The Princess Pat ...

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UNIVERSITY Of ILLINOIS LIBRARY AT URBANA-CHAMPAIGN

''M/\ A '3

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1,161— OI006

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UNIVERSITY OF ILLINOIS'
LIBRARY

JOHN rORT

PRESENTS

A New Comic Opera

The PrincessTai

WITH

Eleanor Painter

Book and Lyrics by

Henry Blossom

Music by

Victor Herbert

Staged by Pred G. Latham

NEW yORK CHICAGO 5AN FRANCISCO
LONDON

Rights of P«rforr<a«-c* «'«: '■/- w^Jatfc^lngtfufEJfes r^s*' .%c.

John Cort

A '.'^E;'// Comic Oper-e

ThePrlnxessPat

ELE.\XOR R\IXTER

The Book and Lyrics by

Hexry Blossom

THE MUSIC EY

Victor Herbert

^ta^ef ij^FEED C-. LATHAM

PRICE .

TWO DOLLARS

NET.

M.W'lT^TARIv (^ SOXS.

NEW YORK • CHICAGO ■ SAN FRASC'.SCC ■ LONDON.

/V) |503

JOHN CORT

Presents
A Comic Opera in Three Acts
Entitled

THE PRINCESS "PAT"

with
MISS ELEANOR PAINTOR

Book and Lyrics by Music by

HENRY BLOSSOM VICTOR HERBERT

Stag-ed by FRED.G. LATHEM

CHARACTERS

(In the Order of their Appearance)

MARIE Miss LEONORA NOVASIO

THOMAS Mr. MARTYN HADYN

BOB DARROW Mr. SAM B. HARDY

TONY SCHMALZ, Jr Mr. ROBERT OBER

SI PERKINS Mr. ALEXANDER CLARK

GRACE HOLBROOK Miss ANGELA PALMER

GENERAL JOHN HOLBROOK . . Mr. LOUIS CASAVANT

ANTHONY SCHMALZ Mr. AL. SHEAN

PRINCESS DI MONTALDO (nee Patrice O'Connor) Miss ELEANOR PAINTER-
PRINCE ANTONIO DI MONTALDO . . Mr. JOSEPH R. LERTORA

BERTIE ASHLAND Mr. RALPH RIGGS

GABRIELLE FOURNEAUX Miss KATHERINE WITCHIE

ANNE WINTHROP Miss CLARE FREEMAN

BELLA WELLS Miss CHARLOTTE LA GRANDE

CORALIE BLISS Miss DORIS KENYON

DOROTHY PRYME Miss LYN DONALDSON

ELSIE SMITH Miss KATHLEEN ERROLL

FRANCES HEDGES Miss UNA BROOKS

HESTER LISLE Miss CLARA TAYLOR

MAUDE VAN CORTLANDT Miss LILIAN CHARLES

REGGIE CALTHORPE Mr. EST MORRISON

SIDNEY GREY Mr. JACK HAGNER

DUNCAN ARTHUR Mr. SVEN ERIC

TEDDY THORNE Mr. WILLIAM QUINBY

LEE BAINBRIDGE Mr. CARL DRURY

JACK WICKHAM Mr. WILLIAM COLLINS

NAT FRANKLIN Mr. IRVING FASK

ACHILLE MAZETTI Mr. MARIO ROGATI

SYNOPSIS
TIME: The Present PLACE: Long Island

Act I— Garden of General Holbrook's Home. (Forenoon)

Act II— Living-Room in General Holbrook's riome. (Evening of Same Day)

Act III- Smoking-Room at the Westmorland Hunt-Club. (The Following Night)

Program Of Music

(Direction Mr. GUSTAVE SALZER)

Act I
OVERTURE 9

1. OPENING 18

2. ALLIES (Duet) Marie and Thomas 19

X3. MAKE HIM GUESS Grace and Ladies 24

4. I'd LIKE TO BE A QUITTER (But I Find It Hard To Quit) Tony Schmalz 30-

::> 5. ARRIVAL OF THE PRINCESS "PAT". Ensemble 33

■ 6. LOVE IS THE BEST OF ALL Princess "Pat" and Ensemble 37

' 7. FOR BETTER OR FOR WORSE {Duet) " Pat" and Grace 48

■^ 8. FINALE (a) {Trio) WHEN A GIRLS ABOUT TO AURRY . . .Grace, General Holbrook and-i 53
(b) ENSEMBLE , LAnthony SchmalzJ

9. ENTR' ACT I 70

Act 11

10. OPENING, ESTELLITA - Ensemble 74

> 11. NEAPOLITAN LOVE SONG Prince "Toto"77-

12. I WISH I WAS AN ISLAND IN AN OCEAN OF GIRLS Mr. Schmalz and Girls 81 :

^ 13. IN DAY DREAMS Princess "Pat" 85

14. DANCE SUITE (a) FOX TROT . Mr. Rig-g-s 88

(b) VALSE Miss Witchie and Ensemble 91

(c) ONE STEP 94

'^ 15. ALL FOR YOU (Duet) Princess "Pat" and Prince "Toto" 97

16. FINALE Ensemble 101

17. ENTR' ACT II 113

Act III

18. OPENING General Holbrook, Anthony Schmalz, Darrow, Tony, Prince "Toto',' and Male Chorus 116

19. BALLET SUITE (a) Mr. Rig-g-s and Miss Witchie 124

(b) ENCORE -WALTZ . .

;> 20.i'd like TO have YOU AROUND (BuetJ Grace and Tony 132

21. THE SHOES OF HUSBAND NUMBER ONE (Are Worn By Number Two) .... Si. Perkins 136

V=^22. TWO LAUGHING IRISH EYES Princess "Pat"l40

23. FINALE ULTIMO Ensemble 144

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I'd Like To Be A^'Quitter'^
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JW^ J' I > Ji J^- J'

r ^' F

love to g-am - ble, di-ink and play a - bout with pret - ty g-irls! Such

way of the trans-gres - sor is a hard one," we are told! I've

i

fek

^ — h-^

5=P t> g

staccatissiino

^

i

E

^^§i^^^r

^

^/>

l^''^ prj F'FfFir > > ^ .''I J' iii' i- j> j>_jgp

^

joys are sub-ject, though, to heavn-ly wrath!
found it is a "hard one' to re - sist!

'Tis saf-er, so they say, to nev- er
By day I hate to think of all I've

i«^

^

^

^

S

*

^

I^E^gj

^

?=

S7 J'-y ^

fctz

# J^ ||J J^ J'

REFRAIN
pill mnsso

^^t^

J ^ ^

ac~i:

^

ff

leave the nar- row way— Nor ' dal - ly" in the prim- rose path!
boug-ht to eat and drink And aU the dif-f'rent g-irLs I've kissed!

Yet at
But at

^^

^

1^

^s

^

F

^^

^

acccl. al pin tnosso
" ■ tempo

^

g

!1, F ^ J

ffi

i

^^=s^

yi \,i v-i\ I

Ff

Poco animate

Hi^r > Mr ^

^^^

r > ?

^

^

t

— * — 9

Twin-kle brig-ht-ly on Broad- way,

nig-ht - when the lig-hts

I am

♦t£

m

1

^

^

^

m

^

i

^

^

^w'^ /////f y/or Dance

^ ^

tffa

R=t

32

> r' JM f t > ii

^

?

f^

» *

^

P

strong"

for the wrong',

And I fall for all the

^^t

^

r r-n n

r iiii i

P

^^^=^

^^

?^

p- ^' F' p ri'rr^p i r ? t t'>v^ ^ < ^

worn - en, wine and song" till break of day!

Then, I say!

What a

^±^

I

^^'1-

^S

^

^

^

llr r- ii

^ ^

W 9 1

sad re - pen - tant

i

^

fit!

r—? — I

i

t

3

p

« »

Id like to be

E^i

I

^

i^

' r *if r r'^^'P

^H ^ ^ >

i

i

i

:r^-.

I — T

g J''7 t t >^

nrr:

/CN

F^^^

"quit-ter"

But I find it hard to quit!

33

Arrival Of "Pat"

N9 5

Allegro con spirito

-i^HH i

^^

#?

j^p/^

i

-^ — r^

w — * « — - — m

^^

1=3=

1=" =

^T* *

m

^s#t*

* — r-*

-?-^

T^

» — w

-"Hd-

W=^

^

JTTg P ^

^^5

3=*

* #**

^^^

Horn

7 7 J^A.

sempre pp

'>'-^'Ympi\-

UVh-U^

^-.

^.-^i-r-f:

^

i^l i I ^

W^

gg^

^t_

i

Si:

I

£

">• J' f -, f tf V ?

O 0

-f-^

ff

^

■0 d d

34

i-rv^

sit

i^^

^

^

ain -"*""=»:

^

§^

mo!tn

cresc.

fe^

^^

fei^

y/

^i ^i ji

^^5

^^5

m

*' *

K
O

o

Sing

hey, for the hun-tvrs at

morn, The

dawii of a beau-ti-ful

dav

biiig

l^=l-±i^

JUtM-p-p

^-^f^

3E-1;

hey, for the hun-ters at

morn The

da^vn of a heau-ti-ful

dav-

Siilg

jGT

:^' i 7^ p

^

^=^

^m

m^

^

ffcz^

^N-

^

^

^

^^

^

^: ^ ^ :r

*

m

^^

i^iff:

i

^j, ji i' J' i' i

^^i^

"3=^

P^^

m

ho. for the sound of the

horn.

gai - ly they gal - lop a

- way!.

To

f^ii 1^^ n

^

s^s

eE

' ' " p r p

^-^T^

ho, for the sound of the

horn.

^

m 0

gai- ly thej- gal- lop a
m^ — (•_

■\va^! .

To

■m — •-

^-1^ \, V V V M-

^

#

!•• p ^1 PP^

^'''jT^i ^i

>*^

-fcJt

LI

^

j: S j 3* ^

ti

*i^3

■v/i ^

'^m

ran:

=Y-y-^

4tAjL:i^ J' p

-sic-al chor-us of

jl-l-U^

35

hounds Through

field and through for- est they

# •

^^

go!

The

^^

^

mu- sic-al chor-us of

hounds Through

field and through for- est they

go! .

The

^

^^^^^^

0^

^^m

B*

^

E^

;

tlJ^li-^-bg

r=^

'fs--:/i

3fe

^- ^ -*- -*■ V -#

rt

-# ■»•

I

^

P F I'" P F

F' P F r F P

2E=E

w+iile through the air there re

sounds The

far - a-way cry: view-hal

^p- p ^x-m

fi F t'" P F

-lo!

Hal-

5^£

whiK^ through the air there re

I, I, f r, r f ^^

sounds The

t—-^^

far - a-way cry: view-hal

lo!

f 1? IT y ti 7

Hal .

E^

36

Hal

¥

^

i

'^^

Hal-

lo!

P

7 y j: V

n*f i 1

Hal-

S

lo!

i

Hal

^: f-

lo!

■^ 7 7 j^ 7

i

» n Ji

p_ cresc. mo/ to

i

Hal
P .

■lo ^

cresc. iiiolto

Tra

la-

Hal

lo!

\ u ^

r

^

Hal

^ 7^ n

-lo

cresc. moltn

Tra

•la.

Hal

^=^

lo!

-(9^

N? 6

37

ove Is The Best Of AU

m ^r\

f

PAT

pijcnrit.

poco accel.

\. ^Mr M

I — 1 — I

a tempo

£

/

h ^ r^

P F l^'^g

s

tt^^ p 1'

f

Ah, when the world is so fair^ 'tis a

joy to live! Ev - 'ry day

^^

^

/

pnco vit.

poco accel.

^

p poco rit.

^^

"^ "1

^^^

q:

F F I "' '/ F

^^^^

seems to say: Drink to the full of the plea - sitre I have to g"ive,

38

|#^

p'icn 7-it. H;

n ioiipo

f

^^'

^ I

Ban - ish care with g-lad - ness!

While for the iiig-ht there is mu - sic and

'^m

m

^

a^

f

M

poco rit.

a tempo

^S

k

p

-'^C

m

^=^

y z==—P poco rit. I 1

V y F p

soft per- fume, Ryth-mic dance, wild ro-mance!

^

Hap-pi-ness naught could sur-pass!

I — S— I

^^

i

m

-zP

pi*

/

/> /ic;C« 7'it.

'^^^'l.^ J t

i

^

Efe

1^^

I -3 — I r

#^'-^ ' ^ ii J F ^p ^

1 r

n r?'/.

^^^^^^^

ZPI

i

!*

Yet, on the mor-row, a -las, For-tune may bring* us but heart-ache and sad - ness!.

m

^

i

^

^2

w

^

-Vi

P**

f

co/^a voce

rit.

^^

^

r\P

Tempo di Valse lente
a tempo

V K >i _y^

J i J ^' (?

^

#

f

iP=«

* * 2

Be it then con - fessed.

k^

Life is but a jest! .

Pass the time with

m

pp riibatn

S

-/TN

-■M ' t? ^ E^^g

}ffc

i

1-p^

39

PAT

fit.

fi

rs

B

m

hSz

^

^^^m

M

laug-h - ter.
GRACE rif.

PP.

love and song-! .

Seek-ing" to be - g-uile, With a mer-ry

^

^^

Laug-h - ter,
DARKOW rif.

love and song-! .

^

^==^

w

Cut the

SCHMALZ rif.

song-,

cut the song-!

r. rf

^=F

Dont for g-et the g-irls, the g-Ms!
GENERAL ^^„ rit /CN

yi.rTT

r ^ i

^

With

^

laug-h- ter love and song-!

¥

i

?

izi

r

m

rit.

%^^

^

^^

te

r ii^'

a

^

?

*

smile, _Wear - y hours

PP.

when the world's

g-o - ing- wrong-.

^^ 1) i) 1
T- ^ a> « g-

^^

^

I*

S

But with-out a song-

g-ood ad - vice dear! ^_

^

_^

:ffi

That's rig-ht,

hope for bet-ter luck! I

do!

^

5^

m

E^^^^^^^S

f^^

S

What a fun-ny joke for you datmus-n't be! Don't for- g-et ihe.

3E

P

t

P

J.

^m

Which will oc - cur

at

times!

^

y^

^^^k

^

ipi

P

S

±E

g If

40

fe

m

E

^

m

s

ifcfci

P^

Far from life a - part^

.Near to na-tm"es hearty

Ah,whpt joywe find when

vv t.it (

^

^

W

As — they

^^

*fe

P

W bi i

■■t=^t

g-irls!

'M\\ }U i

Noth-ing' old for
P.

±

kte

^^

1

^

^

Joy in

?

iffs^

^

Jf^f

J

a

^S

^^

^

1^

te

f

i/Ts a tempo Animato

accel.

m

n\

a tempo

m

^

i»-^

^

But a kiss will prove The rap-tures of love, Ah! 'tis love that is

old plea-sures pall^

P

^m

^ \ \\ \ I. ^^

of - ten

do_

Oh! well,

What is love?

^

^

^^

tt

^

'apssHe!

• *

I'm for chang-e-

r\

Oh! Oh!
/0\ jf

p'r'aps she's rig-ht!

r ^ M nr"^c!ir ^ ^

^"1'^ f^ iiJ I r-~^

^

me, no! no!-

Oh! Oh!

dats de best.

»

SEfet

^

lEEtEEt^

f

J*

deed, what

joy!

Animato

WeU! well!

/7N

^^#3=N

love is best,

m

m

ts-^

^

■^

^

g

'acce/. ^^

Oi « tempo

V#jf Ijff^

£

/

m

^

a tempo

a = z

41

pncn rit. /^ jj a tempo

'b (J

n

J 7 j: j: \l

W

Ah

^P

best of all.

Ah-

^

■rs p

pp

^

-J i J J F

^s

i

What is love!.

Be it then con - fessed Life is but a jest .

■ns P.

fe;^#

pp

^5

^^5

^

^^

ts

p'r'apsshes rig-ht! Be it then con - fessed Life is but a jest

i

^=^

"^ -^

./5»

mm •

^^l

^m

7 \^ J J' ^

Z*I

ie best of all^

^

vrs ^

Be it then con - fessed .
pp

Life is but a jest-

1

E

^^

^

a

Best of all-

Be it then con - fessed Life is but a jest

i

fe

pp ,

n

m

te

Be it then con
PP

fessed — .

Life is but a

s

r \h.^

^m

^

-«*e-

^

Be it then con-
PP-

fessed .

, Life is but a

^^

jest _-

g

(

42

i

bfe

M

m

Ah-

Ah.

^

M

^

^^

^

i

^

fe

^^

Pass the time with laug-h - ter, love and song--

seek-ing" to be - g-uile

t

W:

m

E

j^ ^ I f ~ \'P^M4

t

-^

i

Pass the time with laug-h- ter, love and song*-

seek-ing- to be - g-uile .

m

E

&

^

P^J^'^'F

^

-&i

'H'^ r J'

Pass the time with laug-h - ter, love and song-_

^ ^- —

seek- iiig- to be - g-uile

fei^

P

^

^

Pass the time with laug-h - ter, love and song-.

seek-ing- to bq - g-uile.

^

^^

t=J

9^

hv S b S

*

g^

i^^

f

rfT?

f

Pass the time with

laugh - ter

4i^=J=^^

love and

song.

seek-ing to be

guile .

^m

(j m

m

^'-

\' •' J J' *' p

-fiM-

Pass the time with

•>■■ j'i> r i' p -PL

^

laugh - ter,

love and

song .

seek-ing to be

guile.

^

tt^

^i«

i

r\

-W^O^

^

^

*

m

i

?

a =3

V^^l'i.t' l^i i

jrt — r

43

#=r

^

1

W

Ah!

Ah\.

All!.

^v r'fi^?

fi^^

W- m \ ,.

iH'f ir 'I'^'F ig

^

With a mer-ry smile _

. Wear- y hoiu'S whi-n the world's g-o - ing: wrong-.

it

m

^

^

Ej

^

With a mer-ry smile .

-Wear-y hours when the worlds gio-ing- wrong" _

mi

19 ^

g

?25

^

7~rii — V

With a mer-ry smile

.Wear-y hours when the worlds gx)-ing' wrong* _

^

0^ *

■^^

#

^^

^

CJ m Jt

^^

t

With a mer-ry smile -

.Wear-y hours when the worlds g-o-ing" wrong".

'i'^^ ^^H^

9=w

m

f

With a mer- ry

smile .

Wear- y

hours when the

worlds go-iiif?

wrong _

p-'^J JiJJ'p

ii

^m

E2

m

With a mer-rv

smile.

-Wear- y

hours when the

worlds go- ing

Aj ft

wrong .

•->■■ ^'} r F f-r^

^^^

^

^

yir"jL v i i:

y

^r^

^-

t^

^^

^

-^

^

y

44

i#

m

t=i

^

w

'J m

^-V

P^J^^ > J' J'l

^

Ah!.

Ah!.

When

/" Y/

iJj'FlTT

^^

Ear from life a - part,

.Near to na-tures heart-

rjJ'i'^

g

Ah! what joy we find When

i^

J JJ'F

Fkr from life a - part-

. Near to na-tures heart-

1

Ah! what joy we find When

W^W

^^

'• rjjj'^

E^£^

Far from life a - part-

. Near to na-tures heart .

'y ii F •> i*

fe^^

-Ah! what joy we find When

ir f^|f f

t

:;tr^

Far from life a - part,

Near to na-tures heart-

^^im

Ah! what joy we find When

J=J

i

W

PiS

^^^f

f

Far from life a ■

part.

Near to na-ture's

heart-

4 ^'i''' 'p ^j J. J J'

Ah! what joy we

find When

^^

^^

/a *

Far from life a -

part-

•>H\\ gv

^

w^

. Near to na-ture's

^ F p *"

heart .

Ah! what joy we

r^n^

find When

45

te

m

J[/7\ a tempo animato

Pp 0 , . —

', an ^

accel.

A

r\

allarg.

- rs

i

f'l^-Fir r

old

plea^sures pall_

i]> r iii' Jm f' r -p M I B

But a kiss will prove the rap-tirres of lovCj Ah! 'tis

i

_ /CN

m *

# 0-

r\" '

old

plea-sures palL

Will prove the rap-tures of love, Ah! 'tis

H,^ llJ jr^

H U ♦

^

/O

^

^

^^^^

old plearsures pall-

^

"Will prove the rap-tures of love, Ah! 'tis

ff ff I P

HIM

r\

r\

^^P^

/ — ^

old

plea-sures palL

^^

Will prove the rap-ttires of love, Ah! 'tis

p — 1»

iiEfeiEfei

P

^

m

oldyoi plea-sures palL

WOl prove the rap-tures of love. Ah! 'tis

fr\ nfi-mpo

I^Vii J I

i

^^

^./^

allarg.

- r\

^

^

^

w^

old plea-siires

/O.

paJl-

Will

4^'^r " "

prove the

rap-tures of

love, Ah! 'tis

_ ^

m m

■»^

^

^

^m

p

old plea-sures

pall-

WiU

prove the

rap-tures of

^

love, Ah! 'tis
_ /0\ .

^^

^

./^

M

-%
J^

n

tfS-^^i

i

*

/^.

r\

^

sc

* f I tE ;j:: f

E

^

^

-*^i^

^

i

accef .

fe

alfaj'g.

m

jGT

3 -fi-
ts 2-

JiV

46

s

fe

a tempo poco rtt. ^-

Poco meno

%

XT.

l\i \ \i

'J qg

IZZI

7=^

love that is best of all.

r\-

Ah! yes, tis love!

w

^^

^=»=^

love that is best of all.

^-

rj m

tP=^

t=t

love that is best of all.

* m

/CN-

fzz:

^^

love that is best of all.

r\-

^^

1

^

i=i

love that is best of all.

a tempo poco rit.

Poco meno

47

Allegro

crvsv. e accel. molto

m

pill rif. p

'tis love! .

^

■^

^

^

r\

^

i

^i> i i

^iM_ /»

tis love!

/-.-=

v^^

/O

I" I r- I r

^^

^

jwy' ^

•/;^-

r\

jyrni

^

'tis love! .

PP^ P

^ i X

'tis love!

A

^j^i jw

^

^9^

= ^

^

P V M II

v^yi.^ j ^

Bt

'tis love!.

Allegro
«,« creac. e accel. molto

PP _ P

/7\

48

N9 7

For Better Or For Worse!

DUET
"Pat." and Grace

Moderato e molto rubato

GRACE
fioco rif.

accel.

pnco rit.

accel.

&- M P M ^' ^' I J' ^

^

^

fu - ture from a mys - tic screed Like some old ma

g-ic

lan!

i^^

f

poco rit.

accel.

a

f^

3=^»

f

^

f"

=p

'PAT.

ff tempo

We would know just //'/<« ^ to do, We'd al - so know what not to do to aid our con

a tetnpo

accel.

a tempo

accel.

^

a tempo

rit.

GRACE
p a tempo

PV^P P'-p

^ff J J^ iJi

is

~-f=f^

^

1

^^

^

^— t^^=g

dit - ion! Hap-pi- ness we win or lose As we ac-cept or we re-fuse The

^

S

^

f

i^^^

-(9-

7

?f

T

a

"^7

a tempo

accel.

49

a tempo

^J J %

rit.

a teiHpo

accel.

F ^ F ^M' t^

of - fi'i's men make us!

Still we must re - call that they are

fc^

^^

w

W"

a U'liipn

Trit.

a tempo

accel.

m^

^

*^

L|.^|jJl_4_-±^J^ J JM F

rit.

O,

placed in quite the self- same way If hap - 'ly they take us!

£

^

^

fe3E

^f

a tempo

accel.

7

/tN ^

P

Is:

°L

fe^

PAT." Allegretto moderato

^

^^E^^

■=»

#£3

^

^^

^

GRACE Ah! me,

What- so -e'er the fu-ture be

Let us meet the stern de-cree with

tr^ s\ V J J

^^

m

^

^

p^^

it

Ah! me.

What- so-e'er the fu-ture be.

Let us meet the stern de-cree with

Allegretto moderato

#

•ij^g i i i^^

^

F F F p r ^g

^m

M

^^

m

m

F t"! F F' ^ P 'P

^m.

laug-h

ter!

Life, we know, should be axi ev- er g-ay one!

hrj^ry-}.

jl-J jl J > J, ^^

t

the steri

P-

=1

Life, we know, should be an ev-r er gay one!

laug'h - ter, meet the stern de - cree

J

t j J 3 J j J ^^1 > ^ *

50

M

^

p^

Suje-ly to re- pine will nev-er pay one!

is — V "fe

Ev-er hap-py still, take the g'ood or ill

r-rmrr^

f> i > >

M ^ M" p ^'^^

Sure-ly to re- pine will nev-er pay one! Ev-er hap-py still, tcike the food or iU

^^m

■0 0-

*

«mt

%m

:i-

3=r

■ K

s

1^

rt! tenipn

^m^

a

^

^

f

mer-ri- ly!-

^^

Should Fate
« tempo

bring" us hap-pi-ness too late,

Ji J I i i-^I^

#^^

^

mer - ri - ly! -

Should Fate

/>^ pncn rit.

*S*

^It^

„ a tempo

bring" us hap-pi-ness too late,

s

#

'^^

e

^^

T

r 1 1^ r'~'r iiB b> J'

P'lpt ' Mq

^

t±

Let us cheer-ful-ly a-wait the mor

row! Ah! why not smile at each, re -

-PP. :=

iL^^jijJ'pr r I J^J^ P r ^^-gp^^^f^^

<: k -r

E2

E^

Let us cheer-ful-ly a-wait the mor-row! A-wait the mor - row! Ah! why — not smile at each, at

51

UNIVERSITY OF ILLINOIS

LIBRARY

fe=^

-^^^

verse?

.And sim-ply take it all for bet-ter or

worse!

tif J^}>. -}}h J||j ^J'ji^

-^—^

each re - verse? And take it all for, all for bet-ter or worse!

m

i

-^-^

^

B^

^

s

/jp

m

4

(Humming) -

^^

S

f^-jj- I^TO

r p \'-n

ar*

(Humming)

(2 Solq^^oHiis )

*

^

M

^

s-

^

^^pp p *^f!

i.

-^•

g

i

a

J^/* a tempo

(Harp)|* \%.

J"^

i^

^

• I 'i;

ff=ffW

» M-g- F g F'^^^

mm

^=zt=l

r=?

2=^

Life, we know, should be an ev- er g-ay one, Sure-ly to re- pine will nev-er pay one!

rjrji Ji i Ji i i J' J' J' I jrjrjTXT^T

^^s^^

Life, we know, should be ■ an ev- er g-ay one, Sure-ly to re- pine will nev-er pay one!

rt

C ■"

tj-rt j j vp^t^

52

fc=i

^ "M p P ^ M p M I M

^

Ev-er hap -py still, take the gx)od or ill mer-ri-ly!

L,^ji) p i'r^ri'jj J.

(Humming)

Ev-er hap -py still, take the gx)od or iU mer-ri-ly!

(Humming)

s-

«Ffe=i

l"~i s f

M

It

i t

^j if

1 '»'!

J-

^JO 7-7^.

s

^

Jj/i a tempo

-'^

^^

-.«?»

feS

S

^

'^ r'E'ig^B >

P^

Why _ not srmle at each,re-

'^^m

^=^

^

^

^B

^

»

Why— not smile at each,at

H

4^

i^

J

--i--

^^pmrfffT-^-^

:t %

^

JE

a

It

PP

\^

v^

^

¥

PP

rit.

w==w

^

feEP

mm

ff— y

^

^

-^^^

¥^^

verse?_

And sim-ply take it all for bet-ter or
PP.

worse

/if.

E

j-^iuQ^JJ

ir\

^

P

t^

«t-i — #.

#

S

each re -verse? And take it all for, all for bet-ter or worse!.

T-^ftir iff f#=e
^

53

N9 8

Finale 1st Act

Allegro vivo

m

^^«e^^

it

m

LJiir uur

y>

is

#

1

y/>

^^^

rTjA rri

*

»f Llj

:e:c:

tr-i"^

>

^

^

.jzpji?.

r~t

/jp

i;

T^ ^;i;^;^:5i

,*:

> ^r r »^-L£^

■ M.

rijUr U-T

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s

rt~n rt-j

J'JTi J

^

1=

^

>

f

*-

>

cresc.

-EELiS

^^S^^

i

• » •-•

^

nidltn ci'esc.

W^

.ozsiil

i

lilt

'-va=^

54

/=

Lunch! Lunch!

m

f.

m

Is - nt :t read- y yet?

Lunch! .

m

'fl 1 y ) ^

^

x-y I £

^

\

m m m:

i

f

m

£

m

1

i

h .. h i^ j) ^

^^pr^^

Is - n t it read - y yet?

i

p

-» — «-

Lunch! Lunch!

S^

^

Lunch! .

^3^

»

^

te=i

r r «f L

^

^

^

1^ . J' J ^=^uLMJ

N •

^j^^^j^-fe

Im so hun - gry!

Is - n't it Read- y yet?

read-y yet?

i' ^t p^-^^m

E

E

^ i «i? L±=g

Is - nt it read- y yet?

Im so hun - gry!

^

^-t 1

Is - n't it read- y yet?

s-

$

*^ , ,rTi j~r~3

If r »r "O:

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1

^- -'* 7-^'- -3- •<- ^-

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55

We are so huii - gry we're

^

pass - ing a - way!

; \> V ^^=^

^E^

We are so huii - gry we're

pass - ing a - way!

Lunch!

lunch!

•>■,. "T T 7 T "F— I

7 7 f r

^

»

t^B

J.'

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cresc.

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fp

f

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i#

''ft y > J:

gFpB=

F [^ ^^

?

Is - n't it read- y yet?

Lunch!

I^VH^

Ag 5 D

r V •/ ^ y

^S

fc^

Is - nt it read - y yet?

Lunch !

-,.:,. ^P T *7 f^ fefe

^

^

5E^

m

6"

S

m^

^T^

^

,r-^i^ J"?::!

S

s

V y ^

^

?^

^

i

Allegro (Listesso tempo J like J. ofpreceeding- tempo)

^

^

j^ H ^ ^ -fe^

^^g

^

Of

f^

^^

Oit.

all the beUs that clang their joy-ful

i^^J'i,]' i'^fjpii

^^

Of

all the bells that clang their joy-ful

^

F F M g F^^r^

t' T I !< <=f

1'=»=5=

(Gong on stage)

^Rfi '' V =^==

^

^

•s^

^

y -^

^^E

^^

■ *

tt

56

OiVlj^

^

ti - dings,

S^

^^

The
£1

^

din-ner bells the best that we ve ob-

-} } J Ij-^T?^

^

ti - dings,

^

(Gong)

^

The

din-ner bells the best that we ve ob-

m^fE^

M F F P P-^^

p n P ^

^r^f=

^

1, ^ ^ ^:grr

I

ii'itJ r J' 7 »

^=-

^

m

=*■=

f

served!

p'^K p-^p '^ ^

Beat the gong,

Loud and strong,

^

< g f

^Z

served!

Beat the gong,

Loud and strong.

Si

¥^

-j^

^i

^2

^

(Gong)

(Gong)

fe

^^

PP

^

E^lE

S

»

Me

Lunch now^ is

served!.

P^^^^h^^

m

^

^

s

Lunch now is

served! .

m, i r -M

~'&

t^

f=r^

3E

r^TTTT

(Gong)

■ 'V(fz

T7 ^ ^

Tempo guisto (in 4)

rm r^ ' -y^

gggffil

i

ifi:

i^fef £j^t ^y

m

%^

xJPTz

^a

^lj^ j^

s

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57

(Tony is seen leaving the house)

ftiH^

iS

;; -! vtl'i-'fl^rjhl

^^

/T\

^(JTjJ'^- ?|t,

Marie and Darrow appear
Marie is telling; Darrow

j=r

^M

7 ^ J:

fa

/'y

/^

&3:

up stage,
all she knows.

DARROW: Where's the Princess?

does anybody know?

\^^t^t^4^

tfr>^

^

7^-mi

?

> t 9 W

'x-a ^fv Tv^^

P 7i -

5i

i^

A Girl: She's in tlu- house! DARROW: Thanks! I'll see what her idea is!

^i f^hi yf

f ?f * \i*

'>¥ rr I I i

#

±^

^^

^A.

f^

w^m

pm^^

hy ^ -"^^^

^

^

(Both Exeunt)

All turn (looking off)

r^y— I

\m

it&i

-:$

4

^

y i y

f

f

poco accel.

9#^

te

f

-y— --

38

Jtf.

(Euter Grace, Schmaltz and General H.)

=]g

W

^

EESSt

Ah!

here they

come! -

-^

CO

«

o
a:

o

i

^-«

*s

#-= — ^

-g ^ ^

^1

Ah!
Jfr,

here thev

Si

^

fe^

come

1^

P V t

SCHMALTZ

13^

'. ^^^

My

^^

iP •/ ^

"fixed

Looks like its all
PP.

up!

i*' r ^ P P f^

Looks like its all
PPl ■ -==,

'fixed

up

I"

'■>■■ 'j P ^ P F

»^U-^

senza tempo

s

the Gen-'ral here, has some-thing- of im -por-tance to im-part to y

a tempo

^

friends!

im-part to you! Aint dat de

^W%

/7s

m

sff~ ff^ ff senza tempo

a tempo

1^

^F L

r\

59

m

Poco meno

word?

(with warvifh)

GENERAL

Yes!

a tempo

I take
Puco meno

plea - sure in an - nounc - ing my

S?=

"m

fp

i

I

^

■9-

E

21

(SCHMALTZ)

i ^--|j — k-H^ t^ P g

'Spoken) For bet-ter or for worse!

GENERAL

SS

^^

*

f B 1^ r 1

EEE*

=^=i

'« 1^ F t^-^

niece is now af- fi - aiiced to this gen - tie- men!

The

^^B

r\

'"f*^

^m

ik#

i

^

senza tempo

#

i» ^=~PP

M

k^

^

''All cbp their hands)

to

ffi

GENERAL

^

m

•H^^X^k^^-^ iV P Mfl p ^^

Efe^

^

fc

mar-riage by our mu-tu-al de-sire will take place ver-y short -ly!

Poco meno

espressivo

60

GRACE (embarrassed)
a tempo

^

^^

i

fe^

^

^

i

We hope youil all be pres-ent!

SCHMALTZ (Spoken)

(All laugh)

g

^ ^y y b ^^

a tempo

PP

Wid a present! Ha! ha!

^ 7- ^ft||.

Moderate grazioso

GRACE
rt tempt)

^^

;t '■>

When a g-irls a-bout to mar-ry^
SCHMALT2

XJX:

v r jt^r^TJ^fE^

at the sen- sa-tion!

GENERAL

g

a^

W^=^

I

IS

There s hes-i - ta-tion,

'

V^

S

D

OS

o
K
o

^

True!

^

<■)■•.!. a

True!

^

icfe

3=

Pljt 7

3e

^

^=

/> fl' tempo

-t

r~

^

i?'

61

fc

^JiJ-4

n r ^ f

Take it eith-er way, She has much to say!

Has

m

rrin^-iJut^

That is just the trou-ble with a

i

U-i

Yes!

^

^

^

ffe^

Ha! ha!
P

Ha! ha!

S

f^

^!P

9Sf^

Ha! ha!

Ha! ha!

3^!

S

f^

t "F r I F p P pxiig-J!^

much to say! Should she wed she may fe-g-ret it!

^'1, B I'B

^S

fei^

i?=^p=p

wife to day!

S

P^

With me she

m I ff

^^

^P

S = = ?

r±1?

[i

She has much to say!
pp

^^t:^

=Wi=^

She real-ly should-nt!

Ha!

^

jW

haj_

f^

Ha!

ha!

^^

^

■* ♦

^

^^

i

g^

^s

^s

ij-

j^r^ r-^r

T'*^

f

62

m

P" p !?• '^'^

But should she re-fuse,

ev-'ry-one who woos,

m

m^

could- n't!

m

^

^

^

^■P^

Why should

J>

i

^^

s

No!.

Ha! ha!
P

Ha! ha!

^^^^

^

1

"W^^

t

^^

No!.

>1 .

a! ha!

Ha! ha!

^

^^

^

^rr

^^^

m

^

^^

^

^

^

^^

i

f^

^

Se

^

lUS

Should she re - fuse

She would be a spin-sterlWhat's the use?

m^

she

m

re

fuse!

* — »

Ha! ha!

Ha! ha!

What's the use?

i

V F

Should

^

i^fe

Ha! ha!
Ha! ha!

is

63

^

iHrniMt

i ^ \f 4

■t

Ev-'ry-one who woos!

take it eith- er way

E

f=P^

What's %d use?

m

55

^m

:e

^

she

re - fuse!

Should she re -

k

Ha! ha!

^f^

Ha! ha!

I 0 Af, \>m- m k- if.

She has much to say!

She'd

g-M — P — ^

^^

she has much to

say!

p=p^ r — ^f^

)e a sBin - ster whats the use?

T=^

m

be a spin - ster

(2.

m^^

V 1 f

fuse

ev-'ry-one that woos?.

64

P^

W

7 1

^

When a g-irl^ a- bout to mar-ry

Ah! Ah!.

uj: g u ^'g

h J I J^ ; 7 f ^^

f^

^E=l

¥J=*

When a g-irl's a - bout to mar - ry

There's hes-i - ta-tion

at the sen -

.>:,l, F F r^^r#3^

rJ_LP P ^ r^

When a g-irls a -bout to mar- ry

There's hes-i - ta-tion

at the sen-

ijQo^LjLja

?=Jfc^^^J^]H i' 'i' •' f Ji

When a eirls a- bout to
^7>

mar- ry Theres hes-i - ta-tion

fT

ii^ii

at the sen-

»^^

^

=M=PH=?

^ ■;^- h

^f

-f-p-^^^^^4^^

^^

When a girl's a- bout to

mar- ry There s hes-i

ta - tion

F=F~nTT' p r ?

#^=#

at the sen ■

^^3

^^^

.. f7>g

<c=ft

U4^U

E^

Take it eith - er way She has much to say!

i

i

I^F^^

^^^

ha!

sa-tion!

-m.

Ah!

m! ha!

M! ha!

*^'i], M^ 1 p M

?

sa-tion! Take it eith- er

p##-

way

k^hMi

he

has

much

M^m

sa-tion! True!

Take it eith- er way

She has much to say!

rr^—r-

f^-f-ft^

She has much to say!

sa- tion! True!

Take it eith- er way

4-

n. jLji^-^g

*• *

EEEt

-f-p-F-p-f

m

^

;=ff

"m

y \>i

A

m

^

M=

P

^r

65

i

A V -^J

p

i=ft:

Have much

S

much to say! Should she wed she may re ■

That is just the trou-ble with a wife to day!

m

^m

Should she wed she may re -

— > — ^

7=i

iEt##

she has much

ver-ymuch to say!

'pi^-^^i^^t^im

t

Should she wed she may re

That is just the trou-ble with a

wife to day!

t

y f-f-f M' P P

m- m

Should she wed she maj' re -
PP

M'—F P P' I

t — ;

£

That IS just the trou-ble with a

wile to day!

^^^^^-=¥TTT^ -f-H

^^-^

Should she ■wed she mav re .
PP

F-F M P=^

gret it

She real- ly should- n't! With me she could -n't!

No!

r B p- ^AJ^ -r fl p

^Pi

g-ret it! She real-ly should- n't! With him she could- nt!

No!

^^4--4T^i^^ ^ ^' Jl ^^

^

f F 1

Slfe real - Iv

r

gret if!

should- nt! With him she

could- n t!

No!

m

##=»

^=t±

M ' ^' ''

3=S^^

3uld-iit! No!

r^

gret it!

She real - ly

should- nt! With him she

M=t

^^

y-A n li

i-'t p p ^ ?

^^

f^^

^

»••-

S

^^

66

^ cresc.

i P' Ijfl P

m

-^ IL; : p- ; «L! ^

^ i^ fl ji {SI i^ ^

'rv maid - ^n real - ly oug"ht to!

en should be tau£-ht ,o

k^^

Ev - 'ry maid

Ev - 'ry maid - en should be taug-ht

? P' P F^

S

'rv maid - en real - ly ouffht to! Ev -

V - 'ry maid

ry maid - en should be taug-ht to

S

JS-

m- m w

It

V\. ^ ^ f

^^

£

Ev - 'ry maid - en real - ly ought to! Ev - 'ry maid - en should be taught to

'4*^ 1 1 1 } •nrra

#

E

^fe

^

m

*

Ev - 'ry maid - en real - ly ought to!

Ev - 'ry maid - en should be taught to

^^vp- n

t

t

^i

Ev - 'ry maid - en real - ly ought to!

Ev - 'ry maid - en should be taught to

^

*• *

[?' p P' ^ i

? P' p p"

SEi^Ei

/>

1

^

*^> .^

^

E

mar - ry!

k=^

That's all!

(AU laugh)

a

mar - ry:

^

^^

t:

^

^S

That's all!

t

mar - ry!.

.^

That's all!

m

That's all!

(All laugh)

S

1^

?^

mar - ry!

That's all!

i

^y-ii'v i'

That's all!

^

^^

67

'^f i)J fig

ff4,3-T.f-l)3'?^^CT-ti

^

i

iJ^^i

i

— F ^

f

•r=

i^P^

sempre Jf

W^

I'*:

*'a *>*>«

I'i

f f f

^^^ 4

3^

y

Moderate

^ scherzando

\

GIRLS
PP

A^ir-it^pM-^Tt-t

Lite is but a jest!

P

P^^^^

^ r^T r

=>=F=?=

poco

riteti.

pp a tempo

m

w

1^

fe

68

^

m

PAT
jj rubato

rit.

m

j' J J' F

Pass the time with laug"h - ter love

and

[ji.'i,^ i hi '^ }\h i i

Be it then con - fessed!

te

r\

ff^

f r

^

j: i i

fcf

songrl

te

m

Ah! Lifes a

SOPRANOS
allargmidn J^ n\ f7\

^^

Pf

'^, _-_-i.

i

te

Ah!.
TENORS

^. ^/C\

Ah!

BASSES

^

^

Allegro

allargando ^

/CN

^^

^

*

S^^

y accel.

k^i

v^i,ii.k t Y r

«9S

t I »

^^ii

^ molto_riL

r\

sjrz

69

fc

rsr^^S.

^

Molto piu mnsso

^

jest! Be it then con - fessed! .

^ Mnlto piu mosso

^'i ^ij

i

y r V r y

^=^^

^

■y J V J y

^2/^^e /nrza

^

*

^

^

^

1^^

^

*

/^

i

/?N

^

^

^

1

yrp"T

*^2

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^!^^

P

^

^

End of lit Act

70

Entr' Act I

N9 9

Allegro marcato

4r

jjoco 7-if.

Meno

^_7_i:^t

a tempo

t t

4e

^^"CJ CJ lE^^

-^

fe

#,.:^

^

^^

71

yp cresc. tnnlto

1 ^ 1

^fe^

^

^

72

Tempo di Valse (anijnatoj

\!i%rA f i f 1

■- 1^

[— » |» p 1

— ?; B '

f f

J e S

~* — s — s —

^f-

— 9 ■

1 * *

■^ ^r4 ' r f

=^44^

t^^^

V

.. . 1

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t

9:'

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r^4i

1 r iv^

~ ^ — ■ —

tr?

f i

— 1 — *^— ^t —

— 1 — *^-—^ —

1—- —

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— 1 — •^^r —

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d

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g±:to

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73

4f*

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r>-*^H ^ ^

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p-

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— ^=#=

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w

— 1 —

-i

^

J

^=t=J

^

it=i=

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Poco animate

-^ — - — ^1-

ii

i

poco rit.

y

T i

f

^

j»<?c« accel e ?no/to ci'esc

74

N9 10

Opening 2^^ ^ct

Allegro brillante ^ •..■■..•

trfH^fl^^

*r'

\>1

^

-i— :J ^1>J>'

f

^=^i=^

^

■v//i

^

i^

^ y • p ig=M

g^^

fpa^

^

^

H

ia

y

t^f

U^

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ys

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t

8-

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i

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$ — ^i

te

g^

^

t,ijlr*

^

^

:^^

-ffh-ff.

^^

^

m

75

(Phonograph on Sf.ig-e)

Valse Estellita in- victor Herbert

i

fiN*

^B

m

p=^

3:

*f^=

^m

W

mf

\ f*

> f >

» ff

^?T

ywi;~rrT

^S:

3EEf

^

t

f

^

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c<j/. gva.

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-s —

n

rpT

tTf

m

ff

S

I

f

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-5-

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8-

k^

^

^

^^

^m

ttm^

tw

zs;

* ff

>p J

J ff

^

^E

3ESt

3Et

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te

^

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3:

f^

f^

i^

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5^

Wf

X

i

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1

f7>/ ^t/ff.

i

I

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ff

=fir

1

^

^

Ti:^

TT

f

^S

wn

p (S

cw/ gva.

^

Pri

^

76

Espressivo

te

^=^

fes=|pi

^E^

i

^

^

(

^^

^E

P

^

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m

\^

t

9.=^

r^^^

-6~.

:5S

?

Tf

P^

'y-h J ??

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^

p=tat

f=

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kt

s^

m

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j^^

Ep

ii3

I£Z

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d,^ '•!

V'^'l> jPP

^^

4<=r:

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if^

p cresc.

m

4«:

i

■fit j"f

77

N9 11

Neapolitan Love Song!

T'amo!

(Italian adaptation by Max Villain)

ev - 'ningr and the sun is at rest, The sha - dows now fall.

noi - te di pro - fu-mi di so g tie da - mo - - - re..

Iil>n» ■

feS

JX^J JT<

j:^JT;

■V'A.i^ hv V K 7 7

^ 7 ■^

^

^^

V 7 I. T ^

K

f

f

7 7 i 7 y-

f

^

5l

^=s

H F F P

ra'^^d^- ajop star is shi

In the hea-vens a ra'^lr'- aK^ star is shin
C/ii are stel-le lu - cen-ti nel firm - a - men

ing-

And
O

m

jjj J I ji

FHH^ ^' I F F P

soft - ly, as the nig'ht drops her sa - ble man- tie . oer all,

fio - ri , bitnt-ca lu - na , o tnare , n ven - - - to,

78

m

?

-^

•-J \' P

^P

m

^

r\

a letnpo

^ p ^' r I?

Theres a nig"ht -in-g-ale sing"- ing\
Sys-sur- « - te le voi

*

m

m

of his love for a rose!
la can - in ne del cor.

^^

/CS

c/

a tempo

w^^

^

=^=^

7 7

7 7

i2=t:

^

^

/c\

eg

I^^P^

^

F P I F

f

_^__ — _ ''

Mad- ly my heart is beat- ing-^ — As I
Dol - ce can -tor not - tur - no che gor

long" for my hour .

gheg-gi Pa-mor per

of
la

w

*

^

-a g - — {-•-

1 i JJi

^

^

T^

S

/O*

B

^^^

^^U^

p

^

rjn

rail.

r\

i

a tempo

rit.

r\

li J'J^J' }. i II -J

^

S

E

^' i^ \^ I ^'

meet-ing"! — Vis-ion of beau- ty and grace!,

ro - sa Se vo-lia le i dat-tor-tio^

rr

^

S

.J11J-J

/C\

a

I a -wait your em ■
Can-ta per me co

t

rail.

/CN

— - fp " tempo

^

^

^

:s:

rT\

^^

L'istesso tempo/-? A Qap*^ ^.^i 7t\X « ^'^'^'js'''

i5rt

^m

^

s

^

^^

brace!
si!

m

^^=3^?i^;

Ah! vien! Sei

O finr di

mi - a!__
«■ tempo

^M^y-.

■^i^

^

^, U^ij^ i-^^^^ J^^ J

/^' (7 tempo

rit.

^

r\

dim. poco pesonte

7 7

g- ?^ 1]

j iij^ I i>r5

^

i

REFRAIN Moderate espress.

79

j^ I i' }i< } i

Sweet
Ta -

one!

How my heart is yearn
ya/i - ci - III - In tan

$

Wt-

m

S^

y

^

^

m^ *f mF

t

^

E

with you to be!

la »i - ta mta

^^

^^^

f

T

J _ I J' }rrT^

C7'esc. molto

Love
Ar

lig-ht-
do

in your dear eyes burn - ing",
per te sol - tan -

stead - fast J
to d'a

m

rxj

^^

cresc. nio/lo

i

^"

~3 1

P'lco rit. —

.^

^^

P

faith - f ul .
niur

and true to

di ge - las

me!
si a/

TeU.

me!
tno!

id

M

i^:.

m

tHolto appassumaio

fej=jfe

^~M

■poco rit.

f

pp a tempo

80

J I J' J^ i' ^

^

When
Dim

shaU.

tni

I a - grain ca - ress
che mi vuoi be

you?-
ne.

r If ^'F

K J' J

P

Kiss
Ba -

you?
Giami.

On-;^ tell me
un - a vol - ta h?i

when?
cor

i

^

ife^

^

i

^d=^

^1

^

f

f

K

i^

/?N

largaviento

pp

subito
— vU-. —

^

f

Ah
Fie

- w^-

long" to press you,

sor- diam le pe - ne

Dar - ling-,

so - gne

^

SI

x^ ^.

rr

-J-3

^

/r\

^ lai'gamente

pp

subito
rit.

^

fej

zz:

/TN

i

^^

^

I

^

/CN

^

I

fond - ly
;-e - m o^

with- in my arms a -
an - cor, nn - cor d^a -

// ^

g-ain! -
morf

rs

h^

81

N912

I Wish I Was An Island In An Ocean Of Girls

Tempo di Marcia (Moderato)

^

^s

t=^7W^

^

%^ i I nt-"^

^4

i^

i

I don't know whei-e the
Now, how the g-iils are

5=5=

/.

^g

fel^

^

~i. 'f^

f>=f

=r^l#^

k

S^^

^

^5

r^ M ^' P F P IF F ^^^' t-

f^

t^

#

charm is - I don't know what the harm is - But worn - en are the bur - den of my
dress -ing", It keeps a fd - low g-uess-ing-! You could- n't tc/l the things that you have

^Pi

^m

i ^ I \

i-j^

"W-

f=^=*

1^

a

^

]C

^ ^ F I F ^'t-^ ^' I F f"^ I

^

^

acr*

^

^

stor - y!
shown you I

They seem to bore me nev - er, I think a - bout them
By g-ol - ly, but they're dar - ing-, The clothes they are tiot

^

^

%

^

^

m

m

Tm—i¥

*

^

P

m

^^—'

^ * 4

1

X * P

1

^

^

^^

7 '7-^1

fe^?

t

.< — ^,-

8v - er- I dwell up - on the sub-ject "Gnu a - >no - re!''

wear - ing", I won - der that they all ain't g"ot pneu - mo - nia!

A
But

im^r

i

^

a

^

o '^

r^^i — T* m-

%

rt

^

s^^

82

kJ' J' J' J' |i>r J' r ^fi m

F ^' F ^F i'tf f "f I r I'r^^

lit - tie blonde, a
whei'e I love the

big" bru - nette, A
best to be Is

state - ly dame, A gay sou-bretfe: I

on the shore be - side the sea In

i^ ^^^f^.

^

H ^j- i H

WWi Ti

m

9 »

s

Jm

^

^

"^

^

^

■p

^^

F=g

wish not one of
sum - mer! There I

them could live with - out me!

find the most dis - trac - tionsi

I J
ve

The

k==i

ff^ H

^

T j -i=ir:

^ ft p^— ^ r ==

^

fe

^

ryitjT-h'^ F iii' p I F Mp M !^ P F

oft - en thoug"ht Id
pret - ty lit - tie

love to be An is - land in an o - pen sea, With

bath - ing- g-irls, With wav - y hair and teeths of pearls. And

m

m

^

a jjarrzra

i iH ^i

^ ft m

^

^^^

^

a tempo

E

my - ri
cor - al

ads of
lips and

g-irl - ie g-irls a
such ma - rine at

bout me!
trac - tions!

Gee!.
Geel-

cS"-!

5

J7^ <;-^

rs-p-

!

w

}

a

^

==».v/5 (/ tempo

^^

^^^

REFRAIN

83

$^m

slower

^

^

5

wish I was an is - land in an o - cean of grirls,

Sur

^

^^M

i^

f-tisiirrf'

m

m

^i

y>

a

y>

j>

y

0

^

^E^

Sffirr-rrp^^

i

round - ed by them fur as I could see!

M

^

&t=t

it

i

/j»

a

>

%

g_it^^. F I ^^' »> J' ^'' I F ti^' F ^ I '1^' i!> ^' F

likt' the lit - tie waves at play, That kiss the shore then run a - way, So

k-tH-^-^-^ tir f r , 1 fe

^^EE

g-r>r4r-^

fp

fp

fp

fp

^m^^

1=^

^

^

fe=.

?=

^

F-4I— ^

I should like to

t

^

^#

have them play with

\^ — 6 — %

Just
> T' r-

i

^^

t-r-

i^ ^^

//^

I

^

84

Uh } f} } > I ^^

^

cream - y white, with - in your arms she curls;

As

It.! t H %

^m

i

»f f g

^^

fp *

t

fp

^F^F=^:

%^^^.

tl^

lXiJU_4L_I f ^'r ^'' ^' I ^F '^^' T-f-^^^-^^^

with one sud- don, fond em -brace, She splash- es kiss- 3S on your face! Oh,

-l4<^f f ■ -g- I'-g -g- f , '^l4t< i f H^ ''^ *

^

i

^t

t=e

p

fp

fp

fp

fp

^FTT^

^

^

^

fes

^ •^

/?oo r?V.

^ a tempo

%

^'h F f Mr I ^' »^' c-^-^^^

>^ — Y

Me

for an is - land, what a place! An

1^ f \

%

tl r \\\

o - cean fuU of
f f

g-irls!

2i6'.

<=lf *

is

_y5f /"vf^ rit.

S

^

/• a tt'nipn

7 7

'O'

85

N9 13

In Day-Dreams

Allegretto moderato

J' J' ff i'- J' I J

g

F ^ ^ F

r'l ^ r f

^^i

Some-times I sig-h with re - gret —

"/T^/T1

*

pp a tempo

^

^S

^^

s^^

' i' J'- i J- I J Jl ji J- I J^ J J J' > il ^

Know-ing" that love hap- py should prove! Some-times I long- to for - g-et,

^

^^

£

JTlffl

I

z:

r- r-

V^l* r V g

*^

>- ^

V ^

v^

^t

^^^^^

£^^

EJJ LIT

C^

^ i' J'- J J- I J' J. Jl J- I pip p F p- ^ I «f J

Yearn -ing" to be joy-ous and free! Then, as in fan-cy, I. dream,

fc*

^

r' T'

V--It -. r

^*

**

U^>-

•s—*-

86

*

^.l

1

^m

E

Love comes a-g"ain as of old!

g r I y

i^^^

Hi'art-throbs are stilled, Long--ing-s ful-fiUed^

i

rfV.

Li rit.

Tempo di Valse lente

ff ^- } ^ ^- J^ I 4 < ^

lEZI

-&^

Joy to a meas-ure un - told.

In day - dreams, day

** li»- ^ i

^

^r

i'tf

WW

W

rit.

i

¥^^^

^

=^^

^

f

i

^

r I J r

-©^

dreams. Ah, what vis - ions we see Of nev - er - to - be! While lifes

I:

%

^

«f

*ifi

§.cf

s

^

m

^

^

-(9^

i

^

roug-h

way

seems as thoug-h strewn with

flowers! .

S

-«>■•

3

"P:f

EiEi

_2z:

j::^

87

^

In day

dreams,

day

dreams, AH the past and its

*S

fyt

WT^

W

fi. l^f

SE

1

^

m

^

^

?^=^

^

pain Turns g-old-en a - g-ain! The spell

of

rap - tur - ous

^m

i^^

SXf

^f

«fi

f-^r

!» *

m

i

t

1

^

^

p

riV.

niolto n't.

piu I'it.

^

fcr*r:=i

^

^

love Re - turns but in dreams

^^^S

a - lone,.

Re - tiu^ns but in

S

s

m

P

1

rtt.

g^

tt

'F

molto 7'it.

r

F

^
r

i

f

3=i:

jwm ?•??.'

=?25

88

Fox Trot

N9 14a

&

m

fep^

i/'liCi: i,|ii

^

if

'>aH'. f-Hj ^

^

0- M 0

■vSTz^

8-

f

m

^t

S

1^

^

l-^"!

1t^%—%

f^-^f t;V

fig g

ii?-|irrjf»r^r

P

,f. »i i.f^ --^i

"^9- ^

89

^' M-H}

I4*S" A ^-^

^

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fe

y/

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£

(Drums)

^- 3=-

4

# — »-

PW

l!^

*;

:^^

r^f^

to^

t^l; J 111

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^^

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(Drums)

WW

m

m

1.

TFf-^ ^ f\:

^

2.

tll!^^

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= ^^^^^

90

\

y^i ti ^

Sjfz

^^-f

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%

iLj

i

li^jjd^j

I'l-

^

^ tll?^

^

Itf: *.-

I til

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rt-

i

ur

^

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T*-"? Ti^

p^l

cV-

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:£=

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m

111

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H

I -y

1^ ^'

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r!--!

^

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^rl^T

/CN

91

Valse Lente

NO 14b

4

Tempo di Valse

^^

^

^

Valse lente (moderato)

^i^3E

EIPFTT

^

r

^/7cc^ accel.

^Hi r i ^

s/S

/t\

i

^

^^

4^t r ^ ^

^ « f3

i

^

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^^H^

^

&

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=1=^

Vi/

S

rT\

r7\

J^J-

./^

:s:

J^rj

i

-^

^

tt

^^s^

^

^

gl

i

u

i' rt

^ ■ ^

92

M

P

subifa

")% \ "F t

^^

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i=^

it J-

#

it-

*

rr

"irx

7'ocrt aniviatn

t

u

-& —

i^

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#

S

^

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SE

^

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^

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i

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rr

S

^

^

^

-«'-^

p*^

iv- ^n f ?

!#-

J£

%m.

g^SEf

^

127

^^^^sa

Tempo I.

^

^

m

^0

vibjnto

W^

te~m-

93

^^

'l^lll

IZZj

^

f&M

^^=^

a

E

ij

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^

^

/TN

^^^

r\

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i^

^

i

te

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y> S7ibitn

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a

&

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^

i^

^

i^/M mosso

^ ^

J H j* ^ ^j^j^

lt<"g

^

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m

u.

pp

%

it-

v-Jm-

n

m

^

I

Ml

^m

^^

^^

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^

/TN

S

15^

T=r=r

r\

53EEEt

9*

One Step

N9 149

Allegro brilliante

w-n~

f

^

^

t -

%

f^

\r

1

"=r

r -

^^

r

95

fl:UJL

J :* *

-fT^ ■■

_^_j^«L>._r^

? ^-

-»— • «

^

Jff^ ^

^^

fe

^

^

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s

it r ^' ?

> ^ ^

-^

i^«t t ^

^z

:: : F g

f -; 1 9-

^

r

^^^

^

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^

i

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96

f^ t. ^ f^

i

^

-f t-

tm

^^

iUi

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«C3ji

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— 1»- — -^

^TE

Z^ It^

l+t'^? ^ J

p ttiT f t

I

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*>: H P"

i:ff^

s

^^

=^

f

i»=

97

NQ 15

All For You!

Love Duo

Agitato

accel, e cresc.

k

Lh. 1^

Hi.

E

^

^F^

^

7. MiT m^^^.

/

?3f^^

\y

\

1 J '

^^

^E^B

t

^ ^

P en sc.

■J

Vi/

Andante espressivo

Dear one! whyhascru-el fate con -spired our hearts to sev - er!

Andante espressivo ^ — ^ ^—^ , j

l^^li ,^

r-

7

^ espi'esswo

S

r^r r^_^

:^

rrrt

>[> o

/7\

S

^ j: I ^-

/ De

accef.

jM-J ^lp:gi

a tempo

ar / / one

* d-

Tell me can it be, a- las, that love is g-one, re-turn - ing- nev- er!

Ai^kXk

w

S

12:]

"^

T::z:r

98

m

^

Dear

one!

=i

k^

accel.

A

a tempo

f' J^ Ji ill Mir

a

^^

%

Tell me!_

I

\

Sweet one! you have ev-er been a g-uid - ing- star

tei

1

^W

» ■

f f f" t

accel.

y « tempo

tk

a tempo P

bove me! Can you for-g«t that first sweet mo - ment — you wdiis-pered,t.ove mH!

f7\ ,,-s. poco pressatido

^

m

J^ — V^

p F F I r

9-»

g-et?-

Ah! mem-o-ries that lin

k v^iar~7^^^

I ^j— 1

[.J'j'r g

g-er

p[,j. ^'P M_;rj^pE|

For ev-er I shall re - mem - ber.

*

fp

fp

%

=»=r

All of this world I would g-ive for
r\

s

fek:

=: y

^

i

I F

99

' Ti 1

accel. e cresc.

"^^irzi

^r-f^ f F pi^

^^

yet, Now filled with an-g-uish and wild with re - gret!

Mem - 'riesl

S

^=^

^

:tz2

you!

You dear!

!' J I rj I \i

f^i F^j r ^ M

accel. e cresc.

7 \rvistr]

Nev er!

fe

Ah! nev-er more their g*lad

rit. L

ness!

C p

NH'i r r'

Ev - er!

All

for you dear'

i

fm^i

^

i

Ji

i

^

J^

^^ V **"

S

5^

\nisvr\

^^3^

/./^.

m

dim. e rail.

'^ Jl

^

^

Andante appassionato

i

\y teriy

^-H=a

?

^

^c^e.

Shall a heart fond and true

ten.

^

t

r ^i. I ' *\

g^S

^

^

^

All for you! All for you! Life has be-come but pain;

^c"^ ten. >

^-

Shall a heart
ten.

sew pre

\/^^^

100

pi r r pp- ^ 7 ,-j^ jouQ-^

^

t

m

ten.

^

Ev-er him-ffer for love but in vain? /. ^- , Sweet mem-Vies still re ■

ral/. \1^%^

P

^S

;t

?=*

tt

t

ev - er true Hun-g^r for love but in vain?

Mem - 'ries fond,
ten.

allargando

ft

wm

VUi \^ irrfi|_ii-''p F I' Mig4-P-gLp

t^

caU,_

^

Mem"- 'ries^_^ sweet meniiies still re-call to us the rap-tures that once we knew Ah!
-^==i: • nwlto cresc.

:^5

ffPEf^

^

r^j^-^^

?^

still re call Rap-tures that once
fe». -^

we knew.

Ah!

^^

101

N9 16

Finale 2^d Act

Moderate

ii^^^^jj^

ytf^'i ^y j'y

^^s

m^

#iS!

^

f

^^

7 TTV^

? 7 P ^^ 7

L/ ' ^ — ' / — ' — J 1 j^

frXJ^^

M#^

^

qjFl

^m-

5^aE^5

^

j'f'ni"j^^

J f J

soprano's and ALTO S

«lf.

t^'i. J' ■> hX-^^

isg^

^^^

feEE^sS^

^

E¥r3E=

t

Now we are

y;y TENORS

drow - .sy, we 11

all go to rest!

And at

S

P^3E^

3^? — *t

m

F^ ^ g ^ [^T

£=^->^^

^^^^

Now we are

^^y BASSES

drow - s y we 11

all go to re^t!

And at

.V-Ji- V *t ^F"^^y

iii;

i^

E^ff^^

asE^E^^

F=FF^'

^^

^^

^

i— ig

^

i

^^F^

^-^ f

-^>^4-^

i:^^^x^-

F^^ — r

102

PPPP

^^

^

^S5^

5=^!

? tl> 7

Na - tures re

stor - er how

won - drous it seems,

Jh^

^P *! C t ^^

P 7 p P ^

As \*'e re

^1; 17 7 hff -JSEHf^

^

F " F ^

Na - tures re

stor - er ho^v

won - drous it seems,

y-A p V p 7 ^

As we're

^~^f-f^-^f-^

V 7 I' r-^Es

P 7 P 7

^i ^ 7 ^ J^ 7 ^'

i

^H

^^►=2i

^

f

I

'm tiW t

■T* *-

^'' 7 ^ j:

^W j^ ^

y i i

P^' r- g ^-f

i J^-7^j'7 I J 7 J' ^Jl J'

waft - ed in dreams

o - ver moun - tains and streams!

jA g-'m?^

t P ^ F ■'

■' ^ ff V

P^*^

waft - ed in dreams

iri — r — (■ ^» ^

V-'^'l p 7 P P=P=^

o - ver moun - tains and streains!

-i F V F

i-^p-j-F^

103

'pK- J'--z4^ V H

Vi - sions of

4^u ^ t v-g-^

fair - y - land

r^^T^

soft - ly un - fold!

m

^itefe=i

As, in

^

r^ p H' F

^

Vi - sions of

fair - y - land

soft - Iv un - fold!

A.,

AJi- f 1 ^f^jife

^^^

^^

i p -r i'

P=F=F^

Ifcfefl^

f

^^

^=^=*

^

7 ? ^

^''V ^ ^

7 I ^

P

^=^^

iM^J-^14

All is

N^#i#

i5rT:

1^

sto - ries of old.

pur - pie and gold!

b'l, [i 7 p-U^^

^ P7 P 7

F 7 F P P7

sto - ries of old,

AU is

pur - pie and gold!

_^--M-^4"f-^

V M m - m m m »

i

T-^i-^

m

i^

^

^

ni^.ix \

7 ^ j^

1 i i

« — *

^

^

^-=5

r

r

cresv.

[jLji^U^fe

^^

^^

il

W

yft-JL-h^

mor - row, We'll

Ban - ished is

sor - row! re

freshed on the

\—) 7

m , •

!^T P 7 P ^

5^=^:::^:^

^E=

pa-p^--7-y

Ban - ished i?
Pi,

sor - row! re

freshed on the

mor - row We 11

^^-r-YLzr-y-fa

■m »

# ff P-

L7 P 7 M

^ 7 P 7__g^

E^^^^

k^^^=^

i

j j. ? J. > j.

^

W

^

7^7

■=t

^#

>^ cresc.

^g"0^'

^^

i ■ *~^~

greet the morn-ing light so

I

m m ^m

let us say good

^

night!

^^

^^£E^

^^E2

^

^3E

greet the morn-ing light so

^jL_JLiJ|LJL^

let us say good

night!

\LJ^ V t V f

=£-k

m

pJikLt

^M^J^^J-^^

l^f

a^

i-t t f

^^

^

ki.-^

¥=^; V P ¥

GIRLS

Let.

^

^r^^'M^-^

m

go to rest

=^

We'U

weU

^

S

GENERAL H.

^^m^^^

i J'V^J'7

E

^^^

^^^

We'll all go to rest! and at Mor- pheus' be-hest

S

m

«—

w

ar^jr^n

w

^p

7^r

'^^p^F^p

^^

UJIJJ!

^ 3^-^

ffi

us sav

li^tj^

good- night!

"^i — ir

^1

go

n

rest!

i

Good

^=4=^

g

Good

^^

1L7 i i

^±=\

m

^

sleep, sleep of the blest!

['•' j'^r

izs

5*

1^^

W

^

^^^

-^

^

^

7 ^^ 7

^^^; y 1^^

105

iM3^

night!

^d^z^z^

night!

BASSES

>^^^r=r:=it--=i^

-i i bJ

^m

\tE3Ei

good

good

P^

*

^}^r-

- night!

night!

^s*

nzzpotj;

-i-a— iijN-

t=r

Well

Let

p^^zj^i^^bb

We'll all go to rest

and at Mor- pheus be-hest

i

^

^

^

r- — -r

f -T

!air^T^"^'r'

-^y-f-^

"^ ffTl

S^

^^i

^

U4 i-

^3^

go

to

rest!

^

M-^Mf

us sav

F 7 i r-

good-

night!

-Tii F 7 ^>T^^

r'y i j^-

sleep, sleep of the blessed!

S

^^

4-^<^,-4-

i

J y M ^

7 Pi 7

^

^»^»»»v»»%

V^k'l. C V

^

Y ^ ^

-^^ J^-y-^

:m^

Gong (strikes 12)

i

H* 4 3

h

fs

i^

:hz

^

7 3773r^

^

^

^^

I? '• p 7 ;^3r:=;fcr3^

tr3^7" J 7 ]'7^-

]^7 J! 7 J^ 7

s

^i> 7 ,h 7 ^^ y

senipre dim.

=1=^^^

P

-r

y/*

106

^ ■ J ii —

ii

m

•^^^1. \V V i

\ J

m

at

^

X ■■_[) 7 J)

^^

m

pp

m

Good
PP

mm.

^

Good
PP -

night!

m

^

night!

m

i i

J i J i

»

z:?2

W^

— s-=—

^'i'v'

^r^^T-^

i jl 7 i^

-t— jr^J^-

rfct^=

T

FOUR GIRLS
PP/

107

Piu mosso

/'P

(

m

Moderate

I

b^5 /tN , . r\

r\

H^^l^

P

t^

^

rit.

V- i hi

%

1 5 ' •

3^

r7\

fp

«

hmga

^^

O. 7-H^

PPP —

nif dim .

PP

Pocn animnto

^ mnltn rit. ^ /C\

r\

Moderate

Pi?/ lento __^- I
3

rubatu ^^^-' i

.y

Pncn animoto

i

^

lit. dim.

PP

»p r\ ^

m

^

^M_

3^

-^ -^

<i trm/Ki

^^

fP^^^

'-#.^

* 1

I 3 1

W^-^H.^^^

S

7||j^<ig1^

^

7tfJ^J*' j:^

•v/i<^

.y-.

P

108

/^

i

^

U — t

puco rit.

fP.

pp.

') Ih^^i }l

fP

^ J'V^i'

-T-^V

^ K 7 v7 K=^

^^n

i^

3 XT

accelerando mnlto

">' ,h^ h- h^

l>r 5 b5 ^

Tempo I

ii%#"T^r^w^^

pp

m

^^

\b.

mnlto 7-it.

^^^^^^P

^

ns

rT\ . ^

r\

i J-J^ I

±

^

W^

^t=t

pin rit.

') K7 .7

r\

pp sfz

P^-ifz

>im^M^

rs

^m^

109

Andante misterioso

SCHMALZ PAT

porta to j) portiito

\ 7- h I h7 7- i h h j: I ^ ^^

=FF==

At last! Be care-ful!

We are .

%.. i. h

^i-^-j" "W^l

^==^

staccatissimo

wm

vr '"-w^

p

rri

rr^

^y>

V=<^f'. K,7 r f

^

fp

¥

^

6^^

5

^r:

/y^

I7\

SCHMALZ

PAT

i^J^

lone I

^

^=r

My an - g-el!

Sh!

0\

^

i

^

ii'| •' T' ^-jfe

^•?r p

7 17 -V^

./i<r— 1=2

*>^^ J 7

1^

,0\

*yi ^t|5

jw c? tempo p-j-l

^

i

^ J. JM J' 7 i

/7N

^ =

^?

it^

fp

SCHMALZ

ff _

PF F ^p F rpj

i2=

P

Can I re - sist?

Ah!dear-est! Wont you be mine

i^M±^

m

tTs

^

')7 7"— ^V7 r- ^^

^

m

f

^y-i >i Jv-it^

n-TT-ff^r^-| ^ 7 -/^^.^jjr F' ' ■! ^" j*-^^^^

/0>

Z'/'

fp

PAT fa=ide)

SCHMALZ
accel.

H g ^ ,n F ^^44M^l

?

-^ — f-^

own? Ah!

Kiss me dear! Kiss me dear!

rr^ns

) 7 7

^

^

—^ cvyy/ passione

To my arms!-

nempre

^■■V \^

s

../^

^

accel.

^fz din

E Hb 7 j:

P

Efe

^

«E=^

110

PAT

ff-i i\ Ji J- J' J^. i^ ^^

QlJ^ '- iJO

Not to^iig-ht! Not to-nig-ht!

Yet a while I pri - thee spare me!

(Spoken quickly)
, OhTcome aiid play r — *"

antmando with me ' '

J •> r "gffn

LJ- 1 ''^CJ-

g

^

v^ff ^ rv ^

M

v/z

i/^

^^

*^

^

:t

Mnltn menn
/Z\ portato

*A

5A *^

portato

v^J^pn ^^^JlJ'r J, Jp -MtJl. ^

portato >. "<'

^ Spoken PP)
anagmcklt/ J

You think so;

^

I can't! And

still what a thrill in your g-lance, love! You ex

i^^

/TS

m^^

— V

1

u

s:

.•ifz

^

=; f

W

/CN

2

f

T t rt?

a

^^3

^=;;=K

j^yi^

^^

#

E

^

cite me! You de- lig-ht me!

r •' f J I ^''' I 3 F ^-*^

The bliss of a kiss would en

^

"ST

» »•

^^lU^A

\ h , *^3E^

t

fci^

m

pnco rit. -^=rr/7<y

tt

ji jip'iF'r 1^^

rt tempo

^

E^

^

trance, love!

Ah, but not to-nig-ht love! Not to- night!

rit. _ ^ a tempo

L±L

§s

s

^^

Li- — <K •* -^ ^ -^^ ^'';C'v rii. _ '-Ji-^

4^ — ft-^-;-

f

^=^^^

S

;|^5^jJinJ

:=7
•J

Ill

m

^

^^j

tt ff ?

p^

^

lig-ht me!

Ah! but

m

----» » — p I

S

i

ic:

"3?

J

i?

a

^^

- — ■<^

-^^— F¥

4^

nt.

r\

b^

fShe starts to go upstairs very slowly)

^m

^

^

p^

fe

:^

not to-nig-ht, love^ Not to - nig-ht!

^m

poco fit.

r\

^g

f^»— ^

i

S

^

r

tlf ^f

/?N

^

^ ^

-^^'-H^^f

JTH

x^A^x^

^

7"r"T

f— :z=^

i

L > r I f F'r ^

1^^

staccatissiiiio

ii

"g jg g

To - mor - row!

But not to-

^

i^

-i-i-

I

^

SE^t

^

'-pllCOsfz p

fp —.^=^

-o-

112

0

^^

^

nig-ht

To-mor- row! .

staccatissitiiij

¥tf4 J v.^,^

^ g"g I g-l

^

^Et

E?

^

ii,jL _'J^

r ,;^J 7 ^J 7 ^J 7 ^

7 ^^J 7 ijf J 7 jtJ 7 ^J

7 ttJ 7 jfr,J 7 j^J 7 /^.

P «x

:^

:^=i

^

i^^

?

Tempo I

m

h7

*dlzz:^

^

a^iH-%

r^

i

^^^

-:-#-^-^

i

«=^

s

fad '

"gar

y^ll^S

7

rn 1:^7 LL77 tlr^ti^^ Li/'tij'

^

y^/T'

/•/^.

J_rJIl!

m

^^

s

But not to-nig'lit, low! not to

^U

m

h"^

-^^••hrt. w^

iTS

■M^

n'f. • •

i^^=»

f^

^

^fe

S

^

tip

a

J- ^ i

^^

perdcndosi (She entei~ her moni'

y-

5^:

ii

^"n-

fr

; 7 j: -

QUICK CURTAIN
/7N (7\

nig'ht!

<v-

Schmalz in sentimental pose
-, Tuto and Darrow in tlireiiteniiiij altitude

lA

a tei/i/ji)

^

'.-^

•dendusi e rubato

"^E^i^'Yi

p

t^:^

3KI:

^

^ /Ov

''^^ _#.

.X/?J9'

^

^

Efe^

^

^

Tt=^

113

N9 17

Entr' Act U

Molto marcato

it

rj?

Valse lente (nwltn tnoderato)

*3E

W

^V\

""^

-j-tr

f

^

^

^

t

114

m

•

tTf

f

f i

•Cf

pr

^

^

t

f^

i:

ytN

^iH

f^^

^

^

/?\

^

F^^^?

» *

1 ^^^

Ht.

r\

m

zzl

^

^^^=^

^

/CN

It^

Poco animando

Molto C7'esc. cd aHargmido

yiij¥l

hk.

^B

^

^T-^

1^

jt; crescendo

'>-«rrn m

^

i

(7 teinpn
ten-

i

1^^

^^

i£

(eft.

i

?±

^^

//i»//fi» allai'g.

^^

jff^ possibile

^^

tt

^^

115

■mj}_ "'

-^ t> > (•-

Mff=g

3'

IE

,J&

J-S^!-

M^

^^

^0

— _• «_

3 ^i i

^
^

^

fefc

^

■^f~^f\f

■■- ^ ^ ^

-'— f it;

^i

mnltn cresc. ed aUarganda

»:,!, P if a>^#^

^

^

m

^

M' u tempo

-m- ^ r\

«=■:

m

# g^ I i

i

/T\

7 7 i 7^

^

^

^ ?

@

/v7.

^

ff^ }h'i I ]

//io//o a/fnrgond(t

■v^2

/CN

E

7 7 i =¥=

116

N9 18

Opening Act IE

Allegro con spirito

, TENORS f

If I r V ^

M ^' ^^ H

^^^

What
BASSES /"k

^^^ifclt— T-f

joy ^ve find as

f f T^ g

aft - er v.e have dined. We

^M n C=l

V-IJI. i ^ P

M

r r r r r r

i

^

i

7 17

^

^^

117

^y-^

p^t=t=n

fine ci - gar And

'^M

sip a ca - fe uoir, With

h^^

"cogn - ac" on the

m^

side!

Let's

i

■/^•j)

^

^

i

^

m

P^

f

A _^

^^LL-LJ-i

t

■^■:=

i

M- ^' ^^ ^' F

^M^-p— f-^

E

drink one toast to

that we love the most And

then, be

-f F F P

mi

^

- fore

izft

I

6i^

a

GENERAL HOLBROOK

^

^"'''i; "M P-

p "p p g M

«z

May

^

all break up, Well

fill an - ofh - er cup and

drink one

S^

m

M g M 4

f^?T

Se

m

^

tt

*

r/C\

^r-^

M^

^

^^

^

^="=r=^^^

118

Menn mosso

rit.

m

ti, F F F Fif pip pp p Mir- ppir^E^

I say just one word? A po-em you have nev- er heard Of the old- en days, In

staccato
P .

¥t=^

staccato

m

ft

^^^

S

Pro- ceed!

P

m

In -deed!

m

s

\

i

ijfg g

»

^t=t

yr

S

*^^

rtV.

■ — g

fek

i

??;; r\

Tempo di Valse cmolto moderato)

'H\, ^<\^;, ^V\ ~\\ jvpHVi/ r

^

which I praise a friend?.

m

rit.

. Throug-h life we must know man-y sor

&n i f f

^^

La la

^^U

^

la la

JO-

*•

p poco rit.

* ^

rs

^

#f

eS

^

la la

XX

119

'>-i\^ r F F i^ttt I^ ^' P

-fi>^

rows! We must share man-y a care, man-y a pain!

Our friends come and

p]^ i f f

^ <i»

^

af <(■

^

^

^^

*

^^

la la

la la

la la

* r r I* r g

ij

la la

la la

^

m

m

^m

^^

gT>, Some are false, as we know, And we trust them, but in

t^-nr?

f=t

^^

^

*ii

vain!.

^Ei

i

la la la

la la

la la la

la la

la la

VH'i!- t P P

^m

m

l^

la la

m

^^i

te

*i

S

y ii> I H

1

i:

EE

£

t

i

fe

Yet one that I know has been faith
P.

ful To the end; here is a

^m

a

^

La la

la la

, J J

la la

. J J

t r T I

la!.

^

la la

la la

* r r

120

friend, you will a - gree!

Fond bless- ing^ I g-ive as we peace - ful - ly

P'l^ i f__j

nV.

^

^^

^m

^

i=f

^^^

la la

■-^i'i i f f

la la

la la

la la

F^i

la la

la la

r?7.

^

^w

^

/

Pin rit.

f=ff r if f r^

^• — . rf f — ^ — . — e^

p7 j: J:

^^

g

S

To - g-eth - er! My pipe and me!.

^

^ Jt^

^

i^

ff

-^--a»

r\

^

^

IV j: 7 *

t^i^

Allegro Tempo I

P

(To Toto) ?•//■.

MP F F F

^

fe=

p¥

E

drink one toast (o

that he loves the most and

then one

more! The

^

^4=^

m

^

Prince!

htw^

M^ p ff \'

Allegro Tempo I

x4t .M

121

*

TO TO Menu

r\

^

irir F'l^' p MPJ=ffXf Ip ?F rr^

My friends! With your con- sent I, too, will join In say- ing* just a word in praise of

i

r\

•J^- A -t u

r\

^.jf Andante espressivo

^

r F^pii'j r r^^ir rii r

^^

wine! If sad-ness and g-rief may find a re- lief, Why could not, why should not one

/r\

S

^

^

^jGTz

Hr~^l

■r\

r^ m

122
Cadenza ^ ^

f^rpTr V-ffp I r^^S

pp

i^fe

/>■

soothe an ach-ing" heart? Ah.

a tempo

i

^^

^

_ Give me then the

$

Sc

■ ^- J^

;t

T I r r- Ft r r r i

wine whose ma- g-ic di - vine Stills the pain of Loves sor-row and lets us for-

^

m

lA 0

r\ =- aftacca "' Tempo I

; 7 V

p I t^ P P F I P P J' J' ^

f^^l

g^t! Let's drink one toast to that we love the most £ind then be

r\--

-J^

M ^' ^ ^' P

^^

^

^^

Let's

drink one toast to

that we love the most and

then be

^=- attacca .

^^m

^=M^

^ M pi^-p

^

^

fe

Tempo I

rs

'y-^\ X i ^i

^--^

12i

^^^' ^p- |T I F p [T M P g F p [^ [^

fore We all break up Well fill an-oth-er cup and drink

p. ^^^y ir y F''M f r f r^

# ,if

H, ^ lixl

Im

1

4

> \>i^

4^

r\

rs

^m^

Piu mosso

/CN

one more!

^

/7\

P

P

qaz:

/CN

^

ar=

as

Ov

r\

more! -

W:

Wl

rs

^m

^ -0^ r>

Piu mosso

^ i^=^

a^^

^z

>iffz

^^f

s

fck:

^

^

/7\ ^

124

N9 19a

Ballet- Suite

Allegro

^

i

^n.

r

*

^ r\

%

^3

•ifz pocn rit.

S

fe^

r>.

I

« tempo

C\

^^

i::-^

(

f

i=£

^ -#- -#-

fe fe 5

^-'-^^^

" i-g -^g ^^^

E

accel.

ia

t^

•y; -m.

w

1=

'^ 7

^

l^ H

-^M^

125

a tempo t^-anquilio

■sfi

P

i

^5^#y

ten.

^^

^

tJC

Efr

:

^

i

5

1

3*

,v-

i

l^p?

^^^

se»ipre J" a ■

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127

Poco meno

TRIO<

Tempo di Valse

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129

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130

N9 19t>

Encore - Waltz

Valse lente

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132

I'd Like To Have You Around

N9 20

DUET

Moderate

k

TONY

S

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F F M F F^

Be - lieve me, lit - tie dear - ie, you are
~. The men that have ad- mired you I'm a -

GRACE

h J' > J'

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Is that why you are ask- ing* for the
Oh no, I had their "num-her^,' ev - 'ry

earth?,
one

TONY

m

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all the world to me!
fraid are num- ber-less.

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Ah,
And

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GRACE

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yes! For you would be dirt cheap at an - y price, you see! As real es-tate what would yo\x think me

if you ev-er loved be -fore, I would- n't dare to gniess. Then guess if e-ven now I have be-

a

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133

TONY

GKACE

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t

worth?
g-un

You're worth a king--ly ran-som; the de - vo-tion of a life. A
I hope you have, al-though I on - ly met you yes - ter-day. You

^

TONY poco rit.

g^^5

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How hap -py we should be, if youd
I did, for hon-or brigit! I

mans de- vo-tion does- nt last, Ive foundL
swore to win me then by hook or crook.

GRACE
a tempo

^^^

poco rit.

^

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TONY

Would-nt you g-row tir'd of hav-ing" me a - round? —
Do you love me now youVe had an - oth - ei' look?

^^f J'^.P'^-^

i

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on - ly mar-ry me.
loved you at first sig-ht.

What, tired? No!
Ah, yes! and

134

Tempo g-iustO (Poco animato)

I'd like to have you a - round to play with When I am lone - ly and
Tempo g-iusto (Poco animato)

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blue, dear!

Think of the fun I could have aU day with

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blue, dear!

Think of the fun I could have aU day with

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you for a true lit - tie pal o' mine!

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you

for a true lit - tie pal o' mine!

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135

All I have told you is on the sq^uare, for I've no one else in the

poco allai-gando

~~ # i*-

You are the

poco allargando

that I

pill fit.

/C\

a tempo

r\

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f-^—^

love and there - fore
piu rit.

*=

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Id like to have you a
a tempo

round!

t^

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love and there - fore

r\

I d like to have you a - round! .

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p a tetnpn

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138

A

Poco animato

^- p F- J' I i'- ^^

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serves to have
serves to have

a mon - u - ment e - rect
a mon - u - ment e - rect

ed to
ed to

his mem - o - ry, With
his mem - o - ry For

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:*

Ei

nev - er smoked nor g-am-bled none, Nor cursed, nor had a bit ^^ of fun. Or
dif - fer-ent as we can be, A "brig-ht and shin - ing- lig-ht was he. While

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if
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if he did. vou bet she did - n't know it He

he did, you bet she did - nt know it

am just a kind of "warn - ing- bea - con!

139

m

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oft - er said that he would like to "beat her plumb to ^ dtNitli,"
bat - ting" av - 'rag-e is the low - est in the hus - bands leag-ue!

But
I've

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he was called be - fore his work was
nev - er made a "hit" nor scored a

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run!

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ird it is for "Num - ber Two" To

t

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I g-ot her I nev - er knew Hnw hard it is for "Num - ber Two" To
my worst er - ror tiU I die, Has been as "Num- ber Two" to try To

k

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fi'l the shoes of hus - band Num- ber One!"
fill the shoes of hus - band "Num- ber One!".

fe

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140

N9 22

Two Laughing Irish Eyes.

Andantino

sempre rubato

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tim - id or bold man, There's one thing" he can -not re - sist, — 'Tis the

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g-lance of yoixr eye which he takes to im - ply That per - haps you would like to be

i

t

7 7 7

E

"kissed!"

And so great his con - ceit is, Your con - quest com - plete is. He s

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for an aw- ful sur - prise, When he

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You have made g-ame of him, All throug^h a pair of brig-ht eyes! .

m

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Moderate

piico rif. jj'ico o poco in tempo

^^^^^^^^^^^^^^^^

fcsJSE^

When a g-lance you are steal - ing-. He finds it so ap - peal - ing* that he

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cant stand the feel -ing- if he tries! .

In a snule there s a to -ken of

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140

N9 22

Two Laughing Irish Eyes.

Andantino

sempre rubato

^

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£

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tim - id or bold man, There's one thing* he can -not re - sist, — 'Tis the

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g-lance of your eye which he takes to im - ply That per - haps you would like to be

S

7 1

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7 7

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7 7

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J' J' I J ff P j^ff J ^

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"kissed!"

And so great his con- ceit is, Your con -quest com - plete is. He's

1. Jttj 1 ^

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141

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in for an aw- ful sur - prise,

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When he

finds, to the shame of him,

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You have made g-ame of him, All throug-h a pair of brig-ht eyes!

y 7

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W

11-

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Moderate

^r;cioi /-/A piico a pnco in tempo

C J^ .

t

^ h i r i^ I j^ i^ ^ h ^

P=^=^

When a g-lance you are steal - ing-, He finds it so ap - peal - ing- that he

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jor;6'« « jo<?C(9 m tempo e cresc.

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cant stand the feel-ing- if he tries! .

In a smile there s a to -ken of

m

E

T^nt,

^

142

aUars^ando ''it. _^

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rit.

^

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prom- i - ses un - spok- en! Sure, there s man- y a heart been brok- en by two

%

5

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affargando

rit.

^

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moltn rit.

irr

moltn rit.

mrjii'i rti. -». ^_ f/i'ni.'/ /ii.

f rS==^ r>,

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laug-h-ing-, I - rish eyes!.

laugrh-ing-, I - rish eyes!

/CS r\

~3 I

DANCE
Moderate

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143

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If

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144

Finale Ultimo

Andante mosso
J ^ ^

J- J J J I

^

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AH for vou!

All for you!

^

^

Mv hf art will e er be

^

?=

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All for vou!

All for you!

/A

Iee^

^

Mv heart will e'er be

trtx g

^

^

Effi

Andante mosso

ii -y ^4^fgf

ALL /0\