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THE BOOK THAT MADE A 


HUNDRED MILLION AMERICANS 
LAUGH AT THEMSELVES - - 


AND LOVE IT! » 





MADE REAL BY THOSE FAMOUS SCREAM-MATES 


ALINE MacMAHON - GUY KIBBEE 





A | gael ae fags ee Nise te i a aa ee apres | A a 


Country of origin U.S.A. (c)1934 Vitagraph, Inc. All rights reserved. Copyrightis waived tomagazines and newspapers 





emember 

























































—_) YARTETY 


George F. Babbitt, Sinclair Lewis’ 
immortal cross-cut American, steps 
onto the screen in the person of 
Guy Kibbee for broadside enter- 
tainment in a smartly made pic- 
ture which should spell hit-at any 
box office. One-time best seller 
still has strong appeal to help the 
marquee problem, if properly ex- 
ploited. 

‘Babbitt’ is an excellent, intelli- 
gent and well proportioned trans- 
lation of the book, knowingly and 
sympathetically directed by Wil- 
liam Keighley for all its comedy 
and character implications; splen- 
didly handled by the players, and 
for Kibbee a personal triumph. 

Highly commendable too, is 
Mary McCall’s shrewd screen play, 
the adaptation by Tom Reed and 
Niven Busch and added dialog by 
Ben Markson, their combined ef- 
forts providing a rich, warm, hu- 
man and not too heroic or too sa- 
tiric a picture of that fabulous Ze- 
nith which is any American city 
from 10,000 up. Wisely, the play 
has not been restricted by any dat- 
ing or zoning. Costume, speech, 
behavior of the characters are 
completely modern. 

Scarcely behind Kibbee in faith- 
ful portrayal of her role is Aline 
MacMahon as Mrs. Babbitt. In 
less able hands this wifely role 
might easily have been caricatured 
and patronized. It rings true in 
every detail. 

Claire Dodd isieffective as the 
Judique woman, Max- 
ine Doyle and Glen Boles handle 
their assignments as the Babbitt 
youngsters very well, the boy’s 
scene with the father being excep- 
tionally fine. 

Humorous highlight is the ludi- 
crous gag where Babbitt is initiat- 
ed as the ring-master of the lodge 
of Zebras.. Climatic punch comes 
when Mrs. Babbitt goes to bat for 
her terrified and contrite husband 
and by her shrewd courage con- 
verts his knavish intentions into 
an heroic gesture which makes 
him again a big man of his com- 
munity. The scene is a pip. 

Piece is beautifully photograph- 
ed, moves swiftly, and will be rel- 
ished by any audience. 



















HERE'S WHY IT "SHOULD SPELL 
HIT AT ANY BOX-OFFICE”.... 





MOTION °PACTURE HERALD 


Babbitt 


(Warner ) 
Comedy 


While the picture “Babbitt” smartly elimi- 
nates practically all the barbed satire which 
chararterized the book from which it is adapted, 
it retains and embellishes all the humor and 
comedy. The quality of homespun fun, even as 
it is applied to the dramatic tinged situations, 
is the element motivating all action and dia- 
logue. It carefully avoids ridiculing and thus 
should bring no objection from those large 
bodies of men who take their civic and fra- 
ternal activities seriously. 

In the story, Babbitt is a staid small town 
business man; successful, big hearted, proud of 
his town, family and his lodge, the Zebras. 
Ambitious, however, to mingle with the big 
shots, he is first, after a gentle ribbing by his 
lodge brothers, elected Grand Ringmaster. Quite 
a popular character, he’s just the type that con- 
niving politicians and bankers like to use as a 
front. Invited in on a land purchase deal prom- 
ising big profits, his wife Myra being absent on 
an errand of neighborly mercy, Babbitt, suc- 
cumbing to the common failing, would like to 
do a little philandering. Talking too much to 
the blackmailing widow, Tanis, he finds himself 
in a spot. The woman talks herself and Bab- 
bitt’s air castles come tumbling down. 

But his downfall is only the. opportunity for 
Myra to be a heroine. A woman, she’s wise 
to all the wiles and arts of femininity and with 
the help of son Ted, she frustrates the land- 
grabbing schemes of the real estate sharks, and 
in presenting Babbitt before the investigating 
attorney, makes his situation look as though he 
had been acting with high-minded and unselfish 
civic consciousness to protect his town. Then 
follows reinstatement in the minds of his fellow 
townsmen and lodge members with Babbitt- a 
wiser man, but still pretty important figure in 
his own estimation. = ; 

The production offers many features that 
should add materially to its commercial value. 
The Sinclair Lewis book, though now quite a 
few years old, is still a showmanship value. In 
the leading roles, the picture presents Kuy Kib- 
bee and Aline MacMahon, the stars of. “Big 
Hearted Herbert,” and while Babbitt is the big 
figure, upon whom. attention continually is fo- 
cused, there is also a spirit of youth to the 
picture. 

The picture can be sold as all-around sub- 
stantial family entertainment, with much to 
amuse both the more mature as well as the 
younger elements——McCartuy, Hollywood. 

Produced and distributed by First National. Di- 
rected by William Keighley. From the novel by Sin- 
clair Lewis. Adapted by Tom Reed and Niven Busch. 
Screen play by Mary McCall. Photographed by Arthur 
Todd. P. C. A. Certificate. No. 349. Running time, 


when seen in Hollywood, 75 minutes. Release date, 
Dec. 8, 1934. 








Geonce: EF. Babbitt. coos oe cane eee Guy Kibbee 
Myra “Babbitt, .teee tee te oe eae ists. atete Aline MacMahon 
Meronat Babbittusiecr suse aac fete oes seers Maxine Doyle 
“Panis -JUudiquemeeee scence eee eee Claire Dodd 
Huntce Littlefield: t!. e024 c\.siecs 38h cwieccteeaee Nan Gray 
Wires MicGouttee cscs. cess ont caee adnees Dae Mary Treen 
ed Ba bbitt! 2. canes tae «eae kei tcnesee’ Glen Boles 
Paul’ Retslingrptisaccir ts as canaries Addison Richards 
ZAlla “Reisling smceesies cides cece ees ac Minna Gombell 
Charli€--McWelvey-2.eiedic oives cn conincees Alan Hale 
Vitdee} Thompson ois asec nccnese nies Berton Churchill 
Moaptitl: Guricl sore oy k 3 s5 ves nee owas tgt tae Arthur Hoyt 
Commissioner Gurnee .........eeceeeeee Walter Walker 
LOKe isis ae MAN ere ere ero Osc Arthur Ayelsworth 














































































REACH THE READERS AND 
YOU'RE REACHING ALL AMERICA! 


Page Three 





Mayra BaGbttt. 00 oi) oc sins 
George F. Babbitt. ...:...0.......:60.0. 
Tanase Judique..........ce.. dhe ces 
Verona Babbitt..:.... 228... 22ers 
Téd Babbitt......4:.:. ges yer 
Paul Reisling. .........- Bee ssn or espess 
Charlie. McKelvey. 2228. 4.85.05. 4-03 
Judge Thompson. .............0..1000 


Commissioner Gurnee...............0664- 





When Sinclair Lewis, interna- 
tionally famous author and winner 
of the Nobel Prize for Literature, 
wrote “Babbitt,’ he gave a new 
word to the English language, for 
“Babbittry” became so much a 
part of every day speech that its 
mere mention brings a smile of 
derision. 


When First National Pictures 
decided to film this later day 
American classic, it was inevitable 
that it should select as the two 
leading characters, Guy Kibbee 
and Aline MacMahon, an inimitable 
comedy team whose work in “Big 
Hearted Herbert” set them se- 
curely among the outstanding 
screen stars of the year. 


George F. Babbitt (Guy Kibbee) 
has been called the “perfect Bab- 
bitt” by O. O. McIntyre, famous 
columnist. He is a successful small 
town realtor, vain, pompous, boast- 
ful, but lititkelleatted. He is a 

‘pillar in the civic organization of 
Zebras, of which he is Grand Ring 
Master, an honor of which he is 
most proud. At conventions he is 
a bit of a sport but at home a 
staid character. Consequently when 
telegrams signed Maureen, threat- 
ening scandal, start to arrive at 
his home he is much concerned 
until he learns he is the object of 
a typical Zebran joke. 


Babbitt is called to the home of 
a banker, where he meets a city 
commissioner (Russell Hicks). 
They offer to take him in on a big 
deal, in which he is to buy up 
property to be held under dummy 
names. He almost bursts with van- 
ity at his association with the two 
big men of his town, even though 







Based on novel by 
Director 


Soreen: play by ....:,.8g0....ccilelfs, 
Adaptation by........ Tee. .: ixieng4 0,0. 


Additional dialogue by 


Gratns 09.65.05... AM: sparen, 
Vitaphone Orchestra Conductor 








cae Oh cise See Aline MacMahon 
Se RE OS RS Guy Kibbee 
7 en ee ee a oe Claire Dodd 
oo a Maxine Doyle 
sugeh cel Ae " cssssvesGlen Boles 


Photography  by......cji2.-.. nedeciieseer 
Film Editor. ......2... Hae ....c 864) 


5 Et Ti Bony, Arthur Aylesworth 


Harry Tyler 
Mary Treen 


he suspects the deal has some 
shady corners. 

Paul Reisling (Minor Watson) 
has been nagged to desperation by 
his wife, Zilla (Minna Gombel), 
-and shoots her. Babbitt sides with 
his friend and is pilloried by his 
fellow Zebras. Mrs. Babbitt (Aline 
MacMahon) takes the wounded wo- 
man to the country and much 
against her husband’s wishes, stays 
to nurse her. During his wife’s 
absence, Babbitt falls for a gay 
widow, Tanis Judique (Claire 
Dodd), and tells the secret of the 
real estate deal, bragging that he 
will make a fortune selling the 
land back to the city for an air- 
port. The widow immediately put 
the screws on him for $10,000. 

Babbitt, who had his money in 
his wife’s name, can’t raise the 
bribe and Tanis makes good her 
threat, revealing the plot. Babbitt 
is ruined, and is thinking of suicide 
when his wife takes control of 
affairs. “She hagher son, Ted (Glen 
Boles), buy up the options, and 
takes Babbitt to the District At- 
torney’s office, where she turns over 
the options, telling the official that 
Babbitt, fearing some crooked deal, 


had purchased the options as a 


gift to the city. The papers make 
a hero of the realtor, who is rein- 
stated in his pet organization, the 
Zebras. 

Mary McCall, Jr., herself a 
noted author, wrote the screen 
play, which William Keighley di- 
rected, giving to the picture the 
subtlety and humor which distin- 
guished the original novel. “Bab- 
bitt” was a classic in contemporary 
literature; the new picture will 
reach the same high mark among 
films. 


Sa i ne Seas Sinclair Lewis 
ne ened William Keighley 
YS OE Ht See ee Mary McCall, Jr. 
t= Tom Reed and Niven Busch 
Ves hia tt comin Sata Ben Markson 
ta Pea UTE ethene en Arthur Todd 
Bo nS onthe ASS hota eD Jack Killifer 
Pe eS ence John Hughes 
Aina fits eae ite: «denies Mes ee: Orry-Kelly 


Be 3 5. < RR ere ine Leo F. Forbstein 


-BILLIN 


“BABBITT” 100% 
Based on novel by 2% 
Sinclair Lewis 20% 
with 
Aline MacMahon — Guy Kibbee 75% 
Claire Dodd — Maxine Doyle 50% 
Directed by William Keighley 20% 
A First National 40% 
us. Productions Corporation 5% 
oe ie aaa bald Picture 25% 





Page Four 


Kibbee 


Guy Kibbee was born in El 
Paso, Texas, on March 6, 1886. 
Launched upon a stage career at 
an early age, he toured the coun- 
try innumerable times with various 
stock companies and won attention 
as one of America’s most capable 
actors. 


Guy 





His performance in the Broad- 
way production, “The Torch Song,” 
was so outstanding that Holly- 
wood summoned him for important 
screen roles, and since his intro- 
duction to movie audiences, he has 


amassed a large following among 
the fans. 


His most recent pictures include 
“Big Hearted Herbert,” “Dames,” 
“The Merry Frinks,” ‘Merry 
Wives of Reno,’ “Harold Teen,” 
“Wonder Bar,” “Easy to Love,” 
“Convention City,’ “The World 
Changes,’ ‘Havana Widows,”’’ 
“Footlight Parade” and “Gold 
Diggers of 1933.” 


His current picture is “Babbitt,” 
which comes to the 
Theatre on 








The Babbitt Family 


Aline MaeMahon 





Aline MacMahon is a native of 
McKeesport, Pa., where she re- 
ceived most of her primary educa- 
tion. It was while she was attend- 
ing Barnard College in New York 
City that she first became inter- 
ested in the stage through amateur 
theatricals. 


At the conclusion of her school 
days, she made her professional 
debut in Edgar Selwyn’s produc- 
tion, “The Mirage.” | Later she 
scored highly in George Bernard 
Shaw’s “Candida.” 


When playing on the stage in 
Los Angeles in “Once In a Life- 
time,” she was asked to appear 
opposite Edward G. Robinson in 
“Five Star Final.” 


Her success in this picture led 
to other screen work, her latest 
pictures being “Big Hearted Herb- 
ert,’ “The Merry Frinks,” “Side 
Streets,” “Heat Lightning,” “The 
World Changes,” “Gold Diggers of 
1933,” “Heroes For Sale,” “The 
Life of Jimmy Dolan,” “Silver 
Dollar,’ and her current produc- 
tion, “Babbitt,” which ‘comes to 
the LE. eeas Theatre on ..:405.0)4 


Here they are, Aline MacMahon and Guy Kibbee, who enact the roles 


of Mr. and Mrs. Babbitt in First National’s ‘‘Babbitt,” which comes 

10. the)... PReatrey On... Rad eee Bene An all-star cast 

combines to give you a realistic portrayal of this adaptation of the 

Sinclair Lewis novel that was discussed all over the world. Critics 

have agreed that the film does justice to the book and predict that 

the movie version will win the hearts of the millions of admirers of 
this great American classic. 


Mat. No. 9-—20c 


ALINE MacMAHON — “Big 
Hearted Herbert,” “The Merry 
Frinks,” “Side Streets,” “Heat 
Lightning,’’ ‘*‘The World 
Changes,” “Silver Dollar.” 


GUY KIBBEE — “Big Hearted 
Herbert,” “Dames,” “The Merry 
Frinks,’ “Merry Wives of 
Reno,” “Harold Teen,” ‘“Won- 
der Bar,’ “Easy to Love.” 


CLAIRE DODD — “I Sell Any- 
thing,’ “The Personality Kid,” 
“Smarty,” “Gambling Lady,” 
“Journal of a Crime,” “Massa- 
cre,” “Ex-Lady.” 


MAXINE DOYLE — “6 Day Bike 
Rider,” “The Key,” “Student 
Tour,” “Service with a Smile,” 
“Good Morning, Eve.” 


GLEN BOLES—“Flirtation Walk,” 
“Rainbow Over Broadway,” “The 
Road to Ruin,’ “The Quitter,” 
“The Affairs of Cellini.” 


MINNA GOMBELL—“Registered 
Nurse,” “Wild Boys of the 
Road,” “Hoopla,” “The Way to 
Love,” “Big Brain,” “What Price 
Innocence.” 


ALAN HALE—“Fog Over Frisco,” 


“The Match King,” “Destination 
Unknown,” “Eleventh Command- 
ment,’ “What Price Decency.” 


BERTON CHURCHILL 
—‘Dames,” “Friends of Mr. 
Sweeney,” “Hi, Nellie!”’, “Col- 
lege Coach,” “Hard to Handle,” 
“Frisco Jenny.” 


RUSSELL HICKS — “Happiness 
Ahead,” “Gentlemen Are Born,” 
“The Firebird,’ “The Case of 
the Howling Dog,’ “Before 
Morning.” 


NAN GRAY—“The Firebird.” 


ARTHUR AYLESWORTH — “St. 
Louis Kid,’ “Gentlemen Are 
Born,” “6 Day Bike Rider,” 
“The Case of the Howling Dog,” 
“Dames.” 


HARRY TYLER — “I Sell Any- 
thing,” “The Case of the Howl- 
ing Dog,” “Housewife,” ‘“Mid- 
night Alibi.” 

MARY TREEN—‘“‘Happiness 
Ahead.” : 

WILLIAM KEIGHLEY (director) 
— “Big Hearted Herbert,” “Kan- 
sas City Princess,” “Dr. Monica,” 
“Journal of a Crime.” 





Claire Dodd 


Claire Dodd was born in Iowa. 
The theatre and stage interested 
her but mildly, but during a vaca- 
tion visit to California she was 
seen by a motion picture producer 
who induced her to make a screen 
test. 


This resulted in a contract for 
an important role in Eddie Can- 
tor’s “Whoopee,” and when Zieg- 
feld saw her on the screen, he 
wanted her for the Broadway pro- 
duction, “Smiles.” Later she re- 
turned to the West Coast under a 
long term contract with Warner 
Bros. 


Since her Hollywood debut, she 
has scored many hits in the vamp 
type of roles. Her most recent 
pictures include “I Sell Anything,” 
“The Personality Kid,’ “Smarty,” 
“Gambling Lady,’ “Journal of a 
Crime,” “Massacre,” “The Kennel 
Murder Case,” “Ex-Lady” and 
“Footlight Parade.” She is now 
appearing in “Babbitt,” which 
comes tostheme serge aed ences ee 
Theatre OMe seen Sees 5 





Maxine Doyle 


Maxine Doyle was born in San 
Francisco and educated in the 
schools of that city. At the age of 
twelve she started her theatrical 
career by singing and dancing in 
picture prologues. 

Later she went to New York 
where she did some musical com- 
edy work. She found a real field, 
however, as Mistress of Ceremonies 
at the Earle Theatre, in Washing- 
ton, D. C. Her charming person- 
ality finally attracted attention of 
film executives and she was offered 
a contract in pictures. 


She is an Irish American beauty 
with blue eyes and dark brown 
hair, is five feet two inches tall 
and weighs 106 pounds. 


Miss Doyle has appeared in “6 
Day Bike Rider,” “The Key,” 
“Student Tour” and “Service with 
a Smile.” Her current production 
is “Babbitt,” now showing at the 
ate ve ee Theatre. 


Glen Boles 


Glen Boles was born in Los 
Angeles just twenty-one years ago. 
After getting out of High School 
he began work in stock, playing 
in four California cities. Later he 
played all up and down the West 
Coast, running the gamut of plays 
from “Street Scene” to “Cyrano.” 


Boles was the love interest in 
the vaudeville tour of “Myrt and 
Marge” and did three radio serials. 
His pictures include “The Affairs 
of Cellini,’ “Rainbow Over Broad- 
way,” “The Road to Ruin” and 
“The Quitter.” 


He was recently signed under 
contract by Warner Bros. - First 
National, and made his bow in 
“Flirtation Walk.” He is now 
playing in “Babbitt,” at the 
Theatre. 





OUR Trailers 


**They’re the best 
on the market?”’ But 
don’t take our word 
for it—we’re quot- 
ing J. J. Medford, of 
the Orpheum Thea- 
ter, Oxford, N. C. 
The Warner trailer 
on this picture is an-. 
other “best”? — it’s 
punchy, teasing, fea- 
tures fast action 
clips and — it sells! 
Book it now, start it 
playing now, and 
yowll be writing us, 
as Don Kelsey of the 
Lyrie Theater, 
Blacksburg. Va.. 
did! “The Warner 
trailer played the 
largest part in sell- 
ing the picture?”’ 














Aline MacMahon, acclaimed as Hollywood’s finest character actress, 
plays opposite Guy Kibbee in First National’s “Babbitt,” now at the 
Ses RY hs kira Seieatin, NB 2h” Theatre. The Sinclair Lewis novel that made 
millions of people laugh at themselves has been faithfully trans- 
scribed to the silver screen in this human, lovable film. 


Mat No. 5—20c 





LPL SDE ALE LEGER RTI TE LTE 


‘Babbitt’, Famous 
Lewis Best Seller, 
Booked For Strand 


“Babbitt,” greatest of the Sin- 
clair Lewis novels which brought 
to that distinguished author the 
honor of being the first American 
to win the Nobel prize in litera- 
ture, is scheduled as the feature 
attractionvatethes ee cei. slaseset 
Theatres beginning hc wh : 

Transferred to the screen with 
all its subtle humor, its philosophy, 
its dramatic situations and_ its 
irony, and given a remarkable cast 
headed by Aline MacMahon and 
Guy Kibbee, the film version of 
“Babbitt” is expected to rival in 
popularity the book on which it 
is based. 

Aline MacMahon and Guy Kib- 
bee, who, as a team, made such an 
impression in “Big Hearted Herb- 
ert,’ are the film’s undisputed 
leaders in real comedy characteri- 
zations. Each is rated as a real 
star and Kibbee has been called 
“the perfect Babbitt” by no less 
an authority than the famous 
columnist O. O. McIntyre. 

Kibbee has the title role of Bab- 
bitt, a small town realtor whose 
success went to his head. Pompous, 
boasting, gullible, inclined to run 
a little wild at conventions of the 
“Zebras,”’ of which he was an 
officer, he is taken for a ride by a 
blackmailing widow and runs to 
his wife, portrayed by Aline Mac- 
Mahon, for help. He gets it, as 
well as a punctured ego, for Aline 
is able to see through his shams 
and conceits and loves the big 
heart behind the vanity that made 
Kibbee fall for the schemes of 
dishonest politicians because he 
was flattered by their attentions. 
Claire Dodd has the role of the 
conniving widow, and the romantic 
interest is supplied by Glen Boles, 
as Babbitt’s son, and Nan Gray, 
portraying his fiancee. 

Tragedy is represented in the 
roles of Minor Watson, as a hus- 
band who finally shoots his nag- 
ging wife, Minna Gombell. Others 
in the unusually large cast are 
Maxine Doyle, Russell Hicks, 
Alan Hale, Berton Churchill, Harry 
Tyler, Arthur Aylesworth and 
Mary Treen. 

William Keighley directed the 
production from the screen play 
by Mary. McCall, Jr. The adapta- 
tion is by Tom Reed and Niven 
Busch with additional dialogue by 
Ben Markson, % 


Hilarious Scene 
In Secret Lodge 
Shot In ‘Babbitt’ 


The Lodge Room scene in “Bab- 
bitt,” the First National produc- 
tion now showing at the .................. 
Theatre, is one of the interesting 
novelties of the production, since a 
secret session of this kind has 
never before been screened. 


The initiation ceremony is more 
in the nature of a hazing, with Guy 


GUY 
KIBBEE 


Mat No. 2— 
10c 





Kibbee as the frightened victim. 


This part of the picture, like the 
rest of the production story is 
full of small human incidents. It 
begins with the mystery surround- 
ing the meeting and the curiosity 
of Guy’s wife, played by Aline 
MacMahon. 

Womanlike, she wants to know 
what it is all about and Guy’s 
secretiveness only increases her 
curiosity. 


The meeting, itself, with the 
lodge members in regalia, is one 
of the funniest scenes in the pic- 
ture. 

Guy Kibbee as the blindfolded 
“patsy” of the proceedings is at 
his best in his role of the fright- 
ened initiate, with Alan Hale, 
Harry Tyler and Berton Churchill 
helping with the comedy. 

To both the co-stars, Guy Kib- 
bee and Aline MacMahon, there is 
more opportunity for their respec- 
tive brands of comedy than in any 
picture in which they have ap- 
peared together. 

“Babbitt” is a comedy drama of 
rare humor and many stirring sit- 
uations, based on the best selling 
novel by Sinclair Lewis, one of 
America’s foremost authors. Others 
in, the cast include’ Claire Dodd, 
Glen Boles, Maxine Doyle, Nan 
Gray, Minor Watson, Minna Gom- 
bell and Russell Hicks. William 
Keighley directed the picture from 
the screen play by Mary McCall, 
Jr, 


Film Comic Needs 


Partner To Make 
Fun, Said Kibbee 


What do screen stars think 
about being teamed with other 
stars? 


Do they resent it? 
Are they jealous? 


Not if they are as smart as Guy 
Kibbee, who is teamed again with 
Aline MacMahon in “Babbitt,” 
the First National production 
wilich? COMES CO, UNE cise. ces ce sett ocese 
Theatre vonw ete te ssh Genes The two 
were paired together again after 
they made their big hit in “Big 
Hearted Herbert.” 


“The only way a comedian can 
be funny, alone,” said Guy, “is to 
have snappy gag monologue. A 
play can’t be a monologue, so ob- 
viously its comedy must be in sit- 


‘uations between comedians. 


“Situation-comedy must be sup- 
ported by more than one comic, 
because one good comic supports 
another, helps keep the tempo up 
and co-operates with proper tim- 
ing. 

“T don’t know how much I help 
Miss MacMahon, but her comedy 
sense is so perfect that it’s a privi- 
lege to work with her.” 


Guy plays the title role of “Bab- 
bitt” and Aline MacMahon plays 
his wife. Each supplementing the 
other’s method, the result is said 
to be side-splitting laughs from 
beginning to end. . 

“Babbitt” is a comedy drama of 
rare humor and many stirring situ- 
ations based on the best selling 
novel by Sinclair Lewis, one of 
America’s foremost authors. In 
the cast besides Miss MacMahon 
and Kibbee are Claire Dodd, Glen 
Boles, Maxine Doyle, Nan Gray, 
Minor Watson, Minna Gombell, 
Russell Hicks, Alan Hale and 
Berton Churchill. 

William Keighley directed the 
picture from the screen play by 
Mary McCall, Jr. 





Many Women Write 
Claire Dodd Asking 
Lessons In Vamping 





The fan mail of an actress who 
plays “vamps” is entirely different 
from the fan mail of a heroine. 


While a heroine is always ap- 
pealing, always manages to get the 
sympathy of an audience, the vamp 
is always an old meany with de- 
signs on man or money, or both. 


Claire Dodd, who plays the vamp 
role in “Babbitt,” the First Na- 
tional production now showing at 
Ge Recian ee ee ds Theatre, says that 
of the hundreds of letters she gets 
every week, she can divide them 
into three general classes. 


One is from men who write that 
she is so beautiful, they are will- 
ing to forgive her villainy and try 
to reform her. 


Another is from indignant wo- 
men, many of them saying, “It is 
no-good girls like you that broke 
up my home.” 


The last and by far the largest 
class of letters is from women of 
all ages pleading to be let in on 
her secrets of attracting men. 
How does she first win their at- 
tention; what does she talk about; 
what perfume does she use? 


Miss Dodd says that if she had 
the time to answer this latter 
class personally, she would have to 
refer them to her husband. He is, 
she claims modestly, the only ex- 
ample of her prowess aS a man- 
hunter. 


“Babbitt” is a hilarious comedy 
drama that combines laughter with 
romance and thrills. It is based 
on the popular novel by Sinclair 
Lewis and was directed by Wil- 
liam Keighley from the screen 
play by Mary McCall, Jr. Aline 
MacMahon and Guy Kibbee head 
the cast which includes Miss Dodd, 
Glen Boles, Maxine Doyle, Nan 
Gray, Alan Hale, Berton Church- 
ill and Russell Hicks. 


New Film Players 
Held Best Looking 
Pair In Pictures 


“The handsomest young couple 
in pictures,” said Arthur Todd, ace 
cameraman on “Babbitt,” the First 
National. picture which comes to 
the’. ohio eer ee Theatre on 
EEN Ra aL ; in referring to Glen 
Boles and Maxine Doyle, who play 
the young members of the Babbitt 
family in the film version of Sin- 
clair Lewis’ famous novel. 


Boles is a Hollywood boy who 
has made a big hit in West Coast 
stock companies and Little The- 
atres during the past several years. 


Maxine Doyle, a pretty brown- 
haired newcomer, first attracted 
attention as the first Mistress of 
Ceremonies at a big movie house 
in Washington, D. C. She was so 
popular that she was going into 
her fourth year when the movies 
took her West. 


The stars of “Babbitt” are Guy 
Kibbee and Aline MacMahon, 
whose recent “Big Hearted Herb- 
ert” was a new departure in char- 
acter comedy. 


“Babbitt,” based on the _ best 
selling novel of the famous author, 
Sinclair Lewis, is a rare comedy 
drama of the typical characters of 
any of the hundreds of medium 
sized towns of America. It strikes 
home to everyone, because it is so 
real and so human. 


William Keighley directed the 
production from the screen play 
by Mary McCall, Jr., with adap- 
tation by Tom Reed and Niven 
Busch. 





Sinclair Lewis In 
“Babbitt” Struck 
A Popular Chord 


When Sinclair Lewis wrote 
“Babbitt,” the First National pro- 
duction which comes to the ............ 
‘Eheatrecan” 2.0 ee , he struck 
a note that resounded throughout 
the land. Even the staid Encyclo- 
pedia Brittanica says “* * * it is 
probable that this novel had more 
effect on public consciousness than 
any other written in English in 
this decade.” 


Lewis, himself, was born in a 
small town called Sauk Center, so 
the small town people of his novels 
have a reality that makes them 
seem flesh and blood. 


As a picture, “Babbitt” is one 
of those complete combinations of 
fun and drama. It is the story of 
a man who did not know as much 








He’s a Jolly Good Fellow 





Kibbee Loves To 
Catch Trout But 
Scorns Sea Fish 


Guy Kibbee, one of the most en- 
thusiastic fishermen in the picture 
colony, leaves the ocean a hundred 
miles or more behind when he gets 
ready to fish. 


As soon as he finished his big 
role with Aline MacMahon in 
“Babbitt,” the First National pro- 
duction now showing at the ............ 
Theatre, he left for the high Sier- 
ras in northern California and re- 
turned two weeks later with his 
creel full of fish and an enlarged 
repertoire of stories. 


“Ocean fishing is all right for 
those who like it,’ he said, “but 
when I wade into a deep stream 
and cast for trout, I know that 
my success depends largely on my 
skill at casting. 


“The fisherman who casts best 
gets the most strikes and the 
most strikes means the most fish. 


“In ocean fishing, it is too 
largely a matter of whether a fish 
happens to be passing when your 
line goes out. I am a dyed-in-the- 
wool caster. I love to wade into 
the mountain streams and start 
things.” 


In four years, Guy Kibbee has 
never failed to catch the “limit” 
on each trip. 


Guy Kibbee has the title role in 
“Babbitt,” a hilarious comedy 
drama that combines laughter with 
romance and thrills. It is based on 
the popular novel by Sinclair 
Lewis and was directed by William 
Keighley from the screen play by 
Mary McCall, Jr. Others in the 
cast include Claire Dodd, Glen 
Boles, Maxine Doyle, Nan Gray, 
Alan Hale, Berton Churchill and 
Russell Hicks. 


as he thought he did and of a wo- 
man who knew more than anybody 
suspected. 


Guy Kibbee, as the husband, 
George Babbitt, and Aline Mac- 
Mahon, as his wife, have exactly 
the good old home-spun qualities 
that the story demands. 


The supporting cast is unusually 
capable and large, including Claire 
Dodd, Maxine Doyle, Glen Boles, 
Minor Watson, Minna Gombell, 
Alan Hale, Berton Churchill, 
Harry Tyler, Russell Hicks, Ar- 
thur Aylesworth, Mary Treen and 
Nan Gray. 


William Keighley, who directed 
the same team’s biggest ‘success, 
“Big Hearted Herbert,” also di- 
rected “Babbitt.” The screen play 
is by Mary McCall, Jr., and the 
adaptation by Tom Reed and 
Niven Busch. 


Guy Kibbee’s initiation into the “Zebras,” constitutes one of the many 
hilarious moments in “Babbitt,” First National’s adaptation of the 
Sinclair Lewis novel. Aline MacMahon and Claire Dodd are in the 


cast of this film which comes to the 


Cette, theatre ON ante 


Mat No. 8—20c 


Page Five 





(Review ) 


‘Babbitt’? Pleases Film 
Fans at Strand Premiere 


Aline MacMahon and Guy Kibbee Score Triumph 


in Screen Version of Great Novel 


WO of the screen’s really great artists scored a new triumph 
in the film version of America’s leading novelist’s greatest 
book, when Aline MacMahon and Guy Kibbee opened in 


Sate. Oe te P28 Aes. 3 


Theatre yesterday. 


When Sinclair Lewis, the only American who has won the Nobel 
prize in literature, wrote “Babbitt,” he not only added a new 
word to the vocabulary of the nation, but to a large extent 


influenced its ideals and mental 


habits. 


The irony, the dramatic tense- 
ness and the humor of the novel 
have been retained in the screen 
adaption and certainly no better 
choice of players to portray Mr. 
and Mrs. Babbitt could have been 
made than Kibbee and Miss Mac- 
Mahon. 


Kibbee gives the finest perform- 
ance of his career as the success- 
ful small town realtor, whose 
vanity leads him into strange 
paths that end with the man dis- 
graced, condemned by his fellow 
Zebras, for it was in his leadership 
of this organization he had his 
greatest pride, and in the toils of 
a blackmailing widow over whom 
he had made a fool of himself. 


Always humorous, sometimes pa- 
thetic and occasionally tragic, he 
seemed the veritable personifica- 
tion of the character he was por- 
traying. He has been called “the 
perfect Babbitt.” He is — on the 
screen. As the shrewd, kindly and 
forgiving wife of Babbitt, Miss 
MacMahon has risen to even 
greater heights than she has here- 
tofore achieved. Every tone and 


from tears to smiles and from 
smiles to tears with the certainty 
of genius. Her performance is one 
by which future efforts in the same 
part will be measured. 


Claire Dodd, perhaps the most 
charming “menace” on the screen, 
keeps her role convincing, and 
does a splendid piece of acting. 
Her cool, calm, seductive manner 
has never been displayed to better 
advantage than as the designing 
widow who made a sucker out of 
Babbitt. 


The romantic roles are well han- 
dled by Glen Boles and Nan Gray, 
both talented youngsters of whom 
much may be expected. Minor 
Watson, portraying a hen-pecked 
husband who shoots his ‘nagging 
wife, a part played by Minna Gom- 
bel, is excellent, as is Miss Gombel 

Other important parts are taken 
by Alan Hale, Berton Churchill, 
Harry Tyler, Maxine Doyle, Rus- 
sell Hicks, Arthur Aylesworth and 
Mary Treen. 


William Keighley directed the 
production from the screen drama- 
tization by Mary McCall, Jr., her- 


self a noted novelist. The adaption 
was byi Tom Reed and Niven 
Busch with additional dialogue by 
Ben Markson. 


“Babbitt” will be enjoyed and 
appreciated if judged solely as a 
motion picture. As the film version 
of the most important book of 
small-town life in this country, it 
should be seen by everyone. 


So all you avid readers of Sin- 
clair Lewis, here’s your chance to 
see his characters brought to the 
screen just the way you pictured 
them when you read the book. And 
if you never read the book, a visit 
LO“ EhGue vc ee Theatre should 
be made a compulsory pleasure, 
for truly, here is a picture that 
shouldn’t be missed. 


gesture bespeaks her perfect un- 
derstanding of the role. She turns 





‘Babbitt’, Lewis’ 
Famous Novel At 
... Theatre Today 


“Babbitt,” Sinclair Lewis’ best 
selling novel and produced in 
screen form by First National, 
comes tothe) fo ieee Theatre 
today, with Aline MacMahon and 
Guy Kibbee in the leading roles. 





The book was read and enjoyed 
by millions, and the film version 
of small town life should have a 
tremendous appeal to all sorts of 
audiences. 


It depicts, in a colorful and pic- 
turesque way, the foibles of a 
fairly successful business man who 
is so convinced of his own shrewd- 
ness, that he falls an easy prey of 
a scheming banker and politician 
and later is played for a sucker 
by a designing widow who punc- 
tures his egoism and nearly causes 
his ruin. 


Guy Kibbee has the title role 
with Aline MacMahon in the part 
of his wife who understands both 
his conceits and the warm heart 
underneath them. Claire Dodd has 
the role of the widow to whom 
Babbitt boasts of his financial acu- 
men and who then blackmails him 
to the tune of $10,000. 


The romantic roles are played by 
Glen Boles, as Babbitt’s son, and 
Nan Gray, the boy’s sweetheart. 
Much of the comedy is provided 
by Babbitt’s fellow Zebras. Harry 
Tyler, Alan Hale and Berton 
Churchill, the merry cut-ups of 
the lodge of which Babbitt is the 
ring master. 


Others in the cast include Max- 
ine Doyle, Minor Watson, Minna 
Gombell, Russell Hicks, Arthur 
Aylesworth, and Mary Treen. Wil- 
liam Keighley directed the produc- 
tion from the screen play by Mary 
McCall, Jr., based on the adapta- 
tion by Tom Reed and Niven 
Busch. Additional dialogue was 
written by Ben Markson. 


Page Six 


The Weigh of All Flesh 


This Actress Never 
Sought a Job 


Claire Dodd, who plays the 
beautiful female menace in “Bab- 
bitt,’ the First National picture 
whichscomes to.the aise oe: 
Theatre*"on’1)..2.5..02.8 ; is the only 
actress on the screen who never 
asked for a job in her life. Her 
first appearance was at the request 
of a producer who saw her in a 
cafe. Her next was when Ziegfeld, 
having seen her on the screen, 
wired an offer of a part. 


Even her Warner contract, 
which has made her one of the 
leading featured players, came to 
her unsolicited. 





Aline MacMahon Never 
Goes to Openings 


Aline MacMahon, for years a 
Broadway star and now a picture 
star, has never seen a Hollywood 
opening. If she fails to see her 
own pictures at the studio, she 
waits until they are playing a reg- 
ular engagement in some theatre 
and slips in to see them. 


Her latest vehicle, “Babbitt,” 
which: comes to ‘the! ss.026. Ss 
Theatre*on.. 8.306.53: , was finished 
the day she left for a New York 
vacation without seeing it. 


Beauty Title Now 
Awarded Nan Gray 


“The Prettiest Girl in Holly- 
wood” takes in more ground than 
any superlative that ever came out 
of Cinemaland. Yet, no less than 
three Eastern artists definitely 
awarded this title to Nan Gray, 
the new First National player, 
who has an ingenue role with Aline 
MacMahon and Guy Kibbee in 
“Babbitt,” the picture made from 
Sinclair Lewis’ novel which comes 
touthew.i Hee TheatresOnes..0.........6 


Comedy Players Fine 
In Dramatic Scenes 


The idea that Guy Kibbee and 
Aline MacMahon are exclusively a 
comedy team will have to be re- 
vised after “Babbitt,” the First 
National picture now showing at 
Chevy eerh er a Theatre. Some of 
their dramatic scenes prove the old 
theatre adage that “good comics” 
do the best serious scenes. There’s 
a human quality to these two that 
cannot be denied. 








Trying to remove a bit of excess waistline is Guy Kibbee, who plays 

the title role in “Babbitt,” First National comedy at the 

Theatre. Aline MacMahon, Claire Dodd, Maxine Doyle and Glen 

Boles are in the cast of this filmization of Sinclair Lewis’ famous 
novel of the same name. 


Mat No. 7—20c 


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HE M ERRY FRINKG_ House WIFE 
“ONE WAY PASS A QE — FAME COUNTESS 
THE WoRLD HANGES ~PIONEER AGES 20490 





Mat No. 10—20c 











Babbitt" Setting Is 


Guy Kibbee Plans to 
New on Screen 


Go to the Orient 


the First 


Guy Kibbee, who knows every 


“B * ” ] bf “ * 
pro pe, wie cans ans city and large town in the United 

heal re Bal States and Canada from having 
nrc. come PNCALTC! ON 20. 6. 3 


with Aline MacMahon and Guy 
Kibbee in the stellar roles, has one 
setting new to pictures. It is a 
Lodge Meeting. This is a distinct 
novelty and as shown in “Babbitt,” 
with initiation ceremony, costumes 
and all it is one of the comedy 
highlights of the production. 


Kibbee Nearly Cracks 
Claire Dodd's Ribs 


Claire Dodd, playing the vamp 
in the First National production, 
“Babbitt,” which comes to the 
Se ae ‘Theatre: on v2.65 
has a couple of torrid love scenes 
with Guy Kibbee. After one of 
them, in which Guy takes her in 
his arms, he turned to Claire and 
said jokingly, “How am I doing?” 

Miss Dodd sighed and felt her 
ribs. 


“Well,” she said, “I never had 
such a ‘heavy date’.” 


Plays Similar Role to 
Part on Stage 


Berton Churchill, who gained 
his greatest fame on Broadway as 
a “Deacon,” plays a similar char- 
acterization as Judge Thompson in 
“Babbitt,” the First National pic- 
ture now showing at the .................. 


Theatre, with Guy Kibbee and 
Aline MacMahon in the stellar 
roles. 


Churchill has appeared in many 
Warner Bros. pictures before, his 
previous one being “Dames.” 


Escaped Trout Calls 
Guy Kibbee a Liar 


Guy Kibbee, who has a stellar 
role with Aline MacMahon in 
“Babbitt,” the First National pic- 
ture now showing at the .................. 
Theatre, is the most rabid fisher- 
man in the picture colony. While 
working on the picture he received 
a wire from a mysterious source, 
but suspicion points to Hugh 
Herbert, another Warner Bros. 
player. The wire read: 


“Another fisherman just brought 
in trout you said got away from 
you stop Trout says you’re a liar 
he never went near your hook.” 
Signed, American Fish Association. 


acted in them, is planning a trip 
to the Orient. 


Kibbee plans to visit the interior 
of China and discussed his trip at 
length with T. S. Yang, President 
and Managing Director of Young 
Brothers Banking Corporation of 
Chungking, who toured the Warner 
Bros. studio while Guy was work- 
ing in “Babbitt,’ which comes to 
HOSS) peer Theatre on .....:........ ‘ 


Others in the cast of the film 
include Aline MacMahon, Maxine 
Doyle, Claire Dodd and Glen Boles. 
The picture was adapted from the 
best-seller of the same name by 
Sinclair Lewis. 


Kissed Only Twice in 
40 Plays, 18 Films 


Minna Gombell, who has the 
role of a nagging wife in the First 
National production of “Babbitt,” 
whichscomes to he@w.:: esses 
‘heatrer On: Asis ae ec ; has been 
17 years on the stage and screen 
with 40 plays and 18 pictures to 
her credit, but has only been 
kissed twice, both times by Walter 
Huston. The first time was in 1924 
in a play called “Mr. Pitt.” The 
next time was in 1930 in “Keep 
?em Young.” Aline MacMahon and 
Guy Kibbee have the stellar roles 
in “Babbitt,” taken from Sinclair 
Lewis’ novel. 





Star Began Her Stage 
Career Shooting Dice 


Aline MacMahon, famous 
screen comic of “Babbitt,” the 
First National production which 
comes. tothe saan... Theatre 
1 STR Re aU i eee ueer iy , and other 
important comedies, got her 
first chance on the stage in a 
scene in Selwyn’s production of 
“The Mirage.” 


In this scene, Aline sat on the 
floor with three other girls and 
shot dice. 


She didn’t know anything 
about the game, but she must 
have done it well, because her 
next role was a big one in 
Shaw’s “Candida,” followed by 
the “Grand Street Follies” and 
then a big Broadway hit. 


Guy Kibbee is co-starred 
with Miss MacMahon in “Bab- 
bitt,” a hilarious comedy drama 
based on Sinclair Lewis’ popu- 
lar novel. 











Aline MacMahon Is Never 
The Same in Any Film 


Star of “Babbitt” Loses Herself Completely in 
Her Characterizations 


HERE is something quite amazing about this Aline Mac- 
Mahon, who has dodged “typing” more successfully than 


any other star in Hollywood. 


The manner in which she can submerge her own strong and 
definite personality is a sort of continuous wonder, even to her 


co-workers. 


Guy Kibbee, who is her co-star in “Babbitt,” the First National 


production which comes to the 
aA ee RO SETe SOD 55 coc 


“In the years I have known and 
worked with Aline, I have never 


ALINE 
MacMAHON 


Mat No. 1— 
10c 





seen her play herself in a single 
scene.” 

Her director, William Keighley, 
added: 

“She loses herself more com- 
pletely in a character than any 
actress I ever saw.” 

Most actresses need preparation 
for an emotional scene. In order 
to “get into the mood,” they must 
have quiet or perhaps soft music. 
It is not unusual for Miss Mac- 
Mahon to go into a dramatic scene 
while people off stage are still 
laughing at one of her droll 
stories. 

As soon as she is on the set, she 
is in character and when she 
comes off a few moments later, 
there are tears in the eyes of the 
very people she had left laughing. 


Since coming with Warner 
Bros., Miss MacMahon has had a 
strange variety of roles. Among 
the parts were a secretary in 
“Rive Star Final,” a nurse in 
“Life Begins,” a fake countess in 
“One Way Passage,” a waitress in 
“Heroes For Sale,’ a shopkeeper 
in “Side Streets,” a filling station 
operator in “Heat Lightning.” 


In two stories, she was cast as 
the wife of a moderately success- 
ful American, “Big Hearted Her- 
bert” and “Babbitt.” She was a 
drunkard’s wife in “The Merry 
Frinks.” 

There is not the least similarity 
in her characterizations of the 
three women. 

Mrs. Frink was eccentric com- 
edy. Herbert’s wife was straight 
comedy, while the part of Mrs. 
Babbitt is a subtle balance of hu- 
mor and romantic drama. 

Aline MacMahon is never the 
same. 

She has a charm that is more 
fascinating than mere beauty. Her 
acting method is easy, natural and 
convincing. Whether a slavey or 
a grande dame, a clown or a sor- 


Mr. Babbitt 


Guy Kibbee, appearing in First 
Netional’s “Babbitt,” now at the 
“at ne > So Sean ae Re 8 ek Theatre. 
Mat No.3—10e 





rowing mother, she is completely 
in character. 


“Babbitt,” based on the best sell- 
ing novel of the famous author, 
Sinclair Lewis, is a rare comedy 
drama of the typical characters of 
any of the hundreds of medium 
sized towns of America. It strikes 
home to everyone, because it is so 
real and so human. 


Others in the cast include Claire 
Dodd, Maxine Doyle, Russell 
Hicks, Berton Churchill and Minna 
Gombell. The screen play is by 
Mary McCall, Jr., 


| Lovely Lady | 








It’s Claire 


Isn’t she, though? 
Dodd, pictured above, who ap- 
pears with Guy Kibbee and Aline 


MacMahon in “Babbitt,” the 
First National picture at the 
ithe eoe sane ean oe Theatre. 
Mat No. 4—10ce 








Sinclair Lewis’ Greatest 
Novel Is Now on Sereen 


*‘Babbitt”” Known to Millions—Aline MacMahon 
and Guy Kibbee in Stellar Roles 


EW authors live to see the name of one of their characters 
become so definitely a part of national thought as to be added 
to the language of the country. 

It is doubtful if Dickens ever saw the word “Pecksniffian” and 
it is certan that Cervantes, never read the word “quixotic,” but 
Sinclair Lewis, author of “Babbitt,” reads of babbitry in his daily 


paper. 

Probably no novel of modern 
times ever achieved the samé pop- 
ularity as “Babbitt.” 


There are perhaps fewer people 
in America who have not read 
“Babbitt” than who have not read 
a line of Shakespeare. 


The book, which has been made 
into a film of the same title, and 
which comes to the ............ Theatre 
OW AF SRES 4 obese: ; is an astound- 
ing cross-section of American life 
in a small city. 


Its characters are typical to an 
extent that reduces them to defi- 
nite photographs of ourselves and 
our neighbors. 


With almost cruel detachment, 
Lewis has thrust his lancet into 
the vanities and hypocrocies of 
smug small towners. 


The greatest interest centers in 
Babbitt, himself, which will be 
played by Guy Kibbee. 

He is a good hearted, well in- 
tentioned, snob. He sees himself 
as a leader, though be invariably 
follows the pack. With no culture 
and little education he substitutes 
high-sounding phrases for consid- 
ered ideas. 


Without knowing it, he is a 
poseur, with nothing back of his 
heroic postures except a mediocre 
ability. 

His wife, played by Aline Mac- 
Mahon, sees through him, but loves 
him with a deep, maternal protec- 
tiveness. His children are far 
ahead of him in knowledge of the 
world. 


When drama comes into his self- 
centered life, it finds him unpre- 
pared and the result is a forceful 
and moving human story. 


Claire Dodd has the role of a 
small town vamp. Glen Boles, 
whose first screen role was in 
“Flirtation Walk,” is cast as the 
son and Maxine Doyle, who was 
Joe EK. Brown’s leading lady in 
“Six Day Bike Rider,’ enacts the 
daughter. Nan Gray, the new 
Warner Bros. discovery from 
Houston, Texas, is announced as 
the sweetheart of the younger 
Babbitt. 


William Keighley, who directed 
Guy Kibbee and Aline MacMahon 
in their biggest comedy success, 
“Big Hearted Herbert,” piloted 
the same stars in “Babbitt.” The 
screen play was written by Mary 
McCall, Jr., with the adaptation 
by Tom Reed and Niven Busch. 


Claire Dodd Wins Roles 
Without Asking for Them 


Vamp in “Babbitt’’ One of Rare Actresses Who 
Never Seeks for Part 


attract attention to herself. 


y at never hurries. She never gets excited. She never tries to 


Still, Claire Dodd always gets exactly what she wants. 


With scores of other actresses only too glad to get the parts that 
are assigned to Claire Dodd, they neither worry Miss Dodd nor 


hurry her. 


The part of the siren in “Babbitt,” the First National production 


Wylnreh Gomes to Fthe: .....i...ccscce.tietee 
Theatreron’...f5........a , is a won- 
derful role for a pretty young 
actress. This particular siren tries 
to steal Guy Kibbee away from 
Aline MacMahon and gets mixed 
up in a very dramatic situation. 


Over thirty well-known players 
asked for the part. Meanwhile, 
Claire Dodd stayed at home and 
played chess with her husband. 


She got the part. 


When the Warner Bros. casting 
office notified her that she had been 
chosen, she was not surprised. 


“Why wonder about it?” she 
asked. “If a part suits me better 
than it suits anybody else, the stu- 
dio is smart enough to send for 
me. If the part is not right for 
me, it is better for somebody else 
to get .it:” 


There’s a philosophy that sounds 
logical, but it is only good because 
Claire Dodd is such an excellent 
actress, she does not have to worry 
about casting directors forgetting 
her. Miss Dodd comes by her easy, 
unhurried manner naturally. 


As a girl, she traveled the world 
with her wealthy parents and 
developed a quiet poise—in her 
association with her cosmopolitan 
world. 


Her first role on either screen 
or stage came as a result of an 
unsolicited wire from Ziegfeld, who 





offered her a speaking part in his 
show, “Smiles.” For no reason, ex- 
cept a trip to New York appealed 
to her at the moment, she accepted. 


Meanwhile, two studios wanted 
her. She shrugged her patrician 
shoulders and answered, “There’s 
no hurry.” 


A few months later, she became 
a member of Warner Bros. com- 
pany of contract players. 


“Babbitt” is the best oppor- 
tunity that Claire Dodd has ever 
had. Warner Bros. are planning 
even better roles for her but she 
does not seek them. 


“Babbitt,” based on the _ best 
selling novel of the famous author, 
Sinclair Lewis, is a rare comedy 
drama of the typical characters of 
any of the hundreds of medium 
sized towns of America. It strikes 
home to everyone, because it is so 
real and so human. 


The incomparable team of Aline 
MacMahon and Guy Kibbee, who 
made such a hit in “Big Hearted 
Herbert,” heads the cast which in- 
cludes besides Miss Dodd, Maxine 
Doyle, Glen Boles, Russell Hicks, 
Berton Churchill and Minna Gom- 
bell. William Keighley directed the 
production from the screen play 
by Mary McCall, Jr., with adapta- 
tion by Tom Reed and Niven 
Busch. 








No Professional Jealousy 
In Film Work, Says Kibbee 


Star of ‘“‘Babbitt’? Declares There Isn’t Time for 
Gossip in Screen Acting 


First National production, “Babbitt,” which comes to the 


\ CCORDING to Guy Kibbee, who plays the title role in the 


.... Theatre on 


FEE rn See , professional 


jealousy has disappeared, or practically so, among film players. 

“Not many years ago,” he said, “the show business was full of 
petty feuds, jealousies and backbiting. Today, actors and actresses 
go about their work with no sign of quarrels or bickering. 


“TI remember when every troupe 
had some sort of discord in it. 
Somebody was always carrying 
tales and somebody else was al- 
ways ready to listen. 


“The old fight as to who got the 
choice dressing room went on un- 
abated for years. It was a common 
occurrence for a leading man to 
eat onions to spite the leading 
woman, who had to play love scenes 
with him. 


“On the Warner Bros. lot, we 
have eighteen stars and thirty-nine 
featured players. Imagine a the- 
atrical troupe of this size in the 
old days without a single case of 
professional jealousy. 


“The reason is that in the old 
days, members of a_ theatrical 
troupe had their parts down pat. 
They went on at stated intervals 
and played them. Between per- 
formances there was plenty of time 
with nothing to do but gossip. 


“In the picture business, we are 
a busy crew. We are always pre- 
paring for the next scene. It is a 
steady hard grind. 


“In the travelling companies, we 
used to live around at the same 
hotels and travel on the same 
trains. It was the old story of 
familiarity breeding contempt. In 
Hollywood, we all have our own 
homes and seldom see our fellow 
actors unless we are working or 
have definitely arranged social 
contacts. 


“Another factor in the disap- 


pearance of professional jealousy 
is that the hard times the world 





has experienced since ’29 has made 
all people more tolerant. General 





Meet the Kibbees 


suffering has had a softening effect 
on human hearts. 

“Whether I am wrong or right 
in my theory of the causes, there 
is no doubt whatever that I am 
right in saying that—in so far as 
Hollywood is concerned — profes- 
sional jealousy is practically ex- 
tinct.” 

“Babbitt,” based on the best sell- 
ing novel of the famous author, 
Sinclair Lewis, is a rare comedy 
drama of the typical:characters of 
any of the hundreds of medium- 
sized towns of America. It strikes 
home to everyone, because it is so 
real and so human. 

Others in the cast include Claire 
Dodd, Maxine Doyle, Glen Boles, 
Russell Hicks, Berton Churchill 
and Minna Gombell. William 
Keighley directed the production 
from the screen play by Mary Mc- 
Call, Jr., with adaptation by Tom 
Reed and Niven Busch. 


Guy Kibbee is photographed with Mrs. Kibbee and little Shirley Ann, 
his daughter. The comedian recently completed “Babbitt,” the First 


National film coming to the ............. 


PE Rie Theatre OM ciccccccccccccssessesceessescee 


Aline MacMahon appears with him in this adaptation of the best- 
seller by Sinclair Lewis. 


Mat No. 6—20c 


Page Seven 




















EXTRA NOTICE In The Simple, 
T NEW AUTO PARADE 





[| 3 HILARIOUS CONTEST DAYS OF “BABBITTRIES” 








Since Babbitt does the most outlandish things and gets into 
the most embarrassing situations, it might be an amusing con- 
test to have readers send in to cooperating newspaper, the 
funniest “Babbittries” they know of. More details in publicity 
stories below. Planned for three days, but good for one if your 
editor feels that way about it. Three illustrations available in 
one mat. Order Mat No. 11—30c. 


(1st Day Story) 
Best ‘‘Babbittry” 
Submitted Will Win 
Tickets to Theatre 





Who knows a new “Babbittry”? 


When Sinclair Lewis wrote his 
famous novel “Babbitt,” he gave a 
new word to the nation’s vocabu- 
lary. A “Babbittry” can mean 
many things, but all of them are 
things that only a Babbitt would 
do. 

Babbitt, according to the screen 
version, in which Guy Kibbee and 
Aline MacMahon will open at the 
PIS. ee DBNE AC ROM cn tt titanate? 50cc<s eS 
drank unwisely at a banquet of the 
Zebras and awoke, hours later, in 
a milk wagon that was making its 
early morning deliveries. 


Perhaps YOU know a story of 
some fantastic drunken escapade. 
If you do, send it to the “Bab- 
bittry Contest Editor’ of the 
ave weil, eee! (newspaper). If it 
is among the ten best anecdotes 


sent in before ..............00..... ; when 
the lists close, you’ll receive two 
tickets sto! the #.4.1....d200543. Theatre 


to see Kibbee, Miss MacMahon and 
a remarkable cast in the First Na- 
tional production of “Babbitt.” 


Additional “Babbittry” contests 
will be announced tomorrow and 
the day following. Ten pairs of 
tickets will be awarded daily with 
a grand prize at the end of the 
contest to the one who sends in 
the best ‘“Babbittry” submitted 
during the three days. All “Bab- 
bittry” anecdotes should be limited 
to 100 words. 


_ (2nd Day Story) 


Describe Costume 
For “‘Babbittry”’ and 
Win Theatre Tickets 


If Babbitt were going to adopt 
a costume, either for a ball or a 
bazaar at the Zebras’ Club, what 
kind of a costume would he wear? 

A “Babbitt,” according to the 
commonly accepted meaning of the 
word, would be certain to select 
something that would make him 
conspicuous, perhaps a little silly. 

Some “Babbitts” habitually dress 
in a manner that attracts atten- 
tion. They will insist upon wearing 
green carnations, or pink shirts, 
or startling hats. Others display 
themselves only on special occa- 
sions. 

Right ‘now,. the ?7243....2, 33% 
(newspaper) wants suggestions for 
“Babbittish” costumes, either on 
the street or for a ball, and will 
reward those who send in the best 
ideas with two tickets to the .......... 
Theatre, where the inimitable team 
of comedians, Aline MacMahon and 
Guy Kibbee will open in the film 
version of Sinclair Lewis’ great 
novel. “Babbitt, (On -...........deeeee 

If possible, send in a photograph 
of the costumes described. If no 
photograph is available, describe it 


‘in not more than 100 words. All 


entries should be sent to the Bab- 
bittry contest editor of the 
before 


Many a family album contains 
photographs of unique costumes. 
The older and more grotesque they 
are, the better. But those who do 
not send photographs have an 
equal chance of winning. 





Another contest will be an- 
nounced tomorrow. In addition to 
ten daily prizes, a grand prize will 
be given to the one who sends in 
the best “Babbittry” during the 
three days the contest runs. 


(3rd Day Story) 
Last Chance to Win 
Theatre Tickets in 
‘‘Babbittry’’ Contest 





Here’s the final chance for writ- 
ers of “Babbittries” to win free 
theatre tickets as prizes. 

Every “Babbitt” is a boaster; 
it‘s one of their distinguishing 
marks. 


“Babbitt,” in the screen version 
of Sinclair Lewis’ great novel, con- 
tinually harped on his ability as a 
fisherman and his skill at casting. 
But when trying to demonstrate 
his skill in tossing a fly, his hook 
landed in the hair of a young wo- 
man passing by, much to her dis- 
comfort and the glee of his fellow 
Zebras who had questioned his 
claims to prowess. 

Send in YOUR story of a 
boaster, and what happened be- 
cause of his boasting. If it is 
among the ten most interesting 
ones submitted to the “Babbittry 
Contest Editor” of the ........0..0000.. 
(newspaper) before .................0.0000. ; 
you will win two tickets to the 
ilies hanese nenenee Theatre, where the 
First National adaptation of “Bab- 
bitt’’; wall’ open: omy ......-ces..cidhed sc 
with Aline MacMahon and Guy 
Kibbee in the stellar roles. 

A grand prize of (state prize) 
will be awarded to the author of 
the best “Babbittry” submitted in 
the three day contest which ends 
today. 

Winners of tickets in the first 
day’s “Babbittry” contest are: 
(list names of winners). 

Winners of yesterday’s contest 
will be announced tomorrow. 


a 80 808080 


i INITIATION PARADE 





MEANING OF BABBITT 





Colorful comedy costume parade is a steady 
draw for any house. Through regular channels, get 
kids and adults interested in comedy costume 
parade from distant point to your theatre, where 
prizes can be awarded to those wearing funniest 


’ costumes. Parade should pass through hub of town 


and carry banners with some such copy as: “Every- 
body’s Invited to BABBITT’S Initiation at the 
Strand Theatre.” 


FREE RADIO SCRIPT 
Twelve minutes of lightning-fast 
action — three minutes of plug. 
Staff or amateur thespians can do 


it. For mimeographed copies (one 
for each character to save you 
typing) write: Editor, Merechandis- 
ing Plan, 321 W. 44th St., N. Y. C. 





Page Eight 


Most people know what “Babbitt” signifies, but 
have different conceptions of what it actually 
means. A one-day newspaper contest on: “Your 
Conception of a Babbitt,’ with ducats as prizes, 
should draw for your show. 


I] REALTY OFFICE WINDOWS 





Most real estate offices have movable-letter signs 
in their windows showing available apartments or 
houses. Signs can carry such copy as: BABBITT 
was a real-estate man. So are we, but we’re no 
BABBITTS. Our men are always on the go to get 
you the best available, and so on .. . followed by 


list of “‘for rents.” 


If the real-estate man runs a newspaper ad, the 
same copy will go for the ad. 


With the new auto season impending, dealers 
are anxious to display their new models. A 
parade of new cars should be an interesting civic 
event, a swell chance for the dealers, and a chance 
for you —as originator of the idea— to cash in 
with a few banners. Your copy will depend on 
local situation, but we can suggest something like, 
“Babbitts follow the lead of others—but Chevro- 
ford blazes a new trail with its 1935 model.” Your 
playdates should be spotted on all banners. You 
might even stick your own car in the parade with 
nothing but bally banners on it. 


[| CONTACT CIVIC CLUBS 


The boys who have been called Babbitts (mean- 
ing the Rotary, the Kiwanis, the Lions, and simi- 
lar organizations), should be among your first 
campaign objectives. You'll probably have to 
dare ’em into coming—’cause they don’t consider 
themselves to be Babbitts. Circularize their meet- 
ings with card asking, ““Have you nerve enough to 
laugh at yourself? See ‘Babbitt’.” Or ask them 
“Are you a bunch of Babbitts? Come to the Strand 
and decide for yourself.” Get ’em scrapping 
among themselves about it—as long as you can 
stay in the middle. It'll bring ’em in. 


[| ROLES FOR KIBBEE 





Some time ago, Kibbee was referred to as “the 
perfect Babbitt.” Fans are used to seeing him 
as the philandering sugar-daddy. But that doesn’t 
mean he has to play that type of role. There are 
a great many classic, well-known stories with roles 
well suited to Guy’s qualifications. Offhand, we 
think of Pickwick, Falstaff, and Sir Toby Belch, as 
just a few of the classic characters. How many 
can you get from your fans? Should mean a good 
tieup with English literature classes in schools or 
colleges. 


[| TEASE ‘EM WITH THESE 


Teaser campaign below shows how to 
get “Babbitt” circulated throughout town. 
Expense is negligible as most of work can 
be done by your sign shop. 


1. Banners at entrance to town, reading 


“BABBITT WELCOMES YOU ALL TO 


39 


2. Bars, beer taverns, etc., can feature signs 
like “THIS IS ‘HOME, SWEET HOME’ 
TO" BAG IT.” 

3. Cards on cigar store windows—‘FREE 
CIGARETTE LIGHTER INSIDE ...COM- 
PLIMENTS OF BABBITT.” Walker-ins get 
a match. 

4. Display of very over dressed man in 
men’s shop window, “See Babbitt at the Strand 
for what the well-dressed man will not wear 
this season.” 

5. Try calling hotels, asking to have Mr. 
Babbitt paged. 

6. Don’t forget railroad stations with 
“TAKE A TRIP TO SEE AUNT HETTIE 
IN BUFFALO OR BABBITT AT THE 
STRAND.” 

7. AND you might plant signs in barber 
shop windows .. . “BEWARE — BABBITT 
GETS IN YOUR HAIR.” 


8. If tie-up can be arranged with candy 
vendor, distribute samples carrying copy, 
“COMPLIMENTS OF BABBITT.” 

9. Men dressed in ludicrous costumes to 
parade streets with sign reading “DON’T 
MISS BABBITT’S INITIATION AT THE 
STRAND TONITE.” 

10. Placard football stadiums with “AFTER 
THE GAME, YOU’RE ALL INVITED TO 
BABBITT’S PARTY.” 


11. Ice skating rinks might use the “WEL- 
COME TO BABBITT” signs. 





Costless Manner. . HERE’S HOW: 





HOW TO GET THE IMOST FROM THE BOOK 


You'll find the “Babbitt” book tieup 
thorough and comprehensive. Every effort 
has been made to simplify details and 
insure its success on your end. 


WHAT YOU'LL GET: 


1. Book-jacket snipes, as_ illustrated, 
plugging picture and star. These are 
stripped around standard jacket. By 
writing address below, you can ob- 
tain snipes for window displays, and 
for use in circulating and _ public 


libraries. 


2. A window card is being prepared 
which will tie-in bookstore’s display 


with your presentation of the film. 
YOUR CONTACT: 


Mr. E. Edelson 
Grosset and Dunlap Publishing Co. 
1140 Broadway, N. Y. C. 








On “British Agent’ book shops throughout the 
city featured the book in their window displays, 
giving plenty of plugs for the picture, as is evi- 
denced by the window display pictured above. 
Your book shops should be contacted for a display 
on the Sinclair Lewis books, featuring “Babbitt.” 


If anyone missed seeing one of the book shop 
windows, they couldn't avoid seeing or hearing this 
float, which toured the streets, playing music 
through an amplifier. And the book publishers 
split the cost of the whole thing. Perhaps one of 
the local book shops will be interested in some- 
thing of that sort. Try ’em! 





i AUTHOR! AUTHOR! 


You can capitalize on Sinclair Lewis’ 
popularity and reputation by use of some 
of these stunts: 

BROADCAST ON LEWIS 


Officers or prominent members of local civic, 
literary, or reading societies will probably relish a 
chance to air their opinions on Sinclair Lewis. 
They can speak on Lewis’ works, particularly 
Babbitt, and the benefits they’ve been to American 
society. If there is a college in town, ask the head 
of the English Department to give a talk on Lewis, 
his life and his writings. 


IN A COLLEGE TOWN? 


A well-publicized public debate, with possible 
radio station tie-up, will create interest in the 
show. Tie-up may be arranged with college debat- 
ing team—pro and con on the benefits of Sinclair 
Lewis’ Babbitt to American business men. Prizes 
can be promoted from local merchants and awarded 
by popular newspaper which will give you that 
much extra space. If radio tie-up is arranged, 
theatre can get spot after debate broadcast. 


SINCLAIR LEWIS NITE 


Theatre parties, too! Contact local reading 
societies, civic organizations to arrange theatre 
parties on that special Sinclair Lewis Nite. If you 
contact ’em by mail, stress the effect that the book, 
“Babbitt,” has had on American life. If you paper 
their meeting rooms, play up Sinclair Lewis as a 
Nobel Prize winner and the book, “Babbitt,” as 
his greatest novel. : 


TIE-UP WOMEN’S CLUBS 


Take advantage of the interest women’s clubs 
and reading societies take in Sinclair Lewis and 
his works. Try to arrange special meetings dedi- 
cated to Lewis, at which critic discusses Lewis. 


[| BOOK STORE CONTEST 


Since O. O. MacIntyre called Guy Kibbee the 
perfect Babbitt, you might be able to tie that 
thought in with local book shop. Store runs a con- 
test on “Why I think Guy Kibbee makes the perfect 
Babbitt.” Books to winners. 


BULLETIN BOARDS 


A mention of the picture on the library bulletin 
boards won’t do the picture any harm. No suh! 
And the book mark stunt has been used plenty, but 
it’s still good. You can have ’em printed locally. 


| BOOK PAGE STORIES 


You might send a couple of publicity stories on. 


the book angle to the book editors. They might 
break merely because of the book’s popularity. 


[| ON THE EDIT PAGE 


Editorial column of local paper has undoubt- 
edly, at one time or another, run an editorial on 
the “Babbitt” question. Doesn’t matter much 
which side they took. Every paper has said some- 
thing about it. Check on it with ye ed., and if the 
answer is yes, ask him how’s chances for a re- 
print. He can run a little note on some particu- 
larly dull day, saying that because of showing of 
the picture, it is particularly opportune to voice 
the paper’s sentiments on the situation again. 
Costless, and a swell break if you can manage it. 





[| ODD PHRASE CONTEST 





They'll have to think a bit for this one! Tell ’em 
you're looking for the longest list of words or 
phrases which modern writers have made popular. 
As samples, you can toss ’em Babbitt, Orchid to 
you, along the Rialto and any others you may think 
of. Ask contestants to submit authors or origina- 
tors of phrases at same time. 


The same idea can be carried through with re- 
verse English if you list the words and phrases 
below and ask entrants to identify them as to 
author, work, or general date of their use: 


Micawber—originated by Dickens—a person who is 
always looking for something to turn up. 


Orchid to someone—originated by Winchell—meaning 
congratulations or general adulation. 


Bagdad on the Subway—originated by O. Henry—syn- 
onym for New York. 


400 — originated by Ward McAllister — meaning 
“society.” 


Main Street—originated by Sinclair Lewis—meaning 
any small town. 


Elmer Gantry—originated by Sinclair Lewis—meaning 
a hypocrite. 


Fagan—originated by Dickens—meaning a thief. 


Blessed Event — originated by Winchell — meaning a 
birth. 


Middle-aisling — originated by Winchell — meaning a 
marriage. 


Along the Rialto—originated by Shakespeare in “Mer- 
chant of Wenice”?— meaning now along Broadway or 
along main street of town. 


Ritzy—originated by O. O. McIntyre—meaning any- 
thing classy, stylish, or richly adorned. 


Babbitt — originated by Sinclair Lewis— meaning a 
person whose prosperity compels him to conform to the 
conventions and materialism of the middle class te which 
he belongs, hence, any business man or professional man 
who follows his example. (Funk & Wagnall definition.) 


[| DEALER TIE-UP STILLS 


Tie-up stills, probably the most popular of 
Warner Bros. services, are offered you again on 
this film. Take your pick! They’re 10c each, on, 
order from Merchandising Plan Editor. 

Reducing Machines—BF 1. 

Cigar Stores—BT-5; GK Pub. C. 
Camping Goods—BT 28. 

Buick Auto—BT 36. 

Chrysler Airflow—BT 45. 

Pet Shops—GK Pub. J. 

Hunting Accessories—GK Pub. A 11. 


[| TIE UP SCHOOLS 


Most schools have “Babbitt” on the advisory 
reading list for children. Schools’ English depart- 
ments can be contacted to make announcements in 
classes that writers of the best book reviews of 
“Babbitt” will be awarded ducats to the pix. 
Teachers act as judges. 


| MIRROR PEEKING 





(00K IN THIS MIRROR 


Mount a number of small mirrors on cardboard 
with copy reading “Are you a Babbitt? If the 
mirror turns blue when you look into it, you are a 
Babbitt.” Plant these on busy street corners, your 
lobby—-any place you think it will get attention. 


Page Nine 














THE BOOK HALE AMERICA HAILED 
LASSIC—WHILE THE OTHER 


HALF BURNED IT IN PIOUS HORROR! 
SINCLAIR LEWIS’ 


a First National Picture, 


jonal Picture 
iy y Now 
ous scream- -mates— 


qa Fit Nat 
: ream-mates 
with those fam 


with those famous scr’ 
& His ALINE M..MAHON 
‘@uy KIBB EE® 





THEATRE 


152 Li 
ines Mat No. 25—20c 
152 Lines M 
at No. 24—20c 








THEATRE 


And CLAIRE popp : - MAXINE DOYLE 


(GUY KIBBEE 


MAXINE POE MINNA GOMBEL 





180 Lines 
Mat No. 29— 
; 20c 
| 
246 Lines M 
~ Mat No. 28—30c 


Page Ten 


THE MAN WHO TURNED DOWN 
THE PULITZER PRIZE AND WON 


: THE NOBEL AWARD—NOW GIVES. 
#A THE SCREEN HIS MASTERPIECE! | ly 





THE BOOK THAT TORE 
THE DOORS OFF EVERY 


HOUSE ON MAIN STREET! 
[ SINCLAIR LEWIS’ 


BARRITT 


es 


ew 
mest 


Now A First National Picture with 


ALINE MacMAHON °« GUY KIBBEE 


CLAIRE DODD+ MAXINE DOYLE 


aS 





42 Lines Mat No. 13—1!0c 


OK THAT MADE A HUN- 
ILLION AMERICANS LAUGH 
MSELVES-AND LOVE IT! 


You’ve read about Babbitts— 
talked about Babbitts—fought. 
about Babbitts~and now you're 
going to meet the original 
George F. Babbitt, made real 
by the actor O.O. McIntyre 
calls “the perfect Babbitt’! 


Based on the masterpiece of the 
man who turned down the Pulitz- 
erAwardandwon the NobelPrize~ 


Pe ee 


Now a First National Picture with 
Those Famous Scream-Mates— 


ALINE 


MacMAHON 
GUY KIBBEE 


“Kibbee’s portrayal is a gem of 
joy!” says Motion Picture Daily 


The universal fame of ‘Babbitt’ makes 
it unnecessary for us to tell you more 
about this great picture . . . You’ve read 
about Babbitts—talked about Babbitts — 
fought about Babbitts—and now you’re 
going to meet the original George 
F. Babbitt, brought to life by the actor 
O. O. McIntyre calls “the Perfect Babbitt!” 


THEATRE 


248 Lines Mat No. 30—20c 440 Lines 
Mat No. 26 


Price 20c 








Page Eleven 


HALF AMERICA HAILED 
__ ITAS THE NOVEL OF THE 
CENTURY. ..WHILE THE 
OTHER HALF BURNED 

N PIOUS HORROR 


Based on the Masterpiece of jaa 
SINCLAIR LEWIS 22 
Only American ever awarded 
the priceless Nobel Prize ... J2ipimiieentss .cesnene® 
Author of “Arrowsmith” and; 

“Ann Vickers” s 


Brought to hilarious life by 
those famous scream-mates 


ALINE M.:MAHON 
GUY KIBBEE 


CLAIRE DODD e MAXINE DOYLE 
MINNA GOMBEL 


Filmed as sensationally as 
Lewis wrote it-in the book 
that tore the doors off every 
house on Main Street... that) 
added a new word to the 
dictionary... that made the 
world laugh in 17 different 
languages -— and made Ameri- 
cans laugh hardest of all!, 


465 Lines Mat No. 16—30c 
See 2-column size on Page 14 


SINCLAIR LEWIS’ 





Now A First National Picture with 
auneMacMAHON...KIBBEE 





15 Lines Mat No. 20—10c 





29 Lines Mat No. 2!—1I0c 








THE BOOK THAT 
TORE THE DOORS 
OFF EVERY HOUSE 
ON MAIN STREET! 


SINCLAIR LEWIS) 


Now 4 First National 
Picture with those 
famous scream-mates 





106 Lines Mat No. 15—!0c 


THE BOOK THAT TORE THE DOORS 


OFF EVERY HOUSE ON MAIN STREET! 


iC 


Now a First National Pict 


ALINE MacMAHON + GUY KIBBEE 


76 Lines Mat No. | 7—20c 





Page Twelve 







THE BOOK THAT TORE THE DOORS 
OFF EVERY HOUSE ON MAIN STREET! 


SINCLAIR LEWIS’ 


BABII 


Now a First National Picture with 


ALINE MacMAHON -¢ GUY KIBBEE 





56 Lines Mat No, 19—20c 


_ SINCEATR LEWIS’ 








Now A First National Picture with 


ALINE MacMAHON «¢ GUY KIBBEE 
SINCLAIR LEWIS’ 54 Lines Mat No. 31—20c 


THE MAN WHO TURNED DOWN 
THE PULITZER PRIZE AND WON 
THE NOBEL AWARD—NOW GIVES 
THE SCREEN..HES MASTERPIECE! 


Now Made Real by those famous scream-mates— 


| ALINE M.-MAHON 
=m GUY KIBBEE 


And CLAIRE DODD- MAXINE DOYLE-MINNA GOMBEL 


342 Lines Mat No. 22—30c 
See 2-column size on Page 14 





THE BOOK THAT TORE THE DOORS 
OFF EVERY HOUSE ON MAIN STREET! 


Now a First National Picture with 


ALINE MacMAHON «+ GUY KIBBEE 


Filmed as sensationally as 
Lewis wrote it—in the book 
that tore the doors off every 


house on Main Street! 


ih. B&B ASTVRAES @ wr O-;E I Cc. Y THEATRE 


171 Lines | Mat No. 18—30c | 115 Lines | Mat No. 32—!0c 








Page Thirteen 









HALF AMERICA HAILED Trailer Sales Copy 
IT AS THE NOVEL OF THE He's a jolly good fellow 


CENTURY. ..WHILE THE Let's give this little Guy a 
. great big hand! 

It's Guy Kibbee 

in "Babbitt" 




















AWE BOOK 7 
LAUGH IN 774 








PIOUS HORROR! 






Sinclair Lewis' most human 
novel 

Brought to the screen with 
all its true-to-life 
humor ! 










He's a 100% big shot! 
25% Wind Bag 

25% Grouch 

25% Smart Alec 

25% Sap 














Even a wife like Aline 

4 MacMahon 
sade ce the Acehingincelee : : SINCLAIR LEWIS Can't keep him out of trouble 
SINCLAIR LEWIS - : ee They're the screen's 
the priceless Nobel Prise. esos : cE Scrappiest sweethearts 
Author oF “Arrowsmith” and : Brought to hilarious life by Guy Kibbee and Aline 


“Ann Vickers” 3 those famous scream-mates 


ALINE M.cMAHON aa 
GUY KIBBEE 


CLAIRE DODD * MAXINE DOYLE : : In their encore hit to 
NININD Wacevoy 1:14 Now A First National Picture with "Big Hearted Herbert" 
a ¥ = 
2 Sinclair Lewis' "Babbitt" 


M.MAHON With Claire Dodd and Alan 
ec] Ub @ 4/:3:}4 5 




















































Filmed as sensationally as 
Lewis wrote it-in the book 
that tore the doors off every 
house on Main Street... that 
added a new word to the 
dictionary... that made the 
world laugh in 17 different 
languages - and made Ameri- 
cans laugh hardest of all! 




















Glen Boles and Nan Gray 

























“Babbitt® 

A First National and 
Vitaphone Hit! 

It's grand entertainment ! 


79 Lines Mat No. 14—10c 














202 Lines Mat No. 12—20c 





THEATRE 












THE BOOK 


that tore the doors off every house on 
Main Street — 





—that added a new word to the dictionary — 







—that helped win its author the priceless 
Nobel award— 


—that made a hundred million Americans 
laugh at themselves and love it— 


SINCLAIR LEWIS’ 


BRITT 


A First National Picture with those famous scream-mates— 


ALINE 


MacMAHON 
GUY KIBBEE 


THEATRE 


150 Lines Mat No. 23—20c 174 Lines Mat No. 27—20c 





SINCLAIR LEWIS’ 











Now Made Real by those famous scream-mates— 


je ALINE M..MAHON 
National Picture G U y K : B. a E Ee 


And CLAIRE DODD_- MAXINE DOYLE 











Page Fourteen 


WALLER GH 
ROPKE Be 


SINCLAIR 
LEWIS 


INSERT CARD 





Z 4 ee . H - fF DESCRIPTION: Title is dark blue with white highlights. Cast is in maroon. Back- 
ground is buff. Book illustration is in black crayon effect. Illustration is in full color. 


| Tue story THAT MADE 100,000,000 


ALINE MACMAHON- Guy KIBBEE 


CLAIRE DODD MAXINE DOYLE 


4 y 3 4 








SIX-SHEET 


PEOPLE LAUGH AT THEMS 





PRICES 


“The More You Buy— 
the Less It Costs” 





1-SHEET——<= 
to 560 eine Gack 


51 to 100.0018 e each 
Over 100 ........... wu..tle each 








3-SHEETS 
1 to 25... AOe each 
Over 25 one B60 each 


6-SHEETS 


1 to 100... Te each 
11 to 2000. 70e each 
Over 20 ...W. 65¢ each 





24-SHEETS 


Up to 26.0000 ....$2.00 each 
Overcast 352 wae 1.75 each 


WINDOW CARDS 


1 to 50... Te each 
51 to 100. be each 
Over 100 2... Ae each 





INSERT CARDS 
1-to 25.02 2be each 
26 to 50_._.............22¢e each 
51 to 100... 20e each 
Over 100 .............................19¢ each 








HERALDS 
1M to 5M..........$3.00 per M 
Over 5M WW... 2.75 per M 


LOBBY DISPLAYS 


11x 14 Photos .0000...75¢e a set 
(8 in set—colored) 


22 x 28 Photos ... 80c a set 
(2 in set—colored) 


SHide@8 ounce ceed ce each 
Stills .. ..10¢ each 
Midget Window Cards....4c each 
Merchandising Plans .........Gratis 








These Prices Apply 
to U. S. Only 











1-SHEET, WINDOW CARD, 
MIDGET WINDOW CARD 


Page Fifteen 


For Your First Flash On 


“S Wi D AID 28 Ub ON IB 


To 12 million readers in the 
January issues of ll leading 
fan magazines goes this 
sure-to-be-remembered re- 
minder of your showing. 


We have enlarged it to 40x60 
inches, attractively colored in 
purple and red as a neat 
follow-up for your lobby. 
Available November 30th at 
50 cenis each in all Warner 
exchanges in time for your 
“first notice” display. | 


“Sweet Adeline” will be re- 
leased for special engage- 
‘ments beginning Christmas 
week, » » » » 


Follow this sample billing for 
your pre-advance displays.. 


— Coming! 








2/2THE PICTURE 
MONTH 















For the Christmas Stockings of a Hundred 
Million Film ¥ans, We Give You Warner 
Bros.’ Magnificent Picturization of the Stage 
Triumph That Made America Young Again — 


RENE DUNNE *~~ 
‘SWEET ADELINE’ 


Brought to the Screen After 63 Weeks — Count ’em, 
63—on Broadway, With Its Immortal Melodies and 
Romance That Take Us Happily Down Memory Lane, 
Dashingly Guided by Director MERVYN LEROY 


















Never has a story brought back so gloriously the good old days 
when flaming youth went to town on a bicycle-built-for-two—or 
more. That’s Papa in the rumble-seat...but where’s his shot-gun? | 











We'd like to take up the merrie olde custom of slipper-drinking 
ourselves—just to toast that grand trio of fun-makers— Hugh 
Herbert, Ned Sparks, Joe Cawthorn—and all the delicious dancing. 
girls who are too numerous to name—but too sweet not to mention. 


oe” 
Ever whistle “ Why WasI Born?”, “HereAmI1”,and“ Don’t Ever 
Leave Me”? Well, this is the show that made them famous! Now 
you'll hear these and other great Jerome Kern hits sung and danced. 
as never before—all because Warner Bros. finally lured dance- 
director Bobby Connolly of “Ziegfeld Follies” fame to Hollywood. 













And while the orchids last, let’s toss a load of 
them to irresistible Irene Dunne, and Donald 
Woods and Louis Calhern for their brilliant tell- 
ing of a great love story; to Mervyn Le Roy for his 
superb direction; to Phil Regan for his delightful 
tenor; and to Jerome Kern and Oscar Hammerstein 
II for authoring December's grandest show! 





Coming! 
IRENE DUNNE 
SWEET ADELINE 


By Jerome Kern and Oscar Hammerstein II 


Brought to the screen with its immortal melodies 
and romance after 63 weeks on Broadway 


wih Donald Woods e Hugh Herbert ¢ Ned Sparks 


DIREC 


TED BY MERVYN LEROY 


Printed in U. 5. A 


h ’ 


Scanned from the United Artists collection at the 
Wisconsin Center for Film and Theater Research, 
with support from Richard Koszarski. 





WISCONSIN CENTER 


FOR FILM & THEATER RESEARCH 


http://wcftr.commarts.wisc.edu 


MEDIA 
HISTORY 


DIGITAL LIBRARY 





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