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Full text of "Bad Men of Missouri (Warner Bros. Pressbook, 1941)"

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A WARNER BROS. HIT, with 
DENNIS JANE WAYNE ARTHUR 


MORGAN - WYMAN - MORRIS - KENNEDY 
Directed by RAY ENRIGHT 


Screen Play by Charles Grayson * From a Story by Robert E. Kent * A Warner Digetee Mists pictitoliei: wragiig-: 


Use This Campaign to Make Em Go! 








EXPLOITATION ......... Pages 3- 5 
FOTO-ACTION FEATURES .. Pages 6- 7 
PUBLICITY.............Pages 8-10 
ADVERTISING .......... Pages 11-18 
POSTERS .............. Pages 19-20 


Country of origin U.S.A. Copyright 1941 Vitagraph, Inc. All rights reserved. Copyright is waived to magazines and newspapers. 









ae 


Newspaper, theatre and coop- 
erating stores announce simultaneously that the “BAD 
MEN OF MISSOURI” are loose in (city). Announce that 
they were last seen at some spot in heart of shopping 
district and are known to be heading for your theatre. 
Award prizes to those who track down the “Bad Men of 
Missouri” in shortest order. 


WHOLE TOWN HUNTS “BAD MEN” 


VIA CITYWIDE MERCHANTS’ TIE-UP! 


Here’s How to Track ‘Em Down... 


Newspaper publishes (or stores give away) entry blank 
with the key sentence: BAD MEN OF MISSOURI ARE HEAD- 
ING FOR THE STRAND THEATRE. There are 10 words in 
this sentence. Spot a still or window card in windows of 10 
cooperating stores, each sniped with one of the words in the 
key sentence. Contestants who find the 10 words and list the 
10 stores in which they were displayed are eligible for pro- 


moted prizes. 


{ FIRST DAY ] 


war: ACTION! 





If more stores wish to cooperate, sentence can be length- 
ened to include more words. | 

Start contest in advance, with prizes awarded opening 
day, either on your stage or at one of the larger cooperating 


stores. Play this for extra news breaks. 


ALTERNATIVE: This same idea can be adapted to 
a purely newspaper promotion, with key words 
spotted in various newspaper ads throughout 
paper. Plant ad mat for theatre credits. 


[ SECOND DAY ] [LAST DAY ] 





Get it with this 
3-DAY 
CONTEST 


Newspaper readers are re- 





quired to identify each of the 
three “Bad Men of Missouri” 
from clues given. Contestants 
save daily contests until all 
three are collected, then send 
them in with 25-word letter com- 
pleting this sentence: “I like mo- 
tion pictures of the Old West 
because ...” Order "BM Mat 
301B" —45c—from Cam- 
paign Plan Editor. 


WANTED! 


Can you identify 
this well-known star, 
portraying one of the 
“BAD MEN OF MIS- 
SOURI’’—Robin Hoods 
of the West? 


Height: 6’, 2”; 
Weight: 195 lIbs.; Blue 
Eyes, Brown Hair. 
Recently seen as 
"Kitty Foyle’s” boy 
friend. His name _ is 


Save this solution 
until the close of the 
contest on (day), then 
send in all three con- 
test answers to the 
Daily News Contest 
Editor. 





(DENNIS MorGAN) 


WANTED! 


Can you _ identify 
this well-known star, 
portraying one of the 
“BAD MEN OF MIS- 
SOURI"—Robin Hoods 
of the West? 


Height: 5’, 11"; 
Weight: 160 Ibs.; Blue 
Eyes, Blonde Hair. 
Appeared as James 
Cagney’s kid brother 
in “City for Conquest.” 
His name is 


* 


Save this. solution 
until the close of the 
contest tomorrow, then 
send in all these con- 
test answers to the 
Daily News Contest 
Editor. 





(ARTHUR KENNEDY) 


WANTED! 


Can you identify 
this well-known star, 
portraying one of the 
“BAD MEN OF MIS- 
SOURI’’—Robin Hoods 
of the West? 


Ne, 


Height: 6’, 2"; 
Weight: 190 lIbs.; Blue 
Eyes, Blonde Hair. His 
"Kid Galahad” acting 
made him a star. His 


Complete the follow- 
ing sentence in less 
than 25 words: "I Like 
Motion Pictures of the 


Old West Because .. .”: 


Send all your contest 
answers to the Daily 
News Contest Editor. 


(WAYNE Morais) 





3 


rer 
Go weds" 


ghe 
—The kids compete in a 


model log cabin or stage coach build- 

ing contest. Enlist cooperation of hobby 

editor of local paper or school crafts 

department on this. Finished products 

make for interesting lobby display. 
$A Coe 


—Appoint all youngsters 
attending day performances as Dep- 
uty Sheriffs. Local novelty house will 
supply inexpensive badges. Also give 
each youngster a card, printed locally, 
like this one: 


Know all men by these presents that 


(write name here) 


has been duly appointed as a 


DEPUTY SHERIFF 


"Bad Men of Missouri" — Beware! 





—Print one or more of the 
special drawings (see Utility Mat on 
page 17)... for program or newspaper 
. » » to be colored in by the kids—best 
ones winning prizes. 


a 


—Hold western songfests 
at matinee shows with a few solos by 
talented youngsters. This can be de- 
veloped into an amateur show for your 
Saturday matinee. 


ee 


—Hand each youngster 
| entering theatre a small bag contain- 
ing several “marbles.” In a few of 
these bags place a gold-painted mar- 
ble—and award tickets or prizes to the 
lucky finders of this “stolen gold.” 


mowed Ke 


—Rig up a “target range” 
in outer lobby with suction-cap bullets 
in guns. Invite kids to aim for bull’s- 
eye, with free admission to sharp- 
shooters. Place still of the 3 “bad men” 
in bull’s-eye with title and catchline 
lettered in target circles. 


On eee 


—Quiz the kids with a 
series of questions on Missouri. Quiz 
can be adapted for program, back of 
herald, newspaper or radio. 


4 





BAD MEN OF MISSOURI" 


LOBBY STANDEE 


—This arresting lobby 
standee is easy to make. Cut out blow- 
up of Still BM 52. (Available at your 
Vitagraph exchange.) Mount other 
action stills on cutout of map of Mis- 
souri. Include cast, billing and play- 
date credits. 

* 


CE LOBBY DISPLAY 


Always exciting — a “See” display 
on 40”x60” or set piece can easily be 
set up with following stills and copy: 


SEE the landgrabbers burn and siliage 
the homes of peaceful Missouri 
farmers. (BM 38) 


SEE the meeting of Cole Younger, Bad 
Man of Missouri . . . and Jesse 
James! (BM 96) 


SEE a lone girl fight for her bandit lover! 
(BM 31) 


SEE the Robin Hoods of the West swoop 
down on a frontier town! (BM 100) 


SEE maddened cattle charge through 
the streets! (BM 103) 


SEE "BAD MEN OF MISSOURI"! 


It Has All the Thrills That Made 
“Dodge City’’ Great! 


Stills indicated are available in set 
from Campaign Plan Editor—50c. 


Ks 
TARGET MATCH 


—Contact local Army Re- 


cruiting Office for this one. Two teams © 


of Army men compete in target con- 
test on empty lot near theatre. Banners 
and posters sell film. Copy: “BAD 
MEN OF MISSOURI . . . Robin Hoods 
of the West... they out-shot the James 
Boys and out-rode the Daltons!” 


EASY-TO-MAKE > 





rip® 
at 


TRY THESE FOR FAST 
ACTION INSIDE... 


—Display as many items 
of frontier America as you can obtain 
locally. These Americana might in- 
clude real early American six-shoot- 
ers, chaps and ten-gallon hats, fancy 
saddles, branding irons, sheriff's 
badges, etc. Local museum, American 
Legion, or costume house are good 
sources for this material. 





oes. ok 


—Sell the rip-roarin’ old 
west atmosphere by garbing your 
doorman and ushers in chaps and 
sombreros with arm bands selling title 
...1n advance of run. 


koe Ks ok 


—Such popular lobby 
stunts as cigarette-rolling and beard- 
growing contests can be revived effec- 
tively to sell the frontier atmosphere 
of the film. 


Se. OO 9 


—If among all the model 
train builders in your community there 
is one who builds the old-fashioned 
wood-burning train models, borrow 
this for lobby display. Keep it in 
action with stills and posters spotted 
around for bally purposes. 


~~ ke ce 


—Use your P. A. system 
in lobby and out front during busy 
hours playing rousing old time western 
tunes. Between records tell ‘em about 
your show—using catchlines from ads. 


REMEMBER 


. those sensational 
campaigns on “DODGE 
CITY’, ‘‘VIRGINIA 
CITY” and “SANTA 


FE TRAIL”? Why not 
dig into your files and 
check those stunts and 
bally ideas that did 
their best job for you. 
They might be worth 
repeating! 


WANTED! 


Thrills! Excitement! Adventure! 





Arthur Kennedy, Dennis Morgan, Wayne Morris 
See ‘em in Action in 


“BAD MEN OF MISSOURI” 


A Warner Bros. Picture 


STRAND THEATRE — NOW 





WINDOW POSTERS 


Print a quantity of posters as il- 
lustrated, and post throughout 
town on windows, poles, fences 
and sides of buildings. Use still 
BM52 (available at your Vita- 
graph exchange). 


ACTION IN LOBBY 


Blow up still BM52 of Dennis 
Morgan, Arthur Kennedy and 
Wayne Morris to life size for any 
or all of these lobby ballys: 


—free tickets to 
any patron who can lasso one 
of the “bad men” at 40 paces. 


—free ticket to 
any patron who can throw a 
ring around one of the “bad 


ae 


men . 


— remove the 
“head” of Dennis Morgan so 
that patron can stand behind 
display and be photographed 
as one of the “Bad Men of 
Missouri’. 


SNIPE STENCIL BALLY 


Snipe walls, fences and posts 
and stencil sidewalks with the fol- 
lowing messages .... all pointed 
in direction of your theatre: 


“BAD MEN OF MISSOURI" ARE 
HEADIN’ THIS WAY! 


“WATCH OUT FOR THE 'BAD MEN OF 
MISSOURI!" 


Missouri Maps for Lobby Flash! 


Large scale maps of Missouri displayed in 
lobby may be utilized with unusual effect: 


| Place stills selected from 
= your Vitagraph Exchange 
set over such cities as Harrison- 
ville, Independence, Mason City 
and other towns in that vicinity. 
Copy: “Out of the roaring history 
of America’s untamed Frontier 
comes the bullet - splashed saga 
of the bad men who made Mis- 
souri great!’ Missouri State Flag 
displayed beside map will add 
interest. Also arrange for radio 
quiz from lobby on questions per- 
tinent to Missouri. 


Drive several metal star- 
2. nails through map and at- 
tach battery and bell to one of the 
nails on back of map. Hook up 
circuit to a pointer so that if 
pointer touches the hooked-up 
star, a bell will ring. Then invite 
patrons to locate the place where 
the BAD MEN OF MISSOURI 
have buried their loot by touching 
one of the stars with the pointer. 
Those who find “buried loot” by 
ringing bell win free admission. 
Spot can be changed after award. 


KR RK Ke 


3 MEN ON A HORSE 


Title is right for literal transla- 
tion into ACTION — on your city 
streets. Send three men dressed in 
western garb riding ‘round town 
on horseback. Copy on backs or 
saddles: “BAD MEN OF MIS- 
SOURI.... ROARING EPIC OF 
THE BANDIT-HEROES WHO 
OUT-SHOT THE JAMES BOYS 
AND OUT-RODE THE DALTONS! 
COMING STRAND FRIDAY!" If 
you can possibly get or build a 
stage coach, use two riders plus 
coach, with banners on sides sell- 
ing your show. 


ORPHANAGE SHOW 


Three men on horseback ride to 
local school or orphanage where 
they put on a lassoing or riding 
demonstration for the kids. Copy 
attached to saddles sells the “Bad 
Men of Missouri—Robin Hoods of 
the West” angle. Each “Bad Man” 
“kidnaps” one youngster and 
takes him to theatre on horseback. 
If a larger contingent can be 
brought so much the better. Stunt 
should be played for news breaks 
and pictures. 


BANK PROMOTIONS 


Contact your local banks for 
window displays and newspaper 
ads that feature comparisons be- 
tween the old-time lawless West 
and modern burglar-proof safe 
deposit vaults. Windows sell line, 
“Bad Men of Missouri—Stay Out! 
Modern protection keeps ‘Bad 
Men’ away from your valuables.” 
Also, don’t overlook the possibili- 
ties of tie-in copy in the many 
pamphlets put out by banks. 


TIE-UP STILLS 


Set of 12 tie-up stills, ready 
for planting with your mer- 
chants for counter and win- 
dow displays. Order “BM Tie- | 
up Stills”—12 for $1, 10c indi- 
vidually — from Campaign 
Plan Editor. 


DENNIS MORGAN 
Kirsten Pipe 
Byer-Rolnick Hat 
R.C.A. Personal Radio 


WAYNE MORRIS 
Sun glasses 
Sport Shop WM Pub A 287 
Sport Shop WM Pub A 335 


JANE WYMAN 
Gruen Watch 
Parfums Charbert 
Harlequin Sun Glasses... 
Lucien Lelong JW Pub A 608 
De Vilbiss Atomizers JW Pub A 618 


R.C.A. Personal Radio RCA 58 





TWO FOTO-ACTION FEATURES .. 


2 5-COL. SUNDAY FEATURE 


(OPPOSITE PAGE) Compact, exciting—just right 
for newspaper's Sunday section, mail editions 
and picture pages. Also makes a swell tabloid 
throwaway or window strip. Art and type avail- 


(BELOW) The fast action, rousing excitement of 
“Bad Men of Missouri” is thrillingly told in this 
story strip. Newspaper plugs it in advance as 


“Movie of the Week.” Available on one mat. 


able on mat. It's a topnotch campaign aid. 


[ FIRST DAY ] 





MOVIE-OF-THE-WEEK ~ 


The three Younger brothers, 
Cole (Dennis Morgan), Bob 
(Wayne Morris) and Jim (Ar- 
thur Kennedy) come home to 
Missouri as the Confederate 
army disbands at the close of 
the Civil War. They are glad 
to be finished with war, anx- 
ious to get back to the farm. 
Cole and Jim are also anx- 
ious to get back to their girls 
Martha (Faye Emerson) and 
Mary (Jane Wyman). But on 
their way they meet a covered 
wagon train of their former 
neighbors, driven from their 
farms by carpet-baggers. Cole 
sees Martha, but only long 
enough to say farewell to her 
before she dies. Now go on 


with the story. es od 


[ SECOND DAY ] 


The three Younger brothers, 
Cole (Dennis Morgan), Bob 
(Wayne Morris) and Jim (Ar- 
thur Kennedy) come home to 
Missouri at the end of the 
Civil War. There they find that 
Banker Merrick (Victor Jory), 
a carpet-bagger, has bought 
up the tax warrants for most 
of the farms in the neighbor- 
hood, and as the farmers have 
nothing but Confederate 
money to pay them with, they 
are being driven from their 
homes. Hank Younger, their 
father, is killed when he tries 
to hold out against Merrick 
and the Younger farm is 
burned. Wanted for the mur- 
der of one of Merrick’s men, 
the three boys become fugi- 
tives, turn to a life of banditry. 
Now go on with the story. a 


[ THIRD DAY ] 


Cole (Dennis Morgan), Bob 
(Wayne Morris) and Jim (Ar- 
thur Kennedy) come home to 
Missouri at the close of the 
Civil War to learn that a car- 
pet-bagging banker has turned 
most of their neighbors out of 
their homes by buying up the 
tax warrants on their farms. 
Their own father is killed in 
defending his home and they 
are accused of murdering one 
of the sheriff's men. The three 
brothers turn outlaws, robbing 
and plundering the carpet- 
baggers and turning the 
money over to the farmers so 
that they can pay their taxes. 
With the James brothers, they 
become hunted criminals, but 
to the farmers of Missouri they 
are true Robin Hoods. Now go 


on with the story. sencnrcncele 


6 


“BAD MEN OF MISSOURI” 


A Warner Bros. Picture 


Starring Dennis Morgan, Wayne Morris, 
Qo Arthur Kennedy and Jane Wyman... 
Opening Friday at the Strand. 





At their farm they find their father, still holding out against Banker 
Merrick (Victor Jory), who has gained control of all the farms in the 
neighborhood by buying up the tax warrants. Just after their arrival, 
Merrick’s hirelings, headed by the sheriff, come to take over the farm. 


The Younger’s put up a stiff fight, but the father is shot, and Merrick’s 
men finish the job by rolling a flaming hayrick into the house. Learning 
that they are wanted for the murder of one of the sheriff's men, the 
three boys flee, begin a life of banditry. 


[ Pick Up Heading From First Day ] 





Not criminals at heart, the three brothers stage daring hold-ups, but 
give all the money to the farmers of the neighborhood so that they can 
hold on to their farms and foil Merrick’s plan to get control of all the 
land. Then Jim gives himself up to Merrick in order to save Mary (Jane 


Wyman), who has been arrested for “aiding a criminal.” By a clever 
ruse, however, his brothers get him out of jail. They join up with Jesse 
James (Alan Baxter) and their combined forces terrorize the country- 
side as they plunder and rob with complete lawlessness. 


[ Pick Up Heading From First Day ] 





So daring do their escapades become that no bank, stage coach or 
train is safe from their plundering. Mary (Jane Wyman) begs Jim to get 
out, but she knows as well as he that it is far too late, and in her heart 
she cannot condemn him because she knows that he and the others 


have done more good than harm with their banditry. Inevitably, as 
they ride forth one day, they are trapped by a posse, and taken to 
prison. But the people of Missouri do not forget their outlaw heroes and 
there is hope of eventual pardon for the three. 


— 


REE 4 -I¥*Q ars 


Sa 


NE of Missouri’s lesser- 
O known claims to fame at 

last receives widespread 
circulation in the new picture, 
“Bad Men of Missouri,” star- 
ring Wayne Morris, Dennis 
Morgan, Arthur Kennedy and 
Jane Wyman. 

Before this, the state’s fame, 
as far as the outside world is 
concerned, was limited to the 
facts that it is inhabited by a 
slightly incredulous folk who 
believe nothing unless they are 
“shown” and the place where 
the world’s best mules are bred. 

But when the projection ma- 
chines unreel the story of Cass 
County’s Younger brothers in 
the movie houses of the nation, 
the word goes out that it was 
Missouri which gave birth to 
America’s counterpart of Eng- 
land’s famed Robin Hood, who 
stole from the rich to give to 
the poor. 

The only difference is that 
Missouri wasn’t content with one 
Robin Hood but gave the coun- 
try his two brothers as well. 

The story of Cole Younger 
and his two brothers lay pretty 
dormant in the years since the 
Eighties of the last century, 
when the Youngers defied law 
and authority to aid the harried 
and oppressed farmers of Mis- 
souri who were being bled white 
by unscrupulous bankers and 
carpetbagging politicians. 

Jesse James and his brother 
Frank, as a matter of fact, got 
their start with the Younger 
brothers and in many ways 
their fame has surpassed that 
of their mentors’. History has 
been less than just, because 
whatever their crimes and de- 

















Ma 


predations, the Younger broth- 
ers never stole for reasons of 
personal gain. The James boys 
branched out. a bit, but the 
Younger lads all went to prison 
because, for all the millions 
they took from the Mid-West’s 
banks, they never kept a penny 
for themselves. 

These and many other facts 
have been unearthed by an alert 
Research Department at War- 
ner Bros. You have to go back 
to “Gone With the Wind” to 
find such meticulous attention 
to. historical detail as has been 
lavished on “Bad Men of Mis- 
souri” by the Burbank studio. 

Mrs. Pearl May Kerns, last 
surviving relative of Cole 
Younger, was the only person 
to respond to a nation-wide call 
for descendants to act as tech- 
nical advisers. By the time the 
picture was finished shooting, 
Mrs. Kerns declared that she 
had learned more about her 
notorious ancestors than she 
had known herself. 

She learned for the first time, 
for example, that Missouri’s 
prisons fifty years ago were 
model establishments as far as 
the prisoners were concerned 
and it was a pretty ungrateful 
wretch who tried to bust the 
clink. True, there were no base- 
ball teams or glee clubs, but the 
jailers in those days were the 
prisoners’ friends, running all 
errands for incarcerated pals— 
from fetching tobacco to rush- 
ing the growler. The beds in 
Missouri’s jails at the time were 
also provided with feather tick- 
ing for the felons’ sleeping 
pleasure, which is a lot more 
than the lads get today. 

When the Warners started 
casting for “Bad Men of Mis- 
souri” they had to find stars for 
the Younger brothers’ parts 
who were hard-ridin’ and 
straight-shootin’. They had no 





de Missouri Great! 


Younger Brothers, Bandit-Heroes of Post Civil War West 
Live Again in Roaring Action Picture Coming to Strand 




























trouble filling the first half of 
the bill but it took a little 
schooling to round out the stars’ 
education. Dennis Morgan and 
Wayne Morris are both known 
around Holywood as two of the 
more able and daring poloists 
and newcomer Arthur Kennedy 
can jump a saddle mount with 
the best of them. So there was 
no trouble as far as the horse- 
manship went. But the old- 
fashioned firearms were an- 
other matter. 

When the boys were first pre- 
sented with the midget cannon 
which another generation knew 
as the Colt six-shooter or the 
45, Morris, Morgan and Ken- 
nedy handled the iron with the 
ease of a five-year-old trying to 
lift the parlor piano. Warners 





(Above) They out-rode the Daltons ... they out-shot the James 
boys! Dennis Morgan, Arthur Kennedy and Wayne Morris as the 
Younger brothers, outlaw-heroes of Missouri, in the bullet-splashed 





had to hire an expert to show 
the boys what to do with the 
ancient firearms. By the time 
the picture was over, however, 
the stars were able to twirl, 
toss and draw their gats like 
experts. 

But for all their gun-toting 
proclivities, it was the conten- 
tion of Cole Younger that he 
and his brothers never caused 
the violent death of anyone, 


Crack shots though the three Younger brothers were, their 
six-shooters were used only in self-defense, and they are 
said never to have wilfully caused the death of anyone. 


(Left) Morgan and Faye 
Emerson in one of the 
tenderer moments of the 
film, “Bad Men of Mis- 
souri’. 


friend or foe. The only possible 
plot on the family escutcheon 
was the time they captured two 
gentlemen who tried to lure 
them into a trap in which two 
hired killers waited to get the 
Youngers. The brothers dressed 
the gentlemen in their clothes 
and permitted the killers to 
assassinate their own employ- 
ers. 

The law finally caught up 
with the Younger brothers 
when they were double-crossed 
in holding up a Northfield, Min- 
nesota, bank and were badly 
shot up. Bob Younger was so 
seriously wounded that the 
brothers had to make a choice 
between remaining by him or 
escaping with the James boys. 
They chose to remain by Bob 
and finally, starved and _ sur- 
rounded, they surrendered to 
the Minnesota authorities. 

“Bad Men of Missouri’ fol- 
lows the story of the Youngers 
with scrupulous care but it ends 
with their capture. Bob Young- 
er never recovered from his 
wounds and the long days of 


picture, “Bad Men of Missouri”. 


exposure when the _ brothers 
were hiding out. He lived on in 
prison, a semi-invalid, for six- 
teen years before he died. Jim 
Younger was. paroled after 
twenty years and he found 
Mary Hathaway, played by 
Jane Wyman in the film, still 
waiting for him. Declared 
legally dead, however, because 
of his life-term, he was not per- 
mitted to marry her. This, after 
two decades of waiting, drove 
him mad and he took his own 
life. 

Only Cole Younger, eldest of 
the brothers, was able to lead 


a normal life after he had 
served twenty-five years in 
prison. Paroled in 1902 and 


granted a full pardon a year 
later, Cole Younger returned 
to Lee’s Summit, Missouri, a 
quiet, studious, old man who 
spent his days reading the 
Bible and writing little pieces 
which urged the youth of his 
day to cleave to the straight and 
narrow and abjure the careers 
of Jesse James and _ Cole 
Younger. 

When he died in 1916, Jack- 
son County gave him the big- 
gest funeral in its history, a 
congressman read the eulogy 
and the Governor of Missouri 
commended his life out of jail 
as useful and a model to young 
people. His death twenty-five 
years ago marked the end of 
the American Robin Hood. 


Art and Type on One Mat. Order "BM MAT 601-B"—90c—from Campaign Plan Editor, 321 W. 44th St.,N. Y.C. 








Cole’ Yonutiget. 6 ose: DENNIS MORGAN 
Mary Hathaway. ee JANE WYMAN 
Bob: Youn@erc 3.3003. WAYNE MORRIS 
jim Younger 6..55.)..acec ARTHUR KENNEDY 
William Dremigk cosh kes Victor Jory 
Jesse TalieGse once aan ene Alan Baxter 
Mr. Permbone: oo kine eee Walter Catlett 
Gro@ Eisen 6. Howard da Silva 
Me@ting Adame.) cc Faye Emerson 
Hank Yeunger. 66 ocodeckoes Russell Simpson 
Wire, TICWOV: a ice Virginia Brissac 
ER Ec osttlucs baae Erville Alderson 
Frag Hopton... .285 ee Hugh Sothern 
Y RG eh he ee Oe Sam McDaniel 
Myre Deen. Dorothy Vaughan 
Sher. Brennen. i .... Be William Gould 
Wile  Yeuuger. Gs sc Robert Winkler 
Pres OUnGee Cas or. ee Ann Todd 
Lele’, tt ai a ine eens ae Roscoe Ates 





Directed by RAY ENRIGHT 


Screen Play by Charles Grayson; From a story by 
Robert E. Kent; Director of Photography, Arthur 
Todd, A.S.C.; Dialogue Director, Robert Foulk; 
Film Editor, Clarence Kolster; Art Director, Ted 
Smith; Sound by Stanley Jones; Technical Ad- 
visor, Pearl May Kearns; Makeup Artist, Perc 
Westmore; Gowns by Milo Anderson. 


(Not For Publication): The Younger brothers, 
Cole (Dennis Morgan), Bob (Wayne Morris) and 
Jim (Arthur Kennedy), return to Missouri after the 
Civil War and set out to avenge the misdeeds of 
William Merrick (Victor Jory), a skinflint banker. 
Merrick has been buying up tax warrants and 
dispossessing farmers. The Younger boys’ father 
has been killed by one of the Merrick hoodlums 
and then a murder rap planted on Cole. The boys 
flee and launch a campaign of bank and train 
robbery, chiefly stealing from Merrick, and turn 
the money over to the farmers, who thereby save 
their farms. Jim, in love with Mary Hathaway 
(Jane Wyman), is lured into Harrisonville and 
jailed, but Cole and Bob rescue him. Eventually, 
they are captured by a posse. The people of Mis- 
souri work for their pardon. 


(Running Time—74 min.) 


@ LEAD STORIES ® 


‘Bad Men of Missouri’ Thrilling 
Saga of West's Bandit-Heroes 


The colorful story of the 
Younger brothers in their daring 
escapades throughout the Old 
West is vividly told in the War- 
ner Bros.’ exciting film succes- 
sor to that studio’s ‘Dodge 
City” and “Santa Fe Trail,” 
“Bad Men of Missouri,” which 
opens at the Strand Friday. 

The Younger brothers were 
one of the toughest trio of ban- 
dits in America’s turbulent his- 
tory. They robbed banks, trains 
and stagecoaches with a daring 
that was unbelievable, taking 
the law into their own hands to 
avenge the wrongs done their 
neighbors by an_ avaricious 
power-grasping banker. 

Dennis Morgan, Wayne Morris 
and Arthur Kennedy play the 
parts of the Robin Hood type 
desperadoes and from advance 
reports we hear that they are 
perfectly cast as the three em- 
bittered boys who return from 
the Civil War only to find their 
father murdered and their home 
and the homes of most of their 
neighbors in the hands of the 
local banker. Jane Wyman plays 
the role of a girl who loves Jim 
Younger, Arthur Kennedy’s 
part, and tries to dissuade him 
from becoming a criminal. But 
he and his brothers are de- 
termined to avenge their father’s 
death. 

Train, bank, stagecoach fall 
prey to the calculating minds 
of the Younger brothers. Their 
names become synonymous with 
danger. Town after town ex- 
periences their grim visits. No 
sheriff — no posse can trap 
them .. . their escapes become 
more clever... more daring. But 
suddenly the end of their law- 





Still BM 365; Mat 205—30c 


MISSOURI'S OUTLAW HEROES—Dennis Morgan, Arthur Kennedy 
and Wayne Morris as the Younger brothers, daring outlaws who wrote 
history with their blazing guns. Their bullet-splashed story is told in 


“Bad Men of Missouri” opening at the Strand on Friday. 





less career comes in a com- 
pletely surprising manner. The 
Younger brothers used their loot 
only to help the neighboring 
farmers keep their farms. For 
this they become famous as the 
Robin Hood bandits. Theirs is 
the strangest story in the action- 


packed history of the West. 

Besides a brilliant leading cast 
and authenticity in story, “Bad 
Men of Missouri” has a support- 
ing cast which features such 
fine performers as Victor Jory, 
Alan Baxter, Walter Catlett, 
and Sam McDaniel. 








‘Bad Men of Missouri 
Opens at Strand Friday 


The Strand Theatre’s new pic- 
ture opening Friday will be 
“Bad Men of Missouri,” a rip- 
roaring saga of pioneer times, 
with Dennis Morgan playing the 
lead as Cole Younger, chieftain 
of the notorious. gang of bank 
and train robbers: that terrior- 
ized Missouri, lowa.and Kansas 
immediately after the Civil War. 

Playing with Morgan are 
Wayne Morris as Bob Younger, 


Arthur Kennedy as Jim Young-: 


er, Jane Wyman as Mary Hatha- 
way, Victor Jory as Banker 
William Merrick and Sam Mc- 
Daniel as the servant, Wash. 

The story picks up the Young- 
er brothers as they leave the 
defeated Confederate army in 


1865, shows them receiving word 
of Abraham Lincoln’s assassina- 
tion and takes them back to their 
home in time to discover that 
their father is being dispossessed 
by Banker Merrick who has 
claimed the homestead through 
purchase of tax warrants. He 
is attempting in this manner to 
get control of nearly all of Mis- 
souri, dispossessing the rightful 
owners of the farm lands. 

In an altercation over the dis- 
possession, the elder Younger 
is killed and Cole Younger is 
charged with having slain the 
sheriff who had come to serve 
the dispossess warrant. From 
this beginning grows _ their 
career of outlawry. 


Dennis Morgan Heads 
Cast of Strand Film 


“Bad Men of Missouri,” War- 
ner Bros. rip-roaring successor 
to “Santa Fe Trail” and “Dodge 
City,” will be this week’s new- 
comer at the Strand Theatre, 
where it opens on Friday. The 
large cast is headed by Dennis 
Morgan, Wayne Morris, Arthur 
Kennedy and Jane Wyman, and 
includes such well-known play- 
ers as Alan Baxter, Victor 
Jory, Walter Catlett and Sam 
McDaniel. 

Ray Enright directed the 
film which deals with the excit- 
ing real-life story of the three 
Younger brothers, Missouri’s 
bandit-heroes of post-Civil War 
days. Morgan, Morris and Ken- 
nedy play the three brothers, 
famous in Missouri’s history as 
Robin Hoods of the West. 


"BAD MEN OF MISSOURI"—PUBLICITY 





‘@ PRODUCTION FEATURE e@ 


Action and Adventure Thrill-Riddled Film 
In ‘Bad Men of Missouri 


Three train robberies, two 


bank robberies, one stage coach © 


robbery, an escape from a sher- 
iff’s trap and a jail break com- 
prise some of the action in War- 
ner Bros. 1941 successer to 
“Dodge City’, “Bad Men of 
Missouri,” starring Dennis Mor- 
gan and Jane Wyman, yet the 
“bad men” commit no _ single 
homicide in the picture which 
opens Friday at the Strand. 

Well, hardly any homicide. 

There comes a time when a 
man, or several men, playing 
around with firearms with var- 
ious agitated citizens located at 
the business end of them, are 
likely to wind up discontinuing 
someone. The law of averages 
is certain to take care of that 
and this is the case with the 
notorious Younger brothers and 
their Robin Hood activities. 

In one sequence, Jim Younger 
(Arthur Kennedy) has witlessly 
managed to get himself jailed 
because of his overweening love 
for Mary Hathaway (Jane Wy- 
man). Cole Younger (Morgan) 
and Bob Younger (Wayne Mor- 
ris) go to the rescue of their 
brother. They are tricked by 
one Pettibone, the sycophant of 
Banker Merrick (Victor Jory) 
into pretending to surrender to 
obtain Jim’s liberty. 

They wear long dusters, but- 
toned up over their arms, ob- 
viously to make it impossible 
for them to exercise any of their 
skill with firearms. They are per- 
mitted to enter the jail, accord- 
ing to the nefarious plan of the 
dastardly sheriff and the schem- 
ing Merrick, while hired assas- 
sins wait in concealment across 
the street. When they leave the 
jail, in their long dusters, their 
arms buttoned down under the 
jackets, they are to be slaugh- 
tered. 

They duly enter the jail, but 
ahead of schedule. They bring 
their dusters with them. They 
liberate Jim and wait for the 
sheriff and Merrick. When these 
gracious murderers arrive, they 
attire them in the dusters and 
shove them out the door of the 
jail into the gathering gloam- 
ing. The assassins, a little un- 
able to distinguish features 
through the gloom, riddle the 
pair with bullets. In the ensu- 





ing excitement all three of the 
Youngers escape, but not their 
would-be assassins, the banker 


tand the sheriff. For them, it is 


a quick death, as they walk into 
their own..trap. 

‘According to the claims of 
Cole Younger, leader of the 
three bank robber-Robin Hoods, 
this is the only instance in their 
eleven year career as law break- 
ers that they caused the death 
of anyone, friend or enemy. 

“Bad Men of Missouri” was 
directed by Ray Enright, from 
the action-packed script by 
Charles Grayson. adapted from 
the story by Robert E. Kent. 


© CURRENT READER ® 


Morris and Kennedy 
Brothers in Film, 
Astrological Twins 


It’s a small world, after all. 
Wayne Morris and Arthur Ken- 
nedy playing brothers in War- 
ner Bros.’ “Bad Men of Mis- 
souri” discovered that they had 
been born on the same date. 


They celebrate February 17th. 


Then they checked further, 
and found that both had been 
born on February 17, 1914. 

“Hey, what time of day were 
you born?” Morris asked Ken- 
nedy. 

“They used to kid me about 
that,” was the reply. “It was 
twelve, noon.” 

“Then we wern’t being born 
at the same time, anyway,” Mor- 
ris observed. “I wasn’t born 


until 3 P.M.” 
That ended that until Dennis 
Morgan, who plays another 


brother in the film, happened to 
think of time differences. He 
called that to the attention of 
Messrs. Morris and Kennedy. 
Kennedy, born in Worcester, 
Mass., at 12 noon, probably let 
out his first howl of protest just 
about the same instant that 
Morris, born at 3 P.M. in Los 
Angeles, was voicing his! 








Still BM-80 ; Mat 203—30c 
HOLD-UP! By might they take what is theirs by right! Arthur Kennedy 
and Dennis Morgan hold up Victor Jory and his crew of scoundrels to 
get back money wrested from Missouri's farmers, in “Bad Men of 
’ Missouri” currently showing at the Strand. 





e OPENING DAY e 


Saga of the West 
At Strand Today 


The rugged and rip-roaring 
West of the post Civil War era 
with all its gun-play and horse- 
play is the dramatic setting of 
Warner Bros.’ new film, “Bad 
Men of Missouri,’ which opens 
today at the Strand Theatre. 
Those were the days when the 
returning soldiers found their 
homes and farms taken over by 
skinflint, fraudulent bankers who 
had taken advantage of the 
average person’s ignorance of 
finance. It was they who were 
responsible for breeding the law- 
lessness which spawned the 
James brothers, the Daltons and 
those bad men of Missouri, the 
Younger brothers. 

It is the story of the Younger 
brothers and their exciting esca- 
pades that is depicted in this 
latest of Warner action films, 


ae 


Still BM Pub.-A15; Mat 106—15c 
ROBIN HOOD OF THE WEST— 
Dennis Morgan as Cole Younger 
in “Bad Men of Missouri”. 





a worthy successor to “Dodge 
City” and Santa Fe Trail.” Den- 
nis Morgan, Wayne Morris and 
Arthur Kennedy are cast in the 
roles of the Younger brothers, 
the most carefree, gun-toting 
trio to have blazed its name in 
the adventurous history of the 
Old West. Pert Jane Wyman 
supplies the romance as the girl 
friend of Jim Younger (Arthur 
Kennedy). 

The Younger brothers return 
from the Civil War to find that 
their father had been killed 
during an attempt to dispossess 
him by a banker, played by Vic- 
tor Jory. They also find that 
this same action of taking over 
homes had been going on among 
all the neighboring farmers. Em- 
bittered, they set out upon a 
career of bank and train rob- 
bing with the intention of reim- 
bursing the farmers. Because 
of this they became known as 
the Robin Hood bandits. 

So clever and so daring were 
their deeds that no sheriff or 
posse could bring them to bay. 
The sudden and climactic end of 
their reign is the strangest story 
in all of the bullet-splashed 
saga of the West. 

“Bad Men of Missouri” has a 
supporting cast that is made up 
of Alan Baxter, Sam McDaniel 
and many more noted players. 





Still BM-44; Mat 201—30c 
TIME OUT FOR ROMANCE—Even hard-riding, straight-shooting ban- 
dits of the old West took time out for the girls, as Wayne Morris and 
Dennis Morgan prove to pretty Jane Wyman in “Bad Men of Missouri”. 





e PREPARED REVIEW e 


‘Bad Men of Missouri’ 
Lusty, Colorful Film 


The studio that produced 
“Dodge City,” “Virginia City” 
and “Santa Fe Trail,” has now 
added a new and exciting film to 
that impressive roster. More in- 
tense than any of those three 
pictures, Warner Bros.’ “Bad 
Men of Missouri,” which had its 
first local showing at the Strand 
Theatre last night, kept the 
audience thrilled throughout the 
entire showing. 

Dramatic excitement is the 
keynote of this. film which tells 
the story of the terrible, yet 
benevolent, Younger brothers, 
who burned the trails of the west 
during the 1870’s. It is a bullet- 
splashed saga of America’s un- 
tamed frontier, and of the bad 
men who made Missouri great. 

The bandit brothers are realis- 
tically portrayed by Dennis Mor- 
gan, Wayne Morris and Arthur 
Kennedy. Authentic in dress, 
speech and manerisms, these 
men actually make the Younger 
brothers live again. They are 
a tough trio, staging holdup 
after holdup, robbing train, bank 
and stagecoach with a careless 
abandon that made even the 
James brothers seem mild by 
comparison with the Youngers. 


They were loved as well as 
feared, for all their loot went 
to the neighboring farmers to 
help them to keep their farms 
from the banker. For this, they 
soon earned the name of “The 
Robin Hoods of the West.” 

Pretty, vivacious Jane Wyman 
gives a grand performance as 
a girl who falls in love with 
Jim Younger, played by Arthur 
Kennedy, and pleads with him 
to give up living as a hunted 
desperado. The sudden and dra- 
matic end of the escapades of the 
Younger brothers is one of the 
strangest tales in the history 
of western banditry, and the ele- 
ment of its surprise is made 
highly effective at the climax. 

The supporting cast, made up 
of Victor Jory, Alan Baxter, 
Walter Catlett, Sam McDaniel 
and other screen favorites, all 
give fine portrayals and lend 
to the genuine western atmos- 
phere of the lusty, colorful filn. 

Director Ray Enright did a 
masterful job in playing up the 
thrills, suspense and tender. ro- 
mance that highlight the story. 
The rapid-paced scenario was 
written by Charles Grayson from 
a story by Robert E. Kent. 


@ STAR FEATURE ® 


Glamor Boy Morgan Goes Western! 


Dennis Morgan, newest film 
glamour boy, who sent feminine 
hearts spinning with his ‘Kitty 
Foyle” performances, has the 
lead in “Bad Men of Missouri,” 
in which he plays the part of a 
true heavy, a harder-than-nails, 
quick-on-the-trigger bank rob- 
ber and general desperado. Only 
briefly does romance enter this 
earthy Robin Hood’s life and 
then he passes it off with the 
iron inflexibility that is appro- 
priate to the character. 

Morgan has scored already as 
a romantic lead. His face, phy- 
sique, his easy, genuine smile, 
his musical, persuasive voice 
had fitted him perfectly for the 
role of a heart-wrecker. 

Morgan welcomed the oppor- 
tunity to play the Western role. 





He didn’t want to be cast as a 
perpetual juvenile. He wanted, 
first, to be a singer. When he 
was proved too fine an actor to 
leave in music, Warners put 
him in romantic roles and saw 
him play them to the hilt. When 
he was told he was to have a 
chance to run the gamut, he 
kicked his professional heels to- 
gether and sounded off: 

“Give me the beaver and the 
sombrero, hand me down my 
six-shooters. If I’m going to be 
an actor, I’m going to be an 
actor, not a photograph.” 

“Bad Men of Missouri” proves 
conclusively that Morgan is an 
actor. Strand Theatre audiences 
have acclaimed his performance 
as Cole Younger, bandit-hero of 


the post-Civil War West. 





"BAD MEN OF MISSOURI"—PUBLICITY 


Still BM-91; Mat 202—30c 
OUTSIDE THE LAW—Dennis Morgan (center) calls a confab of his 
bandit band, in “Bad Men of Missouri”, the lusty saga of the notorious 


outlaw-heroes who made Missouri great. 


Prentice, Wisconsin 





DENNIS MORGAN .. 
fell a tree with equal ability . . 


. can sing, act or 


. was born in 


. . . became interested in 
acting and singing during his highschool days 
. after college got job as singer and an- 
nouncer on local radio station . 
sixty consecutive one-night-stand performances 
of “Faust” ... played “stock” and vaudeville 
. . became acquainted with Mary Garden, 
who arranged a screen test which brought 
him a Warner contract . . 
scored hits in “Three Cheers for the Irish,” 


. once played 


. since then has 


“River’s End,” ‘Kitty Foyle” and “Affection- 


Mat 103—15c 


ately Yours”. 


WAYNE MORRIS ... is a native son of 
California . . . full name was Bert De Wayne 
Morris . . . shortened .it for brevity . 
gan theatrical career at the Pasadena Com- 
munity Playhouse where he acted in many 
famous plays ... was signed by Warner Bros. 
and shortly won praise for his performance 
in “Kid Galahad” .. . has travelled consider- 
ably . ..is an ardent sports fan and athlete 

. . is six feet two inches tall... weighs 190 
lbs. . . . is featured in the role of one of the 
“Younger Brothers” in Warner’s saga of the 
Old West, “Bad Men of Missouri,” currently 
showing at the Strand. 


JANE WYMAN .. 
Folks . . 
name again 
Reagan . 
Maureen... 


manicurist, 


movies .. 





five inches tall ... 


Mat 104—15c 


“Bad Men of Missouri.” 


ARTHUR KENNEDY started his 
career as a Shakespearean actor .. . has 
worked with Maurice Evans, Ethel Barrymore 
and Guthrie McClintic . . . attended Carnegie 
Tech Drama School . . . was associated with 
the Group Theatre in New York ... came 
to Hollywood where he became an immediate 
success with his portrayal of Cagney’s brother 
in Warner Bros.’ “City for Conquest” . 
followed that by a brilliant performance as a 
prize fighter in “Knockout” for the same studio 
. .. now appearing as one of the Younger 
brothers in “Bad Men of Missouri,’ Warner’s 
latest adventure film, now at the Strand. 


OPO ca 


switchboard operator, 
model, and blues singer before hitting the 
. likes to write . . 
ability when two of her stories appeared in 
a nationally famous magazine . 
weighs 118 lbs. . 
brown eyes and blonde hair. . 
romantic interest in Warner Bros.’ current film, 





.. currently starring in Warner 
Bros.’ “Bad Men of Missouri.” 








Mat 105—15c 


. was born Sarah Jane 
. not so long ago she changed her 

. this time to Mrs. Ronald 
they have a baby girl named 
.. got her first film break in War- 
ner’s ‘Mr. Dodd Takes the Air” . 


. . had been 
secretary, 


. proved her 
. . Is five feet 


aes 
. supplies the 


Mat 102—15c 


Hold Your Hats, Boys! 


Movie-goers stand a_ good 
chance of being shocked at the 
bad manners of Cole, Bob and 
Jim Younger, the gentlemen 


bandits played by Dennis Mor- 
gan, Wayne Morris and Arthur 
Kennedy 


in the new picture, 
“Bad Men of Missouri.” In- 
doors and out, in the presence 
of ladies and out, they keep 
their hats on. 

It’s authentic, however. In 
those days in the restless, post- 
Civil War Middle West you 
had no time, when the enemy 
showed up, to put your hat on 
before you drew. The only time 
it came off in waking hours was 
when someone shot you out 
from under it. 


Retort Courteous 


Arthur Kennedy was discuss- 
ing a friend who’d been drafted, 
as the cast of “Bad Men of 
Missouri” exchanged small talks 
between takes. ‘‘He went to 
Texas in the flying branch,” 
Arthur said, “but they’re send- 
ing him back in the mechanized 
cavalry services.” 

“He’ll probably arrive,” said 
Wayne Morris, “marked ‘Re- 
turned with Tanks.’ ” 


No Hard Feelings 


One of the banks robbed by 
the Younger brothers, Robin 
Hood bandits of the Middle 
West, seventy-odd years ago, 
has asked Warner Bros. for 
certain Cole Younger souvenirs 
used in a picture the studio has 
just filmed, “Bad Men of Mis- 
souri.” The institution that once 
contributed to a “dead or alive” 
fund for Cole Younger’s cap- 
ture wants to display in its win- 
dows old photographs, part of a 
Confederate army uniform and 
an old Colt revolver, all one- 
time property of the bandit. 


Still BM-31; Mat 101—15c 


JANE WYMAN and ARTHUR KEN- 
NEDY carry the romantic interest 
in “Bad Men of Missouri.” 


She’s From Missouri! 


Jane Wyman, feminine lead 
in Warners’ “Bad Men of Mis- 
souri,” in which she plays Mary 
Hathaway, feels right at home 
in her part, since she comes 
from a few miles from Harrison- 
ville, seat of the Younger Broth- 
ers’ activities. 

In her girlhood Jane, she 
readily admits, was a tomboy. 
She played “cops and robbers” 
rather than fool with dolls and 
dishes and she always managed 
to be Jesse James or Cole 
Younger, in every game. 


GUNS THAT WROTE HISTORY—Wayne Morris, Dennis Morgan, and 
Arthur Kennedy as the famous Younger brothers, bandit-heroes of 


Still BM 376; Mat 204—30c 





pioneer days, in the Strand’s current action hit. “Bad Men of Missouri”. 





@ CURRENT FEATURES e 


Old West Lives Again 
In ‘Bad Men of Missouri 


One of the biggest collections 
of props ever gatherec on an 
indoor set in Warner Bros.’ his- 
tory was used in “Bad Men of 
Missouri,” starring Dennis Mor- 
gan, Wayne Morris, Arthur 
Kennedy and Jane Wyman, and 
currently showing at the Strand. 

On the gigantic Stage 22 have 
been accumulated nine covered 
wagons, of the full-sized, prairie 
schooner type, fifteen horses, 
more than a thousand pieces of 
saddlery and _ harness _ equip- 
ment and five thousanc pieces of 
atmosphere equipment. 

The covered wagons are au- 
thentic and can be and are used 
on outdoor shots. The saddle and 
harness equipment conform to 
the period depicted, 1865 to 
1867, and the barrels, kegs, 
spades, farm implements, tents, 
coil lanterns, storm candlesticks, 
tallow lamps, wooden pails, fir- 
kins and tubs likewise conform. 

There are more than fifty 
canvas covered canteens of the 
period, guns actually used in 
the Civil War, similar swords 
and small firearms, axes, picks, 
campfire utensils, light tripods 
and bootjacks. There are au- 
thentic old crazy quilts and Civil 
War type bedding. 

The kegs and barrels used are 
all wooden-hooped and so are 
the many buckets. Washtubs 


of the era are similarly hooped 
and even the type of soap used 
in the shots has been made up 
to resemble that peculiarly gray- 
ish yellow material that ruined 
the hands of good farmwives 
of the day. 

Even the staff, technicians and 
all, got into the spirit of the 
thing, an enthusiasm climaxed 
when script girl Virginia Moore 
appeared on the set wearing high 
heeled fatigue boots of the time, 
a pair of Civil War dungarees, 
a genuine Missouri hickory shirt 
and a Confederate hat. 

Children in the shots, of whom 
there have been nine, wore the 
colorful calico of the period. 
Bright reds, blues and purples 
were popular for the_ kids’ 
dresses and shirts, while the 
women kept in the mood of the 
thing with similarly gay calicos, 
voiles and even muslins. 

The set and its equipment are 
a tribute to the ingenuity of 
the movie prop business and 
form an olio that might well 
be preserved by oil and canvas 
as a true representation of the 
customs, attire and equipment 
of the farm people of the day. 
Some of the stills taken by still 
man Johnny Ellis prompted one 
visitor to compare the general 
panorama to a Benton painting 
of the post-rebellion era. 





A Rootin’, Tootin’ Broadway Cowboy! 





Films have shattered Arthur 
Kennedy’s_ stage-born concep- 
tions of the acting profession, 
the youthful former Shakespear- 
jan actor disclosed in a recent 
interview. 

“It’s just as important in this 
business for an actor to ride a 
horse satisfactorily, if the script 
calls for that, as to be able to 
act,” he remarks. “I can see the 
logic of it, and the necessity. 

“But it jars a fellow’s pre- 
conceived, high-and-mighty no- 
tions of acting Art with a capi- 
tal A.” 

While talking, he was demons- 
trating — and practicing — an 
art he has had to master for 
use in Warner Bros.’ film “Bad 
Men of Missouri,” a lusty, color- 
ful saga of west, which is cur- 
rently showing at the Strand. 


That art (with a small a) 
was twirling a big Colt six gun, 
and skillfully slapping it back 
into his holster without using 
both hands, or fumbling, or 
groping. Among the other little 
“tricks of the trade” he had to 
pick up for his role were real 
Western riding, rolling ciga- 
rettes from the “makings,” and 
riding a steer. 

“You might say, it broadens 
one’s life. If I had been on the 
stage all the time, I might never 
have learned what it was to take’ 
a real punch on the jaw or to 
throw one. I suppose that sooner 
or later, I’d have shot a blank 
off, though!” _ 

In “Bad Men of Missouri,’ 
Kennedy is starred with’ Dennis 
Morgan, Wayne Morris and 
Jane Wyman. 





Heres AD-ACTION’ 





ADVENTURE CHARGES ACROSS 
THE SCREEN TO BRING YOU 
THE LUSTY SAGA OF THE 
DARING OUTLAWS WHO WROTE 
HISTORY WITH THEIR 

BLAZING GUNS! 4 


A WARNER BROS. HIT, win 
JANE WAYNE ARTHUR 


MORGAN - WYMAN - MORRIS - KENNEDY 


Pp) Directed by RAY ENRIGHT 


W Screen Play by Charles Grayson ¢ From a Story by Robert E. Kent « A Warmer Bros.-First Nationol Picture 








MAT 303—10 inches x 3 columns (420 lines)—45c 


12 












SASK. yA : 
eS A 


Bi 7 / 
BAD MEN..YET HEROES! Wala 
gs) MISS IT! 







4, 


RAID io The Robin Hoods 


of the West swoop down on a 
frontier town! What excitement! 








HOLDUP! ... By might they 


take what is theirs by right! 
h 






A WARNER BROS. HIT, with 


DENNIS MORGAN-JANE WYMAN-WAYNE MORRIS-ARTHUR KENNEDY 


Directed by RAY ENRIGHT ° Screen Play by Charles Grayson « From a Story by Robert E. Kent - A Warner Bros.-First Nat'l Picture 


MAT 301—39!/, inches x 3 columns (399 lines) —45c 


A WARNER BROS. HIT, with 
DENNIS MORGAN-JANE WYMAN-WAYNE MORRIS-ARTHUR KENNEDY 


Directed by RAY ENRIGHT © Screen Play by Charles Grayson * 





From aeStory by Robert E. Kent A Warner Bro: rst National Picture 


MAT 210—3 in. x 2 col. (84 lines) —30c 


WA 


Ny 


A WARNER BROS. HIT, wih 
ARTHUR 


MORGAN - WYMAN MORRIS- KENNEDY 
Directed by RAY ENRIGHT 


Screen Play by Charles Grayson * From a Story by Robert E. Kent © A Warner 6ros.-First National Picture 





MAT 209—7!/2 in. x 2 col. (212 lines) —30c 


THEIR 
BLAZING 


Thrill as they 
out-shoot the 
James Boys, 
out-ride the 
Daltons! It’s 
another 2: 
‘DODGE : 
CITY’! 


A WARNER BROS. HIT, with 
Dennis MORGAN - Jane WYMAN 
Wayne MORRIS - Arthur KENNEDY 

Directed by RAY ENRIGHT 


peresn Play by Charles Grayson * From a Story 
‘arn 


by 
fobert E. Kent * A Warner Bros.-First Nat'l Picture 





MAT 107 
814, in. (116 lines)—l5c 


13 


Out of the roaring 

* history of America’s 

untamed frontier comes 

the bullet-splashed saga 

of the bad men who made 
Missouri great! 





A WARNER BROS. HIT, with 


DENNIS MORGAN-JANE WYMAN-WAYNE MORRIS-ARTHUR KENNEDY 


Directed by RAY ENRIGHT > Screen Play by Charles Grayson From a Story by Robert E. Kent» A Warner Bros.-First Nat'l Picture 


MAT 206—10 inches x 2 col. (280 lines)—30c 


Fok 3 e Gis Vesa 2 ore 
A WARNER BROS. HIT, with 
JANE WA 


MORGAN WYMAN- MORRIS KENNEDY 
g Directed by RAY ENRIGHT ev 


Screen Play by Charles Grayson * From a Story by Robert E. Kent * A Warner Bros.-Firet National Pictur 





Mat 208—634 inches x 2 col. (190 lines)—30c 


14 


A WARNER BROS. HIT, with 
Dennis MORGAN - Jane WYMAN 
Wayne MORRIS - Arthur KENNEDY 

Directed by RAY ENRIGHT 


Screen Play by Charles Grayson * From a Story by 
Robert E. Kent * A Warner Bros.-First Not'l Picture} 





MAT 112 
41/, inches (65 lines)—15c 


A WARNER BROS. HIT, with 
DENNIS JANE W 


MORGAN - WYMAN - MORRIS- KENNEDY 
iB 


Directed by RAY ENRIGHT 


Screen Play by Charles Grayson * From a Story by Robert E. Kent © A Warner Bros.-First Notione! Picture 





MAT 213—4l/, inches x 2 col. (118 lines) —30c 


The Reckless 
ADVENTURE 
of ‘Dodge City’! 


The Roaring 
ACTION 
of ‘Virginia City’! 


‘ 
\ 


The Lusty 
THRILLS 


of ‘Santa Fe Trail’! 





MAT 207—10 inches x 2 col. (278 lines) —30c 


16 








A on BROS. HIT, wit 
DENNIS WAYNE ARTHUR 


MORGAN - WYMAN - MORRIS - KENNEDY 


Directed by RAY ENRIGHT 


Screen Play by Charles Grayson © From a Story by Robert E. Kent ¢ A Warner Bros.-First National Picture 


MAT 302—10!,, inches x 3 columns (429 lines)—45c 


ANOTHER ‘DODGE CITY’! = 
BAD MEN of 
Missourr | 


WARNER ve 


DENNIS os ROS. HIT wn 


GAN - JANE 
WAYNE MORRIS . ARTHUR KEE 


A WARNER BROS. HIT, with 
DENNIS MORGAN-JANE WYMAN-WAYNE MORRIS*ARTHUR KENNEDY \ 


Directed by RAY ENRIGHT © Screen Play by Charles Grayson # From a Story by Robert E. Kent © A Warner Bros.-First National Picture 





MAT 304—3 inches x 3 columns (132 lines) —45c 


‘DODGE CITY’ ACTION! ‘SANTA FE’ THRILLS! 


Sa A WARNER BROS. HIT, with 
DENNIS MORGAN:-JANE WYMAN-WAYNE MORRIS-ARTHUR KENNEDY 


Directed by RAY ENRIGHT © Screen Play by Charles Grayson * From o Story by Rebert E. Ken? * A Warner Gros.-First National Picture 


A WARNER BROS. HIT, win = 
DENNIS MORGAN-JANE WYMAN-WAYNE MORRIS-ARTHUR KENNEDY W 


Directed by RAY ENRIGHT © Screen Plav by Chorles Grayson * From a Story by Robert E. Kent * A Warner Bros.-First National Picture 





: A WARNER BROS. HIT. 
with DE WAYNE ARTH 


IS JANE THUR | : : : | 
MORGAN - WYMAN - MORRIS - KENNEDY Ay ENNIS MORGAN: JANE WYMAN -WAUNE MORRIS-ARTHUR KENNEDY 


Directed by RAY ENRIGHT 


Screen Play by Charles Grayson * From o Story by Robert E Kent © A Warner Bros,-First National Pleture 





, MAT 211—2!,, in. x 2 col. (64 lines)—30c 
MAT 212—83/, in. x 2 col. (240 lines)—30c 


UTILITY MAT — tres css ond lobby. All on one met 


= ol 
f yh 5 
wt FY fi 
Ae NR 





MAT “BM 501B”—75c—Order from Campaign Editor, 321 West 44th Street, New York City 





THE ROARING EPIC 
OF THE 
OUTLAW - HEROES 
WHO MADE 
MISSOURI GREAT! | 


DENNIS JANE WAYNE ARTHUR = 
MORGAN + WYMAN + MORRIS * KENNEDY cc ee oe sie 
Peeget by RON TG cee seesaskatenn MORGAN WYMAN - MORRIS - KENNEDY 
a yabitected by RAY ENRIGHT 


oriena! Pacem 





MAT 110 
MAT 109 

l/, 7 : ae 
31/, in. (45 lines)—15c 31/, in. (47 lines) —15c 


All the thrills 
of ‘DODGE CITY’ 
and 
1 ‘SANTA FE TRAIL 
— and more! 


~ 


A WARNER BROS. HIT, with 
Dennis MORGAN - Jane WYMAN 
Wayne MORRIS - Arthur KENNEDY 

Directed by RAY ENRIGHT 


Screen Play by Charles Grayson * From a Story by 
Robert E. Kent * A Warner Bros.-First Nat'l Picture 





MAT 108 OENNIS . ee ee Be ARTHUR 
MORGAN « WYMAN + MORRIS - KENNEDY 
Directed by RAY ENRIGHT ¢ Screen Play by Charles Grayson 


From a Story by Robert E. Kent * A Warner Bros.-First National Picture 


A WARNER BROS. HIT, with 
DENNIS MORGAN 
JANE WYMAN 
WAYNE MORRIS 
ARTHUR KENNEDY 


Directed by RAY ENRIGHT © Screen Play by Charles Graysen 


MAT l 13 From a Story by Robert E. Kent * A Warner Bros.-First Nat'l Picture 
134 in. (23 lines)—15c MAT 111 
34/4, in. (45 lines)—15c 


6 in. (85 lines)—15c 











WARNER BROS, 
TRAILER 


OFFICIAL BILLING 


WARNER BROS. 40%, 


Pictures, Inc., Presents 5% 


VITAPHONE SHORTS 


TECHNICOLOR PRODUCTIONS presents “Here 
Comes The Cavalry,” the powerful story of 
our cavalry. 6005 — Technicolor Production — 


“BAD MEN OF MISSOURI’ ee 


SPORTS PARADE shows how “It Happens On 
Rollers,” featuring world champion roller 
DENNIS JANE skaters. 6409 — Sports Parade — 10 mins. 


ccd 50% 
MORGAN WYMAN SPORTS PARADE hoists anchor with “Sail Ho” 


with 


WAYNE 


ARTHUR 


MORRIS — KENNEDY cats 


Directed by Ray Enrighi 25%, 

e 
SCREEN PLAY BY CHARLES GRAYSON 3% 
From a Story by Robert E. Kent 2% 


A Warner Bros.-First National Picture 5% 





for an exciting and beautiful sailing adventure. 
6408 — Sports Parade — 10 mins. 


MERRIE MELODIES chases “The Heckling 
Hare” through a riot of hilarious “Bugs” Bunny 
experiences. 6722 — Merrie Melodies — 7 mins. 


LOONEY TUNES says “Meet John Doughboy” 
and goes into a satire on the uproarious adven- 
tures of conscriptees. 6614 — Looney Tunes 
— 7 mins. 







Colored Litho 
HERALD 


Sells the title and action BIG! Printed in full color— 50 per M per M 
priced iow enough fez wide distribution. Entire reverse S ” in lots less S 29% lots of 
side free for merchant ads... to defray cost. than SM SM or over 











| 2 COLORED 22'x 28" 





TEE ROARING 
OP OF 
VIRGINIG CITY") 


8 COLORED 11” x 14” 
(Rental for set: 35c) 


SLIDE ...15¢ 





40” x 60” 
PHOTOCHROME 


DISPLAY INSERT CARD 
(Rental: 75c each) (Rental: 12c) 


_ WARNER BROS 











OF DODGE cypy/ 


% 








“WYMAN 


a 
pee Ae: Oo A Oe 


NO RN" 


Recepeson Sy. 


ONE-SHEET 
(Rental: 8c) 


VIRGINIA CITE 








MORES - KENNEDY 


PRS 


LOE 


a zetied by 
RAY ENRIGHT 


24-SHEET 


TRE ROARING 
atone we 


SRRE 


WYWiAN 
‘KENNEDY 


Boece Ss 


ENRIGHT 


THREE-SHEET 
(Rental: 24c) 





SPECIAL QUANTITY PRICES 







24-SHEETS 
1 is oar $2.40 each 
BNO Bee eek 2.29 each 
EO OPA oe, eae 2.00 each 






each 







each 
each 
each 












each 
each 











each 
each 








MIDGET 
CARD 


REGULAR 
WINDOW CARD 


RINTS, 
bint Find 
US. b- 


Scanned from the United Artists collection at the 
Wisconsin Center for Film and Theater Research, 
with support from Richard Koszarski. 





WISCONSIN CENTER 


FOR FILM & THEATER RESEARCH 


http://wcftr.commarts.wisc.edu 


MEDIA 
HISTORY 


DIGITAL LIBRARY 





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