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Oratorio songs from the --_-
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Index.
N°. Page.
1. Abraham. (MODIQUE.) AlR."Lead me,0 Lord.".' 3.
2. Calvary. (SPOHR.) AlR. "Tears of Sorrow, shame and anguish." . . . 8.
_ . (RECIT. "And God said, let the waters.'! .... 14.
3. Creation, (haydn.) „ „
(AlR."Rolling in foaming billows.". 15.
4. Christmas Oratorio. (BACH.) . . . AlR." Mighty Lord, and King all glorious." . . . 23.
(RECIT."My sons, my sons!" 28.
' y ( AlR. "If Thou should'st mark iniquities.". ... 29.
6. " " AlR. "Although my house be not with God". . . 32.
7. Elijah. (MENDELSSOHN.) RECIT. AND AlR." Draw near, all ye people." . . 38.
8. » " AlR. "It is enough."
„;■ „ , , (RECIT. "Almighty God of Israel." 47.
9. Fall of Babylon, (spohr.) . . . . i . . „ -
(AIR. what is man." 48.
10. Judas MaccabaeuS. (HANDEL.). . . RECIT. AND AlR."Arm,arm,ye brave!'. . . . 52.
11. » " "... AlR."With pious hearts." . ' . 59.
12. Light Of the World. The (SULLIVAN.) SOLO,"When the son of man." 63.
13. Mary Magdalen, (massenet.). . . Recit. and AiR."judas." 70.
.',-_,, (RECIT."Thus saith the Lord," 70.
14. Messiah. The (handed.) )a t „«„ .
(AlR.But who may abide the day of his coming." . 79.
15. " » AlR."Why do the nations so furiously rage to-
gether?'.' 87.
16. Naaman. (COSTA.) AlR. "Arise, Lord.'.' .... ... ... 95.
17. Occasional Oratorio. (handed.) . . Recit. and Air." ms sceptre is the rod of
righteousness." 101).
18. Paradise lost. (rubinstein.) . . . Recit. and Air. "From my soul's depths.". . . ill.
19. Passion. The (St. John.) (BACH.) . . . ARIOSO."Consider,0 my soul.'! 117.
(RECIT."Before the Father our Redeemer falling." . 119.
20. » (St.Mntthew.)(BAC£r.) . .._„.. „ .....
(AIR. Bring me cross and cup. 120.
21. » " " . . AlR." Give me Jesus,I implore you." 123.
„ , , . (RECIT."0 Lord God." 129.
22. Rebekah. (BARNBY.) i AlR "The daughters of the city." 130.
23. Rose of Sharon. The (Mackenzie.) . AiR."Unto my charger.'! 133.
24. Requiem. (VERDI.) AlR."From the accursed." 139.
25. Samson. (HANDEL.) AlR."Honor and arms." 144.
26. Saint Ludmila.. (DVORA'K.) .... AlR." I was not deceived." . 150.
(RECIT. "At last the bounteous sun." 155.
27. Seasons. The (haydn.) AtniIlir . It . .. . .. ^ . . . „ , rt .
( AIR." With joy the impatient husbandman. . . . 15b.
28. " " AlR."Behold, along the dewy grass." 1(53.
29. St. Elizabeth. (LISZT.) SOLO. "Through 7 the mist of the valley". . . . 170.
30. St. Paul. (MENDELSSOHN.) .... AlR."0 God,have mercy." . . 178.
31. St. Peter. (Benedict.). . . . . . Air."How great, o Lord." 184.
32. Stabat Mater. (ROSSINI.) .... AlR. "Lord preserve me uncomplaining.'.' . . . 189.
(RECIT."Jesus answered." . . 196
33. Woman of Samaria. (BENNETT.) . . AlDllm . . , t .„ .,.„
(AIR. Whosoever dnnketh. 19 b.
Also published separately as sheet music.
v Made in the U.S.
18459-194-Bass. Copyright MCM by The John Chun:h Company.
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75
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Draw near, all ye people.
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RECITATIVE.
47
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RECITATIVE AND AIR.
Arm, arm, ye brave.
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no - ble cause, a no - ble cause,
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a tempo.
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AIR.
59
Handel.
With pious hearts.
Larghetto.J =69.)
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"The light of the World!' AIR.
When the Son of Man.
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Then shall He an-swerthem say- ing,
Ver - i - ly I
69
(J =104.)
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13459
70
Mary Magdalen.
RECIT. AND AIR
Judas.
Massenet.
Andante sostenuto.( J = 27.)
mm
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Wfm.
13
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a
a tempo.
lid •
p I f p m r g 1 1 ! r
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i
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t
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sad - ness is mad
uess. Then wel-come back de -light
and
♦
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love,.
to thy heart
once a - gain.
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18459
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m^v
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f^r f r i r
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round thee._
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m
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life_ that is bright as thine, that is bright as thine? Gold - en
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twine, They thy fate will en - twine ev-er - more
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vain, Then wel - come de - light to thy heart once a - gain. Let
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plore The days are all sun-shine a - round thee,.
Could fu-ture more
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tempt-ing be found thee,
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more. Theythy fate will en-twine, They thy fatewill en- twine ever- more,.
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76
The Messiah/
RECITATIVE.
Thus saith the Lord.
Handel.
(*>=U4.)
n^ —
=1
n r n ?ti ^
^
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Thussaith the Lord, the Lord of Hosts:
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7 *11: I
14
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i p g f if t -f f nJ -^
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Yet once a lit- tie while.
and I will shake.
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the heav'ns and the earth, the sea and the dry land,
fe
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and I will shake,
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all na-tions; 111 shake the
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of all na - tions shall come.
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"Occasional Oratorio." RECITATIVE AND AIR. Handel.
His sceptre is the rod of righteousness.
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17
Humbled with fear and aw-ful rev - erence, tefore the foot-stool of His
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maj - es-ty, Throw thy-self down with trembling in- no-cence, Nor dare to cast thy
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weak and dazzled eye
on the dread face of thatgreat De-i-ty; For fear
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lest, if He chance to look on thee thou turn to nought, and quite con-found-edbe.
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scep-tre is the rod of righteousness, His scep-tre is the rod of right-eousness,With
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which He bruis-eth all His foes to dust,
all His foes ,
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all His_foes,with which He bruiseth all His foes todust
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all His foes, all His foes, His scep-tre is the
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rod of righteousness,with which Hebruiseth all His foes,with which He bruiseth all His
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foes to dust.
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just, un-derthe rig-or of His judgment just
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the great drag
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106
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and the great
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drag . on strong- ly, strong- ly doth re -press, Under the rig r or of His
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107
E^ri
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I
Truth,
to which the faith - ful trust,
to which the faith - ful
i
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light, His seat is Truth, to which the faith- ful _ trust,
From
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rod of right -eous-ness, His scep-tre is
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all His foes,
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109
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all His_foes, with which He bruis-eth all His foes to dust, with
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foes to dust.
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"Paradise lost."
RECIT AND AIR.
From my souls depths.
in
Rubinstein.
Recitative
/'
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From my soul's depths spring tor - rents of rage,
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18
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Might - y and fierce as the thun-der-storm,
Shall_ we kneel hum-bly?
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Bow down for - ev - er? We, who are mon-archs too, next to Him?
I
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Allegro. m.m.(J = U4.)
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112
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Burns the bright flame in
I
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your brave breasts!
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let us pre - serve it!
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the fir - ma - ment
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41
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114
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ty, ty - ran - ni-cal throne !
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haugh-ty, ty - ran - ni-cal throne!
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if
m
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115
i * r r
ElEEEEE
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flame iu your brave breasts..
We still have
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free-dom; let us pre - serve it!
ver us in
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13459
a r i T
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"The Passion." (St. John .) ARIOSO.
Consider, my soul.
117
Bach.
Adagio.
soul,
with fear - ful joy con - sid - er, with bit - ter an-guish
in thy heart af-flict-ed, thy high- est good
is e - sus
«or - row. For thee, from the thorns
that pierce Him, what
**
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13459
68a.
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118
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heav'n - ly flow-ers spring, thou canst the sweetest fruit
from
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His wormwood gath - er, then look for ev- er-more to Him
to Him, thenlookfor ev- er-more to Him, for ev
er-more to Him,for
13459
"The Passion !(St. Matthew.) RECITATIVE.
Before the Father our Redeemer falling.
119
Bach.
Largo assai.
^r 7 P P P jl P {1 M P |itJ^ J^J^fl P ^N
Be- fore the Father our Re-deemer fall - ing, from us the load of sin has
dolce.
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shift - ed,and has up-lift - ed us to our God from woes ap-pall-iug.
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How great the pain,
the cup
of bit - ter- ness to drain by
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drink-ing, in which the dregs of ev-'ry ill are mix'd! This cup He takes un -
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18 ARM
120
^^
f— rP P f#^ i g i g
shrink - iug, be-cause it is His Fa - ther's will.
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AIR.
Bring me Cross and Cup.
Andantino
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meet !
Bring me cross and cup, I'll
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13459
_ cup,Hl bear them, glad - ly with my Lord m share them, _ aft
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me cross and cup, I'll bear them, glad-ly with my Lord I'll.
| Up P | JW> P [%
share them, aft
er Him to drink is meet.
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122
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milk and hon - ey o'er - f low-iug, e'en the_ bit - 'rest of draughts has ren - der'd
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for His mouth, with milk and hon - ey o'er- f low-ing, e'en the_ bit - 'rest
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"The Passion. (St. Matthew.) AiR
Give me Jesus, I implore ye.
123
Bach.
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good.
See,.
the price of guilt - less blood _ Ju
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125
blood,
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the price of guilt -less blood Ju - das
s
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casts be - fore
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ye, see, the price of guilt - less
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blood, see, the price of guilt-less . blood, Ju - das casts be - fore ye.
i
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■ ■ ■ ■
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me back my Je -
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give_
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sus, I im - plore ye, give me Je
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give me Je - sus, I im -
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plore
ye, give me back my Je -
1MRII
128
give me Je - sus, I im - plore ye.
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a Rel>ekah. v
RECITATIVE.
Lord God.
129
Barnliy.
Andante .(J = B«)
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Lord God of my master A -bra-ham,
I pray Thee send me good speed this
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as
F EE F ? E
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day,
For I have sworn un - to A - bra-ham in Thy sight to do his
i l FT T7 ;
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EDC
irn^^HVp ps
c\
' ' * a P
is son, Thy ser-\
will, and seek the wife ap - point - ed for h
hy ser-vaut I - saac.
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f
dim
f
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130
AIR.
The Daughters of the City.
Andante. (J =58)
L
P
S
P i M g g |
i — r — e
The dmurh - tfrs of the cit - v come. To
fpf
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draw the wells pure stream, Lord, I do be - seech some sign, If
4
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good
to Thee it seem.
i
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i
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let it come to pass, Lord,
That
she
the
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m
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chosen one. Do give me when I ask it, drink.
do give
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*=*=*=!
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as
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drink,
J
So shall Thy will
be done.
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And let the dam-sel, gra - cious Lord,
To
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make my du - ty
clear.
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Give
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al - so to my ca - mels,
i i t t
i i
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132
drink.
i p g f [? it ;
Lord, let these signs ap-pear,
-t
m
Lord,
let these signs ap-
3
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f con espress
I
p |) 1 p | p ff ^JEEf
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pearj
Then shall I know Thy guid-inghand, Mine oath
I shall ful-
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fill; - beyd be A - bra-ham's com - mand, 0-beyd,0
Lord, .
i^ ^ffi^
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"The Rose of Sharon."
AIR.
133
Mackenzie.
Unto my charger.
Allegro. (J s 7«.)
§s
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Un
to
my
P
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rmnnnii-gp^
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n
p
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char
ger in Pha - raoh's stud, I would com - pare thee,
5^
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fe^f
P * P
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3 * *
my friend ,
ihM 'flA RM M
^^
p » p * r
se
p p "p r
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un - to my char - ger in
1=*4
7 TT TT
^
tnl^
m
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#
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134
PS
£
Pha
P g P
• p jg fr f
eeeeEeeS
- raoh's stud, I would com - pare thee,
I would com -
iJilittl gTfi
^ r 'ir
^
PS
^=^
7 g g g
^
<a m.
5=5
g 1 P
pare thee,
un- to my char-ger in Pha- raoh's stud I
would com -
*E
f=f
SB
5Uj551_£
as
TV | ^ | f ^ | |g | r | /g jEEp p
cheeks,fair are thy cheeks, with gold - en rings, . fair are thy
i
mil
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3a:
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135
b
f-fH^f
ii.
cheeks,^
fair are thy cheeks.
1*^
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with gold -en rings,
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35
■ fP ff ! ff | f TPff E
y ? -
rings will we make for thee, will we make for thee,
i M 4 F, H
136
m
r Mr 'ff ^M
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j p j r eh i
make for thee, will we make for thee,
Stud - ded with
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p£p
ma - nya sil - ver bell, with ma-nya sil - ver bell, lo!
gold- en
*
A == n = ^^L
Lr r r r r f
calando .
a tempo.
m
r Ppup p i,i J r l mt pi
rings will we make for thee, stud ■- ded with ma - nya sil - ver
•
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n±-nrr-}
^cot/a parte.
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pp a tempo.
P
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7 * -
137
w r t -
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bell,
Fair are thy cheeks
with gold - en
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ger in Pha - raoh's
ad lib
n
Ni y y ■ "r
- V
g
g
stud, I would com -pare thee, un-to my
a tempo.
char - ger in Pha - raoh's
#^
imiiimi&&
col la parte.
/P
SS
3^
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p
pgpf?
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stud,I would compare thee, O my friend, I would com-pare thee, Iwouldcom-
*&&. •**fei. *
ISS
p
n^f PP r r+i— Q*
t=t
un-to my char-ger in Pha-iaoh's stud, I 'would com-
9 *
I
■+ J - a h
<£&. #
? * *
gqgs
r-Hnf— ■£ £££
friend,.
an - to my char -
ger in
£*
5=F^
^
• — d — •
D^
f=w
^ i>
f ' C'r f
f
s
^'T 7 a
# 0-
uu
m I r 1 1 ^Hh-fffr r i "ff nOt.
Pharaoh's stud, I would com - pare thee, my friend.
m
*
^=^
^
BE
5EIE
S££
»y «rf/^.
^t f=?=
M
rit.
P
a tempo.
*A*
m
W2^
P
P
5^
ismrh
Requiem.
AIR.
From the accursed,
139
Verdi.
J 3
Andante. (J = 96.)
con forza
m ^v: r t v^ m
s
rrtr-ff
.•-
u
From th ac - curs - ed and re - jed
Con - J a - tn - /is ma- le - di -
- cd, Dnnmd to fie - ry flames con-
ctis. Flu in -mis a-cri-bus ad
i
a
e
^
a
ff
^ A sl
J?
m
\i
¥W
forth with thine e - lect - cd.
me cum be - ne - di - ctis.
pray, a sup-pliant sigh-ing,
sup -pi ex et ac - cli - uis,
± t i i i t
0m
i i t t t i tt
MmMh
*^
-m
^m
ffff
til
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3E£
1815il
140
9 #fc
P i
r r ir r -
Dark
Cor
re - morse my heart up - dry - ing,
con - tri - turn qua - si. ci - nis,
Heed
Ge -
me
re
wmm
&nml
frirJrJr W
s
i=a
JimiTfi
•.M i ll rrrrrrrr
iii
m
at the hour of dy - iug, Lo, I pray, a sup-pliant sigh-ing,Darkre .
cu - ram me - i fi . nis. - ro sup-plex et ac - cli - nis, Cor con
i
tjt
&
■ a m 9 1 4 m
£
^
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a a J
h*
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m i g ^r
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as
feE
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£
g g
morse my heart up - dry - iug, Heed
tri - turn qua - si ci - nis, Ge-
me, Heed me at the
re, Ge - re cu-
PpPB
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i i lfr U»
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6
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^3
P^
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^ft
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fe^feg
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hour of my dj^
ram me - i fi
ing.
From th ac- curs - ed and re-
Con - fu - ta - tis ma - le -
i
*i
m
H , g i i<
it 1 ?
3E^
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SP1
mi
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=: qi
• —
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Ml
dnlce cantabile.
?«p
^
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s
Pig"
£
*hh\*i*\f*t)m v ^^ —
*&
l j ^ r TtY
/
•— #■
^
H-^4p
forth with thine e - lect - ed,
me cum be - ne - di - ctis,
Call
To-
me
- ca
^
V
P p t 'T I r~¥ ^
•A*"!
^ , ,r p ^p S=g
forth with thine e - lect - ed,
me cum be - ne - di - ctis,
Call me forth,
Vo . ca me,
cresc.
Uk
Call me forth with thine e -
Vo - ca me cum be - ne
dim .
I
f f I
I dim.
P^ff
^
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112
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pra}', a sup-pliant sigh-ing,
sup-plex et ac - cli - nis,
Dark
Cor
m
re - morse my heart up -
con - tri - turn qua - si
A
^fij
l=i:
um&\
% tt tt t
tittiitt
^*
rrrrrrrr
UM
I
£
fis*
gg r r -
£
# — WU-.
£
dry - ing,
ci - nis,
MM
1
Heed
Ge -
me at the hour of dy - ing. Lo! I
re cu - ram me - i fi - nis, - ro
^j^rrfl I JTI^Jdj I J1H 1 ' ;
tfjfflft
y'A j m a
i f ff f fff
frrffffr l
MM
|§gl|
S
<///« .
r g s
=^
pray, a sup-pliant sigh - ing, Dark re - morse my heart up - dry - ing,
sup-plex et ac - cli - nis, Cor con - tri - turn qua - si ci - nis,
\\:i
r Tyt
sigh - ing, Heed me dy - ing, Heed me at the hour of dy - - ing.
cli - His, Ge - re cu - ram, Ge - re curamme- i fi- - /us.
fr ff-tfffiftf-
P\ , ffN
144
"Samson."
AIR.
Honor and Arms.
Handel.
Allegro. (J=ioo.) ,,.
^^
a g J J , J
rBT^p
/ tejjj j faf i
•^ M
§
cresc.
p-m-m
j: — »
f
»
p-p LCrr r iLfig
41 <8
35
Sfcp
Hon - or and Arms
scorn
r u lLt
&
i^i
T
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w/> mar cat o.
^ * ■ \ J J ' i
Us
Ss
p
« — <-
\
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(k> 6
h-
V
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such a foe, scorn such a foe 5
Though I could end thee at a blow,
f
i
s
WP
IP J^^l
IPF 1
pi
i
j*=?^
a 3c
j « *
Btfk
&
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145
V : \!' -^
t
though I could end thee at a blow, though I could end thee
m^
Hi
f r w
EgrfMrf
J iiJ'J 7
f
ttfjfppr
'.n 1 ' ri'cr r ,
fc =33^Zj=^ E
r r 1,
at a blow:
Poor vie - to - ry,
to con - quer
^itrcrn j
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'i fff r
^=^-
m r t »
f
S
P
3E gf E
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thee,
Or glo
^£
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SE
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je^j
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3 — n
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yp^-^j^tefrP l r ^r ^
ry in thy o - ver-throw!
4
£
m
a
p
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ft^ i ^B ;
i§
J
./
146
Q -' \z -^gfo'O
m
m
m
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j»l yp
Hon - or and Arms
scorn
t
> j U I
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sfet
f w?m
wm
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m
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dim.
r
i>
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^fe
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^^
r I | PT> P
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j i ill
such a foe, scorn such a foe,
Though I could
I
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p^w
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cresc.
fZ^
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9&
a
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Si
3 bi
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g=N£
3EEE53
end thee at a blow,though I could end thee at a blow;
Poor vie - to
jfi^f-lf-^f—fe
M } mM
mm
f
cresc.
m
i
"/
i
y(v e -£)
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ggig
ry, tocon - quer thee, poor vie -to-ry, to con - quer thee, Or glo
ry, or glo -
^
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p
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7)7/
us
* *.
LtfLl IJ P 1 ' E
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ry in thy o - ver - throw!
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t=
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FF
r
m
s
TLtf r j
|fl £f £ rr 1~
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Parting
r^
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^^
a tempo.
ry in thy o - ver - throw!
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3S
Pf^
Tf
/
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148
L^jjjwnffif i)j jjt) i \ l ^j/ 1
gE ■
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ft
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Fine.
r^
V
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e
^^
Van - quish a slave that is half slain ; So mean a tri - u-mph
i
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feisi
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I disdain, so mean a tri - umpr' I dis - dain,
tLTCr urcr
SW
££
MS
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a
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ill
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I dis-dain, Van-quish a slave that is half slain: So mean a tri
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ll f fl p I
umph Idis- dain,
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mmm
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to
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dain, I dis-dain,
so mean a tri-umph,
I
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m
t u^i T ^ | J J J W
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f
&
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fA.
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mm^
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mean a tri - umph I dis.dain, so mean a tri-umph I dis-dain.
I
ma
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S
TY
v=i,i' r > t p r » k
1
f
ad lib.
3
^
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7
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s
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m
J a tempo.
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150
'Saint Ludmila!'
AIR.
I was not deceived.
Dvorak.
Moderate
26
^m
Poco Adagio.
m
^m
m
^m
={=3:
was not de-ceived:
I greet thee, my daugh
I h j I
W^F?
ta
^
ter!
i
Jit
i
i>
i>
pp
^^m
=t=F=lj
^
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n?
= : *'
eea.
* <&b.
151
mrzza voce.
<to. * <&*>. *
<fc>. *
<&&. *•
<&s>. «
.vo/fo ?wy\
K
J l i J"' I
t r u Ji 1 J
^
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thorn - y
brakes.
I sure-ly thought
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MP
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«to. * «a. •*
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152
m i p »
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5^EE^
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new truth I will to thee dis - cov
3, „ C3 EB
ffl jr" 3
Si^ll
HP?
p
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s
Jta is *A j $1 vj_AA
m
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13 459
153
Pi
te ^
N
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^
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The teach-ing, the teach-ing by the
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p»
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^^
PP
}>P
m
mm
=±z
'
F^T^
Cross.
mi - part-ed, the teaching, the teach-ing by the
«
tE
m
f
" JLh te
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i=t^*EEt
^M
^NM
f
*h p P p *p I Fp PI? 1 T Lir^-f
#-#
i=£
t=?
I
: *
truth I will to thee dis-cov- er,the teach-ing, the
teach-ing by the Cross ini
ti
1=5
/
S
3*
=*=£
& ?
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m
/
d
p
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154
TO
part - ed,
$m
£
i 7
f
l£
£
^
the teach - iiig by the Cross im -
*
tsa
%
3£
f
f 5
gppi
dim.
*==*
es
p
ed, the bless- ing
part
which to
man is
i:
gH
5 /^flg* ^==^33
«a.
si
<to. * «to.
Ci
^
r?
i
c
18459
"The Seasons."
RECITATIVE.
At last the bounteous sun.
155
Haydn.
i£fl-» *f P P P" fl f 7 I t «p D P P P g =f
At last the boun-teous suu
From A - ries in - to Tau - rus
$
WEff
mn
^
27
f
^m
B
m:
gab
¥
^^E^gfe^M
P I P P P' P-^f^
rolls, Wide spread-ing life and heat; Up-rise the flee- cy clouds sub-lime,
I
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:^P
g^
m
&■
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^
fr—m—m
p p p p he ^
£
^
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And stretch their thin and silver wings O'er all sur- round - ing heav'u.
%
P
%
3=£
fe=
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m
T.
\
I
£:
1*
^ * *
3^
i'.6
AIR.
With joy the impatient hushandman.
Allegretto. (J = 88.)
m
*i
Jii.
yiffl i
^
*— *
•
^^
s
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tfggl
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v
s
fTH
$
With joy th'im-pa-tient
F^
I
&
fi
m
=ffl
rPt
g 1 p i ^ip ^
*
*
f— P-M
hus - baud-man forth drives his his - ty steers,
r
To where the well- used
g^P^S
£
& \ V p I g
plough remains, Now loos-ened from the frost,
T
134511
157
»f ft V P i p p P P
I 7 P
hus - band-man Forth drives his lus - ty steers,
J71 * n ,p-
To
fefe
^
P P IP P
where the well- used plough re-mains, Now loos-ened from the frost;
To
where the well- used plough re-mains, Now loosen'd from the frost;
LI U
r ii«
158
m
^^
i p ip g p ^
To where the well-used plough remains,Now loosen'd from the
g r 7 g iJftfttf i P' g | hp m l
zz
frost; To where the well-used plough remains,Now loosen'd from the frost,
i
P»
£r^f
i
f-
FdF
r r p g -t r p ;
Now loosen'd from the frost, from the frost .
M
Pr
a
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s
pfpp
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s
4
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f^pg
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a
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p p p i p~ m e j i p p p i
With meas-ur'd step he throws the grain, with meas-ur'd step he
y r r t r
r \ g
1
me:
P
&>■#
wYy-rtn t^ m?
159
^S
throws the grain in - to the bounteous earth.
O
\uu-
S
mk
*-=-
fffrTO
mm£
7»
P^
soft show Vs and dews! sun, soft show'rs and dews!The gold
en
W-
5 fO
b
i> ff i>
S
ty bring;
The gold -
160
sH
£
•ft!
fe^E
g^§
V.'
en ears
^
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in plen
.v,
E^
•MMjMf
A
ty, plen - ty
P9
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^
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# — « — *
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U.- — ^b
3JF
T:
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rn i p" g p
■#♦
bring!
/>E3SB
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With measur'dstep he throws the grain, with
%+$¥■
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»
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g§l
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/>
9
a § I
re
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1 PPM l h P' g g EJ l H I? g S
measur'dstep he throws the grain In - to the boun-teous earth.
_k^|
S
if
tjj^ 1 J fe
ears in plen
ty,in plen - ty bring!
^ T '' J^ J*
^
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11
P
T=# :
^^
d=
s.
3fc
^
ESSSS3 i ii ii ■
^ W -k
iHzi
1IJ1
JLL ; Jtf iP^Ff
£
T f if |) p ^m
hus - band-man Forth drives his lus - ty steers.
To where the well- used
I* p- H -b ff | M ^ p -
plough remains, Now loosened from the frost;
There
*
m
W
u mr
meg
free-ly yok'd,their toil be-gins,Cheer'd by the rus-tic lay, There free-ly yok'd,their
^
rmirn
v- f r
y-uU
^
i * p- p p^Hp p m N
< T P
toil be-gins,Cheer'd by the rus-tic lay,
lit f T^H
There
wv
WW
m
free-ly yok'd,their toil be-gins,Cheer'd by the rus - tic lay. There free-lyyok'd,their
PW
\* | M 1 1 1 p p p i ,i
77 P a
toil be-gins,Cheer'd by the rus-tic L.
Cheer'd by the rus-tic
I
gaji-Jij^
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s3
e
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f=r
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mi
n
j j
n
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m- 1 — #
lay, by the lay. .
t
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^
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4V 1* 7 >f
TFT
■ a a
13459
'The Seasons."
AIR.
163
Haydn.
Behold, along the dewy grass.
Allegro .(J=96)
28
^
3=^
Be-
> u ] u n ^
p up p p r p | g
i > p >' CJ*p p
I
I
hold, a -longthedew - y grass,
i=*-! —
CJ* ? j ^!
1^
Behold, a - long the
' ' 1 ' i
;j>r r Mr Mr i
^
: m :
m=m
r^. £jf
s
^
I 7 P | f P P ff B | | J'
P^lp
dew - y grass,
In search of scent the spaniel
ECJTfc j-fciyfl]^
>* rj^/p j*|8e
u- cJ" "Cl
g- f £ g j , .b
13459
164
1 p \ j | p Egg p| r HH E ^ E P? E
roves! In search of scent the spaniel roves!
And still o
i JJJlmpjgj^
... > J1BT3 -X ]T3JPffl
^gfc
a
ggi
^^^
irmj
l p P P Jt > p i f fr f>Pi?P |g jM p
bedient to command, At - ten-tive seeks the la-tent prey, At - ten
tive seeks the
^^
jzpypnpft
Ifl Mfl^
SB
*
JJ5
fe*
-?— m
gj g g J j |i| -h^P P g g I L^zr^
la - tent prey. In search of scent the spaniel roves,
A -
m
■ a
a
SSSiiiiiiS ^^^S^^^9 !S^BB^9
^
IE
' LLJt
long, a-longthedew-y grass; And still o - bedient to command, At-tentive seeks the
165
pn^imif |
JPiu moto.(>
.(Jrl3X)
m
m
j
$
tent,seeksthe la - tent prey.
#»*
F?7?I^^
itmtoot
j _r 'r rr rv
ftlP p p''pp'PP ^l^'f MP'ipPl
^
T=y
t
mm
m
But press'dby ar-dor,now he runs, But press'dby ar-dor, now he runs,
M
&m
m
pflij&w i
9 m j •'Ti t
•i
&r nr ga i
i ftT V f-p
i
ps^^p
^p
^
^fei
r -h i r
pr * p
Nor heeds the call no. chid - ing voice, Nor
t-IR xn lft m lfi iR&Wl
a^
-0 0— T*-
-^- !•-
U ^mU ^M
Wm^
■# — »
160
Piiitnoto (J =160)
m
> p ir g
*i
£
scent - ing,
Then scent - ing the game,
He
g J JJ^ J JJ^JJ^.
T gJffl^Jffl
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-£gffe£
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/
f B | 1 ' l p- jj | | p | jp
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inr
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sud - den stops,.
And stiff, with o - pen nose, he stands.
♦
ZZZj
si
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■* — » — »
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a » la:
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m
xiii
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Th'impend-iug per-il to a - void, The start-led fowl flies instant up; But
^jjrWPf^
I
Hi^i
l
3=£
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EE£
*y r' p ^^
p
■ings in vain his rap
id flight;
^fe
ggg -
gg ?*
* y p
s
X:
ff ^ P
^
The gun darts forth, darts forth its mor-tal
fln/ffl.
v
168
!£=J
nf \ i j' J> r p p g
p i p i
Th'impend- ing per - il to a - void,
The start - led fowl flies
^a
*ii» p p i j i
g=f=£
is
in-stant up;
But wings in vain his rap
p ^^^^j
%£& %
id
w
h
^
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169
Fyt j fc
£
m
p
tal charge .
and strikes
him
pEFBB
• p •■ * » *
w
^m
^
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e£
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dead
From the towV
lUg
^tiiilHJ
jjjjaiij
i^*
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r®-
ro-
13159
170
u St Elizabeth!'
Liszt.
SOLO.
Through the mist of the valleys
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173
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wel - come the chase, With its vig - or and life-giv-ing pleas
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174
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as
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o.
ye
jhiJ^Tj
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legato.
of
my
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SE
178
"St Paul'.'
AIR.
God, have mercy.
Mendelssohn.
Adagio. (A 88)
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to Thy lov- ing kind
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sake.
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cast me not a - wav from Thy
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Lord, a bro-ken heart, and a
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182
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mouth shall shew forth Thy glo - rious praise, and my mouth shall shew forth Thy
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iff fa
184
"St Peter."
Benedict.
AIR.
How great, Lord,
Andante
(J, 116.)
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m
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clin
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to Thee,.
to walk
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way of pleasantness, and all Thy paths, Thy paths are peace,
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lento, pp
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"Stabat 3Iater; ,
AIR.
Ih9
Rossini.
Lord, preserve me uncomplaining.
(Pro Peccatis.)
4
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191
p^tef
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m
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lead me,
aW
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rem
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Raise
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my
spir - it
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193
fe
Thee ; Peace for
turn Dum
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ev - er,
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Peace
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for
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then
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ri - turn.
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