Pieta Signore = O Lord have mercy : a church melody

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PENSI

ITALIANI,

A COLLECTION OF THE MOST FAVORITE

O Ot^Q, $~$Q

:nE&ft S<^$ wili Kttgfi$i Tt fttt$IftftMt$*

Xo.

Net.

•Canz., (M.S.) Schimon. 50c.

1. DAL PROFONDO DELL' 0 L IO.. Preghiera,.. . .(Con.) Campana. 50c

From the depths.

2. LA SERA

Summer Evening.

3. TRA LA LA Canz., (M.S.) Gordigiani. 50c,

Tra la la.
4- ILMA» Valzer, in 0, (Sop.) Arditi.

lima.

75c.

. .(M.S.) Gounod. 30c

. .(M.S.) Campana. 35.

..(Con.) Guglielmo. 35<

.(M.S.) Gordigiani. 50.

.(M.S.) Geraldy. 35c.

4"'- Do do. inBfc(Jf.&) do. 75c.

5. AVE MARIA Preghiera,. .. .(Sop.) Luzzi. 40c

Ave Maria.

6. 0 FOSSI UN RONDINO, Rom, (Con.) Guglielmo. 35c.

Oh ! if I were a swallow.

p. IO T'AMERÒ, Rom., (MA) Stanzieri. 50c.

I will love thee.

8. QUANDO A TE LIETA, Rom,.

"When to thy vision.

9. NON TI SCORDAR DI ME, Rom, (M.S.) Campana. 35c.

Never scorn my love.

10. SEI TANTA BELLA Rom,..

Thou art too lovely.

11. MAMMA, VOGLIO BALLARE, Scherzo, (M.S.) Gordigiani. 50

Mother, let me dance.

12. L'ANGELO D'AMORE, Rom,..

Thou art an angel.

13. 0 SANTISSIMA VERGINE, Canto prof,.. (M.S.) Gordigiani. 35c.

Prayer to the Virgin.

H. MATER DOLOROSA, Stornello,.. ■. .(M.S.) Schimon. 35c.

Oh ! sweet Mother of sorrow.

15. LA POLKA MAZURKA, Scena di danza, (-Sop.) De Giosa. 75c.

Pol. Maz. Song.

16. NON POSSO VIVERE SENZA DI TE I Arietta, (MS.) Campana. 50c.

I can not live alone.

17. NON M'AMAVA, Rom, (M.S.) Guercia. 50c.

He never loved me.

18. GIULIA GENTIL, Canz. popolare.. . (M. S.) Giamboni. 35c.

0 Julia fair.

19. AH! CHE ASSORTA Valzer, (Sop.) Venzano. 75c.

Ah ! what rapture.

20. IL SOSPIRO, Melodia, (Sop.) Vilanova. 50c.

The sigh.

21. I FIORE D'APRILE, Mazurka,. ... (Sop.) De Ferrari. 76c.

Spring flowers.

22. ANGELO MIO Romanza,. . .(M. S.) Guglielmo. 35c.

My angel.

23. L'ESTASI, .. ..Valzer, (Sop.) Arditi.

Ecstasy.

24. NOL SAI! Melodie, (Con.) Guercia

Thou dost not know it !

25- A TE! Rom> (M.S.) Campana. 30c.

To thee.

26. T'AMO, Rom, (M.S.)

1 love thee.

27. 0 SOVVENIRI Melodia, (M.S.)

0 souvenir.

28. LA NOTTE E BELLA, Barcarola,. . .(M. 8.) Gordigiani. 35c

The night ls fine.

29. SE IO FOSSI UN ANGELO, Melodia, (M.S.) Guercia. 50c

Were I an angel.

30. LA PENSIEROSA, Rom. (M.S.y 'Carapàaa. &o'

The unhappy maiden. "* " * \*%. .

31. ERA UN ANGELO D'AMORE,.. . .Melodia, (M.S.) Campana. 35c..

'Twas an angel. ""' ■ "

No.'

.Rom.,

Net.

.(M.S.) Guglielmo. 35c.

.(Con.) Guercia.
, .(M.S.) Sarmiento.

42K'>.Do.

do.

do.

82 L'HO PERDUTA!.

I have lost her.

75c.
35c.

35c.
50c

.Rom,.. (Bar. or Con.) do.

50c.

33. SEMPRE FEDELE I

Ever Faithful.

34. PERCHE? Rom, (M.S.) Campana.

Ah, why?

35. PENSA A ME, Melodia,.

Think of me.

36. LU VASILLO, Canz. nap

This kiss I offer.

37. DAGHELA AVANTI UN PASSO, Canz. pop. Milanes, Giorza. 35c

The handsome Drum-major.

3S. CANTO D'AMORE,. Romanza, with flute oblig, (Con.) Campana. 50c

Song of love.

39. IL NOME DI MIA MADRE, (M.S.) Gordigiani. 35c

My mother's name.

40. LA ZINGARELLA, Bolero, (Sop.) De Giosa. 85c

The Gipsy Maiden.

41. LA SERENATA, Melodie Valaque,. .(Sop.) Braga. 50c

Angel's Serenade,
'"'punto ; i ™;fu ^"i"--— il» or Violin accomp,.. do. 75c

PIETÀ SIGNORE,..;. (Sop.) Stradella. 50c

0 Lord ! have mercy. ^r^

(Alto.) do. ' 50c

have mercy. •

43. NON É VER! Rom. in F,.. .(Sop.) Mattei. 50c

'Tis not true.
43"*. Do do. inE^,.. (All.) do. 50c

44. ALLORA ED OGGI, Canz, (M.S.) Coen. 35c

Then and now.

45. PERCHE OGGI NON É JIERI (MS.) Bendelari. 50c

Tit for tat.

46. L'USIGNUOLO MESSICANA, ....Polka (Sop.) Giorza. 75c

Mexican Nightingale.

47. IO TI VOGLIO BENE ASSAI ..Canz, (M.S.) Millard. 25c

With all my heart I love you.

48. NEL DIR MIO BEN Serenata,. . .(M.S.) Guglielmo. 35c

1 Uve for thee only.

49. TENEREZZA Rom, (S.) Brambilla. 60c

Withhold thy tears, love.

50. AMIAMO LA VITA! Canzone, (M.S.) Randegger. 65e

Life let us love 1

51. È VERI Romanza,

'TU true.

52. LA CAPRICCIOSA Canzone, in % (Sop.) Mattei

Song of the Coquette.

52«'- Do, do. in C, (Alto.) do. 75c.

Song of the Coquette.

53. CECCHINO, Canzonetta, (M.S.) Badia. 50c.

I pass Love's happy Hour.

54. IL GIUBILO Valzer, in % (Sop.) Rondinella. 65c.

Love in its Jubilee.

54"'- Do, do., in C, (MS.) do. 65c.

65. SEI TROPPO BELLA! Canzonetta, (M.S.) Campana. 36c.

Thy magic beauty. ^

56. ACCANTO A TEI Romanza, . .( Co?i. ) do. 60c.

When near to Thee.

57. LA FARFALLA Canzonetta, (M.S.) do. 60c.

The Fire-fly.

58. BELL' ASTRO Elegia (M.S.) do. 60c.

Beautiful Star.
ó£ DANZATBHCE'AWOROSA Scherzo (Sop.) Badia. 50c.

A-i '' o'utf J, lii Love's soft measure.

60.. LA ROSA Canzone, . .(M. S.) Mercadante. 36c.

The Hojc.
61 'SARAI: Canzonetta, (M.S.) Bianchi.

(M.S.) Campana. 50c.
75c.

35c.

. > , , i 'Tvjiu btfL « .>,
62. VERDI PRATI,'.. | >,ÌJ:.Ai£ '.(Con.) hài.del.

35c.

Verdant Meadow.

NEW-YORK: G. SCHIR3IER, 35 UNION SQUARE.

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PIETÀ SIGNORE.

(O LORD HAVE MERCI.)

A CHURCH MELOIIY.

English version by li. MTLLAJfD.

Andantino.

Composed by the celebrateli Singer

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catalogue No. 2 of vocal Music, published by G. Schirmer, 35 Union Square, New York.

Taubcrt, W., Birdie's Good-by. (Der

lein Abschicd.1 $0 35

Birdling in the Cradle. (Vflglein In dcr

Wìcl'c.i Sop. E, Alto D, each 35

Birdling in the Tree. (Sitzt ein VOg-

leiu.) 65

Dame Nightingale. (Frau Nucht gall.)

Sop. or Alto, each 35

I must sing. (Ich muss nun einmal

singen.) 50

Ti a March-Night. (In derMarznucht.)

(i, Alio E, o:uli 50

— slumber Song. (Wiegenlied.) Sop.

or Alto, each 25

«Hoiiias, A., Mignon: "Connata tu le
I'avs." i Dost. thou know that sweet
Land f) sop. K->, M.-Sop. D->, Alto C,

each 50

Tosti, F. P., Amove. (Love.) Valse.

i.e. Sop. G, M.-Sop. 1<\ Alto E->, each. 50

Dopo. (Alter) Sop. D, Alto Breach. 50

Forever and forever, i.e. Sop. F, M.-
Sop. lv>, Alt o C, each 35

Good-by. Tenor A?, Sop. G, M.-Sop.

F, Alto E->, each 50

M'amasti mai. (Wast thou sincere?)

i. e. M.-Sop 50

Non m'ama pin. i lie loves me no

more.) i.e. M.-Sop. or Bar 35

Non me lo dite 1 (Oh. tell me not 1)

i. f. e. Sop. lb. Alio 1)>, each 50

Oblio. (Forgeftklness.l i. c. Sop. A,

M.-Sop. G. Ali.xl'- each 50

Olle Mammà. (Love's Dream.) Sop. 50

Uh, quanto io t'amerei. (O 1 what Ex-

cess of Joy. I Sop. B>, Alto A->, each. 50

Penso. (I think.) Sop. Em., Alto Cm.,

each 60

Ricordati di mei (Remember me !) i.e.

Sop. D, M.-Sop. C. Alto B->, each 50

T'affreta. (Now haste!) i. e. Sop. G,

M.-Sop. P, Alto Eb, each 50

T'amo ancora. (Still I love you.) i.e. 50

That Day! Sop. B-v, M.-Sop. A->, Alto

G, Bass B>,each : 50

Tira irei. (I'd fly with thee.) e. i. f.

Sop. G, Ten. A, Alto F, each 50

Vietile Chanson. (An old Story.) Sop. 50

• Vorrei morir. (I'd wish to die.) 50

Vousetmoil (You and I.) f. i.e. Sop.

F, M.-Sop. E->, Alto D-i, each 35

Vuol piovere, ("['will rain soon.) M.-S. 35

Tours, II., Because of thee. Sop. F, Alto

D, each 5;i

Venzaoo, li., Grande Valse. Sop. i.e.. 75
Vili:), Paolo I.a, By Love detained 50

Volkuiaun, It., The Nightingale. (Die

Nachtigall.) Sop. B,AltoD>, each.. 50
Wagner, Kichard, Walkiire: Sicg-
mund's Love Song. e. g. Ten. or

Bar., each CO

Warren, Sam'l P., 3 Songs :

No. 1. I love my Love. Sop. or Alto,

each 50

No. 2. The Lily and the Violet. Sop.

or Alto, each 35

No. 3. The Tryst. Sop. or Alto, each. 50

Two Songs from Tennyson's " Miller's

Daughter" :

No. l. The Miller's Daughter 50

No. 2. Love that has us in the Net 35

Adria oplie 35

Farewell, if ever fondest Prayer 35

The Fountain 35

Mother's Morning Song 50

The Owl. Words by Tennyson 35

Sea Voam 35

Weber, C. I»I. von, Eunjanthe : Bells

in the Valley. (GlOcklein im Thale.)
Sop. or M.-Sop., each 3">

Do. 'Neai h the Almond Trees. (Un-

ter bliih'iiclen Maudi-lbtiumen.) Sop.,
M.-Sop., or Alto, each 50

- . . r lonely.

(Iiinsam !. in icli nicln e i.g. 30

Wekerliii, J. B., Le be bleu.

(The beautiful blue Danube.) Valse
de Strauss, transer. f. i. e. Sop. D,

M.-Sop. C, each 75

Fleur des Alpes. (Flower of the Alps.)

Tyrolicnne variée. f . e 50

FlcursdeMai. (Flowersof May.) Valse. 50

Le Réveil. (Sunrise.) Sop 35

Serenade tirée de Ituy Bias. f. e 35

Welling», 1U., At the Ferry 50

Golden Lose. Sop. B->, Alto G, each . 35

- Primrose Farm. Sop. F, Alto B>, each. 50
Some Day. Sop. B>, Alto C, 'each 35

Wldor, C). M., Lia e morta. (Leaisdcad.). 35

Nult d'Etoiles. (Starlit Eve.) Sop. or

Alto, each 35

Wiltslc, H. SI., 'lis Night on the Moan-
tain. Cradle Song 35

Wiierst,K., Sweet Rose of the Vale. (Die

Rose im Thai.) 35

SONGS

with Accompaniment of Piano in Con-
nection icith other Instruments.

Adam, A., Noel. (Christmas Song.) i. f.
e. .!]>. With Violin or Cello or Flute,
each

Arditi, !•., Le Tortorclle. (The Dove.)
Valso cantabile, i. e. Sop. With
Violin or Flute, each

Itacb, J. 8., My Heart ever faithful.
(Mein glaubig Herz I With Violin or
Cello or Flute. Sop. or M.-Sop., each.

Braga, G., Serenata. (Angel's Serenade.)
i. e. Sop. With Violin or Cello or

Flute, each

Les troia Bouquets de Marguerite.

(Marguerite's three Bouquets.) e. i. f.
Sop. With Violin or Cello or Flute,
each

Buck, Dudley, O Saviour, hear mei Of-
fertory, arr. from Gluce, Sop. With
Violin or Flute or Cello, each

Paure, J., Sancta Maria. Hymn. f. e.
Sop. With Violin or Organ or both..

Gonuod, Ch., Ave Maria. 1. f . g. With
Violin (or Cello), Organ and Piano
Acc. So)).. M.-Sop., or Alto, each . .
Canti, ridi, donai. (Sing, amile, slum-
ber.) Serenade, i. e. or f. e. Sop.
With Flute or Violin or Cello, each . .

Noel. (Christmas Song.) f. i. e. Sop.

Witli Violin "i Cell - "i- Piute, each. ..
Oùvoulez-vousaller? (Tell me, beau-
tiful Maiden.) With Violin or Flute
or Cello. Sop. or M.-Sop., each... .

50

75

68

75

75

1 00

B0

Kiickcu, Fr., Heaven hath shed a Tear.
i DerHimmel hateineThrSnegeweint.)
Sop. With Violin or Clarionet or Cel-
lo or Flute, each $1 25

Lacinie r, I., Thou everywhere. (Ue-
berall Du.) Sop. F, Alto T>% With
Violin or Flute or Cello, each

Ln can to ni, O,, Pensier d'Amore.
(Thought of Love.) i. e. Sop. With
Violin or Cello or Flute, each

Millard, H., Ave Maria. I.e. Sop. With
Violin or Flute

Iflussenct, J., Elegie, f. e. With Violin

or 1 lute or Cello. Sop. or M.-Sop.,

■ !l

Iteiiieckc, <'., Greeting to the Woods.
(Waldcsgruss.) Sop. With Violin or

Flute or Cello, each

Spring Flowers. (Frunlingsblnmen.)

Sop. With Violin or Flute or Cello,
each

Waltz-Duet. Sop. and M -Sop

■ liiiidcl, G. F., Light of thy Beauty.

((aro, più amabile bella.) I. e. Sop.

and Alto

Kiicken, Fr., The Hunter. (Der Jftger.)

Sop. and Alto

- Oh, Swallow, happy Swallow. (Ab-

schiedderSchwalben.) Sop. and Alto.

12 Duets, e. Sop. atidM.-Sop.or Alto.

I.assen, F.., Si vous n'avez ricn a me dire.
(DoubtingLovers.) f.c. M.-Sop.and

Alto

Leslie, Fan Duet. Sop. and Alto

. eiidelsMOhn, F., Autumn Song,
'llerbstlied.) Sop. and Alto

Greeting. (Gruss.) Sop. and Alto...

I would that my Love. (Ich wollt',

meine Lieb'.) Sop. and Alto

May Bells and Flowers. (MaiglOek-

chen und die Bliimlein.) Sop. and Alto.

10 Two-part Songs. Complete. 8vo..

Millard, H., Vieni al mio Sen! (Come to

my Heart.) i.e. Sop. and Ten

Vien, mio Edgardo! (Come, dear Ed-
gardo!) Notturno. Sop. and Ten.. .

Nicolai, O., Dis-moi un Mot. (One Word.)
f . e. Sop. and Ten

Offenbach, J., Contes (T Hoffman: Bar-
carolle, f. e. Sop. and Alto

Pillanti, C, Amai (Love on!) Alto and
Bar. 1. e

Amore. (Love.) i. e. Sop. and Bar .

• Il Liei stellato. (The starry Heaven.)

Sop. and Alto. i. e

Relnecke, <'., 3 Duets for Sop. and Bar,

each

No. 1. No (are by the Way. (Keine

Sorg' um den Weg.)
No. 2. When is the loveliest. (Ghasel.)
No. 3. May Song. (Mailied.)
Rubinstein, A., The Angel. (Der Engel.)
Sop. alici Alto

Birdling. (Das VògleiuO Sop. m>-l Alto

Pass lightly. (Vuriiber.) Sop. and Alto

The Wanderer's Night Song. (Wan-
derer's Nacht Hed.) Sop. and Alto.. .

18 Duets, e. g. Sop. and M.-Sop. or

Alto, 8vo

Scliiittcr, A., Golden Wedding Morning.

Idener Hochzeitsmorgen.) (Comic.)

Sop, and Bar

Lesson in English. (Das Lesekranz-

chen.) (Comic.) Sop. and Alto
— - Mrs. Doctor and Mrs. Proctor. (Frau
Directorin und Frau Inspectorin.)

(Comic.) 2 Sop

Neh urna mi, R., The falling Leaves bring
Sadness, (llerbstlied.) Sop. and Alto

The Rosebud. (SchonBlumelein.) Sop.

and Alto

Were I a Birdling. (Wcnn ich ein VOg-

lein war'.l Sop. and Alto

Smart, H., The Fairies' Bevel. Sop. and

Alto

Widor, till. M., J'étais seni près des

Flots. (Oik e I stood on the Shore.) f.

e. Sop. a d Alt )

.Te ne croyais pas an Bonheur. (I had

lost all Faith.) f.e. Sop. and Alto..

75

60

75

Itobaudl, V., Alia Stella confldente.
(Bright Star of Love.) i. e. With
Cello or Violinor Flute. Sop. or Alto,

each

Non ti scordar di me. (Ever remem-
ber me.) i. f. e. M.-Sop. With Vio-
lin or Flute or Cello, each

Volkmaun, Rob., Remembrance. < F.rin-
uerung.) M.-Sop. With Violin or
Flute or Cello, cacli

The Shepherd Boy (Vom Hirtenkna-

ben.) M.-Sop. With Violin or Flute

or Cello, each

Verdi, G., Ave Maria, i. e. Sop. With
Violin or Flute or Cello, each

VOCAL DUETS.

Abt, Franz, Over the Stars there is Rest!

Arr. as Duet for Sop. and Alto by

Dudley Buck

22 Two-part Songs, e. (Easy ) Sop.

and M.-Sop. 8vo. 2 Vols., each . .
Badia, I.., Reals lc nioi. (Repeat again.)

Sop. und B ir

Rendei, F., Heart Throbs. tW'ic beriihrt

mieli wundersam.) M.-Sop. and Alto.
Bordèse, L., The Carnival of Venice. (Le

Cai naval de Vcnise.) f. e. Sop. and

\lto

The Gypsies. (Les Zingarelles.) f. e.

Sop. and Alto

The Mountain Riders. (Les Brésili-

ennes ) f.e. Sop. and M.-Sop

■ Un Nido d'Usignuoli. (Nightingale's

Nest) i.e. Sop. and M.-Sop

The Sister Birds. (Les Fauvettes.) f.

;i e. Sop. and M.-Sop

Telling Secrets. (Les Confidences.) f.

e. Sop. and Alto

Brahms, J., The Gypsies. (Les Bohémi-

ennes.) Arr. from Hungarian Dances.

e. f. Sop. and Alto

Campana, F., Guarda che bianca Luna.

See the pale Moon.) Sop. and Ten . .
Concone, J., Les Jardinieres. (The Flower

Gatherers.) f.e. Sop. and Alto

Gobbacrts, I.., Aubade il la Fiancee (The

bridal Morn), d'aprcs "Gavotte Sté

phanie" de Czibulka. f.c. Sop. and

Alto

Graben-IIoAmann, The Disconsolate.

(I)ie Trostlosen.) Sop. and Bar

Humbert, F., Cheerfulness. (Frohsinn.)

75

75

75

B0

50

35
50
50
35

65
50
75
75
50
50

75
50
50

75
65
65

75

35

65
1 00

35
75

50
35

40

40

1 00

60

50

50

35

75
75

65

50

35
50
35

35

1 25

T5
1 00

1 00
35
50
35
60

35
35

FEMALE VOICES.

TRIOS, CHORUSES, CANTATAS
AND OPERETTAS.

G. Sell Inner** 8vo Collection of Choruses
for female Voices.

No. 1. Ten Trios in Canon Form. e. Net.
g. (3 Voices.) carl Reinecke $0 60

No. 2. Trie Gypsies. (4 Voices.) Robt.
Schumann 20

No. 8. The Water Nymph. (4 Voices,
Alio Solo and ( 'horn-, i Rubinstein. 30

No. 4. Ave Maria. (4 Voices.) I. e
Joh. Brahms 80

No. 5. Charity. (8 Voices, Solo and
Chorus.) J.Rossini 12

No. 6. Easter Bells. Trio or Chorus.
Arnold Kriip 12

No. 7. Morning Serenade. Trio or
(horns. Arnold Krug 20

No. 8. The Spring. (Primavera.) (4-
Voices, Solo and Chorus.) C. Mode-
rati 30

No. 9. Rest thee on this mossy Pillow.
Smart , 15

No. to. HolvChristmasNight. Lassen. 25

No. 11. Pilgrims of the Night. West-
brook 20

No. 12. Approach of Spring. With 4-
handAcc. N. W. Gadc 30

No. 18. Summer Fancies. Waltz. O.

Metra 25

No. 14. I waited for the Lord. Trio
or Chorus. (Arranged! F Men-
delssohn 15

No. 15. Ave Maria. Sop. Solo and
Chorus. (Arranged.) Mendelssohn. 10

No. iti. " All Hail to thee." Pilgrims'
Chorus from TannhSuser. Wagner. 15

No. 17. Invitation to the Dance. Polka-
Rondo. (4 Voices.) M. Oeslen ... 25

No. 18. Cheerfulness. Waltz-Rondo.
F. Gumbert 30

No. 19. At the Cloister Gate. Bop.
and Alto Solo and Chorus. E. Grieg 80

No. 20. () ! praise the Lord. 117th
Psalm, with 4 hand Acc. J. II. Cor-
nell 20

No ">1 J TllC A"Sd ' e <r

JN0"!1' I Sweetly sang the Bird. fe' *■

(2 Voices.) A. Rubinstein 25

No. '£>. 19 2-.3-,and4-voiced Canons.

i.e. Cherubini. Sop. or Alto, each 20
This Collection will be contimi' d
Relnecke, Bethlehem. Sacred Cantata. 1 50

"Cinderella." Fairy Cantata 150

"Little Rosebud." do [50

"Little Snowdrop." do 1 50

The enchanted Swans. Cantata iwith

Harp, 2 Horns and Cello « / lib.) 1 50

Rhelnberger, The Daughter of Jairus.

Sacred Cantata SO

Poor Henry. Comic Operetta 75

MIXED VOICES.

ORATORIOS, CANTATAS,
QUARTETS, ETC.

G. Sclitrmer's 8vo Collection of Choruses

for mixed Voices. Net.

No. 1. Ring out, wild Bells. Dr. L.
Damrosch . . 12

No. 2. Love in Springtime. M. Haupt-
mann 10

No. 8. Two resolute Lovers. M. Ilaupt-
mann 6

No. 4. Soldiers' Chorus, e. i. Faust.
Ch. Gounod 15

No. 5. Salve Regina. I. Aichingcr.. 10

No". 6. "Twine ye the Garlands."
Chorus from Ruins of Athens. Beet-
hoven 20

No. 7. Jack Frost Alfred R. Gaul.. . 10

No. 8. Fair Daffodils. S. P. Warren.. 30

No. 9. Bridal Chorus. F. II. Cowcn.. 20

No. 10. Jubilate Amen. e. g. Sop.
Solo and Chorus. M. Bruch 20

No. 11. Odysseus, (horns pans only
1111 score). M. Bruch 75

No. 12, " From Thy Love as a Father."
For Sop. Solo and Chorus, die.
d imption. 1 G unod 10

No. 18. "Lovely appear." For Sop.
Solo and Chorus. (Redemption 1
Gounod 20

No. 14. Fair Ellen. Sop. and Bar.
Solo and chorus. M. Bruch 50

No. 15. Unfold, ye Portals. Sop. Solo
and Chorus. (Redemption.) Gounod 20

This Collection will be continued.
Bach, J. S., A Stronghold sure. 8vo. net, 50
Berlioz, II., childhood of ( hrist. Sacred

Trlloey. e 8vo net, 1 -J5

The Damn'ition of Fault. Dramatic

Legend in 1 1 arts. e.g. 8vo... net, 2 50

Fall of Troy. From Les Troyens.

8vo net, 1 00

Requiem. 1. 8vo net, 1 50

Buok, Dudley, Hymn to Music. 8vo 40

Damroscli, I.., Sulamith. Biblical Can-
tata. 8vo net, 1 00

Franz, Rob., 4 German ( horalsarr, for 4

mixed Voices, e 60

Gade, N. W., Spring Greeting. (Friib-

lings-Botschaft.) Piano Score 125

Gilchrist, W. W., 4Uth Psalm. Cincin-
nati. Prize Composition, 8vo ..net, 100

Goldbeck, R., Morning, 2 Sop., 2 Ten.

and 2 Basses, with Piano Acc. Score. 85

The same. arr. as a Trio. Sop., Ten.

and Bass 65

Oh, howcan Ie'erfor^'i t thee :- Quintet

or ('bonis. 2 Sop. Alto, Ten. and
Bass. Score ... 65

Princess and Gardener. Quintet or

(horns. 2 Sop.. 2 Alios and Bass,
with Bar. Solo. Score 75

Spring is coming. Quartet. Score... 50

4 Voice Parts, each 10

Sunset. Quartet. Score 65

4 Voice l'arls, each 10

Gounod, Oil., The Redemption. Sacred

Trilogy. 8vo. net, 1 00

Greger, €.? Spring and Love. (Frubllng

und Ltebe.) Piano Score 175

4 Voice Parts, each .... 25

IIandel,G. F., Utrecht Jubilate. 8vo. net, 50

»lrn«lel»Noliii, F., ISQuarteis. c. Score. 100
Alercadaute, S., 7 last Words. (Settime

ultime Parole.) i.e. 8vo net, 1 00

Rubinstein, A.. Tower of Babel net, 1 25

Wlilting, Geo. E., The Tale of the Vik-
ings. Cantata. 8vo net. 1 50

MALE VOICES.

QUARTETS AND CHORUSES.

Itoli 11, B., " In Vino Veritas." Translated

and arr. by Dddley Buck. Score.. $0 2!
Parts, each 10

Buck, Dudley, King Olaf's Christmas.

Solo and Chorus. Score 150

4 Voice Parts, each. 5

The Nun of Nidaros. For n ale chorus

and Ten. Solo, with o'dieato Piano
Acc. and Reed Organ ad I ih. Score.. 125
(horns Parts, each 15

" Prometheus unbound " Fer Ten. Solo

and Clio, with Acc. of IMano, Organ,
Flute and String Quintet. Full Score.

net 2 50
Piano Score, $1.50. . .Voice Parts, each 15

3 Favorite Scotch Songs, arr. 8vo.

No. 1. Robin Adair. Score. .net, 10
" 2. Blue Bells of Scotland. Score.

net, 20
" 3. Annie Laurie Score.. net, 20
Cornell, J. II., Ode to Hesperus. Score.

net, 15
Cortada, A., Hymn to the Night. (Ilymno

an die Nacht.) Score 30

Goldbeck, R., The Sands o' Dee. Score 30

Three Fishers. Score 30

lUosentlial, J., Blessed Pair of Sirens.

(Holde Sirenen.) Score 30

Warren, S. P., Three 4-Part Songs. Score 75
No. 1. Love. No. 2. Hark! 'tis the
Breeze. No. 3. Thine is a little Hand. ,
Welnwurm, R., Slavonic Love Song.
Chorus, with Piano Acc. Translated

by Dudley Buck. Score 25

Parts, each 10

VOCAL METHODS, VOCALISES
AND EXERCISES.

Bonoldi, Fr., Etude complète de Vocali-
sation, en (i Tableaux. Sop. or Alto,

each 1 00

Cornell, J. II., I III: M I 14 A E IC IM IMC
SLATE (two Slates in onci, for practical Exer-
cises in learning to transpose and sin;? the //io-
tonic Scales and the Normal Interval»; being in-
troductory to the " Practice of Sight Sing-
ing."

With accompanying Pamphlet, explaining the

Scales and the Intervals, and piving the various
Exercises to be made with the Slates.

N.B. — The Silicate Slate is to be had with the
Staff in the Bass- Clef (.tor Bass and Baritone), or
with the Staff In the (7-(7</(for Soprano and Ten-
or). Orders for the Slate should state which of
the two is desired.

Price of Pamphlet. 25 e ; Slates, each. 50c.

THE FRACTICE OF SIGHT

SINGING. In two Parts: Part 1. -Doctrine
of Tonality. Scales, Intervals, etc., followed by
copious vocal Exercises on Intervals. Part IL —
Doctrine of Rhythm, etc.. followed by Hhythim-
cal Exercises on the Scales, Intervals, etc. The
whole forming a complete practical Course of
Study for all vi ho wish to aopiirc Facility in read
ing Music at si-ht. Large 8vo. rfet, $1.00.

Piano Accompaniments to the llhyth
mical Exercises m the above Work, published
separately in Sheet-Music i'orm. Sop. or Alio,
each, 70 cents.

See also: A PRIiUFR OFTONAI.ITY.
(Theoretical.)
barellisi, ITIatliildc C, Op. 1 Exer-

cices élémeiitaires gradui s. New Ed. 2 50
Op. 2. 24 Vocalises Sop mi M.-sop,. 2 50

Op. 4. 12 Etudes de Sl\ le pour Sop. . . 1 50

L'Art du ( hi'iit :

Op. 5. 2t Vocalises Clémentaires et
progressives pour M.-Sop. on Alto.. 3 00

Op. 6. 21 Vocalises (Perfectlonne
mint du Mécanismede la Voixtpour
M.-Sop. 011 Alto 4 50

Op. 7. 12 Etudes do style pour M.-
Sop. on Alto 2 25

Op. 10. 24 Vocalises éh'mcntaires et

progressives pour Alto 3 00

IV archest, S. C, '^0 Vocalises élémentalres

et progressives pour toutes Ics Voix. 2 50
Nava, G., Op. 21. Repertorio di Solfeggi

per Sop. on M.-Sop. : Book 1 1 r,0

T'.ook 2 1 25 I Book 4 1 DO

Book 8 2 15 I Book 5 2 15

Op. 22. 60 Solfeggi per Alto :

Book 1 2 401 Book 3 2 40

Book a 2 50 I Book 4 2 25

I'aaolka, II., 1 p. 81. 21 Voc lise s for

Sop. or M.-Sop. or Ten. Complete... 3 00

'1 lie mi 1 ne in 2 Books, each 1 60

( p. 81*»». 2t Vocalises fcr Alio or Bar. 4 00

The same in 2 Books, each 2 00

Op. 85. 24 Vocalises progressives pour

toutes Ics Voix. Book I, $1.75; Book II 2 25

Op. 86. 12 Vocalises d'Aniste pour

Sop. ou M.-Sop. 2 Books, each ..2 00
Op. 88. 86 non veauxExercices progres-
sives, pour Sop. on M.-Sop 2 00

Op. 89. 12 Vocalises progres» ives. Alio. 2 00

Vocal A B ('. First Lessons ill sinking

and 24 Vocalises, e. 8vo. Complete 1 50

The same in 2 Bonks. 1 si 00 ; II ... . 7.i

Finsutl, <'., Daily Vocal Exercises. He-
vised by . I. II. Cornell 100

Sieber, F., 00 Vocalisesfor advanced Pupils:

1! 10k 1. 10 Vocalises fer Sop. Op. 78 2 01

" 2. 10 " " M.-Sop. Op. 79 S 50

" 3. 10 " " Alto. Op. 80 2 50

" I. 10 " " Ten. Op. 81 2 50

" 5. 1(1 " " Bar. Op. 82 2 CO

" 0 to " " Bass. Op. 83 2 50

Elementary Vocalise- •

Book 1. 86 Vocalises for Sop. Op. i)2 150

" 2.36 " " M.-Sop. Op. 98 1 50

" 8.86 " " Mio. op. hi 1 50

• 1. 3d " " Ten. Op. 05 1 50

" 5. 30 " " Bar. op. % 1 50

" 6. 36 " " Bass. op. !)7 1 50

Op. 129. 10 Vocalises (advanced) for

equalizing the Voice. Sop 3 00

Op. 130. do. do. do. M.-Sop. . 'too

- op. 131. do. do. do. Alto... SCO
• Op. 132. do. do. do. Ten 3 00

Op. 133. do. do. do. Bar 8 00

Op.184. do. do. do. Bass 3 00

Vaccaj, N., Méthode pratique du Chant

ltalien 50

Viardot-Garcia, Mine., An Hour of

stu ly. Exercises for the Voice, adopt-

ory of Paris 1 50

Wiillner, Franz. Treatise on CHORAL

SINGING. (Theoretical and practical

Method for Chorus Classes.) 8vo..net, 80

Complete Catalogue of all my Publications and of "Edition Peters" sent on Application.

IMPORTER of MUSIC autl PUBLISHER, SOLE AGENT for "EDITION PETERS

AUGENER Sr, CO. (LONDON).

(LEIPZIG),

Boston Public Library
Central Library, Copley Square

Division of
Reference and Research Services

Music Department

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