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THE TRAVELLER S* LIB R A R Y 



PORGY 



A selection of the volumes of 
THE TRAVELLERS' LIBRARY 

CAN SUCH THINGS BE by Ambrose Bierce 
THE BLACK DOG by A. E. Coppard 

THE AUTOBIOGRAPHY OF A SUPER-TRAMP 

by W. H. Davies 

BABBITT by Sinclair Lewis 

EARLHAM by Percy Lubbock 

WIDE SEAS AND MANY LANDS by Arthur Mason 

SELECTED PREJUDICES by H. L. Mencken 
THE MIND IN THE MAKING by James Harvey Robinson 

THE WAY OF ALL FLESH by Samuel Butler 

EREWHON by Samuel Butler 

DUBLINERS by James Joyce 

KAI LUNG'S GOLDEN HOURS by Ernest Bramah 

TWILIGHT IN ITALY by D. H. Lawrence 

THE DREAM by H. G. Wells 

MARIUS THE EPICUREAN by Walter Pater 
THE WHITE SHIP by Amo Kallas 

MULTITUDE AND SOLITUDE by John Masefield 

SPRING SOWING by Liam O'Flaherty 

WILLIAM by E. H. Young 
WUTHERING HEIGHTS by Emily Bronte 
THE CONQUERED by Naomi Mitchison 

IN MOROCCO by Edith Wharton 

OUT OF THE EAST by Lafcadio Hearn 

ASPECTS OF SCIENCE by J. W. N. Sullivan 

THE EVOLUTION OF AN INTELLECTUAL 

by J. Middleton Murry 
MASTRO-DON GESUALDO by Giovanni Verga 
THE AUTOBIOGRAPHY of Mark Rutherford 
HORSES AND MEN by Sherwood Anderson 

THE TRAVELS of MarCO Polo 

THE BAZAAR by Martin Armstrong 

SHORT TALKS WITH THE DEAD by Hilaire BelloC 

NAPOLEON: THE LAST PHASE by Lord Rosebery 
THE MARTYRDOM OF MAN by Winwoo'l Rea^e 

A complete list of all volumes now ready will be found at 
the end of this volume 



PORGY 

by 
DU BOSE HEYWARD 




LONDON 
JONATHAN CAPE jo BEDFORD SQUARE 



FIRST ISSUED 11^ THE TRAVELLERS' LIBRARY 1928 



PRINTED IN GREAT BRITAIN 



FOR 

DOROTHY HEYWARD 



Porgy, Maria, and Bess, 
Robfrins, and Peter, and Crown; 
Life was a three-stringed harp 
Brought from the woods to town. 

Marvellous tunes you rang 

From passion, and death, and birth, 

You who had laughed and wept 

On the warm, brown lap of the earth. 

Now in your untried hands 
An instrument, terrible, new, 
Is thrust by a master who frowns, 
Demanding strange songs of you. 

God of the White and Black, 
Grant us great hearts on the way 
That we may understand 
Until you have learned to play. 



PART I 



PART I 
* 

PORGY lived in the Golden Age. Not the 
Golden Age of a remote and legendary past; 
nor yet the chimerical era treasured by every 
man past middle life, that never existed except 
in the heart of youth; but an age when men, 
not yet old, were boys in an ancient, beauti- 
ful city that time had forgotten before it 
destroyed. 

In this city there persisted the Golden Age 
of many things, and not the least among them 
was that of beggary. In those days the pro- 
fession was one with a tradition. A man 
begged, presumably, because he was hungry, 
much as a man of more energetic tempera- 
ment became a stevedore from the same 
cause. His plea for help produced the 
simple reactions of a generous impulse, a 
movement of the hand, and the gift of a coin, 
instead of the elaborate and terrifying pro- 
cesses of organized philanthropy. His ante- 
cedents and his mental age were his own 
affair, and, in the majority of cases, he 
was as happily oblivious of one as of the 
other. 

ii 



PORGY 

Had it all been otherwise, had Porgy come 
a generation, or even a score of years, later, 
there would have been a repetition of the old 
tragedy of genius without opportunity. For, 
as the artist is born with the vision of beauty, 
and the tradesman with an eye for barter, so 
was Porgy equipped by a beneficent provi- 
dence for a career of mendicancy. Instead of 
the sturdy legs that would have predestined 
him for the life of a stevedore on one of the 
great cotton wharves, he had, when he en- 
tered the world, totally inadequate nether 
extremities, quick to catch the eye, and touch 
the ready sympathy of the passer-by. Either 
by birth, or through the application of a 
philosophy of life, he had acquired a person- 
ality that could not be ignored, one which at 
the same time interested and subtly disturbed. 
There was that about him which differen- 
tiated him from the hordes of fellow practi- 
tioners who competed with him for the notice 
of the tender-hearted. Where others bid 
eagerly for attention, and burst into voluble 
thanks and blessings, Porgy sat silent, rapt. 
There was something Eastern and mystic 

12 



PORGY 

about the intense introspection of his look. 
He never smiled, and he acknowledged gifts 
only by a slow lifting of the eyes that had odd 
shadows in them. He was black with the 
almost purple blackness of unadulterated 
Congo blood. His hands were very large and 
muscular, and, even when flexed idly in his 
lap, seemed shockingly formidable in con- 
trast with his frail body. Unless one were un- 
usually preoccupied at the moment of drop- 
ping a coin in his cup, he carried away in 
return a very definite, yet somewhat disquiet- 
ing, impression : a sense of infinite patience, 
and beneath it the vibration of unrealized, 
but terrific, energy. 

No one knew Porgy's age. No one re- 
membered when he first made his appearance 
among the ranks of the local beggars. A 
woman who had married twenty years before 
remembered him because he had been seated 
on the church steps, and had given her a turn 
when she went in. 

Once a child saw Porgy, and said suddenly, 
* What is he waiting for?' That expressed him 
better than anything else. He was waiting, 
13 



PORGY 

waiting with the concentrating intensity of a 
burning-glass. 

As consistent in the practice of his profes- 
sion as any of the business and professional 
men who were his most valued customers, 
Porgy was to be found any morning, by the 
first arrival in the financial district, against 
the wall of the old apothecary shop that 
stands at the corner of King Charles Street 
and The Meeting House Road. Long cus- 
tom, reinforced by an eye for the beautiful, 
had endeared that spot to him. He would sit 
there in the cool of the early hours and look 
across the narrow thoroughfare into the green 
freshness of Jasper Square, where the chil- 
dren flew their kites, and played hide-and- 
seek among the shrubs. Then, when the 
morning advanced, and the sun poured its 
semi-tropical heat between the twin rows 
of brick, to lie impounded there, like a 
stagnant pool of flame, he would experience 
a pleasant atavistic calm, and would doze 
lightly under the terrific heat, as only a full- 
blooded negro can. Toward afternoon a 
slender blue shadow would commence to grow 
14 



PORGY 

about him that would broaden with great 
rapidity, cool the baking flags, and turn the 
tide of customers home before his empty 
cup. 

But Porgy best loved the late afternoons, 
when the street was quiet again, and the sun- 
light, deep with colour, shot level over the 
low roof of the apothecary shop to paint the 
cream stucco on the opposite dwelling a 
ruddy gold and turn the old rain-washed tiles 
on the roof to burnished copper. Then the 
slender, white-clad lady who lived in the 
house would throw open the deep French 
windows of the second story drawing-room, 
and sitting at the piano, where Porgy could 
see her dimly, she would play on through the 
dusk until old Peter drove by with his wagon 
to carry him home. 



Porgy had but one vice. With his day re- 
duced to the dead level of the commonplace, 
he was by night an inveterate gambler. Each 
evening his collections were carefully divided 
into a minimum for room and food, and the 

15 



PORGY 

remainder for the evening's game. Seen in 
the light of the smoking kerosene lamp, with 
the circle of excited faces about him, he was 
no longer the beggar in the dust. His stag- 
nant blood leaped to sudden life. He was the 
peer of the great, hulking fellows who swung 
cotton bales and stank intolerably from 
labour in the fertilizer mills. He even knew 
that he had won their grudging respect, for he 
had a way of coaxing and wheedling the little 
ivory cubes that forced them to respond. The 
loud 'Oh, my Baby/ and explosive 'Come 
seben,' of his fellow-gamesters seldom 
brought silver when he experienced that 
light, keen feeling and thought of the new, 
soft-spoken words to say. In those hours he 
lost his look of living in the future. While 
the ivories flew, he existed in an intense and 
burning present. 

One Saturday night in late April, with the 
first premonitory breath of summer in the 
air, Porgy sat in the gaming circle that had 
gathered before his door in Catfish Row, and 
murmured softly to his gods of chance. All 
day he had been conscious of a vague unrest. 
16 



PORGY 

There had been no breeze from the bay, and 
from his seat outside the apothecary shop 
the sky showed opaque blue-grey and bore 
heavily upon the town. Towards evening, a 
thunder-head had lifted over the western 
horizon and growled ominously; but it had 
passed, leaving the air hot, vitiated, and 
moist. The negroes had come in for the 
night feeling irritable, and, instead of the 
usual Saturday night of song and talk, the 
rooms were for the most part dark and silent, 
and the court deserted. 

The game started late, and there were few 
players. Opposite Porgy, sitting upon his 
haunches, and casting his dice in moody 
silence, was a negro called Crown. He was 
a stevedore, had the body of a gladiator, and 
a bad name. His cotton-hook, hanging from 
his belt by a thong, gleamed in the lamplight, 
and rang a clear note on the flags when he 
leant forward to throw. Crown had been 
drinking with Robbins, who sat next to him, 
and the air was rank with the effluvium of 
vile corn whisky. Robbins was voluble, and 
as usual, when in liquor, talked incessantly of 
17 



PORGY 

his wife and children, of whom he was in- 
ordinately proud. He was a good provider, 
and, except for his Saturday night drink and 
game, of steady habits. 

*Dat lady ob mine is a born white-folks 
nigger,' he boasted. 'She fambly belong tuh 
Gob'ner Rutledge. Ain't yer see Miss Rut- 
ledge sheself come tuh visit she when she 
sick? An' dem chillen ob mine, dem is raise 
wid ways. 9 

'Yo' bes sabe yo' talk for dem damn dice. 
Dice ain't gots no patience wid 'oman!' cut 
in a young negro of the group. 

'Da's de trut',' called another. 'Dey is all 
two after de same nigger money. Dat mek 
um can't git 'long.' 

*Shet yo' damn mout' an' t'row!' growled 
Crown. 

Robbins, taken aback, rolled the dice 
hastily. Scarcely had they settled before 
Crown scooped them fiercely into his great 
hand, and, swearing foully at them, sent 
them tumbling out across the faintly illumi- 
nated circle, to lose them on the first cast. 
Then Porgy took them up tenderly, and held 
18 



PORGY 

them for a moment cupped in his muscular,, 
slim-fingered hand. 

'Oh, little stars, roll me some light!' he 
sang softly; made a pass, and won. 'Roll me 
a sun an* moon!' he urged; and again the 
cubes did his bidding. 

'Porgy witch dem dice/ Crown snarled, as 
he drained his flask and sent it shattering 
against the pavement. 

Under the beetling walls of the tenement 
the game went swiftly forward. In a remote 
room several voices were singing drowsily, as 
though burdened by the oppression of the 
day. In another part of the building some one 
was picking a guitar monotonously, chord 
after chord, until the dark throbbed like an 
old wound. But the players were oblivious of 
all except the splash of orange light that fell 
upon the flags, and the living little cubes that 
flashed or dawdled upon it, according to the 
mood of the hand that propelled them. Peter,, 
the old wagoner, sat quietly smoking in 
Porgy's doorway, and looked on with the 
indulgent smile of tolerant age. Once when 
Crown lost heavily, and turned snarling upon 
19 



PORGY 

Robbins with, "Trow dem damn dice fair, 
nigger/ he cautioned mildly, 'Frien' an'licker 
an' dice ain't meant tuh 'sociate. Yo' mens 
bes* go slow/ 

Then, in a flash, it happened. 

Robbins rolled again, called the dice, and 
retrieved them before Crown's slow wits got 
the count, then swept the heap of coins into 
his pocket. 

With a low snarl, straight from his 
crouching position, Crown hurled his tremen- 
dous weight forward, * shattering the lamp, 
and bowling Robbins over against the wall. 
Then they were up and facing each other. 
The oil from the broken lamp settled be- 
tween two flags and blazed up ruddily. 
Crown was crouched for a second spring, 
with lips drawn from gleaming teeth. The 
light fell strong upon thrusting jaw, and 
threw the sloping brow into shadow. One 
hand touched the ground lightly, balancing 
the massive torso. The other arm held the 
cotton-hook forward, ready, like a prehensile 
claw. In comparison Robbins was pitifully 
slender and inadequate. There was a single 
20 



PORGY 

desperate moment of indecision; then he took 
his only chance. Like a thrown spear, he 
hurled his lithe body forward under the ter- 
rifying hook, and clinched. Down, down, 
down the centuries they slid. Clothes could 
not hold them. Miraculously the tawny, 
ridged bodies tore through the thin coverings. 
Bronze ropes and bars slid and wove over 
great shoulders. Bright, ruddy planes leaped 
out on backs in the fire flare, then were gulped 
by sliding shadows, A heady, bestial stench 
absorbed all other odours. A fringe of sha- 
dowy watchers crept from cavernous door- 
ways, sensed it, and commenced to wail eerily. 
Backward and forward, in a space no larger 
than a small room, the heaving, inseparable 
mass rocked and swayed. Breath laboured 
like steam. At times the fused single body 
would thrust out a rigid arm, or the light 
would point out, for one hideous second, a 
tortured, mad face. Again the mass would 
rise as though propelled a short distance from 
the earth, topple, and crash down upon the 
pavement with a jarring impact. 

Such terrific expenditure of human energy 

21 



PORGY 

could not last. The end came quickly, and 
with startling suddenness. Crown broke his 
adversary's weakening hold, and held him 
the length of one mighty arm. The other 
swung the cotton-hook downward. Then he 
dropped his victim, and swaggered drunk- 
enly toward the street. Even to the most 
inexperienced the result would have been 
obvious. Robbins was dead: horribly dead. 

A scream rose to a crescendo of unendur- 
able agony, and a woman broke through the 
circle of spectators and cast herself upon the 
body. The fire flickered to a faint, blue flame, 
unearthly, terrifying. 

Porgy shivered violently, whimpered in 
the gloom; then drew himself across his 
threshold and closed the door. 



Catfish Row, in which Porgy lived, was 
not a row at all, but a great brick structure 
that lifted its three stories about the three 
sides of a court. The fourth side was partly 
closed by a high wall, surmounted by jagged 
edges of broken glass set firmly in old lime 

22 



PORGY 

plaster, and pierced in its centre by a wide 
entrance-way. Over the entrance there still 
remained a massive grill of Italian wrought 
iron, and a battered capital of marble sur- 
mounted each of the lofty gate-posts. The 
court itself was paved with large flag-stones, 
which even beneath the accumulated grime of 
a century, glimmered with faint and varying 
pastel shades in direct sunlight. The south 
wall, which was always in shadow, was lich- 
ened from pavement to rotting gutter; and 
opposite, the northern face, unbroken except 
by rows of small-paned windows, showed 
every colour through its flaking stucco, and,, 
in summer, a steady blaze of scarlet from 
rows of geraniums that bloomed in old veget- 
able tins upon every window-sill. 

Within the high-ceilinged rooms, with their 
battered colonial mantels and broken decora- 
tions of Adam designs in plaster, governors 
had come and gone, and ambassadors of 
kings had schemed and danced. Now before 
the gaping entrance lay only a narrow, cob- 
bled street, and beyond, a tumbled wharf 
used by negro fishermen. Only the bay 
23 



PORGY 

remained unchanged. Beyond the litter of 
the wharf, it stretched to the horizon, taking 
its mood from the changing skies; always 
different - invariably the same. 

Directly within the entrance of the Row, 
and having upon the street a single bleary 
window, wherein were displayed plates of 
fried fish, was the 'cook-shop' which catered 
to the residents of the tenement. 

Porgy's room was opposite the shop and 
enjoyed the great advantage of having a front 
window that commanded the street and 
harbour, and an inner door where he could 
sit and enter into the life of the court. To 
him, the front window signified adventure, 
the door - home. 



It was Porgy's custom, when the day's 
work was done and he had exchanged a part 
of his collections for his evening meal of fish 
and bread, to sit at his front window and 
watch the world pass by. The great cotton 
wharves lay up the river, beyond the Row; 
and when the cotton season was on, he loved 
24 



PORGY 

to sit in the dusk and see the drays go by. 
They would sweep into view with a loud 
thunder of wheels on the cobbles; and from 
his low seat they loomed huge and mysterious 
in the gathering dark. Sometimes there 
would be twenty of them in a row, with great 
swiftly-stepping mules, crouched figures of 
drivers, and bales piled toweringly above 
them. Always Porgy experienced a vague 
and not unpleasant fear when the drays swung 
past. There was power, vast, awe-inspiring; 
it could so easily crush him were he in its 
path. But here, safe within his window, he 
could watch it with perfect safety. At times 
when the train was unusually long, the sus- 
tained, rhythmic thunder and the sweep of 
form after form past his window produced an 
odd pleasurable detachment in his mind, and 
pictures of strange things and places would 
brighten and fade. But the night follow- 
ing the killing, the window was closed, 
and through the open door behind him 
beat the rhythm of a dirge from Robbins' 
room. 

'What de matter, chillen?' came the 



PORGY 

strophe. And the antistrophe swelled to the 
answer : 

Tain gots de body, an' I can't stan' still.' 

Porgy sat upon his floor counting the day's 
collection: one dollar and twenty cents. It 
had been a good day. Perhaps the sorrow 
that had brooded over his spirit had quick- 
ened the sympathy of the passers-by. 

'What de matter. Sister?' 

'Jedus gots our brudder, an' I can't stan' 
still.' 

Ever since Porgy had come home the air 
had swung to the rhythm of the chant. He 
divided his pile into equal portions, and com- 
menced to pocket one. The burden swayed 
out again. 

Tain gots de body, an' I can't stan' still/ 

He hesitated a moment, poured all the 
coins together again, selected a twenty-five- 
cent piece which he put into his pocket, and, 
taking the remainder in his hand, went out 
and drew himself across the short distance to 
the room of mourning. 

The body lay upon a bed in the corner of 
the room, sheeted to the eyes, and upon its 
26 



PORGY 

breast rested a large blue saucer. Standing 
in a circle about the bed, or seated upon 
the floor, backs to the wall, were a score of 
negroes, some singing, and others swaying, 
patting the floor with their large feet. For 
not a single moment since the body had been 
laid out had the rhythm slackened. With 
each hour it gathered weight until it seemed 
to swing the massive structure. 

Porgy had heard that Robbins had left no 
burial insurance, the customary Saturday 
night festivities having consumed the slender 
margin between daily wage and immediate 
need. Now, at sight of the saucer, he knew 
that rumour had not erred. It had been 
an old custom among penniless negroes to 
prepare the corpse thus, then to sing dirges 
until neighbourhood sympathy provided the 
wherewithal for proper interment. Recent 
years had introduced the insurance agent 
and the 'buryin' lodge/ and the old custom 
had falleft into disuse. It had even become 
a grievous reproach to have a member of 
the family a 'saucer-buried nigger/ 

At the foot of the bed, bowed by the 
27 



PORG Y 

double weight of sorrow and disgrace, the 
widow sat swaying to the rhythm like a beach 
palm in the ebb and flow of a bleak sea wind. 

The sight of her grief, the close room, the 
awful presence beneath the sheet, and the 
unceasing pulse of sound that beat against 
his ears, all contributed to stir a strange de- 
sire into being within Porgy. Suddenly he 
threw his head back and wailed long and 
quaveringly. In rushed a vast feeling of 
relief. He wailed again, emptied his handful 
of small coins into the saucer, and sank to the 
floor at the head of the bed. Presently he 
commenced to croon with the others, and a 
sense of exaltation flooded his being, com- 
pelling him from the despair of the dirge to a 
more triumphant measure. 

'Oh, I gots a little brudder in de new 
grabe-yahd. What outshine de sun/ he sang. 

Without missing the beat, the chorus 
shifted: *An* I'll meet um in the primus 
Ian'.' 

Then came a rude interruption. A short 
yellow negro bustled into the room. His 
voice was low, oily, and penetrating. He was 
28 



PORGY 

dressed entirely in black, and had an air of 
great importance. The song fell away to 
scarcely more than a throbbing silence. The 
man crossed the room to where the widow 
sat huddled at the foot of the bed, and 
touched her on the shoulder. She raised a 
face like a burned out ember. 

'How de saucer stan' now, my sister?' he 
whispered, at the same time casting an ap- 
praising glance toward the subject of his 
inquiry. 

'Dere ain't but fifteen dollar,' she replied 
in a flat, despairing voice. 

'An' he gots tuh git buried termorrer,' 
called an awed voice, 'or de boahd ob healt' 
will take um, an' give um tuh de students.' 

The widow's scream shrilled wildly. She 
rose to her knees and clutched the man's hand 
between both of hers. 'Oh, fuh Gawd's sake 
bury um in de grabe-yahd. I goin' tuh work 
Monday, and I swear tuh Gawd I goin' tuh 
pay yuh ebery cent.' 

For a second even the rhythm ceased, leav- 
ing an aching suspense in the air. Watchers 
waited tensely. Wide eyes, riveted on the 
29 



PORGY 

man's face, pleaded silently. Presently his 
professional manner slipped from him. 'All 
right. Sister,' he said simply. 'Wid de box, 
an' one ca'age it will cost me more dan 
twenty-five. But I'll see yuh t'rough. Yuh 
can all be ready at eight tumorruh. It's a 
long trip tuh de cemetery.' 

The woman relaxed silently across the foot 
of the bed, her head between her outflung 
arms. Then from the narrow confines of the 
room, the song beat up and out triumph- 
antly : 

'Oh, I gots a little brudder in de new 
grabe-yahd. What outshine de sun!' 

The rhythm swelled, and voices in the 
court and upper rooms took it up, until the 
deeply-rooted old walls seemed to rock and 
surge with the sweep of it. 



In the cool of the early morning, the pro- 
cession took its departure for the cemetery 
that lay beyond the city limits to the north. 
First went the dilapidated hearse, with its 
.rigid jyooden plumes, and faded black velvet 
30 



PORGY 

draperies that nodded and swayed inside the 
plate-glass panels. Then followed the soli- 
tary carriage, in which could be seen massed 
black accentuated by several pairs of white 
cotton gloves held to lowered eyes. Behind 
the carriage came the mourners in a motley 
procession of wagons and buggies that had 
been borrowed for the occasion. 

Porgy drove with Peter, and four women, 
seated on straight chairs in the wagon behind 
them, completed their company. From time 
to time a long-drawn wail would rise from 
one of the conveyances, to be taken up and 
passed back from wagon to wagon like a 
dismal echo. 

Moving from the negro district into the 
wide thoroughfare of Meeting House Road, 
with its high buildings and its white faces 
that massed and scattered on the pavements, 
the cortege appeared almost grotesque, with 
the odd fusion of comedy and tragedy so 
inextricably a part of negro life in its deep 
moments. 

The fat German who kept the shop on the 
corner of King Charles Street and Sunyner 
31 B 



PORGY 

Road, called his clerk from the depths of the 
building, and their stomachs shook with 
laughter. But the little, dark Russian Jew in 
the next shop, who dealt in abominably 
smelling clothing, gave them a reproving 
look, and disappeared indoors. 

The cemetery lay several miles beyond the 
city limits. The lot was bare of trees, but 
among the graves many bright flowering 
weeds masked the ugliness of the troubled 
earth. To the eastward a wide marsh 
stretched away to a far, bright line of sea. 
Westward, ploughed fields swept out to a 
distant forest of yellow pine. From the sea 
to the far tree-tops, the sky swung a dizzy 
arch of thin blue, high in the centre of 
which several buzzards hung motionless, 
watching. 

In the vast emptiness of the morning the 
little procession crawled out to the edge of 
the broken wooden fence that marked the 
enclosure, and stopped. 

By the time the last wagon had arrived, the 
cheap pine casket was resting upon battens 
over the grave, and the preacher, robed in 
32 



PORGY 

white, was preparing to commence the ser- 
vice. 

The mourners gathered close about the 
grave. 

'Death, ain't yuh gots no shame?' called a 
clear, high, soprano voice; and immediately 
the mortal embodiment of infinite sorrow 
broke and swayed about the grave in the 
funeral chant. Three times the line swung its 
curve of song, shrill, keen, agonizing; then it 
fell away to a heart-wrenching minor on the 
burden : 

'Take dis man an' gone gone. 
Death, ain't yuh gots no shame?' 

When the singing ceased, the burial 
service commenced, the preacher extemporiz- 
ing fluently. Taking his rhythm from the 
hymn, he poured his words along its inter- 
minable reiteration until the cumulative effect 
rocked the entire company. 

The final moment of the ritual arrived. 

The lid was removed from the casket, and the 

mourners were formed into line to pass and 

look upon the face of the dead. A very old, 

33 



PORGY 

bent negress went first. She stooped, then 
suddenly, with a shriek of anguish, cast her- 
self beside the coffin. 

'Tell Peter tuh hold de do' open fuh me. 
I's comin' soon!' she cried. 

'Yes, Gawd, goin' soon,' responded a voice 
in the crowd. Others pressed about the grave, 
and the air was stabbed by scream on scream. 
Grief spent itself freely, terrifyingly. 

Slowly the clashing sounds merged into 
the regular measure of a spiritual. Beautiful 
and poignant it rose, swelling out above the 
sounds of falling earth as the grave was filled: 

'What yuh goin' ter do when yuh 
come out de wilderness, 

Come out de wilderness, 

Come out de wilderness; 

What yuh goin' ter do when yuh 
come out de wilderness 

Leanin' on my Lord. 

'Leanin* on my Lord, 
Leanin' on my Lord, 
Leanin' on my Lord 
Who died on Calvary/ 
34 



PORGY 

The music faded away in vague, uncertain 
minors. The mood of the crowd changed 
almost tangibly. There was an air of restless 
apprehension. Nervous glances were directed 
toward the entrance. Peter, always sagacious, 
unless taken unawares, had conferred in 
advance with Porgy about this moment. 
When he had helped him from the wagon, 
he had stationed him just inside the fence, 
where he could be lifted quickly into the 
road. 

'De las' man in de grabe-yahd goin' tuh be 
de nex' one tuh git buried,' he had reminded 
his friend. 

Now, as the final shovelful of earth was 
thrown upon the grave, he came running to 
Porgy, and lifted him quickly into the road. 
Behind them broke a sudden earth-shaking 
burst of sound, as of the stampeding of many 
cattle, and past them the mourners swept, 
stumbling, fighting for room; some assisting 
weaker friends, others fighting savagely to be 
free of the enclosure. In the centre of the 
crowd, plunging forward with robes flying, 
was the preacher. In an incredibly short time 
35 



PORGY 

the lot was cleared. Then, from a screening 
bush near the grave, arose the old negress 
who had been the first to wail out her grief. 
She had lain there forgotten, overcome by the 
storm of her emotion. She tottered feebly 
into the road. 

'Nebber you min', Sister,' the preacher 
assured her comfortingly. 'Gawd always lub 
de righteous/ 

Dazed, and much pleased at the attention 
that she was receiving, while still happily 
unmindful of its cause, the old woman smiled 
a vague smile, and was hoisted into the 
wagon. 

During the funeral the sun had disappeared 
behind clouds that had blown in swiftly from 
the sea, and now a scurry of large drops swept 
over the vehicles, and trailed away across the 
desolate graves. 

'Dat's all right now fer Robbins,' com- 
mented Porgy. 'Gawd done sen' he rain 
already fuh wash he feet-steps offen dis 
cart'/ 

'Oh, yes, Brudder !' contributed a woman's 
voice; and, 'Amen, my Jedus!' added another. 

36 



PORGY 



In the early afternoon of the day of the 
funeral, Porgy sat in his doorway communing 
with Peter. The old man was silent for 
awhile, his grizzled head bowed, and an ex- 
pression of brooding tenderness upon his 
lined face. 

'Robbins war a good man,' he reflected at 
length, 'an' dat nigger, Crown, war a killer, 
an' fuhebber gettin' intuh trouble. Yet, dere 
lie Robbins, wid he wife an' fadderless chil- 
len ; an' Crown done gone he ways tuh do de 
same t'ing ober again somewheres else.' 

'Gone fuh true. I reckon he done lose now 
on Kittiwar Islan', in dem palmettuh t'icket; 
an' de rope ain't nebber make fuh ketch um 
an' hang um.' Porgy stopped suddenly, and 
motioned with his head toward some one who 
had just entered the court. The new arrival 
was a white man of stocky build, wearing a 
wide-brimmed hat, and a goatee. He was 
swinging a heavy cane, and he crossed the 
court directly and paused before the two. 
For a moment he stood looking down at them 
37 



PORGY 

with brows drawn fiercely together. Then he 
drew back his coat, exhibiting a police badge, 
and a heavy revolver in a breast holster. 

'You killed Robbins,' he shot out suddenly 
at Peter. 'And I'm going to hang you for 
it. Come along now!' and he reached out 
and laid a firm hand upon the old man's 
shoulder. 

Peter shook violently, and his eyes rolled 
in his head. He made an ineffectual effort to 
speak, tried again, and finally said, "Fore 
Gawd, Boss, I ain't nebber done it.' 

Like a flash, the pistol was out of its 
holster, and pointing between his eyes. 'Who 
did it, then? 'snapped the man, 

'Crown, Boss. I done see him do um/ 
Peter cried in utter panic. 

The man laughed shortly. 'I thought so/ 
he said. Then he turned to Porgy. 

'You saw it too, eh?' 

There was panic in Porgy's face, and in his 
lap his hands had clinched upon each other. 
But his eyes were fixed upon the paving. He 
drew a deep breath, and waited. 

A flare of anger swept the face above him. 

38 



PORGY 

*Come. Out with it. I don't want to have to 
put the law on you.' 

Porgy's only answer was a slight tremor 
that shook the hands in his lap. The detec- 
tive's face darkened, and sweat showed under 
his hat-brim. Suddenly his temper bolted. 

'Look at me, you damned nigger!' he 
shouted. 

Slowly the sitting figure before him re- 
laxed, almost it seemed, muscle by muscle. 
At last the hands fell apart, and lay flexed and 
idle. Finally Porgy raised eyes that had 
become hard and impenetrable as onyx. 
They met the angry glare that beat down 
upon them without flinching. After a long 
moment, he spoke slowly, and with great 
quietness. 

'I ain't know nuttin' 'bout um. I been 
inside, asleep on my bed, wid de do' closed.' 

'You're a damn liar,' the man snapped. 

He shrilled a whistle, and two policemen 
entered. 

'He saw the killing,' the detective said, 
indicating Peter. 'Take him along, and lock 
him up as a material witness.' 
39 



PORGY 

'How about the cripple?' asked one of the 
officers. 

'He could not have helped seeing it/ the 
man said sourly. 'That's his room right 
there. But I can't make him come through. 
But it don't matter. One's enough to hang 
Crown, if we ever get him. Come, get the 
old man in the wagon.' 

The policeman lifted the shaking old negro 
to his feet. 'Come along, Uncle. It ain't 
going to be as bad for you as Crown, anyway/ 
encouraged one of them. Then the little 
party passed out of the entrance, leaving 
Porgy alone. 

From the street sounded the shrill gong 
of the patrol wagon, followed by the beat of 
swiftly receding hoofs upon the cobbles. 



Ten days had passed since the detective 
had taken Peter away. For a week the wagon 
had waited under the tottering shed, and the 
dejected old horse had subsisted upon a 
varied diet brought to him by the friends of 
his absent master. Then a man had come and 
40 



PORGY 

taken the outfit away. In answer to the pro- 
tests of the negroes, he had exhibited a con- 
tract, dated three years previous, by which 
Peter was to pay two dollars a week for an 
indefinite period, on an exorbitant purchase 
price. Failure to pay any instalment would 
cause the property to revert to the seller. It 
all looked thoroughly legal. And so the dila- 
pidated old rig rattled over the cobbles and 
departed. 

Then the man from the instalment furni- 
ture house came. He was a vile-mouthed, 
bearded Teuton, and swore so fiercely that no 
one dared to protest when he loaded Peter's 
furniture on his truck and drove away. 

Now there remained in a corner of Porgy's 
room, where he had taken them into custody, 
only a battered leather trunk, a chromo of 
'The Great Emancipator/ and a bundle of old 
clothes ; mute reminders of their kindly and 
gentle old owner. 



PART II 



PART II 
* 

THE languor of a Southern May was in the 
air. It was a season dear to the heart of a 
negro. Work on the wharves was slowing 
down, and the men were putting in only two 
or three days a week. There were always 
some of them lying about the court, basking 
in the sun, laughing, and telling stories while 
they waited for their wonen to come from the 
'white folks' ' kitchens, with their full dinner 
pails. 

Near the entrance, the stevedores usually 
lounged, their great size differentiating them 
from most of the other men. They had bright 
bandanas about their thick necks, and under 
their blue cotton shirts moved broad, flat 
backs that could heft a five hundred pound 
cotton bale. Earning more money than the 
others, and possessing vast physical strength 
in a world of brute force, they lorded it swag- 
ger ingly about the court; taking the women 
that they wanted, and dressing them gorge- 
ously in the clashing crimsons and purples 
that they loved. 

Grief over the loss of Robbins had stormed 

45 



PORGY 

itself out at the funeral. Peter's ill fortune 
still occasioned general comment, but slight 
concern to the individual. There was an air 
of gaiety about. The scarlet of the geraniums 
was commencing to flicker in a run of windy 
flame on each window sill; and from the bay 
came the smell of salt air blown across young 
marsh-grass. 

At the wharf, across the narrow street, the 
fishermen were discharging strings of gleam- 
ing whiting and porgy. Vegetable sloops, 
blowing up from the Sea Islands, with 
patched and tawny sails, broke the flat cobalt 
of the inner harbour with the cross-wash of 
their creamy wakes. 

Through the back door of the cook-shop 
Maria, the huge proprietress, could be seen 
cutting shark-steaks from a four-foot hammer- 
head that one of the fishermen had given her. 
All in all, it was a season for the good things 
of life, to be had now for scarcely more than 
the asking. 

Only Porgy sat lonely and disconsolate in 
his doorway and watched the sunlight creep 
up the eastern wall until it faded to a faint red 



PORGY 

at the top, then the blue dusk grew under the 
wharf, and swirled through the street and 
court. He had not been able to get to his 
stand since Peter's departure; and the small 
store of coins, which he kept under a loose 
brick in his hearth, was nearing exhaustion. 
Also, he missed his old friend keenly and 
could not enter into the light-hearted life 
about him. 

Presently two women entered. Porgy saw 
that they were Robbins' widow, and her 
sister, who now shared her room. He had 
been awaiting their coming eagerly, as they 
had left in the early afternoon to carry bed- 
clothing and food to the jail for Peter. 

'How yuh fin* um, Sister?' he hailed. 

The younger woman paused, standing in 
the shadow, and the widow lowered herself to 
a seat beside Porgy. She had put her grief 
aside, and gone resolutely about her task of 
earning a living for the three children. 

'I can't puzzle dis t'ing out,' she said after 

a while, 'De old man ain't done nuttin', an' 

dey done gots um lock up like a chicken-t'ief. 

Dey say dey gots tuh keelp um till dat nigger 

47 



PORGY 

Crown get ketch; an' Gawd knows when 
dat debble ob a t'ing goin' tuh happen.' 

'It sho pay nigger tuh go blin' in dis 
world,' contributed the young woman. 
'Porgy ain't gots much leg, but he sho got 
sense.' 

After a moment of reflection, Porgy re- 
plied: 'Sense do berry well; but he can't lift 
no weight.' 

A big stevedore was crossing the court, his 
body moving easily with the panther-like flow 
of enormous muscular power under absolute 
control. 

The beggar's eyes became wistful. 

* Sense gots power tuh take a t'ing atter yuh 
gits dere,' he said. 'But he nebber puts bittle 
in a belly what can't leabe he restin' place. 
What I goin' do now sence Peter gone, an' I 
can't git on de street?' 

'Pray, Brudder, pray,' said the widow 
devoutly. 'Ain't yuh see Gawd done soffen 
de haht of dat yalluh buryin' ondehtakuh 
attuh I done pray tuh him fuh a whole 
day an' night? Gawd gots leg fuh de 
cripple.' 



PORGY 

'Bless de Lord!' ejaculated the young 
woman. 

'An' he gots comfort fuh de widder.' 

'Oh, my Jedus!' crooned Porgy, beginning 
to sway. 

'An* food fuh de fadderless.' 

'Yes, Lord!' 

'An' he goin' raise dis poor nigger out de 
dusV 

'Allelujah!' 

'An' set um in de seat ob de righteous.' 

'Amen, my Sister!' 

For a little while the three figures, showing 
now only as denser shadows in a world of 
shade, swayed slowly from side to side. Then, 
without saying a word, Porgy drew himself 
across his threshold, and closed the door very 
softly. 



It was not yet day when Porgy awakened 
suddenly. His eyes were wide, and his face 
was working with unwonted emotion. In the 
faint light that penetrated his bleared window 
from a street lamp, he made his way to the 
49 



PORGY 

hearth, and removed the brick from his secret 
depository. With feverish haste he counted 
his little store, placing the coins in a row 
before him. Then with the utmost care he 
recounted them, placing them in little piles, 
one for the coppers, one for the nickels, and 
one for the dimes. When he had fully satis- 
fied himself as to the extent of his wealth, his 
tension relaxed, and, tying the money in a rag 
which he tore from his bed-clothing, he 
closed his hand firmly upon it, crawled back 
into bed, and immediately fell asleep. 



Two days later, Porgy drove his chariot 
out through the wide entrance into a land of 
romance and adventure. He was seated with 
the utmost gravity in an inverted packing- 
case that proclaimed with unconscious irony 
the virtues of a well-known toilet soap. 
Beneath the box two solid lop-sided wheels 
turned heavily. Before him, between a pair of 
improvised shafts, a patriarchal goat tugged 
with the dogged persistence of age which has 
been placed upon its mettle, and flaunted an 

5 



PORGY 

intolerable stench in the face of the com- 
plaisant and virtuous soap box. 

As oblivious of the mirth-provoking qual- 
ity of his appearance, as he was of a smell to 
which custom had inured him, Porgy turned 
his equipage daringly into a new thorough- 
fare, and drove through a street where high, 
bright buildings stood between wide gardens, 
and where many ladies passed and re-passed 
on the sidewalks, or in glittering carriages. 

But the magic that had come to pass, even 
in the triumph of that first morning, stirred 
vague doubts and misgivings within him. He 
noticed that while he occasioned slight com- 
ment in the negro quarter, no sooner had he 
entered the white zone, than people com- 
menced to pass him with averted faces, and 
expressions that struggled between pity and 
laughter. When he finally reached his old 
stand before the apothecary shop, these mis- 
givings crystallized into a definite fear. 

Several of his clients happened to be pass- 
ing the shop together. One of them was clerk 
to an apothecary farther down the street. He 
seized his nose with one hand, while he 



PORGY 

pointed at Porgy with the other. Then all 
seized their noses, shaking with laughter, and 
waited to see what would happen. 

Porgy looked his outfit over carefully. 
Certainly it was working with the utmost 
satisfaction. Somewhat mystified, he tied the 
ancient animal to a post, and, with great 
gravity, swung himself out of his wagon, 
across the pavement, and to his old stand. 

The boys who had laughed stood near by, 
and were joined by others, until soon there 
was quite a group. 

Presently there issued from the shop the 
loud voice of the proprietor: 'Oh, Mary, 
come quick, and bring the broom. Some- 
thing has died again/ Then followed the 
sound of boxes being overturned, while dust 
from a prodigious sweeping bellied in clouds 
from the door. Then the apothecary, very red 
in the face, came out for air, and found the 
goat. The burst of laughter that greeted him 
increased his irritation. Brandishing the 
broom, and in no uncertain language, he 
drove Porgy from his door. 

But the bystanders had so enjoyed the joke 



PORGY 

at the apothecary's expense, and were feeling 
in such high good humour, that when Porgy 
had an opportunity to appraise his collections, 
he found that they amounted to more than he 
frequently got from a whole day of patient 
waiting. 



It is impossible to conceive of a more 
radical change than that brought about in 
Porgy's life by his new emancipation. From 
his old circumstances which had conspired to 
anchor him always to one spot, he was now 
in the grip of new forces that as inevitably 
resulted in constant change of scene. Soon he 
became quite a metropolitan, and might have 
been seen in any part of the city, either sitting 
in his wagon at the curb or, if the residents 
of the locality seemed lenient in their attitude 
toward goats, disembarking, and trying his 
luck in the strip of shade along the wall. 

In those days, every one tolerated Porgy - 
for a while. He had become 'a character/ 
The other beggars gnashed their teeth, but 
were powerless. 

53 



PORGY 

On certain days he would turn to the south 
when he left the court, and soon would emerge 
into a land of such beauty that he never lost 
the illusion that it was unreal. No one seemed 
to work in that country, except the happy, 
well-clothed negroes who frequently came to 
back gates when he passed, and gave him 
tender morsels from the white folks' kitchens. 
The great, gleaming houses looked out at him 
with kindly eyes that peered between solid 
walls of climbing roses. Ladies on the deep 
piazzas would frequently send a servant run- 
ning out to give him a coin and speed him on 
his way. 

Before the houses and the rose-trellises 
stretched a broad drive, and beyond its daz- 
zling belt of crushed shell the harbour lay 
between its tawny islands, like a sapphire 
upon a sailor's weathered hand. Sometimes 
Porgy would steal an hour from the daily 
rounds, pause there, and watch a great, blunt- 
nosed steamer heave slowly out of the un- 
known, to come to rest with a sigh of spent 
steam, and a dusty thundering of released 
anchor chains. 

54 



PORGY 

'Gawd sho gots a long arm/ he would 
murmur; or, 'Porgy, yo* sho is a little some- 
thin* aftuh all/ 

Then there would be other days when he 
would repair to the narrow retail street, with 
its unbelievable windows, and drawing near 
to the curb, between the tall carriages of the 
shoppers would fall heir to the pennies which 
they got with their change, and which were of 
no value to such as they. 

Always kind hands dropped coins in his 
cup, and sped him on. They were great days 
for Porgy. And great were the nights when 
he would tell of his adventures to the envious 
circle that gathered in the dusk of the court. 

But Porgy was by nature a dreamer, and 
there were times even in those days, when his 
mind returned with wistful longing to the 
old uninterrupted hours when he used to sit, 
lost in meditation, under the unmarked drift 
of time. Some day, he would tell himself, 
there would come one with a compassion so 
great that he would give both Porgy and the 
goat place by his doorstep. Then life would 
be perfect indeed. 

55 



PORGY 



June, and the cotton season was over. The 
last tramp steamer had faded into the horizon. 
Great sheds that linked land and sea lay 
empty and dark, and through their cavernous 
depths echoed the thud and suck of waves 
against the bulkheads. The last of the steve- 
dores had departed, some to the plantations, 
others to the phosphate mines, and still others 
to the river barges. 

The long, hot days, so conducive to indo- 
lence, brought a new phase of life to Catfish 
Row. The loud talk and noisy comings and 
goings diminished. Men came in earlier in 
the evenings, and spent more time with their 
women. 

Porgy sat alone in his doorway. In a room 
overhead a man and his wife were engaged 
in a friendly quarrel that ended in laughter. 
From an open window near by came the 
sound of drowsy child voices. In the crowded 
dark about him, Life, with cruel preoccupa- 
tion, was engrossed with its eternal business. 

A large, matronly woman who lived near 



PORGY 

him, passed, carrying a pail of water. She 
stopped, set down her burden, and dropped a 
hand on Porgy's shoulder. 

'What de matter wid dis man, he ain't gots 
nuttin' tuh say?' she asked him kindly. 

Porgy's face contracted with emotion. He 
caught her hand and hurled it from him. 
'Lemme be/ he rasped, in a tight, husky 
voice. 'Yuh done gots yuh own man. Ain't 
yuh?' 

'Oh, Lawd!' she laughed, as she turned 
away. 'Yuh ain't t'ink I wantin* j#A, is yuh? 
Do listen tuh de man/ 



_ 

Through the early night a woman had lain 
in the dust against the outer wall of Maria's 
cook-shop. She was extremely drunk and 
unpleasant to look upon. Exactly when she 
had dropped, or been dropped there, no one 
knew. Porgy had not seen her when he 
had driven in at sunset. But he had heard 
some talk of her among those who had 
entered later. One of the men had come in 
laughing. 

57 



PORGY 

'I seen Crown's Bess outside/ he said. 
'Must be she come aroun' tuh look fur urn.* 

'She sho goin' tuh hab one long res*, ef she 
goin' wait dere fur um. Dat nigger gone f 'om 
hyuh fas' and far!' another had averred. 

It was ten o'clock; and Maria was closing 
her shop. The great negress was in the act of 
fastening the window, when the tall, gaunt 
form of the woman lurched through the door 
into the faint illumination of the smoking 
lamp. The visitor measured the distance to 
the nearest bench with wandering and vacant 
eyes, plunged for it, and collapsed, with head 
and arms thrown across a table. 

Maria was exasperated, but equal to the 
emergency. Catching the woman around the 
middle, she swung her easily to the door, 
dropped her into outer darkness, and returned 
to the window. 

A crash caused her to turn suddenly. 
There was the woman again, sprawled across 
the table as before. 

'I swear tuh Gawd!' exclaimed the pro- 
voked negress. 'Ef yuh ain't de persistentes' 
nigger I ebber seen.' She went over, lifted 



PORGY 

the woman's head, and looked into eyes in the 
far depths of which a human soul was flicker- 
ing feebly. 

'Somethin' tuh eat/ the woman whispered. 
'Lemme hab somethin' tuh eat, an' I'll go.' 

Growling like an approaching equinoctial 
gale, Maria brought bread and fish; and 
emptying the dregs of the coffee-pot into a 
cup, placed it before her. 

'Now, eat an' trabble, Sister,' she advised 
laconically. 

The woman raised her head. An ugly scar 
marked her left cheek, and the acid of utter 
degradation had etched hard lines about her 
mouth ; but eyes into which human conscious- 
ness was returning looked fearlessly into the 
determined face of the big negress. For a 
moment she ate wolfishly; then asked sud- 
denly: 

'Who lib in dat room 'cross de way?' 

Torgy,' she was informed, 'but such as yuh 
ain't gots no use fuh he. He a cripple, an' a 
beggar.' 

'He de man wid goat?' 

'Yes, he gots goat.' 
59 



PORGY 

The woman's eyes narrowed to dark, un- 
fathomable slits. 

*I hyuh say he gits good money fum de 
w'ite folks,' she said slowly. 

In silence the meal was finished. Then the 
woman steadied herself a moment with hands 
against a table, and, without a word to Maria, 
walked quickly, with an almost haughty car- 
riage, from the room. 

She crossed the narrow drive with a deci- 
sive tread, opened the door of Porgy's 
room, entered, and closed the door behind 
her. 



It was late afternoon, Serena Robbins 
entered the court, paused at Porgy's door, and 
gave a sharp rap on the weathered panel. The 
door was opened by a woman. The visitor 
looked through her, and spoke directly to 
Porgy, who sat within. 

'I gots good news,' she announced. 'I done 

been tuh see my w'ite folks 'bout Peter; an' 

dey say dey gots a frien' who is a lawyer, an' 

he kin git um out. I tell um tuh sen' um tuh 

60 



PORGY 

see you 'bout urn, 'cause yuh gots so much 
sense when yuh talks tuh w'ite folks.' 

Having delivered her message, Serena 
turned a broad back upon the woman who 
stood silently in the doorway, and with the 
bearing of an arbiter of social destinies, strode 
to her corner of the court. 

Across the drive, Maria, vast and moist, 
hung over her stove in a far corner of her 
cook-shop. Several negroes sat at the little 
tables, eating their early suppers, laughing 
and chaffing. 

'Yuh sho got good-lookin' white gals in dis 
town/ drawled a slender young octoroon. He 
was attired in sky-blue, peg-top trousers, 
yellow spats, and in the centre of a scarlet 
bow-tie gleamed an immense paste horse- 
shoe. 

'Do listen tuh Sportin' Life!' said a black, 
loutish buck admiringly. 'Ef he ain't lookin* 
at de rollin' bones, he always gots he eye on 
de women.' 

Maria's heavy tread shook the room as she 
crossed and stood, with arms akimbo, scowl- 
ing down at her iridescent guest. The man 
61 



PORGY 

looked up, lowered his eyes quickly, and 
shifted uneasily in his chair. 

'Nigger!' she finally shot at him, and the 
impact almost jarred him from his chair. 'I 
jus' tryin' ter figger out wedder I bettuh kill 
yuh decent now, wid yuh frien's about yuh; or 
leabe you fuh de w'ite gentlemens tuh hang 
attuh a while.' 

'Come now, old lady, don't talk like dese 
old-fashioned lamp-oil niggers what have had 
no adwantage. Why, up in New York, where 
I been waitin' in a hotel -' 

But he got no further. 

'Noo Yo'k,' she shouted. 'Don't yuh try 
any Noo Yo'kin' aroun' dis town. Ef I had 
my way, I'd go down tuh dat Noo Yo'k boat, 
an' take ebbery Gawd's nigger what come up 
de gang plank wid er Joseph coat on he back 
an' a glass headlight on he buzzom and drap 
um tuh de catfish befo' he foot hit decent 
groun' ! Yas ; my belly fair ache wid dis Noo 
Yo'k talk. De fus t'ing dat dem nigger fuhgit 
is dat dem is nigger. Den dem comes tuh 
dese decent country mens, and fills um full ob 
talk wut put money in de funeral ondehtakuh 
62 



PORGY 

pocket.' Breathless, she closed her arraign- 
ment by bringing a fist the size of a ham 
down upon the table with such force that her 
victim leapt from his chair and extended an 
ingratiating hand toward her. 

*Dat' all right, Auntie. Le's you an' me 
be frienY 

'Frien' wid yuh?' and her tone dripped 
scorn. 'One ob dese days I might lie down wid 
er rattlesnake, and when dat time come, yuh 
kin come right along an' git intuh de bed. But 
till den, keep yuh shiny carcase in Noo Yo'k 
till de debbil ready tuh take chaage ob um!' 

Suddenly the anger left her eyes, and her 
face became grave. She leaned over, and 
spoke very quietly into his face. 

'Fuh Gawd's sake, don't talk dat kind ob 
talk tuh dese hyuh boys. Dis county ain't 
nebber yit see a black man git lynch. Dese 
nigger knows folks, an' dey knows nigger. 
Fer Gawd' sake keep yuh mout'. off w'ite 
lady. Yuh gots plenty ob yuh own colour 
fuh talk 'bout. Stick tuh dem, an' yuh ain't 
git inter no trouble.' 

During Maria's attack upon her guest, the 
63 c 



PORGY 

court had been full of the many-coloured 
sounds that accompanied its evening life. 
Now, gradually the noise shrunk, seeming to 
withdraw into itself. All knew what it meant. 
A white man had entered. The protective 
curtain of silence which the negro draws about 
his life when the Caucasian intrudes hung 
almost tangibly in the air. No one appeared 
to notice the visitor. Each was busily pre- 
occupied with his task. Yet the new-comer 
made no move that was not noted by fifty 
pairs of inscrutable eyes. 

The man wore a soft hat drawn well down 
over his face. He was slender and tall, and 
walked with his body carried slightly forward, 
like one who is used to meeting and over- 
coming difficulties. 

A young woman passed him. He reached 
out and touched her on the arm. She stopped, 
and turned immediately toward him, her eyes 
lowered, her manner submissive, but utterly 
negative. 

*I am looking for a man by the name of 
Porgy,' he said in a clear, pleasant voice. 
'Can you direct me to his room?* 



PORGY 

'Porgy?' she repeated slowly, as though 
trying to remember. Then she called aloud : 
'Anybody hyuh know a man by de name ob 
Porgy?' 

Several of the silent bystanders looked up. 
'Porgy?' they repeated, one after another, 
with shakes of the head. 

The white man laughed reassuringly, as 
though quite used to the proceeding. 'Come,* 
he urged, *I am his friend, Mr. Alan Arch- 
dale; I know that he lives here, and I want to 
help him.' 

From behind her tubs, Serena advanced, 
knocking the ashes from her clay pipe as she 
came. When she was quite close, she stopped, 
and peered up into the face above her. Then 
she turned upon the girl. 

'Go 'long an' call Porgy,' she commanded. 
'Can't yuh tell folks when yuh see um?' 

A light broke over the young woman's 
face. 

'Oh, yuh means Porgy?' she cried, as 

though she had just heard the name for the 

first time; 'I ain't understan' wut name yuh 

say, Boss,' and echoes arose from different 

6? 



PORGY 

parts of the court. 'Oh, yes, de gentleman 
mean Porgy. How come we ain't understan'.' 
Then the tension in the air broke, and life 
resumed its interrupted flow. 

The young woman stepped to Porgy's 
door, and called. Presently the door opened, 
and a woman helped the beggar out to his 
seat upon the sill, then seated herself behind 
him in the deep gloom of the room. 

Archdale crossed the short distance, and 
seated himself on the sill beside the negro. 

'Tell me about your friend who got locked 
up on account of the Robbins murder,' he 
asked, without preamble. 

In the dim light, Porgy leaned forward and 
looked long into the keen, kindly face of his 
questioner. 

Archdale gave a surprised exclamation: 
'Why, you're the old man who used to beg in 
front of the apothecary shop on King Charles 
Street!' he said. Then, after a moment of 
scrutiny: 'But you are not old, after all, are 
you?' and he studied the face intently. There 
was a touch of grey in the wool above the 
ears, and strong character lines flared down- 
66 



PORGY 

ward from the nose to corners of a mouth that 
was, at once, full-lipped and sensuous, yet set 
in a resolute line most unusual in a negro. 
With the first indications of age upon it, the 
face seemed still alive with a youth that had 
been neither spent nor wasted. 

'But, tell me about your friend/ said the 
visitor, breaking a silence that was commenc- 
ing to become tense. 

Porgy's face still wore its mask. 'How 
come yuh tuh care, Boss?' he queried. 

'Why, I am the Rutledge's lawyer; and I 
look after their coloured folks for them. I 
think they must have owned half the slaves in 
the county. A woman here, Serena Robbins, 
is the daughter of their old coachman, or 
something; and she asked them to help her 
friend out.' 

'Peter ain't gots no money, yuh know, 
Boss. An' I jes begs from do' to do'.' There 
was still a shade of suspicion in Porgy's 
voice. 

Archdale laughed reassuringly. 'It will 
not take any money. At least, not much; and 
I am sure that Mrs. Rutledge will take care of 



PORGY 

that. So you can go right ahead and tell me 
all about it.' 

Fully satisfied at last, Porgy told the tale of 
the killing and the subsequent arrest of Peter. 

When he had finished the recital, Archdale 
sat silent for a while. 'The dirty hounds!' he 
said under his breath. Finally he turned 
wearily to Porgy, and explained slowly: 

'Of course we can go to law about this; but 
it will take no end of time. There is an easier 
way. He must have some one, who is accept- 
able to the magistrate, to go his bond. Do 
you know a man by the name of Huysenberg, 
who keeps a corner-shop down by the West- 
end wharf?' 

Porgy, listening intently, nodded. 

Archdale handed him a bill. 'Take this ten 
dollars to him, and tell him that you want him 
to go Peter's bond. He hasn't any money of 
his own, and his shop is in his wife's name; 
but he has an arrangement with the magis- 
trate that makes him entirely satisfactory.' 

He handed Porgy a card with an address 
pencilled under a printed name. 'You will 
find me here,' he said. 'If Peter is not out in 
68 



PORGY 

two days after you hand over the ten, let 
me know.' Then, with a brisk, but friendly 
'Good night/ he left the court. 



There was great rejoicing in Catfish Row. 
Peter had returned. The ten dollar bill which 
Archdale had given Porgy had worked the 
miracle. Except for the fact that the old 
negro's shoulders drooped, and his grip on 
actualities seemed weakened by his confine- 
ment, there was no evidence to show that he 
had been absent. He had gone to the horse- 
dealer, and had found his ancient beast still 
awaiting a purchaser. Another contract had 
been signed which had started him off again 
on the eternal weekly payment. The German 
had driven back with the furniture, which 
Peter had docilely purchased for the second 
time. Again 'The Great Emancipator' had 
been hung in his accustomed place above the 
mantel. Now, each morning, the old wagon 
rattled out over the cobbles, with the usual 
number of small, ecstatic, black bodies pen- 
dant from its dilapidated superstructure. 



PORG Y 

'De buckra sho gots nigger figgered out 
tuh a cent!' said Peter philosophically, and 
even with a note of admiration in his voice. 
'Dem knows how much money wagon make 
in er week; an' de horse man, de furniture 
man, an* de lan'lo'd mek dey 'rangement' 
accordin'. But I done lib long 'nough now tuh 
beat 'em all, 'cause money ain't no use tuh 
a man attuh he done pass he prime, nohow.' 

When the old man had settled firmly back 
into his nook, and had an opportunity to look 
about him, he noticed a change in Porgy. 

'I tell yuh dat nigger happy,' he said to 
Serena, one evening while they were smoking 
their pipes together on her washing bench. 

'Go 'long wid yuh!' she retorted. 'Dat 
'oman ain't de kin' tuh mek man happy. It 
tek a killer like Crown tuh hoi' she down.' 

'Dat may be so,' agreed the old man sagely. 
'But Porgy don' know dat yit. An' 'side, ef a 
man is de kin' wut needs er 'oman, he goin' be 
happy regahdless. Him dress she up in he 
own eye till she look lak de Queen of Sheba 
tuh um. Porgy t'ink right now dat he gots a 
she-gawd in he room.' 
70 



PORGY 

'He sho' gots de kin* wut goin' gib um 
hell/ Serena commented cynically. 'Dat 
'oman ain't fit tuh 'sociate wid. Much as I 
like Porgy, I wouldn't swap t'ree wo'd wid 
she.' 

'Dat's all so. Sister,' conceded Peter. 'But 
yuh keep yo' eye on Porgy. He usen tuh hate 
all dese chillen. Ain't he? Now watch um. 
Ebery day w'en he come home he gots candy- 
ball fuh de crowd. An' wut mo', yistuhday I 
hyuh he an' she singin' tuhgedduh in dey 
room.' 

Serena motioned to him to be quiet. 
Porgy's woman crossed the court to draw a 
bucket of water from the common tap near 
Serena's corner. She was neatly dressed, and 
passed them as though they did not exist. 
Filling her pail, she swung it easily to her 
head, and, steadying it lightly with one hand, 
returned close to them with an air of cool 
scorn that produced entirely different effects 
upon her two observers. Serena watched her 
departure in silence. 

'Dat de t'ing!' said Peter, a note of admira- 
tion in his voice. 'She sho ain't axin' no visit 



PORGY 

offen none of she neighbour.' And he emitted 
an indiscreet chuckle, which was too much for 
his friend. 

'Yuh po', ole, wall-eyed, sof -headed gran'- 
daddy! Ain't yuh 'shame' tuh set dey befo' 
me, an' talk sweet-mout' 'bout dat murderin' 
Crown's Bess? Ef I wuz yo' age, an* er man, 
I'd sabe my sof wo'd fer de Gawd-farin' 
ladies.' 

'Ef yuh wuz my age, an' a man -' com- 
menced Peter. He hesitated, and looked long 
at her with his dim, kindly eyes; then he 
shook his head. 'No; it ain't no use. Yuh 
wouldn't onderstan'. Dat somet'ing shemale 
sense ain't goin' tuh help yuh none wid.' 
And, still shaking his head, he knocked out 
his pipe, and departed in the direction of the 
stable, where he was presently greeted by a 
soft, comprehending whinny. 

Bess entered Porgy's room and swung her 
pail of water to its place beside the new wood 
stove that had superseded the old, open 
hearth, and busied herself with preparations 
for supper. 

Porgy was seated in a low chair near the 
72 



PORGY 

door. He was smoking contentedly, and the 
odd tension that had characterized him, even 
in his moments of silent thought, had given 
place to a laxed attitude of body and an 
expression of well-being. 

An infinitesimal negro passed with a 
whistle and a double shuffle. 

'Look hyuh, sonny!' called Porgy. 

The boy paused, hesitated, and advanced 
slowly. Porgy held out a large round ball, 
striped red and white. 'How 'bout er sweet?' 
he said a little self-consciously. The boy took 
the candy, and shuffled uneasily from foot to 
foot. 

'Dat's right,' said Porgy, with a burst of 
sudden, warm laughter, that somehow startled 
the child. 'Now yuh come again an' see 
Porgy an' Bess.' 



73 



PART III 



PART III 
* 

PORGY drove slowly down King Charles 
Street, and appraised the prospects for hitch- 
ing and settling awhile in the narrow strip of 
shade against the walls of the buildings. The 
day was sweltering, and both cripple and goat 
were drooping beneath the steady pressure of 
the sun. 

A man passed, walking briskly. Porgy at 
once recognized the long, easy stride, and the 
soft felt hat drawn rather low over the eyes. 
He reached out and gave a slight twist to the 
tail of his somnambulant animal, which re- 
sulted in a shambling trot that brought the 
vehicle abreast of the pedestrian. But at that 
moment the gentleman stopped, produced a 
key, and opening the door of an office, passed 
in without looking round. 

Porgy eyed the office and its environs with 
evident satisfaction. The building stood very 
near the old apothecary shop ; and between it 
and its neighbour to the east was an entrance 
way several feet in width, which breathed 
forth an inviting coolness from its deep shade. 
No one was passing at the moment. Porgy 

77 



PORGY 

turned the head of his beast toward the en- 
trance, gave a sudden twist to the tail, and 
drove audaciously across the pavement, and 
into the retreat. Then he hitched his wagon 
a few feet from the street, and seated himself, 
cup in hand, at the pavement's inner edge. 

'Yuh bes' git along out of Mr. Alan' 
do'way wid dat goat befo' he fin' yuh. Ain't 
yuh onduhstan' gentlemen ain't likes tuh 
smell goat?' 

Porgy looked up and met the threatening 
gaze of Simon Frasier. 

Frasier was a practising attorney-at-law. 
He was well past fifty years of age, and his 
greying wool looked very white in compari- 
son with his uncompromisingly black skin. 
He had voted the democratic ticket in the 
dark period of reconstruction, when such 
action on his part took no little courage, and 
accordingly enjoyed the almost unlimited 
toleration of the aristocracy. Without pos- 
sessing the official sanction of the State for 
the practice of his profession, he was, by com- 
mon consent among the lawyers, permitted 
to represent his own people in the police and 
78 



PORGY 

magistrates' courts and to turn his hand to 
other small legal matters into which it was 
thought inadvisable to inquire too deeply. 

Porgy regarded his accuser stonily. 

'Ob course gentlemen ain't likes tuh smell 
goat/ he replied. 

The door opened, and Archdale looked 
out. From where Porgy sat he could have 
touched him with his hand; yet the cripple's 
gaze never wavered from the face of the 
negro, and his expression remained un- 
changed. Forestalling an interruption, he 
hastened on, in a voice that had become 
mildly incredulous, as he continued, 'But it 
can't be dat attuh knowing buckra long as 
yuh been know um, yuh ain't onduhstan' um 
any better dan tuh t'ink dey would dribe 
away po' cripple in de heat/ 

Archdale made a movement that actually 
crossed Porgy 's line of vision; but the beg- 
gar's face gave no sign of recognition. His 
voice rose to a pitch of indignation : 

'Yuh might be a lawyuh, an' all dat; but 
I ain't goin' tuh hab yuh stan' dey an' tell me 
dat Mistuh Archdale gots dem po' w'ite- 
79 



PORGY 

trash ways. Ob course he don't likes de smell 
ob goat; but he gots er haht in he breas' fuh 
de po' cripple nigger/ 

A wry smile tugged at the corner of Arch- 
dale's mouth. 

'All right, Porgy,' he said, 'I got it all; but, 
gentleman or no gentleman, I can't have a 
goat on my doorstep. I would not have one 
client left in a week.' 

At the sound of Archdale's voice, Porgy 
looked around. His entire body seemed to 
express amazement. 

'Why, hyuh's de Boss now!' he cried. 
Then he turned triumphantly to the negro, 
and added, 'Wut I done tells yuh 'bout de 
real quality; ain't yuh done see he say I kin 
stay?' 

Archdale became desperate. 'I did not 
say you could,' he cried, with the manner of 
one who puts his foot in the crack of a closing 
door. 'You can wait there to-day, as I will be 
in court all morning; but to-morrow you must 
find somewhere else.' 

'By tuhmorruh I goin' hab dis goat wash 
till yuh can't tell um from one of dem rose- 
So 



PORGY 

bush in de pahkP Porgy assured him with an 
ingenuous smile. 'Yuh is goin' to be mighty 
lubbin' of dis goat attuh a while. Boss.' 

'No; goats don't wash, Porgy. Away you 
go after to-day.' But the power of absolute 
conviction was not in Archdale's voice. His 
foot was still in the crack; but he knew that 
the door was closing. 

'All right, Frasier; I'll see you now about 
your divorce business,' he said to the other 
negro, and showed him into the office. 

Presently through an open window behind 
Porgy came the sound of Archdale's voice : 

'All right, Frasier. Out with it. The gen- 
tleman who has come down to improve moral 
conditions among the negroes thinks you are 
a menace. He is going to have you indicted 
for granting divorces illegally.' 

In a voice very different from the one in 
which he had arraigned Porgy, Frasier began : 

'I fin' so much nigger onsattify wid dere 
marriage, an' I hyuh tell ob a t'ing dey calls 
divorce.' 

'Yes?' encouraged his questioner. 

'So fuh a long time now I been separate 
81 



PORGY 

dem wid a divorce wut I mek up fuh de 
pu'pose. An' he go fine. Boss. I done mek 
too much nigger happy.' 

'Have you one of the papers with you?' 

Silence; and then Archdale's voice again. 

' "I, Simon Frasier, hereby divorce Rachel 
Smalls and Columbus Devo for the charge of 
one dollar; signed, Simon Frasier." Well, 
that is simple enough. Where did you get 
this seal?' 

'I done buy um from de junk-shop Jew, 
Boss.' 

'Don't you know there is no such thing as 
divorce in this State?' 

'I hyuh tell dere ain't no such t'ing fuh de 
w'ite folks ; but de nigger need um so bad, I 
ain't see no reason why I can't mek up one 
wut sati'fy de nigger? He seem tuh work 
berry well, too, till dat sof ' mout' gentleman 
come 'roun' an' onsettle all my client.' 

A groan floated through the window to 
Porgy's ears, causing him to indulge in a 
slow, malicious smile. Then in a pained voice 
the negro lawyer proceeded : 'He been keepin' 
me alibe, Boss. An' wut mo', he keep de 
82 



PORGY 

nigger straight. Dis gentleman say dat dey 
gots tuh lib tuhgedduh anyhow till dey done 
dead. Dat's de law, he say. But nigger ain't 
mek dataway. I done get um all properly 
moralize, and dis same gentleman tell um dat 
my paper ain't no mo' dan a license tuh 
'dulterate. So now dey just leabe each odduh 
anyhow, and I ain't gets no dollar. An' now 
he say he goin' jail me, wut mo'!' 

There was a moment of silence, then Porgy 
heard Archdale's voice calling a number; 
then: 'Hello! Is that the Solicitor's office? 
Mr. Dennis, please. 

'Oh - this is Archdale, Dennis. Yes, an- 
other negro. This time it is Frasier, you 
know, the divorce decree case. Yes, I have 
him here in my office. Look here; you have 
a terrifically heavy docket this term. There 
is no use taking the State's money and your 
valuable time on this case.' 

There followed a pause; then Archdale 
said hastily, 'Oh, no; I am not trying any- 
thing; but he is perfectly innocent of any deli- 
berate wrongdoing. Yes, of course; it would 
be serious if he were responsible; but you 
83 



PORGY 

know no one takes old Frasier seriously. A 
no-bill from the grand jury would save no end 
of time and trouble. 

'Yes; I will guarantee that he will stop.' 

Porgy listened intently; and after a mo- 
ment he heard Archdale say, 'Thank you,' 
and turn his chair toward his client. Then he 
heard him address the negro. 

'We are not going to lock you up this time, 
Simon. But you will have to stop divorcing 
your people. I have given my word. If you 
do it again, snap! to jail we both go. Do you 
understand?' 

A relieved gasp greeted the announcement, 
followed by 'Gawd bless yuh, Boss!' and a 
moment later Frasier stood blinking in the 
white glare of the street. 

Porgy looked up, and in an exact imitation 
of Frasier's professional manner, said testily, 
'Mobe on, please; mobe on. I gots a berry 
perlite goat hyuh wut objec* tuh de smell ob 
de jail-bird.' 

A chuckle sounded from Archdale's office. 

Immediately the light of victory, carefully 
veiled, but bright, shone in Porgy's eyes. He 



PORGY 

reached behind him and tweaked the goat 
by the ear. The dejected animal mistook the 
signal, and started forward. 

'No, no, bubber,' whispered Porgy. 'Ain't 
yuh hear de Boss laugh? When nigger mek de 
buckra laugh, den he know he done won. Dis 
wey we goin' spen' we libe. You watch. 1 



The change in Porgy, which Peter had 
been the first to notice, was now apparent to 
all who knew him. The defensive barrier of 
reserve that he had built about his life was 
down. The long hours when he used to sit 
fixed and tense, with the look of introspection 
upon his face, were gone. Even the most 
sceptical of the women were beginning to 
admit that Bess was making him a good mate. 
Not that they mingled freely with the other 
residents of the court. On the contrary, they 
seemed strangely sufficient unto 1 themselves 
in the midst of the intensely gregarious life 
that was going on about them. Porgy's earn- 
ings were adequate to their modest needs, and 
Bess was always up and out with the first of 



PORGY 

the women, and among them all there was 
none who could bargain more shrewdly with 
the fishermen and hucksters who sold their 
wares on the wharf. 

Like Porgy, Bess had undergone a subtle 
change that became more evident from day 
to day. Her gaunt figure had rounded out, 
bringing back a look of youthful comeliness, 
and her face was losing its hunted expression. 
The air of pride that had always shown in her 
bearing, which had amounted almost to dis- 
dain, that had so infuriated the virtuous dur- 
ing her evil days, was heightened, and, in her 
bettered condition, forced a resentful respect 
from her feminine traducers. 

One morning while she was doing her 
marketing on the wharf, one of the river men 
who had known her in the past, hailed her too 
familiarly. He was at that moment stepping 
from the top round of a ladder on to the wharf. 

'How 'bout ternight?' he asked with a leer. 

She was holding a string of whiting in her 

left hand, and was hanging upon the final 

penny of a bargain with the fishman. She 

half turned, and delivered a resounding slap 

86 



PORGY 

with her right hand. The man staggered 
backward, hung for a moment, then van- 
ished. There was a tremendous splash from 
the shallow water. 

'Twenty cent fuh dis string, an 1 not one 
cent moV Bess continued coolly to the fish- 
man. 

He accepted the price. Bess gave him 
eighteen cents, and a hard look. He counted 
the money, glanced at the hand that now hung 
innocently against her apron, then laughed. 

'Just as yuh say, Sister. I ain't quarrellin* 
none wid yuh dis morninV 

Bess gave him one of the faint, cryptic 
smiles that always made men friends and 
women enemies for her, and departed for 
Catfish Row, as if nothing had happened to 
break the dull routine of the morning's chores* 



Saturday night, and the court had flung off 
its workaday clothes and mood. In the corner 
by Serena's wash bench a small intimate circle 
had gathered about a smoking kerosene 
lamp. Several women sat on the bench with 

8? 



PORGY 

drowsy little negroes in their laps. A man 
near the light leaned over a guitar, with a 
vague wistfulness in his face, and plucked 
successive chords with a swift, running 
vibrance of sound. Then a deep baritone 
hummed for a second and raised an air: 

'Ain't it hahd tuh be a nigger; 
Ain't it hahd tuh be a nigger; 
Ain't it hahd tuh be a nigger; 
'Cause yuh can't git yo' rights w'en yuh do. 

*I was sleepin' on a pile ob lumber, 
Jus' as happy as uh man kin be, 
W'en a w'ite man come wake me from my 

slumber, 
An' he say, "Yuh gots tuh work now, 'cause 

yuh free!"' 

Then they were all in on the chorus : 
'Ain't it hahd tuh be a nigger,' 

and the gloom hummed with the low, close 
harmonies. 

In another corner the crap circle had gath- 
ered. Porgy's delight in the game had not 
88 



PORGY 

waned with his increasing interests, and he 
sat fondling the small white cubes, and whis- 
pering to them in his old confidential manner. 

'Little w'ite babies,' he crooned, 'come sing 
fuh dis nigger/ 

He cast and won. 

Gathering the little heap of pennies and 
nickels, he passed them behind him to Bess, 
who squatted in the shadows. She took the 
money in silence, counted it, dropped it into 
her apron pocket, and continued to watch 
the game intently, smiling her cryptic smile 
when Porgy won, but saying scarcely anything 
at all. 

The negro known as Sportin' Life had 
come in just as the game was commencing, 
and had sat in. That he was not altogether 
above suspicion was evidenced by the fact 
that the little circle of men refused to allow 
him to use his own dice, and told him so 
frankly. He scowled at them, dropped the 
dice back into his pocket, and started to 
leave. Then he seemed to think better of it, 
and joined the circle. 

As the game proceeded it became evident 
89 



PORGY 

that Porgy's luck was with him ; he was the 
most consistent winner, and Sportin' Life was 
bearing most of the burden. But the mulatto 
was too good a gambler to evince any discom- 
fiture. He talked steadily, laughed much, and 
missed no opportunity to drop a sly word of 
suspicion when Porgy drew in a pot. There 
was nothing that could be taken up and re- 
sented, but Porgy was mystified, and Bess's 
face was dark with anger more than once. He 
had a way of leaning over just as Porgy cast, 
and placing his face almost on the flags so 
that he could see under the dice when they 
struck. Then he would look up, laugh mean- 
ingly into Porgy's face, and sometimes clap 
his hands as though the cripple had managed 
something very cleverly. 

When the game finally broke up it was 
clear that he had poisoned the minds of the 
company, and the good nights lacked their 
usual warmth. 

Bess reached into her apron pocket, and 

drew out the evening's winnings. The coins 

made quite a little weight in her hand. A late 

fragment of moon swung over the wall and 

90 



PORGY 

poured its diminished light into her open 
palm. She commenced to count the money. 
Porgy left her, and drew himself into his 
room. She proceeded to count, absorbed in 
her task. 



'Porgy lucky/ said a low voice beside her. 
'Mus' be yer gots two dollar dere fer um.' 
Sportin' Life lifted his elegant trousers, so 
that the knees would not bag, and squatted on 
the flags at her side. He removed his stiff 
straw hat, with its bright band, and spun it 
between his hands. The moonlight was full 
upon his face, with its sinister, sensuous 
smile. 

She looked at him squarely a moment, then 
said in a cold, level voice: 

*I can't 'member ebber meetin' a nigger 
dat I like less dan I does you/ 

'Thank yer kindly/ he replied, not in the 
least degree daunted. 'But jus' de same, I 
wants ter be frien' wid yer. Me and you ain't 
usen ter dese small-town slow ways. We ain't 
been above seein' night-life what is night-life, 
91 



PORGY 

an' I jus' wants ter talk to you now and den ; 
dat's all.' 

'I gots no time fuh talk/ she told him. 'An' 
wut mo', I t'rough wid de kin' ob nights you 
is t'inking 'bout.' 

4 No mo' red-eye; none 'tall?' he queried. 
'Nebber gits t'irsty, eh?' 

'Yes, Gawd knows, I does git t'irsty now 
and den/ she said impulsively; then added 
sharply, 'But I done t'rough now, I tells yer; 
I done t'rough.' 

She arose to go. 'Yo' kin' mek me sick/ 
she told him, 'an' I ain't wants tuh hab no 
mo' talk wid yuh.' 

He got spryly to his feet, and stood beside 
her. 'Oh, come on, le's let bygone be bygone, 
an' be frienY Then his voice became low and 
ingratiating: 'Come; gimme yer han', Sister/ 
he said. 

Acquiescent, but mystified, she held out 
her open palm. 

He poured a little pile of white powder into 

it. There it lay in the moonlight, very clean 

and white on her dark skin. 'Happy dus'!' 

she said, and her voice was like a gasp. 'Take 

92 



PORGY 

dat t'ing away, nigger. I t'rough wid urn, I 
tells yuh.' But she did not turn her hand over 
and let it fall upon the ground. 

'Jus' a little touch fer ole time sake,' he 
whispered. "Tain't 'nough ter hurt er fly. 
An' it ain't goin' ter cos' yer one cent/ 

She stood a moment longer, and her hand 
trembled, spilling a few grains between her 
fingers. Then suddenly she clapped her palm 
over her mouth. When she took it away it 
was quite empty. 

Sportin' Life heaved a sigh of relief, 
turned and leant against the wall and 
waited. 

In the corner by Serena's bench the party 
was breaking up. Only a few women were 
left, and instead of the blur of general talk, 
remarks leapt clear. They were discussing 
the crap game that had just closed. 

'Dey is somet'ing berry queer 'bout de way 
de money always go tuh de same place,' a 
voice was saying. 

The moonlight ebbed from the corner 
where Bess and Sportin' Life stood. Five 
minutes had passed since she had made her 
93 



PORGY 

sudden decisive gesture. She stood oddly 
rigid, with her hands clenched at her sides. 

Abruptly she spun around. *Yuh gots mo' 
ob dat?' Her voice was low and taut. 

'Sho' I has!' came the answer, with a con- 
fident laugh. 'But it don't come cheap. 
Gimme dat money yer got dere.' 

Silently she held out her hand, and poured 
the coins into his palm. 

He gave her a small folded paper. 

'I got more ob dat when yer needs it,' he 
said, as he turned away. 

But she did not hear him. She snatched 
the paper, opened it, and threw the contents 
into her mouth. 

The court was sinking to sleep. One by 
one the lighted windows went blank. The 
women at the washbench got to their feet. 
One yawned noisily, and another knocked her 
clay pipe out on the flags in a shower of 
sparks. Then a voice came clearly the one 
that had complained before about the crap 
game. 

'I ain't sayin' ef it conjer, er jus' plain 
loaded dice. All I gots tuh say is dat dam 
94 



PORGY 

nigger, Porgy, steal my Sam' wages off him 
now t'ree week runninY 

Out of the shadows and across the moonlit 
square a figure flashed, gesturing wildly. 

The women leapt back. The one who had 
done the talking screamed once, the shrill 
note echoing around the walls. The advanc- 
ing figure closed convulsive hands upon her 
shoulders and snatched her body forward. 
Wide, red-lit eyes glared into her face. A 
voice half sobbed, half screamed, 'Yuh say 
dat 'bout Porgy? Yuh say Porgy is t'ief?' 

The victim was young and strong. She 
tore the hands from her shoulders and raised 
her arms before her face. One of the other 
women reached out to seize the intruder, but 
was met with a glare so insanely malignant 
that she retreated screaming. 

Above them windows were leaping to 
light. Dark bodies strained from sills. Feet 
sounded, running down clapping dilapi- 
dated stairways. A shrill, long, terrifying 
shriek cut across the growing noise, and the 
women clinched and fell. Bystanders rushed 
to intervene, and became involved. Always 
95 D 



PORGY 

in the centre of the storm a maddened 
woman whirled like a dervish and called 
horribly upon her God, striking and clawing 
wildly. 

The babel became terrific. The entire 
population of the court contributed to the 
general confusion. In the rooms above, chil- 
dren wailed out a nameless terror. 

Suddenly over the tumult sounded the 
gong of the patrol wagon, and through the 
gateway half-a-dozen policemen advanced 
with pistols out, and clubs ready. 

The uproar stopped suddenly at its peak. 
Shadows dropped back and were gulped by 
deeper shadow. Feet made no sound in re- 
treating. Solid bodies became fluid, sliding. 
Yawning doorways drew them in. Miracu- 
lously the court was converted into a vacant, 
walled square, in which stood six erect 
figures, looking a little theatrical and foolish 
with their revolvers and clubs, and a woman 
who shook menacing hands at nothing at all 
and swore huskily at phantoms. 

'No trouble finding the cause of the dis- 
turbance/ said an authoritative voice. 'Get 



PORGY 

her, men. Better use bracelets. Can't tell 
about dope cases/ 

The squad closed quickly. For a moment 
a grotesque shadow tumbled and shifted in 
the centre of the court; then a voice said, 
'Steady now/ The mass broke into indivi- 
dual figures, and, under the ebbing moonlight, 
moved toward the entrance with a manacled 
woman in their midst. 

Porgy had opened his door at the first 
outcry and sat on the sill trying to get the 
import of the disturbance. Now, as the group 
passed closed to him, he looked up. The 
woman had ceased her outcry, and was look- 
ing about with vague, unseeing eyes. As they 
walked past his doorway, so close that he could 
have touched the nearest officer with his hand, 
she looked down, and her gaze focussed upon 
the sitting figure. Her body stiffened, and 
her head lifted with the old, incongruous 
gesture of disdain, 

'Bess!' called Porgy once very loudly; and 
again, in a voice that sagged, 'Bess!' 

One of the policemen paused and looked 
down upon the speaker. But the woman 
97 



PORGY 

turned deliberately away, and he hastened to 
rejoin the party. Then the wagon clanged 
down the darkened street. 



Under the gas light that supplemented a 
far, dusty window in the Recorder's Court, 
stood Bess. She swayed, and her face 
twitched occasionally; but her glance was 
level, and her head erect. 

Behind a high desk sat a man well past 
middle age. His florid complexion caused his 
long grey moustache to appear very white. 
His eyes were far apart and suggested a kind- 
ness that was born of indolence, rather than 
of wide compassion. His hands were slender 
and beautifully made, and he sat with elbows 
on desk, and finger-tips touching. When he 
spoke it was in a drawl that suggested 
weariness. 

What is the charge, Officer?' he asked. 

'Bein' under the influence of dope, an* 
creatin' a disturbance in Catfish Row, yer 
Honour,' replied the policeman who stood by 
the prisoner. 



PORGY 

'Anybody hurt?' 

'Not as we was able to see, yer Honour.' 

The judge turned to the prisoner. 

'Have you ever been here before?' 

'No, suh,' came the reply in a low, clear 
tone. 

'The officer of the day thinks she has, 
yer Honour,' put in the policeman, 'but he 
can't swear to it. She looks like a hundred 
others, he says, scar and all; an' they change 
names so fast you get nothing from the 
records.' 

The judge regarded the prisoner with 
amiability. The thermometer on the wall 
beside him registered ninety. It was asking 
too much of good-nature to require it to 
subvert itself in such heat. 

'I suppose we will have to give you the 
benefit of the doubt,' he said. Then he 
turned to the officer. 

'After all, it's the man who sold her the 
poison we want. I was kept here three 
hours yesterday by dope cases. I want it 
put a stop to.' 

He contracted his brows in a weak attempt 
99 



PORGY 

at sternness, and directed a steady gaze at 
Bess. 

'Who sold you that dope?' 

She met his eyes squarely. 

'I don't t'ink I know um again/ she said in 
a low, even tone. *I buy from um in de dark, 
las' night, an' he gone off right away.' 

'It's no use, Your Honour,' put in the 
policeman. 'They won't give each other away.' 

The judge fixed the culprit with a long 
scrutiny. Then he asked: 

'Have you any money to pay a fine?' 

'No, suh. Yuh'll jus' hab tuh gib' me my 
time/ 

A man entered the room. 

'I beg your pardon, Your Honour,' he 
said, 'but there is a cripple outside in a goat- 
cart who says he is prepared to pay the 
woman's fine.' 

'Eh ; what's that?' exclaimed the judge. 'Is 
it that black scoundrel, Porgy, the beggar?' 

'That's him, yer Honour,' replied the 
man, with a grin. 

'Why, the highwayman takes a dime from 
me every time I venture on King Charles 
100 



PORGY 

Street. And here he has the audacity to come 
and offer to pay a fine/ 

'Don't tek he money. Boss/ 

The prisoner said the words steadily, then 
caught her lower lip with her strong, white 
teeth. 

'Address the Court as "Your Honour," 
not "Boss," ' ordered the judge. 

'Yo' Honuh,' amended the culprit. 

For a long moment the Recorder sat, his 
brow contracted. Then he drew a large, cool, 
linen handkerchief from his pocket and 
mopped his face. 

'Go out and take ten dollars from the 
beggar,' he told the policeman. 'It's a small 
fine for the offence.' Then turning to the 
woman, he said: 

'I am going to lock you up for ten days; 
but any time you give the name of that dope 
peddler to the jailer you can leave. Do you 
understand?' 

Bess had nothing to say in reply, and after 
a moment the policeman took her by the arm. 

'This way to the wagon,' he directed, and 
led her from the court room. 
101 



PORGY 

The street was a blaze of early morn- 
ing sun, and the woman covered her eyes 
with her hand. The wagon stood, step 
to curb, and the officer hurried her across 
the narrow pavement and into the convey- 
ance. 

The bell clanged, and the heavy horse 
flung its weight against the collar. 

Something impelled Bess to remove her 
hand and to look down. 

Below the high side of the patrol, looking 
rather like a harbour tug beside an ocean 
liner, stood the goat-cart. For a moment she 
looked into Porgy's face. It told her nothing, 
except that he seemed suddenly to have 
grown older, and that the real Porgy, who 
had looked out at her from the eyes for a 
little while, had gone back into his secret 
places and closed the door. 

The wagon lunged forward. 

Then Porgy spoke. 

'How long?' he called. 

The incessant clamour of the gong com- 
menced, and the hoofs beat their noisy tattoo 
upon the stones. 

102 



PORGY 



Bess raised both hands with fingers ex- 
tended. 

The wagon rounded a corner and dis- 
appeared. 



The jail in which Bess was incarcerated 
was no better, and no worse, than many 
others of its period, and the score of negro 
women with whom she found herself could 
not be said to suffer acutely under their im- 
prisonment. When life reaches a certain level 
of misery, it envelops itself in a protective 
anaesthesia which deadens the senses to ex- 
tremes; and having no tasks to perform, the 
prisoners awaited the expiration of their brief 
sentences with sodden patience, or hastened 
the passage of time with song. 

By day they were at liberty to exercise in 
the jail yard, a square of about half an acre 
surrounded by a high brick wall, containing 
not so much as a single blade of grass. Like a 
great basin, the yard caught and held the heat 
which poured from the August sun until it 
seemed to overflow the rim, and quiver, as 
103 



PORGY 

though the immense vessel had been jarred 
from without. But the soaring walls gave 
always a narrow strip of shade to which the 
prisoners clung, moving around the sides as 
the day advanced, with the accuracy of the 
hand of a sundial. 

Before nightfall the prisoners were herded 
into the steaming interior of the building, and 
Bess and the other women were locked in a 
steel cage, which resembled a large dog- 
pound and stood in the centre of a high, 
square room, with a passage-way around it. A 
peculiarly offensive moisture clung to the 
ceiling, and streamed in little rivulets down 
the walls. An almost unbreathable stench 
clogged the atmosphere. 

The jailers were not vindictive. They were 
not even unkind. Some of them evidenced a 
mild affection for their charges, and would 
pause to exchange greetings with them on 
their rounds. But it would have meant effort 
to better the living conditions, and effort on 
the part of a white warden in August was not 
to be considered. They locked them up, gave 
them a sufficiency of hominy and white pork 
104 



PORGY 

to sustain life, allowed them to see their 
visitors, talk, and sing to their heart's content. 
If they were suffering from tuberculosis, or 
one of a hundred nameless and communi- 
cable diseases, when they entered, it was none 
of the County's affair. And if they left show- 
ing that ash-pallor so unmistakable in a negro, 
it was as lamentable as it was unavoidable. 
But when all was said and done, what must 
one expect if one added to the handicap of 
a dark skin the indiscretion of swallowing 
cocaine and indulging in a crap game? 

Bess received but one visitor during her 
imprisonment. When the callers were ad- 
mitted, on the day following her arrival, 
Maria loomed in the centre of the small, 
timid group. She went directly to Bess where 
she sat by the wall, with her eyes closed 
against the glare. The big negress wore an 
expression of solicitude, and her voice was 
low and surprisingly gentle as she said: 

Torgy ask me tuh bring yer dis blanket 
fuh lie on, an' dese fish an' bread. How yuh 
is feelin' now?' Then she bent over and 
placed a bundle in the prisoner's lap. 
105 



PORGY 

Bess opened her eyes in surprise. 

'I ain't been expectin' no fabors off none ob 
you folks/ she replied. 'How come yuh tuh 
care ef I lib er die, attuh dat row I mek?' 

Maria lowered herself to a seat beside her. 

'I lubs dat nigger, Porgy, lak he been my 
chile/ she told her. 'An 1 wut mo', I t'ink I 
know what done happen tuh yuh/ 

'Wut yuh know?' 

'I been in my do' dat night; an' I seen dat 
skunk, Sportin' Life, sell yuh dat stuff. Ef I 
had er known den wut it wuz, I'd a been 
hyuh long side ob yuh now fuh murder.' 

After a moment, she asked : 'Wut mek yuh 
don't tell de jailluh who done um, an' come 
on home?' 

Bess remained silent for a moment; then 
she raised her head and looked into the eyes 
of the older woman. 

*I's a 'oman grown. Ef I tek dope, dat muh 
own business, Ef I ebber gits muh han' on 
dat nigger, I goin' fix um so he own mammy 
ain't know um ! But I ain't goin' gib um 'way 
tuh de w'ite folks.' 

The hard lines about her mouth softened, 
106 



PORGY 

and, in scarcely more than a whisper, she 
added : 

'I gots tuh be decent 'bout something, 'less 
I couldn't go back an' look in Porgy face.' 

Maria got heavily to her feet. The other 
visitors were leaving, and she longed to be 
free of the high, brick walls. She dropped a 
hand on Bess's shoulder. 

'Yuh do right, Sister. But ef dat yalluh 
nigger come tuh Catfish Row agin leabe 
him fuh me dat's all !' Then the big negress 
joined the departing group, and passed out 
through the small steel doorway that pierced 
the massive gate. 

Bess sat for a long while without moving. 
The sun lifted over the high wall, and drove 
its white-hot tide into her lap, and upon her 
folded hands. 

'Wut mek yuh ain't mobe intuh de shade?' 
a neighbour asked curiously. 

Bess looked up and smiled. 

'I jes' settin' hyuh t'inkin' 'bout muh 
frien',' she said. 'Yuh done hear um call me 
"Sister," ain't yuh? Berry well den. Dat 
mean me and she is frien'.' 
107 



PORGY 



Bess lay upon the bed in Porgy's room and 
stared at the celling with hard, bright eyes. 
From time to time she would pluck at the 
sheet that covered her and utter hurried, in- 
distinct sentences that bore not the slightest 
relation to existing circumstances. A week 
had passed since her release, and its seven 
interminable days had been spent in this 
fashion. 

Porgy was out upon the day's rounds. 
Occasionally the door to the sick-room would 
open, and an awed, black face peer in. The 
mystery of delirium frightened and perplexed 
the negroes, and limited the manifestations 
of kindness and sympathy that they usually 
bestowed upon unfortunate friends. Even 
Maria was not proof against this dread, and 
the irrelevant observations that greeted her 
when she went in with the daily lunch sent 
her hurrying wide-eyed from the room. 

Porgy returned early in the evening. His 
face was deeply marked, but the lines were 
those of anxiety, and his characteristic firm- 
108 



PORGY 

ness of mouth and jaw was gone. He closed 
the door on the curious glances of his neigh- 
bours, and lifted himself to a seat upon the 
bed. 

'How Bess now?' he asked softly. 

She shifted her gaze from the ceiling to his 
face. 

'Eighteen miles tuh Kittiwar!' she mut- 
tered. 'Rattlesnake', palmettuh bush, an' 
such.' 

Her eyes were suddenly fearful, and she 
closed her hand tightly upon his. 

Porgy cast a hurried glance over his shoul- 
der. Then, reassured, stroked her brow, and 
comforted her in his deep, gentle voice. 

'Yuh hyuh wid Porgy now; an' nuttin' 
can't hurt yuh. Soon de cool wedder comin' 
an' chill off dese febers. Ain't yuh 'member 
how dat cool win* come tuh town wid de smell 
ob pine tree; an' how de star is all polish up 
lak w'ite folks' silber? Den ebbery body git 
well. Ain't yuh know? Yuh jus* keep still, 
an' watch wut Porgy say.' 

She was silent after that, and closed her 
eyes. Presently, to his relief, he saw that she 
109 



PORGY 

was sleeping. This was the moment for which 
he had been waiting. He went out, closing 
the door very gently, and joined a group of 
sympathizers in the court. 

'Wut we goin' do now? 1 he asked. *A week 
gone, an' she ain't none better.' 

Peter knocked out his clay pipe on a flag- 
stone, with three staccato little raps, thus 
gaining the attention of the circle. 

'Ef yuh wants tuh listen tuh me,' he re- 
marked weightily, 'I adwise yer tuh sen' she 
tuh de w'ite folk' hospital.' 

His words were received with a surprise 
amounting to incredulity. 

'Fuh Gawd sake, Daddy Peter!' an awed 
voice said at last. 'Ain't yuh knows dey lets 
nigger die dey, so dey kin gib um tuh de 
student?' 

But the old negro stood his ground. 

'De student ain't gits um 'til he done dead. 
Ain't dat so? Den he can't hurt um none. 
Ain't dat so, too? An' I gots dis tuh say. One 
ob my w'ite folks is er nuss tuh de hospital ; 
and dat lady is er pure angel wid de sick 
nigger. Ef I sick tuhmorruh I goin' tuh she; 
no 



PORGY 

an' wut she say is good wid me. I wants dis 
carcase tek care ob w'ile he is alibe. Wen he 
done dead, I ain't keer.' 

'Yuh ain't keer whedder yuh is cut up an 1 
scatter, 'stead of bein' bury in Gawd own 
grabe-yahd?' someone asked the iconoclast. 

Under this direct attack, the old man 
weakened. 

'Well, mebbe I ain't sayin' I jus' as 
lief,' he compromised. 'But I t'ink Gawd 
onduhstan' de succumstance, an' mek allow- 
ance.' 

Serena Robbins broke the silence which 
followed. 

'How come yuh ain't ax me fuh pray ober 
um?' she inquired in a slightly offended voice. 
'Mus' be yuh is done fergit how Gawd done 
answer we las' prayeh, and sen' dat goat tuh 
sabe yu' life, when starbation done stan' dey 
an' look yuh in de eye.' 

Porgy brightened at that, and turned 
eagerly from the dark horror of Peter's sug- 
gestion. 

'Dat so, my Sister,' he commenced; but 
her eyes were already closed, and her body 
in 



PORGY 

was swaying from side to side, as she sat 
cross-legged on the flags. Presently she began 
to intone: 

'Oh, Jedus, who done trouble de wateh in 
de sea ob Gallerie -' 

'Amen!' came the chorus, led by Porgy. 

4 An' likewise who done cas' de Debbil out 
ob de afflicted, time an* time agin -' 

'Oh, Jedus!' 

'Wut mek yuh ain't lay yo' han' on dis 
sister* head?' 

'Oh, my fadder!' 

'An' sen* de Debbil out ob she, down er 
steep place intuh de sea, lak yuh use' tuh do, 
time an' time agin?' 

'Time an' time agin!' 

'Ain't dis po' cripple done IIP up out de 
dus' by we prayeh?' 

'Da's de trut', Jedus,' 

'Eben so, lif up he woman, an' mek she 
well, time an' time agin!' 

'Time an' time agin! Allelujah!' 

After the prayer the group scattered, each 
going silently away in the late dusk, until 
there remained only Porgy, who sat with 

112 



PORGY 

bowed head, and Maria, massive and inscrut- 
able, beside him. 

When the last retreating footstep died 
away, the great negress bent her turbaned 
head over until it almost touched Porgy's face. 

'Listen tuh me/ she whispered. 'Yuh 
wants dat 'oman cure up ; ain't yuh?' 

'Yuh knows I does.' And, already suffer- 
ing from the reaction from religious enthu- 
siasm, his voice was flat and hopeless. 

'Berry well den. De ribber boat leabe fum 
de wharf at sebben o'clock, tuhmorruh 
mo'nin'. Yuh knows dat deck-han' by de 
name Mingo?' 

Porgy nodded assent, his eyes intent upon 
her face. 

'Well; git on de wharf early, an' gib um 
two dollar. Tell um w'en de boat done git 
tuh Ediwander Islan' at eight tuhmorruh 
night, tuh go right tuh Lody cabin, an' tell 
she tuh mek a conjer tuh cas' de debbil out 
Bess/ 

'Yuh t'ink dat cure she?' asked Porgy, 
with a glimmer of new hope in his eyes. 

'I ain't t'ink. I knows,' came in tones of 



PORGY 

absolute conviction. 'Now, min'; an' do wut 
I say.' 

The big negress shuffled away to her room, 
leaving Porgy alone in the gloom. 

The bent, solitary figure raised its eyes to 
the square of sky, with its bewildering pro- 
fusion of stars, that fitted like a lid over the 
high rim of the court. There were no sounds 
except a weary land breeze that fingered the 
lichens on the south wall, and a whisper from 
the bay, as the tide lifted its row of shells and 
pebbles a notch farther up the littered beach. 

Now that all human companionship had 
been withdrawn, the watcher felt strangely 
alone, and smaller than the farthest star or 
most diminutive shell. Like a caged squirrel, 
his tired mind spun the rounds of his three 
alternatives: First, the white man's science, 
gaunt, clean, and mysterious, with the com- 
plete and awful magistracy which it assumed 
over the luckless bodies that fell into its 
possession. He knew that it returned some 
healed in body. He knew that others had 
passed into its portals, and had been oblit- 
erated utterly. Then his second alternative: 
114 



PORGY 

the white man's God, vague and abstract as 
the wind that moved among the lichens, with 
his Jesus, who could stir him suddenly to his 
most beautiful songs and make his heart 
expand until, for a moment, it .embraced all 
mankind with compassionate love, but who 
passed, as the wind passes, leaving him cold 
and disillusioned. One of these he must 
choose, or else turn his face back to the old 
blurred trail that receded, down, down, down 
to the beginning of things : to the symbols one 
might hold, tangible and terrifying; to the 
presciences that shuddered like dawn at the 
back of the brain and told one what to do 
without the process of thought. 

As though bent beneath a great physical 
weight, Porgy sat without moving, until the 
pattern on his glittering ceiling had changed 
and shifted. Then he lifted his face slowly, 
drew his sleeve across his moist forehead, and 
entered his room. 



Just before sunrise Porgy left his room and 
hitched up his goat. In the upper air over 



PORGY 

Catfish Row a single buzzard hung poised. 
Slowly it careened to a current of air, and its 
belly and under-wings lit to a ruddy glory 
from the sun, which was still below the hori- 
zon. Porgy saw it and winced. But as he 
went about his task there was no indecision in 
his face. He harnessed the goat with steady 
hands, drove out of the court and to the pier- 
head. 

He experienced no difficulty in finding his 
man. Mingo accepted the mission and the 
handful of pennies and nickels; and Porgy, 
having closed the bargain, returned at once to 
the court. 

Maria was opening her shop as he entered, 
and paused with a shutter in her hands. She 
could scarcely believe her eyes. The beggar's 
face was bright, and he was humming a tune. 

'Wut de news?' she asked. 'Bess done git 
well?' 

'Not jus' yit,' he replied. 'But I done had 
me a dream las' night; an' de dream say tuh 
sen' tuh de conjer 'oman; an' Bess goin' 
break she feber tuhnight.' 

'Da's right, my Brudder,' Maria responded 
116 



PORGY 

heartily. 'Dat 'oman good as well now. You 
watch!' 

All day, sitting by Archdale's office, Porgy 
hummed his tune, and counted off the hours 
of the steamboat's voyage. Now she would 
be passing Kittiwar, and, in only a few hours 
more, she would be coming to rest for the 
night at Ediwander. 

The counting off continued after he went 
to bed, and he was strangely undisturbed by 
Bess's mutterings. Now the boat had arrived, 
he finally told himself. Maria had said that 
the cabin was near the landing. Surely it 
would not take the woman long to brew the 
spell. His excitement increased to a mood of 
exaltation. He lay with his hand upon Bess's 
forehead, waiting. 

Far away St. Christopher struck the hour. 
The mellow bells threw the quarter hours out 
like a handful of small gold coins to ring 
down upon the drowsy streets. Then, very 
deliberately, they dropped ten round, heavy 
notes into the silence. 

This should be the moment. Porgy pressed 
his hand harder, and sweat broke out upon 
117 



PORGY 

his brow. For a moment it seemed to him that 
life hung suspended. 

Torgy,' said a weak, flat voice beside him. 
Torgy, dat you dey, ain't it? Why you ain't 
talk tuh me?' 

The cripple's answer was a sudden high 
laugh that broke to a sob. 

*T'ank Gawd!' he said; and again, 'T'ank 
Gawdl' 



On the evening following the day upon 
which Bess had taken her turn for the better, 
Maria was alone in her shop. The supper 
hour was over, and her patrons had departed. 
She was busy at her stove, and did not turn 
immediately when some one entered. When 
she finally looked over her shoulder, her cus- 
tomer had buried his face in his hands, and 
she failed to recognize him. Of one fact 
there could be little doubt: the man was 
drunk, for the close, little room was already 
heavy with the exhalations of vile corn 
whisky. 

She crossed the room, and touched the 
118 



PORGY 

man on the shoulder. He lowered his hands 
and attempted to focus his eyes on her face. 

'Oh, it's you, Mingo?' she said, and even 
then she did not grasp the significance of his 
presence in the city at that time. 

'Gimme some supper,' he growled; and, 
with an uncertain movement, drew some 
change from his pocket and spilled it in a 
small pile on the table. 

Maria looked at the money. There was 
about half a dollar in all, but there were only 
two nickels, and the remainder was in pen- 
nies. It looked suspiciously like the currency 
in which Porgy paid his debts. Then, as she 
stood looking down at the little heap of 
copper, the full import of the man's presence 
dawned upon her. 

*Wut yuh doin' here now?' she demanded 
of him in a tense whisper; 'when de ribber 
boat ain't due back fuh annoder day?' 

The question stirred her customer's con- 
sciousness to a faint gleam of life; but it did 
not vitalize it sufficiently for adroit prevari- 
cation. 

'I miss de boat dis trip,' he managed to 
119 



PORGY 

articulate. 'I take er drink wid er frien', and 
when I git tuh de wharf, de boat done gone/ 

Two powerful hands gripped his shoul- 
ders and flung him back against the wall. 
He opened his eyes wide and looked into 
a face of such cold ferocity that his loose lips 
emitted a sudden 'Oh, JedusF and he became 
immediately sober, and very much afraid. 

Then Maria poured into his ears words 
that had the heat and dead weight of molten 
lead. 

'Now I goin' lock yuh up in dat closet till 
de ribber boat is back at de wharf,' she con- 
cluded. 'Den I goin' let yuh loose. But I all 
de time goin' be where I kin git my hand on 
yuh again. Ef yuh ebber tells Porgy, or any 
libbin' soul, dat yuh ain't deliber dat message 
tuh Lody, I goin' tuh hab nigger blood on my 
soul w'en I stan' at de jedgement. Now yuh 
gots dat straight in yuh head?' 

Mingo nodded assent. He was beyond the 
power to speak. 

The big negress jerked him suddenly to 
his feet, propelled him across the room and 
into the Stygian recesses of the closet. Then 

120 



PORGY 

she slammed the door, turned the immense 
iron key in the lock, and dropped it in her 
pocket. 

'Well, dat's dat!' she remarked, as she 
wiped a moist, mystified face upon a corner of 
her apron. 'Mus' hab been Jedus done um 
atter all/ Then, as though to dishriss the 
matter, she added: 'No, I be damn ef he did. 
He ain't gots it in um.' 



121 



PART IV 



PART IV 
* 

IT was the day set for the grand parade and 
picnic of 'The Sons and Daughters of Repent 
Ye Saith the Lord/ and, with the first light of 
morning, Catfish Row had burst into a fever 
of preparation. Across the narrow street, the 
wharf, from which the party was to leave, 
bustled and seethed with life. A wagon rattled 
out to the pier-head and discharged an entire 
load of water-melons. Under the vigilant 
eyes of a committee a dozen volunteers lifted 
the precious freight from the vehicle, and 
piled it ready for the steamer. 

From behind the next pier, with a frenzied 
threshing of its immense stern paddle, came 
the excursion boat. Tall open exhaust fun- 
nels flanked the walking-beam, and coughed 
great salmon-coloured plumes of steam into 
the faint young sunlight. A fierce torrent of 
wood-smoke gushed from the funnel and 
went tumbling away across the harbour. 
Painters were hurled, missed, coiled, and 
hurled again. Then, amid a babblement of 
advice and encouragement, the craft was 
finally moored in readiness for the Lodge. 
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PORGY 

The first horizontal rays of the sun were 
painting the wall a warm claret, when Porgy 
opened his door, to find Peter already 
dressed for the parade, and perched upon the 
back of his gaily blanketed horse. He wore a 
sky-blue coat, white pants which were thrust 
into high black leggings, and a visored cap, 
from beneath which he scowled fiercely down 
upon the turmoil around the feet of his 
mount. Across his breast, from right shoul- 
der to left hip, was a broad scarlet sash, upon 
which was emblazoned, 'Repent Ye Saith the 
Lord!' and from his left breast fluttered a 
white ribbon bearing the word 'MARSHAL/ 
From time to time, he would issue orders in 
hoarse, menacing gutturals, which no one 
heeded; and twice, in the space of half an hour, 
he rode out to the pier-head, counted the water- 
melons, and returned to report the number 
to an important official who had arrived in 
a carriage to supervise the arrangements. 

Momently the confusion increased, until at 
eight o'clock it culminated in a general exodus 
toward the rendezvous for the parade. 

The drowsy old city had scarcely com- 
126 



PORGY 

menced its day when, down through King 
Charles Street, the procession took its way. 
Superbly unselfconscious of the effect that 
it produced, it crashed through the slow, re- 
strained rhythm of the city's life like a wild, 
barbaric chord. All of the stately mansions 
along the way were servantless that day, and 
the aristocratic matrons broke the ultimate 
canon of the social code and peered through 
front windows at the procession as it swept 
flamboyantly across the town. 

First came an infinitesimal negro boy, 
scarlet-coated, and aglitter with brass buttons. 
Upon his head was balanced an enormous 
shako; and while he marched with left hand 
on hip and shoulders back, his right hand 
twirled a heavy gold-headed baton. Then the 
band, two score boys attired in several varia- 
tions of the band-master's costume, strode by. 
Bare, splay feet padded upon the cobbles ; 
heads were thrown back, with lips to instru- 
ments that glittered in the sunshine, launching 
daring and independent excursions into the 
realm of sound. Yet these improvisations 
returned always to the eternal boom, boom, 
127 E 



PORGY 

boom of an underlying rhythm, and met with 
others in the sudden weaving and ravelling of 
amazing chords. An ecstasy of wild young 
bodies beat living into the blasts that shook 
the windows of the solemn houses. Broad, 
dusty, blue-black feet shuffled and danced 
on the many-coloured cobbles and the grass 
between them. The sun lifted suddenly over 
the housetops and flashed like a torrent of 
warm, white wine between the staid buildings, 
to break on flashing teeth and laughing eyes. 

After the band came the men members of 
the lodge, stepping it out to the urge of the 
marshals who rode beside them, reinforcing 
the marching rhythm with a series of staccato 
grunts, shot with crisp, military precision 
from under their visored caps. Breast cross- 
slashed with the emblems of their lodge, they 
passed. 

Then came the carriages, and suddenly the 
narrow street hummed and bloomed like a 
tropic garden. Six to a carriage sat the sisters. 
The effect produced by the colours was 
strangely like that wrought in the music; 
scarlet, purple, orange, flamingo, emerald; 
128 



PORGY 

wild, clashing, unbelievable discords; yet, in 
their steady flow before the eye, possessing 
a strange, dominant rhythm that reconciled 
them to each other and made them unalter- 
ably right. The senses reached blindly out for 
a reason. There was none. They intoxicated, 
they maddened, and finally they passed, seem- 
ing to pull every ray of colour from the dun 
buildings, leaving the sunlight sane, flat, dead. 
For its one brief moment out of the year 
the pageant had lasted. Out of its fetters of 
civilization this people had risen, suddenly, 
amazingly. Exotic as the Congo, and still 
able to abandon themselves utterly to the wild 
joy of fantastic play, they had taken the reti- 
cent, old Anglo-Saxon town and stamped 
their mood swiftly and indelibly into its heart. 
Then they passed, leaving behind them a 
wistful envy among those who had watched 
them go, - those whom the ages had rendered 
old and wise. 



When the exodus from the Row was 
completed, Bess helped Porgy out to the boat 
129 



PORGY 

and established him in an angle of the main- 
deck cabin, where he could see and enjoy the 
excursion to the full. Below them on the 
wharf, Maria, who had the direction of the 
refreshment committee in hand, moved about 
among the baskets and boxes, looking rather 
like a water-front conflagration, in a volumi- 
nous costume of scarlet and orange. Bess left 
Porgy and descended the ladder. 

'I gots a ready hand wid bundle/ she 
announced diffidently. 

The immense negress paused, and looked 
her up and down. 

'Well, well, it looks like yer tryin' ter be 
decent,' she commented. 

Instantly the woman chilled. 'Yuh kin go 
tuh Hell!' she said deliberately. 'I ain't axin' 
fuh no sermon. I want a job. Does yuh want 
a han' wid dem package, or not?' 

For a moment their eyes met. Then they 
laughed suddenly, loudly together, with com- 
plete understanding, 

'All right, den,' the older woman said. 
'Ef yuh is dat independent, yuh kin tek dem 
basket on board.' 

130 



PORGY 

After that they worked together, until the 
procession arrived, without the interchange 
of further remarks. 



Down the quiet bay, like a great, frenzied 
beetle, the stern-wheeler kicked its way. On 
the main deck the band played without ces- 
sation. In a ring before it, a number of 
negroes danced, for the most part shuffling 
singly. The sun hurled the full power of an 
August noon upon the oil-smooth water, 
and the polished surface cast it upward 
with added force under the awnings. The 
decks sagged with colour, and repeated 
explosions of laughter rode the heat waves 
back to the drowsing, lovely old city long 
after the boat had turned the first bend in 
the narrow river and passed from view on its 
way to the negro picnic grounds on Kittiwar 
Island, 

Thrashing its way between far-sweeping 

marshes and wooded sea islands, the boat 

would burst suddenly into lagoon after 

lagoon, that lay strewn along the coast, that 

131 



PORGY 

blazed in the noon like great fire-opals held 
in silver mesh. 

Finally a shout went up. Kittiwar lay 
before them, thrusting a slender wharf from 
its thickly wooded extremity into the slack 
tide. 

The debarkation over, Maria took pos- 
session of a clearing that stood in a dense 
forest of palmettos and fronted on the beach, 
and marshalled her committee to prepare the 
lunch. From the adjacent beach came the 
steady, cool thunder of the sea and the un- 
remitting hum of sand, as tireless winds 
scooped it from the dunes and sent it in low, 
flat-blown layers across the hard floor of the 
beach. 

The picnickers heard it, and answered with 
a shout. Soon the streaming whiteness of the 
inner surf was dotted with small, glistening 
black bodies; the larger figures, with skirts 
hoisted high, were wading in the shallows. 

Porgy sat with a large myrtle bush in one 
hand, with which he brushed flies from several 
sleeping infants. The sun lay heavy and com- 
forting upon him. One of the children stirred 
132 



PORGY 

and whimpered. He hummed a low, bumb- 
ling song to it. There was a new contentment 
in his face. After a while he commenced to 
nod. 



*I go an' git some palmettuh leaf fuh table- 
cloth,' Bess told Maria; and, without waiting 
for an answer, she took a knife from a basket, 
and entered the dense tangle of palm and vine 
that walled the clearing. 

Almost immediately she was in another 
world. The sounds behind her became faint, 
and died. A rattler moved its thick body 
sluggishly out of her way. A flock of wood 
ibis sprang suddenly up, broke through the 
thick roof of palm leaves, and streamed away 
over the tree-tops toward the marsh with their 
legs at the trail. 

She cut a wide fan-shaped leaf from the 
nearest palmetto. Behind her some one 
breathed - a deep interminable breath. 

The woman's body stiffened slowly. Her 
eyes half closed and were suddenly dark and 
knowing. Some deep ebb or flow of blood 
133 



PORG Y 

touched her face, causing it to darken heavily, 
leaving the scar livid. Without turning, she 
said slowly: 

'Crown!' 

'Yas, yuh know berry well, dis Crown.' 

The deep sound shook her. She turned 
like one dazed, and looked him up and down. 

His body was naked to the waist, and the 
blue cotton pants that he had worn on the 
night of the killing had frayed away to his 
knees. He bent slightly forward. The great 
muscles of his torso flickered and ran like 
the flank of a horse. His small wicked eyes 
burned, and he moistened his heavy lips. 

Earth had cared for him well. The marshes 
had provided eggs of wild fowl, and many 
young birds. The creek had given him fish, 
crabs and oysters in abundance, and the 
forest had fed him with its many berries, and 
succulent palmetto cabbage. 

'I seen yuh land,' he said, 'an' I been 
waitin* fuh yuh. I mos' dead ob lonesome on 
dis damn island, wid not one Gawd's person 
to swap a word wid. Yuh gots any happy- 
dus' wid yuh?' 

134 



PORGY 

'No/ she said; then with an effort, 'Crown, 
I gots somethin* tuh tell yuh. I done gib up 
dope; and beside dat, I sort ob change my 
way.' 

His jaw shot forward, and the huge shoul- 
der muscles bulged and set. His two great 
hands went around her throat and closed like 
the slow fusing of steel on steel. She stopped 
speaking. He drew her to him until his face 
touched hers. Under his hands her arteries 
pounded, sending fierce spurts of flame 
through her limbs, beating redly behind her 
eyeballs. His hands slackened. Her face 
changed, her lips opened, but she said no- 
thing. Crown broke into low, shaken laugh- 
ter, and threw her from him. 

'Now come wid me/ he ordered. 

Into the depths of the jungle they plunged; 
the woman walking in front with a trance-like 
fixity of gaze. They followed one of the 
narrow hard-packed trails that had been 
beaten by the wild hogs and goats that 
roamed the island. 

On each side of them, the forest stood like 
a wall, its tough low trees and thick-bodied 
135 



PORGY 

palmettos laced and bound together with 
wire-strong vines. Overhead the foliage met, 
making the trail a tunnel as inescapable as 
though it had been built of masonry. 

The man walked with a swinging, effortless 
stride, but his breath sounded in long, audible 
inhalations, as though he laboured physically. 

When they had journeyed for half an hour 
they crossed a small cypress swamp. The 
cypress-knees jutted grotesquely from the 
yellow water, and trailing Spanish moss ex- 
tended drab stalactites that brushed their 
faces as they threaded the low, muddy trail. 

Finally Bess emerged into a small clearing, 
in the centre of which stood a low hut with 
sides of plaited twigs and roof of palmetto 
leaves laid on top of each other in regular 
rows like shingles. 

Crown was close behind her. At the low 
door of the hut she paused and turned toward 
him. He laughed suddenly and hotly at 
what he saw in her face. 

*I know yuh ain't change,' he said. *Wid 
yuh an' me it always goin* tuh be de same. 
See?' 

136 



PORGY 

He snatched her body toward him with 
such force that her breath was forced from 
her in a sharp gasp. Then she inhaled deeply, 
threw back her head, and sent a wild laugh out 
against the walls of the clearing. 

Crown swung her about and threw her face 
forward into the hut. 



The sun was so low that its level rays shot 
through the tunnels of the forest and bronzed 
its ceiling of woven leaves when Bess returned 
to the clearing. She paused for a moment. 
Behind her, screened by the underbrush, stood 
Crown. 

'Now 'member wut I tells yuh,' he said. 
'Yuh kin stay wid de cripple 'til de cotton 
come. Den I comin'. Davy will hide we on 
de ribber boat fur as Sawannah. Den soon de 
cotton will be comin' in fas', an' libbin' will 
be easy. Yuh gits dat?' 

For a moment she looked into the narrow, 
menacing eyes, then nodded. 

'Go 'long den, an' tote fair, les yuh wants 
tuh meet yo' Gawd.' 

137 



P O R G Y 

She stepped into the open. Already most 
of the party were on the boat. She crossed the 
narrow beach to the wharf. 

Maria stood by the gang-plank and looked 
at her with suspicious eyes. *Wuh yuh been 
all day?" she demanded. 

'I git los' in de woods, an' I can't git my 
bearin's 'til sundown. But dat ain't nobody' 
business 'cep' me an' Porgy, ef yuh wants 
tuh know.' 

She found Porgy on the lower deck near 
the stern, and seated herself by him in silence. 
He was looking into the sunset, and gave no 
evidence of having noticed her arrival. 

Through the illimitable, mysterious night, 
the steamer took its way. Presently it swung 
out of one of the narrow channels and wal- 
lowed like an antediluvian monster into the 
stillness of a wide lagoon. Out of the dark- 
ness, low, broad waves moved in upon it, 
trailing stars along their swarthy backs to 
shatter into silver dust against the uncouth 
bows. 

To Porgy and Bess, still sitting silent in 
the stern, came only the echoes of drowsy 



PORGY 

conversations, sounds of sleeping, and the 
rhythmic splash and drip of the single great 
wheel behind them. The boat forged out into 
the centre of the lagoon, and the shore line 
melted out behind it. Where it had shown 
a moment before, could now be seen only 
the steady climb of constellations out of the 
water's rim, and the soft, humid lamps of low, 
near stars. The night pressed in about the 
two quiet figures. 

Porgy had said no word since their depar- 
ture. His body had assumed its old, tense 
attitude. His face wore again its listening 
look. Now, he said slowly: 

'Yuh nebber lie tuh me, Bess.* 

'No,' came an even, colourless voice, 'I 
nebber lie tuh yuh. Yuh gots tuh gib me dat.' 

Another interval, then: 

'War it Crown?' 

A sharp, indrawn breath beside him, and a 
whisper: 

'How yuh know?' 

'Gawd gib cripple many t'ings he ain't gib 
strong men.' Then again, patiently, 'War it 
Crown?' 

139 



PORGY 

'Yes, it war,' 

'Wut he say?' 

'He comin' fuh me when de cotton come 
tuh town.' 

'Yuh goin'?' 

'I tell um - yes/ 

After a while the woman reached out a 
hand and closed it lightly about the man's 
arm. Under the sleeve she felt the muscles 
go rigid. What power! She tried to circle 
it with her hand. It was almost as big as 
Crown's. It was strange that she had not 
noticed that before. She opened her mouth 
to speak, but no sound came. Presently she 
sighed, and withdrew her hand. 

Through the immense emptiness of sea and 
sky the boat forged slowly toward the distant 
city's lights. 



'I gots er feelin' yistuhday,' announced 
Maria to Serena Robbins, as she took a batch 
of wet clothing from the latter's tub, gave it 
one twist with her enormous hands, and set 
it aside to go upon the line. 
140 



PORGY 

'Wut yuh gots er feelin' 'bout?' 

'I gots er feelin' w'en Porgy 'oman come 
out de wood on de picnic, she done been wid 
Crown/ 

At the mention of the murderer's name 
Serena stepped back, and her usual expres- 
sion of sanctimonious complacency slowly 
changed. Her lower lip shot forward, and 
her face darkened. 

'Yuh t'ink dat nigger on Kittiwar?' she 
asked. 

'I allus figgered he bin dey in dem deep 
palmetters,' Maria replied. 'But w'en I look 
in Bess's eye las' night, I sho ob two t'ing: 
one, dat he is dey, an' two, dat she been 
wid um.' 

'Yuh b'lieb she still run wid dat nigger?' 

'Dem sort ob mens ain't need tub worry 
'bout habin' 'omen,' Maria told her. 'Dey 
kin lay de lash on um, an' kick um in de 
street; den dey kin whistle w'en dey ready, 
an' dere dey is ag'in lickin' dey han'.' 

'She goin* stay wid Porgy, ef she know 
wut good fuh she.' 

'She know all right, an' she lub Porgy. 
141 



PORGY 

But ef dat nigger come attuh she, dey ain't 
goin' tuh be noboddy roun' hyuh but Porgy 
an' de goat.' 

A sudden dark flame blazed in Serena's 
face, sweeping the acquired complacency be- 
fore it, and changing it utterly. She leant 
forward, and spoke heavily: 

'Dat nigger bes' t'ank he Gawd dat I gots 
my Jedus now fuh hoi' back my han'P 

'Yuh ain't means dat yuh is goin' tuh gib 
um up tuh de w'ite folks ef he come back to 
town, 'stead ob settle wid um yu'self?' Maria 
asked incredulously. 

'I ain't know wut fuh do,' the other replied, 
the hatred in her face giving way to a look of 
perplexity. 'Ef dat nigger come tuh town he 
sho tuh git kill' sooner er later. Den de w'ite 
folks goin' lock me up. Dey gots it on de 
writin's now dat I been Robbins' wife; an* 
dey goin' figger I like as not kill um. I knows 
two people git lock up dat way, an' dey ain't 
do one Gawd t'ing.' 

'Nigger sho' gots fuh keep he eye open in 
dis worl',' the big negress observed. 'But we 
can't turn no nigger ober tuh de police.' 
142 



PORGY 

A man paused before the entrance of the 
court, and looked in. To the two women he 
was only a silhouette standing under the arch 
against a dazzling expanse of bay; but the 
foppish outlines of the indolent, slender figure 
were unmistakable. 

A smile of pleased anticipation grew about 
Maria's wide mouth. She dried her hands 
upon her apron. 

*Jus' like I been tellin' yuhP she remarked 
to Serena. 'T'ank Gawd, Jedus ain't gots me 
yit wuh he gots you ; an' I still mens enough 
tuh straighten out a crooked nigger. See dat 
yalluh snake wrigglin' in de do 'way? He de 
one wut sell Bess dat happy-dusV 

Drying her hands and bared forearms with 
ominous thoroughness, she crossed to her 
shop. The room was empty when she entered. 
She went at once to the stove which stood in 
its corner, with its legs set upon four bricks. 
She bent forward, placed a shoulder against 
one of its corners, gave a heave, and drew out 
a brick. Then she straightened up, spat first 
on one hand, then on the other, and, carrying 
the brick in her immense right, lightly, and 
H3 



PORGY 

with a certain awful fondness, stepped out of 
her door. 

Sportin' Life was now within the entrance, 
and presented an unsuspecting profile to the 
cook-shop. 

With frightful deliberation, Maria swung 
her long arm back; then, like the stroke of a 
rattler, it shot forward. The brick caught the 
mulatto full on the side of the head. He 
crumpled among his gaudy habiliments like 
a stricken bird. 

After a space of time the victim blinked 
feebly, then opened his eyes upon Maria's 
face. She was mopping his head with a wet 
rag, and his first glance discovered an expres- 
sion of gentleness on her heavy features. 
Reassured, he opened his eyes wide. But the 
gentleness was gone. He felt himself gripped 
by the shoulders, and suddenly snatched up- 
ward to be placed upon unsteady legs. Then 
he was propelled rapidly toward the gate. 

At the pavement's edge Maria swung her 
victim around until his wandering and reluct- 
ant gaze met hers. 

*De las' time yuh wuz aroun' hyuh, I ain't 
144 



PORGY 

hab nuttin' on yuh but my eyes. Now I knows 
yuh - yuh damn, dirty, dope-peddler, wreckin' 
de homes ob dese happy niggers!' 

Her arms shot forward and back like loco- 
motive pistons. The man's head snapped to 
an acute angle, and righted itself with diffi- 
culty. 

'Now, w'en I done flingin' yuh out dis 
gate/ she proceeded, 'it's de las' time yuh is 
goin' tuh leabe it erlibe. Eberybody say I is 
er berry t'orough nigger, an' ef yuh ebber 
comes roun' hyuh agin, drunk or sobuh, I 
ain't goin' to be t'rough wid yuh carcase ontil 
I t'row yuh bones out tuh de buzza'd one 
by one.' 

Abruptly she reversed the luckless man and 
placed a foot in the small of his back. Then 
with a heave that seemed to bring into play 
every muscle of her huge bulk, she catapulted 
him once and for all out of Catfish Row and 
the lives of its inhabitants. 



PART V 



PART V 

* 

'FiSH runnin' well outside de bar, dese days/ 
remarked Jake one evening to several of his, 
sea-going companions. 

A large, bronze-coloured negro paused in 
his task of rigging a line, and cast an eye to 
sea through the driveway. 

'An* we mens bes' make de mores ob it,' he 
observed. 'Dem Septumbuh storm due soon, 
an' fish ain't likes eas' win' an' muddy watuh.' 

Jake laughed reassuringly. 

'Go 'long wid yuh. Ain't yuh done know 
we hab one stiff gale las' summer, an' he 
nebber come two yeah han' runnin',' 

His wife came toward him with a baby in 
her arms, and, giving him the child to hold, 
took up the mess offish which he was cleaning 
in a leisurely fashion. 

'Ef yuh ain't mans enough tuh clean fish no 
fastuh dan dat, yuh bes' min' de baby, an' gib 
um tuh a 'oman fuh clean!' she said scorn- 
fully, as she bore away the pan. 

The group laughed at that, Jake's some- 
what shamefaced merriment rising above the 
others. He rocked the contented little negro 
149 



PORGY 

in his strong arms, and followed the retreating 
figure of the mother with admiring eyes. 

'All right, mens,' he said, returning to the 
matter in hand. 'I'm all fuh ridin' luck fer as 
he will tote me. Turn out at fo' tuhmorruh 
mornin', and we'll push de Seagull clean tuh 
de blackfish banks befo' we wets de anchor. I 
gots er feelin' in my bones dat we goin' be 
gunnels undeh wid de pure fish when we 
comes in tuhmorruh night.' 

The news of Jake's prediction spread 
through the negro quarter. Other crews got 
their boats hastily in commission and were 
ready to join the * Mosquito Fleet' when it put 
to sea. 

On the following morning, when the sun 
rose out of the Atlantic, the thirty or forty 
small vessels were mere specks teetering upon 
the water's rim against the red disc that 
forged swiftly up beyond them. 

Afternoon found the wharf crowded with 
women and children, who laughed and joked 
each other as to the respective merits of their 
men and the luck of the boats in which they 
went to sea. 

150 



PORGY 

Clara, Jake's wife, sought the head of the 
dock long before sundown, and sat upon the 
bulkhead with her baby asleep in her lap. 
Occasionally she would exchange a greeting 
with an acquaintance; but for the most part 
she gazed toward the harbour mouth and said 
no word to anyone. 

'She always like dat,' a neighbour informed 
a little group. 'A conjer 'oman once tell she 
Jake goin' git drownded; an* she ain't hab no 
happiness since, 'cept when he feet is hittin r 
de dirt.' 

Presently a murmur arose among the 
watchers. Out at the harbour mouth, against 
the thin greenish-blue of the horizon, ap- 
peared the 'Mosquito Fleet.' Driven by a 
steady breeze, the boats swept toward the city 
with astonishing rapidity. 

Warm sunlight flooded out of the west, 
touched the old city with transient glory, then 
cascaded over the tossing surface of the bay to 
paint the taut, cupped sails salmon pink, as 
the fleet drove forward directly into the eye of 
the sun. 

Almost before the crowd realized it, the 



PORGY 

boats were jibing and coming about at their 
feet, each jockeying for a favourable berth. 

Under the skilful and daring hand of Jake, 
the Seagull took a chance, missed a stern by a 
hairbreadth, jibed suddenly with a snap and 
boom, and ran in, directly under the old rock 
steps of the wharf, 

A cheer went up from the crowd. Never 
had there been such a catch. The boat seemed 
floored with silver which rose almost to the 
thwarts, forcing the crew to sit on gunnels, or 
aft with the steersman. 

Indeed the catch was so heavy, that as boat 
after boat docked, it became evident that the 
market was glutted, and the fishermen vied 
with each other in giving away their surplus 
cargo, so that they would not have to throw it 
overboard. 



By the following morning the weather had 
become unsettled. The wind was still coming 
out of the west; but a low, solid wall of cloud 
had replaced the promising sunset of the even- 
ing before, and from time to time the wind 
152 



PORGY 

would wrench off a section of the black mass, 
and volley it with great speed across the sky, 
to accumulate in unstable pyramids against 
the sunrise. 

But the success of the day before had so 
fired the enthusiasm of the fishermen that 
they were not easily to be deterred from fol- 
lowing their luck, and the first grey premoni- 
tion of the day found the wharf seething with 
preparation. 

Clara, with the baby in her arms, accom- 
panied Jake to the pier-head. She knew the 
futility of remonstrance; but her eyes were 
fearful when the heavy, black clouds swept 
overhead. Once, when a wave slapped a pile, 
and threw a handful of spray in her face, she 
moaned and looked up at the big negro by her 
side. But Jake was full of the business in 
hand, and besides, he was growing a little 
impatient at his wife's incessant plea that he 
sell his share of the Seagull 'and settle on land. 
Now he turned from her, and shouted: 

'All right, mens!' 

He bestowed a short, powerful embrace 
upon his wife, with his eyes looking over 
153 



PORGY 

her shoulder into the Atlantic's veiled face, 
turned from her with a quick, nervous move- 
ment, and dropped from the wharf into his 
boat. 

Standing in the bow, he moistened his 
finger in his mouth, and held it up to the^wind. 

'You mens bes' git all de fish yuh kin tuh- 
day,' he admonished. 'Win' be in de eas' by 
tuhmorruh. It gots dat wet tas' ter um now/ 

One by one the boats shoved off, and lay in 
the stream while they adjusted their spritsails 
and rigged their full jibs abeam, like spin- 
nakers, for the free run to sea. The vessels 
were similar in design, the larger ones attain- 
ing a length of thirty-five feet. They were 
very narrow, and low in the waist, with high, 
keen bows, and pointed sterns. The hulls 
were round-bottomed, and had beautiful run- 
ning lines, the fishermen, who were also the 
designers and builders, taking great pride in 
the speed and style of their respective craft. 
The boats were all open from stem to stern 
and were equipped with tholepins for rowing, 
an expedient to which the men resorted only 
in dire emergency. 

154 



PORGY 

Custom had reduced adventure to com- 
monplace; yet it was inconceivable that men 
could put out, in the face of unsettled weather, 
for a point beyond sight of land, and exhibit 
no uneasiness or fear. Yet bursts of loud, 
loose laughter, and snatches of song, blew 
back to the wharf long after the boats were 
in mid-stream. 

The wind continued to come in sudden 
flaws, and, once the little craft had gotten 
clear of the wharves, the fleet made swift but 
erratic progress. There were moments when 
they would seem to mark time upon the 
choppy waters of the bay; then suddenly a 
flaw would bear down on them, whipping the 
water as it came, and, filling the sails, would 
fairly lift the slender bows as it drove them 
forward. 

By the time that the leisurely old city was 
sitting down to its breakfast, the fleet had dis- 
appeared into the horizon, and the sun had 
climbed over its obstructions to flood the 
harbour with reassuring light. 

The mercurial spirits of the negroes rose 
with the genial warmth. Forebodings were 
155 



PORGY 

forgotten. Even Clara sang a lighter air as 
she rocked the baby upon her lap. 

But the sun had just lifted over the eastern 
wall, and the heat of noon was beginning to 
vibrate in the court, when suddenly the air of 
security was shattered. From the centre of 
town sounded the deep, ominous clang of a 
bell. 

At its first stroke life in Catfish Row was 
paralysed. Women stopped their tasks, and, 
not realizing what they did, clasped each 
other's hands tightly, and stood motionless, 
with strained, listening faces. 

Twenty times the great hammer fell, send- 
ing the deep, full notes out across the city 
that was holding its breath and counting them 
as they came. 

'Twenty!' said Clara, when it had ceased to 
shake the air. 

She ran to the entrance and looked to the 
north. Almost at the end of vision, between 
two buildings, could be seen the flagstaff that 
surmounted the custom-house. It was bare 
when she looked -just a thin, bare line 
against the intense blue, but even as she stood 



PORGY 

there, a flicker of colour soared up its length ; 
then fixed and flattened, showing a red square 
with a black centre. 

'My Gawd!' she called over her shoulder. 
'It's de trut'. Dat's de hurricane signal on 
top de custom-house.' 

Bess came from her room, and stood close 
to the terrified woman. 

'Dat can't be so,' she said comfortingly. 
'Ain't yuh 'member de las' hurricane, how it 
tek two day tuh blow up. Now de sun out 
bright, an' de cloud all gone.' 

But Clara gave no sign of having heard her. 

'Come on in!' urged Bess. 'Ef yuh don't 
start tuh git yuh dinner, yuh won't hab nut- 
tin' ready fuh de mens w'en dey gits in/ 

After a moment the idea penetrated, and 
the half-dazed woman turned toward Bess, 
her eyes pleading. 

'You come wid me, an' talk a lot. I ain't 
likes tuh be all alone now/ 

'Sho' I will,' replied the other comfort- 
ingly. 'I min* de baby fuh yuh, an' yuh kin 
be gittin' de dinner/ 

Clara's face quivered; but she turned from 



PORGY 

the sight of the far red flag and opened her 
door for Bess to pass in. 

After the two women had remained to- 
gether for half an hour, Bess left the room for 
a moment to fetch some sewing. The sun 
was gone, and the sky presented a smooth, 
leaden surface. She closed the door quickly 
so that Clara might not see the abrupt change, 
and went out of the entrance for a look to sea. 

Like the sky, the bay had undergone a 
complete metamorphosis. The water was 
black, and strangely lifeless. Thin, intensely 
white crests rode the low, pointed waves ; and 
between the opposing planes of sky and sea 
a thin westerly wind roamed about like a 
trapped thing and whined in a complaining 
treble key. A singularly clear half-light per- 
vaded the world, and in it she could see the 
harbour mouth distinctly, as it lay ten miles 
away between the north and south jetties that 
stretched on the horizon like arms with the 
finger-tips nearly touching. 

Her eyes sought the narrow opening. 
Guiltless of the smallest speck, it let upon 
utter void. 

158 



PORGY 

'It'd take 'em t'ree hour tuh mek harbour 
from de banks wid good win',' said a woman 
who was also watching. 'But dere ain't no 
powuh in dis breeze, an' it a head one at dat.' 

'Dey kin row it in dat time,' encouraged 
Bess. 'An' de storm ain't hyuh yit.' 

But the woman hugged her forebodings, 
and stood there shivering in the close, warm 
air. 



Except for the faint moan of the wind, the 
town and harbour lay in a silence that was 
like held breath. 

Many negroes came to the wharf, passed 
out to the pier-head, and sat quietly watching 
the entrance to the bay. 

At one o'clock the tension snapped. As 
though it had been awaiting St. Christopher's 
chimes to announce 'Zero Hour,' the wind 
swung into the east, and its voice dropped an 
octave, and changed its quality. Instead of 
the complaining whine, a grave, sustained 
note came in from the Atlantic, with an under- 
tone of alarming variations, that sounded 
159 F 



PORGY 

oddly out of place as it traversed the inert 
waters of the bay. 

The tide was at the last of the ebb, and 
racing out of the many rivers and creeks 
toward the sea. All morning the west wind 
had driven it smoothly before it. But now, 
the stiffening eastern gale threw its weight 
against the water, and the conflict immedi- 
ately filled the bay with large waves that leapt 
up to angry points, then dropped back sullenly 
upon themselves. 

'Choppy water,' observed a very old negro 
who squinted through half-closed eyes. 'Dem 
boat nebbuh mek headway in dat sea.' 

But he was not encouraged to continue by 
the silent, anxious group. 

Slowly the threatening undertone of the 
wind grew louder. Then, as though a curtain 
had been lowered across the harbour mouth, 
everything beyond was blotted by a milky 
screen, 

'Oh, my Jedus !' a voice shrilled. 'Here he 
come, now! Le's we go!' 

Many of the watchers broke for the cover 
of buildings across the street. Some of those 
1 60 



PORGY 

whose men were in the fleet crowded into the 
small wharf-house. Several voices started to 
pray at once, and were immediately drowned 
in the rising clamour of the wind. 

With the mathematical precision that it 
had exhibited in starting, the gale now moved 
its obliterating curtain through the jetties, and 
thrust it forward in a straight line across the 
outer bay. 

There was something utterly terrifying 
about the studied manner in which the hurri- 
cane proceeded about its business. It clicked 
off its moves like an automaton. It was Des- 
tiny working nakedly for the eyes of men to 
see. The watchers knew that for at least 
twenty-four hours it would stay, moving its 
tides and winds here and there with that in- 
vincible precision, crushing the life from those 
whom its preconceived plan had seemed to 
mark for death. 

With that instant emotional release that is 
the great solace of the negro, the tightly 
packed wharf-house burst into a babblement 
of weeping and prayer. 

The curtain advanced to the inner bay and 
161 



PORGY 

narrowed the world to the city, with its 
buildings cowering white and fearful, and the 
remaining semi-circle of the harbour. 

And now from the opaque surface of the 
screen came a persistent roar that was neither 
of wind or water, but the articulate cry of the 
storm itself. The curtain shot forward again 
and became a wall, grey and impenetrable^ 
that sunk its foundations into the tortured 
sea and bore the leaden sky upon its soaring 
top. 

The noise became deafening. The narrow 
strip of water that was left before the wharves 
seemed to shrink away. The buildings hud- 
dled closer and waited. 

Then it crossed the strip, and smote the 
city. 

From the roofs came the sound as though 
ton after ton of ore had been dumped from 
some great eminence. There was a dead 
weight to the shocks that could not conceiv- 
ably be delivered by so unsubstantial a sub- 
stance as air, yet which was the wind itself, 
lifting abruptly to enormous heights, then 
hurling its full force downward. 
162 



PORGY 

These shocks followed the demoniac plan, 
occurring at exact intervals, and were suc- 
ceeded by prying fingers, as fluid as ether, as 
hard as steel, that felt for cracks in roofs and 
windows. 

One could no longer say with certainty, 
'This which I breathe is air, and this upon 
which I stand is earth.' The storm had pos- 
sessed itself of the city and made it its own. 
Tangibles and intangibles alike were whirled 
in a mad, inextricable nebula. 

The waves that moved upon the bay could 
be dimly discerned for a little distance. They 
were turgid, yellow, and naked; for the 
moment they lifted a crest, the wind snatched 
it and dispersed it, with the rain, into the 
warm semi-fluid atmosphere with which it 
delivered its attack upon the panic-stricken 
city. 

Notch by notch the velocity increased. 
The concussions upon the roofs became 
louder, and the prying fingers commenced to 
gain a purchase, worrying small holes into 
large ones. Here and there the wind would 
get beneath the tin, roll it up suddenly, whirl 

163 



PORGY 

it from a building like a sheet of paper, and 
send it thundering and crashing down a 
deserted street. 

Again it would gain entrance to a room 
through a broken window, and, exerting its 
explosive force to the full, would blow all of 
the other windows outward, and commence 
work upon the walls from within. 

It was impossible to walk upon the street. 
At the first shock of the storm, the little group 
of negroes who had sought shelter in the 
wharf-house fled to the Row. Even then, the 
force of the attack had been so great that only 
by bending double and clinging together 
were they able to resist the onslaughts and 
traverse the narrow street. 

Porgy and Bess sat in their room. The slats 
had been taken from the bed and nailed across 
the window, and the mattress, bundled into 
a corner, had been pre-empted by the goat. 
Bess sat wrapped in her own thoughts, 
apparently unmoved by the demoniac din 
without. Porgy's look was one of wonder, 
not unmixed with fear, as he peered into the 
outer world between two of the slats. The 
164 



PORGY 

goat, blessed with an utter lack of imagina- 
tion, revelled in the comfort and intimacy of 
his new environment, expressing his content- 
ment in suffocating waves, after the manner 
of his kind. A kerosene lamp without a 
chimney, smoking straight up into the un- 
natural stillness of the room, cast a faint, 
yellow light about it, but only accentuated 
the heavy gloom of the corners. 

From where Porgy sat, he could catch 
glimpses of what lay beyond the window. 
There would come occasional moments when 
the floor of the storm would be lifted by a 
burrowing wind, and he would see the high, 
naked breakers racing under the sullen pall 
of spume and rain, 

Once he saw a derelict go by. The vessel 
was a small river sloop, with its rigging blown 
clean out. A man was clinging to the tiller. 
One wave, larger than its fellows, submerged 
the little boat, and when it wallowed to the 
surface again, the man was gone, and the tiller 
was kicking wildly. 

'Oh, my Jedus, hab a little pity!' the 
watcher moaned under his breath. 

165 



PORGY 

Later, a roof went by. 

Porgy heard it coming, even above the 
sound of the attack upon the Row, and it 
filled him with awe and dread. He turned 
and looked at Bess, and was reassured to see 
that she met his gaze fearlessly. Down the 
street the roar advanced, growing nearer and 
louder momentarily. Surely it would be the 
final instrument of destruction. He held his 
breath, and waited. Then it thundered past 
his narrow sphere of vision. Rolled loosely, 
it loomed to the second story windows, and 
flapped and tore at the buildings as it swept 
over the cobbles. 

When a voice could be heard again, Porgy 
turned to his companion. 

'You an' me, Bess/ he said with convic- 
tion. 'We sho* is a little something attuh 
all/ 

After that, they sat long without exchang- 
ing a word. Then Porgy looked out of the 
window and noticed that the quality of the 
atmosphere was becoming denser. The spume 
lifted for a moment, and he could scarcely see 
the tormented bay, 

166 



PORGY 

'I t'ink it mus' be mos' night/ he observed. 
*Dey ain't much light now on de outside ob 
dis storm.' 

He looked again before the curtain de- 
scended, and what he saw caused his heart to 
miss a beat. 

He knew that the tide should be again at 
the ebb, for the flood had commenced just 
after the storm broke. But as he looked, the 
water, which was already higher than a nor- 
mal flood, lifted over the far edge of the 
street, and three tremendous waves broke in 
rapid succession, sending the deep layers of 
water across the narrow way to splash against 
the wall of the building. 

This reversal of nature's law struck terror 
into the dark places of Porgy's soul. He 
beckoned to Bess, his fascinated eyes upon 
the advancing waves. 

She bent down and peered into the gloom. 

'Oh, yes,' she remarked in a flat tone. 'It 
been dis way in de las' great storm. De win' 
hoi 1 de watuh in de jetty mout' so he can't 
go out. Den he pile up annoder tide on 
him/ 

167 



PORGY 

Suddenly an enormous breaker loomed 
over the backs of its shattered and retreating 
fellows. The two watchers could not see its 
crest, for it towered into, and was absorbed 
by, the low-hanging atmosphere. Yellow, 
smooth, and with a perpendicular, slightly 
concave front, it flashed across the street, and 
smote the solid wall of the Row. They heard 
it roar like a mill-race through the drive, and 
flatten, hissing in the court. Then they 
turned, and saw their own door give slightly 
to the pressure, and a dark flood spurt beneath 
it, and debouch upon the floor. 

Bess took immediate command of the situ- 
ation. She threw an arm about Porgy, and 
hurried him to the door. She withdrew the 
bolt, and the flimsy panels shot inward. The 
court was almost totally dark. One after 
another now the waves were hurtling through 
the drive and impounding in the walled 
square. 

The night was full of moving figures, and 
cries of fear; while, out of the upper dark, the 
wind struck savagely downward. 

With a powerful swing, Bess got Porgy to 
168 



PORGY 

a stairway that providentially opened near 
their room, and, leaving him to make his way 
up alone, she rushed back, and was soon at 
his heels with an armful of belongings. 

They sought refuge in what had been the 
great ball-room of the mansion, a square, 
high-ceilinged room on the second story, 
which was occupied by a large and prosperous 
family. There were many refugees there 
before them. In the faint light cast by several 
lanterns, the indestructible beauty of the 
apartment was evident, while the defacing 
effects of a century were absorbed in shadow. 
The noble open fireplace, the tall, slender 
mantel, with its Grecian frieze and intricate 
scrollwork, the high panelled walls were all 
there. And then, huddled in little groups on 
the floor, or seated against the walls, with 
eyes wide in the lantern-shine, the black, fear- 
stricken faces. 

Like the ultimate disintegration of a civi- 
lization-there it was; and upon it, as 
though to make quick work of the last, tragic 
chapter, the scourging wrath of the Gods - 
white, and black. 

169 



PORGY 

5 

The night that settled down upon Catfish 
Row was one of nameless horror to the in- 
habitants, most of whom were huddled on the 
second floor in order to avoid the sea from 
beneath, and deafening assaults upon the 
roof above their heads. 

With the obliteration of vision, sound as- 
sumed an exaggerated significance, and the 
voice of the gale, which had seemed by day 
only a great roar, broke up in the dark into 
its various parts. Human voices seemed to 
cry in it; and there were moments when it 
sniffed and moaned at the windows. 

Once, during a silence in the room, a 
whinny was distinctly heard. 

'Dat my ole horse P wailed Peter. 'He done 
dead in he stall now, an' dat he woice goin' 
by. Oh, my Gawd!' 

They all wailed out at that; and Porgy, 
remembering his goat, whimpered and turned 
his face to the wall. 

Then some one started to sing: 

'I gots uh home in de rock, don't yuh see?' 
170 



PORGY 

With a feeling of infinite relief, Porgy 
turned to his Jesus. It was not a charm that 
he sought now for the assuaging of some 
physical ill, but a benign power, vaster per- 
haps even than the hurricane. He lifted his 
rich baritone above the others: 

'Oh, between de eart' an' sky, 
I kin see my Sabior die. 
I gots uh home in de rock, 
Don't yuh see?' 

Then they were all in it, heart and soul. 
Those who had fallen into a fitful sleep, 
awoke, rubbed their eyes, and sang. 

Hour after hour dragged heavily past. 
Outside, the storm worked its will upon the 
defenceless city. But in the great ball-room 
of Catfish Row, forty souls sat wrapped in an 
invulnerable garment. They swayed and 
patted, and poured their griefs and fears into 
a rhythm that never missed a beat, which 
swept the hours behind it into oblivion, and 
that finally sang up the faint grey light that 
penetrated the storm, and told them that it 
was again day. 

171 



PORGY 



At about an hour after daybreak the first 
lull came. Like the other moves of the hur- 
ricane, it arrived without warning. One mo- 
ment the tumult was at its height. The next, 
there was utter suspension. Abruptly, like an 
indrawn breath, the wind sucked back upon 
itself, leaving an aching vacuum in its place. 
Then from the inundated water-front arose 
the sound of the receding flood. 

The ebb-tide was again overdue, and with 
the second tide piled upon it, the whole im- 
measurable weight of the wind was required 
to maintain its height. Now, with the pres- 
sure removed, it turned and raced beneath 
the low-lying mist toward the sea, carrying its 
pitiful loot upon its back. 

To the huddled figures in the great room 
of the Row came the welcome sound, as the 
court emptied itself into the street. The 
negroes crowded to the windows, and peered 
between the barricades at the world without. 

The water receded with incredible speed. 
Submerged wreckage lifted above the surface. 
172 



PORGY 

The street became the bed of a cataract that 
foamed and boiled on its rush to the sea. Pres- 
ently the wharf emerged, and at its end even 
a substantial remnant of the house could be 
descried. How it had survived that long was 
one of the inexplicable mysteries of the storm. 

Suddenly Peter, who was at one of the 
windows, gave a cry, and the other negroes 
crowded about him to peer out. 

The sea was still running high, and as a 
large wave lifted above the level of the others, 
it thrust into view the hull of a half-submerged 
boat. Before the watchers could see, the wave 
dropped its burden into a trough, but the old 
man showed them where to look, and pres- 
ently a big roller caught it up, and swung it, 
bow on, for all to see. There was a flash of 
scarlet gunnel, and, beneath it, a bright blue 
bird with open wings. 

'De SeagullV cried a dozen voices together. 
'My Gawd! dat Jake' boat!' 

All night Clara had sat in a corner of the 

room with the baby in her arms, saying no 

word to anyone. She was so still that she 

seemed to be asleep, with her head upon her 

173 



PORGY 

breast. But once, when Bess had gone and 
looked into her face, she had seen her eyes, 
wide and bright with pain. 

Now the unfortunate woman heard the 
voices, and sprang to the window just in time 
to see the craft swoop into a hollow at the 
head of the pier. 

She did not scream out. For a moment she 
did not even speak. Then she spun around 
on Bess with the dawn of a wild hope in her 
dark face. 

'Tek care ob dis baby 'til I gits back/ she 
said, as she thrust the child almost savagely 
into Bess's arms. Then she rushed from the 
room. 

The watchers at the window saw her cross 
the street, splashing wildly through the knee- 
deep water. Then she ran the length of the 
wharf, and disappeared behind the shelter- 
ing wall of the house. 

It was so sudden, and tired wits move 
slowly. Several minutes had passed before it 
occurred to anyone to go with her. Finally 
Peter turned from the window. 

'Dat 'oman ain't ought tuh be out dey by 



PORGY 

sheself,' he said. 'Who goin* out dey wid me, 
now?' 

One of the men volunteered, and they 
started for the door. 

A sound like the detonation of a cannon 
shook the building to its foundations. The 
gale had returned, smashing straight down- 
ward from some incredible height to which it 
had lifted during the lull. 

The men turned and looked at one another. 

Shock followed shock in rapid succession. 
Those who stood by the windows felt them 
give inward, and instinctively threw their 
weight against the frames. The explosions 
merged into a steady roar of sound that sur- 
passed anything that had yet occurred. The 
room became so dark that they could no 
longer see one another. The barricaded win- 
dows were vaguely discernible in bars of 
muddy grey and black. Deeply rooted walls 
swung from the blows, and then settled slowly 
back on the recoil. 

A confused sound of praying filled the 
room. And above it shrilled the terror of the 
women. 

175 



PORGY 

For an appreciable space of time the spasm 
lasted. Then, slowly, as though by the gra- 
dual withdrawing of a lever, the vehemence of 
the attack abated. The muddy grey bars at 
the windows became lighter, and some of the 
more courageous of the negroes peered out. 

The wharf could be seen dimly extending 
under the low floor of spume and mist. The 
breakers were higher than at any previous 
time, but instead of smashing in upon the 
shore, they raced straight up the river and 
paralleled the city. As each one swung by it 
went clean over the wharf, obliterating it for 
the duration of its passage. 

Suddenly from the direction of the lower 
harbour a tremendous mass appeared, show- 
ing first only a vast distorted stain against the 
grey fabric of the mist. Then a gigantic wave 
took it, and drove it into fuller view. 

'Great Gawd A'mightyP some one whis- 
pered. 'It's dat big lumbuh schooner bruck 
loose in de harbor/ 

The wave hunched its mighty shoulders 
under the vessel and swung it up - up, for 
an interminable moment. The soaring bow- 



PORGY 

sprit lifted until it was lost in mist. Tons of 
water gushed from the steep incline of the 
deck, and poured over the smooth, black 
wall of the side, as it reared half out of the 
sea. Then the wave swept aft, and the bow 
descended in a swift, deadly plunge. 

A crashing of timbers followed that could 
be heard clearly above the roaring of the 
storm. The hull had fallen directly across 
the middle of the wharf. There was one 
cataclysmic moment when the whole view 
seemed to disintegrate. The huge timbers of 
the wharf up-ended, and were washed out like 
straws. The schooner rolled half over, and 
her three masts crashed down with their rig- 
ging. The shock burst the lashings of the 
vessel's deck load, and as the hull heeled, an 
avalanche of heavy timbers took the water. 
The ruin was utter. 

Heavy and obliterating, the mist closed 
down again. 

Bess turned from the window holding the 
sleeping infant in her arms, raised her eyes 
and looked full at Porgy. 

With an expression of awe in his face, the 
177 



PORGY 

cripple reached out a timid hand and touched 
the baby's cheek. 



The windows of the great ball-room were 
open to the sky, and beyond them, a busy 
breeze was blowing across its washed and 
polished expanse, gathering cloud-remnants 
into little heaps, and sweeping them in 
tumbling haste out over the threshold of 
the sea. 

Most of the refugees had returned to their 
rooms, where sounds of busy salvaging could 
be heard. Porgy's voice arose jubilantly an- 
nouncing that the goat had been discovered, 
marooned upon the cook-stove; and that 
Peter's old horse had belied his whinny, and 
was none the worse for a thorough wetting. 

Serena Robbins paused before Bess, who 
was gathering her things preparatory to leav- 
ing the room, placed her hands upon her 
hips, and looked down upon her. 

'Now, wut we all goin' do wid dis po* 
mudderless chile?' she said, addressing the 
room at large. 



PORGY 

The other occupants of the room gathered 
behind Serena, but there was something about 
Bess's look that held them quiet. They stood 
there waiting and saying nothing. 

Slowly Bess straightened up, her face low- 
ered and pressed against that of the sleeping 
child. Then she raised her eyes and met the 
gaze of the complacent older woman. 

What Serena saw there was not so much 
the old defiance that she had expected, as it 
was an inflexible determination, and, behind 
it, a new-born element in the woman that 
rendered the scarred visage incandescent. 
She stepped back, and lowered her eyes. 

Bess strained the child to her breast with an 
elemental intensity of possession, and spoke 
in a low, deep voice that vested her words 
with sombre meaning. 

'Is Clara come back a'ready, since she 
dead, an' say somet'ing 'bout "we" tuh yuh 
'bout dis chile?' 

She put the question to the group, her 
eyes taking in the circle of faces as she 
spoke. 

There was no response ; and at the sugges- 
179 



PORGY 

tion of a possible return of the dead, the circle 
drew together instinctively. 

'Berry well den,' said Bess solemnly. 'On- 
tell she do, I goin' stan' on she las' libbin' 
word an' keep dis chile fuh she 'til she do 
come back.' 

Serena was hopelessly beaten, and she 
knew it. 

'Oh, berry well,' she capitulated. 'All I 
been goin' tuh do wuz jus' tuh puhwide urn 
wid er propuh Christian raisin'. But ef she 
done gib um tuh yuh, dere ain't nuttin' mo' 
I kin do, I guess.' 



1 80 



PART VI 



PART VI 
* 

OCTOBER blew down from the north, bracing,, 
and frosty-clear. It sent a breeze racing like 
mad over the bay and bouncing into the court 
to toss the clothes-lines like lanyards of signal- 
flags. The torpid city and wide, slumbrous 
marshes were stung to sudden life and laughed 
up at the far, crisp blue of the sky. 

Out in the harbour mouth, a faint wisp of 
smoke grew and blackened, and presently 
beneath it the rusty hull of a tramp lifted from 
the Atlantic, and thrust its blunt nose into the 
waters of the bay. 

Summer had gone. Soon the cotton would 
be coming through. 

It was nine o'clock, and still Porgy lingered 
in the court. His blood leapt swiftly in his 
veins, and he experienced that sweet upsurge 
of life that the North knows with the bursting 
of spring, but that comes most kqenly to the 
sultry lands with the strong breath of autumn. 
Yet, when he looked up at the sky, a vague 
prescience of disaster darkened his spirit. He 
sat beside Bess in the doorway, with his eyes 
upon the child in her lap. After a while he 

183 



PORGY 

took the baby into his arms, and then the 
foreboding suddenly became pain. 

He looked up and met the gaze of the 
woman. It was there in her eyes also, plain 
for him to see. 

Out in the silence of the street a sound 
commenced to grow. Only a faint, far mur- 
mur at first, it gathered weight until it became 
a steady rumble, with a staccato clip, clip, clip 
running through it. 

There were a few women and children 
about, and they ran to the entrance to see. 
But Porgy and Bess sat and looked fixedly at 
the bay, where it lay beyond the gate. 

Then the drays came, and the bay was 
blotted out by the procession. 

The great mules, fat and strong from their 
summer in pasture, moved swiftly with a 
sharp click of shoes, and the drivers cracked 
their whips and laughed down at the crowd. 
The low platforms of the vehicles seemed 
almost to brush the ground; and, upon them, 
clear to the top of the entrance arch, the 
bales towered, with the fibre showing in 
dazzling white patches where the bagging 
184 



PORGY 

was torn. Twenty or more in the train they 
passed. 

Scarcely had the rumble receded in the 
distance, than a burst of heavy laughter 
sounded in the street, and two tall figures 
strode through the entrance and into the 
group of women and children. There was a 
bright flash from bandanas, and one of the 
men swung a child to his shoulder. Loud 
greetings followed, and another burst of 
laughter, heavy, deep-chested and glad. 

From an upper window a woman's voice 
called, 'Come on, Sister; le's we go down. De 
stevedore is comin' back.' 

Porgy turned toward Bess, and moistened 
his lips with his tongue. Then he spoke in a 
low husky voice: 

'Us ain't talk much sence de picnic, 
Bess, you an* me. But I gots tuh talk 
now. I gots tuh know how yqu an' me 



stan'.' 



Bess regarded him dumbly. For a moment 
the look which Serena had seen when she had 
tried to take the baby brushed her face, then 
it passed, leaving it hopeless. 



PORG Y 

Porgy leaned forward. * Yuh is wantin' tuh 
go wid Crown w'en he come?' 

Then she answered : Wen I tek dat dope, 
I know den dat I ain't yo' kin'. An 1 w'en 
Crown put he han' on me dat day, I run tuh 
he like water. Some day dope comin' agin. 
An' some day Crown goin' put he han' on 
my t'roat. It goin' be like dyin' den. But I 
gots tuh talk de trut' tuh yuh. W'en dem 
time come, I goin' tuh go.' 

'Ef dey warn't no Crown?' Porgy whis- 
pered. Then before she could answer, he 
hurried on : 'Ef dey wuz only jes' de baby an' 
Porgy, wut den?' 

The odd incandescence flared in her face, 
touching it with something eternal and beau- 
tiful beyond the power of human flesh to 
convey. She took the child from Porgy with 
a hungry, enfolding gesture. Then her com- 
posure broke. 

'Oh, fuh Gawd sake, Porgy, don't let dat 
man come an' handle me ! Ef yuh is willin' 
tuh keep me, den lemme stay. Ef he jus' 
don't put dem hot han' on me, I kin be good, 
I kin 'member, I kin be happy.' 
186 



PORGY 

She broke off abruptly, and hid her face 
against that of the child. 

Porgy patted her arm. 'Yuh ain't needs 
tuh be 'fraid,' he assured her. 'Ain't yuh 
gots yo' man? Ain't yuh gots Porgy? Wut 
kin' of a nigger yuh t'inks yuh gots any- 
way, fuh let annuduh nigger carry he 'oman? 
No, suh! yuh gots yo' man now; yuh gots 
Porgy.' 

s 

From behind a sea island the full October 
moon lifted its chill disc and strewed the bay 
with cold, white fire. The lights were out in 
Catfish Row, except for a shaft of firelight 
that fell across the dark from Serena's room, 
and a faint flicker in the cook-shop, where 
Maria was getting her fire laid in readiness 
for the early breakfast. 

A cry sounded in the court, which was 
quickly muffled; then followed low, insolent 
laughter. 

Maria was at her door instantly. Across 
the court, a man could be seen for one mo- 
ment, seated on Serena's wash-bench; then 



PORGY 

behind him the door closed with a bang, 
shutting off the shaft of firelight. 

Maria crossed the court, and when she had 
reached the man's side he looked up. The 
moonlight fell upon his face. It was Crown. 

'What yuh doin' hyuh?' she asked him. 

'Jus' droppin' in on a few ole frienY 

'Come tuh de shop/ she commanded. 'I 
gots tuh hab talk wid yuh.' 

He arose obediently, and followed her. 

Maria turned up the lamp and faced about 
as Crown entered the room. He had to bend 
his head to pass under the lintel, and his 
shoulders brushed the sides of the opening. 

The big negress stood for a long moment 
looking at him. Her gaze took in the straight 
legs with their springing thighs straining the 
fabric of the cotton pants, the slender waist, 
and the almost unbelievable outward flare of 
the chest to the high, straight span of the 
shoulders. 

A look of deep sadness grew in her sombre 
face. 

'Wid uh body like datP she said at last, 
'why yuh is goin* aroun' huntin' fuh deat'?' 
188 



PORGY 

Crown laughed uneasily, stepped into the 
room, and sat at a table. He placed his 
elbows upon it, hunched his shoulders for- 
ward with a writhing of muscle beneath the 
shirt, then dropped his chin in his hands, and 
regarded the woman. 

'I know dese hyuh niggers/ he replied. 
'Dey is a decent lot. Dey wouldn't gib no 
nigger away tuh de w'ite folks/ 

'Dat de Gawd' trut'. Only dey is odder 
way ob settlin' up er debt.' 

'Serena?' he asked, with a sidelong look, 
and a laugh. 'Dat sister gots de fear ob Gawd 
in she heart. I ain't 'fraid none ob she.' 

After a moment of silence he asked 
abruptly: 

'Bess still libbin' wid de cripple?' 

'Yes; an' she a happy, decent 'oman. Yuh 
bes' leabe she alone.' 

'Fer Gawd' sake! Wut yuh t'ink I come 
tuh dis damn town fuh? I ain't jus' huntin' 
fuh deat' ! I atter my 'oman/ 

Maria placed her hands on the table op- 
posite the man and bent to look into his 
face. 

189 



PORGY 

"Oman is all berry much de same,' she said 
in a low, persuasive voice. 'Dey comes an' 
dey goes. One sattify a man quick as an- 
nuduh. Dey is lots ob bettuh lookin' gal dan 
Bess. She fix fuh life now wid dat boy. I ax 
yuh go an' lef she. Gib she uh chance.' 

'It tek long time tuh learn one 'oman,' he 
said slowly. 'Me an' Bess done fight dat all 
out dese fibe year gone/ 

'Yuh ain't goin' leabe she den?' There was 
an unusual note of pleading in the heavy 
voice. 

'Not till Hell freeze,' 

After a moment he arose and turned to 
her. 

*I gots tuh go out now. I ain't sho' wedder 
I goin' away tuhnight or wait fuh tuhmorruh 
night. I goin' look aroun' an' see how de 
Ian' lay; but I'll be seein' yuh agin befo' I 
goes.' 

Maria regarded him for a long moment; 
the look of sadness in her face deepened to a 
heavy melancholy; but she said nothing. 

Crown started for the street with his long, 
swaggering stride. The big woman watched 
190 



PORGY 

him until he turned to the north at the en- 
trance and passed from view. Then she locked 
the door and, with a deep sigh, walked to her 
own room. 



Porgy opened his eyes suddenly. The win- 
dow, which had been luminous when he went 
to sleep, was now darkened. He watched it 
intently. Slowly he realized that parts of the 
little square still showed the moonlit waters of 
the bay, and that only the centre was blocked 
out by an intervening mass. Then the mass 
moved, and Porgy saw that it was the torso 
and shoulders of a man. The window was 
three feet in width, yet the shoulders seemed 
to brush both sides of it as the form bent 
forward. The sash was down, and presently 
there came a sound as though hands were 
testing it to see whether it could be forced up. 

Porgy was lying on his back. He reached 
his left hand over the covers and let the 
fingers touch ever so lightly the sleeping 
faces of first the baby, then the woman. His 
right hand slid beneath his pillow, and his 
191 G 



PORGY 

strong, slender fingers closed about the handle 
of a knife. 

At the window the slight, testing noise 
continued. 



It was certainly after midnight when Maria 
looked from her doorway; for the moon was 
tottering on the western wall, and while she 
stood looking, slowly it dropped over and 
vanished. 

The vague forebodings that she had felt 
when she talked to Crown earlier in the even- 
ing had kept sleep from her; with each pass- 
ing hour her fears increased, and with them a 
sense of imminence that finally forced her to 
get up, slip on a wrapper, and prepare to 
make the rounds of the court. 

But on opening her door, she was at once 
reassured. The square stood before her like 
a vast cistern brimmed with misty dark and 
roofed with a lid of sky. A cur grovelled for- 
ward on its belly from a near-by nook, and 
licked one of her bare feet with its moist, 
warm tongue. 

192 



PORGY 

Above her, in the huge honeycomb of the 
building, some one was snoring in a slow, 
steady rhythm. 

The big negress drew a deep sigh of relief 
and turned back toward her room. 

A sound of cracking wood snapped the 
silence. Then, like a flurry of small bells, 
came a shiver of broken glass on the stones. 

Maria spun around, and tried to locate the 
sound; but no noise followed. Silence flowed 
back over the court and settled palpably into 
its recesses. The faint, not unpleasant rhythm 
of the snoring came insistently forward. 

Suddenly Maria turned, her face quick 
with apprehension. She drew her wrapper 
closely about her, and crossed to Porgy's 
door. With only half of the distance tra- 
versed, she heard a sound from the room. It 
was more of a muffled thump than anything 
else, and with it, something very like a gasp. 

When her hand closed over the knob all 
was silent again, except that she could hear a 
long, slightly shuddering breath. 

Then came a sound that caused her flesh to 
prickle with primal terror. It was so unex- 



PORGY 

pected, there in the chill, silent night. It was 
Porgy' s laugh, but different. Out of the still- 
ness it swelled suddenly, deep, aboriginal, 
lustful. Then it stopped short. 

Maria heard the baby cry out; then Bess's 
voice, sleepy and mystified : 'Fuh Gawd' sake, 
Porgy, what yuh laughin' 'bout?' 

*Dat all right, honey,' came the answer, 
'Don't yuh be worryin'. Yuh gots Porgy 
now, an' he look atter he 'oman. Ain't I done 
tells yuh: Yuh gots er man now.' 

Maria turned the knob, entered the room, 
and closed the door quickly behind her. 

Night trailed westward across the city. In 
the east, out beyond the ocean's rim, essential 
light trembled upward and seemed to absorb 
rather than quench the morning stars. Out 
of the sliding planes of mist that hung like 
spent breath above the city, shapes began to 
emerge and assume their proper values. 

Far in the upper air over Catfish Row a 
speck appeared. It took a long, descending 
spiral, and became two, then three. Around a 
wide circle the specks swung, as though hung 
by wires from a lofty pivot. The light bright- 
194 



PORGY 

ened perceptibly. The specks dropped to a 
lower level, increased in size, and miraculously 
became a dozen. Then some of them dropped 
in from the circumference of the circle, cut- 
ting lines across like the spokes of a wheel, 
and from time to time flapping indolent 
wings. Dark and menacing when they flew 
to the westward, they would turn easily to- 
ward the east, and the sun, still below the 
horizon, would gild their bodies with ruddy 
gold, as they sailed, breast on, toward it. 

Down, down they dropped, reaching low, 
and yet lower levels, until at last they seemed 
to brush the water-front buildings with their 
sombre wings. Then gradually they narrowed 
to a small circle that patrolled the air directly 
over a shape that lay awash in the rising tide, 
across the street from Catfish Row. 

Suddenly from the swinging circle a single 
bird planed down and lit with an awkward, 
hopping step directly before the object. For 
a moment he regarded it with bleak, preda- 
tory eyes; then flew back to his fellows. A 
moment later the whole flock swooped down, 
and the shape was hidden by flapping wings 



PORGY 

and black awkward bodies that hopped about 
and fought inward to the centre of the group. 

A negro who had been sleeping under an 
overturned bateau awoke and rubbed his eyes; 
then he sprang up and, seizing an oar, beat 
the birds away with savage blows. 

He bent over the object for a moment, then 
turned and raced for the street with eyes 
showing white. 

'Fuh Gawd' sake, folks,' he cried, 'come 
hyuh quick! Hyuh Crown, an* he done 
dead.' 



A group of three white men stood over the 
body. One was the plain-clothes man with 
the goatee and stick who had investigated the 
Robbins murder. Behind him stood a uni- 
formed policeman. The third, a stout, lei- 
surely individual, was stooping over the body, 
in the act of making an examination. 

'What do you make of it, Coroner?' asked 
the plain-clothes man. 

'Knife between fifth and sixth ribs; must 
have gone straight through the heart.' 
196 



PORGY 

'Well, he had it comin' to him/ the detec- 
tive observed. 'They tell me he is the nigger. 
Crown, who killed Robbins last April. That 
gives us the widow to work on fer a starter, 
by the way; and Hennessy tells me that he 
used to run with that dope case we had up last 
August. She's livin' in the Row, too. Let's 
go over and have a look/ 

The Coroner cast an apprehensive glance 
at the forbidding structure across the way. 

'Can't be so sure,' he cautioned. 'Corpse 
might have been washed up. Tide's on the 
flood.' 

'Well, I'm goin' to have a look at those two 
women, anyway/ the plain-clothes man an- 
nounced. 'That place is alive with crooks. 
I'd like to get something on it that would 
justify closing it up as a public nuisance, and 
throwing the whole lot of 'em out in the 
street. One murder and a happy-dust riot 
already this summer; and here we are again.' 
^Then turning to the policeman, he gave 
his orders. 

'Get the wagon and take the body in. Then 
you had better come right back. We might 
197 



PORGY 

have some arrests. The Coroner and I'll 
investigate while you're gone/ 

He turned away toward the Row, assuming 
that he would be followed. 

'All right. Cap ; what do you say?' he called. 

The Coroner shook his ponderous figure 
down into his clothes, turned with evident 
reluctance, and joined him. 

'All right,' he agreed. 'But all I need is a 
couple of witnesses to identify the body at the 
inquest.' 

Across the street a small negro boy de- 
tached himself from the base of one of the 
gateposts and darted through the entrance. 

A moment later the white men strode into 
an absolutely empty square. Their heels 
made a sharp sound on the flags, and the 
walls threw a clear echo down upon them. 

A cur that had been left napping in the sun 
woke with a start, looked about in a bewild- 
ered fashion, gave a frightened yelp, and 
bolted through a doorway. 

It was all clearly not to the taste of the 
Coroner, and he cast an uneasy glance about 
him. 

198 



PORGY 

'Where do we go?' he asked. 

'That's the widow's room over there, if she 
hasn't moved. We'll give it a look first,' said 
the detective. 

The door was off the latch, and, without 
knocking, he kicked it open and walked in. 

The room was small, but immaculately 
clean. Beneath a patched white quilt could be 
seen the form of a woman. Two other women 
were sitting in utter silence beside the bed. 

The form under the covers moaned. 

'Drop that,' the detective commanded. 
'And answer some questions.* 

The moaning stopped. 

'Where were you yesterday and last night? 1 

The reply came slowly, as though speaking 
were great pain: 

*I been sick in dis bed now t'ree day an' 
night.' 

'We been settin' wid she, nursin' she, all 
dat time,' one of the women said. 

And the other supplemented: 'Dat de 
Gawd' trutV 

'You would swear to that?' asked the 
Coroner. 

199 



PORGY 

Three voices answered in chorus: 

'Yes, Boss, we swear tuh dat.' 

'There you are/ said the Coroner to the 
plain-clothes man, 'an air-tight alibi.' 

The detective regarded him for a moment 
with supreme contempt. Then he stepped 
forward and jerked the sheet from Serena's 
face, which lay upon the pillow as immobile 
as a model done in brown clay. 

'You know damn well that you were out 
yesterday!' he snapped. 'I have a good mind 
to get the wagon and carry you in.' 

Silence followed. 

'What do you say to that?' he demanded. 

But Serena had nothing to say, and neither 
had her handmaidens. 

Then he turned a menacing frown upon 
them, as they sat motionless with lowered 
eyes. 

'Well!' 

They jumped slightly, and their eyes 
showed white around the iris. Suddenly they 
began to speak, almost in unison. 

'We swear tuh Gawd, we done been hyuh 
wid she t'ree day/ 

200 



PORGY 

'Oh, Hell!' said the exasperated detective. 
'What's the use? You might as well argue 
with a parrot-cage,' 

'That woman is just as ill at this moment 
as you are,' he said to his unenthusiastic as- 
sociate when they were again in the sunlight. 
'Her little burlesque show proves that, if no- 
thing else. But there is her case all prepared. 
I don't believe she killed Crown ; she doesn't 
look like that kind. She is either just playing 
safe, or she has something entirely different 
on her chest. But there's her story ; and you'll 
never break in without witnesses of your own ; 
and you'll never get 'em.' 

The Coroner was not a highly sensitized 
individual ; but as he moved across the empty 
court, he found it difficult to control his 
nerves under the scrutiny which he felt 
levelled upon him from behind a hundred 
shuttered windows. Twice he caught himself 
looking covertly over his shoulders; and, as 
he went, he bore hopefully away toward the 
entrance. 

But the detective was intent upon his task, 
and presently called him back. 
201 



PORGY 

'This is the cripple's room/ he said. 'He 
ain't much of a witness. I tried to break him 
in the Robbins case; but he wouldn't 
talk. I want to have a look at the woman, 
though.' 

He kicked the door open suddenly. Porgy 
and Bess were seated by the stove, eating 
breakfast from tin pans. On the bed in the 
corner the baby lay. 

Porgy paused, with his spoon half-way to 
his mouth, and looked up. Bess kept her eyes 
on the pan, and continued to eat. 

The Coroner stopped in the doorway, and 
made a businesslike show of writing in a note- 
book. 

"What's your name?' he asked Porgy. 

The cripple studied him for a long mo- 
ment, taking in the ample proportions of the 
figure and the heavy, but not unsympathetic, 
face. Then he smiled one of his fleeting, 
ingenuous smiles. 

'Jus' Porgy/ he said. 'Yuh knows me, 
Boss. Yuh is done gib me plenty ob penny 
on King Charles Street.' 

'Of course, you're the goat-man. I didn't 

202 



PORGY 

know you without your wagon,' he said 
amiably. Then, becoming businesslike, he 
asked : 

'This nigger, Crown. You knew him by 
sight. Didn't you?' 

Porgy debated with himself for a moment, 
looked again into the Coroner's face, was 
reassured by what he saw there, and replied : 

'Yes, Boss; I 'member um w'en he usen 
tuh come hyuh, long ago.' 

'You could identify him, I suppose?' 

Porgy looked blank. 

'You'd know him if you saw him again?' 

'Yes, Boss; I know um.' 

The Coroner made a note in his book, 
closed it with an air of finality, and put it in 
his pocket. 

During the brief interview, the detective 
had been making an examination of the room. 
The floor had been recently scrubbed, and 
was still damp in the corners. He gave the 
clean, pine boards a close scrutiny, then 
paused before the window. The bottom of 
the lower sash had been broken, and several 
of the small, square panes were missing. 
203 



PORGY 

'So this is where you killed Crown, eh?' he 
announced. 

The words fell into the silence and were 
absorbed by it, causing them to seem theatri- 
cal and unconvincing. Neither Porgy nor 
Bess spoke. Their faces were blank and 
non-committal. 

After a full moment, the woman said : 

'I ain't onduhstan', Boss. Nobody hyuh 
ain't kill Crown. My husban' he fall t'rough 
dat winduh yisterday when he leg gib 'way. 
He er cripple.' 

'Anyone see him do it?' inquired the 
Coroner from the door. 

'Oh, yes, Boss,' replied Bess, turning to 
him. 'T'ree or four ob de mens was in de 
street; dey will tell yuh all 'bout um.' 

'Yes, of course; more witnesses,' sneered 
the detective. Then turning to the Coroner, 
he asked with a trace of sarcasm in his tone : 

'That satisfies you fully, I suppose?' 

The Coroner's nerves were becoming edgy. 

'For God's sake,' he retorted, 'do you 
expect me to believe that a cripple could kill 
a two-hundred pound buck, then tote him a 
204 



PORGY 

hundred yards? Well, I've got what I need 
now anyway. As far as I'm concerned, I'm 
through.' 

They were passing the door of Maria's 
shop when the detective caught sight of some- 
thing within that held his gaze. 

'You can do as you please,' he told his 
unwilling companion. 'But I'm going to have 
a look in here. I have never been able to get 
anything on this woman; but she is a bad 
influence in the neighbourhood. I'd trust her 
just as far as I could throw her.' 

The Coroner heaved a sigh of resigna- 
tion, and they stepped back, and entered the 
shop. 

Upon the flooring, directly before the door, 
and not far from it, was a pool of blood. 
Standing over the pool was a table, and upon 
it lay the carcass of a shark. Maria sat on a 
bench behind the table. As the men entered 
she swung an immense cleaver downward. A 
cross-section of the shark detached itself and 
fell away on a pile of similar slices. A thin 
stream of blood dribbled from the table, aug- 
menting the pool upon the floor. 
205 



PORGY 

Maria did not raise her eyes from her task. 
Again the cleaver swung up, and whistled 
downward. 

From the street sounded the clatter of the 
returning patrol. 

Til wait for you in the wagon/ said the 
Coroner hastily, and stepped back into the 
sunlight. 

But he was not long alone. The uninter- 
rupted swing of the dripping cleaver was de- 
pressing, and the enthusiasm of his associate 
waned. 

The bell clanged. Hoofs struck sparks 
from the cobbles, and the strong but uncer- 
tain arm of the law was withdrawn, to attend 
to other and more congenial business. 



The sound from the retreating wagon 
dwindled and ceased. 

For a moment Catfish Row held its breath ; 
then its windows and doors flew open, and 
poured its life out into the incomparable 
autumn weather. The crisis had passed. 
There had been no arrests. 
206 



PORGY 

Serena stepped forth, her arms filled with 
the morning's wash. 

* "Ain't it hahd tuh be er nigger!" ' some 
one sang in a loud, clear voice. And every- 
body laughed. 

Down the street, like an approaching 
freight train, came the drays, jarring the 
building and rattling the windows, as the 
heavy tires rang against the cobbles. 

Bess and Porgy came out with the others, 
and seated themselves against the wall in the 
gracious sunlight. Of the life, yet apart from 
it, sufficient unto each other, they did not join 
in the loud talk and badinage that was going 
on about them. Like people who had come 
on a long, dark journey, they were content to 
sit, and breathe deeply of the sun. The baby 
was sleeping in Bess's arms, and from time to 
time she would sing a stave to it in a soft, 
husky voice. 

Into the court strode a group of stevedores. 
Their strong white teeth flashed in the sun- 
shine, and their big, panther-like bodies 
moved easily among the women and children 
that crowded about them. 
207 



PORGY 

'Wey all de gals?' called one in a loud, 
resonant voice. 'Mus' be dey ain't know dat 
dis is pay-day.' 

Two women who were sitting near Porgy 
and Bess rose and went forward, with their 
arms twined about each other's waists. In a 
few minutes they were out of the crowd again, 
each looking up with admiring eyes into the 
face of one of the men. 

'Mens an' 'omans ain't de same,' said 
Porgy. 'One mont' ago dem gals been libbin' 
wid dey own mens. Den de storm tek um. 
Now dey is fuhgit um a'ready, an' gibbin' dey 
lub tuh de nexY 

'No ; dey is diff 'rent fuh true,' replied Bess. 
'An' yuh won't nebber onduhstan'. All two 
dem gal gots baby fuh keep alibe.' She 
heaved a deep sigh ; and then added, 'Dey is 
jus' 'oman, an' nigger at dat. Dey is doin' de 
bes' dey kin - dat all.' 

She was looking down at the baby while 
she spoke, and when she raised her eyes and 
looked at Porgy, he saw that they were full of 
tears. 

'But you, Bess; you is diff 'rent f'om dat?' 
208 



PORGY 

he said, with a gently interrogating note in 
his voice. 

'Dat 'cause Gawd ain't mek but one 
Porgy!' she told him. 'Any 'oman gots tuh 
be decent wid you. But I gots fuh tell yuh de 
trut'; widout Porgy I is jus' like de res'.' 

A shadow drifted across their laps, and 
they lifted their faces to the sky. 

A solitary buzzard had left the circle that 
had hung high in the air all morning, and was 
swinging back and forth over the Row, almost 
brushing the parapet of the roof as it passed. 
While Porgy and Bess looked, it suddenly 
raised the points of its wings, reached tenta- 
tive legs downward, spread its feet wide, and 
lit on the edge of the roof directly over their 
room. 

'My Gawd!' exclaimed Maria, who was 
standing near. 'Crown done sen' he buzzud 
back fuh bring trouble. Knock um off, 
Porgy. Per Gawd' sake, knock um off befo* 
he settle!' 

The cripple reached out and picked up a 
brick-bat. The happiness had left his face, 
and his eyes were filled with fear. With a 
209 



PORGY 

swing of his long, powerful arm, he sent the 
missile on its errand. 

It struck the parapet directly beneath the 
bird. 

With a spasmodic flap of wings, the black 
body lifted itself a few feet from the building, 
then settled suddenly back. For a moment it 
hopped awkwardly about, as though the roof 
were red-hot beneath its feet, then folded its 
wings, drew its nude head in upon its breast, 
and surveyed the court with its aloof, male- 
volent eyes. 

'T'row agin,' Maria called, handing Porgy 
another brick-bat. But he seemed not to hear, 
His face quivered, and he hid it in his hands. 

'Sonny,' the big negress called to a small 
boy who was standing near, looking at the 
bird with his mouth open. 'Git out on de 
roof wid uh stick, an' run dat bird away/ 

But Porgy plucked at her skirt, and she 
looked down. 

'Let um be/ he said in a hopeless voice. 

'It too late now. Ain't yuh see he done settle, 

an' he pick my room fuh light ober? It ain't 

no use now. Yuh knows dat. It ain't no use.' 

210 



PORGY 



The next morning Porgy sat in his accus- 
tomed place by Archdale's door. Autumn 
had touched the oaks in the park across the 
way, and they brushed the hard, bright sky 
with a slow circling motion, and tossed hand- 
fuls of yellow leaves down upon the pedes- 
trians who stepped briskly along. 

King Charles Street was full of hurrying 
men on their way to the cotton offices and the 
big wholesale warehouses that fronted on the 
wharves. Like the artery of a hale old man 
who has lain long asleep, but who wakens 
suddenly and springs into a race, the broad 
thoroughfare seemed to pound and sing with 
life. 

The town was in a generous mood. Again 
and again the bottom of Porgy's cup gave 
forth its sharp, grateful click as a coin struck 
it and settled. But the cripple had not even 
his slow glance of thanks for his benefactors 
on that flashing autumn morning. Always he 
kept veiled, apprehensive eyes directed either 
up or down the street, or lifted frightened 
211 



PORGY 

glances to the sky, as though fearing what he 
might see there. 

At noon a white man stopped before him. 
But he did not drop a coin and pass on. 

After a moment, Porgy brought his gaze 
back, and looked up. 

The white man reached forward, and 
handed him a paper. 

'Dat fuh me?' asked Porgy, in a voice that 
shook. 

'You needn't mind takin' it,' the man 
assured him with a laugh. 'It's just a sum- 
mons as witness to the Coroner's inquest. 
You knew that nigger, Crown, didn't you?' 

He evidently took Porgy's silence for 
assent, for he went on : 

'Well, all you got to do is to view the body 
in the presence of the Coroner, tell him who 
it is, and he'll take down all you say.' 

Porgy essayed speech, failed, tried again, 
and finally whispered : 

'I gots tuh go an' look on Crown' face wid 
all dem w'ite folks lookin' at me. Dat it?' 

His voice was so piteous that the constable 
reassured him: 

212 



PORGY 

'Oh, cheer up; it's not so bad. I reckon 
you've seen a dead nigger before this. It will 
all be over in a few minutes.' 

'Dey ain't goin' be no nigger in dat room 
'cept me?' Porgy asked. 

'Just you and Crown, if you still call him 
one.' 

After a moment Porgy asked: 

'I couldn't jus' bring a 'oman wid me? I 
couldn't eben carry my - my 'oman?' 

'No,' said the white man positively. 'Now 
I've got to be gettin' along, I reckon. Just 
come over to the Court House in half an 
hour, and I'll meet you and take you in. Only 
be sure to come. If you don't show up it's 
jail for you, you know.' 

For a moment after the man had gone, 
Porgy sat immovable, with his eyes on the 
pavement. Then a sudden change swept over 
him. He cast one glance up and down the 
hard, clean street, walled by its uncompromis- 
ing, many-eyed buildings. Then in a panic 
he clambered into his cart, gave a cruel twist 
to the tail of his astonished goat, and com- 
menced a spasmodic, shambling race up 
213 



PORGY 

Meeting House Road in the direction in 
which he knew that, miles away, the forests 
lay. 



To many, the scene which ensued on the 
upper Meeting House Road stands out as an 
exquisitely humorous episode, to be told and 
retold with touching up of high lights and 
artistic embellishments. To these, in the eyes 
of whom the negro is wholly humorous, 
per se> there was not the omission of a single 
conventional and readily recognizable stage 
property. 

For, after all, what could have been funnier 
than an entirely serious race between a negro 
in a dilapidated goat-cart, and the munici- 
pality's shining new patrol wagon, fully 
officered and clanging its bell for the crowds 
to hear as it came. 

The finish took place in the vicinity of the 
railway yards and factories, and the street 
was filled with workmen who smoked against 
the walls, or ate their lunch, sitting at 
the pavement's edge - grand-stand seats, as 
214 



PORGY 

they were quite accurately described in the 
telling. 

The street cars ran seldom that far out ; and 
Porgy had the thoroughfare almost entirely 
to himself. His face wore a demented look, 
and was working pitifully. In his panic, he 
wrung the tail of his unfortunate beast with- 
out mercy. The lunchers along the pavement 
saw him coming, and called to friends further 
along; so that as he came, he was greeted 
with shouts of laughter and witty sallies from 
the crowd. 

Then the wagon appeared, a mere speck in 
the distance, but sending the sound of its bell 
before it as an advertisement of its presence. 
It grew rapidly until it reached the cheering 
crowds. Then it seemed that even the sedate 
officers of the law were notabovea sly humour 
of their own, for the vehicle slackened its pace 
perceptibly and prolonged the final moment 
of capture. 

The big buildings had been left behind, 

and there lay before Porgy only the scattered, 

cheap bungalows of the labour quarters ; and 

beyond, as elusive and desirable as the white 

215 



PORGY 

man's heaven, glimmered the far line of the 
woods, misty and beautiful in the pink autumn 
haze. 

The patrol forged ahead and came to a 
clanging stop. The officers leapt out and, 
amid shouts of laughter from the crowd, lifted 
wagon, goat and man into the vehicle. The 
driver jerked the horse back into its breech- 
ings, swung the wagon with a dramatic snap 
that was not wasted upon his gallery, and sent 
it clanging and rocking back in the direction 
from which it had come. 

Porgy fell forward, with his arms thrown 
out upon the back of the goat, and buried his 
face between them in the shaggy, evil-smelling 
hair. 

The workmen upon the sidewalks cheered 
and shouted with mirth. Surely it had been a 
great day. They would not soon have another 
laugh to match it. 



When the wagon reached the down-town 
district, the inquest was over. It had been a 
simple matter to secure another witness for 
216 



PORG Y 

the identification of the body. The jury had 
made short work of their task, and had found 
that Crown had come to his death as the 
result of a chest wound at the hands of person 
or persons unknown. 

Porgy was taken at once to the station 
house, where the charge of 'Contempt of 
Court' was formally entered against him on 
the blotter, and he was locked up to await 
trial early the following morning. 

Under the wheezing gas-jet, the Recorder 
looked Porgy over with his weary glance, 
brought the tips of his slender fingers to- 
gether; gave him 'five days/ in his tired drawl, 
and raised his eyes to the next negro on the 
morning's list. 

They hoisted the outfit, goat and all, into 
the patrol for the trip to the jail, thus again 
brightening a day for a group of light-hearted 
Nordics upon the pavement. 

A large, red-faced policeman took his seat 
at the rear of the wagon. 

'You sure beat all!' he confided to Porgy, 
with a puzzled frown. 'Runnin' away like the 
devil was after you, from bein* a witness; an' 
217 



PORGY 



now goin' to jail with a face like Sunday 



mornmY 





In the fresh beauty of an early October 
morning, Porgy returned home. There were 
few of his friends about, as work was now 
plentiful, and most of those who could earn 
a day's wage were up and out. He drove 
through the entrance, pulled his goat up short, 
and looked about him. 

Serena was seated on her bench with a baby 
in her arms. 

Porgy gave her a long look, and a question 
commenced to dawn in his eyes. The child 
turned in her arms, and his suspicions were 
confirmed. It was his baby - his and Bess's. 

Then Serena looked up and saw him. She 
arose in great confusion, clasped the infant 
to her ample bosom, and, without a word 
of greeting, stepped through her doorway. 
Then, as though struck by an afterthought, 
she turned, thrust her head back through the 
opening, and called loudly: 

'Oh, Maria! hyuh Porgy come home.' 
218 



PORGY 

Then she disappeared and the door 
slammed shut. 

Mystified and filled with alarm, Porgy 
turned his vehicle toward the cook-shop and 
arrived at the door just as Maria stepped over 
the threshold. 

She seated herself on the sill and brought 
her face level with his. Then she looked into 
his eyes. 

What Porgy saw there caused him to call 
out sharply: 

'Where's Bess? Tell me, quick, where's 
Bess?' 

The big negress did not answer, and after 
a moment her ponderous face commenced to 
shake. 

Porgy beat the side of his wagon with his 
fist. 

'Where, where -' he began, in a voice 
that was suddenly shrill. 

But Maria placed a steadying hand over his 
frantic one and held it still. 

'Dem dutty dogs got she one day w'en I 
gone out,' she said in a low, shaken voice. 
'She been missin' yuh an' berry low in she 
219 



PORG Y 

min' 'cause she can't fin* out how long yuh is 
lock up fuh. Dat damn houn' she knock off 
de wharf las' summer fin' she like dat an' git 
she tuh tek er swalluh ob licker. Den half 
a dozen of de mens gang she, an' mek she 
drunk/ 

'But wuh she now?' Porgy cried. 'I ain't 
keer ef she wuz drunk. I want she now.' 

Maria tried to speak, but her voice refused 
to do her bidding. She covered her face with 
her hands, and her throat worked convul- 
sively. 

Porgy clutched her wrist. 'Tell me,' he 
commanded. 'Tell me, now.' 

'De mens all carry she away on de ribber 
boat,' she sobbed. 'Dey leabe word fuh me 
dat dey goin' tek she all de way tuh Sawannah, 
an' keep she dey. Den Serena, she tek de 
chile, an' say she is goin' gib' um er Christian 



raisin'.' 



Deep sobs stopped Maria's voice. For a 
while she sat there, her face buried in her 
hands. But Porgy had nothing to say. When 
she finally raised her head and looked at him, 
she was surprised at what she saw. 

220 



PORGY 

The keen autumn sun flooded boldly 
through the entrance and bathed the droop- 
ing form of the goat, the ridiculous wagon, 
and the bent figure of the man in hard, 
satirical radiance. In its revealing light, 
Maria saw that Porgy was an old man. The 
early tension that had characterized him, the 
mellow mood that he had known for one 
eventful summer, both had gone ; and in their 
place she saw a face that sagged wearily, and 
the eyes of age lit only by a faint reminiscent 
glow from suns and moons that had looked 
into them, and had already dropped down 
the west. 

She looked until she could bear the sight no 
longer; then she stumbled into her shop and 
closed the door, leaving Porgy and the goat 
alone in an irony of morning sunlight. 



THE END 



221 



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Though the volumes measure only 7 inches by 4$- inches, 
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Each volume costs 35. 6d.*net (postage 3d.). 



1. CAN SUCH THINGS BE ? A volume of Stories 

by Ambrose Bierce 

3 * Bierce never wastes a word, never coins a too startling phrase ; 

he secures his final effect, a cold thrill of fear, by a simple, yet 

subtle, realism. No anthology of short stories, limited to a score 

or so, would be complete without an example of his unique 

artistry.' Morning Post 

2. THE BLACK DOG. A volume of Stories 

by A. E. Coppard 

3 * Mr. Coppard is a born story-teller. The book is filled with 
a variety of delightful stuff: no one who is interested in good 
writing in general, and good short stories in particular, should 
miss it.' Spectator 

3. THE AUTOBIOGRAPHY of a SUPER-TRAMP 

by W. H. Davies. With a preface by G. Bernard Shaw 

9 Printed as it was written, it is worth reading for its literary style 

alone. The author tells us with inimitable quier modesty of how 

he begged and stole his way across America and through England 

and Y/ales until his travelling days were cut short by losing his 

right foot while attempting to ' jump ' a tram. 



4 . BABBITT A Novel 

by Sinclair Lewis 

3 ' One of the greatest novels I have read for a long time. 

H. G. Wells * Babbitt is a triumph.' Hugh Walpole 

' His work has that something extra, over and above, which 

makes the work of art, and it is signed in every line with the 

unique personality of the author.' Rebecca West 

5. THE CRAFT OF FICTION 

by Percy Lubbock 
3 ' No more substantial or more charming volume of criticism 

has been published in our time.' Observer 
1 To say that this is the best book on the subject is probably true ; 
but it is more to the point to say that it is the only one.' 
Times Literary Supplement 

6. EARLHAM 

by Percy Lubbock 

3 * The book seems too intimate to be reviewed. We want to be 

allowed to read it, and to dream over it, and keep silence about 

it. His judgment is perfect, his humour is true and ready ; his 

touch light and prim; his prose is exact and clean and full 

of music.' Times 

7. WIDE SEAS fcf MANY LANDS A Personal Narrative 

by Arthur Mason. 

With an Introduction by MAURICE BARING 
3 * This is an extremely entertaining, and at the same time, moving 
book. We are in the presence of a born writer. We read with 
the same mixture of amazement and delight that fills us through- 
out a Conrad novel.' New Statesman 

8. SELECTED PREJUDICES A book of Essays 

by H. L. Mencken 

3 ' He is exactly the kind of man we are needing, an iconoclast, 
a scoffer at ideals, a critic with whips and scorpions who does 
not hesitate to deal with literary, social and political humbugs 
ii the one stashing fashion.' English Review 



9. THE MIND IN THE MAKING An Essay 

by James Harvey Robinson 

3 * For me, I think James Harvey Robinson is going to be almost 
as important as was Huxley in my adolescence, and William 
James in later years. It is a cardinal book. I question whether 
in the long run people may not come to it, as making a new 
initiative into the world's thought and methods.* From the 
Introduction by H. c. WELLS 

10. THE WAY OF ALL FLESH A Novel 

by Samuel Butler 

3 'It drives one almost to despair of English Literature when one 
sees so extraordinary a study of Englishlife as Butler's posthumous 
Way of dll Flesh making so little impression. Really, the 
English do not deserve to have great men.' George Bernard Shaw 

11. EREWHON A Satire 

by Samuel Butler 

3 ' To lash the age, to ridicule vain pretension, to expose hypo- 
crisy, to deride humbug in education, politics and religion, are 
tasks beyond most men's powers ; but occasionally, very 
occasionally, a bit of genuine satire secures for itself more than a 
passing nod of recognition. Erewkon is such a satire. . . . The 
best of its kind since Gullivers Travels. 9 Augustine Birrefl 

12. EREWHON REVISITED A Satire 

by Samuel Butler 

3 ' He waged a sleepless war with the mental torpor of the pros- 
perous, compkcent England around him ; a Swift with the 
soul of music in him, and completely sane ; a liberator of 
humanity operating with the wit and malice and coolness of 
Mephistopheles.' Manchester Guardian 

13. ADAM AND EVE AND PINCH ME Stories 

by A. E. Coppard 

3 Mr. Coppard's implicit theme is the closeness of the spiritual 
world to the material ; the strange, communicative sympathy 
which strikes through two temperaments and suddenly makes 
them one. He deals with those sudden impulses under which 
secrecy is broken down for a moment, and personality revealed 
as under a flash of spiritual lightning. 



14. DUBLINERS A volume of Stories 

by James Joyce 

3 A collection of fifteen short stories by the author of U/ysses. 
They are all of them brave, relentless, and sympathetic pictures 
of Dublin life ; realistic, perhaps, but not crude ; analytical, but 
not repugnant. No modern writer has greater significance than 
Mr. Joyce, whose conception and practice of the short story is 
certainly unique and certainly vital. 



15. DOG AND DUCK 

by Arthur Machen 

3 ' As a literary artist, Mr. Arthur Machen has few living equals, 
and that is very far indeed from being his only, or even his 
greatest, claim on the suffrages of English readers.' Sunday 
Times 



16. KAI LUNG'S GOLDEN HOURS 

by Ernest Bramah 

3 ' It is worthy of its forerunner. There is the same plan, exacti- 
tude, working-out and achievement ; and therefore complete 
satisfaction in the reading.* From the Preface by HILAIRE BELLOC 

17. ANGELS & MINISTERS, AND OTHER PLAYS 

by Laurence Housman 

Imaginary portraits of political characters done in dialogue 
Queen Victoria, Disraeli, Gladstone, Parnell, Joseph 

Chamberlain, and Woodrow Wilson. 

3 ' It is all so good that one is tempted to congratulate Mr. 
Housman on a true masterpiece.' Times 



18. THE WALLET OF KAI LUNG 

by Ernest Bramah 

3 * Something worth doing and done. ... It was a thing in* 
tended, wrought out, completed and established. Therefore 
it was destined to endure, and, what is more important, it was 
a success.' Hilaire Belloc 



19. TWILIGHT IN ITALY 

by D. H. Lawrence 

3 This volume of travel vignettes in North Italy was first published 

in 1916. Since then Mr. Lawrence has increased the number 

of his admirers year by year. In Twilight in Italy they will find 

all the freshness and vigour of outlook which they have come to 

expect from its author. 

20. THE DREAM A Novel 

by H. G. Wells 
3 ' It is the richest, most generous and absorbing thing that Mr. 

Wells has given us for years and years.' Dally News 

' I find this book as close to being magnificent as any book that 

I have ever read. It is full of inspiration and life.' 

Daily Graphic 

21. ROMAN PICTURES 

by Percy Lubbock 

3 Pictures of life as it is lived or has been or might be lived 
among the pilgrims and colonists in Rome of more or less 

English speech. 

' A book of whimsical originality and exquisite workmanship, 

and worthy of one of the best prose writers of our time.' 

Sunday Times 

22. CLORINDA WALKS IN HEAVEN 

by A. E. Coppard 

5 * Genius is a hard-ridden word t and has been put by critics at 

many puny ditches, but Mr. Coppard sets up a fence worthy of 

its mettle. He shows that in hands like his the English language 

is as alive as ever, and that there are still infinite possibilities in 

the short story.' Outlook 

23. MARIUS THE EPICUREAN 

by Walter Pater 

3 Walter Pater was at the same time a scholar of wide sympathies 
and a master of the English knguage. In this, his best known 
work, he describes with rare delicacy of feeling and insight the 
religious and philosophic tendencies of the Roman Empire at 
the time of Antoninus Pius as they affected the mind and life of 
the story's hero. 



24. THE WHITE SHIP Stories 

by Aino Kallas 

With an Introduction by JOHN GALSWORTHY 
3 ' The writer has an extraordinary sense of atmosphere.' 

Times Literary Supplement 

* Stories told convincingly and well, with a keen perceptive for 
natural beauty.' Nation 

25. MULTITUDE AND SOLITUDE A Novel 

by John Masefield 

3 ' As well conceived and done, as rich in observation of the 
world, as profound where it needs to be profound, as any novel 

of recent writing.' Outlook 

'This is no common book. It is a book which not merely 
touches vital things. It is vital.' Daily News 

26. SPRING SOWING Stories 

by Liam O'Flaherty 

3 * Nothing seems to escape Mr. O'Flaherty's eye ; his brain 
turns all things to drama ; and his vocabulary is like a river in 
spate. Spring Sawing is a book to buy, or to borrow, or, yes, 
to steal.' Bookman 



27. WILLIAM A Novel 

by E. H. Young 
3 'An extraordinary good book, penetrating and beautiful.* 

Allan Monkhouse 

* All its characters are very real and alive, and William himself 
is a masterpiece.' May Sinclair 

28. THE COUNTRY OF THE POINTED FIRS 

by Sarah Orne Jewett 

3 * The young student of American literature in the far distant 

future will take up this book and say " a masterpiece ! " as 

proudly as if he had made it. It will be a message in a universal 

language the one message that even the scythe of Time spares.' 

From the Preface by WILLA GATHER 



29. GRECIAN ITALY 

by Henry Tames Forman 

3 ' It has been said that if you were shown Taormina in a vision 

you would not beJieve it. If the reader has been in Grecian 

Italy before he reads this book, the magic of its pages will revive 

old memories and induce a severe attack of nostalgia.' From 

the Preface by H. TESTING JONES 

30. WUTHERING HEIGHTS 

by Emily Bronte 

5 * It is a very great book. You may read this grim story of lost 
and thwarted human creatures on a moor at any age and come 
under its sway.' From the Introduction by ROSE MACAULAY 

31. ON A CHINESE SCREEN 

by W. Somerset Maugham 

5 A collection of sketches of life in China. Mr. Somerset 

Maugham writes with equal certainty and vigour whether his 

characters are Chinese or European. There is a tenderness 

and humour about the whole book which makes the reader turn 

eagerly to the next page for more. 

32. A FARMER'S LIFE 
J by George Bourne 

The life story of a tenant-farmer of fifty years ago in which the 
author of The Bettesworth Book and The Memoirs of a Surrey 
Labourer draws on his memory for a picture of the every-day 
life of his immediate forebears, the Smiths, farmers and handi- 
craft men, who lived and died on the border of Surrey and 
Hampshire. 

33. TWO PLAYS. The Cherry Orchard & The Sea Gull 

by Anton TchekofF. Translated by George 
Calderon 

3 TchekofF had that fine comedic spirit which relishes the incon- 
gruity between the actual disorder of the world with the under- 
lying order. He habitually mingled tragedy (which is life seen 
close at hand) with comedy (which is life seen at a distance). 
His plays are tragedies with the texture of comedy. 



34. THE MONK AND THE HANGMAN'S 

DAUGHTER 

by Ambrose Bierce 

3 * They are stories which the discerning are certain to welcome. 
They are evidence of very unusual powers, and when once 
they have been read the reader will feel himself impelled to 
dig out more from the same pen. 1 Westminster Gazette 

35. CAPTAIN MARGARET A Novel 

by John Masefield 

5 ' His style is crisp, curt and vigorous. He has the Stevensonian 
sea-swagger, the Stevensonian sense of beauty and poetic spirit. 
Mr. Masefield's descriptions ring true and his characters carry 
conviction.' The Observer 



36. BLUE WATER 

by Arthur Sturges Hildebrand 

3 This book gives the real feeling of life on a small cruising yacht ; 
the nights on deck with the sails against the sky, long fights with 
head winds by mountainous coasts to safety in forlorn little island 
ports, and constant adventure free from care. 

37. STORIES FROM DE MAUPASSANT 

Translated by Elizabeth Martindale 

3 ' Hi3 " story " engrosses the non-critical, it holds the critical too 
at the first reading. . . . That is the real test of art, and it is 
because of the inobtrusiveness of this workmanship, that for once 
the critic and the reader may join hands without awaiting the 
verdict of posterity. 1 From the Introduction v FORD MADOX 
FORD 

38. WHILE THE BILLY BOILS First Series 

by Henry Lawson 

3 These stories are written by the O. Henry of Australia. They 
tell of men and dogs, of cities and plains, of gullies and ridges, 
of sorrow and happiness, and of the fundamental goodness that 
is hidden in the most unpromising of human soil. 



39. WHILE THE BILLY BOILS Second Series 

by Henry Lawson 

3 Mr. Lawson has the uncanny knack of making the people he 
writes about almost violently alive. Whether he tells of jackeroos, 
bush children or drovers' wives, each one lingers in the memory 
long after we have closed the book. 

41. IN MOROCCO 

by Edith Wharton 

5 Morocco is a land of mists and mysteries, of trailing silver veils 
through which minarets, mighty towers, hot palm groves and 
Atlas snows peer and disappear at the will of the Atlantic cloud- 
drifts. 

42. GLEANINGS IN BUDDHA-FIELDS 

by Lafcadio Hearn 

5 A book which is readable from first page to last, and is full of 
suggestive thought, the essays on Japanese religious belief calling 
for special praise for the earnest spirit in which the subject is 
approached. 

43. OUT OF THE EAST 

by Lafcadio Hearn 

5 Mr. Hearn has written many books about Japan ; he is saturated 
with the essence of its beauty, and in this book the light and 
colour and movement of that land drips from his pen in every 
delicately conceived and finely written sentence. 

44. K WAI DAN 

by Lafcadio Hearn 

5 The marvellous tales which Mr. Hearn has told in this volume 
illustrate the wonder-living tendency of the Japanese. The 
stories are of goblins, fairies and sprites, with here and there an 
adventure into the field of unveiled supernaturalism. 

45. THE CONQUERED 

by Naomi Mitchison 
A story of the Gauls under Caesar 

3 ' With The Conquered Mrs. Mitchison establishes herself as the 
best, if not the only, English historical novelist now writing. 
It seems to me in many respects the most attractive and poignant 
historical novel I have ever read/ New Statesman 



4 6. WHEN THE BOUGH BREAKS 

by Naomi Mitchison 

Stories of the time when Rome was crumbling to ruin 

5 ' Interesting, delightful, and fresh as morning dew. The 

connoisseur in short stories will turn to some pages in this 

volume again and again with renewed relish.' Times Literary 

Supplement 

47. THE FLYING BO'SUN 

by Arthur Mason 

5 ' What makes the book remarkable is the imaginative power 

which has recreated these events so vividly that even the 

supernatural ones come with the shock and the conviction 

with which actual supernatural events might come.' From the 

Introduction by EDWIN MUIR 

48. LATER DAYS 

by W. H. Davies 

A pendant to The Autobiography of a Super-Tramp 
5 *The self-portrait is given with disarming, mysterious, and 
baffling directness, and the writing has the same disarmingness 
and simpleness.' Observer 

49. THE EYES OF THE PANTHER Stories 

by Ambrose Bierce 

5 It is said that these tales were originally rejected by virtually 
every publisher in the country. Bierce was a strange man; 
in 1914 at the age of seventy-one he set out for Mexico and 
has never been heard of since. His stones are as strange as 
his life, but this volume shows him as a master of his art. 

50. IN DEFENCE OF WOMEN 

by H. L, Mencken 

3 ' All I design by the book is to set down in more or less plain 

form certain ideas that practically every civilized man and 

woman holds in petto t but that have been concealed hitherto 

by the vast mass of sentimentalities swathing the whole woman 

question.* From the Author's Introduction 



51. VIENNESE MEDLEY A Novel 

by Edith O'Shaughnessy 

3 ' It is told with infinite tenderness, with many touches of grave 

or poignant humour, in a very beautiful book, which no lover 

of fiction should allow to pass unread. A book which sets its 

writer definitely in the first rank of living English novelists.' 

Sunday Times 

52. PRECIOUS BANE A Novel 

by Mary Webb 

3 ' She has a style of exquisite beauty ; which yet has both force 

and restraint, simplicity and subtlety ; she has fancy and wit, 

delicious humour and pathos. She sees and knows men aright 

as no other novelist does. She has, in short, genius.' Mr. 

Edwin Pugh 

53. THE INFAMOUS JOHN FRIEND 

by Mrs. R. S. Garnett 

5 This book, though in form an historical novel, claims to rank 
as a psychological study. It is an attempt to depict a character 
which, though destitute of the common virtues of every-day 
life, is gifted with qualities that compel love and admiration. 

54. HORSES AND MEN 

by Sherwood Anderson 

3 ''Hones and Men confirms our indebtedness to the publishers who 
are introducing his work here. It has a unity beyond that of 
its constant Middle- west setting. A man of poetic vision, with 
an intimate knowledge of particular conditions of life, here 
looks out upon a world that seems singularly material only 
because he unflinchingly accepts its actualities.' Morning Post 

55. SELECTED ESSAYS 

by Samuel Butler 

3 This volume contains the following essays: 

The Humour of Homer How to Make the Best of Life 

Quis Desiderio . . .? The Sanctuary of Montrigone 

Ramblings in Cheapside A Medieval Girl's School 

The Aunt, the Nieces, and Art in the Valley of Saas 

the Dog Thought and Language 



56. A POET'S PILGRIMAGE 

by W. H. Davies 

5 A Poet's Pilgrimage recounts the author's impressions of his 
native Wales on his return after many years' absence. The author 
tells of a walking tour he went through Wales. He stayed 
in cheap rooms and ate in the small wayside inns. The result 
is a vivid picture of the Welsh people, the towns and countryside. 

57. GLIMPSES OF UNFAMILIAR JAPAN. First 

Series 

by Lafcadio Hearn 

5 Nearly all the books which have been written about Japan have 
either been compiled from official records, or have been 
superficial sketches of a passing traveller. Of the inner life 
of the Japanese we know practically nothing, their religion, 
superstitions, ways of thought. In this book Lafcadio Hearn 
reveals something of the people and their customs as they are. 



58. GLIMPSES OF UNFAMILIAR JAPAN. Second 

Series 

by Lafcadio Hearn 

5 These are sketches by an acute observer and a master of English 
prose, of a Nation in transition of the lingering remains of 
Old Japan, to-day only a memory, of its gardens, its beliefs, 
customs, gods and devils, of its wonderful kindliness and 
charm and of the New Japan, struggling against odds towards 
new ideals. 

59. THE TRAVELS OF MARCO POLO 

Edited by Manuel Komroff 

5 When Marco Polo arrived at the court of the Great Khan, 
Pekin had just been rebuilt and made the capital of China. Kublai 
Khan was at the height of his glory. Marco Polo rose rapidly 
in favour and became governor of an important district. In 
this way he gained first-hand knowledge of a great civilization 
and described it in his travels with astounding accuracy and detail. 



60. SELECTED PREJUDICES. Second Series 

by H. L. Mencken 

5 ' What a master of the straight left in appreciation ! Everybody 
who wishes to see how common sense about books and authors 
can be made exhilarating should acquire this delightful book.' 
Morning Post 

61. THE WORLD'S BACK DOORS 

by Max Murray 

With an introduction by HECTOR BOLITHO 
J This book has been never before published. It is not an 
account so much of places as of people. The journey round 
the world was begun with about enough money to buy one 
meal, and continued for 66,000 miles. There are periods as 
a longshore man and as a sailor, and a Chinese guard and a 
night watchman, and as a hobo. 

62. THE EVOLUTION OF AN INTELLECTUAL 

by J. Middleton Murry 

5 These essays were written during and immediately after the 

Great War and published in 1920. The author says that 

they record the painful stages by which he passed from the 

so-called intellectual state to the state of being what he now 

considers to be a reasonable man. 

63. THE RENAISSANCE 

by Walter Pater 

3 This English classic contains studies of those * supreme 

. artists,' Michekngelo and Da Vinci, and of Botticelli, Delia 

Robia, Mirandola, and others, who * have a distinct faculty of 

their own by which they convey to us a peculiar quality of 

pleasure which we cannot get elsewhere.' There is no 

romance or subtlety in the work of these masters too fine for 

Pater to distinguish in superb English. 

64. THE ADVENTURES OF A WANDERER 

by Sydney Walter Powell 

5 The author has described the story of his roving years. 
Throwing up a position in the Civil Service in Natal because 
he preferred movement and freedom to monotony and 
security, he started his wanderings by enlisting in an Indian 
Ambulance Corps in the South African War. Afterwards he 
wandered all over the world. 



65. 'RACUNDRA'S' FIRST CRUISE 

by Arthur Ransome 

5 This is the story of the building of an ideal yacht which 
would be a cruising boat that one man could manage if need 
be, but on which three people could live comfortably. The 

adventures of the cruise are skilfully and vividly told. 

66. THE MARTYRDOM OF MAN 

by Winwood Readc 

JJ ' Few sketches of universal history by one single author have 
been written. One book that has influenced me very strongly 
is The Martyrdom of Man. This " dates," as people say, now- 
adays, and it has a fine gloom of its own ; but it is still an 
extraordinarily inspiring presentation of human history as one 
consistent process.* H. G. Wells in The Outline of History. 

67. THE AUTOBIOGRAPHY OF MARK 

RUTHERFORD With an introduction by 

H. W. Massingham 

5 Because of its honesty, delicacy and simplicity of portraiture, 
this book has always had a curious grip upon the affections 
of its readers. Every student must feel ' Ah, I have passed 
that way, have thought thus. 1 An English Amiel, inheriting 
to his comfort an English Old Crome landscape, he freed and 

strengthened his own spirit as he will his reader's. 

68. THE DELIVERANCE 

by Mark Rutherford 

5 Once read, Hale White [Mark Rutherford] is never forgotten. 
But he is not yet approached through the highways of English 
letters. To the lover of his work, nothing can be more attrac- 
tive than the truth and delicacy of his art, and the pure and 
serene atmosphere of thought in which it moves. 

69. THE REVOLUTION IN TANNER'S LANE 

by Mark Rutherford 

3 ' Since Bunyan, English Puritanism has produced one imagina- 
tive genius of the highest order. To my mind, our fiction 
contains no more perfectly drawn pictures of English life in its 
recurring emotional contrast of excitement and repose more 
valuable to the historian, or more stimukting to the imaginative 
reader.' H. W. Massingham 



70. ASPECTS OF SCIENCE. First Series 

by J. W. N. Sullivan 

3 The papers which make up this volume have been selected 
because, although they deal with different aspects of various 
scientific ideas, yet they do illustrate, more or less, one point 
of view. This book tries to show one or two of the many 
reasons why science may be interesting for people who are 
not specialists as well as for those who are. 



71. M ASTRO-DON GESUALDO 

Giovanni Verga. Translated by D. H. Lawrence 

3 Verga, who died in 1922,13 recognized in Italy as the greatest 

of Italian writers of fiction except Manzoni. He can claim 

a place beside Hardy and the Russians. ' It is a fine, full tale, 

a fine full picture of life, with a bold beauty of its own which 

Mr. Lawrence must have relished greatly as he translated it.' 

Observer 



72. THE MISSES MALLETT 

by E. H. Young 

3 The virtue of this quiet and accomplished piece of writing 
lies in its quality and in its character-drawing ; to summarize 
it would be to give no idea of its charm. Neither realism nor 
romance, it is a book by a writer of insight and sensibility. 

73. SELECTED ESSAYS. First Series 

by Sir Edmund Gosse, C.B. 

3 * The prose of Sir Edmund Gosse makes no concession to the 
passing of years. It is as rich in the colour of young imagina- 
tion as in the mellow harmony of judgment. No living 
critic has so sympathetically revealed the art in the artist, and 
the artist in his art. For his rare and invaluable gift Sir Ed- 
mund Gosse's literary kit-kats will continue to be read with 
avidity long after the greater part of the academic criticism of 
the century is swept away upon the lumber-heap.' Daily 
Telegraph 



74- WHERE THE BLUE BEGINS 
by Christopher Morley 

3 A delicious satirical fantasy, in which humanity wears a dog- 
collar. 

' Mr. Morley is a master of consequent inconsequence. His 

humour and irony are excellent, and his satire is only the more 

salient for the delicate and ingenuous fantasy in which it is set.* 

Manchester Guardian 

75. JAVA HEAD 

by Joseph Hergesheimer 

3 Mr. Hergesheimer has explored the European literary tradi- 
tion and made of it something distinctively American. In his 
art he has created a connoisseur's world of his own ; a world of 
colourful bric-a-brac of ships and rustling silks and old New 
England houses a world in which the rarest and most per- 
plexing of emotions are caught and expressed for the perceptible 
moment as in austerely delicate porcelain. Java Head is a 
novel of grave and lasting beauty. 

76. CONFESSIONS OF A YOUNG MAN 

by George Moore 

3 * Mr. Moore, true to his period and to his genius, stripped 
himself of everything that might stand between him and the 
achievement of his artistic object. He docs not ask you to 
admire this George Moore. He merely asks you to observe 
him beyond good and evil as a constant plucked from the 
bewildering flow of eternity.' Humbert Wolfe 

77. THE BAZAAR. Stories 

by Martin Armstrong 

3 * These stories have considerable range of subject, but in general 
they are stay-at-home tales, depicting cloistered lives and deli- 
cate finely fibred minds. . . . Mr. Armstrong writes beauti- 
fully.' Nation and Athenaum 



;8. SIDE SHOWS. Essays 

by J. B. Atkins 

With an Introduction by JAMES BONE 
j Mr. J. B. Atkins, war correspondent in four wars, the London 
editor of a great English paper, then Paris correspondent of 
another, and latterly the editor of the Spectator, has long been 
known by his colleagues as one of the most informed and refresh- 
ing of writers. Side Shows^ which was published in 1908, con- 
tained many inimitable sketches and fancies that had appeared 
in the press. His subjects are briefly London and the sea. 

79. SHORT TALKS WITH THE DEAD 

by Hilaire Bclloc 

j In this series of twenty-nine essays Mr. Hilaire Belloc succeeds 
in attaining his usual high level of pungent and witty writing. 
The subjects vary widely and include an imaginary talk with 
the spirits of Charles I, the barber of Louis XIV, Napoleon, 
bad verse, Venice, fakes, eclipses, Byron and the famous 
dissertation on the Nordic Man. 

80. ORIENT EXPRESS 

by John dos Passes 

5 The fact that the tracks led East is accidental ; the real thing is 
that tracks lead. The chief thing that will make this book of 
interest to people is that, as well as being the temperature chart 
of an unfortunate sufferer from the travelling disease, it deals 
with places shaken by the heavy footsteps of History, manifest- 
ing itself as usual by plague, famine, murder, sudden death and 
depreciated currency. But underneath the book is an ode to 
railroad travel. 

81. SELECTED ESSAYS. Second Series 

by Sir Edmund Gosse, C.B. 

5 A second volume of essays personally chosen by Sir Edmund 
Gosse from the wide field of his literary work. One is de- 
lighted with the width of his appreciation which enables him 
to write with equal charm on Wye her ley and on How to 
Itead the Bible. 



82. ON THE EVE 

by Ivan Turgenev. Translated by Constance 

Garnett 

5 To the large humanity of Turgenev criticism may yield. His 
is the art which intensifies and enlarges men's sympathies on 
a universal scale. In his characters is something of the width 
and depth which so astounds us in the creations of Shakespeare. 
On the Eve is a quiet work, yet over which the growing con- 
sciousness of coming even ts casts its heavy shadow. Turgenev, 
even as he sketched the ripening love of a young girl, has made 
us feel the dawning aspirations of a nation. 

83. FATHERS AND CHILDREN 

by Ivan Turgenev. Translated by Constance 

Garnett 

3 * As a piece of art Fathers and Children is the most powerful of 
all Turgenev's works. The figure of Bazarov is not only the 
political centre of the book, against which the other characters 
show up in their respective significance, but a figure in which 
the eternal tragedy of man's impotence and insignificance is 
realized in scenes of a most ironical human drama.' Edward 
Garnett 

84. SMOKE 

by Ivan Turgenev. Translated by Constance 

Garnett 

5 In this novel Turgenev sees and reflects, even in the shifting 
phases of political life, that which is universal in human nature. 
We are shown the permanent attitude behind its changing 
expression in thought and in action ; in the pictured individual 
we see the recurrent type. His work is compassionate, beau- 
tiful, unique ; in the sight of his fellow-craftsmen always 
marvellous and often perfect. 

85. PORGY. A Tale 

by du Bose Heyward 

3 This fascinating book gives a vivid and intimate insight into tha 
lives of a group of American negroes, from whom Porgy stands 
out, rich in humour and tragedy. The author's description of 
a hurricane is reminiscent in its power. 



86. FRANCE AND THE FRENCH 
by Sisley Huddleston 

3 'There has been nothing of its kind published since the War. 
His book is a repository of facts marshalled with judgment ; 
as such it should assist in clearing away a whole maze of mis- 
conceptions and prejudices, and serve as a sort of pocket 
encyclopaedia of modern France.' Times Literary Supplement 

88. CLOUD CUCKOO LAND. A Novel of Sparta 

by Naomi Mitchison 

3 ' It is nothing short of genius that Mrs. Mitchison displays in 
her romance. She seems indeed by imaginative insight to have 

got into Greece.' Sunday Times 

* Rich and frank in passions, and rich, too, in the detail 

which helps to make feigned life seem real.' Times Literary 

Supplement 

89. A PRIVATE IN THE GUARDS 

by Stephen Graham 

3 In his own experiences as a soldier Stephen Graham has con- 
served the half-forgotten emotions of a nation in arms. Here 
in all its tragedy is mindless courage, faith born of a great 
emotion. Above all he makes us feel the stark brutality and 
horror of actual war, the valour which is more than valour, 
and the disciplined endurance which is human and therefore 
the more terrifying. 

90. THUNDER ON THE LEFT 

by Christopher Morley 

3 * It is personal to every reader, it will become for every one a 

reflection of himself. I fancy that here, as always where work 

is fine and true, the author has created something not as he 

would but as he must, and is here an interpreter of a world more 

wonderful than he himself knows.' Hugh Walpole 



91. THE MOON AND SIXPENCE 

by Somerset Maugham 
5 A remarkable picture of a genius. 

' Mr. Maugham has given us a ruthless and penetrating study 
in personality with a savage truthfulness of delineation and an 
icy contempt for the heroic and the sentimental.' The Times 

92. THE CASUARINA TREE 

by W. Somerset Maugham 

j A set of six intensely dramatic stories in which the stain of the 
East falls deeply on the lives of English men and women. Mr. 
Maugham remains cruelly aloof from his characters. On 
passion and its culminating tragedy he looks with unmoved 
detachment, ringing the changes without comment and yet 
with little cynicism. These talcs are brilliant and hard. 

93. A POOR MAN'S HOUSE 

by Stephen Reynolds 
3 Vivid and intimate pictures of a Devonshire fisherman's life, 

on sea and land. 

' Compact, harmonious, without a single I won't say false 
but uncertain note, true in aim, sentiment and expression, 
precise and imaginative, never precious, but containing here 
and there an absolutely priceless phrase. . . .' Joseph Conrad 

94. WILLIAM BLAKE 

by Arthur Symons 

5 When Blake spoke the first word of the nineteenth century 
there was none to hear it ; and now that his message has pene- 
trated the world, and is slowly remaking it, few are conscious 
of the man who first voiced it. This lack of knowledge w 
remedied in Mr. Symons' work. 

95. A LITERARY PILGRIM IN ENGLAND 

by Edward Thomas 

5 A book about the homes and resorts of English writers, from 
John Aubrey, Cowper, Gilbert White, Cobbett, Wordsworth, 
Burns, Borrow and Lamb, to Swinburne, Stephenson, Mere- 
dith, W. H. Hudson and H. Belloc. Each chapter is a minia- 
ture biography and at the same time a picture of the man and 
his work and environment. 



96. NAPOLEON : THE LAST PHASE 

by The Earl of Rosebery 

3 The idolatry and hatred which Napoleon inspired survived 
him too long to allow the play of reason. Even now it is not 
easy to gaze dispassionately at this dazzling luminary. Of 
books and memoirs about Napoleon there is indeed no end, but 
of the veracious books such as this book by Lord Rosebery 
there are remarkably few. This book does not deal with the 
speculation, it aims to penetrate the deliberate darkness which 
surrounds the last act of the Napoleonic drama. 

97. THE POCKET BOOK OF POEMS AND 

SONGS FOR THE OPEN AIR 
Compiled by Edward Thomas 

5 This anthology is meant to please those lovers of poetry and the 
country who like a book that can always lighten some of their 
burdens or give wings to their delight, whether in the open air 
by day, or under the roof at evening ; in it is gathered much of 
the finest English poetry, and that poetry, at its best can hardly 
avoid the open air. It is a book that will endure the sunshine 
and the firelight and give out an equal sweetness on the table 
and on the sward. 

98. SAFETY PINS : ESSAYS 

by Christopher Morley 
With an Introduction by H. M. TOMLINSON 
3 Very many readers will be glad of the opportunity to meet Mr 
Morley in the role of the gentle essayist. He is an author who 
is content to move among his fellows, to note, to reflect, and to 
write genially and urbanely ; to love words for their sound as 
well as for their value in expression of thought 

99. THE BLACK SOUL : A Novel 

by Liam O'Flaherty 

5 The Black Soul of the story is a man shattered mentally and 
physically by war and despairing of life. Nature brings him 
back step by step to health and vigour. It is the fight of Nature 

against the evil of civilization 

1 The Black Soul overwhelms one like a storm. . . . Nothing 

like it has been written by any Irish writer.' K. in The Irish 

Statesman 



ioo. CHRISTINA ALBERTA'S FATHER: 
Novel 

by H. G. Wells 

5 ' The best living writer of imaginative fiction in England. . . . 
As first reading the book is utterly beyond criticism ; all the 

characters are delightfully genuine/ Spectator 

' Brimming over with Wcllsian insight, humour and invention. 

No one but Mr. Wells could have written the whole book and 

given it such verve and sparkle.' Westminster Gazette 



Beginning with 1928 The Traveller? Library will be pub- 
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Heinemann Ltd. The new volumes announced to appear 
during the spring of 1928 include also those to be published 
by both firms. The series as a whole or any tide in the 
scries can be ordered from either William Heinemann or 
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