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Full text of "Poetical works. Selected and edited with introd., biographical sketch, notes, and a glossary"

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be poetical Works 



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SELECTED AND EDITED 



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mitb introduction, JBtograpbical 5ketcb, motes, 
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Read from some humbler poet, 

Whose songs gushed from his heart, 
As showers from the clouds of summer, 

Or tears from the eyelids start; 
Who, thro' long days of labor, 

And nights devoid of ease, 
Still heard in his soul the music 

Of wonderful melodies. 

Longfellow. 



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TORONTO 



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WILLIAM BRIGGS 
Wesley Buildings 

1900 



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Entered according to Act of the 
Parliament of Canada, in the year 
one thousand nine hundred, by 
William Briqgs, at the Depart- 
ment i>f Agriculture. 



EDITORS' NOTE 



A FTER Alexander McLachlan's death, his daughter 
Mary began to collect and arrange his numerous 
poetic compositions, with a view to publishing a selection 
of what might seem most worthy of presentation in per- 
manent form. Unhappily, death overtook her before she 
could complete this work of filial devotion. A few friends 
of the poet, however, feeling that the work thus interrupted 
should not be allowed entirely to fail, consulted together, 
and made the selection here given. Mr. McLachlan left a 
very large amount of material in manuscript, all of which 
has passed under review. It is confidently hoped that the 
present publication includes nearly all that he himself 
would have wished to see in print. The editors have not 
attempted to do much more than select, punctuate for the 
sense, and put here and there a few "finishing touches," 
large numbers of which were indicated by himself. This 
fact has restrained their hands : It was known that taking 
liberties with his verse was something the poet resented. 
He preferred to let his "wild, warbling measures rise," 
even when they transgressed the canons of prosody, for 



Editors' Note. 

example, whose laws he thought the crampings of an arti- 
ficial school. He applied to Poesy the same rule that he 
applied to other productions, expressed in his own words 

(on Music) : 

" To gauge thee by reason 
Seems absolute treason." 

The editors trust that their efforts in this first compre- 
hensive collection of the writings of our earliest bard, with 
its accessories (Introductory Essay, Memoir, Notes, and 
Glossary), a rounding off, as it were, of his life and work, 
may deserve and receive appreciative commendation here 
and abroad. 

Toronto, Canada, 

May, 1900. 



CONTENTS 



Introductory Essay - - - - - - 9 

Biographical Sketch - - - - - 17 

Prologue : To the Poet - -29 

Heroes ... - - - 31 

Britannia - - 3 2 

The Anglo-Saxon - 33 

Cowardice ----- - - 35 

Where'er We May Wander - 3 6 

Life's Contradictions - - - - 37 

To a Beautiful Child - - - - 3 8 

Man ------ - 41 

A Dream - - - 43 

On the Death of - 45 

Who Knows? - - 48 

Fate, a Fragment - - - - 5 

Old Hannah - - 54 

A Wreck - 55 

A Vision - - 57 

The Poet to the Painter - -62 

Gaun Hame - - - -66 

Music ----- - 67 

~>To an Indian Skull ------ 69 

Sir Colin ; or, the Highlanders at Balaklava 72 

Garibaldi ----- - 73 



86 

88 



2 Contents 

PAGE 

Woman 74 

Martha - - 75 

The Stamp of Manhood 77 

Mammon's in the Way 7 8 

The Old Ruin Grey 79 

The Seer - - 8o 

The Ruined Temple - 8 4 
Change 

Poverty's Compensations - 

David, King of Israel 9 

Up, and Be a Hero - 93 

Robert Burns - 94 
Gladstone - 

The Spirits of the Press 9 8 

Memories of Scottish Literature - 99 

The Halls of Holyrood - IQI 
Cartha Again 

Wee Mary - io 3 

-I Winna Gae Hame - T 4 
.Scotland Revisited; or, the Wanderer's 

Return io 7 

Recollections of Clydesdale - io 9 

Awakened Memories of Scotia 1J 3 

Auld Towser - II6 

The Old War Horse ii8 

The Life of Man i2 

The Scot i22 

Watchers are Weary I2 4 
Poesy - .126 

Paisley Abbey - I2 9 

My Mother i; 5 2 

A Vision of Boyhood - I 35 



Contents 3 

SONGS AND BALLADS 

Love - - 13 8 

Curling Song 139 

Mary White 14 

Sing Me That Sang Again 141 

My Love is Like the Lily Flower 142 

We're a' John Tamson's Bairns - 143 

The Flower of the Speed - 144 

Jeanie's Locks - - 146 

Johnny Keeps the Key o't 147 

Charloch Ban - 147 

Lovely Alice 148 

Woman - *49 

Lady Jane - - 15 

Old England is Eaten by Knaves - 219 

Farewell, Caledonia 221 

The Greenwood Shade 223 

I Ask not for Fortune - 237 

The Indian Maid 237 

The Gipsy King 239 

-Why Left I My Country? 249 

The Old Highland Piper - 252 

We Lean on One Another 375 

Charity - 377 

NATURE POEMS 

Prologue - - - - I 5 2 

God - - - ' - i53 

Far in the Forest Shade - - - - 155 

The Hall of Shadows - 157 

Infinite - - - 160 

Awful Spirit - - 163 



4 Contents 

PAGE 

The Pines - 166 

Ah, Me! - - - 167 

Mystery - - - - 168 

Stars - ... !68 

May - - - 170 

Autumn - - - - - 171 

Day - ... . I j2 

Sunset - - - 173 

Morning - - 174 

Dawn - 175 

The Song of the Sun - 176 

The Early Bluebird 178 

Indian Summer - 180 

Bobolink - - - 182 

To a Humming-Bird - - 183 

October - - - - 185 

May Morning 187 

Whip-poor-will - 188 

The Spirit of Devotion - - 189 

Sighs in the City 191 

CANADIAN IDYLS 

The Genius of Canada - - - - 194 

Sparking - - - 195 

The Picnic - - - - - 196 

The Gipsy Blood 200 

Acres of His Own - - - 201 

Neighbor John - - - - 202 

The Man Who Rose from Nothing 204 

The Men of the Dominion - - 205 
Young Canada ; or, Jack's as Good's His Master 207 

Hurrah for the New Dominion - 208 



Contents 



IDYLS OF THE PIONEERS 



PAGE 



o 



The Emigrant - 209 

Argument - - - - 209 

Introduction : Apostrophe to Canada - 211 

Leaving Home - - - 212 

A Grandfather's Blessing - - 215 

The Journey - - - - - - 218 

Old England is Eaten by Knaves - - 219 

Farewell, Caledonia - - 221 

The Arrival - --222 

The Greenwood Shade - - 22 

Cutting the First Tree - - - - 227 

The Log Cabin - 233 

I Ask Not for Fortune - - - 237 

The Indian Maid - - - - 237 

The Gipsy King - - - - 239 

The Indian Battle - - - - - 241 

Donald Ban - 246 

Why Left I My Country? 249 

The Old Highland Piper - - 252 

Companionship in Books - - - - 257 

The Settler's First Sabbath Day - - 259 

The Backwoods Philosopher - - - 264 

Dr. Burns Preaching - - 266 

The Settler's Prayer - - 270 

Fire in the Woods - - - 274 

A Backwoods Hero - - - 27S 

Old Hoss - . - ... 282 



6 Contents 

SCOTTISH PORTRAITS 

PAGE 

Hallowe'en - 284 

The Wee Laddie's Summer Day - - 288 

When We Were Boys Thegither - - 290 

The Fisherman's Wife - - - 291 

The Death of Evan Dhu 293 

Past and Present - - - - 295 

Provost John McRae - 300 

Auld Hawkie - - . - - - - - 304 

The Knight of Ellerslie - - - 306 

Thomas Carlyle - - - 308 

To Hugh McDonald - 311 

My Old Schoolmaster - - - 314 

Auld Granny Broon - - 318 

Old Adam - - - - 321 

Auld Hawkie's Dream - 324 

The Warlock o' Gryffe - - 328 

Daft Jamie - - 333 

My Grandfather and His Bible - - 336 

Daft Maggie - 339 
On Receiving a Portrait of Auld Hawkie - 342 

The Sempill Lords - - - 346 

A Lang-Heidit Laddie 347 

Ahead of His Time - - ... 349 

The Radical - - 359 

The Cringer Rebuked - - 362 

Poverty's Child - - 364 

MISCELLANEOUS 

Traditions - - - 367 

Wilson's Grave - - 368 



Contents 7 



PAGE 



Ode on the Death of Robert Tannahill 369 

Poor Donkey 370 

Go into Debt 372 

Scotland - - - 373 

We Lean on One Another - 375 

What Poor Little Fellows Are We 376 

A Song of Charity - - 377 

Worth - 378 

If You Would be Master 379 

We're All Afloat - 380 

The Hero - 381 

The Passing of Jollity 382 

Lang Syne - 383 

Clamina - - 384 

I Long not for Riches 385 

Rein Auld Adam in - 386 

John Fraser's Farewell to the Church of 

Scotland - - 388 
Old Skinflint's Dream - 389 
John Tamson's Address to the Clergy in Scot- 
land - 393 
Burns - ... - 397 

SKETCHES FROM THE WANDERER 

A Prose Poem - - 402 

Whence Come We? - 404 

Morning in Spring - - 405 

Notes - - - - 407 

Glossary - - - 417 

Index to First Lines - - - 423 



INTRODUCTORY ESSAY 



BY REV. E. H. DEWART, D.D. 



f^HE writers of a country who give literary expression to 
| * generous sympathy with what is good and true, who 
jovingly portray what is beautiful and grand in its scenery and 

ignificant in its history, and quicken the pulse of patriotic 
jdevotion and loyalty in the hearts of the people, are benefactors 
who deserve to be held in "everlasting remembrance." They 
may attract less attention and win less applause than warriors 
and politicians, whose lives are distinguished by more sensa- 
tional features ; but, though noiseless and often unacknowl- 
edged, their work exerts a greater moulding influence upon the 
thought and life of the nation. Among these benefactors the 
poets of a country must always have a prominent place. 

Lord Macaulay's theory, that a semi-barbaric and unscientific 
age, in which the language is not sufficiently perfect to be the 
medium of acute distinctions and scientific definitions, is speci- 
ally adapted to the production of poetry, and that it must die 
out when these conditions cease to exist, is open to unanswer- 
able objections. It wrongly assumes that the proper subjects of 
poetry are fictitious legends, which require ignorance and credu- 
lity in those who read them. The great reviewer also overlooks 
the fact that a crude and imperfect language is not fitted to ex- 
press the great thoughts and refined shades of meaning which 
are always found in the work of a great poet. Besides, there 
are at all times nations and communities that are ignorant, 
superstitious, and unscientific enough to satisfy fully Lord 
Macaulay's conditions ; yet we never hear of any great original 

9 



io Introductory Essay 

poems being given to the world from such quarters. The fadl 
that poets have flourished in all stages of civilization prove* 
that the production of poetry depends far more upon the genius! 
of the poet than upon the character of his environment. 

All disparagement of poetry is based upon misconceptions! 
of its true mission and character. Those who think the greaB 
questions of life are, "What shall we eat? and what shall wei 
drink? and wherewithal shall we be clothed?" or who maintain! 
that poetry cannot live in a scientific age, will naturally conj 
temn poetry and all forms of art. But those who do this! 
simply proclaim their incapacity to appreciate the thoughts! 
and sentiments which constitute the main elements of the! 
poet's message. Poetry is not an artificial invention. Likel 
music and all forms of beauty, it appeals to faculties which oua 
Creator has implanted in our nature. There could be no such! 
thing as poetry, music, or the beautiful in art, if there wagj 
nothing in our nature that responded to these things. Let no! 
one regard his indifference or contempt for poetry as an evi-1 
dence of mental superiority. It is an imperfection which mayj 
be endured as a misfortune, but should never be flaunted as al 
virtue. 

When I visited the picture galleries of Europe and lookedj 
upon the veritable works of Raphael, Titian, Leonardo dal 
Vinci, Murillo, Rubens, and other old masters, I was most of! 
all impressed by the wonderful genius that enabled these gifted! 
souls to reproduce the visions of beauty that flashed through! 
their brain, and leave them as a legacy to the world, to be seen! 
and admired by future generations. So it is the peculiar gloryl 
of the poet that he has the power, not only to think great! 
thoughts and vividly apprehend the grandeur and beauty of | 
nature, but that in the exercise of his divine art he can cause! 
others to see through his unsealed eyes, and feel in some 
degree what he has felt in those exalted moods, in which he] 
" clothes thought and language with the hues of every holyj 
thing." We all know how scenes and events which the poet 
has enshrined in song are lifted into an undying light, and | 



Introductory Essay 1 1 

.ve an interest for us that but for the poet they would never 
.ve possessed. 

Alexander McLachlan deserves grateful recognition and a 
ace of honor among our Canadian poets, not only for the 
iod work he has accomplished, but also because of the stage 

our country's history and the circumstances in which that 
3rk was done. The period in which he wrote entitles him to 
nk as one of the pioneer bards of British Canada who have 
id the foundations of our poetic literature in the face of many 
scouragements. One is not surprised that men of leisure, 
le hothouse plants of literary culture, nurtured from early 
>uth on the poetry of Greece and Rome, as well as that of 
ritain and America, should in due time blossom into verse of 
oper form. But when one who had not the advantage of 
ich prompting inspiration, but who was through life hampered 
id repressed by constant care and toil, in spite of all this 
lightens his labors with songs " in various moods, and leaves 
large and worthy contribution to the poetic literature of his 
>untry, we cannot but feel that he never could have done this 
ad not the instinct of the born poet been irrepressibly strong 
ithin him. But for this these lyrical outpourings of the heart 
ould never have been produced. They were evidently written 

give expression to sentiments that would not be suppressed. 
cLachlan eminently fulfilled the description of Longfellow's 
leal poet, 

" Whose songs gushed from his heart, 
As showers from the clouds of summer, 
Or tears from the eyelids start ; 

" Who, through long days of labor, 
And nights devoid of ease, 
Still heard in his soul the music 
Of wonderful melodies." 

| In my "Selections from Canadian Poets," published in 1864, 
peaking of McLachlan, I said : " It is no empty laudation to 
all him 'the Burns of Canada.' In racy humor, in natural 
j>athos, and in graphic portraiture of character, he will compare 



12 Introductory Essay 

favorably with the great peasant bard. In moral grandeur and j 
beauty he strikes higher notes than ever echoed from the harp j 
of Burns." Many will deem this too strong. Perhaps it is. \ 
Ardent admirers of Burns may think it out of place to institute | 
any comparison with the immortal author of "The Cottar's i 
Saturday Night." Yet I still think that there are stanzas in 
this volume that justify the last remark in the sentences I have | 
quoted. At any rate, without questioning the superior genius j 
of Burns, it will not be denied that the two poets have a good \ 
deal in common. This is not the result of any conscious j 
imitation on the part of McLachlan. Though, doubtless, his | 
admiring sympathy for Burns had a great influence over him, j 
the similarity to which I refer was mainly caused by their 
minds being cast in a similar mould. They were animated by 
the same democratic spirit. They had the same reverent 
esteem for simple manhood, regardless of all outward distinc- 
tions ; and the same unspoiled love of Nature and insight into 
her inner meanings. 

In many of his poems our Canadian bard shows that at times 
he stood face to face with " the burthen of the mystery" of life 
and human destiny. In truth we may say, it somewhat unduly 
overshadowed his whole existence. If he selected lowly 
themes, it was because he discerned truth and beauty, not 
visible to ordinary eyes, in the simplest things of common life. 
He could say as truly as Wordsworth himself, 

" Thanks to the human heart by which we live, 
Thanks to its tenderness, its joys and fears, 
To me the meanest flower that blows can give 
Thoughts that do often lie too deep for tears." 

The most distinguishing characteristic of McLachlan's poetry 
is his intense feeling of regard for the common people. What- 
ever concerns human beings enlists his earnest sympathy. 
because he has "faith in the Fatherhood of God and brother- 
hood of man." His simple and lucid style, his warm brotherly 
sympathy with all who toil or suffer, and his honest hatred of! 
all oppression and injustice, make him pre-eminently the poet ' 



Introductory Essay 13 

If "the common people." In ringing words which all can 

Understand, he voices the thought and feeling of the great 

Jailing democracy. For this cause, as well as for his extensive 

treatment of Canadian subjects, whether he conforms in all 

Inspects to the canons of the critics or not, this volume should 

e favorably received and widely perused by the people of 

;anada. Among our intelligent working men and women it 

ihould have an extensive circulation. Though he is keenly 

live to the ills that darken and embitter so many lives, his 

Ideas of the dignity of labor and the superiority of honest 

Irorth to all material prosperity, and his faith in the ultimate 

l.riumph of the right, are adapted to inspire his readers with 

:ourage and patient hope in breasting the currents of uu- 

jropitious fate. 

' Like many others, had McLachlan written less, and given 
[taore time and thought to polishing and perfecting the language 
n which he expressed his thoughts, it would have been better 
|"or his fame as a poet. He was too often satisfied with putting 
he passing thoughts that occupied his mind into easy, homely 
imes. The ardent love which he cherished for Scotland, his 
native land, colors most of his writings. Even in poems on 
j)ther themes, written in Canada, a place is found for references 
:o the scenery and memories of the land beyond the sea. 
.However others may regard this, it will hardly be deemed a 
fault by Scotsmen. 

It would be a thankless and superfluous task for me to point 
put the pieces in this volume which I regard as specially 
excellent. Every reader will judge for himself as to what he 
[may deem the best. There are, however, some poems which 
specially illustrate our author's genius. If he has mainly 
chosen homely and common subjects, his fine ode on God 
shows that he can fitly treat the loftiest theme. In this piece 
there is elevation of thought, sublime imagery, and a rhythmic 
music which makes a pleasing harmony between the sense and 
the sound. This adaptation of the metre to the theme is a 
feature of many of the poems. In May there is a dancing, 



14 Introductory Essay 

sparkling gladness, in keeping with the joyousness of the season | 
and scenery it describes. In his poem on Burns (p. 397) there I 
is a mastery of the Scottish dialect, and a felicitous indication I 
of the distinguishing features of the poet's character as revealed 1 
in several of his poems. In Britannia sententious expression 
and patriotic fire are blended. The immortal British names 
cited in the poem fitly lead up to the ringing climax : 

" These are the soul of thy renown, 
The gems immortal in thy crown, 
The suns that never shall go down, 
Britannia ! " 

In the portraits of David, Carlyle, and Gladstone, as well as \ 
in other pieces, the style sometimes drops into the homely, 
and the language is not always what would be called poetic. 
Yet there are quaint turns of thought, that have in them an 
element of surprise and striking fitness and force. I have 
spoken of McLachlan's power to penetrate the crust of 
outward appearances, and unveil the meaning hidden from 
common sight at the heart of things. This is strikingly illus- 
trated in that fine lyrical miniature, Old Hannah. An aged 
widow sitting at her cottage door is a common enough object. 
But in the poem the harmony and beauty of the surrounding 
scenery, the glimpse into the widow's sad life history, and the 
revelation of the inner faith that gave peace in old age and 
bereavement, invest the picture with a meaning and interest 
which make it an instructive religious lesson, and a treasured 
memory. The same insight is seen in Martha and other 
pieces. Not only are positive elements of character unveiled, 
the absence of such qualities is made to tell an interesting 
story. Neighbor John is made to interest us, because of his 
not possessing qualities that he ought to have possessed : 

" His only joy since when a boy, 
Has been to plod and moil, 
Until his very soul itself 
Has grown into the soil. 



Introductory Essay 15 

" He has no visions, hears no voice 
To make his spirit start ; 
The glory and the mystery 
Ne'er settled on his heart. 

" Talk not of old cathedral woods 
Their gothic arches throwing ; 
John only sees in all these trees 
So many sawlogs growing." 

It must be gratifying to every lover of his country to note the 
isigns of a growing interest in our Canadian literature ; though 
'there is still room and need for improvement with regard to the 
extent of this interest. If I have not referred in these intro- 
ductory remarks to the Canadian poets of the present day, this 
is simply because I have been directing attention to a new 
edition of the poems of a poet of the last generation. Sangster, 
McLachlan, Heavysege, Kirby, Chapman, MacColl, Reade, 
Sweeney, McGee, W. W. Smith, and Mrs. Leprohon, Mrs. 
Moody, Miss Murray, Miss Helen M. Johnson, Mrs. Faulkner, 
Miss Vining (Mrs. Yule) and others of their period, may be 
regarded as the vanguard of our poetic writers. But I am glad 
to pay my hearty tribute of recognition to the value and excel- 
lence of the contributions to our poetic literature by our poets 
of a later period, such as Mair, Campbell, Roberts, Cameron, 
Lampman, Carman, the two Scotts, Miss Machar, Miss 
Crawford, Mrs. Curzon, Mrs. Harrison, Miss Pauline Johnson, 
Miss Wetherald, Mrs. Blewett, Mrs. McLean, and several 
others worthy of "honorable mention." They have worthily 
carried forward the banners of literary progress which had 
fallen from the hands of our earlier bards. Their work is full 
of promise for the future. Interest in what they have accom- 
plished will not lessen our interest in those whose work was 
done in earlier and ruder times. 

If McLachlan's graphic descriptions of the scenery and rural 
life of Canada in The Emigrant, and other poems, ought to 
interest all Canadians, it is equally true that his loving and 
appreciative references to "Caledonia, stern and wild," 
should give his poems a special claim to the regard of all 
Scotsmen and Scottish-Canadians. 



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BIOGRAPHICAL SKETCH 



ALEXANDER M'LACHLAN, the Scoto-Canadian poet, 
was born in 1818 in Johnstone (" the Brig o' Johnstone"), 
(Renfrewshire, Scotland. His father, Charles McLachlan, was 
Ian intelligent, well-informed mechanic, possessed of consider- 
able literary ability, who took part in the temperance and 
|Chartist agitations of his time, as did, too, the subject of this 
ketch. Charles McLachlan, with his brother Daniel and the 
hatter's wife and children, came to Canada in the thirties, and 
hvere among the earliest pioneers in the township of Caledon, 
[Peel county, Ontario. Both sought to become Canadian 
Farmers. Charles had left his wife and children in Scotland 
till he could clear land and establish a home for them. This 
accomplished, he sought and obtained employment as a ma- 
:hinist at Paterson, N.J., on his way back via New York, 
ntending to bring his wife and four children to his new 
Zanadian home ; but death overtook him at Paterson. 

The poet's mother was Jane Sutherland, daughter of Alex- 
ander Sutherland, a native of Sutherlandshire, in the High- 
lands, and a Cameronian covenanter, of which descent the 
poet was proud. This grandfather, described as a rigid 
Calvinist of the old school, now became the head of his 
widowed daughter's household with her young family of four, 
of whom the poet was the third child and only son. She and 
her second daughter remained in Scotland till 1859, when they 
came to Canada, where the mother, taking cardiac dropsy, 
died suddenly in i860, at the poet's home. The two other 
daughters had come to Canada early in the forties. All three 



1 8 Biographical Sketch 

married farmers in Brant county, Ontario, reaching the same 
years as the poet, and dying in the order of their birth. 

When his mother and her young family were thrown on their 
own resources, young McLachlan worked in a cotton factory, 
and when old enough became apprentice to a tailor in 
Glasgow. In 1840 he came to Canada and took possession 
of his father's farm, but sold it in 1841. He married Clamina 
McLachlan, commemorated in his poem Clamina. She is the 
daughter of his uncle Daniel, and survives him. In 1844 he 
bought a bush farm in Downie township, Perth county. In 
1847 he removed to another in the township of North East- 
hope, in the same county. He cleared about twenty acres, 
but finding that he was no farmer, sold it, and in 1850 bought 
an acre in Erin township, Wellington county, removed to it, 
and lived there till 1877, devoting himself to tailoring, reading, 
v writing, and lecturing. His lectures were commonly under the 
^ auspices of Mechanics' Institutes. In 1862 he was appointed 
government lecturer and emigration agent for Canada in Scot- 
land. This appointment came through his personal friend and 
brother poet, Hon. Thomas D'Arcy McGee, then a member of' 
the Canadian cabinet. Among admirers at this time was the 
late Prof. George, vice-Principal of Queen's College, Kingston, 
Ont, to whom the volume published in 1861 was dedicated. 
The present Principal, Dr. Geo. M. Grant, but at a later date, 
also appears among those who paid their tribute of praise. 

In 1872-73 some friends and admirers of his poetic gifts 
took up the project of a suitable pecuniary testimonial to him. 
A considerable amount was subscribed. Then the publication 
of a new volume of his poems was projected, and appeared 
in 1874. By consent of subscribers to the testimonial fund, the 
cash collected was paid as a guaranty to its publishers. 

In 1877 he moved to a farm in Amaranth township, Dufferin 
county, seven miles west of Orangeville, the county seat. The 
farm-house and surroundings have been painted by his artist 
friend, Mr. Arthur Cox, Toronto. The picture is in possession 
of Mr. James L. Morrison, Toronto, who has kindly permitted 



A Testimonial Fund 19 

its reproduction for this volume. An enlarged painting of 
|this was bought by the well-known clothier, Philip Jamieson, 
and for years was displayed in his shop, corner of Queen and 
Yonge Streets, Toronto, but was destroyed in the Simpson 
fire. This farm was managed for several years by his son 
Malcolm, then by his youngest son, Alexander. 

During these years on the Amaranth farm the project of a 
testimonial fund was revived by admirers. The idea appears 
to have started with Alex. McNabb, Esq., of Ozone, Texas, 
formerly police magistrate in Toronto.* He was soon seconded 
in this by Messrs. J. L. Morrison and Arthur Cox, already men- 
tioned, and by Messrs. James Bain, Jr., Alex. Fraser, M.A., 
and Win. Adamson. They induced Mr. David Boyle, Ontario's 
archaeologist, and others, too numerous to mention, to lend a 
hand. Associated as secretary was Geo. Kennedy, LL.D., of 
the Ontario Crown Lands department, Toronto. The vigorous 
push of these men was a mainspring which soon resulted in 
a collection intended to bring comfort to his declining years. 
From far and near contributions were received, amounting to 
$2100, which, as an investment in trust, was presented to him 
at a public banquet at the Walker House, Toronto, 28th April, 
1890. His friend, David Walker, was both caterer and host. 
Mr. Morrison was in the chair and made the presentation. 
The list of subscribers deserves reproduction here, but want of 
space forbids. 

The death of his farmer son, Alexander, in March, 1895, 
broke up the farm management, though continued for that 
season. Late in 1895 the poet bought a home a substantial 
brick house on Elizabeth street, Orangeville, removed there 
and died in it, quite unexpectedly, 20th March, 1896. His 
remains rest in Greenwood . Cemetery, two miles west of 
Orangeville. To commemorate him a modest monument is to 
be erected there in the summer of 1900.+ The spot, a fairly 



* A poetic epistle to Mr. McNabb was the last piece of work undertaken by the 
subject of our sketch. He lived to produce a fragment only, not printed herein. 

t The Secretary-Treasurer of the Monument Fund is Dr. Alex. Hamilton, 57 
Harbord Street, Toronto, who will receive offerings. 

F<? K&ST U A W 



20 Biographical Sketch 

ideal one, is an eminence overlooking the road running north. 
It has been neatly kept and is adorned with flowers he loved. 
Certain gloomy forebodings (in Cartha Again) are thus unlikely 
to prove prophetic : 

" In a grave in the forest, when life's journey's past, 
Unknown and unhonor'd, they'll lay me at last; 
Abune me nae blue-bell nor gowan shall wave, 
And nae robin come to sing over my grave." 

Of his eleven children, ten five sons and five daughters 
reached maturity. His relict, one son, a practising physician 
in Michigan, and four daughters survive. Two other sons 
became physicians. The eldest daughter married a farmer ; 
three single daughters are at home. Mary, the second daughter, 
was a teacher, and became, at her father's request, his literary 
executor. She had put his literary remains largely in shape 
for this publication when death supervened, loth February, 
1899, leaving that work to Mr. W. J. Clark, barrister, Toronto, 
who has left selecting, editing and arranging to five other 
hands, not unsympathetic, it is trusted.* 

To the foregoing, a curt recital of bare facts, the reader may 
wish to have color added by brief pen-pictures of a few scenes 
as they passed before the subject of this sketch in his life- 
panorama. They are drawn by one who has distinct recollec- 
tions of him from 1853 : 

(a) His childhood was spent (" when George iv was king ") 
in the fertile and populous valley of the Clyde. Looming up 
on the northern horizon, as one looked across that noted stream 
from the garden of their house, could be seen the peak of 
Benlomond, often mentioned or implied in his verse. The 
Cart (poetic Cartha) is a stream draining a large district south 
of it into the Clyde. Of its two branches, the Black Cart 
and the White Cart, one is crossed by the " Brig o' John- 






* The editors are (in alphabetic order of their surnames): W. P. Begg, D.D., 
Massena, N.Y.; David Boyle, Ph.B., E. H. Dewart, D.D., A. Hamilton-, M.A. 
M.D., Geo. Kennedy, LL.D., the last four of Toronto. 



Surroundings in Childhood 2 1 



*o> 



stone." Paisley is on the Black Cart. The Gryffe, a clear 
stream, the water supply of Paisley, was tributary to the Cart. 
From the centre of the Clyde rises a perpendicular rock, 
Dumbarton or Balclutha, crowned with Dumbarton Castle, a 
stronghold of the Britons. In the district are many ruins, 
some of which are noted in The Sempill Lords, and in Paisley 
Aobey and others near and farther afield. Near by was Elders- 
lie, the seat of Scotland's hero leader, Sir William Wallace, 
and near which was the Wallace oak, even then falling to 
decay. He has told us (in The Spirit of Love) that this oak 
was familiar, and 

" A thousand times beneath that tree, 
O Freedom, I have worshipped thee ; 
And then I deemed the very sod 
. Was sacred where my hero trod. 

Oh, yes, it was my first of joys, 
When, a troop of wild school-boys, 
In mimic warlike pomp array'd, 
We fought the Southron 'neath thy shade, 
And sang, while to the charge we led, 
' Scots wha hae wi' Wallace bled.' " 

There, too, were rife stories such as that commemorated in 
The Warlock 0' Gryffe, and such doings as Auld Granny Broon 
gives voice to, for 

" Shehowffd by the Locher's lood fa'," 

the Locher Falls being then a picturesque scene. The air was 
thick with a thousand other legends of tradition and super- 
stition, among a people to whom fairies, ghosts, hobgoblins and 
witches still played great parts in the role of popular mythol- 
ogy. As Sir Walter Scott has put it : 

" Old tales I heard of wo or mirth, 
Of lovers' sleights, of ladies' charms, 
Of witches' spells, of warriors' arms, 
Of patriot battles, won of old 
By Wallace wight and Bruce the Bold." 



22 Biographical Sketch 

With this background, foreground and surroundings, young 
McLachlan seems to have passed a happy childhood free from 
care, in rural districts, the suburbs of bustling industry, near 
the hum of manufacturing centres. Excursions with play- 
fellows must have been varied and frequent, for his verse shows 
him familiar with wild-flowers, birds, and Nature in her every 
mood. In this way it became true of him that 

" The child is father of the man," 

and inspired him to 

" Sing the lays 
Of Scotia's bonnie woods and braes, 
Of hoary hill, of dashing stream, 
Of lonely rock where eagles scream, 
Of primrose bank and gowany glen, 
Of broomy knowe and hawthorn den, 
Of burnside where the linnet's lay 
Is heard the lee lang summer day." 

(d) The period of his youth, until he was twenty-two, in 1840, 
was a time of unrest and agitation. He remembered the politi- 
cal stir culminating in the Reform Bill of 1832. Temperance 
agitation, notably that of Father Matthew in Ireland, had its 
counterpart in Britain. Denunciations of taxes on cereal food- 
stuffs, known as the Corn Laws, filled the air, and Ebenezer 
Elliot's rimes fired the popular heart. Chartism, analogous 
to the strikes and labor agitations of a later day, was in full 
swing. Distress in the manufacturing districts, notably those 
of Manchester and Glasgow, contributed largely to peopling 
Ontario with swarms of immigrants from all parts of the British 
Isles in the quarter century following 1825. Young McLachlan 
was now brought to face the realities of life, and would seem not 
only to have been moved by these agitations but to have taken 
some part in them. Some poetic effusions, appended to his 
first publication in 1846, show the outcome of his muse on this 
]ine in the years preceding 1840. When quite young he was 
accustomed k 'to spout" (that is, recite) his verses to his com- 



"Manhood's Lessons Sterner" 23 

panions, voicing the rights of the common people against the 

[ aristocracy. The vein of democracy which runs through his 

J compositions had a natural origin in this way, at this time, in 

i these surroundings. His grandfather, whom he described as a 

j bigot in opinion, but with that sterling force of character and 

I moral rectitude noteworthy as the product of Scotland for 

centuries, was, as we have said, a covenanter. This brought 

forcibly to the young poet's mind aspects of religious fervor 

and zeal. He often said that it was hearing the Psalm, 

" By Babel's stream we sat and wept 
When Zion we thought on," 

as interpreted by the covenanters and applied to themselves in 
their struggles, that first stirred his imagination and awoke 
early glimmerings of the poetic faculty. Much under the 
influence and teachings of his stern old grandfather, for whom 
he had great love and admiration because of the integrity of 
his character, the elder's bigotry and intolerance produced 
reaction in the mind of the younger, and drove him to question- 
ings which landed him in skepticism as to a future life that cast 
a shadow over his middle life, but which was removed in 
later years. A Grandfather's Blessing, in the first part of The 
Emigrant, Section vi., is simply the address of this grand- 
father to himself on leaving for Canada, aged twenty-two. 

(c) Early manhood finds him for ten years struggling to 
clear bush farms in Canada, facing sterner realities of life 
owing to the untimely death of his father. Here were the 
scenes of the pioneer's life. He not only sees them, but takes 
part in them. The ax, the plow, the flail or thrasher, the ox- 
yoke, the logging-bee, the "raising" of house or barn, The 
Fire in the Woods, the cow-bell, The Log-Cabin, the straw- 
stack, the wail of Whip-poor-will, the merry whistle of the 
quail, " Bob White," the cheering spray of natural music from 
a rising Bobolink, that sprightly Ariel the Humming- Bird, howl- 
ing wolves, bounding deer, bears, and Indians all are parts 
of new scenes. He is now making a " clearing " "the sky 



24 Biographical Sketch 

keekin through " in two counties of a well-wooded country with 
its accompaniments of sawlogs and sawmills, lumber and 
stumps fitter nurse of muscle and sunburn than of poetic 
natures. His muse has vividly portrayed much of all this in 
The Idyls of the Pioneers, especially in The Emigrant. But 
we need not, should not, and shall not, spoil the reader's 
appetite by any foretaste. 

(d) McLachlan's middle life, the quarter century ending in 
1877, exhibits him on our canvas more as a man of letters. In 
this time he published four volumes* of poems, and undertook 
a series of public lectures that made him a somewhat familiar 
figure in the Canada West of the time. Development was now 
the order of the day. Population was becoming thicker, towns 
were springing up, stages between them were giving way to 
railway trains, the roughness of pioneer life was yielding to 
objects of taste and refinement. People were still vigorous 
because less pampered. McLachlan planned The Emigrant, 
but stopped short in executing that ambitious plan, composing 
so much only as the reader will find in succeeding pages. + 
Had he but entered more fully into the spirit of Columbus's new 
world, and especially the marvellous new world of the closing 
half of the nineteenth century if he had finished The Emi- 
grant, con amore and con spirito he might have ranked as a 
father of our literature, much like Chaucer in another and not 



*The publications preceding this present volume are described thus: 

1846. The Spirit of Love and Other Poems. Pamphlet, 36 pages, i6mo. 
Printed by J. Cleland, Toronto. 

1856. Poems. 192 pages, 121110., cloth. John C. Geikie, Toronto. 

1858. Lyrics. 151 pages, umo, cloth. A. H. Armour & Co., Toronto. 

1861. The Emigrant and Other Poems. 236 pages, i2nio, cloth. Rollo & 
Adam, Toronto. 

1874. Poems and Songs. 223 pages, 8vo. Hunter, Rose & Co., Toronto. 

1888. Ibid., Second Edition, Rose Publishing Co., Toronto. 

All are to be found in the Public Library, Toronto. The volume of Lj/rics 
(1858) therein was " presented to William L. [Lyon] Mackenzie, as a token of respect 
for the high patriotic purpose to which his life has been devoted, by the author." 

t The pioneer and his times is a theme too often shunned by our versifiers. 
Recently, however, Dr. O'Hagan has given an instalment in Songs of the Settlement 
and Other Poems. 70 pages, i6mo. William Briggs, Toronto, 1899. 



The Evening of Life 25 

wider field. He rose imperfectly to the occasion largely from 
being imperfectly appreciated by the people of his day, and, 
lacking encouragement, he remained a Scottish bard of the 
first half of his century, rather than a Canadian bard of the 
j second half, the bard of a glorious dawn in our country's 
literature. A struggling life and missed opportunities often 
go together. Do readers ask further explanation? Well, 
' McLachlan lacked a Maecenas ; with one, he would have had 
the key-stone to a strong arch. He had his early volumes 
I printed (not published a very different thing), in Toronto, a 
I place then almost as far out of the way as Alaska is now. He 
I essayed to be his own publisher, but lacked the executive ability 
and tact for successful publication. There was then no wealthy 
class, there was no middle class. The struggling pioneer appre- 
ciated the gristmill, the sawmill, the stump-machine, the stone- 
j boat, and 

"Oxen terrible to haul," 

[but poetry was to him no indispensable desideratum. 

(e) The evening of his life was the eighteen years after 1877, 

(spent on the Amaranth farm, he being nearly sixty years of age 
when he went there. His literary life left him far from inde- 
pendent. Sons and daughters had grown up. Half of them 
remained with him, a solace, help, and support. He still 
wooed the muses. Grip, the Canadian Punch of that day, 
had him for a time as a regular paid contributor of verse, often 
illustrated by the pencil of its remarkable humorist-cartoonist- 
editor, J. W. Bengough. Mr. James L. Morrison must have 
put his hand to the plow in this phase of McLachlan's public 
appearance. Many effusions, unpublished otherwise, first 
appeared in Grips columns. Most of these had the democratic 
ring. His earlier sympathy with Chartism now found vent 
in favor of Labor. Dr. A. M. Stewart, the publisher of that 
widely and well-known New York weekly, The Scottish-Ameri- 
can, often furnished him this as a suitable avenue for putting 
his verse in print from time to time. At one time or other he 
was much gratified and encouraged by personal commenda- 



26 Biographical Sketch 

lions of his verse, as from Sir Archibald Alison, the historian 
of Europe, and many others of trans-Atlantic fame. Leaders 
in American literature recognized his genius by public and 
private greetings. His papers show many autograph letters 
from such men as Thoreau, and the poets Ralph Waldo Emer- 
son, John G. Saxe, Longfellow, Dr. Oliver Wendell Holmes, 
John G. Whittier, and James Russell Lowell. Now and then 
he visited Toronto and other places, where he got warm recep- 
tions, for he was known as one who made and kept friendships. 

(/) In personal appearance, McLachlan, while not tall, was 
above the average, his weight medium, his eyes blue, his hair 
dark turning to grey without baldness, his temperament nervo- 
bilious. He was good company, full of anecdote and repartee, 
loved a joke, appreciated humor, told a good story well, spoke 
with unmistakable Clydesdale accent, and loved the solace of 
..obacco. In later years his trend was to the slender, rather 
than the portly, build. He held that the names AIcLachlan, 
McNachtan, etc., should have their middle syllable pro- 
nounced as lack, knack, etc., but with, of course, the guttural 
for ck. 

{g) In his poem Companiojiship in Books he gives expression 
to the companionship and elevating influence of the few good 
books found in pioneer life. His later life had better variety 
and a good assortment. One of his editors remarked that 
" McLachlan was strong in the weird," resembling in this 
respect the Ettrick Shepherd. The weird in Shakspeare suited 
him most. He would recite parts of Hamlet, Othello and 
Macbeth, with the power of becoming the character he acted, 
so that it was fascinating to listen to him. He often expressed 
the wish that he had become an actor, and might have done so 
but that he knew it would have broken his mother's heart. Scott 
he thought next to Shakspeare in delineation of character. 
Coleridge he admired much, and could recite the Anciettt 
Mariner. The reader may in many places in his compositions 
trace the influence of Scott and Coleridge especially, as of 
others herein named. Shelley's Skylark and Cloud were great 



Literary Idols, Philosophy 27 

favorites. He voiced admiration of Burns in four poems, two 
of which are herein. Hogg he admired for his imaginative 
powers, and thought the literary world had not done him 
justice. He found Wordsworth's quiet contemplation soothing 
and refreshing, returning to him often and ever. After Car- 
lyle's great prose epic, The French Revolution, burst like a 
meteor on the world, the Chelsea sage found in him almost a 
worshipper. He complained, though, that Carlyle gave him 
no help to solve the riddle of existence. Of that he got more 
satisfaction from Ruskin and Emerson. The latter more than 
any other influenced him, leading him out of doubt and per- 
plexity into an atmosphere higher and purer, by helping him 
to recognize God in man. He said that Carlyle and Emerson 
had done a great work for mankind. Carlyle, with eloquent 
pen, had aroused the world to existing evils and to ponder 
on them. Emerson showed the sacredness of life and infinite 
possibilities for good in man if he listened to the God -ithin 
him. He was a great admirer of Tennyson and Longfellow. 
(h) As to his philosophy of life, his system (or lack of system) 
was not well defined. It is left to the reader to reach his own 
conclusions as to that, for it is felt that it was wavering and 
uncertain. Inclined to speculation, yet not well-grounded in 
laws of natural forces and phenomena, he grasped vainly after 
ultimates. At one time he thought highly of Swedenborg. 
He was ever more inclined to mysticism or metaphysics than 
to physics or materialism. As to his belief in a future exist- 
ence, we leave him to speak for himself in his Elegy on the 
death of a favorite son, John : 

" Farewell, my beloved one ! we'll meet yet again 

In a higher and holier sphere, 
Where the myst'ry of sorrow, the meaning of pain. 

And death's mighty mission's made clear. 
We'll meet in the land where are no sable suits, 

No grinding of heart and of brain, 
And this tearing affections e'en up by the roots 

Shall lacerate never again." 



28 Biographical Sketch 

In conclusion, it may be in order to indicate what niche in 
the temple of lyric poets should be assigned McLachlan, and 
who are in his immediate surroundings to invite comparison. 
Rev. Dr. Dewart, in his Introductory Essay (pp. n, 12), has 
seen fit, justly we think, to adhere to his judgment, formed 
thirty-six years ago, that our author compares favorably with 
Burns, in whose favorite metre a good deal of his verse ap- 
pears, so rendering comparison the more easy. The writer has 
evidence that other contemporaries shared and endorsed Dr. 
Dewart's opinion as to favorable comparison with Burns. In 
addition to the opinions and examples cited by Dr. Dewart, we 
may say that the two Dreams (Hawkie's and Skinflint's) have 
very much the tone of the Ayrshire bard. In some epistles to 
friends he is even more happy, and strikes a higher and a 
purer note. As a writer of songs and ballads, now herein 
classed together for the first time, McLachlan shows remark- 
able power. In patriotism or love of motherland he is even 
more pronounced than Burns. In his octosyllabic metres he 
has not the Homeric fire of Scott, nor does his canvas glow 
with word-pictures in action like that wizard's, but he comes 
more fitly into comparison with Longfellow, whom he resembles 
a good deal. In quiet contemplation and in moralizing he 
reminds us of Cowper and Wordsworth, both of whom he sur- 
passes. His ardent love and worship of nature is akin to that 
of Wordsworth, but he clothes natural scenery and phenomena 
(especially the starry heavens, the sun, and the seasons) with 
a spirituality a pervading Intelligence, a guiding Glory and 
a fire hardly equalled in English literature. The pieces we 
have ventured to class as Nature Poems are likely to become 
his more enduring monuments. 



Prologue 



TO THE POET 

On the occasion of his reception by the Toronto Press Club, 19th March, 1SS7. 
Written and read by his friend David Boyle. 



Maist foivk, I think, 7/ think wi' me 
That sin' Jacques Carder sailed the sea 

Lang synefrae an Id Saint Malo 
( Weel bent to gie his friens frae France 
T this new /an' a siccar stance), 

Eii mony a mensefu' fallow 

Has focht wi' tree, an' stump, an' stane, 

To gar the yirth yield routh <?' grain. 

An' mony (gowd a?i siller goivkit) 
Hae deep doun V her hurdles hoivkit; 

A wheen, forbye, wV timmer dealins 

Hae won themsels weel-stockit mailins. 
Some mair, wV gab a?i' cutty hams, 
Seenid whalpit 'neath gey canny starns ; 

Eor ane an' a' hae hain'd bawbees, 

Or gawsie pooches tell big lees. 

Abutie a' sic (owre douce an' Mate) 
Some tzva'r 'hree chiels held heicher state, 

Wha scriev'd an 1 sang, an' sang an' scriev'd, 
That dreichsome dar^s"micht be relieved 

O Li 



30 Prologue 

Wha wrocht to see the bonnie day 
Whan ilka laiv wad mean fair play 
To rich and puir, to big an' wee, 
That a', V fat?, micht brithers be. 

But they've ne'er been zvi' siller faslid, 
Their screeds hae aft been sairly snash'd 
Tho' aye they scrieve an' tug awa 
To saften Faither Aidam's fa' . 
Sic like are ye McLachlan, frieri 
A poet pawky, canty, keen; 
We're prood to see ye here the nicht, 
Fameeliar speerit o' the licht. 

Lieve lang ; gie's dawds an' whangs o' rime 
That winna dee wi' lapse o' time 
Humanity's great creed hand fast : 
"We're a' John Tamson's bairns at last." 



THE POETICAL WORKS 

OF 

ALEXANDER McLACHLAN 



HEROES 



A LL hail to the chiefs of thought, 
*> Who wield the mighty pen 
That light may at last be brought 

To the darken'd souls of men ! 
To the gifted seers who preach, 

To the humble bards who sing, 
To all the heads that teach 

In Truth's enchanted ring ; 

To the soldiers of the right, 

To the heroes of the true, 
Oh ! ours were a sorry plight, 

Great conquerors, but for you ! 
Oh, ye are the men of worth ! 

Oh, ye are the men of might ! 
Oh, ye are the kings of earth ! 

Your swords are Love and Right. 

'Tis not at the beat of drum 
Earth's great ones all appear : 

At the nation's call they come, 
But not with sword and spear. 
3 31 



32 



Heroes 

Then hail to the brave who lead 
In the humble paths of peace ! 

To the hearts that toil and bleed 
That wrong may sooner cease ! 

Oh ! what are the robes we wear, 

Or the heights to which we climb ? 
'Tis only the hearts we bear 

Can make our lives sublime ; 
'Tis only the good we do 

That lives throughout all time ; 
'Tis only the faithful few 

Who reach the heights sublime. 

Then hail to the chiefs of thought 

Who wield the mighty pen 
That light may at last be brought 

To the darken'd souls of men, 
To the soldiers of the right, 

To the heroes of the true, 
Oh, ours were a sorry plight, 

Great conquerors, but for you ! 



BRITANNIA 

ALL hail, my country ! hail to thee, 
Thou birthplace of the brave and free, 
Thou ruler upon land and sea, 

Britannia ! 

No thing of change, no mushroom state ! 
In wisdom thou canst work and wait, 
Or wield the thunder-bolts of Fate, 

Britannia ! 

Oh, nobly hast thou play'd thy part ! 
What struggles of the head and heart 
Have gone to make thee what thou art, 

Britannia ! 



Britannia 

Great mother of the mighty dead ! 
Sir Walter sang and Nelson bled 
To weave a garland for thy head, 

Britannia ! 

And Watt, the great magician, wrought, 
And Shakespeare ranged the realms of thought, 
And Newton soar'd, and Cromwell fought, 

Britannia ! 

And Milton's high seraphic art, 
And Bacon's learning, Burns's heart, 
Are glories that shall ne'er depart, 

Britannia ! 

These are the soul of thy renown, 
The gems immortal in thy crown, 
The suns that never shall go down, 

Britannia ! 

Oh, still have faith in truth divine ! 
Still sacred be thy seal and sign, 
And pow'r and glory shall be thine, 

Britannia ! 






THE ANGLO-SAXON 

THE Anglo-Saxon leads the van, 
And never lags behind, 
For was not he ordain'd to be 

The leader of mankind ? 
He carries very little sail, 
Makes very little show, 
But gains the haven without fail, 
Whatever winds may blow. 



34 The Anglo-Saxon 

He runs his plow in ev'ry land, 

He sails in ev'ry sea, 
All prospers where he has a hand, 

For king of men is he. 
He plants himself on Afric's sand, 

And 'mong Spitzbergen's snows, 
For he takes root in any land, 

And blossoms like the rose. 

Into the wilderness he goes, 

He loves the wild and free, 
The forests stagger 'neath his blows 

A sturdy man is he. 
To have a homestead of his own, 

The giants down he'll bring 
His shanty's sacred as a throne, 

And there he'll reign a king. 

For let him plant him where he may, 

On this you may depend, 
As sure as worth will have a sway, 

He's ruler in the end. 
For he believes in thrift, and knows 

The money-making art ; 
But tho' in riches great he grows, 

They harden not his heart. 

He never knows when he is beat, 

To knock him down is vain, 
He's sure to get upon his feet, 

And into it again. 
If you're resolved to be his foe, 

You'll find him rather tough ; 
But he'll not strike another blow 

Whene'er you call " Enough ! " 






His is a nature true as steel, 
Where many virtues blend, 

A head to think, a heart to feel, 
A soul to comprehend. 



The Anglo-Saxon 35 

I love to look upon his face,' 

Whate'er be his degree, 
An honor to the human race, 

The king of men is he. 



COWARDICE 

THERE'S somewhat that's lurking unseen, 
A phantom that folks are afraid of; 
Oh ! what does this cowardice mean ? 

Oh ! what kind of stuff are men made of? 

There's Sandy, six feet in his socks, 
Yet tales of his childhood enslave him, 

And he sits with his soul in the stocks, 
In spite of the reason God gave him. 

Yes, tho' he's six feet and twelve stone, 
Poor fellow, we will not upbraid him, 

For ah ! he has never outgrown 

The suit that his grandmother made him. 

E'en men who would evil assail, 

For whom death itself has no terror, 

Before Madam Grundy grow pale, 
And bow at the shrine of old Error : 

And kneel to the thing they despise, 

And bow to the veriest follies, 
And prop up the temple of lies 

As if 'twere the Holy of Holies. 

Afraid of what people would say, 

They give themselves up to deceiving. 

Come forth in the light of the day, 
And stand by the truth ye believe in. 



36 Cowardice 

And ye shall be strong in the right, 
Tho' fanatics hate and abhor ye, 

For ye shall have angels of light, 

And the shield of truth hanging o'er ye. 

Be hooted and hiss'd by the mob, 
From post unto pillar be driven, 

Be sneer'd at by every snob : 

Of such is the kingdom of heaven. 



WHERE'ER WE MAY WANDER 

WHERE'ER we may wander, whate'er be our lot, 
The heart's deep affections still cling to the spot 
Where first a fond mother with rapture has prest, 
Or sung us to slumber in peace on her breast ; 

Where Love first allured us, and fondly we hung 
On the magical music which fell from her tongue. 
Tho' wise ones may tell us 'twas foolish and vain, 
Yet when shall we drink of such glory again ? 

Where Hope first beguiled us, and spells o'er us cast, 
And told us her visions of beauty would last, 
That earth was an Eden untainted with guile, 
And men were not destined to sorrow and toil ; 

Where Friendship first found us, and gave us her hand, 
And link'd us for aye to that beautiful land, 
Oh ! still shall this heart be, and cold as the clay, 
Ere one of their features shall from it decay. 

O Fortune, thy favors are empty and vain ! 
Restore me the friends of my boyhood again 
The hearts that are scattered or cold in the tomb, 
Oh, give me again in their beauty and bloom ! 



Where Vr We May Wander 37 

Away with Ambition ! it brought me but pain ; 
Oh, give me the big heart of boyhood again ! 
The faith and the friendship, the rapture of yore, 
Oh, shall they re-visit this bosom no more ? 



LIFE'S CONTRADICTIONS 

THIS life is a drama, a great panorama, 
With strange alternations of joy and of woe ; 
Or are we but dreaming, and things only seeming ? 
For, save that we're ignorant, what do we know ? 

We're strange contradictions : our loves turn afflictions, 
Our sweetest affections are scourges of flame ; 

There's strength in our weakness, there's pride in our 
meekness, 
And near neighbors always are glory and shame. 

Lovely humanities bloom among vanities, 

Beamings of peace 'mid our tumult and strife ; 

Spiritualities close by realities, 

Oh, who can read us the riddle of life ? 

And mere brute unreason comes duly in season, 
As sure as the dewdrops and flowers of spring ; 

And Reason, astounded, stands dumb and confounded, 
She out of the stern facts no reason can wring. 



'o - 



Behold the oppressor, the wrong's stern redresser, 
The bane and the antidote both at a birth. 

Is nothing disjointed ? are all preappointed, 
The saints and the sinners, the saviors of earth ? 

Oh, whence, and oh, whither have we been sent hither, 
Without chart or compass the track to pursue ; 

Cast on a wild ocean of endless emotion 
To buffet the waves with this terrible crew ? 



38 Life's Contradictions 

We journey as strangers this desert of dangers, 
And, 'mid all our knowledge, is this all we know ? 

The road's long and dreary, we're wayworn and weary, 
We vanish, and who can tell whither we go ? 



TO A BEAUTIFUL CHILD 

AH, lovely child, with face so fair, 
And rippling streams of sunny hair, 
And spirit all untouch'd by care ; 

While Hope and Joy, 
As in a trance of glad surprise, 
Look out from thine enraptured eyes, 
My happy boy. 

The world to thee is fresh and new, 

As beautiful with early dew 

As when the first pair wander'd through 

Their glorious Eden, 
Ere yet the serpent had beguil'd, 
Or driv'n them to the desert wild, 

All sorrow -laden. 

Life's still to thee a vision bright, 
And earth an Eden of delight, 
A thrill in ev'ry sound and sight, 

Each touch a joy ; 
And ev'ry little bird that sings, 
And all the flow'rs are heav'nly things, 

My happy boy. 

Thy world is spirit-haunted still, 
The valley green, the murm'ring rill, 
The solemn wood, the great old hill, 

The tow'ring pine ; 
And all the rivers, as they roll, 
Are ever ringing through thy soul 

A song divine. 



To a Beautifut Child 39 

Let Science reason and define ; 
A deeper instinct, child, is thine, 
Thy intuitions are divine. 

Unschool'd by art, 
Or the frivolities of time, 
Thou still canst feel the beat sublime 

Of Nature's heart. 

Thou still canst talk with flow'r and tree, 
And still the mountains nod to thee ; 
And through thy soul the great old sea 

Still heaves sublime ! 
And Awe and Wonder, hand in hand, 
Still lead thee through this magic land, 

This vale of Time. 

And Charity, all void of art, 

Has built her temple in thy heart, 

Where selfishness has ne'er a part ; 

And long may'st thou 
Live but by sympathy and love, 
And intuitions from above, 

As thou dost now. 

And may no sceptic, weak and blind, 
Have pow'r to blight thy youthful mind 
With hateful thoughts of human kind, 

Thy peace destroy, 
And dwarf thy spiritual stature, 
With blasphemies of Man and Nature, 

My hopeful boy. 

His gospel is of sin and shame 
That men love only pow'r and fame, 
That Friendship's but an empty name, 

That Love is lust ; 
And men are but a herd of knaves 
That crawl into their worthless graves, 

Dust unto dust. 



40 To a Beautiful Child 

May never Bigot get control, 
To fix his shackles on thy soul, 
And turn earth to a dismal hole 

Where Love's unknown, 
And ev'ry heart is rank and foul, 
And God with an eternal scowl 

Is looking on. 

Such blasphemies are a disgrace ; 
Such libels on the human race 
Make God-like Reason hide her face 

In grief and shame, 
And wring from ev'ry manly breast 
A sacred, solemn, sad protest, 

In God's great name. 

While others wealth and honors chase, 
Tho' poverty stare in thy face, 
Strive thou to elevate our race 

From sin and guilt ; 
Dare to be honest, and despise 
The tow'ring monument of lies 

Fashion has built. 

Still dote on Nature's ev'ry feature, 
Love and revere thy fellow-creature, 
Have Faith in God, and Man, and Nature, 

And look above ! 
Get knowledge, but get something more, 
Something to worship and adore, 

And love, still love. 



4i 



MAN 

COME forth, ye wise ones ye who can 
Decipher Nature's mystic plan 
Come, sound me but the depths of man. 

What am I ? and whence have I come ? 

No answer save a dreary hum 

Oh ! why, ye wise ones, are ye dumb ? 

What is this house in which I dwell ? 
Alas ! alas ! there's none can tell ; 
Oh, Nature keeps her secret well ! 

And all I hear, and touch, and see, 
Time and creation, are to me 
A marvel and a mystery ! 

Great Ruler of the earth and sky, 
Oh ! from my spirit's depths I cry, 
Almighty Father, what am I ? 

And what is all this world I see ? 
Is it what it appears to be, 
An awful, stern reality ? 

And are these men that come and go, 
Or but the shades of Joy and Woe, 
All flitting through this vale below ? 

And what is Time, with all her cares, 
Her wrinkles, furrows, and grey hairs, 
The hag that swallows all she bears ? 

The mystic where, the when, the how, 

The awful, everlasting now, 

The fun'ral wreath upon my brow ? 



42 Man 

And for what purpose am I here 
A stranger in an unknown sphere 
A thing of doubt, of hope, and fear 

A waif on time, all tempest-tost 
A stranger on an unknown coast- 
A wear)', wand'ring, wond'ring ghost ? 

Didst thou not, Father, shape my course ? 

Or am I but a causeless force 

A stream that issues from no source ? 

Ah, no ! within myself I see 
An endless realm of mystery, 
A great, a vast infinity ! 

A house of flesh, a frail abode, 
Where dwell the demon and the God : 
A soaring seraph and a clod ; 

The hall of the celestial Nine, 
The filthy sty of grov'lling swine, 
The animal and the divine ; 

Creation's puzzle, false and true, 
The light and dark, the old and new, 
The slave, and yet the sovran, too ; 

Angel and demon, Nero, Paul, 
And creeping things upon the wall, 
I am the brother of 'them all. 

A part of all things, first and last, 
Link'd to the future and the past, 
At my own soul I glare aghast. 

A spark from the eternal caught, 
A living, loving thing of thought, 
A miracle in me is wrought ! 



Man 43 

A being that can never die, 

More wonderful than earth and sky, 

A terror to myself am I. 

My spirit's sweep shall have no bound. 
Oh ! shall I sail the deep profound, 
A terror with a glory crown 'd ? 

When from this dust and darkness free, 
All glorified, shall these eyes see 
The All in All eternally ? 



A DREAM 

Dreams are the mirror of the mind, 
We see ourselves in dreams. 

I SAT myself down by a lone mountain stream 
Which hurried away to the sea ; 
Around me the rude rocks of ages were strewn, 
Above me an old willow tree. 

The waters came dashing adown the rude rock, 
Till exhausted and foaming they fell ; 

And bubbled a moment within the dark pool, 
Then gladly sped on through the dell. 

I gazed on the tumult, the strife, and the foam, 
And the bubbles that pass'd like a dream ; 

In aerial beauty they bounded along, 
In the light of the laughing sunbeam. 

I thought of existence, its tumult and strife, 

Of time's rapid, turbulent stream ; 
And long, long I ponder'd the meaning of life, 

When thus a voice spoke in my dream : 



44 - 1 Dream 

" Launch'd upon an unknown river, 
Hurrying to an unknown sea, 
Without compass, sail, or rudder, 
What a hapless crew are we ! 

" Deeps, infinite deeps, before us, 
Ruin riding in the wind, 
Cloudy curtains hanging o'er us, 
And eternities behind. 

" Onward, onward, ever onward, 
Full in sight of that dread sea ; 
Not a beacon-light to cheer us, 
Not a single star. Ah, me ! " 

An old man approach'd, as the voice died away, 

And sadly he look'd in my face ; 
He lean'd on his staff, and he shook his locks grey, 

As he hopelessly talk'd of our race : 

" With light and with darkness we're compass'd about ; 
The clearer our vision, the darker our doubt. 
The knot of our destiny will not undo ; 
The bars of our prison we cannot get through. 

" We grasp at lov'd shadows while grasping they're flown- 
The fruit of our knowledge is still the unknown ; 
We scale the blue summits, for which we have long'd, 
To sit down and sigh for the regions beyond. 

" A longing still haunts us wherever we go, 

And knowledge increases the weight of our woe ; 
And all that we cling to is fleeting as breath, 
And life is the valley and shadow of death." 

He rose to depart, and he heav'd a deep sigh, 
While o'er us there hung a great cloud ; 

But deep in its bosom there beam'd a bright eye, 
And a sweet voice kept chanting aloud : 

" The heav'ns will not unveil themselves, 
Vet mortal eyes may see 
In mortal frames the budding flow'rs 
Of immortality." 



A Dream 45 

The cloud slowly vanish'd, and where it had hung 

There stretch'd out a beautiful blue, 
And e'en from the rude rocks a welcome was rung, 

As an angel's form rose to my view. 

Her face had the sadness that's sister to joy 

It was not the sadness of thought ; 
Her voice was sweet music, without earth's alloy, 

And these were the tidings she brought : 

" Life's the great mystery, deeper than death 
Infinite history, woven of breath. 
Death but deciphers the pages of time : 
Mortal, do thou make their meaning sublime." 

The bright blue all faded, and quickly I found 

I still was alone by the stream ; 
The willows above me, the mountains around, 

Yet scarce could believe all a dream. 



ON THE DEATH OF 



LAY him by the mountain torrent, 
Where the lofty cedars wave, 
That the winds may wail his requiem, 

And the birds sing o'er his grave. 
His warm heart is cold as ashes, 

And his radiant eye is dim, 
And the voice of praise or censure 

Falls alike unfelt by him. 
He is free from pain and sorrow, 

And the burdens that he bore, 
And the wrong and the injustice, 

They can wring his heart no more. 

As a pilot on life's ocean 
He was not devoid of skill, 

But the adverse winds of fortune 
'Round his bark were roaring still. 



46 On the Death of 



He has tasted of the anguish 

Which the gen'rous spirit feels, 
Striving after pure ideals, 

With starvation at his heels. 
If his bark was sorely shatter'd, 

Think but of the storms he past, 
Point not to the batter'd bulwarks, 

If he's safely moor'd at last. 

Quick, impulsive, was his nature, 

Yet he sorrow'd to give pain ; 
He had foes, for he was rather 

Apt to speak the truth too plain. 
When he witness : d an injustice 

He could not control his tongue 
Call it weakness, half his sorrows 

From this noble weakness sprung. 
Yet he lost no jot of courage 

Striving 'gainst the wind and tide, 
Oh, his very heart grew bigger, 

Fighting on the weaker side. 

Where conformity was wanted, 

Somehow he could not conform, 
He would choose his path, and tread it, 

Even through the thunderstorm. 
Are ye right because ye never 

Step from off the beaten way ? 
Are all those that tempt the thicket 

Ever hopelessly astray ? 
They must try the wilds untrodden, 

They must tempt the stormy sea, 
Who would bring us joyous tidings, 

Who would make us wise and free. 

Like ourselves, he had some frailties 
Better he had been without, 

But upon his truth and honor 
Malice could not fix a doubt. 



On the Death of 47 

They are firm that never falter, 

They are very wise indeed, 
Who have ne'er pursued a phantom, 

Never lean'd upon a reed. 
Charity for human frailty 

Never, never yet was wrong ; 
Straight they are that never stumble, 

Clemency becomes the strong 

Oh ! he bore a buoyant spirit 

Poverty could not destroy, 
All the leanings of his nature 

Ever were to light and joy. 
Happy, smiling human faces, 

Charity's thrice-blessed words, 
Fell upon his heart like sunshine, 

Or the song of summer birds ; 
Then the sallies of his humor, 

Genial as the summer rain 
No, we'll never, never listen 

To such gust of soul again. 

Tho' his heart had specks of darkness, 

There were gleams of the divine ; 
Mem'ry wipes the failures from it, 

Locks it in her sacred shrine ; 
Hangs it in her halls of twilight, 

Yea, to make the darkness bright, 
Like a lovely star to twinkle 

Ever on the vault of night ; 
Severs it from dust and ashes, 

Frees it from the dross of clay, 
Death and time and love and sorrow 

Washing all its stains away. 



48 



WHO KNOWS? 

THE night was dark, the winds were out, 
The stars hid in the sky, 
The mousing owl too-hoo'd aloud 

The wan moon rushing by. 
I sat there in my lonely room, 

The children all asleep ; 
Ah ! there they lay in dreams at play, 
While I nurst sorrows deep. 

I ponder'd long this weary life ; 

I cried, " Is 't as it seems, 
Or sail we here in phantom ship, 

In search of vanish'd dreams, 
From deep to deep, from doubt to doubt, 

While Night still deeper grows ? 
Who knows the meaning of this life ? " 

A voice replied, " Who knows?" 

Shall it a myst'ry always be ? 

Is none to lift the veil ? 
Knows no one aught of land we left, 

Or port to which we sail ? 
Poor shipwreck'd mariners, driv'n about 

By ev'ry wind that blows, 
Is there a haven of rest at all ? " 

The voice replied, " Who knows?" 

" Why have we longings infinite, 

Affections deep and high, 
And glorious dreams of immortal things, 

If we're but born to die ? 
Are they but will-o-wisps, that gleam 

Where deadly night-shade grows ? 
End they in dust and ashes all ? " 

The voice still cried, " Who knows?" 



Who Knows ? 40 

Its hopeless tones fell on my heart, 

A dark and heavy cloud ; 
The great horn'd moon look'd down on me 

In terror from its shroud. 
It plainly said, " Ye're orphans all, 

Is there no balm for woes ? " 
The screech-owl cried, the night wind sigh'd, 

Alas, alas, " Who knozvs ? " 

I pray'd for light that weary night, 

I question'd saint and seer ; 
But demon Doubt put all to rout, 

Kept ringing in mine ear : 
" Your life's a trance, a mystic dance, 

And round and round ye go ; 
Ye're poor ghosts all at spectral ball, 

And that's the most ye know. 

"'Ye dance and sing in spectral ring, 

Affrighted Nature raves ; 
The screech-owls cry, the night-winds sigh, 

The dead turn in their graves. 
Ye come like thought, ye pass to naught, 

And what surprises most, 
'Mid your ghostly fun there's hardly one 

Believes himself a ghost ! 

" Oh ! thought is sad, 'twould make you mad ; 

'Tis folly to weep and rave ; 
So follow Mirth around the earth 

There's naught beyond the grave. 
Your hearts would sink, dared ye to think, 

So dance with death at the ball ; 
And round ye go till cock shall crow, 

And that's the end of all." 1 



1 Small figures refer to Notes. (See p. 403.) 



5 



FATE, A FRAGMENT 

The following stanzas form the concluding part of a poem 
entitled " Fate, A Fragment," inscribed to Dr. Patullo, Brampton, 
later of Toronto, and published in full in 1856. 

The poem begins with an assertion by a Mortal, to the effect that 
a firm purpose and a determined will can rise above earth's cares and 
troubles. As a curtain is withdrawn, a Spirit bids him look. He sees 
a great temple, in which is a judge seated on a throne, marking some- 
thing in a large book at the bidding of an unseen dictator. Outside 
the temple, demanding admittance, is a vast crowd of every kindred 
and creed. He sees one admitted whose face is haggard and sorrow- 
ful, who asks if his name is in the book. 

The Oracle (or Judge), answering in the affirmative, inquires, 
" What further wouldst thou ask of me ? " He describes the hopeless 
and miserable condition to which Doubt has brought him, and wishes 
to know whether behind the Veil in the future there is not something 
which Death cannot destroy. Then Hope would return. 

The quotation begins with the Oracle's answer : 

Oracle 

THOU in thy ignorance must wait : 
Tears, prayers, cannot alter Fate ; 
Behind the veil no eye may see 
Such is the will of destiny. 
But on its folds behold a sign 
A crown, a cross, a face divine. 
If thou from doubt and death wouldst flee, 
Forget thy proud philosophy, 
And climb the hill of Calvary. 

Mortal 

Like a shadow he has gone, 

While the aisles these notes prolong. 

First Voice 

Not in Science, not in Art, 
Hides the balm for wounded heart; 
We are bound until made free 
By the great Humility. 



Fate, a Fragment 51 

Knowledge is the tree of woe 
All your fathers found it so ; 
All Philosophy is vain, 
Be a little child again. 

Second Voice 

Who would not exchange for the visions of youth 

The wisdom we gather with years ? 
Oh, who has not learn'd, 'tis a sorrowful truth, 

That knowledge is water'd in tears. 

Third Voice 

Without the great temple the nations await, 
In wonder and awe, the decisions of fate : 
Admit the strange mortal that's next at the gate. 

Hosts of shadows lead him on 
To the footstool of the throne ; 
Some in mirth and mockery, 
Some in sad sincerity. 
There, as in a trance, he stands, 
With rapt look and folded hands ; 
While voices round him, clear and cool, 
Proclaim him but a dreamy fool. 

Oracle 

Mortal of the breathing air, 
What is thy peculiar care ? 
Is it hope, or doubt, or fear, 
Or what passion, brings thee here ? 

Poet 

I've sought thy great temple, for I am opprest ; 
A wish, a great longing, will not give me rest ; 
The great face of Nature is awful to me 
A woe and a wonder in all that I see. 



52 Fafe, a Fragment 

The grey clouds that wander, the infinite blue, 
The great silent visage that's aye looking through, 
The leaves of the forest, the waves of the sea, 
The hills and the valleys are calling on me j 
They beckon me to them, as if they would tell, 
The secret they've guarded for ages so well. 
The seen and the unseen,' the wonderful whole, 
Awake thoughts which trouble and torture my soul ; 
And, sleeping or waking, they will not depart 
They'll march forth to music, or tear out my heart. 

I'd speak what the spirit had spoken to me, 
For a priest, and a prophet, a poet, I'd be ; 
I'd emulate gladly the great that are gone - 
Unveil to the world its soul in my song. 

I'd be as the bards, the great minstrels of yore, 
For big human hearts in their bosoms they bore ; 
They pour'd forth their numbers, unfetter'd by art, 
And found a response in the great human heart. 
I've never heard aught in our smooth, polish'd tongue 
Like the rudely sublime strains my old mother sung. 
Their awful simplicity I'd fain make my own, 
Their great naked virtue revive in my song. 
I'd question the past till its secret I'd wring, 
And from the far future glad tidings I'd bring ; 
I'd summon the dead from their silent domain, 
Sage, hero, should act o'er life's drama again ; 
The poor humble hero in song I'd enthrone ; 
The great hearts that struggled, yet perish'd unknown, 
I'd conjure again from their unhonor'd graves 
To shame our lax age and its time-serving slaves. 
And yet in my song hate could scarce find a place 
Despite of its errors, I still love our race ; 
The lowly, the lofty, the lordly, the small, 
Poor, rich, wise and foolish, I feel with them all. 
I fain would do something for those gone astray, 
Tho' 'twere but to sing of a happier day. 



Fate, a Fragment 53 

Confusion's around us, the time's out of tune ; 

The heart asks for concord, the only blest boon ; 

We've wander'd from nature, we worship cold art, 

And, striving to fly from, we torture the heart ; 

And its silent sorrows appeal to my string 

How happy could I but a soothing tone bring ! 

Its mirth and its madness, its joy and its woe, 

Its great gusts of sadness which will overflow ; 

Its deep aspirations for that blessed clime 

Which lies 'yond the regions of death and of time ; 

Its infinite longings, its hopes and its fears, 

Its doubts and its darkness, its smiles and its tears 

I'd treasure them all in my heart and my brain, 

And brood, like the spirit, o'er chaos again. 

Oracle 

Poets are the pets of Nature : 

Lovingly she forms each feature. 

Well she knows men would revile her, 

So she brings the reconciler, 

Yea, for the great love she bears him, 

In her roughest mood she rears him ; 

Heavy burdens she lays on him, 

Care and sorrow heaps upon him ; 

Fills him with celestial fires, 

And with herds of low desires ; 

Now an angel she will start, 

Now a naked human heart 

Lets a thing of flesh and sin, 

Or a soaring seraph, in ; 

Now she lights his eye with gladness, 

Now with melancholy madness ; 

Now through hell's confines he's driven, 

Now he cleaves the vault of heaven ; 

Now shudders at the damneds' cries, 

Now drinks the airs of Paradise ; 

Until his joys, his agonies, 

Start into wizard-melodies ; 



54 



Fate, a Fragment 

Till his tones, his words of wonder, 
Catch the spirit of the thunder, 
And in melody sublime 
Sweep adown the straits of time. 

Canst thou for the muse's sake 

Suffer wrong and scorn and hate ? 

Is to thee her meanest tone 

Dearer than earth's proudest throne ? 

For her canst thou suffer want ? 

For her fight with sin and shame, 

E'en without the hope of fame ? 

Canst thou bear, e'en by the good, 

To be wrongly understood ? 

Canst thou hear, with judgment cool, 

Wise men stamp thee but a fool ; 

Painted puppies of a day 

Scorn thee for thy poverty ? 

Hear, then, 'mid the scorn and laughter 

Of thy time, the " Hail hereafter." 



OLD HANNAH 



"THIS Sabbath morn, and a holy balm 

-*- Drops down on the heart like dew, 
And the sunbeam's gleam like a blessed dream 

Afar on the mountains blue. 
Old Hannah's by her cottage door, 

In her faded widow's cap ; 
She is sitting alone on the old grey stone, 

With the Bible in her lap. 

An oak is hanging above her head, 

And the burn is wimpling by ; 
The primroses peep from their sylvan keep, 

And the lark is in the sky. 



Old Hannah 55 

Beneath that shade her children played, 

But they're all away with Death, 
And she sits alone on the old grev stone 

To hear what the Spirit saith. 

Her years are past three score and ten, 

And her eyes are waxing dim, 
But the page is bright with a living light, 

And her heart leaps up to Him 
Who pours the mystic Harmony 

Which the soul alone can hear ! 
She is not alone on the old grey stone, 

Tho' no earthly friend is near. 

There's no one left to love her now ; 

But the Eye that never sleeps 
Looks on her in love from the heavens above, 

And with quiet joy she weeps. 
For she feels the balm of bliss is poured 

In her lone heart's sorest spot : 
The widow lone on the old grey stone 

Has a peace the world knows not. 



A WRECK 

A NDREW was erst the village pride : 
-** Oft 'neath the yew tree's shade 
Both old and young with rapture hung 

On wondrous words he said. 
Now in the public bar he stands, 

In a dizzy, drunken crew, 
A lounging sot, in thread- bare coat, 

His elbows peeping through. 

How changed since when he touch'd our hearts, 
As if with magic wand ! 



56 A Wreck 

We thought that he would one day be 

A wonder in the land ; 
For while he spake the ages all 

Seem'd open to his view 
This gibb'ring sot, in thread-bare coat, 

With lips of livid hue. 

And from the wreck of old belief 

What wondrous forms he drew ! 
And how he wrought disjointed thought 

In pictures strange and new ! 
Who could have deem'd this mournful change 

Would e'er have come to" pass 
A seedy sot, in thread-bare' coat, 

Alas ! and yet alas ! 

Is this the man of loving .'heart, 

Which knew no crook nor wile ? 
For he was free as man could be 

From ev'rything like ^uile ; 
His sense of moral worth remains, 

Yet he does the thing that's mean 
A sneaking sot, in thread-bare coat, 

He sinks to the obscene. 

He still presents the lordly brow, 

The great black, flashing eyes, 
But wan despair is seated there, 

" The worm that never dies." 
The princely port, the regal air, 

The stately tread, are gone 
A palsied sot, in thread-bare coat, 

To the grave he staggers on. 

The ghost of former self will come, 

And try to break his chain ; 
He'll curse the cup, he'll give it up, 

Yet seek it once again. 



A Wreck 57 

How mournful are his gibes and jeers, 

How sad to hear him sing 
That joyless sot, in thread-bare coat, 

That God-forgotten thing ! 

The dreams of boyhood haunt him still, 

They come but to annoy ; 
He fills the cup, he drains it up, 

And laughs, the ghost of joy ! 
The wreck of richly-laden souls 

Is a dire and fearful thing : 
Oh ! shun his lot, that sinking sot, 

Whose dying dirge we sing. 



A VISION 

Inscribed to Alex. McLaren, Esq., Rockside, Caledon, 
Peel County, Ontario 

Behold, the Dreamer cometh 

IS THIS world, with all its wonders, 
Our whole life, a passing dream 
Shadows we, that unto shadows 
In a death-like grapple seem ? 

What's this mighty maze of being? 

Tell me, sages, if you can, 
What is light, and what is darkness ? 

Tell me what is meant by man ? 

To illuminate our dungeon 
All your striving is in vain ; 

Of themselves the sunbeams enter 
Of themselves pass out again. 



58 A Vision 

We have all our times and seasons, 
When the brooding spirit' sees 

Over ages, over Eeons, 
Into the eternities. 

When the clouds which mar our vision 
Melt like morning mists away, 

When the past and unborn future 
Meet upon the brink of day. 

Tired, weary with conjecture, 
On a stilly Sabbath night, 

Clear as sunshine on my spirit, 
A strange vision did alight. 

I beheld a mighty ocean, 

Thickly strewn with wrecks of time, 
And the fleet of death discharging 

Its sad cargo from each clime. 

Of the dead within its bosom. 
Kingdoms continents I saw, 

Heap'd in regular confusion, 
As a peasant piles his straw. 

Here an earthquake-swallow'd city, 
And a field of battle there ; 

Still the spectres eyed each other 
With a horrid wolfish glare. 

Long I gazed in silent horror, 
Fix'd as if by death's decree ; 

For a myriad eyeless sockets 
All were fasten'd upon me. 

But the spirit spake within me, 

Saying : " What hast thou to fear ? 

Not for empty, idle horror 

Hast thou been admitted here. 



A Vision 59 

Mortal, cast thine eye far upward ; 

While thou breathest mortal breath, 
Vain's thy hope of penetrating 

The infinite depths of death." 

I beheld the cloud of being 

Rise like vapor from the main ; 
Rolling o'er its awiul bosom, 

Sink into its depths again. 

As it rose, that cloud was braided 

With a lovely rainbow ray ; 
As it fell, the glory faded, 

Blending in a solemn grey. 

And the spirit spake within me, 

Saying : "That which thou dost see 

As shadow o'er death's gulf, is Time, 
The rainbow of Eternity." 

Ages, with their weary burdens, 

While I gazed, came rolling home ; 

Still another and another 

Melted in the deep like foam. 

Myriad human forms and faces 

Look'd out on me through the gloom, 

Individuals, empires, races, 
On their journey to the tomb. 

Now a face divinely human, 

'Mid a group of children seen 
Now a blood-bespatter'd visage, 

Horrid as a demon's dream. 

Some, pursuing their own shadows, 
Vanish'd quickly from my sight ; 

Others, grasping shining baubles, 
Soon were swallow'd in the night. 



60 A Vision 

Now the ringing laugh of gladness, 
Now the short, sharp shriek of woe ; 

Joy and sorrow, mirth and madness, 
Hurrying to the gulf below. 

Yet, with an appalling sameness, 
Aye the ages roll'd along ; 

Over each a voice kept singing 
Poor humanity's sad song : 

" An infinite dome, o'er a world of wonder, 
An eye looking down on the poor dreamer under. 

An ocean of wrecks, and beyond it our home ; 
Each wave as it breaks leaves us whiter with foam. 

A marriage to-day, and a fun'ral to-morrow, 
A short smile of joy, and a long sigh of sorrow. 

A birth and a death, with a flutter between, 

A lamp and a breath tell me, what does it mean ?" 

Then arose, as if in answer, 

From the great deep, voices three, ' 

Pealing till they woke the awful 
Echoes of eternity : 



First Voice 

Roll, roll, roll, 

With thy burden of hopes and fears ; 
Toil, toil, toil, 

In thy garden of blood and of tears. 

On, on, on, 

Tho' weary, way-worn and opprest ; 
Long, long, long 

Is the Sabbath of peace and of rest. 



A Vision 6 1 

Second Voice 

Eternal, oh, eternal, 

The spirit's range shall be ; 
Her heavy mantle she but casts 

Upon the deep, deep sea. 

Immortal, oh, immortal 

The glad triumphant strain, 
Soon as the spirit leaves the realm 

Of sorrow, death, and pain ! 

Third Voice 

Day dawns from the deepest shadow, 

Flow'rs above corruption bloom ; 
Joy springs from the breast of sorrow, 

Life immortal from the tomb. 

Hope and fear are aye united, 
Love and wretchedness are twain, 

Hearts are by affection blighted, 
Only in a world of sin. 

And the spirit stirr'd within me, 

As the voices died away ; 
Suddenly Time's rainbow vanish'd, 

And the dead cried out, '"Tis day." 

Morning in the east was dawning, 
Earth-born sounds fell on mine ears, 

And the awful vision vanish'd 
In a flood of human tears. 



62 



THE POET TO THE PAINTER 



Dedicated to Arthur Cox, A.R.C.A., Toronto 



Invocation to 
the Arts 



The early 
truth-seekers 



Their motive 



Their power 



The Painter's 
inspiration 



HAIL to each high ideal art, 
At whose command things base depart, 
While beauteous forms to being start 

In the dark mind, 
Leading the earth's sad troubled heart 
Its rest to find. 

For truth the olden masters wrought, 
The false with pen and pencil fought, 
The lessons of creation taught 

In limn or line, 
Embodying their inner thought 

Of things divine. 

To rouse the soul to higher flights, 
To taste of holier delights, 
And raise to spiritual heights 

Unthinking men, 
They spent laborious days and nights 

With brush and pen. 

Poet or Painter can descry 

In common things that round us lie 

What these in spirit signify, 

And to them give 
The deep, intense humanity 

By which they live. 

The Painter is a soul possest, 
With demons stirring in his breast : 
No passing moment do they rest, 

But strive until 
The colors have in joy expressed 

The spirit's will. 



His privilege 



The Poet's 
inspiration 



His inner 
struggles 



His night 
vigils 



His reward 



["he lament 



The Poet to the Painter 

And he is one who hears and sees 
Great Nature's wondrous mysteries, 
The everlasting harmonies 

That sweep along, 
Than carols forth in ecstasies 

His painted song. 

The Poet is a soul sincere 

To whom all living things are dear, 

While wisdom, love, and hope, and fear, 

Like stars that shine, 
Surround him with an atmosphere 

Of thoughts divine. 

Yet one, alas ! who cannot sleep, 
Striving to climb the eternal steep, 
And a communication keep 

With the unseen ; 
Still hearing deep call unto deep, 

What doth it mean ? 

And wisdom which is but the spoil 
Of all life's weary stain and toil 
For her he burns the midnight oil 

When fancies throng, 
Pouring his bursting heart the while 

Into his song. 

Yet still, anon, he, startled, hears 
The very music of the spheres 
Burst in on his enraptured ears ! 

While a great train 
Of prophets, poets, saints, and seers 

Join in the strain. 

But we have to lament that here 
Genius is in an alien sphere : 
Her song, alas ! but few revere 
Or understand. 



63 



64 



The Poet to the Painter 



She wanders like a pilgrim drear 
In a strange land 



Genius 
unnoticed 



A land where undevelop'd souls 
Are drifting round in listless shoals 
Who, tho' the wave of beauty rolls 

So very near, 
In spirit distant as the poles, 

See not, nor hear. 



Beauty 
discarded 
for gold 



For them the daisy blooms in vain ; 

Unnoticed is the violet's stain ; 

The mountain but obscures the plain ; 

And the green field 
Is lov'd but for the golden grain 

That it doth yield. 



Nature 

wantonly 

desecrated 



Nature's 
highest repre- 
sentation of 
the Divine 
neglected. 



Thus in our grand old solemn woods, 
Green temples of the solitudes, 
The worshipper of self intrudes 

But to profane 
Where still the mighty mother broods 

He seeks but gain ! 

How few will leave the busy mart 

To see the orb of light depart, 

Or from their couch of slumber start, 

Ere yet 'tis day, 
To hive the sunrise in the heart 

And bear't away. 



The Painter's 
prayer. 



Oh ! for a draught of spirit wine, 
Distill'd by the immortal Nine, 
In which the virtues all combine- 
That deathless draught ! 
That nectar from the cup divine 
By Genius quaff' d ! 



The Poet's 
prayer 



The power 
must be a 
gift 



The gift not 
transferable 



Motive for 
hope 



The Poet to the Painter 

Oh ! for the magic power that brings 
From out the secret deeps of things, 
The scul that mounts on living wings, 

From time set free 
That through creation soars and sings 

Eternally. 

Be ours the gift heaven's highest dower- 
This sense of spiritual power 
That falls like an inspiring shower, 

Above all law, 
Before which Intellect doth cower 

In wondering awe ; 

The gift some simple peasant caught, 
Who toil'd not in the mines of thought ; 
The art in vain by Science sought 

But to destroy ; 
The thing that never can be taught 

Creation's joy ! 

And who can tell but that we two 
May hear a voice from out the blue, 
Or see a form of beauty new 

To paint or pen, 
To be God's record of the true 

For other men 1 



65 



Motive for 
kction 



Then let us strive with all our might 
To scale the spiritual height, 
And kindle on its crest a light 

To shine afar, 
To be to wand'rers in the night 

A guiding star. 






66 



GAUN HAME 

jH, dry the saut tear frae thine e'e, Mary 
Oh, dry the saut tear frae thine e'e ! 
And look not sae sadly on me, Mary, 

Oh, look not sae sadly on me ! 
There's Ane that will aye be thy stay, Mary, 

Thy wounds He will tenderly bind ; 
They'll all pass away like the wind, Mary, 
They'll all pass away like the wind ! 

It's no' me that's deein ava, Mary, 

Its no' me that's deein ava : 
It's but the worn clay drappin aff, Mary, 

It's but the auld house gaun to fa' ; 
It's but the caged bird gettin free, Mary, 

That soon will soar singin awa' ; 
It's no' me that's deein' ava, Mary, 

It's no' me that's deein ava. 

This tenement's gaen to decay, Mary, 

I feel as if 'twerena the same ; 
I'm sick o' this cauld house o' clay, Mary, 

I weary to win awa' hame. 
Oh ! sweet shall oor meetin' be there, Mary, 

Nae sigh o'er the sorrowfu' past ; 
The hame where the hert's never sair, Mary, 

And wrangs are a' richted at last. 

And there we'll be aye young again, Mary, 

The fields will forever be green ; 
And nae lang regrets o' oor ain, Mary, 

And death never enter the scene. 
I've them wi' me ye canna see, Mary, 

I feel the firm grip o' a haun' ; 
Tho' a' here is darkness to thee, Mary, 

They're leadin me into the dawn. 



Gaun Hame 67 

The dear anes that left us lang syne, Mary 

Ah, left us oor wearifu' lane, 
But never were oot o' oor min', Mary 

Are a' comin' roun' me again. 
Ah ! there's oor ain Willie and Jean, Mary ! 

And wi' them a bricht-shinin' train, 
Wha say through their pityin' e'en, Mary, 

Ye winna be left a' your lane. 

Then dry the saut tear frae thine e'e, Mary, 

Then dry the saut tear frae thine e'e ! 
And look not sae sadly on me, Mary, 

Oh ! look not sae sadly on me. 
The grief that is turnin' thee grey, Mary, 

Nae doubt for some good is design'd* 
'Twill all, like the wind, pass away, Mary, 

'Twill all pass away like the wind. 



MUSIC 



H 



AIL, Music! all hail! 
Earth's languages fail 
To tell what thou tellest to me ! 
O spirit divine, 
Space cannot confine, 
All hearts are led captive by thee ! 

At a mortal's command, 
From the mystical land 

Where the spirit of Harmony dwells, 
And the great river starts 
That flows through all hearts, 

Thou com'st with thy magical spells. 

To celestial spheres, 
Seen by sages and seers 
On the rush of thy magical tide, 



68 Music 



I am borne over time 
To the regions sublime, 
Where the mighty immortals abide. 

Oh, the cankers of time, 

In that passion sublime, 
Are swept with earth's grossness away ; 

We rise to a glory 

Where hearts grow not hoary, 
And taste not of death and decay. 



Thou language of angels 
Hosannas ! evangels ! 



The great Hallelujahs are thine ; 

The great storms of gladness, 

The glorious madness, 
That make us poor mortals divine. 

So holy and pure, 

I can hardly endure 
The glory that circles me round ! 

Yet forever I'd dwell 

In this heavenly spell, 
This infinite ocean of sound. 

No logic can grasp thee ! 

Love only can clasp thee ! 
For wholly celestial thou art ! 

To gauge thee by reason 

Seems absolute treason, 
All hail to thee, Queen of the heart ! 



6 9 



TO AN INDIAN SKULL 

AND art thou come to this at last, 
Great Sachem of the forest vast ? 
E'en thou, who wert so tall in stature, 
And model'd in the pride of nature ! 
High as the deer thou bor'st thy head ; 
Swift as the roebuck was thy tread ; 
Thine eye, bright as the orb of day, 
In battle a consuming ray ! 
Tradition links thy name with fear, 
And strong men hold their breath to hear 
What mighty feats by thee were done 
The battles by thy strong arm won ! 
The glory of thy tribe wert thou 
But where is all thy glory now ? 
Where are those orbs, and where that tongue 
On which commanding accents hung ? 
Canst thou do naught but grin and stare 
Through hollow sockets the worms' lair 
And toothless gums all gaping there ? 

Ah ! where's that heart that did imbibe 
The wild traditions of thy tribe ? 
Oft did the song of bards inspire, 
And set thy very soul on fire, 
Till all thy wild and savage blood 
Was rushing like a foaming flood ; 
And all the wrongs heap'd on thy race 
Leapt up like demons in thy face, 
As, rushing down upon the plain, 
Thou shout'st the war-whoop once again, 
And stood'st among thy heaps of slain. 
What tho' to thee there did belong 
A savage sense of right and wrong, 
In that thou wert alike, indeed, 
To those who boast a better creed ; 



70 To an Indian Skull 

Repaid thy wrongs with blood and gall, 
And triumph'd in thy rival's fall, 
Like any Christian of us all. 

Like me, thou hadst thy hopes and fears ; 
Like me, thou hadst thy smiles and tears ; 
Felt'st winter's cold and summer's heat ; 
Didst hunger, and hadst weary feet ; 
Wert warm'd by kindness, chill'd by hate, 
Hadst enemies, like all the great. 
Tho' thou wert not in type a dove, 
Yet thou hast felt the thrill of love ! 
Oh, thy Winona, was she fair ? 
And dark as midnight was her hair ? 
Thy wigwam, was 't a sacred place ? 
And dear to thee thy dusky race ? 
Ah, yes ! thy savage imps were dear, 
And they would climb thy knees to hear 
And drink thy tales with greedy ear. 

What tho' a wild, rude life was thine, 

Thou still hadst gleams of the divine 

A sense of something undefined 

A Presence, an Almighty mind, 

Which led the planets, rock'd the sea, 

And through the desert guided thee. 

The dark woods all around thee spread ; 

The leafy curtains overhead ; 

The great old thunder-stricken pine, 

And the cathedral elms divine ; 

The dismal swamp, the hemlock hoar ; 

Niag'ra's everlasting roar ; 

The viewless winds, which rush'd to wake 

The spirit of Ontario's lake 

Did not their mighty anthems roll 

Through all the caverns of thy soul, 

And thrill thee with a sense sublime, 

With gleams of that eternal clime 

Which stretches over Death and Time ? 



To an Indian Skull 71 

And oft, like me, thou'dst ask to know 
Whence came we, whither do we go ? 
A marvel 'twas, poor soul, to thee, 
As it has ever been to me. 
From the unknown we issued out, 
With myst'ry compast round about ; 
Each, with his burden on his back, 
To folloAV in the destin'd track : 
With weary feet, to toil and plod, 
Through Nature, back to Nature's God. 
Mine was the cultivated plain, 
Thine the leafy green domain ; 
Thine was a rude, unvarnish'd shrine, 
In form thy idols were not mine ; 
But, ah, mine were as strange to thee 
As thine, my brother, are to me ! 
And yet they differ'd but in name, 
And were in truth the very same. 

Dreams of the hunting field were thine 
What better are these dreams of mine ? 
Ah, my red brother, were not we 
By accident compell'd to be 
Christian or savage ? We, indeed, 
Alike inherited a creed 
We had no choice what we should be ; 
Race, country, creed, were forced on thee, 
Red brother, as they were on me ! 
Then why should I have lov'd thee less, 
Or closed my heart to thy distress, 
Red Rover of the wilderness ? 

Soon must we go, as thou hast gone, 
Away back to the Great Unknown, 
Where, elevated above doubt, 
We, too, shall find the secret out : 
Then may'st thou, the uneducated, 
Be found the least contaminated, 
From civ'Iization's trammels free, 
Who knows, poor soul, but thou may'st be 
Exalted higher far than we ? 



7 2 



SIR COLIN; OR, THE HIGHLANDERS AT 
BALAKLAVA 

THE serfs""' of the Tsar know not pity nor mercy, 
And many a turban is roll'd on the plain ; 
Like dust the poor sons of the prophet are trampled, 
And, Allah, il Allah ! they'll shout not again. 

Sir Colin ! Sir Colin ! why stand ye thus idle ? 

Yon dark mounted masses shall trample thee o'er ; 
Sir Colin ! Sir Colin ! thy moments are number'd 

The hills of Glenorchy shall know thee no more. 

Why wakes not the pibroch thy fathers have sounded, 
Which roused up the clansmen in'battles of yore ? 

Till downward they swept, like the tempests of Avin, 
Or demons all dashing with dirk and claymore ? 

Thy band shall be hack'd like the stripes of the tartan : 
McDonald ! McDermid ! to glory, adieu ! 

Gregalich ! Gregalich ! the shade of thy hero 
May blush for his sons, by his own Avon Dhu. 

Hush ! hark ! 'tis the pipes playing " Hollen MacGaradh," 

The spirit of Fingal at last has awoke 
Yet motionless all, as the giant Craig Ailsa 

While the foam-crested billows rush on to the shock. 

The horsemen of Russia roll nearer and nearer, 
Now slacken a moment, now sweep to the shock ; 

One terrible flash 'tis the lightning of Albin ! 
One peal, and the tartans are hid in the smoke. 

Now Duncan ! now Donald ! the mettle you're made of, 
In this awful moment, oh, may it prove true ! 

Be thy spirit as firm as the rocks of Saint Kilda, 
Thy swoop like the eagles of dark Benvenue. 



2 See note at end. 



Sir Colin ; or, the Highlanders at Balaklava 73 

It is not the deer ye have met on the heather 
That is not thine own Corrybrechtan's 3 loud roar ! 

Triumphant emerge from that dark cloud of thunder, 
Or die, and behold the red heather no more. 

The cloud clears away 'tis the horsemen are flying ! 

All scattered like chaff by the might of the Gael ; 
One long yell of triumph, while bonnets are waving, 

And " Scotland forever ! " resounds through the dale. 



GARIBALDI 

OSONS of Italy, awake ! 
Your hearths and altars are at stake 
Arise, arise, for Freedom's sake, 
And strike with Garibaldi ! 

The Liberator now appears, 
Foretold by prophets, bards, and seers 
The hero sprung from blood and tears, 
All hail to Garibaldi ! 



Let serfs and cowards fear and quake 
O Venice, Naples, Rome, awake ! 
Like lava from your burning lake, 
Rush on with Garibaldi ! 

Up and avenge your country's shame, 
Like ^Etna belching forth her flame, 
Rush on in Freedom's holy name, 
And strike with Garibaldi ! 

'Tis Freedom thunders in your ears ; 
The weary night of blood and tears, 
The sorrows of a thousand years 
Cry " On with Garibaldi ! " 



3 See note at end. 



74 Garibaldi 

The Roman Eagle is not dead ; 
Her mighty wings again are spread 
To swoop upon the tyrant's head, 
And strike with Garibaldi ! 

The land wherein the laurel waves 
Was never meant to nourish slaves ; 
Then onward to your bloody graves, 
Or live like Garibaldi ! 



WOMAN 



WHEN my gloomy hour comes on me, 
And I shun the face of man, 
Finding bitterness in all things, 
As vex'd spirits only can ; 

When of all the world I'm weary, 
Then some gentle woman's face, 

Coming like a blessed vision, 
Reconciles me to our race. 

All the children of affliction, 

All the weary and opprest, 
Flee to thee, beloved woman, 

Finding shelter in thy breast. 

While we follow mad ambition, 

Thine is far the nobler part, 
Nursing flowers of sweet affection 

In the valleys of the heart. 

Man can look and laugh at danger, 
Mighty with the sword is he ; 

But he cannot love and suffer, 
Pity and forgive, like thee. 



Woman 75 



Blessed ministers of mercy ! 

Hov'ring round the dying bed, 
Come to cheer the broken hearted, 

To support the drooping head. 

Oh, my blessings be upon you, 
For beneath yon weary sky 

Ye are ever bringing comfort 
Unto sinners such as I. 

When the most have but upbraidings 
For the guilty, erring man, 

Ye speak words of hope and mercy, 
As dear woman only can. 

When my weary journey's ending, 
When my troubled spirit flies, 

May a woman smooth my pillow, 
May a woman close my eyes. 



MARTHA 

IN a sweet secluded nook, 
Down beside the quiet brook, 
There an humble cabin's seen 
Peeping from the ivy green, 
While a great elm bends above it, 
As it really seem'd to love it. 
There old Martha lives alone, 
But tho' to the world unknown, 
There's a heart that's truly human 
In the breast of that old woman ! 
Oft I seek that quiet place 
Just to look upon her face, 
And forget this scene of care, 
Where men palter, curse, and swear ; 



76 Martha 

And the demons all are rife, 
In the never-ending strife 
For the vanities of life. 



What a world of love there lies 
Mirror'd in her deep blue eyes ! 
What a ray of quiet beauty 
They throw round each daily duty ! 
How it is I cannot tell, 
Yet I feel the magic spell 
Of the quiet Sabbath grace 
Always breathing from her face ; 
And her voice, so calm and clear, 
Lifts me to a higher sphere, 
And unlocks my spirit's powers. 
Gentle thoughts spring up like flowers ; 
Gems deep hidden in my heart 
Into life and being start 
When that saintly face I see, 
Heav'n and immortality 
Aye grow clearer unto me. 

She's acquaint with sin and sorrow, 
Knows their weary burdens thorough, 
And her hearth is a retreat 
Of sad hearts, of weary feet ; 
And while others find but flaws, 
Quoting still the moral laws, 
She but thinks of what is human, 
Loves them all, the dear old woman ! 
Time, which makes most heads but hoary, 
Changed hers to a crown of glory. 
Many, ah ! many a benediction 
From the children of affliction, 
Blessings from the haunts of care, 
Nestle 'mid the glory there ; 
And she always seems to me 
An embodied prophecy 
Of a better world to be. 



77 



THE STAMP OF MANHOOD 

COME, let us sing to human worth, 
'Tis big hearts that we cherish, 
For they're the glory of the earth 

And never wholly perish. 
All Nature loves the good and brave, 
And show'rs her gifts upon them ; 
She hates the tyrant and the slave, 
For manhood's stamp's not on them. 

Thine eye shall be the index true 

Of what thy soul conceiveth ; 
Thy words shall utter firm and few 

The things thy heart believeth ; 
Thy voice shall have the ring of steel ; 

The good and brave will own thee ; 
Where'er thou art each heart shall feel 

That manhood's stamp is on thee. 

And if stern duties are assign'd, 

And no one near to love thee, 
Be resolute, nor look behind 

The heav'ns are still above thee. 
And follow Truth where'er she leads, 

Tho' bigots frown upon thee ; 
Thy witnesses will be thy deeds, 

If manhood's stamp is on thee. 

Let hope around thy heart entwine, 

Thy loadstars love and duty, 
And ev'ry word and deed of thine 

Will be embalm'd in beauty ; 
And goodness from her highest throne 

Will blessings pour upon thee ; 
Thee Nature's soul will love to own, 

If manhood's stamp is on thee. 



78 



MAMMON'S IN THE WAY 

HE who attempts to right a wrong, 
E'en in our boasted day, 
Has need of faith and courage strong, 

For Mammon's in the way. 
If with a wrong that's liv'd too long 

You hint what you would do, 
Be sure at once both knave and dunce 
Will quickly turn on you. 

The gods will try you in their schools, 

With deep humiliations ; 
Let loose upon you all the fools 

With horrid imprecations. 
Some old iniquity ye'd crush 

That's been a plague for years ? 
Lo ! what a host of hornets rush 

All buzzing 'bout your ears. 

And Ignorance and Impudence 

Will in their wrath belie you, 
All flunkeydom in anger come 

To insult and defy you ; 
For if you would do any good 

To our benighted race, 
Look out for base ingratitude, 

For insult and disgrace. 

You're told reform will ruin bring ; 

And every precious dunce 
Will prove that 't is a wicked thing 

To cease to steal at once ; 
The devil is to go ahead, 

The world in bondage stay, 
Because some coward is in dread 

That Mammon's in the way. 



Mammotis in the Way 79 

But he's the hero who can brook 

The insult and disgrace, 
And yet has nerve enough to look 

The devil in the face. 
Be sure you're right, and then proceed 

To sweep the pest away ; 
Those very men that now condemn 

Will in the end hurrah. 

Time on his route wheels things about : 

Those that to-day look grim 
Will be the very first to shout 

"We aye believ'd in him !" 
Then never faint in self-restraint, 

Nor yield to passion's heat ; 
'Tis not by roughs and fisticuffs 

That Mammon can be beat. 



THE OLD RUIN GREY 

r ~pHE old ruin grey is mould'ring away, 
J- And the rank weeds around it entwine ; 
The old wind alone knew the glory now gone, 
And it sighs o'er the long-perish'd line. 

No one in the dell its hist'ry can tell, 
Or why it was built on the steep ; 

They only do know it was great long ago, 
And now it's a pen for the sheep. 

The fox makes its lair, and the fowls of the air 

Seek shelter within its old halls ; 
The bluebell so meek, the foxglove and leek, 

Are peeping from out its old walls. 
6 



So The Old Ruin Grey 

Thus old Ruin drear claims all that we rear, 

When but a few years hurry by ; 
Man's proud works are vain, but the old hills remain 

O'erhung by the great silent sky. 

It is little we know but the old tale of woe : 
" We are the poor sons of a day, 

And the baubles we chase, yea, our name and our race, 
Must pass like the old ruin grey." 



THE SEER 

THE temple was a ruin'd heap, 
With moss and weeds o'ergrown, 
And there the old Seer stood entranced 

Beside the altar-stone : 
Time's broken hour-glass at his feet 

In mould'ring fragments lay ; 
And tombstones, whose old epitaphs 
Were eaten all away. 

He pointed ever and anon, 

His gaze was fixt on air, 
While thus he talk'd to shadowy forms, 

Which seem'd to hover there : 



" On, on to regions lone 

The generations go : 
They march along with mingled song 

Of hope, of joy, and woe. 
On, on to regions lone, 

For there's no tarrying here ; 
The hoary past is join'd at last 

By all it held so dear. 



The Seer 81 

" There, there, on edge of air, 

How fleetly do they pass: 
I see them all, both great and small, 

Like pictures in a glass. 
Long, long this crowding, motley throng, 

Of ev'ry creed and clime, 
With hopes and fears, with smiles and tears, 

Of the young and the olden time. 

" Round, round on this earthly mound, 
The laden ages reel ; 
No creak, no sound, but ceaseless round, 
To Time's eternal wheel. 

" There, there, with long grey hair, 

Are patriarchs of our race ; 
A glory crowns each hoary head, 

They pass with solemn pace. 
Earth, earth, there were men of worth 

When they were in their prime, 
With less of art, and more of heart, 

A happy golden time. 

"There, there are ladies fair 

That danced in lordly hall ; 
The minstrel grey, whose simple lay 

Brought joy to one and all. 
Fleet, fleet were your fairy feet, 

And ye knew the joy of tears, 
While minstrels wove old tales of love, 

With hopes, with doubts, with fears. 

" There, there, still fresh and fair, 

I see them march along, 
The bowmen good, the gay green wood, 

I hear their jocund song. 
See, see how the green oak tree 

With shouts they circle in ; 
The stakes are set, the champions met, 

The merry games begin. 



82 The Seer 

" Round, round, on their earthly mound, 
The laden ages reel ; 
No creak, no sound, to the ceaseless round 
Of Time's eternal wheel. 

" Hold, hold, ye were barons bold ! 

I know by the garb ye wear, 
The lofty head, the stately tread, 

The trusty blades ye bear. 
Where, where are your mansions rare, 

The lordly halls ye built ? 
Gone, gone, how little known 

Your glory or your guilt ! 

" Away, away, as to the fray, 

Ah ! there they madly rush, 
And in their path of woe and wrath 

A dark, deep, purple blush ! 
Here, here, like Autumn sear, 

The hoary palmers come ; 
Their tales they tell of what befell 

The list'ning groups are dumb. 

" Round, round, on their earthly mound, 
The laden ages reel ; 
No creak, no sound, but ceaseless round, 
To Time's eternal wheel. 

" Lo ! lo ! what splendid woe 

Your rearward host reveals ! 
It marches there with its golden care, 

To sounds of steam and wheels. 
Speed ! speed ! oh, Guile and Greed 

Are sure a monstrous birth ; 
Let wan Despair weave fabrics rare, 

And Gold be God on earth. 

" Oh ! oh ! what sigh of woe 
Is from its bosom roll'd ! 



The Seer 83 

What faces peer, like winter drear, 

'Mid the glitter and the gold ! 
Still, still, 'mid all this ill 

Are souls with touch sublime, 
Who nobly strive to keep alive 

Hopes of a happier time. 

Round, round, on their earthly mound, 

The laden ages reel ; 
No creak, no sound, but ceaseless round, 

To Time's eternal wheel. 

Hail ! hail ! ye shadows pale, 

For ye were men of thought ; 
The crags were steep, the mines were deep, 

Where painfully ye wrought. 
Speak ! speak ! why your secret keep ? 

This mystery I'd know 
Say, what is breath, and life, and death ? 

And whither do we go ? 



o 



" Still, still, no word ye will 
Vouchsafe my greedy ear ; 
The crags are steep, the mines are deep, 
And I can only hear : 
" ' On, on, ev'ry age has gone, 
Its burden on its back; 
Despite our will, for good or ill, 
We follow in the track.' 

" Round, round, on their earthly mound, 
The laden ages reel : 
No creak, no sound, but ceaseless round, 
To Time's eternal wheel." 



8 4 



THE RUINED TEMPLE 

FAR in a deep secluded dell, 
Where very few intrude, 
Where bubbled still the "Holy Well," 

A ruin'd temple stood ; 
Used by the shepherds as a fold 

When winter seals the sod. 
Yet countless generations old 
Went there to worship God. 

How wearily the wind did moan, 

'Mid ruin and decay, 
Where still a sacrificial stone 

Among the rank grass lay. 
The holy fire had all burnt out 

The vital spirit gone 
And all was darkness, dread, and doubt, 

Around that altar-stone. 

I sat me down in that lone place 

To muse upon decay, 
The changed conditions of our race, 

And faith that's growing grey ; 
Weird faces seem'd to flit around 

That ancient altar-stone ; 
There might be nought, yet still methought 

I was not all alone. 



And in my contemplations deep 

Hours must have pass'd away 
Perchance there fell on me that sleep 

Of which the poets say : 
" We drink from out a magic cup, 

From fountains never dry, 
Which lock the outer senses up, 

And ope the inner eye. 



The Ruined Temple 85 

" Tho' memory may not retain 
A shred of what we see, 
What was is written on the brain, 

What is, and what shall be." 
And in my reverie or dream 
For light, more light, I cried : 
" O truth, with thy celestial beam 
Let me be satisfied." 

The beacon-lights, our guides of yore, 

Have one by one gone out, 
And left us, 'mid the tempest's roar, 

In darkness and in doubt. 
Tho' stubbornly men close their eyes, 

Yet still 'tis plain to me 
The anchors old have lost their hold 

We're drifting out to sea. 

No wonder with foreboding fears 

We hear the tempests roar ; 
The pole-star of a thousand years 

Can be our guide no more. 
What millions of the good and brave 

For light, more light, have cried ; 
Yet went down to the yawning grave 

With souls unsatisfied. 

I'd pray'd for light both day and night, 

But I'd had no reply ; 
Then did I hear close by mine ear 

A whisper'd "Look on high." 
And instantly a holy light 

Through all the ruin shone, 
But so bewild'ring to my sight 

I scarce could look thereon. 

The tide of time seem'd backward roll'd, 

Once more 'twas holy ground, 
And all the generations old 

Were gathering around. 



86 The Rui?ied Temple 

At length with trembling joy and awe, 

Upon the altar-stone, 
A heav'nly being there I saw, 

Majestic and alone. 

And from a lyre in his right hand 

Leapt forth a thrilling strain, 
While still anon the spectral band 

Join'd in the deep refrain. 
Oh, could I, could I but rehearse 

The song as it was sung, 
The song of Truth immortal Youth, 

Forever fair and young 

A song that in my heart doth live 

With its majestic roll, 
To you, alas ! I can but give 

Its sense, but not its soul. 
But tho' that song I cannot sing, 

Yet, like a mighty river, 
Its tones shall roll, and heave my soul, 

Forever and forever. 



CHANGE 

OH ! how wondrous are the changes 
Ev'ry day and hour we see ; 
Things to make us ask in wonder, 

" Wherefore ? and oh ! what are we ? " 
Things more wonderful than fiction, 

Or the poet's wildest dreams ; 
Things enough to make us question 
If this world is what it seems. 

Change! change ! surpassing strange ! 

What fearful changes come ! 
The stars grow pale; the prophets fail; 
The oracles are dumb. 



Change 87 

Men come forth in strength rejoicing, 

And they bid the world take note 
Of their comings and their goings, 

And the mighty works they've wrought. 
Deeming that they are immortal, 

How like gods they walk the scene ! 
Time looks in, and, lo ! they vanish 
Rubb'd out as they ne'er had been. 

Change ! change ! surpassing strange ! 
Their pomp, their pow'r, their glory 
Are all forgot were, and are not 
The old eternal story. 

Nations spring as 'twere from nothing, 

And are mighty in their day 
But to wax and wane and crumble, 

And to nothing pass away. 
Great Niag'ra, with his thunders, 
And the tow'ring Alps sublime, 
Earth and sky, with all their wonders, 
Bubbles on the flood of time. 

Change ! change ! surpassing strange ! 

Can such things surely be 
All hurried past, and lost at last 
In Death's eternal sea ? 

Oh ! Creation's but a vision 

Seen by the reflective eye ; 
But a panoramic pageant 

Pictured on the evening sky. 
There is nothing here abiding 

There is nothing what it seems ; 
Airy all, and unsubstantial, 

Wavering in a world of dreams. 

Change ! change ! surpassing strange 

Is time's eternal chorus ! 
We hardly know the road we go, 
Or the heavens bending o'er us. 



88 Change 



<b i 



Shall we give ourselves to Pleasure ? 

Drench with wine the brow of Care ? 
That were but the coward's refuge, 

But a hiding from Despair. 
Shall we wed us to Ambition, 

Led by Fame's alluring round ? 
Ah ! alas, their promis'd glories 
End but in a grassy mound. 

Change ! change ! surpassing strange ! 

There's nothing sure but sorrow ; 
And we must bear our load of care, 
Nor dream of rest to-morrow. 

Shall we put our trust in knowledge 

Men have garner'd here below ? 
Ah, the fruit of all their labor's 

But a heritage of woe. 
Oh ! the sum of all the knowledge 

Garner'd underneath the sky 
Is that we are born to suffer, 
Is that we are born to die. 

Change ! change ! surpassing strange ! 

Our knowledge comes to naught, 
And we are fool'd and over-ruled 
By ev'rything we sought. 



POVERTY'S COMPENSATIONS 

OH, I am poor, and very poor ! 
But why should that distress me 
Since Hope, through all my poverty, 

So often comes to bless me ? 
If I have not the joys of wealth, 

Neither have I its troubles, 
And all its outward shows I deem 
But empty, idle bubbles. 



Poverty's Compensations 89 

A full purse and an empty heart 

Quite often go together ; 
What signifies our fields' increase, 

If our affections wither ? 
I never was so hard beset 

As to forget the features 
Of Justice, Mercy, and the rights 

Of my poor fellow-creatures. 

There is no station in this life 

That is from ills exempted ; 
Virtue would be an easy thing 

If we were never tempted. 
Then why should I afflict myself 

About mere worldly riches, 
If I've a heart that's free from care, 

And ne'er with envy itches ? 

The blue vault's hanging o'er my head, 

Green mother-earth is under ; 
Above, beneath, on ev'ry side, 

A mystic world of wonder. 
Have I not in this threadbare coat, 

And in this lowly station, 
Caught tones of rapture trembling from 

The harp of God's creation ? 

Can gold assist me to divine 

The actual from the seeming, 
Or from each mighty symbol wrest 

Its everlasting meaning ? 
No ; but for me the mighty dead 

Unfold their living pages, 
And I'm permitted to commune 

With prophets, bards, and sages. 

Yes, they, the really truly great, 

Kings, potentates, excelling 
Without the pride and pomp of state 

Come to my lonely dwelling ; 



90 Poverty's Co'/iipetisations 

And their society has been, 
'Mid sorrow and privation, 

A joy which took away the sting 
From woe and tribulation. 

Then let us with a thankful heart 

Accept what God has given, 
And with the cank'ring love of gold 

Ne'er may our hearts be riven ; 
And let us try to love our God 

And our poor fellow-mortals : 
Such is the wealth acceptable 

At highest heaven's portals. 



DAVID, KING OF ISRAEL 

COME and look upon this picture, 
Thoughtfully those features scan : 
There he sits, the bard of Scripture, 
Not an angel, but a man. 

In his hand the harp that often 
Thrill'd the shepherd in the glen, 

And has now supreme dominion 
O'er the hearts and souls of men 

That same harp which charm'd the demon 

In the darken'd soul of Saul ; 
And has sooth'd the troubled spirit 

In the bosoms of us all. 

Human nature's strength and weakness, 
Hope and heart-break, smiles and sighs, 

With a world of joy and sorrows, 
Mirror'd in those deep-blue eyes, 



David, King of Israel 9 1 

Tis a face that, somehow, tells us 

God hath made us all the same 
Of one blood and heart and nature, 

DifF ring but in creed and name ; 

All that has been done or suffer'd, 

All that has been thought or said, 
Israel's strength, and Israel's weakness, 

Summ'd up in that lordly head. 

Yet, curtail'd, hemm'd in, and hamper'd, 

He could only utter part 
Of the great infinite message 

That was lying on his heart. 

'Tis a face supremely human, 

Brother to us, ev'ry one, 
For he oft had sinn'd and sorrow'd, 

Just as you and I have done. 

Yet it tells a tale of struggle, 

Of a life-long, weary fight, 
Wrestling foemen all the day long, 

Wrestling phantoms all the night. 

Fighting with infatuation, 

Scorning the degrading chain ; 
Hating sin, yet rushing to it, 

Rising, but to fall again ; 

Always sinning and repenting, 

Promising to sin no more ; 
Now resisting, now consenting, 

Human to the very core. 

Now he deems himself forsaken, 

Feels that he's a poor outcast ; 
But tho' he should die despairing, 

He will struggle to the last. 



David, King of Israel 

He has felt the soul's upbraiding : 
Conscience oft has made him smart 

Until pain, and shame, and sorrow, 
Leapt in lyrics from his heart. 

From the depth of his affliction 

To Jehovah he would cry, 
Who, in love and pity, rais'd him, 

Set him on a rock on high ; 

Gave him gleams of worlds transcendent, 
Brighter than the rainbow's rim ; 

Touch'd his harpstrings with the raptures 
Of the soaring seraphim. 

Like the mighty waters gushing 

Is the torrent of his song, 
Sweeping onward, roaring, rushing, 

Bearing human hearts along. 

Then, anon, like gentle dew-drops, 
Falls that spirit, sweet, serene, 

Peaceful as the quiet waters, 
Fragrant as the glades of green. 

Then what living gusts of gladness 

Startle the enraptured ear, 
While a tone of human sadness 

Makes the sweetest strain more dear. 

Not the rapt and holy prophet, 

Not the pure in ev'ry part, 
But the sinning, sorrowing creature, 

Was the " man of God's own heart." 

His was love surpassing tender, 

And God gave it as a sign, 
That the heart that is most human 

Is the heart that's most divine. 



93 



UP, AND BE A HERO 

UP ! my friend, be bold and true, 
There is noble work to do ; 
Hear the voice which calls on you, 
"Up, and be a hero ! " 

What tho' fate has fixed thy lot 
To the lowly russet cot, 
Tho' you are not worth a gro't, 
Thou may'st be a hero ! 

High heroic deeds are done, 
Many a battle's lost or won, 
Without either sword or gun 
Up, and be a hero ! 



Not to gain a worldly height, 
Not for sensual delight, 
But for very love of right, 
Up, and be a hero ! 

Follow not the worldling's creed ; 
Be an honest man, indeed ; 
God will help you in your need, 
Only be a hero ! 

There is seed which must be sown, 
Mighty truths to be made known, 
Tyrannies to be o'erthrown, 
Up, and be a hero ! 

There are hatreds and suspicions, 
There are social inquisitions, 
Worse than ancient superstitions ; 
Strike them like a hero ! 



94 



Up and be a Hero 

In the mighty fields of thought 
There are battles to be fought, 
Revolutions to be wrought ; 
Up, and be a hero ! 

Bloodless battles to be gain'd, 
Spirits to be disenchain'd, 
Holy heights to be attain'd ; 
Up, and be a hero ! 

To the noble soul alone 
Nature's mystic art is shown ; 
God will make his secrets known 
Only to the hero ! 

If thou only art but true, 
What may not thy spirit do ? 
All is possible to you, 
Only be a hero ! 



ROBERT BURNS 

HAIL to thee, King of Scottish song ! 
With all thy faults we love thee, 
Nor would we set up modern saints, 

For all their cant, above thee. 
There hangs a grandeur and a gloom 

Around thy wondrous story, 
As of the sun eclips'd at noon, 
'Mid all his beams of glory. 



A marvel and a mystery ! 

A king set on a throne 
To guide the people's steps aright, 

Yet could not guide his own. 



Robert Burns 

A marvel and a mystery ! 

A strange, a wondrous birth 
Since Israel's king there has not been 

Thy likeness upon earth. 

For thou wert the ordain'd of Heaven, 

Thy mission's high and holy ; 
To thee the noble work was given 

To lift the poor and lowly. 
Thy words are living, soulful things, 

Around the world they're ringing ; 
Hope's smiles they bear, and ev'rywhere 

Set weary hearts a-singing. 

Untutor'd child of Nature wild, 

With instincts always true, 
Oh, when I'm weary of the saints 

I turn with joy to you! 
The bigot and the blockhead still 

Are at thy mem'ry railing, 
Because thou wert a son of Eve, 

And had a human failing. 

A benefactor of our race, 

Yet on the face they strike thee, 
And, like the Pharisee of old, 

Thank God they are not like thee. 
Well, let them rave above thy grave, 

Thou canst not hear their railings ; 
We take thee to our heart of hearts, 

With all thy faults and failings. 

For they were human at the worst 

True hearts can but deplore them 
The faults from which great virtues spring, 

We throw a mantle o'er them. 
And loving souls in ev'ry place 

Still hail thee as a brother ; 
Like thee, thou glory of our race, 

Where shall we find another ? 
7 



95 



96 



GLADSTONE 

HAIL to the man, of men the chief ! 
He tow'rs above our time, 
Like to the peak of Teneriffe, 
Majestic and sublime. 

He treads the path the great have trod, 

Retains, 'mid jeer and ban, 
Faith in the Fatherhood of God, 

And Brotherhood of man ; 

One of the high, heroic souls, 

That God appoints to find 
A pathway for humanity 

Upon the march of mind ; 

That put traditions to the rout 
What need they be afraid of? 

And turn our idols inside out, 

And show what rags they're made of ; 

Whose thoughts are falling down in showers 

.The masses to awaken, 
And principalities and powers 

To their foundations shaken. 

He hears within the high command, 

With his own soul engages, 
From tyrannies to rid the land, 

And right the wrongs of ages. 

This " Grand Old Man " has blown a blast 

That's waken'd in affright 
The spectres grim, the things aghast, 

Of Chaos and old Night. 



Gladstone 07 



Tho' oft a mark set up for hate, 

He's at this very hour 
Great Britain's only truly great 

And stanchest living power. 

The heights of fame oft he did scale, 

Unspoil'd by adulation ; 
Now, unalarm'd, he walks the vale 

Of deep humiliation. 

What matters who may bless or ban, 
By whom he's lov'd or hated ? 

To-day, to be the "Grand Old Man," 
To-morrow, execrated. 

But even in the darkest day 
He flinches not from duty, 

And aye's attended by a ray 
Of truth and moral beauty 

A beauty, an urbanity, 

In all that he doth teach ; 
The music of humanity 

Is ringing in his speech ; 

Above the pall that hangs o'er all 
We hear his ringing voice ; 

Above the din of selfish sin 
We hear him and rejoice. 

Such men are never vanquish'd, tho' 
From pow'r they may be hurl'd ; 

Their motto still, as on they go, 
Is " Truth against the World." 



9 8 



THE SPIRITS OF THE PRESS 

HARK ! 'tis the spirit of the age 
That doth in song address 
The heroes of the printed page 

The spirits of the press. 
Great change is coming over things 

All hail the dawning light ! 
A voice throughout creation rings : 
" Arise ! defend the right ! " 

Then at the summons, oh, awake ! 

And may ye live to see 
Ontario, beside her lake, 

Great, glorious, and free. 
Tho' in our time the love of gold 

Has grown a social blight, 
Yet be ye neither bought nor sold ; 

Still dare defend the right ! 

In moral manhood be ye strong, 

For ye were meant to be 
The friends of right, the foes of wrong, 

The guards of liberty. 
In freedom put your hope and trust, 

Nor envy social height ; 
Heroic souls upon a crust 

Have battled for the right. 

And no great deed was ever done 

In mere pursuit of pelf ; 
The greatest battles ever won 

Are triumphs over self. 
But caste and creed now spread abroad 

A mildew and a blight, 
And even in the name of God 

They trample on the right. 



The Spirits of the Press 99 

He's but a knave a party slave, 

To aims heroic blind 
Who'll meanly strive to keep alive 

The hatreds of mankind. 
Leave party slurs to hungry curs 

Who're paid to bark and bite ! 
Trade not for gain your heart and brain, 

But dare defend the right. 

Intolerance is want of sense ; 

Judge people by their deeds ; 
For Mammon's tools make wise men fools 

By playing on the creeds. 
And what tho' mere time-servers sneer, 

Do ye the truth indite ; 
And ev'ry good man must revere 

Defenders of the right. 



MEMORIES OF SCOTTISH LITERATURE 

An Address to a Scottish Thistle in Canada 

LOV'D badge o' my country ! ah, why art thou here, 
Sae far frae auld Scotland, the land we love dear? 
This is not our country, we're exiled afar 
Frae mighty Benlomond and "dark Lochnagar." 

What a host o' Scots worthies, the living and dead, 
Hae crown'd wi' a glory our auld mother's head ! 
With sigh sympathetic they ilk ane appear, 
I see them, lov'd thistle, approaching us here. 

Tho' I ne'er saw them living, I ken them richt weel ; 
I know the lov'd face o' each leal-hearted chieh 
Ha ! there the great minstrel, the soul of the north, 
Wi' smiles, tears, and tempests, stalks sturdily forth. 



ioo Memories of Scottish Literatore 

He brings Highland Mary in beauty array'd ; 
Death steals not that beauty, it never can fade : 
Like a vision of Eden, thro' good and thro' ill, 
That form and those features hae haunted me still. 

But see, belov'd thistle, e'en Scott in his joy 
Comes on wi' his troopers and dauntless Rob Roy ; 
There, steel-cover'd barons and grim kilted thanes, 
And tall plaided chieftains, and royal grand-dames ; 

There, kings wi' their sceptres, blue gowns wi' their bags, 
High pedigreed damsels, and auld wither'd hags; 
And puir hunted " Hill-folk " wha fought not in vain 
There, Burley and Bothwell are at it again ! 

There, " Meg," as she tauld the auld laird o' her wrangs, 
Or pour'd out her sair heart in wizard-like sangs ; 
There, tiltings and tourneys, and forays and feuds, 
And robbers and reavers amang the green woods ; 

And fox hunts and fule hunts, and tyrants and slaves, 
And half hearts and haill hearts, and true men and knaves; 
A won'erfu' world, that was a' dead and gane 
Till the wizard o' Waverley woke it again. 

Another, lov'd thistle, to whom thou wert dear 
As licht to the lovely, approaches us here : 
'Tis canty auld Christopher, 4 blithest o' a', 
Weel kent by his ain ringing, laughing hurrah. 

Here comes a small band with a deep-measured tread, 
Stern, earnest as that which at Loudon Hill bled : 
Its leader stalks forth wi' a sad, solemn smile 
The shade o' the mighty immortal, Carlyle. 

And yonder, great Chalmers, the second John Knox, 
Whose sentences fell like Fate's terrible shocks : 
His large human nature no nation could bind ; 
His love o' the thistle was love o' mankind. 



Memories of Scottish Literature roi 

The vision has vanish'd, the shadows are gane, 
And yet, belov'd thistle, we arena alane : 
These are the immortals that never depart ; 
They fade to grey visions, but dwell in the heart. 



THE HALLS OF HOLYROOD 

The British Workman offered a prize, open to the world, for a 
suitable poem. This one obtained the prize. 

HERE let me sit, as ev'ning falls, 
In sad and solemn mood, 
Among the now deserted halls 

Of ancient Holyrood ; 
To think how human pow'r and pride 

Must sink into decay, 
Or, like the bubbles on the tide, 
Pass, pass away. v 

No more the joyous crowd resorts 

To see the archers good 
Draw bow within the ringing courts 

Of merry Holyrood. 
Ah, where's that high and haughty race 

That here so long held sway ? 
And where the phantoms they would chase ? 

Pass'd, pass'd away ! 

And where the monks and friars grey, 

That oft in jovial mood 
Would revel till the break of day 

In merry Holyrood ? 
The flagons deep are emptied out, 

The revelers all away ; 
They come not to renew the bout 

Where, where are they ? 



ro2 Halls of Holy rood 

And where the plaided chieftains bold 

That round their monarch stood ? 
And where the damsels that of old 

Made merry Holyrood ? 
And where that fair, ill-fated Queen ? 

And where the minstrels grey 
That made those vaulted arches ring ? 

Where, where are they ? 

Tho' mould'ring are the minstrels' bones, 

Their thoughts have time withstood ; 
They live in snatches of old songs 

Of ancient Holyrood. 
For thrones and dynasties depart, 

And diadems decay, 
But these old gushings of the heart 

Pass not away. 



CARTHA AGAIN 5 

OH ! why did I leave thee ? Oh ! why did I part 
Frae thee, lovely Cartha, thou stream o' my heart ? 
Oh, why did I leave thee and wander awa' 
Frae the hame o' my childhood, Gleniffer an' a' ? 
The thocht o' thee aye male's my bosom o'erflow 
Wi' a langing that nane save the weary can know ; 
And a' fortune's favors are empty and vain, 
If I'm ne'er to return to thee, Cartha, again. 

When I hear the soft tone o' my ain Lowlan' tongue, 
Ance mair I'm a laddie the gowans among : 
I see thee still winding thy green valley through, 
And the Highland hills tow'ring afar in the blue ; 
But the lintie, the lav'rock, the blackbird, an' a', 
Aye singing, " My laddie, ye've lang been awa'." 
Nae wonder I sit down an' mak' my sad mane 
Am I ne'er to behold thee, sweet Cartha, again ? 



Cartha Again 103 

When I hear the sweet lilt o' some auld Scottish sang, 
Oh, how my bluid leaps as it coorses alang ! 
The thumps o' my heart gar my bosom a' stoun', 
My heid it grows dizzy and rins roun' an' roun' ; 
My very heartstrings tug as gin they would crack, 
And burst a' the bonds that are keepin' me back ; 
But then comes the thocht, here I'm doom'd to remain, 
And ne'er to return to thee, Cartha, again ! 

In a grave o* the forest, when life's journey's past, 
Unknown and unhonor'd they'll lay me at last ; 
Abune me nae bluebell nor gowan shall wave, 
And nae robin come to sing over my grave. 
But, surely ! ah, surely ! the love o' this heart 
For thee, lovely Cartha, can never depart ; 
But free frae a' sorrow, a' sadness and pain, 
My spirit shall haunt thee, dear Cartha, again. 



WEE MARY 

FAREWEEL ! my wee lassie, fareweel ! 
Thou wert dear as the licht to mine e'e ; 
And nae ane can ken what I feel 
In this sorrow fu' pairting wi' thee. 

A welcome wee stranger thou wert, 

But thou didstna bide lang wi' us here ; 

Thou cam'st like the Spring to my hert, 
But thou left it all wither'd and sear. 

Ah, Mary ! I canna but weep, 

For my hert was sae wrapt up in thee ; 

Fain I'd think thou art gane but to sleep, 
And thou'lt toddle again to my knee. 

Oh, thou wert a beam of delicht 

Which sae lighted my hert up wi' joy ! 



io4 Wee Mary 

I ne'er thocht thou'dst fade frae my sicht, 
Or death would e'er come to destroy. 

And the bairns are a' greetin' for thee, 

For they've lost their wee playmate an' a' ; 

And Johnnie creeps up on my knee, 
And he asks if ye'll aye be awa\ 

What tho' to forget thee I try, 

And the words that thou lispit to me; 

The streams o' this hert winna dry, 
And a' nature's the mem'ry o' thee. 

The sweet little birdies that sing, 
And the innocent lamb on the lea, 

The bonnie wee flow'rs o' the spring, 
Are a' but faint shadows o' thee. 



I WINNA GAE HAME 

I WINNA gae back to my youthfu' haunts, 
For they are nae langer fair : 
The spoiler has been in the glades sae green, 

And sad are the changes there ; 
The plow has been to the very brink 

O' the lovely Locher fa', 
And beauty has fled wi' the auld yew tree 
And bonnie wee birds awa'. 

Young Spring aye cam' the earliest there, 

Alang wi' her dear cuckoo, 
And gentle Autumn linger'd lang 

Wi' her lanely cusha-doo ; 
And peace aye nestled in ilka nook 

O' the bonnie gowany glen, 
For it's always Sabbath amang the flowers, 

Awa' frae the haunts of men. 



/ Winna Gae ffame 105 

How oft hae I paused in thae green retreats 

O' the hare and the foggy-bee," 
While the Untie lilted to his love 

In the budding hawthorn tree ; 
And the yorlin sang on the whinny-knowe 

In the cheery rnorn o' spring, 
And the laverock drapt frae the cloud at e'en 

To fauld up her weary wing ; 

And the mavis sang in the thorny brake, 

And the blackbird on the tree, 
And the lintwhite told his tale o' love 

Far down in the gowany lea ; 
And the moss and the cress and the crawflow'rs crept 

Sae close to the crystal spring, 
And the water cam' wi' a lauchin' loup, 

And awa' like a livin' thing. 

And it sang its way through the green retreats, 

In a voice sae sweet and clear, 
That the rowan listen'd on the rock, 

And the hazel lean'd to hear ; 
And the water-lilies rais'd their heads, 

And the bells in clusters blue, 
And the primrose cam' wi' her modest face 

A' wet wi' the balmy dew : 

And the hoary hawthorn hung its head, 

As lapped in a blissfu' dream, 
While the honeysuckle strain'd to catch 

The murmurs o' that stream ; 
And the buttercup and the cowslip pale 

To the green, green margin drew ; 
And the gowan cam' and brocht wi' her 

The bonnie wee violet blue. 

And the red, red rose and the eglantine 

And the stately foxglove came, 
And mony an' mony a sweet wee flow'r 

That has died without a name ; 



106 I Witma Gae Hame 

While the burnie brattl'd down the brae 

In her ain blithe merry din, 
And leapt the rock in a cloud o' spray, 

And roar'd in the boiling linn. 

And churn'd hersel' into silver white, 

Into bubbles green and gay, 
And rumbled roun' in a wild delight 

'Neath the rainbow's varied ray ; 
And swirl'd and sank and rose to the brim, 

Like the snawdrift on the lea, 
And then in bells o' the rainbow's rim 

She sang away to the sea. 

But the trees are fell'd, and the birds are gane, 

And the banks are lane and bare, 
And wearily now she drags her lane 

With the heavy sough o' care ; 
And fond lovers there shall meet nae mair, 

In the lang, lang simmer's e'en, 
To pledge their vows 'neath the spreading boughs 

O' the birk and the beech sae green. 

But I'll no gae back ! I'll no gae back ! 

For my heart is sick and sair, 
And I couldna' bide to see the wreck 

O' a place sae sweet and fair. 
It wad wauken me, it wad wauken me 

Frae boyhood's blissfu' dream, 
And ye ne'er could be sae dear to me, 

My ain beloved stream. 



107 

SCOTLAND REVISITED 
or, the Wanderer's Return 

WHEN mony a year had come and gane, 
And I'd grown auld and hoary ; 
And mony a hope had proven vain 

As mony a dream o' glory ; 
Then backward to my childhood's hame 

A weary langing sent me : 
I found my native vale the same, 
But very few that kent me. 

There were the hills my childhood saw 

They look'd as if they knew me ; 
And well they might, when far awa', 

Oh, how they did pursue me ! 
And there amang the broomy braes 

I often paused and ponder'd 
Upon the joys o' ither days, 

Then on again I wander'd. 

At length our cot appear'd in view, 

Oh, weel I kent the biggin' ! 
There was the same o'erhanging yew, 

And thack upon the riggin' ; 
And there the winnock in the en', 

Wi' woodbine train'd sae trimly, 
And up abune the cosie den 

Reek swirlin' frae the chimley. 7 

Oh, how my heart leap'd at the sight, 

Till I could hardly bear it ! 
I felt as if I would gang gyte, 

For I was maist deleerit. 



108 Scotland Revisited 

And hurrying to that sacred spot, 
Ilk thump cam' quick and quicker. 

I tried to pray, but in my throat 
The words grew thick and thicker. 

To hide my tears I vainly strove, 

For nae ane came to meet me ; 
Nae mither wi' her look o' love, 

Nae sister, came to greet me. 
For gane were they, both ane and a' 

The dear hearts that I cherish'd 
Gane like the flow'rs o' spring awa', 

Or like a vision perish'd. 

This was the spot o' a' maist dear, 

Where a' my dreams were centred ; 
And yet, wi' trembling and wi' fear, 

Beneath that roof I enter'd. 
There was the place my faither sat 

Beside my mither, spinnin', 
An' a' the bairns wi' merry chat 

In joy around her rinnin'. 

There, in the cottage o' my birth, 

The same rooftree above me, 
I stood a wand'rer on the earth, 

Wi' na ane left to love me. 
Oh ! I had often stood alone 

On mony a post o' danger, 
And never wept till standing on 

My native hearth a stranger. 

I sought the auld kirkyard alane, 

Where a' the lov'd are sleeping, 
And only the memorial stane 

Its watch abune them keeping. 
It only said that they were dead, 

Once here, but now departed ; 
A' gane ! a' gane ! to their lang hame, 

The true, the gentle-hearted. 



Scotland Revisited 109 

" Oh, life," I cried, " is all a woe, 

A journey lang and dreary, 
If there's nae hame to which we go, 

Nae heart-hame for the weary ! " 
I clear'd the weeds frae aff the stane, 

And lang I sat and ponder'd 
Upon the days forever gane, 

Then weary on I wander'd. 



RECOLLECTIONS OF CLYDESDALE 



An Epistle to David Boyle, Esq., Toronto, Archaeologist of 
Ontario ; a native of Greenock 



MY dear frien', Dawvit, hae ye time 
To hearken to a screed o' rime ? 
And tho' it mayna be sublime 

A gem o' art 
It comes, as frae youth's joyous clime, 
Fresh frae the heart. 

For e'en tho' I am auld and grey, 
And frae the dear Ian' far away, 
The mem'ry o' youth's joyous May 

Still back doth bring 
A touch o' blithe vitality 

Upon its wing. 

Oh, what a worl' we liev'd in then ! 
O' cataract and brae and ben, 
O' ruin'd keep in lonely glen, 

And castle hoar, 
Faur frae the busy haunts of men, 

Brooding on yore. 



no Recollections of Clydesdale 

A joyous youth was thine an' mine, 
When Nature a' seem'd to combine 
Aroon' oor path her fioo'rs to twine, 

Wi' hope and joy 
The very memory divine 

Naught can destroy. 

For then the earth seem'd fresh and new, 
And bore such fioo'rs o' glorious hue, 
Fresh wi' the dawn and Eden dew 

Upon them a' 
Ah ! then we dreamt not of, nor knew, 

Aught o' the Fa'. 

Spring cam' in shoo'rs o' gowans white, 
And hawthorn blossoms burst to sight, 
And buttercups what a delight ! 

Wi' eglantine, 
Still hingin' in the gowden light 

O' dear lang syne. 

We kent whaur the " witch thummels " grew, 
And bonnie bells in clusters blue, 
Primroses cells o' siller dew, 

Ha' blossoms white 
The sod wi' gowans peeping through 

In sheer delight ! 

And whaur the wee bit runnels leap, 
And velvet mosses lo'e to creep, 
And violets, wi' their dyes sae deep 

And modest mien, 
That jouk, and jink, or bashfu' peep 

Frae nooks o' green. 

I never hear a ballant rime, 

But still, as in youth's joyous prime, 

Despite o' distance, change and time, 

Wi' prood delight, 
The Highlan' hills, tow'ring sublime, 

Stan' full in sight. 



Recollections of Clydesdale 1 1 1 

There, as o' auld, ance mair they stand, 
The great auld hills a giant band 
And pride o' a' the mountain land 

Benlomond hoar 
Amid them tow'ring great and grand, 

King o' the core. 

We've wander'd by the same clear rills, 
Look'd on wi' awe the same auld hills, 
We've music drank the kind that fills 

The Scottish heart 
And oh, what patriotic thrills 

It did impart ! 

(Does not green Yarrow's vale belong 
Unto the soul of past'ral song ? 
Affections an undying throng 

She gathers round, 
And holds her court the groves among, 

Wi' lilies crown'd. 

Is not the Scottish atmosphere 
Laden wi' a' the heart holds dear ? 
Things that ne'er wither nor grow sear, 

Nor pass away, 
But in oor hearts still re-appear, 

Free frae decay.) 

Tho' we've baith wander'd faur and wide, 
We ne'er forget the youthfu' pride 
We cherish'd for our ain dear Clyde 

In boyhood's dream, 
Ah, there it shall forever glide, 

Sole sovran stream ! 

Tho' frae Balclutha 8 faur away, 
Yet frae the grand auld ruins grey 
We still hear Ossian's mournfu' lay, 

'Mid grass sae tall, 
And see the thistle 'mid decay 

Wave on the wall. 



ii2 Recollections of Clydesdale 

Tho' fortune holds me in despite, 
I bless her first we saw the light 
In a romantic land, made bright 

Wi' tale and sang, 
O' heroes that focht for the right, 

Nor brook'd the wrang. 

Land o' romance and mountain hoar, 
Wi' sang and legend running o'er, 
A land thy children a' adore ! 

Tho' forced to part, 
Still sacred art thou in the core 

O' ilka heart. 

A land that tyranny did spurn, 

The land o' Bruce and Bannockburn, 

Oh ! let not Mammon e'er inurn 

Thy spirit free : 
Still may the light o' freedom burn, 

Dear land, in thee. 



P.S. Juist here the muse got aff the track, 
And as I canna ca' her back, 
Nae langer noo my brains I'll rack, 

Sae let her gang, 
In hope we sune may hae a crack, 
I quat my sang. 



"3 



AWAKENED MEMORIES OF SCOTIA 

An Epistle to James L. Morrison, Esq., Toronto, on his 
return from a visit to Scotland. 

I SCARCE need say thou'rt welcome back 
Frae owre the lang and weary track. 
Wi' you I lang to hae a crack 

'Bout Scotia dear, 
And questions by the yard, in fac', 
I want to speer. 

I only wish alang wi' thee 

I could hae ventured owre the sea ; 

For to oor ain green glens, ah, me ! 

Glens o' the west, 
Back like a bird I fain would flee 

To my young nest. 

When winter shrouds this land in gloom, 
And leafless trees talk o' the tomb, 
Just speak o' Scotland's bonnie broom, 

And instantly 
I'm wafted to youth's world o' bloom 

Ayont the sea. 

What joy wi' thee to rove amang 
Her hills and dales, renown'd in sang, 
And battle-fields, where peasants sprang 

At freedom's ca ', 
And nobly dared against the wrang 

To stand or fa'. 

There Freedom built her lofty dome, 
And, issuing from her mountain home, 
Defied the legions of old Rome 

Her to enslave 
No, not another step to come, 

Save o'er her grave. 



ii4 Awakened Memories of Scotia 

To gaze upon the hills ance mair 
Auld monarchs on their thrones of air 
Still tow'ring in their glory there 

As, when a boy, 
I gazed on them wi' rapture rare 

Oh, what a joy ! 

And let us wander where we may, 
They never leave us by the way ; 
At ev'ry hamely word or lay 

Hoo they will start, 
Wrapt in their misty mantles grey, 

Up in the heart ! 

Oh, but to lie the broom amang, 
And listen to the lav'rock's sang, 
In notes, a perfect living thrang, 

A' rainin' doon ; 
Back ev'ry foot I'd gladly gang 

To hear the soun'. 

And then the wee grey lintie coy 
Ah, wasna he a living joy ? 
While ev'ry wee enraptured boy, 

W heart ahush, 
Drank in the strains without alloy 

Frae tree or bush. 

And wi' what joy ance mair to stray 
By Crookston Castle's 1 ' ruins grey, 
Where hapless Mary view ; d the fray 

Upon Langside/' 
Which doom'd her to a lot o' wae, 

Sair, sair to bide. 

That ruin auld did ye explore ? 

Still sitting in Glengarnock 1 " hoar, 

From which owre to Largs' 11 rugged shore, 

To face the Dane, 
Hardyknute 1 " in days of yore 

March'd not in vain. 



Awakened Memories of Scotia 115 

Ah, weel I mind, 'mang youthfu' pranks, 

I travel'd far wi' weary shanks 

To gaze on Bothwell's bonnie banks, 

Still blooming fair, 
And where the Covenanting ranks 

Were worsted sair. 

Then a' the glories o' romance 
Did ev'ry sight and sound enhance ; 
How grand upon her steeds to prance ! 

Oh, why did truth 
Awake us frae that glorious trance 

Wi' facts forsooth ? 

Dear early world ! ere selfish sin, 
Wi' a' her weary strife and din, 
And wrath-wudhags, had enter'd in 

Wi' cursed greed, 
To a' her heavenly glories blin' 

As bats, indeed. 

Still looking back, wi' fond regret, 
Youth's radiant world we ne'er forget : 
The sun o' young Romance, tho' set, 

Still throws a haze 
O' never dying glories yet 

Amang the braes. 

But now I maun draw to an end, 
In hopes to see you soon, my friend, 
And ae haill day at least to spend, 

And hear o' a' 
The things that roun' my heart still blend, 

Tho' far awa'. 



n6 



AULD TOWSER 

YE'RE turnin' auld, Towser, yer teeth nearly gane 
Ye hae a sair fecht, noo, to hirple yer lane. 
Ah, times are sair alter'd wi' baith you and me, 
And the days we hae seen we can never mair see. 

I'm wearin' doun wi' ye, for time, weel I ken, 
Is no a bit partial to dugs or to men. 
It canna be lang till we baith get the ca', 
And gane and forgotten by ane and by a'. 

But ye were aye faithfu', whatever befell ; 
I whiles wisht that I could say that o' mysel. 
And after yer battles ye never kept spite 
Yer bark it was always far waur than yer bite. 

And there was baith wisdom and wit in yer face ; 
Yer stature proclaim'd ye the lord o' yer race ; 
Baith big, black and gaucy, a great towsy tyke 
As e'er chased a beggar, or lapt owre a dyke. 

Ye never took up wi' the wild fechtin' dugs ; 
Yer freens were a' social, wi' lang-hingin' lugs ; 
And they wad fraise wi' ye, and beek in the sun, 
Or start up a squirrel and chase it for fun. 

Great was yer contempt for the wee barkin' dugs, 
The things that hunt rattons wi' noses like pugs : 
When they wad rush oot and bark up in yer face, 
Ye seem'd to think shame they belang'd to yer race. 

I whiles thocht ye had a bit spite at the pigs 
What fun ye had chasin' them doun the lea rigs ! 
Yer bark was mair wicked it was na the same 
That ye gied to the beggars or ocht aboot hame. 



Aii Id Towser 117 

Ye never were beat whaur the fechtin' was fair 
But that time ye tackled the big raucle bear : 
Yon wrestlin' and huggin' was oot o' yer line, 
But ye left him some tokens I'm thinkin' he'll min\ 

And ye were a dour, an angry, big tyke, 
That time ye attackit the bees in their byke : 
They buzz'd oot upon ye like deils frae the pit, 
And ye raged like a creature deprived o' its wit. 

And vainly ye barkit, and vainly wad bite, 
For still they stuck to ye like venom and spite ; 
And still they came bummin' like legions o ! deils, 
So, like a wise dug, then ye took to yer heels. 

Ye paid for yer knowledge (as I've often done), 
And then had the wisdom sic comp'ny to shun ; 
But I was not always made wiser by pain, 
For I've sinn'd and I've suffer'd again and again. 

When folk cam' for siller, and I'd nane to gie, 
Ye kent them, auld Towser, as weel juist as me : 
Ye show'd them yer tusks ; ye were ill, ill to please 
Oh, the limbs o' the law are faur waur than the bees ! 

How you and wee Charlie wad fondle and play, 
And jink roun' the hay-rack the haill simmer day 
He lauchin', ye barkin', at fun o' yer ain, 
Till I've wisht that I were a laddie again. 

And when that he murmur'd, and sicken'd, and died, 
No, naething could tempt ye to leave his bedside ; 
Ye sat sad and silent, by nicht and by day, 
And, oh, how ye moan'd when they bore him away ! 

Tho' some folk may ca' ye a useless auld brute, 
Yet, Towser, as lang's ye can hirple aboot, 
I'll share my bite wi' ye, and then when ye dee, 
We'll bury ye under the auld apple tree. 



n8 Auld Towser 

And the bairns will greet for ye when they see ye laid. 
All silent in death, 'neath its bonnie green shade ; 
And aft by the ingle they'll ca' ye to min', 
And dear thochts shall aye roun' yer memory twine. 



THE OLD WAR HORSE 

TIME'S writing his changes on a' things, we see, 
And sad anes his writing, auld War Horse, on thee. 
How changed from the great steed that chafed at the rein, 
With the fleet foot thy rider could hardly restrain ! 
Thy legs are sair shaughled ; thy hoof, once of fire, 
Must drag Jamie's cart through the mud and the mire. 
Ah, where's thy proud neck which could scarce brook the 

rein? 
Thy red " rolling eye," and thy great arching mane? 
Thy mane is a' tautit, and scrimpit's thy tail, 
And the gall on thy shouther is no like to hale ; 
Thy hide is a' runkled, scarce covering thy banes, 
And ye dreadfully hobble amang the whun stanes. 
My heart's wae to see ye lash'd hard when ye reest, 
And hear ye ca'd nocht but an " auld stubborn beast." 

And yet, my auld horse, thou hast lashed that same tail, 
While dashing in madness amid the death-hail, 
And neigh'd 'mid the thunder, the shout, and the smoke, 
As ye swept like a thunderbolt to the death-shock. 18 

Thae feet, noo sae spavint, hae aft chased the flying, 

And trampled to pieces the deid and the dying ; 

And often I see ye ahobblin' come, 

At the tout o' the town crier's auld crackit drum, 

And cock up yer ears, and erect yer auld mane, 

As if ye wad ae be a War Horse again. 

This warrin' and fechtin', wi' a' its parade, 

" Oh, the meal-pock's the end o't," as auld Eddie said; 



T/ie Old War Horse 1 1 9 

But lessons are lost baith on horses and men, 

And why should I blame you when they winna men' ? 

Hear fallen Napoleon, in sorrow and woe, 

Asking Marshal MacDonald, " Oh ! where shall I go ? " 

And even 'mang horses there's great ups and downs, 
As weel's amang monarchs wi' kingdoms and crowns. 
Thy case is a hard ane, and I'm wae for thee, 
Yet the auld sodger aften mair wretched we see. 
Thy master is cruel, nor pities thy pains, 
For he has a wife and some wee raggit weans : 
To keep them in crowdie, and shed them frae snaw, 
And buy him a drappy, taks a' ye can draw. 

And yet my auld horse, tho' thou'rt sunk in distress, 
I doutna ye whiles may hae glimpses o' bliss : 
When Jamie's heart's ope'd wi' the blithe barley bree, 
A great rip o' oats he will whiles fling to thee, 
; Saying, "Come up, Auld Sodger, and never say puir 
iThe auld cursin' Colonel ne'er offert ye mair. 
Ye don't think I stole ye, man ! that ugly scar 
Ye got at Corunna wad tell wha's ye were." 

I doutna, auld horse, but ye try to explain 
'Your strange alter'd lot in some way o' your ain ; 
'And tho' ye had reason to guide ye, I fear 

'Twad be but sma' comfort ye'd fin' with it here; 
(For its puir consolation to man or to horse 
To ken that there's thousands as bad, if no' worse ; 

For mony proud humans, my auld horse, like thee, 

Hae to come down the hill, and draw coals ere they dee. 



120 



THE LIFE OF MAN 

IN youth our hearts are lighted up 
With hope's illusive beam, 
And earth is an enchanted place, 

And life a joyous dream. 
There's beauty underneath our feet, 

There's music in the air, 
There's glory in the heav'ns above, 
And rapture ev'rywhere. 

But time steals on with noiseless tread, 

And tho' the happy boy 
May feel a change, 'tis still to him 

A change from joy to joy. 
Then hopes of high achievements start, 

Of great things to be done, 
Of undiscovered treasures vast, 

Of battles to be won. 

The heroes of the present time 

Are paltry, poor, and small, 
He will go forth, and he shall be 

A hero worth them all. 
An' then what dreams of happiness, 

What visions rich and rare, 
What gorgeous tow'rs and palaces, 

What castles in the air ! 

Then love alights upon his heart, 

With all its joys and pains, 
His pulse beats madly, and the blood 

Is leaping in his veins. 
He sees but those love-beaming eyes, 

And all beside is dim, 
Oh, she is fair and beautiful ! 

Worth all the world to him. 



The Life of Man 121 

He drinks the strange, mysterious draught, 

The sweeter for its pain, 
And reels delirious with a joy 

He'll never taste again ; 
For time steals on, and oh, how soon 

His visions melt away, 
And clouds are low'ring in the sky 

While yet 'tis noon of day. 

And see, he sadly sits at last 

With children on his knee, 
As he would fain forget his cares 

Amid their mirth and glee ; 
But he must up, for he's the staff 

On which the helpless lean, 
And he will make their lot in life 

More blest than his has been. 

And there he sadly struggles on, 

A heavy-laden hack ; 
And oh, how often in the midst 

He's tempted to look back ! 
But time must not be wasted thus 

In unavailing tears, 
Or want will catch him in the vale, 

The gloomy vale of years. 

Now, see him bending on his staff ; 

His locks are thin and grey, 
And life, that was so bright before, 

Is all a winter's day ; 
And this new generation's ways 

He cannot understand : 
So changed is all, he feels himself 

A stranger in the land. 

And o'er the happy days of youth 

He will, he must repine, 
For oh, the world is nothing now 

To what it was lang syne ; 



122 The Life of Man 

And mem'ry's lamp is waning fast, 
With faint and fitful gleam 

The living and the dead are mixed 
Like phantoms in a dream. 

But childhood's streams are laughing yet, 

Its fields are fresh and fair, 
And now, a little boy again, 

The old man wanders there ; 
Then, feeble as a little child 

Upon its mother's breast, 
Resignedly he leans his head 

And sinks into his rest. 



THE SCOT 

Inscribed to James Bain, Esq., of the Public Library, Toronto 

A REAL enthusiast indeed, 
His heart is apt to tak' the lead, 
And get the better o' his heid, 

E'en for a myth, 

To ruin beyond a' remede 

Rins a' his pith. 

Doure as a door-nail he's indeed ; 
To change an item o' his creed 
Is tearing hair oot o' his heid 

He winna budge, 
Nor will he either drive or lead, 

But juist cry, " Fudge ! " 

And in his bonnet apt is he 

To hae some great big bummin' bee, 

Such as his Stuart loyalty, 

When hope is past ; 
Despite their stupid tyranny, 

True to the last. 



TJie Scot 123 

He's gi'en owre muckle to debating, 

And theologic speculating : 

On far-aff things he's contemplating, 

Lost in a trance ; 
To be, as said, watching, waiting 

For the main chance. 

If he'd but had the cunning gift, 
And kent the way to dodge and shift, 
And could tak' time to weigh and sift 

Ilk pile o' grain, 
Nae ither nation 'neath the lift 

Could haud its ain. 

A man o' passionate convictions, 
A mixture queer o' contradictions, 
Big, liberal, but wi' stern restrictions ; 

Yet, at the core, 
To a' mankind wi' benedictions 

His heart rins o'er. 

Instead o' cunning, deep and slee, 
An open-hearted chiel is he ; 
Excepting aye the barley bree, 

His fauts are few, 
And they are such as, a' may see, 

Springs frae what's true. 

And wheresoe'er ye find the Scot, 
In stately ha' or humble cot, 
Be sure the company he's got 

Are spirits rare 
Ye may depend that Burns and Scott 

Are always there. 

A lover o' the minstrel's lays, 

The very breath o' early days, 

And young love's hived-up memories 

Nae hert can tine, 
Are concentrated in his phrase 

O' auld lang syne. 



124 The Scot 

Nae dearer thing the Muse has brought 
Frae out the wondrous realms of thought, 
Wi' a' the heart's young feelings fraught, 

Than that one line, 
That to its heart the world has caught 
And ca'd divine. 

'Twas by nae deep and double art, 
Nae mere pretence or playing a part, 
That ever could to being start 

That living line ; 
'Twas from a loving people's heart 

Leapt " auld lang syne ! " 



WATCHERS ARE WEARY 

THE watchers are weary, the Night's long and dreary, 
The stars of our boyhood are faded and dim ; 
Our faith's sorely shaken, yet not all forsaken 

We sit 'mid the shadows all ghastly and grim. 
History's pages are red with the ages 

Of crime and of madness they blush to reveal 
Ages of chivalry, darkness and devilry, 

E'en from ourselves we are fain to conceal. 

With what avidity human stupidity, 

In its unreason, unconscious of shame, 
Sent heroes 'mid laughter into the hereafter, 

From prisons and gibbets, on couches of flame. 
But, 'mid our amazement at human debasement, 

What hosts of dead heroes start up to our view, 
Who here did inherit the very Christ-spirit, 

And came our weak faith in frail man to renew. 

For, sick of despising and mere theorizing, 

Men ask to be shown them the God-ordain'd way; 

Few so love the evil that straight to the devil 
They run for the sake of his pitiful pay. 



Watc/iers are Weary 125 

All good men are grieving o'er mutual deceiving, 
And long for the better way, could it be shown ; 

Men lack not affection, they need but direction 
How ancient iniquities may be outgrown. 

Aweary of warring, of hatred and jarring, 

Of mutual unhappiness, heart break and strife, 
Of old superstitions, and mutual suspicions, 

That poison the springs of the river of Life ; 
While Nature each morning the earth is adorning, 

And spreading beneath us her carpet of green, 
Despite the mad revels of gods, men, and devils, 

Some traces of Eden are still to be seen. 

Despite degradations, still men's aspirations 

Are ever ascending to regions on high ; 
Love's flow'rs are still growing, men's hearts still o'er- 
flowing 

With streams of affection that never run dry : 
Still o'er the babe sleeping the mother is keeping 

Her watch, never weary the winter night long ; 
Still fondly believing the tale Hope is weaving, 

She twines it in joy with her lullaby song. 

Sisters and brothers, how prejudice smothers 

The love that is in you and keeps you apart ! 
This mutual concealing and all double-dealing 

By Love and by Knowledge uproot from the heart. 
For, oh, in the darkness dense, big hearts in ignorance 

E'en with Love's yearning are often at strife : 
O dear human kindness, how oft in mere blindness 

Thou add'st to the burdens and sorrows of life ! 

Tho' strong are temptations and false educations 

To lead e'en the upright from virtue astray, 
Despite of all evil, we know that the devil 

Will surely be vanquish'd by Love in the fray. 
For, sick of despising and mere theorizing, 

Men ask to be shown them the God-ordain'd way; 
Few so love the evil that straight to the devil 

They run for the sake of his pitiful pay. 



126 



POESY 

ALL hail ! beloved Poesy, 
For dearer thou hast been to me 
Than light, and life, and liberty 

Soul of each scene 
Yea, the very breath of life, 
In the tumult and the strife, 
To me thou'st been. 

In life's lowest vale thou found'st me, 
Threw thy mystic spells around me, 
And with cords of love thou bound'st me, 

As magic strains 
Fill'd my soul with aspirations, 
While thy mystic incantations 

Cours'd thro' my veins. 

Currents of celestial fire 
All my spirit did inspire ; 
Ever mounting higher, higher, 

My spirit reeled. 
Yet I stood, amid the hum, 
Silent, stupefied, and dumb 
My lips were sealed. 

Dumb and baffled in the breach, 
Vainly did I try to reach 
After the celestial speech ; 

Thou took'st my hand, 
Then thou led'st me to the mountains, 
To the torrents and the fountains 

Of fatherland. 

Then first I felt those awful thrills, 
In presence of the soul that fills 
The great old everlasting hills 
That soul sublime, 



Poesy I27 



Forever calmly looking through 
The great o'erhanging arch of blue 
Down upon time. 

Then ev'ry rock and mountain hoar 
Were rooted in my bosom's core, 
And ocean, moaning evermore, 

Gave me no rest. 
Oh ! how those mighty waves did roll, 
And heave, and struggle in my soul 

To be expressed. 

And often, in thine awful moods, 
We scaled those star-lit altitudes, 
Where Wonder everlasting broods 

'Mong worlds sublime 
The planets in their mystic dance 
Astronomy, thou grand romance 

Of space and time ! 

On your wonders unexpounded, 
On your magnitudes unbounded, 
Gazing, till I grew confounded, 

I could only sigh ; 
For my intellectual pride 
Ruthlessly thou dash'd aside, 

For what was I ? 

Upon that sea without a coast, 

My own identity was lost, 

All stagger'd by a powerful host, 

Baffled, amazed ; 
And yet, tho' humbled by the view, 
My spirit wide and wider grew 

The more I gazed. 

Then Poesy, thou brought'st to view 
Forms ever beautiful and new, 
Fairer than aught that ever grew 
Upon this earth ; 



128 Poesy 

Seen only by the inner eye, 
Alighting from yon mystic sky, 
Their place of birth. 

What draughts of glory then were mine ! 
All Nature was indeed divine, 
I worshiped at no other shrine ; 

But yet I sought 
After something that I wanted, 
By a strange idea haunted, 

Hardly knowing what. 

Then thou did'st touch thy sacred lyre, 
And all my spirit didst inspire, 
Even with a holy fire, 

Diviner strains 
And saidst, " Behold the true sublime ; 
Look past the fleeting things of time 
To higher planes. 

" Worship Nature as of yore ; 
Love her in thy bosom's core ; 
But believe there's something more 

To souls is given. 
Be assur'd that Moral Duty 
Is the highest form of beauty 

In earth or heaven." 



129 



PAISLEY ABBEY 

ALL hail ! ye ruins hoary, 
Still stately in decay, 
Who rear'd your aisles and sacred piles, 

The michty in their day ? 
We boast of our achievement, 

We slight the ages mirk, 
Nor seem to ken the michty men 
Wha built this " Haly Kirk." 

And here the mitr'd abbots, 

In this their Abbey grey, 
For ages reign'd, till glory waned, 

The sceptre passed away. 
But still their spirits linger, 

And love to hover round 
('Mid all the change that seems so strange) 

On consecrated ground. 

The bell is toll'd by spectres ; 

At hour o' midnicht deep, 
Deid-lichts are seen the chinks between 

Where monks are lang asleep. 
Just as the moon is waning, 

And waefu' east wind raves, 
The abbots a' they heed the ca', 

And start frae lowly graves. 

Their ruin'd altar they surround, 

In robes of white array, 
For souls unblest, that canna rest, 

To kneel, to weep, and pray. 
Still, as she hears the summons, 

'Mid depth of Gothic gloom, 
The good old Queen, 12 with regal mien, 

Comes frae her altar tomb, 



130 Paisley Abbey 

To plead for the hapless friar, 

Condemn'd thro' countless years 
To weep and wail in the " Sounding Aisle," 

And echo all he hears. 
Then comes a kingly shadow 13 

The founder of this place 
And there he stands, with lifted hands 

Mute pleading for his race. 

He looks to good Saint Mirin ; M 

The Saint can only say, 
" They ne'er shall reign the land again, 

They've past like smoke away." 
Then slowly there arises 

A dim, a shadowy train. 
Of souls that still have taint of ill, 

The mark of earthly stain. 

And there are chiefs and barons 

Each heads an ancient line 
With sword and dirk that did their work 

In bluidy days lang syne. 
And these two wrathfu' spirits 15 

Like dark clouds hover near, 
Montgomery stern and proud Glencairn, 

Who kept the land in fear 

With their Maxwells and Skermorlies, 

Wha did ilk other kill. 
After a life of feud and strife 

They look defiance still ; 
Or they avoid each other, 

With mutual hate and dread ; 
Or meet and pass, as in a glass, 

But not a word is said. 

And there's the great Lord Sempill, 
Wi' the bard of old Belltrees, 16 

And Ranter Rab and Piper Hab, 
Wi' buckles at their knees. 



Paisley Abbey j-,\ 

The twa auld droothie croonies, 

They canna yet forget 
The song and tale to beef and ale 

They look wi' lang regret. 

There are the youthful gallants, 

The lords and ladies gay, 
That still must moan in confines lone, 

Till sins are wash'd away. 
A rueful band there they stand, 

Yet scarcely seem to know 
How licht o' love frae God above 

Should be their deadly foe. 

They wha destroy'd the Abbeys, 

And heap'd the priests wi' scorn, 
Ah, they've had time to rue their crime, 

They ne'er see licht o' morn. 
And there comes Jenny Geddes, 17 

And sits in lang deid sark 
On creepie stool the puir auld fool 

Sighs o'er that Sabbath's wark. 

For a' wha grace resisted 

A waefu' weird maun dree ; 
They come to plead that Kirk may speed 

The hour that sets them free ; 
While a' wee bairns unchristen'd 

Come to the font to greet, 
The cock does craw, then one and a' 

Pass aff on noiseless feet. 



132 



MY MOTHER 



THE clock in yonder old church tower 
Proclaims the midnight deep 
The time when spirits have the power 

To comfort those that weep. 
Dear mother ! from thy realm above 

Canst thou my sorrow see ? 
And still with all a mother's love 

Dost thou look down on me, 
While here I'm sitting all alone, 

Recounting scenes of yore, 
Till with thine ev'ry look and tone 

My heart is running o'er ? 

No form is present to mine eye, 

No voice salutes mine ear, 
And yet I feel, I know not why, 

Thy spirit's hov'ring near. 
This world became a solitude 

The day we had to part, 
For I've met none to whom I could 

Unbosom all my heart. 
It seems to me that thou, of all 

On whom the sun did shine, 
Hadst least of bitterness and gall, 

And most of the divine. 

Nor have I felt such holy joy 

As when, beside thy knee, 
A reverential little boy, 

I said my prayers to thee. 
And, oh, how oft in doubt and dread, 

On life's tempestuous sea, 
I've wish'd I could but lay my head 

Once more upon thy knee, 



My MotJier 133 

And tell thee, as of old, I ween, 

How life had gone with me, 
And how the things that should have been 

Were destin'd not to be. 

Oft as the length'ning shadows steal, 

At evening's holy hour, 
Then, mother, as of old, I feel 

Thy presence and thy power. 
I feel thee in the Sabbath calm, 

As if above me bending, 
I hear thee in the simple psalm 

That's to the heav'ns ascending. 
A voice that speaks, " Let troubles cease ! " 

Marshals the way before me ; 
The very canopy of peace 

Seems always hanging o'er thee. 

Tho' in this lower world of sense, 

By some mysterious law, 
Thou seem'dst to live in realms immense 

Of wonder, love and awe, 
It was a strange, mysterious thing, 

And not unmix'd with fear ; 
Thy very presence seem'd to bring 

The spirit-world more near. 
'Twas joy to watch how high the wave 

Of love and hope could rise, 
By looking in thy solemn, grave, 

And meditative eyes. 

The deeds that elevate our kind, 

Through strength of Love or Will, 
They seem'd in passing through thy mind 

To grow more lovely still. 
When some heroic deed was done, 

Despite the world's disgrace, 
Some battle for the right was won 

Which honor'd all our race ; 



134 My Mother 

The words which then fell from thy tongue 
Seem'd born of inspiration 

That with a veil of glory hung 
O'er visible creation 

And taught my op'ning soul to feel 

The power of moral beauty, 
To walk erect, and never steal 

Along the line of duty. 
How strange thou wert condemned by God 

To travel all alone, 
Along a rough and weary road, 

For errors not thine own ! 
Ah ! nature all grew dark and drear 

When death seal'd up thine eye, 
And when I whispered in thine ear 

And thou gav'st no reply. 

And as I knelt beside thy bier 

Sad were the tears I shed ; 
Something within distinct and clear 

Said, " Mother is not dead! " 
Which roused me up, as from a sleep, 

From scales my vision freeing, 
And gave my soul a wider sweep, 

And broaden'd out my being. 
Oh, how my spirit did expand 

Things never felt before, 
And thoughts magnificent and grand, 

Rush'd in at every pore, 

And gave to me a perfect faith, 

A blest assurance sweet, 
That there's a region after death, 

Where we again shall meet ; 
That, when upon this earthly plain 

My weary race is run, 
That we indeed shall meet again 

As mother and as son ! 



My Mother 135 

For 'twould not be a heav'n to thee, 

Nor yet to me, dear mother, 
If there that we could never see 

And recognize each other. 

Oh, tell me ! shall we have once more 

Those simple, homelike feelings 
We cherish'd so in days of yore, 

With all their heart revealings ? 
Oh, tell me ! are the dear ones there 

To whom love's tie has bound us ? 
And are they still as dear and fair, 

And aye to be around us ? 
Recounting over all the past, 

The bud, the bloom, the blight, 
Together dwelling all at last 

By rivers of delight. 



A VISION OF BOYHOOD 

OH, MEM'RY, that ne'er lets the weary alane, 
Keeps aye looking back owre the lang dreary main, 

And, ere I'm aware, 

I'm a laddie aince mair, 
Wi' a' my wee cronies aroon' me again ; 
Aince mair in the land o' the bonnie green braes, 
O' lovely May mornings, and lang simmer days, 

O gowans in show'rs, 

O' lang gloamin' hours, 
A land that's a' ringin' wi' legends and lays. 

And oh, what a happy wee fairy-like train 

As e'er ranged the woodland, the mountain, and plain ! 

We're aff to the nooks 

Whaur the wee burnie jouks, 
Mair happy than gin a' the earth were oor ain. 



136 A Vision of Boyhood 

The cuckoo's proclaiming the presence o' spring, 
The blackbird and mavis gar a' the woods ring, 

And green linties hover, 

And peesweep and plover, 
And lav'rocks are singing aloft on the wing. 

And there, in the sough o' the lane waterfa', 
Among the fresh blooms o' the rowan and haw, 

The auld Castle hoary 

Is telling its story 
O' lords and o' leddies a' deid an awa'. 
We ken the wee wildings o' every hue 
That glint 'mang the green grass a' wat wi' the dew ; 

The forms and the features 

O' a' the glad creatures 
That, free and unfetter'd, range a' the wood through. 

And oh ! wi' what joyous and wild beating breasts 
We speel the old yews wi' the cusha-doos' nests, 

Or by the fauld dyke 

Hunt the foggy-bee's 6 byke, 
And never a' day lang a moment at rest. 
We follow the Spring as she scatters her fiow'rs, 
And oh, hoo we revel amang the green bow'rs ! 

Nae care to pursue us, 

The pines nodding to us, 
While Time joins the dance o' the loud laughing hours, 

Till the shadows o' gloaming aroun' us deep fa', 
And the corncraik's beginnin' to set up her ca', 

And the wee bleery mole 

Peepeth oot o' his hole, 
And the bat on the wing comes to warn us awa'. 
Then hameward we gang 'neath the licht o' the mune, 
Wha sails in her ocean o' azure abune, 

Wi' sic love in her face 

As if earth were a place 
Where there never could be ony sorrow or sin. 18 



A Vision of Boyhood 137 

Then we liv'd nearer heaven's great arching o' blue ; 
Then surely the heart was mair tender and true, 

For we crush down the heart 

Wi' our science and art, 
Till we lose a' the glory o' life's early dew. 
But I wake frae my vision, and oh ! it seems vain, 
For ah, tho' we crossed owre the wearifu' main, 

Yet we couldna bring back 

Our young herts owre the track, 
Sae we'll never return to our Eden again. 



i33 



<SongB anil jSallatis 



LOVE 

WE'VE muckle to vex us, puir sons o' a day, 
As we journey along on life's wearisome way ; 
But what are the troubles with which we're opprest, 
If Love makes our bosoms the hame o' her rest ? 

When Love lichts the hearthstane, there's joy in the ha', 
And a sunshiny streak on ilk bosom doth fa'; 
The ingle blinks blither, affections increase, 
And the cottage she turns to a palace o' peace. 

Where'er she approaches, a' hearts grow sincere ; 
She hallows a' places, mak's ev'ry spot dear; 
For wrang canna breathe in the sphere o' her grace, 
And Hate flees awa' frae the licht o' her face. 

Where'er she approaches, where'er she appears, 
She cames aye to comfort, and wipe awa' tears, 
To help on the weary and lichten their load, 
And cheer them wi' sans;s on their wearisome road. 



';-,- 



And oh ! her sweet smile mak's the fallen look up ; 
It's the ae blessed drap in their sorrowfu' cup ! 
Then oh, may this heart o' mine never grow sear ! 
Oh, let me, 'bune a' things, hold somebody dear ! 

Oh ! leave me but Love tho' my roof-tree should fa', 
And the gear we hae gather'd tak' wings an' awa' 
For riches and grandeur, the things we haud dear, 
Are a' but vain glories that die wi' us here ; 
But Love burns the brichter wi' our parting breath, 
And lichts us at last thro' the valley o' Death. 



139 



CURLING SONG 

WHEN winter comes to bridge the flood, 
And, wi' his icy nieve, 
Tak's kings and cobblers by the beard, 

And never asks their leave ; 
Yet while sae bauld, wi' grip sae cauld, 

He fills their hearts wi' gloom, 
He brings a joy without alloy 
To Brothers o' the Broom. 

Chorus : 

While daidlin' bodies stay at hame, 

On ills o' life to think, 
Be ours to join the merry game 

Upon the roaring rink. 

Then loud or lowne may winter blaw ! 

For in the jovial strife 
Its sic a pleasure but to draw 

The very breath o' life : 
When, like a flood, the bounding blood 

Through eve'ry vein doth pour ; 
And keen and tense is ev'ry sense 

Amid the wild uproar. 

For in this strife the wave o' life 

Mounts to its heichest score, 
And vim and nerve that never swerve 

A' mankind maun adore. 
And there and then a' meet as men, 

To prove what each is worth, 
And this the test that sets at rest 

The cant o' blood and birth. 

For on the rink distinctions sink, 

An' caste aside is laid ; 
Whate'er ye be, the stane and tee 

Will test what stuff ye're made. 



140 Songs and Ballads 

And this the school to teach the fool 
That only nerve and mind, 

Acquired skill, and stubborn will, 
Are leaders o' mankind. 

Not in the arm resides the charm 
Your very weight o' brain, 

Your ev'ry bit o' native grit, 
Maun a' gang wi' the stane : 

Wha crowns the tee shall bear the gree, 
As in life's roaring game. 

And, while contending for the prize, 

Tho' rous'd as by the fife, 
Somehow we learn to humanize 

The battles o' oor life. 
Sae time that's pass'd upon the rink, 

In this delightful strife, 
I often think the happy blink, 

Worth a' the rest o' life. 



MARY WHITE 

D'YE mind o' the lang simmer days, Mary White? 
When we gaed to the auld Partick braes, Mary White ? 
When I pu'd the wild gowans, and wi' a delight 
I hung them in strings roun' thy neck, Mary White ? 

D'ye mind o' the song ye wad raise, Mary White ? 
The song o' sweet "Ballenden Braes," Mary White? 
It couldna be love, but a nameless delight, 
That thrill'd through my bosom, my dear Mary White ! 

Oh, that was a sweet happy time, Mary White ! 
I've ne'er had sic moments since syne, Mary White, 
When we look'd at ilk ither, and lauch'd wi' delight, 
And hardly kent what for, my dear Mary White. 



Mary White 141 

We were young, we were happy, indeed, Mary White ; 
Noo care's strewn grey hairs on my heid, Mary White ; 
My hopes hae a' wither'd, wi' sorrowfu' blight, 
But still ye are green in my heart, Mary White ! 

And oh ! do ye e'er think on me, Mary White ? 
Ah ! then does the tear blin' your e'e, Mary White ? 
Or hae ye lang waked frae that spell o' delight, 
And left me still dreaming, my dear Mary White ? 

It's often I think upon thee, Mary White, 
For still thou art dear unto me, Mary White ; 
For a' that this heart has e'er kent o' delight 
Was nocht to the moments wi' thee, Mary White ! 

Do ye 'mang the leevin' still bide, Mary White ? 
Or hae ye cross'd owre the dark tide, Mary White ? 
Oh ! how this auld heart wad yet loup wi' delight 
Could I again see thee, 19 my dear Mary White ! 



SING ME THAT SANG AGAIN 20 

SING me that sang again ! 
Oh, how that lang refrain 
Thrills thro' my heart till my bosom o'erfiows, 

And gars my ears tingle, 

For those voices mingle 
That lang hae been hush'd in a voiceless repose. 

Sing me that sang again ! 

Oh, that beloved strain 
Fills a' my heart and brain wi' a joy rare ; 

Wafts me across the main, 

By the burnside again, 
Laps me in peace 'mang the gowans ance mair. 



142 Songs and Ballads 

With heart still unwounded, 

With faith still unbounded, 
Entranced with the beauty o' earth and o' sky, 

No dark clouds are brooding, 

No dark doubts intruding, 
That knock at the heart for an instant reply. 

Sing me that sang again ! 

Blest be that magic strain ! 
One other draught o' its spirit divine 

Pour into mem'ry's cup ! 

Oh, let me drain it up, 
Yea, with the rapturous joy o' lang syne ! 



MY LOVE IS LIKE THE LILY FLOWER 

MY love is like the lily flower 
That blooms upon the lea : 
I wadna gie ae blink o' her 
For a' the maids I see. 

Her voice is like the bonnie bird's, 
That warbles 'mang the bow'rs, 

Her breath is like the hawthorn when 
It's wat wi' morning show'rs. 

And frae the gowans o' the glen 
She's caught her modest grace, 

And a' the blushes o' the rose 
Hae leapt into her face. 

She bears aboot, I kenna hoo, 

The joy o' simmer days, 
The voice o' streams, and happy dreams 

Amang the broomy braes. 



My Love is Like tJie Lily Flower 143 

And when the bonnie lassie smiles 

Sae sweetly upon me, 
Nae human tongue can ever tell 

The heav'n that's in her e'e. 

And a' the lee-lang simmer day 

I'm in a dream divine, 
And aye I wauken but to wish, 

Oh, were the lassie mine ! 



WE'RE A' JOHN TAMSON'S BAIRNS 21 

OH, come and listen to my sang, 
Nae matter wha ye be, 
For there's a human sympathy 

That sings to you and me ; 
For, as some kindly soul has said, 

All underneath the starns, 
Despite o' country, clime, or creed, 
Are a' John Tamson's bairns. 

The higher that we clim' the tree, 

Mair sweert are we to fa', 
And spite o' fortune's heights and houghs, 

Death equal-equals a'; 
And a' the great and mighty anes, 

Wha slumber 'neath the cairns, 
They ne'er forgot, tho' e'er so great, 

We're a' John Tamson's bairns. 

Earth's heroes spring frae high and low, 

There's beauty in ilk place, 
There's nae monopoly o' worth 

Among the human race ; 
And genius ne'er was o' a class, 

But, like the moon and starns, 
She sheds her kindly smile alike 

On a' John Tamson's bairns. 
10 



144 Songs and Ballads 

There's nae monopoly o' pride 

For a' wi' Adam fell 
I've seen a joskin sae transform'd 

He scarcely kent himsel'; 
The langer that the wise man lives, 

The mair he sees an' learns, 
And aye the deeper care he takes 

Owre a' John Tamson's bairns. 

There's some distinction, ne'er a doubt, 

'Tween Jock and Maister John, 
And yet its maistly in the dress, 

When ev'rything is known ; 
Where'er ye meet him, rich or poor, 

The man o' sense and hams, 
By moral worth he measures a' 

Puir auld John Tamson's bairns. 

There's ne'er been country yet, nor kin, 

But has some feeble flaw, 
Yet he's the likest God abune 18 

Wha loves them ane and a' ; 
And after a' that's come and gane, 

What human heart but yearns 
To meet at last in light and love 

Wi' a' John Tamson's bairns. 



THE FLOWER OF THE SPEED 

WHERE Speed rolls her waters 
Away to the lake, 
Through quiet green pastures 

And tangled wood brake, 
There lives a fair maiden 

A monarch might own 
Yea, pledge for her favor 
His kingdom and throne. 



The Flower of the Speed 145 

No cold marble beauty, 

No angel, is she, 
But a sweet mortal maiden 

Who smiles upon me ; 
A creature of feeling, 

Of hopes and of fears, 
Of joys and of sorrows, 

Of smiles and of tears. 

She's fair as the gowan 

On Scotia's green braes, 
And dear as the mem'ry 

Of youth's happy days ; 
Her ringlets are golden, 

Her eyes are of blue, 
And the heart in her bosom 

Is tender and true. 

That bosom's a fountain 

Of thoughts pure and fair, 
And the streams of affection 

Are aye gushing there ; 
And long by that fountain 

May peace spread her wing, 
And joy love to linger, 

And hope love to sing. 

And ne'er may she sigh 

O'er affection's decay. 
O'er loves and o'er friendships 

All faded away ; 
And faithful the lover 

Who's favor'd to lead 
To love's holy altar 

The Flow'r of the Speed. 



146 



Songs and Ballads 



JEANIE'S LOCKS 



OH, Jeanie's locks are like the gowd, 
Her bosom's like the snaw, 
Her breath is sweet as ev'nin' winds 

That 'mang the vi'lets blaw. 
Her e'e is o' the lift abune, 
A clear unclouded blue, 
An' no' a streak o' sorrow yet 
Upon her bonnie broo. 

Like blebs o' dew the blessed words 

Aye frae her lips do fa' ; 
She's artless as the little birds 

That warble in the shaw. 
Oh, had I but an humble cot 

By Cartha's murm'rin' stream, 
Hoo happy then wad be my lot 

Were she that cottage queen ! 

Her faither is a belted knight, 

An' I'm a widow's son ; 
Was ever love in sic a plight, 

Or sic a leddy won ? 
I daurna tell the love I feel, 

And ne'er a hope I've got ; 
But tho' she never can be mine, 

Still happy be her lot. 

An' oh, may sorrow never light 

Upon a thing sae fair, 
An' never, never falsehood blight, 

Nor cloud her broo wi' care ; 
But, like the little bird that sings 

The lee-lang simmer day, 
With joyous dreams o' happy things 

May her life glide away. 



147 



JOHNNY KEEPS THE KEY O'T 

MY heart is lock'd against the lads, 
'Tis little they can see o't : 
They needna try its springs to pry, 
For Johnny keeps the key o't. 

Auld Aunty says I scorn them a', 
And that I shouldna do it, 

For lang ere Em as auld as she 
I chance may sairly rue it. 

She says Em but a pridefu' queen, 
My heart, I've nane to gie o't ; 

But little, little does she ken 
That Johnny keeps the key o't. 

For scorn Em surely no to blame, 
There's nane o' them will dee o't, 

But oh, ma hert is no ma ain, 
For Johnny keeps the key o't ! 



CHARLOCH BAN* 

*T^HE simmer birds are gane, 
- They're awa' across the main, 
Yet I rove the woods alane, 

Charloch Ban, Charloch Ban. 

You promis'd you'd be here 
When the autumn leaf grew sear, 
And ah ! noo its winter drear, 

Charloch Ban, Charloch Ban. 



* Fair Charlie. 



148 Songs and Ballads 

Oh, then you were my pride, 
By the green Glengarry side, 
When you said I'd be your bride, 
Charloch Ban, Charloch Ban. 

You were a joy to see, 

Wi' your tartans waving free, 

And the garters at your knee, 

Charloch Ban, Charloch Ban. 

Joy hung o'er wood and lake, 
And the blackbird in the brake 
Sang far sweeter for your sake, 

Charloch Ban, Charloch Ban. 

Joy had a sweeter beam, 
There was gladness in the stream, 
Oh, the world was all a dream, 
Charloch Ban, Charloch Ban. 

Now winds are howling loud 
Through the weary winter's cloud, 
And the world is all a shroud, 

Charloch Ban, Charloch Ban. 



LOVELY ALICE 

AWAKE, lovely Alice, the dawn's on the hill, 
The voice of the mavis is heard by the rill, 
The blackbird is singing his song in the brake, 
And the green woods are ringing awake, love, awake ! 

The wild rose is blushing, the pea is in bloom, 
The zephyr is brushing the long yellow broom ; 
But thy voice is far sweeter than bird's on the tree, 
And joy is far deeper, sweet Alice, with thee. 



Lovely Alice 149 

The voice of lone Locher comes mellow and sweet, 
But sweeter to me were the fa' o' thy feet ; 
The hawthorn is hoary and rich with perfume, 
But thou art the glory of nature in bloom. 

Far deeper the joy, love, would nature impart 
Were I but the lord of thine innocent heart ; 
And 'neath fortune's malice I ne'er would repine, 
Wert thou, lovely Alice, oh, wert thou but mine ! 



WOMAN 



THERE'S nothing that the world calls fame, 
There's no reward or prize, 
That can be gain'd like what is rain'd 

From lovely woman's eyes. 
The snob may cry, " Oh, fie ! Oh, fie ! " 

And threaten hard to stone us : 
" A fig ! " we cry, while Jeanie's eye 
Is raining blessings on us. 

Ambition strong doth prompt man on, 

But woman's nobler far : 
She's prompted on by Love alone, 

Her spirit's guiding star. 
How oft our hearts would fail within, 

When hard the path of duty, 
But 'mid the din we're roused to win 

The smiles of Love and Beauty. 

Their smiles can make the weakest strong, 

The coward can inspire, 
And even fill the poet's song 

With pure celestial fire ; 



150 Songs and Ballads 

Oft we'd have struck to coward fear, 
Had ignorance o'erthrow us, 

If there had been nae bonnie Jean 
To show'r her blessings on us. 

Dear woman's still Misfortune's shield ! 

The last one to forsake 
The vanquish'd on the battle-field, 

The martyr at the stake. 
Then let the mob of sneak and snob 

Still in its wrath disown us, 
"A fig ! " we cry, while Jeanie's eye 

Is raining blessings on us. 






LADY JANE 

THERE'S no in bonnie Scotland's isle 
A matr enchanting scene 
Than Castle Sempill's waving woods 

And lovely lawns o' green ; 
And yet the heiress o' them a' 

Is pressed wi' grief and pain 
They canna get a smile ava 
Frae bonnie Lady Jane. 

For they wad hae her wed a knicht, 

While ane o' laich degree 
Is far, far dearer to her hert, 

The aipple o' her e'e. 
And they wad hae her wed the knicht 

For titles and domain, 
They reckna tho' the hert they brak 

O' bonnie Lady Jane. 



Lady Jane J 5 * 

There's no an humble cottage maid 

But's blither far than she ; 
The lowest in their wide domain 

Has nae sic weird to dree. 
As day fades o'er the Arran hills 

She wanders a' her lane 
To sigh beside the murm'ring rills 

Wae's me for Lady Jane ! 

Her bridal robes they hae prepared, 

And joy is in the ha', 
But, like a startled midnicht ghaist, 

She glides frae 'mang them a'. 
The rose is fading frae her cheek, 

Her lichtsome hert is gane ; 
They soon maun weave a winding-sheet 

For bonnie Lady Jane. 



152 



Ifcttuxe flotms 



PROLOGUE 

NATURE always to my sight 
Was a passionate delight ; 
Even in my childhood, she 
Was a wondrous mystery. 
But I'd reach'd life's mountain-top, 
Turn'd to take the downward slope, 
Ere her secrets were reveal'd 
And my inner eye unseal'd. 
Then I first began to see, 
E'en from flow'r and stone and tree, 
Strange eyes looking out on me. 
Next, with trembling joy and awe, 
Mighty forms and shapes I saw 
Saw the Spirit of the Hills 
Wand'ring by the mountain-rills ; 
Heard the Spirit of the Waves 
Moaning in the sea-girt caves ; 
Heard the Maidens of the Deep 
Rock the billows all to sleep, 
With their songs, pure, undefiled, 
As a mother rocks her child. 
Still these anthems, moaning, roll 
Through the caverns of my soul, 
With the long-drawn heave and sweep 
Of the great unfathom'd Deep. 

Yes, Nature, for thy still retreats 
How oft I left the busy streets ! 
And oh, how often from the jar 
Of creeds I fled to thee afar ! 



Prologue 153 

Starving for spiritual food 
I sought the desert solitude : 
When head and heart were all at strife, 
I found therein the bread of life. 
Thy temples all are unprofaned 
By prejudice, nor passion-stain'd. 
Yes, Nature, yes ! thine is the road 
That leads directly up to God. 1 " 



18 



Of those sweet Sabbaths of the heart 
Should these, my lays, some taste impart 
To parch'd souls, pent in cities vast, 
To spirits weary and downcast, 
I would rejoice, e'en with such joy 
As when, a happy little boy, 
On May-day morn, among the dew, 
I welcom'd in the first cuckoo. 



GOD 



HAIL, Thou great mysterious Being ! 
Thou, the unseen yet All-seeing, 
To Thee we call. 
How can a mortal sing thy praise, 
Or speak of all thy wondrous ways, 
God over all ? 

God of the great old solemn woods, 
God of the desert solitudes 

And trackless sea ; 
God of the crowded city vast, 
God of the present and the past, 

Can man know Thee ? 

God of the blue vault overhead, 
Of the green earth on which we tread, 
Of time and space ; 



154 Nature Poems 

God of the worlds which Time conceals, 
God of the worlds which Death reveals 
To all our race. 

God of the glorious realms of thought, 
From which some simple hearts have caught 

A ray divine ; 
And the songs which rouse the nations, 
And the terrible orations, 

Lord God, are thine. 



*j 



All varied forms of beauty rare 

That toiling genius molds with care 

Yea, the sublime 
Those sculptured busts of joy and woe 
By Thee were fashion'd, long ago, 

In that far clime. 

Far above earth, and space, and time, 
Thou dwellest in Thy heights sublime ; 

Beneath Thy feet 
The rolling worlds, the heavens, are spread 
Glory infinite round Thee shed, 

Where angels meet. 

From out Thy wrath the Earthquakes leap 
To shake the world's foundations deep, 

Till Nature groans ; 
In agony the Mountains call, 
And Ocean bellows throughout all 

Her frighten'd zones. 

But where Thy smile its glory sheds, 
The lilies lift their lovely heads, 

And the primrose rare ; 
And the daisy, deck'd with pearls 
Richer than the proudest earls 

On their mantles wear. 



God 155 

These, thy preachers of the wild-wood, 
Keep they not the heart of childhood 

Fresh within us still ? 
'Spite of all our life's sad story, 
There are gleams of Thee and glory 

In the daffodil. 

Nature's secret heart rejoices, 
And the rivers lift their voices, 

And the sounding sea ; 
And the mountains, old and hoary, 
With their diadems of glory, 

Shout, Lord, to Thee ! 

Yet, tho' Thou art high and holy, 
Thou dost love the poor and lowly 

With love divine. 
Love infinite ! love supernal ! 
Love undying ! love eternal ! 

Lord'God, are thine ! 



FAR IN THE FOREST SHADE 

FAR in the forest shade, 
Free as the deer to roam, 
Where ne'er a fence was laid, 
I'll search me out a home. 
I love not cities vast, 

Where want and wealth abide, 
And all extremes are cast 
To jumble side by side. 

Far in the leafy woods, 
Beside the lonely stream, 

Where avarice ne'er intrudes 
Her snorting car of steam ; 



156 Nature Poems 

Give me the cabin rude 
Of unhewn beechen-tree, 

And one both fair and good, 
With heart that beats for me. 

Away with pictured walls 

Of gaudy banquet-room ! 
Give me the great green halls, 

With wild-fiow'rs all in bloom, 
Where tow'rs the oak sublime ; 

Where, in the forest shade, 
Man talk'd with infant Time 

Ere he had cities made. 

Devotion's heart will rush 

To God in any scene ; 
Hast heard that awful hush, 

In temples arch'd with green, 
Where Tempest-Spirit speaks, 

Where ev'ry leaf's a tongue, 
Where the pine's great bosom shrieks, 

While million arms are swunc; ?" 



*& 



There's joy in cultured vales, 

In dewy dells of green ; 
Peace like a spirit sails 

High in the blue serene ; 
A spirit haunts the hills, 

A soul, the roaring sea ; 
But awe the bosom fills, 

O great old woods, in thee. 



i57 



THE HALL OF SHADOWS 

THE sun is up, and through the woods 
His golden rays are streaming ; 
The dismal swamp and swale so damp 

With faces bright are beaming. 
Down in the windfall by the creek 

We hear the partridge drumming, 
And strange bright things on airy wings 
Are all around us humming. 

The merry schoolboys in the woods 

The chipmunk are pursuing, 
And, as he starts, with happy hearts 

They're after him hallooing. 
The squirrel hears the urchins' cheers 

They never catch him lagging 
And on the beech, beyond their reach, 

Hear how the fellow's bragging ! 

The red-bird pauses in his song, 

The face of man aye fearing, 
And flashes like a flame along 

The border of the clearing. 
The humming-bird above the flow'r 

Is like a halo bending, 
Or like the gleams we catch in dreams, 

Of heav'nly things descending. 

List to the humming of the bee 

Among the tufted clover ! 
This day, like thee, I'll wander free, 

My little wildwood rover ! 
Through groves of beech and maple green, 

And pines of lofty stature, 
By this lone creek once more we'll seek 

The savage haunts of nature. 



158 Nature Poems 

See ! there a noble troop of pines 

Has made a sudden sally, 
And all, in straight unbroken lines, 

Are rushing up the valley ; 
Now round about that lonely spring 

They gather in a cluster, 
Then off again, till on the plain 

The great battalions muster. 

And there the little evergreens 

Are clust'ring in the hollows, 
And hazels green with sumachs lean 

Among the weeping willows ; 
Or sit in pride the creek beside, 

Or through the valley ramble, 
Or up the height in wild delight 

Among the rocks they scramble. 

And here a gorge all reft and rent, 

With rocks in wild confusion, 
As they were by the wood-gods sent 

To guard them from intrusion ; 
And gulfs all yawning wild and wide, 

As if by earthquakes shatter'd ; 
And rocks that stand, a grizzly band, 

By time and tempest batter'd. 

Some great pines, blasted in their pride, 

Above the gorge are bending, 
With rock elms from the other side 

Their mighty arms extending ; 
And midway down the dark descent 

One fearful hemlock's clinging 
His headlong fall he would prevent, 

And grapnels out is flinging. 

One ash has ventured to the brink, 
And tremblingly looks over 

That awful steep, where shadows sleep, 
And mists at noonday hover. 



The Hall of Shadows 159 

But farther in the woods we go, 

Through beech and maple alleys, 
'Mid elms that stand like patriarchs grand 

In long dark leafy valleys. 

Away! away from blue-eyed day, 

The sunshine and the meadows, 
We find our way at noon of day 

Within the Hall of Shadows. 
How like a great cathedral vast, 

With creeping vines roof'd over, 
While shadows dim, with faces grim, 

Far in the distance hover 

Among the old cathedral aisles, 

And gothic arches bending, 
And ever, in the sacred piles, 

The twilight gloom's descending. 
Yet, let me turn where'er I will, 

A step is aye pursuing ; 
And there's an eye upon me still 

That's watching all I'm doing. 

And in the centre there's a pool, 

And by that pool is sitting 
A shape of Fear, with shadows drear, 

Forever round her flitting. 
Why is her face so full of woe, 

So hopeless and dejected ? 
Sees she but there, in her despair, 

Naught but herself reflected ? 

Is it the gloom within my heart, 

Or ling'ring superstition, 
Which draws me here three times a year 

To this weird apparition ? 
I cannot tell what it may be : 

I only know that seeing 
That shape of Fear draws me more near 

The secret Soul of Being. 



11 



160 Nature Poems 



INFINITE 

PART I 

LT NBAR the gates of eye and ear, 
' Lo, what a wondrous world is here ! 
Marvels on marvels still appear 
Infinite ! 

Great Mother, by whose breast we're fed, 
With thy green mantle round thee spread, 
The blue vault hanging o'er thy head 
Infinite ! 

Why wert thou into being brought ? 
How were thy forms of beauty wrought ? 
Thou great upheaval of a thought 
Infinite ! 

That scoop'd the vales where dew distils, 
That led the courses of the rills, 
And fix'd the everlasting hills 
Infinite ! 

That call'd from darkness bright-eyed Day, 
Baptized it with a heav'nly ray, 
And sent it on its endless way 
Infinite ! 

Ye waves that lash the hoary steep, 
Ye mighty winds with boundless sweep, 
Great courses of the trackless deep 
Infinite ! 

And you, ye streamlets on your way, 
Tho' laughing all the summer's day, 
Ye only sing, ye only say 
Infinite ! 



Infinite \ 6 1 

Sweet linnet singing on the lea, 
Wild lark in heaven's wide azure sea, 
The burden of your strain's to me 
Infinite ! 

Lov'd violets 'neath my feet that lie, 
Sweet hare-bells, can you tell me why 
Your beauty only makes me sigh ? 
Infinite ! 

Thou wild rose blooming on the tree, 
Ye daisies laughing on the lea, 
Sweet fiow'rs, your message is to me, 
Infinite ! 

This dust's to spirit strangely wed, 
'Tis haunted ground on which we tread, 
The living stranger than the dead 
Infinite ! 

A Presence fills the earth and air, 
Bends o'er us when we're not aware, 
And eyes look on us ev'rywhere 
Infinite ! 

Earth, Ocean, Air, Heaven's azure sea, 
Oh, ye have always been to me 
A marvel and a mystery 
Infinite ! 

PART II 

Unbar the gates of eye and ear, 
Lo, what a mystic world is here ! 
The heights of hope, the depths of fear- 
Infinite ! 

Ye wise ones, can ye tell me nought 
About this magic web of thought, 
Or of the loom on which 'tis wrought ? 
Infinite ! 



1 62 Nature Poems 

Ye strange, ye sacred human ties, 
A mighty marvel in you lies, 
A wondrous world of tears and sighs 
Infinite ! 

This human love, so deep, so vast, 
Ye sympathies which run so fast, 
And bind the future with the past 
Infinite ! 

Ye magic cords, where were ye spun ? 
Ye strange affinities that run, 
And warp the mystic web in one 
Infinite ! 

Love's sacred fires, Grief's burning tears, 
Faith's holy hope, and Doubt's dark fears, 
Spring from a fount beyond the spheres 
Infinite ! 

But who the secret clue can find 
Of all the avenues which wind 
Up to thy throne, immortal Mind ? 
Infinite ! 

In the Soul's presence who are great ? 
The wisest ones can but translate 
Some passing look, some word of Fate 
Infinite ! 

Who'll take the measure or the bound ? 
No line of ours can ever sound 
The fathomless, the great profound 
Infinite ! 

Oh, were I but from self set free, 
The Spirit then might speak through me 
Of all this deep unfathom'd sea 
Infinite ! 



163 



AWFUL SPIRIT 

GOD ! who can Thee comprehend ? 
Without beginning, without end ; 
With no future, with no past ; 
Ever present, first and last ; 
In the great, as in the small, 
Omnipresent, " All in All ! " 
Nature's ramparts hill and rock 
Men's great cities pass like smoke ; 
Time and Nature shrink away, 
But Thou knowest no decay : 
All shall perish 'neath the sun 
Thou art the Eternal One ! 
In thine everlasting now, 
Awful Spirit ! What art Thou ? 

At Thy works, so great and vast, 
Speculation stands aghast ; 
Ev'rywhere infinite might, 
Height still tow'ring over height, 
Far beyond mind's utmost sweep, 
Deep still yawning under deep, 
Heav'n above, earth rolling under, 
All is wonder piled on wonder. 
Wisdom ! glory ! power unbounded ! 
Until reason stands confounded. 
What of Thee can mortals say ? 
Silence is for things of clay. 
Still we ask the " whence and how " ? 
Awful Spirit ! What art Thou ? 

Artists ne'er can represent 
Thy o'erhanging firmament, 
Or the Morn, in robes of glory, 
Walking on the mountains hoary ; 
When the shadows hear Thy voice, 



164 Nature Poems 

And the awful hills rejoice, 
With their peaks, in purple dyed, 
In Thy smile all glorified. 
Who can bring to soul or sight 
Thy unfathom'd gulfs of Night ? 
Or the awful shadowy Pow'r, 
Looking through the midnight hour, 
When Repentance makes her vow ? 
Awful Spirit ! What art Thou ? 

How can poet catch the tune, 
Rising from Thy groves at noon, 
When each leaf and flow'ret sings 
Of unutterable things ? 
Who can note the full-heart strains 
Swelling from Thy forest-fanes, 
Or the thunder and the leap 
Of the torrents down the steep, 
Or the laughter of the rills, 
Or the silence of the hills, 
Or divine the soul that broods 
O'er Thine awful solitudes ? 
Or the calm on Ocean's brow ? 
Awful Spirit ! What art Thou ? 

Turn we wheresoe'er we will, 

Thou, O God ! art with us still : 

We are never all alone, 

There's a Presence in each stone ; 

All the air is full of eyes 

Looking on us with surprise ; 

Sympathies run ev'rywhere ; 

Thoughts are hurrying through the air, 

Bringing near related souls, 

Tho' asunder as the poles ; 

Marvel upon marvel ! still 

Miracle on miracle ! 

More than proud man will avow. 

Awful Spirit ! What art Thou ? 



Awful Spirit 165 

Yet Thine ancient bards have brought 
Wonders from Thy realms of thought ; 
With their weird and wizard spells 
They have wrought their miracles, 
Started forms which make us start, 
Things immortal as Thou art ! 
But those wondrous works divine, 
Great Immaculate, are Thine ! 
Awful things the prophets saw 
In their ecstasies of awe, 
In the body laid asleep, 
Sailing the eternal deep ; 
Faith the helm and Hope the prow 
Awful Spirit ! What art Thou ? 

Dreamer vain and Pantheist 

May define Thee as they list ; 

As in childhood we would rather 

Look up to Thee as " Our Father,"- 1 

High in Heaven, Thy holy city, 

Looking down in love and pity 

On thy sons of fiery clay, 

Fighting out life's tragedy. 

We believe, " Almighty Father," 

Thou shalt all Thy children gather, 

Where the light eternal flows, 

And no wand'rer asks " Who knows ? " 

Seeing not as we see now 

Awful Spirit ! What art Thou ? 



1 66 Nature Poems 



THE PINES 



I'M free at last from cities vast, 
And off to running brooks, 
'Mong savage woods and roaring floods, 

And Nature's glorious nooks ! 
The branches spread above my head, 

Beneath the woodbine twines ; 
All hail, again, your blue domain, 
Great brotherhood of pines ! 

Untouch'd by time, ye tow'r sublime, 

Aloft in rocky steep ; 
Ye're seated there, like lords of air, 

In council-chambers deep. 
On burnish'd breasts and gleaming crests 

A quiet halo shines, 
While torrents sweep and roar and leap, 

Great brotherhood of pines ! 

When morn awakes from out the lakes, 

Ye pour your holy hymns, 
And dying day in mantle grey 

With phantoms round you swims. 
No harp can ring, no sounding string 

Such flood of song combines ; 
Old minstrels ye of the greenwoods be, 

Great brotherhood of pines ! 22 

When storms are high in midnight sky, 

And wild waves lash the shore, 
Afar up there, with harps of air, 

Ye join in wild uproar. 
With groaning woods and moaning floods 

Your awful voice combines 
The deep refrain of thunder's strain 

Great brotherhood of pines ! 



The Pines 167 

By torrent's brim, on the rainbow's rim, 

I climb your magic hall, 
To hear you join in song divine 

The thund'ring water-fall ; 
While through the screen of golden green 

A mystic spirit shines. 
Hail one and all, in magic hall, 

Great brotherhood of pines ! 



AH, ME! 

GO seek the shore to learn her lore, 
That great old mystic Sea : 
With list'ning ear you'll surely hear 
The great waves sigh, " Ah, me ! " 

The great old wood holds a harper good : 

A mighty ode sings he ; 
While his harp sings in thousand strings, 

The burden is, " Ah, me ! " 

A glorious sight are the orbs of light 

In Heaven's wide azure sea; 
Yet to our cry they but reply, 

With long deep sigh, " Ah, me ! " 

And Death and Time, in march sublime, 

Stay not to question'd be ; 
The hosts they bore to the dreamless shore 

Return no more " Ah, me ! " 



1 68 Nature Poems 



MYSTERY 23 



MYSTERY ! mystery ! all is a mystery ! 
Mountain and valley, and woodland and stream, 
Man's troubled story, his shame and his glory, 
Are only a phase of the soul's troubled dream. 

Mystery ! mystery ! all is a mystery ! 

Heart-throbs of anguish, and joy's gentle dew 
Fall from a fountain, beyond the great mountain, 

Whose summits forever are lost; in the blue. 

Mystery ! mystery ! all is a mystery ! 

Sigh of the night-winds, the; song of the waves, 
Visions that borrow their brightness from sorrow, 

Tales which fiow'rs tell us,'the voices of graves. 

Mystery ! mystery ! all is a mystery ! 

Ah ! there is nothing we wholly see through. 
We are all weary, the night's long and dreary 

Without hope of morning, oh ! what would we do ? 



STARS 



OH, tell me not of mighty wars ! 
Shut out the world and all its jars ; 
Leave me with God and the silent stars. 

Ah ! there ye keep your courses bright, 
Old revellers in the hall of Night, 
Still looking on us with delight. 

Ye in that mystic vault were hung 
Ere mortals into being sprung 
Before Greece was, or Homer sung. 



Stars 169 

At God's command ye rose in space, 
Bright beauteous orbs, to gem, to grace 
The portals of His dwelling-place ! 

And priests and prophets, sages hoar, 
Look'd up to worship and adore 
In that old world which is no more. 

Untouch'd by Time, or tempests' shocks, 
As bright 's when David led his flocks 
Among Judea's rugged rocks. 

He gazed on you, as I do now, 

With wond'ring heart and anxious brow, 

And ask'd the unanswerable, " How ? " 

We are the lords of but a day ; 
Ye saw Great Alexander sway 
An empire that has passed away. 

Where is he ? Echo answers, " Where ? " 
But still ye keep your courses there, 
As bright, as beautiful, as fair. 

Infinite temple, for no sect 
Wert thou so wonderfully deck'd 
By the Almighty Architect. 

Tho' all those worlds shall* cease to be ; 
Yet, Father, thou hast given to me 
The gift of immortality ! 



T jo Nature Poems 



O 1 



MAY 

^H, sing and rejoice ! 

Give to gladness a voice 

Shout a welcome to beautiful May ! 
Rejoice with the flowers, 
And the birds 'mong the bowers, 

And away to the green woods, away ! 
As blithe as the fawn, 
Let us dance in the dawn 

Of this life-giving, glorious day ; 
Tis bright as the first 
Over Eden that burst 

Then welcome, young joy-giving May 

The cataract's horn 

Has awaken'd the morn 

Her tresses are dripping with dew ; 
Oh, hush thee, and hark ! 
'Tis her herald, the lark, 

That's singing afar in the blue. 
Its happy heart's rushing 
In strains, wildly gushing, 

That reach to the revelling earth, 
And sink through the deeps 
Of the soul, till it leaps 

Into raptures far deeper than mirth. 

All Nature's in keeping ! 
The live streams are leaping 

And laughing in gladness along ; 
The great hills are heaving, 
The dark clouds are leaving, 

The valleys have burst into song. 
We'll range through the dells 
Of the bonnie bluebells, 



May 1 7 1 

And sing with the streams on their way ; 

We'll lie in the shades 

Of the flow'r-cover'd glades, 
And hear what the primroses say. 

So, crown me with flowers 

'Neath the green, spreading bowers, 
With the gems and the jewels May brings ; 

In the light of her eyes 

And the depth of her dyes 
We'll smile at the purple of kings. 

We'll throw off our years, 

With their sorrows and tears, 
And time will not number the hours 

We'll spend in the woods, 

Where no sorrow intrudes, 
With the streams and the birds and the flowers. 



AUTUMN 

"^HE flowers of the summer have faded away, 
A And Autumn is here with her mantle of grey ; 
The sear leaves are falling, the woodlands are mute, 
And the sound of brooks wailing ascends like a lute ; 
The bow'r is forsaken, its beauty is gone 
One poor little robin is chirping alone 
And the winds wi' their soughing how sadly they say, 
" All things that are lovely are passing away!" 

The blackbird is silent beside the lone spring, 
The lav'rock is folding her weary, wet wing ; 
Afar in the dell of the desolate yew 
Is heard the deep wail of the lonely curlew ; 
The cuckoo is off and away with the spring, 
And the heart vainly seeks for some beautiful thing, 
While the winds with their soughing, how sadly they say, 
" All things that are lovely are passing away ! " 



172 Nature Poems 

So dark and unlovely's the Autumn of life, 
For grey hair and mem'ry with joys are at strife ; 
The bright past has perish'd, the future is black, 
The heart's only pleasure's a long looking back 
A long looking back to life's early spring, 
To hearts that have wither'd, to hopes taken wing ; 
While forms of the lost ones come sadly and say, 
"All things that are lovely are passing away ! " 

And were they but shadows, false, fleeting, and vain ? 
And shall I ne'er meet them in gladness again ? 
Bright meteors that came but to dazzle the sight, 
And then fade away in the bosom of night ? 
Came they but to leave us in darkness and woe, 
Aweary of all fleeting things here below ? 
" They've gone and we'll follow," Hope sweetly doth say, 
" Where nothing that's lovely shall e'er pass away." 



DAY 



NOW Morn is ascending from out the dark sea, 
A light crimson veil hanging o'er her ; 
The lark leaves her nest on the bonnie green lea, 

And flutters aloft to adore her. 
How gladly the living beams revel and leap, 

In purple and gold to enfold her ! 
And there the wild cataract, roused on the steep, 
Is shouting with joy to behold her ! 

The black steeds have vanish'd away from the view, 

That up from the dark Ocean bore her ; 
How sweet and how tender the smile breaking through 

The golden gates op'ning before her ! 
Behold the great Mountains start up from the vale 

And rend their night-mantles, all hoary, 
And join in their joy with the chorus, " All hail ! " 

To Day in her garments of glory. 



i73 



SUNSET 

THE glorious sun 
His race has run, 
And ere he sinks from sight, 

Array 'd in gold, 

Fold upon fold, 
He bids the world good-night ; 

And sea and sky 

Commingled lie 
In nameless colors dyed 

The molten mass 

A sea of glass 
In purple glorified. 

And still, anon, 
Temple and throne, 
And tow'rs of amethyst, 
And halls of blue 
Heave into view 
In islands of the blest. 
A spirit fills 
The great old hills 
The monarchs old and hoary : 
They nearer draw 
In joy and awe 
To gaze upon the glory. 

And now I stand 

In Wonderland, 
Imbibing at each pore 

The soul's pure wine 

With joy divine 
My spirit's running o'er ; 

But, oh, despite 

The weary night 



174 



Nature Poems 

That on my heart hath lain, 

This glorious sight 

Of pure delight 
Revives my soul again ! 

All trifles, all, 

The mean and small, 
Are from my spirit fleeing ; 

Thoughts great and grand 

Lift and expand, 
And broaden out my being ; 

While waves of song 

Tumultuous throng, 
And through my spirit roll, 

Oh, could I shout 

The lyric out 
That's surging in my soul ! 



MORNING 

NOW Morn is awaking, her dark couch forsaking, 
Her herald's alighting afar on the hill ; 
And, hark ! there's a humming announcing her coming 

To greenwood and valley, to river and rill. 
And yonder lies Ocean, the type of commotion ; 

But to her own caverns her storms have withdrawn ; 
With softest surrender she welcomes the tender, 
The trembling approaches and blushes of Dawn. 

The firmament bendeth, the glory ascendeth, 

'Mid shadows receding in mantles of dun ; 
'Mid phantom orbs reeling, still upwards she's wheeling, 

Till Earth, Air and Ocean are blended in one. 
With azure eyes beaming, and golden locks streaming, 

She kindles the breast of the dark, heaving brine ; 
Benlomond the hoary has caught up the glory, 

And round his scarr'd temples the purples entwine. 



Morning 175 

The glory's extending to this torrent, blending 

The foam of its fury with gold and with green, 
While out of the splendor eyes saint-like and tender 

Look down on the tumult, all still and serene. 
Alas ! we but mutter, attempting to utter 

The grandeur, the glory, these shadows put on 
These types of our being, sent by the All-seeing, 

These symbols of glories that circle His tkrone. 



DAWN 



OH, what a sight of pure delight ! 
Night's curtain is withdrawn, 
And like a boy I shout for joy : 
All hail, beloved Dawn ! 

Her herald streaks the mountain-peaks, 

The mists are put to flight ; 
And how she shapes headlands and capes 

To halls of beauty bright ! 

Till sea and sky together lie 

In rainbow colors dight, 
In an excess of loveliness 

Hail, spirit of delight ! 

Earth is still as beautiful, 
With dews untarnish'd laden, 

As when thou first in glory burst 
Among the bow'rs of Eden. 

Great thoughts will sleep in spirits deep, 

Of which they little dream, 
Till Beauty's spell or Music's swell 

Awakes them from their dream. 
12 



176 Nature Poems 

What glorious gleams of heav'nly dreams 
Around thee thou hast drawn ! 

What hymns of praise, what ecstasies ! 
All hail, beloved Dawn ! 



THE SONG OF THE SUN 

WHO'LL sing the song of the starry throng, 
The song of sun and sky ? 
The angels bright on thrones of light, 

Not a mortal such as I. 
How vast, how deep, how infinite, 

Are wonders spread abroad 
On outward walls, on azure halls, 
The city of our God ! 

Men seldom look on the marv'lous book 

Which God writes on the sky; 
They cry for food as the only good, 

Like beasts which eat and die. 
Awake ! and gaze on the glorious maze ! 

For ev'ry day and night 
God paints on air those pictures rare 

To thrill us with delight. 

Oh, come with me, and let us flee 

Across the dewy lawn ! 
And see unroll'd in realms of gold 

The glories of the Dawn. 
Behold, she streaks the mountain-peaks 

With faintest tinge of grey ! 
The glory hies, the mists arise, 

The shadows flee away. 



The Song of the Sun 1 7 7 

The stars rush back from the conqu'ror's track, 

The night away is driv'n, 
The King of Day mounts on his way 

Through the golden gates of heav'n. 
His heralds fly athwart the sky 

With radiant rainbow-hue, 
Or hang around the deeps profound, 

Th' unfathom'd gulfs of blue. 

The great vault reels 'neath his chariot-wheels, 

The thunder-clouds are riv'n, 
Till they expire in crimson fire 

On the burning floor of Heav'n. 18 
And then, oh, then ! each hill and glen, 

Each peak and mountain old, 
With diadem of glory swims 

In living seas of gold. 

With gorgeous train, through the blue domain, 

He rushes on and on, 
Till with a round of glory crown'd 

He mounts his noon-day throne ; 18 
Then burning beams, with golden gleams, 

He sheds in show'rs abroad. 
We cannot gaze ! oh, the glorious blaze ! 

The garments of the god. 

Then from his throne, with azure zone, 

The conqueror descends ; 
In robes of white through realms of light 

His downward course he bends, 
'Mid great white domes, like happy homes 

Of ransom'd souls at rest, 
Whose work is done, whose crowns are won, 

Who dwell among the blest. 

How calm, how still, how beautiful ! 
The very soul of Peace 



178 Nature Poems 

Seems breathing there her secret pray'r 
That sin and strife may cease. 

Then in the west he sinks to rest, 
Far down in Ocean's bed ; 

He disappears 'mid Ev'ning's tears, 
A halo on his head. 

I cannot write the marv'lous- sight, 

At his setting, last I saw ; 
I only feel, I only kneel, 

With trembling love and awe. 
Who'll sing the song of the starry throng, 

The song of sun and sky ? 
The angels bright on thrones of light, 

Not a mortal such as I. 



THE EARLY BLUEBIRD 

YE'VE come far too early, 
My bonnie bluebird ; 
There's no sign of green leaves, 

Of summer no word. 
What tempted you here from 

The green sunny bow'rs 
Of the sweet smiling South and 
The region of flow'rs ? 

Thou'rt chasing a phantom ! 

Some folly, I fear, 
Has urged thee, my bluebird, 

To venture forth here. 
Thou type of the herald, 

Who comes to proclaim 
The advent of peace in 

Strife's weary domain. 



The Early Bluebird 179 

The Bard, who still hopes for, 

'Mid sorrow and pain, 
The "good time that's coming," 

Love's long-looked-for reign, 
Has come far too early, 

My poor bird, like thee ; 
The good times ye sing of 

Ye'll no likely see. 

Cold days are to come yet, 

And deep drifts of snow, 
And storms from the bleak north, 

Ere winter shall go. 
There are tempests for thee, bird, 

Ere spring comes with peace, 
And tears, toil, and trouble, 

Ere man's sorrows cease. 

Like thee, my poor bird, I 

Was tempted to roam, 
By the distant, the future, 

The lovely unknown : 
Like thine, my bright visions 

Were all overcast 
Like thee, I must bend 'neath 

The cold wintry blast. 

Thou'rt right, my poor bluebird, 

With prospects so bare. 
Still, still cling to Hope, nor 

Give up to Despair : 
In the deepest, the darkest, 

Its beams brightest shine 
Without them this heart would 

Have broken lang syne. 



180 Nature Poems 



INDIAN SUMMER 

WELCOME ! welcome, Indian summer ! 
Welcome, thou the latest comer 

To the wood and chase ! 
Thee we hail with deeper gladness 
Even for the tinge of sadness 

That is in thy face. 
Young October's reign was splendid ; 
Old and sear, her glory's ended, 

And, to gild her fall, 
Thou descend'st on Nature hoary, 
With a spiritual glory 

That surpasseth all 
A glory that no other land 
Has ever seen, howe'er so grand 

Its lakes or woods may be 
A glory even bards of old 
Were not permitted to behold 

In climes beyond the sea. 

Down from the blue the sun has driv'n, 
And stands between the earth and heav'n 

In robes of smould'ring flame; 
A smoking cloud before him hung, 
A mystic veil, for which no tongue 

Of earth can find a name. 
And o'er him bends the vault of blue, 
With shadowy faces looking through 

The azure deep profound : 
The stillness of eternity, 
A glory and a mystery, 

Encompass him around. 
The air is thick with golden haze, 
The woods are in a dreamy maze, 

The earth enchanted seems 



Indian Summer 181 

Have we not left the realms of care, 
And enter'd in the regions fair 
We see in blissful dreams ? 

Oh, what a sacred stillness broods 
Above the awful solitudes ! 

Peace hangs with dove-like mien : 
She's on the earth, she's in the air, 
Oh, she is brooding everywhere 

Sole spirit of the scene ! 
And yonder youths and maidens seem 
As moving in a heav'nly dream, 

Through regions rich and rare 
Have not their very garments caught 
A tone of spiritual thought, 

A still, a Sabbath air ? 
Yon cabins by the forest side 
Are all transform'd and glorified ! 

Oh, surely, grief and care 
Or poverty, with strife and din, 
Or anything like vulgar sin, 

Can never enter there ! 

The ox, let loose to roam at will, 
Is lying by the water still ; 

And on yon spot of green 
The very herd forget to graze, 
And look in wonder and amaze 

Upon the mystic scene. 
See ! yonder Lake Ontario lies, 
As if a wonder and surprise 

Had hush'd her heaving breast 
Calm lies she there with awful eye 
Fix'd on the quiet of the sky, 

Like passion sooth'd to rest. 
Yon very maple feels the hush, 
That trance of wonder, that doth rush 

Through Nature ev'rywhere ; 



1 82 Nature Poems 

And meek and saint-like there she stands 
With upturn'd eye and folded hands, 
As if in silent prayer. 

Indian Summer, there's in thee 
A stillness, a serenity 

A spirit pure and holy 
Which makes October's gorgeous train 
Seem but a pageant light and vain, 

Untouch'd by melancholy. 
But who can paint the deep serene 
The holy stillness of thy mien, 

The calm that's in thy face, 
Which makes us feel, despite of strife, 
And all the turmoil of our life, 

Earth is a holy place. 
Here, in the woods, we'll talk with thee ; 
Here, in thy forest sanctuary, 

We'll learn thy simple lore ; 
And neither poverty nor pain, 
The strife of tongues, the thirst of gain, 
Shall ever vex us more. 



BOBOLINK 24 

MERRY mad-cap on the tree ! 
Who so happy is as thee ? 
Is there aught so full of fun, 
Half so happy, 'neath the sun ? 
With thy merry whiskodink 

Bobolink ! Bobolink ! 

With thy mates such merry meetings, 
Such queer jokes and funny greetings ; 
Oh, such running and such chasing ! 



Bobolink 1 83 

Oh, such banter and grimacing ! 
Thou'rt a wag, of wags the pink- 
Bobolink ! Bobolink ! 

How thou tumblest 'mong the hay, 
Romping all the summer's day ! 
Now upon the wing all over, 
In and out among the clover 
Far too happy e'en to think 

Bobolink ! Bobolink ! 

Now thou'rt on the apple tree, 
Crying " Listen unto me ! " 
Now upon the mossy banks, 
Where thou cuttest up such pranks, 
One would swear thou wert in drink 
Bobolink ! Bobolink ! 

Nothing canst thou know of sorrow 
As to-day shall be to-morrow ; 
Never dost thou dream of sadness 
All thy life a merry gladness ; 
Never may thy spirits sink 

Bobolink ! Bobolink ! 



TO A HUMMING-BIRD 

HUSH thee ! hush thee ! not a word !- 
'Tis the lovely humming-bird ! 
Like a spirit of the air 
Coming from we know not where ! 
Bursting on our raptured sight, 
Like a vision of delight. 
Circled in a radiant ring, 
Oh, thou glory on the wing ! 
Thou'rt no thing of mortal birth 
Far too beautiful for earth 



184 Nature Poems 

But a thing of happy dreams, 
Rainbow glories, heav'nly gleams; 
Something fall'n from out the sky 
To delight man's heart and eye 
In this weary world of ours 
Wand'ring spirit of the flow'rs ! 

Thou'rt a wonder and a joy 

To that happy little boy, 

As in ecstasy he stands, 

Gazing with uplifted hands. 

In a rapture of surprise, 

He devours thee with his eyes. 

Thou shalt haunt him many a day, 

Even when his locks are grey ; 

Thou'lt be a remember'd joy 

Happy, happy little boy ! 

Yonder old man's face the while 
Brightens with a welcome smile 
Toiling at his daily duty, 
He is startled by thy beauty ; 
Out of all his toils and cares 
Thou hast ta'en him unawares 
Ta'en him in a moment back 
O'er a long and weary track. 
Once again the mountains grey 
In that dear land far away, 
And his father's humble cot, 
Round him in a vision float 
And, despite of age and pain, 
He's a little boy again. 

Welcome ! welcome, happy sprite ! 
Welcome, spirit of delight ! 
Deeper than the joy of wine 
Or the ancient songs divine ; 
For my spirit thou dost carry 
Back into the realms of Fairy. 



To a Humming- Bird 185 

Round my heart thou com'st to weave 
Things we hope for and believe, 
Things we've long'd for since our birth, 
Things we've never found on earth ; 
Oh, how weary we would be 
Save for visitants like thee ! 

But, like pleasure, lovely thing, 
Thou art ever on the wing ; 
Like the things we wish to stay, 
Thou'rt the first to pass away 
Flying like our hopes the fleetest, 
Passing like the joy that's sweetest ; 
Even now, like music's tone, 
Thou'rt a glory come and gone. 



OCTOBER 

NOT in russet, sad and sober, 
Com'st thou here, belov'd October, 

As in Europe old ; 
Not with aspect wan and hoary, 
But array'd in robes of glory, 

Purple, green, and gold. 
Over continent and sea, 
To hold the full year's jubilee, 

Thou again hast come 
Borne on thine own fairy pinion 
To our dear belov'd Dominion, 

Our green forest home ! 

O ye, who live in cities vast, 
Aside your weary ledgers cast, 

Tho' 'twere but for an hour. 
Oh, come and see this magic sight 
This revel of all colors bright, 

This gold and purple shower ! 



1 86 Nature Poems 

Oh, come and see the great arcades, 
And catch the glory ere it fades. 

Come through no sense of duty ; 
But see, with open heart and eye, 
This glory underneath the sky, 

This miracle of beauty ! 

See how the great old forest vies 
With all the glory of the skies, 

In streaks without a name ; 
And leagues on leagues of scarlet spires. 
And temples lit with crimson fires, 

And palaces of flame ! 
And domes on domes that gleam afar 
Through many a gold and crimson bar, 

With azure overhead ; 
While forts with tow'rs on tow'rs arise, 
As if they meant to scale the skies 

With banners bloody red. 

Here, orange groves that seem asleep ; 
There, stately avenues that sweep 

To where the land declines ; 
There, starting up in proud array 
With helmets flashing to the day 

Troop upon troop of pines. 
Here, evergreens that have withdrawn, 
And hang around the open lawn, 

With shadows creeping back ; 
While yonder girdled hemlocks run, 
Like fiery serpents to the sun, 

Upon their gleaming track. 

And in the distance, far apart, 
As if to shame man's proudest art, 

Cathedral arches spread ; 
While yonder ancient elm has caught 
A glory past the reach of thought 

Upon his hoary head. 



October 187 

But ev'ry object, far and wide, 
The very air, is glorified 

A perfect dream of bliss. 
Earth s greatest painters never could 
Nor poet in inspired mood 

Imagine aught like this. 

Oh ! what are all ambition's gains 
What matters it who rules or reigns 

While I have, standing here, 
Gleams of unutterable things, 
The work of the great King of Kings, 

God of the full-crown'd year ? 
October ! thou'rt a marvelous sight, 
And with a rapture of delight 

We hail thy gorgeous pinion ; 
To elevate our hearts thou'rt here, 
To bind us with a tie more dear 

To our belov'd Dominion. 



MAY MORNING 

THERE'S joy in the greenwood with Morn's early note, 
O'er mountain and valley her song is afloat ; 
A joy as of Eden, a gladness, a bloom, 
As if earth contain'd not a tear, not a tomb. 

On hills and in valleys the lambs are at play ; 
The cuckoo is calling in woods far away ; 
The streams are rejoicing to wander with spring 
With the song of their revel the green valleys ring. 

The spirit of Beauty is ranging abroad, 
And show'ring her daisies to deck the green sod ; 
She's over the mountain and thro' the deep dell, 
And hangs by the fountain her pretty bluebell. 



1 88 Nature Poems 

She clothes with her ivy the old ruin'd wall, 
And leans o'er the cliff and the steep waterfall ; 
And where she has tarried beside the clear stream 
The primrose bank hangs like a beautiful dream. 

Her footsteps we trace where the violet grows, 
And the joy of her face in the laughing wild rose. 
A mighty emotion, old Ocean, thou art, 
But the song of the syren has hush'd thy great heart. 

The wild bee is humming, the larjc is on wing, 
The cushat is cooing beside the lone spring ; 
The poet is coming to join the glad throng, 
Impell'd by Love's spirit, the soul of his song. 



WHIP-POOR-WILL 25 

THERE is a lonely spirit 
That wanders through the wood, 
And tells its mournful story 

In ev'ry solitude. 
It comes abroad at eventide, 
And hangs beside the rill, 
And murmurs to the passer-by, 

" Whip-poor-will ! Whip-poor-will ! " 

Oh ! 'tis a hapless spirit,* 

In likeness of a bird 
A grief that cannot utter 

Another woful word 
A soul that seeks for sympathy 

A woe that won't be still 
A wand'ring sorrow murmuring, 

" Whip-poor-will ! Whip-poor-will ! " 



189 



THE SPIRIT OF DEVOTION 

OH ! what art thou, mysterious power, 
That lov'st to sit and brood, 
At dawn of day and ev'ning grey, 

In ev'ry solitude ? 
That wand'rest through the valleys lone, 

And forests old and hoar, 
Where ev'ry leaf and mossy stone 
With worship's running o'er. 

I've seen thee hanging o'er the steep 

Which topples by the sea, 
And heaving with the heaving deep 

Thy bosom seem'd to be 
Till there did start from out thy heart 

A sigh oh, how profound ! 
While tree and stream, as in a dream, 

Were list'ning all around. 

And ever at the dawn of day, 

Beside the mountain-rills, 
Thou wand'rest like a hermit grey, 

Communing with the hills; 
Or far away in moorlands lone 

Waste places of Creation 
Thou sittest on some old grey stone, 

And talk'st with Desolation. 

And I have felt in deserts wild, 

E'en at the noontide hour, 
Among the rocks all rudely piled, 

Thy presence and thy power ; 
And I have stood with mute surprise, 

Yea, with a thrill of awe, 
For watching me through stony eyes, 

Thine awful face I saw. 



190 Nature Poems 

Or seated on a crag sublime, 

Beside yon mountain river, 
I've heard thee questioning old Time, 

That rusheth on forever. 
I've seen thee look from yonder tower 

Through loop-holes of decay, 
Commenting upon human power 

And glory pass'd away. 

And I have listen'd to thee then 

As if a spell had bound me, 
For shadows of the mail-clad men 

Were hov'ring all around me ; 
And in yon deep secluded glen, 

Where Pity sits and raves, 
I've seen thee bend as to a friend 

Above the Martyrs' graves. 

Or hanging by the water-fall, 

'Mong shadows lengthening dim, 
Or on the hills, I've heard thee call 

To join thy evening hymn ; 
And on the Sabbath evening oft, 

While stillness fill'd the air, 
With upturn'd eyes, hands raised aloft, 

Lo ! thou wast kneeling there. 

Or, seated in thy robes of white, 

With an imperial crown, 
From great Benlomond's tow'ring height 

I've seen thee looking down, 
As if in wonder, at our strife, 

Our hurry, fret, and fume 
Ignoring love, the sun of life, 

To stumble in the gloom. 

When to yon mountain cavern hoar, 
From earth's distractions fleeing, 

There I have found thee pond'ring o'er 
The mystery of being. 



The Spirit of Devotion 191 

But whether in thy temples green, 

Or caverns by the sea, 
Great spirit, thou hast ever been 

A mystery to me. 

Thy presence ever came unsought, 

At morn or midnight hour ; 
And unto me thou'st ever brought 

A great uplifting power. 

spirit of majestic mien ! 
Amid the darkness dense, 

Art thou interpreter between 
The world of soul and sense ? 

Art thou the soul that link'st in one 

This visible creation 
With yonder spiritual sun 

Of vast imagination ? 

1 only know where thou art not, 
That we are grov'lers low, 

But where thou art there in the heart 
Celestial virtues grow. 



SIGHS IN THE CITY 

WEARILY my days are past, 
For my heavy lot is cast 
In the crowded city vast. 

How my spirit longs to be 
From this dreary prison free 
Oh, the laughing meads for me ! 

Oh ! to follow the cuckoo, 
While the glades are drap'd wi' dew 
And the lark is in the blue ! 
13 



192 Nature Poems 

Oh ! to tread the flow'ry sod 
Free from all this heavy load 
One with Nature and with God ! 

Spring is forth with joyous air, 
Strewing gems so rich and rare, 
Show'ring gowans ev'rywhere. 

I will go where'er she goes, 
Pausing often where she throws 
The violet and the red, red rose. 

And we'll seek the glades of green 
Where the honeysuckles lean 
And the blewarts ope their een ; 

Where the auld witch-hazels hing, 
And the woodbines creep and cling 
Round about the lonely spring ; 

Where the birds are blithe abune, 
And the laughing runnels rin 
Onward in their merry din ; 

Treading paths the wild bee knows, 
Where the grass the greenest grows, 
In the haunts of the primrose ; 

Where the foxglove fair and tall 
Leans against the rocky wall, 
List'ning to the water-fall ; 

Where the bonnie hawthorn hings, 
And the wee grey Untie sings - 
Of unutterable things ; 

And, half hidden by the weeds, 
Bonnie bluebells hing their heids, 
Draped wi' dew like siller beads; 



Sighs in the City 193 

And the lily, meek and mild, 
Blooming in the lonely wild 
Nature's dear adopted child ! 

Little wildings, pure and bright, 
Still, as to my childhood's sight, 
Ye're a rapture of delight ! 

Far from those who buy and sell 
I will seek the quiet dell 
Lonely ones, with you to dwell ! 

Where no worldling soils the sod 
I'll live in your green abode 
One with Nature and with God. 



i 9 4 



Glaivai)ian Bigls 



THE GENIUS OF CANADA 

WHEN the Genius of Canada came 
From o'er the eastern wave, 
'Neath southern skies 
She heard the cries 
Of ev'ry weeping slave. 2 " 

" I'll seek the northern woods," she cried, 
" Tho' bleak the skies may be ; 
The maple dells, 
Where Freedom dwells, 
Have special charms for me; 

" For moral worth and manhood there 
Have found a fav'ring clime. 
I'll rear a race 
For long to grace 
The mighty page of Time. 

" The arts shall flourish irieath their care, 
The palm of Peace shall wave 

O'er homes of rest 

For the opprest, 
A refuge for the slave." 27 

Away to northern woods she flew, 
A lovely home she found, 
Where still she dwells 
In quiet dells, 
Her giant brood around. 



The Genius of Canada 195 

" Behold ! " she cries, "the hearts we mold 
In land of lakes and pines, 
Where Shamrock blows, 
And English Rose 
With Scottish Thistle twines."' 



SPARKING 28 

GIVE me the night with moonshine bright ! 
The stars come forth to meet her, 
The very snow is all aglow, 

The dismal swamp looks sweeter ; 
When cows are fed, old folks in bed, 

And young lads go a-larking, 
And no one by with prying eye, 
Oh, that's the time for sparking ! 

When all the " chores " are done out-doors, 

The hearth is swept up trimly, 
And the backlog bright, like jovial wight, 

Is roaring up the chimley. 7 
I listen oft his signal soft, 

Till Tray sets up his barking 
For dogs as well as folks must tell 

When anybody's sparking. 

I've sat with him till the log burn'd dim, 

And the owls were all too-whooing ; 
(For don't they spark, too, in the dark ? 

Ain't that their way of wooing ?) 
I ne'er could bear love anywhere, 

Where folks were all remarking 
You act a part, but, bless your heart, 

That's not what I call sparking. 



jn6 Canadian Idyls 

At public halls, picnics and balls, 

The lads will try to please you ; 
But it takes the bliss all from a kiss 

If anybody sees you. 
My old aunt says, in her young days, 

Folks never woo'd the dark in ; 
It may be so, but oh, dear, oh ! 

They little knew of sparkin'. 



N' 



THE PICNIC 

' OW morning fair with golden hair 

Is through the pine woods streaming, 
And of a day of mirth and play 

The youngsters all are dreaming ; 
No sound of ax salutes the ear, 
The ox is freed from logging, 
And neighbors all, both great and small, 
Are to the picnic jogging. 

The girls and boys, how they rejoice ! 
So merrily they're driving, 

And far and wide from ev'ry side 
In happy pairs arriving. 

Bill's mounted on his idol there- 
with boughs he has array'd her 

And boasts the virtues of that mare 
To Dick, the great horse-trader. 

Dick stumps him just to try a heat : 

" Come, bring your scarecrow hither, 
And in such loving converse sweet 

They trot along together ; 
They pass beside the ridge of beech, 

And by the hemlocks hoary, 
And leave the noble clump of pines 

All tow'ring in their glory. 



The Picnic 197 

They reach the groves of maple green, 

Beside the winding river 
Still at the song it sung so long 

To Red Men gone forever ; 
And it will leap and laugh along, 

As gay and happy-hearted, 
And it will sing this very song 

When we, too, have departed. 

A table's spread beneath the trees 

Some busily partaking, 
While others swing or romp and sing, 

All bent on merry-making. 
The old folks talk about the crops, 

The little boys are larking, 
With damsels fair and sweet and young 

The lads are busy sparking. 

They form a circle round the spring, 

The sparkling waters quaffing, 
All poking fun and ne'er a one 

Of all can keep from laughing 
At am'rous John, still sparking on 

At sixty-two a " wanter " 
Or roaring at the great exploits 

Of Bill, the mighty hunter 

His treeing coons 'neath autumn moons, 

His fishings and his forays, 
His great affairs with angry bears, 

His terrible wolf stories. 
When Fred comes with his violin, 

By young and old invited, 
With shouts of joy the bashful boy 

They circle round delighted. 

Tho' he is but a backwoods lad, 

A native-born musician, 
What strains he brings from those mere strings 

Oh, he's a real magician ! 



198 Canadian Idyls 

He plays a quick and merry tune 
With joy each eye is glancing 

Now he appeals to all their heels, 
And sets them all a-dancing. 

That mother with her joyous air, 

Her baby how she dandles ! 
While Bill and Dick are dancing quick, 

And shouting out like vandals. 
The chipmunk peeps from out the logs, 

And wonders at the flurry ; 
And, all amazed, with tail upraised, 

Makes tracks in quite a hurry. 

The grey owl opens up his eyes, 

And looks in stupid wonder, 
While through the wood the partridge brood 

Are rolling off like thunder. 
The old coon's in the elm above, 

Pretending that he's sleeping, 
But with one eye the old boy sly 

A wond'ring watch is keeping. 

Fred's mood has changed, and in the midst 

Of all our merry madness 
He makes us drink, ere we can think, 

The deeper joy of sadness. 
The youths and maidens hush to hear 

Tho' 'tis no tale of glory 
And drink in with a greedy ear 

That simple backwoods story. 

His voice he flings among the strings 

They seem with sorrow laden 
Oh ! hear the sighs and wailing cries 

Of the poor hapless maiden : 
" Ah ! thou art laid in thy death-bed, 

Beneath the grassy cover ; 
Why did the tree not fall on me 

Which fell on thee, my lover ? " 



The Pic?iic 199 

That wail of woe, so long and low, 

Is in the distance dying, 
And there the rude sons of the wood 

Are all around him sighing ; 
Yes, there they stand, the rude, rough band, 

Untutor'd by the Graces, 
As spell-bound there by that wild air, 

Tears streaming down their faces. 

And while their hearts within them leap 

Those hearts unused to weeping 
Oh, what a silence still and deep 

The maple trees are keeping ! 
The grove is all a magic hall, 

And he the necromancer 
The master of the wizard-spells 

To which our spirits answer. 

Time steals along with tale and song, 

Until the warning shadow 
Is stretching seen from maples green, 

And creeping o'er the meadow. 
Old folk begin to think 'tis time 

That they are homeward going, 
And so they sing a parting hymn 

With hearts all overflowing. 



'u - 



The boys must see the girls all home ; 

So they hitch up for starting, 
And merrily they drive along 

To have a kiss at parting. 
As Dick trots home, that little song 

He can't keep from repeating, 
While Bill declares, " Those backwoods airs 

Are good as go-to-meeting ! " 



200 Canadian Idyls 



THE GIPSY BLOOD 

THE spring is here, with voice of cheer, 
For winter winds are gone ; 
And with the birds and antler'd herds 29 

My roving fit comes on. 
I long to be in the forest, free 
From civilization's chains ; 
For there's a flood of gipsy blood 
Still running in my veins. 

My soul is sick of smoke and brick, 

I long for breath that's free 
The desert air, the hunter's fare, 

The woods, the woods, for me ! 
Where things unbroke by curb or yoke 

Bound through the green domains ; 
For there's a flood of gipsy blood 

Still running in my veins. 

I'm sick of trade, its ways have made 

These artificial men ; 
I long to be both wild and free 

In trackless savage glen. 
All, all my life has been a strife 

With bridles, curbs, and chains ; 
For there's a flood of gipsy blood 

Still running in my veins. 

Why should I moil and strain and toil 

For lifeless things of art, 
While greenwood bow'rs and wildwood flow'rs 

Are springing in my heart ? 
Yes, deep at heart, devoid of art, 

A savage spot remains ; 
For there's a flood of gipsy blood 

Still running in my veins. 



The Gipsy Blood 201 

Let who may dwell to buy and sell, 

I'm off with the roving clan ! 
What are your gains but curbs and chains 

To the free-born soul of man ? 
I'm off! away with joyous May 

To Freedom's glorious fanes ! 
For there's a flood of gipsy blood 

Still running in my veins. 



ACRES OF HIS OWN 

HERE'S the road to independence ! 
Who would bow and dance attendance ? 
Who, with e'er a spark of pride, 
While the bush is wild and wide, 
Would be but a hanger on, 
Begging favors from a throne, 
While beneath yon smiling sun 
Farms by labor can be won ? 
Up, be stirring, be alive ! 
Get upon a farm and thrive ! 
He's a king upon a throne 
Who has acres of his own ! 

Tho' the cabin's walls are bare, 
What of that, if love is there ? 
What altho' thy back is bent, 
There is none to hound for rent ; 
What tho' thou must chop and plow, 
None dare ask, " What doest thou ? " 
What tho' homespun be thy coat, 
Kings might envy thee thy lot. 
Up, be stirring, be alive ! 
Get upon a farm and thrive ! 
He's a king upon a throne 
Who has acres of his own ! 



202 Canadian Idyls 

Honest labor thou would'st shirk ? 

Thou art far too good for work ? 

Such gentility's a fudge 

True men all must toil and drudge. 

Nature's true nobility 

Scorns such mock gentility ! 

Fools but talk of blood and birth 

Ev'ry man must prove his worth. 

Up, be stirring, be alive ! 

Get upon a farm and thrive ! 

He's a king upon a throne 

Who has acres of his own ! 



NEIGHBOR JOHN 

THERE'S neighbor John, dull as a ston^ 
An earthly man is he ; 
In Nature's face no single trace 

Of beauty can he see. 
He's wrought with her for sixty years 

Believes he's done his duty 
Yet all that time seen naught sublime, 
Nor drank one draught of beauty. 

His only joy since when a boy 

Has been to plod and moil, 
Until his very soul itself 

Has grown into the soil. 
He has no visions, hears no voice 

To make his spirit start ; 
The glory and the mystery 

Ne'er settled on his heart. 

The great vault's hanging o'er his head, 

The earth is rolling under, 
On which he's borne from night till morn, 

With not one look of wonder. 



I 



Neighbor John 203 

Talk not to him of yonder clouds, 

In glory mass'd together, 
John but beholds in all their folds 

Some index of the weather. 

Talk not of old cathedral woods 

Their Gothic arches throwing, 
John only sees in all those trees 

So many saw-logs growing. 
For in the woods no spirit broods, 

The grove's no longer haunted, 
The gods have gone to realms unknown, 

And earth is disenchanted. 

In day, with all its bright array, 

And black night still returning, 
He never saw one gleam of awe, 

Tho' all their lamps were burning. 
The seasons in their mystic round 

Their magic work are doing ; 
Spring comes and goes, the wild-flow'r blows, 

And Winter's storms are brewing ; 

And Indian summer steDs between, 

In robes of purple gleaming, 
Or in a maze of golden haze 

The live-long day is dreaming : 
John stands with dull, insensate look. 

His very soul grown hoary, 
And sees in all but sear leaves fall, 

And not one gleam of glory. 

For beauty and sublimity 

Are but a useless blunder ; 
And naught can start awe in his heart 

Save loudest peals of thunder ! 
He knows the world's a solid world, 

And that a spade's a spade, 
But thinks for food and raiment all 

The heav'ns and earth were made. 



204 Canadian Idyls 



THE MAN WHO ROSE FROM NOTHINCx 

AROUND the world the fame is blown 
Of fighting heroes, dead and gone ; 
But we've a hero of our own 

The man who rose from nothing. 

He's a magician great and grand: 
The forests flee at his command ; 
And here he says, " Let cities stand ! " 
The man who rose from nothing. 

And in our legislative hall 

He tow'ring stands alone ; like Saul, 

A head and shoulders over all 

The man who rose from nothing. 

His efforts he will ne'er relax, 
Nor faith in figures and in facts ; ^ 
He always calls an ax an ax 

The man who rose from nothing. 

This gentleman in word and deed 
Is short and simple in his creed : 
" Fear God and help the soul in need " 
The man who rose from nothing. 

In other lands he's hardly known, 
For he's a product of our own, 
Could grace a shanty or a throne 
This man who rose from nothing. 

Here's to the land of lakes and pines, 
On which the sun of Freedom shines, 
Because we meet on all our lines 

The man who rose from nothing. 



205 



THE MEN OF THE DOMINION 

HEROES there are that tower sublime, 
Of ev'ry creed, in ev'ry clime, 

Of high or humble birth, 
With heads to think and hearts to feel, 
And labor for the common weal 

True leaders on this earth. 
Such men to fashion never bow 
Like Cincinnatus at the plow, 

They feel no degradation ; 
They're always placing moral worth 
The highest rank attain'd on earth 

In any rank or station. 



'} 



The man of downright common-sense 
Scorns make-believe and all pretence, 

Puts intrigue far apart, 
Despising double-dealing work, 
And ev'ry little dodge and quirk, 

With all his head and heart. 
With freeman written on his brow 
His ancient badge the spade and plow- 

A true-born son of Adam 
A brother of humanity, 
He shows the same urbanity 

To plowman and to madam. 

Such men are here to do and dare, 
The burdens of the weak to share, 

So heavy in our day. 
No true man asks their blood or birth, 
For homage to all moral worth 

Instinctively they pay. 
These men are to themselves a law, 
And never need to stand in awe 

Of party or opinion. 



206 Canadian Idyls 

They do the work they find to do, 
And stand up for the just and true, 
In this our dear Dominion. 

Who stand erect in their own shoes 
Are just the men that snobs abuse, 

With hatred in excess ; 
For they despise gentility 
That's purchas'd by servility 

And want of manliness ; 
And they proclaim such snobs a curse, 
Whose tamp'ring with the public purse 

Will make, in their opinion, 
A common byword, for the mirth 
Of all the nations on the earth, 

Of this our dear Dominion. 

Of Gladstone's high, heroic cast, 
They nail their colors to the mast, 

Inspired by love of right ; 
They cannot, will not be downcast, 
Are always sure to stand at last 

Triumphant in the fight. 
Then let us ever hope and pray, 
In this our own progressive day, 

May freedom spread her pinion 
O'er heads that think and hearts that feel, 
And labor for the common weal 

In this our dear Dominion. 







o 

X 

< 
u 






207 

YOUNG CANADA 
Or, Jack's as Good's his Master 

I LOVE this land of forest grand, 
The land where labor's free ; 
Let others roam away from home, 

Be this the land for me ! 
Where no one moils and strains and toils 

That snobs may thrive the faster, 
But all are free as men should be, 
And Jack's as good's his master ! 

Where none are slaves that lordly knaves 

May idle all the year ; 
For rank and caste are of the past 

They'll never flourish here ! 
And Jew or Turk, if he'll but work, 

Need never fear disaster ; 
He reaps the crop he sowed in hope, 

For Jack's as good's his master. 

Our aristocracy of toil 

Have made us what you see, 
The nobles of the forge and soil, 

With ne'er a pedigree. 
It makes one feel himself a man, 

His very blood leaps faster, 
Where wit or worth's preferr'd to birth, 

And Jack's as good's his master. 

Here's to the land of forests grand, 
The land where labor's free ; 

Let others roam away from home, 
Be this the land for me ! 

14 



208 Canadian Idyls 

For here 'tis plain the heart and brain, 
The very soul, grow vaster, 

Where men are free as they should be, 
And Jack's as good's his master. 



HURRAH FOR THE NEW DOMINION 

LET others raise the song of praise 
To lands renowned in story ; 
The land give me of the maple tree, 
The pine in all his glory ! 

Hurrah for the grand old forest land, 
Where freedom spreads her pinion ! 

Hurrah with me for the maple tree ! 
Flurrah for the New Dominion ! 

Be hers the light and hers the might 

Which liberty engenders ; 
Sons of the free, come join with me 

Hurrah for her defenders ! 

And be their fame, in loud acclaim, 
In grateful strains ascending 

The fame of those who met her foes, 
And died, her soil defending. 

Hurrah for the grand old forest land, 
Where freedom spreads her pinion ! 

Hurrah with me for the maple tree ! 
Hurrah for the New Dominion ! 



209 



Jiijjls of the pioneer 







THE EMIGRANT 



ARGUMENT 

Introduction : The poet apostrophizes Canada as a land where 
iture's operations are on a large scale, and which, though without 
:ended national history, yet supplies a theme for the poet in the 
uggles of the pioneer settlers. 

Leaving Home 

I. He asks his companion to sit down with him while he recounts 

the story of his journey from the fatherland. 
II. He moralizes on the changes of fifty years. 
II. He recalls the friends who met to bid him farewell. 
[V. It was a morning in spring when all nature, though beautiful, 

seemed to have an air of sympathetic sadness. 
V. His grandfather comes to give him his blessing. 
VI. The grandfather's parting counsel. 

The Journey 

I. He describes the motley company on the ship. 
II. The teacher, the preacher, the mechanic, the politician, etc. 
[II. When the sea is calm they tell each other their story. 
IV. Tom's song : " Old England is eaten by knaves. 1 ' 

V. Mac's song : "Farewell! Caledonia." 

The Arrival 

I. The journey through the woods ; camping at night. 
II. They sing in praise of rural life : " The Greenwood Shade." 
[II. After rest on bare ground they struggle through a swamp. 
IV. In a forest of maples and beeches they find birds of beauteous 
hue, but devoid of song. 

V. Bill from Kent shoots a deer. 

VI. The dead hind. 

[II. They reach the promised land. The poet pauses to reflect on 
his departed companions, all gone but himself. 



210 Idyls of the Pioneers 

Cutting the First Tree 

I. The tdht raised on a point of land jutting into the lake. 

II. A duck, a crane, a stag, take alarm and flee. 

III. The first attempt to fell an elm. 

IV. Lazy Bill despairs of success. 
V. The fall of the tree. 

VI. Their rejoicing. 

VII. The orator's exulting speech. 

VIII. Doubting John prepares to speak. 

IX. He tells a parable in favor of co-operation. 

The Log Cabin 

The poet describes its solitary situation and surroundings. 

I. The Summer's work. 
II. Autumn and Indian Summer. 

III. Visits of wolves. 

IV. Amusements of Winter. 
V. Little Mac's song : " I ask not for Fortune." 

VI. The applause of the listeners. 

VII. The hunter's song : "The Indian Maid." 

VIII. Tales told by the old. 

IX. Ballad : " The Gipsy King." 

The Indian Battle 

I. Lazy Bill announces the onset of the Mohawks. 
II. Commotion among the settlers. 
III. Muster of the fighting men. 
IV. March to a little height where the attack is awaited. Sounds 
of a struggle in the woods. Then silence. A scout announces 
that two tribes are fighting. 
V. The chiefs agree to settle the quarrel by single combat. 
VI. Description of" Eagle." 
VII. Description of "Hemlock." 
VIII. The combat. Victory of "Eagle" and scalping of "Hemlock." 
IX. The Hurons carry off their dead chief. 

Donald Ban 

I. The Highland hunter with the spirit of an ancient bard, who 
loves to commune with Nature and peer into her mysteries. 
II. Destruction of the old home of his race, and banishment from 
his native land. 
III. Solace in playing the pipes. 
IV. Song of the exile : " Why Left I my Country." 



The Emigrant 211 

V. The death of his wife and son leave him alone with his hound. 
VI. He becomes blind. 
VII. He wanders with his hound for guide, playing the pipes for 
youths and maidens to dance to. 
VIII. Return to his cabin in Autumn. 
IX. His song: "The Old Highland Piper." 
X, On his death-bed his wandering mind reverts to the scenes of 

his youth. 
XI. His death. 
XII. Parting address of the post to his dead friend. 
XIII. Au Revoir. 

Introduction : Apostrophe to Canada 

AND of mighty lake and forest ! 
-L Where stern Winter's locks are hoarest ; 
Where warm Summer's leaf is greenest, 
And old Winter's bite the keenest; 
Where mild Autumn's leaf is searest, 
And her parting smile the dearest ; 
Where the<Tempest rushes forth 
From his caverns of the north, 
With the lightnings of his wrath 
Sweeping forests from his path ; 
Where the Cataract stupendous 
Lifteth up her voice tremendous ; 
Where uncultivated Nature 
Rears her pines of giant stature 
Sows her jagged hemlocks o'er, 
Thick as bristles on the boar 
Plants the stately elm and oak 
Firmly in the iron rock ; 
Where the crane her course is steering, 
And the eagle is careering ; 
Where the gentle deer are bounding, 
And the woodman's ax resounding, 
Land of mighty lake and river, 
To our hearts thou'rt dear forever ! 



i L 

<l T 



Thou art not a land of story ; 
Thou art not a land of glory ; 



212 Idyls of the Pioneers 

No traditions, tales, nor song 

To thine ancient woods belong ; 

No long line of bards and sages 

Looking on us down the ages ; 

No old heroes sweeping by 

In their war-like panoply. 

Yet heroic deeds are done 

Where no battle's lost or won ; 

In the cottage in the woods, 

In the desert solitudes, 

Pledges of affection given 

That will be redeem'd in heaven. 

Why seek in a foreign land 

For the theme that's close at hand ? 

Human nature can be seen 

Here within the forest green ; 

Let us wander where we will, 

There's a world of good and ill. 

Poetry is ev'rywhere 

In the common earth and air, 

In the pen and in the stall, 

In the hyssop on the wall. 

In the wand'ring Arab's tent, 

In the backwoods settlement. 

Have we but the hearing ear, 

It is always whisp'ring near ; 

Have we but the heart to feel it, 

Mother Nature will reveal it. 



Leaving Home 
i 

Let us sit upon this stone, 
With its grey moss overgrown, 
While we talk about the past, 
For I'm left the very last 
Of that simple, hardy race 
Who first settled in this place ; 



T/ie Emigrant 213 



At whose stroke the forest fell, 
And the sound of Sabbath bell 
Startled Desolation's brood 
In the trackless solitude. 



11 

Half a century has roll'd, 

With its burdens manifold, 

Since I left my home so dear, 

Came, a young adventurer, here. 

Many faces Fortune wears 

In the space of fifty years ; 

Strange mutations, smiles and frowns, 

Unexpected ups and downs. 

Oh, what crowds have crost the path 

To the rendezvous of death ! 

Men, so mighty in their day, 

Gone to nothingness away ! 

What great teachers and their schools ! 

Prophets time has proven fools ! 

Transcendental meteors high, 

That have faded from the sky 

Tho' the fashion of a day, 

Gone like shadows all away ! 



in 

Fifty years have pass'd away, 
Fifty years this very day, 
Since I left, at Fortune's call, 
Friends and Fatherland and all. 
I was then a happy boy ; 
Earth, a scene of hope and joy. 
I have now grown old and grey, 
Yet it seems but yesterday. 
Ev'ry circumstance comes back 
O'er that long and weary track : 



214 Idyls of the Pioneers 

Friends, the loving and true-hearted, 
Who have long in death departed, 
Crowd around me in the dell, 
Where I bade them all farewell. 



IV 

It was a lovely morn in spring ; 
The lark was high upon the wing, 
The bonnie bells in clusters blue, 
The gowan with its drop of dew, 
The cowslip and the primrose pale, 
Were forth in Cartha's lovely vale. 5 
Ah ! there they were, so chaste and meek, 
Not silent, tho' they did not speak 
It seem'd to me as if they knew 
I'd come to bid them all adieu ; 
For we had been companions dear, 
And could not part without a tear. 
And Cartha had a mournful voice 
She did not, as of old, rejoice ; 
And vale and mountain, flower and tree 
Were looking sadly upon me ; 
For, oh ! there is a nameless tie 
A strange, mysterious sympathy 
Between us and material things, 
Which into close communion brings 
Our spirits with the unseen pow'r 
Which looks from ev'ry tree and fiow'r. 
There was the bonnie bush of broom, 
Just op'ning into golden bloom, 
Beneath whose tassels, many a day, 
I listen'd to the blackbird's lay ; 
Yonder the mountains looming through, 
Benlomond tow'ring in the blue 
How kingly ! tho' his forehead wears 
The furrows of six thousand years. 
Oh ! how I lov'd those mountains grey, 
Which pass not, like man's work, away, 






' 



The Emigrant 215 

But are forever seated there, 
Old monarchs on their thrones of air. 
And were they not the first to draw 
From out my soul the sigh of awe, 
Till down the mighty shadows came, 
And lifted me aloft to them ? 
High seated with the monarchs there, 
Above this little world of care, 
My spirit burst the bonds of time, 
And revel'd in the realms sublime ; 
And now it seem'd they closer drew, 
As if to bid me sad adieu. 



Things there are in mem'ry set, 
Things we never can forget. 
Still I see the very spot, 
Close beside our lowly cot, 
Where my grandsire, old and grey 
(Blessed be his memory), 
While upon his staff he bent, 
Thus did bless me ere I went : 



VI 

A Grandfather's Blessing 

Your journey's but beginning now, 

While mine is nearly ending 
You're starting up the hill of life, 

I to the grave descending ; 
With you 'tis bright and buoyant spring, 

With me 'tis dark December, 
And my injunctions, oh, my son ! 

I'd have you to remember. 

I've seen, in threescore years and ten, 

So many strange mutations, 
So many sides of Fortune's face 

To families and nations ; 



216 Idyls of the Pioneers 

I've learn'd to know she can't be caught 
By whip, by spur, or bridle ; 

She is not caught by running fast, 
Nor yet by standing idle. 



While she within your hopeful heart 

Her wondrous tale rehearses, 
In noting all, be sure and leave 

A margin for reverses. 
Should you be rich, trust not in wealth, 

From you it may be taken, 
But if you put your trust in God, 

You'll never be forsaken. 



Men toil to reach the earthly heights, 

From which by death they're hurled, 
Be your ambition what you'd not 

Exchange for all the world. 
Should you be poor, sit not and sigh, 

Nor deem yourself neglected ; 
The kindest lift that e'er I got 

Was when I least expected. 

Grieve not at the decrees of fate, 

Tho' they may be distressing 
A blessing's mixt with ev'ry woe, 

A woe with ev'ry blessing ; 
The hollow's close beside the height ; 

Whenever much is given, 
Something or other is withheld 

To bring the balance even. 

Look Fate and Fortune in the face, 

In that there's worth and merit ; 
The. greatest poverty on earth 

Is poverty of spirit. 18 
Have aye some object in your view, 

And steadily pursue it, 
Nor grow faint-hearted, come what may, 

But like a man stick to it. 



Hope not to find a good on earth 

But what you'll have to pay for ; 
The fruit that drops into the mouth 
Is aye devoid of flavor. 



The Emigrant 217 

If you will lean on any man, 

All Nature will upbraid you : 
Then trust but to your own right arm, 

And to the God that made you. 

Strive manfully in ev'ry strait, 

And after you have striven, 
With hands unstain'd, with heart upright, 

Leave the result to heaven. 18 
Profess to be but what you are, I 

Avoid all affectation ; 
If you are truth's, you sit upon 

A rock of deep foundation. 

Be guided by your sense of right 

Where Scripture may not aid you, 
For that's the ray from heav'n direct, 

The light from Him who made you. 
Philosophers are all afloat 

Upon a sea of troubles ; 
They dash like waves against the rocks, 

And give birth but to bubbles. 



They cannot tell us whence we came, 

Or why we were sent hither, 
But leave us hopeless, in the end, 

To go we know not whither. 
Trust not in knowledge small indeed 

Is all that we can gather 
But always ask the guidance of 

The universal Father. 



There's much which we must teach ourselves, 

That is not taught at college ; 
Without a sympathetic soul, 

How vain is all our knowledge ! 
Be charitable when you speak 

Of man and human nature ; 
Who finds no worth in human hearts 

Must be a worthless creature. 



If you would have your brother's love, 
Then you must love your brother ; 

Heart leaps to heart o'er all the world, 
Affections draw each other. 



218 Idyls of the Pioneers 

Theji cherish still within your breast 
Affection's sacred blossom ; 

Strive to be rich enough to keep 
A heart within your bosom. 

Farewell ! my son, we meet no more ; 

The angel death, which gathers 
The green and ripe, must shortly come 

To take me to my fathers. 
Farewell ! may heaven be the height, 

To which you would aspire, 
And think at times, when far away, 

Upon your old grandsire. 



The Journey 



In the good ship Edward Thorti 
O'er the billows we were borne. 
A motley company were we, 
Sailing o'er that dreary sea. 
Many from their homes had fled, 
For they had denied them bread ; 
Some from sorrow and distress, 
Others from mere restlessness ; 
Some because they long'd to see 
The promis'd land of liberty ; 
Some because their hopes were high, 
Others for they knew not why. 



ii 

There was doubting John, the teacher, 

Spouting Tom, nicknamed " the preacher," 

Gen'ral John, the mechanician, 

Lean, lank Tom, the politician, 

Laiy Bill, the bad news bringer, 

Little Mac, the jocund singer ; 

And there was Aleck, the divine, 



The Emigrant 219 

As bristly as the porcupine ; 

And there was fighting Bill from Kent, 

Who always was on mischief bent ; 

With wives and children, three dr four, 

With youths and maidens, half a score : 

And lastly, tall orator* John, 

Always thoughtful and alone 

A motley crew as ever went 

To form a backwoods settlement. 



in 

When the winds were all asleep, 
Hush'd their wild and rastless sweep, 
Not a breath the sails to fill, 
And the vessel lay as still 
On the bosom of the deep 
" As a sea-god fast asleep ; " 
Some would stroll around the deck, 
Telling tales of storm and wreck ; 
Others, through the smile and tear, 
Mourn'' d the land they lov'd so dear, 
Told that tale of dire distress, 
Hungry, hopeless wretchedness, 
Made them ocean's dangers brave, 
Seeking homes beyond the wave. 
Then a-singing Tom would start, 
As he said, to ease his heart ; 
In a rude and boist'rous vein 
He would thunder out this strain : 



IV 

Old England is Eaten by Knaves 

Old England is eaten by knaves, 

Yet her heart is all right at the core ; 

May she ne'er be the mother of slaves, 
May no foreign foe land on her shore. 



* In Scotland orator is often pronounced to rime with debater. 



220 Idyls of the Pio7ieers 

I love my own country and race, 
Nor lightly I fled from them both ; 

Yet who would remain in a place 
With too many spoons for the broth ? 

The Squire is preserving his game 
He says that God gave it to him 

And he'll banish the poor, without shame, 
For touching a feather or limb. 

The Justice, he feels very big, 

And boasts what the law can secure ; 

With two different laws in "his wig," 
Which he keeps for the rich and the poor. 

The Bishop he preaches and prays, 
And talks of a heavenly birth ; 

But somehow, for all that he says, 
He grabs a good share of the earth. 

Old England is eaten by knaves, 

Yet her heart is all right at the core ; 

May she ne'er be the mother of slaves, 
May no foreign foe land on her shore. 



Then little Mac would sing the lays 
Of Scotia's bonnie woods and braes : 
Of hoary hill, of dashing stream, 
Of lonely rock where eagles scream, 
Of primrose bank, and gowany glen, 
Of broomy knowe, and hawthorn den, 
Of burnside where the linnet's lay 
Is heard the lee lang summer's day 
The scenes which many a simple song 
Still peoples with an airy throng. 
And still I hear them tell their tale 
In ev'ry strath and stream and vale, 
In swells of love, in gusts of woe, 
Which thrill'd our hearts so long ago. 



The Emigrant 221 

As mournful groups around him hung 
The sigh from many a breast was wrung, 
For eyes grew dim, and hearts did swell, 
While thus he sang his last farewell : 



Farewell, Caledonia ! 

Farewell, Caledonia, my country, farewell ! 
Adieu ev'ry scarr'd cliff and lone rocky fell. 
Your dark peaks are fading away from my view 
I ne'er thought I lov'd you so dearly till noo ; 
For fortune hath chased me across the wild main, 
And the blue hills of Scotland I'll ne'er see again. 



Farewell, lovely Leven ! dear vale of my heart, 
'Twas hard frae the hame o' my childhood to part : 
Our lowly thatch'd cottage, which stands by the mill, 
The green where we gambol'd, the church on the hill. 
I lov'd you, sweet valley, in sunshine and rain ; 
But oh ! I shall never behold you again. 



How bright were my mornings, my evenings how calm ! 
I rose wi' the lav'rock, lay down wi' the lamb ; 
Was blithe as the lintie that sings on the tree, 
And licht as the goudspink that lilts on the lea ; 
But tears, sighs, and sorrows are foolish and vain, 
For the light heart of childhood returns not again. 



Oh, sad was the morning when I cam' awa', 

And big were the tears frae my e'en that did fa' ! 

My mother was weepin', my father was wae, 

And " Farewell, my laddie," was all they could say ; 

While the tears o'er their haffets were fa'in' like rain, 

For they thocht that they never would see me again. 



Awa' frae our cottage I tried then to steal, 

But frien's gather'd round me to bid me fareweel ; 

E'en Towser cam' forth wi a sorrowful whine, 

And the auld women said 'twas an ominous sign : 

It spak' o' disaster, o' sorrow and pain, 

That the blue hills o' Scotland I'd ne'er see again. 



222 Idyls of the Pioneers 

And then when I tarried, and mournfully took 
Of all the lov'd scenes my last sorrowful look, 
The hills gather'd round me, as if to embrace, 
And the bonnie wee gowans look'd up in my face, 
While the birds 'mang the branches in sorrowful strain 18 
Sang " Oh, no ! ye will never see Scotland again." 



The Arrival 



The weary world of waters pass'd, 

In Canada arrived at last 

Pioneers of civilization, 

Founders of a mighty nation 

Soon we entered in the woods, 

O'er the trackless solitudes, 

Where the spruce and cedar made 

An interminable shade ; 

And we pick'd our way along, 

Sometimes right, and sometimes wrong. 

For a long and weary day 

Thus we journey'd on our way ; 

Pick'd a path through swale and swamp, 

And at ev'ning fix'd our camp 

Where a cool, refreshing spring 

Murmur'd like a living thing 

Like sweet Charity, I ween, 

Tracking all its path with green. 

Underneath a birchen tree 

Down we sat right cheerfully, 

Then of boughs a fire we made. 

Gipsies in the greenwood shade, 

Hunters in the forest free, 

Never camp'd more gleefully ; 

And the woods with echoes rang, 

While in concert thus we sang : 



The Emigrant 223 

11 

The Greenwood Shade 

Oh, seek the greenwood shade, 

Away from the city din, 
From heartless strife of trade, 

From fumes of beer and gin ; 
Where Commerce spreads her fleets, 

Where bloated Luxury lies, 
Where lean Want prowls the streets, 

And stares with wolfish eyes. 

Flee from the city's sin, 

Its many-color'd code, 
Its palaces raised to sin, 

Its temples rear'd to God ; 18 
Its cellars dark and dank, 

Where ne'er a sunbeam falls, 
'Mid faces lean and lank 

As the hungry-looking walls ; 

Its fest'ring pits of woe, 

Its teeming earthly hells, 
Whose surges ever flow 

In sound of Sabbath bells. 
O God ! I'd rather be 

An Indian in the wood, 
To range through forest free 

In search of daily food. 

Oh ! rather I'd pursue 

The wolf and grizzly bear, 
Than toil for the thankless few 

In seething pits of care. 
Here Winter's breath is rude, 

His fingers cold and wan ; 
But what's his wildest mood 

To the tyranny of man ? 

To trackless forest wild, 

To loneliest abode, 
The heart is reconciled 

That's felt Oppression's load. 
The desert place is bright, 

The wilderness is fair, 
If Hope but shed her light 

If Freedom be but there. 
15 



224 Idyls of the Pioneers 



in 



Singing thus we circl'd round. 
All beyond was gloom profound, 
And the flame upon us threw 
Something of a spectral hue 
Such a scene, so wild and quaint, 
Rosa" u would have lov'd to paint. 
But, ere long, with sleep opprest, 
There we laid us down to rest, 
With the cold earth for our bed, 
And the green boughs overhead ; 
And again, at break of day, 
Started on our weary way, 
Through morasses, over bogs, 
Wading rivers, walking logs, 
Scrambling over fallen trees, 
Wading pond-holes to the knees ; 
Sometimes wand'ring from the track, 
Then, to find it, turning back ; 
Scorning ills that would betide us, 
Stout of heart, the sun to guide us. 






# 



IV 



Then there came a change of scene 
Groves of beech and maples green, 
Streams that murmur'd through the glade, 
Little flowers that lov'd the shade. 
Lovely birds of gorgeous dye 
Flitted 'mong the branches high, 
Color'd like the setting sun, 
But were songless, ev'ry one : 31 
No one like the linnet grey 
In our home so far away ; 
No one singing like the thrush 
To his mate within the brush ; 
No one like the gentle lark, 



The Emigrant 225 

Singing 'tween the light and dark, 
Soaring from the dewy sod, 
Like a herald, up to God. 
Some had lovely amber wings 
Round their necks were golden rings 
Some were purple, others blue, 
All were lovely, strange and new ; 
But, altho' surpassing fair, 
Still the song was wanting there. 
Then we heard the rush of pigeons, 
Flocking to those lonely regions; 
And anon, when all was still, 
Paus'd to hear the whip-poor-will ; 25 
And we thought of the cuckoo, 
But this stranger no one knew. 



Circling round a little lake, 
Where the deer their thirst would slake, 
Suddenly a lovely hind 
Started up and snuff d the wind. 
Instantly bold Bill from Kent 
Through its brain a bullet sent. 
Desperate did the creature leap, 
With a cry so wild and deep ; 
Tried to make another bound, 
Reel'd, and sank upon the ground. 
And the sound the rifle made 
Woke the herd within the shade : 
We could plainly hear them rush 
Through the leaves and underbrush. 
Fled afar the startled quail ; 
Partridge, with their fan-like tail, 
Whirring past, with all their broods, 
Sought the deeper solitudes. 



226 



Idyls of the Pioneers 



VI 

There the gentle thing lay dead, 
With a deep gash in its head, 
And its face and nostrils o'er 
Spatter'd with the reeking gore ; 
There she lay, the lovely hind, 
She who could outstrip the wind, 
She, the beauty of the wood, 
Slaughter'd thus to be our food. 

VII 

Then we journey'd on our way, 
And, with the declining day, 
Hail'd with joy the promis'd lot, 
Sat down on this very spot ; 
Saw Ontario wind her way 
'Round yon still, secluded bay. 
Then it was a lonely scene, 
Where man's foot had never been ; 
Now it is a busy mart, 
Fill'd with many a thing of art. 
Here I love to sit and trace 
Changes that have taken place : 
Not a landmark when we came, 
Not a feature, seems the same. 
My companions, where are they ? 
One by one they dropt away, 
So of all I'm left the last, 
Thus to chronicle the past. 






The Emigrant 227 

Cutting the First Tree 



Then to work we blithely went, 
And we soon got up a tent, 
On a point 'round which the lake 
Wound like an enormous snake, 
As 'twould bind it hard and fast. 
Then it stretch'd away at last, 
Till in the horizon lost, 
Swallow'd in its cloud-built coast. 

11 

There our humble tent was spread, 
With the green boughs overhead, 
Such as wand'ring Arabs rear 
In their deserts lone and drear. 
'Twas a temporary thing, 
Yet it made our hearts to sing ; 
And the wild duck, floating by, 
Paus'd, and, with a startl'd cry, 
Call'd her scatter'd brood to save 
Soon she dived beneath the wave. 
And the crane that would alight 
Scream'd at the unlook'd-for sight, 
Then, like a bewilder'd thing, 
Lakeward bent her heavy wing ; 
And the stag that came to drink, 
Downward to the water's brink, 
Show'd his branching head, and then 
Bounded to the woods again. 18 

in 

One sturdy elm I mind right well 
It was the first we tried to fell 
I think I could point out to you 
The very spot on which it grew. 



228 Idyls of the Pioneers 

Together soon we at it went 
'Twas a kind of sacrament, 
Like to laying the foundation 
Of a city or a nation ; 
But the sturdy giant stood, 
Let us strike him as we would ; 
Not a limb nor branch did quiver- 
There he stood, as straight as ever. 



IV 

While we labor'd, lazy Bill 
On a rotten log sat still. 
There he sat, and shook his head, 
And in doleful accents said : 18 
" Oh ! this chopping's horrid work, 
Even for a barbarous Turk ! 
Many a doleful day of gloom 
Have I groan'd upon the loom, 
Oh, that was a weary curse, 
But this chopping's worse and worse ! 
Sleep will heal the wretch's woes, 
Longest days draw to a close, 
Time and tide will hurry past, 
Look'd-for-long will come at last ; 
Whigs may wear a cheerful face, 
Even when they're out of place ; 
Tories cease to rule the roast, 
Britain learn to count the cost ; 
Radicals may yet have pow'r, 
Britain perish in an hour ; 
Yankees cease their boasting, too, 
Who can tell what time may do ? 
That a miracle would be, 
Yet might happen possibly ; 
There is even room to hope 
For the Devil and the Pope. 
Changes strange we all may see, 
But we'll never fell that tree." 



The Emigrant 229 



He had just repeated never, 
When the limbs began to quiver,- 1 
And a rent, which made us start, 
Seem'd to split the giant's heart ; 
And the branches, one and all, 
Seem'd preparing for the fall 
Sway'd a moment to and fro, 
As in doubt which way to go 
Then his head he gently bent, 
All at once away he went 
Down he came, as loud as thunder, 
Crushing limbs and brushwood under. 



VI 

Then we gazed upon the sight 
With the consciousness of might, 
And we cheer'd, as when a foe 
Or a tyrant is laid low. 
Soon, the orator, elated, 
On the stump got elevated, 
And, without premeditation, 
Thus began a long oration : 

VII 

' Invaders of the ancient woods, 
Dark primeval solitudes, 
Where the prowling wolf and bear, _ 
Time unknown, have made their lair, 
We are God-commission'd here, 
ThisTough wilderness to clear, 
Till with joy it overflows, 
Blooms and blossoms like the rose. 
Trees, of which the poet sings, 
May be very pretty things, 
And these green-arch'd solitudes, 



230 Idyls of the Pioneers 

Where no traveller intrudes, 
May be fine, I do not doubt, 
Just to sit and sing about. 
Sentiment's for those at ease, 
But I fear they fell no trees ; 
Not the sentimental tear, 
But strong arms are needed here 
Stout hearts and determin'd will 
Don't give up like Brother Bill. 

" Not by wringing of the hands 
Shall we win the fertile lands, 
But by honest, manly toil 
Lords we shall be of the soil. 
He who would in aught be great, 
He must toil, and he must wait. 
Favors drop not from the skies 
Perseverance gains the prize. 
Hear ye what the sages say : 
- Rome was not built in a day.' 
With the giants bending o'er us, 
We have work enough before us ; 
Let us tramp on doubt and fear, 
Work must be the watchword here. 

" Tis too soon to count the winning, 
Yet we've made a good beginning ; 
And, you know, the half is done 
When a job is well begun. 
Triumph crowns the persevering 
By and by we'll have a clearing. 
There's one giant overcast ; 
Stubborn, but he fell at last. 
There he lies, like Cassar, slain, 
And he'll never rise again. 
Caesar's mantle could not show 
Half as many stabs, I trow, 
When stern Brutus o'er him stood 
With the dagger dripping blood. 



The Emigrant 231 

I'm no seer, yet I can see 
From the felling of a tree 
Greater consequences rise 
-E'en than when a Cassar dies. 
Who would be a patriot now, 
Sweat, not blood, must bathe his brow. 
Like a patriotic band 
Let us all join heart and hand ; 
Let us use but common sense, 
Industry and temperance ; 
And God's blessing on our task 
Let us now with reverence ask ; 
For, with these, we'll hardly miss 
Health and wealth and happiness." 



VIII 

When the speech drew to a close 
Slowly doubting John arose, 
Gave a quiet cough, and then 
Said he, "Listen, fellow-men; 
Pay attention, and I will 
Speak to you a parable. 



&s~o~- 



IX 



" In the days, long, long ago, 
Ere the world was fill'd with woe, 
In a lone, retired place 
Liv'd a simple, honest race. 
They were ignorant of art, 
Yet they had far more of heart 
Than the people nowadays, 
With their dark and crooked ways. 
They gave pow'r and place to no man 
And had ev'rything in common ; 
No one said, ' This is mine own ' 
Money was a thing unknown ; 
No lawgiver, and no pelf, 



232 Idyls of the Pioneers 

Each a law was to himself. 

They had neither high nor low, 

Rich nor poor they did not know 

Such distinctions e'er could be, 

Such was their simplicity. 

Yea, they were a happy band, 

Cutivating their own land ; 

Herds and flocks did fast increase, 

And they ate their bread in peace. 

Now, my inference is plain, 

What has been may be again. 

Just compare their simple ways 

With the doings in our days : 

Ev'ry man is for himself, 

Hunting after pow'r and pelf; 

Not a moment can he rest, 

Grasping like a thing possest ; 

Running, racing, here and there, 

Up and down and everywhere, 

Hunting for the root of evil, 

Restless as the very devil 

He'll do aught to gain his end, 

Kiss a foe, or stab a friend ; 

He'll be either rude or civil, 

Play the saint, or play the devil. 

Neither scrupulous nor nice, 

Follow Skinflint's last advice 

It is short and soon repeated, 

Simply ' Cheat or ye' 11 be cheated. 

A' moral creeds are strings o' blethers ; 

The world's a goose, pluck ye her feathers : 

Nae matter how ye rax and draw, 

If ye aye keep within the law ; 

And ye may lie, and dodge, and wheel, 

A' 's fair as lang 's ye dinna steal ; 

And be ye either saint or sinner, 

A' 's richt as lang as ye' re the winner ; 

So get cash, if ye can come at it 

By fair means, but be sure and get it.'' 



The Emigrant , 233 



" Now, my friends, 'tis clear as day, 
If we choose the proper way, 
Like the tree we've now laid low, 
We shall conquer vice and woe. 
I can see no reason why 
We might not unite and try, 
Like those simple men of old, 
To redeem the world from gold. 
Each for all and all for each 
Is the doctrine that I preach. 
Mind the fable of the wands 
('Tis a truth that always stands) : 
Singly, we are poor and weak, 
But united, who can break ? " 



The Log Cabin 

The little log cabin is far in the woods, 

And the foot of the wayfarer seldom comes there. 

Around it are stretching the great solitudes, 

Where the deer loves to roam, and the wolf makes 
his lair, 

And the Red Man crawls on the surly bear, 
And the dead tree falls with a heavy crash ; 

And the jagged hemlock and pine are there, 
And the dismal swamp and the dreary ash, 
And the eagle sits waiting the moment to dash. 

And the roving son of the wilderness, 

While tracking the steps of the gentle deer, 

The little log cabin will seldom miss, 

For the ringing sound of the ax he'll hear. 

As he comes to taste of the welcome cheer, 
The children, who first had gazed in affright 

When they saw his shaggy wolf-dog appear, 
Now run out to meet him with wild delight 
And the heart of the savage is tamed at the sight. 



234 Idyls of the Pioneers 

The little log cabin is all alone ; 

Its windows are rude, and its walls are bare, 
And the wind without has a weary moan. 

Yet Peace, like an angel, is nestling there ; 
And Hope, with her rapt, uplifted air, 

Beholds in the distance the eglantine, 
And the corn with its silver tassel, 32 where 

The hemlock is anchor'd beside the tall pine, 

And the creeping weed hangs with its long fringing 
vine. 



And close by the cabin, tho' hid in the wood, 

Ontario lies, like a mirror of blue, 
Where the children hunt the wild-duck's brood, 

And scare the tall crane and the lonely mew. 
The eldest has fashion'd a light canoe, 

And with noisy glee they paddle along, 
Or dash for the cliff where the eagle flew, 

Or sing in their gladness the fisherman's song, 

Till they waken the echoes the green woods among. 



All was speed and bustle now, 
Hurry sat on ev'ry brow ; 
Naught was heard upon the breeze 
But the sound of falling trees ; 
Rough logs over streams were laid, 
Cabins built, and pathways made ; 
Little openings here and there, 
Patches to the sun laid bare, 
Growing larger ev'ry day ; 
Time sped merrily away. 
Troubles had we not a few, 
For the work was strange and new ; 
Mishaps neither few nor small, 
Yet we rose above them all. 



The Emigrant 



'grant 235 



11 



Then a change came o'er the scene : 

Forests doff'd their garb of green 

For a tawny brown attire, 

Streak'd with grey, and gold, and fire. 

Moan'd the wind like thing bereft, 

As the little bluebird left, 

And the wild-fowl of the lake 

Sought the shelter of the brake ; 

The humming-bird was seen no more, 

And the pigeon southward bore ; 

Soon the robin and the jay 

With the flow'rs had pass'd away ; 

Of a change all Nature spoke, 

And the heav'ns were swathed in smoke ; 

The sun a hazy circle drew, 

And his bloody eye look'd through. 

Thus the Indian summer ended, 

And the sleety showers descended. 

All the trees were stript, at last, 

And the snow fell thick and fast, 

While the lake with sullen roar 

Dash'd her foam upon the shore, 

And the wind in angry mood 

Swept the leafless solitude. 

in 

Then the wolves their visits paid us, 
Nightly came to serenade us. 
In the middle of the night 
I have started with affright, 
For there were around my dwelling 
More than fifty demons yelling 
I could plainly hear them tramp 
Round the border of the swamp. 
I have look'd into the dark, 
Tried to make old Towser bark. 
He would only fawn and whine, 



236 Idyls of the Pioneers 

While the terror-stricken swine 
Ran around like things insane, 
And the sheep, in fear and pain, 
Huddled all within a nook 
How they trembled and they shook ! 
And the frighten'd cattle bore 
Close and closer to the door 
I could see the savage ire 
Flashing from their eyes like fire. 
Then I'd hear a long-drawn howl, 
Then a little snappish growl, 
Then a silence deep as death, 
Till the furies drew their breath ; 
Then, with voices yelling o'er us, 
Fifty demons joined in chorus. 
Thus they'd howl till dawn of day, 
Then they'd scamper all away. 

IV 

Tho' winter's cold was long and dreary, 
We were hopeful, we were cheery ; 
We had many merry meetings, 
Social gath'rings, kindly greetings ; 
To the wall the log was laid, 
And a roaring fire was made. 
Tho' the storm might rave without, 
We were blithe with song about ; 
With the maidens' laugh for chorus, 
Then the youths would tell their stories 
Of the hunting of the coon, 
All beneath the autumn moon 
Of the logging in the fall 
Of oxen terrible to haul 
Of the mighty chopping match, 
Gain'd by but a single natch. 
Thus the time would steal along, 
With the tale and with the song ; 
Little Mac would sit and sing 
Till the very roof would ring : 









The Emigrant 237 



/ Ask Not for Fortune 

I ask not for fortune, 

I ask not for wealth, 
But give me the cabin, 

With freedom and health ; 
With some one to love me 

Joy's roses to wreathe 
With no one above me, 

And no one beneath. 

Let tools be officious 

And flatter the great, 
Let knaves be ambitious 

To rule in the state ; 
Give alms to the needy, 

Give fame to the fool, 
Give gold to the greedy, 

Let Bonaparte rule, 

But give me the cabin, 

Tho' far, far apart ; 
I'll make it love's dwelling, 

The home of the heart ; 
With some one to love me 

Joy's roses to wreathe 
With no one above me, 

And no one beneath. 

VI 

Then we'd cheer him loud and long 
For the jolly hunter's song, 
Who, while roving in the shade, 
Woo'd and won the Indian maid : 



vn 
The Indian Maid 

Oh, come, my love ! Oh, come with me 

To my sweet home afar ; 
This arm will guard no guide need we 

Save yonder ev'ning star. 



238 Idyls of the Pioneers 

I am not of thy clime or creed, 
Yet be not thence afraid ; 

Love makes these accidents, indeed, 
My pretty Indian Maid ! 

Thine eyebrow is the vault of night, 

Thy cheek the dusk of dawn, 
Thy dark eye is a world of light, 

My pretty, bounding fawn ! 
I'll deck thy hair with jewels rare, 

Thy neck with rich brocade, 
And in my heart of hearts I'll wear 

My pretty Indian Maid ! 

Then come, my love ! Oh, come with me ! 

And ere the braves awake 
Our bark will speed like arrow free 

Across the mighty lake ; 
Where faces pale will welcome thee, 

Sweet flow'ret of the shade, 
And of my bow'r thou'lt lady be, 

My lovely Indian Maid ! 



VIII 

Then the elder ones would tell 
Of the great things that befell ; 
Of the feats unsaid, unsung, 
In the days when they were young ; 
Of the worth existing then 
Maidens fair and mighty men ; 
Or they'd sing the ballad rimes, 
Histories of other times, 
Of the manners past away, 
Living in the minstrel's lay : 
Gil Morice, the Earl's brave son ; 
Chevy Chase, so dearly won. 
It may be that I'm growing old, 
Or that my heart is turning cold, 
Or that my ear is falsely strung, 
Or wedded to my native tongue ; 
Yet those strains, so void of art, 
Those old gushings of the heart, 



The Emigrant 239 

Heaving, swelling, like the sea, 
With the soul of poetry, 
They must live within the breast, 
Till this weary heart's at rest 
Then our tears would fall like rain, 
List'ning to old Aunty Jane, 
While in mournful tones she'd sing 
The ballad of the Gipsy King : 

IX 

The Gipsy King 

Lord Sempill's mounted on his steed, 

And to the greenwood gane ; 
The Gipsy steals to the wicket gate, 

And whispers Lady Jane. 
The lark is high in heav'n above, 

But his lay she does not hear, 
For her heaving heart is rack'd with love, 

With hope, with doubt, and fear. 

' ' Thy father's halls are fair and wide, 

The Serapill woods are green ; 
But love can smile, oh ! sweeter far, 

In Gipsy tent, I ween. 
The crawflow'r hangs by Cartha's side, 5 

The rose by Elderslie, 
The primrose by the bank of Clyde, 

The heather bell on Dee ; 

" But I've built our bow'r beside the Gryffe, 

Where hangs the hinny pear ; 
For I've seen no spot in my roving life 

To match the vale of Weir." 
The sweet flow'rs drink the crystal dew, 

The bonnie wee birds sing ; 
But she hears them not, as off she flies, 

Away with the Gipsy King. 

But the false page hurries to my Lord, 

And the tale to him doth bear ; 
He swears an oath, as he dashes off 

And away to the vale of Weir. 
16 



240 Idyls of the Pioneers 

The day fades o'er the Lomond's green, 
But gloamin's hour is long, 33 

He lights him at the Gipsy's tent 
And mars the bridal song. 



" Thou'st stolen the pride of my house and heart, 
With thy spells and magic ring ; 
Thy head goes out at my saddle bow, 
Wert thou thrice a Gipsy King.' 
" I used no spell but the spell of love 
And love knows no degree ; 
I ne'er turned back on friend or foe, 
But I will not fight with thee." 

The Gipsy reels on the bloody sod, 

And the lady flies between ; 
But the blow that redd'ns her raven locks 
Was meant for the Gipsy King. 
" Oh, what have I done?" Lord Sempill cries, 

And his sword away doth fling ; 
" Arise, my daughter, oh ! arise, 

And wed with your Gipsy King ! " 

He lifts her gently in his arms, 

And holds her drooping head ; 
But the tears are vain that fall like rain, 

For Lady Jane is dead. 
They laid her where the alder waves, 

With many a sigh and tear ; 
And the grey cairn still points out her grave, 

Adown the vale of Weir. 

And the maid of the hamlet seeks out the spot, 

And loves the tale to tell ; 
The " Place of Grief" is the name it bears 

Adown the dreary dell. 



The Emigrant 241 

The Indian Battle 



This happen'd (I forget the year) 
Shortly after we came here. 
All upon a summer day 
Was I busy with the hay. 
While I paus'd to wipe my face, 
I could see, with hurried pace, 
Someone coming down the hill 
What ! can that be Lazy Bill ? 
Sure there's something in the blast 
When poor Billy runs so fast ! 
Up he came, and down he sat, 
Puffed, and laid aside his hat ; 
Wiped the sweat from off his face : 
" Oh, my vitals, what a race ! 
Go ! oh, go, and get your gun, 
Or we're murdered, every one ! 

" All the Mohawks are upon us 
May the Lord have mercy on us ! 
They are thick as pigeons Hush ! 
Hear them yelling in the brush ! 
Death in any shape is horrid, 
But 'tis awful to be worried ! 
Oh ! to think that I came here 
To be roasted like a deer ! 
Little did I think, oh, Dee, 
That would be the end of me. 
Had I but a gun and sword 
I would dash among the horde ; 
On the cannibals I'd set 
I'd do something desperate ! " 



242 



Idyls of the Pioneers 



11 



Home we went, where all were arming, 
For the thing look'd quite alarming : 
Children, with imploring looks, 
Running into secret nooks ; 
Women seeking hiding-places, 
With their terror-stricken faces ; 
Men were running here and there, 
Hunting weapons everywhere 
Anything that could be found, 
Aught that would inflict a wound ; 18 
For we all resolv'd we should 
Sell our lives as dear's we could. 



in 



There was fighting Bill from Kent 
(Bill was in his element), 
Stalking, like a soldier born, 
With his gun and powder-horn ; 
Then there was old soldier Hugh, 
With his sword, and musket, too : 
Like a gen'ral there he stood, 
In his old commanding mood. 
Soon we muster'd fifty men, 
But of muskets only ten ; 
Seven pitchforks and a dirk, 
They would help us do the work ; 
Each man had an ax, at least, 
And a will to do his best. 
Soldier Hugh assumed command, 
And the line of battle plann'd, 
Sent his scouts, that he might know 
The manoeuvres of the foe. 

" Muskets to the front ! " cried he ; 

" Keep your ranks, and follow me ! " 



The Emigrant 243 



IV 



Then, with pulses beating high, 
On we marched to do or die. 
When we reach'd yon little height, 
Then we halted for the fight ; 
Where we all in silence stood, 
Looking down upon the wood. 
Then there rose a fearful yell, 
As of fiends let loose from hell ; 
We could hear the arrows whirring, 
And the very lsaves seem'd stirring. 
" Now, my lads, be firm and steady ; 
When order's giv'n, be ye ready. 
Pikemen, you protect the rear ; 
Presently we'll have them here." 
Not a whisper, not a breath, 
In a silence deep as death, 
With grim faces, there we stood 
Looking down upon the wood. 
Minute after minute pass'd, 
And suspense grew great at last ; 
We would have giv'n much to know 
The motions of our hidden foe ; 
But at last a scout came in, 
Saying, with a laughing grin, 
We might safely all disarm, 
For 'twas but a false alarm 
'Twas two tribes in war array 
That had fought since break of day, 
And their chieftains, fierce and cruel, 
Were preparing for a duel. 
This was welcome news indeed ! 
From the fear of danger freed, 
Off we started with delight 
To behold the coming fight. 



244 Idyls of the Pioneers 



In the bosom of the woodj 
With his tribe each chieftain stood. 
An old windfall's level green 
Form'd an open space between, 
And the silence was unbroken, 
Not a single word was spoken. 
Yet anxiety and hope 
In each bosom seem'd to cope. 
Hate, the horrid heritage 
Handed down from age to age, 
In the swarthy faces shone 
As the chiefs came slowly on. 



* 



VI 

Eagle, tall and straight and daring, 
Stept out with a lordly bearing ; 
Ease and grace were in his tread, 
An eagle's feather on his head. 
Agile as the stag was he, 
Brave and beautiful to see, 
Courage in his very walk ; 
In one hand a tomahawk, 
And the other grasp'd a knife- 
Thus he stalk'd on to the strife. 

VII 

Hemlocjc seem'd much less in height, 
Broader and of greater might ; 
Shoulders of herculean strength, 
Arms of an enormous length ; 
Muscular and firmly set, 
Strength and cunning in him met ; 
On his head a raven's plume, 
In his eye a savage gloom. 
Many a war-path he had walk'd, 
Many a foe had tomahawk'd 



The Emigrant 245 

A model savage, dark and dun, 
Devil, if there e'er was one, 
He approach'd with stealthy pace, 
And the cunning of his race. 



VIII 

Each stood still to eye his foe 
Ere he'd make the fatal throw. 
Hemlock seem'd about to fling, 
Eagle gave a whoop and spring, 
Seem'd as if he taller grew ; 
Both upon the instant threw. 
Eagle wheel'd, the weapon pass'd, 
Or that whoop had been his last ; 
Hemlock, sinking on the plain, 
Quick was on his feet again ; 
Down his face a stream of red, 
Deep the gash upon his head. 
There a moment he did stand, 
Grasp'd the long knife in his hand, 
Then he bounded on apace ; 
Eagle met him in the race. 
Closing with a fearful yell, 
Grappling, they together fell. 
O'er each other there they roll'd, 
Clasping each in deadly hold ; 
And, anon, with seeming ease, 
Hemlock rises to his knees 
(Still his foe is in his grasp, 
Lock'd within his deadly clasp) ; 
On his haunches, like a bear, 
Holds him for a moment there. 
In his eyes the blood is streaming ; 
I could see the long knife gleaming. 
Ere the blow could fall amain 
He is rolling on the plain. 
Sudden as the panther fleet, 
Eagle springs upon his feet ; 



246 Idyls of the Pioneers 

Like the serpent in the brake, 
Or the deadly rattlesnake, 
With a quick, unerring dart, 
Strikes his victim to the heart; 
On him leaps with deadly glare, 
Twines his fingers in his hair, 
And, before his kindred's eyes, 
There he scalps him ere he dies. 

IX 

There the rival nations stood, 
Umpires of the deadly feud ; 
Silent, yet with wild delight, 
Watch d the fortunes of the fight ; 
But the Hurons, one and all, 
When they saw their chieftain fall, 
Tho' they seem'd a moment crush'd, 
Like a tempest on they rush'd ; 
When Eagle, with triumphant cry, 
Waved their chieftain's scalp on high ; 
Then he bounded like a deer 
To the Mohawks, hast'ning near. 
Then the Hurons stood at bay, 
Bore their slaughter'd chief away \ 
Far into the woods they bore, 
And were seen and heard no more. 



Donald Ban * 



'Twas here, upon this very spot, 

Where weeds so wildly grow, 
Old Donald's log-built cabin stood 

Full thirty years ago. 
Erect he was, and tall and fair, 

The perfect type of man, 
And Highland bards had sung of him 

As stalwart Donald Ban. 



Fair Donald. 



The Emigrant 247 

He was a hunter in his youth, 

Had travel'd far and wide, 
And knew each hill and vale and stream 

From John o' Groat's to Clyde. 
And well he lov'd to sit and tell, 

As well I lov'd to hear, 
Of feats of strength and daring while 

He tracked the fallow deer. 

The spirit of the mighty hills 

Within his breast he bore, 
And how he loved to sit and sing 

Their ballads o'er and o'er ; 
For he had treasur'd in his heart 

The legends and the lays, 
The loves, the joys, the smiles, the tears, 

The voice of other days. 

The fields where heroes fought and fell, 

The graves wherein they sleep, 
And many a mountain-robber's hold 

Where captives used to weep ; 
The mossy cairns by strath and stream, 

Renown'd in Highland lay 
A strange old world of shade and seer 

Has pass'd with him away. 

And he had gazed on Nature's face, 

Until his spirit caught 
Some strange mysterious whispers from 

The inner world of thought. 
He lov'd the things far deepest which 

He could not understand, 
And had a strange, wild worship of 

The gloomy and the grand. 

Each mountain had a heart and soul, 

A language of its own 
A grand old monarch seated there 

Upon his cloud-built throne. 



248 Idyls of the Pioneers 

The wailing of the winter winds, 
The whispers of the glen, 

Were living and immortal things 
A-watching mortal men. 

And how the old man griev'd to think 
That he should hear no more 

The earthquake wrestling with the hills. 
Or Corrybrechtan's 3 roar. 



11 

Ah ! poor Donald, who can tell 

The heart-break of your last farewell ? 

When Oppression's iron hand 

Drove you from that mountain land, 

Forced you from the strath and fell, 

From the hills you loved so well ; 

When you took your last adieu 

Of Benlomond in the blue, 

Looked upon Ben Nevis hoar, 

Never to behold him more ; 

Last the old roof-tree did view, 

That so long had sheltered you 

You and all your stalwart race 

Set in flames before your face ; 

And beheld the lofty pine, 

Emblem of the honor'd line, 

Fell'd without remorse or shame 

Fell'd to feed the wasting flame 

That consumed your humble dwelling ; 

Who can blame your heart for swelling ? 

Who condemn the blows you gave 

To the tyrant and his slave ? 

Who condemn the curse that sprung 

Ever ready from your tongue, 

Or the imprecations deep 

That from out your heart would leap 



The Emigrant 249 



When you thought upon that day 
And the blue hills far away, 
Or the tears that would o'erflow 
When you told that tale of woe ? 



in 

Often at the close of eve 
He would sit him down and grieve, 
Then he'd take his pipes and play 
Till his heart was far away ; 
On the spirit of the strain, 
Wafted to the hills again ; 
Or, while tears his eyelids wet, 
Sing this sweet song of regret : 



IV 



Why Left I My Country 

" Why left I my country, why did I forsake 
The land of the hill for the land of the lake ? 
These plains are rich laden as summer's rich sky, 
But give me the bare cliffs that tow'r to the sky ; 
Where the thunderer sits in the halls of the storm, 
And the eagles are screaming on mighty Cairngorm ! 
Benledi ! Benlomond ! Benawe ! Benvenue ! 
Old monarchs forever enthroned in the blue ; 
Ben Nevis ! Benavin ! the brotherhood hoar 
That shout through the midnight to mighty Ben More ! 
Tho' lovely this land of the lake and the tree, 
Yet the land of the scarr'd cliff and mountain for me ! 
Each cairn has its story, each river its song, 
And the burnies are wimpling to music along ; 
But here no old ballads the young bosom thrills, 
No song has made sacred the forest and rills ; 
And often I croon o'er some old Scottish strain, 
Till I'm roaming the hills of my country again. 
And oh ! may she ever be upright and brave, 
And ne'er let her furrows be turn'd by a slave ; 
And ne'er may dishonor the blue bonnet stain, 
Altho' I should ne'er wear the bonnet again." 



250 Idyls of t/ie Pioneers 



Hard was poor old Donald's fate : 
In a strange land, desolate, 
Scarcely had he crost the sea 
When his son, the last of three, 
He, the beautiful and brave, 
Found an exile's nameless grave. 
Then his wife, who was his pride, 
At Point Saint Charles too early died, 
And he made for her a grave 
By the lone Saint Lawrence wave ; 
And at last, when all were gone, 
Heartsick, homeless, wander'd on. 
Still one comforter he found 
In poor Fleetfoot, his staghound. 
They had climbed the hills of heather 
They had chased the deer together, 
And together they would mourn 18 
Over days ne'er to return. 



VI 

After wand'ring far and near, 
Built he last a cabin here ; 
'Twas at least a kind of home, 
From which he would never roam ; 
Hoped afflictions all would cease, 
And he'd end his days in peace. 
Ah ! poor Donald ! 'twas God's will 
There was one affliction still 
That was wanting to fill up 
To the brim your bitter cup ; 
And it came in loss of sight, 
Leaving you in endless night, 
Helpless on a foreign shore, 
Ne'er to see " Lochaber more." 



The Emigrant 251 

VII 

For a little while he pined, 
But, becoming more resign'd, 
Then he wander'd far and wide, 
With poor Fleetfoot for his guide. 
In the Highland garb array'd, 
On the Highland pipes he play'd. 
Ever at the welcome sound 
Youths and maidens gathered round 
More than fifty I have seen 
Dancing barefoot on the green, 
Tripping it so light and gay 
To the merry tunes he'd play. 
While he blew with might and main, 
Looking almost young again, 
Playing up the old strathspeys 
With the heart of early days, 
Then to see him, who could know 
He had ever tasted woe ? 



VIII 

Thus for many years he went 
Round each backwoods settlement ; 
But, wherever he might roam, 
Here was still his house and home. 

Always, as the Autumn ended, 
Ere the sleety show'rs descended, 
When the leaves were red and sear 
And the bitter days were near, 
When the winds began to sigh, 
And the birds away to fly, 
And the frost came to the ground, 
Donald's steps were homeward bound. 
Long before he would appear, 
Loud his pipe's note we could hear. 
At the glad, the welcome sound, 



252 Idyls of the Pioneers 

All the neighbors gather'd round ; 
Many a young heart leap'd with joy, 
Many a happy little boy 
Bounded onward, glad to meet 
Old companion, faithful Fleet. 
Then would Donald sit and tell 
Of the strange things that befell 
At the places where he play'd, 
Of the friends his music made, 
Of the hearts touch'd by his strains, 
Of his triumphs and his gains, 
Always ending with this song, 
In the woods remember'd long : 



IX 

The Old Highland Piper 

Afar from the land of the mountain and heather, 
An old Highland piper look'd sad o'er the sea, 

And sigh'd o'er the time when the sound of his chanter 
Was known from the Isles to the bank of the Dee. 

And oft, as the shades of the night would foregather, 
And day was forsaking the weary pine plains, 

He sang of the hills of the dark purple heather, 
The hills that so often re-echo'd his strains. 

Oh ! sad was the heart of the old Highland piper, 
When forced from the hills of Lochaber away, 

No more to behold the gigantic Benlomond, 
Nor wander again on the banks of the Tay. 

But still, as sleep comes to my lone, weary pillow, 
I hear Corrybrechtan again in my dreams, 

I see the blue peaks of the lone cliffs of Jura, 
And wander again by her wild, dashing streams. 

What tho' I must roam in the land of the stranger, 
My heart's 'mong the hills of Lochaber the while ; 

Tho' welcom'd, ah ! 'tis in the tongue of the Sassenach, 
'Tis not the heart-welcome they give in Argyle. 



The Emigrant 253 

They know not the heart of the old Highland piper, 
And little they think that it bleeds to the core, 

When, weary with mirth and the dance, they invite me 
To play them the wail of " Lochaber no more." 

How little they know of the weight of affection 
The scattered descendants of mighty Lochiel 

Still bear in their bosom to aught that reminds them 
Of the dark purple heather and land of the Gael. 

They ne'er saw the tempest in Glen Avin gather, 

Nor heard the storm shrieking round Colonsay's shore, 

Nor felt the cliffs quake 'neath the tramp of the thunder, 
Nor heard the hills join in the mighty uproar. 

And little they know of the tie that still binds us 
A tie which the stranger, no, never can feel 

The love which we bear to the land left behind us, 
The wounds of our parting which never can heal. 

And still, as day fades o'er the placid Pacific, 
To brighten the hills that look'd lovely of yore, 

I seek the lone sea-beach, and play till the waters 
And pine forests ring with " Lochaber no more." 



X 

Thus the years with Donald sped 
Till his health and strength were fled. 
Time had changed his flowing hair, 
Furrow'd deep his forehead fair ; 
But tho' old and blind and maim, 
Yet his heart was still the same. 
But 'twas plainer ev'ry day 
He was wearing fast away 
All his wand'rings and his woes 
Drawing swiftly to a close. 
Well I mind of all that pass'd 
When I went to see him last. 
On his bed I found him lying, 
And the poor old man was dying ; 
No one near to soothe or guide him, 



254 Idyls of the Pioneers 

Not a living soul beside him : 
Only Fleetfoot faithful hound 
Met me with a welcome bound, 
Lick'd my hand and led the way 
Where his dying master lay ; 
Placed his paws upon the bed, 
With a loving kind of dread ; 
Looked the rev'rence of his race 
In his dying master's face ; 
Ask'd me with his anxious eye, , 
"Will he live, or will he die ? " 
When he saw me shake my head, 
Down he lay beside the bed, 
Whining there so long and low 
That mine eyes did overflow. 

" Down, Fleet, down ! " the old man said, 1 * 
" Let us walk with noiseless tread ; 
Yonder herd of fallow deer 
Know not that the hunter's near ! " 

Soon his brain was wandering fast 
From the present to the past ; 
Now he talk'd of other times, 
Singing snatches of old rimes. 
In a quick and hurried tone, 
This disjointed talk went on : 

" Hush ! the hills are calling on me, 
Their Great Spirit is upon me ; 
Listen ! that is old Ben More ; 
Hush ! that's Corrybrechtan's roar ; 
See ! a gleam of light is shed 
Afar upon Ben Nevis' head ; 
There ! 'tis on Benlomond now, 
The glory's resting on his brow ; 
From his locks the gold is streaming, 
And his purple mantle's gleaming ; 
The crimson and the amber rest 



The Emigrant 255 

On the deep folds of his vest, 
And still anon some isle of blue 
Is for a moment heaving through. 
The clouds are rolling fast away, 
The dark is dappling into day ; 
Come, my love, we are aweary 
Of these woods so lone and dreary ; 
We have tarried far too long 
From the land of love and song. 
Ah ! they told me thou wert dead, 
By the lone Saint Lawrence laid ; 
And our children, sons and daughters, 
Gone like music on the waters. 
Bring my staff ! let us away 
To the land of mountains grey, 
Never, never more to roam 
From our native ' Highland home.'" 



XI 

He seem'd as if about to rise, 
When suddenly he closed his eyes, 
And his spirit pass'd away 
From its weary house of clay. 

XII 

After all your toil and cumber, 
Sweetly, Donald, may you slumber. 
Your life's little tragedy 
Shall not wholly pass away, 
For there were, indeed, in thee 
Gleams of a divinity, 
Longings, aspirations high, 
After things which cannot die. 
And your soul was like your land, 
Stern and gloomy, great and grand. 
Yet each yawning gulf between 
Had its nooks of sweetest green ; 
17 



256 Idyls of the Pioneers 

Little flow'rs, surpassing fair 
Flow'rs that bloom no other where- 
Little natives of the rock, 
Smiling 'midst the thunder-shock ; 
Had its rainbow-gleams of glory, 
Hanging from the chasms hoary, 
Dearer for each savage sound, 
And the desolation round. 



XIII 

Much remains still to be told 
Of these men and times of old 
Of the changes in our days 
From their simple honest ways 
Of the quacks, on spoil intent, 
That flock'd into our settlement 
Of the swarms of public robbers, 
Speculators, and land jobbers 
Of the sorry set of teachers, 
Of the bogus tribe of preachers, 
Of the host of herb physicians, 
And of cunning politicians. 
But the sun has hid his face, 
And the night draws on apace ; 
Shadows gather in the west, 
Beast and bird are gone to rest. 
With to-morrow we'll not fail 
To resume our humble tale. 






257 



COMPANIONSHIP IN BOOKS 

THIS generation ne'er can know 
The toil we had to undergo 
While laying the great forest low. 

For many a weary year I wrought, 
With poverty and hardship fought, 
And hardly had I time for thought. 

In ev'ry stroke, in ev'ry blow, 
In ev'ry tow'ring pine laid low, 
I felt a triumph o'er a foe. 

Each knotty hemlock, old and brown, 
Each elm in thunder hurling down, 
A jewel added to my crown. 

If e'er my heart within me died, 

Then up would start my stubborn pride, 

And dash the coward thoughts aside ! 

Hope ever singing in my ear, 
" Be brave, for what hast thou to fear ? 
The heav'ns are watching o'er thee here ! " 

But, fighting with those stubborn facts, 18 
My spirit paid a heavy tax 
My soul grew callous as my ax. 

But still some wand'ring sympathy, 
Some song, learn'd at my mother's knee, 
Came as the bread of life to me. 

Save for those raindrops from on high 
Those fountains opened in the sky 
My life-streams would have all gone dry. 



258 Idyls of the Pioneers 

Until that time, I little knew 

What books for lonely hearts can do, 

Till spirits round my heart they drew. 

My cabin seem'd a whole world wide ; 
Kings enter'd in without their pride, 
And warriors laid their swords aside. 

There came the Saxon, there the Celt, 
And all had knelt where I had knelt, 
For all had felt what I had felt. 



I saw, from clime and creed apart, 
Still heaving 'neath their robes of a 
The universal human heart. 



And Homer and Sir Walter Scott 
They enter'd in my humble cot, 
And cheer'd with tales my lowly lot. 

And Burns came singing songs divine, 
His heart and soul in ev'ry line 
A glorious company was mine ! 

I was a brother to the great 
Shakspeare himself on me did wait, 
With leaves torn from the book of fate. 

They ask'd me not of rank or creed, 
And yet supplied my spirit's need 
Oh, they were comforters, indeed ! 

And show'd me by their magic art 
Those awful things at which we start, 
That hover round the human heart ; 

Fate ever watching with her shears, 
And mixing all our hopes with fears, 
And drenching all our joys in tears. 



Companionship in Books 259 

They show'd how contradictions throng, 
How by our weakness we are strong, 
And how we're righted by the wrong ; 

Unveil'd new regions to my sight, 
And made the weary winter's night 
A perfect revel of delight. 



THE SETTLER'S FIRST SABBATH DAY 

WOULDST thou know the soul of silence ? 
Go to the untrodden woods ; 
Lift thy voice aloud, and listen 

To the answering solitudes. 
Wouldst thou have deep confirmation 

That a God indeed doth reign 
Feel the awful, unseen Presence ? 
Go, and never doubt again. 

Far in a Canadian forest, 

Underneath a spreading oak, 
Ere the solitude had echo'd 

To the woodman's cheerful stroke ; 
Ere the branching elm had fallen, 

And the cedar and the pine, 
Ever since Time's birth, had blossom'd 

Undisturbed by man's design ; 

Here some power-expatriated 

Sons of Scotia, sad, forlorn, 
Met, their father's God to worship, 

On a quiet Sabbath morn. 
Poverty, perchance oppression, 

Drove them to the woods to dwell, 
Leaving half their hearts behind them 

'Mong the hills they loved so well. 



260 Idyls of the Pioneers 

* 

Want, the mother of affliction, 

Had been their familiar long ; 
Yet to battle with the forest 

Hearts they brought both stout and strong. 
Some, the soldiers of affection, 

Soldiers of the noblest kind, 
Came to seek a home for parents, 

Left in poverty behind. 

Some, from wives and children parted, 

Hope allaying their distress, 
For she whisper'd she would find them 

Freedom in the wilderness. 
Some were creatures of misfortune ; 

Of tyranny and wrong were some ; 
Yet their hearts were griev'd within them, 

Parting from their childhood's home. 

'Mid this group of humble beings 

There was one old grey-haired man 
Who was loved, yea, as a father 

Round him all the children ran. 
He had look'd upon the world, 

Yea, for three-score years and ten, 
Had still in his heart unbounded 

Love for all his fellow-men. 

Things for which the world is struggling, 

Honor, riches, power, and pelf, 
Were to him but moping shadows 

Groping in the cell of Self. 
Love had lent him strength to wrestle 

Even with the storms of fate ; 
In his heart he bore no hatred, 

Only to the soul of Hate. 

Yea, he would have been a poet 

Had not penury, the while, 
And a sense of duty, doom'd him 

To a life of ceaseless toil. 



The Settler's First Sabbath Day 261 

Yet by times the God within him 

Would lift up His awful voice, 
And the melodies imprison'd 

Burst their fetters and rejoice. 

And his pent-up human feelings 

Ever and anon would start 
Into words which found an entrance 

Even to the roughest heart. 
Surely 'twas the God of Jacob 

Honor'd this old man to raise, 
Here in Nature's green cathedral, 

To His name the song of praise. 

In that awful leafy temple 

Not a sound the silence broke, 
Save his voice in prayer ascending 

From the shadow of the oak. 
Their full souls to his responded, 

As to some old prophet seer ; 
Anxiously they circled round him, 

Hush'd their very hearts to hear. 



The Address 

" We are met, belov'd friends, in this temple of green, 
A fit place to worship the awful Unseen, 
Who guided us safely across the great deep, 
And hushed the wild waves and their billows to sleep. 
In the city and mart man may not recollect 
To ask the Great Father to guide and protect : 
Too often we've seen him bent under a load 
A burden of guilt as he travel'd life's road ; 
But here in the forest, with danger beset, 
Ah ! dead must the heart be that e'er can forget. 

" We have left a loved land where we suffer'd sore wrong, 
But in these wild forests we'll sing a new song. 



262 Idyls of the Pioneers 

Our wrongs we'll forget ; let it now be our care 

To cherish the virtue which still blossoms there. 

Our hearts to affection can only give way 

When we think of our homes and the hills far away. 

Ah ! yes, I had hoped to be laid down at last, 

When life, with its toils and its troubles, had pass'd, 

Beside the old church where the lone willows weep, 

Where our friends and our kindred all silently sleep. 

My time must be short, and I well could have borne 

By injustice and wrong that my heart should be torn, 

But oh ! it has been the long wish of my life 

To help man to shake off deception and strife. 

I'm sick and I'm weary of havoc and hate, 

Let love be the genius, the soul of this state ! 

In peace let us found a community here ; 

We'll govern by love, not by hatred and fear. 

I thank you, my children, for that deep Amen, 

And I'll die with the hope that you'll all be true men. 

" Then on ! on ! ye brave, to the battle of peace ! 
And hasten the time when men's sorrows shall cease. 
The ax is your weapon, the forest your foe, 
And joy, peace and plenty come forth at each blow. 
Ah, poor is the triumph the warrior feels ! 
Humanity weeps while his work she reveals. 
How long' shall the demons of ruin and wrath 
With bleeding hearts cover the war-wasted path? 
How long shall Oppression her bloody lash wave, 
And the poor tool of Mammon a brother enslave? 

" I see in the future a sweet smiling plain, 
With green pastures waving, and rich golden grain. 
What will they avail you, if folly and sin, 
Or greed, blight the fiow'rs of affection within ? 
What will it avail, tho' your herds may increase, 
If still ye are strangers to virtue and peace ? 
For virtue alone is the soul of a state 
Without it we vainly are wealthy and great. 
Ah ! yes, there is treasure more precious than gold, 



The Settler's First Sabbath Day 263 

Not found in the markets a treasure untold. 

The heart longs for something on which to rely, 

A something the wealth of the world cannot buy ; 

A something which beauty, which virtue foreshows, 

Which genius announces, but cannot disclose ; 

A something above the dark regions of sense, 

Akin to the spirit which beckons it hence. 

And mind, my lov'd children, that, go where we will, 

There danger and death surely follow us still ; 

There are shafts in the quiver of fortune and fate, 

That, say what we will, we can ne'er feel elate. 

Be we rich, be we poor, there's a death hanging o'er us, 

An awful eternity stretching before us ; 

We're hurriedly wafted on this wave of time 

To the great mighty ocean that's stretching sublime ; 

And if the rude tempest and storms overtake us, 

Aye mind there is One that will never forsake us ! 

There's only one Pilot can bid the storm cease, 

And bring us at last to the haven of peace ; 

Sublime was the sorrow His human heart bore, 

That headaches and heartaches might know us no more. 

' Then oh ! let us live so that at the great day 
When the framework of Nature shall burst and give way, 
When 'midst the great ruin the Judge will descend, 
Eternity with Him, and time at an end ; 
Oh ! then we may enter and taste of the joy 
Which time, death and sorrow can never destroy ; 
Oh ! then may we look back from that happy sphere 
With joy to the Sabbath we first worshipt here, 
Communing with angels, with Christ for a Friend, 
And a Sabbath of glory which never shall end." 

And many years have pass'd away 

The forest all is torn, 
Save the old oak, in memory left 

Of that sweet Sabbath morn. 
And some are with the living still, 

And some are with the dead, 



264 Idyls of the Pioneers 

Who treasured up within their hearts 
The words the old man said. 

His work still lives, tho' he is laid 

Within the quiet grave ; 
The old oak is the monument 

Which over him doth wave. 
Some one has graven on its trunk, 

Who holds his memory dear : 
" Stranger, this is a sacred spot ; 

A Christian slumbers here." 



THE BACKWOODS PHILOSOPHER 

WELL, "as I said, I'm forest bred, 
A rough uncultured critter, 
Yet in my way I've read per day 

Some page of forest natur'. 
Among the first things I obsarv'd 

My mates it didn't strike 
What ar we do, we'll nar get two 
That see a tree alike. 

Folks may be honest and sincere, 

And may ha' eyes to see through, 
And hold a principle as dear, 

Tho' they don't see as we do. 
Now that's a very leetle fact, 

It seems as plain as prattle ; 
Would folks but see 't, 'twould save much heat, 

An' many an' many a battle. 

Another thing which took my eye 

Was Natur's moral statur', 
For Natur' will not tell a lie, 

Nor won't have lies, will Natur'. 



The Backivoods Philosopher 265 

A tree will fall the way she's cut, 

No words aside can win her, 
And smash you splay, if in her way, 

Let you be saint or sinner. 

And when you go to square her up, 

Nar heed what fools may say ; 
Cut to the chalk aye, that's the talk 

Let chips strike who they may. 
He who would talk you off the straight, 

You tell him that he drivels ; 
The right is right ! 'twill stand the light, 

Be 't God's law or the devil's. 

And he's no better than a fool, 

A little silly critter, 
Who thinks by cunnin' to out-pull 

Or cheat old Mother Natur'. 
Another thing which did me strike, 

While through the forest goin' 
Your timber's always somethin' like 

The soil on which it's growin'. 

The elm will root him firm, I ween, 

'Mong rocks, and he will thrive 
Upon the spot where maples green 

Could hardly keep alive. 
And he will thrive and flourish thar, 

And to the winds he'll call, 
And talk wi' spirits o' the air 

Beside the waterfall. 

Yon oak's exposed to wind and rain, 

To ev'ry storm that swells, 
So ev'ry fibre, leaf and grain 

His long life-battle tells. 
He gathers strength from ev'ry shock, 

And tougher still he grows, 
And looks defiance from the rock 

To ev'ry storm that blows. 



2 66 Idyls of the Pioneers 

While far within the shelterin' vale 

The lady-maple leans, 
And tells her quiet, peaceful tale 

To gentle evergreens. 
Close by, a brother all-misplaced, 

In an unfriendly soil, 
He fights and frets until he gets 

Demoralized the while. 

Then sad and lone and woe-begone, 

To ev'ry wind he sighs, 
Resigns the strife for light and life, 

And sullenly he dies. 
So, like the tree, what we would be 

Depends not on our skill ; 
And wrong or right are we, despite 

Our wishes or our will. 



DR. BURNS* 
Preaching in the Scotch Block. 

GENTLE, dove-like Peace is brooding 
O'er the woods this Sabbath morn ; 
Save the ox-bell's distant tinkle 

No sound on the air is borne 
Not a breath the leaves to rustle, 
Not a breath to stir the waves, 
Oh ! how deep the quiet hanging 
O'er these green, forgotten graves ! 

There the church in her grey glory- 
Deeper is the holy shade 

Round the sacred spot where all the 
Ancient foresters are laid. 



* Dr. Robert Burns, Minister of Knox Church. Toronto, 1845-56, afterwards 
Professor in and Principal of Knox College, Toronto. 



Dr. Burns 267 

Hush ! there's something 'mong the willows, 

Whisp'ring to the silent dead ; 
Yea, the heart hears their communing 

Hears, tho' not a word is said. 

Surely 'tis not idle fancy 

That still whispers in my breast, 
Spirits of the dead are with us 

On the hallow'd morn of rest. 
Hark ! the bell's deep hollow summons, 

Calling Scotia's sons to pray'r 
See ! from wood and field they're coming, 

With a deep devotional air. 

Mountaineers, with deep mark'd features, 

Tartans showing clannish pride ; 
Shepherds from the Vale of Ettrick, 

Peasants from the Strath of Clyde. 
There old Donald Bane, from Badenoch 

Whose grandsire at Preston fell 
Of the hapless house of Stuart, 

Weeping, still the tale he'll tell. 

These are kindred of Rob Ruadh, 

From Loch Lomond's sounding shore ; 
Still they wear their hero's tartan, 

Tho' his hills they'll see no more. 
Old John, from the Braes of Yarrow, 

In his shepherd's plaid appears ; 
Its warm folds around his bosom 

Wake the thoughts of other years, 

Till he hears the lark in heaven, 

Sees the sheep among the hills, 
Hears the Yarrow, till his dim eye 

With the tear of mem'ry fills. 
And tho' his clear'd fields have cost him 

Years of labor and of pain, 
He would give them all to be but 

A poor shepherd boy again. 



268 Idyls of tke Pioneers 

In the rudely-fashion'd pulpit 

Now a little man appears, 
Resolute in soul, tho' bending 

'Neath the weight of eighty years. 
He had fought beside great Chalmers 

'Gainst the tyranny of state, 
Left the Church yea, of his fathers 

More in sorrow than in hate. 

Rude in voice, and rough in feature, 

Nothing gentle is within ; 
On his brow is plainly written : 

" There's no quarter here for sin." 
Nothing flow'ry in his language 

Yea, it is sublimely bare 
Rude as are his country's mountains, 

Yet a naked grandeur's there ! 

He tells of the unbelieving 

Spirit of the present time, 
Which would rob us weary mortals 

Even of the hope sublime. 
He denounces Mammon's worship, 

Yea, the god of this vain age ; 
How the veins start in his forehead 

As he points to history's page ! 

To the covenanting heroes, 

To the mighty men of old 
Listen ! for he speaks of peasants 

Who could not be bought or sold. 
" Sons of sires who did a tyrant 

With his myrmidons withstand, 
Let the faith of your great fathers 

Guide you in this forest land. 

" Sons of sires who did a bigot 
Even on his throne rebuke, 
Cling ye to their faith, which torture 
Never for a moment shook. 



Dr. Burns 269 

'Mid the Church's desolation, 

Still they put in God their trust ; 
Rallied they round Zion's banner, 

Torn and trampled in the dust. 

" For amid the lonely moorlands, 

In the deep, sequestered glen, 
God has heard the pray'r at midnight 

Of these persecuted men. 
Heavy is the tyrant's burden, 

Cruel is oppression's rod, 
Yet these humble peasants dreaded 

Nothing save the wrath of God. 

" Why should they the passing mandate 

Of a dying king obey ? 
Had they not a higher edict, 

Which shall never pass away ? 
Why should they dread men's death-warrant ? 

Is not death the common road 
Either to the nether regions 

Or the city of our God ? 

" Had they not a higher mandate, 

Which knows neither change nor time, 
Issued amid smoke and thunder 

On the trembling Mount sublime? 
They were men of earnest natures, 

Looking to the soul of things ; 
What cared they for crowns and sceptres ? 

What cared they for earthly kings ? 

" What cared they for passing splendor ? 

They had gleams of the divine ! 
What to them were stars and garters, 

Evil as the sparkling wine ? 
Were they not the heirs of glory 

Earthly kings might never see ? 
Were they not the priests and prophets 

Of a higher dynasty ? 



270 Idyls of the Pioneers 

" Crowns depart and princes perish, 

Empires crumble and decay ; 
But the Truth endures forever, 

And shall never pass away. 
Still the cairn among the mountains 

Marks the spot whereon they fell ; 
Still with swelling heart the shepherds 

Love upon their deeds to dwell. 

" May their mem'ry never perish, 

May their graves be ever green ; 
They were peasants, and such peasants 

As the world has rarely seen. 
Go ! and may their God go with you 

Yea, the God of the opprest. 
Plant their faith, the Faith of Freedom, 

'Mong these forests of the West." 



THE SETTLER'S PRAYER 

WELCOME to the weary worn, 
Welcome to the heart forlorn, 
Welcome, sacred Sabbath morn ! 

Peace from yonder cloud's descending, 
Heav'n and earth again are blending, 
And the woods in worship bending. 

Yonder distant hill-pines lie 
On the bosom of the sky, 
Musing on things deep and high. 

Yea, the very swamp has caught 
Something like a holy thought, 
And its face with love is fraught; 



T/ie Settlers Prayer 271 

While yon ancient elms extend 
Their great arms, and arch and blend 
Into cloisters without end, 

Forming many a still retreat 
Where the noon-tide shadows meet, 
Ever on their noiseless feet. 

Blessed morn ! thou'rt welcome here 

To the backwoods pioneer, 

Far from all his heart holds dear. 

He has wander'd far away 
From the land of mountains grey 
Where his children are at play. 

Urged by independence on, 
Far into these wilds unknown 
He has ventured all alone. 

Freedom whisper'd in his breast 
He would find a home of rest 
In the forests of the West ; 

But he found it hard to part 
From the partner of his heart, 
In that cottage by the Cart, 5 

And his little children three, 
Crowding all around his knee, 
Whom he never more might see. 

In his log-built cabin rude, 

In the forest solitude, 

There he sits in thoughtful mood. 

" Who," he asks, " at God's behest, 
Will lead forth His poor opprest 
To this refuge in the West ? 
18 



272 Idyls of the Pioneers 

" While these wilds cry out for toil 
To produce their corn and oil, 
Men starve on their native soil. 

"Willing hearts are left to wither; 
Bring, oh, bring the workers hither! 
Bring the lands and hands together." 

From such thoughts he turns away, 

For on this, God's holy day, 

He would hear what prophets say. 

Even Burns he puts aside 
Burns, his week-day joy and pride ! 
Burns, so human, wild, and wide ! 

And he brings from out its nook 
That great Book of books the Book ! 
On its sacred page to look. 

Now some song of Israel's King 
Comes, as on an angel's wing, 
Through his very soul to sing 

Songs that bring a joy untold, 
Songs more precious far than gold, 
Songs that never can grow old ; 

Sung by martyrs in the glen, 
That in sorrow's darkest den 
Cheered the souls of weary men. 

Now he reads the tragic story 
How the world, in sin grown hoary, 
Crucified the Son of Glory : 

He the Hope of every clime, 
He the sole bright Star in time, 
Solitary soul sublime ! 



The Settlers Prayer 273 

Then his knee to heav'n he bends ; 
For his children and his friends 
All his soul in prayer ascends. 

May God guide them o'er the deep, 
As a shepherd guides his sheep, 
Watching kindly o'er their sleep. 

Now he prays for all in pain, 
For the wretched and insane, 
While the teardrops fall like rain ; 

Pleading for the sons of crime, 
The despised, the dross, the slime 
Wretched, Lord, in ev'ry clime 

For the outcast in his lair, 
All that need a brother's care, 
Houseless vagrants ev'rywhere ; 

Prays that mists may cease to blind 
Fellow-workmen left behind, 
" May they, Lord, have strength of mind 

" To resist the drunken feast, 
Scorning all that has increas'd 
Their relation to the beast. 

" Let their worth appear in deeds, 
Not in whining of their needs, 
Or in mouthing of the creeds. 

" Let them try to fill the ditch 
That divides the poor and rich 
Like a seething lake of pitch ; 

" Ever doing what they can, 
Working out each noble plan, 
Calling forth the God in man ! 



274 Idyls of the Pioneers 

" Break, O Lord ! the spell of birth ; 
Haste the time when moral worth 
Shall take highest rank on earth. 

" Break the chains of creed and caste, 
Heal the wounds of all the past, 
Bring the reign of Love at last." 

'Til the evening shadows grey 
Clothe the woods in dark array, 
Thus he keeps the Sabbath day. 



FIRE IN THE WOODS 

WHEN first I settled in the woods 
There were no neighbors nigh, 
And scarce a living thing, save wolves, 

And Molly dear, and I. 
We had our troubles, ne'er a doubt, 

In those wild woods alone ; 
But then, sir, I was bound to have 
A homestead of my own. 

This was my chosen field of strife, 

The forest was my foe, 
And here I fought, I plann'd, I wrought, 

To lay the giants low. 
I toil'd in hope, got in a crop, 

And Molly watch'd the cattle ; 
To keep those " breachy " steers away 

She'd many a weary battle. 

The " devil's dears " were those two steers ! 

Ah ! they were born fence-breakers, 
That sneak'd all day and watched their prey, 

Like any salt-sea wreckers. 



Fire in the Woods 275 

And gradually, as day by day 

The grain grew golden yellow, 
My heart and hope grew with that crop, 

I was a happy fellow. 

That crop would set me on my feet, 

And I'd have done with care ; 
I built away the live-long day 

Such "castles in the air." 
I'd beaten poverty at last, 

And, like a little boy 
When he has got his first new coat, 

I fairly leapt for joy. 

I blush to think upon it yet 

That I was such a fool, 
But young folks must learn wisdom, sir, 

In old Misfortune's school. 
One fatal night I thought the wind 

Gave some unwonted sighs ; 
Down through the swamp I heard a tramp, 

Which took me by surprise. 

Is this an earthquake drawing near ? 

The forest moans and shivers ; 
And then I thought that I could hear 

The rushing of great rivers. 
And while I look'd and listen'd there, 

A herd of deer swept by 
As from a close pursuing foe 

They madly seem'd to fly. 

But still those sounds, in long, deep bounds, 

Like warning heralds came, 
And then I saw, with fear and awe, 

The heav'ns were all aflame. 
I knew the woods must be on fire 

I trembl'd for my crop 
As I stood there in mute despair 

It seem'd the death of hope. 



276 Idyls of tfu Pio fieers 

On, on it came, a sea of flame, 

In long, deep rolls of thunder, 
And drawing near, it seem'd to tear 

The heav'ns and earth asunder. 
How those waves snored, and raged, and roared, 

And reared in wild commotion ! 
On, on they came, like steeds of flame 

Upon a burning ocean. 

How they did snort in fiendish sport 

As at the great elms dashing ! 
And how they tore 'mong hemlocks hoar, 

And through the pines went crashing ! 
While serpents wound the trunks around, 

Their eyes like demons' gleaming, 
And wrapt like thongs around the prongs, 

And to the crests went screaming. 



* 



Ah ! how they swept, and madly leapt 

From shrieking spire to spire, 
'Mid hissing hail, and in their trail 

A roaring lake of fire ! 
Anon some whirlwind all aflame 

Growl'd in the ocean under, 
Then up would reel a fiery wheel, 

And belch forth smoke and thunder. 

And it was all that we could do 

To save ourselves by flight, 
As from its track we madly flew 

Oh, 'twas an awful night ! 
When all was past, I stood aghast, 

My crop and shanty gone, 
And blacken'd trunks, 'mid smouldering chunks, 

Like spectres looking on. 

A host of skeletons they seem'd 

Amid the twilight dim, 
All standing there in black despair, 

With faces gaunt and grim. 



Fire in t/ie Woods 277 

And I stood there, a spectre, too ; 

A ruin'd man was I, 
With nothing left what could I do 

But sit me down and cry ? 

A heavy heart indeed was mine, 

For I was ruin'd wholly ; 
And I gave way that crushing day 

To moping melancholy. 
I'd lost my all in field and stall, 

And nevermore would thrive ; 
All, save those steers the " devil's dears " 

Had saved themselves alive ! 

Nor would I have a farm to-day 

Had it not been for Molly ; 
She cheer'd me up, and charm'd away 

My wretched melancholy. 
She schemed and plann'd to keep the land, 

And cultivate it, too, 
So on I moil'd, and strain'd, and toil'd, 

And fought the battle through. 

Yes, Molly play'd her part full well ; 

She's plucky, every inch, sir ; 
It seem'd to me the Deil himsel' 

Could not make Molly flinch, sir. 
We wrought and fought, until our star 

Got into the ascendant : 
At troubles past we smile at last, 

And now we're independent. 



278 Idyls of the Pioneers 



A BACKWOODS HERO 

Canada is prolific in heroes of her own ; men who venture out 
into the wilderness, perhaps with little save an ax and a determined 
will, and hew their way to independence. Almost every locality can 
point to some hero of this kind, who overcame difficulties and dangers 
with a determination which, in a wider sphere, would have com- 
manded the admiration of the world. They were energetic, inventive, 
sleepless souls, who fought with wild nature, cleared seed-fields in the 
forest, built mills, schools and churches, where, but a few years before, 
naught was heard save the howl of the wolf and the whoop of the 
Indian. Such gathered, perhaps, a little community of hardy pioneers 
around them, to whom they were carpenter, blacksmith, architect, 
miller, doctor, lawyer, judge all in one. 

The following is a real portrait of such a one, a brother-in-law of 
the poet, Daniel McMillan by name, looked on as founder of Erin 
village, Wellington county, long called " McMillan's village." 

WHERE yonder ancient willow weeps, 
The father of the village sleeps ; 

And, tho' of humble birth, 
As rare a specimen was he 
Of Nature's true nobility 

As ever trod the earth. 
The busy head and hands are still ; 
Quench'd the unconquerable will, 

Which fought and triumph'd here ; 
And tho' he's all unknown to fame, 
Yet grateful hearts still bless his name, 

And hold his me'mry dear. 

He hither came in days when this 
Was all a howling wilderness, 

With little save his ax ; 
And cut and slash'd and hew'd his way, 
And scarce a moment, night or day, 

His efforts did relax. 
For at it with a will he went, 
And all his energies he bent, 

Determin'd to get through ; 



A Backivoods Hero 279 

To him all labor seem'd but sport, 
The summer day was far too short 
For all he had to do. 

He chopp'd, he logg'd, he clear'd his lot, 
And into many a darken'd spot 

He let the light of day ; 
And through the long and dismal swamp, 
So dark, so dreary and so damp, 

He made a turnpike way. 
The church, the school-house, and the mill, 
The store, the forge, the vat, the kiln, 

Were triumphs of his hand ; 
And many a lovely spot of green 
Which peeps out there, the woods between, 

Came forth at his command. 

What was it that he would not face ? 
He bridged the stream, he cut the race, 

Led water to the mill ; 
And plann'd and plodded, night and day, 
Till ev'ry obstacle gave way 

To his unconquer'd will. 
And he was always at our call, 
Was doctor, lawyer, judge and all ; 

And this throughout the section. 
Oh ! there was nothing could be done, 
No field from out the forest won, 

Save under his direction. 

He drew up deeds, he measured land, 
For all the people thought and plann'd, 

Did aught to help a neighbor ; 
He always had so much to do, 
I wonder'd how he e'er got through 

With such a load of labor. 
But something in his face said " Work " 
The very dullest could not shirk, 

The deafest had to mind him : 



8o Idyls of the Pioneers 

And if he only look'd, or spoke, 
Or only said a word in joke, 
He left his mark behind him. 

All prosper'd where he had a hand 
The houses that he built would stand, 

The seed he sow'd would grow ; 
And for his bait the fishes fought, 
The deer seem'd willing to be caught 

'Twas strange, but it was so. 
His plan of things was aye the best, 
Success from failure he would wrest, 

He had such art about him, 
And truly nothing could go on, 
Wer't but the rolling of a stone, 

It roll'd not right without him. 

Yet he would never follow rules ; 
Systems of colleges and schools 

To him were all unknown ; 
And in mechanics and in trade 
His calculations all were made 

By systems of his own. 
Few were his words, yet what he said 
Had aye the ring of " go-ahead " 

Improvement was his passion ; 
Tho' into order much he brought, 
You always found him in a coat 

An age behind the fashion. 

A feeling heart was in his breast, 
And cruelty to man or beast 

Found him a foe unsparing ; 
The two things which he could not bear, 
Which to condemn he did not spare, 

Were gossip and tale-bearing. 
Newcomers, should their crops e'er fail, 
Would come and tell their mournful tale, 

And he would fill a sack ; 



A Backwoods Hero 281 

It always seem'd to do him good 
To give a hungry mortal food, 
And send him smiling back. 

If roughs assembled at a " bee," 

And, steaming with the " Barley Bree," 

They raged and roar'd and swagger'd, 
As soon as e'er his face they saw 
It held in reverential awe 

The most regardless blackguard ! 
He had his enemies, no doubt 
Such men as he are ne'er without 

A brood of spiteful lies ; 
Tho' styled by some "The Autocrat," 
He paid as small regard to that 

As to the summer flies. 

He sought not fame, nor did he e'er 
Find fault with his too narrow sphere, 

Tho' many a person said 
He was the man who should be sent 
To rule our rabble Parliament 

It wanted such a head. 
And here he rul'd, and here he reign'd, 
And no man lost by what he gain'd ; 

And here he lies at rest ! 
Yet may his mem'ry never fade, 
And may the turf upon him laid 

Lie lightly on his breast ! 



[Editor's Note. In 1900, mementos of McMillan still remain 
in and around Erin village. "The race" still carries water to the 
mill, a new one erected on the site of the original. "The church" 
and " the school " have been superseded by new structures. His house 
is still in use, as a hotel, we believe. " The turnpike way " still serves. 
McMillan injured a finger while working in his mill ; blood-poisoning 
ensued, resulting in his death, on the 17th December, 1849, at tne early 
age of thirty-eight.] 



282 Idyls of the Pioneers 



OLD HOSS 

YOU educated folk, no doubt, 
At spinning yarns are bosses ; 
Well, for some trade each man is made, 

I'm number one at hosses. 
I'm known o'er all the township, sir, 

By hired hand and boss ; 
As I go by the children cry, 

" There goes the great Old Hoss ! " 

I often wonder and to know 

I'm really at a loss 
What kind o' soul a man can have 

That doesn't love a hoss. 
I love the critters ev'ry one, 

And that's the way, you see, 
That ev'ry critter 'neath the sun 

A likin' has for me. 

If ever I gets badly riled, 

If ever I gets cross, 
'Tis when I see brutality 

Inflicted on a hoss. 
They knows it, too, as well as you ; 

And ev'ry hoss I meet, 
Lor' bless your heart ! it nods to me 

As I goes down the street. 

A hoss, sir, has ideas, sir ! 

And if you truly love him, 
And educate him as you ought, 

You'll make a Christian of him. 
A hoss, sir, will be good or bad 

Its all in how you break him 
He'll be a Christian or a brute, 

Just as you've sense to make him. 



Old Hoss 283 

For, be we either man or hoss, 

We've all some inborn sin ; 
And what is Christianity 

But just a breakin' in ? 
Now, I gives all my hosses, sir, 

A Christian edication ; 
And nar a one but has some sense 

Of moral obligation. 

He knows a man that is a man, 

And feels that he's his master ; 
Detects a knave or coward slave 

No woman does it faster ! 
He hates them blusterin' bullies, sir, 

Them fellers that are gross ; 
Be good yourself, if you would be 

Respected by a hoss ! 

No doubt, at times, as 'mong ourselves, 

You'll come across a fool ; 
He'll try your temper fearfully, 

But you must just keep cool. 
I've had some heart-breaks in my time 

Some awful stupid asses ! 
To make them moral animals 

All human skill surpasses. 

For you may treat them as you may, 

They're crooked as a fence. 
In man or hoss, the want of wants 

Is want of common-sense ! 
But really in a common way 

I'm very seldom beat ; 
And, as I say, I'm thank'd each day, 

When walking down the street. 



284 



tfotttek portrait 



5 



Ye zv/iom in youth I kneiv so well, 
The story of your life I'd tell ; 

Yea, how ye toil'd and thought, 
In joy or sorrow, love or strife, 
As on the magic loom of life 

The tangled iveb ye wrought. 



HALLOWE'EN 

EV'RYBODY kens that spirits 
Walk abroad on Hallowe'en, 
And the little playful fairies 

Hold their revels on the green ; 
Ev'rybody kens they're partial 

To auld Scotland's bonnie glens 
No' a lintie o' the valley 

Ilka green nook better kens. 

Mony a shepherd at the gloamin' 

Scarcely can believe his e'en, 
Coming unawares upon them 

Dancing in their doublets green ; 
Singing sangs, and drinking dew-drops 

Out o' cowslip cups sae pale, 
Or a' riding on the moonbeams 

Doun the dingle and the dale. 



Hallowe'en 285 

Mony a chuffy-cheekit laddie 

They hae wiled by birken-shaw, 
Mony an' mony a bonnie bairnie 

On that nicht they've charm'd awa' ; 
Weel it's kent they watch o'er lovers, 

A' their hearts to them are seen, 
A' their quarrels and their matches 

They mak' up on Hallowe'en. 

Weel it's kent they're faithfu' ever 

To the genius o' oor laun', 
And in a' her cares and troubles 

Send her aye a helping haun' ; 
They it is, should Donald waver 

'Mid the battle's loudest din, 
That keep yelling thro' the bagpipes 

Till he gars the foeman rin. 



& 



'Tis frae them the Scottish minstrels 

Learn sae weel their melting art, 
Get the magic words that open 

A' the fountains o' the heart. 
Nane can dance oor "Gillie Callum," 

Sing oor Scottish sangs, I ween, 
Saving them wha've tippl't wi' them 

On the dews o' Hallowe'en. 

On that nicht, there's nae denyin't, 

Mony a Scot, as weel's mysel', 
Hae had munelicht dealings wi' them, 

Gin the truth they like to tell. 
Weel, ae Hallowe'en at gloaming, 

Drowsy sleep bow'd doun mine e'e, 
And to my surprise I wauken'd 

Daundering on the midnicht lea. 

There the big horn'd mune was glow'ring 

Doun upon me frae the sky, 
And the wee bit stars a' trembling 

Like the tears in Beauty's eye. 



286 Scottish Portraits 

Suddenly I heard a rustle 

Doun beside the lonely spring ; 

Glifft was I nae doubt to see there 
Elves and fairies in a ring. 

There they were a' sitting singing 

Blithely on the velvet green, 
And the owrecome o' the sang was 

" Hey, for Scotland's Hallowe'en ! " 
Frae their lips ilk word was fa'ing 

Sweet as ony dewy gem 
Kennedy himseP ne'er warbled 

Scotia's ballads like to them. 

In the midst a hoary matron 

Wi' auld Scotland's spinning-wheel 
" Scotland's auld, respected Mither," 

Oh, I kent her face fu' weel ! 
Gazing on her rugged features 

What unutterable things 
Stirr'd my spirit, while above me 

Flapt innumerable wings. 

Shades o' ancient Scottish worthies, 

Heroes wi' the laurel crown'd, 
Martyrs, patriots, and prophets, 

Saints and sages, hover'd round ; 
A' the preachers and the poets, 

A' the spirits great indeed, 
Wha hae twin'd a wreath immortal 

Round oor puir auld Mither's heid. 

A' the stalwart chiels wha perish'd 

Perish'd ! no, they never dee ! 
Scotland, 'neath thy bluidy banner 

Wha lay down their lives for thee. 
Lovingly she gazed upon them, 

Proudly claimed them for her sons ; 
And wi' a' a mither's fondness 

Ca'd them "her immortal ones." 



Hal/oive'en 287 

Then she turned, as to her children 

Exiled far across the sea, 
Saying, " Lads and bonnie lasses 

That I nurs'd upon my knee, 
Tho' the ocean rolls between us 

Distance canna hearts divide ; 
Still in spirit ye are with me 

By the Forth, the Tweed, the Clyde. 

" Tho' amid Canadian forests 

Or on Ganges' banks ye be, 
Or in Afric's wilds, ye ever 

Turn wi' longing hearts to me ; 
Tho* in distant lands ye triumph, 

Still for Scotia's hills ye pine 
Ever thinking o' oor ingles, 

And the Hallowe'ens lang syne ; 

" And the quiet o' oor Sabbaths, 

And oor psalm-tunes' solemn tones, 
And oor altars, old and hoary, 

'Mid the grey memorial stones. 
Weel I ken my early lessons 

Deep in a' your hearts are set 
Ah ! the Bible and the ballads, 

No, ye never can forget ! 

" Ne'er be Fenian fules amang ye ; 

Stick to country, kirk, and Queen, 
And wherever ye may wander, 

Aye keep up auld Hallowe'en ! " 
Even while she spoke, the grey cock 

Clapt aloud his wings and crew, 
And, or e'er I wist, the pageant 

Past awa' like morning dew. 



19 



2 38 Scottish Portraits 



THE WEE LADDIE'S SUMMER DAY 

AT the ca' of the blithe cuckoo, 
In the leafy lanes o' June, 
Wee barefooted laddies, I trou, 

We scampert awa' frae the toun ; 
To speel up the High Craig rock, 

The haunt o' the hinny-bee, 
Like a troop o' wee fairy folk, 
Wi' oor happy herts gaed we. 

And never was king upon his throne 

Sae free frae ev'ry care, 
For the licht o' oor herts on nature shone, 

Making sunshine ev'rywhere. 
We ranged the dells and the forest free 

To oor joy the valleys rang 
Or sat us down on the gowany lea 

To drink in the wild-bird's sang. 

We kent the place whaur the blue-waups bide, 

An' the howff o' the hoodie craw, 
An' the holes where the wee moss-cheepers hide- 

We kent them ane an' a'. 
And oh ! a mair joyous band than we 

Was never aneath the sun, 
While we howkit for the hinny-bee 

In his bike aneath the grun'. 

Oh, then what a feast o' the hinny blabs, 

As wee laddies only ken ; 
Sic nectar never cross'd the gabs 

O' the very greatest men ! 
We caredna for sic sma' affairs 

As their kingdoms and their crouns, 
Or the busy world wi' a' its cares, 

An' its weary ups an' douns. 



The Wee Laddie's Summer Day 289 

We thocht that oor joy wad never fade, 

That the world was made for play, 
An' 'twas nonsense a' what the auld folks said 

O' the sorrows on oor way. 
Sae we rumple-tumpl'd down the brae, 

Wi' oor herts sae fu' o' glee, 
Or swung the lee-lang simmer's day 

On the auld witch-hazel tree ; 

Or follow'd the burn, wi' its twists an' crooks, 

As it jink'd roun' the spunky knowe, 
Or sat us doun in the fairy nooks, 

Whar a' the wee violets grow. 
And oh, what joy was the wild-rose tree, 

Awa' in the lonely glens, 
And the glint o' the bonnie gowan's e'e, 

Frae her ain wee cosie dens. 

Oor herts had the glow o' the violets rare, 

And the freshness o' the dew, 
And the lilt o' the sang that filled the air 

Frae the speck in the bonnie blue. 
And naething cam' oor joy to mar, 

Till the sun sank in the west, 
And the laverock drapt frae the e'ening star, 

And the cusha socht her nest. 

And gloamin' doun upon bank and scaur 

In her mantle grey wad lie, 
And the great auld Highland hills afar 

Were leaning against the sky. 
And the craik cam' oot frae amang the braes, 

Awa' by the " Peeseweep Inn," 
And hame we gaed 'neath the gleaming rays 

O' the red, red rising mune. 18 

Ah, happy hearts ! we can meet nae mair ! 

There's been mony a change since then. 
If in life ye be, ye're changed, like me, 

Into auld, world-weary men. 



290 Scottish Portraits 

But the hived up memory o' thae days 
Your hearts they can never tine, 

And aft wi' me 'mang the braes ye'll be 
As in happy days lang syne. 



WHEN WE WERE BOYS THEGITHER 

Inscribed to my old companion, Alexander B. Barr, Duart, Ont. 

WE'RE auld and frail, and hirplin through 
The valley o' regret, 
For, oh, the days when life was new 

We never can forget ! 
For Nature then was in her prime, 

Then a' was fair to see, 
An', careless o' the cares o' time, 

Wi' happy herts gaed we, 
To speel wi' dawn the broomy braes, 

An' range amang the heather ; 
An' oh ! but they were happy days, 

When we were boys thegither. 

Tho' spring is back amang the braes, 

Wi' a' her flow'ry train, 
Yet, oh, the hert o' ither days 

She bringsna back again ! 
Still sings the lintie in the bush, 

The lav'rock in the blue, 
An tho' the burns in gledness gush. 

There's something wanting noo. 
Creation's harp has tint ae string, 

Oor herts hae tint anither ; 
In harmony they canna sing 

Since we were boys thegither. 



Wlien We Were Boys Thegitlier 291 

The simmer days were langer then, 

Mair sweet the evening's fa', 
And gloamin' linger'd in the glen, 33 

As laith to gang awa' ; 
An' laith were we the glen to lea', 

An' a' the green domain, 
Till up abune the leddy mune 

Led forth her starry train. 
There's something wrang wi' Nature noo 

What ails our darling Mither ? 
The glory's faded frae her broo 

Since we were boys thegither. 

There's suirly nae sic sunshine noo 

As there was in the days 
When we were chasing the cuckoo, 

'Mang Barchan's bonnie braes ; 
A something nane can understaun' 

Has faded frae oor sight, 
And earth's na mair a wonder-laun' 

O' evergreen delight. 
There's something wrang wi' Nature noo 

What ails oor darling Mither ? 
The glory's faded frae her broo 

Since we were boys thegither. 



THE FISHERMAN'S WIFE 

OH, they hae mony ills to dreed, 
A weary weird to dree, 
The folk ordain'd to snatch their breid 
Frae oot the angry sea. 

The mune is wading 'mang the clouds, 

Wi' face sae wan and pale ; 
They gather round her like death-shrouds: 

The sad winds weary wail. 



292 Scottish Portraits 

And there's a moaning 'mang the rills, 

The seafowl clang and cry, 
And a' the great auld Arran hills 

Are leaning 'gainst the sky. 

I fear the look o' low'ring lift, 

The plash o' angry sea ; 
The gurly winds, that sough and shift, 

Bring waefu' thoughts to me. 

For a' the bairns and the guidman 

Are on that troubled sea : 
I gie them a' the help I can 

By praying, Lord, to Thee ! 

Yet aye on sic a fearfu' nicht, 

Altho' it's but a spark, 
I keep the cruisie burning bricht 

To guide them in the dark. 

Oh ! hoo that wild wind soughs and raves 

Abune the angry sea ! 
And while they're wrestling with the waves, 

I'll wrestle, Lord, with Thee. 

Oh ! little do the big folk ken 

The struggles o' the poor, 
The battles o' brave fishermen, 

Or what their wives endure. 

On sic a nicht my brithers three 

Did venture oot alane, 
To brave for breid the angry sea, 

And ne'er cam' back again. 

Tho' sic heart-break has always been, 

Oh ! must it ever be ? 
I ask not, Lord, what it does mean, 

But bring them back to me ! 



The Fisherman s Wife 293 

Then lift, O Lord ! lift up Thy voice, 

And still the raging sea, 
Bid thou my troubled heart rejoice, 

And bring them back to me. 



THE DEATH OF EVAN DHU 

THEY place the Chieftain in his chair 
Beneath the aged yew; 
And is this all that now remains 
Of mighty Evan Dhu ? 

The plaided clansmen gather round, 

And gaze upon his face ; 
They fear that Death will soon lay low 

The hero of their race. 

Vainly they tend and talk to him 
In friendship's soothing tone ; 

The old man sits, with drooping head, 
Unconscious as a stone. 

" Go, bring the minstrel of our tribe 
To sing the mountain strain 
The strain he lov'd 'twill bring him back 
To consciousness again." 

And, leaning on his staff, at length 

The aged bard appears, 
But, gazing on him while he sings, 

He scarce can sing for tears. 

" A cloud hangs o'er Lochaber's wilds, 
Her vales are fill'd with woe, 
The shaft has started from the string 
To lay her hero low. 



294 Scottish Portraits 

" Behold the mountain warrior, 
The chief of sounding fame. 
Whose claymore in the battle flash'd 
Like a consuming flame. 

" But where, ah ! where's the princely air, 
The step so firm and true, 
The eagle eye, the lordly brow, 
Of mighty Evan Dhu ? 

" Are these the very hands which laid 
The Sassenach giant low, 
Who dared invade Lochaber's wilds 
Full fifty years ago ? " 

He heeds him not, he hears him not; 

The weeping clansmen seem 
Like floating shadows hov'ring round, 

Or phantoms in a dream. 

Anon he sings the mournful song 

Some exiled heart of yore 
Sang when he thought that he would see 

Lochaber's hills no more. 

Anon he wakes the battle-cry, 
The Cameron's gath'ring strain : 

The light of battle flashes in 
The old man's eye again. 

He clutches by his side, as if 

To draw his ancient brand, 
And, starting from his couch, aloft 

He waves his wither'd hand, 

And shouts, " Advance, sons of Lochiel ! " 

With all the fire of yore, 
And seems as waving in his hand 

The terrible claymore. 



The Death of Evan Dhu 295 

Great Chieftain of the mountain race ! 

It was thy last adieu ; 
For clansmen clasp the lifeless form 

Of mighty Evan Dhu. 



PAST AND PRESENT 

Consider it warilie : read aftener than anis. 

Gavin Douglas. 

IT was about the midnight hour : 
The dew was heavy on the flow'r, 
The winds were hushed, the weeds were still ; 
And silence hung upon the hill. 
Afar upon the white-walled town 
The waning moon looked sadly down, 
And all was quiet by the rill, 
Save when the wand'ring whip-poor-will 
By fits sent forth its weary wail 
To pity in the greenwood vale. 

The busy world to sleep had gone, 

Yet I sat musing all alone. 

I heard the bat's wing rise and fall, 

The cricket chirp upon the wall. 

The cat was watching by the seams, 

Old Towser hunting in his dreams, 

While I was rapt in admiration 

Of this our age's elevation ; 

And drawing many a queer contrast 

Between the present and the past. 

Said I, " We've reach'd a height sublime 
Ne'er dreamt o' in the olden time, 
Where we may safely sit at last, 
And look wi' pity on the past. 



296 Scottish Portraits 

Old Superstition's dead and gane; 
She dee't wi' mony a dreary grane, 
For Knowledge, the regenerator, 
Fought wi' her till he fairly beat her. 
O' sic a feat we weel may brag ; 
We've fairly kilt the gruesome hag ! 

" Our fathers, sure, were silly fools, 
Wi' ghosts, and jougs, and cutty stools ; 
And then they lived in sic like biggins, 
Wi' nocht but strae raips for the riggins ! 
Could they but frae the graves be brocht, 
To see the wonders we hae wrocht, 
How they would marvel at the sight, 
And think their bairns had a' gane gyte ! 
Wadna' they gape, and stare, and staumer, 
And talk o' witchcraft and o' glaumer ? 

" I'd like to hear my great-grandsire 
Commenting on th' electric wire, 
And on our ship, o' ships the wale, 
That snoove on without wind or sail ; 
And then our modes to test and scan 
The working out o' Nature's plan ; 
Our proofs, frae shells and moss-grown stanes, 
Frae mastodon's and mammoth's banes, 
How hills are carried here and there, 
How worlds evaporate like air ! 
He'd think the de'il was in the Ian', 
The judgment day just close at han'." 

" Hush ! " said a deep voice in my ear, 
And, looking up, I shook wi' fear, 
For there I saw before me pass 
Gaunt forms that ance were men, alas ! 
W T hole generations o' the dead 
Were passing, yea, without a tread ! 
I saw the Celt and Saxon come, 
All marching to a music dumb. 



Past and Present 297 

A spectre led the ghastly crew ; 

It motion'd, and they all withdrew, 

Save ane auld man, o' aspect stern, 

Like some old covenanting kern : 

Upon his head a bonnet blue, 

And in his hand a staff o' yew ; 

His shepherd's plaid was checker'd three, 

His breeches buckled at the knee ; 

His stockings, rig-an'-fur o' blue, 

Set aff a sturdy shank, I trou ; 

His coat, a kind o' woolsey stuff, 

Wi' leather buttons, flap and cuff; 

A dirk was dangling at his waist, 

A Bible peeping frae his breast. 

Tho' I was in nae mood for damn, 
Yet I could hardly keep frae laughin'. 
As he approach'd wi' solemn pace, 
I smirkit richt within his face ; 
Says I, "Guidman, gif ane micht speer, 
Wha are ye? and what want ye here?" 

I'm ane o' your ain auld forebears, 

Wha's deid mair nor a hunner years. 

Nae won'er I appear in anger : 

I've borne, till I can bear nae langer, 

Wi' a' the scorn and lies ye tell 

On folk far better than yoursel'. 

To think a set o' puir wee creatures, 

Wi' scrimpit shanks and heartless natures, 

Wad heap contempt on them wha brang them 

Ocht guid that yet remains amang them ! " 

Says I, " Your wrath is out o' season. 
This age will list to nocht but reason : 
We scorn a' foolish old pretences, 
Things must be vouch'd for by the senses. 
Look to the progress we hae made, 
Our halls o' science, boards o' trade ; 



298 Scottish Portraits 

We're better, and we're bigger, too, 
And wiser, that I will avou. 
The very infants in our schools 
Might teach some sense to doitit fools." 

"As for your progress, I must say 
Ye're far ahead o' honesty ; 
And then your teachers tak' such pains 
To mak' ye men afore ye're weans, 
That ony sense that nature gies ye, 
By everlasting pourin' lea's ye. 
Infants ye are, infants remain ; 
Ye're ane o' them, or I'm mista'en." 

Says I, " Stick till't there's naething like it- 
Folk's aye conceited when they're doitit ; 
But will ye really now defend 
Your crimes and follies without end 
Your fauseness a' the fowk deceivin', 
Your border ridin' and your reavin', 
Your faith in stabbing wi' the dirk, 
And ilka kind o' bluidy work ; 
Your strange belief in wicked e'en, 
Your clues to mak' a foe a frien', 
Your cures for witch-bewilder'd bairns, 
Wrocht 'neath the moon at dead-men's cairns ? 
Is't possible you would bring back 
Your fire, your fagot, and your rack ; 
Your hunts o' heretics and limmers, 
Your doukin' o' uncanny kimmers, 
Your magic words to lay the Deil, 
As up the pulpit stairs he'd speel ; 
Your bringing o' the holy book, 
And shakin't at him till he shook ? 
And ye wad hae us to exchange 
Our boundless intellectual range, 
Our wisdom and humanity, 
For your auld dead insanity ? " 

" For ane wha thinks a' men are brithers 
Ye're guid at fin'in' faut wi' ithers. 



Past and Present 299 

Look nearer hame, and there, I trou, 

Ye'll fin' ye hae eneuch to do 

Look to your list o' black transgressions, 

Deceits, heart-burnings, and oppressions ; 

Look to your hordes o' helpless paupers, 

Your mighty army o' street-walkers. 

Starvation and tyrannic pride 

Are ever walking side by side. 

Your working men, alack-a-day, 

God pity them, I weel may say ! 

How many dree an awfu' doom, 

Condemn'd forever to the loom ; 

And some in fact'ries and in mines, 

On whom the blessed sun ne'er shines. 

Frae year to year they onward grope, 

Poor creatures, without heart or hope, 

Wi' pale, wi' melancholy features, 

Ye scarce can think them human creatures. 

Ere ye our ancient ways condemn 

Say what has Science dune for them ? 

For ev'ry ill ye've pointed out 

Ye've ten that we kent nocht about. 

And where our ancient virtue ? Where 

The big hearts that would do or dare? 

Wi' a' your outside things o' art 

Ye're bankrupt both in head and heart ; 

Your life's a game at hide and seek, 

Like laddies playing at bo-keek ; 

And then, ye're a' sae nice and gentle, 

Sae milky and sae sentimental ; 

My blessings on your mealy mouth, 

Ye're always chokit wi' the truth." 

" Whist, whist," says I, " Upon my conscience, 
Nae mortal ever heard sic nonsense ! 
It's fause ! besides, I canna bear it, 
Nor will I langer sit and hear it ! " 
And starting up in anger deep 
I found I'd been an hour asleep ! 



300 Scottish Portraits 



PROVOST JOHN M'RAE 

' A \ rEEL, Kirsty, since we've got a coo 
V V We maun turn Tories, lass ; 
We maunna speak to puir folk noo, 

But snoul them as we pass. 
We'll get in wi' the muckle folk, 
An', min' ma words this day, 
Ye'll see I'll be nae langer Jock, 
But Mr. John McRae. 

; ' I've tried to please baith rich and puir, 

Ca'd Whig and Tory brither, 
But little cause hae I to care 

For either ane or ither. 
Frae baith what insults I hae borne 

Mair than my tongue can say : 
I've had to answer nicht and morn 

To vulgar Jock McRae. 

; ' An' there's that Chartist, Patie Fleck, 
Wha gibes and jeers me noo, 
In spite o' 's sowl he maun respec' 1S 

The man wha auchts a coo. 
He ca'd me ' Hunk, time-serving tool,' 

And had the spite to say 

' There couldna be a bigger fool 

Then silly Jock McRae.' 

' But wha kens yet but I may sit 

In Provost Tamson's seat ? 
And wha may staun afore me yet 

But this same jeerin' Pate ? 
Wha kens but I may rise to be 

As big as Bailie More, 
And a' the toun may come to see 

A chapper on ma door ? 



Provost John McRae 301 

" That chapper keeps ma spirits up, 

I see it ev'ry day 
Ay ! even while ma brose I sup, 

There's Provost John McRae. 
Nae doot I ken there's twa or rhee 

Will sicken at the sight, 
An' oh, what fun 'twill be to me 

To see their harmless spite ! 

" Then, when I'm walking up the street 

I'll hear the laddies say : 
' Keep quait !' as soon's ma face they see't, 
' There's Provost John McRae ! ' 
An' then whaur dignities are met, 

Gin I but show ma face, 
They'll a' gie way that I may hae 
The very heichest place. 

" Ye needna shake your heid atweel ! 

Didna the spaewife say, 
' Cock up your bonnet ! surely ye'll 

Be Provost John McRae ? ' 
And didna ma ain mither say, 

As I sat on her knee, 
' Its prophesied that in your day 

A michty man you'll be ? 

' ' For on the nicht when ye were born 

The moon it shone sae clear, 
Folk could hae seen to shear the corn, 

The rye and barley-beer ; 
An' owre the hoose sic lichts did hing, 

A' dazzlin' gowden yellow, 
That oor auld toop danced sic a spring 

The like was ne'er heard tell o'.' 

" Sae what's ordaint to be maun be, 
The very planets say ; 
The day will come ye'll leeve to see 
I'm Provost John McRae. 



302 Scottish Portraits 

The sword's conferr'd by God abune ! 

I'm thinkin' in ma reign 
Some blackguard radicals '11 fin' 

I wear it not in vain. 

" An' pride, an' poverty, an' spite, 

That flourished in this toun, 
I'm death upon the three, and quite 

Resolv'd to put them doun. 
Folk here hate merit, weel I wat, 

For to this very day 
The de'il a title e'er I got 

Save vulgar Jock McRae. 

" I'll lea' the Free Kirk, that I'll dae ! 

The auld ane I will try ; 
I should hae been an' elder tae, 

And yet they passed me by. 
To get that office hoo I focht, 

An' learn'd masel' to pray ; 
Yet a' ma labor cam' to nocht, 

I'm still mere Jock McRae. 

" Hoo earnestly I gaed to work, 

An' studied the divines, 
Made for the auld wives o' the kirk 

Sic tea and cookie shines ; 
An' bleart ma e'en owre many a text, 

Made family worship tae ; 
An', tho' I pray'd till I was vex'd, 

I'm still mere Jock McRae. 

" They put Tarn Tamson on the list 

I saw the cloven foot ; 
Wi' hauf an e'e a wean could see 

'Twas a' to keep me oot. 
No won'er I did stamp an' fyte, 

An' swear revenge to hae, 
Or that I pray'd through perfect spite 

When 1 was beat that day. 



Provost John McRae 303 

" An' whan I'm Provost, then ye'll see 

A' the ill-wully pack ; 
Whan they're brocht to be tried by me, 

Hoo I will pay them back ! 
Tarn says a pray'r that's no his ain, 

Like bairn its lesson saying ; 
I spout mine aff, no' like a wean 

I beat him far at praying. 

" Hoo ye'll rejoice to hear ma voice 

Pronounce them low and vile ! 
A speech I'll mak to Pate Fleck's pack, 

Ere them I sen' to jile. 
I'll rise up slowly from the bench, 

Put on a dreidfu' face, 
An' in this way ma nieve I'll clinch, 18 

An' roar, ' Shame an' disgrace ! 

" ' For ye had ev'ry chance I had, 

Yet leuk at me the day : 
While ye hae a' gaen to the bad, 

I'm Provost John McRae.' 
Lord, in ma presence hoo they'll shrink ! 

An' willna auld wives say 
Ma very leuk it gart them think 

Upon the judgment day. 
An' if I dinna dae for Pate, 

An' the Free Kirkers tae, 
An' ev'ry leivin' soul I hate, 

Ma name's no' John McRae." 



20 



P4 Scottish Portraits 



AULD HAWKIE 34 

I'VE hearkened to mony a lang-lippit chiel, 
Frae wee birkie Roebuck to slee Robbie Peel, 
But I've heard only ane wha could instantly start 
Ony tone that he lik'd frae the strange human heart. 
Tho' but an auld beggar, wi' sair rauckle tongue, 
Yet oh ! he enchanted the auld and the young. 

I min' when a laddie hoo anxious I ran 

To hearken wi' awe to that wonderful man. 

'Twas no' what he said, nor the way that he said it, 18 

But a strange nameless soul that each sentence pervadit. 

The past and the present were standing before you, 

Or hung like the web of immensity o'er you. 

He had a strange e'e, in a far stranger heid, 

O' wonderfu' meaning, and ill, ill to read. 

When you'd fixed on its meaning beyond a' dispute, 

Some new ane was sure to flash instantly oot. 

Now clear as a sunbeam, now dark as despair, 

Anon it was flashing wi' lightning's wild glare ; 

And fouk look'd and listen'd, and never grew tired, 

For Hawkie aye spoke like a being inspired. 

Without a set form of strict logical plan, 

He aye threw some new licht on nature and man. 

How he'd swing on his crutch as a big thought was borr 

While words, like the Scots Greys, cam' gallopin' on ! 

At corners and crossings he'd take up his stan', 

And test and try those wha bore rule in the Ian'; 

And woe to the great anes wha waken'd his wrath, 

For a torrent o' tongue he let loose on their path ; 

The tombs o' their fathers he'd houk and ransack, 

And, laden wi' crime, come triumphantly back. 

His was not a roar, nor an Indian yell 

'Twas the laugh o' a demon tormenting in hell. 



Auld Hawkie 305 

He had the haill annals summ'd up in his face, 
O' the wand'ring, unsettled, improvident race. 
In the Pauper Republic he ruled the haill time, 
For his great love o : freedom approach'd the sublime. 
He ruled undisputed o'er legions o' rags, 
Commanded haill regiments o' auld mealy bags ; 
His word was as law 'mang the gangrel folk, 35 
Wi' the lame and the lazy he aye had his joke. 
E'en schule-weans ne'er tried to pelt Hawkie at a' 
He was nae common beggar, they understood a' 
And when he was drunk an' he couldna weel gang, 
They would carry his bachles and help him alang. 

I min' ae dark nicht, when I helpit him hame, 
Mair drunk than was usual. His tongue wasna lame, 
And, aye as he swagger'd, he spoke against drink, 
And aye he said, " Laddie, behold me and think 
Had my heart no' been harden'd 'gainst a' things divine, 
With my auld mither's tears 'twad hae melted lang syne. 

" I see hoo the land lies, my laddie, wi' thee ; 
There's something I like in your bonnie blue e'e. 
Ye may be a man yet, gin ye'll aye keep frae drink, 
But I doot, my wee laddie, ye'll soar but to sink ; 
I see something in you that's owre like mysel', 
Sae it needs nae auld spaewife your fortune to tell. 

" I canna weel bless you, that's no in my line 
I was better at cursin' since e'er I can min' 
But mark what I tell you, auld rake tho' I be, 
May ye lang cheat the deevil, the gill-stoup, and me ! 
I ken that your heart hates the worldling's cold creed, 
But virtues turn vices when heart maisters heid. 
If ance ye let reason gie up the com man', 
Ye may rin to the deil wi' your heart in your han' ! 
And this I wad hae ye to bear aye in min' 
For I'm thinkin' ye fain 'mang your fellows would shine 
That talent's a curse if it wiles us awa' 
Frae the God o' salvation, wha reigns abune a'. 



306 Scottis.li Portraits 

" My pride and my passion ance spurn'd at His yoke ; 
Noo they hang roon' my neck in the waefu' meal-pock. 
I'm a wreck ! I'm a ruin ! but ance in this breast 
E'en love had a corner where she built her nest ! 
Could Jeannie hae thocht this, ah, ance in a day ! 
When oor prospects were heich, and oor young hearts 

were gay, 
Oh ! could she noo see me, what, what wad she think ? 
An auld gaberlunzie deleerit wi' drink, 
And a wee raggit laddie conveying him hame, 
Wha, if it were daylicht, wad maybe think shame. 
Ah, ance I was big wi' ambition for fame, 
And noo its a' ended in naething but shame. 
I still hae a hanker for virtue and truth, 
But they ill, ill agree wi' this damnable drooth. 
I've done nocht but show, in the Auld Hawkie way, 
How little true sense a real genius may hae. 

" It's still at your option, my laddie, to be 
A man, or an auld drucken beggar like me. 
Decide while ye may, or your end will be mine, 
And 'chief o' the beggars ' is far frae divine." 



THE KNIGHT OF ELLERSLIE * 

Supposed to be written at the monument on Abbey Craig, Stirling. 

"T^IS holy ground on which we tread ! 
i- Uncover'd be each pilgrim's head 
In honor of the mighty dead 
The Chief of Ellerslie ! 

Hail, sacred shrine of Wallace wight ! 
Who in oppression's darkest night 
Was ever foremost in the fight, 
That Scotland might be free. 



* Or Elderslie, near Paisley, Renfrewshire. 



The Knight of Ellerslie 307 

When Freedom's flag was soil'd and torn, 
Here Wallace blew his bugle-horn, 
Which waken'd up on summer's morn 
Old Scotia's chivalry. 

With hearts of fire, and souls of flame, 
Our country's fierce avengers came, 
While thus the Chief in freedom's name 
Cried, " On, and follow me ! 

" On, on ere Scotland breathes her last ! 
And answer to my bugle's blast, 
For where the fight is thick and fast 
There shall my good sword be. 

" Yonder the Saxons' banner waves, 
Which soon shall float above their graves, 
For Scotia's sons shall ne'er be slaves, 
Then, on and follow me ! " 

And, with the light of battle flush'd, 
Then like the tempest down they rush'd, 
And Surrey and his host were crush'd, 
And Scotland still was free. 

And still our ancient legends say 
The Chief's sword made a roomy way, 
Till rank on rank the Southrons lay 
On yonder bloody lea. 

On many another battle plain, 
Where Freedom's foemen strove in vain 
A footing on our hills to gain, 
That bugle sounded free. 



-r>' 



It echo'd like a dying knell 
Where rose the battle's loudest swell, 
And where the death-show'r thickest fell 
The foremost still was he. 



308 Scottish Portraits 

Still Scotia hears that bugle-blast, 
And still her hills are standing fast, 
And sooner shall they be o'ercast, 
And sunk into the sea, 

Than she'll forget the hero brave, 
Who freedom to his country gave, 
And found a martyr's bloody grave, 
Great Knight of Ellerslie ! 

While heather on a hill remains, 
While thistle waves upon our plains, 
While Scottish blood leaps in our veins, 
Great Chief ! we'll honor thee. 

And patriot heroes yet unborn 
Shall start up at thy bugle-horn, 
Which raised our sires that summer's morn, 
And Scotland aye be free ! 



THOMAS CARLYLE 

THE world reserves its honors for 
The smooth accommodator, 
But trembles when the gods send forth 
The stalwart innovator. 

There stands the Luther of our age, 
The soul that smiles at fear, 

The scorner of the idols which 
The multitudes revere. 

A Saul among the people, how 
He tow'rs above the crowd, 

And stands alone, like Teneriffe, 
Enwrapt with mystic shroud ! 



Thomas Carlyk 309 

An individuality ! 

A great embodied will ! 
The non-conforming principle ! 

A soul that can't be still ! 

He bears the stamp of character 

No written one he brings ; 
He's Rectitude, ordain'd to sit 

In judgment upon kings ! 

He throws a living energy 

Around him like a zone ; 
He conquers, or he fascinates, 

By virtue all his own. 

For him the prophets prophesy, 

For him the poets sing, 
And messengers from higher worlds 

Are ever on the wing. 

A soul of love and reverence, 

A spirit that adores ; 
And yet there is a height to which 

That spirit never soars. 

A heart imbued with holy awe, 

A spirit that can bow ; 
And yet the pride of Lucifer 

Sits on that cliff-like brow. 

Kingdoms may flourish, or may fade, 

And thrones may sink or swim ; 
Great battles may be lost or won, 

It matters not to him. 

And politicians, with their strife 

And little party spleen, 
They but appear to him like geese 

That gabble on the green. 



3to Scottish Portraits 

Think ye, poor fools, the great God can 

Be voted out or in 1 
Or human laws give permanence 

To virtue or to sin ? 

A moody man ! now dogg'd to death 
With spectres gaunt and grim ; 

And now the fiend himself has got 
Dominion over him. 

" This world is all a dance of apes," 
And love and hope are vain ; 
And now he roars and bellows like 
A god become insane ! 

" Attend, ye Miserables all ! 

Let heav'n and earth be still ! 
I issue all my oracles 
By virtue of my will ! 

" Come, Priesthoods, Popedoms, Lit'rateurs, 
And prove to me your worth, 
Or with destruction's besom I 
Will sweep you from the earth 







Anon he's on a wide, wide sea, 
With wrecks all drifting round ; 

Grim Death's the steersman of the ship, 
And for his shores they're bound. 

This solid world is all afloat, 
The stars around him spinning ; 

Deep under deep, height over height, 
The end is the beginning. 

A phantom ship, a phantom shore, 

All's fleeting and unstable, 
A panorama of the soul, 

Her fancywork, her fable ! 



Thomas Carlyle 311 

But of this strange, erratic soul 

'Tis little we can know, 
For greatness never wore a garb 

That was put on for show. 

On Being's path he glares aghast, 

And utters but a scream ; 
His dream of life, tho' dark indeed, 

Is still a giant's dream. 



TO HUGH M'DONALD 

Author of " Rambles Round Glasgow," " Days at the Coast," etc. 

I LOVE to look upon thy face, 
And dote on ev'ry feature, 
Thou humble, unassuming soul, 
Thou simple child of Nature ! 
Thou lover of all lovely things, 

With thee 'tis always May ; 
For love has kept thy spirit young, 
Altho' thy locks are grey. 

Thou wert not made for cities vast, 

Nor for the strife of gain ; 
For thee 'twas joy to steal away 

To Nature's green domain ; 
To hie thee to the harebell haunts, 

And to the glades of green, 
Where wildwood roses hang their heads, 

And hoary hawthorns lean ; 

To hear the cuckoo's joyous shout 

Come welcome o'er the lea ; 
And listen 'mong the heather blooms 

The bumble o' the bee ; 



312 Scottish Portraits 

To hide thee in the hazel howes 
Of some lone cushat glen, 

Or scale the Alpine summits hoar 
Of some old Highland Ben. 

We love thee for the love thou bor'st 

The flow'rets of the wild ; 
Thou lov'dst them with the artless love, 

The rapture, of a child. 
Thou lov'dst them as the lover loves, 

And from no sense of duty ; 
Thou lov'dst them as the poet loves, 

And only for their beauty. 

Thy " flow'ring fern " shall never die, 

Thy gowan's aye in bloom ; 
The lark is always in thy sky, 

The linnet in thy broom. 
For Poesy hath touch'd thy heart, 

As with a living coal, 
And Nature's voices evermore 

Keep singing thro' thy soul. 

The wail of winds among the rocks, 

The laughter of the rills, 
The silence of the dreary moors, 

The thunder of the hills 
Thy spirit was a cell wherein 

They lov'd to linger long, 
And, baptized in its living font, 

They started into song. 

The bridegroom on his bridal day 

Dotes not upon his bride 
With look of deeper love than thou 

On our romantic Clyde. 
Her Highland and her Lowland haunts 

Are dear unto thy breast, 
But dearer far than each, than all, 

Our green glens of the West. 






To Hugh McDonald 313 

And led by thee once more we see 

The green haunts of the gowan ; 
Again we dream beside the stream, 

Beneath the haw and rowan. 
And lov'd ones that are now no more 

From out their graves will start, 
And wander with me as of yore 

Upon the banks of Cart. 5 

And how thou lov'dst to linger round 

The ruins old and hoar, 
Where mighty chiefs and warriors dwelt, 

And minstrels sang of yore. 
Old Crookston Castle's 9 mould'ring walls, 

And Stanley's turrets grey, 
And hoary Garnock, 10 telling tales 

Of glories passed away. 

And how thou lov'dst the ruin'd shrines 

Where sits grey Melancholy, 
Still calling to the passer-by, 

" Pause ! for the place is holy." 
Is not our Paisley's Abbey hoar 

An old-world, weary moan, 
A solemn chant, a holy hymn, 

A prayer that's breath'd in stone ? 

Ah ! with what joy thou'dst linger round 

Our fields renown'd in story ! 
And how thine eye burn'd in the light 

Of Scotland's ancient glory, 
As with unwearied feet thou'dst trace 

Her scenes renown'd in song ; 
The streams that gush and leap and rush 

In deathless strains along. 

And how thou lov'dst to treasure up 

The snatches of old rimes, 
Quaint epitaphs and legends old, 

The tales of other times. 



314 Scottish Portraits 

And many a pilgrimage thou'st made, 
As if thou fain wouldst number 

The moss-grown, the forgotten graves, 
Where Scotia's martyrs slumber. 

Thy feet shall tread those haunts no more, 

And Spring with all her train 
Shall miss her pilgrim of the moor, 

The mountain and the plain. 
Dear heart, farewell ! we cannot tell 

Where thou art laid to rest ; 
But may the flow'rs thou lov'dst so well 

Aye bloom upon thy breast ! 



MY OLD SCHOOLMASTER 36 

HEROES there are unknown to fame, 
Who live and die without a name, 
And yet whose lives might put to shame 

The proud of birth. 
Meek, humble, unassuming ones, 
Ye are the spiritual suns 

That gladden earth ! 

My old schoolmaster, upright John, 
Tho' to the world but little known, 
Was one who might have fill'd a throne. 

Well would it be 
If only all earth's thrones were fill'd, 
And men were taught, and train'd, and drill'd, 

By such as he. 

Wide was his spiritual ken, 
One born to guide with tongue and pen, 
A leader yea, a king of men, 
A soul upright. 



My Old Schoolmaster 315 

Meanness and malice, lust and greed, 
And all their hungry, heartless breed, 
Quail'd in his sight. 

A bulwark to the mild and meek, 

A staff was he to all the weak, 

A voice for all who could not speak ; 

And sorrow lone, 
With none to succor, none to cheer, 
Had aye thy sympathetic tear, 
Great-hearted John ! 

Many there are could look on death, 

And willingly resign their breath, 

But few like him could face men's wrath, 

And nobly dare. 
The bigot's frown, the tyrant's snoul, 
The pointed finger of the fool, 

How few can bear. 

But, throwing oft such things apart, 
He found in Music's melting art 
A solace for his weary heart. 

Music, ah, me ! 
Amid a world of sin and strife, 
Thou art the very bread of life 

To such as he. 

Oh, how he sang old Scotia's lays ! 

Of love in long forgotten days, 

Of Freedom's battles 'mong the braes 

Heroic strains 
That thrill'd my heart, and sent the blood 
All leaping like a roaring flood 

Along my veins. 

E'en ballads old to him were dear, 
And still the wailing strains I hear 
That cost me many a sigh and tear 
Long, long ago. 



316 Scottish Portraits 

Those little dramas, void of art, 
Those heavings of the Scottish heart 
In joy or woe. 

Tho' men were his peculiar care, 
He lov'd all things of earth and air, 
The bounding deer, the timid hare ; 

And he would say : 
" Range, pretty creatures ! range at will !- 
We lie not here to watch and kill 

In freedom stray ! " 

Like living things, fondly caress'd, 
Each little wilding was a guest 
The gowan nestled on his breast, 

And blossom'd there 
Their loveliness his spirit caught, 
And in his web of life he wrought 

The jewels rare. 

By valleys green, by mountains hoar, 
And on old Ocean's sounding shore, 
He studied Nature's mystic lore, 

And learn'd her tongue. 
Creation widened till he saw 
All objects thro' the veil of awe 

Around her hung 

Saw matter's forms from spirit spun, 
This rock-built world, yon regal sun, 
But types of the Eternal One ; 

With awe-struck mien, 
Beheld in the stupendous whole 
The grand procession of the Soul, 

Which is not seen. 

But, leaving speculations high 
For other things that round us lie, 
Things that our inmost spirits try, 
He spake words fit 



My Old Schoolmaster 317 

Yea, living words, all void of art, 
The very coinage of his heart, 
I hear them yet : 

" Falsehood may flourish for an hour, 
And sit within the seat of pow'r, 
And Virtue in her presence cow'r " 
'Twas thus he spoke 
" But surely she'll be downward cast, 
And weary Earth be free at last 
From her vile yoke. 

" We see the just man vilely treated, 
But God and Nature are not cheated, 
He still is victor, tho' defeated 

Times ninety-nine ; 
For who can put the truth to rout ? 
Or who can ever trample out 

Aught that's divine? 

" When once thy duty's plain and clear, 
Then do it thou, and never fear 
Tho' friends may pity, fools may jeer, 

And cowards flee ; 
Yea, what tho' all the world disdain ? 
While God and Nature thee sustain, 

What's that to thee ? 

" We issue from a bright abode, 
But, weighted with this earthly clod, 
We crawl thro' matter back to God, 

The glory gone ; 
While all the hosts of angels' eyes 
No, not in anger, but surprise 

Are looking on. 

" Oh ! why will men not walk erect, 
Their brows with native glory deck'd, 
And feel the joy of self-respect, 
And moral worth ; 



318 Scottish Portraits 

And throw aside their castes and creeds, 
And make their standard noble deeds 
Not blood and birth ? 

" Cast selfishness from out thy mind, 
Feel for and with all humankind, 
Leave nothing to regret behind, 

And death shall be 
A summons to a higher state, 
Where all thy lov'd and lost shall wait 
To welcome thee." 



AULD GRANNY BROON 

SOME say there's nae witches ava, 
That it's only an auld-world dream, 
Or that they've been frighten'd awa' 

By science, by knowledge, and steam. 
Some say sic a thing canna be 

As selling ane's sel' to Mahoun ; 
But ye've only to hearken to me 

And the story o' auld Granny Broon. 

Oh, she was a gruesome auld dame ! 

And she howff'd by the Locher's lood fa' 
Ye couldna just ca' it her hame, 

For granny was aften awa'. 
She'd talk of the planets, I voo, 

And show ye the way they swing roun' ; 
There's few been as near them, I troo, 

As that wrinkled auld witch, Granny Broon. 

As sure's there was wreck on the Firth, 
Auld Granny was aff frae her hame ; 

She was riding the clouds in her mirth, 
Or lashing the sea into faem. 



Au Id Granny Broon 319 

Her howe voice the fishermen kent, 

That the win's and the waves couldna droon, 

But they daurna gie ill wishes vent 

On that wicked auld witch, Granny Broon. 

And when in a riddle she'd float 

On the darksome, rouch ocean her lane, 
She was sure to coup some hapless boat 

And mak' aff for the mountains o' Spain. 
She was oot a' that wild windy night 

When the bell in the steeple fell doun, 
For the Session had wauken'd the spite 

And the anger o' auld Granny Broon. 

An' when she wad tak' to the shape 

O' a pyat, and flee owre the kirk, 
The Session was sure o' a scrape 

Some awfu' sculduddery work ; 
An' when there was death i' the cup, 

She wad come like a dog and coor doun ; 
In terror the kimmers look'd up, 

For they kent it was auld Granny Broon. 

Her man gaed to skin and to bane 

Wi' her changin' him into a mare, 
For wi' saddle an' bridle an' rein 

She rode him a' nicht thro' the air. 
When auld Sturdy's mare took a fricht, 

And ran till it ran itsel' doon, 
Wha think ye was ridin't a' nicht 

But the deevil an' auld Granny Broon. 

An' to it auld Sturdy wad stick 

That he saw the queer couple astride. 
" Noo, grip to the tail," quoth Auld Nick, 
"An', ma certie, but we'll hae a ride ! " 
He follow'd thro' moor and thro' dale, 

And chased them the Hie Craig aroon', 
But he only could see the mare's tail, 

And the nicht-mutch o' auld Granny Broon. 
21 



320 Scottish Portraits 

An' didna Kate Clurie ae nicht 

Catch her playin' at cards wi' the deii ? 
By the time Kate got ben to the licht 

He had changed himsel' into Will Steel. 37 
When the peddler was foun' in the snaw, 

Wi' an awfu' deep clour on his croon, 
A hare was seen snoovin' awa' 

Wi' the hirple o' auld Granny Broon. 

An' didna the sailor declare 

That she follow'd him thro' ilka place ? 
In ocean, in earth, and in air, 

He kent ilka screw o' her face. 
An' oh ! at Vesuvius black, 

It's wha does he see fleein' doun, 
Wi' guid Elder Barr on her back, 

But the wicked auld witch, Granny Broon ? 

Jean Ferly cam' on her ae day 

She was boiling hert's bluid in a pat 
" Guid guide us ! " was a' Jean could say, 

When she changed hersel' into a cat. 
For mysel', I was sittin' ae nicht 

Wi' my lugs to the win's eerie soon', 
Ye may think that I got a gey fricht 

When I heard it cry, " Auld Granny Broon ! " 

But Death got auld Granny at last ; 

She sleeps in the mools wi' her cat. 
That the last o' her cantrips is cast, 

I'm no juist sae certain o' that ! 
Tho' some folk, that fain wad be wise 

Abune a' that in history's laid doun, 
Will threep that it's little save lies 

I've been telling o' auld Granny Broon. 






o 



321 

OLD ADAM 
LD Adam was a character 



Old Adam was a sage ; 
Ye'll hardly find his marrow noo 

In this degen'rate age. 
He wore abune his raven locks 

A braid Kilmarnock bonnet, 
A ham'art coat upon his back, 

VVi' big horn-buttons on it. 

A plaid out owre his shoothers hung, 

The en' fell owre his sleeve ; 
A crookit, knotit hazel rung 

Was in his wally nieve. 
His breeks were side, sae were his shoon, 

His legs they were nae rashes, 
And button'd upward to the knee 

Wi' great drab splatter-dashes. 

A ringing laugh, a hearty shake, 

A bright eye beaming o'er you, 
Ahint him Towser wags his tail, 

And there he stands afore you. 
And yet the inner man was form'd 

On Nature's model plan ; 
The dress but hid a heart that lov'd 

A' Nature, God, and Man. 

He was nae thing that stood apairt 

Frae universal nature, 
But had a corner in his hairt 

For ev'ry leevin' creature. 
And after him, owre a' the toon, 

The dogs delichted ran ; 
The very kittens kent fu' weel 

He was nae common man. 



322 Scottish Portraits 

His hairt was just a leevin' spring, 

With sympathy owreflowin', 
And roon' its brim the sweetest floo'rs 

O' Love and Hope were blowin'. 
To see him, and to hear him speak, 

To look but in his face, 
It made you fa' in love somehoo 

Wi' a' the human race. 

A secret chairm, a hidden spell, 

A mystery, had boon' him \ 
An atmosphere o' calm delicht 

Was always hinging roon' him. 
'Twas even in the dress he wore, 

For tho' his coat was clootit 
Ye never saw't, or, if ye saw, 

Ye thocht nae mair aboot it. 

I ne'er could solve the mystery ; 

By words that drappit frae him 
I felt, but couldna fin' the way, 

He carried conquest wi' him. 
And weel I liked to sit and read 

The language o' his e'e ; 
And try to sound the hidden deeps 

O' that untroubled sea. 

The maist o' folk wha would be guid, 

And keep frae doing evil, 
Maun aft hae battles wi' themsel's, 

As weel as wi' the deevil : 
For some are guid by grace o' God, 

And some hae to be skelpit ; 
But he was good and just because 

He really couldna help it. 

His joy was in the woods to rove, 

To loiter by the burn ; 
He lov'd wild Nature, and she loved 

Fler lover in return. 



Old Adam 323 

He socht her green retired bit nooks, 

And nae ane better knew 
The secret haunts, the fairy howes, 

Where a' the wild-flowers grew. 

Aft would he follow in the track 

Whaur spring had newly been, 
To see the primrose peepin' forth 

And blewarts ope their e'en. 
The gowan didna better lo'e, 

Nor did the foxglove ken, 
The hazel howes, the fairy knowes, 

O' bonnie Calder glen. 



6* 



Ilk strange wee bird o' wood and wild, 

By learned men disputit 
Its name, its nature, and its sang 

Weel kent he a' aboot it. 
And when the wee grey lintie cam' 

Aroon' his cot to sing, 
He wouldna let the vagrant touch 

A feather o' her wing. 

And oh ! how he would sing the sangs 

O' lang syne's happy days, 
'Till we were wafted back again 

Amang the bonnie braes. 
We felt the magic o' the wood 

As we were wont to do 
When we would hush our hearts to hear 

The voice o' the cuckoo. 

Ance mair the flow'rs were leevin' things 

That round about us sprung ; 
It wasna dew, but siller drops 

That round their bosoms hung. 
The sky again was bonnie blue, 

Where no' a speck was seen ; 
And oh ! the grass was green again 

I canna tell how green. 



124 Scottish Porti-aits 

We felt the breath o' meadows sweet, 

Ere yet the dews depairt ; 
And oh, ance mair the gowans fair 

Had crept into our hairt. 
And tho' he's lain him down to rest 

Frae a' earth's guid or ill, 
His memory is fragrant yet 

He's singing to us still ! 



AULD HAWKIE'S DREAM 34 

'' I "WEEN midnicht an' mornin', that eerie hour when, 

i- As Scripture says, " Deep sleep fa's doun upon men," 
When the wild winds are a' lockit up in their caves, 
An' the ghosts o' the deid venture oot o' their graves, 
To dauner aboot 'neath the bonnie muneshine, 
Or bide aroun' places they likit lang syne. 
Then, somehoo' or ither, I dreamed I was deid 
Guid kens what could put sic a thocht in my heid ! 
I was borne thro' the lift, an' awa' 'yont the mune, 
And a' the wee stars that were rowin' abune. 
At last I was loutit richt down at the gate, 
Where holy Saint Peter's appointed to wait ; 
But tied on my back was a burden o' sin, 
Sae I thocht I'd hae trouble ere I could get in. 
There were things on my conscience that heavily sat, 
Sic as dribblin' an' drinkin', an' waur things than that. 
Ah ! ye may believe me, I felt unco blate, 
An' couldna tak' courage to rap at the gate. 
Sae I crept in a corner to watch for a chance, 
Whan wha does I see like a trooper advance, 
But Granny McNab ! Haith ! I trummelt wi' fear ! 
What the deevil, thinks I, brings the auld viper here? 
I dootna she comes just to clype upon me, 
An' feth, the auld lass winna stick at a lee ! 
I only could mutter, " Guid guide us frae skaith, 



Auld Hawkie's Dream 325 

A lost sowl am I if it's left to her aith ! " 
Oot at her I keekit, a' sweetin' wi' fricht, 
An' thankfu' was I to be oot o' her sicht ; 
But up she comes bauldly, an' raps at the gate, 
An' cries, " Open quickly, for I canna wait ! " 
Says I to mysel', " Lass, if they'll tak' you in 
There's hope for me yet wi' my burden o' sin." 

Then oot cam' Saint Peter an' there did he stan', 
The keys at his girdle, a sword in his han' 
An' says, rather snelly, " Wife, wha may ye be ? " 
When Granny says, smilin', " Ye suirly ken me ? 
I'm Mistress McNab, frae the East Neuk o' Fife 
Ye'll fin' my name's doun in the Lamb's Book o' Life. 
I've focht the guid fecht, an' the battle I've won, 
Sae lead me in-by to the Faither and Son. 
I claim the reward naething less than the croun, 
Wi' the gems and the jewels a' buskit aroun' ! 
Upon His ain shoulders I laid a' my sin, 
Sae stan' here nae langer, but juist tak' me in. 
I can say a' my questions, I've lines frae the Session, 
For ne'er was I catcht, sir, in ony transgression ; 
I believ'd the haill Book frae beginnin' to en', 
Its' a' richt wi' me, Saint, sae juist tak' me ben." 

" Hoot, hoot ! " quo' the Saint, and he seem'd unco brief, 

" We carena a bodle aboot your belief; 
But juist let me hear o' some guid ye hae dune, 
For it's only by guid works ye'll ever get in." 

" The guid works I've done ? " quo' she, " hear to the man ! 
I'm tellin' ye o' them as fast as I can. 
The foremaist was I, man, in ev'ry guid work 
The pillar an' prop o' the auld Burgher Kirk. 
I ne'er could put up wi' the claver an' clash 
0' the Baptists an' a' the mere Methody trash : 
Wi' their wun' an' their water, I haena a doot, 
If there's licht amang them they'll sune put it oot. 
An' then wi' new notions I ne'er could agree, 



326 Scottish Portraits 

I stuck to the auld anes, whate'er they might be. 
Jean Tamson insisted on common Salvation, 
But, heth ! I preferr'd universal Damnation. 
Jean gangs to nae kirk, an' she tell't me atweel 
Sectarianism's the wark o' the deil ! 
' Ah, Granny,' says she, 'when we leave this auld frame, 
An' the spirit, unfetter'd, mak's aff for its hame, 
We'll never be speert to which kirk did we go, 
AVere we sprinkled, or plowtit, ah, no, Granny, no ! 
It's the lives we hae led, the guid or ill we hae dune, 
That mak's us or mars us wi' them up abune.' 

"She tried to convert me to Mercy an' Grace, 
An' the natural guidness o' a' Adam's race, 
An' spak' o' the caum o' the bonnie blue sky, 
An' the fountain o' Mercy that never rins dry. 
Noo, Saint, did ye e'er hear sic havers as thae ? 
Should she be alloo'd to lead young anes astray ? 
They're awfu', the doctrines that she does advance 
Thinks swearers and cut-throats may a' hae a chance ; 
She couldna catch me ! for I threw in her mouth 

' An e'e for an e'e, an' a tooth for a tooth.' " 

The Saint shook his heid, and said, " Woman, begin 
And tell me at last o' some guid ye hae dune ! " 18 

"But still," she continued, "od ! am I no savin', 
'Tween huntin' down heresy, plottin' and prayin', 
An' haulin' the ne'er-do-weel backsliders up, 
An' them wha unworthily drank o' the cup, 
I had a big han'fu' o' wark to get thro'. 
Oh, wha's to look after the licht limmers noo ? " 

" Hoot ! hoot ! " quo' the Saint, " wife, for guidsake begin 
An' tell me at last o' some guid ye hae dune ! " 

" Do ye mean to tell me, sir, I did nae guid, 
When I for the kirk an' the cutty-stool stuid ? 
When I was reviled by the licht an' profane, 



Auld Hawkie's Dream 327 

And bore the haill brunt o' the parish my lane, 
An' focht wi' Auld Hawkie the warst o' a' men 
Wha said 'twas a farce frae beginnin' to en'. 
Oh, he's an auld blackguard, an' has a vile tongue ! 
His words aye fell on me like strokes frae a rung. 
He said my religion was a' a mere sham ; 
Tell't me to my face, sir, I likit a dram ; 
An' tho' I had gotten the faith o' assurance, 
That I was a Jezebel past a' endurance ; 
Tell't me to my face, in my auld flannen mutch, 
In the days of lang syne, I'd been burnt for a wutch. 
' Ye're juist Mistress Grundy,' quo' he the auld rake ! 
I'm sorry there isna a hell for his sake ! 
Ye'U min' when he comes here o' what he has dune, 
An' ye'll no let the wicked auld blasphemer in." 18 

" Whisht ! whisht ! " said the Saint, " wife, I've hearken'd 
owre lang ; 
That ane ye ca' Hawkie was hardly far wrang. 
Ye've come to the wrang place, my woman, I fear ; 
Your kind o' religion's o' nae accoont here. 
Ye ne'er were the woman to lichten the load 
O' ony puir wretch on life's wearisome road ; 
And, by your ain story, ye lived but a life 
O' pious pretension, backbiting, and strife. 
On mony a tender affection ye trod, 
Tell't mony a lee for the glory o' God ; 
Ye've weel earned your place in the great lowin' heuch. 
Speak nae ither word, I've heard mair than eneuch ! 
To a' honest folk ye're a terrible fricht, 
Sae aff, ye auld bissom, an' oot o' my sicht ! " 

Dumbfounded, a moment the auld hizzie Stan's, 

Then up she rins at him, aclappin' her han's. 
"A pretty-like story ! Is't you, sir," says she, 
" Wha daurs to keep oot sic a woman as me ? 

Ye were but a cooart, man, whan ye were tried ! 

I'm thinkin' the Maister I never denied. 

Ye cursin' auld scunner ! ye leein' auld lout ! 



328 Scottish Portraits 

An' ye'd be for keepin' the like o' me oot ! 
Na, na ! Maister Peter, ere I gang to hell, 
I'll hae twa-rhee words wi' the Faither himsel'.' 

For mair o' her clatter the Saint didna wait, 
But in he slipt quickly an' bolted the gate. 
An' oh ! sic a pictur' was auld Granny's face, 
O' impidence baffled, o' shame, an' disgrace, 
I burst oot a lauchin' ! I fairly did scream 
Which startled me out o' my won'erfu' dream. 



THE WARLOCK O' GRYFFE 

GRYFFE Castle, dreary, old, and lone, 
Look'd out from lichens grey, 
And made its moan o'er heroes gone, 

And glories pass'd away. 
It stood on an embattled bank, 

Beside a murm'ring stream, 
Where waved some willows old and lank, 
Like spectres in a dream. 

The moat's fill'd up, the drawbridge gone, 

Half hid in mosses grey ; 
A fall'n old hero cut in stone 

Blocks up the narrow way. 
The Castle had its secret nooks, 

And many a dusty den, 
With parchments old, and steel-clad books, 

And skeletons of men ; 

With crucibles, retorts, and jars ; 

And scatter'd round them lay 
Stuff'd reptiles, coil'd among the spars, 

From regions far away. 



The Warlock o' Gryffe 329 

There dwelt Sir William and his dog 

The only friend he had ; 
Folk said it was a friend incog., 

That he himself was mad ; 

That often they'd together walk, 

When there was work on hand, 
And had their confidential talk 

None else could understand ; 
That he was wrathful in his way, 

And fond of bitter oaths, 
And talk'd of neighbors as if they 

Were just so many Goths. 

" His talk," they said, " was all a maze 

No mortal could make out ; 
There was a craze in all his ways 

Ay, mad ! with ne'er a doubt." 
Their story ran " that in his youth 

A jilt set him a-gley, 
And losing faith in love and truth, 

A misanthrope grew he. 

" When, lo ! the shout of Liberty 

Rang over Europe wide, 
For France resolv'd she would be free, 

Whatever might betide. 
And when he first heard of the fray, 

Like ane gane gyte was he, 
And instantly he rush'd away 

To fight for Liberty. 

" And many a long year pass'd away 

Ere aught was heard of him ; 
E'en in this place, home of his race, 

His memory grew dim. 
Then rumor said he tint his mind 

When Freedom's bubble burst ; 
Then said that he was guillotined 

Among the very first. 



33 Scottish Portraits 

" But 'twas believ'd he fled away 

From scenes he could not brook, 
And serv'd in many a glorious day 

'Neath Britain's Iron Duke." 
" It's best to let Sir Willie be," 

Auld Elder Jamie said, 
"For he's no canny often he 

Has dealings wi' the dead. 

" The leddy dee't repentin' sair 

That e'er his path she crost, 
And noo she haunts the Castle stair, 

A lanely, wailing ghost. 
Puir man, to hell he selt himsel', 

An' giet Heav'n in exchange, 
For wealth his fill and pow'r at will 

Owre a' the world to range. 

" He's very learned, too, they say, 

Amang the warlock tribe, 
And winds and waves his word obey 

He's baith their king and scribe. 
And weel its kent that fearfu' dug 

Is no' the thing it seems : 
When ye wad think it sleepin' snug, 

Or huntin' hares in dreams, 

" It's rinnin' a' the worl' aroun' 

For a' shapes it can tak', 
And noo it is a tinkler's loun, 

Broom besom on his back ; 
And then an auld man wi' a beard 

That reaches to his waist, 
And dauners roun' some auld kirk-yaird, 

An's neither man nor ghaist. 

" Its whiles a traiveler late at e'en, 
Upon a weary nag ; 
And then a bouncin' gypsy queen, 
Or some auld wither'd hag. 



T/ie Warlock o Gryffe 331 

And when unlook'd-for death-ca's come, 

Amid the grief and din 
O' that sad hoose, as quait's a moose, 

That dug comes slinkin' in. 

" And when they foun' the waun'ert weans 

That perish'd in the sike, 
Wha's sittin' on their blacken'd banes 

But that great towsy tyke ? 
When auld Curfufell droont himsel' 

Guid keep us a' frae sin ! 
Wha's watchin' by the open well 

But ' Lang Lugs,' leukin' in ? 

" Whan ma wee oe was near his last, 

And I was in a fyke, 
I knelt to pray when in my way 

There lay the gruesome tyke. 
And up it cam' my han' to lick, 

As innocent's a lamb, 
And oh, my bluid juist curdled thick 

When it join'd in the psalm ! 

" It tried to droun our voices doun', 

Which stopp'd us a'thegither ; 
In deidly plicht we swat wi' fricht, 

And stared at ane anither. 
When Elder John, that man o' God, 

Near to his en' did lie, 
The winds were loune, and towers o' doun 

Were hangin' in the sky ; 

" The sunbeam sleepin' on the lea, 

An' heav'n an' earth sae still, 
The very silence ye could see 

On river, vale, and hill. 
And hush'd was ilka bonnie bird, 

E'en craws had quat their din, 
And no the faintest sooch was heard 

Owre Locher's roarin' linn. 



332 Scottish Portraits 

"Ye wad hae thocht that angels bricht 

Were hoverin' roun' his bed, 
For a' the time a heav'nly licht 

Upon his face was shed. 
He seem'd to waun'er in his min', 

Kept talkin' to his wean 
(That dee't, I think, in auchty-nine) 

As 't were alive again. 

"Then cam' a chapman to the door, 

Wha suddenly took fricht, 
Wheelt roun', and wi' a bark and roar 

Was aff and oot o' sicht. 
Wha that was weel the watchers kent, 

For like a flame he flew, 
As if the sword e'en o' the Lord 

In vengeance did pursue. 

" The Castle's built on goblin caves, 

Where souls o' little worth, 
Wha canna lie still in their graves, 

Come back to trouble earth. 
And weel its kent to all aroun' 

That aye on Hallowe'ens 
Sir Willie's there in his arm-chair 

Wi' his beheidit frien's. 

" An' aye on that unhallow'd nicht, 

When a' that's guid's asleep, 
The Castle's in a bleeze o' licht, 

Frae tower to donjon keep ; 
An' ghaists, that ne'er hae been at rest 

Since auld saint-killin' times, 
That waun'er roun' the worl' distrest, 

In penance o' their crimes, 

" Wi' gruesome hags, to mak' their manes, 
Frae mony a hole come oot, 
An' swarms o' wee unchtist'nt weans 
Are yaumerin' roun' aboot. 






TJie Warlock d Gryffe 333 

Its terrible its waur than sin ! 

To hear the loud reports 
Come thun'rin' frae the vaults wherein 

He keeps thae black retorts. 

"An' ever at the fearfu' soun' 

The dug sets up its yell, 
An' a' the craws come gabblin' roun', 

Like imps let lowse frae hell. 
Owre lang they've kep' the laun' in dreed, 

And muckle ill they've dune ; 
Judgment is hinging owre their held, 

An' canna come owre sune. 

" Something to set the world agaze 

Maun soon owretak' the twa - 
Its like the haill howff in a blaze 

Shall pass from earth awa'. 
I wadna be surprised to see 

Fire rain'd doun on the bike ! 
Ay ! there's be news, afore they dee, 

O' him an' o' his tyke." 



DAFT JAMIE 

DAFT Jamie dwelt in a cot-house 
Beside a wimplin burn, 
Which, like a snake, crept thro' the glen 
Wi' mony a crook and turn. 

Upon its banks some hazels hung ; 

A foxglove fiow'r sae tall 
Was looking thro' the rents time made 

In an auld ruin'd wall. 



334 Scottish Portraits 

The truant school-boy shunn'd the spot, 
And there no trav'ler came, 

For oh ! it was a dreary place, 
And had an ill, ill name. 

A lang, dreigh muir on the ae han', 

Wi' no a hoose in sicht ; 
A settled gloom hung owre the place, 

Tho' by the sun alicht. 

Close by, a breaker-beaten coast, 
White wi' the saut sea-faem, 

Whar mony a vessel had been lost, 
And never reach'd its hame. 

Yet there a lonely woman dwalt 

Wi' her puir silly son, 
They'd soucht a quiet hermitage 

The jeering world to shun. 

And there for mony years they lived, 

Forgotten by mankin', 
Yet He wha doth the sparrows feed 

Had borne them still in min'. 

To gather burdens o' auld sticks 

Puir Jamie likit weel ; 
Heat was, he thocht, the greatest bliss 

A mortal man could feel. 

For hours he'd sit and watch the lowe, 

And mutter to himsel', 
Then lauch and croon, tho' what he meant 

Nae mortal man could tell. 

But ae dark, dreary winter nicht 
This thocht cam' in his heid : 

To place a beacon on the heicht 
Wad be a manly deed. 



Daft Jamie 335 

Sae Jamie started frae his seat, 

And clapt his han's wi' glee : 
Oh, 'twas a blink o' sunshine on 

A dark and dismal sea ! 

"Ye've often tauld me Christ's a licht 
The wanderer to save ; 
He's needed up upon yon heicht 
That's ca'd the sailor's grave." 

That very nicht he clamb the steep, 

Ken'lt a beacon-fire, 
And twirl'd his han's in wild delicht 

To see the flames rise higher. 

And thro' long years this wark o' love 

He carried on wi' joy, 
And mony a lonely mariner 

Had bless'd the idiot boy. 

Yes, there upon the lonely rock, 

Tho' winds their voices raised, 
And waves rush'd headlong to the shock, 

The beacon -fire still blazed. 

They saw, who journey'd on the deep, 

At the deid hour o' nicht, 
His form, increas'd to stature vast, 

Watching the beacon-licht. 

While great men toil'd on flood and field, 

A selfish joy to reap, 
I turn'd from all to that humane 

Puir idiot on the steep, 

And sigh'd to think how many strive 

But to increase dark nicht, 
And hide in everlasting gloom 

Each mental beacon-licht. 
22 



;36 Scottish Portraits 

Crounless Napoleon on his rock 
Can only make us weep ; 

Humanity, whose hert is Hope, 
Crouns Jamie on the steep. 



MY GRANDFATHER AND HIS BIBLE '* 
Inscribed to James L. Morrison, Esq., Toronto. 

THIS sketch I dedicate to you, 
For in your early youth 
Such characters full well you knew, 
Great souls that stood for -truth. 
The Scotland o' our younger days 

It will reca' to min', 
And guid auld worthies and their ways 
The heroes o' lang syne. 

Yes, this is the volume ! I knew it of old. 

Such a vision of long-vanish'd years 
The ancient Haw' Bible again has unroll'd, 

That I scarce can behold it for tears. 
Creation lay then in life's glorious dawn, 

And love, hope and wonder were new, 
And my young spirit bounded as free as the fawn ; 

And bathed in the beautiful dew. 

Again my rapt spirit is thrill'd as of yore 

With a gleam from the Fountain of Light ; 
Across the wide gulf yea, the gulf of three score !- 

What scenes flash again on my sight ! 
Ah, there in his bonnet and old coat of blue 

The hoary old patriarch stands ; 
His face, tho' careworn, has the stamp of the true, 

And horny and hard are his hands. 



My Grandfather and His Bible 337 

The hair on his high, ample forehead is thin ; 

Compassion looks out from his eyes, 
As if they had long look'd on sorrow and sin 

With a sad and a solemn surprise. 
There is force in the face, and decision and power, 

There is weight in the air and the tread ; 
He looks not like one who would tremble and cower, 

Or like one to be easily led. 

As I look at that old man, in righteousness bold, 

Who fearless his faith did maintain, 
The saints and the sages, the heroes of old, 

Assemble around me again. 
With old Covenanters who bled for the truth 

His spirit communion did hold ; 
They were his familiars, e'en up from his youth, 

And the saints and the martyrs of old. 

This book was the deep mine of treasures untold 

To sojourners under the sky, 
The well in the desert more precious than gold, 

The fountain that never ran dry. 
It taught him the mere fleeting nature of time, 

And to strive for the spirit's high goal ; 
And it gave him the wisdom, the knowledge sublime, 

Of the grandeur and worth of the soul ; 

And what is the knowledge men prize so much here 

To the knowledge that comes from on high, 
Which keeps the heart humble, the spirit sincere, 

And fits us to live and to die. 
And, morning and evening, in boyhood I saw 

This volume before him outspread, 
And my young bosom thrill'd with a joy and an awe 

At the wonderful things that he read. 



'o- 



And, then as he pour'd out his spirit in prayer, 
All earthly thoughts fled the abode 

Creation had vanish'd, and nothing was there 
Save the deep voice ascending to God. 



33$ Scottish Portraits 

And when by some grand or some terrible thought 

This poor peasant's spirit was fired, 
To a loftier region his spirit seem'd caught, 

And he spake like a prophet inspired. 

What to him were the crowns and the kingdoms of time, 
But mere passing things of a day ? 

Was he not the heir of a kingdom sublime, 
That knows not of death and decay ? 

Was he not appointed a great work to do- 
Appointed e'en by the Most High 

The dark pow'rs of evil to stem and subdue, 
The greatest work under the sky ? 

Then Potentates, Princes, and Pow'rs of the earth, 

Your gems and your jewels grew dim ; 
In presence of goodness and meek, humble worth 

Your sceptres were baubles to him. 
And were not the gauds which the vain mass adore 

But trifles the faithful despise ; 
And the idols the multitudes bow down before 

But a refuge of folly and lies ? 

This old man was dow'r'd with invincible will 

E'en tho' misdirected, 'twas grand ; 
In his presence rude natures grew silent and still, 

Or shrank like bond-slaves at command. 
I've seen the bold braggart, the boaster and rake, 

In dudgeon away from him fly ; 
Beheld, too, the titled fool tremble and quake 

'Neath the scorn of that poor peasant's eye. 

But virtue will grow into vices, I ween, 

And even the righteous will fall. 
How few of us keep the straight balance and mean ; 

But God is the judge of us all. 
A deep sense of duty however deceiv'd- 

Like an atmosphere over him hung, 
And all that he either thought, did, or believ'd, 

From duty stern duty it sprung. 



My Grandfather and His Bible 339 

E'en human affections had all to give way 

Was he there to think or to feel ? 
His orders were there, he had but to obey, 

And his bosom 'gainst nature to steel. 

He sleeps with his fathers ; his battles are o'er, 

The toil and the trouble are done ; 
Disappointment and heart-break ah ! no nevermore 

Shall vex him here under the sun. 

He was one of the last of a loyal old race, 

Who were simply yet grandly sincere, 
Who look'd all temptation to sin in the face, 

And trampled on doubt and on fear. 
But still in the heart of the sternly severe 

There were gleams of the spirit divine, 
And, with all of our knowledge, we're forced to revere 

Those sternly great souls o' lang syne. 



DAFT MAGGIE 

LIFE'S a' a haze, a dreary maze, 
Oh, would that it were dune ! 
Oh, weary me ! would I could dee ! 

What keeps the leddy mune ? 
I lang for nicht, for this daylicht 

Rives a' my hert and brain, 
But whan it's dune, oh, then I'm in 
A dear worF o' my ain. 

Day was a joy till that blin' boy 

Oor cottage enter'd in ; 
Then peace and rest flew frae my breast ; 

He left a grief behin'. 



340 Scottish Portraits 

When bleerie moles creep frae their holes, 

The bat is on the wing, 
An' owls too-hoo the croodlin' doo, 

An' nae wee bird daur sing ; 

The taid creeps oot the auld tree root, 

An' mounts his ain door-stane, 
Like wee auld man o' some lost clan 

Left in the world alane ; 
When puddock-stools by sleepin' mools 

Loup up in clear muneshine, 
'Neath sill'ry wabs, wi' dewy blabs, 

An' fairies come to dine, 

I mount my mare, and thro' the air 

I gallop to the sea, 
Whaur mermaids fair, wi' dreepin' hair, 

A' gather roun' wi' me. 
Then a' the nicht, wi' herts sae licht, 

We skim the munelicht sea 
(Ye never saw sic leddies braw, 

Or sic blithe company) ; 

Or sit us doun an' that sang croon 

Nae mortal e'er can learn, 
We rock asleep the waukrife deep, 

As mither rocks her bairn. 
Then to the caves aneath the waves, 

At vera streak o' dawn, 
Thro' regions fair, 'mang pearls sae rare, 

We wan'er han'-in-han'. 

Then, too, we hear, 'tween joy an' fear, 

The great sea-organ's swell 
Sic heaving moans, sic tempest-tones, 

Earth's language canna tell ; 
An' while they ring the great wind's wing 

Is faulded on its breast, 
While, sabbin' sair on oor breasts there, 

They lay them down to rest. 



Daft Maggie 341 

To hear the sang the sea-dogs thrang, 

An' water-sprites draw near, 
While mighty waves are still as slaves 

An' hush their herts to hear. 
Oh, weary me ! what ills I dree ! 

Will daylicht ne'er be dune ? 
There's something wrang, the day's owre lang ! 

What keeps the leddy mune ? 

There was a psaulm aye drapt like baulm 

Ma faither sang 't to me 
Ma heart-strings crack when it comes back, 

Awa' it winna glee. 
I canna beir that psaulm to hear ! 

It wafts me to the days 
Whan peace cam' doun in great white goun 

T' oor cottage 'mang the braes. 

The still loch lay in Sabbath ray, 

The hills sae solemn stood, 
The waterfa', wi' souch o' awe, 

Gart phantoms roun' me croud ; 
The Sabbath bells, wi' saintly swells, 

Far up amang the braes 
Hoo frae ma hert they gart ootstert 

Some holy hymn o' praise. 

At times we lea' the midnicht sea, 

An' a' the dancing waves, 
An' thro' the mirk mak' for the kirk 

Amang the grassy graves. 
The deid in crouds cam' in their shrouds, 

An' oh, they leukit braw ! 
An' spak' o' death aneath their breath 

Until the grey cock craw. 



'Mang the unblest wha canna rest 

I'm sure last nicht I saw 
The wee blin' bairn, oh, hoo forfairn ! 

But noo I maun awa' ; 



342 Scottish Portraits 

For see ! the raune comes peekin' in, 
An' sae I canna bide ; 

Hark to the sea ! it cries on me, 
Sae I maun up an' ride ! 



ON RECEIVING A PORTRAIT OF 
AULD HAWKIE 34 

THAT'S Hawkie as he look'd lang syne !- 
In ev'ry feature to the Nine 
The stilt, the staff, the crookit spine, 

An' creeshy claes ; 
The hat, a sair forfochten plug, 
Aye shining like a pewter mug 
On dreepin' days. 

Ah, well I mind that e'e o' blue ! 
The restless spirit keekin' thro' ; 
Oh ! when it fasten'd on to you 

It held you fast, 
As by some cantrip fascination, 
As if some lang'd-for revelation 

Were come at last. 

And then his voice 'twas something rare ! 
By lang exposure to the air, 
It rispit maybe rather sair, 

But didna' skirl ; 
For it was manly, tho' 'twas hoarse, 
And with a kind o' bullet force 

Gart a' hearts dirl. 

You see he's in a deep debate ; 
That whisker'd fop wi' empty pate 
He hammers hard, wi' words like fate, 
Yet slee and pawky : 



A Portrait of Auld Hawkie 343 

While all aroun' the gaping crowd, 
In roars o' lauchter lang and loud, 
Cry, " Weel done, Hawkie ! " 

For rich and puir would gather roun' 
To hear him lay the gospel doun', 
Or lash some wicked, graceless loun, 

In some high station, 
Wha ground the faces o' the poor, 
And obstinately, dowff and dour, 

Misruled the nation. 

He placed the culprit in your sicht, 
And gart you lauch wi' a' your micht 
Nae wee bit snicker, but ootricht, 

Wi' sides a' shakin'; 
Or made your heart heave like a sea, 
For oh, an orator was he 

O' Nature's makin' ! 

Whiles like a fountain, gently gushin', 
Whiles like a mighty torrent rushin', 
The words cam' oot, ilk ither pushin' 

Wi' thund'ring pow'r ; 
For 'twasna by mere clever chaffin' 
He gart folk greet, or kept them lauchin' 

Hour after hour. 

Oh, he was great on burning wutches, 
Oor grannies in their flannen mutches ! 
Wi' some inimitable touches 

Upon the kirk ; 
But bless'd the Lord religion true 
Looks back wi' shame and sorrow noo 

On things sae mirk. 

Some thocht him but a raucle deil ; 
And tho' perchance "nae quiet chiel," 
Yet Hawkie had a heart to feel, 
And hated wrang ; 



344 Scottish Portraits 

And his queer stories, dreams, and jokes 
Serv'd but to licht the fearfu' rocks 
He'd got amang. 

He'd lauchin' say : " This life's a muddle ; 
To me it's a' a perfect puddle ; 
Exceptin' when I'm on the fuddle 

A' 's dull and wae ; 
But whiskey hides me frae masel', 
And a' the deevils oot o' hell, 

An' them in 't tae. 

" Oh, it's the cure o' a' distress, 
The shortest cut to happiness, 
The last remainin' well o' bliss 18 

Left since the Fa', 
Whaur a' the wretched, ere they sink 
'Mang God's forgotten, come to drink 

Their waes awa'. 

" I'm fautit aft for gettin' fu', 
But let faut-finders sail my crew, 
The very thocht wad mak' them grue 

O' bein' sober ; 
It's the maist dreadfu' thocht I hae, 
Be 't in the merry month o' May, 
June, or October." 

For a' sic jokes, ae winter day, 

When bluid was thin, an' cheeks were blae, 

Full solemnly I heard him say : 

" Oh, it's infernal 
This fechtin' against wind an' tide, 
Wi' passion, poverty, an' pride, 

An' drouth eternal ! 

" Is this the promise o' my prime ? 
A wreck amang the shoals o' time, 
Whiles stickin' 'mang the sand an' slime, 
An' then, O Lord ! 



A Portrait of Auld Hawkie 345 

The rudder gane the compass, too 
An' oh, sic a rebellious crew 
I've got aboard ! 

" The maist o' them are bleart an' blin', 
A' drench'd an' stupefied wi' gin, 
An' then they keep up sic a din, 

Fechtin' thro' ither 
I'm tempted whiles to leave the ship, 
To scuttle her, an' end the trip 
Noo an' forever ! 

" It's easy on a simmer sea 
To navigate but oh, waes me ! 
Whan rocks are lyin' on the lee, 

The ballast gane, 
Encompassed roun' wi fogs and shoals, 
An' like a log the vessel rolls, 

A' steerin's vain." 

We saw in him a soul misplaced, 

For, ne'er a doubt, he would hae graced 

A parliament o' sages chaste, 

Despite the cup. 
We saw his genius run to waste, 
And not a single soul made haste 

To help him up. 

Hard was his battle to the last, 
And tho' he was at times douncast, 
He's managed noo to jink the blast, 

Sae let it rave ! 
For a' his frailties, at this hour 
There's few wha wadna cast a fiow'r 

On Hawkie's grave. 



;46 Scottish Portraits 



THE SEMPILL LORDS 



39 



HERE let me sit at midnight hour, 
Where Sempill lords are sleeping ; 
While moonbeams show'r thro : ruin'd tower, 

The stars their watch are keeping, 
And wand'ring winds, like weary things, 

Thro' long rank grass are wailing, 
Like shadows lone of warriors gone 
On misty moonbeams sailing. 

Now Ruin haunts these lordly halls, 4 " 

Where Mirth and Joy resounded ; 
Where warriors dwelt, and captives knelt, 

And harps to Glory sounded. 
Proud Eliotstoun's a ruin grey, 41 

With none to tell her story, 
Save winds of eve that come to grieve 

O'er wreck of ancient glory. 

Where are the minstrels old and grey, 

That sung to Beauty's daughters ? 
They've past away with list'ners gay, 

Like music on the waters : 
The jocund bard of old Belltrees lli 

In moss-grown grave is lying ; 
The songs he sang till Scotia rang 

Are echoes faintly dying. 

And lowly lies that warrior lord, 4 -' 

Who oft so gaily bounded 
On dapple grey in war array, 

While trump to battle sounded. 
There's no one left of that proud race 

That climb'd the steep of" glory ; 
Their might's a tale of grandame frail, 

A ruin old and hoary. 






347 



A LANG-HEIDIT LADDIE 

HE'S a lang-heidit laddie, that Sannock o' mine, 
And sometime or ither that laddie maun shine ; 
It needs nae auld spaewife his fortune to ken, 
He'll be seen and heard tell o' amang muckle men. 
But bairns are no' noticed by big folk, ye see, 
That belang to a puir widow woman like me. 
But he'll gar them notice, ere mony years go, 
And listen to him, be they willin' or no ; 
And to his decision he'll mak' them a' boo 
He's a lang-heidit laddie, and like him are few. 

Alane by the burn-sides he reenges for hours, 
And he kens a' aboot the wee birdies and flow'rs ; 
He's aff ere the cock craws, awa' to the braes, 
And he stays oot amang them for haill simmer days, 
To talk wi' the peesweep and lane cusha-doo 
He's a won'erfu' laddie, and like him are few. 

There's no' an auld castle that too'rs on the steep, 
Nor a field whaur oor auld fechtin' forefaithers sleep, 
Nor a bonnie wee burnie that wimples alang, 
In the licht o' its gladness immortal in sang ; 
There's no' an auld kirk whaur the grey hoolets cry 
To the deid congregations around them that lie; 
There's no' an auld abbey that sits in the rain, 
In widow's weeds sighing owre glory that's gane, 
But he kens mair aboot them than antiquars do 
He's a lang-heidit laddie, and like him are few. 

Auld Birsie, the bodie that lives by his craft, 
Ance hinted to me that my laddie was daft ; 
I bang'd up, and tauld him that he or his weans 
Wadna likely gang daft by the wecht o' their brains, 
Or their honesty either ; I gied him my min', 
And the body can hardly endure me since syne. 



348 Scottish Portraits 

The spite o' the crattur was easy seen thro'. 
Mine's a lang-heidit laddie, and like him are few. 

It's lang been my notion, and prood wad I be, 
My wee freen'less laddie a preacher to see ; 
I'd sheer for the siller, I'd dae ony wark, 
To see my wee laddie a licht in the kirk ; 
But he lauchs in my face, when he sees me sae fain, 
And he says that he'll preach in a way o' his ain. 
" There are preachers," he says, " ne'er ordaint by the kirk, 
Wha dae a far greater, a far better work." 
I whiles think his doctrines are really no soun', 
But he lays them sae like oor auld minister doun, 
It's a perfect delicht juist to hear him gang thro' 
He's a lang-heidit laddie, and like him are few ! 

He'll talk o' ane Plato, a great man, nae doot, 

And heathens that folk here ken naething aboot ; 

When but a wee tot he would sit by himsel' 

And speer at me quastions 'boot heaven and hell. 

And oh ! but it was a great quastion, he said, ls 

To ken hoo this yirth oot o' naething was made ; 

Hoo three could be ane, and ane could be three, 

Was a thing he insisted that never could be ; 

Or why should we suffer for auld Adam's fa' ? 

Or for what God had made ony deevil ava ? 

I was fairly dumbfoun'er'd, and puzzled to learn 

Hoo sic thochts could get into the heid o' a bairn. 

But I haena a doot they cam' into his heid 

Like the mumps, or the measles, or grew like a weed, 

That's sune rooted oot by the Gard'ner o' Grace, 

And flow'rs a' the fairer spring up in their place. 

I aye haud the hope that I'll yet leeve to see 

Him waggin' his pow in a poopit sae hie : 

I haena a doot but that won'erfu' pow 

Will set the haill country-side a' in a lowe. 






349 

AHEAD OF HIS TIME 
Inscribed to Robert Kerr, Greenock, Scotland. 

AULD Saunders the Great was a mere bonnet -laird, 
And o' riches but sraa' was his share ; 
Contented was he wi' a cot-hoose and yaird, 

Wi' wisdom, wi' knowledge, and lair. 
And he was a character in his ain way, 

That to no common idol would bow ; 
And the things that he did, and the words that he'd say, 
Kept the haill parish aye in a lowe. 

A plain, unpretending apostle was he, 

Wi' a tourie-tapt, twa-storey heid, 
And under each arch'd brow a double-ring'd e'e, 

In the centre a bonnie blue bead 
An e : e that was never intended to leer, 

That tauld o' a spirit high-toned, 
Yet seem'd half unconscious of things that were near, 

And always seem'd looking beyond. 

At times there was something would keek thro' the blue, 

Wi' a strange and a weird kind o' gleam, 
And as you approach 'd him it seem'd as if you 

Had waken'd him oot o' a dream. 
'Twas hard to decipher the lines of that broo, 

Or to read what was writ on his face, 
Yet his air and his negligent manner somehoo 

Had a naitural kind o' a grace. 



&* 



But when he was roos'd, oh, how chang'cl was his look ! 

And what terrible things he wad say ! 
He wad get to his English, and talk like a book 

For the length o' a lang simmer's day. 



35 Scottish Portraits 

When charged wi' some mean thing his spirit did spurn, 

A deevil look'd out o' his e'e, 
And the bead in the middle, the way it wad burn 

It was worth gaun a lang gaet to see. 

Wi' what rapture in boyhood I heard him discourse 

On man and on ither strange things ; 
For his thoughts had a grandeur, a power, and a force, 

That bore me aloft on their wings. 
They bore me to regions undreamt o' before, 

And then, what a rapture was mine ! 
For I felt that on pinions my spirit did soar 

From the human up to the divine. 

For great men he seem'd to care little ava, 

Their systems he lov'd to confute ; 
Save Shakespeare and Bacon, and some ane or twa, 

He cared na a bodle aboot. 
" Napoleon the mighty was waur than a wean, 

And hadna the wisdom to see, 
Despite his big intellect, and his coarse brain, 

That naething can stan' on a lee. 

" Owre earth like a terrible tempest he pass'd, 

Loving naething ootside o' himsel' ; 
And sae his card-castles a' vanish'd at last, 

As doun to destruction he fell. 
But still when to earth some great conqueror comes, 

And fools offer homage profound, 
'Mid the blaring of trumpets, the beating of drums, 

The calm voice of wisdom is drown'd. 

" The prophets, the priests, the Messiahs of earth, 

The sad-eyed and lone, weary ones, 
No heralding trumpets blare forth at their birth, 

No shouting, nor thunder of drums ; 
But the world grows sick of the drum and the fife, 

Of the wreck and the ruin they've wrought ; 
And here in the great battle-field of our life 

Henceforth shall our battles be fought. 






Ahead of His Time 35 1 

" Here bloated wealth rears her palatial abode ; 

E'en where the starv'd laborer dies, 
And our pray'rs and our praises, ascending to God, 

Are mix'd with his curses and cries. 
Then boast not of what fighting forefathers did ; 

From your crest wipe the dark bloody stain ; 
In charity let their achievements be hid, 

But boast of them never again. 

" Go forth to the great battle-field of our time, 

Tis there you are called on to-day ; 
Go, shelter the weak from temptation and crime, 

And your heart's better instincts obey. 
'Gainst fraud and injustice the battle shall be, 

And all the iniquities old ; 
The hero-to-be must humanity free 

From the terrible fetters of gold. 

" The angel of warning o'er Britain now floats 

Hearest thou what the spectre doth say? 
Hush ! stern oaths are mutter'd in grim, dusky throats, 

To rend from the spoiler the prey." 
While frankly and fearlessly Saunders foretold 

The wrath and the evil to come, 
He look'd like a seer, or a prophet of old, 

Who could not, or would not, be dumb. 

The schulemaister, tho' little else than a fule, 

When he heard o' sic doctrines, did glower : 
" Thae precepts," quo' he, " wouldna dae in the schule, 

Od, I wouldna be maister an hour ! " 
The Bailie, wha aye was juist stovin' wi' drink, 

His wrath oot on Saunders did pour : 
Said he, " Civilization he'd turn to a sink, 

A thing I could never endure." 

" Na, na ! " said the Provost, " wise folk maun take care, 
And no let the rabble comman' ; 
Keep healthy distinction atween rich an' puir 
That's the bulwark and stay o' the Ian'. 
23 



352 Scottish Portraits 

Let the pot but ance boil owre, wi' scum an' wi' ase, 

We'll no' can see ither for soot, 
And then in the hubbub, a' heids an' a' thraw6, 

E'en the vera fire's sel' will gang oot." 

Sir Tammas pronounced Saunders waur than an ass : 

" For, the creature, he seems unaware 
That God in His mercy provided a class 

Baith to guide and to govern the puir. 
Sic doctrines," he said, " wad sune ruin the state, 

Workin' folk wad sune rise in revolt ; " 
Sae for safety he'd shove Saunders oot o' the gaet, 

And keep it 'neath key, lock, and bolt. 

PART II. 

Unheeding their clatter, auld Saunders for hours 

Would sit in contemplative mood ; 
While his e'en would be fix'd on the bonnie wee flow rs, 

'Twas thus he wad mutter and brood : 
" We're puir little creatures all building for time 

Thro' pride and ambition we strive 
But Truth is the only one temple sublime, 

That shall all other temples survive. 

" The splendors of titles, of rank, and of power, 

That isolate men from their kind, 
The pure human spirit they rob and deflower, 

And dwarf while they fetter and blind. 
While high, haughty mortals, unsocial, austere, 

And cold to the very heart's core, 
To whom no one living thing ever was dear ; 

With self the one God they adore 

" What millions are living a meaningless life, 
And know neither friendship nor love ; 
And never once felt, in the tumult and strife, 
The warm brooding wings of the dove ; 






Ahead of His Time 353 

Whose lives are a fiction mask bowing to mask 

Who know not what 'tis to be free 
Rich bond-slaves, who go thro' their pitiful task, 

That dare not to think and to be ! 

"They meet but as strangers as strangers depart, 

All wrapt in a triple disguise 
Nor know they what's meant by communion of heart, 

And life is a commerce of lies. 
How God-like this same human nature can be, 

When free from the worm at the core ; 
How grand the communion of souls that are free, 

And mutually love and adore ! 

" We live upon sympathy, kindness, and love ; 

Each other we never can know, 
Till the spirit of kindness descends from above, 

And the wells of affection o'erflow. 
Beside human nature's pure, glad living fount 

What great golden harvests have grown, 
Lang, lang, or ere Moses gaed up to the Mount, 

Or commandments were written on stone. 

" Who has not met beings of high moral worth, 

That stept with a carriage sublime, 
Who were rais'd far above the ambitions of earth, 

And the fleeting distinctions of time 
With spirits as pure as the sun's golden ray, 

That illumines the swamp and the fen ; 
Still scattering blessings along their life's way ? 

Yes, such are the monarchs of men ! 

" And there is a sister with meek, modest grace, 

And eyes that are fix'd on the ground : 
Where'er there's affliction that pitying face 

Is sure to be hov'ring around. 
Whene'er I encounter those pitying eyes, 

A draft of pure glory I get, 
And I cry, " Tho' surrounded by folly and lies 

There's hope for Humanity yet ! " 



354 Scottish Portraits 



PART III. 

Sic doctrines were contra to natur'," folk said, 

And it was agreed thro' the toun, 
That " tho' they micht dae weel to mak' a parade, 

In the market they wadna gang doun. 
Sic doctrines micht suit vera weel wi' them a', 

Wha' hae riches and siller galore, 
But the auld proverb says that love aye flees awa' 

When poortith comes in at the door." 

The Bailie, he said, wi' a nicher and smile : 

"This love doctrine never will dae ; 
It's the fear o' the gallows, o' hell, and the jile, 

Or I micht e'en myseF gang astray. 
He's only juist trying himsel' to deceive, 

There've been wars since the worl' it began, 
Sae this turtle-dove doctrine I dinna believe, 

For I feel there's a deevil in man." 

But Saunders paid little attention, for a' 

On Faith and on Hope he did lean ; 
He believ'd far owre muckle aye, that was the flaw, 

Baith wi' jiker and pitying frien'. 
Yet his was a grand, a magnificent faith, 

That robs e'en the grave o' its gloom 
That bridges the great gulf that yawns over death, 

Yea, glorifies death and the tomb. 

' Our forefathers' faith is a' past," he wad say, 

" The fire on the altar's gone out, 
And nothing is left save the cold ashes grey, 

And darkness and terrible doubt. 
Sad-eyed, weary ones, who bade farewell to Hope, 

When the last fitful glimmer had gone, 
Encompass'd with darkness, they stumble and grope 
In the vast and the vacant unknown. 



Ahead of His Time 355 

"Look up, weary ones, for the first streak of day 

Descends on the mountain and lawn ; 
The mists of the midnight are passing away, 

And here are the ' Heralds of Dawn ! ' 
Hush ! hearken ! it is the great trumpet of change 

That's filling the earth and the air, 
And new forms of beauty surpassingly strange 

Are starting to life ev'rywhere. 

" While faithless and hopeless, at this very hour, 

As all undecided ye stand, 
A Spirit gigantic a new living pow'r 

Is stalking abroad thro' the land ; 
Proclaiming earth's sorrows are passing away, 

By the pow'r of the Spirit outcast, 
And ancient iniquities hear and obey 

The summons to judgment at last. 

"Before it the errors of ages give way, 

The old idols tremble and fall, 
And the temples of selfishness sink to decay, 

And the Christ-spirit looms over all. 
The air is alive, yea, with beings unseen, 

Who once dwelt in mansions of clay, 
And o'er us, in joy or in sorrow, they lean, 

And walk in our streets in mid-day. 

"We mortals are mere rudimentals of man, 

While passing thro' sense into soul ; 
Nor can we conceive of the Spirit's vast plan, 

Till death forms us into a whole : 
With faculties broaden'd, brute instincts rubb'd out, 

And freed from the passions of clay, 
To a region where never comes darkness or doubt, 

The spirit soars singing away. 

" Not dead are the dear ones that left us lang syne, 
Ah, no ! they have only withdrawn, 
And still round our hearts their affections entwine 
In the land of the beautiful dawn. 



356 Scottish Portraits 

Each high aspiration, each prayer sincere, 

Each true deed without earth's alloy, 
To the friends gone before us they straightway appear 

As pure, living fountains of joy. 

" They sit down beside them, and muse on the past, 

On dear ones still left in the night, 
And dream of the time when they'll join us at last 

In the evergreen land of delight. 
The height which the greatest can ever attain, 

In this murky planet of ours, 
Is but the initial of heart and of brain, 

The germ of humanity's powers. 

" But their intuitions have hardly a bound : 

E'en the growth of the grass on the lea 
To their delicate organs would heave with the sound 

And the roar of the fathomless sea. 
With senses unknown to the children of earth, 

Those beings majestic are fraught ; 
They breathe in the air where ideas have birth, 

And bathe in the fountains of thought." 



i & j 



E'en according to him, folk in some o' the stars 

Exist on a glorious plane ; 
And to them wha inhabit the planet ca'd Mars 

E'en Shakespeare wad seem but a wean. 
And often he wonder'd why folk spent their time 

On mere little tales of the past, 
While here in our presence God 's working, sublim >, 

On a scale overwhelmingly vast. 

His miracles were not all wrought in the past : 

The same sun is shining to-day, 
And the stars ev'ry night, from infinitudes vast, 

Come to herald the moon on her way. 
All, all is a wonder, this soul and this sense, 

From dust unto Deity, all ; 
And the wonder of wonders, the wonder immense, 

Is that we are living at all ! 



Ahead of His Time 357 

PART IV. 

The villagers hung on ilk word that he said, 

For they kent he was upricht and true ; 
Yet deep in their souls was an undefined dread 

He was prompted by some demon crew ; 
And the story, it ran, that on ilk Sabbath e'en, 

At the meeting o' nicht and o' day, 
To the far-off death region by beings unseen 

Auld Saunders was wafted away. 

'Twas there, they mainteen'd, that he got a' his lair, 

Learn'd to prophesy what wad befa' ; 
O' this they were perfectly positive sure 

That he wasna owre canny ava. 
He spak' o' ane that he ca'd Swedenborg aft, 

And wise Willie often wad say : 
" The twasome are red-wud, aye, perfectly daft, 

And to Bedlam are straught on their way ! " 

And aft to his comrades he'd laughingly say, 

Wi' a wink and a leer in his e'e, 
" I won'er what bee's in his bonnet the day? 

Let's in, lads, and sune wull we see." 
But somehow puir Willie aye got the warst o't ; 

His wutty things never wad tell ; 
In presence o' Saunders they stuck in his throat, 

Or still-born and flat doun they fell. 

And aft as he wended his way awa' hame, 
Rather huff d at the fate 'o his jokes, 
"He's mad ! yet to match him," wad Willie exclaim, 
" Wad amaist take anither John Knox." 
His sayings kept ringing the haill kintry roun'; 

E'en the king o' the shoemakers' craft, 
A lang and a lean-looking infidel loun, 
Pronounced him decidedly daft. 

" They're wun'erfu', truly, the things that he says, 
And ingeni'us, there's never a doot, 



358 Scottish Portraits 

But for him to believe them, ah, there is the craze 

It's the last spark o' reason gaun oot ! " 
There was ane wha could catch something very like sense, 

And he e'en gaed so far as to say 
He could see gleams of grandeur and glory immense 

Until he grew blin' wi' the ray. 

And some ithers thocht that nane should be alloo'd 
To blaspheme in sic a like way : 
" He deserv'd a tar barrel," they bauldly avoo'd, 
" For leading young laddies astray." 
The haill toun agreed he was cloored in the pate, 

And nae doot wad end wi' some crime 
It never cam' into their pows he was great, 
An' leevin' aheid o' his time. 



And aften I thocht that the deils in the hells 

Maun hae lauch'd, wi' a lauchter sae grim, 
At the puir silly bodies, sae prood o' themsels, 

A' sittin' in judgment on him. 
For he lack'd but ambition, that vice o' the gods, 

To set the worl' a' on a blaze ; 
When tauld sae, he only said, " What is the odds 

If I couldna make men change their ways ? 

"Ambitious ! for what? For the wreath that adorns 

The bard's or the scientist's name ? 
Believe me, the green laurel covers but thorns, 

And Heart-Break's the hand-maid of Fame. 
Yet I am ambitious ambitious to see 

Still more of the Spirit's vast plan, 
From sin and from sorrow to set myself free, 

And live the true life of a man." 






359 



THE RADICAL 

WILLIE FULTON leev'd up 'mang the Gleniffer braes, 
In a wee flow'ry spot o' his ain ; 
Peculiar he was in his words and his ways, 
Yet surely he leev'd not in vain. 

His stature was sma', but his heart was real big, 

And upright the race that he ran ; 
And tho' for long years he'd to delve and to dig, 

Yet he leev'd the true life o' a man. 

His look had the real apostolical grace, 

That's pleasant e'en now to recall ; 
And maist o' folk said, when they look'd in his face, 

That they couldna help thinkin' o' Paul. 

The same kind o' spirit that dwelt in John Knox 

The true martyr spirit was there, 
That wad hae gaen oot to the deserts and rocks 

For freedom to dae an' to dare. 

I couldna tell a' that was writ in that face ; 

'Twas a volume to study and scan 
A guide to oor incomprehensible race 

On a new and original plan ; 

A kind o' judicial, synoptical face, 

Closely written and a' underlined 
A living comment on the haill human race, 

By Faith, Love, and Hope countersigned 

A face unco far frae the common, I ween ; 

Nae doot ev'ry word o't was true ; 
And a' lichted up by the fathomless e'en 

O' calm, deeply beautiful blue. 



360 Scottish Portraits 

His garments were russet, braid Scots was his talk, 

Wi' pith in each word as it fell ; 
His air and his manner, aye, even his walk, 

Were as guid as a sermon itseF. 

His words had the real gowden ring o' the richt 
The thing that he thocht he wad say ; 

Ilk word bolted oot, no' afeart o' the licht, 
And into a' hearts found a way. 

And he had a heart tae, as weel as a heid, 
That wi' kindness o'erflow'd to the brim ; 

And somehoo his ilka word, action, and deed 
Had a living resemblance o' him. 

For nae sentimental bit body was he, 

Wi' little else in him than talk, 
Nor was he forever ambitious to be 

The big " Bubbly Jock o' the walk." 4S 

He focht wi' misfortune for mony a day, 
But triumph'd wi' courage and skill ; 

He put a stout heart to a stey staney brae, 
For michty was wee Willie's will. 

He was nane o' the kin' that wad sit doun and greet 
When a stumbling-block cam' in the way ; 
"That gart me," said Willie, "but spring to ma feet 
An' meet e'en the deevil hauf way." 

When fortune at last foun' oot Willie's abode 

His struggles he still bore in min', 
And thocht the best way to be gratefu' to ( rod 

Was to lessen the woes o' mankin'. 

And sic a big heart as the wee body had ! 

Its sympathies never gaed dune 
A fountain o' mercy to guid and to bad, 

Like the Faither o' mercy abune. 



The Radical 361 

The truth for its ain sake to Willie was dear, 

And by it he'd start' or he'd fa' ; 
What he said or she said, in jest or in jeer, 

He simply cared naething ava. 

Nae bigot was he aboot things o' the past, 
He cheerfully welcom'd the new : 
" If this thing is true it will triumph at last 
Despite a' this hullabaloo." 

Whate'er was the matter, whate'er the dispute, 

He saw the true point o' the thing ; 
And straucht to the centre his arrows he'd shoot, 

That kilt mony lees on the wing. 

And oh ! what a pith in the Doric he threw 

When he spak' o' the serfs o' the lan ; ! 
Wi' the Genius o' Manhood enthroned on his brow, 

He look'd like ane born to comman'. 

That he had his fauts, and his failings, nae doot, 

For ocht that I ken, may be true ; 
But yet while he liv'd, I could ne'er find them oot, 

Sae I'm no gaun to look for them noo. 

He had his ain crotchets, :;s maist o' folk hae, 

But little the waur was for that ; 
For instance, when titled folk cam' in his way, 

He sturdily kept on his hat. 

Willie 'Jidna believe that the hauf o' oor race 
Ready saddled and bridled were born ; 

The ither hauf, booted and spurr'd, by God's grace, 
To ride them and lauch them to scorn. 

But was he religious ? Decidedly so ! 

For rev'rence was writ on his face 
For ev'rything sacred abune or below, 

For God and the haill human race. 



362 Scottish Portraits 

Religion wi' him was a thing o' the heart, 
Whaur a' living virtues combine ; 

His God was nae being frae nature apart, 
But Love, which alone is divine. 

Sae thus he was truly religious indeed, 
And when a' religions he'd scan, 

He placed that ane aye awa' up at the heid 
That had maist love to God and to man. 



THE CRINGER REBUKED 

Willie Fulton's Address to a Time-Server who stood uncovered 

in his presence 

MAN, put your bonnet on your heid, 
Gin ye hae ony brain ! 
Hoo daur ye gie a thing like me 
What's due to God alane ? 



I'd rather that the very earth 

Would ope and swallow me, 
Than I should stand wi' hat in hand 

To ony lord I see. 

Are ye o' Robin Burns's line, 

A countryman o' Knox, 
Wi' nae mair hams than yon auld cairns, 

Green kail, or cabbage stocks ? 

Can ye no' honor worthy folk 

(And some deserve it well), 
Yet stan'na like a barber's block, 

Dishonoring yerseP ? 






The Cringer Rebuked 363 

It's time that potentates and kings, 

And men o' ev'ry station, 
Should learn that honor never springs 

Frae human degradation. 

No, never throw your manhood doun, 

Whatever may befa' ; 
Aye see, 'yont sceptre and 'yont croun, 

God's universal law. 

He sets the highest dignity 

Upon the human brow ; 
To our puir frail humanity 

Baith King and Pope maun bow. 

It's time indeed that all should know, 

Tho' titles may look braw, 
Such things are but a passing show, 

And worth's abune them a' ; 

And manhood is abune a' price 

To shield us frae the wrang 
Gin ye are wice, tak' my advice, 

And never let it gang ! 

Gie honor to the brave and good, 

To them, and them alone ; 
E'en tho' inspired by gratitude, 

Man, keep your bonnet on. 

Hey ! there's a shilling, ye leuk wae ! 

Hey ! tak' it and begone ! 
But min', my lad, whate'er ye dae, 

Aye keep your bonnet on. 

Be eident aye ; aye speak the truth 

And dae the best ye can. 
Nae thanks to me but henceforth see 

And try to be a man. 



364 Scottish Portraits 

POVERTY'S CHILD 

Willie Fulton's Address to a Wee Raggit Laddie 



WEE destitute, deserted wean, 
Cast on the world thy leefu'-lane, 
To fecht wi' poverty and pain, 
And nane to guide thee ; 
Nae ane to lead thy steps aricht, 
Or back thee in the weary fecht 
What's to betide thee ? 

Oh ! it micht male' a heathen greet 
To see thee chitt'rin' 'mang the weet, 
Wi' hungry sides and shaeless feet, 

A' bare and blae ; 
Yet ev'ry door's slamm'd in thy face, 
As thou belang'dna to oor race, 

This winter day. 

We boast aboot oor Christian Ian', 
And o' the wealth at oor comman', 
And yet there's no' a helpin' han' 

Stretch'd oot to thee ; 
And a' thae crouds o' thrifty folk 
Pass thee as if thou wert a brock 

They hate to see. 

My wee neglected, helpless creature, 

Starvation writ on ev'ry feature, 

What thou canst think o' God and Nature 

Beats me to ken. 
This earth maun seem to thee a hell, 
Whaur mony heartless demons dwell 

In shape o' men. 



Poverty's Child 365 

Frae ither bairns thou'rt kept apart ; 
Nae words o' kindness ever start 
The deep emotions o' thy heart, 

My puir, wee bairn : 
Rear'd amang dirt and degradation, 
Vile slang and horrid imprecation 

Is a' ye learn. 

Hoo desolate thy heart maun be ! 
Nae mither tak's thee on her knee, 
To sing old Scotia's sangs to thee, 

Baith air and late ; 
But drucken dyvours tease and trick thee, 
And swearin' carters cuff and kick thee 

Oot o' their gaet. 

Ye canna spen' the simmer days 
In rambles 'mang the broomy braes, 
Or flow'ry haunts by lonely ways, 

Whaur burnies rin ; 
But in dark cellars thou maun battle, 
'Mang drucken swabs vile human cattle 

An' fumes o' gin. 

Ye never heard the blithe cuckoo, 
Nor croodle o' the cusha-doo, 
Nor lav'rock singin' in the blue, 

Nor blackbird clear ; 
But curses deep, and words o' hate, 
And ribald sangs in filthy spate, 

Salute thine ear. 

The glory o' the dewy dawn, 
The purples o' the hill and lawn, 
On thee, my child, hae never fa'n, 

Like gleams frae God, 
To wauken in thee thochts sublime, 
And show, ee'n thro' the chinks o' time, 

His bricht abode. 



366 Scottish Portraits 

Ah ! dae we juist gang to the kirk 
To pray for heathen, Jew, or Turk, 
That a' oor duties we may shirk 

To sic as thee ? 
I scarce daur look thee in the face, 
For it's a shame and a disgrace 

Thy plight to see. 

O Lord ! what time and siller's spent 
On savages we never kent, 
An' coaxin' heathen to repent ! 

Here is a sample 
Which should be lent to let them see 
What oor religion's done for thee, 

Thou great example ! 

It's no' in singin' nor in sayin', 
It's no in preachin' nor in prayin', 
But it's in workin' oot, and daein' 

A' these in deeds 
O' love an' mercy to ilk ither, 
It's helpin' o' a helpless brither, 

That crouns a' creeds. 







ALEXANDER M'LACHLAN 
From a photo taken in 1S90, by Arthur Cox, A.R.C.A. 



367 



^liscdkncouB 



TRADITIONS 

URRAH for great Diana ! 
And, whatsoe'er ye do, 
Be sure to prop the old up 
And sacrifice the new. 



H 



Ye lean on old traditions, 
(To question them's a sin !) 

And stifle holiest promptings 
The God that speaks within. 

Ye clog the soul of Nature 

With wretched little creeds- 
Then lift your hands in wonder 
At dearth of noble deeds. 

Ye pray the gods to guide you, 
Yet when the God appears, 

You'll have no gods but old ones, 
And pierce His side with spears. 

Ye boast of your achievements, 
Your feats with tongue and pen, 

Till gods look down in wonder 
At little sons of men. 

Hurrah for great Diana ! 

And whatsoe'er ye do, 
Be sure to prop the old up 

And sacrifice the new. 
24 



368 Miscellaneous 



WILSON'S GRAVE 44 

THEY should not have buried thee here ! 
Oh, they should have made thee a bed 
Where flow'rs at thy feet would appear, 
And the birds would sing over thy head. 

Oh, they should have laid thee to rest 

From the smoke of the city away, 
Where the dew would fall bright on thy breast, 

And the green turf would cover thy clay. 

Afar in the forest's green shade 

The tall pine above thee should wave, 

Where the bluebird would perch o'er thy head, 
And the whip-poor-will 25 sit on thy grave ; 

Where Spring would come forth with her smiles, 
And the birds, that to thee were so dear, 

Would sing 'mong the green leafy aisles 
The songs thou delightedst to hear. 

And the red man would marvel to meet 
A grave in the green forest shade ; 

And the hunter, at evening, would sit 
And weep where thine ashes were laid. 

They should not have buried thee here, 
With no forest above thee to wave ; 

But have borne thee away on thy bier 

Where the birds would sing over thy grave. 



369 

ODE ON THE DEATH OF ROBERT 
T ANN AH ILL 45 

LAY him on the grassy pillow, 
All his toil and troubles o'er ; 
Hang his harp upon the willow, 

For he'll wake its soul no more. 
Let the hawthorn and the rowan 

Twine their branches o'er his head, 
And the bonnie little gowan 
Come to deck his lowly bed. 

Let no tongue profane upbraid him ; 

Here is nothing now but clay : 
To the spirit pure that made him, 

Sorrowing, he stole away. 
Let the shade of gentle Jessie, 

From the woods of old Dumblane 
Innocence he clothed in beauty 

Plead not for the bard in vain. 

Let the braes of grey Gleniffer, 

And the winding Killoch Burn, 
Lofty Lomond and Balquither, 

For their sweetest minstrel mourn ; 
And the Stanely turrets hoary, 

And the wood of Craigielee, 
Waft his name and mournful story 

Over ev'ry land and sea. 

Let the lily of the valley 

Weep her dews above his head, 
While the Scottish muse sings waly 4R 

O'er her lover's lowly bed. 
Lay him on the grassy pillow, 

All his toil and troubles o'er ; 
Hang his harp upon the willow, 

For he'll wake its soul no more. 



37 Miscellaneous 



POOR DONKEY 

POOR hapless, wretched, injured creature, 
With mis'ry stamp'd on ev'ry feature, 
Was scorn for thee ordain'd by Nature, 
Poor donkey ? 

How lamentable is thy case ! 
Men jeer if thou but show thy face ; 
Thy very name is a disgrace 
Poor donkey ! 

And thou'rt the sport, alas ! alas ! 
Of all the low unreas'ning class ; 
Thy crime is being "but an ass" 
Poor donkey ! 

Thou'rt stupid, and thine ears are long ; 
Thou'rt stubborn, and thy neck is strong ; 
To cudgel thee can ne'er be wrong 
Poor donkey ! 

Where shalt thou fly, where canst thou hide ? 
The wretch's refuge, suicide, 
Is even unto thee denied 

Poor donkey ! 

'Twould do thee little good to know 
There's sorrow wheresoe'er we go, 
And thou art not alone in woe 
Poor donkey ! 

Of sorrow's children thou'rt but one, 
That for no evil they have done 
Are wretched underneath the sun 
Poor donkey ! 



Poor Donkey 371 

My heart is sad, poor thing, to trace 
The silent sorrow of thy face. 
What's thine opinion of our race, 
Poor donkey ? 

I well may blush to ask it thee, 
For in thine eyes, ah, woe is me ! 
What cruel demons we must be 
Poor donkey ! 

It needs no deep insight to guess 
Thou canst believe in nothing less 
Than in our " perfect cussedness " 
Poor donkey ! 

Tho' thou art not accounted wise, 
Thou must at times philosophize 
On what goes on before thine eyes 
Poor donkey ! 

How useless dogs are richly fed, 
While Industry's in want of bread, 
With scarcely where to lay her head 
Poor donkey ! 

Or why yon puppy is carest 
And pamper'd on the very best, 
While thou'rt a drudge with want opprest 
Poor donkey ! 

What compensation for thy groans, 
Thy bleeding feet among the stones, 
Thy hungry sides and weary bones, 
Poor donkey ? 

It seems a lack of common-sense, 
Or of intelligence gone hence, 
To tell thee all's beneficence 
Poor donkey ! 



372 Miscellaneous 

Or what good will it do to know 
For ev'ry needless curse and blow 
Thy persecutors shall have woe, 
Poor donkey ? 

There's some wise end, I do not doubt, 
Tho' it is hard to find it out : 
God's ends are strangely brought about- 
Poor donkey ! 

No doubt thy fate seems most unjust, 
From sympathy for no crime thrust, 
But we've to take a deal on trust 
Poor donkey ! 






GO INTO DEBT 

WOULDST thou have sorrows manifold, 
And prove that friendship can grow cold, 
And love itself be bought and sold, 

Without regret ; 
And feel the great world's god is gold ? 
Go into debt. 

Wouldst thou lose faith in human worth, 
Have no one left to love on earth, 
And be to callous souls for mirth, 

In mock'ry set ; 
And curse the hour that gave thee birth ? 

Go into debt. 

Wouldst bid adieu to pleasure's rays, 
And find the world a weary maze, 
And wander on through crooked ways, 

With thorns beset ; 
Have sleepless nights and weary days ? 

Go into debt. 



Go into Debt 373 

Wouldst bid adieu to honor's beam, 
And see depart fame's happy dream, 
Be slave to creatures low and mean, 

Whose creed is Get; 
Be fallen in thine own esteem ? 

Go into debt. 

And wouldst thou be the very slave 

Of any selfish, sordid knave, 

From morn till night to sit and rave 

Within a net 
And find peace only in the grave ? 

Go into debt. 

Wouldst thou forswear man's soul and stature, 
Renounce thy very name and nature, 
Have coward stamp'd on every feature, 

Thyself forget, 
And live a crawling, creeping creature ? 

Go into debt. 

But if thou'dst know of no disgrace, 
And look the whole world in the face, 
And have 'mong men an honor'd place, 

A watch thou'lt set, 
That pride nor passion e'er shall chase 

Thee into debt. 



SCOTLAND 

O CALEDONIA, can it be 
A wonder that we love thee ? 
Tho' we be far removed from thee, 

We place no land above thee. 
For tho' in foreign lands we dwell, 

A sacred tie has bound us ; 
Our hearts can never lose the spell 
Thy mountains threw around us. 



374 Miscellaneous 

And tho' thy breath is cold and keen, 

And rugged are thy features, 
Yet, O my country ! thou hast been 

The nurse of noble natures, 
Who left us an inheritance 

A world of song and story, 
A wealth of sturdy common-sense, 

And doughty deeds of glory. 

But Scotland ! 'tis thy sense of worth 

And moral obligations 
Which makes thee mighty on the earth, 

A ruler 'mong the nations. 
Does not thine humblest peasant know 

The truth of truths supernal 
That rank is but a passing show, 

But Moral Worth 's eternal ? 

Scotland ! the humblest son of thine 

Is heir to living pages 
Heir to a lit'rature divine, 

Bequeathed to all the ages 
Heir to a language void of art, 

And rich with human feeling 
Heir to the language of the heart, 

Its sweetest tones revealing 

Heir to those songs and ballads old, 

Brimful of love and pity, 
Which fall, like show'rs of living gold, 

In many a homely ditty. 
Oh, sing us songs of other days, 

Of ruins old and hoary; 
Oh, sing of lang syne's broomy braes, 

And freedom's fields of glory ! 

Ah ! we may leave our mountains high, 
Our grand old hills of heather, 

Yet song's the tie, the sacred tie, 
Which binds our hearts together. 



375 



WE LEAN ON ONE ANOTHER 

OH, come and listen while I sing 
A song of human nature ; 
For, high or low, we're all akin 

To ev'ry human creature : 
We're all the children of the same, 
The great, the " mighty mother," 
And from the cradle to the grave 
We lean on one another. 

It matters little what we wear, 

How high or low our station, 
We're all alike the slaves of sin 

And sons of tribulation. 
No matter what may be the coat 

With which our breasts we cover, 
Our hearts within are of one stuff, 

And link'd to one another. 

The earth beneath's our common home, 

The heavens bending o'er us, 
And wheresoever we may turn 

Eternity's before us. 
Thro' pride and envy we have been 

But strangers to each other, 
But Nature meant that we should lean 

In love on one another. 

With Adam from the bow'r of bliss 

We all alike were driven, 
And king and cadger at the last 

Must square accounts with heaven. 
We're all in need of sympathy 

Tho' pride the fact would smother 
And it's as little 's we can do 

To comfort one another. 



376 Miscellaneous 

A fool's a fool, the wide world o'er, 

Whate'er may be his station ; 
A snob's a snob, tho' he may hold 

The sceptre of the nation. 
And Wisdom was ordained to rule 

(Tho' knaves that truth would smother- 
That all the human race might live 

In love with one another. 

A king may need our sympathy, 

For all his great attendance ; 
Among all men there's no such thing 

As perfect independence. 
Tho' great is mighty England's heir, 

Poor Paddy is his brother, 
And from the cabin to the throne 

We lean on one another. 






WHAT POOR LITTLE FELLOWS ARE WE 

WHAT poor little fellows are we ! 
Tho' we manage to make a great show, 
Yet death has a claim on us all, 

And the king and the beggar must go. 
How vain the distinctions we make ! 

Neither wisdom nor wealth can us save, 
But the prince and the peasant alike 
Are journeying on to the grave. 



Then why should we listen to aught 

Which pride or which vanity saith ? 
We're all on the current of time, 

And bound for the narrows of death. 
The shafts of misfortune and fate 

Know neither the high nor the low ; 
We're brothers to sorrow alike 

And the king and the beggar must go. 






;77 



A SONG OF CHARITY 

COME, sing a song of Charity ! 
Oh, may she ne'er forsake us ! 
For, good or bad, we're all what God 

And circumstances make us. 
What's clear to me is dim to thee ; 

Opinions are divided ; 
'Tis hard to judge what's wholly fudge, 
For things are many-sided. 

I have a few thoughts of my own, 

With no one would I niffer ; 
On such points both may be mista'en, 

So let's agree to differ. 
We'll sing a song of Charity, 

And may she ne'er forsake us ! 
For, good or bad, we're all what God 

And circumstances make us. 

Yet men will sigh, and wonder why 

The bigot's hither sent 
Such solemn fools are but the tools 

To work out God's intent. 
So may we never do them wrong, 

Such still has been our prayer, 
For had our lot been theirs, I wot, 

We'd just been such as they are. 

But tho' so mad the wars we've had, 

When Death shall send us thither, 
For all that's past we hope at last 

To meet in light together. 
Then sing a song of Charity ! 

And pray for truth to aid us ; 
For, good or bad, we're all what God 

And circumstances made us. 



378 Miscellaneous 



WORTH 

I CARE not for country, I care not for creed ; 
We're all sons of Adam, the best poor indeed. 
I care not for station, I want but to know 
If thy heart can with pity and love overflow ? 
With country and kindred I've nothing to do ; 
If thou hast a heart that is honest and true, 
Then come to my bosom, whatever thy creed, 
For thou art my friend and my brother indeed. 

Oh, boast not to me that thou'rt above need, 
But tell me, my friend, art thou far above greed ? 
Oh, talk not to me of thy pow'r and estate, 
I'd ask thee, my friend, art thou far above fate ? 
How far art thou raised above sorrow and woe, 
To look with contempt upon aught here below ? 
With vanity's prompting, oh, be not elate ! 
For death's pains and sorrows thou canst not abate. 

Away with the bosom, tho' cover'd with gold, 
If the heart that's within it be callous and cold ; 
Oh, show not your garments to me if they hide 
But hearts all polluted with passion and pride. 
And talk not to me of your delicate food 
If ye love not the banquet prepared for the good. 
If the great joy of sorrow thou never hast known, 
Thou still art a slave, tho' possess'd of a throne. 

Oh, give me the man that has triumph'd o'er self ! 
Who feels there are some things far, far above wealth j 
Who chooses the truth, and will by it abide, 
And deems it a treasure above aught beside ; 
Tho' in roughest homespun that mortal is dressed, 
The heart of a man's beating under his vest ; 
Tho' poor and tho' humble may be his abode, 
He bears the true stamp of the image of God. 



Worth 379 

Then let us believe that the time's coming round 
When worth will be honor'd wherever 'tis found, 
When men will be tested, no, not by their creeds, 
Not the length of their purse, but the worth of their 

deeds ! 
The hand be exalted, tho' hard as the horn, 
If the full cup of Mercy it ever hath borne ; 
And virtue and goodness, the measure of worth, 
And Truth, Love and Mercy abide upon earth. 



IF YOU WOULD BE MASTER 

THIS life is a struggle, a battle at best, 
A journey in which there's no haven of rest ; 
And craggy and steep is the path you must tread 
If you would be master and sit at the head. 

The gods had their battles they fought for their thrones, 
And mounted up to them with struggles and groans ; 
E'en so the frail mortal must soar above dread 
If he would be master and sit at the head. 

Be humble and lowly, be upright and brave, 
Be often the servant, but never the slave ; 
Submit to be bullied, but never be led, 
If you would be master and sit at the head. 

The laws of creation insist on respect ; 
Believe in the virtues of cause and effect ; 
Trust only to truth, and you'll ne'er be misled, 
If you would be master and sit at the head. 

Renounce all deception, all cunning and lies ; 
Let truth be the pinion on which you would rise ; 
Believe all deception is rotten and dead, 
If you would be master and sit at the head. 



380 Miscellaneous 



WE'RE ALL AFLOAT 

WE'RE all afloat in a leaky boat 
On Time's tempestuous sea ; 
Death at the helm steers for his realm 

A motley crew are we. 
Through waters wide on ev'ry side, 

Away to sunken shoals, 
He steers us o'er to Passion's roar, 
The heave of living souls. 

We hear the splash, the heavy dash, 

The weary, weary moan ; 
Embark'd in woe, we only know 

We sail the great unknown : 
Some telling tales of happy vales 

That lie beyond the gloom ; 
While Greed and Spite are at their fight 

For one more inch of room. 

And Fraud and Pride, they push aside 

The weak ones and the old ; 
While curses deep from mad hearts leap, 

They've huddled in the hold. 
'Tis sad to hear 'mid tempest drear 

The selfish crew go on : 
They curse and swear, all snarling there, 

As dogs do o'er a bone. 

Anon, in brief but sweet relief, 

Amidst the fighting throng, 
Some poor waif starts to cheer our hearts 

In blessed voice of song : 
He sings of peace, the heart's increase, 

When Love o'er th' crew shall reign ; 
The rudest hear with willing ear, 

Each heart cries out " Amen ! " 



3i 



THE HERO 

WHILE hosts of cowards in our time 
Round idols old are falling, 
I hear a voice from realms sublime 
To ev'ry true man calling : 
" Up and despise time-honor'd lies ; 
The reign of terror, end it ; 
Bring forth the true, the fair, the new, 
And manfully defend it. 

" Men hide their ignorance with gilt, 

And call it education ; 
And halls and colleges are built 

To stamp out innovation. 
Despise the bigot's vile behest 

That to his faith would pin you, 
And utter thou the soul's protest 

Which rises up within you. 

" For he to whom the truth is true, 

The very heavens adore him ; 
Tho' men with thorns his path may strew, 

Yet angels walk before him. 
He marches on with ne'er a doubt, 

And does the work assign'd him, 
And what tho' all the rabble rout 

Are barking on behind him, 

" He's aye surrounded by a host 

Of heroes, bards, and sages, 
Who come to cheer him at his post 

While Freedom's battle rages. 
Then never fear the taunt and jeer, 

But what is wrong amend it ; 
Seize on the right with all your might 

And manfully defend it." 



382 Miscellaneous 



THE PASSING OF JOLLITY 

'T^HE age, ah, me ! of jollity 
* Is number'd with the past, 
For our new world her lip has curl'd 
We've all grown good at last. 

The joyous ways of youthful days 

No more abroad are known ; 
With rock and reel and spinning-wheel, 

They're gone, forever gone. 
The Maypole gay has pass'd away, 

The dance upon the green 
And Hogmanay, and New Year's Day, 

And joyous Hallowe'en. 

The legends old which then were told, 

The fairy tales of yore, 
The minstrel's lay, ah, well-a-day ! 

They're heard abroad no more. 
The fairs of old, with joys untold, 

Which young hearts doted on, 
With puppet shows and dancing joes, 

They're gone, forever gone. 

We've nae bairns noo, with rose-red hue. 

That romp in wood and glen ; 
But in their place we have a race, 

Not weans, but wee, wee men ; 
Wha calculate at nae sma' rate, 

And are always taking stock, 
For, saving cash, all else is trash 

To our won'erfu' wee folk. 

What have we got our sires had not, 

In our intellectual march, 
Save vain conceit, the way to cheat, 

With our stiff ning and our starch ? 



The Passing of Jollity 383 

Oh, give to me the spirit free, 

The ringing laugh and roar, 
The simple heart, devoid of art, 

As 'twas in days of yore. 

Lament with me, for jollity 

Is number'd with the past ; 
Our prudish world her lip has curl'd 

We've all grown good at last. 



LANG SYNE 

HOW oft in life's gloaming in mem'ry I'm roaming 
That dear land for which still in spirit I pine ; 
Once more a young rover, in joy wand'ring over 
The green fields all hallow'd with mem'ries divine. 

The lark gladly soaring, his anthem down-pouring, 
As if from the fountain of music divine ; 

The whole air is reeling with jubilant feeling, 

More deep than the rapture that flows from the vine. 

Once more in life's morning young Hope is adorning 
The future with treasures that never can tine ; 

Her sweet song she's singing, her magic she's flinging 
Around a fair creature oh, were she but mine ! 

Love's rapturous feeling thro' ev'ry vein stealing, 
How joyful we pour out the spirit's red wine ; 

Life all an emotion of love and devotion, 

How changed, oh, how changed since the days o' 
lang syne ! 

Life's day is declining, a' nature is dwining, 
And ev'ry thing wearing an aspect forlorn ; 

Tho' dark is life's setting, there's yet nae forgetting 
The glory that gilded the breaking of morn. 

25 



384 Miscellaneous 



CLAMINA 

AWAEFU' weird I noo maun dree : 
A weary, weary wight I'll be ; 
For oh, my heart has died wi' thee, 
My loved, my lost Clamina ! 

'Tis mony a year since we were wed, 
And mony a couch for me ye spread ; 
Noo I maun male' for thee a bed, 
Thy long, thy last, Clamina ! 

How dowie will our ingle be ! 
For a' its licht's gone out wi' thee ; 
And henceforth there is nocht for me 
But dark, dark days, Clamina! 

Oh, thou art changed, as changed can be ; 
'Tis not my own belov'd I see ! 
And thou canst be nae mair to me 
What thou wert aye, Clamina ! 

These lips that I sae aft hae prest ; 
That head which hung upon my breast ; 
My loved, my beautiful, my best ! 
Farewell, farewell, Clamina ! 

Our treasures we are laith to tine ; 
We deem our jewels all divine ; 
But thou canst never mair be mine, 
My loved, my lost Clamina ! 

Abune thy head the birds shall sing, 
From out thy grave the flowers shall spring, 
And morn her clearest dew-draps bring 
To deck thy turf, Clamina ! 






C lamina 385 

And spirits of the viewless air, 
And ev'rything that's good and fair, 
At ev'ning hour shall linger there 
To weep for thee, Clamina ! 

A waefu' weird I noo maun dree ; 
A weary, weary wight I'll be ; 
Oh, would that I had died with thee, 
My loved, my lost Clamina ! 



I LONG NOT FOR RICHES 

I LONG not for riches, I long not for wealth 
The goddess I worship is rosy young health ; 
For wealth, it but deepens the wrinkles of care, 
And oft steals the bloom from the cheek that is fair. 
In gathering wealth some are gathering woe, 
For the more that they get all the poorer they grow ; 
They lose life's enjoyment in holding it fast, 
Till it either leaves them or they leave it at last. 

A fig for your scholar who puzzles and looks, 

And sees Nature's ways but in musty old books ! 

Can Greek or can grammar, can science or art, 

Confer on a fool e'er a head or a heart ? 

And what's all this digging and hoeing about ? 

If genius is in, it will find its way out. 

'Neath great loads of learning they stagger and groan 

Oh, let me have little, if that is mine own ! 

I'm sick of refinement, I'm weary of art, 

I hate all refinement that withers the heart ; 

Away with your dandies, your creatures of steam, 

With nothing but buttons where hearts should have been. 

Still give me the laugh of the children at play, 

For where is the monarch as happy as they ? 

Away with all tinsel 'tis foolish, 'tis vain 

Like them let us live with old Nature again. 



2 86 Miscellaneous 



REIN AULD ADAM IN 

TO gather gear is all the rage, 
By ony crook or wile ; 
No legal dodge seems to our age 
Intolerably vile. 

But ne'er by giving way to greed 

True happiness we'll win ; 
Alas ! the maist o' us hae need 

To rein auld Adam in ! 

To us the money-getting art 

Is but the one thing real ; 
We seldom cherish in our heart 

A holy, high ideal. 

Alas, alas ! to a' beside 

Yon puir rich man is blin' ; 

When tempted, never has he tried 
To rein auld Adam in. 

He never strove to rise above 

Mere little paltry pelf ; 
No, never had he aught to love 

Beyond his shabby self ! 

Poor man, he's always on the hunt 

O' profitable sin, 
And far awa' beyond affront 

To rein auld Adam in. 

The social heights he's reached to here, 
Through mony a snub and thraw, 

One loving-kindness wi' a tear 
Would far outshine them a'. 



Rein Auld Adam In 387 

He plots and schemes to filch the puir, 

With ne'er a sense o' sin, 
Altho' a wee bird in the air 

Sings, " Rein auld Adam in." 

And yet, for all that he is worth, 

His moral manhood's rotten, 
And soon as he's laid in the earth 

Then he'll be quite forgotten. 

Then always, when we're on the brink 

O' some delightful sin, 
Pause for a moment, stop and think, 

Then rein auld Adam in. 

With self the battle must be fought, 

That right may wear the crown, 
And never, never cherish aught 

To drag our manhood down. 

Still let us cherish faith and hope 

That heart at last shall win, 
And give the God within us scope 

To rein auld Adam in. 



388 Miscellaneous 

JOHN FRASER'S FAREWELL TO THE CHURCH 
OF SCOTLAND 36 

FAREWELL to the Church of my fathers, 
With thee I no longer can dwell, 
Constraint by the Spirit to bid thee 

A sad and a solemn farewell. 
Yet many and dear recollections, 

From which I can never get free, 
And hearts that are sleeping beside thee, 
Still bind me, old temple, to thee. 

For oh ! to my heart thou still bringest 

The far away, old happy times, 
The long summer days of my boyhood, 

And Scotia's old ballads and rimes. 
No doubt that the age has outgrown thee, 

For faults of the spirit are thine, 
And yet thou didst nourish affections 

That surely had something divine. 

Ah, many a simple-souled peasant 

Grew great on thy terrible faith, 
And, fearless 'mid flames or the torture, 

Walked into the valley of death. 
But tho' thou couldst teach man to suffer 

To suffer and even to die ! 
Yet poor human nature had longings 

And wants that thou couldst not supply. 

And tho' thou hadst gleams of true grandeur, 

And struggled to reach the divine, 
The heart had a higher ideal, 

A holier hunger, than thine. 
Farewell to the Church of my fathers, 

With thee I no longer can dwell, 
Constrain'd by the Spirit to bid thee 

A sad and a solemn farewell. 



389 



OLD SKINFLINTS DREAM. 

lV/r Y frien's, I've had a hasty ca', 
iVA I'm summoned hurriedly frae a'; 
There's scarce been ony time at a' 

Gien to prepare, 
For ere the shades o' evening fa' 

I'll be nae mair. 

I've been sae bothert nicht and day, 
I ne'er had time to learn to pray, 
But some o' ycu perhaps wad say 

A word for me, 
And straught accounts and clear the way 

Before I dee. 

I've orders that I maun fulfil, 
I've grain unenter'd at the mill, 
I've cash uncoonted in the till, 

Letters to write ; 
Then there's the making o' the will, 

And a' ere night. 

This nicht, this very nicht, I lea' ; 
Oh ! how can I gie up the key ? 
Wha'U manage things as well as me 

When I'm awa ? 
Oh ! its an awfu' thing to dee 

And leave your a'. 

Ye see I'm in a sorry plicht ; 

Nae wonder that I sweet wi' fricht ; 

I saw and heard o' things last nicht 

That gar me grue 
Enough to mak' me mad outricht, 

They were sae true. 



39 Miscellaneous 

A' yesterday I spent in dunning, 

And nickit some wha think they're cunning, 

So I sat doun to coont the winning, 

And write snell letters 
To those wha've lang been backward running, 

My doun-gaun debtors. 

Says I, " My lads, I'll let ye see 
Frae justice ye'll nae langer flee. 
Nae mercy will ye get frae me ; 

Ye'll pay the cash, 
Or else I'll houn' ye till ye dee, 

Ye worthless trash." 

And then I swore by earth and sky, 
And by the Ane wha reigns on high, 
That tho' they micht o' hunger die, 

Whate'er they've got 
They'd give me, or in jail they'd lie 

Until they rot. 

I swor't again, but in a trice 
A voice exclaim'd, "Thou hoary vice ! " 
And then it cried oot " Murder !" thrice 

Within mine ear, 
While something rattled like the dice 

Amang my gear. 

I saw a hand o'erturn the licht, 
And in an instant a' was nicht ; 
But, tho' my hair stood up wi' fricht, 

I closed my nieves, 
And out I roar'd, wi' a' my micht, 

" Catch, catch the thieves ! " 

Tho' I was in a fearfu' state, 

I made to shut and bar the gate, 

But then a voice, like that o' fate, 

Cried three times, " John, 



Old Skinflint's Dream 391 

Prepare for death and judgment straight, 
And hell anon ! " 

Nae frien', nae helping hand, was near, 
And down I sank, o'ercome wi' fear ; 
But still the voice rang in mine ear 

Still it cried, "John, 
Prepare for death and judgment near, 

And hell anon ! " 

Oh ! how my heid ran roun' aboot, 
And strange things wriggled in an' oot ; 
I tint my senses, ne'er a doot. 

At last a light 
Was brocht by creatures black as soot, 

Wha girnt wi' spite. 

Away I vainly strove to flee, 

While roun' an' roun' they danced wi' glee, 

And oh ! what mouths they made at me, 

And scratch'd my face, 
While one says, "John, we've kept for thee 

The warmest place." 

While I sat sweetin', trem'lin' there, 

The perfect picture o' despair, 

Wha comes, and in my face did stare, 

But widow Young ? 
And then she opened on me sair 

Her tinkler tongue. 

She gabbit for an hour or more 
Aboot the things I falsely swore, 
And o' the character I bore 

For cursed greed, 
And telt that story o'er and o'er 

Aboot her deed. 



39 2 Miscellaneous 

She spak' o' a' my ac's unhallow'd, 
O' a' the oaths that I had swallow'd, 
And how in ill-got gear I wallowed, 

And, what d' ye think 1 
Cast up the hizzies that I follow'd 

And stov'd wi' drink ! 

I bore it lang. At last thinks I 

The best o' law is to deny ; 

It's no the first time faith, I'll try, 

Sae up I got, 
But oh, the very infant lie 

Stuck in my throat. 

For then my eye fell on a sign, 
The very one that had been mine 
When I was in the grocery line ; 

I saw wi' shame 
Light wechts, false measures, bogus wine, 

Stuck to my name. 

Then the receipts that folk had lost, 
For which I sued and put to cost, 
Cam' roun' me like a mighty host ; 

On each my name 
Stood up before me like a ghost 

And cried oot, " Shame ! " 

Then a' wham I had e'er brow-beated, 
And all that I had ever cheated, 
And those I humbugg'd and defeated 

In Brampton court, 
Stept forth, and each his tale repeated 

As if 'twere sport. 

A' spak' o' my infernal greed, 
Nae ane wad help me in my need, 
But tied me to a stake insteid, 
Wi' three-inch cables, 









Old Skinflint's Dream 393 

While boiling gowd upon my heid 
They pour'd frae ladles. 

I roar'd as loud as I was able, 

An' wi' ae bound I burst each cable, 

And struck my temples on this table ; 

Then I awoke. 
Oh, lauchna, frien's ! nor ca't a' fable 

It's nae a joke. 

No, no ! my frien's, I wasna' fu', 
But sober as I am the noo ; 
I'll never see the morn, I trou ; 

I sweat wi' fricht, 
For a' thae horrors they'll renew 

This very nicht. 

This nicht, this very nicht I lea'; 
Oh, how can I gie up the key ? 
Wha'll manage things as well as me 

When I'm awa' ? 
Oh, its an awfu' thing to dee 

And leave ane's a' % 



JOHN TAMSON'S ADDRESS TO THE CLERGY 
IN SCOTLAND 

ATTEND, ye rev'rend gentlemen, 
O' a' denominations, 
For, as ye are sae guid yoursel's 

At giein' exhortations, 
Ye'll surely hear me for a wee 

While I ca' your attention 
To twa 'r rhee things nane but a frien' 
Would ever think to mention. 



394 Miscella7ieous 

I wad be unco loath indeed 

To vilify or wrong you, 
For there are heich heroic souls 

And Christian men among you. 
I micht speak pleasant words, nae doot- 

The knave's aye geyan ceevil 
But gie's the man who speaks the truth 

And shames the very deevil. 

I'll tell you, without makin' mou's, 

The things that hae incens'd me, 
And ye wha find the bonnet fit 

Will first cry out against me. 
Now, if the kirk we've lov'd so long 

Is falling into ruin, 
Then let me whisper in your lug : 

" You're not the right pursuin'." 



Just let me tell you, as a frien', 

Ye mak' an awfu' blunder 
Whene'er ye lend yoursels as tools 

To help the rich to plunder ; 
Ye lose the love o' honest men, 

And ope the mouths o' scorners, 
Ye mak' your faithfu' brethren greet 

Like Zion's waefu' mourners. 

The deevil's taken noo-a-days 

To selling and to buying, 
And drives a thrifty, thriving trade 

In little legal lying. 
He's pleading noo in a' oor courts, 

He's in amang the jury, 
And even 'neath the judge's wig 

He's no' afraid to courie. 

Lang, lang in councils o' the state 
He's dodged and he's dissembled, 

And absent neither night nor day 
Frae Parliament assembled. 



[ohn Tamsoris Address to the Clergy in Scotland 395 

He's even in the pulpit, too, 

And turns the flatt'ring sentence, 

And hauds your tongues when ye should ca' 
Fat sinners to repentance. 

He mak's you turn in twenty ways, 

Yet aye stick to the strongest, 
And mince your Bibles to suit them 

Whose purses are the longest ; 
To heap the thunders o' your wrath 

Upon the poor transgressor, 
But daurna for your souls attack 

His wicked, proud oppressor. 

Ye needna preach to weary toil 

About the Christian graces, 
As lang's ye wink at wickedness 

When seated in high places. 
Ye canna get us to believe 

That poverty's nae evil, 
And so ye say it's sent by God 

To keep us frae the deevil. 

O' heathens and their horrid works 

Why gie us sic like doses, 
And nae word o' the heathendom 

Beneath your very noses ? 
Why prose about the slaves abroad, 

Bought, sell't and scourged to labor, 
And ne'er a word o' sympathy 

About the slave your neighbor ? 

O' evils that are far awa' 

We canna bide your prattle, 
Unless ye'll help our home-bred slaves 

To fecht their weary battle. 
I wadna hae you fill your veins 

Wi' bluid like that o' Howard's, 47 
But that's nae reason why ye should 

Be arrant moral cowards. 



396 Miscellaneous 

Awake ! if ye wad longer be 

The pilots that would steer us ; 
Attack the vices o' the age, 

Be up, be moral heroes ! 
Tell Sutherland's heich mighty duke, 48 

Tell Athol, without fearing, 
The deevil keeps a black account 

Against them for their clearing. 

And dinna let Breadalbane slip ; 

Loch and his tribe, beset them ; 
We've nae use for a deil ava 

If that he disna get them. 
By fire and famine they have done 

The work o' extirpation, 
And hounded out a noble race, 

The bulwark o' the nation. 

Sadly they left their mountains blue, 

To go they knew not whither, 
Or, far amid Canadian wilds, 

Sigh for their hills o' heather. 
Tell county lairds ye'll tolerate 

Their bothies black nae longer, 
Try whether Christianity 

Or Mammon is the stronger. 

Explore the dreary vaults o' toil, 

Where fashion never centres 
The Saxon slaves in sweating caves 

Where daylight never enters ; 
Tell tyrants ye are watching them ; 

Tho' ere so deaf they'll hear you, 
And a' the lazy vampire crew 

Will baith respect and fear you. 

And if ye canna humanize 

The heartless, purse-proud reavers, 

Ye'll cheer at least the drooping hearts 
O' hungry, starving weavers. 



John TamsorHs Address to the Clergy in Scotland 397 

Wherever there is Nicht and Woe, 

Bring tidin's o' the morrow ; 
Oh ! let the kirk be, as o' auld, 

"The sanctuary o' sorrow." 

Leave forms to flunkeys and to fools, 

They never made a true man ; 
Preach Christianity as it is, 

A thing intensely human. 
Be as your Lord and Maister was, 

The shield o' the forsaken, 
And dying Faith will spread her wings, 

And into life awaken. 



BURNS * 

HAIL to the bard, wha did belang 
To nae mere class or clan, 
But did maintain, and not in vain, 

The Britherhood o' Man ! 
The King o' Herts ! wha did far mair 

To knit us to ilk ither, 
Than oor lang line (some ca't divine) 
O' kings a' put thegither. 

An' what although he may be puir, 

On Richt he tak's his stand, 
An' bears him wi' the very air 

O' oor ain mountain land. 
His mission is wi' wrang to cope, 

An' bid it to depart ; 
Anew to kindle love an' hope 

In the despairing heart. 



* This poem was awarded the Gold Medal offered by the Toronto 
Caledonian Society in 1885. 



39 Miscellaneous 

Frae what plain common-sense c'as richt 

Nae sophistry can win him ; 
He daurs to speak wi' a' his micht 

The burning thochts within him. 
His sense o' richt, his sense o' wrang, 

His love o' humble worth, 
He poured in an immortal sang, 

That's ringing roun' the earth. 

For, intellectually sublime, 

This humble peasant saw that, 
Despite distinctions here, in time, 

" A man's a man for a' that " ; 
And if there was a man on earth 

Wha had his detestation, 
'Twas he wha measured men by birth 

An' worshipped rank an' station : 

For after honors he wad sneak, 

An' he'd defend the wrang, 
An' he wad trample on the weak, 

An' truckle to the Strang ; 
Stick ribbons in his button-hole, 

An' gartens at his knee, 
An' his bit trifle o' a sowl 

Gang perfectly a-gley. 

But still, despite o' a' the wrang 

That comes by human blindness, 
The spirit o' the peasant's sang 

Is pity, love, an' kindness : 
He pities e'en the warst o' folk ; 

For even some o' them, 
Wi' a' their flaws, he fin's mair cause 

To pity than condemn. 

An' for the outcast everywhere 

He had a hert to feel, 
An' had some sympathy to spare 

E'en for the very Deil. 



Burns 399 

Tho' in the grasp o' poverty, 

Wi' a' its wants an' fears, 
His hert o'erfiows for ither's woes 

As 'twere a fount o' tears. 

E'en when he sees a needless pang 

Gi'en to the brute creation, 
He wha inflicts maun bide the stang 

O' his roused indignation. 
The thochtless youth cannot escape, 

Wha wounds the harmless " Hare," 
For Mercy, in the peasant's shape, 

Stands forth protesting there. 

His sangs hae something in their soun' 

That fills the hert an' e'e ; 
" Ye banks an' braes o' bonnie Doon " 

Are magic words to me. 
O Doon ! thou'rt like nae ither stream ; 

Love's sacred spell has bound thee, 
For a' the glory o' a dream 

The peasant threw around thee. 

Thou sped'st unknown through ages lang, 

A little nameless river, 
Till pity poured love's tears in sang, 

An' hallowed thee forever. 
Lang as the human hert remains 

A fount o' hopes an' fears, 
This simple little strain o' strains 

Shall stir it into tears ; 

For by the Poet's magic art, 

Tho' but a moorland river, 
Through the green regions o' the heart, 

It shall roll on forever. 
Wi' him the birds forever sing, 

The gowans ne'er depart ; 
He carries a supernal spring 

Forever in his heart. 
26 



400 Miscellaneous 

The "modest flower" he crushed to earth, 

Wi' a' its snawy blossoms, 
By him transplanted, blooms henceforth 

Forever in oor bosoms. 
An' a' the streams may cease to flow, 

The sun itsel' may vary, 
But down the ages he shall go 

Wi' his dear Highland Mary. 

Anon the bard doth change his mood, 

And in the mirthfu' vein 
What fancies flit on mother-wit, 

An' humor a' his ain : 
Until his mirth-provoking strains 

Set daddie Care a daffln', 
An' pit sic fun in his auld veins 

He canna flyte for laughin' : 

Despite the thunder's dreedfu' soun', 

A' through the air sae mirk, 
'Mang deils an' witches he's set down 

In Alloway's auld kirk. 
He hears auld Nick play up a spring, 

Amang his crew uncanny ; 
Sees a' the deevils dance an' fling, 

An' cross an' cleek wi' Nannie. 

Hears Tammie, as his senses swim, 

Roar, " Weel dune, Cutty Sark," 
An' hears the hellish legion grim 

Rush on him in the dark ; 
An' lang across the brig o' time, 

ThaUegion, weird an' scraggy, 
Shall chase triumphant Tarn, sublime 

On his immortal Maggie ! 

An' lo ! aneath the cloud o' nicht, 
Despite misfortune's deggers, 

Saw mortal ever sic a sicht 
As a' they " Jolly Beggars " ? 



Burns 40 1 

E'en happiness, that shuns the great, 

Can nestle amang rags, 
And even love an' joy can wait 

Amang auld mealy bags. 

E'en wisdom gravely listens when 

His " Twa Dugs " talc a seat, 
To get some licht on ways o' men ; 

But even dugs are beat. 
Burns wasna perfect to a dot, 

An' wha amang us a' 
But has some hole in his ain coat, 

An' maybe some hae twa ? 

Let them tak tent wha think they staun ; 

God keep us humble a' ! 
The pride o' never having fa'en 

Itsel's a dreedfu' fa'. 
Oh, never, never forward be 

The erring ane to blame, 
For under like temptation ye 

Micht just hae dune the same. 

Burns micht hae muckle to repent 

O' " passions wild and strong," 
But did he gie his soul's consent, 

Although he did the wrong ? 
We love him, even wi' a stain, 

Nae matter wha may ban ; 
We love him, for he did maintain 

The liberty of Man. 

And till the ages a' are fled, 

And time shall cease to roll, 
His " Scots wha hae wi' Wallace bled " 

Shall fire the freeman's soul. 
Hail ! Minstrel o' the brave and true, 

Tho' Scotia's pride thou art, 
In spirit thou belongest to 

The universal heart. 



402 



^ketches from the 9Stant)crct 



A PROSE POEM 

Inscribed to W. T. Boyd, Teacher 

THERE is no place, no spot of earth, though e'er so wild 
and desolate, but has its history. Though 'twere but 
the changes time writes on it, they become leaves of the 
mighty volume and will not perish. Man vainly tries to 
count the furrows in great Nature's face and fix her birth- 
day thereby ; but in his vain attempts he loses himself in 
aeons, and the Infinite rushes upon him, till he stands 
transfixed in silent wonder. 

There is no place where human beings lived, loved, and 
wrangled, but has its annals, uttered in some shape. The 
whole past is blended with the future ; we the living links 
which bind the whole together. List to that ancient song, 
so full of human feeling. It is the voice of buried genera- 
tions speaking to us through the long aisles of ages. They 
have not perished, though they've passed away ; they com- 
mune with us still yea, the dead are here, of ages most 
remote. Old Time is no destroyer ; he has garnered all 
the past, and formed us of it. 

We would speak of his works, for all his lines are of sur- 
passing virtue ; all his oracles divine, though but old men's 
grey hairs. Aye his dumb ministers Change, Ruin, 
Death, Decay are awe-inspiring preachers ; even in their 
silence, eloquent, sublime. 

I'm old and weary, and would sit me down and talk 
about the past. 

In yonder vale I grew from youth to manhood, but long 
since departed from it, and, in my weary age, have sought 



A Prose Poem 403 

it once again, to lay me with my forefathers. And yet I 
feel as though this were not the place of my nativity ; for 
every face 1 meet tells me I'm a stranger here. The old 
are dead and buried, and the young have grown out of my 
recollection : even those I dandled on my knee are men 
and women grown ; and if they do remember me, 'tis as an 
image in some half-forgotten dream. 

Even Nature's face is changed ! Yon mountains wear 
another aspect ; the streams talk not to me as of old. 

And you, ye woods, which half o'erhang that once 
delightful village ! Though your green faces are familiar, 
yet somehow ye have acquired a melancholy meaning. Ye 
are not the green cathedrals where awoke spontaneous 
worship, glad as the sunbeams which streamed through 
your long dark leafy arches. 

And you, ye flowers, clinging up there to the rough 
bosom of the rugged rock, like virtue to rough natures ! 
Still ye are beautiful ; but ye are not the fairy mirrors 
where the young heart's joy was imaged. Ye are not, as of 
old, Nature's delighted revelers : the livelong summer day 
spreading your honey bosoms to the bee ; all the night 
long drinking the dews of heaven till they overflow your 
silken tresses. Ah ! no, a joyous something has departed 
from you. There ye hang, like jewels on Death's bosom, 
mournful mementos of joys departed. 

Even yon ruined tower, built in the days of old, where 
dwelt the long forgotten mighty ! Still, as of yore, it looks 
down on the valley but ah ! how changed its look ! Its 
lordly air is gone. It is still called the " Eagle's Eyrie," as 
in mockery of him who built it on the steep. His fame, 
his name, his race, have perished from the earth, and the 
old tower alone tells of what has been. 

What secret sympathy still drags me towards it? Does 
its fate resemble mine? Oh! tell me, is there not some 
strange mystic affinity between old walls and our affections ? 
Why can dead matter, on immortal mind, beget emotion 
infinite? Why can a moss-clad ruin, or a mouldering 
stone, touching some secret sympathy, attune the chords of 
our affections till the heart overflows in liquid melody; 



404 Sketches from the Wanderer 

melting down years to moments, making our whole lives, 
with all their good and ill, pass in review before us ; wafting 
us away to the death-realm calling up the dead from their 
deep slumber, wiping their clammy lips, planting the rose 
of health on their pale faces, even while listening with a 
holy awe to the dread secrets of another world ? 

Turn which way we will, are there not eyes innumerable 
looking out on us ? Stand we not in a mysterious pres- 
ence? Is there not something sitting in yon tower a face 
of sorrow looking through all its loop-holes? Does not 
yon blasted pine, by lightning riven, stretch out its naked 
arms in proud defiance of the element which wrought its 
ruin? Is not the yew tree melancholy? Does not the 
willow weep? All Nature's forms seem but spirit mediums. 
Ah, me ! what a world ! 



WHENCE COME WE? 

WHENCE come we ? Whither do we go ? For what 
purpose sent into this wondrous world ? Is this our 
final sphere, or is it but the mere bud of our being ? Is death 
eternal sleep, or an awakening from a troubled vision ? Is 
this decaying form moulded on an immortal ? Are we but 
the outward shadows of an inner world fleeting reflections 
of enduring things ? Is the tree of knowledge unattainable? 
Can Science or Philosophy not aid us here? Science is 
mute, Philosophy is dumb. Vainly have we arraigned the 
elements of earth and air to interpret their voices ; trans- 
formed tyrannic matter to a slave ; dived to the depths of 
earth's foundations, and explored wrecks of a former world ; 
or soared from atoms to the ponderous worlds which roll 
forever through immensity. But, ah ! they cannot lift the 
veil which shrouds our future fate. With dead matter our 
triumphs cease. 

Then wherefore are we finite things thus cursed with a 
desire to grasp infinity ? Why are we thus bound bleeding 
to the wheels of fate, in doubt and darkness shrouded? 



Whence Come Wei 405 

Why is all we know but an intimation of the things we 
know not ? Why do our lights but make the " darkness 
invisible," if interests of eternal weight hang in the balance? 

Wherefore, inquirer, but to teach presumptuous man a 
lesson of humility ; to lean not on his own capacity, but on 
the Arm Omnipotent. Thou hast leaned too long on 
human knowledge. Has it scathed sin, or killed her brood 
of sorrow ? Has it done aught but add to thy pride ? Yea, 
pride has ever been thy most familiar demon. Ambitious 
worm, fain wouldst thou be a god, and by thy knowledge 
scale the heights of the empyrean. But knowledge and 
power were given thee, not for self-exaltation, but that thou 
mightest the deeper feel the need of a guide omnipotent ; 
therefore, let faith ever be thine anchor and the evidence. 

Neither art thou, as without chart or compass, thrown 
on life's vast ocean. When the winds and waves of passion 
lift their voices, when misfortune's thunder-cloud is o'er 
thee, a star still gilds the gloom ; yea, though thy bark were 
a floating wreck, and spirits of the storm shrieking the 
death-dirge over thee, the sun of hope divine should light 
thee to a refuge from destruction. 



MORNING IN SPRING 

TIS morning, and from the east the sun comes like a 
conqueror, driving night down the world. The 
mists have vanished in his presence; even those which 
sought a refuge in the valley are retreating. Now the 
scattered fugitives have made a stand on the brow of Ben- 
lomond, like a vanquished host gathered for a last rally ! 

Now they are gone, and morn is offering up her song of 
triumph. The lark is high in the heaven the only speck 
in the azure immensity and from it gladdest music gushes. 
Even the distant torrent has lost its midnight roar ; its hum 
greets the ear with pleasing solemnity. From the sea the 
breeze is coming, and the pines nod to each other ; the 



406 Sketches from the Wanderer 

cuckoo calls like a spring spirit from the bosom of the 
woods, and, answering to her call, the leaves have burst to 
being. Even the blackbird on the bough has forgotten his 
long silence, startled into song by the general chorus. 

And I, even I, old and aweary, feeling something of the 
flowery freshness of life's morn revive within me, instinct- 
ively join in Nature's rejoicing. Oh, Nature is as beautiful 
as on creation's dawn ! 'Tis the gloom in ourselves which 
weaves her pall, for she is all unchanged, lovely as on her 
natal morn. Man and his institutions change, but Nature 
is eternal ! 

Ah, old Ocean ! there thou art, the same in every feature ; 
still, as of old, a deep unfathomed wonder. Even now I 
feel some tone of that strange feeling of delightful awe 
which thrilled my bosom when a consciousness of thine 
immensity first dawned upon me ; when man and the world 
vanished, and I stood wrapt, lost, within the shadow of the 
Infinite. 

Then I became a dreamer ; and for hours would sit me 
on this spot, watching the heavings of thy breast, and listen- 
ing to thy long, deep respirations ; or in imagination dived 
to the secret depths, ransacked thy coral caves, and com- 
muned with thy mysterious spirits. 

When from the Tempest's eye flashed the forked light- 
ning when at his awful voice the mountains shuddered 
and the winds rushed shrieking from their caves -then 
didst thou feel smitten with the madness, and didst howl 
and foam in concert, dashing thy bosom 'gainst the rocks, 
heaving thy crest up through the cloudy columns till they 
burst in torrents, and the affrighted sun looked through his 
bloody curtain. 

I'm old and weary, and my soul longs but for quietude ; 
yet thine angry voice, thy rage and uproar, still, as of old, 
are music to mine ear. 



NOTES 



Page 49 Q), Who knows ? 

The critical reader (inclined to complain that McLachlan too often 
harps on this hopeless, plaintive, Jeremiah string) may care to have his 
attention directed to certain other lines less pessimistic, less agnostic, 
or more hopeful in tone, and which our poet appears to have had in 
mind as a possible antithesis to this piece. Poets are seldom consistent 
philosophically. As a sample we may point the reader to the lines (in 
Awful Spirit, page 165) : 

" Dreamer vain and Pantheist 
May define Thee as they list ; 
As in childhood, we would rather 
Look up to Thee as ' Our Father.' 

Where the light eternal flows, 

And no wand'rer asks " Who knows?" 

Page 72 ( 2 ), Serfdom in Russia. 

In the days of the Crimean War, 1853 to 1855, serfdom was preva- 
lent throughout the Russian Empire, a condition abolished by the suc- 
cessor of Nicholas I. The reference to "serfs" is therefore not poetic 
imagination, but veritable history. 

Page 73 and elsewhere ( 3 ), Corrybrechtan. 

Corrybrechtan, or Gulf of Brechan (also spelt Corrievrekin), is a 
whirlpool or dangerous passage a mile broad on the west coast of 
Argyleshire, in the strait between Scarba and Jura Isles. It is caused 
by tides (often running twelve or fourteen miles an hour) meeting from 
north and west in the narrow passage into the sound of Jura, round a 
pyramidal rock, which rises from a considerable depth to some fathoms 
from the surface. This rock forces the water in various directions. In 
stormy weather, at flow-tide, vast openings form in the water, immense 
bodies of which tumble headlong as over a precipice, then, rebounding 
from the abyss, dash together and rise in spray to a great height. The 
noise is heard over the isles around. The water is smooth for half an 
hour in slack water. 



48 Notes 

Page ioo ( 4 ), "Canty auld Christopher." 

John Wilson (born 1785, died 1854) was Professor of Moral Phil- 
osophy in the University of Edinburgh. Born at Paisley, he was reared 
m Mearns parish, a wild moorland district in Renfrewshire. Long 
afterward he commemorated his boyhood there in some of his most 
charming essays. Under the pseudonym Christopher North, or Kit 
North, he was the soul of the success of Blackwood's Magazine for a 
quarter of a century from 1816. The Recreations of Christopher 
North is a selection in two volumes from the mass of his essays fur- 
nished it. His range of power was extraordinary : while a muscular 
Christian, he could give expression to the finest subtleties of feminine 
tenderness. After Burns and Scott, he captured the heart of the 
Scottish people almost as effectually as they, and after the death of 
Scott, in 1832, became their accepted literary representative. 



Pages 102, 214, 239, 313 ( 5 ), Cartha Agai, 



n. 



The Cart (poetic Cartha) is a stream in Renfrewshire falling into the 
Clyde. (See Biographical Sketch, p. 20.) 

Pa ge 105, 136 ( c ), Foggy-bee. 

The foggy-bee is a small species of bee that makes its cells among 
fog (that is, moss). 

Pages 107, 195 ( 7 ), Chimley. 

Chimbly, or Chimley, for Chimney, is not uncommon in Ontario. 
According to "Dialect Notes," (Vol. I., pp. 67, 375), this is wide- 
spread, being heard in Old and New England, and reported from 
Kentucky, Louisiana and Tennessee. 

Page in ( 8 ), Balclutha. 

Balclutha Dumbarton rock visible from the birthplaces of the poet 
and his friend. (See Biographical Sketch, p. 21.) 

Pages 114, 313 (''), Crookston Castle and Langside. 

After Maty, Queen of Scots, escaped from her island-prison in Loch 
Leven, she soon found herself at the head of an army of 6,000 men. 
On 1 2th May, 1568, it was met by Regent Murray at Langside, near 
Glasgow, and defeated. When Mary, from a place 'of safety (Crookston 
Castle) near the battle-field, saw what would be the result of the 
engagement, she took horse, made her way across the border, and 
threw herself under the protection of Elizabeth, only to become a cap- 
tive for life. 



Notes 409 

Pages 114, 313 ( 10 ), Glengarnock, and Hardyknute. 

The ruin, one of the most picturesque in Scotland, is well seen from 
the opposite bank of the river Garnock. It is alluded to in the grand 
old ballad (to be found in Percy's "Reliques") of Hardyknute, be- 
ginning : 

" Stately stept he east the wa , 
And stately stept he west." 

Page 114 ( u ), Largs. 

Largs is a small town on the coast of Ayrshire, a favorite resort for 
sea-bathers, beautifully situated on the Firth of Clyde, on a pleasant 
strip of shore backed by hills, eighteen miles below Greenock. Here, 
in 1263, Alexander III of Scotland, in a war between that country and 
the Norwegian colonies of Man and the Isles, defeated Hacon, King of 
Norway, who, with 160 vessels and 20,000 men, had descended on the 
coast of Ayrshire. The result was the immediate withdrawal of the in- 
vading force and the abandonment within three years of Norwegian 
pretensions to the Scottish Isles. 

Largs is to the Scot what Clontarf, near Dublin, is to the Irishman. 
There a national hero, Brian Boroimhe, in 1014, won a great victory 
over the Danes, expelling them from Ireland. In like manner, Alfred's 
overthrow of the Danes at Edington denotes a patriotic victory over 
foreign invaders. The Norwegians being a branch of Scandinavians 
included under the general term " Danes," it follows that each of the 
three kingdoms had its deliverance from a foreign yoke through a hero- 
king, followed by the firm establishment of self-government in each of 
the three kingdoms. These particulars it is thought worth giving that 
other Britishers may understand and appreciate the feelings of the Scot 
in the parallel case. 

Page 129 ( 12 ), "The good old Queen." 

Marjory Bruce, daughter of the hero of Bannockbum. 

Page 130 ( 13 ), "a kingly shadow."' 

Paisley Abbey was founded by Walter, High Steward of Scotland, 
progenitor of the Royal Stuarts. 

Page 130 ( M ), "good Saint Mirin." 

Saint Mirin is the patron saint of Paisley. 

Page 130 ( 15 ), " two w r rathfu' spirits." 

This is an allusion to the feuds of the Montgomeries and Cunning- 
hams. (See Semple's History of the Lairds of Glen.) These feuds 
have a historic basis, not a mythical one, like those of the Montagues 
and Capulets of the great dramatist. 



41 o Notes 

Pages 130, 346 ( 16 ), "bard of old Belltrees." 

Robert Semple, of Belltrees, is meant. He was author of the cele- 
brated song, " Maggie Lauder," also an elegy on Habbie Simpson, the 
piper of Kilbarchan, and other poems. 

Page 131 ( 1? ), "Jenny Geddes." 

The story referred to is that of Janet Geddes, who kept a green stall 
in High street, Edinburgh. Archbishop Laud, in the time of Charles I, 
attempted the introduction of a service-book into the Kirk of Scotland. 
Sunday, 23rd July, 1637, was fixed for this innovation, so very obnox- 
ious to Scottish Presbyterians. An immense crowd filled the High 
Church of Saint Giles, Edinburgh. When the Dean of Edinburgh began 
to read, his voice was lost in a tumultuous shout. Jenny, rising from 
the stool on which she sat, exclaimed, "Villain ! dost thou say mass at 
my lug?" and hurled it at the dean's head. Uproar and universal con- 
fusion followed. The dean threw off his surplice and fled to save his 
life. The Bishop of Edinburgh, attempting to restore order, was assailed 
by a volley of sticks, stones, and other missiles, accompanied by cries 
and threats that effectually silenced him. This proved the death-blow 
to the liturgy in Scotland. 

Pages 136, 2 1 6, and elsewhere ( 18 ), McLachlan's Rimes. 

Anyone examining McLachlan's rimes is apt to conclude that he 
bent much that very flexible thing called poetic license. This is true 
in but a small proportion of cases however. Most are due to his not 
aiming at received pronunciation, but following his own ear rather than 
the dicta of the orthoepist. (1) With him close o (o) was often open o 
(6), road being pronounced much like rod. So the riming of road 
with God (page 153) satisfied his ear, as did on with throne (p. 177), 
code with God (p. 223), smoke with shock (p. 118). (2) Standard open 
i (1) as in river he pronounced, as is very general in Scotland, with e, 
much like e in let, but closer and more tense (&) ; as riv'n, Heaven, 
driv'n, heav'n (p. 177), merit, spirit (p. 216), striv'n, heav'n (p. 217), 
bench, clinch (p. 303). Campbell (in Hohenlinden) has riven, driven, 
heaven, as is common with Moore and the North British poets gen- 
erally. (3) The "mixed vowel" in guid, abune, sune, etc., is pro- 
nounced in Scotland, as elsewhere, in two ways: (i) As a "front" 
vowel with tone of i in sin, but with the mouth as for u in jtut. which 
might be marked iw; (ii) as a "back" vowel, with tone of u in put, 
and the mouth as for i (ui). McLachlan used the first of these 
ways, hardly ever the second : Witness abune, sin (p. 136), inn, mune 
(p. 289), begin, dune (p. 326), dune, in (p. 327). (4) In ct, t is silent 
in most cases ; which explains respec', Meek (p. 300), facts, tax, ax 
(p. 257). Besides (1), (2), (3), (4), which are classes of words, we may 
specify (5) certain isolated words : says he would pronounce to rime 
with days ; said with made (p. 348), said it with pervadit (p. 304), 



Notes 411 

exceptionally with head (p. 228) and tread (p. 254) ; ioound (noun) he 
rimed with mound, as was common early in the nineteenth century, 
not with tuned, which now prevails ; mourn he thought a perfect rime 
with burn, as again with strain (p. 222), exceptionally with then 
(p. 227). 

Page 141 ( 19 ), "Could I again see thee." 

This love-song was a reminiscence, not a piece of imagination with- 
out foundation in fact. It commemorates some child-love among play- 
fellows. On his return to Scotland the author looked up and found 
that the subject of it did " 'mang the living still 'bide." But, alas for 
day-dreams ! she had not the slightest recollection whatever of her 
boyish admirer ! 

Page 141 ( 20 ), Sing Me that Sang Again. 

A recent Scottish poet of great merit, Robert Ford, in " Tayside 
Songs" (Gardner : Paisley and London, 1895), P a g e 2 > nas " Oh, Sing 
Me that Sang Again, Lassie," of which the last stanza is : 

" Oh, sing me that sang again, lassie, 

Sing a' that sang again ; 
Its ilka note is bliss the best, 

Sweet, sweet's the auld refrain. 
It glints a gladness roun' my heart. 

It wraps my soul in glee ; 
Oh, lassie, that's the dear auld sang 

My mither sang to me." 

Pages 143 ( 2l ),John Tamsotis Bairns. 

This piece and The Cringer Rebuked (p. 362) must be taken as 
McLachlan's voicing of the Brotherhood of Man. (The Fatherhood of 
God he has voiced in Awful Spirit, p. 165.) It is parallel to Burns's 

" That man to man, the world o'er, 
Shall brothers be for a' that." 

Or to Tennyson's " Parliament of Man," governed by consensus of 
public opinion, " the common sense of most." 

" Far along the world-wide whisper of the south-wind rushing warm, 
With the standards of the peoples plunging thro' the thunder storm ; 
Till the war -drum throbb'd no longer, and the battle flags were furl'd 
In the Parliament of Man, the Federation of the world. 
There the common sense of most shall hold a fretful realm in awe, 
And the kindly earth shall slumber, lapt in universal law." 

Locksley Hall. 

Pages 156, 166 ('"), ''Million arms are szvung." 

The evergreen pine, with its lordly stature, when played on by the 
breeze, ^ives forth a sound as of a mighty rushing wind, but attuned by 
a million vibrating chords, the needles or leaves of the tree. These, or 
possibly the branches, are meant by our author's "million arms are 
swung." It is particularly noticeable in winter and from the height of 



412 Notes 

the tree. On approach of storms, when sounds are more readily trans- 
mitted, this, with the creaking and groaning of the mighty trunk of the 
stately tree (whose "great bosom shrieks"), gives a weird feeling, 
probably felt strongly by the author. 

Page 1 68 ( 23 ), Mystery. 

A recent prose writer has given expression to what is tantamount to 
the same thought : 

" For whether we acknowledge it or not, the springs of our entire 
existence are hidden. From the darkness of the womb to the darkness 
of the tomb, the source of our every action is veiled from us. Mystery 
is the beginning ; mystery is the ending ; mystery is the whole body of 
our life. We cannot breathe nor sleep, nor eat, far less think or speak, 
without exercising powers which to us are inconceivable, by means of 
processes which are to us inscrutable. Who is so ignorant as not to 
know these things ; who so learned as to make them clear ? " 
W. Marsham Adams, in " The Book of the Master," p. 21. London : 
Murray, 1898. 

Page 182 ( 2 *), Bobolink. 

The Bobolink (Dolichonyx oryzivorus) is called, after moulting, the 
reed-bird. It is also known in some localities as the rice-bird (oryzi- 
vorus). In summer it is a wild, ecstatic black -and-buff singer, soar- 
ing above meadows, leaving a trail of rippling music. In autumn it is 
a brown striped bird, hunted by gunners, and voiceless but for a metallic 
"clink." Mabel Osgood Wright, writing (in "Birdcraft") from the 
latitude of Connecticut, says: "Of all our songsters none enters into 
the literature of fact and fancy more fully than the Bobolink, and none 
so exhilarates us by his song. Sit on the fence of an upland meadow 
any time from early May until the last of June, watch and listen. Up 
from the grass the Bobolinks fly, some singing and dropping again, 
others rising, Lark like, until the distant notes sound like the tinkling 
of an ancient clavichord. Then, while you are gazing skyward, from 
the choke-cherry tree above your head will come the hurried syllables 
in which Mr. Burroughs interprets the song : ' Ha ! ha ! ha ! I must 
have my fun, Miss Silverthimble, if I break every heart in the meadow. 
See ! See ! See ! ' Meanwhile, the grass is full of nests and brown 
mothers, neither of which you see, for you are wholly entranced by the 
song. Bryant's poem on ' ' Robert of Lincoln " contains a good descrip- 
tion of the bird's plumage, but is too precise and measured to express 
the rapture of the song. It may describe a stuffed Bobolink, but never 
a wild, living one. . . . Prose writers vie with the poets in singing 
the Bobolink's praises ; their own words turning to music under his 
spell. Listen to what Thoreau says of the song : ' It is as if he [the 
bird] touched his harp with a vase of liquid melody, and when he lifted 
it out the notes fell like bubbles from the strings. . . . Away he 
launches, and the meadow is all bespattered with melody. . . . 
He is the peerless musician whom no one should wittingly destroy." 



Notes 4 1 3 

. Pages 1 88, 225 ( 25 ), Whip-poor-will. 

The Whip-poor-will (Antrostomus vociferus) was better known in 
Ontario in its forest-covered days than now. It is still abundant in 
season in northern Ontario. As the present generation are not familiar 
with it, it may be in place to give a short account of it. The note 
"whip-poor-will" is usually repeated five times. Mrs. Wright (in 
"Birdcraft") tells us: "This weird bird, with its bristling, fly-trap 
mouth, who sleeps all day and prowls by night, . . . has not at 
any time even a transient home to abandon ; like pilgrims of old, earth 
is his only bed. . . . Nature has taken great pains to blend the 
colors of its plumage with the browns and greys of the bark and rocks 
of the forest, and has given it the unusual habit of sitting lengthwise on 
the branch when it perches, so that it is invisible from below and so 
closely resembles the branch against which it is so flattened as to escape 
notice. The Whip-poor-will prefers forest solitude, but in nocturnal 
flights often comes near houses, and sometimes calls close to a window 
with startling vehemence. The breeding habits of this strange bird are 
not the least of its peculiarities ; when its ground-laid eggs are hatched 
they are beset by many dangers from weasels, snakes, etc., but the 
young birds are almost invisible to the human eye, even if their loca- 
tion is known. The female is very adroit, and if she thinks her family 
has been discovered she will move them to another place, carrying 
them in her mouth as a cat does kittens." 

Page 194 ('''), " Ev'ry weeping slave." 

Canada has the proud pre-eminence of having been one of the first 
to abolish slavery, which was done in 1793 by Act of Parliament. It 
appears that it was not immediately abolished, but importation of slaves 
was stopped, though those actually holding such were allowed to keep 
them, but not to acquire others. Black children were free on attaining 
the age of twenty-five ; their children were free-born. It is one of the 
traditions of Toronto that when Miss Elizabeth Russell, sister and 
heir of Peter Russell, Lieutenant-Governor of Upper Canada (1797 to 
1799), had her slaves freed, they with one accord declined to be freed. 
A full account of ' ' Slavery in Canada " has been patiently collected by 
Mr. J. C. Hamilton, LL.B., Toronto, and published in the "Transac- 
tions of the Canadian Institute" for 1890-1897. It was not till 1st 
August, 1834, that Britain abolished slavery by paying an indemnity; 
and not till 1st January, 1863, that the United States did so by con- 
fiscation, by Lincoln's proclamation in the throes of civil war (1861-5), 
or the slaveholders' rebellion. Before that, this parody was common : 

' The star-spangled banner triumphantly waves 

O'er the homes of the free and three millions of slaves." 

Page 194 ( 27 ), "A refuge for the slave." 

Canada was the northern terminus of " the underground railroad "- 
the pole-star being a "fire by night " to guide the southern Negro. 



414 Notes 

Pages 195 ( 28 ), Sparking, 

Sparking was a term equivalent to wooing or courting. It was the 
regular term in the middle third of the nineteenth century in Canada, 
but is now falling into disuse. 

Page 200 ( 29 ), "and antler'd herds." 
This refers to deer, often seen singly and in herds by the pioneer. 

Page 224 ( 30 ), Rosa. 

Salvator Rosa, a celebrated Italian landscape painter, of the Nea- 
politan School, lived 1615 to 1673. 

Page 224 ( 31 ), "songless, ev'ry one." 

It was a frequent subject of remark with McLachlan that the birds 
of America are songless. British birds are far more tuneful. The 
brighter plumage of the birds of the new world seemed to him com- 
pensation for lack of song. British biids compare unfavorably with 
ours in plumage. 

Page 234 ( 32 ), "with its silver tassel." 

In America, corn means maize, or "Indian corn." Our author 
refers to the long brilliant silk fringe or tassel at the top of the growing 
cob. 

Pages 240, 291 ( 33 ), "gloamin's hour is long." 

The scene is in latitude 56. The higher the latitude the longer are 
summer days, and the longer is twilight. This is very noticeable in 
eastern Quebec, still more so in Manitoba, with its latitude of 51 or 52. 
The scene of the song is in the same latitude as the centre of Hudson's 
Bay. The statement in the text is sober fact. 

Pages 304, 324, 342 ( 34 ), Auld Hawkie. 

William Cameron, "The King of Glasgow Wits," was "a gangrel 
buddy " (see next note), and was a celebrated character and street 
orator, familiarly known wherever he peregrinated, which was over 
most of the west of Scotland. He was called Hawkie from his bur- 
lesque prediction concerning the destruction of the " Briggate," and 
which prediction was announced by him as emanating "frae an Aber- 
dour twa-year auld quey " (" quey " being a young cow, and "hawkie " 
being a Scots name for a white-faced cow, or sometimes for any cow, 
being frequently used as a pet name). Hawkie died about 1858. His 
biography has been published. 

Page 305 ( 35 ), "gangrel folk." 

" Gangrel folk " (presumably gangrel is from gang, to go) are tramps, 
riff-raff, "great unwashed," Carlyle's sansculottes. 



Notes 415 

Pages 314, 388 ( 3ti ), My Old Schoolmaster. 

John Fraser, of Newfield House, Johnstone, was something of an 
ideal teacher, for, besides the instruction furnished, he could both 
inspire pupils and develop latent talent. He was an effective elocu- 
tionist and musician, as were the members of his family. As such, he 
gave entertainments in Britain, much as Kennedy did at a later date. 
He began an American tour, appearing in New York, Albany, and 
Boston, where, in August, 1852, the star of his troupe, a favorite 
daughter, Jeanie, contracted a cold, which resulted in death the follow- 
ing February, at Lanark, Ont. This stopped the tour. Fraser retired, 
half broken-hearted, to Johnstone. He died 3rd March, 1879, aged 85. 

Page 320 ( 37 ), Will Steel. 

Will Steel was a warlock (wizard) notorious in the west of Scotland. 

Page 336 i^ 8 ), My Grandfather and His Bible. 

An old Haweis Bible (the "Haw' Bible" of the poem) is, along 
with a grandfather's clock, one of the heirlooms of the poet's family in 
Orangeville a ponderous volume, larger than the 1623 folio Shakspear. 
It is a leather-bound book of 672 pages, measuring 10 by 18 inches, 
with notes, engravings and atlas of sacred geography, published at 
Edinburgh in 1825, and in regular use by the poet's grandfather, Alex- 
ander Sutherland. It is named " Haw' " from its compiler, Rev. Thos. 
Haweis, LL.B., M.D. , rector of Aldwinkle, Northamptonshire, in 

1765- 
Page 346 ( 30 ), The Sempill Lords. 

The estate of Castle Sempill, in Lochwinnoch parish, when seen 
from the heights around, is one of the most beautiful and picturesque in 
Scotland. Acquired by Col. Wm. McDowall in 1727, he demolished 
Castleton, one of the ancient castles of the Sempills, and built a modern 
residence on the site. 

Page 346 O, "these lordly halls." 

The Peil, once a fortress of great strength, built by Lord Sempill in 
1560, is now a complete rain. 

Page 346 ("), Eliotstoun. 

Eliotstoun, the most ancient residence of the Sempills, built in 1280, 
with massive walls and arched fastnesses, is rapidly falling to decay. 

Page 346 ( 42 ), " that warrior lord." 

Lord Sempill was with Regent Murray at the engagement at Lang- 
side. (See note 9 above.) For valor, achievements and counsel he 
was called "The Great Lord Sempill." 

27 



4 1 6 Notes 

Page 360 ("), "Bubbly Jock." 

This is a name popular in Scotland for the turkey cock, correspond- 
ing to "gobbler" with us. 

Page 368 ( 44 ), Wilson's Grave. 

Alexander Wilson, the Scottish poet and American ornithologist, is 
buried in the cemetery of the Swedish Church, Southwark, Phila- 
delphia. The Navy Yard refreshment rooms and a wharf are within a 
hundred yards of his grave. " Had I been at home when he died," 
said his friend George Ord, ' ' I would have selected some quiet spot in 
the country, retired from the city, where birds would warble over his 
grave such a spot as he himself would have preferred." 

Page 369 ( 45 ), Robert Tannahill. 

Robert Tannahill (born 1774, died 1810) was a Paisley weaver. He 
was attaining some celebrity after publishing "Poems and Songs," in 
1807, but while his modest fame was extending, morbid melancholy 
clouded with gloom the quiet and diffident poet, leading to suicide by 
drowning. He had a genuine lyrical gift, without force and passion, 
but with grace and sweetness. His best songs are : " Loudon's Bonnie 
Woods and Braes," "Jessie, the Flower of Dumblane," and " Gloomy 
Winter's Noo Awa'." 

Page 369 ( 46 ), " While the Scottish muse sings waly." 

A beautiful old Scottish ballad, to be found in "Percy's Reliques," 
begins 

" O waly, waly up the bank. 
And waly, waly down the brae." 

Waly is an interjection of grief. It appears to be allied to irae (woe) 
and tvaefu' (woful). 

Page 396 ( 4T ), Howard. 

John Howard, the celebrated philanthropist and reformer of prisons 
in Europe, but especially in the British Isles, died in 1790, at Kherson, 
in Russia, infected by a fever patient for whom he had prescribed. 

Page 396 ( 48 ), " Sutherland's heich mighty duke." 

The cruelties inflicted by the Dukes of Sutherland, Athoi and Bread- 
albane on their poor clansmen were so revolting that the massacre of 
Glencoe appears merciful in comparison. For a full account of these 
barbarities, perpetrated under the eye of the British Government in the 
nineteenth century, see " Gloomy Memories," by Donald McLeod ; a 
book without literary pretension, but which reveals a tale of horror at 
which Scotsmen must blush. 



GLOSSARY 



This glossary is not taken from any existing one, but has been 
made expressly for this volume. It professes to include such 
words only as were thought likely to cause difficulty to the reader 
unfamiliar with broad Scots. 

McLachlan's dialect does not differ essentially from that of 
literary Scotland (Burns's Ayrshire). That differs from standard 
English (of which it is the northern variety) somewhat in vocabu- 
lary (as lug for ear, gar for compel), but chiefly in orthoepy. 
The reader will readily get "the run of it " by bearing in mind 
these general statements : (i) Verbs make their past in "it," as 
descendit for descended; the i of " it " is elided if practicable, as 
ordaint for ordai?ied; which happens even with the word it, as 
"A'll no dae't " for " I will not do it." (2) D is elided after n : en' 
is end, han' or kauri is hand, art is and. (3) Ow is 00 generally: 
noo is now, roun" is round, moo is mouth. (4) Final 1 is dropped : 
fa! is fall, ca' is call, won'erfu' is wo?iderful. (5) It has a 
mixed vowel like French u, German ii : guid is good, bluid is 
blood, schule is school, fule is fool. (See note on McLachlan's 
Rimes, p. 406.) (6) The guttural, so common in our language in 
the Tudor period, still holds sway. However, it is the voiceless 
guttural (usually spelt ch), as wecht for weight, not the voiced 
one which gh in current