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War Heads
Introduction and editorials by Med-o, Bean, Zoe Noe, Prinnitivo
Arsumince & Fax
From our readers
Not OUI" Owns Demystifying Goals and
Methods of "Progressive Work"
Analytical Tale of Toil by Steven Colatrella
Progressive Pretensions
Tale of Toil by Kwazee Wabbitt
Aaah! HIP Capitalists!
fiction by Chris Carlsson
Ambivalent Nemories of
Virtual Community
Analytical Tale of Toil by G.S. Williamson
There Goes The
Neishborhoodt It
Tale of Toil by Glenn Caley Bachmann
Beatnik Nanagersy Tye-Dye
Bureaucrats, and Corporate
All-Purpose Tofu Paste 16
Tale of Toil by Robert Ovetz
Iff I Die Beffore
I Wake 19
Fiction by Jim Lough
Poetry 40
Bergamino, Conant, Harter, King,
Lazzara, Michele C, Miller, West
Adventures In The
Huck-lt Research
Game 41
"Fiction" by Art Tinnitus
A Trade Reporter's
Report 46
Tale of Toil by Frank Wilde
Post-Nodern Pensees 49
Poetry by Paula Orlando
Kelly Girrs Good Job 50
Tale of Toil by Kelly Girl
DOWNTINE9.
51
VDT update, Disney Revolution?, Poll Tax Revolt, & More!
Lessons In Democracy SS
Poetry by Adam Cornford
From The Grey Ranks:
Graffiti in War & Peace in Poland 56
Interview with Tomasz Sikorski by D.S. Black
Art & Chaos in Brazil 61
Interview with Ze Carratu
Harvey Pekar
Article by klipschutz
Reviews <
Frog, Morales, Black, Carlsson
Texas: Penury off Plenty.
Tale of Texan Toil by Salvador Ferret
.65
.70
.75
Front Cover by Angela Bocage
Back Cover by Trixie T-Square
Processed World is a project of the Bay Area
Center for Art & Technology, a California non-
profit, tax-exempt corporation. BACAT can be
written to at 1095 Market Street, Suite 209, San
Francisco. CA 94103, USA or phoned at (415)
626-2979, or faxed at (415) 626-2685. or E-mailed
at pwmag^well.sf.ca.usa
CONTRIBUTORS/Writers:
Michael Botkin, Frog, Bean, Glenn
Caley Bachmann, Chris Carlsson,
D.S. Black, Ellen K., Louis Michael-
son, Primitive Morales, Nell Miller,
Denim Dada, Salvador Ferret,
klipschutz, Med-o, Rachel D. Chaz
Bufe, Jay Stone
Graphics: Trixie T-Square, J.R.S.,
V.T. Voss, Chris Carlsson, Angela
Bocage, Zoe Know-lt-AII, Louis
Michaelson. Paula Pieretty,
Joven. Rachel J. Rick Gerhar-
harter. Kit Miller, Chaz Bufe,
Tom Tomorrow, James
Carman, IB. Nelson. E.
Tumbaie. Doug Minkler,
and many others. . .
The contents of this magazine
■eflect the ideas and fantasies of
the specific authors and artists, and
lot necessarily other contributors,
editors, or BACAT.
PROCESSED WORLD 10/17
Summer 1991
ISSN 0735-9381
41 Sutter Street #1829
San Francisco . CA 94104. USA
Processed World is collectively
produced & edited: only the printer
and the post office get paid.
War Heads
This special double issue marks Processed World's
10th anniversary, a milestone nobody envisioned
at the beginning, or even halfway along! This
issue, which we've been working on for more than six
months, happens to be our first during the Persian Gulf
War, which, contrary to reports, is only just beginning.
This is reflected in the gallery of oppositional creativity
throughout the magazine, and in the continuation of this
opening editorial by our friends Med-o, Primitive Morales,
Bean, and Zoe Noe.
The main theme of this issue— "The
Good Job" — serves as a rejoinder to
the most common criticism of Processed
World's bad work attitude: "If you
don't like your job, why don't you
find one you do like?" As it turns out,
by virtue of our class, race, education,
predispositions, talent and owing to the
peculiar U.S. history of Work
during the past decade, Processed
Worlders have often managed to escape
the blatant misery of working in dead-
end jobs directly for Corporate
America. We have found jobs with
"progressive" organizations, started our
own businesses, found academic jobs,
well-paid freelance work. Otherwise, we
continue to work for low wages but
part-time in self-managed or
"alternative" businesses, sometimes
cooperatively or collectively owned.
And for some of us, the Good Job is a
well-paid, low-hassle niche in a techni-
cal writing, programming, or such like
department in a larger institution.
So, are these jobs better? Are they
changed by our involvement in them?
Or are we changed by our jobs? Or
both? Does our willing participation
diminish the alienating qualities inevi-
tably present in any job, "progressive,"
"alternative," or otherwise? What is
the relationship between the specific
purpose and content of a job and its
categorization as good or bad? What if
it still consists of stuffing envelopes or
processing mailing lists? And what role
is played by the relationships estab-
lished with co-workers? What are the
criteria of good jobs? Meaning?
Pleasure? Money? Creative challenge?
Social benefit? Freedom from super-
vision? These are the questions this
issue of Processed World sets out to
address in more than a half dozen
pieces from a variety of people dis-
cussing a multiplicity of jobs.
In finding good, or at least better,
accommodation to the status quo,
what have we gained or lost? In some
cases we gain a greater sense of mean-
ing, the sense that our work is con-
tributing to a better life. In other
cases, our work may not be intrinsi-
cally meaningful, but autonomy on the
job allows us to pursue what we do
consider meaningful, or leaves us more
energy after work to do what we want.
Most common, perhaps, is a confused
and contradictory search for meaning
and autonomy, responsibility and
respect, and of course financial security.
Because this society is remarkably
retarded in examining worklife, our
rationalizations and explanations tend
to jump around from reason to reason,
and each of us is finally forced into
unpleasant compromises.
For some, a sixty-hour week in a
community organization with a low
salary and "comp time" is justified by
the feeling that at least one is helping
people. Genuine help and service is
often paid by the relief and gratitude
of the served; the social contact can,
at times, take on the qualities of a
"perk." Another person's forty-hour
week is accepted on the grounds of a
good medical insurance plan, a lenient
boss and a light workload— plenty of
time for personal phone calls, writing
projects, and so forth. The qualities of
a job that we call "good" are highly
varied. In identifying them we can
begin to flesh out something of what
we're fighting for.
On the other hand, good jobs also
satisfy needs of the ruling order. Often
they "buy off' the most creative, moti-
vated, and potentially subversive indi-
viduals. When we find ourselves in a
"good" niche, our organizing, agitation,
and politically dissident energies tend
to migrate away from our own imme-
diate circumstances, reinforcing a
broader political disengagement from
workplace politics in general. If we
consider our own "deal" to be a
relatively good one, we are not so
compelled to embrace a radical,
directly democratic movement that
recognizes the workplace as the locus
of social power.
One big question, then, that arises
from this issue's theme (and also from
the historic impasse of all workers'
movements), is what kind of new
methods, formal or not, can we
develop to make practical our gen-
eralized opposition to this society,
while retaining and expanding the
good qualities of our current worklives?
How can we reject Work as a social
institution, and reclaim our right to a
useful, meaningful, enjoyable, autono-
mous, and democratic engagement
with the activities we decide we really
want.
What exactly do we want from
Work? Processed World has advocated a
Bad Attitude toward Work, even the
abolition of Work as such. But what
does this mean in the real world of
contrived scarcity, massive poverty and
deprivation, ecological holocaust, and
pandemic apathy and cynicism about
the prospects for a better life? Don't
our jobs, even our "good" jobs, contri-
bute directly and indirectly to propping
up this insane way of life? But what
about all the things we do as part of
our society's aggregate workload that
are useful, do provide pleasure — for us
as workers and for those we care
about? How can we develop a language
that appreciates the various impulses
that go into Work?
Anyway, our personal feelings and
needs are by no means the only con-
cern about Work. Our most public
secret, in fact, may be the practical
unconsciousness most of us bring to our
participation in this complex, highly
socialized aspect of human existence.
Completely absent from most current
discussions of freedom and democracy
is any concern for the missing social
Page 2
PROCESSED WORLD 126/27 - Special 1 0th Anniversary Double Issue!
PENTAGON PRODUCTIONS presents
with the cooperation of all TV networks
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Page 3
GEORGE!!
"We never expected they would
take all of Kuwait."
—former U.S. Ambassador to Iraq,
April Glaspie, quoted in post-invasion
u report in NY Times.
t Barbarism, Unlimited
A Transnational Partnership of War Criminals
process that would allow democratic
participation and control over what we
as a society decide is worth doing.
And once this is decided, what would
be a sensible, healthy way to realize a
specific social desire? In other words,
who wants what, and who is willing to
do what, to achieve it? And can it be
done in an ecologically sound way?
The Economy, Growth, the Nation,
and Money/Debt are all popular
myths (fictions) about the proper cate-
gories for analyzing life. They are also
globally enforced institutions that
compel routine mass murder, from
industrial accidents, by way of toxic
spills, to mass starvation. The Work
we seek to abolish is the 10-50% of
every job and the 100% of millions of
jobs whose sole function is the creation
or manipulation of financial/property
data (especially banking, real estate, in-
surance, and speculative markets), or
anything to do with the war-making
capabilities of modern nation states. It
also includes the massive reproduction
of shoddy, planned-obsolescent goods,
the vast production of toxic or simply
wasteful waste, the endless record-keep-
ing that begins at birth and follows us
into the grave, and so on. With the
elimination of 70% of all the Work
done in our society, we could all work
far less, have what we need and want,
and live a great deal better!
The basic human impulse to alter
the physical conditions of life is a
healthy one. The desire for material
comfort is a natural and healthy need
too, albeit a socially constructed and
culturally defined one. Starting from
this, it should be possible for people to
match themselves with the things they
like to do, that also produce the things
we want, and to do it in the most
ecologically sensible way. These, rather
than worrying about the health of an
abstraction called "The Economy,"
should be the basic concerns of
modern life.
We seek the abolition of Work as a
separate sphere, the end of a society in
which "real life" begins after work. A
perverse society indeed, whose people
voluntarily (even eagerly) enslave them-
selves to an agenda over which they
have no control, in exchange for
money to purchase commodities — and,
increasingly, experiences.
Our society is lapsing into barbarism
on every side, yet few feel passionate
enough to imagine, much less act
toward, social revolution. Isn't it about
time that the bleak fears of late capi-
talism are determinedly pushed aside
for good? Are we capable of popu-
larizing a new language for our daily
activities, a new engagement with the
existential challenges of our lives, a
definitive break with the logic of
buying and selling? Isn't it about time
we became serious about a pleasurable
Ufe?
In this issue we provide the reflec-
tions of a seasoned veteran of union
and left organization jobs around the
East in hlot Our Own; a disgruntled ex-
food co-op worker in Austin, Texas, in
Beatnik Managers, Tye-Dye Bureaucrats; a
jaded programmer at the progressive
Community Memory Project of Berkeley,
Ambivalent Memories of Virtual Community;
a hemmed-in investigative journalist at a
large product-oriented computer publica-
tion, A Trade Reporter's Report; the re-
turn of Kelly Girl, now a freelance writer;
an itinerant white-collar hobo down on
his luck in Texas, Penury of Plenty; a refu-
gee of both a trotskyist sect and a progres-
sive greeting card company, Progressive
Pretensions; a veteran of focus-group
marketing scams. Adventures in the Muck-
it Research. Game; and a thoughtful in-
sider's critique of an S.F. neighborhood
recycling center, There Goes The Neigh-
borhood! This theme really struck a nerve.
We also present interviews with two
graffiti artists on opposite sides of the
world— Tomasz Sikorski in Warsaw
Poland, and Ze Carratu in Sao Paulo
Brazil, along with samples of local
work in the medium. Bringing the two
themes together is klipschutz's article
on comic book writer Harvey Pekar of
American Splendor fame.
Angela Bocage found time to do this
issue's front cover and have a baby
(with Green Fuschia. . . Wow! Super-
Mom storms Processed World!) A bunch
of good poetry, letters and graphics
are also included, as always, along with
the resuscitation of our DOWNTIME!
section, highlighting a different look at
the recently passed VDT legislation in
San Francisco. We are initiating with
this issue a review section, which will
feature both long and short reviews of
books, magazines, movies, theater, and
whatever else strikes our collective fancy.
As always we depend on you, our
readers, for everything. Without your
comments and letters we get depressed
and sometimes bored. Without your
creative submissions, we don't have
enough material. Without your money
we can't afford our printing and
mailing bills. So you know what to do!
Processed World
41 Sutter St. #1829, S.F., CA 94104. USA
. tel. 415-626-2979 / fax 415-626-2685
E-Mail: pwmag@well.sf.ca.us
Page 4
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
M
•^^^i
o;
THOSE WHO FAIL TO
UNDERSTAND HISTORY
WILL BE HELD BACK
Am FORCED TO TRY
AGAIN NEXT YEAR I
BE ALL YOU CAN BE!
I like the slogan "Bring the Troops
Home Alive!" For me it carries broad
philosophical dimensions. I want them
to return ALIVE— not merely in the
sense of not needing to be carried
back, but ALIVE in every sense of the
word; as thinking, feeling beings ready
to challenge the present regime of
brutality and senseless slaughter; read
to fight for a new world that we would
all want to be ALIVE in!
It's important to acknowledge the
degrees to which most, if not all, of us
are complicit in society's war machine,
even if we're not the ones in uniform.
It's obvious that the "volunteer army"
is rarely voluntary in terms of actually
making free choices. Often mentioned
is the reality of the so-called "poverty
draft," in which joining the military
seems to be the only escape from
severe scarcity, unemployment and
starvation. Another type of de facto
"draft" could be labeled a "boredom
draft." In a Generican society which
offers so little in the way of real ad-
venture, the armed forces might seem
fulfilling by comparison— even if you
are living someone else's adventure. In
a society that accumulates pent-up
anger and bitterness while offering no
constructive ways to release it, one
might be enticed to sign up for a "rage
draft." It's not listed on the recruiting
posters, but the military is one of the
only officially sanctioned avenues that
promises an outlet for one's accumu-
lated aggression. One might also want
to consider the "alienation draft." In
an atomized society that manufactures
loneliness, the military can appear to
offer a much-craved sense of identity,
community, and security.
While it's important to understand
each person's particular set of circum-
stances, that still doesn't justify being
part of a killing machine. The most
important question remains: What are
you going to do about it? I believe that
when significant opposition to war and
its machinery do emerge, some of the
most important leadership will arise
from those who are now in the war or
say they support it. Those in uniform
are in a unique position to see first-
hand the horrors of war, and are in a
unique position to be able to challenge
it! — Zee Noe
WAR RANT
Eh . . . Amigos ... let me tell you
about these pinche yanquis and their
war machine.
A friend of mine (one Salvador
Ferret) said that Americans are dromo-
maniacs — a $25 word that means
"sleepwalkers." They endlessly do
things and then are horrified at the
consequences; they live in a world of
continual surprise, a world of their
own making.
They value convenience over all else;
inconvenience is the true social crime
here. And they will do anything to get
more money, to "get ahead," as they
call it. Join the military to go to
college ... but if they aren't smart
enough to see the consequences of the
military career, are they smart enough
to benefit from college? Or run the
high-tech equipment needed for
modern war?
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Pages
A resident of Santo Domingo, after
the U.S. invaded to get rid of an
elected president, asked a black U.S.
Marine why he didn't go back home
and fight to liberate his people. The
reply— "You going to pay me more?"—
sums up, in a nutshell, the American
consciousness.
And the Yanquis seem to be unaware
of their military— one of the most for-
midable machines in history. . .paid for
by all of them for all of their lives
(well, since WWII). . .and they pretend
that it does NOTHING, especially
when it is in the barracks at home.
They ignore (willfully? out of
stupidity?) the military's enormous
influence, domestically and interna-
tionally. The bastards have been
bombing around the world, mining
harbors, doing shit for decades, but
these brain-dead humanists only wake
up when it looks as if Americans might
get killed. Nothing else matters.
South Africa's invasion of Angola?
Indonesia's invasion of East Timor?
The terrible bloodshed of Guatemala,
the executions in El Salvador by injec-
tion of sulfuric acid? . . . But they re-
main silent (well . . . there are some
who aren't total vendidos).
And their leaders are so honest, so
smart, so wise. . .you can see the joy in
people's faces every day . . . nightmare
poverty and discrimination, boredom
and sanitized bullshit everywhere.
The fuckers will kill anybody,
destroy anything, in pursuit of their
comfort and convenience. And they
will never take responsibility for their
own actions . . . never.
The technological prowess and
bloodless (for the Americans) victories,
along with the need to divert attention
from ever-mounting domestic problems,
will guarantee more wars in the future.
Let their enemies kill as many of them
as possible . . . Let them realize that war
is no game, that their privileges are
bought at terrible cost, their lives up-
holstered and comfortable and unreal.
Maybe they will learn, but probably
not, for they have all taken of that
good old "milk of amnesia." They are
all good Germans.
i jodidosl "Peace!" they cry, but there
is no peace; nor should there be until
there is justice for all of us. Their
"peace" is war on all the rest of us . . .
at least when they're all romping in
the Middle East they are not as
capable of inflicting murder in the rest
of the world. Me? I'm learning to
goose-step— a useful skill in the "new"
world order. —Primitive Morales
WAR BRAIN SPLURTS
"What will become of men who have lost
the habit of thinking with faith about the
meaning and scope of their actions? The
best of them, the ones whom l^ature
anoints with a sacred desire for the future,
will lose, in a painful and unheeded
annihilation, all incentive to bear the
brunt of life's sordid aspects; and the
masses, the common people, the materially-
minded, the average man, will unright-
eously beget a race of empty-headed
children, will raise to the level of es-
sentials the faculties intended to be
nothing more than instruments, and will
perplex the incurable torments of the soul,
which delight only in the beautiful and
grand, with the bustle of an ever incom-
plete prosperity." —]ose Marti
Speak to someone at least once a
day about the war. Think about it at
least once a day. Even if it's officially
over when you read this. Skip TV.
Other media-heads. Just think about it.
Freedom is not free will. Free will
implies personal debate when making
decisions. Question what you
read — even this!
For close to four years, I waitressed
and tended bar in Norfolk, Virginia
while I was a student at Old Dominion
University. Norfolk has one of the
largest naval bases in the country. The
city is made up of local people from
everywhere else. Most of my clientele,
besides local fishermen and crabbers,
were college students, railroad workers
from Ohio waiting to be transferred
home, and those we labeled "Squids,"
the mostly male sailors. Sometimes
they would be out to sea and there
would be a slight decrease in business.
But when they docked they docked
loudly. At one point in a year, the
head waitress found out the ship's
schedule beforehand and phoned to
warn the staff.
When I was bartending, I managed
to get over the "gender thing" because,
if anything at all, we became parental
figures for them, or better yet, thera-
pists. We learned to do a lot of listen-
ing, mostly about trying to maintain
various relationships through the mail.
I became friends with some of them,
although the military has always been
a hot spot in my own ideological
schema, as the quintessence of a pat-
riarchal society. Nevertheless, I have
attempted, with tattered patience, to
change them somehow, through con-
versation. Now, after all those conver-
sations, I believe they honestly thought
they had no other alternative to mili-
tary service . Just as I am in debt with
government loans, and will probably
have to bartend again someday; like
them, I feel I had no other alternative.
I tried to challenge my military
friends' belief systems using their own
arguments: "Thou shalt not worship
false idols" — a country, a president, a
flag; "Thou shalt not kill"-WAR. I
don't know if it ever worked. I do
know they listened. We were around
the same ages, born somewhere
between 1962 and 1967. Popular
culture, music, film, TV, was easy
enough to talk about. But politics and
intellectual discourse, like most intel-
ligent dialogue, was tense and blocked
by our various attitudes toward lan-
guage. Their 's was rational, moral, and
technical. Mine was abstract,
emotional, based in the creative arts.
Our main similarity, though, was our
desire for knowledge. Knowledge that
would secure a comfortable position
within a capitalist society is what
brought us all to Norfolk.
The armed forces is another univer-
sity dividing individual interests into
parts of the military nucleus. This hap-
pens in most formal institutions. The
success of a capitalistic society is to
insure each stroke of the engine yields
proper supply while simultaneously
demanding it. This is learned behavior.
We who are fortunate enough to
have learned the skills and knowledge
required for particular jobs, we who
choose to sacrifice some part of our
existence somehow grin and "bare" it.
We may slave somewhere to pay back
loans or possibly commit murder, even
if our moral code condemns such a
thing. We, the educated, pervertedly
become the "fortunate" ones. Or may-
be one day we wake up and really it's
a big ol' game of Monopoly, and we're
the little silver dog or thimble or iron,
going around in circles until we fall off
the board. Or maybe not! The Ameri-
can ideology offers a path to false
security, the "Good Job." That's what
people in the military are victims of,
and so are most college students, and
workers of various collar colors.
As Americans, we're prone to create
a Demonology of the Other, those
who don't have this great American
chance. Bush is doing it with Hussein
Page 6
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
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Page?
as is Hussein, in George's game, with
Bush. For me, the Other is a concept
constructed from greed. Greed is ex-
cessive desire willing to sacrifice
someone else' loss.
Personally, I think we should send
all the professional athletes in America
to fight it out for Bush since athletics
were formed in ancient Rome to train
the men as warriors. But that's a bit
sexist of me, isn't it? Well, send the
cheerleaders too!!
Racism, poverty, hunger, disease,
and now War, are all realities. War
sacrifices all life for ideals. Someone
else's ideals.
Remind yourself to think about war
because thinking for ourselves is true
freedom, and true education. That's
what military personnel have ceased to
do. Many are probably in the process
of changing their minds and they have
my support. But I'm concerned here
with those who haven't or never will.
Remember to question everything you
want until no one is affected but your-
self. Including this!
— Bean
PM JUST DOIN' MY
GOOD (sic) JOB
It is a psychic tranquilizer. It's a drug
we are given as children. As adults
most of us stay heavily addicted. A
few, very few, are "in recovery."
Actually it is more than a drug: it's
a way of life, an identity. It is often
the ultimate justification for a most
common, self-destructive daily ritual.
As a covert, widespread tool of social
control it's as strong as nationalism and
institutional religion. It is the belief, the
faith, in "the good job."
Nowhere is this more striking than
for those who get paid to inflict and
receive violence. This is the soldier's
job. What convoluted inner deceptions
would allow you to justify such self-
destructive behavior? There are many
familiar explanations that seem valid:
escape from a bleak future of poverty,
camaraderie as part of a larger mission,
thrills from the prospect of glory and
adventure, human bonds formed in a
group struggle to survive. But there is
another explanation never put forth.
A big part of accepting war-work is the
misleading quest for the "good job."
Nowhere else is there such a com-
pelling need to ignore the downside
and dwell on the comparative advan-
tages. Talk about an unsafe workplace!
You can be sure the half-million U.S.
war-workers in the Persian Gulf are
not protected by OSHA. In fact, a
recent court decision subjects them to
experimental drugs without consent! Is
there any other vocation millions of
men (and now women) would be con-
sciously willing to risk their lives for?
This must be the ultimate "good
job"— something you believe in enough
to die for. TTiere is no mucking around
about job performance here: produc-
tivity literally means survival. There is
no question about the self-interest in a
job well done. It's understandable...
and totally unacceptable.
During the many large street protests
in San Francisco against the US war
to control the Middle East there has
been a compassionate but awfully
wrong-headed line from anti-war
protesters to "Bring Our Troops
Home." WTiat a cruel absurdity— they're
definitely not my nor any of my friends'
troops; we don't want them in the
Middle East, Europe, Korea, or here.
All this lamebrained leftist cringing
about the economic and racist draft,
while factually true, doesn't give
anyone license to work the killing
fields. The same rationale could excuse
the Nazis just doing their job in Hitler's
original call for a "new world order."
There is no justification for taking a
job that potentially involves killing
people. This misguided compassion for
"our" troops also denies the dignified,
human choice made by all those who
suffer from the same (or worse)
multiple oppressions and don't line up
in the military chow line.
Those are the people I support, those
are the people with whom I want to be
in solidarity. If you are willing to
accept being paid to kill people and
you don't take any responsibility to
think about it or challenge your initial
naivete — we are in fundamental oppo-
sition.
Though not as graphically, the rest
of us face the same predicament. My
experience is that almost every working
person in the US has an inner psycho-
logical "justifier" that cleverly makes
their job "the good job." For a tiny
minority this is a conscious, rational
understanding based on objective
conditions. For a much larger minority,
it is a conscious but false projection
blatantly contradicted by their actual
work conditions: the hard-working
redneck proudly boasting he dug a
ditch the fastest and best and the
driven middle manager strutting how
smoothly she finished a complicated
project, both exemplars of stereotypical
"good attitudes" which produce the
delusion of the "good job."
But it is a third kind of inner
justifier that afflicts the vast majority
of us. We live under a powerful
cultural ethic that the work we do for
Pages
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
money should be the basis of our
personal identity. At the same time,
we're forced to earn money or be vic-
timized by poverty. So, we have to
form some kind of "armed truce" with
our psyche to make our job OK, or
better, or best of all, good. Perhaps the
most common and binding truce is the
belief that "at least in my job I'm bet-
ter off than the poor sot over there!"
The feeling of comparative advantage
can be based on more money, shorter
hours, perks, relative autonomy, close
bonds with co-workers, or innumerable
other subjective feelings. Everyone I've
met affirms comparative advantages in
one way or another.
And why not? After all, if we are
forced to work to escape poverty— we
may not like it— but we can at least get
the best shake possible. This is
survival, basic self-interest. But it
shouldn't be considered the only route.
The internal construction of the
good (actually, comparatively better)
job is the result of the normal
trajectory in most people's work
history. Often as teenagers we begin
working in low-paying, low-status jobs
and "work our way up." We would be
chumps not to advance into better
jobs — however we may personally
define them. But this process usually
gets confused with an insidious career-
ist ideology, particularly after we hit
thirty. The prevailing notion is
someone working a "bad" job is at
fault and therefore inadequate. In this
twisted way we blame ourselves for a
perverse social system, since self-blame
negates the facts of class, race, and
gender oppression, as well as that
elusive luck factor.
Coping with the social expectation
that "good people end up in good
jobs" is hardest for those whose jobs
don't improve. Some capitulate and
accept their depressing plight. More
often, denial and self-deception
internally enhance what is externally
awful. But equally deceived are the
millions of people like me who
experience some objective improvement
but tend to magnify this far beyond its
broader content. It's just too painful to
face the fact that although my work
life has improved, there is nothing
really good about it, and I have no
hope this will change in my lifetime. It
is much more satisfying to dwell on
the feeling that I've got it good work-
wise as a highly-paid, self-employed
electrician and scam-artist, who enjoys
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lots of free time and independent
scheduling. There is a truth here but
one that pales before a much larger
truth.
Nothing 1 have done for money
makes me feel good. Sometimes, when
what I've done is clearly beneficial to
another, I temporarily feel good in spite
of the cash yoke tied to the experi-
ence. Indeed, all the meaningful things
I want to do are degraded when linked
to the desperate and deceiving system
of money. The activities that give me
meaning necessarily involve my friends
and other working people. How could
I feel good about charging them to
participate in something I find intrin-
sically valuable? Conversely, how could
I not feel alienated about making
money dong something meaningful
with people with whom I share no
affinity, or worse, actually gain money
by exploiting others? Although I wish
it was otherwise, it is a deadly No Exit.
This dilemma, and the fact that the
most socially useful activities (childcare,
healthcare, education, etc.) are usually
the lowest paid, closes off any illusions
I have about the "good job." Even if I
get a relatively better shake, how can I
participate happily in an overall system
that pays investment bankers hundreds
of thousands of dollars a year for
doing absolutely nothing socially useful,
while a childcare worker makes
minimum wage? Averting my eyes to
this doesn't allow me to withdraw
from the forced stupidity of buying
and selling my and others' time.
Ultimately it's a bad deal— we simply
get to pick our poison.
Here is where many get confused
about Processed World's politics of
continued bottom page 1 0
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 9
ARGUMINCE & FAX
GUIDEBOOK GROUPIES
Dear PW:
I just got #25. The theme— vacation-
inspired me to write. Maybe other readers will
be interested to hear about my vacation. A
while ago I decided to quit my programming
job and go for a long trip in an exotic place.
I'm back now. The trip was a year long, and I
traveled around Southeast Asia, India and
China.
Is such a vacation the "answer"? Can it
justify years of "toil" and a cruddy job to save
up the money? Is coming back to the West
such a big letdown that it's worse than never
leaving in the first place? What about my
"career?"
Beats me. But I'll tell you that anyone could
do it. The year cost about $5000 (that
includes airfare, hotels and everything else).
Many North Americans could save that much
by doing without a car for a while. If you're in
the fast-paced hi-tech world of computers,
you don't have to worry about being obsolete
after a year's absence . . . nothing really
changes. I got a new job in 2 weeks. "Did you
find your travels mind expanding?" asked one
boss-to-be in a job interview. Who disagrees
in a job interview?
Don't think that as soon as you get off a
plane in an Asian city that you'll be "away
from it all." You'll probably end up staying in a
hostel or guest house filled with Europeans
and Americans. Maybe you'll order that
exotic Asian dish— the club sandwich from the
menu that's printed in English. The next
day . . . let's go visit that temple which that
Australian woman mentioned last night at
dinner. Gee, there's a lot of white-skinned
people at this temple— I wonder why. Just like
when you're at home, you have to look for
"alternative" things to do if you want to find
them. If you are a couch potato at home,
you'll be a guidebook groupie when you're
abroad.
Bon voyage,
—DM, Toronto, Canada
REVIVAL OF HISTORY
Dear PW:
Suddenly we are at the end of history. So a
neo-Hegelian Washington functionary, Francis
Fukuyama, proclaimed not long ago, crowing
that the worldwide collapse of Communism
nullifies the historical dialectic— and thus,
presto, kills off history itself.
It's a neat equation. I wonder, however,
what a resident of, say, Bucharest or Luanda
or Hanoi might have to say, for there are still
a few historically minded Communists left in
such places as Havana and the Heavenly City.
Whether we are indeed at the end of this
third-rate science-fiction novel called history
remains to be seen; greed, ambition, and
good, old-fashioned hatred offer at least the
promise of a spectacular denouement. History
appears to have an ample store of tricks up its
sleeve, enough that for millennia to come
we'll be obliged to climb the dialectical ladder
toward what passes for a German logician's
heaven.
History clearly endures. But, as the Rolling
Stones warned, we're just as clearly out of
time.
These days everyone seems to be in a hurry.
We rush between relationships, shedding
mates like skins; we dash from one job to the
next; we hurtle from one city to another,
from coast to coast, rootless, alienated. The
average American is likely to meet more
people in a year than his or her grandfather did
in a lifetime. Small wonder, given the demands
of all these new pals, that our hours should fall
into a black hole and be lost to us.
A quarter of all full-time workers now
spend more than fifty hours a week on the
job. The rest clock a mere forty-seven hours a
from page 9
work, since we make a complete break
with the pro-jobs bias of leftist analy-
sis. Workers that never question the
social contract oppressing them are not
"our" comrades. We may identify with
and have compassion for them. We
certainly encourage them to become
more critical and organized. But we
don't see class oppression as a blanket
excuse for a continual pattern of ig-
norance and passivity. At best (worst.'),
every worker is a victim stuck in her/
his role, or, better, a ghastly hybrid of
victim and collaborator. To be sure,
we are an oppressed class oc-
cupying a unique position because "the
system" can't ■ function without our
labor. We possess further leverage: if
we democratically organized and con-
trolled our productive capacities,
society would be freed for unprece-
dented beneficial, creative and pleasur-
able purposes.
Despite all this there is no glory in
work or being a worker — and this is
where both leftists and rightists can't
fathom Processed World. My patriotic
superhero is the anti-worker who, even
though s/he may strive for the best
work compromise, refuses to internalize
the ethics of the good job. My four-
star Bad Attitudinist realizes that even
creating a niche where you get paid to
do what you intrinsically love doing
doesn't make it feel good to be a cog in
the planetary work/war machine. I
salute, shower medals upon, even
promise a parade for all those strug-
gling against just doin' the good job.
Here's hoping to hear from you.
— Med-o
week at the workplace. For business execu-
tives and managers, seventy to eighty hours of
desk jockeying is common. In 1 967, a Senate
subcommittee declared that twenty years
hence the average worker would spend no
more than twenty-two hours a week on the
job; poor optimists, even politicians now must
sell their souls from dawn to midnight,
weekend included.
A TV advertisement now in heavy rotation
depicts a child's Sunday birthday party in some
sepia-toned but recognizable past. The tele-
phone rings, and the kid's father is summoned
into town to attend to some business that
cannot wait until morning. The kid, having
learned where his father's priorities lie, is
crushed.
Fast forward to 1 990, when another tele-
phone summons another adult— perhaps our
slighted kid, wrinkled and bowed by post-
industrial capitalism— away from another Sun-
day birthday party. But now Dad has a fax
machine, a modem, and a bank of computer
gear in the den, and he can get right to work;
he pushes a button or two, hits a carriage
return, and— poof— in nanoseconds a few
million dollars are zapped from Peoria to
Pretoria, picking up interest along the way.
Dad's still missing Buddy's birthday, but from a
distance of yards instead of miles. (For his
part. Buddy will likely dispense with birthday
celebrations altogether when his kids come
along.) This condition, our advertiser pro-
claims, is progress.
With time-saving technologies, our days
should expand. They have indeed expanded,
but only to accommodate still more labor,
useful or not. Work now interrupts us at any
hour of the day or night; an employer's
demands need have no respect for the clock.
Surely this is not the first time Dad has been
called away from the table to plug in another
projection into a spreadsheet. Nor will it be
the last.
Real progress would move in just the
opposite direction. We'd all unplug our tele-
phones on the weekend, or, better, agitate
for strict laws to prevent bosses from invading
our privacy in the first place— anything to
safeguard our scant allotment of hours as they
flash past, quick-marched by relativity's drill
sergeant.
In the 1 920s, Emily Post, the doyenne of
manners, pronounced that a decent woman
would mourn her husband's death for at least
three years, garbed in widow's black. A half-
century later, her late colleague Amy Vander-
bilt reckoned that a week would do. We're a
busy people, we Americans; too busy to
wonder, too busy for trifles like death, too
busy for birthdays, too busy to take stock of
our miserable selves on this suffering planet.
Suffering, in part, because busy people con-
sume more resources than the lazy-bones
among us. If the Japanese wish Banzai— "May
you live ten thousand years!"— ever came
true, a legion of post-industrial busy beavers
would scrape the planet clean before we
cleared adolescence.
"Thought's the slave of life, and life time's
fool," said William Shakespeare, writing in a
world where the very notion of measurable
Page 10
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
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time was new, where the clock was a recent
by-product of the alchemists' quest for per-
petual motion. They found it, too: one has
only to consider the Long Island Expressway
at eight in the morning or the Santa Monica
Freeway at dusk to know that medieval
magicians still exercise a dark power over this
age of smart machines and brainless citizens.
Elsewhere Shakespeare wrote, "I were
better to be eaten away with rust than to be
scoured to nothing with perpetual motion." I
second that. The end of time— of time
available to us, of time under our control, of
free time— wears us all away, planes off those
little burrs of individuality, smoothes us into
perfectly functioning ball bearings in the great
racecup of the State.
Any destiny but such erosion, please. Resist
it. Take the day off, and tell your employer
that you demand more hours for yourself. If
the whistle blows at eight, do what pleases
you until nine, then go home early. Call in sick
on the anniversary of the Haymarket riots.
Give the planet a break by staying in bed.
Spurn alchemy, revive history, commit acts of
temporal revolution.
Take your time.
—Gregory McNamee, Tucson, AZ
THE'
16 WHEEL
Dear PW:
I work as a radio newscaster for one of the
three big networks— one of the last great
union gigs on Earth. The pay is generous,
though likely soon to be reduced; but for me
and at least some of my colleagues, it's a
spiritually corrosive job. We work in a
straitjacket. Many of PW's "tales of toil"
therefore seem disturbingly familiar. My wife
and I are saving money as carefully as we can in
order to finance an early escape from our
respective corporate hamster wheels. This is
not easy even for relatively lucky workers like
us. I think I'd go bonkers if I had to keep at it
until "retirement" age (I'm 46). I stand in awe
of those who cannot escape the master
wheel, yet somehow manage to stay human.
But no one should have to pass the test. My
wife's grandfather correctly told her that if
work were so terrific, the rich would have
kept it for themselves.
—A Reader, New York
COMEDY ISN'T PRETTY
Dear PW:
I basically agree with your premise that
corporate employment is degrading, mentally
insulting, meaninglessly hierarchical, etc. It
seems that your response to the working
world was just as meaningless and personally
degrading; you have to be part of the business
world, so your only response is to give a
half-assed effort and sabotage the workplace.
Is this your view? Or is this just using comedy
to get people to think about their working
lives? If it's comedy, do y'all have a rational
alternative to the corporate world?
-GC. Albany, CA
BOLO*BOLO,
HUBBA*HWBBA
[Last spring ( 1 990), three PWers (Chris
Carlsson, Med-O, and D.S. Black) were
sponsored by the Anti-Economy League of
S.F. to travel to Eastern Europe as corporate
insultants. Armed with anti-business cards,
indefatigable hedonism, and the humble desire
to destroy the entire western financial sys-
tem, we made friends with many radicals in
Poland, Prague and East Berlin. Below are
excerpts of 2 letters from a sharp couple we
CoMiNq Soon to a
Home Front Near YouI
stayed with in Wroclaw, Poland.]
Dear people.
We have been reading Processed World
on our vacations, and now I guess I understand
more of your mission. There are two things
that seem to me to be the obstacle in the
communication between you and the people
of Eastern Europe. First, sometimes the
language you use automatically brings about
unpleasant associations since it does not avoid
the expressions we have been offered by the
communist propaganda for the last 40
years. . : [e.g., the term "collective" while
connoting voluntary, decentralized group col-
laboration and democratic decision making
here, was a horrific doublespeak application
by the state to force unwilling people into
groups that had no power or internal demo-
cracy—Ed.)
Second, quite a lot of the problems you deal
with are very local, very American or at least
caused by the level of civilization which is at
present beyond our reach. We are many years
backwards (though we did have "Mr. Ed"),
and computers are a new thing here. I realize I
live among the "social margin" people, but I
do not know anybody (not a single person!)
who would go everyday to work in an office,
would have to dress nicely and smile, and be a
good clerk— indeed, life here is quite different
than in S.F.
The problem with most people I know is
what to do with the potential they have, all
the energy they don't know what to do with
because there are still so few areas of possible
social activity, and even if there is somebody
who attempts to create a new one, he or she
has to be a real strong personality to
overcome people's frustration and passivity.
I learned a lot from you [during Med-o &
Chris' visit in June, '90], and most important
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 1 1
was for me the discovery that dreams are not
necessarily doomed to failure only because of
their "dreamy" nature . . . We are products
of this reality. We complain a lot. You do a
lot. There are serious differences— we have
learned to be active first.
We have had also some troubles recently,
also concerning our plans of spreading the
good Bolo'bolo news. [Bolo'bolo is a Swiss
author's practical Utopian analysis to trans-
form the "existing planetary work machine"
into non-monetary, decentralized, globally
connected collective bolo's— Ed.]
So we are not able to do as we hoped— to
translate and publish Bolo'bolo in parts— it is
a very good time for it now, everything being
in a state of complete chaos. Unfortunately,
now we are back to step one: finances and
organizing the technical background.
Some weeks ago Julita and Plotr visited
P.M., the author of Bolo'bolo in Zurich. The
conversation was short but meaningful;
Piotr: So what have you been doing all this
time? You haven't yet introduced the
Bolo'bolo system in Switzerland . . .
P.M. (apologetically): Oh, Switzerland now-
adays is not a good time and place for
Bolo'bolo. . .
Julita and Piotr (enthusiastic laughter): But
Poland nowadays is absolutely a gorgeous
place for Bolo'bolo!
My best wishes of a Great Bolo'bolo all
around the world.
Hah!
— Hanka, Wroclaw, Poland
FOR LIFE
Dear PW:
Believe it or not, a tiny minority of
students here at Oxford University are totally
refusing to make use of the "privileges" we
are handed on silver plates, but there is no
serious, organized alternative to the boring,
dodgy, retro, liberal, pseudo-political orcryp-
to-artistic groupings which are self-
perpetuating and DOOMED TO DIE.
Attempts to collectivize, mobilize, even
have good parties, fail again and again. They
call us "hippies," "anarchists," "boat-
rockers," or that most impotence-inducing
label of all: "guilt-ridden middle class chil-
dren." But we know what we believe, and
what we've lived through ( I I years of
Thatcher).
I'm trying the best that I can to use the time
here, which I am very privileged to be
experiencing, to read the original texts, the
ones which have questioned the bases of The
Centralized Power, since "English literature"
began: whether that's 20th century literary
theory, studies of other people's studies of
"culture, "deconstruction, medieval mystical
texts, the nineteenth century novel, industrial
revolution, or whatever. It's a hard thing to
justify, because it is totally unjustifiable.
"Student life" would be obsolete in Utopia.
It's getting late. My generation is utterly
despairing and desperate, and doesn't realize it
yet.
Yours for life,
—Lilah, Oxford, U.K.
THIS PHONE'S FOR HIRE
Dear PW:
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was launched by the U.S. -led coalition forces,
I smashed my Geo Metro car, and was forced
to take a night job to pay for the damages. My
background is in political fundraising, and so it
seemed natural for me to do this again.
This job, ironically enough, was in direct
response to the war. It was fundraising over
the telephone for Citizen to Citizen, a client
of Gargantua Campaigns. Gargantua exists to
raise money for itself and others. It is a
professional fundraising machine, employing
over fifty telemarketers who work in several
staggered four-hour shifts. For the last several
months. Citizen to Citizen had been working
to call attention to the U.S. -funded war
against El Salvador. Evidently the political
concern of the constituent donor base was
drifting towards the Persian Gulf, so Citizen
to Citizen decided to launch a thirty-day push
to prevent the war.
Citizen to Citizen, C2C for short, uses
mainstream political organizing to pressure
Congresspersons whose votes are deemed to
be politically essential. C2C will work in
coalition but it also fights the good fight
alone, and has a D.C. based lobbying arm. One
of the most important selling points of C2C is
their ability to train organizers who— money
permitting— organize demonstrations, pick-
ets, letters, personal visits to opinion leaders,
and TV and radio spots. C2C has a PAC and
has cultivated foundation money, and a few
well-heeled individuals.
Imagine a phone call five minutes before the
war begins: "Mister Bardamu, my name is
John Reed, and I'm calling for Citizen to
Citizen. We're organizing in 7 states to
pressure Congress to restrain the President
from launching a war. You're against going to
war with Iraq, right?"
This phonebank is high tech. We have
computer screens which have been shielded,
and a computer which is our telephone. On
the screen a small donor profile appears: I
know that my telephone call has been an-
swered. The information I have is a name,
address, and telephone number. Only rarely
do I have a monetary profile. I speak into a
mike attached to the headphones. I sit in a
cubicle and stare at my screen. Sometimes it
takes as long as two minutes between calls.
The computer does the dialing and I do the
talking.
"Mr. Bardamu, I'm very happy to hear that
you are against the war. I'm sure you know
how important it is that C2C continue to
lobby Congress for a cease fire in the Gulf
with respectable demonstrations. Will you
help us with a gift of $100?"
My objective is placing this sum on a credit
card so my company has the donation as soon
as possible, and so I get my 1 0 percent bonus
in cash at the end of the night. Checks take
time and sometimes other things come up, and
that means the money doesn't always come.
Once the bombs began to drop, the pitch to
the donor base changed from 30 days to
prevent war, to a more pro-active stand
against the war. Imagine the telemarketers
ringing phones across the United States as
CNN broadcast the first rushes of war.
It is an upside down political world. We can
save the Amazon by eating ice cream; stop a
war anywhere in the world on our Working
Assets Visa card (which gives you the oppor-
tunity to have a percentage of your credit
card fees go to a PC group chosen by
Working Assets), and change faces in Con-
gress by buying into a political commodity
which will do it for us. Citizen to Citizen is in
the business of good causes. Groups like
Citizen to Citizen are businesses interested in
being players in the big game. Like most
businesses, they require techniques of persua-
sion to build a customer base. My job is
persuading you to buy the product. Salvation
on the installment plan.
As long as citizens remain pliant and passive
and don't inquire too deeply into the necessi-
ty for the modern political action package,
donors will continue to create a new class of
activists who have more in common with
corporate thinking than ideological struggle.
For instance, if you contribute money to pay a
lobbyist in Washington to chat up politicians
and monitor the issues for you, then you are
also buying into the thinking that incremental
change is a feasible solution. It is not.
Each of us must act as individuals and
radically alter our way of existence; radically
alter our relationship to commodity culture
and the toxics that come with it. No
government can make you free and no
lobbyist can effectively represent your au-
thentic interests if these run counter to the
organizational line.
Readers, we are being disempowered by
groups that swallow our money and give back
to us a product called politics. Unless we hold
our elected representatives accountable,
without the help of the priest cum lobbyist,
we will continue to be sold down the river by
our friends. Capitalism is the problem, con-
sumerism the symptom.
In a consumer world, everything that is
political is reduced to a TV spot, a direct mail
piece, a phone call, or ice cream. We must use
our own imaginations in a revolutionary
way — we must organize to abolish the middle
-class pretensions of our hired political help.
We must live out the alternative to consum-
erism individually by building a community
rooted in political struggle.
In short, we must embrace the anti-
economy. STEAL THIS MAGAZINE!!!
—John Reed, San Francisco, CA
Page 1 2
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Not Our Own:
Demystifying Goals and Methods
of "Progressive" Work
"Transform the world by labor? But the world is being transformed by
labor, which is why it is being transformed so badly."
— Raoul Vaneigem
"Anything built on sacrifice and self-renunciation only demands more
sacrifice and renunciation." — bolo'bolo
I'm 30 years old and I have an MA degree in political
science, which is not enough to get any kind of good
job, but enough to exclude you from any unskilled
or semi-st .ed jobs because employers know you'll never
last. I've worked a lot of jobs— cab driver, landscaper,
even ad clerk at The New York Times, but I quickly left
them out of boredom, frustration, or low pay.
What 1 learned from all of them is that the only thing
that makes them bearable for five minutes is the social
interaction. What made them all eventually unbearable
was the utter uselessness and meaninglessness of the work
itself. I usually found myself growing despondent,
listless, and suicidal after just a few days. So for
the past several years I've made a living trying to
do something useful, fun and that I do well-
political organizing. For the average leftist, who
chants whatever the Workers World thugs tell him
to and dutifully ponders this week's media issue,
it can be a great solution. If you fit this descrip-
tion, stop reading and look in the help wanted
section of Community Jobs, In These Times or The
Nation. But if your faculty for critical thinking
and communal and libertarian vision lingers
despite your best efforts to drown it in careerism,
it can be a bumpy ride. That's especially true if
you refuse to believe any single organization is
worth dedicating your whole life to.
I've worked for a spectrum of U.S. leftist groups.
PuJbiJc interest groups
spread information, but
foster ignorance — about
how the electoral system
works, aJbout what
constitutes political
activity. Suddenly, the
"politically correct" thing
to do is to write your
congressperson!
I was campaign coordinator for a Citizens' Party
State Senate race, I raised funds for the New
National Emergency Civil Liberties Committee
and the New Jersey ACLU (no pay, commission
only, zero money), I canvassed for New Jersey
Citizen Action, sorted mail at the Guardian, and
stacked groceries at Texas' biggest food co-op. By
early '88, I had just about given up on this
method of making a living when a strange ex-
perience led to slightly improved working
conditions and a bit more "status."
A friend told me that the National Lawyers
Guild was hiring. (Incidentally, I got most of
these political jobs by knowing people who knew
people at the group in question. I'm not sure
whether this is a leftist version of "it's who you
know" or a sign of "community" winning out over
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 1 3
abstract "merit" in the hiring game.) I
called the Guild, and the person on
the other end of the line insisted I
come in immediately for an interview
despite my protests that I was in blue
jeans and sneakers and unprepared. I
didn't even know what the job was.
I was hired immediately to recruit
students at law schools and form new
chapters of the Guild across the country.
I had done Civil Liberties work — which
involved very little actual knowledge,
ability, or organizing experience — and
had dropped out of law school after one
year. Also, as a student 1 had been a
member of the Guild. They figured,
probably correctly, that I'd be able to
relate to left-wing law students. For
reasons I will describe below, I left after a
year.
Most left-wing groups pay very poorly:
My National Civil Liberties pay started
at $5 an hour, and was $7 when I left;
the Guardian pay was unmentionably
low. But the Guild paid $20,000 a year,
which seemed like a lot to me, and for
the first time in my life offered health
benefits and overtime pay.
Also, with the Guild on my resume, I
could apply for union jobs, which usual-
ly pay in the mid-'20s with benefits and
often a car. But when I eventually
looked into working for a union, the
only one interested in hiring me was the
white collar division of the International
Ladies' Garment Workers Union (IL-
GWU), PACE, which offered me a job
at their one-person Vermont state office.
They paid slightly less than the Guild,
but did provide me with a car and
expenses.
My most recent sojourn into employ-
ment was a temporary organizing posi-
tion with the Committee of Interns and
Residents (CIR), which I took after being
transferred back to New York with
PACE at my own request. CIR is a
NY-based union of medical residents,
people who regularly work 80-130 hours
per week right out of medical school.
The job paid $15,000 for six months,
more than I had ever made before. This
enabled me to get a larger unemploy-
ment check when I left.
For the past six years, I've been part of
the Midnight hlotes publishing collective.
This journal gives me something that no
job ever has — the chance to be part of a
genuine collective based on a common
project and a common understanding of
the world. It's a place where I can express
my own "maximum" views instead those
of the lowest common denominator
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coalition politics that predominate at
most leftist organizations.
I started with this long, detailed list of
jobs and wages because such factors
shape the world views and political
analyses of even the most abstract
radical thinkers. Also, it makes it clear
that the analysis that follows is based on
extensive experience.
Institutional Ambivalence
I don't think any single organization
can represent a whole movement or
class. The experience of collective and
individual self-transformation, which is
the basis of all genuine radical social
struggles and what attracts people to
them in the first place, can never be
totally encompassed by the work of the
organizations that partially represent
that movement.
At best, institutions mobilize people at
a crucial moment in history, or champi-
on the needs of some of the exploited. At
worst, institutions project the interests of
those social sectors from which they
recruit onto a whole class or movement.
This process accounts for the bureaucra-
tization of unions, parties and other
groups, and explains how they become
detached from and hostile to criticisms,
suggestions, and initiatives from below.
At the lowest level of "degeneration,"
these institutions can consciously play a
crucial role in siphoning off political
energies by providing an alternative job
market for people who hate capitalist
institutions and refuse to work for
corporate profits. We get to work on
political issues, but not the issues that we
would work on, or in the way we would
work if it weren't a job. The possibilities
for creating communal places to live,
produce, consume, and create close off
to you when you're stuffing envelopes to
save a rainforest, or lobbying some
legislators. Meanwhile, even if you
would prefer the former course, members
of your potential alternative network are
also working either at straight jobs or for
the left.
Only reasonably well-funded organi-
zations can provide a living wage, but
the well-funded-employer market is de-
termined by funders. By default these
become the left. That they have offices
and people in charge means that they are
available to cooperate with the media,
the Democratic Party, and other institu-
tions as a responsible, respectable, for-
mal opposition. If an alternative view is
presented on TV, it belongs to the
chairperson of a recognizable national
organization, or a left lawyer.
Although these individuals advocate
an alternative, they keep working people
and less formal activists like squatters,
ACT UP, and local groups from pre-
senting their views and being recognized.
So while we keep body, soul, and sanity
together by working at non-profits, we
are helping to prevent the formation of a
real movement.
What's more, because these organiza-
tions need funding to operate this way,
preserving their financial base becomes
Priority No. 1. Increasingly structured
around their budget, they consider their
Page 14
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
members as nothing more than a fund-
ing source. Yet this thwarts the ostensi-
ble purpose of political organizations in
the first place— strengthening and en-
hancing a struggle or movement.
It's no surprise, then, that people
usually avoid formal organizations when
the need for action arises — witness the
proliferation of antiwar groups amid the
chaos of the divided formal groups. Yet
when no autonomous mass upheavals
exist, these labor, civil liberties, and
other groups do mitigate political repres-
sion and occasionally help push through
a useful reform. More importantly, they
sometimes provide a space for activists to
meet, gain political experience, do some
of their "own" political work, and sur-
vive without being ground up in the
wheels of capital.
BODY BAGS BY HEFTY
The official bag of Operation Desert Shield
A Mobil Chemical Company product.
Pursuing Your Own Agenda
The question is: How can people
whose vision of life is communal and
egalitarian and who work at leftist
organizations 1) advance exploited peo-
ple's own initiatives; and 2) develop
some fun, collective project that builds
community?
The short answer is that you cannot
do your own political work while work-
ing for the left anywhere I've been if you
have my priorities. The long answer is
that you can do some of it if you: 1) go
around the organization while using its
contacts/networks and resources; 2)
make it your top priority to facilitate
self-organization, not just recruit for
your employer; 3) develop horizontal
networks among those involved in the
group's campaigns; and 4) don't care
very much about getting fired.
Historically, this is a very strange way
to make a living. The only other leftists
who did so were the generation of
communists who became union organiz-
ers and officials in the '30s and '40s. This
precedent is not a comforting one,
because both the role these men played
and the way unions turned out are a
mixed bag at best.
The institutions that today's radicals
work for fall into three categories. The
first are organizations run as unpaid
collectives or communes 20 years ago.
The second are those which arose after
the '60s movement faded. The third are
those already seen as corrupt when the
New Left was new, but which have
acquired a new attractiveness because
other, better alternatives are lacking.
In the first category, I put the Guardian
and the National Lawyers Guild— which
the New Left literally rejuvenated
through collective volunteer work. A
number of New Left groups, forged in
the heat of battle with 60s communalist
enthusiasm, continue to function, but as
formal organizations with paid staff and
a clear division of labor between manag-
ers and workers. During my stay at the
Guardian and the Guild, I found people
more "consciously" or consistently radi-
cal than at Citizen Action. It is always
nice to work underneath a poster of Che
Guevara or Malcolm X. But the unsavo-
ry religious flavor generated when ideo-
logical orthodoxy is enforced on top of
regular work discipline left a bad taste in
my mouth.
The Guardian claimed to be a collective,
and a "Leninist" one at that. But a
subtle hierarchy existed. I was not the
only one told that before I could obtain
full membership with policy voting
rights I would have to "clarify my views
on the Soviet Union."
Organizing the Organizers
The job at the National Lawyers Guild
was one of the best I ever had. There was
a union, something I longed for at
Citizens Action, although when my
position needed new funding, its func-
tion left something to be desired. A staff
union testified to the Guild's sincerity
about living up to its ideals. But it also
raised the question of why we should
need union representation at our "own"
organization.
There is no question that employees at
many "progressive" organizations need
unions to get treated with some respect
and gain the benefits that even some
small, mainstream companies afford
their employees. Also, a union provides
a way to share thoughts with fellow
employees, who are invariably activists
too.
In theory, the officials in charge are
also activists, even fellow members of the
working class. But the creation of organ-
izations designed to gain employer con-
cessions acknowledges that antagonistic
relations and class differences exist with-
in the workplace. Whether or not we
focus on the power of only some to hire
and fire, or the difference between
formulating policy and carrying it out,
recognizing that class divisions separate
most workers in leftist groups from their
"professional" executive directors can
revive true alternative politics in this
country.
On a national scale, the rank and file
caucuses that appeared in many unions
in the '70s, such as Teamsters for a
Democratic Union, reflect this division.
However, as with Miners for Democra-
cy's capture of the United Mine Workers
Union, once such groups gain power the
relationship between leadership and
members remains fundamentally un-
changed.
The most dramatic example of this is
the rise of Solidarnosc. The strikes that
created it in 1980 (and not the other way
around) clearly demonstrated that the
Communist Party was not the workers'
party. The union's formation meant that
class conflict existed between the workers
and the state. But once in power,
Solidarnosc started representing class
interests other than those of the work-
ers, and rank and file control gave way
to a new bureaucratic professionalism.
The Issue of Class
Through the Guild I saw a lot of the
United States, met hundreds of radical
young people, and probably encouraged
somebody to consider alternatives to
corporate law. But I was organizing
lawyers. Nothing's wrong with this, but I
was sometimes aware that I was lower in
the social pecking order than my "cli-
ents," leftists or not.
What's more, the projects I worked on
had to enable lawyers or law students to
play a role. The issues themselves —
racism, sexism, Palestine — were often
good. But radical forms of organization
should not only be internally democratic
and non- hierarchical, which the Guild
was not, but should also allow the
exploited to interact in ways that break
down the social hierarchy.
Organizations based upon professional
affiliations pose problems — they're not
bad, but limited. In theory, legal workers
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page I S
and jailhouse lawyers can be members.
But the jailhouse lawyers are treated as
charity cases, and the legal workers,
including the Guild staff, are clearly a
low priority. In addition, legal workers
have very little decision-making power.
This is mostly because of a lack of
resources, but also because funding pri-
orities require a focus on paying mem-
bers.
The inclusion of non-professionals and
students was forced on the old left
movement by the struggles of students,
prisoners and women in the early '70s.
Thus, changing the social relations
within the legal union are part of the
movement outside the organization,
which determines relations within.
The increasing moderation of old
"New Leftists" and the continued pres-
ence of old "old leftists," who always
counsel working within established
structures like liberal city governments
and avoiding controversial subjects like
Palestine, made my stay at the Guild
uneasy. Old CP'ers had never reconciled
themselves to the inclusion of law stu-
dents, as it would make the Guild seem
less serious-minded compared to the
American Bar Association — to which it
is supposed to be an alternative.
As a result, my position came under
fire. A new president of the Guild, as
always chosen before the national con-
vention, planned to forego recruiting
new members in favor of making the
Guild a clearinghouse for high-profile,
media-oriented cases handled by a na-
tional staff of lawyers. This hasn't hap-
pened yet, but the political atmosphere
got uncomfortable and increasingly ca-
reerist. Some Guild members were de-
fending the police in brutality and civil
rights cases for city administrations like
Chicago Mayor Harold Washington's,
which were perceived as grassroots-
oriented. Others were defending the
victims.
I took the liberty of expressing my
views on these and other subjects. Soon
the national office was getting enough
complaints about me that I decided to
politely bow out. This blew my chances
for a good reference despite having set up
their whole law student recruitment
structure from scratch and adding many
new chapters.
Working for these formerly volunteer
groups makes you more likely to meet
some genuine radicals with whom you
may work in the future. You'll also learn
a lot of useful information. But it's an
uphill climb for someone whose goal is to
overcome class divisions and create an
ideologically unconstrained movement.
Luckily, such groups are still quite
marginal because they are explicitly
anti-capitalist in theory if not always in
practice. Mostly they lack a sense of
humor, but they do allow some diversity
of views.
'^^
'18?
Citizen InAction,
Public Disinterest
More insidiously typical, and more
cynical and prevalent, are "category
two" jobs at Citizen Action and similar
"community organizations" and "public
interest" groups. If the New Left groups
were born of '60s rebellion, and became
tamer and more conventional with the
movement's collapse, the defeat of these
revolutionary aspirations in the mid-'70s
laid the groundwork for Massachusetts
Fair Share (now defunct), the California
Public Interest Research Group (Cal-
PIRG), the United Neighborhood Or-
ganization, and their ilk.
These groups appeal strongly to white
suburban liberals and leftists who have
little or no experience of real social
movements or direct action. They push
specific pieces of legislation, which are
usually OK as far as they go, but they
organize in the most conventional man-
ner possible. They parody the camara-
derie of real collectives by going out to
canvass in teams, ringing doorbells and
making you work endless hours for low
pay out of "idealism." You go drinking
at the end of the night with your team
because you work so much that you
never see anyone else.
Public interest groups spread informa-
tion but foster ignorance — about how
the electoral system works, about what
constitutes political activity. Suddenly,
the "politically correct" thing to do is to
write your congressperson!
But if their strategy is absurd, even
reactionary, their tactics could be revolu-
tionary. They are among the only groups
that go to people's homes to talk to them
about politics (only in the last few years
have some labor unions tried this tactic).
The problem is that the canvasser gets
an empty petition signed, a letter written
to a Senator, and maybe a new subscrip-
tion to the group's magazine — period.
People are never broken out of the
isolation in which the organizer finds
them.
I saw this problem most clearly when
we canvassed Belleville, New Jersey,
mere weeks after the racially mixed,
blue-collar town had discovered the
largest-ever dump of dioxin, the chemi-
cal base of Agent Orange. Citizen Ac-
tion was pushing a Right To Know Bill
on Toxics (which eventually passed the
legislature only after farm workers were
explicitly excluded from protection un-
der the bill).
The bill was of course too late to help
Belleville, but was not irrelevant to their
problem. Unlike wealthier towns, every-
one gave me some money towards my
"quota" in the piecework wage system
and wrote a letter. But they all asked,
"Which group is it this time?" Every
ecological group in the world had been
at their front door in the past month,
but the residents were still in the same
boat. Worse yet, despite their anger and
militancy, they remained as isolated and
felt as helpless as before.
The New Left at its best saw breaking
through people's isolation as the purpose
of radical politics. They recognized that
in groups, people's consciousness, abili-
ties and commitments are radically dif-
ferent than when they act as individual
citizens or consumers.
But in contrast, citizen-based organiz-
ing depends on that isolation. No one
had called a group meeting where Bel-
leville residents could talk among them-
selves, relying on their own knowledge
and resources as well as the expertise of
helpful activists. No one organized direct
action to punish the companies respon-
sible.
Public interest and citizen groups (in-
cluding many mainstream environmen-
tal organizations) also depend on a
steady supply of cheap, willing labor in
Page 1 6
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
the form of idealistic college students
and recent graduates desperate for non-
corporate work. A successful revival of
demands for "wages for students" in the
form of lower tuition, higher scholar-
ships, and more grants instead of loans
might eliminate these organizations
overnight!
The old left joined mass organizations
to win members to their own party.
Today radicals can play a positive role in
such groups only by subverting the
"public interest" strategy by fostering
rank and file personal contacts to discuss
needs met only outside the organiza-
tions' limits. Some tenant organizers 1
know bring tenants together to form fuel
co-ops, discuss problems, and pressure
the very groups for which the organizers
work for more resources and decision-
making power. It is rarely possible to
carry out this kind of agitation, but the
human contacts are very rich at some of
these jobs— people would often have me
in for coffee, dinner, long conversations.
The Union Staffer
Unions of course fall into "category
three"— groups already discredited as
sources of social transformation. They
are also the most stable and best paying
— plus, union organizing leads to much
more intensive contact with working
people.
But the level of cynicism one finds
among union people is astounding. The
white-collar division of the ILGWU for
which I worked was ostensibly created
because, with garment workers declining
in numbers, the union hoped (along
with many other unions) to latch onto
the growth in office workers. But no one
has successfully organized large numbers
of U.S. office workers. This suggests a
need for innovation, experimentation,
and concern for issues like abortion,
sexual harassment, and child care.
No innovation was allowed at PACE.
The hierarchy knew that an organizer
has tremendous potential to facilitate
contact among workers — in short, to
subvert the union in favor of rank and
file power. So they put real pressure on
us all.
Years ago the ILGWU crushed a
unionization attempt by the organizing
staff. We were prevented from working
with feminist groups, and I was banned
from meeting with radical church activ-
ists. The height of cynicism was reached
when companies were told that if they
allowed their garment workers to join
the ILGWU without a fight, we could
leave their office workers alone. Con-
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versely, we were ordered out of some
offices because the garment organizers
were interested in the shops. I stayed as
long as I could find new ways to meet
workers.
I knew PACE would not be the im-
petus to mass office worker insurgency,
but I thought that anything that fostered
struggle, militancy, and collective inter-
action would seed future movements.
However, soon there were no avenues
toward this goal left, and virtually the
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 1 7
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Photo D S. Slack
whole staff quit.
This job reminds me about one of the
biggest problems with all existing organ-
izations: radicals gain experience at such
places and bring analyses and knowledge
to them, but the organizations impede
political movements by preventing us
from using all that we know. Their
whole basis for existence is the fragmen-
tation of political needs, issues, and
identities. In this they are reactionary.
Was I supposed to talk about nuclear
power or the death penalty when people
wanted to discuss these problems? Or
was I supposed to tell them that I was
sorry, but our organization didn't talk
about those issues? Once, at a union staff
meeting, I was told that our goal was to
get a majority of pro-union people, even
if that meant a white majority over a
black minority. Fighting racism was a
fine thing, said my boss, but not what we
did. When I argued that overcoming
racial divisions within the working class
would make our job easier in the long
run, discussion ended. We organized one
workplace at a time, period.
This fragmentation of experiences,
goals, knowledge, ideals, and energies
means that we spend 40 or more hours
per week in ways that prevent us from
fully using our talents. All of the various
kinds of "intelligence" we've accumu-
lated suffer from disuse because they
promote more threatening, multidimen-
sional struggles. Controlling radicals and
shutting off uncontrollable avenues of
resistance have been capitalism's major
projects ever since the 1960s.
In fairness, working for the Committee
of Interns and Residents (CIR) was a
much better experience. I worked on a
successful strike campaign at Bronx-
Lebanon Hospital in the South Bronx.
The majority of doctors were "Third
World" Puerto Rican, Indian, Pakistani,
Arab. We had picket signs in Hindi,
Spanish, and. Arabic, and protest songs
in five languages. The residents there
were likely to work for wages their whole
lives and were ruled by threats from
superiors. Nurses and other community
people led them on picket lines, breaking
down the hierarchy of doctor/nurse/pa-
tient. We even won the strike!
However, I discovered that when doc-
tors struggle with other workers, the
union undoubtedly represents the pro-
fessionals' specific interests. These are
not always antagonistic to those of other
exploited people — CIR supports a na-
tional health plan, for instance. But they
are different.
In a contract dispute in a state-owned
New Jersey hospital where most resi-
dents were white middle class males, the
issues seemed more narrow and parochi-
al. Contempt for lower echelons of
workers lay just beneath the surface in
many, though not most doctors. What's
more, though CIR is superior to most
unions in its recognition of members'
needs and demands, even "far left" CIR
organizers were sometimes suspicious of
rank and file initiatives.
When previous structures carry over
or reflect parallel corporate or state
hierarchies, the "professional" role the
activist plays separates him from the very
people he came from or "represents."
Obviously, some "professionals" are
more "sensitive" to this problem than
others. But for the most part it is not
subjective.
At CIR, three organizers— myself, and
two other "anti-authoritarians" — would
sometimes suspect a member who put
out a leaflet on his own, organized for
other than previously agreed-upon de-
mands, or who called his own meeting.
We weren't necessarily "wrong" in
thinking such efforts divisive, incompet-
ent, or even the result of bad intentions.
But it's impossible to tell whether you're
in and of the organization when you
aren't the one working 80 hours a week
or living on a dioxin dump. It isn't that
members are always right, but that their
outlook, interests, and experiences are
very different from the organizers'.
What's more, they have a different class
perspective from the leadership, who
become focused on remaining in inter-
esting jobs where they can control
institutional policy.
"Portals to Radicalism"
or Just "Good Jobs?"
I'm tired of "progressive" jobs, but I've
learned that their use value is what's
most important — along with the wage. If
you can use your job to get experience or
create some space for your own political
priorities and it pays a living wage, it can
be bearable for a while— even positive.
But if you feel like you're being ripped
off, you'll resent every limitation and
restriction that much more.
Now I'm hoping to get a Ph.D. and
teach for a living. I don't see a qualitative
difference between this and many of my
previous jobs: part of the work is
interesting and fulfilling to me, part of it
is not because it's organized as a job. Pay
is low, but the exploitation less severe
than in corporations. The human rela-
tions can be fun— getting through to
students, enjoying room for activism,
meeting other faculty with common
concerns— but the hierarchy and career-
ism are stultifying.
I've never kidded myself that I was
making revolutionary changes when I
worked for unions, except when I tried
to go beyond the job's limitations. I have
the same attitude towards academia,
except there the job security and even-
tual wages are a bit higher.
The careerist New Leftists who flocked
to teaching positions in the '70s, but
who are politically quiescent today (ex-
cept for their mostly unread books),
made the mistake of assuming that
teaching per se could be radical activity
— as though capital can't turn anyone
into a commodity.
The "long march through the institu-
tions" usually leads only to empty insti-
tutional victories. But any time people
can find collective space to struggle
against power, or can work mainly to
reproduce themselves and friends in-
stead of profits, a foundation for ex-
panding the struggle exists.
We have to first demystify the alterna-
tive labor market. Marxist professor-
ships, civil rights attorneys, union jobs
for left-wingers, canvassing positions— all
exist today because our extra-
institutional struggles created new needs
and wants and transformed "the mar-
ket." The question is how we can move
on from these accomplishments and use
our proven capacity to transform the
labor market to abolish the labor market!
— Steven Colatrella
Page 18
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Progressive
Pretensions
I spent most of my young adulthood avoiding formal
"work." The thought of the soul-killing routine that
makes up the bulk of most careers horrified me. Un-
fortunately, I had no clear notion of what I wanted to
do, only a strong aversion to boring and routine tasks.
As much as possible, I arranged my life so that I could
lay around and read with no obligation to do anything
else.
College provided an obvious and easy refuge for the
lifestyle I desired. By reading the textbooks the week be-
fore exams I picked up enough to pass most courses with-
out wasting too much time on academics. The luxuriant
student financial aid of the mid 70s easily paid the token
tuition at the city university with plenty left over to sub-
sidize my leisure.
When I finally left home (at age 20), the student dole
ceased to be enough to get by on, and I was compelled to
seek part time work. I couldn't hack more than
two months as an evening phone surveyor for
"Snears"; I only lasted six weeks as a file clerk at
the library. Finally, 1 found a nice, over-paid,
federally subsidized "work-study" job reading
journal articles for an absent-minded professor of
epidemiology.
My academic status justified my existence to my
parents. I satisfied my own existential needs by
other means. Coming out as gay, and the asso-
ciated sexual exploration, occupied my twenty-first
and twenty-second years pretty fully.
The Movement, as personified by my lover Joe
the Professional Revolutionary, anchored my
world for the next two years. It had the additional
benefits of aggravating my mother and enshrining
my aversion to "alienated" work as political
Recycled Paper Products
looked like the perfect
refuge. . .At first I
approached it as a
relatively non-toxic work
environment. Soon,
encouraged by success, I
began to contemplate
it as a Career.
correctness, rather than mere laziness and/or
whining. I coasted, happily, a little longer.
THE PARTY
After several years of aimless academic browsing
I dropped out of school (a 24-year-old junior) in
the summer of '81, and so lost the shelter of
financial aid and cushy work-study jobs. After a
last six months of leisurely hanging out on my
unemployment checks, I was faced with the task
of getting a "real" job. And it might as well be
one that would justify my existence at the same
time, for I was being purged from The Party.
Joe's group, the now-defunct Revolutionary
Socialist League, was kind of a humanist Sparti-
cist League, dedicated to a Proletarian Revolution.
Come the Revolution, we would run things. Until
PROCESSED WORLD 126/27 - Special 1 0th Anniversary Double Issue!
Page 19
then, the rank and file worked (ideally)
in heavy industry, which provided con-
tact with Real Workers and large dues
for the Central Office (about 50% of the
wages and everything over $20,000).
This work, despite appearances to the
contrary, was not "alienated" because it
was an part of being a Professional
Revolutionary.
The middle management (branch
honchos) were allowed cushy, middle
class jobs like teacher or social worker.
The top hochos were paid a bohemian
pittance by the Party, which they fur-
tively supplemented with many from
their parents. Instead of holding down
outside jobs they put out the paper from
New York City, and spent a lot of time
Thinking and writing "documents"
about how to build a Leninist revolu-
tionary "party."
Just before we met, Joe had won a
hard-fought battle for leadership of the
Chicago branch, in one of the very rare
successful challenges of the Central Of-
fice authority. He defeated the offical
slate by seducing the local rank-and-file
with his apppeals to hedonism, and by
recognizing of the need for occasional
breaks from hawking our unreadable
cult rag. He justified his suspiciously
enjoyable and unproletarian "interven-
tions" in academia and the gay commu-
nity by producing real live recruits (a
rarity)— like me.
To be a candidate member in good
standing, I should have quit school and
applied for a job in the steel mills or
something. But the rules were not strict-
ly enforced as I was the Organizer's
boyfriend. For similar reasons Sally, the
Big Cheese's ex-girlfriend, could ignore a
technically binding order (from the Or-
ganizer before Joe) to get an abortion in
order to avoid "wasted" time.
The CO. never resigned itself to Joe's
liberal regime. Refusing to read the
writing on the wall, they considered his
election an anomaly made possible by
temporary rank and file disgruntlement. A
year's worth of persistent covert infight-
ing toppled him, and I was caught up in
the long postponed house-cleaning. The
"The rank-and-file stood
on frigid street corners
waving The Paper at
disinterested proletarians."
technical charges against me were "petty
bourgeois" (read: gay) tendencies and
anarchism. In view of this latter charge,
it amuses me to see that the remnants of
the RSL have retro-fitted as "anarchists"
in a no doubt futile attempt to find a
viable milieu.
In retrospect, I have to acknowledge
that I was guilty on both counts, and
should never have joined that chicken-
shit outfit. My attempts to rally opposi-
tion to the CO. were brushed aside, but
I at least tried. Joe, my mentor and lover,
didn't even defend himself, instead fall-
ing into a months-long depression when
"criticized" personally by Ron Tabor,
the Big Cheese. I was kicked out after a
brutal trial before a kangaroo court,
while Joe was allowed to resign from
office and go "on leave" from Party
duties.
Our relationship had been on the
rocks for most of its three years. Still, I
was hurt and surprised that he dumped
me as soon I was purged. Joe later
patched up his difficulties with the CO
for another few years. The RSL was
more important to him than I was,
something I hadn't wanted to discover.
I was out of school, out of work (out of
benefits, even), out of the movement,
Page 20
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
and didn't even have a boyfriend any-
more. For the first time in my life, a
Career began to look good to me.
THE COMPANY
My Career would, ideally, be mean-
ingful, instead of a mere auctioning of
my precious time for a paycheck. It had
to be Socially Responsible, if not actively
Politically Correct. It couldn't be too
mainstream, because I just couldn't pass
as a standard drone. In fact I couldn't
even get a position as a bank teller (a
standard job for young three-piece-suit
queens).
At first I scraped by on a variety of
casual jobs, ones that didn't require
much interaction with mainstream work
culture. A combination of part-time
non-legal pursuits offered short hours
but required unsavory company. House-
cleaning for "Brooms Hilda" provided
good browsing opportunities but little
existential gratification. Working as a
clerk at a used book store came close to
being ideal; then the creepy proto-fascist
owner tried to get in my pants. I quit.
A guy I was dating at the time
suggested I apply at Recycled Paper
Products. His best friend's lover was "an
executive" there, and with her recom-
mendation and my native talents, I got a
job.
RPP had just reached the peak of its
growth. Started in a garage in the early
'70s by founders Mike and Steve, RPP
printed off-beat greeting cards on 100%
recycled paper, a novelty back then.
They offered a cute but not cutesey
alternative to the smarmy quatrains
favored at that time by the two greeting
card giants— Hallmark and American.
Their recycled paper shtick got them a
lot of good initial media coverage, and
their cards sold well.
They began to edge into the main-
stream when one of their properties
really caught on. Sandra Boynton's cute
kitten cards sold in the millions. RPP
doubled and doubled again, year after
year. By 1982, when I started work there,
it was the fourth largest greeting card
company in the U.S.. It employed
hundreds of salespersons in the field,
and a hundred more people at its
warehouse in Chicago's south suburbs.
The central office in Chicago's New-
town, where I worked, had grown from
Mike and Steve and their secretary to a
staff of almost two hundred.
Newtown is Chicago's youth/hip/gay
neighborhood, a developing zone be-
tween thoroughly gentrified Lakeview to
the south and sleazy Uptown to the
north. RPP, with its hip, laid-back
reputation, fit right in. The office staff
included lots of feminist women and gay
men from the area. Flex time in the
summer allowed the staff to stroll over to
Wrigley Field, 2 blocks to the west, for
afternoon baseball games.
RPP looked like the perfect refuge.
They proclaimed their determination to
promote ecology, and played up their
belief that the company should be a big,
happy family. At first, I approached it as
a relatively non-toxic work environ-
ment. Soon, encouraged by success, I
began to contemplate it as a Career.
I started as a packing slip clerk,
graduated in six weeks to commissions
clerk, and within six months was assist-
ant manager of my department at double
my original pay. This was the largest
salary I'd ever earned ($12,000 a year,
even then no big deal), and unlike my
friends I didn't have to dress up in
establishment drag to go to work. De-
spite my official cynicism I wondered if
the American Dream might not be true.
I wondered if I were selling out, or if it
were OK to be a capitalist as long as you
worked for a progressive outfit, and
examined RPP from my new vantage
point in the lowest branches of Manage-
ment.
THE PRODUCT
Some years before I arrived, RPP had
had some sort of falling out with Boyn-
ton, their biggest star, the woman who
did the cute cats. However, their associ-
ation was too profitable for either party
to break off. Bound by iron clad con-
tracts monitored by squads of lawyers
from either side, she produced X
hundreds of designs per year. There was
no direct communication between her
and RPP. In addition Mike and Steve
had recently gobbled up the Dales, a
husband-and-wife team that had tried to
be an independent card company and
failed. They specialized in cards that had
smarmy openers on the front and dirty
punchlines inside, using words like
"fuck" and "shit"; they were very popu-
lar.
But dark times were looming for RPP.
Lots of people used recycled paper now.
Hallmark began to produce a line of
"lite" cards that were a frank rip-off of
Boynton's designs — and the gullible
public, unable to distinguish these from
genuine RPP cards, were buying them.
Several previously "underground" card
companies were just going mainstream,
and their slick stuff was far dirtier — and
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therefore more popular— than anything
we produced.
RPP was no longer unique, and its fast
growth period was over. For the first
time, in 1982, RPP failed to double in
size; it hardly grew at all. In 1983 it
would suffer its first year of net loss.
Mike and Steve, shocked at this sudden
downturn after 10 years of uninterupted
success, looked for ways to cut costs. The
facade of Family, so long supported by
seemingly endless growth, faltered.
THE FIELD
My department. Payments and Re-
cords, was responsible for calculating the
pay of everyone who worked in "the
Field": anyone outside Chicago. Offi-
cially these were all "contractors," so
that no one got benefits of any sort. In
addition to salepersons, who got com-
missions, there were "service" people,
mostly retired women who stocked cards
at their local stores at piece-work rates.
My job, in addition to supervising the
six-person staff, included resolving the
complaints of any sales and service
personnel who claimed they were not
being paid even the sub-minimum wage
they were entitled to.
As part of the austerity effort my boss
instructed me to deny all such claims
wherever feasible regardless of ostensible
merit. This was actually fun to do,
particularly as most of the salespeople
were pushy and obnoxious. Some of the
field personnel, put out at being ripped
off by a snotty clerk (me) appealed to
their regional managers.
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 2 1
If their regional manager was one of
the original five salesmen who signed on
with Mike and Steve at the very begin-
ning, they always won their appeal.
Otherwise not. The field operation was
strictly a feudal-style hierarchy, and no
one even bothered with progressive
jargon to cover it, as we did at the
central office.
THE WAREHOUSE
When RPP began, its cards were
packed and mailed by blind and disabled
people contracted via federal and city
agencies. This was PR'd as charitable
employment, but in fact after federal
subsidies and tax breaks, RPP ended up
paying them about $1.50 an hour (and
no benefits); some would call this exploi-
tation of the disabled.
When the company grew too big for
this, it founded a warehouse in a distant
south suburb, a white working class
area. The office staff, Newtown liberals
and gays, only saw the warehouse staff at
the annual Christmas party and we
never felt comfortable around these loud
red-neck types. We heard vague rumors
about tyrannical foremen, low wages,
and double-shifts with no overtime.
Shortly after I got there, the ware-
house staff tried to unionize. Mike and
Steve, progressiveness notwithstanding,
hired a famous union-busting law firm
and threatened to move the warehouse
to Tennesee, a "right-to-work" state.
The union lost the vote, the "ringlead-
ers" were fired while a small raise was
given to everyone else, and peace re-
turned to the warehouse operation.
"Barbara was a loud, fat, upfront bull-dyke
whose very existence aggravated Eileen's
Lipstick Lesbian/Career Woman sensibilities."
I learned most of this by reading
confidential memos on my boss's desk
while she was doing power lunch. Few
people at the central office knew any-
thing about the affair.
THE OFFICE
In fact, as far as I could tell all my boss
Eileen did was Power Lunch. I moni-
tored and assigned work in the office,
resolved disputes, prepared reports and
gave them to her to sign. She did lunch
and attended meetings, held frequent
morale boosting sessions where she
urged us to work harder in New Age
jargon, and lobbied for a larger staff
while trying to stay on Mike and Steve's
good side.
For some reason I could never figure
out, virtually all of the department
heads, like Eileen, were lesbians. Perhaps
Mike and Steve felt less threatened by
them than they would have by men in
the same spots; maybe it was simply that
their willingness to tolerate these wom-
en's sexual orientation allowed them to
pay a good 30% less than comparable
positions earned at most other offices.
Soon after I became assistant office
manager, Mike and Steve hired an "effi-
ciency consultant" famed for ruthlessly
reducing oversize staffs. His advice was
to almost totally eliminate an entire level
of management — the lesbian department
heads, as it turned out. This was actually
a pretty shrewd call, for as I'd guessed
this crowd did little real work except to
stroke the bosses' egos and spy on the
workers and each other.
To my bitter disappointment, for I
hoped to replace Eileen as many (much
lower paid) assistant managers were
doing for their ex-department heads, she
was one of the very few to weather the
storm. Mike and Steve got a real kick
out of her sassy, hip style and new age
vocabulary.
ANIMAL FARM
At this point I was totally disillu-
sioned about RPP being progressive in
any real way, and also realized that now
that "fast growth" had ended, so did my
prospects for rising into junior manage-
ment.
I began to notice parallels between
RPP and the RSL, despite their ideologi-
cal differences. In both organizations the
rank and file did shit work, the simple,
boring, meaningless tasks that comprise
most jobs. The progressive claims of our
bosses were supposed to transform this
drudgery into something exalted, instead
of the "alienated" work we could be
doing elsewhere for more money.
The middle management got better,
more interesting, and easier work, as
well as power over the peons and a
chance to hob nob with the honchos. In
return for this supposed burden of
responsibility, we got vastly higher wag-
es. While my co-workers at RPP added
columns of figures, filed forms, and
stuffed envelopes, I wrote evaluations of
them and performed fairly interesting
and challenging (if, ultimately, just as
meaningless) tasks. Just so, in the RSL,
Joe attended steering committee meet-
ings of this or that progressive cause
while the rank & file stood on frigid
street-corners waving The Paper at dis-
interested proletarians.
The Top Honchos in both outfits did
nothing but sit around and Think,
Page 22
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
assign blame, get their asses kissed, and
feud with each other. Mike and Steve of
RPP ruminated over their stagnant sales
figures; Ron Tabor, the Big Cheese of
the RSL, agonized over the dwindling
subscriptions to The Paper. Mike and
Steve spent months on the Annual
Report; Ron endlessly wrote The Book
(on Trotskyism during World War II— a
topic as pressing and interesting then as
it is now). Both organizations, when a
scape-goat was needed, purged their gay
caucuses.
In short, the progressive pretensions of
both outfits were a scam, with obvious
financial and personal payoffs for the
honchos. Clearly a good deal for them;
equally clearly a raw deal for the peons.
But what about the middle managers?
ESCAPE
The real job of the middle manager is
Fink. Kissing ass is rarely enough (unless
you're doing it physically, that is, putting
out sexually), you also have to keep the
peons in line. This, ultimately, was
where Joe had let the CO. down. This
was Eileen's real job, which she passed
along to me. I'd reluctantly accepted it
when I was On My Way Up. Now,
stripped of my illusions, I balked. I lost
my interest in screwing the field person-
nel out of their commissions, or in
whipping on the office. Firing a worker
was contrary to RPP procedure— if you
fire someone you have to pay a share of
their unemployment benefits. Instead,
you hazed the worker until they quit.
You would take away whatever mildly
interesting task they had cornered and
give it to someone else, replacing it with
inventory duty (the most boring task
available). At the same time you
watched them like a hawk, noting and
writing up every late arrival or long
lunch. An impressive paper trail could
be used to deny a raise at their annual
review— assuming they lasted that long.
Most likely, you have experienced or
at least observed this universal and
highly successful management tech-
nique. The victims are usually perpetrat-
ors of Bad Attitude. My first designated
purgee was Barbara, a loud, fat, upfront
bull-dyke whose very existence aggra-
vated Eileen's Lipstick Lesbian/Career
woman sensibilities. She was also the
unofficial leader of the department rank
and file, organizing the after-work bar
socializing and generally slowing the
pace of work down to human speed
despite Eileen's pep talks.
To my great relief, she quit as soon as
it became obvious that Eileen had it in
for her, and I was spared the unwelcome
task of persecuting her in detail and at
length. My reprieve was temporary, for
inevitably a new worker with Bad Atti-
tude rose to the top of Eileen's shit list.
I was fed up. I'd been doing Real Work
for almost two years, and began to
dream of escape. I dreaded going to work
every morning, hated every moment I
was there, and began to get stoned at
lunch every day. Finally, I decided to go
back to school, at least part time.
Despite my checkered transcript, I
found that I could get a degree with only
a year's more work- IF I could take some
key classes offered only in the mornings.
This meant working less than full time
and abdicating as assistant manager, a
double relief. Eileen accepted my resig-
nation with tight-lipped anger, clearly
scenting Bad Attitude.
To my surprise, school was now a
breeze. I aced my courses, and began to
suspect that there were ways to become a
Professional without kissing Eileen's ass.
I applied for graduate school (four more
years of prolonged adolescence!) and was
accepted on the strength of my pheno-
menal test stores — the result of several
years compulsive reading.
Meanwhile, Eileen had replaced me
with a new assistant office manager, a
cute (if not terribly bright) young lesbian
Eileen had the galloping hots for. Pam's
first assignment as Assistant Manager
was to haze ME into quitting.
My old co-workers, who had written
me off when I became Eileen's protege,
welcomed me back to the ranks. They
told me how Pam snooped at my desk
when I went to work, looking for
something incriminating. I began fishing
for a student loan, so that I could attend
my last quarter of college as a full-time
student. When my safety net was in
place, I left a note buried in my "in" file
which read: "Hi Pam— snooping again?"
Pam found it as soon as I went to
lunch (my co-workers later gleefully
reported), and ran into Eileen's office,
where they talked in angry whispers for
an hour. When I got back, a simmering
Eileen called me into her office to
reprimand me, but I cut her off and gave
her two weeks notice and walked out-
one of my finest moments and fondest
memories.
Needless to say, I did no real work my
last 2 weeks on the job. Despite Eileen's
ban, my co-workers threw me a farewell
party. For a year after my departure
Eileen and Pam attributed every mis-
placed file to sabotage on my part — not
entirely without justification. But it was
pretty clearly Pam's profound incompe-
tence, and Eileen's infatuated defense of
her, which eventually got them both
fired.
Since then I have been remarkably
successful at avoiding Real Work, "pro-
gressive" or otherwise. Graduate school
turned out to be an excellent playground
and I highly recommend it to the
professional readers of the world.
I have encountered numerous "Pro-
gressive" operations since I left the RSL
and RPP. All insisted that their Cause
would transform routine labor into non-
alienated work, and also that eventually
there would be a concrete payoff of
money and/or power, come Dividends
day or the Revolution, as the case may
be.
Some were sincere. Most were sleazy
scamsters. None delivered the goods.
— Kivazee Wabbit
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 23
Aaaah! H/P Capitalists!
1.
That forlorn, plaintive look. The aura of poverty. Soiled blue
jacket and dun slacks. Walking through the front door.
Hurry!
She darted out from behind her counter to intercept.
"Hi! Can I help you?"
fully expecting a series of unintelligible mumbles, but. . .
"I'll sweep your sidewalk for a sandwich and a bowl of soup"
. . .was an incontestable declaration.
She knew when to settle.
"Fine, I'll get you a broom."
2.
"Nope, no pesticides whatsoever!"
In their designer veggie patches, only Himalayan bottled water
from above 9,000 feet would do.
Marta and Jorge only worked part-time for them and they paid
them $8.50 an hour with 2 sick days a month.
What could be fairer?
Marta had four children and also worked part-time at the
electronics factory in the mornings.
Rushing from one job to the next, the residues of industrial
solvents rushed with her.
Drops of toxic sweat are hidden flavor enhancers.
3.
In the morning fog he runs through eucalyptus-laden hills.
His Personal Atmosphere Program fills his house with designer
coffee aroma.
After his Daily Pause, his mind is clear, anxiety is reduced to a
creatively useful minimum.
Phone in ear on bridge. Numbers begin to fill the void, clarity
gradually muddies.
Sun-brightened brick walls feel like a workplace, sort of.
"Stan, I'll be out for a couple of hours at lunch today."
"OK, no problem" but why does she think I'm paying her $15
an hour?
Not to go shopping, that's for damn sure!
Returning calls.
Most are out, an occasional nibble.
"But it takes so long to pay for itself!"
Think of the bigger picture and then give me the sale!
The market is up, but not hi-tech.
Should he sell his last options?
Damn, who was that? Didja see her?!!
Open convertible, she's in tight leather, cruising back roads.
Phone.
"Pick up Elmer?"
Vet closes early on Wednesday — golf day.
Damn dog, let 'im stay over another night!
"Staaan, puh-leeze!"
d a
4.
Hey, steal from us
and you're ripping
off the community!
Fuck you!
We're a collective, not profiteers.
75 for a tube o' toothpaste!
Tomatoes, 89 cents a pound!
$1 .69 an avocado!
Who's rippin ' whom?
Look pal, the wages here are low— we only pay
ourselves $7 an hour.
Well, who's rippin whom?
Page 24
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
5.
Clattering printer cranking out personal pitches '".
Dear Mr/Ms [Last Name],
You are invited to explore socially responsible investing.
High returns assured (albeit uninsured).
Financial Services — Money Massage — Interpreting Circum-
ambulatory Precious Metals Markets.
Animating inanimate resources.
Profiting from dead labor.
Capital growth through strategic mirror positioning.
You've earned it.
1.800-lAM-SOLD
7.
We started a boom, a new renaissance.
We've created 47 jobs just in our small business in the past
year.
Since we started up, 14 other businesses have opened up in the
area.
Honesty, confidence, tenacity, community awareness, that's
our edge.
Meeting the needs of consumers best and first.
Caring through aggressive market research.
Acting through hiring the homeless.
Serving through blanket distribution to every home.
Earning Trust by telling the Truth.
Profiting by sharing our overhead with government programs,
and knowing who to know.
8.
It pisses me off when you treat me like a manager.
Raised eyebrows.
Look, we operate by the same rules, we get the same deal don't
we?
A look aside.
You're not working for me you know!
. . .1 don't like it any more than you do, but let's face it, this is
our bread and butter.
Yeah, I guess so.
I hate this shit.
9.
Hi, I'm from Better Citizens for an Environment. Have you
ever heard of acid rain?
No? Did you hear about the cancer rate just a few miles from
here?
Yeah, it's really awful isn't it?
Our organization is pursuing a lawsuit against this company
for its chronic violations of pollution law.
Mmmm.
We're here today to ask for your support and a donation to
help us continue.
Mmmmmm.
The local playground is —
OK, here's a five-spot.
Thanks, keep up the fight!
... At week's end, payday!
Averages:
Canvassers: $169.42 and brow— uh. . er . . greenie points.
Staff lawyers and scientists: $824.17
Environment: [-$1,435,887,906,277]
6.
Welcome aboard!
It's a real team effort here.
We sink or swim together.
We strive for a supportive
work environment.
We respect you as an
individual.
We care about you and
want you to feel free to
talk openly with us at
any time.
We offer flextime flexibenes
flexduty and flexmood
management.
We expect an average of 20
hours a week unpaid
overtime for the first
three years.
Then it'll slack off.
We need to recruit new board members.
We need to develop more projects.
We need to keep better records.
We need to stop working at our jobs so we can do some work
on what we want to do.
We need a grant.
We need a sugar donor.
We need to be a less needy organization!
I need some aspirin.
Pass that joint, would'ja?
Next meeting?
11.
Thanks a lot! Really!
Oh . . . Don't thank me. Thank you!
See ya next time.
OK, bye.
Phone.
Can I come over?
Sure.
Later.
Hey, check this out!
Aalll RIGHT! Finally, some decent bud!
This is going incredibly fast.
I'm sure.
How much?
$4500.
Shit! What an outrage!
Remember the $10 lid?
The '90s: $20 grams of sinsemilla.
Name the three companies, on contract to the same federal
agency, that secretly control the market.
Rumor monger.
— Chris Carlsson
PROCESSED WORLD §26117 - Special 1 0th Anniversary Double Issue!
Page 25
Ambivalent
Memories of
Virtual Community
Ir ve got a GREAT job. I can walk to work through
a pretty neighborhood to work with intelligent
people on a project which is both personally
creative and socially useful. The job has many different
facets and the twenty-four week is flexible— leaving free
time for my own pursuits. All this and more, for a thou-
sand dollars a month. I'm a computer programmer with a
small nonprofit called Community Memory (CM) which
has created a public access electronic bulletin board in
Berkeley, California.
For more than ten years (with some time off for good
behavior) I've worked as a programmer. My formal edu-
cation— undergraduate psychology — proved useless in the
job market. After a couple of years washing dishes and
being a courier, 1 got a few low-paying jobs programming
microcomputers for small companies. I was able to use
this experience to get a real job at Structured Systems
Group in Oakland where I spent the next two-
and-a-half years ('80-'83) writing instructions for
microcomputers (in BASIC for early microcom-
puters) to help business people count their money
accurately and rapidly. The pay was good by my
standards, the job relatively unstressful (and sa/e),
the co-workers mostly amiable. As a programmer
I had a lot of control over not only the pace of
the job, but over its direction. I learned a lot,
developed some bad habits and read a lot of good
books while looking busy.
A year-long vacation was followed by work as a
contract programmer for various individuals and
companies, and then a year-and-a-half at a
The net resuif: we
reinforce the image of
institutions, rather than
individuals, as providers
of information; some clerk
in the city government
has yet another task: and
the city government—
which already has ample
ways to disseminate
information — continues
to set the agenda.
sma
consulting company in San Mateo. I wrote and
supported BASIC programs for minicomputers
(MAI Basic Four) for clients that were country
clubs or in the food industry (processors, distri-
butors, brokers). My co-workers were a genial lot,
and the work was challenging as I grasped the
essentials of a new type of computer and a new
business. On the down side, I had a long com-
mute from Berkeley by public transit, customer
support was a drag, and the poor business climate
led to greater demands on staff.
I was laid off in autumn of 1987: a bitter
experience, for even with a certain distance from
the work I was still involved. There is an aspect of
creativity — albeit within narrow constraints — to
most programming. That aspect is much greater
when one is given responsibility for design and
support, rather than just coding one little piece
without knowing its role in the larger scheme of
things.
Page 26
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
I heard about a "position" at Com-
munity Memory from a friend who
worked there. I had used their ter-
minals in a grocery store, which were
part of a free, publicly-accessible data-
base. It contained a swarm of messages
—some on political issues, some ad-
vertisements, some raving about the
Grateful Dead. I was intrigued and
arranged an interview.
I got the job; the meager $700 a
month was a step down, but I was
living in a rent-controlled apartment
and could squeak by. The work con-
ditions also were worse: instead of my
quiet office with a view of the coastal
mountains I had a desk in a large
room, with no secretary to answer the
telephone. On the other hand, I was
learning a new language (C) and a new
operating system (UNIX) which held
great promise for the future: no longer
would I be stuck in the double ghetto
of being a BASIC (usually said with a
sneer) applications programmer. No
longer was I counting money or con-
signing some clerk to the unemploy-
ment line, or a secretary to a finger-
numbing and brain-deadening job! I
could show curious friends what I did for
a living, and my "shop-talk" might have
a chance of being interesting to a
non-technician.
CM has its origins in the public service
telephone switchboards of the late '60s
and early '70s. There was a continuous
turnover in both people and groups
which led to a perpetual reinventing of
the wheel, as each new person or group
duplicated the efforts of others. "Aha!
Why not a common storage for ALL of
these diverse groups?" asked some. After
soliciting various switchboards in San
Francisco, a group of computer people
who had left the University of California
at Berkeley at the time of the Cambodia
invasion launched "Resource One." By
the time the technological problems were
solved, however, the project was all
dressed up with no place to go: the
personnel turnover meant that nobody
at the switchboards had ever heard of
the project.
Terminals were then set up in public
places to see how people would use a
public bulletin board. Tom Athanasiou'
described it: "A small three-terminal
Community Memory System [was] kept
up for about fourteen months. Uses
reflected the locations of the terminals.
One was in a music store and collected
information about gigs, bands and the
like. Another, at a hippie hardware store.
specialized in Alternative Technology
and barter. The third, located in a public
library in the Mission District, a poor
area of San Francisco, was little more
than a high-tech graffiti board." The
system proved to be much more diverse
in its uses than any of the organizers had
expected.
Funding never materialized, and it was
several years until the system was started
again. Several people decided to develop
an improved public-access bulletin board
system which would use the latest avail-
able minicomputers. In 1977, after unex-
pected delays, and with aid from hard-
ware designer Lee Felsenstein's success in
the newborn personal computer indus-
try. The Community Memory Project
was incorporated. A key idea was repli-
cability: other areas or non-geographical
groups, including organizers, could start
their own CM "nodes."
Creating software is a long and costly
affair, and funding such a venture has
driven more than one company out of
business. The group decided to develop
software in such a way as to allow
commercial spinoffs. Predictably this
lead to other problems associated with
business. Says Athanasiou: "The story
of Community Memory is really two
stories, reflecting our history as a politi-
cal/technical collective that took a long,
unplanned, and largely unpleasant trip
through the computer industry." There
were disputes that reflected the hier-
archy of the programmers over other
workers, and which pitted the money
suppliers against the programmers.
There were also fierce debates over sales
policy: a South African company want-
ed to buy "X.Dot," a communication
protocol for linking computers together,
and the U.S. Naval Surface Weapons
Laboratory wanted to buy a database
product ("Sequitur"). Additional ten-
sions developed around the "profession-
alization" of the operation^.
Eventually the software company
folded, but there were enough royalties
from sales of old products to allow
Community Memory to survive, and in
September of 1984 a new system with
four locations in Berkeley was started. It
was driven by a central minicomputer
with "dumb terminals" (i.e., the central
machine controlled every keystroke and
every character on the screen). The
terminals were located in several mem-
ber-owned grocery stores, a Latino cul-
tural center and a "hip capitalist" de-
partment store.
They were free, easy to use, and
proved to be popular. Many uses that
had been expected did materialize, and
several that hadn't been foreseen sprang
up, including a sort of "electronic thera-
py" in which people would describe a
problem in their lives and others would
respond with advice and support. The
system was terminated in the summer of
1988 when the financial collapse of the
grocery stores closed half the sites, and
the hip capitalists became offended at
some message and claimed "liability"
problems, as well as the need for more
sales space.
By that time CM was hard at work on
yet another version, considerably more
sophisticated than the previous one. In
the summer of 1989 public terminals
running the new system were set up.
Currently there are ten public terminals
located in libraries, 24-hour laundro-
mats, student housing, a senior center
and various non-profits. Because the
local terminals are microcomputers,
which handle the user's input, screen
display, various timing operations, and
store copies of messages, the overall
operation of the main computer is much
more efficient and more people can be
served. As in the earlier versions, people
may use any "name" they please, and
reading messages is free.
Unlike previous versions, however,
messages are grouped together in "for-
ums," which allow more messages to be
handled with less wasted time. (Of
course, this adds another "layer" the
user must negotiate to get to read
messages.) Another change is in the con-
tent: CM provides a lot of material in
the form of listings of community agen-
cies, phone numbers and calendars.
GRAFFITI
A MANDATORY FORM OF EXPRESSION
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Page 27
Unlike earlier versions it costs money
— a quarter — to leave a message. The
quarter isn't intended as a funding
source for CM (even the busiest site
barely pays for the phone line, let alone
the cost of a terminal), but rather to
reduce the "Fuck You" messages, as well
as gibberish and random typing. It
undoubtedly also discourages some us-
ers, and certainly is a disincentive to
multiple use (we are now implementing a
system that allows us to credit prolific
authors with free messages). The soft-
ware is still being refined; although the
process is orderly, the need for improve-
ments is potentially never-ending.
The Seeds Of Discontent
In many ways, I've got a really SHIT-
TY job. The equipment is inadequate
and poorly positioned and my "office" is
little more than a cubicle made of book
shelves that does nothing to keep out
street and office noise. I'm interrupted by
the phone when I'm trying to concen-
trate, assuming that somebody isn't
using my desk when I arrive, and the
work can be monotonous. The pay is
low for a person with ten years' experi-
ence, and the insurance plan is inade-
quate. Until very recently we were paid
monthly, and even then not necessarily
on time. My good name [sarcastic smile]
is sometimes associated with people and
projects that I do not support. And 1
have come to some unpleasant conclu-
sions about socially innovative applica-
tions of technology.
My discontent springs from many
sources— long-nagging problems that
have become major irritants, a hyper-
sensitivity to political issues and my
changing view of the world (and my role
in it), and the changing nature of the
organization itself.
"Those that do good should not
expect to do well" might well be embla-
zoned over the doors of "nonprofits"
and service companies. The continuous
parade of broken-down machines and
inadequate furniture only emphasizes
the message that goes with the small
paycheck (a message implicit in "profes-
sionalized service systems" in general):
(I) You are deficient; (2) you have a
problem; (3) you have many problems.
The overt justification for poor condi-
tions and pay is that money is scarce,
which it is, compared with the sloshing
waste of funds at Visa or Bank of
America. But this explanation wears
thin after a while; the priority always
seems to be something other than the
workers. The situation is exacerbated by
differential pay scales. When I first
started at CM in the spring of 1988,
everybody was paid ten dollars an hour
(the same wage as in 1981!); a bit more
for those who had worked there for long
enough to get the (small) annual raises.
This changed in 1989 when the first
grant money was applied for. The pro-
posal called for two positions to be
funded at something closer to $15 an
hour; lo! it came to pass. The justifica-
tion was that you have to pay more to
get good people ... an idea I take heated
exception to. It was six months before
the new pay scale was extended to the
programming staff. Interest was also
expressed in hiring students at a local
business school at $5 an hour, the rate
the school paid its student workers.
Ironically, higher pay was accompanied
on my part by greater disaffection. My
identity became more clearly articulated
as that of a mercenary doing a paid task:
this is a job, not a calling.
Along with a differentiation in wages
'■-•• \ M
■■«rirfi«|-ii ml*"" ■ ■ -- itiiiiifii -Ini^iiTi
came a greater division of labor. There
has been an increase in maintenance
labor, both of the hardware and of the
information on the system, and this has
not been shared equally. The judgment
of the relative worth of various tasks can
summed up by: "It's really important,
but I have more important things to do,
so someone else should do it," a senti-
ment less common when I started work
there.
In earlier days the primacy of the
technical staff caused conflict, and more
recently has led to comments such as:
"For too long CM has been guided by
technical needs. Now we must get out of
the test-tube and into the community."
This argument has been propelled by the
availability of funds from large donors
oriented toward specific uses and pro-
jects, rather than support for software
development.
Another source of my discontent has
been the creeping institutionalization of
the project. Part of this is reflected in the
information providers. While there is
healthy participation by individuals, a
great deal of effort has been spent
providing existing institutions, which
already have access to various media
outlets, with a presence on the system.
Try as I may I cannot see how this serves
to "empower" (to use one of those fuzzy
buzz-words so beloved by progressives)
individuals. Many of these institutions
are part of a network of "professional
helpers" that make a feathered nest out
of the alleged problems and deficiencies
of large numbers of people. While most
of these are innocuous, there are some
that are not. Although innocently en-
tered into, CM's appearance on a "May-
or's Advisory Panel on Drug Abuse"
drew my ire. Such panels are rarely
anything but populist window-dressing
for the establishment's jihad against
drugs; I was appalled that CM's name
would be used without other collective
members knowing about it.
At least some of the material on the
system, and some of the ties to other
organizations, seem aimed at accumulat-
ing a laundry list of politically correct
items to please potential donors. This
includes forums such as "Current Agen-
da," which has the agenda for upcoming
City Council meetings; a whole series of
messages targeting the hapless homeless,
such as soup kitchens ("prayer service
required"); city services; and, always,
drug and alcohol programs.
And, inevitably, there have been criti-
cisms of internal make-up. The group
Page 28
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
has been overwhelmingly white; hence
we can't claim to represent the "Black
Community" or the "Asian Communi-
ty." True, but then I, at least, never
claimed to be representing people, just
trying to provide a technical means for
them to speak for themselves.
The quest for money has generated a
creeping respectability. Following the
predilections of donors, CM has created
more rigid job descriptions, and has
made efforts to appear "a part of the
community." But Berkeley is a diverse
city, and the "community" of users is
ambiguous. As a result, there have been
attempts to enlist putative representa-
tives of "communities" in both the
direction and implementation of CM.
Of course, this almost always boils down
to "community" institutions, usually with
professional staff— and, of course, their
own agendas and requirements. They
also tend to be underfunded and over-
worked, so taking part in CM often is
more work for their staffs; alternatively,
we have to do the work. In the case of
the City Council agenda, a program
(written by an unpaid volunteer) con-
verts the material from one electronic
form to another; then a person— usually
a programmer — adds index words and
minor edits, and loads the few dozen
messages. The net result: perhaps one
person a month reads some of the
messages; we reinforce the image of
institutions, rather than individuals, as
providers of information; some clerk in
the city government has yet another
task; and the city government— which
already has ample ways to disseminate
information — continues to set the agen-
da.
This desire to appear "proper" has also
led to the creation of "advisory panels"
that contain people of dubious political
character but with loads of respectabili-
ty. One such person— a head of the city
library system— demonstrated her com-
mitment to free speech when she an-
nounced that she had "referred to the
District Attorney" a "problem" that had
arisen. Somebody had published a "So-
cial Decoder" pamphlet in which, for
instance, CISPES stands not for "Com-
mittee In Solidarity with the People of El
Salvador," but rather for "Committee
for Improved State Power In El Salva-
dor." This pamphlet, which claimed to
be published by the Berkeley Public
Library, in fact gave a name and a PO
Box, and was not likely to be confused
with a real library publication. Love me,
love me, I'm a liberal librarian.
CM has changed its internal structure
from a (theoretically) membership con-
trolled organization to (as of January
1991) a group controlled by a board of
directors and a paid staff. In theory,
volunteers still have a place, but the
inability of the group to attract new
(unpaid) people reflects both the ambi-
guity of the project and its somewhat
manipulative view of volunteers.
Although the earlier days were char-
acterized, at times, by obstructionism
and personal antagonism, CM at least
gave people a sense of participation,
sometimes even the reality of it. While
not everything was subject to group
approval, and not every decision was
sensible, the process was generally agree-
able. Sometimes minor points would
take on major importance precisely be-
cause of personalities and/or political
differences, but the process at least
allowed some form of discussion and
even appeal. On the flip side, having
every decision subject to possible rene-
gotiation was vastly frustrating for peo-
ple whose job it was to carry out those
decisions.
Given these problems I've been forced
to look ever more closely at the ideologi-
cal foundations of the project. There are
two intertwined aspects: the primacy of
information, and the importance of
community.
Langdon Winner in his "Mythinfor-
mation"^ says: "The political arguments
of computer romantics draw upon four
key assumptions: 1) people are bereft of
information; 2) information is know-
ledge; 3) knowledge is power; and 4)
increased access to information enhanc-
es democracy and equalizes social pow-
er."
Certainly Berkeley can't be considered
information-poor; indeed, many people
seem to feel overwhelmed by what passes
for information. I would venture that
most peoples' lives contain, within their
own experiences, the information most
crucial to reshaping those lives.
The bland treatment of "informa-
tion"— for CM this roughly equates to
"messages read" and "messages writ-
ten"—has little significance. The utility
to the reader is ignored for a time-
honored reason: it's hard to quantify.
We screen out a great deal of garbage by
requiring a quarter, but we still have a
fair number of messages that are gibber-
ish, wild rants, obscene retorts and the
like.
The equating of knowledge and power
is laughable: for instance, one may know
where an enemy is and what he intends,
and yet be powerless to stop him.
Alternatively, you can know that you
are being exploited and be no closer to
ending that exploitation. It's doubtful
that the abundant advertisements placed
on CM, or the play-lists of past Grateful
Dead concerts, or the musings on magic,
have anything to do with power. Con-
fusing some abstract form of knowledge
with actual power is a convenient trick,
particularly for those with an interest in
maintaining existing forms of "democra-
cy." Indeed, it is rare for the proponents
of such "radical" change to actually
examine the structures of power; often
the claims of the apologists are taken at
face value. And as Winner points out,
having a personal computer no more sets
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 29
aSURER FRIENDLY
Q the innerface of capital's interface
you up to compete with the National
Security Agency than having a hang-
glider equips you to compete with the
U.S. Air Force. The proponents of the
computer have argued that the spread of
(relatively) low-cost machines has al-
lowed popular movements to "catch up"
with the government. This is a some-
what ingenuous argument: while some
people may have a nifty machine —
indeed, a machine of extraordinary ca-
pabilities by the standards of 1965 — the
government/business sector not only
has such machines and their big brothers
(which are also exponentially more pow-
erful than their ancestors) but also the
ability to connect them together.
Access to some types of information
might enhance democracy, but continu-
ing to reinforce a "one-speaking-to-
many" system, does not, just as access to
jokes or lists of phone numbers doesn't
equalize social power.
The second ideology is that of "com-
munity." Admittedly, CM has never
argued that electronic communication
should replace face-to-face xontact— only
that it could be used to meet a wider
spectrum of people. But beneath the
appeal of "community" (another pro-
gressive buzz-word) lie unasked ques-
tions. Is community a reactionary desire?
Is it simply a matter of shared interests?
Is there some meaningful aspect beyond
the simplistic sense? Or does the word
conceal an agenda as well as an ideology?
As Bedford Fenwick'* says: "In terms of
control, the State is finding the ideology
of the community a far more effective
means of maintaining good order than
the threat of confinement. [ . . . ] The
traditional community represents the
most effective Panopticon of all— control
through mutual surveillance. Capitalism
destroyed this. [. . .] The present age is
attempting a resuscitation. Just as the
traditional community policed itself be-
cause it gave consent to the ruling
ideology, because people considered
their own interests were connected to
the interests of their masters in a
significant and truthful way, so present
day power is seeking an imaginary
identification with the interests of every-
body. Only today that identification is
hard to achieve and power must ransack
the ideologies and rhetorics of previously
popular movements to gain a footing."
In a passage relevant to projects like CM,
he says "Our society seems to torment
itself with the loss of community. Radi-
cal projects define themselves as a dis-
covery of community, like the gay
community, or the national community.
[...The State's] assertion of benevo-
lence serves to demoralize society both
by denying the unbearable reality of
present society, and by undermining
society's belief in itself, independent
from expertise, as a responsible and
reasonable substance. The State not
only wants our obedience, but like other
contemporary corporations, it demands
our love. The ideology of community is
one way it seeks to achieve this."
Given that many Americans no longer
feel an identity with neighborhood or
job, it is not surprising to see such
attempts to create a more nebulous (and
less demanding) "community" by elec-
tronic means.
CM's work, of course, does not occur
in a vacuum: there has been an enor-
mous change in both the public view
and the actual implementation of com-
puter technology.
When the antecedents of CM were
conceived, the nature — and the popular
perception — of computers was very dif-
ferent. Even the cheapest of machines
cost tens of thousands of dollars and
required a host of experts to operate.
Heavily concentrated in the government
and large corporations, they calculated
the money needs of the economic mon-
sters, aided the physicists in their quest
for knowledge (and weaponry), and
helped the state track both benefits and
punishments. There was little doubt in
the popular mind that the computers
were on the side of Big Brother and his
faceless minions. Indeed, much of the
discourse on privacy and personal liberty
was couched in terms of these machines
and their potentials.
The need to train technicians means
exposing a growing number of students
to computers, however, and not all of
the trainees are devotees of totalitarian
dreams. For the libertarian aficionados,
the early days were characterized by a
heady excitement about the potentials of
the machine — a potential often ignored
or delayed by the accountant-minded
administrators. Indeed, these admini-
strators and SYSOPs (SYStem OPera-
tors) were the nemesis of these libertari-
ans, later to be known as hackers. The
attempt to develop "democratic" com-
puters had two major thrusts: one
towards a more popular use of the large
machines, the other towards smaller and
cheaper machines. In the first category
were attempts to create or increase access
to the machines (e.g. Resource One,
CM's ancestor), often by time-sharing or
else by wider public access to the
information derived from the machines.
The Homebrew Computer Club in the
San Francisco Bay Area, which nurtured
many of the early pioneers of the
micro-computer (and Community
Memory), falls in the second category.
The diminution of the Big Brother
image is only partly due to the actual use
of such machines — it has far more to do
with the utility of a benign appearance
for the technology. Part of this change
has been wrought by the promises — and
occasionally the practice— of alternativ-
ist projects.
David Noble has said that "the fight
for alternatives . . . diverts attention from
the realities of power and technological
development, holds out facile and false
promises, and reinforces the cultural
fetish for technological transcendence."
By contrast, Athanasiou argues for a
movement that does not simply oppose
technology. He cites the woman's move-
ment as an example of a social move-
ment seeking the implementation and
improvement of technology (contracep-
tion and abortion). Such alternativist
attempts as CM help focus the imagina-
tion and the technological fascination
that many people feel. But given the
difficulties of actually implementing any
large project, I am skeptical about this
use of people and time. CM has tried
both the corporate approach (as Pacific
Software) and the non-profit/donor
route: neither is very successful, both
absorb serious amounts of time and
energy, and both have built-in traps;
indeed, such efforts clearly delineate the
enormous obstacles to humanist proj-
ects, even if such projects succeed in
their own terms, computerization con-
tinues to deepen the division of labor: a
few (relatively) well paid and highly
Page 30
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
skilled jobs (the programmers and "so-
cial" experts) versus a much larger
number of people with few skills who
are poorly, if at all.
At this point, CM has probably
guaranteed its institutional survival, but
its vision seems clouded, at best. Perhaps
it is to the project's credit, however, that
it has more imagination than capability:
certainly the opposite is more dangerous.
I've learned that using a system like CM
in the service of greater democracy is
very difficult; it requires both passion
and perspective. Success might be more
likely in an area with fewer possibilities
for popular participation, or in an area
less saturated with communications
channels. Nor would a group contem-
plating such a thing today have to design
the system from scratch — much of the
needed software is commonly available,
and the hardware costs are far lower. But
the steady flow of requests for us to
provide information also tells me that
the system encourages a dangerous pas-
sivity in its current form.
The ultimate meaning of projects like
CM may well be that they are a soft sell
for a hard technology that provides a
career ladder for ambitious social profes-
sionals. The technology, despite CM's
hopes for it, promotes passivity: very few
people think of themselves as sources of
information. CM can't overcome illiter-
acy and self-doubt; nor can it create
community where there is none. Mod-
ern management techniques and the
emphasis both on "community" and
"the information economy" find a pre-
cise reflection in oppositional politics
when they become obsessed with com-
munication and technique. Consciously
we can provide a human face for a
devastating technology. Possibilities of
computer use within a truly free society
are barely shadows flitting across our
screens as we mechanically maintain the
edifice of legitimacy for this barbaric
social order.
— O. o. Williamson
1) Tom Athanasiou, "High-Tech Alternativism:
The Case for the Community Memory Project,"
Radical Science #17
2) Lucius Cabins, "Making of a Bad Attitude,"
PW ifn, pages 8-10 on Pacific Software.
3) Langdon Winner, "Mythinformation," Whole
Earth Rei'ieu', January 1985, pg 22
4) Bedford Fenwick, "The Institutionalization of
the Community," Here & h^ow #10, 1990, pg 7.
Here & Now c/o Transmission Gallery, 28 King
St., Glasgow, Gl 5QP Scotland or PO Box 1109,
Leeds, LS5 3AA, England
COMMUNITY
Alight
rain, the drops
streak the windows.
When the trolley waits
they point one way.
When the trolley moves
they point another,
cross-hatched like people
going to work.
I want to run
through the aisles.
I want to touch
everyone on the shoulder.
Look! I will say
the rain is making
wonderful designs!
Each window is different
beautiful
& m eaningless !
But I stay in my seat
& do nothing.
I am one of them.
— William Talcott
THIS M^PfctU W«tL»
by TOM TOMORROW
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M.M-|.|J.!.M.'if...'B!S;
PROCESSED WORLD #26/27 - Special lOth Anniversary Double Issue!
Page 3 1
There Goes
The Neighborhood!
I work at a neighborhood recycling center in the
Haight-Ashbury. At the moment I feel pretty grateful
toward my job. It lets me do certain things I wouldn't
be able to do at other jobs: I can hang massive anti-war
banners around the recycling yard; or, the other night, I
borrowed the flatbed truck to use as a traveling sound
stage during a demonstration roving through the city. No
one complained when 1 decided to honor the General
Strike the day after the air invasion of Iraq began.
Thanks to another part-time job, I work only two days
a week at the recycling center. On Thursdays we go into
the Financial District to get paper out of offices. I quit a
Financial District job a few years ago to take this recy-
cling job, and now, ironically, recycling has me working
downtown again. I'm usually not stuck in any one office
for more than about 5 minutes, and contact with the of-
fice workers is usually pleasant — they seem to regard me
Instead of being a
mcaginal dumping ground
for the community, I
envision the recycling
center as being central
to the "economy" of the
neighborhood, being a
trading hub as well as
an important resource in
ecology information.
with at least a notch or two more dignity than
when I was a bike messenger.
On Saturdays I go around the neighborhood
with a partner, getting the recyclables out of cafes
and the basements of peoples' homes. The work is
physically demanding, and I don't always enjoy
having to work Saturdays, but it is often an
enjoyable way of having contact with the neigh-
borhood.
I worked in recycling before, managing a tiny
buy-back center in a Safeway parking lot, patron-
ized largely by annoying suburbanites who were
only doing it for the money. The experience for-
tunately didn't dampen my enthusiasm for recyc-
ling, but did leave a bad taste in my mouth. I
had always been fond of the Haight-Ashbury
center, and when a friend working there said they
needed people, 1 decided to try recycling work
again. The director of the center had recently
quit due to burnout, and my friend told me that
the center was now being run as a collective,
which appealed to me.
It soon became clear how little of a collective it
really was. The non-profit center was under the
jurisdiction of a local neighborhood council
board, which tended to be pretty out of touch
with the daily realities of the recycling center.
However, they certainly didn't mind deciding
which groups would get small grants from the
money that we made.
Apparently, at the same time that the board
authorized the collective, they also hired a certain
individual with the understanding that he was to
be manager. They never drew any clear lines oi
Page 32
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
authority between the two, naively
trusting that it would work itself out
somehow. Of course it didn't.
The collective was split into two
factions: those who tried to make the
collective succeed, and those who didn't
want it to be a collective at all. The
pro-management faction was only two
people. One was a guy whose father had
started the center back in the mid-70's
and had grown up with the place. He'd
naturally expected to be tapped as
director when the last one quit, and was
disappointed when it didn't happen. He
didn't really recognize the collective, but
he continued to participate in the cha-
rade of collective meetings. People often
accused him (fairly or unfairly) of sabo-
taging the collective process. The other
was the manager designee, an "old boy"
recycler who, rumor had it had been
fired from just about every recycling
center in the city. Somehow he sweet-
talked the board into hiring him, and
regularly told them what they wanted to
hear. He was "our representative to the
board," but in reality he was more like
the board's representative to us. Collec-
tive decisions had a mysterious way of
not being carried out.
Pay equity was an issue. The starting
wage was $5.00/hour, and most of us
were still making that, even after work-
ing there over a year. A couple of the
drivers got $5.50, and a few people got
$6.00, including the two guys mentioned
above. We repeatedly sought pay raises
to make it equal, the vote usually always
going something like 8 to 2 (guess which
2?), and wondered why the board was
always so slow to act on what we'd
decided. It turned out that our "repre-
sentative" never even told the board
about the votes at all!
Things got worse and more surreal:
grueling 5 hour collective meetings, an-
grily abandoned by many. A "personnel
committee," formed to handle disciplin-
ary procedures, turned into a kangaroo
court, accusing individuals of "anti-
collective behavior." A scandal involv-
ing the Christmas bonus: some people
got less than $50, some got as much as
$600, with nobody confessing who made
the decisions or what criterion was used.
We later learned that the decision was
made by our supposed representative (in
consultation with an unnamable third
party), and further investigation re-
vealed that our "representative" had
gotten $1600!
The board got tired of the "collective"
experiment, and began convening a
PROCESSED WORLD #26/27 — Sppci?l 1 0th Anniversary Double Issue
"Management Restructuring Commit-
tee" ostensibly to study the present
formation. I had become somewhat
active in trying to bring some peace
between the different factions, which led
to my being elected, along with my
friend Debbie, as collective representa-
tives on the Management Restructuring
Committee. Our "representative" was
asked to leave the center, in a dignified
way so that it looked like he quit.
(Subsequently he became manager of a
failing nearby recycling center.)
Our center would have a three-person
interim management team for the next 3
months, at the end of which the board
would decide on a management struc-
ture for the center. The interim team was
comprised of me, Debbie, and a man-
agement consultant. Debbie and I were
demanding strict pay equity — everybody
working at the center should make
$6.00/hour. The consultant said that
the rock-bottom lowest she would work
for was $12.00. She proposed we should
all three get $12.00, which sounded good
to us, except that out of principle we
didn't want to be making more than
other people at the center. We finally
compromised and decided to receive the
$12.00/hour for our management hours,
$6.00 of which we kept, and the other
$6.00 of which we divided among all the
workers who were still making $5.00/
hour. It was a bookkeeper's nightmare,
but it was the closest our collective ever
got to pay equity.
I couldn't wait for the three-month
period to end. We did actually manage
to draft a rather agile and sophisticated
proposal for collective management of
the center, which addressed many of the
shortcomings we had experienced previ-
ously, but it wasn't taken seriously, and
we knew it wouldn't be. There was some
talk among us of going on strike if the
board voted against us, but it felt
half-hearted, and I was extremely burned
out from the whole interim management
ordeal anyway, and very uninterested in
gearing up for what was certain to be
another losing battle. And for what!?
Were we really that much of a collective
anyway???
P.C. Recycling (Post-Collective)
I appreciate not having to deal with
the board anymore. Most, if not all of
them consider themselves pretty pro-
gressive (One of them once described the
board as "radical"). They're actually
representative of the general political
character of the Haight-Ashbury these
days: professional people with a consci-
ence, especially compared to most of
their co-workers. But they are blind
when it comes to understanding things
from the point of view of the people who
work for them.
I often complained about the conde-
scending way we were treated. They
would listen to the management con-
sultant and think of her as the manager,
while mostly feeling uncomfortable
around me and Debbie. They treated us
like kids, something especially apparent
when we would ask for raises. They
looked down on us because we made so
much less than they did. They didn't
believe we deserved to make any more,
so they didn't give us any more — another
bitter Catch-22.
The board ended the experiment with
"collectivity" and opted instead for a
"manager with an egalitarian style." The
whole interim period was designed to
Page 33
give an appearance of objectivity to what
they had been planning all along. They
already had their handpicked candidate.
Now he has a good job; lives a half
block away, and gets paid $12/hour to
go home and babysit his 3-year-old
daughter. Well, that's not all he does; he
also gets paid to deal with the board, and
with the city and the Parks Dept. (they
own the land), and I guess he must be
getting some stuff done; we haven't been
shut down yet. When he feels like it, he
can even decide once in a while to join
us and do some work. I don't feel bad
about him having such a good job: I
wish we all could have jobs as good.
He's cooler than a lot of other manag-
ers would be, is open minded, and even
appreciates Processed World material
from time to time. He's easygoing and
tolerant of frivolity, which certainly
makes any job more sane. I think he's
basically a nice fellow, happy to have a
good job. But he doesn't seem to be
much of a manager, and seems to have
abdicated much of that responsibility
anyway. We don't even see him very
much, and wonder what he does with
his time— it takes an awfully long time to
get things we need. If we want safety
equipment, we're much better off getting
it ourselves rather than waiting for him.
Recycling Boom
Reflecting the ecology boom of the last
few years, the center has quickly grown
from a funky little drop-off center into a
fairly bustling business, with tonnage
figures and all that. Management be-
came more of an issue simply because
there was that much more to be man-
aged. More income led to more problems
owing to more disagreements over what
to do with the money. It caused an
identity problem for the center (and for
us) to have it grow so quickly. The Parks
Dept. stopped donating the site and
started charging us rent. We were no
longer just a drop-off center: a lot more
people came in to get redemption value
on their bottles and cans, especially
people living on the street. The reces-
sionary mood crept in and added an
increased air of desperation to the mood
of the center.
Since the management restructuring
period there has been more emphasis on
"efficiency" at the center: controlling the
number of person-hours spent at the
yard; and less joyriding in the truck (no
more rides to the beach, or stopping in
Golden Gate Park to feed the "duckie-
wuckies"). We had to prepare for compe-
tition from the city's curbside recycling
program, which was being implemented
already in other corners of the city.
Curbside recycling can be a good
thing, but we were starting to worry
about our survival, and were scandalized
when the local garbage company. Sunset
Scavenger, was awarded the contract
with no competitive bidding. Our re-
peated petitions to City Hall to have our
neighborhood exempted from the city-
wide curbside program because we were
already doing it were ignored. Assuranc-
es that we would be reimbursed by the
city for any money lost because of the
curbside program also turned out to be
bogus.
The curbside program hit our neigh-
borhood about a half a year ago now,
and the effect has been dramatic. We
creatively try to cut our losses (our
unofficial advertising slogan: "Just Say
'Fuck It' To The Blue Buckets!"), but
volume has still dropped as much as 50%.
We've succeeded in winning some cus-
tomers back. (We have some very loyal
customers. One woman actually UPS's
her junk paper to us all the way from
Santa Fe!) Many people like what we do
but have been confused. Some thought
the blue buckets were our service, and
that they were supporting us all this
time, and are surprised to find out
they're not. No one is happy to find out
that Sunset charges $1 /month for their
service (whether you use it or not!),
something that is not advertised as being
part of the deal.
Still, it's hard to compete with a
service that offers convenience like that.
When people can just put their recycla-
bles on the curb, why should they spend
their gas money and "free" time and gas
to deliver it to us— isn't that wasteful? So
we're coping.
The effort spent expanding our own
pickup program pays off— the program
continues to grow (We need a 2nd
truck!), and our downtown office paper
program is also expanding rapidly. But
the formerly bustling yard now seems
often like a ghost town— it's even sparse
on weekends. Our staff hours have been
cut way back, with no cutbacks in
management hours, naturally. (In fact,
management had the nerve to suggest we
put in some volunteer time!) The yard
uses more free help, like pre-trial diver-
sion people. Decision-making is more
concentrated among the two de-facto
managers, staff meetings are almost a
thing of the past, and the proposal for a
staff group health plan, which we were
seriously discussing before the curbside
program hit, has now been all but
forgotten . . .
If I'm so critical and dissatisfied, one
might be tempted to ask, why do I
continue to work there? I ask that
myself. In what way is it the good job? I
rationalize it this way: As much as I
Page 34
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
dislike a job sometimes, I hate the
thought of job hunting even more. My job
pays more now than it used to and offers
plenty of other flexibilities (and fringe
benefits). Although staff cutbacks asso-
ciated with curbside damaged the social
fabric of the center, it is still a fairly
closeknit group. Whatever might be said
for collective management, I actually
find lately that my worklife is considera-
bly more tolerable and I feel freer if I
don't waste time thinking about work
politics at all. I have no illusions about
"saving the world," but I enjoy the
comparative luxury of knowing that
recycling doesn't seem to make things
worse. 1 don't have to ponder what sort
of atrocities my energies may ultimately
lend themselves to.
Recycle Your Troubles Away?
Many well-meaning people feel good
about "saving the planet" when they put
something into a recycling receptacle
instead of into a trash can. However,
whatever happens to that material after
it leaves their sight may or may not do
any good at all. Placing all the emphasis
on what to do with the stuff at the end of
the consumption cycle (instead of ad-
dressing production) makes it impossible
to do more than cosmetic cleanup. If it
helps people justify obscene consump-
tion habits, you could even say it does
some harm. No matter how many
progressive or well-meaning little opera-
tions are involved in recycling collection,
they still have to sell it to somebody else.
The recycling market is completely con-
trolled by large companies whose only
concern is making a profit, not trying to
conserve resources or protect the envi-
ronment. Many of the same companies
getting in on recycling are the nation's
biggest polluters (3M, BFl, WML) Inves-
tigations so far are inconclusive, but
many speculate that collected recyclables
are ending up in landfills anyway. It may
sound outrageous, but it is not far-
fetched as long as it is still more
profitable to bury stuff than it is to
recycle it. Tax breaks to corporations
that use untapped, unrenewable re-
sources like oil, aluminum ore, etc.
("depletion allowances") are further road-
blocks to an ecologically sane solution.
Plastic recycling programs are a scam,
marketing hype to make people feel
better about using plastic. It doesn't
actually get recycled, but is at best made
into something else that will get thrown
away— and often doesn't even make it
that far, but gets routed to the landfill.
Ditto for the much-trumpeted styrofoam
recycling— very little of it actually goes to
the "recycling" plant. One person who'd
visited the high-tech styrofoam "recy-
cling" plant in Fremont was appalled to
find that the workers wore no protective
breathing equipment in a factory filled
with a thick, toxic cloud.
Recycling under the present system
has to adapt to the logic of the market-
place. Small, community-based recycling
operations cannot compete with bigger
companies. Big recycling companies can
stockpile materials and wait for a favora-
ble moment in the marketplace. Small
centers don't have that kind of flexibili-
ty, and have to curtail collection of
materials that aren't profitable. When
the market is glutted, sellers can't find
buyers and the price plunges, threaten-
ing the very existence of many small
centers. Last year the market for news-
paper got so glutted and the price
dropped so low that many centers on the
East Coast actually had to pay to have
their newspapers hauled away! It's still
cheaper to buy and produce non-
recycled paper, and most mills are still
reluctant to invest in the de-inking
equipment necessary to produce recycled
paper. Things are a little better on the
West Coast, but most of the paper
collected for recycling gets sold to mar-
kets in Asia; very little of it gets recycled
here in the United States.
Curbside recycling is convenient, but
attacks the problem from the wrong end
by focusing on end results rather than
how and why things are produced in the
first place. It also takes resources out of
the community. Neighborhood centers
like the one in Haight-Ashbury attempt
to keep resources in the community, but
that's mostly limited to "recycling" small
amounts of money. One of Haight-
Ashbury Recycling's most useful and
popular features, the "free table," is in
danger now because Park &. Rec consid-
ers it an eyesore, attracting the wrong
kind of people to the center, i.e., the
indigent and homeless (though in reality
all kinds of people are attracted to the
free table).
There needs to be more neighborhood
recycling centers, not less. Instead of being
a marginal dumping ground for the
community, I envision the recycling
center as being central to the "economy"
of the neighborhood: taking up several
buildings as well as a lot, and being a
trading hub as well as an important
resource in ecology information. It could
also have facilities for all kinds of
hitherto unprofitable kinds of recycling,
such as composting. Basic recycling of
familiar materials like paper and bever-
age containers could have a much more
visible presence throughout the commu-
nity, like the streetcorner recycling ki-
osks that are commonplace in many
European cities. Production needs to be
wholly re-examined. Mandate that, as
much as possible, paper be composed of
recycled fiber, and use hemp fiber for the
rest. Promote a culture of "repair and
re-use" instead of "throw away and buy
another." Make bottles more durable
and returnable. Examine the role of
plastic. It's an amazing, versatile and
revolutionary substance, but is way
overproduced. For which functions is it
appropriate, and for which other func-
tions is it simply wasteful?
To really look at recycling means
looking at just about every aspect of the
society we live in— and the society we could
be living in!
— Glenn Caley Bachmann
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 35
Beatnik Managers,
Tye-Dye Bureaucrats,
and Corporate All-Purpose
Tofu Paste
When I decided I wanted to work at Wheatsville
Food Co-op I got very puzzled reactions from
two friends who already worked there.
Diane, my partner at the time and a member of the Board of
Directors thought it was great, since to her it wasn't a
job, but "fun." My other friend just looked at me in his
customary disbelieving manner and asked, "Why do you
want to do that?" I would soon understand what he meant.
When I got the job I gave up an easy cashier position
at a Chinese/Vietnamese restaurant. I was exchanging a
job where I read half the time, daily consumed food
worth as much as my wage and talked to people from all
over the world for what I thought would be an even
more "workless" job. What I found was a refuge of hippie
capitalism mystified by Politically Correct commodities,
"avant-guard" management and five kinds of tofu, a
Stocking became a
favorite chore among
cashiers since it could be
stretched out for hours
while avoiding one's
register. It was also easy
to subvert the efficiency
and speed tracking by
hitting the total key after
every item to stop
the clock.
facade perpetuated with the assistance of the most
"respectable" elements of the Austin left.
HARSH REALITIES
The Coop was formed innocently enough during
the late 1970s by a group of people who wanted to
get access to good, cheap food. It offered no-frills
food organized by volunteers with all the profits
directed back into maintaining cheap prices and a
basic selection.
By the mid '80s this concept faced the harsh
realities of rising rent, paying wages, limited de-
mand, and a local economy ravaged by the collapse
of the oil boom. The Co-op relocated to a larger spot
and expanded its inventory beyond staples, hoping
to expand its pool of shoppers. Despite this, it went
deep into the red, and increasingly turned to worker
austerity as a means to boost profits.
Austerity "saved" the Co-op. When I arrived, wages
had been frozen for over a year, paid sick leave
eliminated for part-time workers (defined at an
impossible 30 hours per week), discounts for
staff reduced five percent for full-timers and entirely
for part-timers, and member dividend refunds
eliminated. This was in addition to the implementa-
tion of numerous efficiency enhancement programs
such as constant busy -work activity, notifying
management when going to the bathroom, elec-
tronic monitoring of cashier speed and efficiency,
periodic performance reviews and other prog-
grams that earned a heap of praise from the
HEB supermarket conglomerate and the Austin
Chamber of Commerce on the Co-op's
Page 36
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
tenth birthday.
This class war was not one-sided.
While the workers didn't have any,
officially recognized organizations, we
had lots of everyday forms of resistance.
Cashiers had an unspoken program of
extended bathroom breaks, with one or
more of us off at a time during both lulls
and high points in business, visiting
friends who were shopping or working,
snacking in the deli, changing the music
selection, making phone calls, and
sometimes even actually going to the
bathroom. Sometimes we just sat down
on the register and read the paper,
listened to the music, talked or relaxed.
Cheated on official breaks, we quietly
created our own. That this grew to crisis
proportions for management could be
seen in the frequent exhortations by
buttkissers and bureaucrats in the cash-
ier logbook to "always notify the shift
manager that you want to leave your
register and to not leave until allowed to
do so." We turned the busywork of
stocking the soda cooler or the bags into
an extended trip around the store. In
fact, stocking became a favorite chore
among cashiers since it could be
stretched out for hours while avoiding
one's register. It was also easy to subvert
the efficiency and speed tracking by
hitting the total key after every item to
stop the clock.
We also made "friendly mistakes," like
giving the item to the customer at a
lower price, or neglecting to charge the
7% added fee for non-members, or giving
staff discounts to almost anybody. And
let's not forget the long, friendly conver-
sations that would erupt between a
customer and cashier during transac-
tions. The best thing about working
there was that many of us used its aura
of being a laid-back, hippie coop to avoid
having to work hard or at all. Consider-
ing that many of us led full lives as
musicians, students, or just people, and
work never became a priority among
most, this relaxed atmosphere was quite
attractive. We could get away with a lot,
since we were required to make Wheats-
ville a relaxed, friendly place to shop.
Whereas on one hand we were selling
our smile, on the other we were saving
up our energy for other activities besides
work.
THE BEGINNING OF THE END
I suspect that the largest impetus for
installing automatic scanners was not so
much speeding us up as it was to cut
back on "friendly mistakes" and staff
reappropriation. Since the staff knew so
many of the customers, it is likely that
massive self-reduction in prices was oc-
curring that was impossible to stop. All
you had to do was have a friend come
through the line with tons of groceries
(for example, mountains of $5 bottles of
"organic, we don't test on animals"
shampoo) and give up to 80% discounts.
There was no sacker, and the manager
was always occupied with stocking or
checking — so we were free to do as we
pleased. Some friends of staff built up
awesome wine collections with these
connections. This was some compensa-
tion for being cheated on salaries and
benefits. Why should we sell thousands
of dollars of the best food on the market
in return for twenty or thirty bucks a
day— a rate which would prohibit us
from enjoying any of it? This was only
partially so, since some were adept at
having another cashier undercharge for
food that was eaten, only a fraction of
which was admitted to.
I learned about the plan to install the
scanners from Diane, my partner who
was on the board of directors. Austerity
had already revitalized profits: the
$100,000 debt had almost been retired
and gross annual sales would soon top
$1 million. They figured they could
replace the five existing registers for
$80,000 and eliminate long lines and the
need for inventory, in addition to stran-
gling worker reappropriation. They nei-
ther asked for cashiers' input nor even
notified us of their plan, despite being a
"democratic, member-run co-op." In fact,
I was rebuffed by the cashier team head
for using this label. "Wheatsville is a
business." I was told. "It doesn't matter
what the staff thinks."
This event was the beginning of the
end for me at Wheatsville. I put out
^gflS aa Individual. S^S
flyers to the staff warning them of this
plan, concluding that this was an at-
tempt to make us work harder and faster
and destroy what remained of the
Co-op's laid-back atmosphere. I also
suggested that the money instead be
used to make up for real losses in wages
over the last few years. Since the Co-op
would have to borrow in order to afford
this new technology, it would only
continue the process by which the staff
paid off debt through further austerity
and price increases.
But I couldn't arouse any active staff
interest. I called a very unsuccessful
meeting at my house at which only two
people showed — both of them manage-
ment bureaucrats. It became clear that
no one really cared since it was only
another dead-end job. I went to the
board meeting alone— by now my rela-
tionship with Diane was quickly erod-
ing—and confronted the manager about
the scanners, asking why they'd only
accepted one bid (I wonder who was
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 37
grafting off that one?) and why it was
needed at all since we rarely used the
fifth register (which sat idle as a soda
shelO- They ignored me.
HIPSTERS OF
THE VANGUARD
UNDERGROUND
Without staff response, I turned to the
consumers. Over the next few weeks I
quietly dropped a small flyer in the
groceries of every customer that I
checked out, informing them of what
was happening. I also sent a letter
detailing the events to four local alterna-
tive newspapers, two of which carried
Co-op advertising. Giving out the ffyers
stirred some members to action. Within
a few days, numerous pissed -off members
called the store, angry that their favorite
laid back shopping oasis would be defiled
by automation. Then two of the papers
published the letter and a third, a
popular weekly with a circulation of
40,000, was about to when it called the
manager to alert him to his impending
publicity catastrophe. He then called me
to negotiate the withdrawal of the
remaining letters in return for a mem-
bership vote on the scanners and one-
year moratorium on buying them (which
now included competitive bidding) if he
won. 1 agreed and required that he
inform the entire staff.
But few of the members gave a damn
about the Co-op's inner workings; "mem-
bership," like the rest of the Politically
Correct facade, was a sham. Voting for
directors and boycotts (another "proof
of the Co-op's Political Correctness) often
took six months to get a few hundred
votes, and it was a rare fool who actually
agreed to unwaged "volunteer" labor.
Most of the customers think it's a great
place to shop but wouldn't dream of
working there. It turned out that most
members were oblivious to and/or thor-
oughly uninterested in hearing about
employee troubles. While I found a few
members who saw through this fraud
most constantly remind us that "it is a
great place to work." After all, our low
salaries supplemented their cheap con-
sumption. In fact, Wheatsville was a club
for well-paid workers and yuppie capital-
ists, mostly white who lived on the west
side of this segregated city. It was a place
to be seen and consume while remaining
politically correct. On any given day the
store would be inundated with radical
National Lawyers Guild and ACLU
lawyers, intellectuals, and all the other
hipsters of the vanguard underground
hotfooting it through aisles of tofu,
canola oil and organic fufu. They would
cheerfully dance to the tune of some
underpaid local musicians offering live
Musak to calm their daily frustrations.
A MODEL OF SOCIALIST
STATE CAPITALISM
Imagine my surprise a few months
later when I realized that a vote was
already weeks in progress and that none
of the staff, who are required to be
members, had been sent ballots. By that
time I had left for a winter break and
couldn't raise hell. When I returned I
found that I'd been summarily purged—
removed from the schedule and refused
both permanent and substitute shifts.
After my forced departure, reorganiza-
Page 38
tion continued uninterrupted. As with
any good business, the profits are fun-
neled right back into expanding opera-
tions and keeping people at work.
They've added a new deli counter, a
fresh flower cooler, a huge awning, more
tables in front, a wooden display case for
bulk oil and nut butters, and such
healthy necessities as blank tapes to the
inventory. No doubt rats continue to die
in the storeroom and inside the walls,
the toilets still back up, and the staff still
doesn't have a breakroom and instead
eat among beer and soda boxes. Staff
breaks remain at five minutes per hour
(below the federal minimum), and it is
required that one work 30 hours or be
demoted to substitute status. A worker
was fired for talking to customers while
stocking, and bounties are being offered
for the arrest of shoplifters.
The Co-op shrouds itself in the cliches
of left political causes: "peace," "vegetar-
ianism," "environmentalism." The
manager — once described to me as an
"anarchist" — dresses like a beat and
wears his black motorcycle gloves and
beret as he stocks [see photo]. All kinds
of causes get to post their flyers and
Co-op ads even show up in underground
publications. Yet inside it is business as
usual, with Profits, Work, Political Re-
pression, and Austerity waiting to be
ferreted out, analyzed and attacked.
In the year that I worked there I saw
the Co-op as a model of existing "social-
ism" that is actually socialized state
capitalism, fully managed by the state
under the aegis of some left party, as in
the USSR, China, Cuba, etc. Although
Co-op ownership is legally socialized
among the 10,000 or so members, the
actual control is in the hands of a
management that operates like any other
good capitalist business, seeking to
generate profits they can reinvest in the
store to keep its employees at work
producing ever-greater profits. I drew an
analogy between the Co-op and socialist
state capitalism, under which ownership
is supposedly socialized by the state, but
the reality is the same— subordination of
all of life to work for the accumulation of
profit.
Maybe I expected too much from a
political community dominated by an
illegitimate and authoritarian left dedi-
cated to putting us to work under their
revolutionary leadership. Currently, I
spit up every time I hear about food
"co-ops.
—Robert Ovetz,
with help from Ross A. Dreyer
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
If I Die Before I Wake
The resolute thud of a car door.
The unquestioned authority of a stopUght.
The simple, curved grace of a nuclear reactor along the
interstate.
The reassuring chatter of a morning talk-show radio co-host.
The urgent flutter of air through a window opened one
half inch.
The elegant glass panels of the familiar building, reflecting
the enormous parking lot.
The pride of belonging when showing a laminated
identification card.
The light, syncopated heelclicks in the enormous parking
lot.
The fluorescent sheen of buffed hallway floors.
The family portrait pinned to the fabric cubicle wall surface.
The familiar buzz of the computer booting up.
The satisfaction of the illuminated monitor's amber screen.
The eager apprehension as an LCD wristwatch displays
9:50.
The quiet jubilance of breaktime; powdered coffee, raisin
danish packaged in cellophane.
The mild dread at 10:10, in anticipation of returning to
the cubicle.
The recalcitrant self-congratulation in making a personal
phone call.
The relief as LCD watchface reads 11:55.
The sunbleached sidewalk, and background swishing of
cars on the interstate.
The distant chatter of lawn sprinklers.
The patient gurgle of the concrete-lined, atmosphere
enhancing fountain.
The slick, hard surface of the fiberglass bench.
The gentle crackle of a plastic sandwich bag.
The vague panic at how to fill the remaining forty minutes
of lunchbreak.
The sudden waking up from having been staring into the
monitor without intent.
The exasperating patience of the LCD display consulted
every twelve minutes, every ten.
The weary relief of 2:56.
The irritating thin walls of a paper coffee cup, burning
fingers.
The breathy hum of the microwave in the breakroom, the
violent boiling of contents in a green, resealable
plastic bowl.
The exasperating chewing sounds of an ingenuous
co-worker.
The clouded suspicion of an existence discarded well
prior to expiration date.
The faint craving for the calves beneath the white hose
passing the cubicle.
4t^
The idle figuring of wages on an adding machine:
26,000 ^ 12 months. 2166 ^ 4 weeks. 542 ^ 5 days.
108.40 - 8 hours. 13.55 ^ 60 minutes. .22 ^ 60
seconds. .004 cents per second.
The anxious 4:00 craving for a cup of coffee.
The renewed hope of 4:45.
The stylish liberation of a loosened necktie.
The light, syncopated heelclicks in the enormous parking
lot.
The thoughtful chatter of the radio talk show host.
The harsh buzz of the apartment's security door.
The sighing of shoes on the nylon carpet in the hallway.
The comforting chime of ice in a cocktail.
The reassuring chatter of the nightly news.
The crisp bedsheets and the mercy of sleep.
— Jim Lough
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Page 39
REDEMPTION
Everybody died.
I missed the funeral. I didn't know
it was in my backyard.
I slept late that day imagining
The cock-eyed undertow of continental
drift, washed my hair with beer,
And cleansed the house with white sage.
Nothing helped.
I realized long ago there had been
A certain silent war going on for years,
So I felt guilty.
Everybody in the world died.
I still made Cream of Wheat for breakfast.
Everybody in the world died
so I showered without soap. Everybody
In the world died except for me
And West, the neighborhood street man.
Everybody in the world died and West
didn't understand. He raided my door,
Pushed into my hallway, stole the bottles
Of perfume I've received for years never
opening. Everybody in the world died
And West sat on my stoop drinking Love's
Baby Soft and Chanel -5. When the perfume
emptied I passed him Lysol, dish detergent,
Flea powder. Witch Hazel. He was indestructible.
Everybody in the world
Died except for me and West. We figured out
how to extract alcohol from bread crumbs
By soaking them mushed in banana peels and water.
Everybody in the world died, and West and I
ran out of ideas. Everybody in the world
Died and West sobered, gradually, like a child
On the verge of understanding the hand's tiny
pores extract blossoms.
— Marina Lazzara
ODE TO THE CHELSEA HOTEL
it was a typical legal
secretary's hectic afternoon
it cost one client
a thousand bucks
to file those papers
before the court closed
and they were truly screwed up
we did them so fast
I knew he'd call the next day and scream
the fact that I'd sweated blood
to type them on time, at the last minute
like these guys always do things
didn't matter a bit
because once they've done their work
they assume it's all taken care of
it's just like a blow job
they're flushed & triumphant
all these messengers and clerks going crazy
it makes them feel important
who cares where the semen goes
they came that's what they paid for
my hands were shaking but I didn't
say much I went for a walk
I was trying to quit smoking
& having other problems too
none of them mattered
I just walked real slow
to the hot dog stand where the old
Chinese couple sold cigarettes
one at a time, they cost 15 cents
they were worth every penny
I walked back to the office
feeling dizzy and weird
when an old guy said buddy
can you spare a dime?
I got out a quarter I was
shaking so bad I dropped it
and had to pick it up
I told the guy good luck
he said listen jack
you need the luck
I'll take the quarter
I hung out by what's left
of the Chelsea hotel
the owners tried to tear it down last year
the old guys who lived there
took the owners to court
and won for a while
but the stay was lifting
the wheels of justice ground on
the owners were starting
to renovate the place
as the workmen came and went
the old guys sat in the lobby
watching TV looking tired
and sour daring anyone
to kick them out
the ringleader of the bunch
a white haired, warty guy
was sitting in the lobby
looking right through me
his hands were steady as a rock
on his cane and I looked
at my hands and I looked
at his hands and thought
I gotta quit
this business
soon —David West
Page 40
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
GRAFFITI BOYS SPRAYPAINT THROUGH SUBWAY
neon squiggles through signpost
across trash cans, posters & sidewalk
whatever they pass gets their mark
indian calls echo through stairwells
running faster than trains
they flash by like lightning
— Gina Bergamino
BANANA WHISTLE
"Lester Bowie was playing his ass off"
What what?
When a leaf is overturned is overturned
an overture understands its intensive destruction.
Dictum: if an insurrectionist attitude belies denials
everyday vocabulary falters fades
flowers,
in the rough
take a testimony, a nightingale
testimony
the weariness, the fever and the fret
When a dog wets a garden flower
its ambition enacts.
Cool it, dog.
Surrounding, the glow of ground
slows down, wound,
a terrific posse glides intractably
mute, impossible.
It is a social thing
a fever, delivered with good graces.
Penny arcades suck a person dry
action becomes ambit —
shun succumbing daily
— Jeff Conant
SMASHING THE BANK
My knees are
stained with grass.
My father says
I can ignore my neighbor.
I will fill three buckets
with acorns. If I'm good
my grandmother will take
out her teeth. Woody
Woodpecker lives on the patio.
How many ways can I spend
seven dollars.
— Gina Bergamino
THE AMAZED PEDESTRIAN
They ride around
and cover ground
they spring full fledged at dawn
predictable as a reflex.
They do not cease at noon
After sunset they're still riding
at least until eleven
the next day —
they ride around again.
The earth give up her metals
the ground give up his sauce
so they con ride around and round
and be the boss of us.
— Janice King
everyone's fighting in this city
people reduced to shouted curses
stacked over broken bottles
women and fags are bashed
on any corner
and the pervading stink
is of ignorance
this is no city of love
what causes this narrowing hardness
in the city i craved
all kinds of hardness
brick, concrete, asphalt, glass
blades, fists and metal claws
the environment becomes enemy
even while the environment
provides defense
— Michele C.
FROM NOW ON
We'll leave it to chance
not even calling home
to the Home Office
in Rhode Island or North Carolina
they'll only rubber stamp it anyway
two-by-two their engineers of gravity
slumping down that long hollow corridor
of stone containers and paper proof
of time's whirling blue machines
millions of dollars will lay on the table
ions of weeping with no appreciation
just the ivory palace fermenting
in a heaving sea
of Spanish moss
and bald green flies euphoric.
— Errol Miller
POEM
Because I didn't have a job,
I walked over a little hill
in spring, the leaves weren't out yet.
The trees were tall and silent strangers,
the brown leaves rustled on the ground,
the sun in the blue, cloudless sky.
Over the hill there was a road
that led to nowhere I could see.
I just stood and listened to the silence there.
Because I didn't have a job, I stood
between a road that led to nowhere I could see
and a hill of brown leaves and tall, silent trees.
— Gene Harter
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Page 4 1
Adventures In The
Muck-It Research
Game
I am any man. I make purchasing decisions that have
far-reaching effects. Whether it's raking muck or
throwing it, I'm ready to pitch in or haul ass with
the best of them. And, most important, I like to talk shop
— for a price.
Roundup the usual suspects. When Casablanca Field Re-
search calls, I stand up to be counted. A black Mariah is
dispatched to my rickety address in the Mission District.
The interviewer doesn't ask how I am, or what I'm doing;
we put such pleasantries behind us years ago. Instead,
with a blurting maniacal laugh, he launches into my new
profile:
"You are one of the friends of Monsieur Rick, yes? You
must be the Vice in charge of security and facilities main-
tenance for a major West Coast pro-apartheid bank head-
quartered in the Financial District. You pull in 60K a year,
several of which go up your nose; you wear pinstripes and
suspenders, live in Gnoe Valley, drive Basic
Marin Wheels ... two-faced and heartless, you'll
do fine."
Ordinarily I would resent this rude identikit,
my eyes would narrow, lips compress at his fiber
optic effrontery. But coming from my friend
Fudge, who is a telephone pimp for a large
market research firm, I listen intently to this
malignant portrait of a stranger— I try the suit on
for size. While it's a life I despise, I can hack it
for a whiff of the quick money that seems to stalk
these BMW-driving executive types. Do they
really get paid for every breath they take?
A case of do or die. See, I can't afford to hang
up. After another flea-bitten day moping around
my squalid Mission apartment in Duboce Fucking
Page 42
Triangle, waiting in vain for an evasive and inef-
fectual temp agency to call, I'll snap at just about
anything. Especially an invitation to scam, to
make some quick moolah, a bit of cutter, the
pretty poUy that will help me pay my three-digit
phone bill, grotesquely inflated since I moved to
California.
"Sure, Fudge," I say, after a pause to savor the
New Me. "I'll bite. Sign me up to play this slime-
mold. Just say when and where."
Fudge can barely conceal his glee— he's got
another friend of Rick's on board for a "focus
group." For two hours, I will sit through the fuck-
us group discussion with a dozen other "decision-
maker" corporate managers, shooting the breeze
about the latest Star Wars-spinoff widget, or shar-
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
ing our gag reactions to the latest slogan-
eering tablets miraculously dragged
down from Mount Sinai to flog a new
lifestyle.
Here's looking at you, kid. I will sit
unflinching under video and audio sur-
veillance, one of them, make all the right
moves, the noises that signify assent and
sound convincing. For me, it's a ques-
tion of survival— and the perverse pleas-
ure of subtly feeding them my own line,
a little counter-drivel. The unsuspecting
host— Thieving Electronics, Perturba-
tion Research, or whichever client re-
tains Casablanca Field Research for this
opinion pap smear — is subject to the
woof and warp of my skewed views, and
any other friends of Rick's who get
packed into this group. The beauty of it
is, the client will most likely never figure
out they've been had.
To be sure, there are signs of our
deceit — the images we construct flake a
bit around the edges, like dandruff on
the collar. Not all of us have quite the
right threads; sometimes getting outfit-
ted requires a bit of hustling. Even so, I
see the wrinkled noses of the genuine
"respondoids" sitting near us, appalled
by the stench of the street that sticks to
us like freshly-poured tar.
I can usually bluff my way through any
oral presentation, but a written ques-
tionnaire, often handed out with the
croissants, tempts the devil in me. I spike
my answers with weird indirection, and
surreal suggestions — Q: Have you any
additional ideas on how this product could
be improved? A: A submersible model of this
laptop would be desirable, for both the
bathtub and, say, a press conference on the
Titanic.
Fudge once explained to me about
these focus groups. It wasn't "focus" in
the New Age sense, as human potential
types might think — it was even more
manipulative than one of their inner
development scams—
"Our client has either been requested
to discover something about the world,
or our client had purported something
about the world to his client. The focus
group is conducted in order either to
verify the delusions of the client, or the
delusions of the moderator, as the case
may be.
"Seeing as we at Casablanca Field
Research are one of the best," here
Fudge giggled, "one of the best delusion
verification companies in the world, you
can see how your role of multiple
personalities— the ever-flexible 'friend of
Rick's' — becomes crucial to satisfying the
f
m
reality needs of the situation."
My first meeting with Fudge is limned
in a strobe-mist of dry ice, on one of my
first visits to San Francisco. It was his
birthday, and he was tripping. As I later
learned, there was little difference be-
tween Fudge straight, and Fudge on
psychedelics.
I am one of his more "normal" (or
conventional-appearing) friends, not be-
ing a stripper, a leather lesbian, or a
professional space program booster. The
phone-call "screeners" that Fudge and
his colleagues in market research use to
recruit focus group participants serve as
yet another vehicle for us to joyride
while Fudge discharges his duties for
Casablanca. It gives him private pleasure
to infiltrate these market research groups
with friends, or any convincing fuck-off
who can cynically act a part, take the
money, and run.
"For your time. Mister Tinnitus, you
will be reimbursed with an honorarium
of a startling one hundred dollars— did I
say dollars? I meant one hundred Vichy
French Reichmarks — or whatever we pay
you scurvaceous people with.
"Refreshments, a light supper of soggy
croissant sandwiches and soft drinks,
will be served if you arrive early for your
six o'clock group.
"Please be punctual. If you happen to
recognize anyone in the group, any
other friends of Rick's, you may ex-
change secret handshakes in the elevator
afterwards, but for my sake in this job, if
we are to continue our mutually lucra-
tive arrangement, please do not divulge
your prior acquaintance, or personal
connection with me. It is not in our
interest for my employer, Casablanca
Field Research, or its clients, to recognize
that you or any others are on my list of
'usual suspects.' Thank you, sir, and be
sure to have yourself one hell of a nice
day."
Oh, Victor, please don't go to the
underground meeting tonight. The address
at which we are to meet is the thirty-
something floor of the Flubb Building
on Market Street.
I have a copy of MlS-lnfoWorld under
the arm of my London Frog trench coat.
The only thing that sets me off from
those strangely suited creatures of the
Embarcadero, or the management/
slash/procurement types from Star Wars
suck-up firms in SilValley, is my Big
Country bolo tie, and the scuffed-up
black Reeboks I wear in place of more
laid-back Birkenstocks, or the new pow-
er footware with Italian toes.
I arrive late, knowing that on those
few occasions when everybody they need
to fill a group shows up, they have to
turn the last ones away with pay,
rewarding tardiness for a change.
No such luck as the five o'clock
shadows lengthen towards six. It is
raining; I sense relief in the receptionist,
as my arrival brings them up to a desired
quorum. These are the days my frierub, yes
these are the days my friends intones a
Philip Glass opera in my head, as we file
into the conference room with mirror
walls.
My paper plate is loaded with the
promised soggy croissant sandwiches,
stuffed with sauteed scorpion. A couple
of bottles of Calistoga water clink in the
pocket of my thriftshop pinstripes. I
have reached a new plateau with this
group: a hundred gaudy greenbacks for
my precious time! I am ready to start
celebrating even before it begins, but all I
have in front of me is a plastic glass with
Diet Coke and not enough ice.
We start with the usual round robin of
introductions. For the purposes of today,
my title is Public Debt and Securities
ossifer at Krugerrand Savings and Loan.
Other people in the group admit to
being in Mergers &. Execrations, Con-
sumption Modulation, and Honesty
Verification. Buncha sharks — unless
there's another friend of Rick's in this
group, with a solid cover.
For the convenience of the client, we
are being monitored through one-way
glass, recorded for both voice and pic-
ture. We're a suave ad hoc committee,
nodding nonchalance, but then surveil-
lance is in our job description.
The facilitator, a fourth Stooge for the
yet unnamed, and possibly unnamable
client, faces us from between the tines of
the U-shaped table, simulating relaxa-
tion. He genially introduces us to the
format for tonight's discussion, assuming
we're all virgins. He will channel our
comments, and exhorts us to be com-
pletely candid in our reactions. "There's
no such thing as a wrong answer here,"
PROCESSED WORLD (i'26/27 - Special 1 0th Anniversary Double Issue!
Page 43
he assures us.
I've heard this spiel so many times, I
sometimes worry that the non-Fudge
staff at Casablanca will recognize me as a
little more of a "regular" than the strict
canons of market research would ordi-
narily allow. But Fudge is a meticulous
scam-artist — he protects the friends of
Rick's from embarrassment and appre-
hension. He is, after all, a professional.
Tonight we are to be introduced to
something new that is in the develop-
ment stage. This (blankety blank) com-
pany would like Stooge to find out what
we think about the product's viability-
will it be attractive to business?
It is not clear just what the product is,
for he then leads us into a very general
and inconclusive discussion of the mod-
ern corporation, the way its physical
organization can be modeled as an
organism. All right, the elevators and
corridors are —
"Alimentary, dear Watson,' Stooge
looks up from his script, then frowns as
if we've missed our cue on the laugh-
track.
The phones and computers are nerv-
ous bundles, relaying masses of informa-
tion, commands to the corpuscular per-
sonnel. Everyone winces when I suggest,
as security officers, we are the white
phagocytes of the system — that phuh
word sounds strange, even if it is
accurate. Management is presumably
berthed in the seat of intelligence, the
company boardroom.
"What about the plumbing? The water
fountains, the sinks, the toilets?"
What about them?
"Wouldn't they be for intake and
excretion?" asks Consumption Modula-
tion.
"It's the circulatory system," chips in
Mergers and Execrations. "With filters
for the poisons."
"We all know that water is the very
basis of life," Stooge says knowingly.
"And waste often reveals what cannot
be said."
"Garbage in, garbage out," I opine.
"Precisely. Now what would you say if
a means existed for a safe and discrete
analysis of that garbage? And better still,
for correlating this information with the
specific individuals who introduce this
garbage into the system? Asking the
employee for a waste specimen does not
usually engender the most agreeable
exchange, and by showing your hand,
gives the employee a chance to mess with
the process."
"Are you talking about controlled sub-
stances?"
"We're talking about this," Stooge
points to the flip chart. "Quality." In our
opening discussion, we'd thrown some
words around which he had written in
big letters with a felt tip pen. "And what
about this: Control. Quality. . .Control.
A company is only as good as its human
resources."
I've been in some pretty far-out focus
groups before, like the one involving
cosmetic surgery for animals — in which
everything from vaginoplasty, liposuc-
tion, nose-piercing, fur dyes, tattoos, and
contact lenses was discussed in all seri-
ousness for house pets. If people were
prepared to shell out monster bucks to
buy their pooches and pussies a burial
plot, then why not go the full yard for
penis-implanted tarantulas? Me, I'm a
low-tech kinda guy who's content just to
kick the cat now and then.
Every day I see the postmodern neo-
primitives in business suits swinging
from pillar to post on the glassine vines
of the Financial District. What they do
with (hopefully) consenting animals in
private is something I'm prepared to
ignore, even if it does disgust me. Only in
San Francisco. . . we accept this kind of
everyday surrealism.
But it's gotten so nothing in the SoMa
demimonde can match the Jekyll and
Hyde machinations of Corporate Amer-
ica for nightmare logic. This bilgewater
about the purity and essence of the
employee's precious bodily fluids makes
me ill. I rise.
"Speaking of plumbing, is it permitted
to go visit the great god Porcelain?" I ask
Stooge.
Without waiting for an answer, I step
out into the hall, and dash down
towards the men's room. I am tempted
to grab an elevator back into the maw of
the city once again. Only I would not
pass GO, would not collect a hundred
dollars.
I gotta pee, but after hearing the turn
the focus group was taking, do not dare
empty my bladder anywhere in this
building. Casablanca's client this time
has to be among the slimiest of copro-
phages — although they haven't named
the party, I can pretty much guess that
it's Sin-Tech. Let's hope they aren't
trying out the product here.
It's after seven; this part of the hallway
is darkened —no Casablanca staff are in
sight. The client is in the observation
room, possibly humping away with one
of the market research execs, while on
the other side of the one-way glass, the
focus group weighs the virtues and
cost-effectiveness of excretion analysis.
I slip out my garden hose, and quietly,
unobtrusively I hope, spray one of the
potted plants by an accountant's desk.
Poor thing, wilting in this fluorescent
fun-house. I'll bet they're asleep all over
America. At least I'll make its secret life a
bit more interesting — it can dream of
ammonia seas and gas-giant planets.
After molesting the plants for a few
more minutes, my nose buried among
the leaves, I slouch back into the light.
Before reentering the conference room, I
square my shoulders, securing what I
hope is my determined, earlier facade,
before the horror set in.
The focus group has changed in char-
acter while I've been gone. Most are now
pencilling answers on a questionnaire.
Honesty Verification turns his pages face
down, making short work of it with a
ready round of rubber stamp platitudes.
I feel like a student late for class as I
take my seat near the door. More time
has passed in this room than I can
account for with my quick micturation.
The minutes so easily become distended
in Casablanca. Stooge looks at me with
officious disapproval. I glare him down
with my filed-teeth look, honed from
riding the El. Don't fuck vuith me. Mister.
The questions have to do with the
"flexible response" option for manage-
ment to deal with the ever-weakening
code of conduct, and employee attitude.
Q: If a security management system facili-
tates total access to the encoded use charac-
teristics of your workforce, hou> much more
effectively would you be able to husband
your human resources? A: Sodomy is a good
start, but for real exploitation, let's fit them
each with a wire, and a bit between the
teeth. Q: How much would you be prepared
to pay for such a system, on a per-employee
basis? A: Rather than dirty our hands with
cash, filthy lucre, 1 would seek barter in
kind. How many pints of blood, how many
sperm samples, placentas, corneas, or organs
from our body bank would you accept in
exchange for the swift installation of your
product?
I scribble my flexible responses using
my own pen, which has a special
acid-based ink that will, over the course
of the next few days, eat through the
stack of uncoded, unkeyed, unevaluated
questionnaires. Would that I could do
the same to the image on the video tape,
introduce a wavering moire cloud, as if
we were all clad in scramble suits,
effacing our features into expressionistic
blurs, our bland words melting into gobs
Page 44
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
of meaningless verbiage on the carpet
squares.
Stooge mechanically thanks us for our
participation. "You've all been very
helpful, and you can be sure what you've
said tonight will be reflected in the
packaging of this new service. Until it is
actually released, I'd like to remind you
of the nondisclosure agreement you've
signed— this product is still in a develop-
ment stage, and may not be available for
some time to come." Stooge consults his
watch. "And thank you for taking the
time from your evening to come to
Casablanca. It's a few minutes before
eight, but we're going to let you go early.
Outside is another focus group sched-
uled for eight— please don't say anything
about what we've discussed here as you
exit."
The air out in the waiting room
crackles, as we file past the paymistress
doling out our centuries. A fresh batch
of respondoids sit slumped where we
were not two hours ago. They're fading
already— it's way past the time they
usually shuck their suits. For the next
two hours, they too will get to rap about
this or that divine invention, whether
it's from Sin-Tech, Fourth Reich Re-
search, Thieving Electronics, whatever.
"Your name, sir?" She fans the stack of
envelopes.
I scratch my head. Who am I this time?
The fundnmental things apply.
For a moment I'm distracted by a
familiar face, an odor I know coming in
the door. A woman with demure attire
but severe earrings walks past me into
the waiting room. She has a cocky stride,
a sly wink as she takes her place and
immediately starts to fill her plate.
I point to an envelope. "There I am.
That's me." I sign by the x.
Your nvinnings, sir.
—Art Tinnitus
Afterword: I recently spoke with
Fudge, who left Casablanca a few years
ago, and has since moved out of state.
Fudge recalled this about his career in
muck-it research:
"All too frequently, the depressing fact
of life when you do general population
interviewing, is that people have so very
little happening between their ears, that
you can see why we get the governments
that we get, and many of the products
that we get, and many of the TV shows
that we get. It's these shit-for-brains
types that make it possible."
The type of research Fudge most
reviled is political surveying. " We were
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very careful to aim these calls at voting
blocs which were thought to be switch-
able, or changeable— their voting history
had been volatile— it could be switched
from one persuasion to another by
which way the wind was blowing. It was
propagandizing in the worst case. You
would get questions like: if you kneuj
that ujorthy opponent candidate X routinely
ate human brains, would you still vote for
this person!
Fudge had his own fanciful example of
political surveying, prepared for a poten-
tial client— "Lebensraum Research."
We're calling French people tonight. We
have here a short one-minute survey of French
soldiers on the Maginot line, whose pay-
checks are one tenth what they should be.
Does that describe you?
It does describe you. You believe your pay-
check is one tenth what is should be? We'll
get your name, rank arui bunker location later.
Please tell me if you agree or disagree with
any of the following statements:
I enjoy trench foot, gangrene, lice, maggots,
and the satanic nightmare of certain rruingled
doom. Would you agree or disagree?
Germany, the land of beer, Beethoven,
Bach, and boobs, is composed of unrealized
geniuses just like yourself. Would you agree
or disagree?
France is the most civilized country in
Europe, and therefore the universe. You
would agree with that, I'm sure.
In a rational universe, civilized countries
would not need armies whose soldiers are
paid shit, merde, or scheiss while fat coward-
ly stupid, i.e. unFrench officers wallow in
looted, gilded sloth? Would you agree with
that? I assume that you do.
Those who can goosestep, do. Those who
can't, drink chablis. Would you agree or
disagree?
France, the most civilized etc., is surrounded
by the scum of the Earth. I'm sure you would
agree.
Scum of the Earth— Untermenschen, is the
German term— plot constantly to loot and
rape France of its sacred, virginal honor.
France, the most etc., needs protection
from the rest of the world as described. The
Third Reich has the largest army in Europe,
and therefore the universe.
And finally, in France, a really precocious
feisty Chardonnay is best appreciated by
those who are still living. I'm sure you would
agree.
Do you agree or disagree that life is good,
and that your death would be wrong?
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Page 45
A Trade Reporter's
Report
Zapped by your VDT? No one really knows if the
radiation it puts out— along with hair dryers, elec-
tric blankets and power lines— is dangerous. But
studies show that it might be.
The Environmental Protection Agency came to exactly
that point in a report that was to be out in late Novem-
ber. That would be news in itself, a good story to cover
for my high-tech newspaper. But even more interesting is
that the White House was sitting on the report because it
would scare people— a better story to cover for my high-
tech newspaper.
More exciting for me as a journalist was the fact that I
was the only one on to the story— an unusual chance for
a scoop in an industry that usually cares more about new
mainframes than how computers affect lives. This is what
keeps me on the job.
Except, the story got held. By the time my piece came
Apparently flaks don't
think that executives of
fhejr companies are to be
trusted to say the "right"
words. They're scared to
death that someone will
actually reveal NEWS.
out, other journalists broke it on network news. I
could console myself that I had information no
one else had. For instance, the reason studies
were so inconclusive is that the non-ionizing ra-
diation (electromagnetic fields) from our appliances
don't behave like toxic chemicals: there is no
dose/response relationship, and the outcome of
experiments depends on where they are carried
out in relation to the earth's own electromagnetic
field. Except that when the story did finally ap-
pear, it was not on the front page— and with a
trade paper, if it ain't on the front page it might
as well be in Siberia.
Now, if that story had been about a new main-
frame from IBM, it would have played lead story,
with graphs and charts and a sidebar for every
state in the union.
I try not to write those mainframe stories, but
that's how to get on the front page and get a
bonus. Money and a byline. A few free lunches.
It's not awful in the scheme of things.
At the first paycheck, I knew nothing about
computers, except how to run Wordstar. Three
years later, I know way too much about them in
terms of abstract or virtual knowledge. In real
terms, I now know how to use both Wordstar
and Xywrite.
Trade reporters can move among different trade
publications, but those dozens of publications are
controlled mainly by two owners (Ziff-Davis and
International Data Group). They only seem to
differ in the narrowness of their focus (like on a
particular vendor, such as MacWorld, for Apple
Computers) and in the degree of fawning copy
Page 46
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
devoted to companies that advertise in
their pages.
I have never been asked to write
stories favorable to the companies that
advertise in my paper, but people
working at other publications say that
pressure comes with the well-paid job.
In at least one case, IBM reads and ap-
proves the editorial copy before it goes
to press. Instead, the pressure is to do
stories on the endless stream of new
products emanating from the zillions of
computer companies out there. You use
acronyms like commas. Acronyms like
RISC, MIPS, and EDI take on as much
meaning as IBM. But my mother and
most friends cannot decipher my work.
For them, the word "Eunuchs" is used to
signify short fat castrated men guarding
harems. Now it's Unix, an operating
system.
For three years I've been stuffing my
head with all this relatively useless in-
formation when I could use my research
and writing skills to inform on more
pressing matters. I still have no interest
in how the industry works, or care for
its products (only the reliability of word
processing software).
Not only do I now speak a different
language, covering the computer
industry takes a whole different
technique than being a general interest
or even a general business reporter.
For one, it breeds flaks like flies. After
being a reporter, even a business re-
porter, for ten years, I found the clouds
of computer flaks (or public relations
people, as they prefer to be called)
astonishing. Apparently flaks don't
think that executives of their companies
are to be trusted to say the "right"
words. They're scared to death that
someone will actually reveal NEWS.
Most stupidly, they're afraid that an
"unannounced product" will be re-
vealed. In the computer biz, products
(like the latest Macintosh) are not
talked about before there is an official
"roll-out," when all the information hits
at once. My job, of course, is to find
out just what the products are before
the official time comes. Then I attend
the roll-out, which often resembles a
rock concert complete with dry ice,
blaring music and background videos.
Only instead of Jon Bon Jovi appearing
through the haze, you see some plastic
encased box with a screen in front and
an announcer with a receding hairline.
All roll-outs have some weirdness to
them. The worst, so far, was in 1988
when Steve lobs rolled out the first
Next computer. He rented Davies Sym-
phony Hall in San Francisco. Invita-
tions were so hard to come by that
some people were scalping them at the
door (they were free). Jobs appeared in
the spotlight like Macbeth. The music
swelled, and there was a collective oral
orgasm from the crowd when he
removed the black sheath surrounding
the model computer on the stage. The
press was then herded into a separate
conference room where company flaks
guarded press kits like gold bullion. It
was a press conference and they
wouldn't give out the damn press kits.
Of course we diverted them and stole
them anyway— big thrill— along with
the vegetarian sandwiches and Calistoga.
You can't get a press kit without
them, you can't get a drink without
'em. And you can't talk to anyone with-
out flaks. If it's a phone interview, they
quietly listen and take notes on a con-
ference line. If it's a live interview, they
sit next to you and take their own
notes or tape recorder. They've even
followed me into the bathroom to make
sure I don't stray into off-limits territory
on my way in and out.
Not surprisingly, they lie. "I hear the
company's not doing too well and that
there may be layoffs soon." "No, we're
doing fine." Next day 300 people are
out of a job. I have to add that some
are helpful— usually the ex-reporters
who've gone over to the other side
where they can make twice the money.
But after a few years, the corporateness
tends to creep in and take them over
too.
UMIra a \l,
PAPA'S GOT
A BRAND
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RtinTi
RMn
PROCESSED WORLD 26/27 — Special 1 0th Anniversary Double Issue!
Page 47
You do get free lunches out of them,
if that's the way you want to spend a
lunch hour. At my office, we count
good weeks in terms of how many
lunches we can scam. They also send us
things. Often they're just stupid pro-
motional devices like corporate calen-
dars, or a microchip embedded in
plastic. But lately they've been getting
better. At Xmas we got chemistry sets
with different colored liquids and in-
structions to make the combinations
fizz or turn into a gluey substance. With
real gifts, like leather-bound filofaxes,
we try to scrape off the corporate logo
and regive them to friends. For this faux
generosity (I plaster my cubicle with
Xmas cards from companies and
humans I've never heard of) the trade
reporter is expected at least to take the
flak's phone calls, which are never
ending.
Phone calls from flaks trying to get
some ink for products or marketing
scams, which move me about as much as
Perry Como, I greet with an honest,
"1 don't care, sorry." This moves some
of them near tears, pleading to speak to
my boss about this terrible injustice I've
just meted out to them. And it is true-
no ink in the newspaper means they
remain in obscurity that much longer.
So, send me good gifts!
The gifts keep coming despite the
recession, and despite the fact that the
recession hit the computer industry
early on. It had grown way too big, way
too fast, and a little economic pin
pricked its balloon.
But when it hit, there were some omi-
nous editorial signs. All of a sudden,
editors were demanding more stories on
"products." Forget the interesting stuff
about how technology affects lives in
say, the Middle East, or how pollution
from the manufacturing process has
NEW
WORLI>
S.^^
OI>OR
Graphic: Arch D. Bunker & Trixie T-Square
made Silicon Valley groundwater toxic.
PRODUCT STORIES, the bane of the
trade reporter's existence, were all of a
sudden in high demand.
My publication and others retracted
the tentacles they had slithered out into
the real world and tried to rely on the
old method of trade journalism. Not
much different than writing for the
Macy's insert in the Sunday paper. To
weather the recession, their first tactic
was to go back to pretending that
computers were still just a small part of
the world and refusing to recognize that
high tech and life in the 1990s had be-
come inextricable.
We had seen it coming — at least those
of us on the bottom looking out. Com-
puters were developing so fast — doubling
in speed every year — that consumers did
not care to keep up with them. Rocket
scientists can use these machines, but
that is not a big market.
While the industry was expanding in
the late 1980s, when consumers could
keep up, computer companies grew into
their wingtips. The status symbol be-
came a new suburban building with
fountains — the more fountains, the bet-
ter one's success. Executives were
leasing Ferraris, and the expansion
seemed unlimited.
And so it was, in technology terms,
but that wouldn't translate into buying
and selling, even without a recession.
Human beings were not about to keep
up with the changing technology—
there's a basic resistance to things new.
Humans don't want to learn a new
word-processing application, much less
a new method of logic underneath it
(the operating system) if they don't
have to. It doesn't matter whether the
hardware is cheaper for the employers
in the long run; few workers are going
to buy it.
So I watch the high-tech world go by.
While many magazines such as mine
will go under in the recession— or have
already gone — mine will still be around.
I'll probably spend the rest of my days
on the phone with managers of cor-
porate information systems trying to
divine the next greatest mainframe,
while my VDT slowly cooks my brain.
—Frank Wilde
TWISTED IMAGE t.y Ace Oackwords en«
Page 48
PROCESSED WORLD 126/27 - Special 1 0th Anniversary Double Issue!
Post-Modern Pensees
MODERN PRIMITIVES STOOP TO FIND THEMSELVES.
THE RITES OF PIERCING AND SCARIFICATION
REPLACE THE RITES OF SILENCE, THE
RITES OF SPRING.
TECHNOLOGY HAS TOOLED LIVES INTO PRECISION
MACHINES LACKING MYTH AND FEELING.
TELEVISION EDUCATES CHILDREN ON THE FINE
POINTS OF ADDICTION, CONSUMER, SEXUAL
AND OTHERWISE.
TELEVISION PREPARES WHITE CHILDREN FOR
WHITE SLAVERY IN THE MARKETPLACE.
TELEVISION PREPARES BLACK CHILDREN FOR THE
CRACK HOUSES.
THE CRACK HOUSES ARE THE NERVE ENDINGS ON
THE FINGERTIPS ON THE HAND ON THE ARM OF
THE STATE.
COMPUTER TECHNOLOGY IS USED TO LIMIT
POWER TO AN EDUCATED ELITE.
COMPUTER TECHNOLOGY IS USED TO DISSEMINATE
PERSONAL INFORMATION ABOUT INDIVIDUALS TO
THE ELITE WHO HAVE THE POWER AND KNOWLEDGE
TO ACCESS THAT INFORMATION.
THE RIGHT TO PRIVACY IS NONEXISTENT.
THE MASS MEDIA SIMULTANEOUSLY CREATES AND
RECORDS HISTORY.
THE SPEED AND EASE OF DISSEMINATION OF
INFORMATION HAS RESULTED IN A DESENSITIZED
POPULATION.
NEWS OF TRAGEDY REMAINS IN THE CONSCIOUS-
NESS ONLY A FEW DAYS BEFORE IT IS REPLACED
BY NEWS THAT PROVIDES FRESH PSYCHOLOGICAL
STIMULATION.
THE PROMISE OF TECHNOLOGY TO MAKE CULTURE
MORE WIDELY AVAILABLE TO THE POPULATION
HAS HAD THE OPPOSITE EFFECT.
RAP MUSIC IS THE NEW FOLK MUSIC.
RAP MUSIC FRIGHTENS MIDDLE AMERICA BECAUSE
IT USES EXTREME LANGUAGE WHICH IS NOT
TOLERATED.
RAP MUSIC FRIGHTENS MIDDLE AMERICA BECAUSE
IT IS ONE EXAMPLE OF AN OPPRESSED GROUP
USING TECHNOLOGY TO THEIR BENEFIT.
PSYCHOTHERAPISTS HAVE BECOME AS COMMON
AS SHOE SALESMEN.
PSYCHOTHERAPISTS ARE NOT THE RITUAL HEALERS
INTENDED BY FREUD.
ANALYSIS SMACKS OF RITUAL, IS AN INITIATION.
-^. = ^H o f
Af.^^(/" '8*^
MODERN PSYCHOTHERAPY IS "SAFE PASSAGE," IN
MUCH THE SAME WAY THAT TELEVISION IS THE
"COOL FIRE."
THE MECHANIZATION OF WAR HAS CREATED AN
INDUSTRY THAT ECONOMICALLY DEPENDS UPON
WAR FOR ITS SURVIVAL.
WORLD GOVERNMENTS HAVE A SYMBIOTIC
RELATIONSHIP WITH THIS INDUSTRY.
WORLD PEACE WITHIN THIS STRUCTURE IS
IMPOSSIBLE.
NEW AGE MYTHOLOGY IS AN ATTEMPT TO
SYNTHESIZE VARIOUS MYSTICISMS AND ANCIENT
PHILOSOPHIES IN A WAY THAT SUBVERTS THE
POWER OF EACH.
ADVERTISING IS THE MOST WIDELY AND
ENTHUSIASTICALLY PRACTICED ART FORM.
KITSCH IS THE PRODUCT OF AN IMAGE-OBSESSED
CULTURE.
EROTIC FEMALE IMAGERY IS REPRODUCED
REPETITIVELY IN A WAY THAT TRIVIALIZES
FEMALE SEXUALITY.
GOVERNMENT RESPONDS PRIMARILY TO THE
NEEDS OF CORPORATE INDUSTRY.
NEGATIVITY AND CYNICISM ARE FASHIONABLE
REACTIONS TO LIBERAL APATHY.
NIHILISM IS A REACTION TO ALIENATION.
ANARCHY IS A REACTION TO DESPAIR.
— Paula Orlando
PROCESSED WORLD 26/27 - Special 1 0th Anniversary Double Issue!
Page 49
Kelly Girl's Good Job
When I was a sophomore in college I found a
good summer internship in Washington, D.C.,
working under the Jimmy Carter administra-
tion (the last administration, I believe, to take special
notice of women). It paid, it sounded important, and I
hoped (OK, I was 19) that it might make me and the rest
of the world better feminists.
The job consisted of doing research for a report to the
President on the status of women. We wrote abstracts
from testimony by hundreds of women about welfare,
child care, sexual abuse, harassment, and other types of
discrimination. Those women and the ones conducting
the hearings, believed their efforts might make a
difference. But I realized one day that the report wouldn't
even be finished until approximately one week before
Carter would be out of office for good. All that work was
for show.
The all-woman office was entirely bureaucratic
and hierarchical: the worst example of women in
power imitating men. I started keeping a journal
to ease my frustrations, writing reflections about
how the best way to be a bureaucrat was to be
stupid, how unfeminist this "feminist" office was,
and how committee chair Lynda Johnson Robb
(of pink and patent-leather TV wedding fame)
seemed as if she'd be much more comfortable
back home barking at the servants. I also wrote
personal things about whom I'd slept with and
how my eating disorder was going.
Then one day I was called into the Executive
Director's office, where my journal was sitting on
the middle of a big, clean desk. I was told my
journal was government property now. It was
done on government time, on a government type-
I don't have to wake up
to an alarm clock, angry
as the day begins,
confined in stockings and
pumps and busses and
cubicles, I don't have to
pretend to be nice to
anyone, or play office
politics and sicken myself
at how good I can be at
those games . . .
writer, so it belonged to the government. They
threatened to fire me (I later found out they
couldn't, because their action was in fact what I
felt it was, an invasion of privacy).
The upshot was that I could keep the job, but
as punishment I wouldn't be able to work on the
special White House event, or anything else.
My second internship was much more hip. I
worked at Rolling Stone on Fifth Avenue in Man-
hattan. I wanted to work there because eventually
I wanted to write raucous, political, point-of-view
journalism, like they had in RS's good old days.
But the new days at Rolling Stone were different.
It was a tense hushed atmosphere, where only es-
tablished old buddies ever wrote anything. As an
intern my job was to photocopy for the profes-
Page 50
PROCESSED WORLD 126/27 - Special 1 0th Anniversary Double Issue!
sionally hip. For this, I was paid
nothing, but offered occasional free
tickets to bad concerts and opportuni-
ties to go out with record reviewers
twice my age. I kept suggesting ideas
and offering to do research, and I kept
being told I looked great in that color
and would you get me some coffee,
and, once, don't you realize you
should never sleep with anyone you
work with?
My friends envied my great job.
Eventually I moved to San Francisco
to become a writer. I wrote a lot of
stories in exchange for very little
money. I would spend maybe a month
doing original research and, if lucky,
get paid $50 or $150 for an article.
Usually I tried to write in the style and
voice of the publication (not my own)
and include just what they wanted me
to include. I was young and
inexperienced. They got off cheap.
To support myself, I worked as a
temp. My idea of a good temp job was
one where there wasn't much to do all
day (particularly no charts to word
process) and nobody bothered me. It
was an especially good temp job if
there was free juice, easy access to the
xerox machine, lots of good stuff to
take home, and a WATS line.
Those good temp jobs were few, and
didn't last.
These days I work for myself. I've
freelanced for several years, and
gradually I've been able to do at least
as much work I want to do as work I
have to do to pay the rent. I mostly
write about things I'm interested in,
and I get paid pretty well for doing it
(relatively speaking, of course).
But it isn't perfect. For instance, I
know that over the years I've interna-
lized many of the requirements for
being a successful freelance writer, and
that my "voice" in magazine articles is
not always so much my own as it is the
one I instinctively know will work. I
may not have as much freedom as I
think I have. And I don't really know
how my voice would be different in a
different kind of system, where I didn't
have to write anything to pay the rent,
to please the editors.
But I try to be a good boss. For one
thing, I don't make myself work very
hard. Friends of mine (mostly from
New York) who are very time-achieve-
ment-money oriented tease me, some-
what jealously, somewhat seriously,
about being lazy. They can't understand
why, when they come to visit on a Mon-
day, I take the day off to go to the beach
to be with them. They don't know how I
can be out in the middle of the afternoon
when they call. They think this free-
lancing is kind of cute but not really that
important, and certainly not very powerful.
One of the legacies of my
involvement with the Processed World
collective is that I've also internalized
the Why Work? ethic. I only work as
much as I have to, or want to. It
makes perfect sense to me to take a
bicycle ride at 3:00 p.m., when most
people are experiencing that mid-after-
noon slump that not even caffeine will
fix. It also makes sense to spend a day,
like today, working on something for
fun, which won't pay anything but
satisfaction.
But this good job, as I mentioned, is
not without its problems. For one
thing, I don't have a community of
people to work with, to conspire, col-
laborate, and create with. Working
alone I get to feeling dull. I've tried to
create community by spending time
with other freelancers, having lunch,
chatting about projects, and playing
hooky for whole weeks at the film
festival. I also log in to a virtual com-
munity every day, talking with people
on the WELL, the Bay Area's Whole
Earth 'Lectronic Link. There the con-
versations are more or less as interest-
ing as those you'd find at a water
cooler, but it's at least interaction.
There's also a problem of feeling as if
I have to recreate myself every day. I
can't simply push the time clock and
do what's expected of me. In some
ways, that's more difficult. I have to
pace myself, hustle up work, and
wonder what I'll do next month or
next year. I panic that I'll run out of
ideas and assignments, that all my
outlets will dry up, that I'll never
figure out the bigger project I can't
quite grasp right now.
But I don't have to wake up to an
alarm clock, angry as the day begins,
confined in stockings and pumps and
busses and cubicles. I don't have to
pretend to be nice to anyone, or play
office politics and sicken myself at how
good I can be at those games. No
one's my boss except the Big Boss, the
economy that keeps me writing articles
that end up wedged between glossy ads
for dreams, articles that are accepted
because they will appeal to people who
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buy dreams. But in that tiny filler
space I do what I can.
And in the long stretches of my
working days, my good job has a lot
more possibilities.
-Kelly Girl
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 5 1
OOVUNriMl!
SF VDT Legislation:
A Great Idea Corrupted
San Francisco's by now infamous
Video Display Terminal (VDT) legisla-
tion started out amazingly well. But by
the time it was signed by the mayor,
most of the protections had been re-
moved or watered down so that workers
may only be safeguarded from the most
egregious examples of poorly designed
workstations.
Originally the ordinance would have:
• Affected workers who spend more than
half their work day at terminals.
• Applied to all businesses with 15 or
more employees who work at VDTs.
• Mandated adjustable chairs and
desks, and set a minimum standard
for the thickness of chair upholstery.
• Required anti-glare screens for em-
ployees who request such items.
• Necessitated 15-minute work breaks
every two hours.
• Specified non-glare lighting and light
intensity.
• Mandated non-VDT work during
pregnancy when requested.
• Provided for employer-sponsored
vision exams and mitigation.
• Minimized noise from impact printers.
• Required a minimum space of five
feet between a worker and the back
of a terminal to minimize exposure to
magnetic fields.
• Asked the Director of Public Health
to report to the county on studies of
health effects from electromagnetic
radiation.
At the end of the process, only the
first five and the last requirement were
left intact. The most important one
that remained— adjustable chairs and
desks to prevent repetitive strain
injuries — was substantially weakened by
the business community.
VDT legislation began rolling in San
Francisco after labor was struck by
four ominous precedents, according to
Barbara Kellogg, Oakland-based
organizer for the Service Employees In-
ternational Union Local 790.
In 1988, a similar ordinance was
struck down in Suffolk County, NY,
which is now on appeal. The same
year. Kaiser Permanente came out with
a study indicating that women who
spend more than 20 hours a week at a
terminal, and also have higher-stress
jobs are more likely to experience re-
productive health problems, including
miscarriages.
In 1989, CalOSHA refused to set
ergonomic, vision, and stress standards
for California workers, despite recom-
mendations to do so from their own
ad hoc committee.
Finally, in mid- 1990, then-Governor
Deukmejian vetoed a symbolic VDT bill
that had been watered down to only
say that computer equipment makers
should meet their own recommended
ergonomic standards.
First off, San Francisco city lawyers
looked at the proposed legislation and
nixed the parts requiring vision exams
and alternative work for pregnant
women — since those two areas are, or
may be governed by the state and fede-
ral government. Then, in a misplaced
spirit of cooperation with the "business
community," the supervisors spent
several months meeting with the very
same business people who have forced
workers to remain at terminals long
after signs of stress injuries had
appeared.
In one case, at Pacific Bell, an opera-
tor with splints running from her
knuckles to her elbows, was forced to
remain at the keyboard or lose her job.
About a month before the ordinance
was made public, Pac Bell announced
new plans for ergonomic redesign of its
offices. However, Pac Bell managers had
no idea about such a program and a
spokeswoman said that it was an-
nounced before details were worked
out. The San Francisco Examiner, in
another case of inhumanity, sent its
suffering workers home.
Since the supervisors allowed these
meetings, the business community used
the opportunity to weaken nearly every
point in the ordinance, compromising
safety further by weakening require-
ments for pregnant workers to be al-
lowed non-VDT work if requested and
indirect lighting to ease eye strain.
Next to go was the requirement that
a worker be placed no closer than five
feet from the back or sides of a VDT.
This was put in because electromagnetic
radiation, which the EPA says may be
linked to cancer, envelopes a terminal
on all sides. It was whittled down to
three feet and then tossed completely.
Even after the bill was signed into law
in late December, corporate interests
continued to tinker with it. Through
amendments, they were able to limit
the amount they would have to invest
in retrofitting workstations to a
maximum of $250 and to have four
years to complete the work. They were
also able to extend non-retrofits, or new
furniture purchases for workstations up
to four years after the legislation goes
into effect.
By negotiating with business leaders
the city helped shift the discussion from
the health of workers to the health of
the business climate, one always coming
at the expense of the other. Of course,
business once again threatened to leave
San Francisco due to "interference" by
city government.
There were projections of enormous
costs to both the city and business— be-
tween $73 million and $120 million. But
no one spoke about the cost of future
decades of workers' compensation
claims.
To retrofit a cubicle with an adjust-
able chair and desk and a detachable
keyboard costs between $1,200 and
$2,000, testified one doctor. If someone
gets a repetitive stress injury, workers'
compensation for lost work time,
reduced output, increased premiums,
administration, etc., easily tops all that.
But corporations see workers' comp as
a cost of doing business. Workers' comp
Page 52
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
is no-fault insurance, a system which
prevents employees from filing for
punitive damages. Companies which
knowingly put workers in a hazardous
situation only have to pay for actual
hospitalization or doctor bills. Lawyers
say it's a disincentive for protection (not
to mention bad for their business!).
Despite the massive concessions,
many on the corporate side came away
from the process with a sour taste.
Some vowed to sue the city. Some
vowed resistance. The woman at Pac
Bell with the splints up to her elbows
couldn't come to the final Board of
Supervisors meeting to watch the vote.
She couldn't take any more time off
from work at her VDT for fear of losing
her job.
—Frank Wilde
SOLIDARITY WITH BRITISH
"POLL TAX" RESISTERS!
The Poll Tax
The British government is trying to
enforce the "Poll Tax" — a flat rate tax
on every adult. The Poll Tax is unjust
and many cannot afford to pay (espe-
cially women, young people and
Britain's black and ethnic minority
communities). It will also devastate
local democracy and welfare services.
The last time a British government
tried to impose such a tax— in
1381!— there was an armed uprising
and government ministers were set
upon and killed. No other country in
the world has successfully imposed
such a tax. Papua New Guinea
scrapped theirs 12 years ago because it
was unworkable. A plan to implement
a Poll Tax in New South Wales, Aus-
tralia was abandoned last year
following the mass opposition in the
UK.
The Opposition
Over 12 million adults in Britain
have so far refused to pay the tax,
despite government threats of court
action, seizure of property, wages etc.,
and ultimately prison. There are over
2,000 local anti-Poll Tax groups and
regional federations working to
encourage and support non-payers, in
order to make the tax unworkable. It
is a diverse and dynamic self-organized
movement of class and community
solidarity.
Trafalgar Square
March 31st was the eve of the imple-
mentation of the tax in England and
Wales (it had been introduced in Scot-
land the year before). Following a wave
of angry local protests all over the
country, a national demonstration was
called, ending in a rally in Trafalgar
Square. Nearly 250,000 people
attended, making it one of the largest
demonstrations in 20th century British
history. The police— increasingly notor-
ious for their role in smashing strikes
and other working class actions
attempted to break up the rally by
cavalry-charging a sit down protest
outside the Prime Minister's Downing
Street residence. Instead they provoked
a six-hour long battle, in which
protesters defended themselves against
police and did millions of dollars
damage to capitalist property in
London's lush West End. Predictably,
the British press and state used the
police violence as an occasion to attack
the anti-Poll Tax movement, and to
label anyone arrested as "Thugs,
Rioters or Hooligans." The police
launched an immediate campaign of
harassment against the movement,
arresting activists and raiding their
homes. Altogether, over 520 people
have been arrested, and are receiving
heavy fines and long prison sentences
after political show trials.
The Trafalgar Square Defendants
Campaign
Building on the long tradition of
community self defense by British
black people, a campaign was formed
to support those arrested, coordinate
legal defense (over 200 different lawyers
are acting for the various defendants),
and raise money for defendants' legal
and welfare costs (our target is $75,000).
We want to tell the truth about what
happened in Trafalgar Square that day
and since, against the hysteria and lies
of the media and the authorities.
Above all, we need to ensure the anti-
Poll Tax movement is not intimidated
by these attacks, and fights for the
right to oppose this hated tax and
demonstrate freely.
The campaign has already organized
pickets of courts where show trials are
in progress, and prisons where
protesters are being held. We have
successfully tracked down witnesses to
illegal arrests and violence by police
officers, and have arranged lawyers for
defendants who were unrepresented.
We have raised thousands of dollars
for publicity and defendants' costs, and
have received support from hundreds
of anti-Poll Tax groups and federations
all over the country.
We are calling for the dropping of all
charges against protesters from March
31st and October 20th.
What You Can Do:
• Organize a protest and send us a
report and photograph.
• Become a contact for distributing
information about our activities in
your country.
• Publicize our situation.
• Send messages of solidarity to
those in prison.
• Let us know of similar struggles in
which you are involved.
FOR A WORLD WITHOUT EXPLOI-
TATION, OPPRESSlOl^ OR
BORDERS!!!
The Trafalgar Square
Defendants Campaign
(they can be reached through Processed World)
"COMPANY MEN"
REBELLING IN JAPAN
A new singing group, the Shines, is
spreading the notion that it's OK to
have a life outside of work. They are
striking a chord among young Japanese
within the rigid corporate structures,
providing a voice to express vague frus-
trations.
"From early in the morning
M}! battle starts
I run up the station stairs
Turn around, turn around
A cog in a wheel
Work hard, work hard,
Japanese salaryman"
The Shines draw on traditions of
Japanese sentimental ballads and com-
pany picnic cheers. "We sing a capella
because we don't have instruments,
and anyway, the message is more
important than the music," says Taro
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 53
Sugimura, 26. "The message is, 'Let's
find another interest outside the
company. Let's enjoy our life!"
Rika Muranaka, 27, who quit her
job at Esquire Japan to become a
freelance event promoter, said, "It's no
longer enough to be just a company
person. People are beginning to see
that a well-rounded, talented person
has more than just a company life."
More young people in prestigious
companies are questioning the system
that got them there, particularly the
"examination hell that rewards their
ability to memorize and cultivates the
kind of diligence that companies
demand." They are questioning values
seen as integral to the Japanese.
Recently there has been a prolifera-
tion of young people's groups called
"networks," which cut across usual
company or university classmate lines;
consisting instead of "side-by-side rela-
tionships," without seniority systems or
vertical structures (unlike traditional
groups in Japan).
The new horizontal networks are
also unusual because they include
women. With few exceptions, women
are hired as "OLs" ("office ladies"),
pouring tea, making copies and doing
other trivial chores. These days, OLs
are shown in TV commercials laughing
together at their bosses. The majority
of Shines' fans are OLs. S.F. Examiner
The Disney Revolution?
Disney employees were presumably
responsible for crafting this fake memo
mocking the style of Jeffrey
INTERTWINING WORKERS
OF THE WORLD, UNITE!
(You have nothing to lose . . .but your briefs!)
WANTED! WANTED! WANTED!
Hedonists . . Saboteurs . . Erotopreneurs . .
Pleasurecrats. .Working 'Stiffs" for per-
sonal stories of Sex on the Job, to be
included in Fucking Off on the Job:
Tales celebrating the erotic spirit sapping
the strength of the planetary work
machine. A book and serialized radio
show of first-person accounts by
workers telling how they mixed
business and pleasure in ways never
told before.
Cultivating the erotic sphere on the
job takes many shapes, many hues,
many complications. For some it is
planned and quite straightforward; for
others it may be a mutually consenting
spontaneous "accident"— perhaps re-
warding, perhaps not. Unfortunately,
unwanted sexual advances are an all-
too-common experience. This project is
NOT about that. Rather, it is about
consensual erotic adventures in a
situation where you have been at work.
To contribute to this project, your
sexual forays do not necessarily have
to have occurred at your job. It could
be at a partner's. It could be at the
workplace but "after hours." It's even
possible to exclude both the workplace
and hours— one friend's story involved
him "stealing" the company truck after
work, picking up his lover (at work!)
and then sneaking the truck back by 6
a.m.— Whew! Just as there is no set
definition of where sex starts or stops,
being sexual on the job is equally slip-
pery. So use your imagination. What is
essential is that you enjoyed a charged
erotic experience somehow linked to
the world of work. Masturbation
stories are perhaps the most common,
group sex the least, but all tales,
whatever their configuration, are
welcome. You can send a typed, first-
person narrative, a tape recording, or I
can interview/record you by telephone
(or in person!) Call or write us!! We
want your story!! Michael Medo
Center for Full Empleasurement
1668 Page Street, SF CA 94117 USA
(415) 864-1013
Katzenberg, chairman of Disney
Studios. Disney has a reputation as the
most penny-pinching of Hollywood's
major studios. The satire was produced
and then faxed to friends at other
companies.
Another "True" Fake
mm
This country faces some of ttie worst economic and political conditions imag-
inable. Our streets are filled with the homeless, the uneducated: our troops
face the constant threat of chemical weapons, Scud missiles and repeated
shell fire; and attendance at our parks is down, way down.
That's the bad news. Now the good news. We intend to save money by
paying our employees even less.
Our great and noble leader, Michael Eisner himself, took home a paltry $1 1
million in stock and salary this year, down from last year's haul of over $50
million. ThaVs an 88 percent sacrifice!
All I'm asking is that each of you make the same sacrifice that Michael
Eisner has made. By reducing employees' salaries by 88% we will establish a
platform to launch the next round of good times.
Greed is the only word that can explain how we can force employees to
work 60-hour weeks at the studio, paying them the lowest salaries of any
major studio, while taking home incredible salaries ourselves.
Renegade sign maker Christopher True
has caused a stir in the Boston area by
posting very official looking signs
bearing unorthodox messages.
Page 54
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Lessons in Democracy
Listen, you poor unemployed managers of State Utopia
there in grey Prague, Sofia and drizzling Warsaw,
ex-comrades
with your sad jowls, wondering if you can keep the
Mercedes —
here's what we learned in Central America.
To stay on top indefinitely it's not enough
to split the language into Above and Below
so that dissenters' words dissolve like salt under their
tongues
and make their mouths wither.
Not enough
to tap their phones, inject them with migraine
or vertigo in locked wards, not enough even
to pound their faces pulpy and toothless
in Security cellars, abandon them
shaky with malnutrition in some remote village.
You never understood that fear
has to reach all the way down
through the body. The heart must pucker shut
like a sea anemone poked with a stick, the fingers
must cling to the hand, the eyes to the face, the lips
to the teeth, imagining the surgical tray with its silvery verbs
laid out in rows, the grammar of the Recording Angel.
The fear must travel like pale threadworms in milk
from mother's nipple to child's mouth.
Because somewhere
your bodies still believed in the body, in keeping
the promises you made it: promises
with the warm savor of bread an hour from the oven,
the bright primaries of a child's toy.
Your zodiac still held a vague sunrise silhouette,
woman or man in Vitruvian reach
toward the four corners of Heaven.
That's why
in the end it cracked from one side to the other.
Peace, Justice, Progress, the Power of the Workers —
these words that were your only justification
soaked through your skins like red dye and poisoned
you all.
That's why finally even your professionals
weren't able to keep it up,
whether cool surgeon's gaze or sniggering erection
when they put out cigarettes in a prisoner's wrinkled openings,
when she bounced and wailed under the electrodes.
You couldn't even trust your soldiers to open fire. In the end
you were just petty bullies, knocking intellectuals' glasses
off,
making them take jobs cleaning toilets.
That's why now
you hunch away crabwise from your teak desks
like bad-tempered bookkeepers caught with their hands
in the till,
whining, blustering, promising to change. You feared the
market
even as you loved what it brought you.
PROCESSED WORLD 126/27 - Special 1 0th Anniversary Double Issue!
We
don't have these difficulties. We need only say: Subversion.
We need only show Them a swatted helicopter, say,
some weapons
we captured inexpensively from a dealer in Lima
and the money comes down, pure as Their Columbia River.
This cold clean flow drives the turbines
They have given us, the friendly computers with webs
of suspect names woven across the screen, the arc lights
around the strategic village compound, the projectors
in the theaters that show Their movies about wild dogs
eating women, huge warriors armored in
muscle pissing petroleum fire into the jungle.
With this voltage
we wire up a captured rebel, scrawny marionette
hanging from his own ganglia, to lip-synch some atrocity
script.
Right away new assault rifles appear in our hands,
blessing us
with fragrant oil.
You see, we still get the joke
when prisoners' mouths make those absurd rubbery shapes,
when they apologize for crimes they've never committed
and beg
to kiss our fingers. We understand, as you never did,
that ignorance
is a velvety dark bloom that must be watered and pruned.
We understand that an army is a business, like planting
coffee
or bringing the Bible to the brown mongrels in the barrios.
We understand above all that the axis the planet spirals
around like a bluebottle fly, buzzing and licking,
is a great column of blood spouting between eternities.
Too bad
your father Stalin couldn't pass himself on to his pasty sons.
You see, our Father is the Father of television. He shows us
pearl-colored sedans cornering silkily under a swollen moon,
gringas with tight hips and slow cataracts of hair,
and we reach into the screen's cool water
and take them.
That is His promise. That's what it means
to be even the smallest organ of this immense body —
to be rooted, humbly, in the continent of democracy.
— Adam Cornford
Page 55
'(E%:\From The Grey Ranks
graphic: Tomasz Stepien
Elves and Mermaids:
Polish Graffiti in War and Peace
Warsaw, 1944: Graffiti made by Resistance movement in occupied
Warsaw. Photo by Zaturski & Szeliga
If on a summer's night a traveler. . .
i met Tomasz Sikorski by showing up on the doorstep of his
Warsaw apartment late one June afternoon. I was given his name by
an artist designer friend in Wroclaw, who told me Tomasz was putting
together a gallery show on graffiti.
The train to Warsaw passed through Lodz, Poland's second largest
city. I had heard Lodz was a heavy factory town, and was surprised to
see what I thought was the sun setting through haze, until I realized
that fire was actually a flame jet at the top of a stack, not solar.
I happened upon Tomasz's address by chance, as I was wandering
around Warsaw's "Old Town" (like much of Warsaw, this area was
levelled during the war, and exists today as a modern replica of the
old).
His building was enclosed by a scaffolding — the exact nature of the
renovation, the work was not clear ... it must have been a long-term
project, whatever it was. Near the entrance I saw a man's face
stencilled on the wall, somewhat concealed by the scaffolding. This
had to be the place.
After explaining myself to the building's intercom, which greeted me
in English, Tomasz said "Yes, you'd better come up." He was indeed
the man stencilled outside.
Tomasz invited me to the opening of an exhibition at Centrum
Sztuka the next evening on "The Lost Paradise." It was a retrospective
of two diametrically opposed but complementary styles in Polish art.
A number of works were drawn from the social realist period, 1949-55,
when the state's cultural agenda held sway, with humanizing portraits
of ghouls like Stalin and the Polish commissar "Bloody Felix"
Dzierzynski, boy-meets-bulldozer scenes of pastoral patriotism, and
apparatchiks addressing Party congresses. Also featured was opposi-
tional art of the 1980s, following the banning of Solidarity and the
imposition of martial law.
The next day, Tomasz was going to be showing slides of Polish
graffiti in another wing of this gallery, which like so much in Poland
was also undergoing renovation. Although a long-time fan and
international collector of graffiti, I was unable to attend this show — for
I had to fly to London the next day for the Attitude Adjustment
Seminar that Chris Carlsson, Mark Leger, Melinda Gebbie, Linda
Wiens and I were to inflict on the public to herald the publication of
Bad Attitude, the Processed World anthology.
All Tomasz and I had time for was talking about graffiti late into the
night. When it began to get dark, around 10:30, we repaired to the
train station cafeteria for some cold soup. My flight was early the next
morning, so I hastened back to my hostel by the 1 1 p.m curfew,
wishing there was time to read more of this Polish milieu through its
markings, and the people who made them.
-U.S. Black
PW: Your father used graffiti in the Resistance?
Tomasz Sikorski: Yes, during the Second World War, here in
Warsaw, beginning from 1941. My father belonged to Szare Szeregi
(Grey Ranks), an underground resistance organization, derived from
the Polish Scouts, incorporated later in 1944 into the so-called
National Army. During the years 1940-44, one of the forms of active
resistance was counter-propaganda: underground radio, press, and the
Page 56
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
most spectacular, writing and painting on the walls. One of the duties
of my teenage father (he was 15 when he joined the Szare Szeregi), was
to write slogans on the walls to manifest the resistance against Nazis,
to build up a confidence in Polish people that Germans will fail,
sooner or later.
German signs were being changed back into Polish; signs of
RGHTING POLAND (the two letters P and W form an anchor, the
symbol of hope), signs of resistance organizations and slogans in Polish
and German were written on the walls.
Germans used their propaganda; for instance, there appeared huge
inscriptions which read: DEUTSCHLAND SIEGT AN ALLEN
FRONTEN (Germans Win on Every Frontline). By altering just one
letter, this was quickly transformed into DEUTSCHLAND LIEGT
AN ALLEN FRONTEN (Germans Lie on Every Frontline). Or the
name of Hitler would be turned into "Hycler," which sounds similar
to the Polish word for "dogcatcher."
Writing on walls is a very quick and direct way of communication. It
catches you by surprise whether you want it or not. Everybody is a
potential receiver. Therefore it was used as one of the weapons of
psychological war.
You see, after long years of occupation, some weaker souls may lose
their faith and hope, and may try to adapt themselves to the new, for
others unacceptable situation. It was so very important therefore to
maintain that faith. During the years of occupation one strong sign of
resistance worked like a spark in deep darkness.
With the outbreak of the Warsaw Uprising on the 1st of August,
1944, writing on the walls subsided. Nazis were pushed out from the
central districts of Warsaw, and graffiti was replaced by posters and
printed news-sheets displayed on the walls. Now, not brush and paint
were used, but guns and bullets.
Then the Stalinist times came, a new wave of terror, cold war. As far
as I know, there was no other form of street propaganda then, other
than official monumentalism. My father does not recall any examples
of graffiti, neither then nor in the following years, although it is quite
probable that it appeared around protests and demonstrations in
1956, 1968, and 1970.
The first form of graffiti that I have witnessed was the striking series
of human silhouettes that suddenly appeared somewhere about 1973
in Warsaw. In one particular area, there were grouped outlines of
human bodies, in natural size, painted with a wide brush with either
white or black paint in places where, according to rumor, civilians
were killed by the Nazis. It is supposed that someone had witnessed
those acts and then, thirty years later, reconstructed them in the exact
places — for instance, while leaning against a wall with their hands up,
or caught while jumping over a fence, probably in an attempt to
escape . . .
PW: Reminds me of Chicago in 1981 or '82. Suddenly on the
sidewalks of Hyde Park appeared the words, at various strategic
points, "A Woman Was Raped Here." You'd be walking along, and
without warning find yourself faced with a shocking flashback. Also,
there are the shadows that appear on the sidewalks in August to
commemorate Hiroshima and Nagasaki.
TS: And strikingly similar to the figures of the so-called desapareci-
dos in Argentina and perhaps in other parts of Latin America. It was
the first graffiti that I saw, and the first one that I took pictures of.
With the rise of the Solidarity movement in 1980, it brought a whole
new wave of iconography. In 1980, this was used mainly for political
statements and slogans, signs and symbols of the forces of opposition.
Later, when Solidarity grew into an all-nation movement, it adopted
the symbols that traditionally denoted the nation's ideals and its
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PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 57
Lodz (pronounced Woodge), Poland's 2nd largest city.
"The time we live in must be filled up with struggle and
hard, arduous work," —General W. Jaruzelski
Photo: Tonnasz Sikorski, 1990
Struggle for freedom. Two colors were dominating: white and red, the
national colors of Poland.
Under the terror of martial law in Poland (1981-1983), political
graffiti and underground press were extremely important. A very
interesting phenomenon was the reappearance of the anchor-like
symbol of the Underground, Fighting Poland. Their message was
clear: Poland is occupied again, and again we will fight the enemy.
Very few things were legal then, and the absurdity of martial law
was beautifully pinpointed and ridiculed by the Pomaranczowa
Alternaty wa (Orange Alternative) movement led by Wladyslaw
"Major" Frydrich. In 1982, he and his friends started to paint colorful
elves on the walls of Wroclaw. In 1983, elves appeared in Warsaw.
They were smiling, innocent, some of them holding flowers in their
tiny hands, but they were all illegal! Imagine, illegal elves! The
authorities didn't know what to do with them. They couldn't leave
them because they were illegal, but neither could they wipe them off
without making a laughingstock of themselves.
Major's favorite places for painting elves were the fragments of walls
where previously there had been illegal inscriptions. Special crews
painted over this graffiti; their job was to blur messages before they
could reach the public. The crews used paint of a particularly ugly grey
color. Those stains of grey were perfect, prime spots to put new signs
on.
Everything painted and drawn on the walls was being systematically
destroyed during martial law, and in the following years, until the fall
of communism in 1989.
I took real pleasure in photographing those little elves, and that's
how my slide collection of graffiti began. Then in 1984 my life brought
me to New York City, and I was truly overwhelmed by the polyphony
and the power of graffiti there. I took pictures of everything that I
could. Left some stencil prints on the walls and sidewalks of SoHo and
the East Village. I came back to Warsaw in the Fall of 1985, and
immediately started to spread my stencilled works on the walls over
here.
I brought home quite a big collection of slides of New York graffiti.
My intention was to spread around and spur graffiti in Poland in order
to fight the rigidity, the uniformity and the hypocrisy of the
socio-political system here. I travelled to various cities with a show of
about 300 slides which were synchronized with an audio tape. On the
tape there were sounds recorded in the places where I took pictures,
bits of various music and other sounds of Manhattan. Sometime in
1986, to my uttermost delight, some friends of mine started doing their
own graffiti. From the very beginning, stencil was the most popular
technique. Because of problems with finding spray paint (the cunning
authorities made it unavailable for long years), the paint was applied
with a sponge wad.
It is perhaps worth mentioning here that those who were first to do
graffiti in Poland were either art students or graduates. Nowadays
there is a whole avalanche of graffiti makers: teenagers, kids, organized
groups, recognizable individuals.
Most graffiti in postwar Poland, if not all of it, was political; its
source was disagreement. Besides strikes, demonstrations, and
underground press, wall writings were the true evidence of this
disagreement. The communist propaganda, on the other hand, used
its boring messages everywhere. There were, for instance, huge
monumental, pseudo-patriotic slogans painted on factory walls
addressed to the workers, large-scale poster-like billboards in a terrible
style, attempting to make them work more and more for the country's
better future and international peace. These were made with steel and
concrete to last forever. The opposition scribbled on the walls with
haste. The two aesthetics differed greatly, one legal and untrue, the
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PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
other illegal and true.
All of political graffiti was generally against something, against the
occupant, against the system, against the government. Only in the
late eighties there appeared graffiti which brought messages that were
not against something, but rather for something, let's say for normal,
real and joyful life, without hypocrisy and pretence. I think that most
of art can be seen as an endeavor towards the wholeness of human
life.
It is necessary to make a distinction here between graffiti as a
political weapon, and graffiti as a form of art. It is an extensive topic,
but briefly speaking one could say that art— or any other form of
individual expression that comes from a totalitarian system — weakens
that system. All forms of art are valid in this respect, but graffiti art is
perhaps the most perfect because it can be done by anyone, and
because it can reach anyone, without any mediators or interpreters.
And besides — artworks placed on street walls come as a surprise, and
are perceived unexpectedly. Their power is different than that of
artworks exhibited in art galleries. Graffiti lives in the context of the
real environment, it originates from it, is a part of it, and transforms
it. It does not need any special, abstracted space.
The thing that I find most interesting in graffiti art is the desire to
transform the environment, the striving to turn a place you live in to a
place you feel like belonging to. It is like putting a charm on something
in order to make it alive and more humane.
That is what I experienced in New York: I saw that most of those
dead buildings with burned-out windows and other abandoned,
strange looking places were painted, marked and drawn all over. There
were many graffiti signs that were very tiny, you had to look around
very carefully, come very close, sometimes squat down or lean over a
fence. Some of those little arrangements were done with evident love
or passion, and looked like sanctuaries. Very powerful, although
modest and silent!
I think that the same impulse drove the unknown souls in the
desolate areas of Manhattan and in the grim cities of Poland under
martial law.
Under martial law, most artists — I'm thinking about visual
artists— were boycotting official places to show their work. Classical
forms of art couldn't do much. But when one door is closed, another
one is open. For instance, for me one of the ways to show my work, to
continue my activity, was to do something in places which weren't
belonging to anybody in particular, to any organization or institution.
Street walls, telephone booths were perfect places to use.
PW: What has changed about graffiti since Solidarity came to
power?
TS: Sometimes it is hard to believe how much and how quickly the
things have changed over here, from one extreme to another. After
years of total control, suppression, censorship bans, and such— we
jumped into the vast waters of freedom. And look, now we have a
show of graffiti which is going to open tomorrow evening right here, at
the Center of Contemporary Art (Centrum Sztuki Wspolczesnej). It
will be the first show of its kind in the country. This show, which I am
curating, will take place on the second floor of this seventeenth
century castle. You see, some few years ago I did my first graffiti prints
here in the dark of the night, frozen with fear of being arrested.
Today, the same works are being shown just a few steps away from
their original location, this time openly, one of the most official places,
sponsored by the Ministry of Culture. Everything changes, and all is
possible. . .
Graffiti in Poland is on the rise now, it is growing very quickly
and now you can see it even in the small, remote towns.
RED CULTURE
Warsaw, 1990
IMPRISON POLITICALS
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 59
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It is also losing its combative spirit. It becomes lighter, more
entertaining, more decorative, more elaborate, more related to young
subcultures, to music . . . Since graffiti is not so bound to politics now,
many really young kids joined in with their own iconography. You
can notice now certain schools or groups. There is an air of growing
competitiveness and showing off. And obviously, it is much more
diversified now, since more and more people do it.
The common enemy has died. That's a strange moment: for some,
especially for the beginners, it is very activating. For some others, on
the other hand, though, it is quite demobilizing. You see, if you no
longer have this enemy, this all-too-obvious target or point of
reference— you have to think what to do now.
[But] I think there will always be something which you would feel
like opposing. Youngsters, for instance, have different problems than
those who are 30 or 40 years old. I am not doing graffiti anymore
because I'm concerned with other things now, primarily with
painting, but for younger or beginning artists, graffiti is a good way to
manifest themselves and to join the culture.
Youngsters want to be seen. They go the fast way, they do not want
to wait for some remote tomorrow. I know committed graffiti-makers
who are 15 years old or younger, and of course it doesn't mean that
they will do only graffiti in their lives. I don't know anybody who does
just that. Imagine someone who is sixty, and still goes around with a
spray can.
Graffiti may just be a certain stage in someone's development, or a
certain episode. Therefore, attempts to fight graffiti are unwise and
unrealistic.
And, obviously, graffiti-making may be a passage to the art world.
You could have noticed it in America. After the big boom in 1983-84,
people like Keith Haring, who started with graffiti, quickly became
famous. There were many followers, whole organized gangs from New
Jerseys and Bronxes, who would dream of making quick careers, not
necessarily financial, so they would come over to Manhattan, paint
huge walls, remembering to leave a legible signature. I have met young
graffiti artists in Poland who are now trying to enroll in academies of
fine arts.They feel like being artists, they are artists, beginning artists
who started off and expressed themselves primarily through graffiti.
PW: What do you see as the future of graffiti art in Poland?
TS: I don't know. I think this is perhaps the most interesting part of
it. It is a kind of art form that is very strongly connected to the present
problems of the times, to the political, cultural, and social situations.
Graffiti will always be there until everybody will be satisfied. But it is
quite inconceivable that everybody will be happy, and I suppose that
in our times, in places like Warsaw, New York, and other big cities,
there will always be problems for at least certain groups of people, and
that they will always feel the urge to articulate their position.
But beyond socio-politically engaged graffiti, there is something that
is especially interesting to me, which is graffiti that transcends the
prosaic aspects of life and is more spiritually oriented.
For instance, there was a guy called Larmee. In 1984/85 1 saw many
of his paintings on the walls of Manhattan. He would make his
paintings at home on paper, and then he would glue the ready works
on the walls in various places in Lower Manhattan. His works were
not politically oriented, not at all. They instead expressed loneliness,
the solitude of a person in a big city, something that was particularly
striking in crowded places, like on Broadway in rush hour. Just
imagine seeing suddenly a beautiful, detached, and somehow
sorrowful face in a dehumanized place: something very tender, very
human, something that suddenly shifts your attention onto a higher
level.
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PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Another example: a stencil print, small delicate, almost unnotice-
able, faded face of a young, pensive boy with an inscription below,
"THERE IS A NEW KID IN TOWN." Very simple and very
touching. I still remember that face, it looked so much more humane
than the faces of the rushing phantoms around.
My own graffiti works, my first stencils and chalk drawings, were
also not politically oriented, and it was curious to observe that these
special crews of graffiti exterminators would sometimes leave my
works intact. Some of them survived the long years, and are still there.
They were for everybody, you see, for the right and the left, for
communists and non-communists, for atheists and for the believers,
they were just for men and women, regardless of their external guises.
At that time, in 1985, 1 didn't use any distinct political messages
except for one thing: I made a stencil with the emblem of the city of
Warsaw, which is a mermaid. The emblem is strange and alien to me,
because the mermaid holds a shield and sword. So I made a new
image: the mermaid joyfully throwing the shield and the sword away,
freeing herself finally from that burden. The message was clear: change
is coming, end of playing war, no more creating enemies, no need for
armament. And also: down with the army, with the military.
PW: What are the risks involved in making graffiti in Poland?
TS: I used to do it at night, because one couldn't foresee the
consequences; anything could have happened. My father would be
shot dead if caught doing it in 1942. If I were caught doing it in 1985, 1
would be arrested.
Now I hear from a graffiti kid that there is no written law that bans
graffiti. It is not illegal, it must be legal. I never heard about a trial, or
sentence, or a fine for making graffiti here.
It is not dangerous anymore. Maybe it's one of the reason that I quit
doing it. It is not exciting anymore. Resistance is a natural and very
strong energy in the human psyche.
PW: To summarize?
TS: Some words about the future, perhaps.
I think there are two directions. The first is the obvious voice of
those who feel like expressing their unfavorable situation or political
opinions. I suppose that in Poland more and more individuals will fall
into very difficult positions. This first kind of graffiti could be called
political, combative, or contentious.
The other kind is artistically oriented. Among meaningless
scribblings, there are true artworks painted on the street walls instead
of on canvas and shown in interiors accessible to few. This is very
important. I think that this is, in today's free Poland, the real test. The
external enemy is gone; now is the time to drive away the internal
enemy— ignorance, mental stiffness, prejudice, superfluousness, lazi-
ness, and so on.
I remember what Keith Haring said in one of the interviews about
his graffiti. He said that even when he started to show in galleries, he
still wanted to use the more immediate way of communication,
without any mediators. It is really wonderful, because you do it for
other people, engage yourself into something that transcends your own
particular case, and you do it selflessly.
You paint something on a wall, and it hits the people right away.
There's no time in between the execution of the work and the act of
showing it. You do it, and it's already there, in action!
#
Graphic; Tomasz Sikorski, Warsaw 1985
DANKER
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Graphic; Tomasz Stepien, Wroclaw
PROCESSED WORLD #26/27 — Special lOih Anniversary Double Issue!
Page 6 1
Art & Chaos in Brazil /^l
i spent five weeks in and around Sao Paulo, Brazil during the southern
hemispheric summer 1 988-89. Fortunately I was with my long-time m
companion Caitlin Manning, whose talent at learning new languages, I
together with our good luck in finding fascinating interview sub}ects,made it
possible to produce a one-hour video documentary called Brazilian Dreams:
Visiting Points of Resistance. One of the most intriguing eTu:ounters we had
was with Ze Carratu, a very active graffiti artist in Sao Paulo's explosive
street art scene. What follows are excerpts from the interview Caitlin
conducted in a concrete shell of an abandoned building on the University of
Sao Paulo campus, which was originally to be a cultural center. The
basement is submerged in four feet of water, and the building has become an
eerie gallery of graffiti art. The editing and translation are mine.
—Chris Carlsson
Page 62
ZE CARRATU: The Rio de Janeiro— Sao Paulo axis represents
the two most effervescent cities in Brazil, where people really have a
vision of modernity and information about First World cultural
developments. I make a living from plastic art. Some works I've made
are commercialized. I paint murals. I am recognized, Pve done lots of
paintings. I live pretty hard, but I come from a family of immigrants,
Italians, and they have a certain power. They developed a business in
Brazil and managed things. I, for example, am a person with the
opportunity to travel, to leave the country. I can go and return. Thus,
I'm the only one who does culture in a family of three hundred!
I am from a family of Italian anarchists. I'm sort of an anarchist, I
don't know, I just think there's going to be a tremendous chaos, total
chaos, and afterward we are going to have to build a new society, sort
of like what happens in a country after a big war . . .
PW: And the role of the artist in this?
ZC: The artist has to help establish chaos. I think that s/he has to
be critical and work on the chaos, appropriate the chaos— and that's
what I do. I work on the garbage, the rubble of the city, this is a way of
elevating chaos.
I eat the culture that was given to me. I was born with the ability to
have culture, to learn things and understand society. So I swallow
these things that I learn. This is "anthropophagy," I eat my literature.
We had anthropophagists here in Brazil, the Indians that ate people.
The Portugese were good to eat! Today I eat the culture in a certain
way. It's chaos, we mix everything together. I can't forget that I do art
in Brazil. The images that I make have everything to do with this
culture and this society. They are almost all fragments.
Since I work in the city, here inside, I am using the city as a support,
a context. I think it's pretty natural, probably the same in any part of
the world, that people try to understand each other in the street.
From the moment I am in the street, I am mixing with society. When I
am in my workshop, I am far from society, things are totally abstract.
But on the streets I must make myself clear sociologically, anthropolo-
gically because I am in the middle of everyday life.
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
1
Graffiti has very interesting characteristics. People have an artistic
way when they are working with graffiti. Joao, Kenny Schaffley, Keith
Haring and these people have artistic training, so their graffiti is a true
work of art. Here in Brazil we have much to learn from our own Third
World situation. We are at a distance, not just because of the ocean,
but because of the type of news that we've had available during this
time.
I began working in the street in 1978. 1 didn't begin with graffiti, but
with performance works, theater, and environmental installations. In
1982, a guy from New York started doing graffiti here. May 1968 in
Paris was a powerful message, and as I was already working in the
streets, I saw that the street was a very important space. The poverty
of the people, the necessity of bringing information to them,
motivated us to begin doing graffiti. Our graffiti began inside the city,
on walls, on the sides of buildings.
Sao Paulo is a city with a big speculation problem. Real estate
speculation in this city devalues one space and raises the value of
another, which they understand how to manipulate very well. For
instance the government put the river into an underground sewer,
built a big avenue on it, with huge walls on either side, and people in
the surrounding neighborhoods moved away. It became a slum. Then
the speculators came in and bought up the place at a very low price,
and it soon increased in value. So we began to work on top of these
speculators. They speculate a place, tear it down. Chaos is established
and there we go to work, always.
This space [an abandoned cultural center building on the University
of Sao Paulo campus] is typical, because it was constructed in 1976
more or less. In a place so short of technical resources and cultural
information that people need, a space like this with thousands of
square meters was never used for anything. So we decided to occupy
it. Now we are trying to rescue it as a cultural space and bring its
existence to people's attention. We are going to hold an event with
people from cinema and other art forms and hold a great cultural
marathon to rescue this place. It's an alert that there's something to
do, to come and see that it's possible for something to happen here.
Because nobody even knows that it exists, neither the local
community nor the students on campus. No one ever comes here, it's
never used, in fact, never finished! So we've painted here, we're still
painting, working all the time.
When we first came here 1 1 years ago we found names and dates
inscribed on the walls, like "Severino, 1976." Severino was probably
an immigrant from Brazil's northeast, where it is a common name,
and he was probably working here as manual labor. Many people were
working here for a time, but for nothing, and this is quite common
here in Brazil.
Now some people are living here, poor people, also some punks, and
we've hung out with them. Here is a mirror of water, which underlines
the sadness one feels when you realize that a space of this size is here
for nothing, it's such an absurdity, a waste, so much money, the
speculation! They built a building under water! Of course it could be
fixed, but this was a work of pure speculation, squandering money
with no thought whatsoever. They said this would be a cultural
center, but such a thing interests no one in Brazil because people here
don't care about culture. In the time of this construction, the
mid-1970s, the political situation was very complicated. There was an
ideological hunt going on, really a persecution of thought. So those
people who were really articulating something, they had no power to
do anything at that time.
(Marijuana leaf X'ed out on Can)
NOW IN CANS!
BRAZILIAN DREAMS: Visting Points of Resisunce". available from BACAT, 1095 Markec St . 1209, S F , CA 94103
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 63
DON'T VOTE FOR A PHOTO
There are many works, many places that we develop in the city. The
only places that really bear our work well are these immense places
that have never been used for anything. Our presence immediately
improves them.
I think there is going to be a great chaos and that will be really good
for making art.
PW: But for life?
ZC: I think not for life, but for the artist it is very inspiring. It's
already a chaotic city in a certain way. On one side you have beauty,
on the other barbarism, extreme poverty. You can go to the southern
area of Sao Paulo and it is beautiful, marvelous, like a Beverly Hills. If
you go to the eastern zone or the north you will see incredible poverty,
serious suffering.
Brazil is a country of speculation, of grand industries built on
speculation. We have 20 brands of powdered soap, 30, 40 brands of
detergent, 200 of canned sausage, everything. Only people can see it
but they cannot buy it. You go to the eastern zone where they have
four supermarkets in a very poor neighborhood, with immense
displays of merchandise, with the same advertising as here. You have
a culture shock, a social shock because the people can see but cannot
have. So what do they do? They steal. It is perfectly natural that this
occurs, considering the shocking divergence between what is seen and
what can be had.
We see that in our city all the art galleries and cultural spaces are
here for a very specific part of the public. People that patronize such
spaces are very select, and very selected. The galleries are constructed
in a certain way, there is always a guard at the door, there's no access
for handicapped, and so on. The Brazilian people are deprived of
information and culture. Not everyone has a chance to study and
learn things. Those that do, uphold a system very alienated at the
level of cultural information.
Some years ago I had an exhibit in a museum, but many of our
invited guests couldn't even find the place. This reality has everything
to do with the media. We know that the media is a strong force,
whether a newspaper or a TV station. The power to act in the street,
to occupy the walls, abandoned buildings and locations with weird
architecture, is also a force. We extend the street, really.
It's a very weird situation and I think that with today's media,
people are learning to see images, to read images, so when we work in
the street, our work provides a different perspective. We don't sell
anything, and don't even offer a product.
PW: It's an anti-commercial?
ZC: Yes, it's totally anti-commercial.
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PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Harvey Pekar
". . .children's games, comic books, bubble gum,
the weirdness of television and advertising"
—from What You Should Know To Be A Poet by Gary Snyder
Most of us left comic books behind somewhere
around puberty, the oxy moronic phrase
"adult comics" notwithstanding. And yet,
perfectly intelligent people were reading Mr. Natural and
the Fabulous Furry Freak Brothers throughout my post-
adolescence. During the '80s, I began seeing stores selling
nothing but comics nestled among the third-hand
boutiques, recycled CD outlets and cookie emporiums.
Enter Harvey Pekar. You may have read him; more
likely you've never heard of him, or know of him only
through his guest shots turned verbal sparring matches
with David Letterman.
Harvey Pekar writes comic books — that is, he provides
the story-line and words. He collaborates with a number
of illustrators who work from his stick figure storyboards,
usually through the mail. One of Pekar 's good friends and
illustrators is alternative comics legend R. Crumb.
You get the world
according to Harvey. . .
Maybe a world you want
to visit, maybe a world
you want to live in,
maybe one you want to
avoid — nonetheless a
world, to be
reckoned with.
Since 1975, Pekar, who is 51 years old, has put
out a 60 page comic book every summer, self-
funded and published under the series title
American Splendor— From Off The Streets of Cleve-
land. (As of 1985 he was still losing money, if he's
making any by now, it's not much.) There is not
one super-hero or dragon in these books. Instead,
there is Harvey Pekar, his wives, friends, co-
workers, and a cast of characters — mostly Cleve-
landers — including old Jewish ladies in line, a
pitch lady at a supermarket, Ozzie Nelson, bus
drivers and old cars in winter.
Anyone who has read most or all of the 15
issues will know a lot about Harvey; where his
parents came from and what his father did for a
living (both parents were immigrants from Poland,
his father ran a small grocery store, routinely
working 95 hour weeks); why he doesn't mind his
job; how and why he puts out his books; his
ruminations; politics (non-dogmatic leftist); literary
tastes, dreams, obsessive compulsions and
enthusiasms — a short list includes world history,
popular culture, jazz, record and book collecting,
trash picking, Katherine Mansfield's short stories,
Russian fiction. You will also meet each of his
three wives, and his co-workers, notably Toby,
who through his appearances in Harvey's books
has been written up in newspapers, and been on
MTV and at grand openings of White Castle
hamburger stands.
PROCESSED world #26/27 - Special 1 0th Anniversary Double Issue!
Page 65
ToMlfeHT, MAN, I AIN'T
WAITIN' nU-THE END
-I'M HAVIN' Mr SAY.
THESE UfeMTweiSMT TV
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In other words, you get the world
according to Harvey. Which is one
working definition of a genuine artist —
he or she creates a world. Maybe a world
you want to visit, maybe a world you
want to live in, maybe one you want to
avoid — nonetheless a world, to be reck-
oned with.
Harvey's approach is unabashedly re-
a\issxTn.o, down to the artwork — the
characters look like real people, not
caricatures or versions of soap opera
stars. (Some illustrators study photo-
graphs of Cleveland neighborhoods,
from the '20s to the present, to capture
the milieu.) His deadpan this-is-my-life-
take-it-or-leave-it monologues and char-
acterizations range from one to over 20
pages. Refracted through the unlikely
vehicle of comic books, they are, in the
words of R. Crumb, "so staggeringly
mundane [they] verge on the exotic."
In Harvey's own words, "everyday
experience has a huge effect on people
— the accumulation of everyday experi-
ence ... I didn't want to write about
generic experiences ... I wanted to write
about particular experiences ..." (Jhe.
Situation As Of 9-20-85 (AS #1 1).) If a tag
can catch the flavor of Pekar's "school,"
I humbly offer up "Schlemiel Realism"
(though Harvey himself is a struggling
mensch).
An issue of American Splendor may
contain anecdotes, rants, gags and char-
acter studies from the previous year, or
flashbacks from Harvey's childhood and
early adulthood.
Harvey is himself usually involved,
sometimes as an observer, in the stories,
which are mainly set at work or at home.
In the sense that he is writing his own
autobiography in progress, the approach
has sympathies with Henry Miller, Erica
Jong, Philip Roth and Frederick Exley,
though Pekar is as unlike these writers as
they are unlike each other. As with the
above-named writers, recurrent motifs
are in evidence— in this case, cheapness,
donuts, obsessive-compulsive behavior
and workplace vignettes.
One significant difference is that Pekar
doesn't seem interested in the post-
modern game of masks — on the con-
trary, he strives for realistic depictions of
himself and others.
Also, there are plentiful sketches and
snapshots of situations observed (such as
Local Sculptor, Old Goat), and occasional
stories about Cleveland history, usually
involving Jewish immigrants. In these
"oral histories" Harvey is shown writing
on a pad while an elderly man tells him
the story; then we are thrust into the
narrative itself.
To make a point, I hope, about
creativity and work, and the very tricky
relationship between them, I will now
identify myself and my milieu.
I am a poet (mea culpa). Living in San
Francisco, I know writers, musicians,
artists galore as well as many politically
motivated people, and all permutations
of the two. For most of us, economic
survival looms large, constantly threat-
ening the continuance of creative pur-
suits. A lot of us spend a lot of time
complaining that [/ we worked less hours
or none, ['/ we had the money to finance
our ideas and projects, if, if, if . . .
Harvey Pekar spends a lot of time
complaining too, if his comics are any
indication. But he seems never to have
expected a break, and has proceeded on
the basis of the old open mike M.C. jab,
"Don't quit your day job." In a time
when "having it all" is pursued by some
artists as avidly as by entrepreneurs, the
quote "I gave up life for the sake of
representing life" (Anthony Burgess) is
sobering. I choose to write poetry: it is
my responsibility; what you do or want
to, from ice sculpture to narrative origa-
mi, to more or less respected activities, is
yours. These decisions come with conse-
quences.
In Harvey Pekar's case, this has meant
giving up outside activities which he
doesn't much miss in order to write. He
never expected to make anything ap-
proaching a living from it. Still, like all
artists, he wants "praise and recogni-
tion," which means an audience, and a
perceptive one at that. He also says,
apropos the nobility of wage slavery, "I
should point out that I don't consider it
ennobling to be a flunky." (Interview in
The Comix journal. No. 97.)
American Splendor contains more than
one story mentioning the series of dead-
end menial jobs Pekar worked after
completing high school. "I even tried the
Navy but I got kicked out because,
believe it or not, I couldn't pass inspec-
tions." (A Matter of Life And..., AS
#11). In 1965, he landed a civil service
job as a file clerk in a VA hospital. After
eight years of hit and miss work without
a saleable skill, he settled into the job
and a few years later set his sights on
sticking it out for the retirement pen-
sion, at age 55.
Pekar's argument, stated in many
ways in American Splendor, that Life isn't
fair, is tough to disagree with. But his
concentration is on life, with a lower
case 1. Put another way, independent of
ongoing effort and desire, whether to
lose weight or to restructure society,
there is the zero point, day-to-day exist-
ence. For 25 years, Pekar has worked 40
hours a week; he can appreciate the
hours to the extent that compared to his
father's they can be livable, given the
right attitude and manner of living.
(And the right working situation— his
seems to be low on stress with the
built-in job security of working for the
government.) He has to be at work by
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8:00, goes to bed early, does not frequent
bars nor socialize overmuch.
In addition to his comics, he has
written criticism for Doujnbeat (from
1962 to 1971) and other jazz magazines,
and many articles on subjects ranging
from Bob &. Ray to African history to a
planned economy to Middle Eastern
politics. He also does book reviews—
recently he reviewed Thomas Pynchon's
Vineland. In other words, he leads the
life of a committed focused individual
with time constraints— the open slots
being nights and weekends. An autodi-
dact, he continually pursues self-devised
courses of study in areas including
literature, history, politics and anthro-
pology.
It should be noted that Pekar's life is
one of voluntary simplicity, without
extravagant material wants. In American
Splendor, he does not preach, but
simply presents his outlook. He enjoys
Cleveland in spite of unpleasant effects
of urban blight; he has lived in rough
neighborhoods, and been the victim of
violent crime. His job suits him largely
because it provides security and because
he has been willing to make necessary
accomodations. For instance, he has
gone years without a car, shows no
interest in owning a home and his main
"vices" appear to be compulsive book
and record collecting.
The risks for artists working with
serious intent in "pop" forms are so
depressing, why go into them? Among
the advantages are the chance to pick up
an audience from unprecedented quar-
ters, to create an audience. Pekar is wildly
popular with a small, diverse and dedi-
cated audience. In antagonizing David
Letterman he knowingly rejected an
opportunity for national exposure that
may have increased his audience many-
fold. (More on Letterman later.)
Pekar has received media attention;
more than 25 articles on him have
appeared in publications ranging from
the Los Angeles Herald Examiner to The
Village Voice to skin magazines. In 1986
and '87, Doubleday put out two large-
format paperback anthologies of his
work. His comics have also appeared in
The Village Voice and he has been the
subject of scholarly articles and a bibli-
ography (through 1985) indexing and
cross-indexing the stories and characters
appearing in them. If a book-length
dissertation or popular audience work
on him has not been published, more
than one is probably being written. So
he is not without honor in his home-
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
THAT'S WHAT I PIP INTHE
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fCH4(Z YEAR'S* ANP THPgg /WNTTKS
I WAS (N.VOmCANVOU^NTEEJ^
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Art: Gerry Shamray
land. What he suffers from is the subtle
and intelligent character of his work, as
comic books — the frequent complaint be-
ing, "Where's the punchline?" He has
called them "avant garde comic books"
—as a joke I think — but realistic comic
books do qualify as avant-garde.
I've haunted various comic book stores
in researching this article. I also consult-
ed my 1 1 year old nephew— he reads The
Punisher, Captain America, Batman, Flash
Gordon, and Dick Tracy. ("I don't read
Superman- he's too old.") When I told
him about Pekar's books, he shook his
head and told me he couldn't see reading
that kind of material. He explained why
he reads superhero comics: "It gives me
the daily resources of energy I need to
survive."
One thing a surface encounter with
the comics scene teaches quickly is that
this is a huge genre, with all kinds of
subgenres. "Underground" comics is just
one of them. It began as an outgrowth of
the '60s. Like the Left and the rest of our
culture, these comics were dominated by
straight white men and the male per-
spective, both in social commentary and
humor. Now, there are women's comics,
gay comics, ethnic comics, and that's a
very general and incomplete list.
The major figure in the '60s under-
ground comics was R. Crumb, famous
both for his Mr. Natural strips and his
autobiographical commentaries and sex-
ual (mis)adventures. In the early sixties,
Crumb lived in Cleveland, and had a
friend named Harvey Pekar. Both were
fanatic record collectors.
Pekar comes from working class East-
ern European Jewish stock, and is a
Cleveland native. He is a child of the
'50s, a young adult of the '60s, and a
self-described depressive fighting an up-
hill battle with pessimism. He sees things
through class-conscious eyes to a degree
rarely in evidence in American litera-
ture.
A comics fan from about the ages of 6
to 11 , through Crumb and others Pekar
became interested in the possibilities of
dealing with politics, social commentary
and "real life" through the form. After
Pekar visited Crumb in Haight Ashbury,
Crumb agreed to illustrate some of his
stories. Pekar decided to publish them
himself and American Splendor was born.
Pekar is a cross-over in that fans can be
found among readers of "serious" fiction
and poetry as well as among comics
aficionados. In one sense, comics can be
seen as the perfect way to reach the
post-literate, those without the attention
Page 67
Tom/irmKi..
STORY BY W4RKEY VIY.A?. ART BX JOE lAHL CO ©/985 RY W/lRVEY ?iKf\R
I SAID IHAT JUST BECAUSE DOCTORS ARE
IN A (HIGHER SOCIAL CLASS THAN ME,
AH' MAKE A LOT OF MONEY, IT DOESH'T
GIVE ME THE RI6HT
TO BE JEALOUS AN>
TREAT 'EM BAP
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PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
span to read— but Pekar turns that on its
head. His stories are full of his world,
and prominent in that world are books
and his thoughts about them and their
authors.
According to Eric Gilbert of Last Gasp
Comics, when Harvey started in 1975,
there were "maybe two distributors for
comics" — this was when underground
comics were truly underground, sold
mainly through head shops, amidst the
headbands, waterpipes, posters and
black lights. Today, there are somewhere
between six and ten distributors, as well
as a national network of comic book
stores. Harvey's work is currently distri-
buted through some of these, though he
still has thousands of copies of American
Splendor in his basement and in storage.
Gilbert on Pekar: "He started the
whole thing... he was the only one
doing a very literary comic book. [Of
course there was Crumb] but Crumb
was more into sexual fantasies. . .What
people expect from comic books are
people in tights beating up each
other . . . What Harvey's doing is not
commercially viable, it's an elite com-
modity for a select readership."
I have previously alluded to Pekar's
brush with network television notoriety.
As the proprietor of an S.F. comic book
store put it, "If he'd kept his mouth shut,
Harvey'd still be on TV."
In late 1986, after publishing II comic
books and becoming something of a cult
figure, he was asked onto the David
Letterman Show. Over the next three
years, he returned to the show four
times. (The first, fourth and fifth ap-
pearances are chronicled in American
Splendor #'s 12, 13 and 14.)'
Pekar, who put in some time as a
streetcorner comedian many years ago,
by all accounts displayed "presence" on
the show. But apparently the veneer of
pleasant, if pungent, repartee wore thin;
what the viewer saw was a pissed-off
quick-witted comic book writer with
strong political convictions and deep
roots in the working class clashing with
a misfit post-preppie exemplar of the
who-cares anything-for-a-laugh success-
is-an-end-in-itself '80s. Whatever the
chemistry was, it worked well enough for
Harvey to be asked back.
In his fourth appearance, Harvey tried
to bring up the role of General Electric,
owner of NBC, in various matters
involving lack of corporate responsibili-
ty, including the safety record of its
nuclear reactors. He subsequently wrote
about the episode in AS #13.
The "David Letterman Exploitation
Issue" (#14) recounts the final shoot-out
between Pekar and Letterman. On the
cover, Letterman, cigar in hand, ad-
dresses Harvey during a commercial
break: "You f d up a great thing."
Harvey is pictured standing before him,
wearing a t-shirt, hands in pockets and
smirking.
The "Grand Finale" appearance had
gotten off to a rocky start; it blew up
when Letterman leafed through AS #13
during a commercial break, seeing him-
self presented as basically a shill for G.E.,
either lacking convictions or without the
courage to use his position to express
them.
I saw the end of this segment. I
remember Harvey putting his feet up on
Dave's desk, grabbing Dave's pencil out
of his hand, and telling him something
like, "Look Dave, I'm sorry I can't be as
witty as you. You've got lots of writers,
Dave, and I've just got me." The episode
ends with Dave flexing his network
muscles, telling Harvey that he has given
him "many, many chances... to pro-
mote your little Mickey Mouse maga-
,zine, your little weekly reader. . .You're
a dork Harvey." In American Splendor
both are portrayed as telling each other
"You're fulla shit." These character
analyses were bleeped out.
Pekar has turned down seemingly
attractive offers to do his own TV show.
He presents himself as not having seri-
ously considered such offers for reasons
ranging from creative control to the
vehicles presented to him. On why he
turned down a talk show offer: "First of
all you get co-opted, you can't do
anything serious, it's a drag to go on
night after night doing simple-minded
bullshit." {AS #13, in response to a
question from David Letterman.) He has
also been approached by a number of
Hollywood movie types — mega-mega
talk with no follow-through. The two
Doubleday anthologies are the most
concrete results of interest in "main-
streaming" Harvey's appeal.
Assuming you are among those who
have not heard of Pekar, the reason is no
mystery. In any market, from local to
international, media "saturation bomb-
ing"— a combination of advertising and
press — is what gets a name on lips and in
heads. To have had over 25 articles
written about you, to have appeared on
a national talk show with hip demogra-
phics ain't bad, but obviously isn't
enough. Pekar's predicament is, as he
has stated, that most people who might
like what he does have not been exposed
to his work. He can't afford to advertise.
and word-of-mouth is as hard a dollar
for an artist as for a business.
Interview magazine has not yet, and
may not, assimilate all the currently
significant artists, entertainers and cul-
tural workers of our age. It is a worthy
goal that artists be recognized early on in
their careers, as have such immortal
talents as Bret Easton Ellis and Tama
Janowitz. We have seen very talented
people achieve well-deserved success
thanks to the fame machine; for in-
stance, certain musicians live like kings
and queens.
Harvey Pekar still lives in Cleveland
Heights, and works a day job, at 51. It is
doubtful that fame and fortune will
descend on him in a flash as it did on
Charles Bukowski at roughly the same
age. Nonetheless, he is a true American
original, variously an entertainer, a
poignant clown, a philosopher of the
everyday. His stories can be re-read with
increased interest.
No less than Henry Miller, he has
suffered for and lived his art. Like Henry
David Thoreau, he has travelled far and
wide, mainly through reading and
thinking. If you read Harvey Pekar, and
like what you read, pass it on, tell a
friend. —klipschutz
Thanks to Eric Gilbert of Last Gasp, Krystine
Kryttre and Barbara Deuel. 1 am also indebted
to the following pieces: "Approaching Harvey
Pekar" by Doruxld Phelps, "The Life and Work
of Harvey Pekar" by Donald M. Fiene, and a
lengthy interview with Pekar conducted by Gary
Groth, all appearing in The Comics Journal,
No. 97. April, 1985.
American Splendor #'s 6 through 15 can be
ordered from Harvey Pekar, P.O. Box 18471,
Cleveland Heights, Ohio 44118 (price range:
$2.25-$3.50 plus postage); recent issues are
available at some comic book stores. The
Doubleday anthologies are carried by book-
stores and comic book stores, though they
may be out of print.
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 69
/*^X
photo courtesy Climate Theatre
HAIKU TUNNEL
Josh Kornbluth performance
One person on stage— a storyteller,
raconteur, soloist performer— the lone
entertainer has made quite a comeback
of late. The popularity of performance
artists runs the gamut of Stephen
Wade's Banjo Dancing, Spalding
Gray's Swimming to Cambodia, Karen
Finley's We Keep Our Victims Ready,
and now Josh Kornbluth.
Josh premiered Haiku Tunnel in the
Fall of 1990 at San Francisco's Solo
Mio Festival, and has since taken it to
the Marsh, Climate Theatre, and other
Bay Area venues.
San Francisco is a big lawyer town.
The "king of torts" Melvin Belli is
based here, in a French bordello-style
building in North Beach — one is re-
minded of Dickens' line "the law is an
ass." But looking beyond this imme-
diate concentration of earthquake
fodder, just about everyone knows
someone who is connected with the
practice (if not outright violation) of
law.
Subtitled "the adventures of a male
secretary," Haiku Tunnel documents
the interior monologue of a legal
secretary, employed by "Schuyler 6*.
Mitchell, an enormous downtown law
firm with an unfortunate acronym."
From the start, this job does not look
Reviews
good to Josh, recently moved to
California from New York. On his first
day at S&M, he is assigned a "room,"
or more accurately, a desk in the hall-
way with the euphemistic plaque
"Room 1525a."
His first task is inventorying his
"room" for office supplies he might
find, um, useful. Unfortunately, the
previous occupant practiced a "scorched
desk policy," removing everything of
value from it. The only sign of the
previous occupant is a letter addressed
to her from the boss, who
inauspiciously composed it at 11 p.m..
New Year's Eve: "As the New Year
rapidly approaches, I thought I would
outline for you your duties as my new
secretary" followed by 11 '/z single
spaced pages of explicit instructions. Its
anal author. Bob Shelby, is the Tax
Group lawyer of S&I.M Josh has been
assigned to.
After one week as an exemplary
temp employee. Josh agrees to go
"perm" when S&lM offers to foot his
psychotherapy bill. For an ex -New
Yorker, this fringe is not to be passed
up.
Josh's productivity as perm predict-
ably plummets. Each day he comes to
work a little later, confessing at embar-
rassing length to the head secretary's
voice mail about his "vague personal
problems" that have again delayed
him. Then, he works on his novel on
the company mainframe, masturbates
his transcription machine, and other-
wise does what he can to keep the job
and its idiot demands firmly at bay.
Amid many agreeable onstage con-
tortions. Josh tells how he endlessly
procrastinates mailing some 85 letters
for his boss marked personal and
confidential.
"Now take these letters. Eighty-five
communications I'm supposed to mail
out to eighty-five people I've never
even met? Fuck it."
While the dread of discovery hangs
over his head, the letters' true worth-
lessness (and, by extension, the job in
general) is amply demonstrated by
their never being missed by either Bob
Shelby or the 85 intended recipients.
*****
The Haiku Tunnel of the title is a
project Josh worked on (in flashback)
at an engineering firm. It was the
closest thing to "a good job" Josh
seems to have had (apart, one hopes,
from the role of performer). Showing
flexibility that is practically anti-cor-
porate in its decency, his supervisor
blesses his wearing a walkman at work;
she even tells him to work a couple
hours each day on his novel, if it's so
important. When he is so disposed, his
assignment is to type specs for the
Haiku Tunnel project. Because it re-
mains work, even despite all the slack
they cut him. Josh is depressed ... for
he remains a man entombed in Haiku
Tunnel.
Haiku Tunnel, the show, should not
be missed. If nothing else, the existence
of Josh and his ilk should inspire
others to take their private acts of
protest and sabotage beyond the re-
hearsal stage, to perform where- and
whenei^er.
-D.S. Black
FELLOW PRISONER OF THE
NINETIES
Living in Canada has, alas, kept the
work of one of my favorite writers,
Crad Kilodney, a well-kept secret.
Crad has the dubious benefit of meet-
ing a number of his readers on the
street. For on most days, he can be
found selling his books on Yonge or
Bloor Streets, in downtown Toronto.
This exposure has, predictably, given
Crad a fairly low opinion of most
passersby, who prefer to ignore a man
with titles like Lightning Struck My Dick
and Excrement. Perhaps they are put off
by the signs he wears around his neck,
DULL STORIES FOR AVERAGE
CANADIANS or SLIMY DEGENE-
RATE LITERATURE. Maybe they
don't want to be shook from holo-
inspired reveries of credit card balances
when confronted by Crad's reflective,
living deadpan.
Aside from being a lonely, literate
foot-soldier in the Canadian street
theatre, Crad Kilodney has an acerbic
wit to rival Bierce, and a no bullshit-
biliousness that beats Bukowski. In his
new book. Girl on the Subway, he
skewers such modern monstrosities as
the enclosed environment super-shop-
ping malls (which, over the last few
decades, have honeycombed consumer
I
I
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PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
playgrounds everywhere from Toronto
to Pretoria).
In "No Chekhov at Yorkdale," the
quest for a collection of stories by the
great nineteenth Russian writer, leads
to such comments as "You mean the
fellow on Star TrekV After several
pages of decription of all the worthless,
overpriced junk that can be had at
Yorkdale by any "Fellow Prisoner of
the Nineties," "It's back to the
subway via the enclosed walkway
without Anton Chekhov. The rain is
still coming down. The city is
becoming more and more enclosed. If
one is sufficiently clever and well off, it
is already possible to get about from
home to work to shopping without
ever actually being out of doors. In the
future, only the lowest class of city
dwellers will need overcoats, umbrellas,
and boots. The future belongs to brave
boys and girls who, in the words of
the prophet, 'aren't afraid to live in
tubes and push buttons.'"
For a few months I kept Crad's 1988
collection Malignant Humors (from
Black Moss Press of Windsor, Ontario)
by my bed, and I would chuckle myself
to sleep over stories like "Filling Orders
in Albania" and "The Hard-Working
Garbage Men of Cleveland." Elsewhere
in this section, we reprint one of the
"Office Worker's Dreams" from this
collection.
Other titles of interest by Crad
include: Blood-Sucking Monkeys from
North Torutivanda, The First Chamel
House Anthology of Bad Poetry, and
]unior Brain Tumors in Action.
Crad has also produced two
entertaining cassette tapes, which
include strange things people say to
him on the street, answering machine
messages, stories from his early (out of
print) collections, including his
program for "The Peoples' Revolution-
ary Committee Against Indiscipline."
Write to him at his press for more
info: Chamel House, PO Box 281,
Station S, Toronto, Ont. Canada
M5M 4L7.
-D.S. Black
OFFICE WORKER'S DREAMS
Modem Facilities
When I ask in the office where the
men's room is, the middle-aged secretary
tells me it's upstairs "under the sign,
almost directly overhead." I go upstairs
and find the second floor to be an empty
framework of wooden beams, like a
house under construction. In the corner
OdifREEfl
eiOKK[[H
KSillf[fll
Suppose there is a war,
and nobody is looking . .
^"
DEIVIONSTRATE
BLOCKADE
DESERT
I see a sign: "MEN." There is nothing
under it. No toilet. No door. Nothing. I
am greatly disturbed but must relieve
myself immediately. I look around. Am I
to do it here? Is this what is done in this
company? I've never seen such a thing
before. I look at the floor and see that it
is wet. There is a smell of urine.
Apparently, this is where men relieve
themselves! Astonishing! What if also
astonishing is that there are cracks
between the floor boards. I can see the
office where I was a minute ago. The
women are at their desks right below me.
The secretary who directed me is smok-
ing a cigarette and coding orders. I can
wait no longer! I unzip myself and after a
moment of self-consciousness, I begin to
release a strong, healthy stream of piss. It
spatters warmly on the floor. Then I
hear a voice scream, "Jesus Christ!
There's piss coming down through the
ceiling!" An uproar spreads through the
office, but I can't stop. The piss goes on
and on and on! I hear footsteps from
across the floor. It is the president of the
company, leading a prospective client by
the arm. I hear him say, "I want to
assure you we have the most modern
facilities.'
—Crad Kilodney
CITY OF QUARTZ: Excavating the
Future in Los Angeles by Mike Davis
(Verso: London/New York 1990) 440
pp. $25 hardbound.
I have lived in the San Francisco Bay
Area since 1967, so I've developed the
snobbish disdain for all things south-
ern Californian characteristic of we en-
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 7 1
lightened northerners. Sure I've visited
LA— went to Disneyland as a kid; later
I hung out in Encino and Studio City,
Westwood and Santa Monica for a few
days each in the mid-'70s. I marvelled
at the pleasantness and beauty of the
area, but I also had my native disdain
reinforced by the emtpy car-and-shop-
ping culture which I simplistically as-
sumed filled the lives of my friends and
their families. I remember, too, feeling
an odd vibration which I attributed to
being near the center of the global en-
tertainment industry— somehow, in
spite of the apparent emptiness all
around me, this city was producing the
images, icons, and aspirations which
were increasingly holding the rest of
the world in thrall.
Subject of much angry investigative
journalism, even then, the LA Police
Department was already ingrained in
my mind as the quintessential Gestapo/
storm troopers of the U.S., and pro-
bably the center of a vast conspiracy
instigated by Nixon and his Law En-
forcement Assistance Administration
to turn local police into a nationally-
coordinated network of crack counter-
insurgency troops.
Now a book has been published
which illuminates the shadows and
lays bare the power structures, politics
and history of that most bizarre of
modern megalopolises, Los Angeles.
Mike Davis, who edits Verso's Hay-
market Series, displays his own deft
analysis and occasional acerbic wit in
City of Quartz, the latest contribution
to the series.
I particularly like the way this book
is organized, with chapters devoted to
specific narratives of power, its accu-
REVOLUTION IS 1
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-m
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t. TUMftAue' 9 87
mulation, dissipation, and final meta-
morphosis into new configurations. A
charming prologue introduces us to the
crumbling ruins of Llano del Rio, a
socialist Utopia which lived and died in
the Mojave Desert 90 miles north of
downtown LA in the years 1914-I9I8.
Davis gives us a concise history of
radicalism and political opposition in
LA, along with the stories of the
powers-that-be.
He relies on various earlier critics of
Los Angeles to flesh out the dynamics
of past eras, as when he recounts the
"debunking" analysis of Louis Adamic
(Dynamite: The Story of Class Violence
in America, 1931) and Carey Mc Wil-
liams who went on to edit The Nation.
Davis stitches together a first chapter
"Sunshine or Noir?", out of a variety
of intellectuals, writers, artists,
academics and developers for whom
LA was both home and raw material,
and shows how their various
reflections in turn fed back into the
larger collective mythology.
Davis's look at the Noir genre
situates it on a similar experiential
plane to Processed World's own:
"Collectively the declasse middle
strata of these novels (Double Indemnity,
The Day of the Locust, They Shoot
Horses Don't They?) are without
ideological coherence or capacity to
act . . . individually their petit-bourgeois
anti-heroes become a conduit for the
resentments of writers in the velvet
trap of the studio system. Tod
Hackett, in Day of the Locust, is por-
trayed in a situation like Nathaniel
West's own: brought to the Coast by a
talent scout for the studios and forced
to live 'the dilemma of reconciling his
creative work with his commercial
labors.'"
A fascinating chapter is devoted
largely to the genesis, history, growth
and current politics of Homeowners'
Associations, the organized might of
the property-owning and historically
very racist middle classes. He recounts
the role played by restrictive deeds and
how developers often set up the Asso-
ciations and enrolled every home buyer
automatically. The Associations' role
in enforcing a form of apartheid with a
"White Wall" throughout much of the
LA area was undermined by the U.S.
Supreme Court's 1948 decision on
housing discrimination.
Benefiting from the extraordinary
real estate inflation of the '70s, Home-
owners' Associations were the back-
bone of the Proposition 13 taxpayer
revolt in California, rolling back assess-
ments that tried to keep pace with
inflation, leading to a decade of
contracting services and crumbling
infrastructure, even in the "paradise"
of California. Davis is far more de-
tailed and nuanced than anything I
can show you in a short review. It's
like looking at a clear x-ray and seeing
a lot you've never seen before.
In the 1980's, Homeowners' Associa-
tions have often become proponents of
slow-growth policies. They are fighting
to roll back apartment housing, restrict
development to 1-acre lots, and
provide more recreational land, but
Davis shows how this is consistent
with their historic mission to preserve
and increase property values at all
costs.
"The tap-root of slow growth [in
Southern California], however, is an
exceptionalistic local history of middle-
class interest formation around home
ownership . . . [Slow growth in Califor-
nia] is merely the latest incarnation of
a middle-class political subjectivity that
fitfully constitutes and reconstitutes
itself every few years around the
defense of household equity and
residential privilege."
Elsewhere he discusses the rise of the
"barricaded community," the freely
chosen kind where the frightened rich
and middle class congregate, as well as
the "Narcotics Enforcement Areas"
which have been repeatedly imposed
on Black and Hispanic neighborhoods
by the LAPD (barricades seal off a
Page 72
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
multi-block area and only residents
with ID are allowed to pass in or out).
He situates the LAPD in a social
context of rising paranoia, bunker and
enclave architecture, racial tension,
gang warfare, and so on, sketches out
its special history of ultra-right
militarism, and makes it clear that the
department is but one prong in a
many-pronged strategy to manage the
Third World-ization of a major city.
On the 1950s LAPD: "Dragnet's Sgt.
Friday precisely captured the [then
Chief] Parkerized LAPD's quality of
prudish alienation from a citizenry
composed of fools, degenerates and
psychopaths." But in the high-tech
'90s: "As part of its 'Astra' program,
the LAPD maintains an average 19-
hours-a-day vigil over 'high crime
areas,' tactically coordinated to patrol
cars and exceeding even the British
Army's aerial surveillance of Belfast
[Northern Ireland], only 8 hours a
day."
An equally important prong, rarely
acknowledged or discussed, but
admirably done here, is the elimination
of public space. In a chapter called
"Fortress L.A." Davis gives a critical
architectural tour of LA's new
buildings: a mall topped by a small
branch library, which is in turn topped
by a substation of the LAPD, with full
video surveillance of the mall below,
especially the three critical chokepoints
of entry and exit. There is another
library built to resemble the U.S.
Embassy in Beirut, while soaring office
complexes complete with roof gardens
and walkways preclude contact with
the street below and enforce the separation
that is already imposed by the physical
layout of the plant.
"Ultimately, the aims of contempo-
rary architecture and the police
converge most strikingly around the
problem of crowd control. As we have
seen, the designers of malls and
pseudo-public space attack the crowd
by homogenizing it. They set up
architectural and semiotic barriers to
filter out 'undesirables.' They enclose
the mass that remains, directing its
circulation with behaviorist ferocity. It
is lured by visual stimuli of all kinds,
dulled by muzak, sometimes even
scented by invisible aromatizers. This
Skinnerian orchestration, if well
conducted, produces a veritable com-
mercial symphony of swarming,
consuming monads moving from one
cashpoint to another."
This is a great book. It's also a very
beautifully done book, with regard to
paper, layout, and printing. Verso has
been producing some physically
wonderful books^viz the beautiful
hardback edition of Cockburn and
Hecht's Fate of the Forest. Now if only
they were priced more affordably {City
of Quartz is a painful $25) many more
people would probably read it.
—Chris Carlsson
"How did our oil get over there in the
first place, anyway?!!"
—protest sign at Port Chicago muni-
tions depot gate, autumn 1990
With a buildup rivaling that of the
Super Bowl (and perhaps pre-empting
interest in it, as the '89 Earthquake did
to the World Series), the Persian Gulf
War became one of the most antici-
pated events in memory. During the
buildup some voices tried to offer a
different, but not widely available
analysis. Two are:
When Crusaders And Assassins
Unite, Let the People Beware was
written by the Midnight Notes collec-
tive and published in November 1990.
They situate themselves within the
growing anti-war movement, but dis-
agree with the theoretical and strategic
premises framing it as "another Viet-
nam." They offer a detailed history
both longer-term and recent, and see
the current crisis in terms of an attack
on the international oil producing pro-
letariat (broadly defined to include the
working classes of all oil producing
countries, both native and "imported").
They call for not only withdrawal from
the Middle East, but complete military
demobilization. It's a provocative read,
even though it was rendered wrong by
the bombing of Baghdad. It never-
theless provides a clearer class analysis
of the underlying world oil economy
than any other view. They advocate
fighting for lower fuel prices in the
U.S. as basic strategy for the anti-war
movement.
A later pamphlet, after the onset of
war, entitled The Spy and the
Assassin, recasts the analysis in light
of later developments.
Midnight Notes, Box 204, Jamaica
Plain, MA 02130 USA
All Quiet On the Eastern Front,
signed by nine people and published
last October, departs from the hypo-
thetical, somewhat ironic chance that
"it all goes perfectly— the sanctions
eventually bite, the admonitory air
strikes take out, say, ten percent of
their intended targets, and there turns
out to be no secret weapon, or none
the Iraqi field commanders agree to
use. . ." and so on until the U.S. has
installed its own "democratic" general.
Then what? An analysis follows that I
found dry and somewhat disjointed
during my first two readings back in
October, but reading it the January
evening of Congress's "Declaration of
War," it was much more focused.
Much more literary in style than
Midnight hlotes, its authors eschew
tactical advice in favor of the declara-
tion: "It will be opposition to capi-
talism as a world system or it will be
nothing."
Available from: P.O. Box 9699,
Berkeley, CA 94709 USA
—Chris Carlsson
USA
Keeping Democracy in the Right Hands.
PROCESSED WORLD 126/27 - Special 1 0th Anniversary Double Issue!
Page 73
In the old "good news-bad news" tra-
dition, I bring you the bad news: The
Mill Hunk Herald is, alas, dead
(1979-1989). But the good news is that
they have an anthology— Overtime—
which gives a more permanent form to
their work. For those who haven't
heard of them. The MHH was the
doppelganger of Processed World: it
dealt with issues of work, both with
analysis and with workers' stories, from
(for the most part) the industrial world
of production. With poems, graphics,
fiction and articles they covered issues
ranging from history to the changing
face of industrial America. The
anthology has two pieces on the his-
tory and financing of the MHH, and
an excellent selection of the 'zine.
Those who enjoyed it when it was
alive will get a kick out of seeing the
material together in one large volume
(8'/2xll, more than 200 pages); those
who haven't seen it will be in for a
real treat. Hey— just a thought— pair it
with the PW anthology Bad Attitude,
and you'd almost have a classroom-
worthy snapshot of North American
work. Overtime is overdue: You gotta
read this book! It's available for
$12.95; it's published by West End
Press and Piece of the Hunk Publishers,
Inc. (1990). The ISBN is 0-9311212-55-4.
—Primitivo Morales
There's a tabloid out of France, name
of MORDICUS, that you may want
to take a look at (given, of course, that
you can read some French). The
premiere issue included a "10 Step"
program for stopping work (which
advice for elementary hygiene was
transmitted to them after circulating in
the e-mail boxes of La Defense— a
white collar hive in Paris), the
difficulty of being insulting, material
on the war in the Middle East, and
various other diabolic pieces.
Just before "the war" started, Mordi-
cus papered the city of Paris with a
poster offering some 17 outrageous sug-
gestions on the subject of "What to do
when war breaks out." These range
from burning McDonalds to seducing
soldiers' wives and husbands, scalping
journalists, sending insulting letters to
the front, and breaking your TV.
"War's infamy is perpetuated by our
passivity" they say (in French). Stay
active or regret it deeply some day
soon.
The latest from Mordicus: "Open
season on wild ducks." Thirteen
people, including several editors from
the Mordicus collective, were arrested
on January 23rd and the films
necessary to the publication of
Mordicus #2 were confiscated by the
French police. As they put it: "At the
time of the sacred unity, they want to
silence the rare voices raised against
the consensus. If we are already under
a state of emergency, let it be pro-
claimed." The same tactics of preven-
tive arrests and confiscations were used
in the 1968 era (repression went on for
several more years). It led to the
demise of Charlie Hebdo, my personal
fave of that period, as well as the
boring Maoist rag La Cause du Peuple,
the sale of which could land you in jail
for a firm 18 months. The French
police state is as alive and well under
Mitterrand as it was under d'Estaing or
Pompidou. Don't let labels ("socialism?!!")
fool you.
—Frog
In a very different vein is the French
magazine TERMINAL: INFORMA-
TIQUE, CULTURE, SOCIETE, a
progressive French mag dedicated to
the study of the information age. PW
Graphic; Doo Daa Florida
shares some of the ideas contained in
it (see translated piece in PW #10,
"Clodo Speaks"). The language in this
magazine makes it more challenging
than Mordicus, and the material is very
different. Terminal includes a wide
variety of material on computers and
the world of telecommunications, as
well as social issues. A recent issue in-
cluded an article "Limits of Production
&. Union Realignment," which had
material closely paralleling ideas in PW
#25 about the waste of human effort
while "at work," and the ecological
implications of how we structure our
lives.
In one passage they comment: "The
unions are no longer on top of a situa-
tion where divisions, segmentations
and contradictory interests are dictated
by the State and Capital: Workers of
the North against Workers of the
South, full timers vs. "precarious"
temps against the unemployed . . . This
leads to a unionist rationalization of
work, not in view of its usefulness but
by virtue of how many jobs they
procure. In this manner, productivism
reigns supreme, the view that the
salaried modality is essential to the re-
distribution of collective wealth is rein-
forced . . . An ecology-minded reorien-
tation of the economy, at the service
of its peoples and social creativity can
only be led from the standpoint of the
abolition of unemployment. We have
to do away with the forced producti-
vism implied by salaried work."
People who are interested may
contact them at C.LLL/Terminal,
18 rue de Chatillon, 14th Arrori'
dissement, Paris, France.
—Frog
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
Graphic: IB Nelson
Texas:
Penury of Plenty
My friend and 1 arrived in Austin, Texas, in
an old car jammed with what we could sal-
vage from a dead woman's Santa Fe, New
Mexico estate. My friend — we'll call her Babs, because she
is from the Midwest and evinces the kind of all-American
wholesomeness the name implies, which is exactly the
kind of wholesomeness that lands such jobs as live-in
companion to the elderly — had hung in with the old
woman until the latter 's nicotine-stained, sherry-spattered
end, and seen her to her grave in the plaster of the living
room wall alongside her husband, whose ashes had been
similarly spackled many years ago. A colorful family, that,
but the furnishings bequeathed to Babs were disappoint-
ingly mundane: the flattest of flatware, a hideous artdeco
standing lamp, a dozen dull white plates from which the
old one had been caught senilely feasting one evening on
a meal of candles al jereZy and which still bore the tawny
Despite her obvious
loathing of me, she
engaged me in the kind
of hypocTitically unctuous
conversation conservative
Texas women are trained
in from an early age . . .
Texas, she replied
daintily, was going
through an economic
"disappointment. "
scorchmarks from her beloved and overlong
cigarettes.
But scavengers can't be choosers (though on
second thought, they are in fact the best of
choosers; what eye is more discriminating, more
curatorial, than that of a professional pepenador in
the dumps of Mexico City or of an untouchable
in the middens of Bombay?); so we loaded up all
this domestic impedimenta into the old car and
set out for the Lone Star State.
Many friends questioned the wisdom of our
move to Texas. The state was in an economic
nosedive, they reminded us, and we hadn't so
much as a friend there to hang on to and scream
with as we all plummeted.
Texas' economic drop had begun in the mid-
1980s, and no one could say when its course
might at least become horizontal, much less
regain its former heady altitude. The Texas
economy was a craft that had run out of fuel; or
rather, that fuel, which was nothing more than
crude petroleum, had become, in mid-flight, no
longer sufficient to keep it aloft. It seemed the
Saudis and the other swarthies of OPEC had, in
their cunning Oriental fashion, divested that dark
liquid of its power to keep going the impressive
machinery of our soon-to-be-adopted state.
Our friends recommended that we at least
consult the latest forecasts from the economists,
our culture's seers and the official interpreters of
the Market and its complex mythologies. Although
we knew the economy, the Market system, de-
rived from social relations was not externally im-
posed on society, we could not be sure the good
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 75
folk of Texas, who are notorious for
believing in an ideology that teaches
just the opposite, would ever help us
out if we found ourselves unemployed
or otherwise in a financial pickle.
Mightn't they, rather, allow us to suc-
cumb to Market circumstances deemed
by them natural, eternal, and, strangest
of all, the essence of our "freedom?"
And though we knew economists to
be little more than modern-day shamans
(shamans so intoxicated on their mathe-
matics and their "models" that they
declare themselves "scientists"), we also
knew that the world was highly mysti-
fied. Mightn't they, after all, speak some
truth about this world? We agreed to
listen to what they knew.
They left aside, for the moment, their
monitoring of the cosmic struggle be-
tween the Bears and the Bulls and the
other larger epic wars being waged across
the Universe of Commodities ("where
things live human lives and humans live
thingish lives"), and bore down, as per
our request, on the more specific ques-
tion of the employment situation in
Texas. They showed us their charts and
figures, which in their conjunction
looked to us something like a board
game, full of ups and downs and crises
and miracles, rather like Chutes and
Ladders. Now, they said, we know that
an unfortunate roll of the Market dice
(dice loaded, we all suspect, by those
OPEC ministers cited above) landed
Texas in the Tar Pit where the Skeezix of
Recession dwells. Now to get out of the
Pit, relatively low rolls on the Unemp-
loyment dice had to obtain, a good deal
lower than the near-double-digit figure
that was still coming up. Of course, it
didn't want to keep getting low rolls on
the Unemployment dice either, at least
not on a national scale, or interest rates
would rise and the whole game could
overheat, sending all players to Inflation
Inferno.
This game was a bit too byzantine for
us to grasp. It seemed remote from our
possibilities as individual actors in every-
day life. Maybe we were being too
ruggedly individualistic, but it seemed to
us that, no matter how airtight the
ideology might attempt to be, there was
still an opportunity for individual hu-
man agency to knock breathing holes in
that armor. In other words, we would
find a way. In any case, we found that
the "science" of economics described a
universe an order of magnitude larger
than our own lives. If it described a
relativistic universe, ours was still a
Newtonian one; what did it matter to us
if the universe was in truth curved, if all
we really had to deal with, in our world,
were straight lines?
And for us, for now, the first such line
was a highway leading straight across
New Mexico and West Texas to
Austin . . .
Less than a week prior to our depar-
ture from Santa Fe I got an opportunity
to gather intelligence on the Texas
economy directly from the kind of
creature the ideology most works mater-
ially to serve: a rich person. But this
person was not just any rich person, this
was a Texan rich person, and this was
my chance to determine to what extent
an ideology might turn on its own
masters. Had the collapse of the Market
in Texas brought down the swells with
it?
My meeting with this person came by
virtue of a scheduling faux pas— or was it
somebody's idea of a joke?— on a bibu-
lous bon vivant's guest list: I was invited
to attend a gathering of Texan fatfish at
her quaint adobe settled venerably into
the mud of Canyon Road. (Contrary to
popular belief, the most valuable real
estate in this most contrivedly fashiona-
ble of towns is not that which affords a
dramatic view from the mountains, but a
humble, low location, preferably a war-
ren-like arrangement along a narrow,
unpaved road in the "historic" section of
town. Property values are exorbitant
here, and these have become enclaves
for the wealthy, mostly Texans, who act
out their fantasy of Pueblo Indian,
calling on one another in their faux-
kivas to swap posole recipes and share
intelligence on the relative wampum
values of Hopi jewelry and Navajo rugs).
At this swank gathering I was intro-
duced to said rich person, a young,
wasp-waisted woman from Dallas, who
gave my sartorially despicable figure a
scornful once-over. She herself was re-
splendently outfitted in Neiman Marcus
threads, which despite their Navajo
motifs were so hallucinatorily rich that
they more resembled the weavings of a
peyote-peaking Huichol. Despite her ob-
vious loathing of me, she engaged me in
the kind of hypocritically unctuous con-
versation conservative Texan women are
trained in from an early age, and that
was when I took the opportunity to
inquire into her thoughts about the
economy of the Lone Star State.
Texas, she replied daintily, was going
through an economic "disappointment."
By the time I left the party, I had filed
this irridescent damsel's delicate term
away in that obscure part of the lobe
reserved for Texan forms of expression,
both the manly crude and the womanly
euphemistic. But driving through Texas
a few days later, it resurfaced. I realized
immediately that her description was
quite accurate: for the rich, the collapse
and stagnation of the Texas economy
was but a disappointment, a vision
vanished rather than a nightmare lived.
Their dreams of unheard-of wealth had
evaporated, and they had awakened to
the harsh and dreary reality of their
concrete assets alone: the Mercedeses,
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PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
the furs, the ostentatious homes and
sumptuous ranches with their exotic
game animals ("homesteads," which by
state law can be touched by virtually no
creditor). And to the same old oil wells,
which, because the black gold they
pumped was now worth only half of
what it was at the peak of the boom in
the early 80's, only brought in enough
income to replace and maintain all those
things. (Mexican President Lopez Portil-
lo, who with his corrupt sidekicks had
shared the same dream in the early
1980's, had advised Mexicans to "pre-
pare themselves for prosperity." The
Texan version of this might have been,
because Texas was already so rich, to
prepare for sheer obscenity.)
The hope then had been that the price
of oil would keep going up, possibly to
$100 a barrel. But it only got up to $32
by the end of 1983 when the bust set in.
From there it plummeted to about $14.
(At the time of this writing the price,
thanks to the sabre-rattling over Kuwait,
is back up to around $35 for most Texas
crude). Texans, banking greedily on
visions of ever-upward-spiralling oil pric-
es, had already grossly overinvested in
things such as real estate. Driving into
Austin, we saw that practically every
other office building was empty and for
lease, and we soon learned that the city
indeed had the most overbuilt office
space in the country. Greed had led to
overproduction had led to unemploy-
ment: this was the "rationality" of the
Market system.
Austin seemed pretty prosperous
nonetheless, at least on the swank side of
town. The "disappointment" seemed
only slight there. Debutant balls took
place as always on those west-side hills,
though on a scale slightly less grand than
before; some exclusive clothing outlets
were said to have closed, but plenty
remained; gourmet dog biscuits, at $5.00
a pound, were still an item in demand at
your finer victualers.
The poor, well, they'll always be with
us, says the eternalizing ideology, and in
Austin this means mostly on the east
side of town. Over twenty percent of the
residents of Travis County, of which
Austin is county seat, live under the
official poverty line of $11, 400 a year for
a family of four.
We found the poor in the laundromat,
one of our first stops after our road trip.
They were sprawled uncomfortably on
the hard yellow plastic seats. Why do the
homeless like laundromats so? Because
it's warm and roofed and they're not
immediately evicted from it, I suppose.
It's surely not for the homey atmos-
phere. Dully watching the clothes roll
round in the drier, I reflected on how
Western instrumental rationality has
robbed clothes-washing of its traditional
communal quality. This rationality, be-
lieving it could reduce the "drudgery" of
everyday life to a nullity through tech-
nology, has instead succeeded in elimi-
nating the human from the everyday,
thus turning everyday activities into true
drudgery. I was reminded of a missionary
couple I once knew who brought their
African maid back with them to the
U.S. This African could not get over the
fact that no one in America washed
their clothes in rivers: every time they
drove over a bridge she would remark on
the absence of gossipy scrubbers below.
What was she talking about? thought
the missionaries. She knew what a
washing machine is, she used one every
week! The missionaries failed utterly to
see the subtext of her remark, which I
imagine referred to the acute absence
ot communality in America, the intense
loneliness of everyday tasks here.
I wondered, too, if those missionaries,
having lived in West Africa, understood
how the word "zombie" was used among
the Bakweri of West Cameroon. "Zom-
bie," according to Michael Taussig's
book The Devil and Commodity Fetishism,
was the word applied to fellow Bakweri
and others who drove trucks and did
certain other kinds of work in the British
and German banana plantations. The
"zombies" worked far beyond what was
required to satisfy their needs. They
couldn't seem to stop, they were the
living dead. Their "lives" had become
abstracted into the commodity of labor-
time, and consequently they weighed
like a nightmare on the brains of the
living.
Across the street from the laundro-
mat, in the morning drizzle, a ragged
man hunted for food in a dumpster. He
found a soggy crust of pizza, which he
gobbled and washed down with a swal-
low of Thunderbird. A block further
down sat the drab brown brick Austin
Plasma Center. Perhaps after his meal
he'd go there to sell his blood. According
to an ad on the laundromat bulletin
board, you can make two donations to
the Center a week, at $10 a pop. On
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 77
Fridays there is some sort of $25 "bonus
drawing" which I don't quite under-
stand.
It pleased me to think that this ragged
man's diet of dumpster pizza and Thun-
derbird was convertible to good human
plasma; plasma just as good as, maybe
better than, that obtainable from King
George's blue blood. There was some-
thing satisfyingly egalitarian about this
notion; but beyond that, there was an
even more essential comfort in the
thought of rotten crusts and cheap wine
being converted to blood. It was some-
thing that seemed to give the lie to that
part of capitalist and socialist and exis-
tentialist ideology that insists on scarcity
as the metaphysical grounding of life. It
reminds me that scarcity exists only as a
social concept, not a biological one. We
aren't aliens in hostile territory. We
evolved here. It's our planet, and our
bodies are RIGHT for it.
The myth of scarcity is championed by
those systems hung up on production-
capitalist as well as "actually-existing
socialist." This myth is the touchstone of
their terror, and is what keeps everybody
in line without too much overt coercion.
"He's (she's) a survivor"— I don't know
how many times I was to hear this
admiring phrase from the lips of Texans.
Mere survival the goal? I realize they said
it in the context of the economic slump,
and they generally meant survival in the
manner in which one was normally
accustomed, but it nevertheless always
struck me as an awfully low setting of
one's sights, especially for such an out-
wardly arrogant people as Texans. The
odd corollary to it is the belief, in
defiance of common sense and of the
most elementary statistics, that one will
be the exception who will "make it" over
all the other "losers." One of the results
of this belief, of course, is a contempt for
"welfare" and the state's notoriously low
ranking in social services.
The fear of scarcity leads not just to
production, but to the astounding over-
production that is the hallmark of "late"
capitalism. The basic absurdity of capi-
talist ideology rests on the idea that
putting the accumulated wealth to so-
cially-useful ends is anathema to the
system overall. In other words, the
system's fear is that satisfaction of hu-
man needs will reduce or eliminate the
human fear that is the engine of accum-
ulation and overproduction. It's a bit
like working to put money in the bank,
but under the condition that if you make
any withdrawals the bank will collapse
Graphic IB. Nelson
and you'll lose it all. Of course, the State
employs calculated ways of siphoning off
some of this overproduction, primarily
military spending, which, while it waste-
fully relieves some of the bloating, serves
to feed the fear on another plane: fear of
the enemy Other bent on stealing the
whole bank.
Never mind, then, that we are well
into one of the longest periods of eco-
nomic expansion in U.S. history, with
over $35 trillion in goods and services
produced. We're not to think about
this social surplus, and we're certainly
not to ask that any of it be used to
ameliorate our fear of not "surviving."
On the contrary, the system seems to
require more fear, more poverty and
homelessness, while the rich get a
capital-gains tax cut. In any case, in
Texas and the world over, we're a long
ways from Felix Guattari's and Toni
Negri's vision in We Communists: "Hu-
man goals and the values of desire
must from this point on orient and
characterize production. Not the
reverse."
The Plasma Center ad stated that
donors are required to show proof of
Austin residence. How would the home-
less manage that? Babs and I wondered.
In any case, we were reminded that we
needed to find a place to live right away.
We investigated a tiny garage apartment
a block north of the laundromat and
decided we could afford it, at least for the
moment. But we would have to get jobs
soon.
The landlords were a middle-aged
couple who carried on a preternaturally
perfect middle-class existence in the big
house next door. Projecting onto us their
vision of Utopia, they assumed our goal
in life was to work our way up to their
status, someday to become just like
them, landlords in the manor behind
twin magnolia trees. For now, of course,
we would have to pay our dues, which
meant sign a 6-month lease for the little
place, along with a stipulation allowing
them to run a credit check on us— at our
expense. Lease, leash, leech— the word
itself was revolting to me, and I doubted
the credit check would reveal us in too
favorable a light, though if we did pass
it, I knew we were supposed to get a
warm feeling all over of legitimacy and
belonging. Instead I got a sour feeling
thinking about all those uncreditworthy
souls our acts of submission to these
kinds of investigations only help to
further delegitimize. I felt a traitor to
them. The process of "belonging" always
involves treason.
Born play pla/ p1«y play Play pia
raad taat r.ad t.at raad -ork pia
raad taat read taat raad "ork pia
work work work work work buy pay
work work work work work buy pay
work work work work work buy pay
work work work work work buy pai
work work work work work buy pai
-nrk work work work work buy pai
But the credit check apparently was
never carried out, and we moved into
the tiny apartment. Babs got a job
cleaning real estate— houses that weren't
moving, which meant they had to be
maintained especially spic and span to
entice what few prospective buyers there
were. It was one of those ironic jobs
spawned of economic busts— ironic like
the record homelessness in the midst of
this vast square footage of empty shelter.
Not that it was a good job; like pizza
delivery, it required so much driving
around in one's own vehicle that half
one's paycheck goes into the car. Never-
theless, it was something.
I was not quite so lucky. I scanned the
want ads every day, especially those
listed under "General," since I've had
the audacity in life not to have special-
ized in any particular field. The listings
are alphabetical, usually beginning with
A for "Aggressive." Aggressive this
wanted, aggressive that. It's not a word I
Page 78
PROCESSED WORLD #26/27 — Special 1 0th Anniversary Double Issue!
particularly like. After a few weeks of
seeing it there, it really begins to irritate
me, and I think, well goddamn, the day
I'm compelled to be "aggressive" for
money I guess I'll do it right, with the
snubby nose of my .38 poking the ribs of
some gulping fatfish.
There are curious ads, such as the one
that reads, "Have you ever lied to get a
job? If so, your story may be worth
$100." But how would the folks doing
this study know my story was not a lie,
just to get my hands on the $100? Or
would that in itself constitute the lie they
were looking for? The Liar's Paradox is
lurking here somewhere and I don't like
the smell of it.
Pharmaco, I notice, advertises a lot for
research subjects: "up to $375 for anyone
with resistant genital warts to participate
in a study testing a new antiviral drug."
(What do they mean, "up to?" Are some
people's genital warts more valuable
than others'?) In any case, I'm not about
to go out and contract resistant genital
warts just to get my hands on a lousy
$375.
A sperm bank is looking for donors.
This would be a more exhilirating dona-
tion than plasma, to be sure. But again,
the question: how much a pop? It
doesn't say. And how many donations
can you make? At half a billion or so
sperms per, I imagine it's probably just a
one-night stand, so to speak.
So much for the classifieds. I try the
Texas Employment Commission, but
quickly discover that instead of helping
you find a job, it seems primarily
designed to discourage you from seeking
f
No.112018
DEDUCTIONS & ALLOTMENT INFORMATION
■^
w^i
IL.
^
GPOSS PAY
,dQ
TOTAL
OEDUCTICNS
74.
55
NET PAY
280.
33
J
one. The functionary at the end of an
interminable line informs me proudly
that the TEC in Austin has so many
applicants — over 20,000— that the on-
line files are no longer available for
perusal by job-seekers. Strange reason-
ing: the greater the numbers of unem-
ployed, the less access they get to the job
listings. We'll look FOR you, he says,
pen poised above the application, eager
to strike out each category for which I
don't claim enormous experience. A
bureaucrat's favorite word is "no." I
never hear from the TEC.
I check out every shit-on-a-shingle
restaurant in the neighborhood, the
kind of places that serve dyed margaritas
("pink killer 'ritas") and have names like
Silverado; surely one doesn't need great
restaurant experience to serve THEIR
kind of slop. Wrong again.
I try canvassing for a progressive
organization, but find it too weird trying
to sell "peace and justice" as a commodi-
ty. Is nothing sacred? Must even this be
subservient to the money economy? My
field captain thinks I'm naive and have
an attitude to boot; he's glad to see me
go.
I learn to interpret the penultimate
words from a job interviewer, the ones
that precede the handshake and the
we'11-let-you-knows, things like "sorry
you had to come out in the rain," which
means, "gee, sorry you had to waste your
time and ours AND get wet."
I check out the temp agencies, places
with vaguely salacious names like Man-
power (the overtly wanton-sounding
Kelly Girl has been changed to the more
sober Kelly Services, I notice). I get
nowhere there, but am led to discover a
few things about the temps. I learn that
large-scale hiring of temps is a recent
phenomenon; that the electronics and
defense industries do a lot of it, and that
the federal government employs some
300,000 temps. Temps receive virtually
no benefits, and are the first to be laid off
when a slump or recession hits, while
core employees, if they're lucky, get to
stay. When the next nationwide reces-
sion arrives, up to 3 million temps can
expect to lose their jobs. As it is, the
Labor Department's Bureau of Labor
Statistics counts anyone working one
hour or more a week as "fully em-
ployed"; this accounts for the exaggerat-
edly low official unemployment rate. But
at least the BLS factors into its monthly
report those "discouraged workers" who
have given up looking for work alto-
gether.
I feel myself gradually becoming one of
those "discouraged workers." I begin to
investigate what it would be like to live
in the streets. One of the first things that
strikes me about such a life is its relative
rigor, in terms of planning, scheduling,
and so forth. Required to abandon the
Salvation Army premises by 6 a.m., you
must seek warmth elsewhere— the Capi-
tol building, for instance— until the Car-
itas or other soupline opens. If you're
sick, you've got to keep in mind that the
Caritas clinic is only open Tuesday and
Thursday evenings. You've got to keep
your eye on the spots under the bridges
for possible vacancies, and be quick to
stake your claim when one arises. You've
got to be mindful of police routes and
schedules, and keep track of your plasma
donations. If after all this stress you need
to get drunk, remember the Showdown's
"Happy Minutes," with 25-cent drafts,
are from 3:00-3:15 p.m. A lot of the
homeless guys I talk to have all the bus
schedules memorized.
When depressed, go to a demonstra-
tion. It quickens the blood and gets your
mind on something larger than yourself.
The one I went to, described in the next
day's American Statesman (Austin's
only daily, better known in our circles as
the American Reai Estatesman) as "spir-
ited," was over El Salvador. We defied
pig orders and took the streets. One
zealous porker could put up with it no
more and collared one of our guys, a
lanky Quaker with a Thoreau beard.
The crowd turned ugly. The Quaker, a
wry smile on his 19th-century face,
pleaded for calm while pointing out to
the cop the advisability of letting him go.
The cop decided he was right, and
sprung the handcuffs.
I told Babs about the incident and
how I admired the Quaker's cool and
humorous resistance. She said, sure,
those folks believe so little in authority
that they can never take it seriously. By
the way, she said, the Quakers are fixing
up their Hill Country retreat next week-
end, and needed volunteers, if I cared to
go.
So we went. But there I learn that even
the Friends are not immune to the
ideology of desireless production. While
washing Quaker windows and railing
about the absurd hoops you have to
jump through to get a lousy $4-an-hour
job in the University of Texas library
system (though I proudly report that I
passed, at 45 wpm, the typing test, using
my version of caffeinated hunt-and-
peck), a middle-aged Quaker listening to
PROCESSED WORLD #26/27 - Special 1 0th Anniversary Double Issue!
Page 79
me announces that she works in library
personnel and would probably be the
one to interview me if my application
were to get that far. To my astonish-
ment, this woman turns out to be a
champion of taylorized work efficiency
and seems to know every angle on the
scientific organization and bureaucratic
management of white-collar labor. She
actually uses, in a personal context,
terms like "private sector" ("my husband
works in the private sector") and refers
to students meeting their "educational
consumer needs." What SHE doesn't
need on the other hand, is "defiance":
"Can you imagine if every time I told
someone to do something they asked
why?" In the end, what she is looking
for, as an interviewer, is "grown up"
people. I take this to mean people so
burdened with responsibilities and/or
fears that they would never ask their
boss "why?" I get the distinct feeling I
have already blown the interview.
And then, the miracle. A few weeks
later, just as Babs and I hit rock
bottom — she was by then a volunteer for
the United Farm Workers, who pay only
for her barest subsistence— I was able to
land some free-lance translating jobs.
English to Spanish, Spanish to English,
I'll translate anything. More work comes
my way, and soon we are receiving
almost a lower-middle class income.
Combined with the fact that we live
frugally, it's O.K.
But after a year or so of this, a malaise
begins to set into our household. We
begin to feel trapped in routine. The
adventure seems over. We begin to
suspect it's not enough just to live
frugally; we begin to suspect that this
"simple" lifestyle of growing our own
and of consuming little, though ostensi-
bly subversive, might actually be com-
plicitous with the movement of capital
from an industrial to an informational
mode. After all, wasn't it the big corpo-
rations who sponsored the last Earth
Day celebration in Austin? There's
something fishy here ... By "living sim-
ply" instead of DEMANDING the social
surplus— those trillions mentioned
above— weren't we acquiescing to this
obvious corporate redirection of capital?
But where was such a movement to
demand that surplus? Not in Austin,
certainly. Most progressives there were
like we had been, believing that frugality
was subversion. Still believing, in other
words, in the myth of scarcity.
Suddenly we want out . . . "Archeo-
logists have led us to conceive of this
nomadism not as a primary state, but as
an adventure suddenly embarked upon
by sedentary groups impelled by the
attraction of movement, by what lies
outside. . . an extrinsic nomadic unit as
opposed to an intrinsic despotic unit."
(Gilles Deleuze). We give the car and a
lot of the other shit to CISPES, and Babs
makes the first go, choosing to move to
downtown Detroit, the cutting edge of
urban American decay. I opt for Mana-
gua, where a similar raw confrontation
between the haves and the have-nots
continues to openly fester. It seems that
in order to restore our sense of reality we
are impelled to go to places where the
myth of scarcity has taken a real toll.
Meanwhile, back in Texas, the
700,000 individuals to whom oil royalty
checks roll in every month, as regularly
and eternally as the tides of Galveston,
have seen a pleasant doubling of their
income, owing to the "Gulf crisis." One
can only suppose that the old Texas
arrogance— arrogance based on nothing
other than the good fortune of having
stumbled upon the land under which lay
dissolved bodies of dinosaurs— will soon
be making a florid comeback.
— Salvador Ferret
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VHS, 54 mins.
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