Skip to main content

Full text of "The Noice collection of Copper Inuit material culture"

See other formats


572.05 
FA 

N.S. 

no. 22-27 
199^-96 


Anthropology 


"     SERIES,  NO.  22 


The  Noice  Collection  of  Copper  Inuit 
Material  Culture 


James  VV.  VanStone 


ibruary  28,  1994 
iblication  1455 


^l^BT  TSHED  BY  FIELD  W  '^1^^ -  '^  ^  ^^  ^-'  '^^'  '^^  "^  •  i tt^^tor v 


if-li/:';^iMUiiiT;^iS.;0.!ifiiliti«)l^i?iM8iiiiiI^^ 


Information  for  Contributors  to  Field iana 


led  as  space  permits. 
., —     f,    -  i      jirinied  page  or  fractioi,  i.-^i.^;;.  ia,..,v.u  . 

;  expedited  processing,  which  reduces  the  publication  time.  Contributio;  i 

'    "ill  be  considc^' "  ' ^tblication  regardless  of  ability  to  pay  page  charges,  i 

ited  authoi:  itcd  manuscripts,  'Ilirec  complete  copies  of  the  to 

dvc  .(iiu  c  ;         '  abmitted  (one  original  copy  plus  two  review  copi 

nachine-cc  t  publication  or  submitted  to  reviewers  before 

■  ;  ind.s  {){  the  Micntilic  •  ,  ' 

i;kl  be  submitted  to  Sr  :  ield  Museum  of  Natur.' 

>u6U5-2496,  US." 

Text:  Manti,..- .  ..^ .    ....j..  _,.,.;.  ..,....;._  ..s.  ..;„,_„:-  .,..g,ht,  Wi-  by  11-inch  ^.^j^.  v, 

on  all  four  sides.  If  typed  on  an  IBM-compatible  computer  using  MS-DOS,  also  submit  text  on 
WordPerfect  4.1,  4.2,  or  5  ('    N^ni.;\t..,-    r^,\..i.,,"  ••;•-  ->    ^  '•■  ^,  \i/--^.  J>r\  ^-.-m.nn.  V^-r-r-'c'--  "  -    ' 
WordStar  programs  or  ASc 

I.   -  nipcrs over  100  maiui>>Lripi  pci^cs,  auinurs  arc  rccjucsicd  lo  suomu  a    i ante  ot  Contents, '  a   l  i-;  > >i  ! 
of  Tables"  immediately  following  title  page.  In  most  cases,  the  text  should  be  preceded  by  an  'Ai 
!  Lonclude  with  "Acknowledgments"  (if  any)  and  "Literature  Cited." 

Ml  measurements  should  be  in  the  metric  system  (periods  are  not  used  after  abbreviated  measu 
md  style  of  headings  should  follow  that  of  recent  issues  of  Fieldiana. 

For  more  detailed  style  information,  see  The  Chicago  Mar.ua!  of  Style  (13th  ed.),  pubiisl'Ld 
Chicago  Press,  and  also  recent  issues  ol  Fieldiana. 

References:  In  "Literature  Cited,"  book  and  journal  mscs  snouiu  pc  given  m  tuli.  Where  aDiireviaiions  a, 
.n  citation  of  synonymies),  authors  consistently  should  follow Botanico-Periodicum-Huntianutn  and  TL-2 
ucrature  by  F.  A.  Stafleu  &  R.  S.  Cowan  (1976  et  seq.)  (botanical  papers)  or  Serial  Sources  for  the  Biosis  Data  I  ) 

ublished  by  the  BioSciences  Information  Service.  Names  of  botanical  authors  should  follow  the  "Draft  Index 
Abbreviations,  Royal  Botanic  Gardens,  Kcw,"  1984  ediii' 

Rcfcicnccs  slioiild  be  typed  in  the  following  form: 

'  la  of  Barro  Colorado  Island.  Stanford  University  Press,  S:  :  :    . 

J.  R.  Lloyd,  and  T.  D.  Pennington.  1963.  A  comparison  of  montane  and  lowland  ) 
!   The  forest  structure,  physiognomy,  and  floristics.  Journal  of  Eicology,  51:  567-60L 
Langdon,  E.  J.  M.  .1979.  Yage  among  the  Siona:  Cultural  patterns  in  visions,  pp.  63-80.  In  Browmari. 
Schwarz.  eds.,  Spirits,  Shamans,  and  Stars.  Mouton  Publishers,  The  Hague,  Netherlands. 

'46.  ITie  historic  tribes  of  Ecuador,  pp.  785-821.  In  Steward,  J.-  H.,  ed.,  Handbook  of  South  American 
1  vidians.  Vol.  2,  The  Andean  Civili/atinns    Riijlrtin  14"^    Bureau  of  Anv-ncjin  F-fhnnlntn    Smii:!-,-  ,r.;  m 
'  istitution,  Washington,  D.C 
..<..  .V.  Ci.  1981.  Ferns  and  fern  allies  ...;  v.ucicinaia.  1  aii  li.  iuivjK^uiaceae.  i  leidiana.  mnany,  n.s.,  u 

Illustrations:  Illustrations  are  referred  to  as  "figures"  in  the  text  (not  as  "plates").  Figures  must  be  accoi: 
ndication  of  scale,  normally  a  reference  bar.  Statements  in  figure  captions  alone,  such  as  "x  0.8,"  arc  not 
>ns  should  be  typed  double-spaced  and  consecutively.  See  recent  issues  oi  Fieldiana  for  details  of  si\Ic 
All  illustrations  should  be  marked  on  the  reverse  with  author's  name,  figure  number(s),  and  ": 

Mgures  as  submitted  should,  whenever  practicable,  be  ^V2  x  11  inches  (22  x  28  cm),  and  may  n^, .     ,,,  j. 

(30  X  42  cm).  Illustrations  should  be  mounted  on  boards  in  the  arrangement  to  be  obtained  in  the  printed  work  I'his 

„.i  al  set  should  be  suitable  for  transmission  to  the  printer  as  follows:  Pen  and  ink  drawings  may  be  originals  (--  ' -'  ^ 

r  photostats;  shaded  drawings  must  be  originals,  but  within  the  size  limitation;  and  photostats  must  be  high-qua 

!  wisn  !o  puoiisn  ti^i 
1  the  Scientific  Editor 

I'ana  employs  a  two-step  correction  system.  'ITie  corresponding  author  will  nc 
I  on  which  deletions,  additions,  and  changes  can  be  made  and  queri.-i;  ,in>,u 

desired  corrections  of  type  must  be  made  on  the  single  set  (  i:, 


equlrements  of  ANSl/NISO  Z39.48-1992  (Permanence  of  Paper). 


FIELDIANA 


Anthropology 


NEW  SERIES,  NO.  22 


The  Noice  Collection  of  Copper  Inuit 
Material  Culture 


James  W.  VanStone 

Curator  Emeritus 
Depart  mer^t  of  Anthropology 
Field  Museum  of  Natural  History 
Chicago,  Illinois  60605-2496 


Accepted  September  28,  1993 
Published  February  28,  1994 
Publication  1455 


PUBLISHED  BY  FIELD  MUSEUM  OF  NATURAL  HISTORY 


1994  Field  Museum  of  Natural  History  / 


Library  of  Congress  Catalog  Card  Number:  94-70185 

ISSN  0071-4739 
PRINTED  IN  THE  UNITED  STATES  OF  AMERICA 


/ 
/ 


Table  of  Contents 


Abstract  1 

I.  Introduction  1 

Copper  Inuit  Territory  and  Environ- 
ment       1 

Subsistence 1 

Settlement  Patterns    3 

History  of  Contact   3 

Previous  Ethnographic  Research 4 

Harold  Noice  and  the  Canadian  Arctic 

Expedition    5 

Harold  Noice's  Ethnographic  Col- 
lections     6 

II.  The  Collection  7 

Subsistence 8 

Land  Hunting    8 

Sea  Hunting 10 

Fishing    11 

Tools  12 

Women's  Tools 12 

Men's  Tools 14 

Household  Equipment 15 

Clothing    16 

Men's  Clothing   17 

Women's  Clothing   19 

Miscellaneous    20 

Raw  Materials  21 

III.  Conclusions  21 

Acknowledgments  24 

Literature  Cited    24 

Appendix    69 


List  of  Illustrations 


1 .  Map  of  Copper  Inuit  territory    2 

2.  Bows  and  arrows 26 

3.  Arrowheads,  sinew  twisters,  thumb  guard, 
marlin  spike,  bow  case  handle  27 

4.  Bow  case  28 

5.  Handle  for  carrying  blood  bag,  bolas,  lance 
blade,  arrow  shaft  straightener,  marlin 
spikes,  bone  pins,  drinking  tube    29 

6.  Breathing  hole  scoops,  seal  hooks  and  bag, 
harpoon  heads  30 


7.  Bag  with  harpoon  head    31 

8.  Leisters  and  side  prong,  dog  swivel,  fish- 
hooks, ice  pick 32 

9.  Fishing  rod  and  lurehook,  fishhooks,  leis- 
ter prongs,  seal  indicator 33 

10.  Woman's  knife,  skin  scrapers,  skin 
stretcher    34 

1 1 .  Sewing  outfits,  marrow  extractors,  skin 
scraper,  needle  case,  grooving  tools,  thim- 
ble      35 

1 2.  Crooked  knife,  saws,  drill  mouthpiece,  file, 
adze  head  and  blade 36 

1 3.  Men's  knives,  grooving  tools,  drill  shanks, 
drill  bow   37 

14.  Pick,  adze,  tool  bags 38 

15.  Bags,  lamp,  dippers  or  drinking  ladles, 
snow  knives   39 

16.  Bags,  blubber  pounder 40 

1 7.  Man's  outer  parka    41 

18.  Man's  outer  parka    42 

1 9.  Man's  outer  parka    43 

20.  Man's  outer  parka    44 

2 1 .  Man's  outer  parka    45 

22.  Man's  outer  parka    46 

23.  Man's  outer  (inner?)  parka    47 

24.  Man's  outer  (inner?)  parka    48 

25.  Man's  overcoat    49 

26.  Man's  outer  trousers    50 

27.  Man's  outer  trousers    51 

28.  Man's  outer  stockings,  sock    52 

29.  Man's  dance  stockings  53 

30.  Man's  spring  and  fall  boots    54 

3 1 .  Sealskin  boots    55 

32.  Mittens    56 

33.  Mittens    57 

34.  Woman's  outer  (inner?)  parka    58 

35.  Woman's  outer  (inner?)  parka    59 

36.  Woman's  outer  parka    60 

37.  Woman's  outer  parka    61 

38.  Woman's  outer  parka    62 

39.  Woman's  outer  parka    63 

40.  Woman's  outer  parka    64 

4 1 .  Woman's  outer  parka    65 

42.  Woman's  outer  trousers    66 

43.  Woman's  inner  (?)  stockings 67 

44.  Sled  toggle  and  bag,  comb,  dolls,  pendant, 
game,  musk  ox  horn    68 


m 


The  Noice  Collection  of  Copper  Inuit 
Material  Culture 

James  W.  VanStone 


Abstract 

The  collections  of  the  Field  Museum  of  Natural  History  contain  234  ethnographic  objects 
collected  among  the  Copper  Inuit  of  the  Northwest  Territories,  Canada,  in  1919-1921  by  Harold 
Noice.  The  artifacts  in  this  collection  are  described  and  illustrated.  For  comparative  purposes, 
information  is  included  from  previous  studies  of  Copper  Inuit  material  culture,  notably  those 
of  Stefansson  (1914),  Birket-Smith  (1945),  and  Jenness  (1946). 


I.  Introduction 

Copper  Inuit  Territory  and  Environment 

The  CopF)er  Inuit  are  the  westernmost  of  the 
Central  Inuit,  a  grouping  that  also  includes  the 
Netsilik  and  Iglulik.'  The  western  boundary  of  the 
aboriginal  Copper  Inuit  territory  on  the  mainland 
of  Canada  was  at  Wise  Point  near  the  western 
entrance  to  Dolphin  and  Union  Strait  (Stefansson, 
1913,  p.  167).  To  the  northwest  their  territory  in- 
cluded the  southeast  coast  of  Banks  Island  and  to 
the  south  the  eastern  edge  of  Great  Bear  Lake  as 
well  as  Contwoyto  Lake  and  Beechey  Lake  on  the 
Back  River  (Stefansson,  1914,  p.  260;  Rasmussen, 
1932,  p.  1 19).  In  the  east  Perry  River  in  Queen 
Maud  Gulf  was  the  boundary  between  the  territory 
of  the  CopF>er  Inuit  and  the  Netsilik.  The  Copper 
Inuit  hunted  over  much  of  Victoria  Island  but, 
according  to  Damas  (1984,  p.  397),  concentrated 
their  travel  and  occupation  to  the  area  south  of 
Walker  Bay  to  the  west  and  Denmark  Bay  to  the 
east  (fig.  1). 

Most  of  the  area  occupied  by  the  Copper  Inuit 
is  tundra,  but  it  reached  wooded  areas  along  the 


'  The  designation  "Copper  Inuit"  is  a  historical  term 
assigned  by  outsiders  because  of  the  regional  exploitation 
of  copper  deposits.  In  most  of  the  literature,  the  Copper 
Inuit  are  referred  to  as  "Eskimo."  The  term  "Inuit,"  the 
people's  name  for  themselves,  is  used  here  to  conform 
with  general  usage  in  Canada  at  the  present  time. 


western  and  southern  margins  and  the  Copper- 
mine River.  The  area  as  a  whole  has  an  arctic 
climate  with  mean  temperatures  in  February  rang- 
ing from  -20°F  to  -28°F.  In  July  the  mean  ranges 
in  the  high  40s  over  most  of  the  area.  Precipitation 
is  light  with  snow  falling  in  spring  and  fall,  winter 
blizzards  shifting  the  snow  according  to  the  direc- 
tion of  the  wind.  A  continuous  ice  sheet  covers 
the  straits  and  gulfs  of  the  Copper  Inuit  region 
from  late  October  or  November  until  July,  and 
lakes  have  an  ice  cover  even  longer.  The  sun  dis- 
appears for  at  least  two  months  each  winter,  while 
in  summer  it  does  not  set  for  an  equal  period.  As 
might  be  expected,  these  yearly  environmental 
changes  had  an  important  effect  on  the  aboriginal 
Inuit  subsistence  cycle  (Damas,  1984,  p.  397). 


Subsistence 

The  aboriginal  Copper  Inuit  abandoned  their 
villages  of  snow  houses  on  the  ice  in  late  May  and 
moved  to  land.  Although  caribou  {Rangifer  arc- 
ticus)  migrated  on  the  ice  of  Dolphin  and  Union 
Strait  and  Dease  Strait,  they  were  not  hunted  to 
any  great  extent  in  spring  (Jenness,  1922,  p.  123). 
Similarly,  seals  were  seldom  hunted,  when  they 
basked  on  the  ice  in  spring  or  in  open  water  in 
summer  (Stefansson,  1 9 1 3,  p.  205).  From  late  May 
until  November  the  most  important  sources  of 
food  were  caribou,  fish,  waterfowl,  and  small  game. 


FIELDIANA:  ANTHROPOLOGY,  N.S.,  NO.  22,  FEBRUARY  28,  1994,  PP.  1-71 


200  km 


Fig.  1.     Map  of  Copper  Inuit  territory.  (Adapted  from  Damas,  1980,  p.  398,  fig.  1.) 


Dependence  on  caribou  or  fish  varied  according 
to  the  season  as  well  as  the  locale.  Fishing  through 
the  ice  in  lakes  was  more  important  in  spring  and 
early  summer,  and  it  was  not  until  late  August  that 
caribou  hunting  became  the  most  important  ac- 
tivity since  beginning  at  this  time  the  skins  were 
most  suitable  for  clothing.  Fishing  from  weirs  in 
streams  was  also  a  late  summer  activity,  particu- 
larly important  on  southeastern  Victoria  Island, 
while  caribou  hunting  was  emphasized  on  the 
mainland  from  Bathurst  Inlet  to  Perry  River  (Jen- 


ness,  1922,  pp.  122-124;  Rasmussen,  1932,  pp. 
76-77). 

The  preferred  method  for  taking  caribou  was  to 
drive  them  between  rows  of  stones  set  in  con- 
verging lines  to  resemble  men.  Women  and  chil- 
dren chased  the  caribou  toward  hunters,  who  killed 
them  with  bows  and  arrows  or  lances.  Caribou 
were  also  hunted  with  lances  from  kayaks  as  they 
swam  in  lakes  at  traditional  crossing  places  (Jen- 
ness,  1922,  pp.  148-149). 

Jigging  through  the  ice  for  lake  trout  {Salvelinus 


FIELDIANA:  ANTHROPOLOGY 


namaycush)  and  spearing  salmon  trout  {Salvelinus 
alpinus)  in  weirs  in  late  summer  were  important 
activities  for  men,  women,  and  children.  Also  in 
summer,  ptarmigan  (Lagopus  sp.)  and  several  SF>e- 
cies  of  ducks  and  geese  were  taken  with  bow  and 
arrow  as  well  as  snares  (Jenness,  1922,  p.  152). 

For  two  weeks  or  a  month  in  November  the 
Copp)er  Inuit  were  idle,  living  for  the  most  part  on 
food  previously  stored  in  caches.  There  was  some 
jigging  for  fish  in  lakes,  but  the  primary  activity 
was  the  sewing  of  winter  garments  by  women. 

Breathing  hole  hunting  for  seals  was  the  most 
important  activity  from  December  to  May.  Using 
dogs  to  sniff  out  the  breathing  holes,  each  hunter 
waited  quietly  at  a  hole  for  the  seal  to  come  up 
for  a  breath.  The  common  ringed  seal  (Phoca  his- 
pida)  was  the  most  frequently  killed,  but  bearded 
seals  {Erignathus  barbatus)  were  also  taken  oc- 
casionally. Polar  bears  (Thalarctos  maritimus)  were 
a  significant  prey  for  those  Copper  Inuit  who  win- 
tered off  the  coast  of  Banks  Island  (Stefansson, 
1 9 1 4,  p.  30).  Bears  were  held  at  bay  with  dogs  and 
killed  with  lances.  Musk  oxen  (Ovibosa  moscha- 
tus)  were  the  most  numerous  around  Bathurst  In- 
let, but  small  herds  were  present  throughout  the 
territory  (Damas,  1984,  p.  398). 


A  more  stable  form  of  aggregation  occurred  in 
late  fall  for  a  period  of  two  weeks  to  a  month, 
referred  to  as  the  sewing  place  gatherings  when 
women  were  sewing  winter  garments.  Damas 
( 1 984,  p.  400)  believes  there  were  1 6  to  18  of  these 
sewing  groups,  which  averaged  between  45  and  50 
people. 

The  third  type  of  population  aggregation  was 
the  winter  seal  hunting  village  on  the  ice.  Larger 
groups  were  necessary  during  the  winter  because 
a  large  number  of  seal  breathing  holes  in  any  given 
area  had  to  be  covered  by  the  hunters.  Each  winter 
the  total  population  was  assembled  in  between 
seven  and  nine  aggregates  ranging  in  size  from  9 1 
to  1 1 7  individuals. 

Although  it  seems  possible  to  identify  these  three 
types  of  settlements,  it  is  not  possible  to  equate 
the  group  names  obtained  by  various  investigators 
with  this  classification.  Damas  (1984,  p.  401)  be- 
lieves that  the  closest  correspondence  geographi- 
cally is  with  the  large  summer  hunting  region,  and 
he  lists  in  tabular  form  the  group  designations  for 
this  period  as  determined  by  Stefansson  (1914,  pp. 
26-32),  Jenness  (1922,  pp.  33^1),  and  Rasmus- 
sea  (1932,  pp.  7,  69-70,  76-77). 


Settlement  Patterns 


History  of  Contact 


Copper  Inuit  population  estimates  for  the  ab- 
original or  early  contact  period  include  a  census 
taken  by  Rasmussen  (1932,  p.  30)  that  produced 
a  total  of  816  individuals.  This  number  compares 
favorably  with  Jenness's  estimate  of  700  or  800 
(Jenness,  1922,  p.  22)  but  is  smaller  than  Stefans- 
son's  1,100  (Stefansson,  1914,  pp.  25^0).  Since 
neither  Stefansson  nor  Jenness  had  contact  with 
the  eastern  group  of  Copper  Inuit,  Damas  (1984, 
p.  400)  believes  that  Rasmussen's  figures  are  the 
most  accurate  for  the  entire  area. 

Damas  (1969;  1972;  1984,  pp.  398-400)  has 
demonstrated  how  the  patterning  of  Copper  Inuit 
population  aggregation  was  related  to  the  seasonal 
round  of  subsistence  activities.  He  distinguished 
three  types  of  settlement  for  the  aboriginal  period. 
From  May  to  November  the  groups  varied  con- 
siderably in  size  and  composition.  Sometimes  the 
nuclear  family  comprised  the  local  group,  partic- 
ularly when  resources  were  limited  and  people  de- 
pended on  fishing  and  the  hunting  of  small  game. 
Groups  were  larger  when  caribou  were  plentiful, 
and  the  largest  summer  aggregations  occurred  at 
the  fishing  weirs  for  salmon  trout. 


The  first  explorer  to  reach  the  country  of  the 
Copper  Inuit  was  Samuel  Heame,  who  traveled 
overland  from  Prince  of  Wales  Fort  on  Hudson 
Bay  to  the  mouth  of  the  Coppermine  River  in  1771 
with  a  party  of  Chipewyan  Indians.  Just  below 
Bloody  Falls  near  the  mouth  of  the  river,  they 
surprised  a  band  of  Copper  Inuit  who  were  camjjed 
there  and  killed  all  of  them  (Heame,  1958,  ch.  VI). 

In  1819  Captain  (later  Sir  John)  Franklin  com- 
manded an  expedition  dispatched  to  explore  the 
coast  east  of  the  Coppermine  River.  On  June  14, 
1821,  he  reached  the  lower  Coppermine  and,  like 
Heame,  encountered  Copper  Inuit  camped  at 
Bloody  Falls.  They  told  Franklin  that  they  came 
to  the  mouth  of  the  river  in  June  and  July  to  fish 
and  then  spent  the  winter  in  snow  houses.  Franklin 
had  hoped  to  obtain  information  from  them  con- 
ceming  the  country  to  the  east  but  was  unsuc- 
cessful (Franklin,  1824,  vol.  2,  pp.  169-183). 
Franklin's  party  proceeded  by  boat  along  the  coast, 
charting  and  naming  features  in  Coronation  Gulf, 
Bathurst  Inlet,  and  Melville  Sound  as  far  as  Tum- 
again  Point  on  the  north  shore  of  Kent  Peninsula. 
The  party  encountered  a  number  of  abandoned 


VANSTONE:  THE  NOICE  COLLECTION 


Inuit  camps  but  did  not  see  any  people  (Franklin, 
1824,  vol.  2,  pp.  201,  223-224,  229). 

Captain  George  Back  encountered  a  small  party 
of  Copper  Inuit  fishing  when  he  descended  the 
river  that  bears  his  name  in  1833.  Beads  were 
exchanged  for  items  of  native  manufacture  (Back, 
1836,  pp.  379-388).  In  the  summers  of  1838  and 
1839  Peter  Dease  and  Thomas  Simpson  explored 
the  coast  from  the  mouth  of  the  Coppermine  River 
to  beyond  Back  River.  Inuit  were  met  near  the 
mouth  of  the  Coppermine  in  1838,  but  little  in- 
formation was  obtained  from  them  (Simpson, 
1843,  pp.  262-264,  345-351). 

In  185 1,  John  Rae,  as  part  of  the  search  for  Sir 
John  Franklin's  third  expedition,  explored  the  coast 
of  the  mainland  from  near  Cape  Krusenstern  to 
Cape  Alexander  on  Kent  Peninsula  and  the  south 
coast  of  Victoria  Island  from  Cambridge  Bay  to 
Pelly  Point  on  the  Collinson  Peninsula.  He  en- 
countered a  number  of  Copper  Inuit  who  main- 
tained that  they  had  never  before  been  in  com- 
munication with  Europeans  (Rae,  1852a,  p.  78; 
1852b,  p.  84). 

Another  Franklin  search  expedition  involved 
HMS  Investigator  under  the  command  of  Robert 
M'Clure  and  HMS  Enterprise  commanded  by 
Richard  Collinson,  who  conducted  their  search  by 
way  of  Bering  Strait  between  1850  and  1855.  In 
1851  one  of  M'Clure's  sledge  parties  encountered 
Inuit  near  Berkeley  Point  at  the  southern  entrance 
to  Prince  of  Wales  Strait  between  Victoria  Island 
and  Banks  Island  (Osbom,  1865,  pp.  145-147). 
Meanwhile  Collinson,  in  the  winter  of  1 85 1-1852, 
observed  more  Copper  Inuit  than  any  previous 
explorer.  In  Walker  Bay  some  50  Inuit  constructed 
their  snow  houses  near  the  Enterprise.  The  follow- 
ing winter  he  also  met  Inuit  in  Cambridge  Bay  at 
the  southeastern  end  of  Victoria  Island  (Collinson, 
1889,  pp.  171-173,  248-251). 

For  the  next  50  years,  no  explorers  visited  the 
land  of  the  Copper  Inuit.  In  1902  David  T.  Han- 
bury,  traveling  from  the  mouth  of  the  Back  River 
along  the  coast  of  the  Coppermine  River,  encoun- 
tered Copper  Inuit.  His  account  of  his  journey 
(Hanbury,  1904,  ch.  XI)  and  the  people  he  met 
was  considered  by  Stefansson  (1913,  pp.  249-250) 
and  Jenness  ( 1 922,  pp.  30-3 1 )  to  be  the  most  valu- 
able description  of  the  Copper  Inuit  and  the  coun- 
try they  inhabited  up  to  that  time. 

A  Danish  trader.  Captain  Christian  Klengen- 
berg,  traveling  from  the  west  in  a  small  schooner, 
spent  the  winter  of  1905-1906  in  the  vicinity  of 
Cape  Kendall  on  Victoria  Island  at  the  entrance 


to  Dolphin  and  Union  Strait.  In  early  spring  he 
met  a  party  of  Prince  Albert  Sound  Inuit  that 
camped  near  his  ship  for  three  days.  Klengenberg 
was  followed  two  years  later  by  Captain  Joseph 
Bernard,  who  remained  in  the  country  of  the  Cop- 
per Inuit  for  three  years,  wintering  the  first  year  a 
few  miles  east  of  the  Coppermine  River,  the  sec- 
ond in  Bernard  Harbor,  and  the  third  near  Cape 
Kendall  on  Victoria  Island  (Jenness,  1922,  p.  31). 
These  pioneer  traders  were  followed  by  an  influx 
of  goods  brought  by  trading  ships  from  the  west. 
A  Hudson's  Bay  Company  post  was  established 
at  Bernard  Harbor  in  1916  and  a  number  of  ad- 
ditional trading  posts  in  the  Coronation  Gulf  area 
in  the  early  1920s  (Usher,  1971,  pp.  101-105;  Da- 
mas,  1984,  p.  408).  It  was  these  trading  ventures 
that  were  primarily  responsible  for  changes  in 
Copper  Inuit  material  culture,  economy,  and  so- 
cial organization. 

Missionary  activity  in  Copper  Inuit  country  was 
limited  after  the  first  Roman  Catholic  priests  were 
killed  by  Inuit  near  Bloody  Falls  in  1913.  The  Rev. 
H.  Girley  of  the  Church  of  England  entered  the 
area  in  1915  and  established  good  relations  with 
the  Inuit  of  both  Dolphin  and  Union  Strait  and 
Coronation  Gulf  (Jenness,  1 922,  p.  3 1 ).  The  Royal 
Canadian  Mounted  Police  established  a  post  at 
Tree  River  in  the  early  1920s  (Rasmussen,  1932, 
p.  61-65). 


Previous  Ethnographic  Research 

The  noted  explorer  and  ethnographer  Vilhjal- 
mur  Stefansson  first  went  north  in  1906-1907  for 
the  purpose  of  studying  the  so-called  "blond  es- 
kimos"  of  Victoria  Island.  As  it  turned  out,  he 
spent  most  of  a  year  along  the  arctic  coast  from 
Flaxman  Island  to  the  mouth  of  Mackenzie  River, 
where  he  had  extensive  interaction  with  the  Mac- 
kenzie Inuit  (Stefansson,  1922). 

While  engaged  in  his  first  arctic  experience,  Ste- 
fansson was  already  planning  a  second  expedition. 
The  information  that  quickened  his  interest  in  fur- 
ther exploration  was  obtained  from  the  Mackenzie 
Inuit  who  told  him  that  they  were  unaware  of  the 
existence  of  any  people  east  of  Bathurst  Inlet  (Ste- 
fansson, 1913,  pp.  1-3).  In  1910,  traveling  by  sledge 
along  the  coast,  Stefansson  visited  the  Inuit  of  Dol- 
phin and  Union  Strait  and  west  Coronation  Gulf, 
then  continued  up  the  Coppermine  River  to  Great 
Bear  Lake.  The  following  year  he  returned  and 


FIELDIANA:  ANTHROPOLOGY 


visited  the  natives  of  Prince  Albert  Sound.  This 
second  Stefansson  expedition  resulted  in  consid- 
erable new  knowledge  relating  to  traveling  and 
survival  techniques,  physical  geography,  and  the 
first  detailed  information  on  the  culture  of  the 
Copper  Inuit  (Stefansson,  1913;  1914). 

Stefansson's  first  two  trips  to  the  Canadian  arc- 
tic were  preliminary  to  a  major  expedition  un- 
dertaken between  1913  and  1918  sponsored  by 
the  Canadian  government.  Its  purpose  was  to  carry 
out  a  wide  variety  of  geographical  exploration  and 
scientific  work  in  the  western  Canadian  arctic.  Ste- 
fansson divided  the  Canadian  Arctic  Expedition 
into  two  parties.  The  first,  the  Northern  Division 
under  his  command,  had  geographical  discovery 
as  its  main  objective.  The  other  part,  the  Southern 
Division,  led  by  Rudolph  Martin  Anderson  and 
accompanied  by  the  anthropologist  Diamond  Jen- 
ness,  was  to  carry  out  scientific  work  in  the  vicinity 
of  Coronation  Gulf 

In  1914  the  Southern  Division  established  its 
headquarters  in  Bernard  Harbor  on  Dolphin  and 
Union  Strait,  and  during  the  winter  Jenness  began 
studies  of  the  Inuit  in  the  region.  In  April  1915 
he  set  out  for  southwestern  Victoria  Island  and 
remained  with  the  Copper  Inuit  there  until  No- 
vember when  he  returned  to  Bernard  Harbor.  The 
Southern  Division  completed  its  work  in  July  1916, 
and  the  party  reached  Nome  in  mid-August  (Cooke 
and  Holland,  1978,  pp.  335-338). 

Although,  as  previously  noted,  the  Copper 
Inuit  had  been  contacted  sporadically  by  explor- 
ers and  members  of  Franklin  search  expeditions 
in  the  1 8th  and  1 9th  centuries,  the  Canadian  Arc- 
tic Expedition  was  working  in  essentially  unex- 
plored country,  making  detailed  geographic  sur- 
veys for  the  first  time  and  studying  Inuit  whose 
traditional  cultures  were  virtually  intact.  The 
Coronation  Gulf  region  was  perhaps  the  only  area 
of  North  America  where  trained  ethnologists  ac- 
companied an  expedition  into  virtually  unex- 
plored territory.  A  popular  account  of  the  work 
of  the  Northern  Division  was  published  by  Ste- 
fansson (1921),  while  Jenness  published  a  de- 
tailed ethnography  of  the  Copper  Inuit  (1922),  a 
study  of  their  physical  characteristics  (1923),  a 
popular  account  of  his  work  with  the  Southern 
Division  (1928),  and  a  study  of  Copper  Inuit  ma- 
terial culture  (1946).  The  collection  of  2,500  ob- 
jects on  which  the  latter  study  is  based  are  in  the 
Canadian  Museum  of  Civilization  in  Ottawa  (S. 
E.  Jenness,  1991,  p.  697).  Harold  Noice,  a  mem- 
ber of  Stefansson's  Northern  Division  party  for 


two  years,  assembled  the  collection  that  is  de- 
scribed in  this  study. 


Harold  Noice  and  the 
Canadian  Arctic  Expedition 

Harold  Noice,  a  high  school  dropout  from  Se- 
attle, went  north  in  the  summer  of  1915  to  meet 
a  friend  in  Nome,  Alaska,  where  they  intended  to 
make  a  motion  picture;  he  was  19  years  old.  The 
friend  never  appeared  and,  stranded  in  Nome, 
Noice  joined  the  crew  of  the  Polar  Bear,  a  whaling 
and  trading  ship  that  made  its  way  east  to  Herschel 
Island  where  it  was  purchased,  in  the  late  summer 
of  1915,  by  Stefansson  for  use  by  the  Northern 
Division  of  the  Canadian  Arctic  Expedition.  In 
early  September,  at  Cape  Kellett  on  Banks  Island, 
Noice  was  hired  by  Stefansson  as  a  sledge  man  for 
winter  travel,  and  he  traveled  with  him  on  Banks 
Island  during  the  winter  of  1915-1916.  Later  in 
the  winter  and  spring  he  took  part  in  sledge  travel 
north  of  Melville  Island,  and  on  June  15,  1916, 
he  was  the  first  to  go  ashore  on  the  newly  discov- 
ered Meighen  Island  at  latitude  80°N  (Stefansson, 
1921,  pp.  395,  442fr,  494-495,  518-519;  Noice, 
1924). 

At  Cape  Bathurst  in  the  early  fall  of  1 9 1 7,  Noice 
asked  to  be  discharged  from  the  employ  of  the 
Canadian  Arctic  Expedition  and,  with  two  others, 
purchased  a  ship  from  the  expedition.  His  partners 
were  interested  in  obtaining  furs  from  the  Copper 
Inuit,  but  Noice  wished  to  complete  the  mapping, 
begun  by  Stefansson's  party,  of  northeastern  Vic- 
toria Island.  He  was  hoping  to  reach  Coronation 
Gulf  by  ship  and  then  go  northeastward  across 
Victoria  Island  by  sledge  (Stefansson,  1921,  pp. 
668-669;  Noice,  1924). 

In  the  first  year  Noice's  ship  was  wrecked  in 
winter  quarters  on  the  mainland  coast  of  Amund- 
sen Gulf,  and  this  unforeseen  event  appears  to 
have  dissolved  the  partnership  arrangement.  Dur- 
ing the  winters  of  1919-1920  and  1920-1921  he 
lived  and  traveled  with  a  group  of  Copper  Inuit 
he  refered  to  as  the  "Kilinigmium"  of  southeastern 
Victoria  Island,  possibly  the  group  identified  as 
Kiglinirmiut  by  Jenness  (1922,  p.  39),  who  hunted 
in  the  region  opposite  Bathurst  Inlet  (Stefansson, 
1921,  p.  669;  Anonymous,  1922,  p.  12;  Noice, 
1 922b,  p.  229).  It  seems  probable  that  it  was  among 
these  people  that  Noice  made  most  of  his  ethno- 
graphic collection  since  it  was  here  that  he  traveled 
exclusively  by  land. 


VANSTONE:  THE  NOICE  COLLECTION 


On  his  return  from  the  arctic,  Noice  published 
two  articles  relating  to  research  carried  out  during 
the  previous  two  winters.  In  the  first  he  noted  that 
the  "Kilinigmium"  traveled  inland  in  summer  to 
hunt  caribou  and  met  the  Inuit  of  Prince  Albert 
Sound  and  Minto  Inlet  for  trading  and  dancing. 
They  in  turn  spent  part  of  every  year  on  the  coast 
with  the  "Kilinigmium"  (Noice,  1922b,  p.  229). 
In  the  second  article  he  described  briefly  his  ar- 
chaeological excavations  on  the  mainland  east  of 
the  Coppermine  River  where  he  discovered  pot- 
tery fragments  and  the  ruins  of  earth  and  wood 
houses  similar  to  those  used  in  Alaska.  In  this 
article  he  may  have  been  the  first  to  surmise  that 
changed  local  environmental  conditions,  resulting 
in  an  altered  subsistence  emphasis,  were  relevant 
to  the  indigenous  transition  from  the  prehistoric 
Thule  culture  to  modern  Copper  Inuit  culture 
(Noice,  1922a,  pp.  61 1-612),  a  theory  supported 
by  more  recent  archaeological  research  in  the  area 
(McGhee,  1972;  Taylor,  1972). 


Harold  Noice's  Ethnographic  Collections 

According  to  Stefansson  (1925,  p.  359),  Noice 
came  to  New  York  in  the  spring  of  1922  with  a 
large  ethnographic  and  archaeological  collection 
that  he  hoped  to  sell  for  sufficient  funds  to  allow 
him  to  live  in  the  city  for  a  year  or  two  while  he 
wrote  a  book  about  his  travels.  Stefansson  told 
him  that  he  should  have  no  difficulty  disposing  of 
his  collection  to  the  American  Museum  of  Natural 
History  or  the  Museum  of  the  American  Indian 
and  offered  to  assist  him  in  his  efforts.  Much  to 
Stefansson's  surprise,  however,  such  a  quick  and 
easy  disposal  of  the  collection,  either  in  New  York 
or  elsewhere,  turned  out  to  be  impossible.  Ste- 
fansson noted  that  eventually  limited  selections 
from  the  collection  were  sold,  but  the  prices  were 
"inadequate." 

On  April  24,  1 922,  as  part  of  Stefansson's  initial 
efforts  to  assist  Noice  in  disposing  of  his  collection, 
he  wrote  to  C.  T.  Currelly,  Director  of  the  Royal 
Ontario  Museum  in  Toronto,  enclosing  an  exten- 
sive inventory  of  archaeological  and  ethnographic 
items  that  Noice  hoped  to  sell.  This  inventory 
listed  approximately  280  archaeological  speci- 
mens from  Pearce  Point  on  Amundsen  Gulf  and 
Point  Agiak  east  of  the  Coppermine  River.  About 
535  ethnographic  objects  were  also  listed,  a  few 
of  which  were  obtained  on  Hepburn  Island  in  Cor- 
onation Gulf  and  on  the  Kent  Peninsula.  No  pro- 
venience was  given  for  most  of  the  ethnographic 


material  (Royal  Ontario  Museum  [rom],  archives, 
Dept.  of  Ethnology). 

Commenting  on  this  collection,  Stefansson  wrote 
as  follows: 


I  have  discussed  with  Mr.  Noice  how  much  he  wants  for 
his  collection.  He  says  in  efTect  that  had  he  used  his  trade 
goods  to  buy  fox  skins,  he  would  have  secured  fox  skins 
enough  to  give  him  $25,000  gross  on  arriving  in  Seattle 
last  fall.  Of  course  he  has  the  motive  to  try  to  make  a 
scientific  man  of  himself,  so  he  will  not  be  disappointed 
if  he  gets  much  less. .  .  .  Things  which  he  got  for  nothing 
are  now  very  costly  in  Coronation  Gulf  and  in  many 
instances  the  articles  contained  in  Mr.  Noice's  collection 
can  never  be  duplicated.  Bows,  arrows  and  stone  cooking 
pots  will  never  again  be  made  excepting  for  purposes  of 
sale.  Mr.  Noice  secured  the  last  that  remained  of  those 
actually  made  for  use  and  actually  used.  In  clothing  and 
various  other  items  changes  will  now  begin  to  take  place 
rapidly  for  there  are  many  Western  Eskimos  among  the 
Copper  Eskimos  group  who  will  introduce  new  fashions. 


Stefansson  went  on  to  suggest  that  the  Royal 
Ontario  Museum  may  wish  to  purchase  "only  a 
few  things,"  and  he  especially  recommended  five 
bows  made  of  musk  ox  horn.  He  suspected  that 
such  bows  may  not  have  been  present  in  the  col- 
lection of  the  Canadian  Arctic  Expedition  in  Ot- 
tawa and  slyly  suggested  that  Currelly  inquire  of 
Jenness  if  this  is  the  case  but  without  mentioning 
Stefansson's  name.  If  there  were  none  in  Ottawa, 
then  the  five  obtained  by  Noice  would  be  es- 
pecially valuable. 

It  appears  that  Currelly  may  not  have  answered 
Stefansson's  letter,  and  on  September  28,  1922, 
Noice  wrote  Currelly  that  he  was  willing  to  break 
up  his  collection  into  small  lots.  He  also  men- 
tioned items  of  special  interest  such  as  the  "musk 
ox  horn  bow  and  arrow  outfits"  and  "basketry  of 
Bathurst  Inlet."  Currelly  wrote  to  Noice  on  Oc- 
tober 3  asking,  "For  how  much  could  we  have  one 
bow  and  bow-repairing  outfit,  and  one  adze  with 
musk  ox  horn  handle?"  He  volunteered  the  in- 
formation that  "our  finances  are  not  in  good  con- 
dition." Three  days  later  Noice  answered  that  "I 
can  let  you  have  one  complete  musk  ox  horn  bow 
with  seal  skin  case  and  seal  skin  quiver  together 
with  2  bone-tipped,  4  iron-tipped,  bone  shanked, 
and  3  copper-tipped  arrows,  and  a  complete  bow 
repairing  outfit,  for  $  1 50.00."  He  did  not  mention 
the  adze  with  a  musk  ox  horn  handle.  There  is  no 
indication  that  the  Royal  Ontario  Museum  pur- 
chased any  of  Noice's  collection  at  this  time. 

Some  time  after  this  correspondence  between 
Currelly  and  Noice,  the  latter  appears  to  have  sold 
the  entire  collection,  or  at  least  the  ethnographic 


FIELDIANA:  ANTHROPOLOGY 


objects,  to  John  G.  Worth,  a  Philadelphia  dealer 
with  ties  to  several  American  museums.  On  March 

I,  1925,  Worth  wrote  to  Clark  Wissler  at  the 
American  Museum  of  Natural  History  indicating 
that  he  had  enough  for  three  small  collections  and 
inquiring  of  Wissler  whether  he  knew  of  someone 
who  might  want  to  purchase  a  segment  of  the  col- 
lection (American  Museum  of  Natural  History, 
archives,  Dept.  of  Anthropology).  He  apparently 
received  no  reply.  Worth's  further  efforts  to  dis- 
pose of  the  Noice  collection  can  be  reconstructed 
from  his  correspondence  with  the  Royal  Ontario 
Museum  and  the  Field  Museum  of  Natural  His- 
tory. 

Some  time  prior  to  May  1,  1925,  Worth,  pos- 
sibly at  the  suggestion  of  Stefansson  or  Noice,  wrote 
Currelly,  presumably  to  inquire  whether  the  Royal 
Ontario  Museum  might  still  be  interested  in  ac- 
quiring a  Copper  Inuit  collection.  Currelly  replied 
on  May  1  expressing  interest  and  Worth  respond- 
ed, noting  that  he  had  two  collections,  one  for 
which  he  was  asking  $500.00  and  another,  larger 
collection  for  which  he  hoped  to  receive  $  1 ,000.00. 
Currelly's  response  may  have  indicated  that  he 
was  dubious  about  spending  that  much  money, 
and  Worth  then  offered  a  small  collection  for 
$  1 50.00  to  $200.00.  On  May  3 1  Worth  wrote  Cur- 
relly that  the  Milwaukee  Public  Museum  had 
agreed  to  take  one  collection  for  $500.00  and  of- 
fering a  duplicate  to  the  Royal  Ontario  Museum 
for  $450.00.  He  apparently  did  not  receive  a  fa- 
vorable reply,  and  in  November,  1925,  he  sold  to 
the  Field  Museum  of  Natural  History  for  $500.00 
the  collection  that  is  the  subject  of  this  study  (Field 
Museum  of  Natural  History,  accession  files,  Dept. 
of  Anthropology). 

Worth  apparently  wrote  Currelly  again  in  early 
December.  1925,  once  more  offering  the  Royal 
Ontario  Museum  a  small  collection.  On  December 

I I ,  T.  F.  Mcllwraith,  Keeper  of  the  Ethnological 
Collections,  responded  that  he  would  like  to  see 
the  collection  on  approval,  and  Worth  replied  that 
he  was  sending  his  "best  $200  lot."  Almost  im- 
mediately, however,  he  informed  Mcllwraith  that 
he  did  not  have  a  small  collection  to  send  but, 
instead,  offered  a  larger  one  for  $1,200.00.  There 
the  matter  stood  until  January  27,  1927,  when 
Worth  wrote  Currelly  that  a  transaction  he  be- 
lieved he  had  completed  with  another  museum 
had  fallen  through  because  that  institution  did  not 
have  the  money.  This  was  probably  the  collection 
that  the  Milwaukee  Public  Museum  had  agreed  to 
purchase  and  that  was  then  sold  to  the  Field  Mu- 
seum. He  now  offered  what  remained  of  the  Noice 


collection  to  Currelly  for  $1,000.00.  On  May  13, 
1927,  Mcllwraith  agreed  to  purchase  this  collec- 
tion for  the  asking  price.  On  May  17  Worth  ac- 
knowledged the  purchase  and  noted  that  arrange- 
ments had  been  made  for  packing  and  shipping 
(ROM,  archives.  Dept.  of  Ethnology).  The  collec- 
tion presently  in  the  Department  of  Ethnology  of 
the  Royal  Ontario  Museum  consists  of  at  least  250 
objects  (catalog  nos.  2585-2837). 

It  now  appears  that  the  Noice  collections  in  the 
Field  Museum  of  Natural  History  and  the  Royal 
Ontario  Museum  constitute  the  entire  assemblage 
of  Copper  Inuit  ethnographic  material  formerly  in 
the  possession  of  Harold  Noice  and  later  sold  to 
John  G.  Worth.  The  total  number  of  the  two  col- 
lections equals  approximately  the  number  of  eth- 
nographic objects  listed  in  the  inventory  that  Ste- 
fansson sent  Currelly  in  1922.  The  archaeological 
material  listed  in  that  inventory  may  or  may  not 
have  been  purchased  by  Worth  and  its  present 
whereabouts  is  unknown. 


II.  The  Collection 

In  the  catalog  of  the  Department  of  Anthro- 
pology, Field  Museum  of  Natural  History,  the 
Noice  collection  of  Copper  Inuit  material  culture 
(accession  1628)  is  assigned  125  catalog  numbers 
representing  244  objects.  It  was  received  by  the 
Field  Museum  on  December  8,  1 925.  Unlike  most 
other  ethnographic  collections  in  the  museum,  this 
one  was  cataloged  in  such  a  manner  that  typolog- 
ically  similar  artifacts,  instead  of  receiving  sepa- 
rate catalog  numbers,  were  frequently  assigned  al- 
phabetical subdesignations  of  single  numbers.  This 
accounts  for  the  considerable  difTerence  between 
the  number  of  catalog  numbers  and  the  number 
of  objects  in  the  collection.  At  the  time  this  study 
was  begun,  1 0  objects  represented  by  eight  catalog 
numbers  could  not  be  located  in  storage  or  on 
exhibit;  they  have  apparently  been  lost.  Other  than 
the  information  referred  to  in  the  Introduction, 
there  is  no  documentation  accompanying  the  Noice 
collection. 

Artifacts  in  the  Noice  collection  are  described 
within  the  following  six  use  categories:  subsistence 
(land  hunting,  sea  hunting,  fishing),  tools  (wom- 
en's and  men's),  household  equipment,  clothing 
(men's  and  women's),  miscellaneous,  and  raw  ma- 
terial (see  Appendix  for  catalog  numbers).  De- 
scriptions of  the  artifacts  that  follow  should  be 
read  while  examining  the  accompanying  photo- 


VANSTONE:  THE  NOICE  COLLECTION 


graphs  and  drawings.  For  comparisons  I  have  re- 
lied heavily  on  the  publications  of  Stefansson  and 
Jenness,  although  other  sources  are,  of  course,  cit- 
ed when  relevant. 


Subsistence 

Land  Hunting— The  Noice  collection  contains 
three  wooden  composite  hows  contained  in  com- 
bination bow  cases  and  quivers  with  arrows.  The 
staves  of  two  reflex  bows  with  bent  ends  consist 
of  three  pieces  scarfed  together  and  secured  with 
sinew  lashing.  The  joints  are  reinforced  with  flat 
plates  of  bone.  On  one  bow  a  metal  sleeve,  barely 
visible  through  the  lashing,  covers  one  scarfed  joint. 
The  staves  of  both  bows  are  rectangular  in  cross 
section  and  of  equal  thickness  their  entire  length. 
A  bow  string  of  twisted  sinew  is  laid  over  distinct 
nocks. 

Because  the  dried  spruce  driftwood  from  which 
these  Copper  Inuit  bows  were  made  has  little  ten- 
sility and  breaks  easily,  back  lashings  of  braided 
sinew  were  essential  to  provide  strength.  On  these 
two  bows  approximately  20  strands  of  braided  sin- 
ew extend  along  the  back  of  the  stave,  are  passed 
around  the  nocks,  and  loosely  wrapped  with  raw- 
hide to  keep  them  from  slipping  over  the  edge.  At 
the  ends  the  lashing  is  secured  to  the  stave  with  a 
series  of  half  hitches  like  those  illustrated  by  Mur- 
doch (1884,  p.  314,  figs.  12-13)  and  with  rawhide 
wrapping  at  the  grips.  Copper  Inuit  composite  bows 
with  similar  lashings  are  described  and  illustrated 
by  Stefansson  (1914,  pp.  85-89,  fig.  30),  Birket- 
Smith  ( 1 945,  p.  1 62,  fig.  1 1 7d),  and  Jenness  ( 1 946, 
pp.  122-124,  fig.  151).  Two  rectangular  strips  of 
sealskin  have  been  laid  under  the  lashing  to  in- 
crease tension  since  the  lashing  invariably  loosens 
with  use  and  changing  weather  conditions  (fig.  2b). 

The  third  bow  in  the  collection,  of  the  simple 
reflex  type,  has  a  rectangular  stave  of  three  pieces, 
the  stave  having  been  lengthened  by  the  addition 
of  short  tips  scarfed  to  the  ends  of  both  limbs  and 
secured  with  nails  and  iron  rivets.  At  the  grip, 
which  is  slightly  thicker  than  the  limbs,  the  stave 
appears  to  have  split  and  is  reinforced  with  sinew 
lashing.  Under  this  lashing  there  is  a  strip  of  seal- 
skin on  the  inner  side  and  a  plate  of  bone  on  the 
outer.  The  back  lashing  is  combined  into  two  ca- 
bles held  in  place  in  the  same  manner  as  charac- 
terized in  the  two  previously  described  bows  (fig. 
2a).  A  bow  with  a  three-piece  stave  collected  in 
1853  by  Collinson  is  mentioned  by  Boas  (1888, 
p.  50). 


According  to  Stefansson  (1914,  p.  85)  and  Jen- 
ness (1922,  p.  145),  bows  were  the  principal  hunt- 
ing weapon  of  the  Copper  Inuit  and  were  in  use 
at  the  time  of  their  fieldwork.  Stefansson  (1914, 
pp.  85,  88-89)  noted  that  those  Copper  Inuit  whose 
bows  were  commonly  made  of  driftwood  obtained 
it  along  the  west  coast  of  Banks  Island.  Bows  were 
also  purchased  ready-made,  especially  by  the  peo- 
ple living  on  Victoria  Island,  although  even  these 
eastern  people  sometimes  camped  at  the  head  wa- 
ters of  the  Dease  River  to  obtain  wood  (Stefans- 
son, 1921,  p.  215).  In  trading  among  themselves, 
a  seven-inch  butcher  knife  or  "number  one"  steel 
needle,  usually  obtained  from  the  Hudson's  Bay 
Company,  was  equal  in  value  to  a  bow  with  a  bow 
case,  quiver,  and  1 5  to  20  arrows  in  1910.  Families 
of  Copper  Inuit  who  hunted  toward  Great  Bear 
Lake  secured  wood  for  themselves  and  for  trade. 
These  bows  were  made  of  green  spruce  and  were 
roughed  out  during  the  summer,  allowed  to  dry, ; 
and  then  either  finished  with  a  crooked  knife  or 
carried  unfinished  to  the  coast  in  the  fall. 

Regarding  the  efficiency  of  the  bow,  Stefansson 
(1914,  p.  96)  noted. 


Tolerable  accuracy,  such  as  is  needed  in  shooting  birds, 
is  not  secured  beyond  a  range  of  twenty-five  or  thirty 
yards.  Against  caribou  the  effective  range  varies  with 
different  archers,  generally  between  seventy-five  and 
ninety  yards,  and  is  probably  not  over  one  hundred.  At 
thirty  or  forty  yards  members  of  our  party  have  repeat- 
edly seen  an  arrow  pass  through  the  thorax  or  abdomen 
of  an  adult  caribou  and  fly  several  yards  beyond. 


Interestingly  enough,  Stefansson  believed  that 
the  Copper  Inuit  lost  fewer  wounded  caribou  than 
did  the  Alaskan  Ifiupiat  hunting  with  rifles.  Jen- 
ness (1922,  p.  146),  on  the  other  hand,  had  a  less 
favorable  opinion  of  bow  accuracy.  His  inform- 
ants admitted  that  the  bow  was  of  little  use  at 
distances  greater  than  about  thirty  yards.  The  Cop- 
per Inuit  used  the  Mediterranean  release  and  held 
the  bow  almost  horizontal  (Jenness,  1922,  p.  45, 
fig.  46,  1946,  p.  126). 

According  to  Stefansson  ( 1 9 1 4,  p.  88),  a  Copper 
Inuit  quiver  usually  contained  between  1 5  and  20 
arrows.  The  three  quivers  in  the  Noice  collection 
originally  contained  a  total  of  23  arrows,  of  which 
five  are  now  missing.  The  wood  shafts  of  these 
arrows  are  circular  in  cross  section  and  range  in 
length  from  56  cm  to  69  cm,  not  including  the 
heads,  which  are  missing  from  eight  specimens. 
Three  shafts  are  of  two  pieces  joined  together  with 
a  scarf  and  lashed  with  sinew  (see  Stefansson,  1914, 


FIELDIANA:  ANTHROPOLOGY 


p.  93,  fig.  37).  On  all  the  arrows  the  shafts  are 
widened  and  flattened  slightly  at  the  nocks,  which 
are  wrapped  with  sinew.  The  nocks  are  cut  parallel 
to  the  flattened  surface.  The  fletching  is  intact  on 
only  one  arrow,  which  has  two  trimmed  tangential 
feathers  split  in  half,  probably  from  a  gyrfalcon 
(Fallo  rusticolus).  The  barbs  have  been  removed 
from  each  end  of  the  vane.  At  the  distal  end  the 
spines  at  the  ends  of  the  exposed  vanes  are  held 
in  place  by  the  lashing  around  the  nock  (fig.  It). 

Of  the  ten  arrows  that  have  antler  arrowheads 
in  place,  one  is  unbarbed  with  an  iron  lancelate 
blade  held  in  place  with  a  rivet  of  the  same  ma- 
terial (fig.  2c).  Six  arrowheads  have  two  or  three 
barbs  along  one  side  toward  the  proximal  end  with 
riveted  lancelate  blades,  one  of  copper  and  the  rest 
iron;  one  blade  has  a  single  spur  (fig.  2f).  On  two 
complete  arrows  the  arrowheads  have  metal 
shanks,  one  iron  and  the  other  copper,  terminating 
in  riveted  lancelate  blades,  one  of  which  has  dou- 
ble spurs  (fig.  2d,g).  A  single  arrowhead  lacks  barbs 
and  is  flattened  and  widened  at  the  pointed  distal 
end.  Because  these  arrowheads  are  hafted,  it  is  not 
possible  to  determine  the  exact  shape  of  the  tangs. 
All  of  them,  however,  appear  to  have  sharp  shoul- 
ders, and  the  tangs  are  inserted  into  the  distal  ends 
of  the  shafts  and  lashed  with  sinew.  Similar  ar- 
rowheads are  illustrated  by  Stefansson  (1914,  pp. 
88-89,  91,  figs.  32-33,  35).  Complete  arrows  like 
those  in  the  Noice  collection  are  illustrated  by 
Cadzow  (1920,  pi.  X)  and  Birket-Smith  (1945,  p. 
164,  fig.  118). 

In  addition  to  the  complete  arrows  there  are  1 4 
arrow  shaft  fragments  in  the  collection  ranging  from 
15.5  cm  to  19  cm.  Three  of  these  are  parts  of 
scarfed  shafts  and  four  have  feather  fragments  at- 
tached. On  one  of  these  the  fragments  are  probably 
gyrfalcon  feathers,  but  the  others,  badly  deterio- 
rated, cannot  be  identified.  Six  shaft  fragments 
include  the  nocks.  Two  are  flattened  at  the  prox- 
imal end  and  all  are  wrapped  with  sinew. 

There  are  1 4  antler  arrowheads  in  the  collection 
ranging  in  length  from  22  cm  to  33  cm  and  mostly 
similar  to  those  previously  described  on  the  com- 
plete arrows.  Twelve  have  one  to  six  barbs  along 
one  side  and  sharp  shoulders  with  barbed  conical 
tangs  (fig.  3a-c,f ).  Two  lack  barbs  and  have  sloping 
shoulders  with  wedge-shaped  tangs  (fig.  3d-e).  One 
of  these  consists  of  two  sections  spliced  and  fas- 
tened together  with  iron  rivets  (fig.  3d).  Twelve 
have  lancelate  blades  of  iron  attached  with  iron 
or  copper  rivets  (fig.  3b,d-f ),  one  of  which  has  a 
single  spur  (fig.  3d).  One  arrowhead  is  pointed  at 
the  distal  end  and  lacks  a  blade  (fig.  3c),  while 


another  has  a  bone  blade  attached  with  a  copper 
rivet  (fig.  3a). 

The  three  bows  and  1 8  complete  or  nearly  com- 
plete arrows  in  the  collection  were  kept  in  bow 
cases  of  dark,  depilated  sealskin  shaped  to  the  form 
of  the  weapon.  One  end  is  closed  and  the  other 
left  open  for  some  distance  down  its  curved  edge 
to  receive  the  bow.  A  quiver  is  attached  to  each 
bow  case  along  its  straight  edge  with  strips  of  seal- 
skin. On  all  three  bow  cases  a  tool  bag  is  sewn  to 
the  quiver  with  sinew  in  such  a  manner  that  when 
the  whole  assemblage  was  worn  on  the  back,  the 
quiver  covered  the  tool  bag,  preventing  its  con- 
tents from  falling  out  (Jenness,  1922,  p.  147,  fig. 
47).  One  case  has  a  sealskin  carrying  strap  attached 
with  a  pair  of  toggles  similar  to  those  illustrated 
by  Jenness  (1946,  p.  129,  fig.  160a).  The  carrying 
strap  on  the  second  case  is  attached  with  round 
antler  buttons.  The  third  case  lacks  a  carrying  strap. 
On  each  case  there  is  a  curved  antler  handle  with 
rounded  or  pointed  ends  attached  to  the  straight 
edge  of  the  bow  case  so  that  it  could  also  be  carried 
in  the  hand.  On  the  outside  of  two  cases  are  at- 
tached a  pair  of  bone  "wings"  about  8  cm  in  length 
for  pinning  through  the  wings  of  small  birds,  es- 
pecially ptarmigan  (Birket-Smith,  1945,  p.  168, 
fig.  122d;  Jenness,  1946,  p.  129,  fig.  161).  A  pair 
of  small  toggles  and  a  handle  for  carrying  bags  of 
blood  are  also  attached  to  one  bow  case  (Jenness, 
1946,  p.  130,  fig.  162).  The  best  preserved  of  the 
three  bow  cases  in  the  collection  is  illustrated  (fig. 
4).  Similar  bow  cases,  quivers,  and  tool  bags  are 
described  and/or  illustrated  by  Stefansson  (1914, 
p.  87,  fig.  31),  Rasmussen  (1932,  p.  94),  Birket- 
Smith  (1945,  pp.  163-164,  fig.  117),  and  Jenness 
(1946,  pp.  126-129,  fig.  157). 

The  collection  contains  three  bow  case  handles, 
one  of  antler  and  two  of  ivory,  similar  to  those  on 
the  complete  cases.  They  are  curved  and  pointed 
at  each  end  with  paired  lashing  slots  for  attach- 
ment to  the  straight  edge  of  the  bow  case  (fig.  31). 
An  identical  handle,  ornamented  with  incised  lines, 
is  illustrated  by  Jenness  (1946,  p.  128,  fig.  158). 

A  thumb  guard,  used  when  shooting  with  the 
bow,  is  an  oblong,  curved  piece  of  bone  with 
rounded  ends.  On  each  side  is  a  hole  for  the  skin 
thong,  which  fastens  the  guard  to  the  thumb  (fig. 
3i).  Similar  Copper  Inuit  thumb  guards  are  de- 
scribed and/or  illustrated  by  Stefansson  (1914,  p. 
97,  fig.  42)  and  Birket-Smith  (1945,  p.  168,  fig. 
121).  According  to  Birket-Smith,  thumb  guards 
were  not  used  by  the  neighboring  Netsilik. 

The  collection  contains  four  sets  of  bow  tools, 
which  include  a  pair  of  marlin  spikes  and  a  pair 


VANSTONE:  THE  NOICE  COLLECTION 


of  sinew  twisters.  The  marlin  spikes,  which  range 
in  length  from  17.5  cm  to  24  cm,  are  made  of 
bone,  are  wedge-shaped  at  the  distal  end,  and  have 
handles  that  are  either  curved  or  grooved  for  the 
fingers;  there  are  small  holes  just  below  the  handles 
(figs.  3k,  5e,h).  According  to  Jenness  ( 1 946,  p.  1 29), 
the  holes  enabled  the  marlin  spikes  to  be  lashed 
in  pairs  since  two  were  necessary  to  unfasten  and 
tighten  the  sinew  backing  of  the  bow.  The  sinew 
twisters  are  all  the  same  size,  made  of  bone,  and 
turned  up  at  the  ends  in  opposite  directions.  They 
have  holes  in  the  center  and  are  used  in  pairs  to 
tighten  or  loosen  the  sinew  backing  on  bows  (fig. 
3g-h,j).  Stefansson  (1914,  p.  94,  fig.  39a)  illus- 
trated marlin  spikes  and  sinew  twisters  lashed  to- 
gether like  those  in  the  Noice  collection. 

In  addition  to  the  sets  of  bow  tools  just  de- 
scribed, the  collection  contains  two  additional 
marlin  spikes  that  are  similar  to  those  in  the  sets. 
Jenness  (1946,  p.  129)  noted  that  some  marlin 
spikes  closely  resemble  marrow  extractors  except 
for  their  heavier  construction  and  were  sometimes 
used  for  extracting  marrow.  In  addition  to  the  set 
illustrated  by  Stefansson,  Copper  Inuit  marlin 
spikes  and  sinew  twisters  are  also  illustrated  by 
Birket-Smith  (1945,  p.  169,  fig.  122e-0  and  Jen- 
ness (1946,  pp.  129-130,  figs.  163-164). 

A  large  iron  lance  blade,  leaf-shaped  with  a  rect- 
angular tang,  was  probably  used  with  a  caribou 
lance  (fig.  5c).  Such  a  lance  blade  may  have  been 
hafted  directly  to  the  wooden  shaft  or  have  had  a 
fixed  foreshaft  of  antler  like  a  lance  illustrated  by 
Jenness  (1946,  p.  135,  fig.  175).  According  to  Jen- 
ness (1946,  p.  135)  and  Stefansson  (1914,  p.  84), 
lances  were  used  only  for  spearing  caribou  from  a 
kayak. 

The  collection  contains  two  antler  arrow  shaft 
straighteners.  The  hole  through  which  the  arrow 
shaft  is  passed  is  beveled  on  both  sides.  One 
straightener  has  a  pair  of  parallel  engraved  lines 
just  below  the  hole  (fig.  5d).  Similar  straighteners 
are  described  and/or  illustrated  by  Stefansson 
(1914,  p.  96,  fig.  40)  and  Jenness  (1946,  p.  134, 
fig.  172). 

According  to  Jenness  (1946,  p.  132),  hunters 
collected  the  blood  of  caribou  in  the  pouch-shaped 
reticulum  of  the  animal's  stomach.  Bone  pins,  car- 
ried in  the  tool  bag  attached  to  the  quiver,  were 
used  to  close  this  pouch.  The  collection  contains 
three  pairs  of  bone  pins,  pointed  at  the  end  to 
penetrate  the  reticulum  without  tearing  a  hole,  and 
with  knobs  at  the  other  end,  fastened  together  with 
sinew  below  the  knobs  (fig.  50-  Similar  pins  are 


illustrated  by  Stefansson  ( 1 9 1 4,  p.  94,  fig.  39d)  and 
Jenness  (1946,  p.  132,  fig.  167). 

Handles  for  carrying  blood  bags  were  grooved 
to  fit  the  fingers  and  fitted  with  a  short  strip  of 
plaited  sinew.  The  collection  contains  three,  one 
with  an  ivory  handle  (fig.  5a),  the  second  with  an 
antler  handle,  and  the  third  with  a  handle  of  musk 
ox  horn.  Jenness  (1946,  p.  129,  fig.  162,  p.  130) 
noted  that  these  handles  were  sometimes  kept  in 
the  tool  bag,  but  more  often  were  attached  to  the 
outside  of  the  quiver  or  bow  case.  It  will  be  recalled 
that  a  similar  handle  is  attached  to  one  of  the  bow 
case/quivers  in  the  collection.  Handles  for  carrying 
blood  bags  are  illustrated  by  Birket-Smith  (1945, 
p.  171,  fig.  126). 

According  to  Jenness  (1946,  p.  135),  the  Copper 
Inuit  used  neither  the  sling  nor  the  bolas.  Nev- 
ertheless, the  collection  contains  a  bolas  with  six 
bone  balls  attached  to  narrow  strips  of  sealskin 
wrapped  at  the  proximal  end  with  sinew  (fig.  5b). 

Jenness  (1946,  p.  132,  fig.  171,  p.  133)  noted 
that  hunters  often  carried  a  drinking  tube  made 
from  the  hollow  leg  bone  of  a  bird,  usually  a  swan 
{Olor  columbianus),  in  the  tool  bag.  The  collection 
contains  one  such  drinking  tube  that  is  unmodified 
except  for  straight  cuts  at  the  ends  (fig.  5g). 

Sea  Hunting— As  among  other  Central  Inuit, 
the  toggle  harpoon  was  the  principal  seal  hunting 
weapon.  Although  hunters  occasionally  tried  to 
crawl  near  seals  basking  on  the  ice  in  spring  and 
fall,  this  type  of  hunting  was  rare  until  rifles  were 
obtained.  Thus  the  most  important  seal  hunting 
was  at  the  animals'  breathing  holes  in  winter  (Jen- 
ness, 1946,  p.  115)  and  the  small  amount  of  seal 
hunting  equipment  in  the  Noice  collection  is  re- 
lated entirely  to  that  activity. 

The  collection  contains  a  single  antler  harpoon 
head  with  a  short  length  of  sealskin  line  attached. 
It  has  a  closed  socket,  a  single  spur,  and  the  distal 
end  is  worked  to  a  point  at  right  angles  to  the  line 
hole;  there  is  no  blade.  The  implement  is  grooved 
between  the  line  hole  and  the  socket  and  sinew  is 
wrapped  around  the  groove  (fig.  6f).  This  harpoon 
head  does  not  resemble  those  illustrated  by  Birket- 
Smith  (1945,  pp.  172-173,  figs.  128-1 29)  and  Jen- 
ness (1946,  pp.  116-1 17,  figs.  140-1 41),  all  of  which 
have  metal  blades.  Harpoon  heads  without  in- 
serted blades  are  described  by  Taylor  (1974,  pp. 
86-87)  for  the  Netsilik. 

A  set  of  eight  antler  harpoon  heads  strung  on  a 
length  of  sealskin  line  are  described  in  the  catalog 
as  "unfinished."  It  is  difficult,  however,  to  see  how 
they  could  be  finished  further  since  each  is  care- 


10 


FIELDIANA:  ANTHROPOLOGY 


fully  worked  to  a  flattened  point  at  the  distal  end 
at  right  angles  to  the  line  hole  and  has  a  closed 
socket  with  a  single  spur  (fig.  6e). 

An  unusual  artifact  is  a  bag  with  harpoon  head. 
The  narrow  bag,  made  of  several  small  pieces  of 
depilated  caribou  hide  sewn  with  sinew,  is  pointed 
at  one  end  and  has  a  pair  of  loops  at  the  other.  A 
third  loop  on  one  side  has  a  length  of  braided  sinew 
extending  from  it.  Attached  to  one  of  the  end  loops 
with  sinew  is  a  small  bone  button  and  a  plug- 
shaped  piece  of  wood.  Accompanying  the  bag  is 
an  antler  harpoon  head  with  a  single  spur,  closed 
socket,  and  iron  blade  held  in  place  with  a  copper 
rivet  (fig.  7).  The  harpoon  head  was  in  the  bag, 
point  down,  with  the  wood  plug  in  the  socket.  The 
function  of  the  bone  button  is  unclear,  but  it  may 
have  been  used  in  combination  with  the  wood  plug 
as  a  fastener  to  prevent  the  head  getting  lost  in  the 
snow  if  it  were  to  fall  from  the  open  top  of  the 
bag. 

A  single  antler  ice  pick,  slightly  curved  and 
pointed  at  the  distal  end  with  a  long,  narrow  tang, 
was  lashed  to  the  proximal  end  of  the  harpoon 
shaft  (fig.  80-  It  enabled  the  harpoon  to  be  planted 
upright  in  the  snow  and  was  used  to  enlarge  a  seal's 
breathing  hole  after  the  animal  was  harpooned. 

The  collection  contains  two  breathing  hole  scoops 
used  for  clearing  the  snow  from  around  the  breath- 
ing hole  of  a  seal.  Each  has  a  slightly  curved  han- 
dle, antler  on  one  scoop  and  musk  ox  horn  on  the 
other,  and  bowls  of  the  latter  material.  The  two 
parts  are  spliced  with  a  V-shaped  notch  and  lashed 
with  sealskin  from  which,  on  one  scoop,  protrudes 
a  small  skin  strap  for  hanging  the  scoop  on  the 
back  of  the  hunter's  coat  (fig.  6b).  On  the  other 
the  strap  is  fastened  to  the  handle  just  above  the 
splice  (fig.  6a).  The  handles  on  both  scoops  are 
tapered  to  a  rounded  point  with  which,  according 
to  Birket-Smith  ( 1 945,  p.  1 74)  and  Jenness  ( 1 946, 
p.  1 1 9),  the  hunter  stabbed  the  eye  of  the  seal  when 
it  was  brought  to  the  surface.  Similar  scoops  are 
illustrated  by  Birket-Smith  ( 1 945,  p.  1 74,  fig.  1 32), 
Jenness  ( 1 946,  p.  1 1 9,  fig.  1 44),  and  Cadzow  ( 1 920, 
pi.  IXc).  Breathing  hole  scoops  of  the  same  type 
were  also  used  by  the  Netsilik  (Taylor,  1974,  pp. 
90-91). 

Dogs  were  used  to  sniff  out  a  seal's  breathing 
hole  and  the  collection  contains  a  swivel  for  leading 
a  dog  to  the  sealing  ground.  It  consists  of  a  flat, 
rectangular  piece  of  antler  with  a  hole  in  the  center 
for  a  knobbed  swivel  of  bone.  A  broad  sealskin 
strap  is  attached  at  both  ends  of  the  flat  antler 
piece  and  a  short  strip  of  the  same  material  runs 


from  the  swivel  with  a  small  toggle  at  the  end.  The 
strap  fitted  over  the  hunter's  wrist  and  the  toggle 
was  buttoned  into  a  loop  on  the  dog's  harness  (fig. 
8c).  A  similar  swivel  is  described  and  illustrated 
by  Jenness  (1946,  p.  122,  fig.  149). 

The  collection  contains  five  seal  indicators  of 
ivory  consisting  of  a  long  needle-like  rod,  at  the 
top  of  which  is  a  drilled  eyelet  of  musk  ox  horn. 
A  short  length  of  sinew  leads  from  the  eyelet  to 
paired  holes  in  the  center  of  a  shorter  rod.  Origi- 
nally a  small  bone  disc  would  have  been  fitted  to 
the  lower  end  of  the  long  rod  (fig.  9g).  According 
to  Jenness  (1922,  p.  1 13),  when  the  hunter,  with 
the  aid  of  his  dog,  located  a  breathing  hole,  the 
long  rod  was  pushed  down  the  hole  and  allowed 
to  rest  against  the  snow  at  the  side  of  the  hole, 
which  kept  it  from  falling.  The  shorter  rod  was 
pegged  into  the  snow.  The  slightest  disturbance 
below  the  hole  caused  the  long  rod  to  dip  but  the 
short  rod  kept  it  from  being  lost  in  the  hole.  Seal 
indicators  of  the  needle  type  are  described  and/or 
illustrated  by  Stefansson  (1914,  p.  49,  fig.  2),  Bir- 
ket-Smith (1945,  pp.  174-175,  fig.  133),  Jenness 
(1946,  p.  199,  fig.  144),  and  Cadzow  (1920,  pp. 
16-17,  pi.  IXa)  and  for  the  Netsilik  by  Taylor 
(1974,  pp.  91-92). 

Seal  hooks  are  represented  in  the  collection  by 
the  distal  ends  of  three  specimens  contained  to- 
gether in  a  caribou  skin  bag.  The  shaft  sections  of 
these  hooks  are  of  wood  and  slope  at  the  proximal 
end  with  a  lashing  knob  for  the  splice.  At  the  distal 
end  of  two,  heavy  pieces  of  bone  are  spliced  to  the 
shaft  and  lashed  with  sealskin.  A  heavy  iron  hook 
protrudes  from  this  bone  piece  (fig.  6c).  On  the 
third  specimen  the  iron  hook  is  lashed  directly  to 
the  shaft  section  with  sealskin  (fig.  6d).  The  bag 
containing  these  hooks  is  made  from  two  irregu- 
larly shaped  pieces  of  caribou  skin  sewn  with  sinew 
(fig.  6g).  Seal  hooks  like  these  have  not  been  de- 
scribed for  the  Copper  Inuit,  but  Mathiassen  ( 1 928, 
p.  42,  fig.  15,  p.  44)  described  and  illustrated  a 
similar  device  from  the  Iglulik.  When  hafted  to  a 
wood  shaft,  they  may  have  been  used  to  drag  the 
seal  from  its  hole. 

Fishing— Jenness  (1922,  p.  152)  noted  that  the 
fishing  equipment  of  the  Copper  Inuit  was  very 
simple.  Until  relatively  recent  times,  they  had  no 
nets.  Lake  trout,  salmon  trout,  and  tomcod  {Mi- 
crogadus proximus)  were  taken  with  hook  and  line 
or  speared  with  leisters. 

There  were  two  forms  o^  leisters,  both  of  which 
are  present  in  the  Noice  collection.  The  first,  rep- 
resented by  two  examples,  resembles  a  trident; 


VANSTONE:  THE  NOICE  COLLECTION 


11 


they  are  complete  except  for  most  of  the  long  wood 
shaft.  The  side  prongs  are  of  antler,  asymmetri- 
cally barbed  on  both  sides,  cut  for  splicing  at  the 
proximal  end  on  the  outer  side,  and  with  a  lashing 
knob.  The  center  prong  is  symmetrically  barbed 
on  both  sides,  probably  spatulate-shaped  at  the 
proximal  end,  and  is  fitted  into  a  slot  at  the  distal 
end  of  the  shaft.  All  three  prongs  are  lashed  to  the 
shaft  with  braided  sinew  (fig.  8a-b). 

In  addition  to  these  nearly  complete  trident  leis- 
ters, the  collection  contains  five  leister  side  prongs 
and  a  single  center  prong  of  antler.  Two  of  the  side 
prongs  have,  in  addition  to  the  lashing  knob, 
notches  at  the  proximal  end  to  improve  the  haft 
(fig.  9c,e).  The  center  prong  is  spatulate-shaped  at 
the  proximal  end  and  scored  as  an  aid  to  hafting 
(fig.  9d).  Similar  trident  leisters  and  prongs  are 
described  and  illustrated  by  Birket-Smith  (1945, 
pp.  178-179,  fig.  138a)  and  Jenness  (1946,  pp. 
111-112,  fig.  134b).  According  to  Birket-Smith 
(1945,  p.  178),  this  form  of  leister  was  also  used 
by  the  Netsilik. 

The  second  leister  form  is  represented  in  the 
collection  by  two  side  prongs  of  musk  ox  horn, 
curved  and  fitted  on  the  inside  at  the  distal  end 
with  barbs  of  copper.  At  the  proximal  end  they 
are  cut  for  splicing  on  the  inner  side  with  a  lashing 
knob  on  the  outer  side.  Sealskin  lashing  is  present 
on  one  prong  (fig.  8g).  The  center  prong  for  this 
form  of  leister  was  usually  of  antler  and  similar  to 
those  on  the  trident  leisters.  Similar  leisters  of  this 
second  form  are  described  and/or  illustrated  by 
Stefansson  (1914,  p.  83,  fig.  27),  Cadzow  (1920, 
pi.  II)  and  Jenness  (1946,  pp.  178-179,  figs.  137, 
138b)  and  for  the  Netsilik  by  Taylor  (1974,  p.  83, 
pi.  9).  According  to  Jenness  (1946,  p.  Ill),  the 
trident  leister  was  preferred  for  migrating  salmon 
trout  that  entered  weirs  constructed  across  streams, 
while  the  second  leister  form  was  used  with  a  fish 
decoy  to  spear  lake  trout  and  salmon  trout  in  lakes. 

Fishing  with  hook  and  line  by  the  Copper  Inuit 
is  described  in  detail  by  Jenness  (1922,  pp.  152- 
1 55,  fig.  50).  The  collection  contains  one  complete 
fishing  rod  and  turehook.  The  rod  is  a  straight  stick 
deeply  notched  at  each  end  to  receive  the  line  of 
plaited  sinew.  According  to  Jenness  ( 1 946,  p.  1 06), 
caribou  leg  sinew  was  preferred  for  the  line.  Fas- 
tened to  the  end  of  the  line  is  a  lurehook  with  a 
semicircular  antler  shank  and,  at  the  distal  end,  a 
barbless  hook  of  copper.  On  the  flat  side  of  the 
shank  are  fastened  three  vibrating  triangular  antler 
plates  and  three  small  strips  of  fringed  sealskin 
that  move  in  the  water  to  attract  the  fish  (fig.  9a). 
Lurehooks  with  vibrating  decoys  were  used  to  jig 


for  tomcod  (Birket-Smith,  1945,  p.  184).  Fishing 
rod  and  lurehook  assemblages  like  the  one  in  the 
Noice  collection  are  described  and  illustrated  by 
Birket-Smith  (1945,  p.  180,  fig.  139)  and  Jenness 
(1946,  pp.  106-107,  fig.  125). 

In  addition  to  the  fishing  rod  and  lurehook,  the 
collection  contains  four  fish  hooks.  Three  of  these, 
with  short  hooks  and  antler  shanks,  were  intended 
for  hafting  to  an  antler  or  bone  extension  of  some 
kind  as  all  are  cut  for  splicing  at  the  proximal  end. 
One  has  a  long  lashing  knob  and  a  hook  made 
from  a  commercial  nail  (fig.  9b).  The  second,  with 
a  short  copper  hook,  was  hafted  with  a  bone  peg, 
which  is  still  in  place  (fig.  8d).  The  third,  with  an 
iron  hook,  has  a  hole  for  the  hafting  peg  or  rivet 
(fig.  90-  These  hooks  were  probably  used  in  fishing 
for  lake  trout  or  salmon  trout.  The  fourth  fishhook 
is  completely  different.  The  shank  is  a  polar  bear's 
tooth  with  a  commercial  barbed  iron  hook.  Strands 
of  cut  sealskin  are  inserted  into  the  tooth  in  four 
places  to  serve  as  vibrating  decoys  (fig.  8e).  This 
hook  may  have  been  a  tomcod  jig. 


Tools 

Women's  Tools— The  collection  contains  a  sin- 
gle woman 's  knife,  which  conforms  to  the  general 
structure  of  this  type  of  knife  among  the  Copper 
Inuit.  There  is  a  blade  of  iron  that  is  straight  for 
most  of  its  width  but  curves  slightly  at  the  ends, 
a  handle  of  musk  ox  horn,  and  a  tang-like  con- 
necting piece  of  antler  attached  to  the  blade  with 
copper  rivets  and  to  the  handle  by  being  driven 
through  a  slot  (fig.  10a).  Stefansson  (1914,  p.  98) 
believed  that  the  woman's  knife  of  the  Copper 
Inuit  differed  from  those  of  tribes  farther  west  in 
having  blades  with  straight  rather  than  curved  cut- 
ting edges,  but  all  the  relevant  sources  describe 
and  illustrate  both  types  (Stefansson,  1914,  p.  98, 
figs.  43-44;  Cadzow,  1920,  pi.  VI;  Birket-Smith, 
1945,  pp.  263-264,  pp.  171-172;  Jenness,  1946, 
pp.  80-83,  figs.  82,  85).  According  to  Jenness  (1946, 
pp.  82-83),  the  woman's  knife,  like  other  Inuit 
tools,  was  operated  away  from  the  body  so  that 
the  user  could  see  what  she  was  cutting.  Smaller 
knives,  like  the  one  in  the  Noice  collection,  were 
for  cutting  and  trimming  skins  while  the  larger 
ones  were  employed  for  cutting  meat. 

Skin  scrapers  were  used  to  remove  the  fat  and 
tissue  from  skins,  and  there  are  three  types  of 
scrapers  in  the  Noice  collection.  Type  1,  of  which 
there  are  two,  have  handles  of  pronged  antler  and 
iron  blades  concave  on  the  inner  surface  with 


12 


FIELDIANA:  ANTHROPOLOGY 


curved  working  edges.  On  one  the  blade  has  an 
iron  tang  that  fits  into  a  groove  at  the  distal  end 
of  the  handle  and  is  lashed  with  sinew  (fig.  10c). 
On  the  second  scarper  the  handle  is  lengthened 
slightly  by  an  added  piece  of  antler.  The  two  pieces 
are  spliced  together  with  copper  rivets  and  rivets 
of  the  same  material  fasten  the  blade  to  the  handle. 
The  proximal  end  of  the  handle  on  this  scraper  is 
notched  on  one  side  along  the  prong  to  fit  the 
fingers.  On  the  inner  side  of  the  handle  are  two 
circular  depressions,  which  suggest  that  the  im- 
plement may  have  been  used  as  a  drill  base  (fig. 
10b).  According  to  Jenness  (1946,  p.  83),  the  han- 
dles of  this  type  of  skin  scraper  were  nearly  always 
forked,  the  branch  prong  preventing  the  hand  from 
sliding  forward.  Similar  skin  scrapers  are  de- 
scribed and/or  illustrated  by  Stefansson  (1914,  p. 
1 20,  fig.  73),  Birket-Smith  ( 1 945,  pp.  209-2 1 0,  fig. 
180c),  and  Jenness  (1946,  pp.  83-84,  figs.  87-88). 

Type  2  skin  scrapers,  of  which  there  are  two  in 
the  collection,  have  wood  handles  and  concave 
metal  blades  with  curved  working  edges.  The  first 
has  a  curved  wood  handle  with  a  depression  on 
the  front  for  the  thumb,  a  groove  on  the  back  for 
the  first  finger,  and  grooves  on  the  side  for  two 
fingers.  The  iron  blade  is  fitted  into  a  slot  at  the 
distal  end  of  the  handle  (fig.  lie).  The  second 
scraper  has  a  straight  wood  handle  wrapped  with 
a  strip  of  sealskin.  The  curved  blade  is  of  sheet  tin 
that  fits  around  the  handle  and  is  lashed  with  sinew 
(fig.  lOg). 

The  single  type  3  skin  scraper  is  a  short  section 
of  musk  ox  horn  hollowed  out  with  a  curved  work- 
ing edge  (fig.  lOd). 

The  collection  contains  a  cut  section  of  antler 
flat  on  one  side  and  rounded  on  the  other,  which 
flares  at  one  end.  Since  it  is  presumed  that  a  metal 
blade  would  have  been  attached  at  the  flaring  end, 
the  object  is  identified  as  a  possible  scraper  handle, 
perhaps  for  a  type  2  scraper  (fig.  lOe). 

After  scraping,  skins  were  stretched  with  skin 
stretchers,  and  there  are  two  types  of  this  imple- 
ment form  in  the  Noice  collection.  The  first,  of 
which  there  are  three  examples,  is  made  from  the 
scapula  of  a  musk  ox  with  the  articular  surface 
modified  to  form  a  handle  that  extends  out  from 
the  left  side;  the  process  on  the  back  side  has  been 
removed  (fig.  lOi).  Similar  skin  stretchers  are  de- 
scribed and  illustrated  by  Stefansson  ( 1 9 1 4,  p.  1 20, 
fig.  74a),  Birket-Smith  (1945,  pp.  209-210,  fig. 
180a),  and  Jenness  (1946,  pp.  84-85,  fig.  89).  Bir- 
ket-Smith and  Stefansson  refer  to  these  imple- 
ments as  scrapers. 

Type  2  skin  stretchers,  of  which  there  are  two 


in  the  collection,  are  much  thinner.  The  first  is 
made  from  the  femur  of  some  small  animal  cut 
short  and  split.  The  condyle  has  been  modified  to 
form  a  handle  (fig.  lOh).  The  second  appears  to 
have  been  made  from  the  split  half  of  the  mandible 
of  a  musk  ox  with  the  unmodified  condyle  forming 
the  handle  (fig.  lOf).  Similarly  shaped  stretchers, 
but  made  from  split  caribou  femurs,  are  described 
and/or  illustrated  by  Stefansson  ( 1 9 1 4,  p.  1 20,  fig. 
74b),  Birket-Smith  (1945,  pp.  209-210,  fig.  180b), 
and  Jenness  (1946,  pp.  85-86,  fig.  90). 

A  needle  case,  made  from  the  metacarpal  bone 
of  a  caribou,  is  ornamented  with  incised  lines  that, 
according  to  Jenness  (1946,  p.  91),  are  similar  to 
the  tattooed  lines  on  women's  faces  (fig.  1 1 0-  Sim- 
ilarly ornamented  needle  cases  are  illustrated  by 
Stefansson  (1914,  p.  123,  fig.  78),  Birket-Smith 
(1945,  p.  211,  fig.  182b),  and  Jenness  (1946,  p. 
195,  fig.  149a). 

The  collection  contains  two  sewing  outfits,  each 
quite  distinctive.  The  first  consists  of  a  marrow 
extractor  of  musk  ox  horn  to  which  is  attached  a 
narrow  strip  of  sealskin  fastened  to  a  bone  thimble. 
A  copper  needle  is  run  through  the  sealskin  strip 
and  the  whole  is  lashed  to  the  marrow  extractor 
with  sinew  for  making  thread  (fig.  1  Ij).  Copper 
needles  are  illustrated  by  Jenness  (1946,  p.  93,  fig. 
99). 

Also  identified  as  a  sewing  outfit  is  a  small,  badly 
deteriorated  sealskin  bag  with  loops  of  sealskin  at 
each  end.  Attached  to  one  of  these  loops  is  a  cres- 
cent-shaped antler  belt  toggle  with  a  loop  of  plaited 
sealskin.  A  pair  of  threading  needles,  one  of  bone 
and  the  other  of  musk  ox  horn,  are  inserted  through 
holes  in  the  sealskin  bag.  Threading  needles  were 
used  for  threading  a  cord  through  holes  in  skin, 
especially  for  fastening  together  the  front  of  a  tent 
above  the  door  (fig.  11a).  They  are  sometimes 
identical  to  the  pins  used  for  closing  a  blood  bag 
(Jenness,  1946,  p.  96,  fig.  103).  Jenness  (1946,  p. 
50)  noted  that  women's  belt  toggles  were  virtually 
identical  to  the  toggles  used  for  hauling  seals  and 
he  believed  that  a  toggle  for  hauling  seals  became 
a  belt  toggle  at  the  end  of  the  seal  hunting  season. 

Two  thimbles  are  made  from  phalangeal  bones 
of  caribou.  The  upper  end  is  open  because  only 
the  side  of  the  thimble  and  not  the  top  was  used 
(fig.  1 1  h).  According  to  Jenness  ( 1 946,  p.  93),  when 
steel  needles  were  introduced  they  caused  greater 
wear  on  the  thimbles  than  the  soft  copper  needles, 
and  metal  thimbles  were  then  much  in  demand. 
Bone  thimbles  are  illustrated  by  Birket-Smith 
(1945,  p.  211,  fig.  181). 

Marrow  extractors  were  employed  to  remove 


VANSTONE:  THE  NOICE  COLLECTION 


13 


the  marrow  from  the  long  bones  of  caribou  and 
musk  ox.  According  to  Jenness  ( 1 946,  pp.  95,  1 29), 
they  were  often  attached  to  needle  cases  or  carried 
by  hunters  in  the  bags  that  were  part  of  their  bow 
cases.  They  vary  greatly  in  shape  and  some  are 
almost  identical  to  marlin  spikes  except  for  being 
of  lighter  construction  and  with  the  hole  at  the  end 
rather  than  below  the  handle.  The  Noice  collection 
contains  three  marrow  extractors  in  addition  to 
the  one  that  is  part  of  the  sewing  outfit  previously 
described.  Two  are  of  bone  and  one  of  musk  ox 
horn.  Two  are  rounded  at  the  distal  end  with  small 
drilled  holes  at  the  proximal  end  for  attachment 
to  the  needle  case  (fig.  1  Ib-c).  The  third  is  spat- 
ulate-shaped  at  the  distal  end  and  lacks  a  drilled 
line  hole  (fig.  1  Id).  The  proximal  ends  of  all  three 
are  notched.  An  assortment  of  marrow  extractors 
are  illustrated  by  Jenness  (1946,  p.  102,  fig.  94). 
Men's  Tools— The  typical  Inuit  crooked  or 
whittling  knife  is  represented  in  the  Noice  collec- 
tion by  a  single  example.  It  has  a  long  antler  han- 
dle, semicircular  in  cross  section  with  a  curved 
iron  blade  that  extends  well  beyond  the  distal  end 
of  the  handle  and  is  attached  with  copper  rivets. 
There  is  a  line  hole  at  the  proximal  end  of  the 
handle  and  another  drilled  hole  on  one  side  ap- 
proximately half  way  along  its  length  for  the  at- 
tachment of  a  sharpener  (fig.  1 2a).  Crooked  knives 
with  iron  blades  are  described  and  illustrated  by 
Stefansson  (1914,  pp.  104-105,  figs.  50-51),  Bir- 
ket-Smith  (1945,  pp.  204-205,  fig.  173),  and  Jen- 
ness (1946,  pp.  98,  100,  figs.  113-114).  Jenness 
(1946,  p.  100)  described  the  crooked  knife  as  fol- 
lows: 

The  Copper  Eskimo  held  the  knife  low  down  with  the 
hand  directed  inward,  and  the  handle  resting  along  the 
inner  side  of  the  forearm  so  that  it  fitted  into  the  curve 
of  the  elbow.  With  the  instrument  thus  pivoted  on  the 
elbow  the  forearm  moved  as  one  unit  and  the  wrist  re- 
mained perfectly  still.  Smaller  whittling  knives,  even 
though  their  handles  did  not  reach  the  elbow,  were  held 
in  the  same  manner. 

A  grooving  tool  was  used  for  cutting  grooves  in 
bone,  antler,  and  horn.  The  collection  contains 
three  such  knives  with  short  antler  handles  and 
iron  blades  that  are  inserted  into  slots  in  the  han- 
dle. The  blades  are  either  notched  at  the  end  (fig. 
1  Ig)  or  have  a  short,  pointed  projection  (figs.  1  li, 
1 3b).  In  addition  to  the  complete  grooving  tools, 
the  collection  contains  a  grooving  tool  handle  with 
the  blade  slit  broken  out,  presumably  indicating 
that  the  tool  was  broken  in  use  (fig.  1 3e).  Grooving 


tools  are  described  and/or  illustrated  by  Stefans- 
son (1914,  p.  107,  fig.  54),  Birket-Smith  (1945,  p. 
205,  fig.  174),  and  Jenness  (1946,  p.  101,  fig.  115). 

The  collection  contains  two  examples  of  the  or- 
dinary man's  knife  used  for  flensing  and  cutting 
snow.  The  first  knife  is  the  most  typical  and  has 
a  lancelate  iron  blade  sharp  along  both  edges.  Be- 
tween the  blade  and  the  handle  is  an  iron  tang 
inserted  into  a  slot  in  the  distal  end  of  the  handle 
where  it  is  held  in  place  with  a  copper  rivet.  The 
handle  shank  is  of  bone  and  there  is  a  flaring  grip 
of  antler,  possibly  pegged  to  the  shank,  but  the 
haft  is  obscured  by  rawhide  lashing,  which  begins 
through  a  hole  in  the  butt  and  is  wrapped  around 
most  of  the  shank  to  afford  a  better  grip  (fig.  1 3a). 
Knives  of  this  type,  some  with  copper  blades,  are 
described  and/or  illustrated  by  Stefansson  (1914, 
pp.  100-101,  figs.  47-49),  Cadzow  (1920,  pi.  Vb- 
c),  Birket-Smith  ( 1 945,  pp.  202-203,  fig.  1 70),  and 
Jenness  (1946,  p.  97,  figs.  107,  1 10). 

Early  in  the  20th  century,  steel  knives  of  Euro- 
American  manufacture  were  available  to  the  Cop- 
per Inuit,  most  of  which  came  from  Great  Bear 
Lake  and  regions  to  the  west.  The  Inuit  removed 
the  handles  from  these  knives  and  re-hafted  them 
according  to  their  own  needs,  leaving  the  blade 
intact  (Jenness,  1946,  p.  97).  The  second  man's 
knife  in  the  Noice  collection  is  of  this  type.  The 
blade  has  a  single  sharp  edge  and  bears  the  maker's 
name,  PUTNAM  CUTLERY  CO./NEW  BRIT- 
AIN CONN.  U.S.A.  The  blade  is  inserted  into  a 
slot  in  a  straight  antler  handle  and  held  in  place 
with  an  iron  rivet;  the  handle  is  wrapped  in  the 
center  with  willow  root  (fig.  1 3c).  Men's  knives  of 
this  type  are  described  and  illustrated  by  Stefans- 
son (1914,  p.  100,  fig.  47),  Birket-Smith  (1945,  p. 
202,  fig.  169b),  and  Jenness  (1946,  p.  97,  fig. 
110b,e). 

The  Copper  Inuit  used  the  typical  three-piece 
drilling  set  consisting  of  a  bow,  drill  shank,  and 
mouthpiece.  The  collection  does  not  contain  a 
complete  set,  but  there  are  parts  of  several  sets. 
Two  drill  bows  of  caribou  rib  are  drilled  at  each 
end  for  the  attachment  of  a  strap  of  depilated  seal- 
skin (fig.  1 3g).  There  are  three  drill  shanks  of  wood 
rounded  at  the  proximal  end  for  insertion  into  the 
mouthpiece.  The  bits  for  the  three  and  their  meth- 
ods of  hafting  are  different  in  each  case.  On  the 
first,  the  bit,  a  long  nail,  is  inserted  into  a  wedge- 
shaped  piece  of  musk  ox  horn  spliced  to  the  shank 
and  wrapped  with  sinew  (fig.  1 30-  The  second  is 
hafted  in  a  similar  fashion,  but  the  wedge-shaped 
piece  is  of  bone  and  the  bit,  a  nail,  is  much  shorter. 


14 


FIELDIANA:  ANTHROPOLOGY 


The  third  shank  has  a  short  bit  inserted  directly 
into  the  shank,  the  distal  end  of  which  is  covered 
with  a  metal  sleeve,  probably  part  of  a  rifle  car- 
tridge (fig.  1 3d).  A  single  drill  mouthpiece  is  a  car- 
ibou astragalus.  Since  the  rim  is  low  on  one  side, 
a  bone  peg  has  been  inserted  to  raise  the  level  of 
the  rim  at  this  point,  thus  preventing  the  shank 
from  slipping  out  when  it  is  rotated  with  the  bow 
(fig.  1  It).  Complete  drilling  sets  are  described  and 
illustrated  by  Stefansson  (1914,  p.  106,  fig.  52a- 
c,  p.  109,  fig.  60),  Birket-Smith  (1945,  pp.  206- 
207,  fig.  176).  and  Jenness  (1946,  pp.  101-102, 
fig.  1 1 6).  Jenness  ( 1 946,  p.  1 02,  fig.  1 1 8)  described 
and  illustrated  a  drill  mouthpiece  made  from  a 
caribou  astragalus. 

Three  handsaws  with  toothed  steel  blades  made 
from  commercial  saws  have  antler  handles.  The 
first  is  a  short  handle  to  one  side  of  which  the 
blade  is  attached  with  iron  rivets.  The  blade  is 
bent  over  the  back  of  the  handle  (fig.  12c).  Birket- 
Smith  (1945,  p.  207,  fig.  177)  described  and  illus- 
trated a  similar  saw.  The  second  has  a  somewhat 
longer  handle  with  a  knob  at  the  proximal  end. 
The  blade  is  attached  along  the  side  with  four  iron 
rivets  (fig.  12d).  Similar  saws  are  illustrated  by 
Stefansson  ( 1 9 1 4,  p.  1 07,  fig.  5  5).  On  the  third  saw 
the  blade  is  inserted  in  the  end  of  a  sharply  curved 
handle  and  held  in  place  with  a  pair  of  iron  rivets 
(fig.  12b). 

A  file  has  been  formed  by  inserting  the  rat  tail 
tang  of  the  upper  half  of  a  commercial  implement 
into  a  narrow  antler  handle  that  flares  at  the  distal 
end.  At  the  proximal  end  of  the  handle  is  a  drilled 
hole  through  which  is  inserted  a  short  length  of 
twisted  sinew  (fig.  1 2f ). 

The  single  complete  adze  in  the  collection  has 
an  iron  blade  lashed  directly  to  a  wood  handle 
with  lashing  holes;  the  lashing  is  with  rawhide 
thongs.  Covering  the  distal  end  of  the  blade  is  a 
sealskin  sheath  lashed  with  rawhide  thongs  and 
held  in  place  by  thongs  that  are  inserted  through 
one  of  the  lashing  holes  in  the  handle  (fig.  14b). 
Similar  adzes  are  described  and  illustrated  by  Bir- 
ket-Smith (1945,  pp.  205-206,  fig.  175b)  and  Jen- 
ness (1946,  pp.  102-103,  fig.  119b,d). 

A  second  typ)e  of  adze  has  a  blade  wedged  into 
a  separate  head  of  bone,  antler,  or  musk  ox  horn. 
This  type  is  represented  by  a  single  adze  head  and 
blade.  The  blade,  crudely  cut  from  a  large  iron 
fragment,  is  inserted  into  the  distal  end  of  an  antler 
head  with  a  broad,  deep  lashing  groove  (fig.  1 2g). 
Complete  adzes  of  this  typ>e  are  described  and  il- 
lustrated by  Birket-Smith  (1945,  pp.  205-206,  fig. 


175a)  and  Jenness  (1946,  pp.  102-103,  fig.  119a,c). 
Stefansson  ( 1 9 1 4,  p.  1 08,  fig.  56)  illustrated  a  head 
and  blade  closely  resembling  the  one  described 
here. 

Identified  as  a  pick  is  a  narrow,  long,  crudely 
worked  iron  blade  with  a  rounded  tip  lashed  along 
the  flat  face  of  a  wood  handle.  The  handle,  which 
is  broken  at  the  proximal  end  and  sharply  recessed 
along  more  than  half  its  length,  has  a  lashing  knob 
and  a  single  lashing  hole.  The  blade  is  attached  to 
the  handle  with  thick  rawhide  thongs,  and  a  strip 
of  sealskin  has  been  inserted  around  the  blade 
where  it  meets  the  face  of  the  handle  (fig.  14a). 

The  collection  contains  four  bags  that  have  been 
identified  as  men's  tool  bags.  Two  were  evidently 
intended  for  a  quiver  and  are  made  of  depilated 
sealskin  stitched  up  one  side  with  sinew  and  with 
a  separate  piece  attached  on  the  side  where  the 
opening  occurs.  The  opening,  extending  somewhat 
less  than  half  the  length  of  the  bag,  can  be  closed 
with  loops  of  plaited  sinew  (fig.  1 4d).  Birket-Smith 
(1945,  pp.  208-209)  described  a  similar  bag  and 
its  contents.  The  third  bag,  in  poor  condition,  is 
made  from  a  whole  ground  squirrel  (Citellus  sp.) 
skin  sewn  up  one  side  with  sinew  (fig.  14c).  This 
bag  resembles  in  size  and  shape  a  tool  bag  of  fish 
skin  from  the  Netsilik  described  and  illustrated  by 
Birket-Smith  (1945,  pp.  109,  fig.  75).  About  all 
that  can  be  said  concerning  the  fourth  bag,  also  in 
poor  condition,  is  that  it  appears  to  have  been 
made  from  a  whole  marten  (Martes  americana) 
skin.  The  opening  seems  to  have  been  between  the 
back  legs  of  the  animal.  The  identification  of  this 
container  as  a  tool  bag  is  questionable.  Marten 
skins  would  have  been  obtained  from  wooded  ar- 
eas south  and  west  of  Coronation  Gulf 


Household  Equipment 

The  tinder  used  in  starting  a  flame  on  the  moss 
wick  of  an  oil  lamp  was  the  wool  of  bog  cotton 
{Eriophorum  angustofolium),  which  was  kept  in  a 
small  bird's  foot  bag  made  from  the  split  feet  of 
waterfowl.  The  collection  contains  one  such  bag, 
probably  made  from  a  swan's  foot.  It  is  in  poor 
condition  but  appears  to  have  been  made  without 
a  separate  bottom  (fig.  1 5a).  Similar  bags  are  de- 
scribed and  illustrated  by  Birket-Smith  (1945,  pp. 
1 93-1 94,  20 1 ,  fig.  1 68)  and  Jenness  ( 1 946,  pp.  55, 
64,  fig.  49,  p.  58). 

Since  Jenness  (1946,  p.  58)  noted  that  most  of 
the  cooking  "was  done  on  lamps  not  less  than  24 


VANSTONE:  THE  NOICE  COLLECTION 


15 


inches  [61  cm]  long,"  the  single  soapstone  lamp 
in  the  Noice  collection  was  presumably  used  for 
heat  and  light,  primarily  the  latter.  This  lamp  is 
semicircular  in  shape  and  the  sides  are  nearly 
straight.  On  the  inside  the  front  edge  or  lip  has  a 
pronounced  slope  down  into  the  well  while  at  the 
back  the  slope  is  considerably  less;  the  well  of  the 
lamp  is  flat.  Unlike  many  Copper  Inuit  lamps,  this 
one  has  no  partitions  (fig.  1 5b).  According  to  Jen- 
ness  (1946,  p.  59),  smaller  lamps  were  made  by 
women  and  the  large  ones  by  men,  who  then  turned 
them  over  to  the  housewife  to  become  her  exclu- 
sive property. 

Blubber  was  stored  in  sealskin  bags,  and  before 
use  in  the  oil  lamp  it  was  pounded  with  a  blubber 
pounder  made  of  musk  ox  horn.  The  collection 
contains  a  single  pounder  made  from  the  distal 
end  of  the  horn.  On  the  concave  side  at  the  prox- 
imal end  there  are  four  half-round  notches  for  the 
fingers  (fig.  16d).  Identical  blubber  pounders  are 
described  and  illustrated  by  Stefansson  (1914,  p. 
76,  fig.  22),  Birket-Smith  (1945,  p.  194,  fig.  157), 
and  Jenness  (1946,  pp.  69-70,  fig.  63). 

According  to  Jenness  (1946,  p.  70),  dippers  or 
drinking  ladles  were  found  in  every  household,  but 
hunters  in  the  field  never  carried  them.  There  are 
three  examples  in  the  Noice  collection  that  seem 
to  represent  the  range  of  sizes  mentioned  in  the 
literature.  The  largest  is  made  from  the  proximal 
end  of  a  musk  ox  horn  that  flares  at  the  distal  end. 
It  is  deep  and  has  a  small  upturned  handle.  This 
dipper  has  been  repaired  in  three  places  with  metal 
and  ivory  plates  attached  with  copper  rivets  (fig. 
15d).  The  other  two  dippers  are  much  smaller. 
Both  are  very  deep,  but  one  is  narrow  and  nearly 
rectangular  (fig.  1 5e),  while  the  other  flares  some- 
what at  the  distal  end  (fig.  15c);  both  have  up- 
turned handles.  Horn  dippers  are  described  and/ 
or  illustrated  by  Stefansson  (1914,  pp.  72-73,  figs. 
1 4,  1 7),  Cadzow  ( 1 920,  pi.  XI),  Birket-Smith  ( 1 945, 
pp.  196-197,  fig.  1 6 la-d),  and  Jenness  (1946,  pp. 
70-71,  figs.  64-66).  Stefansson  identified  the 
smaller  examples  as  spoons,  and  Birket-Smith  de- 
scribed specimens  of  all  sizes  as  soup  ladles.  The 
large  dippers  illustrated  by  Stefansson  and  Cadzow 
are  repaired  with  plates  and  rivets  in  the  same 
manner  as  the  one  described  here.  Stefansson 
( 1 9 1 4,  p.  69)  noted  that  blood  soup,  which  formed 
the  last  course  of  every  cooked  meal,  was  always 
drunk  from  ox  horn  dippers. 

Jenness  (1946,  p.  76,  fig.  78)  noted  that  snow 
knives  of  antler  or  bone  were  used  by  women  to 
chop  up  blocks  of  snow  in  the  cooking  pot.  The 
collection  contains  two  snow  knives  of  split  antler 


tines  that  are  curved  and  flattened  at  the  distal  end 
(fig.  15f-g).  Birket-Smith  (1945,  p.  190,  fig.  152c) 
described  and  illustrated  a  similar  snow  knife  along 
with  a  man's  knife  with  a  metal  blade  and  seems 
to  suggest  that  both  were  used  to  cut  blocks  for 
the  snow  house.  Jenness  made  no  mention  of  their 
use  for  this  purpose  but  noted  that  a  woman  some- 
times used  her  antler  snow  knife  to  chop  snow  for 
filling  in  the  gaps  between  the  snow  blocks  while 
her  husband  finished  building  the  dwelling. 

A  water  bag  is  made  of  tanned  sealskin  and  has 
a  handle  of  the  same  material.  The  bottom  is  a 
separate  piece,  and  there  are  separate  pieces  near 
the  opening;  sewing  is  with  sinew  (fig.  16a).  Jen- 
ness (1946,  p.  74,  fig.  74)  illustrated  a  similar  bag 
and  noted  that  their  usual  capacity  was  slightly 
more  than  one  gallon.  Ice  that  formed  on  the  side 
of  the  bag  was  broken  loose  by  hammering  on  the 
outside  with  a  stick. 

An  oval  clothing  bag  in  poor  condition  is  similar 
to  those  described  and  illustrated  by  Jenness  ( 1 946, 
p.  78,  fig.  8 1  b).  It  is  made  of  caribou  leg  skins  sewn 
vertically  with  sinew  and  with  the  hair  retained. 
The  bottom  is  of  tanned  sealskin.  The  opening  is 
in  the  center,  and  there  are  sealskin  thongs  laced 
across  the  top.  According  to  Jenness,  ( 1 946,  p.  79), 
in  summer  these  bags,  intended  for  spare  clothing, 
were  cached  on  high  rocks  where  they  could  not 
be  disturbed  by  foxes  (Alopex  lagopus).  In  winter 
they  were  stored  under  the  bed  or  hung  outside 
the  house. 

In  addition  to  the  bags  already  described,  the 
Noice  collection  contains  four  small  bags,  the  spe- 
cific use  of  which  is  uncertain.  The  first  is  oval  in 
shape,  made  of  intestine,  and  contains  dried  grass 
or  sedge  (fig.  1 6b);  it  is  probably  a  bag  for  tinder 
like  the  previously  described  bird's  foot  bag.  The 
second  bag  is  made  of  a  single  piece  of  depilated 
sealskin  sewn  up  both  sides.  There  is  a  strip  of 
plaited  sinew  at  the  top  to  tie  the  opening  (fig. 
16c).  A  pouch-like  bag  of  caribou  hide  with  the 
hair  inside  is  made  of  one  large  piece  and  a  smaller 
patch.  At  the  opening  is  a  long  strip  of  plaited 
sinew  that  served  as  a  tie  (fig.  1 60-  The  fourth  bag, 
made  of  three  pieces  of  depilated  sealskin  includ- 
ing a  separate  bottom  and  sewn  with  sinew,  ap- 
pears to  have  been  cut  off'at  the  top  and  is  probably 
not  complete.  It  is  heavily  encrusted  and  may  have 
contained  oil  or  blubber  (fig.  16a). 

Clothing 

For  the  Copper  Inuit,  caribou  skins  were  the 
preferred  material  for  clothing.  The  superiority  of 


16 


FIELDIANA:  ANTHROPOLOGY 


caribou  skin  derives  primarily  from  its  insulating 
properties,  which  allow  the  body  to  maintain  ther- 
mal balance  (Stenton,  1991,  p.  4).  The  seasonal 
variation  in  the  utility  of  caribou  skin  for  clothing 
regulates  the  procurement  strategies  of  Inuit  hunt- 
ers. The  annual  shedding  of  the  outer  and  inner 
layer  hairs  begins  in  early  spring  and  continues 
through  the  early  summer.  During  this  molting 
period  the  skins  are  not  suitable  for  clothing.  The 
skins  are  also  not  suitable  because  of  infestation 
of  the  parasitic  warble  fly  (Oedemagena  tarandi). 
In  early  August  exit  holes  made  by  the  larvae  have 
healed.  By  late  fall  and  throughout  the  winter  the 
hair  is  too  thick  for  use  in  clothing  except  for  over- 
coats. Thus  the  period  of  peak  clothing  utility  is 
in  September  and  October  (Stenton,  1991,  pp.  4- 
6).  In  contrast  to  other  Inuit  in  the  Central  Arctic, 
the  Copp>er  Inuit  preferred  to  harvest  finely  haired 
caribou  skins  for  their  clothing  (DriscoU,  1983,  p. 
81). 

Jenness  (1946,  p.  1 1)  summarized  the  clothing 
needs  of  the  Copfjer  Inuit  as  follows: 

Excluding  the  outer  shoes,  which  were  made  of  sealskin, 
it  required  no  less  than  seven  caribou  hides  to  furnish 
the  adult  Copper  Eskimo  with  one  complete  suit  of  cloth- 
ing for  winter  travel;  and  every  man  really  needed  two 
suits,  besides  a  raincoat  and  special  footgear  for  the  spring 
and  summer  months.  In  winter,  his  costume  comprised 
two  frocks  or  coats  .  .  .  worn  one  inside  the  other,  the 
fur  of  the  inner  against  his  body;  an  overcoat .  .  . ,  when- 
ever the  weather  demanded  it;  two  pairs  of  breeks  [trou- 
sers] ....  worn  in  the  same  way  as  the  coats,  two  pairs 
of  stockings  worn  similarly,  and  reaching  to  just  below 
the  knees  .  .  .  ;  a  pair  of  caribou  fur  slippers  .  .  .  between 
the  stockings;  and  low  sealskin  shoes ...  as  final  covering 
for  the  feet.  A  pair  of  mittens  completed  the  outfit.  The 
overcoat,  unlike  the  outer  garments,  which  were  fash- 
ioned from  summer  skins,  was  made  from  the  heavy 
winter  coat  of  the  caribou,  and  generally  required  two 
full  skins  for  its  manufacture.  Of  the  two  ordinary  coats 
.  .  . ,  the  outer  .  .  .  also  required  the  greater  part  of  two 
skins  because  of  its  ornamental  pattern,  but  the  inner 
coat .  .  .  could  usually  be  made  from  one  hide.  Two  more 
hides,  with  the  fragments  left  over  from  the  coats,  gen- 
erally sufficed  for  the  breeks,  footgear,  and  mittens. 

One  of  the  particular  advantages  of  caribou  skin 
for  clothing  is  its  light  weight.  A  complete  set  of 
clothing  weighed  between  3.0  and  4.5  kg.  How- 
ever, the  long  guard  hairs  break  off  easily  and  de- 
crease the  insulative  efficiency  of  a  garment  (Sten- 
ton, 1991,  p.  9).  According  to  Jenness  (1928,  p. 
153),  a  winter  outfit  could  last  up  to  three  years, 
but  others  suggest  that  under  normal  circumstanc- 
es winter  garments  were  replaced  every  year,  and 
more  frequently  if  skins  were  plentiful  (Stenton, 
1991,  p.  9). 


Men's  Clothing— The  Noice  collection  con- 
tains three  coats  identified  in  the  catalog  as  men's 
outer  parkas.  Copper  Inuit  seamstresses  did  not 
always  use  the  same  pattern  in  sewing  parkas.  The 
seams  varied  according  to  the  shapes  and  sizes  of 
skins  available,  a  fact  that  is  evident  in  the  parkas 
described  in  this  study.  Outer  parkas  were  well 
tailored,  and  on  most  garments  narrow  strips  of 
white  caribou  fur  were  used  to  articulate  important 
design  features.  The  shoulders  were  always  broad 
to  allow  the  arms  to  be  easily  withdrawn  from  the 
sleeves.  All  the  parkas  in  the  Noice  collection,  both 
men's  and  women's,  are  sewn  with  sinew.  Another 
regular  feature  is  a  narrow  tape  of  depilated  car- 
ibou skin  sewn  along  most  borders,  especially 
around  the  tail,  to  prevent  the  borders  from  rolling 
up. 

The  pattern  of  the  first  parka,  because  of  dec- 
orative insertions,  is  fairly  complex.  The  back  piece 
extends  from  the  tail  up  the  middle  back  to  the 
area  of  the  neck  where  it  is  joined  to  a  piece  with 
a  long  extension  that  forms  the  back  of  the  hood. 
The  front  piece  covers  the  chest  and  extends  over 
the  shoulders  and  around  the  sides,  where  it  is 
joined  to  the  back  piece.  The  sides  of  the  hood  are 
formed  of  a  separate  piece.  Each  sleeve  is  formed 
essentially  of  a  separate  piece  sewn  up  one  side, 
but  they  are  extended  by  an  additional  piece  around 
the  upper  arm  and  gussets  in  the  under  arm  areas 
(fig.  17). 

The  decorative  inserts  on  this  parka  are  fairly 
simple.  A  broad  band  of  white  fur  extends  around 
the  tail  and  continues  around  the  front.  A  much 
narrower  band,  sewn  to  an  intervening  narrow  taF>e 
of  skin,  is  sewn  along  borders,  and  from  it  extends 
pairs  of  long  decorative  strands  of  tanned  skin. 
These  are  cut  in  sets  of  three  from  a  single  piece 
of  skin.  According  to  Driscoll  ( 1 987,  p.  1 78),  these 
strands  were  replaced  every  spring  in  anticipation 
of  the  return  of  the  caribou.  There  are  strips  of 
white  fur  around  the  upper  arm,  around  the  hood 
opening,  and  in  the  seam  that  separates  the  front 
of  the  hood  from  the  back  (figs.  18-19). 

The  basic  pattern  of  the  second  parka  is  essen- 
tially the  same  as  that  of  the  garment  just  described 
except  that  the  hood,  in  addition  to  back  and  side 
pieces,  has  small  gussets  near  the  neck  on  each 
side;  there  is  a  strip  of  white  fur  around  the  open- 
ing. Each  sleeve  consists  of  two  large  pieces  with 
a  number  of  small  additions  and  a  pair  of  added 
strips  around  the  upF>er  arms  which  include  some 
white  fur.  Between  the  shoulder  blades  is  a  short, 
rectangular  strip  ending  in  a  tuft  of  white  fur,  a 
characteristic  feature  mentioned  by  Jenness  ( 1 946, 


VANSTONE:  THE  NOICE  COLLECTION 


17 


p.  12)  and  believed  by  Driscoll  (1987,  p.  178)  to 
be  a  symbolic  reference  to  the  caribou  tail.  A  strip 
of  white  fur  extends  around  the  borders  (fig.  20). 

The  decorative  insertions  of  white  fur  on  this 
parka  include  a  narrow  strip  that  follows  the  con- 
tour of  the  tail  and  two  broad  panels  from  the 
underbelly  of  the  caribou  on  the  front  (figs.  21- 
22).  Issenman  (1985,  p.  106)  noted  that  this  "ven- 
tral mane,  under  which  beats  the  great  heart  of  the 
caribou,  covers  the  chest  of  the  hunter  .  .  ."  and 
is  an  example  of  animal-human  bonding.  The  ears 
of  the  caribou,  often  left  on  the  hood  (Jenness, 
1 946,  p.  1 2;  Stefansson,  1914,  fig.  66b),  but  absent 
from  the  men's  outer  parkas  in  the  collection,  are 
also  a  symbolic  reference  to  the  close  relationship 
between  men  and  animals. 

The  third  parka  is  undecorated,  and  the  back 
and  most  of  the  hood  is  a  single  piece  of  skin.  Both 
features,  according  to  Jenness  (1946,  p.  11),  are 
characteristic  of  inner  parkas.  The  rounded  shoul- 
ders and  front  are  cut  from  a  second  piece  that  is 
filled  out  along  the  lower  end  with  a  semicircular 
inset.  Additional  pieces  cover  the  neck  and  the 
lower  part  of  the  front  of  the  hood.  Each  sleeve 
consists  basically  of  a  single  piece  sewn  up  one 
side,  but  there  are  additional  pieces  in  the  area  of 
the  underarms.  A  narrow  strip  of  white  fur  is  sewn 
around  the  hood  opening  (figs.  23-24). 

Outer  parkas  similar  to  those  in  the  Noice  col- 
lection are  described  and  illustrated  by  Stefansson 
(1914,  pp.  114-117,  figs.  66-67),  Birket-Smith 
(1945,  pp.  142-144,  figs.  100-101),  Jenness(1917, 
fig.  5;  1946,  pp.  11-17,  frontispiece,  figs.  3-6), 
Rasmussen  ( 1 932,  opp.  p.  49),  and  Driscoll  (1987, 
p.  179,  fig.  163,  p.  186,  fig.  171). 

In  addition  to  the  style  of  outer  and  inner  parkas 
just  described,  the  Copper  Inuit  also  wore  an  over- 
coat cut  from  heavy,  long-haired  caribou  skins  that 
could  be  put  on  over  the  inner  and/or  outer  parkas 
when  the  wind  was  blowing,  when  traveling,  or 
when  hunting  seals  at  breathing  holes.  This  heavy 
coat  was  nearly  as  long  in  front  as  in  back  and  was 
usually  undecorated  (Stefansson,  1914,  pp.  114, 
117;  Jenness,  1922,  p.  204,  fig.  58;  1946,  p.  17; 
Rasmussen,  1932,  opp.  p.  80).  Overcoats  were 
necessary  because  of  the  fine-haired,  thin  skins  the 
Copper  Inuit  preferred  for  their  parkas  (Driscoll, 
1983,  p.  81). 

The  Noice  collection  contains  one  such  overcoat 
that  consists  of  a  back  piece  extending  to  form 
most  of  the  hood  and  a  front  piece  that  includes 
the  front  of  the  shoulders.  Separate  pieces  have 
been  added  to  the  front  of  the  hood  to  protect  the 
neck  and  chin.  Each  sleeve  is  a  separate  piece  sewn 


up  the  side,  and  there  is  a  strip  of  white  fur  around 
the  hood  opening  (fig.  25). 

In  winter  men  wore  two  pairs  of  caribou  skin 
trousers.  In  summer  only  the  inner  trousers  were 
worn;  they  were  usually  made  of  heavier  fur  than 
the  outer  garment  (Jenness,  1946,  p.  17).  Accord- 
ing to  Stefansson  (1914,  pp.  117,  246),  trousers 
reached  three  inches  below  the  knee  and  were  worn 
well  up  to  the  lower  edge  of  the  sternum. 

The  Noice  collection  contains  two  pairs  of  men's 
outer  trousers.  Both  consist  basically  of  four  pieces 
sewn  together  at  the  sides  and  down  the  median 
line  with  sinew.  There  are  gussets  at  the  crotch  and 
waist.  One  pair  has  a  drawstring  around  the  waist 
that  ties  in  front;  the  other  lacks  a  drawstring.  Both 
trousers  are  ornamented  with  white  fur  on  the  legs. 
On  one  pair  there  are  two  narrow  bands  above  a 
wide  edging.  Strands  of  depilated  skin  hang  from 
both  bands  (fig.  26).  On  the  other  there  are  narrow 
bands  of  brown  and  white  fur  just  above  the  white 
edging  and  a  single  band  of  white  almost  at  the 
level  of  the  crotch  (fig.  27).  Trousers  similar  to 
these  are  described  and  illustrated  by  Birket-Smith 
(1945,  pp.  146-147,  fig.  103)  and  Jenness  (1946, 
pp.  17,  20,  fig.  9). 

As  noted  previously,  in  winter  men  wore  two 
pairs  of  stockings  that  reached  just  below  the  knees: 
an  inner  pair  with  the  fur  next  to  the  skin  and  an 
outer  pair  with  the  fur  outside.  The  collection  con- 
tains a  single  pair  of  outer  stockings,  the  tops  of 
which  are  made  from  the  light-colored  area  of  car- 
ibou leg  skins  sewn  vertically  with  sinew.  The  feet 
are  made  from  the  darker  area  of  leg  skins  and  are 
sewn  together  from  several  small  pieces.  A  casing 
of  dehaired  caribou  skin  is  sewn  around  the  top 
to  hold  the  drawstring  of  plaited  sinew  (fig.  28a). 
Similar  outer  stockings  are  described  by  Jenness 
(1946,  pp.  25-26). 

The  collection  also  contains  a  pair  of  badly  worn 
dance  stockings,  another  form  of  outer  stocking 
that  was  usually  not  worn  when  hunting.  All  the 
leg  is  encircled  by  narrow,  parallel  bands  in  three 
colors— white,  red,  and  black.  The  white  bands 
are  of  clipped  caribou  fur,  the  black  of  dehaired 
sealskin,  and  the  red  of  ocher-stained,  dehaired 
sealskin.  Below  these  bands  is  an  area  of  clipped 
brown  caribou  fur  with  a  narrow  band  from  which 
hang  short  strands  of  dehaired  caribou  skin.  A 
broad  strip  of  white  skin  vertical  to  the  parallel 
bands  is  sewn  into  the  outside  of  each  leg.  The  feet 
of  these  stockings  are  in  especially  poor  condition 
but  appear  to  have  been  made  of  caribou  skin  with 
the  fur  on  the  outside.  They  have  a  single  median 
and  heel  seam.  There  is  a  drawstring  of  plaited 


18 


FIELDIANA:  ANTHROPOLOGY 


sinew  around  the  top  (fig.  29).  Similar  dance  stock- 
ings are  described  and  illustrated  by  Birket-Smith 
(1945,  pp.  147-148,  fig.  104)  and  Jenness  (1946, 
pp.  25-26,  fig.  14). 

Socks  were  worn  by  men  and  women  between 
the  outer  and  inner  stocking  and,  according  to  Jen- 
ness (1946,  p.  27),  were  usually  made  fi-om  the 
thick,  winter  coat  of  the  caribou.  The  collection 
contains  one  sock  shaped  from  a  single  piece  of 
skin  with  a  seam  from  toe  to  instep  and  up  the 
heel  (fig.  28b). 

Jenness  (1946,  p.  24)  described  "a  hybrid  type 
of  boot  which  had  the  sealskin  foot  of  a  waterboot 
but  a  leg  of  caribou  fur  .  .  .  ."  Boots  of  this  type 
were  worn  in  early  spring  and  late  fall,  water  boots 
being  worn  from  June  to  October.  The  collection 
contains  a  single  pair  of  spring  and  fall  boots  with 
the  legs  made  from  caribou  leg  skin.  The  soles  are 
made  of  bleached  and  dehaired  bearded  sealskin, 
and  the  instep  is  covered  with  two  pieces  of  de- 
haired  sealskin  with  the  seam  running  down  the 
center.  The  soles  are  reinforced  with  patches  that, 
according  to  Jenness  (1946,  p.  24),  required  re- 
placement every  two  or  three  days  when  traveling 
over  stony  ground.  There  is  a  casing  for  a  draw- 
string at  the  top  of  each  boot  (fig.  30). 

Shoes  of  bleached  sealskin  were  worn  by  both 
men  and  women  over  the  outer  stockings  and 
around  camp  in  summer;  there  were  two  types. 
The  type  1  sealskin  shoes,  of  which  there  are  two 
pairs  in  the  collection,  are  the  simplest  in  con- 
struction. The  upper  part  covering  the  instep  was 
made  of  a  single  piece  attached  to  the  sole  by  a 
seam  running  around  the  edge  of  the  foot  (fig.  3 1  b). 
Type  2  shoes  have  the  sole  crimped  over  the  toes 
and  the  edges  joined  to  an  inverted  V-shaped  piece 
of  unbleached  sealskin  over  the  instep.  There  is 
one  pair  of  type  2  shoes  in  the  collection  (fig.  31a). 
In  both  types  of  shoes  the  sole  was  turned  up  over 
the  heel,  split,  and  one  or  more  triangular  sections 
removed,  then  sewn  together  again  and,  on  two 
pairs,  covered  with  a  patch. 

A  casing  of  sealskin  was  sewn  around  the  top  of 
the  shoe  to  hold  the  drawstring  of  plaited  sinew. 
Two  large  patches  of  sealskin  cover  most  of  the 
soles  of  all  three  pairs,  giving  added  protection. 
Jenness  ( 1 946,  p.  22)  noted  that  these  patches  must 
be  sewn  on  with  concealed  stitches  that  catch  only 
on  the  underside  so  that  they  will  not  fray  and 
break.  If  the  wearer  expected  to  walk  on  glare  ice 
or  firmly  packed  snow,  a  narrow  curving  patch 
was  added  to  allow  for  a  more  secure  foothold. 
These  "creeper"  patches  occur  on  one  pair  of  type 
1  shoes  (fig.  3 1  b).  Sealskin  shoes  like  those  in  the 


Noice  collection  are  described  and  illustrated  by 
Stefansson  (1914,  p.  119,  fig.  69),  Birket-Smith 
(1945,  pp.  148-149,  fig.  105b),  and  Jenness  (1946, 
pp.  21-22,  fig.  10). 

Copper  Inuit  mittens  for  both  men  and  women, 
made  of  summer  caribou  skins,  were  of  two  types. 
Type  1  is  very  short  and  covers  the  hands,  leaving 
the  wrists  bare.  Some  mittens  of  this  type  had  long- 
haired fringes  of  white  fur,  which  afforded  some 
protection  for  the  wrists.  In  addition  to  these  short, 
everyday  mittens,  each  man  had  a  pair  of  longer 
mittens  (type  2)  made  from  caribou  leg  skins  that 
reached  to  the  middle  of  the  forearm  and  had  a 
drawstring  at  the  top.  These  mittens  were  worn 
when  building  a  snow  house  (Jenness,  1946,  p. 
3 1 ).  Stefansson  ( 1 9 1 4,  p.  117)  described  this  type 
as  reaching  to  the  elbow. 

The  Noice  collection  contains  three  pairs  of  type 
1  mittens  and  three  single  mittens.  All  but  one 
have  been  cut  out  in  three  pieces  and  sewn  with 
sinew.  One  piece  includes  the  palm  and  half  the 
thumb,  the  second  the  front  of  the  wrist  and  the 
back  of  the  thumb,  and  the  third  the  entire  back 
of  the  mitten.  With  the  exception  of  one  pair,  all 
the  type  1  mittens  have  fringes  of  white  fur  (fig. 
32a-c).  On  one  of  the  single  mittens,  the  palm  and 
front  of  the  thumb  is  constructed  of  several  small 
pieces  of  depilated  caribou  skin  and  sewn  with 
thread  (fig.  33c).  The  two  pairs  of  type  2  mittens, 
constructed  in  the  same  manner  as  those  of  type 
1 ,  lack  the  drawstring  mentioned  by  Jenness  and 
Stefansson  and  do  not  have  fringes  (fig.  33a-b). 

Women's  Clothing— Men's  and  women's  par- 
kas were  stylistically  similar,  but  there  were  certain 
features  that  distinguished  the  two.  The  shoulders 
of  women's  parkas  were  greatly  enlarged,  and  the 
hood  was  enlarged  to  accommodate  an  infant,  who 
could  be  moved  from  the  hood  to  the  breast  with- 
out being  removed  from  the  warmth  of  the  parka. 
Most  significant,  perhaps,  was  the  presence  of  a 
triangular  piece  of  fur,  usually  with  white  inser- 
tions, in  the  center  front  of  the  woman's  parka 
(Jenness,  1946,  pp.  34-35,  fig.  27).  This  triangular 
piece  has  been  described  by  Driscoll  ( 1 987,  p.  1 82) 
as  a  symbol  of  procreation  and  maternity. 

The  Noice  collection  contains  three  garments 
that  have  been  identified  as  outer  parkas.  The  first 
of  these  has  a  relatively  simple  pattern,  and  its 
obvious  seams  and  inferior  fur  suggest  that  it  may 
be  an  inner  parka.  The  front  and  back  are  essen- 
tially a  single  piece  with  an  opening  for  attachment 
of  the  hood.  The  tail  is  extended  with  a  separate 
piece.  A  separate  triangular  piece  is  inserted  in  the 
back  and  the  previously  mentioned  symbolic  piece 


VANSTONE:  THE  NOICE  COLLECTION 


19 


of  the  same  shape  is  attached  to  the  front.  Each 
sleeve  is  two  pieces  sewn  up  the  sides.  The  hood 
has  the  most  complex  pattern,  consisting  of  13 
separate  pieces  (fig.  34).  This  outer  parka  is  un- 
decorated  except  for  strips  of  white  fur  around  the 
cuffs  and  hood  opening  (fig.  35). 

The  pattern  of  the  second  parka  is  quite  differ- 
ent. The  tail  is  essentially  a  single  piece,  although 
there  is  a  seam  up  the  center  and  a  small  triangular 
insert.  The  front  piece  has  two  long  extensions  that 
attach  to  the  sides  of  the  tail.  The  sleeves  consist 
of  two  pieces  sewn  up  the  sides  and  gussets  in  the 
underarm  area.  The  sides  of  the  hood  are  two  large 
pieces,  and  the  back  consists  of  a  number  of  small 
pieces  (fig.  36). 

The  decorative  insertions  on  this  parka  include 
a  band  of  white  fur  around  the  rectangular  back 
tail  from  which  extend  narrow  strips  of  white  fur 
cut  in  pairs.  A  similar  band  with  fringes  extends 
across  the  front  including  the  characteristic  tri- 
angular piece.  Four  paired,  wider  strips  of  white 
fur  extend  from  caribou  ears  that  have  been  sewn 
on  just  below  the  shoulders.  There  are  three  bands 
of  white  fur  on  the  sleeves  just  above  the  cuffs. 
Paired  strands  of  white  fur  extend  from  a  seam  at 
the  back  of  the  hood  (indicated  by  dots  on  the 
pattern  drawing),  and  there  is  a  white  fringe  around 
the  hood  opening  (figs.  37-38). 

The  pattern  of  the  third  parka  is  somewhat  sim- 
ilar in  that  the  back  piece  extends  to  the  hood  and 
the  front  includes  extensions  that  reach  down  both 
sides.  A  number  of  small  pieces  fill  out  the  basic 
pattern.  The  sleeves  are  two  pieces  sewn  up  the 
sides  with  gussets  in  the  underarm  area.  The  hood 
has  two  large  side  pieces  and  a  number  of  smaller 
ones  toward  the  back  (fig.  39). 

This  outer  parka  is  the  most  elaborately  deco- 
rated of  the  three.  There  is  a  broad  band  of  white 
fur  around  the  outer  edge  of  the  tail  and  across 
the  front  from  which  extend  paired  narrow  strips 
of  white  fur.  A  much  narrower  band  of  white  fur 
follows  the  contours  of  the  outer  tail  panel.  Paired 
strips  of  white  fur  extend  from  caribou  ears  placed 
over  the  shoulder  blades  as  on  the  previously  de- 
scribed parka.  There  are  two  broad,  white  panels 
on  the  chest  and  below  them  narrow  inset  strips 
of  white  fur  that  extend  down  into  the  triangular 
piece.  Four  white  bands  on  the  sleeves  are  placed 
just  above  the  cuffs.  On  the  hood  a  band  of  white 
fur  extends  around  the  opening  and  continues  to 
the  top.  Narrower  bands  also  occur  on  the  back 
of  the  hood,  and  paired  narrow  bands  of  fur  (in- 
dicated by  dots  on  the  pattern  drawing)  extend 
from  a  seam  in  this  area  (figs.  40-4 1 ). 


Women's  outer  parkas  similar  to  those  in  the 
Noice  collection  are  described  and/or  illustrated 
by  Jenness  (1917,  fig.  4;  1922,  frontispiece,  pis. 
viii-ix;  1946,  pp.  34-35,  figs.  27-28),  Birket-Smith 
(1945,  pp.  152-153,  fig.  110),  Damas  (1984,  p. 
411,  fig.  16a),  Rasmussen  (1932,  opp.  p.  64),  and 
DriscoU  (1987,  p.  182,  fig.  166). 

Women's  trousers  were  cut  the  same  as  those 
of  men,  but  since  women's  stockings  covered  more 
of  the  leg,  their  trousers  are  shorter.  The  collection 
contains  a  single  pair  of  outer  trousers  that  consist 
of  four  pieces  sewn  together  down  the  middle  and 
laterally.  In  the  middle  of  the  front  is  the  char- 
acteristic triangular  gusset  of  white  fur,  and  run- 
ning down  the  outside  of  each  leg  are  four  longi- 
tudinal strips  of  clipped  white  and  brown  fur.  In 
the  center  of  each  white  strip  is  a  narrow  strip  of 
depilated,  ocher-stained  sealskin.  There  is  no 
drawstring,  but  at  the  back  near  the  waist  are  two 
holes,  possibly  for  a  sealskin  thong  with  loop  and 
toggle  (fig.  42).  Women's  outer  trousers  are  de- 
scribed and  illustrated  by  Birket-Smith  (1945,  pp. 
155-156,  fig.  lUa-b)  and  Jenness  (1946,  p.  37, 
fig.  29). 

The  inner  and  outer  stockings  worn  by  Copper 
Inuit  women  differed  considerably  from  those  worn 
by  men.  They  fit  tightly  around  the  ankle  and  then 
flared  rapidly  upward  toward  the  knee.  The  outer 
side  of  the  stocking  then  tapered  to  form  a  wide 
strap  that  was  looped  over  the  belt  holding  up  the 
trousers.  The  Noice  collection  contains  a  single 
pair  of  women's  stockings  that,  although  the  fur  is 
on  the  outside,  are  identified  in  the  catalog  as  inner 
stockings.  They  are  undecorated  except  for  a  white 
strip  around  the  opening  (fig.  43).  The  pattern  con- 
sists of  many  irregularly  shaped  pieces,  and  Jen- 
ness ( 1 946,  p.  26)  noted  that  since  the  inner  stock- 
ings for  both  men  and  women  did  not  need  to  be 
attractive,  they  were  often  pieced  together  from 
sections  of  old  coats  or  sleeping  skins.  The  feet 
were  generally  made  of  caribou  leg  skins,  but  this 
does  not  appear  to  be  the  case  with  the  stockings 
described  here.  Women's  inner  and  outer  stock- 
ings are  described  and/or  illustrated  by  Stefansson 
(1914,  p.  116,  fig.  68),  Birket-Smith  (1945,  pp. 
156-157,  fig.  112a-b),  and  Jenness  (1946,  p.  37, 
figs.  31-32). 


Miscellaneous 

The  Noice  collection  contains  two  female  dolls 
without  arms  made  of  depilated  caribou  skin  and 
stuffed  with  small  twigs  and  strips  of  skin;  both 


20 


FIELDIANA:  ANTHROPOLOGY 


are  in  very  poor  condition.  The  first  doll  is  wearing 
trousers  with  the  typical  decorative  strips  down 
the  sides  but  is  otherwise  undressed.  What  appears 
to  be  a  pair  of  mittens  are  sewn  to  the  doll  just 
above  the  trousers.  Sewn  to  the  head  are  a  pair  of 
braids  of  human  hair,  and  the  face  is  made  of  white 
depilated  skin  on  which  features  and  tattooing  are 
incised  (fig.  44d).  The  tattooing  resembles  the  fe- 
male designs  illustrated  by  Jenness  (1946,  p.  53, 
fig.  44).  Accompanying  this  doll  is  a  single  wom- 
an's stocking  (fig.  44h).  The  second  doll  is  un- 
dressed with  a  length  of  sinew  wrapped  around  the 
waist.  It  also  has  a  face  of  depilated  skin  on  which 
features  and  tattooing  are  incised  (fig.  44i).  Similar 
dolls  are  described  and  illustrated  by  Birket-Smith 
(1945,  pp.  213-214,  fig.  186)  and  Jenness  (1922, 
p.  2 1 9;  1 946,  p.  54,  fig.  1 86),  who  noted  that  while 
dolls  were  primarily  playthings,  the  cutting  and 
sewing  of  doll  clothing  was  considered  an  impor- 
tant part  of  a  girl's  education. 

The  well-known  and  widely  distributed  Inuit 
ring  and  pin  game  is  represented  in  the  collection 
by  a  single  example  made  from  the  humerus  of  a 
bearded  seal.  A  single  hole  is  drilled  in  the  center 
of  the  smaller  articular  surface  and  multiple  holes 
occur  in  the  larger  surface  as  well  as  down  one 
side.  A  length  of  sinew  is  attached  to  the  bone 
toward  the  center  with  an  ivory  pin  at  the  opposite 
end  (fig.  44g).  The  purpose  of  the  game  is  to  toss 
the  pin  so  that  it  lands  upright  in  one  of  the  holes. 
Ring  and  pin  games  are  described  and/or  illus- 
trated by  Stefansson  ( 1 9 1 4,  p.  1 24,  fig.  82),  Birket- 
Smith  (1945,  p.  213,  fig.  184),  and  Jenness  (1922, 
pp.  220-221;  1946,  pp.  141-142,  fig.  183). 

The  collection  contains  a  single  antler  comb  with 
seven  teeth  and  a  small  hole  at  the  proximal  end 
for  attachment  to  the  needle  case  (fig.  44b).  Both 
Stefansson  (1914,  pp.  121,  126,  fig.  83c-d)  and 
Jenness  ( 1 946,  pp.  50-5 1 ,  fig.  42a)  noted  that  combs 
were  not  widely  used  by  Copp>er  Inuit  women, 
who,  when  they  arranged  their  hair  at  all,  braided 
it  into  two  small  braids.  Both  authors  and  Birket- 
Smith  (1945,  p.  159,  fig.  115)  illustrated  combs 
similar  to  the  one  described  here. 

Attached  to  the  front  crossbar  of  a  sled  was  the 
sled  toggle,  which  supported  the  stress  of  the  trac- 
es. The  collection  contains  one  such  toggle  of  musk 
ox  horn  to  which  a  length  of  heavy  rawhide  with 
a  loop  at  each  end  is  attached.  This  rawhide  strap 
is  held  in  place  in  the  toggle  line  hole  by  a  pair  of 
wood  plugs.  When  in  use,  each  end  of  the  strap 
was  passed  through  holes  in  the  runner  below  the 
front  crossbar  and  then  over  the  projecting  ends 
of  this  bar.  Accompanying  this  sled  toggle  is  a 


caribou  skin  container  with  a  series  of  holes  at  the 
opening  for  a  drawstring  (fig.  44a,c).  Jenness  (1946, 
p.  1 37,  fig.  177)  described  and  illustrated  a  similar 
sled  toggle  and  noted  that  the  ones  he  observed 
were  invariably  made  of  musk  ox  horn.  Birket- 
Smith  (1945,  p.  184,  fig.  145a)  also  described  and 
illustrated  a  sled  toggle  but  without  the  attached 
rawhide  strap. 

The  collection  contains  a  loon 's  head  pendant, 
including  the  bird's  neck  (Gavia  arctica),  from 
which  are  suspended  narrow  strips  of  depilated 
skin  (fig.  441).  According  to  Jenness  (1946,  p.  29, 
fig.  22),  a  loon's  head  and  neck,  split  so  that  the 
bill  projected  upward,  was  sometimes  attached  to 
a  dancing  cap.  Birket-Smith  (1945,  p.  150,  fig.  107) 
and  Driscoll  (1987,  figs.  176-177,  p.  190)  also  il- 
lustrated dancing  caps  with  a  loon's  head  pendant 
attached. 


Raw  Materials 

Two  small  and  one  large  musk  ox  horns  have 
been  cut  off  evenly  at  the  wide  end  (fig.  44e),  pos- 
sibly for  the  eventual  manufacture  of  drinking 
horns  like  those  illustrated  by  Jenness  (1946,  p. 
71,  fig.  67). 

Although  described  in  the  catalog  as  "grass 
bunches,"  two  dense  cushions  of  floral  material 
are,  in  fact,  dried  moss  (Dicranum  elongatum)  used 
for  lamp  wicks  (Stefansson,  1914,  p.  69,  fig.  20,  p. 
75). 


III.  Conclusions 

The  student  of  Copper  Inuit  material  culture  is 
fortunate  to  have,  for  comparative  purposes,  the 
pioneering  study  made  by  Diamond  Jenness 
(1946).  This  study  is  based  primarily  on  a  collec- 
tion of  2,500  objects  obtained  around  the  west  end 
of  Coronation  Gulf  and  on  southwestern  Victoria 
Island  when  Jenness  was  a  member  of  the  Southern 
Division  of  the  Canadian  Arctic  Expedition  (1913- 
1916).  His  collection  comprises  a  significant  por- 
tion of  the  ethnographic  collections  of  the  Cana- 
dian Museum  of  Civilization,  Ottawa  (S.  E.  Jen- 
ness, 1991,  p.  697).  Presumably  also  included  in 
Jenness's  study  were  the  collections  made  by  Ste- 
fansson as  leader  of  the  Northern  Division  of  the 
Canadian  Arctic  Expedition  (1913-1918).  These 
collections  are  also  in  the  museum  in  Ottawa.  Al- 
though in  his  monograph  Jenness  described  in 


VANSTONE:  THE  NOICE  COLLECTION 


21 


considerable  detail  numerous  artifact  classes  of 
Copper  Inuit  material  culture,  he  did  not  refer  to 
specific  cataloged  objects  except  in  illustrations, 
nor  did  he  provide  a  complete  inventory  of  the 
collection  on  which  his  study  is  based.  This  would 
be  available  from  the  museum's  catalog  inventory. 
Jenness  observed  that  in  1914,  when  the 
Southern  Division  established  its  headquarters  at 
Bernard  Harbor  in  Dolphin  and  Union  Strait,  "the 
natives  preserved  their  old  culture  virtually  un- 
impaired" (Jenness,  1946,  p.  1).  The  only  observ- 
able change  resulting  from  a  few  earlier  contacts 
with  explorers  was  the  availability  of  a  large  amount 
of  iron,  which  the  Copper  Inuit  hammered  cold 
just  as  they  had  prepared  the  native  copper  avail- 
able in  their  territory.  Iron  took  the  place  of  copper 
in  the  manufacture  of  knives,  adze  blades,  harpoon 
blades,  and  needles.  At  the  beginning  of  the  ex- 
pedition's work,  only  five  men  possessed  rifles, 
and  they  were  unable  to  use  them  for  lack  of  am- 
munition. Most  hunters  observed  by  Jenness  used 
bows  and  arrows  tipped  with  bone  or  antler,  cop- 
per, or  iron.  Some  tools  continued  to  have  copper 
blades,  and  all  cooking  of  meat  was  accomplished 
in  soapstone  vessels.  Fur  clothing  was  worn  ex- 
clusively by  both  men  and  women  (Jenness,  1946, 

p.  1). 

The  ten  years  following  the  departure  of  the  Ca- 
nadian Arctic  Expedition  was  a  period  of  profound 
change  for  Copper  Inuit  material  culture.  Native 
copper  came  to  be  used  only  for  rivets,  all  hunters 
were  armed  with  high-powered,  repeating  rifles, 
tools  had  steel  or  iron  blades,  and  metal  cooking 
pots  replaced  soapstone  vessels.  Although  some 
cooking  was  done  over  primus  stoves,  and  light 
provided  by  kerosene  lamps  (Jenness,  1946,  pp. 
1-2),  stone  lamps  were  still  in  use  around  Bath- 
hurst  Inlet  and  Perry  River  in  the  early  1960s  (D. 
Damas,  pers.  comm.).  As  noted  in  the  Introduc- 
tion, Captain  Klengenberg  traded  on  Victoria  Is- 
land during  the  winter  of  1 905- 1 906.  His  wife  was 
an  liiupiat  from  Point  Hope,  Alaska,  and  she  and 
her  daughter  introduced  western  liiupiat  clothing 
styles,  which  rapidly  replaced  the  traditional  Cop- 
per Inuit  styles  (Oakes,  1991,  p.  24).  Garments  of 
wool  and  cotton  were  also  increasingly  available. 

Before  these  rapid  changes  had  taken  place,  the 
Canadian  Arctic  Expedition  obtained  the  large  col- 
lection that  Jenness  published  in  1946.  It  will  be 
recalled  that  Harold  Noice  was  a  member  of  the 
Canadian  Arctic  Expedition,  and  although  his  col- 
lection was  made  in  1921-1922,  six  years  after  the 
one  obtained  by  Jenness,  it  should  be  apparent 
from  the  foregoing  artifact  descriptions  that  exotic 


materials  are  absent  from  the  collection  except  for 
the  use  of  metal  for  blades  and  points.  Thus  the 
statements  made  by  Jenness  with  reference  to  the 
status  of  Copper  Inuit  material  culture  at  the  time 
of  the  Canadian  Arctic  Expedition  apply  equally 
well  to  the  collection  made  by  Noice  in  spite  of 
the  fact  that  opportunities  for  acquiring  trade  goods 
presumably  increased  considerably  during  those 
intervening  six  years.  Of  course,  it  is  possible,  per- 
haps even  probable,  that  Noice  avoided  collecting 
objects  that  showed  European  influence. 

Like  Robert  Peary  during  his  numerous  trips  to 
the  country  of  the  Polar  Inuit  in  northwest  Green- 
land over  a  period  of  20  years  beginning  in  1891 
(VanStone,  1972,  pp.  39-40),  members  of  the  Ca- 
nadian Arctic  Expedition  had  a  major  impact  on 
the  material  culture  of  the  Copper  Inuit.  Jenness 
appears  to  have  been  well  supplied  with  goods  for 
trading.  An  appendix  to  his  recently  published  di- 
ary (S.  E.  Jenness,  1 99 1 ,  pp.  673-696)  gives  a  com- 
plete list  of  trades  he  made  from  December  1914 
to  March  1915.  Following  are  some  typical  trans- 
actions: 

30  .44  cartridges  for  one  bow  and  equipment. 
2  fathoms  of  calico  for  one  snow  knife. 
1  metal  thimble  for  three  bone  thimbles. 
1  saw  for  a  pair  of  women's  water  boots. 
1  canister  of  gun  powder  for  a  man's  parka. 
1  box  of  .38-55  cartridges  for  a  large  ulu. 

A  total  of  744  transactions  are  listed,  and  al- 
though some  are  payments  for  food,  dogs,  inter- 
views, and  "services  rendered,"  the  majority  are 
for  the  purchase  of  ethnographic  objects  or  the  raw 
materials  for  their  manufacture.  Also,  the  majority 
of  items  traded  are  either  finished  manufactures 
(saws,  knives,  cloth,  cans,  etc.)  or  items  associated 
with  subsistence,  especially  ammunition  and  traps. 
As  previously  noted,  guns,  presumably  muzzle- 
loaders,  were  rare  objects  before  the  Canadian 
Arctic  Expedition,  and  even  when  Copper  Inuit 
hunters  succeeded  in  obtaining  a  few  weapons, 
they  were  never  able  to  gain  much  advantage  from 
them  since  powder  and  shot  could  only  occasion- 
ally be  obtained.  From  Jenness  and  other  mem- 
bers of  the  Canadian  Arctic  Expedition,  the  hunt- 
ers received  modem,  breech-loading  weapons  and 
a  regular  supply  of  cartridges.  As  Damas  (1984,  p. 
409)  noted,  "Already  during  Jenness's  stay,  .  .  ., 
the  use  of  rifles  had  begun  to  alter  the  seasonal 
economic  cycle  in  the  western  part  of  the  [Copper 
Inuit]  area  with  sealing  grounds  being  abandoned 
about  a  month  earlier  for  caribou  hunts  on  both 
sides  of  Dolphin  and  Union  Strait."  Thus  it  is 


22 


FIELDIANA:  ANTHROPOLOGY 


probably  no  exaggeration  to  state  that  it  was  Jen- 
ness  and  his  fellow  exjiedition  members  who  gave 
the  Copper  Inuit,  for  the  first  time,  truly  effective 
equipment  for  harvesting  the  resources  in  their 
environment. 

Like  Jenness,  Harold  Noice  acquired  his  collec- 
tion with  trade  goods  that  he  obtained  from  the 
Hudson's  Bay  Company  post  established  at  Ber- 
nard Harbor  in  1916  or  other  posts  op>erating  in 
Coronation  Gulf  shortly  thereafter  (Usher,  1971, 
pp.  103-104).  As  Stefansson  noted  in  his  letter  of 
April  24,  1922,  to  C.  T.  Currelly  of  the  Royal 
Ontario  Museum,  quoted  in  the  Introduction, 
Noice  had  to  obtain  fox  skins,  presumably  trapped 
by  Inuit,  in  order  to  acquire  trade  goods  from  the 
Hudson's  Bay  Company.  Stefansson  pointed  out 
that  Noice  had  to  pay  an  average  of  $  1 5  in  fox 
skins  to  acquire  sufficient  trade  goods  to  purchase 
one  bow  in  Coronation  Gulf.  In  any  event,  it  is 
clear  that  Noice,  Jenness,  and  Stefansson  obtained 
their  collections  in  essentially  the  same  manner. 
The  difference  was  that  Jenness,  and  Stefansson 
to  a  limited  extent,  were  collecting  within  the  con- 
text of  well-funded  anthropological  research,  while 
Noice  was  untrained  as  a  social  scientist  and,  of 
necessity,  was  forced  to  exchange  trade  goods  with 
Inuit  for  furs  to  obtain  more  trade  goods  so  that 
he  could  sustain  his  collecting  effort. 

Of  major  importance  with  reference  to  both  the 
Jenness  and  Noice  collections,  of  course,  is  that 
both  collectors  acquired  objects  still  in  use  at  the 
time  the  collections  were  made.  This  is  in  contrast 
to  many  of  the  Native  American  and  Canadian 
collections  in  the  Field  Museum  that,  more  often 
than  not,  contain  items  that  were  either  preserved 
by  families  as  heirlooms  or  were  made  sp)ecifically 
at  the  request  of  the  collector.  As  Stefansson  noted 
in  his  letter  to  Currelly,  items  collected  by  Noice, 
even  though  obtained  when  traders  were  already 
op>erating  in  Coronation  Gulf,  would  never  again 
be  made  except  for  sale,  esp)ecially  clothing  and 
items  associated  with  subsistence.  Noice,  he  stated 
emphatically,  "secured  the  last  that  remained  of 
those  [artifacts]  actually  made  for  use  and  actually 
used."  Jenness  would  certainly  have  agreed  with 
this  statement.  Seldom,  it  would  seem,  have  se- 
rious ethnographic  collectors  so  closely  preceded 
the  initial  presence  of  significant  agents  of  culture 
change. 

Compared  to  the  collection  made  by  Jenness, 
the  Noice  assemblage  is  not  large,  even  when  that 
part  of  it  now  in  the  Royal  Ontario  Museum  is 
included.  Nevertheless,  the  collection  purchased 
by  the  Field  Museum  in  1920  is  quite  represen- 


tative, a  condition  that  may  be  due  in  part  to  de- 
cisions made  by  Worth  when  the  total  collection 
was  split  for  sale.  The  material  culture  of  the  Cop- 
per Inuit  was  not  complex  and  the  Field  Museum's 
Noice  collection  provides  a  reasonable  indication 
of  its  variety. 

It  may  be  useful  to  compare  the  Noice  collection 
with  the  collection  studied  by  Jenness.  The  fol- 
lowing classes  of  artifacts  present,  in  the  combined 
Jenness/Stefansson  assemblage,  are  absent  from 
the  Noice  collection: 

Land  Hunting 

boards  for  freighting  caribou 
instruments  for  feathering  arrows 


Sea  Hunting 

probes  for  seal  holes 

wound  plugs 

hooks  for  withdrawing  indicators  from  seal  holes 


Fishing 

bone  gorge 
fish  rake 


Women's  Tools 

knife  sharpener 

wood  hearth  for  fire  drill 

whetstone 

mattock 

Household  Equipment 

stone  kettle 

wood  pail  and  bowls 

frame  for  drying  clothes 

snow  shovel 

wood  table  and  strut 

drinking  horn 

meat  fork 

sewing  basket 

Men's  Clothing 

inner  coat 
sealskin  coat 


VANSTONE:  THE  NOICE  COLLECTION 


23 


water  boots 
inner  stockings 
dancing  cap 


Women 's  Clothing 

inner  coat 
water  boots 
outer  stockings 
necklace 


Miscellaneous 

drum 
bull  roarer 


collection  in  the  Royal  Ontario  Museum.  Barbara 
M.  Conklin  provided  copies  of  correspondence  be- 
tween John  G.  Worth  and  curators  at  the  Amer- 
ican Museum  of  Natural  History.  David  E.  Wil- 
lard  and  William  T.  Stanley  of  the  Field  Museum's 
Department  of  Zoology  identified  feathers  and 
mammal  skins  used  in  the  manufacture  of  artifacts 
in  the  Noice  collection,  and  John  J.  Engel,  De- 
partment of  Botany,  assisted  in  the  identification 
of  floral  material.  The  drawings  in  this  study  were 
made  by  Lori  Grove,  and  the  photographs  are  the 
work  of  James  L.  Balodimas,  a  museum  photog- 
rapher. Loran  H.  Recchia  and  James  D.  Foerster 
typed  several  drafts  of  the  manuscript  with  ac- 
curacy and  dispatch. 


It  will  be  noted  that  artifacts  in  most  of  the 
categories  described  by  Jenness  are  represented  in 
the  Noice  collection.  The  most  significant 
omissions  are  in  the  categories  of  household  equip- 
ment and  men's  and  women's  clothing.  The  Noice 
collection  contains  no  children's  clothing,  and  only 
one  artifact  associated  with  transportation.  The 
only  artifacts  in  the  Noice  collection  that  are  ab- 
sent from  the  Jenness/Stefansson  assemblage  are 
a  file,  bolas,  and  seal  hooks.  With  the  exception 
of  rivets,  there  is  an  almost  complete  absence  of 
artifacts  made  from  copper.  Only  two  arrowhead 
blades,  two  fishhooks,  two  leister  prong  barbs,  and 
one  needle  are  made  of  copper,  the  material  that 
was  once  so  characteristic  of  Copper  Inuit  man- 
ufactures. 

This  study  of  the  Field  Museum's  Noice  collec- 
tion demonstrates  that,  like  the  collections  made 
between  1 908  and  1915  by  Jenness  and  Stefans- 
son,  it  represents  Copper  Inuit  material  culture 
just  prior  to  the  time  of  extensive  changes  intro- 
duced by  traders.  Although  containing  few  arti- 
facts that  add  to  our  knowledge  of  the  Copper  Inuit 
material  culture  inventory,  it  is  an  interesting  and 
useful  extension  of  the  Stefansson  and  Jenness  col- 
lections made  at  about  the  same  time. 


Acknowledgments 

The  author  is  grateful  to  Robert  McGhee,  J. 
Garth  Taylor,  and  William  E.  Taylor,  Jr.,  for  valu- 
able assistance  during  the  preparation  of  this  study. 
Kenneth  R.  Lister  and  Bemadette  DriscoU  pro- 
vided useful  information  concerning  the  Noice 


Literature  Cited 

American  Museum  of  Natural  History.  MS.  Ar- 
chives, Department  of  Anthropology. 

Anonymous.  1922.  New  members.  The  Explorers' 
Journal,  1(4):  12. 

Back,  G.  1836.  Narrative  of  the  Arctic  Land  Expe- 
dition to  the  Mouth  of  the  Great  Fish  River,  and  along 
the  Shores  of  the  Arctic  Ocean  in  the  Years  1833, 
1834,  and  1835.  J.  Murray,  London. 

Birket-Smith,  K.  1945.  Ethnological  Collections  from 
the  Northwest  Passage.  Report  of  the  Fifth  Thule  Ex- 
pedition, 1921-1924,  6(2).  Copenhagen. 

Boas,  F.  1888.  The  Central  Eskimo,  pp.  399-669.  In 
Sixth  Annual  Report  of  the  Bureau  of  American  Eth- 
nology, Washington,  D.C. 

Cadzow,  D.  a.  1920.  Native  Copper  Objects  of  the 
Copper  Eskimo.  Indian  Notes  and  Monographs,  Mu- 
seum of  the  American  Indian,  Heye  Foundation,  8. 
New  York. 

CoLLiNSON,  R.  1889.  Journal  of  H. M.S.  Enterprise,  on 
the  Expedition  in  Search  of  Sir  John  Franklin's  Ships 
by  Behring  Strait.  1850-1855.  T.  B.  CoUinson,  ed. 
Sampson  Low,  Marsten,  Searle,  &  Rivington,  London. 

CooKE,  A.,  AND  C.  Holland.  1978.  The  Exploration 
of  Northern  Canada.  The  Arctic  History  Press,  To- 
ronto. 

Damas,  D.  1969.  Characteristics  of  Central  Eskimo 
band  structure,  pp.  1 16-134.  In  D.  Damas,  ed..  Con- 
tributions to  Anthropology:  Band  Societies.  Anthro- 
pological Series  84,  National  Museum  of  Canada,  Bul- 
letin 228.  Ottawa. 

.    1 972.  The  Copper  Eskimo,  pp.  3-50.  In  M.  G. 

Bicchieri,  ed..  Hunters  and  Gatherers  Today.  Holt, 
Rinehart  and  Winston,  New  York. 

1 984.  Copper  Eskimo,  pp.  397-4 1 4.  In  D.  Da- 


mas, ed..  Handbook  of  North  American  Indians.  Vol. 

5,  Arctic.  Smithsonian  Institution,  Washington,  D.C. 
Driscoll,  B.     1983.    The  Inuit  parka:  A  preliminary 

study.  M.A.  thesis,  Carleton  University,  Ottawa. 
.    1987.   The  Inuit  parka  as  an  artistic  tradition, 


24 


FIELDIANA:  ANTHROPOLOGY 


pp.  1 69-200.  In  The  Spirit  Sings:  Artistic  Traditions 

of  Canada's  First  Peoples.  McClelland  and  Stewart, 

Toronto. 
Field  Museum  of  Natural  History.   MS.   Accession 

files,  Department  of  Anthropology. 
Franklin,  J.    1824.  Narrative  of  a  Journey  to  the  Shores 

of  the  Polar  Sea,  in  the  Years  1819-20-21-22,  2  vols, 

2nd  ed.  J.  Murray,  London. 
Hanbury,  D.  T.    1 904.   Sport  and  Travel  in  the  North- 
land of  Canada.  Edward  Arnold,  London. 
Hearne,  S.    1958.    A  Journey  from  Prince  of  Wales's 

Fort  in  Hudson's  Bay  to  the  Northern  Ocean  in  the 

years  1769,  1770,  1771,  1772.  Richard  Glover,  ed. 

The  Macmillan  Company,  Toronto.  (Reprint  of  the 

first  edition,  1795.) 
Issenman,  B.    1985.    Inuit  skin  clothing:  Construction 

and  motifs.  Etudes/Inuit/Studies,  9(2):  101-119. 
Jenness,  D.    1917.  The  Copper  Eskimos.  Geographical 

Review,  4(2):  81-91. 
.    1 922.  The  Life  of  the  Copi>er  Eskimos.  Report 

of  the  Canadian  Arctic  Expedition,  12(A).  Ottawa. 

1923.    The  Copper  Eskimos:  Physical  Char- 


acteristics of  the  Copper  Eskimos.  Report  of  the  Ca- 
nadian Arctic  Expedition,  12(B).  Ottawa. 

1928.    The  People  of  the  Twilight.  The  Mac- 


millan Company,  New  York. 

1 946.  Material  Culture  of  the  Copper  Eskimos. 


Report  of  the  Canadian  Arctic  Expedition,  16.  Ottawa. 

Jenness,  S.  E.,  ed.  1 99 1 .  Arctic  Odyssey:  The  Diary  of 
Diamond  Jenness,  Ethnologist  with  the  Canadian  Arc- 
tic Expedition  in  North  Alaska  and  Canada,  1913- 
1916.  Canadian  Museum  of  Civilization.  Ottawa. 

Mathiassen,  T.  1928.  Material  Culture  of  the  Iglulik 
Eskimos.  Report  of  the  Fifth  Thule  Expedition,  1921- 
1924,  6(1).  Copenhagen. 

McGhee,  R.  1972.  Copper  Eskimo  Prehistory.  Na- 
tional Museum  of  Man,  Publications  in  Archaeology, 
no.  2.  Ottawa. 

Murdoch,  J.  1 884.  A  study  of  the  Eskimo  bows  in  the 
U.S.  National  Museum,  pp.  307-3 16.  In  Report  of  the 
U.S.  National  Museum,  Washington,  D.C. 

NoiCE,  H.  1922a.  The  Copper  Eskimos.  Science, 
55(1432):  611-612. 

.    1922b.    Further  discussion  of  the  "Blond"  Es- 
kimo. American  Anthropologist,  n.s.,  24(2):  228-231. 
1924.    With  Stefansson  in  the  Arctic.  Dodd, 


Mead  &  Company,  New  York. 
Oakes,  J.  E.  1991.  Copper  and  Caribou  Inuit  Skin 
Clothing  Production.  Canadian  Ethnology  Service, 
Mercury  Series  paper  no.  1 18.  Canadian  Museum  of 
Civilization.  Ottawa. 


OsBORN,  S.,  ED.  1865.  The  Discovery  of  the  North- 
west Passage  by  H.M.S.  Investigator,  Capt.  R.  M'Clure, 
during  the  Years  1850,  1851,  1852,  1853,  1854  .. . 
from  the  Logs  and  Journals  of  Capt.  Robert  le  M. 
M'Clure.  William  Blackwood  and  Sons,  London. 

Rae,  J.  1 852a.  Journey  from  Great  Bear  Lake  to  Wol- 
laston  Land.  Journal  of  the  Royal  Geographical  So- 
ciety, 22:  73-82. 

.    1852b.    Recent  explorations  along  the  south 

and  east  coast  of  Victoria  Land.  Journal  of  the  Royal 
Geographical  Society,  22:  82-96. 

Rasmussen,  K.  1932.  Intellectual  Culture  of  the  Cop- 
per Eskimo.  Report  of  the  Fifth  Thule  Expedition, 
1921-1924,  9.  Copenhagen. 

Royal  Ontario  Museum.  MS.  Archives,  Department 
of  Anthropology. 

Simpson,  T.  1843.  Narrative  of  the  Discoveries  on  the 
North  Coast  of  America;  Effected  by  the  Officers  of 
the  Hudson's  Bay  Company  during  the  Years  1836- 
39.  R.  Bentley,  London. 

Stefansson,  V.  1913.  My  Life  with  the  Eskimo.  The 
Macmillan  Company,  New  York. 

.  1914.  The  Stefansson-Anderson  Arctic  Ex- 
pedition of  the  American  Museum:  Preliminary  Eth- 
nological Report.  Anthropological  Papers  of  the 
American  Museum  of  Natural  History,  14(1).  New 
York. 

.    1921.   The  Friendly  Arctic:  The  Story  of  Five 

Years  in  Polar  Regions.  The  Macmillan  Company, 
New  York. 


.    1922.    Hunters  of  the  Great  North.  Harcourt, 

Brace,  and  Company,  New  York. 

1925.   The  Adventure  of  Wrangel  Island.  The 


Macmillan  Company,  New  York. 

Stenton,  D.  R.  1991.  The  adaptive  significance  of 
caribou  winter  clothing  for  arctic  hunter-gatherers. 
Etudes/Inuit/Studies,  15(1):  3-28. 

Taylor,  J.  G.  1 974.  Netsilik  Eskimo  Material  Culture: 
The  Roald  Amundsen  Collection  from  King  William 
Island.  Universitetsforlaget,  Oslo. 

Taylor,  W.  E.,  Jr.  1972.  An  Archaeological  Survey 
between  Cape  Parry  and  Cambridge  Bay,  N.W.T., 
Canada  in  1963.  National  Museum  of  Man,  Mercury 
Series,  Archaeological  Survey  Paper  no.  1 .  Ottawa. 

Usher,  P.  J.  1971.  Fur  Trade  Posts  of  the  Northwest 
Territories,  1870-1970.  Department  of  Indian  Affairs 
and  Northern  Development,  Northern  Science  Re- 
search Group  (NSRG  71-4).  Ottawa. 

VanStone,  J.  W.  1 972.  The  First  Peary  Collection  of 
Polar  Eskimo  Material  Culture.  Fieldiana:  Anthro- 
pology, 63(2). 


VANSTONE:  THE  NOICE  COLLECTION 


25 


Fig.  2.     a,  bow  ( 1 76040a);  b,  bow  (176039b);  c,  arrow  (176039c);  d,  arrow  (1760380;  e,  arrow  (176039e);  f,  arrow 
(176039d);  g,  arrow  (176038d).  Neg.  no.  1 12430. 


26 


FIELDIANA:  ANTHROPOLOGY 


10  cm 


^' 


I 


t  Kt 

.■■-» 


1*?-^^ 


A|: 


t 


Fig.  3.  a,  arrowhead  (176043e);  b,  arrowhead  (1760430;  c,  arrowhead  (176043h);  d,  arrowhead  (176044e);  e, 
arrowhead  ( 1 76044c);  f,  arrowhead  ( 1 760440;  g,  sinew  twister  ( 1 76053c);  h,  sinew  twister  ( 1 76052d);  i,  thumb  guard 
(178145);  j,  sinew  twister  (176053d);  k,  marlin  spike  (176052b);  I,  bow  case  handle  (176063c).  Neg.  no.  1 12431. 


VANSTONE:  THE  NOICE  COLLECTION 


27 


cr 


28 


FIELDIANA:  ANTHROPOLOGY 


k 


Fig.  5.  a,  handle  for  carrying  blood  bag  (176092a);  b,  bolas  (176032);  c,  lance  blade  (176075);  d,  arrow  shaft 
straightener  ( 1 76093);  e,  marlin  spike  ( 1 76054b);  f,  bone  pins  ( 1 76059a-b);  g,  drinking  tube  ( 1 76072);  h,  marlin  spike 
(176055b).  Neg.  no.  112427. 


Fig.  4.     Bow  case  ( 1 76038). 


VANSTONE:  THE  NOICE  COLLECTION 


29 


Fig.  6.  a,  breathing  hole  scoop  ( 1 76048b);  b,  breathing  hole  scoop  ( 1 76048a);  c,  seal  hook  ( 1 76099b);  d,  seal  hook 
( 1 76099d);  e,  "unfinished"  harpoon  heads  (1 76060);  f,  harpoon  head  ( 1 78 148);  g,  bag  for  seal  hooks  (1 76099a).  Neg. 
no.  112426. 


30 


FIELDIANA:  ANTHROPOLOGY 


Fig.  7.     Bag  with  harpoon  head  (176098a-b). 


VANSTONE:  THE  NOICE  COLLECTION 


31 


Fig.  8.     a,  leister  (176042);  b,  leister  (176041);  c,  swivel  for  leading  a  dog  (176037);  d,  fishhook  (178134c);  e, 
fishhook  (176100);  f,  ice  pick  (176097);  g,  leister  side  prong  ( 1 76070a).  Neg.  no.  1 12429. 


32 


FIELDIANA:  ANTHROPOLOGY 


Fig.  9.  a,  fishing  rod  and  lurehook  (176029);  b,  fishhook  (178134a);  c,  leister  side  prong  (176046a);  d,  leister 
center  prong  (176049a);  e,  leister  side  prong  (176049c);  f,  fishhook  (178134b);  g,  seal  indicator  (176056a).  Neg.  no. 
1 12428. 


VANSTONE:  THE  NOICE  COLLECTION 


33 


i^ 


f 


^V 


f 


'iA 


Fig.  10.  a,  woman's  knife  (176082);  b,  skin  scraper,  type  1  (176033b);  c,  skin  scraper,  type  1  (176033c);  d,  skin 
scraper,  type  3  (176034);  e,  scraper  handle  (?)  (176091);  f,  skin  stretcher,  type  2  (178142);  g,  skin  scraper,  type  2 
(176081);  h,  skin  stretcher,  type  2  (176096);  i,  skin  stretcher,  type  1  (178141).  Neg.  no.  1 12425. 


34 


FIELDIANA:  ANTHROPOLOGY 


v^ 


h 


Fig.  11.  a,  sewing  outfit  (176073);  b,  marrow  extractor  (176067b);  c,  marrow  extractor  (176067c);  d,  marrow 
extractor  (176067a);  e,  skin  scraper,  type  2  (176079);  f,  needle  case  (176071);  g,  grooving  tool  (176086);  h,  thimble 
(178143b);  i,  grooving  tool  (176089);  j,  sewing  outfit  (176095).  Neg.  no.  1 12422. 


VANSTONE:  THE  NOICE  COLLECTION 


35 


Fig.  12.    a,  crooked  knife  (176033a);  b,  saw  (176088);  c,  saw  (176084);  d,  saw  (176078);  e,  drill  mouthpiece 
(176035);  f,  file  (176090);  g,  adze  head  and  blade  (176080).  Neg.  no.  1 12423. 


36 


FIELDIANA:  ANTHROPOLOGY 


10  cm 


Fig.  13.     a,  man's  knife  (176076);  b,  grooving  tool  (176087);  c,  man's  knife  (176077);  d,  drill  shank  (176047d);  e, 
grooving  tool  handle  (178144);  f,  drill  shank  (176047d);  g,  drill  bow  (176047c).  Neg.  no.  1 12421. 


VANSTONE:  THE  NOICE  COLLECTION 


37 


Fig.  14.    a,  pick  (176050);  b,  adze  (176051);  c,  man's  tool  bag  (178151a);  d,  man's  tool  bag  (178152).  Neg.  no. 
112424. 


S.- 


38 


FIELDIANA:  ANTHROPOLOGY 


5 

o     . 


Fig.  15.    a 

ladle  (176065a) 
112419. 


I,  bird's  foot  bag  (1 78 1 56);  b,  lamp  (1 76069);  c,  dipper  or  drinking  ladle  (1 76065c);  d,  dipper  or  drinking 
)a);  e,  dipper  or  drinking  ladle  (176065b);  f,  snow  knife  (176064b);  g,  snow  knife  (176064a).  Neg.  no. 


VANSTONE:  THE  NOICE  COLLECTION 


39 


Fig.  16.     a,  water  bag  ( 1 76030);  b,  bag  (178157);  c, 
f,  bag  (178155).  Neg.no.  112420. 


bag  ( 1 78 1 46);  d,  blubber  pounder  ( 1 7606 1 );  e,  bag  ( 1 78 1 58); 


40 


FIELDIANA:  ANTHROPOLOGY 


HOOD  TRIM 


Fig.  17.    Man's  outer  parka  (176004). 


VANSTONE:  THE  NOICE  COLLECTION 


41 


\5  ^i^^ism/f^' ;;«Wi>  ;-^-.- 


Fig.  18.     Man's  outer  parka,  front  (176004).  Nfeg.  no.  1 12442. 


42 


FIELDIANA:  ANTHROPOLOGY 


Fig.  19.     Man's  outer  parka,  back  (176004).  Neg.  no.  1 12441. 


VANSTONE:  THE  NOICE  COLLECTION 


43 


HOOD  TRIM 


^^  P^ 


Fig.  20.    Man's  outer  parka  ( 1 76003). 


44 


FIELDIANA:  ANTHROPOLOGY 


Fig.  2 1 .     Man's  outer  parka,  front  ( 1 76003).  Neg.  no.  1 1 2440. 


VANSTONE:  THE  NOICE  COLLECTION 


45 


Fig.  22.     Man's  outer  parka,  back  (1 76003).  Neg.  no.  1 1 2439. 


46 


HELDIANA:  ANTHROPOLOGY 


HOOD  TRIM 


Fig.  23.     Man's  outer  (inner?)  parka  (176007). 


VANSTONE:  THE  NOICE  COLLECTION 


47 


Fig.  24.     Man's  outer  (inner?)  parka  (176007).  Neg.  no.  1 12438. 


48 


FIELDIANA:  ANTHROPOLOGY 


% 


Fig.  25.    Man's  overcoat  (176006).  Neg.  no.  1 12437. 


VANSTONE:  THE  NOICE  COLLECTION 


49 


Fig.  26.     Man's  outer  trousers  ( 1 76005).  Neg.  no.  1 1 24 1 3. 


50 


FIELDIANA:  ANTHROPOLOGY 


Fig.  27.     Man's  outer  trousers  ( 1 78 1 50).  Neg.  no.  1 1 24 1 6. 


VANSTONE:  THE  NOICE  COLLECTION 


51 


Fig.  28.     a,  man's  outer  stockings  (176014a-b);  b,  sock  (178154).  Neg.  no.  1 12415. 


52 


FIELDIANA:  ANTHROPOLOGY 


Fig.  29.     Man's  dance  stockings  ( 1 760 1 6a-b).  Neg.  no.  1 1 24 1 2. 


VANSTONE:  THE  NOICE  COLLECTION 


53 


Fig.  30.     Man's  spring  and  fall  boots  ( 1 760 1 5a-b).  Neg.  no.  1 1 24 1 1 . 


54 


FIELDIANA:  ANTHROPOLOGY 


Fig.  31.    a,  sealskin  shoes,  type  2  (I76018a-b);  b,  sealskin  shoes,  type  1  (176019a-b).  Neg.  no.  1 12417. 


VANSTONE:  THE  NOICE  COLLECTION 


55 


> 


Fig.  32.    a,  mittens,  type  1  (176021a-b);  b,  mittens,  type  2  ( 1 76023a-b);  c,  mittens,  type  1  (176024a-b).  Neg.  no. 
112414. 


56 


FIELDIANA:  ANTHROPOLOGY 


a 


Fig.  33.    a,  mittens,  type  2  (176026a-b);  b,  mittens,  type  2  (176022a-b);  c,  mitten,  type  1  (176025a).  Neg.  no. 
112410. 


VANSTONE:  THE  NOICE  COLLECTION 


57 


Fig.  34.     Woman's  outer  (inner?)  parka  (176001). 


58 


FIELDIANA:  ANTHROPOLOGY 


Fig.  35.     Woman's  outer  (inner?)  parka  (176001).  Neg.  no.  1 12436. 


VANSTONE:  THE  NOICE  COLLECTION 


59 


HOOD  /    \  CENTERPIECE 


HOOD  TRIM 


HOOD  TRIM 


60 


FIELDIANA:  ANTHROPOLOGY 


Fig.  37.     Woman's  outer  parka,  front  (176002).  Neg.  no.  1 12435. 


Fig.  36.     Woman's  outer  parka  (176002). 


VANSTONE:  THE  NOICE  COLLECTION 


61 


Fig.  38.    Woman's  outer  parka,  back  (176002).  Neg.  no.  1 12434. 


62 


FIELDIANA:  ANTHROPOLOGY 


HOOD  /  \  CENTERPIECE 


HOOD  TRIM 


Fig.  39.     Woman's  outer  parka  (17601 0). 


VANSTONE:  THE  NOICE  COLLECTION 


63 


Fig.  40.     Woman's  outer  parka,  front  (176010).  Neg.  no.  1 12433. 


64 


FIELDIANA:  ANTHROPOLOGY 


Fig.  41.     Woman's  outer  parka,  back  (176010).  Neg.  no.  1 12432. 


VANSTONE:  THE  NOICE  COLLECTION 


65 


Fig.  42.     Woman's  outer  trousers  (178149).  Neg.  no.  11 24 18. 


66 


FIELDIANA:  ANTHROPOLOGY 


Fig.  43.    Woman's  inner  (?)  stockings  (17601  la-b).  Neg.  no.  1 12409. 


VANSTONE:  THE  NOICE  COLLECTION 


67 


Fig.  44.  a,  sled  toggle  (176028a);  b,  comb  (178140);  c,  bag  for  sled  toggle  (176028b);  d,  doll  (176031);  e,  musk 
ox  horn  ( 1 76062);  f,  loon's  head  pendant  ( 1 760 1 7);  g,  ring  and  pin  game  (1781 38);  h,  doll's  stocking  ( 1 78 1 3 1 );  i,  doll 
(178147).  Neg.  no.  112443. 


68 


FIELDIANA:  ANTHROPOLOGY 


Appendix 

The  Noice  Copper  Inuit  Collection 
(Accession  1628) 

Following  is  a  list  of  the  Noice  Copper  Inuit 
collection  described  in  this  study.  It  is  not  a  com- 
plete list  of  the  collection  as  it  appears  in  the  cat- 
alog of  the  Department  of  Anthropology,  Field 
Museum  of  Natural  History,  since  ten  artifacts 
represented  by  eight  catalog  numbers  could  not  be 
located.  The  Noice  collection  was  originally  cat- 
aloged by  someone  with  minimal  knowledge  of 
Inuit  material  culture,  possibly  using  identifica- 
tions provided  by  John  G.  Worth,  the  dealer  from 
whom  it  was  purchased.  Therefore,  the  identifi- 
cations given  here  differ  considerably  from  those 
in  the  catalog. 

Subsistence 

Land  Hunting 


176093  arrow  shaft  straightener  (fig.  5d) 

176094  arrow  shaft  straightener 
176057a-b  bone  pins 
176058a-b  bone  pins 

1 76059a-b  bone  pins  (fig.  5f ) 

1 76092a-c  handles  for  carrying  blood  bags  (fig. 

5a) 

1 76032  bolas  (fig.  5b) 

1 76072  drinking  tube  (fig.  5g) 

Sea  Hunting 

178148  harpoon  head  (fig.  6f ) 

1 76060a-h  "unfinished  harpoon  heads"  (fig.  6e) 

1 76098a-b  bag  with  harpoon  head  (fig.  7) 

176097  ice  pick  (fig.  8f) 

1 76048a-b  breathing  hole  scoops  (fig.  6a-b) 

176037  swivel  for  leading  a  dog  (fig.  8c) 

176056a-e  seal  indicators  (fig.  9g) 

1 76099a-d  seal  hooks  and  bag  (fig.  6c-d,g) 


176038i  composite  bow 

176039b  composite  bow  (fig.  2b) 

1 76040a  composite  bow  (fig.  2a) 

1 76038b-h  arrows  (7)  (fig.  2d,g) 

176039c-e  arrows  (3)  (fig.  2c,e,f) 

1 76040b-g  arrows  (6) 

no  number  arrows  (2) 

176045a-n  arrow  shaft  fragments  (14) 

1 76043a-h  arrowheads  (8)  (fig.  3a-c) 

1 76044a-f  arrowheads  (6)  (fig.  3d-f) 

176038  bow  case  and  quiver  (fig.  4) 

1 73039  bow  case  and  quiver 

176040  bow  case  and  quiver 

176063a-c  bow  case  handles  (fig.  31) 

178145  thumb  guard  (fig.  3i) 

176052a-b  marlin  spikes  (fig.  3k) 

176052c-d  sinew  twisters  (fig.  3h) 

176053a-b  marlin  spikes 

176053c-d  sinew  twisters  (fig.  3gJ) 

176054a-b  marlin  spikes  (fig.  5e) 

1 76054c-d  sinew  twisters 

176055a-b  marlin  spikes  (fig.  5h) 

176055c-d  sinew  twisters 

176066a-b  marlin  spikes 

176075  lance  blade  (fig.  5c) 


Fishing 


176041 

trident  leister  (fig.  8b) 

176042 

trident  leister  (fig.  8a) 

176046a-< 

trident  leister  and  side  prongs  (fig. 

9c) 

176049a-c 

trident  leister  center  and  side  prongs 

(fig.  9d-e) 

176070a-b 

leister  side  prongs  (fig.  8g) 

176029 

fishing  rod  and  lurehook  (fig.  9a) 

178134a-c 

fish  hooks  (figs.  8d,  9b,f) 

176100 

fish  hook  (fig.  8e) 

TOOLS 

Women's  Tools 

176082  woman's  knife  (fig.  10a) 

176033b  skin  scraper,  type  1  (fig.  10b) 

176033c  skin  scraper,  type  1  (fig.  10c) 

176079  skin  scraper,  type  2  (fig.  1  le) 

176081  skin  scraper,  type  2  (fig.  lOg) 

176034  skin  scraper,  type  3  (fig.  lOd) 

176091  skin  scraper  handle  (fig.  lOe) 

1 76068a-b  skin  stretchers,  type  1 


VANSTONE:  THE  NOICE  COLLECTION 


69 


178141  skin  stretcher,  type  1  (fig.  lOi) 
176096  skin  stretcher,  type  2  (fig.  lOh) 

178142  skin  stretcher,  type  2  (fig.  100 
1 7607 1  needle  case  (fig.  1 1 0 

176095  sewing  outfit  with  marrow  extractor 

(fig.  I  Ij) 

176073  sewing  outfit  with  belt  toggle  and 

threading  needles  (fig.  1  la) 


178143a-b 

thimbles  (fig.  llh) 

176067a-c 

marrow  extractors  (fig.  1 1  b-d) 

Men's  Tools 

176033a 

crooked  or  whittling  knife  (fig.  12a) 

176086 

grooving  tool  (fig.  1  Ig) 

176087 

grooving  tool  (fig.  1 3b) 

176089 

grooving  tool  (fig.  1 1  i) 

178144 

grooving  tool  handle  (fig.  13e) 

176076 

man's  knife  (fig.  1 3a) 

176077 

man's  knife  (fig.  1 3c) 

176047a 

drill  bow 

176047c 

drill  bow  (fig.  1 3g) 

176047b 

drill  shank  (fig.  130 

176047d 

drill  shank  (fig.  13d) 

176085 

drill  shank 

176035 

drill  mouthpiece  (fig.  1 2e) 

176084 

hand  saw  (fig.  1 2c) 

176078 

hand  saw  (fig.  1 2d) 

176088 

hand  saw  (fig.  1 2b) 

176090 

file  (fig.  12f) 

176051 

adze  (fig.  1 4b) 

176080 

adze  head  and  blade  (fig.  1 2g) 

176050 

pick  (fig.  14a) 

178152 

tool  bag  (fig.  14d) 

178153 

tool  bag 

178151a 

tool  bag  (fig.  1 4c) 

178151b 

tool  bag  (?) 

176065c 

176064a 

176064b 

176030 

176036 

178157 

178146 

178155 

178158 


Clothing 


dipper  or  drinking  ladle  (fig.  1 5c) 
snow  knife  (fig.  1 5g) 
snow  knife  (fig.  1 5f ) 
water  bag  (fig.  1 6a) 
clothing  bag 
tinder  bag  (?)  (fig.  16b) 
bag  (fig.  16c) 
bag  (fig.  16f) 

fragment  of  bag  for  oil  or  blubber  (?) 
(fig.  16e) 


Men 's  Clothing 

1 76004  outer  parka  (figs.  17-19) 
1 76003  outer  parka  (figs.  20-22) 

1 76007  outer  (inner?)  parka  (figs.  23-24) 

176006  overcoat  (fig.  25) 

1 76005  outer  trousers  (fig.  26) 
178150  outer  trousers  (fig.  27) 
176014a-b  outer  stockings  (fig.  28a) 
176016a-b  dance  stockings  (fig.  29) 
178154  sock  (fig.  28b) 
176015a-b  spring  and  fall  boots  (fig.  30) 
176019a-b  sealskin  shoes,  type  1  (fig.  31b) 
1 76020a-b  sealskin  shoes,  type  1 
176018a-b  sealskin  shoes,  type  2  (fig.  31a) 
176021a-b  mittens,  type  1  (fig.  32a) 
176023a-b  mittens,  type  1  (fig.  32b) 

1 76024a-b  mittens,  type  1  (fig.  32c) 

176025a  mitten,  type  1  (fig.  33c) 

176025b  mitten,  type  1 

176027  mittens,  type  1 

176022a-b  mittens,  type  2  (fig.  33b) 

176026a-b  mittens,  type  2  (fig.  33a) 


Household  Equipment 


Women's  Clothing 


178156  bird's  foot  bag  (fig.  1 5a)  1 7600 1 

176069  oil  lamp  (fig.  15b)  176002 

1 7606 1  blubber  pounder  (fig.  1 6d)  1 760 1 0 

1 76065a  dipper  or  drinking  ladle  (fig.  1 5d)  1 78 1 49 

176065b  dipper  or  drinking  ladle  (fig.  1 5e)  17601  la-b 


outer  (inner?)  parka  (figs.  34-35) 
outer  parka  (figs.  36-38) 
outer  parka  (figs.  39-41) 
outer  trousers  (fig.  42) 
inner  stockings  (fig.  43) 


70 


FIELDIANA:  ANTHROPOLOGY 


Miscellaneous  Raw  Mateiual 

176031  female  doll  and  doll's  stocking  (fig.        176062  musk  ox  horn  (fig.  44e) 

44d,h)  1 76074a-b     musk  ox  horns 

178147  female  doll  (fig.  44i)  1 78 1 36a-b     dried  moss 

178138  ring  and  pin  game  (fig.  44g) 

178140  comb  (fig.  44b) 

176028a-b     sled  toggle  and  container  bag  (fig. 
44a,c) 

176017  loon's  head  pendant  (fig.  44f)  c 


VANSTONE:  THE  NOICE  COLLECTION  71 


A  Selected  Listing  of  Other  Fieldiana:  Anthropology  titles  A\. 


\liana:  Anthropoloy 


1989.  40  pages,  32  illi 


Puhliratjf;?;  Hf  J 


PaJlioaticn  1404,  Sil.(K) 


Jllke  Jind  Killke-Related  Pottery  from Cuzco,  Peru,  in  the  Field  Museum  of  Natural  History.  By  Brian 
s   w.,.....- ,,..,-!  r-u^^-'c':  Stanish.  Fieldiana:  Arthrr'^H"-::-.  n  ■■.    n-    l'^,  '^>"^.  17  pages,  17  illus. 

Publication  1419,  $9.00 


panic  Cer 


i     (  pper  Moqucgu:! 
S  pages,  308  illus. 


laterial  Culture  of  the  Blackfoot  (Blood)  Indians  of  Southeri 
no.  19,  1992.  80  pages,  53  illus. 


Fieldiana:  Anthn 

Publication  1439,  $19.00 


.,   ...      ■,     -        Central  British  r'<:)lumbia:  Collections  in  the 

Field  Museum  of  Natural  History.  B>  .lames  W.  VanStone.  Fieldian 
1993    29  nas^es    25  illus. 

Publication  1446,  $12.00 

and  Warfare  Among  the  Kayenta  Anasazi  of  the  Thirteenth  Century  A.D.  By  Jonathan  Haas  and 
.ifred  Creamer.  Fieldiana:  Anthropology,  n.s.,  no.  21,  1993.  211  pages,  74  illus. 

Publication  14*^0   SIT'  Of) 


►rder  by  publication  number  and/or  ask  for  a  free  copy  of  our  price  list.  All  orders  must  be  prepaid, 
linois  residents  add  current  destination  tax.  All  foreign  orders  are  payable  in  U.S.  dollar-checks  dr  u  v, 
n  any  U.S.  bank  or  the  U.S.  subsidiary  of  any  foreign  bank.  Prices  and  terms  subject  to  change 
otice.  Address  all  reques      ^ 

FIELD  MUSEUM  OF  N.M'URAL  HI 
Library— Publications  Division 
Roosevelt  Road  at  l^ake  Shore  Dri\( 
Chicago.  Illinois  60605-2498.  "   '■ 


Field  Museum  of  Natural  Histon 

velt  Road  at  Lake  Shore  Drive 
i^o,  Illinois  60605-2496 
Telephone:  (312)  922-9410 


CENTRAL  GRCULATiON  BOOKSTACKS 

The  person  charging  this  material  is  re- 
sponsible for  its  renewal  or  its  return  to 
the  library  from  which  it  was  borrowed 
on  or  before  the  Latest  Dote  stamped 
below.  You  may  be  charged  a  minimum 
fee  of  $75.00  for  each  lost  boolc. 

Theft,  mvtilotloa,  and  umicriiiiing  •#  books  oro  roasons 
for  discipliiMiry  owtioa  and  may  roaoH  in  damiMoi  froM 
Ifao  Unlvorsity. 

TO  RENEW  CALL  TELEPHONE  CENTES,  3a»-8400 
UNIVERSITY  Of    ILLINOIS   LIBRARY  AT   URBANA-CHAMPAION 


FEB  1  9  1997 


When  renewing  1^  phone,  write  new  due  date  below 
previous  due  date.  Ll^ 


UNIVERSITY  OF  ILLINOIS-URBANA 


3  0112  028183785