Celebrating
Diversity...
■^^ ^-^ UNIVERSITY OF
JCfe so^JTHC^ROLI^L\
^^=^^^ SPARTANBURG
Issue 1, Volume 4 Fall 1994
Get ready for an all new experience with your college
magazine! This Fall, The Powderhorn has aimed its sights at
all aspects of campus life.
We would like to think of it as "Celebrating Diversity."
We've spent our time investigating what is of true interest to
students, as well as faculty and staff. What we have found may
suiprise you!
In striving to represent all groups fairly, we were over-
whelmed at the vast diversity of membership to USCS. We have
students and faculty that strongly represent both genders, all
ethnic groups, all interests and cumculums, academics as well
as sports, and shared identities. How could we possibly include
ALL aspects of our college community, you ask? I must admit
it was difficult, but we feel confident that each person that picks
up this magazine will feel that his or her interests have been
considered.
Our first decision made to insure better representation in
the magazine was to lengthen it. You are now holding a maga-
zine that is "New and Improved! It's 25% BIGGER!" We fig-
ured, what better way to include more information about more
people than to add more pages?
Next, we screened past issues of the magazine to see where
weaknesses were in coverage. Staff members were then as-
signed beats to cover what was lacking in the past. Though we
couldn't possibly draw attention to all interests in a single issue,
we were able to learn what needs to be considered in the future.
The final step in the improvement process was made pos-
sible by many of you. We reviewed the questionnaires from past
issues to find out what you wanted. Be prepared to see more
focus, more photographs, more coverage of events - on campus
and off, and more stories that appeal to the student body.
We also added artwork, a topic forum for contributing
writers, and information on coming events. Well, USCS, here
you go. You asked for it and we delivered! We only ask that you
keep in mind that the best way for us to know what we're doing
right or wrong is for you to let us know. Please fill out your
survey !
The Powderhorn
rr ^. T^ . . ^. ^^ ^
Amy Ellwanger. Editor-in-Chief
Shelly Cantrell Managing Editor
Georgeann Estep Business Manager
Michael Wiggins Features Editor
Joshua Williams Copy Editor
Ella Bennett Photo Editor
Adam Stover. Sports Editor
Wendy Woods Art Editor
Dr. Nancy Moore Faculty Advisor
Ms. Jane Nodine Faculty Advisor
[tril
Barbara Gossett Deborah Koeller
Sara Ray
Special Thaeks to:
Frances Brice Dean Leon Wiles The Media Board
Dynagraphics Printing
Copyright 1994 by The Powderhom and the University of South CaroHna at Spartanburg. The
Powderhoni is pubhshed every semester by the students of USCS. Opinions expressed here are
those of the staff and contributors. They do not necessarily reflect those of the faculty, staff.
Media Board, or administration of USCS. This magazine is distributed free of charge to stu-
dents, faculty, and staff of the University of South Carolina at Spartanburg.
^
7'he Powderhom
Contents
Liberating With Laughter: Shoestring Players in Lithuania 4
Intramurals: Hard at Play 9
Foreign Students at uses 10
International Festival 12
Foreign Athletes at uses 13
eampus Life Building: Women's eenter. 14
German Students go to Oktoberfest 16
Point/eounterpoint: Does Technology Affect Art? 18
Parent's Day Photos 21
Impressions: The Non-Traditional Student 22
Fall 1994 Exam Schedule 26
A Taste of Nightlife at The eastle 27
Greek System Deserves Respect 30
African American Society Event Photos 31
Feedback: A Questionaire 34
Meet the Staff. 35
December Graduates 37
' The Pouclerhoni
Liberating vvith Laughter
playm
Michael Wiggins
Features Editor
In June of 1 994, a large invasion force
comprised of USCS students and faculty invaded
the stoic regime of Lithuania. Armed to the teeth
with in-your-face theatrics and slapstick humor,
the hardy Pippin
cast and crew
were charged with
restoring laughter
and the taste for
lighthearted
entertainment into
the newly inde-
pendent country.
A simple mission
it would seem, it
was far more
attainable than
restoration of
democracy in
Haiti. After all,
the hesitant but
inevitable withdrawal of Soviet troops would
seem to signal an end to decades of fear and
suffering. One might think that the death of such
a pitiful, clumsy system would necessitate some
sort of decade-long party, a catharsis of giddi-
ness and fun-seeking, these being among the
scarcest commodities in the former Warsaw Pact
nation. But, as a review of any U.S. foreign
poHcy initiative will show, unforeseen circum-
1994 Goodwill Trip to Lithuania
stances invariably add spice to any overseas
intervention.
When the rapidly collapsing Soviet
Union officially recognized Lithuania as an
independent nation in September 1991, fifty-
one years of continuous foreign occupation
came to an end. Naturally, the oppressors left
behind plentiful physical reminders of their
stay, like huge
These Lithuanian women on a patk
an American brandishing a camera
piles of industrial
waste, worthless
Soviet automo-
biles, and other
remnants of an
archaic, failing
economic phi-
losophy. Unfor-
tunately, this
Baltic state's
turbulent history
has left a far
more noticeable
scar upon its
people than on
the landscape
itself. Lithuanians, it had seemed, had forgotten
how to smile.
Happy Stuck, a dancer in the Pippin
acting troupe, got her first taste of the cultural
surroundings as soon as the plane touched down
in Lithuania. "The aiiport didn't even look like
an airport. There was a runway and everything,
but there wasn't a lot of equipment around.
Continued on page 6
The Fowderhorn
And there were guards everywhere, wearing big
guns." Going through customs, Happy said, was
an eye-opening experience. "We were sort of
marched between guards. They didn't want you
to walk too fast either," she added.
This initial shock was mitigated some-
what by the reception offered by the Lithuanian
acting company, who gave a much warmer
welcome than the airport security. In the capital
of Vilnius, Happy was able to witness the
staggering efficiency ingrained by Soviet influ-
ence. "Things got
tense at the hotel.
Everything had been
had been planned
ahead of time; the
university had
already arranged for
hotels. But the hotel
managers seemed to
think we were
supposed to pay for
the rooms again."
For a while
thereafter, cast
members "camped
in the lobby,
crashed-out with the
luggage," wondering
if they were going to
pay for the treat of a
bed. The matter was ^
resolved in a few
hours, however, and Happy and the others were
assigned small but hospitable rooms in which to
collapse.
The theatre of Vilnius was simply a
converted ballroom, capable of seating about
170 people. The stage was small, nan-ow, and
without wings for pre-staging. An overhead loft
had to be used for extra equipment and scene
props, demanding a bit of climbing from the
cast. The first night's performance was not a
particularly good indication of the play's future
success. The premier's attendees were all rich,
aristocratic sorts who had a fair grasp of the
English language. They also had the equivalent
of six bucks to spend for admission, about one-
tenth of the average monthly wage for
Lithuanians. Following the play was a lavish
reception for the dignitaries and Americans,
where adventures in capitalism had revealed
some peculiarity in taste. "Bananas! That was
the big thing. They had champagne and ba-
Members of the Pippin troupe
generic brand cola is a luxwy
are thrilled to have "cola" while in Lithuania. This
to most in the country.
nanas," said Professor Ray Lee, director and
makeshift chaperone for the group.
The play itself proved to be less trans-
portable than Lee had intended. "We thought
[Pippin] would be simple, but it turned out to be
very complex for a variety of different reasons.
The least of which was that they had very little
equipment to do the things we normally do
Continued on page 7
The Powderhorn
here." Soundboards, followspots. and trapdoors
are hard to come by in a land where, until re-
cently, undue creativity was more likely to land
one in the gulag than among the theatre elite.
In addition to the physical incompatibih-
ties, the musical presented problems unique to
Eastern Europe. "Only about one-third of the
people understood
English enough to
understand what was
going on," Lee said.
In retrospect, Lee
mused that ''Jesus
Christ Superstar ,
which has only music,
no book," would have
been more easily
understood. Another
problem with the
American musical was
the Lithuanian artistic
taste, which demands
some sort of meaning
from its entertainment.
Pippin's
attraction for we
Americans, of course,
is that it delivers
entertainment without
the obligation of too
many brain cells. It is
a playful diversion
from the annoying
task of thinking, and
as such, is in high demand in the states.
Lithuania, unfortunately, hasn't been exposed to
the mind-softening quality of soap operas and
sitcoms. Theatre Professor Jim Cox explained
the problem as one of perspective.
"They very often don't look each other in
the eye, and certainly don't smile at each other.
And here is an entertainment medium that's all
about smiling and projecting everything forward.
The Hill of Classes was a symbolic act in support of the
church's place in society, Lithuanian go\ eminent has
attempted to displace religion.
. . and so when the players moved out into the
audience and touched them in some cases, just
sat down on their laps and touched them, I think
they were in awe of a medium that was so
forward and friendly."
Ensuing performances in Vilnius steadily
decreased in success as the economic and ideo-
logical differences
between cultures
became more appar-
ent. Happy thought
that their performance
suffered as a result.
"It did bring us down
a bit. We would be up
on stage cracking
jokes, and the audi-
ence was just sitting
there, acting like this
was serious ..."
Again, Professor Cox
placed the response in
the context of experi-
ence. "I think some-
one (in Vilnius) told
me that the closest
that they had come to
this type of entertain-
ment was Russian
Grand Opera. Well,
lemme tell you, that's
about 80,000 football
fields away."
Other unnerving
aspects of the nights in Vilnius were quite
American in nature. "The company that owned
the theatre was in conjunction with what they
called 'a firm'," Lee said. Many of the areas in
the theatre were blocked off by big bulky guards.
"And Jim and I were standing around one day
and these guys from 'the firm' come in, all 6'2"
(and firm)." Not quite asserting that the group
Continued on page 8
The Fowderhorn
was crooked, Lee said the organization was "set
up kinda like a Mafia," with its bodyguards and
hierarchy. It will suffice to say that Lee and the
others were eager to press on to the next string of
performances in Klaipeda.
First of all, they had to get there. "We
were transported by means of cattlecar, called a
bus in Lithuania, all the way across the country
in one day, and set up that afternoon." Lee said.
They would have their first performance that
night.
The state-run theatre in Klaipeda was
suiprisingly large and accommodating, and Lee
described the seaport as being a Lithuanian
answer to "Las Vegas, Miami Beach, and Disney
World;" though slides and pictures of the city
indicate a more laid-back Norfolk, Virginia.
Even so, the play did quite well in Klaipeda.
More Lithuanians understood English, and the
musical form wasn't quite so alien a concept.
As for the state-supplied hotel, it was
soon discovered where the government had
tucked and saved up enough funds to upkeep a
quality theatre. "The government put us up in
the cheapest hotels they could find," Happy said.
A Lithuanian fanner plows vast fields with his only mules.
U.S., is still the main way of life in their country.
"The water color was a dingy brown. A fire
escape led up to our window from the alley,
which was pitch black. There were no locks on
the windows. The toilets were even worse than
before."
Using their own money, many of the cast
went to other hotels, where they often had to pay
a whopping twenty dollars for what improve-
ments could be found. Professors Lee and Cox
were among the hardy few who stayed behind.
As luck would have it, only a few nights
were set aside for Klaepeda. The Pippin crew
found the audience responsive and lively, and
were thus able to deliver excellent performances.
By the end of the Lithuanian tour, however,
there was no denying that the troupe was ex-
hausted and ready for the return trip.
Copenhagen, Denmark was the group's
layover; it served quite well as a hedonistic
capstone for a trip littered with culture shock.
Many were undoubtedly eager to gorge on
McDonald's, and do their level best to forget a
nation devoid of real pizza, adequate water
pressure and soft toilet paper. Then again,
maybe some had time to reflect on what their
mission had
accomplished.
A tiny
sample of
American
entertainment
had been im-
— ported, while
the sights,
smells, and
introspective
behavior of an
;^ entirely differ-
m ^s ^ -"^ ent world had
■* \* * c been exported
'^ and etched into
■* the minds of
Fanning, though dec lining in the forever changed
photo by Tamaia Valentine peopie.
The Powderhoni
Intramurals: Hard at Play!
Georgeann Estep
Business Manager
Do you have a little spare time in your life? Do
you like sports? Do you like meeting new
people? Well if you could use a little
excitement , then the Intramural department
is calling your name. Each semester, groups
of students form teams to compete in a
variety of different athletic events.
The Intramural department is funded
through the school and is recognized
throughout the USC system. Coach Bobby
Youngblood and his assistants work very
hard to make all the sports fun and competi-
tive. The equipment and necessary supervi-
sion is also provided by the school. The
staff of Intramurals welcomes anyone interested
in forming a new team to sign up outside
Youngblood's' office in Hodge.
The rules and regulations of intramurals
are very easy to follow. Basically, you must
have respect for the staff and equipment. Atti-
tudes are to be left at home. You are to show up
on time for all events, to play fairly and honestly,
and, most importantly, to have fun. Al-
though intramurals
are directed only for
enjoyment, some
take the competition
very seriously.
Naturally, this leads
to a few disagree-
ments, but these
spats are usually
solved on the spot
and are put in the
past immediately.
Participation in
these events have increased 700 percent since
1991. At this time, the campus decided to put the
position of director of intramurals at full time
status. This lead to more publicity and more
organization for each event. Each semester,
these events are enjoyed by many groups and
organizations such
as: the Greek
system, SGA,
AAA, and the
Campus Crusad-
ers. All of these
groups regularly
participate each
j,_ ^ semester. There
/ M^ is an ongoing
vi>ii*-' rivalry between
me iratemities for the Organizational Participa-
tion Award. In the past, Pi Kappa Phi has won
the award three times consecutively. Shane
Rogers, a member of Pi Kappa Phi, won the
Individual Student Participation Award.
The uses Club Softball All-Stars, which
is formed by combining players of each intramu-
ral team, plays in an annual Softball tournament
in Columbia. These players have to build up a
confidence in one another after being rivals all
year long. This year our team will defend their
three-year winning title against the other schools
in the USC system. Clay Johnson said, "After
being on this team two years in a row, I have
seen us all improve our ability to work together,
as well as teaching one another new skills." This
extramural event is enjoyed by all the players
and spectators in the USC system.
Competition made into fun can make a
grueling school day into a brand new adventure.
It only takes a little time and some initiative to
get involved with Intramurals.
The Powderhorn
Foreign Students Flock to U.S.
Shelly Cantrell
Managing Editor
Noel Hazzard hails from the tropical
island of Trinidad nestled in the cool waters
of the Caribbean. After three years of
American life, Noel has decided to stay in
the United States to pursue a career in
broadcast journalism as a sports
commentator. Of course, he has hopes of
making network news, but Noel realizes,
"You must work your way up to the top. 1
would like to get a job at a local television
station (WSPA) and
then shoot for the big
time."
Noel has
innocently discovered
the differences of
Hl^HH^ ' education between
courses taught in his
country are much
more complex. The life-styles of students
vary from country to country, as well. In
third world countries like Trinidad, young
people are searching for prosperous jobs,
grasping for a hold on their futures, and just
basically trying to establish a means of
survival. On the other hand, American
teenagers are busy with a social life and
schooling.
In Trinidad, the south is noted for
having reputable school systems, but too
much prejudice. Noel says this is just a
stereotype that people in his country bestow
upon the south. All in all, he has one major
problem with the South Carolina that he did
not expect - the weather. Noel remarks, "It
is too cold here. I am used to tropical
weather."
When you think of Africa, you
probably dream of plains, deserts that are
inhabited by wild creatures. That is the
scene in some places, but Sean Hartley
comes to the United States from another
part of the country - South Africa. His
home town is West Ville, to be exact, and he
is excited to take advantage of the numerous
opportunities that America has to offer.
At the young age of 23, Sean is
already planning a career in financial
economics as an insurance consultant for a
world renowned firm. He says, "The cost of
living is much more
inexpensive here than in
Africa, so I will probably
stay here to climb the
corporate ladder of
success and maybe even
own a business
someday."
Sean reminisces about
his impression of the
United States before
coming here. "South
Africans often stereotype
this country (the United States) as being all
bright lights and big cites," Sean
remembers, " but I got a different and more
realistic view as I approached Spartanburg
while traveling down Interstate 85. This
place (Spartanburg) is very rural."
College life, for Sean, is quite the
opposite of what he is accustomed to back
10
The Powderhorn
for the College Experience (3)
home. For example, the colleges in South
Africa have pubs on campus where live
bands gather to entertain the students.
Another major difference is the lack of
school spirit that students possess. Sean
would like to see students more involved in
supporting school sports. So, you ask, what
does Sean enjoy at USCS? Sean replies, "I
like being a part of the small campus
because of the one-on-one relationship with
professors. Also, I am not just a number, but
an individual. Houghton is originally from
the country hillside of Chesira, North
Which, located in the United Kingdom. He
has lived in the
United States with his
family for two years
and has been loving
every minute of it. He
says, "I was very
excited to have the
opportunity to come
to the United States.
^^ A. ^^ ^^^ ^ good change
% ^^^/^\ for me." Kelvin plans
to own a computer
store and maybe even
expand across seas;
but, that idea is further down the road for
Kelvin. Before he begins the plans for the
business, he wants to graduate with a
business management degree.
He has discovered that the social life
in America is very similar to that of the
United Kingdom. Teenagers in Kelvin's
home town go to the movies and spend
quality time with their friends just like
Americans.
What was the easiest thing to get
John Gajic is a native of Yugoslavia,
a country known for its lush plateaus and
contrasting green hills. He is originally
from the capitol, Belgrade, but has been in
the United States for four years to
experience American life. "The people of
Yugoslavia picture America to be just like
the movies," John explains, "but that is a
misconception. 1 have seen the vast
diversity of this beautiful country."
For example, John had expected to be
overwhelmed by busy city streets and
skyscrapers, so he is very surprised to find
that the south is generally quiet and similar
to his home town. "The people here in the
south are very friendly. I feel right at
home," he adds.
John has had a recent job offer in
Russia, though he plans to remain in the
United States to pursue a promising career
in chemical engineering.
John is enrolled at USCS as a
chemistry major and is here on a tennis
scholarship. He says that in Yugoslavian
students have to choose between schooling
and playing a professional sport. John
notes, "I chose school over tennis back
home. In America, I am thankful that I can
do both."
JP^
M<^
w ^
^^
j-,
■^r^' V^^H
1
John Gajic
Th e Ho wde rh o m
11
Spartanburg Kicks Off
Annual International Fest
Joshua Williams
Copy Editor
On Friday, September 18th, interna-
tional flavor came to Spartanburg. Held in
Spartanburg Memorial Auditorium on a
rather rainy weekend, the 9th annual
Spartanburg International Festival turned
out to be a welcome distraction from the first
grueling weeks of classes at USCS. The
festival lasted for two days,
Saturday the 17th and
Sunday the 18th, beginning
around noon and lasting
until five in the afternoon.
The price of admission was
a mere three dollars, and
gave one access to a variety
of international experiences.
The festival had a
myriad of booths, manned
by volunteers, which repre-
sented a total of twenty-five "*■
separate nations. Not bad for a community
that is home to more than 70 known ethnic
groups and over 60 international businesses.
Aside from giving one a sense of interna-
tional cultures and costumes, most of the
booths provided the true spice of interna-
tional flavor, which is also the mainstay of
any college student's life; delightful food
and drink for a reasonable price.
But foreign dishes and spirits were
not the only attractions that the festival held,
for in addition to the obvious lure of these
tasty morsels, the festival had an indoor
stage which was used by a variety of local
international performers. For what kind of
an international festival would it truly have
been without that most unique of interna-
"Okay, so it wasn't in the
order of Bel Share in
Asheville, NC, but it WAS
quite a bit grander and
more culturally diverse
than some of the other
festivals found in the area,
such as Bubbafest"
tional contributions: Music? As if that
weren't enough, skilled performers were on
hand to whirl like mad dervishes in a series
of intricate, foot-stomping, hand-clapping
routines. The folk dancers, most of whom
were local, performed both traditional and
modern dances from such faraway places as
India, Scotland, Estonia, and Greece.
In addition to these
performers, there was an-
other group of performers
who played all kinds of live
music. And while the
oompha band, in this case
"The Rhinelanders", had to
be heard to be believed,
there was indeed a wide
sampling of music, both
national and international.
Everything from country to
y folk music was played, and
there was even a musician who performed
music from Nigeria, something that is not to
be often heard in Spartanburg.
All in all, the Spartanburg Interna-
tional Festival was a very successful celebra-
tion of diversity in Spartanburg, the kind of
celebration that everyone could always use a
little more of. Okay, it wasn't on the order of
Bel Share in Asheville, NC, but it WAS quite
a bit grander and more culturally diverse
than some of the other festivals found in the
area, such as Bubbafest. In addition, the
Spartanburg International Festival demon-
strated one of the most unrealized facts of
life in Spartanburg: its growing intercultural
diversity
12
The Powderhom
Coming to America
Foreign Athletes Being Recruited to Play
Baseball and Soccer at USCS
Adam Stover
Sports Editor
Most American college students don't
seriously consider the possibility of attending a
university in another country. Distance from
home usually rules out any thoughts one may
have of studying outside the United States.
Despite these considerations, several USCS
athletes made the decision to come from their
native countries to study here in Spartanburg.
Senior baseball player Todd McDonald
came to USCS because athletic scholarships
aren't awarded in Canada. When I asked him
what he would be doing if he'd stayed at home,
he said "I'd still be going to school, but I
wouldn't be able to play baseball, which is what
I really like doing." Todd says the best part of
attending USCS for him is the camaraderie
between the baseball players and
coaching staff. If he could change
something about the school, it
would be the baseball team's
budget. Despite having the
lowest budget, the team has
carried the highest GPA in the
conference the past two years. To aid
this cause, Todd suggests that USCS take an
■ active role in fund raising activities.
Scott Halkett, senior soccer player, is
originally from South Africa. He came to
Spartanburg through the help of a friend who got
him in contact with the USCS soccer coaches. If
he had stayed in South Africa, Scott would still
be going to school, but tuition would start at
$6,000 per semester and increase every semester
Soccer
has
brought
many
foreign
athletes
to USCS
he attended college. When I asked him if he had
any complaints about USCS, he told me he had
none. "People don't realize how good it is here
at USCS. Each student receives one-on-one
instruction they wouldn't get at a larger school.
They'd just be another number."
Everybody doesn't take advantage of the
opportunities life presents to them. It's all too
easy to just let life happen rather than taking an
active role in your future. The athletes men-
tioned above and all the other unmentioned
athletes from other countries seized opportunity
in order to better their lives. That's something
we all need to learn to do.
The Pmvdcrhom
13
Empowering Women on Campus
Amy EUwanger
Editor-in-Chief
♦
Excitement is brewing
over the new Campus Life
building. Students and faculty
alike are anxious to take their
first step inside and find out
what is in store. However, one
group of people here on cam-
pus has reason to be even more
excited. Chancellor John
Stockwell announced at a
September meeting of Univer-
sity Women that plans for a
Women's Center have already
been included in the new facility Campus Life
Stockwell envisions a resource center
for women where they can go for conversa-
tion and advice on matters such as career
challenge and managing households as
well as serious issues like sexual harass-
ment, date rape, sexual assault, and spou-
sal abuse. Although he is unsure exactly
what functions this center will take on, he
has learned from studying other institu-
tions that the Women's Center will take on
the characteristics of the women who take
advantage of them.
Why a Women's Center and not a
Men's Center, you ask? The Campus Life
building is designed to provide services
and meet the needs of all students. For
instance, there will be a Commuter's Cen-
ter, Career Planning, Nursing, and organi-
zational meeting places for groups such as
the African American Association.
building under construction
Stockwell said, "These centers grow out of
expressed needs that are focused and
articulated." He has found from experience
on other campuses with these types of
centers that the needs of men are ad-
dressed, as well. "Studies conclude that
campus climate is often a chilly one for
women in social settings," Stockwell admit-
ted. By using this center, USCS can gain
insight and experience to learn what issues
women are battling on its campus.
Women will not only be seeing
changes upon the opening of the Campus
Life Building, though. Stockwell has some
other plans in mind. He is strongly sup-
portive of the child care services provided
on campus. Child care has come close to
14
The Powderhorn
...Stockwell Discusses Methods
getting the ax every year
because of budget cuts.
Stockwell is interested in
not only preserving the
child care services, but
broadening and improving
them. He wants to expand
the age group to include
infancy, which has not been
done in the past. At this
kind of university, Stockwell
feels it is necessary to have a
strong child care program.
He is even ambitious
enough to strive for "the best child care in
the Upstate of South Carolina."
Although Stockwell claims, "There is
no single answer to empowering women
on campus," he feels that broadening
leadership opportunities will contribute.
He wants to strive to make athletics equi-
table. He has a special interest in creating a
♦
women's soccer team. He,
and others, have observed
that soccer players are
bright, focused, hard-
working students and that
a soccer team would make
a good tool for recruiting 30
to 40 new talented women
to the campus.
I must admit that upon
hearing Dr. Stockwell speak
at the University Women
meeting, I assumed he was
trying to make a good first
impression and get a strong group on his
side. I am now convinced, however, that he
has a genuine interest in women and that
he will do what it takes to bring equity and
support for them on the USCS campus. I
am calling on all women on campus to sit
up and take note: We have a new champion
for our rights and needs!
Construction on
the Campus Life
Building Will be
Completed by
August of 1995!
The Fowcterhom
15
Studying A Foreign Language at USCS:
t
Joshua Williams
Copy Editor
When I first came to USCS, I was dis-
mayed to learn that I absolutely HAD to take
three semesters of a foreign language in order to
fulfill the requirements for my degree. The
reason for my dismay was that I had no previous
experience with foreign languages of any kind
and so I was more than a little daunted by the
prospect of having to learn a whole other lan-
guage. Still, I have always been fascinated with
other cultures and countries, and since German
culture has come en masse to this area of South
Carolina, I decided to make German my field of
study for my foreign language requirement. It
was one of the best decisions that I have made in
my entire life. That is not to say that the other
language courses which are taught at USCS are
in some way inferior to the German language
courses at USCS, but rather that German is the
language which appeals most to me. In fact, a
good part of the reason that I became less afraid
to take a foreign language was my interaction
outside of any classroom with Mrs. Raquidel, Dr.
Robe, and Dr. Boehringer. At any rate, Gemaan
was the language that I chose to learn, and it has
proved to be one of the most fun classes that I
have had, while at the same time it is also one of
the most challenging classes I have ever taken.
One of the most rewarding things about
this, and any foreign language class, is that it has
a quality of camaraderie that is not found in any
other subject of study at USCS. This quality is
especially important at USCS because so many
of the students are commuting students and so
they do not have as many opportunities to get to
know each other and learn together. In other
words, a foreign language class is a great place
to get to know your fellow students and have a
good experience learning at the same time.
Since one of the most essential components of
learning a foreign language involves speaking it,
foreign language classes are much more interac-
tive than most other classes and so they provide
a good opportunity for students to interact
heavily with each other and their instructors. In
addition, USCS has one of the finest language
labs in the state. There are tape recorders and
headsets in a large enough quantity to accommo-
date many students, video terminals which can
be used to view foreign films, computers on
which students may practice their language
skills, as well as excellent tutors who are avail-
able to answer any questions you might have
regarding the language that you are studying.
16
The Powderhom
German Class Experiences Oktoberfest
The best part about the
language lab is that it
is not, like most lan-
guage labs, located in a
tiny basement or other
inaccessible spot, but is
instead located in a
spacious room on the
top floor of the flne arts
building.
Other aspects of
foreign language
classes here at USCS,
specifically German,
are the extracurricular
activities which that
students are encouraged
to participate in, order
to further their under-
standing of the language
which they are studying,
such as foreign films or
trips to festivals of
another culture. For
example, my German 101 class, together with
the 102 and 201 classes, recently went on a day
trip to Oktoberfest in Helen, GA. This trip,
besides being a lot of fun, actually proved to be
quite beneficial to the German listening and
speaking skills that our classes were struggling
to acquire. In addition, we were in some sense
actually immersed in German culture for a short
time. This sort of immersion is, besides being a
great experience in itself, invaluable to anyone
studying a foreign lan-
guage because it actually
causes you to mentally
shift gears and begin to
think like someone in the
culture that you are
immersing yourself in.
If all of this does
not excite you enough to
overcome your inhibi-
tions about studying a
foreign language, try
talking to the instructors
in the foreign language
department and decide
for yourself what it is
about foreign culture
that appeals to you.
Perhaps a grandparent of
yours came from another
country and you are
interested in learning
more about your roots,
or perhaps you will find that
certain aspects of a particular culture appeal to
you for completely inexplicable reasons. What-
ever the reason, I highly recommend that you get
a little more familiar with the culture of the
language you will be taking because foreign
language classes have the potential to be some of
the most challenging and exciting classes that
you will ever take.
The Fowderhorn
17
Point
Vacuum cleaners love to arrange them-
selves behind glass cases and pretend they are art
exhibits. Computer screens continually flash
messages like "love your keyboard" to unwitting
operators. Nintendo systems have taken an
entire generation of children and
lobotomized them; this is
why their verbal skills
have been reduced to the
level of "Duh," and
"Cool, dude." Electronic
gizmos have efficiently
displaced legions of
orchestras and choirs,
ensuring the prevalence
of the performing arts
among the nation's
panhandlers.
This is the
tenmg
impression one can
easily receive from lis-
to a recent diatribe by Professor
Jimm Cox, a theatre and speech
instructor, against the effects of technology on
the arts. "We no longer need artists to paint. We
don't need canvases, and people to sit around
them for weeks and weeks, carefully applying
levels and textures of paint to canvas. Why do
that? We can set up a computer, and have it
generate computer graphics from now until hell
freezes over. And forget the artist, putting hand
to canvas."
The problem with introducing techno-
logical devices to the artistic method is the
removal of personal involvement. A novel can
be written without the author's hand ever touch-
ing a piece of paper with a pen. A graphic
designer can create an eye-pleaser without
spilling a drop of paint on his or her clothes.
"Art is about the expression of human emotion.
A musician picks up an instrument,
blows the breath that produces life into
that instrument, creating beautiful
sound that enriches the soul. It's not
the same thing as hitting a key on a
computer and having mechanically
generated music." These concerns
are understandable to a certain
extent. Computer technology has
made huge inroads into art. But
are these and certain future gains
made at the expense of human
passions?
However, there was no
meek acceptance of the
professor's assertion in a class
composed almost solely of
communication students, most of
whom work on computers quite regularly. Many
of the students took the professor's words to
mean that their writing suffered from a lack of
depth, a lack of soul, simply because it wasn't
written, it was "processed." The ensuing debate
raged between ludicrous extremes. One quiet
young man at the back of class seemed certain
the whole thing was the result of our evil govern-
ment. One was left a little hazy as to how good
or bad he felt all these changes were. Another
communications student vociferously defended
Beethoven, swearing he would never have
Continued on page 20
18
The Powderhorn
U^ Counterpoint
Since the beginning of the Industrial
Revolution some two-hundred years ago, there
have been thousands of changes in the ways in
which most of the citizens in our now Global
community live their lives. In addition to the
various practical and recreational
applications that this newfound
technology has provided us
with, there have been many
advancements in the areas of
the Fine Arts. One of the
largest concerns that arises as a
result of the marriage of
technology and art is whether
or not technology aids or
inhibits true art. More simply
put, is the emotive quality of
art enhanced or destroyed
when that art is produced
using a greater degree of
technology than pen and
paper, or brush and canvas?
As we find ourselves in
the years that close out not only the century, but
the entire millennium, it is only natural that we
would look back upon the way things used to be,
specifically in the areas of music and other fine
arts. First, that the attitude of "Things just aren't
as good as they used to be" is absolutely and
incontrovertibly right. On the other hand, the
laws of probability would suggest that just
MAYBE this way of thinking contains a few
flaws. If this is true, then perhaps we can revise
our understanding of the world and come to the
conclusion that the world which we presently
exist in is not entirely a pale shadow of its
Josh
Williams
former self. The point that needs to be made
here is that the problem lies not in the technol-
ogy that influences the arts of the present day,
but in the perception, assimilation and interpreta-
tion of those arts. For example, in the
mid-twentieth century, earlier
forms of music that used
minimal technology. Swing,
Jazz, or Classical were re-
vered while newer forms of
music, specifically Rock 'n'
Roll, were attacked and
vilified. The reason for this
segregation of music lay not
in the actual music itself, but
in the perception of that
music by different genera-
tions.
Does the artist blame his
brush or his canvas for the
failings of his art? Does the
writer write poorly because
he has to use a word processor instead of pen
and paper? Of course not. If any artist creates a
work which is in some way flawed or not "up to
standard," he or she is painfully aware that the
problem does not lie with the tools that are used,
but with him or her self. It doesn't matter
whether words are recorded electronically or
with lead. The important thing is the words and
what they say. If they are poorly written, they are
garbage regardless of whether or not they are
hand written in beautiful calligraphy or Times
New Roman.
Continued on page 20
The Fowderhorn
19
Point Com d
Counterpoint cont d
dropped his conventional music career for a data
processing job. Everyone either wanted to
condemn or praise computers, and only a few
quietly mentioned the one aspect of the commu-
nicative effort that actually matters: human
endeavor.
As was mentioned often during the
haphazard debate, people are obsessed with
efficiency. Fast food restaurants haven't flour-
ished in this country because of their ambience
and delicate preparation of food; they litter the
landscape because they are ruthlessly efficient.
Now, expediency is not an inherently bad thing,
but like alcohol or disco music, can be overused.
Computers are not alien invaders. They
have no agenda of their own. They will enable or
disable cultural achievement as their designers
and users dictate. Now that it is known that
computer programs really can produce the
melodic strains of an entire orchestra, or move
the epilogue to the prologue in the blink of an
eye, the only unknown is whether programs
should produce or should move.
Yes, technology has indeed brought
changes to art, as with every other aspect of
society. Overreliance on technology can result
in lazy artists as surely as it has resulted in
helpless couch potatoes everywhere. However,
the artist can't simply ignore a new medium as if
it were a coii'upting agent. New boundaries
should be thoroughly explored. Professor Cox
was quick to point out that computer-generated
art is "a genre that should have its place." But,
if the art of machines is the only art to be in the
future, it is the human heart that wills it.
The difficulty in understanding this arises
when the issue of "genei'ation gapping" comes
in. But just because a gap exists between
mothers and daughters or fathers and sons does
not mean that the appreciation and production of
the arts from one generation to the next is some-
how faulty. Change is natural, whether it is
change in art, music, theater, or the mediums
with which we use to create them. It is also
natural for us to resent those changes and fail to
see what value that they do have. However, just
because we cannot see that value, it does not
follow that it is not there. Thus, the vilification
of modern technology as a medium with which
to produce art is completely unfounded and
wrong. So the next time you are busy criticizing
a piece of music or art as utterly reprehensible
and worthless, take some time to think about
what it really is and what it represents. After all,
why should we waste time despising something
when there is a chance we could be enjoying it?
Point and Counterpoint are regular features in the Powderhorn. If you have a
topic to suggest and/or an essay to contribute, these can be submitted to our
office in Hodge 244. Keep in mind that we reserve the right to edit as necessary.
20
The Powderhorn
1st Annual Parent's Day
Students prepare to feast in the quad at the
lunch provided on Parent's Day.
If
' ^ J
— m
^^^^Ki^ ' '^'I'^SBSBStBSE
■ ■ i
1
Dr. Ron Roniine gives a mini-
lecture on South Carolina
government.
Artist Michael Aurhach checks out one
of his sculptures with Erin Call man, a
young Parent's Day participant.
fskri
Parents got a sneak preview of the Campus
Life building their sons and dcaighters will
benefit from next year.
The Fowderhorn
21
I ...of the Returning
M
P
R
E
S
S
I
o
N
S
"Honey, Dinner Will Be Late Again"
Deborah Koeller
Contributor
"Honey, dinner will be late again." That seems to be the story of
my life since returning as an adult student at USCS. It has not been an
easy adjustment for me or for my family; although they have been very
understanding.
I just do not have the minutes I once enjoyed. If I am not at
school, I am at the kitchen table doing homework or at work in the Wal-
Mart toy department. Even then, I usually have a stack of 3 x 5
notecards tucked away in my pocket with definitions from art history.
A typical day begins at six a.m. and does not end until well after
midnight. Calculus has replaced dinner with the family, and Modula 2
programming keeps me at school longer than I would like.
The hardest times are when the children want to spend some
time with me. Daniel is eleven and thinks that I should be able to stop
what I'm doing to play a game or see a movie. It is hard to tell him no.
Hans, at 17, is much more understanding because he has a car and no
longer needs me as chauffeur.
My husband has learned to help around the house: to do the
grocery shopping and to help with the laundry. His cooking skills have
surpassed mine. I get jealous sometimes when he can sit back and relax
while I struggle with homework. I must remind myself that it is only
temporary.
When I feel tired from the hours or guilty for putting my school
work before the family, I take comfort from my family's support, the
sense of accomplishment school has given me, and the certainty that I
will soon be the programmer I've always wanted to be.
Essays continued on page 24
22 The Powderhoni
student at USCS
artwork bv Jane Nodine
"Impressions..." is Powderhorn Magazine's new student topic forum.
We wanted students to fiave tfie opportunity to contribute essays on a
particular topic concerning student life at USCS. This issue's topic
takes a look at the implications of being a female nontraditional student.
Do you have an idea for a topic next issue? Are you interested in
writing an essay on a particular topic? We welcome you to tell us about
it. Ideas or essays can be turned in to our office in Hodge 244. If no
suggestions for topics come in, we will announce the topic early next
semester. Feel free to submit writing, as well as artwork, on that topic.
The Powderhorn
23
Someoiie To Talk To
Sara Ray
Contributor
I don't know what it is about friendships between women, but they can get rather special,
sometimes even mystical. It must have something to do with the understanding of what it's hke to
be a woman that helps create that special bond. A best friend to talk with has always been a need of
mine; someone I can call anytime, share all my little victories and catastrophic defeats with, and tell
all my deepest secrets to (well, almost all my secrets). The trouble was 1 left all mine behind when I
moved here from Arizona.
Six years went by, and 1 was still best friendless when I returned to college. Knowing I
would be roughly the age of mother to most of the coeds, 1 didn't have much hope for finding a best
friend. However, college was a pleasant surprise; I had forgotten how wonderfully idealistic young
people can be, and how hopelessly idealistic I will always be.
And in the second semester, I met Barbara.
She entered my life in the same way she enters a room — she
just burst in. She was sitting in the front row of my Contemporary
Lit class; I was in the back. Whenever she had something to say,
which was often, she boldly announced whatever it was with all
the conviction of a two thousand dollar an hour defense attorney.
She ended up in my discussion group, and called me "Darlin"."
Somehow or other she decided that we had something in common,
and 1 was her friend whether I liked it or not. I liked it.
And the more I got to know her, the better I liked it. The night that I sat out on my dark
porch and giggled into the phone like a silly schoolgirl to Barbara at the other end was the night I
realized that 1 had a best friend again.
We have talked and talked; I had a lot of catching up to do on everything from school work
to family. We call each other now almost every day. Barbara wishes she were not so brash (her
word) and more reserved like me. I wish I were not so naive (my word) and more bold like her.
Barbara always seems to be in control, and I wear my emotions like some women wear jewelry. We
fit together perfectly.
The best thing about Barbara though is that she plays this poker game of life exactly like me.
We both play seven card stud with four cards up and on the table and three in our hands. More than
half of what we have to bet with is right there for anyone to see. If people don't like what they see,
they don't have to take a chance; they can just fold and leave the
table.
Barbara and I took a chance on each other; we liked the
cards we saw on the table, and lately Barbara and I have been
having a great time showing each other all the cards we are
holding in our hands (well, almost all the cards).
(rWTTTOWi^^
24
The Powderhom
Slipping By a Math Requirement
Barbara Gossett
Contributor
I have been out of school for thirty years and I have forgotten every bit of math that I
learned. Before transfemng to the University of South Carolina at Spartanburg. I elected to take a
few classes at Greenville Tech to prepare me for the academic world! The zealous math instructors
at Tech put the fear of God in me. I worried about the subject matter and then I would enter the
room to take a test and have someone stand at the front of the room and tell all present how many
more minutes were left to complete the exam or perhaps I would ask an obvious question in class
and the instructor would reply: "People, how stupid can you be? Didn't I just explain that to you?"
I would go to class early to calm myself down. Other students
would come in and be lost on the test material. It was so easy
to show them how. Many passed that class due to last minute
instruction by me. Nevertheless, I failed the class. I cannot
take tests and that became more and more evident. I was
convinced I would never receive a degree of any type because I
was unable to pass Math 102
With my recent failures in math weighing heavily on
my mind, I transferred to USCS. Deciding I would concentrate
in English, I enrolled for classes. The literature classes were
wonderful and the professors great. I conveniently forgot the
required math. When it was time to register for classes again, I
found I only needed twelve hours to graduate. Unfortunately
six of these hours were in math. I would have to take these classes at USCS. Everyone had advice
to give me.
A friend that I had several classes with encouraged me to take a summer session in math with
a Mr. Bill White. She continually told me how great the man was at explaining and putting the
material in a format that related to what I could understand. I registered for his class and found him
to be just as I had been told. After the first test and a big 56 grade, I went to him and explained my
situation. He said not to worry, his philosophy maintained that all people were not math majors, and
his job was to teach the principles of the concept so it might be applied easily. He explained exactly
what he tested. He said if you get nervous get up and walk around; if you have a problem with the
calculator, ask me, that is not math and I am not testing your use of the calculator. He made the
extra time for the floundering student, and offered opportunities for extra credit. He professed his
job was not to fail as many students as he could come in contact with but to help as many as would
allow him too.
I allowed him to help me. I acquired my six hours of math and may even receive a degree
shortly.
The Powdcrhoni
25
Exam Schedule - Fall 1994
Exam Time
8:00 A.M. -
11:30 A.M.- 3:00 P.M.
6:30 P.M.
11:00 A.M.
2:30 P.M. 6:00 P.M.
9:30 P.M.
Date/Day
Class Time
Dec. 8, Thur.
9:25 A.M. TTh
12:10 P.M. TTh 1:05 P.M. TTh
7:00 P.M. TTh
7:25 P.M. TTh
6:00 P.M. Th
Dec. 9, Fri.
10:00 A.M. MWF
12:00 P.M. MWF 2:15 P.M. TTh
Dec. 10, Sat.
9:00 A.M. Sat.
Dec. 12, Mon.
8:00 A.M. MWF
11:00 A.M. MWF 3:40 P.M. MW
5:30 P.M. MW
6:00 P.M. MW
6:00 P.M. W
Dec. 13, Tue.
8:00 A.M. TTh
10:50 A.M. TTh 2:30 P.M. TTh
5:30 P.M. TTh
6:00 P.M. TTh
6:00 P.M. T
Dec. 14, Wed.
9:00 A.M. MWF
7:25 P.M. MW
6:00 P.M. M
26
The Powderhovn
A Taste of Nightlife at The Castle
Michael Wiggins
Features Editor
Culture shocks have always left me
somewhat inarticulate. It doesn't do one much
good to have seen belly dancers, white tigers,
and pyramids if these things leave only intan-
gible impressions. Some places on the elusive
side of night desperately need solidity. Tonight I
am going to one such
place. The destination
of my friends and I is a
castle, formerly
shrouded in mists. As I
prepare myself for new
sights and sounds, I
consider as well the
danger of being too
definitive.
We will go as
soon as Marie can get
off work and I can get
my courage up. Til do
this with cabernet
sauvignon, despite a
monstrous headache.
Ann is getting ready by
stages, at first talking
about fixing her hair,
then talking, then
remembering what lies
ahead. She hurries off
to the bedroom, anxious
to get the night started. I stare at the evening
news on television, unmindful of problems
removed from me.
Ann's boyfriend, Lee, enters the apart-
ment and eases into an armchair. We greet each
other amicably and quietly, like longtime card
partners. Gregory, an unexpected participant in
Patrons of the Castle take a break from dancing to
smile for tlie camera.
the night's events, barges into the apartment.
His dancing feet are already afire. He impa-
tiently paces a bit while joking with the rest of
us. Ann has completed part of her ritual. She
already looks radiant, with deep auburn hair only
partially dry and what would ordinarily be called
casual wear. The time is growing near.
My ritual continues as before. The
headache is mercifully
becoming a dim
memory, though I know
a reckoning will come.
Red insight flows freely,
and the bottle of wine is
half empty. And now I
anticipate the night, if
only because it's foolish
to fear the inevitable.
Lee and I discuss manly
things, of course: knives,
politics, rock-climbing.
Marie arrives, toting a
little more courage. I
take a shot of this, and
attempt to retain a lesson
in chess from Lee while
Gregory undermines
him. The lesson is bad
and futile, and I leave
the apartment with the
others as ignorant of
chess as the game we are
about to play.
We take a slight detour to Subway for
some mid-morning nourishment. The savage
manner in which we slaughter poor, defenseless
cold cuts should serve as foreshadowing for later
primordial behavior; but I often miss literary
Continued on page 28
The Fawderliorn
27
techniques when applied to real life. We wolf
down our sandwich on our way to The Castle.
I will decline to label The Castle, for I
find existing labels to be rather one-dimensional,
something this club certainly is not. The outside
appearance of the place is rather sprawling and
shed-like, not like a castle at all. The inside
misses the Dark Ages too, opting for something
far more ancient in decor. The Castle, I soon
see, is a cave. An angular tunnel splashed with
black carries to me the thumping beat of
the cavern's heart.
I hear driving,
techno sound emerg-
ing through a
plethora of elec-
tronics to become
primitive. Around
me are wild-eyed
children of the Earth,
engaging in something
approaching religion.
As I approach the floor
quite protected by my friends (as
requested), I see the state of union tribal
ceremonies try to attain. An impossible vari-
ety of people are all linked together by the
throbbing, rhythmic demands of the machine
the shadows to my left are those attempting a
more personal unity. They wear leather. They
wear tee shirts. They wear button-down shirts.
They wear everything and nothing, and I fail to
define.
To my right and not far enough away is a
thrashing whirlwind of flesh and energy that
doesn't quite pull me in, but entices me to stare
nonetheless. Numbness settles in, crushing my
useless, swirling impressions, until I no longer
need my escort. The ladies enter the dance floor
and become different almost instantly. They spin
into the maelstrom of movement and sound.
They emerge back into my sight as beautiful,
wanton savagery, writhing and twisting in an
I will decline to label The
Castle, for I find existing
labels to be rather
one-dimensional,
something this club
certainly is not.
In
ecstasy of abandon. I try to gather the thoughts
of Lee by glancing his way, but can see little in a
face carefully shaped and set into indifference.
Meanwhile, Gregory with the dancing feet
strangely finds it necessary to give his shoes a
rest.
I remain to the side with the others,
letting my gaze carry me into other people's
worlds. I see a bit of the cross-dresser's world
and a portion of the sadomasochist's. From far
away, I see the world of two men who
seem much infatuated with each
other. Outside a circle of
faster gyrations are
two young women
who hardly seem
dancing at all, as if
preoccupied with just
one moment. I see a
woman from high
school I never quite
knew dancing feverishly
with women Fll likely never
know. There are
some here in love, who may spend forever
in one perfect match. There are the unfortu-
nate, who will get used by another before
dawn. There are those here to avoid any touch at
all. who yeaiTi merely for escape from a crush-
ing, stifling world. And as foreign as it all might
seem, it is only as mystifying as creation itself,
and it is as eternal and unchanging as darkness.
Rhythmic gods slow their demands, and
dawn casts a weary eye on age-old human
passions. The house lights come on, roughly
jamng stragglers back into civilization's stolid,
icy rhythm. My friends and I surrender to this
new pace, and leave a now-silent cave.
I wonder, traveling fast to a more familiar
world, if my numbness in confronting the un-
known is an ancient defense mechanism. Per-
haps it is an easily ignored hint to not judge too
quickly what I do not understand.
28
The Powderhoni
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The Powderhom
29
Greek System Deserves Respect
Georgeann Estep
Business Manager
On campus, we have a system of five organi
zations that fulfill almost every aspect of the
academic and social life that exists in college.
These five outstanding groups, otherwise
known as the Greek system (Pi Kappa Phi,
Lambda Chi Alpha, Phi Mu, Delta Zeta, and
Tau Kappa Epsilon) regularly participate in
S.G.A., Intramurals, Ropes Course, Marketing
Club, and other such activities.
These groups made up of
good men and women took
an oath to remain loyal and
faithful , and to dedicate
themselves to the Greek
lettered organization that
they pledged. Finding
enough time to split between
work, school and their
sorority/fraternity is defi-
nitely a hard task. As Tee
Thompson said, "I work 40
hours a week, go to school
full time and I am an active member of Lambda
Chi Alpha . Somehow I just manage to get it all
done." A member of Delta Zeta sorority added,
" Even though church and school are my num-
ber one priorities, I still give 100% to my
sisters."
Intramurals are strongly supported by the
fraternities. Winning the Organizational Partici-
pation Award three years in a row, Pi Kappa Phi
enjoys playing in every event, even ping-pong.
Tau Kappa Epsilons' intramural chairperson,
Thomas Walls, said, "Intramurals give my
brothers and I the opportunity to work on our
teamwork skills while allowing us all to have a
AZ AXA
nKO
TKE OM
has got to have an outlet from all the stress faced
each day in order to move on to the next. Spik-
ing the ball over the net or hitting a homerun
with your friends is an easy way to let go and
enjoy college."
Christopher Clark stated, "Through Pi Kappa
Phi, I became aware of many different outlets
that allow me to express my true leadership
skills. I would not have had a chance to utilize
these skills in student gov-
ernment if I had not joined a
Greek letter organization.
Fraternities/sororities give a
person a stable structure to
grow and learn while gaining
the confidence and experi-
ence to become a leader.
The Greek system holds
an overall 2.5 G.P.A.
Some of these brothers/
^^_^_^^^_^ sisters have been awarded
scholarships, stipends or
other awards for their achievements. Wendy
Maynard, the conduct leader of Phi Mu soror-
ity and a Piedmont scholar recipient said,
"Being involved in my sorority helps me stay
focused on school because I don't have any
free time to waste. My sisters always give me
that little push that I need to accomplish
anything."
Overall the Greek system here at USCS is
not the typical "Party System" that everyone
thinks. The Greek way of life is more like a
family working together to meet their goals.
Granted they all know how to let loose and
have a good time, this doesn't mean that they
break from the normal college day. Everyone should be denied the respect that they deserve.
30
The Powderhom
African American
Association
"What's been going on..."
Superfly
Stacey Mills & Jackie Burton get
funky at AAA's 70's party.
Life's a Beach
Masters of BBQ
John Lytch and Vernon Kennedy show off their BBQ
skills at an AAA cookout at the end of the summer.
Smile!
Reco Miller is up to his neck in sand at the
Upward Bound Conference this summer.
Chancellor John Stockwell. Student Body
President Stacey Mills, and Dean Leon
Wiles pose at the Leadership Conference.
The I'owderhorn
31
Home Away from Home
Laurie Lee
Director of Student Housing
Experience campus living at its best at Rifle
Ridge Apartments. Your new home away from
home is designed exclusively for USCS students.
The apartments are located on the USCS campus
between the tennis courts and the baseball and
soccer fields, and are just five minutes walking
distance to class.
The apartments are located in a landscaped,
wooded environment, with a clear running
stream that flows through the property. The
quiet country atmosphere makes it a pleasure to
be able to walk to class.
Convenience is an added plus. Some of the
amenities you will enjoy include a swimming
pool, volleyball and basketball courts, grill
picnic areas, and a laundry facility.
There is also the convenience of being close to
all of the University's athletic facilities such as
tennis courts, racquetball courts, an indoor
basketball court, a soccer and baseball field, and
a weight training center.
We hope that you will make Rifle Ridge your
new home away from home.
Rifle Ridge Apartments
Spartanburg, SC 29303
32
The Powderhorn
RIFLE RIDGE
Apartments
Discover the "student appeal" of the Rifle Ridge
Apartments, on-campus housing exclusively for
uses students.
Each apartment is smartly furnished- right down
to the study desks! And our floor plans are
"roommate responsive;" four students share two
bedrooms, two full baths, spacious living room
and fully equipped kitchen.
In case you're wondering how to spend the
time you create by living on-campus, try your
hand at tennis or relax poolside. The Rifle Ridge
Apartments have a full line of recreational
amenities plus school-sponsored activities for
your enjoyment. DON'T LET CAMPUS LIFE
PASS YOU BY! Reserve your room today at
The Rifle Ridge Apartments.
• Duke Power energy efficient rating
• Central heat and air
• Carpeting and mini-blinds
• Completely furnished throughout
• Fully equipped kitchen
• Smoke detectors
• Water and garbage service-included in rent
• Swimming pool
• Adjacent tennis courts
• Volleyball and basketball courts
• Ample parking
• Handicap units
• Laundry facilities
Laurie D. Lee
Director of Student Housing
(803)578-1138
"«^\JH
^
The Fowclerhoni
33
F E E D B A C K
The Powderhorn staff wants to know what you think of this semester's issue of the magazine. Please
complete this survey and return it to Hodge 244. Thanks for your time!
1. Did you enjoy the articles? If so, which ones?
2. Did you like the photos? If so, which ones?
3. Was this magazine in a convenient place? Where? If not, how did you acquire it?
4. Did you, as an individual or as part of a group, feel adequately represented by material in this
magazine? If not, how can we better represent you in the future?
5. What other topics would you like to see covered in the Spring 1995 issue?
6. Do you have any other comments or helpful criticism for us to consider?
Please feel free to help create next semester's issue! We welcome stories, artwork,
photos, help with layout, or suggestions for events to cover.
34 The Powderhorn
Meet the Staff,..
Amy Ellwanger
Editor-in-Chief
Senior
Communications
Journalism
Slielly Cantrell
Managing Editor
Freshman
EngUsh, Communi-
cations : Broadcast
Michael Wiggins
Features Editor
Junior
Communications
Journalism
Georgeann Estep
Business Manager
Junior
Business : Market-
ing, Advertising
Joshua Williams
Copy Editor
Senior
Communications
Journalism
Ella Bennett
Photo Editor
Junior
Business : Manage-
ment
Adam Stover
Sports Editor
Sophomore
English, Communica-
tions
Wendy Woods
Art Editor
Sophomore
Communications
The Powderhani
35
^— c g ^ e—
Steaks • Chicken • Ribs • Fish
Also featuring a vast selection of
salads & our signature items:
CALABASH CHICKEN &
RIBEYE STEAK SANDWICH
"A lot of food for a very reasonable price"
Take-Out Available
Open Mon Thru Sat 11 am to 11 pm
Phone: 599-0973
Near the intersection of 1-85 & 585
Directly across from USCS !
Private Club
Spartanburg 's Finest Jazz and Blues
• No cover for ladies
• 25 cent oysters & shrimp on Wed. and Thur.
nights
• Siiperbowl party coming up !
280 Whitney Road
Spartanburg, SC
(803) 583-6868
Sign up in Hodge 226
or call 599-2714
Intramural Activities:
Tennis - Aug 30 / Apr 10
Softball -Aug 31 /Mar 6
Volleyball - Sept 7
Aerobics - Sept 8 / Feb 2
Homerun Derby - Sept 14
Basketball Shooting Contest - Sept 21 / Feb 15
Golf -Sept 30 /April 21
Flag Football - Oct 4
Carolina System Softball Tourn. - Oct 7
Soccer - Oct 5
P.B.C. intramural Championship - Oct 14
State Softball Tournament - Oct 21
Great Pumpkin Walk/Run - Oct 26
Flag Football Re2. Championship - Nov 18
Walleyball - Jan 30
Basketball - Feb 1
Racquetball - Feb 1
Schick Hoops Championship - Feb 1 8
Indoor Soccer - Mar 1
Weightlifting/Fitness Clinic - Mar 8
Bowling - Mar 13
Weightlifting Contest - Mar 13
Wellness Walk/Run - Mar 15
State Soccer Tournament - Mar 1 7
Ping-Pong - Apr 5
Putt-Putt Challenge - Apr 10
State Volleyball Tournament - Apr 10
Par 3 Golf -Apr 17
36
The Powderhorn
Adair, Wesley Brian
Allen, Mark Thomas
Arthur, Mark Alan
Ashmore, Paige Ricker
Atkins, Bruce Lamar
Bailey, Bryan Scott
Baird, Jacqueline Elaine
Baker, Leslie Ann
Ballenger, Jeffrey Todd
Banerjee, Ashok Kumar
Barbarre, Jean-Pierre Andre
Bell, Donna Jean
Bernoski, Karen Marie
Blackburn, Glenn Wesley
Blackwood, Catharine Anne
Blackwood, Elizabeth Alden
Blount, Elois Watson
Bolton, Lori Nicole
Bowen, Amy Elizabeth
Braun, Loni Wyman
Bricco, Robbie Lynn
Broadhead, Neal Alpheus
Brooks, Jonathan Healy
Bruce-Hunter, Jennifer Leigh
Bryson, Dawn Lamb
Buckner, Amanda Lamb
Burgess, Mark Sanders
Burns, Donna Batson
Campbell, Alicia Tracy
Campbell, Larry Kenneth
Carter, James Clifton III
Carter, Tracy Melissa
Cash, Sheila Under
Cattaruzza, Chris Anne
Chatters, Evelyn Anne
Cooley, Timothy Joseph
Cooper, Brett Austin
Davis, Caroline Dawn
Davis, Sherri Jenise
Djebelli, Dara
Drewes, Renee Laverne
Druell, Staci Lynne
Easier, Kaprice Cheatwood
Edwards, Constance B.
Ellis, William Edward III
Ellison, Crystal Charlene
Eubanks, Kimberly Lynn
Farmer, Scheafer Mattison
Parr, Tracie Diane
Farris, Laura Renee
Fickenworth, Laura Ellen
Floyd, Michael Allan
Fox, Kenneth Harrison
Gajic, Sreten John
Garfield, Nancy Lynne
Garner, Jason Deems
Medley, Crystal Marie
Medley, Sherri Hyatt
Medlock, Christina Bardel
Merrifield, Kathrin
Meyer, Brian David
Miller, James Franklin II
Millwood, John William III
Mobley, Ronald Jeffrey
Moody, Danielle Jannyne
Moore, Katherine Lavender
Moore, Sally Olivia
Morris, Angela Robin
Mullen, Monty Virginia
Mullins, Diana Lynn
Murray, Bedelia Lynn
O'Brien, Carrie Lee
O'Shields, Stephanie Holland
Odom, John Arthur
Ort, Gregory Haven
Palmer, April Regina
Parham, Christopher Daniel
Parson, Angela Christine
Patel, Ketal Dinesh
Pearson, Sunni Maria
Pettit, John Lloyd
Pitman, Tamara Lee
Poole, Michael Wayne
Posada Sanchez, Jose
Prewitt, Lara Kathryn
Price, Kimberly Brooke
Price, Sandy Leigh
Prioleau, Dwayne Terrance
Ramsey, Katrina Rene
Ray, Sara Katherine
Reece, Tabitha Christine
Rhodes, James Spencer
Richardson, Patrick Eugene Jr
Riddle, Kevin Rhett
Rintoul, Patricia Lynn
Robinson, Tina Black
Roddy, James Lawrence
Rogers, Alan Brian
Rogers, Elena Berry
Roseberry, Christopher John
Rosenburg, Ernest
Rucker, Daryl Brady
Rummell, Jill Ann
Russell, Rachel Annette
Russell, Richard Glenn
Sanders, Ellen Denise
Sandor, Stephen Scott
Sands, Joseph Alan
Schneider, Timothy Charles
Schoonmaker, Scott Clifton
Scruggs, Danny Lee
Sharpe, Jennifer Susanne
Shaw, Jacquelyn Leigh
Sheriff, Bryan Allen
Sibley, John Michael
Small, Scott Christopher
Smith, Mary Alice
Smith, Monica Susan
Smith, Shannon Sheree
Smoak, Zoe Anne
Sommer, Kathryn Emily
Spearman, James Gregory
Stavely, Shelly Anne
Stephens, Jennifer Denise
Stone, Wanda Katherine
Sullivan, Tracy Yolanda
Thompson, Jennifer Lee
Thompson, Vicki Lynn
Tinsley, Jones Frank II
Tollison, Brian David
Tripp, Gary Scott
Turner, Hamish Fielding
Turner, Robert Manguis Jr.
Volz, Thomas John Jr.
Walker, Krishenda Bonita
Waters, Stephanie Nicole
Webster, Thomas Frederick Jr.
Wells, William Alan
White, Jane Marie
Whitener, Andrea Dawn
Williams, Bryan Martin
Williams, Kathy
Woodward, Jennie Rebecca
Wuchenich, Christopher Lawrence
Yearty, Sharon Lorraine
York, David William
Young, Suzanne Marie
Yown, Jason Robert
Zaleski, Tracy Ann
Congratulations,
December
Graduates!
The Fowclerhoni
37
Open 7 a.m. - Never On Sunday!
255 Reidville Rd.
Spartanburg, SC
(803) 585-9387
"Where the food is
always good!"
• Sandwiches, plates, and
"Plenties"
• Foods sold by the pound
• Delectable desserts
• Special party trays:
$25.00 and up
• Parties catered!
mm Babies 'N Bows
122 Baldwin Circle
Mauldin, SC 29662
(803) 967-3740
Custom-Designed Children's Clothing
Unique Baby Quilts in Pastels & Primaries
Keepsake Christening Gowns
Pine Cone & Ribbon Wreaths
Christmas Tree Skirts, Bows, & Stockings
Looking For A Special Gift?
Come to Holiday Fair-Booths 1145
& 1147
Palmetto Expo Center
HEAVENLY HANDS
THER/^PY
Specializing in:
• Shiatsu Massage
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• Body Treatments
Carol Williams, DMT
Certified IVlassage Therapist
Suite 105, Physician's Center
Spartanburg, SC 29303
Across from Spartanburg Regional Medical
Center
38
The Powderhom
Spartanburg. S.C. 29306
(803)948-1777
LARGE Game Room
• 7 Pool Tables
• Dart Boards
• Video Games
Separate Facilities
• Private Functions
• Sorority &
Fraternity Parties
Nightly LIVE Entertainment
Always Good Music!
Spartanburg's newest club for
fun & enjoyment! J
THE CRUISE CENTER
36S3 BOILING SPRINGS HWY. • BOILING SPRINGS, SC 29303
<V?=^p MAUREEN BUJAK
P3Cpa 803-578-2128 • FAX 803-578-5448 ^---^
^3i cli^
^gtns Jbfers ^ lifts
800 N. Church St.
Spartanburg, SC
29303
(803) 585-6266
(800) 872-2093
Fax: (803) 585-6223
James C. Coggins
Owner
43 1 West Main Street
Spartanburg. SC 29301
(803) 582-6407
Kwing Lau (George) Tarn
Oi Ho (Alice) Tarn
Tony Tarn
Alex Tarn
^o mpu-Type
Word Processing and Typesetting
PH (803) 582-8973 FAX (803) 582-0001
Resumes - Letters - Fax - Copies - Programs
We're Building A Better Way To Type
Call Carrie Parker M - F 9-6
252 N. Church St. Spartanburg, .SC 29306-5141
I ht' l^dwdcrhi/ni
39