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Tlie Collected Works of 
Arthur Symons 



Volume 2 
Poem s 







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P ems : Volume Two 

h Arthur Svm^ 










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17447 



Book iNo. 




Primed in Great Britain 
London: Martin Seeker (Ltd.), 1924 



CONTENTS 

IMAGES OF GOOD AND EVIL 

The Dance of the Seven Sins, 3 

The Lover of the Queen of Sheba, 26 

The Dance of the Daughters of Herodias., 36 

The Chimaera, 41 

The Old Women, 47 

The Unloved, 49 

The Beggars, 5 i 

Divisions on a Ground, 5 3 

Souls in the Balance 

I. To Our Lady of the Seven Sorrows, 59 

II. Stella Maligna, 62 

III. The Pale Woman, 64 

IV. Mater Liliarum, 65 
V. The Dogs, 67 

VL Sponsa Dei, 69 
VII. Rosa FJammea, 70 
VIIL Laus VIrginitatis, 72 
IX. The Rapture, 74 
X, To a Gitana Dancing : Seville, 76 
On an Air of Ramcau, 78 
Airs for the Lute, 79 
Modem Beauty, 82 
Laus Mortis, 83 
To Night, 84 
Montserrat, 85 
At Tarragona, 86 
At Toledo, 87 
Old Age, 88 
Opals, 89 
Rubies, 90 
Degrees of Love, 91 
The Price, 92, 
An Ending, 93 



Contents 

In Ireland 

I. On Inishmaan : Isles of Aran, 94 
II By the Pool at the Third Rosses, 95 

III. By Lough-Na-Gar : Rain, 96 

IV. By Lough-Na-Gar : Green Light, 97 
V. In the Wood of Finvara, 98 

Spain, 99 

Venetian Night, 101 

Dreams in Rome, 102 

Palm Sunday: Naples, 103 

The Coming of Spring : Madrid, 104 

September Idyll, 105 

Haschisch, 106 

To the Merchants of Bought Dreams, 107 

Parsifal, 108 

The Last Memory, 109 

Toys, no 

Perfe& Grief, 1 1 1 

The Dream, 112 

Weariness, 113 

Wind on the Sea, 114 

A Tune, 115 

The One Face, 116 

The Last Pity, 117 

Wanderer's Song, 118 

Epilogue, 119 

THE LOOM OF DREAMS 
The Loom of Dreams, 123 
The Grey Wolf, 124 
The Desire of Life, 125 
The Ecstasy, 127 
Beata Beatrk, 129 
The Flag, 130 
Invocation, 131 
Song of Love's Coming, 133 
The Adoration, 134 

* * 

vui 



Contents 

The One Desire, 135 

The Alchemy,, 136 

Sleep, 137 

The Shadow, 138 

Rest, 139 

Isolation, 140 

The Prayer, 141 

The Blind Heart, 14?. 

Love and Sorrow,, 143 

The Desire of the II curt, 144 

The Prison, 145 

The Regret, 147 

The Bond, 148 

The Sick Heart, 149 

The Crying of Watct, 150 

Fauftus and Helen, 1 5 1 

THE FOOL OF THE WORLD AND OTHER POEMS 

The Fool of the World : a Morality, 1 6s 

Meditations 



Hymn to i'inergy, 

Giorgkme at Caftelfranco, 173 
Wafted Beauty, 174 
Unstable Pride, '1:75 
Time and Beauty, 176 
Time and, Memory, 177 
The Passing, 178 
Roman Meditation, 179 
Indian Meditation, 180 
Night, rSi 
Amends to Nature 

Amends to Nature, -182 
Songs of Polteseoc Valley., 185 
To a Seagull, 187 
Cornish Wind, 1,88 
By Loe Pool, 189 



Contents 

Harvest Moon, 1 90 

Villa Borghese, 191 

Stratford-on-Avon, 192 

Felpham, 193 

The Gardener, 195 

Sea Twilight, 196 

Twilight Song, 197 

Rome, 198 

London, 199 

Autumn, 200 

Winter in Spring, 201 

Night in the Valley, 202 

Wind in the Valley, 203 

Wind at Night, 204 

The Crying of the Earth, 205 
Guests 

The GueSts, 206 

A Triptych, 207 

Giovanni Malatesta at Rimini, 211 

Otho and Poppaea, 213 

Prologue for a Modern Painter, 218 

For a Pi&ure of Rossetti, 219 

A Profile, 220 

Emily Bronte, 221 

The Rope-maker, 222 

The Chopin Player, 223 

The Sick Man to Health, 224 

The Turning Dervish, 227 

The Armenian Dancer, 229 

The Andante of Snakes, 23 1 

Song of the Sirens, 232 

The Lovers of the Wind, 233 

Hymn to Fire, 234 
Variations on an Old Tune 

Apology, 235 

Arab Love-song, 236 

Song : after Herrick, 237 



Contents 

Song, 238 

The Heart's Toys, 239 
Two Love-songs, 240 
Grey Twilight, 242 
The Caged Bird, 244 
An Epilogue to Love, 245 
A Song against Love, 254 
Mary in Bethlehem : A Nativity, 255 

LOVE'S CRUELTY 

Lovers Cruelty, 265 
Body's Blood, 266 
Faces, 268 
An Invocation, 269 
Alvisi Contarini, 271 
Aubrey Beardsley, 273 
Studies in Strange Sins 

I. The Woman in the Moon, 274 
II. Design for the Lit of Pi&ures, 275 

III. Salome's Lament, 276 

IV. John and Salome, 278 
V, Enter Herodias, 279 

VI. The Eyes of Herod, 280 
VII. Danse du Ventre, 281 
VIII. The Dancer's Reward, 281 
For Des Esseintes 

I. Rings, 286 
II. Eyes, 287 

III. Kranile, 288 

IV. The Evil Face, 289 
V. Tragic Dawn, 290 

VI. Perdition, 291 
VII. Sunsets, 292 
The Chimera : Notre-Dame, 293 
Le Strige, 294 
Chimera Caliban, 295 



Contents 

Jezebel Mort, 296 

The Seeds of Vice, 299 

The Arenging Spirit, 301 

Mad Song, 304 

The Crucifix and the Owl, 307 

The Impenetrable, 308 

Sonnet, 309 

The Wanderer's Lament, 310 

The House, 312 

The Eich Man and Lazarus, 313 

For a Christening, 314 

Gipsy Mother's Song, 3 1 5 

The Window, 316 

Roman Elegies 

I. Villa Borghese, 317 
IL Villa Pamphili, 318 
HI. On the Palatine, 319 
IV. In the Pace, 320 

Towns, 321 

The Heart, 322 

The Hours, 323 

The Heart of a Man, 324 

The Scarlet Sun, 325 

Water- weeds, 326 

A Winter Dirge, 327 

The Wasps, 328 

The Night Owl, 3 29 

A Masque of Shadows, 330 

Grief, 332 

The Alcove, 333 

Song, 334 

InHantane, 335 

To a Woman seen in Sleep, 336 

To Iris, 337 

Nightmare, 338 

Trees in Paris, 339 

Hymn to Earth, 340 

xii 



IMAGES OF GOOD AND EVIL 



THE DANCE OF THE SEVEN SINS 

THE BODY 

CALL in the dancers. 




THE SOUL 

All is vain. 

We live, and living is the pain 
We die of while we live. The earth 
Was made in some celestial mirth. 
Not for our pleasure. I, who seem 
To have some memory of a dream, 
I know not when, I know not where, 
Dream not, remember, and despair. 



THE BODY 

Dream always, and remember not. 
I, if I dreamed, have yet forgot 
Even the sleep. This hour I hold 
A sand-glass dropping sands of gold. 
Call in the dancers, for they give 
Bonds to the moment fugitive, 
Wings to the moment slow to pass ; 
I shake the hours in the hour-glass, 
Bid the hours dance with you to-night, 
My dancers, spirits of delight I 



The Danct^ of tbt Sww Sms 

LUST 

I give to man, who is the duft, 

Life, and his breath : he calls me Lugt 

I am Love's elder ; Love was born 

To be the world's delight and scorn, 

That man might veil, his sight being dim, 

My own infinity in him* 

Yet without^me, that swiftly move, 

In all things, the indwelling love 

Were as a song without a voice ; 

By me the inmost heavens rejoice 

At the achievement, in pure fire, 

Of their own uttermost desire. 

I am in man that flame of flames 

He names by God's most sacred names, 

Being creation, and from thence 

A sleepless, vast omnipotence, 

And an eternal fatherhood. 

Without me nothing is seen good, 

Nothing seen great, nor is there gained 

The hope of aught to be attained, 

Nor that fine, fiery speed of thought 

By which the ends of the world are brought 

Together in a wish, I give 

More than life holds to all who live 

Being that desire which grants men Strength 

To endure with joy the utmost length 

Of an intolerable way. 

Night follows night, day follows day. 

And, if I lead, hope flies with me 

4 



The Dance^ of the Seven Sins 

Across the white hills of the sea, 

Across the wavering green lands. 

I hold within my subtle hands 

The promise of all worlds ; there come 

To conquest and to martyrdom 

At my indifferent, swift feet 

All lovers, who astonished meet : 

The pale saint, famishing for God, 

The pallid virgin who has trod 

The way not of virginity 

Unto some alien ecstasy ; 

A shepherd with his shepherdess ; 

Kings, who have loved the purple less 

Than some grey rags about the hem 

Of a beggar-maid that passed by them ; 

Tortured and torturer, the smile 

Still gasping in their lips the while 

Their fingers quiver ; and the proud 

Lover whom love's hard bond allowed 

Not even the release of speech. 

I, to all these, am all in each, 

Though most deny me, few receive 

The half of all I have to give. 

Aspire unto my Calvary ; 

Few are there that have come thereby. 

These are my saints, my own, my sons, 

Chosen among my chosen ones 

To be my priests serving the fire 

Which on mine altars is desire 

Of the impossible, the breath 

Of a seven times renascent death 



The Dancer of the Seven Sim 

Of those delights ineffable, 

Which, beyond utmost heaven, are hell 

Come neat : these things are mysteries : 

Come near, who with the spirit's eyes 

Dare to behold, and can refine 

Your senses to that crystalline 

Ardour of the pure fire of love, 

Where, beyond hell enjoyed, above 

Heaven's ample, utmost lack forgiven, 

Heaven over heaven, there is yet heaven. 

It was the luSt of God, fulfilled 

With joys enjoyed, that bade him build 

The wanton palace of the earth. 

And of that memorable mirth 

Which shook the Stars upon that day 

Some broken echoes drift our way 

In any laughter of the grape. 

How can Infinity escape 

The horror of infinity, 

If not by luSt that there shall be 

Some new, untried, most finite thing 

Enjoyed without remembering 

That all things else, being enjoyed, 

Have perfectly filled full that void 

Which is infinity possessed ? 

So, for those seven days, God had rest, 

In that seven times delightful toil, 

Creation, from the serpent's coil 

Of his own wisdom binding him. 

Have I not been God's seraphim ? 



The Dancer of the Seven Sins 



SLOTH 



These garlands tire me : I am Sloth. 
See, in my hair these roses, both 
The bracelets heavy on my wrists, 
The languor of these amethysts 
Chained to my ears with chains of gold, 
The Tyrian webs whose downy fold 
Droops on my bosom like dull sleep. 
Let me but slumber : for I keep 
The keys of that unwavering realm 
Whose gates not Time shall overwhelm, 
Whose shadowy temples no God may, 
Though younger born, behold decay. 
Come near, O sons of men, come near, 
Come without hope, come without fear, 
I am that happiness you dread ; 
Within the curtains of my bed 
A twilight moves with happy sighs, 
And dreams shall cover your closed eyes 
Softer than darkness ; plumy wings 
Swifter than thoughts of hapless things, 
And fragrant with the breath of peace. 
Come, let these subtle hands release 
Your foreheads tightened with the cords 
Of wrinkled wisdom ; O grey lords 
Of Time's inherited disgrace, 
Come, make this heart your dwelling-place, 
My lips are warm, because I drowse 
All day within a pleasant house ; 
Wandering odours come and go, 



The Dane-j of the Sevm Sins 

They are the souls of flowers that gtow 
Too faint with ecstasy to live ; 
And sounds more frail and fugitive 
Than rose-leaf dropping rainy tears 
On rose-leaf, fill with delicate fears 
The silence listening found my feet. 
To me this moment is more sweet 
Than any moment I have tired 
My soul with having once desired, 
Or any moment yet to be, 
Delight being infinity. 
I have no will to be more wise, 
To be more comely in men's eyes, 
To be more loved of one who may 

Love more than he who loves to-day, 

Or to love more than now I love. 

I cross my folded arms above 

A heart that in remembering 

Remembers no unquiet thing ; 

A heart fulfilled with the intense 

Acceptance of that indolence 

Which God the seventh day understood, 

Proclaiming all things very good, 

Love me, and I am satisfied 

To be the soul's delighted bride, 

To all love's ardours virginal. 

Love me, or love me not at all, 

And I am well content at heart 

To sleep in some soft place apart, 

Lonely as in a garden-close 

Slumbers the solitary rose. 



The Danc<u> of the Seven Sim 

I am the wine within the cup, 
Body and soul have I drained up, 
Unbounded, unconsumed, and void, 
Myself within myself enjoyed, 
Being myself that loneliness 
Which is the pain of beauty, less 
Than beauty's vast, presumptuous mirth 
Shaken like a flag above the earth. 



AVARICE 

I hoard the moments love lets slip, 
The dregs that any fearer's lip 
Rejects within the cup of life, 
The shadows of the fleeting Strife 
Of colours, and the echoing 
Of every half-muttered thing ; 
The faint dust shaken from the feet 
Of Joy's forerunners in the street, 
The knowledge dropt, some heedless day, 
By Wisdom passing on her way, 
The vows that lovers in a kiss 
Have perjured : I am Avarice. 
Always 1 walk with downcast eyes, 
Lest, looking at the empty skies, 
Wherein no treasure may be found, 
I pass some poor thing on the ground. 
My robes are ample, fold on fold, 
That I may gather in, and hold, 
And let not one escape from me, 
All treasures of earth's treasury. 



The Dancer of the Seven Sins 

o I walk with lingering pace, 
Since, when mine eyes behold the grace 
And glory whereof earth is full, 
And how the world is beautiful, 
Infinitely, and everywhere. 
Then my desire is as the air 
Embracing all things that exist. 
All kisses that all lips have kissed 
My lips are covetous that none 
Escape them ; fondly, one by one, 
My heart remembers every word 
Of love that ever lover heard, 
And hearkening I shall hoard away 
All words that lovers shall yet say, 
Saying to myself : All these are mine. 
Gold too I love : two things divine 
Among all delicate things I hold, 

Gold even as love, love even as gold, 

Neither of them the fairer thing. 

But always, in my bargaining, 

I would fain buy, and never sell. 

It irks me, howsoever well 

I bargain, to make bargain of 

A pale and timid word of love 

For any jewel of pure gold ; 

The little timid word may hold 

(Who knows ?) in its infinity 

The small duSt that may haply be 

Duft of imperishable earth. 

I think, within the whole world's girth, 

There is no beauty I can pass, 

10 



The Dancer of the Seven Sins 

For anything that ever was 

May yet be mine : but for that thought 

All beauty were to me as nought. 

I love to follow, Stride for Stride, 

The footsteps of my sister Pride, 

For Pride with both hands flings away 

Unhandled treasures. On her way 

I follow Anger also : she 

With one hand scatters heedlessly 

The gifts that all her lovers give, 

But spoilt and broken. I shall live 

To old age, for my both hands cling 

To Life for all her hurrying. 

Only one thing on earth 1 dread, 

The grave ; for in that narrow bed 

But little treasure-room afford 

The gaps 'twixt board and coffin-board. 

I shall go down into that pit 

Despoiled, for at the door of it, 

Life, Standing up againSt the sun, 

Shall take my treasures one by one, 

Leaving me only, for my part., 

A little love within my heart, 

A little wisdom in my brain : 

The worms of these shall have their gain ; 

When these have had their gain of me 

Where then shall all my treasures be ? 

GLUTTONY 

My robes were coloured in the lees 
Of those firSt Roman vintages 



The Dame^ of the Seven Sins 

That crushed the whole world's glory up 

Into one Imperial cup, 

The later heavens with dew empearled, 

I drink the glory of the world. 

As an ox drains a small pool dry : 

So passes the world's glory by. 

And as an ox makes haste to eat 

The meadow-grass beneath his feet, 

I eat the glory that may pass 

With the world's life and death of grass. 

All flesh is grass : shall I assuage 

My hunger with the pasturage 

Of all earth's valleys, or my thirst 

With every rock-born Stream that burst 

Each cloud-barred, Starry mountain-gate ? 

Surely the valleys shall not sate 

My hunger, nor the rainy hills 

The thirst that like the salt sea fills 

My longing to its hollow shore. 

I thirst immortally for more 

Than mortal fruits ; if I could take 

The world as a ripe fruit, and slake 

All thirsts at once, have I not dreamed 

Of other, unknown fruits that seemed 

More delicate than this gross fruit 

Whereof the graveyards know the root ? 

O fruit of dreams, my teeth have met, 

Only in dreams, in your red, wet, 

Martyred, and ever bleeding heart ! 

When shall I find you, and what part 

Of your bewildering ecstasy 



12 



The Darter of the Seven Sins 

Possess ? and what 9 possessing me. 

Shall wholly from my sight remove 

The intolerable fruit of love ? 

This is the fruit that God, in wrath, 

Planted upon a garden-path 

Where man and woman walked in peace ; 

And of this fruit the sad Increase 

Shall end not till the whole world end ; 

For with the apple did God send 

The hot desire of it, and then 

The cold rejection, and again 

Search, and entreaty, and despair ; 

This apple hovers in the air 

Before the lips of all that live ; 

I have desired it., and would give 

Desire of every earthly wine 

That has, in any hour, been mine, 

For this that has and has not been. 

Often the apple will be green, 

Often it will be yellowing 

Unto a late, sad, rotten thing ; 

And always, as it was before, 

It will be bitter at the core, 

And bitter in the skin. Yet, taSte 

This ftuit of Eden in the wate 

Of a spoilt world that but for It 

Would have been wholly exquisite, 

O priceless and forbidden joy, 

That is the loved and loathed alloy 

In every cup of earth ; can those 

Enchanted fruits of dream compose 



The Dancer of the Seven Sins 

A subtler flavour even in dreams ? 

Grapes of an ecstasy which seems 

The ecstasy that souls may have 

In some wild heaven beyond the grave, 

Is yours a subtler wine than this 

Of earth's poor vineyard, wine that is 

So sweet to taste, so good to give 

The intoxicating lust to live, 

And, its so brief desire being had, 

Leaves the delighted flesh so sad ? 



ANGER 

My robes are red with blood ; my name 
Is Anger. The delicious flame 
Which burns within me shall not die 
Till the last lover has put by 
The last kiss ; for it is the fire 
Of love, which with extreme desire 
Burns out the heart that love has lit 
With the extreme desire of it. 
I love so ardently, I know 
Not love from hate, not joy from woe. 
l y when I love, am wroth awhile 
With love's delight, if that can smile, 
With love's desire, that can abate, 
With this most pure and passionate 
Moment of moments, if that last 
Less than to measure all the past 
And all the future. I am sad 
Only for this, that I have had 



The Dancer of the Seven Sins 

No other hatred so intense 

In justice and magnificence 

As that self-hatred which I press 

Against my own unworthiness. 

Could I so dear a hatred prove, 

That rapture would out-rapture love. 

I walk on many a steep path, 

Yet without weariness ; rny wrath, 

That strives against all mortal strife, 

Is as a well-spring of new life. 

I sharpen in the lover's heart 

Desire, and when the pointed dart 

Has flown, and quivers, turn afresh 

The barb in the delighted flesh : 

The flesh cries out and thanks me. I 

In hearts am also jealousy, 

Which is love's anger against love 

For love's sake. It is I who move 

The hearts of men that they refuse 

Sought gifts, and women, that they choose 

What they desire not. Love becomes 

Without me, as a rich man's crumbs 

Unto a poor man ; Love with me 

Is the rich man's satiety 

Of his spread feast. I am in these 

Mother of madness, the disease 

That proud men die of ; and in those 

Mother of wisdom. There arose 

Many, by me, that have gone far, 

And, for a perilous pilgrim Star, 

Have left their hamlets in the vale, 



The Dancer of the Seven Sim 

And have found kingdoms. Mine the tale 

Of those who, having overturned 

Kingdoms, and unto ruins burned 

Strong cities, have sat down thereon, 

Forgetting to lay Stone on tone 

That they might build, and wall about, 

Mightier cities. I cry out, 

In glory, on the topmost towers 

Of the world, exulting that the hours 

Of the world are numbered ; and my voice 

Is louder than the confluent noise 

Of the four winds that, hurry forth 

From South and East and West and North. 

Come hither, all that are the slaves 

Of any bondage : of the graves 

Wherein the dead bury their dead, 

Or of youth's bubbling fountain-head ; 

Come hither, bondslaves of content, 

You, bondslaves of that indolent 

Languor of love too satisfied ; 

Drink of the spirit of my pride. 

And I will free you of your chains, 

Yea, I will light within your veins 

An inextinguishable fire 

"Which shall consume even that desire 

Of bondage. Who shall set me free, 

Lastly, of mine own slavery ? 

PRIDE 

I wear the purple : I am Pride, 

By me Love sits at God's right side, 

16 



The Dancer of the Seven Sins 

Equal with God ; by me Love comes 
Unto the many martyrdoms 
Of fierce and unforgiven desire. 
My spirit in Satan was that fire 
Which lit the flaming brand he hurled 
Into the darkness of the world, 
Where men groped dimly after God ; 
By me the beggar in the road, 
Loving and being loved again, 
Laughs in his rags against the rain, 
Crying : Is it a little thing 
To be the equal of a king ; 
Can I have more than all I want ? 
I teach the little reed to vaunt 
Its rippling, twilit, secret voice, 
The wind's breath and the water's noise, 
Against the oak's great voice that forms 
The eternal battle-cry of Storms. 
I teach the oak, being great and old, 
To scorn, and as a moth's flight hold, 
The wandering kingdoms of the clouds. 
I hide from kings' eyes their own shrouds, 
Whispering : Though the beggar die, 
Kings have their immortality 1 
I teach the dreamer to despise 
Thrones for their brief mortalities. 
I am that voice which is the faint, 
FirSt, far-off sin within the saint, 
When of his humbleness he first 
Takes thought ; and I become that thirst 
Which makes him drunken with his own 
n- c 



The Daftc^j of the Seven Sins 

Humbleness, and so casts him down 
From the last painful Stair that waits 
His triumphing feet at heaven's gates. 
I am the only tempter heard 
By Chastity ; I speak the word 
Which in her confident heart she hears, 
A whisper in her guarded ears : 
For others let temptation be 
Temptation, not for Cha&ity ! 
By me all lovers make their boast, 
Contemning the eternal host 
Of glories that have filled the earth 
Since the first conqueror had birth, 
And that eternity of peace 
Which the assembled heavens release 
To angels that have conquered it. 
Beside the one brief infinite 
Moment of earth and heaven's eclipse 
When in that silence they join lips, 
Closing their eyes. I too have sought, 
In other's eyes, some grace unthought, 
Only to see, as in a glass, 
Mine own unchanging image pass ; 
I have seen no one yet more fair, 
Greater or subtler anywhere, 
Than I am. When I love, being Pride, 
I raise my lover to my side, 
And I have never loved in vain. 
Who loves me never loves again, 
Nor have I, being Pride, forgot * 

A lover. Praise delights me not, 
18 



The Dance^? of the Seven Sins 

Nor mine own mirror : I am I. 
To know me is to satisfy 
Knowledge ; to love me is to know 
Wisdom. Far off, dreams come and go ; 
But I, that seek upon the earth 
Nothing that had not mortal birth, 
That bow not, on the ways of sin, 
To aught I have not found within, 
Dream never : we must kneel to dreams. 
These are, if that be true which seems 
To have been written on their wings, 
The messengers of foreign kings. 

LYING 

I speak all tongues ; also I speak 
The learning all the ages seek, 
Some capture, and all leave behind ; 
But I have cast out of my mind 
Wisdom, and out of my heart love. 
I lust not, nor sloth-heavy move, 
Not covetous, no wine-bibber, 
Nor is my tongue hasty to Stir, 
Nor mine eyes proud ; but 1 am wise 
As the snake's tongue, the woman's eyes. 
All men believe me ; me alone 
All men believe ; to each his own 
Desire I speak, in his own way. 
To him who loves but love, I say : 
I love you ; to the vain : In truth, 
I find you beautiful, O youth ; 
And to the timid : You are strong. 



The Dcmctu of ihe Seven Sins 

Behold these jewels, how the long 

Slow.< silken raiment folds and drifts : 

These gems, this raiment, arc the gifts 

Of all my lovers and my friends. 

When at God's feet the sinner bends., 

Saying, I repent ; I am his thought, 

His speech, although he knows it not. 

And when at the beloved's feet 

The lover sighs : I love you, sweet, 

I never loved, not ever may, 

Love any one but you ; 1 say, 

Word before word, each word for both. 

When Lust says : I am life ; when Sloth : 

I am content ; when Avarice : 

I seek where any beauty is ; 

When Gluttony : My mortal thirst 

Upon immortal fruit was nursed ; 

When Anger : I refine like fire ; 
When Pride : No Praise do 1 desire ; 
'Tis I who speak in each, 'tis I 
Through whom these lordly voices lie, 
Since (les~t men know me and condemn) 
I speak my will to him through them. 
Who is there that shall say for me 
That all things are but vanity ? 

THE BODY 

I am the bondslave of these slaves. 

THE SINS 

O tyrant of the many graves, 

20 



The Dance^ of the Seven Sins 

It is to you that we arc bound ! 
For you, for you, all we have found 
New service, bondage ever new ; 
We have brought all our gifts to you, 
We have made pleasure of our pains, 
And you have made these many chains 
Upon our hands, our feet, our souls. 
But for this bondage that controls 
Our will with that omnipotence 
Which not our spirits, though intense 
In their own ardour, can revoke, 
We had been free ; and as sweet smoke 
Had not our liberal glories gone 
Up to the borders of God's throne, 
Pure as the savour of his breath, 
But for you, Body of our death ? 



THE SOUL 

Why do you crucify me afresh ? 

THE SINS 

O tyrant, sorer than the flesh, 

Whose tyranny outlives the morn 

Of resurrection, we have borne 

From you a heavier slavery, 

From you, by whom we might be free ! 

You gave us spiritual eyes 

That we might sin, and be more wise 

In sinning ; thought, that we might find 



The Dancer of the Seven Sins 

A subtler draft -within the mind ; 
Wings, that we might be Strong to bear 
Our burdens through the accomplice air, 
Not tiring of them ; sense of good, 
That virtue, being understood, 
Might be our yoke-fellow ; the sight 
Of beauty, that at last we might, 
For you, O Soul, bring both within 
Your domination, to be sin ! 



THE BODY 

Dancers, I tire of you. I tire 

Of all desire save one desire : 

That I were free of you. My brows 

Are weary of this golden house, 

My brain is weary of your feet, 

That loiter where they once were fleet, 

Yet cease not. Cease ! for I behold 

No beauty, as I did of old, 

In any of your posturing : 

You are as some forgotten thing. 

And yet I saw you long ago 

As those brave joys that come and go 

In youth's rebellion of delight 

Against old custom ; in my sight 

You were the spirits made perfect of 

Virtues that sinned from love of love 

Immortal was each countenance 

Your dance was as the Starry dance 

Of the seven planets. Now I see 

22 



The Dance^ of the Seven Sins 

A wheel turned on an axle-tree, 

A beggar's cloak that the wind shook ; 

Your painted faces are a book 

Scrawled by the fingers of a child ; 

How is it I was so beguiled, 

What was it that I loved you for, 

false ones, whom I now abhor 
Even as I did adore you once ? 

1 would I could put back the sun's 
Dark hand upon the dial I Alas, 
It is too late, and I must pass 
The interval, until all ends, 

With you, whom I have chosen for friends, 
Chosen for my friends I know not how. 
Would that the dance were over now ! 



THE SOUL 

Dancers, I tire of you. I tire 

Of all desire save one desire : 

That I were free of you. Mine eyes 

Are heavy with the mockeries 

Of your eternal vanity ; 

Your motions know not melody, 

As your souls know not. You advance 

As waves do, and your tangled dance 

Scatters as leaves blown down the wind. 

I find no grace in you, I find 

Vanity, your illusions vain ; 

And though I have thus long been fain 

To endure you for the Body's sake, 



The Dancer of the Seven Sins 

And seeking from myself to make 

Some moment's folly of escape, 

Yet Have I seen each soft-veiled shape 

In its ungirded nakedness, 

Each painted face a white distress 

Under the smile ; astray, the beat 

Of hurrying and unanswering feet, 

And that you know not why you go 

Your wandering ways : but who shall know 

Save one that silent in the wings 

Stands., and beholds your wanderings, 

Who set the measure that you mar ? 

Have I not seen you as you are 

Always, and have I once admired 

Your beauty ? I am very tired, 

Dancers, I am more tired than you. 

When shall the dance be all danced through ? 

I see the lights grow dimmer ; one 

By one the lights go out ; the sun 

Will meet the darkness on its way. 

Is it near morning ? 



THE STAGE-MANAGER 
It is day. 



THE SOUL 

Would it were that last day of days I 
24 



The DanctLj of the Seven Sins 

THE STAGE-MANAGER 

It Is. Each morning that decays 
To midnight ends the world as well, 
For the world's day, as that farewell 
When, at the ultimate judgment-Stroke, 
Heaven too shall vanish in pale smoke. 

PARIS, December 16, 1896. 
ROMK, December 27, 29, 1896. 

January 4, 19, 21, 1897, 

February 3, 4, 1897. 



THE LOVER OF THE QUEEN OF STIRBA 

To SAROJINI NAIDU 

A YOUTH OF SHEBA. THE QUEEN OF SHKHA. 
THE HERALD. KING SOLOMON. 

THE YOUTH 

I LIVE before the Moon of Queens, 

I live and die before her sweet, 

White, secret, wise, indifferent feet ; 

And love, that is my life-blood, means 

No more to her than summer heat 

Or sudden sweetness of the flowers. 

O colder than the icy moon, 

That hides and dreams all day, to swoon 

At night among the Starry hours 

When the pale night is at its noon ! 

She, the one whiteness of the earth, 

For whom the ardent valley grows 

A flame, an odour, and the rose, 

Finds in the world but wisdom worth 

The trouble of the soul's repose. 

Kings from the Weft, Kings from the Bas% 

Have poured out gold, incense, and myrrh 

In tribute at the feet of her, 

To whom the word of sage or priest 

Is more than these and lovelier 

Than battles reddening the plain, 

Or cities washed with smoking waves,, 

Or far-off continents of slaves 

26 



The Lover of the Queen of Sheba 

Bound captive to her anklet chain, 

Or conquest of uncounted graves. 

Kings from the Easlt, Kings from the Weft, 

Have come and gone, and no man yet 

Has found the frozen amulet 

That seals her heart within her breaft. 

THE HERALD 

Room for the Queen of Sheba, let 
The hearts and knees of all men bow 1 

THE QUEEN OF SHEBA 

gazer of the Stars, draw near, 

1 have a tiding for thine car, 

Now all things are accomplished, now 
The mafter of the world is here : 
Mine eyes have looked on Solomon. 

THE YOUTH 

May the Queen prosper in all things I 

THE QUEEN OF SHEBA 

The wisdom of the King of Kings 

Is as his God's pavilion, 

Pure gold, and veiled by seraph's wings. 

Else were it brighter than white light : 

As in a tender sea I bathe 

In brightness, and its waves enswathe 

My inmost spirit with delight. 

THE YOUTH 

Be all things even as the Queen saith 1 



The Lover of the Queen of Sheha 

THE QUEEN OF SHEBA 

I have unburdened all my soul, 
And he has filled my soul with his : 
There is none wiser than he is, 
His soul has opened to the whole 
World's wisdom, as to happiness, 
And wisdom blossoms like a flower 
That need but blossom to be fair ; 
And as the crown upon his hair 
His pure magnificence of power 
Garlands his going everywhere. 

THE YOUTH 

The Queen is wiser than all men ; 

Why should the Queen of Queens bow clown 

To any wisdom., when the crown 

Of wisdom is her own, and when 

The soul of wisdom is her own ? 

THE QUEEN OF SHEBA 

I am a child before this man, 

I have but played with toys, and fought 

With shadows, and my little thought 

Shrivels before him to a span, 

And all I am is less than nought. 

THE YOUTH 

Madam, the Kings of all the earth 
Have been accounted in your eyes 
Even as a little dut of spice, 



The J^over of the Queen of Sheba 

A little fragrant moment's worth ; 
Yet these, although they wete not wise, 
Madam, these loved you with a love 
That was a shield and buckler flung 
About yout life, a banner, hung 
Upon the topmost towers thereof ; 
And these were mighty, and these young, 
And all had died fot you, and all 
Had lived for you, and all had been, 
Being Kings, the servants of the Queen. 
Shall Solomon attend your call, 
Shall he, a slave with slaves, be seen ? 

THE QUEKN OF SHEBA 

O youth that speakest these brave words, 
lias!: them loved any ? 

THE YOUTH 
Madam, yea. 

THE QUEEN OF SHEBA 

And did thy will choose out thy way, 
And didt thou love for flocks and herds, 
And didst thou love who loved thee, say ? 

THE YOUTH 

Madam, 1 loved but fot. love's sake. 

THE QUEEN OF SHEBA 
Happily ? 



The Lover of the Qtmn of Sheba 

THE YOUTH 
Happily ; in vain. 

THE QUEEN OF SHEBA 

Wouldst thou be free of love again ? 

THE YOUTH 

O Queen, how gladly would I take 

Into my heart a tenfold pain I 

THE QUEEN OF SHEBA 

Thou lovest well. I would love well. 

THE HERALD 

Room for the King of Israel, bow 
Your hearts and knees before him now, 
Room for the King of Israel I 

THE QUEEN OF SHEBA 

King of the Kings of earth, hail thou. 

KING SOLOMON 

O Queen, in Sheba haft thou found 
Among the groves of spice and myrrh 
The honeyed wisdom lovelier 
Upon thy moving lips than sound 
Of psaltery or dulcimer ? 

THE QUEEN OF SHEBA 

O King, I have given up my youth 

To wisdom, I have sought to find 

30 



The Lover of the Queen of Sheba 

The secret influences that bind 

Star unto Slat, the grains of truth 

Shredded in sand beneath the wind, 

The secret dropping in the rain, 

The secret hushed among the reeds 

And huddled in the heart of weeds ; 

And I have called across the plain 

Wise men whose words are more than deeds, 

And I have listened to their speech, 

And talked with those Arabians 

Whose memory is more than man's, 

And read with them the books that teach 

The lore of the Egyptians. 

And 1 have given up for this 

The joy of love, and all the spring, 

And all the garden blossoming 

With scents of simple happiness, 

And every sweet unthoughtful thing. 

I hav'e given up the joys of life 

That I might find its secret ; lo, 

I have attained not even to know 

Why, when thou comes! near, the Strife 

That comes and goes and will not go 

Out of my heart is Strangely Stilled. 

O King, my wisdom unto thine 

Is as a shadow, and no more mine ; 

Thou in whom wisdom is fulfilled, 

Cans!: thou the word of life divine ? 

KING SOLOMON 

O Queen, I also have inquired, 



The Lover of the Queen of She ha 

And sought out wisdom patiently, 

And if in all the world there be 

More wisdom yet to be desired, 

Wisdom is weariness to me. 

For wisdom, being attained, but shows 

That all things are but shadows casl: 

On running water, swiftly pasl, 

And as the shadow of the rose 

That withers in the mirror glassed. 

What shall it profit me to have been 

Yesterday happy, if to-day 

I am sad, and where is yesterday ? 

What shall it profit me, O Queen, 

When I am dead, and laid away 

Under the earth, to have been wise, 

To have lived long and ruled with might, 

When all the ancient weight of night 

Is as a burden on mine eyes, 

And all the word is full of light ? 

There is one secret unto all : 

Though life be fair or life forlorn, 

Though men bow down to thee or scorn, 

Howe'er fate fill the interval, 

'Tis better not to have been bom. 

THE QUEEN OF SHEBA 

O King, how then may we that live 
BesT: use the interval that waits 
Between the closed and open gates ? 
How may we best, O King, forgive 
For this sad gift the unfriendly fates ? 
32 



The Lover of the Qtmn of Sbeba 

KING SOLOMON 
Queen, we may love. 

THE QUEEN OF SHEBA 

Yet is not love, 
As life, illusion ? 

KING SOLOMON 
Even so deep, 

That this enchants into its sleep 
Even them that know the secret of 
The enchanted slumber that they keep. 
Love only of illusions brings 
The present to the present hour ; 
Wisdom and wealth and State and power 
Promise the future, whose slow wings. 
When we have reached it, do but shower 
A little travelling dust on us 
While groping in the duft we bow ; 
Love only is the eternal now, 
Being of our frailty piteous. 
When thou art I, and I am thou, 
Time is no more ; the heavy world, 
As we among the lilies, we 
Under the vine and almond tree, 
Wake to that slumber, might be hurled 
Into the void eternity, 
And we not know. Beloved, come 
Into the garden dim with spice ; 
Let us forget that we arc wise, 
n D 



The Lover of the Queen of Sheba 

And wisdom, though it be the sum 
Of all but love, is love's disguise. 
Let us forget all else that is, 
Save this, that joy is ours to know, 
A moment, ere he turn and go, 
And that joy's moment, love, is this. 

THE QUEEN OF SHEBA 
Beloved, be it even so. 



THE YOUTH 

He who has found all wisdom out 

Is yet too wise to find out love ; 

His wisdom and the pride thereof 

Is as a cloud folded about 

The brightness of the sun above. 

He does not know that love is breath 

A man but breathes because he musl: ; 

A breath, a bondage, and a trust, 

That knows not time, that knows not death, 

That knows not love which is but lm% 

Nor love which is but vain desire. 

He, who is wisdom, does not see 

It is from all eternity. 

Man loves that love which shall not tire 

When heaven and earth have ceased to be. 

She, for his moment, loves not him. 

But wisdom ; let him love, not her, 

But love ; I, waiting lonelier 

Than even of old, watch out the dim 

34 



The Lover of the Queen of Sbeba 

And shadowy days, that without stir 
Into the dusk of years descend ; 
I wait, till heaven and earth being gone, 
She conies to me to be my own 
Until this love come to an end. 
Bow down to me, O Solomon I 

May 28, 1898. 



THE DANCE OF THE DAUGHTERS OF 7 
HERODIAS 

Is it the petals falling from the rose ? 

For In the silence I can hear a sound 

Nearer than mine own heart-beat, such a word 

As roses murmur, blown by a great wind. 

I see a pale and windy multitude 

Beaten about the air, as if the smoke 

Of incense kindled into visible life 

Shadowy and invisible presences ; 

And, in the cloudy darkness, I can see 

The thin white feet of many women dancing, 

And in their hands ... I see it is the dance 

Of the daughters of Herodias ; each of them 

Carries a beautiful platter in her hand, 

Smiling, because she holds againSt her heart 

The secret lips and the unresting brow 

Some John the Baptist's head makes lamentable ; 

Smiling as innocently as if she carried 

A wet red quartered melon on a dish. 

For they are Stupid, and they do not know 

That they are slaying the messenger of God. 

Here is Salome. She is a young tree 

Swaying in the wind ; her arms are slender branches, 

And the heavy summer leafage of her hair 

Stirs as if rustling in a silent wind ; 

Her narrow feet are rooted in the ground, 

But, when the dim wind passes over her, 

RuStKngly she awakens, as if life 

Thrilled in her body to its finger-tips. 

Her little breads arise as if a thought 

36 



The Dancer of the Daughters of Herodias 

Beckoned, her body quivers ; and she leans 

Forward, as if she followed, her wide eyes 

Swim open, her lips seek ; and now she leans 

Backward, and her half-parted lips arc moist, 

And her eyelashes mingle. The gold coins 

Tinkle like little bells about her waist, 

Her golden anklets clash once, and are mute 

The eyes of the blue-lidded turquoises, 

The astonished rubies, waked from dreams of fire, 

The emeralds coloured like the under-sea, 

Pale chrysoprasc and. flaming chrysolite, 

The topass twofold, twofold sardonyx, 

Open, from sleeping long between her breasts ; 

And those two carbuncles, which are the eyes 

Of the gold serpent nestling in her hair, 

Shoot starry fire ; the bracelets of wrought gold 

Mingle with bracelets of carved ivory 

Upon her drooping wrists. Hcrodias smiles, 

But the grey face of 1 lerod withers up, 

As if it drooped to ashes ; the parched tongue 

Labours to moisten his still-thirsting lips ; 

The rings upon his wrinkled fingers strike, 

Ring against ting, between his knees. And she, 

Salome, has forgotten everything, 

But that the wind of dancing in her blood 

Exults, crying a strange, awakening song ; 

And Herod has forgotten everything, 

He has forgotten he is old and wise. 

He does not hear the doubled-handed sword 

Scrape on the pavement, as Hcrodias beckons 

The headsman, from behind him, to come forth. 

37 



The Dancer of the Daughters of Herodm 

They dance, the daughters of Herodlas, 

With their eternal, white, unfaltering feet, 

And always, when they dance, for their delight, 

Always a man's head falls because of them. 

Yet they desire not death, they would not slay 

Body or soul, no, not to do them pleasure ; 

They desire love, and the desire of men ; 

And they are the eternal enemy. 

They know that they are weak and beautiful, 

And that their weakness makes them beautiful, 

For pity, and because man's heart is weak. 

To pity woman is an evil thing ; 

She will avenge upon you all your tears, 

She would not that a man should pity her. 

But to be loved by one of these beloved 

Is poison sweeter than the cup of sleep 

At midnight : death, or sorrow worse than death, 

Or that forgetfulness, drowning the soul, 

Shall heal you of it, but no other thing : 

For they are the eternal enemy. 

They do not understand that in the world 

There grows between the sunlight and the grass 

Anything save themselves desirable. 

It seems to them that the swift eyes of men 

Are made but to be mirrors, not to see 

Far-off, disastrous, unattainable things. 

" For are not we," they say, " the end of all ? 

Why should you look beyond us ? If you look 

Into the night, you will find nothing there : 

We also have gazed often at the iftars. 

We, we alone among all beautiful things, 



The Dawuu of the Daughters of Ihrod/as 

We only arc teal : for the reSt arc dreams. 
Why will you follow after wandering dreams 
When we await; you ? And you can but dream 
Of us, and in our image fashion them 1 " 
They do not know that they but speak in sleep 
Speaking vain words as sleepers do ; that dreams 
Are fairer and more real than they are ; 
That all this tossing of our freighted lives 
Is but the restless shadow of a dream ; 
That the whole world, and we that walk in it, 
Sun, moon, and Stars, and the unageing sea, 
And all the happy humble life of plants, 
And the unthoughtful eager life of beasts, 
And all our loves, and birth, and death, are all 
Shadows, and a rejoicing spedtacle 
Dreamed out of utter darkness and the void 
By that first, last, eternal soul of things, 
The shadow of whose brightness fashions us, 
That, for the clay of our eternity, 
It may behold itself as in a mirror. 
Shapes on a mirror, perishable shapes, 
Fleeting, and without substance, or abode 
In a fixed place, or knowledge of ourselves, 
Poor, fleeting, fretful,, little arrogant shapes ; 
Let us dream on, forgetting that: we dream I 

They dance, the daughters of Horodias, 
Everywhere in the world, and I behold 
Their rosy-petalled feet upon the ait- 
Falling and falling in a cadence soft 
As thoughts of beauty sleeping. Where they pass, 



The Dance of tht^ Daughters of Her edit is 

J %>*** */ 

The wisdom which is wiser than things known, 
The beauty which is fairer than things seen, 
Dreams which are nearer to eternity 
Than that mot mortal tumult of the blood 
Which wars on itself in loving, droop and die. 
But they smile innocently, and dance on, 
Having no thought but this unslumbering thought: : 
" Am I not beautiful ? Shall I not be loved ? " 
Be patient, for they will not understand, 
Not till the end of time will they put by 
The weaving of slow Steps about men's hearts. 
They shall be beautiful, they shall be loved. 
And though a man's head falls because of them 
Whenever they have danced his soul asleep, 
It is not well that they should suffer wrong ; 
For beauty is Still beauty, though it slay, 
And love is love, although it love to death. 
Pale, windy, and ecstatic multitude 
Beaten about this mortal air with winds 
Of an all but immortal passion, borne 
Upon the flight of thoughts that drooped their wings 
Into the cloud and twilight for your sake, 
Yours is the beauty of your own desire, 
And it shall wither only with that love 
Which gave it being. Dance in the desolate air, 
Dance always, daughters of Herodias, 
With your eternal, white, unfaltering feet, 
But dance, I pray you, so that I from fat- 
May hear your dancing fainter than the drift 
Of the kft petals falling from the rose, 
July 14, 1897. 
40 



THE CHTMAERA 

I DREAMED that the Chimaera came, 

A wandering angel, white with flame 

From some cloud's height or moonless deep, 

And bent above me in the sleep 

We dream in cradles, mused, and smiled 

Subtly, and said to me : " O child, 

Born under Venus, to be love's, 

Under the Moon, that whitely moves, 

ChaStc and inconstant, over heaven ; 

Child, who to Herschcl has been given, 

The star of Strange desire, all these 

Are busy with your destinies. 

You shall desire immortal things, 

And, in too swift imaginings, 

Tire out desire, who has but wings. 

You shall desire love, you shall track 

The young Gocl home ; then, shrinking back, 

Like Psyche from his naked face, 

Desert him at the meeting-place. 

You shall desire fame, yet despise 

The bent knees, the insolent cries 

And loud hands of the multitude. 

You shall desire joy's daily food 

And hope's unalterable home, 

Yet refuse peace. And there shall come 

Every desire you have implored, 

And shall kneel down, saying Lord, Lord, 

And wait your pleasure. But you, tired 



The Chimaera 

Of all desires you have desired, 
Shall say, I know you not, and thjeusl: 
Scornfully back into the dust 
These servitors importunate, 
Then, from the silence where I wait, 
A blind old madness shall return, 
And shall lay hold on you and burn 
Your veins with bitter life ; for this 
Kings have lost kingdoms in a kiss, 
And wise men kingdoms of the mind, 
And have gone forth, naked and blind, 
With dancing and with insane mirth, 
Into the waSte ways of the earth. 
You shall seek out the Cloven Hill, 
Where the wide gates are open Still, 
The tables set, nor have they ceased, 
The fearers feasting at the feast. 
Then shall that dusk of shadowy air 
(Because for you one light is there) 
Blossom in white-rose flame for you.. 
And the old sun and air and dew 
And freshness of the world, and change 
Of seasons and cold Stars, grow Strange ; 
Then, suddenly, you shall be hurled, 
Forth from thence, back into the world, 
Then shall your veins, remembering 
That sweet, intolerable thing 
Which shook their pulses with its breath, 
Desire the shadow of that death ; 
And it shall not be given you back. 
Then shall you seek the hidden track 
42 



The Chimaera 

A mist has covered from your eyes 
Since like a veil about you lies 
The bright imprisonment of day. 
Child-, child, you shall not find the way." 

Chimaera., 1 have been among 
The loving people, who yet throng 
The twilight about Tannhauser ; 
And I have seen the face of her 
Whose sorrow, older than that grace 
Which in her face is Beauty's face, 
Fights in her battled soul for God. 
And the earth, knowing I have trod 
Ways not Its ways, those ways not meet, 
Sets all its Stones againsJt my feet. 
Let me return, Chimaera 1 Still 
I seek for the accursed hill, 
The mo$t fair gate of Hell. Some day, 
Chimaera, 1 shall find the way 1 

Ah, if I might but find it not ! 

Are there not other ways forgot 

Which lead to other lands than this 

Of the immeasurable abyss ? 

1 would that I could one day close 

Mine eyes In some divine repose ; 

That I could shape to my control 

A palace for my restless soul. 

With dreams of order I would build, 

My comely palace should be filled 

With dreams of colour and bright sound, 



The Chimaera 

And twilight should enfold it round, 
Setting a veil against the sun. 
Then, like mute servants, one by one, 
Dreams should bring in to me, and lay 
Before my feet, and bear away, 
Beautiful things of earth, but changed, 
Made pallid, delicate, estranged 
From the gold light, the glittering air. 
There should my soul find refuge, there 
Life and my dream of life be one. 
Too late ! The music has begun 
Which calls me in the air ; there floats 
A sound of voices, the wild notes 
(Is it in air, is it from earth ?) 
Which were the wine-song of our mirth. 
They call me if a moment's peace 
Rock memory to sleep ; then cease. 

Chimaera, I will Strive no more. 

All things, as they have been before, 

Shall be, until the end of days, 

Nor shall our crying change the ways 

Our feet must walk in. I will Strive 

No more, content to be alive, 

Hoping no hopes, accepting all, 

Quiet behind the prison-wall 

Which with thine own self shuts me in. 

Why Strive in vain ? why not begin 

To make my prison fair to see, 

And half forget my slavery ? 

Shall not the universal Stars 

44 



The Chimaera 

Visit me through my prison-bars ? 

But it is you, Chimaera, you, 

Whose low continual whisper through 

Those prison-bars the whole day long 

Comes to me, murmuring : " Up, be Strong 

Cast off your chains, come forth, behold 

A way of roses and of gold ; 

Winter is over, and the spring 

In the world's heart is blossoming ; 

It is the time of lilies. Come ! " 

O impotent voice abhorred, be dumb 1 

Why is it that I cannot find 

Bounds to my ardours unconfined, 

Why, empty of sin and void of grace, 

Do I behold only my face 

In the white mirror of the world, 

Vainly, and without respite, hurled 

Like the torn winds about the void ; 

Why thirsting still for unenjoyed 

Delights and undiscovered springs, 

Desiring in all mortal things 

To hear and hold and taste and see 

Mortal impossibility ? 

All men, not wholly drowned in life, 

Suffer the rapture and the Strife 

Of their Chimaera : some men chain 

That airy monster of the brain, 

And he is Ariel to them ; some 

Endure his bondage. Yet there come, 

To all these, phantoms of release, 

Even these possess the secret peace 



The Chimaem 

Which is both memory and hope. 
But I have rendered all things up ; 
White angel, wandering from afar, 
I know you now, the thing you arc, 
I know I am myself mine own 
Chimaera, chained, famished, alone, 
Whose anger, heartens him afresh 
To feed upon his very esh, 
Till anguish bid delight to pause ; 
And I mut suffer him because 
Until the hour when God shall send 
Suddenly the relu&ant end 
He with my breath must draw his breath. 
O bondslave, bondslave unto death, 
Might I but hope that death should free 
This self from its eternity ! 

BOLOGNA, VENICE, May 8-15, 1897. 
LONDON, January i o, 1898. 



THE OLD WOMEN 

THEY pass upon their old, tremulous feet, 

Creeping with little satchels down the Street, 

And they remember, many years ago, 

Passing that way in silks. They wander, slow 

And solitary, through the city ways, 

And they alone remember those old days 

Men have forgotten. In their shaking heads 

A dancer of old carnivals yet treads 

The measure of past waltzes, and they see 

The candles lit again, the patchouli 

Sweeten the air, and the warm cloud of musk 

Enchant the passing of the passionate dusk. 

Then you will see a light begin to creep 

Under the earthen eyelids, dimmed with sleep, 

And a new tremor, happy and uncouth, 

Jerking about the corners of the mouth. 

Then the old head drops down again, and shakes, 

Muttering. 

Sometimes, when the swift gaslight wakes 

The dreams and fever of the sleepless town, 

A shaking huddled thing in a black gown 

Will Steal at midnight, carrying with her 

Violet little bags of lavender, 

Into the tap-room full of noisy light ; 

Or, at the crowded earlier hour of night, 

Sidle, with matches, up to some who Stand 

About a Stage-door, and, with furtive hand, 

Appealing : " I too was a dancer, when 



The Old Women 

Your fathers would have been young gentlemen 1 

And sometimes , out of some lean ancient throat, 

A broken voice, with here and there a note 

Of unspoilt crystal, suddenly will arise 

Into the night, while a cracked fiddle cries 

Pantingly after ; and you know she sings 

The passing of light, famous, passing things. 

And sometimes, in the hours past midnight, reels 

Out of an alley upon staggering heels, 

Or into the dark keeping of the stones 

About a doorway, a vague thing of bones 

And draggled hair. 

And all these have been loved, 

And not one ruinous body has not moved 

The heart of man's desire, nor has not seemed 

Immortal in the eyes of one who dreamed 

The dream that men call love. This is the end 

Of much fair flesh ; it is for this you tend 

Your delicate bodies many careful years, 

To be this thing of laughter and of tears, 

To be this living judgment of the dead, 

An old grey woman with a shaking head. 

BURNHAM BEECHES, July 1 5, 1906. 



THE UNLOVED 

THESE are the women whom no man has loved. 

Year after year, day after day has moved 

These hearts with many longings, and with tears, 

And with content ; they have received the years 

With empty hands, expecting no good thing ; 

Life has passed by their doors, not entering. 

In solitude, and without vain desire. 

They have warmed themselves beside a lonely fire ; 

And, without scorn, beheld as in a glass 

The blown and painted leaves of Beauty pass. 

Their souls have been made fragrant with the spice 

Of cosily virtues lit for sacrifice ; 

They have accepted Life, the unpaid debt, 

And looked for no vain day of reckoning. 

Yet 

They too in certain windless summer hours 

Have felt the stir of dreams, and dreamed the powers 

And the exemptions and the miracles 

And the cruelty of Beauty. Citadels 

Of many-walled and deeply-moated hearts 

Have suddenly surrendered to the arts 

Of so compelling magic ; entering, 

They have esteemed it but a little thing 

To have won so great a conquest ; and with haste 

They have cast down, and utterly laid waste, 

Tower upon tower, and sapped their roots with flame ; 

And passed on that eternity of shame 

Which is the way of Beauty on the earth. 

II E 



The Unloved 

And they have shaken, laughter from its mirth, 

To be a sound of trumpets and of horns 

Crying the battle-cry of those ted morns 

Against a sky of triumph. 

On some nights 

Of delicate Springtide, when the hesitant lights 

Begin to fade, and glimmer, and grow warm, 

And all the softening air is quick with Storm, 

And the ardours of the young year, entering In, 

Flush the grey earth with buds ; when trees begin 

To feel a trouble mounting from their roots, 

And all their green life blossoming into shoots, 

They too, in some obscure, unblossoming ftrifc, 

Have felt the stirring of the sap of life. 

And they have wept, with bowed heads ; in the Street 

They hear the twittering of little feet, 

The rocking of the cradles in their hearts. 

This is a mood, and, as a mood, departs 
With the dried tears ; and they resume the tale 
Of the dropt Stitches ; these must: never fail 
For a dream's sake ; nor, for a memory, 
The telling of a patient rosary. 

TILLYRA CASTLE, Augufl 19, 1896. 



THE BEGGARS 

IT is the beggars who possess the earth. 

Kings on their throne have but the narrow girth 

Of some poor known dominion ; these possess 

All the unknown, and that vast happiness 

Of the uncertainty of human things. 

Wandering on eternal wanderings, 

They know the world ; and tasting but the bread 

Of charity, know man ; and, Strangely led 

By some vague, certain, and appointed hand, 

Know fate ; and being lonely, understand 

Some little of the thing without a name 

That sits by the roadside and talks with them, 

When they are silent ; for the soul is shy 

If more than its own shadow loiter by. 

They and the birds are old acquaintances, 

Knowing the dawn together ; theirs it is 

To settle on the dusly land like crows, 

The ragged vagabonds of the air ; who knows 

How they too shall be fed, day after day, 

And surer than the birds, for are not they 

The prodigal sons of God, our piteous 

Aliens, outcast and accusing us ? 

Do they not ask of us their own, and wait, 

Humbly, among the gods about the gate, 

While we are feasting ? They will wait till night : 

Who shall wait longer ? 

Dim, shadowy, white, 

The highway calls ; they follow till it ends, 



The Beggars 

And all the way they walk among their friends, 
Sun, wind, and rain, their tearful sister rain, 
Their brother wind. Forest and hill and plain 
Know them and are forgotten. Grey and old, 
Their feet begin to linger, brown arms fold 
The heavy piece of earth about their heart, 
And soon, and without trouble, they depart- 
On the last journey. 
As the beggar lies, 

With naked face, remembering the skies, 
I think he only wonders : Shall I find 
A good road Still, a hayrick to my mind, 
A tavern now and then upon the road ? 
He has been earth's guest ; he goes ; the old abode 
Drops to the old horizon, and the day 
Is over, and the dark is on the way. 

6, 7> 1898. 



DIVISIONS ON A GROUND 

I 

BELOVED, there Is a sorrow in the world 

Too aged to remember its own birth, 

A grey, old, weary, and immortal sorrow. 

The sorrow of our love is as a breath 

Sighed heavily by a sleeper in a dream ; 

But this great sorrow of the world endures. 

Sleepless, the alternation of the Stars, 

Beholding death, and crying upon death, 

Sad with old age, and weary of the sun, 

And deathless ; and shall not be wearier 

When time has runted your bright hair's fine gold. 

Think what a little sorrow have we had 

Who have seen beauty with the eyes of love, 

Who have seen knowledge, wisdom, evil and good, 

With the eyes of beauty, having felt the flame 

Cleanse, sacrifice, illuminate us with joy ! 

Think on all lovers who have never met. 

Wandering in the exile of the world, 

Remembering they know not what, some voice, 

Unheard and yet remembered, some dear face 

Which shines beyond a cloud and waits for them. 

Think then how little sorrow we have had 1 

All the uncomely evil of the earth 

Has passed us by ; sorrow has been no clown 

Forcing our gates with riotous mirth, but grave 

As the unwilling herald of a king, 



Divisions on a Ground 

And we, have we not willed that this should be, 
Somewhere, when naked soul by naked soul 
The fashioner of the world arraigns his work, 
Bidding each living thing behold, and choose, 
Beholding, his own lot ; have we not willed 
That all this should be thus, willing our fate ? 

blind, old, weary sorrow of the world, 
Receive my pity, though from this day forth 

1 have said farewell to joy ! I have within 
A memory which is more than happiness ; 

I have seen the glory, and am henceforth blind 
That I may feasl: on sight. Alas for those 
On whom no unendurable glory shone, 
Blind from the birth, who labour and behold 
No shining on the sea or in the sky 
When the long day is over, but endure 
The weight of that old sorrow of the world 
Which beauty cannot lift from tired men. 
November 27, 1897. 



II 

The sorrowful, who have loved, I pity not ; 
But those, not having loved, who do rejoice 
To have escaped the cruelty of love, 
I pity, as I pity the unborn. 
Love is, indeed, as life is, full of care, 
The tyrant of the soul, the death of peace, 
Rash father and blind parricide of joy ; 
And it were better never to have been, 
54 



Divisions on a Ground 

If slothful ease, calm hours, are all of life, 

Than to have chosen such a bedfellow. 

Yet, if not res~t, but rapture, and to attain 

The wisdom that is silence in the Stars 

When the great morning-song is quieted, 

Be more of life than these, and worth the pain 

Of living, then choose love, although he bring 

Mountainous griefs, griefs that have made men mad. 

Be sorrowful, all ye that have not loved, 

Bow down, be sorrowful exceedingly, 

Cover your heads from the embracing air, 

And from the eye of the sun lesl: ye be shamed ; 

Earth would be naked of you ; ye have known 

Only to hide from living ; life rejects 

The burden of your uncornpanioned days. 

This is of all things saddest in the world, 

Not that men love, not that men die for love, 

But that they dare be cowards of their joy, 

Even unto death ; who, dying without love, 

Drop into narrow graves to shiver there 

Among the winds of time, till time's last wind 

Cleanse off the poor, lonely, and finite dust 

From earth made ready for eternity. 

November 21, 1897. 

Ill 

Let me hear music, for I am not sad, 
But half in love with sadness. To dream so, 
And dream, and so forget the dream, and so 
Dream I am dreaming 1 This old little voice, 



Divisions on a Ground 

Which pants and flutters in the clavichord, 

Has the bird's wings in it, and women's tears, 

The dust has drunken long ago, and sighs 

As of a voiceless crying of old love 

That died and never spoke ; and then the soul 

Of one who sought for wisdom ; and these cry 

Out of the disappointment of the grave. 

And something, in the old and little voice, 

Calls from so farther off than far away, 

I tremble, hearing it, lest it draw me forth, 

This flickering self, desiring to be gone 

Into the boundless and abrupt abyss 

Whereat begins infinity ; and there 

This flickering self wander eternally 

Among the soulless, uncreated winds 

Which Storm against the barriers of the world. 

But most I hear the pleading and sad voice 

Of beauty, sad because it cannot speak 

Out of harsh Stones and out of evil noise, 

And out of thwarted faces, and the gleam 

Of things corrupted, and all ruinous things. 

This is the voice that cries, and would be heard, 

And can but speak in music. Venerable 

And ageless Beauty of the world, whose breath 

Is life in all things, I have seen thy form 

In cloud, and grass, and wave, and glory of man, 

Flawless, but I have heard thy very voice 

Here only, here only human, and here sad 

Only of all thy voices upon earth. 

November 27, 1897. 

56 



Divkions on a Ground 

IV 

Who shall deliver us from too much love ? 

There Is an evil thing within the world, 

Mother of hatred, mother of cruelties, 

The sunderer of hearts ; and this is love. 

I, if mine enemy hunger, give him food, 

And, if mine enemy thlrs\ give him to drink; 

This is a little and an easy thing. 

But, if I heap the dish with only love, 

In any charity, for love's sake alone 

Fate shall not hold me guiltless of that deed. 

For sorrow goes with it, and bitter joy, 

And memory, and the desire of love, 

And aching of remembering hearts remembered. 

There is an evil thing within the heart : 

Grief shall not master it nor any fear, 

Nor any knowledge, nor desire of right ; 

Love in the heart shall shine within the eyes, 

Giving Itself In gift, withholding nothing ; 

And where the man gives shall the woman take, 

And where the woman gives the man shall take, 

Not counting gifts, giving and taking all, 

Ruinously, a plague upon the earth, 

O giver of this love, give man to see 

The glory of thine Intolerable gift, 

Or snatch again out of his passionate hands, 

Out of his passionate and childish hands, 

That beautiful and sharp and fragile thing, 

Love, that he makes so deadly and his toy I 

January 2, 1898. 



Divisions on a Ground 
V 

There is a woman whom I love and hate : 

There is no other woman in the world : 

Not in her life shall I have any peace. 

There is a woman whom I love and hate : 

I have not praised her : she is beautiful : 

Others have praised her : she has seen my heart : 

She looked, and laughed, and looked,, and went away. 

There is a woman whom I hate and love : 
This is my sorrow : she has bound my neck 
Within the noose of her long hairs, and bound 
My soul within the halter of her dreams, 
And fastened down my heart into one place, 
Like a rat nailed upon a granary door ; 
And she has gone a farther way than death. 

There is a woman whom I love and hate : 
Not in her life shall I have any peace : 
Death, hear me not, when I desire her death 1 

December i2 a 1897. 



SOULS IN THE BALANCE 

I. TO OUR LADY OF THE SEVEN SORROWS 

LADY of the seven sorrows which arc love, 

What sacrificial way 

First led your feet to, those remoter heights 

Which, for the uttermost delights 

Of martyrs and Love's saints, are set above 

The Stations of the passion of our day ? 

Seven sorrows unto you has been desire 

Since first your cheek grew pale. 

And your astonished breath would fail, 

And your eyes deepened into smouldering fire ; 

Seven sorrows from a child. 

Nor has the soul which in you pants and rises 

At any time been reconciled 

With love and love's intolerable disguises. 

In the child's morning-hour 

You woke, and knew not the immortal power 

Which in your ignorant veins was as the breeze 

Troubling the waters of a little lake 

And crying in the neSts among the trees. 

Fear bid you, trembling, wake, 

And listen to the voice which seemed to shake 

Bewildering prophecies 

Unto the empty audience of the air. 

The child, grown older, heard that voice again, 

Nor heard that voice in vain. 

You smiled, with a new meaning in your eyes, 

59 



To our Lady of the Seven Sorrows 

As of some new, delightful care 

Which made you suddenly mote wise, 

Older, and to yourself more fair. 

Then silence came about your lips, and laid 

That tremulous shadow there, 

Whereby the sorrows mark you for their own. 

You woke and were afraid to be alone, 

And full of some Strange joy to be afraid. 

First love, the hour it came, 

You seemed to have remembered ; and you knew 

What a smoke-thwarted flame 

Love's torch is, and the jewel of love's faith 

How flawed, and by how many a name 

The immortal comes to mortals, and how deal h 

Is the first breath that love, made mortal, drew. 

Therefore, not without tears. 

And penitence, and a relu&ant rapture, 

All love's and not your lover's capture, 

Not without sure, foreseeing fears 

Of the unavoidable dedication of your years, 

You entered on the way, 

The way that was to be. 

Mortal, and pitiful, yet immortally 

Predestinate to that illustrious grief 

Whose extreme anguish is its own relief, 

Lady of the seven sorrows, who shall say 

The ardours of that way ? 

Men have looked up and seen you pass, and bowed 

Into the dust to kiss your weary feet ; 

60 



To our Lady of the Seven Sorrows 

And you have passed, and they have cursed aloud 

With duSty mouths to find the clut not sweet. 

You have passed by ; your eyes 

Unalterably open in a dream, 

Seeing alone the gleam 

Of a far, mo rial, assure paradise 

Which your ecstatic feat is to attain, 

Sometimes you linger,, when men cry to you, 

Linger as in a dream, 

Linger in vain, 

Having but shared, as they would have you do, 

Some ecstasy of pain. 

Therefore you shall be neither blessed nor cursed, 

But pardoned, for you know not what you do ; 

And of all punishments the worst 

Of punishments for you is to be you. 

Go, neither blessed nor cursed : 

We, all we too who suffer of you, throng 

To make a royal passage for your feet, 

When, iti a dream, ere long, 

They shall go sorrowfully up the Street. 

You will pass by and not remember us, 

We shall be Grange as any lat year's mirth ; 

It is not thus, so lightly, O not thus 

You carry the seven sorrows of the earth. 

NAPLES, April 12-1:3, 1897. 



II. STELLA MALIGN A. 

MY little slave ! 

Wouldst thou escape me ? Only in the grave, 



be poison to thee, honey-sweet, 
And, my poison having tasted, 
Thou shalt be delicately wasted, 
Yet shalt thou live by that delicious death 
Thou hast drunken from my breath, 
Thou didst with my kisses eat. 
I will be thy desire, and thou shalt flee me, 
Thy enemy, and thou shalt seek : 
My Strength is to be weak, 

And if through tears, not through thy tears, thou see me, 
Beware, for of my kisses if thou tire, 
Not of my tears, 

Not of my tears shalt thou put off desire 
Before the end of years. 

What wouldst thou of rne, little slave 1 my heart ? 

Nay, be content, here are mine arms around thee, 

Be thou content that I have found thee, 

And that I shall not suffer thee depart. 

Ask nothing more of me. 

Have I not given thee more than thou canst measure ? 

Take thou thy fill of pleasure. 

Exult that thou art mine : think what it is 

To be without my kiss ; 

Not to have known me is to know not love. 

62 



Stella Maltgna 

Think, to have known me not ! 

Heart may indeed from heart remove, 

Body by body may not be forgot. 

Thou hast been mine : ask nothing more of me 

My heart is not for thee. 

Child, leave me then my heart ; 

I hold it in a folded peace apart, 

I hold it for mine own. 

There, in the quietness of dreams, it broods 

Above untroubled moods, 

No man hath been so near me as to have known. 

The rest is thine : ah, take 

The gift I have to give, my body, lent 

For thy unsatisfied content, 

For thy insatiable desire's compelling, 

And let me for my pleasure make 

For my own heart a lonely dwelling. 

Thou wilt not ? Thou wilt summon sorrow 

From morrow unto endless morrow ? 

Thou wilt endure unto the uttermost ? 

Ah ! little slave, my slave, 

Thou shalt endure until desire be lost 

In the achievement of the grave. 

Thou shalt endure, and I, in dreams, behold, 

Within my paradise of gold, 

Thy heart's blood flowering for my peace ; 

And thy passion shall release 

The secret light that in the lily glows, 

The miracle of the secret rose, 

DIEPPE, Auguft 13, 1896. 



Ill THE PALE WOMAN 

I SPOKE to the pale and heavy-lidded woman, and said : 

O pale and heavy-lidded woman, why is your check 

Pale as the dead, and what are your eyes afraid iet they 

speak ? 

And the woman answered rne : I am pale as the dead, 
For the dead have loved me, and I dream of the dead. 

But I see in the eyes of the living, as a living fire, 

The thing that my soul in triumph tells me I have forgot ; 

And therefore mine eyelids are heavy, and I raise them not, 

For always I see in the eyes of men the old desire, 

And I fear left they see that I desire their desire. 

ROME, February 12, 1897. 



IV. MATER LILIARUM 

IN the remembering hours of night, 
When the fierce-hearted winds complain, 
The trouble comes into my sight, 
And the voices come again, 
And the voices come again. 

I see the tall white lilies bloom, 
(Mother of lilies, pity me 1) 
The voice of lilies in the room 
(Mother of lilies, pity me I) 
Crying, crying silently. 

The voice of lilies is your voice, 
White lily of the world's desire ; 
And yours, and yours the lily's choice, 
To consume whitely, as by fire, 
Flawless, flaming, fire in fire. 

O lily of the world's despair, 

And born to be the world's delight, 

Is it enough to have been fair, 

To have been pure, to have been white, 

As a lily in God's sight ? 

When the dark hours begin to wake, 
And the unslackening winds go by, 
There comes a trouble, for your sake : 
O is it you, O is it I, 
Crying the eternal cry ? 
n F 



Mater L,iliarttnu 



I see the phantom lilies wave, 
I hear the voices calling me ; 
O you, that are too pure to save, 
Immaculate eternally, 
Mother of lilies, pity me ! 

June 2, 1896. 



V. THE DOGS 

MY desires are upon me like dogs, I beat them back, 
Yet they yelp upon my track ; 

And I know that my soul one day shall lie at their feet. 
And my soul be these dogs' meat. 

My soul walks robed in white where the saints sing psalms. 

Among the lilies and palms, 

Beholding the face of God through the radiant bars 

Of the mystical gate of Stars ; 

The robes of my soul are whiter than snow, she sings 

Praise of immortal things ; 

Yet Still she listens, still in the night, she hears 

The dogs' yelp in her ears. 

MoSt High 1 I will pray, look down through the seven 
Passionate veils of heaven. 

Out of eternal peace, where the world's desire 

Enfolds thee in veils of fire ; 

Holy of Holies, the immaculate Lamb, 

Behold me, the thing 1 am 1 

I, the redeemed of thy blood, the bought with a price 9 

The reward of thy sacrifice, 

I, who walk with thy saints in a robe of white, 

And who worship thee day and night, 

Behold me, the thing I am, and do thou beat back 

These feet that burn on my track 1 

1 have prayed, God has heard ; I have prayed to Him, He 

has heard ; 

6? 



Dogs 

But He has not spoken a word ; 

My soul walks robed in white among lilies and palms, 

And she hears the triumphing psalms ; 

But louder than all, by day and by night, she hears 

The dog's yelp in her ears ; 

And I know that my soul one day shall lie at their feet., 

And my soul be these dogs' meat. 

I"ILLYR A CASTLE, Augufi 25, 1896 , 



VI. SPONSA DEI 

JESUS CHRIST, I have longed with my whole heart for Thee, 
O come to me and be the bridegroom of Thy bride ; 
In Thy eternal presence give me to abide 
Till mortal years have put on immortality. 

I have longed with an intolerable desire 
For the indwelling ecstasy of the great breath, 

For that immortal death which shall annihilate death 
And burn up hell with Thy consuming kiss of fire. 
All night because of Thee, Christ, I have lain awake, 
Night after night I have lain awake in my white bed ; 
The pillow is as seething fire beneath my head, 
The sheets as swathing fire, all night, Christ, for Thy sake, 
Night after night I have waited for Thee, all night long. 
Mystical bridegroom of this flesh that pants to close 
The aching arms of love's desire in love's repose 
About Thy conscious presence felt : O Lord, how long ? 

1 have grown faint with over-much desire, and pale 
With vigils over-much, my flesh forsakes my bones : 
Suffering love of Christ, if that in Thee atones 

For suffering sin in us, let not Thy mercies fail ; 
For I have suffered, Lord, upon Thy very cross, 
I bear upon my brow, my hands, my feet, my side, 
The burning wounds Thou didst endure when crucified, 
And for this gain I do account all things but loss. 
Jesus Christ, I have waited for Thy coming : come ! 
Possess this waiting body no man hath possessed ; 
Let me but feel Thy kiss of fire upon my breaSt 
Lick up the duSt of this consuming martyrdom I 

February 14, 1896. 



VII. ROSA FLAMMEA 

BEAUTIFUL demon, O veil those eyes of fire, 

Cover your breads that are whiter than milk, and ruddy 

With dewy buds of the magical rose,, your body, 

Veil your lips from the shining of my desire 1 

As a rose growing up from hell you waver before me, 

Shaking an odorous breath that is fire within ; 

The Lord Christ may not pardon me this sweet sin, 

But the scent of the rose that is rooted in, hell Steals o'er me. 

O Lord Christ, I am loft, I am losl:, I am loft ! 

Her eyes are as Stars in a pool and their spell is on me ; 

She lifts her unsearchable lids, chill fire is upon me, 

It shudders through every vein, and niy brain is tossed 

As the leaves of a tree when the wind coils under and ovct ; 

She smiles, and I hear the heart beat in my side ; 

She lifts her hands, and I swirl in a clutching tide ; 

But shall my soul not burn in flame if I love her ? 

She shall veil those eyes, those lips, ah 1 that brcaft. 

Demon seeking my soul, I do adjure thee, 

In the name of him for whose tempted sake I endure thcc, 

Trouble my sight no more : loft soul, be at reft I 

She smiles, and the air grows into a mift of spices, 

Frankincense, cinnamon, labdanum, and myrrh 

Rise in sweet smoke about the feet of her 

Before whom the sweets of the world are as sacrifices. 

Cinnamon, frankincense, labdanum, and myrrh 

Smoke in the air, the fume of them closes round me ; 

Help, ere the waves of the flood of odours have drowned me, 

Help, ere it be too late ! There has no help come, 

7 



Rosa flammed 

And I feel that the r ose of the pit begins to blossom 
Into the likeness of a lost soul on fire, 
And the soul that was mine is emptied of all but desire 
Of the rose of her lips and the roses of her bosom. 
Ah ! she smiles the great smile, the immortal shame : 
Her mouth to my mouth, though hell be the price here- 
after ! 

I hear in the whirling winds her windy laughter, 
And my soul for this shall whirl in the winds of flame. 

BURNHAM BEECHES, July 10, 1896. 



VIII. LAUS VIRGINITATIS 

THE mirror of men's eyes delights me less, 

mirror, than the friend I find in thce ; 
Thou loves!:, as I love, my loveliness, 
Thou givest my beauty back to nic. 

1 to myself suffice ; why should I tire 

The heart with roaming that would rest at home ? 
Myself the limit to my own desire, 
I have no desire to roam. 

I hear the maidens crying in the hills : 
" Come up among the bleak and perilous ways, 
Come up and follow after Love, who fills 
The hollows of our nights and days ; 

" Love the deliverer, who is desolate, 
And saves from desolation ; the divine 
Out of great suffering ; Love, compassionate, 
Who is thy bread and wine, 

" O soul, that faints in following after him." 
I hear ; but what is Love that I should tread 
Hard ways among the perilous passes dim, 
Who need no succouring wine and bread ? 

Enough it is to dream, enough to abide 

Here where the loud world's echoes fall remote, 

Untroubled, unawakened, satisfied ; 

As water-lilies float 

I 2 - 



Law Virginitatu 

Lonely upon a shadow-sheltered pool. 
Dreaming of their own whiteness ; even so, 
I dwell within a nesl: of shadows cool., 
And watch the vague hours come and go. 

They come and go, but I my own delight 
Remain,, and I desire no change in aught : 
Might I escape indifferent Time's despite, 
That ruins all he wrought ! 

This dainty body formed so curiously, 

So delicately and wonderfully made. 

Mine own, that none hath ever shared with me. 

Mine own, and for myself arrayed ; 

All this that I have loved and not another, 
My one desire's delight, this, shall Time bring 
Where Beauty hath the abhorred worm for brother, 
The dugl for covering ? 

At leaslt I bear it virgin to the grave, 
Pure, and apart, and rare, and casketed ; 
What, living, was mine own and no man's slave, 
Shall be mine own when I am dead. 

But thou, my friend, my mirror, dost possess 
The shadow of myself that smiles in thee, 
And thou dot give, with thine own loveliness, 
My beauty back to me. 

May 2, 1887, 



IX. THE RAPTURE 

I DRANK your flesh, and when the soul brimmed up 

la that sufficing cup, 

Then., slowly, Steadfastly., I drank your soul ; 

Thus I possessed you whole ; 

And then I saw you, white, and vague, and warm, 

And happy, as that storm 

Enveloped you in its delirious peace, 

And fearing but release, 

Perfedly glad to be so lost and found, 

And without wonder drowned 

In little shuddering quick waves of bliss ; 

Then I, beholding this 

More wonderingly than a little lake 

That the white moon should make 

Her nest among its waters, being free 

Of the whole land and sea, 

Remembered, in that utmost pause, that heaven 

Is to each angel given 

As wholly as to Michael or the Lord, 

And of the saints' reward 

There is no first or last, supreme delight 

Being one and infinite. 

Then I was quieted, and had no fear 

That such a thing, so dear 

And so incredible, being thus divine, 

Should be, and should be mine, 

And should not suddenly vanish away. 

Now, as the lonely day 

74 



The 

Forgets the night, and calls the world from dreams, 

This, too, with daylight, seems 

A thing that might be dreaming ; for my soul 

Seems to possess you whole, 

And every nerve remembers : can it be 

This young delight is old as memory ? 

June 2, 1899. 



X. TO A GITANA DANCING: SEVILLE 

BECAUSE you are fair as souls of the lost arc fair, 

And your eyelids laugh with desire, and your laughing feet 

Are winged with desire, and your hands arc wanton, a ad 

sweet 

Is the promise of love in your lips, and the rose in your hair 
Sweet, unfaded, a promise sweet to be sought, 
And the maze you tread is as old as the world is old, 
Therefore, you hold me, body and soul, in your hold, 
And time, as you dance, is not, and the world is as nought. 
You dance, and I know the desire of all flesh, and the pain 
Of all longing of body for body ; you reckon, repel, 
Entreat, and entice, and bewilder, and build up the spell, 
Link by link, with deliberate Steps, of a flower-soft chain. 
You laugh, and I know the despair, and you smile, and 1 

know 
The delight of your love, and the flower in your hair is a 

Star, 

It brightens, I follow ; it fades, and I see it afar ; 
You pause : I awake; have I dreamt ? was it longer ago 
Than a dream that I saw you smile ? for you turn, you turn, 
As a Startled beasl: in the toils : it is you that entreat, 
Desperate, hating the coils that have fastened your feet, 
The desire you desired that has come ; and your lips now 

yearn, 

And your hands now ache, and your feet faint for love. 
Longing has taken hold even on you, 
You, the witch of desire ; and you pause, and anew 
Your Stillness moves, and you pause, and your hands move. 



To a Gitana Dancing: Seville 

Time, as you dance, Is as nought, and the moments seem 

Swift as eternity ; time is at end, for you close 

Eyes and lips and hands in sudden repose ; 

You smile : was it all no longer ago than a dream ? 

SEVILLE : December 4, 1898. 



ON AN AIR OF RAMEAU 

To ARNOLD DOLMETSCH 

A MELANCHOLY desire of ancient things 
Floats like a faded perfume out of the wires ; 
Pallid lovers, what unforgotten desires, 
Whispered once, are retold in your whisperings ? 

Roses, roses, and lilies with hearts of gold, 

These you plucked for her, these she wore in her breast ; 

Only Rameau's music remembers the rest, 

The death of roses over a heart grown cold. 

But these sighs ? Can ghosts then sigh from the tomb ? 

Life then wept for you, sighed for you, chilled your breath ? 

It is the melancholy of ancient death 

The harpsichord dreams of, sighing in the room. 

Qftober 2.5, 1897. 



AIRS FOR THE LUTE 

To MADAME ELODIE DOLMETSCH 

I 

WHEN the sobbing lute complains, 
Grieving for an ancient sorrow, 
This poor sorrow that remains 
Fain would iborrow, 
To give pleading unto sorrow, 
Those uncapturable Strains. 

All, that hands upon the lute 
Helped the voices to declare, 
Voices rnute 

But for this, might I not share, 
If, alas, I could but suit- 
Hand and voice unto the lute ! 
February zj, 1898. 

II 

If time so sweetly 

On true according viols make 

Her own completely 

The lawless laws of turn and shake ; 

How should I doubt then 

Love, being tuned unto your mood, 

Should bring about then 

True time and measure of your blood ? 

February 13, 1898. 



Airs for the 



III 

Why are you so sorrowful in dreams ? 

I arn sad in the night ; 

The hours till morning are white, 

I hear the hours' flight 

All night in dreams. 

Why do you send me your dreams ? 
For an old love's sake ; 
I dream if I sleep or wake, 
And shall but one heart ache, 
For the sake of dreams ? 

Pray that we sleep without dreams ! 
Ah, love, the only way 
To put sorrow away, 
Night or day, night or day, 
From the way of dreams I 

February 23, 1898. 



IV 

Strange, to remember tears 1 
Yet I know that I wept ; 
And those hopes and those fears, 
Strange, were as real as tears 1 

What's this delicate pain, 
Twilight-coloured and grey ? 
Odour-like through my brain 
Steals a shadowy pain, 
So 



A.irs for the 

What's this joy In the air ? 
Musical as the leaves, 
When the white winds are there, 
Faint j oy breathes in the air. 

ROME, January 12, 1897. 



MODERN BEAUTY 

I AM the torch, she saith, and what to me 
If the moth die of me ? I am the flame 
Of Beauty, and I burn that all may sec 
Beauty, and I have neither joy nor shame, 
But live with that clear life of perfect fire 
Which is to men the death of their desire. 

I am Yseult and Helen, I have seen 

Troy burn, and the most loving knight lie dead. 

The world has been my mirror, time has been 

My breath upon the glass ; and men have said, 

Age after age, in rapture and despair, 

Love's poor few words, before mine image there. 

I live, and am immortal ; in mine eyes 

The sorrow of the world, and on my lips 

The joy of life, mingle to me me wise ; 

Yet now the day is darkened with eclipse : 

Who is there lives for beauty. Still am I 

The torch, but where's the moth that Still dares die ? 

May 20, 1899. 



LAUS MORTIS 

I BRING to thee, for love, white roses, delicate Death ! 
White lilies of the valley, dropping gentle tears, 
The white camellia, the seal of perfect years, 
The misty white azalea, flickering as a breath, 
White flowers I bring, and all the flowers I bring for thee, 
Discreet and comforting Death 1 for those pale hands of 
thine ; 

hands that I have fled, soft hands now laid on mine, 
Softer than these white flowers of life, thy hands to me. 
Most comfortable Death, mother of many dreams, 
And gatherer of many wandering dreams of men. 
Dreams that come desolately flying back again, 

With soiled and quivering wings, from undiscovered Streams. 

1 have been fearful of thee, mother, all life long, 
For I have loved a warm, alluring, treacherous bride, 
Life, and she loved thee not ; to hold me from thy side, 
She closed her arms about my heart, to do thee wrong. 

gay and bitter bride of such divine desires, 
Too fiercely passionate Life, that waSl so prodigal 
Of thine eternal moments, at the end of all 

Take my forgiveness : I have passed through all thy fires. 
Nothing can hurt me now, and having gained and lost 
All things, and having loved, and having done with life, 

1 come back to thy arms, mother, and now all Strife 
Ceases ; and every homeward-flying dream, wind-tossed, 
My soul that looks upon thy face and understands, 

My throbbing heart that at thy touch is quieted, 
And all that once desired, and all desire now dead, 
Are gathered to the peace and twilight of thy hands. 
March 14-2.3, 1896. 

83 



TO NIGHT 

I HAVE loved wind and light,, 
And the bright sea, 
But, holy and most secret Night, 
Not as I love and have loved thee. 

God, like all highest things, 

Hides light in shade, 

And in the night His visitings 

To sleep and dreams are clearlicst made. 

Love, that knows all things well, 
Loves the night best ; 
Joys whereof daylight dares not tell 
Are his, and the diviner rest. 

And Life, whom day shows plain 
His prison-bars. 

Feels the close walls and the hard chain 
Fade when the darkness brings the stars. 
TARRAGONA, Qftober 27, 1898. 



MONTSERRAT 

PEACE waits among the hiJls ; 
I have drunk peace, 
Here, where the blue alt fills 
The great cup of the hills. 
And fills with peace. 

Between the earth and sky, 
I have seen the earth 
Like a dark cloud go by, 
And fade out of the sky ; 
There was no more earth. 

Here, where the Holy Graal 
Brought secret light 
Once, from beyond the veil, 
I, seeing no Holy Graal, 
See divine light. 

Light fills the hills with God, 
Wind with His breath, 
And here, in His abode, 
Light, wind, and air praise God, 
And this poor breath. 

MONTSERRAT, October 20, 1898. 



AT TARRAGONA 

IF I could know but when and why 

This piece of thoughtless duSt begins 

To think, and Straightway I am I, 

And these bright hopes and these brave sins, 

That have been freer than the air. 

Circle their freedom with my span ; 

If I could know but why this care 

Is mine and not the care of man ; 

Why, thus unwilling, I rejoice. 

And will the good I do not do, 

And with the same particular voice 

Speak the old folly and the new ; 

If I could know, seeing my soul 

A white ship with a bending sail, 

Rudderless, and without a goal. 

Fly seaward, humble to the gale, 

Why, knowing not from whence I came, 

Nor why I seek I know not what, 

I bear this heavy, separate name, 

While winds and waters bear it not ; 

And why the unlimited earth delights 

In life, not knowing breath from breath, 

While I, that count my days and nights, 

Fear thought in life, and life in death. 

TARRAGONA, OSober 26, 1898. 



86 



AT TOLEDO 

THE little Stones chuckle among the fields : 

" We are so small : Gocl will not think of us ; 

We are so old already, we have seen 

So many generations blunt their ploughs, 

Tilling the fields we lie in ; and we dream 

Of our first sleep among the ancient hills." 

The grass laughs, thinking : " I am born and die, 

And born and die, and know not birth or death, 

Only the going on of the green earth/' 

The rivers pass and pass, and are the same, 

And I, who see the beauty of the world, 

Pass, and am not the same, or know it not. 

And know the world no more. O is not this 

Some horrible conspiracy of things, 

That I have known, and loved and lingered with 

All my days through, and now they turn like hosts 

Who have grown tired of a delaying guest ? 

They cast me out from their eternity : 

God is in league with their forgetfulness. 

TOLEDO, April 7, 1899. 



OLD AGE 

IT may be, when this city of the nine gates 

Is broken down by ruinous old age, 

And no one upon any pilgrimage 

Comes knocking, no one for an audience waits, 

And no bright foraging troop of bandit moods 

Rides out on the brave folly of any gues% 

But weariness, the restless shadow of reft, 

Hoveringly upon the city broods ; 

It may be, then, that those remembering 

And sleepless watchers on the crumbling towers 

Shall lose the count of the disastrous hours 

Which God may have grown tired of reckoning. 

November 14, 1896. 



OPALS 

MY soul is like this cloudy, flaming opal ring. 

The fields of earth are iti it, green and glimmering, 

The waves of the blue sky, night's purple flower of noon, 

The vanishing cold scintillations of the moon, 

And the red heart that is a flame within a flame. 

And as the opal dies, and is reborn the same, 

And all the fire that is its life-blood seems to dart 

Through the veined variable intricacies of its heart. 

And ever wandering ever wanders back again, 

So must my swift soul constant to itself remain. 

Opal, have 1 not been as variable as you ? 

But, cloudy opal (laming green and red and blue, 

Are you not ever constant in your varying, 

Even as my soul, O captive opal of my ring ? 

Oflober 16, 1896. 



RUBIES 

THERE are nine rubles in this Indian ring, 
And every blood-red ruby is a part 
Of the nine-petalled rose that is my heart, 
The elaborate rose of my own fashioning. 
Not out of any garden have I sought 
The rose that is more brief than dawn or dew : 
Stones of the flame and ice, I find in you 
The image of the heart that I have wrought. 
For you are cold and burn as those with lire, 
For you are hard., yet veil soft depths below, 
And each divided ruby seems to glow 
With the brief passion of its own desire. 
Rose of my heart, shall this too be the same ? 
For, when one light catches the wandering rays, 
They rush together in one consuming blaze 
Of indivisible and ecstatic flame. 
November 10, 1896. 



DEGREES OF LOVE 

WHEN your eyes opened to mine eyes, 
Without desire, without surprise, 
I knew your soul awoke to sec 
All, dreams foretold, but could not be, 
Yet loving love, not loving me. 

When your eyes drooped before mine eyes, 
As though some secret made them wise, 
Some wisdom veiled them secretly, 
I knew your heart began to be 
In love with love, in love with me. 

When your eyes fawned against my eyes, 
With beaten hunger, and with cries, 
In bitter pride's humility, 
Love, wholly mine, had come to be 
Hatred of love for loving me. 

February 21, 1898. 



THE PRICE 

PITY all faithless women who have loved. None knows 
How much it hurts a woman to do wrong to love. 
The mother who has felt the child within her move, 
Shall she forget her child, and those ecstatic throes ? 

Then pity faithless women who have loved. These have 
Murdered within them something born out of their pain. 
These mothers of the child whom they have Joved and slain 
May not so much as lay the child within a grave, 
VENICE, May n, 1897. 



AN ENDING 

T WILL go my ways from the city, and then, maybe, 

My heart shall forget one woman's voice, and her lips ; 

I will arise, and set my face to the sea, 

Among Stranger-folk and in the wandering ships. 

The world is great, and the bounds of it who shall set ? 

It may be I shall find, somewhere in the world I shall find, 

A land that my feet may abide in ; then I shall forget 

The woman 1 loved, and the years that are left behind, 

But, if the ends of the world arc not wide enough 

To out-weary my heart, and to find for my heart some fold, 

1 will go back to the city, and her I love, 

And look on her face, and remember the clays of old. 

Sober z6 3 1896. 



IN IRELAND 

I. ON INISHMAAN: ISLES OF ARAN 

IN the twilight of the year, 
Here, about these twilight ways, 
When the grey moth night drew near, 
Fluttering on a faint flying, 
I would linger out the day's 
Delicate and moth-grey dying. 

Grey, and faint with sleep, the sea 
Should enfold me, and release, 
Some old peace to dwell with me. 
I would quiet the long crying 
Of my heart with mournful peace, 
The grey sea's, in its low sighing. 
TILLYRA CASTLE, August 13, 1896. 



II. BY THE POOL AT THE THIRD ROSSES 

I HEARD the sighing of the reeds 
In the grey pool in the green land, 
The sea-wind in the long reeds sighing 
Between the green hill and the sand. 

I heard the sighing of the reeds 
Day after day, night after night ; 
I heard the whirring wild ducks flying, 
I saw the sea-gull's wheeling flight. 

I heard the sighing of the reeds 
Night after night, day after day, 
And I forgot old age, and dying, 
And youth that loves, and love's decay. 

I heard the sighing of the reeds 
At noontide and at evening, 
And some old dream I had forgotten 
I seemed to be remembering. 

I hear the sighing of the reeds : 
Is it in vain, is it in vain 
That some old peace I had forgotten 
Is crying to come back again ? 

ROSSES POINT, September i, 1896. 



III. BY LOUGH-NA-GAR : RAIN. 

INTO a land of wandering rain 

I have ed from a voice that follows me s c till 

To the lonely cabin under the hill ; 

It cries to me out of the windless rain. 

And at night I hear it crying again. 

All day the rain is on the lake, 

All night the rain drips from the thatch ; 

I stand at the cabin door and watch 

The drifting rain beat on the lake, 

And the foam-white ripples gather and break. 

The woods are veiled with the rains all day. 
The woods crouch under the rains all night. 
And the rainy torrents cry from the height ; 
I hear in the rain, night and day, 
A voice crying from far away. 

GLENEAR, September n, 1896. 



IV. BY LOUGH-NA-GAR : GREEN LIGHT 

THE light of the world is of gold, 
But the light of the green earth fills 
The nestling heart of the hills : 

And the world's 'hours jare old, 

i / ) ^ 

And the world's thoughts are a dream, 
Here, in the ancient place 
Of peace, where old sorrows seem 
As the half-forgotten face 
Of flower-bright cities of gold 
That blossom beyond the height 
Seems in the earth-green light 
That is old as the earth is old. 

GLENEAR, September 13, 1896. 



V. IN THE WOOD OF FINVARA 

I HAVE grown tired of sorrow and human tears ; 
Life is a dream in the night., a fear among fears, 
A naked runner lost in a iftorrn of spears, 

I have grown tired of rapture and love's desire ; 

Love is a flaming heart 3 and its flames aspire 

Till they cloud the soul in the smoke of a windy fire. 

I would wash the dust of the world in a soft green flood : 
Here, between sea and sea, in the fairy wood, 
I have found a delicate, wave-green solitude. 

Here, in a fairy wood 3 between sea and sea, 

I have heard the song of a fairy bird in a tree, 

And the peace that is not in the world has flown to me. 

TILLYRA CASTLE, AuguH 23, 1896. 



SPAIN 

TO JOSEFA 

JOSEF A, when you sing, 

With clapping hands, the sorrows of your Spain, 

And all the bright-shawled ring 

Laugh and clap hands again, 

I think how all the sorrows were in vain. 



The footlights flicker and spire 

In tongues of flame before your tiny feet, 

My warm-eyed gipsy, higher, 

And in your eyes they meet 

More than their light, more than their golden heat. 



You sing of Spain, and all 

Clap hands for Spain and you, and for the song ; 

One dances, and the hall 

Rings like a beaten gong 

With louder-handed clamours of the throng. 



Spain, that with dancing mirth 

Tripped lightly to the precipice, and fell 

Until she felt the earth, 

Suddenly, and knew well 

That to have fallen through dreams is to touch hell ; 

99 



To Josef a 

Spain, brilliantly arrayed., 

Decked for disaster, on disaster hurled, 

Here, as in masquerade, 

Mimes 5 to amuse the world, 

Her ruin, a dancer rouged and draped and curled. 

Mother of chivalry, 

Mother of many sorrows borne for God, 

Spain of the saints, is she 

A slave beneath the rod, 

A merry slave, and in her own abode ? 

She, who once found, has lost 

A world beyond the waters, and she stands 

Paying the priceless cost. 

Lightly, with lives for lands, 

Flowers in her hair, castanets in her hands. 

MALAGA, February 16, 1899. 



VENETIAN NIGHT 

HER eyes in the darkness shone, In the twilight shed 

By the gondola bent like the darkness over her head. 

Softly the gondola rocked, lights came and went ; 

A white glove shone as her black fan lifted and leant 

Where the silk of her dress, the blue of a bittern's wing, 

Rustled against my knee, and, murmuring 

The sweet slow hesitant English of a child, 

Her voice was articulate laughter, her soul smiled. 

Softly the gondola rocked, lights came and went ; 

From the sleeping houses a shadow of slumber leant 

Over our heads like a wing, and the dim lagoon, 

Rustling with silence, slumbered under the moon. 

Softly the gondola rocked, and a pale light came 

Over the waters, mild as a silver flame ; 

She lay back, thrilling with smiles, in the twilight shed 

By the gondola bent like the darkness over her head ; 

I saw her eyes shine subtly, then close awhile : 

I remember her silence, and, in the night, her smile. 

VENICE, May 19, 1897. 



DREAMS IN ROME 

WHAT is it that sings a sleepy tune in my head ? 
Some faint old forgotten moon that is dead ? 
I will arise, for the dreams are about my bed. 

O is it in vain, is it in vain I have come ? 

Dark was the road in coming, and white the foam. 

Is there no rest for me here ? are there dreams in Rome ? 

ROME, February 8, 1897. 



PALM SUNDAY: NAPLES 

BECAUSE it Is the day of Palms, 

Carry a palm for me, 

Carry a palm in Santa Chiara, 

And I will watch the sea ; 

There are no palms in Santa Chiara 

To-day or any day for me, 

I sit and watch the little sail 

Lean sideways on the sea, 

The sea Is blue from here to Sorrento, 

And the sea-wincl comes to me, 

And I see the white clouds lift from Sorrento 

And the dark sail lean upon the sea. 

I have grown tired of all these things, 
And what is left for me ? 
I have no place in Santa Chiara, 
There is no peace upon the sea ; 
But carry a palm In Santa Chiara, 
Carry a palm for me. 

NAPLES, April n, 1897. 



THE COMING OF SPRING: MADRID 

SPRING is come back, and the little voices are calling, 

The birds are calling, the little green buds on the trees, 

A song in the street, and an old and sleepy tune ; 

All the sounds of the spring are falling, falling, 

Gentle as rain, on my heart, and I hear all these 

As a sick man hears men talk from the heart of a swoon. 

The clamours of spring are the same old delicate noises, 
The earth renews its magical youth at a breath, 
And the whole world whispers a well-known, secret thing ; 
And I hear, but the meaning has faded out of the voices ; 
Something has died in my heart : is it death or sleep ? 
I know not, but I have forgotten the meaning of spring. 

MADRID, April 15, 1899. 



r\ 



^ SEPTEMBER IDYLL : IN THE HAMMOCK : 
^ CHAMEANE 

A SKY of green and gold, tremulous, delicate, 

Starred with pale blue, and bright with little voices ; wind 

Lifting the golden outer fringe, autumn has thinned ; 

A yellow leaf drops ruStling, and another : wait, 

The leaves begin to whisper, and the voices cease : 

I hear the silence ; but a voice flutters again, 

A little, fluting voice, soft, piercing, as the rain ; 

I close mine eyes, and all my body sways with peace. 

Delicate, tremulous, seen under eyelids closed. 

The sky of green and gold sways over me, and seems 

To fill the languid soul with the desire of dreams ; 

But the sky fades, and only inner eyelids, rosed 

With filtered sunlight falling, shadow as they pass 

Not even dreams ; until a trailing hand perceives, 

Sudden, the earth again, in the crisp touch of leaves, 

And the arresting slender fingers of the grass. 

CHAMEANE, September 17, 1898. 



HASCHISCH 

BEHIND the door, beyond the light, 
Who is it waits there in the night ? 
When he has entered he will Stand, 
Imposing with his silent hand 
Some silent thing upon the night. 

Behold the image of my fear. 
O rise not, move not, come not near ! 
That moment, when you turned your face, 
A demon seemed to leap through space ; 
His gesture Strangled me with fear. 

And yet I am the lord of all. 
And this brave world magnifical, 
Veiled In so variable a mist 
It may be rose or amethyst, 
Demands me for the lord of all ! 

Who said the world is but a mood 
In the eternal thought of God ? 
I know it, real though it seem, 
The phantom of a hascbisch dream 
In that insomnia which is God. 

PARIS, TURIN, December 20, 1896. 



1 06 



TO THE MERCHANTS OF BOUGHT 
DREAMS 

I BUY no more from merchants of bought dreams, 
For I have greater memories than these bring 
Back from their cloudy-footed wandering 
In the unpopulous air ; this magic seems 
Indeed a key unlocking crystal doors 
That whiten on the unopening mountain-side, 
But I can set the gates of treasure wide. 
Beyond the last land where the last sea roars, 
I have a kingdom under my command 
More than the kingdom of these fantasies ; 
The shadow of the world darkens my eyes, 
And I see clear in the shadow ; on my hand 
I wear the little ring which, waked to fire, 
Calls up the lower powers made serviceable : 
And earth and time and space and heaven and hell 
Blossom to be the flower of my desire. 
I have come out of the bewildering mists, 
For I have learned a more excelling art ; 
The world is a pulsation of my heart, 
In rne the beauty of the world exists, 

what is this that like a torrent streams 

In widening waves of living light that pierce 
The dark of the transfigured universe ? 

1 buy no more from merchants of bought dreams i 



107 



PARSIFAL 

ROSE of the garden's roses, what pale wind 
Has scattered those flushed petals in an hour, 
And the close leaves of all the alleys thinned, 
What re-awakening wind, 
O sad enchantress banished to a flower ? 

Parsifal has out-blushed the roses : dead 

Is all the garden of the world's delight. 

And every rose of joy has drooped its head., 

And for sweet shame is dead ; 

Sweet joy being shameful in the pure fool's sight. 

BAYREUTH, Auguft 1897. 



THE LAST MEMORY 

WHEN I am old, and think of the old days, 

And warm my hands before a little blaze, 

Having forgotten love, hope, fear, desire, 

I shall see, smiling out of the pale fire, 

One face, mysterious and exquisite ; 

And I shall gaze, and ponder over it, 

Wondering, was it Leonardo wrought 

That Stealthy ardency, where passionate thought 

Burns inward, a revealing flame, and glows 

To the lat ecstasy, which is repose ? 

Was it Bronzino, those Borghese eyes ? 

And, musing thus among my memories, 

O unforgotten I you will come to seem, 

As pidures do, remembered, some old dream. 

And I shall think of you as something Strange, 

And beautiful, and full of helpless change, 

Which I beheld and carried in my heart ; 

But you, I loved, will have become a part 

Of the eternal my&ery, and love 

Like a dim pain ; and I shall bend above 

My little fire, and shiver, being cold. 

When you are no more young, and I am old. 

VIENNA, September 9, 1897. 



109 



TOYS 

I HAVE laid you away as we lay 

The toys of a little dead child. 

You know you are safe in my heart ; 

You know I have set you apart 

In my heart, and hid you away, 

Because joy that prattled and smiled 

In the heart becomes grief to the heart, 

Laying its youth away 

With the toys of a little dead child, 

February 15, 1898. 



I 10 



PERFECT GRIEF 

THE wandering, wise, outcast sons 
Of Pharaoh, the dark roofless ones, 
Taught me this wisdom : If Death come, 
And take thy dear one, be thou dumb, 
Nor gratify with suppliant breath 
The attentive insolence of Death. 
Suffer thy dear one to depart 
In silence ; silent in thy heart, 
From this forth, be thy dear one's name. 
So I, that would not put to shame 
So dear a memory dead, repeat 
No more the sweet name once too sweet. 
Nor, from that buried name, remove 
The haughty silence of my love. 

PARIS, December 6, 1896. 



THE DREAM 

O, IF the world I make 

With these eyes be a dream 

And Love, that is life, but seem 

To choose a shade from a shade, 

Then let me wake ! 

I have loved, not Love, but a pale, 

Mortal woman, and made 

The whole world for her sake ; 

Let the sight of mine eyes fail. 

And the whole world fade : 

I have dreamed : let me wake I 

August 2, 1898. 



WEARINESS 

I 

THERE are grey hours when I drink of Indifference ; all 

things fade 

Into the grey of a twilight that covers my soul with its sky ; 
Scarcely I know that this shade is the world, or this burden 

is I ; 
And life, and art, and love, and death., are the shades of a 

shade. 

Then, in those hours, I hear old voices murmur aloud, 
And memory tires of the hopelessly hoping desire, her regret ; 
I hear the remembering voices, and I forget to forget ; 
The world as a cloud drifts by, or I drift by as a cloud. 
NAPLES, April 6, 1897. 

II 

I am weary at heart, yet not weary with sorrow, nor weary 

with pain ; 

I would that an eager sorrow returned to me out of the deep ; 
I could fold my hands in the morning, lie down on my bed 

again : 

Sorrow, angel of Joy, re-awaken my heart from its sleep I 

1 am wearier than the old, when they sit and smile in the sun, 
Dreaming of sorrowful things, grown happy and dim to their 

sight ; 
But I dream in the morning, my daylight is over, my day's 

work done : 
I am old at heart, for my sorrow is sleepy, and nods before 

night, 
December 31, 1897, 

ii i 113 



WIND ON THE SEA 

THE loneliness of the sea is in my heart, 

And the wind is not more lonely than this grey mind. 

I have thought far thoughts, I have loved, I have loved, and 

I find 
Love gone, thought weary, and L alas, left behind. 

The loneliness of my heart is in the sea, 

And my mind is not more lonely than this grey wind. 

Who shall Stay the feet of the sea, or bind 

The wings of the wind ? only the feet of mankind 

Grow old in the place of their sorrow, and bitter is the heart 

That may not wander as the wind or return as the sea. 

March 13, 1898. 



A TUNE 

A FOOLISH rhythm turns in my idle head 

As a windmill turns in the wind on an empty sky. 

Why is it when love, which men call deathless, is dead, 

That memory, men call fugitive, will not die ? 

Is love not dead ? yet I hear that tune if I lie 

Dreaming awake in the night on my lonely bed, 

And an old thought turns with the old tune in my head 

As a windmill turns in the wind on an empty sky. 

ROME, February 13, 1897. 



THE ONE FACE 

FAIR faces come again, 

As at sunsetting 

The Stars without number ; 

Or as dreams dreamed in vain 

To a heart forgetting 

Come back with slumber. 

Love covered both mine eyes 
In a sweet twilight 
With his two hands folded ; 
Foolish to be mol wise, 
In the light of thy light 
See as my soul did 1 

Love, that, seeing all, 
Sweetly dost cover 

The eyes of thy loved ones, 
Let me no more recall 
The dim hours over 
And the one face loved once 1 

But, having long been blind, 
To behold those graces 

1 have lot with love now, 
Let me behold and find 

If all fair faces 

In the world are enough now ! 

BIRCHINGTON-ON-SEA, March 10, 1898, 
116 



THE LAST PITY 

Now I have seen your face, 

My tears are all for you. 

Where are the lonely grace, 

The pride, the lovely ways I knew ? 

The flower that blossomed fair 

When winds and clouds arrayed 

The shadows of the air, 

Plucked, though with jealous care, must fade. 

And in your wintry eyes. 
With te-awakenings moved 
A moment, I surprise 
Nostalgia of the skies they loved. 

Old sorrows I have borne 

In patience for your sake, 

Not without help of scorn : 

From dreams, now twice forlorn, I wake. 

I hear the old sorrows call, 
Now, from your heart alone"; 
And scorn's relief recall 
With pity which is all your own. 

December 14, 1897. 



WANDERER'S SONG 

I HAVE had enough of women, and enough of love, 

But the land waits, and the sea waits, and day and night is 

enough ; 

Give me a long white road, and the grey wide path of the sea. 
And the wind's will and the bird's will, and the heart-ache 

still in me. 

Why should I seek out sorrow, and give gold for Strife ? 
I have loved much and wept much, but tears and love are 

not life ; 

The grass calls to my heart, and the foam to my blood cries up, 
And the sun shines and the road shines, and the wine's in 

the cup. 

I have had enough of wisdom, and enough of mirth, 

For the way's one and the end's one, and it's soon to the 

ends of the earth ; 
And it's then good-night and to bed, and if heels or heart 

ache, 
Well, it's sound sleep and long sleep, and sleep too deep to 

wake. 

BIRCHINGTON-ON-SEA, March 10, 1898. 



118 



EPILOGUE 

LITTLE waking hour of life out of sleep ! 
When I consider the many million years 

1 was not yet, and the many million years 

I shall not be, it is easy to think of the sleep 

I shall sleep for the second time without hopes or fears. 

Surely my sleep for the million years was deep ? 

I remember no dreams from the million years, and it seems 

I may sleep for as many million years without dreams. 

LEIGH-ON-SEA, April 22, 1898. 



THE LOOM OF DREAMS 



THE LOOM OF DREAMS 

I BROIDER the world upon a loom, 
I broider with dreams my tapestry ; 
Here in a little lonely room 
I am master of earth and sea, 
And the planets come to me. 

I broider my life into the frame, 
I broider my love, thread upon thread ; 
The world goes by with its glory and shame. 
Crowns are bartered and blood is shed : 
I sit and broider my dreams instead. 

And the only world is the world of my dreams, 
And my weaving the only happiness ; 
For what is the world but what it seems ? 
And who knows but that God, beyond our guess, 
Sits weaving worlds out of loneliness ? 

February 22, 1900. 



THE GREY WOLF 

THE grey wolf comes again : I had made fas"t 

The door with chains ; how has the grey wolf passed 

My threshold ? I have nothing left to give ; 

Go from me now, gtey wolf, and let me live ! 

I have fed you once, given all you would, given all 

I had to give. I have been prodigal ; 

I am poor now, the table is but spread 

With water and a little wheaten bread ; 

You have taken all I ever had from me : 

Go from me now, grey wolf, and let me be 1 

The grey wolf, crouching by the bolted door, 

Waits, watching for his food upon the floor ; 

I see the old hunger and the old thirst of blood 

Rise up, under his eyelids, like a flood ; 

What shall I do that the grey wolf may go ? 

This time, I have no Store of meat to throw ; 
He waits ; but I have nothing, and I Stand 
Helpless, and his eyes fasten on rny hand. 
O grey wolf, grey wolf, will you not depart, 
This time, unless I feed you with my heart ? 

December 15, 1900. 



124 



THE DESIRE OF LIFE 

O BROKEN, old, weary desire of life, 

Unquenchable flame of desire, 

That wakens, like a well-nigh waited fire, 

Now in my heart, and springs 

Upward on shining wings, 

And Stirs rejoicing for the unending Strife. 

Flame of desire, 

Flame of the unquenchable desire of life, 

What vehement spirit brings 

Hope to my soul that had forgotten hope 

Is life yet waiting me, 

That dumbly and disconsolately grope 

Among dead things, 

Chained living to the corpse of memory ? 

Bid me not Stir 

Out of the heavy shadows that impend 

Sullenly on my head. 

If this be but some mocking messenger, 

Not life but fancy sends 

To draw me from the places of the dead 

To a forgotten sunlight where all ends ? 

Bid me not Stir, 

If all shall be again 

As all has been : I have no heart to win 

A glorious joy that shall return to pain 

Ere I have drunk its sweetness in. 

Nay, leave me quite alone, 

Life, and the old, aching desire of life, 



125 



The Desire^ of 

Apart from peace, apart from Strife, 

In this dull apathy 

That I have somewhile known 

Since dead desire has claimed me for its own. 

And yet, and yet, 

If this be very life that comes to me, 

If this bright voice that cries cc Hope and forget ! 

Be verily the voice of mine heart, 

Wiser than I, 

Shall I, that hunger, set the spread feast by, 

Or, thirsting, bid the cupbearer depart ? 

life, dear enemy, 

My soul so dimly understands , 
Awakening in its cereclothes among the dead, 
Life, that so long has~l had thy will of me, 
Do with me as thou wilt ; 

1 hold both hands out for the cup, 

I hold both hands out famishing for bread ; 
And shall thy cup be spilt, 
And shall the bread crumble out of my hands, 
O Life, dear friend, so like an enemy ? 

February 8, 1900, 



THE ECSTASY 

WHAT is this reverence in extreme delight 

That waits upon my kisses as they Storm, 

Vehemently, this height 

Of Steep and inaccessible delight ; 

And seems with newer ecstasy to warm 

Their slackening ardour, and invite, 

From nearer heaven, the swarm 

Of hiving Stars with mortal sweetness down ? 

Never before 

Have I endured an exaltation 

So exquisite in anguish, and so sore 

In promise and possession of full peace. 

Cease not, O nevermore 

Cease, 

To lift my joy, as upon windy wings, 

Into that infinite ascension, where, 

In baths of glittering air, 

It finds a heaven and like an angel sings. 

Heaven waits above, 

There where the clouds and fastnesses of love 

Lift earth into the skies ; 

And I have seen the glimmer of the gates, 

And twice or thrice 

Climbed half the difficult way, 

Only to say 

Heaven waits. 

Only to fall away from paradise. 

But now, O what is this 



Mysterious and uncapturable bliss 

That I have never known, yet seems to be 

Simple as breath, and easy as a smile, 

And older than the earth ? 

Now but a little while 

This ultimate ecstasy 

Has parted from its birth, 

Now but a little while been wholly mine, 

Yet am I utterly possessed 

By the delicious tyrant and divine 

Child, this importunate gueSt. 

January 20, 1900. 



BEATA BEATRIX 

LAY your head back ; and now., kiss me again ! 

Kneel there, and do not kiss rne ; let me hold 

Your cheeks between my hands ; your cheeks are cold 

And all your chin tightens, as if with pain, 

And your eyes close upon the ecstasy, 

Like one who dies in the agony of peace. 

So I have seen the face of Beatrice, 

In pictures, dead, and in a memory 

Seeing the face of Dante out of heaven. 

O, out of heaven, when for my sake you lean, 

Till not a breath of the world may come between 

Our lips that are our souls, and all the seven 

Delighted heavens lean down with you, to bless 

The sacrament of joy, then, with such eyes, 

Closed on so sltill a new-born Paradise, 

You endure the martyrdom of happiness. 

February n, 1900. 



II K 



THE FLAG 

I LAY a tattered flag before your feet 

In sign of conquest. Conquerors ate proud 

Of a rent flag : each mouth that cries aloud 

Cries of a battle now twice won ; defeat 

Gives up the right to every victory. 

It is my life : I bring it torn and Stained 

Out of the battles I have lost and gained ; 

Once captured, won back from the enemy 

At a great loss ; yet, here I hold it Still, 

My own, to render up as now I do ; 

I render it up joyfully to you, 

Choosing defeat : do with it as you will. 

February 19, 1900. 



130 



INVOCATION 

I PRAY to the old kindness of the Earth, 

Which is a spirit moving in the world, 

Closer to life than human life, and deep 

Beyond the beating of our passionate hearts, 

That are too troubled with the pain of love 

To be kind always : O, be kind to her. 

She is so close to you, Earth of the winds ! 

There is a healing pity in your heart, 

For us who are so soon weary of joy, 

And half in love with sorrow : but she is joy ; 

Be to her the eternal thirst, that is 

Itself the drinking of renewed delight 1 

She is the wildest little wave of the sea, 

She is the topmost branch that nods in the sun, 

And she is sister to the flying wings ; 

She breathes as if the whole earth breathed in her ; 

Vehement breaths, rocking a constant breast ; 

She has the lifted angers of the hawk, 

In gladness, and the tiger's purity ; 

Her body is as simple as the grass. 

O she is dose to you, Earth of the winds 1 

Be near her, be a grave and ancient peace, 

As of a mother, comfortingly kind, 

Who loves, and has no fear, and understands ; 

Be to her love in beauty, for she loves 

Beauty, a kindness in the natural air. 

Your children love her : horses love her hand, 

The dog gives up his rebel's heart to her, 

131 



Invocation 

And the luxurious wisdom of the cat 

Approves her, In a delicate-footed choke ; 
Your children love her, giving love for love. 
She is your child too ; follow, follow her 
Where I may never follow ; be to her 
All I would be if this poor mortal love, 
This little ame that lights and cannot warm, 
Like a poor lonely candle all night long 
Seen in a garret-window flickering. 
Were mighty and immortal as the sun. 
Follow her thou, and if her heart forget 
That she has ever shared with me her joy, 
Do thou remember always, as my heart 
Remembers, and be happiness to her 
Though happiness were in forgetting me. 

January 23, 1900. 



SONG OF LOVE'S COMING 

LOVE comes unawares 
(In my arms sighing). 
Ah me, the many cares 
Between his birth and dying 1 

Love comes like a child 
(In my arms sighing). 
Ah me, the hearts beguiled 
Between his birth and dying ! 

Love comes and will not go 
(In my arms sighing). 
Ah me, the heart's ,woe 
Mine until my dying ! 

December 19, 1899. 



THE ADORATION 

WHY have you brought me myrrh 
And frankincense and gold ? 
Lay at the feet of her 
Whom you have loved of old 
Your frankincense and gold ? 

I have brought frankincense 
And myrrh and gold to you 
From weary lands far hence 
That I have journeyed through 
To come at last to you. 

I cannot take your gold 
And frankincense and myrrh ; 
My heart was growing cold 
While you were following her : 
Take back your gold and myrrh. 

Too late I come to you 
With prayers of frankincense. 
Pure gold, sweet myrrh, ye too. 
Scorned, mugt go hence, far hence 
As smoking frankincense. 

December 19, 1899. 



134 



THE ONE DESIRE 

IF I think of your soul, I see 
Your body's beauty ; and then 
I pray to your body again, 
And your soul answers me. 
So to possess you whole, 
Twofold ever the same, 
Come to me light or flame, 
Come to me body or soul ! 

December 22, 1899. 



THE ALCHEMY 

No, we are Strangers yet, 
The divine alchemy 
Not yet, or vainly, has set 
Our longing currents free. 

We meet, what loving foes. 
Who vainly would combine 
Cross virtues, that dispose 
The draught to be divine. 

Waiting we know not what, 
Lonely, and side by side, 
Desiring only not 
To part, yet not to abide 3 

We linger, each aware 

Of that which both have missed, 

And pitying the despair 

Of the proud alchemist 

New Year's Eve, 1899. 



SLEEP 

WHAT is good for fever, except sleep ? 

What is good for love, but to forget ? 

Bury love deep, 

Deeper than sound sleep, 

And let 

Fever drowse a little, and the heart forget. 

Time shall heal fever, if death come not ; 

What shall heal love, except only death ? 

Though joy be forgot, 

If death quiet not 

Thy breath, 

Time shall waken sorrow in the heart till death. 

BRIGHTON, December 23, 1899. 



THE SHADOW 

WHEN I am walking sadly or triumphantly. 

With eyes that brood upon the smouldering thought of you, 

And long desire and brief delight leap up anew. 

Why is it that the eyes of all men turn to me ? 

There's pity in the eyes of women as they turn, 

And in the eyes of men self-pity, fear, desire : 

As those who see the far-off shadow of a fire 

Gaze earnestly, and wonder if their rooftrees burn. 

January 6, 1900. 



REST 

THE peace of a wandering sky s 

Silence, only the cry 

Of the crickets, suddenly Still, 

A bee on the window-sill, 

A bird's wing, rushing and soft, 

Three flails that tramp in the loft, 

Summer murmuring 

Some sweet, slumberous thing, 

Half asleep ; but thou, cease, 

Heart, to hunger for peace, 

Or, if thou muSl find rest, 

Cease to beat in my breat. 

PRAGUE, Augu$ 13, 1899. 



ISOLATION 

WHEN your lips seek my lips they bring 
That sorrowful and outcast thing 
My heart home from its wandering. 

Then, ere your lips have loosed their hold, 
I feel my heart's heat growing cold, 
And my heart shivers and grows cold. 

When your lips leave my lips, again 
I feel the old doubt and the old pain 
Tighten about me like a chain. 

After the pain, after the doubt, 
A lonely darkness winds about 
My soul like death, and shuts you out. 

June 13, 1900. 



140 



THE PRAYER 

DEAR, if I might love better for your sake, 
I would not care though you should love me less ; 
I love you more than to consent to take 
Happiness and not give you happiness. 

Though I were happier if you loved me more, 
And happier if I loved you less, I pray 
That though each day less than the day before 
You love me, I may love you more each day. 

Augutti, 1900. 



THE BLIND HEART 

BE Still, O hunger of heart, and let pity speak : 

Her soul is a wandering bird, and its wings are weak, 

Pier heart is a little flame, it pants at a sigh : 

blind and pitiless heart, it is love going by. 

If I had only pity, and a little rest, 

Peace as a rose would blossom again in my breaslt ; 

If I had only patience, and let love free, 

As a bird to its nes~t, my love would come to me. 

But I have neither patience nor pity at all, 

And I hold her heart in my hand, and I let it fall ; 

1 hold the joy of my life in my heart, and I seem 
As one who walks and lament in a mournful dream. 

]une 23, 1900. 



LOVE AND SORROW 

I KNOW not if the love be dead 
I sang of once, or only asleep ; 
The feet of my joy no longer tread 
In the pulses of my heart : is this 
The measure that they used to keep ? 
Now all the old tunes are sung amiss, 
And all the old words they said are said ; 
Is it that the old love is dead, 
Or sleeps, and will awaken from sleep ? 

O love, not dead, so soon to awake, 

Too idle-happy to know content, 

Sorrow has come : come, sorrow, make 

The feet of my joy remember soon ; 

My heart remembers the words that went, 

Once, to an old and happy tune, 

When love was grave, for no sorrow's sake ; 

Shall love, that slept, again be awake, 

And this kind sorrow bring back content ? 

March 14, 1900, 



THE DESIRE OF THE HEART 

HEART, is there anything to desire ? 

Feet, is there anywhere to go ? 

A way for the feet, where the winds blow 

The dusl: from the heart, and a way for the heart 

Where the kindness of love shall never tire, 

Nor the feet be tired with the length of the way ? 

Shall the heart Stay and the feet Stay, 

And the voice of the wind crying : Depart ? 

O my heart, O my feet, rest, be at reft ! 
They are tired, they are tired of wandering. 
O my heart, O my feet, is there anything 
Worth the desire out of all that is ? 
Wandering ones, quiet is bes\ 
Cover the thoughts and the voices deep 
And let me bind my feet with a sleep. 
And blind my heart with a sleepy kiss ! 

April 20, 1901. 



144 



THE PRISON 

I AM the prisoner of my love of you. 
I pace my soul, as prisoned culprits do, 
You Stand like any gaoler at the gate, 
And I am fevered, chill, and desolate, 
Weary with walking the damp dungeon-floor. 
Cursing your name, and loving you the more 
For crying curses. If I could but keep 
Your thought away but just enough to sleep 
One calm night through, I might enjoy the Stars ; 
But now I see beyond my prison-bars, 
Night and day, nothing ; only iron rust, 
And windows blackened over with wet dust. 

While I was slumbering, half awake, I heard 

A voice that spoke a little poisonous word, 

Subtly againft my ear ; it said that all 

These barred inventions are fantastical, 

These four unfriendly walls I touch and see, 

A wilful dream and no reality, 

And that I need but waken to be free. 

A cunning but a foolish voice ! I know 

Your walls are solid, Stablished long ago, 

Not for one only : here's name after name, 

Carved on the Stones : I'll add my name to them. 

Outside, I hear, sometimes, far off yet loud, 
A sound as of the voices of a crowd, 
And hands that beat against a gate ; I hear 
Cries of revolt, and only these I fear. 
'Tis you they Strike at : what have I to do 

ii L 145 



Prison 

With freedom, if 'tis liberty from you ? 

I am content with this unhappiness ; 

"Why should the world, that has no soul to guess 

The joy and miracle of my distress, 

Strive to break in, and ravish me from pain, 

That, being loft, I should seek out again ? 

O, I was friends once with the world, I went 
The world's way, and was sunnily content 
Only to be a pilgrim, and to roam 
The grey dusl: and the flying-footed foam. 
My heart knew not of bondage, I was full 
Of young desire, the earth was beautiful, 
And women's faces were a light that showed 
The way at every turning of the road, 
And I had never looked as deep as tears 
Into a woman's heart. 

Unthinkable years, 

I loitered through with scarce returning feet, 

And dreamed that only freedom could be sweet ! 

How, in my prison, I Stand pitying 

That gipsy leisure for an idle thing, 

A memory not worth remembering ! 

I am alone now, miserable, bound 

With chains that crawl behind me on the ground, 

Sleepless with hate and with the ache of thought, 

My pride of triumph broken down and brought 

Into a sullen quelled captivity : 

Alas, I only fear to be set free ! 

Auguft 12, 1900. 
146 



THE REGRET 

IT seems to me, deareSl, if you were dead. 
And thought returned to me after the tears, 
The hopeless first oblivious tears, were shed, 
That this would be the bitterest, not that I 
Had lost for all sad hours of all my years 
The joys enjoyed and happy hours gone by ; 
Ah no, but that while we had time to live 
And love before the coming of the night, 
Yet knew the hours of daylight fugitive, 
Proud as a child who will not what he would., 
Sometimes I did not love you as I might, 
Sometimes you did not love me when you could, 

March zz, 1900. 



THE BOND 

BELOVED, and Stranger to me than my foe, 

And nearer to me than my breath, and my peace and my 

Strife, 

What is it that binds us Straitly together ? Life ; 
Body to body : soul to soul, do I know ? 

1 know that your hands speak to my hands, and my hands 
Speak to your hands with an irresistible desire ; 

We are blown together as fire is blown into fire, 

We return as the wandering tide returns to the sands. 

Is it love, is it longing ? I know not, care not, alas ! 

Something cries, and a cry answers a cry. 

If I speak, you hear in your heart ; when you call, it is I : 

Soul of my life, let us live ! for the hours pass. 

September 19, 1900. 



THE SICK HEART 

SICK heart, be at ret ! 

Is there nothing that I can do 

To quiet your crying in my breast ? 

Will nothing comfort you ? 

<c I am sick of a malady 

There is but one thing can assuage : 

Cure me of youth, and, see, 

1 will be wise in age ! " 

April 1 8, 1900. 



THE CRYING OF WATER 

O WATER., voice of my heart, crying in the sand, 

All night long crying with a mournful cry. 

As I lie and listen, and cannot understand 

The voice of my heart in my side or the voice of the sea, 

O water, crying for rest, is it I, is it I ? 

All night long the water is crying to me. 

Unresting water, there shall never be rest 

Till the last moon droop and the last tide fail, 

And the fire of the end begin to burn in the west ; 

And the heart shall be weary and wonder and cry like the sea, 

All life long crying without avail, 

As the water all night long is crying to me. 

September i8 3 1900. 



FAUSTUS AND HELEN 

FAUSTUS 

WHY am I fettered with eternal change ? 

I follow after changeless love, and find 

Nothing but change ; I seek, and seem to find ; 

I find a shaken star within a pool ; 

A little water troubles it ; I lean 

Closer, and my own shadow blots it out. 

Yet I desire the star, not this bright ghost. 

I take a woman's heart into my hand ; 

It sighs for love, and trembles among sighs, 

And half awakens into a delicate sleep, 

And calls to me in whispers out of dreams. 

Then the dream passes, and I too know I have dreamed. 

No woman has found me faithless ; it is she 

Who shows me my own image in her eyes, 

And in my own eyes finds a shadowy friend 

That is her own desire beholding her. 

Now I have followed wisdom long enough ; 

Wisdom is changeless, but a barren thing ; 

I desire love, and peace with love, and love 

Without this mortal penalty of change. 

Why is it that the world was made so ill, 

Or we that suffer it, or this soul its toy, 

This body that is the image of the world, 

Made ill, or made for a pastime ? he that made it 

Loved not the thing he made, or tired of it, 

Or could not end it ; for he gave us life, 

And the body, and therewith he gave us dreams ; 

151 



famfm and Helen 

And having made one substance of the soul 

And body, wrought division, and flung his war 

Into the little passionate city of man. 

Yet, if this little city full of foes 

Could cast out dreams, these strong invading dreams, 

Might we not take kind peace into our midst ? 

Peace without love there may not be ; and yet 

I have read in books that love may come with rest. 

Love may desire and yet be satisfied, 

Love may brim up the body's need of love 

And leave the soul unhurt ; it is this soul 

That cries in us, and suffers, and kills content ; 

The soul, a foolish vagabond thing, that strays 

Wanton about the world, sleeps ill of nights. 

Treads down the fruitful edges of the fields 

That ripen towards a harvest, and lives on alms. 

Could I but hold this slothful and restless soul 

The prisoner of to-day, build up to-day 

Into a rampart, shut to-morrow out, 

Then I might live, and not run after life, 

Then I might love, and not see only the pale 

Vanishing of love in an uncapturable mist. 

When Helen lived, men loved> and Helen was : 

Did Helen dream, or men, seeing Helen, dream 

Of more than Helen ? O perfect beauty, made 

Of mortal flesh for some immortal end. 

To be the bride of every man's desire 

While beauty is remembered, I do think 

That Helen grew up with the growth of flowers, 

And shared the simple, happy life of beasts, 

Loved to be loved, and saw men die for her, 

152 



Faustux and Helen 

Not sorry, not astonished at their death, 

A grave and happy woman. Helen is dead 

These many thousand years ; but what are years ? 

Time is the slave of thought : a little thought 

Sets back the clock of the ages ; this hour that Strikes 

Is not so sure for me as Helen's hour. 

I call on Helen : Helen is the thought 

I summon with ; I form out of my soul 

A bodily Helen, whom these eyes behold. 

HELEN 

Have I slept long ? You waken me from sleep. 
I have forgotten something : what is it ? 

FAUSTUS 

There is much wisdom in your beauty ; eyes, 
That have looked deep into the hearts of men. 
When men, setting their lips on them, forgot 
All but desire of some forgetfulness, 
Remember many secrets ; your eyes are grave 
With knowledge of the hearts of many men. 

HELEN 

I have forgotten all ; if I have looked 
Into the hearts of men, I have but seen 
A little eager world, like to my own, 
A world my own has copied ; they desire 
That which I have to give them, I In them 
Their own desire. 



Faustus and Helen 

FAUSTUS 

They see you not ; they see 

Another phantom Helen in the soul, 

And they desire what you can ne^ver give. 

HELEN 

What is the soul, and what is that desire 
Of man which Helen cannot satisfy ? 

FAUSTUS 

O Helen, we are sick, sick of the soul. 

It is an ancient malady, and clings 

About our blood these many thousand years. 

We are born old, and this decrepit soul 

Is like a child's inheritance, that pays 

The price of others' pleasure ; we are born old, 

Old in the heart, and mournful in the brain, 

Hunters of shadows, feeders on food of sleep, 

Hoarding a little memory till it rots. 

We have forgotten day, the instant day, 

And that to-morrow never shall be ours. 

HELEN 

To-morrow never need be ours ; to-day 
Is greater than the heart of any man, 

FAUSTUS 

Nay, not enough to dream a whole dream out. 

HELEN 

Have not great cities fallen in a day, 

And great kings fallen, and the face of the earth 



Famous and Helen 

Changed ? Is not love, greater than any king, 
Born, brought to ripeness, earthed about with dust. 
In a day's course ? Needs death more than a day ? 

FAUSTUS 

Not love, not death, not cities, not great kings. 

Only the little wayward heart of man. 

HELEN 

I fold my arms about you, and I lay 

My hair over your eyes ; I hush your lips 

Against my heart : there are no sighs in it ; 

It has forgotten Paris and the man 

Whom Paris wronged ; how many thousand men 

Have died for this poor face they never saw 1 

It has forgotten Troy. Shut your lids close 

And feel my lips, they bend down over you : 

Men have died hard in battle that these lips., 

My husband had kissed often, might be kissed 

By Paris : they are yours, they have not loved 

The mouth of any lover in the world 

More than they love your eyes ; your eyes were sad } 

Before you shut them ; open your eyes now : 

They have forgotten wisdom. 

FAUSTUS 

Is it a dream ? 

I have not seen that face except in dreams. 

HELEN 

A little moment has gone over us, 

And it is still to-day. 



Famtm and Helen 

FAUSTUS 

I have slept long. 

HELEN 

Do not awaken ; yet you have not slept ; 
Now you are falling back into your sleep ; 
Your eyes remember, they are sad again, 
They have not wakened. 

FAUSTUS 

An immortal sleep, 

Gone in an infant ! I have dreamed a dream 

Longer than all your years, and it is Still 

The same long day, and there are hours enough 

To feed another dream out of our hearts. 

HELEN 

Why do you dream if dreaming makes you sad ? 
Why do you look at me as if you looked 
Into a glass ? 

FAUSTUS 

I do not know my face ; 

I see a wintry bough toss in the wind 

When I look close into your eyes. I am sad 

Because your beauty is a consuming re, 

And it could set the world in flames, yet not 

Burn out the dross of thought from this old heart. 

A Stranger sits and sees you with my eyes ; 

Your lips have kissed them, and they see you Still 

156 



and Helen 

HELEN 

It is enough to look upon my face, 

If you will look upon my face indeed, 

And not at dreams that wither and turn to mi St. 

FAUSTUS 

Helen, it is you that are the dream. 
Have I not made you with my urgency, 
Made you to my desire out of a mist ? 

1 made you, and you mock me with your life. 
I called you as a ghost out of a grave, 

I gave you back the likeness of your flesh 
Out of my soul, but only not a soul, 
I gave you back the salt of life, your soul ; 
And I entreated you across the dark 
And obscure ages, and you carne to me, 
Awakened, unastonished, out of death. 
GhosT: of dead Helen, teach me to be no more 
The ghost of living Faustus ! 

HELEN 

Must I die twice ? 
For I remember dying long ago, 
And I abhor death only of earthly ills. 
Although it end all earthly ills at once. 
Must I die twice ? 

FAUSTUS 

You must fade out again 

Into the mist, and be a memory. 



Fawfm* dnd Helen 

HELEN 

My beauty has been dust so many -years 
I know not how the memory of It lasts 
Among men's minds so long. A woman's praise 
Is ended shortly with her youth, and dies 
Long before death : do men remember yet ? 

FauStus, let me live ! The one good thing 
Is life, for there is nothing in the grave : 

1 have been dead, and there is nothing there ; 
We sleep, and cannot even say, we sleep. 

I have loved life, I would live all my days 
Twice over ; there is nothing I desire 
Except to live ; death is the end of all : 
But now I live, and I would never die* 
And yet if death must come, I will die twice, 
So I may live my life over again. 



FAUSTUS 

The colour of the world is washed away, 

Helen, and there is nothing In the world 

Worth looking on ; your eyes have looked on Greece, 

Desire not life, there is no room for life, 

There is no place for beauty in the world. 

I did not call you hither for your peace, 

Not for your peace, although I sought for peace 

In finding you ; and now I cannot find 

The peace I sought ; this prison of the world, 

These massy walls, barred windows, iron bolts, 

Would close upon you and suck out your breath 

Like a slow sickness ; but now rejoice, return 

158 



Faustus and Helen 



To the universal nothingness of air : 
Depart, it is your freedom. 

HELEN 

I go out 

Into a great white darkness, and am afraid. 



FAUSTUS 

When Helen lived, men loved, and Helen was : 
I have seen Helen, Helen was a dream, 
I dreamed of something not in Helen's eyes. 
What shall the end of all things be ? I wait 
Cruel old age, and kinder death, and sleep. 

March 2.1-31, 1901. 



THE POOL OF THE WORLD AND 
OTHER POEMS 



THE FOOL OF THE WORLD: A 

MORALITY 

To AMY SAWYER 

THE MAN. THE WORM. 

DEATH., as the Fool, YOUTH. 

THE SPADE. MIDDLE AGE. 

THE COFFIN. OLD AGE. 

The Scene represents a dark ivood> in which a Man, dressed 
as a Pilgrim., is discovered Standing. 

THE MAN 

This is the wood, and, my heart saith, 

This is the san&uary of Death. 

I am afraid : am I not here 

To face and question with my fear ? 

Yet, if I ask and Death reply. 

How should I bear it ? how should I 

Live, knowing what it is to die ? 

This life is evil, and must end : 

But what if Death should be our friend ? 

This life is full of weariness 

And ignorance and blind distress. 

And it may be that when man dies 

Death, being altogether wise, 

Shall take the darkness from his eyes, 

163 



The Fool of the World : A Morality 

But no s he cannot be our friend : 
This life is evil, and must end 
In evil ; every man that lives 
Lives but the limit that Death gives. 
And Death has seen all beauty pass, 
And glory, as the flower of grass, 
And nothing is that ever was. 

This life is evil, and must end, 

Alas 1 and who shall be our friend ? 

Though we have seen him through our fears 

An old lean crooked man of years, 

Death's wisdom must in heaven make dim 

The brightest of the Seraphim : 

I will kneel down and pray to him. 

[He kneels down. DEATH enters as a 
masked^ with a fool's cap on which an seven 
bells > and a fiaff of seven bells in her hand, 

DEATH 

Come hither, all ye that draw breath : 
What would ye of me ? I am Death. 

THE MAN \rising to his feet}. 

foolish woman, capped and masked, 
Not for your cap and bells I asked : 
They make a loud and merry din, 

But I was calling Wisdom in. 

DEATH [shaking the bells}. 

1 am the Fool of the World. Come follow ; 
164 



The Fool of the World : A Morality 

As your hopes are my bells hollow, 
As my cap are your thoughts vain ; 
I come and go and come again. 
Singing and dancing, and with mirth 
Lead the dance of fools on earth 
To the tune of my seven bells : 
Whither ? none returning tells ; 
The seven bells sing to them : how soon 
They fall asleep to the cradle-tune ! 

THE MAN 

What is this folly of lewd breath ? 
Who shall be wise if this be Death ? 

DEATH \raking the ttaff of bells solemnly, like a sceptre} 

I, of all proud frail mortal things, 
Choose for my own the greatest kings. 
The bravest captains, the most wise 
Dofcors, the craftiest lords of lies, 
The fairest women ; and all these 
Praise me, and kneel about my knees ; 
The glories of the world bow down 
When the bells chatter in my crown. 
I am the Fool of the World, I must 
Lead the fools' dance home to the dust. 

t 

THE MAN 

If this be Death indeed that saith 
Brave sayings in the name of Death, 
O Death, take off from us the dread 
Of the three makers of our bed : 



The Fool of the World : A Morality 

The Spade, the Coffin Strait and low, 
The Worm that is our bed-fellow. 



DEATH 

men that know me not, afraid 
Of Worm, of Coffin., and of Spade, 

1 will call in my labourers 

That they may speak against your fears. 

[DEATH beckons with her Staff of bells, and one 
enters,, in mean attire, bearing a spade. 

THE MAN 

Oh what is this that comes arrayed 
In dusty clothes, and holds a spade ? 

THE SPADE 

I am the builder of the house 
Which Death to every guest allows ; 
I dig the sure foundations deep 
In the stony soil of sleep ; 
There is no noise about the doors, 
No noise upon the ancient floors, 
Only the graveworm's dusty feet 
Walk softly to and fro in it. 

[DEATH beckons with her ftaff of bells, and one 
enters, in black clothes, bearing a coffin. 

THE MAN 

O who is this that bears, alack, 
So Strait a bed upon his back ? 
166 



The Fool of the World : A Morality 

THE COFFIN 

I am the only bed that gives 

Sleep without dreams to all that lives, 

An unawakening sleep to all ; 

Sleep sweetly till you hear the call : 

It may be one shall bid you rise, 

At cock-crow, with untroubled eyes. 

[DEATH beckons with her tfaff of betts, and one 
enters., hooded and cloaked in ruff-coloured clothes. 

THE MAN 

What is this thing of fearful form 

That wears the livery of the worm ? 

THE WORM 

I am the Worm : have I not fed 
Sweetly upon the bones of the dead, 
Sweetly on bones that have been kings ? 
No tenderer is the flesh that clings 
About their bones than this that may 
Wrap up a beggar turned to clay. 
Beauty is the one morsel worth 
The biting of the worm of earth ; 
Surely the flesh of Helen made 
A most sweet morsel : therein stayed 
The sap that moved her flesh to fault, 
For it was seasoned with pure salt. 

THE MAN 

Though sexton Spade and Coffin bed 
Be gentle to us, being dead. 



The Fool of the World : A Morality 

Though, like dead Helen, in the ground 
We with our bedfellow sleep sound, 
O Death, we know not if these know 
The whole long way we have to go. 

DEATH 

men that know me not, and dread 
Sleep 3 and the dreams about the bed., 

1 will call in my guests, that wait 

To speak with you, without the gate : 

Surely of them ye shall hear truth. 

[DEATH shakes her bells and beckons to three 
figures -, differently dressed, of whom one is 
one of middle age^ and one old. 

YOUTH 

"We three, the guests of Death, are Youth, 

And Middle Age, and Age. Bow down, 

Old men, before a zany's crown, 

For ye have lived ; but I, being young, 

And scarce a shadow's length among 

The morning roses of the May, 

Met this false wanton on the way 

And flew to her accursed lure ; 

Now, for all pleasure, I endure 

Earth, and the blind and Stagnant night, 

And, for mot pain, remember light, 

DEATH [lowering the fiaff of bells} 

What is this spirit of quenchless flame 

That cries against my mercy's name ? 

[To MIDDLE AGE.] Speak, and speak truth. 

168 



The Fool of the World : A Morality 

MIDDLE AGE 

The noon was high, 
And the sun Steadfast in the sky, 
And all the day's strong middle heat 
Weighed on me, and I felt my feet 
A little weary of the crowd, 
When the seven bells sang aloud ; 
My heart was full of peace, my life 
Was evil, and a place of Strife ; 
I followed, I am here, I had 
Neither a sorry heart nor glad. 

DEATH 

Shall but one spirit, soothed with dust, 
Rise, and remember to be jus~l ? 
Speak, and speak truth, spirit of Age. 

AGE 

I tottered on my pilgrimage, 

My dragging feet could hardly tread 

The Steep and Stony road that led 

By such hard ways to some dim end 

I had forgotten, when this friend 

Crooked a kind arm under my arm, 

And I was there ; and I was warm, 

And young, and no more scant of breath : 

I praise the mercy of good Death. 

THE MAN 

O Death, these voices, though they speak, 
What can they tell us that we seek ? 

169 



The Fool of the World : A Morality 

Are not these voices mortal still 
That utter the unforgotten will 
Of mortal flesh, and not yet have 
Found out the wisdom of the grave ? 
These, though the body they forget, 
Speak with the body's voices yet 
A mortal speech ; but who of ye 
Shall speak out of eternity ? 
Only Death knows, only Death can 
Speak the whole truth of death to man. 
O Death, Death kind and piteous, 
Have pity, and tell the truth to us ! 

DEATH [rising] 

Shall the seven bells of folly know 
Pity, that lead me where I go ? 

[She throws down the staff of bells. 
Have pity, all ye that draw breath, 
O men, have pity upon Death. 
The bells that weigh about my brows, 
And ring all flesh into my house. 
Are a fool's witless bells ; 

\She throws down the cap of bettsz 
I lead 

The dance of fools, a fool indeed ; 
And my hands gather where they find, 
For I am Death, and I am blind. 

{She takes oj} the mask and falls on her knees. 
1903. 



170 



MEDITATIONS 

HYMN TO ENERGY 

GOD is ; and because life omnipotent 
Gives birth to life, or of itself must die, 
The suicide of its own energy, 
God, of His unconsuming element, 
Remakes the world, and patiently renews 
Sap in the grass and ardour in the wind, 
Morning and evening dews, 
And tireless light and the untiring mind. 

God makes things evil and things good ; He makes 

Evil as good, with an unchoosing care, 

Nor sets a brighter jewel in the air 

Than on the broidered liveries of His snakes. 

Man, make thy world thine own creation ; Strive, 

Colour thy sky, and the earth under thee, 

Because thou art alive ; 

Be glad, for thou haSt nothing but to be. 

Let every man be artist of his days. 

And carve into his life his own caprice ; 

And, as the supreme Artist does not cease 

Labouring always in his Starry ways, 

Work without pause, gladly, and ask no man 

If this be right or wrong ; man has to do 

One thing, the thing he can : 

Work without fear, and to thyself be true. 

171 



Hymn to Energy 

Thou art s as God is ; and as God outflows. 
Weaving His essence into forms of life, 
And, out of some perfection's lovely Strife, 
Marries the rose's odour with the rose. 
So must thou of thy heavenly human State, 
And of thy formless Strife and suffering. 
Thyself thyself create 
Into the image of a perfect thing. 

A.uguH 21 3 1902. 



GIORGIONE AT CASTELFRANCO 

I WENT to seek a many-coloured soul, 

But here all colours burn into one white 

And are invisible as light ; 

I sought the parts, and I have found the whole 

In this calm, secretless, 

Passionate, meditative, and austere 

Refusal of perfection to appear 

More like perfection, clothed in some excess. 

November 19, 1903. 



WASTED BEAUTY 

THIS beauty is vain, this, born to be wasted, 

Poured on the ground like water, spilled, and by no man 

taSted ; 

This, born to be loved, unloved shall remain 
Till in white dust the lovely bones whiten again ; 
Till, dust in white dust, this high heart shall be Still, 
It shall desire and its labour be lost, it shall not have its 

will; 

You, armies had met, once, if you turned your head : 
Shall there be nothing changed ? nothing, when you are 

dead. 

BOGNOR, July 6, 1903. 



UNSTABLE PRIDE 

BECAUSE her body is a tender thing, 
Like powdered butterflies, that muSt remain 
Pndeless, if any hand have brushed their wing ; 
Or looking-glass that any breath may slain ; 
Or flower that being rudely handled shrinks ; 
Or warm wax, that takes print from any seal ; 
Is it indeed for this that woman thinks 
To have the power of man under her heel ? 
Yet why should his true glory be obscured 
For such a poor proud fond fragility, 
Or her possession be with pride endured 
Because, possessed, she lacks security ? 
Why should she be honoured of men because 
She is dishonoured by so easy flaws ? 

January 18, 1904. 



TIME AND BEAUTY 

YOUR hair, that burning gold 
Naked might not behold, 
Shall tarnish, and your skin 
Wrinkle its satin in. 
And your lips, like a rose, 
Uncolour and unclose ; 
Yet, because you are made 
Of beauty, not arrayed 
In beauty's covering. 
Hold Time for a vain thing. 
Time shall bid youth let fall 
Its colours one and all, 
And wither in chill air 
Bright blood and burning hair ; 
When these are overpast. 
The bones of beauty last. 

November IQ } 1905. 



176 



TIME AND MEMORY 

SHALL I be wroth with Time, that has no Stay, 
And even dreams brings to a mortal end, 
Because my soul to mortal things would lend 
Her restless immortality away ? 

I have seen love, that was so quick a flarne, 
Go out in ashes ; I have seen desire 
Go out in smoke, that was so bright a fire ; 
And both become no better than a name. 

I will be lessoned by the years that bring 
For hearts forgetfulness, for thought relief ; 
What bud in spring remembers the last leaf 
Winter would not let go for all the spring ? 

November 13, 1905. 



THE PASSING 

WEEP not at all : crocuses in the grass, 
Like little flames of gold, flicker and pass ; 
The buds that after winter soothe the trees 
Have longer days, but pass even as these ; 
And the rejoicing and all-quickening spring 
Is but, in sleep, a brief awakening. 
How little earth is wide and deep enough 
To cover this that, while it lived, did love 
Her lover no whit less than Mary did 
Her son ; in what a shallow pit is hid 
Beauty that, while it lived, did overpower 
Strong men, and now is fallen like a flower. 
This, which they leave alone under the sky, 
Naked, for rains to wash and suns to dry, 
Veiled her soft flesh against the rain and sun : 
So fadeth every flower and every one. 

March 14, 1905; 



ROMAN MEDITATION 

LEARN wisdom, this is wisdom, cry 

The teachers ; and the teachers die. 

What should it profit me were mine 

The wisdom of the Antonine, 

Or Plato's ? What is it to me 

If that be wisdom or this be ? 

I know the same unfaded world, 

A pebble from the brook, is hurled 

Forth from Time's sling through endless ways, 

And I shall have no part or place 

Save in the pebble's senseless speed. 

Wherein shall wisdom to my need 

Minister ? how shall wisdom save 

From the laSt foUy of the grave ? 

April 23, 1905. 



INDIAN MEDITATION 

WHERE shall this self at last find happiness ? 

Soul, only in nothingness. 

Does not the Earth suffice to its own needs ? 

And what am I but one of the Earth's weeds ? 

Ail things have been and all things shall go on 

Before me and when I am gone ; 

This self that cries out for eternity 

Is what shall pass in me : 

The tree remains, the leaf falls from the tree. 

1 would be as the leaf, I would be lost 
In the identity and death of frost. 

Rather than draw the sap of the tree's strength 

And for the tree's sake be cast off at length. 

To be is homage unto being : cease 

To be, and be at peace, 

If it be peace for self to have forgot 

Even that it is not. 

December 26, 1905. 



380 



NIGHT 

THE night's held breath, 
And the Stars' steady eyes : 
Is it sleep, is it death, 
In the earth, in the skies ? 

In my heart of hope, 

In my restless will, 

There is that should not Stop 

Though the earth stood still, 

Though the heavens shook aghast, 
As the frost shakes a tree, 
And a strong wind cast 
The stars in the sea. 

FORDINGB RIDGE, Augufl 25, 1905. 



AMENDS TO NATURE 

AMENDS TO NATURE 

I HAVE loved colours, and not flowers ; 
Their motion, not the swallow's wings ; 
And wasted more than half my hours 
Without the comradeship of things. 

How is it, now, that I can see. 
With love and wonder and delight, 
The children of the hedge and tree, 
The little lords of day and night ? 

How is it that I see the roads, 
No longer with usurping eyes, 
A twilight meeting-place for toads, 
A midday mart for butterflies ? 

I feel, in every midge that hums, 
Life, fugitive and infinite, 
And suddenly the world becomes 
A part of me and I of it. 

POLTESCOE, July 24, 1909. 



182 



SONGS OF POLTESCOE VALLEY 

I 

UNDER the trees In the dell. 
Here by the side of the Stream, 
Were it not pleasant to dream, 
Were it not better to dwell ? 

Here is the blue of the sea, 
Here is the green of the land, 
Valley and meadow and sand, 
Seabird and cricket and bee ; 

Cows in a field on the hill, 
Farmyards a-fluster with pigs. 
Blossoming birds on the twigs ; 
Cool, the old croon of the mill. 

II 

All day I watch the sun and rain 
That come and go and come again, 
The doubtful twilights, and, at dawn 
And sunset, curtains half withdrawn 
From open windows of the sky. 
The birds sing and the seagulls cry 
All day in many tongues ; the bees 
Hum in and out under the trees 
Where the capped foxglove on his stem 
Shakes all his bells and nods to them. 



Songs of Poltescoe^ Valley 

All day under the rain and sun 
The hours go over one by one, 
Brimmed up with delicate events 
Of moth-flights and the birth of scents 
And evening deaths of butterflies. 
And I, withdrawn into my eyes 
From the Strict tedious world within, 
Each day with joyous hasle begin 
To live a new day through, and then 
Sleep, and then live it through again. 

Ill 

The woodpecker laughed as he sat on the bough, 

This morning, 

To give fair warning. 

And the rain's in the valley now. 

Look now and listen : I hear the noise 

Of the thunder, 

And deep down under 

The sea's voice answer its voice. 

All the leaves of the valley are glad, 

And the birds too, 

If they had words to, 

Would tell of the joy they had. 

Only you at the window, with rueful lips 

Half pouting, 

Stand dumb and doubting, 

And drum with your finger-tips. 

184 



Songs of Poltescot^ VaUey 

IV 

When the bats begin to flit 
And the cottage lamp is lit, 
When the nightjar in his throat 
Trills his soft and woody note, 
Then the hour has come to nook 
In a corner with a book : 
Keats or Campion shall it be ? 
Nothing if not poetry. 

Bee-like shall I seek for sweets 
In the honeyed hedge of Keats ? 
Or with Campion on the wing 
Flutter, poise, and perch., and sing ? 
Happy nightly to be found 
With " blithe shades of underground," 
Or for a night-time to put on 
The bright woes of Hyperion. 

V 

To live and die under a roof 
Drives the brood of thoughts aloof ; 
To walk by night under the sky 
Lets the birds of thought fly ; 
Thoughts that may not fly abroad 
Rot like lilies in the road ; 
But the thoughts that fly too far 
May singe their wings against a star. 



Songs of Pottescoe^ Valley 

VI 

Leaves and grasses and the rill 

That babbles by the water-mill ; 

Bramble, fern, and bulrushes. 

Honeysuckle and honey-bees ; 

Summer rain and summer sun 

By turns before the day is done ; 

Rainy laughter, twilight whirr, 

The nighthawk and the woodpecker ; 

These and such as these delights 

Attend upon our days and nights, 

With the honey-heavy air, 

Thatched slumber, cream, and country fare. 

VII 

Gold and blue of a sunset sky, 
Bees that buzz with a sleepy tune, 
A lowing cow and a cricket's cry, 
Swallows flying across the moon. 

Swallows flying across the moon, 
The trees darken, the fields grow white ; 
Day is over, and night comes soon : 
The wings are all gone into the night. 

September 1904. 



186 



TO A SEA-GULL 
BIRD of the fierce delight, 
Brother of foam as white 
And winged as foam is, 
Wheeling again from flight 
To some unfooted height 
Where your blithe home is ; 

Bird of the wind and spray, 
Crying by night and day 
Sorrowful laughter, 
How shall man's thought survey 
Your will or your wings' way, 
Or follow after ? 

What pride is man's, and why, 

Angel of air, should I 

Joy to be human ? 

You walk and swim and fly. 

Laugh like a man and cry 

Like any woman. 

I would your spirit were mine 
When your wings dip and shine 
Smoothly advancing ; 
I drink a breathless wine 
Of speed in your divine 
Aerial dancing. 

POLTESCOE, August 1 8, 1904. 



CORNISH WIND 

THERE is a wind in Cornwall that I know 

From any other wind, because it smells 

Of the warm honey breath of heather-bells 

And of the sea's salt ; and these meet and flow 

With such sweet savour in such sharpness met 

That the astonished sense in ecstasy 

Tastes the ripe earth and the unvintaged sea. 

Wind out of Cornwall, wind, if I forget : 

Not in the tunnelled Streets where scarce men breathe 

The air they live by, but wherever seas 

Blossom in foam, wherever merchant bees 

Volubly traffic upon any heath : 

If I forget, shame me ! or if I find 

A wind in England like my Cornish wind. 

* 

May 8, 1906. 



BY LOE POOL 

THE pool glitters, the fishes leap in the sun 

With joyous fins, and dive in the pool again ; 

I see the corn in sheaves, and the harvestmen, 

And the cows coming down to the water one by one, 

Dragon-flies mailed in lapis and malachite 

Flash through the bending reeds and blaze on the pool ; 

Sea-ward, where trees cluster, the shadow is cool ; 

I hear a sighing, where the sea is, out of sight ; 

It is noontide, and the fishes leap in the pool. 

August 13, 1903. 



HARVEST MOON 

THOUGHTFUL luminous harvest moon, as I walk, 
The rich and sumptuous night, the procession of trees 
Under the raoon ; the Stream's babbling talk ; 
One Star on the eastern ridge hung low on the sea's 
Border unseen ; a rose-grey shade in the west, 
Faded., a petal of sunset, and absolute rose ; 
Crickets chirp, the sounds of day are at rest ; 
Under the harvest moon, one by one goes 
The austere procession of trees, that walk as I walk. 

August 19, 1904. 



VILLA BORGHESE 

A GRACE of winter breathing like the spring ; 
Solitude, silence, the thin whispering 
Of water in the fountains, that all day 
Talk with the leaves ; the winds, gentle as they, 
Rustle the silken garments of their speech 
Rarely, for they keep silence, each by each, 
The dim green silence of the dreaming trees, 
Cypress and pine and the cloaked ilexes, 
That winter never chills ; and all these keep 
A sweet and grave and unawakening sleep, 
Reticent of its dreams, but hearing all 
The babble of the fountains as they fall, 
Chattering bright and irresponsible words 
As in a baby-speech of liquid birds. 

ROME, January 26, 1904. 



STRATFORD-ON-AVON 

BRIGHT leaves and the pale grass turn grey 
Now, sudden as a thought, one swan 
Moves on the water and is gone ; 
The broad and liberal flood of day 
Ebbs to thin twilight, and night soon 
Out of the wells of dark fills up 
The valley like a brimming cup 
With silver waters of the moon. 

This is the ardent hour of peace ; 
The Avon like a mirror Hes 
Under the pale November skies ; 
The shaken moon and the Still trees 
Trouble the water not a whit. 
And, secret as a hidden word, 
One note is spoken by one bird 
As if the water answered it. 

November 19, 1904. 



192 



FELPHAM 

"Away to sweet Felpham, for heaven is there.' 3 BLAKE. 

HERE Blake saw the seventy-seven 

Stairs, and golden gates of heaven ; 

He said, " Come, for heaven is there " ; 

He saw heaven where I see air, 

He saw angels where I see 

Only divine earth and sea. 

" Bread of thought, wine of delight," 

Fed his spirit day and night, 

But what heavenly bread or wine 

Shall in these late days feed mine ? 

What Strong lust of mortal eyes 

Shuts me out of Paradise ? 

I can see, and 'tis enough 

For my appetite of love, 

Waters yellow, rose, and green, 

Like the meadow-colours seen 

In an opal absinthine 

To the sea's pale level line ; 

Lavender and yellow sand, 

With painted pebbles near the land ; 

Moss-grown groins all over-hung 

With brown-leaved wreaths of seaweed, flung 

By the sea to cover them ; 

Bright wet sea-pools that begem 

The duller sand ; and then green grass 

Brighter than clear crysopras ; 

n o 193 



Felphanu 

Tufted tamarisk that is 
Ruddier than burnt topazes ; 
And, against the sky in rows. 
Branches black with nests and crows,, 
To whose shelter homeward fly 
Wings out of the twilight sky, 
And there softly put to resit 
Tired day into its nest. 

BOGNOR, July 13, 1903. 



THE GARDENER 

THE gardener in his old brown hands 
Turns over the brown earth, 
As if he loves and understands 
The flowers before their birth, 
The fragile childish little strands 
He buries in the earth. 

Like pious children one by one 

He sets them head by head, 

And draws the clothes when all is done, 

Closely about each head. 

And leaves his children to sleep on 

In the one quiet bed. 

GUILDFORD, A.t4gUSt 25, 1900. 



SEA TWILIGHT 

THE sea, a pale blue crystal cup, 
With pale water was brimmed up ; 
And there was seen, on either hand. 
Liquid sky and shadowy sand. 

The loud and bright and burning day, 
Charred to ashes, ebbed away ; 
The listening twilight only heard 
Water whispering one word. 

BOGNOR, July 9, 1903. 



TWILIGHT SONG 

WARDER of silence, keep 

Watch on the ways of sleep ; 

Twilight, bringer of night, 

End the day with delight. 

Out of branch, out of bush, 

What winds waken and hush ? 

Out of hedge, out of grass, 

Murmurs rustle and pass. 

Sec, on tottering feet, 

Lambs that sleepily bleat ; 

Hark, from fields where they browse, 

Complaining voices of cows ; 

Challenging night, rings out 

The cuckoo's confident shout ; 

But the wailing peewit 

Calls the night home to it. 

WITTERSHAM, May 1 8, 1906. 



ROME 

A HIGH and naked square, a lonely palm ; 

Columns thrown down, a high and lonely tower ; 

The tawny river, ominously fouled ; 

Cypresses in a garden, old with calm ; 

Two monks who pass in white, sandalled and cowled 

Empires of glory in a narrow hour 

From sunset into starlight when the sky 

Wakened to death behind St. Peter's dome : 

That, in an eyelid's lifting, you and I 

Will see whenever any man says " Rome." 

ROME, February 18, 1904. 



LONDON 

THE sun, a fiery orange in the air, 

Thins and discolours to a disc of tin, 

Until the breathing mist's mouth sucks it in ; 

And now there is no colour anywhere, 

Only the ghost of greyness ; vapour fills 

The hollows of the Streets, and seems to shroud 

Gulfs where a noise of multitude is loud 

As unseen water falling among hills. 

Now the light withers, stricken at the root, 

And, in the evil glimpses of the light, 

Men as trees walking loom through lanes of night 

Hung from the globes of some unnatural fruit. 

To live, and to die daily, deaths like these, 

Is it to live, while there are winds and seas ? 

December 6, 1904. 



AUTUMN 

THERE is so little wind at all, 
The last leaves cling, and do not fall 
From the bare branches* ends ; I sit 
Under a tree and gaze at it, 
A slender web against the sky,, 
Where a small grey cloud goes by ; 
I feel a speechless happiness 
Creep to me out of quietness. 

What is it in the earth, the air, 
The smell of autumn, or the rare 
And half reluctant harmonies 
The mist weaves out of silken skies, 
What is it shuts my brain and brings 
These sleepy dim awakenings, 
Till I and all things seem to be 
Kin and companion to a tree ? 

October 21, 1904. 



200 



WINTER IN SPRING 

WINTER is over, and the ache of the yeat 

Quieted into test ; 

The torn boughs heal, and the time of the leaf is near, 

And the time of the neSt. 

The poor man shivers less by his little hearth, 
He will warm his hands in the sun ; 
He thinks there may be friendliness in the earth 
Now the winter is done. 

Winter is over, I see the gentle and Strange 
And irresistible spring : 

Where is it I carry winter, that I feel no change 
In anything ? 

January 3, 1905. 



NIGHT IN THE VALLEY 

WAVES of the gentle waters of the healing night, 
Flow over me with silent peace and golden dark, 
Wash me of sound, wash me of colour, drown the day ; 
Light the tall golden candles and put out the day. 

Smells of the valley gather round me with the night : 
Honey is in the wind and salt is in the wind, 
Like a drugged cup with hot sweet scents of sleepy herbs 
And sharp with ery breaths of coolness in the cup, 
Wind of the sea, wind of the valley, drunken wind. 

Out of the valley, voices ; hark, beyond the hedge 
A long deep sigh, the human sighing of a beat ; 
Under the eaves the last low twitter in the thatch ; 
Across the valley, harsh and sweet, the patient whirr 
Of the untiring bird that tells the hours of night. 

Else, silence in the valley while the night goes by 
Like quiet waters flowing over the loud day's 
Brightness, the empty sea, and the vexed heart of man. 

July 13, 1905. 



202 



WIND IN THE VALLEY 

ALL the valley fills with wind 
As a rock-pool with the tide ; 
And the tumult, clashed and dinned, 
Floods like waters far and wide. 

The torn mainsail of the rain, 
By the clutching wind Strained tight, 
Flaps against the window-pane, 
Creaking at the maSt all night. 

Hands of wind are at the doors, 
Feet of wind upon the roof ; 
Wind with dragon voices roars 
Blindly, trumpeting aloof. 

Mouths of wind at all the cracks 
Whistle through the walls ; and, hark ! 
Lashes clang on leaping backs 
Of the horses of the dark. 

POLTESCOE, Auguti 4, 1905. 



WIND AT NIGHT 

THE night was full of wind that ran 
Like a Strong blind diStra&ed man 
About the fields in the loud rain ; 
The night was full of the wind's pain. 

I looked into the naked air, 
Only the crying wind was there, 
In wet invisible torment, tossed 
About the darkness like a ghoslt. 

My thought in me cried out and sought 
Only, like wind, to fly from thought ; 
But like my thought the wind could find 
Nowhere to hide out of the wind. 

WITTERSHAM, November 23, 1905. 



204 



Vh 

THE CRYING OF THE EARTH V, 

I HEAR the melancholy crying of birds in the night 
Over the long brown wrinkled fields that lie 
As far along as the Starless roots of the sky ; 
I hear them crying from the water out of sight, 

A melancholy and insatiable and inexplicable noise, 

A loud whimpering between two silences, 

The silence of Starry life and this that is 

The silence of Earth in pain of travail : O voice 

"Wandering bodiless, between sky and sod, 
Angry and pitiful, a crying uncomforted,, 
Are you not the crying of the earth on her outraged bed, 
Againsl Man, who has got her with child, to her Father 
God? 

WITTERSHAM, February 10, 1906. 



GUESTS 

THE GUESTS 

WHEN I and my own heart are ail alone 
With one another and our neighbour thought., 
We talk together, but the talk has grown 
Sadder of late, and we have grown distraught. 
The feaSting-table as of old is spread, 
And of the selfsame fare we drink and eat ; 
But listless fingers and a drooping head 
Take all the savour out of princes' meat. 
Then, as my neighbour thought and I sit down, 
Looking on one another's eyes grown cold 
And silent lips and joy-dispelling frown, 
That were so joyous table-mates of old, 
Each plots to call in guests, if guests there be 
That would sit down between my thought and me. 

October 17, 1904. 



206 



A TRIPTYCH 

I. S. APOLLINARE IN CLASSE : RAVENNA 

A TEMPLE by the wayside, a shut gate 

Which no priest enters, going in to God ; 

Within, carved marble columns rise in State., 

Making a delicate and royal road 

To the mosaic of the heavenly choir. 

Where in the dome the Stars about the cross 

Break into golden and pale lunar fire, 

And the six sheep from Bethlehem move across 

To where sis sheep come from Jerusalem, 

Seeking their shepherd, Chris! ; for these are Christ's 

Apostles, sheep that love Him, and with them, 

Not less than they, the four Evangelists. 

Age has not dwindled nor rude time effaced 

This splendour : S. Apollinare Stands, 

Exiled, a mighty temple in the waste. 

Without, a grey mist and unhappy lands ; 

Wide, flat, unending meadows of coarse grass ; 

A pool, a thin Straight line of fragile trees ; 

A treeless moor, a shivering brown morass ; 

Woods ruddy with the lovely bright disease 

Of autumn dying into winter ; pines, 

Their dark-green heads aloft into the air, 

Crowding together, or in travelling lines ; 

Jewelled and dim, marsh-waters everywhere. 

January 30, 1903. 



207 



II. ISOTTA TO THE ROSE : RIMINI 

THE little country girl who plucks a rose 
Goes barefoot through the sunlight to the sea, 
And singing of Isotta as she goes. 

When I am dead, men shall remember me 
Under my marble roses in the tomb 
Built like the Virgin's shrine in Rimini. 

Why should my beauty last beyond the bloom 
Of any summer rose ? but I must live, 
Old, and not knowing, in the narrow room. 

My rose, I would be frail and fugitive, 
As you are ; but my lover and my king 
Gives me the fatal gift he has to give. 

Sigismund gives me, as a little thing, 
His immortality ; his will is mine, 
For I am his, but I Stand wondering. 

The woman that I am to be divine, 

The body that I have to Stand in Stone" 

As Michael, and be worshipped at his shrine ! 

But I, like my pale roses over-blown, 
Would fade and fall, and be the duSt in dut, 
And nothing that I ever was be known. 
208 



Isotta to the JLose^? : 

A little while we have for life and lust : 

My marble roses, pity me, and shed 

Your petals carved to hold my name in trust, 

And let me be forgotten, being dead 1 
RIMINI, November 28, 1903. 



III. THE CAMPO SANTO : PISA 

DEATH has a chapel here, and on the wails 
You read his chronicle : how men who die 
Are not at end after their funerals, 

And how the busy loving worm sucks dry 
The marrow of their bones, and other men 
Sicken and slop their noses, riding by ; 

And how an angel wakens them, and then 
The manner of their judgment, and the way 
That leads to hell and the eternal pain. 

Also there is a heaven, where minstrels play 
And men and women under summer boughs 
Talk with each other in a golden day. 

Upon the walls men love and men carouse. 

Men sleep and wake, and death comes when he will, 

And gathers all into his equal house. 

The mournful and memorial walls are chill : 
All flesh is grass, they say, and withereth ; 
Yet (shall not all flesh live ?) live grasses fill 

These cloisters of this san&uary of death. 
PISA, March 25, 1904. 



210 



GIOVANNI MALATESTA AT RIMINI 

GIOVANNI MALATESTA, the lame old man, 

Walking one night, as he was used, being old, 

Upon the grey seashore at Rimini, 

And thinking dimly of those two whom love 

Led to one death, and his less happy soul 

For which Cain waited, heard a seagull scream 

Twice, like Francesca ; for he struck but twice. 

At that, rage thrust down pity ; for it seemed 

As if those windy bodies with the sea's 

Unfriended heart within them for a voice 

Had turned to mock him ; and he called them friends, 

And he had found a wild peace hearing them 

Cry senseless cries, halloing to the wind. 

He turned his back upon the sea ; he saw 

The ragged teeth of the sharp Apennines 

Shut on the sea ; his shadow in the moon 

Ploughed up a furrow with an iron Staff 

In the hard sand, and thrust a long lean chin 

Outward and downward, and thrust out a foot, 

And leaned to follow after. As he saw 

His crooked knee go forward under him 

And after it the long Straight iron Staff, 

" The Staff," he thought, <e is Paolo : like that Staff 

And like that knee we walked between the sun 

And her unmerciful eyes " ; and the old man, 

Thinking of God, and how God ruled the world, 

And gave to one man beauty for a snare 

And a warped body to another man, 

211 



Giovanni Malafeffa at ULimini 

Not less than he in soul, not less than he 
In hunger and capacity for joy, 
Forget Francesca's evil and his wrong, 
His anger, his revenge, that memory, 
Wondering at man's forgiveness of the old 
Divine injustice, wondering at himself : 
Giovanni MalateSta judging God. 

RIMINI, 'November 27, 1903. 



OTHO AND POPPAEA: A DRAMATIC SCENE 

OTHO 

A word, Poppaea ! 

POPPAEA 

I will speak with you 

If you will speak for kindness ; but your brows 
Are sick and Stormy : why do you frown on me ? 
I will not speak unless it is for love. 

OTHO 

Nothing but love, Poppaea ; nothing less. 

POPPAEA 

Then sit by me and take my hand, and tell me 
Why you are sick and Stormy and unkind 
For nothing less than love. 

OTHO 

If I should sit 

So near you as to touch you ; no, this once 
I will not touch you, and this once I will 
Speak to the end. 

POPPAEA [sitting down] 

Why, Stand then, and so far, 
And come no nearer, and by all the gods 
Speak, and if you would have it to be the end, 
You are the master here, not I. 

213 



Of ho and Poppaea : A Dramatic 

OTHO 

Alas, 

I fear the end is over. Yet, if once, 

As 1 thought once, you loved me, if you keep 

So much remembrance as to have not forgot 

How, when, how much, I loved you, tell me now 

What you would have me do. 

POPPAEA 

You love me Still ? 

OTHO 
Still. 

POPPAEA 

And no less than when you coveted 

My husband's wife, and Still no less than when 

You heated Caesar, praising me ? 

OTHO 

No less ? 

No more, Poppaea ? 

POPPAEA 

There was a time once, 

You loved me lightly ; there was a time once, 
You taught me to love lightly ; and a time 
Before that time, if you had loved me then 
I had not loved you lightly, Otho. Now 
I have learned your lesson, and I ask of you 
No more than what you taught me. 
214 



Of bo and Poppaea : A Dramatic 

OTHO 

Miserable, 

And a blind fool, and deadly to myself, 

I have undone my life ; it is I who ask 

What you have taught me ; for I cannot live 

Without that constant poison of your love 

That you have drugged me with, and withered me 

Into a craving fever. There is a death 

More cruel in your arms than in the grave, 

More exquisite than many tortures, more 

An ecstasy than agony, more quick 

With vital pangs than life is. If I must, 

Bid me begone, and let me go and die. 

POPPAEA 

There is no man I would not rather know 
Alive to love me. What have I done to you, 
Otho, that you should cry against me thus ? 

OTHO 

I will ask Nero : you I will not ask. 

POPPAEA 

Otho, I hold your hand with both my hands, 
Look in my face, and read there if I lie ; 
But I will love you, Otho, if you will. 

OTHO 

I hold your hands, I look into your eyes, 

There is no truth in them ; they laugh with pride 

And to be mistress of the souls of men. 

2IS 



Of bo and Poppaea : A Dramatic 
POPPAEA 

I will not let you go unless you swear 
That you believe me ; tell me, is it true, 
Nothing but truth, and do you really love 
Nothing but me ? 

OTHO 

There is not in the world 

Anything kind or cruel, anything 

Worth the rememberings else : but you are false. 

False for a crown, and you are Cressida, 

False for the sake of falseness. 

POPPAEA [rising] 

On my life, 

I love you, and I will not let you go. 

The crown makes not the Caesar ; have I not found 

More than a kingdom here ? Take this poor kiss, 

And this, and this, for tribute. 

OTHO 

Either the gods 

Have sent some madness on me, or I live 

For the fir sit time in my life. 

[NERO enters quietly and comes up to OTHO and POPPAEA, 

NERO 

My most dear friend, 

Once, being with this woman who Stands here 

(Do you remember ?), you, with her good leave, 

Shut to the door upon me : I knocked then, 

216 



Otbo and Poppaea : A Dramatic Scentu 

Heating your voices merry with the trick. 
And no man opened, and I went away. 
I ask now of this woman, and not now 
As Caesar, but your rival, Otho, still, 
I bid her choose between us. Let her speak, 
And you, my Otho, listen. 

OTHO 

If the truth 

Live in your soul, speak now, Poppaea, now 

The laSt time in the world. 

NERO \smiling\ 
Poppaea ? 

POPPAEA \thromng herself into hn arms] 

Need 

Poppaea speak ? Nero knows all her heart. 

NERO 

Is this enough, Otho ? 

OTHO 

It is enough ; 

Otho knows all her heart. 

1903. 



217 



PROLOGUE FOR A MODERN PAINTER 

To AUGUSTUS JOHN 

Hear the hymn of the body of man : 

This is how the world began ; 

In these tangles of mighty flesh 

The stuff of the earth is moulded afresh. 

What Struggles and cries in eyes and cheeks ? 
The stir of the sap that awakes and seeks 
To give again the gift it receives 
And burgeon into buds and leaves ; 

The sadness and the ardour of life, 
Violent animal peace, the Strife 
Of woman's intin& and man's blood 
With patterns of beauty and rules of good. 

Here nature is, alive and untamed, 
Unafraid and unashamed ; 
Here man knows woman with the greed 
Of Adam's wonder, the primal need. 

The spirit of life cries out and hymns 

In all the muscles of these limbs ; 

And the holy spirit of appetite 

Wakes the browsing body with morning light. 

November 27, 1905. 



218 



FOR A PICTURE OF ROSSETTI 

SMOKE of battle lifts and lies 
Sullen in her smouldering eyes, 
Where are seen 
Captive bales of merchandise. 

Here are shudderings of spears, 
Webs of ambush, nets of fears, 
Here have been 
Prisons, and a place of tears. 

In her hair have souls been caught ; 
Here are snared the Strength of thought. 
Pride of craft, 
Here desire has come to nought. 

Have not her lips kissed again 

Lips that kissed for love's sake, when 

Her lips laughed 

Like a passing-bell for men ? 

This is what Rossetti says 
In the crisis of a face. 

BOGNOR, March 31, 1905. 



A PROFILE 

A NYMPH in all her ardour towards the Faun, 

Leant heavily, with open eyes alight, 

And wet lips redder than an April dawn, 

And panting hair, and bright cheeks burning white, 

And white breast lifted on the stormy tide 

That ebbs and flows through all her body, full 

Of unaware desire, unf tightened pride, 

And young joy making passion beautiful. 

January 24, 1900, 



EMILY BRONTE 

THIS was a woman young and passionate, 
Loving the Earth, and loving mot to be 
Where she might be alone with liberty ; 
Loving the beasts, who are compassionate ; 
The homeless moors, her home ; the bright elate 
Winds of the cold dawn ; rock and Stone and tree ; 
Night, bringing dreams out of eternity ; 
And memory of Death's unforgetting date. 
She too was unforgetting ; has she yet 
Forgotten that long agony when her breath 
Too fierce for living fanned the flame of death ? 
Earth for her heather, does she now forget 
What pity knew not in her love from scorn., 
And that it was an unjust thing to be born ? 

BOGNOR, April 15, 1906. 



THE ROPE-MAKER 

I WEAVE the Strands of the grey rope, 
I weave with sorrow, I weave with hope, 
I weave in youth, love, and regret, 
I weave life into the net. 

When I was a child the care began. 

And now my child shall be a man ; 

When I am old and my fingers shake, 

There'll be nets to mend, and more nets to make. 

And life's a weary and heavy thing, 
And there's no rest in the evening ; 
And long or light though the labour be, 
It's a life to the net, and nets to the sea. 

April 2, 1903. 



THE CHOPIN PLAYER 
To VLADIMIR DE PACHMANN 

THE sounds torture me : I see them in my brain ; 
They spin a flickering web of living threads, 
Like butterflies upon the garden beds, 
Nets of bright sound. I follow them : in vain. 
I must not brush the least dust from their wings : 
They die of a touch ; but I must capture them, 
Or they will turn to a caressing flame. 
And lick my soul up with their flutterings. 

The sounds torture me : I count them with my eyes, 

I feel them like a thirst between my lips ; 

Is it my body or my soul that cries 

With little coloured mouths of sound, and drips 

In these bright drops that turn to butterflies 

Dying delicately at my finger-tips ? 

October 26, 1907. 



23 



THE SICK MAN TO HEALTH 

I 

THE Eyes, that, having seen the saintly light 

Blossom white-petalled out of a white sea 

In a miraculous rose of breathing light. 

See a patched harlot reel unsteadily, 

From lamp to lamp dragging a yellow train ; 

The Ears, that pant with anger and quick fear 

At a beloved voice heard suddenly, 

Or at a half -felt echo in the brain 

Of music it had once been life to hear ; 

The Nostrils, weary gates that open now 

Upon a garden where the flowers are sick 

And the dead fruit hangs rotting on the bough ; 

The Mouth that now eats ashes and drinks dust, 

And was so keen to savour and so quick 

To sort its lust from any other's lust ; 

The many hands that in the body move 

To touch the world and pasture their delight 

Where sacredly they did with things unite 

In mutual acts of love ; 

Cry to thee, with their little breath they cry. 

II 

The bones, that are the pillars, and the flesh 

That is the gracious substance of the house, 

And the smooth skin that spreads so fair and fresh 

A covering for the walls, and all the beams 

224 



The Sick Man to Health 

And taftets that as joints and sinews mesh 

The body's framework, and the blood that Streams 

Like heaven's own light seen through a crimson rose 

Through all the painted windows of the south ; 

Cry out of tarnished colour and strained wood 

And out of joists unceiled and by the mouth 

Of whistling panes, that let the salt winds through ; 

All these, that being evil have known good 

And hunger backward for the good they knew, 

Cry to thee with a long and shaken cry. 

Ill 

The Will, that ruled a city all its own, 

And now, without sedition, like a King 

Thrust quietly aside, is overthrown 

The Memory, that of any former thing 

Could character the poise, the form, the size, 

The impress of its shape upon the air, 

And now, forgetting its blithe energies, 

Lies drowsing in the sun, or, as it lies, 

Repeats a fond arithmetic of sighs ; 

Identity, that wanders like the smoke, 

Following a wind that Stays not anywhere ; 

Conscience, that would not waken though God spoke ; 

Cry to thee with an unavailing cry. 

IV 

The Soul, that in the prison of its pride, 
This house, this body, broken down with ills, 
That to its sense is Strongly edified, 

II Q 



The Sick Man to Health 

Moated about, and guarded by a Strong 

And shining, mailed invulnerable throng, 

Seeming so quiet-centred, but distils 

The gentlest essence of mortality ; 

The Soul, that in its scales of right and wrong, 

Has weighed the justice that could make it live 

And doom it, helpless, to eternity ; 

The Soul, the one thing human that can give 

Wings to the mortal longing to be free ; 

The Soul, O Health, being sick and like to die, 

Cries to thee with an unavailing cry. 

January 7, 1903. 



THE TURNING DERVISH 

STARS in the heavens turn, 
I worship like a Star, 
And in its footsteps learn 
Where peace and wisdom are. 

Man crawls as a worm crawls ; 
Till duSt with duSt he lies, 
A crooked line he scrawls 
Between the earth and skies. 

Yet God, having ordained 
The course of Star and sun, 
No creature hath constrained 
A meaner course to run. 

I, by his lesson taught, 
Imagining his design, 
Have diligently wrought 
Motion to be divine. 

I turn until my sense, 
Dizzied with waves of air, 
Spins to a point intense., 
And spires and centres there. 



The Turning Dervish 



There, motionless in speed., 
I drink that flaming peace, 
Which in the heavens doth feed 
The Stars with bright increase. 

Some spirit in me doth move 
Through ways of light untrod, 
Till, with excessive love, 
I drown, and am in God. 

November 6, 1902. 



THE ARMENIAN DANCER 

SECRET and sharp Sting 
That ends and makes delight, 
Come, my limbs call thee, smite 
To music every string 

Of my limbs quivering. 

1 strain, and follow on 
After a joy in flight, 
That flies, and is delight 
Only when it is gone, 
Not to be looked upon. 

I strain, and would embrace 
With ardours infinite 
Some angel of delight 
That turns his heavenly face 
Ever into void space. 

I dance, and as I dance 
Desires as fires burn white 
To fan the flame delight ; 
What vague desires advance 
With covered countenance ? 

I dance, and shall not tire 
Though music in my sight 
Faint before my delight, 
And song like a thin fire 
Fail before my desire. 



The Armenian Dancer 



The sense within me turns 
In labyrinths as of light. 
Not dying into delight ; 
As a flame quickening burns, 
Speed in my body yearns. 

I Stop, a quivering 
Wraps me and folds me tight ; 
I shudder, and touch delight, 
The secret and sharp Sting, 
Suddenly, a grave thing. 

February 3, 1905. 



THE ANDANTE OF SNAKES 

THEY weave a slow andante as in sleep, 

Scaled yellow, swampy black, plague-spotted white ; 

With blue and lidless eyes at watch they keep 

A treachery of silence ; infinite 

Ancestral angers brood in these dull eyes 
Where the long-lineaged venom of the snake 
Meditates evil ; woven intricacies 
Of Oriental arabesque awake, 

Unfold, expand, contract, and raise and sway 
Swoln heart-shaped heads, flattened as by a heel, 
Erect to suck the sunlight from the day, 
And Stealthily and gradually reveal 

Dim cabalistic signs of spots and rings 
Among their folds of faded tapestry ; 
Then these fat, foul, unbreathlng, moving things 
Droop back to Stagnant immobility. 

July 7, 1904. 



SONG OF THE SIRENS 

OUR breasts are cold, salt are our kisses, 

Your blood shall whiten in our sea-blisses ; 

A man's desire is a flame of fire, 

But chill as water is our desire. 

Chill as water that sucks in 

A drowning man's despairing chin 

With a little kissing noise ; 

And like the water's voice our voice. 

Our hands are colder than your lovers'. 
Colder than pearls that the sea covers ; 
Are a girl's hands as white as pearls ? 
Take the hands of the sea-girls, 
And come with us to the under-sands ; 
We will hold in our cold hands 
Flaming heart and burning head, 
And put thought and love to bed. 

We are the last desires ; we have waited, 
Till, by all things mortal sated, 
And by dreams deceived, the scorn 
Of every foolish virgin morn, 
You, awakening at last, 
Drunken, beggared of the past, 
In the last lust of despair 
Tangle your souls into our hair. 

October 20, 1904. 



THE LOVERS OF THE WIND 

CAN any man be quiet in his soul 

And love the wind ? Men love the sea, the hills : 

The bright sea drags them under, and the "hills 

Beckon them up into the deadly air ; 

They have sharp joys,, and a sure end of them. 

But he who loves the wind is like a man 

Who loves a ghost, and by a loveliness 

Ever unseen is haunted, and he sees 

No dewdrop shaken from a blade of grass, 

No handle lifted, yet she comes and goes, 

And breathes beside him. And the man, because 

Something, he knows, is nearer than his breath 

To bodily life, and nearer to himself 

Than his own soul, loves with exceeding fear. 

And so is every man that loves the wind. 

How shall a man be quiet in his soul 

When a more restless spirit than a bird's 

Cries to him, and his heart answers the cry ? 

Therefore have fear, all ye who love the wind. 

There is no promise in the voice of the wind, 

It is a seeking and a pleading voice 

That wanders asking in an unknown tongue 

Infinite unimaginable things. 

Shall not the lovers of the wind become 

Even as the wind is, gatherers of the dust, 

Hunters of the impossible, like men 

Who go by night into the woods with nets 

To snare the shadow of the moon in pools ? 

WITTERSHAM, May 23, 1906. 

233 



HYMN TO FIRE 

SON of God and man, 
When the world began, 
FirSt-born of love and hate, 
Where was thy hid State ? 
Thou bliss by God denied, 
Till the human pride 
Snatched thee, and brought down 
Heaven's breath for his own. 

Spectre of the rose, 
When thy red heart grows 
Fierce, and thy delight 
Makes a morn of night, 
Do the Stars grow pale, 
LesT: thy leapings scale 
Heaven, and thou again 
Harness them in thy train ? 

July 17, 1904. 



234 



VARIATIONS ON AN OLD TUNE 
APOLOGY 

WHY is it that I sing no songs of you, 
Now, as in those old days I used to do ? 
I have made many songs, and bitter songs. 
Against you, I have done you many wrongs 
In verse ; and now, when you and I can sit 
By the same fire, and looking into it 
In silence, dream without unhappiness 
Each his own dream in friendly loneliness, 
I sing of you no longer. Still I find 
Your shadow in all the corners of my mind, 
And in my heart find you ; but there, alas, 
Though I search every cranny where it was, 
My art I find not : it is well : my art 
Knew only songs for an unquiet heart. 

March 20, 1905. 



ARAB LOVE-SONG 

WHAT matters it to me if the rain fall, 

Since I musT: die of thirst ? Her eyes are faint, 

They faint with ardent sleep, faint into love : 

Her eyes are promises she will not keep. 

I ask no more ; let others give me all, 

While she is miser of her beauty : all 

Is nothing, but her nothing is my all. 

Have I not loved her when I knew not love ? 

Keep far from me that bitter knowledge ; nay, 

Why should I die ? and if I know I die. 

I have loved, and I have loved, perhaps, too much ; 

If to have loved as I have loved be sin, 

I pray that God may never pardon it. 

February 23, 1903. 



SONG: AFTER HEKJRICK 

DEAR love, let's not put away 
Love against a rainy day ; 
You are careful, and would hoard 
Some of that which can't be Stored ; 
For, like roses which are born 
To die between a night and morn, 
Being once plucked, being once worn, 
So the rose of love's delight 
Only lasts a day or night ; 
Though roses die, shall there not be 
Next morn new roses on the tree ? 

March 27, 1905. 



SONG 

O WHY is It that a curl 
Or the eyelash of a girl, 
Or a ribbon from her hair, 
Or a glove she used to wear, 
Weighed with all a man has done, 
With a thought or with a throne, 
Drops the balance like a Stone ? 

Antony was king of men 3 
Cleopatra was a queen. 
And for Cleopatra he 
Flings away his sovereignty. 
Yet as well can Kate or Nan 
Find, as Cleopatra can, 
Antony in any man. 

BOGNOR, March 27, 1905, 



238 



TrfE HEART'S TOYS 

HEARTS of mine, now youth is over, 
Why be playing Still at lover ? 
Comrade, there's no use protecting, 
Love at forty is but jeSting. 
Though the same the eternal game is, 
Love at twenty not the same is. 
Hearts to play with there are plenty 
When the heart's at one and twenty, 
But if one and forty chooses, 
Who consents and who refuses ? 
Heart of mine, lay down the playthings 
As in childhood we would lay things 
When our fancies had outgrown them, 
And desert them and disown them. 
Yet as children from their play-hours 
Save and Store for workaday hours 
Doll or toy they used to care for, 
Heart of mine, shall we not spare for 
Days when scarcely we'll remember 
Dancing April in December, 
One heart's toy, as Meg and Moll do ? 
What if we should save one doll too ? 

WITTERSHAM, February 6, 1906. 



TWO LOVE-SONGS 



I DO not know if your eyes are green or grey 
Or if there are other eyes brighter than they ; 
They have looked in my eyes ; when they look in my eyes 

I can see 
One thing, and a thing to be surely the death of me. 

If I had been born a blind man without sight. 
That sorrow would never have set this wrong thing right ; 
When I touched your hand I would feel, and no need to see 
The one same thing, and a thing the death of me. 

Only when I am asleep I am easy in mind, 
And my sleep is gone, and a thing I cannot find ; 
I am wishing that I could sleep both day and night 
In a bed where I should not toss from left to right. 

March 23, 1903. 



Two 'Lovt^ Songs 



II 

O woman of my love, I am walking with you on the sand, 
And the moon's white on the sand and the foam's white in 

the sea ; 
And I am thinking my own thoughts, and your hand is on 

my hand, 
And your heart thinks by my side, and it's not thinking 

of me. 

woman of my love, the world is narrow and wide. 
And I wonder which is the lonelier of us two ? 

You are thinking of one who is near to your heart, and far 
from your side ; 

1 am thinking my own thoughts, and they are all thoughts 

of you. 

March 25, 1903. 



GREY TWILIGHT 

Do you remember that long twilight ? grey 

Unending sand, a low grey sky, a wall 

Of grey low cliffs, the sea againsl: the sand 

Hat, coloured like the sand, white at the edge, 

And now and then a shouldering wave that rose 

Long, black, like a ship's hull seen sideways. Gr<s 

As the monotonous days of life, when each 

Copies the day it follows, grey and still 

In such a bleak repose, as if it slept 

Tired out of hope, the sand lay endlessly. 

We walked upon the sand, and heard the sea 

Whimpering, in a little lonely voice, 

And there was always sand and sea and sky, 

Making a quietude of emptiness. 

Do you remember ? 

Such a quietude 

As fire might drowse to, when its ashes burn. 

It was the slumber of a violent life, 

It filled me with the peace of energy. 

It filled me with the helplessness of things, 

Intolerable days, intolerable hours, 

The level, endless, dut-grey sand of things ; 

The sand slides back under our travelling feet, 

Our feet labour, and there is Still the sand 

Infinitely before us, indefinitely 

Behind us, the same sand and sea and sky. 

242 



Grey Twilight 

I was content : I saw no emptiness ; 
The blood was busy in my veins ; I felt 

^ 

All the young heat and colour of my blood 
Fill up the hour with joy : a pause of life 
Spoke to me in the greyness of the hour. 
I can fill every hour with my own heat s 
And colour all the hours of life with joy. 

You ; but I take my colour from the hour, 
And all my hours of life are like this sand, 
And I am tired of treading down the hours. 

B ACTON, January n, 1902. 



THE CAGED BIRD 

A YEAR ago I asked you for your soul ; 
I took it in my hands, it weighed as light 
As any bird's wing, it was poised for flight, 
It was a wandering thing without a goal. 
I caged it, and I tended it ; it throve ; 
Wise ways I taught it ; it forgot to fly ; 
It learnt to know its cage, its keeper ; I, 
Its keeper, taught it that the cage was love. 
And now I take my bird out of the cage, 
It flutters not a feather, looks at me 
Sadly, without desire, without surprise ; 
See, I have tamed it, it is Still and sage, 
It has not Strength enough for liberty, 
It does not even hate me with its eyes. 

IS ACTON, January 19, 1902. 



AN EPILOGUE TO LOVE 

I 

LOVE now, my heart, there is but now to love ; 
Seek nothing more, but let it be enough 
That one desire, one moment, melts in yours. 
Hold the one moment fast ; nothing endures, 
And, as the past was, shall the future be ; 

heart, hold fast the present. Then to me 
My heart : What is the present ? There is none. 
Has not the sigh after the kiss begun 

The future ? and the past was in the kiss. 
Then to my heart I said : O heart, if this 
Be life, then what is love ? And my heart said : 
Desire of things unborn or things long dead. 

January 15, 1901. 

II 

1 who have dreamed of happiness now dream 
Of happiness no more. If the extreme 
Desire of you leave over some poor space 
To fold my pain into a happy place, 

I am content ; if not, I am content. 
Not for my peace, not for my pleasure sent, 
Who have no test nor any hope to bring, 
O you, of whom I know not anything, 

245 



An Epilogue^ to 

But that you hold me and I hold you not, 

And that for you, in vain, I have forgot 

The world : in vain : you are the world ; I take 

My foe into my keeping for your sake. 

I who have dreamed of love now dream no more 

Of love. It was a dream I dreamed before 

I knew you. Now I know that when I fold 

My arms about you in that hour I hold 

A thing made wonderful with flesh and blood ; 

No more. I am content. It is not good 

That men should dream by daylight : let them keep 

Dreams for the kind forgetfulness of sleep. 

Clip the soul's wings, hold down the heart, forget : 

Yes, without dreams, I may be happy yet. 

September 30, 1900. 



Ill 

Come into the dim forest of old sleep ; 

Wander with me, and I will lead you deep 

Through paths of sun-warmed grasses and chill ferns, 

Into the shadow where a green flame burns. 

Hark ! the swift ruStle, wings among the leaves, 

The curve of a dark sudden flight, that leaves 

A quiver in the branches ; dusky throats 

Sob happily, a ripple of soft notes 

Begins to soothe the silence back again. 

But listen, for the tiny voice of rain 

Whimpers among the pattering leaves ; they cry 

With easy, shining tears, the sun will dry 

246 



An Epilogue^ to 

Off their sleek faces ; and the earth breathes in 
The breath of rain, and nimble winds begin 
To shake the hoarded odours of the wood 
Out like a spendthrift ; and the air is good, 
And kind, and sleepy. Cannot you and I 
Forget to not be friends ? This is July. 

July x, 1904. 



IV 

I have loved life for other women's sake, 

And now for your sake fear it. Can I slake 

A thirsl: the whole world cannot satisfy ? 

All that I have I give, but what am I ? 

You have desired, you have desired in vain, 

Such immortality of joy and pain 

As mortal hours know nought of ; you have sought 

The spirit of life in all things ; sense and thought 

Strain after sharp delight, or drowse upon 

The swift and sky-enfolding pinion 

Of joy that flies in dreams between the stars. 

You have loved knowledge, for that hand unbars 

The gates of closed and waiting Edens ; praise, 

For the delicious trouble in the gaze 

Of the flushed praiser ; power, because power gives 

Life to your life, telling you that it lives. 

You have loved love, but not for love's sake, nay, 

Loved to be loved ; I, loving you to-day, 

Know that you love my love, not me ; I bring 

A multitude of loves for offering, 

247 



An Epilogues to 

All I have learnt in tears and ecstasies, 

All my life loving : yet, shall this suffice ? 

Life cries at all your senses, calling you 

With many voices : how shall you be true 

To your own self if you are true to me ? 

You have loved love, you have loved liberty, 

And not to love ; think, do you gain or lose 

By choosing bondage ? love is bondage : choose ! 

Augufi 19, 1900. 



V 

You speak to me as to an enemy. 

And your warm eyes are cold only to me, 

And your kind lips, that smile on all, grow Stern 

Only to me, and if by chance you turn 

To where I sit and see you and are dumb, 

A deep and friendless silence seems to come 

Between us like a shadow, and you look 

Into my face as into some old book. 

Yet will a Stillness deeper than delight, 

The happy pain of joy grown infinite, 

Knowing itself no more but as some pain 

Too intimate for pleasure, softly rain 

Into your soul like morning, if I take 

Your hand in mine ; and suddenly you awake, 

Out of a loneliness grown dear and Strange, 

And your deep quiet breathing seems to change, 

Like the Still water when it feels the wind ; 

And, as earth thrills when night's last clouds are thinned, 

248 



An Epilogue to 

A slow new wonder dawns into your face. 
And little sighs breathe for a little space 
Out of your breast like little smiles of sound, 
Because, after the waiting, we have found 
Each other ; and if this be love, I know 
No more than you ; yet, if it be not so, 
There is a good thing in the world, above 
The best that I have ever dreamed of love. 
September 30, 1900. 

VI 

I have not loved love, nor sought happiness, 

I have loved every passionate distress, 

And the adoration of sharp fear, and hate 

For love's sake, and what agonies await 

The unassuaged fulfilment of desire 

Not eased in the having ; I have sought to tire 

The fretting of the flesh grown sad with thought, 

And restless with remembering ; I have sought 

Forgetfulness, and rest, and liberty, 

And bondage. And all these have come to me, 

And all these I have suffered, and all these 

Have brought no joy, and left me little ease. 

Passionate and untender, I need words 

Hard as bright jewels, bright and swift as birds, 

If I but name you, miracle in flesh ; 

O cool, for the cool winds are not more fresh, 

Blowing from the sea at twilight ; flame of the deep 

Roots of the earth, and sleepy with the sleep 

Rustling in leafy trees and murmuring 

249 



An Epilogue.; to 

In moonlight-shadowed woods when no birds sing ; 

Young every day, forgetting by the way 

Yesterday's memories with yesterday, 

So making the world new again, and then 

Forgetting, and so making it again. 

Make a new world for me, or let me come 

Into your world, and let it be a home 

For my unrest, liberty from my dreams, 

A place of winds and sunlight and cool Streams 

For my tired thought to drowse in. But no love, 

No love ! Earth's loveliest paradise would prove 

The Eden of the snake and that wise tree 

Whose wisdom was our loss of liberty, 

If love, a bitterer wisdom, spoilt the taste 

Of every tree that God the gardener placed 

About our path in the garden, saving one. 

Make a new world for me ; I need the sun, 

The sap of the earth, the deep breath of the wind, 

The voices of the sea : these have not sinned, 

Nor known mortality ; and these to you 

Are of your blood : I would inherit too 

That kingdom, liberal of its delight, 

Unageing. I would love the day and night, 

As you do ; I would love for its own sake 

Beauty y no longer with the jealous ache 

Of old desire, but freely as the air, 

That breathes about all beauty everywhere. 

Only, no love, not that sweet poison, brewed 

From hemlock roots of kindness, that has strewed 

The world with death, since, on Troy's cc topless towers,' 

Helen with deathless hands put back the hours. 

250 



An 'Epilogue to 

I have not loved love ; let me be ; O give 
Not love, but life : I would not love, but live ! 

"February 26, 1901. 

VII 

Your eyes are empty Streets where men have passed. 

I search in vain : there is no shadow cast 

Upon their silence ; yet a stealthy thing 

Lurks in my heart watching and listening. 

What do I seek ? what is there I should find ? 

Only a little dust upon the wind, 

Where many feet have trodden : let me give 

Dreams to the night, and be content to live ! 

O, when you droop into my arms, and die 

Into delight as into sleep, and lie 

Enfolded deeper than a dream in sleep, 

Smiling with little sleepy smiles, that creep 

About the corners of your mouth, and stir 

Your waking eyelids like a messenger, 

Warm from the heart ; when I have seen your soul 

Swoon to intense oblivion, and your whole 

Body, forgotten of the soul, lie weak 

And fluttering, and have feared to touch your cheek 

Lest you should fade into a vaporous wreath ; 

When I have seen the soul come back, and breathe 

A mortal air, and with a wild surprise ; 

Endured the awful questioning of eyes 

Awakened out of hell or heaven, and bowed 

My head in an exultant silence, loud 

With triumphing voices out of hell or heaven ; 

251 



An Epilogue^ to 

my desire, I have beheld the seven 
Heavens opened, and forgotten if time be ; 

1 have been drunken with an ecstasy 

Older than time ; then, then that Stealthy thing, 
Coiled in my heart, begins awakening 
The ignoble voices, and I listen : why ? 
Why ? because you are you, and I am I. 

November 27, 1900. 

VIII 

Why do I fear your past as if it Stole 

Some peace from the possession of my soul ? 

Is not to-day enough ? No, not enough. 

You love me : can I ask for more than love ? 

Yes, more than love. What then ? The past. The past 

Is dead, but we, who live, have met at last ; 

I have forgotten all the rest ; forget, 

And let our lives begin the day we met. 

No : I remember. And if so ? I take 

Your past with you, in silence, for your sake ; 

Love as I love, take mine, be satisfied. 

But you have loved ? I dreamed, and all dreams died. 

I would know all. Why, then, this vanity 

To count the dead and say, these died for me ? 

No, not for me : they passed, they had their day, 

Cried at your heart, were welcomed, went their way ; 

Forgotten ? but their names, scrawled over, ret 

Inscribed on your heart's liberal palimpsest ; 

I read the names there Still. So do not I ; 

I read your eyes, that hate me, doubt me : why ? 

252 



An Epilogue^ to 

Are not my arms around you, and my heart 
Warm to your hand, and are we not apart, 
Exiles of love, in a kind banishment ? 
Am I not yours, and am I not content ? 
I have given you all I have ; can I unlive 
My life, or is there more that I can give ? 
I take you : will you still not take me ? still 
You ask, refuse, withhold ? Yes. As you will ! 

September 20, 1901. 



A SONG AGAINST LOVE 

There is a thing in the world that has been since the world 

began : 
The hatred of man for woman, the hatred of woman for 

man. 

When shall this thing be ended ? When love ends, hatred 

ends. 
For love is a chain between foes and love is a sword between 

friends. 
Shall there never be love without hatred ? Not since the 

world began, 
Until man teach honour to woman, and woman teach pity 

to man, 



O that a man might live his life for a little tide 
Without this rage in his heart, and without this foe at his 
side ! 

He could eat and sleep and be merry and forget, he could 
live well enough, 

Were it not for this thing that remembers and hates, and 
that hurts and is love. 

But peace has not been in the world since love and the 
world began, 

For the man remembers the woman, and the woman re- 
members the man. 

May n, 1903. 
254 



MARY IN BETHLEHEM : A NATIVITY 

MARY. THE THREE SHEPHERDS. 
JOSEPH. THE THREE KINGS. 

The Scene represents the Stable in 'Bethlehem. MARY has 
awakened, and is bending over the manger when the Child lies asleep 
on the ground. 

MARY 

Is it the morning ? I am cold. 
Look out and tell me if the moon 
Has led the Stars into their fold ; 
Then shut the door and make it faSl. 

[JOSEPH rises, goes to the door, and looks out. 

JOSEPH 

The night is blue, with Stars of gold ; 
The middle watch of night is paSt ; 
See now, it will be morning soon ! 
Yet there is time enough for sleep. 

[He shuts the door, and Hands near the manger. 

MARY 

The child is sleeping, I have slept, 
And in my dreams I think I wept ; 
I will npt sleep again and weep. 



Mary in Bethlehenu : A Nativity 

JOSEPH 

Tell me the dream. 

MARY 

I seemed to see 

A mighty city, as it were 

The city of Jerusalem ; 

And all the folk ran to and fro., 

Shouting, and in the midst of them 

Three woeful figures, and the three 

Bore each a cross he could not bear ; 

And as I looked I seemed to know 

The face of one of them, and then 

Such bitter tears began to flow 

That I awakened, and in fear 

Felt for my child, and he was here. 

And I was comforted again. 

JOSEPH 

O Mary, have no fear at all ; 
God is our Father, and shall keep 
Our feet, whether we wake or sleep. 
Lie down again, and lay your head 
Here, where the careful ox has fed 
That stands in sleep beside his Stall. 

[He lies down again and sleeps. 

MARY 

Behold the handmaid of the Lord ! 

It was an angel, and I said 

The words I feared to understand. 

256 



Mary in J^ethlefanu : A Nativity 

What was It when upon my bed 
Suddenly the mild glory poured. 
And in the glory was a voice 
Bidding my soul greatly rejoice, 
Because the Lord God was at hand ? 

child of mine, marvellously 
Born of the shadow of God, can this 
Be for no great design of His 
Who sits upon the flaming sun 
And sets His feet upon the sea ? 

If I but knew what He decreed, 
Before this body of mine was made 
To be the mother of His Son, 
Then were I satisfied indeed ; 
But now the angels come no more, 

1 wait and dream and am afraid. 

[There is a knocking at the door> and JOSEPH awakens 

JOSEPH 

There is a knocking at the door, 

[He opens the door ; the THREE SHEPHERDS come in 

FIRST SHEPHERD 

Sir, if a newborn child be here 

That in a manger lies, 

We pray you that you let us near 

To see him with our eyes. 

JOSEPH 

Good shepherds, it is early morn ;! 

But come ; his mother wakes ; come in ; 

n-s 2 5 



Mary in Eethlehenu : A Nativity 

There was no housing in the inn ; 

Beside a manger he was born, 

And there in swaddling clothes he lies. 

SECOND SHEPHERD 

O brother shepherds, we have found 
The Saviour as they said ; 
Let us kneel down upon the ground 
And pray about his bed. 

[The SHEPHERDS kneel. 
MARY 

Shepherds, good shepherds, tell me why 
You come about the break of day, 
And kneel before my child, and pray 
As if the stable where we lie 
Were holy, or the Lord were nigh. 

[The SHEPHERDS rise. 
THIRD SHEPHERD 

We shepherds watched our flocks by night, 
And lo, an angel made 
A glory of exceeding light, 
And we were sore afraid. 

Then said the angel : Shepherds all, 
Fear not ; I bring from heaven 
Good tidings of great joy, which shall 
Be to all people given. 

For unto you is born this day 
A Saviour, and His name 
Is Christ the Lord : go ye your way 
With haste to Bethlehem. 

258 



Mary in Bethlehenu : A Nativity 

There, wrapped in swaddling clothes He lies, 

A manger for His sleep. 

There was a singing in the skies, 

And we forgot our sheep. 

MARY 

shepherds, kneel if ye will kneel ; 

1 know not what these tidings be, 
But my heart kneels, even as ye. 
Then go your way, and may the peace 
Of God be on us all. 

[The SHEPHERDS one after another bon> before the 

Child, and go out. 
I feel 
The wonder growing in my side. 

JOSEPH 

Mary, what tidings, then, are these, 
That have but come to shepherd folk, 
Poor men that know not anything ? 
Think you it was God's angel spoke ? 
Shall these find God out, if He hide 
His will from Herod, who is King ? 

MARY 

That which God wills He wills ; if He 
Have need of such a messenger, 
Then would He send to us a King. 

[There u a knocking at the door and the THREE KINGS 
come in. 

259 



Mary in "Bethlehenu : A Nativity 

GASPAR 

Gate of light, window of the sky, 
And mother of the dawn, I bring 
A tribute of Arabian myrrh 
Oat of the fragrant Easl, where I 
Talk with the Stars, and am a King. 

[He gives myrrh* 

MELCHIOR 

Garden of spices, lily of fire, 
Flame of sweet smoke, I am a King, 
And for your heavenly child I bring 
The BaSt's whole odours that enfold 

The earth for a burnt offering. 

[He gives frankincense. 

BALTHASAB. 

I am a King, and African ; 

I bring, out of the dark earth, gold, 

Which is the light of my desire. 

Our gold and myrrh and frankincense 

Take, Mother of the King of Man. 

[He gives gold. 

JOSEPH 

My lords, we are but humble men. 

MARY 

O Kings, I am your handmaiden. 

Have ye met shepherds going hence 

Into the valley to their fold ? 

260 



Mary in Bethlehem : A Nativity 

GASPAR 

The angel shepherd of a star 
While we in paths of heaven trod 
Called to us in the East afar 
And led our feet to Bethlehem : 
The shepherd of the flock of God. 

MARY 

Have the Stars speech, that they can bring 
Your feet to this poor manger-hed ? 

MELCHIOR 

The Stars are wise : we talk with them ; 

A star spoke out of heaven, and said : 

" Follow, and I will bring you where 

A King, who is the King of Kings, 

Has built His throne " ; His throne we see. 

MARY 

Where is this throne ? and where is He ? 

BALTHASAR 

This is the King of Kings, He lies 
Within a lowly manger-bed, 
Whose name was written in the skies ; 
Bow down before the King of Kings, 
For we have seen the face of Him 
Before whose face the burning eyes 
Of the flame-hearted Stars grow dim, 
Veiling with unaStonished wings 
Their faces from the face of Him 
Whose name was written in the skies. 

[The THREE KINGS kneel before the Child^ and go out. 



Mary in Bethlehem : A Nativity 

JOSEPH 

Mary, the child shall be a king. 

[He goes aside. 

MARY 

Blessed among all women, yea, 

I have been chosen for this thing. 

Now I have waited long enough, 

I do not hope nor am afraid, 

I do not look upon the way, 

I have been chosen by God's love. 

Now is this body, that was made 

Of sinful and of mortal clay, 

In the warm love of God arrayed, 

And I am His, and He is mine ; 

And now I know that I have known 

God, all of God, and God alone, 

And that the Son of God muslt be 

As God is, human yet divine, 

God in the Godhead, man in me. 

O, when I hold my little child 

AgainsT: my heart and Stoop to see 

If He has waked from sleep and smiled, 

I carry an immortal load ; 

My child, no less my child to me 

Because I know my child is God, 

December 12-13, 1902. 



2.62 



LOVE'S CRUELTY 



LOVE'S CRUELTY 

BEAUTY of woman, savour of her kiss, 

The mystery of love that turns to be 

The bite of an eternal cruelty, 

O secret, silent creature, what is this. 

One memory of so many memories, 

That holds me and enfolds me, heart and brain, 

If I but see in memory again 

The infinite enigma of your eyes ? 

January, 1895. 



BODY'S BLOOD 

AND if I love you more than my own soul 

Then muSt you die and I shall never die 

Until I reach you, who have loved you so 

That life and death are little more than dreams 

And night-vigils and visitings from God. 

You loved me, lied to me, left me. What's a bride 

That ought to have been brideless ? For you were 

A girl that never should have married ; one 

So much more wonderful than I imagined 

Anyone could be ; made of no virgin soil, 

But veritable virgin when I met you, 

Before I made you woman. And that's over, 

As all such things have always been and shall be 

In this world and the next. You know I might 

JusT: chance to meet you, at some Street-corner 

Under the glaring lights, in Leicester Square, 

Where you and I came out of the Empire. There 

How well we know the Stage-door, you and I, 

And how you changed your houses ; Howland Street, 

Where Paul Verlaine and Arthur Rimbaud lived 

Some Storm-tossed years of intense passion and pain 

And love and hatred. There I hated you 

And there I loved you, If Verlaine had met you 

What songs he would have written 1 Not like mine, 

That were my veritable blood, my naked self, 

My body and my soul. All these I laid 

266 



Rod/s Blood 

One after another before you, and you trod 
With delicate feet that never could have hurt me, 
As birds might, on my body and on my soul, 
And on my body's blood. God's cruel, dear : 
And have I not been crueller than God ? 

October 3, 1919. 



FACES 

THE pathos of a face behind the glass., 
When April brightens in the grass ; 
The pathos of a face that, like the day, 
Fades to an evening, chill and grey, 
Yet has not known the universal boon 
Of Springtide at the warmth of noon. 

The pathos of an innocent fresh face 

Seen in a lugt-polluted place ; 

One of God's flowers among the painted flowers 

That bear our image, being ours ; 

The face of God's own angel, looking in, 

Yet without judgment, on our sin. 

April 3, 4; 1892. 



AN INVOCATION 

GIVE me your kisses : save me from her tears ! 

It is the weary sound of them one hears, 

Sleeping and waking, an eternal rain, 

That will not ever know itself in vain. 

Her virtues leave me homeless in the cold, 

I shiver on the hearthstone, and grow old, 

While afar off young Life goes rioting 

(As I would) down the sunny slopes of Spring. 

But I must listen to her tears, her prayers, 

The daily items of her daily cares : 

She is a model woman, and my wife, 

You, who can save me, give me back my life 1 

Come to me with your lips of rosy fire, 

My bright delight, and my whole soul's desire ; 

Come to me with your tingling hair aflame, 

And save me from this sandhy of shame. 

Give me your kisses ; for her lips are white : 

They chill me ; but your lips are my delight. 

The subtlety of love is in them, curled 

Voluptuously to embrace the world. 

Are not your eyes watch-fires, and are they not 

Beacons of wreckage over seas forgot, 

Seas that are safety to me, whose white foam 

Lures me and leads me, perilously, home ? 

Give me your kisses ; she is weeping now, 

The model woman of the marriage-vow, 

Whose lips are Sterile to me, and can say 
No more than some Starved speech of " yea " and " nay " : 

269 



An Invocation 

She Is a model woman, and my wife. 
I die of her ; but you, O you are life I 
Enfold me with your ardency of flame, 
And be annihilation, in love's name. 

May> 1895. 



ALVISI CONTARIN1 

ALVISI CONTABJNI slaying Christ 

Swore in his beard : " I am a melon sliced." 

Venice his vision seized. A shadow fell 

As if from the up-hoisted abyss of hell 

On the dead waters of the dead lagoon. 

A lighted lantern covered up the Moon, 

And round the lantern in a circle spun 

The idlest wheels that ever turned the sun. 

Beside Alvisi's side a woman stood. 

Masked, and her cloak seemed dabbled as with blood 

And in her eyes an Oriental heat ; 

Hardly she stopped the dancing of her feet ; 

But when she laid her hand on him he turned 

As if the sword within his scabbard burned. 

On his left side a dainty minion Slept, 

A man's woman, a thing such always kept 

A thing I say and nothing but a thing 

For revels, when not closeted with the king. 

He was love's own choice, with his painted skin 

And subtle lips that sucked some secret in 

And in the burning pallor of his cheeks 

Trembled each ardent nerve that ever seeks 

For what it longs for, what it never finds. 

Two spirits these, imaginative minds 

That change imaginations : she, Sin's bride, 

And she the Spirit of the stagnant tide 

The wild winds stir in Venice. Waves her fan 



Alvki Contarini 

The masked girl and the man I mean the man 
Needs never a choice. Each takes his arm ; one goes 
This way or that, knowing that if dawn rose 
One of the three, before dawn leaves her bed, 
By Christ's or Satan's mercy, musl: be dead. 

May, 1918. 



AUBREY BEARDSLEY 

WHY was it he and not another ? 

Tell me, do you now enjoy this 

As he did ? That God should destroy this 

That praised him in the passion of desiring 

All, he created out of beauty : 

God, who delights in requiring 

Surely delight above duty : 

That God should crush him and not another ! 

It was so little that he wanted : 

The world's and the Stars between them ; 

The eyes of the angels have not seen them ; 

Or this poor inch of the pavement, 

Where you and I walk without knowing 

What life meant, and so what the grave meant, 

To him in his coming and going : 

It was only life that he wanted ! 

March 24, 1898. 



STUDIES IN STRANGE SINS 

(After Eeardskfs Designs) 

I. THE WOMAN IN THE MOON 

A NAKED youth adores the mocking Sun, 

With a woman's sidelong eyes and lips, 

Before unto the formless Sea he dips. 

The dark girl has the weariness of one 

Who, after being satiated, is not won ; 

He, with some fever in his finger-tips, 

Urges the fever in the girl who Strips 

Her body naked. Sinister, alone, 

The dishevelled seaweed shifts under their feet ; 

Upon the margin of the moonless sea 

What shall the end be of their agony ? 

He to Salome : c< It is the moon we see, 

And not the Sun. O moon's maiden, O cheat, 

The globe of the Earth, fruit from a fruitless Tree I " 



II. DESIGN FOR THE LIST OF PICTURES 

PRIAPUS, with his god's virility, 

With woman's breads that passionately rise, 

His eyes convulsed with sinister irony, 

His mouth that laughs, sinister as his eyes ; 

Hair wild and wanton, tipped with trie ivory 

Of the moon's crescent out of sunless skies ; 

Garlands of leaves and roses furiously 

Around his body in disorder twine ; 

The candlesticks emit a shaken flame ; 

A mad boy kneels, a Cupid, with peacock wings, 

Laughs like Priapus ; a monstrous Thing, malign, 

Glides in the air. Which is it shakes with sharne ? 

Catullus to his infamous Lesbia sings. 



III. SALOME'S LAMENT 

WHY did I have thee slain ? Herodias' desire, 

John ; yea, I loved thee ! They made me at the feast 

Dance, and the dance set all my limbs on fire, 

As, naked in the fashion of a beast, 

I being girdled with all my precious Stones 

Around my thighs and here between my breasts, 

Glittering with the untold glory of my zones. 

Painted and perfumed, heedless of the guests, 

The dance being done, I sat beside the King ; 

I saw the Heavens above, the Hells that lift 

Their heads ; so, Herod at me wondering, 

Said, " Salome, ask of me what thou wilt, thy gift, 

My gift, shall be thine own." And so I went 

To Herodias in her chamber flushed with wine, 

And she embraced me, passionate of my scent ; 

And said : ce The head of John the Baptist, thine, 

If thou but ask of Herod ! " And I returned 

And sat beside him and said : " I charge thee, King, 

Thou givest me " The heart within me burned, 

My passionate heart, thinking of no such thing 
As what Death is and life ; I forgot my words, 
Knowing that something said : " Yea, John must die ! 

And as I heard the wind-blown songs of birds, 
I said : " The head of John ; yea, by and by, 
On something golden." So, for his oath's sake, 
Me he dared not reject. How my heart beat, 
276 



Salome 9 s Lament* 

Row my heart beat, O John ! Some words he spake 

To, the Executioner, who went. Ah, the intense heat 

That swooned around me : Moons ! They gave me wine ; 

There was an universal hush of all men's breath : 

What hour was it ? I think it sounded nine, 

The Headsman brought thine head that reeked of Death. 



IV. JOHN AND SALOME 

BLACK-HAIRED and garbed in long black garments, John 

With hand revulsed and eyes that ache with hate, 

Equal in height with her, a dagger-thrust 

Between them divides from him her raging lust, 

Lust in her naked breasts that have two eyes. 

Lust in her flesh, the flesh he looks upon, 

Lust that makes her whole body undulate, 

Lust on her lips ; the lust that never dies, 

Between the hollow of her breasts, a sign 

Sinister of that hell that lives within 

Her limbs that long for him ; her mouth like wine. 

Wine, that she gives to spirits more malign 

Than hers. O the seven devils that make her sin 

The one great Sin that never is forgiven 

Between the heaven that's hell, the hell that's heaven ! 

Virginless Virgin and a virile man, 

What is there common betwixt you in the world ? 

His curses fell on her : there's not a span 

Between his life and death ; the gates of the Tomb 

Are flung wide open and a serpent's curled 

Around the Virgin of the aching Womb I 



278 



.* ENTER HERODIAS 

A VAMPIRE, not a Woman, a Tiling obscene. 
Eyes hideous as the eyes of a hired Whore, 
She, Herod's Wife, enters upon the scene. 
Beside her Stands a tall and sexless thing, 
With the fig-leaf that has of fig-leaves four, 
Always her sexless sex remembering, 
A mask she wears ; naked enough, for once, 
She has her Exit through the open door. 
There's a wise owl ; a wise man that's a dunce 
Reads in a book Salome. Let that pass. 
As for this creature that's Herodias, 
Nero's Agrippina she might have been. 
" Make the way for the Tetrarch Antipas ! " 
Cries Herod, before he enters on the scene. 



VI. THE EYES OF HEROD 

THE eyes of Herod look not upon Her, 

The painted angel of some delicate Lust 

Who treads on snake-like lives as if they were dusl: ; 

There's not a Serpent that is eviller. 

Her eyes have in them more than Satan's pride ; 

A little mouth that loves and hates and lies : 

What Cross between the hollows of her Eyes 

Brings back the Image of the Crucified ? 



Vlt DANSE DU VENTEJE 

HER vices to her cling. 

There's blood that Stains her mouth ; 

Suspense of sense, a sting 

On all her body's drouth 

Of blood-red colouring. 

There's madness in her eyes. 

Desire in her feet. 

What is this lusts and lies ? 

Her desires that meet 

In rhythm of her feet. 

Backward her frame she throws, 
Her hands behind her back ; 
Desire upon her grows ; 
Her breasts, each a red rose, 
Know all her body knows ; 
Her hair that's raven-black 
Follows upon the track 
Of all the Stars that rise, 
Rise with her Sterile throes ; 
And on her face the fire 
That wakes in her tiny feet 
Excites her with its heat, 
Expires in her desire. 

She dances like a flame, 
A wind-blown wanderer, 

281 



Danse du 

As her breasts dance with her ; 
The roses shed their shame, 
A shame that has no name ; 

Always in her the soul 
Cries with her discontent ; 
Swathed in her Orient scent, 
Her soul endures the whole 
Of her heart's discontent. 
Her limbs insatiable 
Dance to the music's Strings, 
A dwarf arisen from hell 
Plays on : such evil things 
Draw the nerves out of Strings. 
And, as her moons advance, 
She, moon-like, dares entrance 
Hell's covered countenance 
With her unholy dance. 

Her body quivers, she 
Quivers ; she turns and turns 
On herself furiously ; 
A fire within her burns 
Her flesh inordinately ; 
Desire within her burns 
The flesh over her bones : 
She on herself returns 
As all her precious Stones 
Shake, flame, among her zones ; 
Her desires drown the night 
In the body's appetite. 
282 



Danse du 

Her sense before her swims, 

Her jfeet scarce touch the ground. 

The rhythm of her limbs 

As a loft Star bedims 

The sense of hollow sound 

In the dull music drowned. 

Rigid her eyes as death. 

Rigid her ivory chin, 

She swoons upon her breath, 

She swoons upon her Sin, 

And Still her body moves, 

The roses fall around ; 

In the eyes of Herod, loves 

Turn hates, and his rings ring 

Upon his fingers thin. 

Salome, shuddering, 

Quivers, and falls a-heap 

As a tormented thing ; 

Her breasts, while throes on throes 

Sting her, in fury leap ; 

She, in her senses' mesh 

Feels in her writhing heels 

Stings of her naked flesh, 

Stings of the locust's heat 

Burn on her burning flesh, 

She hears a voice that cries 

On her Adulteries 

Out of an open Pit 

Stark on the Infinite, 

Heard in the hush of the heat : 

She swoons in a senseless sleep. 



Danse du 

Now are the torches lit. 
Tables are spread for the FeaSt ; 
The spokes of Fortune's wheels 
Turn In the void of Time. 
Herod, hot for his crime. 
Drunken and shrunken, reels. 
Herodias : ce There sleeps the Beast 



VIII. THE DANCER'S REWARD 

THE anguish of an inStant : her reward, 
Salome's, who has danced the dance of Death. 
Blood drips from the severed head of the Abhorred, 
Venomous as viper's Hood ; on her lips, her breath 
Divides them in a spasm ; cruelty 
Glares in her eyes ; her hand holds like a sword 
One lock of dead black hair that angrily 
Revolts as snakes do in their tangled lair. 
Ah, the death-agony of that dear dead mouth, 
Salome's mouth, when it was living, adored ! 
Still the blood drips. O wind out of the south 
Waft hellward that crescent on Salome's hair I 
Ah, the sweet hell that, after her dancing, grips her ! 
That head of death ; the terror of it grows 
Upon her. O that mad folly of the Rose 
That dances in her vision and that lips her ! 

1920. 



285 



FOR DBS ESSEINTES 

I. RINGS 

I HAVE a morbid fear of these my ancient rings. 
Have I not found subtle poison in many a gem ? 
This serpent, see how abominably he Stings ! 
This opal that I love, more for its intricate flame 
Than for its changing colours, shoots forth fires ; 
This paler sapphire, Cesare Borgia's ring 
That hid the translucent poison of desires 
That eat one up beyond imagining : 
Of these I endure the intolerable agonies. 
Some die of them, some say, but I say no. 
The spirit has more tenebrous maladies 
Then the hard-hearted hearts of witches know. 
Of certain Stones I am hallucinated. 
The Devil's in me ; and my intense luxury 
Stings me like ardent fires that gtir the dead : 
Shall all these evil visions be the end of me ? 



286 



IL EYES 

WHY does this passion I have for passionate eyes consume 
me? 

Morbid enough the attraction, as the fashions in season 

Cause me amusement ; there are some that with odours 
perfume me. 

Not as the perfume of women. I know not the reason 

Why these tasles should be different. Eyes have their 
fashion 

Of seducing the very senses by the beauty of some of them ; 

Some are less beautiful, some more perverse in passion ; 

But in the eyes of the unfortunates, what shall become 

of them ? 

Spanish eyes more intense than their Chrises in Crucifixions, 
Eyes that love and that hate and that promise and refuse, 
Eyes much more hateful and evil than maledidkms ; 
Eyes of the treacherous Jewess and eyes of the Jew. 
Eyes that are eyes of the masks, eyes that are poisonous, 
Eyes of the morbid morphine-drunk women whose gazes 
Drag at one's senses, drift in one's veins, eyes more ruinous 
Than the rages that make them dilate ; eyes that one praises 
Just for the dream that is in them ; eyes unforgiving, 
Eyes of a speftre that withers and seems to hurt you ; 
Eyes of a singer on a Stage, jusl: alive, yet not living : 
And the damnable gem-like eyes that turn Vice into Virtue. 



287 



III. KRANILE 

KRANILE surges before me in vision : her naked breasts, 

The acrid odour of her sex, this perverted saint, 

Hot with the heat of her flesh ; guests for her guests 

The nudity of her flesh, her provoking paint ; 

And in her eyes an agate that caresses her mouth 

In its savage and saltless and wordless perversity ; 

Haunches that ache with desire, her execrable youth 

Of the beast pernicious, malicious, in bestiality ; 

Knees abnormal that give one hallucination ; 

She with her velvet veils., her Sabbatical soul ; 

Violent in voluptuousness, weary of her dance's creation, 

Dragging her culpable beauty to I know not what distant 

goal; 

Tired of being an idol adored, she in her frenzy begins 
Gestures that symbolise Death. Ah, the intense obsession 
She makes me shiver with ! She sins for her people's sins ; 
Vicious not vain she makes of her body confession. 
If she had only willed it, she the provoking 
Creature that suffocates one by her savorous impurity, 
Surely she had given herself to me when her flesh was 

smoking, 

Healed rne of some of my sins, given me some of my purity. 
She the desire of my Flesh, she the desire of rny Vices, 
She alone loves me and hates me ; ah, her crudity 
Of vision, she is vacant of vision, she is odorous of spices. 
All of my nudity aches for her, she aches for my nudity. 



288 



IV. THE EVIL FACE 

THE terrible enigma of a tormented face. 

All nerves and nervous beauty interrupted 

By the intolerable Stigmata of a grimace. 

This sinister being has the aspeft of one corrupted ; 

In his green eyes are hell, hell's flames refle&ed, 

Eyes that can poison, eyes weary, eyes pernicious, 

By lines more than Satanical intersected ; 

The loathsome mouth controls a certain rictus vicious ; 

A lean face showing the bones in one triangle, 

Ears of a Criminal that no sins diminish ; 

Hands Ducal, ringed and painted, in the afc to strangle 

His equal one midnight ; fingers that never finish 

The gestures of their unutterable degradation ; 

This aft or in Life's Tragedy haunts you with his evil 

Insinuations, as if an actual Strangulation 

Leapt from the brain to the body : an inimical Devil 

Sits in his chair consumed with the intensity 

Of one who drugs himself, of one who knows his peril, 

Of one who lingers lovingly over his obscenity. 

When his eyes open in Hell, they'll say : cf All's sterile 



II u 



289 



V. TRAGIC DAWN 

THERE surged before me the dawn's translucent fires, 

For she I loved had left me and I was alone. 

In the depths of the midnight I had seen the Unknown. 

Astarte was there, the unhated goddess of desires. 

And I had seen a spider caught in seven wires 

And a gigantic fly no wind had ever blown, 

But never to me was the heart of the midnight shown. 

The Spirit is never tired but the Soul in me tires. 

And in the midst of the flames I was suddenly aware 

Of a flame-bird that fluttered on feverish wings 

And the night was no longer there nor the night of her hair. 

And I was more lonely than God in the heart of things. 

When shall the las! dawn come with cloudy chariotings ? 

I shall awake perhaps after that and not find you there. 



VI. PERDITION 

WHY have I never loved ? Is it that I am abnormal, 
Condemned for my sins, not as some in absutd concavity 
Think that the world's a concave ? Perhaps I deform all 
My senses alight into a form of depravity. 
Always the prey of ignoble inStincls, always vibrating 
At the touch of flesh on my flesh, ah ! netvous vibration 
That gives me such learned desires of insanely creating 
Death into life, an abominable kind of creation 
Outside the limits of nature where nature's most Sterile, 
As on the beds of hired women I wake to remind me 
Annihilation awaits me, or some more infamous peril 
Shot from a mad girl's eyes, as if some one behind me 
Stood in the midnight to stab me, and I was forsaken 
Even of myself, lost in caresses, lost in sedition, 
Saved in no sense, but hurled half way down to Perdition ! 



291 



VII. SUNSETS 

THE sullen sunsets burn my senses with their flames 
And all their changing colours mixed with my desires 
Turn into writhing serpents whose intolerable shames 
Poison one's innocent blood, shoot shafts of fires 
Out of the Seven Hells' regions where knights and dames 
Hold converse, dance and mime, and string their lyres, 
And hear, in glittering cages, sinister birds that call their 
names . 

And as I wake and wander always these are woven 

With my most feverish dreams, the heat of midnight cloven 

With feet of fire, hell's lightning and hell's thunder 

That mix and mingle in a perilous confusion ; 

And over and above me, mists of disillusion, 

That, as the heart of darkness opens, are rent asunder. 

May i, ii, 1919. 



THE CHIMERA: 

NOTRE-DAME 

THE Chimera created by the Eternal Hours, 
Seized by the perverse passion of Rabelais, 
Disguised in Satan of the Eternal Towers 
Of Not re-Dame that rule the night and day, 
Himself destructive, his own self devours 
His living flesh, this Bird of Evil Prey, 
Lean as a lenten Monk, nor rains nor showers 
Ever refresh : his one Desire to slay 
The misbegotten child that the First Sin 
Conceived from the body of primeval Lust ; 
Only his eyes, that see but from within, 
Gloat over Paris. Shrivelled to the skin, 
Hooded and clawed, his feet grind down the Dust, 

14, 1921. 



LE STRIGE 

Le Strlge Is the only Symbol of our Sexual Vices, 
A Demon winged with wind and with wild despair, 
A hell-born Demon from the dire Infernal Lair 
Of Satan, where the air is perfumed with subtle spices. 

Deep in his eyes that dream of hidden Paradises 

An ancestral anger burns ; his snake's tongue bites the air ; 

Horned with his hate and crowned with jewels rare, 

His vampire's Soul consumes itself with fruitless sacrifices. 

His wings that never wave, his deadly venomous head, 
His naked flesh half hidden by the sheer stone parapet, 
Cheeks hollow his five fingers clutch support his chin : 
His vision seizes Paris. What does his Demon's heart 

regret ? 

Infinite Weariness, yea, as infinite as our Sin. 
On the Void's Verge, there fly before him multitudes of 

the Dead. 

PARIS, June 14, 1921. 



CHIMERA CALIBAN 

AN ignominious monSler and uncouth 

Who crouches in a Satanic attitude, 

The naked parody of some vital truth 

Concealed from that huge howling multitude 

That whirls forever on the winds and Storms 

And in the silence of the desert brood. 

This inchoate being the vast night deforms 

And he is covetous of men's spilt blood ; 

A creature fashioned of the Nile's slime and mud 

That has no thought but to be there alive, 

Alive under no hawk's nor night owl's hood ; 

He has forgotten all but how to Strive 

In vain against the God's hostility ; 

A Caliban who has not the art to thrive 

On the mere nothing his feet are faSt upon 

A monstrous Stone once hewn in Babylon 

Half featureless and utterly insane, 

There where he crouches juSt held by his feet 

From falling headlong on the noiseless Street ; 

A thing without the atom of a brain 

To fathom his abominable nudity. 

Who made him ? Some mad monster of a man 

Whose mind conceived this nightmare, Caliban. 

PARIS, June 19, 1921. 



JEZEBEL MORT 

MY name is Jezebel Mort : you know the thing that that 

means ; 

If ever one comes into Court, they call us pleasure-machines. 
Aye, for men were we made, and men were made for our 

sex : 
Sordid and base our trade ; there's more than our trade 

to vex 
Even such simple souls with the thought of life and of 

death : 
For the devil, we know, plays bowls, and can whistle away 

our breath. 
Nay, none were born a saint, for we were born on the 

earth 
To be tainted by sin's taint ; some girls of us even from 

birth 

Had it just in their blood : sin, the veritable sin, 
That drenches one in the mud, up from the knee to chin, 
And leaves another a slut, base-born of a chimney-sweep : 
Heaven knows the reason, but angels never did weep. 

I was born in a room in a hideous bawdy-house, 
Conceived in my mother's womb on the midnight of some 

carouse ; 

That was likely enough. No sooner was I of age 
To know the price of the stuff that such as we know as the 

wage 
296 



Jezebel Mort 

Paid in money or lust, than I walked in the Street ; 
Flesli and bones, and a pinch of dust, and at last a winding- 
sheet ! 
Then comes, after this, drink, and drink one finds quite 

nice ; 
Then or before, I think, was one's absolute knowledge of 

vice : 

Vice in the nature of us. Yes, in the innocent ones, 
Tust as calamitous, as vice in the veins of their sons. 
Vice, I tell you, is in all ; is a virtue to some, perhaps. 
We, girls after our fall, are caught in sinister traps, 
Just as they snare the birds ; for brute men are snares, 

I say, 

Not in their uttered words, but men-devils cast in our way 
By the fiends in hell ; aye, for their fiendish luxury. 

Well, we are all to sell : one for her beauty, you see, 
One for the lust of her eyes : these for their sensual lips ; 
And for other things men prize more than one's casual slips. 
One of us maybe gives herself as a very slave 
To the man for whom she lives ; and before her one digs 

a grave. 
But for all that one thinks of one's heart (that beats on the 

left side). 

We are sold in the mart, where men bargain from eventide 
Till the very Judgment-Day ; so one imagines, at least. 

Now in the hospital grey, whose walls were built by no 

priest, 

Where, a white glare shines in on one's very self in one's bed, 
Drifting over one's skin, touching the hair on one's head ; 

297 



Jezebel Mort 

Well, there's an end for me ; just perhaps, where, there, nod 
Branches of a barren tree : and, this night, I go to my God. 

MoH JSosweU. 

Dead she is as the just, she that walked in the street : 
Flesh and bones, and a pinch of dust, and at last a winding 
sheet ! 

September 4, 1914. 



THE SEEDS OF VICE 

HE heard the hooting of an Owl, 

It hooted twice, it hooted thrice. 

There floated across a thought as foul 

As when the Devil tosses the Dice 

In Hell whose floor is paved with Vice. 

The owl hooted out of a wood 

It froze the currents of his blood. 

The owl hooted out of a Tree. 

The Soul in me said unto me : 

" Heardslt thou the hooting of the Owl ? " 

It hooted thrice, it hooted twice ; 

It clove the passion of the wood ; 

It was heard in Hell where the seeds of Vice 

Turn to ice, in the Serpent's blood ; 

It wakened the Toad out of his hole, 

It stirred the passionate heart of the Fire 

(LaSt night the Fire created his Soul, 

A god-like soul, of his God's desire) ; 

In a lull of the wind his voice was thinned 

As the foam is thinned by the angry Sea. 

" O Soul, what sin hast thou sinned ? " 

I said to my soul that had spoken to me, 

As the fire flamed and the ruinous root 

Of the earth upheaved itself from the clods. 

The wind was wild, the owl did hoot, 

The Devil laughed at his cloven foot ; 

299 



The Seeds of 

The owl it hooted twice and thrice ; 
The poisonous flower of the seeds of Vice 
Grew and grew in the night without light. 
Still the owl hooted : the nerves of the Night 
Cried in my side ; and the seeds that are God's 
Trampled the weeds out of Paradise. 

September 18, 1920. 



THE AVENGING SPIRIT 

So you have drugged me with this poisoned wine 
Because I never loved you ; trees writhe grim 
Around us and their mockery makes malign 
Your gestures and the ardour of each limb 
I have seen naked, I have known divine ; 
Your eyes, fatal as death's, where I see swim 
Dead ghosts of spent desires. O sorrows nine 
That are mine own ! Am I not vowed to Him 
Who Stalks there in the shadow of that pine, 
Now that the virginless Moon is vestal, dim, 
As Hades ? Ah ! that mirror that is thine, 
That sees the Lampads dip over the rim 
Of the round world ; mirror, nay, no more mine, 
Than to his Hell the hell-born Teraphim. 

Hell-born you are not, daughter of some Hell 

Wherein forever burns the infernal fire, 

For in your body is the inevitable 

Sting of the Serpent made of the Snake's desire, 

The desire he had of Lilith, whose Strange spell 

Woven around him made his breath respire 

The odours of no death, not damnable, 

But deadly when the blood that's mixed with mire 

Propagates evil. You the Insensible 

BeaSt of the Wilderness where root and briar 

Mix, and the ways thereof no man can tell, 

Jungles and forests, lion's luSt and ire ; 

Now, what shall leap on me from a sunken well ? 

You, you, that glitter in your golden wire ! 

301 



The Avenging Spirit 

The Night I know shall nestle in your hair 

And the night's birds shall bite you furiously, 

And even were your body thin and bare 

As when you loved me most, when all the Sea 

Of passion surged across us and the air 

Shot wicked lightnings, hell's, ironically, 

And hurled dead leaves upon us : we were aware 

Of certain subtle Loves that daintily 

Slid over grasses greener than the vair 

You women wear, and eyed us mockingly 

Seeing how mad our love was laughed a rare 

Laughter that shook our senses as you and me 

Lay linked together and your hair my hair 

Held fas!:. They passed, leaving us nakedly 

As love musT: be, and without any Shame 

We gazed upon each other in surprise. 

These, having passed, I called you by your name : 

Lamia ! And all the malice in your eyes 

Darkened with a veritable flame 

The flame the Sun has when he crucifies 

Himself only, in you, always the same 

Irresistible irritation that denies 

Nothing, gives all things, playing Sin's own game 

Before the horror of the naked skies 

That shuddered on us, knew the thing that came. 

And when the night was over, then we rose 
And came upon a wicked piece of Earth. 
Thessalian witches, writhing in Strange throes,, 
With convulsed limbs, with some Satanic mirth 

JO2 



The Avenging Spirit 

Evoked the Demons. Ah, the venomous dose 
Of poison in their eyes and in their girth 1 
Nay, the snake only his own venom knows ; 
I think that then you had a second birth. 
That gave you the desire to poison me 
That grew in you just then and quickened so, 
Till, knowing your guilt, your evil Sorcery 
Changed on itself ; and I that was your Foe 
Before my wrath changed to love and came to be 
That thing of things you know, the thing I know, 
Death-doomed ; yea, to be severed angrily 
From life and lust and in the dust bow low 
This haughty head ; you, very suddenly 
Tried to destroy the poison ; yea, by slow 
Soft processes, to avert the ignominy 
Of your incarnate spirit. Lo, now, lo, 
Now that I die, what hell-spume of the sea 
The wind of your breath makes evil about me, so 
As your arms hold me ? I see Death's sinister face 
Between the window-panes, and I must go. 

There is a stirring in the wind that wakes 

Out of their sleep the beasts that love the wood. 

Lo, this avenging Spirit of mine, that slakes 

Its thirst upon the famishing multitude 

Your breath must famish on 1 O snake of snakes, 

By all the agony of the Holy Rood 

That for our sakes its mortal coil forsakes, 

Here's my last kiss : You have slain my spirit's blood 1 

July 10, 1920, 



MAD SONG 

THEY say that I am mad. 
I worship the Abhorred 
And O the ways I had 
Of banishing the Lord ! 
I hate the passing fashion 
But not the moving crowds ; 
If Satan gives me passion 
I wander with the clouds. 

Often at night alone 
Before the sunset bars 
I see upon his throne 
The Monarch of the Stars. 
The hot noon bites me harder, 
Midnight sheds on me blisses. 
She comes, to fan my ardour, 
She kills me with her kisses. 

Night passes into day, 

We the night watches keep ; 

When on our bed we lay 

My dear began to weep, 

And then she burst out sobbing : 

" My dear, when we are dead. 

Yea, when our nerves are throbbing, 

I shall find the old kisses shed 

304 



Mad Song 

Upon my serpent-mouth. 
Nay, what Is death to us ? 
Ma'dness and sadness, youth. 
Sin's garden ruinous. 
Warm winds upon us blowing, 
Our lips upon the flowers, 
The sins our sins were sowing 
Pass with the eternal hours." 

So did the dear lips move 
As I leaned over her, 
She, she, my only love, 
I felt her pulses stir. 
We like two riven fires 
Did suddenly possess, 
She, all of my desires, 
And I, her loveliness. 

Then did our nights begin 
Insidiously to mesh 
Our flesh that feels the sin 
Transfixing flesh to flesh. 
Our souls met in derision, 
Our bodies clave asunder 
Mine was the rarer vision, 
Hers was the rarer wonder. 

They say that I am mad ; 
You never said that thing : 
God knows the ways we had 
In our nerve-shuddering. 

JLi. Jv 



Mad Song 

That shudder that ran through you I 
Hell's madness in mine eyes I 
God knows, you know, I slew you, 
"Where the earth in anguish cries. 

On the wind's wings up to Heaven 
After the dawn I rise, 
Then downwards I am driven 
By clouds that Storm the sides. 
I seek for her where the scowling 
Fiends dive deep down in a well : 
On the wings of madness howling 
I plunge and I find not Hell, 

July ii, 1922. 



306 



TrfE CRUCIFIX AND THE OWL 

THAT unutterable Agony on the Crucifix 
Of Jesus Christ the hideous Jews decried 
Rent night asunder ; seethed the sullen Styx, 
Sad Lethe murmured where the reeds transfix 
The invisible winds ; then He, the Crucified, 
Nailed by the cruel nails, the wound in His side 
That bled, His feet that bled, His head whose pride 
Was more than man's, His brow the thorns did mix 
With drops of blood, heard the hooting of an Owl : 
The Owl who when the wan moon, the sun's Bride, 
Begins to shine, inevitably hoots. 
Nothing he fears, not even the earth's roots, 
He fears not lightning nor the clouds that scowl. 
The ChrisT: who loved him, panted, then he sighed ; 
So sighed beneath him Mary Magdalen. 
At the ninth hour the ghost within him died. 
The Owl was silent and no God replied : 
At the ninth hour the Owl hooted again. 

September 17, 1921. 



307 



THE IMPENETRABLE 

I AM of all men the most Impenetrable. 

Some say that I am cold as any stone. 

The way of those that go down quick to Hell 

Is not my way : with mine own Self alone 

I go at the wind's wild will where none can tell 

The secret of my Soul. Before God's throne 

I bend my knees, I adore the miracle 

Of His Son Jesus. Backward the gates are thrown 

Of Hell where Satan in His supreme pride 

Gazes into the mirror of mine eyes. 

The clouded mirror of my Destinies, 

In whose deep depths the untroubled ghosts abide. 

Some say that I have fathomed mine own Hell. 

I am of all men the most Impenetrable. 

August 1 8, 1921. 



308 



SONNET 

THE Serpent that was born in Paradise., 

God knows, rejoiced when the gift of grace was given 

You, the most passionately perfect of the seven 

Fallen angels ; for your desecrated eyes 

Are haunted by the beryl's mysteries. 

I know that Satan claimed you from the riven 

Ranks of the Virgins that deserted heaven. 

God has no part in you., not in any wise. 

Yea, why should God, seeing that you are loft, 
Not by the scented devils of your pride ? 
Now at the mercy of the Teraphims 
You are hurled onward by the wandering host 
Of winds that in the Midnight's heart abide 
Naked between the Dragon's writhing limbs. 

July 9, 1922. 



309 



THE WANDERER'S LAMENT 

WHY am I fettered with eternal change ? 

I follow after changeless love, and find 

Nothing but change ; I seek, and seem to find, 

And find I have losl:, and follow after love, 

Seeking in passionate humility. 

I find a shaken Star within a pool ; 

A little water troubles it, I lean. 

Closer, and mine own shadow blots it out. 

Yet I desire the Star, not this bright ghoSt. 

I take a woman's heart into my hand ; 

It sighs for love, and trembles among sighs, 

And half awakens into a delicate sleep, 

And calls to me in whispers out of dreams. 

Then the dream passes, and I too know I have dreamed. 

Why is it that the world was made so ill, 

Or we that suffer it, or this soul its toy, 

This body that is the image of the world. 

Made ill, or made for a pastime : he that made it 

Loved not the thing he made, or tired of it, 

Or could not end it ; for he gave us life, 

And the body ; and therewith he gave us dreams ; 

And having made one substance of the soul 

And body, wrought division, and flung his war 

Into the little passionate city of man. 

I desire love, I desire only love, 

For I am lonelier than the wandering sea. 

And I could be more constant than the tide ; 

310 



The Wanderer's Lament* 

And one by one, I seek a lonely soul 
And then a lonely soul, and every soul 
Le&tis to me beckoning out of a little heaven. 
And cries me a joyous cry, welcoming me, 
And sighs farewell amid inexorable tears. 
No woman has found me faithless ; it is she 
Who shows me mine own image in her eyes, 
And in mine own eyes finds a shadowy friend 
That is her own desire beholding her. 
All leave me, for the world's sake or for love's, 
Because a dream is Stronger than desire, 
Because the world is Stronger than a dream, 
Because a soul has feared the face of joy, 
Seeing it aflame with unendurable laughter ; 
And I am mine own rival, and I pass 
Upon the cold and endless journeying, 
Hopeless in all the mockery of hope. 
What shall the end of all things be ? I wait 
Cruel old age, and kinder death, and sleep, 

1904. 



311 



THE HOUSE 



do you batter down the walls of my house ? " 
I shouted to one as I Stood on the top of my roof. 
He Stopped his battering and said with an air of reproof ; 
" I always hated you because you Stand aloof, 
And because you sit drinking wine in the shadow of the 
boughs." 

At that there arose a clamour of the crows 
And all the air was darkened with their wings, 
I lifted the wine to my lips in a heavenly drowse. 
And then I cast off all thought of material things. 
So he that hated the clamour of the crows 
Stopped, slept, and left off battering at my house. 

October 30, 1921. 



RICH MAN AND LAZARUS 



ALL my wealth I would give, 
I would give all my fame, 
For a woman who would kiss me 
And call me by my name. 

But I, with my fame in the world, 
In the world am all alone ; 
And I, who have wealth, have nothing 
That I can call my own. 

And, as I drive along, 
Seated triumphantly, 
God knows how often I envy 
The beggar who envies rne. 

For, in the mud of the Street, 
That rny wheels cast up as I go, 
He laughs to his wife in the gutter, 
And she laughs to him even so. 

All my wealth I would give, 

I would give all my fame, 

If there were one woman to kiss me 

And call me by my name. 

October 16, 1893. 



3*3 



FOR A CHRISTENING 

FIND your own future, friend, in his, 

And so be comforted 

If you should think on what it is 

To be old, grey or dead. 

But what avails it if I save 

Yet one more memory 

For silent age and the deaf grave 

Whose future ends with me ? 

BIRCHINGTON-ON-SEA, August 5, 1897. 



MOTHER'S SONG 



I GATHER the crackling Sticks in the wood, 
And I roast the hedgehog over the fire ; 
My little one shall have dainty food, 
As much as her little heart can desire. 

My little one shall have ribbons red, 
And great gold ear-rings, a locket of gold, 
And a red and gold shawl for her little head, 
And I'll buy her a doll when the baskets are sold. 

I'll Seal for my little one, some fine day, 
A little white dog with a ribbon and bell ; 
When I've sold the trinkets on all my tray, 
I'll buy her a bird in a cage as well. 

O 1 a bird in a cage is each little one 

That runs to the window to see us pass ; 

My little one loves to lie in the sun, 

And chirp to the horse as he munches the grass. 

1896. 



315 



THE WINDOW 

LOOKING through a narrow window day by day 
They behold the world go by on holiday ; 
Maid to man repeating cc Love me while you may/' 
All go by them, none returns to them : they Stay. 

They behold love pass, and life passing away, 

And each day puts on the face of yesterday. 

And their hearts are sighing u Love me while you may, 

Love is lovely, life is passing : 'tis to-day." 

All shall be to-morrow, Still the elders say ; 
Many lent en morrows come and pass away, 
And the world goes by, and as of old time they 
Looking through a narrow window watch the way. 

1900. 



ROMAN ELEGIES 

I. VILLA BORGHESE 

IN this dim alley of the ilexes 

I walk in a delicious loneliness. 

The plaintive water of the fountain drips 

Like silence speaking out of a God's lips, 

And like chill silence visible, I see 

A faint smoke breathing upward mistily 

Where dead leaves rise in incense, their sweet death, 

Toward the frail life of dying leaves. The breath 

Of that decay which is more delicate 

Than the white breath of Spring, the lonely State 

Of lilies breathing in a quiet place, 

Sweetens the air. I feel against my face, 

MoiSt, Stealthy, blown from where the leaves are thinned, 

The kisses of the winter, in pale wind. 



II. VILLA PAMPHILI 

THE daisies whiten the warm grass : 
I see the sun, a shadow, pass : 
And I forget that winter was. 

The black rooks call across the sky : 
The black-robed scholar-priests go by : 
About the grass pale children lie. 

All sorrowful and cloistered things, 
As if this sunlight were the Spring's, 
Desire the ecstasy of wings. 

And even my soul, long used to gtope 
Within its self-entangled scope, 
Dreams of the opening wings of hope. 



III. : ON THE PALATINE 

I HAVE lived, loved, and iot ; I crave 
Nothing again of all life gave ; 
I only crave to find 
Oblivion for the mind. 

As one who leaps into bright death 
Where the sea shudders underneath, 
To escape the fellowship 
Of his confined ship ; 

So I, from this heart's crowded home, 
Sink into the eternal Rome. 
If these waves wash me down, 
I am content to drown. 



IV. IN THE PACE 

THIS is the church of Peace. 

Sibyls of the Eat and Weft, 
Teach me your secret, to release 
With ancient wisdom that old reft 
Which is in heaven called peace. 

A wandere in Rome 

1 wait the unknown hour, I wait, 
Where other wanderers have come, 
Before that ever-open gate 

Which is on earth called Rome. 

I do not see the way ; 
I wait, and turn my waiting eyes, 
In patience toward the hope of day. 
O Sibyls, show me, you are wise, 
Your wisdom, and the way 1 

ROME, 1897. 



320 



TOWNS 

I HAVE come back from the wide sea, 
To breathe the narrow dut again, 
In cities, where men cumber men. 
Why is it that I dare not be 
Alone with Nature ? Coming near 
The light and peace of her austere 
Regard, I am filled with shameful fear. 

What is this thing the towns have made, 
Into their likeness made anew, 
Until we know not Star or dew ? 
We are afraid of light, afraid 
Of windy space, and naked skies, 
And all in heaven and earth that lies 
Beyond this prison of our eyes. 

1903, 



it t 



THE HEART 

WHY are you land to me now 3 

You who were once so unkind ? 

I will tell you why you are kind to rne now. 

Now you have taken away 

All that I had, you are land ; 

You have taken the dreams of my heart away, 

I had nothing, only my dreams : 

You have found them, hid in my heart ; 

You have taken nothing, only my dreams. 

You are kind to me now I am poor, 

I have nothing left in my heart, 

You are kind to me only because I am poor. 

July 5, 1900. 



THE HOURS 

WHY is it that the hour of the clock 
Points to the hour behind, before, 
Never the perfect hour whose Stroke 
My soul heard Strike, and waited for ? 

The hour I heard was mine and yours, 
The world's hour Struck., but was not ours ; 
Musi we remain, while time endures, 
The adversaries of the hours ? 

I will put back the clock and wait, 
For what is time but haslte of breath ? 
Is it too soon, is it too late ? 
Will the hour, when it Strikes, be Death ? 

August 9, 1 900. 



THE HEART OF A MAN 

You say that you love me, 
And why should we ever part ? 
Do you think to move me 
With wotds that I know by heart ? 

Be Strange and cruel. 

Blow cold, you will fan desire : 

For love's no fuel, 

But love we know is the fire. 

Feign but denial, 

Forego, forget if you can ; 

And then make trial 

Of what's in the heart of a man. 

December 19, 1906. 



3*4 



THE SCARLET SUN 

WHO shall quench the soul's desire 
Of the moth, that is God's fire ? 
Who shall with a painted cloth 
Stain the bright wings of the moth ? 
Who shall with an evil foot 
Stamp the life out of a root ? 
Who shall turn upon his heel 
And bid the scarlet sun to reel ? 
None, for none shall know his hour 
To flout the beauty of a flower. 

February n, 1920. 



WATER-WEEDS 

WHAT Is this that flies with night 
On the wings of the night-birds ? 
Ghost of love, endless delight, 
Night's inarticulate words 
Come., where water-weeds are cool, 
Dip your fingers in the pool, 

Midnight on high Ararat, 
In the serpent's spirit noon, 
Whirlwind on his wings of bat, 
Spider's webs that shred the moon 
Come, where water-weeds are cool, 
Dip your fingers in the pool. 

Lights that do the night illume, 
Ghostly shapes upon the grass. 
Demon's hands that weave the loom 
Of the wan Herodias 
Come, where water- weeds are cool, 
Dip your fingers in the pool. 

Between heaven and hell a bridge, 
Hecate Strangles in a moat 
Wicked wasp and malign midge, 
Moat where dead sea-lilies float 
Come, where water-weeds are cool, 
Dip your fingers in the pool. 

July 31, 1921. 
326 



A WINTER DIRGE 

THE heath has withered on the moor, 

Here at the wan sea's edge 

I hear the thundering breakers roar ; 

AgainsT: the tortured hedge 

I lean and hear the wind that wails 

As if a child had cried. 

Far off I see the shifting sails 

That Strive with wind and tide. 

And, Stranger than all human speech 

Or any woman's sigh,, 

I hear the waves beat on the beach 

And the sea-gull's cry. 

January u, 1920. 



THE WASPS 



HK wasps ate buxxing, the earth smells., 
1 love to hear then! when they bu^, 
The merchant; wasps that build their cells ; 
Their merchandise miraculous 
They dig for, and those tiny things, 
So voluble in their loveliness, 
Who have for those that hale them, Slings, 
Garbed in a green and golden dress, 
Rise from their City on their wings, 
Beat with them bits of earth, compress 
Desire into their daintiness. 

July 17, X9ZTU 



328 



THE NIGHT OWL 

I HEAR the little Owl shriek 

Along the windless ways, 

As if its inhuman soul were fain to seek 

The heart of the mystery of its days ; 

And as I hear the beat of its wings 

That shriek to mine own Spirit clings. 

It shrieks as the moon's shadow sways 

Over the shaken grass, 

And something Strange in the Owl's soul sighs Alas 

And God, I think, before the heavens scowl 
Blesses the little night Owl. 

August 17, 1921. 



A MASQUE OF SHADOWS 

POOR helpless Shadow of Deceit., 
The shadow of no magic flower, 
I End you, Helen, in the Street 
This unanointcd sacred, hour : 
Here where the duSl of trodden feet 
Desecrates the Street. 

This very hour that consecrates 
All that the night could never keep 
Menaces what our changeless Fates 
Leave to us in our dreamless sleep : 
Knave Menelaus desecrates 
The folly of our Fates. 

Only, befote the night grows thiti 
About us In our city-Street, 
What is the sin that we mut sin, 
Helen, when dawn and darkness meet ? 
Fine webs of passion our souls spin 
Out of their own deceit. 

O He with me on the naked grass 

In uttermost abandonment, 

Drink in the naked winds that pass, 

Drink deep of the passion of their scent, 

The scent of the Sea that sighs alas ! 

My Helen's scent ! 

530 



A Masque of Shadows 

You came to me from the seventh gate 
Of that fire-doomed and deathless Troy, 
O passion-pale and passionate, 
O flesh most fair, mad to destroy 
That flesh that you are mad to hate, 
Mad to destroy. 

Over bright Paris lies the dust, 
And we are here and we must love 
Until our Love transfigures Lust, 
Then taste the poisoned scent thereof, 
As on the gallows a man upthrust 
Feeds on his Lust. 

August 5, 



GRIEF 

THE wind shook not In grass nor leaf, 
I had lain down with Perfect Grief, 
Not yet had come that angry thief 
Night that gives Passion some relief. 

I was more shaken than the grass, 
I heard the voice of the winds that pass, 
Then was unveiled Time's looking-glass,, 
The wan face of Herodias. 

The sun was heavy with his heat, 

His shadows lay upon my feet, 

My blood within me began to beat. 

The snake said : " Where is the Serpent's meat ? 

\ 

October j y 1921. 



THE ALCOVE 

I HEARD the trampling feet 

Of the whole Earth 

Shake with ironic mirth 

The evil houses in an evil Street. 

And as I onward went 

The loud carouse 

Of the wicked women in an evil house 

Came to me like an alcove's heated scent. 

October 2, 1921. 



SONG 

WHY write In images like Donne ? 
There is no Iris in die room 
To scatter roses and perfume 
In the house of John, 

All ye that live in Babylon 
Beware of any harlot's tomb 
The dut of the centuries consume 
Under the sway of the sun. 

June 29, 1921. 



INSTANTANE 

TO DONNA MARIA GALLESE 

To a lady with golden hair on seeing her with flowers in winter 

THE Street was sunless till you came, 
Then the sunlight of your hair, 
When you looked at me, became 
Sunshine in the pallid air. 

The world was flowerless till you came, 
Flower with slim flowers blossoming ; 
Winter, seeing you, became, 
Suddenly, with you, the Spring. 

, January 10, 1897. 



TO A WOMAN SEEN IN SLEEP 

ONTOK seen, immortal, seen but; in a dream, 

Unveiling I'hal: white swiftness to the fed, 

With pticle of maiden shame, 

1 have beheld the youth of Beauty gleam., 

August', and passionately sweet, 

And shining as cleat: (lame. 

There Is a wonder in all beauty's youth, 

And I have sought but youth in beauty ; now 

1 know, with altered soul, 

I have but loved some hand, some cheek, some mouth, 

And circumscribed with some white brow 

The uncaptutablc whole. 

This Is the face that makes the old world young, 

For this the world has withered In a kiss 

Of so consuming fire ; 

This is the song that poets have all sung, 

The lover's firft-bom prayer, and this 

The saint's laSt-slain desire. 

TTIXYRA CASTLE, Angus 15, 1896, 



336 



TO IRIS 



BORGIA'S evil face, 
Framed by her orange sunset hair, 
Shows In each trace of Its grimace, 
Blood-red, the stigmata of her race. 
So when the world was wan for air, 
And God looked on, great Satan fell 
Into the depth of that abyss 
That naked lies between Heaven and Hell. 
Red sensual lips mad for the kiss 
Of Cesare when his arteries 
Burn with the heat unutterable 
Of his desires, of her desires ; 
That thin pure oval of the chin, 
Those perverse eyes whose inner fires 
Are hell's, wherein sin hides by sin, 
And have no sense of aught therein 
Save what one hears when lutes and lyres 
Sound together in a scented room, 
A room in the Vatican in Rome ; 
Strange eyes that shed such strange perfume 
As when some girl returning home 
Shakes off her perfume, to resume 
Her other self. O poisonous fume 
Of earth's hell in this flower whereon 
Each separate petal's poisonous 
As weeds that suck the blood from one, 
As vampires that abhor the sun. 
O God's weed, made more glorious 
In paint, than weeds, this paint of John ! 

June 7, 

il-Z 



NIGHTMARE 

SEVEN devils In my head 
Hurry me from bed to bed. 

In this bed I lie awake 

In the embraces of a snake. 

In this bed the lions keep 
Watch around me while I sleep. 

In this bed tlie angels ten 
Call on Mary Magdalen. 

In this bed the nightmares creep 
Out of the arms of sudden sleep. 

On this bed the spiders spin 
Webs to catch the souls that sin. 

On this bed the fires that dwell 
In hell have risen out of hell. 

On his bed I hear the toll 

That bids me render up my soul. 

O seven devils on my bed, 
Save me from the living dead 1 

August 1 8, 1921. 
35* 



TREES IN PARIS 

THE pining leaves that only know the light 

Of Paris gas by night, 

The leaves that hunger for the harvest moon 

And sunny birds that croon 

Among the branches rocking in the breeze 

The piteous boulevard trees, 

How can they drink the day or night across 

Such memories of loss ? 

All day they dream of sunlight such as yields 

Its rapture to the fields ; 

Of Streams that curl about the roots now grown 

Half brother to the Stone ; 

And all the night they long for the cool gleams 

The moonlight lays on Streams. 

All that they see, instead of flocks and herds, 

And happy flights of birds, 

Is the long dull mechanic flow of feet 

Through lengths of jostling Street ; 

The wheels that turn behind the patient horse 

Upon his weary course ; 

And all the human faces dull and base, 

Face after tedious face. 

This is the fate of trees that know the light 
Of Paris gas by night. 

PARIS, June 27, 1896. 

ii z* 339 



HYMN TO KARTJ] 



TUKRK is no airy bridge, no corridor, 

That leads me from the prison where I dwell, 

In one dim narrow cell. 

Into the world that I have hungered for, 

Ceaselessly from my birth : 

There is no way between the soul and Karth. 

We live by sight : what is it that I see ? 

1 turn, a narrow circle turns with me. 

What is it that 1 hear ? I cannot heat: 

The voice of the immeasurable sea 

Speaking these few poor furlongs from my cur. 

1 move, and all my little world moves too, 

Trailing about me like a cloak : alack, 

I do but beat my prison on, my back. 

As snails that travel do. 

II 

I will cry out, and bid Earth answer me ; 

Vainly I cry, and vainly seek to know 

The secret way she goes, or what may be 

The secret way I go. 

Sometimes I seem to hear a voice that sighs 

Out of the silence, saying : Trouble me not 

With idle questionings ; 

Am I not silent in all mortal things ? 

340 



Hymn to Earth 

Has any voice once spoken from the skies ? 
Think thou, as I, thy solitary thought ; 
Trouble me not. 



Ill 

Yet there is beauty, real as a pain 

In this inconstant show of green and blue, 

That, like the unfelt air, I travel through, 

Yet closes round me like the air again. 

This carpet the smooth grass, 

These azure hangings laced with silken white, 

This leafy rustle, this bright watery stir, 

All colours of the day and night, 

That come, and are forgotten, and so pass, 

Are they not each a delicate minister 

And patient handmaid of delight ? 

Shadows they are, and shadows that I make 

They may be : what am I ? 

I hear an echo and a voice reply 

A dreamer dreaming that he is awake. 

Earth out of which I came, 

Red earth to which I go, 

When I resign this name, 

Whereby myself I know, 

Mother and Stranger and foe, 

Shall there be any making friends at last 

When this illimitable thirst and lust 

Goes down into the dust ? 

341-4 



Hymn to Earfh 

Not living, then not dead, 

Shall I be comforted 

By the Earth I never knew in all the paSt. 

There is no way, 

Not though I feed the lilies, ot refresh 

The life of roses with my flesh, 

Nay, 

There is not any way, through death or birth, 

Between the soul of man and Earth. 

1902. 




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