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Full text of "Rachel and the New world. A trip to the United States and Cuba"



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R i?L O H E I. 

AND 

THE NEW WORLD 



E A C H E L 



THE NEW WOULD 

A T III P 

TO THE 

UNITED STATES AND CUBA. 

TRANSLATED FROU THE FRKNOH 
OF 

LJGON BEAUYALLET. 



NEW YOKK: 
DIX, EDWARDS & CO., 321 BROADWAY, 

1856. 



) 1 ti: ' 

:- ' ' ■ '-_^v 

Entered, according to Act of Congress, in the year 1856, by 

DIX, EDWARDS & CO., 

In the Clerk's Office of the District Court of the United States 

for the Southern District of New York. 



Qy^^ ^ 



MILLER & HOLMAN, 

Printers & Stereotypera, N. Y. 



PREFACE. 



§, p. |. §t milmmut, 

EDITOR-IN-CHIEF OF THE FIGARO. 

Paris, February/ y, 18.30. 

My Dear M. de Villemessant : 

I HAVE just arrived from Havana. Here is the latest 
news : The Eachel company is disbanded. The two 
worlds are now strewn with the numerous waifs of this 
terrible shipwreck. 

Eachel remains an invalid, on the island of Cuba ; not 
so ill as is reported. Sufficiently so, however, for her 
to have positively refused to give a single representation 
to the Antilles. Yesterday a letter was received from her. 
She will be in Paris in a month and a half, perhaps two 
months, when the severely cold weather is past. 

(At the time we wrote this letter, it was to have been 
so. Every one knows now that Mademoiselle Rachel 
preferred to release herself from so prolonged an exile.) 

Her sister Sarah left for Charleston. She is going, it 
is said, to New York, where she wishes to form a com- 
pany for the representation of comedy and the drama. 

Mademoiselles Durey and Briard have also remained 
in North America. 

That countiy being utterly devoid of amusement, I 



IV PREFACE. 

preferred embarking immediately from Havana with the 
rest of the army, on board the Clyde, an excellent 
English steamer, -which took us straight to the island of 
St. Thomas. 

We were fortunate, since this island was enameled 
with yellow fever, in being able to take refuge from it, 
forthwith, on board the Atrato, another English steamer, 
which, notwithstanding terrible weather, and terrific gales 
that tore our sails and broke one of our masts, landed us 
safe and sound at Southampton, on the 30th of January, 
1856, in twenty days and nights. That was all! 

Then how voluptuously we pressed the British soil, 
with what profound dehght we swooned upon a basket 
of Allied oysters. 

Truly, if it were only for the j)leasure one feels on 
landing, it would be worth while to make sea voyages for- 
ever. At Southampton, Raphael Felix, his sisters Lia 
and Dinah, and M. Felix, their father, parted from us 
without a tear, and sailed for London. The rest of us 
embarked precisely where we were ; it was much easier, 
and on the 31st, at four o'clock in the morning, we could 
have landed at Havre, where, during the visits of the 
custom-house agent, I caught the most charming cold in 
the head possible. 

Now, my dear Monsieur de Villemessant, do you not 
perceive, as I do, that the moment has arrived to relate 
the Odyssey of French tragedy in America? I have 
come from over there with a volume of anecdotes, of 
stories, of gossip. A whole volume, you will see ! I will 



I'UEFACE. V 

confess to you, bosido, that it vvus pnrtly for tlii.s tliut I 
went tboro. I luul no idea of traversing four tliousand 
leagues in a multitudo of countries, each one still more 
fmitastio than the otliers, to abandon myself exclu- 
sively to the tirades of that great Jocrisso, who calls 
himself Hippolytus, and that false merchant of dates, 
named Bajazet ! Oh ! no ! 

(Hero we shall ask permission to insert a httle paren- 
thesis — it is the second, and shall be the last — to confess, " 
in all humility, that these by no means literary surnames, 
granted so cavalierly by us to the two heroes of Racine, 
have not failed to open under our feet an abyss of most 
bitter reproaches. Now that we have made this confes- 
sion, we will risk another — still, in all humility ! — that is, 
that these vituperations have not changed, by one iota, our 
opinion of the personages in question — they arc detestable 
characters, and we will never give it up. The refractory 
Hyppolytus is a contraband savage, who no more resem- 
bles the son of Theseus than that morose Bajazet is like 
the Grand Turk ! Pardicu ! but Ilacine can well afford 
to be guilty uf those two villainous creations, since he has 
given us others so beautiful ! Besides, to applaud indis- 
criminately, is to applaud nothing; and to cry up as 
subhme this " deplorable prince " and his turbaned col- 
league, is to consider as quite ordinary the admirable 
characters of Phedre, Agrippina, Hermione, Clytem- 
nestra — I pass them by, and some even better — to put an 
end to this little parenthesis, which will not finish of 
itself! We continue the letter to Villcmessant.) 



VI PREFACE. 

I have written about everything, observed everything ! 

And I beg you to beheve that I have a terribly long 
account to narrate to you since my letter to Koger do 
Beauvoir — the same that I thank you for having so gra- 
ciously inserted in your Figaro, and which has been 
translated over there in English, Spanish, and probably 
in Mohegan and in Eed-skin. 

Those good Yankees were enraged with me, in the 
United States. One journal considered it very strange 
that I allowed myself to say what I did of a country, the 
only thing of which I did not speak being the language. 
Incredible assurance, you will admit ! As if one were 
obliged to learn Enghsh to have a right to see houses 
burning, and jicople disemboweling each other ! 

To sum up — I am dehghted to have visited North 
America, because it is a duty disposed of, and I shall 
never have to return there, thank God ! 

I am delighted to have seen the Antilles and Florida, 
because they are really splendid and wonderful ! 

I am delighted, finally, and above all, to have come 
back to my good city of Paris, for one may well talk and 
act as if there were only Paris, and there never will be 
any place but Paris. 

So you see that it is scarcely possible to find a man 
more enchanted than I ; yet nevertheless you may put 
the finishing touch to all those delights, by opening the 
columns of the Figaro to the publication of: Rachel and 
the New World. 

I will guarantee that this shall be curious and amus- 



rilEPACE. VII 

ing. This conviction is, porliiips, very pn-tiUilious ; liuf, 
ma Jul ! I have been so f;ir. 

I await your roply and press yonr hand. 
Dcvotodly yours, 

l:6on beauvallet. 

It will be asked, perhaps, in honor of what Saint have 
wo placed tliis letter — written two months ago, on our 
return to France — at the head of this volume. 

It is very easily explained. 

If we had not addressed the said missive to the very 
accomplished editor of the Figaro — (Bah ! let us tell hun 
the bare truth, now tliat we have no further need of 
him!) — it is as plain as daylight that Villemessant would 
not have been able to reply to us : " Your idea suits to a 
T. Work fast! The arms of Figaro are open to receive 
you." 

Without this compliance it would have been quite 
impossible to have published our tour in the afore-men- 
tioned Journal. Eepulsed in that quarter, it is more 
than likely that we should have been prevented from 
carrying elsewhere our "gaiters," as well as our ac- 
counts of the other world. 

The said accounts, not having been published in any 
journal, our friend Cadot could not have thought for an 
instant of republishing them, whatever might have been 
his inclination. And that is why the letter in question, 
finding itself to be the sole and unique cause of this 
book, parades so majestically on the first page. 



Viii PREFACE. 

Several days after its appearance iu the columns of the 
Figaro (Feb. 14tli), H. tie Villemessant — already men- 
tioned — published the following note : 

*' We commence to-day, under the title of Rachel and 
the New World, a great success de curiosite ; to Figaro — 
who first acquainted the public, in all its details, with 
the agreement between Mademoiselle Rachel and her 
brother; — its manager being the first to publish the 
names and the salaries of the artists who compose the 
troupe of M. Raphael ; who first made known the sum 
total of the receipts realized in New York by the Felix 
family ; — to Figaro it belongs to relate the Odyssey of 
which Mademoiselle Rachel has been the Ulysses in 
America. M. Leon Beauvallet, the Hippolytus of the 
tragic muse in her chase for millions in the New World, 
will, at our request, be pleased to give, in seven or eight 
days, a succinct but complete account of this adventurous 
peregrination." 

It must be understood that it is not this meagi-e recital 
that we intend offering you to-day. That would be but 
a poor attraction, and the leaves of this book would run 
great risk of remaining uncut. 

No ! no ! this second edition of our jaunt in America 
has been — we shall not have the presumption to say 
"revised and corrected;" but certainly greatly increased. 
Ah ! we had already threatened you with these numerous 
additions ; bo pleased to remember it, and forgive us for 
the sake of the intention. 

Before closing this preface, observe — I bog, oh ! ye 



I'REPACE. IX 

who read prefacos (which, believe me, is a bad habit,) — 
observe that wo have not availed ourselves, for your 
commeudatioii, of the establisliQd address, " dear read- 
ers," and that for a very natural reason; because wo 
know nothing falser or more illogical than this expres- 
sion. 

" Dear readers," as if it worc^ not to be read except 
by intimate friends ! 

We know, on the contrary, that more than one among 
you will not fail to heap upon this poor book and its 
poor author epithets by no means charitable ; that is 
melancholy, but as we cannot help it, wo shall resign 
ourselves. 

We proscribe, then, unpltyingly, from this volume, 
the two words in question, and we take this occasion to 
do the same with those of "beautiful lady readers," an 
expression as absurd as the other. 

If our lady readers are beautiful, they certainly do not 
need us to tell it them ; if they are not, we shall appear, 
at least, too good to throw in their faces a flattery or an 
impertinence. Two tilings equally useless, that we hato 
as wo hate the plague, and from which wo fly with all the 
rapidity of our pen. 

That aiTanged, wo commence. 



CONTENTS 



Preface . 

Chap. I. 

Chap. II. 
Chap. III. 

Chap. IV. 
Chap. V. 

Chap. VI. 

Chap. VII. 



FIRST PART.— Before Leaving. 
Which may serve for a second Preface, if you 

please 

Which, naturally, treats of Eistori 

In which Mdlle. Eachel decides to go into 

Exile 

In which Millions are spoken of too lightly 
Which is nothing but the Contract of Mdlle, 

Rachel 

In which you read of another Engagement, 

not exactly Mdlle. Rachel's 
Which is only in continuation of the preceding 



PAGB 

iii 



15 



SECOND FART.— From Here, over There. 
Chap. I. In which, on a certain Fi'iday, they leave 

Pai-is 47 

Chap. II. In which we alight among the English . 50 

Chap. III. In which the Felix Enterprise begins well 

enough 53 

Chap. IV. At the end of which Mdlle. Rachel is fined . 56 
Chap. V. In which we play in London for the last time GO 

Chap. VI. In which we make the Acquaintance of the 

Pacific 65 

Chap. VII. How they eat on board G9 

Chap. VIII. In which it is shown that the Dessert is still 

more dismai than the Dinner ... 74 



Xll CONTENTS. 

PAGH 

Chap. IX. In which the Pacific commences her frolics . 77 
Chap. X, In which we chat of the Box and the 

Flageolet 82 

Chap. XI. Too foggy 85 

Chap. XII. The last dinner on board .... 90 
Chap. XIII. . In which the "Marseillaise" appeal's on the 

tapis 94 

Chap. XIV. Land! Land! • 97 

THIRD PART.— The Imperial City. 

Chap. I. Which may give an idea of New York . 103 

Chap. II. In which each one takes Lodgings where he 

can get them 109 

Chap. III. In which we treat of a certain unpleasant 

species of insect 113 

Chap. IV. In which the Million-hunt begins . . . 117 
Chap. V. First night in New York ... .122 

Chap. VI. In which Mdlle. Rachel comes on the scene 

and Jenny Liud also 128 

Chap. VII- In which it is plainly seen that the American 

does not bite well at Tragedy . . . 135 
Chap. VIII. In which there is more talk about the Swedish 

Nightingale 140 

Chap. IX. In which we don't play as much as we would 

like 146 

Chap. X. Which is very far from being a lively one . 151 

Chap. XI. In which there is a good deal said in favor of 

the Eachel Company . . . . . 1 50 
Chap. XII. In which Shop-keepers and Savages are men- 

• tioned IGS 

Chap. XIII. Which is little else than a letter to Roger do 

Beauvoir 175 

Chap. XIV. In which the Million-hunt is furiously con- 
tinued 184 

Chap. XV. Which contains the History of the Marseillaise 

in the United States . • . . .190 

FOURTH PART.— The Modern Athens. 
Chap. I. In which we ^^i a taste of American Railroads 1 99 

Chap. II Which treats of Elections and Squirrels 203 



CONTENTS. Xm 

PAOB 

CfiAi'. Iir. In Avhic'li wo glance at tho Modern Alliens . tJOS 
Chap. IV. In which it is shown that Boston is ft literary 

cily i»12 

Chap. V. In which tho Proas begins to show its teeth . 218 

Chap. VL lu which wo part from Boston on good terms 223 



riFTFI PAET.— Return to New York. 
Chap. I. Jules J.iuin in the United States . . . 227 

Chap. II. In which we scarcely know to what Theatre 

to devote ourselves 2G1 

Chap. III. Adieu to New York 2G8 

Chap. IV. Which is all about Gambling-houses and 

Robbers 272 

Chap. V. In which is to be seen a play of Imagination 276 



SIXTH PART.~TuE Quaker City. 

Chap. I. Killing time in Philadelphia . . . 27'J 

Chap. II. lu which everybody catches a magnificent cold 282 

Chap. III. In which Million-hunting begins to be poor 

sport 286 

Chap. IV. A weU-fed Canard 291 



SEVENTH PART.— Southward. 
Chap. I. In which tho Railroads become more and more 

impossible 295 

Chap. II. In which there is talk about the Son of Louis 

XVI ... 299 

Chap. III. In which may be seen Female Vampires and 

Birds of Prey 306 

Chap. IV. In which you are introduced to a New Saint 309 
Chap. V. In which we einbark for tho West Indies . 313 



EIGHTH PART.— The Queen of the Antilles. 

Chap. I. In which people speak Spanish at every step 319 

Chap. II, In which it is a great deal hotter than in an 

oven 323 

Chap. III. In which the Beds are not so soft as they 

might be 327 



XIV CONTENTS. 

PAGE 

Chap. IV. lu which too many glasses begin to bo taken 33ii 
Chap. V. In which tho Sundays are not like United 

States Sundays 336 

Chap. VI. In which the Felix Enterprise flaps only one 

wing 341 

Chap. VII. La Noche Buena 348 

Chap. VIII. In which the Birds make themselves happy . 352 
Chap. IX. In which everything runs on from bad to 

worse 355 

Chap. X. In which the negroes are not so very un- 
happy, after all 363 

Chap. XI. In which we are up to our necks in Figures 368 
Chap. XII. In which Mdlle. Rachel thinks her Company 

might as well move on .... 375 



NINTH PART.— From There, Here. 

Chap, I. In which wo speak of the Pacijic, and 

naturally, of shipwreclis 

Chap. II. In which we pass by Monsieur Soulouque 

Chap. III. En route for Europe .... 

Chap. IV. Mdlle. Eachel writes in the Papers 

Chap. V. IIow all finishes with a Lawsuit 

Chap. VI. Which suddenly finds itself the last of all 



381 
385 
381) 
393 
396 
402 



AND 

THE NEW WORLD 



lirst |art 

BEFORE LEAVING. 

CHAPTEK I. 

WHICH MAY SERVE FOR A SECOND PREFACE IF YOU PLEASE. 

It would not have been, perhaps, entirely 
unsuitable to have begun this little volume by- 
some biography of Mademoiselle Eachel, and 
by an account, more or less brief, of her previ- 
ous dramatic tours in France, England, Belgium, 
Switzerland, Germany, and the Empire of the 
Czars. 

But all that would have made an endless 

story, and our poor little diable of a volume 

would have become, quite unconsciously, an 

immense folio ! 
. 1 



2 • RAOHEL 

A dangerous transformation ! wliich would 
not have failed to have recalled to everybody the 
famous saying of Perrin Dandin: " Now let us 
go on to the flood?" That is what we did! 
And throwing aside the youth of our great 
tragedienne, all adventurous as it was, not giv- 
ing even a recollection to her numerous ex- 
cursions in old Europe, we returned naturally 
and vigorously to nos moutons of the Figaro^ 
that is to say, to the Odyssey of the tragic 
muse in young America ! 

A prodigious, impossible event, about which 
all the newspapers in the world made it their 
duty to entertain their readers during three 
hundred and sixty-five long days — that is, for one 
whole year ! And the last word is not yet said ! 

Rachel in America ! 

This news astonished at first ; excited after- 
ward! 

Such a whim was not to be believed. One 
could almost pardon all her old escapades, 
and understand that of St. Petersburg and 
Moscow ; but a voyage to the other world ! 
Ah! for a certainty, that exceeded a joke, and 
the public began to grumble in good earnest ! 



AND THE NEW WORLD. 



If it had merely grumbled; but it was not 
contented with that ! 

It was as jealous as a tiger, and wished at 
any price to avenge itself on this ungrateful 
Kachel, whom it loved so much and who again 
betrayed it ! And for whom, grand Dim! — For 
savages ! 

And see the luck of this Othello-Public! 
Scarcely had it spoken, ere the vengeance that 
it demanded with hue and cry, came of itself, 
in the person of a fliir Italian, an unknown, 
who, by chance, plays tragedy, who, by good 
fortune, has taleut, and who fell from the 
clouds one fine morning, quite unexpectedly, 
like the Dcus ex machina of the antique. 



KACHEL 



CHAPTER II. 

WHICH, NATURALLY, TREATS OP RISTORI. 

La RisTORi ! From this moment, to her, to 
her only, the enthusiastic crowd hurled the 
bouquets and the acclamations that the im- 
prudent Rachel had dared to disdain ! La 
Ristori ! — she became " the great speculation 
of Paris during the exhibition!" as Auguste 
Villemot said in one of his charming chats in 
the Figaro. 

La Ristori! — "What is she?" — adds the 
witty chronicler (pardon, my dear Villemot ; I 
rob you like a fellow in the woods). " What is 
she?" — talent, genius, or an accident? Must 
her success be accepted according to its in- 
trinsic value, or must we deduct from it the 
malicious pleasure that seems to be experienced 
in using it as a battering-ram to demolish the 
reputation of Mademoiselle Rachel. She, with 
her disdainful sorties and her triumphal re- 
appearances, finds at last with whom she has 



AND THE NEW WORLD. 



to deal. The hostile critic has now a plan ol' 
operations, and the work of ruin, begun by 
sapping, is effected by an infernal train. The 
synagogue is touched, and the high priest has 
ordered prayers. I sincerely believe that Ma- 
demoiselle Rachel will survive all this; but 
she will learn from it that one must despise 
nothing, not even the public — a libertine who 
dotes on new adventures. " So, either for love 
of herself, or malice toward her rival," la Ristori 
found all Paris at her feet. The "rage," a ca- 
pricious goddess, who, in this country, embraces 
her favorites even to suifocation, put on her 
forehead this star of the elect, whose fame has 
gone forth to the four corners of the globe. 
" La Ristori ! Have you seen la Ristori? Tell 
us of la Ristori !" 

No room for anything else — in prose, in 
verse, in pamphlet, in conversation, in every 
formula of human language, a universal con- 
sent to celebrate the goddess. M. Jules Janin 
wrote about her, inter alias, a very eloquent 
article. Only it seems to me that, in the last 
column of his edifice, he got a little out of 
breath in showing that la Ristori leaves la 



b RACHEL 

Rachel intact and invulnerable. Our Parisian 
public always proceeds unfortunately by the 
means of comparison and exclusion. With the 
assistance of malignity and reaction, there is 
no lack of persons who affirm to-day that Ma- 
demoiselle Rachel has never recited a hemis- 
tich without disgracing it. That recalls a very 
good repartee of Madame de Stael : A man, 
who was aware of her spite against the Em- 
peror, said one day in her presence, thinking 
to flatter her greatly, that Bonaparte had never 
possessed either talent or courage. " Sir," re- 
plied with severity the author of Corinne, 
" you would have a great deal of trouble to 
convince me that Europe prostrated herself for 
fifteen years at the feet of a fool and a pol- 
troon." 

In our turn, it seems to us difficult to admit 
that Mademoiselle Rachel should, for fifteen 
years, have enveloped in a complete mystifi- 
cation the superior intelligences, the press, 
artists, and the liege public, which knows so 
^ well how to defend itself against an attempt 
to impose on it that which is not to its liking. 
For fifteen years Maximes and Araldis have been 



AND THE NEW AYOULD. 7 

thrown at the feet of Mademoiselle Rachel, to 
trip her np. She has passed over these mani- 
kins in her triumphal marcli. To-day the case 
is more serious ; la Kistori holds the lyre with 
seven chords, and of these seven chords of the 
human soul, Rachel has never touched but 
two. That is the state of the question. And 
this gallant Figaro, who is just by nature, says 
beside, in reference to it : 

"We are, in truth, overgrown children; 
after we have amused ourselves for some time 
with a fine toy, if we are given another, we 
immediately forget the first ; and it is fortunate 
if we do not break it by striking it against the 
new one." 

We had a beautiful tragic play-thing, Made- 
moiselle Rachel ; the Italians showed us an- 
other, la Ristori ; crac ! here w^e are, at this 
moment, trying to break Rachel with la Ris- 
tori, as if the domains of theatrical art were 
not vast enough to offer two seats of honor to 
two women of different but equal talent — the 
one in tragedy, the other in the drama. 

The greatest hmt of this age, the paini Du- 
mas, is one of those w^ho threw away, most 



8 RACHEL 

Spitefully, the Rachel toy for the Ristori toy. 
It is true that the Rachel toy has never en- 
tertained him much in his day. Rachel has 
played Saint Ybaret too often, and Dumas not 
often enough ; that is his criterion. 

The other day, then, Dumas, the papa, wit- 
nessed from his box the performance of Marie 
Stuart, and the enthusiast cried, m his de- 
lirium : 

" Bravo ! bravissimo ! that woman is Mars, 
Lecouvreur, Clairon, Duchenois, Georges, Le 
Kain, Talma, Kean, Macready — all, united in 
one single talent 1 Bravo ! bravo !" 

Some one near him murmured, timidly, 
"However, Monsieur Dumas, Mademoiselle 
Rachel—,'^ 

"Eh* Monsieur," replied Dumas, brusquely, 
"to be able to judge correctly of Ristori's 
genius oae must understand Italian profoundly. 
Do you know Italian welU" 

"Yes, Monsieur Dumas, as you know 
French !" 

" Then," said Dumas, with the most ex- 
quisite good-humor, " I said truly, you do not 
know Italian !" 



AND THE NEW WOULD. 



CHAPTER III. 

IN WUICII MADEMOISELLE RACHEL DECIDES TO GO INTO EXILE. 

Seeing this rage, this fury, this nameless 
enthusiasm for the new comer, Mademoiselle 
Kachel, who, all along, has been undecided as 
to the proposition of her brother Raphael, and 
who had found, each day, some new pretext 
for not signing, definitely, the American agree- 
ment, wished now to leave, as soon as possible, 
the insolent country which had had the au- 
dacity to invent another grande tragedienne. 

High authority did its best to keep her ! It 
was trouble thrown away. She paid no atten- 
tion even to her nomination of professor of 
declamation at the Conservatoire, wliich nomi- 
nation appeared at full length in the Monitew 
Univei'sel. 

Go, she would ! 

To eftect that, she consented to everything, 

even to give a series of representations at the 
1* 



10 RACHEL 

Theatre-Frangais (a thing wliicli, until then, she 
had unplacably refused). 

They say, besides, upon this subject (is it true? 
— that is the question), that it was not solely to 
obey the authorities that she deigned to re- 
appear on the French stage, but, partly, to 
prove to her old courtiers that if they had 
changed she had not ! 

And, in fact, she had several truly splendid 
nights, and, as a queen still, she left lier palace 
in the rue Richelieu. 

For a performance of Phedre, it is said (is 
it a false rumor?) that she sent a box to her 
triumphant rival, with a charming letter. 

Myrrha hastened to accept both the letter 
and the boX; and did not wait to be begged to 
applaud. 

Ah!" said she, envyingly, "how happy is 
Kachel ! The French understand her !" 

Yes, the French do understand her ; but she 
now prefers to them the Americans who, as- 
suredly, never will understand her ! 

However, if Kachel had not thought of go- 
ing to the United States, la Ristori would have 
met, perhaps, in France the fate of Macready 



AND THE NEW WORLD. 11 

and so many others ; and if this same Ristori 
had not been welcomed here as she was, it was 
also probable that Rachel would never have 
hazarded her life to go to America in search of 
imaginary millions, of which she was not in 
need. 

That is so true, that before the appearance 
of the new tragic star, there w^as, on the part 
of Mademoiselle Rachel, perpetual hesitancy. 

Every moment, Raphael Felix, sole director 
of the transatlantic enterprise, believed that all 
Lad gone to the bottom. 

The great tragedienne had around her many 
persons who did their best to keep her in her 
own good France ; she, on her part, did not 
paint this distant pilgrimage in colors so com- 
pletely rose-hued as to induce her to consent 
till the very latest moment. At last, wearied 
of the incessant attacks of the press, vexed with 
the whole world and herself, a little fascinated 
(and that explains itself!) by the promises, as 
splendid as improbable, held out to her by 
America through her brother, she pronounced 
the YES, so impatiently awaited. 



12 RACHEL 




CHAPTER IV. 

IN WHICH MILLIONS ARE SPOKEN OF TOO LIGHTLY. 

The day after the signing of the agree- 
ment, the following appeared in the Figaro : 

There is no longer any opposition to the 
dramatic excursion of Mademoiselle Rachel to 
America ; the day of her departure is fixed, 
and the bold young Raphael Felix, director of 
the conges of his sister, has foreseen and ar- 
ranged everything for the approaching cam- 
paign. 

Under the title of iMits documents for the 
artistic history of our epoch, we publish the 
authentic engagement which Mademoiselle 
Rachel has contracted with her brother and 
director. 

Here is, first, a list of the troupe and the 
budget : 

Francs. 
1st. Mademoiselle Rachel for the whole cam- 
paign, 1,200;000 

Four performances, with benefits guaran- 
teed, ... - - 80,000 



AND THE NEW WORLD. 13 

Franca, 

Hotel expenses, per month, - - 5,000 
2utl. Mademoisollo SuruU Felix, for all the 

campaign, - . . - C0,000 

3i'il. Mademoiselle Lia Felix, do., - - 00,000 

4th. j\radomoiselle Dinah Felix, do., - - 00,000 

5th. iSrademoiselle Briard, first coufulente, - 12,000 

Gth. ]\[ademoisolle Diirrey do., - 12,000 

7th. Madame Latouche, second confidente, - 9,000 

8th. Three fcmmcs-dc-ckamhre, - - 0,000 

9th. M-.'RdiwAoviX, jeune premier role, - 30,000 

10th. M. Cheri aine, premier role, - - 30,000 

11th. M. Latouche, pcre noble, - - 30,000 

Vlih. lsl.l^o\iT>Qixw.yd\\Qt,jeime premier, - 20,000 

13th. M. Dieudoune, amoureux, - - 12,000 

14th. M. Cheri jeune, ^ms/eme role, - - 12,000 

15th. Manager, M. Bellevaut. - - - 15,000 

16th. Administrator, M. Gustave IS'aquet, - 12,000 

17th. Cashier, M. Lemaitre, - - - 15,000 

18th. Prompter, M. Pelletier, - - - 0,000 

19th. Three male servants, - - - 

20th. Hotel expenses for the family, - - 30,000 

21st. Traveling expenses of the company for 

the year, - - - - 170,000 
22nd. Rent of the different tlieatres in the 
United States, and outlays for each per- 
formance, ... - 459,000 
23rd. Unforeseen expenses, ... 100,000 
24tli. Hotel expenses during the month of 

August, .... 10,000 
25th. Indemnity during the closing of the 
theatres in June, July, and August, 

1850, - - - - . 25,000 

2eth. Costumes, .... 15,000 

27th. Transportation of luggage, - - 8,000 

28th. Installation of bureaux in New York. - 7,000 



14 EACHEL 

Francs, 
29th. Preparatory travelling expenses of the 

dh-ector, . - - . 42,000 

General expenses of the enterprise, 

Total, - - Fr. 2,554,600 

The expenses of this enterprise are, as may- 
be seen, considerable ; but the profits will be, 
we doubt not, immense (we shall see at the 
end of this volume if the profits have been so 
remarkable). The motive of our great trage- 
dienne, in undertaking this fatiguing voyage, is 
not so much to increase her own fortune, as to 
enrich her whole family before leaving the stage. 
May this good act result in happiness to her- 
self and all her companions ! (Alas !) 

The Company will take its departure the 
11th of August, on board the steamer Facijic, 
from Liverpool. 

Before embarking for America, Mademoiselle 
Kachel will take leave of the English public in 
London ; — she will play there four times, and 
will realize by her performances 5000 fr. — ex- 
clusive of expenses. 



AND THE NEW WORLD. 15 



CHAPTER V. 

WHICH IS NOTHING BUT THE CONTRACT OF MADEMOI- 
SELLE RACHEL. 

Between the undersigned : 

Mademoiselle Rachel Felix, dramatic artist, 
residing in Paris, No. 4 rue de Trudon^ on the 
one part ; and Monsieur Felix Raphael, residing 
in Paris, No. 3 Cite Trtvise, on the other ; 
The foUowmg is agreed upon : 

1st. Mademoiselle Rachel Felix will give on 
account of M. Felix Raphael, two hundred repx- 
seiitatlons — tragedy, drama, and comedy — the 
said representations, as nearly as possible, to be 
concluded in the space of fifteen months, from 
the day of the first representation, which is 
now fixed for the first of next September ; in 
that case, the expiration of the present con- 
tract shall take place on the thirtieth of No- 
vember, eighteen hundred and fifty-six. The 
representations above mentioned to be given, at 
the option of M. Felix Raphael, in the territory 



16 KACHEL 

of the United States, or North and South 
America, or at Havana. 

2d. Mademoiselle can refuse to remain in "the 
South" of America if the sanitary condition of 
the country, into which M. Felix Raphael would 
wish to take his company, should be of a na- 
ture to affect the health of Mademoiselle Ra- 
chel, who reserves to herself the exclusive 
right of not going to New Orleans, Havana, 
or Mexico until the fevers shall have disap- 
peared. 

3d. Mademoiselle Rachel will have the right 
to fix the number of representations she will 
give per month, and that according to the fol- 
lowing table. 

This table indicates the minimum of the 
nights that M. Felix has engaged to give to the 
various directors with whom he has an under- 
standing, as also the maximum of the repre- 
sentations that he has a right to giye ; in case 
Mademoiselle Rachel should prefer the maxi- 
mum, she must each month apprise M. Raphael 
Felix of it, in order that he may make the 
necessary arrangements to insure himself of 
the houses. 



AND THE NEW WOULD. 17 

Sept. 1855, 17 rcpn's, or 21 at the option of Mile. Uaclicl. 



Oct. '' 


18 


" 


23 


Nov. " 


16 


a 


20 


Dec. " 


12 


n 


15 


Jan. 185G, 


, 14 


u 


17 


Feb. " 


IG 


li 


20 


March " 


18 


a 


22 


April " 


12 


" 


15 


May " 


14 


u 


17 


Total : 


137 


Total : 


170 



4th. Mademoiselle Rachel has a vacation of 
three months, during which M. Felix has agreed 
to postpone the representations — these months 
to be June, July, and August, 1856. 

5th. Mademoiselle Eachel can obtain the can- 
celling of the present contract on the 30th day 
of May, 1856, by forewarning M. Felix Raphael 
one month in advance ; but it is specified that 
this rupture shall not be legal unless Mademoi- 
selle Rachel will return to France, with the ex- 
press condition of playing no more in America, 
nor in any foreign country, until she has given 
to M. Felix Raphael the integral number of 
representations stipulated in the present con- 
tract ; she will be permitted to pliiy only in 
Paris at the Comedic-Frangaise. 

5th {again). Mademoiselle Rachel can com- 



18 RACHEL 

pel the rupture of this contract by paying to 
M. Raphael Felix the sum of three hundred 
thousand francs^ on the score of damages and inter- 
est ; besides, she will pay to M. Felix Raphael 
the sum o? five thousand francs for each repre- 
sentation which yet remains to complete the 
number of two hundred 7iights, On these condi- 
tions alone can Mademoiselle Rachel regain her 
entire liberty. 

6th. Mademoiselle Rachel gives to M. Felix 
Raphael the right of selecting the pieces w^hich 
shall constitute the repertory for America. 

7th. Mademoiselle Rachel will leave Paris 
daring the last week of July or the first days 
of August, at the option of M. Raphael Felix. 

Sth. With respect to the engagements above 
mentioned, the said M. Raphael Felix agrees to 
furnish the said Mademoiselle Rachel Felix with 
two femmes-de-chambre ; to pay the traveling 
expenses of herself and suite, for the passage 
from Europe to America, as well as the succes- 
sive removals which may take place in the 
United States, in North or South America, or 
to take them to Havana. 

9th. M. Felix Raphael agrees to defray all 



AND THE NEW "WOULD. 19 

the expenses of IMadeinoisclli^ Kacliel and suite; 
these expenses comprising those of hotel, table, 
and lodging, during the engagement, and the 
salaries of her femmes-de-chambre at the rate 
of one hundred and fift}^ fi'ancs per month ; a 
carriage to be placed at the disposal of Made- 
moiselle Rachel in all the cities where repre- 
sentations are given, the horses and the attend- 
ants necessary for this service to be equally at 
the expense of M. Raphael Felix. 

Mademoiselle Rachel may, if she please, take 
upon herself all the expenses specified in article 
9, receiving from M. Felix Raphael the sum of 
five thousand francs per month in exchange for 
the obligation assumed by the said Felix Ra- 
phael to be responsible for the expenses above- 
mentioned. 

- 10th. Mademoiselle Rachel shall receive six 
thousand francs for each representation, or 
twelve hundred thousand francs for the two 
hundred nights. She will have the right, be- 
side, to four extra representations, which will 
be for her benefit, the expenses — the rent of 
the house, the lights, and persons employed — 
to be reimbursed by her to M. Raphael Felix ; 



20 RACHEL 

she shall have the privilege of giving up these 
four representations to M. Raphael Felix, who 
engages also to buy them from her at the price 
of eighty thousand francs for the four. In case 
Mademoiselle Rachel should not wish to sell 
them, she wdll have the right to choose four 
cities, to give one of her benefits in each one 
of them, and at whatever time she pleases ; she 
must give notice a fortnight in advance, each 
time that she wishes a benefit night. Each 
benefit will consist of a new play, to be selected 
by Mademoiselle Rachel. 

11th. The said Felix Raphael binds himself 
to furnish the said Rachel Felix with all the 
guaranties and satisfactory bonds necessary to 
insure to her the payments above-mentioned ; 
after the twentieth representation. Mademoi- 
selle Rachel shall have received the sum of 
three hundred thoumnd francs^ as payment for the 
first twenty nights ; the rest in advance. 
From the twenty-first representation, Made- 
moiselle Rachel will deduct from each receipt 
the sum of six thousand francs, being the 
amount of her share. These six thousand 
francs to be each time remitted to her before 



AND THE NEW WOKLD. 21 

the commencement of the play, and that to 
continue until the entire payment of the 
twelve hundred thousand francs. 

12th. Should M. Felix Raphael neglect to 
make the above mentioned payments to the 
said Rachel Felix, she will have the right to 
refuse to play till M. Raphael Felix shall be 
able to pay according to the terms of the 
present contract. 

13th. In case of the indisposition or illness 
of Mademoiselle Rachel, the latter being suffi- 
cient to impede the series of representations 
she engages to refund, after deducting what 
would be due her for service performed, the 
sums she might have received in advance ; 
Mademoiselle Rachel engages, besides, to re- 
pay, at the expiration of the present contract, 
for the time which had been necessary for her 
recovery; Mademoiselle Rachel to be entitled 
to the advances returned by her, on the day 
she shall recommence her performances. 

14th. It is stipulated, furthermore, that 
Mademoiselle Rachel divide equally with M. 
Raphael Felix any sum exceeding four millions 
six hundred and twelve thousand, four hundred 



22 RACHEL 

francs of receipts, which are to be appropriated 
as much to the general expenses of the said en- 
terprise as for the benefit of M. Raphael Felix. 

15th. Mademoiselle Rachel affirms that she 
has acquainted herself with the general ex- 
penses, she has shown her approval by placing 
her signature by the side of the total. It is stipu- 
lated, that M. Raphael Felix shall add a ballet 
divertissement, the expenses of which are in- 
cluded in the sum, four millions six hundred 
thousand four hundred francs. 

16th. It is agreed between the contracting 
parties, that the said Rachel Felix shall be free 
to play, any time she may judge it convenient, 
for benevolent or Christian objects, either in 
representations, matinees, or concerts, but that 
only for the benefit of the poor. It is well 
understood, that these representations, mati- 
nees, or concerts, are to be exclusive of the 
representations belonging to M. Felix Raphael, 
and that Mademoiselle Rachel cannot demand 
any indemnity. Mademoiselle Rachel binds 
herself to enter into suitable arrangements with 
the said M. Raphael F^lix, in order that these 
said benevolent representations, concerts, or 



AND THE NEW WUKLI). 23 

matinees, may not injure the contemplated 
representations of M. Rapbaul Felix, with 
whom the said Rachel Felix will be always 
bound to concert, as to the localities and the 
hours when the said benevolent representations 
shall take place — for the poor, or the various 
institutions of the United States. M. Raphael 
to have nothing to pay, nor to furnish for them, 
with the exception of artists from his company 
— which latter may be demanded of him. 

17th. The said Rachel Felix binds herself to 
play on no one's account, during the engage- 
ment concluded by her with the said Raphael 
Felix for two hundred performances, with the 
exception of charitable objects, such as those 
above-mentioned. 

18th. Mademoiselle Rachel will travel, as 
said in the present contract, at the expense of 
Felix Raphael, in the most comfortable manner 
possible, and she will have a right on all rail- 
roads and steam-boats to the hrst-class accom- 
modations. 

Approved., the above document^ and the oilier part. 

Eaphael Felix. 
The above document approved, and the other part. 

Rachel Felix. 



24 RACHEL 



CHAPTER yi. 

IN WHICH YOU READ OP ANOTHER ENGAGEMENT, NOT EXACTLY 
MADEMOISELLE RACHEL's. 

Since we give you, at full length, the con- 
tract of Mademoiselle Rachel, I do not know 
why we should not also put before your eyes 
a model contract for a simple stock actor. 
(N. B. — Com]3ared to Mademoiselle Rachel, 
everybody is a plain stock actor.) 

I have often seen contracts of dramatic art- 
ists — I have seen some very strange ones ; but, 
I can certify, that never, never have I found 
anything so monstrous, as the one you are 
about to read. 

If they were concluding a treaty with a con- 
vict going to the bagnio, they could not make 
the terms more bindins: 

One thing I do declare, and that is, that 
Raphael never dreamed of carrying out any 
one of the articles which he took so much 



AND THE NEW WORLD. 25 

pains to draw up, and have printed in such a 
magnificent deed. 

He knew perfectly well, that, in presence of 
the law, the whole thing would tumble to 
pieces, like a card-toy. The company knew 
it, as well as he did, and that is why they 
signed the diabolical compact. But it was all 
the same; one always does wrong in signing 
such bargains. You shall judge, by-and-by. 

The reader is informed that the parenthesis 
makes no part of the treaty. 

THEATEICAL ENGAGEMENT. 

Between M. Raphael Felix, on the one part, 

residing at Paris, 3 Cite Trevize, and M. , 

dramatic artist — free of every engagement 
which might interrupt the present one — on the 
other : 

It is agreed, and reciprocally accepted, as 
follows : 

M. declares himself /ree of every engage- 
ment (Bis reiMita 'placent), and agrees to play all 
the roles which shall- be set down to him, of 
whatever importance, whether tragedy, melo- 
drama, comedy, or vaudeville, in chief or subor- 



26 KACHEL 

dinate part, at the pleasure of the management, 
and according to the following conditions : 

He shall employ his talents only in those 
theatres which shall be designated by the 
director. 

He engages to accompany, in France or 
abroad, the troupe directed by M. Kaphael 
Felix ; and, to this effect, he cannot claim 
indemnity for removals, nor shall he have other 
than the right of transport for himself and his 
baggage to the place which shall be designated 
by the management : the weight of his baggage 
not to exceed one hundred and fifty kilos, any 
excess to be at his own charge. 

He agrees to conform to all the regulations 
already made, or to be made hereafter (" To he 
made hereafter /" What do you think of that ?), 
and to recognize the authority of persons named 
by the director, to represent him in his ab- 
sence. 

He puts himself at the disposition of the man- 
agement from the day of the signing of the pre- 
sent act, whether it be to rehearse or play the 
pieces in the repertory of Mademoiselle Ra- 
chel ; or to apply himself immediately to the 



AND THE NEW WORLD. 27 

study of parts wliicli sball be assigned to him. 
Ill case of his playing with Mademoiselle 
Rachel before the date fixed for departure, the 
actor shall have no right of indemnity ; his 
traveling and hotel expenses only will be de- 
frayed by the management. Whatever represent- 
ation may be given before sailing will be considered 
as GENERAL KEHEARSALs, and Consequently in- 
dispensable to aid in getting up the repertory, 
ivhich ought to be ready before the dejiarture from 
Faris. Wherefore the artist must be as punc- 
tual in attendance on the rehearsals and repre- 
sentations which may precede the departure of 
the Company as during the engagement, on 
penalty of fines to be deducted from his month's 
salary thereafter. (Not to touch the salary, but 
to pay the fines — there's coquetry for you !) 

Absence from three rehearsals, by M. 's 

fault, will justify M. Raphael in cancelling the 
present agreement. 

The artist agrees not to absent himself nor 
to lodge out of town without authority from 
the director ; and in this case he will indicate 
the place where he can be found, in case he 
should be wanted ; he must be present every 



28 RACHEL 

day at the theatre at the beginning of the per- 
formance (an occupation full of charms !) ready- 
to play oiF-hand parts in which he shall have 
appeared already, as often as may be required 
of him by the management, which by no means 
implies that the latter will defray the cost of 
playbooks, nor the franking of passes, which 
must be done according to rule, under the pen- 
alty of a fine of one hundred francs. (Why 
not a thousand francs ?) 

He engages to play every day, and in case of 
necessity twice a day, (at the same time, per- 
haps !) whether at Court, (Court in America ! 
What Court ?) at the theatre, in a matinee, or 
even in a concert, without the right to claim 
any compensation (Naturally !). 

He engages, moreover, to appear in all accom- 
modation parts which may be required of him, 
and even as a supernumerary, under penalty of 
a hundred francs forfeit for each refusal (Well ! 
that is not dear). 

He will be ready to play in all the parts which 
shall have been assigned to him and in which 
he shall have appeared before his departure. 

The artist must provide all his own costumes 



AND THE NEW WORLD. 20 

of whatever nature, the management acknow- 
ledging no obligation on its part to comply with 
the usages hitherto in force ; the costumes of 
the artist must be new and always appropriate, 
according to the part personated by him, they 
must conform to those of the Thuatre-Frangais 
at Paris. 

From the signing of the present engagement, 
the artist shall commit the parts which may be 
assigned to him at the rate of thirty- j5ve lines a 
day (thirty-five lines ! not one more, not one 
less !) and shall rehearse as- often as the man- 
agement may judge necessary. He will hand 
in, conjointly with the signing of the present 
engagement, the list of parts he already knows 
in the repertory of Mademoiselle Rachel, indi- 
cating also those which he can add between 
morning and evening. 

If M. suspends or interrupts his duties 

for any cause whatever, and especially on ac- 
count of sickness, the director shall have the 
right to withhold his salary for each day of such 
default, with option of final rupture of engage- 
ment, should the illness exceed ten days. 
(Not only have you the discomfort of being 



30 RACHEL 

ill, but you can no longer touch a sou of your 
pay. (That is perfect !) 

Illness resulting from misconduct, shall can- 
cel the right of engagement. (That is good !) 
Every artist whom a preliminary certificate 
does not designate as ill, shall, from the omis- 
sion of this formality, be considered on hand for 
that day's duty, and the director may place his 
name on the bills without special notice. 

In case of disputes or difficulties which may 
be submitted, at the option of the director, 
either to civil or commercial suit, or to legal 
arbitration, neither the public representations 
nor the rehearsals shall suffer by delay of judg- 
ment ; and, provisionally, M. engages 

to satisfy the demands of the engagement, or, 
in default of so doing, to pay for each refusal 
the indemnity fixed by the regulations. 

M. Raphael knows neither reimbursement 
nor assignment. 

On the arrival of the troupe at the cities 
wherein Mademoiselle Rachel will perform, 
the management will be under no other obliga- 
tion than to transport all the baggage to the 
theatre. M. will undertake that (that 



AND THE NEW WORLD. 31 

what?) of having his trunks removed to his 
hoteh 

The management engages to transport only- 
two trunks, conformable to a model furnished 
to each artist, (of the eighty trunks in the com- 
pany, it is well know^n that there were not two 
alike!) the latter being under obligation to 
put his name on each of them by means of a 
small copper plate. 

These conditions being accepted and respect- 
ed between us, I, Eaphael Felix, engage to pay 

to M. the sum of dollars, valued at 

five francs, twenty-live centimes, to the dollar. 

These payments to be made five days after 
the expiration of each month. 

On the fifteenth of next, an advance of 

will be made to the artist which shall be 

retained by sixths, counting from the first pay- 
ment, which is fixed for one month and five 
days after the first performance of Mademoiselle 
Kachel. The duration of the present engage- 
ment will be nine months in America or other 
states. These months will be : September, Oc- 
tober, November, December, 1S55 ; January, 
February, March, April and May, 185 G. Dur- 



32 RACHEL 

ing the month of August, 1855, which is allowed 
jor the voyage, (counting from the 30th of July, 
when Mademoiselle Rachel's appearances began 
in London,) the artist shall not receive appropria- 
tions from M. Raphael Felix for the payment 
of hotel and lodging expenses. The present 
engagement to be in force from the embarka- 
tion, on the first of August, 1855, (just now the 
enffasrement did not commence until the first of 
September, now it begins on the first of August 
— a traveling notion !) until the 31st of May, 
1856. 

Should the management deem it necessary to 
prolong this engagement, it reserves to itself 
the right of doing so, and that from a fortnight 
to a year ; in that case, the artist would be no- 
tified fifteen days in advance. Should the en- 
gagement be extended by the month, the con- 
ditions will remain the same as above ; if, on 
the contrary, the extension is by the fortnight, 
M. Raphael Felix will pay the artist by the day 
at the monthly rate. 

Should there be a prolongation of the engage- 
ment, the artist agrees to remain in America 
during June, July and August, 1856, without 



AND THE NEW WORLD. 33 

pay, the management reserving to itself the 
right to suspend operations; during the said 
three months, M. Raphael F^lix engages to 
defray the hotel and lodging expenses of the 
artist at the rate of ten francs a day. It is 
stipulated that the artist can never leave 
America, nor even the city in which the com- 
pany is residing, without written permission. 

The immediate rupture of this engagement 
will be the consequence of any outrage, by 
word or act, offered to the persons placed at 
the head of an important enterprise ; and this 
will be at the pleasure of M. Raphael Fehx. 
(I like that. Why beat, just for nothing at all, 
a person at the head of an important enter- 
prise ?) 

As the artist will not be subject to any pub- 
lic debut, the management reserves to itself the 
right, during the rehearsals at Paris, of closing 
said engagement, should it judge that the tal- 
ents of the artist are not desirable for this kind 
of business; the management will also have the 
right of cancelling said engagement, if between 
this and the 30th of July next it should find it 
impossible, on account of circumstances, to con- 



34 RACHEL 

elude all the negotiations with the different 
theatres with which it is placed in relation; 
after that time, the artist may consider himself 
definitively engaged. 

In case of war or public calamity, the burn- 
ing of a theatre or illness — whether of Made- 
moiselle Rachel or of some other artist — certified 
by two physicians, all pay is to cease by legal 
right (that's precise !). Said engagement will 
also be cancelable if, in consequence of had 
business, the management should find itself un- 
der the absolute necessity of relinquishing the 
enterprise, and in that case the artist could de- 
mand no indemnity ; he would be entitled merely 
to the expenses of the voyage to Paris. If the 
month has begun, the artist cannot draw his 
pay, except in proportion for the days that have 
elapsed. (This is always business-like.) The 
management would owe nothing from the day 
on which it should find itself under the neces- 
sity of cutting short the representations. 

The artist engages to go to sea as often as 
may be required of him by the management, 
without power to recover any kind of indem- 
nity on that account. (This clause is hard, but 



AND THE NKW WOULD. 35 

logical. For, ader all, since one engages to go 
to America, one cannot oblige the director to 
take bini there in a post-chaise or a wagon — 
that will come one clay, but not yet!) 

The present engagement shall be regarded 
as cancelled, should the representations be 
interrupted by a command from a higher 
quarter. 

The artist shall give in his name every time 
that it may please M. Raphael Felix to 
announce a representation, w^ithout which the 
artist can claim no compensation or indemnity 
whatsoever. 

The present engagement, once signed, can- 
not be cancelled, save by paying to the man- 
agement the sum of , (the forfeitures 

range from 25,000 to 80,000 francs — sums 
equally absurd !) payable by the artist in all 
lands and under all sorts of jurisdictions, even in 
foreign countries, so that neither marriage nor 
the death of his nearest friends (that is what one 
would call providing for everything!), an order 
for debut or enlistment at the National theatres 
of Paris — or, finally, so that, under no pretext 
whatsoever, can the artist shelter himself to 



36 RACHEL 

escape payment of the said sum, the manage- 
ment desiring that this contract should have 
all the force of one drawn up before a notary, 
in respect of charges, damages, and interest. 
Ouf!!! 



AND THE NEW WORLD. 37 



CHAPTER VII. 

-SVTIICH IS ONLY IN CONTINUATION OF THE PRECEDING. 

And to say that all you have been reading is 
nothing to the regulations which complete the 
thing. 

Yes, there are still the " regulations." You 
might pass them by ; but, bah ! why so, while 
you are in the way of them? And, besides, 
they are well worth the trouble with which 
they were concocted. 

''Hear, people — Hear, everybody!" 

REGULATIONS. 

Article I. — No artist shall absent himself 
from the place wherein the company is residing, 
without informing the management, and indi- 
cating the place where he can be found in case 
of accident or change of spectacle. 

Art. II. — The artist who, at the representa- 



38 RACHEL 

tion, shall keep the play waiting at the precise 
time for the rising of the curtain, shall pay a 
fine of ten per cent, on his monthly salary ; 
should this delay continue more than a quarter 
of an hour, the fine shall be doubled for every 
quarter of an hour additional. 

AuT. III. — The artist who shall fail to make 
his entree at a performance, shall pay ten per 
cent, of his monthly salary ; if he should miss 
a whole scene, thirty per cent.; if he should 
fail of an entire performance, he will be fined 
the whole receipts, at the highest possible 
valuation. (In America the largest receipts of 
Jenny Lind were 93,000 francs. Probably this 
is the sum which the delinquent would have 
to fork out. How would he do, that earns but 
500 francs a month? — Answer, if you please.) 
The artist who shall attend the general rehearsal 
without knowing his part, shall be subject to 
a fine of five dollars. The fine to be doubled 
at a performance. 

Art. IV. — The artist who, by his own fault, 
shall retard the representation of a piece an- 
nounced for a fixed day, shall pay thirty-six 
per cent, of his monthly salary. 



A.ND THE NEW WOULD. 39 

Art. v. — The artist wlio, b}' his own fault, 
shall retard the representation of a piece already- 
played, shall pay one month's salary, tlie excuse 
that he had a part to refresh not being admis- 
sible. (What memories they must have in 
America.) 

To refuse a role, called for in accordance 
with the provisions of the engagement, will 
involve a fine of tv^o months' salary, unless, 
however, the management should think proper 
to exact heavier damages. (If I were the 
management, I am sure I should exact fifty 
thousand livres in stock and a calash with two 
horses.) 

Before an appearance, any artist who is be- 
hindhand in that part of his duty shall be 
marked as though he had failed in his role. 
The artist who, on the stage, shall excuse him- 
self from singing in the choruses, shall pay ten 
dollars fine. (What choruses ?) 

Art. VI. — No piece which has once been 
played can be refused in the repertory of the 
week ; and all those performed within three 
months may be called for between morning 
and evening, under penalty of a fine of twenty 



40 EACHEL 

per cent, of the monthly salary of the delin- 
quent artist. 

Art. VII. — Cases of indisposition, which 
shall necessitate a suspension of duty and a 
change of performance, shall involve an obliga- 
tion to notify the management immediately, 
who shall require the illness to be verified, if 
necessary, and the artist to remain at home, to 
show himself neither at the theatre nor else- 
where, on the day of such change of pro- 
gramme, on pain of such fine as it may please 
the management to impose. (That may go a 
great way.) 

Art. VIII. — Every artist who shall suspend 
duty on account of indisposition, and who, 
nevertheless, shall absent himself indiscreetly, 
either at excursion parties or suppers, or to get 
pupils in town, shall be subject to a retention 
equal to five times the amount of his salary, for 
as many days as he shall have ^passed off duty. 

Art. IX. — Every indisposition, the feigning 
of which shall be proved by physicians, shall 
authorize a rupture of the engagement, and all 
damages and interest which the management 
may choose to demand. (That is too fair !) 



AND THE NEW WORLD. 41 

Art. X. — The rehearsal shall commence 
precisely at the hour appointed. 

The artist who shall fail to answer his cue, 
shall pay fifty cents (50 soiis) ; for a quarter of 
an hour, one dollar — and so doubling every 
quarter of an hour until the amount has reached 
ten dollars. 

The artist who shall quit a rehearsal before 
it is finished shall pay the same fine as if he 
had been absent entirely. (Then better stay 
away altogether !) 

If the artist is absent at the moment of his 
cue being called, although he may have already 
appeared, he shall be subject to a fine of one 
dollar, and so on, doubling every quarter of an 
hour, until the amount has reached six dollars. 

The actor who shall make it necessary to 
call him to his cue shall pay, at the third call 
of the prompter, twenty-five cents {25 sous) 
fine. 

Art. XI. — The general rehearsals shall be 
conducted with the same care as the represent- 
ations. At the moment of rehearsing, those 
persons who shall speak on the stage, or shall 
remain, having no business there, shall pay 



42 RACHEL 

fifty cents each time that the stage manager 
shall request them to be silent or go away. 
Moreover, no one shall sew, nor do any other 
sort of work with the needle or otherwise, 
while rehearsal is going on, under penalty of a 
fine of five dollars. 

Art. XII. — The artist who, missing the hour 
of rehearsal, shall refuse to come to the theatre 
when some one is sent to look for him, shall 
pay a fine of ten dollars, if he has not informed 
the management since eight o'clock in the 
morning of indisposition, which compels him 
to remain at home — the ten dollars not preju- 
dicing the fine for rehearsal. (Oh, no !) 

Art. XIII. — The artist who, having at his 
lodgings a book of the play, shall neglect to 
send it to the doorkeeper at the theatre, one 
hour before rehearsal, shall pay a fine of ten 
dollars. For a public performance the fine 
shall be doubled. (This article I never could 
understand — all the artists have play-books at 
their houses.) 

Art. XIV. — The most profound silence must 
be observed at the theatre after the perform- 
ance has begun. 



AND THE NEW WORLD. 43 

. The artist who, in the wings, shall speak so 
loud as to be heard on the stage, shall pay ten 
dollars fine, and the penalty shall be doubled 
with each injunction of the stage-manager to 
preserve silence. 

The artist who, while on the stage, whether 
in the chorus (but what chorus, I say?), or 
in a simple appearance, shall talk or laugh 
in a serious scene, shall pay a fine of ten dol- 
lars. 

Art. XV. — Each artist may have at the 
theatre one servant, but these servants cannot 
remain in the wings during the performance ; 
their place is in the top dressing-room of their 
masters, and they cannot quit it, nor show 
themselves, without exposing their masters to a 
fine of one dollar each time that they are to 
blame. (This may be very dear to the ladies, 
on account of some slight relations their filles- 
de-chambre are supposed to have with the 
foreman.) 

Art. XVI. — A table w^ill be placed in the 
green-room, on which will be announced the 
work of the day. 

Art. XVII. — All discussion foreign to the 



44 RACHEL 

business of the theatre is interdicted. Who- 
ever shall violate this article shall be fined 
twenty dollars. 

Art. XVIII. — The costume-department be- 
ing established only for the benefit of the 
chorus and figurantes, is not at the disposition 
of artists, who cannot draw from it a costume 
for any role whatever, the management not 
recognizing property dresses under any circum- 
stances, even for accommodation roles. (Be ye, 
therefore, accommodating !) 

Art. XIX. — In any case, when a rehearsal, 
from whatever reason, does not begin at the 
hour appointed, the artist must attend ; who- 
ever shall quit the theatre shall pay one dol- 
lar for a quarter of an hour, and so doubling 
for such quarter of an hour, until the amount 
is ten dollars. 

The clock of the theatre shall be the only 
regulator of business. (In all the theatres 
where we played, either the clock was in a 
state of complete immobility, or, generally, 
there was no clock at all.) 

Art. XX. — The artist cannot make preten- 
sions to any particular role for a debut, the 



AND TUE NEW WORLD. 45 

management reserving to itself the right to 
assign tlicso at its own pleasure. 

Art. XXI. — Every indisposition v^liicli shall 
last longer than ten days, shall involve a sus- 
pension of salary until the arti.st has returned 
to his duty. (That's the old story!) 

Art. XXII. — It is expressly agreed between 
the undersigned, that the director has the right 
to cancel at pleasure the engagement of every 
artist who shall impede the business of the 
repertory by bad conduct, or who shall disturb 
order and tranquillity by quarrelling and mis- 
chief-making among his comrades. The same 
is provided for eveiy case of chronic disease, 
or improper proceeding ; nor can the actor pre- 
tend to the least indemnity. 

Done in good faith, and signed with full 
knowledge, after having accepted the terms 
of the present engagement. 

The present act has full force and value, as 
one executed before a notary. 



It is very evident that, as a document, this 



46 RACHEL 

engagement deserves, on all accounts, to have 
a place in this work- 
But, I repeat it, Raphael never meant it seri- 
ously ; on the contrary, I am happy to be able 
to say that never (at least in America) did he 
take from artists a single sou in fines. More 
than that — one of his ladies having angrily 
interrupted business for several v^eeks, she, 
with his consent, continued to draw her salary 
without deduction, just as if she had played. 

Wherefore, then, somebody asks, all this long 
string of Blue-Beard articles and clauses ? 

Mon Dieu ! The story will do to laugh at a 
little. Life is so very dull I 



AND THE NEW WORLD. 47 



^^0nlr fart* 

FROM IlETiE, OVER THERE. 



CHAPT.ER I. 

IN WinCH, ON A CERTAIN FRIDAY, THEY LEAVE PARIS. 

On the 27tli of July, 1855, although scarcely 
eight o'clock in the morning, the station of the 
Northern Railroad was already filled with a 
curious crowd. Ah ! bless me ! Rachel does 
not leave for America every day ; and as it is 
this morning that she starts on this long voy- 
age, they are not sorry to witness a spectacle 
which they suppose, with good reason, will 
not be re-enacted very soon again. 

All the artists of the company are punctu- 
ally at the place named by the director. 

The families, friends, and acquaintances of 
the travellers press them to their breasts and 



48 RACHEL 

overwhelm them with protestations, good 
wishes, and tears. A scene so touching as to 
move even the commissioners and gens d' amies. 

Kaphael Felix, alone, appeared perfectly- 
happy. With satchel by his side, and cap 
over one ear, he rushes through the station 
and the baggage-office, followed by his assist- 
ants; having the trunks registered, taking all 
the tickets, paying right and left, and seem- 
ingly as happy as a god ! That, however, does 
not hinder superstitious people from remark- 
ing, not without fear, that it is FRIDAY ! 

Fatal prestige ! Ah ! ah ! a murmur in the 
crowd : Mademoiselle Rachel gets out of her 
carriage. 

Ah ! this time — says the public — she is 
really going to America ! She has often 
named the time for her departure ; but at last 
she is taking it. 

The news of Rachel's arrival is passed from 
lip to lip ; extra couriers run in every direc- 
tion. 

Rachel is going to America ! repeats the 
crowd. There is no longer a doubt about it. 

In fact, she has just entered the station. 



AND THE NEW WORLD. 49 

Two minutes more, and she will be in the 
car. 

But here is something else ; at the decisive 
moment, she changes her mind. She will not 
leave by this train. 

And re-entering her carriage, she disappears 
from the disappointed crowd, who now sing 
another tune : Eachel is not going to America. 
Why the devil did she bring us here this morn- 
ing? 

And each one goes home perfectly convinced 
that the New World will never hear the decla- 
ration of Phedre or the imprecations of Ca- 
mille. 

Nevertheless, Mademoiselle Kachel does 
leave Paris the same day, and reaches the 
capital of England almost as soon as the rest 
of us. 
3 



50 KACHEL 



CHAPTER II. 

IN WHICH WE ALIGHT AMONG THE ENGLISH. 

It has been well said that London is a 
superb city; and it is delightful to make 
one's entry to this giant town by the Thames, 
which, by the way, is not called la Tamise, but 
the Thames, not altogether the same thing. 
Besides, it is quite absurd to alter all such 
names in this w^ay; — when one travels, it 
should be considered a state affair to recog- 
nize them as they are. 

It must be understood that we shall not 
give you the least detailed description of the 
English capital. That is as well known to-day 
as the white wolf, and one passes the straits as 
he would toss off a glass of water. 

We shall put aside, then, the custom-house 
and all that belongs to it ; the docks of St. 
Catherine and the India Company, London 
bridge and the bridge of Waterloo, which can 



AND THE NEW WORLD. 51 

scarcely be distinguished through the forest of 
masts ; St. Paul's, the Tower, and AVestminster 
Abbey, where rest, side by side, kings, poets, 
and actors — we shall pass by, without going 
in, the Colosseum and the Museum of Madame 
Tussaud, before the Zoological Garden, filled 
with wonders ; go past, on foot, of course, the 
Haymarket, the Strand, Regent street, and 
Trafalgar square. In this is erected a statue 
to the brave Admiral Nelson, in the back of 
w^hich a lightning-rod is artistically insinu- 
ated, which gives it the appearance of having 
family relations with the statue of the Duke 
of York, at the entrance of St. James's Park, 
which statue likewise possesses its little light- 
ning-rod, placed, still better, on the top of his 
head ! The effect is charming ! 

Bah ! do not stop to look, let us walk 
on — we come to the aristocratic theatre, St. 
James's, directed for many years by the libra- 
rian of Her Britannic Majesty, John Mitchell, 
an altogether admirable gentlemen, and, more- 
over, a passionate admirer of Mademoiselle 
Rachel. 

It, therefore, enchants this same Mr. Mitchell 



52 RACHEL 



to be able to respectfully announce to the Eng- 
lish public that the eminent tragedienne consents 
to give four representations at the St. James's 
theatre, before her departure for America. 



AND THE NEW WORLD. fjO 



CHAPTER III. 

IN WHICU THE FELIX ENTERPRISE BEGINS WELL ENOUGH. 

On the 30th of July, 1855, an immense 
placard announces the following performance 
(we give the programme in English, such as it 
is. Those who do not understand that lively- 
language, are begged to understand this, all 
the same) : 

THE FIRST EEPRESENTATION. 
(For the first time in this country.) 
M. de Premaray's new Comedy of 
LES DROITS DE L'HOMME. 
Duroc, - . . . MM. Bellevaut. 

Roger de Juliane, - - " Leon Beauvallet. 

Gaston d'Arthez, - - . - " Dieudonue. 

Madame de Lussan, - - Miles. Sarah Felix. 

Angelique, - - - " Lia Felix. 

Gabrielle, - - - « Dinah Felix. 

After which will be presented Corneille's 
celebrated tragedy of 

LES HORACES. 

With the following powerful cast : 
Horace, pere, . . . MM. Latouche. 

Horace, fils, - - - " Randoux. 



54: KACHEL 

Curiace, - - . MM. Leon Beauvallet. 

Yalere, - - - - " Chery, jeune. 

Flavian, - - - " Dieudonne. 

Sabine, - - - - Miles. Durrey. 

Julie, - - - . - " Briard. 

CAMILLE, - - - " EACHEL. 

Private Boxes, 3, 4, 5, and 6 guineas (a guinea is worth 
26 fr.) ; Stalls, 1 guinea ; Boxes, 1 shillings (a shilling is 
worth 25 sous): Pit (parterre), 5 shillings: Amphithe- 
atre, 3 shillings, 6d. 

Rachel is very popular in England, so she 
produced, that night, a brilliant effect. 

The Duke and Duchess d'Aumale, and the 
Duke and Duchess de Nemours, who were 
present, applauded with great spirit. 

After the performance, the Duke d'Aumale 
said to Mr. Mitchelh who escorted the prince 
to his carriage, that " this beautiful language 
of Corneille, the language of his countr}^ that 
he had just listened to, had been for him as a 
fresh rose in a hot spring day." 

We have not an exact account of the re- 
ceipts of this first night ; but it is certain that 
the house was overflowing, and, at those 
prices, ten thousand francs can be made at the 
St. James's, perhaps more. 

The next day the English press was unani- 



AND THE NEW WOULD. 55 

moiis in lauding the French tragedienne to the 
skies, and (what was very kind of it) noticing, 
favorably, the artists who accompanied her. 

The Morning Post, among others, was de- 
lighted with us all. 

Raphael asked nothing better. This was 
invaluable as an advertisement in the United 
States ; and all these articles were sent imme- 
diately to the other side of the ocean. 



56 KACHEL 



CHAPTER IV. 

AT THE END OP WHICH MADEMOISELLE RACHEL IS FINED. 

On the 1st of August, a second representa- 
tion at the St. James's : 

PHEDRE AND LES DROITS DE L'HOMME. 
cast: 

Thesee, - - - - MM. Chery, aine. 

Hippolyte, - - . " Leon Beauvallet. 

Theramene, - - - " Randoux. 

Aricie, - - - - Miles. Lia Felix. 

PHEDRE, - - - " RACHEL. 

Magnificent house, as on the first night. 
On the 3d of August, the third representa- 
tion : 

ADRIENNE LECOUYREUR. 

CAST : 

Maurice, - _ . - MM. Randoux. 

Michounet, - - - - " Chery, aiue. 

Le Prince, - - - - " Latouche. 

L'Abbe, - - - . " Dieudonne. 

La Princesse, - - . Miles. Sarah Felix. 

ADRIENNE, . . - " RACHEL. 

On this night, people were refused admitt- 
ance. Enormous success. 



AND THE NEW WORLD. 57 

On the 4th of August, the fourth represent- 
ation. 

ANDROMAQUE. 

CAST. 

Oreste, - - - . - MM. Randoux. 

Pyrrhus, - - - . « Chery, aine. 

Androraaque, - . . Miles. Durrey. 

HERMIONE, ..." RACHEL. 

A smaller house, and much less enthusiasm 

than yesterday. However, we certainly ought 

not to complain, and we do not complain ; the 

proof of which is, that instead of giving only 

four representations, as was announced, we 

shall give on the next day, that is to say, the 

6th of August, a fifth performance, to consist of 

LADY TARTUFFB. 

CAST. 

Le Marechal, ... MM. Chery, aiue. 

Hector de Renneville, - - " Leon Beaiivallet. 

Destourbieres, - - - " Latouclie. 
Leonard, ..." Randoux. 

Madame de Clairmont, - - IVIlles. Sarah. 

Jeanne, - - - - " Dinah. 

MADAME DE BLOSSAC, - " RACHEL. 

This play of Madame Emile de Girardin 

pleases the English public wonderfully. 

This character is, however, one of those which, 

in her whole repertory, Mademoiselle Rachel 
3* 



58 RACHEL 

most abominates. Madame de Blossac is com- 
pletely odious, and this role, in spite of Made- 
moiselle Kachel, produces plainly much less 
effect than the others. Nevertheless, every- 
body was called out after the fifth act, and even 
after the fourth, in which Rachel doesn't appear. 
Notwithstanding her dislike of this play, this 
was not the first time that Mademoiselle Rachel 
had played it in London. Three years ago the 
piece was performed several times. I remem- 
ber a good joke on this subject. In the play- 
bills the following appeared in large letters : 

" This evening will be presented the new 
comedy of Madame E. de Girardin, Lady 
Tartuffe, by MM. Scribe et Legouve.'' 

Two days after the night of the 6th of Au- 
gust, the performances at the St. James's Thea- 
tre were closed, by a second representation of: 

ADRIENNE LECOUYREUR. 
which drew as full a house as at first. 

Unfortunately, this piece, which had gone 
off so well the other night, was, this time, per- 
formed in a disgraceful style. 

The accessories were forgotten ; no one could 
recall his proper replies ; Mademoiselle Rachel, 



AND THE NEW WORLD. 59 

yes, Mademoiselle Iwacliel herself, memory in- 
carnate, knew not a word of her part. She 
separated, she clipped short, she hacked in 
pieces that poor prose which couldn't help it- 
self: — moreover, in the third act she kept the 
audience w\aiting nearly five minutes for her 
entrance. — And in the theatre five minutes is 
terribly long. 

At once Kaphael mounts his high horse, and, 
seizing by the fore-lock this occasion to prove 
to the world that his directorial power was not 
merely a word, he fined the great tragedienne ! 
Yes, fined her, like the most common martyr ! 
And that is not all, he had this terrible arrest 
inscribed on the fire-place panel in order that 
even the lowest boy in the theatre might read 
it and tell it to his friends and acquaintances. 
(We must hasten to say that this fine, which 
was of 100 francs, imrdicu ! was not paid any 
more than others. At least, if it was, we never 
heard of it.) To end this deplorable night pro- 
perly, Randoux, w^ho played Maurice de Saxe, 
stumbled, on entering at the fifth act, over an 
iron curtain-rod and w^as thrown at full length 
on the stage, disappearing in the prompter's hole. 



£►0 RACHEL 



CHAPTER Y. 

IN WHICH WE PLAY IN LONDON FOR THE LAST TIME. 

On the 9th of August, Mademoiselle Eacliel 
consented to play at the Theatre Royal of 
Drury Lane, for the benefit of the French 
Society of Benevolence. 

This institution is placed under the pat- 
ronage of the Empress Eugenie, and presided 
over by the French ambassador. The repre- 
sentation, patronized by the Queen of England, 
was distributed after the following programme : 

LE DEPIT AMOUREUX. 

By the Artists of the French Company. 

LE SONGE D'ATHALIE, 

By Rachel. 

Grand Vocal and Instrumental Concert : 

Duet of the Pre aux Clercs, 

Le C antique de Noel. 

Fanfare Militaire. 

Aria : Love Rules the Palace. 

Le Muletier de Calahre. 

Cantate : La Guerre. 

Sung by M. Blondelet, du Theatre Royal, Adelphi (with 



AND THE NEW WORLD. 01 

the permission of Mr. Webster), in the costume of a French 
Zouave. 
During the entr'actes, 

God save the Queen, 

and 

Partant Pour la Syrie. 

To end with the 2ud act of Wallace's Opera : 

La Maritana. 

(The poetry of which is simpl}^ the English translation of 
Don Cccsar de Bazan.) 

Prices of Seats: Stalls, 10s. 6d.; Circle, 5s.; Second tier, 
2s. Gd.; Parterre, Is.; Gallery, l3. Private Boxes, four 
guineas. 

This performance was very fine, and very 
profitable, the receipts amounted to 18,000 
francs. 

That which produced the greatest effect dur- 
ing the evening, was, not the tragedy, nor the 
concert, nor the comic opera ; but the God save 
the Qiieeuj and, after that, the air of Queen Hor- 
tense. 

Frantic applause, never-ending bravos, and, 
from the first to the last notes of these two 
pieces, the audience remained standing and un- 
covered. A token of the profound respect 
which the English cherish for their Queen, and 
of sympathy for their allies. 



62 EACHEL 

After this representation, the last which 
Rachel gave in this city, a charming woman, 
half English, half French, who resides in Lon- 
don almost as much as in Paris, and who makes 
it her duty not to miss seeing a single one of 
our tragedies (which proves her strength of 
character !), Madame Doche, finally (why could 
we not have had the naming of her ?) came to 
bid adieu to the great tragedienne, and to wish 
us all a safe and pleasant voyage. We begged 
her earnestly to accompany us ; but she obsti- 
nately refused ; she was very wrong ! Her 
sister, Mademoiselle Plunkett, refused also to go 
to America. Raphael, however, made her very 
liberal proposals. 

For you may have noticed, in reading the 
contract of Mademoiselle Rachel, that Raphael 
would not have disliked to bring, along with 
his tragic troupe, a whole corps de ballet. He 
deceived himself a little, as will be seen, about 
this grand American public. 

Unfortunately for him, this project, which 
was good, could not be realized, not only on 
account of the refusal of Mademoiselle Plun- 
kett, but because a sujperior will opposed itself 



AND THE NEW WOltLD. 03 

(so they said) to the installation of Terpsichore 
in the domains of Melpomene. (A little my- 
thology is of great use !) 

Before quitting London and its theatres, we 
cannot refrain from saying a few words about 
the much-to-be-regretted event which has rob- 
bed London of one of her finest theatrical 
houses : Covent Garden no longer exists. It 
has been literally devoured by the flames. The 
fire burst forth during a masked ball, bringing 
to a close a kind of carnival performance, given 
by a certain Professor Anderson. 

The most unhappy fact connected with the 
occurrence, is, that the dramatic library of this 
theatre was entirely consumed. 

The loss of the original man'iscript of the 
School for Scandal, by Sheridan, »s most deeply 
regretted. 

Moreover, it is astonishing how easily the 
London theatres are destroyed by fire. In 1762 
and 1809, Drury Lane was burned; Her Ma- 
jesty's, in 17S9 ; the Pantheon, in 1792 ; Ast- 
ley's, in 1794, 1803, and 1841; Surrey, in 
1805 ; Covent Garden, in 1808 and 1856 ; Roy- 
alty, in 1826 ; English Opera House, in 1830 ; 



64 RACHEL 



Olympic, in 1849 ; in 1850, it became the turn 
of the Argyle Kooms ; and that of the Pavilion, 
in 1856. 
■How many millions gone in smoke ! 



AND THE NEW WOULD. 65 



CHAPTER YI. 

IX WniCU WE MAKE THE ACQUAINTANCE OF THE " PACIFIC." 

You will be little surprised, when we say 
that, at the moment of leaving London, all 
the irresolution of Mademoiselle Eachel recom- 
menced in the finest fashion, and that the 
American campaign was once more on the 
point of stopping short. 

Finally, after frequent parleys, we took the 
railroad for Liverpool, on the morning of the 
10th of August, and, that evening, we arrived 
at that quite important city, in the county of 
Lancaster, which does not prevent it from be- 
ing slightly dirty, and terribly smoky. True, it 
possesses a magnificent harbor, constructed at 
the mouth of the Mersey, which is some com- 
pensation. There, for the first time, we had 
the signal honor of being face to face with the 
famous American steamer, which would take 
us to the other world. 



66 RACHEL 

The other world ! There is something sin- 
ister in those two words ! 

Happily this magnificent steamer is called 
The Pacific. 

That blessed name gives us a little confidence. 

Notwithstanding that, however, we generally 
sleep badly all night. 

We dream, pleasantly enough, of Robinson 
Crusoe, of his desert island, and of his man 
Friday. At six o'clock in the morning, we 
get up. 

The rain falls in torrents. The aspect of the 
city is the saddest in the world, notwithstand- 
ing the bright yellow bills which decorate the 
walls, announcing to the Liverpool population 
(which doesn't look as if it were greatly excited 
thereat) that to-day Mademoiselle Eachel will 
take flight towards the other continent ! 

At nine o'clock we are in the harbor. 

The rain continues to pour, with even ludi- 
crous persistency. Decidedly, it rains too 
much in England ! A little steamer takes us 
to the Pacific, with other passengers. 

Several ladies are already sea-sick. Fine 
prospect ! 



AND THE NEW WOULD. C7 

Mademoiselle Rachel says not a word. She 
is very pale, and seems to be suflering. 

We near the Pacific, whose black and red 
chimney already smokes vigorously. 

All the travelling equipage is on deck. 

A kind of staircase is let down, which fits on 
the deck of the little steamer. 

The general procession moves off. The pas- 
sengers, one by one, climb the steps with de- 
spairing slowness. 

It would be a wonder if any one could look 
cheerful ; Raphael is the only one who is 
always radiant ! 

And there is good reason for it ; in spite of 
the Comedie-Frangaise, in spite of critics, in 
spite of all France, in spite of Mademoiselle 
Rachel herself, it has come to pass, there is no 
further question about it ! While his sister 
pale and silent, ascends the long ladder which 
takes her to the deck of the steamer, Raphael's 
joy increases perceptibly. 

Finally Rachel is on board ! 

This time, no one will gainsay it ! An agent 
of Mr. Mitchell, who has accompanied us thus 
far, seems much moved. He murmurs vive Ra- 



68 EACHEL 

chel! very low, as if he were afraid of being 
heard. The fact is, scarcely any one does hear 
him. 

The small steamer leaves us. The farewell 
scene begins, waving of handkerchiefs, smiles, 
tears. 

We are off! 

We begin seriously to believe that Rachel is 
going to America. 

At ten o'clock in the morning the Facific 
fires off guns, the infernal machine below be- 
gins to howl, the immense wheels turn on 
their axis, and our ship sails for the new 
world ! 



AND TUE NEW WORLD. 69 



CHAPTER VII. 

now THEY EAT ON BOARD. 

The weather is now superb. 

The sea is calm. Our steamer flies with 
frightful rapidity, notwithstanding the enor- 
mous freight with which she is loaded. She is 
one of the best vessels of the company. So 
much the better ! At the sight of this mag- 
nificent ship, which glides over the sea, or 
rather the tranquil stream, wrinkles are 
smoothed out of one's forehead, and we think 
only of resigning ourselves cheerfully to our 
lot. We chat, we laugh, we sing. 

Every one now is even foolishly gay. There 
is only one passenger who does not seem to 
enter largely into the general cheerfulness. 

The poor fellow is dying — at least so it ap- 
pears, for he is frightfully pale and emaciated. 

While we are on deck, a kind of idiot comes 
out of a little glass cage, behind, and with a 



70 EACHEL 

sort of hammer, strikes eight vigorous blows 
on a bell near him. 

They inform me that this man is in the en- 
joyment of his senses, which surprises me, 
and that he comes merely to indicate that it is 
noon on board. 

Eight blows on a bell for noon ! That is 
ingenious, you will admit. 

Scarcely has the last blow sounded, when 
we hear below an unparalleled uproar. 

We think that the boiler is bursting. 

Not the least in the world ! 

It is nothing but the gong. 

With this fantastic instrument they indicate 
the hours of the meals on board American 
steamers. 

We go down to the dining-room, to lunch. 

This room, though very large, is literally 
jammed. Every one disputes his place. All 
the passengers, without exception, have re- 
sponded to the call. 

They devour. 

The waiters look on this scene with a mali- 
cious smile, which seems to say. Go on, my 
little children, eat ! Give yourselves up to 



AND THE NEW WOULD. 71 

gayety to-day ! to-inorrow we shall hear 
another story from you. 

The smile of these waiters frightens me, and 
I foresee all the horrors of my future position. 

At four o'clock, the idiot again strikes eight 
blows. 

The gong sounds again ! 

It is for dinner. 

I confess that I have waited for this moment 
with a certain impatience. 

At lunch, not knowing a word of English, I 
had not been able to get myself waited upon, 
except by the means of pantomime, more or 
less expressive, and I must say that I was dy- 
ing with hunger. To say nothing of the fact 
that many travellers had greatly applauded to 
me the cookery on board American steamers, 
mafoi ! I was marvellously well prepared. 

Alas! 

But let us not anticipate events ! 

At first, all the service is conducted by the 
sound of the gong, which is by no means 
amusing. 

They entertain for this Chinese instrument 
an inexplicable tenderness. Why? I can't say. 



72 EACHEL 

I suppose it aids their digestion. 

First blow: Soup is served. 

This soup being ornamented with coarse 
pepper and bits of meat, I denied myself. 

Second blow : All the silver covers on the 
dishes are removed. 

If you but knew with what rare precision, 
with what perfect unanimity, these waiters un- 
cover, at last, the numerous edibles so carefully 
hidden ! 

Once or twice I tried, before the blow on the 
gong, to see what was under the cover next 
me ; but the waiter leapt to my side as if to 
devour me. 

Naturally, I believed this food of which they 
were so careful was exquisite. 

Ah ! well, yes ! 

Vegetables cooked in water, after the English 
fashion ; meats killed in advance and preserved 
in ice, consequently without taste or savor. 

Beef, mutton, fowl, all having the same taste. 

Atrocious ! 

It is well understood the wine is an extra. 
For a great deal of money you have a right to 
expect a very little wine. 



AND THE NEW WORLD. 78 

Generally the Amoricans diink only iced wa- 
ter during the repast. They make it up well 
at dessert with numerous bottles of Cham- 
pagne. 

I have noticed that they are very fond of 

champagne. They have a right to be ; a still 

better reason is, that nearly all of them are 

members of a temperance society. 
4 



74 • RACHEL 



CHAPTER VIIL 

IN WHICH IT IS SHOWN THAT THE DESSERT IS STILL MORE 
DISMAL THAN THE DINNER. 

One might suppose that to announce the en- 
tremets, they would dispense with this diahle 
of a gong. 

Not so. It sounds then, more than ever. 

Then defiles a long string of nameless cakes, 
impossible puddings, and extravagant pastries. 

They mix rice with rhubarb, cream with 
gooseberries a maquereau, currants with long 
peppers. 

It is a culinary hodge-podge inconceivable. 
One's palate is completely perplexed by these 
strange and unnatural marriages, so much so 
that, though we taste all, we can swallow none. 

(N. B. I do not speak here of the Americans ; 
they find everything very good and eat of all.) 

I decide to take a piece of a cake a little 
more civilized than the others, but at the mo- 



AND TilK NEW WOULD. . 75 

ment I am about to take it, the eternal gong 
sounds again and all the cakes disappear as if 
by magic. 

Not contented with taking off the dishes, 
they carry away the cloth. 

I think that dinner is over ; I rise. 

Not at all. 

A procession of waiters sallies forth from the 
pantry with baskets of oranges, plates filled 
with walnuts, hazelnuts, almonds, and other 
fruits equally dry. 

I sit down a2:ain. 

Two waiters place themselves at the end of 
the table. 

As they continue to hold the dessert in their 
arms, I extend my hand and try to take an 
orange. 

The same pleasantry recommences. 

The waiter recoils, frightened as the flood from 
Theramene, and he makes a frightful grimace 
at me, which would cause him to be mistaken 
for the illustrious guardsman called Jocko. 

Last blow of the gong. 

All the dessert dishes fall at once on the 
tables. 



76 RACHEL 

V 

It is a comic achievement. 

Champagne flows, brandy and coffee circu- 
late in every direction. 

All are as merry as larks. 

The conversation becomes animated. 

English, Germans, Spanish, Italians, Chinese, 
French, Iroquois, Algonquins, all talk together 
and at the same time. No one understands a 
word of what his neighbor is saying to him. 

It is a terrific charivari, a confusion of 
tongues utterly indescribable. 

I am quite flurried, and, as I have drank a 
little champagne, I close my eyes, and for five 
minutes I positively believe myself to be in the 
tower of Babel. 

I await the thunderbolt which will put an 
end to all this. 

I did not wait long. 

The bolt burst in a side room ; the invalid of 
whom I spoke above, received it upon his head. 

The poor fellow gave up his last sigh at the 
moment the last bottle of champagne was 
finished. It were scarcely possible to finish 
more sadly our first day on board. 



AND THE NKW WOULD. 77 



ClIAPTEU IX. 

IN WniCII THE "pacific" commences nER FROLICS. 

Very early the next morning, indeed I may- 
say a great deal too early, the sailors took ma- 
licious pleasure in waking us by washing the 
deck. 

Ah ! how boisterous they are when they wash 
the deck, to say nothing of their furious passion 
for singing, which, joined to the noise, makes 
them intolerable to the passengers who wish 
to sleep. 

We were now in St. George's Channel. 

These quarters being rather rough, the Facijic 
commences some very giddy evolutions. 

That affords us comfortable anticipations. 

Heads are no longer on their ordinary axis. 

The dining saloon becomes empty at a rapid 
rate. Those scamps of waiters, how well they 
knew that ! 



78 RACHEL 

We very willingly remain in the open air, in 
the after part of the ship. 

Until noon, we coast along the shores of Ire- 
land. 

These shores, notwithstanding their perfectly 
wild and desolate aspect, are very far from 
wanting a certain picturesqueness. 

And yet I do not know if it is because these 
arid cliffs, against which the waves of the sea 
dash furiously, are the last land that can be 
seen from here for a long time, but you feel, 
in a manner, fascinated by them, and, in spite 
of yourself, you still look for them, even after 
they have totally disappeared from the horizon. 

Mademoiselle Rachel is not very cheerful. 
In proportion as we go forward her sadness 
seems to increase. 

From this day, she remains almost entirely 
shut up in her state-room. 

She is royally ennuy^e. 

She is never very sick at sea, but almost al- 
ways ill at ease, which is worse. 

What an odious thing a vo37'age is ! The sea 
is decidedly one of the most frightful torments 
that I know of. 



AND THE NEW WOULD. 79 

And yet we are on one of the finest steamers 
in the world. AVhat shouhl we say if we were 
travelling in a ship ? 

The engine, or rather the engines — for there 
are two, in case of accident — on these immense 
steamers are truly admirable. 

Nothing can be more interesting than to ex- 
amine them in all their details. It is enough 
to set one crazy. 

In the engine-room one might imagine him- 
self in the bottomless pit ; and still more readily 
believe it, because the firemen will answer per- 
fectly for your gang of devils. 

What queer specimens one sees among them; 
what wild countenances ! 

They are all half-naked, blackened by the 
smoke, as hairy and tawny as beasts; they 
have long, neglected beards, which conceal 
their faces, and hang down to the middle of 
their breasts. 

And all of them go and come, run up and 
down, throw themselves violently among mil- 
lions of flying wiieels, running gear and iron 
rods, wdiich w^ork incessantly, and seem ready 
every second to pulverize them. 



80 RACHEL 

Seeing them thus going from one furnace to 
the other, their bodies stooping over the flames, 
which illuminate them with a strange, fantastic 
light, it is impossible, I repeat, not to take 
them for a gang of devils busying themselves in 
roasting a cargo of the damned. 

Add to this the fact, that in this place the 
heat is awful; that.it suffocates, stifles you, and 
would end by melting you, if you should re- 
main. 

How these men can live there is a wondei 
to me. 

Another incredible thing is, to see this im- 
mense mass of iron and steel, this giant machi- 
nery of enormous weight, dancing as lightly on 
the waves as a cork or a bit of straw. 

That is, besides, the worst of the affair ; for 
when the machine which occupies the centre of 
the ship amuses itself with such gymnastics, 
the ship also is forced to execute a terribly 
shaky polka. 

One day, a desperate pitching. 

The next, a frightful rolling. 

The day afler that, for a variety, both to- 
gether — rolling and pitching. 



AND TlllC M^W WOULD. 81 

This is deliglitfiil! and so niiicli so, that all 
the passengers are dreadfully sick! 

What the devil are they going to do in such 
a scow as this ? 
4* 



82 RACHEL 



CHAPTER X. 

IN WlllCn WE CHAT OF THE BOX AND THE FLAGEOLET. 

After we have been several days out, Cap- 
tain Nye (a perfect gentleman, and an excellent 
sailor) presents to Mademoiselle, on the part of 
a citizen of New York, a superb mahogany 
box. 

The sender desires to be anonymous. — What 
is the mystery ? 

Let us hope that the future will clear it up. 

But what is in the box? 

Jewels ? 

Go to ! jewels ? they are too common. Better 
than jewels. Some American perfumery, that 
is all ! 

And no means of finding out from whom 
emanate all these sweet smells! how provok- 
ing! 

In spite of tlie present of the unknown per- 



AND Tin: NEW WOULD. 83 

finiicr, ]\Iadoinoiselle Rachel still refuses all re- 
creation oil board this good Fadfic, 

She continues to keep- her state-room. 

Many passengers do as she does, and your 
servant imitates them. 

Raphael Felix is one of those rare travellers 
who resist the allurements of the Atlantic. 

He doesn't care for the Atlantic. All he 
thinks about are the dollars of the United 
States and the pesos of Havana. 

As for myself, dismally stretched out in the 
badly stuffed drawer which serves me for a 
bed, I think nothing of this wealth in the 
perspective. I have other things to do. 

While I toss in my ridiculous bunk, there 
steals from the state-room in front of mine a 
kind of French air on some sort of a flageolet. 

A passenger, a friend of the fine arts, perches 
there. 

When I am very sick he plays a very lively 
air; when I get better, he commences a me- 
lancholy, gloomy one. 

This flageolet, besides, is quite original. In 
the midst of his air I hear him occasionally 
stop and 



84 RACHEL 



. . after which, he takes up the an* just at the 
note where he left off. 

A good many waiters, generally very hurried 
and very accommodating, are at the disposal of 
passengers who are too ill to leave their state- 
rooms. They bring them their food in a sort 
of China porringer. Onion soup and fried 
potatoes are very popular. 

Doubled up in this wa}^ in these uncomfort- 
able boxes, the passengers have exactly the 
appearance of great dogs who have the dis- 
temper, and whose porridge is brought to their 
kennels. 

Sorry resemblance ! 



AND THE NEW WOULD. 



85 



CHAPTER XI. 



TOO FOGGY. 



On the ISth, at six o'clock in the morning, 
we are off the coast of Nevvfoundhmd. 

The great Sand-bank off wliich we are now 
passing is famous for the incalculable number 
of codfish that collect here. 

In spite of the frequenting of these peaceable 
fish, these quarters are very dangerous. 

It is here the horrible shipwreck of the Arctic 

took place. 

The recollection of this serves only to give 
rise to thoughts still sadder than before. 

Thick fogs surround the ship on every side. 

One can scarcely distinguish the top of the 

masts. 

Every preparation is made in case of ship- 
wreck. 

The life boats are uncovered and provided 

with ropes and oars. 



86 RACHEL 

The alarm-gun is ready to fire. 

The alarm-bell is on the bridge. 

All the time that we push on through the 
fog the captain keeps watch. 

The steamer's speed is relaxed; she seems 
ashamed of her new pace. 

All the passengers take advantage of this to 
come out of their state-rooms. * 

They are, for the most part, not a little 
alarmed. 

One of them blows up his life-preserver and 
fastens it around his waist. 

He sleeps with it so all night, and it frets 
him, so that he cannot close his eyes. One 
thing about it is consoling, that it would have 
been worth nothing at all, even if we had been 
wrecked. 

During the day, we double Cape Race, 
which is the most dangerous point. The 
passengers begin to breathe again. Unfor- 
tunately, a melancholy event saddens our even- 
ing. 

A young calf, brought from Liverpool by the 
captain, dies, from the effects of prolonged sea- 
sickness. 



AND Tin: Ni:\v avould. 87 

His remains are thrown into the sea : a fam- 
ished shark dines off him. 

Poor little calf! 

Tlie next morning, when w^e awake, we have 
left the banks of Newfoundland ; the fogs have 
disappeared ; a dazzling sun lights up the waves, 
the masts, and the rigging. 

The deck is filled with a crowd of passengers, 
whose presence on board had not been even 
suspected. 

For ten days, these unfortunates have been 
inlaid in the sides of this frolicksome vessel. 
Haven't they a right to enjoy themselves? 

We perceive, not far from the ship, two 
enormous whales, who are gambolling on the 
bosom of the briny waves. 

Millions of all kinds of fish appear on the 
surface, and seem delighted to see us pass. 

The appearance of the water changes now, 
from one quarter of an hour to another. 

The ocean is unusually calm. 

That may be perceived, above all, in 
the dining-room, which begins to' be filled, 
exactly as on the first day — even fuller than 
then. 



88 RACHEL 

We find ourselves face to face with furious 
appetites. 

The horrid edibles, heaped up on the table, 
disappear with fearful rapidity. 

Are they famishing ? 

In the evening, after dinner, an old Protest- 
ant clergyman holds service in the saloon. 

A splendid sunset puts a glorious end to this 
day, and makes us forget, in one moment, all 
the misery to which we have been subjected 
for the past eight days. 

In less than an hour, the sky changes its 
color and whole appearance more than a dozen 
times. All imaginable tints, from that of melt- 
ed gold to the deepest blue. Truly splendid ! 

A curious effect, and one which I remark 
particularly, is produced this evening — a perfect 
circle formed by the horizon, of which our ship 
is the central point. We have made good pro- 
gress, yet we are always in the middle. 

We seem to sail in a huge basin, over which 
is placed a great blue cover. 

This comparison is, perhaps, not very poetic- 
al ; but it is a good one. 

In the evening, a steamer passes close by 



AND THE NEW WOULD. 89 

US. Some little sailing craft are distinguished 
in the distaiice, and are vividly painted against 
the fiery sky. 

Life comes by degrees. 

The temperature undergoes a complete 
change. 

Yesterday, off the banks of Newfoundland, 
we were shivering: to-day, we are too warm. 

The sea-gulls begin to fly around the ship. 

We smell the land. 



00 RACHEL 



GHAPTER XII. 

THE LAST DINNER ON BOARD. 

The 20th is as lovely a day as its predeces- 
sor. The sun is more and more brilliant ; the 
sailing vessels still more numerous. 

Schools of porpoises romp at a little distance 
off. 

These cetacea seem to be of an exceedingly 
gay character; 

For the first time in ten days, the ship stops. 
A signal is set for a coast pilot. 

Hg comes alongside, and the sailors hoist 
him on deck with ropes, like a mere bale of 
goods. 

His arrival exhilarates the whole ship. It 
proves that to-morrow we shall be at New 
York. 

I need hardly say that the engine, furious at 
being stopped, even for an instant, starts off 
again, almost before the pilot has touched the 
deck. 



AND THE Ni:W WORLD. 91 

We go ahead under full power. 

It is plain that tlie horse smells the stable. 

The earthy odors grow plainer. American 
atmosphere begins to prevail. The heat is 
dreadful, and oflbrs magnificent coups-de- 
soleil. 

Every w^oman has her own. 

A little further on, w^e see two water-spouts 
spurted above the waves. There are two 
whales. 

What are they talking about ? 

But, hush ! 

The idiot strikes eight on the bell. That is 
to tell you that it is four o'clock. 

Four o'clock ! it is the hour of torment — of 
dinner, I should say ! 

The last that we shall take on board. 
Heaven be praised ! 

It is w^hat they call the Captain's dinner. 

This time everybody attends. 

Mademoiselle Rachel herself decides to leave 
her state-room and take her seat at the table 
beside Captain Nye. 

Apart from the champagne, added gratis to 
the usual bill of fare, this dinner doesn't differ 



92 RACHEL 

much from the others, which is a misfortune 
for those who like something fit to eat. 

In fact it is the last dinner ! 

A toast to Captain Nye is proposed. It is 
drunk with all the honors. 

A fair young man, after that, proposes the 
health of the ladies. His toast is not so suc- 
cessful as the other. 

That sui-prises me. I had been told that 
Americans were models of gallantry. 

Finally, Mr. Stewart (a dry goods merchant 
of New York, worth forty millions, in the usual 
style of that place,) toasts the arrival of Made- 
moiselle Rachel in New York. 

All eyes are turned towards her. A speech 
is expected. 

But, as she does not understand English, 
save very imperfectly, she does not reply, but 
merely bows. 

If not she, then her brother will re- 
spond. And the general gaze is turned upon 
Raphael Felix, director of the Freiich Com- 
pany, 

But Raphael doesn't respond any more than 
his sister ; so neither of them responds, which 



AND THE NEW WOKLD. 98 

seems to disappoint the Americans exceed- 
ingly- 

Not to respond to a speech, is an nnpardon- 

able tiling among them. 



94 RACHEL 



CHAPTER XIII. 

IN WHICH THE MARSEILLAISE APPEARS ON THE TAPIS. 

Appointing himself master of ceremonies, a 
French passenger arises and, in the name of 
the Americans, who never dreamed of such a 
thing, asks his countrymen to strike up in cho- 
rus la Marseillaise, 

These, not knowing by heart the national 
hymn of France, turn up their noses at this 
unexpected demand, and unanimously refuse 
the honor. 

But, here is the best of it. 

The passenger turns to the guests and says 
to them (in English, ma foil) that the French 
Company declares itself ready to accede to the 
general request. 

Here is an ambush. How can we get out of 
it? Who will sacrifice himself? 

Every one now has his eyes fixed on these 



AND THE NEW WOULD. 95 

unhappy Frencliinen, who would give auythiug 
to be elsewhere. 

Time goes on — nobody begins. 

Low munnurs are mingled with stifled 
laughs. 

Decidedly the French will not be in odor of 
sanctity among these gentlemen of the other 
world. 

Finally, oh ! happiness ! a savior presents 
himself. 

A Creole from New Orleans — an excellent 
fellow, who knows us all. 

He knows the Marseillaise. He will sing the 
couplets ; the Frenchmen will have only to 
take up the refrain in chorus. 

So he sings the first couplet. He is much 
moved — which is a bad thing in singing the 
Marseillaise. 

Happily the Frenchmen strike up the refrain 
and give smiling faces to all the guests. 

I have heard a great deal of singing in my 
life ; I have been present at many grotesque 
concerts ; but never, never has more uncouth 
music stunned my ears. 

I could have rolled on the floor with laugh- 



06 RACHEL 

ing — not one singer in harmony with an- 
other. 

It was so curious, that each one seemed to 
be singing a different air. 

It is scarcely necessary to say that they 
passed at once to the last couplet — 

" Amour sacre de la patrie /" 

Poor Country ! 

This last couplet had exactly the same fate 
as the first. 

As to the refrain, it was, if possible, more 
ludicrous, more extravagant than the other. 

So that this little musical fete, which threat- 
ened to take a slightly political turn, finished 
by loud peals of laughter, which, going up the 
hatchways, awoke even the cabin-boy asleep 
in the top. 



AND THE NEW WORLD. 



9^ 



CHAPTEK XIV. 

LAND ! LAND ! 

Mademoiselle Eachel presented the Cap- 
tain with nearly two thousand francs, to be 
distributed among the crew of the Pacific. 

She gave eight hundred francs to the orphan 
children of the sailors. 

An American lady, seeing her in a generous 
vein, came to beg her to give them a few scenes 
in tragedy. 

Mademoiselle Rachel refused decidedly. 

As she came to America precisely in order 
to give scenes in tragedy, the lady in question 
will have an opportunity of hearing her quite 
at her ease — by paying for it, be it under- 
stood. 

Raphael Felix is in such impatience for the 
arrival of this happy moment, that he signalizes 
land before any one else. 
^ Unfortunately, what he takes for a light- 



98 RACHEL 

house, is nothing but the lantern of a steamer 
bound to New York. 

Not until midnight do we see land. Every- 
body passes the night on deck. The weather 
is delightful. 

Night is over. The sun throws its light 
over space ; then floods in upon the ocean. It 
is magnificent. 

Sunrise is more beautiful here than in 
Europe. 

The waves, the shrouds, and the yards, are 
painted in brilliant colors. Fire plays within 
fire. A field of gold spreads out under a 
dazzling arcade. 

The sea is covered with little fisher- 
men's boats. We are now in sight of Nova 
Scotia. 

Soon we arrive at Sandy Hook, and finally 
we pass Staten Island. The gun of the Pacific 
salutes the Battery, then the fort of the 
Quarantine. 

Here we stop. 

The Health Officers come on board. 

Before the hospital several steamers of differ- 
ent nations are anchored. 



AND TIIK NEW WOULD. 99 

Some have the yellow fever, others the cho- 
lera, etc., etc. 

In spite of ourselves, we feel uneasy in these 
quarters. We hold our breath for the few 
minutes we remain here. 

We continue our voyage! and at seven 
o'clock next morning we enter, under full 
steam, the bay of New York, which is one of 
the most beautiful in the world. 

Millions of boats, of all sizes and colors, 
run along delightful shores covered with ver- 
dure and flowers. 

Finally, we land on the Pacific's dock ; we 
leave that horrible box, we press with rapture 
the soil of the New World, and fall delighted 
in the arms of Gustavo Naquet, minister pleni- 
potentiary of Raphael to New York; who 
waits on us to the Custom House, and who 
seems the least in the world disappointed at 
seeing us. 

That explains itself. They did not expect 
the Pacific for ten hours to come, and a little 
steamer, chartered to come to meet Mademoiselle 
Rachel, was to have been filled principally by the 
Lafayette Guards (theFrenchmenof New York), 



100 RACHEL 

whose band, on approaching the Pacificy would 
have executed a selection of French airs. 

Invitations had been sent out, and gentlemen 
and even ladies intended to join the Lafayette 
Guards. 

You will appreciate the general disappoint- 
ment on learning the premature arrival of 
the Pacific. But man proposes, and steam 
disposes! 

And this little aquatic fete fell entirely over- 
board ! 

So that she, who was its object, was obliged 
to land in the imperial city like any common 
mortal. 

She and all her family took carriages and 
were set down at the St. Nicholas Hotel, very 
glad, I am sure, to have escaped this serenade, 
and to have been able to go through the city 
without being exposed to the impertinent 
staring of New York loafers. 

Unfortunately for her, she had not got rid of 
this Damoclesian serenade, and, at night when 
she was sleeping profoundly, the Lafayette 
Guards collected under her window, and began 
to play all their repertory. 



AND THE NEW WOULD. IQl 

BoiigrCf 7nalg/r, (willy-nilly), she was com- 
pelled to awake, get up, and appear on her 
balcony. 

The Lafayette Guards, satisfied, retired after 
awhile, and permitted their victim to repose. 

She had need of it, and we also ! 



THE IMPERIAL CITY. 



CHAPTER I 



WHICH MAY GIVE AN IDEA OF NEW YORK. 

New York ! Here we are ! 

And not without some trouble ; the custom- 
house officers themselves seemed to oppose our 
definite entrance to this young capital. 

Not a night-cap that they did not inspect ; 
not an unhappy necessity for the voyage that 
they did not rummage from the top to the 
bottom. 

Ah ! here is tit-for-tat, I tell you. 

Not a soul, by way of revenge, who was not 
on the qid vive to find out who we were, and 
if we had our passports all right. 

"Who are you? How does it concern 
you ?" 



104 KACIIEL 

" Your passport ?" Eli ! what for, bon 
Dieu ! provided you pay the custom-house 
charges without saying anything, it is all the 
same thing to them whether one is an honest 
man or a gentleman at large. 

American hospitality does not look at one 
so closely as all that ! 

She would do well, for instance, some day 
when she has time, to prevent hackmen on 
the stand from demanding, for a job of ten 
minutes, a sum equal to a little more than 
46 fr. 75 c. ' 

The following account is correct. There 
were nine of us in a frightful, yellowish vehicle, 
in which we were put almost by force, and 
were made to pay one dollar (5 fr. 25 c.) each, 
to be taken from the Pacific dock to Broome 
street, about two steps. But what can you 
expect ; there is no tariff in this model country ; 
and if it had pleased the coachman to ask us 
double or triple, we must have paid it. 
Charming specimen of American life ! 

Well, so much the worse for you — why do 
you take a hackney coach? Can't you go on 
foot? 



AND THE NEW WOULD. 105 

Go on foot ! That is, uiifortunatoly, almost 
impossible ; look at the paving of this quar- 
ter. 

Pebbles replace in New York the MacAdam 
of our city. 

When one walks on them, he has every ap- 
pearance of making a forced march on very 
hard eggs. 

It is insupportably fatiguing to walk even 
for a single quarter of an hour on these sharp, 
cutting stones. 

One must pass his whole life in balancing 
himself in these streets, which is tiresome to 
the last degree. 

But, you will say to me, Are there, then, no 
side-walks ? 

Oh ! yes. There are sometimes even too 
many ; but they are so badly made, that they 
break and sink down in fifty different places, 
which form excavations filled with water, 
which it is not always easy to jump over, 
without the risk of falling in and getting a 
little wet. 

There is only one thing to be done — the 

omnibus ! 

5* 



106 RACHEL 

Ah ! as for that, you have more of those 
than you want. 

In the larger streets, you may see twenty, 
thirty, forty, abreast ; so they are from morning 
till night perpetual encumbrances. 

It is a good thing, however, when you are 
in a hurry; you are sure with those coaches 
always to arrive too late. 

But as the fare is only six cents and a quar- 
ter, you can say nothing. 

Besides, these omnibusses are incredibly 
luxurious in pictures and decorations. Heads 
of beautiful women, flowers, birds, landscapes, 
each one more coquettish than the other. 

On first arriving, you take all these carriages 
for perambulating signs of New York glass- 
painters. 

Signs ! Of these, one sees all forms and all 
dimensions. 

The houses are literally covered with im- 
mense placards. 

From the cellar to the garret, you see no- 
thing but high-flown advertisements, colossal 
canvases, and monstrous bills, all ornamented 
with huge figures of men having nothing hu- 



AND THE NEW WORLD. 107 

man about thorn, imaginary animals, and a 
thousaiul other representations made solely to 
draw the simpletons and loafers of the two 
continents into the shops. 

And can you think what all this makes tho 
city look like ? 

A gigantic hand-bill of a mountebank com- 
pany. 

These are here, also, as well as with us. 

Broadway, the Boulevard des Itcdiens of this 
place, is inundated with them. 

Quacks, dentists, breeders of learned dogs, 
exhibitors of branded negresses, wild beast- 
tamers, all are in abundance. 

One could fancy himself in the fair of an im- 
mense village. 

What a hubbub ! what tumult ! 

Cries and laughter, songs and oaths; the 
yells of newsboys mixed with the noise of car- 
riages ; the trumpets of charlatans confounded 
with the bells on the mules who drag eternally 
on the thousands of railroads which furrow the 
streets, trains of cars, three feet long, like ours. 

Add to all this, carts which get locked tor 
gether; horses running away ; the people one 



108 KACIIEL 

crushes; the loafers to fly from ; the drunkards 
who are being ill-treated, and all the loungers 
in white vests, who, paraded at the doors of 
hotels, smoke gravely, their heads down, and 
their feet in the air ; do not forget, above all, 
the hundreds of prostitutes, with large hands 
and feet, false teeth, painted cheeks, sunken 
breasts, who encumber the sidewalks, in the 
very face of policemen and the sun, and you 
will have a very small part of the picture 
which New York presents to the bewildered 
eyes of the traveller ! 



AND THE NEW WORLD. 100 



CHAPTER II. 

IN WHICH EACn ONE TAKES LODGINGS WHERE HE CAN GET 
THEM. 

We have said that Mademoiselle Rachel 
alighted with her flimily at the St. Nicholas 
Hotel. 

This hotel, one of the most splendid in the 
country, is situated in Broadway, of course. 
(The general rule : Everything is situated in 
Broadway.) 

The front of it is of white marble, ma foil 
which is truly beautiful ; as to the interior, it 
hasn't the slightest resemblance to our Parisian 
hotels. 

Remember that ! 

There is everything within (and it is well 
understood that each thing is to be paid for 
separately). 

Billiard-room, bar, hair-dressing saloon, 
baths, laundry, etc., etc. 

A small citv in itself. 



110 RACHEL 

There is, even, and not the least curious of 
all, in this hotel, as well as in several others in 
New York, an electric telegraph. Do you not 
think that very convenient, to have only to go 
down a few steps, to be able to converse, in 
slippers and dressing-gown, with a friend five 
or six hundred leagues off? 

It is a fact, as curious as authentic (reliable 
persons have so assured me), that in all these 
large hotels in the United States, any one can 
enter the dining-rooms at the hour of repast, 
seat himself at table, dine, and go away with- 
out paying anything. Without paying ! Yes, 
positively ! it is strange, but it is so. 

It is true that happens very seldom ; but 
when it does, nobody is allowed to demand the 
least trifle. 

You will admit that there is a certain sort 
of grandeur in this. 

I know, of course, that a few dollars more or 
less is a pitiful consideration for such houses, 
which are so filled with travellers that there is 
never a vacant room ; but it is, nevertheless, a 
fact for all that, and I hasten to record it. 

There are so many people in this hotel, that 



AND THE NEW WOULD. HI 

notwithstanding the immense number of 
waiters, one never knows whom to call upon. 

There is a perpetual coming and going, an 
incessant confusion. The fellows pass their 
lives in running up stairs and down, from the 
right to the left, without ever stopping, or 
scarcely ever obeying the orders given them. 

One would think they were stung with the 
tarantula. 

So that it is quite impossible to live in this 
luxurious caravansary, and as soon as installed 
one only thinks of one thing : to get out of it 
as quickly as possible. 

Mademoiselle did precisely that. The next 
day, even, (she lost no time, you see) she, with 
her two sisters, Lia and Dinah, lived no longer 
in a hotel (she had had enough of that fantastic 
existence !), but they took a private house, 
Clinton place. No. 5. 

Raphael and M. Felix took lodgings some- 
where else, in Broadway, if I recollect. (It 
must have been in Broadway.) 

In still another part of the city Mademoiselle 
Sarah took up her residence. 

This division of the Felix family into three 



112 RACHEL 

different camps, did not fail to excite the in- 
quisitiveness of all the New York tattlers, who 
speculated profusely on this subject. 

It was, as usual, a much ado about nothing. 
They lived separately because they lived sepa- 
rately, and that was all. 

As to the other members of the French Com- 
pany, the horrible yellow coach, of which I 
have already spoken, took forcible possession 
of them on their sortie from the Custom-house, 
took them — not without jolt^, I beg you to 
believe, and not without very nearly upsetting 
a number of times — to a certain French-Span- 
ish hotel, kept by a Madame M . 



AND THE NEW WORLD. 113 



CHAPTER' III. 

IN WHICH WE TREAT OF A CERTAIN UNPLEASANT SPECIES 
OP INSECT. 

The M Hotel ! Here is another vile 

place, which it would afford me pleasure not to 
recommend to my friends, if it still existed! 

But it is dead ! Peace to its ashes ! 

However, the table there was supplied with 
French cookery — at least, so they said! 

And the best in the city — but they said that 
everywhere ! 
. Ah! we shall long remember the cotelettes 
that we ate in the house of this worthy wo- 
man, and her chocolate a la grease, and her 
milk a la sheep's brains ! 

Oh ! Desire ! Oh ! Verdier ! Oh ! Vachette ! 
Oh ! Bonvalet ! Oh ! Paris dinners ! Where 
were you ? 

If we at least had been able to sleep ! it 
would have been a consolation, for, 

" (lui dort, dine.'' 



114 RACHEL 

To sleep — ah ! well, yes ! Under these in- 
temperate latitudes, this function is positively 
forbidden to Europeans. 

Our nights were horrible. 

One, among others, was hideous to me. It 
was the first, pardieu ! 

Towards one o'clock in the morning I awake, 
a prey to an atrocious itch ; I light my candle, 
and I perceive on my arms, on my legs, on my 
breast, a whole army of large, reddish crickets, 
with enormous talons — a kind of insect for 
which even entomologists, I am sure, have no 
name, and which Young America has raised up 
expressly to dissect me ! 

And these are not all : millions of musquitoes, 
of all sorts, join the onset, and devour me with 
unequalled rage. 

I feel that my senses are taking leave of me. 

I act so, at all events, and I leap out of this 
too thickly populated bed, and take refuge on 
a huge trunk, on which I am far from being 
comfortable. 

I swell perceptibly. 

Like the serpent Hippolytus, I perceive 
with horror that my body is but one wound. 



AND THE NEW WOULD. 115 

Oil ! then I curse America, and Christopher 
Columbus who invented it, and Raphael F(jlix 
who has come to explore it! And I sleep 
again ! 

I have a horrible night-mare : I seem to be 
present at a strange, impossible ball where 
myriads of fantastic insects have collected to- 
gether. 

Enormous musquitoes, frightful wasps, gi- 
gantic cricket's, compose the orchestra. 

Colossal caterpillars, large hairy spiders, 
monstrous scorpions, execute nameless quad- 
rilles, and unknown polkas, giddy waltzes, 
and diabolical rondos, putting to shame the 
sabbath. 

It is the Walpurgis night of the insects ! 

One hideous spider advances then towards 
me, and entwining me in her long, thin claws, 
tries to drag me with her in the whirls of the 
waltz. 

To resist the allurements of this ignoble 
corypheus, I made such a violent effort that I 
awoke to see a spider on the calf of one of my 
legs, breakfasting quietly on the last drops of 
blood ; a real one this time, of a reddish hue, 



116 EACHEli 

and so like my danseuse of the past night as 
to be readily taken for her. 

This is the way they sleep in this country ! 
travel, then, twelve hundred leagues to enjoy 
this amusement ! 

To calm myself, I recollect that to-day is the 
284th anniversary of St. Bartholomew. 

Indeed, as everybody here is Protestant, 
these insects, who are of course the same, have 
avenged on my person, a poor Catholic, that 
great butchery of the past. 

That was right ! 



AND THE NEW WORLD. 117 



CHAPTER IV. 

IN WHICH THE MILLION-HUNT BEGINS. 

To crown these attractions, it is scarce day- 
break when a hand-organ begins to play les 
Filles dc Marhre and the Sire de Franc-Boisy 
under my windows. 

I thought I had left those tunes behind ! 

Notwithstanding the innumerable wounds 
of her artistes (for not one of us has been 
spared by the musquitoes, and as you may well 
suppose, Mademoiselle Rachel no more than 
the rest), Raphael Felix formally announces 
the first performance of Mademoiselle Rachel 
and the French company, for the 3rd of Sep- 
tember, 1855, in all the newspapers, and that 
without the least bit of delay. 

In fact, we shall soon know what we may 
count on. Everybody is awaiting, with a 
curiosity and impatience that are very natural, 
the issue of this first night, which will indicate 
very nearly tlie entire result of the enterprise. 



118 RACHEL 

So far, it is starting under excellent auspices. 

The press throughout seems to be in the best 
possible humor. 

The New York Herald^ the Daily Tribune, the 
Courricr des Etats- Unis, and twenty other more 
or less important papers, devote several columns 
every day to this great literary event, unpre- 
cedented in the history of the United States. 

The ticket-sale goes on as if it were on 
rollers. 

The administrative money bags are swelling 
delightfully. 

From morning till night, at his office in Wall 
street (the street which the Millions inhabit !), 
Raphael Felix spends his time in exchanging 
for an enormous amount of dollars a multitude 
of little pieces of paste-board. 

He is in his element there now ! And it is a 
sight to see him, attending to his customers, 
inscribing all the names on the books, deliver- 
ing box-orders, packing away money and giving 
half a dozen employes twenty orders at a 
time without ever making a mistake. 

O potency of the dollar ! He who hardly 
knew a dozen sentences of English when he 



AND THE NEW WORLD. 119 

came on shore here, now finds means to under- 
stand this hmguage, which the Americans take 
special pains to render thoroughly incompre- 
hensible, and what is still harder, he makes 
himself understood by them ! 

There is really, in this office in Wall street, 
a suprising activity. 

Ah ! it is because from thence proceed all 
the orders in regard to this great battle which 
is to be fought so soon. 

Expresses scatter all over the city and dis- 
tribute on their way thousands of programmes, 
announcing the pieces comprised in the reper- 
tory, the names of the actors, etc., etc. 

Others take to the journalists their notes of 
invitation. Gilt-edged notes, ma foi! nothing 
less ! 

At last the final bills are posted at all the 
corners of the streets, and the curious and eager 
crowd has an opportunity to read the following 
details : 

METROPOLITAN THEATRE. 

On Monday, Sept. 3rd, 

For the first tiine in this country, M. de Premary's 

new comedy of 



120 RACHEL. 

LES DROITS DE L'lIOMME. 
(Same cast as in London.) 
After which will be presented Corneille's celebrated tra- 
gedy of 

LES HORACES. 

N. B.— In New York, M. de Prenaray is al- 
ways called de Premary. What for? 
(Here also same cast as in London.) 
Prices of admission to Mademoiselle Rachel's performances : 
Orchestra-seats— parquet and parquet-circle, 3 dollars. 

First circle, 2 dollars. 

Upper circle, ...... 4 dollars. 

Numbered seats may be secured in advance at the above 
prices, at an extra charge of 25 cents per seat. 

As will be seen, the price of seats is much 
less dear here than in London. We should 
have supposed quite the contrary. 

Seventeen francs for a reserved seat ; really 
that would not be the death of a man. 

If the house is not crammed every night with 
these prices, the New Yorkers will not be will- 
ing to come ; that is all. 

I read in the Me moires de Baiiium that M. 
John N, Genm paid in this same city of New 
York, on the first appearance of Jenny Lindj 



AND THE NEW WORLD. 121 

the colossal sum of 225 dollars for a single 
seat. 

Two hundred and twenty-five dollars ! that is 
to say, eleven hundred and eighty-one francs 
and twenty-five centimes ! 

After that, everything is possible. 
6 



122 RACHEL 



CHAPTER Y. 

FIRST NIGHT IN NEW YORK. 

On the third of September, therefore, an im- 
posing crowd stood, long before the opening of 
the doors, in front of the Metropolitan Theatre. 

It is understood, of course, that this edifice 
is, more than anything else, situated in Broad- 
way. It must be ! 

Over the principal entrance a splendid trans- 
parency has been placed, where one can spell 
in Chinese shadows the following words : 

Comedie — Drama — Tragcdie. 

The name of Rachel has not been forgotten, 
very properly, and you can see it at your leisure, 
and as often as you like, on the French and 
American flags which the New York artist has 
painted on the upper portion of his transpa- 
rency, and which you would swear were live 
flags, they are so well done. 



AND THE NEW WORLD. 123 

But the mask of tragedy which you see down 
lower is not so happily imitated. This is some- 
thing which has not the appearance of being 
alive ! This diabolical face must give all this 
world a strange idea of tragedy ! 

Well, never mind, in spite of this caricature 
— in consequence of it, perhaps — the transpa- 
rency has an enormous success. 

O celebrated transparencies of the Cosaques 
and of the Priere des Ncu/fragcs, how you are 
left in the shade, my good friends ! 

But listen ! It is half-past six, and the doors 
are open ! 

The crowd begins to invade the theatre ! and 
that too, w^ithout cries, without bustle, and al- 
most without speaking. 

Parisian public ! thou art not the public 
to take possession of a theatre in this way ! 

But Americans are noisy only about their 
business. In their pleasures they are as tran- 
quil as the late Baptiste. 

So every one follows his usher without crowd- 
ing, and without pushing or incommoding any- 
body, takes the seat he prefers. 

When the stalls are no longer numbered and 



124 EACHEL 

reserved, every one has a right to choose the 
seat he likes best. 

Which is very much the best way. 

First, because it prevents people who are 
late from getting good places, and then because 
it suppresses entirely that tyrannical, venal and 
morose class of malefactors, who are forever 
opening boxes, the everlasting plague spot of 
our Paris theatres ! 

Meanwhile the spectators have nearly all 
arrived, and the house already offers a magnifi- 
cient coup d'oeil. 

The gentlemen are generally dressed very 
simply. One thing seems to occasion them a 
good deal of trouble, they have ripped gloves. 

Ah ! this is a very gala day for the ladies. 

So they are all, with very few exceptions, 
dressed with an unheard of luxury, and, what is 
more, an excellent taste. 

Not one of them would have been willing to 
come here to night except in ball-dress ; and 
what ornaments ! 

There are diamonds by the shovelful, flow- 
ers as if it rained flowers. 

Not to take into account that they who wear 



AND THE NEW WORLD. 125 

them are nearly all young, pretty and smiling, 
and that these pretty republicans have, for the 
most part, a slightly aristocratic air which is 
marvellously becoming to them ! 

They are far better than their husbands, it is 
due to them to say so much, and as fortunately 
they are in a majority. Everything is for the 
best in this best of all possible theatres. 

Besides this theatre is really superb and wor- 
thy in all respects to receive such fine com- 
pany. 

The green-room is entirely new, ornamented 
with various and fresh decorations throughout. 

Everywhere are very rich carpets, magnifi- 
cent furniture, and gas burners in all the nooks 
and corners. 

All that has really a pleasant appearance. 

But the hour is passing. 

The mighty moment approaches ! 

The orchestra is playing an overture. 

A few seconds more and the French compa- 
ny will meet the American public face to face. 

At last the green-room clock strikes seven. 

The three blows are struck ; everybody 
makes ready ; opera glasses are levelled at the 



126 RACHEL 

stage ; the curtain rises ; the Les Droits dc 
VHommc is played. 

Our friend Jules Premaray's piece produces 
an enormous effect, thanks to the numerous 
Frenchmen who were present at this first per- 
formance. 

As to the Americans, I dare assert one thing ; 
they did not understand a word of the piece. 

As there is no English translation of this play 
that was the case of course, and we are not 
surprised at the result. 

During these two acts, a time which seems 
to them two centuries, these good New York- 
ers are delightfully bored. 

Were it not for the splendid toilettes of the 
three sisters of Mdlle. Eachel, I am thoroughly 
convinced that they would be asleep already. 

It would be all the same ; they are very much 
vexed at having came so soon and would be 
glad to give eleven sous to have the thing over. 

The French, who trouble themselves very 
little w^hether the play amuses these gentle- 
men of the New World or not, continue to 
laugh and applaud, nevertheless. 

At last the curtain falls, and now the Ameri- 



AND TUE NEW WORLD. 127 

cans, with the deepest sincerity, join their 
bravos to those of the French. 

It is over ! Ouf ! 

They consent, in concert with our country- 
men, to call out all the actors in the comedy, 
which is considered to be a great thing in this 
country, where the claque is totally unknown. 



128 RACHEL 



CHAPTER YI. 

IN WHICH MDLLE. RACHEL COMES ON THE SCENE AND JENNY 
LIND ALSO. 

The entr'acte is not long. 

Mdlle. Rachel herself is impatient to appear 
on the scene. 

Nevertheless, she is excited, very much ex- 
cited. 

Her hand is icy. 

The piece begins. 

The public listen religiously to the Alexan- 
drines ofCorneille. The most complete silence 
reigns in the house. 

Suddenly a strange, unexpected noise drowns 
the voices of the actors. 

One would say that a frightful storm had 
come on, and that the rain was furiously beating 
against all the windows of the house. 

Nothing of the kind ! The deluge is all in 



AND THE NEW WORLD. 129 

your eye. The noise is produced merely by 
innumerable pamplilet copies of Ics Horaces, 
translated into English, and all the spectators 
are turning over the leaf together. 

Notning can be more comical than to hear 
this sudden rustling, just in the middle of a 
passage. 

Nothing can be so diverting as the perfect 
concert in which all these old papers are 
hustled. 

You would say that a regiment in black 
uniform was executing a military order. 

Mdlle. Rachel does not think this so very 
diverting. 

She reflects that these accursed pam^Dhlets 
are going to cut in two her words, her sen- 
tences, and her passages, and that reassures her 
only partially. 

At last, Sabine (Mdlle. Durrey) pronounces 
the line : 

" Voyez qu'un bon genie a propos nous renvoie," etc. 

There is a great movement in the house, and 

Mdlle. Rachel ajipears. 

She is received by three or four salvos of 

applause : then all becomes perfectly calm and 
6* 



130 RACHEL 

We avow, frankly, that has satisfied us only 
very moderately. They ought to have ap- 
plauded for a whole hour. 

Eachel in America ! This seems to us some- 
thing incredible, splendid, wonderful ! It was, 
to our idea, an epoch which ought to revolu- 
tionize the whole continent. 

Eachel in America ! Why, the Indian tribes 
themselves should have talked it over in their 
savage forests ! 

And, instead of that, they receive her just as 
they have received ten other, twenty other, 
actresses ! 

What am I saying ! Jenny Lind was received 
like a queen. 

And yet, does Jenny Lind's talent, great as 
it may be, surpass Eachel's ? 

I must be permitted to doubt. 

As to the reputation of the Swedish song- 
stress, everybody knows that it never was 
equal to that of the French tragedienne. 

But just see what a reception she met with 
in New York, at the first concert in Castle 
Garden. 

Barnum himself is the narrator : 



AND THE NEW WORLD. 131 

" One thousand tickets were sold the first 
day, for an aggregate sum of $10,141 (or 
50,705 francs). 

*'In order to prevent confusion, the doors 
were opened at five o'clock, although the con- 
cert did not commence until eight. The con- 
sequence was, that, although five thousand 
persons were present at the first concert, there 
was neither accident nor disorder to be deplored. 
The reception of Jenny Lind, on her first ap- 
pearance, in point of enthusiasm, was probably 
never before equalled in the world. When she 
was led toward the foot-lights, the entire 
audience rose to their feet and welcomed her 
with three cheers, accompanied by the waving 
of hats and handkerchiefs. Towards the last 
portion of the cavat'ma, the audience was so 
completely carried away by their feelings, that 
the remainder of the air was completely 
drowned in a perfect tempest of acclamation. 
Enthusiasm had been wrought to its highest 
pitch. Her triumph was complete. At the 
conclusion of the concert, the songstress was 
loudly called for, and was obliged to appear three 
times before the audience could be satisfied." 



132 KACHEL 

I should not have repeated here the details 
of this first night of the Swedish Nightingale, 
had not fifty persons in New York, on the spot, 
assured me that all Barnum had said on this 
subject was strictly true. 

It was an incredible infatuation, a rage, a 
furore. 

And I repeat it, Rachel's success does not 
approach that of her predecessor. 

All the worse for the Americans. 

They appeared to consider it a matter of 
course, that the French tragedienne should 
leave her native land and risk her life to have 
the pleasure of repeating poetry in the country 
of Washington and Benjamin Franklin. What 
is worse, they did not understand her. 

The things that produced the greatest effect 
among us, her magnificent diction, the play of 
her countenance, her admirable carriage and ges- 
ture, all these are passed over nearly unnoticed. 

The only things which excited real applause, 
were the strong passages, passionate scenes, 
where the step becomes more animated, the 
gesture more lively, or the voice leaves its 
usual tones. 



AND THE NEW WORLD. 133 

So the whole of the scene of the impreca- 
tions produced a monstrous effect, and decided 
the eflect of the performance, a very brilliant 
success, very great without doubt, but I would 
have had it twenty times greater, twenty tinies 
more complete, considering the talent and 
name of her who was its object ! 

I need not say that Mademoiselle Rachel was 
called out after the piece, which ended, not at 
the end, as some may suppose, but two-thirds 
through the fourth act, that is, at the last words 
of Camille, when she is slain by her brother : 
"^/i, traitre!^'' which does not rhyme with any 
great things. 

The scene of Sabine and Horace is sup- 
pressed, as is also the fifth act, as injuring the 
effect. 

The public, to do them justice, did not en- 
core anything, and they applauded Rachel as 
warmly as they could, when, on being called 
out, she was led on the scene, not, as one would 
suppose, by her brother Horace^ but by her 
brother Raphael ! 

Probably because it would not have been 
proper for Camille to reappear, giving her 



134 RACHEL 

hand to the man who has just assassinated 

her! 

As you perceive, Mademoiselle Rachel always 
makes her debut in a city in the part of Camille. 
This is her great cheval de hataille. 



AND THE NEW WORLD. 135 



CHAPTER YII. 

IN WHICH IT IS PLAINLY SEEN THAT THE AMERICAN DOES 
NOT BITE WELL AT TRAGEDY. 

One thing is positive, and we all perceived 
it that night : tragedy is not the least in the 
world to the American taste. 

It is a great deal too serious, a great deal too 
magisterial, and, above all, a great deal too 
cold, for them. 

All these people, regular business men, (and 
I do not reproach them for being so,) all these 
people, I say, are busy all day with their busi- 
ness, their sales, their purchases, their dollars, 
their thousand things, in fact — every one more 
tedious than all the rest ; and at night, if they 
consent to shut themselves up in a theatre, they 
want gay, pleasant spectacles, which divert 
them a little, and make them forget the labors 
of the day — pantomimes, comic songs, eques- 
trian scenes, feats of strength, pretty dances 
and pretty danseuses especially, they ask no- 
thing more. 



136 KACHEL 

This explains the immense success and the 
immense fortune of the Ravels. 

Ten times I have been to the Broadway Thea- 
tre, of which they are the managers, and I could 
hardly get a seat, (of course I paid like any one 
else). 

And what did they play? Jocko, or the Bra- 
zilian Monkey, and The Devil's Pills, in panto- 
mime ; that is all ! 

Heigho! Raphael Felix had a presentiment 
of that when he wanted to engage a corps de 
ballet! 

When I speak of the public of the United 
States, of course it is understood that I am 
speaking only of the masses. 

There is a class there (unfortunately, it is 
the minority), but, in short, there is a class 
who are intelligent, educated, artistic, even ; it 
comprises all the members of the American 
press. 

They have not the everlasting dollar mania 
in their heads, and they are capable — I can an- 
swer for that — of appreciating and judging 
transatlantic actors and plays. 

All the journals have emulated each other in 



AND THE NEW WORLD. 137 

giving very charming and very remarkable 
articles on every one of the performances of 
Mademoiselle Rachel. 

The New York Herald, among others, has 
shown the great trag(^dienne a politeness hither- 
to unknown. 

This journal, printed of course in English, 
has published, in the midst of its leading 
articles, criticisms of several of Mademoiselle 
Rachel's performances, and that, too, in French. 

Which, certainly, is more than enough to 
make everybody adopt our opinion of the press 
of the New World. 

The Coiirrier des Etats-Ujiis (the French jour- 
nal of New York) has not been behind, as may 
be supposed, in sustaining the performances of 
the French Company. 

Ah ! had the success that was contemplated 
for this enterprise depended on these gentle- 
men, I think I do not go too flir when I say 
that it would have been attained as fully as 
heart could wish ; but the public (now it will 
be understood whom we designate by that 
name) — the public did not bite at tragedy ! 

It did not seem to them at all droll to see 



138 RACHEL 

actors always coming in, two by two, with 
their legs too bare and their dresses too short, 
to declaim great orations long as an endless 
day. 

And then, it completed their stupefaction, 
to be compelled to follow the piece by these 
accursed translations. Sometimes they turned 
over two leaves instead of one, so that it was 
perfectly impossible for them to make out a 
single word, and then they went out half 
crazed ! 

For a moment, they hoped that these rather 
slight costumes would have something to do 
with wrestlers ; but alas ! they were terribly 
undeceived ! 

Gods ! what a monstrous success, what fran- 
tic bravos, the actor would have obtained, who, 
in the midst of a tragic scene, had taken to 
walking on his head, turning summersets, and 
swallowing his sabre ! 

And, take notice, that notwithstanding all 
this, the public have never failed to applaud 
when they could find an opportunity ! 

But it was not hearty ! it was the applause 
of politeness, and that was all ! 



AND THE NEW WOULD. 139 

All the grand scenes never affected them 
seriously. 

And the proof of tliat is, that as soon as an 
act was over, they never spoke to each other 
about what they had just been seeing and 
hearing : no ; they be^an, without losing a 
minute, to talk about the course of the dol- 
lar. 



140 EACHEL 



CHAPTEK YIII. 

IN WHICH THERE IS MORE TALK ABOUT THE SWEDISH 
NIGHTINGALE. 

After the performance was over, we were 
all perfectly sure that an immense crowd 
would be in waiting for Mdlle. Kachel at the 
door of the theatre to carry her in triumph to 
her house that was to be. Well, instead of 
that, every spectator hurried as fast as he 
could to find a place in one of the many 
omnibusses which take their station every 
night, when the play is out, in front of the 
theatres. After which, every one entered his 
own domicil, absorbed one or two tea-pots of 
warm water, tucked himself up within his bed- 
clothes, and went to sleeping tremendously, 
dreaming of everything but the first night 
of the French Company in the Metropolitan 
Theatre. 

The receipts for this first night were five 
thousand six hundred dollars, that is to say, 
26,334 francs. 



AND THE NEW WOULD. 141 

This is evidently very handsome ; but what 
is it in comparison with the Jijhj or sixty 
thousand francs which we ouglit to have 
made ? 

Above all, what is it in comparison with the 
receipts of Jenny Lind's first night, whicli rose 
to the ftibulous sum of 17,864 dollars, that is 
to say, ninety-three thousand seven hundred 
and eighty-six francs ! And besides — adds 
Barnum with chagrin — this was not as hand- 
some as it ought to have been, in consequence 
of some misunderstanding in relation to the sale 
of the tickets. 

There is evidently a difference between these 
two sums, which would open the eyes of a bat ; 
but there is also, we are perfectly aware, a not 
less perceptible difference between the two 
gifts of these two great artists. 

Jenny Lind sang, and song is a universal 
language, w^hich all the world understands; 
wliile Rachel plays tragedy. (And this is 
very far from being a universal language — 
this tragedy !) Rachel, consequently, could 
be understood only by the elite of intellect, 
that is to say, by very few people. 



142 ■ RACHEL 

There was, moreover, a still better reason 
than that why the Rachel receipts never reached 
the figure of the receipts of the Swedish Night- 
ingale. 

This is because, for the Nightingale in 
question, the seats were sold at auction, by- 
means of which incredible totals were rolled up ; 
while, for Rachel, the seats were sold at the 
office price, just as in Paris. 

So that the Metropolitan Theatre, when 
completely full, could not have produced an 
amount of more than thirty thousand francs* 

Well, in spite of all that, it is our profound 
conviction that, with the name of Rachel, they 
should have made thirty-five thousand francs ! 
At the very least ? 

Yes, the passage-ways should have been 
crowded, the boxes invaded, in short, specta- 
tors should have climbed, per force, upon the 
shoulders of great good-natured fellows in front 
of them ! 

We could have wished to see enthusiasts 
hanging on the cornices, clinging to the pillars, 
perched on all the gas-fixtures. We would 
have had them behind the scenes, on the stage. 



AND THE NEW WORLD. 143 

between the legs of the actors, as in the time 
of Moliere, when all those people cried: 

^''How fuic this ?5/" — before the candles were 
lighted ! 

Mdlle. Rachel, too, would have had it so, 
and Rapliael, and everybody. 

However, nobody dared to complain of the 
result of that first night. 

Perhaps they were hoping that, on succeed- 
ing nights, the receipts would be handsomer, 
and the enthusiasm greater. 

It was possible ! 

Amongst other journalists, M. R. de Tro- 
briand, of the Courrier des Etats-Unis, came be- 
hind the scenes, and congratulated Mdlle. 
Rachel warmly, assuring her that this night's 
success must go on increasing. 

They believed it ! Why should not one 
have believed it with them ? 

The next day, September 4th, were played — 

PHEDKE AND THE DROITS DE L'HOMME. 

(Same cast as in London.) 

Strange circumstance ! the receipts fell ! 
Nineteen thousand five hundred and eighty- 
seven francs are made to-night. 



144 RACHEL 

Nearly seven thousand francsless than yesterday ! 

This because they do not understand a word. 

The piece, however, produced an enormous 
effect — greater than Horace, perhaps. 

Eachel is called out several times, during 
and after the piece. 

The French in New York are enchanted; 
they applaud frantically. 

As to the Americans, they persist in making 
that disastrous noise with their pamphlets, and 
in not being amused enormously. 

Some of them, who came only to see Rachel, 
leave their seats on her appearance, and hurry 
away as if the devil were behind them. They 
have seen Rachel ! They can say to every body : 

" I have seen Rachel." 

That is all they want. 

As to making a study of the French tragedy 
and tragedienne, they reserve that pleasure for 
another time. Meanwhile, they go to the 
Broadway Theatre to see a certain tight-rope 
dance, which is making a good deal of noise 
in the dramatic world of New York. 

To-night, through the whole of Rachel's first 
scene, a number of blackguards, concealed in 



AND THE NEW WORLD. 145 

the passages of the theatre, amuse themselves 
by imitating the crowing of a cock. 

Yesterday, indeed, on her entree in Horace^ 
they were indulging in this barn-yard amuse- 
ment. 

The noise of this fowl, in the midst of the 
poetry of Corneille and Racine, produced the 
most disagreeable effect in the world ; so they 
sent in pursuit of this pretended cock a party 
of policemen, who, of course, found nothing 
at all. 

At the close of this second night, in spite of 
its success, we were not nearly as well satis- 
fied as we had been the evening before. There 
was a reason. And we ventured to make the 
discovery that this country was decidedly too 
far off, too warm, too full of flies, and not liter- 
ary enough ! 

And to think that Raphael was so obstinate 
as to undertake this audacious journey. 

I made this observation to Mdlle. Rachel. 

"What w^ould you have?" she answered; 
" he cannot be contented anywhere." And 
she added, with a smile : " My brother, you see, 
is the Wandering Jew, and I am his five sous." 



146 RACHEL 



CHAPTER IX. 

IN WHICH WE don't PLAY AS MUCH AS WE WOULD LIKE. 

On the 6th of September, the bills announced 
the first performance of Adrienne, not Lecouvreur, 
as one would suppose, but of 

ADRIENNE i^COUYREUR. 

(N. B. During the whole time that we were 
in New York, it was impossible to induce the 
compositors of the place to call this unfortunate 
Adrienne anything but lud.couvreur — probably, 
because she was a woman.) 

That did not hinder the piece from having 
a far greater effect than Fhedre and Horace, 
Ah ! it is because there are such splendid 
dresses in Adrienne; such rich ornaments! 

All these ladies play to-night with all their 
diamonds! Mdlle. Sarah is sparkling; Mdlle. 
Rachel is dazzling. And then, there is a new 
dress for each act, and it is a great source of 
pleasure to the spectators no longer to see this 



AND THE NEW WORLD. 147 

eternal palace, eternally decorated with its two 
old red arni-chairs ! Oh ! the viHainous arm- 
chairs ! 

So, with the whole sincerity of their souls, 
they overwhelm Rachel with recalls and bou- 
quets! She is much greater in this than in 
Cam'dlc — than in P/icdrc, even ! So they think ! 
She changes her costume three times, at least ! 
All rig-ht ! all r'urlit ! 

O o 

The receipts to-night are 2,026 francs more 
than yesterday. They ought to be. Next day, 
they placarded : 

MARIE STUART. 

But two performances, one immediately after 
the other, are too much ; the sale of tickets 
gets on slowly. 

At this, added to a slight indisposition on 
the part of Mdlle. Rachel, the word 

POSTPONEMENT 

takes the opportunity to spread itself magnifi- 
cently on the bills of the Metropolitan. 

Next day, they would have endeavored to 
make up for this lost night ; but fate, disguised 



148 RACHEL 

as an almanac, willed that it should be Satur- 
day. 

Now Saturday, being pretty generally the 
day before Sunday (even in America !) mer- 
chants are obliged to stay very late at their 
offices, to balance their accounts for the week ; 
and their provident companions spend the even- 
ing at market, making provision for the next 
day; and, for this reason, if there were in every 
theatre the most attractive and the most gratis 
spectacles in the world, all these people would 
rather be chopped as fine as mince meat, than 
give up their old customs for a single day ! Old 
customs are sacred in young America ! 

For example, the government, seeing with 
what fury people were rushing into drunken- 
ness, promulgates a law (the Mahie Law), pro- 
hibiting, throughout the Union, the sale and 
use of alcoholic drinks. What do they do 
about it ? 

They rebel ! They jump square-footed over 
the law ; they open the bar-rooms and taverns 
by force, and the numerous gutters of America 
are more than ever clogged with drunkards. 
Their customs, first of all ! Apropos of this, 



AND THE NEW WORLD. 149 

at Lincoln, in Illinois, not long ago, the women 
rebelled, enraged at the intemperance of their 
husbands. They armed themselves with axes, 
spades, knives, and even pistols, and took a 
liquor establishment by assault. Everything 
was destroyed. The house itself was nearly 
demolished. (Historic.) 

Again ; some years ago, there was in the 
United States a very popular game — the game of 
ni?ie pins. 

Since colossal sums were lost in this inno- 
cent pastime, and every day some player found 
means to ruin himself out and out, a decree ap- 
peared which forbade — this time seriously — tlie 
game of nine pins. 

Straightway there was a great hubbub. No 
more nine pins ! What is to become of us ? 
Must there be another rebellion ? 

No ; upon reflection they discovered, that al- 
though nine pins were suppressed, there was 
nothing to hinder them from indulging in a 
game of ten pins. 

And, in fact, since then they play at ten pins 
from morning till night. If an ill-advised de- 
cree should suppress ten pins, they will play at 



150 RACHEL 

eleven pins, and so on, to the extinction of natu- 
ral heat. 

It is a fine thing to cheat the law a little ! 

So much for the law, morhleu! Why does 
it come poking its nose into their old customs ? 



AND THE NEW WORLD. 151 



CHAPTER X. 

WHICH IS VERY FAR FROM BEING A LIVELY ONE. 

Perhaps you think, that because we could 
not play yesterday, Saturday, we should give 
at least two performances to-day. No, no. By 
order, the theatres are closed and the shops are 
not opened. No cafes, no restaurants ! If you 
did not take precautions yesterday, you are 
likely to die of hunger to-day. 

In the streets there are no hacks ; in the dead 
city a few promenaders, veritable spectres, pass 
now and then. Not a cry ! not a laugh ! not 
even the bark of a stray dog, not even the twit- 
ter of a flitting sparrow. 

It is exactly so. There are scarcely any dogs 
in New York ; as for swallows, you never see 
them. Why? It is dismal enough to make 
a^an swallow his own tongue. 

Positively, this town is enough to dry one's 
heart up. All the houses, in white marble or 
granite, are as like funeral monuments as one 



152 RACHEL 

drop of water is like another. It is strik- 
ing; and, in addition to that, each house has its 
little iron railing enamelled with ivy, cypress 
and weeping willows. 

It is doleful enough all the week ; think what 
it must be on Sunday. 

Besides, on this day, every one flies to the 
country. I, and some of my friends, wish to 
do like everybody else. So we get into a hack, 
telling the driver to take us wherever he pleases, 
so that it be to some very lively place. We 
start. Presently we are on a kind of bridge, 
and,' in a few seconds, we find that our bridge 
has left the shore, and that we are in the mid- 
dle of a river with our carriage and horses. A 
ride on the water in a coach ! That's something 
like — that's funny ! 

(This kind of bridge, propelled by steam, 
is a sort of huge ferry boat — an omnibus boat 
— big enough to hold hundreds of people, be- 
sides some thirty carriages with their horses.) 

In a very short time we are on the other side 
of the river, and our horses drag ns into the 
country. After a rather long ride, we arrive at 
last at the jolly place chosen by our coachman. 



AND THE NEW WORLD. 153 

Now, guess where the scamp has brought 
us ? To the graveyard — the Pere la Chaise of 
the phice ! 

Let us leave this Necropolis, and go and take a 
turn in the Metropolitan Theatre ; or rather, not 
yet. Before leaving the funereal pomps, I have 
a piece of melancholy news to tell you. The 
yellow fever is at Norfolk and Portsmouth, and 
the papers S2")eak of nothing but that. 

•' While the pestilence seems to diminish at 
Norfolk," says one of them, " the latest advices 
from Portsmouth report an increase on that side. 
If the alarm subsides in the former, it is only 
to be exacerbated in the latter, city. 

" Yesterday we gave the names of some phy- 
sicians who have died, victims to the disease. 
To-day we have received a melancholy list of 
clergymen who have suffered the same fate." 

"An association of eleven persons is men- 
tioned — physicians and nurses — who arrived at 
Portsmouth on the 29th of August, and of 
whom six perished in a few days afterward. 

" It is easy to see that this frightful mortality 
has made many orphans. 

" Interested in the fate of two hundred chil- 

7* 



154 RACHEL 

dren thus deprived of their parents,the Baltimore 
Committee proposed to remove them to the 
House of Refuge of that city. The ladies now 
prepared to provide them v^ith new clothes in 
exchange for their old ones which were burned. 
But the Howard Association refused to make 
the transfer, which was relinquished in conse- 
quence. 

'' The dispatches received to-day from Nor- 
folk and Portsmouth," say the journals of the 
next day, " report no amelioration. Public be- 
neficence is not slower in succoring the victims 
than the plague in striking them down. 

" The subscriptions in New-York alone have 
reached, up to this time, 25,000 dollars (131,- 
250 francs !) and are increasing every day. The 
board of Councilmen voted, on Wednesday, the 
sum of 3,000 dollars. 

" At Philadelphia 20,000 dollars have been col- 
lected for this noble object. Why is it that one 
night of frost can do more for the cities thus 
decimated, than all the sums of money that are 
sent thither ? 

" This horrible pestilence falls even in the 
midst of the sea. Last Sunday some fishermen 



AND THE NEW WuKLD. 155 

of Edgartown piloted to this port the schooner 
Joseph James, of Bangor, which they had found 
at anchor outside of the Great Kip. The vessel 
was loaded with pine wood and bound for 
Georgetown. 

*' On the voyage, the yellow fever broke out 
on board with such violence that not a man of 
the crew escaped. All w^ere on the sick list, 
unable to work the craft. These unfortunates 
have been landed at Quarantine and are now the 
objects of that care which their condition re- 
quires." 

We read in another journal that Mademoi- 
selle Rachel has sent to the families of the vic- 
tims the sum of one thousand dollars (5,250 
francs). 



156 RACHEL 



CHAPTEE XL 

IN WHICH THERE IS A GOOD DE.VL SAID IN FAVOR OF THE 
RACHEL COMPANY. 

On Monday the 10th, we play 

MARIE STUART. 

Leicester, MM. Raiidoux. 

Mortimer, - - _ . " Leon Beauvallet. 

Melvil, " Latouclie. 

Burleigh, " Chery, alne. 

Paulet, •' Chery, jeune. 

Elizabeth, - - - - Mdlles. Sarah. 
Marie Stuart, - . . - " RACHEL. 

Receipts : 20,154 francs — a little less than 
with Adrieniie. 

Besides, the heat is intolerahle. Impossible 
to dress in anything but white linen. 

Which is very expensive, as washing is here 
ridiculously costly : a single collar ten sous. 

Wednesday, September 12th. 
ADRIENNE ALWAYS L.4 COUTREUR. 
Receipts ; 18,102 francs. 
The Coiirrier des Etats-Unis publishes a very 



AND THE NEW WORLD. 157 

favorable article on the artists of the Comimny 
Frangaise. 

The article is very long ; but as it speaks 
well of everybody, we shall give the whole of 
it: 

"THE RACHEL COMPANY. 

" In hastily committing to paper, on leaving 
the Metropolitan Theatre, our impressions of 
each performance, the success of Mademoiselle 
Kachel has scarcely left us space to say a few 
words of the manner in which she is supported. 
The artists who accompany her in her trans- 
atlantic tour, deserve, in every respect, a great 
deal more than this brief notice. We take ad- 
vantage of our first leisure moment to do them 
justice. 

*' At any time, and everywhere, the company 
with which M. Kaphael Felix has surrounded 
his sister would be worthy of mention. 

" In the United States, accustomed as we 
are to see the most famous stars appear in the 
midst of, what is called, in the language of 
the theatre, a pasteboard troupe, this company 
exceeds, by a great deal, all that we had a right 



158 RACHEL 

to expect or require. On this account, it is not 
alone the appearance of Mademoiselle Eachel 
which will form an epoch in the dramatic 
history of the United States. All that is con- 
nected with her advent among us, will leave a 
profound impression in the memory of the 
public, and, we hope, a germ of regeneration in 
the customs of the American stage. 

*' Sublime and startling, certainly, is the 
revelation of art which Mademoiselle Rachel 
brings to the New World, in the folds of her 
tragic robe. But, in a less elevated degree, 
there is also a revelation in the ensemble and. 
mise en seme, which has transformed, for a time, 
the Metropolitan into an edition of the Theatre 
Frangais. In this matter the American dra- 
matic world — artists as well as directors — has 
yet everything to learn ; and it will never be 
able to enjoy a more practical or more eloquent 
school than that now before its eyes. 

" Furthermore, French dramatic art will 
never achieve a more brilliant triumph than it 
receives now in New York. Before a people 
to the greater number of whom our language 
is unintelligible ; before an audience who have 



AND THE NEW WORLD. 159 

never seen any but unnatural effects on the 
stage, our artists will be heard, understood, and 
ap})hiuded, without modifying a single one of 
their customs, without having sacrificed a single 
rule of scenic good taste. They will play in 
New York as they would play in Paris ; and 
New York will applaud them wdth the same 
discernment that Paris would exercise. The 
instinct of the beautiful, the right, the true, 
wnll be correctly appreciated by an audience 
which understands only the one half. 

*' No means could be employed to throw out 
in bolder relief, in a more striking, and at the 
same time, more flattering, aspect, the degree 
of perfection which dramatic art has reached 
with us. But of what a variety of arts, all ig- 
nored in the United States, is not this grand 
art composed ! To enter, to go out, to walk, 
to listen, to look — are so many studies, in which 
the actor must perfect himself before making 
any pretensions to merit — before, so to say, 
even learning to speak. The art of modulating 
his voice to the diapason of different situations, 
adding to it proper sentiment and gesture, 
crowns all the others ; but he knows how to 



160 EACHEL 

supply the place of this, and it is not, so much 
as it ought to be, the most difficult to acquire. 
It is the union of all these talents, of all these 
qualities, from which proceeds the charm, the 
power, and, above all, the truth, of the scenic 
art. And the more the whole is dissolved in a 
sort of natural simplicity, the grander and 
deeper is the impression produced. It is pre- 
cisely this which constitutes the distinctive 
character, and, at the same time, the immense 
superiority of our theatre; it is this, also, 
which, at the present moment, causes the suc- 
cess of the Rachel Company, apart from the 
personal triumphs of the great artiste. 

" Assuredly, when an American audience 
listens with a patient and almost interested ear, 
to the two long acts of the Droits cle V Homme; 
when it laughs at the discoveries in the last 
scene of the Dejpit Amoureux ; when it submits, 
without ennui, to the long explanatory scenes 
of certain tragedies; when, above all, it ap- 
plauds spontaneously a moving situation or 
well-conceived passage, it is not because it has 
understood all that has been said; but the look, 
the air, the attitude, the gesture of this actress, 



AND TUE NEW WORLD. 161 

have translated the evanescent idea with such 
fidelity, that the audience almost fancies it has 
understood the words. 

*' Moreover, everything is new to him in the 
play, in the inise en scene, of which nothing has 
sufficed before to give him an idea. These per- 
sonages, who come and go, depart and reenter, 
sit down and rise up, in the most natural man- 
ner in tlie world ; who walk without measuring 
the stage with puppet-like steps, and who 
speak without filling the theatre with jerks of 
voice ; this ease without slovenliness ; this ac- 
tion, so expressive, and yet so quiet ; this art 
of filling the stage, not with stride and uproar, 
but with true action ; this historic exactness 
of gait, physiognomy, and costume — these 
again are equally the revelations which make an 
impression, and from which, for that very rea- 
son, we have a right to expect a lasting influence. 

" The last point t6 which we allude — historic 
accuracy — is, certainly, neither the least con- 
spicuous, nor the least important of these 
revelations. In this respect, more than in all 
the others, the American theatre is in its in- 
fancy — 'let us say, rather, in chaos. Even upon 



162 EACHEL 

our best stages, anachronism is a fixture, and 
artists, the most careful of their parts, approach 
every instant the grotesque in the matter of 
dress. Let them study Phedre, Adrienne Le- 
couvreur, Marie Stitart, and they will see how a 
period may be resuscitated, how to evoke from 
the tomb the characters of the past. One 
detail will give an idea of the extreme point 
to which the French theatre pushes its scruples 
on this score. In the second act of Adrie?ine, 
Mademoiselle Rachel wears, to represent Eoxana 
in Bajazet, not the actual costume of the role, 
but rather the costume in which it was played 
by Mademoiselle Lecouvreur at the time to 
which the piece carries us back. It is at the 
cost of such care that historic truth is attained, 
and the prestige of the stage rendered legiti- 
mate and complete. 

" These general observations, which are 
meant, at the same time, to commend the 
ensemble of the company, have led us further 
than we wished. But they have their interest, 
and the artists, of whom we have now to speak, 
will not find fault with a few lines devoted to 
their appreciation as individuals. 



AND THE NEW WORLD. 1G3 

" The list of" Icminine iiersonncl with wliich 
we have been made acquainted, is composed of 
six names : Mesdemoiselles Sarah, Lia, and 
Dinah Felix ; Mesdemoiselles Durrey and 
Briard, and Madame Latouche. 

*' Of the three sisters of Mademoiselle Rachel, 
Mademoiselle Sarah, up to this time, has been 
the only one to occupy an important place in 
the repertory, and she holds it with remarkable 
talent. The three characters in which we have 
seen her — as Madame de Lussan, in Les Droits de 
VHommc, the Duchess de Bouillon, in Adricnne, 
and Queen Elizabeth — have been for her three 
occasions of complete success. While her 
piquante grace, her eye full of spirit, and her 
sarcastic voice, indicate for her the part of 
the " grande coquette," she has contributed 
a large share of the most dramatic effects in the 
last-mentioned plays. Mademoiselle Rachel is 
admirably posed between her and Mademoiselle 
Durrey. 

" The latter enacts the second tragic parts with 
as much merit as artistic appreciation. She 
also, by right, has shared the more striking suc- 
cess of Mademoiselle Rachel. In the Sabine of 



164 RACHEL 

Les Horaces, in the ^none of Phedre, in the 
Anna of Marie Stuart, she has been equally 
effective. She possesses that gift, so invaluable 
in her difficult vocation, of being able to put — 
to use the consecrated term — tears in her voice. 
She exerts over the audience an influence v^hich 
has been more than once acknowledged by ap- 
plause. Mademoiselle Briard plays the ungrate- 
ful part of confidante as v^ell as such a part 
can be played. She showed on Monday night, 
in the Marinette of the Le Derpit Amoiireiix, 
that she possesses more intelligence and finesse 
than can be displayed in the Julies and Irenes 
of the tragic repertory. 

*' Mademoiselle Lia Felix sustained very appro- 
priately her part in Les Droits de V Homme, in 
Phedre (Aricie) and in Adrienne, That is all we 
have to say about her at present. 

"Mademoiselle Dinah would be an ingenue 
full of vivacity and very charming, if she would 
learn from her elder sisters to subdue and modu- 
late her voice, which constantly flies oft' to the 
sharpest keys in the juvenile scale. Like her 
sister Lia, she is yet to be fully appreciated. 
"As to Madame Latouche — the only one un- 



AND THE NEW WORLD. 1G5 

mentioned — we caught but a glimpse of her for 
an instant in tlie Dfinl Amourenx. 

*' MM. Randoux, Leon Beauvallet, the Cherys 
(father and son), Bellevault, Dieudonn{3, La- 
touche, form the masculine part of the iicr- 
sonncl. 

" Almost all of them are already completely 
ingratiated in the public favor. 

" The elder Chcry achieved an excellent suc- 
cess in the Michonnet of Athicmie Lecouvreur, M. 
Bellevault had the same good fortune, and mani- 
fested the same talent, in the Duroc of Lcs 
Droits de VHomme at first, and afterwards still 
more completely in the Gros Rene of the 
Dcint Amour eux. 

" The responsibility of the heavy tragic parts 
rests principally on MM. Randoux and Leon 
Beauvallet, who both displayed the most valu- 
able and difficult qualities pertaining to this 
class. M. Randoux, especially, seems to have 
cultivated tragedy with a care and preference 
rarely met with now-a-days. We must point 
out, however, one njore error, into which his 
very love and respect for the majesty of the 
classics are fast leadiuo; him : that is, an ex- 



166 RACHEL 

tremely slow and tedious delivery. His talent 
would be improved by burning the board more. 
M. Leon Beauvallet's acting would also be im- 
proved, if he walked better, and did not make 
the rhyme so perceptible. But it would really 
be inexcusable for us to criticise artists so un- 
hoped for by us. 

" We will add, that M. Leon Beauvallet ren- 
dered in a very charming, lively style a role in 
the Droits de V Homme, as foreign as possible to 
the tragic repertory. 

" M. Latouch has appeared before the public 
in two very different characters : the Prince de 
Bouillon in Adrienne Lecouvreur, and Lord Mel- 
vil in Marie Stuart. He has put as much good- 
nature and silly foppery into the first of these 
characters as true sentiment in the second, 

*' We will state, finally, that the jetme p-emier 
of this company, M. Dieudonne, is very happily 
selected for his parts. Adrienne Lecouvreur gave 
him an opportunity for the creation of a role 
very popular with the public, that of the gal- 
lant abbe. 

"If, to the personal advantages of each one of 
the artists whom we have reviewed, be added 



AND THE NEW T\ORLD. 1G7 

a remarkable facility in adapting themselves 
to (liflerent st3'les — an artistic discernment 
which never is at fault, and a desire to please 
the audience, which is shown in the most tri- 
fling details ; if it be taken into consideration, 
moreover, the manner in which actors of a 
certain merit support each other, by com- 
bining their talents harmoniously together, it 
will be found that we do not exaggerate in 
anything, when we present to our readers the 
company, led by M. Felix, as quite above the 
common run, and as the most happy combina- 
tion existing outside the Theatre Frangais." 



168 RACHEL 



CHAPTER XII. 

IN WHICH SHOP-KEEPERS AND SAVAGES ARE MENTIONED. 

This same Courrier des Etat^-Unis, at whose 
expense the last chapter was made, and which 
we are going to put still further under contri- 
bution, publishes in its feuilleton the following 
lines : 

*' The name of Mademoiselle Rachel figures 
in all the absurdities of popularity. A Broad- 
way restaurant-keeper has composed the pud- 
ding d la Rachel; a lady's shoemaker the gaiters 
a la Rachel, "just arrived from Paris;" a con- 
fectioner, ices a la Rachel; ten wig-makers, the 
coiffures a la Rachel. 

" God knows where this emulation of patron- 
age will stop!" 

We read, still in the feuilleton of the same 
journal: 

" A grateful fruit-seller has invented the 
melon a la Raphael Felix.^^ 



AND THE MEW WOKJ.D. 169 

*' It is not the first time, for that matter, that 
tlie New Yorkers have given themselves up to 
whim. Barnum says, apropos of the Swedish 
Cantatrice, " We had Jenny Lind gloves, Jenny 
Lind bonnets and coiflures, anmazons a la Jenny 
Lind, Jenny Lind shawls, mantillas, skirts, 
chairs, pianos, Jenny Lind sofas." 

I ask you now, wdiat relation there is 
between Rachel, Jenny Lind, and Eaphael 
Felix, and this gang of print-sellers, boot- 
makers, and manufacturers of wigs. But what 
would you have? Every one must have his 
catch-word in this country — the grocers and 
the tinkers of saucepans. 

While we are on the shop-keepers of the 
New World, one word more, if you please* 
Here these intelligent citizens do not content 
themselves, as in France, with selling a 
speciality. Thus the cigar-dealer, for example, 
sells, indifferently, wine and umbrellas, sw^eet- 
meats and clothes, or confectionery. The 
retail druggist, at the same time with castor 
oil and seidlitz powders, small glasses of liqueur 
and some sort of refreshments, sells also choco- 
late and sponges, burnt almonds and little 
8 



170 RACHEL 

brushes. The print-dealer sells meafc; the 
butcher, porcelain; the boot-maker, straw 
hats ; the tailor, salt-fish. Here, in trade, 
everything is allowable, even usury. There 
are people who sell dollars at two per cent, 
interest. It's a little dear ; but, pshaw ! they 
must make their poor livelihood ! 

Happily, as the Philadelphia papers inform 
us, there is actually organized in that city a 
Company for "personal loans," intended to 
discharge nearly the same functions as the 
monts-de-piete in France. *' Without awarding 
to the philanthropy of the shareholders of this 
Company m*ore, however, than they deserve," 
says, on this subject, the journal quoted above, 
*' we believe their idea is one, of which the 
realization may be devoutly wished. The 
absence of monts-de-piete in the United States, 
leaves the needy classes at the mercy of j)awn- 
brokers, veritable harpies who devour the sub- 
stance of the people." 

That is really intelligent for so young a people ? 

Yet there are those who picture to them- 
selves this America as still the primitive country 
of the old times. 



AND THE NEW WORLD. 171 

But that America no longer exists ; civiliza- 
tion has quite annihilated it. 

In these Northern latitudes there is no 
longer even the shadow of the most attenua- 
ted savage, and when, by a miracle of chance, 
they catch one of the old masters of the new 
continent, it is in the cage of a station-house 
that you must go to contemplate him. 

Listen to the following story, and you shall 
see. 

" Hi-Kale- Yow-Matha (which, in any lan- 
guage you like, means '' the warrior-with-the- 
watery-chaps") is the name of a child of the 
desert, whom the desire to know the world 
tempted afar from the wigwams of his tribe — 
so far that, on Saturday morning, my brother, 
the red-skin, celebrated his arrival in New 
York, the great city of the pale-faces. 

"As the Penobscot w^arrior is little versed 
in the modern jurisprudence of the island of 
Manhattan, and as he ignores, even by name, 
the temperance law, he thinks he cannot bet- 
ter testify his joy than by copious libations of 
fire-water. But fire-water is a perfidious fiend 
to the Indian. Hi-Kale- Yow-Matha feels, by 



172 RACHEL 

degrees, his spirits rise from jubilation to mar- 
tial exaltation ; he dreams of deeds of prowess 
done against the Black Feet, the Choctaws, 
and the terrible Sioux; he imagines himself 
marching to the taking of scalps, and he sets 
about dancing, not without some stumbles, the 
scalp-dance, with an accompaniment of ges- 
tures so wild and yells so warlike, that Ser- 
geant-of-police White thinks it impossible for 
him to regard the performance otherwise than 
as disorderly conduct. 

" The warrior-of-the-watery-chaps compre- 
hends that his brother, the pale-face, who has 
a golden star on his breast (in Indian, ki-ke-ha- 
mi-shue-ho-hishowioua) would swear an eternal 
alliance with him against his enemies, so he 
follows him, without objection, into his palace, 
to smoke with him the calumet of peace around 
the council-fire. 

" Now the supposed palace was nothing else 
than the police station, where, without cere- 
mony, they locked up the child of the prairie. 

" When, at the sound of the bolts, Hi-Kale- 
Yow-Matha perceives the treachery of the 
pale-face with the lieart full of perfidy, he is 



AND THE NEW WORLD. 173 

plunged ill gloomy despair. lie casts off his 
garments, one after the other, in token of his 
grief, and in the state of a child of nature in 
its simplest expression, he strikes up his death- 
song; for the prisoner was perfectly free — to 
smg. He invoked, at first, the souvenirs of 
his infancy, his sports around the wigw^am, the 
shadows of the woods, the splendor of the sun, 
the eye of the Great Spirit. Hiawatha could 
have done no more. But presently the-war- 
rior-of-the-watery-chaps passed to the celebra- 
tion of his mighty feats of war. He cried, 
* The pale-faces have betrayed Hi-Kale-Yow- 
Matha ! The foxes have coaxed the lion into a 
trap by licking his feet, and they would devour 
him. But the lion has claws and terrible teeth, 
he will pulverize the foxes before he dies. Let 
them come ! Ho ! ha ! let them come !' 

" Then he made such an uproar in the room 
that the police interfered. On seeing the offi- 
cers enter, the Indian imagined his enemies 
were coming to catch him and bind him to the 
torture-post, and that the time had come for 
him to crown his glorious life by a death more 
glorious still. Alone, without arms and with- 



174 RACHEL 

out clothes, he threw himself into a fighting 
attitude, bellowing that they should never 
scalp him alive. 

" The police very judiciously decided that it 
was nothing more than proper to allow the 
Penobscot warrior to continue, as long as 
might suit him, his war-song or hi& death- 
song, since it must be called a song. So 
they closed the door again. Watery-chaps 
inveighed against his enemies through the 
key-hole, reproaching them with cowardice, 
and glorifying his own terrible aspect, which 
could put to flight an army as countless as the 
stars in Heaven. Then, little by little, the 
noise died away. The door was opened softly. 
Hi-Kale-Yow-Matha slept the heavy, helpless 
sleep of a drunken man. 

" May the hand of the Great Spirit recon- 
duct the warrior-with-the-watery-chaps back 
to the wigwam of his fathers." (Courrier,) 



AND THE NEW WOULD. 175 



CHAPTER XIII. 

WHICH IS LITTLE EL.SE THAN A LETTER TO ROQKR DE 
BEAU VOIR. 

September 14th, sixth night at the Metro- 
politan, 

LES HORACES. 

For the second time. 

The receipts amounted to 19,293 francs. 
Which is doing very well for the time of year ; 
and, as the Felix enterprise seemed to be taking 
a better turn, we take advantage of that to 
send a statement of our situation. 

The statement in question we give here. 
You will probably recognize some details as 
having been already mentioned; but you are 
begged to pay no attention to them. mmn 

" New York, Sept. 16th, 1855. 
" My Dear Roger : 

" I could not come to shake hands with you before my de- 
parture for America ; allow me to indulge in this exercise 
across the numerous seas which separate us. Meanwhile, let 
us talk. Whiat are you doing with that work — ^you know 



176 RACHEL 

what ? Are you busy on it ? I will bet you are not ! Try 
to think a little about it during my absence ; if it is not for 
me, let it be for Porcher. Tell me, is it not so ? I will not 
try to conceal it from you that I shall be happy as several 
gods to devour a few pages from you. If you knew how 
little comfort I find in this young America! Fancy, if you 
can, my dear Roger, that, for nearly a month now that I 
have been in New York, I have not yet slept a whole night. 
A portion of my time is devoted to fighting with a cloud of 
musquitoes, gnats, and other venomous insects, who have 
selected my hotel for their domicile, and from morning to night 
are eating me. It is insufferable ! I take baths of camphor- 
ated alcohol, My room has, at present, the appearance of a 
branch of the Pharmacie Raspail. These blackguard musqui- 
toes are not content with persecuting me at home, I find them 
everywhere — in the street, in the country, at the theatre. 
The other evening, while playing Hippolyte, at the Metro- 
tropolitan theatre, right in the middle of the declaration in 
the second act, I was bitten exactly on the end of my nose. 
You can imagine my perplexing situation. Fortunately, I 
am told that all this is nothing to New Orleans and Havana, 
where I am going to be soon. Happy prospect ! And to 
come to this, how many happy moments I -spent on board 
the Pacific. The Pacific ! Bitter irony ! Ah, my friend, this 
is the first time that I ever crossed the Atlantic, but I shall 
remember it ! Out of the eleven days which I spent on the 
vessel in question, I was sick eight at least, living upon ice 
water and fi-ied potatoes. Those were the only luxuries I 
could indulge in. So I am thin. Oh, thin enough to throw 
a rail into desperation. Happily, toward the close of this 
interesting voyage, I was able to absorb a few bottles of 
iced champagne. That is the only thing which restored me 
a little. At last, we doubled Cape Race, after promenadiog 
a day in the fogs of Newfoundland (where, by way of paren- 
thesis, I did not see even the tail of one of the dogs of New- 



AND tiil: new would. 177 

foundland), came merrily iiild the liarbor of New York, in 
an admirable sunrise, which shed iUutastic tints everj'Avhere, 
and made the colors of the American fluf^ appear still more 
brilliant. Upon my word, it was superb! Add to that, the 
guns of the Pacilic saluting the Battery and the (Quarantine 
Fort, and you will have the mise en scene complete. Ma 
foif from that moment, I frankly assure you that I have 
totally forgotten my maritime misadventures. 

"At a quarter to eight o'clock in the morning, we set our 
feet in a cow-stable. This expression is not in exquisite taste, 
maybe, but I like it— forgive me, I am so camphorated. 

" Of course, I shall attempt no description of the city of 
New York to you. You ought to be as well acquainted 
with it as I. At any rate, you can consult the Traveller's 
Guide. It is fine reading — try it. 

" One single thing, however, I cannot help telling you ; that 
is, the inmmeasurable number of fires which take place in 
this capital. It is a hobby, a monomania, a furore — seven, 
eight, nine, ten a day ! It is incredible. In fact, there are 
so many, that in every house they keep rope-ladders, and 
other instruments, ad hoc. One never goes to bed without a 
profound conviction that in five minutes the house will be on 
fire. Meanwhile, fires have passed into one of the customs 
of the country ; it is a habit, a usage. Were there none, 
people would be disappointed. It is one of the most ar- 
dently desired pastimes of the lower classes. And what a 
tumult when a fire breaks out anywhere! They brawl! 
They howl! and the alarm sounds, and the bells ring! 
Really, it is something diabolical ! What a droll country ! 
Yesterday, at the St. Nicholas Hotel, two young gentlemen 
had a dispute. As usual, it ended in stabs. One of them 
had his belly laid open ; he died this morning ! What a 
fine thing it is to talk with these gentlemen ! (It appears 
that the result of this affray has not been so serious ; for I 
have since read in the newspapers, that according to the 
S* 



178 iiAcnEL 

opinion of the physicians, Capt Wright might be considered 
to be out of danger. His recovery, which was almost 
hopeless, after the terrible wounds which he had received in 
the bar-room of the St. Nicholas, has decided Judge David- 
son to admit Messrs. Dean and Montgomery to bail. The 
two accused had been detained in the Tombs, from the 
day of the fracas, awaiting the issue of the wounds, to 
determine their criminality. Both were set at liberty on 
Saturday, after having given, M. Dean, $5,000 bail as prin- 
cipal, and M. Montgomery, $2,500, as accomplice.) After 
midnight, assassination thrives in the streets. And they 
rob ! It is incredible. One would hardly believe he was 
in the New World ! 

"A good thing about fires : One of my friends, a young 
man just from France, goes to hire a piano of one of the 
manufacturers in the city. The price is agreed on ; that is 
all very well ; but, after that, guess what this merchant de- 
manded ? — that my friend should insure the piano against 
fire ! What do you think of that ? 

" Another fabulous thing is the price of carriages. On 
leaving the Pacific's pier, we took a sort of fiacre to go to 
our hotel. Gruess, now, what we paid for it ? True, there 
were nine of us in the fiacre, but it was not more than a ten 
minutes' drive. We were charged nine dollars — that is to 
say, forty-five francs. This is a matter of history. What 
do you say to it ? Now, notwithstanding all you may have 
read in France, about the performances of Rachel in 
America, I think I must write you a few lines on this sub- 
ject. You must know, then, first, that Raphael's plan was 
very different from that of Barnum in bringing out Jenny 
lind. He has not sold the tickets by auction, which has 
produced a very good effect in the city. As to the matter 
of receipts, the largest that can possibly be made in Paris is 
nothing at all by the side of the smallest here. Horace, Adri- 
enne, Marie Stuart, and Andromaque have drawn crowded 



AND THE NEW WORLD. 179 

houses. As to the success, I need not say that it has been 
complete. The Americau public has received Rachel, and, 
consequently us also, in very cheering fashion. The whole 
press has been excellent. In America, at least, one does not 
have to wait, as with us, until the Monday of every week for 
an account of a performance. The morning after every im- 
portant piece, an article appears. And such an article, my 
friend ! Two or three columns at the head of the paper, Iq 
the place of honor ! Ah ! American cities are not so lazy 
as ours, and in order to write about any considerable per- 
formance, they are bravely willing to sit up all night. This 
is in exquisite taste, and perfectly proper. Is it not true ? 

" Apropos of critics, say to him of the Patrie, our friend 
Jules de Premaray, that his comedy of the Droits de l' Homme 
has already been played three times in New York, with very 
pretty success. Really, this is not because I play in it ; but 
the piece goes off very well. After the first performance, we 
were all recalled. 

"It is all the same to me, but four months ago, when I 
brought you the manuscript of our drama, I wish I may be 
hung if I thought that I should be in the United States now, 
playing comedy, and tragedy, above all. What a droll thing 
life is 1 

" The Lafayette Guards have just addressed a request to 
Mdlle. Rachel to sing the Marseillaise. She refused, and 
her letter of refusal was such an amiable one, that these 
gentlemen really could not feel injured. 

" She has just sent to Norfolk a sum of five thousand francs, 
for the poor devils there who have the yellow fever. Five 
thousand francs — that does not grow on every bush, as Mo- 
liere says. 

" Sooner or later, I shall probably have played in the 
United States a grand drama, in five acts, of Lesguillon's 
and mine ; Washington, or American Independence. Every- 
body here thinks that it will make money. I accept the 



180 EACHEL 

augury. The dollar is good ! (Tlie Washington in question 
was never played.) 

" Come, I am going to make a trip to Niagara Falls. 
I will send you a pebble, or something else from there, while 
you are awaiting the cigars, which I shall forward you from 
Havana. But I hear the sound of the gong on the stair- 
way. That announces dinner. This is the true moment 
for closing this missive. (N. B. The tom-tom, or Chinese 
gong, if you like that better, is used instead of a bell.) 

" It reminds me of the fairies of the Cirque, you know, 
when the evil genius appears. Every time I hear it, I ex- 
pect to see red flames and a big blackguard of a devil com- 
ing to catch me. 

" Adieu, dear old fellow, or rather, no, au revoir ! Oh I 
yes ! au revoir ! Should I say, au revoir or a revoir ? Bah ! 
What odds does it make ? But, absolutely, you must -vsTite 
to me, and you must write me an enormous letter, nonsense 
interminable. I want you to tell me all from over there, all 
the bon-mots of our friends, all the scandal of our side-scenes. 
And, as I am not an egotist, I will have your letter pub- 
lished here, so that all the French in New York may share 
in my good fortune. If anybody asks you for a copy for 
Figaro, and you think well of inserting these notes there, 
— full liberty. 

" Au or a revoir, then, 7ny dear. I grasp all the hands 
you have. Do not grudge me these two words of English ; 
they are the only English which I know, and I cannot get 
them off better than in honor of you. 
'• Ever yours, 

*' Leon Beauvallet. 

" New York, United States, via England. 
« Hotel M . 

"To be forwarded in case of departure." 

This letter was in fact publisned in Figaro, 



AND THE NEW AVOULD. 181 

and afterwards reproduced in English in the 
United States. People were furious against me. 
The unpardonable sin was saying that fires 
were favorite amusements. Ilow^ever, I am 
not alone in giving this fact, the ludqyendcncc 
Beige, among others, is ready to give me a help- 
ing hand. 

*' The pleasure of extinguishing fires," says 
this journal, "ranks first among amusements 
in the United States. One must be in the 
country, and live there a long time, to form 
a good idea of the American fireman ; of his 
strange passion for fire-engines, which he 
decorates with flowers, which he embellishes 
in all possible fashions, and with w^hich he 
often promenades, for the sole pleasure of 
showing himself with a pretty engine. No 
great festival comes off without firemen, and 
consequently fire-engines ; for firemen always 
take their engines with them. Companies of 
firemen interchange visits between cities, to 
show each other their engines, and exchange 
compliments in relation to them. 

"When Alboni arrived in New York, the fire- 
men, apprised of her arrival, were awaiting her 



182 RACHEL 

upon the dock with their fire-engines. In all 
industrial exhibitions, fire-engines, of unheard- 
of magnificence, are to be seen ; they have even 
been made of massive silver. Toy makers 
manufacture for children little engines, on the 
model of the large ones. Children play fire- 
men, by setting fire to heaps of paper, or pieces 
of brush, and then putting it out with their 
engines, amid the plaudits of all, great and 
small. The proprietors of tenant houses, partly 
for the sake of cleanliness, and partly from this 
inborn taste of every American for fire-engines, 
rise very early in the morning and throw cold 
water on the houses, w^hich they wash in this 
way, as they cannot extinguish them, from the 
first story to the last." Besides, at the very 
time when I was writing these notes to Roger 
de Beauvoir, I learned that in St. John's (New 
Brunswick), a terrible fire had just destroyed 
seventeen dwelling houses, with their ap- 
purtenances, and in that part of the city known 
by the name of Vinegar Hill, two other houses 
and several stables had, in addition, been a 
prey to the flames in Germaine and Union 
streets. 



AND THE NEW WORLD. 183 

As to the mania for assassination in the 
streets after midnight, which I spoke of in this 
letter, everybody here has declared that it was 
false. The fact is, I was wrong in writing 
" after midnight.''^ There is just as much assassi- 
nation before. 

And this exercise is not confined to men 
alone, the very women indulge in it here with 
success. 

In proof, a citizen of the place, Thomas 
Carey, was found one night, about half-past 
nine, lying on the side-walk in Park Place. 
He had been attacked by a band of unfortunate 
females, who had maltreated him so cruelly 
that the poor devil had to be taken to the 
hospital. 

What a funny world ! 



184 



RACHEL 



CHAPTER XIY. 

IN WHICH THE MILLION-HUNT IS FURIOUSLY CONTINUED. 

On the fifteenth of September was placarded, 
PHEDRE AND THE DROITS DE L'HOMME. 

For the second time there is a postponement. 
Mdlle. Lia is indisposed and the audience does 
not promise to be very large. 

On the seventeeth of September, the seventh 
night, 

ANDROMAQUE and THE DROITS DE L'HOMME. 

Receipts, 18,469 francs. 

On the 19th of September, the eighth night, 

LA LIGNE DROIT and ANGELO. 



Angelo, 
Homodei, 
Rodolpho, 
Catarina, 
La Tisbe, 




MM. Latouche. 

Chery, aiae. 

Randoux. 
Miles. Lia Felix. 

RACHEL. 



Same receipts as day before yesterday. 



AND THE NKW WORLD. 185 

The piece obtains a colossal success. Recall, 
flowers. It lacks nothing. 

Drama pleases Americans decidedly. 
On the 20th, the ninth night, 

BAJAZET. 



CAST. 

. MM. Leon Beauvallet. 

Cliery, aine. 
Mdlles. Lia. 

EACHEL. 



Bajazet, 
Acomat, 
Atalide, 
Eoxane, 

Receipts, 18,401 francs. 

Although this evening's receipts are nearly 
the same as yesterday's, the house has the ap- 
pearance of being not nearly as full. The rea- 
son is, that all the free list were present at the 
drama of Victor Hugo,* and that they do not 
care to see the celebrated tragedy of Racine ! 

So how solemn it is to-night. One would 
imagine that to-day was Sunday. When Made- 
moiselle Rachel is not on the scene the audi- 
ence show no interest. During the long scenes 
of Bajazet and Atalide, even the orchestra qui- 
etly leave their places, and file out one after the 
other by the orchestra door. But the adminis- 
tration saw them deserting and compelled them 



186 RACHEL 

to listen to Bajazet, under penalty of a fine. 
This argument brings them back to the orches- 
tra and their duty. They endeavor in vain to 
listen. Sleep takes possession of them, and 
soon formidable snores are resounding here and 
there. The noise even of the pamphlets di- 
minishes little by little. One can perceive that 
sleep is gaining ground. But if Racine's tra- 
gedy meets with a rather chilling success to- 
night, it is because the Americans are such 
lovers of Russia that they can have no sort of 
sympathy v^ith a piece so Turkish as Bajazet ! 
Be that as it may, an orchestra stall, as wide 
awake as a pot full of mice, ma foi ! follows 
the piece by an English translation which it 
has purchased. It has been there ever since 
the beginning of the performance, and it has 
been reading its translation ever since the cur- 
tain rose. Unfortunately before Bajazet, Le 
Mari de la Veuve is played. The orchestra stall 
was ignorant of this little detail, and, as it has 
only come for Rachel, never dreams for an in- 
stant that it is possible to play anything but one 
of Rachel's pieces, and follows the petite come- 
dy by studying the first act of Bajazet. The 



AND THE NEW WORLD. 187 

tragedy is commenced, the stall sees people dis- 
guised as Turks, thinks that it may be a masked 
ball, and, without troubling its head further 
about this change of costume, follows the first 
act by the second of the translation, the second 
by the third, the third by the fourth, and the 
fourth by the fifth ! So that, when we began 
the last act, the stall had finished its translation. 

Oh, then, it completely lost its self-control. 
It stared at us a few moments with haggard 
eyes, then seizing its hat, it ran away, waking 
up everybody upon its path. 

On Monday, the 24th, the tenth night, 

ANGELO, 

In compliance with the frequently-expressed 
desire of the press and the public of New 
York, the management reduces the price of 
certain places. 

The parquet, the parquet circle, and the first 
circle now cost two dollars. 

The gallery costs no more than fifty cents. 

And, finally, numbered and reserved seats 
can be secured, without paying a sou more. 

Notwithstanding this important decrease, or, 



188 RACHEL 

rather, in consequence of it, since it is that 
which has been asked for, 3,646 dollars are 
made to night! (19,141 francs.) 

Which proves that Americans, who make so 
much money, prefer keeping it to spending it 
for their amusement. I was very far from 
supposing that ! One thing I was a hundred 
leagues further from supposing : a gentleman 
followed the whole piece of Angelo on the 
translation of Marie Stuart (historic). 

On Tuesday, the 25th, eleventh night, 

BEADING, 

given by Mdlle. Rachel, at the Broadway 
Tabernacle. 

Mdlle. Rachel gives one act of EstJier, one 
act of Athalie, one act of the Misanthrope, 
and one act of Phedre, 

This is a charming little entertainment. For 
the moderate sum of one dollar and a half, all 
the world can come. Unhappily, all the world 
does not come. 

The receipts are not at all good, and, as 
Mdlle. Rachel gets her 6,000 francs all the 
same, it is a bad speculation. Mdlle. Rachel, 



AND THE NEW WORLD. 180 

m view of this result, proposes to Iier manager 
that she will give a second night similar to 
this. It will make but little dillerence. She 
will not take her G,000 francs ! 

Accepted unanimously ! 

It is a horrible thing, moreover, to recite 
tragic Alexandrines in a black dress, and es- 
pecially to recite them in a sort of church, 
where you feel so uncomfortable, stuck up, as 
you are, on a narrow platform. It gives you the 
appearance of being in the little play-room of 
a cafi chantanU This kind of exercise is un- 
pleasant to the last degree. 



190 KACHEL 



CHAPTER XY. 

WHICH CONTAINS THE HISTORY OF THE MARSEILLAISE IN THE 
UNITED STATES. 

On the 26th of September is given — 
PHEDRE. LA EIGNE DROITE. 

Receipts, 16,920 francs. 

For the last dozen days, the French in New 
York, principally the Lafayette Guard, have 
spent a good part of their time in entreating 
Mdlle. Rachel to give the Marseillaise. 

Again and again ! Mdlle. Rachel has re- 
fused up to this time persistently ! But the 
Lafayette Guards do not give it up so, and, this 
very evening, they are going to give her, after 
the play, a superb serenade ; after which, she 
will be obliged to acquiesce in their wishes. 

This bit of news circulates among the au- 
dience ; and, after Phedre, everybody rushes to 
Mdlle. Rachel's residence, to see the sight. 

0, deep deception ! O, departed joy ! So 



( 



AND THE NEW WORLD. 191 

much cold water was thrown on the serenade, 
that there was none. And, when I speak of 
cold w^ater, I speak literally. The weather is 
horrid — a perfect flood, enough to wash away 
the deluge ! The musicians were at their post ; 
but the storm scattered everything! In the 
gutters, now swelled into rivers, flageolets and 
double-basses were seen floating at the mercy 
of the waters ! 

You may think, perhaps, that the Lafayette 
Guards have abandoned their project. Ah ! 
very well ! On the second day but one after 
the performance of 

MORE ADRIENNE AND MORE L^OOUYREUR, 

the band of the Lafayette Guards takes its 
place before the windows of Mdlle. Rachel, 
who is just then taking supper with her 
family. 

The serenade commences. People rush up 
from all sides. At the conclusion of this out- 
door concert, there is a furious cry of La Mar- 
seillaise ! 

The musicians play the Marseillaise. After 
the execution of this patriotic air, the cry rises 



192 RACHEL 

still more furiously, La Marseillaise ! La Mar- 
seillaise ! 

This time it is addressed to Mdlle. Rachel. 
A long pause. Nobody appears at the balcony. 
The blinds are still closed. Murmurs in the 
crowd. Another long pause. At last the 
blinds open. Rachel makes her appearance 
at the window. Cheers by the crowd. The 
musicians take advantage of that to recom- 
mence the Marseillaise, and to play a snatch of 
the national air of the Yankees. Mdlle. Rachel 
rises. 

Ah ! she is going to speak ! Bravo ! Mis- 
take ! Immediately on rising, she leaves the 
window, and the servant gravely closes the 
blinds, to the great dismay of the crowd and 
the musicians. Another long pause, and not a 
few murmurs. They are very much vexed. 

But, surprise ! Raphael Felix, the mana- 
ger, appears on the steps. Whispers are hushed, 
hope is renewed, and they listen eagerly to the 
ambassador of the grand tragedienne. 

Here is his speech — but, no, his speech I 
will not give you, for I have forgotten it. All 
that I remember is, that he promised solemnly 



AND THE NEW WOULD. 103 

that at an early perfonnance Mdllc. Rachel 
should sing this famous Marseillaise of which 
they are in such pressing need. 

People are comforted, and indulge in pro- 
longed acclamations on their way home. 

As for me, I call on the queen of the fete to 
congratulate her on this nocturnal worship. 

At first, I am not recognized, and I am pre- 
vented from penetrating into the sanctuary of 
Melpomene, I do not know why. 

Mdlle. Rachel, I am told, has been so much 
excited by this musical scene, that she is indis- 
posed just at present, and cannot receive ! 

But I give my name and surname, I enter, 
and I perceive, thank God, that Mdlle. Rachel 
is not so indisposed as I feared, for I find her 
with her family and an excellent appetite in 
the act of finishing the not less excellent sup- 
per which the Lafayette Guard Band had so 
patriotically interrupted. 

This supper, excellent as it was, did not pre- 
vent Raphael Felix from giving, on the next 
Sunday, to his artists and several editors, a 
grand dinner in honor of his birth-day, at the 

Delmonico Restaurant. We are very merry 
9 



194 EACIIEL 

all round. Mdlle. Rachel herself, cantraiy 
to her custom, ventures to sing a little. Not 
the Marseillaise, Oh, no ! Only Levassor's 
little song : 

*• O'est bon'homme qu'on me namme !" 

Altogether, everybody is in marvellous good- 
humor, and numerous toasts are given to Arne- 
ricay to the Rachel ejiterpise, and especially to 
the Capture of Sebastopol ! for the steamship 
Africa brought us this immense news three 
days ago ! 

The day after this managerial fete 

ANDEOMAQUE 

is played. Every day is not a gala day. The 
promise of the Marseillaise injures the receipts 
immensely; they amount to but 12,211 francs. 
They have never been so small ! Another 
thing, which is still worse, is, that Mdlle. 
Rachel catches cold in the side-scenes and is 
very hoarse. It is very cold now in New York ; 
the nights are freezing. On the 3d of October 

POLYEUCTE is givCU. 

The receipts are but little better than at the 
last performance, 2,625 dollars, that is to say, 



AND THE NEW WORLD. 195 

13,781 poor francs and 25 miserable centimes ! 
On the 5th, Angelo does better. The receipts 
rise to 17,335 francs. That is very fair. 

At last the great day has come, and on the 
8th tlie bill is proud to announce to the world 
the following programme : 

LE CHAPEAU D'UN IIORLOGER. 

HORACE AND LA MARSEILLAISE! 

Free tickets generally suspended with the 
exception of the press. — La Marseillaise ! 

The Lafayette Guards have attained their ob- 
ject. There was a great cry in Paris against 
these poor Americans, and if a single one of 
them had dreamed for an instant of calling for 
the song of Eouget de I'Isle, we should have 
been very much astonished ! They came to 
hear her and that is the whole of it ; they came 
in pretty good numbers, too, for the receipts to- 
night amount to 21,299 francs. What shall I 
say to you about the Marseillaise as sung by 
Mdlle. Rachel ? Everybody has heard it, and 
can only assert one thing ; it produced a greater 
effect in Paris than it did in New York. There 
is not so much enthusiasm as was expected, 



196 RACHEL 

which was proved after an intercalatory per- 
formance of 

MAKIE STUART, 

(receipts 14,299 francs, 25 centimes). When 
this same 

MARSEILLAISE with POLYEUCTE 

was given for the second time, the receipts 
amounted to the (comparatively) very moderate 
sum of 15,267 francs. That night, however, 
Raphael makes his debut in the New World, he 
playing Polyeucte. These Americans have no 
respect for anything! 

I pass over, in silence, a second reading in 
Niblo's Saloon, which is not much more bril- 
liant than the first, and come immediately to 
the benefit night of Mdlle. Rachel. 

JEANNE D'ARC, 
is played for this time only , the grand aria of 

I PURITANI 
is sung by Mme A. de La Grange, and finally 

LA MARSEILLAISE 
is sung for the third and last time. The price 
of tickets is raised. Proscenium boxes 32 dol- 



AND THE NEW WOULD. 197 

lars; (IGO francs)! Parquette, 3 dollars; 
First Circle, 2 dollars ; Gallery, 50 cents, as 
usual. The receipts are 22,128 francs. Mdlle. 
Eachel is very much fatigued this evening. She 
has a cold in her chest from which she suffers 
severely. In spite of that, she is in such a hur- 
ry to have done with America that from this 
time forth she plays every night. 

On the 17th, Adrienne, 18,228 francs. 

On the 18th, Phedre and Le Moineau de 
Lesbie, 19,813 francs. 

On the 19th, Adrienne again, 18,102 francs. 

And finally on the 20th, Horace and the 
second act of the Misanthrope, 16,259 francs. 

This last night, the printer amuses himself with 
printing on the bill " for the benefit of the art- 
ists." It was nothing but pleasantry, and had no 
sort of effect. To close accounts with the Me- 
tropolitan Theatre, which we shall see no more, 
we will say that M. Raphael leased it at 600 
dollars a night, 3,150 francs ! It was not paid ! 

But I hear, at the corner of Canal street, the 
locomotive muttering ! The bell calls us ! 
Boston is awaiting us ! Quick. 

To the car and the road for the New Athens ! 



|0uri& |art. 

THE MODERN ATHENS 



CHAPTER I. 

IN WHICH WE GET A TASTE OF AMERICAN RAILROADS. 

With gold, one can get over anything, even 
an American Sunday. So, in spite of the law 
which forbids the use of any sort of railroad on 
this too holy day, we are able, thanks to a 
pretty collection of portraits of liberty, to get 
in the special mail train, and leave New York 
with all the rapidity of — mules. 

Mo7i Dieu^ yes, mules, nothing else ! 

Steam will not come yet awhile — but it will 
come ! 

They had told us all sorts of horrible stories 
about American railroads, and as, after all, none 
of us had even a limb broken, we should be 



200 RACHEL 

ungrateful to complain ; but it is all the same, 
when you come out of it safe and sound, 
you can only say that fate has greatly favored 
you. 

It is quite inconceivable how few precau- 
tions are taken to avert accidents. 

The rails are laid down alike, on the roads, 
in streets, and in the very midst of towns. 

You would imagine that there would be, at 
least, railings, or some sort of barriers. Bah ! 
How could Americans take time to think of 
such fooleries ? 

So long as the train is drawn by mules, it is 
all very well ; but when steam is put on, and 
it flies like lightning through streets and pub- 
lic squares, without even a banister to prevent 
promenaders or animals from being ground 
under the wheels of the furious engine, the 
only wonder is that there are not a great many 
more accidents. 

When going through a street or a village, 
they ring a bell, and that is all. So much the 
worse for those who are deaf ! 

Another folly in this country is to have 
only one track ; which is charming, because 



AND THE NEW WORLD. 201 

when two trains rush upon each other, one of 
them is sure of being finished ; but they are in 
such a hurry — these sons of the New World ! 

To have made two tracks would have taken 
twice the time, and wouldn't have answered. 
It might, perhaps, have saved the lives of seve- 
ral thousand persons ! Fudge ! what is the life 
of a man worth in this country? 

They care for one thing only, to do quickly 
what they do at all. 

So in looking at the streets, which they 
scarcely give themselves time to pave with 
pebbles ; sidewalks so hastily constructed, that 
on the morrow they are broken in fifty places ; 
houses that are built in a day — real card-castles 
that a strong wind will blow down ; — and, to 
return to our subject, fantastic railroads, manu- 
factured to please the devil, thrown across 
rivers, over quicksands, one is very apt to think 
that this people, who are there by accident 
after all, has very little faith itself, even in its 
own existence, and that it hurries to make the 
best of its time. 

Ah ! it is evident that steam was invented 

for its use. Everywhere, on every corner yoa 
9* 



202 RACHEL 

hear it at work. They build by steam ; they 
make bread by steam ; they wash by steam ; 
eat by steam ; execute works of art by steam ; 
they do everything by steam ! 

They really look as if they were convinced 
that, from one moment to another, a great 
flood is on the point of engulfing them and 
their America in the abyss of the sea which 
growls around their cities, and seems to be 
waiting its prey. "To be sure, it never occurs 
to any one to deny the immense advantages 
which civilization owes to the discovery of 
steam. In this matter there is no country 
which has profited more by it than the United 
States. But every shield has its other side, 
and here is the melancholy proof of it : Lloyd^s 
Steamboat Directory informs us that since its 
introduction in the navigation of the western 
waters, steam has cost 39,672 lives, and 381 
boats, with their cargoes. All amounting to a 
sum of $867,000,000. We do not know the 
precise date when this frightful list was closed, 
but everybody knows that, unfortunately, the 
account is always open to new entries." — 
Cotirrier, 



AND THE NEW WOItLD. 203 



CHAPTER II. 

WHICH TREATS OF ELECTIONS AND SQUIRRELS. 

Mademoiselle Rachel leaves with all her 
company. Her cold does not seem inclined to 
part with her, for she coughs frequently during 
the trip. These little excursions do nothing 
towards curing her — although they are made 
with all the comfort possible. 

We have a reserved car, in which no stranger 
is admitted. Here, although we expect a run- 
ning-ofF-the-track, or some accident more or 
less disagreeable, we none the less regale our- 
selves with a light supper of truffles and cham- 
pagne, which shortens the journey a little. 

Our car is immense ; it could easily accom- 
modate fifty people. 

Unhappily there is in this great box a stove, 
which smokes nearly all the time, and seats 
with backs which are of just such a height as 
to prevent us from resting our heads, and sleep- 
ing a little. 



204 RACHEL 

So we are not sorry to arrive, at three o'clock 
in the morning, in the famous city of Boston, 
the puritan city ^ar excellence^ dignified by its in- 
habitants with the name of The Modern Athens. 

Mademoiselle Kachel and her family stop at 

the Tremont House ; the Company at A s' 

Hotel — a very dear, badly-kept house, and the 
table utterly intolerable. Unadulterated Ameri- 
can cookery. Everything served at once on the 
table. Because it happens to be as cold as 
Greenland, it is impossible to get anything 
warm to eat ! The bread is baked just as you go 
to dinner, and is burning when brought to you, 
and, moreover, it is very much like a ball of 
starch. Another agreeable thing is, that this 
is a temperance hotel, and no means of getting 
even the smallest bottle of Bordeaux. 

It is scarcely necessary to say, that we took 
other lodgings the next day — with a French- 
man, ma foi ! a brave Bourguignon, who gave 
Tis pretty good wine, and a table rather more 
decent, but who abused our good-nature some- 
what with ragouts of squirrels. 

Ah ! he made us swallow squirrel ! It is 
frightful ! I should never have believed that 



AND THE NEW WORT.D. 205 

Boston could produce so many of these little 
long-tailed animals ! 

And I have always suspected that, occasion- 
ally, his ragout of squirrels was nothing but a 
fricassee of rats! 

Eh I mon Dicu, are they not both quadrupeds 
of the gnawing order? Are they not both 
equally disagreeable ? For the rest, what does 
it matter ? 

Notwithstanding its squirrel peculiarity, the 
modern Athens is, none the less, a rather hand- 
some city. Not exceedingly gay ; oh ! no, on 
the contrary, very sad ! 

Happily we came during a holiday occasion, 
a sort of agricultural meeting, which had 
attracted a good many strangers. 

It is, besides, election time, and that amused 
us not a little. The elections of '48 were 
nothing compared to these ! What a host of 
placards, letters, bulletins, bills, and catch- 
words! The naivete of the candidates is truly 
admirable, in having their portraits painted in 
distemper, on huge transparencies, to captivate 
the voters. Do you understand that ? Their 
portraits ! 



206 RACHEL 

In all the streets, ropes are extended from 
one house to the other, and on these, swinging 
gently the heads of the future representatives, 
much larger than nature. When you see all 
these the sport of the wind, you would imagine 
yourself present at the Ballet des grosses tetes (on 
the hangman's rope). It is very funny ! But 
what is less so, is the deplorable custom which 
prevails in the United States during the elec- 
tions, of conversing too often with a knife or a 
revolver in hand. From time to time one reads 
in the journal — 

*'M. X. . . . was buried this morning. He 
received yesterday, hij accident, a ball in his 
chest." 

And that is all. They take good care not to 
add, *' the law will take the case in hand." 
Fine business truly for justice, one ball, more 
or less, in a man's chest. Let it stay there ! 

For instance: " On the night of the election 
(in New York), a political procession was pass- 
ing through Tenth street, when a pistol shot 
was heard. M. John Martin, living in Eighth 
street. No. 317, fell instantly, in the ranks, 
struck by a ball in the thigh. He was im- 



AND THE Ni:W WORLD. 207 

mediately carried to his dwelling, where the 
ball was extracted ; but the wound having 
afterwards presented very serious signs of 
inflammation, M. John Martin was taken to a 
private hospital. What is strangest in the 
affair is, that the culprit has not yet been 
arrested." — Courricr dcs Etats-Unis. 

On the other hand, even if the bungler had 
been arrested who had committed murder acci- 
dentally, he would only have had to give bail, 
and that would have been the end of it. 

Dollars ! always dollars ! With them one 
can get over all these little fantasies under the 
beautiful sky of America ! So much the worse 
for the poor, and vivc la liberte ! 



208 R.VCHEL 



CHAPTER III. 

IN WHICH WE GLANCE AT THE MODERN ATHENS. 

If to use the revolver, when one pleases, in 
revenge, is permitted in the United States, in 
Boston you are forbidden to smoke or spit in 
the streets. You never see a Bostonian indulg- 
ing in this sort of recreation in the streets of 
his capital. 

For instance : a Frenchman could not go 
out without having a cigar in his mouth, and I 
ought to do the policemen the justice to say 
that, when they saw foreigners disobeying the 
law, they had the good taste to say nothing, 
but let them continue their Havana in all 
liberty. 

These policemen are, moreover, very polite 
and obliging. 

Not satisfied with pointing out to you the 
street you are looking for, they often give 



AND THE NEW WOIII.D. 209 

tliemselves the trouble to conduct you there ; 
when a long line of vehicles keeps you from 
crossing, they raise their baton, and the car- 
riages stop, to let you pass. 

Would that the police in every country were 
like this ! 

To sum up, the capital of Massachusetts is 
not w^anting in honors or fme traditions. 

Hence marched the militia who first fought 
the English in the cause of liberty. 

Here Franklin was born (you may, to this 
day, see the spot where was formerly the lit- 
tle shop in which, a little child, he made — 
candles). 

On the heights which overlook the city, the 
famous battle of Bunker Hill took place. 

Here, finally, was published, in 1764, the 
first journal which was issued in the colonies. 
(Seventy years later, in 1834, there were, in 
the same city, one hundred and eight newspa- 
pers !) (Annual Almanac for 1855.^ 

There are, besides, some fine monuments in 
Boston ; and a magnificent harbor. This latter 
has but one defect — it is strewn with dried 
codfish, which has not a very delightful odor. 



210 RACHEL 

While we were in raptures over this great 
quantity of deceased fish, three persons, who 
were there, commenced, unasked, to give us 
some details concerning the codfish trade. 

These kind people, who, from their accent, 
we took for natives of Lower Normandy, closed 
by telling us that Canada was the country in 
which they first saw the light ; where, notwith- 
standing the English rule, they persisted in 
speaking French, as before — that is, the true 
low-Normandy patois. 

Why this patois more than any other ? one 
may ask. 

That is one of the many mysteries of this 
mysterious country. 

They say it is because there are abundance 
of apples in Canada, and because this fruit 
is equally the pride of Normandy; but they 
cannot prove it. But it is certain that the 
Canadians speak Norman patois ! 

Let us go on ! 

In the window of a book store, not far from 
the harbor, I read, with a sort of interest, the 
following programme (Why was it there ? — I 
cannot guess) : 



AND THE NEW WORLD. 211 

HOLIDAY STREET THEATRE. 

(Baltimore.) 

To commence with the great play, translated from the 
French of ALEX^i.NDRE Dumas, expressly for Miss Inge. 

CAMILLE. 

LE DAME AUX CAMILLIAS ! 

This piece has been performed in all the 
American theatres, and has everywhere met 
with the greatest success. There is nothing 
astonishing in that, because it is an exact trans- 
lation of the remarkable work of Alexandre 
Dumas (son). Here, as it appears, the play is 
by Dumas (father). The name of Marguerite 
Gautier was replaced by that of Camille. 
You will laugh when you learn why. Camellia, 
in English, is written Camillia, and the trans- 
lator thought it fine to profit by this orthogra- 
phy, and call the Lady of the Camelias : Ca- 
mille. — " Camille, Camillias." A charming 
play upon words. Who will say now that the 
Americans do not cultivate puns ? 



212 RACHEL 



CHAPTER lY. 

IN WHICH IT IS SHOWN THAT BOSTON IS A LITERARY CITY. 

While we are exploring the puritan city, 
the ticket office, every minute in the day, is as 
full as an egg. The receipts will be beautiful. 
In fact, at the Grand Theatre, this evening, are 
played 

LES HORACES and LE CHAPEAU D'UN HOR- 
LOGER, 

and 19,855 francs are taken. 

The audience is admirably composed, better 
than at New York. 

Boston is a very rich and very aristocratic 
city. The toilettes are splendid, the diamonds 
innumerable ; and this time, a long line of pri- 
vate carriages is drawn up before the theatre, 
which is evidently one of the finest, if not the 
very finest, in the whole world. 

The house is immense and well arranged — not 
a bad place in it ; and the whole is decorated 
with surpassing luxury. 



AND THE NEW WORLD. 213 

In all the galleries are superb carpets, and 
vases filled with exotics. 

Tbe saloons, the lobbies, furnished in the 
latest fashion ; the hangings and upholstery in 
the best style, and everywhere oceans of light. 
It is wonderful ! 

The stage and the wings are no less beauti- 
ful. 

Here the decorations are magnificent, the 
accessories profuse. At this very time they are 
engaged in getting up Macbeth in splendid 
style, for the engagement of Forrest, who is 
going to play at the Boston Theatre soon after 
Kachel. 

This Forrest is the American Frederick Le- 
maitre. He has a colossal reputation and furi- 
ous successes. He is not engaged in any theatre, 
but plays in all the cities for the moderate sum 
of four hundred dollars (two thousand one hun- 
dred francs) a night. 

It is this same Forrest who formerly per- 
formed in England, and who was received in 
such a frightful manner. 

Forrest pretended that it was Macready who 
laid the plot. 



214 RACHEL 

So that, when the English tragedian came to 
New York to play, he was literally hooted. 

Forrest made a terrible row. The whole 
city took part in the quarrel. 

The evening of Macready's first appearance, 
there was a fight in the house. The city guard 
interfered. Many musket shots were fired, and 
more than one person was buried next day. 
Delightful country ! 

In spite of his great popularity, Forrest has 
been compelled to settle fifteen thousand francs 
on his wife, from whom he has been legally 
separated. 

It is even more than a separation — it is a 
divorce ; and a very strange one, for only the 
wife has the right to marry again. 

As for him, he is entirely acquitted of all 
blame. Such funny laws ! 

To return to the performance of Horaces, we 
should say that the effect produced by Made- 
moiselle Rachel was very great, and the success 
immense. Next day, 

PHEDRE AND LE DEPIT 
w;ere played. 

19,561 francs were taken in. 



AND THE NEW WORLD. 215 

On the 24tli, the first time of 
ANGELO. 

Here everything is exactly the opposite of 
New York. They like tragedy better than 
drama, and Hugo's play drew only 17,834 
francs. Boston is the literary city of the 
Union. 

Again, on the 25th, with 

ANDROMAQUE, 

the enormous sum of 20,559 francs is taken. 
The impression is more and more complete. 
Soon after the tragedy everybody rushes out, 
banging the box-doors with an outrageous 
noise, and without even the appearance of 
dreaming the least in the world that la Mari 
de la Veuve is about to be played. 

On the 26th, 17,997 francs were taken in for 
Lebrun's tragedy of 

MARIE STUART. 

The receipts are so reducing that we run the 
risk of playing next day, the 27th, although it 
is Saturday ! That is daring ! But aut — I was 
just going to make a Latin quotation. Reck- 
less ! 



216 RACHEL 

This affair is certainly the prettiest in which 
we have yet been concerned. 

ADRIENNE LECOUVREUR 

was played to the diamonds. 

The performance commenced at three o'clock 
in the afternoon. At this hour, especially on 
Saturday, all Americans are shut up in their 
offices making their payments for the week. 
So, what happens ? Nothing but that there are 
only women in the house. Not a masculine 
face or dress disfigures the bewildering charm 
of the ensemble. It is truly an adorable thing 
to see such a beautiful theatre overflowing 
with charming ladies (the ladies are generally 
charming in Boston !) in ball-dresses, bare heads 
and shoulders, resplendent with gems and 
flowers. 

Receipts, 16,873 francs ; which is prodigious 
for a Saturday. 

The performance is over at eight o'clock 
precisely. Only to think that it is not three 
o'clock in Paris ! What a strange thing ! When 
it is midnight here, it will be striking seven 
over there. In Boston we shall have been in 



AND THE NEW WORLD. 217 

bed this long time, when the Parisian Theatres 

have only just opened their doors. The truth 

is, we are five hours behindhand in this New 

World — that's just it ! If there were an electric 

telegraph between the two continents, the 

American news would arrive in Europe five 

hours before it was sent. That would be so 

original. 
10 



218 RACHEL 



CHAPTER Y. 

IN WHICH THE PRESS BEGINS TO SHOW ITS TEETH. 

The receipts from Adrienne naturally gave 
rise to the expectation that, with 

POLYEUCTE AND LE MOINEAU DE LESBIE, 
(Rachel in two pieces), we should make a pro- 
digious quantity of money ! 

So we were profoundly dejected, when we 
saw an ahnost empty house, and the receipts 
only four thousand two hundred francs. 

What does it mean ? There is something 
under all this, evidently. 

In fact, there are furious articles in almost 
all the city papers. Butw^hy? why? What 
the devil have we done to the journalists? 

The report runs that we have given them in- 
eligible seats ; and that this somew^iat cavalier 
fashion of treating the press has exasperated 
them to the last degree. Besides, the journals 



AND THE NEW WORLD. 219 

find fciult with another thing, and that is, that, 
in some places, the seats are sold at a price 
higher than that named in the bills, and they 
fiercely charge the management with specula- 
lation in this matter, as if the management 
could help it. 

One journal among others is so irritated, that 
it prints at length the following anecdote : — 
An apothecary in Boston had displayed before 
his door a jar with the label Sangsues d'Europe. 
A gentleman enters and asks the astonished 
apothecary for two tickets for the next perform- 
ance of the French company. The apothe- 
cary replies, that he does not keep that sort 
of physic, and that the ticket-office is a little 
further on. *' Oh! iiardon, sir," rejoins the 
gentleman^ bowing ; " but you have at your door 
sangsues d'Eiirope (European leeches), and I 
naturally supposed that this was the office 
of the Rachel company." 

M. Raphael Felix easily satisfied these 
gentlemen of the press that he was com- 
pletely a stranger to the speculation which 
had so irritated them ; and on Thursday, No- 
vember 1st, 



220 RACHEL 

ADRIENNE LECOUYREUR 
was played for the second time before 15,960 
francs. The storm was laid. Ah ! the press 
is everything in America. So much the worse 
for those who get wet ! 

While Mademoiselle Rachel is playing Adri- 
enne Lecoiivreiir at the Bostoii Theatre.^ *' the emi- 
nent American actress," Miss Eliza Logan, is 
playing, at the Boston Museum, ADRIENNE, or 
THE YOUTH OF THE MARSHAL DE 
SAXE, translated from M. Scribe's piece. 
(They play nothing but translations here.) 

In the English translation, le Frince de 
Bouillon is called tlie Duke d'' Aumont, and the 
princess is no other than his lady-love. American 
modesty is offended at seeing Madame de Bouil- 
lon, who is married, the mistress of the Count 
de Saxe ; but finds it all very natural that the 
same woman should have a lover on the eve 
of her marriage with the Dulce d' Aumont. Cer- 
tainly these are sharp scruples ; and in this 
country they have a queer way of explaining 
morals. Nevertheless, it is so ! They deny 
that a married woman may behave badly ; 
but as for the young girls, tliey may do what- 



AND THE NEW WOULD. 221 

ever enters their heads, and no one must say a 
word. 

We must not permit ourselves to judge the 
American artists, whose language we do not 
understand. All we can say about them is, 
that they produce an enormous effect on their 
own public. Miss Eliza Logan, Mr. Keacli, and 
Mr, W. Warren, all three enjoy a prodigious 
success. Mr. TV. Warren, who plays in the role 
of Midionnet, has seemed to me exceedingly re- 
markable. He renders the part of the old 
stage-manager with veritable talent, and I 
have applauded him with the whole house. 

One thing that we cannot pass by in silence 
is, the wretched manner in which they are cos- 
tumed. In Adrienne they have accoutrements 
which belong to no period or style, and which 
have not even the poor advantage of being 
pretty (I do not allude to Mr. Warren, who was 
irreproachably costumed) — and, besides, in this 
piece some of them play with powdered pe- 
rukes, and others with their hair coiffed a la 
Louis XVIII. 

The artist who plays the Abbe de Chazeuil 
sports, in spite of his powder, an enormous pair 



222 KACHEL 

of black whiskers. A Louis-XV. abbe, adorned 
with cutlets d VAnglaise, is a little rash. But 
what would you have? Nobody takes the 
trouble to give them good advice. Is it their 
fault? 



AND THE NEW WORLD. 223 



CnATTER VI. 

IN WHICH WE PART FROM BOSTON ON GOOD TERMS. 

On the 2d of November, the last performance 
at Boston, for the benefit of Mdlle. Rachel. 

VIRGINIE, 

Tragedy in five acts, by Latour de Saint-Ybar. 

And, by general request, 

The French National Hymn, 

LA MARSEILLAISE. 

Receipts : 18,831 francs. 

Virgmie had a better success than anything 
we have played up to this time. The audience 
is positively enthusiastic. It applauds furi- 
ously, madly, not only Rachel, but all the 
artists in the leading parts : Chery, aine {Fa- 
hms), Raphael Felix {AiJinus), and, finally, 
Randoux {Virginius)^ called for again, with 
Rachel, after the first act. At the close of the 
piece, they call everybody before the curtain, 
precisely as they do on the Boulevards. 



224 RACHEL 

As for that, there is really a Boulevard audi- 
ence this evening — an audience warm, ardent, 
delighted to applaud. All the French in Bos- 
ton are met at the theatre ; almost all work- 
men. One positively imagines himself in Paris. 
Besides, the Marseillaise produces, this even- 
ing, an effect unknown till now. It is a colos- 
sal success. This performance, receipts apart, 
is certainly Kachel's finest triumph. In order 
to have a nearer view of the great tragedienne, 
all the students of Cambridge University asked 
permission to take part in Virginie. 

It was very curious, I assure you, to see all 
these young men, of the best American families, 
serving as supernumeraries in a French tragedy. 
What was also very amusing, was the earnest- 
ness with which they threw off their Roman 
dresses, to applaud in the wings this famous 
Marseillaise. 

As Rachel scarcely waited for the entr'acte, 
they all came down from their dressing-rooms, 
half-undressed. Some had their pantaloons and 
boots on, but had not yet quitted their tunics ; 
others had black coats, and flesh-colored tights, 
etc., etc. In fact, it was truly grotesque to see 



AND THE NEW WORLD. 225 

the wings crowded with these burlesques with- 
out head or tail ! 

Going rather late to Bourguignon's, the man 
of squirrels, you know, we found all the French- 
men who boarded with him engaged in empty- 
ing a respectable number of bottles of wine to 
the health of Rachel and the French Company. 
After which one of them struck up the Mar- 
seillaise. 

The police, finding probably that the song 
was being somewhat abused, came, very po- 
litely, to be sure, to request the gentlemen to 
conclude their musical exercise. "It was very 
late," said the policemen, " and the slumbers 
of the neighborhood were disturbed." No one 
had anything to say to that, and everybody 
went to bed ; it was the best thing they could 
do. 

The next day, at half-past five in the after- 
noon, the French Comijany take the cars again 
and quit this excellent town. At nine o'clock 
we take the steamer Vanderbilt and start for 
New York. Truly splendid affairs are these 
steamboats — immense. In this one there are, 

I think, 1,200 beds, an altogether unheard-of 
10* 



226 KACHEL AND THE NEW WORLD. 

luxury. Each of these boats is worth at least 
a million. 

Unfortunately we had on board a very lame 
supper. I had all the trouble in the world to 
eat one mouthful. 

I addressed myself to a black servant, and 
asked him for some bread (in English, how- 
ever). The negro brings me a fried egg, I 
demand a beef-steak. He serves me with a 
sausage. 

I beseech him at last to grant me a glass of 
water, and the good negro brought me — what ? 
— a fried fish. 

This event by no means hinders the Vander- 
hilt from arriving next day, at a quarter past 
seven, at the port of New York. 

Mademoiselle Eachel returns to her domicile 
in Clinton Place. Mademoiselle Sarah regains 
her abode in Broome street, and MM. Felix, as 
well as Mademoiselles Lia and Dinah, fugitives 
from Clinton Place, go down to the Hotel de 
I'Europe, where the rest of the company are 
already installed with bag and baggage. 



lifttr |art. 
RETURN TO NEAV YORK. 



CHAPTER I. 

JULES JANIN IN THE UNITED STATES. 

We innocently thought to find New York as 
we left it. Hardly have we landed, ere we re- 
mark a strange agitation in the city. Yes, 
groups are gathered in the streets, they con- 
verse with extraordinary animation. Every one 
wears an unnatural expression. They crack 
jokes. They talk as they walk along ! 

Dollar seems quite forgotten. Hardly, oh ! 
wonderful ! is the mastication of the morsel of 
traditional tobacco — that inseparable friend of 
every good Yankee — remembered ; New York is 
evidently not is its ordinary mood. What has 
come to pass ? 

Has Kossuth made a new triumphal entry 



228 RACHEL 

into the first city of the Union ? That is not to 
be imagined. 

Have the elections gone wrong ? It would 
not seem "so. The banners they carry around, 
the guns which they madly fire under the very 
noses of the passers-by, the worn-out straw 
beds that they burn witlessly under the win- 
dows of the happy candidates — all prove that 
there is nothing to complain of on that score. 

Is the British ensign floating on the public 
monuments, in the place of the American 
colors ? No, the star-spangled banner is still 
there. 

Are they afraid that the little earthquake on 
Staten Island is the prelude of some tremendous 
upheaving ? 

Fudge ! they are by no means the sort of 
people to bother about such a trifle. " We'll 
take the consequences" is their motto. 

And, apropos of consequences, a new railroad 
bridge has just tumbled down spilling all the 
cars into the river and piling them one upon an- 
other ; may it not be this horrible catastrophe 
which gives them all such long faces ? In all 
seven hundred people wounded, only twenty- 



AND Tin-: NEW WORLD. 229 

live killed ! Come, come, that is not sufficient 
to disturb the good-humor of such a philosophi 
cal people. 

But really, what is this all about? There 
is — there is a number of the Journal dcs 
Debdts, which an English steamer has just 
brought over from France, and this number 
contains an article by Jules Janin on Rachel 
and tragedy in the United States — and it is 
this article and nothing else, that stirs up this 
high excitement in the New Yorkish popula- 
tion. 

Ah ! if Janin had only been there ! " These 
shop-keepers, fathers and sons of shop-keep- 
ers," as he contemptuously calls them, are 
literally ferocious about him. 

Here is the revolutionary article — read and 
tremble ! 

" MADEMOISELLE RACHEL AND TRAGEDY IN 
THE UNITED STATES. 

" At present the dramatic art is in trouble 
about Mademoiselle Rachel. For, after all, she 
is its queen, and if it should be so unfortunate 
as to lose her, she could never be replaced. 
She is our child, she was born under our wing. 



230 RACHEL 

she has thrived under our nurturing. With her 
all-powerful breath she reanimated tragedy- 
even in the coffin : * Arise and walk ! ' and 
tragedy obeyed ; and Corneille and Eacine, 
whom we had thought dead, were rejuvenated 
by the accents of that irresistible voice. So 
the birth of this child, let us remember, was 
one of the high holidays of Poetry. 

* The court of Apollo arose to honor her.' 

This is why grateful spirits — that is to say, 
those who have prescience — inquire, not with- 
out anxiety, what has become of Mademoiselle 
Eachel, where is she at this hour, and to what 
land has she transferred — imprudent one — the 
graces, the sorrows, the loves, the bearing, and 
the passion of the old French world ? To these 
questions there is as yet no answer ; there are 
only murmurs, threats, nothing clear — and the 
anxiety redoubles, and Tragedy, despairing, 
calls back her Rachel. 

" And we, too, in the midst of this general 
uneasiness, are possessed w^ith a desire to know 
what, truly, at this day, is the strange nation 
to which Mademoiselle Rachel has carried her 



AND THE NEW WORLD. 231 

gods and licr heroes ; and when we ask the best 
instructed, this is the answer we get : * The 
social state of the Americans is eminently 
democratic ; it has had this character since 
the birth of the Colonies ; it is still more so 
in our time.' 

" These are the words of a majster-historian, 
and that one phrase, * essentially democratic,' 
was and must be, a threat for Mademoiselle 
Eachel. In fact, she belongs, by the art she 
cultivates, by the chefs-d'oeuvre she represents, 
to all that republicanism, to all that monarchy 
presents, of elegance, of politeness, of cultiva- 
tion, of aristocracy and refinement. Athens is 
a court ; the Rome of Augustus is a court ; 
Louis XIV. is a sun who gives light to the 
stars; the great poets, Euripides and Sopho- 
cles, Corneille and Racine, address themselves 
to choice spirits, to select souls, to elegant 
passions, to grandeur, to the all-powerful, to 
majesty. It is in a world apart, and very hard 
to please, that these great dramas are acted ; 
they speak to the souls of a select few, much 
more than to the passions of the common 
crowd. They are drawn toward the idea, the 



232 RACHEL 

sentiment, the ideal, and not to noise, tumult, 
and brutal sensations. If the herd loves loud 
cries, changes of view, and surprises, the court 
prefers correct emotions, clear and v^^ell ex- 
plained events, fine language, the elegant mur- 
mur. It subjects everything to its whims, to 
its tastes, to its sense of propriety — everything, 
even its passions. Inasmuch as it is composed 
of a few cultivated men, subject to the same 
sceptre, and imited under the same laws of 
etiquette and taste, it happens that the poets 
of this world unwittingly obey this sovereign 
will, that they neglect nothing which can 
please this circle of fine spirits; that they 
attach as much importance to their style as 
to their ideas ; that they are concerned for the 
most trifling details; that, to a just degree, they 
seek above all things for whatever is noble and 
great ; and that, in fine, only those who have 
early had the advantage of a literary education, 
and who have long learned in the school of the 
old masters, venture upon the difficult exercises 
of literature. * It is no common praise,' said 
Horace, ' that one is capable of pleasing the 
men who govern us.' And Virgil, too, said, 



AND THE NEW WORLD. 233 

* If we sing of forests, let the forests be wor- 
thy of consuls.' 

'* Thus the great art, the art imr excellence 
of kings, and queens, and consuls, which Ma- 
demoiselle Rachel represents, is essentially the 
art of great princes, of famous ministers, the 
art of heroes and brilliant youths ; it allies it- 
self with the great arts of long ago, with the 
Athenian aristocracy, the Roman aristocracy, 
with the most polished nations, with the most 
instructed cities — with delicates tongues which 
regard the slightest innovation as a crime, and 
treat the least new word as an abominable 
barbarism. 

" This is why, contrary to the first laws of 
democracy, wherein the majority is sovereign, 
in poetry, and in the art of which we speak, it 
is the minority which makes the law, it is the 
smaller number, the very small number, of 
people of taste, which dictates, which says 
which are the the chefs-d'oeuvre. In a demo- 
cracy, on the contrary, not only is it the ma- 
jority which makes the law, which makes 
manners, but it also makes a language for its 
own use, at liberty to scratch out next morn- 



234 RACHEL 

ing what it laid down the day before. It 
despises, inexpressibly, the learned languages, 
which it calls the dead languages — as if the 
Iliad could die, as if the Cid could die. By 
as much as the elegant nations, of whom we 
have just spoken, hold themselves apart from 
the other nations, as if they feared to hurt 
by foreign contact the very heart of their 
poetry and the purity of their fine lan- 
guage, by even so much do these turbu- 
lent democracies make a point of spreading 
themselves abroad, and of reducing the lan- 
guage they speak to its simplest expression, in 
order that all may understand them and barter 
with them. In old Paris alone, consider how 
many different languages. The language of the 
Flace Roijale was not the language spoken at 
Versailles ; the circle of the Duchess de Chaul- 
nes had its own language ; the saloon of Ma- 
dame de Lafayette also. At that time there 
was the language of the street and that of the 
saloon, the language of savans and the vulgar 
language. The rich and the poor, the Parisian 
and the provincial, the captain and the magis- 
trate, the priests and the literati, the noble- 



AND TDE NEW WORLD. 235 

man and the citizen, spake not the same hin- 
guage ; yet from these diverse tongues, skill- 
fully melted and blended by genius, came the 
French of the classics ; from this rosunii; of so 
many difterent languages, this tower of Babel 
of ivory and gold, came Pascal, came Moliere, 
Corneille also, and Racine. On the contrary, 
the more a democracy is sovereign, the more it 
wishes to be heard and understood, here, there, 
and everywhere. It wishes, in fact, to ' speak 
as everybody speaks' — that is fair enough ; but 
it also desires to write as it speaks, and that is 
why it is a fault, perhaps a crime, to offer to 
its unintelligence, to its scorn, works written 
two centuries and a half ago, in temples now 
overthrown and for dethroned monarchies, with 
such art, such harmony, such taste, that peri- 
ods the most polished, the most charming, have 
produced nothing more exquisite, more rare, 
or more perfect. 

" Truly, in order to understand and love 
these beautiful things as our fathers loved 
them, one should have been born in a sort 
of kindly sloth, far from labor and the daily 
ambitions of the vulgar. One should be a 



236 EACHEL 

man of leisure to love Kacine ; he should come 
of ancestors who have filled a certain role in 
story, and in the emotions of the Past, if he 
would transport himself with delight, with 
pride, back to the fetes, the sorrows, the 
struggles of ancient history. 

" An ancient people willingly looks back 
upon its past, because it is sure to be at home 
in the battles, the conquests, and the generous 
struggles of its youth ; but a people of yester- 
day finds nothing of interest in a period in 
which its name was unknown. Try and in- 
terest Americans in the origin of Rome, and 
the afflictions of the old Horatius ; make their 
tradesmen, the sons of navigation and of com- 
merce, understand the noble thoughts ex- 
pressed in this line : 

" * Si vous n'etes Romains, soyez dignes de I'etre.' 

*' Immediately, the American stares at you, 
astonished ; anxiously he inquires what the 
young Horatius says ; he knows not that the 
Eoman work was to accomplish, generously, 
noble things ; to suffer, bravely, great misfor- 
tunes. 



AND THE NEW WORLD. 237 

*' No American can understand the state 
of a new-born community, where every man 
is a hero ; on the contrary, this heroism of 
the three Horatii and the three Curiatii disturbs 
the implacable equality of the American De- 
mocracy ; the latter is willing that the people 
may be great, but on condition that every man 
composing the people shall be of the same 
heiglit ; so that, in a democratic nation, there 
can be no heroism and no heroes. Tarquin, 
walking in a garden of New York, would not 
find a single poppy-head to strike down ; all 
the poppies there are equally tall ! It would 
be vain for a poet to seek for a hero in this 
restless and turbulent nation, which would 
neither accept Ajax, nor Hector, nor the sage 
Ulysses, and which would give three groans 
for Agamemnon, the king of kings ! 

" 0, hapless poet, how I should pity you, 
you who live among legends, traditions, recol- 
lections, if you should essay to content your- 
self with this multitude, where all the men 
have the same talent, the same appearance, 
and, as for that, the same name. 

" Thus, Aristocracy was one of the necessary 



238 RACHEL 

conditions of ancient poetry ; it was, above 
all, one of the conditions of the old dramatic 
art ; a single family — only one — suffices for 
the labors of three Greek masters. 

" ' La colere d'Acliille, aveo art menagee, 
Kemplit abondamment une Iliade entiere.' 

" Democracy, on the other hand, spares no- 
thing. It uses, it abuses, it bellows, it flies 
into a rage ; it troubles itself but little about 
probabilities, and less about truth. It piles 
Ossa upon Pelian, and Pelion upon Ossa ; 
neither manners, nor history, nor the Past, nor 
the Future, embarrass the poets of Democracy ; 
without rule or rhythm, they traverse the ab- 
surd ; after all, what matters it to them 
whether they write well or ill. Their play 
once out of the theatre, they are very sure no 
one will read it. 

For such a people, the name of their heroes 
is Legion. They acknowledge no royalties; 
they despise sceptres ; they trample crowns 
under their feet ; and nothing annoys them 
more than the importance and the majesty 
of certain great men in the destinies of 



AND THE NEW WOULD. 239 

the world, and in the admiration of poesy. 
So that when Mdlle. Kachel brings to these 
tradesmen, sons and fathers of tradesmen, a sort 
of elegy in five acts, called *' Cinna," in which 
the Emperor Augustus dares to say, in the 
presence of an American audience — 

*' ' Get empire absolu Rur la tcrrc et sur I'onde, 
Ce pouvoir souveraiii, quo j'ai sur tout le monde,' 

she insults the assumptions of the people. 
The New World knows nothing of the Roman 
dominion ; it does not wish to know anything 
of it, and if you are obstinate enough to insist 
on discoursing of greatness not its own; to tell 
it of a world of which it is ignorant — a world 
which knew nothing beyond Rome — you 
wound it in its pride, in its ambition, and all the 
passions born of Democracy. The voice which, 
from the middle of the astonished pit, inter- 
rupted Mdlle. Rachel when playing Emilie, 
and called for the ' Marseillaise,' (sic,) was the 
genuine voice of a Democrat, and called for 
the only tragedy and the only drama which 
Democracy can love and comprehend — the 
tumultuous drama of the mob yelling at the 
cross-roads — the tragedy of a people trampling 



240 RACHEL 

under foot all the greatness of the times. A 
Democrat would give, gladly, and as if he were 
making a good bargain, every classic part of 
Mdlle. Rachel — the grace, the elegance, the 
chaste love, the honorable inspiration of great 
men, the courage and the chastity of illustrious 
princesses — for that horrible song of exile, of 
murder, and the scaffold — 

" ' Qu'un sang impur abreuve nos sillons I' 
'* To this impious request — one which she 
only too much deserved — she did not reply 
with the horror which it ought to have excited 
in her. It is true she refused to chant the 
' Marseillaise,' saying that she no longer had the 
necessary voice. She ought to have replied as 
follows : ' What ! I came here, my brains filled 
with master-pieces, my hands laden with palms 
and crowns ! I bring you the miracles of three 
centuries, Augustus, Pericles, and Louis XIV., 
and you demand la Marseillaise ! I bring you 
Corneille and Racine, and you call for Sauterre 
and Danton ! Leave me ! You are unworthy 
of such great fortune, and you are incapable of 
understanding so much sacred sorrow, so much 
brilliant majesty !' 



AND THE NEW "SVORLD. 241 

'* Thus should sho have spoken, and at once 
left the country. She did not know — our im- 
prudent Rachel — into what gulf she was going 
to flill ! She did not know what a thing it is 
to amuse, night after night, tradesmen insens- 
ible to the charms of accent, voice, gesture ; 
insensible to learned speech, to the soul and 
spirit of ancient genius. She supposed, remem- 
bering her former wanderings, that she could 
do without princesses to defend her, and kings 
to applaud her ; she did not reckon among her 
European successes the favor of the Queen of 
England, the interest of the King of Prussia, 
the kindness of the Court of St. Petersburg, the 
innate and habitual elegance of courtiers, of 
warriors, of ladies of honor, of those grand lords 
who call Tragedy their queen, who call Cor- 
neille their father, and who made Racine their 
god ! She did not see that the master-pieces 
she carried with her were, to these privileged 
minds, the glorious echoes of the age of Mon- 
archies — the Cid, which caused Richelieu to 
spend sleepless nights ; IjjJiigenia, that won a 
smile from Mme. de Montespan ; China, which 

drew tears from the Prince de Conde ! 
11 



242 RACHEL 

" Le grand Conde pleurant aux vers du grand 
Corneille ! 

" Poor child ! poor Rachel ! she took all to 
herself in her progress through intelligent Eu- 
rope ; for her all those bravos, for her all those 
crowns ; and, nevertheless, the attentive com- 
panions of her pilgrimage : Hermione, Emilie, 
Horace, Andromaque, Pauline and Polyeucte, 
Athalie and the little king, Joas — these beau- 
ties, these virgins, these heroes, this divine lan- 
guage, this poetry, made expressly for the ears 
of gods, for the hearts of lovers, for the minds 
of sages, for these souls apart, in the ordering 
and government of the human race — these 
opened all the doors to Rachel ; they were of 
her company, she was in their confidence. 
They lived together; they spoke the divine 
language which is spoken in the high places of 
the world, between earth and sky, on the bor- 
der of the clear fountain, where the Muses and 
Graces still reign above the storms. And, there- 
fore, all the doors of all the monarchies open 
before Mademoiselle Rachel ; therefore these 
eager advances, therefore this partiality. 

" ' Welcome to Elsinore,' said a courtier 



AND THE NEW WORLD. 243 

of ITamlet of Denmark to the poor come- 
dians. 

" ' The court was her country ; for from the 
court she no longer has either hearth or home- 
stead,' said Madame de Sevignc of an exiled 
princess. We may say of Mademoiselle Rachel: 

"She is lost, away from the thrones and 
courts. In that feverish American democracy, 
it is she that is the barbarian, because she is 
not understood, because she has neither home 
nor fireside there; she is a vagabond, errant 
comedienne , she tells of sorrows in which her 
audiences do not believe. Why exhibit to Ame- 
ricans, Monime prostrate at the knees of Mith- 
ridates, expiring? Mithridates is no w^orse off 
than Uncle Tom ! For they have gone no fur- 
ther than Uncle Tom in tragedy ! Uncle Tom 
is the American Agamemnon, the American 
Achilles ! It is he that is hissed, admired, loved, 
abused; he is their hero, their buffoon, their 
martyr! The only American Parthenon is 
* Uncle Tom's Cabin!' Uncle Tom is their 
Odyssey — their Iliad ! 

" It is worth remarking, that, with a little 
foresight, Mademoiselle Rachel might easily 



244 RACHEL 

have convinced herself that she was destined to 
pass through a thousand deaths, in her talent, 
in her influence, in her pride. Had she looked 
into any American book before leaving, she 
would have better understood the American 
multitude, subdued, or rather gulled, by the 
great Barnum at his pleasure. For, though 
they resist Iphigenia, though they go to sleep 
before the furies of Orestes, though they call 
Corneille stupid ; yet, at the beck of Barnum, 
they rush to see a stuffed mermaid, or, seated 
in her filth and her drivel, an old, black, 
idiot mummy, whose hideous teats suckled the 
great Washington ! And these heroes of equali- 
ty, though they believed the old woman to 
have been really the nurse of their great man, 
their savior, not one of them thought of snatch- 
ing the poor old thing from the hands of the 
showman. Say to Frenchmen, on the contrary, 
* Here is the mother of Voltaire,' and they will 
fall on their two knees before her. 

*' So I say, that Mademoiselle Rachel, with 
a very slight effort — had she merely looked 
over a late work by Madame Marie Fontenay, 
entitled ' L' Autre Monde,' — would have found 



AND THE NEW WORLD. 245 

in it details upon the other world, which would 
have certainly made her stay in this one. 

" Surely, we do not attach more credit than 
they deserve to the words of Madame Marie 
Fontenay ; but then she is a woman ; she is of 
that ripe age when one sees well wdiatever one 
sees at all ; she returns from this old New 
World, relating a thousand stories which are 
not in praise of the fine arts, and the fine pas- 
sions of New York. For example, she will tell 
you what fllrtaiioji is, that is to say, what love 
is in the United States. 'Tis a certain license, 
permitted to the young marriageable girl, of 
going and coming, without danger to her repu- 
tation, and without danger to her heart. She 
flirts ; she gads ; she is like a lovely flower, 
which every one inhales, which no one must 
touch. More than all things she wishes for a 
husband, and she asks not what he is, but how 
much is he worth. Alas, how little does this 
flirtation resemble the love of Hermione ; alas ! 
how could this errant damsel, in search of a 
husband, who, first of all, must be rich, be en- 
tertained by hearing a Greek princess say to 
Cleone : 



246 RACHEL 

" ' Non Cleone, il n'est point ennemi de lui-merae ; 
II veut tout ce qu'il fait ; et s'il m'eponse, il m'aime.' 

" Certainly, it is a pretty thing, this flirta' 

tion; but the passion, the eloquence, and the 

proud content of a loving heart. 

— " ' Eh bien ! cliere Cleone, 
Cougois-tu les transports de I'hereuse Hermione ? 
Sais-tu quel est Pyrrhus ? T'es-tu fait raconter 
Le nombre des exploits.... Mais qui les peut compter? 
Intrepide et partout suivi de la victoire, 
Charmant, fidele, enfin rien ne manque a sa gloire !' 

" The beautiful accents, the majestic words ! 
In those times, they did not flirt, they loved. 
The princess was guarded ; she obeyed the 
strictest laws of obedience and duty ; she did 
not go out to sup, in full flirtation, with gen- 
tlemen, at * one of the luxurious restaurants in 
which New York abounds.' Moreover, when 
a princess by chance got into an omnibus (for- 
tunately, there were no omnibuses for French 
princesses), she did not seat herself on the knees 
of the nearest man. But now that is done in 
New York, flirtation apart. And how delight- 
fully such a jaunt in an omnibus, on some 
fellov/'s knees, fits her to hear and appreciate 
this fine discourse of the loving Orestes ! 



AND THE NEW WOULD. 217 

" * Ah ! Madame ! est-il vrai (|u'un(! fols 

Orcstc en voiis chercliant obeisso a vos lois ? 
Nc m'a-t-on pas llatte d'tiiio f■uu^se esperance? 
Avez-vous en dletsouhaile ma presence?' 

" Let us add here, that American women 
hold in profound scorn this amiable and charm- 
ing condition ; to be an honored woman — loved, 
admired, but loved and admired from a dis- 
tance ; to have all the graces, all the elegan- 
cies, all the adornments of a woman — dia- 
monds, and all manner of jewels, fine clothes, 
flattering attachments. No, they must be men 
— that is at once their glory and their ambition. 
Happiness, cheerfulness of heart, they renounce 
for muslin, velvet, embroidered petticoats, and 
even love affairs, which make a little noise, 
when poets sing them. ' There is one thing as 
dead as the tomb,' says our voyageuse to Ame- 
rica, ' and that is the love of an American wo- 
man.' Ah ! then, if they are so very discreet, 
why relate to them all those charming and 
famous love passages, which brought tears into 
the sweetest eyes at the courts of Augustus 
and Louis XIV.? 

" An American w^oman hates the distaff; she 
would be ashamed to say, as the adopted child 



248 ^ RACHEL 

of Montaigne, Mademoiselle de Gournay, said 
to a handsome officer who defied her — 'I 
wager my distaff against your sword !' In re- 
venge, they sport manly attire; they are 
Bloomerists ; apparelled in blouses, disguised 
in pantaloons, they go about preaching Wo- 
man's Rights. Oh ! oh ! picture to yourself 
a club of women in the midst of Paris, in the 
evenings when the Marseillaise was sung; w^hen 
old art gave place to all the riot of the streets ; 
and then put, if you choose, some bloused 
Bloomerist, or the president of the Women's 
Club, in the front boxes, while Ipbigenia, at 
her father's feet, imploring him with the deep 
and tender gaze of a fond maiden of sixteen 
summers, who clings to life yet wishes to 
obey, cries to him, choking down her tears — 

" ' Mon pere, 



Cessez de voiis troubler ; vous n'etes point trahi : 
Quand vous commanderez, vous serez obei. 
Ma vie est voire bien : vous v oulez le reprendre ; 
Yos ordres sans detour pouvaient se faire entendre. 
D'un oeil aussi content, d'un coeur aussi soumis 
Que j'acceptai Pepoux que vous m'aviez promis, 
Je saurai, s'il le faut, victime obeissante, 
Tendre au fer de Calclias une tete innocente, 
Et, respectaut le coup par vous-meme ordonne, 
Yous reudre tout le sang que vous m'avez donue.' 



AND THE NEW WORLD, 249 

" Declaim these beautiful sentiments in the 
presence of Blooniciists, and they will claim 
liberty to speak in full theatre for a personal 
explanation. They will say this Iphigenia is 
a fool, that she carries her filial obedience too 
far. A father, a husband, a man, marriage, a 
tragedy in verse — what do you think of them ? 
And what will the famous Editor of the New 
York Tribune say? In effect, that paternal 
authority, these sweet fancies, these cherished 
existences, have no great run in a country 
where the boy goes free at twelve, and meet- 
ing his brother or his sister, asks by-the-byishly, 
* How is the old man V The old man is his 
father, and the old woman is his mother. Then 
shout in his ears, which are steeled on the side 
of his heart, what Andromache says to Pyrrhus : 

" ' Je passais jusqu'aux lieux ou Ton garde mon fils ; 
Puisqu'une fois le jour vous souffrez que je voie 
Le seul bien qui me reste et d'Hector et de Troie, 
J'allais, seigneur, pleurer un moment avec lui ; 
Je ne I'ai point encore embrasse d'aujourd'hui !' 

" If the son of Hector were in New York, 
he would already know the four rules of arith- 
metic, and would earn every day his half-dollar 
11* 



250 RAOHEL 

and pay board to his mother, Andromache. 
You remember the fine dispute between Aga- 
memnon and the terrible Achilles — that grand 
scene of defiance between two formidable war- 
riors — the young man carried away by love, 
beyond all bounds — while the father, the king, 
meets this fury with self-command and ma- 
jesty. What w^ould you do with that admira- 
ble scene, a marvel of our old dramatic art, in 
a country where everybody carries a ten-shot 
revolver in his left pocket, a dirk in his right 
pocket, and takes the law into his own hands 
in the streets, or in full Senate ; or even if, by 
chance, a regular duel is arranged, the two men 
take their guns and beat about for each other 
in an open field, as we hunt a boar or wolf. 

ACHILLE 

" ' Eendez gr^ce au seul noeud qui retient ma colere, 
D'Ipliigenie encor js respecte le pere ; 
Peut-etre sans ce nom, le chef de tant de rois 
M'aurait ose braver pour la derniere fois.' 

What sort of way is that ? Why the devil 
don't he draw a six-barrel at once ? 

"I look also in this instruction book of Mme. 
Fontenay, which might have served Mdlle. 



AND THE NEW WORLD. 251 

Rachel, for wliat the Americans like best after 
an abolition harangue or a Bloomer speech — it 
certainly is not the theatre, and it is not music, 
in spite of Jenny Lind, Giulia Grisi, Mario, or 
the unfortunate Madame Sontag, who has just 
died : what they prefer to anything else, are 
tame bears, mountebanks, boxers, and the tours 
dc force of tight-rope dancers, which they are 
very careful to call acrobats or funamhuUsts ; it 
is strange that although new people hate 
Greek and Latin, they voluntarily apply little 
bits of it here and there to everything low and 
ludicrous. For people who enjoy these things, 
imagine their astonishment when we gave them 
Athalie or Pohjciicte, and Mdlle. Rachel in the 
wonderful character of Pauline : 

" '/c vois, je sais,je crois, je suis desabuseeP 

*'Ah! what beautiful fetes those were for 
us in the fine old days of yore. Such grand 
soirees ! Folijeucte ! Athalie ! Oh ! master- 
pieces which will live for ever in all honest 
hearts, in all intelligent souls ! In those days, 
throughout Paris, the noblest houses, old 
Christian families, forgetting their antipathy 



252 RACHEL 

and prejudices against the stage, led to this 
enchanted palace their youngest children, their 
young girls, impelled by a sort of irresstiible 
impulse, the splendor and grace of these old 
houses- — offsprings of royalty, of established 
faith ; and the wisest fathers, the most prudent 
mothers, said to their bewildered children : 
Look, listen, weep as you please, there is no 
harm in it, there is nothing to fear, on the 
contrary, everything is beautiful and blessed in 
these fetes of Saint Cyr and Port Royal! 
Children, listen to Athalie, it belongs to 
Madame de Maintenon as much as to Racine ; 
listen also to Folyeucte. M. Arnauld and Mother 
Angelica Arnauld read Polyeuctc! And the 
young ones, beautiful and adorned with their 
grace and their youth. Mothers in their finest 
attire, fathers and grandfathers in full dress, 
took part in these fetes of their youth. There 
was nothing finer, you will recollect, Rachel, 
in the Theatre Frangais, then these august 
solemnities of poetry and high dramatic art; 
we had truly, under our very eyes, Spring 
itself, and everybody kept silent to let these 
children applaud; their beautiful, dazzled eyes, 



AND THE NEW WORLD. 253 

their little trembling hands, serious lips, and 
thoughtful brows, threw even additional splen- 
dor over the exquisite verses. What grand 
soirees! alas! and what a brilliant crowd! 
What glory and good fortune for the French 
comedians who were called upon to celebrate 
great master-pieces before these gay assemblages 
of French aristocracy, unequalled by any under 
the sun — the aristocracy of name, of genius, of 
intelligence, of studious and classic beauties, 
for which you w^ould in vain search elsewhere. 
You might find fragments of it, mere recollec- 
tions and echoes ; but united and entire in its 
present, its past, and its future, you will find 
it only on such choice days as I have spoken 
of, in the presence of some chef-d ceuvre of 
Christian art. 

" Please God, Mademoiselle Rachel may not 
tiy to play Athalie or Pohjeiicte in America, 
w^ith Bloomers in the first circle and negresses 
and negroes up above, staring at the phantom 
— she would be compelled in these cruel, pain- 
ful occasions to make mortifying comparisons ! 

" Do you know, for instance, in what way 
Americans applaud the finest things and great- 



254 RACHEL 

est artists. They whistle. With the Americans, 
to whistle, to yell, is to applaud. 

*'It is hard to believe the pass to which 
American impertinence often reaches (it is still 
Madame Fontenay who speaks, and we quote 
her, word for word). At railroad stations, as in 
hotel saloons, it is not unusual to see them, 
with dirty shoes, and hat on head, brutally 
stretched on the seats or sofas. The boats on 
the Northern lakes, which are luxuriously fur- 
nished, have a special regulation which imposes 
a fine on every passenger who goes to bed with 
his boots on. 

" And this article of the same regulation re- 
lating to meals, requires gentlemen to take 
seats at table after the ladies. But the Ame- 
ricans do not take this rule seriously, and are 
at their ease there as they are everywhere else. 

'' Leaving out of the question the articles 
of claret, sherry, and whisky, let us also for- 
get that these messieurs love to stick their 
feet against the wall, and are not at their ease 
unless their heads are on the floor and their 
feet in the air. 

" The Americans have another way which 



AND THE NEW WORLD. 255 

must nmcli disturb ]\[;i(leiiioiselle Rachel when 
on the stage, unless they liave sacrificed their 
tastes and passions at her shrine. For it is the 
custom of every American to have continually 
in his hand a pen or jack knife, and to whittle 
famously at the arm of his chair ; this is his 
distinction, his occupation, and his amusement, 
for it kills both time and tragedy. It would 
seem, nevertheless, as though the progress of 
the play might be disturbed by these makers 
of shavings, and that the tragedienne, ac- 
customed to profound silence, to the feverish 
attention of every eye, of every soul hanging 
upon her lips, must be strangely stupefied and 
troubled on hearing these strokes and cuttings 
of knives, fit at the very best to accompany a 
rope-dancer or a boxer in the ring. 

" Now I do not mean to say that the Ame- 
rican democracy .is to be blamed for remaining 
faithful to its customs, to its tastes, and ad- 
mirations, and that it ought at once to re- 
nounce cigars and whisky, Uncle Tom and 
whittling, dirty boots and Bloomerism, simply 
because Mademoiselle Rachel sought to initiate 
it into the great works of another period. I 



256 hachel 

am certainly not so imprudent as to desire 
thus suddenly, apropos of an actress on her 
travels, to remould and correct a whole people. 
But at least through respect for our chefs- 
d'oeuvre, through pity for the greatest artist of 
our time, let us expose them no longer to the 
disdains of a democracy. 

"Perhaps, and I am inclined to hope so, 
Mdlle. Kachel has already seen enough to un- 
derstand that she does not speak the language 
of the country ; that the people there do not 
know a single word of the stories she has to 
tell ; and that the charming and terrible mys- 
teries of the antique muse are altogether out of 
place there. She must already have felt, and 
every day she will feel it more keenly, that it is 
she who is the barbarian, because she is not 
understood ; she will soon, I trust, leave the 
country to the bears, the street-preachers, 
the tumblers, the Barnums, and the usual 
amusements of the American people. She has 
shown herself, she has gained her cause, and 
can well afford to pay the expenses. And then 
her return will be so triumphant, especially if 
she return before her promise ! We shall be 



AND THE NEW WORLD. , 257 

SO glad to see her agiiin, especially if we arc to 
console her for deceptions and disappointments 
over there ! 

" The more difficulties she has to encounter 
in that matter-of-fact country, the more success 
she will meet with in one of refinement, where 
it is considered a triumph even to speak so 
correctly the only language made for a polite 
people. So her disgrace, even — if disgrace it 
is — will increase the popularity of Mdlle. Ra- 
chel with us. We love her, we want her ; it 
has been always with regret that we have per- 
mitted her to go to foreign countries, from 
which she has always returned a little weak- 
ened and a little deteriorated. 

" This lesson, happily, will be her last; and 
we are all willing to think that we have not 
paid too dear for it. Shall we not be enchanted 
to see our Rachel snatched from that noise and 
tumult, half applause, half hisses (sic), which 
must disgust her to the very bottom of her 
soul! 

" It has been happily said, that if the triangles 
made a god, they would give him three sides ; 
if the Americans ever made a tragedienne, I 



258 RACHEL 

don't know how they will do it; but it will 
not be according to the image of the Venus of 
Milo, the tragedies of Corneille, or Mdlle. 
Eachel. 

" Let her return to us ; she will be welcomed 
once again ; the sooner the greater the re- 
joicing. 

" ' So, Madame, it is only necessary to go to 
Spain, to lose the desire of building castles 
there,' said Madame la Marquise de Villars to 
Madame de Maintenon. 

"Jules Janin." 

Certainly, when he says that the Americans 
are " a stirring, excitable people, who would 
have neither Ajax nor Hector, nor the wise 
Ulysses, and who would treat even Agamem- 
non, king of kings, to three groans," Janin was 
not altogetlier wrong ; he is even far from 
being so when he adds : " They repulse Iphi- 
genia, go to sleep over the furies of Orestes ; 
and they call Corneille a dotard ; but if Bar- 
num chooses, they rush to behold a stuffed 
mermaid, or to see, slobbering in filth, an old 
black, idiotic mummy, whose hideous nipple 



AND THE NEW WOULD. 259 

has suckled the great Washington, because Bar- 
num tells them to do so." Doubtless, this is 
all true. 

" The son of Hector, in New York, would 
understand already the four rules, w^ould earn 
his half-dollar a day, and would pay his board 
to his mother Andromache." Evidently, what 
is preferred in America, " is not the theatre, is 
not music, in spite of Jenny Lind, Giulia Grisi, 
Mario, and the unfortunate Madame Sontag, 
who has just died; — but tame bears, mounte- 
banks, boxing, and the tours de force of tight- 
rope dancers." 

But who likes all this ? The masses — the 
masses, who are unintelligent and gross in the 
United States, as they are everywhere else. 

And these " Barnumries " ! does any .one 
believe that the Press waits to be urged, to do 
such exhibitions severe and prompt justice? 
No ! no more than it hesitated to write upon 
Rachel and French tragedy perfectly correct 
and impartial criticisms. And this is why the 
Press, furious at being so misunderstood, hurls 
against Parisian critics such thunder-bolt arti- 
cles. 



260 RACHEL 

There is still one tiling to remark ;■ and that 
is, that the most bitter New York journalist is 
a Frenchman, one of the editors of the Courrier 
des Etats- TJnis ! 

Finally, everybody is angry with Janin. 
French people will not forgive him for having 
treated Rouget de L'Isle and his Marseillaise so 
cavalierly in his article ; the Americans are 
outraged at being accused by him of imploring 
for this same Marseillaise, when they had never 
dreamed of it ; and much more for having de- 
manded it during the play of Cimiay in which 
Rachel never performed in the United States. 
And Rachel, Rachel herself is not better pleased 
than the others ! It was in vain that Janin 
wrote : " She is our child, born under our 
wing ! She has made herself great in our 
language ;" his child is none the less provoked, 
although bom under his wing^ to hear him make 
use of this very language^ in which she has tnade 
herself great, to cry aloud to the whole world 
that her campaign in America is, after all, only 
an immense defeat. 



AND THE NEW -WORLD. 261 



CHAPTER II. 

IN WHICH WE SCARCELY KNOW TO WHAT THEATRE TO DE- 
VOTE OURSELVES. 

During, and in spite of, the excitement pro- 
duced by the article just mentioned, the per- 
formances of Mademoiselle Rachel continued to 
take place no longer at the Metropolitan, but 
at the Academy of Music. It is an immense 
house, but badly arranged. It is impossible to 
see plainly from all sides ; there are no decora- 
tions and no stage-properties ; it is old and 
faded ; it puts suicide in one's head to go 
in there ! Precisely like the Odeon ten years 
ago ! Add to this that this poor theatre is two 
miles from the centre of the city, and that 
the New Yorkers have realized in this case the 
famous jest that has been made so often at the 
expense of this sanae Oclco7i — they take the rail- 
road to go there. A mule railroad, it is true ; 
but still a raiAroad. 



262 RACHEL 

The performances of Mademoiselle Rachel 
alternate with those of Madame A. de Lagrange, 
of the Opera (Paris). 

On the 5th of November, Madame de La- 
grange plays FideSi in the first representation 

of the 

PROPHETE, 

very poorly gotten up as to scenery, costumes, 
and mise-en-scene generally ; and the next 
evening Mademoiselle Rachel recommences her 
performances in New York, by the everlasting 

ADEIENNE LECOUVEEUR, 
which, notwithstanding its reputation, made in 
all 8,526 francs. Yes, 8,526 francs only, in this 
immense house; it was horrible to contem- 
plate ! This representation was coldly re- 
ceived : applause here and there, but never a 
laugh ! 

The night but one after the first performance 
in America of 

LADY TARTUFFE, 

the receipts are even less satisfactory than 
those of night before last : 8,515 francs. That 
is bad. This theatre is decidedly a failure. 
Mademoiselle Rachel wishes to leave it at any 



AND THE NEW WOKLD. 263 

risk. Raphael, who, for his part, asks nothing 
better than to rid himself immediately of 
this gigantic shop, doesn't say two words 
on the subject, but goes at once in quest of 
another house. He finds one nearly opposite 
the Metropolitan, in Broadway, a very pretty 
little saloon, ma foil as gay-looking as the Aca- 
demy was lugubrious, and rejoicing in the lively 
name of Niblo's Garden. (The garden of 
Nihlo !) 

On the 12th, at this new theatre, the receipts 
increased to 14,007 francs with 

ANGELO. 

The next night, 12,941 francs, made with 

LE CHAPEAU D'UN HORLOGER, and YIRGINIE. 

For Angelo^ we found nearly everything ne- 
cessary for stage-properties and scenery; but 
for Virginie it was otherwise — impossible to 
procure anything. Instead of a Roman inte- 
rior, w^e have a little Louis XVth chamber. 
As to tragic accessories, they are utterly want- 
ing. Not the smallest Lar! which distresses 
Mademoiselle Rachel, who doesn't want to 



264: EACHEL 

play without her Lars ! That will be under- 
stood. 

The last act of this Virginie is truly comic. 
The Forum is replaced by a view of our Pari- 
sian boulevards. At the back, on the left, is a 
large house, with this sign in large letters — 
Restaurant. Gas-burners and Rambutian 
monuments in every direction. To complete 
the picturesqueness of the scene, there is a 
flowered carpet in the middle of the street. 

As to the supernumeraries of this tragedy, 
nothing ever equalled them. 

These supernumeraries are costumed by the 
theatre, which, accustomed only to getting up 
fairies, has no kind of toga or Roman tunic ; so 
that the supernumeraries, the plebeians, are all 
villainously dressed a la jockey, in the middle 
age style of the Spaniards. As to the one hun- 
dred lictors of Aj)2^ins, they are represented by 
twenty impossible men, disguised as devils — 
long yellowish gowns, red petticoats, sky-blue 
tights; and, to complete that, an *• imperial" 
a I'Americaine, on their chin, a large tin spade 
in their hands, and, on their feet, old, worn-out 
boots. The Americans themselves could not 



AND THE NEW WORLD. 2G5 

maintain tlieir dignity before this grotcsciue 
company. 

On the 15th, the first representation of 

MADEMOISELLE DE BELLE-ISLE. 

C^ST. 

Richelieu, - . . - - MM. Latouche. 

I^'Aubigny, .----<' Randoax. 

Le Marquis, ----- Miles. Sarah. 
Mile, do BeUe-Isle, - - - - « RACHEL. 

This piece produced a great effect, and the 
receipts amounted to 15,760 francs ! What a 
fortunate thing for us to have left the Academy 
of Music ! 

Mademoiselle Kachel had not, however, bid 
an eternal adieu to that lugubrious house. She 
performed there again, on the 16th, for the 
benefit of Madame de Lagrange. 

They gave the first act of 

I PURITANI. 

Then the Second Act of 
ATHALIE, 
by Rachel. 
And finally the two last Acts of 
I PURITANI. 

This recalled to us that representation of 

Tarticffe, at the Odeotiy in which they interpo- 
12 



266 RACHEL 

lated, between tlie second and third acts of 
Moliere's chef-d'oeuvre, I have forgotten what 
one act comedy, because Bocage would not ap- 
pear till a certain hour. 

This newly-discovered point of resemblance 
with that of the Odcon does not prevent this 
representation from being very fine. 

Rachel was magnificent as Athalie, and Ma- 
dame Lagrange wonderful in Elvira. 

After the first act they showered on the bene- 
Jlciare, not only applause and bouquets, but 
tame doves. Since we are talking of doves, 
and since these birds, who have dragged for so 
long the car of Venus, that they must be 
slightly fatigued, enjoy, with cats, the privi- 
lege of being the most amorous of animals, 
we will take advantage of the suggestion to say 
a few words about a certain society which just 
now forms the charm of the New York popu- 
lace. The Free Love League. That is its 
name. And the members of this tender asso- 
ciation call themselves, naturally enough, 
"Free Lovers." New York is the established 
liead- quarters. The meetings are held at the 
Tabernacle ; price of admission, twenty-fiye 



AND THE NEW WOULD. 267 

cents. In this society, the great law of sym- 
pathy is the only one they feel bound to obey ; 
there, all previous marriages are ignored. Ac- 
cording to its code, every married "Free 
Lover" has a right to abandon his wife for 
another woman who pleases him more, and, on 
the other hand, every married woman can, in 
her turn, under the nose of her legitimate hus- 
band, respond to the advances of any " Free 
Lover," whoever he may be, with whom she 
sympathizes. We sliall have much to say to 
you about this, but the name alone of the in- 
stitution exempts us from the necessity of 
more ample details. Free love ! that tells the 
whole story, and a great deal else beside. 



268 RACHEL 



CHAPTEK III. 

ADIEU TO NEW YORK. 

The day after the benefit of Mme. Lagrange, 
there was given, at the last appearance of Ra- 
chel in New York, 

PHEDRE, 

by Rachel. 

LE MOINEAU DE LESBIE, 

by Rachel. 

RACHEL A L'AMERIQUE, 

An Ode, by 

M. de Trobriand, 

recited, of course, by Rachel. 

This evening the receipts were 20,601 francs, 
and these 20,601 francs protest, by their frantic 
applause, against the article of the Dchats* 
They have never been so enthusiastic before. 
This wakes them up. They have taken their 
time for it ; but better late than never. Wel- 
come to their enthusiasm. 

Above all, during the recitation of the lines 



AND THE NEW WORLD. 209 

of M. dc Trobriand, their champion of the 
Courricr, they abandoned themselves to huzzas 
prolonged indefinitely, and to the most extra- 
ordhiary stamping. 
The ode is as follows : 

"RACHEL TO AMERICA. 

" Land of the Future, which a faith sublime 
Fills with rich increase, Hail ! though conquered time 
Not yet for thee has harvested the Past, 
Thy seed through far horizons now is cast, 
And grander spapes open for thy hand : 
Thy skies are blue, and green thy fruitful land, 
Ages shall pass before thy youth shall see 
Fulfilled the promise of thine infancy. 

" How many nations, in their ripest days, 
Knew not that halo of success which plays 
Around thy cradle, young America I 
Sprung, like the ancient Pallas, into day. 
All armed ; and even in thy natal hour 
The world beheld thy lineage and thy power. 

" Sleep, sleep in peace, in still funereal shade, 
Ye heroes, once for battle's shock arrayed. 
Who for your land and Freedom fought of old ! 
Not vainly then your hands her flag unrolled ; 
Your sons have followed you — your native shore 
Sees risen on the banner that ye bore 
More stars of peace upon its azure field. 
Than e'er that hallowed war of yours could yield. 

" Ye, victors, then returned to trench the soil, 
And gave recruits to swell the ranks of Toil ; 



270 RACHEL 

Peopled the wild, laid low the forest's gloom, 
Sowed the rich soil, and made the waste to bloom, 
And trampling strife and civil discord down. 
Where reigned the desert, improvised the town ! 
Thus nobly toil, America ! thy men ; 
Thy soldier thus becomes thy citizen. 

" It was but yesterday ; and now, behold ! 
Around her sovereign realm two oceans rolled : 
Rich, great, and strong, with fearless heart and free, 
She marches forward shouting ' Liberty 1' 

" shade of Washington, look from thy rest ! 
Behold how thine illustrious work is blest — 
Thy toiling people recognize Avith pride. 
And be thy glorious spirit still their guide 1 
Keep them united in their hive, that they 
May mark with miracles each passing day ! 

" When first the grandeurs which surround you gave 
That growing charm which drew me o'er the wave, 
They said to me, * Seek not yon distant strand, 
' Alien to thee the spirit of the land. 
' Their life is work : they ask for hands alone, 
' And not for genius : strange to them the tone 
' Of grand Corneille, unknown his very name. 
' Go not !' they counselled me : and so — I came. 

" A trusting envoy, I have with me brought 
My hopes, my oracles, my gods of thought ; 
The words of genius here my lips renew. 
And silence those whose tongues would slander you. 
Tour answer here I read, and read with pride, 
Too frank and honest for my heart to hide. 
'Tis as I felt — all great things in the mind 
Of a great people nobler greatness find. 



AND THE NEW WORLD. 271 

" No future, from the memory of to-day, 
Shall dim the picture which I bear away — 
Whose charm will follow, where my steps depart, 
To guide my efforts and to cheer my heart : 
And this the g^lory henceforth I pursue — 
Since you adopt me, to be worthy you." 

It remains to be ascertained whether these 
last lines embody just at present the private 
opinions of the eminent tragedienne. 

An American, Monsieur Taylor,* had trans- 
lated into English verse M. de Trobriand's ode. 
This translation, I v^as told, wsls exceedingly 
remarkable. Which fact proves that what we 
were saying just now is perfectly true, and that 
in the United States, as everywhere else, only 
the masses lack refinement and intelligence ! 

* Bayard Taylor. 



272 KACHEL 



CHAPTER IV. 

WHICH IS ALL ABOUT GAMBLING-HOUSES AND ROBBERS. 

Before taking our eternal flight from the 
first city of the Union, let us glance, in passing, 
over the Broadway gambling-houses. Gambling- 
houses are one of the specialities of New York. 

This kind of establishment can be found 
everywhere, in all parts of the city, in every 
street, at every corner. There is nothing as- 
tonishing in that ; it is forbidden by law. 

To make your way into these estimable sa- 
loons, you must be introduced by one who 
knows the ropes ! 

If anybody shows you this delusive kindness, 
so much the worse for you ! 

When this formality is complied with, the 
keeper, or one of the keepers of the house, a 
gentleman who does not give himself any airs, 
and who speaks to everybody, begs you, with 
enchanting affability, to be so good as to pass 



AND Tin: NEW WORLD. 273 

into the supper room, where a charming supper 
is served up ! Do you like game ? Here is 
game! Poultry? There is poultry! Roast 
meats? Side dishes? Dessert? There is 
everything ! And w^hat wine do you prefer ? 
Bordeaux ? Champagne ? Both, perhaps ! 
Very well ! Steward fill this gentleman's 
glasses ! 

Now do you know how much they ask for 
this supper ? Not even a thank you ! It is not 
dear ! Wait awhile ! 

This faro ! this good old faro of the eighteenth 
century, which is still cultivated here in the 
next room ! Do you call this nothing ? 

Do you think, then, that you have the courage 
to stay here and not throw down a few dollars 
on these cards, which are making faces at you 
on the green ! 

To be there and not play ! Impossible ! 
And to play at faro and not lose, still more im- 
possible ! 

That is precisely why these gentlemen, well- 

got-up, sprinkled with jewels and enamelled 

with diamonds, offer you such good suppers 

gratis ! 
12* 



274 RACHEL 

But these are nothing! There are other 
places, regular gambling-holes, they are ; the 
dens of the Five Points ! If you pass by these 
infamous places, real brigands' caves, step quick 
and do not stop to look over your shoulders ! 

Above all, never set your foot over the 
threshold of these lugubrious hovels ; murders 
are done in there, throats are cut ! The fre- 
quenters of these dens play cards v^ith shabby 
coats, sleeves rolled up, a pipe in their mouths, 
a loaded revolver by their sides, and a well- 
sharpened knife under their hands ! 

To visit these charming places there must be 
five or six of you armed to the teeth ; and you 
must, necessarily, be shovv^n around by a po- 
liceman, who, for the sum of five dollars, does 
not refuse anybody this slight service ! With- 
out these precautions they would be perfectly 
sure of you ! Ah ! the society is charming. 

Tell me, then, about these jolly thieves 
who amused themselves the other night in 
Thompson Street, by stealing two houses, 
of two stories apiece ! That is odd, to say 
the least ; is it not ? 

These two houses were wooden, as is too 



AND THE NEW WORLD. 275 

much the custom in this country ; the thieves 
tore them in pieces and carried away every- 
thing, to the hast raiL They will put them 
together again somewhere else, and are, no 
douht, a good deal vexed that they could not 
take the lots away at the same time ! 

The proprietor of these two houses was in 
the country. He must have been slightly as- 
tonished when he came home ! Before clo- 
sing this chapter, we will give you an item 
of news which has just come fresh from the 
United States: 

All the Broadway gambling-houses are 
closed. The government decided to lose pa- 
tience and rap these faro gentlemen over the 
knuckles a little. Everything was seized. 
As to the proprietors of these nocturnal 
establishments, they put them in prison for 
a little while, just to see! Let us pity 
them, but not let them out ! 



276 • RACHEL 



CHAPTER V. 

IN WHICH IS TO BE SEEN A PLAY OF IMAGINATION. 

However picturesque what you have just 
been reading may seem, it is at least a hun- 
dred leagues short of the odd fantasy which 
is now performing at; the Bowery Theatre, 
and which is called on the bills with sub- 
lime assurance Bombardment of Sebastopol. 

In this play of the imagination — 

1st. The English alone take the Malakoff 
tower ; there is not a Frenchman with them ; 

2nd. An American, the funny fellow of 
the piece, arrives in the Kussian camp and 
offers his services to Gortschakoff, who ac- 
cepts them gratefully. And he is very right 
in doing so, 'considering that in the next 
minute this same American defeats alone an 
entire battalion of English, which brings the 
whole house down ; 

3rd. And finally, there is nothing in this 



AND THE NEW WORLD. 277 

etude historiqnc, m the shape of a French- 
man, but an old Sergeant of Zouaves ! At 
least they say he is an old Sergeant of Zou- 
aves ; he has the costume of a Neapolitan 
fisherman, surmounted by a Greek cap. 

Apropos of theatres, we will mention a little 
•fact, which will give an idea of what is under- 
stood by democracy on the other side of the 
water. 

In the State of New York, in Pennsylvania, 
in Massachusetts, and in many other Northern 
States, where the Kepublican party is in power, 
slavery has been, and remains abolished. Well, 
it is precisely in those States that colored peo- 
ple are prohibited from entering a place of 
amusement. In the Slave States, the ne- 
groes have a reserved gallery in every theatre. 
What eternal contradictions ! What the deuce 
can a man take seriously in this country ? 

At last, thank God, it is half-past five. It is 
the exact minute to go on board a steamboat, 
and make an end of it, at once, with this brave 
city of New York. 

In twenty-five minutes we are on the other 
side of the river. 



278 EACHEL AND THE NEW WORLD. 

At six o'clock, we take the railroad, express 
train, and, exactly at ten, we reach the confines ■ 

of the State of New York, and find ourselves 
on the banks of this famous river, the Dela- 
ware, which alone lies between us and Phila- 
delphia. 

We leave our wagons, go on board a steam- , 
boat again, and land, fifteen minutes after- 
wards, in the capital of Pennsylvania — the 
Quaker city, as it i^ called — one of the richest, 
handsomest, and most flourishing cities in the 
United States of America. 



THE aUAKER CITY 



CHAPTER I. 

KILLING TIME IN PniLADELPIIIA. 

Although the Indian summer is not yet over, 
it does not prevent us from having frightfully- 
cold weather. 

Winter is coming on with great strides. 

In Canada, snow is falling already furiously, 
and sleighs are furrowing all the streets of 
Montreal. 

Fortunately, it is superb weather here, and 
we can see this elegant capital at our ease. 

All the houses have a flaunting, coquettish 
look, which is pleasant to see. 

The streets are broad and clean. 

The shops are generally very large, and very 
rich. There are superb goods in them. In 



280 RACHEL 

fact, this city has a happy physiognomy, which 
is very agreeable. 

And then one begins to find a little of the 
negro population, and the real American stamp 
peeps out, little by little. The negroes of 
Philadelphia are free. 

We shall not meet slavery, face to face, until 
we leave Pennsylvania. 

Be reassured, everybody ! we are not going 
to give you any sort of dissertation on this 
species of American industry, any more than 
on these famous Quakers, with their Basilian 
hats, or these Quakeresses, sitting there so 
stiffly. What a change there has been since 
the time when these ladies exhibited them- 
selves in open meeting, in the simple apparel, 
not 

" Of the beauty of a woman half-awake and half-asleep ;" 

•but, rather, of Venus coming into the world, 
or of Truth climbing out of his well. 

We would rather tell you about this strange 
sect, the Mormons, who are practicing polyga- 
my with such success. 

The number of lawful wives which is allowed 



AND THE NEW WORLD. 281 

to each of these gentlemen, varies from five to 
twenty-four. 

Five is the least that any true Mormon can 
put up with. 

Why not the half-dozen ? The Anabaptists 
also are addicted to this conjugal eccentri- 
city. 

But these last indulge in a little refine- 
ment. 

From time to time, why, I de not know, 
they cut oiF their waives' heads ! 

Perhaps the Mormons will come to that in 
time ! Have patience. 



282 RACHEL 



CHAPTER II. 

IN WHICH EVERYBODY CATCHES A MAGNIFICENT COLD. 

For the moment, the best thing we can do, I 
think, is to go to the Walnut street Theatre. 
Mdlle. Rachel opens there this evening. 
The pieces are — 

LE DEPIT AND LES HORACES. 

It is a hideous house, a pitiful theatre, this 
Walnut. 

We cannot understand how so fine a city 
should not have something better. They are 
making arrangements, we are told, to build, at 
great expense, a house which will be really 
splendid. 

As we have not time to wait till that is 
finished, we will be content, for to-night, with 
what we have. 

We have to suffer for it ; not on account of 
the receipts, which are very fair; not on 



AND THE NEW WORLD. 283 

account of the success, which is very great ; 
but on account of its being so frightfully cold 
behind the scenes. 

There is no fire and we are thoroughly frozen. 
Everybody catches cold. 

Mdlle. Rachel, who, since that night at the 
Metropolitan, has never entirely recovered 
from her cough, suffers so from the cold to- 
night that the next day she is taken seriously 
ill, and is obliged to take her bed. 

From this moment, until she started for 
Charlestown, she does not leave Jones' Hotel, 
where she stays with her sister Sarah. 

Now begins a veritable procession of physi- 
cians, which gives rise to this lugubrious hoax 
of the death of Mdlle. Rachel in the Philadel- 
phia papers. 

But there is something about it which is not 
so easy to understand, and that is, that these 
papers, in their account of this unfortunate 
event, give the most precise details, the most 
minute circumstances. 

So that all the newspapers in the Union vie 
with each other in repeating the Philadelphian 
pleasantry, and as the canard (jolce) is an animal 



284 RACHEL 

which has special facility in crossing the 
water, it soon reaches England and France, as 
a well authenticated fact. 

Which, however, does not in the least pre- 
vent Mademoiselle Rachel from laughing until 
she weeps, when she learns that she is tho- 
roughly dead and partially buried ! 

Mademoiselle Rachel's good-humor is enter- 
tained a little by the orthography and style of 
the following missive, which is addressed to her 
at Jones' Hotel, with a request that she would 
get it to her brother. Here it is, in all its fresh- 
ness: 

« To Mr. Raphael Felix, 

" Sir — Will yon have the goodness for to directed the 
tragedy of Adrien le Courrier to be played on Thursday or 
Saturday evening or next week and not in Friday, because 
several q/* families of the Jews desires greatly /or to see your 
incomparable sister Mdlle. Kachel, in this piece and would 
not go to the theater on their Sabbath. By complying 
with this request, you will oblige many Jews and others 
besides." 

It is impossible for any one to be more over- 
whelmed than Mademoiselle Rachel, and all 
because she cannot play this Adrien le Courrier 
which they desire so much to applaud; but no- 



AND THE NEW WORLD. 285 

body is bound to perform an impossibility. She 
is decidedly sick, and remains imprisoned in the 
solemn room of her solemn hotel. To relieve 
the tedium of her captivity, I give her Cooper's 
novels, which she has not read until now. In 
what better place could one be than in that 
beautiful city, on the banks of the very Dela- 
ware, to become acquainted with the works of 
the great American novelist ? 

It is odd enough, that the sons of the New 
World manifest a very subdued admiration for 
their illustrious countryman. We» expected to 
see statues of Cooper in all public places. Sta- 
tue to an author in America ! Bah ! they do 
not even read his works! That is a literary 
fact. Americans do not read — they count. 
They find that more instructive ! 



286 RACHEL 



CHAPTER III. 

IN WHICH MILLION-HUNTING BEGINS TO BE POOR SPORT. 

While waiting for the health of Mademoi- 
selle Rachel to improve, the French company 
and the English troupe of the Walnut Theatre 
give four nights. 

The first pight consists of 

NAVAL ENGAGEMENTS, 
(An English comedy,) 

LES DROITS DE L'HOM]VIE, 

AND 

LE PERE DE LA DEBUTANTE, 

Translated into English. 

This piece is very well played by M. John 
Sefton (the father of the debutante), and by 
Miss Weston, who makes a charming waiting- 
maid. 

The 22d of November was the second night 
of the English and French companies. 

Same programme as yesterday, with the 



AND TUE NEW WuRLD. 287 

exception of Naval Engagements, which is re- 
placed by 

YERT VERT, 

translated into English. Miss Weston plays 
the part created by Dejazet. 

For these nights the prices are not raised, as 
may be supposed ; the first places cost fifty 
cents, and the second, twenty-five. The effect 
of which is, that the American public which de- 
cides to come, represents very nearly the pub- 
lic of the Folies, or of the Delassements, and 
that our French pieces make the same impres- 
sions that English pieces make upon the titis of 
our minor theatres. While the French in the 
orchestra are applauding, the spectators in the 
gallery give themselves up, on their seats, to 
dishevelled dances with little girls, very low- 
necked, who have not the appearance of suffer- 
ing from severe morals, and whom policemen 
venture to preach to a little, now and then. 

These little fools are neither better nor worse 
than those who flaunt up and down Broadway, 
in New York, in broad daylight. 

Regular laths, disguised as women, and 



288 RACHEL 

nothing else. Decidedly, America is a flat 
country, in every way. 

During the Droits de V Homme all these bed- 
lamites make such a noise in the gallery, they 
imitate the cries of so many different animals, 
that it is a physical impossibility to hear one's 
self. The French in the pit call the Americans 
hard names, which are repaid in apple-peelings 
and nut shells. In fine, it is an unparalleled 
muss. 

On the 23d, the third night, 

BLUE DEYILS, 

by the English Troupe. 

LE MARI DE LA VEUYE, 

LE CHAPEAU D'UN HORLOGER, 

and lastly, 

THE YOUNG WIDOW, 

by Miss Weston. 

On the 24th, Tartuffe is announced, but 
Mdlle. Sarah (Elmire) sprained her foot, and the 
French troupe played that night only 

LE CHAPEAU DUN HORLOGER. 
The English troupe finished the performances 
with a grand burletta, 

MASKS AND FACES. 



AND TUE NEW WORLD. 289 

The four nights have earned in all, and for 
all, 4,000 francs ! at the very most ! 

A paltry result, v^hich determines tlie ad- 
ministration to stop there ! Decidedly, it is 
bad business, this playing without Rachel. 

Unfortunately, she does not seem very well 
prepared to continue her performances! Far 
otherwise ! She is ill ! And there is talk, 
of nothing less than of leaving the New World, 
and returning to France ! However, there is 
nothing official about that. Impossible to ob- 
tain any definite answer from the administra- 
tion. For a good reason, which is, that the 
administration does not know any more about 
it than other people. Everything depends on 
Rachel! Everything! Shall we start? Shall 
we stay ? That is the question ! At last the 
order comes to pack trunks, and make ready to 
start in the morning. 

To start! very good! But where for? 

Europe ? No ! The tour is to be continued, 

at least in part. Mdlle. Rachel is going to 

Charleston ; the climate is Italian there. She 

will recover there infallibly. There will be 

no playing at Baltimore, or Washington, or 
13 



290 RACHEL 

Richmond, in spite of the arrangements made 
with these three cities. 

On the 27th, at two o'clock, Mdlle. Rachel 
takes the railroad for Charleston ; her father 
and her sister Sarah accompany her. The rest 
of the French company will take the last train. 



AND THE NEW WORLD. 291 



CHAPTER IV. 

A WELL-FED CANARD. 

While waiting for the hour of starting, we 
went to visit the Fairmount water-works, the 
Cemetery, Girard College, and the Park. 

There we were attacked by an army of 
little squirrels running between our legs and 
even trying to get up on our backs, as if 
we were old acquaintances. 

Ah ! it is not in Philadelphia as it is in 
Boston ; no one can make the least bit of 
a pie of them here, and there is a fine, 
even for molesting them. These little ani- 
mals are strangely in luck. Once, to pre- 
vent them from devouring all the maize, a 
price was set on their heads, and enor- 
mous sums were expended to destroy them, 
and now they have a park to live in and 
policemen to protect them ! 

While we are leaving these peaceful in- 



292 RACHEL. 

habitants of the Philadelphia park we see 
on the walls a placard deluged with excla- 
mation points, which immediately attracts 
our attention. On the bill we read in im- 
mense characters — 

«' ATROCIOUS MURDER ! ! ! ! ! 
" Assassination of a mother and her nine children ! ! ! ! ! 
" The bodies of the innocent victims have been found 
in the waters of the Delaware !!!!!" 

Then lower down it was added (in letters 
which were also very prominent) that all 
the details of this crime would be found in 
a certain newspaper, the name of which I 
have forgotten. 

You can imagine all the comments to 
which this placard might give rise. Some 
said that the husband of this poor woman 
had cut her throat and those of their un- 
fortunate children. 

Others, more moderate, declared there was 
no assassination about it, and that this 
woman, whom they knew very well, had 
poisoned herself. She had been so miser- 
ably poor, and had made her too numerous 
progeny share her suicide. 



AND THE NEW WORLD. 293 

To clear up our doubts, we bought the 
newspaper in question soon after, and we 
learned at last the meaning of this gloomy 
enigma. 

It was — it was a cat and her nine kit- 
tens that had been strangled and thrown 
into the river ! 

By means of this queer pleasantry, which 
set the whole city agog, and against which 
nobody had any right to grumble, this jour- 
nal, of small circulation, was sold that day 
by thousands of copies ! 

As you see, the Philadelphia press has a 
very agreeable knowledge of the nature of 
the canard ! 

But it is striking twelve ! Midnight ! It 
is at this fantastic hour that the infernal 
machine must drag us to the South on 
diabolical railroads ! Hurry, hurry ! Start, 
everybody, and devil take the hindmost! 



SOUTHWARD. 

CHAPTER I. 

IN WHICH THE RAILROADS BECOME MORE AND MORE IMPOS- 
SIBLE. 

The Americans are all very proud to tell you 
that they have nine hundred thousand leagues 
of railroads, and that, placing them one after 
another, there would be enough to make a gir- 
dle for the terrestrial globe ! 

My God! had they more than enough to 
make a road to the moon, that would not make 
them any better or safer ! 

We have already found that the Boston road 
was a miracle of headlong carelessness. 

As we advance into the interior of the coun- 
try, we find that they are far more extraordi- 
nary. 



296 RACHEL 

The grading is not solid, the bridges are 
temporary, thrown together in haste, built of 
bad timbers, which bend under the weight of 
the cars and seem as'Jif they would break every 
minute ; and all that is flung, with an audacity 
which has no name, right into the midst of in- 
terminable marshes, immense rivers, torrents 
which thunder at your feet, and immeasurable 
precipices ; in a word, a thousand and one 
opportunities to break your neck, a necessity 
of these wild forests of North America. 

And then they are so badly arranged. 

When, after a great deal of trouble, you are 
comfortably installed in your car, Stop! The 
train stops, and you go on board another. 

You must step out in the middle of the 
night, half asleep, and grope about to find 
the new train which you have to take, and 
which is always a very long way from that 
which you have just left. 

Not a man to tell you the way or show you. 

That is precisely what happens to us in Bal- 
timore, where we get out just in the middle 
of a street, at two o'clock in the morning, 
straightway to climb into another car. 



A\D Tin: NEW AVOULD. 207 

We are scarcely asleep in our new quarters — 
caring very little, in this dark niglit, to catch 
the least glimpse of the capital of Maryland — 
when we are compelled to get out again to 
take a steamboat which was waiting for us 
with steam up. 

This time, v/e hope that we can rest in full 
security. 

Mistaken ! Five minutes afterwards we 
leave the boat for a third railroad, and at day- 
break, at Washington, we leave this third rail- 
road for a second steamboat. What a life ! 

After having dallied down the Potomac, a 
very pretty river, ma foil which separates 
Maryland from Virginia, and which is literally 
covered with ducks, we land at Fredericks- 
burg. 

There we recommence our railroad amuse- 
ment, and at two o'clock in the afternoon we 
take an indifferent breakfast at Richmond, the 
capital of Virginia. 

Two hours afterward we dine in Petersburg, 

where we change cars, to keep up the habit, 

and at last, at nine o'clock at night, we arrive 

at Weldon, tired, worn out, half dead, and there, 
13* 



298 KACHEL 

O happy lot ! we remain in the arms of this 
swindler, Morpheus, till next morning. We did 
not cheat him. 

Say what you will, this perpetual travelling 
has an attraction which cannot be denied, a 
charm which you cannot help feeling. Posi- 
tively this eternal locomotion produces a real 
intoxication. For us the seasons are no more. 
Winter, autumn, spring, summer, all come at 
present, without order. Yesterday we were 
covered with furs like genuine Esquimaux, to- 
morrow we shall be dressed in white linen. 
For myself, I know not how I am living. To 
find what month it is, I have to refer to my 
almanac. People must go mad very easily in 
this country ! 



AND THE NEW WOULD. 299 



CHAPTER II. 

IN WHICH THERE IS TALK ABOUT THE SON OF LOUIS XVI. 

Next morning we received by telegraph very- 
good news from Mdlle. Rachel, who is coming 
on by short trips, and who, although she started 
long before us, will not be in Weldon until 
several hours after our departure. 

We do not leave until noon. We have, then, 
more time than we need, to look about a little 
in this rather rough country, where we have to 
stay a quarter of an hour. 

One of our travelling companions, a strap- 
ping New Orleans merchant, nothing else ! 
offers to be our guide in the little excursion 
which we feel compelled to make. 

We enthusiastically accept, and, in a little 
while, step on the banks of a beautiful river, 
under grand trees draped with ivy, a few steps 
from a magnificent waterflill, which pours roar- 
ing upon a rock and leaps up again so as to 



300 RACHEL 

spatter us, a truly picturesque site, which 
brings to mind the novels of this Cooper, of 
whom we were speaking a moment ago. Had 
there been a few savages to animate it, the 
scene would have been complete ! 

Scarcely had we said a few words about 
Cooper, his novels and these savage tribes, half 
exterminated, when our guide, the Louisianian, 
began to tell us, without any high-flown 
phrases, I assure you, and without aiming at 
all at effect, a story, or rather a legend, which 
he had once heard in Albany, and which is so 
odd. so inconceivable, and so fantastic, that I 
should hardly dare to repeat it here, had I not 
found it in full in a remarkable work of M. 
Ampere on the New World.* 

M. Ampere did not see, with his own eyes, 
the individual in question, but he has all the 
details from a man perfectly well known in the 
United States, Mr. J. C. Spencer, a distinguish- 
ed advocate and celebrated counsellor-at-law, 
whose veracity cannot be called in question. 

We will therefore substitute, if you please, 

* Promenades en Ameriqae, Michel Levi freres. 



AND THE NEW \YORLD. 301 

the story of M. Spencer, as M. Ampere gives it 
in liis book, for that of our friend the Louisi- 
anian. 

*' There is now living in the city of Albany, 
when he is not busy preaching to some Indian 
tribes, still remaining at Green Bay, near Lake 
Michigan, a minister of the Methodist persua- 
sion. His name is Eleazer Williams ; he is 
precisely of the age which the last dauphin 
would have been, and is said to bear a striking 
resemblance both to Louis XVI. and to Marie 
Antoinette. This Williams was brought up by 
an Indian named Williams, from whom he de- 
rived his name, and who passed for his father ; 
but who was not. So at least Williams's wife 
has always declared. Besides, the name of this 
supposed child cannot be found on the register, 
where the births of the rest of Williams's chil- 
dren are recorded. 

" Some years ago, there died in New Orleans 
a Frenchman, whose name was Bellanger. On 
his deathbed, he declared that the dauphin had 
been rescued from the Temple ; that another 
child had been substituted, and that, terror- 
stricken at the revolutionary ideas of Citizen 



302 RACHEL 

Genet, one of the most violent representatives 
of the French Republic, he had taken the boy 
av\;^ay to the Indians and confided him to the 
care of Williams. 

" As to Eleazer Williams, he has no remem- 
brance of his early years. (It has been said, 
that the hideous treatment of Simon injured 
the intellect of his innocent victim.) The 
Methodist preacher has a vague recollection 
that he was once seated on the knees of a lady, 
around whom were powdered heads and epau- 
lettes. With that exception, he remembers no- 
thing of all his life, until a certain day when, 
while he was swimming in a lake with some 
young Indians, he hit his head against a rock. 
From that moment his memory is distinct. He 
asserts that a Frenchman, who came among 
the savages with whom he was living, said 
once, pointing him out, * This is a king's son.' 

*' His education was paid for, very promptly, 
in college, by the Indian Williams, who, like 
all half-civilized savages, was a great brandy- 
drinker, never had a cent, and gave no educa- 
tion to his real children. 

" Williams's widow had in her possession a 



I 



AND THE NEW WORLD. 303 

bronze medal, on which was represented the 
marriaG:e of Louis XVI. to Marie Antoinette. 
She used to say that her husband had had two 
others of the same, one gold and the other sil- 
ver, and that he had sold them for drink, send 
she saved this, the third one. 

" In certain memoirs of the time (I have not 
verified the quotation), it is stated that one day- 
Simon, in one of those brutal fits to which he 
was subject, struck the dauphin on the face 
with a napkin, and the nail on which it was 
hanging, and v/hich he tore out in snatching it 
down, wounded the nose of the victim in two 
places. Eleazer Williams has scars in these 
two places. 

" While autographs were once being shown 
him, without allowing him to see the signa- 
tures, at the sight of one he was struck with 
horror, and a sort of shuddering : it was the 
hand-writing of Simon ! 

" Finally, when the Prince de Joinville was 
in the United States, he went out of his way to 
see Williams, who was then among the Indians 
in the neighborhood of Green Bay. They had 
several hours' conversation ; Williams refuses to 



304 RACHEL 

tell what passed between them. Only this, he 
speaks very highly of the Prince, who has 
since sent him books. 

" The most curious circumstance of this 
strange story is the answer of Williams when 
he is asked what he thinks of it all : 

*" Really,' says he, *this assemblage of cir- 
cumstances is very striking: I do not know 
how to explain it ; but there is one thing cer- 
tain ; I do not want to be king.' 

" This last peculiarity distinguishes him at 
any rate from the adventurers who have claim- 
ed that they were sons of Louis XVI., and 
ought to satisfy everybody — at least, all w^hom 
this story convinces — that they should hunt up 
this Methodist preacher at Albany or among his 
savages and make him king in spite of himself! " 

While listening to this strange story, this 
legend told there under those gigantic trees, 
beside this torrent which was roaring at my 
feet, I admit that I experienced a strange emo- 
tion ; a thousand memories arose, and as if in a 
dream, it seemed to me that all these memories 
of the past century were alive again and pass- 
ing before me ! 



AND THE NEW WOULD. 305 

At this moment the raih'oad bell rang for 
starting. The big Louisianian, astonished at 
the eflect which he had produced, struck me 
on the shoulder, and two minutes afterward 
we were leaving Weldon at full speed ! 



300 RACHEL 



CHAPTER III, 

IN WHICH MAY BE SEEN FEMALE VAMPIRES AND BIRDS OP 
PREY. 

After having passed a horrible nighfc in 
Wilmington, a hideous little city of North 
Carolina, we arrive at last, on the first of De- 
cember, at five o'clock in the morning, without 
any sort of accident, at Charleston in South 
Carolina. 

This city is dreadfully filthy ; besides, it is 
very ugly, and outrageously built ! 

We are now in the midst of slavery. One 
cannot walk a step without setting his foot on 
a negro. 

They are very polite, these same negroes, 
here. When they pass a hon hlanc, they bow 
to him ! So that the hon hlanc, taken by sur- 
prise, fancies that these sham chimney-sweeps 
are acquainted with him, and he is ready to re- 



AND THE NEW WOKLD. o07 

turn their bow, and commence a conversation ! 
Which would be very scandalous ! I beg you 
to believe it ! 

For the rest, these slaves do not seem un- 
happy at all ! They are gayer than in New 
York, where they are as free as if they were in 
the woods — as you know. 

Here they are always laughing ! As to the 
negresses, if they can always have an enormous 
culotted pipe in their mouths, it is all they 
want ! These fine women smoke from morn- 
ing till night ; it is their habit, their hobby, 
their rage ! 

And they are ugly with those horrid instru- 
ments between their lips ! They are ! 

One thing is charming — the temperature 
which we have here ! Keal spring weather. 
Everywhere, in the gardens, in the streets, 
even, we see roses in bloom, orange trees 
covered with fruit ! It is delightful ! 

What is not delightful may be seen, any 
morning, by the shore. 

There the garbage of the city is thrown, and 
it is the rendezvous of fifty or sixty old negress- 
es, half-naked, with skinny limbs, hooked fingers, 



308 RACHEL 

long, white teeth, and little eyes, like to those 
of fallow deer. ' 

It is a disgusting sight. Real ghouls' heads ! 
The female vampires of the Arabian Nights. 

These old monsters, with their fingers, rake 
over heaps of ordure, and pick out what seems 
to them eatable, or worth taking. 

To complete the picture, big red-headed 
vultures flutter around these old sorcerers, dig 
with them in the uncleanness, and swallow, in 
enormous pieces, the putrefied bodies of dead 
animals ! 

It is all pure barbarism ! 



AND THE NEW WOULD. 300 



CHAPTER IV. 

IN WHICH YOU ARE INTRODUCED TO A NEW SAINT. 

While waiting for this beautiful Charleston 
climate to restore thoroughly the health of 
Mdlle. Rachel, Raphael takes the steamer Isabel 
for the island of Cuba, in order to make the 
necessary preparations for the performances of 
the great tragedienne in Havana. 

On the 10th of December — that is to say, 
several days after the departure of its director 
— the French company plays in the theatre at 
Charleston. The pieces are : 

LE DEPIT AMOUREUX. 

LES DROITS DE L'HOMME. 

LE CHAPEAU D'UN HORLOGER. 

The receipts threatened, for a time, not to be 
bad ; but, unhappily, on the opening of the 
office, a formidable fire broke out near by. 
And, by our lady! we are not afraid to repeat 



310 RACHEL 

it, fires are one of the grandes jpassions of the 
American people ! Pa7iem et incendla ! This 
is the cry of these ultra-marine Romans ! 

And, besides, they have it always in their 
mouths. It is monstrous what a quantity of 
houses they burn in this country. So many, 
that, in certain cities of the Union, if a single 
day should pass without a fire, the people 
would be more dissatisfied than they could pos- 
sibly be at anything else. 

"No fire!" they would say to each other, 
with a shudder ; " what's the meaning of it ?" 

People of the country (with shrewish tongues, 
doubtless) say that, from time to time, mer- 
chants who are in bad circumstances set fire to 
their warehouses with their own hands ! 

As they are all insured for very handsome 
sums, they get their insurance, and set them- 
selves afloat again, as if nothing had happened. 

There are people, too, who say (mere ca- 
lumny, we doubt not) that sometimes the in- 
surance companies themselves burn a few 
houses, to frighten people who know no better, 
and so get more business 

It is, of course, to be understood that the 



AND THE NEW WORLD. 311 

company which indulged in this description of 
speculation, never burns houses insured by it- 
self, but always those insured by a rival com- 
pany, which in a few days returns the compli- 
ment ; and this is perfectly logical. Moreover, 
nobody has the courage to find fault with them 
for it. People are so fond of fires. 

So, this evening, listen to these joyous 
shouts, these bells which are ringing so gaily, 
these songs of joy ! It is a real fete for Charles- 
ton ; to-day is St. Fire ! 

Four houses devoured by the flames ! Te 
Deum, four houses ! A good windfall ! If 
they had had six, they would have had an illu- 
mination ! Well, they will next time. 

Three days after this half failure, we gave 

TAETUFFE. 

Tartuffe, . - . - MM. Chcry, aine. 

Orgon, - . > _ « Belle vaut. 

Valere, - - - . - " Leon Beauvallet. 

Cleante, . . . - " Latouche. 

Damis, " Dieudonne. 

Loyale, - - - - " Pelletier. 

L'Exempt, " Cliery,jeime. 

Elmire, _ - . . Mdlles. Sarah Felix. 

Marianne, - - - - " Lia Felix. 

Dorino, .... *' Dinah Felix. 

Mme. Pernelle, ... " Durrey. 



312 RACHEL 

As we gave tickets to all the cooks at our 
hotels, and as these cooks are all French, the 
piece had a stunning success. As great, if not 
greater, than 

ADRIENNE LECOUYREUR, 

which was played on the 17th of December by 
Kachel. Yes, by Rachel. She is not quite 
well ; she still has this accursed cough, which 
will not leave her ; but, at last, she resglves to 
play in spite of it, and she does play ! 

Unfortunately, she plays to-night for the last 
time in America. 

On the bills the public are notified that 
Rachel would give one night — a single night — 
and that positively. The management did not 
think that it was speaking so truly ! 



AND THE NEW WORLD. 313 



CHAPTER V. 

IN WHICH WE EMBARK FOR THE WEST INDIES. 

During these performances, the Isabel re- 
turned from Havana, with letters from Raphael. 

Business is going on very well down there. 
There are a good many subscribers. The chest 
is getting heavy with piastres. 

The best thing to do, therefore, is to embark 
immediately, on this same steamer Isabel, and 
join the director, Raphael Felix, in Cuba. That 
is what we do. 

The captain puts his state-room very gallantly 
at the disposition of Mdlle. Rachel and Mdlle. 
Sarah, w4io eagerly accept it, as it is on deck 
and better than any of the others. 

On the nineteenth, at ten o'clock in the morn- 
ing, the Isabel leaves the port of Charleston. 
The next day we steam along the coast of 
Georgia ; we stop awhile before Savannah, the 

capital of that same Georgia, to take on board 
14 



314 KACHEL 

more passengers, and a few hours afterwards 
we came coasting along Florida, where there 
are now six thousand Indians, in a state of in- 
surrection, against whom the United States 
have just sent several regiments. Towards 
night we see a grove of palms in flames. It is 
one of the signals of the Indians. 

This country is exceedingly convenient for 
that. You wish to notify a friend that you are 
in any place, no matter where • you set a forest 
on fire and it tells the whole story. On the 
21st of December, the Isabel landed at Key 
West, a little port in Florida, inhabited only by 
pirates, negroes, and savages. 

With the desire simply, I suppose, of seeing 
these slightly picturesque hosts close by, Mdlle. 
Rachel, who decidedly does not manifest any 
foolish gayety as she approaches the tropics, 
consents, for the first time since coming on 
board, to cross the threshold of the captain's 
state-room. Still more, O prodigious event ! 
She ventured, on the arm of that same captain, 
and surrounded by her numerous family, to 
make a sort of journey to an admirable grove, 
ma foi ! a regular hot-house, particularly hot, 



AND THE NEW WORLD. 315 

where palms and cocoa trees grow as if tlicy 
were at home, and cactuses flourish with fright- 
ful facility. There the promegranate opens of 
itself to your thirst ; the lemon falls ripe into 
your — mouth ; there humming-birds replace our 
cock-chafers ; butterflies are as big as warming 
pans, and grasshoppers sing opera airs. 

When you find yourself suddenly face to face 
with this luxuriant nature, you feel that some- 
thing has not yet hafpejied. Indeed, it has just the 
same effect upon you as a fifth act of a fairy play. 

While the Felix family are promenading 
among these robust plants, the other members 
of the French Company profit by the oppor- 
tunity to wander about on the shore. 

It is very moist — this beach — and besides 
it is ornamented with sponges, shells which 
are alive, and snakes which are still more 
alive. 

The proof of which is, that one of these last, 
wishing, probably, to poke a few sticks in the 
wheels of the Felix enterprise, leaps upon 
several tragedians present, and endeavors to 
devour them. 

He must have a tragedian — this serpent — 



316 RACHEL 

there is no use in mincing the matter! the 
gourmand ! 

Randoux does not lose his presence of mind ; 
and with a voice which silenced the sound of the 
waves, he commenced the recital of Therame- 
nes. 

He was hardly half through before the snake 
was sound asleep. 

By the effect which this scrap of literature 
produces upon him, we very readily recognize 
in this ophidian a citizen of the United States ! 

We treacherously took advantage of his 
slumbers to deluge him with blows, and " when 
he awoke he was dead." 

(I have been asked lately if this was a matter 
of history, and if, in very fact, tragedy has this 
effect on snakes in Florida. Let the inquirer 
consult the first herpetologist who comes along, 
and see what he will say !) 

After this exploit, or this assassination, just 
as you please, we go back to the steamer, 
which, without loss of time, carries us far away 
from this country, so truly fantastic and abso- 
lutely miraculous — with the exception of the 
snakes ! 



AND THE NEW WORLD. 317 

The next day, in a i^^agnificent sunrise, we 
enter the admirable harbor of Havana, under 
full steam, where we are received with firing 
of cannon. This is captivating. 

One thing is funny enough; all the vessels 
in the harbor are transformed into clothes- 
lines. 

On the masts, on the yards — everywhere, you 
see waistcoats drying in the sun, and panta- 
loons polking with the wind. 

This time, at least, no serenade will be 
spoiled, like that at New York ; and for a very 
good reason — nobody here dreams of giving 
the least bit of a serenade to the great trage- 
dienne ! 

Mdlle. Rachel, therefore, lands in the midst 
of a perfectly tranquil population, who have the 
good taste not to weary the illustrious travel- 
ler by tedious acclamations. 



THE aUEEN OF THE ANTILLES. 



CHAPTER I, 



IN WniCII PEOPLE SPEAK SPANISH AT EVERY STEP. 

The Queen of the AntiUes ! — a pretty name 
and a charming country, certainly ! 

To say that at Philadelphia, at Charleston, 
even, at two steps from this Bclla-Hahana (ah! 
faith, English is buried now ; we are going to 
commit ourselves to ferocious Spanish!) to 
say that we had failed, had retreated, were 
thoroughly routed away ! 

We should never have got over that ! 

With what depth of joy, therefore, with 
what unspeakable pleasure, we handed our 
passports to the Havana police ! For one must 
show his passports here ; it is not exactly as it 
is in the United States ! 



320 RACHEL 

The officers above-named appear very well, 
and they are exquisitely polite. They call you 
*' Seigneur!" every moment, as in tragedies. 
That is flattering ! And so you give, without 
much regret, to these gentlemen, these Seuores, 
I should say (let us speak Castilian ! ) the 
moderate sum of two j)esos (the dollar of the 
place), in exchange foYima holeta de de^emharco ; 
or, if you prefer it, a permit of disembarka- 
tion. 

For the matter of trunks and valises, we had 
been told in New York that they would rake 
everything here from top to bottom ; that they 
would confiscate our arms, appropriate our 
soap, and lay a heavy hand on our pomades ! 
Calumny ! Pure calumny ! The custom-house 
is less rigid here than anywhere else ; the 
officers scarcely glance at our baggage ; which 
allows us, thank God, soon to make our definite 
entree into this city, for which we are sighing 
so, and which has so little resemblance — I am 
saying nothing against it now — to the other 
cities of North America. 

One thing which strikes us immediately, is 
to see soldiers, genuine soldiers ! 



AND THE NEW WORLD. 321 

For, ill the United States, the soldier, pro- 
perly speaking, has no existence, and here he 
exists, only too fully developed. 

His uniform is very simple ; blue striped 
kersey pantaloons, blouse of the same, confined 
at the waist by a belt of buff-skin, and a broad- 
brimmed straw hat. 

However, as all the Havana soldiers are tall 
fellows, with bronzed complexions and black 
mustaches, their uniform, though not extrava- 
gantly rich, does not fail to produce, on their 
backs, a striking effect. 

In the streets you meet them at every step — 
and negroes, too ! 

As to the Senores, Seiioras, and Senoritas, 
God forbid that they should ever set their aris- 
tocratic feet on the very rough, very slippery, 
and very filthy pavement of the capital of the 
island of Cuba ! They would all prefer being 
chopped into mince-meat to going out any other 
way than in a volante — a sort of chaise holding 
two or three, stuck on two enormous wheels, 
endowed with two thills prodigiously long, and 
driven, a la Daumont, by a negro more or less 

naked. 
14* 



322 EACHEL 

The volante is immensely important here ; it 
is almost impossible to do without it. 

Those who have none, invite themselves to 
one when they choose, by means of — a peseta, 
or two reals, the trip (20 cents). 

The number of these carriages in Havana is 
incredible ; and this is very inconvenient for 
foot-passengers, as the streets are exceedingly 
narrow, the sidewalks almost imperceptible, 
and you have to take all the pains in the world 
to keep y'our bones from being broken under the 
gigantic, perpetual-motion wheels of these be- 
devilled vehicles. 

At last, by taking some precautions, we 
reach the gates of the city, which are watched 
night and day by the soldiery. 

There we see old fortifications, half-ruined, 
covered with ivy, and very picturesque. 

It is needless to say that the vegetation here 
is as fairy-like as in Florida. "What am I say- 
ing ? Still more so ; for we are now right 
under the tropic, just in the same latitude (if 
my geographical notions do not deceive me) as 
the great desert of Sahara, another place not 
very cool, where one can see camels hatched ! 



AND THE NEW WORLD. 323 



CHAPTER II. 

IN WlllCn IT IS A GREAT DEAL HOTTER THAN IN AN OVEN i 

As to the city, it has a little peculiarity, 
half Spanish and half Moorish, which must 
not be overlooked. 

Nearly all the houses are painted blue, or 
pink, or yellow; that is jolly enough. And 
then you have every facility for seeing the sky 
here ! The houses are generally nothing but a 
basement, rarely a first story ! As to windows, 
they are out of the question ! You cannot 
have too much air! Every casa has simply 
large openings furnished with iron gratings, 
which makes one think, at first, that the city 
is only a vast collection of butchers' shops ! 

All the houses are built on this plan. Even 
the rich hotels of the cerro. Which does not 
prevent the parlors on the level of the street 
from being truly magnificent. One thing is 
rather curious — these same parlors often serve 



324 EACHEL 

to house the volante. A carriage in a room — 
that is an idea ! Why not the horses, too ? 

Instead of the horses, you can see under 
these gilded mouldings and this rich furniture, 
flocks of hens and chickens, ducks and duck- 
lings. It is not, however, for the benefit of 
their conversation that these estimable fowls 
are received so well in Havana families; no, 
not that. 

Only, as they have a talent in the way of de- 
stroying worms, crickets , scorpions, and other 
insects, nobody hesitates to receive them. 

Thanks to the absent windows, you see all 
this indoor life without any trouble at all ; you 
see, carelessly stretched on their reed chairs, 
all these charming little Creoles, with childish 
hands, invisible feet, large eyes, splendid hair, 
and always in ball dress. 

Ball dress is the ordinary costume of ladies 
in Havana, morning and night, winter and 
summer. 

While they are gently poising themselves in 
their arm-chairs, they twirl in their fingers a 
cigarette which they have half smoked. 

When their large eyes close, their little 



AND THE NEW WORLD. 325 

fingers drop the unfinished cigar, and all these 
Senoras hasten on a little trip to dream- 
land. 

Dreams ! People must dream here ! They 
are always asleep ! At a certain hour of the 
day, when this blackguard Phoebus is firing 
away at the hottest, Havana is no longer 
Havana ; it is the palace of the Beauty of the 
Sleeping Forest. 

At this hour of compulsory slumber, the 
gentleman w^io is so young as to fall in love, 
sinks to sleep while saying to his Senorita, 
" I love you," and she replies by an adorable 
yaw^n. 

The merchant snores on his counter, and the 
customer who understands himself, takes an 
arm-chair and a nap by his side. 

In the streets, under the palms of the Paseo, 
at the doors of the houses, everybody goes to 
sleep. 

The animals themselves cannot escape the 
general drowsiness. 

The horse stops gradually, and at last moves 
neither hand nor foot ; the dog can no longer 
bark at the cat, who rubs her tail in his eye as 



326 RACHEL 

she passes, and who, herself, prefers laying 
down in the dust, to taking the trouble even 
of reaching out her paw to a mouse who is 
nibbling at two steps from her, and who is so 
overpowered by the heat, that he has not even 
the courage to be afraid and run away. 



AND THE ^EW WORLD. 327 



CHAPTER III. 

IN WHICH THE BEDS ARE NOT SO SOFT AS THEY MIGHT BE. 

While waiting for the touch of the wand, 
which transforms Havana into a vast bed-room, 
we go to breakfast at Legrand's restaurant on 
the Paseo. 

Legrand is a Frenchman, and I present him 
my compliments therefor; his cuisine is also 
French, and I felicitate him more and more ; 
only his prices seemed to me a little too 
Spanish. 

There, at this same Legrand's, Mdlle. Ka- 
chel stopped with her father and her three 
sisters. 

Raphael Felix alone, takes no part in this 
family party ; he stays with a friend. 

Mdlle. Rachel goes to her rooms. In her 
bed-room she perceives, with horror, that the 
bed which is destined for her is nothing but 
a hammock bed. 



328 RACHEL 

A hammock bed for Hermione ! for Ca- 
mille! for Phoedra! Impossible! However, 
it is true ! 

And on this hammock bed not a shadow 
of a straw mattress, not a suspicion of a 
hair mattress. Two small sheets are all in 
all! 

That is the only extra that one can in- 
dulge in, it is so hot ! 

And here we are at the end of Decem- 
ber ! It must be comfortable here in Au- 
gust ! 

Mdlle. Rachel does not trouble herself much 
about all that ; she must have a mattress. Just 
as, at Philadelphia, she must have the milk of 
a white donkey. There was no white donkey 
in Philadelphia ; so one had to be made to 
order for her! 

And here pursuit is made of a mattress 
maker ! A mattress maker at Havana ! it is 
a rarity, a phenomenon ! 

At last, after pursuing him under some 
thousands of difficulties, he is found, and the 
great tragedienne gets her mattress! In five 
minutes nothing else was spoken of in the 



AND THE NEW WORLD. 329 

whole city ! It was worth the trouble, iiar- 
dieu^ just for that ! 

We make our way through the knots of 
people, who assemble at the corners of the 
streets to talk over this great event, and 
establish ourselves in the Hotel de L'Union, 
No. 110 Calle de O'Reilly! an excellent 
house, in fact, the best in the city, accord- 
ing to connoisseurs, kept by Bernard, a very 
pleasant fellow, a Frenchman, whom every- 
body in the city knows, and who knows 
everybody in the city, and shakes hands 
regularly from a hundred to a hundred and 
fifty times, every time he ventures his nose 
in the street. 

The great tragedienne was to have stopped 
at Bernard's ; but Legrand carried off the palm ! 

Lucky Legrand ! 

The Hotel Bernard is literally crammed 
with travellers. A private room is an im- 
possibility. But a single one is now vacant. 
Fortunately that is a large one. Randoux, 
Dieudonne and I take possession of it. In 
the matter of furniture it has three beds, 
hammock beds, of course, with musquito nets. 



330 RACHEL 

The musquito net is indispensable here ; 
for without it one would be devoured from 
the hair to the sole of the feet. 

Unfortunately, it sometimes happens that 
a musquito finds means to make his way 
under the gauze ; and ma foi ! when he is 
once there, this interesting animal without 
any backbone, (for it is an established fact 
that musquitoes have no backbones,) has but 
one thing to do — to gnaw upon you all 
night ! 

These three hammock beds cost us, for 
the three, the mere bagatelle of 950 francs 
a month ($180). Really, that is not dear; 
true, we have to pay extra for our washing. 

It is understood, of course, that meals are in- 
cluded in this price for hammock beds. And 
the eating is excellent at the hotel Bernard. 
How different from that odious American 
cuisine. 

Here the very sight of the table has some- 
thing pleasant about it. 

In fact, you see here real bottles of wine, 
genuine bread, and authentic napkins ! three 
things totally unknown in the United States. 



AND THE NEW WOULD. 331 

After dinner, under the escort of this same 
Bernard, we take a ride to the Ccrro and Las 
Pucntes^ charming promenades planted with 
jialms and cocoa trees with immense tops. No- 
thing is so delicious as to lounge about in this 
way of an evening, in the country, discussing a 
delightfully dreamy cigar, fresh, and retaining 
all its aroma. When they are half gray (for 
these cigars turn gray admirably), we come 
to the Campo Santo of the city, the cemetery, if 
you like that better. 

Here there is a magnificent echo, and we 
talk with the departed ! Really the effect is 
fantastic ; one would say that this voice which 
is repeating our sentences, our words, our syl- 
lables, arose from one of these tombs which we 
see there in the moonlight ! for there is a splen- 
did moon to-night, without which the scene 
would not have been brought out well. Myriads 
of stars are sparkling in the skies, invisible in- 
sects fill the air with a strange harmony. In 
the grass of the meadows, and on the sand of 
the road, thousands of glowworms are creep- 
ing, leaving behind them a phosphorescent 
track! On the bushes, in the trees, every- 



332 EACHEL 

where innumerable cucuUos are fluttering, real 
live diamonds ! which seem to have been crea- 
ted expressly to illuminate this wonderful 
tropical evening. 



AND THE NEW WORLD. 888 



CHAPTER ly. 

IN WHICH TOO MANY GLASSES BEGIN TO BE TAKEN. 

Returning to the city, we step into the ball 
of the Pasco. A very noisy ball, indeed, from 
which Mdlle. Rachel is separated only by a 
single wall. 

She hears the squalling orchestra of this 
dancing establishment, as plainly as if she 
were right in the midst of the dancers ! 

So that she cannot sleep to-night, and already 
begins to think of making her escape from the 
Casa del Senor Legrand, 

It is horrible for her, as you may well suppose, 
what with being sick, having to lie on mattress- 
es obtained with great difficulty, and to hear 
by the side of her room a crowd of fools 
jumping about, to the discordant noise of 
four equivocal fiddles and half a dozen cornets 
a piston. 

We rescue ourselves very quickly from this 



334 RACHEL 

unwholesome place, and hasten to the Place 
d'Armes, a charming spot, I declare, covered 
with magnificent trees, plants which are seen 
nowhere else, and flowers whose names, even, 
you do not know. 

And all that is lighted with gas ! civiliza- 
tion. 

Under the Captain-General's windows a mili- 
tary band gives a concert eveiy night, which 
never fails to attract an audience as select as it 
is numerous. 

At this hour, everybody in Havana wakes 
up, the young ladies dressy as if for a ball, and 
drive, in splendid volantes and charming little 
carriages, to the chosen rendezvous. 

Most of them remain in their equipages, 
where, voluptuously reclining on their velvet 
cushions, they listen less to the concert, than 
to the flatteries of young hidalgos, who come 
cooing to their feet ! 

But the palace-bell is striking nine ! It is 
the signal for breaking up. 

In an instant the place is deserted ! 

Let us follow the crowd, and go to take a 
punch or lemonade with them, to the splendid 



AND THE NEW WORLD. 335 

Diana or Dominica Saloon, while our little Cre- 
oles, still in their volantes, are served, at the 
door, with some refreshment or other ! 

From this moment, there commences a sort 
of refrain, which pursues you incessantly, and 
without relaxation, in the street, at the theatre, 
in the country, at the bath ! It is your sha- 
dow, your nightmare, your double ! This 
haunting refrain is: " Shall we take a glass !" 

To tell you the number of glasses which a 
man is compelled to take here, is a thing which 
cannot be done ! Enough to drown you ! 

But it is getting late ; you have here, I be- 
lieve, a day tolerably well employed ; the Hotel 
Bernard claims us ; our hammock beds stretch 
out their arms to us ; let us go to sleep ! 



336 KACHEL 



CHAPTER V. 

IN WHICH THE SUNDAYS ARE NOT LIKE UNITED STATES 
SUNDAYS. 

To sleep — it is easy to say, but terribly hard 
to do ! I am not speaking now of musquitoes 
— they are nothing ; we are acclimated, and pay 
no attention to them ; but the ants — the deuce ! 
they are quite another thing ! I'faith, I have 
no sort of hatred for these little animals. But, 
under the pretense that they have the infatua- 
tion of living together socially, like bees, as M. 
BufFon says, that is no reason why they should 
fix the seat of their society in m}'- bed. It is 
very true that, if these excellent economists 
were not my nocturnal companions, that would 
not prevent me from hearing the roulades of 
two young mulattresses, who live in the next 
house. Ah ! why are they not at the conser- 
vatory ! Thank God ! they are still ! and now 
we can 



AND THE NEW WORLD. 337 

At the very moment in which we are closing 
our weary eyes, two or three cats, aroused, 
probably, by the flourishes of the mulat- 
' tresses, began to make a racket — a racket loud 
enough to frighten a deaf man. A horse, which 
has his quarters in the court of this unorganized 
menagerie, irritated, apparently, by this noise, 
began to snort and neigh ; another animal, 
which I took, for a long time, to be a pig, but 
which, really, was nothing but an asthmatic 
sheep, avails himself of this opportunity to 
perform his part in this ridiculous concert ; 
meantime, add the monotonous cry of the 
screnos (watchmen), who announce, every min- 
ute, to the inhabitants, what o'clock it is, and 
are laughed at for their pains, and you will 
have, precisely, our first night in the "West 
Indies. Fortunately, it was not long before 
daybreak. 

All the better that to-day is Sunday! Thank 
heaven, this day is not spent here as in the 
United States ! Very differently ! 

Among the thousand amusements which one 
can indulge in to-day, in Havana, the cock- 
fights are the most curious and exciting. 
15 



338 RACHEL 

These come off in a little street outside of 
the city. A sort of small circus, built of boards, 
with three galleries, serves as a theatre for 
these strange combats. There, every Sunday, 
incalculable sums are bet, gained, and lost. 
It is the bourse of the place. For bustle it has 
no reason to envy the bourse of Paris. 

At the time of our entrance a fight is just 
over. All the betters, dripping with sweat 
and half-naked, have jumped into the pit and 
are settling their bets, not without shouts and 
gesticulations, I assure you. 

But the commissioner rings his bell and all 
these people quit the arena. Another fight is 
about to commence. No one remains in the 
pit except the commissioner and the owners of 
the cocks which are going to tear each other 
in pieces, and which are at last flown at each 
other ! 

The two cocks first measure each other with 
their eye ; then, after a few feints, they leap up 
to it with a courage and a ferocity which is 
indescribable. They aim only at the head, 
especially at the eyes, and give each other 
atrocious wounds ; they are nearly always 



AND THE NEW WOULD. 339 

blind before the end of tlie figlit. Wlien tlie 
tussle begins to shicken, eacli owner seizes his 
limping bird and washes his wings. Then he 
refreshes him by blowing over him a little 
brandy and water. 

The two champions, but just now half-dead, 
are flown at each other anew% and they begin 
afresh the work of mutual laceration ! Then 
new bets are made ; furious yells shake the 
circus ; people get up on the seats ; everybody 
makes an effort, and the betters cheer on the 
combatants with mad shouts ! 

"Courage!" says one of those near me to 
the animal on which he is betting, " come, 
come, aim at his head ! Bravo ! You have hit 
him ; another such blow and you will be the 
victor !" And, in fact, as if he had understood 
what this man said to him, the cock gives a 
finishing blow with his beak to the bloody 
head of his adversary, who falls on his side, 
flapping his wings, and dies in a moment or 
two. The victor then leaps upon the body of 
his victim, gives him two or three parting 
pecks in the eyes, and sets up a long crow of 
triumph. 



340 EACHEL 

There are also other fights, in which the 
cocks have steel spurs fitted to their legs. They 
hit skulls and bellies with marvellous dexterity, 
but that is too soon over; then you see no- 
thing but blood ! Altogether these animals are 
hideous canaille ; that is my opinion ! 



AND THE NEW WORLD. 341 



CHAPTER VI. 

IN "WniCn THE FELIX ENTERPRISE FLAPS ONLY ONE WINO. 

On leaving the cock-fights we go to the Plaza 
de Toros, in the hope of seeing different fights, 
a little more dramatic ; unfortunately, all the 
bulls are sick, and their exercises are supplied 
by lively and animated equestrian perform- 
ances. We console ourselves by passing the 
evening at the Gran Teatro de Taco?i, where 
the play to-night is. La Catalina, the cele- 
brated Spanish opera, as the bill says. It is 
simply a literal translation of L'Etoile du 
NoRD. The piece is carefully brought out, 
however, and produces a good effect. 

The little drum scene had a truly enthusias- 
tic success. 

Aha ! one of these young rattlers is none 
other than Rosa Esi^'t, who came to Paris not 
long ago, and who is adored in Havana. She is 
well worth it, by heavens ! 



342 RACHEL 

Before leaving the Tacon Theatre, we will 
say that it is beyond all the praise we have 
ever heard of it. It is a splendid house ; no 
house in Paris can equal it. 

Really, when one sees, two thousand leagues 
away, in half savage countries, theatres so fine, 
so spacious, and so comfortable, one cannot 
comprehend how they can endure in Paris such 
mean and disagreeable houses ! 

At the bottom of the bill of the Tacon The- 
atre, we see the following spectacle announced : 

H R A C 1 . 

Heigho ! how quickly one guessed that meant 
Horace ! What a fine language, this Spanish ! 

HORACIO ! 

Will they play it? Will they not play it? 
That is what everybody is asking, and nobody 
answers. 

Ah ! if that depended on Raphael alone, I 
think the problem would not be long solving; 
but Mdlle. Rachel has not yet fixed the day 
of her first performance.. Every new physician 
that she consults, considers himself under ob- 
ligation to order her not to go on the boards 



AND THE NEW WOULD. 343 

again for as long a time as possible ; one of these 
gentlemen even sincerely advised her to rest for 
six months at least. He thinks that then she 
may, without danger, begin her performances at 
Havana! Six months! Why not six years? 
Unhappily, all these people have ended in actu- 
ally convincing her that she is a great deal 
worse than she really is, and the unfortunate 
performances are all the while in suspense, and 
expenses are running up more and more, and 
the public is getting impatient, and la Prciisa 
de Hahana., the most influential newspaper of 
the place, which knows that Mdlle. Rachel 
played some days ago in Charleston — la Pre?isa, 
which does not more than half believe in all 
this sickness, and which, consequently, dis- 
covers that Mdlle. Rachel is treating rather 
cavalierly these poor Havanese, who have no- 
thing to reproach themselves for, so far as she 
is concerned — amuses itself by publishing, in 
very skillful Spanish, the biography of Mdlle. 
Rachel, by M. E. de Mirecourt. 

All that is not exactly suited to curing her — 
not by a good deal ! So much so, that some 
days after her establishment in the Hotel Le- 



344 RACHEL 

grand, she announces to her family that M. 
Jorain, the thirtieth or fortieth physician con- 
sulted by her, positively forbids her to play be- 
fore the 10th of January (why not the 11th?), 
and that till then she must live alone, av^ay 
from the bustle of a hotel, and particularly dis- 
tant from the Paseo ball I 

After that there was a great row in the 
Felix family. But what was to be done? 
From this instant, I am quite sure, Raphael 
was perfectly convinced that it was all 
over. 

And now that there are already fifty thou- 
sand francs of subscription in the money bags, 
fifty thousand francs which he must pay back 
to people who have taken the trouble to bring 
it themselves ! Fatality ! fatality ! But there 
is nothing to be said, it must be done ! Raphael 
perceives that, he feels it, and yet, in spite of 
all, he still has hopes ! And no notice appears 
in the papers, announcing to the murmuring 
public that the performance of the great tra- 
gedienne will not take place ! 

Meantime, he makes propositions to his 
artistes, which are received like a dog in a ten- 



AND THE NEW WORLD. 345 

pin alley. Of course, the matter in hand was 
a suspension of the engagements. 

AVhich compels him next day to come himself 
and make propositions which were a little 
more acceptable, and the artistes (who are, 
after, all not big children, as Mdlle. Rachel 
says, but very good children), ended by signing 
all that they were asked to, that is to say : 

1st. Suspension of salary from December 
26th. 

2nd. Three dollars (fifteen francs) a-day, 
until January 20th, 1856, for current ex- 
penses. 

3rd. Full reimbursement of salary, in case 
Mdlle. Rachel resumes the course of her per- 
formances. 

Which causes everybody to make ardent 
vows that the performances aforesaid may 
resume their course in the shortest possible 
time. 

No one, however, can desire it more ardently 
than Raphael. 

In fact, if he does not play, he must pay an 

enormous forfeiture to M. Marty, the manager 

of the Tacon Theatre. There is talk about 
15* 



346 RACHEL 

writs already. And, faith, that is a serious 
matter here ! And dear, too ! Besides, this M. 
Marty is not exceedingly accommodating, if all 
I hear be true ! Although, on matters of 
business, no one ever had occasion to find fault 
with him, in the least. 

It is odd enough that Mdlle. Kachel goes to 
live in a house belonging to this same M. 
Marty, who is just on the point of arresting 
her brother. 

For she follows her physician's orders to the 
letter, and on the very next day leaves the 
Hotel Legrand, never to return ! 

From this moment she becomes almost invis- 
ible. Aside from the visits of her too numerous 
physicians, she receives very few. She is 
cloistered in the elegant mansion of the man- 
ager of the Tacon Theatre, where even her 
sisters make very short calls. At last, one 
evening, I succeed in seeing her, and having 
a conversation with her. She tells me that she 
is getting better. In fact, she does not seem 
to me to be really sick. Her countenance is 
not changed at all, and although, from time 
to time, she coughs a little, one is strongly 



AND THE NEW WOULD. ^47 

inclined to ask why she condemns herself so 
obstinately to this voluntary seclusion. 

In fact, she speaks with me this evening, 
about future performances, and seems absolute- 
ly decided to play on the tenth of January, 
as already mentioned. 

I make haste to carry this piece of good 
news to Raphael, who does not receive it with 
the enthusiasm which I was expecting ; but 
shakes his head, with an air which seems to 
say : When she plays in Havana it will be a 
great deal w^armer than this ! This movement 
of the directorial head was a flash of light for 
me, and, from that night, I began to pack my 
trunks. 



348 KACHEL 



CHAPTER VI I. 

LA NOCHE BUENA. 

It is well said, that it is a sad and solemn 
thing to make preparations for a journey ! 

Especially, when it is to leave Havana ! 

Havana! this continual sunbeam, this per- 
petual concert, this everlasting festival ! 

So stop a moment ; to-night, too, the whole 
city has an air of perfect jubilation, one of 
those physiognomies which it is a pleasure to 
see, and which can be met with only here ! 

In the streets, under the palms of the Paseo, 
innumerable troops of minstrels are coming 
(black or white, as you prefer), all decorated 
with the traditional guitar — you know, the 
genuine Spanish guitar (there are some left 
yet !). 

And what are these joyous troubadours sing- 
ing? 



AND THE NEW WOULD. 349 

The wonders of La Nochc Bucjia, of the good 
night — of Christmas night, in fact ! 

Call it what you will, Christmas night, good 
night, or Noche Buena, this festival is, undoubt- 
edly, one of the largest, gayest, and, especially, 
one of the noisiest, in the whole Havana Calen- 
dar. 

The bells actually enjoy it. What a chariva- 
ri ! What a bustle ! You would say that this 
merry city had become the universal rendezvous 
of all the tinkers and sauce-pan menders of 
the five parts of the earth ! 

This is not a pleasantry, at any rate; these 
poor Havana bells have an impossible way of 
making a noise. 

It is quite true that they are not rung. A 
Superior Order, I am told, forbids that. They 
have only the right to beat them underneath 
with a hammer, or a club, ad libitum. Which 
produces a peculiar sound, slightl)^ dissonant, 
and rather noisy, which has a way of irritating 
your nervous system magnificently. You 
would say that they were cutting cork in your 
ears, or sticking a feather in your nose ! 

But it is midnight ; the best thing we can do 



350 RACHEL 

is to go to see the numerous churches in the 
capital. All are splendidly illuminated. 

Thousands of women, black, white, yellow, 
chocolate, cafe au lait, of all shades, in fine, 
most of them sparkling with jewelry and half- 
drowned under waves of laces, with their heads 
bare, of course (the bonnet is unknown here), 
are kneeling pell-mell, without distinction of 
rank, race, or color, on the pavement of the 
church. (Generally these ladies take the pre- 
caution to bring little carpets.) 

We had heard a great deal of the piety of 
the Spanish ladies. We must frankly acknow- 
ledge that it did_ not appear to us as austere as 
we had been given to understand it was. But 
there are so many young, lively cavaliers say- 
ing soft things to them ! And then it will 
soon be supper time ! 

Aha ! Supper time ! That is a scene which 
is played here without cessation ! 

To-night nobody will go to bed before six in 
the morning ! 

And all these people eat, drink, laugh, sing, 
dance, shout, yell, and behave, so that the 
deuce himself would take up arms at it ! 



AND THE NEW WORLD. 351 

All ! I know now why, in Havana, this night 
is called the Good Ntgttt ! What a Punchi- 
nello life ! 



352 EACHEL 



CHAPTER VIII. 

IN WHICH THE BIRDS MAKE THEMSELVES HAPPY. 

At daybreak, for the mere sake of resting 
a little, Bernard, some friends, and I, take a 
boat, a charming little boat, a la Venitienne, 
which we load with eatables ; we cross the bay 
and install ourselves on a green hill, shaded by 
trees which were all we could wish — such trees 
as one sees in dreams — and there we take the 
most picturesque breakfast in the world. 

You are so comfortable with this extem- 
poraneous Vefour, that you inevitably repeat 
the everlasting commonplace : " You feel at 
home there !" Indeed, the difficulty is, 7iot to 
be comfortable ! 

Our presence in these unfrequented latitudes 
is a great puzzle to several little greenish came- 
leons, with red throats, who go out of their way 
expressly to see us eat, and seem to be saying 



AND THE NEW WOULD. 853 

to each other : " What the deuce have all these 
savages here come to do among us?" 

The mute reflections of these young reptiles 
do not, hov^ever, prevent us from enjoying the 
mocha which our boatmen have taken the 
trouble to look np for us in a neighboring 
plantation. 

After v^hich, lighting an excellent regalia, we 
explore the heights in search of cocoa-nut trees; 
but the rascally cocoa-nuts are alike insensible 
to our blandishments and to the stones which we 
throw at them, and persist that they will not 
abandon the cocoa-nut tree which has given 
them birth. 

It is an excellent trait of character. We un- 
derstand it ; and after crossing the village of 
Regia, a little place where negroes abound, we 
return to the city, where, just while we were 
felicitating ourselves on our country party, we 
perceive that the West India sun has tapped us 
on the head, and that we are slightly crazy. 

You do not get sun strokes here, they are 
hammer strokes. So hard, that we are deliri- 
ous all night, and get up a mass of dreams, 
every one of which is stupider than all the rest. 



354 EACHEL 

Next night, to complete our pleasure, the 
mulatresses by the side of us, the sheep, the 
horses, the cats and the watchmen, begin their 
thundering noise again, and will not be pre- 
vailed upon to stop until daybreak. 

And this is not all. Hardly are these odious 
neighbors silent before a brigand of a cock 
takes it upon himself to sound the reveil ! 
(Horrible animal 1 If that fellow keeps on 
crowing, what is the use of cock-fights ?) 

At this signal the parrot, (here we have 
something more which is amusing — parrots !) 
Bernard's parrot wakes up, and, without leav- 
ing his perch, begins with the parrotesses of 
the mulatresses (these dear little girls had par- 
rots, too !) a conversation, in notes so piercing 
and so discordant, that all the poultry in the 
neighborhood felt it their duty to share in it ! 

And now, if you want to know why all this 
feathered population is indulging this morning 
in this musical dissipation, it is because to-day 
is the 30th of December, the festival of St. 
Columbus, and because Sfc. Columbus's day is 
the birds' Christmas day ! Every dog must 
have his day ! 



AND THE NEW WORLD. 355 



CHAPTER IX. 

IN WHICH EVERYTHING RUNS ON FROM BAD TO WORSE. 

On the first of January, 1S5G, Mademoiselle 
Rachel, remembering that it is New Year's 
day, sends to the artistes of her troupe, by way 
of New Year's presents, the following oihcial 
news : That she. Mademoiselle Rachel, having 
formally declared that she would not play in 
Havana, the Felix enterprise existed no longer, 
and that, in consequence of this premature death, 
everybody, except herself, was to embark for 
New York on the Sth of that same month, 
and, on the 19th, take his final flight towards 
the flowery banks of the Seine ! 

On learning this irrevocable decree, the 
artists are horribly disappointed. From this 
moment salaries cease by the management. 

Each one, therefore, has but one wish — to 
rescue himself as quickly as possible from this 
city, where nothing is doing, where nothing 



356 • RACHEL 

can be learned, and where everything begins 
to look black. I do not say this on account of 
the negroes here. Only on account of the 
yellow fever here, or vomito, just as you 
like, which one would be glad enough to die 
of, for a little while, considering the stifling 
heat of the winter which we enjoy this year. 

And, by Hercules, this petty malady actually 
disturbs the composure of the company, who 
are not in very good health. 

M. Felix, the father, among others, who is 
very much dissatisfied at having come so far as 
this with his numerous children, views this 
horrid yellow fever with an invincible antipathy, 
an insurmountable horror ! 

Ah ! if he had only known, wouldn't he have 
staid in his country house at Montmorency with 
his hens ! 

He reproaches himself every day w^ith hav- 
ing made this immense fiasco — he is not the 
only one. 

Everybody is more or less vexed at being so 
thwarted, at having risked their necks fifty 
times, at risking them every day — and all that 
to arrive at a pecuniary result, which is no- 



AND THE NEW WORLD. 357 

thing, compared with what everybody was to 
have had. 

" Good God !" said some people, wlio knew 
nothing about our situation, to the artists, 
" you do not lose anything after all, by all tliis ; 
you merely do not gain, that is all ; while 
M. Raphael Felix has lost all he had, and Mdlle. 
Rachel Felix will be compelled to loosen her 
purse-strings to send the company back to 
France." 

The answer to this was, simply, that M. 
Raphael Felix and his sister, having made an 
immense razzia of capital, in all their preceding 
excursions in France, in England, in Germany, 
in Italy, and, finally, in Russia, it was not a 
very bitter pill for them to leave a few hun- 
dred thousand francs with these poor Ame- 
ricans ! 

Pretty compassion, indeed, to bewail their 
lot ! Why laugh at that ? It is exactly as*if, 
in a party at lansquenet, one should begin 
to lament the misfortune of a player, who lost 
a hundred sous after having gained a pile of a 
hundred louis. 

Mdlle. Rachel and her brother have won 



358 EACHEL 

plenty of piles ! They happen to lose one, the 
smallest of all ; the public represents Charle- 
magne ; every one plays as he understands it! 

Meanwhile, we must say one thing ; the 
Havana public would have been a good player 
and would have held out game till the party 
broke up. 

The proof of which is, that they are actually 
furious at seeing the performances, which had 
been announced, fall to the ground so. 

What, Rachel at Havana and they cannot 
hear Rachel! They think it altogether too 
much ! 

The French population (and that is tolerably 
numerous here) demand French pieces with all 
their might and main. 

" If Rachel will not play," say they, " let 
the troupe play without her and everybody 
will come !" 

I collar this idea, and make propositions to 
the manager of the Villanueva Theatre, w^hich 
he accepts. After which I have the thing 
announced in the papers. 

. Unfortunately, it is not at all successful with 
the ex-members of the ex-French Company. 



AND THE NEW WORLD. 359 

In general, these gentlemen prefer to regale 
themselves with a breath of French air ; they 
think that Havana and the vomito together are 
decideJly too much of a good thing ! 

And then the real reason is, that Mdlle. 
Rachel formally opposes the artistes' playing 
without her at Havana! Why? Nobody 
knows ! But she does oppose it, and as at 
present it is she who manages matters, pecuni- 
arily speaking, instead of her brother Raphael, 
some attention must be paid to her little 
whims. We shall, therefore, not play in any 
way on this unlucky island of Cuba. 

Raphael has been obliged to borrow of his 
sister. He haaad to come to it ! (il Ic fdaal- 
lait!) 

Or else he would have been very much em- 
barrassed about paying M. Marty the forfeit, 
which he claims by law, 35,000 francs ! That 
is for not having played ! Well ! 

Then a very handsome collection of thousand 
franc bills must be disbursed for the company's 
voyage, and faith, thousand franc bills have had 
a final falling out with Raphael. 

80 thoroughly that he sends his sister the 



360 RACHEL 

following note, which contains a detailed list 
of all the expenses which fall by necessity to 
her share ! a list which she communicates to 
the artists next day, to prove to them that she, 
Rachel, and not he, Raphael, pays this last 
money. 

Here follows the note in question : 

SUMS DUE AND SUMS NECESSARY. 

FRANCS. 

Salaries of tbe Company, advances oflf (some for 

25 days, others a month and a half) . . 25,082 

Expenses at the hotels, from the day of the suspen- 
sion of the salaries to the eighth of January, 
1856, Hotel Legrand .... 1,950 

Hotel Bernard (15 persons at 15 francs a day) . 3,875 
Twenty-one passages from Havana to New York, 

at 300 francs - . . . . 6,300 

Twenty-one passages to Liverpool, at 840 francs, . 16,600 
Baggage ...... 1,000 

Baggage . . . . • . 2,500 

Twenty persons from Liverpool to London, from 
London to Boulogne, and from Boulogne to 
Paris, 240 francs a head . . . 4,800 

Baggage ...... 1,000 

Eight days at New York, waiting for the steamer, 

at 10 francs per day .... 2,000 

Contingent expenses, of which an account will be 
rendered on arrival .... 2,000 

All the above expenses are to be verified in Paris. 
Havana, Jan. 2d, 1856. 



AND TiiE NEW WORLD. 30 1 

DEBTS CONTRACTED IN NEW YORK. 

D has leut to Mdllc. Rachel . . . 20,000 

{Note in MdUe. RachcVs handwriting, $4,000, which 

is moixj thau 20,000 francs.) 

D has endorsed two letters of exchange . 11,000 

Mdlle. Rachel owes M. Belmont, banker, . . 15,000 

These three sums are borrowed, at 7 per cent, from 

the day of the loan. 
M. Marty, in Havana .... 35,000 



Which makes the bagatelle of . . 148,107 

At the end of this list, in a few lines written 
in her own hand, Mdlle. Rachel apprised us that 
none of these sums, of which her brother 
spoke, and which she had borrowed, had ever 
gone into his hands : " She must correct his 
management, but," she added, with an irony 
not very sisterly, "he is still all right, as it is 
I who pay !" 

This list leaves us no longer the shadow of a 
doubt ! We are going ! 

And we are to return to our hellepatrie by 
way of New York. 

New York ! It is not more than half-plea- 
sant to us to see this great Pandemonium 
again ! 

Our apprehensions do not last long ! The 
16 



362 RACHEL 

same day, the administration announces to us 
that we are not to go by way of the United 
States, but by the West India line ! Estd 
hueno! 

Estd hueno, is a Spanish word, which means 
all right. And "aZZ right,^'' it is high time to tell 
you, is an English word which represents, very 
stupidly, in the United States, the ^'jparfait! 
^arfait! parfaitP^ of Joseph Prudhomme. 



AND THE NEW WOULD. 3G3 



Oil AFTER X. 

IN WHICH THIi NEGROES ARE NOT SO VERY UNHAPPY 
AI'-TER ALL. 

Although our route is changed, the sum of 
expenses remain about the same ; the total is 
perhaps a little larger, that is all ! However, 
I would not dare swear to that ; but I am cer- 
tain of this, it was impossible for us to get our 
passports on the day dc los Reyes, under the 
specious pretext that it was the negro carnival ! 
What a fine title for a drama, heigho ! 

THE NEGRO CARNIVAL I 

This is a very curious festival, and it is pe- 
culiar to Havana. 

From dawn of day all the slaves in the city 
are free, by law, until next morning. 

If any master would compel one of them to 
work, the slave would go straightway to the 
Commissioner, and make his owner pay a 
thumping fine. These poor devils are all 
muffled up in the oddest costumes and the 



364 RACHEL 

most Impossible travesties, such as would be 
all the rage at a fancy ball* 

I saw oae with a genuine costume of a king 
of the middle ages, a very proper red, close coat, 
velvet vest, and a magnificent gilt paper crown. 
This negro, who was enormously tall, and had a 
tolerably good-looking head, gave his hand 
gravely to a sort of feminine blackamoor who re- 
presented some queen or other. He walked by 
her side with a deliberate, majestic step, never 
laughed, and seemed to be reflecting deeply on 
the grandeur of his mission to this world. 

This temporary king was followed by a band 
of negroes, every one of whom was more hide- 
ous than all the rest, and was dressed in a 
more extravagant fashion. 

Some had transformed themselves into South 
American savages, Ked Skins, or Apaches. 
Others had been coquettishly affecting large 
yellow spots all over their body. In their hair 
they generally had magnificent peacock feathers, 
having destroyed all the dusters in the city. 
Most of them had flour on their faces. Myriads 
passed through the streets from morning till 
four o'clock, screeching out the songs of the 



AND THE NEW WORLD. 866 

country, with an accompaniment of rattles, 
tin pans and tambourines. 

As they were passing before ns, several of 
these crack-brains, in the hope of getting a few 
reals, undertook to give a diurnal serenade to 
Randoux, who was looking at them with a ter- 
ribly haggard expression. It was, indeed, good 
and sufficient cause for going crazy, to listen to 
the unearthly sounds of their hoarse instru- 
ments, and their still hoarser voices. 

Another negro, dressed in white and pale pink, 
with a shepherdess hat and a white and pink 
mask on his face, dropped on his knees before 
the Chery brothers, and began to wipe their 
shoes with an embroidered handkerchief which 
he was flourishing pretentiously. 

At four o'clock precisely they are prohibited 
from remaining in the city. They have no 
right to continue their procession, except out- 
side of the barriers. There they riot all night, 
in the little holes which swarm in the lower 
streets beyond the barriers, and in the morning, 
at daybreak, they have to be at work again, or 
they had best beware the dance ! 

These fine ne^rroes came into all the cafes, 



366 RACHEL 

all the shops ; there they execute dances a la 
learned dog, and say to you, in airs that they 
improvise, compliments of this sort, which they 
have the audacity to print, and of which, if you 
have been generous with them, they leave you 
a copy in printing. Behold the poetry of these 
black skins : 

"AGUINALDOS. 

DECIMA. 

" Yo que te doy a gustar 
Mis manjares delicados, 
Los que estan bien cocinados 
Porque los se preparar ; 

y que agrado al paladar 
Cuando desganado estas, 
Hoy te vengo a implorar 
Que el aguiualdo me des 
Humilde, siempre a tus pies 
Donde me puedes mandar. 

Tu cocinero de apetito" 

You don't know what these lines mean, do 

you ? Well, I don't, either, and I don't care ! 

I only put this ten-lined charabia before you to 

prove one thing, and that is, that the slaves in 

Havana have a good time, and that they are no 

so very unhappy, after all, since they devote 

themselves to belles lettres ! Those who are 

really to be pitied, are the negroes on the 



AND THE NEW WORLD. 3<]7 

siigar-pLintiitions, in the interior of the island. 
While their brethren of the city are dancing to 
the sound of the tambourine, they have to 
work all the while, without rest or repose, to 
the less harmonious sound of the whip of their 
overseei"s. 

" Miserable as a negro." This proverb is the 
product of a sugar plantation. So they abomi- 
nate the whites — those fellows out there ; the 
whites are their black beasts ! 

There is another thing, too, which they 
execrate, and that is the sugar-cane. They 
have a deep-rooted hatred for this American 
production. To such an extent that they 
will not sweeten the least drop of water with 
cane sugar. That would have upon them all 
the effect of poison. Their affection flows only 
in the direction of beet sugar ! 

It is this ugly culinary root alone which can 
destroy slavery on the western continent ! This 
beet-root is a bloody abolitionist ! And you 
will see, sooner or later, the black race will be 
raising statues to it ! 



368 



RACHEL 



CHAPTER XI. 



IN VTHICH WE ARE UP TO OUR NECKS IN FIGURES. 



Before bidding an everlasting adieu to this 
young and happy America, for we must bid 
adieu to this dear land, fate has resolved, with 
the concurrence of the great tragedienne, that 
we should indulge in a little figure-work — not 
very amusing to read, and certainly very 
tedious to write, but which seems to us to be 
an indispensable portion of this narrative. 

We will give first, in one table, all the re- 
ceipts of Rachel in New York and Boston, the 
only receipts of which we have the official 
figures, and we will place opposite, the receipts 
of Jenny Lind — so that one may comprehend 
at a glance, the very different results of these 
two gigantic enterprises : 



Eeceipts of Rachel, Eec'ts of Jenny Lind, 
New York. New York. 


Performances. Dolls Francs 


VI 

u 
o 

a 

o 


Dolls 


Francs 


1 Horace 5,016 26,334 

2 Phedre .... 3,731 19,588 

3 Adrienne .... 4,117 21,614 


1 
2 
3 


17,864 
14,203 
12.519 


93,768 
74,564 
65,725 



AND THE NEW WORLD. 



8G9 



Rachel. 


Dolls. 


Francfl. Jknny Lin 


D. Dolls. 


Franca. 


4 Mnrio Stuart . 


• . 3,839 


20 154 


4 


14,266 


74,896 


5 Adrienno . . 


. . 3,4 18 


18,102 


5 


12,174 


63,913 


6 Iloraccs . . 


3,075 


19,293 


6 


16,028 


81,1 17 


7 Aiidromnquo . 


. . 3,518 


18,4(;9 


7 


(J,415 


33,ti78 


8 Anuc'lo . . . 


. . 3,518 


18.1(i9 


8 


4,009 


25,725 


9 IJajazet . . . 


. . 3,505 


J.S,4()1 


9 


5,9S2 


31,405 


10 An>elo . . . 


3,(;i(; 


19,141 


10 


8,007 


42,036 


11 Phedre . . . 


. . 3,223 


16.920 


11 


6,334 


33.253 


rj Adrienno . . 


3,395 


17,825 


12 


9,429 


49.502 


13 Andromaquo . 


. . 2.32(5 


12,211 


13 


9,912 


52,038 


14 Polveucte 


2,025 


13,781 


14 


5,775 


30.307 


15 Antjolo . . . 


. . 3,302 


17,335 


15 


4,998 


26,239 


16 Marseillaise . 


4,0.57 


21.299 


16 


6.670 


35,017 


17 Mario Stuai-t . 


. . 2,857 


14,999 


17 


9,840 


51,660 


18 Polyeueto . . 


2,908 


15,267 


18 


7,097 


37,258 


19 Jeanne d'Arc . 


. . 4,215 


22,128 


19 


8,263 


43.380 


i20 Adrienno . . 


3,472 


18,228 


20 


10,570 


55,492 


21 Piiedre . . . 


. . 3,774 


19,813 


21 


10,646 


55,891 


22 Adrienno . . 


3,448 


18,102 


22 


6,858 


36,004 


23 Horaces . ; . 


. . 3,097 


16,259 


23 


5,453 


28,627 


24 Adrienno . . 


1,624 


8,526 


24 


5,463 


28,(i79 


25 LadyTartufifo . 


. . 1,622 


8,515 


25 


6,858 


36,004 


2H Augclo . . . 


2,668 


14,007 


26 


5,453 


28,627 


27 Virgiuie . . , 


. . 2,465 


12.941 


27 


5,463 


28,679 


28 Mdlle. do Belle-I 


sle 3,002 


15,760 


28 


7,378 


38,734 


29 Phedre . . . 


. . 3,924 


20,601 


29 


7.179 


37,689 


30 Reading , . 


.*. ^'^^^ 


8,284 


30 


6,641 


34,8(55 


31 Heading . . . 


31 


7,179 


37,689 


Total . . 


. . 97,595 512,363 1 


J04,924 


1,395,509 



Boston. 

1 Horaces 3,782 

2 Phedre 3,726 

3 Angelo 

4 Audromaque . . . 

5 Marie Stuart . . . 
G Adrienno .... 
7 Polyeueto, le Moineau 

do Lesbie . . . 



3,397 
3,916 
3,428 
3,214 



19.855 
19,561 
17,834 
20,559 
17,997 
16,873 



800 4,200 



Total 



22,263 116,879 



Boston. 

16,479 

11,848 

8,639 

10,1(59 

10,524 

5,240 

7,586 



86,514 
62,202 
45,354 
53.387 
55:251 
27;510 
39,826 



70,485 370,044 



New York 
Boston . , 



Total 



Recapitulation. 
97,595 512,3(53 
22,263 116,879 

119,758 629,212 



264,924 1,395,509 
70,485 370,044 



335,409 1,765,553 



The Swedish Nightingale having given but 
16* 



370 RACHEL 

seven concerts in Bosfcon, our comparative view 
breaks off at the seventh night of Mdlle. Kachel ; 
we have, therefore, to add to this total of 

629,242 francs, 

The receipts of the eighth night in Boston, 

[Adrienne) 15,960 

As well as the receipts of the ninth night, 

{Virginie) 18,831 

Plus the receipts in Philadelphia, proximate, 

and not official, {Horaces) . . . 10,000 

And, finally, the receipts still more proxi- 
mate, and still less official, in Charleston, 
{Adrienne) 10,000 



Which gives for the Felix enterprise, the 

definite result of 684,033 francs 

Which is not to be sneezed at — very hard. 

I do not speak here of what was made by 
the sale of those horrid English translations 
which imitated rain so splendidly, and the 
beauties of Racine and Corneille so pitifully. 

In the first place, this was a separate piece 
of business, and then, I believe that all that 
could have been made was not more than 
enough to pay the expenses of the Spanish 
translations, not one of which brought a sou, 
as may well be supposed, and which w^ere sold 
by weight for waste paper to an apothecary in 



AND THE NEW WOULD. 371 

Havana. How flattering to our great French 
poets ! 

All ! we had a grudge against them for not 
being able to make themselves appreciated in 
the United States ! We had our revenge ! O 
ingratitude of mortals. 

However, say what you will against these 
poor tragedies, still by their aid, and that of 
Adrienne Lecouvrcur, Mdlle. Rachel must have 
pocketed in America, according to the terms of 
her engagement, an amount with which, con- 
sidering the shortness of the time, a young man 
out of place ought to be tolerably well con- 
tented. 

You can easily convince yourself of this by 
casting your eyes over a few figures, a little 
lower down, which we have ennuyeed ourselves 
in arranging. 

"Ah! too many figures!" do you say. That 
is precisely our opinion ; but we are ahead of 
you. It is our business here to be chin-deep in 
arithmetic, and we shall be so through this 
whole chapter ; here is the proof of it : 

Twenty-nine niglits in New York, at 6,000 

francs a night, 174,000 francs. 



372 EACHEL 

A benefit in addition, guaranteed to pay 

20,000 francs, 20,000 

(You will remember that Mdlle. Eachel 
gave up ber claim for the second reading ; 
that is why we count only thirty nights 
here.) 

Eight nights in Boston, .... 54,000 

A benefit in addition, .... 20,000 

One night in Philadelphia, . . . 6,000 

One night in Charleston, . . . 6,000 



Total, 280,000 francs. 

I repeat it, a man terribly hard up would be 
satisfied with these few sous. 

Over and above that, I believe that the 
administration paid Mdlle. Eachel two or three 
sums of 6,000 francs apiece (never anything 
but 6,000 francs ; it is a stereotyped sum, like the 
price of small pies), for performances which were 
advertised but not given, from some cause not 
proceeding from Mdlle. Rachel. Which would 
raise the grand total to 298,000 francs (figures 
forever !). After all, this total is very fair for 
playing only forty-two nights ! 

Yes ; but look at the reverse of the medal. 
This poor product must be abridged nearly 
half to pay a little bill of expense, which you 



AND THE NRW WOULD. 373 

will find a little way back, if you take the 
trouble to look a moment, amounting to 
148,107 francs, and which reduces the savings 
of Mdlle. Rachel to 149,893 francs. 

And we have here taken into considera- 
tion : 

Neither the 5,000 francs sent to the sufferers 
in Norfolk. 

Nor the 800 francs given to the sailors' 
orphans. 

Nor the indispensable presents and compul- 
sory generosities ; nor the cost of costumes 
(which must amount to considerable, as Mdlle. 
Rachel had an entire new w^ardrobe, made in 
honor of the Americans). 

Nor, the innumerable visits of her innumer- 
able physicians ! which costs roundly in Ameri- 
ca, I beg you to believe. 

It would be horridly dear to die there, 
according to the rules of the profession ! You 
would find it almost as cheap to live. 

Which proves by A plus B, that Mdlle. 
Rachel is very far from carrying away from the 
New World the 1,200,000 fixed upon in her 
engagement, and the 80,000 francs which this 



374 RACHEL 

generous engagement guaranteed her, in ad- 
dition, for her four benefit nights ! 

And now, thank God, we have done with 
figures ! Ouf ! 



AND THE NEW WORLD. 375 



CHAPTER XII. 

IN WniCn MDLLE. RACHEL THINKS HER COMPANY MIQUT AS 
WELL MOVE ON. 

Mdlle. Kachel, who at first thought she 
would remain alone in the Island of Cuba, and 
let us come home to France without her, 
announces to us the night before this memor- 
able retreat, that she will actually embark 
with us. 

She is right. The weather is beginning to 
be rather bad, the Gulf of Mexico is already 
amusing itself by grumbling, and, before long, 
this blackguard Atlantic will be getting his 
back up. 

At Havana there are, now and then, fright- 
ful storms, in comparison with which all the 
old deluges are nothing at all. 

There is a foot of water in the streets ; the 
whole city is navigable. These floods, too, 
have their good side. They wash this good 



876 RACHEL 

capital, to which, in spite of all my affection for 
it, I cannot help giving hereby a certificate of 
filthiness, with the guarantee of the govern- 
ment. It would be so easy to sweep it a little ! 
But they have so much else to do. 

First of all, they must sleep. Everything 
else can be put off till another time! The 
more I reflect on the subject, the more I am 
convinced that the genuine citizen of Havana 
resembles that intelligent gnawer of the dor- 
mouse family, called by naturalists, a marmot, 
and by Savoyards, their friend. 

There is only this slight difference between 
the two — the marmot sleeps in winter alone, 
the denizen of Havana sleeps summer and win- 
ter. And they are chilly in this country. 
The storm brought a little cooler weather, 
very little cooler. Well, all these white clothes 
suddenly disappear. People are muffled up. 
They cover their noses. Rabbit-skin gloves 
make their appearance, and chafing dishes are 
to be seen everywhere. 

The negroes, especially, look as if they were 
freezing. The poor creatures have wrapped 
themselves up in immense Spanish cloaks, 



AND THE NEW ^VOKI.D. 377 

which gives them the most liulicrons awkwnrd- 
iioss imaginable. One would think it was freez- 
ing as hard as possible, and yet we are enjoying 
delightfully mild weather, like that of Paris in 
July, not later ! 

Before finally setting out for this last-named 
capital, the land of promise to so many of us, 
we were very far from thinking that we should 
yet have another account to settle with tra- 
gedy ; but we were mistaken. 

In a Creole family where we lived, Randoux 
(appropriately surnamed " the terror of ser- 
pents) and I were compelled to enact by turns 
scenes of the Horatii and Curiatii, Nemours and 
Polyeucte, which produced great effect, and 
convinced me still more that we should 
have realized here enormous sums, if we had 
played. 

I will say, furthermore, that tragedy, which 
puts the northern Americans so soundly asleep, 
acts altogether differently on the charming 
Havanese, who listened to us without under- 
standing, expressing their approbation so comic- 
ally at the end of each verse which appeared 
good to them. Corneille would scarcely have 



378 RACHEL 

expected such success as this ! That comes of 
travelling ! 

Be consoled Corneille ! to-day is the 10th of 
January, and thy Rachel, as weary as thyself 
of this unprofitable exile, will take thee back 
to thy well-beloved France ! She has said so ! 
she will embark with us ! 

The vessel in which we set out is none other 
than the steamer of the Antilles. It has come 
from Vera Cruz, and will touch at the island of 
St. Thomas. This boat is called the Clyde, 

Is it because this name is the same as that 
of a river in Scotland, or for some other reason ? 
At all events, at the moment of departure, 
Mademoiselle Rachel sends us a second an- 
nouncement, as she did yesterday, and yet not 
like that of yesterday. 

Waves and women are ever varying, and, this 
time, she has re-decided, that, until further no- 
tice, she will remain in Havana. 

Fiat voluntas sua ! 

Poor Corneille ! 

And that is why the unfortunate French 
Company, which embarked so smart, so de- 
lighted, so self-confident, for the nation of mil- 



AND THE NEW WOPvI.D. 



lions, left, once for all, tl.e port of Havana, 
half gay, half sad, altogetlicr undeceived in 
respect of the gold mines of the otlicr world, 
and, above all, without its grande tragedienne! 



FROM THERE, HERE. 



CHAPTER I. 

IN WHICH WE SPEAK OF THE " PACIFIC," AND, NATURALLY, 
OF SIIIPWKECKS. 

Mademoiselle Rachel has a fixed determi- 
nation to return to Europe in the Pacific, the 
famous steamer which brought us to America. 

Poor Pacific! Everybody knows that she 
is lost, crew and cargo. 

She left Liverpool on the 23rd of Janu- 
ary; on the 15th of April nothing had been 
heard of her. Eighty-two days instead of 
eleven. There is now not the least ray of 
hope. 

What a terrible thing the ocean is ! 

Mademoiselle Rachel is not the only one 
who did not take her departure on board 
the Clyde. 



382 RACHEL 

Her sister Sarah embarked that same morn- 
ing on the Isabel, also our comrade Ran- 
doux. 

Mademoiselle Sarah will stop in Charles- 
ton ; Randoux will go back to New York on 
business. Painful necessity! 

Mesdemoiselles are also en route for that 
triste city of New York on board the Granada, 
a horrible boat, a real pasteboard steamer, 
a stage property, which, after several days' 
voyage, will play out its last farce by wreck- 
ing itself and throwing its passengers over- 
board. 

A charming jest, especially in winter, 
which the United States steamers indulge in 
very often. Those which do not run you 
aground, blow you up. Take your choice ! 

Oh ! American boats ! There is something 
to beware of! 

I read lately that in 1849, of 1656 steam- 
boats on the Mississippi, (the Mississippi only, 
you understand,) 736 had been destroyed — 
681 by explosion and 45 by collision. In 
1851 the total of the list of lost boats was 
1,390. 



AND THE NEW WOULD. 383 

Since 185;], tlie United States have lost 
twelve large steamers, valued at 7,2-30,000 
dollars, and 1,250 people perished in these 
shipwrecks. 

In 1853, the Indciiendence^ having 120 pas- 
sengers on board ; the Tennessee and the Su 
Louis were lost, crews and cargoes, in the 
Pacific. The Humboldt and the Saji Francisco 
were wrecked in 1854 in the Atlantic ; in 
the following year, the Franldin, the City oj 
Philadelj)hia and the Yankee Blade were also 
lost, and the loss of the City of Glasgow, and 
that of the Arctic completed the melancholy 
list of disasters in 1854. The year 1855, with 
the wreck of the North Carolina and that of 
the Golden Age, which, however, has been raised 
and repaired. Finally, the year 185G begins 
with the loss of this same Pacijic of which we 
spoke at first. Sad debut ! 

Well, at least with the English you are safe ! 
for one reason, that there is on board all these 
steamers the same discipline as on men-of-war, 
and, I tell you, without such discipline there 
is everything to be feared. When the Arctic 
was wrecked, if she had been manned with 



384 KACHEL 

true sailors, all her passengers would have been 
saved ! On board the Clyde, we have a quan- 
tity of guns, of pistols, hatchets, and sabres. 
This arsenal is to be used not only to defend 
herself against pirates who rove from time to 
time in the sea of the Antilles, but in case of a 
mutiny among the crew, the passengers have 
orders to arm themselves and to lend a strong 
hand to the command. All right ! (There is 
some English again !) 



AND TUE NEW WOULD. 885 



CHAPTER II. 

IN- WHICH WE PASS RY MONSIEUR SOULOUQUE. 

The Chjde would be a perfect boat if one 
could only sleep a little on board of her ! 
Sleep ! — For six months we haven't known 
what that is ! It is one of the greatest miseries 
of these voyages. 

So, on the Clyde^ it was insupportable. All 
night long the bawling of two babies mingled 
with the monotonous and incessant cough of 
two Americans afflicted with old age and 
catarrh. 

Add to that the continual howling of a horrid 
little dog w^hich M. Felix (son) had brought 
from Havana in a basket, and you will have a 
faint idea of the deplorable charivari which 
drove us mad every night. 

Thank God, the Clyde made good speed, and 
on the 13th we doubled the point of the island 
of Cuba, in one of those Senegambian heats 
17 



386 RACHEL 

which the sea of the Antilles knows so well 
how to produce. 

The sea of the Antilles ! Here is a sea, a 
real sea, will you hear about that ? 

On the morning of the 14th, we ran along 
the coasts of St. Domingo, or Hayti, if you like 
it better, the empire of Papa Soulouque, a 
huge black, w^io runs in debt everywhere, 
and who sells his subjects to keep himself out 
of Clichy. 

As we w^ere passing by the states of the 
above-named gentleman, we were induced to 
read again the following letter, which may give 
an idea of the manner in which the good little 
Faustin treats good little whites : 

" Last May the Haytiens arrested eight or ten 
Frenchmen, horn in the Antilles, to enlist them 
in the Haytien army. These young men, on 
their refusal to adopt the military dress, were 
dragged to prison, and put into a dungeon in 
rons, where they remained five days. 

'< Thanks to the intervention of the vice- 
consul, M. E. Wielt, sole agent at that time, 
the prisoners were set at liberty, but were 
forbidden to continue their business. Those 



AND THE NKW WORLD. 387 

who were clerks were discharged by their em- 
ployers, those who were merchants were com- 
pelled to close their shops. 

" In July several ollicers of a man-of-war, 
the Chuncrc, were walking through the streets 
of Port-au-Prince. Being summoned by some 
sentinels to throw away their cigars, they 
thought they were near a powder-magazine, 
and obeyed orders. 

" * Hats off, do you not hear, hats off before 
the emperor's house !' they then cried out ; 
and on their refusal to salute the dwelling of 
the chief, who had gone to the little Goave, 
were about to take them to prison. One of 
these young seamen, knowing that he was 
quite in the power of these brutes, demanded 
to be carried before the governor. And he had 
the good sense to send them to the consu- 
late. 

** Monsieur de Chacon, secretary to the Span- 
ish consulate, came from the Minister of 
Foreign Affairs, where he had been to solicit of 
the Emperor Faustin an audience for his con- 
sul. Going out, he did what everybody would 
do under a sun at thirty-seven degrees — he put 



888 RACHEL 

on his hat. Immediately the sentinels vocife- 
rate their insolent order, 'hats off!' M. de 
Chacon refuses to salute the walls. The same 
scene, the same noise and scandal for him as 
for the officers of the Chimere, But this time 
the emperor appeared at the window; and 
when he hears what it is about, he cried out, 
Mille tonnerres, don't you know me ? salute 
my house, or I will throw you into prison.' 
The advisers of his Imperial Majesty observed 
to him, that this arrest could not be executed 
on the person of a chancellor without leading 
to the most serious consequences. It was, 
nevertheless, only after twenty minutes' par- 
leying that the soldiers liberated M. de Cha- 
con !" How amiable the fat black is ! 

We entertain, for an instant, the idea of giv- 
ing ourselves a closer view of this kingdom of 
Chinese shadows ; but, as that would take us a 
precious time, we pass on, and the next day we 
are in sight of Porto-Rico, one of the Great 
Antilles, where the cholera rages with horrible 
violence, having already destroyed two-thirds 
of the population ! 

Let us go on quickly ! 



AND THE NEW WORLD. 389 



CHAPTER III. 

EN ROUTE FOR EUROPE. 

In the night, we arrive before the island of 
St. Thomas, where we land in the morning, at 
sunrise. 

At St. Thomas, it is a different thing : not 
the least cholera, but yellow fever to a fright- 
ful degree. 

We embark instantly on the Atrato, an im- 
mense English steamer, commanded by an ex- 
cellent captain, whose name I regret exceed- 
ingly not to be able to give you. 

There they stop the dog of M. Felix. They 
demand 100, or 125 francs, I believe, for his 
passage. 

M. Felix, seeing that he can no longer keep 
his odious quadruped, except by making a 
sacrifice, does not hesitate a second, and pre- 
sents his animal to a gentleman who remains in 
St. Thomas. This desertion causes us only very 



390 EACHEL 

moderate grief. We are, for the most part, 
satisfied to be rid of this nocturnal bore. It is, 
at least, one less. 

This happy incident sends us to the table 
with unusual cheerfulness ! 

What a difference there is between English 
and American boats, in respect of the fare! 

On American boats, as we have said, the 
meats are killed in advance, preserved in ice, 
and, consequently, horrid, both in taste and 
aspect. On the English, the meats are put on 
board alive, and it is very comforting, very en- 
livening, I assure you, to see on deck these 
regiments of sheep, hens, turkeys, ducks, and 
even turtles. It is actually a menagerie, which 
lessens every day, at a frightful rate. 

As everybody is sick upon this voyage, we 
suppose we shall not escape more than the 
others. 

But we are now old sailors, and enjoy auda- 
cious health, which prevents us from ever miss- 
ing a meal. 

This extraordinary appetite does not fail to 
seriously alarm the cook on board. 

In case of shipwreck, what would become 



AND THE NEW WOliLD. 391 

of US, hon Dlcu? Happily for Gverybod}^ the 
gallant Atraio enters the port of Southampton 
on the appointed day — that is, on the 31st of 
January, 18-56! 

Europe! Here we are! It is not a dream! 
Such is life, however — and steam! 

Just to think, only six months and three 
days, to a day, since we climbed into tlie cars 
of the railroad clu Nonl — indulging aside in the 
consoling reflection, that we shall, perhaps, 
never again drive over the Macadam of our 
boulevards. 

And this reflection was a perfectly true one 
— we are convinced of it now. For the coun- 
tries in which we have just travelled are danger- 
ous. And the x\mericans themselves agree to 
that. 

One of them, a Yankee, w^ho spoke French, 
almost, when I asked what I had better 
take to France, as curiosities from the New 
World, "My dear sir," he replied, rolling a 
large '* quid " of tobacco in his mouth, " there 
is only one truly curious thing that Europeans 
can carry home with them when they have 
travelled in America, that is — their skin !" 



392 RACHEL 

For this reason the French Company were 
delighted even to reach England — two steps, 
so to speak, from France, from Paris, the only 
country which is nnexceptionably beautiful and 
good, and which one never loves more than 
when away from it. 

Raphael Felix alone wears a sad countenance, 
which contrasts singularly with the joyous faces 
of all the rest. The tables are turned. 

He has something to be terribly mortified 
about, besides! It was so easy to have re- 
mained all comfortably in France, and not to 
have put his nose in America ! 

But you wanted to, Raphael ! 

And superstitious people, who are as stub- 
born as red asses, say that all would have run 
as smoothly as little wheels, if we had not left 
France on a Friday. 



AND TlIU NnW WUKM>. iiO,') 



CHAPTER IV. 

jrADEMOISELLE RACHEL WRITES IN THE PAPERS. 

To reassure her friends of the health of 

JMademoiselle Rachel, we append a note from 

our friend Bernard : 

"Havana, January 28, 185G. 
" Our celebrated tragedienne embarks this very day for 
New York. The day after our departure, she left the Mar- 
ty's house, to go to Mr. OTarril's. She longed to recite 
something for them, so she gave le Songe d'Athalie (for 
O'Farril's family only). She wished to have a reception, 
but could not. She intended to remain much longer in this 
family, but home-sickness seized her, and — " 

And here she is, back again in France, in her 
little house at Meulan — very much disgusted 
with having made such a voyage, and 

" Jurant, mais un peu tard, qu'on ne I'y prendra plus." 
To cap the climax, some one amuses himself 
by writing in the newspapers that she is about 
to yield herself up to the sweet bonds of Hy- 
men. Whereupon she is greatly provoked, and 
17* 



394 RACHEL 

replies at once — a charming letter, which it is 
a pleasure to us, as well as a duty, to reproduce 
here : 

" I have heard many clever people say that it was often 
better to be abused by the press, than to incur its silence 
and neglect. But why, my dear friend, should you have 
busied yourself so long in inventing marriage plans to twit 
me with, and why attribute to me a thing so useless ? 

" I have two sons whom I adore. I am thirty-two years 
old by my register of birth ; I look fifty, and as for the rest 
I will not say much. Eighteen years of tearing passions to 
tatters on the stage, of mad scamperings to the ends of the 
earth, of Moscow winters, of Waterloo betrayals, the per- 
fidious sea, the ungrateful land, — these are the things which 
wrinkle before her time a poor little bit of a woman like me. 
But God shields the brave, and he seems to have created, ex- 
pressly for me, a little corner unknown to all the geogra- 
phies, where I can forget my fatigues, my troubles, my pre- 
mature old age. And yet you let fly your rascally canard in 
the midst of the birds which perch on my branches, and sing 
nice little songs of a return — not mine, probably, but 
spring's. 

" If I had died in America, you would have been the first 
— oh, I am quite sure of it ! — to dedicate to me one of your 
most glowing feuilletons — worthy of your talents, and just 
like your heart. And now, because I am raised from the 
dead after a miraculous fashion, because I can hope to see 
you once more, and shake hands with my old friend, you say 
to yourself ' she's alive and well, thank God ! now, to tease 
her !' Then you go to work again to irritate my too suscep- 
tible nerves, and amuse people at the expense of poor little 
Rachel. A pretty triumph for your genius — as if there were 
any lack of victims ! Is that the way you should behave to 
a poor thing who has actually come back from the other 



AND THE NEW ^YOKLD. 305 

world ? Come, be good now, and (juickly confers yourself 
guilty of invetcratoly teasing poor little me, so that I, also, 
may promptly forgive you — once more, and hope soon to sec 
you again in Paris or the country. 

" By Jupiter, I think it is very nice of me to treat you 
thus, for this letter is certainly not written by a Grand 
Tragedienne, but by a good child who is called 

"Rachel." 

While the *pen was in her hand, what a 
charming occasion to write to her ex-pen- 
sioners that she held at their disposal some 
paltry thousand franc bills, which they ex- 
pected for the London performances. 



396 RACHEL 



CHAPTER Y. 

now ALL FINISHES WITH A LAWSUIT. 

As well as his illustrious daughter, M Felix 
is deeply vexed at having made this useless 
excursion, and when some one met him on the 
Boulevard, and began to ask him for the 
news : 

*' Don't speak to me of the expedition to 
America," cried he, "or I will have you 
arrested." 

And, the other day, about to start for his 
country seat : " I really do uot dare to return 
to Montmorency," said he, retracing his steps ; 
*' I shall be badgered by my very hens !" 

As to Mademoiselle Rachel's sister. Ma- 
demoiselle Sarah, she is now in New York, as 
well as Mademoiselles Durrey and Briard, the 
two wrecked ones of the Granada. 

We learn that Mademoiselle Sarah, who is 
not engaged in the United States, as we had 



AND THE NEW WORLD. 397 

written, will be in Paris before long, to form a 
dramatic troupe, with tlie intention of taking 
it to America. Good luck to her ! 

Because Mademoiselle Rachel did not return 
to France with all of us, there have been a 
thousand ridiculous rumors afloat here. 

They even went so far as to say that the 
great tragedienne would not put her foot in 
Paris, for fear of a lawsuit against her, which 
several of her company intended to prose- 
cute. 

That rumor was entirely false then. But 
to-day it is no longer so. It is not the artists 
who prosecute the lawsuit (the American 
business, moreover, was previously settled, as 
to them, and there was nothing more to pay 
for, except that eternal month in London, of 
which we spoke in the last of the preceding 
chapter). But here comes, from America, M. 
Gustave Naquet, ex-minister plenipotentiary of 
Raphael Felix, who is favored with a blazing 
disgrace scarcely two months after our arrival 
in the United States, and who is anxious to 
show up this disgrace to the Parisian tribunals. 

As soon as he arrives in Paris, he sends to 



398 RACHEL 

Gustave Bourdin, one of the Editors-in-chief 
of the Figaro^ the following letter — 

A M. Gustave Bourdin. 
. " My dear Friend — Since you are one of the very holy 
and very spintuelle trinity which presides over the destinies 
of the Figaro, permit me to take advantage of om^ old fellow- 
ship in journalism to place before the public a report against 
the Felix family in general, and M. Raphael Felix in par- 
ticular. 

"You know that, yielding to the temptation of certain 
notes of prospective thousands, I mixed myself up with this 
tragic exploring expedition, the catastrophes of which Leon 
Beauvallet has narrated with as much wit as good-humor. 
At first, I was to have no other duties except those of inter- 
preter, on account of my acquaintance with the English lan- 
guage ; and it was perfectly understood, between M. Raphael 
and myself, that my name should not appear in any connec- 
tion. So well understood, that, in the list of 'personnel pub- 
lished by the Figaro before the departure of the troupe for 
America, I am designated only by my Christian name. 

" But I could not long preserve my incognito in my unfore- 
seen departments of general agent, private attorney — what 
not ? — the Jack-of-all-trades to M. Raphael Felix. I took 
my duties upon myself immediately, and I did my best to 
prepare for Mademoiselle Rachel a profitable campaign in 
the New World. They made me so many fine promises ! My 
plans had succeeded perfectly. The biography of Mirecourt 
was crushed under an artistic one of Mademoiselle Rachel 
written by me in English. The press of New York, which 
gives the key-note to the whole press of the United States, 
had sung thousands and thousands of times the praises of 
Rachel ; and, on the coming of the great tragedienne, the 
public was disposed to applaud her, and to pay very dear for 
the right of going to the theatre. 



AND THE NEW WORLD. 399 

" The success was, I must say, immense — an artistic and 
lucrative success — and tbat, in spite of the administrative 
peculiarities of M. Raphael Felix, who possessed a remark- 
able talent for making enemies of the press and the public. 
His blunders were without numlier, and some of his financial 
transactions produced a scorchinc^ letter from the llonorabh; 
Fernando AVood, mayor of the city of New York, in which 
that functionary, more severe than the mayor of Meaux, 
sharply rebuked the European Bilboquet, and recalled him 
to the modesty of his position. 

" I have not time to-day to enter into details, which would 
not be wanting in interest, in respect of art and to artists who 
think of visiting the new world. I will only say that after 
ten or eleven weeks Mademoiselle Rachel Was able to send 
to Europe a draft for three hundred thousand francs, and 
M. Raphael one of sixty thousand. 

" Since then, as Mademoiselle Rachel has been ill, she 
must have disbursed about one hundred and fifty thousand 
francs, and I have not heard that M. Raphael has disbursed 
anything at all. How, then, does it happen, that this gen- 
tleman goes about, telling everybody that he has lost three 
hundred thousand francs, and his sister as much more ? Is 
it by way of replying in advance to the demands of his 
artists, on the subject of sums due for the month in London, 
or some other reason ? I don't know. At all events, there 
can be nothing falser. 

" I come now to what concerns me in all this : finding 
myself compelled to reply, once for all, to the reports circu- 
lated about me by M. Raphael Felix, since his return, and 
which have been attested by twenty reliable witnesses. M. 
Raphael has conducted himself towards me in a manner 
which I could not properly describe, without going beyond 
the bounds you have assigned me. 

" He left me, for some trifling pretext, in Philadelphia, on 
the 15th of November, and since that time, he has sent me no 



400 RACHEL 

money at all, not even that which was necessary to take me 
back to Paris. He laughs at the contract he has made with 
me, knowing very well it was impossible for me to require 
the adherence to it, by law in America, where, as a foreigner, 
I should be compelled, before proceeding, to furnish bail to 
the amount of fifty thousand francs. 

" He has slandered me in Paris to our mutual friends, to jus- 
tify his conduct, and he thinks I will recoil from the scandal, the 
costs, and the tediousness, of a lawsuit, to obtain justice. He 
is mistaken, and by no manner of means shall I shrink from 
anything to obtain satisfaction for the procedures which he 
has employed against me. Moreover, to gain at once my 
cause before the public, before the Courts have decided, I 
here make a proposition to M. Raphael Felix, which I dare 
him to accept. 

" I propose to him to designate, himself, two arbitrators 
among men of letters or artists, the most honorably known 
in Paris, and let us leave to their decision our common griev- 
ances. 

" I accept in advance those he may choose as judges, satis- 
fied that he cannot find two men of intelligence and honor, 
who, on examining the documents, will not declare that M. 
Raphael Felix has conduoted himself shamefully towards me, 
and that he owes me the indemnification specified in our 
treaty. 

" By giving space in the next number to this letter, writ- 
ten in such haste at the moment of arriving from the New 
World, yOu will oblige your old comrade, 

"GUSTAVE NaQUET." 

I must mention that I wrote at once to this 
same Naquet, to find out what had occasioned 
this rather warm epistle. Here is his reply : it 
is of the same temperature. 



AND THE NEW WORLD. 401 

" My Dear Beauvallet : 

o 

" You ask me what has become of my afTuir with the FSHx 
family. Of course, M. Raphael did not roi)ly to the loyal 
proposition I made him. It enters, perhaps, into the calcuUi- 
tions of this Blonsieur, who calls himself ruined, to pass for 
being too poor to buy somebody's style and orthography — 
those two accomplishments not yet making a part of the 
brilliant education of M. Raphael. The law will then take 
its course, and the public will soon be made acquainted 
with this Martial family of the dramatic art, in which, 
VUe ties Ravageiirs is called tragedy. This will form the 
natural finis of your little book, in which you do not seem to 
me to have done justice to the American public, which, called 
upon to pay and applaud the Rachel of former days, did 
come, notwithstanding the worthless representations of her 
man-of-straw, her speculator-director. 
" I press your hand. 

"GUSTAYE NaQUET." 



402 RACHEL 



CHAPTEE YI. 

WHICH SUDDENLY FINDS ITSELF THE LAST OF ALL. 

As the reader has easily perceived by what 
he has just read, Naquet is decidedly 'not in a 
good-humor with Mdlle. Rachel and her family. 
In compliance with his request, we have, never- 
theless, thought it a duty to publish this letter. 
We can so much the less decline to do so, that 
he accuses us, in his reply, of having, to a de- 
gree, deceived our readers as to Mdlle. Rachel's 
reception by the Americans. We have but 
one answer to that : the figures are there — a 
very pretty table — you have only to contemplate 
them. Certainly, we entertain for the North 
Americans only a very limited admiration ; but, 
throughout this volume, it may be seen, that 
we would catch on the wing the least occasion 
to speak well of them. 

We have rendered to the Press of the New 
World full and complete justice — everybody 



AND THE NEW "WORLD. 403 

knows tluit ; uiid it is only the masses that we 
have attacked. As for all those details of mur- 
ders, arsons, etc., etc., we have merely rehited 
the facts, not a w^ord more. Fardicu, you have 
only to read the American newspapers, and 
you will see ; only, over there, it is spoken of 
as quite natural, while here we take the pains 
to underscore it ; that is all. As for the rest, 
we have in our possession the very journals 
of which we have spoken, and, if need be, they 
shall bear us witness. 

Now, to wind up in the true American 
fashion, I am going to treat you to one of the 
prettiest canards that has been ha,tched this 
long time. Mery is father to it, as Figaro 
informs us. 

" The public has for some time been the vic- 
tim of a double mystification. Madame Kistori 
has no more gone to Italy than Mademoiselle 
Rachel to America. They have both passed 
the last nine months in delightful companion- 
ship in a charming villa at Pantin, where they 
have whiled away the time in reciprocally 
instructing each other in their respective lan- 
guages. Only, their success has not been com- 



404 RACHEL AND THE NEW WORLD. 

mensurate with their efforts, and has produced 
a curious result. Mademoiselle Rachel has 
forgotten French, and Madame Ristori no 
longer knows a word of Italian !" 

While I am borrowing for the last time from 
Figaro^ let me profit by the occasion to thank 
him for the hospitality he has hitherto extended 
to me, and to congratulate him upon all the 
good luck which has fallen to his lot. He 
deserves it. 

15 April (jour du terme /). 



THE END. 



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