Skip to main content

Full text of "Path Flower and Other Verses"

See other formats


Project Gutenberg's Path Flower and Other Verses, by Olive T. Dargan

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Path Flower and Other Verses

Author: Olive T. Dargan

Release Date: November 20, 2008 [EBook #27297]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK PATH FLOWER AND OTHER VERSES ***




Produced by David Garcia, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)









PATH FLOWER




_All rights reserved_




            PATH FLOWER
                AND
           OTHER VERSES

                BY
          OLIVE T. DARGAN


             [Device]


              MCMXIV
  LONDON: J. M. DENT & SONS LTD.
 NEW YORK: CHARLES SCRIBNER'S SONS




CONTENTS


                                       PAGE
 PATH FLOWER                              1
 THE PIPER                                6
 TO A HERMIT THRUSH                       8
 THANKSGIVING                            14
 THE ROAD                                16
 LA DAME REVOLUTION                      23
 THE REBEL                               24
 THESE LATTER DAYS                       25
 ABNEGATION                              26
 THE LITTLE TREE                         27
 THE GAME                                28
 BALLAD                                  31
 A DIRGE                                 37
 HIS ARGUMENT                            39
 THE CONQUEROR                           40
 TO MOINA                                41
 "THERE'S ROSEMARY"                      42
 AT THE GRAVE OF HEINE                   43
 TO A LOST COMRADE                       45
 FOR M. L. P.                            46
 TO SLEEP                                47
 "LE PENSEUR"                            48
 VISION                                  49
 SAFE                                    50
 ON BOSWORTH FIELD                       52
 OLD FAIRINGDOWN                         53
 THE KISS                                58
 YOUTH                                   60
 TO MIRIMOND                             62
 SOROLLA                                 63
 IN THE BLUE RIDGE                       66
 YE WHO ARE TO SING                      70
 "AND THE LAST SHALL BE FIRST"           73
 MAGDALEN TO HER POET                    76
 FRIENDS                                 85
 TRYST                                   89
 IN THE STUDIO                           90
 LOVERS' LEAP                            91
 HAVENED                                 94
 MID-MAY                                102
 THE LOSS                               104
 CALLED                                 105
 SONG OF TO-MORROW                      108
 LITTLE DAUGHTERS                       110




    _The author thanks the editors of "Scribner's Magazine," "The
    Century," "The Atlantic Monthly," and "M'Clure's" for permission to
    reprint the greater part of the verse included in this volume._




PATH FLOWER


    A red-cap sang in Bishop's wood,
      A lark o'er Golder's lane,
    As I the April pathway trod
      Bound west for Willesden.

    At foot each tiny blade grew big
      And taller stood to hear,
    And every leaf on every twig
      Was like a little ear.

    As I too paused, and both ways tried
      To catch the rippling rain,--
    So still, a hare kept at my side
      His tussock of disdain,--

    Behind me close I heard a step,
      A soft pit-pat surprise,
    And looking round my eyes fell deep
      Into sweet other eyes;

    The eyes like wells, where sun lies too,
      So clear and trustful brown,
    Without a bubble warning you
      That here's a place to drown.

    "How many miles?" Her broken shoes
      Had told of more than one.
    She answered like a dreaming Muse,
      "I came from Islington."

    "So long a tramp?" Two gentle nods,
      Then seemed to lift a wing,
    And words fell soft as willow-buds,
      "I came to find the Spring."

    A timid voice, yet not afraid
      In ways so sweet to roam,
    As it with honey bees had played
      And could no more go home.

    Her home! I saw the human lair,
      I heard the hucksters bawl,
    I stifled with the thickened air
      Of bickering mart and stall.

    Without a tuppence for a ride,
      Her feet had set her free.
    Her rags, that decency defied,
      Seemed new with liberty.

    But she was frail. Who would might note
      The trail of hungering
    That for an hour she had forgot
      In wonder of the Spring.

    So shriven by her joy she glowed
      It seemed a sin to chat.
    (A tea-shop snuggled off the road;
      Why did I think of that?)

    Oh, frail, so frail! I could have wept,--
      But she was passing on,
    And I but muddled "You'll accept
      A penny for a bun?"

    Then up her little throat a spray
      Of rose climbed for it must;
    A wilding lost till safe it lay
      Hid by her curls of rust;

    And I saw modesties at fence
      With pride that bore no name;
    So old it was she knew not whence
      It sudden woke and came;

    But that which shone of all most clear
      Was startled, sadder thought
    That I should give her back the fear
      Of life she had forgot.

    And I blushed for the world we'd made,
      Putting God's hand aside,
    Till for the want of sun and shade
      His little children died;

    And blushed that I who every year
      With Spring went up and down,
    Must greet a soul that ached for her
      With "penny for a bun!"

    Struck as a thief in holy place
      Whose sin upon him cries,
    I watched the flowers leave her face,
      The song go from her eyes.

    Then she, sweet heart, she saw my rout,
      And of her charity
    A hand of grace put softly out
      And took the coin from me.

    A red-cap sang in Bishop's wood,
      A lark o'er Golder's lane;
    But I, alone, still glooming stood,
      And April plucked in vain;

    Till living words rang in my ears
      And sudden music played:
    _Out of such sacred thirst as hers
      The world shall be remade._

    Afar she turned her head and smiled
      As might have smiled the Spring,
    And humble as a wondering child
      I watched her vanishing.




THE PIPER


    I met a crone 'twixt wood and wood,
    Who pointed down the piper's road
    With shaken staff and fearsome glance,--
    "Ware, ware the dance!"

    But when the piper me did greet,
    The wind, the wind was in my feet,
    The rose and leaf on eager boughs
    Unvestalled them of dew-writ vows,
    And I as light as leaf and rose
    Danced to the summer's close.

    Now every tree is weary grown,
    Of singing birds there is not one;
    All, all the world droops into grey,--
    O piper Love, must thou yet play?
    The wildest note of all he blew,
    And fast my worn feet flew.

    Old is the year, the leaf and rose
    Are long, long gone;
    So chill, so chill the grey wind blows
    Through heart and bone;
    No grasses warm the winter ways
    That wound my feet;
    But with unwearied fingers yet,
    Bold, undelayed on stop and fret,
    Unmercifully sweet,
    The piper plays....




TO A HERMIT THRUSH


    Dweller among leaves, and shining twilight boughs
    That fold cool arms about thine altar place,
    What joyous race
    Of gods dost serve with such unfaltering vows?

    Weave me a time-fringed tale
    Of slumbering, haunted trees,
    And star-sweet fragrances
    No day defiled;
    Of bowering nights innumerable,
    And nestling hours breath-nigh a dryad's heart
    That sleeping yet was wild
    With dream-beat that thou mad'st a part
    Of thy dawn-fluting; ay, and keep'st it still,
    Striving so late these godless woods to fill
    With undefeated strain,
    And in one hour build the old world again.
    Wast thou found singing when Diana drew
    Her skirts from the first night?
    Didst feel the sun-breath when the valleys grew
    Warm with the love of light,
    Till blades of flower-lit green gave to the wind
    The mystery that made sweet
    The earth forever,--strange and undefined
    As life, as God, as this thy song complete
    That holds with me twin memories
    Of time ere men,
    And ere our ways
    Lay sundered with the abyss of air between?

          _List, I will lay
          The world, my song,
          Deep in the heart of day,
          Day that is long
          As the ages dream or the stars delay!
          Keep thou from me,
          Sigh-throated man,
          Forever to be
          Under the songless wanderer's ban.
          I am of time
          That counteth no dawn;
          Thy æons yet climb
          To skies I have won,
          Seeking for aye an unrisen sun!_

    Soft as a shadow slips
    Before the moon, I creep beneath the trees,
    Even to the boughs whose lowest circling tips
    Whisper with the anemones
    Thick-strewn as though a cloud had made
    Its drifting way through spray and leafy braid
    And sunk with unremembering ease
    To humbler heaven upon the mossy heaps.
    And here a warmer flow
    Urges thy melody, yet keeps
    The cool of bowers; as might a rose blush through
    Its unrelinquished dew;
    Or bounteous heart that knows not woe,
    Put on the robe of sighs, and fain
    Would hold in love's surmise a neighbour's pain.

    Ah, I have wronged thee, sprite!
    So tender now thy song in flight,
    So sweet its lingerings are,
    It seems the liquid memory
    Of time when thou didst try
    Thy gleaning wing through human years,
    And met, ay, knew the sigh
    Of men who pray, the tears
    That hide the woman's star,
    The brave ascending fire
    That is youth's beacon and too soon his pyre,--
    Yea, all our striving, bateless and unseeing,
    That builds each day our Heaven new.
    More deep in time's unnearing blue,
    Farther and ever fleeing
    The dream that ever must pursue.

          _Heart-need is sorest
          When the song dies:
          Come to the forest,
          Brother of the sighs.
          Heart-need is song-need,
          Brother, give me thine!
          Song-meed is heart-meed,
          Brother, take mine!
          I go the still way,
          Cover me with night;
          Thou goest the will way
          Into the light.
          Dust and the burden
          Thou shall outrun;
          Bear then my guerdon,
          Song, to the sun!_

    O little pagan with the heart of Christ,
    I go bewildered from thine altar place,
    These brooding boughs and grey-lit forest wings,
    Nor know if thou deniest
    My destiny and race,
    Man's goalward falterings,
    To sing the perfect joy that lay
    Along the path we missed somewhere,
    That led thee to thy home in air,
    While we, soil-creepers, bruise our way
    Toward heights and sunrise bounds
    That wings may know nor feet may win
    For all their scars, for all their wounds;
    Or have I heard within thy strain
    Not sorrow's self, but sorrowing
    That thou did'st seek the way more free,
    Nor took with us the trail of pain
    That endeth not, e'er widening
    To life that knows what Life may be;
    And ere thou fall'st to silence long
    Would golden parting fling:

    _Go, man, through death unto thy star;
    I journey not so far;
    My wings must fail e'en with my song._




THANKSGIVING


    Supremest Life and Lord of All,
      I bring my thanks to thee;
    Not for the health that does not fail,
      And wings me over land and sea;
    Not for this body's pearl and rose,
      And radiance made sure
    By thine enduring life that flows
      In sky-print swift and pure;

    Not for the thought whose glowing power
      Glides far, eternal, free,
    And surging back in thy full hour
      Bears the wide world to me;
    Not for the friends whose presence is
      The warm, sweet heart of things
    Where leans the body for the kiss
      That gives the soul its wings;

    Not for the little hands that cling,
      The little feet that run,
    And make the earth a fitter thing
      For thee to look upon;
    Not for mine ease within my door,
      My roof when rains beat strong,
    My bed, my fire, my food in store,
      My book when nights are long;

    But, Lord, I know where on lone sands
      A leper rots and cries;
    Find thou my offering in his hands,
      My worship in his eyes.
    As thou dost give to him, thy least,
      Thou givest unto me;
    As he is fed I make my feast,
      And lift my thanks to thee.




THE ROAD


    On Gilead road the shadows creep;
      ('Tis noon, and I forget;)
    By Gilead road the ferns are deep,
      And waves run emerald, wind-beset,
    To some unsanded shore
      Of doe and dove and fay;
    And I for love of that before,
      Forget the hindward way.

    By Gilead road a river runs,
      (To what unshadowed sea?)
    Bough-hidden here,--there by the sun's
      Gold treachery unbared to me.
    O Beauty in retreat,
      From beckoned eyes you steal,
    But the pursuing heart, more fleet,
      Lifts your secretest veil.

    A thrush! What unbuilt temples rear
      Their domes where thrushes sing!
    My heart glides in, a worshipper
      At shrines that ne'er knew offering,
    Nor eye hath seen, and yet
      What soul hath not been there,
    Deep in song's fane where we forget
      To pray, for we are prayer.

    And now the shadows start and glide;
      I hear soft, woodland feet;
    And who are they that deeper bide
      Where beechen twilights meet?
    What trancèd beings smile
      On things I may not see?
    As with a dream they would beguile
      Their own eternity?

    I too shall find my own as they;
      ('Tis eve, and I forget;)
    Here in this world where mortals play
      As gods with no god's leave or let.
    My hope in high purlieus
      Desire erst lockt and kept,
    On wing unbarred shall seek and choose,--
      Ay, choose, when I have slept.

    For happy roads may yet be long,
      And bliss must sometime bed.
    Fern-deep I fall, lose sight and song,
      The slim palms close above my head,
    And Life, the Shadow, weaves
      The charm on sleepers laid
    Till Time's spent ghost comes not nor grieves
      An hourless Gilead.

    Ay me, I dream my eyes are wet;
      I sigh, I turn, I weep.
    Alack, that waking we forget
      But to remember when we sleep!
    O vision of closed eyes,
      That burns the heart awake!
    O the forgotten truth's reprise
      For the forsaken's sake!

    Far land, blood-red, I feel again
      Thy hot, unsilenced breath;
    Meet thy unburied eyes of pain
      That, dying ever, find no death;
    See childhood's one gold hour
      Bartered for crust and bed,
    And man's o'erdriven noon devour
      His evening peace and bread.

    I hear men sob,--ay, men,--and shout
      To souls on Gilead road:
    "Tell us the way--we sent ye out--
      We bought ye free--we paid our blood!"
    Gaunt arms make signal mad;
      O, feel the woe-waves break!
    Does no one hear in Gilead?
      Will one, not one turn back?

    Rolls higher from the land blood-red
      That sea-surge of despair!
    A flame creeps over Gilead,
      Unseen, unfelt by any there.
    They look not back, the while
      Doom shadows round them dance,
    And smile meets slow, unstartled smile
      As in it sleep's mid-chance.

    "We give our days, we give our blood,
      We send ye far to see!
    We break beneath the double load
      That ye may walk unbowed and free!
    'Tis ours, the healing shade;
      'Tis ours, the singing stream;
    'Tis ours, the charm on sleepers laid;
      'Tis ours, the toil-won dream!"

    Dim grown is Gilead, ashen, lost
      To me who hear that cry.
    "Our every star is hid with dust;
      The way, the way! Let us not die!"
    Up from the trampled ferns,
      (O Beauty's praying hands!)
    I stricken start, as one who turns
      From plague's unholy lands.

    Pale is the dream we dream alone,
      An unresolving fire,
    Till beacon hearts make it their own
      And men are lit with man's desire.
    I mourn no Gilead fair,
      Back to my own I speed,
    And all my tears are falling where
      They sell the sun for bread.

    Mine too the blow, the unwept scar;
      Mine too the flames that sere;
    And on my breast not one proud star
      That leaves a brother's heaven bare.
    Life is the search of God
      For His own unity;
    I walk stone-bare till all are shod,
      No gold may sandal me.

    I come, O comrades, faster yet!
      For me no bough-hung shade
    Till every burning foot be set
      In ferns of Gilead.
    The old, old pain of kind,
      Once mine, is mine once more;
    And I forget the way behind,
      So dear is that before.




LA DAME REVOLUTION


    Red was the Might that sired thee,
      White was the Hope that bore thee,
    Heaven and Earth desired thee,
      And Hell from thy lovers tore thee;
    But barren to the ravisher,
      Thou bearest Love thy child,
    Immortal daughter, Peace; for her
      Waits Man, the Undefiled.




THE REBEL


    A riot-maker! Can the fruit
      Of frenzy be a gracious thing?
    His soul has hands; above the bruit
      They lift a song-bird quivering.

    World-wrecker! Shall he trampling go
      Till Beauty's drenched and lonely eyes
    Mourn a deserted earth? But no!
      Men go not down till men arise.

    The game is Life's. She plays to win;
      And whirls to dust her overlings;
    Her abluent winds shall spare no sin,
      Though hidden in the breast of kings;

    And Earth is smiling as she takes
      To her old lap their fallen bones,
    For down the throbbing ways there wakes
      The laughter of her greater sons.




THESE LATTER DAYS


    Take down thy stars, O God! We look not up.
      In vain thou hangest there thy changeless sign.
    We lift our eyes to power's glowing cup,
      Nor care if blood make strong that wizard wine,
    So we but drink and feel the sorcery
      Of conquest in our veins, of wits grown keen
    In strain and strife for flesh-sweet sovereignty,--
      The fatal thrill of kingship over men.
    What though the soul be from the body shrunk,
      And we array the temple, but no god?
    What though, the cup of golden greed once drunk,
      Our dust be laid in a dishonoured sod,
    While thy loud hosts proclaim the end of wars?
    We read no sign. O God, take down thy stars!




ABNEGATION


    Christ, dear Christ, were the wood-ways sweet
      By the long, white highway bare,
    Where the hot road dust made grey Thy feet?
      Ay,--but the woman's hair!

    Brother, my Christ, when thou camest down
      The cup of water to give,
    Did a poet die on the mount's cool crown?
      Ay,--and for that dost thou live!




THE LITTLE TREE


    It pushed a guided way between
      The pebbles of her grave;
    A poplar hastening to be green
      And silver signals wave.

    And we who sought her with the moon,
      Were met by branches stirred,
    And whiter grew as grew the croon
      That seemed her hidden word.

    "O, she would speak!" my heart-beat said;
      My eyes were on the mound;
    And lowlier hung my waiting head
      Above the prisoning ground.

    Then smiled the lad and whispered me,--
      The lad who most did love;
    "She stoops to us; the little tree
      Is wakened from above!"




THE GAME


    'Tis played with eyes; one uttered word
      Would cast the game away.
    As silent as a sailing bird,
      The shift and change of play.

    So many eyes to me are dear,
      So many do me bless;
    The hazel, deep as deep wood-mere
      Where leaves are flutterless;

    The brown that most bewildereth
      With dusking, golden play
    Of shadows like betraying breath
      From some shy, hidden day;

    The black whose torch is ever trimmed,
      Let stars be soon or late;
    The blue, a morning never dimmed,
      Opposing Heaven to fate;

    The grey as soft as farthest skies
      That hold horizon rain;
    Or when, steel-darkling, stoic-wise,
      They bring the gods again;

    And wavelit eyes of nameless glow,
      Fed from far-risen streams;
    But oh, the eyes, the eyes that know
      The silent game of dreams!

    Three times I've played. Once 'twas a child,
      Lap-held, not half a year
    From Heaven, looked at me and smiled,
      And far I went with her.

    Out past the twilight gates of birth,
      And past Time's blindfold day,
    Beyond the star-ring of the earth,
      We found us room to play.

    And once a woman, spent and old
      With unavailing tears,
    Who from her hair's down-tangled fold
      Shook out the grey-blown years,

    Sat by the trampled way alone,
      And lifted eyes--what themes!
    I could not pass, I sat me down
      To play the game of dreams.

    And once ... a poet's eyes they were,
      Though earth heard not his strain;
    And since he went no eyes can stir
      My own to play again.




BALLAD


    When I with Death have gone on quest,
    And grief is mellowed in your breast;
        When you do nothing fret
    If jest come gently in with tea,
    And Purr is stroked for want of me;
    When thought robust bestirs your mind,
    And with a candid start you find
        The world must move
        To living love
    And you forthright on travel set;

    I do not ask you strive to keep
    Awake the woe that winks for sleep,
        Or swell the lessening tear;
    I do not ask; dear to me still
    May be the eyes regret would fill;
    And, sooth, in vain I'd Nature sue
    To go a little out for you;
        But whether 'tis
        Or that or this
    Is from the matter there and here.

    Forget the kisses dying not
    Till each a thousand more begot;
        Such easy progeny
    You with small trouble still may have;
    (Though women die, love has no grave;)
    Forget the quaint, the nest-born ways,
    And ponder things more to my praise,
        That I may long
        Be worth a song
    Though deep in tongueless clay I be.

    Admit my eye, than yours less keen,
    Still knew a bead of Hippocrene
        From baser bubbles bright;
    My ear could catch, or short or long,
    The echo of true-hammered song;
    And many a book we journeyed through;
    Some turned us home again, 'tis true,
        (Not all who pen
        Are more than men,)
    And some, like stars, outwore the night.

    Say I could break a lance with Fate,
    Took half, at least, my troubles straight,
        (Let women have their boast;)
    Homed well with chance, and passing where
    The gods kept house would take a chair,
    Perchance at ease, with naught ado,
    With Jove would toss a quip or two;
        The nectar stale,
        A mug of ale
    On goodly earth would serve a toast.

    And if I left thee by a stile
    Where thou didst choose to dream, the while
        I sought a farther mead,
    Or clomb a ridge for flowers that wore
    Of earth the less, of stars the more,
    I hastened back, confess of me,
    To lay my treasure on thy knee;
        Nor didst thou hear
        Of stone or brere,
    Or how my hidden feet did bleed.

    And in the piping season when
    The whole round world takes heart again
        To rise and dance with Spring;
    When robin drives the snow-wind home,
    And sweetened is the warmèd loam,
    When deeper root the violets,
    And every bud its fear forgets
        With upward glance
        For lovers' chance
    In Venus' dear and fateful ring;

    Let not a thought of my cold bed
    Bechill thy warm heart beating red,
        And thy new ardours dim;
    But if, good hap, you rove where I
    Beneath the twinkling moss then lie,
    Be glad to see me decked so gay,
    (Spring's the best handmaid without pay,)
        I like things new,
        In season too,
    And fain must smile to be so trim.

    Then hie thee to some bonny brake
    Another mate to woo and take,
        And as thy soul to love.
    Rise with the dew, stay not the noon,
    What's good cannot be found too soon,
    The wind will not be always south,
    Nor like a rose is every mouth,
        Time's quick to press,
        Do thou no less,
    And may the night thy wisdom prove.

    And as all love doth live again
    In great or small that loved hath been,
        Keep this sole troth with me,--
    Forget my name, my form, my face,
    But meet me still in every place,
    Since we are what we love, and I
    Loved everything beneath the sky.
        So may I long
        Be worth a song,
    Though I who sang forgotten be.




A DIRGE


    Mortal child, lay thee where
      Earth is gift and giver;
    Midnight owl, witch, or bear
      Shall disturb thee never!

    Softly, softly take thy place,
    Turn from man thy waning face;
    Fear not thou must lie alone,
    Sleep-mates thou shalt have anon.

    (Clock of Time none commands,
      Driveth not the winter floods,
    Where the silent, tireless sands
      Run the ages of the gods.)

    Thine is not a jealous bed;
    Pillow here hath every head;
    All that are and all to be
    Shall ask a little room of thee.

    (Feet of flame, haste nor creep
      Where the stars are of thy pace;
    Heart of fire, in shadows sleep,
      With the sun in thy embrace.)

    Babe of Time, old in care,
      Sweet is Earth, the giver;
    Owlet, witch, or midnight bear
      Shall disturb thee never.




HIS ARGUMENT


    One time I wooed a maid (dear is she yet!)
      All in the revel eye of young Love's moon.
    Content she made me,--ah, my dimpling mate,
      My Springtime girl, who walked with flower-shoon!
    But near me, nearer, steals a deep-eyed maid
      With creeping glance that sees and will not see,
    And blush that would those yea-sweet eyes upbraid,--
      O, might I woo her nor inconstant be!
    But is not Autumn dreamtime of the Spring?
      (Yon scarlet fruit-bell is a flower asleep;)
      And I am not forsworn if yet I keep
    Dream-faith with Spring in Autumn's deeper kiss.
      Then so, brown maiden, take this true-love ring,
    And lay thy long, soft locks where my heart is.




THE CONQUEROR


    O Spring, that flutter'st the slow Winter by,
      To drop thy buds before his frosty feet,
    Dost thou not grieve to see thy darlings lie
      In trodden death, and weep their beauty sweet?
    Yet must thou cast thy tender offering,
      And make thy way above thy mournèd dead,
    Or frowning Winter would be always king,
      And thou wouldst never walk with crownèd head.
    So gentle Love must make his venturous way
      Among the shaken buds of his own pain;
    And many a hope-blown garland meekly lay
      Before the chilly season of disdain;
    But as no beauty may the Spring outglow,
    So he, when throned, no greater lord doth know.




TO MOINA


    There were no heaven but for lovers' eyes;
      Save in their depths do all Elysiums fade;
    And gods were dead but for the life that lies
      In kisses sweet on sweeter altars laid.
    There were no heroes did not lovers ride,
      And pyramid high deeds upon new time;
    Nor tale for feast, or field, or chimney-side,
      And harps were dumb and song had ne'er a rhyme.
    Then live, proud heart, in happy fealty,
      Nor sigh thee more thy dear bonds to remove;
    Thou art not thrall to liege of mean degree,
      For all are kings who bear the lance of love;
    No wight so poor but may his tatters lose,
    And find his purple if his lady choose.




"THERE'S ROSEMARY"


    O love that is not love, but dear, so dear!
      That is not love because it goes so soon,
      Like flower born and dead within one moon,
    And yet is love for that it comes full near
    The guarded fane where love alone may peer,
      Ere like young Spring by Summer soon outshone,
      It trembles into death, but comes anon,
    As thoughts of Spring will come though Summer's here.

    O star full sweet, though one arose more fair,
      Within my heart I'll keep a heaven for thee
        Where thou mayst freely come and freely go,
    Touching with thy pale gold the twilight air
      Where dream-closed buds could never flower show,
        Yet fragrant keep the shadowy way for me.




AT THE GRAVE OF HEINE


        South-heart of song
          In winter drest,
        Death mends thy wrong;
          That is life's best.

        Bird, who didst sing
          From a bare bough,
        Call, and what Spring
          Will answer now!

        And haste with her
          Bud-legacy,--
        O, not to share,
          To take of thee!

        Thy night, slow, dark,
          Yet song-lit shone,
        Till who did hark
          Missed not the moon;

        When Morning found
          Thy cold, pierced breast,
        'Twas she who moaned,
          To thy thorn pressed.

    _Here lies the thorn-wound of the dawn
    Through whose high morn the bird sings on._




TO A LOST COMRADE


    We found the spring at eager noon,
      And from one cup we drank;
    Then on until the forest croon
      In twilight tangle sank;

    The night was ours, the stars, the dawn;
      The manna crust, bird-shared;
    And never failed our magic shoon,
      Whatever way we fared.

    If caged at last, ceased not the flow
      Of sky-gleam through the bars;
    And where were wounds I only know
      Tear-kisses hid the scars.

    And when, as round the world death-free
      We wind-embodied roam,
    I hear the gale that once was thee
      Cry "Hollo!" I will come.




FOR M. L. P.


    Rose Love lay dreaming where I passed,
      Like flower blown from careless stem;
    So still I dared to touch at last
      Her white robe's hem.

    Rose Love looked up and caught my hand,
      Though in her eyes the sea-birds were;
    When o'er my brow there blew a strand
      Of cold, grey hair.

    Rose Love stood up unriddling this,
      Till shadows in my eyes grew old;
    Then warmed the lock with sudden kiss;
      Now flames it gold.




TO SLEEP


    O silent lover of a world day-worn,
      Taking the weary light to thy dusk arms,
    Stealing where pale forms lie, sun-hurt and torn,
      Waiting the balm of thy oblivious charms,
    Make me thy captive ere I guess pursuit,
      And cast me deep within some dreamless close,
    Where hopes stir not, and white, wronged lips are mute,
      And Pain's hot wings fold down o'er hushèd woes.
    And if ere morn thou choosest me to free,
      Let it not be, dear jailer, through the door
    That timeward opes, but to eternity
      Set thou the soul that needs thee nevermore;
    So I from sleep to death may softly wend
    As one would pass from gentle friend to friend.




"LE PENSEUR"


    Warm in this marble, that is stone no more,
      Life at wound-pause lifts ear to woundless mind;
      Backward the ages their slow clew unwind,
    And step by step, and star by star, lead o'er
    The trail again, where eyeless passion tore
      Its red way to a soul. Mist-bound and blind
      No more, the thinker waits, and God grown kind
    Flashes a foot-print where He goes before.

    Not to be followed! Falls the cloud again;
      Folds the stern form around the striving doubt,
        And curve betrays to curve the silent birth
    That shall be voice to later times and men;
      While lone in unlit dark, within, without,
        He sits immortal on a godless earth.




VISION


    Look in, O Mystic, on thy lease,
      Thou tenant soul in God's demesne;
    Forego the show of eyes that fail,
    And walk the world that cannot pale,
      Thine by a sealed and termless lien
    Within His met eternities.

    Yet look thou out from thy still hour
      With eyes that know and bear His fire;
    Till kindling on thy wonder's verge
    The transient days immortal merge
      In Him fulfilled as worlds expire
    In nestled love, a song, a flower.




SAFE


    My dream-fruit tree a palace bore
      In stone's reality,
    And friends and treasure, art and lore,
      Came in to dwell with me.

    But palaces for gods are made;
      I shrank to man, or less;
    Gold-barriered, yet chill, afraid,
      My soul shook shelterless.

    I found a cottage in a wood,
      Warmed by a hearth and maid,
    And fed and slept, and said 'twas good,--
      Ah, love-nest in the shade!

    The walls grew close, the roof pressed low,
      Soft arms my jailers were;
    My naked soul arose to go,
      And shivered bright and bare.

    No more I sought for covert kind;
      The blast blew on my head;
    And lo, with tempest and with wind
      I felt me garmented.

    Here on the hills the writhing storm
      Cloaks well and shelters me;
    I wrap me round and I am warm,
      Warm for eternity.




ON BOSWORTH FIELD


    Here, Richard, didst thou fall, caparisoned
        With kingdoms of thy lust;
    And here wouldst lie, by Fame's bent gleaners shunned,
        But came unto thy dust
        A swaggerer, perdy!
    Who cried "A horse, a horse!" and straight
    Thou wert abroad again on kingly feet
        To tread eternity.




OLD FAIRINGDOWN


    Soft as a treader on mosses
    I go through the village that sleeps;
    The village too early abed,
    For the night still shuffles, a gipsy,
    In the woods of the east,
    And the west remembers the sun.

    Not all are asleep; there are faces
    That lean from the walls of the gardens;
    Look sharply, or you will not see them,
    Or think them another stone in the wall.
    I spoke to a stone, and it answered
    Like an aged rock that crumbles;
    Each falling piece was a word.
    "Five have I buried," it said,
    "And seven are over the sea."

    Here is a hut that I pass,
    So lowly it has no brow,
    And dwarfs sit within at a table.
    A boy waits apart by the hearth;
    On his face the patience of firelight,
    But his eyes seek the door and a far world.
    It is not the call to the table he waits,
    But the call of the sea-rimmed forests,
    And cities that stir in a dream.
    I haste by the low-browed door,
    Lest my arms go in and betray me,
    A mother jealously passing.
    He will go, the pale dwarf, and walk tall among giants;
    The child with his eyes on the far land,
    And fame like a young, curled leaf in his heart.

    The stream that darts from the hanging hill
    Like a silver wing that must sing as it flies,
    Is folded and still on the breast
    Of the village that sleeps.
    Each mute, old house is more old than the other,
    And each wears its vines like ragged hair
    Round the half-blind windows.
    If a child should laugh, if a girl should sing,
    Would the houses rub the vines from their eyes,
    And listen and live?
    A voice comes now from a cottage,
    A voice that is young and must sing,
    A honeyed stab on the air,
    And the houses do not wake.

    I look through the leaf-blowzed window,
    And start as a gazer who, passing a death-vault,
    Sees life sitting hopeful within.
    She is young, but a woman, round-breasted,
    Waiting the peril of Eve;
    And she makes the shadows about her sweet
    As the glooms that play in a pine-wood.
    She sits at a harpsichord (old as the walls are),
    And longing flows in the trickling, fairy notes
    Like a hidden brook in a forest
    Seeking and seeking the sun.

    I have watched a young tree on the edge of a wood
    When the mist is weaving and drifting.
    Slowly the boughs disappear and the leaves reach out
    Like the drowning hands of children,
    Till a grey blur quivers cold
    Where the green grace drank of the sun.
    So now, as I gaze, the morrows
    Creep weaving and winding their mist
    Round the beauty of her who sings.
    They hide the soft rings of her hair,
    Dear as a child's curling fingers;
    They shut out the trembling sun of eyes
    That are deep as a bending mother's;
    And her bridal body is scarfed with their chill.

    For old and old is the story;
    Over and over I listen to murmurs
    That are always the same in these towns that sleep;
    Where grey and unwed a woman passes,
    Her cramped, drab gown the bounds of a world
    She holds with grief and silence;
    And a gossip whose tongue alone is unwithered
    Mumbles the tale by her affable gate;
    How the lad must go, and the girl must stay,
    Singing alone to the years and a dream;
    Then a letter, a rumour, a word
    From the land that reaches for lovers
    And gives them not back;
    And the maiden looks up with a face that is old;
    Her smile, as her body, is evermore barren,
    Her cheek like the bark of the beech-tree
    Where climbs the grey winter.

    Now have I seen her young,
    The lone girl singing,
    With the full round breast and the berry lip,
    And heart that runs to a dawn-rise
    On new-world mountains.
    The weeping ash in the dooryard
    Gathers the song in its boughs,
    And the gown of dawn she will never wear.
    I can listen no more; good-bye, little town, old Fairingdown.
    I climb the long, dark hillside,
    But the ache I have found here I cannot outclimb.
    O Heart, if we had not heard, if we did not know
    There is that in the village that never will sleep!




THE KISS


    I stole into the secret room
    Where Love lay dying;
    Mystic and faint perfume
    Met me like sighing;
    As heaven had cast a still-born star
    He lay nor stirred; the shell-thin hand
    Nerveless of high command
    Where once the lord-veins sped their fire.

    And I had thought me glad
    To let him go. "He reaps
    His own," I pious said.
    But this, ah, this
    Unpleading helplessness!
    "Give me thy death," I cried,
    And took it from his lips.
    The windows burst them wide.
    The sun came in;
    And Love high at my side
    Stood sovereign.




YOUTH


    He hears the hour's low hint and springs
    To the chariot-side of Truth, while fast
    The wild car swings
    Through dust and cloud;
    And the watchful elders, prophet-proud,
    Give o'er his bones
    To the wracking stones--
    But he has passed!

    A weft of sky, and castles stare
    High from a wizard shore,
    Sun-arrowed, tower-strong;
    Gold parapets in air
    Down-pour, down-pour
    Sea-falls of peri song;
    Then earth, the dragon's lair;
    Cave eyes and burning breath;
    And the lance the Grail lords bore
    This day flies swift and fair,
    This day of the dragon's death.

    Must doff the wind-wreath, find thee lone?
    Put on meek age's hood?
    Feel but the frost within the dawn?
    Wrap courage in a swaddling mood?
    His bare throat flings
    All-powered nay;
    The world, his vast, unfingered lyre,
    Stirs in her thousand strings;
    Lit with redemptive flame
    Burns miracle desire,
    And dedicated day
    Is long as freedom's dream.

    Youth of the lance, youth of the lyre,
    How far, how far shalt go?
    Where will the halting be?
    Sun-courier, whose roads of fire
    Bridge God's delay,
    The hearts that know thee, ah, they know,
    Ageless in clay,
    Sole immortality!




TO MIRIMOND

(HER BIRTHDAY, IN DECEMBER)


    Dost think that Time, to whom stars vainly sue,
      Will for thy beauty keep one fixèd place?
    Or that he may, o'er-weighed with seasons due,
      Forget one Spring where veinlet tendrils lace
      Rose over rose to make this flower, thy face?
    Look round thee now, dear dupe of sweet hey-day!
      Of what once blooming joy canst thou find trace
    Save in the bosom of a cold decay?
    What violet of Summer's yester sway
      Usurps these clouds to throne her slender moon?
    Look on the wrinkling year, the shrunken way,
      The wintry bier of all that gaudy shone,
    And gather love ere loveliness wear pall,
    If thou, when all is gone, wouldst still have all.




SOROLLA


    "I am fleet," said the joy of the sun,
    Trembling then on the breast
    Of the summer, white, still;
    "I am fleet, I am gone!"
    Smiling came one
    With brush and a will,
    Undelaying, unpressed,
    And the glancing gold of the tremulous sun
    Lingers for man, inescapable, won.

    "Not here, nor yet there,"
    Cried the waves that fled,
    "Shall ye set us a snare.
    Motion is breath of us,
    Stillness is death of us;
    We live as we run,
    We pause and are sped!"
    Laughing came one
    With brush and a will,
    And the waves never die and are nevermore still.

    "I pass," said the light
    On the joy-child's face;
    But softly came one
    And it leaves not its place.
    Here Time shall replight
    His faith with the dawn,
    And his ages, gaunt grey,
    Ever cycling, behold
    Their youth never flown
    In a world never old,
    Though they pass and repass with their trailing decay.

    "We stay," said the shadows, and hung
    On the brush of the master; "we are thine own."
    Fearless he flung
    The magical chains around them, and said,
    "Ye too shall be light, and to life bring the sun!"
    And man delayed
    By the captive pain's revealing glow
    Feeleth earth's breathing woe,
    And his vow is made;
    "Ye shall pass, ye shadows, yea;
    And life, as the sun, be free;
    The God in me saith!"
    And the shadows go;
    For joy is the breath
    Of eternity,
    And sorrow the sigh of a day.




IN THE BLUE RIDGE


    The mountain night is shining, Jim of Tellico,
      Shining so it hurts the heart to see
    The gleam upon the laurel leaf, the locust shaking snow
      To the rippling Nantahala that is laughing up to me,
      Hurts till the cry comes and the big tears are free.
    O, why should my heart cry to you that will not hear,
      Yonder where the ridges lie so still above the town?
    But the pain that's calling seems to bring you near,
      As the tears in my eyes bring the stars a-swimming down.

    Mother sits and cries, with my baby on her knee;
      Father curses deep, a-breathing hard your name;
    But never do I hear and never do I see,
      I with my head low, working out my shame,
      Eyes burning dry and my heart like a flame;
    For I hate you then--I hate you, Jim of Tellico,
      And grip my needle tighter, every stitch a sin,
    The hate growing bigger till the thing I sew
      Seems a shroud I'm glad a-making just to lay you in.

    But the slow sun passes with its day-long stare,
      Like a bold eye at the window when the blind
    Is missing and you mustn't know the eye is there,--
      Just shut your heart up close and hide the thing you mind;
      And comes the blessed twilight calling of its kind,
    When all the little creatures with soft voices stir,
      Little hiding things that cry so tremblingly,
    Till I lay my needle by,--O, how the sweet woods whirr!
      And fly down to the river that is laughing up to me.

    Then the hate goes out o' me with the moonlight creeping in,
      And the water crooning cool-like in my veins.
    Who could smell the white azalea thinking then of sin,
      Or look on laurel buds a-caring for her pains?
      It's just my heart breaks open and the wild flood rains.
    O beauty of the moon-mist winding, winding slow,
      Till the tall lynns quiver vainly up to hold
    One leafy moment more the breathing, gliding flow
      Of the loosened wreath of silver lifting into gold!

    The moosewood bride is glowing, all her curls awave,
      The colt's-foot in millions makes the ground like a bed,
    So sweet-breathed and green now, in winter scarlet brave,
      And blossom lips of tulip trees are meeting overhead,
      But never shall a tear fall for their love spent and dead.
    Doves are building yonder in that clump of maples deep,
      Do maple leaves come soonest for they love to hide
    The earliest nest and hear the first faint cheep
      Telling them of joy too dear, too sweet to bide?

    The joy that was my own, Jim, when our birdling came,
      Telling me that love is never spent and dead,--
    Though you left the tears to me, and left to me the shame,--
      For the wildwood broke in blossoms round my bed,
      And the fairest on my bosom laid its stainless head.
    Can God who made this night His own great heart to please,
      And made that other night like this a year ago,
    Be mad at us for loving? I fall upon my knees
      And beg Him bless you, bless you ever, Jim of Tellico!




YE WHO ARE TO SING


    O silence of all silences, where wait
      Fame's unblown years whose choir my soul would greet!
    Graves, nor dead Time, are sealed so dumb in fate,
      For Death and Time must pass on echoing feet.
      No grass-locked vault, no sculptured winding-sheet,
    No age-embalmèd hour with mummied wing,
      Is bosomed in such stillness, vast, complete,
    As wraps the future, and no prayer may bring
    From that unfathomed pause one minstrel murmuring.

    Yet never earth a lyreless dawn shall know;
      No moon shall move unharped to her pale home;
    No midnight wreathe its chain of choric glow
      But answering eye flash rhythmic to the dome.
      No path shall lie too deep in forest gloam
    For the blithe singer's tread; no winds fore'er
      Blow lute-lorn barks o'er unawakened foam;
    Nor hidden isle sleep so enwaved but there
    Shall touch and land at last Apollo's mariner.

    And soon shall wake that morrow's melody,
      When men of labour shall be men of dream,
    With hand seer-guided, knowing Deity
      That breathes in sonant wood and fluting stream,
      Shapes too the wheel, the shaft, the shouldering beam,
    Nor ceased to build when Magian toil began
      To lift its towered world. What chime supreme
    Shall turn our tuneless march to music when
    Sings the achieving God in conscious hearts of men!

    And one voice shall be woman's, lifting lay
      Till all the lark-heights of her being ring;
    Majestic she shall take the chanted way,
      And every song-peak's golden bourgeoning
      Shall thrill beneath her feet that lyric spring
    From ventured crest to crest. Strong, masterless,
      She, last in freedom, as the first shall sing,
    Who, great in freedom, takes by Love her place,
    Wife, mother,--more, her starward moving self--the race.

    Ay, ye shall come, ye spirits girt with light
      That falls o'er heaven's hills from dawn to be;
    Ye warders in the planet house of night,
      Gliding to unguessed doors with prophet key,
      And out where dim paths stir with minstrelsy
    Wordless and strange to man until your clear
      Doubt-shriven strain interprets to the clay.
    Oh, might I hear ye as the world shall hear,
    Nearer, a poet's journey, to the Golden Year!

    Dear, honoured bards of centuries dim and sped,
      Yet glowing ever in your fadeless song,
    No dust shall heap its silence o'er ye dead,
      No cadent seas shall drown your chorus strong
      In more melodious waves. I've lingered long
    By your brave harps strung for eternity;
      But now runs my wild heart to meet the throng
    Who yet shall choir. O wondrous company,
    If graves may listen then, I then shall listening be!




"AND THE LAST SHALL BE FIRST"


    Of the dumb, bayed god in men,
    Of the burdened mother eyes,
    Of the little, lifted hands,
    Of the passion and the dream
    Sighing up from trodden lands,
    Fearless, he is born again;
    Bold inquisitor of skies,
    Treading earth unmastered, free,
    And the way grows wide for him
    Walking with the day to be.

    Dead the grasp of custom then,
    Silent grows her voice and pen;
    Part as air the birth-wrong bands,
    Break as thread the steel-drawn strands,
    Graves no longer over-awe,
    Dust is dust and men are men;
    A living tongue again gives living law.

    Trophies ours by gold and gun,
    Little treasures, houses,--nay,
    Guerdons of our dearest fight,
    Now are fuel for his sun,
    And the dreams that lit the night
    Burn as candles in the day.
    Yet we made thee, Man of Right,
    As our being plead to rise;
    Of our straining arm thy might;
    Even as we prayed for sight,
    Lo, afar thou hadst thy prophet eyes.

    Ay, thy gleaming spear is ours;
    Ours thy fearless, golden bow;
    And our shining arrows go
    From thy bright untaken towers.
    Thou art what we will to be,
    Sceptre, star, and wingèd cloud;
    We are blood and brawn of thee,
    Glowing up through sod and stone,
    Burning through thy rended shroud,
    Moving with thee, chainless, on,
    Till the world, a quickened whole,
    Truth-delivered, naked, free,
    Once again hath found its deathless soul.




MAGDALEN TO HER POET


    Take back thy song; or let me hear what thou
        Heardst anciently from me,
            The woman; now
    This wassail drift on boughless shores;
        Once lyre-veined leading thee
            To singing doors
        Out of the coiling dark;
        Teaching thee hark
    Earth's virgin candours, blossomed wonderings,
    And sanctities inaudible till strings
        Of lyric gentleness
        Wooed Heaven to confess
        Her world, and I was near,
        The earliest listener,
    Who of my bosom then made Arcady,
    And drew thy forest feet to Castaly.

    Take back thy pity. Is it not from man
        Who made that world his own?
            As barbican
    Sends out its darts, and after flings
        A dole of myrrh where groan
            Is loudest, sings
        Thy grace to me, me thus
        Unbeauteous
    By thee. Uneased thy covenanted bit
    From Levite ark till now. Thy judges sit,
        Gods ruminant, to keep
        Earth pure for dulcet sleep
        Of babe and mother. Ay,
        Drones yet the lulling lie,
    Whilst I, Disease uncinctured, darkly mate
    With guard and sentry of thy hierarchate.

    Thine ages, are they fair? Shall they yet draw
        Child-homage from our eyes?
            The woman awe
    As her own babe? Far stretch the avid spans
        Of fame-drunk emperies,
            And all are man's;
        But from what tower of praise
        Does Justice gaze?
    Art is thy boast? "See how we garland her,
    The goddess of our hands?" Yea, yea, but where
        Is Truth, save by whose breath
        Art is a laurelled death?
        "Our churches these, and this
        Our Holy Writ; there wis
    Our altars high, and sanctuarised sod!"
    But what, care-taking soul, hast done with God?

    The bairning time I knew, the whispering breast,
        But in thy world no place
            Was for my nest,
    Fragrant for perilous brooding pause.
        Thou went'st thy pace;
            My gathered straws
        And grasses cast to dust
        To make thy lust
    A wayside couch. Deep from the nation's root,
    The bower-tree where homes are nesting fruit,
        Thy blight creeps up unseen
        On bitten way to the green,
        Till no hope-banneret
        Makes Spring in windy fret
    Of flagellant boughs that whip my fingers bare,
    Too chill at last to build, to bleed, to care.

    Must surge so late with Nature's spawning ruse?
        Her stintless passioning
            Lest she should lose
    The younglet of her dearest pang?
        To thee, her tenderling,
            She gave lust-fang
        To run the jungle's harm;
        Now strives thee to disarm,
    And fend Life from that weapon lent thy wear
    Till thou, forsaking dust, mightst capture her.
        What need now of the blood
        Whose wasteful plenitude
        Swept thee through hostile slime
        To shores of light and time,
    Man-minim safe mid frost and poison dews
    Where naught could live that had not life to lose?

    Yet dost thou foster it as thy veinèd sun;
        Thy Heaven and Holy Rood
            Build toppling on
    Its strifeful hell; root there thy art,
        Thy dreams of tenderest bud;
            Gaze on the heart
        Of its fetidity,
        This wreck of me,
    And sing. O God, what death, in eyes so bound,
    They see Life's beauty in her draining wound!
        Lay thou the blind thing down
        With saurian tusk and bone,
        With dust of sworded maw
        And peril's fossil claw,
    Lest sexton Earth even Man inter, nor trover
    Of after-law untomb for Love her Lover!

    Her lover yet uncarnate; of thy race
        To be; long-dreamèd mate
            Of her embrace;
    Whose godling fruit, too prized, too dear
        For bandit breath, shall wait
            The Garnerer.
        Not then mute, anguished wives,
        Dumb in law's gyves,
    Shall shrink to mother a soul-famined brood,--
    Unbudding sentiencies of flowerhood,
        Shut miracles no wand
        May touch, that from the hand
        Of Toil, the reaver, fall
        To dust, their grudgèd pall,
    Leaving imperial web to those who wear
    That woof of blood and tears as gossamer.

    Not then! Where now the wailing way o'erteems,
        And baffled starvelings bar
            The way of dreams;
    Pouring to Want, grey-veined Disease,
        To Greed, and lurking War,--
            Brute goblinries
        With horde-lip sateless on
        God-food dust-thrown,--
    Lover and Love shall pass, each babe of theirs,
    Darling of Life, born for the higher wars
        Where knights of spirit sway,
        Summoned to holiest fray
        By heralds never bare
        To clodded vision. There,
    Shriven and sure, the sun-dipped lance shall leap
    Till Dream uncorselet clay and put off sleep.

    For me one rift! Through this sepultural blight
        A breath runs living, new;
            Unburdening light
    As when the flame-borne prophet on
        The Syrian ploughman threw
            A people's dawn.
        The world is Heaven worth,
        The cradle earth
    Casts orphanhood, a Bethlehem God-swung
    From crimson grapple with his lyric young.
        Here triumph I, so low,
        Knowing that Lust shall go,
        With whited, anarch train,--
        Shall pass, this curbless, vain
    Usurping deity that would compel
    The Mary-longing Love to yet mould Jezebel.

    Drag me with life that keeps Death shadow-near
        Till I, unfrighted, wake
            His charnel fear
    In every face that wariful
        Meets mine; this bud-mouth make
            Unkissable
        With kisses; and up-lap
        My soul's youth sap
    Till 't withers to a clutch about the gold
    You think pays all; yet from this reedy mould,
        This swamped, unfructant sedge,
        Gentility's marsh edge,
        I, on free wing, shall take
        My swan-course o'er the brake,
    Leaving the chanson of thy sin to thee
    Who hast not seen, not touched the unstainable me.

    Yet art thou dear, O singer! When we rest
        Past all Life's hostel doors,
            On her home crest;
    And 'neath our feet the dark vat night
        From pain's crushed star-grapes pours
            The climbing light;
        There thou, beside me then,
        With moteless ken,
    Remembering these, thy pity and thy song,
    Dropped at the cross where thou didst nail me long,
        Shalt sereless 'scape the aim
        Of hot, lance-darting shame,
        For over thee shall fall
        The dawn-tressed coronal
    Of Love I then shall be, wrapping thee in
    The pity at whose touch dies every sin.




FRIENDS


    There's one comes often as the sun
    And fills my room with morning; comes with step
    Light as a youth's that joy has hurried home.
    If he should greet my cheek, so might a wind
    Blow roses till they touch, silk leaf to leaf,
    And on their beauty leave no deeper dye;
    But with that touch an old world is untombed,
    Gay, festal-gowned; and two with nuptial eyes
    Walk arm-locked there, flinging the curls of Greece
    From proud, smooth brows. As trapped between two throbs,
    Their laughter dies in silent passion's kiss;
    And I from glow of ancient dust look up
    To meet the untroubled eyes of my friend's bride,
    Her pretty, depthless eyes that smile and smile
    Possessingly, not grudging alien me
    A footstool place about her sceptred love.
    And I, too, from imperial largess, smile.

    Another comes more rarely than new moon,
    And always with a flower,--one; pours tea
    Like an old picture softly made alive,
    Sings me a ballad that once teased the ears
    Of golden Bess, and reads the book I love.
    If he must journey, first he comes to lay
    Knight-service on my hand; no passion then
    More swift than when a last cool petal falls
    To faded summer grass; but as he goes
    I see a girl deep in a forest lane,
    A narrow lane dark-roofed with locking firs;
    And there are purple foxgloves shoulder high,
    And round the girl's knees Canterbury bells.
    Upon the air is scent of wounded trees,
    As though a storm had passed there, and great owls
    Ruffle a shade unloved of birds that sing.
    But at the green lane's end, far down
    A bit of heart-shaped sun tells where the road
    Lies wide and open; on the sun the still
    Dark shadow of a steed: and by the girl
    One who shall ride,--unvisored now, and pale.
    "And when I come," he says, to me who know
    He'll come that way no more; then hear my door
    Closed softly on a sob ten centuries old.

    And there is one whom never sun or moon
    Brings to my gate; but when amid a throng
    That fills some worldly room I see him pass.
    The light about me is of regions where
    Cold peaks are blue against a colder sky,
    And in the dusk-line where begins the Doubt
    Men call the Known, we stand in wingless pause,
    Unheavened weariness in untaught feet,
    And in our hearts sad longing for the fire
    Of stars from whence we came. "The earth," he says,
    And warms in his my hand amazed to lie
    In strange, near comfort,--blossom of first pain.
    Then low we dip into the clinging night
    That is the Lethe of God-memories;
    Stumble and sink in chains of time and sense
    Tangle in treacheries of a weed-hung globe,
    And tread the dun, dim verges of defeat
    Till spirit chafes to vision, and we learn
    What morning is, and where the way of love.
    In that gold dawn we part, knowing at last
    That earth can not divide us. With a smile
    He goes, and Fate leads not but runs before
    Like an indulgèd child. That smile again
    I sometimes see across the world--a room.




TRYST

(AFTER READING FROM SHAKESPEARE)


    Night, thou art heavy, with no stars to chain
      Thy darkness unto heaven, that thy feet
      May dance along these cliffs in gay retreat
    Of the pursuing sea; heavy as pain
    Where eyes see not the end, or tears that stain
      The joy of him who conquers by defeat;
      Or this dark sea whose heart doth climb and beat
    The stones that make no sign, then falls again.

    Cry with the night and wrestle with the wave,
      Ye two-edged winds that cut this shore and me;
    I warm me still with thinking of a grave
      That can not hold the dust's eternal part;
    For here across the centuries and the sea,
      A dead hand lies like flame upon my heart.




IN THE STUDIO


    Bowed in the firelight's softly climbing gleam,
      I sit a shadow, in a shadow's place;
    While through the great, grey window vaguely stream
      Twilight caresses on each pictured face
    That one hour gone was cold in art's repose;
      Now each still canvas answers tremblingly,
    Till eyes unveil and living spirit glows
      Where no light was while the rude Day went by.
    And rudest Day, that passed so sternly bare,
      Cold as the life that walks without desire,
    Unbeauteous as duty or despair,
      Plucked by a hope that will not set her free,
    Turns back, while memory's soft, informing fire
      Falls on her face, and Beauty looks at me.




LOVERS' LEAP


    In Greece I found the place, though earth
    Has many such; and wandering there alone,
    One Autumn evening when the moon rose late,
    I heard this song, though none was there to sing.
    A ghostly rune, yet left the alarmèd dark
    Quivering with life, tear-warm and murmuring:

        No morrow is if hearts say no;
        Life is gone when love doth go.
        No tear to weep, no prayer to pray;
        Endeth time with lovers' day.

        This trailing night will pale and flee,
        And dawn again creep o'er the sea;
        Light's tender hands will earth attire,
        Aloft will swim the golden fire,
        And every bird begin his lay,
        But I shall know there is no day.

        And Spring shall come. With teary cheek,
        But heart of Bacchus, she will seek
        With healing eyes each winter wound,
        Till little minstrels of the ground,
        The choral buds, in wonder wake
        To croon the dewy songs they take
        From brooks that haunt the woodman's glade
        And lose a dream in every shade.
        And ere the Spring has vanished,
        Summer will make her rosy bed
        And new loves take with every wind
        Till earth be laden with her kind
        And foster-bosomed Autumn come
        To nurse the darlings of her womb.

        But naught of season, change, or sun,
        Recks the heart whose love is done.
        Oh, ne'er again will beauty wear
        For my sad eyes a robe more fair,
        And ne'er again will music make
        A sweeter song for my poor sake.
        No tear to weep, no prayer to pray!
        Endeth time with lover's day.

        No morrow is if hearts say no;
        Life is gone when love doth go.
        Death, O Death, why dost thou flee
        From one whose wish is but for thee?
        Here is thy pillow, on my breast.
        No dove but would its spicèd nest
        Forego to couch in this sweet bed
        That here I open for thy head.
        Thou wilt not hear? Thou wilt not come?
        Then must I seek thee in thy home.
        Once more lift up this stone-dead heart,
        And leap to find thee where thou art!




HAVENED


    Come, Flower of Life, and lay thy beauty's rose
      Upon the breast that storm and thee divide;
    And like true knights whose queen no laggard knows,
      Forth gently shall my love-bid fancies ride
    To serve thy heart, and bring thy wishes in;
    And shuttling rhyme a web shall make thee then
      Whilst thou dost gaze, nor thy poor weaver chide.

    Sweet wonder lay upon my opening eyes
      That showed me in a gracious court of trees
    Whose leaves were clouds that caught and lost sunrise,
      And fell in mist upon a twirling breeze
    That traced the ground and to a river grew,
    Casting its tender spray in tinted dew
      As curved its silver way with laughing ease.

    I followed, forest deep, this wooing guide
      Through fragrant gloom of cliff and bower o'ergrown,
    Free as a fawn the stream 'twas born beside,
      Nor held my step with fear at sounds unknown,--
    High murmurings among the cloudy leaves,
    As when some dull and dreamy throng receives
      Strange lyric stir from power not its own.

    And more and more the murmurs grew like song,
      Save that no song could drop such honey-rain;
    The lyre-god's self would do it unsweet wrong,
      Were he that golden sound to breathe again;
    And as my guide into a cave did pass,
    That closèd seemed, and yet unclosèd was,
      That airy cadence stooped and bore me in.

    Then wandered life from out my memory,
      Gone from desire, as ghost at last must go;
    Nor shadow fell, where shadow could not be,
      From those dark lures that make our worldly woe.
    O Sweet, forgive that my inconstant tongue
    Should dim the glories that I moved among
      With name of gloom that wrongs the world we know.

    The dome was fair as Heaven, or Heaven, in sooth,
      It might have been, but that there shone,
    The centre 'neath, a fountain-featured truth
      That might no rival of its radiance own.
    Ah, this was Heaven's heart, if Heaven be,
    And the bright dome but its gold boundary;
      Yet gleamèd here no crown or mounted throne.

    The music budded till it dropped soft showers;
      All things to other changed, though here no mage;
    Clouds turned to light, and light to sweeter powers,
      And chance and change to all was privilege;
    The air was full of phantom-stirring things,
    And I not breathed but that I touched new wings,
      And sent some dream on airy pilgrimage.

    Ere my delight had held me pausing long
      Beneath a cloud that rained me lilies cool,
    A stir awoke amid a ferny throng
      That leaned their trembling grace above a pool,
    And following the flutter of a song
    To feathery rest where blossoms minute-young
      Oped arms of vermeil soft, and dawning gule,

    Mine eye saw Love. White on a verge's mount,
      That swelled to show its burden dear, she lay;
    A sighing mist that partly filled the fount,
      And o'er the brink sought tenderly to stray,
    For her fair body pillowed soft the ground,
    Growing glad upward arms to clasp her round
      And of each grace take new and sweet account.

    In nymphlike mould her gentle figure ran,
      Though nymph so bright did never sport in dell;
    Her eyes an angel's were, if angels' can
      Be thousand times more fair than dream can tell;
    Unfalling tears they held, yet so could please
    They might have hermits made forget their knees
      And kings find out they had them, such their spell.

    Above her forehead hovered close a star,
      Like spirit guard, whose ever-changing ray
    Was fed with fires of sacrifice that are
      Love's life,--the offerings earth lovers lay
    Upon her shrine, and as they pale or glow
    She smiles or droops as this true star doth show,--
      Or dim or bright as serve we or betray.

    Beside her was an instrument of tune,
      Of changeful beauty as her couch of cloud,
    And as I looked she woke it to strange rune,
      As in low murmur moved her thoughts aloud,--
    For all Love's thoughts are music,--but to make
    That ditty o'er, what heart would undertake,
      And with a mortal chant her utterance shroud?

    Anear her stood a youth bare of all guise
      Save when a light enwrapped him in its flame;
    He bore the ages in his listening eyes,
      And prophecy there waited for a name;
    Joy loved him best, and gave eternity,
    And his lithe, lustrous being seemed to say
      "I am the aspiration of all dream."

    Upward he gazed as though he would read o'er
      The scroll of rising winds, the burst of suns,
    And lists--ah, might it be earth's shore
      Freed of her epic hates and tunèd groans!
    War's passion beat, and woe's sad chorus past,
    And all her song pure-winnowed, clear at last,
      Pouring the music of her happy moons!

    Then moved his lips, but yet unborn is he
      Who may with their resound make sweet his own;
    He who shall come as morning walks the sea,
      Mate of the Wind when all her harps are one;
    So much we know by frail yet quenchless light
    That creeps through shadows of our lute-poor night,--
      The brave rose-glimmers of his singing dawn.

    Lo, every dream new-homing from far ways
      On silent wing or spirit wave of air,
    Came circling o'er his head in hovering maze,
      Seen not, nor heard, albeit I knew them there;
    But as each passed before his lifted face,
    They gleamed to sight, and grace so mounted grace
      My eyes seemed there anointed, though afar.

    Then radiant couriers shook the fountain Heart
      And turned me thither. Sweet and bold surprise
    Took all my being with such tremorous start
      I marvelled how aught else had held my eyes.
    I could not tell what the bright wonder was
    Whose garner-breast held every beauteous cause
      Makes earth remember, and forget, the skies.

    There shone the star that lit man's first desire,
      And there his hope that latest fluttered bare;
    One look translating made me as a lyre
      Swept with a joy the heart of Truth might share,--
    Truth that is silent, wanting joy to sing,--
    But ere I breathèd had for wondering,
      A face out-flashed wreathed with sun-flinging hair.

    Youth was the angel of that countenance,
      Where graces sprang in ever fairer throng;
    Yet she was old ere any star's birth-dance,
      If word of earthly time, or old or young,
    Means aught of eyes whose brooding splendour swept
    The silences when Uncreation slept
      And gave the dream that woke the suns in song.

    Each age that left a glory left it writ
      Upon her brow, as with a pen of light
    Whose track was pearls, and as each whiter lit
      The story there, the court grew softlier bright;
    Each dullsome thing--Oh, no thing there was dull!
    Flushed o'er itself with glow more beautiful,
      As might fair, sleeping gods wake to delight.

    Then all the wonder that made vague her form,
      Oped on a figure splendent so to view;
    Mine eyes an instant swooned; and as from storm
      Of warring rainbows it endearèd grew
    To shape of her who 'gan descending slow,
    Fair Love looked up, and Poesy knelt low:
      'Twas Beauty's self, and mother of the two.

    Whilst yet I gazed all vanished were the three;
      And as a sighing shore no more may hold
    The mermaid wave that would go out to sea,
      So slipped the vision from my fancy bold.
    O Flower of Life, no rest for me but this,
    To dream awhile, and then awake to press
      Upon my heart thy curls' beloved gold!




MID-MAY


    Hand clamped to desk,
    And eyes on task undone,
    I see a meadow pool,
    With shaken willows silvering.
    O, gods that trouble me,
    Wherefore, wherefore?--
    Pan is at the door.

    An arabesque
    Of sifted sun
    And forest star-grass, cool
    With shadows tunnelling:
    Witch-work that tauntingly
    Webs my bare floor:
    Ah, Pan is at the door.

    I'm civilized,
    And in my veins
    The mountain brook is still
    As water in a jar;
    But oh, the heart hill-born,
    It paineth sore,
    For Pan is at the door.

    Ye sacrificed
    Of earth, what rains
    Have wept their will
    And drowned your rebel star,
    That ye should sit forlorn,
    Telling Greed's score,
    When Pan is at the door?




THE LOSS


    When thou shalt search thy glass nor find the flower
      That there so long smiled gay, unwithering,
    And from sad vantage of a forlorn hour
      That fore nor aft unmasks one hint of Spring,
    Thou mourn'st the barrenness of beauty spent
      With no reservèd treasure for the day
    When all that youth and sunny fortune lent
      No more should light adoring eyes to thee,
    And fear'st thyself a-cold, by the last storm
      Beat to thine inn, a still, uncarping guest,
    Thy once bright eye a pilot to the worm
      Making his dungeon way to his new feast,
    Drop not a tear then for thy beauty fled,
      But for the wounds it healed not bow thy head.




CALLED


    I rise, I pass;
      The feast is on, bright is the board,
    Undrained the comrade glass;
    Love's sheltering eyes are deep and nigh;
      Fame waits with shining word;
    But sweeter, goldening the sphere,
    A voice falls from another sky;
      The wasting world I do not hear,
    And no god laughs as I pass by,
      A wanderer.

    Unpausing lowers
      The gleam of her from other airs,
    And Being's guarded doors
    Are open wide for journey free
      Where wait my chosen stars;
      And o'er me, O what lustres break
    Of that desire, Reality,
      That burns a thousand suns to make
    One nightingale to sing for me,
      A soul awake!

    Far, far I sped
      Down moonless lanes from doubt to doubt;
    With hasting, hungry tread
    Up slopes of frost unpitying
      Where the last star went out;
      There fell I in unlifting dark,
    And lying while an æon's wing
      Dragged o'er me bare, wind-stript and stark,
    As leafless planets dream of Spring,
      Dreamed she would hark.

    Then by me bound,
      Came one who wore my lost career
    With star on star pinned round,
    And stood him by my bones to stare.
      With pity's ancient sneer
    He mocked my bleachen nudity;
    Then did she turn, then did she care,
      And pausing where I might not see
    She let the winds blow back her hair
      And cover me.




SONG OF TO-MORROW


    Sound, O Harp of Being, set
      Deathless in the winds of time!
    All thine ancient part forget,
      Wailing lust, and strife, and crime!
    Clouds of hate are now sweet rain:
    Thou shall never moan again.

    Harp of Being, O forget
      Hesper dead that played on thee,
    All her golden fingers wet
      With the blood of misery!
    Morning sweeps along thy strings;
    Thou art done with yester things.

    Bright thou art with drops that fell
      Watering earth's long-buried Spring;
    Thou hast quivered safe through Hell
      Where Love found immortal wing;
    Sound, while Life unfrenzied calls
    Joy to hallowed Bacchanals!

    Harp of Dawn, forget, forget!
      Sound thee of the hours now come
    When the vine and violet
      Bind to earth the fallen drum.
    Palsied as a dying star
    Fails the shaken torch of war!

    From each pennoned pinnacle
      Of the cities of the free,
    Clasped in time invisible,
      Flows the wonder flown to thee;
    Thou so swift to throb and start
    With the singing earth's new heart!

    By the light that sets mind free,
      By the night that once it wore,
    By the soul man is to be,
      By the beast he is no more;
    By thy past, unmeasured pain,
    Thou shalt never moan again.




LITTLE DAUGHTERS


I

    What is sweeter, sweet, than you?
    Not the fairy dew
    Of these bee-sipped pastures where
    Time, unsandalled, unaware,
    Rests him ere he tire.

    Shall I his forgotten hour
    Strike for thee?
    Fatefully,
    Lift the wand that wakes
    Woman in the flower?
    Then o'er dream's horizon breaks
    Rose of other fire;
    From a world more sweet
    Rival rise the fragrant floods;
    Breath that makes
    Thy morning meadows dun,
    Mutes their dew-bells, misty hoods
    Every leaf that shone;
    Sets thy daisy-fondled feet
    Twinkling to be gone;
    Down the ways and up the ways,
    Hope-fleet, trampling care
    As curling buds,
    Iris goal joy-near;
    Then a-creep on praying knees,
    Frail shoulders bent to bear
    Heaven's falling sphere.

    Ah, not yet, heart's wonder!
    A little hour we'll stay,
    And thou wilt give me grace of dawn
    For travelled, dusk array.
    This gown of mottled years,
    By noon and gnome-light spun,
    Enchant me to surrender
    To Ariel ministers;
    Here poised with thee before
    Thy summer world's wide door,
    And glory that is hers;
    This soft, unclamorous sky
    That makes a lotus ship of every eye
    Upventuring; song's sail that pilotless
    Drifts down, a wing's caress
    On billowed field and climbing shore
    Whose veiny tidelets beat and cling,
    Bloom-labouring,
    Invincibly sweet and far,
    Up looming cone and scaur,
    And clambering spill
    To lap of ledge and aproned hill
    The heaped and whispering greenery
    Of beauty's burden that unburdens me!

    And thou, the fairest thing
    In this fair shaman-ring,
    Shall my sore magic loose thee wandering?
    Has Life such faltering need,
    Mid outlands where she runs,
    She cannot reach the suns
    Save thou dost bleed?
    Shall she go fleet,
    With heart of stouter cheer,
    Because thou givest her
    Thy little, bruisèd feet?

    Thou'dst earn thy Heaven? Dear, I know
    Heaven must not ban thee shining so!
    Why shouldst thou laden bow,
    And climb, and slip, and toil,
    And blanch thy cheek to keep thy soul as white,
    Inviolate as now?
    O, we have dreams we shall not put away
    Till earth be fair as they;
    When all this work-night coil
    Shall be unwound by wizard fingers bright
    That send our own to play;
    And wisdom, wiser than we know, shall find
    The birth trail to the mind;
    Nor spirit waver, panting here and yon
    Seeking sun-vantage, for all heights are won.
    Shall not we then be as the flowers,
    Drinking dew dowers
    As now thou dost?
    Glad petals that unclose
    About Life's heart,--at last the perfect Rose?
    Sweet, I will trust
    Love and the morn;
    Fold here the wakeful wand,
    Leave thee in dewy bond
    Of blossomy sleep.
    Who knows but thou hast won the steep
    By silent, angel way,
    Hidden and heavenly,
    That leaves no trace of thorn?
    Star-flower, keep thy sky;
    If man must climb, let him go up to thee;
    A daisy may be nearer God than he--
    Than I.


II

    What crime was hers, that she lies hushed,
    Dead with the price, while you and I,
    With lifted head, walk sinless by?
    Pause then,--but spare
    That easy tear; the tale I'll bare.
    Mid stones that pushed
    Her eager life back, grudged her room
    For root without one bloom,
    There strangely blushed
    Some little dreams,--not gloriously fine
    As yours and mine,
    But vague, and veiled, and few;
    She hardly knew their names, but felt the stir
    That filled her heart with whispers as they grew,
    And knew that life lay in them, life for her.
    When Hunger came she turned her breast
    And let him feed. Cold followed, gripped
    Her veins and sipped
    The thin blood thinner; both she pressed
    As close as lovers, lest
    A darker fiend might creep within
    Her empty arms; lest she might buy,
    With one swift hour of sin,
    A poisoned ease from tooth of need,--
    A little food, a little fire, and die;
    And she had dreams to shelter, little dreams to feed.
    Oh, unresisting dumb!
    In wide earth's harvest-gold
    She asked no share,
    If in the dust a crumb
    Might be for her;
    If she might round her aching body fold
    One hour's undriven sleep,--
    But one hour more,
    Safe from the Want that pried
    Her thin and shaken door,--
    That hour the shivering dawn denied
    With scream that cut life through,
    And made her wretched pillow seem a rose
    Her clinging cheek would keep
    In soft, ungoaded death! And ah, suppose
    A few more pence the day
    Were richly hers, to make youth gay
    With ribbon or a flower ere it flew!
    (So soon toil's wrinkles come!)
    Then would she make her dreams a fairer home;
    Then would her heart be stronger where they grew;
    Then would she walk more bravely knowing them;
    Then would her eyes be brighter showing them.
    Yet did they whisper, yet they stirred
    Uptremblingly, till half their breath
    Was music, half was song;
    Told of free hours and a wild heath
    Where wind and sun ran dappling; of a bird
    Bough-throned, whose trill
    Turned all the forest leaves to wings,--
    His singing young;
    Of a moon-goldened hill
    Where blossoms danced; of sweeter, holier things;
    A sea-beach grey,
    Where waves were drownèd twilight, and the day
    Hung in a pause that softly, suddenwise,
    Became a soul. She too would have a soul,
    And hours with God and friends; no more give all,
    Now there were dreams, to the machine.
    Then rose with young, star-driven eyes
    To face the lords of gain,
    And here she lies.

    Lift up the cotton, thinned with wear,
    That hides the poor, starved shoulder; bare
    The bruise shows, like a printed paw.
    Haste, draw the dumb, frayed sheet again,
    And think you cover so the stain
    Upon our hearts; for--have the truth!--
    'Twas we who put the club of law
    Into bought hands to strike her battling youth.
    She kept her virtue's gold,
    Fought hunger, fiend, and cold
    Unvanquished; when the might of Hell
    Rose in law's name and ours, she broken fell.
    O friend, when next you smooth the golden head
    Like nestled morning 'gainst your knee,
    Look farther,--see
    Fair girlhood dead.
    These lips, unvisited by love, were sweet
    As are thy fondling's; this want-hollowed cheek
    A little ease had made
    Playground of dimples, joy's rose-seat;
    And could these eyes ope they would speak
    Of one who bought her dreams of Death and paid.
    If blind thou shrinkest yet
    To meet Truth bare,
    Then as thou'st dealt with this pale maid
    Life shall thine own besiege.
    Injustice holds
    No sanctuary folds;
    To fence out care
    We must the planet hedge;
    Justice is God, and waits
    Behind our blood-built tower-gates;
    And as indifference
    Was once our soul's pretence,
    Who then shall heed us, who shall understand,
    When our crushed hearts lie in the vengeant hand?
    But is she dead? Faint on my ears
    A far-off singing falls,
    Sweet from time's sleep
    Amid the stainless years
    Yet unawake to men.
    Nearer it calls,
    Like music through a rain,
    And o'er the distant ridges sweep
    Soft garments and young feet. O maidens, ye
    Are like a cloud in beauty,--nay, more swift!
    If that the milky stream of stars could lift
    Its clustered glory, hasten free,
    And while we marvelled pass from east to west,
    Then ye would mirrored be!

    The hills seem lit with brides,
    And she whose death-cold breast
    Was shrouded here, is't she who guides
    This fearless company
    Sure of earth's welcome as a maiden Spring?
    And in their eyes the dreams she fought for,
    In their hands the flowers she sought for,
    On their lips the songs that here she did not sing!

    Not dead! While Destiny hath need
    Of living dream and deed,
    Ay, she shall deathless be!
    While aught availeth, and God is,
    For in her hope lay His!
    O, ye who mar Love's face
    Ere Love be born, leave not this place,
    Pass not this white form by,
    Till from assaulted skies ye hear the cry,
    "She is not dead till ye have murdered Me!"




 Printed by BALLANTYNE, HANSON & CO.
      at Paul's Work, Edinburgh




Transcriber's Note:

    Minor typographical errors have been corrected without note.
    Original spellings have been retained.





End of Project Gutenberg's Path Flower and Other Verses, by Olive T. Dargan

*** END OF THIS PROJECT GUTENBERG EBOOK PATH FLOWER AND OTHER VERSES ***

***** This file should be named 27297-8.txt or 27297-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/7/2/9/27297/

Produced by David Garcia, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Kentuckiana Digital Library)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.