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.<'.  >,.-    .:.  •     <:••  -,.•>•  u-Xa3 


NATIONAL  LYRICS, 


AND 


SONGS      FOR     MUSIC. 


BY 


FELICIA    HEMANS. 


DUBLIN : 
WILLIAM    CURRY   JUN.    AND    COMPANY. 

SIMPKIN   AND   MARSHALL,    LONDON. 
MDCCCXXXIV. 


DUBLIN: 
Printed  by  JOHN  S.  FOLDS,  5,  Bachelor's  Walk. 


TO 

MRS.  LAWRENCE 

OF 

WAVERTREE     HALL; 
HER    FRIEND, 

AND 

THE  SISTER    OF  HER   FRIEND 
COLONEL  D'AGUILAR, 

THIS  VOLUME 
IS     AFFECTIONATELY    INSCRIBED, 

IN    REMEMBRANCE  OF 

MANY    BRIGHTLY    ASSOCIATED   HOURS, 
BY 

0 

FELICIA    HEMANS. 


CONTENTS. 


Introductory  Stanzas — The  Themes  of  Song         .  .         3 

Rhine  Song  of  the  German  Soldiers         ...  7 

A  Sorigof  Delos 11 

Ancient  Greek  Chaunt  of  Victory  .         .         .         .  16 

Naples,  a  Song  of  the  Siren        .         .          .         .  .19 

The  Fall  of  D'Assas 23 

The  Burial  of  William  the  Conqueror          ...       27 

Ancient  Spanish  Battle  Song           ....  32 

The  beath  Seng  of  Alcestis      .  53 

Chorus  from  the  Alcestis  of  Alfieri          .         .         .  41 

SONGS  OF  A  GUARDIAN  SPIRIT: 

1.  Nearthee,  still  near  thee          .         .         .  .45 

2.  Oh  !  droop  thou  not 48 


viii  CONTENTS. 

Mignon's  Song,  translated  from  Goethe        .         .         .51 

The  Sisters,  a  Ballad 54 

The  Last  Song  of  Sappho 61 

Dirge 65 

A  Song  of  the  Rose 68 

Night  Blowing  Flowers 73 

The  Wanderer  and  Night  Flowers        .  .         .75 

Echo  Song 78 

The  Muffled  Drum 80 

The  Swan  and  the  Sky  Lark  .         .         .         .         .  83 

SONGS  OF  SPAIN: 

1.  Ancient  Battle  Song 89 

2.  The  Zegri  Maid 91 

3.  The  Rio  Verde  Song 95 

4.  Seek  by  the  Silvery  Darro  ....  98 

5.  Spanish  Evening  Hymn            ....  99 

6.  Bird  that  art  singing  on  Ebro's  Tide      .         .  101 

7.  Moorish  gathering  Song 102 

8.  Song  of  Mina's  Soldiers      .         .         .         .  104 

9.  Mother,  oh  !  sing  me  to  rest     .          .         .         .106 
10.  There  are  sounds  in  the  Dark  Roncesvalles  108 


CONTENTS.  ix 

The  Curfew  Song  of  England 110 

The  Call  to  Battle 11* 

SONGS  FOR  SUMMER  HOURS: 

1.  And  I  too  in  Arcadia      .         .         .         .  .119 

2.  The  Wandering  Wind          ....  124 

3.  Ye  are  not  missed,  Fair  Flowers.        .         .  .     126 
-    4.  Willow  Song 128 

5.  Leave  me  not  yet    ......     130 

6.  The  Orange  Bough 132 

7.  The  Stream  set  free 134 

8.  The  Summer's  Call 137 

9.  Oh  !  Sky- Lark,  for  thy  wing   .         .         .         .140 
Genius  singing  to  Love  .         .         .         .         .          142 

Music  at  a  Death-bed 147 

Where  is  the  Sea  ?     Song  of  the  Greek  islander  in  exile     151 
Marshal  Schwerin's  Grave  .         .         .         .         .         .155 

SONGS  OF  CAPTIVITY: 

Introduction 160 

1.  The  Brother's  Dirge        .         .         .  .162 

2.  The  Alpine  Horn       .        .  >        .         .        .  164 


x  CONTENTS. 

3.  Oh  !  ye  Voices 166 

4.  I  dream  of  all  things  free      .         .         .         .  168 

5.  Far  over  the  Sea 170 

6.  The  Invocation 172 

7.  The  Song  of  Hope 174 

The  Bird  at  Sea 176 

The  Dying  Girl  and  Flowers 179 

The  Ivy  Song 183 

The  Music  of  St.  Patrick's 188 

Keene,  or  Lament  of  an  Irish  Mother  over  her  Son  .  191 

England's  Dead 195 

Faraway 199 

The  Lyre  and  Flower 201 

Sister,  since  I  met  thee  last 203 

The  lonely  Bird 205 

Dirge  at  Sea          .                                     ...  208 
Pilgrim's  Song  to  the  Evening  Star      .         .         .         .210 

The  Spartan's  March 213 

The  Meeting  of  the  Ships 217 

The  Rock  of  Cader  Idris,  a  Legend  of  Wales    .         .  220 

A  Farewell  to  Wales 224 

The  Dying  Bard's  Prophecy 226 


CONTENTS.  xi 

Come  away       .         .         .         .         .         .         ...  229 

Fair  Helen  of  Kirconnel 231 

Music  from  Shore 234 

Look  on  me  with  thy  cloudless  eyes         .         .         .  236 

I  go,  sweet  friends 238 

If  thou  hast  crushed  a  flower   .....  240 

Brightly  hast  thou  fled 243 

Sing  to  me,  Gondolier  ......  245 

O'er  the  far  blue  mountains          .....  247 

0  thou  breeze  of  Spring 249 

Come  to  me,  dreams  of  Heaven  .         .         .         .251 

Goodnight    .         .         .         .         .         .                  .  253 

Let  her  depart            .......  255 

Water  Lilies,  a  Fairy  Song 257 

The  broken  Flower 259 

1  would  we  had  not  met  again           .         .         .         .  261 

Fairies'  Recall 263 

The  Rock  beside  the  Sea 265 

O  ye  voices  gone        .         .         .         .                  .         .  267 

By  a  mountain  stream  at  rest    .....  269 

Is  there  some  Spirit  sighing 271 

The  Name  of  England  .         .        .         .         .         .  273 


xii  CONTENTS. 

Old  Norway      .          , .275 

English  Soldier's  Song  of  Memory  ....  278 

Come  to  me,  gentle  sleep 280 

MISCELLANEOUS  POEMS. 

The  Home  of  Love 285 

Books  and  Flowers 290 

For  a  Picture  of  St.  Cecilia  attended  by  Angels         .  294 

The  Voice  of  the  Waves 297 

The  Haunted  House 301 

O'Connor's  Child 305 

The  Brigand  Leader  and  his  Wife     ....  309 
The  Child's  return  from  the  Woodlands         .         .         .312 

The  faith  of  Love 316 

The  Sister's  Dream 320 

Written  after  visiting  a  tomb  near  Woodstock     .         .  324 

Prologue  to  Fiesco 328 

A  Farewell  to  Abbotsford         .         .                  .         .  333 

Scene  in  a  Dalecarlian  Mine         .....  335 

The  Victor     .  339 


ADVERTISEMENT. 


This  Volume  contains,  besides  a  few  poems  on  subjects  of 
national  tradition,  all  those  of  the  Author's  pieces  which  have, 
at  different  periods,  been  composed  either  in  the  form  of  the 
ballad,  the  song,  or  the  scena,  with  a  view  to  musical  adapta- 
tion— They  are  now  first  collected  and  arranged  to  lay  before 
the  Public. 


The  reader  is  particularly  requested  to  correct  the  following 
ERRATA. 


Page 


7  line   11   for 

14  18  for 

19  12  for 

20  ~~- 
23  «v~ 
64  »~~ 
79  note 
93  line 

121  ~~~ 


225 

231 
244 
234 


11  for 

10  for 

11  /or 
for 

3  /or 

6  /or 

11  for 

3  /or 

6  for 

5  /o>- 

8  /or 


and  the  Cossacks 
breaking- 
summer's  air 
now 

ennemids 
fairy 
Mrs. 
their 
wanderer 
strangers 
bethrothed 
thou 
thine 
sigh 


read  and  even  the  Cossacks. 

read  beating. 

read  summer  air. 

read  how. 

read  ennemis. 

read  fiery. 

read  Mr. 

read  that, 

read  wanderers. 

read  stranger. 

read  betrothed. 

read  thus. 

read  their. 


NATIONAL    LYRICS, 

AND 

SONGS    FOR    MUSIC. 


INTRODUCTORY     STANZAS. 


THE  THEMES  OF  SONG. 


Of  truth,  of  grandeur,  beauty,  love,  and  hope, 
And  melancholy  fear  subdued  by  faith. 

WORDSWORTH. 


WHERE  shall  the  minstrel  find  a  theme  ? 

— Where'er,  for  freedom  shed, 
Brave  blood  hath  dyed  some  ancient  stream, 

Amidst  the  mountains,  red. 

Where'er  a  rock,  a  fount,  a  grove, 

Bears  record  to  the  faith 
Of  love,  deep,  holy,  fervent  love, 

Victor  o'er  fear  and  death. 


NATIONAL  LYRICS. 

Where'er  a  chieftain's  crested  brow 
Too  soon  hath  been  struck  down, 

Or  a  bright  virgin  head  laid  low, 
Wearing  its  youth's  first  crown. 

Where'er  a  spire  points  up  to  heaven, 
Through  storm  and  summer  air, 

Telling,  that  all  around  have  striven 
Man's  heart,  and  hope,  and  prayer. 

Where'er  a  blessed  Home  hath  been, 
That  now  is  Home  no  more : 

A  place  of  ivy,  darkly  green, 
Where  laughter's  light  is  o'er. 

Where'er,  by  some  forsaken  grave, 
Some  nameless  greensward  heap, 

A  bird  may  sing,  a  wild  flower  wave, 
A  star  its  vigil  keep. 


THE  THEMES  OF  SONG. 

Or  where  a  yearning  heart  of  old, 

A  dream  of  shepherd  men, 
With  forms  of  more  than  earthly  mould 

Hath  peopled  grot  or  glen. 

There  may  the  bard's  high  themes  be  found- 

— We  die,  we  pass  away : 
But  faith,  love,  pity — these  are  bound 

To  earth  without  decay. 

The  heart  that  burns,  the  cheek  that  glows, 

The  tear  from  hidden  springs, 
The  thorn  and  glory  of  the  rose — 

These  are  undying  things. 

Wave  after  wave  of  mighty  stream 

To  the  deep  sea  hath  gone  : 
Yet  not  the  less,  like  youth's  bright  dream, 

The  exhaustless  flood  rolls  on. 


RHINE  SONG 

OF  THE  GERMAN  SOLDIERS  AFTER  VICTORY. 


"  I  wish  you  could  have  heard  Sir  Walter  Scott  describe  a 
glorious  sight,  which  had  been  witnessed  by  a  friend  of  his ! — 
the  crossing  of  the  Rhine,  at  Ehrenbreitstein,  by  the  German 
army  of  Liberators  on  their  victorious  return  from  France. 
'  At  the  first  gleam  of  the  river,'  he  said,  '  they  all  burst  forth 
into  the  national  chaunt,  «  Am  Rhein  !  Am  Rhein !'  They 
were  two  days  passing  over ;  and  the  rocks  and  the  castle  were 
ringing  to  the  song  the  whole  time ; — for  each  band  renewed 
it  while  crossing ;  and  the  Cossacks,  with  the  clash  and  the 
clang,  and  the  roll  of  their  stormy  war-music,  catching  the 
enthusiasm  of  the  scene,  swelled  forth  the  chorus,  '  Am  Rhein  ! 
Am  Rhein!'" — MANUSCRIPT  LETTER. 


RHINE  SONG 

OF  THE  GERMAN  SOLDIERS  AFTER  VICTORY. 
TO  THE  Aia  OF— "AM  RHEIN,  AM  RHEIN." 


SINGLE   VOICE. 

IT  is  the  Rhine  !  our  mountain  vineyards  laving, 
I  see  the  bright  flood  shine,  I  see  the  bright  flood 

shine ! 

Sing  on  the  march,  with  every  banner  waving — 
Sing,  brothers,  'tis  the  Rhine  !  Sing,  brothers,  'tis 
the  Rhine  I 

CHORUS. 
The  Rhine !    the  Rhine  !   our  own  imperial  River  ! 

Be  glory  on  thy  track,  be  glory  on  thy  track ! 
We  left  thy  shores,  to  die  or  to  deliver ; — 

We    bear  thee    Freedom   back,    we    bear    thee 
Freedom  back ! 


RHINE  SONG.  9~ 

SINGLE  VOICE. 

Hail !  Hail !  my  childhood  knew  thy  rush  of  water? 
Ev'n  as  my  mother's  song ;  ev'n  as  my  mother's 

song; 

That  sound  went  past  me  on  the  field  of  slaughter, 
And  heart  and  arm  grew  strong !     And  heart  and 
arm  grew  strong  I 


CHORUS. 

Roll  proudly  on  ! — brave  blood  is  with  thee  sweep- 
ing* 
Poured  out  by  sons  of  thine,  poured  out  by  sons 

of  thine, 

Where  sword  and  spirit  forth  in  joy  were  leaping, 
Like  thee,  victorious  Rhine !     Like  thee,  victo- 
rious Rhine ! 


10  NATIONAL  LYRICS. 

SINGLE   VOICE. 

Home ! — Home ! — thy  glad  wave  hath  a  tone   of 

greeting, 
Thy  path  is  by  my  home,  thy  path  is  by  my 

home : 

Even  now  my  children  count  the  hours  'till  meeting, 
O  ransomed  ones,  I  come !     O  ransomed  ones, 
I  come ! 


CHORUS. 

Go,  tell  the  seas,  that  chain  shall  bind  thee  never, 
Sound  on  by  hearth   and    shrine,  sound  on  by 

hearth  and  shrine ! 

Sing  through  the  hills,  that  thou  art  free  for  ever — 
Lift  up  thy  voice,  O  Rhine  !     Lift  up  thy  voice, 
O  Rhine ! 


A  SONG  OF  DELOS. 


The  Island  of  Delos  was  considered  of  such  peculiar  sanctity 
by  the  Ancients,  that  they  did  not  allow  it  to  be  desecrated  by 
the  events  of  birth  or  death.  In  the  following  poem,  a  young 
priestess  of  Apollo  is  supposed  to  be  conveyed  from  its  shores 
during  the  last  hours  of  a  mortal  sickness,  and  to  bid  the  scenes 
of  her  youth  farewell  in  a  sudden  flow  of  unpremeditated  song. 


12 


A  SONG  OF  DELOS. 


Terre,  soleil,  vallons,  belle  et  douce  Nature  ( 
Je  vous  dois  une  larme  aux  bords  de  mon  totnbeau  ; 
L'air  est  si  parfume!  la  lumiere  est  si  pure  ! 
Aux  regards  d'  un  Mourant  le  soleil  est  si  beau ! 

LAMARTINE. 


A  SONG  was  heard  of  old — a  low,  sweet  song, 
On  the  blue  seas  by  Delos  :  from  that  isle, 
The  Sun-God's  own  domain,  a  gentle  girl, 
Gentle — yet  all  inspired  of  soul,  of  mien, 
Lit  with  a  life  too  perilously  bright, 
Was  borne  away  to  die.     How  beautiful 
Seems  this  world  to  the  dying  I — but  for  her, 


A  SONG  OF  DELOS.  13 

The  child  of  beauty  and  of  poesy, 
And  of  soft  Grecian  skies — oh !  who  may  dream 
Of  all  that  from  her  changeful  eye  flashed  forth, 
Or  glanced  more  quiveringly  through  starry  tears, 
As  on  her  land's  rich  vision,  fane  o'er  fane 
Coloured  with  loving  light — she  gazed  her  last, 
Her  young  life's  last,   that  hour!    From  her  pale 

brow 

And  burning  cheek  she  threw  the  ringlets  back, 
And  bending  forward — as  the  spirit  swayed 
The  reed-like  form  still  to  the  shore  beloved, 
Breathed  the  swan-music  of  her  wild  farewell 
O'er  dancing  waves  : — "  Oh!  linger  yet,"  she  cried, 

"  Oh  !  linger,  linger  on  the  oar, 
Oh  I  pause  upon  the  deep  ! 

That  I  may  gaze  yet  once,  once  more, 
Where  floats  the  golden  day  o'er  fane  and  steep, 
Never  so  brightly  smiled  mine  own  sweet  shore ; 
— Oh !  linger,  linger  on  the  parting  oar ! 


14  NATIONAL  LYRICS. 

"  I  see  the  laurels  fling  back  showers 
Of  soft  light  still  on  many  a  shrine ; 

I  see  the  path  to  haunts  of  flowers 
Through  the  dim  olives  lead  its  gleaming  line ; 
I  hear  a  sound  of  flutes — a  swell  of  song — 
Mine  is  too  low  to  reach  that  joyous  throng ! 

"  Oh  !  linger,  linger  on  the  oar 
Beneath  my  native  sky  ! 

Let  my  life  part  from  that  bright  shore 
With  Day's  last  crimson — gazing  let  me  die  ! 
Thou  bark,  glide  slowly  ! — slowly  should  be  borne 
The  voyager  that  never  shall  return. 

"  A  fatal  gift  hath  been  thy  dower, 
Lord  of  the  Lyre !  to  me  ; 

With  song  and  wreath  from  bower  to  bower, 
Sisters  went  bounding  like  young  Oreads  free  ;  ( 
While  I,  through  long,  lone,  voiceless  hours  apart, 
Have  lain  and  listened  to  my  breaking  heart 


A  SONG  OF  DELOS.  15 

"  Now,  wasted  by  the  inborn  fire, 
I  sink  to  early  rest ; 

The  ray  that  lit  the  incense-pyre, 
Leaves  unto  death  its  temple  in  my  breast. 
— O  sunshine,  skies,  rich  flowers  I  too  soon  I  go, 
While  round  me  thus  triumphantly  ye  glow  ! 

"  Bright  Isle  !  might  but  thine  echoes  keep 

A  tone  of  my  farewell, 
One  tender  accent,  low  and  deep, 
Shrined  'midst  thy  founts  and  haunted  rocks  to 

dwell ! 

Might  my  last  breath  send  music  to  thy  shore  ! 
— Oh !  linger,  seamen,  linger  on  the  oar !" 


16 


ANCIENT  GREEK  CHAUNT  OF  VICTORY. 


Fill  high  the  bowl  with  Saraian  wine, 
Our  virgins  dance  beneath  the  shade. 


BYRON. 


lo  !  they  come,  they  come  ! 

Garlands  for  every  shrine ! 
Strike  lyres  to  greet  them  home ; 

Bring  roses,  pour  ye  wine  ! 

Swell,  swell  the  Dorian  flute 
Thro'  the  blue,  triumphant  sky ! 

Let  the  Cittern's  tone  salute 
The  sons  of  Victory. 


ANCIENT  GREEK  CHAUNT  OF  VICTORY.     17 

With  the  offering  of  bright  blood 

They  have  ransomed  hearth  and  tomb, 

Vineyard,  and  field,  and  flood  ; — 
lo  !  they  come,  they  come  ! 

Sing  it  where  olives  wave, 

And  by  the  glittering  sea, 
And  o'er  each  hero's  grave, — 

Sing,  sing,  the  land  is  free  ! 

Mark  ye  the  flashing  oars, 

And  the  spears  that  light  the  deep  ? 
How  the  festal  sunshine  pours 

Where  the  lords  of  battle  sweep  ! 

Each  hath  brought  back  his  shield  ; — 

Maid,  greet  thy  lover  home  ! 
Mother,  from  that  proud  field, 

lo  !  thy  son  is  come  ! 

c 


18  NATIONAL  LYRICS. 

Who  murmured  of  the  dead  ? 

Hush,  boding  voice  !     We  know- 
That  many  a  shining  head 

Lies  in  its  glory  low. 

Breathe  not  those  names  to-day  ! 

They  shall  have  their  praise  e'er  long. 
And  a  power  all  hearts  to  sway, 

In  ever-burning  song. 


But  now  shed  flowers,  pour  wine. 

To  hail  the  conquerors  home  I 
Bring  wreaths  for  every  shrine — 

lo  I  they  come,  they  come  ! 


19 


NAPLES. 


A   SONG   OF  THE   SYREN. 


Then  gentle  winds  arose, 

With  many  a  mingled  close, 
Of  wild  JEolian  sound  and  mountain  odour  keen ; 

Where  the  clear  Baian  ocean 

Welters  with  air-like  motion 
Within,  above,  around  its  bowers  of  starry  green. 

SHELLEY. 


STILL  is  the  Syren  warbling  on  thy  shore, 
Bright  City  of  the  Waves ! — her  magic  song 
Still,  with  a  dreamy  sense  of  extacy, 
Fills  thy  soft  summer's  air : — and  while  my  glance 
Dwells  on  thy  pictured  loveliness,  that  lay 
Floats  thus  o'er  Fancy's  ear ;  and  thus  to  thee, 
Daughter  of  Sunshine !  doth  the  Syren  sing. 


•JO  NATIONAL  LYRICS. 

"  Thine  is  the  glad  wave's  flashing  play, 
Thine  is  the  laugh  of  the  golden  day, 
The  golden  day,  and  the  glorious  night, 

And  the  vine  with  its  clusters  all  bathed  in  light ! 

— Forget,  forget,  that  thou  art  not  free ! 

Queen  of  the  summer  sea. 

t 

"  Favored  and  crowned  of  the  earth  and  sky  ! 
Thine  are  all  voices  of  melody, 
Wandering  in  moonlight  through  fane  and  tower, 
Floating  o'er  fountain  and  myrtle  bower ; 
Hark !  now  they  melt  o'er  thy  glittering  sea ; 
— Forget  that  thou  art  not  free  ! 

"  Let  the  wine  flow  in  thy  marble  halls ! 
Let  the  lute  answer  thy  fountain  falls ! 
And  deck  thy  feasts  with  the  myrtle  bough, 
And  cover  with  roses  thy  glowing  brow  ! 
Queen  of  the  day  and  the  summer  sea, 

Forget  that  thou  art  not  free  I" 


NAPLES.  21 


So  doth  the  Syren  sing,  while  sparkling  waves 
Dance  to  her  chaunt.     But  sternly,  mournfully, 
O  city  of  the  deep !  from  Sybil  grots 
And  Roman  tombs,  the  echoes  of  thy  shore 
Take  up  the  cadence  of  her  strain  alone, 
Murmuring — "  Thou  art  not  free  /" 


THE     FALL     OF    D'ASSAS. 

A  BALLAD  OF  FRANCE. 


The  Chevalier  D'Assas,  called  the  French  Decius,  fell  nobly 
whilst  reconnoitering  a  wood,  near  Closterkamp,  by  night.  He 
had  left  his  Regiment,  that  of  Auvergne,  at  a  short  distance,  and 
was  suddenly  surrounded  by  an  ambuscade  of  the  enemy,  who 
threatened  him  with  instant  death  if  he  made  the  least  sign  of 
their  vicinity.  With  their  bayonets  at  his  breast,  he  raised  his 
voice,  and  calling  aloud  "  A  moi,  Auvergne  !  ce  sont  les  enne- 
mids  !"  fell,  pierced  with  mortal  blows. 


24 


THE     FALL     OF    D'ASSAS. 


A  BALLAD  OF  FRANCE. 


ALONE  thro'  gloomy  forest-shades 

A  soldier  went  by  night ; 
No  moonbeam  pierced  the  dusky  glades, 

No  star  shed  guiding  light. 

Yet  on  his  vigil's  midnight  round, 
The  youth  all  cheerly  pass'd  ; 

Unchecked  by  aught  of  boding  sound 
That  mutter'd  in  the  blast. 


THE  FALL  OF  D'ASSAS.  25 

Where  were  his  thoughts  that  lonely  hour  ? 

— In  his  far  home,  perchance  ; 
His  father's  hall,  his  mother's  bower, 

Midst  the  gay  vines  of  France  : 

Wandering  from  battles  lost  and  won, 

To  hear  and  bless  again 
The  rolling  of  the  wide  Garonne, 

Or  murmur  of  the  Seine. 

— Hush  !  Hark! — did  stealing  steps  go  by? 

Came  not  faint  whispers  near  ? 
No  !  the  wild  wind  hath  many  a  sigh, 

Amidst  the  foliage  sere. 

Hark,  yet  again  ! — and  from  his  hand, 
What  grasp  hath  wrench'd  the  blade  ? 

— Oh !  single  midst  a  hostile  band, 
Young  soldier !  thou'rt  betray'd  ! 


•26  NATIONAL  LYRICS. 

"  Silence  !"  in  under-tones  they  cry — 
"  No  whisper — not  a  breath ! 

The  sound  that  warns  thy  comrades  nigh 
Shall  sentence  thee  to  death." 

—Still,  at  the  bayonet's  point  he  stood, 
And  strong  to  meet  the  blow ; 

And  shouted,  midst  his  rushing  blood, 
"  Arm,  arm,  Auvergne  !  the  foe  !" 

The  stir,  the  tramp,  the  bugle-call — 
He  heard  their  tumults  grow ; 

And  sent  his  dying  voice  thro'  all — 
"  Auvergne,  Auvergne  f  the  foe  /" 


THE 

BURIAL  OF  WILLIAM  THE  CONQUEROR, 

AT  CAEN,  IN  NORMANDY,— 1067. 


"  At  the  day  appointed  for  the  king's  interment,  Prince 
Henry,  his  third  son,  the  Norman  prelates,  and  a  multitude  of 
clergy  and  people,  assembled  in  the  Church  of  St.  Stephen, 
which  the  Conqueror  had  founded.  The  mass  had  been  per- 
formed, the  corse  was  placed  on  the  bier,  and  the  Bishop  of 
Evreux  had  pronounced  the  panegyric  on  the  deceased,  when  a 
voice  from  the  crowd  exclaimed, — '  He  whom  you  have  praised 
was  a  robber.  The  very  land  on  which  you  stand  is  mine.  By 
violence  he  took  it  from  my  father ;  and,  in  the  name  of  God, 
I  forbid  you  to  bury  him  in  it.'  The  speaker  was  Asceline 
Fitz  Arthur,  who  had  often,  but  fruitlessly,  sought  reparation 
from  the  justice  of  William.  After  some  debate,  the  prelates 
called  him  to  them,  paid  him  sixty  shillings  for  the  grave,  and 
promised  that  he  should  receive  the  full  value  of  his  land. 
The  ceremony  was  then  continued,  and  the  body  of  the  king 
deposited  in  a  coffin  of  stone." 

LINGARD,  VOL.  II.  p.  98. 


THE 

BURIAL  OF  WILLIAM  THE  CONQUEROR, 

AT  CAEN,  IN  NORMANDY.— 1087. 


LOWLY  upon  his  bier 

The  royal  Conqueror  lay  ; 

Baron  and  chief  stood  near, 
Silent  in  war-array. 

Down  the  long  minster's  aisle 
Crowds  mutely  gazing  streamed, 

Altar  and  tomb  the  while 

Through  mists  of  incense  gleamed. 


BURIAL  OF  WM.  THE  CONQUEROR.        29 

And  by  the  torches'  blaze. 

The  stately  priest  had  said 
High  words  of  power  and  praise 

To  the  glory  of  the  dead. 

They  lowered  him,  with  the  sound 

Of  requiems,  to  repose  ; 
When  from  the  throngs  around 

A  solemn  voice  arose  : — 

"  Forbear !  forbear !"  it  cried, 
"  In  the  holiest  name  forbear  ! 

He  hath  conquered  regions  wide, 
But  he  shall  not  slumber  there  f 

"  By  the  violated  hearth 

Which  made  way  for  yon  proud  shrine  ; 
By  the  harvests  which  this  earth 

Hath  borne  for  me  and  mine ; 


30  NATIONAL  LYRICS. 

"  By  the  house  e'en  here  o'erthrown, 
On  my  brethren's  native  spot ; 

Hence !  with  his  dark  renown, 
Cumber  our  birth-place  not ! 

"  Will  my  sire's  unransomed  field, 
O'er  which  your  censers  wave, 

To  the  buried  spoiler  yield 
Soft  slumbers  in  the  grave  ? 

"  The  tree  before  him  fell, 
Which  we  cherished  many  a  year, 

But  its  deep  root  yet  shall  swell, 
And  heave  against  his  bier. 

"  The  land  that  I  have  tilled 
Hath  yet  its  brooding  breast 

With  my  home's  white  ashes  filled. 
And  it  shall  not  give  him  rest ! 


BURIAL  OF  WM.  THE  CONQUEROR.         31 

"  Each  pillar's  massy  bed 

Hath  been  wet  by  weeping  eyes — 

Away  !  bestow  your  dead 

Where  no  wrong  against  him  cries." 

— Shame  glowed  on  each  dark  face 
Of  those  proud  and  steel-girt  men, 

And  they  bought  with  gold  a  place 
For  their  leader's  dust  e'en  then. 

A  little  earth  for  him 

Whose  banner  flew  so  far  ! 
Arid  a  peasant's  tale  could  dim 

The  name,  a  nation's  star  ! 

One  deep  voice  thus  arose 

From  a  heart  which  wrongs  had  riven, 
Oh  I  who  shall  number  those 

That  were  but  heard  in  heaven  ? 


3-2 


ANCIENT  SPANISH  BATTLE  SONG.* 


THE  Moor  is  on  his  way ! 
With  the  tambour-peal  and  the  tecbir-shout,f 
And  the  horn  o'er  the  blue  seas  ringing  out, 

He  hath  marshalled  his  dark  array  ! 

Shout  through  the  vine-clad  land  I 
That  her  sons  on  all  their  hills  may  hear, 
And  sharpen  the  point  of  the  red  wolf  spear, 

And  the  sword  for  the  brave  man's  hand  ! 


*  Reprinted  from  the  "  Siege  of  Valentia." 
f  Tecbir,  the  Moorish  war-cry. 


ANCIENT  SPANISH  BATTLE  SONG.         39 

Banners  are  in  the  field ! 
The  chief  must  rise  from  his  joyous  board, 
And  turn  from  the  feast  e'er  the  wine  be  poured, 

And  take  up  his  father's  shield. 

The  Moor  is  on  his  way  I 
Let  the  peasant  leave  his  olive-ground, 
And  the  goats  roam  wild  through  the  pine-woods 
round — 

— There  is  nobler  work  to-day  ! 

Send  forth  the  trumpet's  call ! 
Till  the  bridegroom  cast  the  goblet  down, 
And  the  marriage-robe  and  the  flowery  crown, 

And  arm  in  the  banquet-hall ! 

And  stay  the  funeral-train  ! 
Bid  the  chanted  mass  be  hushed  a  while, 
And  the  bier  laid  down  in  the  holy  aisle, 

And  the  mourners  girt  for  Spain  ! 

D 


:U  NATIONAL  LYRICS. 

Ere  night  must  swords  be  red ! 
It  is  not  an  hour  for  knells  and  tears, 
But  for  helmets  braced,  and  serried  spears  ! 

To-morrow  for  the  dead  ! 

The  Cid  is  in  array  ! 

His  steed  is  barbed,  his  plume  waves  high, 
His  banner  is  up  in  the  sunny  sky, 

Now,  joy  for  the  Cross  to-day  ! 


THE  DEATH  SONG  OF  ALCESTIS. 


SHE  came  forth  in  her  bridal  robes  arrayed, 

And  midst  the  graceful  statues,  round  the  hall 

Shedding  the  calm  of  their  celestial  mein, 

Stood  pale,  yet  proudly  beautiful,  as  they  : 

Flowers  in  her  bosom,  and  the  star-like  gleam 

Of  jewels  trembling  from  her  braided  hair, 

And  death  upon  her  brow  ! — but  glorious  death  ! 

Her  own  heart's  choice,  the  token  and  the  seal 

Of  love,  o'ermastering  love ;  which,  'till  that  hour, 

Almost  an  anguish  in  the  brooding  weight 

Of  its  unutterable  tenderness, 

Had  burdened  her  full  soul.1    But  now,  oh  I  now, 


.%  NATIONAL  LYRICS. 

Its  time  was  come — and  from  the  spirit's  depths, 
The  passion  and  the  mighty  melody 
Of  its  immortal  voice,  in  triumph  broke, 
Like  a  strong  rushing  wind  ! 

The  soft  pure  air, 

Came  floating  through  that  hall ; — the  Grecian  air, 
Laden  with  music— flute-notes  from  the  vales, 
Echoes  of  song — the  last  sweet  sounds  of  life  ; 
And  the  glad  sunshine  of  the  golden  clime 
Stream'd,  as  a  royal  mantle,  round  her  form, 
The  glorified  of  love  I     But  she — she  look'd 
Only  on  him  for  whom  'twas  joy  to  die, 
Deep — deepest,  holiest  joy  ! — or  if  a  thought 
Of  the  warm  sunlight,  and  the  scented  breeze, 
And  the  sweet  Dorian  songs,  o'erswept  the  tide 
Of  her  unswerving  soul — 'twas  but  a  thought 
That  owned  the  summer-loveliness  of  life 
For  him  a  worthy  offering  ! — So  she  stood, 
Wrapt  in  bright  silence,  as  entranced  awhile, 


DEATH  SONG  OF  ALCESTIS.  37 

Till  her  eye  kindled,  and  her  quivering  frame 
With  the  swift  breeze  of  inspiration  shook, 
As  the  pale  priestess  trembles  to  the  breath 
Of  inborn  oracles  ! — then  flush'd  her  cheek, 
And  all  the  triumph,  all  the  agony, 
Borne  on  the  battling  waves  of  love  and  death, 
All  from  her  woman's  heart,  in  sudden  song, 
Burst  like  a  fount  of  fire. 

"  I  go,  I  go  ! 
Thou  Sun,  thou  golden  Sun,  I  go, 

Far  from  thy  light  to  dwell ; 
Thou  shalt  not  find  my  place  below, 
Dim  is  that  world — bright  Sun  of  Greece,  farewell !" 

The  Laurel  and  the  glorious  Rose 

Thy  glad  beam  yet  may  see, 
But  where  no  purple  summer  glows, 
O'er  the  dark  wave  /  haste  from  them  and  thee. 


as  NATIONAL  LYRICS. 

.Yet  doth  my  spirit  faint  to  part  r 

—I  mourn  thee  not,  O  Sun  ! 
Joy,  solemn  joy,  o'erflows  my  heart, 
Sing  me  triumphal  songs  ! — my  crown  is  won  ! 

Let  not  a  voice  of  weeping  rise  ! 
My  heart  is  girt  with  power  ! 
Let  the  green  earth  and  festal  skies 
Laugh  as  to  grace  a  conqueror's  closing  hour  ! 

For  thee,  for  thee,  my  bosom's  lord  ! 

Thee,  my  soul's  lov'd  !  I  die  ; 
Thine  is  the  torch  of  life  restor'd, 
Mine,  mine  the  rapture,  mine  the  victory  ! 

Now  may  the  boundless  love,  that  lay 

Unfathom'd  still  before, 
In  one  consuming  burst  find  way, 
In  one  bright  flood  all,  all  its  riches  pour ! 


DEATH  SONG  OF  ALCESTIS.  39 

Thou  know'st,  thou  know'st  what  love  is  now  ! 

Its  glory  and  its  might — 
Are  they  not  written  on  my  brow  ? 
And  will  that  image  ever  quit  thy  sight  ? 

No  !  deathless  in  thy  faithful  breast, 

There  shall  my  memory  keep 
Its  own  bright  altar-place  of  rest, 
While  o'er  my  grave  the  cypress-branches  weep. 

— Oh  !  the  glad  light ! — the  light  is  fair, 

The  soft  breeze  warm  and  free, 
And  rich  notes  fill  the  scented  air, 
And  all  are  gifts — my  love's  last  gifts  to  thee  ! 

Take  me  to  thy  warm  heart  once  more ! 

Night  falls — my  pulse  beats  low — 
Seek  not  to  quicken,  to  restore, 
Joy  is  in  every  pang — I  go,  I  go  ! 


40  NATIONAL  LYRICS. 

I  feel  thy  tears,  I  feel  thy  breath, 

I  meet  thy  fond  look  still ; 
Keen  is  the  strife  of  love  and  death ; 
Faint  and  yet  fainter  grows  my  bosom's  thrill. 

Yet  swells  the  tide  of  rapture  strong, 

Tho'  mists  o'ershade  mine  eye; 
— Sing,  Paean  !  sing  a  conqueror's  song  ! 
For  thee,  for  thee,  my  spirit's  lord,  I  die  !" 


41 


CHORUS. 

TRANSLATED    FROM    THE   ALCESTIS    OF   ALFIERI. 


(In  the  scene  where  the  dying  Alcestis  has  bid  farewell  to  her 
husband  and  children.) 


(ATTENDANTS  OF  ALCESTIS.) 

PEACE,  mourners,  peace ! 
Be  hushed,  be  silent,  in  this  hour  of  dread  ! 

Our  cries  would  but  increase 
The  sufferer's  pangs ;  let  tears  unheard  be  shed, 

Cease,  voice  of  weeping,  cease  ! 


4-J  NATIONAL  LYRICS. 

Sustain,  O  friend ! 

Upon  thy  faithful  breast, 
The  head  that  sinks,  with  mortal  pain  opprest ! 

And  thou,  assistance  lend 

To  close  the  languid  eye, 
Still  beautiful,  in  life's  last  agony. 

Alas !  how  long  a  strife  ! 
What  anguish  struggles  in  the  parting  breath, 

Ere  yet  immortal  life 

Be  won  by  death  ! 

Death  !  Death  !  thy  work  complete  ! 
Let  thy  sad  hour  be  fleet, 
Speed,  in  thy  mercy,  the  releasing  sigh  ! 

No  more  keen  pangs  impart 

To  her,  the  high  in  heart, 
The  adored  Alcestis,  worthy  ne'er  to  die. 


CHORUS.  43 

(ATTENDANTS  OF  ADMETUS.) 

Tis  not  enough,  oh  !  no ! 
To  hide  the  scene  of  anguish  from  his  eyes ; 

Still  must  our  silent  band 

Around  him  watchful  stand, 
And  on  the  mourner  ceaseless  care  bestow, 
That  his  ear  catch  not  grief's  funereal  cries. 

Yet,  yet  hope  is  not  dead, 

All  is  not  lost  below, 
While  yet  the  gods  have  pity  on  our  woe. 

Oft  when  all  joy  is  fled, 

Heaven  lends  support  to  those 
Who  on  its  care  in  pious  hope  repose. 

Then  to  the  blessed  skies 
Let  o\ir  submissive  prayers  in  chorus  rise. 


44  NATIONAL  LYRICS. 

Pray !  pray  !  pray  ! 

What  other  task  have  mortals,  born  to  tears, 
Whom  fate  controls,  with  adamantine  sway  ? 

O  ruler  of  the  spheres  I 
Jove !  Jore  !  enthroned  immortally  on  high, 

Our  supplication  hear ! 

Nor  plunge  in  bitterest  woes, 
Him,  who  nor  footstep  moves,  nor  lifts  his  eye, 

But  as  a  child,  which  only  knows 

Its  father  to  revere. 


SONGS  OF  A  GUARDIAN  SPIRIT. 
I. 


NEAR  THEE,   STILL  NEAR   THEE!* 


NEAR    thee,    still   near  thee  ! — o'er  thy   path-way 

gliding, 

Unseen  I  pass  thee  with  the  wind's  low  sigh ; 
Life's  veil  enfolds  thee  still,  our  eyes  dividing, 
Yet  viewless  love  floats  round  thee  silently  ! 

Not  midst  the  festal  throng, 
In  halls  of  mirth  and  song ; 

*  This  piece  has  been  set  to  music  of  most  impressive  beauty 
by  John  Lodge,  Esq.,  for  whose  compositions  several  of  the 
author's  songs  were  written. 


46  NATIONAL   LYRICS. 

But  when  thy  thoughts  are  deepest, 
When  holy  tears  thou  weepest, 

Know  then  that  love  is  nigh ! 

When    the    night's   whisper   o'er   thy   harp-strings 

creeping, 

Or  the  sea-music  on  the  sounding  shore, 
Or  breezy  anthems  thro'  the  forest  sweeping, 
Shall  move  thy  trembling  spirit  to  adore  ; 

When  every  thought  and  prayer 
We  lov  d  to  breathe  and  share, 
On  thy  full  heart  returning, 
Shall  wake  its  voiceless  yearning ; 

Then  feel  me  near  once  more  ! 

Near  thee,  still  near  thee  I — trust  thy  soul's  deep 

dreaming ! 

— Oh !  love  is  not  an  earthly  Rose  to  die ! 
Ev'n  when  I  soar  where  fiery  stars  are  beaming, 
Thine  image  wanders  with  me  thro'  the  sky. 


SONGS  OF  A  GUARDIAN  SPIRIT.  47 

The  fields  of  air  are  free, 
Yet  lonely,  wanting  thee  ; 
But  when  thy  chains  are  falling, 
When  heaven  its  own  is  calling, 

Know  then,  thy  guide  is  nigh  ! 


48 


SONGS  OF  A  GUARDIAN  SPIRIT. 
II. 


[ !     DROOP  THOU   NOT  I 


They  sin  who  tell  us  love  can  die. 

With  life  all  other  passions  fly  ; 

All  others  are  but  vanity. 

In  heaven  ambition  cannot  dwell, 

Nor  avarice  in  the  vaults  of  hell. 

Earthly  these  passions,  as  of  earth— 

They  perish  where  they  drew  their  birth. 

But  love  is  indestructible  ! 

Its  holy  flame  for  ever  burneth : 

From  heaven  it  came,  to  heaven  returneth. 

SOUTHEV. 


OH  !  droop  thou  not,  my  gentle  earthly  love  ! 

Mine  still  to  be  ! 
I  bore  thro'  death,  to  brighter  lands  above, 

My  thoughts  of  thee. 


SONGS  OF  A  GUARDIAN  SPIRIT.  49 

Yes  !  the  deep  memory  of  our  holy  tears, 

Our  mingled  prayer, 
Our  suffering  love,  thro'  long  devoted  years, 

Went  with  me  there. 

It  was  not  vain,  the  hallo  w'd  and  the  tried — 

It  was  not  vain  ! 
Still,  tho'  unseen,  still  hovering  at  thy  side, 

I  watch  again  ! 

From  our  own  paths,  our  love's  attesting  bowers, 

I  am  not  gone  ; 
In  the  deep  calm  of  midnight's  whispering  hours, 

Thou  art  not  lone  : 

Not   lone,    when   by   the   haunted   stream   thou 
weepest, 

That  stream,  whose  tone 
Murmurs  of  thoughts,  the  richest  and  the  deepest, 

We  two  have  known  : 


50  NATIONAL  LYRICS. 

Not  lone,  when  mournfully  some  strain  awaking 

Of  days  long  past, 
From  thy  soft  eyes  the  sudden  tears  are  breaking, 

Silent  and  fast : 

Not  lone,  when  upwards,  in  fond  visions  turning 

Thy  dreamy  glance, 
Thou  seek'st  my  home,  where  solemn  stars  are 

burning, 
O'er  night's  expanse. 

My  home  is  near  thee,  lov'd  one  !  and  around  thee, 

Where'er  thou  art ; 
Tho'  still  mortality's  thick  cloud  hath  bound  thee, 

Doubt  not  thy  heart ! 

Hear  its  low  voice,  nor  deem  thyself  forsaken — 

Let  faith  be  given 
To  the  still  tones  which  oft  our  being  waken — 

They  are  of  heaven  I 


MIGNON'S  SONG. 

TRANSLATED    FROM    GOETHE. 


ion,  a  young  and  enthusiastic  girl,  (the  character  in  one 
Goethe's  romances,  from  which  Sir  Walter  Scott's  Fenella 
is  partially  imitated,)  has  been  stolen  away,  in  early  childhood, 
from  Italy.  Her  vague  recollections  of  that  land,  and  of  her 
early  home,  with  its  graceful  sculptures  and  pictured  saloons, 
are  perpetually  haunting  her,  and  at  times  break  forth  into  the 
following  song.  The  original  has  been  set  to  exquisite  music, 
by  Zelter,  the  friend  of  Goethe. 


52 


MIGNON'S  SONG. 


TRANSLATED    FROM    GOETHE. 


Kenust  du  das  Land  wo  die  Citronen  bluhn  ? 


KNOW'ST  thou   the  land  where  bloom  the   Citron 

bowers, 

Where  the  gold-orange  lights  the  dusky  grove  ? 
High  waves  the  laurel  there,  the  myrtle  flowers, 
And  thro'  a  still  blue  heaven  the  sweet  winds  rove. 
Know'st  thou  it  well  ? 

— There,  there,  with  thee, 
O  friend,  O  lov'd  one !  fain  my  steps  would  flee. 


MIGNON'S  SONG.  53 

Know'st  thou  the  dwelling  ? — there  the  pillars  rise, 
Soft  shines  the  hall,  the  painted  chambers  glow ; 
And  forms  of  marble  seem  with  pitying  eyes 
To  say — "  Poor  child !  what  thus  hath  wrought  thee 

woe  ?" 
Know'st  thou  it  well  ? 

There,  there  with  thee, 
O  my  protector  !  homewards  might  I  flee  ! 

Know'st  thou  the   mountain  ? — high  its   bridge  is 

hung, 

Where  the  mule  seeks  thro'  mist  and  cloud  his  way ; 
There  lurk  the  dragon-race,  deep  caves  among, 
O'er  beetling  rocks  there  foams  the  torrent  spray. 
Know'st  thou  it  well  ? 

With  thee,  with  thee, 
There  lies  my  path,  O  father !  let  us  flee  ! 


54 


THE     SISTERS.* 


A  BALLAD. 


"  I  go,  sweet  sister ;   yet,  my  heart  would  linger 

with  thee  fain, 
And  unto  every  parting  gift  some  deep  remembrance 

chain ; 
Take  then  the  braid  of  Eastern  pearls  which  once  I 

loved  to  wear, 
And  with  it  bind  for  festal  scenes  the  dark  waves  of 

thy  hair! 


*  This  ballad  was  composed  for  a  kind  of  dramatic  recita- 
tive, relieved  by  music.  It  was  thus  performed  by  two  graceful 
and  highly  accomplished  sisters. 


THE  SISTERS,  A  BALLAD.  55 

Its  pale  pure   brightness  will  beseem  those  raven 

tresses  well, 
And  I  shall  need  such  pomp  no  more  in  my  lone 

convent  cell." 

"  Oh  speak  not  thus,  my  Leonor  !    why  part  from 

kindred  love  ? 
Thro'  festive  scenes,  when  thou  art  gone — my  steps 

no  more  shall  move  ! 
How  could  I  bear  a  lonely  heart  amid  a  reckless 

throng  ? 
I  should  but  miss  earth's  dearest  voice  in  every  tone 

of  song ; 
Keep,  keep  the  braid  of  Eastern  pearls,  or  let  me 

proudly  twine 
Its  wreath  once  more  around  that  brow,  that  queenly 

brow  of  thine." 


56  NATIONAL  LYRICS. 

"  Oh   wouldst  thou   strive   a  wounded   bird    from 

shelter  to  detain  ? 

Or  wouldst  thou  call  a  spirit  freed,  to  weary  life  again. 
Sweet  sister,  take  the  golden  cross  that  I  have  worn 

so  long, 
And  bathed  with  many  a  burning  tear  for  secret  woe 

and  wrong. 
It  could  not  still  my  beating  heart  1  but  may  it  be  a 

sign 
Of  peace  and  hope,  my  gentle  one !  when  meekly 

pressed  to  thine  !" 

"  Take   back,   take   back   the   cross    of   gold,    our 

mother's  gift  to  thee, 

It  would  but  of  this  parting  hour,  a  bitter  token  be ; 
With  funeral  splendour  to  mine  eye,  it  would  but 

sadly  shine, 


THE  SISTERS,  A  BALLAD.  57 

And  tell  of  early  treasures  lost,  of  joy  no  longer 

mine ! 
Oh  sister !  if  thy  heart  be  thus  with  buried  grief 

oppress'd, 
Where  wouldst  thou  pour  it  forth  so  well,  as  on  my 

faithful  breast!" 

"  Urge  me  no  more !  a  blight  hath  fallen  upon  my 

summer  years ! 
I  should  but  darken  thy  young  life  with  fruitless 

pangs  and  fears  ; 
But  take  at  least  the  lute  I  lov'd,  and  guard  it  for 

my  sake, 
And  sometimes,  from  its  silvery  strings  one  tone  of 

memory  wake ! 
Sing  to  those  chords  by  starlight's  gleam  our  own 

sweet  vesper  hymn, 
And  think  that  I  too  chant  it  then,  far  in  my  cloister 

dim." 


58  NATIONAL  LYRICS. 

"  Yes,  I  will  take  the  silvery  lute — and  I  will  sing  to 

thee 
A  song  we  heard  in  childhood's  days,  ev'n  from  our 

father's  knee. 
Oh  sister !    sister !    are  these  notes  amid  forgotten 

things  ? 
Do   they   not   linger   as   in  love,    on   the   familiar 

strings  ? 
Seems  not  our  sainted  mother's  voice  to  murmur  in 

the  strain, 
Kind  sister !  gentlest  Leonor !  say  shall  it  plead  in 

vain  ?" 


SONG. 

"  Led,ve  us  not,  leave  us  riot ! 

Say  not  adieu  ! 
Have  we  not  been  to  thee 

Tender  and  true  ? 


THE  SISTERS,  A  BALLAD.  59 

"  Take  not  thy  sunny  smile 

Far  from  our  hearth  ! 
With  that  sweet  light  will  fade 

Summer  and  mirth. 

"  Leave  us  not,  leave  us  not ! 

Can  thy  heart  roam  ? 
Wilt  thou  not  pine  to  hear 

Voices  from  home  ? 

"  Too  sad  our  love  would  be, 

If  thou  wert  gone  ! 
Turn  to  us,  leave  us  not ! 

Thou  art  our  own  !" 

"  Oh  sister,  hush  that  thrilling  lute,  oh  cease  that 

haunting  lay, 
Too  deeply  pierce  those  wild  sweet  notes ;  yet,   yet 

I  cannot  stay, 


60  NATIONAL  LYRICS. 

For  weary — weary  is  my  heart !    I  hear  a  whispered 

call 
In  every  breeze  that   stirs  the  leaf  and  bids   the 

blossom  fall. 
I  cannot  breathe  in  freedom  here,  my  spirit  pines  to 

dwell 
Where  the  world's  voice  can  reach  no  more ! — oh 

calm  thee !     Fare  thee  well !" 


THE  LAST  SONG  OF  SAPPHO. 


Suggested  by  a  beautiful  sketch,  the  design  of  the  younger 
Westmacott.  It  represents  Sappho  sitting  on  a  rock  above  the 
sea,  with  her  lyre  cast  at  her  feet.  There  is  a  desolate  grace 
about  the  whole  figure,  which  seems  penetrated  with  the  feeling 
of  utter  abandonment. 


62 


THE  LAST  SONG  OF  SAPPHO. 


SOUND  on,  thou  dark  unslumbering  sea ! 

My  dirge  is  in  thy  moan ; 
My  spirit  finds  response  in  thee, 
To  its  own  ceaseless  cry — "  Alone,  alone  !" 

Yet  send  me  back  one  other  word, 

Ye  tones  that  never  cease ! 
Oh  !  let  your  secret  caves  be  stirr'd, 
And  say,  dark  waters !  will  ye  give  me  peace  ? 

Away !  my  weary  soul  hath  sought 

In  vain  one  echoing  sigh, 
One  answer  to  consuming  thought 
In  human  hearts — and  will  the  wave  reply  ? 


THE  LAST  SONG  OF  SAPPHO.      63 

Sound  on,  thou  dark  unslumbering  sea  I 

Sound  in  thy  scorn  and  pride  ! 
I  ask  not,  alien  world,  from  thee, 
What  my  own  kindred  earth  hath  still  denied. 

And  yet  I  lov'd  that  earth  so  well, 

With  all  its  lovely  things  ! 
— Was  it  for  this  the  death-wind  fell 
On  my  rich  lyre,  and  quench'd  its  living  strings  ? 

— Let  them  lie  silent  at  my  feet ! 

Since  broken  even  as  they, 
The  heart  whose  music  made  them  sweet, 
Hath  pour'd  on  desert-sands  its  wealth  away. 

Yet  glory's  light  hath  touch'd  my  name, 

The  laurel-wreath  is  mine — 
— With  a  lone  heart,  a  weary  frame — 
O  restless  deep !     I  come  to  make  them  thine  ! 


04  NATIONAL  LYRICS. 

Give  to  that  crown,  that  burning  crown, 

Place  in  thy  darkest  hold  ! 
Bury  my  anguish,  my  renown, 
With  hidden  wrecks,  lost  gems,  and  wasted  gold. 

Thou  sea-bird  on  the  billow's  crest, 

Thou  hast  thy  love,  thy  home ; 
They  wait  thee  in  the  quiet  nest, 
And  I,  th'  unsought,  unwatch'd-for — I  too  come ! 

I,  with  this  winged  nature  fraught, 

These  visions  wildly  free, 
This  boundless  love,  this  fairy  thought — 
— Alone  I  come — oh  !  give  me  peace,  dark  sea ! 


65 


DIRGE. 


WHERE  shall  we  make  her  grave  ? 
— Oh  !  where  the  wild-flowers  wave 

In  the  free  air ! 

Where  shower  and  singing-bird 
Midst  the  young  leaves  are  heard — 

There — lay  her  there ! 

Harsh  was  the  world  to  her — 
Now  may  sleep  minister 

Balm  for  each  ill : 
Low  on  sweet  nature's  breast, 
Let  the  meek  heart  find  rest, 

Deep,  deep  and  still ! 


66  NATIONAL  LYRICS. 

Murmur,  glad  waters,  by ! 
Faint  gales,  with  happy  sigh, 

Come  wandering  o'er 
That  green  and  mossy  bed, 
Where,  on  a  gentle  head, 
Storms  beat  no  more ! 

What  though  for  her  in  yain 
Falls  now  the  bright  spring-rain, 

Plays  the  soft  wind  ; 
Yet  still,  from  where  she  lies, 
Should  blessed  breathings  rise, 

Gracious  and  kind. 

Therefore  let  song  and  dew 
Thence,  in  the  heart  renew 

Life's  vernal  glow ! 
And,  o'er  that  holy  earth 
Scents  of  the  violet's  birth 

StiU  come  and  go ! 


DIRGE.  67 

Oh !  then  where  wild-flowers  wave, 
Make  ye  her  mossy  grave 

In  the  free  air ! 

Where  shower  and  singing-bird 
Midst  the  young  leaves  are  heard — 

There,  lay  her  there  ! 


68 


A  SONG  OF  THE  ROSE. 


Cosi  fior  diverrai  che  non  soggiace 

All  'acqua,  al  gelo,  al  vento  ed  allo  scherno, 

D'  una  stagion  volubile  e  fugace ; 

E  a  piu  fido  Cultor  posto  in  governo, 

Unir  potrai  nella  tranquilla  pace, 

Ad  eterna  Bellezza  odore  eterno. 

PIETRO  MKTASTASIO. 


ROSE  !  what  dost  thou  here  ? 

Bridal,  royal  rose  ? 
How,  inidst  grief  and  fear 
Canst  thou  thus  disclose 

That  fervid  hue  of  love,    which  to   thy   heart-leaf 
glows  ? 


A  SONG  OF  THE  ROSE.  69 

Rose !  too  much  arrayed 

For  triumphal  hours, 
Look'st  thou  thro'  the  shade 

Of  these  mortal  bowers, 

Not  to  disturb  my  soul,    thou  crown'd  one  of  all 
flowers ! 

As  an  eagle  soaring 

Thro'  a  sunny  sky, 
As  a  clarion  pouring 

Notes  of  victory, 

So  dost  thou  kindle  thoughts,  for  earthly  life  too 
high. 

Thoughts  of  rapture,  flushing 

Youthful  poet's  cheek ; 
Thoughts  of  glory,  rushing 

Forth  in  song  to  break, 
But  finding  the  spring-tide  of  rapid  song  too  weak. 


70  NATIONAL  LYRICS. 

Yet,  oh  !  festal  rose, 

I  have  seen  thee  lying 
In  thy  bright  repose 

Pillowed  with  the  dying, 

Thy  crimson  by  the  lip  whence  life's  quick  blood 
was  flying. 

Summer,  hope,  and  love 
O'er  that  bed  of  pain, 
Met  in  thee,  yet  wove 

Too,  too  frail  a  chain 
In  its  embracing  links  the  lovely  to  detain. 

Smil'st  thou,  gorgeous  flower  ? 

— Oh  !  within  the  spells 
Of  thy  beauty's  power, 

Something  dimly  dwells, 

At  variance  with  a  world   of  sorrows  and  fare- 
wells. 


A  SONG  OF  THE  ROSE.  71 

All  the  soul  forth  flowing 

In  that  rich  perfume, 
All  the  proud  life  glowing 

In  that  radiant  bloom,— 

Have  they  no  place  but  here,  beneath  th'  o'ersha- 
dowing  tomb  ? 

Crown'st  thou  but  the  daughters 

Of  our  tearful  race  ? 
—  Heaven's  own  purest  waters 

Well  might  wear  the  trace 
Of  thy  consummate  form,  melting  to  softer  grace. 

Will  that  clime  enfold  thee 

With  immortal  air  ? 
Shall  we  not  behold  thee 

Bright  and  deathless  there  ? 
In  spirit-lustre  cloth'd,   transcendantly  more  fair? 


72  NATIONAL  LYRICS. 

Yes !  my  fancy  sees  thee 

In  that  light  disclose, 
And  its  dream  thus  frees  thee 

From  the  mist  of  woes, 

Darkening  thine  earthly  bowers,    O  bridal,    royal 
rose  ! 


73 


NIGHT-BLOWING  FLOWERS. 


CHILDREN  of  night !  unfolding  meekly,  slowly 
To  the  sweet  breathings  of  the  shadowy  hours, 
When  dark-blue  heavens  look  softest  and  most  holy, 
And  glow-worm  light  is  in  the  forest  bowers ; 

To  solemn  things  and  deep, 

To  spirit-haunted  sleep, 

To  thoughts,  all  purified 

From  earth,  ye  seem  allied  ; 
Q  dedicated  flowers  ! 

Ye,  from  the  gaze  of  crowds  your  beauty  veiling, 
Keep  in  dim  vestal  urns  the  sweetness  shrined ; 
Till  the  mild  moon,  on  high  serenely  sailing, 
Looks  on  you  tenderly  and  sadly  kind. 


74  NATIONAL  LYRICS. 

— So  doth  love's  dreaming  heart 
Dwell  from  the  throng  apart, 
And  but  to  shades  disclose 
The  inmost  thought  which  glows 
With  its  pure  life  entwined. 

Shut  from  the  sounds  wherein  the  day  rejoices, 
To  no  triumphant  song  your  petals  thrill, 
But  send  forth  odours  with  the  faint  soft  voices 
Rising  from  hidden  streams,  when  all  is  still. 
So  doth  lone  prayer  arise, 
Mingling  with  secret  sighs, 
When  grief  unfolds,  like  you, 
Her  breast,  for  heavenly  dew 
In  silent  hours  to  fill. 


75 


THE  WANDERER  AND  THE  NIGHT-FLOWERS. 


CALL  back  your  odours,  lovely  flowers, 
From  the  night-winds  call  them  back, 

And  fold  your  leaves  till  the  laughing  hours 
Come  forth  in  the  sunbeam's  track. 

The  lark  lies  couched  in  her  grassy  nest, 

And  the  honey  bee  is  gone, 
And  all  bright  things  are  away  to  rest, 

Why  watch  ye  here  alone  ? 

Is  not  your  world  a  mournful  one, 
When  your  sisters  close  their  eyes, 

And  your  soft  breath  meets  not  a  lingering  tone 
Of  song  in  the  starry  skies  ? 


76  NATIONAL  LYRICS. 

Take  ye  no  joy  in  the  day-spring's  birth, 
When  it  kindles  the  sparks  of  dew  ? 

And  the  thousand  strains  of  the  forest's  mirth, 
Shall  they  gladden  all  but  you  ? 

,    Shut  your  sweet  bells  till  the  fawn  comes  out 

On  the  sunny  turf  to  play, 
And  the  woodland  child  with  a  fairy  shout 
Goes  dancing  on  its  way ! 

"  Nay,  let  our  shadowy  beauty  bloom 
When  the  stars  give  quiet  light, 

And  let  us  offer  our  faint  perfume 
On  the  silent  shrine  of  night. 

"Call  it  not  wasted,  the  scent  we  lend 
To  the  breeze,  when  no  step  is  nigh ; 

Oh  thus  for  ever  the  earth  should  send 
Her  grateful  breath  on  high ! 


THE  WANDERER,    &c.  77 

"And  love  us  as  emblems,  night's  dewy  flowers, 

Of  hopes  unto  sorrow  given, 
That  spring  through  the  gloom  of  the   darkest 
hours, 

Looking  alone  to  heaven  !" 


78 


ECHO-SONG. 


IN  thy  cavern-hall, 

Echo  !  art  thou  sleeping  ? 
By  the  fountain's  fall 

Dreamy  silence  keeping  ? 
Yet  one  soft  note  borne 
From  the  shepherd's  horn, 
Wakes  thee,  Echo !  into  music  leaping ! 
— Strange  sweet  Echo !  into  music  leaping. 

Then  the  woods  rejoice, 

Then  glad  sounds  are  swelling 

From  each  sister- voice 

Round    hy  rocky  dwelling ; 


ECHO  SONG.  79 

And  their  sweetness  fills 

All  the  hollow  hills, 

With  a  thousand  notes,  of  one  life  telling ! 
— Softly  mingled  notes,  of  one  life  telling. 

Echo  !  in  my  heart 

Thus  deep  thoughts  are  lying, 
Silent  and  apart, 

Buried,  yet  undying. 
Till  some  gentle  tone 
Wakening  haply  one, 

Calls  a  thousand  forth,  like  thee  replying ! 
—Strange  sweet  Echo !  even  like  thee  replying.* 

*  This  song  is  in  the  possession  of  Mrs.  Power. 


80 


THE  MUFFLED  DRUM.* 


THE  muffled  drum  was  heard 

In  the  Pyrenees  by  night, 
With  a  dull  deep  rolling  sound 

Which  told  the  hamlets  round 
Of  a  soldier's  burial  rite. 

But  it  told  them  not  how  dear 

In  a  home  beyond  the  main, 
Was  the  warrior  youth  laid  low  that  hour, 

By  a  mountain  stream  of  Spain. 

'*  Set  to  beautiful  music  by  John  Lodge,  Esq. 


THE  MUFFLED  DRUM.  81 

The  oaks  of  England  wav'd 

O'er  the  slumbers  of  his  race, 
But  a  pine  of  the  Ronceval  made  moan 

Above  his  last  lone  place : 

When  the  muffled  drum  was  heard 

In  the  Pyrenees  by  night, 
With  a  dull  deep  rolling  sound 

Which  caU'd  strange  echoes  round 
To  the  soldier's  burial  rite. 

Brief  was  the  sorrowing  there, 

By  the  stream  from  battle  red, 
And  tossing  on  its  wave  the  plume/3 

Of  many  a  stately  head  ; 

But  a  mother — soon  to  die, 

And  a  sister — long  to  weep, 
Ev'n  then  were  breathing  prayer  for  him, 

In  that  home  beyond  the  deep : 


82  NATIONAL  LYRICS. 

While  the  muffled  drum  was  heard 
In  the  Pyrenees  by  night, 

With  a  dull  deep  rolling  sound, 
And  the  dark  pines  mourn'd  round, 
O'er  the  soldier's  burial-rite. 


THE  SWAN  AND  THE  SKY-LARK. 


Adieu,  adieu !  my  plaintive  anthem  fades 

Past  the  near  meadows,  over  the  still  stream, 
Up  the  hill-side ;  and  now  'tis  buried  deep 

In  the  next  valley-glades. 

KEATS. 

Higher  still  and  higher 

From  the  earth  thou  springest 
Like  a  cloud  of  fire ; 

The  blue  deep  thou  wingest, 
And  singing  still  dost  soar,  and  soaring  ever  singest. 

SHELLEY. 


MIDST  the  long  reeds  that  o'er  a  Grecian  stream 
Unto  the  faint  wind  sigh'd  melodiously, 
And  where  the  sculpture  of  a  broken  shrine 
Sent  out,  thro'  shadowy  grass  and  thick  wild  flowers, 


84  NATIONAL  LYRICS. 

Dim  alabaster  gleams — a  lonely  Swan 
Warbled  his  death-chaunt ;  and  a  poet  stood 
Listening  to  that  strange  music,  as  it  shook 
The  lilies  on  the  wave ;  and  made  the  pines 
And  all  the  laurels  of  the  haunted  shore 
Thrill  to  its  passion.     Oh  !  the  tones  were  sweet, 
Ev'n  painfully — as  with  the  sweetness  rung 
From  parting  love ;  and  to  the  Poet's  thought 
This  was  their  language. 

"  Summer,  I  depart ! 

O  light  and  laughing  summer,  fare  thee  well ! 
No  song  the  less  thro'  thy  rich  woods  will  swell, 

For  one,  one  broken  heart. 

And  fare  ye  well,  young  flowers  ! 
Ye  will  not  mourn  !  ye  will  shed  odour  still, 
And  wave  in  glory,  colouring  every  rill, 

Known  to  my  youth's  fresh  hours. 


THE  SWAN  AND  THE  SKY-LARK,  85 

And  ye,  bright  founts,  that  lie 
Far  in  the  whispering  forests,  lone  and  deep, 
My  wing  no  more  shall  stir  your  shadowy  sleep — 

— Sweet  waters !  I  must  die. 

Will  ye  not  send  one  tone 

Of  sorrow  thro'  the  pines  ? — one  murmur  low  ? 

Shall  not  the  green  leaves  from  your  voices  know- 
That  I,  your  child,  am  gone  ? 

No,  ever  glad  and  free  ! 
Ye  have  no  sounds  a  tale  of  death  to  tell, 
Waves,  joyous  waves,  flow  on,  and  fare  ye  well ! 

Ye  will  not  mourn  for  me. 

But  thou,  sweet  boon,  too  late 
Pour'd  on  my  parting  breath,  vain  gift  of  song ! 
Why  com'st  thou  thus,  o'ermastering,  rich  and  strong, 

In  the  dark  hour,  of  fate  ? 


86  NATIONAL  LYRICS. 

Only  to  wake  the  sighs 
Of  echo-voices  from  their  sparry  cell; 
Only  to  say — O  sunshine  and  blue  skies  ! 

O  life  and  love,  farewell !" 

Thus  flow'd  the  death-chaunt  on ;  while  mournfully 
Low  winds  and  waves  made  answer,  and  the  tones 
Buried  in  rocks  along  the  Grecian  stream, 
Rocks  and  dim  caverns  of  old  Prophecy, 
Woke  to  respond :  and  all  the  air  was  fill'd 
With  that  one  sighing  sound—"  Farewell,  Farewell !" 
— Fill'd  with  that  sound?  high  in  the  calm  blue  heaven 
Ev'n  then  a  Sky-lark  hung ;  soft  summer  clouds 
Were  floating  round  him,  all  transpierced  with  light, 
And  midst  that  pearly  radiance  his  dark  wings 
Quiver'd  with  song : — such  free  triumphant  song, 
As  if  tears  were  not, — as  if  breaking  hearts 
Had  not  a  place  below — and  thus  that  strain 
Spoke  to  the  Poet's  ear  exultingly. 


THE  SWAN  AND  THE  SKY-LARK.  87 

u  The  summer  is  come ;  she  hath  said,  (  Rejoice  !' 
The  wild  woods  thrill  to  her  merry  voice ; 
Her  sweet  breath  is  wandering  around,  on  high  ; 
— Sing,  sing  thro'  the  echoing  sky ! 

"  There  is  joy  in  the  mountains ;  the  bright  waves 

leap, 

Like  the  bounding  stag  when  he  breaks  from  sleep ; 
Mirthfully,  wildly,  they  flash  along — 

— Let  the  heavens  ring  with  song  ! 

"  There  is  joy  in  the  forests ;  the  bird  of  night 
Hath  made  the  leaves  tremble  with  deep  delight ; 
But  mine  is  the  glory  to  sunshine  given — 

Sing,  sing  thro'  the  echoing  heav'n  ! 

"  Mine  are  the  wings  of  the  soaring  morn, 
Mine  are  the  fresh  gales  with  day-spring  born  : 
Only  young  rapture  can  mount  so  high — 

— Sing,  sing  thro'  the  echoing  sky  !" 


NATIONAL  LYRICS. 

So  those  two  voices  met ;  so  Joy  and  Death 

Mingled  their  accents  ;  and  amidst  the  rush 

Of  many  thoughts,  the  listening  Poet  cried, 

— "  Oh !  thou  art  mighty,  thou  art  wonderful, 

Mysterious  Nature  !  Not  in  thy  free  range 

Of  woods  and  wilds  alone,  thou  blendest  thus 

The  dirge-note  and  the  song  of  festival ; 

But  in  one  heart,  one  changeful  human  heart 

— Aye,  and  within  one  hour  of  that  strange  world — 

Thou  call'st  their  music  forth,  with  all  its  tones 

To  startle  and  to  pierce  ! — the  dying  Swan's, 

And  the  glad  Sky-Lark's — Triumph  and  Despair  !" 


89 


©IF 


No.  I. 
ANCIENT  BATTLE  SONG. 


FLING  forth  the  proud  banner  of  Leon  again  ! 

Let  the  high  word   "  Castile'  go  resounding  thro' 

Spain ! 

And  thou,  free  Asturias,  encamp'd  on  the  height, 
Pour  down  thy  dark  sons  to  the  vintage  of  fight ! 
Wake,  wake  !  the  old  soil  where  thy  children  repose, 
Sounds  hollow  and  deep  to  the  trampling  of  foes. 


*  Written  for  a  set  of  airs,  entitled  "  Peninsular  Melodies," 
selected  by  Colonel  Hodges,  and  published  by  Messrs.  Goulding 
and  D'Almaine,  who  have  permitted  the  reappearance  of  the 
words  in  this  volume. 


90  NATIONAL  LYRICS. 

The  voices  are  mighty  that  swell  from  the  past, 
With  Arragon's  cry  on  the  shrill  mountain-blast ; 
The  ancient  Sierras  give  strength  to  our  tread, 
Their  pines  murmur  song  where  bright  blood  hath 

been  shed. 

— Fling  forth  the  proud  banner  of  Leon  again, 
And  shout  ye  "  Castile  !  to  the  rescue  for  Spain  !" 


II. 

THE  ZEGRI  MAID. 


The  Zegris  were  one  of  the  most  illustrious  Moorish  tribes. 
Their  exploits,  and  feuds  with  their  celebrated  rivals  the  Aben- 
cerrages,  form  the  subject  of  many  ancient  Spanish  romances. 


92  NATIONAL  LYRICS. 


II. 
THE  ZEGRI  MAID. 


THE  summer  leaves  were  sighing, 

Around  the  Zegri  maid, 
To  her  low  sad  song  replying 

As  it  fill'd  the  olive  shade. 
"  Alas  !  for  her  that  loveth 

Her  land's,  her  kindred's  foe ! 
Where  a  Christian  Spaniard  roveth, 

Should  a  Zegri's  spirit  go  ? 

"  From  thy  glance,  my  gentle  mother  ! 

I  sink,  with  shame  oppress'd, 
And  the  dark  eye  of  my  brother 

Is  an  arrow  to  my  breast." 


THE  ZEGRI  MAID. 

— Where  summer  leaves  were  sighing, 

Thus  sang  the  Zegri  maid, 
While  the  crimson  day  was  dying 

In  the  whispery  olive  shade. 

"  And  for  all  this  heart's  wealth  wasted, 

This  woe,  in  secret  borne, 
This  flower  of  young  life  blasted, 

ShouM  I  win  back  aught  but  scorn  ? 
By  aught  but  daily  dying 

Would  my  lone  truth  be  repaid  ?" 
— Where  the  olive  leaves  were  sighing, 

Thus  sang  the  Zegri  maid. 


III. 

THE  RIO  VERDE  SONG. 


The  Rio  Verde,  a  small  river  of  Spain,  is  celebrated  in  the 
old  ballad  romances  of  their  country  for  the  frequent  combats 
ou  its  banks,  between  Moor  and  Christian.  The  ballad  referring 
to  this  stream,  in  Percy's  Reliques, 

"  Gentle  river,  gentle  river, 

Lo !  thy  streams  are  stained  with  gore," 

will  be  remembered  by  many  readers. 


NATIONAL  LYRICS. 


III. 
THE  RIO  VERDE  SONG. 

FLOW,  Rio  Verde ! 

In  melody  flow ; 
Win  her  that  weepeth 

To  slumber  from  woe  ; 
Bid  thy  wave's  music 

Roll  thro'  her  dreams, 
Grief  ever  loveth 

The  kind  voice  of  streams. 

Bear  her  lone  spirit 

Afar  on  the  sound, 
Back  to  her  childhood, 

Her  life's  fairy  ground  ; 


THE  RIO  VERDE  SONG.  97 

Pass  like  the  whisper 

Of  love  that  is  gone — 
— Flow,  Rio  Verde  ! 

Softly  flow  on ! 

Dark  glassy  water 

So  crimson'd  of  yore ! 
Love,  death,  and  sorrow 

Know  thy  green  shore. 
Thou  shouldst  have  echoes 

For  grief's  deepest  tone — 
— Flow,  Rio  Verde, 

Softly  flow  on  ! 


98 


IV. 
SEEK  BY  THE  SILVERY  DARRO. 


SEEK  by  the  silvery  Darro, 

Where  jasmine  flowers  have  blown ; 
There  hath  she  left  no  footsteps  ? 

— Weep,  weep,  the  maid  is  gone  ! 

Seek  where  our  Lady's  image 

Smiles  o'er  the  pine-hung  steep  ; 
Hear  ye  not  there  her  vespers  ? 

— Weep  for  the  parted,  weep  ! 

Seek  in  the  porch  where  vine-leaves 

O'ershade  her  father's  head  ? 
—Are  his  grey  hairs  left  lonely  ? 

— Weep  I  her  bright  soul  is  fled. 


99 


V. 
SPANISH  EVENING  HYMN. 


AVE  !  now  let  prayer  and  music 
Meet  in  love  on  earth  and  sea  ! 

Now,  sweet  Mother  !  may  the  weary 
Turn  from  this  cold  world  to  thee ! 

From  the  wide  and  restless  waters 
Hear  the  sailor's  hymn  arise  ! 

From  his  watch-fire  midst  the  mountains, 
Lo  !  to  thee  the  shepherd  cries ! 

Yet,  when  thus  full  hearts  find  voices, 
If  o'erburden'd  souls  there  be, 

Dark  and  silent  in  their  anguish, 
Aid  those  captives !  set  them  free  ! 


100  NATIONAL  LYRICS. 

Touch  them,  every  fount  unsealing, 
Where  the  frozen  tears  lie  deep ; 

Thou,  the  Mother  of  all  Sorrows, 
Aid,  oh  !  aid  to  pray  and  weep ! 


101 


VI. 

BIRD,  THAT  ART  SINGING  ON  EBRD'S 
SIDE! 


'  BIRD,  that  art  singing  on  Ebro's  side, 
Where  myrtle  shadows  make  dim  the  tide, 
Doth  sorrow  dwell  midst  the  leaves  with  thee  ? 
Doth  song  avail  thy  full  heart  to  free  ? 
— Bird  of  the  midnight's  purple  sky  ! 
Teach  me  the  spell  of  thy  melody. 

Bird  !  is  it  blighted  affection's  pain, 

Whence  the  sad  sweetness  flows  thro'  thy  strain  ? 

And  is  the  wound  of  that  arrow  still'd, 

WThen  thy  lone  music  the  leaves  hath  fill'd  ? 

— Bird  of  the  midnight's  purple  sky  ! 

Teach  me  the  spell  of  thy  melody. 


102 


VII. 
MOORISH  GATHERING  SONG. 

ZORZICO.* 


CHAINS  on  the  cities !  gloom  in  the  air ! 

— Come  to  the  hills !  fresh  breezes  are  there. 

Silence  and  fear  in  the  rich  orange  bowers ! 

— Come  to  the  rocks  where  freedom  hath  towers, 

Come  from  the  Darro  ! — chang'd  is  its  tone  ; 
Come  where  the  streams  no  bondage  have  known  ; 
Wildly  and  proudly  foaming  they  leap, 
Singing  of  freedom  from  steep  to  steep. 

*  The  Zorzico  is  an  extremely  wild  and  singular  antique 
Moorish  melody. 


MOORISH  GATHERING  SONG.  103 

Come  from  Alhambra  !  garden  and  grove 
Now  may  not  shelter  beauty  or  love. 
Blood  on  the  waters,  death  midst  the  flowers  ! 
— Only  the  spear  and  the  rock  are  ours. 


104 


VIII. 
THE  SONG  OF  MINA'S  SOLDIERS. 


WE  heard  thy  name,  O  Mina  ! 

Far  thro'  our  hills  it  rang  ; 
A  sound  more  strong  than  tempests, 

More  keen  than  armour's  clang. 
The  peasant  left  his  vintage, 

The  shepherd  grasp'd  the  spear— 
— We  heard  thy  name,  O  Mina  ! 

The  mountain  bands  are  here. 

As  eagles  to  the  day-spring, 

As  torrents  to  the  sea, 
From  every  dark  Sierra 

So  rush'd  our  hearts  to  thee. 


THE  SONG  OF  MINA'S  SOLDIERS.          103 

Thy  spirit  is  our  banner, 

Thine  eye  our  beacon-sign, 
Thy  name  our  trumpet,  Mina ! 

— The  mountain  bands  are  thine. 


106 


IX. 
MOTHER,  OH  !  SING  ME  TO  REST, 

A  CANCION. 


MOTHER  !  oh,  sing  me  to  rest 
As  in  my  bright  days  departed : 
Sing  to  thy  child,  the  sick-hearted, 

Songs  for  a  spirit  oppress'd. 

Lay  this  tired  head  on  thy  breast ! 

Flowers  from  the  night-dew  are  closing, 
Pilgrims  and  mourners  reposing — 

— Mother,  oh  !  sing  me  to  rest ! 


MOTHER,  OH!  SING  ME  TO  REST.         107 

Take  back  thy  bird  to  its  nest ! 

Weary  is  young  life  when  blighted 

Heavy  this  love  unrequited  ; — 
— Mother,  oh  !  sing  me  to  rest ! 


108 


X. 


THERE  ARE  SOUNDS  IN  THE  DARK 
RONCESVALLES. 


THERE  are  sounds  in  the  dark  Roncesvalles, 
There  are  echoes  on  Biscay's  wild  shore ; 

There  are  murmurs — but  not  of  the  torrent, 
Nor  the  wind,  nor  the  pine-forest's  roar. 

'Tis  a  day  of  the  spear  and  the  banner, 
Of  armings  and  hurried  farewells  ; 

Rise,  rise  on  your  mountains,  ye  Spaniards  I 
Or  start  from  your  old  battle-dells. 


THERE  ARE  SOUNDS,  &c.  109 

There  are  streams  of  unconquer'd  Asturias, 
That  have  roll'd  with  your  father's  free  blood  ; 

Oh  !  leave  on  the  graves  of  the  mighty, 

Proud  marks  where  their  children  have  stood  ! 


no 


THE  CURFEW-SONG  OF  ENGLAND. 


HARK  !  from  the  dim  church-tower, 

The  deep  slow  curfew's  chime  ! 
— A  heavy  sound  unto  hall  and  bower, 

In  England's  olden  time  ! 
Sadly  'twas  heard  by  him  who  came 

From  the  fields  of  his  toil  at  night, 
And  who  might  not  see  his  own  hearth-flame 

In  his  children's  eyes  make  light. 

Sternly  and  sadly  heard, 

As  it  quench'd  the  wood-fire's  glow, 
Which  had  cheered  the  board  with  the  mirthful 
word, 

And  the  red  wine's  foaming  flow  ! 


THE  CURFEW-SONG  OF  ENGLAND.        Ill 

Until  that  sullen  boding  knell 

Flung  out  from  every  fane, 
On  harp  and  lip,  and  spirit,  fell, 

With  a  weight  and  with  a  chain. 

Woe  for  the  pilgrim  then, 

In  the  wild  deer's  forest  far  ! 
No  cottage-lamp,  to  the  haunts  of  men, 

Might  guide  him,  as  a  star. 
And  woe  for  him  whose  wakeful  soul, 

With  lone  aspirings  fill'd, 
Would  have  liv'd  o'er  some  immortal  scroll, 

While  the  sounds  of  earth  were  still'd ! 

And  yet  a  deeper  woe 

For  the  watcher  by  the  bed, 
Where  the  fondly  lov'd  in  pain  lay  low, 

In  pain  and  sleepless  dr6ad ! 


112  NATIONAL  LYRICS. 

For  the  mother,  doom'd  unseen  to  keep 
By  the  dying  babe,  her  place, 

And  to  feel  its  flitting  pulse,  and  weep, 
Yet  not  behold  its  face  ! 

Darkness  in  chieftain's  hall ! 

Darkness  in  peasant's  cot ! 
While  freedom,  under  that  shadowy  pall, 

Sat  mourning  o'er  her  lot. 
Oh !  the  fireside's  peace  we  well  may  prize  ! 

For  blood  hath  flow'd  like  rain, 
Pour'd  forth  to  make  sweet  sanctuaries 

Of  England's  homes  again. 

Heap  the  yule-faggots  high, 

Till  the  red  light  fills  the  room  ! 

It  is  home's  own  hour  when  the  stormy  sky 
Grows  thick  with  evening-gloom. 


THE  CURFEW-SONG  OF  ENGLAND.    113 

Gather  ye  round  the  holy  hearth, 

And  by  its  gladdening  blaze, 
Unto  thankful  bliss  we  will  change  our  mirth, 

With  a  thought  of  the  olden  days  ! 


114 


THE  CALL  TO  BATTLE. 


Ah !  then  and  there  was  hurrying-  to  and  fro, 
And  gathering  tears,  arid  tremblings  of  distress, 
And  there  were  sudden  partings,  such  as  press 
The  life  from  out  young  hearts,  and  choking  sighs 

Which  ne'er  might  be  repeated. 

BYROX. 


THE  vesper-bell,  from  church  and  tower. 
Had  sent  its  dying  sound  ; 

And  the  household,  in  the  hush  of " eve, 

^ 

Were  met,  their  porch  around. 

A  voice  rang  through  the  olive-wood,  with  a  sudden 

trumpet's  power — 
"  We  rise  on  all  our  hills !   come  forth !    'tis  thy 

country's  gathering  hour — 


THE  CALL  TO  BATTLE.  115 

There's  a  gleam  of  spears  by  every  stream,  in  each 

old  battle-dell— 
Come  forth,  young  Juan  I  bid  thy  home  a  brief  and 

proud  farewell  I" 

Then  the  father  gave  his  son  the  sword, 
Which  a  hundred  fights  had  seen — 

"  Away  !  and  bear  it  back,  my  boy  ! 
All  that  it  still  hath  been  ! 

u  Haste,  haste  !  the  hunters  of  the  foe  are  up,  and 

who  shall  stand 
The  lion-like   awakening  of  the  roused   indignant 

land  ? 
Our  chase  shall  sound  through  each  defile  where 

swept  the  clarion's  blast, 
With  the  flying  footsteps  of  the  Moor  in  stormy  ages 

past." 


116  NATIONAL  LYRICS. 

Then  the  mother  kiss'd  her  son,  with  tears 

That  o'er  his  dark  locks  fell : 
"  I  bless,  I  bless  thee  o'er  and  o'er, 

Yet  I  stay  thee  not — Farewell !" 

"  One  moment !  but  one  moment  give  to  parting 

thought  or  word  ! 
It  is   no  time  for  woman's  tears  when  manhood's 

heart  is  stirred. 
Bear  but  the  memory  of  thy  love  about  thee  in  the 

%ht, 
To   breathe   upon    th'   avenging   sword   a   spell  of 

keener  might." 

And  a  maiden's  fond  adieu  was  heard, 
Though  deep,  yet  brief  and  low : 

"  In  the  vigil,  in  the  conflict,  love  ! 
My  prayer  shall  with  thee  go  !" 


THE  CALL  TO  B4TTLE.  117 

"  Come  forth  !  come  as  the  torrent  comes  when  the 

winter's  chain  is  burst ! 
So  rushes  on  the  land's  revenge,  in  night  and  silence 

nursed — 
The  night  is  past,  the  silence  o'er — on  all  our  hills 

we  rise — 
We  wait  thee,  youth !   sleep,  dream  no  more  !  the 

voice  of  battle  cries." 

There  were  sad  hearts  in  a  darken'd  home, 
When  the  brave  had  left  their  bower ; 

But  the  strength  of  prayer  and  sacrifice 
Was  with  mem  in  that  hour. 


I. 

• 

AND  I  TOO  IN  ARCADIA. 


A  celebrated  picture  of  Poussin  represents  a  band  of 
shepherd  youths  and  maidens  suddenly  checked  in  their 
wanderings,  and  affected  with  various  emotions  by  the  sight 
of  a  tomb  which  bears  this  inscription — "  Et  in  Arcadia 
ego." 


120 


I. 
AND  I  TOO  IN  ARCADIA. 


They  have  wandered  in  their  glee 
With  the  butterfly  and  bee  ; 
They  have  climb'd  o'er  heathery  swells, 
They  have  wound  thro'  forest  dells ; 
Mountain  moss  hath  felt  their  tread, 
Woodland  streams  their  way  have  led  ; 

*  Of  these  songs,  the  ones  entitled  "  Ye  are  not  miss'd,  lair 
Flowers,"  the  "  Willow  Song,"  "  Leave  me  not  yet,"  and  the 
"  Orange  Bough,"  are  in  the  possession  of  Mr.  Willis,  by  whom 
they  will  be  published  with  music. 


AND  I  TOO  IN  ARCADIA.  l-JI 

Flowers,  in  deepest  shadowy  nooks, 

Nurslings  of  the  loneliest  brooks, 

Unto  them  have  yielded  up 

Fragrant  bell  and  starry  cup : 

Chaplets  are  on  every  brow — 

— What  hath  stayed  the  wanderer  now  ? 

Lo  !  a  grey  and  rustic  tomb, 

Bowered  amidst  the  rich  wood-gloom  ; 

Whence  these  words  their  stricken  spirits  melt, 

— "  I  too,  Shepherds  !  in  Arcadia  dwelt." 

There  is  many  a  summer  sound 

That  pale  sepulchre  around ; 

Thro'  the  shade  young  birds  are  glancing, 

Insect-wings  in  sun-streaks  dancing  ; 

Glimpses  of  blue  festal  skies 

Pouring  in  when  soft  winds  rise ; 

Violets  o'er  the  turf  below 

Shedding  out  their  warmest  glow ; 


122  NATIONAL  LYRICS. 

Yet  a  spirit  not  its  own 
O'er  the  greenwood  now  is  thrown  ! 
Something  of  an  under-note 
Thro'  its  music  seems  to  float, 
Something  of  a  stillness  grey 
Creeps  across  the  laughing  day : 
Something,  dimly  from  those  old  words  felt, 
— "  I  too,  Shepherds  !  in  Arcadia  dwelt." 

Was  some  gentle  kindred  maid 
In  that  grave  with  dirges  laid  ? 
Some  fair  creature,  with  the  tone 
Of  whose  voice  a  joy  is  gone, 
Leaving  melody  and  mirth 
Poorer  on  this  alter'd  earth  ? 
Is  it  thus  ?  that  so  they  stand, 
Dropping  flowers  from  every  hand  ? 
Flowers,  and  lyres,  and  gather'd  store 
Of  red  wild-fruit  prized  no  more  ? 


AND  I  TOO  IN  ARCADIA.  12:3 

— No  !  from  that  bright  band  of  morn, 

Not  one  link  hath  yet  been  torn  ; 

'Tis  the  shadow  of  the  tomb 

Falling  o'er  the  summer-bloom, 

O'er  the  flush  of  love  and  life 

Passing  with  a  sudden  strife ; 

'Tis  the  low  prophetic  breath 

Murmuring  from  that  house  of  death, 

Whose  faint  whisper  thus  their  hearts  can  melt, 

"  I  too,  Shepherds  !  in  Arcadia  dwelt." 


124 


II. 
THE  WANDERING  WIND. 


THE  Wind,  the  wandering  Wind 

Of  the  golden  summer  eves — 
Whence  is  the  thrilling  magic 

Of  its  tones  amongst  the  leaves  ? 
Oh  !  is  it  from  the  waters, 

Or  from  the  long  tall  grass  ? 
Or  is  it  from  the  hollow  rocks 

Thro'  which  its  breathings  pass  ? 

Or  is  it  from  the  voices 

Of  all  in  one  combined, 
That  it  wins  the  tone  of  mastery  ? 

The  Wind,  the  wandering  Wind  I 


THE  WANDERING  WIND. 

No,  no  !  the  strange  sweet  accents 

That  with  it  come  and  go, 
They  are  not  from  the  osiers, 

Nor  the  fir-trees  whispering  low. 

They  are  not  of  the  waters, 

Nor  of  the  caverned  hill : 
Tis  the  human  love  within  us 

That  gives  them  power  to  thrill. 
They  touch  the  links  of  memory 

Around  our  spirits  twined, 
And  we  start,  and  weep,  and  tremble, 

To  the  Wind,  the  wandering  Wind  ! 


126 


III. 


YE  ARE  NOT  MISS'D,  FAIR  FLOWERS. 


YE   are   not   miss'd,    fair   flowers,   that   late   were 

spreading 

The  summer's  glow  by  fount  and  breezy  grot ; 
There  falls  the  dew,  its  fairy  favours  shedding, 
The  leaves  dance  on,  the  young  birds  miss  you 
not. 

Still  plays  the  sparkle  o'er  the  rippling  water, 
O  lily  !  whence  thy  cup  of  pearl  is  gone  ; 

The  bright  wave  mourns  not  for  its  loveliest  daughter, 
There  is  no  sorrow  in  the  wind's  low  tone. 


YE  ARE  NOT  MISS'D,  FAIR  FLOWERS.      127 

And  thou,  meek  hyacinth  !  afar  is  roving 

The  bee  that  oft  thy  trembling  bells  hath  kiss'd ; 

Cradled  ye  were,  fair  flowers !  midst  all  things  loving, 
A  joy  to  all yet,  yet,  ye  are  not  miss'd  ! 

Ye1,  that  were  born  to  lend  the  sunbeam  gladness, 
And  the  winds  fragrance,  wandering  where  they 
list  1 

— Oh  !  it  were*breathing  words  too  deep  in  sadness, 
To  say — earth's  human  flowers  not  more  are  miss'd. 


128 


IV. 


WILLOW-SONG. 


Willow  !    in  thy  breezy  moan, 

I  can  hear  a  deeper  tone  ; 

Thro'  thy  leaves  come  whispering  low 

Faint  sweet  sounds  of  long  ago. 

Willow,  sighing  Willow  ! 

Many  a  mournful  tale  of  old 
Heart-sick  love  to  thee  hath  told, 
Gathering  from  thy  golden  bough 
Leaves  to  cool  his  burning  brow. 

Willow,  sighing  Willow  ! 


WILLOW-SONG.  1-29 

Many  a  swan-like  song  to  thee 
Hath  been  sung,  thou  gentle  tree  ! 
Many  a  lute  its  last  lament 
Down  thy  moonlight  stream  hath  sent : 
Willow,  sighing  Willow  ! 

Therefore,  wave  and  murmur  on  ! 
Sigh  for  sweet  affections  gone, 
And  for  tuneful  voices  fled, 
And  for  love,  whose  heart  hath  bled, 
Ever,  WTillow,  Willow  ! 


130 


V. 


LEAVE  ME  NOT  YET  ! 


Leave  me  not  yet — thro'  rosy  skies  from  far, 
But  now  the  song-birds  to  their  nests  return ; 

The  quivering  image  of  the  first  pale  star 
On  the  dim  lake  scarce  yet  begins  to  burn  : 

Leave  me  not  yet ! 

Not  yet !— oh  hark  !  low  tones  from  hidden  streams, 
Piercing  the  shivery  leaves,  ev'n  now  arise ; 

Their  voices  mingle  not  with  day  light-dreams, 
They  are  of  vesper's  hymns  and  harmonies : 

Leave  me  not  yet ! 


LEAVE  ME  NOT  YET!  131 

My  thoughts  are  like  those  gentle  sounds,  dear  love  ! 

By  day  shut  up  in  their  own  still  recess, 
They  wait  for  dews  on  earth,  for  stars  above, 
Then  to  breathe  ofct  their  soul  of  tenderness : 

Leave  me  not  yet ! 


132 


VI. 

THE  ORANGE-BOUGH. 


OH  !  bring  me  one  sweet  Orange-bough, 
To  fan  my  cheek,  to  cool  my  brow  ; 
One  bough,  with  pearly  blossoms  drest, 
And  bind  it,  Mother !  on  my  breast ! 

Go,  seek  the  grove  along  the  shore, 
Whose  odours  I  must  breathe  no  more ; 
The  grove  where  every  scented  tree 
Thrills  to  the  deep  voice  of  the  sea. 

Oh!  Love's  fond  sighs,  and  fervent  prayer, 
And  wild  farewell,  are  lingeriag  liicte ; 
Each  leaf's  light  whisper  hath  a  tone, 
My  faint  heart,  ev'n  in  death,  would  own. 


THE  ORANGE-BOUGH. 

Then  bear  me  thence  one  bough,  to  shed 
Life's  parting  sweetness  round  my  head, 
And  bind  it,  Mother !  on  my  breast 
When  I  am  laid  in  lonely  rest. 


134 

VII. 
THE  STREAM  SET  FREE. 


FLOW  on,  rejoice,  make  music, 
Bright  living  stream  set  free ! 

The  troubled  haunts  of  care  and  strife 
Were  not  for  thee ! 

The  woodland  is  thy  country, 
Thou  art  all  its  own  again ; 

The  wild  birds  are  thy  kindred  race, 
That  fear  no  chain. 

Flow  on,  rejoice,  make  music 
Unto  the  glistening  leaves ! 

Thou,  the  beloved  of  balmy  winds, 
And  golden  eves. 


THE  STREAM  SET  FREE.        135 

Once  more  the  holy  starlight 

Sleeps  calm  upon  thy  breast, 
Whose  brightness  bears  no  token  more 

Of  man's  unrest. 

Flow,  and  let  free-born  music 

Flow  with  thy  wavy  line, 
While  the  stock-dove's  lingering  loving  voice 

Comes  blent  with  thine. 

And  the  green  reeds  quivering  o'er  thee, 

Strings  of  the  forest-lyre, 
All  fill'd  with  answering  spirit-sounds, 

In  joy  respire. 

Yet,  midst  thy  song's  glad  changes, 

Oh !  keep  one  pitying  tone 
For  gentle  hearts,  that  bear  to  thee 

Their  sadness  lone. 


136  NATIONAL  LYRICS. 

One  sound,  of  all  the  deepest, 
To  bring,  like  healing  dew, 

A  sense,  that  nature  ne'er  forsakes 
The  meek  and  true. 

Then,  then,  rejoice,  make  music, 
Thou  stream,  thou  glad  and  free  ! 

The  shadows  of  all  glorious  flowers 
Be  set  in  thee  ! 


137 


VIII. 
THE  SUMMER'S  CALL. 


COME  away  !  the  sunny  hours 
Woo  thee  far  to  founts  and  bowers ! 
O'er  the  very  waters  now, 

In  their  play, 

Flowers  are  shedding  beauty's  glow- 
Come  away ! 

Where  the  lily's  tender  gleam 
Quivers  on  the  glancing  stream — 
Come  away ! 

All  the  air  is  filled  with  sound, 
Soft,  and  sultry,  and  profound ; 


138  NATIONAL  LYRICS. 

Murmurs  through  the  shadowy  grass 

Lightly  stray ; 
Faint  winds  whisper  as  they  pass — 

Come  away ! 

Where  the  bee's  deep  music  swells 
From  the  trembling  fox-glove  bells — 

Come  away  ! 

In  the  skies  the  sapphire  blue 
Now  hath  won  its  richest  hue  ; 
In  the  woods  the  breath  of  song 

Night  and  day 
Floats  with  leafy  scents  along — 

Come  away ! 

Where  the  boughs  with  dewy  gloom 
Darken  each  thick  bed  of  bloom — 

Come  away ! 

In  the  deep  heart  of  the  rose 
Now  the  crimson  love-hue  glows ; 


THE    SUMMER   CALL. 

Now  the  glow-worm's  lamp  by  night 

Sheds  a  ray, 
Dreamy,  starry,  greenly  bright — 

Come  away ! 

Where  the  fairy  cup-moss  lies, 
With  the  wild-wood  strawberries, 

Come  away  ! 

Now  each  tree  by  summer  crowned, 
Sheds  its  own  rich  twilight  round ; 
Glancing  there  from  sun  to  shade, 

Bright  wings  play ; 
There  the  deer  its  couch  hath  made — 

Come  away ! 

Where  the  smooth  leaves  of  the  lime 
Glisten  in  their  honey-time— 

Come  away — away ! 


140 


IX. 
OH  !    SKY-LARK,  FOR  THY  WING. 


OH  !   Sky-lark,  for  thy  wing  ! 
Thou  bird  of  joy  and  light, 
That  I  might  soar  and  sing 
At  heaven's  empyreal  height ! 

With  the  heathery  hills  beneath  me, 

Whence  the  streams  in  glory  spring, 
And  the  pearly  clouds  to  wreath  me 
Oh  sky-lark  !  on  thy  wing  ! 

Free,  free  from  earth-born  fear, 
I  would  range  the  blessed  skies, 

Through  the  blue  divinely  clear, 
Where  the  low  mists  cannot  rise ! 


OH  !    SKY-LARK,  FOR  THY  WING.          141 

And  a  thousand  joyous  measures 

From  my  chainless  heart  should  spring, 

Like  the  bright  rain's  vernal  treasures, 
As  I  wandered  on  thy  wing. 

But  oh  !  the  silver  chords, 

That  around  the  heart  are  spun, 
From  gentle  tones  and  words, 

And  kind  eyes  that  make  our  sun ! 
To  some  low  sweet  nest  returning, 
How  soon  my  love  would  bring, 
There,  there  the  dews  of  morning, 
Oh,  sky-lark  !  on  thy  wing ! 


142 


GENIUS  SINGING  TO  LOVE. 


Tha^t  voice  re-measures 
Whatever  tones  and  melancholy  pleasures 
The  things  of  nature  utter ;  birds  or  trees, 
Or  where  the  tall  grass  'mid  the  heath-plant  waves, 
Murmur  and  music  thin  of  sudden  breeze. 

COLERIDGE. 


I  heard  a  song  upon  the  wandering  wind, 
A  song  of  many  tones — though  one  full  soul 
Breathed  through  them  all  imploringly ;  and  made 
All  nature  as  they  passed,  all  quivering  leaves 
And  low  responsive  reeds  and  waters  thrill, 
As  with  the  consciousness  of  human  prayer. 
— At  times  the  passion-kindled  melody 


GENIUS  SINGING  TO  LOVE.  143 

Might  seem  to  gush  from  Sappho's  fervent  heart, 

Over  the  wild  sea- wave  ; — at  times  the  strain 

Flowed  with  more  plaintive  sweetness,  as  if  born 

Of  Petrarch's  voice,  beside  the  lone  Vaucluse ; 

And  sometimes,  with  its  melancholy  swell, 

A  graver  sound  was  mingled,  a  deep  note 

Of  Tasso's  holy  lyre ; — yet  still  the  tones 

Were  of  a  suppliant ; — "  Leave  me  not  /"  was  still 

The  burden  of  their  music ;  and  I  knew 

The  lay  which  Genius,  in  its  loneliness, 

Its  own  still  world  amidst  th'  o'erpeopled  world, 

Hath  ever  breathed  to  Love. 

They  crown  me  with  the  glistening  crown, 

Borne  from  a  deathless  tree  ; 
I  hear  the  pealing  music  of  renown — 
O  Love  !  forsake  me  not ! 
Mine  we*e  a  lone  dark  lot, 
Bereft  of  thee  ! 


144  NATIONAL  LYRICS. 

They  tell  me  that  my  soul  can  throw 

A  glory  o'er  the  earth  ; 

From  thee,  from  thee,  is  caught  that  golden  glow ! 
Shed  by  thy  gentle  eyes 
It  gives  to  flower  and  skies, 
A  bright  new  birth  ! 

Thence  gleams  the  path  of  morning, 
Over  the  kindling  hills,  a  sunny  zone  ! 

Thence  to  its  heart  of  hearts,  the  rose  is  burning 
With  lustre  not  its  own  ! 
Thence  every  wood-recess 
Is  filled  with  loveliness, 
Each  bower,  to  ring-doves  and  dim  violets  known. 

I  see  all  beauty  by  the  ray 
That  streameth  from  thy  smile ; 
Oh  !  bear  it,  bear  it  not  away  ! 
Can  that  sweet  light  beguile  ? 


GENIUS  SINGING  TO  LOVE.  145 

Too  pure,  too  spirit-like,  it  seems, 
To.  linger  long  by  earthly  streams  ; 
I  clasp  it  with  th'  alloy 
Of  fear  'midst  quivering  joy, 
Yet  must  I  perish  if  the  gift  depart — 
Leave  me  not,  Love  !  to  mine  own  beating  heart ! 

The  music  from  my  lyre 
With  thy  swift  step  would  flee ; 

The  world's  cold  breath  would  quench  the  starry  fire 
In  my  deep  soul— a  temple  filled  with  thee ! 
Seal'd  would  the  fountains  lie, 
The  waves  of  harmony, 
Which  thou  alone  canst  free  ! 

Like  a  shrine  'midst  rocks  forsaken, 

Whence  the  oracle  hath  fled  ; 
Like  a  harp  which  none  might  waken 

But  a  mighty  master  dead  ; 


146  SONGS  FOR  MUSIC. 

Like  the  vase  of  a  perfume  scatter'd, 

Such  would  my  spirit  be ; 
So  mute,  so  void,  so  shatter'd, 

Bereft  of  thee ! 

Leave  me  not,  Love !  or  if  this  earth 

Yield  not  for  thee  a  home, 
If  the  bright  summer-land  of  thy  pure  birth 

Send  thee  a  silvery  voice  that  whispers — "  Come  /" 
Then,  with  the  glory  from  the  rose, 

With  the  sparkle  from  the  stream, 
With  the  light  thy  rainbow-presence  throws 

Over  the  poet's  dream ; 
With  all  th'  Elysian  hues 
Thy  pathway  that  suffuse, 

With  joy,  with  music,  from  the  fading  grove, 

Take  me,  too,  heavenward,  on  thy  wing,  sweet  Love ! 


147 


MUSIC  AT  A  DEATH-BED. 


"  Music  !  why  thy  power  employ 
Only  for  the  sons  of  joy  ? 
Only  for  the  smiling  guests 
At  natal,  or  at  nuptial  feasts  ? 
Rather  thy  lenient  numbers  pour 
On  those  whom  secret  griefs  devour  ; 
And  with  some  softly-whispered  air 
Smooth  the  brow  of  dumb  despair !" 

WARTON  FROM  EURIPIDES. 

BRING  music !  stir  the  brooding  air 

With  an  ethereal  breath  ! 
Bring  sounds  my  struggling  soul  to  bear 

Up  from  the  couch  of  death  ! 

A  voice,  a  flute,  a  dreamy  lay, 
Such  as  the  southern  breeze 

Might  waft,  at  golden  fall  of  daj&, 
O'er  blue  transparent  seas ! 


148  SONGS  FOR  MUSIC. 

Oh  no !  not  such !  that  lingering  spell 

Would  lure  me  back  to  life, 
When  my  weaned  heart  hath  said  farewell, 

And  passed  the  gates  of  strife. 

Let  not  a  sigh  of  human  love 
Blend  with  the  song  its  tone  ! 

Let  no  disturbing  echo  move 
One  that  must  die  alone  ! 

But  pour  a  solemn-breathing  strain 
Filled  with  the  soul  of  prayer ; 

Let  a  life's  conflict,  fear,  and  pain, 
And  trembling  hope  be  there. 

Deeper,  yet  deeper !  in  my  thought 

Lies  more  prevailing  sound, 
A  harmony  intensely  fraught 

With  pleading  more  profound 


MUSIC  AT  A  DEATH-BED.  149 

A  passion  unto  music  given, 

A  sweet,  yet  piercing  cry  : 
A  breaking  heart's  appeal  to  heaven, 

A  bright  faith's  victory ! 

Deeper !  Oh  !  may  no  richer  power 

Be  in  those  notes  enshrined  ? 
Can  all  which  crowds  on  earth's  last  hour 

No  fuller  language  find  ? 

Away !  and  hush  the  feeble  song, 

And  let  the  chord  be  stilled  ! 
Far  in  another  land  ere  long 

My  dream  shall  be  fulfilled. 


WHERE  IS  THE  SEA? 


SONG   OF   THE  GREEK   ISLANDER   IN   EXILE. 


A  Greek  Islander,  being  taken  to  the  Vale  of  Tempe,  and 
called  upon  to  admire  its  beauty,  only  replied — "  The  sea — 
where  is  it  ?" 


152 


WHERE  IS  THE  SEA? 


WHERE  is  the  sea  ? — I  languish  here — 

Where  is  my  own  blue  sea  ? 
With  all  its  barks  in  fleet  career, 

And  flags,  and  breezes  free. 

I  miss  that  voice  of  waves  which  first 
Awoke  my  childhood's  glee ; 

The  measured  chime — the  thundering  burst- 
Where  is  my  own  blue  sea  ? 

Oh  !  rich  your  myrtle's  breath  may  rise, 

Soft,  soft  your  winds  may  be  ; 
Yet  my  sick  heart  within  me  dies — 

Where  is  my  own  blue  sea  ? 


WHERE  IS  THE  SEA?  133 

I  hear  the  shepherd's  mountain  flute— 

I  hear  the  whispering  tree  ; — 
The  echoes  of  my  soul  are  mute : 

— Where  is  my  own  blue  sea? 


MARSHAL  SCHWERIN'S  GRAVE. 


"  I  came  upon  the  tomb  of  Marshal  Schwerin — a  plain 
quiet  cenotaph,  erected  in  the  middle  of  a  wide  corn-field,  on 
the  very  spot  where  he  closed  a  long,  faithful,  and  glorious 
career  in  arms.  He  fell  here  at  eighty  years  of  age,  at  the  head 
of  his  own  Regiment,  the  standard  of  it  waving  in  his  hand. 
His  seat  was  in  the  leathern  saddle — his  foot  in  the  iron  stirrup 
— his  fingers  reined  the  young  war-horse  to  the  last." 

Notes  and  Reflections  during  a  Ramble  in  Germany. 


156 


MARSHAL  SCHWERIN'S  GRAVE. 


THOU  didst  fall  in  the  field  with  thy  silver  hair, 

And  a  banner  in  thy  hand ; 
Thou  wert  laid  to  rest  from  thy  battles  there, 

By  a  proudly  mournful  band. 

In  the  camp,  on  the  steed,  to  the  bugle's  blast, 

Thy  long  bright  years  had  sped ; 
And  a  warrior's  bier  was  thine  at  last, 

When  the  snows  had  crowned  thy  head. 

Many  had  fallen  by  thy  side,  old  chief! 

Brothers  and  friends,  perchance ; 
But  thou  wert  yet  as  the  fadeless  leaf, 

And  light  was  in  thy  glance. 


MARSHAL  SCHWERIN'S  GRAVE.  157 

The  soldier's  heart  at  thy  step  leaped  high, 
And  thy  voice  the  war-horse  knew ; 

And  the  first  to  arm,  when  the  foe  was  nigh, 
Wert  thou,  the  bold  and  true. 

Now  mayest  thou  slumber — thy  work  is  done — 

Thou  of  the  well-worn  sword ! 
From  the  stormy  fight  in  thy  fame  thou'rt  gone, 

But  not  to  the  festal  board. 

The  corn-sheaves  whisper  thy  grave  around, 

Where  fiery  blood  hath  flowed  :— 
Oh  !  lover  of  battle  and  trumpet-sound  ! 

Thou  art  couch'd  in  a  still  abode ! 

A  quiet  home  from  the  noonday's  glare, 
And  the  breath  of  the  wintry  blast — 

Didst  thou  toil  thro'  the  days  of  thy  silvery  hair, 
To  win  thee  but  this  at  last  ? 


©IF 


These  songs  (with  the  exception  of  the  fifth)  have  all  been 
set  to  music  by  the  author's  sister,  and  are  in  the  possession  of 
Mr.  Willis,  by  whose  permission  they  are  here  published. 


160 


INTRODUCTION. 

ONE  hour  for  distant  homes  to  weep 
'Midst  Afric's  burning  sands, 

One  silent  sunset  hour  was  given 
To  the  slaves  of  many  lands. 

They  sat  beneath  a  lonely  palm, 
In  the  gardens  of  their  lord  ; 

And  mingling  with  the  fountain's  tune, 
Their  songs  of  exile  poured. 


SONGS  OF  CAPTIVITY.  161 

And  strangely,  sadly,  did  those  lays 

Of  Alp  and  Ocean  sound, 
With  Afric's  wild  red  skies  above, 

And  solemn  wastes  around. 

Broken  with  tears  were  oft  their  tones, 
And  most  when  most  they  tried 

To  breathe  of  hope  and  liberty, 
From  hearts  that  inly  died. 

So  met  the  sons  of  many  lands, 

Parted  by  mount  and  main  ; 
So  did  they  sing  in  brotherhood, 

Made  kindred  by  the  chain. 


162 


,  I. 
THE  BROTHER'S  DIRGE. 


IN  the  proud  old  fanes  of  England 

My  warrior  fathers  lie, 
Banners  hang  drooping  o'er  their  dust 
With  gorgeous  blazonry. 

But  thou,  but  ihou,  niy  brother ! 
O'er  thee  dark  billows  sweep, 
The  best  and  bravest  heart  of  all 
Is  shrouded  by  the  deep. 

In  the  old  high  wars  of  England 

My  noble  fathers  bled ; 
For  her  lion  kings  of  lance  and  spear, 

They  went  down  to  the  dead. 


THE  BROTHER'S  DIRGE.  163 

But  thou,  but  thou,  my  brother  ! 

Thy  life-drops  flowed  for  me — 
Would  I  were  with  thee  in  thy  rest, 

Young  sleeper  of  the  sea. 

In  a  sheltered  home  of  England 

Our  sister  dwells  alone, 
With  quick  heart  listening  for  the  sound 
Of  footsteps  that  are  gone. 

She  little  dreams,  my  brother  ! 

Of  the  wild  fate  we  have  found  ; 
I,  midst  the  Afric  sands  a  slave, 
Thou,  by  the  dark  seas  bound. 


164 

II. 
THE  ALPINE  HORN. 


THE  Alpine  horn  !  the  Alpine  horn ! 

Oh  !  through  my  native  sky, 
Might  I  but  hear  its  deep  notes  borne, 

Once  more, — but  once, — and  die ! 

Yet,  no  !  midst  breezy  hills  thy  breath, 

So  full  of  hope  and  morn, 
Would  win  me  from  the  bed  of  death — 

O  joyous  Alpine  horn ! 

But  here  the  echo  of  that  blast, 

To  many  a  battle  known, 
Seems  mournfully  to  wander  past, 

A  wild,  shrill,  wailing  tone ! 


THE  ALPINE  HORN.  165 

Haunt  me  no  more  !  for  slavery's  air 

Thy  proud  notes  were  not  born ; 
The  dream  but  deepens  my  despair — 

Be  hushed,  thou  Alpine  horn  ! 


166 


III. 
O  YE  VOICES. 


O  ye  voices  round  my  own  hearth  singing  ! 

As  the  winds  of  May  to  memory  sweet, 
Might  I  yet  return,  a  worn  heart  bringing, 

Would  those  vernal  tones  the  Wanderer  greet, 
Once  again  ? 

Never,  never  !  Spring  hath  smiled  and  parted 
Oft  since  then  your  fond  farewell  was  said ; 

O'er  the  green  turf  of  the  gentle  hearted, 

Summer's  hand  the  rose-leaves  may  have  shed, 
Oft  again. 


O  YE  VOICES.  167 

Or  if  still  around  my  heart  ye  linger, 
Yet,  sweet  voices  I  there  must  change  have  come ; 

Years  have  quelled  the  free  soul  of  the  singer, 
Vernal  tones  shall  greet  the  Wanderer  home, 
Ne'er  again ! 


168 


IV. 
I  DREAM  OF  ALL  THINGS  FREE. 


I  dream  of  all  things  free  ! 

Of  a  gallant,  gallant  bark, 
That  sweeps  through  storm  and  sea, 

Like  an  arrow  to  its  mark  ! 
Of  a  stag  that  o'er  the  hills 

Goes  bounding  in  his  glee ; 
Of  a  thousand  flashing  rills — 

Of  all  things  glad  and  free. 

I  dream  of  some  proud  bird, 
A  bright-eyed  mountain  king ! 

In  my  visions  I  have  heard 
The  rushing  of  his  wing. 


I  DREAM  OF  ALL  THINGS  FREE.          169 

I  follow  some  wild  river, 

On  whose  breast  no  sail  may  be ; 

Dark  woods  around  it  shiver — 
— I  dream  of  all  things  free  ! 

Of  a  happy  forest  child, 

With  the  fawns  and  flowers  at  play ; 
Of  an  Indian  midst  the  wild, 

With  the  stars  to  guide  his  way  : 
Of  a  chief  his  warriors  leading, 

Of  an  archer's  greenwood  tree  : — 
— My  heart  in  chains  is  bleeding, 

And  I  dream  of  all  things  free  ! 


170 

V. 

FAR  O'ER  THE  SEA. 


WHERE  are  the  vintage  songs 

Wandering  in  glee  ? 
Where  dance  the  peasant  bands 

Joyous  and  free  ? 
Under  a  kind  blue  sky, 
Where  doth  my  birth-place  lie  ? 

— Far  o'er  the  sea  ! 

Where  floats  the  myrtle-scent 

O'er  vale  and  lea, 
When  evening  calls  the  dove 

Homewards  to  flee  ? 
Where  doth  the  orange  gleam 
Soft  on  my  native  stream  ? 

— Far  o'er  the  sea ! 


FAR  O'ER  THE  SEA.  171 

Where  are  sweet  eyes  of  love 

Watching  for  me  ? 
Where  o'er  the  cabin  roof 

Waves  the  green  tree  ? 
Where  speaks  the  vesper-chime 
Still  of  a  holy  time  ? 

— Far  o'er  the  sea ! 

• 

Dance  on,  ye  vintage  bands, 

Fearless  and  free ! 
Still  fresh  arid  greenly  wave, 

My  father's  tree ! 
Still  smile,  ye  kind  blue  skies  ! 
Though  your  son  pines  and  dies 

Far  o'er  the  sea  ! 


172 


VI. 
THE  INVOCATION. 


OH  !  art  thou  still  on  earth,  my  love  ? 

My  only  love  ! 
Or  smiling  in  a  brighter  home, 

Far,  far  above  ? 

Oh !  is  thy  sweet  voice  fled,  my  love  ? 

Thy  light  step  gone  ? 
And  art  thou  not,  in  Earth  or  Heaven, 

Still,  still  my  own  ? 

I  see  thee  with  thy  gleaming  hair, 
In  midnight  dreams  ! 

But  cold,  and  clear,  and  spirit-like, 
Thy  soft  eye  seems. 


THE  INVOCATION.  173 

Peace  in  thy  saddest  hour,  my  love  ! 

Dwelt  on  thy  brow ; 
But  something  mournfully  divine 
There  shineth  now  ! 

And  silent  ever  is  thy  lip, 

And  pale  thy  cheek ; — 
Oh !  art  thou  Earth's,  or  art  thou  Heaven's, 

Speak  to  me,  speak ! 


174 


VII. 
THE  SONG  OF  HOPE. 


DROOP  not,  my  brothers  I  I  hear  a  glad  strain — 
We  shall  burst  forth  like  streams  from  the  winter- 
night's  chain ; 

A  flag  is  unfurled,  a  bright  star  of  the  sea, 
A  ransom  approaches — we  yet  shall  be  free  ! 

Where  the  pines  wave,  where  the  light  chamois  leaps 
Where  the  lone  eagle  hath  built  on  the  steeps, 
Where  the  snows  glisten,  the  mountain  rills  foam, 
Free  as  the  falcon's  wing,  yet  shall  we  roam. 


THE   SONG  OF  HOPE.  175 

Where  the  hearth  shines,  where  the  kind  looks  are 

met, 

Where  the  smiles  mingle,  our  place  shall  be  yet ! 
Crossing  the  desert,  o'ersweeping  the  sea, — 
Droop  not,  my  Brothers !  we  yet  shall  be  free ! 


176 


THE  BIRD  AT  SEA. 


BIRD  of  the  greenwood  ! 

Oh  I  why  art  thou  here  ? 
Leaves  dance  not  o'er  thee, 

Flowers  bloom  not  near. 
All  the  sweet  waters 

Far  hence  are  at  play — 

Bird  of  the  greenwood  ! 

Away,  away ! 

Where  the  mast  quivers, 
Thy  place  will  not  be, 

As  midst  the  waving 
Of  wild  rose  and  tree. 


THE  BIRD  AT  SEA.  177 

How  should'st  thou  battle 

With  storm  and  with  spray  ? 
Bird  of  the  greenwood  ! 

Away,  away! 

Or  art  thou  seeking 

Some  brighter  land, 
Where  by  the  south-wind 

Vine  leaves  are  fanned  ? 
Midst  the  wild  billows 

Why  then  delay  ? 
Bird  of  the  greenwood  ! 

Away,  away  ! 

"  Chide  not  my  lingering  , 

Where  storms  are  dark  ; 
A  hand  that  hath  nursed  me 

Is  in  the  bark ; 

N 


178  SONGS  FOR  MUSIC. 

A  heart  that  hath  cherished 
Through  winter's  long  day, 

So  I  turn  from  the  greenwood, 
Away,  away !" 


THE  DYING  GIRL  AND  FLOWERS. 


"  I  desire  as  I  look  on  these,  the  ornaments  and  children  of 
Earth,  to  know  whether,  indeed,  such  things  I  shall  see  no 
more? — whether  they  have  no  likeness,  no  archetype  in  the 
world  in  which  my  future  home  is  to  be  cast  ?  or  whether  they 
have  their  images  above,  only  wrought  in  a  more  wondrous  and 
delightful  mould." 

Conversations  with  an  Ambitious  Student  in  ill  heahh. 


180 


THE  DYING  GIRL  AND  FLOWERS. 


BEAR  them  not  from  grassy  dells, 
Where  wild  bees  have  honey-cells  ; 
Not  from  where  sweet  water-sounds 
Thrill  the  greenwood  to  its  bounds  ; 
Not  to  waste  their  scented  breath 
On  the  silent  room  of  Death ! 

Kindred  to  the  breeze  they  are, 
And  the  glow-worm's  emerald  star, 
And  the  bird,  whose  song  is  free, 
And  the  many-whispering  tree : 
Oh  I  too  deep  a  love,  and  vain, 
They  would  win  to  earth  agajn 


THE  DYING  GIRL  AND  FLOWERS.  181 

Spread  them  not  before  the  eyes, 

Closing  fast  on  summer  skies  ! 

Woo  thou  not  the  spirit  back, 

From  its  lone  and  viewless  track, 

With  the  bright  things  which  have  birth 

Wide  o'er  all  the  coloured  earth ! 

With  the  violet's  breath  would  rise 
Thoughts  too  sad  for  her  who  dies ; 
From  the  lily's  pearl-cup  shed, 
Dreams  too  sweet  would  haunt  her  bed ; 
Dreams  of  youth — of  spring-time"  eves — 
Music — beauty — all  she  leaves  ! 

Hush  !  'tis  thou  that  dreaming  art, 
Calmer  is  her  gentle  heart. 
Yes !  o'er  fountain,  vale,  and  grove, 
Leaf  and  flower,  hath  gushed  her  love  ; 
But  that  passion,  deep  and  true, 
Knows  not  of  a  last  adieu. 


182  SONGS  FOR  MUSIC. 

Types  of  lovelier  forms  than  these, 
In  their  fragile  mould  she  sees  ; 
Shadows  of  yet  richer  things, 
Born  beside  immortal  springs, 
Into  fuller  glory  wrought, 
Kindled  by  surpassing  thought ! 

Therefore,  in  the  lily's  leaf, 
She  can  read  no  word  of  grief; 
O'er  the  woodbine  she  can  dwell, 
Murmuring  not — Farewell !  farewell ! 
And  her  dim,  yet  speaking  eye, 
Greets  the  violet  solemnly. 

Therefore,  once,  and  yet  again, 
Strew  them  o'er  her  bed  of  pain ; 
From  her  chamber  take  the  gloom, 
With  a  light  and  flush  of  bloom  : 
So  should  one  depart,  who  goes 
Where  no  Death  can  touch  the  rose ! 


THE  IVY-SONG. 


Written  on  receiving  some    Ivy-leaves,   gathered  from  the 
ruined  Castle  of  Rheinfels  on  the  Rhine. 


184 


THE  IVY-SONG. 


OH  !  how  could  fancy  crown  with  thee 

In  ancient  days  the  God  of  Wine, 
And  bid  thee  at  the  banquet  be 

Companion  of  the  vine  ? 
Ivy  !  thy  home  is  where  each  sound 

Of  revelry  hath  long  been  o'er, 
Where  song  and  beaker  once  went  round, 

But  now  are  known  no  more. 

Where  long-fallen  gods  recline, 
There  the  place  is  thine. 


THE  IVY  SONG.  185 

The  Roman  on  his  battle-plains, 

Where  Kings  before  his  eagles  bent, 
With  thee,  amidst  exulting  strains, 

Shadow'd  the  victor's  tent : 
Tho'  shining  there  in  deathless  green, 

Triumphally  thy  boughs  might  wave, 
Better  thou  lov'st  the  silent  scene 

Around  the  victor's  grave. 

Urn  and  sculpture  half  divine 
Yield  their  place  to  thine. 

The  cold  halls  of  the  regal  dead, 

Where  lone  th'  Italian  sunbeams  dwell, 
Where  hollow  sounds  the  lightest  tread — 

Ivy  !  they  know  thee  well ! 
And  far  above  the  festal  vine, 

Thou  wav'st  where  once  proud  banners  hung, 
Where  mouldering  turrets  crest  the  Rhine 

— The  Rhine,  still  fresh  and  young  ! 


186  SONGS  FOR  MUSIC. 

Tower  and  rampart  o'er  the  Rhine 
— Ivy !  all  are  thine  ! 

High  from  the  fields  of  air  look  down 

Those  Eyries  of  a  vanish'd  race, 
Where  harp,  and  battle,  and  renown, 

Have  pass'd,  and  left  no  trace. 
But  thou  art  there  ! — serenely  bright, 

Meeting  the  mountain  storms  with  bloom, 
Thou  that  will  climb  the  loftiest  height, 

Or  crown  the  lowliest  tomb  ! 
Ivy,  Ivy !  all  are  thine, 
Palace,  hearth,  and  shrine. 

Tis  still  the  same  ;  our  pilgrim  tread 
O'er  classic  plains,  thro'  deserts  free, 

On  the  mute  path  of  ages  fled, 
Still  meets  decay  and  thee. 


THE  IVY  SONG.  187 

• 

And  still  let  man  his  fabrics  rear, 

August  in  beauty,  stern  in  power, 
— Days  pass — thou  Ivy  never  sere  !* 
And  thou  shalt  have  thy  dower. 

All  are  thine,  or  must  be  thine — 
— Temple,  pillar,  shrine  ! 


*  Ye  Myrtles  brown,  and  Ivy  never  sere — Lycides. 


THE  MUSIC  OF  ST.  PATRICK'S. 


The  choral  music  of  St.  Patrick's  Cathedral,  Dublin,  is  al- 
most unrivalled  in  its  combined  powers  of  voice,  organ,  and 
scientific  skill — The  majestic  harmony  of  effect  thus  produced 
is  not  a  little  deepened  by  the  character  of  the  Church  itself ; 
which,  though  small,  yet  with  its  dark  rich  fret-work,  knightly 
helmets  and  banners,  and  old  monumental  effigies,  seems  all 
filled  and  overshadowed  by  the  spirit  of  chivalrous  antiquity. 
The  imagination  never  fails  to  recognize  it  as  a  fitting  scene 
for  high  solemnities  of  old; — a  place  to  witness  the  solitary 
vigil  of  arms,  or  to  resound  with  the  funeral  march  at  the  burial 
of  some  warlike  King. 


189 


MUSIC  OF  ST.  PATRICK'S. 


All  the  choir 
Sang  Hallelujah,  as  the  sound  of  seas. 

MILTON. 


AGAIN,  oh  !  send  that  anthem  peal  again 
Thro'  the  arch'd  roof  in  triumph  to  the  sky  ! 
Bid  the  old  tombs  ring  proudly  to  the  strain, 
The  banners  thrill  as  if  with  victory ! 

Such  sounds  the  warrior  awe-struck  might  have  heard, 
While  arm'd  for  fields  of  chivalrous  renown  ; 
Such  the  high  hearts  of  Kings  might  well  have  stirr'd, 
While  throbbing  still  beneath  the  recent  crown, 


190  SONGS  FOR  MUSIC. 

Those  notes  once  more ! — they  bear  my  soul  away, 
They  lend  the  wings  of  morning  to  its  flight  ; 
No  earthly  passion  in  th'  exulting  lay, 
Whispers  one  tone  to  win  me  from  that  height. 

All  is  of  Heaven ! — Yet  wherefore  to  mine  eye 
Gush  the  vain  tears  unbidden  from  their  source  ? 
Ev'n  while  the  wavas  of  that  strong  harmony 
Roll  with  my  spirit  on  their  sounding  course  ! 

Wherefore  must  rapture  its  full  heart  reveal 
Thus  by  the  burst  of  sorrow's  token-shower  ? 
— Oh !  is  it  not,  that  humbly  we  may  feel 
Our  nature's  limit  in  its  proudest  hour  ? 


KEENE,    OR    LAMENT   OF   AN   IRISH 
MOTHER  OVER  HER  SON. 


This  lament  is  intended  to  imitate  the  peculiar  style  of  the 
Irish  Keenes,  many  of  which  are  distinguished  by  a  wild  and 
and  deep  pathos,  and  other  characteristics  analogous  to  those 
of  ihe  national  music, 


192 


KEENE,   OR   LAMENT   OF   AN   IRISH 
MOTHER  OVER  HER  SON. 


DARKLY  the  cloud  of  night  comes  rolling  on 
Darker  is  thy  repose,  my  fair-haired  son  ! 

Silent  and  dark. 

There  is  blood  upon  the  threshold 
Whence  thy  step  went  forth  at  morn, 

Like  a  dancer's  in  its  fleetness, 
O  my  bright  first-born  ! 


KEENE,  OR  LAMENT,  &c. 

At  the  glad  sound  of  that  footstep, 

My  heart  within  me  smiled ; 
— Thou  wert  brought  me  back  all  silent 

On  thy  bier,  my  child  ! 

Darkly  the  cloud  of  night  comes  rolling  on ; 
Darker  is  thy  repose,  my  fair-haired  son ! 

Silent  and  (kirk. 

I  thought  to  see  thy  children 
Laugh  on  me  with  thine  eyes ; 

But  my  sorrow's  voice  is  lonely 
Where  my  life's  flower  lies. 

I  shall  go  to  sit  beside  thee, 

Thy  kindred's,  graves  among ; 
I  shall  hear  the  tall  grass  whisper — 
I  shall  hear  it  not  long  ! 


194  SONGS  FOR  MUSIC. 

Darkly  the  cloud  of  night  comes  rolling  on ; 
Darker  is  thy  repose,  my  fair-haired  son  ! 

Silent  and  dark. 

And  I  too  shall  find  slumber 

With  my  lost  one,  in  the  earth ; 

— Let  none  light  up  the  ashes 
Again  on  our  hearth  ! 

Let  the  roof  go  down  ! — let  silence 

On  the  home  for  ever  fall, 
Where  my  boy  lay  cold,  and  heard  not 

His  lone  Mother's  call ! 

Darkly  the  cloud  of  night  comes  rolling  on  ; 
Darker  is  thy  repose,  my  fair-haired  son  ! 

Silent  and  dark. 


195 


ENGLAND'S  DEAD. 


Son  of  the  Ocean  Isle  ! 

Where  sleep  your  mighty  dead  ? 
Show  me  what  high  and  stately  pile 

Is  rear'd  o'er  Glory's  bed. 

Go,  Stranger  !  track  the  deep, 
Free,  free,  the  white  sail  spread  ! 

Wave  may  not  foam,  nor  wild  wind  sweep, 
Where  rest  not  England's  dead. 

On  Egypt's  burning  plains, 

By  the  Pyramid  o'ersway'd, 
With  fearful  power  the  noon-day  reigns, 

And  the  Palm-trees  yield  no  shade. 


196  SONGS  FOR  MUSIC. 

But  let  the  angry  sun 

From  heaven  look  fiercely  red, 

Unfelt  by  those  whose  task  is  done  ! 
There  slumber  England's  dead. 

The  hurricane  hath  might 

Along  the  Indian  shore, 
And  far,  by  Ganges'  banks  at  night 

Is  heard  the  tiger's  roar. 

But  let  the  sound  roll  on  ! 

It  hath  no  tone  of  dread, 
For  those  that  from  their  toils  are  gone — 

— There  slumber  England's  dead  ! 

Loud  rush  the  torrent  floods 

The  western  wilds  among, 
And  free,  in  green  Columbia's  woods, 

The  hunter's  bow  is  strong. 


ENGLAND'S    DEAD.  197 

But  let  the  floods  rush  on  ! 

Let  the  arrow's  flight  be  sped ! 
Why  should  they  reck  whose  task  is  done  ? 
—  There  slumber  England's  dead. 

The  mountain  storms  rise  high 

In  the  snowy  Pyrenees, 
And  toss  the  pine-boughs  thro'  the  sky, 
Like  rose-leaves  on  the  breeze. 

But  let  the  storm  rage  on  ! 

Let  the  fresh  wreaths  be  shed ! 
For  the  Roncesvalles'  field  is  won— 

— There  slumber  England's  dead. 

On  the  frozen  deep's  repose, 

Tis  a  dark  and  dreadful  hour 
When  round  the  ship  the  ice-fields  close, 

And  the  northern  night-clouds  lower. 


198  SONGS  FOR  MUSIC. 

But  let  the  ice  drift  on  ! 

Let  the  cold  blue  desert  spread  ! 
Their  course  with  mast  and  flag  is  done — 

— Ev'n  there  sleep  England's  dead ! 

The  warlike  of  the  Isles, 

The  men  of  field  and  wave  ! 
Are  not  the  rocks  their  funeral  piles  ? 

The  seas  and  shores  their  grave  ? 

Go,  Stranger  !  track  the  deep  ! 

Free,  free  the  white  sail  spread ! 
Wave  may  not  foam,  nor  wild  wind  sweep, 

Where  rest  not  England's  dead  !* 


*  Set  to  music  by  the  Author's  sister. 


199 


FAR  AWAY.* 


FAR  away ! — my  home  is  far  away, 

Where  the  blue  sea  laves  a  mountain  shore ; 

In  the  woods  I  hear  my  brothers  play, 

Midst  the  flowers  my  sister  sings  once  more. 
Far  away ! 

Far  away !  my  dreams  are  far  away, 

When  at  midnight,  stars  and  shadows  reign  ; 

"  Gentle  child,"  my  mother  seems  to  say 
"  Follow  me  where  home  shall  smile  again  !" 
Far  away ! 


*  This,  and  the  five  following  songs,  have  been  set  to  music 
of  great  merit,  by  J.  Zeugheer  Herrmann,  and  H.  F.  G,  and 
are  published  in  a  set  by  Mr.  Power,  who  has  given  permission 
for  the  appearance  of  the  words  in  this  Volume. 


•200  SONGS  FOR  MUSIC. 

Far  away  !  my  hope  is  far  away,  f 

Where  love's  voice  young  gladness  may  restore; 

— O  thou  dove !  now  soaring  thro'  the  day, 
Lend  me  wings  to  reach  that  better  shore, 
Far  away ! 


201 


THE  LYRE  AND  FLOWER. 


A  lyre  its  plaintive  sweetness  pour'd 

Forth  on  the  wild  wind's  track ; 
The  stormy  wanderer  jarr'd  the  chord, 
But  gave  no  music  back. 
— Oh  !  child  of  song  ! 

Bear  hence  to  heaven  thy  fire ! 
What  hop'st  thou  from  the  reckless  throng ; 
Be  not  like  that  lost  lyre ! 
Not  like  that  lyre ! 

A  flower  its  leaves  and  odours  cast 

On  a  swift- rolling  wave  ; 
Th'  unheeding  torrent  darkly  pass'd, 

And  back  no  treasure  gave. 


202  SONGS  FOR  MUSIC. 

— Oh  !  heart  of  love  ! 

Waste  not  thy  precious  dower  ! 
Turn  to  thine  only  home  above, 

Be  not  like  that  lost  flower  ! 
Not  like  that  flower. 


203 


SISTER  !  SINCE  I  MET  THEE  LAST. 


SISTER  !  since  I  met  thee  last, 
O'er  thy  brow  a  change  hath  past, 
In  the  softness  of  thine  eyes, 
Deep  and  still  a  shadow  lies ; 
From  thy  voice  there  thrills  a  tone, 
Never  to  thy  childhood  known  ; 
Thro'  thy  soul  a  storm  hath  moved, 
— Gentle  sister,  thou  hast  loved  ! 

Yes  !  thy  varying  cheek  hath  caught 
Hues  too  bright  from  troubled  thought ; 
Far  along  the  wandering  stream, 
Thou  art  followed  by  a  dream ; 


204  SONGS  FOR  MUSIC. 

In  the  woods  and  vallies  lone 
Music  haunts  thee  not  thine  own  : 
Wherefore  fall  thy  tears  like  rain  ? 
Sister,  thou  hast  loved  in  vain  ! 

Ttil  me  not  the  tale,  my  flower  ! 
On  my  bosom  pour  that  shower ! 
Tell  me  not  of  kind  thoughts  wasted ; 
Tell  me  not  of  young  hopes  blasted ; 
Wring  not  forth  one  burning  word, 
Let  thy  heart  no  more  be  stirred ! 
Home  alone  can  give  thee  rest. 
— Weep,  sweet  sister,  on  my  breast ! 


205 


THE  LONELY  BIRD. 


From  a  ruin  thou  art  singing, 

Oh !  lonely,  lonely  bird  ! 
The  soft  blue  air  is  ringing, 

By  thy  summer  music  stirr'd  ; 
But  all  is  dark  and  cold  beneath, 

Where  harps  no  more  are  heard  : 
Whence  winn'st  thou  that  exulting  breath, 

Oh  !  lonely,  lonely  bird  ? 

Thy  song  flows  richly  swelling, 
To  a  triumph  of  glad  sounds, 

As  from  its  cavern  dwelling 
A  stream  in  glory  bounds  ! 


206  SONGS  FOR  MUSIC. 

Tho'  the  castle  echoes  catch  no  tone 

Of  human  step  or  word, 
Tho'  the  fires  be  quenched  and  the  feasting  done, 

Oh  !  lonely,  lonely  bird ! 

How  can  that  flood  of  gladness 

Rush  thro'  thy  fiery  lay, 
From  the  haunted  place  of  sadness, 

From  the  bosom  of  decay  ? 
While  dirge-notes  in  the  breeze's  moan, 

Thro'  the  ivy  garlands  heard, 
Come  blent  with  thy  rejoicing  tone, 

Oh  !  lonely,  lonely  bird  I 

There's  many  a  heart,  wild  singer, 

Like  thy  forsaken  tower, 
Where  joy  no  more  may  linger, 

Where  love  hath  left  his  bower : 


THE  LONELY  BIRD.  207 

And  there's  many  a  spirit  e'en  like  thee, 

To  mirth  as  lightly  stirr'd, 
Tho'  it  soar  from  ruins  in  its  glee, 

Oh  !  lonely,  lonely  bird ! 


208 


DIRGE  AT  SEA. 


Sleep  ! — we  give  thee  to  the  wave, 
Red  with  life-blood  from  the  brave, 
Thou  shalt  find  a  noble  grave. 
Fare  thee  well ! 

Sleep  !  thy  billowy  field  is  won. 
Proudly  may  the  funeral  gun, 
Midst  the  hush  at  set  of  sun, 
Boom  thy  knell ! 

Lonely,  lonely  is  thy  bed, 
Never  there  may  flower  be  shed, 
Marble  reared,  or  brother's  head 
Bowed  to  weep. 


DIRGE  AT  SEA.  209 

Yet  thy  record  on  the  sea, 
Borne  thro'  battle  high  and  free, 
Long  the  red  cross  flag  shall  be. 
Sleep  !  O  sleep  ! 


210 


| 

PILGRIM'S  SONG  TO  THE  EVENING  STAR. 


O  soft  star  of  the  west ! 

Gleaming  far, 
Thou'rt  guiding  all  things  home, 

Gentle  star ! 
Thou  bring'st  from  rock  and  wave, 

The  sea-bird  to  her  nest, 
The  hunter  from  the  hills, 
The  fisher  back  to  rest. 
Light  of  a  thousand  streams. 

Gleaming  far ! 
O  soft  star  of  the  west, 

Blessed  star ! 


PILGRIM'S  SONG,   &c.  -211 

No  bowery  roof  is  mine, 

No  hearth  of  love  and  rest, 
Yet  guide  me  to  my  shrine, 

O  soft  star  of  the  west ! 
There,  there,  my  home  shall  be, 

Heaven's  dew  shall  cool  my  breast, 
When  prayer  and  tear  gush  free, 

— O  soft  star  of  the  west ! 

O  soft  star  of  the  west, 

Gleaming  far ! 
Thou'rt  guiding  all  things  home, 

Gentle  star ! 
Shine  from  thy  rosy  heaven, 

Pour  joy  on  earth  and  sea ! 
Shine  on,  tho'  no  sweet  eyes 
Look  forth  to  watch  for  me  I 


212  SONGS  FOR  MUSIC. 

Light  of  a  thousand  streams, 
Gleaming  far ! 

O  soft  star  of  the  west ! 
Blessed  star ! 


THE  SPARTAN'S  MARCH. 


"  The  Spartans  used  not  the  trumpet  in  their  march  into 
battle,"  says  Thucydides,  because  they  wished  not  to  excite  the 
rage  of  their  warriors.  Their  charging-step  was  made  "  to  the 
Dorian  mood  of  flutes  and  soft  recorders."  The  valour  of  a 
Spartan  was  too  highly  tempered  to  require  a  stunning  or 
rousing  impulse.  His  spirit  was  like  a  steed  too  proud  for  the 
spur." 

Campbell  on  the  Elegiac  Poetry  of  the  Greeks. 


214 


THE  SPARTAN'S  MARCH. 


TWAS  morn  upon  the  Grecian  hills, 
Where  peasants  dress'd  the  vines, 

Sunlight  was  on  Cithceron's  rills, 
Arcadia's  rocks  and  pines. 

And  brightly,  thro'  his  reeds  and  flowers, 

Eurotas  wandered  by, 
When  a  sound  arose  from  Sparta's  towers 

Of  solemn  harmony. 


THE  SPARTAN'S  MARCH.  215 

Was  it  the  hunter's  choral  strain 
To  the  woodland-goddess  pour'd  ? 

Did  virgin  hands  in  Pallas'  fane 
Strike  the  full  sounding  chord  ? 

But  helms  were  glancing  on  the  stream, 

Spears  ranged  in  close  array, 
And  shields  flung  back  a  glorious  beam 

To  the  morn  of  a  fearful  day  ! 

And  the  mountain  echoes  of  the  land 
Swell'd  through  the  deep  blue  sky, 

While  to  soft  strains  moved  forth  a  band 
Of  men  that  moved  to  die. 

They  marched  not  with  the  trumpet's  blast, 

,  Nor  bade  the  horn  peal  out, 
And  the  laurel-groves,  as  on  they  passed, 

Rung  with  no  battle  shout ! 


•216  SONGS  FOR  MUSIC. 

They  asked  no  clarion's  voice  to  fire 
Their  souls  with  an  impulse  high ; 

But  the  Dorian  reed,  and  the  Spartan  lyre 
For  the  sons  of  liberty  ! 

And  still  sweet  flutes,  their  path  around, 

Sent  forth  ^Eolian  breath : 
They  needed  not  a  sterner  sound 

To  marshal  them  for  death ! 

So  moved  they  calmly  to  their  field, 

Thence  never  to  return, 
Save  bringing  back  the  Spartan  shield, 

Or  on  it  proudly  borne  ! 


THE  MEETING  OF  THE  SHIPS. 


"  We  take  each  other  by  the  hand,  and  we  exchange  a  few 
words  and  looks  of  kindness,  and  we  rejoice  together  for  a  few 
short  moments ; — and  then  days,  months,  years  intervene — and 
we  see  and  know  nothing  of  each  other." 

Washington  Irving. 


218 


THE  MEETING  OF  THE  SHIPS. 


Two  barks  met  on  the  deep  mid-sea, 
When  calms  had  stilled  the  tide ; 

A  few  bright  days  of  summer  glee 
There  found  them  side  by  side. 

And  voices  of  the  fair  and  brave 
Rose  mingling  thence  in  mirth ; 

And  sweetly  floated  o'er  the  wave 
The  melodies  of  earth. 

Moonlight  on  that  lone  Indian  main 
Cloudless  and  lovely  slept ; — 

While  dancing  step,  and  festive  strain 
Each  deck  in  triumph  swept. 


THE  MEETING  OF  THE  SHIPS.  219 

And  hands  were  linked,  and  answering  eyes 

With  kindly  meaning  shone  ; 
— Oh  !  brief  and  passing  sympathies, 

Like  leaves  together  blown  ! 

A  little  while  such  joy  was  cast 

Over  the  deep's  repose, 
Till  the  loud  singing  winds  at  last 

Like  trumpet  music  rose. 

And  proudly,  freely  on  their  way 

The  parting  vessels  bore ; 
— In  calm  or  storm,  by  rock  or  bay, 

To  meet — Oh  !  never  more  ! 

Never  to  blend  in  victory's  cheer, 

To  aid  in  hours  of  woe : — 
And  thus  bright  spirits  mingle  here, 

Such  ties  are  formed  below  ! 


THE  ROCK  OF  CADER  IDRIS. 


A    LEGEND    OF    WALES. 


It  is  an  old  tradition  of  the  Welch  Bards,  that  on  the  summit 
of  the  mountain  Cader  Idris,  is  an  excavation  resembling  a 
couch ;  and  that  whoever  should  pass  a  night  in  that  hollow, 
would  be  found  in  the  morning  either  dead,  in  a  state  of  frenzy, 
or  endowed  with  the  highest  poetical  inspiration.  This  song  is 
one  of  a  "  Selection  of  Welch  Melodies,  arranged  by  John 
Parry,  and  published  by  Mr.  Power." 


221 


THE  ROCK  OF  CADER  IDRIS. 


A   LEGEND    OF    WALES. 


I  lay  on  that  rock   where  the  storms  have  their 

dwelling, 
The  birth-place  of  phantoms,   the  home  of  the 

cloud ; 
Arpund  it  for  ever  deep  music  is  swelling, 

The  voice  of  the  mountain- wind,  solemn  and  loud. 
'Twas  a  midnight  of  shadows  all  fitfully  streaming, 
Of  wild  waves  and  breezes,   that  mingled   their 

moan; 
Of    dim   shrouded   stars,    as  from   gulphs    faintly 

gleaming, 
And  I  met  the  dread  gloom  of  its  grandeur  alone. 


£2-2  SONGS  FOR  MUSIC. 

I  lay  there  in  silence — a  Spirit  came  o'er  me  ; 
Man's  tongue  hath  no  language  to  speak  what  I 

saw ; 
Things   glorious,  unearthly,    pass'd   floating  before 

me, 
And  my  heart  almost  fainted  with  rapture  and 

awe  ! 

I  viewed  the  dread  beings,  around  us  that  hover, 
Tho'  veil'd  by  the  mists  of  mortality's  breath  ; 
And  I  called  upon  darkness  the  vision  to  cover, 
For  a  strife  was  within  me  of  madness  and  death. 

I  saw  them — the  powers  of  the  wind  and  the  ocean, 

The  rush  of  whose  pinion  bears  onward  the  storms ; 

Like  the  sweep  of  the  white-rolling  wave  was  their 

motion, 

I  felt  their  dim  presence, — but  knew  not  their 
forms  ! 


THE  ROCK  OF  CADER  IDRIS.     t>-2.i 

I  saw  them — the  mighty  of  ages  departed — 

The  dead  were  around  me  that  night  on  the  hill : 
From  their  eyes,  as  they  passed,  a  cold  radiance  they 

darted, 

— There  was  light  on  my  soul,    but  my  heart's 
blood  was  chill. 

I  saw  what  man  looks  on,  and  dies — but  my  spirit 

Was  strong,  and  triumphantly  liv'd  thro'  that  hour; 
And  as  from  the  grave,  I  awoke  to  inherit 

A  flame  all  immortal,  a  voice,  and  a  power ! 
Day  burst  on  that  rock  with  the  purple  cloud  crested, 

And  high  Cader  Idris  rejoiced  in  the  sun  ; 
— But  oh !  what  new  glory  all  nature  invested, 

When  the  sense  which  gives  soul  to  her  beauty 
was  won ! 


224 


A  FAREWELL  TO  WALES. 


FOR  THE  MELODY  CALLED  "THE  A8H  GROVE." 


ON  LEAVING  THAT  COUNTRY  WITH  MY  CHILDREN. 


THE  sound  of  thy  streams  in  my  spirit  I  bear — 
— Farewell!  and  a  blessing  be  with  thee,  green 

land! 

On  thy  hearths,  on  thy  halls,  on  thy  pure  moun- 
tain-air, 
On  the  chords  of  the  harp,  and  the  minstrel's  free 

hand! 
From  the  love  of  my  soul  with  my  tears  it  is 

shed, 

As  I  leave  thee,  green  land  of  my  home  and  my 
dead! 


A  FAREWELL  TO  WALES.  225 

I  bless  thee ! — yet  not  for  the  beauty  which  dwells 

In  the  heart  of  thy  hills,  on  the  rocks  of  thy  shore  ; 
And  not  for  the  memory  set  deep  in  thy  dells, 
Of  the  bard  and  the  hero,  the  mighty  of  yor.e ; 
And  not  for  thy  songs  of  those  proud  ages 

fled, 

— Green   land,  Poet-land  of  my  home  and 
my  dead  ! 

I  bless  thee  for  all  the  true  bosoms  that  beat, 

Where'er  a  low  hamlet  smiles  up  to  thy  skies, 
For  thy  cottage  hearths,   burning  the  strangers  to 

greet,^ 
For  the  soul  that  shines  forth  from  thy  children's 

kind  eyes ! 
May  the  blessing,  like  sunshine,  about  thee 

be  spread, 

Green  land  of  my  childhood,  my  home,  and 
my  dead ! 


226 


THE  DYING  BARD'S  PROPHECY.* 


"  All  is  not  lost — the  unconquerable  will 
And  courage  never  to  submit  or  yield." 

MILTON. 

The  Hall  of  Harps  is  lone  to-night. 

And  cold  the  chieftain's  hearth ; 
It  hath  no  mead,  it  hath  no  light, 

No  voice  of  melody,  no  sound  of  mirth. 

The  bow  lies  broken  on  the  floor 

Whence  the  free  step  is  gone  ; 
The  pilgrim  turns  him  from  the  door 

Where  minstrel-blood  hath  stain'd  the  threshold 
stone. 


*  At  the  time  of  the  supposed  massacre  of  the  Welsh  bards 
by  Edward  the  First. 


THE  DYING  BARD'S  PROPHECY.  ±27 

And  I  too  go — ray  wound  is  deep, 

My  brethren  long  have  died — 
Yet  ere  my  soul  grow  dark  with  sleep, 

Winds  !  bear  the  spoiler  one  more  tone  of  pride  I 

Bear  it,  where  on  his  battle  plain, 

Beneath  the  setting  sun, 
He  counts  my  country's  noble  slain — 

Say  to  him — Saxon  !  think  not  all  is  won. 

Thou  hast  laid  low  the  warrior's  head, 

The  minstrel's  chainless  hand ; 
— Dreamer !  that  number'st  with  the  dead, 

The  burning  spirit  of  the  mountain  land ! 

Think'st  thou  because  the  song  hath  ceas'd, 

The  soul  of  song  is  flown  ? 
Think'st  thou  it  woke  to  crown  the  feast, 

It  liv'd  beside  the  ruddy  hearth  alone  ? 


228  SONGS  FOR  MUSIC. 

No  !  by  our  wrongs,  and  by  our  blood, 

We  leave  it  pure  and  free — 
Though  hush'd  awhile,  that  sounding  flood 

Shall  roll  in  joy  through  ages  yet  to  be. 

We  leave  it  midst  our  country's  woe, 
The  birth-right  of  her  breast — 

We  leave  it  as  we  leave  the  snow- 
Bright  arid  eternal  on  *Eryri's  crest. 

We  leave  it  with  our  fame  to  dwell 

Upon  our  children's  breath. 
Our  voice  in  theirs  thro'  time  shall  swell — 

The  Bard  hath  gifts  of  prophecy  from  death. 

He  dies — but  yet  the  mountains  stand, 

Yet  sweeps  the  torrent's  tide  ; 
And  this  is  yet  \Aneurins  land — 

Winds  !  bear  the  spoiler  one  more  tone  of  pride 

*  Eryri,  Welsh  name  for  the  Snowdon  mountain*, 
f  Aneurin,  one  of  the  noblest  of  the  Welsh  bards. 


229 


COME  AWAY  I* 


COME  away  ! — the  child,  where  flowers  are  springing 
Round  its  footsteps  on  the  mountain  slope, 

Hears  a  glad  voice  from  the  upland  singing, 
Like  the  sky-lark's  with  its  tone  of  hope : 
Come  away } 

Bounding  on,  with  sunny  lands  before  him, 
All  the  wealth  of  glowing  life  outspread, 

Ere  the  shadow  of  a  cloud  comes  o'er  him, 
By  that  strain  the  youth  in  joy  is  led : 
Come  away ! 


+  This  song  is  in  the  possession  of  Mr.  Power,  to  be  set  to 
music 


230  SONGS  FOR  MUSIC. 

Slowly,  sadly,  heavy  change  is  falling 
O'er  the  sweetness  of  the  voice  within  ; 

Yet  its  tones,  on  restless  manhood  calling, 
Urge  the  hunter  still  to  chase,  to  win  : 
Come  away  ! 

Come  away  !— the  heart,  at  last  forsaken, 

Smile  by  smile,  hath  prov'd  each  hope  untrue 

Yet  a  breath  can  still  those  words  awaken, 
Tho'  to  other  shores  far  hence  they  woo  : 
Come  away  ! 

In  the  light  leaves,  in  the  reed's  faint  sighing, 
In  the  low  sweet  sounds  of  early  spring, 

Still  their  music  wanders — till  the  dying 
Hears  them  pass,  as  on  a  spirit's  wing : 
Come  away ! 


FAIR  HELEN  OF  KIRCONNEL. 


"  Fair  Helen  of  Kirconnel,"  as  she  is  called  in  the  Scottish 
Minstrelsy,  throwing  herself  between  her  bethrothed  lover  and 
a  rival  by  whom  his  life  was  assailed,  received  a  mortal  wound, 
and  died  in  the  arms  of  the  former. 


232 


FAIR  HELEN  OF  KIRCONNEL. 


HOLD  ine  upon  thy  faithful  heart, 
Keep  back  my  flitting  breath ; 

Tis  early,  early  to  depart, 
Belov'd  ! — yet  this  is  death  ! 

Look  on  me  still : — let  that  kind  eye 

Be  the  last  light  I  see  I 
Oh  !  sad  it  is  in  spring  to  die, 

But  yet  I  die  for  thee  ! 

For  thee,  my  own  !  thy  stately  head 

Was  never  thus  to  bow ; — 
Give  tears  when  with  me  love  hath  fled, 

True  love,  thou  know'st  it  now ! 


FAIR  HELEN  OF  KIRCONNEL.  L> 

Oh  !  the  free  streams  looked  bright,  where  Yi 

We  in  our  gladness  roved ; 
And  the  blue  skies  were  very  fair — 

O  friend !   because  we  loved. 

Farewell ! — I  bless  thee — live  thou  on, 

When  this  young  heart  is  low  ! 
Surely  my  blood  thy  life  hath  won — 

Clasp  me  once  more — I  go  ! 


234 


MUSIC  FROM  SHORE. 


A  sound  comes  on  the  rising  breeze, 

A  sweet  and  lovely  sound ! 
Piercing  the  tumult  of  the  seas 

That  wildly  dash  around. 

From  land,  from  sunny  land  it  comes, 
From  hills  with  murmuring  trees, 

From  paths  by  still  and  happy  homes — 
That  sweet  sound  on  the  breeze. 

Why  should  its  faint  and  passing  sigh 
Thus  bid  my  quick  pulse  leap  ? 

No  part  in  earth's  glad  melody 
Is  mine  upon  the  deep. 


MUSIC  FROM  SHORE. 

Yet  blessing,  blessing  on  the  spot, 
Whence  those  rich  breathings  flow  ! 

Kind  hearts,  although  they  know  me  not, 
Like  mine  there  beat  and  glow. 

And  blessing,  from  the  bark  that  roams 

O'er  solitary  seas, 
To  those  that  far  in  happy  homes 

Give  sweet  sounds  to  the  breeze  ! 


236 


LOOK  ON   ME  WITH   THY  CLOUDLESS 
EYES. 


Look  on  me  with  thy  cloudless  eyes, 
Truth  in  their  dark  transparence  lies ; 
Their  sweetness  gives  me  back  the  tears, 
And  the  free  trust  of  early  years ; 

My  gentle  child ! 

The  spirit  of  my  infant  prayer 
Shines  in  the  depths  of  quiet  there. 
And  home  and  love  once  more  are  mine, 
Found  in  that  dewy  calm  divine, 

My  gentle  child ! 

f  The  songs  marked  thus  J:    are  in  the  possession  8f   Mr. 
Willis,  to  be  published  by  him  with  music. 


LOOK  ON  ME,  &c.  -j:J7 

Oh  !  heaven  is  with  thee  in  thy  dreams, 
Its  light  by  day  around  thee  gleams  : 
Thy  smile  hath  gifts  from  vernal  skies ; 
— Look  on  me  with  thy  cloudless  eyes, 
My  gentle  child ! 


238 


I  GO,  SWEET  FRIENDS. 


I  go,  sweet  friends  !  yet  think  of  me 

When  Spring's  young  voice  awakes  the  flowers  ; 
For  we  have  wandered  far  and  free, 

In  those  bright  hours,  the  violet's  hours. 

I  go — but  when  you  pause  to  hear, 

From  distant  hills,  the  Sabbath  bell 
On  summer  winds  float  silvery  clear, 

Think  on  me  then — I  lov'd  it  well ! 

Forget  me  not  around  your  hearth, 
When  cheerly  smiles  the  ruddy  blaze, 

For  dear  hath  been  its  evening  mirth 
To  me,  sweet  friends  !  in  other  days. 


I  GO,  SWEET  FRIENDS. 

And  oh  !  when  music's  voice  is  heard 
To  melt  in  strains  of  parting  woe, 

When  hearts  to  love  and  grief  are  stirr'd 
— Think  of  me  then !  I  go,  I  go  ! 


940 


IF  THOU  HAST  CRUSHED  A  FLOWER. 


Oh  cast  thou  not 

Affection  from  thee !    In  this  bitter  world 
Hold  to  thy  heart  that  only  treasure  fast ; 
Watch — guard  it — suffer  not  a  breath  to  dim 
The  bright  gem's  purity! 


IF  thou  hast  crushed  a  flower, 

The  root  may  not  be  blighted  ; 
If  thou  hast  quenched  a  lamp, 

Once  more  it  may  be  lighted  : 
But  on  thy  harp  or  on  thy  lute, 

The  string  which  thou  hast  broken, 
Shall  never  in  sweet  sound  again 

Give  to  thy  touch  a  token  ! 


IF  THOU  HAST  CRUSHED  A  FLOWER.      -J4I 

If  thou  hast  loosed  a  bird, 

Whose  voice  of  song  could  cheer  thee, 
Still,  still  he  may  be  won 

From  the  skies  to  warble  near  thee  : 
But  if  upon  the  troubled  sea 

Thou  hast  thrown  a  gem  unheeded, 
Hope  not  that  wind  or  wave  will  bring 

The  treasure  back  when  needed. 


If  thou  hast  bruised  a  vine, 

The  summer's  breath  is  healing, 
And  its  clusters  yet  may  glow, 

Through  the  leaves  their  bloom  revealing 
But  if  thou  hast  a  cup  o'erthrown 

With  a  bright  draught  filled— oh !  never 
Shall  earth  give  back  that  lavished  wealth 

To  cool  thy  parched  lip's  fever ! 


242  SONGS  FOR  MUSIC. 

The  heart  is  like  that  cup, 

If  thou  waste  the  love  it  bore  thee  ; 
And  like  that  jewel  gone, 

Which  the  deep  will  not  restore  thee 
And  like  that  strain  of  harp  or  lute 

Whence  the  sweet  sound  is  scattered ; 
Gently,  oh  !  gently  touch  the  chords, 

So  soon  for  ever  shattered  ! 


243 


BRIGHTLY  HAST  THOU  FLED. 


Brightly,  brightly  hast  thou  fled, 
Ere  one  grief  had  bow'd  thy  head, 

Brightly  didst  thou  part ! 
With  thy  young  thoughts  pure  from  spot, 
With  thy  fond  love  wasted  not, 

With  thy  bounding  heart. 

Ne'er  by  sorrow  to  be  wet, 
Calmly  smiles  thy  pale  cheek  yet, 

Ere  with  dust  o'erspread  : 
Lilies  ne'er  by  tempest  blown, 
White-rose  which  no  stain  hath  known, 

Be  about  thee  shed  ! 


244  SONGS  FOR  MUSIC. 

So  we  give  thee  to  the  earth, 
And  the  primrose  shall  have  birth 

O'er  thy  gentle  head  ; 
Thou  that  like  a  dew-drop,  borne 
On  a  sudden  breeze  of  morn, 

Brightly  thou  hast  fled  ! 


245 


SING  TO  ME,  GONDOLIER ! 


Sing  to  me,  Gondolier  ! 

Sing  words  from  Tasso's  lay ; 
While  blue,  and  still,  and  clear, 

Night  seems  but  softer  day : 
The  gale  is  gently  falling 

As  if  it  paus'd  to  hear 
Some  strain  the  past  recalling ; 

Sing  to  me,  Gondolier ! 

Oh,  ask  me  not  to  wake 
The  memory  of  the  brave ; 

Bid  no  high  numbers  break 
The  silence  of  the  wave. 


246  SONGS  FOR  MUSIC. 

Gone  are  the  noble-hearted, 
Closed  the  bright  pageants  here 

And  the  glad  song  is  departed 
From  the  mournful  Gondolier  ! 


247 


O'ER  THE  FAR  BLUE  MOUNTAINS.* 


O'ER  the  far  blue  mountains, 
O'er  the  white  sea  foam, 

Come,  thou  long  parted  one  ! 
Back  to  thine  home ! 

When  the  bright  fire  shineth, 

Sad  looks  thy  place, 
While  the  true  heart  pineth 

Missing  thy  face. 

*  Set  to  music  by  the  Author's  sister. 


248  SONGS  FOR  MUSIC. 

Music  is  sorrowful 

Since  thou  art  gone, 
Sisters  are  mourning  thee, 
'  Come  to  thine  own ! 

Hark  !  the  home  voices  call 

Back  to  thy  rest ; 
Come  to  thy  father's  hall, 

Thy  mother's  breast ! 

O'er  the  far  blue  mountains, 
O'er  the  white  sea  foam, 

Come,  thou  long  parted  one  ! 
Back  to  thine  home  ! 


-249 


O  THOU  BREEZE  OF  SPRING  !* 


O  them  breeze  of  spring  ! 

Gladdening  sea  and  shore, 
Wake  the  woods  to  sing, 

Wake  my  heart  no  more  I 
Streams  have  felt  the  sighing 

Of  thy  scented  wing, 
Let  each  fount  replying 

Hail  thee,  breeze  of  spring, 
Once  more  ! 

*   Set  to  music  by  John  Lodge,  Esq. 


250  SONGS  FOR  MUSIC. 

O'er  long  buried  flowers 

Passing,  not  in  vain, 
Odours  in  soft  showers 

Thou  hast  brought  again. 
— Let  the  primrose  greet  thee, 

Let  the  violet  pour 
Incense  forth  to  meet  thee — 

Wake  my  heart  no  more  ! 
No  more ! 

From  a  funeral  urn 

Bowered  in  leafy  gloom, 
Ev'n  thy  soft  return 

Calls  not  song  or  bloom. 
Leave  my  spirit  sleeping 

Like  that  silent  thing  ; 
Stir  the  founts  of  weeping 

Hierey  O  breeze  of  spring, 
No  more ! 


251 


COME  TO  ME,  DREAMS  OF  HEAVEN. 


COME  to  me,  dreams  of  heaven  ! 

My  fainting  spirit  bear 
On  your  bright  wings,  by  morning  given, 

Up  to  celestial  air. 
Away,  far,  far  away, 

From  bowers  by  tempests  riven, 
Fold  me  in  blue,  still,  cloudless  day, 

O  blessed  dreams  of  heaven  ! 

Come  but  for  one  brief  hour, 
Sweet  dreams  !  and  yet  again, 

O'er  burning  thought  and  memory  shower 
Your  soft  effacing  rain  ! 


252  SONGS  FOR  MUSIC. 

Waft  me  where  gales  divine, 

With  dark  clouds  ne'er  have  striven, 

Where  living  founts  for  ever  shine — 
O  blessed  dreams  of  heaven  !* 


Set  to  music  by  Miss  Graves. 


253 


GOOD  NIGHT.* 


DAY  is  past ! 

Stars  have  set  their  watch  at  last, 
Founts  that  thro'  the  deep  woods  flow 
Make  sweet  sounds,  unheard  till  now, 
Flowers  have  shut  with  fading  light — 
Good  night ! 

Go  to  rest ! 

Sleep  sit  dove-like  on  thy  breast ! 
If  within  that  secret  cell 
One  dark  form  of  memory  dwell, 
Be  it  mantled  from  thy  sight — 
Good  night  I 

*  For  a  melody  of  Eisenhofer's. 


254  SONGS  FOR  MUSIC. 

Joy  be  thine  ! 

Kind  looks  o'er  thy  slumbers  shine  ! 
Go,  and  in  the  spirit-land 
Meet  thy  home's  long  parted  band, 
Be  thine  eyes  all  love  and  light — 
Good  night ! 

Peace  to  all ! 

Dreams  of  heaven  on  mourners  fall ! 
Exile  !  o'er  thy  couch  may  gleams 
Pass  from  thine  own  mountain  streams ; 
Bard  !  away  to  worlds  more  bright — 
Good  night ! 


255 


LET  HER  DEPART. 


HER  home  is  far,  oh !  far  away ! 

The  clear  light  in  her  eyes 
Hath  nought  to  do  with  earthly  day, 

Tis  kindled  from  the  skies. 
Let  her  depart  I 


She  looks  upon  the  things  of  earth, 

E'vn  as  some  gentle  star 
Seems  gazing  down  on  grief  or  mirth. 

How  softly,  yet  how  far  I 

Let  her  depart  I 


SONGS  FOR  MUSIC. 

Her  spirit's  hope — her  bosom's  love — 
Oh !  could  they  mount  and  fly ! 

She  never  sees  a  wandering  dove, 
But  for  its  wings  to  sigh. 

Let  her  depart ! 

She  never  hears  a  soft  wind  bear 

Low  music  on  its  way, 
But  deems  it  sent  from  heavenly  air, 

For  her  who  cannot  stay. 

Let  her  depart ! 

& 

Wrapt  in  a  cloud  of  glorious  dreams, 

She  breathes  and  moves  alone, 
Pining  for  those  bright  bowers  and  streams 
Where  her  beloved  is  gone. 
Let  her  depart 


257 


WATER-LILIES. 


A    FAIRY-SONG. 


COME  away.  Elves !  while  the  dew  is  sweet, 
Come  to  the  dingles  where  fairies  meet ; 
Know  that  the  lilies  have  spread  their  bells 
O'er  all  the  pools  in  our  forest-dells ; 
Stilly  and  lightly  their  vases  rest 
On  the  quivering  sleep  of  the  water's  breast, 
Catching  the  sunshine  thro'  leaves  that  throw 
To  their  scented  bosoms  an  emerald  glow  ; 
And  a  star  from  the  depth  of  each  pearly  cup, 
A  golden  star  unto  heaven  looks  up, 
As  if  seeking  its  kindred  where  bright  they  lie, 
Set  4n  the  blue  of  the  summer  sky. 

s 


258  SONGS  FOR  MUSIC. 

— Come  away  !  under  arching  boughs  we'll  float, 

Making  those  urns  each  a  fairy  boat ; 

We'll  row  them  with  reeds  o'er  the  fountains  free, 

And  a  tall  flag  leaf  shall  our  streamer  be, 

And  we'll  send  out  wild  music  so  sweet  and  low, 

It  shall  seem  from  the  bright  flower's  heart  to  flow, 

As  if  'twere  a  breeze  with  a  flute's  low  sigh, 

Or  water-drops  trained  into  melody. 

— Come  away!  for  the  midsummer  sun  grows  strong, 

And  the  life  of  the  lily  may  not  be  long. 


259 


THE  BROKEN  FLOWER. 


X>H  !  wear  it  on  thy  heart,  my  love  ! 

Still,  still  a  little  while  ! 
Sweetness  is  lingering  in  its  leaves, 

Tho'  faded  be  their  smile. 
Yet,  for  the  sake  of  what  hath  been, 

Oh  !  cast  it  not  away ! 
'Twas  born  to  grace  a  summer  scene, 

A  long,  bright,  golden  day, 
My  love ! 

A  long,  bright,  golden  day  ! 

A  little  while  around  thee,  love  ! 

Its  fragrance  yet  shall  cling, 
Telling,  that  on  thy  heart  hath  lain, 

A  fair,  tho'  faded  thing. 


SONGS  FOR  MUSIC. 

But  not  ev'n  that  warm  heart  hath  power 

To  win  it  back  from  fate : 
— Oh  !  /  am  like  thy  broken  flower, 

Cherish'd  too  late,  too  late, 
My  love ! 

Cherish'd,  alas!  too  late! 


261 


I  WOULD  WE  HAD  NOT  MET  AGAIN. 


I  would  we  had  not  met  again ! 

— I  had  a  dream  of  thee, 
Lovely,  tho'  sad,  on  desert  plain, 

Mournful  on  midnight  sea. 

What  tho'  it  haunted  me  by  night, 
And  troubled  thro'  the  day  ? 

It  touched  all  earth  with  spirit-light, 
It  glorified  my  way  ! 

Oh  !  what  shall  now  my  faith  restore 

In  holy  things  and  fair  ? 
We  met — I  saw  thy  soul  once  more — 

— The  world's  breath  had  been  there ! 


262  SONGS'  FOR  MUSIC. 


Yes  !  it  was  sad  on  desert-plain, 
Mournful  on  midnight  sea, 

Yet  would  I  buy  with  life  again 
That  one  deep  dream  of  thee  ! 


263 


FAIRIES'  RECALL. 


WHILE  the  blue  is  richest 

In  the  starry  sky, 
While  the  softest  shadows 

On  the  greensward  lie, 
While  the  moonlight  slumbers 

In  the  lily's  urn, 
Bright  elves  of  the  wild  wood  ! 

Oh  !  return,  return  ! 

Round  the  forest  fountain, 

On  the  river  shore, 
Let  your  silvery  laughter 

Echo  yet  once  more ; 


\ 

•264  SONGS  FOR  MUSIC. 

« 

While  the  joyous  bounding^ 
Of  your  dewy  feet 

Rings  to  that  old  chorus : 
"  The  daisy  is  so  sweet  !"* 

Oberon,  Titania, 

Did  your  starlight  mirth, 
With  the  song  of  Avon, 

Quit  this  work-day  earth  ? 
Yet  while  green  leaves  glisten, 

And  while  bright  stars  burn, 
By  that  magic  memory, 

Oh,  return,  return  ! 


*   See  the  chorus  of  Fairies  in  the  «  Flower  and  the  Leaf  of 
Chaucer. 


265 


THE  ROCK  BESIDE  THE  SEA. 


OH  !  tell  me  not  the  woods  are  fair 

Now  Spring  is  on  her  way ; 
Well,  well  I  know  how  brightly  there 

In  joy  the  young  leaves  play ; 
How  sweet  on  winds  of  morn  or  eve 

The  violet's  breath  may  be ; — 
— Yet  ask  me,  woo  me  not  to  leave 

My  lone  rock  by  the  sea. 

The  wild  wave's  thunder  on  the  shore, 
The  curlew's  restless  cries, 

Unto  my  watching  heart  are  more 
Than  all  earth's  melodies. 


266  SONGS  FOR  MUSIC. 

— Come  back,  my  ocean  rover  I  come  ! 

There's  but  one  place  for  me, 
Till  I  can  greet  thy  swift  sail  home — 

— My  lone  rock  by  the  sea  ! 


267 


O  YE  VOICES  GONE.* 


OH  !  ye  voices  gone, 

Sounds  of  other  years ! 
Hush  that  haunting  tone, 

Melt  me  not  to  tears ! 
All  around  forget, 

All  who  loved  you  well, 
Yet,  sweet  voices,   yet 

O'er  my  soul  ye  swell. 

With  the  winds  of  spring, 
With  the  breath  of  flowers, 

Floating  back,  ye  bring 

Thoughts  of  vanished  hours. 

*  Set  to  music  by  Miss  H.  Corbett. 


SONGS  FOR  MUSIC. 

Hence  your  music  take, 
Oh  !  ye  voices  gone  ! 

This  lone  heart  ye  make 
But  more  deeply  lone. 


269 


BY  A  MOUNTAIN  STREAM  AT  REST. 


By  a  mountain  stream  at  rest, 
We  found  the  warrior  lying, 
And  around  his  noble  breast 
A  banner,  elasp'd  in  dying  : 
Dark  and  still 
Was  every  hill, 
And  the  winds  of  night  were  sighing. 

Last  of  his  noble  race, 

To  a  lonely  bed  we  bore  him ; 
'Twas  a  green,  still,  solemn  place 

Where  the  mountain  heath  waves  o'er  him. 
Woods  alone 
Seem  to  moan, 
Wild  streams  to  deplore  him. 


270  SONGS  FOR  MUSIC. 

Yet,  from  festive  hall  and  lay 

Our  sad  thoughts  oft  are  flying, 
To  those  dark  hills  far  away, 

Where  in  death  we  found  him  lying ; 
On  his  breast 
A  banner  press'd, 
And  the  night-wind  o'er  him  sighing. 


271 


IS  THERE  SOME  SPIRIT  SIGHING. 


Is  there  some  spirit  sighing 

With  sorrow  in  the  air, 
Can  weary  hearts  be  dying, 

Vain  love  repining  there  9 
If  not,  then  how  can  that  wild  wail, 

O  sad  jEolian  lyre  ! 
Be  drawn  forth  by  the  wandering  gale, 

From  thy  deep  thrilling  wire  ? 

No,  no  ! — thou  dost  not  borrow 
That  sadness  from  the  wind, 

Nor  are  those  tones  of  sorrow 
In  thee,  O  harp !  enshrined  ; 


272  SONGS  FOR  MUSIC. 

But  in  our  own  hearts  deeply  set 
Lies  the  true  quivering  lyre, 

Whence  love,  and  memory,  and  regret, 
Wake  answers  from  thy  wire. 


273 


THE  NAME  OF  ENGLAND. 


THE  trumpet  of  the  battle 

Hath  a  high  and  thrilling  tone ; 

And  the  first  deep  gun  of  an  ocean  fight 
Dread  music  all  its  own. 

But  a  mightier  power,  my  England  ! 

Is  in  that  name  of  thine, 
To  strike  the  fire  from  every  heart 

Along  the  banner'd  line. 

Proudly  it  woke  the  spirits 

Of  yore,  the  brave  and  true. 
When  the  bow  was  bent  on  Cressy's  field, 

And  the  yeoman's  arrow  flew. 

T 


274  SONGS  FOR  MUSIC. 

And  proudly  hath  it  floated 

Through  the  battles  of  the  sea, 
When  the  red-cross  flag  o'er  smoke-wreaths  play'd 

Like  the  lightning  in  its  glee. 

On  rock,  on  wave,  on  bastion, 

Its  echoes  have  been  known, 
By  a  thousand  streams  the  hearts  lie  low, 

That  have  answered  to  its  tone. 

A  thousand  ancient  mountains 

Its  pealing  note  hath  stirr'd ; 
— Sound  on,  and  on,  for  evermore, 

O  thou  victorious  word  ! 


OLD  NORWAY. 


A    MOUNTAIN    WAR-SONG. 


"  To  a  Norwegian  the  words  Gamle  Norge  (Old  Norway) 
have  a  spell  in  them  immediate  and  powerful ;  they  cannot  be 
resisted.  Gamle  Norge  is  heard,  in  an  instant  repeated  by  every 
voice ;  the  glasses  are  filled,  raised,  and  drained ;  not  a  drop  is 
left;  and  then  bursts  forth  the  simultaneous  chorus  "For  Norge!" 
the  national  song  of  Norway.  Here,  (at  Christiansand)  and  in 
a  hundred  other  instances  in  Norway,  I  have  seen  the  character 
of  a  company  entirely  changed  by  the  chance  introduction  of  the 
expression  Gamle  Norge.  The  gravest  discussion  is  instantly  in- 
terrupted ;  and  one  might  suppose  for  the  moment,  that  the  party 
was  a  party  of  patriots,  assembled  to  commemorate  some  na- 
tional anniversary  of  freedom." — Derwcnt  Conway's  Personal 
Narrative  of  a  Journey  through  Norway  and  Sweden. 

The  following  words  were  written  to  the  national  air,  as  con- 
tained in  the  work  above  cited. 


276 


OLD  NORWAY .* 


A   MOUNTAIN   WAR-SONG. 


ARISE  !  old  Norway  sends  the  word 

Of  battle  on  the  blast; 
Her  voice  the  forest  pines  hath  stirr'd, 

As  if  a  storm  went  past; 
Her  thousand  hills  the  call  have  heard, 

And  forth  their  fire-flags  cast. 


*   These  words  have  been  published,  as  arranged   to  the 
spirited  national  air  of  Norway,  by  Charles  Graves,  Esq. 


OLD    NORWAY.  -277 

Arm,  arm,  free  hunters  !  for  the  chase, 

The  kingly  chase  of  foes ; 
Tis  not  the  bear  or  wild  wolfs  race, 

Whose  trampling  shakes  the  snows ; 
Arm,  arm !  'tis  on  a  nobler  trace 

The  northern  spearman  goes. 

Our  hills  have  dark  and  strong  defiles, 

With  many  an  icy  bed  ; 
Heap  there  the  rocks  for  funeral  piles, 

Above  the  invader's  head  ! 
Or  let  the  seas,  that  guard  our  Isles, 

Give  burial  to  his  dead ! 


278 


ENGLISH  SOLDIER'S  SONG  OF  MEMORY. 


TO    THE    AIR    OF    "  AM    RHEIN,    AM    RHEIN  ! 


SING,  sing  in  memory  of  the  brave  departed, 

Let  song  and  wine  be  poured  ! 
Pledge  to  their  fame,  the  free  and  fearless  hearted, 

Our  brethren  of  the  sword ! 

Oft  at  the  feast,  and  in  the  fight,  their  voices 

Have  mingled  with  our  own ; 
Fill  high  the  cup,  but  when  the  soul  rejoices, 

Forget  not  who  are  gone  ! 


ENGLISH  SOLDIER'S  SONG,  &c.  279 

They  that  stood  with  us,  midst  the  dead  and  dying, 

On  Albuera's  plain ; 
They  that  beside  us  cheerly  tracked  the  flying, 

Far  o'er  the  hills  of  Spain : 

The^y  that  amidst  us,  when  the  shells  were  showering, 

From  old  Rodrigo's  wall, 
The  rampart  scaled,  thro'  clouds  of  battle  towering, 

First,  *first  at  victory's  call ! 

They  that  upheld  the  banners,  proudly  waving, 

In  Roncesvalles'  dell; 

— With    England's   blood  the   southern   vineyards 
laving, 

Forget  not  how  they  fell ! 

Sing,  sing  in  memory  of  the  brave  departed, 

Let  song  and  wine  be  poured ! 
Pledge  to  their  fame,  the  free  and  fearless  hearted, 

Our  brethren  of  the  sword  I 


•280 


J  COME  TO  ME,  GENTLE  SLEEP. 


COME  to  me,  gentle  sleep ! 

I  pine,  I  pine  for  thee ; 
Come  with  thy  spells,  the  soft,  the  deep, 

And  set  my  spirit  free ! 
Each  lonely,  burning  thought, 

In  twilight  langour  steep — 
Come  to  the  full  heart,  long  o'erwrought, 

O  gentle,  gentle  sleep  ! 

Come  with  thine  urn  of  dew, 
Sleep,  gentle  sleep  !  yet  bring 

No  voice,  love's  yearning  to  renew, 
No  vision  on  thy  wing ! 


COME  TO  ME,  GENTLE   SLEEP.  281 

Come,  as  to  folding  flowers, 

To  birds  in  forests  deep ; 
— Long,  dark,  and  dreamless  be  thine  hours, 

O  gentle,  gentle  sleep  ! 


MISCELLANEOUS  POEMS. 


283 


THE  HOME  OF  LOVE. 


THOU  mov'st  in  visions,  Love ! — Around  thy  way, 
E'en  through  this  world's  rough  path  and  changeful 
day, 

For  ever  floats  a  gleam, 

Not  from  the  realms  of  moonlight  or  the  morn, 

• 
But  thine  own  soul's  illumined  chambers  born — 

The  colouring  of  a  dream ! 

Love,  shall  I  read  thy  dream  ? — oh  !  is  it  not 
All  of  some  sheltering,  wood-embosomed  spot — 

A  bower  for  thee  and  thine  ? 
Yes  !  lone  and  lowly  is  that  home ;  yet  there 
Something  of  heaven  in  the  transparent  air 

Makes  every  flower  divine. 


286  MISCELLANEOUS  POEMS. 

Something  that  mellows  and  that  glorifies, 
Breathes  o'er  it  ever  from  the  tender  skies, 

As  o'er  some  blessed  isle  ; 
E'en  like  the  soft  and  spiritual  glow, 
Kindling  rich  woods,  whereon  th'  ethereal  bow 

Sleeps  lovingly  awhile. 

The  very  whispers  of  the  wind  have  there 
A  flute-like  harmony,  that  seems  to  bear 

Greeting  from  some  bright  shore, 

Where  none  have  said  Farewell ! — where  no  decay 

• 
Lends  the  faint  crimson  to  the  dying  day ; 

Where  the  storm's  might  is  o'er. 

And  there  thou  dreamest  of  Elysian  rest, 
In  the  deep  sanctuary  of  one  true  breast 

Hidden  from  earthly  ill : 
There  wouldst  thou  watch  the  homeward  step,  whose 

sound 
Wakening  all  nature  to  sweet  echoes  round, 

Thine  inmost  soul  can  thrill. 


THE  HOME  OF  LOVE.  287 

There  by  the  hearth  should  many  a  glorious  page, 
From  mind  to  mind  th'  immortal  heritage, 

For  thee  its  treasures  pour ; 
Or  music's  voice  at  vesper  hours  be  heard, 
Or  dearer  interchange  of  playful  word, 

Affection's  household  lore. 

And  the  rich  unison  of  mingled  prayer, 
The  melody  of  hearts  in  heavenly  air, 

Thence  duly  should  arise  ; 
Lifting  th'  eternal  hope,  th'  adoring  breath, 
Of  spirits,  not  to  be  disjoined  by  death, 

Up  to  the  starry  skies. 

There,  dost  thou  well  believe,  no  storm  should  come 
To  mar  the  stillness  of  that  angel-home  ; — 

There  should  thy  slumbers  be 
Weighed  down  with  honey-dew,  serenely  blessed, 
Like  theirs  who  first  in  Eden's  grove  took  rest 

Under  some  balmy  tree. 


288  MISCELLANEOUS  POEMS. 

Love,  Love  !  thou  passionate  in  joy  and  woe  ! 
And  canst  thou  hope  for  cloudless  peace  below — 

Here,  where  bright  things  must  die  ? 
Oh,  thou  !  that  wildly  worshipping,  dost  shed 
On  the  frail  altar  of  a  mortal  head 

Gifts  of  infinity  ! 

Thou  must  be  still  a  trembler,  fearful  Love  ! 
Danger  seems  gathering  from  beneath,  above, 

Still  round  thy  precious  things  ; 
Thy  stately  pine-tree,  or  thy  gracious  rose, 
In  their  sweet  shade  can  yield  thee  no  repose, 

Here,  where  the  blight  hath  wings. 

» 

And,  as  a  flower  with  some  fine  sense  imbued 
To  shrink  before  the  wind's  vicissitude, 

So  in  thy  prescient  breast 
Are  lyre-strings  quivering  with  prophetic  thrill 
To  the  low  footstep  of  each  coming  ill ; 

— Oh  !  canst  Thou  dream  of  rest  ? 


THE  HOME  OF  LOVE.  289 

Bear  up  thy  dream !  thou  mighty  and  thou  weak  ! 
Heart,  strong  as  death,  yet  as  a  reed  to  break. 

As  a  flame,  tempest-swayed  ! 
He  that  sits  calm  on  high  is  yet  the  source 
Whence  thy  soul's  current  hath  its  troubled  course, 

He  that  great  deep  hath  made  ! 

Will  He  not  pity  ? — He  whose  searching  eye 
Reads  all  the  secrets  of  thine  agony  ? — 

Oh  !  pray.. to  be  forgiven 
Thy  fond  idolatry,  thy  blind  excess, 
And  seek  with  Him  that  bower  of  blessedness — 

Love  !  thy  sole  home  is  heaven ! 


BOOKS  AND  FLOWERS.  , 


La  vue  d'  une  fleur  caresse  mon  imagination,  et  flatte  mes  sens 
a  un  point  inexprimable.  Sous  le  tranquille  abri  du  toit  paternel, 
j  'etais  nourrie  des  1'enfance  avec  des  fleurs  et  des  livres ; — dans 
1'etroite  enceinte  d'une  prison,  au  milieu  des  fers  imposies  par  la 
tyrannic,  j'oublie  Pinjustice  des  hommes,  leurs  sottises  et  mes 
maux  avec  des  livres  et  des  fleurs. 

Madame  Roland. 


291 


BOOKS  AND  FLOWERS. 


COME,  let  me  make  a  sunny  realm  around  thee, 
Of  thought  and  beauty  !      Here  are  books  and 

flowers, 
With   spells  to  loose  the  fetter  which  hath  bound 

thee, 
The  ravelled  coil  of  this  world's  feverish  hours. 

The  soul  of  song  is  in  these  deathless  pages, 
Even  as  the  odour  in  the  flower  enshrined  ; 

Here  the  crowned  spirits  of  departed  ages 
Have  left  the  silent  melodies  of  mind. 


292  MISCELLANEOUS  POEMS. 

Their  thoughts,  that  strove  with  time,  and  change, 
and  anguish, 

For  some  high  place  where  faith  her  wing  might  rest, 
Are  burning  here ;  a  flame  that  may  not  languish, 

Still  pointing  upward  to  that  bright  hill's  crest ! 

Their  grief,  the  veiled  infinity  exploring 

For  treasures  lost,  is  here ; —  their  boundless  love 

Its  mighty  streams  of  gentleness  outpouring 
On  all  things  round,  and  clasping  all  above. 

And  the  bright  beings,  their  own  heart's  creations, 
Bright,  yet  all  human,  here  are  breathing  still ; 

Conflicts,  and  agonies,  and  exultations 
Are  here,  and  victories  of  prevailing  will ! 

Listen,  oh  !  listen,  let  their  high  words  cheer  thee  ! 

Their  swan-like  music  ringing  through  all  woes, 
Let  my  voice  bring  their  holy  influence  near  thee, 

The  Elysian  air  of  their  divine  repose  ! 


BOOKS  AND  FLOWERS. 

Or  wouldst  thou  turn  to  earth  ?     Not  earth  all  fur- 
rowed 

By  the  old  traces  of  man's  toil  and  care, 
But  the  green  peaceful  world  that  never  sorrowed, 

The  world  of  leaves,  and  dews,  and  summer  air  ! 

Look  on  these  flowers  !  As  o'er  an  altar  shedding, 
O'er  Milton's  page,  soft  light  from  coloured  urns ! 

They  are  the  links,  man's  heart  to  nature  wedding, 
When  to  her  breast  the  prodigal  returns. 

They  are  from  lone  wild  places,  forest  dingles, 
Fresh  banks  of  many  a  low  voiced  hidden  stream, 

Where  the  sweet  star  of  eve  looks  down  and  mingles 
Faint  lustre  with  the  water-lily's  gleam. 

They  are  from  where  the  soft  winds  play  in  gladness, 
Covering  the  turf  with  flowery  blossom-showers ; 

— Too  richly  dowered,  O  friend !  are  we  for  sadness — 
Look  on  an  empire — mind  and  nature — ours ! 


294 


FOR    A    PICTURE    OF    ST.    CECILIA 
ATTENDED   BY   ANGELS. 


How  rich  that  forehead's  calm  expanse ! 
How  bright  that  heaven-directed  glance ! 
— Waft  her  to  glory,  winged  powers, 

Ere  sorrow  be  renewed, 
'  And  intercourse  with  mortal  hours 

Bring  back  a  humbler  mood ! 

WORDSWORTH. 

How  can  that  eye,  with  inspiration  beaming, 
Wear  yet  so  deep  a  calm  ? — Oh,  child  of  song  ! 

Is  not  the  music-land  a  world  of  dreaming, 

Where  forms  of  sad,  bewildering  beauty  throng  ? 

Hath  it  not  sounds  from  voices  long  departed  ? 

Echoes  of  tones  that  rung  in  childhood's  ear  ? 
Low  haunting  whispers,  which  the  weary  hearted, 

Stealing  midst  crowds  away,  have  wept  to  hear  ? 


FOR  A  PICTURE  OF  ST.  CECILIA,  &c.      295 

No,  not  to  thee  ! — thy  spirit,  meek,  yet  queenly, 
On  its  own  starry  height,  beyond  all  this, 

Floating  triumphantly  and  yet  serenely, 

Breathes  no   faint   under-tone  through  songs  of 
bliss ! 

Say  by  what  strain,  through  cloudless  ether  swell- 
ing* 
Thou  hast  drawn  down  those  wanderers  from  the 

skies  ? 

Bright  guests !  even  such  as  left  of  yore  their  dwell- 
ing* 
For  the  deep  cedar  shades  of  Paradise ! 

What    strain?— oh!    not    the    Nightingale's  when 
showering 

Her  own  heart's  life  drops  on  the  burning  lay, 
She  stirs  the  young  woods  in  the  days  of  flowering, 

And  pours  her  strength,  but  not  her  grief  away : 


296  MISCELLANEOUS  POEMS. 

And  not  the  Exile's — when  midst  lonely  billows 
He  wakes  the  alpine  notes  his  mother  sung, 

Or  blends  them  with  the  sigh  of  alien  willows, 
Where  murmuring  to  the  wind,  his  harp  is  hung. 

And  not  the  Pilgrim's — though  his  thoughts  be  holy, 
And  sweet  his  Ave  song,  when  day  grows  dim, 

Yet  as  he  journeys,  pensively  and  slowly, 

Something  of  sadness  floats  through  that  low  hymn. 

But  thou ! — the  spirit  which  at  eve  is  filling 
All  the  hushed  air  and  reverential  sky, 

Founts,    leaves,   and   flowers,   with  solemn  rapture 

thrilling, 
This  is  the  soul  of  thy  rich  harmony. 

This  bears  up  high  those  breathings  of  devotion 
Wherein  the  currents  of  thy  heart  gush  free  ; 

Therefore  no  world  of  sad  and  vain  emotion 
Is  the  dream-haunted  music  land  for  thee. 


297 


THE  VOICE  OF  THE  WAVES. 


WRITTEN    NEAR  THE   SCENE   OF   A   RECENT   MUFWMCK. 

How  perfect  was  the  calm !    It  seemed  no  sleep, 
No  mood,  which  season  takes  away  or  brings  : 

I  could  have  fancied  that  the  mighty  deep 
Was  even  the  gentlest  of  all  gentle  things. 

But  welrome  fortitude  and  patient  cheer, 
And  frequent  sights  of  what  is  to  be  borne! 

WORDSWORTH. 

ANSWER,  ye  chiming  waves  ! 

That  now  in  sunshine  sweep ; 
Speak  to  me  from  thy  hidden  caves, 

Voice  of  the  solemn  deep ! 

Hath  man's  lone  spirit  here 
With  storms  in  battle  striven  ? 

Where  all  is  now  so  calmly  clear, 
Hath  anguish  cried  to  heaven  ? 


•_>98  MISCELLANEOUS  POEMS. 

— Then  the  sea's  voice  arose, 
Like  an  earthquake's  under- tone  : 

"  Mortal,  the  strife  of  human  woes 
Where  hath  not  nature  known  ? 

"  Here  to  the  quivering  mast 

Despair  hath  wildly  clung, 
The  shriek  upon  the  wind  hath  past, 

The  midnight  sky  hath  rung. 

"  And  the  youthful  and  the  brave 
With  their  beauty  and  renown, 

To  the  hollow  chambers  of  the  wave 
In  darkness  have  gone  down. 

"  They  are  vanished  from  their  place — 
Let  their  homes  and  hearths  make  moan ! 

But  the  rolling  waters  keep  no  trace 
Of  pang  or  conflict  gone." 


THE  VOICE  OF  THE  WAVES. 

— Alas  !  thou  haughty  deep ! 

The  strong,  the  sounding  far  ! 
My  heart  before  thee  dies, — I  weep 

To  think  on  what  we  are ! 

To  think  that  so  we  pass, 

High  hope,  and  thought,  and  mind, 
Ev'n  as  the  breath-stain  from  the  glass, 

Leaving  no  sigh  behind ! 

Saw'st  thou  nought  else,  thou  main  ? 

Thou  and  the  midnight  sky  ? 
Nought  save  the  struggle,  brief  and  vain, 

The  parting  agony ! 

— And  the  sea's  voice  replied, 
"  Here  nobler  things  have  been  ! 

Power  with  the  valiant  when  they  died, 
To  sanctify  the  scene : 


300  MISCELLANEOUS  POEMS. 

"  Courage,  in  fragile  form, 

Faith,  trusting  to  the  last, 
Prayer,  breathing  heavenwards  thro'  the  storm, 

But  all  alike  have  passed. " 

Sound  on,  thou  haughty  sea  ! 

These  have  not  passed  in  vain  ; 
My  soul  awakes,  my  hope  springs  free 

On  victor  wings  again. 

Thou,  from  thine  empire  driven, 
May'st  vanish  with  thy  powers ; 

But,  by  the  hearts  that  here  have  striven, 
A  loftier  doom  is  ours  ! 


301 


THE  HAUNTED  HOUSE. 


I  seem  like  one 
Who  treads  alone 

Some  banquet-hall  deserted, 
Whose  lights  are  fled, 
Whose  garlands  dead, 

And  all  but  me  departed. 

MOOBB, 

SEEST  thou  yon  grey  gleaming  hall, 
Where  the  deep  elm-shadows  fall  ? 
Voices  that  have  left  the  earth 

Long  ago, 
Still  are  murmuring  round  its  hearth, 

Soft  and  low : 

Ever  there ; — yet  one  alone 
Hath  the  gift  to  hear  their  tone. 


302  MISCELLANEOUS  POEMS. 

Guests  come  thither,  and  depart, 
Free  of  step,  and  light  of  heart  ; 
Children,  with  sweet  visions  blessed, 
In  the  haunted  chambers  rest ; 
One  alone  unslumbering  lies 
When  the  night  hath  sealed  all  eyes, 
One  quick  heart  and  watchful  ear, 
Listening  for  those  whispers  clear. 

Seest  thou  where  the  woodbine  flowers 
O'er  yon  low  porch  hang  in  showers  ? 
Startling  faces  of  the  dead, 

Pale,  yet  sweet, 
One  lone  woman's  entering  tread 

There  still  meet  I 

Some  with  young  smooth  foreheads  fair, 
Faintly  shining  through  bright  hair ; 
Some  with  reverend  locks  of  snow — 
All,  all  buried  long  ago  ! 


THE  .HAUNTED  HOUSE.  303 

All,  from  under  deep  sea-waves, 

Or  the  flowers  of  foreign  graves, 

Or  the  old  and  bannered  aisle, 

Where  their  high  tombs  gleam  the  while ; 

Rising,  wandering,  floating  by, 

Suddenly  and  silently, 

Through  their  earthly  home  and  place, 

But  amidst  another  race. 

Wherefore,  unto  one  alone, 

Are  those  sounds  and  visions  known  ? 

Wherefore  hath  that  spell  of  power 

Dark  and  dread, 
On  her  soul,  a  baleful  dower, 

Thus  been  shed  ? 
Oh  !  in  those  deep-seeing  eyes, 
No  strange  gift  of  mystery  lies! 
She  is  lone  where  once  she  moved, 
Fair,  and  happy,  and  beloved ! 


304  MISCELLANEOUS  POEMS. 

Sunny  smiles  were  glancing  round  her, 
Tendrils  of  kind  hearts  had  bound  her ; 
Now  those  silver  chords  are  broken, 
Those  bright  looks  have  left  no  token  ; 
Not  one  trace  on  all  the  earth, 
Save  her  memory  of  their  mirth. 
She  is  lone  and  lingering  now, 
Dreams  have  gathered  o'er  her  brow, 
Midst  gay  songs  and  children's  play, 
She  is  dwelling  far  away ; 
Seeing  what  none  else  may  see — 
Haunted  still  her  place  must  be  ! 


O'CONNOR'S  CHILD. 


This  piece  was  suggested  by  a  picture  in  the  possession  of 
Mrs.  Lawrence  of  Wavertree  Hall — It  represents  the  "  Hero's 
Child"  of  Campbell's  Poem,  seated  beside  a  solitary  tomb  of 
rock,  marked  with  a  cross,  in  a  wild  and  desert  place.  A 
tempest  seems  gathering  in  the  angry  skies  above  her,  but  the 
attitude  of  the  drooping  figure  expresses  the  utter  carelessness  of 
desolation,  and  the  countenance  speaks  of  entire  abstraction  from 
all  external  objects. — A  bow  and  quiver  lie  beside  her,  amongst 
the  weeds  and  wild  flowers  of  the  desert. 


306 


O'CONNOR'S  CHILD. 


I  fled  the  home  of  grief 
At  Connocht  Moran's  tomb  to  fall, 
I  found  the  helmet  of  my  Chief, 

His  bow  still  hanging  on  our  wall ; 
And  took  it  down,  and  vowed  to  rove 

This  desert  place,  a  huntress  bold ; 
Nor  would  I  change  my  buried  love 
For  any  heart  of  living  mould. 

CAMPBELL. 


THE  sleep  of  storms  is  dark  upon  the  skies, 
The  weight  of  omens  heavy  in  the  cloud : — 

Bid  the  lorn  huntress  of  the  desert  rise, 

And  gird  the  form  whose  beauty  grief  hath  bowed, 

And  leave  the^  tomb,  as  tombs  are  left — alone, 

To  the  star's  vigil,  and  the  wind's  wild  moan. 


O'CONNOR'S  CHILD.  ;K>7 

Tell  her  of  revelries  in  bower  and  hall, 

Where  gems  are  glittering,  and  bright  winejis  pour'd ; 
Where  to  glad  measures  chiming  footsteps  fall, 

And  soul  seems  gushing  from  the  harp's  full  chord ; 
And  richer  flowers  amid  fair  tresses  wave, 
Tnan  the  sad  "Love  lies  bleeding"  of  the  grave. 

Oh !  little  know'st  thou  of  the  o'ermastering  spell, 
Wherewith  love  binds  the  spirit  strong  in  pain, 

To  the  spot  hallowed  by  a  wild  farewell, 
A  parting  agony, — intense,  yet  vain, 

A  look — and  darkness  when  it's  gleam  hath  flown, 

A  voice — and  silence  when  it's  words  are  gone  ! 

She  hears  thee  not ;  her  full,  deep,  fervent  heart 
Is  set  in  her  dark  eyes ; — and  they  are  bound 

Unto  that  cross,  that  shrine,  that  world  apart, 
Where  faithful  love  hath  sanctified  the  ground ; 

And  love  with  death  striven  long  by  tear  and  prayer, 

And  anguish  frozen  into  still  despair. 


308  MISCELLANEOUS  POEMS. 

Yet  on  her  spirit  hath  arisen  at  last 

A  light,  a  joy,  of  its  own  wanderings  born; 

Around  her  path  a  vision's  glow  is  cast, 

Back,  back,  her  lost  one  comes,  in  hues  of  morn  !* 

For  her  the  gulf  is  filled— the  dark  night  fled ; 

Whose  mystery  parts  the  living  and  the  dead. 

And  she  can  pour  forth  in  such  converse  high, 
All  her  soul's  tide  of  love,  the  deep,  the  strong, 

Oh  !  lonelier  far,  perchance,  thy  destiny, 

And  more  forlorn,  amidst  the  world's  gay  throng, 

Than  hers — the  queen  of  that  majestic  gloom, 

The  tempest,  and  the  desert,  and  the  tomb ! 


*  ".  A  son  of  light,  a  lovely  form, 
He  comes,  and  makes  her  glad." 

CAMPBELL. 


309 


THE  BRIGAND  LEADER  AND  HIS  WIFE. 


SUGGESTED  BY  A  PICTURE   OP  EASTLAKE'S. 


DARK  chieftain  of  the  heath  and  height ! 
Wild  feaster  on  the  hills  by  night ! 
Seest  thou  the  stormy  sunset's  glow 
Flung  back  by  glancing  spears  below  ? 
Now  for  one  strife  of  stern  despair ! 

The  foe  hath  tracked  thee  to  thy  lair. 

i 

Thou,  against  whom  the  voice  of  blood 
Hath  risen  from  rock  and  lonely  wood ; 
And  in  whose  dreams  a  moan  should  be, 
Not  of  the  water,  nor  the  tree ; 
Haply  thine  own  last  hour  is  nigh, — 
Yet  shalt  thou  not  forsaken  die. 


MISCELLANEOUS  POEMS. 

There's  one  that  pale  beside  thee  stands, 
More  true  than  all  thy  mountain  bands ! 
She  will  not  shrink  in  doubt  and  dread, 
When  the  balls  whistle  round  thy  head  : 
Nor  leave  thee,  though  thy  closing  eye 
No  longer  may  to  her's  reply. 

Oh  !  many  a  soft  and  quiet  grace 
Hath  faded  from  her  form  and  face  ; 
And  many  a  thought,  the  fitting  guest 
Of  woman's  meek  religious  breast, 
Hath  perished  in  her  wanderings  wide, 
Through  the  deep  forests  by  thy  side. 

Yet,  mournfully  surviving  all, 

A  flower  upon  a  ruin's  wall, 

A  friendless  thing  whose  lot  is  cast, 

Of  lovely  ones  to  be  the  last ; 

Sad,  but  unchanged  through  good  and  ill, 

Thine  is  her  lone  devotion  still. 


THE  BRIGAND  LEADER,  &c.  311 

And  oh  !  not  wholly  lost  the  heart 
Where  that  undying  love  hath  part ; 
Not  worthless  all,  though  far  and  long 
From  home  estranged,  and  guided  wrong ; 
Yet  may  its  depths  by  heaven  be  stirred, 
Its  prayer  for  thee  be  poured  and  heard  ! 


312 


THE    CHILD'S    RETURN    FROM    THE 
WOODLANDS. 


All  good  and  guiltless  as  thou  art, 
Some  transient  griefs  will  touch  thy  heart — 
Griefs  that  along  thy  altered  face 
Will  breathe  a  more  subduing  grace, 
Than  even  those  looks  of  joy  that  lie 
On  the  soft  cheek  of  infancy. 

WILSON. 


HAST  thou  been  in  the  woods  with  the  honey-bee  ? 
Hast  thou  been  with  the  lamb  in  the  pastures  free  ? 
With  the  hare  thro'  the  copses  and  dingles  wild  ? 
With  the  butterfly  over  the  heath,  fair  child  ? 
Yes :  the  light  fall  of  thy  bounding  feet 
Hath  not  startled  the  wren  from  her  mossy  seat; 
Yet  hast  thou  ranged  the  green  forest-dells 
And  brought  back  a  treasure  of  buds  and  bells. 


THE  CHILD'S  RETURN,  &c.  313 

Thou  know'st  not  the  sweetness,  by  antique  song 
Breathed  o'er  the  names  of  that  flowery  throng ; 
The  woodbine,  the  primrose,  the  violet  dim, 
The  lily  that  gleams  by  the  fountain's  brim ; 
These  are  old  words,  that  have  made  each  grove 
A-  dreaming  haunt  for  romance  and  love ; 
Each  sunny  bank,  where  faint  odours  lie, 
A  place  for  the  gushings  of  poesy. 

Thou  know'st  not  the  light  wherewith  fairy  lore 
Sprinkles  the  turf  and  the  daisies  o'er ; 
Enough  for  thee  are  the  dews  that  sleep, 
Like  hidden  gems,  in  the  flower-urns  deep ; 
Enough  the  rich  crimson  spots  that  dwell 
Midst  the  gold  of  the  cowslip's  perfumed  cell ; 
And  the  scent,  by  the  blossoming  sweet-briars  shed, 
And  the  beauty  that  bows  the  wood-hyacinth's  head. 

Oh !  happy  child,  in  thy  fawn-like  glee ! 
What  is  remembrance  or  thought  to  thee  ? 


314  MISCELLANEOUS  POEMS. 

Fill  thy  bright  locks  with  those  gifts  of  spring, 
O'er  thy  green  pathway  their  colours  fling ; 
Bind  them  in  chaplet  and  wild  festoon — 
What  if  to  droop  and  to  perish  soon  ? 
Nature  hath  mines  of  such  wealth — and  thou 
Never  wilt  prize  its  delights  as  now ! 

For  a  day  is  coming  to  quell  the  tone 

That  rings  in  thy  laughter,  thou  joyous  one  ! 

And  to  dim  thy  brow  with  a  touch  of  care, 

Under  the  gloss  of  its  clustering  hair ; 

And  to  tame  the  flash  of  thy  cloudless  eyes 

Into  the  stillness  of  autumn  skies ; 

And  to  teach  thee  that  grief  hath  her  needful  part, 

Midst  the  hidden  things  of  each  human  heart. 

Yet  shall  we  mourn,  gentle  child  !  for  this  ? 
Life  hath  enough  of  yet  holier  bliss  ! 
Such  be  thy  portion  ! — the  bliss  to  look, 
With  a  reverent  spirit,  through  nature's  book  ; 


THE  CHILD'S  RETURN,  &c. 

By  fount,  by  forest,  by  river's  line, 

To  track  the  paths  of  a  love  divine ; 

To  read  its  deep  meanings — to  see  and  hear 

God  in  earth's  garden — and  not  to  fear ! 


316 


THE  FAITH  OF  LOVE. 


THOU  hast  watched  beside  the  bed  of  death, 

Oh  fearless  human  love  ! 
Thy  lip  received  the  last  faint  breath, 

Ere  the  spirit  fled  above. 

Thy  prayer  was  heard  by  the  parting  bier, 

In  a  low  and  farewell  tone, 
Thou  hast  given  the  grave  both  flower  and  tear- 

— Oh  love  !  thy  task  is  done. 


THE  FAITH  OF  LOVE.  317 

Then  turn  thee  from  each  pleasant  spot 

Where  thou  wert  wont  to  rove, 
For  there  the  friend  of  thy  soul  is  not, 

Nor  the  joy  of  thy  youth,  oh  love  ! 

Thou  wilt  meet  but  mournful  memory  there, 
Her  dreams  in  the  grove  she  weaves, 

With  echoes  filling  the  summer  air, 
With  sighs  the  trembling  leaves. 

Then  turn  thee  to  the  world  again, 

From  those  dim  haunted  bowers, 
And  shut  thine  ear  to  the  wild  sweet  strain 

That  tells  of  vanished  hours. 

And  wear  not  on  thine  aching  heart 

The  image  of  the  dead, 
For  the  tie  is  rent  that  gave  thee  part 

In  the  gladness  it's  beauty  shed. 


318  MISCELLANEOUS  POEMS. 

And  gaze  on  the  pictured  smile  no  more 

That  thus  can  life  out-last, 
All  between  parted  souls  is  o'er  ; — 

— Love !  love  !  forget  the  past ! 

"  Voice  of  vain  boding  !  away,  be  still ! 

Strive  not  against  the  faith 
That  yet  my  bosom  with  light  can  fill, 

Unquench'd,  and  undimm'd  by  death  : 

"  From  the  pictured  smile  I  will  not  turn, 

Though  sadly  now  it  shine  ; 
Nor  quit  the  shades  that  in  whispers  mourn 

For  the  step  once  linked  with  mine : 

"  Nor  shut  mine  ear  to  the  song  of  old, 
Though  its  notes  the  pang  renew, 

— Such  memories  deep  in  my  heart  I  hold, 
To  keep  it  pure  and  true. 


THE  FAITH  OF  LOVE.  319 

"  By  the  holy  instinct  of  my  heart, 

By  the  hope  that  bears  me  on, 
I  have  still  my  own  undying  part 

In  the  deep  affection  gone. 

"  By  the  presence  that  about  me  seems 

Through  night  and  day  to  dwell, 
Voice  of  vain  bodings  and  fearful  dreams  ! 

— I  have  breathed  no  last  farewell !" 


THE  SISTER'S  DREAM. 


Suggested  by  a  picture,  in  which  a  young  girl  is  represented 
as  sleeping,  and  visited  during  her  slumbers  by  the  spirits  of  her 
departed  sisters. 


321 


THE  SISTER'S  DREAM. 


SHE  sleeps ! — but  not  the  free  and  sunny  sleep 
That  lightly  on  the  brow  of  childhood  lies : 

Though  happy  be  her  rest,  and  soft,  and  deep, 
Yet,  ere  it  sunk  upon  her  shadowed  eyes, 

Thoughts  of  past  scenes  and  kindred  graves  o'erswept 

Her  soul's  meek  stillness : — she  had  prayed  and  wept. 

And  now  in  visions  to  her  couch  they  come, 
The  early  lost — the  beautiful — the  dead — 

That  unto  her  bequeathed  a  mournful  home, 

Whence  with  their  voices  all  sweet  laughter  fled ; 

They  rise — the  sisters  of  her  youth  arise, 

As  from  the  world  where  no  frail  blossom  dies. 


322  MISCELLANEOUS  POEMS. 

And  well  the  sleeper  knows  them  not  of  earth — 
Not  as  they  were  when  binding  up  the  flowers, 

Telling  wild  legends  round  the  winter-hearth, 
Braiding  their  long  fair  hair  for  festal  hours  ; 

These  things  are  past ; — a  spiritual  gleam, 
A  solemn  glory,  robes  them  in  that  dream. 

Yet,  if  the  glee  of  life's  fresh  budding  years 
In  those  pure  aspects  may  no  more  be  read, 

Thence,  too,  hath  sorrow  melted, — and  the  tears 
Which  o'er  their  mother's  holy  dust  they  shed, 

Are  all  effaced ;  there  earth  hath  left  no  sign 

Save  its  deep  love,  still  touching  every  line. 

But  oh !  more  soft,  more  tender,  breathing  more 
A  thought  of  pity,  than  in  vanished  days : 

While,  hovering  silently  and  brightly  o'er 

The  lone  one's  head,  they  meet  her  spirit's  gaze 

With  their  immortal  eyes,  that  seem  to  say, 

"  Yet,  sister,  yet  we  love  thee,  come  away  !" 


THE  SISTER'S  DREAM.  M-J.-J 

Twill  fade,  the  radiant  dream !  and  will  she  not 
Wake  with  more  painful  yearning  at  her  heart  ? 

Will  not  her  home  seem  yet  a  lonelier  spot, 

Her  task  more  sad,  when  those  bright  shadows  part? 

And  the  green  summer  after  them  look  dim, 

And  sorrow's  tone  be  in  the  bird's  wild  hymn  ? 

But  let  her  hope  be  strong,  and  let  the  dead 
Visit  her  soul  in  heaven's  calm  beauty  still, 

Be  their  names  uttered,  be  their  memory  spread 
Yet  round  the  place  they  never  more  may  fill ! 

All  is  not  over  with  earth's  broken  tie — 

Where,  where  should  sisters  love,  if  not  on  high  ? 


324 


WRITTEN     AFTER     VISITING     A     TOMB, 

NEAR  WOODSTOCK,    IN  THE  COUNTY  OF  KILKENNY. 


Yes!  hide  beneath  the  mouldering  heap, 

The  undelighting,  slighted  thing ; 
There,  in  the  cold  earth,  buried  deep, 

In  silence  let  it  wait  the  spring. 

Mas.  TIGHE'S  POEM  ON  THE  LILY. 

I  stood  where  the  lip  of  song  lay  low, 
Where  the  dust  had  gathered  on  beauty'  brow  ; 
Where  stillness  hung  on  the  heart  of  love, 
And  a  marble  weeper  kept  watch  above. 

I  stood  in  the  silence  of  lonely  thought, 
Of  deep  affections  that  inly  wrought, 
Troubled,  and  dreamy,  and  dim  with  fear — 
— They  knew  themselves  exiled  spirits  here ! 


WRITTEN  AFTER  VISITING  A  TOMB.       325 

Then  didst  thou  pass  me  in  radiance  by, 
Child  of  the  sunbeam,  bright  butterfly ! 
Thou  that  dost  bear  on  thy  fairy  wings, 
No  burden  of  mortal  sufferings  ! 

Thou  wert  flitting  past  that  solemn  tomb, 
Over  a  bright  world  of  joy  and  bloom, 
And  strangely  I  felt,  as  I  saw  thee  shine, 
The  all  that  severed  thy  life  and  mine. 

Mine,  with  its  inborn  mysterious  things, 
Of  love  and  grief,  its  unfathomed  springs. 
And  quick  thoughts  wandering  o'er  earth  and  sky, 
With  voices  to  question  eternity ! 

Thine,  in  its  reckless  and  joyous  way, 
Like  an  embodied  breeze  at  play ! 
Child  of  the  sunlight ! — thou  winged  and  free  ! 
One  moment,  one  moment,  I  envied  thee  ! 


326  MISCELLANEOUS    POEMS. 

Thou  art  not  lonely,  tho'  born  to  roam, 
Thou  hast  no  longings  that  pine  for  home, 
Thou  seek'st  not  the  haunts  of  the  bee  and  bird, 
To  fly  from  the  sickness  of  hope  deferred  : 

In  thy  brief  being,  no  strife  of  mind, 
No  boundless  passion  is  deeply  shrined ; 
While  I — as  I  gazed  on  thy  swift  flight  by, 
One  hour  of  my  soul  seemed  infinity  ! 

And  she,  that  voiceless  below  me  slept, 
Flowed  not  her  song  from  a  heart  that  wept  ? 
— O  love  and  song,  tho'  of  heaven  your  powers, 
Dark  is  your  fate  in  this  world  of  ours ! 

Yet,  ere  I  turned  from  that  silent  place, 
Or  ceased  from  watching  thy  sunny  race, 
Thou,  even  thou,  on  those  glancing  wings, 
Didst  waft  me  visions  of  brighter  things ! 


WRITTEN  AFTER  VISITING  A  TOMB.       Ml 

Thou,  that  dost  image  the  freed  soul's  birth, 
And  its  flight  away  o'er  the  mists  of  earth, 
Oh !  fitly  thy  path  is  through  flowers  that  rise 
Round  the  dark  chamber  where  genius  lies  ! 


PROLOGUE    TO    THE   TRAGEDY    OF 
FIESCO. 


As  translated  from  the  German  of  Schiller,  by  Colonel 
D'Aguilar,  and  performed  at  the  Theatre  Royal"  Dublin, 
December,  1832. 


PROLOGUE    TO    THE    TRAGEDY    OF 
FIESCO. 


Too  long  apart,  a  bright  but  severed  band, 

The  mighty  minstrels  of  the  Rhine's  fair  land, 

Majestic  strains,  but  not  for  us,  had  sung, — 

Moulding  to  melody  a  stranger  tongue. 

Brave  hearts  leaped  proudly  to  their  words  of  power. 

As  a  true  sword  bounds  forth  in  battle's  hour ; 

Fair  eyes  rained  homage  o'er  the  impassioned  la\  - 

In  loving  tears,  more  eloquent  than  praise ; 

While  we,  far  distant,  knew  not,  dreamed  not  aught 

Of  the  high  marvels  by  that  magic  wrought 


330  MISCELLANEOUS  POEMS. 

But  let  the  barriers  of  the  sea  give  way, 

When  mind  sweeps  onward  with  a  conquerer's  sway ! 

And  let  the  Rhine  divide  high  souls  no  more 

From  mingling  on  its  old  heroic  shore, 

Which,  e'en  like  ours,  brave  deeds  through  many  an 

age, 
Have  made  the  Poet's  own  free  heritage ! 

To  us,  though  faintly,  may  a  wandering  tone 

Of  the  far  minstrelsy  at  last  be  known  ; 

Sounds  which  the  thrilling  pulse,  the  burning  tear, 

Have  sprung  to  greet,  must  not  be  strangers  here. 

And  if  by  one,  more  used,  on  march  and  heath, 

To  the  shrill  bugle,  than  the  muse's  breath, 

With  a  warm  heart  the  offering  hath  been  brought, 

And  in  a  trusting  loyalty  of  thought, — 

So  let  it  be  received ! — a  Soldier's  hand 

Bears  to  the  breast  of  no  ungenerous  land 

A  seed  of  foreign  shores.     O'er  this  fair  clime, 

Since  Tara  heard  the  harp  of  ancient  time, 


PROLOGUE,  &c. 

Hath  song  held  empire  ;  then  if  not  with  Fame, 
Let  the  green  isle  with  kindness  bless  his  aim, 
The  joy,  the  power,  of  kindred  song  to  spread, 
Where  once  that  harp  "  the  soul  of  music  shed  !" 


A  FAREWELL  TO  ABBOTSFORD. 


These  lines  were  given  to  Sir  Walter  Scott,  at  the  gate  of 
Abbotsford,  in  the  summer  of  1829.  He  was  then  apparently 
in  the  vigour  of  an  existence  whose  energies  promised  long 
continuance ;  and  the  glance  of  his  quick,  smiling  eye,  and  the 
very  sound  of  his  kindly  voice,  seemed  to  kindle  the  gladness 
of  his  own  sunny  and  benignant  spirit  in  all  who  had  the  hap- 
piness of  approaching  him. 


A  FAREWELL  TO  ABBOTSFORD. 


HOME  of  the  gifted  !  fare  thee  well, 

And  a  blessing  on  thee  rest ; 
While  the  heather  waves  its  purple  bell 

O'er  moor  and  mountain  crest ; 
While  stream  to  stream  around  thee  calls, 

And  braes  with  broom  are  drest, 
Glad  be  the  harping  in  thy  halls — 

A  blessing  on  thee  rest ! 

While  the  high  voice  from  thee  sent  forth, 

Bids  rock  and  cairn  reply, 
Wrakening  the  spirits  of  the  North, 

Like  a  chieftain's  gathering  cry ; 


334  MISCELLANEOUS  POEMS. 

While  its  deep  master- tones  hold  sway, 
,  As  a  king's  o'er  every  breast, 

Home  of  the  Legend  and  the  Lay  ! 

/ 

A  blessing  on  thee  rest. 

Joy  to  thy  hearth,  and  board,  and  bower ! 

Long  honours  to  thy  line  ! 
And  hearts  of  proof,  and  hands  of  power, 

And  bright  names  worthy  thine  ! 
By  the  merry  step  of  childhood  still 

May  thy  free  sward  be  prest ! 
— While  one  proud  pulse  in  the  land  can  thrill, 

A  blessing  on  thee  rest ! 


335 


SCENE  IN  A  DALECARLIAN  MINE. 


"  Oh!  fondly,  fervently,  those  two  had  loved, 
Had  mingled  minds  in  Love's  own  perfect  trust : 
Had  watched  bright  sunsets,  dreamt  of  blissful  years ; 
And  thus  they  met- 


"  HASTE,  with  your  torches,  haste !    make  firelight 

round  I" 
— They  speed,    they  press — what  hath  the  miner 

found  ? 

Relic  or  treasure,  giant  sword  of  old  ? 
Gems  bedded  deep,  rich  veins  of  burning  gold  ? 
— Not  so — the   dead,    the   dead !      An  awe-struck 

band, 
In  silence  gathering  round  the  silent  stand, 


336  MISCELLANEOUS  POEMS. 

Chained  by  one  feeling,  hushing  e'en  their  breath, 
Before  the  thing  that,  in  the  might  of  death, 
Fearful,  yet  beautiful,  amidst  them  lay — 
A  sleeper,  dreaming  not ! — a  youth  with  hair 
Making  a  sunny  gleam  (how  sadly  fair  !) 
O'er  his  cold  brow:  no  shadow  of  decay 
Had  touched  those  pale  bright  features — yet  he  wore 
A  mien  of  other  days,  a  garb  of  yore. 
Who  could  unfold  that  mystery  ?     From  the  throng 
A  woman  wildly  broke  ;  her  eye  was  dim, 
As  if  through  many  tears,  through  vigils  long, 
Through  weary  strainings : — all  had  been  for  him  ! 
Those  two  had  loved  !     And  there  he  lay,  the  dead, 
In  his  youth's  flower — and  she,  the  living,   stood 
With  her  grey  hair,  whence  hue  and  gloss  had  fled — 
And  wasted  form,  and  cheek,  whose  flushing  blood 
Had  long  since  ebb'd — a  meeting  sad  and  strange  ! 
— Oh !  are  not  meetings  in  this  world  of  change 
Sadder  than  partings  oft  ?     She  stood  there,  still, 
And  mute,  and  gazing,  all  her  soul  to  fill 


SCENE  IN  A  DALECARLIAN  MINE.         337 

With  the  loved  face  once  more — the  young,  fair  face, 
'Midst   that  rude  cavern   touched   with   sculpture's 

grace, 

By  torchlight  arid  by  death  : —  until  at  last 
From  her  deep  heart  the  spirit  of  the  past 
Gushed  in  low  broken  tones : — "  And  there  thou  art! 
And  thus  we  meet,  that  loved,  and  did  but  part 
As  for  a  few  brief  hours ! — My  friend,  my  friend  ! 
First-love,  and  only  one  !     Is  this  the  end 
Of  hope  deferred,  youth  blighted  ?     Yet  thy  brow 
Still  wears  its  own  proud  beauty,  and  thy  cheek 
Smiles — how  unchanged  ! — while  I,  the  worn,  and 

weak, 

And  faded — oh !  thou  wouldst  but  scorn  me  now, 
If  thou  couldst  look  on  me  ! — a  withered  leaf, 
Seared — though  for  thy  sake — by  the  blast  of  grief! 
Better  to  see  thee  thus  !     For  thou  didst  go, 
Bearing  my  image  on  thy  heart,  I  know, 
Unto  the  dead.     My  Ulric  !  through  the  night 
How  have  I  called  thee  !     With  the  morning  light 

z 


338  MISCELLANEOUS  POEiMS. 

How  have  I  watched  for  thee! — wept,  wandered, 

prayed, 

Met  the  fierce  mountain  tempest,  undismayed, 
In  search  of  thee  !     Bound  my  worn  life  to  one, 
One  torturing  hope  !     Now  let  me  die !     Tis  gone. 
Take  thy  betrothed !" — And  on  his  breast  she  fell — 
— Oh  -I  since  their  youth's  last  passionate  farewell, 
How  changed  in  all  but  love  ! — the  true,  the  strong, 
Joining  in  death  whom  life  had  parted  long  ! 
— They  had  one  grave — one  lonely  bridal  bed — 
No  friend,  no  kinsman,  there  a  tear  to  shed  ! 
His  name  had  ceased — her  heart  outlived  each  tie, 
Once  more  to  look  on  that  dead  face — and  die  ! 


339 


THE  VICTOR. 


"  De  tout  ce  qui  t'airaoit  n'cst-il  plus  rien  qui  t'airae  ?" 

LAMARTINE. 


MIGHTY  ones,  Love  and  Death ! 
Ye  are  the  strong  in  this  world  of  ours, 
Ye  meet  at  the  banquets,  ye  dwell  midst  the  flowers, 

— Which  hath  the  conqueror's  wreath  ? 

Thou  art  the  victor,  Love  ! 
Thou  art  the  fearless,  the  crowned,  the  free, 
The  strength  of  the  battle  is  given  to  thee, 

The  spirit  from  above  ! 


340  MISCELLANEOUS  POEMS. 

Thou  hast  looked  on  Death,  and  smiled  ! 
Thou  hast  borne  up  the  reed-like  and  fragile  form, 
Thro'  the  waves  of  the  fight,  thro'  the  rush  of  the  storm, 

On  field,  and  flood,  and  wild  ! 

No  ! — Thou  art  the  victor,  Death  ! 
Thou  comest,  and  where  is  that  which  spoke, 
From  the  depths  of  the  eye,  when  the  spirit  woke  ? 

— Gone  with  the  fleeting  breath  ! 

Thou  comest — and  what  is  left 
Of  all  that  loved  us,  to  say  if  aught 
Yet  loves — yet  answers  the  burning  thought 

Of  the  spirit  lone  and  reft  ? 

Silence  is  where  thou  art ! 
Silently  there  must  kindred  meet, 
No  smile  to  cheer,  and  no  voice  to  greet, 

No  bounding  of  heart  to  heart ! 


THE  VICTOR.  341 

Boast  not  thy  victory,  Death  ! 
It  is  but  as  the  cloud's  o'er  the  sunbeam's  power, 
It  is  but  as  the  winter's  o'er  leaf  and  flower, 

That  slumber,  the  snow  beneath. 

It  is  but  as  a  Tyrant's  reign 
O'er  the  voice  and  the  lip  which  he  bids  be  still : 
But  the  fiery  thought,  and  the  lofty  will, 

Are  not  for  him  to  chain  ! 

They  shall  soar  his  might  above  ! 
And  thus  with  the  root  whence  affection  springs, 
Tho'  buried,  it  is  not  of  mortal  things — 

Thou  art  the  victor.  Love  ! 


THE    END. 


Denbigh,  March  4th,  1824. 

-*»€&«- 

RUTHIN  WELSH  LITERARY  SOCIETY. 


Tli«  foiniiii.tf.u  avail  themselves  of  this  opportanity  to  present  their 
aim-.'st  atkiuiwlrilicmcnts  to  .Mrs  Hcmans,  fortlie  coni|'liiueat  that  her 
iisc  has  oiU-ml  to  this  so'/iery,  and  they  cannot  foreuo  the  grutifiuttion 
e  nhoilvin'.*  in  this  report  the  foitotriilg  beautiful  fttanzai  addressed  to 
fin  l>/  her  : 


THE   HARP  OF  WALKS, 

Inscribed  to  the  Ruthin  Wdsh  JAterary  Society. 
HARP  of  the  Mountain-land  !  sound  forth  a^ain, 

As  when  the  foaming  Hirlas  Horn  was  crown'il, 
And  warrior-hearts  beat  proudly  to  thy  strain, 

And  the  bright  mead  at  Owain's  feast  went  round  : 
Wake  with  the  spirit  and  the  pow'r  of  yore ! 
Harp  of  the  ancient  hills  !  be  heard  once  more  ! 
Thy  tones  are  not  to  cease  !     The  Roman  came 

O'er  the  blue  waters  with  his  thousand  oars  : 
Through  Mona's  oaks  he  sent  the  wasting  flame  ; 

The  Druid-shrines  lay  prostrate  on  our  shores  : 
He  gave  their  ashes  to  the  wind  and  sea — 
Ring  out,  th<?u  Harp  !  he  could  not  silence  thee. 
Thy  tones  are  not  to  cease  !     The  Saxon  pass'd, 

His  banners  floated  on  Eryri's  gales  ; 
But  thou  wert  heard  above  the  trumpet's  blast, 

E'en  when  his  tow'rs  rose  loftiest  o'er  the  vales  ! 
Thine  was  the  voice  that  cheer'd  the  brave  and  free — • 
They  had  their  hills,  their  chainless  hearts,  and  TIIF.E. 
Those  were  dark  years  !     They  saw  the  valiant  fall, 

The  rank  weeds  gath'ring  round  the  chieftain's  board, 
The  hearth  left  lonely  in  the  ruin'd  hall- 
Yet  pow'r  was  thine — a  gift  in  every  chord  ! 
Call  back  that  spirit  to  the  days  of  peace, 
Thou  noble  Harp  !     Thy  tones  are  not  to  cease  ! 


National 

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