  literature;  but  his  seat 
is  secure. 

I  need  not  enter  into  further  particulars  about 
the  contents  of  this  little  volume.  The  reader 
must  not  expect  to  find  poetry  of  the  highest 
order ;  but  if  he  can  appreciate  polished  verse  he 
will  not  be  dissatisfied.  We  seldom  leave,  it  is 
true,  the  region  of  conventionality.     The  groves 

4  Suppose  it  were  the  first,'  quoth  she, 
4  Could  you  for  ever  constant  be  ? ' 
4  For  ever,  Chloe,  by  those  eyes, 
Those  bubbies  which  do  fall  and  rise, 
By  all  that's  soft  and  all  that's  fair, 
By  your  whole  sacred  self,  I  swear. 
Your  fondest  wishes  ne'er  shall  crave 
So  constant,  so  complete  a  slave.' 
4  Damon,  you  know  too  well  the  art,' 
She  sighing  said,  4  to  reach  my  heart. 
Yet  oh  !  I  can't,  I  won't  comply — 
Why  will  you  press  ?  dear  Damon,  why  ? ' 
Desunt  caetera. 

For  Chloe,  cotning  in  ont  day, 

As  on  tny  desk  the  copy  lay, — 

4  What  tneans  this  rhytningfool  f '  she  cries, 

4  JVJiy,  somefolk  tnay  believe  these  lies  l ' 

So  on  theflame  she  threw  the  sheet ; 

/  burned  tny  hand  to  save  this  bit. " 


PREFACE.  xv 

in  which  our  Strephons  and  Chloes  disport  them- 
selves  are  not  the  green  pleasaunces  that  listened 
to  the  pipings  of  Nicholas  Breton's  Passionate 
Shepherd.  Our  Arcadia  is  in  Hyde  Park  and  the 
Mulberry  Garden ;  our  nymphs  are  modishly 
attired,  and  our  love-sick  swains  are  powdered 
beaux. 


LIST  OF  AUTHORS. 

PAGE 

Atterbury,  Francis,  Bishop  of  Rochester      .        .        .117 
Ayres,  Philip 102-103 

Behn,  Aphara 50-56 

Brome,  Alexander .8-10 

Brown,  Tom 113-114 

Cavendish,  William,  Duke  of  Newcastle  1 

Congreve,  William 105-107 

Cotton,  Charles 13-16 

Davenant,  Sir  William 2-7 

Dryden,  John 20-30 

Duffett,  Thomas 95-98 

Durfey,  Thomas 57-66 

Etherege,  Sir  George 45-49 

Farquhar,  George 127-128 

«»   "inch,  Anne,  Countess  of  Winchilsea  ....     108 
Flatman,  Thomas 17-19 

Granville,  George,  Lord  Lansdowne   .        .        .       110-112 

Howard,  Hon.  James 87 


xviii  LIST  OF  AUTHORS. 

PAGE 

Marvell,  Andrew 10-13 

Motteux,  Peter  Anthony 122-124 

Nevj  Airs  and  Dialogues 98-100 

Oldmixon,  John 1 18-122 

Otway,  Thomas 91 

Philips,  Katherine 19-20 

Playford,  John  (Fifth  Book  of  Choice  Airs)  .         .       101-102 

Rymer,  Thomas         ......       125-127 

Sackville,  Charles,  Earl  of  Dorset       .        .        .  30-40 

Scroope,  Sir  Car     " 49-50 

Sedley,  Sir  Charles 66-86 

Shadwell,  Thomas 88-90 

Sheffield,  John,  Duke  of  Euckinghamshire  .        .       103-104 
Southerne,  Thomas 109 

Tate,  Nahum 92 

Walsh,  William 114-117 

Westminster  Drollery 93"94 

Wharton,  Anne,  Marchioness  of  100- 101 

Wilmot,  John,  Earl  of  Rochester        .        .        .  41-45 

Wilson,  John 107-108 


INDEX  OF  FIRST  LINES. 

A  thousand  martyrs  I  have  made  (Aphara  Behn) 

After  the  pangs  of  a  desperate  lover  (Dryden) 

Ah,  Chloris,  that  I  now  could  sit  (SedUy)    . 

Ah,    Chloris,    'tis  time    to    disarm  your  bright  eyes 

(Charles  SackvilU,  Earl  of Dorset)   . 
Ah  he  who  first  found  out  the  way  (Aphara  Behn) 
Ah  how  sweet  it  is  to  love  (Dryden)    .        .         . 
All  my  past  life  is  mine  no  more  (John  Wilmot,  Earl 

of  Rochester) 

Amintas,  I  ara  come  alone  (Sedley)      .        .         . 

As  Amoret  with  Phillis  sat  (Sir  Car  Scroo/e) 

As  Chloris  full  of  harmless  thought  (John  Wilmot,  Earl 

of  Rochester) 

At  noon,  in  a  sunshiny  day  (Charles  Sackville,  Earl  of 

Dorset)    .        .        .        .        .        .         . 

At  Winchester  was  a  wedding  (Durfey) 
Aurelia,  art  thou  mad  (SedUy)     .... 


Be  not  too  proud,  imperious  dame  (Flatman) 
Before  the  youthful  spring  had  dyed  (Duffett) 
Beneath  a  myrtle  shade  (Dryden) 
Boasting  fops,  who  court  the  fair  (Motteux) 

Cselia,  too  late  you  would  repent  ( Walsh)     . 
Calm  was  the  even  and  clear  was  the  sky  (Dryden) 


PAGE 

24 

66 

39 
54 

20 

43 
76 

49 
44 

37 

57 
69 

17 

95 

25 

124 

114 
21 


xx  INDEX  OF  FIRST  LINES. 

PAGK 

Celimena,  of  my  heart  (Dryden)  ....       22 

Celinda,  think  not  by  disdain  (Sedley)  ...       70 

Chloe's  a  nymph  in  flowery  groves  (Durfey)  .  .  62 
Chloe's  the  wonder  of  her  sex  (George  Granville,  Lord 

Lansdowne) m 

Chloris,  I  cannot  say  your  eyes  (Sedlcy)  ...  72 
Come,  Celia,  let's  agree  at  last  (John  Sheffield,  Duke  0/ 

Buckinghamshire) 


Damon,  if  thou  wilt  believe  me  (Sedley) 
Damon,  if  you'd  have  me  true  (Aphara  Bchn) 
Distracted  with  care  ( Walsh)       .... 
Dorinda's  sparkling  wit  and  eyes  (Charles  Sackville, 
Earl  of  Dorset) 


104 

81 

55 

"5 

39 


Fair  Amoret  is  gone  astray  (Congreve)         .        .        .106 

Farewell,  ungrateful  traitor  (Dryden)  ....  29 
Flavia  the  least  and  slightest  toy  (Atterbury)  .  .117 
Forbear,   bold  youth ;   all's  heaven  here  (Katherin* 

Philips) 19 

Give  me  leave  to  rail  at  you  (John  Wilmot,  Earl  of 

Rochester) 42 

Had  we  but  world  enough  and  time  (Marvell)  .  .  10 
How  hardly  I  concealed  .my  tears  (Anne,  Marchioness 

of  WharUm) 100 

I  did  but  look  and  love  a-while  (Otway)      ...  91 

I  followed  fame  and  got  renown  (Durfey)    ...  64 

I  love,  but  she  alone  shall  know  (Motteux) .  .  .  123 
I  must  confess  I  am  untrue  (John  Sheffield,  Duke  0/ 

Buckinghamshire) 103 

If  she  be  not  as  kind  as  fair  (Etherege)         ...  45 


INDEX  OF  FIRST  LINES. 

Impatient  with  desire,  at  last  (George  Granville,  Lord 
Lansdoiom)     ........ 

In  vain,  Clemene,  you  bestow  (Charles  Sackville,  Earl 
of  Dorsct) 

It  is  not,  Celia,  in  our  power  (Etherege)       .        . 

Ladies,  farewell,  I  must  retire  (James  Hotvard)  . 

Ladies,  though  to  your  conquering  eyes  (Etherege) 

Late  when  Love  I  seemed  to  slight  (Rymer) 

Like  a  dog  with  a  bottle  fast  tied  to  his  tail  (Flatman) 

Love  in  fantastic  triumph  sate  (Aphara  Behn) 

Love  still  has  somethrng  of  the  sea  (Sedley) . 

Love,  when  'tis  true,  needs  not  the  aid  (Sedley)   . 

Maids,  beware  !  maids,  beware  !  (New  Airs  and  Dia 

logues) 

Man  is  for  the  woman  made  (Motteux) 

May  the  ambitious  ever  find  (Charles  Sackville,  Earl  of 

Dorset) 

Methinks  the  poor  town  has  been  troubled  too  long 

(Charles  Sackville,  Earl  of  Dorset)  . 
More   love  or  more  disdain  I  crave  (New  Airs  and 

Dialogites) 

My  dear  mistress  has  a  heart  (John  Wiimot,  Earl  of 

Rochester) 

My  lodging  is  on  the  cold  ground  (Davenant) 

Not,  Cselia,  that  I  juster  am  (Sedley)  . 

Nymph  Fanaret,  the  gentlest  maid  (Nahum  Tate) 


O  happy  flea,  that  may'st  both  kiss  and  bite  (Shadwell)  88 
O  Love,  that  stronger  art  than  wine  (Aphara  Behn)  .  5 1 
O  'tis  sweet,"'tis  wondrous  sweet  (Oldmixon)  .  .118 
O  what  a  pleasure  'tis  to  find  (Aphara  Behn)  .  .  53 
Oh,  how  the  hand  the  lover  ought  to  prize  (Aphara 
Bchn) 56 


40 

47 

87 
45 
126 
18 
5o 
75 
85 

100 
122 

33 
35 
98 

4i 

2 

73 
92 


INDEX  OF  FIRST  LINES. 


Persuade  me  not  there  is  a  grace  (Anne  Finch,  Countess 

ef  Winchilsea) 

Phillis,  I  expect  caresses  (Rymer) 

Phillis  is  my  only  joy  (Sedlej) 

Phillis,  let's  shun  the  common  fate  (Sedley) 

Phillis,  men  say  that  all  my  vows  (Sedley) 

Phillis,  the  fairest  of  Love's  foes  (Charles  Sackville, 

Earl  of  Dorset) 

Phillis,  this  early  zeal  assuage  (Sedley)  J 
Pious  Selinda  goes  to  prayers  (Congreve) 
Preserve  thy  sighs,  unthrifty  girl  (Davenant) 
Prithee,  Chloe,  not  so  fast  (Oldmixon) 
Pursuing  beauty,  men  descry  (Southerne)    . 

Smooth  was  the  water,  calm  the  air  (Sedley) 

So  well  Corinna  likes  the  joy  (Gearge  Cranville,  Lord 

Lansdowne) 

Some  thirty  or  forty  or  fifty  at  least  (Durfey) 
Still  wilt  thou  sigh,  and  still  in  vain  (Shadwelt) 
Sweet,  use  your  time ;  abuse  your  time  (Durfey) 
Sweetest  bud  of  beauty,  may  (Etherege) 

Tell  me,  Jenny,  tell  me  roundly  (John  PlayforcTs  Fifth 

Book  of  Choice  Airs) 

Tell  me  no  more  I  am  deceived  (Etherege)  . 

Tell  me  no  more  I  am  deceived  (Congreve) . 

Tell  me  not  of  a  face  that's  fair  (AUxander  Brome) 

The  day  is  come,  I  see  it  rise  (Dryden) 

The  lark  now  leaves  his  wat'ry  nest  (Da-»enant)  . 

The  night  her  blackest  sable  wore  (Durfey) 

There's  none  so  pretty  (  Westminster  Drollery)     . 

Think'st  thou  that  this  love  can  stand  (Marvelt)  . 

Those  arts  which  common  beauties  move  (  Oldmixon) 

Thou  fool !  if  madness  be  so  rife  (Cotton)    . 


108 
125 

80 
71 

68 

34 

74 

106 

6 

119 

109 

79 

112 

65 
89 

65 
46 

101 

48 

105 

8 

28 

6 

60 

93 

12 

ni 

16 


INDEX  OF  FIRST  LINES. 

Thus  Damon  knocked  at  Celia's  door  {Farquhar) 
'Tis  true  I  never  was  in  love  (Alexander  Brotnc)  . 
To  all  you  ladies  now  at  land  {Charles  SackvUle,  Earl 

ofDorsef) 

To  charming  Cselia's  arms  I  flew  ( Tom  Brown)    . 

Was  ever  man  of  Nature's  framing  (Cotton) 
Well-placed  in  Love's  triumphant  chariot  high  ( William 

Cavendish,  Duke  of  Newcastle) 
Were  I  to  take  wife  (John  fVUson)     . 
When,  Cselia,  must  my  old  day  set  {Cotton) 
When  first  I  made  love  to  my  Chloris  (Sedley>) 
When  I  a  lover  pale  do  see  {New  Airs  and  Dialogues) 
When  light  begins  the  eastern  heaven  to  grace  {Philip 

Ayres) 

When  with  Flavia  I  am  toying  {Oldmixon)  . 

Whilst  Alexis  lay  prest  {Dryden) 

Why,  cruel  creature,  why  so  bent  {George  Cranville, 

Lord  Lansdowne) 

Why    dost    thou    seem    to    boast,  vain-glorious  sun 

(Davenant) 


Young  Corydon  and  Phillis  {Sedley)     . 
Young  Philander  wooed  me  long  (Durfey)  . 
Your  beauty,  ripe,  and  calm,  and  fresh  {Davenant) 


127 
9 

30 
"3 

13 

1 

107 
14 
84 
99 

102 

120 

26 


82 
63 

5 


MUSA    PROTERVA. 

By     William      Cavendish, 

DUKE  OF  NEWCASTLE. 
From  The  Humorous 
Lwers,  1677. 

WELL-PLACED  inLove's  triumphantchariot 
high, 
Be  drawn  with  milk-white  turtles  through  the  sky, 
And  have  for  footmen  Cupids  running  by. 

A  poet  coachman  with  celestial  fire, 
His  gentle  whip  of  melting  pure  desire, 
Shall  drive  us  while  I  do  thy  eyes  admire. 

Imperial  laurel  deck  our  temples  round, 
As  victors  or  as  heated  poets  crowned, 
Scorning  to  have  commerce  with  the  dull  ground 

Thus  we  will  drive  o'er  mighty  hills  of  snow, 
Viewing  poor  mortal  lovers  here  below, 
Wretches  alas  !  that  know  not  where  we  go. 

B 


MUSA   PROTERVA. 


From    Sir    William    Dave- 
nant's  The  Rivals,  1668. 


M 


Y  lodging  '  is  on  the  cold  ground, 
And  very  hard  is  my  fare, 


1  This  song  is  parodied  in  Hon.  James  Howard's  All 
Mistaken,  or  tJu  Mad  Couplc,  1672.  In  Speculum  Amantis, 
p.  89,  I  gave  another  song  from  The  Rivals.  I  may  find 
room  in  this  footnote  for  an  earlier  love-song,  taken  from 
The  Triumphs  ofthe  Prince  a"Amour,  1635? — 

"  Unarm,  unarm  !  no  more  your  fights 

Must  cause  the  virgins  tears, 
But  such  as  in  the  silent  nights 

Spring  rather  from  their  fears. 

"  Such  diffrence  as  when  doves  do  bill 

Must  now  be  all  your  strife  ; 
For  all  the  blood  that  you  shall  spill 

Will  usher  in  a  life. 

"  And  when  your  ladies,  falsely  coy, 

Shall  timorous  appear, 
Believe  they  then  would  fain  enjoy 

What  they  pretend  to  fear. 

"  Breathe  then  each  other's  breath,  and  kiss 

Your  souls  to  union  ; 
And  whilst  they  shall  enjoy  this  bliss, 

Your  bodies,  too,  are  one. 

"  To-morrow  will  the  hasty  sun 

Be  feared  more  of  each  lover 
For  hind'ring  to  repeat  what's  done 

Than  what  it  may  discover." 


MUSA  PROTERVA. 

But  that  which  troubles  me  most  is 

The  unkindness  of  my  dear. 
Yet  still  I  cry,  O  turn,  love, 

And  I  prithee,  love,  turn  to  me ; 
For  thou  art  the  man  that  I  long  for, 

And,  alack  !  what  remedy  ? 

I'll  crown  thee  with  a  garland  of  straw  then, 

And  Fll  marry  thee  with  a  rush  ring, 
My  frozen  hopes  shall  thaw  then, 

And  merrily  we  will  sing. 
O  turn  to  me,  my  dear  love, 

And  prithee,  love,  turn  to  me, 
For  thou  art  the  man  that  alone  canst 

Procure  my  liberty. 

But,  if  thou  wilt  harden  thy  heart  still 

And  be  deaf  to  my  pitiful  moan, 
Then  I  must  endure  the  smart  still 

And  tumble  in  straw  alone  : 
Yet  still  I  cry,  O  turn,  love, 

And  I  prithee,  love,  turn  to  me, 
For  thou  art  the  man  that  alone  art 

The  cause  of  my  misery. 


MUSA   PROTERVA. 


By  Sni  William  Davenant. 
Against  Women's  Pride. 

"\  T  7  HY  dost  thou  seem  to  boast,  vain-glorious 
™  *  sun  ? 

Why  should  thy  bright  complexion  make  thee 
proud  ? 
Think  but  how  often  since  thy  race  begun 
Thou  wert  eclipsed,  then  blush  behind  a  cloud ! 

Or  why  look  you,  fair  Empress  of  the  night, 
So  big  upon  't,  when  you  at  full  appear  ? 

Remember  yours  is  but  a  borrowed  light ; 
Then  shrink  with  paleness  in  your  giddy  sphere ! 

If  neither  sun  nor  moon  can  justify 
Their  pride,  how  ill  it  women  then  befits, 

That  are  on  earth  but  ignes  faiui% 

That  lead  poor  men  to  wander  from  their  wits  ! 


MUSA  PROTERVA. 


By  SlR  WlLLIAM  DAVENANT. 

The  Philosopher  and  the  Lover  ;  to  a 

MlSTRESS  DYING. 

Lover. 

YOUR  beauty,  ripe,  and  calm,  and  fresh, 
As  eastern  summers  are, 
Must  now,  forsaking  time  and  flesh, 
Add  light  to  some  small  star. 

Philosopher.  Whilst  she  yet  lives,  were  stars 
decayed, 
Their  light  by  hers  relief  might  find ; 
But  Death  will  lead  her  to  a  shade 
Where  Love  is  cold  and  Beauty  blind. 

Lover.  Lovers,  whose  priests  all  poets  are, 

Think  every  mistress,  when  she  dies, 
Is  changed  at  least  into  a  star  : 
And  who  dares  doubt  the  poets  wise  ? 

Philosopher.  But  ask  not  bodies  doomed  to  die 
To  what  abode  they  go ; 
Since  Knowledge  is  but  SorroVs  spy 
It  is  not  safe  to  know. 


MUSA  PROTERVA. 


By  SlR  WlLLIAM  DAVENANT. 

rT"^HE  lark  now  leaves  his  wat'ry  nest 

■*•       And,  climbing,  shakes  his  dewy  wings ; 
He  takes  this  window  for  the  east, 

And.  to  implore  your  light  he  sings  : 
Awake,  awake  !  the  morn  will  never  rise 
Till  she  can  dress  her  beauty  at  your  eyes. 

The  merchant  bows  unto  the  seaman's  star, 
The  ploughman  from  the  sun  his  season  takes ; 

But  still  the  lover  wonders  what  they  are 
Who  look  for  day  before  his  mistress  wakes. 

Awake,  awake  !  break  through  your  veils  of  lawn, 

Then  draw  your  curtains  and  begin  the  dawn. 


By  SlR  WlLLIAM  DAVENANT. 

The  Soldier  going  to  the  Field. 

PRESERVE  thy  sighs,  unthrifty  girl, 
To  purify  the  air ; 
Thy  tears  to  thread,  instead  of  pearl, 
On  bracelets  of  thy  hair/ 


MUSA  PROTERVA. 

The  trumpet  makes  the  echo  hoarse, 
And  wakes  the  louder  drum ; 

Expense  of  grief  gains  no  remorse 
When  sorrow  should  be  dumb  : 

For  I  must  go  where  lazy  Peace 
Will  hide  her  drowsy  head, 

And,  for  the  sport  of  kings,  increase 
The  number  of  the  dead. 

But  first  I'll  chide  thy  cruel  theft : 

Can  I  in  war  delight 
Who,  being  of  my  heart  bereft, 

Can  have  no  heart  to  fight  ? 

Thou  know*st  the  sacred  laws  of  old 
Ordained  a  thief  should  pay, 

To  quit  him  of  his  theft,  sevenfold 
What  he  had  stol'n  away. 

Thy  paymcnt  shall  but  double  be  : 
O  then  with  speed  resign 

My  own  seduced  heart  to  me 
Accompanied  with  thine. 


MUSA  PROTERVA. 

By  Alexander  Brome. 
The  Resolve. 

r  I  ^ELL  me  not  of  a  face  that's  fair, 

-*■       Nor  lip  and  cheek  that's  red, 
Nor  of  the  tresses  of  her  hair, 

Nor  curls  in  order  laid, 
Nor  of  a  rare  seraphic  voice 

That  like  an  angel  sings ; 
Though  if  I  were  to  take  my  choice 

I  would  have  all  these  things  : 
But  if  that  thou  wilt  have  me  love, 

And  it  must  be  a  she, 
The  only  argument  can  move 

Is  that  she  will  love  me. 

The  glories  of  your  ladies  be 

But  metaphors  of  things, 
And  but  resemble  what  we  see 

Each  common  object  brings. 
Roses  out-red  their  lips  and  cheeks, 

Lilies  their  whiteness  stain  : 
What  fool  is  he  that  shadows  seeks 

And  may  the  substance  gain  ? 


MUSA   PROTERVA. 

Then  if  thou'lt  have  me  love  a  lass, 
Let  it  be  one  thafs  kind  : 

Else  I'm  a  servant  to  the  glass 
Thafs  with  Canary  lined. 


By  Alexander  Brome. 

A  Mock-Song. 

"TT^IS  true  I  never  was  in  love ; 
■*■       But  now  I  mean  to  be, 
For  there's  no  art 
Can  shield  a  heart 
From  love's  supremacy. 

Though  in  my  nonage  I  have  seen 

A  world  of  taking  faces, 
I  had  not  age  nor  wit  to  ken 

Their  several  hidden  graces. 

Those  virtues  which,  though  thinly  set, 

In  others  are  admired, 
In  thee  are  altogether  met, 

Which  make  thee  so  desired  ; 
c 


MUSA   PROTERVA. 

That,  though  I  never  was  in  love 
Nor  never  meant  to  be, 

Thy  self  and  parts 

Above  my  arts 
Have  drawn  my  heart  to  thee. 


By  Andrew  Marvell. 
TO   HIS   COY   MlSTRESS. 

T  AD  we  but  world  enough  and  time 
-*-  ■■■    This  coyness,  lady,  were  no  crime. 
We  would  sit  down  and  think  which  way 
To  walk,  and  pass  our  long  love's  day. 
Thou  by  the  Indian  Ganges'  side 
Shouldst  rubies  find :  I  by  the  tide 
Of  Humber  would  complain.     I  would 
Lpve  you  ten  years  before  the  flood, 
And  you  should,  if  you  please,  refuse 
Till  the  conversion  of  the  Jews. 
My  vegetable  love  should  grow 
Vaster  than  empires,  and  more  slow ; 
An  hundred  years  should  go  to  praise 
Thine  eyes,  and  on  thy  forehead  gaze ; 


MUSA   PROTERVA.  u 

Two  hundred  to  adore  each  breast, 

But  thirty  thousand  to  the  rest ; 

An  age  at  least  to  every  part, 

And  the  last  age  should  show  your  heart ; 

For,  lady,  you  deserve  this  state, 

Nor  would  I  love  at  lower  rate. 

But  at  my  back  I  always  hear 

Time's  winged  chariot  hurrying  near ; 

And  yonder  all  before  us  lie 

Deserts  of  vast  eternity. 

Thy  beauty  shall  no  more  be  fdund, 

Nor,  in  thy  marble  vault,  shall  sound 

My  echoing  song :  then  worms  shall  try 

That  long  preserved  virginity, 

And  your  quaint  honour  turn  to  dust, 

And  into  ashes  all  my  lust : 

The  grave's  a  fine  and  private  place, 

But  none,  I  think,  do  there  embrace. 

Now  therefore,  while  the  youthful  hue 
Sits  on  thy  skin  like  morning  dew, 
And  while  thy  willing  soul  transpires 
At  every  pore  with  instant  fires, 
Now  let  us  sport  us  while  we  may, 
And  now,  like  amorous  birds  cf  prey, 


12  MUSA   PROTERVA. 

Rather  at  once  our  time  devour 
Than  languish  in  his  slow-chapt l  power. 
Let  us  roll  all  our  strength  and  all 
Our  sweetness  up  into  one  ball, 
And  tear  our  pleasures  with  rough  strife 
Thorough  the  iron  gates  of  life  : 
Thus,  though  we  cannot  make  our  sun 
Stand  still,  yet  we  will  make  him  run. 

By  Andrew  Marveli- 

Making  Hay-Ropes. 

Amctas. 
kHINK'ST a  thou  that  this  love  can 
stand, 

Whilst  thou  still  dost  say  me  nay  ? 
Love  unpaid  does  soon  disband : 
Love  binds  love  as  hay  binds  hay. 

Thestylis.  Think'st  thou  that  this  rope  would  twine 
If  we  both  should  turn  one  way  ? 
Where  both  parties  so  combine, 
Neither  love  will  twist  nor  hay. 

*  "  Slow-chapt" — with  chaps  (jaws)  that  slowly  consume. 

*  Mr.  W.  J.  Linton  has  some  neatly-tumed  verses  (headed 
"  No  Marvel ")  suggested  by  the  present  poem.  See  his 
Poems  and  Translations,  p.  7. 


T 


MUSA  PROTERVA.  13 

Atnetas.  Thus  you  vain  excuses  find, 

Which  yourself  and  us  delay : 
And  love  ties  a  woman's  mind 
Looser  than  with  ropes  of  hay. 

Thestylis.  What  you  cannot  constant  hope 
Must  be  taken  as  you  may. 

Ametas.  Then  let's  both  lay  by  our  rope 
And  go  kiss  within  the  hay. 


By  Charles  Cotton. 

T  T  7"AS  ever  man  of  Nature's  framing 

*  *       So  given  o'er  to  roving, 
Who  have  been  twenty  years  a-taming 
By  ways  that  are  not  worth  the  naming, 
And  now  must  die  of  loving  ? 

Hell  take  me  if  she  ben't  so  winning 

That  now  I  love  her  mainly ! 
And  though  in  jest  at  the  beginning, 
Yet  now  Fd  wondrous  fain  be  sinning, 
And  so  have  told  her  plainly. 


14  MUSA  PROTERVA. 

At  which  she  cries  I  do  not  love  her, 

And  tells  me  of  her  honour ; 
Then  have  I  no  way  to  disprove  her, 
And  my  true  passion  to  discover, 

But  straight  to  fall  upon  her. 

Which  done,  forsooth,  she  talks  of  wedding, 

But  what  will  that  avail  her  ? 
For  though  I  am  old  dog  at  bedding, 
I'm  yet  a  man  of  so  much  reading 

That  there  I  sure  shall  fail  her. 

No,  hang  me  if  I  ever  marry 

Till  womankind  grow  stauncher ! 
I  do  delight  delights  to  vary, 
And  love  not  in  one  hulk  to  tarry, 
But  only  trim  and  launch  her. 


By  Charles  Cotton. 
To  C^LIA. 

"\  T  7HEN,  Caelia,  must  my  old  day  set 

™  "       And  my  yourig  morning  rise, 
In  beams  of  joy  so  bright  as  yet 
Ne'er  blessed  a  lover's  eyes  ? 


MUSA   PROTERVA.  15 

My  state  is  more  advanced  than  when 

I  first  attempted  thee ; 
I  sued  to  be  a  servant  then, 

But  now  to  be  made  free. 

I've  served  my  time  faithful  and  true, 

Expecting  to  be  placed 
In  happy  freedom,  as  my  due, 

To  all  the  joys  thou  hast : 
111  husbandry  in  love  is  such 

A  scandal  to  love's  power, 
We  ought  not  to  mis-spend  so  much 

As  one  poor  short-lived  hour. 

Yet  think  not,  sweet,  I'm  weary  grown 

That  I  pretend  such  haste, 
Since  none  to  surfeit  e'er  was  known 

Before  he  had  a  taste  : 
My  infant  love  could  humbly  wait 

When  young  it  scarce  knew  how 
To  plead  ;  but,  grown  to  man's  estate, 

He  is  impatient  now. 


16  MUSA   PROTERVA. 


By  Charles  Cotton. 
RONDEAU. 

r  I  ^HOU  fool !  if  madness  be  so  rife 

-*•     That,  spite  of  wit,  thou'lt  have  a  wife, 
ril  tell  thee  what  thou  must  expect, — 
After  the  honey-moon  neglect 
All  the  sad  days  of  thy  whole  life  ! 

To  that  a  world  of  woe  and  strife, 
Which  is  of  marriage  the  effect ; 
And  thou  thy  own  woe's  architect, 

Thou  fool ! 
Thou'lt  nothing  find  but  disrespect, 
111  words  i'  th'  scolding  dialect, 
For  she'll  all  tabor  be  or  fife. 
Then  prithee  go  and  whet  thy  knife, 
And  from  this  fate  thyself  protect, 

Thou  fool ! 


MUSA   PROTERVA.  17 


By  Thomas  Flatman. 
The  Defiance. 

T)  E  not  too  proud,  imperious  dame ; 
-*-'  Your  charms  are  transitory  things 
May  melt,  while  you  at  Heaven  aim, 
Like  Icarus'  waxen  wings ; 
And  you  a  part  in  his  misfortune  bear, 
Drowned  in  a  briny  ocean  of  despair. 

You  think  your  beauties  are  above 
The  poet's  brain  and  painter's  hand, 
As  if  upon  the  throne  of  love 
You  only  should  the  world  command  : 
Yet  know,  though  you  presume  your  title  true, 
There  are  pretenders  that  will  rival  you. 

There's  an  experienced  rebel  Time, 

And  in  his  squadron  's  Poverty  ; 

There's  Age  that  brings  along  with  him 

A  terrible  artillery : 
And  if  against  all  those  thou  keep'st  thy  crown, 
Th'  usurper  Death  will  make  thee  lay  it  down. 


18  MUSA   PROTERVA. 

By  Thomas  Flatman. 

The  Bachelor's  Song. 

IKE  *  a  dog  with  a  bottle  fast  tied  to  his  tail, 
r — '  Like  vermin  in  a  trap  or  a  thief  in  a  ja.il, 

Like  a  Tory  in  a  bog 

Or  an  ape  with  a  clog  : 
Such  is  the  man  who,  when  he  might  go  free, 

Does  his  liberty  lose 

For  a  matrimony  noose, 
And  sells  himself  into  captivity. 
The  dog  he  does  howl  when  the  bottle  does  jog 
The  vermin,  the  thief,  and  the  Tory  in  vain 
Of  the  trap,  of  the  jail,  of  the  quagmire  complain. 
But  well  fare  poor  Pug  !  for  he  plays  with  his  clog 
And,  though  he  would  be  rid  on  't  rather  than  his 

life, 
Yet  he  lugs  it  and  he  hugs  it  as  a  man  does  his 
wife. 

1  Some  waggish  friends  of  Flatman  sang  this  song  beneath 
his  window  on  his  marriage-night  Anthony  a  Wood  tells 
the  story.  In  the  Westminster  Drollery  we  find  some 
answers  to  "  The  Bachelor's  Song,"  which  was  very 
popular. 


MUSA   PROTERVA.  19 

The  Second  Part. 

How  happy  a  thing  were  a  wedding, 

And  a  bedding, 
If  a  man  might  purchase  a  wife 

For  a  twfclve-month  and  a  day  ! 
But  to  live  with  her  all  a  man's  life 

For  ever  and  for  aye 
Till  she  grow  as  grey  as  a  cat, 
Good  faith,  Mr.  Parson,  I  thank  you  for  that. 


By  Katherine  Philips  (the 
matchless  Orinda). 

An  Answer  to  Another  persuading  a  Lady 
to  Marriage. 

FORBEAR,  bold  youth  ;  all's  heaven  here, 
And  what  you  do  aver 
To  others  courtship  may  appear ; 
'Tis  sacrilege  to  her. 

She  is  a  public  deity ; 

And  were  't  not  very  odd 
She  should  dispose  herself  to  be 

A  petty  household  god. 


20  MUSA   PROTERVA. 

First  make  the  sun  in  private  shine 

And  bid  the  world  adieu, 
That  so  he  may  his  beams  confine 

In  compliment  to  you  : 

But  if  of  that  you  do  despair, 

Think  how  you  did  amiss 
To  strive  to  fix  her  beams  which  are 

More  bright  and  large  than  his.1 

From  John  Dryden's  Tyran- 
nic  Love,  1670. 

AH  how  sweet  it  is  to  love  ! 
Ah  how  gay  is  young  desire  ! 
And  what  pleasing  pains  we  prove 
When  we  first  approach  love's  fire  ! 
Pains  of  love  be  sweeter  far 
Than  all  other  pleasures  are. 

Sighs  which  are  from  lovers  blown 
Do  but  gently  heave  the  heart : 
Ev'n  the  tears  they  shed  alone, 
Cure,  like  trickling  balm,  their  smart : 

Lovers,  when  they  lose  their  breath, 

Bleed  away  in  easy  death. 
1  Olded.  "this." 


MUSA  PROTERVA. 

Love  and  time  with  reverence  use, 
Treat  'em  like  a  parting  friend  ; 
Nor  the  golden  gifts  refuse 
Which  in  youth  sincere  they  send ; 
For  each  year  their  price  is  more, 
And  they  less  simple  than  before. 

Love,  like  spring-tides  full  and  high, 
Swells  in  every  youthful  vein  ; 
But  each  tide  does  less  supply 
Till  they  quite  shrink  in  again  : 
If  a  flow  in  Age  appear, 
'Tis  but  rain,  and  runs  not  clear. 


From    John     Dryden's     An 
Evening^s  Love,  1671. 

CALM  was  the  even  and  clear  was  the  sky, 
And  the  new-budding  flowers  did  spring, 
When  all  alone  went  Amyntas  and  I 

To  hear  the  sweet  nightingale  sing. 
I  sat,  and  he  laid  him  down  by  me, 

But  scarcely  his  breath  he  could  draw, 

For  when  with  a  fear  he  began  to  draw  near 

He  was  dashed  with  A  ha,  ha,  ha,  ha  ! 


22  MUSA   PROTERVA. 

He  blush'd  to  bimself,  and  lay  still  for  a  while, 
And  his  modesty  curbed  his  desire ; 

But  straight  I  convinced  all  his  fears  with  a  smile, 
Which  added  new  flames  to  his  fire. 

0  Sylvia,  said  he,  you  are  cruel 
To  keep  your  poor  lover  in  awe ; 

Then  once  more  he  prest  with  his  hand  to  my  breast, 
But  was  dashed  with  A  ha,  ha,  ha,  ha ! 

1  knew  'twas  his  passion  that  caused  all  his  fear, 
And  therefore  I  pitied  his  case : 

I  whispered  him  softly  "  There's  nobody  near," 
And  laid  my  cheek  close  to  his  face : 

But  as  he  grew  bolder  and  bolder, 
A  shepherd  came  by  us  and  saw, 

And,  just  as  our  bliss  we  began  with  a  kiss, 
He  laughed  out  with  A  ha,  ha,  ha,  ha  ! 


Damon. 

CELIMENA,  of  my  heart 
None  shall  e'er  bereave  you  ; 
If  with  your  good  leave  I  may 
Quarrel  with  you  once  a  day, 
I  will  never  leave  you. 


MUSA   PROTERVA.  23 

Celim.  Passion's  but  an  empty  name 
Where  respect  is  wanting : 
Damon,  you  mistake  your  aim : 
Hang  your  heart  and  burn  your  flame, 
If  you  must  be  ranting. 

Damon.  Love  as  dull  and  muddy  is 

As  decaying  liquor : 
Anger  sets  it  on  the  lees, 
And  refines  it  by  degrees 

Till  it  works  the  quicker. 

Celim.  Love  by  quarrels  to  beget 

Wisely  you  endeavour, 
With  a  grave  physician's  wit, 
Who  to  cure  an  ague  fit 

Put  me  in  a  fever. 

Damon.  Anger  rouses  love  to  fight 

And  his  only  bait  is ; 
Tis  the  spur  to  dull  delight, 
And  is  but  an  eager  bite 

When  desire  at  height  is. 

Celim.  If  such  drops  of  heat  can  fall 
In  our  wooing  weather ; 


24  MUSA   PROTERVA. 

If  sucli  drops  of  heat  can  fall, 
We  shall  have  the  devil  and  all 
When  we  corae  together. 


A   FTER  the  pangs  of  a  desperate  lover, 
■*■*•  When  day  and  night  I  have  sighed  all  in  vain, 
Ah  what  a  pleasure  it  is  to  discover 
In  her  eyes  pity  who  causes  my  pain  ! 

When  with  unkindness  our  love  at  a  stand  is, 
And  both  have  punished  ourselves  with  the  pain, 
Ah  what  a  pleasure  the  touch  of  her  hand  is, 
Ah  what  a  pleasure  to  press  it  again  ! 

When  the  denial  comes  fainter  and  fainter, 
And  her  eyes  give  what  her  tongue  does  deny, 
Ah  what  a  trembling  I  feel  when  I  venture, 
Ah  what  a  trembling  does  usher  my  joy  ! 

When  with  a  sigh  she  accords  me  the  blessing, 
And  her  eyes  twinkle  'twixt  pleasure  and  pain, 
Ah  what  a  joy  'tis,  beyond  all  expressing, 
Ah  what  a  joy  to  hear>"  Shall  we  again  ?  " 


MUSA   PROTERVA.  25 


From  John  Dryden's  T/te 
First  Part  of  the  Conquest 
of  Granada,  1672. 

T)  ENEATH  a  myrtle  shade, 

*-r   Which  Love  for  none  but  happy  lovers  made, 
I  slept ;  and  straight  my  love  before  me  brought 
Phillis,  the  object  of  my  waking  thought : 
Undressed  she  came  my  flames  to  meet, 
While  Love  strowed  flowers  beneath  her  feet, 
Flowers  which,  so  pressed  by  her,  became  more 
sweet. 

From  the  bright  vision's  head 
A  careless  veil  of  lawn  was  loosely  spread  : 
From  her  white  temples  fell  her  shaded  hair, 
Like  cloudy  sunshine,  not  too  brown  nor  fair ; 
Her  hands,  her  lips  did  love  inspire, 
Her  every  grace  my  heart  did  fire  : 
But  most  her  eyes,  which  languished  with  desire. 

Ah,  charming  fair,  said  I, 
How  long  can  you  my  bliss  and  yours  deny  ? 
By  Nature  and  by  Love  this  lonely  shade 
Was  for  revenge  of  suflfring  lovers  made  : 


26  MUSA  PROTERVA. 

Silence  and  shades  with  love  agree, 

Both  shelter  you  and  favour  me  ; 

You  cannot  blush  because  I  cannot  see. 

No,  let  me  die,  she  said, 
Rather  than  lose  the  spotless  name  of  maid  : 
Faintly,  methought,  she  spoke,  for  all  the  while 
She  bid  me  not  believe  her  with  a  smile. 
Then  die,  said  I.     She  still  denied, 
And  is  it  thus,  thus,  thus,  she  cried, 
You  use  a  harmless  maid  ?  and  so  she  died. 

I  waked,  and  straight  I  knew 
I  loved  so  well  it  made  my  dream  prove  true  : 
Fancy,  the  kinder  mistress  of  the  two, 
Fancy  had  done  what  Phillis  would  not  do. 
Ah  cruel  nymph,  cease  your  disdain, 
While  I  can  dream  you  scorn  in  vain  : 
Asleep  or  waking  you  must  ease  my  pain. 


From   JOHN    Dryden's   Mar- 
riage-a-la-Modet  1673. 

\XT  HILST  Alexis  lay  prest 

"  "      In  her  arms  he  loved  best, 

With  his  hand  round  her  neck 

And  his  head  on  her  breast, 


MUSA   PROTERVA.  27 

He  found  the  fierce  pleasure  too  hasty  to  stay, 
And  his  soul  in  the  tempest  just  flying  away. 

When  Cselia  saw  this, 

With  a  sigh  and  a  kiss 

She  cried  "  Oh  my  dear,  I  am  robbed  of  my  bliss ; 

Tis  unkind  to  your  love,  and  unfaithfully  done, 

To  leave  me  behind  you  and  die  all  alone." 

The  youth,  tho'  in  haste 

And  breathing  his  last, 

In  pity  died  slowly  while  she  died  more  fast, 

Till  at  length  she  cried  "  Now,  my  dear,  now  let  us 

go! 
Now  die,  my  Alexis,  and  I  will  die  too." 

Thus  entranced  they  did  lie, 
Till  Alexis  did  try 

To  recover  new  breath  that  again  he  might  die  : 
Then  often  they  died ;  but  the  more  they  did  so, 
The  nymph  died  more  quick  and  the  shepherd 
more  slow. 


28  MUSA   PROTERVA. 


From    John    Dryden's    Aw- 
boyna,  1673. 

"  I  ""HE  day  is  come,  I  see  it  rise 

*•     Betwixt  the  bride's  and  bridegroom's  eyes, 
That  golden  day  they  wished  so  long, 
Love  picked  it  out  amidst  the  throng  ; 
He  destined  to  himself  this  sun, 
And  took  the  reins  and  drove  him  on  ; 
In  his  own  beams  he  dressed  him  bright, 
Yet  bid  him  bring  a  better  night. 

The  day  you  wished  arrived  at  last, 
You  wish  as  much  that  it  were  past ; 
One  minute  more  and  night  will  hide 
The  bridegroom  and  the  blushing  bride. 
The  virgin  now  to  bed  does  go  ; 
Take  care,  O  youth,  she  rise  not  so  ; 
She  pants  and  trembles  at  her  doom, 
And  fears  and  wishes  thou  wouldst  come. 

The  bridegroom  comes,  he  comes  apace 
With  love  and  fury  in  his  face ; 
She  shrinks  away,  he  close  pursues, 
And  prayers  and  threats  at  once  does  use. 


MUSA   PROTERVA.  29 

She,  softly  sighing,  begs  delay, 
And  with  her  hand  puts  his  away : 
Now  out  aloud  for  help  she  cries, 
And  now  despairing  shuts  her  eyes. 


From    John     Dryden's    The 
Spanish  Friar,  1681. 

T7AREWELL,  ungrateful  traitor, 
■*■  Farewell,  my  perjured  swain  ! 
Let  never  injured  creature 

Believe  a  man  again. 
The  pleasure  of  possessing 
Surpasses  all  expressing ; 
But  'tis  too  short  a  blessing, 

And  love  too  long  a  pain. 

Tis  easy  to  deceive  us 

In  pity  of  your  pain ; 
But  when  we  love  you  leave  us 

To  rail  at  you  in  vain. 
Before  we  have  descried  it 
There  is  no  bliss  beside  it; 
But  she  that  once  has  tried  it 

Will  never  love  again. 


30  MUSA  PROTERVA. 

The  passion  you  pretended 
Was  only  to  obtain ; 

But  when  the  charm  is  ended 
The  charmer  you  disdain. 

Your  love  by  ours  we  measure 

Till  we  have  lost  our  treasure  ; 

But  dying  is  a  pleasure 
When  living  is  a  pain. 


By  Charles  Sackville,  Earl 

OF  DORSET. 

Song;  written  at  sea  in  the  first  Dutch 
War,  1665,  the  night  before  an  engage- 
ment. 

TO  all  you  ladies  now  at  land 
We  men  at  sea  indite  ; 
But  first  would  have  ye  understand 

How  hard  it  is  to  write  : 
The  Muses  now  and  Neptune,  too, 
We  must  implore  to  write  to  you. 


MUSA  PROTERVA.  3' 

For  tho'  the  Muses  should  prove  kind 

And  fill  our  empty  brain, 
Yet,  if  rough  Neptune  call  the  wind 

To  rouse  the  azure  main, 
Our  paper,  pen,  and  ink,  and  we 
Roll  up  and  down  our  ships  at  sea. 

Then,  if  we  write  not  by  each  post, 

Think  not  we  are  unkind, 
Nor  yet  conclude  our  ships  are  lost 

By  Dutchmen  or  by  wind  : 
Our  tears  we'll  send  a  speedier  way, 
The  tide  shall  bring  them  twice  a  day. 

The  King,  with  wonder  and  surprise, 

Will  swear  the  seas  grow  bold, 
Because  the  tides  will  higher  rise 

Than  e'er  they  used  of  old : 
But  let  him  know  it  is  our  tears 
Bring  floods  of  grief  to  Whitehall  stairs. 

Should  foggy  Opdam  chance  to  know 

Our  sad  and  dismal  story, 
The  Dutch  would  scorn  so  weak  a  foe 

And  say  theyVe  gained  no  glory ; 
For  what  resistance  can  they  find 
From  men  whoVe  left  their  hearts  behind. 


32  MUSA   PROTERVA. 

Let  wind  and  weather  do  its  worst, 

Be  you  to  us  but  kind ; 
Let  Dutchmen  vapour,  Spaniards  curse, 

No  sorrow  we  shall  find  : 
'Tis  then  no  matter  how  things  go, 
Or  who's  our  friend,  or  who's  our  foe. 

To  pass  our  tedious  hours  away 

We  throw  a  merry  main, 
Or  else  at  serious  ombre  play ; 

But  why  should  we  in  vain 
Each  other's  ruin  thus  pursue? 
We  were  undone  when  we  left  you. 

But  now  our  fears  tempestuous  grow 

And  cast  our  hopes  away, 
Whilst  you,  regardless  of  our  woe, 

Sit  careless  at  a  play ; 
Perhaps  permit  some  happier  man 
To  kiss  your  hana  or  flirt  your  fan. 

Whcn  any  mournful  tune  you  hear 

That  dies  in  every  note, 
As  if  it  sighed  with  each  man's  care 

For  being  so  remote ; 
Think  then  how  often  love  we've  made 
To  you,  when  all  those  tunes  were  played. 


MUSA  PROTERVA.  33 

In  justice  you  cannot  refuse 

To  think  of  our  distress, 
When  we  for  hopes  of  honour  lose 

Our  certain  happiness ; 
All  those  designs  are  but  to  prove 
Ourselves  more  worthy  of  your  love. 

And  now  we've  told  you  all  our  loves, 

And  likewise  all  our  fears, 
In  hopes  this  declaration  moves 

Some  pity  for  our  tears ; 
Lefs  hear  of  no  inconstancy, 
We  have  too  much  of  that  at  sea. 


By  the  Earl  of  Dorset. 

1\  /T  AY  the  ambitious  ever  find 
*»*     Success  in  crowds  and  noise, 
While  gentler  love  does  fill  my  mind 
With  silent  real  joys  ! 

May  knaves  and  fools  grow  rich  and  great, 
And  the  world  think  them  wise, 

While  I  lie  dying  at  her  feet 
And  all  the  world  despise. 


^4  MUSA   rROTERVA. 

Let  conquering  kings  nevv  triumphs  raise 
And  melt  in  court  delights  ; 

Her  eyes  can  give  much  brighter  days, 
Her  arms  much  softer  nights. 


By  the  Earl  of  Dorset. 

T)HILLIS,  the  fairest  of  Love's  foes, 
•*-        Though  fiercer  than  a  dragon, 
Phillis,  that  scorned  the  powdered  beaux, 

What  has  she  now  to  brag  on? 
So  long  she  kept  her  legs  so  close 
Till  she  had  scarce  a  rag  on. 

Compelled  through  want,  this  wretched  maid 

Did  sad  complaints  begin ; 
Which  surly  Strephon  hearing  said 

It  was  both  shame  and  sin 
To  pity  such  a  lazy  jade 

As  will  neither  play  nor  spin. 


MUSA   PROTERVA.  35 

By  the  Earl  OF  Dorset. 

IV  /T  ETHINKS  the  poor  town  has  been  troubled 

-*■»-*-         too  long, 
With  Phillis  and  Chloris  in  every  song, 
By  fools  who  at  once  can  both  love  and  despair 
And  will  never  leave  calling  them  cruel  and  fair ; 
Which  justly  provokes  me  in  rhyme  to  express 
The  truth  that  I  know  of  bonny  Black  Bess.1 

This  Bess  of  my  heart,  this  Bess  of  my  soul, 

Has  a  skin  white  as  milk  and  hair  black  as  a  coal ; 

She's  plump,  yet  with  ease  you  may  span  round 

her  waist, 
But  her  round    swelling    thighs  can    scarce   be 

embraced  : 
Her  belly  is  soft,  not  a  word  of  the  rest, 
But  I  know  what  I  think  when  I  drink  to  the  best. 

The  plowman  and  squire,  the  arranter  clown, 

At  home  she  subdued  in  her  paragon  gown ; 

But  now  she  adorns  both  the  boxes  and  pit, 

And  the   proudest   town-gallants    are    forced    to 

submit ; 

'  Horace  Walpole,  in  his  copy  of  The  Sports  of  the  Muses, 
1752,  preserved  in  the  Dyce  Library,  notes  that  "Black 
Bess  "  was  Mrs.  Barnes. 


36  MUSA   PROTERVA. 

All  hearts  fall  a-leaping  wherever  she  comes, 
And  beat  day  and  night  like  my  Lord  Craven's  l 
drums. 

I  dare  not  permit  her  to  come  to  Whitehall, 

For  she'd  outshine  the  ladies,  paint,  jewels,  and  all ; 
If  a  lord  should  but  whisper  his  love  in  the  crowd, 
She'd  sell  him  a  bargain  and  laugh  out  aloud : 
Then  the  Queen,  overhearing  what  Betty  did  say, 
Would  send  Mr.  Roper 3  to  take  her  away. 

But  to  those  that  haVe  had  my  dear  Bess  in  their 

arms, 
She's  gentle,  and  knows  how  to  soften  her  charms ; 
And  to  every  beauty  cajn  add  a  new  grace, 
Having  learned  how  to  lisp  and  to  trip  in  her  pace ; 
And  with  head  on  one  side,  and  a  languishing  eye, 
To  kill  us  by  looking  as  if  she  would  die. 

1  Pepys,   in    March,    1668,   describes    Lord   Craven    as 

II  riding  up  and  down  to  give  orders  like  a  madman  "  to  the 
troops  gathered  in  Lincoln's  Inn  Fields  for  the  suppression 
of  a  city  tumult.  Whenever  a  fire  broke  out  Lord  Craven 
was  very  active ;  his  horse  could  scent  fire  at  a  distance. 

*  Christopher   Roper,  appointed  page  of  honour  to  the 
Queen  in  1667. 


MUSA   PROTERVA.  37 


By  the  Earl  of  Dorset. 


A   T  noon,  in  a  sunshiny  day, 
•**-     The  brightest  lady  of  the  May, 
Young  Chloris,  innocent  and  gay 
Sat  knotting  in  a  shade. 

Each  slender  finger  played  its  part 
With  such  activity  and  art 
As  would  inflame  a  youthful  heart, 
And  warm  the  most  decayed. 

Her  fav'rite  swain  by  chance  came  by, 
He  saw  no  anger  in  her  eye ; 
Yet  when  the  bashful  boy  drew  nigh, 
She  would  have  seemed  afraid. 

She  let  her  ivory  needle  fall, 
And  hurled  away  the  twisted  ball ; 
But  straight  gave  Strephon  such  a  call 
As  would  have  raised  the  dead. 

"  Dear  gentle  youth,  is't  none  but  thee  ? 
With  innocence  I  dare  be  free ; 
By  so  much  truth  and  modesty 
No  nymph  was  e'er  betrayed. 


38  MUSA   PROTERVA. 

"  Come  lean  thy  head  upon  my  lap  ; 
While  thy  smooth  cheeks  I  stroke  and  clap, 
Thou  mayst  securely  take  a  nap  "  : 
Which  he,  poor  fool,  obeyed. 

She  saw  him  yawn  and  heard  him  snore, 
And  found  him  fast  asleep  all  o'er ; 
She  sighed  and  could  endure  no  more, 
But,  starting  up,  she  said : 

**  Such  virtue  shall  rewarded  be  ; 
For  this  thy  dull  fidelity, 
111  trust  thee  with  my  flocks,  not  me  : 
Pursue  thy  grazing  trade. 

"  Go,  milk  thy  goats  and  shear  thy  sheep, 
And  watch  all  night  thy  flocks  to  keep ; 
Thou  shalt  no  more  be  lulled  asleep 
By  me,  mistaken  maid." 


MUSA   PROTERVA.  39 

By  the  Earl  of  Dorset. 
On  a  Lady1  who  fancied  herself  a  Beauty. 
y^ORINDAS  sparkling  wit  and  eyes, 
-*-^     United,  cast  too  fierce  a  light, 
Which  blazes  high  but  quickly  dies, 
Pains  not  the  heart  but  hurts  the  sight. 

Love  is  a  calmer,  gentler  joy, 

Smooth  are  his  looks  and  soft  his  pace ; 
Her  Cupid  is  a  black-guard  boy 

That  runs  his  link  full  in  your  face. 

By  the  Earl  of  Dorset. 
To  Chloris  from  the  Blind  Archer. 

A   H,  Chloris,  'tis  time  to  disarm  your  bright  eyes 
■*•  *■     And  lay  by  those  terrible  glances ; 
We  live  in  an  age  that's  more  civil  and  wise 

Than  to  follow  the  rules  of  romances. 

When  once  your  round  bubbies  begin  but  to  pout, 
They'll  allow  you  no  long  time  of  courting ; 

And  you'll  find  it  a  very  hard  task  to  hold  out, 
For  all  maidens  are  mortal  at  fourteen. 

1  Catharine  Sedley,  Countess  of  Dorchester,  mistress  of 
James  II. 


4Q  MUSA   PROTERVA. 


By  the  Earl  of  Dorset.  (A 
song  contributed  to  SOUTH- 
erne's  Sir  Antony  Love, 
1691.) 

T  N  vain,  Clemene,  you  bestow 
■*•     The  promised  empire  of  your  heart 
If  you  refuse  to  let  me  know 
The  wealthy  charms  of  every  part. 

My  passion  with  your  kindness  grew, 
Tho'  beauty  gave  the  first  desire : 

But  beauty  only  to  pursue 
Is  following  a  wand'ring  fire. 

As  hills  in  perspective  suppress 

The  free  enquiry  of  the  sight ; 
Restraint  makes  every  pleasure  less 

And  takes  from  love  the  full  delight. 

Faint  kisses  may  in  part  supply 
Those  eager  longings  of  my  soul ; 

But  oh  !  I'm  lost  if  you  deny 
A  quick  possession  of  the  whole. 


MUSA   PROTERVA.  41 


By  John  Wilmot,  Earl  of 

ROCHESTER. 

1\  /T  Y  dear  mistress  has  a  heart 
*»*     Soft  as  those  kind  looks  shegave  me, 
When,  with  love's  resistless  art 

And  her  eyes,  she  did  enslave  me : 
But  her  constancy's  so  weak, 

She's  so  wild  and  apt  to  wander, 

That  my  jealous  heart  would  break 

Should  we  live  one  day  asunder. 

Melting  joys  about  her  move, 

Killing  pleasures,  wounding  blisses ; 
She  can  dress  her  eyes  in  love, 

And  her  lips  can  warm  with  kisses. 
Angels  listen  when  she  speaks ; 

She's  my  delight,  all  mankind's  wonder, 
But  my  jealous  heart  would  break, 

Should  we  live  one  day  asunder. 


\2  MUSA  PROTERVA. 


By  the  Earl  of  Rochester. 

/~*  IVE  me  leave  to  rail  at  you, 
^~*  I  ask  nothing  but  my  due ; 
To  call  you  false  and  then  to  say 
You  shall  not  keep  my  heart  a  day ; 
But,  alas  !  against  my  will, 
I  must  be  your  captive  still. 
Ah,  be  kinder  then,  for  I 
Cannot  change  and  would  not  die. 

Kindness  has  resistless  charms, 

All  besides  but  weakly  move  ; 

Fiercest  anger  it  disarms, 

And  clips  the  wings  of  flying  love. 

Beauty  does  the  heart  invade, 

Kindness  only  can  persuade ; 

It  gilds  the  lover^s  servile  chain, 

And  makes  the  slaves  grow  pleased  again. 


MUSA  PROTERVA.  43 


By  the  Earl  of  Rochester. 

A  LL  my  past  life  is  mine  no  more, 
•**■    The  flying  hours  are  gone, 
Like  transitory  dreams  given  o'er, 
Whose  images  are  kept  in  store 
By  memory  alone. 

The  time  that  is  to  come  is  not : 
How  can  it  then  be  mine  ? 

The  present  momenfs  all  my  lot, 

And  that,  as  fast  as  it  is  got, 
Phillis,  is  only  thine. 

Then  talk  not  of  inconstancy, 

False  hearts  and  broken  vows ; 

If  I,  by  nliracle,  can  be 

This  live-long  minute  true  to  thee, 
'Tis  all  that  heaven  allows. 


44  MUSA   rROTERVA. 


By  the  Earl  of  Rochester. 

A   S  Chloris,  full  of  harmless  thought, 
■**-     Beneath  the  willows  lay, 
Kind  Love  a  comely  shepherd  brought 

To  pass  the  time  away  : 
She  blushed  to  be  encountered  so, 

And  chid  the  amorous  swain ; 
But  as  she  strove  to  rise  and  go, 

He  pulled  her  back  again. 

A  sudden  passion  seized  her  heart 

In  spite  of  her  disdain  ; 
She  found  a  pulse  in  every  part, 

And  Love  in  every  vein. 
"  Ah>  youth,"  quoth  she,  "  what  charms  are  these, 

That  conquer  and  surprise  ? 
Ah  let  me — for,  unless  you  please, 

I  have  no  power  to  rise." 

She  faintly  spoke  and  trembling  lay, 

For  fear  he  should  comply  ; 
Her  lovely  eyes  her  heart  betray, 

And  give  her  tongue  the  lie. 


MUSA   PROTERVA.  45 

Thus  she,  who  princes  had  denied 

With  all  their  pomp  and  train, 
Was  in  the  lucky  minute  tried 

And  yielded  to  the  swain.1 


From  Sir  George  Etherege's 
The  Comical  Revenge ;  or 
Larve  in  a  Tub,  1664. 

IF  she  be  not  as  kind  as  fair, 
But  peevish  and  unhandy, 
Leave  her,  she's  only  worth  the  care 

Of  some  spruce  jack-a-dandy. 
I  would  not  have  thee  such  an  ass, 

Hadst  thou  ne'er  so  much  leisure, 
To  sigh  and  whine  for  such  a  lass 
Whose  pride's  above  her  pleasure. 


T     ADIES,  though  to  your  conquering  eyes 
* — '     Love  owes  his  chiefest  victories, 


1  This  song  was  lengthened  into  a  broadside  ballad,  seven 
additional  stanzas  being  tacked  on.  See  Roxburghe  Ballads, 
ed.  J.  W.  Ebsworth,  part  xvi.,  pp.  133-35. 


46  MUSA  PROTERVA. 

And  borrows  those  bright  arms  from  you 
With  which  he  does  the  world  subdue, 
Yet  you  yourself  are  not  above 
The  empire  nor  the  griefs  of  love. 

Then  rack  not  lovers  with  disdain, 

Lest  Love  on  you  revenge  their  pain ; 

You  are  not  free  because  you're  fair ; 

The  Boy  did  not  his  Mother  spare  : 
Beauty's  but  an  offensive  dart, 
It  is  no  armour  for  the  heart. 


By  SlR  George  Etherege. 
TO   A  VERY  YOUNG   LADY. 

Q  WEETEST  bud  of  beauty,  may 
w-'  No  untimely  frost  decay 
Th'  early  glories  which  we  trace 
Blooming  in  thy  matchless  face. 
But  kindly  opening  like  the  rose 
Fresh  beauties  every  day  disclose, 
Such  as  by  nature  are  not  shown 
In  all  the  blossoms  she  has  blown. 


MUSA   PROTERVA.  47 

And  then  what  conquests  shall  you  make 
Who  hearts  already  daily  take  ! 
Scorched  in  the  morning  with  thy  beams, 
How  shall  we  bear  those  sad  extremes 
Which  shall  attend  thy  threatening  eyes 
When  thou  shalt  to  thy  noon  arise  ! l 


By  Sir  George  Etherege. 
To  A  Lady,  asking  him  how  long  he  would 

LOVE   HER. 

T  T  is  not,  Celia,  in  our  power 

*■   To  say  how  long  our  love  will  last ; 

It  may  be  we  within  this  hour 

May  lose  those  joys  we  now  do  taste ; 

The  blessed,  that  immortal  be, 

From  change  in  love  are  only  free. 

'  Cf.  Waller's  verses  To  my  young  Lady  Lucy  Sidney : — 

"  Yet,  fairest  blossom,  do  not  slight 
That  age  which  you  may  know  so  soon  : 

The  rosy  mom  resigns  her  light 
And  milder  glory  to  the  noon  : 

And  then  what  wonders  shall  you  do, 

Whose  dawning  beauty  warms  us  so  ! " 


48  MUSA   PROTERVA. 

Then,  since  we  mortal  lovers  are, 
Ask  not  how  long  our  love  will  last ; 
But  while  it  does,  let  us  take  care 
Each  minute  be  with  pleasure  pass'd  : 
Were  it  not  madness  to  deny 
To  live  because  we're  sure  to  die  ? 


By  Sir  George  Etherege. 
(A  song  conlributed  to 
Nahum  Tate's  A  Duke 
and  no  Duke,  1685.) 

/~T~*ELL  me  no  more  I  am  deceived  : 

•*-       While  Silvia  seems  so  kind, 
And  takes  such  care  to  be  believed, 

The  cheat  I  fear  to  find. 
To  flatter  me  should  falsehood  lie 

Concealed  in  her  soft  youth, 
A  thousand  times  I'd  rather  die 

Than  see  the  unhappy  truth. 

My  love  all  malice  shall  outbrave, 

Let  fops  in  libels  rail ; 
If  she  the  appearances  will  save, 

No  scandal  shall  prevail. 


MUSA   PROTERVA.  49 

She  makes  me  think  I  have  her  hcart : 

How  much  for  that  is  due  ? 
Tho'  she  but  act  the  tender  part 

The  joy  she  gives  is  true. 


By  Sir  Car  Scroope.  ' 

AS  Amoret  with  Phillis  sat 
One  evening  on  the  plain, 
And  saw  the  charming  Strephon  wait 

To  tell  the  nymph  his  pain  j 
The  threat'ning  danger  to  remove, 

She  whispered  in  her  ear, 
"  Ah  !  Phillis,  if  you  would  not  love, 

This  shepherd  do  not  hear ; 
None  ever  had  so  strange  an  art 

His  passion  to  convey 
Into  a  list'ning  virgin's  heart 

And  steal  her  soul  away : 

1  Sir  Car  Scroope  contributed  this  song  to  Etherege's  The 
Man  of  Mode,  or  Sir  Fopling  Flutter,  1676,  for  which  play 
he  also  wrote  a  prologue.  Prefixed  to  the  verses  is  a  note — 
"  Song  by  Sir  C.  S."  (In  the  1722  edition  of  Sir  Charles 
Sedley'*  Works  the  song  is  found,  but  not  in  ed.  1702.) 
H 


5o  MUSA  PROTERVA. 

Fly,  fly  betimes  for  fear  you  give 
Occasion  for  your  Fate  ! " 

"  In  vain,"  said  she,  "  in  vain  I  strive, 
Alas  !  'tis  now  too  late." 


From  Mrs.  Behn's  Abdelazar, 
or  the  Moor^s  Revenge,  1 67 1 . 

T     OVE  in  fantastic  triumph  sate 
" — *     Whilst  bleeding  hearts  around  him  flowed, 
For  whom  fresh  pains  he  did  create 

And  strange  tyrannic  power  he  showed. 
From  thy  bright  eyes  he  took  his  fires, 

Which  round  about  in  sport  he  hurled ; 
But  'twas  from  mine  he  took  desires, 

Enough  t'  undo  the  amorous  world. 

From  me  he  took  his  sighs  and  tears, 

From  thee  his  pride  and  cruelty  ; 
From  me  his  languishments  and  fears, 

And  every  killing  dart  from  thee. 
Thus  thou  and  I  the  God  have  armed, 

And  set  him  up  a  deity  \ 
But  my  poor  heart  alone  is  harmed, 

Whilst  thine  the  victor  is  and  free. 


MUSA  PROTERVA.  51 


From  Mrs.  Behn's  The  Lucky 
Chance,  1687. 

/^~\  LOVE,  that  stronger  art  than  wine, 

^^  Pleasing  delusion,  witchery  divine, 
Want  to  be  prized  above  all  wealth, 
Disease  that  has  more  joys  than  health, 
Tho'  we  blaspheme  thee  in  our  pain 
And  of  thy  tyranny  complain, 
We  all  are  bettered  by  thy  reign. 

What  Reason  never  can  bestow 

We  to  this  useful  Passion  owe  : 

Love  wakes  the  dull  from  sluggish  ease, 

And  learns  a  clown  the  art  to  please, 

Humbles  the  vain,  kindles  the  cold, 

Makes  misers  free  and  cowards  bold  3 

Tis  he  reforms  the  sot  from  drink, 

And  teaches  airy  fops  to  think. 

When  full  brute  appetite  is  fed, 

And  choked  the  glutton  lies  and  dead, 

Thou  new  spirits  dost  dispense 

And  'finest  the  gross  delights  of  sense  : 

Virtue's  unconquerable  aid 

That  against  Nature  can  persuade, 


52  MUSA  PROTERVA. 

And  mak'st  a  roving  mind  retire 
Within  the  bounds  of  just  desire; 
Cheerer  of  age,  Youth's  kind  unrest, 
And  half  the  heaven  of  the  blest ! 


By  Mrs.  Behn. 

A    THOUSAND  martyrs  I  have  made 
■*■*•      All  sacrificed  to  my  desire, 
A  thousand  beauties  have  betrayed 

That  languish  in  resistless  fire  : 
The  untaroed  heart  to  hand  I  brought 
And  fixed  the  wild  and  wand'ring  thought. 

I  never  vowed  nor  sighed  in  vain, 
But  both,  tho'  false,  were  well  received ; 

The  fair  are  pleased  to  give  us  pain, 
And  what  they  wish  is  soon  believed  : 

And,  tho'  1  talked  of  wounds  and  smart, 

Love's  pleasures  only  touched  my  heart. 

Alone  the  glory  and  the  spoil 

I  always  laughing  bore  away, 
The  triumphs  without  pain  or  toil, 

Without  the  hell  the  heaven  of  joy : 
And  while  I  thus  at  random  rove 
Despise  the  fools  that  whine  for  love. 


MUSA   PROTERVA.  53 


By  Mrs.  Behn. 

OWHAT  pleasure  'tis  to  find 
A  coy  heart  melt  by  slow  degrees  ! 
When  to  yielding  'tis  inclined, 

Yet  her  fear  a  ruin  sees ; 
When  her  tears  do  kindly  flow 
And  her  sighs  do  come  and  go  ! 

O  how  charming  'tis  to  meet 

Soft  resistance  from  the  fair, 
When  her  pride  and  wishes  meet 

And  by  turns  increase  her  care ; 
O  how  charming  'tis  to  know 
She  would  yield  but  can't  tell  how  ! 

O  how  pretty  is  her  scorn 

When,  confused  'twixt  love  and  shame, 
Still  refusing,  tho'  she  burn, 

The  soft  pressures  of  my  flame  ! 
Her  pride  in  her  denial  lies 
And  mine  is  in  my  victories. 


54  MUSA   PROTERVA. 

By  Mrs.  Behn. 

The  Invention.1 

A   H  he  who  first  found  out  the  way 
"**■  Souls  to  each  other  to  convey 
Without  dull  speaking,  sure  must  be 
Something  above  humanity. 
Let  the  fond  world  in  vain  dispute, 
And  the  first  mystery  impute 
Of  letters  to  the  learned  brood, 
And  of  the  glory  cheat  a  god : 
'Twas  love  alone  that  first  the  art  assayed, 
And  Psyche  was  the  first  fair  yielding  maid 
That  was  by  the  dear  billet  doux  betrayed. 

Charles  d'Orleans  wrote  a  charming  balade  in  praise  of 
the  inventor  of  letter-writing  : — 

"  Loue  soit  celui  qui  trouva 
Premier  la  maniere  cTescrire  ! 
En  ce,  grand  confort  ordonna 
Pour  amants  qui  sont  en  martire ; 
Car  quand  ne  peuvent  aller  dire 
A  leurs  dames  leur  grief  tourment, 
Ce  leur  est  moult  cTalegement, 
Quand  par  escript  peuvent  maner 
Les  maulx  qu'ils  portent  humblement, 
Pour  bien  et  loyaument  amer."  &c. 


MUSA  PROTERVA.  55 

By  Mrs.  Behn. 

The  Example. 

r"\  AMON,  if  you'd  have  me  true, 
-*— '      Be  you  my  precedent  and  guide  : 
Example  sooner  we  pursue 

Than  the  dull  dictates  of  our  pride  : 
Precepts  of  virtue  are  too  weak  an  aim, 
Tis  demonstration  that  can  best  reclaim. 

Shew  me  the  path  you'd  have  me  go  ; 

With  such  a  guide  I  cannot  stray : 
What  you  approve,  whate'er  you  do, 

It  is  but  just  I  bend  the  way  : 
If  true,  my  honour  favours  your  design  ; 
If  false,  revenge  is  the  result  of  mine. 

A  lover  true,  a  maid  sincere, 

Are  to  be  prized  as  things  divine  : 

'Tis  justice  makes  the  blessing  dear, 
Justice  of  love  without  design  : 

And  she  that  reigns  not  in  a  heart  alone 

Is  never  safe  or  easy  on  her  throne. 


56  MUSA   PROTERVA. 


By  Mrs.  Behn. 

OH,  how  the  hand  the  lover  ought  to  prize 
'Bove  any  one  peculiar  grace  ! 
While  he  is  dying  for  the  eyes 

And  doting  on  the  lovely  face, 
The  unconsid'ring  little  knows 
How  rnuch  he  to  this  beauty  owes. 

That,  when  the  lover  absent  is, 
Informs  him  of  his  mistress'  heart ; 

Tis  that  which  gives  him  all  his  bliss 
When  dear  love-secrets  'twill  impart : 

That  plights  the  faith  the  maid  bestows, 

And  that  confirms  the  tim'rous  vows. 

Tis  that  betrays  the  tendemess 

Which  the  too  bashful  tongue  denies  ; 

'Tis  that  which  does  the  heart  confess, 
And  spares  the  language  of  the  eyes ; 

Tis  that  which  treasure  gives  so  vast, 

Ev'n  Iris  'twill  to  Damon  give  at  last. 


MUSA   PROTERVA.  57 


By  Tom  Durfey. 

The   Winchester    Wedding;    or    Ralph    of 
Reading  and  Black  Bess  of  the  Green. 

A  T  Winchester  was  a  wedding, 
-**■    The  like  was  never  seen, 
'Twixt  lusty  Ralph  of  Reading 

And  bonny  Black  Bess  of  the  Green  : 
The  fiddlers  were  crowding l  before, 

Each  lass  was  as  fine  as  a  queen  ; 
There  was  a  hundred  and  more, 

For  all  the  country  came  in  : 
Brisk  Robin  led  Rose  so  fair, 

She  looked  like  a  lily  o'  th'  vale, 
And  ruddy-faced  Harry  led  Mary, 

And  Roger  led  bouncing  Nell. 

With  Tommy  came  smiling  Katy, 

He  helped  her  over  the  stile, 
And  swore  there  was  none  so  pretty 
In  forty  and  forty  long  mile  : 

1  Fiddling. 

I 


58  MUSA  PROTERVA. 

Kit  gave  a  green  gown  to  Betty, 

And  lent  her  his  hand  to  rise  ; 
But  Jenny  was  jeered  by  Watty 

For  looking  blue  under  the  eyes : 
Thus  merrily  chatting  all, 

They  passed  to  the  bride-house  along, 
With  Johnny  and  pretty-faced  Nanny, 

The  fairest  of  all  the  throng. 

The  bride  came  out  to  meet  'em, 

Afraid  the  dinner  was  spoiled ; 
And  ushered  'em  in  to  treat  'em 

With  baked  and  roasted  and  boiled  : 
The  lads  were  so  frolic  and  jolly, 

For  each  had  his  love  by  his  side, 
But  Willy  was  melancholy, 

For  he  had  a  mind  to  the  bride  : 
Then  Philip  begins  her  health 

And  turns  a  beer-glass  on  his  thumb ; 
But  Jenkin  was  reckoned  for  drinking 

The  best  in  Christendom. 

And,  now  they  had  dined,  advancing 
Into  the  midst  of  the  Hall, 

The  fiddlers  struck  up  for  dancing 
And  Jeremy  led  up  the  brawl ; 


MUSA   PROTERVA.  59 

But  Margery  kept  a  quarter, 

A  lass  that  was  proud  of  her  pelf, 
'Cause  Arthur  had  stolen  her  garter 

And  swore  he  would  tie  it  himself : 
She  struggled,  and  blushed,  and  frowned, 

And  ready  with  anger  to  cry, 
'Cause  Arthur,  with  tying  her  garter, 

Had  slipped  his  hand  too  high. 

And  now,  for  throwing  the  stocking, 

The  bride  away  was  led ; 
The  bridegroom  got  drunk  and  was  knocking 

For  candles  to  light  'em  to  bed  : 
But  Robin,  that  found  him  silly, 

Most  friendly  took  him  aside, 
The  while  that  his  wife  with  WTlly 

Was  playing  at  hooperVhide  : 
And  now  the  warm  game  begins, 

The  critical  minute  was  come, 
And  chatting  and  billing  and  kissing 

Went  merrily  round  the  room. 

Pert  Stephen  was  kind  to  Betty, 
And  blithe  as  a  bird  in  the  spring ; 

And  Tommy  was  so  to  Katy, 
And  married  her  with  a  rush-ring  : 


6o  MUSA   PROTERVA. 

Sukey,  that  danced  with  the  cushion,1 

An  hour  from  the  room  had  been  gone, 
And  Barnaby  knevv  by  her  blushing 

That  some  other  dance  had  been  done  : 
And  thus,  of  fifty  fair  maids 

That  came  to  the  wedding  with  men, 
Scarce  five  of  the  fifty  was  left  ye 

That  so  did  return  again. 


By  Tom  Durfey.2 

r  I  AHE  night  her  blackest  sable  wore, 

-*-       All  gloomy  were  the  skies, 
And  glittering  stars  there  were  no  more 

Than  those  in  Stella's  eyes ; 
When  at  her  father's  gate  I  knocked, 

Where  I  had  often  been, 
And,  shrouded  only  in  her  smock, 

The  fair  one  let  me  in. 

1  "Cushion-dance"  was  the  name  of  a  dance  (a  "pretty 
provocatory  dance  ")  used  at  weddings. 

*  For  Durfey's  claim  to  this  once  popular  song  see  Mr. 
Ebsworth's  Roxburghe  Ballads,  vol.  vi.  p.  193,  &c. 


MUSA  PROTERVA.  61 

Fast  locked  within  my  close  embrace, 

She  blushing  lay  ashamed ; 
Her  swelling  breasts,  and  glowing  face, 

And  every  touch  inflamed  : 
My  eager  passion  I  obeyed, 

Resolved  the  fort  to  win, 
And  her  fond  heart  was  soon  betrayed 

To  yield  and  let  me  in. 

Then,  then,  beyond  expressing, 

Immortal  was  the  joy ; 
I  knew  no  greater  blessing, 

So  happy  then  was  I : 
And  she,  transported  with  delight, 

Oft  prayed  me  come  again, 
And  kindly  vowed  that  every  night 

She'd  rise  and  let  me  in. 

But  ah,  at  last  she  proved  with  bearn, 

And  sighing  sat,  and  dull ; 
And  I,  who  had  as  much  concern, 

Looked  then  just  like  a  fool : 
Her  lovely  eyes  with  tears  run  o'er, 

Repenting  her  rash  sin, 
She  sighed  and  cursed  that  fatal  hour 

That  e'er  she  let  me  in. 


62  MUSA   PROTERVA. 

But  who  could  cruelly  deceive, 

Or  from  such  beauty  part  ? 
I  loved  her  so,  I  could  not  leave 

The  charmer  of  my  heart ; 
But  wedded  and  concealed  the  crime, 

Thus  all  was  well  again  : 
And  now  she  thanks  the  blessed  time 

That  e'er  she  let  me  in. 


By  Tom  Durfky. 

/"""*  HLOE'S  a  nymph  in  flowery  groves, 
^-^    A  Nereid  in  the  streams ; 
Saint-like  she  in  the  temple  moves, 
A  woman  in  my  dreams. 

Love  steals  artillery  from  her  eyes, 
The  graces  point  her  charms ; 

Orpheus  is  rivalled  in  her  voice, 
And  Venus  in  her  arms. 

Never  so  happily  in  one 

Did  heaven  and  earth  combine ; 
And  yet  'tis  flesh  and  blood  alone 

That  makes  her  so  divine. 


MUSA   PROTERVA.  63 

She  looks  indeed  like  other  dames, 

With  atlas  '  covered  o'er ; 
But  when  undressed  she  meets  my  flames, 

A  mortal  she's  no  more. 


By  Tom  Durfey. 

"XTXDUNG  Philander  wooed  me  long, 

-*-       I  was  peevish  and  forbad  him, 
Nor  would  hear  his  loving  song, 

And  yet  now  I  wish  I  had  him ; 
For  each  morn  I  view  my  glass, 

I  perceive  the  whim  is  going ; 
For  when  wrinkles  streak  the  face 

We  may  bid  farewell  to  wooing 

Use  your  time,  ye  virgins  fair, 

Choose  before  your  days  are  evil ; 
Fifteen  is  a  season  rare, 

Five  and  forty  is  the  devil : 
Just  when  ripe  consent  to  do  't, 

Hug  no  more  the  lonely  pillow  ; 
Women,  like  some  other  fruit, 

Lose  their  relish  when  too  mellow. 

"  A  silk-satin  manufactured  in  the  East." — Murray. 


64  MUSA  PROTERVA. 


By  Tom  DURFEY. 

IFOLLOWED  fame  and  got  renown, 
I  ranged  all  o'er  the  park  and  town ; 
I  haunted  plays  and  there  grew  wise, 
Observing  my  own  modish  vice  ; 
Friends  and  wine  I  next  did  try, 
Yet  I  found  no  solid  joy ; 
Greatest  pleasures  seem  too  small, 
Till  Sylvia  made  amends  for  all. 

But  see  the  state  of  human  bliss, 
How  vain  our  best  contentment  is  ; 
As  of  my  joy  she  was  the  chief, 
So  was  she  too  my  greatest  grief. 
Fate,  that  I  might  be  undone, 
Dooms  this  angel  but  for  one ; 
And,  alas,  too  plain  I  see 
That  I  am  not  the  happy  he. 


MUSA  PROTERVA.  65 

By  Tom  Durfey. 

Q  OME  thirty  or  forty  or  fifty  at  least, 
^     Or  more,  I  have  loved  in  vain,  in  vain, 
But  if  you'll  vouchsafe  to  receive  a  poor  guest, 
For  once  I  will  venture  again,  agam. 

How  long  I  shall  be  in  this  mind,  this  mind, 

Is  totally  in  your  own  power ; 
All  my  days  I  can  pass  with  the  kind,  the  kind, 

But  IUl  part  with  the  proud  in  an  hour. 

Then  if  you'U  be  good-natured  and  civil,  and  civil, 

You'll  find  I  can  be  so  too,  so  too ; 
But  if  not  you  may  go,  you  may  go  to  the  devil, 

Or  the  devil  may  come  to  you,  to  you. 


By  Tom  Durfey. 

KlNGSTON   CHURCH,    A   SONG.1 

Q  WEET,  use  your  time  ;  abuse  your  time 
***     No  longer,  but  be  wise  : 
Young  lovers  now  discover  you 
Have  beauty  to  be  prized  ; 

1  This  song  was  lengthened  into  a  broadside  ballad  by  the 
addition  of  seven  stanzas.  See  Mr.  Ebsworth's  Roxburght 
Ballads,  vol.  vi.  pp.  139-142. 

K 


66  MUSA   PROTERVA. 

But  if  you're  coy  you'll  lose  the  joy, 

So  curst  will  be  the  fate ; 
The  flower  will  fade,  you'll  die  a  maid, 

And  mourn  your  chance  too  late. 

At  thirteen  years  and  fourteen  years 

The  virgin's  heart  may  range ; 
'Twixt  fifteen  years  and  fifty  years 

You'll  find  a  wondrous  change  : 
Then  whilst  in  tune,  in  May  and  June, 

Let  love  and  youth  agree, 
For  if  you  stay  till  Christmas  day 

The  devil  shall  woo  for  me. 


From  SiR  Charles  Sedley's 
The  Mulberry  Garden. 
1668. 

A   H,  Chloris,  that  I  now  could  sit 
"**■    As  unconcerned  as  when 
Your  infant  beauty  could  beget 

No  pleasure  nor  no  pain  ! 
When  I  the  dawn  used  to  admire 

And  praised  the  coming  day, 
I  little  thought  the  growing  fire 

Must  take  my  rest  away. 


MUSA   PROTERVA.  67 

Your  charms  in  harmless  childhood  lay 

Like  metals  in  the  mine ; 
Age  from  no  face  took  more  away 

Than  youth  concealed  in  thine : 
But  as  your  charms  insensibly 

To  their  perfection  prest, 
Fond  Love  as  unperceived  did  fly 

And  in  my  bosom  rest. 

My  passion  with  your  beauty  grew, 

And  Cupid  at  my  heart — 
Still  as  his  mother  favoured  you — 

Threw  a  new  flaming  dart. 
Each  gloried  in  their  wanton  part : 

To  make  a  lover,  he 
Employed  the  utmost  of  his  art ; 

To  make  a  beauty,  she. 

Though  now  I  slowly  bend  to  love, 

Uncertain  of  my  fate, 
If  your  fair  self  my  chains  approve 

I  shall  my  freedom  hate. 
Lovers,  like  dying  men,  may  well 

At  first  disordered  be, 
Since  none  alive  can  truly  tell 

What  fortune  they  must  see. 


68  MUSA   PROTERVA. 


By  Sir  Charles  Sedley. 

T)HILLIS,  men  say  that  alkmy  vows 
-■-        Are  to  thy  fortune  paid  ; 
Alas,  my  heart  he  little  knows 

Who  thinks  my  love  a  trade  : 
Were  I  of  all  these  woods  the  lord, 

One  berry  from  thy  hand 
More  solid  pleasure  would  afford 

Than  all  my  large  command. 
My  humble  love  hath  learnt  to  live 

On  what  the  nicest  maid 
Without  a  conscious  blush  can  give 

Beneath  the  myrtle-shade.1 
Of  costly  food  it  hath  no  need, 

And  nothing  will  devour, 
But  like  the  harmless  bee  can  feed 

And  not  impair  the  flower. 
A  spotless  innocence  like  thine 

May  such  a  flame  allow, 
Yet  thy  fair  name  for  ever  shine 

As  doth  thy  beauty  now. 

1  Here  the  song  ends  in  ed.  1702.     The  additional  verses 
are  found  in  ed.  1722. 


MUSA   PROTERVA.  69 

I  heard  thee  wish  my  lambs  might  stray 

Safe  from  the  fox's  power : 
Tho'  every  one  becomes  his  prey, 

I'm  richer  than  before. 


By  Sir  Charlks  Skdley. 

AURELIA,1  art  thou  mad 
To  let  the  world  in  me 
Envy  joys  I  never  had 
And  censure  them  in  thee  ? 

Filled  with  grief  for  what  is  past, 

Let  us  at  length  be  wise, 
And  the  banquet  boldly  taste 

Since  we  have  paid  the  price. 

Love  does  easy  souls  despise 
Who  lose  themselves  for  toys, 

And  escape  for  those  devise 
Who  taste  his  utmost  joys. 

To  be  thus  for  trifles  blamed 

Like  their's  a  folly  is 
Who  are  for  vain  swearing  damned 

And  knew  no  higher  bliss. 

1  The  text  of  ed.  1722  is  followed.     £d.  1702  gives  a  some- 
what  different  version. 


70  MUSA   PROTERVA. 

Love  should  like  the  year  be  crowned 

With  sweet  variety ; 
Hope  should  in  the  spring  be  found, 

Kind  fears,  and  jealousy  : 

In  the  summer  flowers  should  rise, 

And  in  the  autumn  fruit : 
His  spring  doth  else  but  mock  our  eyes 

And  in  a  scoff  salute. 


By  Sir  Charles  Sedley. 

y^ELINDA,  think  not  by  disdain 
^~/     To  vanquish  my  desire, 
By  telling  me  I  sigh  in  vain 

And  feed  a  hopeless  fire : 
Despair  itself  too  weak  does  prove 

Your  beauty  to  disarm ; 
By  Fate  I  was  ordained  to  love 

As  you  were  born  to  charm. 


MUSA   PROTERVA.  71 


By  Sir  Charles  Sedley. 

T)HILLIS,  lefs  shun  the  common  fate, 

■*-     And  let  our  love  ne'er  turn  to  hate ; 

I'll  dote  no  longer  than  I  can, 

Without  being  called  a  faithless  man. 

When  we  begin  to  want  discourse, 

And  kindness  seems  to  taste  of  force, 

As  freely  as  we  met  we'll  part, 

Each  one  possessed  of  their  own  heart. 

Thus,  whilst  rash  fools  themselves  undo, 

We'll  game  and  give  off  savers  too  ; 

So  equally  the  match  we'll  make 

Both  shall  be  glad  to  draw  the  stake. 

A  smile  of  thine  shall  make  my  bliss, 

I  will  enjoy  thee  in  a  kiss  : 

If  from  this  height  our  kindness  fail. 

We'll  bravely  scorn  to  love  at  all : 

If  thy  affection  first  decay^ 

I  will  the  blame  on  Nature  lay. 

Alas,  what  cordial  can  remove 

The  hasty  fate  of  dying  Love  ? 

Thus  we  will  all  the  world  excel 

In  loving  and  in  parting  well. 


72  MUSA   PROTERVA. 


By  Sir  Charles  Sedley. 

To  Chloris. 

/"""^HLORIS,  I  cannot  say  your  eyes 

^^  Did  my  unwary  heart  surprise ; 

Nor  will  I  swear  it  was  your  face, 

Your  shape,  or  any  nameles"s  grace ; 

For,  you  are  so  entirely  fair, 

To  love  a  part  injustice  werc : 

No  drowning  man  can  know  which  drop 

Of  water  his  last  breath  did  stop  : 

So  when  the  stars  in  heaven  appear, 

And  join  to  make  the  night  look  clear, 

The  light  we  no  one's  bounty  call, 

But  the  obliging  gift  of  all. 

He  that  does  lips  or  hands  adore, 

Deserves  them  only  and  no  more ; 

But  I  love  all  and  every  part, 

And  nothing  less  can  ease  my  heart : 

Cupid  that  lover  weakly  strikes 

Who  can  express  what  'tis  he  likes. 


MUSA   PROTERVA.  JS 


By  Sir  Charles  Sedi.ey 

NOT,1  Caelia,  that  I  juster  am 
Or  better  than  the  rest, 
For  I  would  change  each  hour  like  them 
Were  not  my  heart  at  rest ; 

But  I  am  tied  to  very  thee 

By  every  thought  I  have  : 
Thy  face  I  only  care  to  see, 

Thy  heart  I  only  crave. 

All  that  in  woman  is  adored 

In  thy  dear  self  I  find, 
For  the  whole  sex  can  but  afford 

The  handsome  and  the  kind. 

Why  then  should  I  seek  farther  store 

And  still  make  love  anew? 
When  change  itself  can  give  no  more 

'Tis  easy  to  be  true. 

1  In  vol.  ii.,  p.  307,  of  Durfey's  Pills  to  Purge  Melau- 
choly,  17 19,  is  a  copy  of  verses  to  Cynthia  (by  Durfey,  I 
suppose)  written  in  close  imitation  of  this  song  of  Sedley. 
The  poems  in  vols.  i.  and  ii.  of  the  Pills  are  usually  ascribed 
to  Durfey ;  but  some  of  the  pieces  in  those  two  volumes  are 
certainly  not  by  him. 

L 


74  MUSA   PROTERVA. 

By  Sir  Charles  Sedley. 
TO  A   DEVOUT  YOUNG   GENTLEWOMAN. 

"P)HILLTS,  this  early  zealassuage, 
■*-       You  over-act  your  part ; 
The  martyrs  at  your  tender  age 
Gave  Heaven  but  half  their  heart. 

Old  men,  till  past  the  pleasure,  ne'er 

Declaim  against  the  sin ; 
'Tis  early  to  begin  to  fear 

The  devil  at  fifteen. 

The  world  to  youth  is  too  severe, 
And,  like  a  treacherous  light, 

Beauty  the  actions  of  the  fair 
Exposes  to  their  sight. 

And  yet  this  world,  as  old  as  'tis, 

Is  oft  deceived  by  't  too : 
Kind  combinations  seldom  miss, 

Let's  try  what  we  can  do. 


MUSA  PROTERVA.  75 


By  Sir  Charles  Sedley. 

LOVE  still  has  something  of  the  sea 
From  whence  his  mother  rose ; 
No  time  his  slaves  from  doubt  can  free 
Nor  give  their  thoughts  repose. 

They  are  becalmed  in  clearest  days, 

And  in  rough  weather  tost ; 
They  wither  under  cold  delays 

Or  are  in  tempests  lost. 

One  while  they  seem  to  touch  the  port ; 

Then  straight  into  the  main 
Some  angry  wind  in  cruel  sport 

The  vessel  drives  again. 

At  first  Disdain  and  Pride  they  fear, 
Which  if  they  chance  to  scape, 

Rivals  and  Falsehood  soon  appear 
In  a  more  dreadful  shape. 

By  such  degrees  to  joy  they  come 

And  are  so  long  withstood, 
So  slowly  they  receive  the  sum 

It  hardly  does  them  good. 


76  MUSA   PROTERVA. 

Tis  cruel  to  prolong  a  pain ; 

And  to  defer  a  joy, 
Believe  me,  gentle  Celemene, 

Offends  tbe  winged  boy. 

An  hundred  thousand  oaths  your  fears 
Perhaps  would  not  remove ; 

And  if  I  gazed  a  thousand  years 
I  could  no  'deeper  love. 


By  Sir  Charles  Sedley. 
A    DlALOGUE   BETWEEN   AMINTAS   AND   CELIA. 

Celia. 

AMINTAS,  I  am  come  alone, 
A  silly  harmless  maid  : 
But  whither  is  thy  honour  flown  ? 

I  fear  I  am  betrayed  : 
Thy  looks  are  changed,  and  in  the  place 

Of  innocent  desires, 
Methinks  I  see  thy  eyes  and  face 
Glow  with  unusual  fires. 


MUSA   PROTERVA.  77 

Amintas.  Sees  not  my  Celia  Nature  wear 

One  countenance  in  the  spring, 
And  yet  another  shape  prepare 

To  bring  the  harvest  in  ? 
Look  on  the  eagle,  how  unlike 

He  to  the  egg  is  found 
When  he  prepares  his  pounce  to  strike 

His  prey  against  the  ground. 
Fears  might  my  infant-love  become  ; 

'Twere  want  of  vigour  now, 
Should  modesty  those  hopes  benumb 

The  place  and  you  allow. 
Celia.  Amintas,  hold  !  what  could  you  worse 

To  worst  of  women  do  ? 
Ah  how  could  you  a  passion  nurse 

So  much  my  honour's  foe  ! 
Amintas.  Make  not  an  idol  of  a  toy 

Which  every  breath  can  shake, 
Which  all  must  have  or  none  enjoy, 

What  course  soe'er  we  take. 
Whilst  women  hate,  or  men  are  vain, 

You  cannot  be  secure : 
What  makes  my  Celia  then  a  pain 

So  needless  to  endure  ? 


78  MUSA   PROTERVA. 

Celia.  Could  I  the  world  neglect  for  thee, 

Thy  love,  tho'  dear  it  cost, 
In  some  unkind  conceit  of  me 

Would  be  untimely  lost : 
Thou  wouldst  thy  own  example  fear, 

And  every  heedless  word, 
I  chance  let  fall  beyond  thy  ear, 

Would  some  new  doubt  afford. 
Amintas.  If  I  am  jealous  'tis  because 

I  know  not  where  you  love  : 
With  me  obey  Love's  gentle  laws 

And  all  my  fears  remove. 
Celia.  Women,  like  things,  at  second  hand 

Do  half  their  value  lose ; 
But,  whilst  all  courtship  they  withstand, 

May  at  their  pleasure  choose. 
Amintas.  This  were  a  fine  discourse,  my  dear, 

If  we  were  not  alone, 
But  now  love  whispers  in  my  ear 

There's  somewhat  to  be  done. 

She  said  she  never  would  forgive ; 

He,  kissing,  swore  she  should, 
And  told  her  she  was  mad  to  strive 

Against  their  mutual  good. 


MUSA  PROTERVA.  79 

What  further  passed  I  cannot  tell, 

But  sure  not  much  amiss : 
He  vowed  he  loved  her  dearly  well, 

She  answered  with  a  kiss. 


By  Sir  Charles  Sedley. 

O  MOOTH  was  the  water,  calm  the  air, 
y~'     The  evening  sun  deprest ; 
Lawyers  dismissed  the  noisy  bar, 
The  labourer  at  rest ; 

When  Strephon  with  his  charming  fair 
Crossed  the  proud  river  Thames, 

And  to  a  garden  did  repair 
To  quench  their  mutual  flames. 

The  crafty  waiter  soon  espied 

Youth  Sparkling  in  her  eyes ; 
He  brought  no  ham  nor  neat-tongues  dried, 

But  cream  and  strawberries. 

The  amorous  Strephon  asked  the  maid 
"  What's  whiter  than  this  cream  ?  " 

She  blushed  and  could  not  tell,  she  said  : 
"  Thy  teeth,  my  pretty  lamb. 


8o  MUSA   PROTERVA. 

What's  redder  than  these  berries  are  ?  " 
"  I  know  not,"  she  replied  : 

"  Those  lips,  which  I'll  no  longer  spare," 
The  burning  shepherd  cried  ; 

And  straight  began  to  hug  her  : 

"  This  kiss,  my  dear, 

Is  sweeter  far 
Than  strawberries,  cream,  and  sugar." 


By  Sir  Charles  Sedley. 

T)HILLIS  is  my  only  joy, 
■*■        Faithless  as  the  winds  or  seas  ; 
Sometimes  coming,  sometimes  coy, 
Yet  she  never  fails  to  please  : 

If  with  a  frown 

I  am  cast  down, 

Phillis  smiling, 

And  beguiling, 
Makes  me  happier  than  before. 

Tho'  alas  !  too  late  I  find 

Nothing  can  her  fancy  fix, 
Yet  the  moment  she  is  kind 

I  forgive  her  all  her  tricks  : 


MUSA   PROTERVA.  *>i 

Which  tho'  I  see, 
I  can't  get  free  : 
She  deceiving, 
I  believing : 
What  need  lovers  wish  for  more  ? 


By  Sir  Charles  Sedi.ev. 

Advice  to  Lovers. 

"F^vAMON,  if  thou  wilt  believe  me, 
«■— "     Tis  not  sighing  round  the  plain ; 
Songs  and  sonnets  can't  relieve  thee, 
Faint  attempts  in  love  are  vain. 

Urge  but  home  the  fair  occasion 

And  be  master  of  the  field  ; 
To  a  powerful  kind  invasion 

Tis  a  madness  not  to  yield. 

Love  gives  out  a  large  commission, 

Still  indulgent  to  the  brave, 
But  one  sin  of  base  omission 

Never  woman  yet  forgave. 

M 


82  MUSA  PROTERVA. 

Though  she  swears  she'll  ne'er  permit  ye, 
Cries  you're  rude  and  much  to  blame, 

Or  with  tears  implores  your  pity, 
Be  not  merciful  for  shame. 

When  the  fierce  assault  is  over, 
Chloris  time  enough  will  find 

This  her  cruel  furious  lover 
Much  more  gentle,  not  so  kind. 


By  Sir  Charles  Sedley. 

On  the  happy  Corydon  and  Phillis. 

A/DUNG Corydon  and  Phillis 

■■■     Sat  in  a  lovely  grove, 
Contriving  crowns  of  lilies, 
Repeating  toys  of  love, 

And  something  else,  but  what  I  dare  not  name. 

But  as  they  were  a-playing, 
She  ogled  so  the  swain 
It  saved  her  plainly  saying 
Let's  kiss  to  ease  our  pain, 
And 


MUSA   PROTERVA. 

A  thousand  times  he  kist  her, 
Laying  her  on  the  green  ; 
But  as  he  further  prest  her 
A  pretty  leg  was  seen, 
And 

So  many  beauties  viewing, 
His  ardour  still  increased, 
And,  greater  joys  pursuing, 
He  wandered  o'er  her  breast, 
And 

A  last  effort  she  trying 
His  passion  to  withstand, 
Cried,  but  'twas  faintly  crying, 
Pray  take  away  your  hand, 
And 

Young  Corydon,  grown  bolder, 
The  minutes  would  improve ; 
This  is  the  time,  he  told  her, 
To  show  you  how  I  love, 
And 

The  nymph  seemed  almost  dying, 
Dissolved  in  amorous  heat ; 


84  MUSA   PROTERVA. 

She  kissed  and  told  him,  sighing, 
My  dear,  your  love  is  great, 
And 

But  Phillis  did  recover 
Much  sooner  than  the  swain ; 
She  blushing  asked  her  lover, 
Shall  we  not  kiss  again  ? 
And 

Thus  love  his  revels  keeping, 
Till  nature  at  a  stand, 
From  talk  they  fell  to  sleeping, 
Holding  each  other's  hand, 
And 


From  Sir  Charles  Sedley's 
Bellamira,  or  the  Mislress, 
1687. 

WHEN  first  I  made  love  to  my  Chloris, 
Canon  oaths  I  brought  down 
To  batter  the  town, 
And  I  stormed  her  with  amorous  stories. 


MUSA   PROTERVA.  85 

Billets-doux  like  small  shot  did  ply  her, 

And  sometimes  a  song 

Went  whizzing  along ; 
But  still  I  was  never  the  nigher. 

At  last  she  sent  word  by  a  trumpet, 

If  I  like  that  life 

She  would  be  my  wife, 
But  never  be  any  man's  strumpet. 

I  told  her  that  Mars  would  not  marry, 

And  swore  by  my  scars, 

Single  combats  and  wars, 
I'd  rather  dig  stones  in  a  quarry. 


By  Sir  Charles  Sedley. 

Indifference  excused. 

T     OVE,  when  'tis  true,  needs  not  the  aid 
"■— '     Of  sighs  nor  oaths  to  make  it  known ; 
And,  to  convince  the  cruel'st  maid, 
Lovers  should  use  their  love  alone. 


86  MUSA  PROTERVA. 

Into  their  very  looks  'twill  steal, 
And  he  that  most  would  hide  his  flame 

Does  in  that  case  his  pain  reveal ; 
Silence  itself  can  love  proclaim. 

This,  my  Aurelia,  made  me  shun 
The  paths  that  common  lovers  tread, 

Whose  guilty  passions  are  begun 
Not  in  their  heart  but  in  their  head. 

I  could  not  sigh  and  with  crossed  arms 
Accuse  your  rigour  and  my  fate ; 

Nor  tax  your  beauty  with  such  charms 
As  men  adore  and  women  hate  : 

But  careless  lived  and  without  art, 

Knowing  my  love  you  must  have  spied, 

And  thinking  it  a  foolish  part 
To  set  to  show  what  none  can  hide. 


MUSA  PROTERVA.  87 


From  James  HowardV  The 
English  Monsieur,  1674. 

ADIES,  farewell,  I  must  retire  : 
■*— ■ '  Though  I  your  faces  all  admire 
And  think  you  heavens  in  your  kinds, 
Some  for  beauties,  some  for  minds  ; 
If  I  stay  and  fall  in  love, 
One  of  these  heavens  hell  would  prove. 

Could  I  know  one  and  she  not  know  it, 
Perhaps  I  then  might  undergo  it ; 
But  if  the  least  she  guess  my  mind, 
Straight  in  a  circle  I'm  confined : 
By  this  I  see  who  once  doth  dote 
Must  wear  a  woman's  livery  coat. 

Therefore,  this  danger  to  prevent, 
And  still  to  keep  my  heart's  content, 
Into  the  country  I'll  with  speed, 
With  hounds  and  hawks  my  fancy  feed  : 
Both  safer  pleasures  to  pursue 
Than  staying  to  converse  with  you. 

1  James  Howard  was-  a  brother  of  Sir  Robert  Howard 
(and  brother-in-law  of  Dryden). 


MUSA   PROTERVA. 


From  Thomas  Shadwell's  A 
True  Widow,  1678. 

A  '  Copy  of  Verses  upon  a  Flea  presented  to 

HIS  MlSTRESS  IN  A  GOLD  CHAIN. 

/^V  HAPPY  flea,  that  may'st  both  kiss  and  bite, 
^— '  Like  lovers  in  their  height  of  appetite, 

Her  neck  so  white  ! 
Pretty  black  alderman  in  golden  chain, 
Who  suck'st  her  blood  yet  put'st  her  to  no  pain, 

Whilst  I  in  vain 

[Ccetera  desu?it.~\ 

1  I  quote  this  trifle  merely  for  the  whimsical  fourth  line, 
"  Pretty  black  alderman  in  golden  chain."  In  Thoma» 
Heyrick's  Miscellany  Poems,  1691,  is  a  copy  of  verses  by 
Joshua  Barnes,  "  On  a  flea  presented  to  a  lady,  whose  breast 
it  had  bitten,  in  a  golden  wire.     1679  "  : — 

...   "I  saw  him  surfeit  on  your  lovely  breast, 

And  snatched  the  traitor  from  that  precious  feast,"  &c. 


MUSA  PROTERVA.  89 


From    Thomas    Shadwei.l's 
TTie  Squire  0/ Alsatia,  168S. 

The  Expostulation. 

ii  ^TILL  wilt  thou  sigh,  and  still  in  vain 
^— "     A  cold  neglectful  nymph  adore  ? 
No  longer  fruitlesslycomplain, 

But  to  thyself  thyself  restore. 
In  youth  thou  caught'st  this  fond  disease, 

And  should'st  abandon  it  in  age  : 
Some  other  nymph  as  well  may  please  ; 

Absence,  or  business,  disengage." 

"  On  tender  hearts  the  wounds  of  love, 

Like  those  imprinted  on  young  trees, 
Or  kill  at  first,  or  else  they  prove 

Larger  b'  insensible  degrees. 
Business  I  tried,  she  filled  my  mind  ; 

On  others'  lips  my  dear  I  kissed  ; 
But  never  solid  joy  could  find 

VVhere  I  my  charming  Sylvia  missed. 


9o  MUSA  PROTERVA. 

"  Long  absence,  like  a  Greenland '  night, 

Made  me  but  wish  for  sun  the  more ; 
And  that  inimitable  light 

She,  none  but  she,  could  e'er  restore." 
"  She  never  once  regards  thy  fire, 

Nor  ever  vents  one  sigh  for  thee." 
"  I  must  the  glorious  sun  admire 

Though  he  can  never  look  on  me." 

"  Look  well,  you'll  find  she's  not  so  rare ; 

Much  of  her  former  beauty's  gone." 
"  My  love,  her  shadow,  larger  far 

Is  made  by  her  declining  sun. 
What  if  her  glories  faded  be  ? 

My  former  wounds  I  must  endure, 
For,  should  the  bow  unbended  be, 

Yet  that  can  never  help  the  cure." 

1  CF.  Cowley's  verses,  The  Parting: — 

"  As  men  in  Greenland  left  beheld  the  sun 
From  their  horizon  run, 
And  thought  upon  the  sad  half  year 
Of  cold  and  darkness  they  must  suffer  there, 
So  on  my  parting  mistress  did  I  look." 


MUSA   PROTERVA.  91 


By  Thomas  Otway. 
The  Enchantment. 

IDID  but  look  and  love  a-while, 
Twas  but  for  one  half-hour  ; 
Then  to  resist  I  had  no  will, 
And  now  I  have  no  power. 

To  sigh  and  wish  is  all  my  ease ; 

Sighs,  which  do  heat  impart, 
Enough  to  melt  the  coldest  ice, 

Yet  cannot  warm  your  heart 

O  would  your  pity  give  my  heart 

One  corner  of  your  breast, 
'Twould  learn  of  yours  the  winning  art 

And  quickly  steal  the  rest. 


92  MUSA   PROTERVA. 

By  Nahum  Tate. 
The  Penance. 

NYMPH  Fanaret,  the  gentlest  maid 
That  ever  happy  swain  obeyed, 
(For  what  offence  I  cannot  say) 
A  day  and  night,  and  half  a  day, 
Banished  her  shepherd  from  her  sight : 
His  fault  for  certain  was  not  slight, 
Or  sure  this  tender  judge  had  ne'er 
Imposed  a  penance  so  severe. 
And  lest  she  should  anon  revoke 
What  in  her  warmer  rage  she  spoke, 
She  bound  the  sentence  with  an  oath, 
Protested  by  her  Faith  and  Troth, 
Nought  should  compound  for  his  offence 
But  the  full  time  of  abstinence. 
Yet  when  his  penance-glass  were  run, 
His  hours  of  castigation  done, 
Should  he  defer  one  moment's  space 
To  come  and  be  restored  to  grace, 
With  sparkling  threat'ning  eyes  she  swore 
That  failing  would  incense  her  more 
Than  all  his  trespasses  before. 


MUSA   PROTERVA.  93 


From  The  Westminster  Drollery 
(Second  Part),  1672. 

The  Amorous  Girl. 

THERE'S  none  so  pretty 
As  my  sweet  Betty, 
She  bears  away  the  bell ; 
For  sweetness  and  neatness, 
And  all  completeness, 

All  other  girls  doth  excel. 

Whenever  we  meet 
She'll  lovingly  greet 

Me  still  with  a  "  How  d'ye  do  ?  " 
"  WelL,  I  thank  you,"  quoth  I : 
Then  she  will  reply 

"  So  am  I,  sir,  the  better  for  you  ! " 

I  asked  her  how ; 
She  told  me,  not  now, 

For  walls  had  ears  and  eyes ; 
Nay  she  bid  me  take  heed 
Whatever  I  did, 

For  'tis  good  to  be  merry  and  wise. 


94  MUSA   PROTERVA. 

Then  I  took  her  by  th'  hand, 
Which  she  did  not  withstand, 

And  I  gave  her  a  smirking  kiss ; 
She  gave  me  another, 
Just  like  the  t'other  : 

Quoth  I,  "  What  a  comfort  is  this ! " 

This  put  me  in  heart 
To  play  o'er  my  part 

That  I  had  intended  before ; 
But  she  bid  me  to  hold, 
And  not  be  too  bold, 

Until  she  had  fastened  the  door. 

Then  she  went  to  the  hatch 
To  see  that  the  latch 

And  crannies  were  all  cocksure ; 
And  when  she  had  done 
She  bid  me  come  on, 

For  now  we  were  both  secure. 

And  what  we  did  there 
I  dare  not  declare, 

But  think  that  silence  is  best ; 
And  if  you  will  know, 
Why,  I  kissed  her,  or  so, 

But  ril  leave  you  to  guess  at  the  rest. 


MUSA   PROTERVA.  95 


From  Thomas  Duffett's  New 
Poetns,  Songs,  &.C.,  1676. l 

Valentine's  Day. 

T)  EFORE  the  youthful  spring  had  dyed 
■*-*  The  earth  with  Flora's  chequered  pride, 

Before  the  new-thawed  fields  were  seen 

Dressed  in  a  joyful  summer's  green ; 

Grey-bearded  Winter's  frosty  chain 

Was  just  dissolved  by  Phoebus'  wain ; 

And  the  aspiring  God  flown  high 

To  guard  the  spring  in  's  infancy, 

Inviting  Flora  from  her  bed 

To  rob  her  of  her  maidenhead  : 

Ere  fair  Aurora's  blushing  head 

Had  edged  the  eastern  hills  with  red, 

My  restless  fancy  guided  me 

Into  a  happy  privacy, 

Where  the  embracing  trees  had  made 

A  pleasant,  tho'  yet  leafless,  shade. 

1  This  volume  is  identical  with  Neiu  Songs  and  Poems  .  .  . 
By  P.  W.,  Gent.     1677. 


96  MUSA  PROTERVA. 

Each  naked  branch  in  coupling  wise 
A  pretty  harmless  love-knot  ties, 
Frorn  which  conjunction  nature  shoots 
Sweet  blossoms  and  delicious  fruits  : 
The  winged  music  of  the  air 
Did  to  this  amorous  grove  repair, 
And  with  their  tempting  notes  did  grace 
The  various  pleasures  of  the  place. 
As  I  surprised  with  wonder  sate 
Each  bird  chose  out  his  feathered  mate, 
And  seeming  fearful  of  delay 
Through  yielding  air  they  cut  their  way  ; 
Some  to  the  woods,  some  to  the  groves 
To  consummate  their  eager  loves. 
So  have  I  seen  at  Hymen's  feasts 
A  company  of  youthful  guests 
A  thousand  ways  advance  delight ; 
But  when  the  long-wished  lazy  night 
To  bed  invokes  the  blushing  bride 
Love's  endless  quarrel  to  decide, 
A  silent  envy  spreads  each  face, 
Tlie  men  wish  his,  the  maids  her  place, 
And  ere  that  single  wedding's  o'er 
It  gives  a  birth  to  twenty  more. 
Musing  how  pow'rful  Nature  was, 


MUSA   PROTERVA.  97 

Sometimes  through  prickly  thorns  I  pass, 

Whose  winding  branches  seemed  to  court 

Me  to  attend  the  harmless  sport. 

Sometimes  I  walk  by  crystal  springs 

Whose  gliding  streams  in  circling  rings 

Unto  the  music  list'ning  stood 

Till,  pressed  by  the  pursuing  flood, 

Their  angry  murmurs  did  betray 

How  loth  they  were  to  pass  away. 

Grown  weary  with  this  pleasing  sight 

(Excess  of  pleasure  dulls  delight), 
To  rest  my  drowsy  sense,  I  sought 
The  softest,  sweetest,  grassy  plot ; 
But  as  I  wandered  here  and  there, 
A  voice  arrests  my  idle  ear, 
Which  from  a  neighbouring  thicket  flies. 
Drawn  thither  by  my  greedy  eyes, 
Two  loving  rogues  within  it  lay ; 
And  thus  I  heard  the  puppets  play. 
Long  did  I  muse,  but  all  in  vain 
What  wanton  stars  that  day  did  reign, 
But  as  my  steps  did  homewards  stray 
I  met  my  Phcebe  by  the  way, 
My  Phcebe  whose  commanding  eyes 
Had  made  my  heart  her  sacrifice. 
o 


98  MUSA   PROTERVA. 

To  her  fair  hand  I  paid  a  kiss, 

But  she  returned  a  greater  bliss  : 

Presenting  violets  to  me, 

"  Good-morrow,  Valentine  ! "  said  she. 


From  New  Airs  and  Dialogues, 
&c,  1678. 

MORE  '  love  or  more  disdain  I  crave ; 
Sweet,  be  not  still  indifferent : 
O  send  me  quickly  to  my  grave, 
Or  else  afford  me  more  content. 
Or  love  or  hate  me  more  or  less, 
For  Love  abhors  all  lukewarmness. 

Give  me  a  tempest  if  'twill  drive 
Me  to  the  place  where  I  would  be  ; 
Or  if  you'll  have  me  still  alive, 
Confess  you  will  be  kind  to  me. 
Give  hopes  of  bliss  or  dig  my  grave  : 
More  love  or  more  disdain  I  crave. 

These  words  were  made 
by  Mr.  Charles  Webbk. 

1  Set  to  music  by  Henry  Purcell. 


MUSA   PROTERVA,  99 


From  New  Airs  and  Dialogues 
composed  for  Voices  and 
Viols,  1678. 

T  T  7HEN '  I  a  lover  pale  do  see 

™  ™     Ready  to  faint  and  sickish  be, 
With  hollow  eyes,  and  cheeks  so  thin 
As  all  his  face  is  nose  and  chin ; 
When  such  a  ghost  I  see  in  pain 
Because  he  is  not  loved  again, 
And  pale  and  faint  and  sigh  and  cry ; 
Oh  there's  your  loving  fool !  say  I. 

Tis  love  with  love  should  be  repaid 
And  equally  on  both  sides  laid ; 
Love  is  a  load  a  horse  would  kill 
If  it  do  hang  on  one  side  still ; 
But  if  he  needs  will  be  so  fond 
As  rules  of  reason  go  beyond, 
And  love  where  he's  not  loved  again, 
Faith,  let  him  take  it  for  his  pain. 

1  Set  to  music  by  Henry  Purcell. 


MUSA   PROTERVA. 


From  New  Airs  and  Dialogues, 
1678. 

"IV  /T  AIDS,  beware  !  maids,  beware  ! 

<!■*-»■    Nets  and  traps  men's  kisses  are, 
Spread  and  set  merely  in  wiles, 
Baited  with  oaths,  false  tears,  and  smiles. 
Fie,  away  !  fie,  away  ! 
Indeed  you  must  not :  nay,  nay,  nay  ! 
If  I  should  yield  I  were  undone  : 
You  have  your  answer,  now  begone  ! 


By  Anne,  Marchioness   of 
Wharton. 

T  OW  hardly  I  concealed  my  tears, 
■*■  ■"•      How  oft  did  I  complain  ! 
When,  many  tedious  days,  my  fears 
Told  me  I  loved  in  vain. 

But  now  my  joys  as  wild  are  grown, 

And  hard  to  be  concealed  ; 
Sorro»v  may  make  a  silent  moan, 

But  joy  will  be  revealed. 


MUSA   PROTERVA.  101 

I  tell  it  to  the  bleating  flocks, 

To  every  stream  and  tree ; 
And  bless  the  hollow  murmuring  rocks 

For  echoing  back  to  me. 

Thus  you  may  see  with  how  rrruch  joy 

"We  want,  we  wish,  believe ; 
'Tis  hard  such  passion  to  destroy, 

But  easy  to  deceive. 

From  John  Playford's  Fifth 
Book  of  Choice  Airs,  1684. 

TELL  me,  Jenny,  tell  me  roundly, 
When  will  you  your  heart  surrender  ? 
Faith  and  troth,  I  love  thee  soundly, 

'Twas  I  that  was  the  first  pretender. 
Ne'er  say  nay,  nor  delay, 

Here's  my  heart  and  here's  my  hand  too ; 
All  thafs  mine  shall  be  thine, 

Body  and  goods  at  thy  command  too." 

11  Ah  !  how  many  maids,"  quoth  Jenny, 
Have  you  promised  to  be  true  to  ? 

Fie,  I  think  the  devil's  in  ye l 
To  kiss  a  body  so  as  you  do. 
1  Olded.  "you." 


MUSA   PROTERVA. 

What  d'ye  [do]  ?  let  me  go ; 

I  can't  abide  such  foolish  doing. 
Get  you  gone  !  naughty  man ! 

Fie,  is  this  your  way  of  wooing  !  " 


From  Philip  Ayres'  Lyric 
Poems,  made  in  imitalion 
ofthe  Italians,  1687. 

The  Morn. 

T  T  7  HEN  light  begins  the  eastern  heaven  to 

*  *  grace, 

And  the  night's  torches  to  the  sun  give  place, 
Diana  leaves  her  shepherd  to  his  sleep, 
Grieved  that  her  horns  cannot  their  lustre  keep ; 

The  boughs  on  which  the  wanton  birds  do  throng 
Dance  to  the  music  of  their  chirping  song, 
Whilst  they  rejoice  the  dusky  clouds  are  fled 
And  bright  Aurora  rises  from  her  bed ; 

Then  fools  and  flatterers  to  courts  resort, 
Lovers  of  game  up  and  pursue  the  sport ; 
With  last  night's  sleep  refreshed,  the  lab'ring  swain 
Cheerfully  settles  to  his  work  again  ; 


MUSA   PROTERVA.  103 

Pleased  Hob  unfolds  his  flocks,  and,  vvhilst  they 

feed, 
Sits  and  makes  music  on  his  oaten  reed : 
Then  I  wake  too,  and  viewiDg  Lesbia's  charms 
Do  glut  myself  with  pleasure  in  her  arms. 


By  John   Sheffield,  Duke 

OF  BUCKINGHAMSHIRE. 

Inconstancy  excused. 

T  MUST  confess  I  am  untrue 
■*•       To  Gloriana's  eyes ; 
But  he  that's  smiled  upon  by  you 
Must  all  the  world  despise. 

In  winter  fires  of  little  worth 

Excite  our  dull  desire ; 
But  when  the  sun  breaks  kindly  forth 

Those  fainter  flames  expire. 

Then  blame  me  not  for  slightiog  now 

What  I  did  once  adore : 
O  do  but  this  one  change  allow, 

And  I  can  change  no  more ; 


104  MUSA   PROTERVA. 

Fixt  by  your  never-failing  charms 
Till  I  with  age  decay, 

Till  languishing  within  your  arms 
I  sigh  my  soul  away. 


By  John   Sheffield,   Duke 

OF  BUCKINGHAMSIIIRE. 

/^OME,  Celia,  lefs  agree  at  last 
^— '     To  love  and  live  in  quiet ; 
Let's  tie  the  knot  so  very  fast 

That  time  shall  ne'er  untie  it. 
Love's  dearest  joys  they  never  prove, 

Who  free  from  quarrels  live ; 
Tis  sure  a  godlike  part  of  love 

Each  other  to  forgive. 

When  least  I  seemed  concerned  I  took 

No  pleasure,  nor  had  rest ; 
And  when  I  feigned  an  angry  look, 

Alas  !  I  loved  you  best. 
Say  but  the  same  to  me,  you'll  find 

How  blest  will  be  our  fate ; 
Sure  to  be  grateful,  to  be  kind, 

Can  never  be  too  late. 


MUSA   PROTERVA.  105 


By  WlLLIAM  CONGREVE. 

r  I  AELL  me  no  more  I  am  deceived, 

■*■       That  Chloe's  false  and  common  ; 
By  Heaven  !  I  all  along  believed 

She  was  a  very  woman ; 
As  such  I  liked,  as  such  caressed, 
She  still  was  constant, — when  possessed  : 

She  could  do  more  for  no  man. 

But  oh  !  her  thoughts  on  others  ran, 
And  that  you  think  a  hard  thing  ? 

Perhaps  she  fancied  you  the  man  ? 
Why,  what  care  I  one  farthing  ? 

You  think  she's  false,  I'm  sure  she's  kind, 

I'll  take  her  body,  you  her  mind : 
Who  has  the  better  bargain  ? 


io6  MUSA   PROTERVA. 


By  WlLLIAM  CONGREVE. 

T)IOUS  Selinda  x  goes  to  prayers 
■*■        If  I  but  ask  the  favour ; 
And  yet  the  tender  fool's  in  tears 
When  she  believes  I'll  leave  her. 

Would  1  were  free  from  this  restraint, 
Or  else  had  hopes  to  win  her ; 

Would  she  could  make  of  me  a  saint, 
Or  I  of  her  a  sinner  ! 


By  WlLLIAM  CONGREVE. 

I  j*AIR  Amoret  is  gone  astray, 
■*■        Pursue  and  seek  her  every  lover , 
I'll  tell  the  signs  by  which  you  may 
The  wand'ring  shepherdess  discover. 

Coquet  and  coy  at  once  her  air, 

Both  studied,  tho'  both  seem  neglected; 
Careless  she  is  with  artful  care, 

Affecting  to  seem  unaffected. 

1  Mrs.  Bracegirdle. 


MUSA   PROTERVA.  107 

With  skill  her  eyes  dart  ev'ry  glance, 

Yet  change  so  soon  you'd  ne'er  suspect  'em ; 

For  she'd  persuade  they  wound  by  chance, 
Tho'  certain  aim  and  art  direct  'em. 

She  likes  herself,  yet  others  hates 
For  that  which  in  herself  she  prizes ; 

And  while  she  laughs  at  them,  forgets 
She  is  the  thing  that  she  despises. 


From  John  Wilson's  Belphe- 
gvr,  1690. 

WERE  I  to  take  wife, 
As  'tis  for  my  life, 
She  should  be  brisk,  pleasant,  and  merry ; 
A  lovely  fine  brown, 
A  face  all  her  own, 
With  a  lip  red  and  round  as  a  cherry. 

Not  much  of  the  wise, 

Less  of  the  precise, 
Nor  over-reserved,  nor  yet  fiying ; 

Hard  breasts,  a  straight  back, 

An  eye  full  and  black, 
But  languishing  as  she  were  dying. 


io8  MUSA   PROTERVA. 

And  then  for  her  dress, 

Be't  more  or  be't  less, 
Not  tawdry  set  out  nor  yet  meanly ; 

And  one  thing  beside, 

Just,  just  so  much  pride 
As  may  serve  to  keep  honest  and  cleanly. 


By  Anne   Finch,   Countess 

OF  WlNCHILSEA. 

PERSUADE  me  not  there  is  a  grace 
Proceeds  from  Silvia's  voice  or  lute, 
Against  Miranda's  charming  face 
To  make  her  hold  the  least  dispute. 

Music,  which  tunes  the  soul  for  love 
And  stirs  up  all  our  soft  desires, 

Does  but  the  growing  flame  improve 
Which  pow'rful  Beauty  first  inspires. 

Thus,  whilst  with  art  she  plays  and  sings, 

I  to  Miranda,  standing  by, 
Impute  the  music  of  the  strings 

And  all  the  melting  words  apply. 


MUSA  PROTERVA.  109 


From  Thomas    Southerne's 
Sir  Antony  Love,  1691. 

T)URSUING  beauty,  men  descry 

*       The  distant  shore  and  long  to  prove 

(Still  richer  in  variety) 

The  treasures  of  the  land  of  love. 

We  women,  like  weak  Indians,  stand, 

Inviting,  from  our  golden  coast, 
The  wand'ring  rovers  to  our  land  : 

But  she  who  trades  with  'em  is  lost. 

With  humble  vows  they  first  begin, 
Stealing,  unseen,  into  the  heart ; 

But,  by  possession  settled  in, 
They  quickly  act  another  part. 

For  beads  and  baubles  we  resign 

In  ignorance  our  shining  store ; 
Discover  nature's  richest  mine, 

And  yet  the  tyrants  will  have  more. 

Be  wise,  be  wise,  and  do  not  try 
How  he  can  court  or  you  be  won, 

For  love  is  but  discovery  : 
When  that  is  made  the  pleasure's  done. 


iio  MUSA   PROTERVA. 


By  George  Granville,  Lord 
Lansdowne. 

To   MlRA. 

A  T  7HY,  cruel  creature,  why  so  bent 

"  ™       To  vex  a  tender  heart  ? 
To  gold  and  title  you  relent ; 

Love  throws  in  vain  his  dart. 

Let^glittering  fools  in  courts  be  great, 

For  pay  let  armies  move : 
Beauty  should  have  no  other  bait 

But  gentle  vows  and  love. 

If  on  those"endless  charms  you  lay 

The  value  that's  their  due, 
Kings  are  themselves  too  poor  to  pay, 

A  thousand  worlds  too  few : 

But  if  a  passion  without  vice, 

Without  disguise  or  art, 
Ah,  Mira,  if  true  love's  your  price, 

Behold  it  in  my  heart. 


MUSA   PROTERVA. 


By  Lord  Lansdowne. 

CHLOE'S  the  wonder  of  her  sex, 
Tis  well  her  heart  is  tender  : 
How  might  such  killing  eyes  perplex, 
With  virtue  to  defend  her  ! 

But  Nature,  graciously  inclined 
With  liberal  hand  to  please  us, 

Has  to  her  boundless  beauty  joined 
A  boundless  bent  to  ease  us. 


By  Lord  Lansdowne. 
Chloe. 

T  MPATIENT  with  desire,  at  last 
-*•      I  ventured  to  lay  forms  aside  : 
'Twas  I  was  modest,  not  she  chaste  : 
Chloe,  so  gently  pressed,  complied. 

With  idle  awe,  an  am'rous  fool, 
I  gazed  upon  her  eyes  with  fear  : 

Say,  Love,  how  came  your  slave  so  dull 
To  read  no  better  there  ? 


MUSA  PROTERVA. 

Thus  to  ourselves  the  greatest  foes, 
Altho'  the  nymph  be  well  inclined, 

For  want  of  courage  to  propose, 
By  our  own  folly  she's  unkind. 


By  Lord  Lansdowne. 

CORINNA. 

O  0  well  Corinna  likes  the  joy, 

*^  She  vows  she'll  never  more  be  coy, 

She  drinks  eternal  draughts  of  pleasure  : 

Eternal  draughts  do  not  suffice, 
"  O  !  give  me,  give  me  more,"  she  cries, 
"Tis  all  too  little,  little  measure." 

Thus  wisely  she  makes  up  for  time 
Misspent,  while  youth  was  in  its  prime  : 
So  travellers  who  waste  the  day, 
Careful  and  cautious  of  their  way, 
Noting  at  length  the  setting  sun 
They  mend  their  pace  as  night  comes  on, 
Double  their  speed  to  reach  their  inn, 
And  whip  and  spur  through  thick  and  thin. 


MUSA   PROTERVA.  113 


By  Tom  Brown. 

TO '  charming  Cselia's  arms  I  flew, 
And  there  all  night  I  feasted ; 
No  god  such  transport  -ever  knew, 
Or  raortal  ever  tasted. 

Lost  in  the  sweet  tumultuous  joy, 
And  blessed  beyond  expressing, 

"  How  can  your  slave,  my  fair,"  said  I, 
11  Reward  so  great  a  blessing  ? 

"  The  whole  creation's  wealth  survey, 

0'er  both  the  Indies  wander ; 
Ask  what  bribed  senates  give  away, 

And  fighting  monarchs  squander ; 

1  An  imitation  of  the  following  epigram  of  Martial  (xii. 

6S):~ 

"  Formosa  Phillis  nocte  cum  mihi  tota 
Se  pnestitisset  omnibus  modis  largam, 
Et  cogitarem  mane  quod  darem  munus, 
Utrumne  Cosmi,  Nicerotis  an  Iibram, 
An  Bseticarum  pondus  acre  lanarum, 
An  de  moneta  Ccesaris  decem  flavos  : 
Amplexa  collum  basioque  tam  longo 
Blandita,  quam  sunt  Duptise  columbarum, 
Rogare  ccepit  Phillis  amphoram  vini." 

Q 


H4  MUSA  PROTERVA. 

"  The  richest  spoils  of  earth  and  air, 
The  rifled  ocean's  treasure  : 

Tis  all  too  poor  a  bribe  by  far 
To  purchase  so  much  pleasure." 

She  blushing  cried,  "  My  life,  my  dear, 
Since  Caelia  thus  you  fancy, 

Give  her — but  'tis  too  much,  I  fear, — 
A  rundlet  of  right  Nantzy." 


By  WlLLIAM  WALSH. 

Upon  a  Favour  offered. 

C^ELIA,  too  late  you  would  repent 
The  ofTring  all  your  store 
Is  now  but  like  a  pardon  sent 
To  one  that's  dead  before. 

While  at  the  first  you  cruel  proved, 
And  grant  the  bliss  too  late, 

You  hindered  me  of  one  I  loved 
To  give  me  one  I  hate. 


MUSA  PROTERVA.  115 

I  thought  you  innocent  as  fair 

When  first  my  court  I  made ; 
But  when  your  falsehoods  plain  appear 

My  love  no  longer  stayed. 

Your  bounty  of  those  favours  shown, 

Whose  worth  you  first  deface, 
Is  melting  valued  metals  down 

And  giving  us  the  brass. 

Oh  since  the  thing  we  beg  's  a  toy 

That's  prized  by  love  alone, 
Why  cannot  women  grant  the  joy 

Before  our  love  is  gone  ? 


By  William  Walsh. 

The  despairing  Lover. 

DISTRACTED  with  care 
For  Phillis  the  fair, 
Since  nothing  could  move  her, 
Poor  Damon,  her  lover, 
Resolves  in  despair 
No  longer  to  languish 
Nor  bear  so  much  anguish ; 


n6  MUSA  PROTERVA. 

But,  mad  with  his  love, 
To  a  precipice  goes, 

Where  a  leap  from  above 
Would  soon  finish  his  woes. 


When  in  rage  he  came  there, 
Beholding  how  steep 
The  sides  did  appear, 
And  the  bottom  how  deep  j 
His  torments  projecting, 
And  sadly  reflecting 
That  a  lover  forsaken 

A  new  love  may  get, 
But  a  neck  when  once  broken 

Isn't  easily  set ; 

And  that  he  could  die 
Whenever  he  would, 
But  that  he  could  live 
But  as  long  as  he  could  : 
How  grievous  soever 
The  torment  might  grow, 
He  scorned  to  endeavour 
To  finish  it  so  ; 


MUSA   PROTERVA.  117 

And  bold,  unconcerned 

At  thoughts  of  the  pain, 
He  calmly  returned 

To  his  cottage  again. 


By  Bishop  Atterbury. 

VVritten  on  a  White  Fan  borrowed  from  Miss 
osborne,  afterwards  his  wife. 

T^LAVIA  the  least  and  slightest  toy 
■*■      Can  with  resistless  art  employ  : 

This  fan  in  meaner  hands  would  prove 

An  engine  of  small  force  in  love ; 

Yet  she  with  graceful  air  and  mien, 

Not  to  be  told  or  safely  seen, 

Directs  its  wanton  motions  so 

That  it  wounds  more  than  Cupid's  bow ; 

Gives  coolness  to  the  matchless  dame, 

To  every  other  breast — a  fiame. 


n8  MUSA   PROTERVA. 


By  John  Oldmixon. 
The  Grove. 

OTIS  sweet,  'tis  wondrous  sweet 
When  I  and  Amaryllis  meet 
In  a  fragrant  shady  grove, 
Full  of  wishes.  full  of  love. 
O  what  pretty  things  we  say  ! 
How  the  minutes  fly  away  ! 
When,  with  glances  mingling  kisses, 
We  prepare  for  softer  blisses  ; 
On  some  mossy  bank  we  lie, 
Play  and  touch,  embrace  and  die  ; 
Then  from  little  feuds  and  jars 
We  proceed  to  amorous  wars  : 

0  how  many  heavens  we  find  ! 

1  am  young  and  she  is  kind, 
Kind  and  free  without  design, 
Mine  at  will  and  only  mine ; 
Smiling  always,  always  toying, 
Ever  fond,  yet  never  cloying. 
Could  the  coldest  hermit  see 
Half  the  sweets  enjoyed  by  me  ; 


MUSA   PROTERVA.  119 

Happy  once  to  see  her  eyes, 
Press  her  lips  and  hear  her  sighs, 
Clasp  her  waist  and  touch  her  skin, 
Soon  he  would  forget  the  sin  : 
All  his  darling  hopes  of  bliss 
In  a  distant  Paradise, 
AU  with  ease  he  would  resign 
For  a  minute's  taste  of  mine. 


By  John  Oldmixon. 
To  Chloe. 

T)R1THEE,  Chloe,  not  so  fast, 
"*■      Lefs  not  run  and  wed  in  haste  ; 
We've  a  thousand  things  to  do ; 
You  must  fly  and  I  pursue, 
You  must  frown  and  I  must  sigh, 
I  intreat  and  you  deny. 
Stay — if  I  am  never  crost, 
Half  the  pleasure  will  be  lost. 
Be,  or  seem  to  be,  severe ; 
Give  me  reason  to  despair  : 
Fondness  will  my  wishes  cloy, 
Make  me  careless  of  the  joy. 


120  MUSA   PROTERVA. 

Lovers  may  of  course  complain 
Of  their  trouble  and  their  pain, 
But,  if  pain  and  trouble  cease, 
Love  without  it  will  not  please. 


By  John  Oldmixon. 

WHEN  with  Flavia  I  am  toying 
She  with  little  sports  gives  o'er; 
Kissing  is  not  half  enjoying, 

Vouth  and  passion  covet  more. 
Every  touch,  methinks,  should  move  her 

And  to  dearer  joys  invite, 
When  she  knows  how  much  I  love  her 
And  is  fond  of  the  delight. 

Oh  I  see  her  young  and  tender, 

Feel  her  lips  with  passion  warm, 
See  her  ready  to  surrender 

When  her  fears  dissolve  the,  charm  ! 
Banish,  Flavia,  all  suspicion, 

All  your  sullen  doubts  destroy : 
Trust  me,  there's  no  worse  condition 

Than  to  wish  and  not  enjoy. 


MUSA   PROTERVA.  121 


By  John  Oldmixon. 


"  I  ^HOSE  arts  which  common  beauties  move, 

■*•       Corinna,  you  despise : 
You  think  there's  nothing  wise  in  love 

Or  eloquent  in  sighs. 
You  laugh  at  ogle,  cant,  and  song, 

And  promises  abuse : 
But  say — for  I  have  courted  long — 

What  methods  shall  I  use  ? 

We  must  not  praise  your  charms  and  wit, 

Nor  talk  of  dart  and  flame ; 
But  sometimes  you  can  think  it  fit 

To  smile  at  what  you  blame. 
Your  sex's  forms,  which  you  disown, 

Alas  !  you  can't  forbear ; 
But  in  a  minute  smile  and  frown, 

Are  tender  and  severe. 

Corinna,  let  us  now  be  free ; 

No  more  your  arts  pursue, 
Unless  you  suffer  me  to  be 

As  whimsical  as  you. 

R 


122  MUSA  PROTERVA. 

At  last  the  vain  dispute  desist, 
To  love  resign  the  field  : 

'Twas  custom  forced  you  to  resist, 
And  custom  bids  you  yield. 


ByPETERANTHONV  MOTTEUX. 

MAN  is  for  the  woman  made, 
And  the  woman  made  for  man  ; 
As  the  spur  is  for  the  jade, 
As  the  scabbard  for  the  blade, 
As  for  digging  is  the  spade, 
As  for  liquor  is  the  can, 
So  man  is  for  the  woman  made 
And  the  woman  made  for  man. 

As  the  sceptre's  to  be  swayed, 
As  for  night's  the  serenade, 
As  for  pudding  is  the  pan 
And  to  cool  us  is  the  fan, 
So  man  is  for  the  woman  made 
And  the  woman  made  for  man. 


MUSA   PROTERVA.  123 

Be  she  widow,  wife,  or  maid, 
Be  she  wanton,  be  she  staid, 
Be  she  well  or  ill  arrayed, 
Whore,  bawd,  or  harridan, 
Yet  man  is  for  the  woman  made 
And  the  woman  made  for  man. 

ByPETER  Anthony  Motteux. 

ILOVE,  but  she  alone  shall  know, 
Who  is  herself  my  treasure  : 
Vain  lovers  when  their  joys  they  show 

Call  partners  to  their  pleasure  : 
Let  empty  beaux  the  favour  miss 

While  they  would  have  it  known ; 
That  soul's  too  narrow  for  the  bliss 
Who  can't  enjoy  alone. 

Then  never  let  my  love  be  told 

By  way  of  modern  toasting ; 
The  sweetest  joy,  like  fairy  gold, 

Is  lost  by  selfish  boasting. 
Too  rich  to  show,  what  I  profess, 

My  treasure  I'll  conceal ; 
I  may  my  pains  of  love  confess, 

But  ne'er  my  joys  reveal. 


I24  MUSA  PROTERVA. 


By  Peter  Anthony  Motteux 

BOASTING  fops,  who  court  the  fair 
For  the  fame  of  being  loved, 
You  who  daily  prating  are 

Of  the  hearts  your  charms  have  rnoved, 
Still  be  vain  in  talk  and  dress, 

But,  while  shadows  you  pursue, 
Own  that  some  who  boast  it  less 
May  be  blest  as  much  as  you. 

Love  and  birding  are  allied, 

Baits  and  nets  alike  they  have, 
The  same  arts  in  both  are  tried 

The  unwary  to  enslave  : 
If  in  each  you'd  happy  prove, 

Without  noise  still  watch  your  prey  r 
For,  in  birding  and  in  love, 

While  we  talk  it  flies  away. 


MUSA  PROTERVA.  125 

By  Thomas  Rymer. 
A  kind  Man  to  his  froward  Mate. 

PHILLIS,  I  expect  caresses, 
Lay  that  angry  vizard  by ; 
I  know  better  what  the  face  is 
That  obtained  the  victory 
And  first  made  a  slave  of  me : 
'Twas  adorned  with  all  the  Graces, 
Which  from  this  affrighted  flee. 

Never  labour  to  unsettle, 
Never  strive  where  Fates  ordain ; 
In  a  sort  of  stubborn  metal 
Linked  together  we  remain : 
Trust  me,  Phillis,  'tis  in  vain, 
'Tis  unwise  to  make  it  rattle, 
When  we  cannot  break  the  chain. 

By  the  huff,  the  heat,  the  clamour, 
Surely  Vulcan's  forge  is  near, 
Where  Jove's  angry  bolts  they  hammer ; 
Love  no  shafts  has  pointed  here, 
'Tis  too  hot  for  Love  to  bear : 
Bless  me,  if  e'er  this  enamour  ! 
Phillis,  pray  this  heat  forbear. 


126  MUSA  PROTERVA. 

This  is  fire  to  burn  a  city ; 

Give  us  Love's  kind,  gentle  flame, 

Where  two  hearts,  in  mutual  treaty, 

All  by-wandering  thoughts  reclaim, 

Every  spark  of  discord  tame, 

And,  o'erwhelmed  with  amorous  pity, 

Pant  and  melt  and  glow1  the  same. 


By  Thomas  Rymer. 

ATE  when  Love  I  seemed  to  slight, 
■■ — '  Phillis  smiled,  as  well  she  might. 
"  Now,"  said  she,  "  our  throne  may  tremble, 
Men  our  province  now  invade ; 
Men  take  up  our  royal  trade ; 
Men,  even  men,  do  now  dissemble : 
In  the  dust  our  Empire's  laid." 

Tutored  by  the  wise  and  grave, 
Loath  was  I  to  be  a  slave  : 
Mistress  sounded  arbitrary, 

1  Old  ed.  "grow." 


MUSA  PROTERVA.  127 

So  I  chose  to  hide  my  flame ; 
Friendship  a  discreeter  name  : 
But  she  scorns  one  jot  to  vary, 
She  will  Love  or  nothing  claim. 

Be  a  lover,  or  pretend, 

Rather  than  the  warmest  friend : 

Friendship  of  another  kind  is,  ( 

Swedish  coin  of  gross  allay, 

A  cart-load  will  scarce  defray : 

Love,  one  grain,  is  worth  the  Indies, 

Only  Love  is  current  pay. 


From    George    Farquhar's 
The  Constant  Coufle,  1700 

THUS  Damon  knocked  at  Celia's  door, 
He  sighed  and  begged  and  wept  and  swore  : 
The  sign  was  so :  [Knocks. 

She  answered  "  No, 

No,  no,  no."  [Knocks  thrice. 

Again  he.sighed,  again  he  prayed  : 
"  No,  Damon,  no,  I  am  a  maid; 


128  MUSA   PROTERVA. 

Consider, 
No, 

I'm  a  maid. 
No,"  &c. 
At  last  his  sighs  and  tears  made  way ; 
She  rose  and  softly  turned  the  key  : 
"  Come  in,"  said  she,  "  but  do  not  stay ; 

I  may  conclude 

You  will  be  rude : 
But,  if  you  are,  you  may." 


Printed  by  Lowe  &  Brydone  (Printers)  Ltd. 
Camden  Town,  London.N.W.l. 


PR       Bullen,  Arthur  Henry  (ed.) 

1213        Musa  proterva 

B8 


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