y\\i>!i^ .;':■ n
THE
PIRATES
OP
PENZANCE
WKirrJCN BY
W. S. GILBERT.
OOMPOSBD BT
ARTHUR S ULLIVAN
Full Score, Vocal and Piano (Words
and Mytic) .... SnujYAir. $1.50
Full Score, Inst (Piaae) . Toubs. . ^0
Vielin and Piaaa. No. 1,^1
ll«.2,.60J
Quadrilles Posm a6
Marche BrilUuris ... Baolet . .40
Vocal Gems (Selection, Words and
Music) SuzxiYAN. $ .25
WomcEu 1.00
Ubrattt (Werds only)
25
\f
NEW YORK
HITCHCOCK PUBLISHING COMPANY
38 John Stre^, East of Nassau
I
OoiirriRbt, lUO, b7 J. U. Sronuar t Otk
OwDMl fey Hin»««« mUHMW OOMMAXT, NaV TMfc.
I
(y^UTHORIZED COPYRIGHT EDITION.)
>
THE
PIEATES
OF
PENZANCE
OR,
The Slave of Duty.
IN TWO ACTS.
WRITTEN BY
W. S. GILBERT.
COMPOSED BY
A RTHUR SULLIVAN.
OSLT AUTHORIZED AND COMPLETE EDITIONS,
LONDON.
McBBs. J. M. Stoddaxt a Co., bj special and satisfactory arrangementi with oar English
poblisherg and oimelrea, have secured the exclusive aulhoritj to publish our Opera ** Th«
Piraf-es of Penzance; or, The Slave of Duty," in the United Sutes of America.
We hereby ezpresH the earnest wish that they may suffer no invasion of the rights derived from
01, as the sole publuiheri of our work, through any attempt to put upon the market un-
authorized editions.
Wo make this request for the follovring reasons: First, because ve are satisfied there exists
a genei il desire on the part of the people of both continents to come to an agreement ufioa
ihe queKion of an international copyright, affording compensation to authors in their literary
and arti«tic productions; Secondly, because we are by this arrangement enabled to secure liie
publication of our work under our own peraonal supervision, greatly to the benefit of the publie
aad oamelres; and Thirdly, because by the present contract our publications will be wholly
■•nnbctared ia the United States, and will be sold at as low a price, with the certainty of as
OTdr a olrealatinn. tr if tb<>T w«r» iiamed ky a number tt rival and unauthorized persons.
W. 8. GILBERT,
ARTHUR S. SULLIVAJI.
»n > » i<Bt H . M80, by J M. SPOOOASfT Si OO.
THE PIRATES OF PENZANCE.
DRAMATIS PERSON>E.
&iaiAXi>, A Pirate Chief
Samukl, his Lieutenant
FttEDKRic, a Pirate Apprentice . . . . . . . .
Major-General Stanley, of the British Army . .
Edward, a Sergeant of Police . . . . . . . . . . . .
Mabel, General Stanley's Youngest Daughter
Katk, ) (
"'1
Edith, > General Stanley s Daughters
Isabel, J
Ruth, « Piratical " Maid-of-all-work "
General Stanley's Daughters, Pirates, Po.icemen, etc
I
CONTENTS.
OvER-nmi i
^ct 5.
I Opening Chorus of Pirates anh Solo .. .. ,. .. .. .. .. it
t Song (/?«M) ty
3 Song {Pirate King and Chorus) .. . , . . . . , . . , . . . , 19
4 Recitative and Duet (/iutA and Frederic) .. ,. .. .. ,, .. .. .. ■■
5 Chorus of Girls .. .. .. .. ,. ,. .. .. ,. ••
6 Recitative (Edith, Kate, Frederic, and Chorus) .. .. .. .. .. .. .. S5
7 Aria (Frederic and Chorus of Girls) . . . . . . . . , . . , . , . . 37
8 Air (Mabel and Chorus) .. .. . . . . . . , . . . . . . . 4'
9 (Edith, Kate, and Chorus of Girls) . . . . . . . . , . , , . . . . . . 46
10 Duet (Mabel and Frederic, and Chorus of Girls) . . . . . . . . . . . . . . 47
11 (Frederic and Chorus of Girls and Pirates) .. .. .. ., .. .. .. .. 5*
IS Recitative (Model, Major-General, Samuel, and Chorus) .. .. .. .. .. .. SS
■3 Song (Major-General and Chorus) . . . . . • . . . . 5^
FiNAU — Am I. (Mabel, Kate, Edith, Frederic, Samuel, King, Major-Gttural, Ruth and Ch»rus) 6j
I Introductiow Solo (Mabel and Chorus) .. . . . . . . **
fl Recitative (Frederic and Major- General) .. .. .. .. .. .. .. 83
3 Chorus with Solos {/or Mabel, Edith, and Sergeant) .. ,. .. .. .. .. 84
4 Recitative and Trio .. .. . • •• .. .. .. .. .. 95
5 Trio (Ruth, Frederic, and King) .. .. . .. .. .. ., .. .. 97
6 Trio (Ruth, Frederic, and King) tot
7 Recitative and Duet (Mabel and Frederic) . . .. .. .. .. .. .. ..107
8 Duet (Mabel and Frederic) .. .. ,. .. ,. .. .. ., .. 108
Recitative (Mabel, ^c. Chorus of Police) .. .. .. .. .. .. .. ..114
10 Song (Sergeant and Chorus) .. .. .. .. .. .• •• •• ..117
11 Solo (Sergeant and Chorus of Pirates and Polite) .. ,, .. .. .. .. ..119
la Solo (Samuel and Chorus of Pirates) .. .. .. .. •• •• .. iti
13 (Frederic, King, Major-General, Police, and Pirates) . . .. .. .. .. .. .. itf
•4 SOMG (Major-General and Choru$ ^Pirates and Poliei) .. .. .. .. .. itt
fY)l503
THE T>II1^TES OI^ I>ErsrZ^IVOE
OR.
THE SLAVE OF DUTY
Written bj W. 8. OILBEBT.
OVERTURE.
OempoMd hj ABTHUB BULUYAN.
All*gTvMaett»S4. ^
^ <' ^ \ ^
m
p^
^^
=?=^
:a±
■ : 5:*
*=*:
^ - K 1
PuNa
P
r- T
'''''HS^S^p ^'l \ l^^^y^^\l^l^^ ^'i^-F^F^
,rTT — I ^ 1 7 h — ( > i *t* . <=j d fTT-g , 1 -, I -
i;i ^■'5-''c-"'f
i
•T i •! .1
i
c=t
^
^i
^
VT^f^f^z^
^T^?^
«i^
SE
I * _ ^
^
1 F 1
r 1 p ^
^
■^'—^
r
OopyrtaUl. iS«0. by J. M. STODOAItT A OO.
p
^
J. JIJ J
^^
:^ps^
=i — I 1-
-ar*-'
,^tr t
r^
e* fr
^
^
i
3
^ 1 S 1 i ^
C ^ u
1^ e > r '^^
i^E
n L 1 L 1
V ti" 6?-
r^ ^ I *
^ ' r^^^' ^
-Jt-
r w - ^
# t'
:££
^^
£
P
ff f i v , t ^-^^
P
* r- ^ ^
^E
^s^^pc
I
p rS'i'S
•J, i*«*f,P^!^
S^ ^ JL
-trf f-** — r
I * , # , ! *•
1 I 1
•1 i 1 -r -F F^
^ 1 u 1 * v^
TVT^ I 1 u 1 i
*• — »-
-«»
^
fe^
iiJ •* I -C'
?o==i
^^
g '^'' ^ J
:«*:
v> » #
& TT^'
^
I
1 1 F 1 P 1 ^
i
g . .^^
St
^^=^
3-^
^t#
i^ k^
tf) « *' • ^
w I '
j^r T- c
^^
p
^5
m
^2.
w
-1^
^
T^ 1 |g *) F ^
JJ&
1 r ^ L 1 U f= "^vru ~i
^
^
"*-^ u I I r ^ 1 r ir
^ 1 g ig-
i
-V — ^
■%*-
■¥ — ^ — »»-
I
^3
ilgi;-!^' ' !
g
?^^V3J
"^-T
^^F=^
:^^
rfJvTT
q^,..iLj-. jj .v^ F7--= r
i f — q >'
<Am. .
?
— . 1^ m-l
I ' — r— ' '^ •-■rr
' ^ — — '— ^ — W — t^ — i^ ' ' # ^ ' <» << • ^ ^J^' ^
;. J j.-t
■ hJ^IJI
n t g-jV
"3
(T
■ ?< ^ ..> '
*^
.1 .^ ^ V
i
^ t H
9-r-vw^~m- -»■ V ■*■
s:
-^> — (-
d c *-
■m— 0^ .
^
i^
b^^^
dim
J
t ^ 1 J J. Ji ^
^
^= —
'Jm-J^'
U
fT^rl^
8t/a. . ti/a.
"I'U — - ^
'Bmi.
i> u 'i^
;p^
^ 'g'^d ^^J
^-5--P
^t.^:^
-P=5;
t
! - : I ^"
ff
A
A
/«
T y — i^i-
^Ttj- i r^tj-'ig-'rcf h^vlin^uti^
i
Svtf...
iva.
«-L.
i>i g i| : 1 ' 1 g:gS: S
^
w »
^^
lei
I J I
t? 1?-
^
A
P
S
= ^1 y 1 >
-1-^ \-. — —J —
E^^
^ t
^I~F 1 ] -1
S
r73 fTJ fJ^
i
f 1 V
L Li -
• ;^
^
*0' * m- ^ r-^»^ ^ ^
^
:3i^
-V ip» s" ^-
(P^
feifc
-U4,
a a ;i 3 3 3
r U ng , i rr; , -T3 i -n r :^
1 — h^ 1 — I M I to
fr« - • teen
p: ^ jti jB^pip^fip^ -.
I 1 ^T Ct J i 1 ^1 ^ 1~^1 ^1 =
I ^- "^ — f
I _ *
^> U Ik > ^ IT ^ r w
i
-^t-
^
^.:ff-^
: ' -^ l ^ i j.i
1 ! » 1
^
-^ r
/^ \» ^
^^
rh r r^ .P^ f^ . f ^
J1_U_1.
^ 1 t. ' ^i
^
-T
^^
V — V.
^
^—r
^-^
ralUntatuU).
^
I I . . . • ^— ' p
m
^^t
:3=P
^
^
"z!r^-^
^
?=i^
-^ — I ) 1 ■——I* — I — u^
i
P^^
f
^
^
K
7
1 ^
r
J.
^
JS J
P=e:
^
^
# f l »
^
i
'9 ^
i
^
J
; I ^ i I ii J^ ' I ^g ; g i I sl4=^2J_| n J : I p" ; fe
n:
n/.
^
^
-r-ri^f- . — -r-r-r- j
^ * » ) » » i» ^ > i-y->
fc^
^^
^
Ped.
i
=^
* J j^
J — T . l a L- g- -g-
^^=?^
^
^^
^^
^
u
f f » f ^
r. ^^
^SH:
S
^ 1
:?=
,;;*£:
i!9 r ^
IS
^ ^ I ,^d l l4
ritardando.
Allegro vHiaa.
^H'. j J i i I f
-f* r . 1 *
I J ' ^ lJ '
if^^-^
s
dim.
PP
^
^^
^
* * *
^^
»
^
■ I iji
-4 C ^
5 ,5
S^
* * *
er--#-
m
-* — r
r «: *
^HP
"* u I * ;»-
i^
-^ — « — *-
.* r ^ « f
! I I
^ i r -1
^ r u
^
f g g
I I I
J1
il
^^
^
1 — r
S
^
^
ft
* * *
"i* f
ignrziE
^^
-1 — r
■f^ ^ f. f: ^^jt
1 I — +11—
fl
^s
N^n^^^ i f^rF i ^r
F > > r =i.
ia=
^
* _j> _#
Wiip ^^> ^i>
=!>-y-^
3^
3iS:
^
j g I "y
^
^
Ti^--*' if I i^*
ruj jKQr 'Fj f^
^
S
■^ V J - ^^
I
-*■-*■-*•
=ff«
t I I g
^ -^ J^ .^^
^
-«. -^
^r I J "» MH-Mr ^r ^ I ±
*
I I I
I [ I
^^
:t=:*:
^^
r
^
— I ^ — hi 1 ^-
V ' r T ^^ -^
^gSS^^ E^
S
^^3^
.'' 1 1
< ; J I I ~- I I i
^
g S I J -
-ta * -• — & • 1 eg »-
I i ' * r r ' ^ I . -
c? » -
?=
XJ' ff^
J . M 3 !d
1 j i
^
4S 1-
^
?
231
:?=z=
-cs-
T ^ ^
li
f^— f-
^
^ y
°^t^
V, f^ t
-«>=2.
^
w«=f=
^
-4— ^ s ? :&:
-« — =© — »•
i
fcr g S
i
g:
S
g _^«_j -
i=rt
f ^r
P=
-p — (t.
J0 Uggur*.
'^ fur r 1 1 'f^ * I j ^ f I 'J*^ f i ^f^"^^
*
n
*
s
^
p
$
^
^
V i- t e- j^
fy^f-7^
*
^
^
S^
1 — r
-1 — t-
-I 1-
• •
^^
Jbm
^^
^fi^^
^
:! ff,-r
ijg r% i
^
r MJT
J r r r ' J
^
i- -i- 3?- S*-
:t:-4:i-
fe_3:-
^
i
r r r
=(?=e:
P^
ler:^
I I 1.
W
"^^f-^-
^-g
:4=4
^?:^
^
^
^
^
m — • — « — I m —4
H 1-
:t=^
:W=S=
Jo.
^ w
^^i^#^
I ] — I [ — I I ^
^m
^^"^
i=^=t
' I * -J
^^
n-Q iTTJ [TD. rrp
^
•I *
^
1 ^ 1 i^.^
^[
/
^ ^^
-^=^
^ ^ It ^ ^ ^ :Sr ^
P=P=
ir r r ir
^ I* i»
p f i»
f f r f i
*- s*-^ &■
<^ . g)
i
E
.^^ . ^h^ ^ ^ l i^ ^ll'^i^li ^^T'^Tg^
^ f: t fr t: t: t It
E
tttt
ii
» I* |g I |g ±zjt
"^? ? 1^ f- ^ ^>^
:t=-
^
^r^n^^^^
i > i * I i> l« l» s-
I ■ L
i g ^ j-i-HM
i
3aE
^# jj* -g
^ > ^ ^
F r ^ I J t J ^ M M ^
1 r r I
:t=t
«-:ff-
[t^^m^£x
I * • ^
*
• •
r me t
m
s*
^^
^^
f
^
^Q^
-I — ^ — ' — r
Iff- it ^ .-*■ -^
^ ^
^A*
m
^4^
5: H^ £^ ^
g
c^ r I
f I ' 1
I * F
^
I I i i I
^
^ ^^J*
^
^
— t 1 — T f* r ff — -q^
i
-I — I-
:^^=g=
w
I I I
^
^
A r-l 1 J- — r
r^
m jg
=F
f^^f
» _*
=■»:
^ ^^^^JJ | ,r^J j^jj ff |i;^|,'j^, j„,^j^ l j^'.
^
Kt'^JFJ'N'f J'UFJMJf JM jT jT | j-r jf
*
iC3
3
i
# — « — *
^
ir i |inp|"r|Ti i r|' r' f|i ri r ^^
i
^=^
iE
^
^
f ^ r ^ If ^ I M f ^ r rT p r M J i ^ r l ^j r J h I j " j ^
du jui slringeiuio il Umpo.
\
^?7^r^ ^ r ' r r' ' t^^^^^^ '^'- - •-
^3
1 1 1 1
m
-y* I i ^ ; * ^
- WT- mX-j f : ( • ■
^
i
J j -i j ij 4 =<M
f [ : f ir r :
J J J l 7-^-i^
H« P-
:5^=t
r r T T '^^ rr
2ic
-* — •
I I I
,-.^^?^-^^|^^, ^ fr t: f: f: ^ f: f: ^ p \ft it
B^it-
r r i .ii-i-
r p r 't h r I" 'r ^ r ^ T ' ' ' ' t^
II
Jn
4=-
^f=^
^^-—0^-
r ' f r
r ■ C r • g I T
-t — f-
r"
:t=t
-i— i-f
ff
%
f.^rll.^.llr ^
P
1^
r i r
^
^
i
-^^^ r f- r
m
^
r . r
-f^
1e
^
v-1-
^^
J^JSffl-
>el
r 17 r "1 -ri -H r j r f^
liP
I
^
F r I *
■«*-
r r r r ' du-^ ^
-«-:?: ^*-^^^:^^ ^-f^ ^-f: ^-f: jt.-^ ^ :*- ^ :^ ^- iff-
^
^ rf rfr f . r r r r t-
£££
^ - ^ - 1-- - ^ i«^ ^ ^ ?^
rfrft-rff, f^f=ff#-r-»
— ' ' I
^^
^
-^ ^
i * I * ^ 1 *
i * *
^?=
'=&p^
-£U^— fc
a *.
^
P
87/a.-
\\% \ i /I ^TTI
ra//.
^^^H
Si
T W
s r ~
t=^
1 ^
^ =t -i: ^ -if
tZ-
POEKK. — A rocky tea gkore on the coast of Cornwall, Rockt L., At the curtain rises groups of Pirates are discovered, iome Srink
tiaping down to L. C. of stage. Under tlicse rocks is a cavern, ing, some playing cards, Samuel, the Pirate Lieidenamt. it
the Pittance to which is seen utJirH entrance L. A nnttind arch going fr^m one group to another, filling the cups from a fiaJik,
of roek occupies the R. C. of the stage. In the distance is a cdlm FuiiDEFtic is seated in a desponde^it aUitude al the back of Ou
tea, on which a icliconer is lying at anclior. scene, C. RuTH kneels at his feet.
No. 1. OPENING CHORUS OF PIRATES. & SOLO— Samuel.
(
MoiUrato maesioio.
A-J%L
■ ^ t —
Piano.
p ere - seen • do. , . ff ,»- -^ .»-
%
SJt
y— r
:^
8t/«.
I^^-g^ j
=J-*— *— *tHid ^ o ^ 1 1 K-! -v.— » m U ^
^
xfi
*«« - </(>.
^^^^
-^0-^
^
^^^^
V:s= a
§
,. I -, , . ^-^.^.
-i — ^1-^ — ^
:^
"V
C • I g
^sS ^-^ ^^
m
Chorus. Tenors. /
I g — -^^^
3E
Pour, O King, the pi • rale
Basses. / .« ■*- *->
:^=i»^
^
^^
(^^
1^^^
b*.-«-*
Pom O King, the fi • rate
-f^-Tp^:
*zi*-
^
r3:
•i 1 I
r-r ^-^gE^ ^^
^^^s^
-:^:?r^
111
r^fF r
g^a^^s ^
/c^
i
m
m W
:a=3c
m
) * < i
-fr- g-
Sti=
sher ly Fill, O King, the pi - rale glass !
\m
■ J yj '- d
J . " 1
sher - ry, Fill. O King, the pi - rate glass !
^
-i*— *-
-f— f-
VI ,--
13^=*:
^* •-
? ' -J-. '
=t=^
-^ — I-
3=^*
^
-0^ r- f'
=»=}=
^
:j=t^
^
^
S
^— M-
*i 1 1
- M 1
^t' -* > -r-r--*
^r-^
m
m
^
>-* — ^
^^
^
¥^
5^
And, O King, to nukr as mer - 17, Let the pi - nte bom ■ per p«~ I
=^=^
-^—e—^
:i==t:
f -r »'
r g|' ^nr
Aad. O KiDf, to make h smt - if , Lm the pt - mM bum • pa pa« I
a '
T 1 !
^^
S I .-rnr.
^S
rt|*rfrr^ i
1^^
*i 1 I *
?S^
S
^-1 — 1^
5l
^^
* J
^^
=y=^F
Samuei.
i
Foe to-daj oui Pi • rate 'Pten-tice ri • tea from
j53^
^gr CTT^
^
^
y' «j i ,j ;^
j^^ ^
14
^m
:Sc=C
w«- -»-
* ' T^-
^ It
S
T?"^
da - tare freed ; Stione hia vnt, tod keen aU tcxoX is— U«'i ■ Pi - mte bow ia - (Uedl
Chorus.
^
^3^
^
:W==«
^
=5fe
S
■* j^*-
Heie'i good lack to Fred - 'ric'i ven • tares, Fred • 'ric't out of his in - den - taret.
^^^
^^
r\r u
r u
s
Heie'i good luck to Fred • 'ric'i ven - tnres, Fred • 'ric'i out of hii in - dem • tuci.
^^
j .^ r^
i^S3PEfE
^
.jj_i_llJZ
^
-Jt — ^
-t-L-t-
-i J ^
fete
- » , m
-* 1«-
^
IE
W? , t > L
^
g
r g r g
KqF¥
Sam.
r e r t-u^^ e
r cr l i t
:3?=He
^
It
m
Two • uid - twea ■ ty aow he's ris - - ing, And i - lone he'i it la fly ;
rT^~m
?=3^
^^^
^ Ff3 H ^f 3 4
"^
^
?r
■^
£:^»H^-4b
i
i
^m
■! 1 ^
^=^^
§
^3
1 ^ ^ ^ 1 = i ^ n ^
^^^
^
3
<5
CMeftvs.
P
*E
5-r i ^- i T 1: r^u i f g
S
fe
^g
Here'i good luck to
^^
• • • • • •
Pff=r[
= ^~T^~t^ ^ 1 I P 1 1~~u T 1
il l
^^
^^S
^^3^
^
s
y^r
J J i r s
*iiri;2z*z
F=^
Fred • 'ric's ven - tures, Fred • 'rtc'» out of hii In • den • tore*.
m
:j g— #^-g =
^^
S
Pour, O King, the pi - ntc
Sauuel with 1st Bass.
s
fe£
s
=J!t=t
^?=-^*-
Fred • 'ric't ven - turea, Fred - 'ric'i ot <A hit ia • den
r> — ^-
c
Poor, O Kin^ the pi • nX»
^r-i T H=r^
^^
^
^ ; < ^
^D
m
-0- — ^ — *.
e
^
^
^^
^S
^
^
H
F=f?
^
-c— »
^
^^
^
m
s^
^
thet • ry, Fill, O Kiof, the pi - rate eUnl And, O King, to make u aer • ry, Let tte
? i f ITf f i f>f £
Ljir : ^ r-t
-i'i; i iii ; i i-.f^^
pi - nUe buir - per pau I
^^
-f—f-
^
5" — I k"
pi • rate bum • per paa t
S
-Ck
fe
^
» , f r «
^^
2:z±:
V 1 1 / -
^
l i » ' I
^g^
«t^-
i
^
^ 1 M •< ^
"j 1 1
^=^
(Fkederic rises ani «>m«s forvard with Piraie King, wtio enters
from R. U. E.)
Kino. Yes, Frederic, from to-day you rauk as a full-blown
member of our band.
All. Hurrah !
Fkederic. My friends, I thank you all, from my heart, for
your kindly wishes. Would that I could repay them as they
■•iserve!
Kino. What do you mean 7
Fbes. To-day I am out of my indentures, and to-day I leaTt
/ou for ever.
AuL Leave us 7
Fbed. For ever I
KiWG. But this is (]ait« unaccountable. A keener hand at
scuttling a Cunarder or cutting out a White St&r never shipped
a handspike.
F^ED. Yes, I have done my best frx you. And why ? It wa«
my duty under my indentures, and I am the slave of duty. As
a child I was regularly apprenticed to your band. It was thrmigh
an error. No matter, the mistake was ours, not yours, and I Wa$
in honor bound by it
Samuel. Au error ? What error ?
Fred. 1 may not tell you. It would renec* upon my wc!l-
loved Ruth
(Ruth eomet dovon C.)
Ruth. Nay, dear master, my mind has long been gnawet! by
the cankering tooth of ray?ter . Better have it wit at once-
No.
SONG— Ruth.
•••jJiNO.
Ruth.
^^
-^ — ^
3^5=i^
-^r
"r~r
^^
-p-r
lit - tie lad He proved so brave and da - ring,
our - s'ry maid. On break - ers al - ways steer - ing ;
jrond all doubt. The scope of this dis - as • ter;
His fa - ther thought he'd 'pren - tice him To
And I did not catch the word a - right. Through
But I hadn't the face to re • turn to my place, And
^^=^
i
#=T
^
^
5:
— • » — = — « ■— r^
3=t3=t:
=t£)-
3=*=t:
^ ^ i
5
^=^=^=3=
l= F^^
tome ca - reer sea - far - ing.
be - ing hard of hear - ing.
break it to my mas • ter.
v^ * * — —zij-
1 was, a - las ! his
Mis - tak - ing my in
A OUT - s'ry maid is
nur - s'ry maid. And so i". fell to
stmc - tions, which With - in my brain did
not 3 - fraid Of what you peo - pie
i
^^^=^
-m m m w-J — m — •- •—•—*- • — -^—^—m — • — • ' — *—
p r i? t
=w=
\h ■ lot ; A
Pi - rate ! A
w
my lot To take and bind the pro- mis- ing boy Ap - • pren - tice to
gy • rate, I took and bouni this pro- mis- ing boy Ap • - pren - tice to
<all work. So I made up my mind to go as a kind Of pi - ra - ti- cal maid of all work ; And
18
b:s9
^^
life not bad for i
sad mis - lake it . .
Ihot is how you . .
har - dy lad, Though sure - ly not a high lot. Though I'm a nurse, you might do worse Than
was tr. cake And doom him to a vile lot, I bound him to a • Pi - rate— you !— In
find me now A mem - ber of your shy lot, \STiich you wouldn't have found had he been bound Ap
RcTH. (Kneeling at his feel.) Oh pardon, Frederic ! pardon !
Fred. Rise, sweet one ; I have long pardoned you.
(RuTa rises.)
Ruth. The two words were so much alike!
Frf.d. They still are, though years have rolled over llicir
lioads! (B.UTU goes up teith Samuel.) But this afternoon my
obligation ceases. Individually, I love you all with affection
unspeakable; but collectively, I look upon you with a disgust
that amounts to absolute detestation. Oh pity me, my beloved
friend.*, for such is my sense of duty that once out of my iiidcii-
turcs I shall feel myself bound to devote myself, beart and soul,
to your extermination.
All. Poor lad ! poor lad ! (All weep.)
King. Well, Frederic, if you conscientiously feel thatMt is
your duty to destroy us, we cjinnot blame you for acting on that
conviction. Always act in accordance with the dictates of your
conscience, my boy, and chance the consequences.
Samuel. Besides, we can offer you but little temptation to
remain w;th us. We don't seem to make piracy pay. I'm sure
I don't know why, but we don't.
Fred. I know why, but, alas ! I mustn't tell you : it wouldn't
be right.
KiiNO. \Vliy not, my boy? It's only half-past eleven, and
you are one of us until the clock strikes twelve.
Sa.m. True, and until then you are bound to protect our in-
Itrcsts.
All. Hear! hear!
Fred. Well, then, it is my duty as a pirate to tell you that
you are too tender-hearted. For instance, you make a point of
never attacking 3 weaker party than yourselves, and when you
ftltiwk ft stronger party you invariably get thrashed.
Kjng. There is some truth in that.
Fred. Then, again, you make a point of never molesting an
orphan.
Sam. Of couree : we are orphans ourselves, and know what
it is.
Frkd. Yes, but it has got about.and what is the consequence I>
Every one we capture says he's an orphan. The last three sliipa
we took proved to be manned entirely by orphans, and so we
had to let 'em go. One would think that Great Britain's mer-
cantile navy was recruited solely from her orphan asylums, which
we know is not the case. {Crosses A'.)
Sam. But, hang it all ! you wouldn't have us absolutely
merciless ?
Fred. There's my difficulty. Until twelve o'clock I would ;
after twelve o'clock Iwouldn't. Was ever" a man placed in so
delicate a situation?
(Ruth conies douni C.)
Ruth. And Ruth, your own Ruth, whom yon love so well
and who has won her middle-aged way into your boyish heart—
what is to become of her'
King. Oh, he will take you with him.
Fred. Well, Ruth, I feel some little difficulty about vou. Ii
is true that I admire you very much, but I have been constantly
at sea since I was eight years old, and yours is th>e only womaL ,
face I have seen during that time. I think it is a sweet face.'
Ruth. It Ls — oh, it is !
Fred. I say I think it is — that is my impression. But as I
have never had an opportunity of comparing you with othu
women, it is just possible I may be mistaken.
KiKO. True,
Pbd. Wb»t B terrible tiling it wmild he if wero tii mwiy
Ij9
tilts innocent person, and then find out that she is, on the whole,
plain ! ■
KiKG. Oh, Ruth is very well — very well indeed.
S*.M. Yes, tliere are ttie remains of a fine woman about Ruth.
Fk«d. Do you really think so? Then I will not be so .selfish
as to take her from you. In justice to her and in consideration
for you I will leave her behind. {Hands Ruth to King.)
King. No, Frederic, this must not be. We are rough men,
who lead a rough life, but we are not so utterly heartless as to
deprive thee of thy love. I think I am right in saying that there
is not one here who would deprive thee of this inestimable treas-
ure for all the world holds dear.
All. {Loudly.) Not one!
King. No, I thought there wasn't. Keep thy love, Frederic
— keep thy love! (Hands her back to Frederic.)
Fred. You're very good, I'm sure.
King. Well, it's the top of the tide, and we must be oti
Farewell, Frederic. When your process of extermination begins
let our deaths be as swift and painless as you can conveniently
make them.
Fred. I will. By the love I have for you, I swear it. Would
that you could render this exteruiination unnecessary by accom
panyiiig me back to civilization !
King. No, Frederic, it cannot be. I don't tiiink much of
our profession, but, contrasted with respectability, it is compar-
atively honest. No, Frederic; I shall live and die a pirate
king.
No. 3. SONG — Pirate King & Chorus
Allegro moderato. .^. .^
Piano.
Allegro moaerato. •♦-•»- -»• ^ ^ i^T*l '
.^*
*
i!t3:
\ ^'^'\r'^ :
I t^h— t,-H ^ \^
1 — ir \ UT y r-^
X=T
*— ^
j'H-^
3jj:^^g:g
King.
.^-^H^-^ H^
| pB!::Cz^ -^i ^zr=:^^ =^H^
1. Oh, bet - ter far to live and die Un - der the brave black flag I fly, Thau)
2. When I sal - ly forth to seek my prey, I help my-self in a roy - al wcy ; I
^^^^^^^
(^^
-0 J -»
^i
?=feEi^3=5
i
:S?=
*
^
play a sane - ti • mo • nioqs part Wilh a pi - r:fte head and a pi - rate heart !
sink a few more ships, it's true, Thnu a well - brec) rnon • arch ought to do !
i^VW^^F^^^^
'*^^^^m
=^-
V-v-
Xo
U J
A - way to the cheat • ing world go you,
Biit ma - ny a king on a first -cliiss throne,
Where
If he
-x P*-
I K ~r" I J. I
-J J J-t ^ ^ i*-
U J
J%-^
: f^i=g i: C:aS
pi - rates all are well - to - do. But Ml be true to the song 1 sing. And live and die a
wants to call his crown his own, - Must man - age some - how to 'get through More dir ■ ty work than
" i^
d ^ m —
W:
J
B
f^=^
a tempo.
I * 0'
^
e=ai
1 1 r ^ ,
I I
^
l?=:ti:
\ Pi - rate King, ) „
ever I do. ( '°'
I am a Pi - rate King !
feli
^=g
-A
^
-^-^
±=i
fit- ■^--'^ 7 t
And it-
' Li ' I r-< ^ 1 1 ha 1 >^ -' ti ' =*-
r*=3E*^S3:r
3^
^
-$-^^$^
litriit
lil^^S
■^ U
1^
-*—(•-
±-
-,-= , — p T'f -f- . » — -^
(• — 0—0-X-m ^tjrmz
jf— ^—p z
Us, it is a glo • rious thing to be a Pi - rate King! .... For 1 am "a Pi - rale
^^S
^=#1:
^^
^^^^=^^
-^-"h-^
f
5^^^
zr
f^
*
-•— r — f — -•-
Fi'-i— ^— ^^
^^
King!
Chorus./ ^
P^-T 1*-^
•
g-^f-
— »— ]
— F
And it
f ^ T-
H f^ k-
is, it IS >
glo • rious thing
to
—U—
^
9 1^
)^
1
— u- ^ -1
I
I
Voa are ! Hur - rah for the Pi • rate King !
- X: ^y
~Br~* «L
^
^ -Hr
-5- :5 ^ -J- -3- -^^ -8-^5 ?^
^I^E
_i_5__^-
^ 1 * J l- i n
:?=^
;S[^^
^-^
3=3^
33^
eS
* w-
(Pause 2nd verse only.)
f ' Z w
-« 1_
Pr-r
:X=Sk
l>e a Pi - rate King I
^
Hur - rah for the Pi
£^^^
g^^^ta
u=
3=^^
SiL
t-r^^
=»!==^
It is I Hur - rah for our Pi • rate King ! Hur - ^ah for the Pi
-«^-^-gr f - f f" , t^ ^■^-' -^^' ^'
:3=5z=J-
=^iM*^
>^n! rj^ ^g^ ^^^=^
/
:r=4:
1^
•y~y
W « • 1- 1 W^ t-a-
:t£=±:
^ 1 r 1
i:-^
-^-1-
Kinr I
g3=
^
±=±
King! .
^^^
:— *-
.^E « •^- *--^ . ?"
ESEs:
^i^^
-v-^-f-
-=h-=i— p — =^
- — t?-
4 *
^H -g-^-^-M-^ I j^ *i 1 gSg
2.2.
.J fit I Song, the King, Samuel, and all the Pirates, except Fred-
Efiic and Ruth, go off R. and R. U. E. Frederic comet
dou-n C, foUoived by Ruth.)
Ruth. Oh take me with you ! I cannot live if I am left
behind.
Fred. Ruth, I will be quite candid with you. You are very
dear to me, as you know, but I must be circumspect. You see,
you are considerably older than I : a lad of t\veuty-oue usually
looks for a wiie of seventeen.
R'JiH. A wife of seventeen ! You will find me a wife of a
tl ouaand!
Fred. No, but I shall find you a wife of forty-seven, and
tliai is quite enough now. Ruth, tell me candidly and without
reserve; compared with other women, how are youf
Ruth. I will answer you truthfully, master : I have a slight
'old, l)ut otherwise I am quite well.
Fi;ld. 1 :ini suriv tor your cold, but I was referring rather
to your personal appearance. Compared with other women, are
you beautiful ?
Ruth. ^Bashjully.) I have been told so, dear master.
Fred. Ah, but lately ?
Ruth. Oh no ; years and years ago.
Fred. But what do you think yourself?
Bui-H. It 18 a delicate question to answer, but I think I aj»
a fine woman.
Fred. That is your candid opinion 7
Ruth. Yes : I should be deceiving vou if I told you other-
wise.
Fred. Thank you, Ruth, I believe you, for I am' sure you
would not practise on my inexperience. I wish to do the right
thing, and il^— I say, t/— you are really a fine woman, your ag9
shall be no obstacle to our union. (Shakes hands vrUh her.)
(Chorus of girls heard in the extreme distance, "Climbing otwr
rocky mountairts," etc. See entrance of girls.)
Fred. Hark ! surely I hear voices. Who has ventured to
approach our all but inaccessible lair? Can it be custom-uouse ?
No, it does not sound like custom-house.
Ruth. {Aside.) Confiision ! It is the voices of young girls !
If he should see them I' am lost.
Fred. ( Climbing rocky arch R. C. and looking off L.) By
all that's marvellous, a bevy of beautiful maidens !
Ruth. {Aside.) Lost! lost! lost!
Fred. How lovely, how surpassingly lovely, is the plainest
of them ! What grace ! what delicacy ! what refinement ! and
Ruth — Ruth told me she was beautifiill
No. 4.
RECITATIVE & DUET— Ruth & Frederic.
Frederic.
=3=ei
Oh, Cahe one I you have de - ceived me I
^
Piano.
-* jr-
^^
RlTTH.
&erg=c- g;g-j^^
Fred.
A 1 tempo.
-P— ^
ii
S^^
It
i^^
I
I have de-<xived yon ? Yes ! <1e - ceived me I
—I ,
You told me you wire
A o tempo.
-g — F j j --^
^-
-P— •—
>^f 3?"~TBfti* TiO^
i-=i^r5i^
S
^
i
-m P — •--
m
^r^
Ruth.
m
H r r
^T^
i
Fred.
s
I
bir as gold t And, mas tcr. am 1 not so ?
And now ]
see you re
^^
«3
m
•Ruth.
w
m
1:
^
I I
*
Fred.
plain and old I I 'id sure I'm not
jot to 1
Up - on my
in. DC
^
1 !^ -n
RlTTH.
^
^=^
Fred.
ir;
cence you play- I'm not the one to plot «o.
Your face is lined, your
!_S^
I I I I— a^ — i— i—i -^ n M - ^^q M "I V
*-^* V ?
^^
-«^
I
m
Ruth.
^^
B Fred.
^'==r
^
r" — I-
^
:^=n
hair is grey. It's gra - du - al - ly got so.
Faith • less wo - man
^
:3zd^rteg;
R=K=
^=>i^^^^
Si ^"^^^ — ^» — ' — -^^— I— r-d ■ ^1^^ — ' — ' • — I » >
s«i
^=
-» w~
m.
^E
-* «-
I > 1 -
-^=1= ^1 ! 1
i
i
Ruth.
?y~y~
-j { ^ r-
t2:=t
E^
-*-l« F-
de-ceive me, I
who
trust - ed »o .
Mas - ter, mas • ler.
^tr^^j ^^' -^ tg^ig^^
K
-:S. :*.-
^ZT: j :3^^3:raEfeg^^iEg^^iE^3=jq=g^:^5rj£3E^
a^p=3^-F^— f^"=f^"^ ^
•.^
24
^
^^
Fred. JtuTH
do not leare me. Hear
gol
Faith • less wo • man I Mas
«er.
m
:=;_,. X
:to-
"^H?" •• LlJ
"i~^"~rT^3 ^
j g-ff-f 1 ^ v ^.^^,,^-
=f-^^'M-* 1 f 1
i _ i
J . * .1 — i Q—g- :
-^^i^ — :*» — :3*-
-^H-^-^
5=l^i.
?^
^■5 -^^
* | »
-j I
^•^ J ^
^i3-J-JW
^
:^*=^
mas - ter, mas • ter,
Fred.
e£
^
do not leave me, do not leave me, Hear me
— t- |s I 1 1 (— , — p*i — I ) !-
J ^
J I rp J J_J^
^1 — — -
Faith ■ less wo - man.
=^^^
?=?^
'-^F^ '^n 1^1 * ^"=3=-"^-^
"-^ .^—ss*-^^
faith - less wo - man to de ■ ceive me, I who
*^ — I —
■^ m. m m \ m m m ^ — m \ m ^ ^ ■< m-
j«« - - (A?.
gjE
^ ^p
J J IJ J
fe
I 1 <l 1 i 1 • 1 -
^=T^-^-^- :jrrii
1W:
it*r
ut=l
J I J-
«i»^
-H fc— ' 1-
s^
S*v
^ ^ f — . ^^^
;»
-^^ r Tv
I -1
:i==i;
J J j-
:t^-
gol
Mas - ter, mas - 'er, do not leave me, Hear me ere
3c==if
-A 1-
r ^ J J J J — J-
-\ 1-
/
-*— a^
-J J J -
^?=
trost
ed
Faith • leas wo - man to de • ceive me, I who trust
^
I ! M N I
-d d j - - ^- J =!-
^a^
^
V i ^ r^s^ 5 s ? ^^ i r * ^
^.
'-^ -I-
—I 1
.■io.
- ^ — im
sm-
tv:
tn *
f^^
w
-^ — --
-J: -»-
H
:A=m^
^
^
titt
I go!
^
ed so!
M
t^
-f* — --
f M^U^^ ^p^jf ^ ^ ,
^m
:^:
^^^
^^
^=-.T:fc=:
25
i
Ruth.
Hfc
1 <" J-
^^
i
AnOantt.
My love with- out re - fleet
-^_- y ^ , , ,-
ing, Oh, do not be re - jecl ing !
^hs^E^^^
Take
WEikL
> :$: > * * * :S:
T W^
^^^^ip^^i—^
^
^
«— ^
iSl — «-
-rr
fc^
^i^
^
-=v— ^-
^
=^=^
cxfc
-J — W-
K--
t»^— 5*
been ac - cu
mu - la
ting
i
t7 — ^-
sum - mars se • ven - teen,
sum • loers se • ven
i=f
t 9- i i^-^-r«r^t
g
' — ■ — I — —
^531
-•- -«- -* '-«■
:S=t--
ak±:
i
E Ruth.
^^
:*=(?:
ii
^
g^?
^^
=Ci?
i
Don't, be • lov - ed
Fred.
ter.
Cnosh me with dis - as
^
-» ^-^-^
* ^^IJ *
•i^-
-4JjM*-
Yes, your for - mer mas -
Sives vou from dis -
ter:
i
f
fesE^
g
r=3=3=
-^^-•-
£5^
'». — r:
"=-*-•'-
-^— o ti l
-*^-
> !I^>'
^^
^^
^
^=
1 I'
26
i
E*3^t
-m-
- « ^1 -l .-grr^
P
■ In
ting Has been ac - cu - mu ■ la
«ing
for ■ ty - se - ven year ! . .
T=^
:^J=S — ft s- f^ -
-s^
-y — ^
-^ — 1 r
:^fc^=5=5=X
?£-*-^— - ^S* ^ "1 ^
-*— »-
It's been ac - cu • mu - la - ting
rg -r —
i
If, as you are sta • ting,
for • tjr - »e - ven
^
«zt=C^=t
— i-T — I 1 —
eiiiH;
a^Ei^
E£
^
eS^S^
TT
i
I
^
?^
I AlUero vivace >
rfci? — ■
^EE
=1=
for - ty - se • ven
taU.
year I
i^
^'F^r^
«;
fcfe
hl/JL^--
E
^— =r:
^==I=J=
=1=1=^:
=e
^p^
year I
Faith-less wo - man to de - ceive me, I who trust
, Allegro vivace.
Ei^eE^^
-I I i»q^3crF
^ M — S":r rv ^ 1=
^ — I — K- r;^ , 1 = — a — 4
P ' ere - - - - seen - do.
z ^
^£
B^^
-I — I-
-^^-
-I L.
-JW
1 1-
JIS- *
5=S*;
-^ tr J— a :
{
J> — — -
=r:
^^=^
^
J J
era.
1 " l-
■I ■ I
>^>>^ — »-
I- ■ i*j:
dr
I
Ma3 - ler. mas - ter, do noi leave me. Heai me ere i
f ^
t^^^ -
-4 (-
-^ J-
-J ^ 1 U
J ^ ^ , j^-»-^
-I 1-
-U
l=r-
&^-^^
faith • less wo - man to de - ceive me, I who
1 1
ed
.1 K -4-
lti^=X:
-F— --
-*i P— ^
p ' — ' ere - • scen^ — ''- -do.
^1> ! r-*- =ji= 5^
I i-
-J 1-
•Jl m-
13*:
--X
^
1^-^
-F — -
-P — -
s*-
-^ +(it -y
<^( //le ('/t(/ /(c reiiouHcts her, and tslie (joes off Ji. m despair.)
m
^e
fe5^
go!
f
Recit. c Fred.
^
S-l^-tlf- l-t.-.^.^ ^
— ' 1^— tr
What shall. I do?. Be •
^-#-
i
~S^. N S N > S
sq S |»i js = K K 1>> f*-
^ J z:i=--^=±
-^ » J 0-
-^ r 1 — ^
i
) • *-
fore these gen -tie mai ■ dens I dare not show in this a • larm -^ ing ^os* • y tume ! Nc
m
./
^
i
nr-^ — b» — 3—* — — - • ^ 1*
-P—
F r "1
»
■~ji—
* ^ ' f P
=«: ^
r
\iB^ — v^ — =i-J5 — p — e — r- — r — f^ — t^— .
^f fi—H^ \^ ^ Si» — K — 'i^
no, I must ■ re - main in close con -
^^—r =
-1
ceal -
nient,
1
al pr-
Un
- til
zter
I
can
ap -
pear in tie - cent
J J
clolh • ing.
f i -
f
¥=^ 1
gj-u'^ j =
*-5-!—
. -I. ...
■! =-
-0--
~
^ ^
-*, r i
J
''^ p , . __^
-9
1
1 — !—
i J ' 1
1
(^Midts in eave as Otey enter from R. and L, climbing over tht roeJa
al L. o/Oie stage and through arched rock B.)
No. 5.
CHORUS OF GIRLS.
Allegro grasioso. T
-^ — r *-i
%va.-~
r
1^^^^ jt *»^ se: <L *i^,*^ -^
Mamo
p^^^^,
f-h — I — m m-^-* — m m — J — \\ •» » ' <m — •-*-»—! ■ — ■ — 1 1 • — • * » » — r
fe^ssfe^
□•
Chorus.
> s
-^—^—^-±aL
3!t=rtc
=^=^=»^
:*=*=:*|SL«=
-Sr-^-
9 ^ ^
nszrsTTSS"
^^^M
Climb-ing o - ver rock - y moun-tain, Skip-ping ri - vu - let and foun- tain, Pas-sing where ihe
lows
— ' 1 1 ' ' ' ! f ^
— < ' "~ i " j I ' ^ ' ^ J I
ij — 1:
S—tr
m
^
s=e=^s^
m
* ^ ' -
1
1 — I — r
t:r=i=
-I — — r
-?-fS^
Wl
"^^
::'5^=S:
:»-«-
E'^
stiz^
qui
ver,
Pas • sing^ where the ^il - lows qui - vei By the e - vei roll • ing n - ver,'
^i^
<
5=s-;-»-?='=i
• "♦ it :5: .3;
tfl ==
P^^
^^!C=tcr^gt:=ER
Swo)- len with the sum • mer rain, the sum - mer
-J-.--J ^
^^^
— t— b-i 1 1 ; J J
: — ^ — 3« 1 • ' — -1 — ~ ^-
?••-"#• -*^ -•» :i .g: .5:
^
Thread-ing long and leaf • y ni,\i • es
I ii
*9
u=^
l^S^^^^^^^^^
Spot- ted with na - nura-l)ered dai- sies. Spot - ted, dot- ted with un- numbered dai
2^
sies.
M
W^
-t- w -t-
t- -" t
^fc
^m
£^^— e^
^^
&s^
^a.^^
^ J !2f,
mm
:S=:t2=
-!* P-
:j=5t
tr
lg^z=U:
Scat - ing rough and rug - ged pass - es, Climb iht har - dy lit - tie las- sies, Till the bright sea
^E^
I I I
:«:=:S;
^^
m
333q
if
I
S^a^
£=^£B
i k _fe ^j[ ljg:
^^-—0-
m
shore
£fe=?
they gain
c
Seal - ing rough and rug - ged pa^^- es. Climb the har - dy lit - tie las - sies.
^^^^^I^^^^^g^
i::^-
3^5
irni^ — =^— ^-3= -
^
^
cfcfc
g
Se
g^^^^T
Till the bright sea - - shore
P^^^P^^i^^^^^^^
f=^fS=^-±gT*
m
Eatm.
30
9
^
^^U^-^-^-
*
ly tread the mea • sure. Make
tbc
Let us gai •
P
^s^^^^
=^^?-
^^
^^=*E
■?-*— =1-
itzzit
g^ g^^^g^^^^Eg^F^^
i^^
«^
H H
-r=
^1
of fleet • ing plea - sure ; Hail
§?^^
il ai . . a . . true
al - ly.
^^^^^
'^^ t? r — I — I 1 ^
i±6=tr=t
?-^-^
^^
=^=^
:S=W=:^-=:i
^
:=fc
Chorus.
Though it per • - ish bye • • and - bye, Hail it as a true al • ly, . . Tho ugh ii
• ■' • • • •. _ •
Mzi
l£
?E3EffES:
2^-^=^
--^^=^^=&
Edith.
^
=Jc:i
=i?i
^^£
^^P^^^
per - ish bye • and - bye.
Ev
'ry mo • menl brings a Irea - sure Of
■rr— -3-^
m
'-^
^^^^^^
iS^^
^s
^^^^^m^
_^ *
^
own es - pe • cial plea - sure. Though the mo • menis quick
ly die.
^^^^ ^^j^:^T^ ^^^m^
£j'^^ ^r T^' ^S^^'" F" I^B'"^ -^
*=^.
3«
i
fly I
Chohus. /
~W
yHH^
-p 1^-
i^a^^^^s
;?=t2=^'^
=t=t
> ^ r
-li* — t^-"— t^
:tzzrt2=3t:
Though the mo - mcnls quick - ly die, Greet ihem gai - ly as Ihey fly!
- 4—, — ^ * — ^l»— !-!^S— ,3--» » » .^-__JW p_
,JS<
^
:^il=
-J. ■-
4=
^
i
H
Solo. . Kate.
:^-
3^
:Sr^
-9^-
Far
a • way from toil
and care,
Re
vel.
-7^:
-e-fl
H
b=e=S^*--^^|^*
->^— B
*^ -^ tr* — ■ — •— ' -te« — ■ — •-
yO
?-*• -*-
?> ^- bir
-Jm:^r=md
^m
^
ilJzzqr-^l
^L^
-J''
^^^^
fe
2*1
::95t
:2*i
¥S=
=^^
1^=:=^
^^S=
J2«!::
^
q^
::sJ-
^^-
^^3^S
ling in
fresh sea
Mere
SiS:
gl
-^-
^^
^
:»:
&*^
:6«:
we live and reign
lone.
-^—^ if--
7*-
— — * = * s ~<—
32
I
^
*=tol
±*.
^*=^
S . N
rock
^ 1-
-»y-
y <l«n,
Far
way
from
tal men.
WeTl be
t,^
"7^-
t?-*-
-"nr-
-M^
-"^ -y j-
a^ ^S^^
3^^=^
•<r
^5
!>«-
i^
:«■-
:^3=
r:
n*^
b ^ 1 s — "^ - ^ — ^ 1^
^
^
^^^
Queens
I
s^
-^-^ir
and make
de
lliqr may
hon
them
^
n^n
J! 1 *■ 1
1 P*
who
^
^i^
3*-
&i^5» — :;•*
?^-
^-^
-<ia-
^
'-^=^
tHz:
=5*=
:5iC
:S^
I
K
^
e^
1^~
please.
/ Chorus.
=5^3.^
=9S-
^.^^
C:. ^ ^ ^-^>-
=5^
fa=
We'll be Queens and make de
crees. They may hon - our them who
\
=^?3sapS^=^f^^
E^
^^'JS
^l^f
please.
5l
±*Z
JJ^gE
=?»:;
-JUKI
^ff^F
••* ' I .
SE
^
ifit
ifek
if
:B*:
I I 1
a
i
L TmM.
/_
rfe
::J=^
n I n J
?
Ld ■■ g«i • ly tnad the
• — » ' # t i ^*F I — m — +r — -T- — t—
mea - nuc. Make
the moit
'J'>f
^m
t n^
r4^^
rrrr^r^
^151
r
I I !■
m
irfc
f ■ 1 1 r
f I — ffc-
^
cJ CJ ' cJ C^
"C^ u
iJtrird:
=^^
=^^
^^^
^ 'CJ L^ 'U-f:d
I
?eS
<^#
E i 'f r i J: E'^
5^
5^
ish
I
tfc^t
-^— t
bye
•ad
bre.
HaU
It a»
al • ly,
J-iJJ^-L-
1
fe
^y
:f=t
^
i f ^
it.
b« g- y ^
'■ ^ 'cJ cJ ^ ^
"s::^
34
.^J^.J^
cJ ^ ' C^ C^
^
fe=e==e:
,^. ^
^
^^^
^
S
)" i* * #
?=
~5» > ?"
Mftke the most
fleet - ing lei - sore, Hail it ■■ * true al - I7, a trae
i>U' I K
i»-
m
ly-
• •
i ! i 1 i' -
i-k
l^s;
« Ped.
ff
*
^
£j-fat-
:t=
LJ 1-j ^-r^
i
•*- *- i • • J^" -5. • ?"£-*• ^:ff-:^i ^-i.^
r * ■— ^ M i 'I "" I I I I F P im \ ' r r r \ ^T^nTS
r '^ J 1
^^
ij=t
g
t— ^
r^^
=S^?=£^=^=&
^
^
« * »
^
?^
^ M ^^ 1 ■*
Kate. What a picturesque spot I I wond» where we are?
Edith. And I wonder where papa is? We hare left hiiB
ever bo fer behind.
Isabel. Oh, he will be here presently. Remember, poor
papa is not as young as we are, and we came over a rather dif-
ficult country.
Kate. But how thoroughly delightfiil it is to be so entirely
alone I Why, in all probability we are the first human beings
who ever set foot on this enchanting spot.
I8AB]!:L. Except the mermaids : it's the very place for mer-
maida —
Kate. Who are only human beings down to the WMSt —
Edith. And who can't be said, strictly, to aet foot anywhen
Taib they may, but feet they cannot.
Kate. But what shall we do until papa and the servanti
arrive with the luncheon ? {AU listen and come doivn.)
Edith. We are quite alone, and the sea is as smooth as glass.
Suppose we take off our shoes and stockings and paddle ?
All. Yes, yes — the very thing !
{Ti<y prepare to carry out the suggestion. Tfiey have all taken oj§
fne shoe, when Frederic comes forward from eave.)
No. 6.
RECITATIVE— Edith, Kate. Frederic, & Chorus.
Rxcrr. Frxd.
Chorus or Girls.
Freix
Piano
$
^E^
3s
a Ump»
moderate. Epm.
J r ^\
~rzr
EC
-m=r.
f
but > • Uinn • ing cos ■ tnme,
duty to Inform you that yoor pcoccedmgi \ "*" ■» = ™ wiu».c»i.
i
f
i
^
i
s*^
i
m
Fkzd.
:e=S:
Zhosus or GiuuL
J I * •<4' J''r
Recit. Fred.
^
§^r n f
•^ ^ - ^ ^
?
=?sp=^
■^—'0—9Z
r r *
who are you. Sir? ipeak I I am a Pi - rate.
A Pi - rate t hor - ror !
La- diei, io not ihna nat TUi
1^
^
i
*=ic
i^
^
F=R
*S=
I K'T ^ r ^ ^
^3E
3*
m
A An4atUt ma^trmu.
^
J
^
^^
^
^
^
.eve - ning I re - nounce my rile pro - fei - boo;
And, to tluU end, O pore mi peer - lea
V-'
p
3^^
^
^^=p=
^
=?«=
1 <
^
^
=F^
±^t
!« . 1
£
S
^^5^
-f— jT
:2^=U
qt:.-:^
^
- r^r
5^
Edith.
fr^' (fl^'' P
^
Sk
S=S
^^
^
Kaik
I, Mce of bout, In - plore joat kind u - sut - ance.
How pi - ti ■ ftil his tale !
(^
How
$
5£
-te3-
1 1^
/ I ^
p ' [^
-K
-^r
S
^5^
icz:
CjioRUs or Girls.
Ko. 7.
ARIA — Frederic & Chorus of Girls.
Fred.
s
s
t g J 1 J!
^
^
Andante.
Oh, is there not ooe mai-den breast Which
PUNO.
=^
¥
^
^
^
^
P=<t
^
li ^ i^ U
TtZTW
doe* not feel the mo - ral bean • ty
Of mak
ing worldly in • te • rest
Sob -or - din - ate to sense of
i
-^Hj J J~j— ^4ii^j J J J J1 'I II I I I I i i i J J^ ^
jr^ H - J T^ i
ar^r-i-
J55^^-^=iF^-.Sr:«^
^
S^
^^
^
7SZ
I
U—y
e r = I ^ ^ 'g g
^
f ' IT
i^
52=52
-y — ^
i^fe^
dn • ty 7 o Who would not give np will - ing . ly
All ma - tri - mo • nial am • bi
tion.
=I=f:
1 '^ ^ ^
t==t
*Hl»l
Sa
# *
>n ■ r
S
i
#^
f«A
5^
^^ m=r —rS^ ^^^ ^ ''\^ J ; 1 >^l?^=g= f? =f
•OCh Ul ODC u I
From his on - for - tti - nale po - li
tion !
From thii
iMf;
S^
:gi^>v Tt -9 -<0-9\>^ J » > -:^ :S:\^ .^
j=j=l^^
±*
:^^
I I )
^Z-^Sr
S^?
^^
ra//;
> 1 r
fi^
W^
ost:
-^ ^r
-^-v
^^
^ ^
« t€mp».
^&,
§^
?2I
■^ ^
g-i-r-
1^ ^
"; i r~!»-
* — p^
u
u I .^
=^
::?:
S
i?^
ttoo, to m
Jtl-
cne such an one m I
FroB hit
on - for - to - atte po -
^
^
^t^
^9=i^
'1
It
^
s
PP doUe.
#:f f f f
H*- -»r
crett.
.!^!=g-rT-^
4li^
=y^==P=
EIS
=&:t
^
i2d:
f Chorus op Gikls.
^^^^^{^ ^^
^
> »-
^
S
^^^=^
: -4t-
^ U" l*" g:
tion I
A • Us, there's not one mai ■ den breast Which seems to feel the mo - ral bean - ty
^^
:i=it
J J J
^^
^^
J W
^ * ^
-r-*-
kzz « J . J'
^
:?i=^
=ff==F
:^2:|c
^
d J ^ f-
^^
mak iD( world-ly ia • l«- rest
Sob - or - din - ate to sense of du
i
^
7)
J»- ■*■
s=r
^
^
t
Jf^
•< r
i &
^
Fred.
39
i
^
^
=?=^
y t *
s
^
£
^
1 gig" f t-
I
eaM'd all hope to dis- ap-petr
i
-T~~r
Of e - TCT win-ning man'i af - fee • tion !
I I
rC
S
-t-
To such an one- If
I ! I =^
HHm ^
±5^
* * • !
^
i illiriiUii ' if~r - r-^ ^S miiJ:.ir ^ ^^^^
^5
J2i=
^
^
-'^H^
^
^
i
;J^
rf:
N-I^
^^
t ^
^
^
:?c=^
:tz=)fc
^3
f=dl«_i-^^
%
S^
±5
snch there be,
1>> F
^W^
^^
::^^=^
I swear by hearen't aich a - liove yon.
If jroa
will cast your eyei on me.
How
t ^ t4r
^^b>-*- -7 -5- -JViW^
^
^
:M=
tt
«
^^
^=f
nt/f.
^f\>\>f J"
E o tempc.
^
I
^ F ^-u-v-
^^a
^
^ > i»
• e • Ter plain yoa be, I'll lo«« yon 1 How - < rer plain yon be.
If you will cast your
^^^
^1 r
i
^^:
( * K
^fi^
■rJ '
W>c^
(^)P t ?t, C ^ raern:
^
* y
^ .:^' ^^ ^ b /. .
g=f^
^^rj^P^
:M ^^^ i"
] ^ \^ y
^
eyes on me,
How ■ e • Ter plain yov be. 111 love
^
yoo, m loTB ... yoo. Ill lo»e, . . I'U love
S
^?1, ^ - J^
^
I
^
4^ ^^
^-^
^^^E^
^
^
rt
*
q '
1^
Chorus or Girls.
dim.
^ ^^^^ ^ ^ -^ ^ -^-•--^5^ -5^ -*:
Ij*- -*-
^
I
I I I i=r
3=3
^
J # ^
-J- J-J-^^
^^■ ^-^-■r-J-
AfaderaU
^^±e
f r r
5^
^-W
:^fsz
k— !>» ti* ^ — 1^
Oh, sis -ten, deaf to pi-ty's name, for shame I
AfodenUo.
"^r r r
^
m
t^ — b» — tp^
It's true that he has gone a
^
?ff=?2:
^
>^-r-
g
V — ^r— i ^ r-
^^
Chorus.
iBtt
sa
iQp:;
-t?-^
I I
stray, but, pray, Is that a rea- son good and true why you should all be deaf to pi - ty's name ? The question is, had
^ Q PP
— p --
fr j^^?b ■< If -
5t
~^^^~br:
i
^
^. >> ^
?B^
^
1^
^^
^
Mabkl.
jg^^j^-^rgsj^g^ ^-r;^
be not been a thing of beau-ty, Would she be sway'd by quite as keen a sense of da- ty ? For shame I for shame 1 for shame !
_f« --
±=2:
aiE
I * -
( « -
"i"^
_(« — - —
41
No. 8.
AIR — Mabel & Chorus.
^
Ttmpc di Valu.
Mabel
^
m ^4
?=
^^=^
a .t
^« — (*-
^
?^
^
Poor
wan ■ d'rinf ooe.
Tho' thou hast nuc - ly ttnye<}.
as
i 5* ^^J ** * j^
Jt=4
^ I f ' ^
PtANO.
— t 1 — ' 1 1 — * 1 ■ J I
^^b' .n J"^ ! T^ > 1^
5t
j^g * 1 I eJ
i
-7J-
:?=Hg=
■P — 1«-
i"
i* — f-
H* — (*-
1"
j » ) »
f=
c f» - r
i"
=p=^
-» — t*-
^i^^^
-y — r
^ I-
ir ' <r *r
^
rail.
Take heart of pmce.
Thy itepi re - trace,
Poor
waa - d'ring one.
tlt-tll'ii l ' .^ ^
$?2=P=
^ ^ ' -»*-*•
e^.t' r '^ ^
-<«— H*-
^
^
F r
F f
li=^
J ^ <"
r p
£i^
A o tempo.
W^=F
^
2a=
g> t
C I * f >
g
* J ^
i
i^
Poor
A
wan - d'ring one.
rf (Dcb poor love at mine
^=x
i
j=t=
^
-p — ■ — 1^
^ M
M M
^^
?^ 1
"*-^
5: :5: * *
3r*^
* *
* *
* *
* *
^
^
^
^
^
^
^- .S ,
o t
-W — 1«-
g^ t
f P'
I * I * r ■ ^ ( * r ^-t=:^
j'P' f r l |* | »r -J| »r > »"
i
=!^
■P— y-
mm
§&
^
^
^
s
i-
caa help thee find
-t—
Trae peace of mind, why, take it, it
is thine.
ji
^
^
I I
r I
r ! . I = I I * f
-^ J^-^
r r =^ r r
^^
^«F^
-*•-**
^- ^ ^ ^ :S:
g
^
»< | i »-
=^=F^
-f — p-
-^ — p-
-r — p-
-*« — I*-
^
r n-
43
B ^ — J II I! M J i M : i M J i M ] I I I J 1 =^
•==^2— :g. ' -I. ' * ^-^C ^S ^^t ^ ^3
Chorus.
(j^
^
^m
r t i* I p*
=f=
=^^^
p
1 '— t-
Bo <Ua - ga lowen ;
Tmke
P=^
g
bean.
a
^r-, f-
T»ke
« - - »y
heart
ii
0^
S g f , f
bot oon.
« — »-
I ■! T
S
« — «-
i=t
pi^^*
^
^
g «
pg^
fc l^i-r-i -4 W V - f - 1 i ^-f ■;• I J y 1 1 I i ^ T I /«;- -f
1
^
^
1 — r
^
?
-=r
i
Mabel.
$t?=t
^ — r-
r— »-
S
i=^
=P:^C
Tak*
heait,
FF^
{ui day* «ril]
4 U
thine ; Take a
ny heart — take mine I Ah I
c
^^^^^
t* H 3B=— ^
Phs:
F "5 "i F 1 1—
«=r
^s- -fr" -^ ■-; !
^j^~^~i^ I J ^ " N " ^ ' ' I J ^ ^ \ J ^ <L \ J ^ ^ \ ' FJ=^
^^
^^^
^
\m
r*^*-
&
^
vT^
-#2-
S^
1^
Ahl
I !
:«t
V^» •-
Aht
Aht
^
-^^— W«
-K -^nr
fe
- <]!».
' V t -
^
i
i
. B
Poor
^
a *
p r r
:t
^3^
I I
wan - - d'cing one,
Though thoa hast sore - - ly sUay'd,
P^'' J i
I
a — p
=»!=4
*! *l
^
^-^
*r
* *
* *
"3E — 3Br
* *
m^
*^
* F r
^
'f I * f -
F P-
r
-P P-
f r =p^
-p — p-
:p p p-
^
r #
s^
-r — y
^
^
^ J
I I
r ' i~Tr
^
It
Take heart of e^ace.
Thy steps re - trace.
Poor
d'ling
3=t
tt-^iqc
-P P-
S=S:
dSalr:
-^^
tJ
f — *^
•*■ TT
^^
^
i
*! f p
-p — p-
p r
-p — p-
-p p-
•i r r ■
-^
^
t^
:^=^
S
-p p-
-p p-
fc^
one I
Chorus.
Ah, ah! . . Ah, ah, ah!
S^
-p p-
-p p-
-p p-
— * —
one !
Poor
d'ring
Poor
J — 14-
wan
^1
- d'ring
m
m^
^
I , I
J ■* I*
-fey-
M
m
m:^
g^
^ r
^
^
^
f P P^
^ * d
-P P-
Ah. ah! . . . Ah, ah, ah!
Fair days will thine.
Take
P
^^
-P P-
-P P-
^g
•9<S^
Take
%va.
one I
Take
heart.
fe^
y^— -r
-p — p-
m\ * r
V ;
5r-^
-->^-:f^
1 I I
^
-^ — r^— r—
g
* — thr-
1^
» j i>
f P P
1 r r -
44
a,\*t f f I f ^
^ 0-
.^ .M- -^ • • • • -
r 1 1 r f I r r r~"]T~7~r"g
boirt I
^^ :t *
4 1:
r i M f i r I r I I I r I ,J .1
> rr ^- r
r r i r r r
-1 a I , 1 < 1.
:f=^
^ ^
:i^ .!^-U-^4^^ ^ ^ I l^ =tz
^. -0-
U , U ^ I 1.8-,^
t- ,c-.t.c-. i f ^=M
^ .>_^- ^ 1 ^-^ >- 1 ^^ ^ t^ i:^ >> >! >> ^
-i^^^'i-^i^I'^' h '^i'^ ^ =^=^
• •
4^
M=
MM.
f i .ff , .T
^b^r
^
tzte
r^~^r I r * '^^ ^^=^ I "^ ^ ^ l"^^"^""^
^-^
TT'
i
p^
Chokcs.
Take
fikc
heart
3
i
'-? C?-
*
F F
-«^
Take
ny heart
bat
our« !
I
^
^^
t,f t.,f J
52=
^y " 1 p =F
I * f
111 = ' 1 ' -1 ' 1
^^
r T
y T
bj^- ^ ^A-
^
* A
i: i
::f=f^
3» •*-
^
?
r I £
>^>r r r iT ^
^
^
(i
^
- I* F
F F
F ■ F
Take
heaitl
Take
m
1 ' 1
*i ^ 1 -^^-=^
1 - 1 ' 1
1 " ^ " 1
1 • 1
1H_=
* *
^^ » I —
f f I f ^ "^H
1 ' 1 ^ *!
^
m
$
^
e
^
gg »
Eo dan - ger lowen ;
^\^ r 1 ti^'-4-^
1-
M
«9 - «
ci ■
Take
S
^S
nj heart
t
I
>nt oars.
g »
#
=F=
s
* I I I I i t
y T
!■ H
i
r y
^
i— S— "i— l-r^
^
-r-a r
^t^
:?a=
( * I .^
^
ryi r I yi
S
S
^
Ahl ahl
Ahl
^
1^=^
%
i
-(« — p-
f I *
i » F-
C f
ittEt
Take
^
heart.
take
heart.
^t4 jH
^S^ lit rj:
Take a • ny
heart
but
-tar la £''•!» aai aia -t
-^ r _^T~^-r-^-r -»=
*->^^-,^g =g
^
^
^
-^1-^Bi— faBBha
i
B^
r t
i
» y
^^i
■- it ^
3
^
5^
I I
^
^
cadenaa ad lit.
i^rr nr
s
Take bout.
$
-^
tmn, Take heart.
^
P=i=^
^ ^
rf I f rf rff
^^f--^ t
^^
s
1
^ f
^fg^^?:
^^1^^^^
sg
5i
J^Ped. :J; :S^
-^
^ ^ ^
Jt—t—S-
• — • — ■«• 1 — • — • — ^ 1 — 0-
f r r i p ^ ^^
^^=y
=P=F
W
^^
(ALaak. mud thaoi gn tc mtnUh of emoe l^ mkA eowoortt. • b^rm
bmkam itr litttn, wh» /trm in a Bemieinh around her.^
No. 9.
i
AlUgrttU.
Edith, Kate. & Chorus of Girls.
Edith.
^
lit
^
lizp:
^^^^^^^
?E3^E
What ought we to do ? gen - tie ni • ten, my I Pro - pri • e - ty, we know,
^
r^^r-^
i
^
^
S
i^ 1 1
?^
^
PUKO.
staccato.
■^ «
^
4=F
^^
-|^
^ ? » " ' ■ J ^ d
iK^^j^^
^ f* ^ h
^^
i*=f^
sttr:
3gz,^^f-^F
^
^
^
i
Mjs we ongbt to itay, While sym - pa - thy ex-claims, " Free them from your te - ther ; Play at o - ther garnet,
^^
m
i
-p
i
f f ^ #
fee
^
P
=E=H^
gg:::=p::
&=>^
^
:V:
^
i
Kate.
^
f# r y'
^
^^^
^^^^=^
?
=^=^
^^^^
w
i^
^
^^s--
Leave them here to - ge - ther.'
Her case may a • ny day Be your*, my dear, or miaei
s*
^
* f
\ f
^^
umpre staccato.
-^~
-■r-H:
^
^
i
S
^=^
^
^
^
^
'-rl^;^ — ^•
J^..^ T \
:*=JS
.J 1-
^
fs S S
K. S r* :ja:
V r
bJ ^ ^ j^
pci^SC
W «>
while the nin doth «hii
Let her make her hay
•hine.
Let ni com-pro-mise, Our hearts arc not of lea - ther ;
^=^-^y .; -^i^j ^j ,i' uj tJ_>j-jLi
1^^
n
^
^
^^S
it*:
1 T
Chorus.
^MM-^
.11. - 1 A kt_ I^_ ^T' , . . .. "^
M ihjrt onr eyei. And talk a - bo«t the wea-ther. Yet, yet, let't talk a • bout the wea-ther.
\>t- \ ^
— I I -'' »*— f^—T 3=
4. i i ' ^-^
«t — ^5^
fe^^
i
lO. 10.
a
(&XTH, Katb, tmd girU rttirt mp, and tH ttae <md Um, fmemf mm*
«<A«r, in a tine aeroM the doge.)
(OaATT^ase OoaanB (dyrinf mAmA FssDtf»^ Mabbl /wirfh.
DUET — Mabel & Frederic, & Chorus of Girls
Chorus.
^
^^
PlAMO.
!
AlUgro vivace.
^ .tL Jt. Jk. ^ ^ M. ^ M. M- M. .^ M. ^
-» • »— 1 — • H» • • — r— * P • !• 1 » *-
How
beu - ti • M • ly blae the iky, Tb*
f
' ' i ' \ ^ m
'' f^ > ^ hi N h >
m
±&
gUu if lii • ing tc - ry high. Con - d - nae fine I hope it may, And yet it rmin'd but yet • ter • day ; To •
*
i
i
^
S
^;^=^^
1 3 — :i
EE
gJ )g/«„ ^ ^
^ t « >l
^^^
^^^
£^E5
1 I C ^ ! g
(i
tf A f
f* s
^
h h r
^
S
N f o — fy
^
*> y J
-ji — *-
1^
Bor - row it may ponr t - fmin (I hear the coon - try wants some rain), Yet peo - pie
■ay, I kaow not why, That
m ^=^=i^.=f.,=fw = i-^^^^^=^i^
w
m
=fe
^ — s-
1 i^g"T^
^
^3
&-r^^
^
^-1^- c I ^ ^ ?~Ji^^r-j^
pen ■ pie say, I know not why. That we shall have a warm Ju • ly.
A
To - mor - row U may
Se»^»
9 S
i
g g S |'*g_^ ^ *g
-» •■-
^^
^
I I
^
{.Dwiny (Aw the firlt continue their chatter pianitMnmo, ^M
in(f eagerly aU the time.)
*5
I
-^
f i *
«>-
■ I ? V
I I
n*~^'
:p=
?=:
^
-s-S,
Did e
Chorus. </.•>«.
o~^
des wake From dieaaa of
^
> , >
^ > I** K
^
« t f *
> > > ^
h h h ^
^^^^-^^ h h-.
^
^
l^izKi
3tr»LzM=*r
^ ^
m \ dsmS \ m*Sm\^iim -r
poui a - gain (I hear the coon- try wants some rain), Yet peo-ple say, I know not why, That we shall have a warm Ju - ly.
¥^^
^
-s-
g — ^
P
1^^
S
^
^
:a.
i
ifei
^
r u
^
^^^
!trt
±:
^
^ I I
It
zt
±
±
-1-
To &nd her day • light break With socb ex - ceed
^--1 -h—l-
du - ty
^^
ing bean - ty I
VrXr^S- i ' 3
5
3!=1=
123
3^ - ^i ' s ^
=?==F
J — . n '>^^ ^
g= g<- >■
^
^
:&&
-P 1«-
=(=:
SE
^
g
^^
^ r J~^
Did e
B
▼er mai
dcB etfiie
J.
Her eye* oa wa
king aad - ness,
ii:j^ j .^^|4-j gt^fe
i
^
^
3^
, ) '^ " i t J J
I
* 5
^s
^=i
^
-«J-
i
■s-*»
=?=«
g
r >■
^
To dream of such
oeed
-«■
ing glad - aea !
^
^=-
P
Fred. C
-I* — (« — ^
za:
^
zn
^^
Chobus.
< ■? '
Ah, yet t ak, yes
c
Hub
ex - oeed
^P
^
i^
*=r
z:
fF?
i^aF i a
^
ing glad -ness. 'How
^-*-
m
j <, I I
'$ff« J «i ^
^
2^
^
^. -5 .
^^^f i.{A^#^ ^^
S
^5^
(Frederic and Mabel turn to see that the girls are listening;
detected, they continue their chatter, forte.)
P
i
m^^^^^k
^-
?c=Si
I^^fcHi?
.j^' j'j' l g T ^'^^fiS ^i
beao- d ■ fui -Ij blue the skj, The glass is ris - ing we - rj high, Con - ti - nae Adc I hope it may. And jet
t. And yet it rain'd bat
i
i
-fs ^
^
- ^ ^
■^ — J^
^ - ■■ * '
-i^-^
Js ^
P
£l
| p ?., Ci^i | ;i^^ i C^c-,|e^t^ig,t,
i
l==i^
j s4^ J^y^T^- J l Ji'; J'l.; J J J l J ; / -^I p r f :^
■5^-
yo- Icr-day ; To • mor-row it may poor a-gsin (I hear the coan-try wants lome ram),Yet pco-ple My, I know not why, That
^^ ! ^ i\^-^--i\-^ -^ ix-y j-^ i-h-i -^ il"^ i*^ J4ji_^3:^^
m^i, ' ^ " ^^
^
^
^ ^ 1
5c=n=
^
(
^^^
^K^M^^^M^^_^^* l k
^
M s
^
3t=lt
d » ^
* * d z=i
utit?
■*— ^-
t^ "^ ^ : . . . —^ ^ . ^ .
we shall have a warm Jn - ly. To • mor-row ii may pour a • gain (I heat the coun-trr wants some rain),Yet peo-ple say, I
- ^ -^
^^m
I S S g g -
-g g s s - t a,^^# jL-
I I ! r-
ztz
jlilEg^^
• ^tt-T^-
5=
^i
r.rrFr.rrr
-«--*. ^>t.^.«- -tL. ^. ^ -0L ^. ^ Jt^ M-
4^ rr-t-t- rr '^ | t"t- r — ^
( I luring tliis the girls continue their chatter, pianissimo, as bejore,
but listening intently all the time.)
Frkd.
^1,0, , J iJ -J-U^j- J
^
*» — ^"■
m
Did
i^^-a-— I- ^ ^ s
?— tc
^ j i
p > > > -
fcft
dun.
^ -^ 4 ^ .^ ^ >
ver pi - rate roll Hi*
x^
->r>-:S:3:
■^ 1^ ^
It vnr
know not why.That we shall have a warm Ju- ly. To - morrow it may
pour a-gain (I hear the country wants some rain).
. ^— ' -- ^ ^ ' ^ ' * ! 1 ^ ' 1^ ^ tT =3ja ' £) # "^ to *-■?=?"#'
r"
ioal.
in gidl
ty dream- ing,
ABd wmkc
to tmi
^
^ ■
y^i
f^
C ^ '
-» — r
that Hwl Wltk
J J I CJ ^ ^^
-' a — H& — I « — ( O 1 — I I
( 1^^
f g I
J «
za:
r^
^
S< '
p
^
:?=
^
F^
P
Chokub.
j ' ;i. ' a
^f^-pTf-*i£J^-f-*-P=f
> m
m
m
j^ '"J-
r^
> h ^
^^
re - ry high. Con • ti - nne fine I hope it may, And yet it rain'd hot yet - tei-day; Con - ti - nue fine I
^: ^ ^
■S 1 \ I 1 , — J i i 1 I 11 I i J
^ 1 « * ■
=5=^
-« • — S4 — -« * « ^ - — 5 Z: Z ~
^^'=^^= ^^\ i l l 8-
l-j g ~j1^ •' f ^ ^
5F5=
r i F ^ F
f I g g g £
^« — ^ — ^
f F F i f £ C p i V^ ^
I
Mabei. F
rf
i
IF^
¥■ P-
i
Did
Fred.
mai ■ - den wake
FroiD
i
¥ W-
^^
^
=X(«=
Did
P>
rate loathed For
i
^^
i^
f* f ^ f * "> h ^
/ .N^ / J j^
^
^^1=^
^ ^ d
^--
f
hope . It may, And yet it rain'd bat ye« - ter - day. How bean - ti - fill • ly blue the iky, The glau ii rii - tog
I^Wf^jtf^ , l ii K . J f h
i
^
g
— ITpt
^
^
i
ra
^
Tsr
3Z
■3"
59^
51
^
n '
dreun . , ol home
:2a:
^=^^^
r >
sake
his hi
^
-^^ — y* tr
*— V-
iy da - ty
r ir J
deooi mil - nan
To fiad
:?= C ^
?
h
To find
hiai
h s
i
• ry high. Coo • ti - ue fine I hope
it may, And jet it rain'd bat yet - ter - day ; To - mor - row it may
g^ '' ' ^
I
«
^
3^
^
)t g,! !
f
-<»
i
5
E
&
?;
^
?= I* l«=
ffi
*&
day - lieht break With inch ex - ceed
^
Ing beao • ty I
Ah.
'g. r «p r
P K
^
?5^
^
?=
lelf be - trothed to la - - dy of
po - si - tion I
Ah,
^ u : ^ J- Jl '' ' ^ J%U^' y \ i J' i' m J' J ." I 3 ;' i jli^ m
* 3 g ■ * ^ * 'g '
lall have a wann Ju • ly, Y«
i
^
poor .1- gain (1 hear the conn-try wants some rain). Yet peo-pU say, I know not why. That we shall
G
m^r^
^
f
•ES*-
-»■
ere - seen - tU,
^
^
H« «--
^
3^
■:=t-
-^P^-
i
g „^# | S^
^
y 1
^
'tt g. r '
1^
I
4&
yes I
Ah
^
^
yes.
ah yes !
^^
r - ir
yesl
Ah
yes,
ah yes !
i
'i i \ S : h hi i^ j* h r
^ ^ j4-n r* h
^
^=»
g ^ I J 5 ^ ^>-Lj ; j- g jjtw ^-^
-* — y-
«< — "-13*
peo - pie say, I know not why, That we shall have a warm Ja - ly, a warm Ju - ly.
i
Hfc?E
t^.
/f ^ — *-^^* — • — « '• ' ~ a( ' ' *\ ^ ' ■ ' ■ ' ' ^
g to
I I I I I
i
mttlte.
^^
^
4 — , m ft-
fe^U
-^
1 ^
:^
^ ^
^^
s^
lo. II.
Frederic, & Chorus of Girls & Pirates.
FXKD.
u AlUgrttto.
Suy, wemastootloceoarsen-ses. Men who stick at no of-fen-ca Will • - noo be here I
^^
-¥ — h#
T^^ J a '• r-H'— r
3—* 4 *
fik»o.
^ ^., ij J >• J I * J ^
«
Va-r
::r
-=ir
i
1:^
*
'y g^ I* t .jg-^
"c c ^ r
^*
?
g
f * ! * it^
-t^ fco-
^— -> 1* 1* »»-
Pi ■ n - cy their dread -fol trade ix, Pray yon get yoa hence,7oaig la - diea, MfUlc the oout it clear I
fe ^
i
^^
f -
^ ^
?
f ~-
^^
i
Chokus or Girls.
^
{During thit Chorui the Pirates enter stealihily from R. U. K,
and form in a temicirele behind the girls. As the girls move to
go off each Pirate seizes a girl.)
is=!sz
J • J' J- J" ,^-^
1
^
^
1 * ^ — ^
i
-r-g^
j i I ^
No. we Bait not low oar *en - les, If they atick at no of - (en - ces We ihonld aot be here 1
^3
F^!^
^ ' ^ ^ ^ i ' ^
-— F-
T
I tl'Vn,, J ' J ^
^^
^'' r • C t rt-T~''-=g3l g^a;~g^;
X
J -
Pi - ra • cy their dread- fill trade is Nice com-pan-ions lor yotins; la . 4ia ; Let u« di» - tp-iTi/ysirui.)
j g'iV i-j;-=
=3^^
-p — --
pE
53
Pirates. *
GiRis. ^ ^ Girls. Phates.
IRIS. fu m^W.\S. PHATES. M- ^ M. .m.
1 ^— 1»— f( i* ^ I I J^f »i<^.- I - I I I 1 1
(
^^
f * -
i
f
I'ivut.
TooUtel Ht, halTooUteJ Ho, ho, ha > ha ! ha 1 ha! ho, ho, ho, hoi
^& ^ r^
=«=4
s
ti^^-
g^^^
^ S <g'
Z3 =
< ■ r p
-p — p-
^
33
*=f
-*- -s^ -*■ -^ nr -^- ■*-
Chorus.
^^
# — * — m-
^
HE=iC
f-^
i
^
^
Now here'i a fint -rate op • por -ta-ni-tjr To get mat - ried with im •
i
g
^=s^
^
^m
M
SS
=i^
( 1^
0" M
X—^-T-
-g-gr-f->
^
^H •g'l"
-p — 1»— 1^
^
^
^
pv • ni • ty,
t«^-ti*
And in • dalge in the fe>U-d-ty Of on- bound - ed do • met - ti • d • ty I
Yoa slaa
- rs I I I I I I I I I I I I I I I I I I I I III
m
»
11 1 4-
♦-. — *•
I I-
(1^
=S?e:
fe
-*— #-
fc
cf nt-gi^^?3 ^
^
:iz=tjc
quick t ly be par - son - i • fied,
Con-ja> gal-ly ma- tri - mon-i-fi«d.
By a doc - tor of di
i
=^=4:
T
^
^
^
^^F=^F^5F=^?^=i?
^**« »• *• — *•
» — ■ — m
-* -g- ^ X
*=^
i^^ J J
^
^ J J, J
I I
^
I I
■J- J. -i J.
i^S
^^=^
:S -*
(^
^
^
Girls. A
,fr ;/N J ^ ^
t=fe:
-v'-r
-^ — fv-
■pr-t?.-
r
We have nisied oar op • por - tn - ni - ty Of
A
I
m
vi • ni • ty, Who is lo - ca • ted in this ri - ci • ni • ty.
±=x:
-* — r
^
H
-*-^ -T - > - > r
i Ji J'i
■i ^ -J-
i=i:
">/
i
^
) i -
t ^ -
±=i
> » I
■< * N
cap - ing with im - pa - ni - ty,
— * — r
So ire - wi
-| /■ , !■ J^^^ =j^3=y=^ j
ell to the fe - li - d - ty Of oor
• den <U
\f
=t
^ s*-^^
lp-*~r
s
-p
F -
^ 4 ^~f
^
:* :* if: =:
J r
^=?=
5
- tri - moo-i -fied. By > doc - tor o/ di
^
i
S
-8 * —
/
I^
=*=S=
?f-J-J-J-?4^-g
isrf^
vi-ni- ty Who U lo
-ted IB this vi - d-ni-ty,
By a doc - tor of di
Pirates.
vi - ni-ty
m<
;SZ$z::«zz«
10 re - sides ia this vi -
— <m—\ — » — —a » '
By • doc - tor of di - ri • ni - ty Who re - sides in this ri
5^
«^^r
^
±=S:
^
=l«=?c
i^
1^ — I — r
:^
r r r r
■» * » » ■ ^
I I I
lit . ft
• ^ » » » * m0-
^
-r-r- > >-^
S=k:
^^
f
■• — • — »■
^ ^ r
d -ni-ty,
By •
1 — V > I — > > • I .
doc - tor, a doc - tor, a doc - tor of di - vi - ni • ty,
^«
s /' » y :
r^
^-; i f ^ g^^
^
di - Tt - ni - ty.
-0—0-
:5z=tc
I I I
^» fca — Z2 — I »
5^?^
g . t
:t2=tst
d-ni-ty, By a doc ■ tor, a doc - tor, a doc - tor of di - vi ■ ni - ty,
■z — ^
itd. i ' J' J-
2^
of
di • vi - n» • Sy.
-f« --
-1^— P-
^
S^=fet:
g
£:
^
^
K -
^f-f
1 — r
i
fcit
I I
^
:^
^
^m
* — p-
-Ji m^
^
-1 1 r—
*-i- f I i IT g r
-1 1 1 << g— » »
^
SE
P
I L
I I
?
cz
=i=
No. 12. RECITATIVE — Mabel. Major-General, Samuel, & Chorus.
Mabku
fi', - r : :
* Itmpt
( The Major- OmenU ka» entered unnotieed on roek L. U. K) Samuel
->— X
^
j-jfyj ff ^^^
n r- r
-cr
Hold. MoasteiT I i ^ZH' P''^'\'^''"^'f ! wed « aU. (/"'.'*" '^ °^ 'l^ '? '"J'^l G*^« - ml • We-a
• ) proceeds aguiut am will to ^ \u. Chancery, and father is a Majoi^f vre-nc nu . ne o
a Uwtpe
»»IAN0.
modtfxUe.
-_« *—
GlKLS.
^£^
*
^
M » » »
i
-h — N P* — fc — I »-
li
:$c=;z:
U L* U U
^^^^
J ^ J W -^— W-
z?=
bet • ter paoK, or dan- fen naj be • fid | Their fit • tbcr it a Ma-jor-G«- ne-iall Yea, yea, be ta • Ma ■ |or
modertU*.
^^m
i ' \ i ''i ^
ir V-fh^
an
fe
p
p
=?=?=
^
Major-Gbxkkai.
I
Samueu
Chorus.
i J I ; J / ; J J l i n ;. ^ ,_:i.).:r r
# ^
f r 0-
y g ^
^
=2=^=^
E
^
5"
> » u.
Ge-n«-iall Yea, yea, I am a Ma - (at - Gc-Dc-nll For be ii • Ha • jor - Gc - oe- nU l He is! Ilui
?
=F=:
i
J. ?! ^ ^ 1 i ;
a=
^^
^-^
T~r
^
t * -
P
f' ; 1 11 'F =^ g 1 g g ^^ ^ C ^ ^
i±:
^^
m
Major-Generau
£
g e r
S
^^^
3=P
<^-Jtf-^
^
rah (or the Ma - jar ■ Ge-oe- rail *'And it
'■ »r =*■ -• — -*— :? 5-
it u B K)o - rious thing To be & Ma )ur
y ^ ' i'i: i< g r i
J J J
I jl J
^
5P=P
^
?=
5
X
General. Yes, I am Major-General! General. And it is a glorious thing to be a Major-General'.
All. ,You are ! Hurrah ior the Major-General ! All. It is ! Hurrah for the Major-General !
No. 13
SONG— Hajor-General & Chores.
^
I
I
9
AlUgro vivMCt.
j ^>""- r r r f' l r r r :
f- . r^f^f^f^ . ^-^f-ff-., .i-fT f:^^
PiAua
^i. \\ ' r r
-m. — ^ — m — *
i
i
^
E
g
i
s
VIijok-Generai.
^^
^
=^^^^
g C g C -M
r ■' ti»
1 ^ ' 1^ * ^ k
I. I un the Te ■ 17 pat • tern of a bio- deni Ma -jor-Ge -ae- nl| Fm
t. I know ont mj • thic his - to - 17, King Ar-tbsr'i, and Sir Ca • 10 • doe'i, I
ii
^»»^
?^^^rf^
« *
pf
^
^
' ^i M 'U ^ U ^ ' i
^
^
^^^^^^S
-r^-T
^
^
r f r r
la • fw • au • tjoo tc - ^e - ta - ble, a - ni - nal, and mi - Be • ral : I know the kings of Eng - lahd, and I
aa • (wer bard a • cto* • tict, I're a pict • Vj tast* for Pa • ta • dox : I qoote, in E • le • gi - act, all tha
i i i^i i
-^
f
Wi
57
^■ote tke fights hii • to - ri • cal. From Ma ■ n - thon to W« - ter . loo, in oi - der ca • te - go - ri - c»L I'm
criiae* of He - lio - ga - ba - In I In co - nics I can floor pe - cd ■ li - a - ri - ties pa - ra - bo - lous. I
I
->-
^
i 'i * 1^
f^
±2:
f
« — ^
^
^=^
iS£^
^
y^t=F
^
^ * U 1 ^ P^
TC - rr veil ac- quaint - ed, too, with mat - ters ma - the -ma-ti-cal; I an- der - itand e - qoa • tions, both the
tell m- doabt - ed Ra - pha • cli from Ge - rard Dows and Zoff - an - ies. I know the croak - ing cho • nu from the
m
^
m
¥
r=^
bi^s^
1
g^
i
i
sS
^
^
^s?
?t-c ^ :
-r-i>
^^
am - pic and quad - m - ti • cal : A - bout bi - no • nial The • o - rem I'm teem - ing wiili a lot o' newt,
Frogi of A • ria - to • pha • dc* I" l^en 1 can hnm a hgoe, of which I've heard the ma ■ lie'i din a • fot^
!^
m
m
m
ft
^s
g
s
^^
^
^
i
{DiaJegv*.}
n=^
^
^
r
I. With ma - nj cheer - fol facts a - boat the square of
*. And whis - tie all the airs from that in - fer - nal
'M
M^
i
^
t
1^
^' H —
the by - po - then - ate |
non • sense, /Vn - a • ftnl
, 1
^
i
(M
CBMifm,
i=3C
^t
-ft — h — ^
i:^iij'j^J \^ t £ 5 c g s c5i
.-^
with BE • D7 cheer • ful facts ■ - boat the iquare o( the by - po ■ thee - use. With ma • mj cheer
Aad whii -tie all the ain from that in • fer - oal non -seiue, /Hn - a ■ fort, Asd whia • tie all
M hcts a •
the ain froca
boat the
that IB
\^
Im.
^^
=?=»:
e^ b^ #
/^ f^ ^
4L
^ - ^
^
I
->-t?-
>^ U
>^ >^
With ma - ny cheer - fnl facts a - bont the square of the hy - po - then - aae, With ma -
And whis - tie all the airs from that in - fer - nal non - sense. Pin • s - /frt. And whis -
ny cheer
Ue all
-fal bets a-
the ain from
boat lk«
that !■
;i
> ri I
T-^i J : ^
5=:S
jt=5:
* •
f
«
-0. ,— «.
^
S
i
P
5=^
^
=F
-::r
-g — *-
i s C ^ s z ^
'- — h! — ^- — F — t- — !t — Fr-
^
PSiE
y » >*-
-F --
-p->
-*" — t^ — ^ — t^ — >^ >^
1^ 1^
square of the hy - po - then-ose. With ma - ny cheer -ful &u:ts a - bont the square of the hy - po - then-po-thea - ■■•.
■ ue all the ain from that in - fer -nal nonsense, /¥»•«- /««i ••• yfcru
^
fer - nal non-seme, /Vm - a - /are, And whis
5*.
-A— ^;
J«-_jr_
-r -T-a:-
'ZXfZ
JL^
^
^
=tc=U:
U U U"
L^ U U-
U >■ U
F -
sqoare of the hy ■ po -then- use, With nu • ny cheer - fill fiicts a - bout the square of the hy - po-then-po-then - uc
fer-nal non-sense, /^ - a • /wv, And whis - tie all the airs from that in - fer- nal nonsense, Am - a - /m - a • ftrt.
ajor-Gknekal.
^
n ^ ^
*
m
I'm ve - ly good at in - teg - ral and dif - fer - en -tial cal -en - las ; 1 know the sci - es - ti - 6c names of
Then I can write a wash -ing bill in Ba - by • Ion - ic cs -neiform. And tell yoa ev • 'ry de - tail ef Cm
T^
^
^m-
^
I I
J * j *
^
^1
i9
i
: • :■ J J" X
^
^
s
^^
t^ u
^
be - ingi a - ni - mal - en - lous. Bat still, in nut - ten re • ge - ta - ble, a - oi • mal, and mi • ne ral, I
nc • ta - ens - 's a - ni - form. In short, in mat • ters ve • ge - ta - ble, a - ni - mal. and mi - ne - ral, I
?^
f^^
f
ir
^
^m
^-
g
j^
=f
^
i
^
±«i
^
Chorus.
^^
f
^ J
=5?=^
the ve - r; mo - del of
mo - dern Ma • jor • Ge - ne - ral.
^
But still, in mat - ten re - ge - la • ble,
s^^^
s
^N
i
But still, in tut • ten ve ■ ge - ta - ble.
-4-
^
-t- Z :
/
^
BEt
?^
^^
i
sE
-r— ft
^^
m
p=^
[y r I ^ ^
s
liS^
ni - mal, and mi - ne - ral. He is the ve • ry mo - del of
mo - dem Ma - jor - Ge - ne - ral !
^ M g "F ^ ^ ^
r- »
:^
"C" U l^ k =:£^
'-^^
I * ( *
^
-=l— J -
V — t ?-
a - ni - mal, and mi - ne • ral, He is the Te • ry mo ■ del of a mo - dern Ma - jor ■ Ge • ne • ral !
\P
i
^
=t
^
^^
r^
ts-^ — *
J.
^^
1
S
^^
^
1* ^ --H*-
^ ^ c ^^
SIOVMT,
m
3. Iiv (act, when I know what is meant by " ma - me - Ion" and " r« - ve - lin ;" Whea
T-^ <' S-
^^=^
^£
-^— I*-
*i — ^— p-=4=
^^—r-
i
g-5-
3±
=3=
-"1— t^
fe
5
:3=-J^
-^1— r-
3EE
=^=F
i
oo
.^ J J J ; J ; j^ ; i j^ : j^ ^
r Z f
-9 ^' - ^ ^^^ »»—
*c - lin ; When loch af - fun
^^g C ul
I caa till at afht a cfaaae-fot ri • ie from a )a
la KT • tiea aad ■■
i
»7 ■ ! 1 ^
7^ ^ i
i
1 t*
1 f
^ ^
^^
*
■^ ■ ■ I
IK ^ 1 r
^
•1 t *
¥::^?=
=F=he:
^
^
77 .^ / J / ij
^
?S==:fs:
§
^^
f ai
■J -J
H - ri ■ at; Wkea
ph - Ki I'm more wa - ry at | And when I blow pre - dw - l)r what ii meant by com
^
J ^ ' I
i ^ ^ i' ^ ^
J^ 1 H
1 r
^
:3=zt
s
^
^^
^^
1 1 I *
-^— ^
^?=^
^s
(!|i^> r X
c £ c : c e S
c e c c I e 'g
I haTe learnt what pro • (itai hai bee* made is ao - den fim - ae - ly | When I know more tt tac - tic* tkan a
^
j W l\^ * { ^ * \
^^=¥^
=^^^
^ ^ f t'f ^
^fc^
J^ ^ J^ ^ #
^?=y
=^=F:
^
M t
:^=^
>'t ^C C E >r J Jb^
^ mltP^. yivm».
c ^ ^"^ ff i e 'C : ff c fi E dct ; •^^' J' J I- "■
P
BO vice ia a naa-ne - 17; U abJtt, when I'v« a wnti-Xa-'atg of e - le-SMB-tal itn - te • fg—
YoaV
^^^^fv^-^A-** Id^W ^-1 >* I J, , ^
^E
I <IM^ \^V»U.
g^i. f -1 " ^J-^ F ||j W Jl F I JH . Jl . I - I
01
3!=9:
^
^
Cho«o>
-* — »l—
ay t bet • In Ma - jot • Ge - ne - iml has ae • vet sat a gee
=3^
^
J r ^ r i ^ r r.
Yonll lay ■ bet - tcr Ma - jor - Ge - ne •
m
j^
E =Cc
-f — i^
You'll iay a bet - ter Ma - jor - Ge
i
*
3^ ^ J jTTl
s
^
3
fe^
s
^^
5 3 — b2 -^-—li
±lAii—-7
m -f -m
2^
» m
g ; c e g s g I 'C c & g'*^^ ^
'^^
^
^
ral hai ne - ver
i*=r
JL
-0- *'
a gee, Yoall uy
rel
^
bet • ter Ma - jor - Ge - ne
y -1 -* / » -y- -r -g- , '*'^
has ne - Ter lat a gee, Vooll
S
u u
:5c
-U U U Cc
i^ L^ U" -r — r
3t=!t
ral has oe - Ter sat a gee, Yonll niy a bet-ter Ma-jor-Gene-ral has ne - rer aat a gee, VoaV
Majok-Genxkai.
-r-f
U £ > C ■» £ — p
t^ W U l^ " 1 ^ l* * M
%^^
i tS\ g S ^ ^g=^=g
say a bet- ter Ma- jor- Ge - ne - ral has ne - Ter sat a, sat a gee.
F
For my
t -•--*--•- ^ -m- -0- -•-
•y -g- -jr -g- -gr y -tf-
■g- y y y
(gj?, g U u* u u u [i^ y-^l X^U-k u [^ u u— u
^
■^- -w- ■»- -
-p -^-
^^
^ J h K
^ r h h
^^
C t^ ' c ^ - ^
^ , * ^
^
mi - li - ta - ry know-ledge, tho' Fm plnck - y ami ad • tcb • t« ■ ry, Has on ■ ly been brought down to the b* -
m
S
fe
Bat still, in mat - ten tc - ge - ta - ble.
^
^m
^
f
^^
^
^
#=?=
g
^ r
-g— ^
J^J^I v'- / r ^
p» >•
^
U k "^ t>' =tz
U t^
-^— -U-
• ni - mal, and mi - ne - ral, He i* the re • tj mo - del o( a mo - den Ma • jor • G« - ne - laL
f -r
u u ^
^=£=^
^ Iff" j*-
--^-^
^^
\i
:2t=tz
=* — »-
S
S
mi - mat, and mi - dc ■ ral, He it the rt - tj mo - del of a mo - dem Ma - jot - Ge - ne • ral.
I
-*- TT
m
^
i^^
f=T
^^
^5? ^
r
$
^^
^=^
General. And now that IVe introduced mjB«lf, I
like to have some idea of what's going on.
Kate. Oh, papa ! we —
Samuel. Permit me ; I'll explain it in two words : we pi»i
pcse to marry your daughters.
General. Dear me !
Ona£. Against orur wills, papa — against our wills I
General. Oh, but you mustn't do that. May I aek — thiB
is a picturesque uniform, but I'm not familiar with it — what are
you?
King. We are all single gentlemen.
General. Yes, I gathered that. Anything else ?
King. No, nothing else.
Edith. Papa, don't believe them. They are oirates — the
famous Pirates of Penzance !
General. The Pirates of Penzance? I have often heard
of them.
Mabel. Yes, all except this gentleman (indicating Fred-
eric), who was a pirate once, but who is out of his indentures
to-day.
General. But wait a bit I object to pirates as sons-in-
law.
King. We object to major-generals as fathers-in-law. But
we waive that point ; we do not press it, we look over it.
General. (Aside.) Hah! an idea! (Alotid.) And do you
mean to say that you would deliberately rob me of these the
lole remaining props of my old age, and leave me to go through
the remai~^e- o^ life unfriended, unprotected, and alone?
Kino. VV all, ye« ; that's the idea.
(iGNERAU Tell me, have you ever known what it ia te h« aa
rphan ?
All the Pirates. (^Disgusted.) Oh, da«h it all I
King. Here we are again 1
Gkneral. I ask you. Have you ever known what it k to b*
an orphan ?
King. (Sighing.) Often.
General. Yes, orphan. Have you ever known what it ia tc
be one ?
King. I say, often.
All. {Disgusted.) Often! often! often! (Turning away.)
General. I don't think we quite understand one another.
I ask you, Have you ever known what it is to be an orphan!
and you say " Orplian." As I understand you, you are merely
repeating the word " orphan " to show that you understand me.
King. I didn't repeat the word "often."
General. Pardon me ; you did indeed.
King. I only repeated it once.
General. True, but you repeated it.
King. But not often.
General. Stop ! I think I see where we are getting oob-
fiised. When you said " orphan " did you mean " orphan," a
person who has lost his parents, or " often," frequently ?
EIlNQ. Oh, I beg your pardon ! I see you mean frequeotlT'
General, Ah, you said " often " frequently.
King. No, only once.
Generau Exactly^ you said " oft'^n, fre<)ueniiv," only onoe
Finale — Act I.
Mabel, Kate, Edith, Frederic, Samuel, King, Major-General, Ruth, S Chorus.
Rkcit. Major-Gkneral.
$
r ■ J'J' J- J J
^£
I
bte,
M»dtrmt»^
1 '
Oh, men of dark and dii - mal
Faw-
^m.
«44IIO.
g'i|, ' i', j-
-^
^
3=:
m
^
z^
ij-
i
« ttmpo.
^
l-n-«L^P-J J
=?=^
^
^
=!fit
go youc cm - d em - ploy |
¥ \0 1
Have pi ■ ty on my lone - ly ttate,
lAMUBL & KiNa
MAJOK-GUfUtAl.
SAMUXL tt KIMO.
Majok-G;
i
^^^^^^
f=w^
=p=
^
^S
i
^
n^
>' < ff ^1 ^ ^
W r ^ ^
:i=}t
^^ffi3
«■=?:
-t-
fc«Tl
Ab or • phaa bojr?
(
^gi=y
Ab or - phu boy I How sad. u or - phaa boy I The
Chorus or Pirates.
=3B*:
^
^^
i
gs$
^
rr
^^^
How Md,
or - phao boy t
^
^3
I' liT rif
its
3
> » r
J-
^
^^
==*:
f $
5=:t
;?=^
^
m
Andante modtrato.
i
^
^
^
Chorus or Pirates. Major-General.
-I-
p
i
S
-:t=W^
3;=a:
^ ;>
P=F=
J ^ r
Jtzpc
=^
cbil-dren whom yon kc are all tfaat I can call my own. Poor fel-lowl
Andante moderato.
Take them a • way from me, and I shall
^
-F --
*^i
ig 1 s^zrr"h-a -±
i^, j^. ^
qc
T, /. ^
e
i i 1 I
sz|n
i^
^
^^
-:=r
Piratks.
Major-Gemerau
-rr
i
ai
^^
^
F i ^<
J^i=ac
«=6^
s
J l *
^
::;*=«
be in - deed a • lone I Poor fel - low I
If pi - ty yon can feel, leave me my sole re
main-ing joyt
See,
^i^^=i^=^
^
^^
B^^S^Eie
^
^
■¥ --
^
Wi
^
■^
:?=
J^'j*^^
f
^
=t=
?
-i« — --
^ 1
PiRAm.
It yonr feet they kneel I Your hearts yon can - not iteel
m
A ■ gainst the sad, sad tale of the looe-ly
ur-phan boy t Po
1 i I J K hT -i \ J .^ ,. -JV-J J— 1 | -*r«> ii"-: I 1,, r
ig
j j J J i-.
±=i:
J J J J V
11 * '
^^^
Elt
-£r-f T r-^'iirr
^
65-
Samuel, King, & Chorus or Pirates.
h=^
fel - low ! See, at our feet they kneel ! Our hearts we can - not steel A - eainst the sad, sad tale of the
i
'z^r^r^^-^
>*^
isr
^.
-P— P--;
^ I J 7^ ^ — =i-j^-j — J — I
=(==
~V~0~
i
^
I ' I ' ■
»?^— £
25:^
— ?=
S
Samueu
:;2=;:
^
Samuel & Kino.
=;2=F
! =^i = g^F=^
I *' t^ t?
:t?=t
lone-!y or-phanboy! The or - phan boy 1 The or phan boy ! See, at our feet they kneel I Oui
=ff==l
^ ' ^ ^-Ir-Jg:
/r
i
:*=i=*=
O
S
hearts we can - not steel
A • gainst the tale of the lone - ly or - phun boy.
m
^
zH
^^m
^^=^
w— *— >-
-y — *— » — *-
t;^;=ts:
* — ^
SI
ffl
3» « »_
■^=r
^ ^
^ -S:
i
Major-General.
-?> ^ ^ >
=^==pt
r 1 r -j^
3t=te:
it ^ ' »
Allegro vivace.
I'm tell-ing a ter - ri - ble sto • ry, But it does-n't di-min-ish my . glo • ry ; For
I I j I I I-* — I — I I — I I —Wr
P
^1
-*— ^— ^^- <
lizzi:
^3=^3zi:±
66
■^iczy^
3* K 1^
^ » » '■
1 •i - T - g-
-jr^ 1 ~v^ ^^^-^~^
*^=^=*^
they would have ta-ken my daughters O • ver the bil • lo - w)' wa - - lers,
ki
"-*- s^r^
^ ^^— P =^=^
lazi
1 1
^3^
:f^-
33=azz±
-^n±r
jtur^r^:^
I '"-'V"
ir-
^■z^ts
1 1
gr<^-g-
^r ^~F 1 -=^
=^=^52
:^==:
L I
3?z=3z=t
-g-^-^-
:*!r=^_^_Jl:
- n r
^3/3 Mabel.
He is tell - ing a ter - ri • ble sto
PP Edith & Kate.
He is tell • ing a ter - ri - ble sto
pp y»BD.
If he's tell • ing a ter - ri - ble sto
pp Sam.
If he's tell - ing a ter - ri - ble sto
jy p King.
>« y ' — 1» »* 1» w c — 1^-
'f he's tell • ing a ter - ri - ble sto
ry Which will tend to di - min • ish his glo - - ry ; Though
ry Which will tend to di-min-ish his glo
-j> fc k-
ry He shall die by a death that is go
ry He shall die by a death that is go
He is tell • ing a ler - ri . ble sto
Tenors & Basses.
ry Which will tend to di - min - ish his glo
ry ; Though
ry He shall die by a death that is go - - ry ; Yes,
ry ; Yes,
ly ; Yes,
ry ; Though
67
one of the cru - el - lest slaugh- ters That e - ver were known in these wa
It is
of the cni - el - lest slaugh - ters That e - ver were known in these wa
It is
-V 1» W
one of the cru - el - lest slaugh-u^ That e - ver were known in these wa
ea - sy, in e ■ le - gant die • • tion. To call it an in - no - cent fie - - tion, But it comes in the same ca - te •
gl>r fU
ea - sy, in e - le • gart die - - tion, To call it an in - no • cent fie
-p — 9 — -f — *• — V
tion. But it comes in the same ca - te -
ea • sy, in e - le - gant die - • tion. To call it an in -no -cent fie - - tion. But it coo-.es in the same ca - te
68
f I - -y As tei; - LE^ a rt - gu - iir ter - ri - b.e s:o - - ry. h"s ea - »y, in e
- le - gact die • - tion. To
P^
>«
-. !»_
Sfc_
— ft —
__ ^ .
Tr-
•« —
-5
— *—
— "—
■— —
— r —
— ^ — -
pr-
S
— «* —
in -
CJ -
ft —
— s—
n: -
con,
>•
ft —
il I
021=5
ill
the
ssme
K —
— -^ —
ca
ft
- te
go -
ry
As
teU -
Jng
a
V
ca^I
u
M
in -
no -
ceat
6c
tioo.
— ^ —
Bu:
it
cozies
La
the
same
ca
ft—
- te
*-
-
go .
ry
As
— 1» —
teU -
m
ing
a
— c
call
— "• —
■:
aa
La -
no -
ceni
fc: -
dOQ,
Bat
— ^ — ■
it
coraes
ia
tiie
rf
saaie
ca -
te
go ■
ry
As
— r —
tel2 -
ing
a
^
— *—
. — ^ —
— >»- —
— i" —
r
?r-
— * —
— -i
— 1* —
— ■« —
^ -
—^ —
- >
^-
— ' —
—f—
---4
oU
it
an
ia -
no -
cent
Sc •
tica.
Bac
i: cv"~e^
in
the
5aa-ie
ca -
te
-
go -
"7
A5
tea-
Ing
a
N*r
— ^ —
—M —
—,
,
!•
- ^'
— Z —
— 0t —
^^^
m
^
'
^
=F*r
% —
an
in -
BO -
cen;
EC
t-ca,
K—
Bu:
it
v_
cc:r.s
k^ —
in
V-
la:
»_
ft
ca
te
Ik.
go -
ry
— >r
As
s-
teU-
h—
ing
■«-
1
1^
•J
call
it
an
io -
DO -
k —
— " — 1
rxsX
*—
oc
• lisa.
Bat
ft —
it
ft —
coaiss
Ul
— *-
ft-
ST-n;
*—
C3 •
ft —
te
— w-
IT
go -
m
«_
Ai
tell-
m
ing
a
call
— »—
i;
ar.
ia .
DO -
.M.
— *—
cent
M-
fie
9
tic a.
Bit
it
M.
cciaes
— « —
in-
[be
^
ca -
le
ft
=r:
>
go .
>
ry
— 1* —
teU-
■M.
•
call
IC
an
ia -
CO -
css:
fr:
- tioa.
Boi
It
conies
m
•."ae
same
ca -
te
u:
— ir
go .
n
a"—
As
tel'
— '» —
r
"6
a
*/
*
*
*
JL
M.
— f—
JB. •
»—
«-
<
zr
— —
r
—
M.
.4
69
^
'
^
- Ur
sto -
ry.
=
m
J
re
-•-
V-
- L^r
i.-:
• — -
rv.
1 .* ■
i
re
A -
• — :
5tO -
1 i
■ • T
1 ; ■
-i —
- - 1
^
re
go
lar
sto
i S — ^
^ •— :-
1 ?
=^
. *y <j «^ *j *j *j
J=*^
r I ; »
=+
(r —
I.
/»
••^ :
#
>» >» »W «W "i. *» —
*=l=i
» — »■ »
M^ M. ^
•r^
S S :S
^
Mttderato.
KlXG.
e^-r
•
•-
A * •
— • « —
— « —
-^ -^- -m-
\
#
T # —
'
-T—
if
r--L
— • — -
Al-
d
0.1.- dirk
G
r-er some-tiaies
m -
\
— ^—
orme
«'
aaL ■
■ag.
We
h
<r-> ^
m •
P
-ft-
— «r
-•-
~T
i~~^
-•-
1-f-f-
^
-••
^
— «
Jt
— •
— « —
J.
^-
= — t-
<J^ 'A
—0
i ■*
j^
— s-
-^!?-
1-
JSITV,
»
.0.
m
"*
^
V.
#
'^<
#
s_
^
1
^-
r
1
4
"l ••
ra
tie.'thir.'t -.hal
we're Bot
il -
to
■ ge- tic
voij
o;
-e^.
^ ;
.\i -
-ioagi
we
!;-»«
i?
5Cr..>:
w«rr
al
- w^ys
> ->
;
-,
^
^^ <■ — ' — • m — ^•-
-• « 5 — j T^^
^ -*: S* * T^
T^-5*, ;. lI* .
TT •*■
* *
^
=»=^
^^'^=^
■J!' r I > . >
1 , i
[
70
%'f - ty to be - gin it : For what, w ask, is life, with-out a tonch
O ^^»*-»* # * f 'Aw^:t^ -J; :ji: Sf; rj: ^. ^. ^
li^ — ^ ^ — — . 1-
of poe - try in it ?
D
a
-P --
=1=1
p
|p¥;;^=3^^ gig ^
ir f f- -
~9 — y-
f
-I (-
i
Chorus. Mabel & Edith with ist Sop.
ff Sopranos. Kate with znd Sop.
Hail, po - e - try, thou
Tenors & Fred, with Tenor. Sam. with ist Bass.
Basses, g. ^ .,. ^ ^
^
~i^^
r
::f3=
=tz=
:!=:
-^
It
rt:
heav'n
-■^
bom
-T
maid !
:&
-css--
Thou
gUd
rJg , \
est
King & Major-Gen. with 2nd Bass.
Hail, po - e - try.
thou
hcav'n
tx>m
maid I
1
Thou
S
gUd
est
il^
=t=
i;
=?^
zssz.
-S«>-
E^
s
the
Pi
rates
trade.
Hail,
flow
ing
fount
of
uCl-
=f=c
the
Pi
rate's
trade.
Hail,
flow - ing
fount
4—
of
=5Si
^SE
f."
s
it=:
i^
.C2.
^
^
M-
m
m
r-) *
P
i
^£^
-T-j"
all
hailt
All
^^^^^
haill
dl
mol
^2.
e
gj
-^ ?
ent.
I
iP
I
aU
hull
All
haill
di
mol
cut
1^
ii
i
^
1 —
E^
=0
1^^^
^
( O t
f l - II
7«
^
«=t
tt * • |g =~* ^ — ^ 0~ — I *
tz= feriztc — 1< \f^= ^^ 1 ? tg:
±:
r=^r=^,r= ^sE^Ei
3^
tect yon :
And hon - o
ry mem - bers of our band we do e
led
im
W
#3^-
m-=z=±
--Y-' -m
?E=??
^
Sam.
■f- -f
■f- -^'
M-^P ^r =^= ^-' ' —^-X \ ^ "fe^
4
Major-General.
^^^"^
±fi
-n— P-
j!— Ji<avi
For he is an or - phan boy !
And it some-times is a
£ M -r • r >
m
you.
Chorus. Sopranos. /
f ', f S p" =g=
/»fi
it
Ei=S^f
p
He is I Hur - rah for the or - phan boy 1
Basses. /.^ .^ .^ .0,' m. a. fr .m-
r fr— e^ 1 I fcr— t 3^ 1-
r 1
Tenors &
Me
-U U
i
-j^ — g>-
2EE
• r 1
He is! Hur- rah for the or - phan boy I
Allegro non troppo.
d
^^j^m^^^^^^^^^^^^^
:5!-^S 1^' ^. -W- -S — -g-
a
78
)ip^ ^^± ^^i^^EE^ ^^^^
^
lue - ful thing to be an or • phsm boy.
/
>— fs-
r-^
^5^
^
i2=k
1 f-
It is I hv • rah for the or - phan boy! Hur-rah fgr the or • phaa
fJ^J-
S
:^=^
t-^- r>-- r-'
%
szhf
-tE
U feg l^
JET I 1^
^F=
^^•^^^^^s^^^
It is 1 Hu' • rah for the or - phan boy 1 Hur- rah for the or - phan
* Hai La . I >
:^ g— ir
^Ff=^"^9^
3Ek^;£±
1^3^
j^=i^=j^^ '
g3^S=F
1
F Ma
Oh, hap
Edith & Kats
py day, with joy • ous glee We vill a - way and mar • ried bel
Oh, hap - py day, with joy - ous glee They will a • way and mar - ried be!
KlHC
Major-Gbnbral,
They will a - way ind mar - ried bel
73
Should it be ■ fal au • 'ip: - cioos
Should it be • fal au - spl - cioos ■
day» with joy - ous glee They will a - wav and mar - ried be !
lee, My sis - ter all
will brides - maids be.
~ 4-
- lee, Her sis - tere »U will brides - maids be.
- lee, Her sis - ters all will brides - maids be.
^ 1 i^ i ' ^ ^ i>M ^ 1 ;.< i l u i ic
Oh, hap - py day, with joy - ous glee We will a • way and mar - ried be.
Should it be -
Oh, hap - py day, with joy - ous glee They will a - way and mar • ried be. Should it be •
Oh, hap - py day, with joy - ous glee They will a - way and mar • ried be. Should it be -
Oh, hap - py day, with joy - ous glee They will a • way and mar -ried be. Should it be ■
all will bridesmaids be. Oh, hap - py day, with joy - ous glee They will a - way and mar- ried be. Should it be <
all will brides-maids be. Oh, hap - py day, with joy - ous glee They will a - way and mar - ri ed be.
Should it be
fal au - spi - Gfous - lee. Her sis - ters all will bndes-maids be!
Her sis - teis
fal au - spi - clous - lee. Her sis - ters all will brides - maids be !
fal au • spi - cious - ke. Her sis - ters all will brides - maids be !
Her sis - ters
fal au - spi - cious - lee. Her sis - teis all will brides - maids be !
Her si» - ters
- fal au - spi - cious - lee.
Should it be - fal au - spi • cious - lee, Her sb - ters
l"? ■ S 3?- JL A ^f
fal au - spi - cious - lee.
ShouM il lie - fal au - spi • cious - lee, Her sU tan
75
I
Regit. Ruth.
^
AiUgru aetata.
Oh, mas- ter, hear one word, I do im-plore you I
^0r0>r
H
Ke-mem-ber Ruth, your Ruth, who kneels be • fore you!
Chorus op PnuiTBS.
H a tempo.
ff
-1 1-
Yes, yes, re-mem - ber
yy-
— • * r
16
Frkd,
Chorus or Piraths.
£=
Ruth.
Pirates.
Fred.
Pirates.
( e-, r ^ —I
f
I N -JS-
:S==St:
^^^
HZ
i
^S5
I ^ k
« * r !*
ceive him.
«J
Oh, do not leave me. Oh, do not leave her A way, you grieve me. A - way, you grieve him.
- » ^^ , ^ ^ f ^P ^ . 1«-^^ , — P f'*
Fred.
i^' ' -"'.
:=Jt*
^
Pirates. , _
T wish you'd leave me.
-r^ ■#-
We wish you'd leave him.
rS=^
-^=1-*^
^
P
&•«-
^3t
^U— UU-L_^ Utr±g^
^
/
Sti:
::fc
r^
Si
-m-
^
we-
ns
^m
Fred., Samuel, King, Major-General, & Piraies.
./■
pi
m
%C3t.
^F=tz:
i
J Allegro risoluto.
Pray observe the mag-na - ni - mi- ty We dis -
i^^
-P-P— P?:
-:5^-
■ I I— j-*^ 1 — 1-' — I ' i 1-* — I — I ^ 1 "-^ — al — ^- ■■^^ ^— * — ^ "-
J— 4 h — I— I 1 1-
^^En^=g=
iffrprpi
:^=tc
-<^-n^
■■■ - — ^-
-iz
=?c=X
play to lace and di • mi- ty ! Ne-vcr was such op - por • tu - ni- ty To get mar - ried with im - pu - ni • ty !
But we
tJl
m
=i=p
J I i
-j»'«_«W_**=»i^
^rr^
II
i=n
:ti:
!-~^*~:|r— |:~;^^ 1 i^jT^ :S^
j=i^^=i=
J 1-
> -a^ -»»• -*■
:^ 1 1:
-* — * — w—^
=a — W— J-
-*— J ' ■ j i J"
=i^
-1 I i-^ rJ
77
IS
ft^nt
:tic:*ti
-P — »-
-s*-t^
-^*-
T- •
feS^
-f * 1^ x *
^^-1^
-t-
j;ive ii!> the fe • li • ci • ly
Of un- bound-ed Jo- mes • li - ci- ty, Thro* a doc - tor of di » vi - ni - ly Vho is lo
^ -*--*- ■*•
i^l^
Tg . V -J- V
Mabel, Edith, Kavk, & Girls.
•^ ^ 1 1 l-r— ?^-
3-^
-*— V-
I*Z=*t=^
ifcsn
n^rj^J=f H_^
— »-*-
ca-led in this vi ci ni • ty ! Pray ob - serve the mag- na • ni- mi- ly They dis - play to lace and di-mi-lyi Ne-ver
K
2=|:
T=T-
^=
-I-
-^ ! !-
-t-
^5-j
=P'
mj
s-r
^5?^«f^
* * #■
g-^
-p— --
-p — --
^ ^ -IT T»l-
;ti— r:
i
£g?^^
ssagJ^
^
::^=^=l:
T:»
'• > ^
was such op - per • tu - ni ■ ty To get mar-ried with im - pu - ni - ty ! But they give up the fe - li • ci • ty
-I-
Of un
-:^-=ir-
I
i^
v%^
5J:
^=*=r
-1 — n ^
-^r
e^
=f=p=
-j— p I r
-^* — --
-* r -
^
-p — — -
(V-^-t 'h
-NH^-
^
q^^^
r S S
t-
' bound-ed do - mes - ti- ci -ty,
I I I
• .
::S-=^^^¥--
=«=SC
^ ^
Thro' a doc • tor of di --vi-m-ty. Who is lo - ca-ted in this vi - ci-ni-ty. But they
Men with Pirates, as before. ^ ^
But we
t
=?=
-»•-*•-*•
I I I
-» 0-
-Sr^Sr
-l 1 L— J-
1 ^ 1 n-
-T>l 0-
I r 1
:J=J^=^=t3
P-
^
-P — --
1 \r
ri r. !
— (-
:2^
!-&
r^P¥
J^ glv<
"!«^r
=C=:^t
-A-tU-
-J^L-pl
^^^-P-^ I h^-^^-J
It
"cr
i rg-g =
p- g^
up the fe - li-ci-ty Of un-bound -ed do -mes - ti - ci - ty, Bui they give up the fe - h-ci-ty Of»B
.#. .,«. .«- ^ 0.0.0. 0.0^ .0. -0L .0. -*. .0- -M- - 0- -0-0 - .0 - M- 0. M. f--0--e- ^-f-
=Cz
>tzir=i
- t — r
3r~« r ~« r"
:SzrCc
^-^-^
_f!»-V-
i3zi3
4M1,
1 — r-
■i ^ I* * r
H*^
i*-!"^
^ti
give
up the fe - li - ci • ty Of un -bound-ed do - mes - ti - ci • ty. But we give up the fe - li-ci-ty OT la -
*=t
0- -We-
=P=t^
£^fc
7»
Mabel with ist So?.
Edith & Kate with 2nd Sop.
doc
M
Mabel (top notes only).
, *V2.Edith with istS.^
^
' ^. :^ '^ ^ W J- -^d —
I
Mabel & Edith with ist Sop., Kate with and.
Thro' a doc-tor of di -
m
rJ - \cJ
1^
.^^.fel^-^^ fe
7»
\m
1 — ^->->n-
Z ■[*'
vi ni - ty Who re - sides ' in this vi - ci • ni • ty, Thro' a doc-tor, a doc - lor, a doc - tor rf di - vi - ni - ty,
il=4=4=fc
icrtc
«^-^^^^^^riMh{fc
it2^:
Hi
-ti=nz:
5e£
:^ic:t£
•r » ,T-
tz=U= I I
it:
in
VI - ra - ty
Who re -sides in this vi - ci • ni - ty. Thro' a doc - tor, a doc- tor, a doc • tor of di - vi - ni - ty.
1 I — rt =^ I f- I— I 1 '
^
+ ; 1 , I ' I -t " *
r=r3
^ ' -
^
\m
of di - vi - ni - ty.
^ g— g-
# *:
5S=I2
di - vi - ni - ty.
Tempo prima.
1^
r:^
:U:
W^^«
i^^ii^
Svo...
ggfeiff^
-1 — ^ — 1-
' ' ' ' Red. — »
(Girls and, General go up rocks L. Group while Pirates in-
dulge in a wild dance of delight on slaije K. and R. C. The
General produces a British flag, and the Pii;atk King (oiv
arched rock R. C.) produces a hUxvk flmj with skull and cros»-
bonei. Picture^ '
k N-D 01' AOT fc
ACT II.
8<;emf. — A rtiined ehapd by ■nuxmligkt. Aislaa C, E., and L., | Gekeral Stanley dwco»«re<f aeal«<f iZ. C.ptfngivdy,turrmtn//si
divided by pillars and arehet ; ruined Go>hi*vindow» at bach. \ h) his daughters.
No. I.
INTRODUCTION. SOLO— Mabel & Chorus
Piano.
m
AHegro con ttturezza.
fi^
IJ^
^-J=3rr;;:3zzq=!=.=:^ii:
33^1
.jt-
-X=.
-r
p dotce.
^^^s«^
^
» ^ • \ ^ -» — =1
^ - .rr^^
^
^^^^g^^
^Fn^^=a
=^_L
» m » » m »
:^M*
H*
^=gi-
=^
ti^-ui^
T
Ped. p
■t f-- ^ 1 •-» ^ 1 I * — \ In*—
'^• \ ^
't
2^
zsj^ri
i^
^-^
n^
■^ -^
1 — W-
♦ Ped.
aq « Ped.
dim.
B Chorus or Girls
1 jb^
' q- 1 1 g-
81
#w r n ;\i : ^m
Unit.
-* — r
^
^
^^
•X.
bear, la Uca thy oon • fort aek.
Whli ijrm • pa • the • tic care Their ann* t - moad diM
^
^Thh^^^^-&^^J■ ! Vl1 rj
5^^^=?
^ I I
^-^^^^-^
^5: T
^
'PF=P
-J— -jp -jp- -jj^ ^— ^
^
* »
i
¥
J. J- ^
'^^ _-^
v_ _J '
Solo. M
, Marl.
^^=3^
" 1
9
Far elt, they caa • aol bcai To we theit b
"UiVJ ' ^^Q
that waep !
c
I
M 1 H V
Oaar
— m a
=>'==^
*»tt^
Irn
*W . J. H ^
^
f
SMf
li^^y.
3t=^
i3^ ^^
^^
»,■'
ji=^
^
m
i
^^j
y- ^ 1
fa ■ ther, why leave yow bed
At thta BH-tiau - ly hoar f When hap • py day - light U dead.
Aad
tJAr ii^r J"
' ^=^=^
r ' f
ar r^: r j^ \J =J=^i^'i^^=^:,:^
:S=J:
dark ■ iobm daa ■ gen lower I
m
i^
^
f">.f
r »
See, hear'a has lit her lamp, The mid ■ night hour is
^ ^7"; I .Tib^j ^^i ^7&^^ :t=^^
g^bt^ig-r-g^fg rfZIJ^ ^
ltt^t;iff£ ££^
\iA^ J.^.rir^
s
a^ «
Chorus or Gikls.
bed When bap - pj daj • Ufbt • ilcad
Oh, dry the gUi - t'ning tear That dewi that
I*' ^- .1.-^1. . Tn._ 1 : l-l j„_ V T- .uT— .V._
Unii
^^
>-' * * _9 * ■ -^ ^—^-
cheek I . . Tbjr lov - ing clul - direo beat. In them thy com - fort
eki
With
IP
I
a>^ ^-ff -
=t=i:
P=t:
'H^ ^Ti I g^
i
i^
*i I ^-
i
! J J
g I g
t t %t
# ' #
g ! 8 g
^
* ' #
^^
J7T7T
^
:r=F
V ^
9^
V ^
-*- ^ ^
V V
i^^^W g7~g ^
:5t:^
J J'JJ' I J
^
^
i/i
^
qrm - pa - the - tic care Their arms a round thee creep ;
For oh, they can - not bear To tee the*
^^^^-^jr^jT\r^u i ^jrJ.-' ' u^^J ^^
^^
^
^
( | ^^ j ^_^^~j^ ' j^^;^ -^
ther weep I .
i
&
=C=f:
f^fTT
-^Lj_
^
^
^D > «
,-^_
?
fffff
CU
( Kred »nter» E. U. E. and down C.)
Mabel. Oh, Frederic, cannot you reconcile it with your con-
•dence to say something that will relieve my father's sorrow?
Fred. I will try, dear Mabel, but why does he sit, night
•fter night, in this draughty old ruin ?
General. Why do I sit here ? To escape from the pirates'
dutches I described myself as an or|)lian, and I am no orphan.
I came here to humble myself before the tombs of my ance.'^tors,
and to implore their pardon for the disgrace I have brought upon
them.
Fred. But you forget, sir. You only bought the property
a year ago, and the stucco on your baronial castle is scarcely dry.
General. Frederic, in this chapel are ancestors ; you can-
not deny that. I don't know whose ancestors they were, but I
know whose ancestors they are, and I shudder to think that their
descendant by purchase (if I may so describe myself) should
have brought disgrace upon what I nave no Oouut mu aa ua
stained escutcheon.
Fred. Be comforted. Had you not acted as you did, tluH
reckless men would assuredly have called in the nearest clergj-
man, and have married your large family on the spot.
General. I thank you for your proffered solace, but it is un-
availing. At what time does your expedition march agsinii
these scoundrels ?
Fred. At eleven, and before midnight I hope to have atoned
for my involuntary association with these pestilent scourges by
sweeping them from the face of the earth.^And then, my Mabet
you will be mine I
General. Are your devoted followers at hand ?
Fred. They are ; they only wait my orders.
(Enter Police, marchivg in dngle file from L., 2d £., andJiU
in line, facing audience.)
No. 3.
RECITATIVE— Frederic & Major-General.
Major-Genera L.
t > J |« 1 a I f» f>
J .^ >^ jk 1 J J J J j^^^'' ^v p J J r
Now Fred ■ n • ic, let four a - cort li - oa • heait-ed
Be iammoa'd to re - deve i gen'-ral'i ble
i
I
Piano.
^^
Fred.
tkey dc - pot
oa ther dread ad
S
tOR.
^^' c • a 1!
Deu tU, thir
i
^— —
Ho. ;. CH0R15— With Solos for Mabe:. Edith, S Serjeant.
^
t -
.^-jyir M-STTii-/
W- fci 3C
*^' ^■•v^*^
^^ • *»
• *• ^
^ jr
TT TT
' » ^
'• ■
* 9
g
l> - fc -■ »« --
1 ' • ■ ■
■ «"
— 5-
* * 9 . -«—
S^ 3: 3: ^
* »
1 — r
;i
■k-f^- >>-h- "• "^ i>-.w
fc - . fc j-
■t-s-j^-i A J. 4L^ J. -i. -1 ~Tsr
'^
^ ^ » V
— _* k k k
:?^
-T— --[
^
1 ly 1 U-
Mabkl.^
::ai
S
^ ^m-
g
( ■ —
jfTz^rrrg^
Die,
— r-
, and ry. 'ry Cornish dangh - ter
P E
:5zrfei
m
^
Tfrr ]
With her tean jour grave ihall wa
^
s
ter I Go, je Be- roes,fo ■■('
4= ^ - ^^^ jg ^^::^
-si-P-
-^=1-p-
iJj J -JsJ:Uj 3<
ere
[; # • # * » • * • * • .^^
P
^^^&^-A-
*f*trs
0^.
^=^i^
^
IS
^
&F
S
^a-.
t die!
I
Edith.
t
'^ ^-- g I r
^
:e=3fc
y=^
¥ — ig-
Go, ye he - roei, go and die I Go, ye he - roect go and die I
Chorus OP GI1U.S. '^ \ "^s""
i
=r=*:
t ,Ii 9
t i t t
— f — I — t-
P
m
Sergeant.
3Ci
m
g I u 5^g2-g
i£
-i^ — ^— t^
Z=5Z
Kate with 2nd Soprano.
Go, ye he - roes, go and die I Go, ye be • toes, (o and die I
Tko' to as it's e • vi-dent
Chorus op Police.
Ta-r>B • ta •
YtJi} iif >*V \ i tL*f 7 iiJT i I J f H f^ f ' yw i'^
-^ -^-i 4^ -r'b^-
m/ dim. . . . p
^. M- A.. M- Jt.
JL -«-•-«- .«.
These at - ten - tions are well meant I
Bach ex • pres- sions don't ap-pear
^0 1 f f~fr
f^ ^t-g-
M-
*
(I
! U ^ 1/ i£t
p P u ^
1'^ u
ra, ta- ran • ta - ra.
Ta-ran - ta - ra,
Ta-raa - U
^^
5^
^
nr -*■
PTP-
^^^^^^^^^^^^^^^^
W^
^^
1 "Ti j'l p'fi bJ"
^^
FT
> ^
^^
;'i]i;i I J 1 b/i J
^
=3=
*^
Cal -en - la - ted men to cheer
Who an going to aeet their &ite In a
ra, ta- ran • ta- is.
Ta - ran - ta • rs,
:^
^
1 1 I ^ '^ * 1
T — r— r
R^
1 ^1 * ^
g
E^
^ ^J 1 j 1 J 1
>«^ ^ :*— ^
^ i'i"j''i'' i >i" ' j^^
^^
^^
ft &
^^^3
i'l J^i f^
^
^
KS
^/C l i'f ^ & ic =s
' F ..
^=35
ic:=l?
kifh - Ij Der -root stmte )
StiS to «s k'l e - n-iaa TWv C '
W==
isfe i
I C:
-=f»-
r r — * i » * « # » . * * > ^ — f
Ta-tma-U - cm, ta-nu-u-n, ta-nm-U - r»,
P
1 , ri hi -j^^ M >- hi
1 ^1 J'r ^ -^
^^
) ■< ' b
t>*-
g jt j"t ^N ^
ic==fae
<it^^ . ri;f
^^
M M
^
I 1
1^
■*■ -S
» f ^* > ^ . e
Li* ^ r
tunu are weU meant I
IFfag
J" u b
r ' g
> » g-
^
g r ' g
p s ' ^ s
:M
1^
^
Ta - nui - ta - ra, ta - raa - ta - ^^ ta - ran - ta - n.
E »
^
f
P=^
P
:^=S
^
:«:
I I I I
S^
;^
te
&*
^
i
^^
-=i — p«-
W^
1^*-
i
^^
!!Sf:
/I ''* r^,
i
) .1.-^ 1 *^ j>i>w ' ' *
,^, r,
i^— .. n M?^ J j''^^
+--^^
^
-^
#V * ""** *v* ~^Vr
Go . . . aad do fooi best . . en-dea - tout, And,
. be ■ fore all links we
L J I I I I J ! I J J J ! |u i M I M J I I M i|u J J J J J J J J ; J I I I 'Y
mini uiiu ^ ismii iimmuiii^4i4u^^
^^^
M
fI?«i
:»:
T?
r bJ J
f
►*■
ay
CHORUS or Gntu.
i 3d ^ ^ ■ -I J y—
-fc-?^
^
:hr 7*' • • ' -*.
^ b # ' » ^ ' i^
ft r* fe
J. J^^ ^■' J^^fi
g* *
V-
# ^
P
mer - d • (ill, and tnitb - less ;Yonng and ten - der, old and tooth - less. All in rain their aer • cj cn«e I
[.egg f f f I ^TTj rrr [ \ r r r r i r r ^ r r i l ' li*-^^— =+
Solo. SERCEAm-.
^3
-r^-g-T^'-g-
w ^ '^ i»
^
fr» - l . 1
u g u g ^
^
g
Jy^
We ob - serve too great a stress On the rislts that on u press, And ti
M
*9trr
&
-nrfr> '
UL'^ir
* | 1 "1 1 J"! f *
^
fe4=^
£
gj; ^M^ 1 j^i g t;
h 1 °r 1 M ^
^^
T
-:i 5r
^=?
•^ u-r-' ^
1 ^ 1 K
f 1 f 1 J^l (i
I
V. , 1 J. J.^ ^
m
carp or cii • ti - cue, Foi b i »• • ry • • *»-den«
(^
Tbew at - ten • tiooi wc veUmouiL Ye«, lift
POUCK. K b
1^
0^0
^
iir * I » l
re • 17 e • Ti>dent
(^=
^fe
:AJt
B - vi - dcBt,
« • ri • dent, Ah,
» ^
^
weU
^ > *
t #
• #' ^
SE
i*-nr
' y ^
=?:
=r=^
trr
ThcK at • ten - tioni are well meant.
yes, well meant ;
Ah, yes, well
)^
j^l I J'l
hi ^ 1 r 1 j =^
^^=^
1 ,. h 1
w
w
hi M
^ ^ ^~1
3W
-J^-^
T^^
H J 1 S H rqi^:^ J ^ J > ^ 1
K 1 J 1 :fC^
N 1 . % 1 is T >k ^
=^
J ' J ' J ' ^
EDITIt.
CHoiiiorOiaL*.
ye he • roes, go • to glo • ry ! Though . . ye dw in com-ba'.
Go, . ye he • roes, go . to glo - ry I Though . . ye die in com • bat
When the foe-manbares his steel.Taran • ta - ra, ta-nu> - ta-ral We on -com- for- ta - ble feel, Ta-ran • U
Ye . . . shall live in song . and sto
Go . . to im - mor-U • 11 ■
rj.
Ye . . . shall live in song . and sto
Go
to im - mor-ta - li ■
■ nl
And we find the wis • est thing, Taran • ta - ra, ta-ran - ta- ral b to slap oui chests and sing, Ta-ran-ta'
m
J-j-'.J-j-ij-'.r- y I' \ j ' : ' j ' ;-' i j'';^ v -j-^
Go to death, . . and go to slaugh - tec (
Die, . . and ev - 'ry Cor- niik
sto - ry,
Go to death, and go to slangh • ter ; Die, and
'ry Cor - nish
n\
For whe« threaten'd with ementes, Taran - ta - ra, tarac - ta-ra! And your heart is in your boots, Taran - ta ■
daugh • ter With her tears your grave shall wa
ter ! Go, ye he - roes, go and
daugh - ter With her tears
your grave
shall wa
ter ! Go, ye ke ■ roes, go and
rat
There a no - thing brings it round Like the trum-pet's mar - tial sound. Like the tnmi - pet's mar - tial
4fel
G«, je be roei, p>
im - mor
U - li -ty I Go, jre he • tori, go
die!
im - mor-ta - li - ty ! Go, ye he - roe», go to
Go, ye he - roes, go to
SgKGEANT ft TkNOBS,
Ta-ran - ta- ra, ta-ran • ta - n, ta-ran - ta- ra, ta-ran - ta - ra, ta-ran - u • ra, ta-na- ta
ta • li - ty I Tho' ye die in com- bat go - ry, Ye shall live i* song and sto - ry ; Go to im • mor - ta - li
im - mor-U - U -ty I Tho' ye die in oom-bat go • ry. Ye shall lire in song and sto - ty ; Go to im
- ta
ra, ra, ^^ Ta-ran -ta-ra, ra, ra, ta, ta, ra, ra, Ta-ran - to - ra, ta-ran - ta- ra, U-ran - ta
m
r£
^
m • m
^
^^
^
=»=Sf
F F
Yf», for - wm4
Edith.
OB the ioe,
Thfy go, they jo !
Yei.
E£*E
y-TT
S
^
5«=P
1^
Yet, for- ward
Cbokus or Gnu.
cm At ht.
They gt, they (o I
W=9
^
^
i
£
i
>-g I f r =F
i
tc*
^^
Sbrokamt.
Yet, for • ward
on the fee.
TT"T B^i 'J'^ 8° '
Yet,
-^^H*-
aftzts:
r-t f rj^
^^-^VW
r r r|j ^ ^^ >^
tf:l
m
ga I Vet, fcr-vkid ca the fee, Yta, for-waid oa the be,
Cbokus of Police.
They g* they f^ I Yet, forwud oa the
iiZI^
E»C
r r r- f ; -ng
*i'"^\ r *
^^ jm^I^ EgiSg^
fcrr
i!trjs:
i
fo ! Yes, ior-wan] on the foe, Yet, (or-ward on the foe,
Major-Generau
i
They go. laey go I Yes, for-ward on the
I* e.\d ddi
IE
=1=
Yet, tnt yon don't go 1
if
^
m
3*3«i
*'i
^=3*
I. ^ ^.
1f^
m
g^-TT
1 I i
!:=*:
r-g ' T
^:r-r
^^
^
I *- 1 *
^
e S • e r
:?ce:
^
±:
±r
t^^=g=5^
for
ward
on the foe 1
At last they go, at last they go, at last they
P
^^^E:^^^
^fr=^
g
5z=^
for - ward
on the foe
At last they go, at last they go, at last thej
fat • ward
i
'^=w^
:?cz
^-r rg~P^ r^T
P
go, at last they go, at last they
on the foe !
At last they
^^
-t^^
g
^
It
foe. Yet, for-ward on the foe !
(^
-V— g
>-*^
^
We
go.
we
I
go.
go.
^
foe. Yet, for-ward on the foe I
We ro.
i
=f^=e:
^
:?:
^ ^
Yet, bat yon don't go !
At last they go, at la« ther
IP
3CWC
S
) ■ . Wp0 *0mi
m
-^ L u/
Efe
-■r — 1 — ta—
±=t=
=62::^
S
^
H i
;o
^
^
I
go ! At last they real - ly, real - ly go I
^Et
m
^B
^
-i^— ^-U— ^V b ^ ^
go ! At last they real - ly, real - ly go I
^=E
^
go ! We go, we go, we go, we go !
m
i
3*:
go I We go, we go, we go, we go !
js — N K ^ s ?i ^ ' 1 ^
^
fS X
: « ! • J ji' S - J m - ^9
go ! At last they real - ly, real - ly go I
I
^
YTi «
B^i^^
iva..
- t-»|— t-Bt
/
1^
?
T •-:
i>» ig ^-1* | g- ^
^^fF^^^^^mrr^T^rr^ ^
"lo. 4
(Mabsl tears fierseif Jrvm Fkeu, and exit* R., jollowd by km
iider$, consoling her. The General and other* JoUou ika
PoUee off L. Frederic remain* alone.)
RECITATIVE & TRIO.
^
Rkcit. Fred.
K — & & h iz^
^c c ^ir ^ ig g g.
J jr d
^
^^=W=f^
« — m-
' \ ^ ' * ^
if
Now for the Pi- rate'i lair I Oh, joy nn • boond -ed I Oh, iwect re - lief I Oh, np-tnre on - ex -
Maestoso. :p"' f "f: p"*^^" t'lp^-
^£
^
r m ^ ^
£
^«-—
s
^£
Puna
S
^
w
I
^.r^r -
^
^^
K >»
fen:
J J ^ j^^V
Moderate.
KiKO.
^
J y >■ r r :
s
=^
^
■ )> i > -
^f >^
i
wnse of dn-ty'itteni die- ta- tkm, I, cir-cii)ii-«tao-Ge'i vie - tim, have been goilt - 7 1
Yooiif
^
^3ES
i
-Ir-
W=^
^sc
=S
^
^^
:^
^
^E: b^^ ^ ^
9=
i
Rtttm.
i
^
g
>t *) h
l » -
(!^^w~^
Fked.
And I,
yoor lit - tie Rath I
f f.z\z>r g
=iz=»t
tz=bt
t^
WlwcalU?
Oh, oud in - tra-den I Hew dart jroa
m t
^ ;g p'' '^^^ i\r r -
Fred'ric I Your late comman - der 1
Ir . tr^
96
(Knre and Buth hold a piMol to
^^
^^
rt. ^ ■ a« =
s
Km
2^
3=^
^
-s^ — k-
bcc nel
Know fe not, oh, r«sh oocs, Thit I hmre doomed ro« to ei - ter - mi - n» • tioa ^ II»»e
fH' - \ ^
m
m
M
w=^
M. ».
JK=t
t r s c r
Frko.
^^
m
l^ U I bi
^
c; OB ■* ;
i '"i>i^iijji-r^
• ^r"r
Hear u a* yoa ilaiigh - tcr ! I do ad
^
^
^lCC'E" ^r
g
^
I
^
^g
t^
UM
TJl ^
r_^. i
n » i»
» i » p
■ fe -^ ff
OtZiK
a^S^
V— t-
i
^
V ^
^^
& >. fc 3»
^
3
S
C " '^ S p
acx
W^
^i*=^
J — p-
S
tkiak
I ooght to lu - ten to yoa ; Yet nwr • cy shoold al - Uy oar mre re - lent - meat. And
$
?^^ H.jJJ ^
J J =y^ I I r
ii ^ i i i
:fe=
— ' ' — mt-
•** * :^
s
^a=
^
I F bJ
g
f bJ
^-^
No.
AlU^o groMiesa.
i
^
TRIO— Ruth. Frederic, & King..
.«-:(•
£^
:^=i:
O ^ M —
Jt^
^
^£
* w
^
:^
PTANa
m
X-Kt^ %%x
e:^
JPt
it4 tx I r
I I I
:±r
-CCT
1 r 1
M L-
5^
RlTH.
=PI=?C
=S=^=P==i^
-K r* J- # :
= s->- a f
3S=
-*>— y:
itt verse. When you had left our pi - rate fold, We tried to raise our spi
King.
1^
-x=^
-^— •-
■SI.
t:*$
^:=3=
r-
Tu* r u- -g -
=ff=pc:
=2t=5iC
-^_-|^
rits faint Ac • cording to our
Spcqtrt^zzt?:
:tz=2^
rerr^c
:»tz1;?::
52i=st:
cus - torn old, With
-^-r ,
2od verse.
knew your taste for cu-rious quips, For cranks and con- ira - dic-tions queer; And with the laugh-ter on our lips, We
5A
■f-S ^^ P» H= ^ *■
^\ d d ^ J =^
^
* S ^
^
• *-
quip and quib - ble quaint ; But all in vain the quips we heard. We lay and sobb'd up • on the rocks, Un
^ it"^ r p
a-^ ^
g=w
wisb'd you there to
bear. We
said, "If we could
tell it him. How
^-5 ■ S
Fred - 'ric would the
joke en - joy." And
^JlJ_r
-I! 1 — =H — u
1 i . i J
1 S r
T ■
a
1 — \ — • — \ — »-
— f—f — 1-
1 ^^^ ^
— 1 1 '^ • --
'-* '
'^ J
\^ ' '
\^ J
^^ '
Fred.
Ruth.
±&
^
M h N
^
W=r?f
^
» N K^
^
^E£^
.4^ #1
^^
5?=:=::)^
3tZ3t
)l^ U - * -
t^
til to some - bo - dy oc-curr'd A star - lling pa - ra • dox. A pa - ra - dox? A pa - ra - dox, a most ic
2. That pa - ra - dox? ^
m^ff., ^ ^
C fAl^ ^ C^
I * I *
^
m — y
l*- *^ U"
--^^
:i2=tc
so wr'^t. risk'd both life and limb To tell it to our boy.
A pa - ra - dox, a most in
9<
/;Vt i-s K ,H N
^
h h >
* *
> h h -'-^n — '
<« — «« — s — v
-f* — M
r9—
B
^e - mous pa
• ra- dox I We're quips and quib • bles he«d in Bocks, But none to beat this pa-ra^-dox!
\ I ' 1>
tf g- y
^
* — ^ — ^-
ly ' d > t^
f r
y > y ^ ^
z w-^. f
Jt — k-
iioui pa - ra • dox ! We've quips and quib - bles heard in flocks, But none to beat this pa - ra - dox !
\ »^ m,» *»■ m. »-
L- ' O ^> n 1 1 ■ 1 —
g 'lTi r i
ixk:
^:3r
I i
Ete
x^?
gA
1st (i 2iid verse.
--rj\ s^ > ^ n -:^=^
=f5=tl
M S \ m
s > -y-
3t=t2=
i, *" t„ > =^
M
A pa • ra • dox, a pa - ra -dox, a most in ■ ge- nious pa • ra - dox. Ha,
Fred, ist 6 ;nd verse. f
ha, ha, ha, ha, ha.
?t
ha, ha, this
— )» >» — K
3=fc:
^
3
zf=^
1* * ^ y y
-* — #-
L^ ^ 1^ — »>-
U" ^
52=:»t:
^^E
t:
A
1st &
pa • ra - dox, a pa - ra - dox, a most in - ge -nious pa -
nd verse.
ilax. Ha, ha, ha, ha, ha, ha,
ha, ha, a
2. thu
■M — 0t — «_
fe£
-> — f^
K K[
r > 1*1 Iz:
U" u r
-* — f««-
J * ^r-
3^=
N N N
^^"-^
=^P^
pa • ra -dox, a pa • ra ■ dox, a most in - ge - nious pa
ha, ha, thit
^
^
JZZ!£
time.
ind time.
B
pa
dox.
5^
\ - ? >,
E=IZ=
B
«/
pa
dox.
^^^
3^
S
i;ric
pa
dox.
We
i
fcS
^
* ^*-
:f: ^^..je- ^.
tj/ time.
\^V.-^
~»t7Tnd~itme. [
^B5E
1^^^
±3:
/
i=^^
t-u-
.•ff
=^P-
-r-r-ir*
-»> ' *
afc^±±
-ti — »^
^-r^FF
^
^^EEB
T=^=^
99
C King.
i
-rr
^ ■ — 1 '
... .... , , f -'oyal, Some person in ■) f Koyal, Has decided thai, although ^ ( plenly : One year in even 'I
Vo^ ome nd.culous leason, to wh.ch, \ ,uthonty-I don't know who- ( 5 for such a beastly month as lel,r«. ( ) (lur his days shall be reck- (
} however, I vj no desire to be dis- ( ^ very likely the Astronomer j [-ary.twenty-eightdaysasarulearej ( -oned »s mne and j
.<s-
^s
a^
-c^
-^r
^OF^
1^
/^
I rj
twenty,
coincidence-
were '.wing
Through some singular
-I shouldn't be surprised
to the agency of an ill-nat
, /fairy, Vou are the victim of this ,
■ e ., /J clumsy arrangement, having been M
lured)] bom in leap year on the f|
-' v^ twenty-ninth of Feb- '
• ruary. And so, by a
' simple arithmetical
you'll easily dis
., by a J r
process, V < I
is- ) (.
cover Thattho' you've lived twenty -
one years, yei, if we go by ' irthdays,
you're only five and a little bit
S
r=g=
Ulsz:
^
"0?=^
^S
-^r
■:m^
-^^
fi^
3ZI
nz=z=
-isr
i
Ruth.
^
Fred.
^ K
^ If g 9.
f
St
3=^
^
"^
Ha, ha, ha, ha, ha, ha I Ho. ho, ho, ho I
W
a tempo.
Dear me, let's lee I
gJ.=g, Vj; ^1 C i P ^ ; CiD,;'/;'!/ ,
v^-^
)i
^^=^
o-verl Ha, ha, ha, ha. ha, ha ! Ho, ho, ho, hoi
D *: £^^. «-
^
:«=*i
^^
C-l;||ULj'-
15-*-
1^=^=^=^
iT
1K
dim.
P
^ . .
ilflt*:
^^^
Ruth.
lOO
3^
i
Fred.
r* J #.
h ,^
^ y
^ J *
^
-g K
^
^
lif
How quaint the ways of Pa - ra - dox I Al com - mon sense she gai - ly mock*. The',
— ^^g — »i ^ j i I ji J J — '■
=F^
"T Fl^"
S
t'
Jim.
P
--f=w^
^
ifsiSi
-^1— P-
=^3=
i
^
K h Iv
^
ra//.
-X K
-K > J
^
:?5=^
S
^
^ J '
:if=^
* s
-m 1«-
■J »-
S
S S
1^
count • ing in the u • sua] way. Years twen - ty - one I've been a • live, Vet, re'-k-'ning by my na • tal day, Yet,
^ U"
1* **
3
f' 1 r
=fs=^
^
^^
^ ^ n l=j^
f'
^S
^
ra//.
=S=^
» i 1 r -
-i — ^
■■* ' 1
=^=-=1 — p-
i
jA
-it
>^ F 1 tempo.
m
Ruth.
^
^ P^
^
S
reck • 'ning by my na • tal day,
I am a
lit - lie boy of 6ve ! He is
King.
^&
^
^
fe
i
He is
^
9
yz a tempo.
^^
^
^
ittz:
^^
P
^ r
J^ j^ J^ l J^ /-Ji-tur
-* — t^
lit - tie boy cf
^
five ! Ha, ha,
Fred.
ha,
ha, ha, ha, ha,
ha'
io » — v= ^
That
■•a r> ^ ^ Z ^
Ha, ha, ha, ha, ha, ha, ha, ha !
That
c c c c-
^
lit • tie t)oy of five I Ha, ha.
ha, ha, ha, ha, ha,
P. .». -*.
hal
I
That
S
^^
^
:^
^
^
^
^
dim.
lOI
-f* — ^ H h ■■oj h ^ ^ >,
=*• ' • ' -it-r-^—wt—i^—i^
^
^ I ^ *^
^ i" i-^ * :
^=^-
^ <f ^ \ J ', ],, f^
^3
^
»■-;?-*: -it
pa - ra-dox,that pa -ra.dox,That most in - ge-nious pa - ra • dox. Ma, ha, ha, ha, ha, ha, ha, ha I That pa ■ ra
■ • ^-^ 1 (»T P< — >» — ^— Is
■^ — ^ — = — = — '-= — '^ — ^ — "--J-^ — K — ^ '-^ y ' K' — »»— > ' "-** —
pa- ra- dox, that pa - ra - dox,That most in - ge-nious pa- ra-dox. Ha, ha, ha, ha, ha, ha, ha. ha ! That pa ■ ra •
pa • ra- Jox.that pa- ra-dox. That most in - ge-nious pa - ra • dox. Ha, ha, ha, ha, ha, ha, ha, ha IT'iat pa - ra
:^^ ^ k ^^^ ^ "> -^4 ^:S:
rrrrrrrfn:~ ^u^f - ^
s
i f -wz
l^ U U" k :
^^
5A
dox. Ha, ha, ha, ha, ha, ha, ha, ha ! Th.it cu - rious pa • ra - dox. Ha, ha, ha, ha, ha, ha, ha, ha ! Thai
If *'
-s — # — r — ^ — r-
^^S^
i^^
■'* * »~
^ 0--^— jKZ
^
U > U' ' y ^ ^ =6^
^
dox. Ha, ha, ha, ha, h.-i, ha, ha, ha! That cii ■ lious pa - ra - dox. Ha, ha, ha, ha, ha, hk, ha, ha. That
' j; g ^ > 1^ '.^ — y — io — »>■
y= ^ * ^^ =;;p
-'^—^
±
^ ^ W — 1^ K » i* " 1^ -
dox, Ha, ha, ha. ha, ha, ha, lia, ha ! That cu - rion» p« - ra - dox. Ha, ha, ha, ha, ha, ha, ha, ha, That
tfe5
5^
m
^t-jzFXiit
- I L
_S *| <_< :
.*_« ' _« ' ::
^ ^ * * I ^ , -+
•- :e jr rp- :?■
^
I
:jcE
-^--
^
:^
most in - ge • mous
pa
ra - dox.
^ I *
-r
i-
5=2=
:^
^S.
most m - ge - nious
I
pa
ra - dox.
3=
il
-p— r*-^
most in
pa
ra - dox.
S
y^^^^^;^
±
-H 1*" 1 ^
^
.Jm J l~l c! I »" • ^ I ._L — h- h-F=
I i I
a::J~
^=S
■V
iAL thrtm themgelves back on seals, exhavaUd tcilh laughing.)
Fred. Upon my word, this is nios*^ curious,
Most absurdly whimsical. Five and a quarter !
No one would think it to Lok at rae.
Ruth. You are glad now, I'll be bound, that you spared us.
Ifou would never have forgiven yourself when you discovered
that you had kOlcd two of your comrades.
Fred. My comrades?
King. I'm afraid you don't appreciate the delicacy of your
position. You were apprenticed to us —
Fred. Until I reached ray twenty-first year.
King. No, until you reached your twenty:first birthday
(producing document), and, going by birthdays, you are as yet
only five ana a quarter.
Fred. You don't mean to say you are going to hold me to
diat?
King. No, we merely remind you of the fact, and leave the
rest to your sense of duty.
Fred. ( Wildly.) Don't put it on that footing. As I was
merciftil to you just now, be mercitui to me. I implore you not
to insist on the letter of your bond just as the cup of happiness
is at my lips.
Ruth. We insist on nothing. We content ourselves with
pointing out to you your duty.
Fred. Well, you have appealed to my sense of duty, and my
duty is only too clear. I abhor your infamous calling, I shudder
at the thought that I have ever been mixed up with il, >hiI dot/
is before all. At any cost, I will do my duty.
Kino. Bravely spoken ! Come, you are one of us onoe more.
Fred. Lead on, I follow ! (Suddenly.) Oh, horror]
King and Ruth. What is the matter ?
Fred. Ought I to tell you ? No I no I I cannot do it ; and
yet, as one of your band —
King. Speak out, 1 charge you, by that sense of cooaateti
tiousness to which we have never yet appealed in vain.
Fred. General Stanley, the father of my Mabel—
King and Ruth. Yes ! yes !
Fred. He escaped from you on the piea that Le wae &4
orphan 7
King.
Fred.
He did.
It breaks my heart to betray the honored lathei of
the girl I adore, but as your apprentice I have no alternative
It is my duty to tell you tliat General Stanley is no orphan.
King" a7i(/ Ruth. What?
Fred. More than that, he never was one !
King. Am I to understand that to save his contemptible
life he dared to practise on our credulous simplicity ? (Fked
nods as he weeps.) Our revenge shall be swift and terrible. We
will go and collect our band and attack Tremorden Castle this
very night.
Fred. But —
KiMO. Not a word ! he is doomed I
No. 6.
TRIO— Ruth. Frederic, & King.
i
_ Allegro molto.
KlTTH.
^
3E
a^
,<ut-P>.
I * r #
aF^
■P-^VF-
^
-r*-*-
M-^ i —Mi
Away, a - way, my heart's on fire I I burn this base de-ception to re • pay. This re- ry
I
w
s
^s
King.
m
^
r ''.?
m
# • ■<-
^^^r^.
«-!—«-
:tz^g:
rrrr >ir-r ^
^ I K *-
AlUgro molto.
Away, a • way, myheart'son fire! I bum this base de-ception to re - pay. This ve- rr
Piano. <
^FrTr
^5^Pg^:P L-:gT^JJll^N_^yj g ±^j J^^^.^
102
t=fi
^
I03
P
e^^^^^
:£S:^
=»=:*«=
-^ • ^ • '•11 ^
day . . my vengeance dire . . Shall glul it ■ self in gore. A-way, a - way ! .
m
Fred.
^
^S
^-^ — »hV -
A-way, ■ - way, . . ere I ex
#.r
%^"=^^^
-^ ^ »
- j * * I t^-
=e?=t
rt2:±
U - 1 1 r =^
day , my vengeance dire . . Shall glut it • self in gore. A-way, a - wayl
m
a===l*c=t==3rpc:i==jr=z=ftr:t=:ftxp:
■ * „ 1:= p
t ^l^^ ^H i t ^1* l» ^
pire ! . . I find my du - ty hard to do to • day. . . My heart is fiU'd . . with an - guish dire; . . It strikes i
m
^
^^^i
y^
Stt^.
'^ — rr:
I N
*-^S"
- j-j:^j-
I I K
* W
^
V
^
£B
^
53^
^^
^t
:e=?t
=pz^#=
I U
-t— k-
^
*^-^
?^
i
^/■i r c r-?^^ s;^
s?
to the core! A-way, a • way!
s
f— g:f-
>-l-f«-^
:i2r
i ^ 1 r l ^
I w — I —
^ f"' - grg
1
With falseh'ood foul he trick'dua of our brides;... Let vengeance howl, the Pi - rate lo de-
- -* ¥* r9-0-*-0 -
^55^^^3BE
^
i
gfl ' ; ^ /tr^
-*-# ^ L-L T
J!«-
J=Sl:
f3=|r?35iij?:fifc?i?3
'** 0-^ »0 ' #^# LJU — ' — *^\ — ^
S
' ■ .-- ■ ' u
1 o ! * r
J2*-
104
t
Yes,
E ir z i-g ^
Yes.
^fc
^
^
rzt
^ ^ ^ ^ # , 1^.^
-ii^ I l»
^ I '^
^
•r, #
:a3_^=^
1
•Jdei I . . Our na • tores stem he «oft-ened with hi* lies I . . And in re • tuni to-night the trai - tor dies I . .
m
^^
±±
* — ^
-"M-
-w
k \f
:±±
J^ J^ '^
I - — .^N H 1.^ m J :
xs /»_
-3-3i
■r-- — * r-
^
^3 ^r Pr ri ^iB
r _, I r
1 >^ 11
:S?^
p ^ p
^^
t^ I t^
I n 1 ^P=^^
s . ^
^
-T^— 1-^'
yes, to -night the trai - tor dies I . . Yes, yes, to-night the trai • tor dies I . .
To-night he
^^^ ^^=^^^f~i \ 1 . j-ii-^-H^iTTTr r
I Mif^ i-j ^^^tig^
SA
J ' • »
ytt, to-night the tiai • tor dies! . Yes, yes, to-night the trai • tor dies!
^^
2zS
^
StefJt
r T r 1 r=^^
m
1
^-=i-p-
;^ . ^
^) g jn'n' 1 r 1
^^^
>
Yes, yes, to-night the trai Aor dies! . .
-N
'1 1 r •; r — =h
-^1-=!-
1 1 r 1 r — -^ ==^=1-^-!^
it^ ; — ^ 41-* -^t* > » I* •-»-i — I — • »— f
y rflWJ.
i
^r 1 i F§?^^7" ir -
s
w— r — i^ r-#
lA
.^L> i*
iS^
^ 1 F 1
-^- ^ > s >
i_l 1^ ' g -^—Eg^ r I
dies!
They will welter in sor - row.
In their natures to
•^-^.^f^^-
f
-P ^-^
'1-^- ^ 1
His girls like • wise.
-=1- 1 r 1
^ :;;=^^fc^
,1 *^"^ 1 -1 f- 1
I *
Yes, orear-ly to - mar - row.
The one soft spot
^M^^
^^^^^^^^^^^
'^' '.-^
'm
«05
9
m
^S
2P^
f I P ^
j j » ^ ^~>-^-^^H— 1
che - riih ;
*i f < «» ■
?^-i^
m.
=P=?c
■f=m:
3t3r(t
-* — 9-9-0 m -0—r :
Tc - night he dies I jres, or ear -ly to • oior ow His
V
^
-^
■^^n^.
:jf=ti
^^33Z
3r±z3iPr
And all the
plot
^
To - night he dies ! yes, or ear -ly to - mor- row. Hi»
MiC C ! " , f ^
^ ^ * ^^
xwtz
53^3=::^
■ > > ) ». K— K^P^— N-Ji»T
eI^^H
To a-b<ise it shall f* - risfa. To - oight he dies ! yes, or ear -ly to - mor • cow. Hu
ll ^^ j ^ J-J35^G7^ ^ ^^
1»
i^ i> ' > 5» ^—
^
I j'*_^_'* , ^ ^J* _f*l i --'J^^-^
^ ^^^-iJ I Ml J I ' V ->» V i i~f » n^~ » -
girlslikewise,theywillwelter in sor - row ; The one soft spot in their natures they che - risb, And all who plot 10 a-buse it shall
^
S
d-v- d d d d d -d-d-d- ^^d^^^-d-^'^-^
-^r- « » f * S N , S >[
5
^ > > h :;y~>'>
^ i i t 9 m 9 9 'r ^-
33=
girlslikewise.they will welter in sor - row ; The one soft spot in theirnatures they che - rish. And all who plot to a-buse it shall
^S
^ S N h K > N
±
-r-rrr-
-r— r r r r^r^r^r-
- y K » 'i^ * i< « i^ -l ^->»-
r^rffre
girls likewise, they will welter in sor- row; The
r h r I 'f J r.
^
one soft spot in their natures they che - rish. And all who plot to a-buse it shall
-f-r-f , 9 * I r^>-;: ig^
rST^r^'
-r-^1 t *-tT ^:
-t»»-^-
§
:ff- :e-
S
P* >
-P 5-
^y. g .r s ^i
1511 1 jl3u 11^11
^ * 1 1 ' ^1 1 l ^g T ^C ^l l^ ' i l l u ^1 r^^ 1
i
:^.
^^p=^S^^^^
A^^H^
s
lit* f r =g=
^
P
pe - rish ! A- way, a • way,
ff
^■-
-»*— t-
»ay I To-night the trai
tor
in-
dies!
A-\ray. a
^^^g=g
-r^
i>-^-p-
pe - rish ! A-way, a - way.
P^
way I
-!^— I
To-night the trai
=8;
dies ! A-way, • •
A 1— I K-
g
§
^
53
;^E ^r • ^. :
=Sz^
igi^ tt-J-^— J-3 :jiar
itzit
L^— J g -L
pe - rish ! A-way, a • way, ... a
way ! . . To-night the trai
dies I
A-way, 1
u
*■• TT
=^FW^
io6
^\ J j ^ ti^ ^^
way I to - night.
i
5=^
^
, . to • oigbt,
. . to • night
i« — * r? •
itacx
S
4<=-
thc
ijfjc:
I I
tor
'-0 - • r
dies
dt
way ! to • night,
to • night.
to • night
the irai
toi dies !
T~^~P"
S^ — 0—a--
Bf2=
A-
^^^m
I \/ i
-T ^
way ! to - night, . , .
-4
W^
to - night, .
^ tir±
to • night
the trai
4'^-
*»*— s-
•'f u ' I-
^^^?
te^
— I • —
dies I . . to
g • i>» • '■—, • f:—: ~ i-; — »
-^
p^p^= #|E±=d^i±^ EsdESg^
p^^S=^s^
1 • * - -
j»,zjzj?e;
3*"^
^« *:
g
(.£mu>U £.iMa and Ruth. Frkd throws himself mi a tUme lj.(X
in bloTik detpair. Enier Mahbt.)
No. 7.
RECITATIVE & DUET— Mabel & Frc<Ieric.
^fes
Recit. Mabeu
i f^r*^-— ih £flp^a53i i
^^=W=
^^-
> -w \ < \ ^
i^^
All is prepar'd I Your gallant crew a-wait you I
Mv Frede-ric in tears I It can -aoi be that li-oo keaft
|S5
m
4m r --
:;=!=
^-
i
PIAMO.
^V^rf^
/
^E
:&:
r --
T:
S?5-
I
gJk*
^^'=^^-^
i
Fred.
j;Fp=^i/-Jj : ^
<z Umpo moderati.
5^
r ' » ' ^-^ V r r I "('pr ^
; f~ y -tf ^-^*-^
\ m ^
P I k at-b^ tg:
^i»=j«
--;*=tc
quails at thecam-ing con- flict ? Vo, Ma ■ bel, no! A ter • ri - ble dis-clo-sure has just been made ; Ma - bel, my dear • iy
a tempo tnoderato.
%
3=t« — --
53:
W-
-«-
Si^
-p — — -
^
r^^lg
\<' f f
ZM^t
1^
^
:i; ^ !• 1
3^^^
kJ— ^'— ^-»^
■ t^ — U — U — g ^ - ^ - ^ '^
-1^— 1»-
lov'd one t
T bound my - self .0 serve the Pi - rate Cap - tain Un - til I reach'd my one and iweo- lirt*
i
A
T=^^=^
m
m:
d^
te
^
m
gfjf:
^
s
¥■
^
-Mabel.
Fred.
p*i -j L^j=±4: ^] r J-J-Jixw^ h^ nfanizj ; ^^
'itf^
^
birth - day I But you an Iwen - ty - ooe ! I've just dis - co- ver'd that I was bom in leap - year. And that
frj > »
m
5
ff«:
io8
^^Ti ^T^rfT ^^
r^ ("a
Mabkl.
Ji^ f-H^j^^^fT^.l J^^'^-^
biitb-dav wiU no« be reach 'd by me till nine - teen .'or • ty I
— 1< J B-*— ij— '— r — —I ' ' •— r 1-
— (/ > -** c •— +»■ 3 -^tr— '— I — — ' '* 1 ^-t 1 "^
77 -«- '-«- -•■
Oh, hor - ri - ble ! Ca - tas-tro-pbc ap-pall-hig I
P^g^^3fe^^^l^
«^^
P
:«■!=
W
=5=
f
?^ ii ^ bJ
-p — --
Mabel.
Fred.
No 8.
DUET— Mabel & Frederic
- Mabel.
&
iE
I ! I -r
J > ^ :
=^=?=
Ai/ci;ro agi/ato.
Stay, Fred • ric, stay I
They have no le - gal claim 1
No
izHz3^
^^
i?3-"^l^^*-'
i — ; — (— r
PlANO.
?^
I 1 1 ^^T^^^ 1 ; 1 — 1 1 ] ^— I 1 — I r^^^T^-1 ' 1 1 I «- •—"•-T
r ! -p-
-^*
ii
-p — —
^Egzfe
=^=
^r~^
■J — t-
-^— ^ — *-
f=
;t=t=
S
shadow of a shame Will fall up ■ on thy name ; Stay, Fred - 'ric, stay 1
Fred.
±
1
1
Nay, Ma - bel, nay; To
^
K -
tO<)
i
u
M^^
^ — p — p-
:q=1:^
-»—m-
U I I
J^^c^
-r s i » -» E
night I quit these walls I The thought my soul ap • pals; But when stern du - ty calls.
1 must o • bey I
V
-p — » — p-
3
Sf^
-F— --
_tl_ct
^* — ^ — p-
-I jr-i-
I I
-»*-
F
■=r
r^^
3!=^=::=::
. I>^' r r 'f
acrpe
^^
iEfE
:?«— s— ^a:
r
-I r -
I . 1
-p— --
^=ri
-±.
Stay, Fred -'ric, stay I
They have no claim
-t-
No sha
i
t:p= ^-r-M =f ^-p —
-1 I I
-r^-r
=^=j^
dow ol a shame Will fall
_*qt^^^]f^^^^
-^-
Nay, Mabel, nay;
But du-ty's name. The thought . . my soul ap - pals ; But when
^^^^^^^^^^^mw
m
^ f— ^J i i *L_4
T~fT~
5l-W-t|^|
P 1 P
zcrzc:
E ^Jl— g
i
£fc3-
s
q*^
r=?E
?3
-p — --
^
:4
up • on thy name ;
Stay, Fr«4-'ric, stay !
i
^^=^^=f^
m
-p — --
iP— ^^
±=1:
g
^
stem du - ty call*,
I must o ■ bey !
■'iijij^
no
m
Andante.
Mabel.
t)
ZX. — . ^ ^
^
-*-.-^ ^ r
w — 1»»
B Ah, leave me not to pine A- lone and de - so- late !
ry-r
-t^—v^
:^c3t:
ei^*i
^
t 8 ^3=*:1 ^=5J3
No fate seemed fair as mine. No hap - -pi-ne»s so great; An
H 4-^-^-^ — f , l ^^i^ I ^r-n 1
- * * * — g t ^
il-^i-^ ■ 1 f
«^
;9p </<7/£-^.
^
y y' "• I *"'
I * I * I *
^
:S=*
i;S=
^
J It* f
=?»^
j&c
=^^=^^^^i^
=»«=
^
^
jtztc
Jg- 1 I
na - ture, day by day. Has sung . ^^ in ac - cents clear This joy-ous round- e - lay
— -4— *' ^ « 'J J — ^-
He loves thee — he is
^^
P
-r^i ^^
^^^
^e
f
«—•—«—•—•
iplr^i^J^J J r^
*T^.S^
^
=P=e:
r i "-^ i J J J -i—t =pf
i
m//.
^^=ts
i
=r==F
=f5:=S=
- r-#
aizist
-^ ^--^
here!
Fal la la la, Fal la la la ! He loves thee — he is here!
Fal
I
—) 1 4 1— »-
f=i:?15
U U U, Fal UI
'^r^-Mf^
-«-
dim.
\J^ -y-
J&e=|!t
?33^ I g h g-S
-l^f^t
y I *
.. ? — »^ — • —
^
^
^=F
Cj i^"
• I ' >
I •■ •'V — r-
P
Fred.
^^
-y-r
=R=F
^^
Kl I
:5=it
^
m I *
=t-!=^
IW-«-
y b^
Ab, I must leave thee here In end - less night to dream. Where joy is dark and drear. And
1 , 1—^ I , I . ! I I J :
^
^
s
sor - - row all su - preme ; When
j_H4-J -^ ' -4-i -d-k/^r T^^ g-j-j-.-/ -
m « — • — "1 — M-—*-
pdolce.
rr
m^
» \ . »
*- y
=^H=
SlO^^
^
-f^-tr-
^•t
=i>=
^
1;=
^
^^ *
?^^
; - - ■ -1
na - lure, ilay by day, will smg in al - tered tone This wei- ry round - e - lay:
iff.-r=^
rti
M^ICT
He loves thee - he is
1H ! : — 1 -5
— * ' C J
7
"? ! *:
F=^±=Jf
^^S^^si^
l l^-T r I C-i!^^ ^^S^ b7T J I J . /rg g ^S
Ill
^ Mabel.
r r t ^'
:^z
-^m^^mz
E
Fal la la la, Fal lat
ra/l.
^^E^E^^^-^^^E ^a^Lr^ ^^m r r i r^-p^ ^p
gone. Fal la la la, Fal la la ~S*» He loves thee, he is here. Fal U la la, Fal la !
a=3.3i
f=», be^-ft
■^ r*
fj^J,^
-<S»-»'
E
i^
C Recit.
I
S
, ^ j-|g
zciz
It seems so long.
i
EEE
-iSt — ^-
J ////;:j^
^ ^ I * ^ ^=^
In 1940 1 ol age shall be; 111 then return and claim you, I de - clare it.
S irear that till then you will be
i^^
s^
^^
ZC2Z
(aside.)
— « «_
:^
^S^^Se^^^
^
-p r i ^
E3
&
s
te^
1^:3=
=t;*
1— p-
Yes, ni be strong; By all the Stan - leys, dead and gone.
I swear it 1
true t< me '
i
-fc^
■ — o-
rz3i
r2z2z
[>«-
S
A
^
-p ili^
-f=— --
S
HI
I
?
^
zmzz^lzm
.'E=S=
S
^
-^■^^ni r
^
^^
^i
Oh, here ii love, and here is truth, And here is food for joy - oa« laugh - ter ; He will be
-T- — y — ^j 1 — r I —
:U=fc
P
Allegro vivace.
r^^ez
Oh, here is love, and here is Irutli, And here is food for joy - ous laugh - ler ;6he wiU be
^^=^-Jfp^ ^S
:r=?^
5^
id^d_a^a>bi
3E^
m
d W
1
ff
«/
^^^
i* . i • T ^
rp^
^
*— *-^
I I J I J-
-• — 1-* — t-^
E
t
4r-:
^r^izi
r i I I
^
1^^^
■'Mp=F^==i^?=
=t2=tE
nCizi^
ie:
4=it
i
5
^
faith - ful to his sooth. Till we are wed, and e - ver af - ter I
Oh.
5^t
itzzJt:
:e=^
I6i?=^
5f=^
T— »-
f ' tf(*- -=g-4 t# u-i»
u » 1 ^
tkith • ful to her sooth. Till we are wed, and e - ver af • ter !
Oh, here is love, and here is truth.
i?3E
E3
|=i=-=t^^
I ■ ■ t 1 s — ■ '
-r-i — r
=p=^
rfefef
te^
^i^r^
11:=-
I
S
J3^
4=5-
I?*:
^
-rtT i r :
i2==*=k=
i> K h r t tjg
3— g-=ifcl W *^ ^^ u
s*=
V
here is love, and here is truth.
i
^
5
i
He will he faith-ful to his sooth.
1^33*:
J^ig -< ^ -^C ::tg
a?c
=^=J-
She will be faith-ful to her sooth,
Till we are wed, and e - ven
It
"^
-^■
*
3ft:
is-
^
-P ai^
"1*~
g
C 41
^
^
f r --
S=*=^
^a^
^^
i
5==F
^»c
?^
=l*3t«:
-■^z.
:^=^
and here is
S^
iVt^nu:
-i'^-k-i^
Till we are wed.
Yes, e - ven af
ter I.
Oh, here is love,
• *- r-^f --
rgC'glC-C^:— £
S^
tz=^
=SC!t
I t»
-J ^ -Jg-
dt
utet:
«f - ter.
And e-ven af- ter t
Oh, here is love, and here is
I
^
l^^P^^S
f^
^
f
^i=^=i
-r i'
— t-
^
Tl* I*-
^ ^ V
! * *l
^f
//3
te
» r-
^-f>
?*=>=
:fCF:^^=S?=
truth.
And here u food for joy • oas laagb - ter ;
itzr:-:
He will be faith - lul to his sooth. Till we are
9 * ■
e
* — *=
d W
'-^r-r-f- ^^i
U ' ^ \ ^ y ^=ii^Z
■^ — ?-
trath.
i
^y i t
And here is food for joy - ons Uogh - ter ;
-1-
She will be faith • fill to her looth.
S=F^
^
:3t=t=
-i — I I r
f=|=i=»j:J--i<=i
c^
3
H
?
^s
j=p=
:tz=^=Sz:
IL
-y m f f t
- ter, e - »en
ter!
Oh, here is love.
and here b truth, Oh, here ii
Mf
m
^
^=^
» m
It
ter.
ter I
i^
Oh, here is
Io»e,
and here is truth.
Oh, here it
1 ' i I J 1 — J i , J ' I- I I
J I— , — I I . — —^ — I ^ *
p
=g=
3t
V * -
ere
V ' *
^M
IP
do.
^
» r
-I— ^— -^^
^
5^^
^^
^
i
ig
5=q!t:
^
^ , f
love, is love I
-?=:
love, K love I
Fred. Farewell 1 Adieu 1
Mabel. The same to you !
Both. Farewell 1 Adieu 1
(Fbed nuhet to windoto and leapt ouL)
if
-T^
• /
■g: *:
- ^^^tlt
itrrn:
^ :^^-.o "1 1 j-^-— ^
' i
-ip-
:C=izc:
; r ' r ^-^-T-w-^iK-r^
1 — r
S
t=x:
^Et
=g-"^^
H
114
No. 9.
RECITATIVE— Mabel. &c. Chorus of Police.
Piano.
i
Mabel
r^FH
liSEI
j?E
m m
:lz=Cz:
r^^-
3^=tz:
Y . ^ r r l-l'^::^'^^:^^^^ ^^^^
Yes, I »m brave I Oh, fam - i - ly de - scent, How great thy charm, thy sway how ex- eel-lent!
^
> ^— * -— r
i?=t£:
1 tempo. Moiieralo.
{Enter Police from R. L E., marehiny in tingle file.')
Solo. Sergeant.
m
Tho' in bo • dy and in mind
Chorus of Police.
We ar«
Ta-ran ■ ta - ra, a-rao - ta- ra.
!
-gS I f-g =F
^ u u ^ -^ -»■ -»^ -*■ -y -» -»^
M 1 ^1 =f 1 h i M ^
-« « "-i :2 rfl — =
cresc.
^
' ■ L J * •^ ' 1 •! •! •>—
T^r^
^"T^^r"^
:S=:p=
i?=?
^^
:5:i:iS-
ti - mid -ly in-clin'd.
And a - ny-lhing but blind
To the
^t-!_#_#_±-^:::#-
' f^ -, ^■—
^^^
m . W »
±: g-l«j— g-^U — ^U— g:
Ta-ian . U • ra.
Ta-ran - la • ra, la - -an - ta - ra.
i
, ^^ .^'^ ,r-
?^
f
3^
p=^
rt^
ir # i ^
* ^
_* — (^ — Ik — — ^ — — N — — — ft — f » , h h ^ h .. I
^^§
"5.
m
S
Tt rr
V — >
dan - ger that's be-hind ;
r ■ » f g r£
m
Ye», when the dan - ger's near
^
TT^-ir
:?=:
T- -r:~
Vie
it^
5^33
Ta-nn • U - n.
^i^
T«-ran - ta • ra, ta-ran • tj • rm,
i
i n u
^
-^ r* 1 — ^^
-»■ -a^ •» -y ^-
3?3^^=,
TT -*■ ^ TT ^ J: ^ .i ^
^f=^-1-^^h
■a-^-
^
l=3i)- JZmIt:
-S -St
^
(^
^
-T-ff
( t f ' ^
ti=ifii
==e=
^^^.
M=^ |Efe^
ma - nage tOi ap - pr«i
.:ffi^
As in - sen - si ■ ble to fear
a • ny • Inj • dy here, at <
:?=
Ta ■ ran • U • ra t
*? :«: * * * :«: ift
..•I— ^.jj— ^■']_p>-'H-
3?3
1^
'V?l
5=2*
^
Js:^
^S^
^ ^
^^ - J^-j^
i
P
^
^^
^3^:
-^-^
a!::a
iU=t«j:=3i
*-=l-
-=r
Ji^^
-=t:
^ -^ -^
^ 5
- 5
1^
3^
zar
-W=f^
v> u >
#• 0- m—M-m, it-w
^^9==^
{W
nj • bo - dy here I Ta-ran • U • ra, ta-ran - ta - ra, ta -ran - la • ra, ta • lau -ta-ra, la-ran-ta-
■. I * I * , p- p-r-^-r ■ * > • m^ i t . J*d' ^». ■y^f-»)—
S
k | g U |g k:
^
nzgn
g
Ta-na • ta - la, ta • ran -ta-ra, ra, ra, fa.
i
^^e
m*
^^
^
=^=^=1=^
»
a
1 1 1
B^^^^^^3^ E^3^^^
I ' I
^^^=^^
-=r
-*■ -jr
-=r
- ^ * • • ( * I * f ^ I * • « *
r-' ^ T' ' ^-
^^^
g;
m • ^ m t m ' t :
" j S 1^ P U p— y: =z^
^
i g u ^ =^ii=^y^=^
-> 9 ^
ra, ta - ran - ta - ra.
la • ran -ta-ra, ta-ran-ta-ra, u-ran-U-ra, U-ran-_ta-ia, ta-mn-
zA^^.=^r=J^^=J^,=^J^^
^ \=A
^=W^
ra.
*j
->^ r ^ ^
ra.
1^
ra.
ta - ran - ta
=ir^
^
33:
-P 1 1^^^^ — ^ > ^ ^ 1 — r-=^ 1 zr^ W
— < ' «* — a m» — d m.» «"• ^m-^.~*- 1*
-^ N^^
ii6
Mabel. " Death and glory.
ra, ta - ran - U • ra, u - ran - ta - ra, U - ran ■ ta - ra, ta - ran ■ ta - ra I
^Dialogue goes on. )
qg r- %-
—»
ra, ra.
^^^
-|* • ^ 1*=
^;f=-^:=i^'=-^—A jgt— U! gL
- ^ f^
ra, ta -ran • ta - ra, ta - ran_ - ta - ri, ta - ran - ta - ra !
1? •* ^ 3
^-g — 1^
•
*
:| — ^— S^-^ a^
1 ■< 1 ^ ^ — J I j ( I * ;* M -
* r
■<dd
"acted nobly.
^
/? Chorus of Police.
(i
^:
321
221
That >s not a pleasant way of putting it t
He has acted shamefully I
He has acted nobly !
SP
w.
IZ2I
"go ye and do yours."
Sergeant. "This is perplexing. "
"sense of doty.
(W
321
Very well I
We cannot understand it at all !
m
" we joined the force. '
' Too late now.
m-
I£2Z
-P2=
It isl
i
I That makes a difference, of course, but at the same
time, we repeal, we cannot understand it at all !
We should I
AUaaa
Mahcl. Sergeant, approach. Young Frederic waa to have
l(vl you to deatli and glory.
.\i.i. That is not a pleasant way of putting it.
.NIaui'T,. No matter. He will not so lead you, for he has
allied himself once more with his old as-'^ociatea.
Am.. He has acted shamefully!
Mabki,. You speak falsely ; you know nothing about it. He
li.ii acted nobly !
A 1,1.. He has acted nobly !
Mabel. Dtarly as I loved him before, his heroic sacrifice to
his seuse of duty has endeared him to me tenfold ;' but if it wa.s
his duty to constitute himself my foe, it is likewise mi/ duty to
regard him in that light. He has done his duty ; I will d>,
"uine. Go ye and do yours. (_Exit Mabi:u R. J. E.)
Ai.t.. Very well.
.Serokant. Tln< is perplexing.
Ai.i,. \Vc cannot understand it at alL
Skkoea.st. Still, if he is actuated by a st-iise of duty — «
All. That makes a diHereiice, of course. At the same tima
we repeat we cannot understand it.
Seroka.nt. No matter. Our course is clear; we must lo
our best to capture these pirates alone. It is most diitressing to
us to be the af:cnt.< whereby our erring fellow-creatures are d*
prived of that liberty which is so dear to all, but we should have
thought of that before we joined the force.
Ai-L. We should.
Sergeakt. It is too late now.
All. It is.
Sergeant. ^
P^^S
Piaso.
^^^^
^=:^
5
No. 10 —Song — Sergeant & Chorus.
1. When a felon's not engaged in his em.
2. When the en-ter-prising burgiar's nol a -
S5;
1
Allegro moderato
^^
f
-p — --
:^=:s^
*^
:?!=:
-F
-It-
(
-^t—^
■:X=yC
s > -■ f — ^s P p ^ m — a • ^ I ""
-• — *—
EEE52
1^
. ployment, Or ma • tur - in^ his fe - lo-nious lit - tie plans,
- burg-ling, When the cut-lluo.it is -n't oc - cu-pied in crime.
Chorus of Police.
His ca - pa - ci - ty for in - no - cent en •
He loves to hear the lit - tie brook a •
^g= fe±±3 ^
g^gg
m
his em-ployment,
not a- burgling.
^m
lit - tie plans,
pied in crime,
1"
^
^^
f r
?=^=t2r
joy-ment
gurg-ling,
r # * _|f-ulS ^
ZSfZZ^LI^SfZ
Is ju>i .IS' great as a - ny hon - est mans.
And lis - ten to the mer - ry vi! - lage chime.
Our feel- ings we with dif - fi - cul - ty
Wnen the cos- ter's fin-ished jump-ing on hi»
S-h-t*-
5=^
-* — ■ 1-= — ^^'—ji
^ ^ € > * ^
-t-r-
cent en - joy-ment,
brook a- gurg-ling,
hon - est man's,
vil- lage chime.
I
) ii8
U-Jt.
$mc -ther
mo -Lh«r,
WTiflj.jscm - sta • bu • la - ry du - ty's to be done, j
lovei to lie a • bask -ing in the son. (
He
Oh, tmke <me .con-sid • er - > - tion with an
(S
ii
9—^
m
^.
- y — k -
-cul - ty smother,
on his mo ■ ther,
^
^
^
flf
^
W
^
tr*-
to be dooe.
in the son.
i
i
^
J . I
fe^^^-;-.^
o • ther,
1
^ r-
lU^rt^
-t?->^
r i: r ^ M
Js=f5:
r r ^ ^
— >^ U" -
T" 1^
i^^
A po - lice-man's lot is not a hap - py one ;
When con - sta • bnjr la • ry du ■ ty's to be
-r-fi
g^is
Ji=i-
-^ ^ — m — ^
*— *-
:?J^.
-y^t?-:
with an • o ■ iher I
Ah, when con • sta - bu - la • ry du - l/s to be
^"^=if
i
^
I r "
f*
^
^
^
3?=:
« — — -
-¥«^
:^
-* — »-
m
^ U t^
-» — » —
py one I
done, to be done. The po - lice - man's lot
(^
not a hap - py
_ ^—
otte, hap
m
don;
be done, The po - lice - man's lot is not
hap - py
W~
one, hap
-» * —
py one I
r— y-
5=ic
^^
s
B=
iE
P
s^
J ^ / ^ 1
:»^i:
[ PF^"-^^§^— ^
i
^
^
EE^
i6c=3=
£^3
-V=# ^
119
No. 1 1. SOLO— Sergeant. & Chorus of Pirates & Police.
f'U.NO.
i^
-F ^ — p «-^
^-T-
-*-
,. j*
!• ^-
N
1 > ^ ^
— ^—
— p:r
1 1—
— !s — r
(■" •
A
AUegntto,
rol-
—^ — 1«<^ L
lick - ing hand
oT
—J —
r.
rates we,
It
Who.
-?^^ — 1— V-
ti • red ol
toss
■ ing
oo
— * — *—
the tea.
Aic
f-
^
^^^^
3c=e:
Sergeant.
5=(«I
j ^ \tt r ¥ r-
Z0 4
i<L.LL^
-y • # -
^^
i»> ' ^ \
try -ing their hand at a bur ■ gla - ree. With weapons grim and go - ry. Hush, hush, I hear them on the
i
5^
^S
P
■■»■ •
i»4f-
E
^"— f # ^^v-
■»■ -m- -^
^ ■ U ^ * ^
r^* — * — p — frr#-s-
— >-rr* — >— 15
-f ^—
-^h
^C) ' 1 i^!— *-J 1
.# ma - nor poaching ; \Suli
■.imI - ihy steps the Pi- rates
-J — ^ — ^^--^^^
are ap -proach-ing ! We
are
fi
-^ * -r ^
not com ■ ing for
— — • aa •
plate
-r 1
or gold i
A
f»ri '-,i .. — < — .^ i —
— '■ l-T ^=1 1 — ^ ^-
* 1 * 1 — 5 1
fli
-fj
1 1 1 f . 1
.-jp — [—if — r—- ,p 1 a 1—
' — — * — - — 1 1 i '
1 , 1 1
>i
\
-Tf. sif: ^ ^ ^
i
^«— ^-
^^
i
-*— ^
ts==S
J — *i
:iit
--pr — i»> — i^ — \^
*
-4-
:?i^
^!t=m=Si
* sto • ry G« - ne - ral Stan - ley told; We seek a pe - nal - ty (if- tyfold For G« -ne -ral Sun -le/t sto • ry I V
Chorus or Poi.ict.
m
9-
SI
m
They
i
)2.o
^
PiKATES.
^
It:
^
r r. r. -c e
H 1 I *
^^
fif - tjr • fold I We Kck > pe • Ml • ty
Wc Kck • pe- sal - ty
^
r f m-
-""— t?-
^^
I h
■eek ■ pe - naJ • t;
:?crz|s
^^^
■» — * *-
fif • tjr bid I Tbc7 teA a pe • nal - t}
[i
^^^
/-«•-«•
J=rK:
^^3
r T-Ji T
JE^
* * *
-*^ « « «
^
^E^
* 1 1 ar^y-
iSii
-* ^ — »
i i i *
/ ^p M .'i.;i
>. N I
j^i 1 IE
** ' ^ y-
fif - ty - fold Far Ge - dc ■ ral Stan - ley's Mo - ry !
^ — p* — ^ — I 1-
Sergeant.
&.
t t %r
l^BtL
^H=^ : ^T=^^ r • c r— ?=?p
P V g_p c:=g:
^3S
-p — --
fif - ty • fold Foi Ge - ne - ral Stan - ley's sto - ly !
They come in force with steal<thy atride ;
[i
E
VP
S
' > g-
^
=§=ri^
Chorus, n^o/ this, and dim. till next Chorus.
m
^
J « J"
^ ^ s
-J" J • J
^^
»=^5=ti
:a=JE
3
I * J l J i . J i * l V »* *■
Oni ob ■ Tioos coarse is now to hide !
99
Ta - ran - ta - ra, ta • ran ta - la I
jP
->=>-
^
^
I
{Police eoneeal Oitmselvet in aitU L. A» (hey do to the Pirates, ,low C. They enter eautiouily, ofwl eome down stage on HpUit.
iisiith Ruth and Frederic, are seen appearing at ruined win- The KinjO m laden xvith burglariotu *•«& and piMoU, etc ete.)
No 13
SOLO— Samuel, & Chonis of Pirates.
Xhorus or Pirates
Piano.
^^tzE::^
J J J
-r-nt
i^
on our prey we steal ;
Iq n - lence dread
our caa-tious way we feel !
No soood at al}.
I
5:^
-H-^i-|»-
g -^ liT^ J^^ iT.
-^i-ip^
?^=1-
^
:5=V-
?^^» 1 [ » ^
^
-A Tt
=c
^
-g. ^
3* f^
1 i» 1 >:=^
^
^
»' ' ! »' ^-
-)» 1^
5
=5'=«S=
* • ^'
nc • ver speak a word ;
A fly"* foo< . fall would be dis -1 tinct - - It heard !
Chorus of Police.
\^
■ ^ > . ^
4=
^
1 • ^^ .
ta-nm - U
i
ILi^^'-JUJ'JUJjE
5j^5^
^
j^i ji ^ ^'''^
^^"^^^j ^ I £ ^ n=B ^
-{^"^ 1 j-j *^.Kv -}-» r^
1 ^1 >H
^
S
--- ^4-U|.^.=A^-^ E^
/
*i • ,^ , ^
i«z=
'?*--
So steal -dii - ly the Pi- rate creeps. While all the house-hold sound-ly sleeps.
^i==j:
m
Siat:
ral
I
^ Y 7T~K=7T~^i
i
-5 — » — *-
16
a ^^^^3
3^:3
^=::a ■ " ^
-* r
^
3
/JZ 2L.
^eeS^
It
"gr
^^^^^^^
Come, friends, who plough the sea. Truce to na - vi - ga • tioi^ Take an - o - tner ita - tion |
PP S J. ^S JS , ^ ^
i -]' , -]$ I ' l \s ' ''"Tg 1 "^"Tl^
Ra, ra, ra, n, ra, ra, ra, ra.
ra, ra,
— >
ra, ra, ra,
ra.
-k— *
g
li, ra.
g
i2i:
tr
=S=rSz
:SC3C
plough the sea,
Sk
:^i=^
:^=^
r-* ^ • » •»■
t*=^
'Truce to na - vi-ga - tion. Take an-o - thersta - ti(
Let's
ry pi
feg^=p=g^g i^^^^
cee
K
^ 1'*! T f^
g -1 g 1 g=q^
ra, ra, ra, ra, ra, ra.
ra, ra.
^
-^ — r
ra, ra, ra, ra, ra, ra, ra, ra, ra, ra,
A .-. § :r : ^' ^: :^ #• *-
m
^
i » ' * :i i»-
-r^ — ^
£
It
3 — I r
=5==^;
r-i-*a
j-T r~^— ^-rj-
Se
ere - • seen
do.
-f^^-
^m
^^=^
-=i-t— ^
-q-^-^
■* — *^
I
fc^
IT
=«=
1^ >
C Solo. Samuel.
I * *-
-P
?#&
With a lu ■ "le bur • ela • ree !
r — r^r^
"^ r- ^:^7 "~r
Here's
your
crow ■ -«r,
And .
your ,
=^=f=
g r -
i
t* ^ '' I i "*
ra, 1 a-ran - ta - ra, ra, ra !
I
-^f^^.
lEE
^^^^
^^E^
1^
3 1 3 n 3. ijjiL^
^
P
113
i
5iP=5c=^fc:i
^^
*_«> ft-
<xc ■ u« bit,
5=
Your life .
-S* . f
K -
pre • ser
?. 3f, ^-
You may want to hit I
P
M
I S—lT'i
f » i >' t f >^
m
->s^ — S
v^-^ *i IZ^
q=4
S*teE;
t;^* — ^> — ^~»^
^'-
-— ^jrngJZTg
-4«-.
5f— 1^ — -^
I 1
1 i * 1 ■ k7i r 1 ^ ?'i i * 1 PT ^^
-j^ S-g ;
^-^P^ y-^^^o j ^ir^^—^^jv ^^ i^
^=
5=s:
* ^ '^^—'1^
-t? — t?-
lil- — S :sr
i
^5:?3:
S* f f • 0^:^=^-
Wi
^m
Your
-I ' Hi..^— *-
si • lent match - es.
J i ^ fi *
". *^f
■f^
1=:^
Your dark Ian- tern seize I
I
sr-^
— t 1 r-i i — :
Take your
s*
>- ,8»- -f-
^" »--.— i-
file .... And youi
:^=
lez;
i
?
^
V> !* I?
* 1 _g 1 ^TT^I"
] — Ci r-t i ? =tz=:
'^l? «1 ^'T~f i7*! •l"^ -^^-^^^=^ 1 f 1 V ^
^S=
-* — *-
g? F»^ »-^
U" *^
i
::fc=^
:t:
q=
^* ^3T
ske - le - ton - ic keys !
/ Pirates.
rrg-gzz
-*-H«-
^^HE
=SE=t2=
x:
With cat - like tread.
in si - lence dread.
s
/ Police. u^
r r • g
J2^
:3±rfct!?=^
-t-'— g-i^— ^
Ta - ran - ta - la.
ta-ran - ta ■ ra
^
tr ^
:3^3E
S
1^
P^ 5
S
' — 'i <l ar— i.— < 1 1 — I 1 1 1 —
i -g-:- r:b<z±g:g
m
\%=%-±=%
3-L
ei
-(^_* ^>-
'i^,r*'^'^='-^
^~in^
> ^ ( ^
. # * . -0-
1^
-0 — 0-
■£
m
-I —
I Zi > — I I — ' - I -< ^
^— ^t^^^^l^^as-
-^n-lg"1*"^1 g
■*s-
/Pirates.
IJ4
^
^^
m ■< m
IE
^
22i
fe
4o«ad at all, we ne-ver speak a word ; A By% foot - fall would be dis r tinct - ly heard !
Come, frieodi, who
35rPt:
* ^^L-^
: g 1 r 1 -g -t^
^
^
F^^^g^jgg ji igir iiSi
h' j M -
ff p
/
7r=r^
3^3=i=5r:
^^»^^^=a-^-
-»» — (^
^=^-»-=^
_>-,_|>^-^ ! t— J--f— -i
Ta-ran • ta - ra, ra, ra, ra,
t E z:
^ r • g :
dim\
- f 1 ^ 1
f 1 * 1 h
^=?
?i i n s n ->— =1-
i
I
:^:izk:
=£
r^'r±^i
1^ -t ^ 1 ^ — »
-^^
I I
±
S=
rt
With a lit - tie bui - gU - reel With cat - liketread
up - on our . prey
* f g , p
steal
i=a^T*l4
r"i^
=?^^— gg— r
5.«-^
^=^=?^
11221
■^SS-
£ll-ig-4 ^
In si - lence dread
ll
our cautious way
^=it
rt
we feel !
Ta-raa • t» - ra.
ta-ran- ta • ra,
ra, ra !
•as
No. 13. Frederic, King, Major-General, Police, & Pirates.
Frederic.
-I > — ^-
^
IIATE^
=JsqP
mi
^ I * I * I * — ^--W— ^
1^=^.
^^=?
^-^=?
-^— j'
-u - u u k~r
Hush» hushi not a word ; 1 sec a light in • side ! The Ma - jor- Gen- *ral com^ so quick* \y hide ! Yes,
i
ES
Piano.
IS*-
^^
A
■ye-^
^
H*— f=^
I
Police.
-> ^ ^
Ji=Sl
Major-Generau
S
^^SEEg j^
iS
S
^ 1^
m -
:^=tc
:ati3
^^
?=n=
^ii^- J^^
1 <<-
-*-^-J ^
S=^^
r— *-
ii^-> ' — k— U-
yes, the Ma- jor-Gen-'ral comes! He comes, the Ma - jor- Gen- 'ral coiUes! Yes, yei, the Ml - jor- Gen - 'raJ comei I
Tor
=l=r:
F^=^'^
m.
9 — I r
T=p=
4:=P=
^^
ir
-i«^
^fr
H P-
^^
H P~
i
y^ tempo moderato.
^ ■'^ 1^ >-^V— K
^.-,? ^N . j-| j-^z^r^ J j.7-7rT ^gE ^=^
fe?=E?E£E
- *— »-
men-ted with (he anguish dread Of falsehood un - a-ton'd, I lay up -on my sleep-less bed. And toss'd,and turn 'd,aiid groan 'd ; The
A tempo tnoderato.
m
^^^^^^^^ =^^^^
^^
-^-— ^-=1-
-X — ^sF
■■»■ **»-
:3=^=3z
"1*~
^
"8^
^
'^r^
-fi g ^=^ ^-^-P — ^^ 1 «t=^
^ . jj 1 ,
=¥=^
^
a — •— q—
:35=35=qic=qv
fi==f5=
^
^
S K
b * f
f f 1 J d-
m
m d-
m
h h
jcr u u
-^ — t*^
y J-
man who finds his coo- science ache No peace at all en - joys ;
And M I lay in bed • - wmke, I
Oe
^
m
-M—J—^-
=E
?—^
?=4:
3=3u
^
¥
.^r^
^ 1 v'^ '4-
1 W *| s 1 f ^
1 ij__1 * 1 >_
m
126
i
Chorus or Pirates.
. N N N N
ff REcrr. Major-Gkmkkal,
>— f-
^-»-^— .
s
" 1^ ^ s I — ^1
J ^ V-
nczM
I I ^ 'i 1 q i*
r-j ., ,^^^ ^
^
■w
Tenors'&
Basses. /^
thootfht I heard a ooise. . He tbonght he heard a noise ; Ha, ba 1
-P— ji— »i— »^
=Jt*t
^X^-1 ^
Now^aU ia itiU, In dale at hiU, Mjr mind is act at
-'I— ^— ^1— J-q P-
-=1 H'i-P-
1«:
::2^-
"i — f^ i"
;9
^^3E
-«1_^,>H^
1 t* -
=t
W^ f *•
^
tf
^
So still the scene,
It might have been
The sigh - ing of the
=q=
T W=
^
^=
-tt s_
i
^
No. 14. SONG — Major-General & Chorus (Pirates & Police).
^
F=
mrBn"
^
Piano.
breeze.
Allegro f^razioio.
fr, f *
* :
-r •
'^wf
H=2-
=^
: * ' < ^ „
^^
J W-
~/t^
I Soft - ly sigh - ing to the ri - ver, Comes the lone - ly breeze ;
2. Yet ihe breeze is but a ro - ver ; When he wings a - way,
, dim.
^jC
^r- — =^
«»7
m
^
^
—> — *-» — »-
r 1
* Set • ting na - tore all a - qui - ver, Rust • ling thro' the trees.
Brook and pop - lar mourn a lo - ver. Sigh- ing, "Well • a - day 1 '
PlRATES.p/3
^
• F^ ££ _
And the biook, in
Ah. the do - ing
i
¥
Police.
Thro' the trees. . .
"Well- ■ - day!" . .
m
-^=h-^
Thro' the trees. .
•■ Well a - dayl'
S^^^-^^-^ ^^^ tf^
-^^-^-
-*3*-
5S=«
- =.'i— k
isz*!::
1
rip - pling mea-sure, Laughs for ve - ry love,
•and un - do - Ing That the rogue could tell;
While the pop - lars, in
When the breeie is out
their plea • sure, Wave their arms a ■
a • woo • ing Who can woo «o
I
m
^^^^^^
^=^.
S^
■V- -Sft,
, Major-Gen ERAL with i*t Tbnoks.
128
129
"' (J&U«r Oi« Ueneral's daughters, ltd by Mabkl, all m wAito
CHOkUt or Girls. j>tignoir$ and nightcaps, and carrying oandlet.')
f Sopranos.
:?crfs
^^
=^=?«=
ift^
^
^E^
"7* K K
*^^v:jij: ^
^ * ' f * [) f
Allegro vivaci
c
Now what is this, and what a thai ? And why does fa - iher leave bis b«d At such a °.ime of mght as this. So
" ^ T^i
^E^
^ 7 9rrtr
^f V ^ gg^^
i^e
-r*^-^i— r— T-r 1 I*
r 1 ^^
j<_gL
^
^,^3 ^ J' J-^^^q^"| J' ; ^ ^^^ ^^^^ U_r=^:^ ^,-^=^sg
ve • ry in • com- plete ■ ly dressed ? Dear fa - tber is, and al - ways was. The most me • Iho - di ■ cat of men ; It's
=ts=^
?=^=?^
=!£
i^=1-
-*■ -^ j^
5=
S
^
S
3=3:
I* 1
5^3^^
s==
^
^^
j H^r-g-^:-!::^^
^
^^c:^
-I* — <L
his in • va • ri - a - ble rule To go to bed at half- past ten. What strange oc - cur - rence ran it hr Th«'
=r
^
1=3^
> 1 [* ■ 1 r *-^--
•3- -i -j-
5E3i
5^=
=:?
EE^IS
-=i — f«=
L^
-«: ^
S-— ^ T
jE ^r^T'^^^^'^H^-HF^^^^
^
p
^*^ — ^ — d-
*c
-*— ^
-j^ S-
- i —*-
— y-^ p« n
^^
s
i
calls deal fa • ther from his rest At such a time of night as this. So ve - ry in - com - plete • ly dressed !
V -^:
:^j — m « J
;^«=^-
1 *^ 1 ^ -^:
^:~T~7^
zwti^Mz
3
^=3?:
IX
5=±
^
^
'f=t=^
<s>-
^
^^
^ m^
?s
-^H--
-»* — =^
At such a time of night
?o ve-nr in- com-plete-ly dressed.
r-7— y
?^^
^
rJ^
^^^^^^
i^^
gr^-^J^^
^
yd'^^
^^^^^^^m
Kica. (Sprui^xny up. ) Forward, my men, and sei«; that
iUiait^gue.)
federal there I
His bfe is over.
no
GlKl.^
*) >i^ > | S gs
rhe pi-rates ! the pirates ! oh, des ■ pair I
— ' •-— ^— I ^^^^ ^^a^^m
.-^_-*-_-^ sr*---"^^
i
PiRATEi..
bg? »
> r r
h h f^
?
-i[^> ^ s m s
Yes, we're the pi-r ates; so de s - pair I
i
Major-Gkneral.
:4=tOs:
=CC3=
Mabel.
r-^-y
b -
- g ' g ' ^ -
^i
M * ^ ( *'
■g->_^_
'P »
( * I *
i- U U*"
3fi«:
1
I U" U
Fred - e-ric here I oh joy! oh rap - ture ' Summoa your men. and ef ■ feet their cap ■ tiue. Fred ■ e - ric, save u» I
J -^. -^ zg. :g 9 w T^ i^. _^. .^. m 9 "^1 r-
A U
m.
^^C 1 pi[!i | giCi/i/i
r -
Fred.
=?«=?«
^H Cgi^ c ^
I 1^ 1^
Pirates
Beau - ti - ft: M- • bcl I woold if I could. But I am
S^
fe
-r-r-r
ritSJt
^3^=5=S^
■3'
l^^^i^^
P~ ^ .!f
y— »>-
r~ g * r "T r
.^- I * ir^— ^ . fcy^**
§
fla-vourt all oar deal - ings ; With cou-rage rare. and re • so - lu - tion man - ly. Foe death pre - pare. ■•
@^
^
^
(S
3c=e
^t
1^-^ i. i^ '3 ^€^
i
Q Mabel.
^
^^
-r— r
r— r — q
Chorus or Girls.
Mabxi.
=^^=^
^
t ^ ;^
^ \ < ^ ^ \ ^ \ ^ \ ^K\ ^ \f I i
hap . py Gen • 'rai Stan - ley I
w
i
isd^t
he to die, on - shri • ven, un • an - neal'd ? Oh, spare him I
wm
32
IJ3.
-^f-
-n;*-
^^
r • r
r ' r r i
i
.Girls.
Police.
=^
32=52=
:t2=t2
5i&i^&=
^^
? y^ i» » ij '-t^-
t" I I y-t
a?tg=p
no one in his cause a wea - poo wield ? Oh, sparehimi
5
±J^
Yes, we are here, though bi-ther-to con-ceal'd I Oh, rap • ture !
::^^=^
Eg^
m
^^
I^
F
s^
Police.
I > U" > > U U I B :
^
3 ^.
Girls.
* ,
W^T'^B^
zst
fr3 \ — i-^
i
(.4 slruffgfe ensues between Pirates and Police, Roto tackling
Sergeant. Evetd^iaUy the Police are overcome and fall pros-
■ trale. Ihc Pirates standing over them with drawn swords.)
S
:^=
^
Lo I to our pow.ers pi- rates quick - ly yield I Oh, rap- ture I
a
-£2-
-^=5-
^^ ' ^^
T . 1 ' I ^ L ' ' r
^
f^^^^
^^
^*-it* i?
1~l
^
>3»
H Allegro modtraU.
Pirates.
a— il-
^^^ \^: ? ;^
^=&
=g^^
::s=^
S
^^^
i^
z^r:^'" — lylrt
-J— *L
tJ - ■ .. 1
We iri - amph now, for well we trow
P olice, ff ^ . , 3
-T#— 1»-
Your mor
S^35
^--
3
ca -reer s cut
short :
No pi • xtX
r ■ 0-
^^^^^
^?
ic
^
t=g=
^Et
^^^
-y— U-
^ i< » ^-*-
-ir" 1 —
You tii ■ umph now, for well we trow Our
<^3
:?==tz=
3:
3=
tal ra - reer's cui short :
No pi . rate
H Allegro moderato.
s -
=*--W- _^_ 5j^-4-;|-- -
.J 1 .^
/
(<*): 9 ;i-i^ — ij— * — ^"^ — * —
N .1 -^ ,
J — -« • !
1 '
>»/ 3
« r-« — ^ — ^ T"
— ^ ai J 'z '
L^^4_ ^ ^ J ^-*
-a
— Li_u — ^ — ;?_
^'11 -^-g-i^^
i-t^ ,. . ^-f^lJ ;* fel ^=TO»=SSgnjtJr=
3 3
S » M ^ f ^ -
-* j. ^ ^ . ^ X-J
— :=^ — TT
^^-^i^ lJ (: -^ ^^-*- -J ^ * ,* i ' 1 ' i ' -^—
'JiS '-^
1 ^' > U b!U-J
P- i/
9 i
^^:^ja,tij=,
M»>^-7— 1 ^ gg * 5 -f^ i — ^T'"'^ ■ 5
1 r^' ,,^
^^ r • ; u ;^ — ^-s^-L^ L^^ —
— 1 ' '
-1 U-f—
-is»^ -L'
bond will take iu stand At the Cen
tral
Cri
mi • nal Court I
^=^
T^-^r.
I ^
^^^^^^
P
^
? g * »^ ^^
J ,i_ l
^--*=«|-:
^EE
5^
^^2=
^
:^
^
i^^^
■^^
::^
5
^
-*? — I — »-tp^
Sergeant-
^
^
z?:
.» ' > 1^ ^
i^ t ^ > ■ i^ '
iqt
To gain a brief ad • van-tage you've con-trived ;
Bat
UoddraU.
S
t:»-
^^.
gHe
cT
"1 — r
t ^ r
3 g _-L_L
^^
>^^1 1^ 1
4_«^
JLjS^
■-«: :J: *
^ ^ g^ g g^
• — • — m m \
King.
1^
r c - s C
=e=qt
-# — «-
:/?=iC
;^ ^ t*" — i»^
=;z=2i
j» — »< — s^
Don't say you're orpnans, (or we Know
your proud tri-umph will not be long- lived.
fi-^.-^-A.'
toav game I
** *
m
^E
■Z. :S: :t
S 4*^1h=1rjt
-1— r
nit
sekceANT.
r ;>H-fr , r - r r ,^ _ ,
Cj:./ I ^ ^ ' ^ \^ f::
M — «-
-j^—r
-p=t:
-w — ^ — k**
On youi al.- le-giance we've a stron • ger claim ;
We bid roa yieU.
^^^^^
1 h
^3^3^^^E
«5F^«--^^^a,r^
^
-F --
-F ^
^
I — I- — ^ — I — I — I — I —
?^
-i I I
-F — -1-
slatwer.
KtNat
poucb:
S
^
^^^^F
s:
±n
-«^
lot
We clorge yoa yidd'
in QneeD
Vic - to - ria'i ' . n.imc !
^
1
%c4g
I I
=#:
* ^ ^
Ei
^
IC^
~P"
e:
iza:
King.
Z3^ •Cr
"^ {Piroteg kneel; Police stand over them triumphantly.')
^
m
^
4=
We yield
L L'istessoUmpo.
at ooce with hum • bled mica.
Be - canie, with all oof
^
Sl:
^
^
^
lei:
£
Police."
•34
i^Poliee, holding Pirates by the eollar^talce out liandkerehiefo and
weep.)
I
1st Soprano.
M Recit. Major-Generai-
I^^E^
m
Korm.
3
--^=x^
S K'
:Isi=k:
U f r
g= J J
i^
S)±:^;
3t:i=^
Yes, yes, with all their faults, they love theii Queen t
A- <c»y withthem, and place them at the baz ! Oat,
2nd Soprano.
^^E
:3=s=S=
Yes, yes, with all their faults,they love their Queen I
1^
rENOR.
'-, \-
W
5=:^^=*-
4-1 — l-
±»ya=v:
* £3
Police.
Yes, yes, with all their faults.they love their Queen !
Bass.
g^g ^-Sgig ^^ pEg
W-
m \ r - J .
Qufen4 Yes, yes, with all their faults, they love their Queen I
M
S
I
) ^ 1 "
±
■»V-<si-
-p~— -
^
-i ' V
i
« tempo.
A-
-m mh 4
:^^:fe*:
r 1^ '' r-
N IK N
^
:^=3:
=5
f=:!t
i 1-
55
-J-=F
fr^'^^T
JSC^E
^^*
-g--g-
=1=
^ w • » ' » • ' - S '—I 1 — ' — ' — -^^^ — I ^-' — = ■— t-
let me tell you who they-are : They are no members of the com- mon throng, They are all no- ble- me
moment,
^^^^^^^^m
A
^r r r
^^^ — ^
^^
^
' f r '
za
^^
2?2-
i
t
ft — ^
Unpoco
piU Animato. Chorus of Girls.
-bw f^-^i r
^=r-
t^
O Major-Generai.
3cip
t=¥^
•^r^ i r , n # I * k
$S=^
=tz=t2
^±^
31
^
:*=^
-F^p — a
e
who have gone wrong. Oh, spare them ! they are all no- ble- men «ho have gone wrong. Wh«»,
Un poco piu Animato.
KlN&
Major-Cenerai.
=f:
KiNa p ^
>f';: i : '■
&
^
all no-ble-men? Yes, ai/ no- ble-men 1 Wbit, all?..
V,f[l, oeu-ly all I
1
S^±I
-I U
yj
•^ * .*
w
-J — I —
m^^
T * ^ .-5:
-I 1-
-^
""S^^in * i ' :^ * * *-^2^
±=*:il«=t±:
/i
E^
^
■9<i J
T=ra
t^
■^^
t^*•
t>»-
-*■ -* t^
MaJOR-Gen'erau Moderate.
&^-
■+■
-I 1-
=t==f:
=5^
e^e
-g— j-
I I
t^
&va.
i ^■
J4o Eng • lishman un - mov'd that state-meot bean ! Be - Cous^ with all ooi
^^ ^^ ir^\ f
f
1
^ > | T -
?^
-p
-P
I
^J^PF^"-*
m^M^^
f f —
^
i
^.=^
^
r=t:
^ — e — f — — -
-p — --
(AUImed.)
ferzf-
^
■ 1 S h
^^^:^
g
t ^ » J
=P
— f» * \
i^
9
*=F^
-»i-r-
faults, we love ooi Home . . of Peers ;
fr— I— =
I pray you par -don me. ex - Pi - rate King ! Peers will be Peers, and
5
3=^
? -
^—5
1=^1=*
^
I r
r --
-m m —~-
^
2:121
^
SE^^S
g^bgB=^
E^=^
::?5Z=SC=K=S
I" r ^ N H > ,
-J N-
-•— W— W— ^fC^
?^
sa
yonth will have its fling 1 He - siune year rank and le • gis • la- tive du- ties. And take my daughters, all of wnom art
^S^
I I
p^^
: j- ^-^
^=
3=^
|Ff=t
3EEEE^
-*■ -*■
^-\
^
^3
-^-r-''— Ff=r^
-:r
f^
«3*
>^JLBE1,
•} s vis:
^^
-J—^
cr:ss aoss.
l^
■ ■■ * m m r
m m
^S
P
^ ^ :$::«: ^ :t
'£
■ I M
m . \ m
-?~rt
^^
TSXS bcKt of gT>C£,
:?::$: :t :t
:^ :£ :t :J^
-»• — •■
' r* • - * — r-
^^ ' s
i
? - *
-^ ^ IT
Yair £=
c nag «ws:
l^
-• •-
t s
^ ^
' 5^=::^
e Ir
'0 '
^
-*—* _ * ^=^
1: so::i paor
B ocrs
1^
* -X
* :8:
# T
-* ?-
\^
• • * ■
' • »
1^=1
Caa kdp joc
ax: a, 11
1 1 —
_> >
:$ ^
-»• — *^
•37
p-.c»
-J-JS ««.
«38
lake
mine !
Take
heart!
Kate & Ruth.
Take
/ Chobus.
ny heart.
take
•39
'ft
i
k
\
'v
Different from all Methods heretofore Published
>»»» « *»>»»»»»1»»»»»»» » »»ww
The Twentieth Century
Violin School
Embracing Explanations of the Elementary Principles of Music
and the Technics of Joachim^ the greatest of viotin players
i»»><i#»»*»#*#»i»#*#«i»*#*#»«
TUB DEVELOPMENT AND MECHANISM OF THB
Higher Positions of the Hand on the Fingerboard
With Practical and Melodious Studies, etc
BY
George Percy Howe
NEW YORK
HITCHCOCK PUBUSHING COMPANY
38 Jobn Street, East of Nassau
■■■■■■■■■.■■^.■■■■■-^■■■■^■i*— ■ ■■■■■■^ ■»■■-■ ■ ■>■>■■■ ■, — ,■■■,■ .I,. — . — ,., .... -^— ■ - . ..—,»■■. ..->.^..- — .^..p. ^.y ^.^ .^...g -j..^..,..,..^ l i t f-t- ts ■■■■» ■ I
■ iiSi>ii» ■>■>■■■■ >i»^^i»i»iieii>^ii»^i^M»i^ ■ »■■ ^■#nen# » aii» ■ ■ is^"*'-*'* " ^'^ m e i» " »*iieiiei#» >i »ie ieii»i»ia M »i^ii#iiii>,»,^i» ^» < ai.«i B m u • " 9 " %»
