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I 


PLASTER  SAINTS 

BY  ISRAEL  ZANGWILL 


PLASTER  SAINTS 

A  HIGH  COMEDY  IN  THREE  MOVEMENTS 

BY  ISRAEL  ZANGWILL 


LONDON  :  WILLIAM  HEINEMANN 
1914 


9 


TO 

MY  FRIEND  AND  MANAGER 

GASTON    MAYER 

IN  RECOGNITION  OF 
HIS  GALLANT  FIGHT  FOR  ART 


Copyright,  London,  by  William  Heinemann,  and 
Washington,  U.S.A.,  by  the  Macmillan  Company 


THE  CAST 

[As  first  produced  at  the  Comedy  Theatre,  Saturday,  May  23,  1914.] 

Rev.  Dr.  Rodney  Vaughan  Edward  Sass 

Sir  John  Archmundham,  Bart.  Clifton  Alderson 

John  Archmundham,  M.D.,  D.Sc, 

M.A.  Harold  Chapin 

Purvis  H.  K.  Ayliff 

Hannah  Vaughan  Grace  Lane 

Elsie  Vaughan  Ernita  Lascelles 

Amy  Archmundham  Gillian  Scaife 

Mrs.  Morrow  Inez  Bensusan 

The  Hon.  Mrs.  Anon  Gwt;ndoline  Hay 


The  action  passes  in  the  Minister's  study  at  Midstoke,  between  tea 
and  dinner  in  the  beginning  of  October,  191 2.] 


[The  rights  of  performing  or  publishing  this  play  in  any  country  or 
language  are  strictly  reserved  by  the  author,  from  whom  the  stage-text, 
slightly  curtailed  towards  the  end  of  the  second  movement,  together 
with  complete  stage-directions,  can  be  obtained  by  lessees.] 


325171 


First  Movement 

HANNAH  VAUGHAN,  a  -provincial  lady,  with  the  beauty 
of  a  benign  middle  age,  and  the  eyes  of  a  mystic, 
is  sitting  in  the  study  of  her  husband,  the  rev. 
DR.  RODNEY  VAUGHAN,  Sorting  old  letters  and  papers 
at  his  writing-table  and  throwing  some  into  the 
waste-paper  basket.  It  is  a  solid  room  in  a  solid 
city,  meant  for  solid  work,  comfortably  done.  Its 
outstanding  impressions,  besides  the  book-lined  walls, 
are  this  large  many-drawered  writing-table  along  the 
right  of  the  back  wall,  getting  its  light  from  the 
ceritral  French  window,  which  leads  to  the  garden. 
By  the  left  wall  is  a  small  bureau  sustaining  a  belly 
two  photographs  of  young  women  in  standing  frames, 
and  a  plaster  bust  of  Purity.  At  back  a  large  gaily- 
cushioned  divan,  strewn  with  large  envelopes  of 
varying  colours.  Near  the  table  an  arm-chair,  by 
right  wall  library  steps.  The  door  near  the  steps 
leads  to  hannah's  room,  the  door  in  the  left  wall  to  a 
passage.  As  hannah  works  with  precise  masterful 
movements,  she  has  that  air  of  arranging  other 
peopWs  lives  natural  to  a  female  saint  who  is  also 
a  clergyman's  wife.  The  clamorous  continuous 
sound  of  a  gong  comes  from  the  passage.  She  looks 
up,  as  if  surprised  at  the  flight  of  time,  then  goes  on 
with  her  work.  A  moment  later,  purvis,  an  old 
family  factotum  of  somewhat  dour  aspect,  side- 
whiskered  and  wearing  an  old-fashioned  morning 
coat  and  black  tie,  enters,  carrying  a  little  tray  with 
tea  and  bread-and-butter. 


PURVIS 

Fve  brought  it  In,  mum.  Dr.  Vaughan  and  the  lassie 
isn't  back  from  the  garden-party. 

HANNAH 

I  know.     Then  why  all  this  gong-beating  ? 

PURVIS 

Habit,  mum.     It  overcomes  us — like  sin. 

[He  sets  down  the  tray  by  her  side.] 
Eh,   but  they'll  get   a  grander  spread  at  the  Lord 
Mayor's. 

[He  begins  to  go,  but  finding  she  ignores  the  tea  he 

turns  back.] 
Dusty  work,  redding  up  th'  measter's  papers.    M'appen 
yo'U  be  glad  o'  yor  tea. 

HANNAH 

Thank  you. 

[Ignoring  it  still.] 

PURVIS  [Choking  and  coughing] 
Makes  a  man  feel  like  th'  serpent. 

HANNAH  [Absently] 
What  serpent  ? 

PURVIS  [Amazed] 

There's  only  one  serpent,  mum.  Him  that  beguiled 
th'  woman  and  was  doomed  to  eat  dust  a'  the  days  of 
his  life.     [Coughs  again.] 

z 


HANNAH 

Ah,  yes — you'd  better  open  the  window. 

[Drifiks  the  tea  as  purvis  throws  open  the  French 
window,  exhibiting  a  stretch  of  garden,  and  begins 
to  go.] 

You  can  take  it  away.     Crumble  the  bread  for  the 

birds. 

PURVIS  [Feeding  birds  and  then  taking  tray] 

Thy  there's  no  ravens  here.     I  always  feel  we  owe  'em 

for  feeding  Elijah. 

[Js  he  goes  out  through  the  door  elsie  vaughan, 
the  minister'' s  daughter,  dashes  in  through  the  window, 
putting  down  her  parasol.  She  is  still  in  her  teens, 
with  a  strong  face,  both  beautiful  and  intellectual, 
and  is  tastefully  but  economically  clad.  Behind  her 
looms  a  young  man,  and  behind  him  another  girl^ 

ELSIE  [Impetuous  in  speech  as  in  movement] 

Oh,  mother,  you  ought  to  have  come.  Fancy 
mugging  indoors  this  divine  day  of  Indian  summer. 
The  whole  Church  Conference  was  there. 

HANNAH 

I  had  my  stock-taking.     You  know  I  count  my  year 

by  the  Conference. 

[Becoming  vaguely  aware  of  the  others] 

Have  you  brought  some  of  our  clergy — ? 

[amy  archmundham,  the  girl  at  the  back,  laughs 
as  she  lowers  her  parasol.  She  is  older  than  elsie 
and  more  richly  dressed  ;  pretty  but  pale,  with  a 
passionate  and  high-strung  look.] 


AMY 

Ha  !  Ha  !  Ha  !     Oh  brother  John  !     Fancy  you  being 
taken  for  a  minister  ! 

[jOHN    ARCHMUNDHAM,     M.D.,     D.SC,     M.A.,    with    d 

warning  "5/6  /  "  to  his  sister  hastens  to  greet  mrs. 
VAUGHAN.  He  is  a  good,-looking  youth  of  twenty- 
five,  superior  afid  condescending  in  manner,  and 
the  mock-earnestness  of  his  tone  penetrates  to 
Elsie's  ears,  despite  his  obvious  desire  to  stand  well 
with  her  mother.^ 

JOHN 

Sorry  I  only  represent  Science,  Mrs.  Vaughan.     How 
do  you  do  ? 

HANNAH  [Surprised'] 
Mr.  Archmundham  ! 

JOHN 

Yes.     We  drove  your  daughter  home,  so  dropped  in 
to  see  you. 

HANNAH 

That  was  doubly  kind  of  you.     How  do  you  do,  Miss 
Archmundham  ? 

[Shakes  her  hand.      Then  turns  to  elsie] 
But  what  have  you  done  with  father  ? 

ELSIE 

I  lost  him  in  the  squash. 

JOHN 

And  our  father  has  nobly  driven  back  for  him. 
4 


HANNAH 

That  was  very  kind  of  Sir  John. 

[To  elsie] 
Don't  say  squash. 

[To  the  others'] 
Won't  you  sit  down  ? 

JOHN  [Suavely  defending  elsie's  slang\ 

Well,  Mrs.  Vaughan,  the  garden-party  did  suffer  from 

jestion. 

[Sits.] 

AMY  [Dropping  on  the  divan] 

But   not    of   the   brain.     It   was   simply   black   with 

shovel-hats. 

JOHN  [Placating  mrs.  vaughan] 

Not  so  black  as  you  paint  it,  Amy.     Why,  our  own 

father's  hat  was  white. 

ELSIE 

And  think  of  the  Mayoress's  picture-hat  !     Giant  as 
the  gourd  that  came  up  over  Jonah. 

AMY 

Yes,   and    her  Pompadour  gown — quite  the   Scarlet 
Woman  ! 

HANNAH 

You  shouldn't  jest  children,  with  sacred  things. 

AMY 

The  Mayoress  sacred  ! 
5 


JOHN  [PFarningly] 
Sh! 

HANNAH 

The  Mayor  and  his  wife  have  spent  time  and  money 
in  honouring  our  Church  Conference.  They  are 
entitled  to  equal  honour  from  us. 

JOHN 

A  sentiment  the  more  unimpeachable,  Mrs.  Vaughan, 
inasmuch  as  you  personally  do  not  appear  to  favour 
this  mingling  of  gaiety  and  the  Gospel. 

ELSIE  [Flashing  a  resentful  glance  at  him] 
Dad  did  thank  them,  mother. 

HANNAH 

I  am  very  glad.      And  you  ought  to  have  kept   close 

to  him. 

AMY 

She    couldn't,    Mrs    Vaughan.     Dr.    Vaughan    was 
positively  surrounded  with  palpitating  parasols. 

JOHN  [Blandly  soothing] 

So  many  ladies  took  the  opportunity  of  greeting  the 

President  of  the  Conference. 

[Diverting  attention  to  the  large  envelopes  on  the  divan] 

I  wonder  you  sort  your  letters  in  that  old-fashioned 

way.     You  want  a  proper  file,  such  as  I  use  for  my 

potato-experiments. 

6 


ELSIE  [Rising  and  pulling  amy  up\ 
Yes,  and  we  had  better  leave  mother  to  her  stock- 
taking.    Suppose   we   sit   in   the   summer-house   till 
your  carriage  comes  back. 

HANNAH 

But  wouldn't  they  like  some  tea  ? 

AMY 

Tea  !     After   strawberry  ices  !     Oh,   Mrs.   Vaughan, 
you  shouldn't  jest  with  sacred  things. 

JOHN  [Hastily^ 

Good-bye  Mrs.  Vaughan.     Ices  always  go  to  Amy's 

head- 

[Hurries  her  out  by  the  window,     elsie  is  following.'] 

HANNAH  [A  large  envelope  in  her  hand] 
One  moment,  Elsie. 

ELSIE 

Yes,  mother  ? 

HANNAH 

What  is  the  matter  with  Miss  Archmundham  ? 

ELSIE 

So  flippant  you  mean  ? 

HANNAH 

So  feverish.     Her  hand  was  burning.     And  her  eyes 

were  too  brilliant. 

7 


ELSIE 

I    have    been    feeling    something's    wrong.  ...  I 

wonder  ... 

HANNAH 

Poor  Amy  !     She  shall  have  my  prayers.     Such  a  nice 
girl,  usually. 

ELSIE 

A  perfect  brick  ! 

HANNAH  [Rebuking  the  slang] 
Elsie  ! 

ELSIE 

Well,  when  a  girl's  so  beastly  rich  and  yet  so  genuine — 

HANNAH 

I'm  sure,  dear,  your  slang  sounds  disrespectful  to  your 
father's  position. 

ELSIE 

Why,  dad  uses  slang  himself ! 

HANNAH 

He  catches  it  from  you.  That  is  why  you  should  be 
particularly  careful — especially  with  London  members 
here,  who  may  one  day  give  him  the  longed-for  call  to 
the  capital.  I  sometimes  think,  daughter,  you  don't 
quite  appreciate  that  your  father  is  one  of  the  great 
spiritual  figures  of  our  Communion. 
8 


ELSIE 

Oh,   yes   I   do,   mother.     But   I   don't   see  why  one 

shouldn't  be  spiritual  and  slangy,  too. 

HANNAH 

Can  you  imagine  the  Fathers  of  the  Church  using 
slang  ? 

ELSIE 

But  they  weren't  fathers  at  all,  were  they  ?  They 
don't  seem  hum.an.  And  father  is  so  very  human. 
That's  the  secret  of  his  influence.  I  sometimes 
think,  mother,  you  don't  quite  appreciate  that  your 
husband  is  one  of  the  great  human  figures  of  our 
Communion. 

HANNAH  [Wistfully] 

I  appreciate  that  you  are  making  fun  of  me. 

ELSIE 

Dear  old  mother  Superior  ! 

\Jhey  embrace  tenderly,     john  re-affears  at  the 

garden  window.     They  move  apart.] 

JOHN 

I'm  so  sorry  to  worry  you,  Mrs.  Vaughan,  but  my 
sister  seems  to  have  a  bad  headache.  Perhaps  you've 
got  something. 

HANNAH 

Certainly !  Poor  girl !  Just  what  I  feared.  I'll 
get  my  salts. 

[Hurries  to  the  door  on  the  right,     elsie  is  moving 

towards  the  garden.] 
9 


JOHN  [Coming  in] 

Best  let  her  be,  Miss  Vaughan. 

ELSIE 

I  thought  something  had  upset  her. 

JOHN 

Too  many  ices,  I  daresay. 

ELSIE 

Don't  be  so  brotherly.  .  .  .  It's  some  mental  trouble. 

JOHN 

Is  it  ? 

ELSIE 

Don't  pretend.     Perhaps  I  can  help  her. 

JOHN 

I  can't  give  away  Amy's  secrets. 

ELSIE  [Dropping  on  divan] 

Then  we'll  change  the  subject.  .  .  .  Did  you  know 

Hubert  Morrow  is  of!  to  Australia  ? 

JOHN  [On  arm  of  armchair] 
You  .  .  .  diplomatist  ! 

ELSIE  [Smiling] 

Then  I've  guessed  it.     There  zvas  something  between 

your  sister  and  Hubert  Morrow. 


10 


JOHN 

There  will  be — the  ocean. 

ELSIE 

They've  quarrelled  ? 

JOHN 

You  really  ought  to  have  gone  to  the  Bar. 

[mrs.  vaughan  passes  through  with  smelling- salts. '[ 
She's  in  the  summer-house. 

HANNAH 

Clear  the  couch  ! 
[Exit  to  garden] 

[elsie   and   john    collect   the  envelopes   and   heap 
them  on  the  armchair,  while  talking.] 

ELSIE 

They   must  have   quarrelled  if  she  lets  him   go  to 
Australia. 

JOHN 

How  can  she  stop  him  ?     They're  not  engaged. 

ELSIE 

Then  why  doesn't  she  propose  ? 

JOHN  [Shocked,  dropping  the  envelopes] 
You'd  consider  that  womanly  ? 

ELSIE 

And  if  it's  manly  !    .  .  .  Queen  Victoria   proposed. 
II 


And  your  sister  is  as  rich  as  a  queen  compared  with 
Hubert  Morrow. 

JOHN  [Sitting  on  table] 

You're  all  at  sea.     Hubert  proposed. 

ELSIE 

And  your  sister  refused  ? 

JOHN 

No— father  refused.   There  !    You've  got  it  out  of  me. 

ELSIE 

Your  father  rejected  him  !     But  why  ? 

JOHN  [Uneasily] 

I'd  rather  not  go  into  it. 

ELSIE 

But  why  don't  they  marry  without  his  consent  ? 

JOHN 

And  what  has  Hubert  Morrow  got  to  marry  on  ? 
Unpublished  symphonies  ? 

ELSIE 

He's  got  your  sister's  money  to  marry  on. 

JOHN 

No — it's  only  hers  at  marriage  if  father  consents. 
Same  with  mine.  That's  where  the  old  generation's 
got  us  in  its  grip. 


ELSIE 

Well,  I  call  it  beastly — just  because  the  man's  poor, 
he  must  be  robbed  of  your  sister,  too. 

JOHN 

It's  not  because  he's  poor. 

ELSIE  [Hotly] 

What  other  excuse  can  your  father  have  ?  Aren't 
the  Morrows  a  fine  old  family,  finer  even  than  yours  ? 
And  the  way  Hubert  Morrow  gave  up  Germany  and 
music  for  an  office-stool  when  his  mother  lost  her 
money ! 

JOHN 

Was  more  virtuous  than  my  giving  up  my  medical 
practice  to  wallow  in  theory — I  know.  But  the  fact 
remains  that  my  father  is  right  ...  for  once. 

ELSIE 

Sir  John  is  right  ? 

JOHN 

Accidents  will  happen. 

ELSIE 

I  call  it  wicked  of  him,  not  right.  And  you  know  it 
is.     You  are  only  laughing  at  him. 

JOHN 

I  assure  you 

13 


ELSIE 

As  you  laughed  at  my  mother. 

JOHN 

I  ?     Why,  I  was  as  solemn  as  the  Church  Conference. 

ELSIE 

That's  what  I  mean.     You  weren't  real  with  her. 

JOHN 

Is  she  real  ?  I  beg  your  pardon,  but  I  mean,  all  her 
generation.  Did  they  ever  see  things  with  their 
own  eyes,  feel  things  with  their  own  nerves  ?  Can 
one  fancy  them  in  love  ?  Or  fighting  for  some  live 
ideal  ?     They  seem  merely  .  .  .  theological. 

ELSIE 

We  can't  all  be  bio\og\cd\.     We  can't  all  potter  over 

potatoes. 

JOHN  [^Rising  indignantly'] 

That's  your  conception  of  my  research  work  !  The 
potatoes  I  breed  tell  me  more  of  life  and  death  than 
all  the  theologies. 

ELSIE 

I  don't  mean  to  question  the  value  of  your  experi- 
ments.    But  you're  so  hard  on  the  old  people. 

JOHN 

Hard  ?     What  are  they  ?     Marble  ! 
H 


ELSIE 

Dad  isn't  marble. 

JOHN 

No,  he^s  a  bit  plastic,  perhaps.  But  my  father  and 
your  mother — what  a  blessing  they  didn't  marr^.  By- 
all  the  laws  of  Mendel,  they'd  have  had  a  family  of 
statues. 

HANNAH  [Outside] 

Do,  dear  !     I'm  sure  you'd  be  better  lying  down. 

ELSIE 

That  doesn't  sound  like  marble. 

{Enter  UAnnAKfrom  the  garden,  supporting  amy.] 

HANNAH 

And  Dr.  Vaughan  has  the  most  comfortable  couch 
in  the  house. 

[Places  AMY  on  it.] 
And  it  doesn't  mind  boots. 

[Puts  amy's  feet  up.    elsie  adjusts  cushions  and  takes 

amy's  hat.] 

AMY  [Feebly] 
You  are  very  kind. 

[hannah  tenders  salts,     amy  waves  them  back.] 
No,   not   again,   please — ^they're  so  strong.     Haven' 
you  got  some  eau-de-cologne  ? 

HANNAH 

I'm  afraid  we  never  have  that ! 

15 


ELSIE 

Oh  yes,  mother,  there's  some  In  the  bureau. 

HANNAH 

In  father's  bureau  ? 

ELSIE 

When  I  was  looking  for  sealing-wax  yesterday,  I  came 
upon  a  bottle — buried  under  old  shorthand  notes. 
[Goes  to  bureau,  layi?ig  down  amy's  hat  on  it.] 

HANNAH 

Ah,  of  course.     Felicia  Morrow  must  have  left  it. 

JOHN  [Startled] 
Felicia  Morrow  ! 

[Recovering  himself  with  a  smile] 
Oh — in  the  days  when  she  was  Dr.  Vaughan's  secre- 
tary. 

HANNAH 

Yes.     She  had  headaches,  poor  girl — I  remember  her 
once  putting  some  on  his  forehead,  too. 

ELSIE  [Triumphantly  producing  a  small  bottle] 
There  !     Just  a  wee  drappie. 

HANNAH  [Taking  it] 
How  providential  ! 
[To  amy] 

Will  you  have  it  on  your  handkerchief  ? 
i6 


AMY  [Clutching  at  the  bottle] 
Thank  you.     /  can  do  it. 

[She  fours  some  on  her  handkerchief  and  applies  it 

to  her  forehead.] 
I  feel  much  better. 

[Surveys  bottle  lovingly] 
Felicia  Morrow's,  did  you  say  ?     I  daresay  her  brother 
brought  it  back  from  Germany. 

JOHN  [Smiling] 

Rather  a  far-fetched  hypothesis,  isn't  it  ? 

HANNAH 

I'm  afraid  Dr.  Vaughan  worked  her  too  hard — and 
himself  too.  Her  shorthand  made  his  brain  act  twice 
as  quickly,  he  said,  but  I'm  sure  it  was  the  beginning 
of  his  insomnia.  He's  never  been  the  same  man  since 
Felicia  came. 

ELSIE  [Sitting  with  legs  tucked  under  her] 

It  can't  be  the  shorthand,  mother,  for  he's  slept  worse 

since  Felicia  left. 

JOHN 

Because  now  he  feels  short-handed. 

ELSIE] 
AMY  J 

Oh!  Oh! 

[amy  pretends  to  throw  the  bottle  at  him.  He 
laughingly  tries  to  take  it  from  her  but  she  clutches 
it  tightly.] 

17  B 


AMY 

Let  it  be  ! 

JOHN 

But  it's  empty. 

AMY  [Blushing] 

There's  the  picture  of  Cologne  Cathedral— reminds 

me  of  our  one  jaunt  abroad. 

HANNAH  [Misreading  the  blush] 
It's  given  her  quite  a  colour  again. 
[Enter  purvis.] 

PURVIS 

A  lady  for  Dr.  Vaughan,  mum. 

HANNAH 

But  he's  not  back  yet.     What  name  ? 

PURVIS 

Didna  give  a  name.     Said  she'd  met  Dr.  Vaughan  at 
th'  garden-party  and  he  asked  her  to  call. 

HANNAH  [Who  has  dropped  into  an  armchair] 
H'm. 

[To  elsie] 
Another  secretary  at  last,  I'm  afraid. 

[Sighs] 
I  wish  shorthand  wasn't  so  difficult. 

PURVIS  [Grimly] 

Dunnot  look  a  likely  secretary. 

i8 


HANNAH 

Eh  ?     What  then  does  she  look  like  ? 

PURVIS 

More  like  Lady  Macbeth. 

JOHN 

What !     Ha  !    Ha  !    Ha  !     Then  you  did  go  to  Mac- 

heth  ? 

PURVIS  {Flustered 

A  man  canna  help  seeing  th'  posters  ! 

JOHN  \Laughingly\ 

Come  now.     Wasn't  my  father  right  ?     You  and  our 

coachman 

PURVIS  \_^ullenly\ 

The  scandal  folk  will  tell  behind  a  man's  back. 

HANNAH 

Never  mind  that  now,  Purvis.     Is  the  lady  old  or 

young  ? 

PURVIS 

I  have  my  doubts. 

JOHN 

Shall  /  go  and  report  on  her  ? 

HANNAH 

Why  should  we  trouble  you  ?     Elsie  can  go.     That'll 
do,  Purvis. 

\Ex\t  PURVIS,  ELSIE  starts  going!\ 
19 


JOHN 

I  think  a  joint  report  would  be  safer. 
\_Starts  to  follow  elsie.] 

ELSIE  [Discouraging  hini] 

I  am  not  going  to  report.     I  shall  either  send  her  away 
or  let  her  wait  in  the  drawing  room. 
[Exit.l 

JOHN 

But  I'm  sure  Amy  wants  to  be  left  with  her  kind  nurse. 

\_FolloZVS  ELSIE.] 

HANNAH 

How  thoughtful  your  brother  is  !  .  .  .  Perhaps  you'd 
like  me  to  go  too,  while  you  have  a  nap. 

AMY 

No,  I  can  sit  up  now.     There  ! 

[Puts  the  cushion  at  her  hack  and  sits  up\ 
Do  tell  me  more  about  Felicia  Morrow. 

HANNAH 

About  Felicia  ?     But  you  knew  her  before  she  went 
to  London. 

AMY 

Yes,  of  course.     Sweetly  pretty,  wasn't  she  ? 

HANNAH 

And  most  useful.     That  packet  in  her  writing 

[Points  to  a  large  fink  envelope  on  the  armchair^ 

20 


includes  reports  on  chanty  cases,  accounts,  abstracts 
of  serm ■ 

AMY  [Impatiently] 

Yes,  yes,  but  did  her  brother  ever  come  when  she  was 

working  here  ? 

HANNAH 

Hubert  ?  He  may  have  come  once  or  twice  in  the 
winter  evenings  to  see  her  home.     Why  ? 

AMY 

And  did  he  look  tired  after  all  that  horrid  ofhce-work  ? 

HANNAH 

I'm  afraid  I  didn't  notice.  Of  course  he  was  sad 
at  having  had  to  give  up  his  studies  in  Germany. 
Though  why  music  is  German  I  never  could  make 
out.     You're  crying  again  ! 

AMY 

No,  I'm  not. 

HANNAH 

I  wish  you  would  let  me  help  you,  Miss  Archmundham. 

AMY 

You  have  helped  me. 

HANNAH  [Sitting  down  by  her] 

Only  physically.     After  all  a  motherless  girl  like  you 

might  talk  to  a  woman  old  enough  to  be  her  mother. 

21 


AMY 

How  do  you  know  I  could  have  talked  to  my  mother  ? 

HANNAH 

What  are  you  saying  ? 

AMY 

Don't  be  alarmed  !  I  only  mean  there's  a  gulf  between 
my  generation  and  yours.  It's  too  wide  to  talk  across. 
One  can  only  shout. 

HANNAH 

What  gulf,  my  dear  ?  What  gulf  is  there  that  love 
cannot  bridge  ? 

AMY  [Jumping  up  fretfully] 
Love  ?     Whose  love  ? 

HANNAH 

Your  father's — to  begin  with 


AMY 

Father's  ? 

[Laughs  hysterically] 
Ha  !  Ha  1  Ha  !  Ha  !  Ha  ! 

HANNAH  [Rising  and  going  to  her] 
Now  do  control  yourself,  dear. 

AMY 

I  told  you  we  could  only  shout. 


HANNAH 

You  surely  don't  doubt  your  father  loves  you  ? 

AMY 

And  his  love  blights  my  womanhood  as  his  religion 
blighted  my  childhood  ! 

HANNAH  [Frightened  rather  than  shocked'] 
Do,  do  be  calm. 

AMY 

How  can  I  be  calm  when  Hubert  is  sailing  to  Australia  ? 

HANNAH  [Astounded] 
Felicia's  brother — and  you  ! 

[amy  sobs] 
Oh,  my  dear  ! 

[Gathers  her  to  her  arms.] 

AMY 

Just  because  he's  got  no  money,  father 

[Breaks  down.] 

HANNAH 

But  this  is  dreadful — putting  money  before  everything. 
And  so  unlike  your  father.     Are  you  sure  it's  that  ? 

AMY 

A  Morrow  is  no  match  for  my  daughter — that's  all 
I  can  get  out  of  him.     And  what  else  can  he  mean  ? 

Oh,  do  you  think  you  could  speak  to  him  ? 
23 


HANNAH 
I  ? 

{Shrinks  hack,  releasing  amy] 
What  right  should  /  have  to  interfere  ? 

AMY 

You  go  round  to  the  poor  s^ck  enough,  telling  them 
their  duty.     Why  should  the  rich  never  hear ? 

[A  burst  of  laughter  from   two  men  is  heard  from 

the  garden.^ 

HANNAH  [Relieved] 

There's    Dr.    Vaughan.     Perhaps    he'd    have    more 

authority. 

AMY 

No,  no,  not  a  man  .  .  . 

[Hysterically] 
Please  tell  John  I've  gone  home. 

[Abrupt  exit  to  passage,  still  clinging  to  the  eau- 

de~ cologne  bottle.] 

HANNAH  [Following  her] 
But  Amy  ! 

[amy  disappears,  her  sobs  are  heard.] 
Yes,  yes,  I  will  speak  to  your  father.  .  .  .  My   poor 
Amy  ! 

[Exit.] 

[The  genial  stentorian  laughing  voice  of   the   rev. 

DR.  RODNEY  VAUGHAN  is  heard  from  the  garden^ 
24 


DR.  VAUGHAN  [From  without] 

Good-bye,    Judson.     Good-bye,     O    man    of    little 

faith  ! 

\l^he  smilijig  faces  of  dr.  vaughan  and  sir  john 
ARCHMUNDHAM  becomc  vistble  at  the  o-pen  French 
zvindozv.  The  minister,  though  of  a  narrow  sect, 
suggests  a  Broad  Churchman,  both  -physically  and 
spiritually.  His  clerical  costume  and  white  tie  only 
accentuate  the  sunniness  of  a  full-blooded  personality, 
whose  magnetism  is  potent  for  men  as  well  as  women. 
But  underneath  there  are  signs  of  strain  ;  at  times 
the  eyes  are  haggard,  he  has  almost  a  haunted  look. 
Evidently  a  man  cast  in  a  large  mould,  for  good  or 
evil.  SIR  JOHN,  the  lay  head  of  the  congregation, 
has  also  an  imposing  personality — the  provincial 
Puritan  millionaire,  hearty,  portly,  honest  afid  grey- 
whiskered.  His  white  top-hat  makes  a  sharp 
contrast  with  the  clerical  shovel  hat. 

SIR  JOHN 

Rather  rough  on  Judson.     Ha  !  Ha  !   Ha  ! 
{fThey  step  in.] 

DR.  VAUGHAN 

All  treasurers  are  croakers,  Sir  John — especially  when 
one  proposes  to  enlarge  the  work.  7'ou  were  the 
only  ideal  treasurer  we  ever  had. 

SIR  JOHN  [Dropping  into  the  chair  by  the  bureau] 
What's  your  definition  of  an  ideal  treasurer — a  cheerful 
spender  ? 
25 


DR.  VAUGHAN  [Placing  both  their  hats  on  table] 
A  cheerful  giver,  I'm  afraid.     Ha  !    Ha  !    Ha  !     The 
ideal  treasurer  is  the  man  who  donates  the  fund  which 
he  administers. 

SIR  JOHN 

Ha  !    Ha  !    Ha  !     But  that's  just  why  I  resigned.     A 

wealthy  treasurer  makes  everybody  else  so  slack. 

DR.  VAUGHAN 

That's  true.  And  Judson's  croakings  do  stiffen  up 
the  stingy. 

SIR  JOHN 

Poor  old  Judson  !  You  must  admit  that  these 
crusades  you've  preached  us  into  will  play  the  dickens 
with  his  surplus. 

DR.  VAUGHAN 

On  the  contrary,  Sir  John.  Our  campaigns  against 
the  African  atrocities  and  the  White  Slave  Traffic 
will  touch  every  heart  and  every  pocket. 

SIR  JOHN 

Well,  don't  overwork,  dear  friend.  I  don't  like  your 
not  sleeping. 

DR.  VAUGHAN 

So  long  as  I  keep  my  congregation  awake  !  Ha  !  Ha  ! 
Ha! 

\T^urns  to  divan.] 
26 


Why,  who  has  been  lying  on  my  bed  ?    said  the  big 
bear. 


SIR  JOHN 

I'm   serious,    Doctor.     Remember    you   are   Judson's 
greatest  asset. 

DR.  VAUGHAN 

This  won't   be  work.     This'll  be  the  joy  of  battle. 
Great  God  !    to  think  of  all  that  villainy  ! 

[Clenches  hisjist] 
Every  nerve  in  me  tingles  for  the  fight  with  these 
fiends.     If  we  can't  bring  God's  kingdom  on  earth 
yet  awhile,  at  least  we  may  destroy  the  Devil's  kingdom. 

SIR  JOHN 

God  grant  it  !  [Rising]     But  I  must  collect  my  chicks. 
Thank  you  for  making  me  stretch  my  legs. 

DR.  VAUGHAN 

Thank  you  for  keeping  my  legs  company.     It's  my 
best  chance  of  sleep.     I'll  get  your  children. 
[Rings  the  bell  on  the  bureau.] 

SIR  JOHN  [Looking  out  with  unconscious  patronage] 
Your  garden's  a  tidy  size. 

DR.  VAUGHAN  [Joining  him  at  windozv] 
Yes,  that's  the  advantage  of  moving  a  bit  out. 
27 


SIR  JOHN 

You  won't  get  such  a  garden  in  London. 


DR.  VAUGHAN  [Eagerly] 

In  London  ?     Am  I  to  be  called  to- 


SIR  JOHN  [Evasively] 

Who  knows  ?  Some  day,  I  suppose  .  .  .  after  your 
brilliant  handling  of  the  Conference.  I  remember 
when  this  quarter  was  all  garden.  Old  Cobb,  the 
Quaker,  it  was  who  first  saw  the  town  would  grow 
this  way.  Picked  up  three  hundred  acres  for  an  old 
song  and  built  a  meeting-house  to  attract  his  fellow 
fanatics.     How  such  a  clever  man  could  be  a  Quaker — ! 


DR.  VAUGHAN 

The  spirit  moved  him,  I  presume. 

SIR  JOHN 

The  spirit  of  crankiness  !     Every  man  his  own  minister 
indeed  !     The  meeting-house  still  exists,  I  suppose  ? 

DR.  VAUGHAN 

As  a  cinematograph-hall. 

SIR  JOHN 

Ha  !   Ha  !   Ha  !     Serve  the  cranks  right. 

[Enter  purvis,  carrying  a  set  of  pyjamas.] 
28 


PURVIS  [Perceiving  sir  john,  mutters] 
Holy  Moses  ! 

[Retreats  hastily  and  exit.] 

SIR  JOHN 

What's  the  mountebank  up  to  ? 

DR.  VAUGHAN 
Ha!   Ha!   Ha! 

[Ri?igs  the  bell  again] 
He  was  bringing  in  my  pyjamas — I  left  them  in  the 
bath  room,  I  suppose — and  he  didn't  want  you  to 
know  I  sleep  on  this  divan. 

SIR  JOHN 

Do  you  ? 

DR.  VAUGHAN 

When  I  can't  sleep.     But  that's  a  bull.     Ha  !  Ha  !  Ha  ! 

I  mean,  not  to  disturb  my  wife.     And  there's  the 

books  to  browse  on.     Those  cushions  turn  into  snowy 

pillows. 

[Lifts  up  cover  and  reveals  pillow-cases.] 

SIR  JOHN  [Laughingly] 

Whited  sepulchres  !      Who  would  think  anything  in 

your  house  ever  led  a  double  life  ? 

DR.  VAUGHAN  [JVith  sudden  gravity] 
Yes,  who  ? 

[His  face  grows  haggard,  he  turns  away.     Enter 

PURVIS.] 
29 


SIR  JOHN 

Ah,  there  you  are  again,  you  old  rapscallion — looking 
as  if  butter  wouldn't  melt  in  your  mouth.  Mr.  John 
and  Miss  Amy  are  here,  I  suppose. 

PURVIS 
Ay,  Sir  John. 

SIR  JOHN 

And  my  carriage  ? 

PURVIS 

No,  Sir  John. 

SIR  JOHN 

No  ?  When  we  have  walked  1  Why  what's  the 
rascal  up  to  ? 

DR.  VAUGHAN  \S>mmng[ 

We've  walked  too  fast — we've  upset  his  calculations. 

SIR  JOHN 

Dropped  in  to  a  music-hall,  eh  Purvis  ? 

PURVIS 

Impossible,  Sir.     First  house  dunnot  begin  till  6.45. 

SIR  JOHN 

You  seem  very  well  up  in  it  all.     And  yet  you  deny 

the  pair  of  you  went  to  Macbeth  I 

30 


PURVIS 

Always  raklngs-up  here — dust  and  dust. 
[Exit  with  dignity.'] 

DR.  VAUGHAN  [Smilingly] 

Oh  well,  Sir  John,  it  was  only  Shakespeare. 

SIR  JOHN 

Only  the  devil  !  Shakespeare's  the  thin  end  of  the 
wedge.  I  sometimes  think  Satan  never  did  a  better 
day's  work  than  when  he  wrote  Shakespeare. 

DR.  VAUGHAN 

Ha  !  Ha  !  Ha  !  Not  Bacon  but  Satan.  Well,  I'm 
afraid  you'll  have  to  wait  for  your  coachman.  Won't 
you  browse  a  bit  ? 

[Indicates  books] 
Keep  off  that  corner — William  Satan  ! 

SIR  JOHN 

You  may  laugh,  but  if  we  had  weeded  our  Training 
College  Library  of  love-poetry,  we  might  have  escaped 
that  student  scandal.  I  think  I'll  go  across  and  buck 
up  Judson.     His  house  is  opposite,  isn't  it  ? 

DR.  VAUGHAN 

Three  doors  to  the  right. 

SIR  JOHN  [Taking  his  hat  from  the  table] 
Good  !     I'll  see  my  carriage  coming. 

[Goes  right  and  -puts  his  hand  on  the  door.] 
31 


DR.  VAUGHAN  [Laughifigly'] 

Whoa  !     I  didn't  say  07ie  door  to  the  right.     That's 

my  wife's  room. 


SIR  JOHN 

I  beg  your  pardon.     My  bump  of  locahty- 
[Smilingly  goes  out  by  the  other  door.] 


DR.  VAUGHAN 
Ha!   Ha!   Ha! 

[As  the  door  closes  on  sir  john,  his  laughter  ceases. 
His  eyes  wander  uneasily  round  the  signs  of  clearing 
up.  Then  he  stoops  to  get  his  slippers  under  the 
table.  As  he  rises,  he  catches  sight  of  the  pink 
envelope  and  reads  the  superscription.] 

"  From  FeHcia  Morrow  !  " 

[He  drops  the  slippers  in  agitation  and  with  every 
symptom  of  nervous  apprehension  rufis  hastily 
through  the  cofite?its,  his  face  relaxing  as  he  nears 
the  end,  till  at  last  he  heaves  a  great  sigh  of  relief 
as  he  stuffs  them  all  back  into  their  envelope.] 

Thank  God  ! 

[As  he  is  putting  the  envelope  hack,  he  suddenly 
alters  his  mind  and  tears  the  whole  fiercely  to  pieces] 

Let  it  all  be  blotted  out  ! 

\H.e  throws  the  fragments  into  the  waste-paper  basket 
and  falls  on  his  knees] 

The  peace  of  Thy  forgiveness,  Lord,  the  peace  of  Thy 

forgiveness  ! 

[fie  remains  on  his  knees,  praying  silently  as  in 
bitter  remorse.     Enter  hannah  from  the  passage. 

32 


She  looks  at  him.  reverently  and  turns  to  go.  But 
he  hears  her  and  looks  round  with  a  guilty  start  and 
is  about  to  rise.] 

HANNAH 

Don't  let  me  disturb  you,  dear.  We  have  much  to 
thank  God  for. 

DR.  VAUGHAN  [Rising] 

I  was  just  finished.     How  long  have  you  been  here  ? 

HANNAH 

Only  this  instant.  What  have  you  done  with  Sir 
John  ?     I  must  speak  to  him  about  his  daughter. 

DR.  VAUGHAN 

He  went  across  to  Judson's — he'll  be  back.  Such  a 
pity,  Hannah,  you  didn't  come ! 

HANNAH 

After  this  morning's  revelations  about  white  slaves 
and  black  slaves,  I  didn't  feel  like  garden-parties. 

DR.  VAUGHAN 

So  you  said.  But  brooding  over  horrors  won't  mend 
them.  And  we  must  seek  God  in  joy  as  well  as  in 
gloom. 

[Mystically] 
He  smiles  as  well  as  scourges.     I  tell  you,  Hannah, 
looking  at  all  those  happy  groups  in  a  sort  of  Paradise, 
33  c 


I  had  a  sudden  sense  of  the  meaning  of  that  verse 
in  Genesis :  "  The  Lord  God  was  walking  in  the 
garden." 

HANNAH 

I  daresay  you  are  right,  Rodney.  But  God  has  given 
me  joy  enough  all  this  godly  week — pure,  heavenly 
J07. 

DR.  VAUGHAN  [Lightly^ 

Even  in  that  infernal  debate  over  the  Training  College? 

HANNAH 

Weren't  you  presiding  over  it  ?  And  to  see  you  in 
the  Chair — Captain  of  the  hosts  of  the  Lord — wasn't 
that  my  lifelong  dream  ? 

DR.  VAUGHAN 

You  haven't  known  me  all  your  life. 

LIANNAH 

Don't  tease.  You  know  my  girlish  dream  was  to 
marry  a  servant  of  God. 

DR.  VAUGHAN 

Who  should  also  be  a  master  of  men,  eh  old  wench  ? 
[Strokes  her  cheek/\ 

HANNAH 

A  schoolmaster.  The  teaching  priest !  Isn't  that 
the  design  on  your  betrothal  ring  ? 

\Takes  his  handJ] 
34 


DR.  VAUGHAN 
Dear  queer  old  ring. 

[She  kisses  it  J     He  draws  his  hand  azuay.'\ 
I  wish,  Hannah,  you  wouldn't  make  me  out  such  a 
.   .   .  plaster  saint  !     I  grow  so  afraid 

HANNAH 

Of  losing  your  humility  ?     Never  ! 

DR.  VAUGHAN 

Afraid  of  hurting  you — if  ever  I — you  know,  dear — • 

even  the  saints  were  always  being  tempted  of  the 
devil. 

HANNAH 

Yes,    and   your   temptation   is   always   to   depreciate 

yourself 

[She  smiles^ 
to  hint    at    the  seven  deadly  sins — for  fear  I  should 
get  too  proud  of  you,  I  suppose.     Oh  Rodney,  what 
have  I  done  to  deserve  you  ? 

DR.  VAUGHAN  [Pained] 
Don't,  Hannah. 

[Withdraws  his  hand  and  turfts  away.] 
You've  certainly  left  nothing  undone. 

HANNAH  [With  sudden  recollection] 

Oh,  haven't  I  ?     Why,  I've  forgotten  the  lady  ! 

DR.  VAUGHAN 

What  lady  ? 

35 


HANNAH 

In  the  drawing-room.  I  do  hope  you're  not  thinking 
of  her  for  a  secretary  because  according  to  Purvis — I 
haven't  had  time  to  see  for  myself — she's  a  most 
unsuitable  person — very  different  from  Felicia. 

DR.  VAUGHAN 

No  lady  is  suitable  for  a  secretary — except  you. 
\_^akes  her  hand  again.] 

HANNAH 

Dear    Rodney !     You    really    are    satisfied    without 

shorthand  ? 

DR.  VAUGHAN 

Haven't  I  got  along  all  these  months  ?  What  I 
gained  in  time  I  lost  in  style. 

HANNAH 

I'm  so  glad.  Now  I  can  confess  that  useful  and 
delightful  as  Felicia  was,  it  wasn't  pleasant  to  see  her 
take  my  place. 

DR.  VAUGHAN  [Starting] 
Take  your  place  ? 

HANNAH 

Getting  to  know  your  books  and  sermons  before  I  did. 

DR.  VAUGHAN 

I  assure  you  the  poor  girl  was  much  too  pre-occupied 
36 


with  the  shorthand  to  think  of  the  sense.  Besides, 
it  was  you  that  originally  suggested  her. 

HANNAH 

Of  course  I  wanted  her  to  earn  some  money  when  her 
poor  mother 

DR.  VAUGHAN  [Fidgeting  towards  the  door] 

I  know,  but  this  unsuitable  person,  hadn't  I  better 

get  rid  of  her  ? 

HANNAH 

Just  a  moment,  dear.  She's  got  Elsie  and  young 
Archmundham  to  entertain  her.  I  want  to  tell  you 
about  Amy  Archmundham.  It  was  she  drove  the 
lady  out  of  my  head. 

DR.  VAUGHAN 

What  about  Amy  Archmundham  ? 

[A  knock  at  the  door.] 
Come  in  ! 

\Enter  john.] 

JOHN 

Ah,  Doctor,  you're  back.  I  was  sent  to  scout.  Then 
may  I  send  you  down  a  beautiful  lady  who  insists  on 
seeing  you  ? 

DR.  VAUGHAN  [Smiling] 

If  she  insists  ! 

37 


HANNAH 

Not  with  those  slippers  showing  ! 
[Hides  them.] 

JOHN 

But  where's  my  father  ?     He  did  find  you,  I  hope. 

DR.  VAUGHAN 

Oh  yes — he's  only  at  Judson's,  waiting  for  his  carriage. 


JOHN 

Why, 


where  is  the  carriage  ? 

DR.  VAUGHAN 

Hasn't  got  here  yet.     You  see,  we  walked.     Ha  !   Ha  ! 
Ha! 

JOHN 

Then  I'll  send  you  the  lady.     Good-bye. 

HANNAH 

Not  good-bye  to  me.     I  shall  be  joining  you  and  Elsie 
in  the  drawing-room. 

JOHN  [His  face  falling] 
How  delightful ! 
[E^:it.] 

HANNAH 

What  a  nice  boy  John  is  growing  up  ! 
38 


DR.  VAUGHAN 

Is  he  ?  Yes,  I  suppose  he  is  an  improvement  on  the 
medical  student  we  used  to  hear  tales  of. 

HANNAH  [Putting  envelopes  from  chair  on  table] 
I  never  did  believe  the  tittle-tattle  about  his  frequent- 
ing playhouses. 

DR.  VAUGHAN  [Dropping  into  arm-chair'] 
His   potatoes   seem   certainly   to   have   steadied   him. 
I  shouldn't  wonder  now  if  he  marries  Lady  Muriel  as 
Sir  John  would  like. 

HANNAH 

And  a  very  proper  match — with  the  two  estates  join- 
ing !  But  I  wish  I  could  understand  about  these 
potatoes.     What  does  he  do  with  them  ? 

DR.  VAUGHAN 

What  we've  just  been  talking  about.  He  marries  them. 
A  potato  parson  ! 

HANNAH 

Don't  jest,  dear. 

[^akes  up  books  to  replace  tidily  on  shelves.] 

DR.  VAUGHAN 

I'm  not  jesting — in  fact  it  was  a  pious  old  priest  that 
began  it,  the  Abbe  Mendel.  You  study  the  laws  of 
heredity  with  pigs  or  fowls  or  strawberries — what- 
ever you  please.  Mendel  did  it  with  peas.  Our 
young  friend  prefers  potatoes.  When  two  sorts  are 
39 


blended,  the  type  that  triumphs  in  the  issue  is  called 
the  dominant.     You,  for  example,  are  the  dominant. 

HANNAH  [Who  has  hee?i  a  hit  shocked  by  all  this] 
Me  dominant  ?     Oh  Rodney  ! 

DR.  VAUGHAN 

Why,  only  think  of  Elsie's  good  looks !         Ha  !     Ha  ! 

Ha! 

[Enter  purvis,  announcing] 

PURVIS 

The  lady,  sir  ! 

HANNAH 

Oh,  and  I  haven't  told  you  about  Amy ! 


[J  lady,  the  flush  of  whose  youth  and  beauty  is 
only  accentuated  by  her  heavy  veil  enters,  parasol 
in  hatid.  She  is  exquisitely  gowned  and  of  fashion- 
able manners,  but  evidently  -passing  through  an 
emotional  crisis.  She  bows,  but  looks  constrained 
at  the  sight  of  hannah,  who  returns  her  bow.] 

HANNAH 

Don't  shut  the  door,  Purvis. 

[hannah  goes,  ?iot  without  having  scrutinized  the 
visitor.     PURVIS  closes  the  door  upon  himself.] 

DR.  VAUGHAN  [Who  has  risen] 

Won't  you  sit  down  ? 

40 


LADY  [Ignoring  the  chair  ;  throwing  back  her  veil] 
You    don't  remember  me — at  the  garden  party — you 
said  I  might  come. 

DR.  VAUGHAN 

Oh,  ah,  yes.     But  I  thought  you  meant  next  week. 

LADY 

Next  week?     Next  week  I  shall  be  back  in  London. 
Next  week  the  impulse  may  be  dead. 

DR.  VAUGHAN 

You  wish  to  consult  me  ? 

LADY 

If  you  will  forget  all  I  say. 

DR.  VAUGHAN 

I  will  try.     I  have  certainly  forgotten  your  name. 

LADY 

I  am  so  glad.  I  knew  I  could  count  on  you.  I  knew 
it  the  moment  you  stepped  on  the  platform  amid  that 
thunder  of  cheers.  I  knew  then,  that  Providence,  not 
chance,  had  led  me  to  your  strange  smoky  town. 

DR.  VAUGHAN  [S7niling] 

Oh,  we  are  proud  of  our  town.     Do  sit  down. 

LADY 

Thank  you. 

[She  sits  by  the  side  oj  his  table,  he  at  itJ] 
41 


You  are  the  first  man  I  ever  felt  could  be  a  priest  to 


me. 


[She  struggles  with  her  emotion.'] 


DR.  VAUGHAN 

Shall  I  get  you  a  glass  of  water  ? 

LADY 

You  give  me  the  living  water.  .  .  .  But  turn  your 
face  away.  .  .  .  Thank  you. 

[She  bows  her  head.] 
There  is  a  sin  on  my  soul  .  .  .  the  sin  that  in  Christ's 
day  was  punished  with  stoning.  .  .  .  But  nobody  knows 
.  .  .  least  of  all,  my  husband.  .  .  so  I  go  unpunished. 

\She  wrings  her  hands.] 

DR.  VAUGHAN  [^urns  back  to  her] 
Unpunished  ?     WTien  you  sit  like  that  ?     To  go  un- 
punished is,  perhaps,  the  deepest  punishment  of  all. 

LADY 

Is  it  ?  My  husband's  love,  my  children's  reverence, 
the  world's  respect,  wealth,  station — all  are  mine. 
For  ironic  cHmax  I  bear  the  title  "  Honourable." 
Where  is  the  punishment  ? 

DR.  VAUGHAN 

You  are  enduring  it  now. 

LADY 

But  I  was  learning  to  forget.     It  was  only  your  eyes, 

your  words,  that  pierced  through. 

42 


DR.  VAUGHAN 

The  episode  is  closed,  then  ? 

LADY 

Absolutely.  ...    A     brief     madness.  .  .  .  He     pur- 
sued me  until  I —    Oh,  how  could  I  ?     How  could  I  ? 

DR.  VAUGHAN 

Calm  yourself. 

LADY  [Sobbing] 

I  had  no  excuse.     My  husband  was  always  so  good  to 

me. 

DR.  VAUGHAN 

But  suddenly — as  under  the  spell  of  Satan — you 
seemed  to  see  a  world  of  beauty  you  had  missed  in 
the  humdrum  of  duty  and  domesticity. 

LADY 

Yes,  yes. 

DR.  VAUGHAN 

And  in  that  strange  transfiguration,  when  all  the  world 
grew  golden,  under  the  glamour  of  witchcraft,  the 
sin  seemed  not  in  the  loving,  but  in  letting  the  love 
goby. 

LADY 

Ah,  how  you  understand  women  ! 
43 


DR.  VAUGHAN 

Because    women    are    human.     Because    we    are    all 
sinners. 

LADY 

Please,  please,  not  these  fly-blown  phrases.     I  came 
to  you  for  real  words. 

DR.  VAUGHAN  [Resentfully] 

And  how  could  I  give  you  real  words  unless  I  too 

were  a  sinner  ? 

LADY  [Turning  to  him  apfealingly] 

You  shall  not  put  me  off  with  phrases.     It  is  for  your 

sinlessness  that  I  come  to  you — for  the  great  white 

light  that  shines  out  from  you,  showing  up  all  my 

evil. 

DR.  VAUGHAN  [Who  has  risen  agitatedly] 

But   surely  you  remember  that   no   man   dared  cast 

the  first  stone,  that  only  our  Lord  was  sinless. 

LADY 

You  are  a  parrot  like  the  others.     I'm  sorry  I  troubled 
you.     Good-bye. 

[She  goes  angrily  towards  the  door,  then  turns] 
Oh,  forgive  me  !  But  don't  you  think  I've  read  the 
passage  in  St.  John  a  hundred  times  ?  And  where  is 
the  comfort  of  finding  that  some  men  are  as  bad  as  I  ? 
There  are  plenty  of  good  men,  too.  Suppose  our 
Lord  had  bidden  you  cast  the  first  stone  ? 
44 


DR.  VAUGHAN 

But  our  Lord  himself  said,  "  Neither  do  /  condemn 

thee.     Go  and  sin  no  more." 

LADY 

But  did  she  tell  her  husband  ? 

DR.  VAUGHAN 

Tell  her  husband  ? 

LADY 

Yes,  unless  she  told  her  husband,  she  was  surely  un- 
purged  of  her  sin. 

DR.  VAUGHAN  [Dropping  back  into  his  seat] 
I  see.     You  feel  you  ought  to  tell  your  husband. 

LADY 

How  could  I  not  feel  it  ?     But  I  haven't  the  strength 
to  speak. 

DR.  VAUGHAN 

Has  he  the  strength  to  hear  ? 

LADY 

It  would  shatter  his  hfe. 

DR.  VAUGHAN 

He  is  wrapped  up  in  you  ? 

45 


LADY 

To  absolute  blindness.  To  worship.  I  often  sit  and 
look  at  him  as  he  sits  so  secure 

DR.  VAUGHAN  {Continuing  eagerly] 
In  the  peace  of  love,  in  the  happiness  of  the  quiet 
evening,  and  you  feel  like  a  dynamiter  w^ho  with  one 
spark  could  bring  the  whole  house  tumbling  down 
with  a  hideous  roar. 

LADY  [Excitedly  returning  to  him  and  her  seat] 
Ah,  you  understand  !     How  you  understand  ! 

DR.  VAUGHAN 

And  in  those  grim  moments,  although  you  know  the 
consequences,  the  ruin  and  the  chaos,  and  although 
you  still  love  the  companion  of  your  home 

LADY 

With  all  the  passion  of  remorse 


DR.  VAUGHAN 

With  all  the  passion  of  remorse — yet  your  conscience 

pricks  and  urges  you  to  speak  the  word  that  blasts 

LADY 

And  you  drop  hints  which  are  received  with  a  worship- 
ful smile 

DR.  VAUGHAN 

Until  you  can  hardly  keep  from  shrieking  it  ! 
46 


LADY 

Until  it  tears  at  your  lips  like  a  beast  in  a  trap ! 

DR.  VAUGHAN 

And  in  the  night  you  dread  lest  it  escape  in  your 
slumber ! 

LADY 

No — that  was  only  at  first.     Not  now.     I  told  you 
I  was  learning  to  forget. 

DR.  VAUGHAN  [Rising] 

Then  you  are  fortunate.     Complete  your  education. 

LADY 

What  !     You  tell  me  to  forget  ! 

DR.  VAUGHAN  [Striding  about  the  room] 
Is  it  a  good  conscience  that  tempts  us  to  torture  those 
we  love  ?     No,  it  is  an  evil  conscience,  I  say.     We 
must  trample  on  it. 

LADY  [Amazed,  rising] 
You,  a  man  of  God,  say  that  ! 

DR.  VAUGHAN  [Turning  on  her] 
Yes,  I,  a  man  of  God,  say  that — to  you,  a  woman  of 
God.     Conscience  was  given  us  to  keep  us  from  sin, 
to  scourge  us  after  sin,  not  to  dynamite  the  innocent. 

LADY 

Then  I  am — not  to  confess —  ? 
47 


DR.  VAUGHAN 

It  would  only  be  a  second  sin  on  top  of 

LADY 

And  you  are  a  priest  ! 

DR.  VAUGHAN 

Come  !     Come  !     You  say  no  cant,  and  when  I  give 

you  real  words 

LADY 

But  is  it  not  said,  "  If  we  confess  our  sins  He  will  cleanse 
us  from  all  unrighteousness  ?  " 

DR.  VAUGHAN 

Assuredly.  If  we  confess  to  ourselves !  That  is 
what  the  Apostle  is  thinking  of.  For  he  goes  on  : 
"  If  we  say  we  have  no  sin  we  deceive  ourselves  and 
the  truth  is  not  in  us."  Deceive  ourselves^  you  see. 
That  is  where  the  real  horror  lies — in  saying  we  have 
no  sin.     But  you  and  I 

LADY  \Pu'LzXed'\ 
You  and  I  ? 

DR.  VAUGHAN 

You  and  I  might  deceive  others.  But  our  conscience 
could  never  deceive  itself.  And  so  the  truth  would 
still  be  in  us. 

LADY  \_mowly\ 

Then  I  have  the  truth  in  me  ? 

48 


DR.  VAUGHAN 

I  say  again,  "  Go  and  sin  no  more." 

[Hypnotised  by  his  words  she  turns  to  go,  then  turns 
fiercely  upon  him.] 

LADY 

No !  No !  No !  It's  not  true  !  There  is  no 
truth  in  me  !  Every  time  my  husband  smiles  at  the 
child  of  sin,  he  seems  to  brand  "  Liar"  all  over  my 
flesh. 

DR.  VAUGHAN  [In  a  strange  half -whisper] 
There  is  a  child  !  ! 

LADY 

You  are  shocked  at  last. 

DR.  VAUGHAN  [Masterifig  himself] 

No,  no,  only  startled.   .  .  .  Then  your  husband  does 

not  suspect  anything  in  the  child  ? 

LADY 

No — ^it  has  my  colouring,  my  features 


DR.  VAUGHAN  [Muttering] 
Ah,  the  dominant. 

LADY 

What  do  you  say  ? 

DR.  VAUGHAN 

Nothing  .  .  .  just  thinking. 
49 


LADY 

But  the  child — don't  you  see  that  that  makes  my  life 
a  daily  lie  ! 

DR.  VAUGHAN 

And  would  you  gain  truth  at  the  child's  cost  ?  Brand 
the  innocent  babe  as  a ? 

LADY  [Covering  her  eyes] 
Don't  ! 

DR.  VAUGHAN 

Rather  be  thankful  that  you  can  protect  it — give  it 
the   same   home   influence    as   your    other   children. 

[In  low  tones  as  if  staring  at  an  unseen  vision] 
Think  of  a  girl-mother  condemned  to  secrecy  in  her 
agony  ! 

LADY 

I  should  envy  her — at  least  she'd  have  no  husband  to 
betray. 

DR.  VAUGHAN 

And  no  husband  to  make  reparation  to.  You  must 
make  yours  the  happier  for  your  sin,  not  the  more 
miserable. 

LADY 

You   change   things   so   wonderfully,   the   monstrous 

blackness  seems  lifting. 

50 


DR.  VAUGHAN 

And  what's  the  use  of  living  in  a  fog  ?  Either  die  or 
be  happy. 

LADY 

You  give  me  fresh  Hfe. 

DR.  VAUGHAN 

Then  use  it  more  w^isely. 

LADY 

Ah,  you  beheve  with  Tennyson 

"  That  men  may  rise  on  stepping-stones 
Of  their  dead  selves  to  higher  things  !  " 

DR.  VAUGHAN 

I  do.  The  fire  that  does  not  destroy  us  purifies  us. 
Go  then  and  purify  others. 

LADY 

/  purify  others  ?     But  how  ? 

DR.  VAUGHAN 

In  the  atmosphere  of  your  London  circle  there  is 
levity  towards  the  deeper  things  of  the  race.  Rebuke 
it  by  the  radiance  of  your  purity. 

LADY 

My  -purity  !     Oh,  I  am  re-born  ! 

[Bursts  into  tears.] 
51 


DR.  VAUGHAN 

And  re-baptized  in  your  tears  ! 

LADY 

My  deliverer  !     I  could  kneel  to  you. 
[Is  sinking  at  his  feet.] 

DR.  VAUGHAN  [Perturbed] 

No,  no,  -please.     [Raising  her]     Who  am  I  ? 

LADY 

One  who  speaks  as  no  man  has  spoken  before. 

DR.  VAUGHAN 

Nonsense  !  Read  the  eighteenth  of  Ezekiel :  "  When 
the  wicked  turneth  away  from  his  wickedness  he 
shall  save  his  soul  alive."  I  only  say  what  many 
have  said. 

LADY 

No — you  speak  as  one  at  the  heart  of  things. 

DR.  VAUGHAN 

It  is  you  that  are  at  the  heart  of  things.  That  is  the 
only  profit  of  our  sins — to  touch  reality. 

[He  rings,  then  opens  the  door.] 
Good-bye. 

[Holds  out  his  hand.] 

LADY  [Seizing  and  kissing  it] 
Good-bye.  .  .  .     God  bless  you. 
[Exit.] 

52 


DR.  VAUGHAN 

I  need  His  blessing,  indeed  ! 

[H^  covers  his  eyes  as  in  'prayer  and  deep  emotion. 
Enter  hannah.] 

HANNAH 

Well,  and  what  did  the  creature — what's  the  matter 

DR.  VAUGHAN 

That  poor  woman  ! 

HANNAH 

Why,  she  looked  quite  elated. 

DR.  VAUGHAN 

Because  I  helped  her,  thank  God  for  that  ! 

HANNAH 

Past  helping  she  looked  to  me — a  weak,  neurotic — 

ugh  ! 

[She  shudders.^ 

DR.  VAUGHAN 

Don't    be    such    a   Pharisee,    dear.     She's    in   great 
distress. 

HANNAH 

There's  distress  nearer  home. 

DR.  VAUGHAN  [Alarmed] 

Nearer  home  ? 

53 


HANNAH 

Amy  Archmundham — I've  been  trying  to  tell  you — 
she's  at  a  nervous  crisis. 

DR.  VAUGHAN 

Miss    Archmundham  ?     Why,    at    the    garden-party 
she  looked  brilliant. 

HANNAH  [Sinking  into  the  armchair] 
Men  can  never  tell  the  difference  betv^een  the  hectic 
and  the  healthy — any  more  than  between  the  vicious 
and  the  deserving — she's  really  in  a  pitiful  state. 

DR.  VAUGHAN 

But  what's  the  matter  with  her  ? 

HANNAH 

I've  persuaded  her  to  lie  down  in  the  spare  room. 

DR.  VAUGHAN  [Sitting  on  the  table] 
But  what's  the  crisis  about  ? 

HANNAH 

It's  all  through  Hubert  Morrow. 

DR.  VAUGHAN 

Hubert  Morrow  ? 

HANNAH 

Yes,  Felicia's  brother.     He  and  Amy  are  in  love. 
54 


DR.  VAUGHAN 

Is  it  possible  ? 

HANNAH 

It's  all  that's  possible.  That's  why  Hubert  is  going 
to  Australia.  Sir  John  won't  give  his  consent,  and 
Hubert,  being  as  proud  as  he's  poor,  puts  the  globe 
between  himself  and  Amy. 

DR.  VAUGHAN 

Poor  things ! 

HANNAH 

It's  no  use  saying  "  poor  things  !  "  We  must  do 
something. 

DR.  VAUGHAN 

But  what  can  tve  do  ?  We  can't  find  Hubert  money. 
We  haven't  got  enough  of  our  own. 

HANNAH 

No,  but  we  can  make  Sir  John  think  less  of  money. 

DR.  VAUGHAN 

I  never  found  Sir  John  a  Mammon-worshipper. 

HANNAH 

We  never  saw  him  tested.  He  can  have  nothing  else 
against  young  Morrow. 

DR.  VAUGHAN  [Uneasily] 

How  can  you  be  sure  ?     Many  parents  shy  at  musicians. 

55 


HANNAH 

But  Hubert  hasn't  had  a  thing  published  yet,  not 
even  his  setting  of  Elsie's  verses.  And  everybody 
knows  how^  strictly  Mrs.  Morrow  has  brought  him  and 
Felicia  up.  She  may  be  a  little  unchristian  with  her 
family  pride  but  even  that  one  forgives  her,  now  the 
poor  thing  has  nothing  else. 

DR.  VAUGHAN 

Well,  anyhow,  it's  not  our  business. 

HANNAH 
It's  my  business. 

DR.  VAUGHAN  [Alarmed] 
Yours  ? 

HANNAH 

Amy  begged  me  to- 


\Enter  purvis.] 

PURVIS 

Sir  John  Archmundham  is  in  his  carriage  and  wanting 
his  childer. 

DR.  VAUGHAN 

You'll  find  them  upstairs. 
[puRVis  turns  to  go.] 

HANNAH 

Ask  Sir  John  to  oblige  me  and  come  in  for  a  moment. 
56 


PURVIS 

Ay,  mum. 

[Exit  PURVIS.] 

DR.  VAUGHAN 

You  don't  really  mean  to 

HANNAH 

I  must,  dear.     I  promised  Amy. 

DR.  VAUGHAN 

Sir  John  will  be  very  angry. 

HANNAH 

Do  you  think  I  have  no  tact  ?  I  must  tell  him  about 
Amy's  illness — that  gives  me  an  opening. 

DR.  VAUGHAN 

Dearest  Hannah,  I  seldom  exercise  my  authority,  but 
I  feel  so  sure  that  harm  will  come  of  your  meddling 
that 

HANNAH 

Please,  please,  don't  make  me  break  my  promise.  I 
feel  so  sure  I  shall  make  these  two  young  people  happy 

that  I 

[Enter  purvis,  announcing] 

PURVIS 

Sir  John  Archmundham. 

[Enter  sir  john.] 
57 


SIR  JOHN  [Shaking  hands  with  hannah] 
Ah,   Mrs.  Vaughan,  we  missed  you  at  the  garden- 
party. 

HANNAH 

It's  a  pity  you  took  your  daughter.     She's  quite  ill. 

SIR  JOHN 

111  ?     Poor  chick  !     I  thought  she  was  off  her  feed. 

Where  is  she  ? 

HANNAH 

Lying  down. 

SIR  JOHN 

I'll  'phone  to  Dr.  Terrltt. 

HANNAH 

It  isn't  a  doctor  she  wants. 

SIR  JOHN 

Not  a  doctor  ?     You  haven't  joined  the  faith-healers  ! 

HANNAH  [Annoyed'] 

Of  course  not.     I  mean  you  know  quite  well  how  to 

cure  her  yourself. 

SIR  JOHN 

Feed  her  up,  d'you  mean  ?     Roast-beef  ? 

HANNAH  [Disgusted] 

Roast-beef  !     Don't  pretend  you 

58 


DR.  VAUGHAN  [Hurriedly] 

Talking  of  roast-beef,  how  are  John's  potatoes  ? 

SIR  JOHN  [Incapable  of  the  swift  transition] 
Eh? 

DR.  VAUGHAN 

Oh,  I  hope  it  isn't  still  a  sore  subject. 

SIR  JOHN 

John's    potatoes  ?     Not    at    all.     I've    quite    turned 
round  about  John's  potatoes. 

HANNAH  [Snatching  at  her  opportunity] 
Then  perhaps  you'll  turn  round  too  about 


DR.  VAUGHAN 

Do  let  us  get  to  the  end  of  this,  Hannah.     Why  have 
you  turned  round  about  John's  potatoes  ? 

SIR  JOHN 

Because  they  put  such  a  stopper  on  all  the  silly  new 
sex-theories. 

HANNAH 

We  are  talking  of  your  daughter 


DR.  VAUGHAN 

My  dear  !     You  are  interrupting  Sir  John's  explana- 
tion.    They  put  such  a  stopper  on ? 

59 


SIR  JOHN 

All  that  newfangled  nonsense  about  love  being  every- 
thing. As  if  rotten  tubers  could  yield  prize  potatoes  I 
Freethinkers  and  Freelovers  may  spout  and  scribble 
but  the  grand  old  laws  of  God  go  on  inexorably. 

HANNAH 

And  one  of  those  laws  is 


DR.  VAUGHAN 

I'm  afraid  my  wife  hardly  follows  science. 

[Takes  SIR  john's  arm  and  draws  him  doorzvard.] 
Shall  we  go  and  collect  your  children  ? 

SIR  JOHN 

Yes,  I've  just  robbed  them  of  ten  thousand  pounds. 
Ha!   Ha!   Ha! 

DR.  VAUGHAN 

Doesn't  sound  a  laughing  matter. 
[Gets  to  door.] 

SIR  JOHN 

Promised  it   to  Judson   for   our   crusades.     Half  for 

the  African  atrocities  and  half 

[Is  going  out  with  dr.  vaughan.] 

HANNAH  [Desperately] 

Sir  John,  you  are  positively  heartless  1 

DR.  VAUGHAN 

Hannah  ! 
60 


SIR  JOHN  [Frozcfi] 
Eh? 

HANNAH 

Talk  of  African  atrocities  ?  The  way  you  let  that  poor 
girl  pine  and  fret  when  you're  simply  rolling  in 
money ! 

SIR  JOHN  [Coldly] 
I  beg  your  pardon. 

DR.  VAUGHAN 

Hannah  !     For  heaven's  sake ! 


HANNAH 

It  is  for  heaven's  sake.  Is  our  Church  Conference 
nothing  but  a  babble  .?  Is  everything  to  be  meted 
with  the  measure  of  worldliness  ? 

SIR  JOHN 

I'm  afraid  I  can't  follow  you. 

HANNAH 

Oh  yes,  you  can.  Better  than  I  can  follow  science. 
Why  is  your  daughter  ill  ?  Why  is  Hubert  Mor- 
row  ? 

DR.  VAUGHAN 

I  forbid  this.     Come,  Sir  John,  she's  been  upset  by 

your  daughter's  illness. 

6i 


HANNAH 

You  may  stop  my  speaking  openly  to  Sir  John — you 
won't  prevent  other  people  speaking  behind  his  back. 

SIR  JOHN 

And  pray,  ma'am,  what  will  they  be  saying  ? 

HANNAH 

That  your  Mammon-worship  broke  your  daughter's 
heart. 

SIR  JOHN 

The  devil  they  will  !     Pardon  me,  Doctor,  my  one 
oath. 

DR.  VAUGHAN 

People  will  say  nothing  of  the  kind,  Hannah.     They 
will  believe  in  the  righteousness  of  Sir  John's  motives. 

SIR  JOHN 

Thank  you,  Dr.  Vaughan.     I  wish,  madam,  you  had 
a  little  of  your  husband's  Christian  charity. 

DR.  VAUGHAN 

Mammon-worship,    forsooth !     \^TTLen    Sir    John    has 
just  given ! 

HANNAH 

Charity  begins  at  home. 

SIR  JOHN 

And  Christian  charity  abroad  ! 
62 


DR.  VAUGHAN 

Ha  !  Ha  !   Ha  !     A  Roland  for  an  Oliver. 

[Links  his  arm  in  sir  John's.] 
Come  along  ! 

HANNAH 

If  Sir  John  has  anything  against  Hubert   Morrow's 
character,  I  will  beg  his  forgiveness — and  God's ! 

SIR  JOHN  [Tur?iing  to  face  her] 

I  have  nothing  against  Hubert  Morrow's  character. 

HANNAH 

Well,  then  ! 

DR.  VAUGHAN 

Hannah,  we  have  not  the  right 


HANNAH 

The  girl  has  no  mother.     Somebody  must  stand  up 
for  her  ! 

DR.  VAUGHAN  [Drawing  sir  john  again  doorzcard] 
Not  against  a  father  so  honoured  and  loved. 

HANNAH 

"  As  many  as  I  love  I  rebuke."     That's  in  Revelation. 

SIR  JOHN  [Feerifig  round  and  breaking  away] 
Revelations,  ma'am.     If  it's  revelations  you  want — ■ — ! 
63 


DR.  VAUGHAN 

Don't  be  profane,  Sir  John. 

SIR  JOHN  [Angrily] 

I'm  not  profane.     But  deuce  take  it,  revelations  you 

shall  have. 

DR.  VAUGHAN  [Again  trying  to  take  his  arm] 

We  don't  want  them.     Come,   Sir  John,  take  your 

daughter  home. 

SIR  JOHN 

The  fact  is,  Mrs.  Vaughan,  I'm  as  sorry  for  Hubert 
Morrow  as  you  are.     It's  his  sister  ! 

HANNAH  [Startled] 
Felicia  ! 

DR.  VAUGHAN  [Dropping  into  burean-chair  with  a 

murmur] 
Miss  Morrow  1 

SIR  JOHN 

I  couldn't  tell  Amy  because  I  wanted  to  protect  her 
innocence,  I  couldn't  tell  Hubert  because  it's  for  his 
mother  to  do  that.  And  I  couldn't  tell  my  old  friend 
[Lays  his  hand  on  dr.  vaughan 's  shoulder] 
because  I  hate  spreading  scandal — especially  about 
his  former  secretary. 

HANNAH 

Scandal  !    Scandal  against  Felicia  !    I'll  not  believe  it. 
64 


SIR  JOHN 

At  any  rate  let  it  go  no  further.     You  know  that  after 
leaving  your  husband  Felicia  Morrow  went  to  London. 

DR.  VAUGHAN 

Pardon  me.     She  was  at  another  post  in  between. 

SIR  JOHN 

What  does  that  matter  ? 

DR.  VAUGHAN 

I  merely  recall  that  last  Christmas  she  took  a  country 
post — for  the  sake  of  her  health. 

SIR  JOHN 

But  the  point  is  that  in  June  she  went  off  to  London, 
away  from  all  who  knew  her. 

HANNAH 

To  take  the  secretaryship  of  a  nursing  home. 

SIR  JOHN 

To  take  the  services  of  a  nursing  home  !     She  went 
to  have  a  child. 

HANNAH 

Felicia  !     O  my  God  ! 

DR.  VAUGHAN  [With  ashen  Up] 

It's  not  possible  ! 

65  B 


SIR  JOHN 

It  was  a  bold  stroke  of  concealment — a  flash  of  genius 
almost. 

DR.  VAUGHAN 

That  simple  sweet  girl ! 


SIR  JOHN 

Had  an  affair.     Precisely.     While  she  was  still  your 
secretary  ! 

HANNAH 

An  affair  !     O  Rodney,  say  you  don't  believe  it  ! 

DR.  VAUGHAN  [As from  a  dry  throat] 

I   cannot   find  words.  ...  So   that's   why   she   left 

me  .  .  . 

HANNAH  [Her  hand  caresshigly  on  his  shoulder'] 
But  she  was  the  flower  of  your  flock.     You  knew  her — 
how  gentle  and  God-fearing.     No,  no.  Sir  John,  this 
is  some  terrible  mistake.     How  do  you  know  ?     Who 
told  you  ? 

SIR  JOHN 

John  told  me. 

DR.  VAUGHAN 
John  ? 

HANNAH 

And  who  told  John  ? 
66 


SIR  JOHN 

The  doctor  at  the  nursing  home  was  his  old  fellow- 
student.  They  still  correspond.  The  doctor  tells 
him  anything  of  interest  bearing  on  birth-problems. 
Eugenics,  they  call  it.  And  this  child  had — er — some 
Frenchman's  finger. 

HANNAH 

Had  what  ? 

SIR  JOHN 

A  bend  in  his  little  finger  called  after  the  French 
surgeon  who  first  cured  it,  I  suppose. 

DR.  VAUGHAN  [Shuddering] 
Loathsome  ! 

SIR  JOHN 

Not  at  all.  A  mere  contraction  of  the  skin.  Quite 
a  fine  little  chap,  John  said,  though  rather  under 
weight. 

DR.  VAUGHAN 

I  mean  the  callousness  of  this  cold-blooded  science  ! 

HANNAH 

And  on  this  hearsay,  Felicia's  character  is  to  be  ruined, 
your  daughter's  life  spoilt  !  How  did  John  know  it 
was  Felicia  ? 

SIR  JOHN 

Why,  the  brazen  hussy  gave  her  own  name  ! 
67 


HANNAH 

Precisely.  A  brazen  hussy  who  had  stolen  Felicia's 
name. 

SIR  JOHN  ISarcastically] 

And  who  when  they  mistakenly  thought  she  was  dying 

stole  Felicia's  mother. 

HANNAH 

You  mean,  they  wired  here  for  Mrs.  Morrow  ? 

SIR  JOHN  [hnitating  her] 
Precisely. 

HANNAH 

And  Mrs.  Morrow  went  ? 

SIR  JOHN 

So  it  seems. 

HANNAH 

Now  I  know  it  is  false.  How  could  Mrs.  Morrow 
hold  up  her  head  if  it  was  true  ?  Why,  she  was  at 
the  Conference.  She  spoke  against  the  new  crusades — 
only  this  morning — don't  you  remember  ?  She  feared 
they  would  divert  us  from  our  mission  work.  No, 
no,  it  is  all  some  ridiculous  blunder. 

DR.  VAUGHAN 

And  even  if  it  were  true,  aren't  you  visiting  the  sins 

of  the  sister  on  the  brother  ? 

68 


SIR  JOHN 

I  knew  you  were  drifting  to  this  modern  sentimen- 
tality— you  with  your  Shakespeare  !  I've  felt  it  in 
your  sermons  this  last  twelvemonth  !  But  I  stick 
to  my  Old  Testament.  The  sinner  shall  be  cut  off 
root  and  branch.     Even  John's  potatoes  preach  that. 

DR.  VAUGHAN 

Never  mind  John's  potatoes.  Mendelism  is  not  yet 
proved,  and  if  it  were,  there's  no  proof  that — that 
what  cropped  out  in  Miss  Morrow  will  crop  out  in 
her  brother. 

SIR  JOHN 

It  may  in  his  progeny.  John  tells  me  that  traits 
may  skip  a  generation  and  re-appear  in  the  next — Hkc 
this  finger  possibly. 

DR.  VAUGHAN 

Come  !  Come  !  You're  not  really  thinking  of  here- 
dity— ^you're  afraid  of  a  scandal  in  your  family. 

SIR  JOHN 

And  what  if  I  am  !  Our  record  is  clean,  thank  God. 
Why  should  Amy  marry  a  man  who  brings  nothing 
to  the  cupboard  except  a  family  skeleton  ? 

DR.  VAUGHAN  [Risingl 

Ah,  my  wife  is  not  so  wrong — you  are  thinking  of  his 

poverty. 

69 


SIR  JOHN 

No,  by  God  I'm  not — forgive  me,  but  you 

DR.  VAUGHAN 

But  if  the  skeleton  is  safely  buried  ! 

SIR  JOHN 

If  it  were  buried  as  deep  as  the  seducer's  wickedness, 
I'd  rather  see  Amy  die  than  marry  into  diseased  stock. 

HANNAH  [Sinking  on  the  divan] 
Oh,  it  is  all  a  nightmare  ! 

DR.  VAUGHAN 

But  one  may  recover  from  disease — even  the  disease 
of  sin.     God  forgives. 

SIR  JOHN 

But  He  cannot  forget.  Consequences  are  conse- 
quences. That's  what  you  preachers  ought  to  insist 
on  most  to-day  when  the  air  reeks  with  romantic 
pestilence.  All  these  little  poets  v^th  their  soul- 
struggles  and  love-lyrics  that  end  in  hospitals  or 
lunatic  asylums.  And  these  hysterical  boys  and  girls 
with  their  problem-plays. 

DR.  VAUGHAN 

What  do  you  know  of  problem-plays  ?  You  won't 
eren  read  Shakespeare. 

SIR  JOHN 

One    can't    escape    the    newspapers.     Problem-plays 

70 


indeed  !  Silly  refusals  to  look  life  in  the  face — plays 
about  marriage  with  the  first  cause  for  which  matrimony 
was  ordained  left  out  ! 

DR.  VAUGHAN 

You  mean  the  child  ! 

SIR  JOHN 

Of  course  I  mean  what  the  marriage-service  means. 
There  are  delicate  fools  who'd  have  even  that  touch 
of  reality  cut  out.  But  the  Almighty  has  given  me 
a  brave  ancestry  and  with  His  blessing  my  grand- 
children shall  carry  no  tainted  blood.  Good-bye, 
old  friend. 

[Claps  DR.  vaughan's  shoulder] 
I  didn't  mean  to  preach  to  you  but  the  day  England 
forgets  her  Puritanism  she'll  go  down  like  a  rotten  ship. 

DR.  VAUGHAN 
I  quite  agree. 

SIR  JOHN 

I  knew  you'd  come  round.  Good-bye,  Mrs.  Vaughan. 
Sorry  I  had  to  quote  my  Revelation. 

HANNAH 

I  don't  believe  your  Revelation. 

SIR  JOHN 

That  doesn't  make  it  less  gospel.  I'll  go  up  and  get 
Amy,  if  I  may. 

[mrs.  VAUGHAN  makes  a  move  as  if  to  rise] 
71 


No,   don't  trouble.    Thank  you  for  being  so  kind 
to  her. 

HANNAH 

She's  welcome  to  stay  on. 

SIR  JOHN 

I'll  see  how  she  is.     Thank  you  again. 
[Exit.     Door  closes.] 

DR.  VAUGHAN 

I  told  you  not  to  interfere  ! 

HANNAH  [Rising  aiid  moving  to  bureau] 
It  cannot  be  true. 
[She  rings.] 

DR.  VAUGHAN 

What  are  you  going  to  do  ? 

HANNAH 

I    cannot    accept    such    a    ridiculous    story   without 
evidence. 

DR.  VAUGHAN 

You   will   meddle   again  ?     Rake   up   more   dust,    as 
Purvis  says  ? 

HANNAH 

I  shall  lay  this  dust.     Frenchman's  finger^  forsooth  ! 
I'm  not  going  to  stand  by  and  see  all  these  lives  ruined 

— FeHcia,  Amy,  Hubert,  Mrs.  Morrow 

72 


DR.  VAUGHAN 

Take  care  you  don't  ruin  more. 

HANNAH 

How  can  I  ruin ? 

[Enter  purvis] 
Ring  up  Mrs.  Morrow,  and  if  you  get  her,  let  me  know. 

PURVIS 

Yes,  mum. 
[Exit.] 

DR.  VAUGHAN  [Walking  up  and  down] 

But  this  is  more  mischievous  than  ever  !     To  stir  up 

a  mother's  agony. 

HANNAH 

There's  no  agony,  I  tell  you.     It's  all  a  mare's  nest. 
We'll  save  her  the  agony  of  parting  with  Hubert. 

DR.  VAUGHAN 

You're  not  going  to  discuss  it  by  telephone  ! 

HANNAH 

Of  course  not.     I  shall  ask  her  to  come  about  the 
mission-work. 

DR.  VAUGHAN 

And  if  she  refuses  ? 

HANNAH 

I  shall  go  to  her. 

73 


DR.  VAUGHAN 

Hannah — ^let  it  alone — for  God's  sake. 

HANNAH 

I  cannot,  dearest.     I  can't  rest  till  I  know  the  truth. 

DR.  VAUGHAN 

You  seem  to  me  driven  along  by  some  demon. 

HANNAH 

And  I  feel  it  is  the  guidance  of  God. 
[Enter  purvis] 

PURVIS 

Mrs.  Morrow  is  holding  the  line. 

HANNAH 

Thank  you. 

\She follows  PURVIS.     The  door  closes^     dr.  vaughan 
collapses  on  the  divan.~\ 

DR.  VAUGHAN  [In  an  awed  whisper'] 
The  guidance  of  God  ! 

[The  Action  Pauses.] 


74 


Second  Movement 

Presently  purvis  enters^  hearing  the  -pyjamas  afresh^  hut 
seeing  dr.  vaughan  is  sunk  upon  the  divan,  his 
head  huried  i?i  his  hands,  he  remains  in  comic 
perplexity.  He  turns  to  go  as  if  baffled  again,  then, 
with  a  sudden  resolution,  he  steals  cautiously  forward, 
lifts  the  covering  and  slips  the  pyjamas  noiselessly 
beside  the  pillow-cases.  Then,  his  harassed  face 
relaxing,  he  ventures  to  cough,  dr.  vaughan 
looks  up.'\ 

DR.  VAUGHAN 

What  is  it  ? 

PURVIS  [With  bowed  head  of  contrition'] 

Now  you're  alone,  doctor,  I'd  like  to  tell  you  about 

Macbeth. 

DR.  VAUGHAN 

About  Macbeth  ? 

PURVIS 

Yes,  sir.     You  see,  Sir  John's  coachman 


DR.  VAUGHAN 

Not  now,  please.     Another  time. 

[purvis,   with   a  sigh,    turns   to   close   the  French 

window] 
No,  no,  it's  so  hot. 

[As  PURVIS  is  going  out  silently,  with  still-bowed 

head,  hannah  re-enters] 
Well  ? 
75 


HANNAH 

Mrs.  Morrow  can't  come  to-  night — it's  her  last  night 
but  one  with  her  boy. 

DR.  VAUGHAN  [Relieved] 
Ah! 

HANNAH 

But  he's  out  this  afternoon — so  she'll  come  as  soon  as 
all  the  boarders  have  had  their  tea. 

DR.  VAUGHAN  [Perturbed] 
Oh,  indeed  ! 

[Takes  his  hat  and  goes  towards  garden.] 

HANNAH 

Where  are  you  going  ? 

DR.  VAUGHAN 

I  can't  stand  another  of  your  scenes. 

HANNAH 

You  needn't  be  present,  dear — I'll  see  her  in  the 
drawing-room. 

DR.  VAUGHAN 

With  the  Archmundhams  about  ?     You  see  you  drive 
me  out  of  my  own  house  ! 

HANNAH 

But,  dearest,  Felicia's  good  name ! 

[Exit    DR.    VAUGHAN    into    the   garden,     hannah 
76 


sighs,  then  sits  at  his  table,  and  gets  his  pass-hook 
and  cheque-book  from  a  drawer,  -pulls  out  the  paid 
cheques  and  sets  to  work,  checking  the  entries.  After 
a  moment  elsie  C07nes  in.] 

ELSIE 

Will  it  disturb  you  if  I  look  at  the  rhyming  dictionary  ? 

HANNAH 

No,  dear.     But  why  not  keep  it  in.  your  loom.  ?  You're 
the  only  poet  in  the  house. 

ELSIE  [Smiling  as  she  motmts  the  library-steps'] 

Am  I  ?     Are  you  sure  you  know  all  father's  secret 

sins  ?     WTiere  is  he,  by  the  way  ? 

HANNAH 

Gone  for  a  stroll.     Have  you  left  the  Archmundhams 
alone  ? 

ELSIE 

Amy's  got  up  now.     I  thought  three  was  family  and 
four  society. 

[Consults  book  from  her  perch  on  top  of  steps.] 

HANNAH 

You  were  quite  right,  dear — there  is  a  ...  a  domestic 
difhculty. 

ELSIE 
I  know. 

[Reading] 

Haven,  craven,  shaven 

77 


HANNAH 

You  know  ? 

ELSIE 

About    Amy  ?     Of   course — Raven,    graven — father 
trying  to  spoil  her  life.     The  old  story. 

HANNAH  [Wincing] 

You're  not  quite  fair  to  Sir  John. 

ELSIE 

That's  what  his  son  says — haven  and  graven,  splendid  ! 

[Shuts  book  and  replaces  it  on  shelf] 
But  if  it's  not  a  money  question,  what  other  objection 
can  the  old  growler  have  ? 

HANNAH 

Never  mind — I've  got  a  money-question  of  my  own. 
Trying  to  check  father's  pass-book.  .  .  .  Perhaps  we 
can  dispose  of  Sir  John's  objection. 

ELSIE  [Coming  towards  table] 

Oh,  wouldn't  that  be  ripping — ^jolly,  I  mean  !     But 

how  ? 

HANNAH 

Wait  a  bit.  .  .  .  Come  here,  you  know  father's 
writing — ^read  me  this  counterfoil. 

ELSIE  [Looking  over  her  shoulder] 

Binks,  Forty  Pounds  .  .  . 

78 


HANNAH 

But  who  is  Binks  ? 

ELSIE 

Haven't  an  idea.     Wlaere's  the  cheque  ?     June  20. 

HANNAH 

Here  it  is.     But  that's  pay  "  Self  "  and  he's  endorsed 
it.     Look ! 


ELSIE  [Studying  counterfoil,  carries  it  to  window-light'] 
Perhaps  it's  Barks — or  Borks.  No,  Books  !  That's 
what  it  is — two  o's. 


HANNAH  [Taking  it  from  her  as  she  returns  to  table] 
Ah,  of  course  !     That  forty  pounds  he  spent  on  books 
when  I  wanted  money  so  badly  for  your  clothes  ! 

ELSIE  [Smooths  her  frock] 

But  you  see  we  managed  all  right,  mother — my  little 

verses,  and  your  embroidery  work 

HANNAH 

Yes,  but  because  I  asked  him  to  state  on  the  counter- 
foil what  the  cheque  was  for,  whenever  he  drew  on 
"Self,"  he  states  what  it's  for  but  forgets  "  Self." 

ELSIE  [Smiling] 

But  isn't  that  what  he  preaches — to  forget  Self  ? 

79 


HANNAH 

If  vou  had  to  clear  up  his  muddles,  you  wouldn't  find 
them  so  laughable.  Here's  a  counterfoil  not  filled  up 
at  all ! 

ELSIE 

Only  one  ? 

HANNAH  [Taki?ig  it  over  to  bureau] 
Go  on  laughing  at  me. 

ELSIE 

I'm  laughing  at  him.  If  you  would  marry  a  genius — 
Don't  look  so  tragic  over  trifles. 

HANNAH 

It's  not  about  the  cheques — it's  because  you  make  me 

afraid.     Oh  Elsie  ! 

[Embraces  her  with  sudden  passion] 
You  don't  feel  there  is  a  gulf  between  us  ? 

ELSIE 

Between  you  and  father  ? 

HANNAH 

Between  you  and  me  !  A  great  gulf  fixed — as  between 
Lazarus  and  the  rich  man  ? 

ELSIE 

What  do  you  mean,  mother  ? 
80 


HANNAH 

A  gulf  you  have  to  shout  across  ? 

ELSIE 

What  an  idea  ! 

HANNAH 

But  that's  what  Amy  Archmundham  said — and  it's 
been  weighing  upon  me.     You  do  love  me  ? 

ELSIE 

Darling  mother  ! 

[Kisses  her  as  she  sinks  on  the  divan.] 

HANNAH 

And  I  could  die  for  you  !  .  .  .  I  wish  God  had  let  me 
die  for  your  sisters.     But  His  wisdom  knew  best. 
[Breaks  down.] 

ELSIE  [Kneeling  on  divan  to  embrace  her] 

Don't  cry,  darling.     They   died,    doing   their    duty. 

Look  at  their  faces  ! 

[Points  to  -photographs  on  bureau] 
One  would  say,  they  were  smiling  with  pride. 

HANNAH 

I  could  bear  Mary's  death  in  the  Red  Cross  Army, 
and  Ruth's  among  her  slum-people.  But  to  lose  a 
living  daughter ! 

ELSIE  [Rising  and  holding  both  her  hands] 
Please  don't  talk  so  dreadfully. 

8l  F 


HANNAH 

Ah,  daughter,  perhaps  you'll  realise  it  yourself  some 
day.  It  seems  so  strange  to  remember  you  that  tiny 
— so  frail  and  helpless — sleeping  at  my  breast — and 
to  see  you  growing  up  tall  and  superior  and  aloof 

ELSIE  [Sinking  against  her  knees  to  embrace  her] 

Oh  never,  mother,  never  !     I  never  did  feel  like  Amy 

Archmundham.     Besides,  she  has  no  mother. 

HANNAH 

And  you  do  love  me  ?  And  you'll  never  feel  I  want 
to  spoil  your  life  ?  And  you'll  always  come  to  me, 
even  if  I  don't  always  understand  your  little  poems  ? 

ELSIE  [Smiling  as  they  both  rise] 
Always,  mother. 

HANNAH 

Always,  you  said,  remember.  Even  when  you  are 
gone  from  me  ! 

ELSIE 

Oh,  mother,  you  know  I  shall  never  leave  you  ! 

[They  embrace  more  closely.     There  is  a  sound,  at 
the  door,    they   stand  apart.     It   opens,   revealing 

JOHN.] 

HANNAH 

Ah,  you  are  going  ! 

[She  advances,  holding  out  her  hand.] 
82 


JOHN 

Not  yet,  please.     Amy's  bad  again. 

HANNAH 
Oh  dear  ! 

JOHN 

Yes,  father  poured  oil  on  the  troubled  flames — ^he  told 
her  he'd  proved  to  you  he's  in  the  right. 

HANNAH 

That  remains  to  be  seen.     Oh,  do  you  think  I  could 
be  of  any  use  ? 

JOHN 

You  are  the  one  person  who  could 

[Makes  way  as  for  her  exit.^ 

HANNAH 

Your  poor  sister  ! 

[Exit.     JOHN  closes  the  door.] 

JOHN  [Hastening  towards  elsie] 
At  last  we  can  go  on  with  our  talk  ! 

ELSIE 

How  can  you  think  of  yourself — with  Amy  In  that 
state  ? 

JOHN 

Perhaps  I'm  in  that  state  too. 
83 


ELSIE 

What's    the    matter    with    you  ?    Potatoes    diseased 
again  ? 

JOHN 

Don't  be  so  heartless. 

ELSIE 

Heartless  ?     When  I  pity  your  potatoes  more  than 
you  pity  your  sister  ! 

JOHN 

Who  said  I  didn't  pity  Amy  ? 

ELSIE 

You  aren't  half  as  concerned  as  that  time  your  potatoes 
went  bad. 

JOHN 

It  wasn't  their  going  bad— it  was  their  having  the 
wrong  disease. 

ELSIE 

Are  there  right  diseases,  then  ? 

JOHN 

Naturally — the  ones    I    infect    them  with.     If  only 
they  develop  them  properly — that  is  the  real  anxiety. 

ELSIE 

It  must  be  very  wearing  for  you. 
84 


JOHN 

All  right,  scoff  away.     But  science  is  above  sneers. 

ELSIE 

I'm  not  sneering.  It  quite  touches  me  to  think  of 
you  watching  tenderly  over  your  sick  tubers. 

JOHN 

Go  on  ! 

[Folds  his  arms] 
This,  I  suppose,  is  payment  in  kind  for  my  unreal 
remarks  to  your  mother. 

ELSIE 

My  remarks  are  real.  Your  superiority  to  humanity 
overawes  me.  But  to  think  of  you  at  a  sick  bed — if 
it's  only  a  potato  bed ! 

JOHN  [Jpproaching  her] 

You  know  I'm  only  too  human 

[Re-enter  hannah.] 

HANNAH 

She  won't  even  have  me  in  the  room.  Elsie,  you  are 
of  her  own  generation.     Perhaps 

ELSIE 

I'll  try,  mother. 

[Exit  through  open  door,  closing  it.] 

HANNAH  [Turning  on  john] 
I'm  afraid  this  is  all  your  fault. 
85 


JOHN 

Mine  ? 

HANNAH 

If  you  hadn't  told  your  father  that  ridiculous  story 
about  the  Frenchman's  finger ! 

JOHN 

Dupuytren's  finger  ?  But  the  child  did  have  it — 
my  friend  actuaUy  operated  for  it,  which  Dupuytren 
himself  couldn't  have  done  at  that  age.  Yes,  and  I 
only  wish  my  friend  could  have  settled  the  point 
whether  it's  hereditary  or  not.  But  though  he  took 
a  scientific  squint  at  the  father's  hand 

HANNAH 

The  father's  hand  ? 

JOHN 

A  burly  clean-shaven  man  who  came  to  see  Miss 
Morrow  the  day  after. 

HANNAH 

And  how  did  he  know  it  was  the  father  ? 

JOHN 

Oh  well — ^he  naturally  assumed 


HANNAH 

Assumed  !     Just  as  you  assumed  it  was  FeUcia.     And 

what  foreigner's  finger  did  the  father  have  ? 

86 


JOHN 

Oh,  there  was  nothing  abnormal  about  his  hand — 
except  a  queer  signet-ring.  But  of  course  its  heredi- 
tariness  being  dubious,  that  doesn't  prove ! 

HANNAH 

I   should  think  not   indeed  !  And   on  this   basis   of 

hearsay  and  guess-work  your  father — oh  I  have  no 
patience  with  either  of  you  ! 

JOHN 

Would  you  marry  your  daughter  into  a  disgraced 
family,  with  a  nameless  brat  hanging  around  ?  I 
wouldn't — at  least 

\Smiling\ 
I  wouldn't  marry  my  father^ s  daughter  into  it.     No, 
nor  his  son,  either. 

HANNAH 

I  dare  say  not.  But  you  beg  the  question.  It's  your 
friend  I  consider  disgraced.  I  always  thought  doctors 
had  a  code  of  honour — not  to  tell  professional  secrets. 

JOHN 

My  friend  only  told  me  professionally — as  a  student 
of  eugenics.  And  of  course  father  and  I  won't  blab, 
if  you  don't. 

HANNAH 

How  can  I  blab  as  you  call  it,  when  I  don't  believe 

there's  one  iota ? 

^       [sir  JOHN  opens  the  door,  leading  amy.] 
87 


SIR  JOHN 

May  the  little  penitent  come  to  apologise  ? 

HANNAH 

What  for  ? 

AMY 

For  turning  you  out  of  your  own  room.     I  forgot 
I  wasn't  at  home. 

[Goes  towards  her] 
Do  forgive  me  !     And  thank  you  for  trying 

HANNAH  [Looking  defiantly  at  the  meni 
I  haven't  given  up 

AMY  [Eagerly] 

Then  father  didnH  convert  you  ? 

HANNAH 

Wait !     Trust  in  God  ! 

[Kisses  her  and  leads  her  to  the  window] 
See  what  a  sunset  He  has  sent  us. 

AMY  [Vaguely  comforted}^ 
And  what  a  fairy  moon  ! 

[Becomes  absorbed  in  skyscape.      Telephone  rings 

without.] 

SIR  JOHN 

Never  mind  the  moon,  Amy — get  on  your  things. 

John'll  take  you  home. 

88 


JOHN 

Aren't  you  coming  ? 

SIR  JOHN 

You  know  I  have  to  be  back  here  at  seven — don't  look 
so  horrified,  Mrs.  Vaughan,  you  shouldn't  have  such 
a  popular  husband.  Now  I've  been  kept  so  late,  I'll 
ask  Judson  for  a  game  of  chess  rather  than  drive  to 
and  fro. 

HANNAH 

Is  it  a  committee  meeting  here  ? 

SIR  JOHN  [Emharrassed]^ 
A  sort  of  committee  meeting. 

HANNAH 

My  husband  never  mentioned  it. 

SIR  JOHN  [Smilingi 
He  didn't  know. 

JOHN  [Smiling  from  his  -perch  on  the  table] 
And  there  are  people  who  call  him  a  prophet  ! 

HANNAH 

But  suppose  he's  not  back. 

SIR  JOHN 

Has  he  gone  out  ?  My  gracious  !  And  our  Lon- 
doners must  catch  the  dining-train  ! 


HANNAH 

He  must  be  back  for  his  own  dinner. 

SIR  JOHN 

That's  what  we  reckoned   on.     Ha  !   Ha  !   Ha  ! 

JOHN 

You  might  let  Mrs.  Vaughan  into  the  secret. 

SIR  JOHN 

Well,  if  she'll  keep  it  from  her  husband 


HANNAH 

Oh,  I  can't  do  that.     Rodney  and  I  have  never  had 
a  secret  from  each  other. 

SIR  JOHN 

Well,  anyhow,  you  mustn't  tell  him  that  we 

\Enter  purvis.] 

PURVIS 

Please,  mum,   Mr.  Hubert  Morrow  has   telephoned 

[amy  turns  sharply  at  the  name\ 
to  say  he  was  sorry  he  was  out  when  Dr.  Vaughan 
called  just  now 

HANNAH  \pa7Le^ 

When  Dr.  Vaughan  called  just  now  ? 

PURVIS 

Ay,  mum,  I  wrote  it  down — like  a  text. 

\Reads  jrom  a  pafer^ 
90 


"  And  he  begs  to  thank  Dr.  Vaughan  for  his  kindness 
in  coming  to  say  good-bye." 

AMY 

Good-bye  ? 

[Sways  at  window.'] 

SIR  JOHN  [Catching  her] 
Steady,  old  girl. 

HANNAH  [Recovering  composure] 
Thank  you,  Purvis. 

[puRVis  goes  again  to  shut  window.] 

AMY 

Don't  shut  out  the  sunset  !  .  .  , 

[Turns  to  hannah] 
I  beg  your  pardon,  I'm  always  forgetting  I'm  not  at 
home. 

HANNAH 

Leave  it,  Purvis. 

[puRVis  goes  out  silently.] 
If  you'd  rather  wait  here,  Sir  John,  I'll  have  the  fire 
lit  in  the  drawing-room. 

SIR  JOHN 

Oh,  I  couldn't  trouble  you 


HANNAH 

No  trouble — it's  laid. 

[Enter  elsie  with  a  newspaper] 
91 


And  here  comes  the  "  Evening  Sentinel." 

l^^akes  it  from  elsie  and  hands  it  to  sir  john.] 

SIR  JOHN 

Thank  you  !     Amy,  put  on  your  things. 

JOHN 

I  don't  think  Amy  is  fit  to  drive  home  yet. 

AMY 

What  nonsense  ! 

JOHN  {Fitfjily'] 

Well,  I  won't  take  the  responsibiHty — all  alone.     I'd 

rather  v^ait  with  you,  father. 

HANNAH 

It  might  be  better  for  Amy — put  a  light  to  the  drawing- 
room  fire,  Elsie. 

[elsie  goes  to  the  door.^ 

JOHN 

Here's  matches ! 

[Produces  a  box  and  hastens  after  elsie.     Exeunt.'\ 

HANNAH  [fo  SIR  john] 

And  you  won't  want  to  keep  your  coachman  an  hour 

on  the  box. 

SIR  JOHN 

No,  of  course  not.     Judson  has  stables — he'll  let  us 

put  up.     I'll  go  and  tell  my  rascal. 
92 


HANNAH 

Please,  leave  it  to  me.     I  want  to  give  him  some  tea — 
he  must  be  quite  faint. 
[Goes  to  door.] 

SIR  JOHN   [Sinking   on   divan   and   unfolding   news- 

-paper] 
Don't    worry    too    much    over    that    scallawag.  .  .  . 
Bless  my  soul !   here's  an  account  of  the  garden-party 
already  ! 

AMY  [In  a  hollow  voice  from  the  zvindozv] 
Written  yesterday  ! 

HANNAH  [Jt  door] 
You  can't  read  by  that  light  ! 
[Turns  up  electric  lights.] 

SIR  JOHN 

You  brighten  up  everything  ! 

[Exit  HANNAH.     SIR  JOHN  redds  aloud] 
"  Under  the  genial  auspices  of  Sol  and  the  Lord  Mayor 
and  his  charming  consort,  all  the  beauty  and  fashion 
of  Midstoke  with  all  that  is  most  distinguished  in  " — 
won't  you  catch  cold  ? 

AMY 

I  hope  so. 

[sir  JOHN  throws  down  paper,  jumps  up  and  draws 

her  within.] 
93 


SIR 'JOHN 

Why,  now  I  see  you  In  the  light,  you  look  like  a  ghost. 

AMY 

I  am  a.  ghost. 

SIR  JOHN 
Then  I'll  lay  it. 

[Puts  her  on  divan] 
There,  dear  !     You'll  soon  get  over  this,  I  tell  you  .  .  . 

\She  turns  her  head  from  him] 
Look  here,  lassie — you  shall  have  your  dream.  I'U 
take  you  to  Italy — if  you  won't  expect  me  to  do  the 
Popish  churches  with  you — I  don't  know  which  is 
worse,  the  Papists  with  too  many  priests  and  cere- 
monies or  the  Quakers  with  none  at  all.  To  Italy, 
do  you  hear  ? 

AMY 

I  don't  want  to  go  to  Italy. 

SIR  JOHN  [Taken  aback] 

Not  to  Italy  ?     Well,  wherever  you  like  ! 

AMY 

Then  I'll  go  to  Australia. 

SIR  JOHN 

I  meant  this  side  of  the  globe. 

AMY 

This  side  is  empty  to  me. 
94 


SIR  JOHN 

It  will  fill  up  again.  Nature  abhors  a  vacuum.  You 
are  so  young. 

AMY 

Young  ?     I'm  a  hundred  ! 

SIR  JOHN 

Older  than  her  dad,  eh  ?     The  little  puss  ! 

AMY 

Don't  talk  baby-talk  to  me  ! 

SIR  JOHN 

Oh  well,  if  you  really  are  a  centenarian,  that's  all 
right.  It's  the  young  man  who'll  cry  ojff.  He's  only 
a  quarter  of  a  century. 

AMY 

Hubert  will  never  cry  off. 

SIR  JOHN 

Then  why  doesn't  he  take  you  to  the  Antipodes  ?  I 
can't  stop  you. 

AMY 

I  wanted  to  go. 

SIR  JOHN 

So  you  just  intimated.     But  he  has  more  sense,  eh  ? 
95 


AMY 

He  wouldn't  drag  me  down  to  poverty. 

SIR  JOHN 

That's  decent  of  him. 

AMY 

Decent  ?  He's  a  Bayard  and  a  genius.  And  if  you 
had  let  me  have  my  money,  he  could  have  stayed  here, 
writing  his  symphonies  without  sordid  cares. 

SIR  JOHN  [Per flexed,  sits  beside  her] 

You  must  trust  me,  my  child.    You  must  trust  my  love. 

AMY 

I  cannot  trust  you.     You  are  cruel — cruel 

[She  sobs"} 

[dr.  vaughan  comes  in  through  the  zoindow-l 

DR.  VAUGHAN  [Drawing  back] 
Oh,  I  beg  your  pardon. 

SIR  JOHN 

No,  no,  we  mustn't  drive  you  out  of  your  own  den. 
So  glad  you're  back.     Come,  Amy  ! 

[He  tries  to  lift  her Jrom  the  divan,  but  she  sobs  on] 
Perhaps  you  can  help  me  to  soothe  this  wild  young 
thing. 

DR.  VAUGHAN 

WTiat  could  /  do  ? 
96 


SIR  JOHN 

We  know  your  influence  over  the  lambs  of  your  flock. 

DR.  VAUGHAN 

Miss  Archmundhara — Amy 


AMY 

I  don't  want  your  soothing  syrup. 

SIR  JOHN 

Don't  be  rude  !  You  think  I'm  cruel.  Do  you  think 
Dr.  Vaughan  is  ? 

AMY 

He  is  a  human  being. 

SIR  JOHN  {With  a  grimace] 

Oh,  indeed  !  Very  well,  then  !  If  Dr.  Vaughan 
assures  you  that  my  objection  is  not  a  mere  abuse  of 
paternal  power,  will  you  give  me  back  your  trust  ? 

AMY 

Dr.  Vaughan  will  say  what  pleases  you. 

SIR  JOHN 

Will  he,  by  George  !  I  only  wish  he  made  a  practice 
of  it.     Come,  Amy  !     Don't  wriggle  out  of  it. 

AMY 

Then  on  his  honour  as  a  human  being 

97  G 


SIR  JOHN 

Dr.  Vaughan  !  You  know  the  reason  that  compels  me 
to  reject  Hubert  Morrow. 

DR.  VAUGHAN 

I  know  what  you  told  me. 

SIR  JOHN 

Quite  so.     And  is  this  reason  weighty  ?     Or  capri- 
cious ? 

DR.  VAUGHAN 

Certainly  not  capricious. 

SIR  JOHN 
There  ! 

AMY 

But  would  you  act  like  that  in  papa's  place  ? 

DR.  VAUGHAN  [Hesitates] 
I_I 

AMY 

On  your  honour  ! 

DR.  VAUGHAN 

No! 

AMY 

Oh,  you  human  being  ! 

[Springs  up  and  hugs  him.] 


SIR  JOHN 

Why,  Doctor,  you  told  me  not  twenty  minutes  ago 
that  you  agreed  with  me. 

DR.  VAUGHAN 

You  misunderstood — you  were  saying  that  without 
Puritanism  England  would  go  down  like  a  rotten  ship. 
That's  what  I  agreed  with. 

AMY 

So  that's  it  !  Hubert  isn't  Puritan  enough  !  Because 
he's  musical !  Because  God  has  given  him  the  gift 
of  melody  !     Because 

SIR  JOHN 

Don't  be  silly,  Amy.     Who  was  more  musical  than 

Milton  ?     Don't  I  take  you  to  Oratorios  ? 

AMY 

But  Hubert  writes  love-music — that's  what's  the 
matter  !  Love-music,  and  you  all  hate  everything 
but  your  gloomy  conventicle  !  I  wonder  you  don't 
pull  that  moon  down  out  of  heaven  and  turn  it  into 
a  church  lamp.  But  you  shall  hear  Hubert's  music — 
I'll  give  it  you  now  ! 

[Runs  out  through  the  door] 

SIR  JOHN 

Gloomy  conventicle,  indeed  ! 

[Follows  her.] 
That  girl  will  die  a  Papist. 
99 


DR.  VAUGHAN 

Don't  stop  her  singing  or  strumming — it'll  work  off 
the  hysteria. 

SIR  JOHN 

Deuce  take  it  all !     I  wish  the  fellow  had  never  come 
back  from  Germany  ! 
[Exit.'] 

DR.  VAUGHAN 

O  God,  when  will  this  coil  of  consequence  end  ? 

[He  picks  up  the  newspaper  and  looks  at  it  dis- 
tractedly.   Enter  hannah.] 

HANNAH 

Sir  John  told  me  you  were  back. 

DR.  VAUGHAN 

Has  Mrs.  Morrow  been  ? 

HANNAH 

Not  yet.     She  can't  afford  taxis  like  you. 

DR.  VAUGHAN  [Flushing'] 
What  do  you  mean  ? 

HANNAH 

You  must  have  taken  a  taxi  straight  to  her. 

DR.  VAUGHAN 

Eh  ?     What  makes  you  think  that  ? 

100 


HANNAH 

You  didn't  go  to  her  ? 

DR.  VAUGHAN 

Why  should  I  go  to  her  ? 

HANNAH  [Horrified'] 

Rodney  !     I  know  you  went  to  her. 

DR.  VAUGHAN 

I  went  to  Hubert — to  say  good-bye. 

HANNAH 

Forgive    me !     Yes,    that's    what    he    said.  .  .  .  He 
'phoned  to  thank  you. 

DR.  VAUGHAN 

Ah! 

HANNAH  [Rememberittg] 

But  I  told  you  he  was  out — why  did  you  go  ? 

DR.  VAUGHAN 

I  hoped  he'd  be  back.     And  you  see  he  was — almost 
immediately. 

HANNAH 

You  didn't  really  rush  there  to  stop  Mrs.  Morrow 
coming  here  ? 

DR.  VAUGHAN  [Slowly] 

I  don't  say  if  I'd  found  Mrs.  Morrow  in  I  shouldn't 

lOI 


have  tried  to  stop  her — indeed,  the  more  I  think  of  it, 
the  more  dreadful  it  seems  to  me  to  let  you  hurt  her 
feelings  as  you  hurt  Sir  John's. 

HANNAH 

I  know  I  lost  my  temper  with  Sir  John.  I  haven't  got 
much  Christian  patience,  have  I,  dear  ? 

DR.  VAUGHAN 

I'm  afraid  not,  darhng.     Nor  pagan  tact,  either. 
[Enter  purvis.] 

PURVIS 

Mrs.  Morrow  for  you,  mum.  Where  shall  I  show 
her  ? 

DR.  VAUGHAN 

In  here. 

HANNAH 

But  I  don't  want  to  turn  you  out — there's  the  dining- 
room. 

DR.  VAUGHAN 

Show  her  in  here,  Purvis. 

PURVIS 

Yes,  sir. 

[Slow  exit.  As  the  door  closes  on  him,  dr.  vaughan 
turns  swiftly  and  masterfully  to  hannah  and  takes 
her  smilingly  by  the  shoulders.^ 

lot 


DR.  VAUGHAN 

It's  you  that  must  be  turned  out,  dear. 

HANNAH 

But  surely  she  and  I — two  women — 

DR.  VAUGHAN 

You  forget  that  as  her  pastor  I  shall  seem  less  intrusive. 

HANNAH 

Perhaps  you  are  right. 

DR.  VAUGHAN  [Forcing    her  smilingly  towards  the 

garden'] 
Of  course  I'm  right — one  folly  a  day  is  all  I  can  allow 
you. 

HANNAH 

Poor  Rodney — I  do  bring  troubles  on  you. 

[Kisses  him  and  is  pushed  through  the  window  as 
PURVIS  ushers  in  mrs.  morrow,  and  closes  the  door. 
MRS.  morrow,  a  lady  still  with  the  traces  of  beauty 
and  prosperity  in  her  sorrowful  face  and  shabby^ 
well-cut  clothes,  enters  with  a  proud  bearing.] 

DR.  VAUGHAN  [With  his  massive  cordiality] 

How  do  you  do,  Mrs.  Morrow  ?     Didn't  see  you  at 

the  garden-party. 

MRS.  MORROW 

No. 
103 


DR.  VAUGHAN 

You'll  find  that  most  comfortable. 
[Indicates  chair.] 

MRS.  MORROW 

Thank  you. 
[Sits.] 

DR.  VAUGHAN  [Fetching  chair  and  sitting  beside 

her] 
And  what's  the  news  of  your  dear  daughter  ?     Still 
in  London  ? 

MRS.  MORROW 

Still  in  London. 

DR.  VAUGHAN 

And  getting  on  well  in  her  post,  I  hope — let  me  see, 
a  hospital,  wasn't  it  ? 

MRS.  MORROW 

No,  not  exactly. 

[Uneasily] 
Isn't  Mrs.  Vaughan  in  ? 

DR.  VAUGHAN 

She  thought  /'d  best  discuss  the  matter  with  you. 

MRS.  MORROW 

But  it  isn't  only  the  mission-work — I  want  to  ask  her 

something. 

104 


DR.  VAUGHAN 

Can't  you  ask  me  ? 

MRS.  MORROW  \}Vith  a  faint  smile'] 
It's  hardly  your  department. 

DR.  VAUGHAN  [With  a  broader  smile] 
Well,  she  intrudes  enough  on  mine. 

MRS.  MORROW 
It's  about  Felicia. 

DR.  VAUGHAN  \_Eis  smile  checked] 
About  your  daughter  ? 

MRS.  MORROW 

Yes — she  is  coming  to-morrow. 

DR.  VAUGHAN  [Startled] 
Really  ?     Any  particular  reason  ? 

MRS.  MORROW 

To  say  good-bye  to  Hubert. 

DR.  VAUGHAN 

Ah  yes.     But  doesn't  he  sail  from  London  ? 

MRS.  MORROW 

No,  from  Plymouth  .  .  .  it's  a  cheaper  line.     Besides, 

/  get  a  glimpse  of  Felicia,  too. 
105 


DR.  VAUGHAN 

That's  true.     Quite  a  while  since  you've  seen  her,  I 

suppose  ? 

MRS.  MORROW 

Well,  you  know  when  she  left  here — ^last  Christmas. 

DR.  VAUGHAN 

Dear  me,  how  time  flies  !  And  she's  feeling  better, 
I  hope.  .  .  .  Let  me  see,  didn't  she  go  to  some  little 
country  place  for  her  headaches  ? 

MRS.  MORROW 

Yes,  Pinfold  something — I  never  can  remember. 

DR.  VAUGHAN 

And  you  didn't  go  and  see  her  there  ? 

MRS.  MORROW  [Curtly] 

I  told  you  I  haven't  seen  her  since  Christmas. 

DR.  VAUGHAN  [Relieved] 
So  you  did  .  .  . 

[More  cheerfully] 
And  so  she's  coming  back. 

MRS.  MORROW 

Only  for  the  night.  She  goes  with  Hubert  as  far  as 
Plymouth — thence  straight  back  to  her  London  work. 
But 

[Embarrassed] 
the  fact  is,   now  I've  had  to  take  boarders,   there's 
io6 


scarcely  room  for  her  to-morrow  night.  So,  coming 
along,  it  occurred  to  me  that  perhaps  you 

DR.  VAUGHAN  [Startled  again] 

MRS.  MORROW 

You  and  Mrs.  Vaughan — you  see  Hubert's  cab  passes 
here  on  the  way  to  the  station — and  with  all  you 
dear  people  it  would  be  homelier  for  her  than  at  an 
hotel 

DR.  VAUGHAN  [Perturbed] 

I'm  afraid  that  is  Mrs.  Vaughan's  department. 
[He  goes  to  the  door  and  opens  it  and  calls] 

Purvis  ! 

[amy's    voice   is   heard  from    above    in    Hubert's 
setting  of  "  I  arise  from  dreams  of  thee  "] 

Purvis  !     Ah,  there  you  are.     Ask  Mrs.  Vaughan  to 

come  in. 

AMY  [Heard  singing  from  the  drawing-room] 
And  a  spirit  in  my  feet 
Hath  led  me — who  knows  how  ? 
To  thy  chamber  window,  sweet  ! 

[dr.  vaughan  stands  listening  as  if  hypnotised,  till 

HANNAH  comes  in  and  closes  the  door.] 

HANNAH 

So  good  of  you  to  come,  Mrs.  Morrow. 

[Shakes  ha?ids.] 
107 


DR.  VAUGHAN 

Mrs.  Morrow  asks  if  her  daughter  may  sleep  here  to- 
morrow night. 

HANNAH  [Startled] 
FeHcia  ? 

MRS.  MORROW 

You  see  we've  let  her  room,  and  I  thought  she'd  be 
less  unhappy  here  than  at 

HANNAH  [Suspiciously] 
Less  unhappy  ? 

MRS.  MORROW 

About  Hubert's  going  to  Australia. 

HANNAH 

Ah  yes — and  it  must  be  a  great  wrench  for  you. 

MRS.  MORROW 

He  was  all  I  had  left — I  mean  at  home.     But  God  does 

all  things  for  the  best. 

HANNAH  [Impulsively] 

But  we  mustn't  always  let  Him,  Mrs.  Morrow. 

MRS.  MORROW  [Shocked] 

What  do  you  say  ? 

io8 


DR.  VAUGHAN  [With  a  forced  smile] 

My   wife   expresses   herself   badly.     She   means,    you 

ought  to  make  an  effort  to  keep  your  boy  at  home. 

HANNAH 

Yes,  indeed  !  I'm  so  glad  you've  mentioned  Felicia 
because — but  perhaps,  Rodney,  you  have  already 
disposed  of  that. 

DR.  VAUGHAN 

No.     Under  the  new  circumstances  I  left  it  for  you. 

MRS.  MORROW  [Rising  uneasily'] 
What  is  it  about  Felicia  ? 

HANNAH 

Her  staying  here  will  be  just  splendid  ! 

MRS.  MORROW 

Oh,  thank  you. 

[She  sits  down  in  relief.] 

DR.  VAUGHAN  [Perturbed] 

But,  Mrs.  Morrow,  have  you  asked  your  daughter  if 

she'd  like  to  stay  here  ? 

MRS.  MORROW 

I  took  it  for  granted.  .  .  .  She 
[Flushing] 

.  .  .  she  doesn't  know  I've  had  to  let  her  room. 
109 


HANNAH 

You  have  been  keeping  the  boarders  from  her  ? 

MRS.  MORROW 

It  would  only  have  added  to  her  ...  I  mean,  she's 
so  proud  .  .  .  And  sometimes  they  .  .  .  they  ring 
for  me  !     Oh,  do  you  think  I've  done  wrong  ? 

DR.  VAUGHAN 

Certainly  not,  Mrs.  Morrow.  Why  make  unnecessary 
pain  ? 

HANNAH 

Well,  it's  got  to  come  out  now.  Even  white  lies  turn 
black  by  keeping.  .  .  .  But,  anyhow,  her  staying  here 
will  be  a  splendid  answer  to  Sir  John  ! 

MRS.  MORROW  [Half-rising] 
Why,  what  has  Sir  John ? 

DR.  VAUGHAN  [Waving  her  down] 

Dear  Mrs.  Morrow,  do  try  to  be  patient.     Nobody 

knows  better  than  I  the  blameless  reputation  of  your 

family. 

HANNAH 

But  there's  a  miserable  scandal  afoot 


MRS.  MORROW  [Jumping  up  indignantly] 

A  scandal  against  Felicia  ? 

no 


HANNAH 

Of  course  we  none  of  us  believe  it. 

MRS.  MORROW 

I  have  no  patience  even  to  hear  it. 

HANNAH 

Then  it  isn't  true  ? 

MRS.  MORROW 
It's  an  abominable  lie. 

HANNAH 

What  did  I  tell  you  ? 
[She  rings. '[ 

DR.  VAUGHAN 

What  are  you  ringing  for  ? 

HANNAH 

Sir  John  shall  hear  this  denial. 

DR.  VAUGHAN 

Why,  you  haven't  even  told  Mrs.  Morrow  what  she's 
to  deny  ! 

MRS.  MORROW 

I   don't   care  what   it  is — there   is   nothing  against 

Felicia  ! 

Ill 


DR.  VAUGHAN 

Nevertheless,  before  you  face  Sir  John,  you  had 
better  be  prepared  for  what  he  may  say.  The  accu- 
sation  

MRS.  MORROW 

Accusation  ? 

DR.  VAUGHAN 

Ridiculous,  perhaps,  but  there  it  is.  Tell  her,  Hannah  ! 
[Retires  to  divan-seat.^ 

HANNAH 

They  say  she  has  had  a  child. 

MRS.  MORROW  [5/^^^m] 

0  my  God  !     And  who  dares ? 

[Enter  purvis.     amy's  -passionate  music  swells  out.] 

HANNAH 

Ask  Sir  John  Archmundham  to  step  down. 

PURVIS 

Ay,  mum. 

[Exit  PURVIS,  shutting  out  the  music] 

MRS.  MORROW 

1  will  not  meet  Sir  John. 

[Goes  towards  garden.]  . 

112 


HANNAH 

But,  my  dear  Mrs.  Morrow,  you  must  ! 

MRS.  MORROW 

Why  must  I  ?     What  have  I  to  do  with  Sir  John  ? 

HANNAH 

Don't  you  love  Hubert  ?     Don't  you  want  him  to 
be  happy  ? 

MRS.  MORROW 

What  has  that  to  do  with  it  ? 

HANNAH 

That  is  why  Sir  John  objects  to  the  match. 

MRS.  MORROW 

What  match  ? 

HANNAH 

You  don't  know  Hubert  is  leaving  England  because 
he's  not  allowed  to  marry  Amy  Archmundham  ? 

MRS.  MORROW  [Dazed] 

No — I  know  nothing — my  children  are  always  so 
reticent.  O  my  poor  Hubert.  So  that's  it  !  My 
poor  martyred  boy  ! 

HANNAH 

But  don't  you  see  he  needn't  be  martyred  ?     You've 

only  got  to  show  Sir  John  the  story  is  false. 

"3  H 


MRS.  MORROW 

I  will  not  meet  Sir  John.     If  my  family  is  not  good 

enough 

[puRvis  o-pens  the  door  for  sir  john  who  comes 
through  and  bows  coldly  to  mrs.  morrow.  She^ 
with  a  stiff  return  bow,  tries  to  pass  him  and  escape.'\ 

HANNAH  [Firmly  closing  the  door] 

Dear  Mrs.  Morrow,  surely  you  wish  to  keep  your  boy — 

to  make  him  happy — — 

SIR  JOHN 

I  see,  Mrs.  Vaughan  you  still  doubt  my  revelation. 

HANNAH 

Not  if  she  is  silent.  Mrs.  Morrow,  don't  torture  me 
like  this  ! 

MRS.  MORROW  [Fiercely] 
What  torture  is  it  of  yours  ? 

HANNAH 

What  torture  ?  To  think  of  Felicia  sunk  to  that  ! 
Look  at  my  husband — don't  you  see  it  is  torturing 
him,  too  ?     Come,  Mrs.  Morrow  .  .  . 

[mrs.  morrow  looks  round  with  the  hopeless  eyes 

of  a  trapped  animal] 
Why  don't  you  speak  ? 

MRS.  MORROW 
O  my  God,  why  am  I  scourged  thus  ? 
[She  breaks  down  in  hysteric  sobs.] 
114 


DR.  VAUGHAN  [Risitig  and  pressing  her  into  chairl 
My  poor  Mrs.  Morrow  !     Calm  yourself. 

SIR  JOHN 

My  poor  Amy  ! 

[He  goes  out  sorrowfully.] 

MRS.  MORROW 

Oh,  you  don't  know  what  it  has  been  !  She  never 
said  a  word.  When — to  hide  from  you  and  me  what 
must  have  happened  here,  she  took  that  post  at  Pinfold 

— thirty  miles  away 

[Breaks  down,  choked  with  emotion.] 

HANNAH 

Pinfold  ? — I  thought  my  husband  said  Craddock. 

MRS.  MORROW  [Struggling  for  composure] 
Craddock — yes,  that's  the  part  I  can  never  remember. 

DR.  VAUGHAN  [With  forced  lightness] 
Just  as  I  can  never  remember  the  Pinfold  part. 

HANNAH 

But  if  it's  Pinfold  Craddock,  you  went  there  this 
Spring  ! 

DR.  VAUGHAN  [After  an  appreciable  pause] 

So  I  did  !     To  take  a  funeral  for  old  Rogers  when  he 

had  the  flue.     A  fearful  cross-country  journey  ! 

"5 


MRS.  MORROW 

Yes,  she  always  said  she  had  no  time  or  money  to  come 
and  see  me — and  then  she  wrote  she  had  a  new  post 
in  London — at  a  private  nursing  home — and  then — 
end  of  June — a  wire — she  was  dying  !  So  at  least 
they  thought. 

HANNAH  [Stonily] 

And  she  wanted  you  to  look  after  the  child  of  sin. 

MRS.  MORROW 

Don't  look  at  me  so  pitilessly.     I  had  to  lie. 

HANNAH 

Nobody  has  to  lie. 

MRS.  MORROW 

I   had   a   husband,   money,   children— now   there   is 
nothing. 

HANNAH 

There  is  always  God. 

DR.  VAUGHAN  [Eagerly] 

But  the  little  boy 

[Correcting  himself] 
the  child — has  it  lived  ?     Is  it  well  ? 

MRS.  MORROW 

It  was  rather  small  and  had  a  bent  finger,  but  other- 
wise  

[She  falls  fainting  on  her  chair.] 
ii6 


DR.  VAUGHAN 

You  are  too  cruel  to  her. 

HANNAH 

I'll  get  my  salts. 

[She  rushes  into   her  room.     In  the  silence  amy's 
renewed  love- song  faintly  penetrates.] 

DR.  VAUGHAN  [Murmuring] 

Love  !     Love  !     The  great  romantic  cheat  ! — O  God  ! 
Must  I  go  on  lying  or  must  I  break  Hannah's  heart  ? 
[Re-enter  hannah.] 

HANNAH 

I  must  have  left  the  bottle  in  here.     She's  not  come  to  ? 

DR.  VAUGHAN 

No.     But  w^hen  she  does,  pray  remember  it  is  for 
such  crises  wq  are  Christians. 

HANNAH  [Finding  the  bottle  on  the  divan] 
Ah,  here  it  is  !     I  know  I  was  harsh,  dear, 
[She  applies  the  salts  to  mrs.  morrow] 
But  you  spoil  me  for  people  of  this  sort. 

DR.  VAUGHAN  [Turning  away  in  bitter  shame] 
We  are  all  God's  creatures. 

HANNAH 

I  know,  dear,  but  it's  not  so  easy  to  copy  your  loving- 
kindness  to  liars  and  sinners. 
117 


MRS.  MORROW  [Opening  her  eyes] 
I  will  not  meet  Sir  John  ! 

HANNAH 

No,  he  is  gone.     Dear  Mrs.  Morrow, 

[Raising  the  -patienfs  head^ 
you  are  all  right  again. 

MRS.  MORROW 
Oh  my  poor  children  ! 

HANNAH  [To  her  husband] 

Sir  John's  carriage  must  take  her  home. 

MRS.  MORROW 

No,  no — nothing  of  Sir  John's  I 

[She  staggers  to  her  feet] 
I  can  walk. 

DR.  VAUGHAN 

That's  nonsense — I'll  get  you  a  cab. 

MRS.  MORROW 

You  know  I  cannot  take  cabs. 

DR.  VAUGHAN  [Recovering  his  bluff  geniality] 
You  can  take  one  from  me  ! 

MRS.  MORROW 
I  can  quite  well  walk. 

[Moves  proudly] 
There  ! 
ii8 


DR.  VAUGHAN 

How  unkind  you  are  to  me  ! 

MRS.  MORROW 

You  shall  give  the  fare  to  the  mission-fund — in  my 
name. 

[Turns  toward  door.     dr.  vaughan  precedes  hereto 

open  it.^ 

HANNAH 

One  moment,  Mrs.  Morrow.  You  may  rely  on  our 
spreading  the  sad  story  no  further.     But 

MRS.  MORROW 

But  you  can't  have  Felicia  sleeping  here — I  know. 
Forgive  me  for  trying  to  protect  her. 

HANNAH 

It's  my  duty  to  forgive  you.  And  perhaps  it's  my 
duty  to  have  her  here — more  than  ever.  I  will  think. 
I  will  let  you  know.  But  that's  not  what  I  was  going 
to  say. 

DR.  VAUGHAN  [In  renewed  torture] 
Need  any  more  be  said  ?     Mrs.  Morrow  is  so  tired. 
[Puts  his  hand  on  the  door-knob.] 

HANNAH 

Still,  before  we  dismiss  the  subject  for  ever,  oughtn't 

we  to  ask  Mrs.  Morrow  the  name  of  the  man  ? 

119 


MRS.  MORROW 

But  I  don't  know  the  name  of  the  man. 

DR.  VAUGHAN 

And  what  good  would  revenge  do  ? 

HANNAH 

Who's  thinking  of  revenge  ?     Reparation. 

DR.  VAUGHAN 

Reparation  ? 

HANNAH 

Marriage  !     Why  should  he  not  marry  her  ? 

MRS.  MORROW  [Clasping  her  hands'] 
Oh,  if  I  could  live  to  see  it  ! 

HANNAH  [Eagerly] 

And  then,  perhaps.  Sir  John  would  relent  ! 

DR.  VAUGHAN 

But — but  the  man  may  be  married. 

HANNAH 

Then  he  can  be  divorced. 

DR.  VAUGHAN 

I  thought  you  were  against  divorce. 
12:} 


HANNAH 

I  never  realized  that  it  might  be  the  smaller  of  two 
evils.     And  the  fifth  of  Matthew  permits  it ! 

DR.  VAUGHAN 

But  there's  his  present  wife  to  consider 


HANNAH 

If  there  is  a  wife,  she  couldn't  possibly  live  with  him 
any  longer.  He  belongs  to  Felicia — and  Felicia's 
child. 

MRS.  MORROW 

You  will  never  get  Felicia  to  give  his  name.     Not  if 

you  cut  her  to  pieces. 

HANNAH 

But  surely  you  have  some  idea  ?    Nor  you,  Rodney  ? 

DR.  VAUGFIAN  [Desperately  defensive] 

Who  was  the  man  she  worked  for  at  Pinfold,  what-is- 

it  ? 

HANNAH 

Pinfold  Craddock. 

MRS.  MORROW 

It  wasn't  a  man — it  was  an  old  lady,  all  but  blind. 

DR.  VAUGHAN 

Ha  !     Blind  !     The  easier  then 

121 


HANNAH  [To  her  husband] 

But  how  do  you  know  it  zvas  an  old  lady —  ? 

DR.  VAUGHAN 
Mrs.  Morrow  says  so. 

HANNAH 

Blind,  yourself,  dear.     Don't  you  see  Mrs.  Morrow 
had  only  Felicia's  letters  to  go  by  ? 

DR.  VAUGHAN 

That's  true.     Talk  of  the  wisdom  of  the  serpent  ! 

HANNAH 

And  when  you  saw  Felicia  in  the  nursing  home,  Mrs. 
Morrow,  wasn't  there  any  clue  to  the  man  ? 

DR.  VAUGHAN 

You  really  mustn't  exhaust  Mrs,  Morrow 

HANNAH 

No  picture  ?     No  keepsake  ? 

MRS.  MORROW 

Nothing  ! 

DR.  VAUGHAN 

There  !     She's  quite  worn  out.     Purvis  must  get   a 
cab. 

HANNAH 

No  letter  came  while  you  were  with  her  ? 

122 


DR.  VAUGHAN 

Really,  Hannah  !     Why  should  you  try  to  ferret  out 
Felicia's  secret  ? 

HANNAH 

For  Felicia's  salvation.     He  must  marry  her. 

MRS.  MORROW 

I  did  take  an  opportunity,  when  she  was  under  a  drug, 
of  opening  her  locket. 

HANNAH  [Tensely] 
Well  ? 

MRS.  MORROW 

There  was  nothing. 

DR.  VAUGHAN  [Relieved] 
Ah! 

MRS.  MORROW 

Only  the  pictures  of  her  mother  and  her  pastor. 

HANNAH 

Of  my  husband  ? 

MRS.  MORROW  [With  a  faint  smile] 
Felicia  was  always  a  hero-worshipper. 
[Tragic  again] 

If  she  had  only  listened  to  your  teachings  instead  ! 
123 


DR.  VAUGHAN 

Yes.     I  hope  the  other  young  ladies  who  carry  me 

about  do  better. 

HANNAH 

But  how  could  she  get  a  miniature  ?  I  thought  / 
was  the  only  person  who  had  one. 

DR.  VAUGHAN 

I  suppose  she  got  my  photograph  reduced.  And,  by 
the  way,  Lovell  the  bookseller  has  been  telling  me  what 
a  run  there's  been  on  it  during  the  Conference.  Like 
an  actor's,  he  said — and  then  he  begged  pardon,  poor 
man.     Ha!   Ha!   Ha! 

HANNAH 

Rodney,  when  you  went  to  Pinfold  Craddock,  did  you 
call  on  Felicia  ? 

DR.  VAUGHAN  [Slozvly] 
Did  I  call  on  Felicia  ? 

HANNAH 

No — I  forgot — you  didn't  even  know  it  was  an  old 
lady  she  was  with.  But  I  should  have  thought  you'd 
have  taken  the  opportunity  of  seeing  how  she  was 
getting  on. 


DR.  VAUGHAN 

Yes,  but — but,  you  see,  I  met  her — by  chance- 
post-office. 

HANNAH 

And  didn't  you  notice  anything  ? 
124 


-at  the 


DR.  VAUGHAN 

I  noticed  she  was  looking  pretty. 

HANNAH 

Is  that  all  ? 

DR.  VAUGHAN 

Didn't  you  say  we  men  can  never  tell  the  difference 
between  anything  and  anything  ? 

HANNAH 

And  you  saw  no  clue  to  the  man  ?  Nobody  was  with 
her  ? 

DR.  VAUGHAN  [With  a  ghastly  smile] 

I  was  with  her — and  a  venerable  gaffer  drawing  his 

old-age  pension. 

MRS.  MORROW 

But  when  exactly  did  you  see  her  ? 

DR.  VAUGHAN  [Smiling] 
I  never  was  good  at  dates. 

HANNAH 

The  day  you  went  to  take  the  funeral  was  Mayday. 
I  remember  it  because  of  the  contrast  of  death  and 
the  Spring. 

DR.  VAUGHAN 

That  thought  struck  me — the  world  In  bridal  white 

and  the  tragedy  lurking 

125 


MRS.  MORROW 

But  by  that  date,  Dr.  Vaughan,  you  could  surely  see — 
Why  anybody  but  the  blind  woman  must  have  seen 

HANNAH  [Paling  with  a  now  irresistible  suspicion] 
My  husband  is  right.  This  is  fatiguing  you  inexcusably. 
Do  let  me  get  you  a  cab. 

MRS.  MORROW 

Thank  you,  no. 

[dr.  vaughan  hurriedly  throws  open  the  door.] 

HANNAH 

Why   not  ?     You   were   ready   to   let    me  entertain 
Felicia. 

MRS.  MORROW 

I  have  entertained  Elsie.     Good-night. 
{Exit.] 

DR.  VAUGHAN 

Good-night. 

[Follows  her  out  in  optimistic  relief] 

Things  will  brighten — never  lose  hold  of  the  goodness 

of  God  ! 

[hannah  looks  round  wildly,  her  hands  tremble. 
Mastering  herself  with  a  great  effort,  she  sits  down 
again  to  the  pass-book.  After  an  instant  of  quiet 
work  she  clutches  suddenly  at  the  salts,  smells  them 
then  resumes  work.     Re-enter  dr.  vaughan.] 

126 


DR.  VAUGHAN 

Well,  dear 

[Touches  her  hair.     She  shudders  and  shakes  off  his 
hand.] 

HANNAH 

Don't — I  want  to  finish  your  pass-book. 

DR.  VAUGHAN  [Smilingly  at  ease  again] 

So  the  old  wench  is  afraid  of  being  scolded,  eh  ?     But 

there  !     I  won't  say  I  told  you  so. 

HANNAH  [Passionately] 

Yes,  yes,  scold  me — I've  had  evil  thoughts — silly, 
shameful  thoughts.  .  .  .  You  were  right — I  should 
have  minded  my  own  business. 

DR.  VAUGHAN 

Never   mind,   dear — go   on   minding  mine.     Have   I 
been  making  great  muddles  ? 
[Befids  over  pass-book.] 

HANNAH  [Smiling] 

Well,  you  forgot  to  fill  in  the  .  .  .  a — a — a — ^li  ! 
[Screams  suddenly.] 

DR.  VAUGHAN 

You  frighten  me  !     What  is  it  ? 

HANNAH 

Those  forty  pounds — those  mysterious  forty  pounds  ! 
127 


DR.  VAUGHAN  [Looking  over   her  shoulder   in  re- 
newed torment] 
That's  filled  in  all  right.     Books  ! 

HANNAH 

But  where  are  the  books  ? 

DR.  VAUGHAN 

Oh,  all  about.  , 

HANNAH 

I  don't  see  any  new  books. 

DR.  VAUGHAN 

I  never  said  new.  It's  the  old  editions  that  cost  the 
money.  You  see,  not  having  got  anybody  to  replace 
Miss  Morrow,  I  thought  I  could  afford 

HANNAH 

But  coming  just  at  that  time  ! 

DR.  VAUGHAN 

What  time  ? 

HANNAH 

Felicia's  time. 

[Points  distractedly  to  the  cheque."] 

DR.  VAUGHAN 

I  don't  understand  you. 

128 


HANNAH 

And  you  went  to  London  that  June  morning — I 
remember  now. 

DR.  VAUGHAN 

To  buy  the  books. 

HANNAH 

And  you  would  go  in  mufti. 

DR.  VAUGHAN 

It  was  too  hot  for  black. 

HANNAH 

And  the  time  I  found  you  all  smelling  of  eau-de- 
cologne  !  You  said  Felicia  had  given  it  you  for  your 
headache. 

DR.  VAUGHAN 

And  what  else  would  she  give  it  me  for  ? 

HANNAH 

And  the  burly,  clean-shaven  man  !  God,  how  it  all 
flies  together  ! 

DR.  VAUGHAN 

[With  a  desperate  effort  at  self-comman<r\ 
I  think,  Hannah,  you  are  losing  your  wits. 

HANNAH 

I  shall  lose  them — O  Father  in  heaven  !  And  Elsie 
129 


wanting  clothes  so  badly.     And  the  mission  fund 
so 

DR.  VAUGHAN 
Hush! 

[He  doses  the  window.^ 

HANNAH 

And  you  never  told  me  you  had  met  her  in  Pinfold 
Craddock ! 

DR.  VAUGHAN 

Why  on  earth  should  I ? 

HANNAH 

And  you  wouldn't  let  me  see  Mrs.  Morrow,  till  you 
had  made  sure  she  didn't  know. 

DR.  VAUGHAN 

Hannah  !  It  comes  on  me  suddenly  what  you  mean. 
You  surely  can't  think  that  I — that  Miss  Morrow 

HANNAH 

No — no — Mrs.  Morrow  has  upset  my  nerves.  .  .  . 
I  had  such  faith  in  Felicia  that  now  I  feel  anybody.  .  .  . 
But  no — not  you  !    That  is  impossible. 

[Struggling  with  herself  she  resumes  her  study  of 

the  -pass-book] 
But  I  do  really  wish  you  would  fill  in  your  counter- 
foils. 
130 


DR.  VAUGHAN 

There  are  always  the  cheques  to  guide  you. 

HANNAH 

Yes — but  it's  a  worry. 

DR.  VAUGHAN 

I'm  sorry.     I  do  worry  you,  dear  heart,  don't  I  ? 

[Puts  his  face  to  hers'\ 
But  I'll  turn  over  a  new  leaf,  I  really  will. 

HANNAH  [S?nili7ig'\ 
Of  the  cheque-book  ? 

DR.  VAUGHAN  [With  a  forced  explosive  laugh'] 
Ha  !  Ha  !     Ha  !     I  must  send  that  to  Punch, 

HANNAH  [Smilimg  on] 

It's  all  very  well  to  laugh.     But  really,  unless  you  re- 
form, I  shall  have  to  take  away  your  cheque-book. 

DR.  VAUGHAN  [Gaily] 

And  my  latch-key,  and  stand  me  in  the  corner  vnih  a 

fool's  cap. 

HANNAH 

Yes,  and  a  sermon  written  on  it. 

DR.  VAUGHAN 

Ha!     Ha!     Ha! 
131 


HANNAH 

Look  at  this  now — ^Thursday  and  no  other  date. 

DR.  VAUGHAN 

But  it's  between  cheques  for  May  2  and  May  7,  so 
it's  easy  to  find  out.     There  you  are — on  the  calendar  ! 

[Points  to  it'\ 
Thursday,  May  4. 

HANNAH 

Then  May  the  first  was  Monday. 

DR.  VAUGHAN  [With  ghastly  facetiousness] 
"  Which  there's  no  deniging  of  it,  Betsy  !  " 

HANNAH 

But  then — they  don't  pay  Old  Age  Pensions  on 
Monday. 

DR.  VAUGHAN 

And  who  said  they  did  ? 

HANNAH 

Tou  said — ^when  you  met  Felicia  in  the  post  office 
at  Pinfold  Craddock  on  Mayday — a  gaffer  was  drawing 
his  Old  Age  Pension.     But  Friday  is  the  day  for  that  ! 

DR.  VAUGHAN 

Well,  it  may  have  been  his  arrears — 

HANNAH 

That's  true. 
132 


DR.  VAUGHAN 

Or  his  savings.  Only  he  looked  so  old  I  thought  of 
the  Pensions.  And  what  a  great  thing  they  are  for 
those  little  villages,  Hannah,  circulating  the  money 
and  bringing  grandparents  back  into  respect. 

HANNAH 

Yes,  I  wish  there  could  be  State  pensions  for  people 

like  poor  Mrs.  Morrow. 

DR.  VAUGHAN  [Stroking  her  hair] 

I'm  glad  you're  feeling  kindlier  to  her,  dear. 

HANNAH 

I  do  try,  darling. 

\She  takes  his  hand  and  rubs  it  against  her  cheek. 

Suddenly  she  utters  a  great  agonised  cry\ 
Ah! 

[She  seizes  the  hand  that  caressed  her,  and  stares 

at  the  ring  that  has  rubbed  her  cheek.] 

DR.  VAUGHAN 

What's  up  now  ? 

HANNAH 

The  strange  ring  !  ! 

DR.  VAUGHAN 

But  it's  your  own  ring — my  engagement  ring  with  the 

device  of  the  Teaching  Priest. 

133 


HANNAH 

Yes,  that  is  the  horror  of  it  ! 

DR.  VAUGHAN  [Paling] 
Hannah  ! 

HANNAH 

The  man  in  the  nursing  home  had  a  strange  ring  ! 

DR.  VAUGHAN 

Your  ring  does  not  exhaust  the  oddities  of  annulation. 

HANNAH 

Don't  give  me  arguments — I  know  each  thing  in  itself 
is  foohsh — but  it's  all  the  rings — they  make  a  chain — 
a  chain  that  is  choking  me.  O  God  help  us,  God 
help  us  ! 

[Driven  to  bay,  he  looks  at  her  for  a  moment  as  she 
twists  her  ha?ids,  then  he  sighs  wearily.] 

DR.  VAUGHAN  [In  a  matter-oj-jact  voice] 
Ah  well,  I  see  I  must  confess. 

HANNAH  [Huskily] 
Confess  ! 

\^he  stares  at  him.] 

DR.  VAUGHAN 

When  I  met  her  at  the  post  ofhce  in  Pinfold  Craddock 
I  did  find  out  what  was  the  matter.  In  fact,  Miss 
Morrow,  overwhelmed  with  emotion  at  the  sight 
of  me,  made  me  her  priest,  throwing  herself  on  my 
134 


pastoral  protection.  What  could  I  do  ?  I  took  up 
the  burden.  I  found  her  the  nursing  home.  I 
spent  the  forty  pounds  on  her. 

HANNAH  [Rising  and  coming  to  him] 
And  the  man — she  told  you  his  name  ? 

DR.  VAUGHAN 

Even  his  name  I  know.     But  I  can't  very  well  tell, 

can  I  ? 

HANNAH 

But  you  can  make  him  marry  her  ! 

DR.  VAUGHAN  [Mystically] 

That  man  is  dead — it  was  he   I   buried  at   Pinfold 

Craddock. 

HANNAH 

Poor  Felicia  !  .  .  .  But  you  only  met  her  at  the  post 
ofhce,  you  said. 

Dr.  VAUGHAN 

She  could  hardly  be  at  his  funeral.  .  .  .  That  was  part 
of  her  burden  .  ..  , 

HANNAH 

Poor  soul.  .  .  .  But  you  told  me  a  lie  about  the  books  ! 

DR.  VAUGHAN 

That  was  part  of  my  burden.  I  couldn't  give  away 
her  secret,  could  I  ?     And  it  was  books  I  bought  in  a 

135 


sense — a  little  cheque-book  for  her,  a  little  pass- 
book  

\_Jlirily  waves  at  his  ozvfi] 
And  with  the  remains  of  the  money  she  was  able  to 
set  up  a  little  typing  office,  and  keep  herself  and  her 
child. 

HANNAH  [Moved] 
My  kind  husband  ! 

DR.  VAUGHAN  [Turning  uneasily  from  her] 
I  wanted  to  be  kind,  believe  me,  Hannah — I  always 
want  to  be  kind.     But  it's  been  an  awful  strain.     As 
you  just  said,  even  white  lies  turn  black  with  time.     I 
shall  never  have  another  secret  from  you,  Hannah  ! 

HANNAH 

My  dear,  my  dear  !  What  were  your  white  lies  to 
my  black  accusations  ?  Oh,  I  could  tear  my  tongue 
out  !  See,  I  am  so  wretchedly  repentant — and  yet  so 
terribly,  terribly  happy  !     Oh  !    Rodney  ! 

[Sinks   to   her   knees,   and   clings   to   him,   sobbing 

hysterically.] 

DR.  VAUGHAN 

No,  by  God  !  I  can't  stand  this.  Get  up,  get  up, 
I  tell  you.     It  is  all  true — all  true. 

HANNAH  [Dazed— checking  sobs] 

True  ?     What  is  true  ? 

136 


DR.  VAUGHAN 

You  must  get  up.  You  must  bear  it.  I  tried  to  spare 
you.  But  you  don't  spare  me.  You  kneel  to  me, 
and  that's  a  worse  hell  for  me  than  even  the  lies  I've 
had  to  tell. 

HANNAH 

You've  lied  to  me  ? 

DR.  VAUGHAN 

Lied  till  I  felt  my  very  tongue  turning  black.  But  I  can't 
sink  too  low.     I  must  keep  some  shred  of  self-respect. 

HANNAH 

Then  it  is  true  ? 

DR.  VAUGHAN 

Yes. 

{Wipes  the  sweat  from  his  forehead] 
I  see  now  what  a  relief  to  the  criminal  to  be  caught  ! 

HANNAH 

It  is  true  ?  You  have  broken  God's  commandment  ! 
.  .  .  You  ! 

DR.  VAUGHAN 

Yes. 

\JBozvs  his  head.'l 

HANNAH 

You  have  lied  and  deceived  and  committed  adultery 

and  ruined  a  girl 

137 


DR.  VAUGHAN 

And  shamed  her  child  and  borne  false  witness,  and  stolen 
the  household  money,  and  had  other  gods  beside  God, 
and  taken  His  name  in  vain — everything,  everything. 
Nigh  the  whole  Decalogue  stands  by  me  desecrated. 

HANNAH 

And  you  can  stand  there  ?  And  you  do  not  sink  into 
the  earth  ? 

DR.  VAUGHAN 

Not  so  loud  !     Nobody  must  hear. 

HANNAH  [Rising  in  amaze] 
I  am  to  shield  you  ? 

DR.  VAUGHAN  [His  head  bowed  lower] 
To  try  and  forgive  my  great  sin  against  you. 

HANNAH 

What  does  it  matter  about  me  ?  I  feel  degraded, 
sickened,  crushed,  but  what  do  /  count,  compared 
with  the  degradation  of  your  sacred  ofhce  ? 

DR.  VAUGHAN 

Never  mind  my  ofhce — I  cry  to  you  as  human  being 
to  human  being. 

HANNAH 

I  can  only  think  of  your  congregation. 
138 


DR.  VAUGHAN 

They  have  only  cause  for  rejoicing  ! 

HANNAH  [Dazed] 

Oh,  my  poor  Rodney  !     All  this  over-work 

DR.  VAUGHAN 

And  shall  they  not  share  the  joy  in  heaven  over  the 
sinner  that  repenteth  ?  I  give  you  the  commonplaces 
of  Christianity  and  you  stare  at  me  as  if  I  were  mad. 

HANNAH 

It  is  my  last  hope. 

DR.  VAUGHAN 

Dismiss  it.  I  am  very  sane.  My  sin  was  madness, 
maybe.  But  now — I  am  perhaps  the  sanest  man  in 
this  city.  Because,  what  is  sanity  ?  To  know  things 
as  they  are.  Man  as  he  is.  God  as  he  is  !  I  know 
now  how  man  can  fall — I  know  now  how  God  can 
chastise  and  redeem. 

HANNAH  [Sinking  tragically  into  a  chair] 
Then  it  is  true  ? 

DR.  VAUGHAN 

Don't  babble  that  again  ! 

[Recovering  his  gentleness] 
Pull  yourself  together,  dearest,  and  let  us  face  facts. 

HANNAH  [Moaning] 

O  God  !    O  God  !  .  .  .  You  !  ! 

139 


DR.  VAUGHAN 

Pull  yourself  together — it's  not  so  terrible  as  it  looks 
now. 

HANNAH 

My  husband  ! 

DR.  VAUGHAN 

And  must  it  always  be  some  other  woman's  ?  Sin 
lieth  at  the  door,  you  read  in  Genesis — shall  it  never 
come  in  ?  Are  the  battles  of  the  soul  to  be  always 
elsewhere — like  our  British  wars  always  on  some  far 
frontier  ? 

HANNAH 

The  husband  I  worshipped — next  to  God  ! 

DR.  VAUGHAN 

And  who  will  always  worship  you  ! 
{Touches  her  affectionately. 1 

HANNAH 

Don't  put  your  hand  on  me — it  is  horrible,  horrible. 
The  sun  gone  out  of  heaven  ! 

DR.  VAUGHAN 

The  sun  never  goes  out  of  heaven,  Hannah.  It  is  we 
who  turn  away  from  the  sun. 

HANNAH  [Hall  to  herself] 

When  I  saw  you  in  the  pulpit,  I  felt  like  Joshua  when 
140 


he  saw  the  angel  with  the  drawn  sword — and  knew  the 
hosts  of  the  Lord  must  win 

DR.  VAUGHAN 

My  sword  is  still  unsheathed  ! 

\_She  sobs  tearlessly] 
Listen  to  me,  dear  wife. 

HANNAH 

I  can't  listen.     I  am  your  wife  no  longer.     I  must 
go  away. 

DR.  VAUGHAN 

You  would  divorce  me  ? 

HANNAH  [Rising] 

I  must  save  your  soul.     The  child  must  have  a  father  ! 

DR.  VAUGHAN 

And  you — and  Elsie  ? 

HANNAH 

We  must  suffer  for  your  sin. 

DR.  VAUGHAN 

And  the  congregation  ?     And  the  community  ?     And 
the  scandal  to  the  Church  ? 

HANNAH 

You  should  have  thought  of  that  before. 
141 


DR.  VAUGHAN 

And  shall  I  not  think  of  it  now  ?  And  the  ribaldry 
of  the  masses  ?  And  the  gloating  of  the  organs  of 
Free-thought  ?  And  the  loss  of  faith  among  my  flock  ? 
And  the 

HANNAH 

Don't !     Don't  ! 

DR.  VAUGHAN 

The  drunkards  and  drabs  who  love  me  and  whom  I 
love,  and  whom  only  my  hand  can  drag  up  from  the 
gutter — where  you  would  now  cast  me  ! 

HANNAH 
Don't,  I  tell  you. 

DR.  VAUGHAN 

And  God's  work  undone — the  work  I  am  thrilling  to 

do! 

HANNAH 

You  do  God's  work  !     It  is  a  sacrilege. 

DR.  VAUGHAN 

An  atonement  !     I  never  so  longed  to  save  sinners. 

HANNAH 

Cease  your  blasphemies.     You  are  unfit  to  mount  the 

pulpit. 

142 


DR.  VAUGHAN 

Unfit  ?     Unfit,  Hannah  ?     I  never  was  so  fitted  to 
preach  God's  word. 

HANNAH 

You  !     Oh,  if  I  could  only  laugh  !     You — a  minister 
of  God  ! 


DR.  VAUGHAN 

Yes — now  at  last  fitted  to  be  His  instrument- 
"  Iron  dug  from  central  gloom, 
And  heated  hot  wath  burning  fears. 
And  dipt  in  baths  of  hissing  tears " 


HANNAH 

Don't  quote  poetry  now.     This  is  real. 

DR.  VAUGHAN 

Then  I  assure  you  in  prose,  that  when  I  look  at  my 
old  sermons,  I  blush  at  the  impudence  and  ignorance 
with  which  I,  an  innocent  at  home,  dared  to  speak  of 
sin  to  my  superiors  in  sinfulness. 

HANNAH 

This  jocosity  is  dreadful.     A  priest  must  be  perfect. 

DR.  VAUGHAN 

Ah,    there's    the    jocosity    that's    dreadful.     Perfect  ! 
Beardless  boys  stuck  up  a  ladder  to  preach  to  life- 
battered  men  and  women  ! 
H3 


HANNAH 

Didn't  you  dismiss  those  young  men  at  the  Training 
College  on  the  mere  breath  of  a  scandal  ? 

DR.  VAUGHAN 

I  did,  God  forgive  me.  I  didn't  know  they  might  be 
qualifying  better  through  sin  than  through  the  whole 
college  curriculum. 

HANNAH  [Putting  her  hands  over  her  ears] 
A — a — a — h  !     Satan  has  you  indeed  ! 

DR.  VAUGHAN 

It  is  because  I've  known  sin  at  first  hand — known  for 
myself  all  the  dazzle  of  temptation  and  all  the  anguish 
of  contrition — that  I  was  able  to  comfort  that  poor 
woman. 

HANNAH 

Drowse  her,  I  warrant,  not  comfort  her,  drug  the 
remains  of  her  conscience.  Evil  you  call  good  and 
good  evil. 

DR.  VAUGHAN 

On  the  contrary.  Now  I  know  the  difference  between 
good  and  evil.  It  was  through  sin  that  Adam  and  Eve 
learnt  it.  Has  that  profound  allegory  no  teaching 
for  us  ?  O  this  fantastic  hypothesis  of  perfection  ! 
A  sea  captain  who  has  never  made  a  voyage — the  per- 
fection of  ignorance — and  you  trust  him  with  the  ship. 
You  take  a  youth — the  fool  of  the  family  for  choice — 
144 


keep  him  in  cotton-wool  under  a  glass  case,  cram  him 
with  Greek  and  Latin,  constrict  his  neck  with  a  white 
choker,  clap  a  shovel  hat  on  his  sconce,  and  lo  !  he  is 
God's  minister  !  But  it  is  written,  "  He  maketh  His 
ministers  flames  of  fire." 

HANNAH 

Then  would  you  build  a  training  college  for  sinners, 
a  graduation  college  in  iniquity  ?     Oh  ! 
[Covers  her  eyes.] 

DR.  VAUGHAN 

Don't  caricature  me.  The  seaman  does  not  seek  the 
storm,  but  he  puts  out  to  sea.  The  fledgling  priest 
must  face  temptation,  ay,  and  fight  it  to  the  bitter 
end. 

HANNAH 

Not  such  a  very  bitter  end — for  you  and  Felicia. 

DR.  VAUGHAN 

If  only  that  had  been  the  end  !  If  there  had  been 
no  after  to  the  glamour  of  our  romance 

HANNAH  [Collapses  on  chair,murmuring] 
Romance  !     O  God  ! 

DR.  VAUGHAN 

Yes,  I  won't  deny  the  uplift,  the  exultation,  the  stirring 
of  dry  bones — that's  the  bedazzlement  and  bedevil- 
I  ment  I've  learnt  to  guard  my  flock  against — but,  oh 
my  dear  !  how  it  was  all  poisoned  by  the  deceit  we 
145  K 


had  to  practise  on  you  !  But  as  we  sow,  we  reap,  and 
out  of  our  suffering  we  must  make  our  education. 

HANNAH 

I  see  Felicia's  suffering — not  yours. 

DR.  VAUGHAN 

And  her  suffering  and  yours  and  Amy's  and  Hubert's 
and  Mrs.  Morrow's — do  I  not  suffer  them  all  over 
again  ? 

HANNAH  \^^neerin^ 
Second-hand  suffering  ! 

DR.  VAUGHAN 

And  the  scourge  of  sleeplessness  ? 

HANNAH 

Fear  of  being  found  out.  WTien  it  comes  to  facing 
exposure  and  losing  your  pride  of  place  and  your  lust 
of  power 

DR.  VAUGHAN 
Hannah  ! 

HANNAH 

Satan  finds  for  you  all  these  sophistries. 

DR.  VAUGHAN  \Passionately\ 

They  are  not  sophistries.     Every  fibre  in  me  longs  to 

do  God's  work.     Does  He  choose  only  perfect  vessels 

to  be  His  instruments  ?     He  took  Moses,  the  murderer 

146 


of  the  Egyptian,  and  used  him  to  establish  His  people ; 
He  took  David,  the  beguiler  of  Bathsheba,  and  used 
him  to  estabhsh  His  Kingdom  ;  He  took  Paul,  the 
stoner  of  Stephen,  and  used  him  to  establish  His 
Church.  And  shall  I,  tainted  though  I  am,  and  worm 
though  I  am,  compared  with  these,  be  utterly  thrown 
away  ?  Wasted — when  so  much  is  crying  out  to 
be  done  !  Think  of  it — the  sin  and  shame  of  the 
world  ! 

HANNAH 

To  which  you  have  added.  Oh,  you  sicken  me  vdth 
your  hypocrisy. 

DR.  VAUGHAN 

I  am  not  thinking  of  private  sins,  but  of  public  sins — 
our  commercial  greeds,  our  organized  injustices,  our 
squalors  and  brutalities — our  ghastly  wars,  all  the 
sores  of  our  civiHzation,  all  that  goads  us  to  our  crusades. 
I  tell  you,  Hannah,  the  sins  we  do  as  a  people  so  out- 
weigh the  sins  we  do  as  individuals,  that  I  could  almost 
cry  :  Each  man  as  he  pleases  !  so  long  as  the  nation 
do  right  ! 

HANNAH 

Let  each  man  do  right  and  the  whole  nation  is 
righteous. 

DR.  VAUGHAN 

Not  so.  One  unrighteous  war  may  wreak  more 
misery  than  a  myriad  private  crimes.  Are  there  so 
H7 


many  champions  of  national  righteousness  that  you 
would  paralyse  this  hand  ? 

HANNAH 

How  can  I  paralyse  it  ?  I  must  do  what  is  right. 
But  you  can  always  explain  you  are  a  skilled  sea  captain 
— A I  at  Lloyds,  is  that  the  phrase  ? 

DR.  VAUGHAN 

You  know  you  would  paralyse  it.  Even  that  sinful 
lady  demanded  sinlessness  of  me.  It  is  one  of  the 
delusions  of  the  modern  world. 

HANNAH 

Then  what  an  opportunity  to  correct  it  ! 

DR.  VAUGHAN 

You  know  it  can  only  be  corrected  by  teachers  not 
compromised. 

HANNAH 

Ah,  sinlessness  is  necessary  in  a  teacher  ! 

[She  sits  at  the  table^  takes  up  her  pen  and  writes.] 

DR.  VAUGHAN 
What  are  you  writing  ? 

HANNAH 

What  St.  Paul  wrote  to  Timothy  :    "  That  the  man 

of  God  may  be  perfect." 

148 


DR.  VAUGHAN 

Don't  mock  me.     What  are  you  writing  ? 

HANNAH 

A  letter  to  a  lawyer,  of  course. 

DR.  VAUGHAN  [Snatching  azaay  her  pen] 
You  shall  not  kill  my  work  ! 

HANNAH 

You  are  killing  your  soul — you  must  atone  to  Felicia. 

DR.  VAUGHAN 

It  is  you  who  would  kill  my  soul  by  stifling  its  activities. 
Felicia  asks  no  atonement.  It  was  all  I  could  do  to 
make  her  take  the  few  pounds  to  see  her  through. 
She's  a  free  proud  spirit.  She  demands  her  equal 
share  of  the  blame,  and  would  die  rather  than  injure 
me.  She  saw  how  the  double  life  was  breaking  me 
up.  And  she  knew  how  I  longed  for  the  call  to 
London — the  real  centre  of  energy.  She  knew  my 
life-work  was  at  stake,  and  it  was  she  that  said  as 
Abram  said  to  Lot,  "  Separate  thyself,  I  pray  thee, 
from  me."  • 

HANNAH 

And  don't  I  say  the  same  ?  And  yet  you  snatch  my 
pen  ! 

DR.  VAUGHAN 

Spare   me  your   mockery,   I   tell  you.     Listen  !     Sir 

John  hinted  just  before  that  the  call  to  London  was 
149 


imminent.     Think  of  the   activities  you  propose   to 
kill.     But  you  shan't.     Take  your  pen. 
[Gives  it  back.~\ 

HANNAH 

WTiat  will  you  do  ? 

DR.  VAUGHAN 

Go  again  through  the  hell  of  falsehood. 

HANNAH 

Lie,  do  you  mean  ? 

DR.  VAUGHAN 

Terribly. 

HANNAH 

With  your  black  tongue  ? 

DR.  VAUGHAN 

With  my  white  purpose.  I  have  these  crusades  to 
lead — shall  the  slave  traffickers  rejoice  over  my  broken 
sword  ?  Is  it  not  enough  that  I  admit  to  you  and  to 
my  own,  soul  that  I  have  done  evil  ? 

HANNAH 

Admit  it  to  the  world  !     All  else  is  hypocrisy. 

DR.  VAUGHAN  [Smiting  the  table'] 

No  !     If  I  teach  my  flock  to  hate  sin,  do  I  not  feel 

and  believe  it  down  to  the  bleeding  depths  of  my 

heart  ?     And  suppose  I  did  tear  open  my  breast  to 

150 


them,  show  them  my  spots  and  sores,  would  they 
understand  ?  No  more  than  you  understand.  The 
Salvation  Army  understands.  They  raise  the  sinner 
from  the  dust.  But  your  respectable  classes — one 
stumble,  and  every  foot,  every  hoof  is  trampling  on  him. 
But  they  sha'n't  !  By  heaven,  they  sha'n't  !  I  will 
lie — as  Mrs.  Morrow  lied  to  protect  Felicia.  I  have 
to  protect  you  and  my  home  and  my  daughter  and 
my  life-work. 

HANNAH 

You  will  fail  as  she  failed. 

DR.  VAUGHAN 

And  you  will  succeed  only  in  stirring  up  a  foul  puddle 
— at  which  every  filthy  beast  will  rush  to  drink.  Why, 
you  can't  even  get  a  divorce,  I  suddenly  remember. 

HANNAH 

Can't  get  a  divorce  ? 

DR.  VAUGHAN 

No,  there's  no  cruelty. 

HANNAH 

This  is  not  cruelty  ?     O  God  ! 

DR.  VAUGHAN 

No,  nor  desertion  either.  And  even  if  you  tried  to 
get  a  judicial  separation,  what  proofs  have  you  that 
a  judge  and  a  jury  wouldn't  laugh  at  ?  Was  I  at  the 
nursing-home  ?  It  was  as  the  priest  who  held  her  secret. 
151 


Felicia  will  clear  me,  Felicia  with  her  divine  constancy 
of  self-sacrifice.     She,  not  you,  is  the  Christian. 

HANNAH 

You  would  go  into  the  witness-box  and  deny  it  ? 

DR.  VAUGHAN 

Unflinchingly. 

HANNAH 

And  add  perjury  to  your  other  sins  ? 

DR.  VAUGHAN 

And  add  perjury  to  the  sins  I  should  understand.  I 
should  leave  the  court  a  plaster  saint,  a  shining 
example  of  priestly  perfection.  All  that  is  best  in 
our  church  would  rally  round  me,  and  you,  my  poor 
Hannah,  would  be  branded  as  a  morbid  woman, 
crazed  with  jealousy. 

HANNAH 

I  saw  you  as  an  angel — and  you  are  a  fiend. 
[Bursts  into  sobs.^ 

DR.  VAUGHAN 

I  am  neither — merely  a  man. 

[Sobbings  HANNAH  goes  into  her  room,  and  the  key 
is  heard  turning  in  the  lock.  dr.  vaughan  wipes 
his  brow  again,  and  throwing  open  the  window 
draws  a  long  breath  of  cool  evening  air.  Then  he 
turns  out  the  lights  and  throws  himself  upon  the 
divan  in  the  moonlit  darkness.^ 

[The  Action  Pauses.] 
152 


Third  Movement 

Presently  elsie  opens  the  door  and  comes  in. 

ELSIE 

Nobody  here  ? 

DR.  VAUGHAN  [Wearily'] 

I'm  here,  Baby.     Don't  turn  up  the  light. 

ELSIE 

Poor  daddy  !     Did  I  disturb  your  nap  ? 

DR.  VAUGHAN 

You  know  I  don't  nap  so  easily.     But  it  rests  me  to  lie 
in  the  moonlight. 

ELSIE 

Dear   romantic    old   daddy  !     And   what   a    delicious 
smell  from  the  garden  ! 

DR.  VAUGHAN 

But  why  aren't  you  in  bed  ? 

ELSIE 

Before  dinner  !  ! 

DR.  VAUGHAN 

What  am  I  thinking  of  ? 

ELSIE 

Ha  !     Ha  !     Ha  !     You  must  have  napped  after  all. 
153 


DR.  VAUGHAN 

And  night-mared  !  The  Archmundhams  are  gone,  I 
suppose  ? 

ELSIE 

Not  yet.     They're  all  in  the  drawing-room. 

DR.  VAUGHAN 

What  are  they  hanging  about  for  ? 

ELSIE 

I  can't  turn  them  out.  And  it  looks  so  odd  you  and 
mother  avoiding  them.  You  might  come  up  and 
pretend  nothing  was  the  matter. 

DR.  VAUGHAN 

Pretend  ?     Oh,  about  Amy's  tantrums. 

ELSIE 

Yes,  come  along.  We  want  livening  up  !  You  shall 
give  us  one  of  your  rattling  songs. 

DR.  VAUGHAN 

Sing  ? 

ELSIE 

Now,  it's  not  a  great  tenor,  so  it  needn't  put  on  airs. 
And  it  hasn't  got  a  cold. 

DR.  VAUGHAN 
I  can't,  Elsie. 
154 


ELSIE 

Not  even  "  The  Death  of  Nelson  ?  " 

DR.  VAUGHAN 
No! 

ELSIE 

Yes,  you  will. — Or  else  I  shall ! 
[Sings] 

'Twas  in  Trafalgar  Bay 

We  saw  the  Frenchman  lay 

Awful  grammar,  I  know.     But  come  along  !    Amy'll 
play  the  accompaniment. 
[Trying  to  raise  hint] 
What  a  sluggish  parent  it  is  !     Let  us  hear  your  rich 
manly  voice  troll  it  out. 
[Sings'] 

England  expects  that  every  man 
This  day  will  do  his  duty, 

This  day  will  do 

[A  burst  of  hysteric  sobbing  comes  from  Hannah's 
room] 
What's  that  ? 

DR.  VAUGHAN 

It  sounded  like  Amy  Archmnndham. 

ELSIE 

But  it  came  from  mother's  room. 

DR.  VAUGHAN 

One  can't  tell  in  the  dark. 

[elsie  moves  towards  room  door] 
155 


No,  don't  go  in.     Mother's  resting. 
[elsie  knocks.'] 

HANNAH  [Within] 
You  can't  come  in. 

ELSIE 

But  it's  me — Elsie. 

HANNAH 

I  can't  see  you  now. 

DR.  VAUGHAN 

I  told  you  so.     Run  upstairs. 

ELSIE 

But  why  does  mother  sound  so  cross  ? 

DR.  VAUGHAN 

She's  upset  over  Miss  Archmundham.  And  Mrs. 
Morrow  has  been  bothering,  too.  Cut  along,  Baby, 
and  try  to  get  rid  of  the  Archmundhams. 

ELSIE 

They'd  go  quicker  if  you  sang. 

DR.  VAUGHAN  [Springing  up  in  mock  anger,  itself 

simulated] 
You    malicious    minx  !     Why    not    try    one    of   your 
poems  ? 
156 


ELSIE 

Now,  father  !     You  promised  me  never  to  mention 
them. 

DR.  VAUGHAN 

Be  off  then — or  I'll  recite  one. 

[Strikes  a  drazai?ig-room  reciter'' s  attitude] 
"  Dawn  over  the  Factories,"  by  George  Rodney  ! 

ELSIE  [In  mock  terror] 
For  heaven's  sake  ! 
[Rushes  out] 
Ha  !     Ha  !     Ha  ! 

DR.  VAUGHAN 

Ha  !     Ha  !     Ha  !     Ha  !     Ha  ! 

[Js  the  door  closes  behind  elsie,  his  laughter  dies 
abruptly.     He  turns  towards  hannah's  door] 

God  !    how  she  suffers  ! 

[He  goes  to  her  door  and  knocks.    There  is  no  answer] 

Hannah  !     I  must  speak  to  you  ! 

HANNAH    [Withi7i] 
I'm  too  busy  packing. 

DR.  VAUGHAN 

For  God's  sake  ! 

[Rattling  the  handle] 
Hannah  ! 

[The  key  is  heard  turning,  the  door  is  slightly  ofened, 

the   light  from    hannah's    room    streams   through. 

Her  white  face  af  pears  in  the  illuminated  patch.] 
^S7 


HANNAH 

What  do  you  want  ?     Why  are  you  in  the  dark  ? 

DR.  VAUGHAN 

Can  I  be  in  the  Hght  ? 

HANNAH 

No,  indeed  !     But  that  is  what  you  must  face.^ 

[She  enters  and  turns  it  on.     It  shows  him  broken 
in  body  and  spirit.^ 

DR.  VAUGHAN 

I  know  I  must — ^if  you  insist  on  a  judicial  separation. 
Of  course  I  couldn't  fight  against  you  or  descend  to 
perjury — forget  my  wild  words.  But  you  surely  won't 
go  away  like  this — without  even  a  night  for  reflection  ! 

HANNAH 

My  duty  needs  no  reflection.     I  must  set  you  free. 

DR.  VAUGHAN 

But  you  can't,  I  tell  you — unless  we  played  a  comedy. 

HANNAH 

Played  a  comedy  ? 

DR.  VAUGHAN 

Unless  I  refused  you  conjugal  rights,  for  example. 

HANNAH  [Outraged] 

What  !  ! 

158 


DR.  VAUGHAN 

You  see,  dear,  even  for  a  righteous  end  you  would  have 
to  go  a  Httle  crookedly. 

HANNAH  [Passionately] 

I  don't  care.     If  that  is  man's    law  I    can't    take    it 

seriously.     You  must  be  free  to  marry  Felicia. 

DR.  VAUGHAN 

And  bury  the  Rev.  Rodney  Vaughan  !     And  will  that 

make  yow  any  happier — I  mean,  my  marrying  Felicia  ? 

HANNAH 

It  will  make  you  less  sinful. 

DR.  VAUGHAN 

You  madden  me  with  your  perfection — forgive  me  ! 
it's  my  own  imperfection  that  maddens  me.  But  what 
I  want  now  is  for  you  to  consider  yourself. 

HANNAH 

I   am   considering   myself.     How   can   I   stay   here  ? 
Every  room  is  profaned.     To  think  that  in  this  very 
sanctum — oh,  I  can't  bear  to  look  at  it  ! 
[Covers  her  eyes.] 

DR.  VAUGHAN 

You  would  turn  up  the  light. 

HANNAH 

I  should  see  it  all  the  more  in  the  dark.     Elsie  and  I 

must  make  a  little  home  for  ourselves. 

159 


DR.  VAUGHN  [Overzv helmed] 
Elsie,  too  ? 


HANNAH 

Do  you  think  Felicia  would  want  her  about  ?  Oh, 
her  sisters  were  lucky  to  die  !  They  shall  not  stay 
here  ! 

[She  seizes  the  photograph  frames.] 

DR.  VAUGHAN 

Let  them  be  !     They  are  inscribed  "  To  Dad  !  " 

HANNAH 

Felicia  won't  want  my  children,  too. 

[She  takes  the  photographs  out  of  the  frames.] 

DR.  VAUGHAN 
Give  me  my  photographs  ! 
[He  takes  hold  of  them.] 

HANNAH 

No! 

[He  tries  to  wrest  them  from  her.  The  door  opens. 
She  relaxes  her  hold.,  leaving  them  in  his  possession. 
Enter  purvis,  with  a  tray  heaped  high  with  letters 
and  papers.  He  brings  it  to  dr.  vaughan,  who 
motions  him  impatiently  to  place  them  on  his  writing- 
table.     Exit  PURVIS.     DR.  VAUGHAN  penitently  hands 

back  the  photographs  to  hannah.] 
160 


DR.  VAUGHAN 

You  are  right  !     I  have  forfeited  even  the  dead. 

[He  drops  miserably  into  his  chair  at  the  writing- 
table^  while  she  places  the  photographs  in  her 
bosom.] 

But  I  love  you,  Hannah,  despite  everything. 

HANNAH 

Don't  begin  your  lies  again.     Please  ! 

DR.  VAUGHAN 

It's  not  lies.     We  men  can  love  in  more  ways  than 

one. 

HANNAH 

Then  you  still  love  her  ! 

DR.  VAUGHAN  \With  a  passionate  sweep  oj  the  hand 

that  scatters  the  pile  oj  letters  all  over  his  table] 
WofiH   you    understand  .?     A    hurricane    whirled    me 
from  my  moorings — no,  you  women  saints  will  never 
understand  that — but  haven't  I  fought  my  way  back 
in  the  teeth  of  the  gale  ? 

HANNAH 

For  your  career's  sake — not  for  mine. 

DR.  VAUGHAN 

For  yours,  too.  Isn't  every  thought  bound  up  with 
our  joint  life  ?  Can  I  sit  at  this  table  without  remem- 
bering that  we  bought  it  together  ?  Can  I  walk  in 
the  garden  and  not  feel  who  planted  the  irises  ?     Can 

l6l  L 


I  look  at  those  frames,  even  thougli  you  have  emptied 
them,  and  not  think  of  the  children  we  have  loved  and 
lost  ?  .  .  .  You  talk  of  divorce  !  Can  I  shake  off  all 
our  years  together  and  begin  a  new  life  with  a  com- 
parative stranger  ? 

HANNAH  [Softened — moving  towards  him] 
You  did  begin  it. 

DR.  VAUGHAN 

And  end  it.  Since  that  day  at  the  nursing  home  we 
have  not  exchanged  a  word,  a  look,  a  line  ! 

HANNAH 

Are  you  sure — are  you  very  sure  ? 
[Approaches  the  writing-table.] 

DR.  VAUGHAN 

I  had  a  circular  announcing  her  little  type-writing 
estabhshment.     That  was  the  absolute  last. 

HANNAH 

You  dare  tell  me  that  when  a  letter  from I 

[Points  to  one  of  the  scattered  letters.] 

DR.  VAUGHAN  [Agitated] 
A  letter  from  Felicia  ! 

HANNAH 

Can't  you  smell  the  reek  of  her  eau- de-cologne  ? 
[dr.  VAUGHAN  extends  his  hand  to  take  it,  then  draws 
back.] 
162 


DR.  VAUGHAN 

Open  it  ! 

HANNAH 
I  ? 

DR.  VAUGHAN 
Yes !     Read  it ! 

[hannah's  hand  goes  slowly  and  doubtfully  towards 
the  letter.     She  picks  it  up.] 

HANNAH  [Handing  it  to  him] 
Ton  take  it  !     I  can't  bear  the  scent. 

DR.  VAUGHAN 

Read  it  ! 

[hannah's  trembling  fingers  fumble  vainly  at  the 

envelope.'] 
You  see — you  tell  me  to  marry  her — and  your  hand 
trembles  with  jealousy. 

HANNAH 

It's  not  jealousy.  It's  the  sense  of  a  quicksand  under 
my  feet  ;  no  solid  foothold  anywhere.  Nothing  I 
can  believe. 

DR.  VAUGHAN 

Don't    deny    all    flesh    and    blood  !     Isn't    the    gulf 

between  us  wide  enouph  ? 

163 


HANNAH 

If  I  am  jealous,  all  the  more  reason  I  should  give  her 
up  to  you.     Take  her  letter  ! 

DR.  VAUGHAN 

No! 

[Puts  his  hands  behind  his  back.] 

HANNAH  [Opening  the  letter fumblingly,  and  reading] 
"  Dear  Pastor — As  we  may  chance  to  meet  to-morrow, 
when  I  must  come  up  to  say  good-bye  to  Hubert,  I 
had  better — warn — "  no,  that's  scratched  out — "  tell 
— better  tell  you  I  shall  be  accompanied  by  my 
husband." 

DR.  VAUGHAN 

What !  ! 

[He   turns  agitatedly,   and   takes   the  letter  from 

her  and  reads  on] 
"  I  have  married  a  rising  young  author,  whose  novel 
I  had  been  typing.     He  is  very  good  to  me  and  fond 
of  little  Davie — 

[Pauses  in  emotion] 
— ^who   ih   gaining   weight    fast.     Always   in   grateful 
goodwill — Felicia  Venables." 

[He  lets  the  letter  flutter  to  the  ground  and  stands 

miserable.] 


HANNAH  [In  mingled  relief  and  horror] 
And  she  marries  him  without  telling  him- 
164 


DR.  VAUGHAN 

She  has  obviously  told  him  everything — except  my 
name. 

HANNAH 

And  men  will  marry  Hke  that  ! 

DR.  VAUGHAN 

We  are  not  so  hard  as  you,  you  see. 

HANNAH 

And  the  child — he  will  pretend  it  is  his  ? 

DR.  VAUGHAN  [Gloomily] 
It  will  pass  as  his — naturally. 

HANNAH 

Horrible  ! 

DR.  VAUGHAN 

Society  has  the  shams  it  deserves. 

HANNAH 

How  deserves  ? 

DR.  VAUGHAN 

If  it  will  recognize  only  two  classes  of  persons — the 
perfect  and  the  imprisoned. 

HANNAH 

It  makes  me  feel  Hke  on  a  rocking  ship. 
165 


DR.  VAUGHAN 

Because  you  have  never  known  the  deeps  of  Hfe — 
you're  only  used  to  the  harbour.  One  must  get  one's 
sea-legs. 

HANNAH 

Tou  seem  rather  white. 

DR.  VAUGHAN  [With  sudden  fierceness] 

And  isn't  it  ghastly  to  think  of  Felicia  tied  to  a  man 

she  doesn't  love  ? 

HANNAH 

How  do  you  know  she  doesn't  love  him  } 

DR.  VAUGHAN 

Don't    say    anything    against    Felicia.     She    couldn't 

change  like  that  ! 

HANNAH 

Poor  mother  !  Then  it's  for  the  child  she  sacrificed 
herself. 

DR.  VAUGHAN 

It's  for  me  she  has  sacrificed  herself !  God  !  see 
where  my  scoundrelism  has  driven  her  !  She  feared 
I  wouldn't  be  strong  enough — that  I  should  be  drawn 
back  to  her — her  and  my  boy.  So  she  puts  an  im- 
passable barrier  between  us.  .  .  .  She's  a  great 
creature,  I  tell  you.  .  .  .  And  perhaps  she  knew  me 
better  than  I  knew  myself.  .  .  .  Anyhow,  here's  an 
end  to  your  revelations  and  reparations. 
1 66 


HANNAH 

How  an  endj? 

DR.  VAUGHAN  [In  amazed  alarm] 

You  don't  want  to  divorce  me  all  the  same  ?    Publicly, 

at  least.     That's  not  your  duty  now. 

HANNAH 

It's  your  duty  I'm  thinking  of.  You  can't  go  into 
your  pulpit  while  your  congregation  remains  ignorant 
that 

DR.  VAUGHAN 

Good  God  !  You  expect  me  to  confess  ?  Now  ? 
And  ruin  Felicia's  position  !  I  tell  you  not  a  hair  of 
her  head 

HANNAH 

You  needn't  mention  her  name  any  more  than  she 
mentioned  yours. 

DR.  VAUGHAN 

You  ask  me  to  shatter  everything  Felicia  sacrificed 
herself  to  save  ! 

HANNAH 

You  can't  go  on  preaching  while  you  yourself  are  a 
whited  sepulchre.     You  must  make  your  peace  with 

God. 
167 


DR.  VAUGHAN 

Peace  !     What  a  beautiful  word  !     Yes — the  strength 

to  fight  seems  snapped.     Peace  ! 

HANNAH  [Eagerly] 
Then  you  will  confess  ? 

DR.  VAUGHAN 

And  do  you  think  I  have  strength  for  claptrap  con- 
fessions ?     I  am  tired,  I  tell  you — suddenly  tired. 

HANNAH 

But  there  is  only  one  road  to  peace  and  rest. 

DR.  VAUGHAN 

Yes — only  one  road. 

[elsie  throws  ofen  the  door  and  runs  in  excitedly, 
Jiourishifig  a  newspaper.] 

ELSIE 

Oh,  father  !     The  Courier  has  such  a  lovely  picture 
of  the  President  of  the ! 

Dr!  VAUGHAN 

I  wish  you  wouldn't  rush  so. 

ELSIE 

But  it's  so  splendiferous  ! 

\He  motions  her  impatiently  to  leave  it\ 
And  you've  dropped  a  letter. 

[Picks  up  Felicia's  letter  and  puts  it  on  his  table] 
What  an  awful  post  !     Lucky  it's  the  last. 
i68 


DR.  VAUGHAN  [Broodingly] 
Yes,  the  last  post. 

ELSIE 

Can't  I  help  you  ? 

DR.  VAUGHAN 

No,  Baby,  you  can't  help  me. 

ELSIE  [Passing  by  the  bureau] 

Why,  who  has  taken  away  Ruth  and  Mary  ? 

DR.  VAUGHAN 

Do  leave  me  in  peace. 

{i.'LSi'E.  files  out] 
And  you,  too,  Hannah. 

HANNAH 

If  it  is  in  peace  with  God  ! 

DR.  VAUGHAN 

God  understands  the  faults  of  His  creature.  He  knows 
that  my  sin  came  out  of  the  very  glory  of  His  world. 
If  I  could  fall  asleep  in  His  arms  ! 

[His  head  sinks  on  his  breast  in  utter  weariness. 

There  is  a  double  rat-tat  at  the  house-door.     He 

does  not  move.'] 

HANNAH  [Vaguely  terrified] 

You    are    drugged.     Sin    has    drugged    you.     Come  ! 

Face  your  sin.     Be  yourself. 

169 


DR.  VAUGHAN 

This  is  myself. 

HANNAH. 

Then  yourself  is  a  man  I  have  never  known. 

DR.  VAUGHAN 

And  whose  acquaintance  I  am  still  making. 

[Enter  purvis  with  a  telegram,     dr.  vaughan  still 
does  not  move.] 

HANNAH  [Controlling  her  voice] 
Is  that  for  me  ? 

PURVIS  [Sternly] 

No,  mum,  for  Vaughan.     Reply  prepaid. 
[Gives  it  to  her  husband.] 

DR.  VAUGHAN  [Reading   it   and   crumpling   it   up 

angrily] 
Those  pestering  papers  ! 

[Throws  it  into    the   waste-paper  basket,     purvis 

lifigers.] 
No  answer  ! 

HANNAH 

But  you  needn't  waste  the  reply  form. 

[She  picks  up  the  crumpled  mass,  and  reads  the  wire 

aloud] 
"Kindly  inform  Herald^ s  readers  how  propose  start 
Crusades."     Thirty-six  words  prepaid. 

[She  sits  at  table  and  takes  a  pen.] 
170 


DR.  VAUGHAN  [To  purvis] 
I  told  you  no  answer. 

PURVIS 

Yes,  sir.     But  can't  I  tell  you  now  about  Macbeth  ? 

DR.  VAUGHAN 

What  is  this  nonsense  about  Macbeth  ? 

[purvis  looks  disconcerted^ 
Fire  away,  then  ! 

PURVIS 

I  did  go  to  th'  play-house  with  Sir  John's  coachman — 
we've  had  a  searching  of  hearts  over  it  just  now — it's 
been  weighing  on  us  both. 

DR.  VAUGHAN  \With  a  faint  smile] 
Macbeth  hath  murdered  sleep,  eh  ? 

PURVIS 

I  wouldna  go  so  far  as  to  say  that. 

DR.  VAUGHAN 

And  is  that  all  that's  on  your  conscience  ? 

PURVIS 

Yes,  sir. 

DR.  VAUGHAN 

And  you  could  now  look  Sir  John  in  the  face  ? 

PURVIS 

Like  a  man. 
171 


DR.  VAUGHAN 

Even  when  carrying  in  my  pyjamas  ? 

PURVIS 

They  werna  very  clean,  sir. 

DR.  VAUGHAN  [Smiling] 
I  see.     So  now  you  are  perfect. 

PURVIS 

Oh  no,  Dr.  Vaughan.     No  man  was  ever  perfect — 
except  Noah. 

DR.  VAUGHAN 

And  he  got  drunk  ! 

PURVIS 

That  was  after  the  flood,  sir.     M'appen  he  got  tired 
of  water. 

DR.  VAUGHAN 
Ha  !     Ha  !     Ha  ! 

HANNAH  [Counting  what  she  has  written'] 
Thirty-five,  thirty-six  !     Here's  the  answer  ! 

[Risings  she  gives  it  to  purvis  who  starts  to  go.     dr. 

VAUGHAN  is  taken  aback  but  recovers  himself.] 

DR.  VAUGHAN 

One  moment  ! 

[He  takes  it  from  purvis  and  scans  it  questioningly] 
Wants  a  word  or  two  altered.     You  needn't  wait. 

[purvis  goes  out.     He  tears  the  telegram  in  two] 


You  expect  me  to  tell  the  paper  that  I  propose  to 
start  the  Crusades  against  iniquity  by  proclaiming  my 
own  sin  from  the  pulpit  ! 

HANNAH 

And  how  else  can  you  preach  your  new  gospel  ? 

DR.  VAUGHAN  [Puzzled] 

My  new  gospel  ? 

HANNAH 

That  repentant  sinners  make  the  best  ministers. 

DR.  VAUGHAN 

Oh  that  ! 

[Throws  pieces  in  wastepaper  basket] 
Isn't  that  all  a  web   of  sophistry — spun   just  as  you 
said — to  cover  up  my  sin  ? 

HANNAH 

Not  if  you  tear  away  the  covering  !  Not  if  you  purge 
yourself  by  public  confession  !  That  may  be  a  re- 
baptising — so  as  by  fire. 

DR.  VAUGHAN  [Kindled] 
Ha! 

HANNAH 

And  then  God  might  deign  to  use  you  again  as  His 
instrument. 

DR.  VAUGHAN  [Exalted  hy  her  fervour] 

Then  you  believe  in  my  idea  ? 

173 


HANNAH 

It  is  for  you  to  prove  it  to  me.      Show  the  world  the 
triumph  of  conscience. 

DR.  VAUGHAN 

And  if  it  proves  our  ruin  ? 
[elsieJ?zVj"  in.^ 

ELSIE 

You're  v^^anted  at  the  'phone,  mother — Oh,  I'm  sorry, 
father,  I  rushed  so — but  it's  most  urgent,  she  says. 

DR.  VAUGHAN 

Who  says  ? 

ELSIE 

Mrs.  Morrow. 

HANNAH  [Surprised] 
Mrs.  Morrow  ? 

[Goes  towards  door.     With  -parting  admonition  to 

her  husband] 
Send  that  telegram  ! 

[Exit.] 

ELSIE 

Shall  /  take  it  ? 

DR.  VAUGHAN 

No,  no,  it's  not  ready. 
J74 


ELSIE 

And  you  haven't  looked  at  your  picture  in  the  Courier  I 
[Picks  it  up  reproachfully.] 

DR.  VAUGHAN 

Not  now,  Baby. 

[He  goes  out  to  the  garden^  elsie  is  following] 
Please  !     I  want  to  be  alone. 

[Exit.] 

ELSIE 

Poor  overworked  Dad  !     But  I  suppose  you  must  pay 

for  your  pictures. 

[She  stands  at  the  open  window^  gloating  over  the 
biography.  With  a  little  knock,  unheeded  by  her, 
JOHN  comes  in,  pausing  at  the  door  ;  then,  seeing 
she  is  rapt,  he  steals  up  behind  her.] 

JOHN 

Another  of  your  poems  ? 

ELSIE  [Startled] 

Oh  !  .  .  .     What  poems  ?     I'm  reading  about  father  ! 

[Shows  the  picture  of  him] 
Why  have  you  come  down  ? 

JOHN 

I   was   bored   without   you.     Shall   we   go   into   the 
garden  ? 

ELSIE 

What  for  ?     We  don't  grow  potatoes. 

175 


JOHN 

Don't  tease.     Do  let  us  go. 

ELSIE 

No. 

JOHN 

Not  with  such  a  heavenly  moon  ? 

\He  stands  at  the  garden-zvindozv.] 

ELSIE 

Heavenly  ?     What  else  can  the  moon  be  ? 

JOHN 

Come  along  ! 

ELSIE  [Shaking  her  head] 
Father  is  there  ! 

JOHN  [Eagerly] 

Oh,  you  want  us  to  be  alone. 

ELSIE 

No,  I  want  father  to  be  alone. 

JOHN 

Always  pulling  me  down  from  heaven. 

ELSIE  [Lookifig  up] 

Ursa  Minor  seems  still  there. 
176 


JOHN  [BitUrly] 

That's  your  idea  of  me — the  Little  Bear  ! 

ELSIE  [Roguishly] 

Well,  you  don't  consider  yourself  the  Great   Bear  ? 

That's  your  father. 

JOHN 

I  should  like  to  give  you  a  great  hug. 

ELSIE  [Retreating  a  little] 

Don't  be  such  a  savage  bear.     Doesn't  all  this  starry 

peacefulness  soothe  you  ? 

JOHN 

No,  it  fires  me — like  your  poem. 

ELSIE 

My  poem  ? 

JOHN 

In  Saturday's  Courier. 

ELSIE  [Blushing,  murmurs^  embarrassed] 
How  do  you  know  ? 

JOHN 

Well,  it's  signed  "  George  Rodney,"  and  in  literature 
George  is  always  a  lady.      And  Rodney  wasn't  very 
difficult  to  place,  was  it,  George  ? 
^77  M- 


ELSIE 

Mr.  Archmundham,  you  mustn't 

JOHN 

Mustn't  call  you  by  somebody  else's  Christian  name  ? 

ELSIE 

We  must  be  going  back  to  your  people. 

JOHN 

Besides,  I  didn't  need  that  clue — I  saw  your  tender 
soul  in  every  line. 

ELSIE 

What  do  y(9M  know  of  tenderness  ? 

JOHN 

Ah,  you  think  me  a  bear  because  I  can't  take  the  old 
people  seriously — this  deity  of  theirs  with  his  big 
beard  and  his  eye  on  everything  !  But  between  your 
poetry  and  my  science  there  is  no  hostility.  Truth 
and  love — that's  all  we  have  for  the  certainties  of  our 
elders.     Can't  we  make  them  enough  ? 

ELSIE  [Smilingly] 
Poetry  and  potatoes  ? 

JOHN 

Isn't  that  all  that  really  matters  ? 

ELSIE 

But  need  we  despise  our  elders  ? 
178 


JOHN 

You  shall  teach  me  toleration.     Only  love  me,  Elsie 
love  me,  as  I  love  you.  .  .  . 

[She  turns  away\ 
Ah,  I  know  you  can't  yet,  but  in  time — perhaps — 

ELSIE 

But  I  do  love  you. 

JOHN 

Elsie  ! 

ELSIE 

Why  else  did  I  detest  you  ?  I  have  loved  you — oh,  a 
dreadful  time,  ever  since  you  took  those  brilliant 
degrees.  But  you  seemed  so  far  away — so  abominably 
clever — so  disgustingly  rich 

JOHN 

And  you  detested  me  for  that  ? 

ELSIE 

No,  not  for  that — you  couldn't  help  that.  But  you 
seemed  so  cruel,  so  cynical — I  had  to  fight  against 
myself. 

JOHN 

But  now  ? 

ELSIE 

Now  I  see  you  are  good — good  ! 

[She  falls  into  his  armsJ] 
179 


JOHN 

Oh,  Elsie,  I  shall  never  be  as  good  as  you. 

ELSIE 

Oh,  John,  it  has  been  terrible — this  strange  cruel 
aching  towards  you — this  feeling  that  it  could  not  be. 
Even  now  I  feel  this  is  only  a  dream. 

JOHN 

So  long  as  we  never  wake  ! 

[Their  lips  meet.     Enter  hannah.] 

HANNAH  [Dazed'] 
Elsie  ! 

ELSIE  [Scarcely  moving] 
Oh,  mother,  I  am  so  happy. 

JOHN 

And  I,  too,  mother. 

HANNAH 

You  have  got  engaged  ? 

JOHN 

Wasn't  it  clever  of  us  ? 

HANNAH  [Half  to  herself] 

My  God  !     Who  could  have  foreseen  this  ? 

[Staggers,  siftks  into  chair.] 
180 


ELSIE  [Catching  her] 
Mother  ! 

HANNAH 

It  is  impossible — impossible. 
[Pushes  ELSIE  azvay.] 

JOHN 

You  refuse  your  consent  ? 

HANNAH 

Elsie   is   no   fit    match    for   you — we   are   only   plain 
people 

JOHN 

Elsie  plain  ?     Ha  !     Ha  !     Ha  ! 

HANNAH 

You  are  so  rich  ! 

JOHN 

I  am,  indeed. 

[Clasps  ELSIE.] 

HANNAH 

One  day  you  will  be  titled. 

JOHN 

Don't  rub  it  in.     It  may  happen  to  you  yet — with  a 
husband  like   yours.  ...     So   now   we   are   through 
with  the  objections. 
i8i 


HANNAH 

No  !     This  marriage  cannot  take  place. 

ELSIE  [Tragically] 

What  do  you  mean,  mother  ? 

HANNAH  [Rising] 

It  is  impossible.     It's  a  saving  of  pain  to  tell  you  so 

at  once. 

JOHN 

But  how  impossible  ?     Here  am  I  and  here  is  Elsie. 

HANNAH 

And  here  was  Amy  and  here  was  Hubert. 

JOHN 

I  see  !     You  mean  to  pay  us  out  for  rejecting  Hubert. 

HANNAH 

As  if  I  would  hurt  Elsie  for  that  ! 

ELSIE  [Passionately] 

And  why  else  would  you  hurt  me  ? 

HANNAH  [To  john] 
Please  go  ! 

JOHN 

Are  you  not  going  to  give  me  a  reason  ? 
182 


HANNAH 

Your  father  will  give  you  a  reason — when  he  knows. 

JOHN 

Oh,  that's    what    you    think,    is    it  ?     Excuse  me  a 
moment,  Elsie. 

\He  runs  out,   hannah   goes  distractedly   towards 

the  garden.] 

ELSIE 

Where  are  you  going  ? 

HANNAH 

To  tell  father — I  suppose  he's  out  here. 

ELSIE 

But  I  want  you  to  listen  to  me  !     You  must  listen  ! 

HANNAH  [Dazed  now  throughout'] 
Yes — yes — ^what  do  you  want  to  say  ? 

ELSIE 

I  love  John.     Do  you  understand  ? 

HANNAH 

Yes,  I  understand. 

ELSIE 

And  if  you  take  John  from  me,  I  shall  not  carry  on  like 
Amy — but  there  will  be  a  great  gulf  fixed  between 
you  and  me.     Do  you  understand  ? 
183 


HANNAH 

Yes,  yes. 

ELSIE 

And  I  shall  just  break  my  heart — do  you  understand  ? 

HANNAH 
I  understand. 

ELSIE 

You  don't  look  as  if  you  did  !     You  are  not  attending 
to  me  at  all. 

HANNAH 

Wait  !     Wait — don't  be  so  impatient  with  me.     Yes, 

it  is  all  coming  to  me.     If  I  take  John  away  from  you, 

you  will  go  away  from  me — on  the  other  side  of  a 

gulf- 

[She  screams] 
No,  no,  Elsie  !     Not  you,  too  ! 

[Throws  her  arms  round  her,  bursting  into  tears.] 

ELSIE 

Yes,  I  too.     I  have  always  stood  up  for  the  old  genera- 
tion.    But  now  I  see  how  they  crush  the  young,  how 

they  sacrifice  us  to  their  incomprehensible 

[sir  JOHN  opens  the  door,  john  behind  him.] 

SIR  JOHN  [Radiant] 
May  /  have  a  look  in  ? 

[h  ANN  AH  tries  to  sup-press  her  sobs] 
No,  don't  mind  me,  Mrs.  Vaughan,  I'm  a   bit  choky 
184 


myself.     But  when  you've  done  with  my  daughter, 
/'d  like  a  hug  at  her. 

JOHN  [Beaming] 

The  Great  Bear  !     What  did  I  tell  you  ? 

HANNAH 

Sir  John,  believe  me,  if  I  had  dreamed  of  this 


SIR  JOHN 

You'd  have  dreamed  true.     Ha  !     Ha  !     Ha  ! 

[Embraces  elsie,  who  becomes  as  radiant  as  he.] 

HANNAH  [Imperiously  interrupting  this  dalliance] 
Sir  John  !     I  must  tell  you.     Ten  minutes  ago  Mrs. 
Morrow  rang  me  up.     She  is  coming  here  to  see  you. 

SIR  JOHN  [Throwing  up  his  hands] 
Not  again  to-night  ! 

HANNAH 

I'm  afraid  I  advised  her  to.  She's  got  important 
news  which  she  begged  me  to  carry  to  you — but  I 
persuaded  her  to  jump  into  a  taxi  for  once  and  tell 
you  herself. 

SIR  JOHN 

Bother  !  Just  when  I  thought  we'd  have  a  bit  of  a 
jollification  ! 

JOHN  [Shocked] 
Jollification  ! 
185 


SIR  JOHN 

Yes,  you  potato  !  The  night  /  got  engaged  there  was 
a  party  and  we  all  sang. 

JOHN 

Hymns  ? 

ELSIE  [Shaking  her  finger  laughingly] 
John  ! 

SIR  JOHN 

Hymns  are  jollier  than  your  drawing-room  ballads. 
Think  what  Amy  has  been  squalling.  And  now  on 
top  of  her  comes  Mrs.  Morrow. 

ELSIE  \_Still  laughing] 
She  isn't  going  to  sing  ? 

SIR  JOHN 

Worse!  .  .  .  John,  would  you  mind  taking  Elsie  away  ? 

JOHN 

At  such  a  moment,  father,  I  can  refuse  you  nothing. 
[Facetious  exit  with  elsie.] 

SIR  JOHN  [burning  sternly  on  hannah) 

I  do  hope  Mrs.  Morrow  hasn't  been  working  on  your 

feminine  weakness.     Facts  are  facts. 

HANNAH 

And  there  is  a  new  one. 
186 


SIR  JOHN 

There  is  indeed — that  I  take  a  daughter  from  your 
hallowed  home.  You  and  I  must  combine  now  to 
guard  our  family  honour. 

HANNAH  [Huskily] 

Yes.  .  .  .     But  suppose  .  .  . 

SIR  JOHN 

And  your  husband  must  help  too.  What's  become  of 
him  ? 

HANNAH 

He  was  here  just  before. 

[Calling  at  garden-windozv\ 
Rodney  !  .  .  .     Rodney  !  .  .  .     He  must  have  walked 
into  the  street. 

[Summons  up  all  her  strength)] 
But  you  mustn't  speak,  Sir  John,  as  if  this  marriage 
was  all  settled. 

SIR  JOHN 

Your  husband  may  feel  slighted,  you  mean  ? 

HANNAH  [Resolutely] 

I  mean — if  my  husband  opens  his  heart  to  you — 

[Her  whole  being  seems  agitated  with   a   mental 

struggle.     She  ends  weakly] 
objections  may  be  revealed. 

SIR  JOHN 

Fudge  !     What  objections  can  be  revealed  ?     He'll  be 

as  delighted  as  I  am. 

187 


HANNAH  [Wavering] 
You  really  are  delighted  ? 

SIR  JOHN 

Can  you  ask  ?     The  offspring  of  such  parents  ! 

HANNAH  [With  a  last  flicker  oj  resistance] 

But  surely  John  ought  to  do  better — Lady  Muriel 

Travers,  for  example. 

SIR  JOHN 

I  don't  deny  Lady  Muriel  would  have  brought  more 
land  !  But  not  more  looks  !  Eh  ?  And  John  has 
got  quite  enough  land  for  his  potatoes.  What  ?  Ha  ! 
Ha  !  Ha  !  I'm  so  glad  the  Dower  House  is  just 
empty  for  them.  And  what  an  opportunity  to  work 
off  my  carriages  on  them  as  wedding-presents  and  get 
motors.  Ha  !  Ha  !  Ha  ! 
[Enter  purvis.] 

PURVIS 

Mrs.  Morrow  for  Sir  John  Archmundham. 

HANNAH 

Show  her  in  here. 

[puRVis  goes  through  door,  hannah  towards  garden^ 

SIR  JOHN 

Don't  go — I  want  your  moral  support.     The  family 

must  stick  together. 

[hannah,  obviously  still  distressed  by  her  conscience, 
turns  back,  purvis  ushers  in  mrs.  morrow  and 
exit.     MRS.  MORROW  stands  in  stately  -pride.] 


HANNAH  [Apologetically] 

Sir  John  asks  me  to  remain.     Won't  you  sit  down  I 

MRS.  MORROW 

Thank  you. 

\Ig?iores  chair] 
Sir  John,  I  did  not  think  I  could  ever  face  you  again, 
but  for  my  boy's  sake — and  your  girl's 

SIR  JOHN 

Please  come  to  the  new  fact. 

MRS.  MORROW 

Felicia  is  married  ! 

[Holds  out  a  letter] 
She's  just  written. 

SIR  JOHN 

Eh  ?     The  scoundrel  has  married  her  ? 

MRS.  MORROW 
So  it  seems. 

SIR  JOHN 

And  who  was  he  ? 

MRS.  MORROW 

He's  a  young  author.     So  you  see 


SIR  JOHN 

I  shall  see  his  works  don't  get  into  the  pubHc  Hbrary. 
189 


HANNAH  [Agitated] 

But  that  would  be   unjust.  ...  I   mean,   the   books 

mightn't  be  evil. 

SIR  JOHN 

I  know  those  books.  I  thought  you  were  here  to  give 
me  your  moral  support.  .  .  .  Well,  Mrs.  Morrow, 
I'm  glad  the  thing's  put  right  so  far,  and  it's  better 
for  their  child.  But  I  don't  see  how  it  removes  my 
objection. 

HANNAH 

But  surely,  Sir  John ! 


SIR  JOHN 

Tainted  stock  is  tainted  stock. 


HANNAH  [Hotly] 
One  flaw  doesn't — 


MRS.  MORROW  [Proudly] 

Please,  Mrs.  Vaughan  !     Good-bye,  Sir  John  ! 

[Sweeps  to  the  door.     Turns] 
If  you  could  see  Hubert's  condition  you  would  under- 
stand how  I  could  humble  myself.     But  you  and  I  will 
not  meet  again  ! 

AMY  [Appearing  suddenly  outside  windozv] 

Oh  yes,  you  will,  mother  ! 

190 


HANNAH 

Miss  Archmundham  ! 

SIR  JOHN 

Amy  ! 

MRS.  MORROW 

Miss  Archmundham  ! 


together. 


AMY  [Entering] 

You  two  are  going  to  be  great  friends. 

SIR  JOHN 

Eavesdropping  ! 

AMY 

And  who  has  the  right  to  decide  my  hfe  behind  my 
back  ?  Was  I  to  let  the  old  Doge  hold  another 
Council  of  Three  ?  Elsie  told  me  Mrs.  Morrow  was 
coming  to  it,  and  as  she  and  John  didn't  seem  anxious 
for  my  society,  I  thought  I'd  make  a  fourth. 

SIR  JOHN 

The  old  Doge  wished  to  spare  your  delicacy. 

AMY 

Then  he  should  never  have  let  me  do  district  visiting. 
Felicia  has  only  followed  the  local  custom.  Don't 
look  so  shocked  !  You  know  our  masses  only  marry 
afterwards.  The  torture  you've  put  me  to,  guessing  at 
Hubert's  iniquities.  And  all  the  while  he's  a  mar- 
tyred saint  !  You  ought  to  be  ashamed  of  yourself. 
191 


SIR  JOHN 

Tou  ought  to  be  ashamed  to  go  by  the  masses.  We 
Archmundhams  have  to  set  a  standard. 

AMY 

Yes,  of  justice.  Even  Mrs.  Vaughan,  who's  Hke  the 
angel  of  judgment,  was  shocked  at  you. 

SIR  JOHN  [Contemptuously] 

Angelof  judgment  !  You  women  are  all  ahke.  Three 
of  you,  and  not  one  standing  up  for  law  and  civiliza- 
tion. 

AMY 

Hurrah  !     Votes  for  women  ! 

SIR  JOHN 

But  John  is  on  my  side. 

AMY  [Scornfully] 

John  !     He  thinks  people  are  like  potatoes. 

SIR  JOHN 

So  they  are  ! 

AMY 

Well,  you  can't  boil  us  in  our  skins.     That's  a  comfort. 

SIR  JOHN 

But  we  can  throw  you  into  the  dust-bin.     I  mean  the 
bad  ones.     Women  with  pasts  should  be  eliminated. 
J  92 


AMY 

Women  have  to  marry  men  with,  pasts. 

HANNAH 
Or  futures. 

SIR  JOHN 

Two  wrongs  don't  make  a  right. 

[amy  goes  to  the  door] 
Where  are  you  off  to  ? 

AMY 

To  telephone  to  the  shipping  company. 

SIR  JOHN 

What  for  ? 

AMY 

To  cancel  Hubert's  passage. 

SIR  JOHN 

Eh  ? 

MRS.  MORROW 

But  the  office  will  be  closed,  dear. 

AMY 

Bother  !     Then  I'll  tell  Hubert  he's  engaged. 

SIR  JOHN 

What ! 

AMY  [Going  to  him] 

The  dear  old  Doge  has  withdrawn  the  embargo. 

193 


SIR  JOHN 

No,  I  haven't 

[She  kisses  him  cajolingly] 
at  least,  not  till  Dr.  Vaughan  does — I  wish  he'd  come 
in. 

AMY 

Why  Dr.  Vaughan  ? 

SIR  JOHN 

John  and  Elsie  told  you  they^ve.  engaged,  didn't  they  ? 
Well,  then  !  It  all  affects  Dr.  Vaughan's  honour  now 
— don't  you  see  ? — and  as  we  never  consulted  him 
about  Elsie,  we  must  leave  somet\i\iig  to  him  ! 

AMY  [Shaking  her  head  at  him] 

Oh   you   men !     You    must   save   your    faces.     Well, 

anyhow 

[Links  her  arm  in  mrs.  morrow's] 
we  can  go  and  help  Hubert  unpack  ! 

MRS.  MORROW 

This  relief  is  too  much  ! 

[She  droops  half-fainting  on  amy's  arm.'] 

SIR  JOHN  [With  a  courtly  bow] 

Mrs.  Morrow  \n\\  do  me  the  honour  of  using  my 

carriage. 

AMY 

I  told  you  you  two  would  be  great  friends  !     Good- 
night, Mrs.  Vaughan.     You've  been  so  kind. 
194 


MRS.  MORROW 

Good-night,  Sir  John,  thank  you  for  your  carriage. 

AMY 

A  rivederci,  Doge  ! 

MRS.  MORROW 

Good-night,  Mrs.  Vaughan. 
[Exit  with  AMY.] 

HANNAH 

Good-night  ! 

[She  stands  like  a  statue,^ 

SIR  JOHN 

You  see  how  they  desert  me — both  my  chicks. 

HANNAH  [Dully'] 

Yes — there's  a  gulf  whatever  one  does. 

SIR  JOHN 

Never  mind — they  get  us  the  grandchicks.     Cheer  up, 
mother — don't  look  as  if  'twas  a  funeral. 
[amy  fops  in  a  laughing  head.] 

AMY 

Doge  ! 

SIR  JOHN 

Yes,   darling. 
195 


AMY 

TouWe    a    pretty    Grand    Signor  !     You    offer    Mrs. 
Morrow  your  carriage  and  it  isn't  there  ! 

SIR  JOHN  [Roaring] 

Why,  what  has  the  rascal ? 


HANNAH 

You  sent  it  to  Judson's. 

SIR  JOHN 
So  I  did. 

AMY 

Ha  !     Ha  !     Ha  ! 

[h  ANN  AH  is  moving  to  the  door.] 

SIR  JOHN 

No,  don't  trouble.  I'll  see  to  it  all.  All  these  young 
people  with  their  love-affairs  send  one's  wits  wool- 
gathering. 

[Exit.  HANNAH  moves  like  a  sleep-walker  to  the 
table.     She  catches  sight  of  Felicia's  letter.] 

HANNAH  [Startled  into  terror] 

Her  letter  ! 

[Tearing  it  into  -pieces] 

How  careless  of  Rodney  ! 

[She  throws  the  pieces  into  the  waste-paper  basket. 
Then  she  takes  out  the  photographs  from  her  bosom., 
and  carefully  replaces  them  in  their  frames.  Enter 
DR.  vaughan  by  the  garden  window.  She  utters  a 
cry  of  relief  .] 

Rodney  !     Where  have  you  been  ? 
196 


DR.  VAUGHAN  [Who  looks  exalted] 

Up  to  the  stars,  I  think.     Your  words  hftcd  me. 

HANNAH  [Dazed] 

My  words  ? 

DR.  VAUGHAN 

Yes.     Not  sleep,  struggle.     Not  hypocrisy,  truth.     I 

shall  fight. 

HANNAH 

Fight  ? 

DR.  VAUGHAN 

Sweep  away  this  modern  cant  of  the  plaster  priest  ! 
All  the  saints  and  prophets  of  the  world  were  sown 
in  sin — as  lilies  are  reared  in  peat.  St.  Augustine, 
St.  Francis,  Tolstoy — there  isn't  a  church  in  the 
world,  to-day,  would  have  given  any  of  'em  a  post  ! 
Well,  let  them  take  away  mine  ! 

HANNAH  [Trembling] 

You  are  going  to  tell  them ? 

DR.  VAUGHAN 

Yes,  dear.  Without  Felicia's  name,  of  course.  And 
if  they  cast  stones  at  me,  I  will  take  those  stones  and 
of  them  I  will  build  a  new  church — the  church  of 
reality.  By  God  !  they  shall  not  paralyse  this  hand  ! 
...  Is  Sir  John  gone  ? 
197 


HANNAH 

Yes — no — getting  his  carriage. 

DR.  VAUGHAN 

Good.     Then  let  him  cast  the  first  stone  ! 
[Goi?ig  towards  the  door.l 

HANNAH 

No,  no — not  now — not  to-night. 

DR.  VAUGHAN 

But  I  must — now,  while  I  hold  the  vision  beautiful ! 
To-morrow  it  may  have  faded. 

HANNAH 

The  sooner  it  fades  the  better  !     Oh,  God  help  us  ! 

DR.  VAUGHAN 

Hannah  !     What  has  come  over  you  ? 

HANNAH 

Elsie — Elsie  is  engaged  to  John  Archmundham  ! 

DR.  VAUGHAN  [Oz;erwhelmed] 

Elsie — my  little  Elsie  !     Why,  she's  a  baby  ! 

HANNAH 

A  woman  with  a  will  of  iron,  but  a  heart  you  can  crush 
like  a  bird's.  And  don't  you  see  that  if  Sir  John 
knows  that  Elsie's  father — oh,  Rodney  ! 

[Covers  her  eyes.] 
Even  John  himself  was  against  Amy's  marriage. 
198 


DR.  VAUGHAN 

Wait  !  Let  me  grasp  this  transformation  !  Do  you 
mean  that  Sir  John  has  consented ? 

HANNAH 

Yes. 

DR.  VAUGHAN 

But  he  wanted  John  to  marry  Lady  Muriel ! 

HANNAH 

He's  dehghted  John  shall  marry  our  Elsie. 

DR.  VAUGHAN  [Slowly] 

Then — I  am  not  to  confess  ?     Not  to  fight  ? 

HANNAH 

It  would  break  Elsie's  heart — as  Amy's  was  nigh 
broken.  .  .  .  Oh,  I  don't  wonder  you  look  at  me  hke 
that.  To  think  that  I  dared  to  preach  to  you,  to 
madden  you  with  my  perfection — I,  a  Pharisee, 
yes,  you  were  right — a  Pharisee  who  had  never  been 
tempted — ^who  at  the  first  temptation  threw  over 
everything. 

[Breaks  down.] 

DR.  VAUGHAN  [Soothingly] 
But  for  Elsie's  sake  not  your  own. 

HANNAH 

Don't  try  to  comfort  me.  It  was  sheer  maternal 
199 


weakness.  It's  not  even  as  if  I  was  thinking  purely  of 
Elsie's  broken  heart.  Satan  kept  whispering,  too,  of 
the  carriages  she  would  drive  in,  the  title  she  would 
one  day  bear.  And  how  she  would  hate  me  if  I  kept 
her  from  everything.  And  all  the  mud  and  filth  if 
you  confessed  and  fought.  And  all  the  horrible 
burden  and  anxiety  of  the  fight,  which  might  end  in 
our  all  starving,  and  which  at  heart  I  didn't  even 
believe  we  had  a  right  to  win. 

[dr.  vaughan  makes  a  gesture  of  protest.~\ 
Oh,  I  know  I  talked  fine  about  your  new  gospel,  but  I 
was  so  harrowed  by  the  state  you  got  into  I  daresay 
I'd  have  subscribed  to  any  absurdity.  And  wasn't 
there  a  voice  underneath  all  along,  crying,  what  does 
anything  matter  but  to  make  him  happy  again,  but  to 
have  his  arms  around  you  again  some  day  ? 

[Covers  her  face  in  shame] 
You  said  you  were  still  making  your  own  acquaintance. 
I've  only  begun  to  make  mine.     Oh,  how  ugly  every- 
thing is  !  I 

[Breaks  down.] 

DR.  VAUGHAN 

And  how  beautiful !  Don't  you  see,  dear,  that  all 
this  brings  us  a  little  nearer  again  ?  That  it  bridges, 
if  only  by  a  span,  the  gulf  between  us  ? 

HANNAH 

Is  there  any  gulf  between  us  ?     I  shall  have  to  stand 
by  and  connive  at  your  career,  as  I  had  to  stand  by 
and  hear   Felicia's  young  husband  slandered  as  her 
seducer. 
200 


DR.  VAUGHAN  [Eagerly-] 
They  know  she's  married  ? 


HANNAH 

Mrs.   Morrow  came   back  with   the   new  fact.     She 
hoped  it  would  soften  Sir  John. 

DR.  VAUGHAN 

And  did  it  ? 


HANNAH 

Hubert  and  Amy  are  practically  engaged. 


DR.  VAUGHAN 

Thank  God  !  That's  one  burden  ofT  my  conscience. 
I  know,  dear,  I've  been  a  great  disillusion  to  you,  but 
in  time — when  you  see  how  I  use  my  pulpit  to  teach 
what  my  sin  has  taught  me,  you  will  not  find  it  so 
degrading  to  .  .  .  connive  at  my  career. 


HANNAH 

Oh,  I  didn't  mean  to  wound  you — but  I  was  so  looking 
forward  to  your  call  to  London.  And  now — I  can 
never  be  proud  of  you  again. 

DR.  VAUGHAN 

But  you  can  learn  to  despise  me  less, 
20 1 


HANNAH 

I  haven't  the  right  to  despise  you — ^weren't  you  ready 
to  do  the  great  thing  ?  It's  myself  I  despise  for 
stopping  you. 

DR.  VAUGHAN 

No,  no.  You  sacrificed  your  ideal  to  Elsie,  I  sacrificed 
mine  to  myself. 

HANNAH  [Wailing] 
Don't  try  to  comfort  me. 

[EnUr  SIR  JOHN.     Half  retreats  apologetically.] 

SIR  JOHN  [Murmuring] 
Oh,  I'm  sorry. 

HANNAH  [Deaf  to  his  entry] 
Don't  try  to  comfort  me. 

SIR  JOHN  [Coming forward] 

But  mother  !     Elsie'll  only  be  two  miles  off  ! 

DR.  VAUGHAN 

Ah,  Sir  John  ! 

[Shakes  his  hand] 
We're  both  really  very  glad  about  Elsie  and  your  boy. 
And  still  gladder  about  Amy  and  Hubert. 

SIR  JOHN 

Oh,  you  sentimentalists  !  Well,  after  all,  of  course, 
it  isn't  as  if  Hubert's  father  had  disgraced  himself, 

202 


eh,   Mrs.  Vaughan  !      A  sister  is  rather  a  side  issue. 
What  ? 

[Vigorous   rat- tatting   and   ringing   at    the   street 

door] 
Ah,  there  theyjjare  ! 

DR.  VAUGHAN 

There  who  are  ? 

SIR  JOHN  [Smiling] 
Prepare  to  receive  cavalry. 

HANNAH 

A  deputation  ? 

DR.  VAUGHAN 

At  this  hour  ?     I  won't  see  them. 

SIR  JOHN 

Oh,  but  my  dear  Doctor 


DR.  VAUGHAN 

I'm  tired  out.     I  haven't  even  seen  Elsie  since  she  got 

engaged,  and  I 

[Enter  purvis.  Js  the  door  opens  a  motley  buzz 
of  conversation  and  laughter  is  heard  from  the 
passage.] 

PURVIS 

The  Elders ! 
203 


DR.  VAUGHAN 

Ask  them  to  come  in  the  morning,  Purvis,  I'm  too 
tired. 

[puRvis  hesitates.] 

HANNAH 

Ask  them  into  the  drawing-room — 77/  see  them. 

[puRVis   closes   the  door  behind   him  :     the  babble 
dwindles.] 

SIR  JOHN 

But,  Mrs.  Vaughan,  it's  a  testimonial.     To  the  Presi- 
dent of  the  Conference  ! 

DR.  VAUGHAN 
I  don't  care. 


SIR  JOHN 
Don't  be  absurd. 


DR.  VAUGHAN 

I  don't  feel  Hke  taking  testimonials. 

SIR  JOHN 

Because  you're  tired  ? 

DR.  VAUGHAN 

Because  I'm  unworthy. 
204 


SIR  JOHN 

Tut  !     Tut  !     That's   what   they   all   say.     But   they 
take  'em  !     Ha  !     Ha  !     Ha  ! 

[Claps  DR.  VAUGHAN  oTt  the  shoulder] 
Come  along. 

[puRvis  re-apfears  at  the  door,  bearing  a  large  and 

handsome  silver  salver.^ 

PURVIS 

Does  th'  tray  go  upstairs,  too  ? 

SIR  JOHN 

Yes — but  bring  it  over  here.     Let  the  Doctor  see  it  ! 

DR.  VAUGHAN  [Waving  it  back] 
I  don't  want  to  see  it. 

SIR  JOHN 

Show  it  to  Mrs.  Vaughan. 

DR.  VAUGPIAN 

Ah,  trying  to  tempt  Eve. 

HANNAH  [Waving  it  back] 

But  if  my  husband  feels  unworthy 


SIR  JOHN  [Getting  exasperated] 

Stuff  and  nonsense  !     Just  hear  the  inscription.     Read 

it,  Purvis. 

PURVIS 

Ay,  that  will  I. 

[Reads  with  unction] 

205 


"  To  the  Rev.  Dr.  Rodney  Vaughan,  who  combines 
the  sainthness  of  the  minister  with  the  abihty  of  the 
statesman,  this  unworthy  memento " 

DR.  VAUGHAN 

Ugh  !     Take  it  away  ! 

PURVIS 

Ay,  ay,  blessed  are  the  meek. 

DR.  VAUGHAN 

And  say  I  don't  feel  able  to  see  them  or  to  take  it. 

HANNAH 

But  that  the  Doctor  will  acknowledge  their  kindness 
from  the  pulpit. 

PURVIS 

I  understand,  mum. 

[Exit,    carrying   salver,    his   lips   still   unctuously 

murmuring] 
"  Who  combines  the  sainthness  of  the  minister  with 
the  ability " 

[Exit.] 

SIR   JOHN    [To  DR.  VAUGHAN] 

You  really  mean  to  insult  them — and  lose  London  ? 

HANNAH 

Lose  London  ?     Has  Dr.  Edgeworth  resigned  ? 
206 


SIR  JOHN 

I  oughtn't  to  have  said  anything.  But  this  presenta- 
tion is  merely  a  prelude  to  our  highest  post — a  thousand 
a  year,  remember.  And  work  after  your  own  heart  for 
the  glory  of  God  !     Come  ! 

[But  DR.  VAUGHAN  ts  looktug  at  the  bureau  with  a 

strange  intentness.'] 

DR.  VAUGHAN 

You've  put  back  the  photographs ! 

HANNAH 

.Yes,  dear. 

{Their  eyes  meetJ] 

SIR  JOHN 

Don't  go  wool-gathering,  man.  Pull  yourself  to- 
gether.    The  Lord  calls  you. 

DR.  VAUGHAN 

The  Lord  !  You  and  Judson  and  a  pair  of  London 
tradesmen.     No,  no. 

[Mystically] 
I  hear  the  call  of  the  Lord — to  sacrifice  to  Him.     I 
shall  give  up  even  this  post. 

SIR  JOHN 

What! 

DR.  VAUGHAN 

I  shall  retire  from  the  ministry. 

207 


HANNAH 

Thank  God  ! 

SIR  JOHN  [Turning  on  her] 
Eh  ?     Is  this  your  idea  ? 

HANNAH 

No,  God  be  praised — it's  his  own.     I  never  thought 
of  it — I  never  dreamed  he'd  give  up  his  work. 

SIR  JOHN 

But  how  will  you  live  ?■ 

DR.  VAUGHAN 

Oh,    don't   be   afraid !     I   sha'n't   sponge   on   Elsie's 
father-in-law. 

SIR  JOHN  [With  dignity'] 

I  never  hoped  you  would,  Rodney. 

DR.  VAUGHAN 

I  beg  your  pardon,  Sir  John. 

SIR  JOHN 

I  beg  yours.     I  only  meant  what  will  you  do  ? 

DR.  VAUGHAN 

I  only  know  what  I  won't  do — make  a  profession  of 

holiness. 

SIR  JOHN 

Why,  what's  come  over  you,  man  ? 
208 


DR.  VAUGHAN 

What  ought  to  come  over  every  man — a  change  of 

heart. 

SIR  JOHN 

A  change  of  air — that's  what  you  want.  The  Con- 
ference has  been  too  much  for  you.  I  quite  under- 
stand, Mrs.  Vaughan,  your  reHef  at  the  idea  of  his 
pulling  up.     But — 

\Noisy  voices  of  the  descending  deputation  without^ 
There  !     I    told   you   they'd   be   angry.     You   won't 
send  them  away  like  this — you'll  sleep  over  it. 

DR.  VAUGHAN  [With  a  wan  smiled 

Not  very  likely. 

SIR  JOHN  [Gently] 

Ah,  I  know,  dear  Rodney,  it's  your  insomnia  that's 

behind  all  this. 

DR.  VAUGHAN 

Then  won't  you  leave  me  in  peace,  dear  friend  ? 

SIR  JOHN 

I'm  sorry. 

[Going.     Turns'] 
But  what  are  we  to  do  with  the  testimonial  ? 

HANNAH  [Smiling  wanly] 

Judson  won't  ask  that. 

209  o 


DR.  VAUGHAN  [Laughingly] 

No,  indeed  !     Melt  it  down  for  our  Crusades. 

SIR  JOHN 

For  our  Crusades  ?     Then  you  will  work  with  us  ? 

DR.  VAUGHAN 

Yes, 

[Clasps  SIR  John's  hand] 
with  the  abihty  of  the  statesman,  if  God  has  given  it 
me. 

[Drops  his  hand] 
But  not  with  the  saintliness  of  the  priest. 

SIR  JOHN 

I  don't  quite  follow. 

DR.  VAUGHAN 

I  am  no  monster  of  sanctity.     I  will  work  as  a  man 

among  men. 

SIR  JOHN 

Fiddlesticks  1  And  where  are  we  to  find  a  saintlier 
successor  ? 

DR.  VAUGHAN 

What  do  you  want  with  successors  ?  Aren't  we  all 
children  of  God  ?  Didn't  you  preach  to  me  this 
afternoon — and  jolly  sound  doctrine  !  And  aren't  we 
all  sinners  ?  Why  dress  one  up  in  black  and  stick  him 
on  a  pedestal  of  perfection  ? 

210 


SIR  JOHN 

You'd  abolish  the  clergy  i 

DR.  VAUGHAN 
As  a  profession. 

SIR  JOHN 

And  who  would  marry  John  and  Elsie  ? 

DR.  VAUGHAN 

They  would  marry  themselves. 

SIR  JOHN 

You've  turned  Quaker  !     This  is  sheer  Quakery  ! 

DR.  VAUGHAN 

And  everything  else  is  sheer  quackery. 

SIR  JOHN 

You   are   overwrought.     I'll   come   in   the   morning, 
.Get  a  good  night's  rest. 

[He  goes  out  into  the  passage  crying  cheerily  .•] 
Ah,  Judson  !     The  fact  is,  gentlemen,  the  strain  of 
the 

[The  door  closes.'] 

HANNAH  [Opening  her  arms] 
Husband  ! 

[He  goes   to   her   embrace.     After  an   instant   she 

raises  her  wet  j ace] 
But  you  needn't  have  talked  so  much  rubbish  !     You 
know  the  clergy  are  a  necessity. 

211 


DR.  VAUGHAN 

Eut  not  a  collection  of  plaster  saints. 

[elsie  appears  radiant  at  the  door — a  bouquet  in  her 

hand.     He  utters  a  glad  cry\ 
Elsie  ! 

\She  runs  to  his  embrace.^ 

ELSIE  [Laughingly"] 
Don't  crush  the  flowers. 

[Holds  them  out  of  danger.] 

DR.  VAUGHAN  [Quizzingly] 
From  John  already  ? 

ELSIE  [Happily] 
Yes,  but  for  mother. 

HANNAH 

Eor  me  ?     How  kind  of  him  ! 

[elsie  crosses  to  give  the  bouquet  to  hannah   who 
takes  it  and  folds  her  in  a  passionate  embrace.] 

ELSIE 

Oh  mother,  isn't  life  wonderful ! 


Curtain. 


PRINTED  AT 

THE  BALLANTYNE  PRESS 

LONDON 


"  Many  years  hence  it  will  be  read  as  we  read  Montaigne  and  Sir  Thomas  Browne." 
HOLBROOK  Jackson  in  The  Bookman. 

ITALIAN    FANTASIES 

BY 

ISRAEL    ZANGWILL 

In  One  Volume,  with  Coloured  Frontispiece.     Demy  %vo,  price  88  6(1  net 

The  Westminster  Gazette  says  : 

"  It  touches  life  at  every  point  ;  it  is  concerned  with  all  the  great  and 
essential  and  profound  things  ;  it  brings  to  bear  on  them  an  intelligence 
inflexible,  incisive,  immensely  rich,  and  entirely  unhesitant.  Yet  it  is  in 
no  sense  a  cold,  merely  intellectual  book,  for  every  page  of  it  is  lit  up  with 
a  peculiarly  controlled  imagination,  lightened  with  a  lambent  humour,  and 
warmed  with  a  personality  ardent  and  tender  and  charitable.  .  .  ,  Beneath 
the  eyes  of  Balaam  lie  spread  out  the  motley  hosts  of  the  world  ;  he  neither 
blesses  nor  bans  :  he  broods  and  balances  and  picks  his  way.  Nevertheless, 
in  these  pages  we  hear  the  ring  of  the  woodman's  axe  in  the  forest  of 
humanity.  Many  a  '  green-robed  senator '  trembles  and  nods,  and  yet, 
when  the  day's  work  is  done,  it  becomes  clear  that  all  through  it  has  been 
against  decay  and  parasite  and  weakness,  against  the  thick  overgrowth  and 
tangle  that  shuts  out  the  noonday  and  haunts  the  mind's  twilight  with 
terrors  and  shadows  and  chimeras  dire,  that  all  Mr.  Zangwill's  craft  and 
strength  have  been  so  fearlessly  and  vigorously  directed.  The  axe  he 
wields  is  reason,  tempered  and  edged  ;  and  the  hope  he  burns  with  is 
the  hope  of  mankind  freed  from  the  shackles  of  its  own  contriving,  freed 
from  bigotry,  and  tyranny  and  stupor  and  timidity,  from  the  religions  that 
lie  strangled  in  the  toils  of  their  creeds,  from  a  science  that  weighs  the 
universe  in  the  scales  of  an  ology,  from  an  art  that  panders  or  flatters  or  is 
a  thing  merely  of  cults  and  dilettantishness.  .  .  .  How  to  give  some  hint 
of  the  qualities  and  the  allies  of  its  reason  ;  how  to  reflect  the  ardour  and 
flickering  of  its  hope.  For  everything  that  angers  or  persuades,  rouses  and 
frets  the  mind,  has  gone  to  the  book's  writing — indignation  sometimes 
grave  and  lofty,  sometimes  close  and  corrosive,  irony  and  satire,  wit  and 
fancy.  How  many  men  are  the  slaves  of  what  they  know  !  ....  Here  an 
extraordinarily  wide  and  systematised  knowledge  of  books  and  art  and 
history,  and,  above  all,  of  life,  slaves  like  the  Jinnee  of  the  ring  or  the  lamp, 
it  springs  up  and  vanishes  instantly  at  its  master's  bidding." 

WILLIAM  HEINEMANN,  21  BEDFORD  ST.,  LONDON,  W.C. 

p 


BLIND    CHILDREN 

(Poems) 
BY 

ISRAEL     ZANGWILL 

In  One  Volume.     Square  %vo,  price  5S  net 

The  Spectator  says  : 

"There  is  so  much  poetry  in  Mr.  Zangwill's  prose,  that  we  might 
readily  put  up  with  some  admixture  of  prose  in  his  poetry.  Yet  though 
he  may  not  always  move  in  the  fetters  of  metre  and  rhyme  with  the 
assured  ease  of  a  master,  and  though  at  times  a  harsh  note  or  a  jarring 
phrase  impairs  the  pleasure  of  the  reader,  there  is  such  force,  passion,  and 
poignancy  in  the  expression  of  his  varying  moods  that  one  cannot  choose 
but  hear.  At  his  best,  and  that  is  in  his  simplicity  and  irony,  he  reminds 
one  irresistibly  of  the  greatest  modern  singer  of  his  race — Heine." 
The  Daily  News  says  : 

"This  is  the  work  of  a  sincere  spirit,  a  true  poet,  and  a  great  Jew. 
Mr.  Zangwill  loves  his  race,  and  in  him  that  race   has   found  its  greatest 
utterance  in  English  speech." 
The  Academy  says  : 

"  Our  own  feeling  is  that  Mr.  Zangwill,  by  perfectly   natural  means, 
reproduces  much  of  Heine's  spirit." 
The  Evening  Standard  and  St.  James's  Gazette  says  : 

"It  is  impossible  to  read  these  pages  without   feeling  strong  thought 
and  due  mental  grasp   in  every  line  of  them.      There  is  nothing  sham  or 
vapid.     And  in  many  cases  the  execution  is  also  delightful,  and  the  verses 
have  the  breath  and  magical  completeness  of  a  true  poem.'' 
The  Bookman  says  : 

"  Mr.  Zangwill  is  not  all  poet,  but  an  exceptionally  full-minded 
writer  of  prose  and  verse,  and  taking  the  two  together  his  contributions  to 
the  literature  of  this  generation  have  been  considerable.  The  insensibility 
of  the  ordinary  man  is  not  his,  nor  the  pathetic  morbidity  of  poets 
whose  senses  have  played  them  false,  so  his  place  is  with  none  of  these, 
but  with  the  constituents  of  that  aristocracy  to  which  the  greatest  of  writers 
belong." 

WILLIAM  HEINEMANN.  21  BEDFORD  ST.,  LONDON,  W.C. 


NOVELS   BY    ISRAEL 
ZANGWILL 

Uniformly  bound.     Trice  6S  each 
CHILDREN  OF  THE  GHETTO 

"  From  whatever  point  of  view  we  regard  it,  it  is  a  remarkable  book." — The 
Times. 

DREAMERS  OF  THE  GHETTO 

"A  brave,  eloquent,  absorbing,  and,  on  the  whole,  persuasive  book." — W.  E. 
Henley  in  The  Outlook. 

GHETTO  TRAGEDIES 

"This  remarkable  and  engrossing  volume." — The  Spectator. 

GHETTO  COMEDIES 

"His  powerful  pen  blends  humour,  pathos,  irony  and   pity  in  these  clever 
stories." — The  Manchester  Courier. 

THE  CELIBATES'  CLUB 

"  It  is  impossible  to  read  this  book  without  being   delighted  with  it." — The 

Natioti. 

THE  GREY  WIG,  STORIES  AND  NOVELETTES 

Including   "  Merely  Mary  Ann,"  "  The  Big  Bow  Mystery,"  and  other  celebrated 
stories. 

THE  KING  OF  SCHNORRERS 

"  It  is  a  beautiful  story  and  is  that  great  rarity,  an  entirely  new  thing,  that  is 
as  good  as  it  is  new.'' — The  Daily  Chronicle. 

THE  MANTLE  OF  ELIJAH 

"On  every  page  some  witty  and  memorable  phrase,  or  trenchant  thought, 
or  vivid  picture." — The  Outlook. 

THE  MASTER 

"A  veritable  human  document,  in  which  the  characters  do  exactly  as  they 
would  in  life." — The  Queen. 

WITHOUT  PREJUDICE     [Essays] 

"  Mr.  Zangwill   combines   the  biting  wit  of  Shaw  with  the  ripe  wisdom  of 
George  Meredith." — Berliner  Tageblatt. 

WITH  LOUIS  COWEN 

THE  PREMIER  AND  THE  PAINTER 

"Cleverly  original,    and  often  lightened  with  bright  flashes  of  wit." — The 
Morning  Post. 

WILLIAM  HEINEMANN,  21  BEDFORD  ST.,  LONDON.  W.C. 


THE  MELTING   POT 

A  Play  in  Four  Acts 
BY 

ISRAEL   ZANGWILL 

SECOND  EDITION 

Fortnightly  Review. — "  A  wonderful  play." 

Dailv  Telegraph. — "The  vignettes  of  a  Jewish  household  in  New  York  are 
delightful  pieces  of  genre  painting,  rich  in  observation  and  knowledge  of  human 
nature,  abounding  in  happy  strokes  of  humour,  and  mellow  with  sympathy." 

T.P.'s  Weekly. — "  No  one  could  be  other  than  deeply  moved  by  the  splendid 
vision  behind  the  play.  '  The  Melting  Pot '  is  one  of  those  rare  plays  which  spring 
not  from  idle  desire,  love  of  gain  or  fame,  but  from  the  deeper  deeps  of  human 
consciousness.  It  is  a  prophetic  play  in  the  spirit  of  prophecy.  This  wonderful 
play  stands  in  bold  and  splendid  relief  on  our  stage,  and  gives  to  Mr.  Zangwill  the 
same  great  place  on  the  stage  which  he  has  held  for  so  many  years  in  the  world  of 
the  novelist." 

Pall  Mall  Gazette.  — "  Alt  the  characters  are  built  up  with  countless  touches  of 
tenderness,  humour  and  truth." 

Truth. — "  He  is  amongst  our  great,  speaking  with  the  voice  of  sincerity, 
informed  by  experience  and  inspired  by  understanding.  '  The  Melting  Pot '  has 
impressed  me  until  eternity." 

Daily  Graphic.  —  "Mr.  Israel  Zangwill  is  far  too  great  an  artist  to  be  a 
propagandist,  and  his  sense  of  humour  is  keen.  .  .  .  The  contrast  of  race  and 
temperament  has  been  drawn  with  infinite  subtlety." 

Evening  Standard. — "Big  thoughts  and  strong  utterances.  .  .  .  Jew  and 
Gentile  are  given  an  equally  just  hearing." 

Westminster  Gazette. — "  Great  material.  .  .  .  Mr.  Zangwill  is  a  man  of  genius. 
He  has  put  his  heart  and  its  longings  into  this  play  and  made  it  a  song  of  the 
suffering  and  the  hope  of  his  race." 

G.  K.  Chesterton  (Illustrated  London  News)  —"Mr.  Zangwill  is  a  great  artist." 

Sir  Harry  Johnston  {The  Daily  Chronicle).— On&  of  the  few  really  fine  things 
that  I  had  ever  seen  on  the  stage,  and — one  of  the  most  educational.  .  .  .  Precious, 
indeed,  is  Mr.  Zangwill's  sense  of  humour,  as  precious  as  that  of  Dickens,  and  no 
one  of  his  plays  has  been  more  deliciously  infused  with  the  realisation  of  the 
humorous  aspect  of  all  human  emotions  and  doings  than  '  The  Melting  Pot '." 

H.  W.  Nevinson  (  The  Nation). — "  Here  is  a  new  and  vast  idea  presented  with 
all  the  power  of  art,  irony,  tragedy,  and  dramatic  situation.  .  ,  .  To  me  the  play 
is  one  of  the  greatest  dramatic  productions  of  our  age  ...  a  grand  theme,  treated 
with  almost  prophetic  seriousness,  and  illustrated  by  all  the  clash  and  movement 
of  human  passion  such  as  the  noblest  drama  has  always  demanded." 

HoLBROOK  Jackson  (The  Bookman). — "Not  since  Walt  Whitman  wrote 
'  Leaves  of  Grass  '  have  we  had  so  inspiring  a  picture  of  America." 

AthencBum. — "  Mr.  Zangwill  is  called  an  idealist,  but  the  word  '  prophet  '  more 
fittingly  describes  the  aspect  in  which  he  appears  as  the  author  of  '  The  Melting 
Pot'." 

Illustrated  Sporting  and  Dramatic  News.  — ' '  A  great  subject  most  greatly  treated. 
Not  merely  enthralling  as  a  play  but  will  take  its  place  in  literature." 

WILLIAM  HEINEMANN,  21  BBDFORD  ST.,  LONDON.  W.C. 


THE  NEXT  RELIGION 

A   Play  in  Three  Acts 
BY 

ISRAEL   ZANGWILL 

Small  Demy  8vo,  2S  6d  net 
SECOND  EDITION 

Methodist  Times  :  "  There  is  a  mighty  sermon  in  it.  The  close  of  the 
last  act  is  tremendous,  and  I  feel  that  the  Lord  Chamberlain  has  done  a 
wrong  to  religion  by  forbidding  this  play." 

George  Bernard  Shaw  (T^f  Nation):  "Mr.  Zangwill,  regarding 
literature  as  before  all  things  a  spiritual  force,  writes  a  powerful  and 
interesting  play." 

William  Archer  {Morning  Leader):  "And  now,  to  complete  the 
evidence  that  the  intellect  of  the  country  is  setting  towards  the  theatre, 
we  have  Mr.  Zangwill's  great  play,  '  The  Next  Religion.'  It  is  a 
splendidly  vivid  epitome,  one  may  almost  say,'of  the  spiritual  struggles 
of  the  age.  It  is  noble  as  thought,  it  is  powerful  as  drama — and  of 
course  it  is  mown  down  by  the  Censorship." 

W.  L.  Courtney  {Daily  Telegraph):  "Mr.  Zangwill  has  followed 
his  very  remarkable  play,  '  The  War  God,'  by  a  drama  very  nearly  as 
remarkable.  It  is  of  extreme  significance,  as  showing  how  the  modern 
dramatist  claims  the  whole  sphere  of  human  ambition  and  faith  as  the 
material  for  his  fearless  art." 

Sir  Harry  Johnston  {Daily  Chronicle)  :  "One  of  the  most  remark- 
able dramas  which  have  ever  been  put  on  the  stage.  The  play  was 
followed  with  a  rapt  attention,  flattering  alike  to  actors  and  author.  I 
accorded  the  play  a  most  careful  and  unwavering  hearing,  a  feat  ren- 
dered possible,  not  to  say  easy,  by  its  unflagging  interest  and  its  vivid 
and  natural  dialogue.  There  is  absolutely  nothing  said  or  done  by  the 
players  in  this  remarkable  piecewhich  merits  the  playbeingpronounced 
by  the  Censor  as  unsuited  for  representation.  I  sincerely  hope  that 
some  adjustment  may  take  place  which,  without  in  any  way  marring  the 
full  force  of  The  Next  Religion,'  may  permit  of  its  being  acted  every- 
where, inside  and  outside  the  Censor's  sphere  of  influence." 

H.  W.  Massingham  {The  Nation)  :  "  In  the  line  of  drama  Mr. 
Zangwill  is  trying  to  do  what  Matthew  Arnold,  or  Dr.  Martineau,  or 

WILLIAM  HEINEMANN,  21  BEDFORD  ST.,  LONDON,  W.C. 


THE   NEXT   RELIGION 

OPINIONS— coji  tin  iied 
Tolstoy,  or  Professor  Harnack  have  tried  to  do  in  the  line  of  literature. 
The  Censorship  grows  daily  a  more  palpably  wicked  institution." 

W.  T.  Stead  {Review  of  Reviezvs)  :  "'A  daring  attempt  to  represent 
in  dramatic  form  the  confused  conflict  that  is  going  on  in  the  modern 
world  on  the  subject  of  religion.  Mr.  Zangwillhas  a  gift  of  clear  and 
almost  scorching  expression,  and  his  latest  play  makes  one  furiously 
to  think." 

A  Fellow  of  the  Royal  Society  {Glasgow  Herald)  :  "  I  for  one 
think  better  of  the  value  of  the  stage  after  observing  how  the  audience 
appreciated  and  how  deeply  it  was  moved  by  Mr.  Zangwill's  noble 
drama," 

Standard:  "  Mr.  Zangwill  will  probably  be  acclaimed  as  one  of  the 
few  men  who  have  succeeded  in  portraying  woman  without  grotesque 
exaggeration  of  her  failings  or  her  virtues.  Mary  Trame  is  a  picture 
drawn  with  the  most  subtle  strokes  of  humour  and  understanding." 

Manchester  Guardian  :  "The  play  was  so  sincerely,  logically,  and 
clearly  thought  out  and  so  vigorously  expressed  that  it  made  an 
afternoon  of  a  most  stimulating  kind." 

Athenaum  :  "  More  deeply  religious  than  most  sermons.  A  sincere 
and  highly  honourable  piece  of  work.  The  wife  is  handled  with 
poignancy,  insight,  and  rare  sympathy.  The  force  of  the  play  lies  really 
in  the  dialogue  of  the  first  two  acts — always  trenchant,  ironic,  master- 
ful, and  at  times  broadening  into  lofty  and  full-mouthed  harmonies." 

H.  W.  Nevinson  :  "  It  was  a  great  play  and  a  great  performance 
that  the  New  Players'  Society  witnessed  at  the  Pavilion  for  two  after- 
noons last  week.  Mr.  Zangwill,  one  of  the  wittiest  of  living  writers,  is 
one  of  the  most  sincere.  Like  Mr.  Bernard  Shaw,  he  has  proved  that 
laughter  and  irony  can  go  side  by  side  with  intense  earnestness  of 
purpose.  The  reformer  is  not  necessarily  a  stuft'y  and  solemn  person. 
But  in  all  Mr.  Zangwill's  best  work  and  speeches  there  is  a  deep  and 
prophetic  note,  seldom  heard  even  in  the  greatest  of  his  English- 
speaking  contemporaries.  It  comes  nearest  to  Tolstoy  among  the 
moderns  ;  but  one  may  trace  it,  I  think,  to  the  inherited  influence  of 
a  race  greater  in  prophecy  than  any  European  race  has  been." 

WILLIAM  HEINEMANN.  21  BEDFORD  ST.,  LONDON,  W.C. 


'Of  the  original  plays  presented  in   London   in  191 1    the  finest  was 
Mr.  Israel  Zangwill's  '  The  War  God'."— Pall  Mall  Gazette. 

THE  WAR  GOD 

A  Tragedy  in   Five  Acts 
BY 

ISRAEL    ZANGWILL 

Small  Demy  8vo,  2S  6(|  net 

SOME  OPINIONS 

KfR.  H.  W.  Massingham  in  the  Nation  :  "  I  am  very  glad  to  see  Mr,  Zangwill's 
powerful  play  '  The  War  God,'  published  by  Mr.  Heinemann,  for  its  production 
is  by  far  the  most  important  event  of  the  dramatic  season  of  1911.  .  .  .  While  we 
have  been  trying  to  pick  the  lock  of  the  door  which  shuts  out  the  English  theatre 
from  Ufe,  Mr.  Zangwill  has  blown  the  whole  structure  into  the  air." 

Mr.  John  Masefield  :  "  It  seems  to  me  the  only  play  of  our  time  which  makes 
modern  life  significant.  I  think  it  is  splendid,  altogether  a  fine  and  noble  thing, 
with  all  the  beauty  and  depth  which  one  has  wanted  so  much  for  so  long.  It  is 
much  the  biggest  thing  done  here  for  many  years." 

Mrs.  Alice  Meynell  :  "A  very  great  tragedy — full  of  genius.  Its  language 
moves  in  blank  verse  as  the  appropriate  ritual  of  this  momentous  theme." 

Mr.  James  Douglas  :  "  Mr.  Zangwill  is  a  man  of  genius.  He  has  put  on  the 
stage  a  play  which  grapples  with  reality  in  its  grimmest  form.  .  .  .  The  play  is 
big  with  the  fate  of  nations.  .  .  .  No  play  of  our  time  cuts  deeper  into  the  flesh  of 
reality." 

Mr.  W.  T.  Stead  :  "  I  admire  the  courage  which  led  Mr.  Zangwill  to  essay  this 
task  of  high  emprise.  ...  It  is  a  play  which  the  large  audience  followed  with 
intense  interest  and  discussed  with  great  earnestness  between  the  acts." 

Mr.  William  Archer  :  "  An  admirable,  even  a  noble,  specimen  of  art.  .  . 
A  very  fine  piece  of  symbolic  drama." 

Miss  Beatrice  Harraden  :  "  I  go  about  thinking  of  nothing  else.  It  stirs 
and  holds  one's  brain,  one's  soul,  one's  imagination.  We  have  indeed  reason  to  be 
grateful  for  such  a  noble  work." 

Mrs.  Despard  :  "A  wonderful  play,  which,  in  its  strength  of  purpose  and  its 
courage  verging  on  audacity,  ready  to  meet  all  issues  so  that  truth  may  be 
revealed,  forces  upon  us  the  conviction  that  the  drama  has,  in  its  hand,  a  great 
power." 

WILLIAM  HEINEMANN,  21  BEDFORD  ST.,  LONDON,  W.C. 


THE    WAR    GOD 

SOME  OPINIONS— continued 

Mr.  YoshiO  Marking  in  the  Westminster  Gazette:  "I  have  found  out  that 
every  sort  of  human  brain  (that  you  can  get  at  present  moment)  is  condensed  into 
three  hours'  play  !  It  is  the  real  sketch  of  this  world,  and  we  are  all  living  in  it. 
.  .  .  No  better  psychology  have  I  ever  seen." 

English  Review.    "Mr.   Zangwill's   play    'The  War   God'    ...    Is   without 
question  a   thing   of  note  and   real   intellectual  distinction.    ...    It   holds   the 
audience   from  beginning  to   end.  .  .  .  The  language  is   lofty,  distinguished,  at- 
times  ringing  with  the  true  poetic  note  of  tragedy,  but  always  polished,  fluent, 
graceful." 

Atheneeum ;  "  Can  be  warmly  commended.  It  handles  a  great  subject  manfully ; 
it  breathes  a  lofty  idealism  and  faces  opposing  facts  and  arguments." 

Times :  "The  whole  play  was  applauded  and  evidently  kept  the  crowded  house 
interested  throughout." 

Daily  Chronicle:  "...  does  honour  to  our  stage,  honour  to  Mr.  Zangwill, 
especial  honour  to  Sir  Herbert  Tree.  Here  is  the  first  serious,  strenuous  political 
play  that  has  been  produced  for  years  and  years,  a  play  grappling  with  big 
problems  in  a  big  way." 

Globe:  "We  welcome  the  drama  of  war  and  peace  among  the  works  that 
have  counted  in  191 1." 

Daily  Telegraph:  "An  extremely  vigorous  piece  of  work,  full  alike  of  thought 
and  dramatic  power." 

Morning  Leader:  "A  wonderful  piece  of  drama." 

Era:  "  A  subject  of  infinite  imagination  and  extent,  a  work  of  real  genius." 

Church  Times  :  "A  vast  audience  heard  the  blank  verse  with  breathless 
attention,  and  followed  with  pointed  applause  the  sentiments  which  one  might 
think  were  least  likely  to  be  applauded." 

Catholic  Times:  "The  interest  which  has  been  aroused  in  Mr.  Zangwill's 
remarkable  play  is  fully  justified.  ...  If  the  pens  of  the  dramatic  critics  had  been 
tempered  by  the  true  Catholic  spirit,  it  would  have  been  hailed  as  a  memorable 
drama  and  one  of  a  character  never  more  necessary  than  in  the  present  age  of 
unrest.  Its  production  should  have  an  edifying  influence  upon  the  theatrical 
world." 

Methodist  Times  :  "  We  are  often  told  of  the  potentialities  of  the  stage  as  a  great 
moral  teacher.  If  many  plays  were  of  the  quality  of  '  The  War  God,'  we  might 
begin  to  believe  in  those  potentialities." 

Pall  Mall  Gazette  :  "  A  work  conceived  and  executed  on  the  grand  scale,  and 
yet  supremely  successful  as  drama,  for  it  roused  every  audience  that  saw  it  to 
unwonted  heights  of  enthusiasm.  It  is  a  very  big  thing  and  will  provoke  an 
immense  amount  of  discussion." 

Evening  Times :  "'The  War  God'  is  full  of  unforgettable  lines.  There  are 
passages  which  haunt  the  memory  and  make  us  wonder  whether  Mr.  Zangwill's 
mitier  is  really  prose  or  verse." 

WILLIAM  HEINEMANN,  21  BEDFORD  ST.,  LONDON,  W.C. 


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