UNIV. OF MD COLLEGE PARK
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THIS IS YOUR FOURTH COPY OF
S
■^ ^Showmanship, in it are articles concerning, and detailed '
descriptions of, 39 radio programs as used in 27 different types of busi
ness fields. One of these program presentations may prove adaptable in
your business. The Editors of Radio Showmanship & Merchandising
Review welcome and will promptly answer all correspondence. May you
enjoy and profit from this issue.
VL®*-?^? •• • • • •^
owmanSi
JANUAHY 1941
25^
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Amusements « Bakeries « Beverages * Cleaners * Bepartment
Stores * Brug Products * Groceries * flome Furnisliings * Laundries
Men's Wear * Public Utilities * Shoes - Tobaccos « Women's Wear
MfinF TniN & MaRA7T
QPRV
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
J A N U
Business PAGE
Amusements 32
Auto Supplies 27
Bakeries 27
Beverages 28
Churches 24
Cleaners 18, 32
Department Stores 32, 33
Drug Products 24, 25, 33
Furs 25
A RY
Business PAGE
Groceries 12, 25, 34
Home Furnishings 34
Laundries 10
Men's Wear 7
Optometry 35
Public Utilities 27
Shoes 29
Tobaccos 26, 35
Women's Wear 26, 28, 35
DECK
Business PAGE
Automobiles 145, 153
Auto Supplies 145
Bakeries 129, 150, 153, 156
Beverages 133
Dairy Products 133, 136, 145, 150, 154
Department Stores 133, 149
Drug Stores 146, 148
Electric Appliances 151
Fuel 126, 152
M B E R
Business PAGE
Gasoline 134
Groceries 144, 146, 149, 154, 155
Jewelry 147
Men's Wear 133, 148, 150, 155
Music Stores 151, 155
Public Utilities 147
Restaurants 156
Typewriters 152
Plus Eleven Other Businesses .... 156
// you don't have the December issue on file, order now!
SELLOGRAM
PUBLISHED BY RADIO SHOWMANSHIP MAGAZINE
SHOWMANSHIP BLDG. * Nth at GLENWOOD * MINNEAPOLIS
TO iJO. 5
R/xDIO
STATION
SALES:.iei
With so many new radio stations added to R/iDIO SHOV/-
MAInISHIP'S franchise list this month, I think it would
be a good idea if we retrace our steps.
Five months is just a short time, but in those five
months, RADIO SHOmiAIJSHIP has becom.e the "clearing
house" for local radio programs and promotions.
When a furniture dealer in San Francisco wants to find
out how a furniture dealer in New York uses radio, he
turns to RADIO SHO^VIIANSHIP .
By offering merchants an independent source of radio in-
formation and experience, RADIO SHOl^il'lANSHIP breaks down
customer resistance. It helps .. ou , the station salesman,
sell more local time!
For better results, however, we need your cooperation.
That's v;hy we print this Sellogram. We want to acquaint
you with R/DIO SHOraANSHIP's outstanding "saleable" pro-
gram ideas, so that you can point them out to your clients
and prospects.
Remember: A basinessman isn't interested, primarily, in
radio.... he's interested in his own business. The more
times you can cite examples of what other businessmen in
his field are successfully accomplishing, the closer you'll
come to arousing his interest and obtaining his account.
RADIO SHOWMANSHIP--Tfte Contact That May Bring A Contract
SELL0GRM1
READ 'EM AND REAP!
Here are a few things to look for in this
month's RADIO SHOYMANSHIP MGAZINE.
1. It's an important improvement, and v;e hope you like
it. This month's issue is sent in envelopes instead
of wrappers. Your clients get the magazine in per-
fect condition . Notice the statement in the upper
left hand corner of the envelope. It's just one of
the many ways we break do\m customer resistance and
arouse reader interest.
2. The magazine is divided into tviro sections, (a) Art-
icles by leading businessmen, advertising men and
radio writers, (b) Service departments — conven-
iently classified by businesses to interest your
prospects.
3. (P» 7) If you are on the verge of selling a clothing
account in your town a sports show, maybe Max Yandt
can help you. He's a men's wear merchant with seven
years of radio experience. See his own story on Page
7.
4.. (p. 9) Be sure your continuity dept. sees the story.
Ten Best Sellers 1
5. (p. 10) Top story of the month: Laundry Sales Thru
the Air. Ad man Newby tells how he planned an entire
campaign around a horn I And every laundry in your
town will know of the Quality Laundry of Chicago.
6. (p. 2U) If you charge for church time on your sta-
tion, see the letter received from Rev. Carleton
Brooks Miller of Battle Creek, Micliigan.
7. (p. 26) Graysons, Inc., is a well-known women's v/ear
chain. Read what their San /intonio manager has to
say about radio . The Graysons ' shop in your tov/n would
like to read this too.
8. (p. 29) Most unusual promotion: The Rowe Shoe
Store's ten day sale.
9. (p. 33) Department stores viill want to knov/ about
H. C. Capwell's radio show. Capwell is Oakland's
largest department store.
SELLOGRAIil
10. (p. 38) If you're planning a series of broadcasts
of the boys from your town, via transcription from
army training camps. Don't miss Edward Kirby's
letter.
— SELL STELLA UNGER —
On Page 3 you'll find a pre_--selling advertisement on a
brand new transcribed radio program v/ith a sure-fire
selling angle: Hollywood, The News Behind the Names You
See on the Screen. It's a five minute show (something
you may have been looking for) at a price that's unusually
low. In most cases, less than a dollar an episode. Even
your smallest account will be able to afford this onec
The star of the show is Stella Unger, Hollywood nev/spaper
columnist, with a brilliant record of successful broad-
casting. Her column, "Camera Close-ups" is featured in
newspapers from coast to coast. Be sure to check your
local paper; if her column appears in your town, you may
be able to swing a reciprocal tie-up with the newspaper.
(Example: In return for a line in bold face type at the
end of her column reading: "Stella Unger 's Hollywood
Headliners is presented daily over Station WWWW at 0:00
P. M.", you will mention the newspaper her column appears
in at the end of every program.)
"Hollyv;ood Headliners" is a program that adapts itself
easily to any number of sponsors: Dairies, Apparel Shops,
Department Stores, Bakeries, Furniture Stores, almost any
business that is searching for a radio program that will
attract — and hold — a woman's audience.
There will be 156 programs available, enough for a full
year of broadcasting (3 times weekly) . With the addition
of some transcribed music you can build each show to fit
a full 15-minute spot, if the advertiser wants a more
varied type of program.
The show is complete, with some excellent merchandising
tie-ins that you can spring after it has established it-
self on the air. Start auditioning it today I Somebody,
among your prospects, is a pushover for a show like this
one I
SELLOGRM!
Program is already sold to:
WAL - WRC Washington, D. C. KBEC San Luis Obispo, Calif
WCSC Charleston, S. C. KGSZ Kalispell, Mont.
WSJS Winston, Salem CKOC Hamilton, Ontario
WHOP Hopkinsville, Ky. CFAC Calgary, Alberta
WSRK Pittsfield, Mass. WPAY Portsmouth, Ohio
'WIBC Indianapolis
On Station WFLA (Tanipa, Fla.) the Tampa Gas Co. is the
sponsor.
On Station WI^IFF (Plattsburg, N. Y.) Herman's Apparel
Shoppe is the sponsor.
EVERYWHERE ELSE IT'S ANYBODY'S BABY I SO GIVE IT A WHIRL I
Your sales m.anager has price lists on the program, and if
there is any other information you need before closing a
deal for yourself, vvTite us I
-/<■ ■>%• ■i'\ -)\
Remember: Any leads we get on any show advertised or
publicized in RADIO SHOWTMNSHIP are sent to FRAI^CHISE
STATIONS (stations distributing RADIO SHOWMANSHIP to
their customers) first I
-X- -X- -)^ -x-
IN PARTING
Make the SELLOGRAM your magazine. Write to us often.
- Don Paul -
^"^A^
THEIR FAME
IS YOUR FORTUNE
Success Stories of the Hollywood Stars! Weekly, 85,000,000
Americans, thousands of them right in your city, follow
the stars, want to hear all. Stella linger, who knows them
intimately, tells all about them in "Hollywood Headliners,"
great NBC Recorded Program.
Hollywood stars are always audience-builders. On the screen,
in personal appearances, on the air . . . they're news ... of absorb-
ing interest.
In "Hollywood Headliners," Stella Unger, "Your Hollywood
Newsgirl" turns this interest to your profit. She not only reveals
the details of their lives . . . but has proved the sales formula
behind this show in previous programs for big advertisers.
Stella Unger is a "feminine dynamo," an actress, radio com-
mentator, author, radio advertising writer, producer, program
director. She has sold everything from cigars to cold remedies.
Her program, "Hollywood Headliners," offers you a remarka-
ble value... a full year's schedule of 3 programs a week... 156
programs a year ... at unbelievably low cost. A five-minute pro-
gram with special movie-set atmosphere and musical theme . . .
or with recorded music added, it becomes a 15-minute show.
Recorded advance announcements, photo, mat, and publicity
releases are included.
"Hollywood Headliners" is now being sponsored in various
cities ... by dress, apparel, fur, and shoe stores, dairies, bakeries,
laundries, and other local advertisers.
Your local radio station can
arrange an audition.,, or write
diO'Recording Division
NATIONAL BROADCASTING COMPANY
A Radio Corporation of America Service
tCA Bldg., Radio City, N.Y. Merchandise Mart, Chicago Trans-Lux BIdg., Washington, D. C. Sunset & Vine, Hollywood
EDITORIAL
IHE coming of 1941 brings with it the formal sanction by the
Federal Communications Commission of a new advancement in
radio technique, frequency modulation.
What does frequency modulation mean to the businessman who
is interested in radio? Only this: Radio has done its job well. Re-
ceiving sets today are higher in sensitivity, clearer than ever before.
The immediate future holds promises of complete static-less recep-
tion.
Technical perfection is desirable, but it's not enough. There
must be continued improvement in radio program presentations, or
the full value of the technical advances are not being completely
utilized.
Responsibility for creating good local programs is partially
radio's, partially the advertising agency's, mostly the businessman's —
the man who spends his money for radio advertising.
It's true, he doesn't produce his programs or even actually work
on them, but he does have the final "yes" or "no."
And it is upon this "yes" or "no" that the future of radio rests.
The businessman should know enough about radio to make his de-
cisions on more than a purely personal basis. The businessman should
buy his programs as he buys his merchandise — on the basis of what his
customers like, not what he likes. He should spend a few minutes
every month finding out how other businessmen are using radio, so
that he may profit by their experience.
In the past year Radio Showmanship has endeavored to help
businessmen better carry out these responsibilities. From the start, it
has dedicated itself to improving the calibre of local radio presenta-
tions. At the end of 1941, what success we achieve will not only be
reflected in the increased interest in radio programs, but in the busi-
ness records of individual merchants who use the medium of radio.
RADIO SHOWMANSHIP
CONTENTS
JANUARY 1941
VOL. 2 NO. 1
Publisher
Don Paul Nathanson
Editor
S. H. Kaufman
Associate Editor
Norman V. Carlisle
Research Director
G. M. OSMAN
Business Manager
William A. Huser
Editorial Advisory Board
Herbert Pettey New York
Ralph Atlass
William Dolph
Henry Johnston
Glenn Snyder
Philip Lasky
Roger Clipp
GusTAv Flexner
Maurice M. Chait
J. Hudson Huffard
J. Harold Ryan
Lorenzo Richards
Chicapo
Washington
Birmingham
Chicago
San Francisco
Philadelphia
Louisville
Peoria
Blue field. Va.
Toledo
Ogden, Utah
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
blenwood. Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
bhowmanship.
Editorial
Sports Sell Suits 7
Max Yandt
A Missoula, Mont., clothing merchant
relates his experience in seven years of
radio advertising.
Ten Rules for Selling 9
Colonel B. J. Palmer
As good as new is this set of rules laid
down by a pioneer in radio broadcasting
many years ago.
Laundry Sales Thru the Air 10
A. Wesley Newby
With the aid of an auto horn the Qual-
ity Laundry Company of Chicago launch-
es an unusual and result-bringing an-
nouncement campaign.
A New Slant on News.
Tod Williams
12
Re-writing standard news releases into
folksy patter pays according to the ad-
vertising manager of the Atwood Coffee
Company.
(Continued on next page)
JANUARY, 1941
%
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SECBET SERVICE
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Kaspej::6o«aw.,-
.«A1I MASS^'^^.^M PRODUCERS
Take a Tip from the Latins 15
Elmer Wheeler
You can't overrate the value of emotion-
al appeal in commercial copy is the ad- ,
vice of one of America's greatest w^ord- j
merchants.
True, Timely, Thrilling 18
An RS Air Analysis
The activities of fifth columnists in Aus-
tralia has been built into an exciting
series of transcribed programs.
What the Program Did for Me 24
This is the businessman's own depart-
ment. Here, the radio advertisers of the
nation exchange results and reactions of
radio programs for their mutual benefit.
Yours for the Asking 26
A listing of sample scripts and transcrip-
tion availabilities on programs reviewed
in this and preceding issues.
Showmanship in Action 27
A collection of those extra promotions
and merchandising ideas that lift a pro-
gram out of the ordinary.
Showmanscoops 30
Photographic review of merchandising
stunts, and the personalities behind them.
Proof O' the Pudding 32
Results from radio programs, based on
sales, 7f tails, surveys, long runs and the
growth of the business itself.
Johnny On the Spot 36 Hri
If you use spot announcements, you'll be
interested in the news, reviews and tips
in this department.
Trends 37
A rating of program patterns based on a
special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
The Readers Write 38
Letters from radio and businessmen.
RADIO SHOWMANSHIP
I
ports Sell Suits
By MAX YANDT, Missoula Clothing Merchant,
Whose Story Is Based on Seven Years of Radio
I handled the broadcasts
myself, not that this is es-
sential to profitable radio
advertising. It happens that I have had a
broad background in sports, and after taking
to go on the
air, and until
w^e'll stay on
in a business
its advertising dol-
But I know what
Seven years ago we decided
air. Today, we're still on the
something better comes along,
the air.
That's bold talk for a man
field that spends most of
lars in another medium.
radio can do.
For seven years, radio has carried the
major portion of our advertising appropria-
tion, and, believe me, it pays! When we first
tried radio, we didn't just get our feet wet
but plunged in head first.
We decided to concentrate everything on a
sports program — everything because sports
broadcasts cannot be promoted half-hearted-
ly. Your store must become a sports center,
your windows, your interior display, your
supplementary advertising must take on a
sports atmosphere. Your personnel must be
sports minded, able to discuss sports intelli-
gently with anybody who walks into the store.
To better tie-up the show with the store,
JANUARY, 1941
an audition, I discovered that my voice was
acceptable.
By handling the broadcast myself, I feel
the program is personalized and comes closer
to our purpose of making people think of
Yandt's Men's Wear every time they hear
or see a sports event.
Our program, which is called Yandt's
Sports Slants, is aired daily except Sunday at
6:30 P.M., immediately following the news.
We find that this time is excellent for last
minute results of football, baseball, and other
important sport events. The news we carry
is carefully edited to insure no duplication of
the material in the evening paper. Coming as
it does at 6:30, it scoops the early editions of
the morning papers by many hours.
Direct results? On the broadcast, we invite
the listeners to visit us at the store and just
talk sports. No special inducements are offer-
ed. Yet hundreds have come — some just out
of curiosity, others for a chance to discuss
their favorite sports event. They all leave
as friends, and, in many cases, customers. We
have had some people come in from several
hundred miles away just to tell us they listen
to our program.
Good will? No sports event is too small to
receive a plug in our show. Juvenile and ama-
teur sports, as well as sandlot exhibitions, are
always mentioned and publicized. Whenever
a club or organization sponsors a sports
event, they always bring in their publicity to
us. They know we will be glad to publicize
any sports event of public interest. All this
keeps us in constant touch with every type of
organization!
We use two commericals on our sportscast,
one to open the program, and one fitted into
the center. Both are given by myself in the
first person:
Example: Good evening, sport fans.
This is Max Yandt, speaking again for
Yandt's Mens Wear, the friendly store
for men and women who buy for men.
So very often men drop in and say, "Let
me see that suit in the window," that we
sometimes fear they do not understand
that our show windows contain only a
mere smattering of what we have in the
store. Let this be a pointer, fellows, not
to stop at the "sideshow" but drop into
the "main-top" where we have simply
hundreds of new fall suits and topcoats.
You can depend upon it that our clothes
are made of the world's best fabrics ; the
linings and trimmings and styles are tops.
Pick out a Yearcraft suit and it will cost
you only 23.50. . . . A Silvertex and the
tax will be 29.50. . . . A Schoeneman
will cost you 35.00, and a handcrafted
Kuppenhiemer, an even forty bucks.
Whichever suit you select, you II have a
winner, and you'll feel and look like
one when you wear it. And
noiu for sports. . . .
You will note that the com-
mercials are carried out in
typical sport patter. They're in-
formal, friendly, and take full
advantage of the important fact
that they are given by a person-
ality connected with the store
rather than a regular announcer. We close
every broadcast with our slogan: "Whatever
a man wants for himself, or a woman wants
to buy for a man, Yandt's Men's Wear
has it, priced right with quality first always."
As you see, women are never passed by in
any of our commercials. This is good busi-
ness. For we find that more and more women
Firm believer in follow-through, never
doing anything halfway is rugged,
Rockne-browed Max Yandt, Vice-presi-
dent of Yandt's Men's Wear of Mis-
soula. Since first sponsoring a sports
show, seven years ago, sports enthusiast
and authority Yandt has built an excel-
lent wardrobe of sports clothes, feels
most at home iji them. He personally
writes major portion of his sports copy,
the rest is supplied by KGVO's sport
staff, the news teletype. His pride and
joy is three-year-old, tousle-haired Max,
Jr. Already the youngster has learned to
imitate papa's radio chatter, greets fam-
ily at dinner table with "Good evening,
sports fans, this is Max Yandt speaking."
are showing an interest in sports events, and
as a result, in sport programs.
Why all this emphasis on sports? To an-
swer this question requires a complete under-
standing of the men who buy our clothes.
The average man today is virtually deluged
with "reasons why" he should buy. There was
a time when each sales message (newspaper,
radio, direct mail, etc.) could obtain a re-
sponse, one way or another. Today, by the
very weight of their numbers, few get even
a chance.
The potential customer has built up an
"armor" that resists all sales messages, good
or bad. But every Achilles must have a heel,
and the modern man's weakness is his love of
sports. By using radio to appeal to his love
of sports, by talking of things that he likes
to talk about, his language, his interests, you
can break down his resistance.
Thus, your sales story can not only be told,
but also be heard!
RADIO SHOWMANSHIP
^.
en Best Sellers
The purpose of all commercials is to awaken an an-
ticipated experience through the ear to the mind of
the listener-buyer.
To achieve this purpose, the commercial must at-
tract attention — pleasant attention.
It must convey some fact of immediate interest to
the listener so he will take the time to listen and un-
derstand. It must create a desire to act.
Before writing any commercial, ask yourself "Why
should those who listen buy what I describe?'' Then
answer in writing, "Because. . . ." List as many "be-
causes" as you can. Do this and you produce a com-
mercial that will produce results.
Every commercial should somehow pay the listener
for his time — the time he takes to listen.
Plan your commercial copy so it will be remember-
ed. It's the memory value of a commercial that makes
it profitable, because only a few people are in the
mood to buy or have the money to buy at the time your
commercial reaches their ears.
You can persuade if you are unafraid. When you
believe in the value of what you are commercially
advertising over the air, you will produce a commer-
cial that engenders buying impulses.
Loquaciousness bespeaks a vacant mind. Being
verbose or wordy repels rather than attracts the buyer.
Verbs make the potent commercial. Too many com-
mercials are made up of nouns and adjectives and not
enough verbs. Verbs suggest action and impel action
because they carry conviction. Headline writers in
magazines and newspapers make use of verbs to intrigue
reader interest. Put at least one strong, forceful verb
in every sentence of your commercial. Note the inter-
est it arouses, even in yourself. Verbs are the gold
nuggets of the sales language. Cultivate the verb habit.
Positive statements make potent commercials. The
average commercials contains negatives such as "Don't
forget. . . . Don't buy until. . . . Don't miss this. . . .
etc." Positives suggest and impel action because they
convey doing. Put strong, positive statements in every
sentence of your copy. Successful businessmen think,
act and speak positive.
JANUARY, 1941
Pioneer broodcaster^ lecturer,
oufhor ond globe-trotter is Col-
onel B. J, Poimer, who formuiot-
ed the precepts for good com-
mercial copy presented on this
poge. Mony yeors ago, when he
first Qn\erc6 the then new radio
field, he sow a need for a set of
stondords by which he, his sales-
men ond the businessmen who
purchased Hme on his station,
could guide themselves in pre-
paring a message oddr^sed to
the public. The common-sense
ond vision which guided his writ-
ing hove stood the test of time;
today, commercial copy written
on the some principals as advo-
cated in Colonel Palmer's note to
his soles force, is selling mer-
chandise for olert sponsors every-
where. . . . Colonel Palmer is
president of the broadcasting
componies that own ond operote
WHO, in X>e% Moines, Iowa, ond
woe, in Davenport.
IL
aundry Sales Thru the Air
By A. WESLEY NEWBY, President Newby, Peron S. Flitcraft,
Advertising Agents for the Quality Laundry Co., Chicago, 111.
There are In Chicago over 270 laundries,
and a reasonable percentage of them are out
plugging hard for business. Just like the
restaurant merchandising idea of several
years ago, "All you can eat for 65c" — Chi-
cago laundries had a big flurry recently of-
fering "All the washing you can send in your
laundry bag for $1.00."
Because the public responded too well, re-
strictions had to be imposed. This, in turn,
dulled the effectiveness of the idea and this
type of advertising gradually tapered off.
At this point we were invited to handle
the advertising of the Quality Wet Wash
Laundry Company, established over 30
years, and one of the leading laundries in
Chicago. Quality employs more than 240
employees who work in a modern daylight
plant. They serve over 8,000 families weekly.
Switching is one of the bug-a-boos of the
laundry industry and the recent $1.00 bundle
offers had intensified "switching" more than
ever. We realized that to attract business
something really sensational had to be done.
A very fine opportunity presented itself.
Sparks-Withington Co., of Jackson, Michi-
gan, makers of the Sparton musical air horn,
designed a horn that "played" the musical
notes of the well-known nursery rhyme and
song, "This is the way we wash your clothes."
It was a natural! A deal was made with
the Sparks-Withington Co. for the exclusive
use of this musical theme for this territory.
Each of the "Q's" 50 trucks (the laundry
has established its name as the "Q") was
equipped with one of the musical horns.
Wherever they went they invariably attract-
ed favorable attention.
Now comes the important tie-up. Spot an
nouncements were contracted for. The intro
duction was an actual reproduction of the
musical, horn, followed by the announcer
singing, "Here is the 'Q' (cue) to wash
your clothes." This was followed by a com-
mercial featuring two laundry offers. The
radio campaign broke on WGN. Then new
transcriptions were prepared in which
dramatized commercial tied up with the
musical horn. Stations WIND and WAAF
were added. Many spots during the morning
were used. Thus the housewife kept on hear-
ing "Q's" musical horn in her home, as well
as when she went outdoors.
THIS
10
RADIO SHOWM ANSH IP
Missouri-born agency executive A.
Wesley Newby stepped into the merchan-
dising field via the Chicago Herald-Ex-
aminer advertising department, combined
with associates Herbert Peron and Eu-
gene Flitcraft four years ago. NP&F
now handles such big time accounts as
Associated Grocery Industry Council,
Distillers Philip Blum ^ Co., Winston
Tobacco Company, Bismarck Brewery,
and many others. Big, enthusiastic, keen-
minded adman Newby celebrated his
sixth wedding anniversary just last
month, owns a buff-coated cocker spaniel
called Taffy, plays golf in the plus
eighties. Although he boasts of no hobby
of his own, Neivby collects post-mark
cancellations on behalf of a friend, enjoys
the collecting as much as the complete
hobby. For next month's issue, he is pre-
paring an unusual radio promotion story
concerning Chicago's independent grocers.
The results of this radio campaign proved
a greater business stimulator than any others
which this aggressive firm has used in the
past. The spots still continue v^^ith gratifying
results. Quality Laundry's advertising
appropriation is $25,000 per year, which is
composed of $4,200 for billboards, $10,000
for newspapers, $7,500 for radio and $3,300
for direct mail and miscellaneous.
In conjunction with radio, three inch ad-
vertisements were used in the Daily News
and Tribune (Women's page) and Times
(R.O.P.). Contrary to average laundry ad-
vertising in Chicago which usually appears
once a week, these advertisements were
scheduled three times weekly in each paper.
The copy and layout were styled entirely dif-
ferently from any other laundry advertiser's.
Jack and Gordon Gibbons, owners of the
"Q" laundry, are keenly responsive to new
ideas. They like to chart new ways of pre-
senting their services to the public, whether
it is radio, newspapers, direct mail or out-
door. Working for clients like these makes the
advertising agency's problem much simpler
and its task becomes a real pleasure.
There is no doubt that radio can do a good
job for a laundry. But the laundry owner
must not get the idea that "going on the air"
is as simple as going out for a walk. A great
deal of preparation and planning is essential,
and if that has been conscientiously done, the
reward should be fairly certain.
^ WATi7~ YOUR noT""^^
IJANUARY, 1941
11
d^ New Slant on lTe"ws
Re-writing News Releases Into Folksy Patter Pays, Writes
TOD WILLIAMS, Advertising Manager, Atwood Coffee Co.
Three and a half years
ago it was my privilege
to introduce a new kind
of morning newscast on
Twin City radio station
WTCN.
When this idea was
first proposed, seasoned
radio men shook their heads tolerantly. Agen-
cy men pronounced it clever but unworkable.
Only the faith of the sponsor made it possi-
ble.
Since that initial program, roughly 1,000
mornings ago, my home and social life has
been reduced to shambles because after due
experimenting, it was found that I required
a minimum of two-and-a-half hours of prep-
aration to prepare copy for the air. Inas-
much as we sound off at 7:45 A.M. six days
each week, I must be in the studio promptly
at five.
At this point the question naturally rises:
"Why this lengthy preparation?"
In our case, it was borne of necessity. And
now its success precludes any thought of let-
down.
Our necessity was occasioned by the fact
that tAvo other Twin City stations had well-
established morning news programs. Our
sponsor wanted a similar program. Ergo:
We would have to capture some of the other
fellow's audience by doing tricks ; being un-
usual.
Prior to presentation of the idea, we spent
months in analyzing news programs. After
the rough idea was blocked out, we spent
more days cutting test transcriptions. Station
authorities, agency representatives and the
sponsor went into one huddle after another.
From these conferences came reams of sug-
gestions.
Finally, it was decided that the time had
come to give the public a chance to approve
or disapprove. We went on the air.
Now the premise of the whole program is
to make it a newspaper.
What do we mean by that?
Just this: A newspaper contains more than
the latest bulletins from Washington and
abroad. A daily paper, in addition to straight
news, has feature stories, an editorial page,
letters to the editor, a "woman's page,"
sports, comics and advertisements.
So does this program.
While news continues to be the high light
of the quarter-hour, approximately 20% of
the time is allocated to these other features.
More important, we bear down heavily on
local news. We have demonstrated that the
average listener would rather know that
neighbor Joe Doakes had an accident and was
sent to the hospital with a broken leg, or that
sixteen families were driven from a nearby
tenement into the night by a fire, than the
latest didos of the Axis Powers.
Further than that, and the reason for my
hours of preparation, is that this program is
completely rewritten for radio presentation.
Not one line is used "as is" from the news-
paper or teletype.
Take the average newspaper story of an
accident:
Joe Smith, 69 Oomph Avenue, and Bill Jones,
432 Blah Street, were injured when their cars col-
lided at the intersection of Main and Broadway at
2 A.M.
Now, if you were telling me about that ac-
cident, you wouldn't use that kind of lan-
guage. Not by a jugfuU. It's visual copy,
written for the eye and not for the ear.
Yet nine newscasters out of ten will read
a story like this verbatim and believe that
listeners are going to follow word for word.
Not according to our experience.
Our version would be informal, conversa-
tional. Something like this:
"They certainly had a beaner of a smashup at
Broadway and Main this morning. About two
o'clock, Joe Smith, who lives at 69 Oomph Ave-
nue, buzzed up to the intersection. So did Bill
Jones of 432 Blah Street. Came then the crash.
Residents for six blocks around were startled out
of their slumbers by the sound of the collision.
An ambulance from Mercy hospital was called,
and both victims were taken away. Doctors say
both are in serious condition, but will pull
through."
12
RADIO SHOWMANSH IP |
Below: Atwood salesmen,
on the alert for merchan-
dising tie-ins at the point-
of-sale, distributed time
change placards (illustrated
below), arranged coffee-can
background for announce-
ment of new program
time. Latest program bal-
lyhoo: A letter insert, in-
cluded with all mail leav-
ing the Atwood office. It
reads: "Keep up with the
world. Listen to the North-
west's most popular morn-
ing newscast." Time and
station.
FRiS
COFF
each ^noi-
Biioo'
PRESH
COFFtE
PRfSH:
COFFEE
COFFEE
m§o^
COFFEE
Above: More important than the
show itself is the fine, all-
around merchandising plan that
surrounds Atwood's morning
news. Although the program is
the base, the merchandising is
the peak; the direct, day-to-day
contact that keeps grocers aware
of the program and what it is
doing on their behalf. Each
morning, for example, Broad-
caster Williams gives a market
report on fresh fruit and vege-
tables, what's available at the
city markets, what's in season,
what's arrived, what's priced
right. Thus the housewife and
the grocer learn what to buy,
what to feature.
Above: William W. Wieder,
at present the president of
the Minneapolis Retail Grocers
Association, and operator of one
of the largest independent food
markets, is shown holding one
of the blackboards distributed
by Atwood. Said Grocer Wieder:
"I always pick up the Atwood
program on my store radio.
When Williams mentions the
daily specials, I put them down
on the blackboard; I know my
customers will come in and
ask for them."
JANUARY, 1941
13
Further, we judiciously employ the use of
colloquialism. To us a jail can be a "clink,"
"bastile," or "hokey-poke." Police officers are
"The Law," "gendarmes," or just plain
"cops." The one thing to bear in mind in con-
nection with the use of slang terms in radio
is that they should be used as sparingly as
salt in a cake. Too much can spoil the bat-
ter. None leaves the taste flat.
Our "woman's page" consists of a market
report which is provided by the largest fruit
and vegetable distributor in the city. Each
morning, he calls with the information as to
the best fruit and vegetable buy of the day.
Tied to this is a recommendation for its use,
or a recipe. If, for example, the market is
loaded with grapefruit, we plug it and then
suggest that the listening housewife serve
baked grapefruit. We follow with a concise
recipe for its preparation.
A home economist prepares recipes in ad-
vance. These are kept looseleaf, and as the
various fruits and vegetables appear they can
be incorporated into the program readily.
To merchandise this feature of the pro-
gram, we had a series of small blackboards
prepared. Across the top is a headline, "The
Atwood Radio News Recommends Today's
Best Buys." Then, there is plenty of space
for the grocer to chalk in the items and the
prices. On the bottom of the card is a repro-
duction of our coffee can and a price spot.
These blackboards have been installed over
the fruit and vegetable bins throughout the
territory. Grocers are eager to have them
put up. What's more, they listen to the pro-
gram themselves so they'll be ready to serve
the women who come and ask for "today's
special."
Through the cooperation of the leading
film producers, advance showings of all the
top pictures are scrutinized. On the day that
a picture opens in the "loop," it gets a send-
off. A movie is never criticized. The exhibitor
is in business to make money just as we are.
There's no use condemning his show if we
don't happen to like it. Better to say nothing
than to carp.
The "comics" are embodied in the tagline.
We sign off each day by saying:
"And that's about all for
today except for this:" (and
then pop with some pert say-
ing, for example) "the big-
gest mystery to a married man
is what a bachelor does with
his money."
Time and temperature
are given every two min-
utes or as close thereto as
possible. I admit that fre-
quently a long story can-
To chubby-cheeked, broiun-haired ad
manager Miles Tod Williams, newswrit-
ing is no new venture. Six years ago he
was with the old Minneapolis Journal,
left the Fourth Estate to join the Hutch-
inson Advertising Company, agents for
Pillsbury Flour, other big-time accounts.
The Hutchinson-to-Atwood switch took
place last year, gave Williams a chance
to show his wares and concentrate his
merchandising ideas on a single product,
an opportunity to learn the fine art of
coffee-tasting from Atwood's husky, pub-
licity-shy president, veteran coffee con-
noisseur W. W. fVilcox. Thirty-five year
old newscaster Williams has been in
front of a microphone off and on since
his agency days, takes no voice lessons,
teaches himself by listening to network
experts. He has two children, Gregory,
14 years old, and Virginia, 11. On Octo-
ber next he and Mrs. Williams will cele-
brate 16 years of ivedded bliss. Addicted
to tweedsy suits, brown brogue shoes,
pudding desserts, Williams wakes at 4:10
A.M. daily except Sunday, shuts off the
alarm clock (which is set for 4:20),
drives to studio (12 minutes) to prepare
script from INS despatches as they come
off teletype at WTCN. Three hours
later he goes on the air with his version
of the news. By 8:30 he's at his desk at
Atwood's enjoying his second cup of
morning coffee. For diversion: Oil paint-
ing.
not be successfully interrupted for this
service, but the frequency of this feature is
important.
Above all, emphasis is laid on keeping the
commercial copy short and interesting. Too
many advertisers feel that they must clutter
up their program with talk about the prod-
uct. Many local shows have been clocked,
using from three to five minutes in a quarter-
hour period to "sell the stuff."
We lean just as heavily the other way. In-
cluding the opening announcement (10 words)
through the close (14 words) we insist on a
maximum of 50 seconds.
C/r/> The one short plug for the
product is put in the middle
of the program, and I de-
liver that myself.
Does it sell Atwood's
Coffee? You can bet your
sweet life it does!
(Continued on page 38)
14
RADIO SHOWMANSH IP
^i
ake a Tip From the Latins
By ELMER WHEELER, of the Tested Selling Institute, Who
Discusses the Value of Emotional Appeal in Advertising Copy
Ix Old Mexico, recently,
I learned about showman-
ship in selling by appealing
to the emotions. The Latin
sells with his heart. He
romances about whatever
he offers. He may touch
your desires, your fancy,
your sentiment, your love
(depending on his product), but always he
blends the emotional with the practical. And
this double appeal gets you. It is showman-
ship. It is profitable.
For example, as I was rushing out of a
Mexico City hotel, a small-sized man held
up a gardenia and said, "Buy it, senor ; it
will make you feel important all day long!"
I almost sprained my ankle twisting around
to buy it when the full significance of the sen-
tence struck me. I had several important calls
to make, and I certainly did want to feel im-
portant. Fifty centavos! What a small price
to pay for a full day's importance.
Take a tip from the Latin! Give your
radio commercial the same emotional appeal,
blended with the factual. It's simple.
Back in the States a radio program, giving
emotional names to certain dresses, increased
the dream appeal — and pulled an astonishing
number of people into a department store.
Such names as Pris cilia Model, Duchess of
Windsor ^lodel, and Ginger Rogers Alodel
brought hundreds of customers who hoped
to absorb some of the glamour of these fa-
mous women by wearing dresses named for
them.
You can apply the same principle to any
product you are trying to sell, and success is
bound to be yours.
A man recently climbed onto the narrow
ledge of a New York hotel, eighteen stories
above the street, ready to leap to his death.
A secretary in a nearby office screamed.
The man hesitated. People rushed to win-
dows all around. For over an hour they
pleaded with him not to jump. A fireman told
him to get back. A minister reminded him
that suicide was against his religion. The cops
shouted, "Get off that ledge — wanna get kill-
ed!"
Then a young lady in my office was called
to the scene. She tested sentences on him.
"Shall I get you a cup of coffee?" didn't
work. Neither did the suggestion of a glass
of wine.
Finally, she cried, "You look silly on that
ledge ! Get down before your wife sees you
making a fool of yourself!"
The would-be suicide got down, touched at
that most vulnerable point — his vanity.
It was front-page news that a few sen-
tences decided this matter of life and death.
Yet every day without fanfare the radio pro-
grams of this country are helping to decide
the life and death of various businesses.
For a live, profit-making program, it will
pay you to study the basic, emotional motives
(such as vanity in the preceding incident) ;
then make your sales appeal directly to
them — soundly, forcefully, and with precision.
What makes people buy? What makes
good radio programs sell? Everyone in the
office knows the numerals on the safe dial.
Only a few know the combination of those
numbers that will unlock the safe and reveal
the riches therein. Likewise, every radio
sponsor knows the many "sizzles" of his
products or services, but what he often does
not know is the right combination of selling
words and ideas to make people respond to
his sales massages.
For example, we have repeatedly stressed
the importance of brevity and the unusual —
of getting "ten-second attention." In this re-
spect, you are just like your prospects:
As you go to work, your mind is miles
away. Automatically you tip your hat, sub-
consciously you dodge a car, and instinctively
you get through traffic. You are awake — yet
sound asleep mentally!
For effective radio selling, you must learn
the secret of getting words into the listeners'
consciousness — by the haze and past the
JANUARY, 1941
15
f
daze — for he may be listening with his mind
miles away and not hear a word that is said.
Too many radio programs today are mo-
notonously similar. They lack the "sizzle" it
takes to rise above the average and to secure
and hold the favorable attention of listeners.
Go to work on some startling but true "daze
crashers" to penetrate people's minds — to turn
that faraway look into one of keen attention.
How?
Play for the emotions and shoot straight
for the heart!
The heart is closer to the pocketbook than
the head. Logic and factual appeals are fine,
but most products sell faster when pushed
by a strong emotional appeal.
16
RADIO SHOWMANSHIP
Here are three basic buying motives to
keep in mind when planning a radio program.
1. SELF-PRESERVATION. People need
food, clothing, and shelter for themselves be-
fore they can think of other people and other
things. The strongest and oldest instinct is
"Look out for Number One first."
2. ROMANCE. After people have food,
clothing and shelter, their thoughts turn to
leisure and to romance. Romance includes
not only sex but also adventure, travel, fash-
ionable clothes and accessories, attractive
homes and furnishings, motor cars, and all
the other aids to comfort and happiness.
3. MONEY. People will buy products or
services that will help them make more money
or show them how to save money.
There are many other supplementary buy-
ing motives, but the 105,000 word combina-
tions in our library indicate that 85% of all
sales can be made by appealing to these three
basic buying motives.
So fashion your ideas and words to pro-
ceed past the prospect's mind with its cold
reasoning, past his efforts to be strictly logi-
cal; go deep into his heart and move his basic
buying urges emotionally.
Remember, fear and desire are the forces
which motivate most people. Men fear de-
clining virility and health ; women fear signs
of age. On this basis, both will respond to all
sorts of drugs, cosmetics, health lamps and
other apparatus, as well as the lure of climate
and vacation trips where youth and health are
plentiful.
Desiring to end money worries and become
financially secure, people will be interested
in whatever promises to increase their pro-
ductivity, save time, make them go-getters.
They will invest in stocks, bonds, insurance
or gold bricks, as well as all the personality-
and confidence-builders on the market if they
play on man's inherent desire to get ahead.
Whether you are planning a new radio
program or remodeling an old one, bear in
mind that people buy not from cold logie but
from emotional appeal. Consider the three
basic buying motives and direct your com-
mercials straight at them. Penetrate the half-
listener's mind with a swift "daze crasher"
that gets attention and holds it. Deal in
dreams that are attainable, in romance that
is \\athin every listener's reach. In other
words, give every listener what he most de-
sires in life, and what he most desires may
often turn out to your product.
JANUARY, 1 941
17
Fifth CDlumn Activities in Australia Are Built
Into a Series of Dramatic Transcribed Programs
There's drama in the headlines !
The movies found that out long
ago, and such stirring photoplays as
Escape and The Mortal Storm are
merely celluloid reproductions of
the great conflict across the sea. And
now radio follows suit.
There are headlines in The Enemy
Within, a dramatic new series of
transcribed radio programs. The
series deals with Fifth Column ac-
tivities, points out how undercover
espionage actually worked in Aus-
tralia, shows how the Anzac Secret
Service smashed the spy ring in that
country. If that isn't news, then
news has lost its importance, and
headlines don't mean anything.
The Enemy Within was first pro-
duced in Australia, with an all-
English cast. The Australian Secret
Service, a branch of the regular
Army, cooperated in its preparation
and supplied most of the details and
facts around which the series was
built. Then the Board of Radio
Censors passed on the story before
it was permitted to be released, for
they wanted no facts on which the
Secret Service was working to be
released until it was practical to
do so.
The program was sold immedi-
ately for sponsorship to the Doug-
las Drug Company and broadcast
over 37 Australian stations. Con-
tract was for 52 times, but after
seven or eight broadcasts, it was
extended to 90 programs, subse-
quently increased to a 208-time
schedule, and present indications
point to its being continued indefi-
nitely because of public demand.
Arrangements were made for
United States and Canadian distri-
bution through Kasper-Gordon, Inc.,
syndicated transcription company.
Publicity was released to all radio
stations and important radio adver-
tising agencies. But, at first, the
series didn't sell. After hearing audi-
tion samples, prospective sponsors
agreed the show was superbly done,
and everything in it was worthwhile,
but they were afraid some people
might take offense at exposes of
sabotage and espionage.
Jack Barton, president of Bar-
ton Dry Cleaners, had no such
fears. Located in the heart of a sec-
tion containing about 70% foreign
born inhabitants (Youngstown,
Ohio), he signed for the series as a
test, promptly renewed after the
series got under way over station
WKBN. A canvass of 1,000 people
proved that from 35% to 50%
knew the show and listened to it,
and could name the sponsor. Bar-
ton, who keys his advertising to
up-to-the-minute events, backed the
program with a three column-full
advertisement in the Youngstown
newspapers, showing pictures of
himself and executives of WKBN
signing the first commercial contract
in the United States on The Enemy
Within. He invited people to listen
to this dramatic expose of Fifth
Column activities, then tied up with
Barton Cleaners, The Friend
Within, and went on with the story
of his company and services. Other
ads followed, and Barton's dry |
18
RADIO SHOWMANSHIP
Please Show Unh
Copy^ of
J\aalo Sttowman^nlp
M
ag.azine
to Cach of y[out
Station Salesmen
'I
.OIMC IS T«5 f
Can you visualize the effect of a message lik^
this from you to your cHents and prospectsi
"We have long felt that you, a local Inisinei
man, would like to know what others in yoUr^
same field throughout the country are dot
in radio . . . what methods they are using
get sales through the air. This magazine
devoted to the transmission of these i
plans and promotions and we have taken the
privilege of subscribing to it for you.
"We sincerely hope you will find some of the
tried and tested merchandising ideas set
forth in these pages adaptable to your busi-
ness. If they give you the spark of an idedri
let our staff assist you in developing it into\
a sound radio advertising campaigns Discus- 1
sion can he had at your convenience. No\
obligation, of course.''
5Elt LOCAL rtAVi
Fifteen cents per copy sends this educational, sales-stimulating,
brilliantly edited magazine to a selected list of men in your town.
Every month your clients, your salesmen's prospects, the advertising
agencies in your community will have you to thank for their copy of
Radio Showmanship magazine. Your station insert (four pages) will
be bound into every copy mailed by us to your city.
The price ( 1 5 cents) covers cost of mailing, stamps, wrapping, address-
ing, binding your insert into the center of the magazine ... in other
words, the magazine complete — delivered to whomever you wish.
(The insert is your own to do with as you please; you make it up, you
print it, you mail it to us. We bind one into every magazine mailed to
your city.)
In addition, your salesmen receive at their home the RS Sellogram
every month ... a salesman's guide to better selling through the pages
of Showmanship.
The overwhelming acceptance of Radio Showmanship after only five
months of publishing is proof in itself of the effectiveness of the maga-
zine. . . . Your station cannot afford to be without it! Because Radio
Showmanship is exclusive with one station in a town, why not fill out
the enclosed self-addressed postcard today? Your salesmen will appre-
ciate this extra selling aid you give them . . . your clients and prospects
will appreciate receiving the magazine.
On the Next Page You Will Find a Partial List of the
Stations Already Using Radio Showmanship Magazine
THES^ ARE SOME OF THE STATIONS
NOW USING RADIO SHOWMANSHIP
KDYL
Salt Lake City, Utah
KMO
Taconm, Wetshmgton
KOA
Denver, Colorado
KROW
Oakland, Calif,
KFJZ
Fort Worth, Texas
WEBC
WFBR
WFIL
Duluth, Minn,
Baltimore,. Md.
Ptitladetphia, Pa,
WHB
Kansas City, Mo,
WIIK-WCLE
Cleveland, Ohio
WHN
NewYork,N.Y,
WIND
WLAP
Chicago, 111.
Lexington, Ky,
WTCN
Minneapolis, Minn
KDLR
Devils Lake, N. D.
WBLK
Clarksburg, W. Va.
WXYZ
WSPD
WAGA
Detroit, Mich.
Toledo, Ohio
Atlanta, Ga.
WEMP
Milwaukee, Wis.
WCOP
Boston, Mass.
WCHS
Charleston, W. Va.
WPAR
Parkershurg, W. Va.
WSAZ
Huntington, W. Va.
WOOD-WASH
Grand Rapids, Mich.
KOL
Seattle, Washington
KFJM
Grand Forks, N. D.
KLPM
KRMC
Jamestown, N. D.
WWVA
Wheeling, W. Va.
WLOK
WHIZ
Lima, Ohio |
Zanesville, Ohio
WMMN
Fairmont, W. Va.
WLEU
Erie, Pennsylvania
KTUL
WGR
Tulsa, Oklahoma
KTSW
Buffalo, N. Y.
Emporia, Kansas
KOMA
Oklahoma City, Okla. " \
WBRC
Birmingham, Ala.
WGRC
Louisville, Ky.
WORC
KVFD
Worcester, Mass.
Fort Dodge, Iowa
Minot, N. D.
Radio SnowMANsmp Magazine Is Exclusive With One Station in a Gity.
Give Your Salesmen This Extra Lift . . .
M.ail the Cnclo^ea PoHcata uoaay.
cleaning business increased. When 35% to
50% of listeners contacted state they hear the
program and can name the sponsor, the rea-
son for increase in business is obvious.
Then KFWB, Hollywood, the
Warner Brothers station, took
the show under its wing and set out
to find a sponsor. Di-Mon-Glo-
Wax Products took the series after
KFWB had broadcast four episodes
as a sustainer.
That The Enemy Within offers
unusual radio fare for American
listeners is unquestionable, for the average
American citizen, while aware of Fifth Col-
umn activities in this country, doesn't know
how they operate, what goes on, how it af-
fects him, but he is interested.
Because it is timely and topical, the series
requires little or no merchandising tie-ups.
Publicity and promotion in newspapers and
by direct mail will create an immediate audi-
ence.
Suggested premium to be used to check
audience response for the programs is a copy
of the Constitution of the United States,
bound in book form, available at 10c each
from the government printing office in Wash-
ington, D. C, published a short time ago in
celebration of the Sesqui-Centennial anniver-
sary of the signing and adoption of the Con-
stitution.
In addition. The Enemy Within
is now being published in book
form, and this book will be avail-
able for use as a merchandising tie-
up and premium. It will cost about
75c per copy, including mailing and
packaging. Sponsors may offer the
book for a certain number of labels,
wrappers, or sales slips plus 75c, and thus
make the book a self-liquidating item. Many
requests for the book have already been re-
ceived by the Australian sponsor.
AIR FAX: 117 transcribed episodes arc now complete-
ly recorded and ready for delivery. Minimum con-
tract, 65 episodes. Sufficient time allowed for com-
mercials. No ASCAP music in the series. Sponsors
and stations must be prepared for English accent as
the entire program series was produced in Australia
with the cooperation of the Australian Secret Service.
Because of the limited number of samples, Kasper-
Gordon has been forced to restrict length of time
during which inquirers may hold audition discs. Ad-
dress all inquiries to Kasper-Gordon, Inc., 140 Boyl-
ston Street, Boston, Mass.
Both Sponsor Barton in Youngstown (O.) and Sponsor
Di-Mon-Glo in Los Angeles use newspaper copy to
herald the airing of The Enemy Within. Particularly
suited to newspaper ballyhoo is this unusual dramatiza-
tion of espionage agents and their sinister methods of
operation; it ties in perfectly with the blaring headlines
on the same subject sure to be on the front pages of
the same newspapers. This grim association assured for
both sponsors an unusually large listening audience
right from the very start of the series.
nmn'tcr
WKBN 510KC
SUNDAYS andTUESDAYS lO RM.
K KFWB i:
MON. thru THURS.
"THE ENEMY | ^
WITHIN"
I ThrUUng! I
^ Stirringt ^
Dramatic!
B
TRUE!
Sponsored by
DI-MON-GLO
B
i:«dLiii:ii^-M*i:€<
JANUARY, 1 941
23
WHAT THE PROGRAM DID FOR MEi
This is the businessman's own department. Here, the advertisers of the nation exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 11th at Glenwood, Minneapolis, Minn.
Churches
FIRST CONGREGATIONAL CHURCH
"The First Congregational Church in
Battle Creek began broadcasting its Sunday
morning service in September, 1930, and has
been continuously on the air each Sunday
since that time with the exception of the
Sundays during July and August. This is the
oldest continued broadcast by the local radio
station.
"Better than half the cost of the broadcast-
ing is met by contributions from church mem-
bers and church groups. Non-church people
are not habitual givers, and consequently,
only a few members of the radio church
send in contributions. These are rarely for
more than one dollar. Nevertheless, during
the darkest days of the depression when
church income fell below the barest run-
ning expenses, we never failed to meet the
cost of each radio broadcast through con-
tributions.
"Of the many ways in which our seven-
day-a-week church serves this community, I
place near the top the good done by radio
broadcasting. One of my favorite expressions
about the Sunday morning broadcast is that
'My good friend, Mike, is the best home
missionary pastor that the church ever em-
ployed!*
"Radio broadcasting is like the poem which
begins, 'I shot an arrow into the air.' We
never can know the thousands of homes
reached. So frequently we are rewarded by
knowing that an arrow has reached home that
we go before our radio church with the same
enthusiasm and high expectation with which
we face a church congregation."
Carleton Brooks Miller
Minister
First Congregational Church
Battle Creek, Mich.
AIR FAX: Beneficial effects of radio broadcasting as
outlined by the Rev. Miller: 1) Non-church goers
learn about the church, its mission, are attracted to
attend. 2) Members of other churches appreciate
service when unable to attend church. 3) Regular
church members can listen when unable to attend.
4) Old people who are ill are not deprived of church
service. 5) People in institutions (hospitals, con-
valescetit homes, old people's homes) gather 'round
the radio in groups regularly. 6) Families having no
church affiliation call on the rddio minister in time
of serious trouble.
First Broadcast: September, 1930.
Broadcast Schedule: Sunday, 10:45-12:00 noon.
Preceded By: Southernaires (NBC).
Followed By: Children's Theater (Michigan net-
work).
Sponsor: First Congregational Church.
Station: WELL, Battle Creek, Mich.
Power: 250 watts.
Population: 47,000.
Drug Products
YE OLD STANBACKER 'This program
has been used on station WBRC in Birming-
ham, Ala., since September, 1936. Because of
its popularity both with consumers and deal-
ers in the Birmingham area, it has run con-
sistently without interruption. This consisten-
cy has, of course, reflected favorably on our
sales in that section."
T. J. Mathews
District Manager
Stanback Company, Ltd.
Salisbury, N. C.
AIR FAX: Swinging off with Tommy Dorsey's "I'm
Getting Sentimental Over You," this show plays
hot dance recordings in response to mail requests.
Ye Old Stanbacker slips in a subtle statement that
all letters containing a STANBACK envelope will be
given preference. Mail pull: 50 daily letters. Occa-
sional give-away of tickets for theater, public events
pull as many as 500 letters per day. Most recent
offer: tickets to rodeo for identifying mystery tune.
In a recent telephone survey of 21,000 calls put
through, program polled nine out of ten listeners.
First Broadcast: September 27, 1936.
Broadcast Schedule: Daily, 12:30-12:45 P.M.
Preceded By: Musical Galleries.
Followed By: Hal Burns Crossroads Varieties.
Competition: Rhythm Four, Farm & Family Forum.
Sponsor: Stanback Company Limited (makers of
headache powders), Salisbury, N. C.
Station: WBRC, Birmingham, Ala.
Power: 5,000 watts.
Population: 259,678.
COMMENT: A program doesn't have to be
complicated, elaborate, expensive to succeed.
Find a show that has a wide appeal, stick
with it, and watch the sales go up!
24
RADIO SHOWM ANSH IP
Drug Products
HEALTH DISCOVERIES "From the first
broadcast, we received numerous inquiries
and several orders from druggists and health
food stores. Calwhey sales through jobbing
outlets and direct sales have increased over
800% during our first six months on the air,"
C. L. Neubert, M.D.
The C ahull ey Company
San Francisco, Calif.
AIR FAX: Dramatic conflict adds the punch in every
health discovery narrative. Writer-narrator Frank
Wright ranges his subjects from the Neanderthal
man's arthritis to the discovery of sulphanilamide.
Dealer good Avill is obtained and sales are upped
by mention in the commercials of concerns carrying
CALWHEY. Example: A leading San Francisco drug
concern reported a sales pick-up from 3 1/6 dozen
to five gross per month in a brief period.
Broadcast Schedule: Sunday, 4:00-4:15 P.M.
Preceded By: Show of the Week (MBS).
Followed By: Musical.
Competition: News, Prof. Puzzlewit.
Sponsor: Calwhey Company, makers of Calwhey
(aids intestinal ailments, high blood pressure, un-
derweight) .
Station: KFRC, San Francisco, Calif.
Power: 5,000 watts.
Population: 629,553 (1940).
Agency: Theodore H. Segall Advertising Agency.
COMMENT: If you can make your product
the subject of an entertaining radio program,
the sales value of your radio time will be im-
measurably increased. Health Discoveries
gives sponsor Calwhey an additional advan-
tage: In the public's mind, Calwhey is link-
ed with the brilliant health discoveries related
on the program.
Furs
SHOPPING CIRCLE "We have used the
Shopping Circle over KDKA for quite some
time. The program extended invitations to
many women to visit our factory and actually
see fur coats in production, as well as to
acquaint them with our fine quality furs.
"We feel this purpose has been accomplish-
ed to a great extent, particularly in the west-
ern part of the state and surrounding states.
The increased number of inquiries, as well
as sales, from that section of the country,
shows this program has many listeners who
are interested in Clearfield Furs."
S. K. Williams
President
Clearfield Taxidermy Co.
Clearfield, Pa.
AIR FAX: Employee representatives in many sur-
rounding towns make personal calls on prospects
obtained from the broadcasts. Capable Janet Ross
conducts a friendly, informal program on home fur-
nishing and decoration, fashions, shopping, travel.
parties. Frequent fillip is an interview with a visiting
celebrity or a review of an outstanding book.
Broadcast Schedule: Monday thru Friday, 9:00-9:15
A.M. (Clearfield Furs, every Tuesday.)
Preceded By: Ma Perkins (NBC dramatic serial).
Followed By: Linda's First Love.
Competition: Polly Malone; Yours Sincerely.
Sponsor: Clearfield Taxidermy Co. (manufacturing
furriers ) .
Station: KDKA, Pittsburgh, Pa.
Power: 50,000 watts.
Population: 665,384 (1940).
COMMENT: Located in a town with a popu-
lation of 10,000, Clearfield Taxidermy Co.
seeks big city volume by advertising on a big
city radio station. It's unusual, but it has suc-
ceeded!
Groceries
TONIGHT'S BEST BUYS "We first tested
our program on two stations in the spring of
1938. The idea blossomed into a definite
schedule of 15 Pacific Coast stations during
the fall and early winter of the same year,
and the scope was then increased to 22 sta-
tions in 1939 when a definite spring and fall
schedule was arranged.
"This year (1940) we have made even
greater use of these broadcasts, the daytime
shows running from March 28 through No-
vember 29, and the nighttime shows (Port-
land, San Francisco, and Los Angeles) con-
tinuing throughout the entire 52 weeks of
the year!
"Our opinion of the sales effectiveness of
these broadcasts is reflected in the steadily
increasing use we have made of them. More
factual is the record of returns received
through the stations as the result of merchan-
dising offers and contests conducted by us in
the last few years. These have been more
than gratifying.
"In the final analysis, Folger's Coffee
sales (and distribution) have been growing by
leaps and bounds since the broadcasts first
were aired. 1940 will see the largest total
volume of Folger^s Coffee sales in our 90-
year history!"
Porter F. Anderson
Advertising Manager
J. A. Folger & Co.
San Francisco, Calif.
AIR FAX: Stiff competition to the local newspaper's
classified want ad section is this novel audience
participation program. Anyone with anything to sell
may telephone the station. Operators receive the
calls, announcers relay the information to the radio
audience. Five-minute daytime counterpart is Today's
Best Buys for which sale information must be mailed
instead of telephoned.
Broadcast Schedule: Thursday, 5:30-5:45 P.M.
Preceded By: Bob Andersen.
Followed By: Bob Andersen; News.
JANUARY, 194
25
Competition: Bud Barton (NBC dramatic serial).
Sponsor: J. A. Folger 8C Co., makers of Folger
coffee.
Station: KSFO, San Francisco, Calif. (Others: KNX,
Los Angeles; KOIN, Portland. States covered: Cali-
fornia, Oregon, Washington, Idaho, Nevada, Ari-
zona.)
Power: 5,000 (KSFO).
Population: 629,553 (San Francisco).
COMMENT: The same person who reads the
newspapers listens to the radio. Often a test-
ed newspaper feature can easily be converted
into a successful radio program.
Tobaccos
TOBACCO MARKET BROADCASTS
"When we started the selling season for
1938-1939, we anticipated a loss in poundage
from the previous year of well over a million
pounds. This feeling was due to the early
crop as well as the effect of crop control.
"At the close of the season, we found that
we had lost only about two per cent, whereas
many markets were under from 15% to 20%.
We firmly believe that our use of radio was
the means of attaining this fine record, as
many producers commented to us personally
on our splendid daily and weekly programs."
William S. Mason
Secretary
Reidsville Tobacco Market
Reidsville, N. C.
AIR FAX: For complete story, see Proof O' the Pud-
ding, page 35.
Women's Wear
GRAYSON'S PRESENTS "We have used
the radio program, Grayson's Presents, for
the past five years and find that this type of
advertising has helped build up marvelous
good will and prestige for Grayson's in San
Antonio. Periodical check ups show results
extending to a 150-mile radius. Announce-
ments of special promotions that extend over
a period of time get excellent sales results.
"During the time this program has been
on the air, Grayson's have taken in addi-
tional space three times the original size of
the store in 1935 and continues to show great-
ly increased sales volume. Customers have in-
formed us they eagerly look forward to the
program. Written and oral comments have
been most favorable."
D. A. MacFarlane
Manager
Grayson's Shops, Inc.
San Antonio, Texas
AIR FAX: For complete story, see Proof O' the Pud-
ding, page 35.
YOURS
for the asking
ADDRESS RADIO SHOWMANSHIP
11th at Glenwood, Minneapolis, Minn.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, p. 32).
Beverages — Gaslights and Bustles (see
Oct. issue, pp. 73, 74).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Electric Appliances — Listen and Win (see
Dec. issue, p. 151).
Electric Appliances — Prof-it (see Sept.
issue, p. 28; Oct. issue, p. 65).
Flowers — An Orchid to You (see Sept
issue, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — The Carnival of Fun (see
Sept. issue, p. 27).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Imperial Interlude (see Nov.
issue, p. 107).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Men's Wear — Juster's Styles for Men
(see Sept. issue, p. 8).
Men's Wear — True Stories of the New
York State Police (see Dec. issue, pp.
150, 155).
Music Stores — Meet the Team (see Dec.
issue, p. 151).
Optometry — Good Morning, Neighbors
(see p. 35).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Adventures in Christmastree Grove (see
p. 98).
Betty and Bob (see Oct. issue, p. 53).
The Enemy Within (see p. 18).
Pinocchio (see Sept. issue, p. 11).
Ray Daughters Health Club (see Sept.
issue, p. 35).
Secret Agent K-7 (see Sept. issue, p.
35).
26
RADIO SHOWMANSHIP
^^SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Auto Supplies
FIGHT BROADCASTS Sliding into the new
year with a new promotion, Cyclone Auto
Supply Store (White Plains, N. Y.) is ap-
plying the installment plan to auto license
plates, offering the service to local auto own-
ers. On Friday, December 27, sportscaster
John Dillon announced the plan at his
CYCLONE-sponsored blow-by-blow description
of a special holiday boxing bout from the
Westchester County Center.
Proposal: Sponsor Cyclone Auto Supply
Stores of Westchester County will buy the
listeners' 1941 auto license tags for them, col-
lect the fee on a "time" basis during the year.
Twofold benefit to auto owners: 1) Avoid
standing in line to get license. 2) Ease the
*bite" of the lump payment demanded by the
New York Motor Vehicle Bureau.
AIR FAX: Cyclone Auto Supply Stores sponsor the
weekly blow-by-blow descriptions of the local box-
ing shows.
Broadcast Schedule: Tuesday, 9:45-11:00 P.M.
Preceded By: Organ Music.
Followed By: Dance Music.
Sponsor: Cyclone Auto Supply Stores.
Station: WFAS, White Plains, N. Y.
Power: 250 Watts.
Population: 35,830.
COMMENT: Offering an article on the in-
stallment plan with absolutely no direct profit
in view is definitely something new. Resultant
good will is not the only benefit for sponsor.
Patrons' regular payment calls acquaint them
with the stores, stimulate traffic.
\\
Bakeries
KIDDIES KLUB Tops in commercial pro-
grams is one that securely ties in sponsor's
product with body of show. Noteworthy, then,
is Log Cabin Bakery's program. Kiddies
Klub, aired once weekly over station KHSL.
Originating on Saturday afternoons from the
JANUARY, 194 1
Stage of the Senator Theatre (Chico, Calif.),
program centers around apple-bobbing, Log
Cabin pie-eating, other kid contests, plus
amateur singing, acting, playing, etc. Birth
dates of Kiddies Klub members are cele-
brated with presentation of Log Cabin cakes.
Point of show: Pie-eating, cake gifts leave
perfect openings for sponsor plugs. Show
emcee is Uncle Earl, KHSL staff man, who,
with aid of stooge, keeps party patter at high
pace. Sponsor Log Cabin Bakery attributes
great gains in good will to this top-notch
popular show. Outside of theater displays,
radio announcements are sole means of pro-
moting the program.
AIR FAX: Broadcast Schedule: Saturday, 5:00-5:15
P.M.
Preceded By: Dance orchestra.
Followed By: Dance orchestra.
Competition: Quiz of Two Cities (CBS) and danc«
orchestra.
Sponsor: Log Cabin Bakery.
Station: KHSL, Chico, Calif.
Power: 500 watts.
Population: 7,961.
COMMENT: Sponsor shows double show-
manship in his natural merchandise tie-ins
with the program. Pie-eating contests and
birthday gift cakes can go farther to pro-
mote Log Cabin products than double the
number of 200-word commercials.
Public Utilities
MUSICAL COFFEE CUP Lifting this show
out of the run of the mill morning musicals
is its accent on the personal lives of its listen-
ers. There are the usual radio requests:
birthday, wedding anniversary announce-
ments. But there are also the unusual: hello,
farewells, get-wells, love greetings! Even the
transcribed musical numbers are requested.
To add a touch of humor, emcee shares
laughs with his early-rising listeners by ridi-
culing late sleepers.
AIR FAX: First Broadcast: January 2, 1940.
Broadcast Schedule: Monday thru Saturday, 7:15-
7:45 A.M.
Preceded By: Band Music.
Followed By: Morning Clock.
Sponsor: Pacific Power and Light Co.
Station: KBND, Bend, Oregon.
Power: 250 watts.
Population: 8,848.
COMMENT: The success of this program de-
pends upon the type of requests that are ob-
tained. The more unusual the announcements,
the better the show. Incidentally, the use of
ridicule on the air may become dangerous
business. In this case, the emcee, by poking
fun at late sleepers, takes no chances.
27
1
Beverages
PARADE OF ALL NATIONS To timid
prospective radio advertisers who flirt with
the idea of a five- or fifteen-minute spot on
the air, The Brewing Corporation of
America's new program — two and a quarter
hours in length — comes as a concentrated
tonic.
To promote the show, some 3,000 letters
were sent to Cuyahoga County beverage
dealers urging them to be ready to capitalize
on the program by stocking up on the spon-
sor's product (Carling's Ale).
Popular WCLE emcee Lew Henry really
know^s the background facts on Carling's
Ale. He made a complete tour of the brew-
ery, where he amassed facts for commercial
material. He continues to concentrate on
dealers in foreign sections by periodic, in-
formal visits.
AIR FAX: Originating in a typical American melting
pot (Cleveland), program seeks to please all of the
people with a series of recordings ranging from
swing to classics, starring a variety of folk melodies
to appease every member of every nationality. Strug-
gles of announcer Henry with pronunciations of for-
eign song titles amuse listeners, win him the sobri-
quet, "The Polka King."
Broadcast Schedule: Saturday, 3:00-5:15 P.M.
Preceded By: Hotel Cleveland orchestra.
Followed By: News (MBS).
Competition: Southwestern Serenade (NBC); Time
to Take It Easy (CBS).
Sponsor: Brewing Corporation of America, for Carl-
ing's Ale.
Station: WCLE, Cleveland, Ohio.
Power: 500 watts.
Population: 878,429 (1940).
James Bohannon, advertising manager of the
Brewing Corporation of America (with arm ex-
tended) shows announcer Lew Henry of station
WCLE, Cleveland, how Carling's Ale is inspect-
ed for purity and cleanliness. A strong light shines
through the freshly-capped bottles as they pass
along the conveyor. Announcer Henry thoroughly
absorbed this and many other pertinent facts and
uses this background information when he ad-
libs on the radio program.
COMMENT: The unusual length of this
show is really something worth talking about
(especially to impress dealers). Smart spon-
sors Brewing Corporation of America
thought so too!
Women's Wear
RIGHT OR WRONG To seasoned radio
time-buyers one primary criterion of a suc-
cessful program is its power to pull consistent
traffic. Sponsor Mart, Inc., found the an-
swer three years ago when they put on a
quiz show with a novel twist, awarded week-
ly 100 double guest theater passes to be col-
lected at ALart, Inc.
Second criterion: Mail pull. Right or
Wrong's customary count wavers around
the 1,000-mark weekly.
Here's the twist that makes this quiz show
different: Announcer Ralph Powers directs
his questions not to five or six people selected
from the studio audience but to every listener
at home.
Powers asks 20 questions; listeners check
questions right or wrong, mail their answers
28
RADIO SHOWMANSHIP
to station WFBR. First 100 correct answers
get double passes to one of Baltimore's four
leading downtown theaters. Sponsor notifies
winners by mail, asks them to collect their
awards at Mart, Inc.
AIR FAX: Broadcast Schedule: Sunday, 1:30-1:45
P.M.
Preceded By: Book Review.
Competition: March of Games (CBS); Al & Lee
Reiser's Orchestra (NBC).
Sponsor: Mart, Inc.
Station: WFBR, Baltimore, Md.
Power: 5,000 watts.
Population: 854,144 (1940).
COMMENT: Home-participation air shows
seem to be gaining increased interest through-
out the country. Last month, two other pro-
grams of this type were described. (See
Lucky Gong Contest, December, 1940, pp.
150, 153; Add 'Em Up, December, 1940, p.
152.)
Shoes
THE SIDEWALK REPORTER Is a 10-day
shoe sale a booming success if a merchant
has as many pairs of shoes at the end of the
sale as he had at the start? The answer is
an emphatic "yes" — if this is the case :
Twice daily, chief announcer, Lowell Smith
(handling mike), interviewed passersby in front of
the Rowe Shoe Store in San Bernardino, Calif.
For ten days, he asked for old shoes for British
War Relief as part of an unusual Rowe promo-
tion. Over a dozen barrels of shoes were collected
as a result of the show.
In San Bernardino (Calif.) The Rowe
Shoe Store set up on the sidewalk in front
of their store two barrels painted red, white,
and blue and placed a microphone between
them. Twice daily for 10 days Rowe offered
via the airways a two-dollar reduction on any
sale purchase accompanied by an old pair of
shoes. The shoes were to be given to the
British War Relief fund. Results: For
Britain, a dozen barrels of shoes; for RowE,
a highly successful sale.
AIR FAX: During the show, emcee Lowell Smith in-
terviewed passersby, discussed the war, sought par-
ticularly for a concensus of opinion on whether
America should give every possible aid to Great
Britain.
Broadcast Schedule: Nov. 29-Dec. 13, 4:45-5:00 P.M.
Competition: Fletcher Wiley (CBS).
Sponsor: Rowe Shoe Store.
Station: KFXM, San Bernardino, Calif.
Power: 250 watts.
Population: 37,481.
COMMENT: This is an important promo-
tion. It may herald the beginning of a series
of similar attempts to use radio to aid the
Allies. Its success, of course, depends on pub-
lic opinion at the moment.
Looking at it from a strictly business point
of view, the sponsor must be certain that the
cause he is aiding is the cause that most peo-
ple in his community favor. Otherwise, the
entire promotion may boomerang.
The idea of donating clothes, books, toys,
etc., is not new. Before Christmas, many busi-
nessmen sponsored programs that asked for
special donations to help the underprivileged.
JANUARY, 1941
29
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used to promote radio programs. One dollar will be paid for pictures
accepted. If you wis.h photographs returned, please include self-addressed,
stamped envelope.
Left . . . Ever since 1934, the
WILKENS JEWELRY CO. has
given Pittsburgh a full-hour amateur
show on station WJAS. Last month,
they observed the fifth annual All-
Twin Amateur Show, presented 14
sets of talented twins. Beaming
emcee Brian McDonald is surround-
ed by a group of the stars.
Right ... A three weeks'
Christmas Book Drive on
popular KFPY's early
morning participation pro-
gram Good Morning
Neighbors, pulled 3,800
books from all parts o
the entire Spokane-In
land Empire section
Books were sorted, deliv
ered to Spokane socia
agencies. For complete
story, see Proof O' the
Pudding, page 35.
30
RADIO SHOWMANSHIP
Above . . . To the annual St.
Louis Food Show went station
KMOX with a cheerful booth
boasting of its stars, boosting its
sponsors. An entire pantry shelf
was devoted to KMOX food ad-
vertisers. Note to sponsors: The
more promotion-minded a station
is, the more opportunities you
will have to put your program
across to the public.
Author-lecturer John K. Chapel
discusses stamps with a youth-
ful philatelist during the stirring
historical program, Rancho Per-
alta. Sponsor R. A. SHUEY
CREAMERY offers free of
charge a 40-page Postamp His-
tory album to all listeners.
"I'm washed up," cheerfully ad-
mits a participant in WEST END
LAUNDRY'S quiz program.
Meet the Ladies. Thrice-weekly,
various women's organizations
congregate in the sponsor's large
reception room at the plant, join
in community singing, tour the
laundry, partake of refreshments,
participate in the quiz program
emcecd by jocular Wayne West.
JANUARY, 194 1
31
1
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Amusements
HELLZAPOPPIN Sunday night on Broad-
way, and nine legitimate theaters junked
precedent to hold performances, Olson and
Johnson's famous Hellzapoppin among them.
Business for all was good; business for
Hellzapoppin was better. They alone were
sold out!
Plausible reason: Though all nine had used
equal space in New York newspapers, only
Hellzapoppin had added an extra kick to the
punch — radio! Thrice weekly, the stage show
had sponsored a radio musical program with
regular commercials. The special Sunday per-
formance had been plugged a full week on the
air.
AIR FAX: Station: WABC, New York, N. Y.
Power: 50,000 watts.
Population: 7,346,272 (1940).
Agency: Blaine-Thompson.
COMMENT: In the past year, local stage and
screen theater owners have just begun to rub
their eyes, blink at the untried possibilities
of radio as a method of promoting their
shows.
vitation. Sidewalks are almost always jam-
med at air time.
AIR FAX: Clever questioners compose queries to
tie-in with the times. Example: During the Christ-
mas shopping season, participants were asked what
they wanted for Christmas.
To every sender of a question used on the show
goes a free garment cleaning certificate. Correct
answers from passersby net them theater passes,
SPUD and TWENTY GRAND CIGARETTES.
First Broadcast: November, 1938.
Broadcast Schedule: Monday thru Saturday, 11:45-
12:00 noon.
Preceded By: Parade of Bands.
Followed By: Indiana News.
Competition: Our Gal Sunday (CBS).
Sponsor: William M. Leonard Garment Cleaners.
Station: WIBC, Indianapolis, Ind.
Power: 1,000 watts.
Population: 364,161.
SAMPLE COMMERCIALS AVAILABLE
COMMENT: Once in a great while, it takes
nothing more than a good title to get a pro-
gram off to a good start. In this case, the
title helped to build the announcers into real
personalities, thus popularize the show.
Department Stares
MICKEY MOUSE CLUB This month, mam-
moth Chattanooga (Tenn.) department store,
Loveman's, Inc., celebrates the third birth-
day of their weekly Saturday program. With
the accent on youth, the show invites local,
jubilant juveniles to perform, sets their age
limit at 10 years.
The sponsor views with delighted alarm
the average of over 100 offers to perform
per week; each show can accommodate a
maximum of only 14. So eager are parents to
assure their little Deanna's and Mickey's a
spot on the program, they write in from
small surrounding towns, telephone long dis-
tance.
Cleaning-Laundry
BOY GREETS GIRL In November, 1938,
Bill Schingel, the boy; Jane Day, the girl,
went on the air to ''clean" the town (Indian-
apolis) for William M. Leonard Garment
Cleaners. Last month, for the second
straight year, sponsor gave them the "go"
signal to keep right on.
System: Boy greets girl every day under
the marquee of the English Theater on
Monument Circle in downtown Indianapolis.
Jane pops the questions to the men passersby;
Bill, to the women.
Asked to come downtown and meet Jane
and Bill personally, listeners accept the in-
AIR FAX: Presented each week is a complete variety
show of songs, recitations, instrumental solos or
groups. To "sign up," moppets telephone station a
week in advance, describe their act. Enlisting the
cooperation of the Orange Crush Bottling Company,
LOVEMAN'S celebrated the club's birthday suc-
cessfully with a studio party.
First Broadcast: January 8, 1938.
Broadcast Schedule: Saturday, 10:00.
Sponsor: Loveman's, Inc.
Station: WAPO, Chattanooga, Tenn.
Power: 1,000 watts.
Population: 119,798.
COMMENT: Many farsighted department
stores believe in reaching customers when
they are young. For another department
store's program (Bullocks, Inc., Los An-
geles, Calif.), which sets its age limit at 10,
see Pf'hoa Bill Club, Sept., 1940, page 31.
32
RADIO SHOWM ANSH I
Department Stores
QUESTION-AIR Sherman-Clay & Co.,
leasers of the fourth floor music-radio de-
partment in Oakland's (Calif.) largest store,
the H. C. Capwell Co., stage a quiz show
right in their department, awarding Philco
portable radios as first prizes each week.
Upshot: 150-odd shoppers gather every
Friday to participate, thereby creating the
first merchandising essential — traffic. One
model, most persistently plugged and demon-
strated on the program, jumped nearly 100%
in units sold since the initial quiz show.
From H. C. Capwell Co. has come full
cooperation with scores of showcards in prom-
inent positions throughout the store, window
displays, circulars in mailing pieces.
AIR FAX: Subject range: art, travel, music, radio,
theater, stage, etc. Similar to network Take It or
Leave It is the final question put to each contest-
ant: a "toughie" — take it or leave it! If done and
won, score is doubled; error halves the score.
First Broadcast: October 4, 1940.
Broadcast Schedule: Friday, 3:30-4:00 P.M.
Preceded By: Concert Hall.
Followed By: Newspaper of the Air.
Competition: Man of the World; Grand Lake Revue.
Elaborate window displays boost Question-Air,
KROW Friday afternoon quiz show broadcast di-
rectly from the music-radio department of Oak-
land's (Calif.) largest department store, THE H.
C. CAPWELL CO. First prize each week is a
PHILCO portable radio. Second, third, and fourth
prizes are merchandise orders for ten, five, and
two and one-half dollars.
Sponsor: Sherman-Clay & Co. (leaser in H. C.
Capwell Co., department store).
Station: KROW, Oakland, Calif.
Power: 1,000 watts.
Population: 284,063.
COMMENT: Growing tendency among de-
partment stores is to plan radio advertising
in a series of progressive stages: Build one
program around one department, then add
more programs, more departments, as in-
creased volume warrants. Start is usually
made with departments featuring high mark-
up goods.
Thus, the department store, instead of
fluttering about from item to item, from
department to department, can concentrate on
selling one thing at a time as national adver-
tisers do. Leased departments have been first
to break the ground for this type of depart-
ment store advertising, first to prove it can
work successfully.
Drug Products (others)
WJJD SUPPERTIME FROLIC It's a root-
in', tootin', good old hillbilly show when the
Cumberland Ridge Runners come a-jug blow-
in' and a-square dancin' every night at 8:30
P.M. Seven days a week, two solid hours
daily, for six consecutive years, the public has
stood by this hardy, radio perennial.
Among present sponsors is Consolidated
Drug Trade Products. Results obtained for
some of their products: 1) McCoy's Cod
QUESTION-AIR
P
s
\lh/ A 5 TUBE PHILCO TABLk
MODEL RADIO
f
JANUARY, 1941
33
Liver Oil Tablets. Offering as a premium
a toy balloon, sponsor received, according to
station figures, 163,953 letters in two and
one-half weeks. 2) Radio Girl Perfume.
New on the market, in five months of 15-
minute daily participation, product received a
mail response of 1,302 carton tops per week.
3) Acidine (stomach powder). 1,742 mail
pieces in one day as result of their campaign
on the program.
Service Life Insurance Co. (Omaha,
Neb.), who has also taken time on this par-
ticipating show, received, at the end of the
week of May 6, 1940, 584 requests to have
their salesmen call.
Total mail pull for WJJD Suppertime
Frolic: In one year, 265,714 pieces of mail.
Average number of letters per week: 5,110.
AIR FAX: Old American folk tunes sung by the hill-
billy Cumberland Ridge Runners highlights the two-
hour show. Other features: guest performers, novel-
ty acts (harmonica, jug blowing, square dance call-
ing, etc.)
Broadcast Schedule: Daily, 8:30-10:30 P.M.
Preceded By: News.
Competition: What's My Name? (NBC); Grand
Central Station (CBS).
Sponsor: Consolidated Drug Trade Products (manu-
facturers, sales agents for cosmetic, medicinal prod-
ucts). Others: Olson Rug Co., Service Life Insur-
ance Co., Vick Chemical Co., Kass Clothes, etc.
Station: WJJD, Chicago, 111.
Power: 20,000 watts.
Population: 3,384,556 (1940).
COMMENT: Opinion differs whether ex-
postmaster Jim Farley or radio premiums
should be given credit for the greatly in-
creased consumption of postage stamps in the
past decade. Of all radio listeners, none is a
more prolific and constant letter writer than
the hillbilly fan.
Groceries (wholesale)
HOXIE FRUIT REPORTER Year 'round
WHO (Des Moines) program is Hoxie
Fruit Reporter, not only the apple of every
local grocer's eye, but "appetizing" to the
listening audience as well.
Since its initial broadcast back in August,
1938, for sponsor Hoxie Fruit Co., the pro-
gram has had a series of notable mail re-
sponses. Three announcements of a banana
booklet offer open for only one week netted
over 3,500 requests; six announcements for
the same premium, 5,000 requests; a similar
offer with a one-week limit on a cranberry
booklet, 2,915 calls.
AIR FAX: After the theme song, Yes, We Have No
Bananas, dapper, mustached, smooth-voiced Ernie
Sanders gives listeners fruit facts, recipes, romance
in the development of various fruit products; glides
casually into the history and superior qualities of the
sponsor's own brands.
First Broadcast: August 1, 1938.
Broadcast Schedule: Monday thru Saturday, 7:00-
7:15 A.M.
Preceded By: Captain Hernc, News Commentator
(NBC).
Followed By: News.
Sponsor: Hoxie Fruit Co. (Wholesale fruit and vege-
table distributor).
Station: WHO, Des Moines, la.
Power: 50,000 watts.
Population: 142,559.
SAMPE SCRIPT AVAILABLE
COMMENT: Nothing must move faster off
the grocer's shelves than perishables. Time is
an important factor. For that reason, the
Hoxie Fruit Reporter, although primarily
aimed at the homemakers, offers a valuable
aid to the grocer. It tells what to push
when!
Home Furnishings
THE ROMANCE OF MERCHANDISING
Faced with the problem of attracting busi-
ness from a trade territory that spent most
of its dollars in a large town nearby, Elk
City (Okla.) furniture dealer Grubitz &
Son tried radio.
Since they handled nothing but nationally
advertised products, merchandise available
anywhere, the success they achieved has been
largely attributed to their radio program.
Mail response to a question-answer con-
test has been exceptionally high. Unprecedent-
ed sales increases have been obtained not only
from the immediate vicinity but from this
large trade area usually serviced by the
neighboring town.
Starting with a once-weekly program,
Grubitz soon tripled their radio appropria-
tion, broadcast thrice weekly direct from the
store. For 1941, they have allotted an even
larger appropriation for special radio promo-
tions.
AIR FAX: Emphasizing the fact that they carry noth-
ing but nationally advertised products (each with a
history as old as the country itself!), GRUBITZ
plans their shows to link each product's past his-
tory with its present utility. Method: The emcee
discusses a product informally with three or four
customers, via rehearsed question form.
Example: To build up GENERAL ELECTRIC ap-
pliances, they chat about the life of Edison. After
the history, the following question is put to the
interviewees and radio listeners: "What do you think
of your GENERAL ELECTRIC refrigerator?" To
the best answer submitted by mail goes a store
prize. To the customers on the program, souvenirs
are awarded.
Broadcast Schedule: M-W-F.
Sponsor: Grubitz 8C Son.
Station: KASA, Elk City, Okla.
Power: 250 watts.
Population: 5,666.
COMMENT: Radio affords a merchant the
opportunity to romanticize the products he
sells. No other medium can do this job as
well.
34
RADIO SHOWMANSH IP
Tobaccos
TOBACCO MARKET BROADCASTS With-
in 50 miles of the three greatest tobacco man-
ufacturing plants in the world, plants pro-
ducing 65% of American cigarettes, is situ-
ated The Reidsville Tobacco Market.
Not content to rest on its ideal location,
Reidsville was the first market in this high-
ly competitive area to use radio as a method
of attracting tobacco raisers. It has during
the past six years regularly increased its
radio budget — and as a result, its business
transactions.
Promotion stutit: In honor of the tobacco
raisers, a picnic is held every year. (Special
display cards and post cards are used to plug
the program.)
AIR FAX: Starting in the early fall, programs con-
tinue until the end of the tobacco market in Janu-
ary. This year's radio appropriation: Two spot an-
nouncements, daily; 15-minute noonday news, daily;
a special Friday program. The Ole' Professor.
Previous to the opening of the sale season, THE
REIDSVILLE MARKET conducts a series of broad-
casts giving advice to growers and curers of tobacco.
From the Department of Agriculture and other rec-
ognized, reliable sources comes the information for
these programs.
Opening day of the sales auction is broadcast directly
from the market. Farmers are called to the mike.
Said one: "I'm the happiest man on this warehouse
floor; I've Just sold 2,200 pounds of tobacco for
an average of 31 cents."
During the sales season, the market broadcasts the
daily schedule of sales, actual sales and prices, out-
look for the present and following day. Secretary
W. S. Mason conducts the Friday program, The Ole'
Professor.
Broadcast Schedule: Spot announcements, daily, 6:15
A.M., 6:15 P.M.; daily news, noon; The Ole'
Professor, Friday.
Sponsor: Reidsville Tobacco Market, Reidsville, N. C.
Station: WBIG, Greensboro, N. C.
Power: 5,000 watts.
Population: 53,569.
COMMENT: For sponsor comment, see
PFhat the Program Did for Me, page 26.
Optometry (others)
GOOD MORNING, NEIGHBORS Every
merchant has a certain group of merchandise
that he calls staples. Radio's staples are early
morning participating shows. In Spokane,
Wash., Good Morning, Neighbors has been
on the air uninterruptedly since 1931. Fur-
thermore, practically all of the present spon-
sors have been on the program from three
to eight years!
In a KFPY survey of their five largest un-
solicited mail-pulling program, Good Morn-
ing, Neighbors stacked first, took 48.2% of
the total. Despite the early hour, women's
organizations in a body have attended the
studio broadcast, helped entertain with com-
munity singing.
AIR FAX: On casual observance, this oldtimer, with
its sunny round-the-breakfast-table banter, philosophy,
weather reports, time signals, anniversary announce-
ments, might appear run of the mill. Claim to dis-
tinction is the quality of the music rendered by two
of the tegion's finest performers, Norman Thue at
the organ, Del Yandon at the piano.
First Broadcast: May, 1931.
Broadcast Schedule: Monday thru Saturday, 7:15-
7:45 A.M.
Preceded By: News.
Followed By: Roving Hillbillies.
Competition: Josh Higgins (NBC dramatic serial);
Financial Service (NBC-Red).
Sponsor: Poux Optical Co. (Others.)
Station: KFPY, Spokane, Wash.
Power: 5,000 watts.
Population: 115,514.
SAMPLE SCRIPT AVAILABLE
COMMENT: Hard to find is a radio station
without its early morning show. Good Morn-
ing, Neighbors has pointed out one way to
lift these shows above the average — able
musicians.
Women's Wear
GRAYSON'S PRESENTS Always the back-
bone of radio, musical shows continue to pull
new sponsors, hold old ones. Successful old-
timer: Back in 1934, Grayson's Shops
(popular priced dresses, women's furnishings)
went on the air with a 15-minute recorded
musical show. Since that time bands and
tunes have faded, but Grayson's Presents
continues to be an outstanding KONO pro-
gram. It has delivered a steady stream of
sales to the sponsor for six (6) straight years
without any stops.
AIR FAX: Program features recordings of all popular
dance bands.
Broadcast Schedule: M-W-F, 9:00-9:15 A.M.
Preceded By: Morning Merry-Go-Round.
Followed By: Popular music.
Competition: Houseboat Hannah (NBC dramatic
serial); Hymns of All Churches.
Sponsor: Grayson's Shops, Inc.
Station: KONO, San Antonio, Texas.
Power: 250 watts.
Population: 231,542.
COMMENT: Popular with the ladies at all
times is music. Once having found that this
type of program had appeal, smart sponsor
Grayson's Shops established its messages
in listeners' minds with continual repetition.
See What the Program Did for Me, page 26.
JANUARY, 1941
35
JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest-
ed in the news, reviews, and tips in this column.
Sponsors of special events are finding spot
announcements a splendid method of arousing
quick public interest.
In New Orleans, the Pacific Whaleing
Company staged a carnival show and pur-
chased a series of spot announcements over
WWL to exploit the show.
To introduce the series, special eventman
Henry Dupre broadcast from the mouth of
a whale at the show grounds.
In Oklahoma City, the advisory committee
of the Oklahoma Independent Retail
Grocers Association announce that attend-
ance at this year's Food Show far exceeded
that of last year. The show also broke all
existing attendance records at the huge Okla-
homa City Municipal Auditorium.
Spot announcements over KOMA were
used this year, as well as broadcasts direct
from the show and from the studios of
KOMA.
The successful use of spot announcements
for promoting special events is dependent on
the number of announcements bought. Usual-
ly, the promotion time is so short that the
more spot announcements purchased, the bet-
ter.
The announcements should be unusual,
and the same announcement repeated fre-
quently to gain the benefit of repetition. The
objective of the entire campaign is to start
people talking, so give them something worth
talking about.
SYNDICATED TRANSCRIBED SPOTS
Remember those clever Ford announce-
ments? Their catchy tunes really started
people humming.
Since then, a few of the progressive trans-
cription companies have produced syndicated
musical and dramatic spots for local spon-
sors.
Each spot runs approximately 30 seconds.
Following the transcription, the local station
announcer ties in 30 seconds of closing com-
mercial copy with the sponsor's individual
sales message, name, address, etc., thus com-
pleting a one-minute announcement that is
different from the average local straight com-
mercial.
Each of the series is made for a specific
business field and is available to only one
r.ponsor in a community.
Through syndication, the cost of each
series of spots to the individual sponsor is but
a fraction of actual production expenses which
comprise scripts, talent, direction, original
music, and recording.
INTRODUCING
New business fields to which
radio is now extending its services . . .
Bird Seed . . . Justrite Co., Milwaukee, Wisconsin. 13-
week daily participation announcements. Station
WHN, New York City.
Biscuits . . . Merchant's Biscuit Co., Denver. 5 time
signals and 1 announcement daily. Station KOA,
Denver.
Biscuits . . . Sawyer Biscuit Co., Chicago. One and one-
half minute announcements preceding European News
Roundup. Station WBBM, Chicago.
Dried Fruit . . . Mission Packing Co., Los Angeles. 13
one minute transcriptions to be used seven times per
week. Station KECA, Los Angeles.
Express . . . Railway Express Agency, New York City.
36 announcements. Station KOA, Denver.
Peanut Oil . . . Planters Nut 8C Chocolate Co., San
Francisco, 150 word announcements. Five a week on
Art Baker's Notebook. Station KFI, Los Angeles.
Resort . . . Strawberry Resort, El Dorado County.
California. One minute transcribed announcements
Station KPO, San Francisco.
Roofing . . . Clarence Hansen 8C Sons, Inc. 52-week
contract for station break announcements. Station
WHN, New York City.
Wedding Dresses . . . Marlene Shop, Pittsburgh, Pa
One minute announcements, one per week on Wed-
nesday. Station KDKA, Pittsburgh, Pa.
Wine . . . California Wine Co. 4 fifty-word announce
ments daily for 13 weeks. Station WIND, Chicago.
HINTS TO SPOT BUYERS
Big unknown factor in buying spot an-
nouncements is just how many to buy. The
proper point of diminishing returns (if there
is one), can only be determined by experi-
menting.
When you buy — start with a quantity
smaller than you had originally planned —
then add announcements whether your orig-
inal purchase showed results or not. This
increase may be all that is needed to turn
failure into success. If the first increase
proves profitable, you may find it wise to con-
tinue adding announcements.
36
RADIO SHOWMANSH I
]
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally-sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, DECEMBER, 1940
WHAT ABOUT QUIZ SHOWS?
Type
Rating
Last
Month
Change
MUSIC
36%
36%
NEWS
21%
20%
+ 1%
TALKS &
INTERVIEWS
14%
15%
-1%
QUIZ
10%
9%
+ 1%
SPORTS
7%
7%
DRAMA
6%
7%
-1%
COMEDY
6%
6%
GROUPS Men Women Children
Music 30% 38% 41%
News 26% 21% 7%
Talks 8C
Interviews 11% 18% 14%
Quiz 10% 11% 8%
Drama 5% 4% 18%
Sports 13% 3% 4%
Comedy 5% 5% 8%
GOOD NEWS FOR NEWS SPONSORS
TREND OF NEWS SHOWS
AUG. SEPT. OCT. NOV. DEC.
The end of 1940 sees locally-sponsored news
programs receiving the highest rating since
these surveys began. This means that more
and more businessmen are finding good news
broadcasts pay!
TREND OF QUIZ SHOWS
lllll
AUG. SEPT. OCT. NOV. DEC.
Figures don't lie — but many times they for-
get to tell the entire story.
Take the trend of quiz programs as an ex-
ample. The first three months of these sur-
veys showed a sharp decline for shows of this
type, but since then almost a complete about-
face has been recorded.
Now, let's examine the figures a little
closer. Since October, when the decline stop-
ped, it has been noted that most of the new
successful quiz shows reported have added
twists and showman stunts that make them
differ entirely from the straight question and
answer programs that marked the first few
months of this survey.
Dr. Pepper Bottling Co., over KFDA,
Amarillo, Texas, reported a quiz show, only
five minutes long dealing entirely with crime
problems. Hyde Park Brewing Association,
over KMOX, St. Louis, tell of their sport
quiz featuring a board of sports experts with
the listeners asking the questions, much on
the order of Information Please.
Kay Jewelry, over KROW, in San Fran-
cisco, has a quiz contest between two teams;
the winning team continues week to week
until beaten.
Many of the newer quiz shows are direct-
ed at the listeners themselves instead of a
selected few from the studio audience.
Hadley Furniture Co., over WAPO,
Chattanooga, Tenn., has the listener phone
in his answer. Quimby Bakery, over
WWVA, Wheeling, W. Va., asks for replies
by mail and requires the contestant to in-
clude a wrapper of their bread.
The list of successful quiz shows goes on
and on, but they all prove a single point:
Today, quiz programs have to be different to
be good!
JANUARY, 194 1
37
THE READERS
WRITE
HELLO, MA!
To Edward M. Kirby, director of pub-
lic relations. National Association of
Broadcasters, who has been appointed
to the Radio Division of the United
States Army, we recently sent an inquiry
regarding the part that the local radio
sponsor and station can play in the Army
recreation program. We were particular-
ly interested in locally-sponsored pro-
grams originating at the camps, record-
ed, and sent back to the station for
re-broadcast ; the kind of programs that
featured informal messages from the
trainees to their friends back home.
Here is the answer. — Ed.
I think you will find that the present policy
of the Army with reference to broadcasts in-
clude both local as
well as network
originations, and
also include the use
of recordings of in-
terviews with lo-
cal boys at distant
camps, prepared
for broadcast over
the local station.
This is in line
with the thoughts
expressed in your
own letter of De-
cember 6. Final
determination with such local originations,
we understand, rests with the Commanding
Officer of the Army camp.
Certain policies with reference to program
material and endorsement of either the prod-
uct or sponsor by Army personnel or the
War Department are necessary prior to re-
ceiving clearance for such broadcasts. Army
regulations prohibit the endorsement of any
product by any of the Army personnel.
If, therefore, a commercial program de-
sires to be broadcast from an Army post,
38
EDWARD M. KIRBY
care must be exercised that in no way shall
the inference be made that the product or
sponsor has received the official sanction of
the War Department or the Army. The
sponsored program is simply placed at the
position of broadcasting from the Army post
in its usual fashion, without particular refer-
ence or advertising tie-ins which might vio-
late the existing Army policy.
Edward M. Kirby
Director of Public Relations
National Association of Broadcasters
Washington, D. C.
A NEW SLANT ON NEWS
(Continued from page 14)
Here's another reason that I believe ac-
counts for the program's success. It is under
constant surveillance. The daily "policing" is
never relaxed. Two homemakers, an agency
representative, and at least one official from
the Atwood Coffee Company check the
program with care. They do more than just
listen. They have handy a scratch pad and
pencil. Notes are made on diction, tempo,
balance of one item against another, etc.
The only reason any advertiser uses the
radio is to sell his product. If he were spend-
ing his money on newspaper space, he'd get
the most for his money by putting a specialist
on the job of preparing the copy. He'd hire
the best artist and layout man that his budget
would afford.
He should do the same thing with a news-
cast, but, unfortunately, this does not always
hold true. Naturally, it costs more to do it
this way. But the sponsor who will pay such
a cost will get every penny of it back in divi-
dends.
We know what we're talking about.
This particular program has done exactly
what we predicted it would. It has diverted
tremendous numbers of listeners to WTCN.
In turn, these new listeners have shown their
approval for Atwood's Coffee by buying '
more of it.
In other words, we have again proved that
hackneyed axiom of Emerson's, "Build a bet-
ter mousetrap, and the world will beat a
path to your door." We have no copyright on
the success of this program. It'll work for
anybody anywhere.
Try it and see!
RADIO S H OWMANSH IP
NEXT MOXTII
BEVERAGE MAN FRANK J. SCHNELLER, Advertising Manager of John
Graf Co., Milwaukee, Wis., tells the dramatic story of how his company increased their
sales volume during slack months. Whether you're beverage-minded or not, you'll want to
read all the facts and figures in Beverage Sales Thru the Air!
/lijIJLi iJlti llJLiii/llj/\y the Toledo optometrist whose radio spot announcement has
been changed only seven times in seven years (and then just to change a single word). It's
one of the most unusual stories ever featured in Radio Showmanship. See Johnny on the
Spot!
ADVERTISING AGENT A. WESLEY NEWBY returns to radio Showman-
ship's pages with the important story of how the Associated Grocery Industries'
Council of Chicago met the radio promotion of large grocery chains.
Plus More Than 35 Programs and Promotion Ideas You Can Use in Your Own Business!
^
THIS IS YOUR FIFTH COPY Ol
HOWMANSHIP, In it arc articles concerning, and detailed
descriptions of, 39 radio programs as used in 27 different types of busi-
ness fields. One of these program presentations may prove adaptable in
your business. The Editors of Radio Showmanship & Merchandising
Review welcome and will promptly answer all correspondence. May you
enjoy and profit from this issue.
FEBRUARY 1941
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Amusements * Automohiles * Bakeries * Beverages * Building Materials
Bepartment Stores « Electric Appliances * Finance * Groceries
flardware ♦ Jewelry ♦ Laundries ♦ Men's Wear ♦ Bptometry
■ ^MHBP Tffaw a MARA7T1IE
a QPPVTrF
MEET MRS. AMERICA
^HE is queen over all she surveys. Her kitchen is her kingdom,
and unto her, every voice must bend! . . . Radio advertisers, spend-
ing millions of dollars each year, must never lose sight of Mrs.
America. Her likes and her dislikes decide the fate of the business-
es that sponsor the various radio programs. There is but one sure
way to discover Mrs. America. Find out how other men in your
business field are using radio. Their experience can be your guide.
Only one magazine brings you briefly, yet accurately, the ever-
changing picture of radio in action! . . .RADIO SHOWMANSHIP.
YOUR BUSINESS AT A GLANCE
An index, clatsif^n^ by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
FEBRUARY
Business PAGE
Amusements 70
Automobiles 64, 65, 71
Bakeries 53, 72
Beverages 72
Building Materials 58
Cleaners 7d
Department Stores 70, 72
Electric Appliances 65, 73
Farm Supplies 65
Finance 66
Business PAGE
Garages 73
Groceries 50, 53, 54, 73
Hardware 66
Ice 74
Insurance 74
Jewelry 67
Laundries 47, 56
Men's Wear 67
Optometry 76
Plus Ten Other Businesses 76
JANUARY
Business FAGE
Amusements 32
Auto Supplies 27
Bakeries 27
Beverages .28
Churches 24
Cleaners 18, 32
£>«partment Stores 32, 33
Drug Products 24, 25, 33
Furs
25
Business PAGE
Groceries 12, 25, 34
Flotne Furnishings 34
Laundries 10
Men's Wear 7
Optometry 35
PuWic Utilities 27
Shoes 29
Tobaccos 26, 35
Women's Wear 26, 28, 35
// you don't have the January issue on file, order now!
FEBRUARY, 1941
43
EDITORIAL
NEW reader from Canada wrote for a radio program sug-
gestion.
We sent him an interesting story that appeared in our
December issue under the heading, automobiles. There is
nothing unusual about this procedure, except that this par-
ticular reader happened to be in the shoe business.
This action may appear illogical, especially because Radio Show-
manship is classified by businesses! But let's delve a little deeper. We
have classified radio programs under specific business headings for
only one reason : To describe conveniently how a program has been
used in a certain selling area; not how it can be used in other mar-
kets.
It's true, there are certain programs that are designed for cer-
tain businesses, and for no others. For example, the Farmer's Hour
(reviewed on page 65). It's a market report show and would be com-
mercially worthless if sponsored by anyone but a dealer in farm sup-
plies.
Good programs that knit the show idea and the product into one
complete unit are the exception.
Entertainment value must be taken into account. Although en-
tertainment can be classified into sex or age divisions, seldom, if ever,
can it be rigidly confined to one business category. Good entertain-
ment can sell gasoline as well as tooth paste, pancakes as well as
women's hats.
The important point to remember: To get the most out of Radio
Showmanship, don't pass up a program or a promotion idea simply
because it's review^ed under the heading bakeries when you happen
to be in the dairy business !
44 RADIO SHOWMANSHIP
toi*?^'*^'
\\^^
V^O"^-
CONTENTS
FEBRUARY 1941
VOL. 2 NO. 2
Publisher
Don Paul Nathanson
Editor
S. H. Kaufman
Associate Editor
Norman V. Carlisle
Research D
irector
G. M. OSMAN
Business Manager
William A.
HUSER
Editorial Advisory Board
Herbert Pettey
New York
Ralph Atlass
Chicapo
William Dolph
Washington
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
GusTAV Flexner
Louisville
Maurice M. Chait
Peoria
J. Hudson Huffard
Bluefield. Va.
J. Harold Ryan
Toledo
Lorenzo Richards
Ogden, Utah
Frank J. Ryan
Kalamazoo
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship,
Editorial 44
Nothing New Under the Sun 47
Frank J. Ryan
The president of the Kalamazoo (Mich.)
Laundry Co. played a hunch and rebuilt
his business into a profit winner!
Grocery Sales Thru the Air 50
A. Wesley Newby
. The president of a dynamic Chicago ad-
vertising agency describes how the Inde-
pendent Grocers of Chicago met the
challenge of the large grocery chains.
Made to Measure Coverage
Roger W. Clipp
53
The general manager of Radio Station
WFIL and the Quaker Network dis-
cusses a plan of radio advertising for the
"in-between" businessman.
Returns: Almost a Million 54
Paul Helltnan
Sportcasts should be merchandised.
Here's the interesting account of one
that was, and how!
(Continued on next page)
FEBRUARY, 1 94
45
1
Stella, Screen Stars, Sales 56
An RS Air Analysis
Versatile Stella Unger brings local busi-
nessmen an on-the-spot program of
Hollywood Headliners.
Bangor Business Builder 58
An RS Air Analysis
The timely story of the house that radio
built, sponsored by eight Bangor, Maine,
building companies.
Showmanship in Action 64
A collection of those extra promotions
and merchandising ideas that lift a pro-
gram out of the ordinary.
Showmanscoops 68
Photographic review of merchandising
stunts, and the personalities behind them.
What the Program Did for Me 70
This is the businessman's own depart-
ment. Here, the radio advertisers of the
nation exchange results and reactions of
radio programs for their mutual benefit.
Proof O' the Pudding 71
Results from radio programs, based on
sales, niails, surveys, long runs and the
growth of the business itself.
Yours for the Asking 71
A listing of sample scripts and transcrip-
tion availabilities on programs reviewed
in this and preceding issues.
Special Promotion 75
Short radio promotions that run but a
day, a week, or a month yet leave an im-
pression that lasts the year around.
Johnny On the Spot 76
If you use spot announcements, you'll be
interested in the news, reviews and tips
in this department.
Trends 78
A rating of program patterns based on a
special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
THE READERS
WRITE
NEW SLANT
For years we have been looking for a book
or bulletin that would serve as a guide, or
clearing house, of ideas, suggestions, and
sales helps suitable for our radio programs
and announcements. Radio Showmanship
fills a definite need for information of this
kind.
While we have been on station WSPD
(Toledo, Ohio) as a consistent advertiser for
over twelve years, starting in a small way
and building up to our present program of
six announcements a day, (a record that
speaks for itself!) we are always on the
lookout for a new slant in radio advertising
for our retail department, as the bulk of our
advertising appropriation goes to this me-,
dium.
John B. Carson
Advertising Director
National School of Meat Cutting, Inc.
Toledo, Ohio
COFFEE QUERY
I was very much interested in the article
on page 12 of Radio Showmanship, in the
January issue. I wonder if you could send
me a sample of one of the blackboards dis-
tributed by the Atwood Coffee Company
in the Twin Cities.
G. W. Freeman
Secretary
Marschalk &' Pratt, Inc.
(Marketing and Advertising Service)
New York, N. Y.
(The samples are on their way, and t€
anyone else interested, they are yours for the
asking . . . Ed.)
46
RADIO SHOWM ANSH I
othing'
Under Tlie
By FRANK J. RYAN, President,
Kalamazoo (Mich.) Laundry Co.
FEBRUARY, 1941
There's nothing new in business. Every-
thing goes back to the old, homely logic of 50
years ago; good sound common sense that
built many of our great American businesses
of today. My father used the same principles
of merchandising to build this laundry busi-
ness as I am using today. The difference lies
not in methods, but in mediums.
Back in 1932, I put The Kalamazoo
Laundry Company on the air for the first
time. My reason for doing it would shock
many a modern advertising expert clear out
of his upholstered swivel chair. So prepare
yourself. For mine was not a hifalutin' rea-
son, but just a common ordinary hunch, tied
up, of course, with a friendly gesture.
About 10 years ago, a friend of mine, John
Fetzer, started a radio station here in Kala-
mazoo. I believe I saw the future of radio in
those days (at least I like to think I did),
although to tell the truth I wasn't sold on
small local programs. I felt, like many anoth-
er businessman, that radio was a productive
47
Cigar-smoking, sports-
loving, civic-minded
Frank John Ryan took
over the reins of his
Kalamazoo Laundry
business from his fa-
ther some 15 years
ago. JVith the aid of
smart promotions in
three different media,
he has since propelled
the 40 year-old establishment into the
No. 2 spot in the state of Michigan (sec-
ond largest volu?neJ.
Laundryman Ryan will go anywhere,
anytime, any place, for a good sports
event, has missed no major athletic hap-
pening in the past 10 years. His sole hob-
by: Saving the stubs of the admission
ducats he has bought and used. Each is
dated, carefully filed in the lower left-
hand drawer of his desk, along with stubs
ranging from the Dempsey-Firpo battle
of '25 to the All-Star games of '30 to '40
inclusive. Sports-follower Ryan is also a
member of some 11 civic organizations,
on the Board of Directors of the Kala-
mazoo C. ^ C, treasurer of the Com-
munity Chest. In the national field, he is
equally as prominent; he is president of
the Miraclean Institute, a member of the
board of the American Institute of Laun-
dering, and is proud as a peacock of his
personal friendship with hundreds of dry
cleaners and laundrymen whom he has
visited and confabbed with in many a
coast-to-coast jaunt.
Mr. Ryan is married, has one 14 year-
old son at LaSalle Military academy
(whom he's grooming for a halfback post
on some major college team in '45).
enough medium for the big fellow, but not
much for the smaller merchant.
And then in 1932 our business hit an all-
time low. The years 1929 to 1932 had taken
their toll in volume; a 70% drop left me
breathless and searching for new ways and
means of rejuvenating it. John Fetzer had
been in my office many times with the story
of radio, what it could do for me if I gave it
a trial. So at that moment I made up my
mind, picked up the phone and called John.
That started it, and I've been on the air
ever since. Looking back over the figures, I
wasn't a bit surprised to find that the first
year in radio we spent only 5% of our total
advertising appropriation on radio; 80% of
our money went into newspaper advertising,
the rest in outdoor boards. Today, radio and
newspaper ads take a fifty-fifty cut of our ad-
vertising money, that is about $3,000 allocated
for each; the remainder goes into outdoor
display signs and memorandum advertising
such as calendars, matches, etc.
Before I go into an explanation of what we
used on the air, and how we merchandised
our programs, let me give you a result figure:
This year our business, in dollars and cents,
will be up to our 1929 volume ; and our aver-
age prices are 32% lower than they were 11
years ago! A comeback like that can be at-
tributed only to one thing (after deducting,
of course, the essentials of any business, such
as prompt service, expert work, etc.) and that
is proper advertising methods! <
Now let me tell you something about our
business setup in Kalamazoo. Our town has
a population of about 55,000. With the sur-
rounding population included, all within a
radius of two and one-half miles, the figure
runs around 78,000. But the Kalamazoo
Laundry Company services 31 other towns
besides Kalamazoo; towns like South Haven,
Three Rivers, Bangor and Galesburg, all
ranging in individual population from 200 to
6,000. In these towns, we have service sta-
tions where customers can leave their bundles.
Thus, our prospective customers are scattered
around and about us in a circle of, roughly,
one hundred miles.
That sort of widespread customer location
can be covered completely only by radio!
We've had a good many different types of
programs on the air since 1932, so I'm going
to tell you about our present schedule in
general and about one particular program in
it.
Ten months ago, I attended a laundry con-
vention in Chicago. Sitting in the lounge one
evening, I mentioned to a few of the men
present that I intended to start a diaper serv-
ice when I got back home. Some of them
bushed, others seriously warned me that it
wasn't a profitable department to have and
illustrated their advice with examples of the
difficulties they had encountered in their own
towns. But I guess I'm just a stubborn Irish-
man. So when I returned to Kalamazoo, I
instituted a diaper service!
Knowing that the new service would need
some backing, I went into a huddle with John
O'Harrow, WKZO's salesmanager, and we
48
RADIO SHOWMANSHIP
came up with a show called Rock-a-bye Lady.
We called in a young lady by the name of
Margaret Hootman (Kalamazoo College)
and put her on the air.
Her stock in trade are the week's birth
announcements. Congratulations are extended
to the parents, and the infants' names pro-
claimed.
Rock-a-bye Lady is now in its thirty-fourth
week on the air. Our diaper service is not the
most profitable branch of our business, but
it's not losing money either; within a year I'm
confident that it will prove a marked addition
to the all-around service we offer. The only
assistance we gave the program was to in-
clude the name of it along with the station
and the time it was on the air in our news-
paper advertisements. But whatever growth
our diaper service may have will be due en-
tirely to the radio program.
But Rock-a-bye Lady was merely an addi-
tion to our regular radio schedule. For over
a year now, ever since I finally got around
to noticing the importance of newscasts and
what a flock of listeners (and customers)
they attracted, we have been sponsoring the
one o'clock news period on Mondays, Tues-
days, Thursdays and Fridays. (With Rock-a-
bye Lady on the air Wednesday morning, that
schedule gives us a full five-day week of
broadcasts.)
Do our programs have listeners? Are we
getting our money's worth on the air? I had
often asked myself these questions. Sure, busi-
ness was up, but could I honestly point to
radio and say, "Mister, that's what did it?"
We have had any number of good shows
on the air, daytime and nighttime. One of
them was Ida Bailey Allen, the home eco-
nomics expert's program (via transcription)
for 26 weeks. Add to that, the fact that I
know small town listeners are more critical
of radio presentations, as a whole, than resi-
dents of larger cities. (That's one of my pet
theories and is based on personal observation.
Small-towners, for example, travel three
times as much as residents in bigger towns,
are looking toward the larger centers con-
stantly. Everything they see or hear is compared
to their own standards of taste and living.)
I felt that perhaps a survey would give me
a fair indication of just how many people
heard or listened to The Kalamazoo Laun-
dry message on the air. We conducted a tele-
phone survey (non-coincidental).
We learned that 46% of the people called
had heard or knew of The Kalamazoo
Laundry program!
We've since conducted two other surveys.
In each, we found that by the standards of
our own community, we were putting good
programs on the air, and that our customers
and prospects were listening!
You know, the progressive businessman is
easy enough to convince. That's why he is
called progressive, and it's two-to-one his
place of business (and his books) show it. But
it's the fellow who sticks his head in the sand
and yells, "Business is bad," that's tough to
convince. In the first place, a man can't see
if he doesn't look; in the second place, even
after you get him to look, he may have one
eye shut.
We were the first in the U. S. to go into
the rural laundry business ; we now operate
28 trucks and just can't afford to miss any
bets. Radio came along and looked like a
good bet ; I put my money on it.
Sure, we've had a few stumbles. But it
wasn't the fault of radio, any more than it
was the fault of the receiving set. We just
picked the wrong kind of a program and put
it on the air at the wrong time. Plan the
right program for you — and you'll get busi-
ness from radio!
FEBRUARY, 1941
49
rocery Sales Thru the Air
By A. WESLEY NEWBY, President Newhy, Peron & Flitcraft,
Advertising Agents for the Independent Grocers of Chicago
About two years ago,
a small grocer in Chi-
cago made this plea to
Sidney M. Libit, sec-
retary and treasurer
of the Associated
Grocery Industries
Council: "Why not
give us something to
offset the radio pro-
motions of the large grocery chain stores?"
The plea was made to the right man. It
brought home to Mr. Libit the independent
grocers' tremendous need for a weapon suf-
ficiently powerful to overcome the challenge
of the chain stores.
It was hard work to find such a weapon,
requiring plenty of imagination, resourceful-
ness, and cooperation from the wholesale
houses. After almost twelve months of labor,
the complete plan was ready to be launched.
It called upon the independent grocers to con-
solidate their efforts and to present a united
front. The idea was worked out during the
course of innumerable mass meetings with the
retailers and wholesalers.
The result was that 14 of Chicago's lead-
ing wholesale food houses pledged their
wholehearted support. 1,253 independent groc-
ers signed on the dotted line. The name de-
signed for these stores was Your Friendly
Grocer. The stores were to be distinguish-
able by a red, white, and blue decalcomania
emblem.
Opening gun was fired last September 30
with a 15-minute radio show on station
WAAF, Monday, Wednesday, and Friday,
10:00 to 10:15 A.M.; and on WBBM, Tues-
day, Thursday, and Saturday, 8:45 to 9:00
A.M. The big feature of the show was the
Friendly Grocer's Collecto contest featur-
ing a greater number of prizes than had ever
before been given away within so small an
area.
There were three grand prizes: the first,
a 14-day all-expense Happiness Tour to
Mexico worth $189.50; the second, a Ran-
dolph Model Roper Range with a new
stagger top worth $149.50; the third, a 1941
Console Model Zenith Combination
Radio with an automatic record changer
worth $129.50. In addition, over 12,000 bags
of groceries were awarded, each containing
twelve pounds of worthwhile food products
and merchandise.
Key to success in the distribution of these
grocery bags was the fact that every Friend-
ly Grocer store gave away ten prizes to cus-
50
RADIO SHOWMANSHIP
tomers of his own store. This had the psy-
chological effect of bringing the contest very
close to the home of practically every listener
on the air.
The Friendly Grocer stores were sup-
plied with uniform decorations, primarily
window banners and placards. After each
month's contest, every store was given a spe-
cial window poster listing the ten winners of
that store. This had tremendous local inter-
est-value.
One of the most important tie-ups was the
publishing of Friendly News, a four-page
tabloid size weekly, which contains features,
articles, news items of interest to the house-
wife, full details and rules of the Collecto
contest. Space in this publication was sold to
national advertisers. A place was provided
on the front page at the bottom, right-hand
corner for the grocer to stamp his own name
and address. Every store was supplied with
500 copies each week and 2,000 Collecto cou-
pons.
The contest itself is being promoted on the
basis of its extreme simplicity. All the house-
wife has to do is save the Collecto coupons
her neighborhood Friendly Grocer gives
her. She receives one coupon every time she
shops at his store and an extra coupon for
every package she purchases of nationally-
advertised items listed in Friendly News or
on the placards in each grocer's store. Those
women accumulating the largest number of
coupons are awarded prizes. Three major
awards and over 12,000 bags of prize groc-
eries are given away every month.
During the first month of the contest, 12,-
000,000 coupons were distributed. Approxi-
mately 50% of them were turned back to the
grocers by over 75,000 contestants.
Taking into consideration the difficulty of
FEBRUARY, 1941
lll(^iilill^lllllpiii
:||i;jH|^|i||illlii||li^^^^
liplillipi|i|j^llllli^
||||||i|||i|jp| vv*-^ ■:
attempting to unite a great number of indi-
vidual, independent grocers, and the response
to this promotion, the results have been ex-
tremely gratifying. Letters have been received
from many grocers stating that their business
has picked up as much as 20% even before
the en4 of the first month of the contest.
Approval in the grocery field has been so
great that the radio stations have received
many inquiries from grocery stores, who are
not participating, to find out how they can
join the program. Considerable interest has
been shown by the general public; many
housewives have actually paid a visit to the
headquarters of the association, and many
complimentary letters have been received.
Each grocer signs up for a period of 13
weeks. No additional enrollments are ac-
cepted during the period. To weed out all
but the liveliest stores, that is, those who have
entered wholeheartedly into the promotion,
fieldmen are busy checking up on all partici-
pating Friendly Grocer stores and grading
them on their general interest and coopera-
tion.
Each store's rating is based on the follow-
ing points: Proper and prominent display of
window banners, placards, decalcomania, and
other interior store promotions. For example,
the Friendly News should be displayed prom-
inently on the counter, and the Collecto cou-
pons should be properly distributed.
At any time, a Friendly Grocer may call
up headquarters to ascertain his grading. A
fieldman visits each grocer twice a month. By
making the new enrollment more selective,
the next 13 weeks finds the Friendly Groc-
er's program obtaining even better results
than during the initial period.
This is the first real promotion by the in-
dependent grocer where he has attempted to
employ the same modern, streamlined weap-
ons that the chain stores use to pull in busi-
ness. The program has attracted attention far
and wide in the grocery field. Inquiries are
coming in from other cities on how independ-
ent grocers can put this promotion over in
their sales area.
^ By ROGER W. CLIPP,
1 General Manager WFIL
and the Quaker Network
In between the strictly local and
the coast-to-coast network adver-
tisers lies a group of merchants
and manufacturers who cannot
waste money on coverage where
they have no distribution. Neither
can they afford to build, on a lo-
cal station in each market they
cover, an individual program good
enough to compliment the prod-
uct. For these in-betweeners, the
answer lies in a good regional
network that can give them cov-
erage in selected areas where dis-
tribution is sufficient to warrant
the additional promotion.
Throughout the United States,
there are many such networks,
some of them producing shows
and results on a par with the
chains. Just to mention a few,
there are the Michigan Radio
Network with its key station
WXYZ in Detroit, the Kansas
State Network, with its key sta-
tion WHB in Kansas City, the
Don Lee Network with, its key
station KHJ in Los Angeles, the
West Virginia Network with its
key station WBLK in Clarks-
burg, and the Quaker Network
with its key station WFIL at
Philadelphia. We have asked Mr.
Roger Clipp, general manager of
WFIL and the Quaker Network,
to show exactly how a regional
network works for the advertiser
who has regional distribution. . . .
Ed.
52
ade To Measure Coverage
Wee Willie Keeler, baseball star of anoth-
er generation, made himself famous for con-
sistent base hits and his self-announced form-
ula, "I hit 'em where they ain't." What is
true in baseball is not true in advertising. Es-
pecially in radio advertising, money can be
wasted by "hitting where they ain't."
That's where the regional network comes
in. With a key station equipped to produce
shows, an advertiser can put on a network-
quality program at a minimum expense. He
can enjoy the economies of splitting costs over
the markets where he has distribution. He
can keep the program under close surveillance
and can adapt the advertising message to each
community in which the program is heard.
Cost would be high if you were forced to
build a program of network quality on a sta-
tion in each individual market. The big ex-
pense is talent, and you'll find the average
individual station cannot pay big talent fees.
$1,200 put into talent each week on the key
station of a regional network and divided
over fifteen stations on a per program basis
brings costs down to figures that make sense.
Telephone line charges between each sta-
tion also cease to be too great a factor when
lines are ordered thriftily, and costs are
spread over several shows.
At present, two national advertisers are
using the Quaker Network, each with a dif-
ferent type of show. Fels and Company's
Golden Bars of Melody is a 15-minute song
and chatter program built upon the person-
ality of Rhonna Lloyd. The program was
tried out for several months, only on WFIL,
Monday, Wednesday and Friday. After the
program had become established and its rat-
ing continued to mount, six more Quaker
Network stations were added. The program
rating has continued to climb, and the client
has now extended the show to five days a
week.
Of a different type is the General Bak-
ing program for Bond Bread, a national
advertiser with a regional sales problem.
Through Ivey & Ellington Advertising
Agency, they purchased 15 Quaker Network
stations in four states and the District of
Columbia.
The General Baking Company in the
Quaker Network area had been sponsoring
a quarter-hour of the NBC Breakfast Club
on several stations. When NBC decided to
withdraw all sponsors from the Breakfast
Club, it was suggested that the station build
a Breakfast Club-type program for Bond
Bread's exclusive use on the Quaker Net-
work. WFIL built the show with network
talent. The General Baking Company
signed a 52-week contract with the Quaker
Network for an expenditure in excess of
$200,000. Though the talent receives a gen-
erous share of this sum, when the client di-
vides the cost over the 15 Quaker Network
stations, talent cost per station is extremely
low.
In handling of commercials, the program
carries a definite flavor of Bond Bakers
throughout, but the unique hook that appeals
to branch plant managers is the local cut-
in announcement. On long musical numbers
the program is faded down, and the local
announcer comes in with a commercial an-
nouncement peculiarly adapted to the local
sales problem. These announcements are pre-
pared by the advertising agency, which has
contacted the men in the field. In this man-
ner, the Bond Bakers have a network cali-
bre program, closely identified with the prod-
uct they advertise, but flexible enough to be
bent to the local sales problem.
Another feature of the regional show is
the promotion the advertiser is able to put
behind it. Instead of enormous printing costs
for a number of different local shows, he is
able to bunch car card, poster, window card,
folder, give-away, insert, packaging and oth-
er printing costs, simply imprinting local sta-
tion call letters. The same is possible with
newspaper ads and copy.
In addition to covering the region desired
by the advertiser, the key station furnishes
the regional network stations with publicity
stories and photographs of the members of
the casts on network shows. This publicity is
followed up by a special department, and the
results are compiled for agency and client
consideration.
This special merchandising-publicity service
is designed to make the network a better buy
for the regional advertiser. An alert regional
network has a very definite place in the radio
industry, but the advertiser must be certain
that network is constantly on its toes to give
extra service, extra care, extra results. When
a regional network becomes just a group of
stations linked by telephone wire, it falls
apart and fails to produce results.
eturns: Almost a Million
Sportcasts Should Be Merchandised, Writes PAUL HELLMAN.
Here's the Interesting Account of Due That Was, and How
On July 2, 1921, be-
fore a cheering crowd
of almost 100,000, the
"Manassa Mauler,"
Jack Dempsey, knocked
out Georges Carpen-
tier of France in four
rounds at Boyle's Thir-
ty Acres in Jersey City.
It was a great fight,
made greater still by
the fact that Major J.
Andrew White described, blow by blow, every
bit of action to millions who couldn't afford
to pay $50 for ringside seats.
From that early beginning, sports broad-
casts have progressed to the point where to-
day they are a regular feature on most U. S.
radio stations. Boxing, baseball, basketball,
and even badminton are being broadcast at
the very time they actually happen.
Throughout the country, hundreds of spon-
sors have ridden along on the crest of the
wave of public interest in these "on-the-spot"
sportcasts. There was a time when all a busi-
nessman had to do was identify his product
with the sports event he sponsored, and his
sales message would be accepted readily.
But that doesn't happen anymore. Sports
shows today, despite their ever-increasing
popularity, must be merchandised like any
other radio program. Because they occur less
frequently, cost more, the promotions must
be planned carefully. For example, broadcasts
of local boxing matches may be held but once
each month, but interest must be , sustained
day to day.
Good radio promotions of sports events are
difficult to uncover. I happened to hear of one
that's worth relating.
Last fall, the Worth Food Markets of
Fort Worth were one of four co-sponsors of
the local, high school, football games in the
Texas Interscholastic League.
Faced with the problem of linking a sales
message appealing primarily to women with
football appealing more to men than to wom-
en, ace KFJZ sports announcer Zack Hurt
hit upon a Popular Players Poll.
It was simply an effort to determine the
most popular young gridiron star in the
league, but it became one of the most success-
ful promotions ever undertaken by any local
radio sponsor, if returns are any indication.
When the last ballot was counted, there had
been close to one million votes cast, but we
are getting ahead of our story.
During the game, the local listeners were
instructed how to vote for their favorite
player. They were told to go to their nearest
Worth Food Store and make a purchase.
The sales slips they received could be used as
ballots, and they could cast their votes by
writing the name of the player they preferred
on the reverse side. Ballot boxes were placed
at checking stations in each store.
Only one "spot" announcement out of the
four announcements during the football broad-
casts was devoted to plugging the Popular
Players Poll. No other medium of advertising
was used.
At the completion of the contest, after six
weeks of balloting, it was discovered that an
amazing total of 934,007 votes had been tab-
ulated. The winner of the contest, Ray Coul-
ter, star end of the Masonic Home football
eleven, had received 144,324 votes. He was
awarded a beautiful trophy as the most popu-
lar player of the year.
Most unusual fact of all: A further care-
ful check of the votes revealed that the aver-
age purchase made by voters was $1.84. Some
stores even reported an average of $2.42 per
person.
In analyzing the Popular Players Poll, one
finds that it was not particularly difficult or
different. Perhaps, its very simplicity is its
strength. This kind of promotion is easily
adaptable to almost any retail business, and
to any kind of sport. What's more it works!
54
RADIO SHOWM ANSH IP
^4
V
1*-^
Homer Covey, president of the WORTH FOOD MARKETS in
Fort Worth, is shown congratulating Zack Hurt (left), KFJZ
sports commentator, and Fred L. Edwards (right), commercial
manager of KFJZ, for the splendid results of the popular foot-
ball player contest. Stacked on the table in front of the group
are the sales slips which counted as votes — 934,007 of them. The
trophy on the table was presented to the Masonic Home, whose
Ray Coulter pulled 144,324 votes to become the most popular
player. Edwards is holding one of the sales slips in his hand show-
ing the relative size of each vote placed.
FEBRUARY, 1941
55
Versatile Stella Unge.r Brings Local Businessmen
An Dn-the-Spot Program of "Hollywood Headliners"
AIR ANALYSIS
Ask the average American
youngster today, "What is
the biggest star in the heav-
ens
Ch
ances are,
he'll
answer "Mickey Rooney."
The clothes we wear, the
way we comb our hair, even
the soap we use to wash
our faces is influenced to some degree by Holly-
wood. Eighty-five million people spend at
least two hours in some theater each week,
and most of them spend even more time out-
side talking about the pictures they have seen.
The movies and their glamorous stars are
news! Is it any wonder that radio programs
featuring these stars are among the most
successful on the air?
In the past, local businessmen have spon-
sored many radio programs about screenland's
pictures and personalities, but more often
than not, the material used was newspaper
re-hash, Hollywood publicity releases, or
press book clippings. The only place to get the
actual, inside stories was from Hollywood it-
self. Few, if any, businessmen were able to
afford a full-time, on-the-spot Hollywood
radio reporter.
The logical, economical solution was syn-
dication, transcribed movie news written, pro-
duced right in Hollywood and sponsored in
each market throughout the country by local
radio advertisers. Among the first, and still
the most successful of these Hollywood news-
casters, is versatile Stella Unger.
Author, director, actress — Stella Unger is
well-equipped for her present radio work.
From the theater, where she wrote special
material for Ed Wynn, the Shuberts, and
Earl Carroll, she stepped into radio, con-
ducted many successful shows including the
Borden Dairy Company's Special Edition,
a popular half-hour afternoon variety pro-
gram. As one-time head of the radio writinj^;
department of the advertising agency, Erwin
Wasey & Co., she created commercial copy
for such varied products as cigars, cold rem-
edy, tooth paste, and many others. She also
developed the Springtime in Paris promotion
for New York department store, Saks 34th
Street.
Her present radio program, Hollywood
Headliners, is a fast-moving, five-minute, be-
hind-the-scene picture of Hollywood. The
material she uses is informative and complete-
ly up-to-date. Personalities, success stories,
bits of human interest, sentiment, and drama
are all included in the series, with petty gos-
sip or keyhole technique omitted.
Made available to radio advertisers a very
short time ago, the program is now on more
than forty stations from coast to coast. 156
programs are ready, 3 a week for 52 weeks.
Sponsors include: New Method Laundry —
WCOL — Columbus, Ohio; Broobener's Fur
Shop— WBRK— Pittsfield, Mass.; Her-
man's Apparel Shop — WMFF — Plattsburg,
N. Y.; BiLTMORE Dairy Farms— WSOC—
Charlotte, N. C. ; Tampa Gas Co.— WFLA
— Tampa, Fla. ; Todd's Bakery — CFCF —
Montreal, Canada; Ray Moore's Drug
Store — WGTM — Wilson, N. C. ; Hudson
Dealer — WBOW — Terre Haute, Indiana;
Farmer's Cooperative Dairy — WSJS —
Winston Salem, N. C. ; Girard's Salad
Dressing — KGO — San Francisco, Calif.
Most lavish in his praise of the program is
Nlw Method Laundry's general manager,
H. M. Siebold. He writes:
"We have been delighted with the results
this program has accomplished for us for the
period of time we have been on the air with
it. We feel sure that, combined with our oth-
er forms of advertising, it fits, very nicely
into the scheme of promotive business. We
are really very much sold on it as an adver-
tising feature."
Regardless of product, Stella Unger's
Hollywood Headliners claims attention!
HOW TO USE IT!
No program subject is better adapted to
intensive merchandising than the movies. Pro-
motions are practically unlimited. At the pres-
ent time, Stella Unger syndicates a newsypaper
column. Camera Closeups, which should tie in
56
RADIO SHOWMANSHIP
perfectly with the radio feature. If the col-
umn is used by one of your local newspapers,
get them to call attention to your program
at the bottom of each column, and you, in
turn, mention the newspaper.
A series of seven, 20-second, dramatized
announcements have been recorded which can
be broadcast prior to the first program to
build the listening audience. They are fur-
nished to advertisers at no extra cost.
Although Hollywood Headl'mers is a five-
minute feature with ample time for opening
and closing announcements, a specially writ-
ten script is available for use with music to
fill out a full, well-rounded, 15 minutes.
AIR FAX: Stella Unger's Hollywood Headliners is
available to only one station in each market.
Number of Programs: 156 (3 a week for 52 weeks.)
Publicity releases, mats, photographs, merchandising
suggestions furnished. The programs are supplied
eight to a double-faced record, which makes them un-
usually low in price. For complete rates, availabilities,
details, write to NBC Radio-Recording Division, Na-
tional Broadcasting Co., RCA Building, Radio City,
N. Y.
COMMENT: Combine Hollywood with a prod-
uct that appeals to women, and you have a
good sales formula. For proof, ask the Lux /^
soap people !
A feminine dynamo who re-
fuses to do anything the way
other people do it is Stella
Unger. As the Hollywood
Newsgirl, she tells listeners
what's happening in the mov-
ie capital and sells a lot of
her sponsors' products.
FEBRUARY, 1 94 1
m-
ipBi
mM
The Timely Story of the House That Radio Built,
Sponsored hy Eight Bangor, Maine, Building Companies
In Bangor, Maine, a house went up — from
hole in the ground to cellar, from foundation
to structure, brick by brick, one piece of lum-
ber fastened to another, up to the shingled
roof.
It was not an unusual house. There are
probably hundreds of others like it through-
out the country. Yet, as the house rose, so
followed the barometer of public interest.
Not only did it attract its share of "sidewalk
engineers," but people came from miles
around just to watch. They passed by the big
$50,000 mansion that was going up down the
block ; they didn't even give a second glance
to the half-finished modern bungalow across
the street; all eyes were focused on this house.
And here's why! Account executive Ru-
dolph O. Marcoux of radio station WABI
got the idea that in the spring a radio pro-
gram revolving around the building of a house
would have a natural appeal, for in the spring,
most people revive a dormant desire to own a
home, or at least to make their old home a
better place to live in. Marcoux went out and
sold his idea to eight Bangor concerns in, or
related to, the building trade.
He called the program The Homers at
Home and got each of the sponsors to take
one or more of the half-hour shows for each
product he wanted to feature. They also
agreed to furnish the material going into the
house at cost. Each week's show carried one
long commercial in the middle, selling one
particular product, and at the end of the show
named all of the participating firms briefly.
Bangor residents were in on the ground
58
RADIO S HOWM ANSH I P
\(f!--o(Mt^
'^ SST" .«
Can you visualize the effect of a message liki
this from you to your chents and prospects
'We have long felt that you, a local hiisiness
man, would like to know what others in you
same field throughout the country are doin^
in radio . . . what methods they are using U
get sales through the air. This magazine i:
devoted to the transmission of these ideas
plans and promotions and we have taken the
privilege of subscribing to it for you.
"We sincerely hope you will find some of the
tried and tested m^erchandising ideas se\
forth in these pages adaptable to your busi-
ness. If they give you the spark of an idea,
let our staff assist you in developing it into
a sound radio advertising campaign. Discus-
sion can be had at your convenience. No
obligation, of course."
5511 LOCAL KA9I
Fifteen cents per copy sends this educational, sales-stimulating,
brilliantly edited magazine to a selected list of men in your town.
; Every month your clients, your salesmen's prospects, the advertising
agencies in your community will ha^^e you to thank for their copy of
Radio Showmanship magazine. Your station insert (four pages) will
be bound into every copy mailed by us to your city.
The price (1 5 cents) covers cost of mailing, stamps, wrapping, address-
ing, binding your insert into the center of the magazine ... in other
words, the magazine complete — delivered to whomever you wish.
(The insert is your own to do with as you please; you make it up, you
print it, you mail it to us. We bind one into every magazine mailed to
your city.)
In addition, your salesmen receive at their home the RS Sellogram
every month ... a salesman's guide to better selling through the pages
of Showmanship.
[ I The overwhelming acceptance of Radio Showmanship after only five
I j months of publishing is proof in itself of the effectiveness of the maga-
i\ zine. . . . Your station cannot afford to be without it! Because Radio
J ' Showmanship is exclusive with one station in a town, why not fill out
t ; the enclosed self-addressed postcard today? Your salesmen will appre-
1 : ciate this extra selling aid you give them . . . your clients and prospects
' ' will appreciate receiving the magazine.
II On the Next Page You Will Find a Partial List of the
Stations Already Using Radio Showmanship Magazine
THESE ARS SOME OF THE STATIONS
NOW USING RADIO SHOWMANSHIP
KDYL
Salt Lake City, Utah
KMO
Tacoma, Washington
KOA
Denver, Colorado
KROW
Oakland, Calif.
KFJZ
Fort Worth, Texas
WEBC
WFBR
WFIL
WHB
Duluth, Minn.
Baltimore, Md.
Philadelphia, Pa.
Kansas City, Mo.
WHK-WCLE
Cleveland, Ohio
WHN
WIND
WLAP
New York, N.Y.
Chicago, 111.
Lexington, Ky.
WTCN
Minneapolis, Minn
KDLR
Devils Lake, N. D.
WBLK
Clarksburg, W. Va.
WXYZ
WSPD
WAGA
Detroit, Mich.
Toledo, Ohio
Atlanta, Ga.
WEMP
Milwaukee, Wis.
WCOP
Boston, Mass.
WCHS
Charleston, W. Va.
WPAR
Parkershurg, W. Va.
WSAZ
Huntington, W. Va.
WOOD-WASH
Grand Rapids, Mich.
KOL
Seattle, Washington
KFJM
Grand Forks, N. D.
KLPM
KRMC
Jamestown, N. D.
WWVA
Wheeling, W. Va.
WLOK
WHIZ
Lima, Ohio
Zanesville, Ohio
WMMN
Fairmont, W. Va.
WLEU
Erie, Pennsylvania
KTUL
WGR
Tulsa, Oklahoma
KTSW
Buffalo, N. Y.
Emporia, Kansas
KOMA-
Oklahoma City, OkU.
WBRC
Birmingham, Ala.
WGRC
Louisville, Ky.
WORC
KVFD
Worcester, Mass.
Fort Dodge, Iowa
Minot, N. D.
Radio Showmanship Magazine Is Exclusive With One Station in a City.
Give Your Salesmen This Extra Lift . . .
Mail the Enclosed Postcard Today
The cast and orchestra that bring Bangor listeners the Homers at Home.
floor, for week by week, the program brought
the radio audience a blow-by-blow account of
the building of the house. Listeners were also
invited to visit the scene and watch the actual
progress.
Though the house was real, and the scenes
in the program were Bangor scenes, the story
of the Homers at Home was entirely fiction-
al. Like many American families, the Homers
were building a new home, and all the com-
plications formed the plot of the drama.
In spite of this, the story never becomes
"commercial." The crises the Homers faced
were humorous rather than tragic. The char-
acters were Ambrose Homer and his wife;
the former, a retired Shakespearian actor, and
the latter, a retired trainer of an educated
seal. The air at their breakfast table bristled
with barbed wisecracks about their artistic
careers. There were heroes, heroines, villains
— all the typical characters that run rampant
through our daytime serials. It was radio
drama as the American audience has learned
to like it, made surprisingly real by the fact
that the house in the script was actually built.
The show ran 1 1 weeks, half-hourly.
Proof of its effectiveness: Last year was the
FEBRUARY, 1941
second year year the idea was carried out, and
every original sponsor returned for a second
time. This year will be the third.
In both years, the homes were sold before
the program series was completed. They cost
about $8,000, with the owners saving approxi-
mately $1,000.
Last year's model home was built accord-
ing to the specifications of the Johns-Man-
viLLE "Triple-Insulate" plans, has forced
air heating, fuel oil, fireplace in the basement
for a game room, many other outstanding
features.
HOW YOU CAN USE
A PROGRAM LIKE THIS
With the tremendous appropriation set
aside for defense, the resultant higher wages
to skilled workers, and the
FHA plan, this year should
find America going through
another of its recurrent
building booms. Quick to
capitalize on the increased
demand will be the busi-
(Continue on next page)
AIR ANALYSIS
63
nessmen in the building trades who undertake
a radio project as elaborate and spectacular
as the Homers at Home.
Essential for the program's success is find-
ing a married couple who will buy the home
that you and other sponsoring firms will
build. In Bangor, the Bangor Loan and
Building Association not only furnished
a tip on who was about to build a home, but
helped sponsor the show as well. The fact
that the owner will receive his home at the
cost of the building materials makes selling
relatively easy.
It is very important that the show receive
considerable advance promotion. All of the
sponsors' trucks should carry banners, and
their show- windows should tie in with the
promotion. Both newspaper advertisements
and spot announcements should be used for
at least two weeks before the initial broad-
cast. An elaborate display should be con-
structed at the site of the house, calling atten-
tion to the radio program.
In order to test mail response, house plans
can be offered to those writing in. This give-
away worked very successfully in Bangor.
AIR FAX: The dramatic serial was written and pro-
duced by Maurice W. Dolbier, performed by the
WABI players.
Broadcast Schedule: Thursday, 7:00-7:30 P.M., for
1 1 weeks.
Sponsors: (Lumber) William B. Lewis Co.; (Plumb-
ing, Heating, Roofing, Building Materials, Paint,
Wallpaper) R. B. Dunning Co.; (Builder) Almon
B. Stewart; (Builder's Hardware) Haynes and Chal-
mers Co.; (Furniture) Bangor Furniture Co.; (Elec-
tricity) C. H. Bobb and Co., using Hotpoint electri-
cal appliances; (Modernization Loans) Eastern Trust
and Banking Co.; (Home Building Loans) Bangor
Loan 8C Building Association.
SAMPLE SCRIPT AVAILABLE
COMMENT: It takes daring to plan a pro-
gram as elaborate as this; it takes work to
carry it out; it takes show7nanship to put it
across.
A Ghost of an Idea
may be the beginning of a successful
sales campaign. In this issue there is
a collection of some of the best tried
and tested program promotions being
used in the country today. One of
them may be adaptable to YOUR busi-
ness. We will be glad to furnish more
detailed information on any of the
programs listed.
64
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Automobiles
SKY REPORTER In the December issue,
Radio Showmanship reviewed Sky Reporter,
p. 153, and sponsor Walter Irvin, Inc's.
comment, p. 150. Considerable interest has
been created by the program, because it is the
first regular day in and day out interview
program on any transcontinental air line. — Ed
Just concluded was a letter-writing contest
with listeners asked to write their opinions of
the program. Prizes: $16.50 spotlight, five
dollars in cash, TWA Stratoliner ash tray.
Current contest: "Why I Like the FoRD or
Mercury Ride Best." Twelve prizes will be
awarded, the first prize, $35 in trade at any
men's or women's store in Amarillo (Tex.)
AIR FAX: Each afternoon at 5:35, Sky Reporter Earl
R. Strandberg, mike in hand, greets alighting not-
ables. The transcribed program is aired the same
evening. Other current contest prizes: ^20. 00 in
trade at any jewelry store in town, ^15.00 worth of
drug store supplies, ^10.00 worth of food, $5.00
worth of tnerchandise from store of winner's choice
sixth to twelfth prizes, two and one dollars each.
Prominent past interviewees: James Stewart, Orson
Welles, Ray Milland, Mary Pickford, Don Wilson
Rochester, Gene Autry, Richard Arlen, Horace Heidt,
Lew Holtz, Henry Armstrong, Caesar Romero.
First Broadcast: November 1, 1939.
Broadcast Schedule: Daily, 8:00-8:15 P.M.
Followed By: News.
Competition: Walter Winchell (NBC); Ford Sun-
day Hour (CBS).
Sponsor: Walter Irvin, Inc. (Ford, Mercury, Lincoln
Zephyr distributor).
Station: KFDA, Amarillo, Tex.
Power: 250 watts.
Population: 43,132.
Agency: McCann-Erickson.
SAMPLE COMMERCIALS AVAILABLE
COMMENT: Not content to bask in the glory
of a successful program idea, alert sponsor
Walter Irvin, Inc. merchandises the Sky
Reporter to the hilt with his series of contests.
In using contests, it is suggested that they be
extremely simple so that anyone can enter and
have a fairly good chance of winning. It is
important that the contest be promoted for at
RADIO SHOWM ANSH IP
.
least two weeks on a daily program. If the
program Is aired less frequently, the contest
should be continued proportionally longer.
Automobiles (others)
SATURDAY OPEN HOUSE Remember the
old time barber shop quartets? One often
wonders where they disappeared to. Perhaps
the answer will be disclosed in a new radio
stunt conducted by the Chicago chapter of the
Society for the Preservation and Encourage-
ment of Barber Shop Quartet Singing in
America, Inc. It's all part of the fun and hi-
larity in Chicago's multi-sponsored Saturday
Open House. Each Saturday afternoon, Chi-
cagoans are invited to a two and a quarter
hour star-studded variety show. Current high
light is the hotly-contested attempt to deter-
mine the best barber shop quartet in the area,
with different local groups auditioning and
appearing weekly.
AIR FAX: Other features of the show include: CBS
orchestra and instrumentalists Rhythm Rascals; mag-
niloquent emcee Eddie Dunn, who magically becomes
Prof. Anatole Zilch and delivers lectures on musical
instruments; Yogi Yorgesson, the "Yenuine Hindu
Mystic," tormenting the piano; organist Dave Bacal,
songstresses Fran Allison, Dale Evans; WBBM ush-
er-tenor Lloyd Webb.
Broadcast Schedule: Saturday, 1:45-4:00 P.M.
Preceded By: Listening Post (European News).
Followed By: The Story of Constance Worth.
Competition: Sports Edition.
Sponsor: Bird Sykes Motor Co., Chicago (Other:
Agfa Ansco Division of General Analine 8C Film
Corp., Binghamton, N. Y.).
Station: WBBM, Chicago, 111.
Power: 50,000 watts.
Population: 3,384,556 (1940).
Agency: Young dC Rubicam, New York, N. Y. (For
Agfa Ansco ) .
COMMENT: Saturday afternoon is an ideal
"go places and do things" day. Many stations
plan elaborate variety programs to lure a
large studio audience, have secured surprising
results.
Electric Appliances
THE JUNIOR SHOWBOAT When new
sponsor Electric Shop, Inc. recently step-
ped into the helm of the decade-old WHK
Junior Showboat, they didn't sit back, wait
for the current to carry them to profits. With
ealous ambition, they set themselves the task
of selling the public on the program via 3,000
letters to civic leaders (chairmen of church
radio groups, officers, schools, etc.). Stress
these letters: the good musical quality of the
how, the excellent opportunity it gives for
Ipromotion of youthful talent.
AIR FAX: Skipper Duke Lidyard presents Cleveland
amateurs as though they are part of a professional
show aboard a river steamer.
Broadcast Schedule: Saturday, 12:30-1:30 P.M.
Preceded By: Army Recruiting Program.
Followed By: Concert Music.
Competition: This Might Be You (MBS); Concert
Music (NBC).
Sponsor: Electric Shop, Inc.
Station: WHK, Cleveland, Ohio.
Power: 5,000 watts.
COMMENT: A new sponsor on an old show
can take advantage of an established audience,
but credit the Electric Shop, Inc. with
going further than this. They went out and,
through promotion, added neiu listeners.
Farm Supplies
THE FARMERS' HOUR Last month, Des-
chutes Grain & Feed Co. of Redmond
(Ore.) rang up a solid year of radio broad-
casting, look forward to another. They had
established a regular listening audience with
daily presentation of the indispensable market
reports.
But the sponsor was not satisfied to give
the mere necessities. Each Tuesday and
Thursday, they converted their program into
a local amateur show (and a pulmotor of
good will!). Most important: Talent is gath-
ered from the various Farm Granges of the
county.
AIR FAX: Program opens with lively band music, pre-
sents the market reports from the U. S. Agricultural
Marketing Service, and the United Press. Remainder
of time is devoted to reports from the Oregon Agri-
cultural College on various farm problems.
First Broadcast: January 15, 1940.
Broadcast Schedule: Monday thru Saturday, 12:45.
Preceded By: News.
Sponsor: Deschutes Grain 8C Feed Co., Redmond,
Ore. (Dealers in feeds, grains, farm implements).
Station: KBND, Bend, Ore.
Power: 250 watts.
Population: 8,848.
COMMENT: To the farmer, radio market
reports are the highest form of public serv-
ice. To the sponsor of these reports goes his
appreciation. In recent years, stations have
either sold out these programs or refused to
sell at all. If you have a product that appeals
exclusively to farmers and an available mar-
ket report show in your town, you've got the
start of a profit-producing combination.
FEBRUARY, 1 941
65
Finance
LIFE IN THE ARMY Among the first to
invade the army for radio material is alert
sponsor First Wisconsin National Bank.
Last month, specially assigned scouts turned
up at Camp Beauregard (La.), where Mil-
waukee and Wisconsin boys are stationed.
Their job is to record on a 15-minute disc,
some eight or ten interviews twice weekly
with home-town boys, plane them back to
Milwaukee for immediate broadcast. To the
families are sent advance notices of the time
their boys are scheduled to be heard.
Outstanding good will token given by the
bank to the boys' parents is the record of
their own son's interview.
Program promotion: Three 1x6 newspaper
ads in the radio section, publicity stories in
newspapers, poster cards in bank lobbies.
AIR FAX: Virst Broadcast: January 23, 1941.
Broadcast Schedule: T-Th., 6:45-7:00 P.M.
Preceded By: Frazier Hunt (CBS).
Followed By: Coffee Time.
Sponsor: First Wisconsin National Bank.
Station: WTMJ, Milwaukee, Wis.
Power: 5,000 watts.
Population: 578,249.
COMMENT: Last month Radio Showmanship
printed a letter received by them from Ed-
ward M. Kirby, newly appointed to the Radio
Division of the United States Army. Mr.
Kirby states regulations for the local radio
sponsor regarding army camp broadcasts. See
January issue, The Readers Write, p. 38.
Hardware (9 others)
COOKING SCHOOL AND HOME-MAKER'S
QUIZ Duluth (Minn.) housewives gather
each Monday night in the commodious ball-
room of the Spalding Hotel, where ten busi-
nesses jointly sponsor a combined cooking
school and quiz. Alternated during the course
of the program are demonstrations by promi-
nent Northwest food authority Sally Sandison
and a "Dr. I. Q." type quiz. Two roving mic-
rophones zigzag throughout the audience,
followed by a table filled to the brim with
merchandise prizes contributed by the spon-
sors.
Program pulls some 400 housewives week-
ly, satisfied all 10 sponsors completely after
a four-program test run. To plug the pro-
gram, placards are placed in some 120 Du-
luth-Superior busses.
AIR FAX: Quiz questions concern cooking, etiquette,
home economics, home problems, women, etc. They
are solicited from the radio audience. Demonstrator
Sandison opens the program with 15 or 20 minutes
Zigzagging through the audience, two announcers
ask "easy as pie" food questions as part of the
Home-maker's Quiz. Winners get a table-full of
prizes. The program is jointly sponsored by 10
businesses ranging from a hardware store to a but-
ter manufacturer. It is staged weekly in the Spald-
ing Hotel ballroom in Duluth, Minn.
of school; 10 or 15 minutes follow of the first por-
tion of the quiz. Same cycle repeated completes the
hour show. The Kitchenaires, musical quartet, en-
tertain. Assistant Chef Milo, comedy relief of the
program, gets his fingers intp every culinary and quiz
pie.
First Broadcast: December 16, 1940.
Broadcast Schedule: Monday, 7:00-8:00 P.M.
Preceded By: Musical.
Competition: Telephone Hour (NBC).
Sponsor: Daugherty Hardware Co. (Others: Minn.
Assn. of Butter Manufacturers, Duluth Glass Block
Store, Duluth Universal Milling, Piggly Wiggly Store*;,
Peerless Laundry, Klearflax Rug Co., Northern Fruit
Jobbers, Andresen-Ryan Coffee Co., Twin Ports Co-
op. Dairy. )
Station: WDSM, Superior, Wis.
Power: 250 watts.
Population: Superior, 36,113; Duluth, 101,463.
COMMENT: Orchids to the cooperative pro-
gram with a genuine entertainment value!
One of radio's big problems is to sell for a
large group of sponsors on one program, at
same time meet public standards of entertain-
ment. Length of this cooking school-quiz fea-
ture (one hour) lessens the strain of squeez-
ing commercials too closely together. Impor-
tant added feature: Sponsors, using their
products as quiz prizes, provide motivation
for much commercial ad libbing.
66
RADIO SHOWMANSHIP
Jewelry
SKULLCRACKERS Quiz-king in northern
California for the past four years is Oak-
land's Kay Jewelry Co., who takes 30 ex-
plosive minutes weekly on KROW to broad-
cast Skullcrackers. Formula: Eminent emcee
Scott Weakley pits two local organizations
against each other. Winning team appears on
subsequent programs until eliminated by
another higher scoring organization. On each
program, to the two highest personal scorers,
irrespective of side, go sponsor merchandise
awards.
Much of the credit
for the success of Skull-
crackers is due to off-
the-air sessions of the
show, staged before near-
ly 100 schools, fraternal
organizations, churches,
and civic groups. Rough
estimate of total off-the-
air audience is 25,000.
Audiences range from 50 to 8,000 at one time.
(The largest group gathered at a special
show in the Oakland Auditorium during Fire
Prevention Week, held under the auspices of
the Junior Chamber of Commerce of Oak-
land.)
During Kay's twenty-sixth anniversary sale
last September and October, almost the sole
sale plugs were via this program. Customer
crowds and resultant success of the sale tes-
tified to the program's pulling power. From
time to time the program is aired from local
theaters, auditorium to satisfy capacity audi-
ences.
AIR FAX: Competing teams of four have been select-
ed from business, industrial, fraternal, military, soc-
ial, racial, and religious groups. Approximately 50%
of the teams last for only one program; 35% stick
for two or three weeks; 10% go five weeks; a bull-
dog tenacious 5% hang up records from seven to
twenty weeks before tasting defeat.
The title theme, Skullcrackers, is carried out through-
out the program: Contestants (figuratively) "get their
skulls cracked" whenever they flunk a question. Pros-
ecutor Weakley employs a real skull and an intri-
cately arranged sound effects device, which produces
a hollow, cracking sound when he wields his mallet.
To judge impartially _ the allotted time to answer
questions, an automatic electric timing unit is em-
ployed.
Broadcast Schedule: Thursday, 9:00-9:30 P.M.
Preceded By: Concert Hall.
Followed By: Hockey.
Sponsor: Kay Jewelry Co.
Station: KROW, Oakland, Calif.
Power: 1,000 watts.
Population: 284,063.
COMMENT: Some quiz programs flourish
and others fade in almost every U. S. radio
town. Always sure interest-arousers are ex-
tra-promotions, such as Skullcrackers' good
will off-the-air performances.
Men's Wear
MORN PATROL Last April, Cincinnati's
go-getter Bond Clothes Store, regular 15-
minute time buyer on WCKY's Morn Patrol,
moved into the Hotel Gibson roof garden to
stage the "Bond Clothes Sports Parade," a
double feature bill of sports bigwigs and
spring styles for high school and college boys.
Morn Patrol daily announcements for one
week (the show's sole publicity!) invited stu-
dents to get their tickets at Bond's.
Pandemonium followed, as 1,800 students
(prospective buyers of commencement cloth-
ing) sardined into Bond's for tickets, met a
store-full of suit and accessory displays !
That was the prelude! The actual party
was a dizzying mixture of an All-American
football player, American airlines pilot, "no-
hit" pitching star, and a men's style show fea-
turing clothes from Bond's.
AIR FAX: Morn Patrol originator Al Bland authors
all the comedy patter, chameleonizes himself into a
blackface character, "Mose." He is aided by straight
man Bernie Johnson. Blow ups of Bland, Johnson,
and ''Mose" are featured in BOND display windows.
Last summer "Mose" pen-
ned a daily "baseball
pome," copies of which
were sent to fans request-
ing them. Response ran in-
to thousands. At season's
end. Bland printed in book
form the "pomes," offered
them over the air at cost,
35 cents. Within a week,
the entire printing of 5,000
had disappeared, sent out
by mail or called for at
the BOND store.
First Broadcast: January
26, 1937.
Broadcast Schedule: Monday thru Saturday, 7:00-
8:00 A.M. (Bond time: 7:45-8:00 A.M.).
Preceded By: Hot Coffee.
Followed By: News of Europe (CBS).
Competition: Sun-Up Salute, Schoolbus Special.
Sponsor: Bond Stores, Inc.
Station: WCKY, Cincinnati, Ohio.
Power: 50,000 watts.
Population: 451,160.
COMMENT: There are two ways to use
radio to push a special seasonal promotion.
Bond's used it the right way. Instead of
plunging into radio spasmodically to promote
commencement clothing and other seasonal
sales. Bond's spent their dollars evenly on a
year-round program. When the extra-special
occasion arose, they used their regular pro-
gram to pull in extra business.
So many men's wear merchants are flab-
bergasted when radio salesmen attempt to
sell time during dull February or mid-sum-
mer. But the cumulative value of a consist-
ent year-round campaign pays out dividends
when the "chips are down."
FEBRUARY, 1 941
67
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used to promote radio programs. One dollar will be paid for pictures
accepted. If you wish photographs returned, please include self-addressed,
stamped envelope.
At the blow-by-blow description
of a special holiday boxing bout,
prominent sportsc.ister John Dil-
lon announced over station WFAS
(White Plains, N. Y.) the Cy-
clone Auto Supply Stores' un-
usual offer to buy auto owners'
licenses for them on non-profit,
installment plan. For complete
review, see Showmanship in Ac-
lion, January issue, p. 27.
Typical BOND STORE dis-
play window includes blow-
ups of Bernie Johnson, Al
Bland, and "Mose", sponsor-
pitchers on Cincinnati's WCKY
Morn Patrol. For complete
review of Morn Patrol and
BOND'S successful spring
promotion, see Showtnanshtp
in Action, p. 67.
68
>♦ RADIO SHOWMANSHIP
Stepping into its fourth year on KROW,
(Oakland, Calif.) is Skidlcrackers. San-
guine skull is "Homer", who each week
grins toothily at contestants, but actual-
ly, wrong answers receive a sharp stroke
on an Oriental temple block, seen in the
extreme left of the picture, which makes
a bopping sound like a knock on the
noggin. For complete review of Skull-
crackers, see Showmanship in Action, p.
67.
Once each year, sponsor GUNTHER
BREWING CO. hires a mammoth audi-
torium to clear up back requests for
tickets for Quiz, of Two Cities broadcasts,
heard weekly on Baltimore's (Md.)
WFBR and Washington's (D. C.)
WMAL. Henry Hickman quizzes the
Baltimore contestants.
KVEC (San Luis
Obispo, Calif.) staff
featherbrains act nat-
ural on daily, half-
hour-long Boarding
HoM.<e, sponsored joint-
ly by seven sponsors.
For complete review of
Boarding House, see
Proof O' The Pudding,
p. 73.
FEBRUARY, 1941
69
WHAT THE PROGRAM DID FOR MEi
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 11th at Glenwood, Minneapolis, Minn.
Amusements
STRICTLY SWING CLUB 'Last year,
Lake Compounce used WDRC exclusively
on a four-time a week program basis of 10
minutes duration, sponsoring Gil Bayek's
Strictly Swing show.
"The decision was more than justified by
an increase in business of about 25%. Gil
Bayek has over 10,000 members in his Strictly
Swing Club, and these loyal 'swing fans' are
boosters of Lake Compounce by their actual
attendance at Connecticut's outstanding play-
ground.
"People attending the
dance at Lake Compounce
have told me they came
from Mystic, Norwich, New
London and East Hamp-
ton, Conn.; Holyoke,
Springfield, and Worcester,
Mass. etc. 80 to 100 miles
is not uncommon for sev-
eral groups to come, and
they all get their feature
attractions for the coming
week by listening to Gil Bayek's Strictly
Swing program.
"Naturally, we're more than pleased with
our results!"
Julian Norton
Advertising Manager
Lake Compounce
Bristol, Conn.
AIR FAX: Prior to die time LAKE COMPOUNCE
(featuring name bands) sponsored Strictly Swing,
they had limited their radio advertising to spots.
Organization of the club last year brought LAKE
COMPOUNCE the best business in its 40 years'
history. Band leader, trumpet player, WDRC an-
nouncer Gil Bayek leads this ad lib-recordings pro-
gram.
To each member of Strictly Swing Club is sent a
membership card. Special attraction: Reduced rate to
club members to hear name bands at Lake Com-
pounce.
Sponsor: Lake Compounce, Bristol, Conn.
Station: WDRC, Hartford, Conn.
Power: 5,000 watts.
Population: 221,940.
COMMENT: Exceptionally well-adapted to
dance resorts is the radio swing club. The
program itself need not be expensive, for
sponsor can find no more appealing entertain-
ment for his audience than musical recording.
With a popular announcer and special con-
cessions to members, the club and sponsor
should go to town.
Department Stares
MICKEY MOUSE CLUB "This program
has been an outstanding success ever since its
start in 1933. It is handled through the local
radio station, WAPO, and our tie-up is en-
tirely through spot announcements, of which
there are four or five during the half hour.
Children up to 10 years of age are invited to
take part on the program, and it is strictly
amateur, with no rehearsed performance.
"The program has been instrumental, we
are sure, in building up our children's depart-
ment, and the children and their parents still
continue to show a great deal of interest in
it."
Mrs. M. P. Barry
Publicity Director
Lovemans, Inc.
Chattanooga, Tenn.
AIR FAX: With the accent on youth, the show invites
local, jubilant juveniles to perform, sets their age
limit at 10 years. Presented each week is a complete
variety show of songs, recitations, instrumental solos
or groups. To "sign up," moppets telephone station
a week in advance,
describe their act.
First Broadcast:
January 8, 1938.
Broadcast Schedule:
Saturday, 10:00-
10:30 A.M.
Sponsor: Love-
man's, Inc.
Station: WAPO,
Chattanooga, Tenn.
Power: 1,000 watts.
Population: 119,-
798.
COMMENT: For
another review of
Mickey Mouse
Club, see January
issue, p. 32.
70
RADIO SHOWMANSH IP
YOURS
for the asking
ADDRESS RADIO SHOWMANSHIP
11th at Glenwood, Mitincapolis, Minn.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, p. 32).
Bakeries — Musical Arithmetic (see p.
72).
Beverages — Gaslights and Bustles (see
Oct. issue, pp. 73, 74).
Building Materials — Homers at Home
(see p. 58).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Electric Appliances — Listen and Win (see
Dec. issue, p. 151).
Electric Appliances — Prof-it (see Sept.
issue, p. 28; Oct. issue, p. 65).
Flowers — An Orchid to You (see Sept
issue, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Garages (Others) — Boarding House (see
p. 73).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Imperial Interlude (see Nov.
issue, p. 107).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Laundries — Rock-a-bye Lady (see p. 47).
Men's Wear — Juster's Styles for Men
(see Sept. issue, p. 8).
Music Stores — Meet the Team (see Dec.
issue, p. 151).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Adventures in Christmastree Grove (see
Nov. issue, p. 98).
Betty and Bob (see Oct. issue, p. 53).
The Enemy Within (see Jan. issue, p.
18).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (see Sept. issue, p.
35).
Stella Unger (see p. 56).
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surreys, long runs,
the growth of the business itself.
Autamabiles
SAY IT FOR CASH April last, Philadelphia
Dodge and Plymouth dealers, Heinel
Motors, jolted public attention with Say It
For Cash, soon found other forms of adver-
tising unnecessary. To local quiz fanciers, the
show means a cumulative, unlimited, cash
award ; to sponsor, a cumulative, unlimited
listening audience.
Method: Each day at program's start,
emcee Doug Arthur announces a "money sen-
tence." Then, during the program, Arthur
calls Philadelphians at large. First person
called who can repeat the "money sentence"
gets the five-dollar award. If no one can cite
the sentence, sum is pyramided onto follow-
ing day's sum, etc., ad infinitum.
Show furnishes own check of effectiveness.
As more and more people become avid Say
It For Cash listeners, the sum has less and
less chance of attaining huge proportions.
Highest amount ever reached: $225 at the
start. Only once since has it hit above the
hundred-mark.
AIR FAX: Following the trend to more radio informal-
ity, emcee Arthur ad libs even the commercials, tying
them in with the phone calls, money, general pro-
gram patter. Recorded music is gap filler.
First Broadcast: April, 1940.
Broadcast Schedule: Monday thru Saturday, 5:15-
5:45 P.M.
Preceded By: Sports Cast.
Competition: Superman; Concert Ensemble.
Sponsor: Heinel Motors (Dodge, Plymouth dealers).
Station: WIBG, Glenside, Pa.
Power: 1,000 watts.
Population: Suberb of Philadelphia — 1,935,086
(1940).
COMMENT: Even some of the best programs
start out slowly. Sponsor Heinel Motors
didn't frighten easily even when his half-hour
program had been on the air 51 times without
hitting a winner! He kept on battering at
Philadelphia radios, adding more and more
dollar prizes each week, until people sat up
and listened.
FEBRUARY, 1941
71
Bakeries
MUSICAL ARITHMETIC Soon after spon-
sor Bart's Bakery dressed arithmetic into
an enticing game, put it on the air, WSAV
telephones began to ring. All the participants
had to do to win baskets of groceries was to
phone the radio sta-
tion immediately
with the answers to
simple arithmetic
problems.
Calls so taxed Sa-
vannah telephone
facilities that the
phone company re-
quired installation
of additional tele-
phones. Even the
men (in mid-morning!) liked this simple way
to win groceries! Sponsor and station soon
had to make the request: For women only!
AIR FAX: A hark back to school days is this thrice-
weekly air arithmetic class, where the emcee asks
simple problems, and the ''students" phone the cor-
rect solution. You can't eat a good report card, so
the first two to phone the right answers are re-
warded with baskets of groceries from any grocer
they may choose.
First Broadcast: June 24, 1940.
Broadcast Schedule: M-W-F, (mid-morning).
Preceded By: The Gospel Singer (NBC).
Followed By: Hank Lawson (NBC).
Competition: Secret Diary.
Sponsor: Bart's Bakery (bread and cakes).
Station: WSAV, Savannah, Ga.
Power: 250 watts.
Population: 85,024.
SAMPLE SCRIPT AVAILABLE
COMMENT: Important merchandising stunt:
Giving away baskets of groceries instead of
cash ; this makes new grocery friends for
Bart's, since the winners can choose any
grocery they wish.
Beverages
AUDITIONS ON THE AIR Back in De-
cember, 1937, salesmen for sponsor Curran
& Joyce scurried about their sales area dis-
tributing quarter-sheets. They told of a new,
half-hour show designed to aid Lawrence
(Mass.) artists find a place for their talents.
Over the air, too, went the glad news that
all amateurs past the 16-year mark were in-
vited to participate.
The winner was to be determined by letters
and post cards sent to the station. Following
the first broadcast came the mail deluge that
has never ceased, averaging some 2,000 letters
weekly.
Special opportunity to trumpet his talent
goes to the people's weekly choice: He is sole
entertainer on a 15-minute sustaining show at
a future date; at which time, prospective ad-
vertisers are advised to keep tuned. In this
way, several commercial shows have been
built up and found sponsors.
AIR FAX: With its doors thrown wide open, the pro-
gram differs from purely musical amateur shows in
that comedians, dramatists, announcers share equal
rights.
First Broadcast: December 26, 1940.
Broadcast Schedule: Sunday, 3:00-3:30 P.M.
Preceded By: Have You Got It?
Followed By: News.
Competition: New York Philharmonic Symphony
(CBS); NBC String Symphony.
Sponsor: Curran & Joyce (makers of ginger ale,
soda water).
Station: WLAW, Lawrence, Mass.
Power: 1,000 watts.
Population: 85,068.
COMMENT: Good will shows allow unlim-
ited opportunity for promotions. Curran &
Joyce call attention to their program by dis-
tributing hand bills, other effective publicity.
Department Stores
SOCIAL EDITOR With an idea stemming
from the popular women's newspaper section,
the society page, sponsor G. A. Ducker Co.
Department Store fashioned a radio pro-
gram to appeal to women. Full time job is
capable Gladys Arbeiter Erickson's, who
amasses, writes, and airs daily a Joliet (111.)
society column.
Since its debut back in March, 1939, social
editor Erickson has consistently built pro-
gram's popularity; at present, social items
pour in daily, with more information than air
time available. The program has run con-
tinuously without a stop six days a week for
two years !
Audience builder-uppers : Mail pieces in-
serted in monthly billing, program-reminder
spot in regular newspaper ads. During special
sales, various leased departments within the
store buy a portion of the program from
Ducker's.
AIR FAX: First Broadcast: March, 1939.
Broadcast Schedule: Monday thru Saturday, 11:15-
11:30 A.M.
Sponsor: G. A. Ducker Co.
Station: WCLS, Joliet, 111.
Power: 250 watts.
Population: 42,993.
COMMENT: A recent study of the depart-
ment store's use of radio called attention to
the importance of centralizing all radio work
on one person. Practical proof: G. A. Duck-
er's Miss Gladys Arbeiter Erickson.
72
RADIO SHOWM ANSH I P
Electric Appliances (Others)
MAN ON THE STREET Here's an inter-
view program with a past! During the first
year, the sole sponsor was General Baking
Co. for their Bond Bread. Today, various
sponsors have reserved the program for spe-
cific days in the week. Monday and Wednes-
day: Kempf Brothers (electrical appliances,
radios, pianos). Sponsors of the program for
two years, Kempf put the show to a store
check, found that three out of four custom-
ers had heard the program, many made pur-
chases because of it.
Tuesday: Harry Heiman, Inc. (Chry-
sler-Plymouth dealer). Also with the pro-
gram for two years, sponsor Heiman states
that radio has accounted for more new and
used cars sold than any other medium he has
used.
Thursday: Sears, Roebuck & Co. On the
show for the past 18 months, this famous
mail order department store renews regu-
larly.
Friday: Personal Finance. After eight
months experience, this organization con-
cludes following an extensive check-up that
the program has netted better response than
all other advertising media.
Saturday: Allen, Schmidt and Pringle
(men's clothiers). They state that the cumu-
lative programs made many people in Utica
and surrounding territory "conscious of the
store and its lay-away plan."
Record: Since show's inception, it has run
steadily, fully sponsored; renewal contracts
have already been booked till next summer.
Weekly barrage of letters with prospective
prize-winning questions: 350.
Recently sent out were WIBX question-
naires to various Utica business places. Cus-
tomers were to check most popular WIBX
program. Twenty per cent of the 2,000 filled-
in forms voted for Man on the Street. Run-
ner up was news, with a six per cent vote.
AIR FAX: Friendly emcee Elliott Stewart conducts
interviews in down-to-earth manner, avoids all con-
troversial issues. Novel twist: Interviewee always has
the last word; he asks emcee Stewart a question!
Program boasts of at least one interviewee from
every city, town, hamlet in WIBX listening area.
To everyone on the program goes a pair of theater
tickets.
First Broadcast: October, 1937.
Broadcast Schedule: Monday thru Saturday, 12:45-
1:00 P.M.
Preceded By: News.
Followed By: Words and Music.
Sponsor: Kempf Brothers. (Others: Harry Heiman,
Inc.; Sears, Roebuck 8C Co.; Personal Finance;
Allen, Schmidt & Pringle.)
Station: WIBX, Utica, N. Y.
Power: 250 watts.
Population: 101,740.
cial serial numbei
COMMENT: Certainly this story is a tribute
to man-on-the-street broadcasts. Five differ-
ent business fields, yet all have found success
in a single program idea!
Garages (others)
BOARDING HOUSE Strictly as a routine
matter, a script is written daily for this half-
hour babble-bedlam. Even its seven partici-
pating sponsors are warned in advance to ex-
pect anything. Flabbergast fact: The spon-
sors are satisfied!
Cast lineup is com-
prised of five staff feath-
erbrains who carp about
the boarding house food,
change themselves read-
ily into hillbillies, Ne-
groes, billy goats, etc.
Membership cards in
the Boarding House
Club are sent to all
those requesting them.
Each card carries a spe-
On Friday, one of the
sponsors gives away a merchandise certificate
worth five dollars in radios, service, jewelry,
etc. Only members of the Boarding House
are eligible for prizes.
First week's requests scaled to 500; some
thousand-'*odd" members now swell the roll
call.
AIR FAX: Names of new members and birthday cele-
brants are announced on each program.
First Broadcast: September 30, 1940.
Broadcast Schedule: Monday thru Friday, 5:00-5:30
P.M.
Sponsor: Lucky's Service Center (Others: H. C.
Corey Jewelry, Badgeley's Tour City Gasoline, Val-
ley Electric Co., Del Sight's Radio Sales 8C Service,
Strong's Cleaning Works, Eagle Cafe, Montgomery
Ward).
Station: KVEC, San Luis Obispo, Calif.
Power: 250 watts.
Population: 8,276.
SAMPLE SCRIPT AVAILABLE
COMMENT: Providing the cast knows what
it's up to, "corn" programs can win wide
popularity. Often the biggest difficulty in the
success of a program that follows this pat-
tern is that the sponsor himself doesn't like
it. Strangely enough, surveys have proved
that there are millions who do.
Insurance
BLACK AND WHITE REFLECTIONS Fav-
orite son of Palestine, Texas, is dynamic
local notable Leland Adams. Agent for
Amicable Life Insurance Co. in adjoin-
ing Waco (Texas), a prominent worker in
FEBRUARY, 1 941
73
Palestine's Junior Chamber of Commerce
and other civic organizations, Adams stacks
a record of 10 years on the air for his em-
ployer.
In 1930, he sat down at the piano, read,
transposed, and faked a 15-minute musical
interlude. Almost continuously during the
last decade, he has continued his distinctive
musicales.
AIR FAX: Program is a blend of new and old tunes.
Broadcast Schedule: Monday thru Saturday, 9:15-
9:30 A.M.
Preceded By: First Baptist Church.
Sponsor: Amicable Life Insurance Co., Waco, Tex.
Station: KNET, Palestine, Tex.
Power: 250 watts.
Population: 11,445.
COMMENT: There are arguments pro and
con regarding the use of a popular employee
as an air entertainer. This much can be said:
Certainly, the fact that he works for the
sponsoring company should be no bar. It ties
the program closer to the sponsor. The de-
ciding factor, however, is the employee's abil-
ity to entertain. If he does have popular
appeal, then by all means use him.
Ice
JAKE'S CHATTERBOX In mid-1939, fa-
mous soap manufacturers Proctor & Gam-
ble bought a five-minute package on Dan-
ville's (111.) station WDAN, converted the
citizenry into news-
hawks trumpeting
their own affairs,
paid a brand new
dollar bill (Oxy-
dollar) for the best
local news story of
the week.
Ready successor
to P & G was local
Beard Ice Co.,
dealing in air con-
ditioned ice refrig-
erators. Results:
60 to 70 weekly
mail pieces. More
results : Directly at-
tributed to the program is the sale last Au-
gust, during a seven-day hot weather spell,
of seven dozen home ice cream freezers,
ranging in price from $3.60 to $9.60 per unit.
AIR FAX: Slender, fortyish Francis "Jake" Higgins
rapid-fires the news in a friendly, down-to-earth,
mid-western manner. The week's best story may deal
in marriages, births, birthdays, parties, anniversaries,
new pets, lost pets, lost clothing, etc. Prize is award-
ed every Friday morning. For the daily programs,
Higgins combs marriage license applications, birth
and hospital announcements, fire and police calls
Francis "Jake" Higgins
from the local departments.
First Broadcast: June 18, 1939.
Broadcast Schedule: Monday thru Friday, 9:00-9:05
A.M.
Sponsor: Beard Ice Co.
Station: WDAN, Danville, 111.
Power: 250 watts.
Population: 36,765.
COMMENT: In these days of hysterical
headlines, program-seeking sponsors are apt
to overlook the fundamental fact that many
folks are still interested in home town news.
Groceries
WHAT'S NEW? And everywhere that
Nancy goes, "Tyro" is sure to go. For eight
(8) years, charming, cosmopolitan Nancy
Gray has been ambassador-at-large for Mil-
waukee women. She has visited in Europe,
Bermuda, various Caribbean ports, New
. York, Hollywood, Denver, Phoenix — and
with her at all times has gone "Tyro," her
pet recording machine. "Tyro" enables her to
get "on the spot" color stories and interviews
with prominent personalities. The wax disks
are air mailed back to Milwaukee for im-
mediate re-broadcast.
In between trips, Mrs. Gray has found
time for interviews with Milwaukee visitors
Eleanor Roosevelt, Schiaparelli, Frances Per-
kins, Schumann-Heink, Walter Hampden.
She gives her listeners style information, but
it is no secondhand material culled from
print; it comes directly from interviews with
such prominent authorities as Adrian, Helena
Rubenstein, Lucien Lelong.
AIR FAX: Besides her interviews, Mrs. Gray brings
her listeners a dash of culture with principal em-
phasis on the arts of self-improvement.
Broadcast Schedule: Daily, 10:30-11:00 A.M.
Preceded By: Arnold Grimm's Daughter (NBC dra-
matic serial).
Followed By: Toby 8C Susie.
Competition: Your Treat.
Sponsor: Hormel food products. (Others: Rcid-Mur-
doch, Calavo Growers, Lehn 8C Fink, Maytag wash-
ers, Smartwear-Emma Lange, etc.)
Station: WTMJ, Milwaukee, Wis.
Power: 5,000 watts.
Population: 578,249.
COMMENT: What's New? is not to be con-
fused with the usual type of woman's pro-
gram that is comprised of a few style hints
and a handful of recipes. Firstly, Mrs. Gray
gives her audience the vicarious thrill of
sharing her travels and experiences. Second-
ly, she gives them information that has the
prestige of actually being voiced by authori-
ties on the subject. Cleverest promotion
stunt: The personalization of "Tyro," the re-
cording machine. It has resulted in newspaper
pictures, stories, other invaluable publicity.
74
RADIO SHOWMANSHIP
SPECIAL PROMOTION
Short radio promotions that run but a day, a week, or a
month yet leave an impression that lasts the year around.
Sustaining
WHO GOLDEN GLOVES TOURNAMENT
In 1938, radio edged into another newspaper
activity and emerged a titan. When Des
Moines station WHO slapped precedent, an-
nounced sponsorship of an officially sanctioned
Golden Gloves (amateur boxing) Tourna-
ment, experts pooh-poohed radio's pulling
power in a heretofore exclusive newspaper
sphere.
But the smile froze on their faces, for the
WHO tournaments clicked significantly be-
fore the first blow. Each year's meet has
burgeoned forth with swelling attendance.
Entry blank requests for the 1940 tourna-
ment totaled 1,000. And more than 200 lowan
youths, thumped and pumped by attending
physicians, were certified to enter the tourna-
ment.
During three nights of preliminaries, mitts
flew assiduously and simultaneously in three
rings. Spectators won a battle with a 15 be-
low zero temperature, and poured by thou-
sands into Des Moines Coliseum. On Feb-
ruary 12, big night of semifinals and finals,
6,500 eager, cheering spectators hugged the
walls of the building. Hundreds of fans, un-
able to purchase tickets at the last minute,
hustled home, pressed their ears to the radio.
It was a complete sellout!
WHO sports editor Bill Brown directs the
tournament; program director Harold Fair
wields production, acts as clerk of the tourna-
ment, is directly responsible for activities of
a working crew of 52 men plus an aggregate
of 39 doctors, judges, referees, and timers.
House staff, comprising doormen, ushers, po-
lice officers, stage hands, box office crew,
totals 76 workers.
Des Moines swells its chest with civic pride
over the Golden Gloves. As practical testi-
mony of its recognition of the tournament's
worth, the Chamber of Commerce volunteered
cooperation through its Special Events Com-
mittee. Results: Streetcars displayed with-
out charge a series of outside cards exploit-
ing the tournament; Retail Merchants Bur-
eau ordered two large display advertisements
FEBRUARY, 1941
in local newspapers over the signature of the
"Des Moines Hospitality Club;" a leading
department store inserted 10,000 tournament
pieces in their deliveries ; four banks used
similar inserts in outgoing mail; leading ho-
tels, at their own expense, printed cardboard
easels for their dining room tables, and on
tournament days put cards in mail boxes of
all hotel rooms; a large restaurant chain rub-
ber-stamped all menus a week prior to and
during the tournament; even the newspapers
cooperated with publicity.
What about the profits? In other towns,
Golden Glove Tournament sponsors turn the
profits over to specified charities. WHO turns
the profits back to young American manhood.
Gymnasium equipment has been supplied to
community centers, gymnasiums, settlement
houses, even the Junior Chamber of Com-
merce gymnasiums in Winterset, Iowa.
Practical, dubious businessmen shake their
heads: What's there in it for the promoter?
Neither Central Broadcasting Co., owner
and operator of station WHO, nor WHO
Radio Enterprises, Inc., which operates the
Golden Gloves, has ever taken a penny of
profit from Golden Gloves tournaments.
True, undeniable is WHO's glow of satis-
faction in helping maintain supervised gym-
nasiums for sturdy young fellows who can-
not pay for such facilities.
But more practical satisfaction is the boost
it gives WHO as a sports station. As a re-
sult of the tournament, fans look to Bill
Brown and company for news, reviews of all
sports; sponsors do, too!
AIR FAX: First Broadcast: 1938.
Station: WHO, Des Moines, la.
Power: 50,000 watts.
Population: 142,559.
COMMENT: Radio proves once again that it
can hold its own in the face of any competi-
tion.
75
JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest-
ed in the news, reviews, and tips in this column.
Last month's Hint to Spot Buyers suggest-
ed that when you buy spot announcements,
start with a quantity smaller than you had
originally planned, then add announcements
whether or not j^our original purchase
showed results. This increase may be all that
is needed to turn failure into success. If the
first increase proves profitable, you may find
it wise to continue adding announcements.
It's a method of experimentation, and it
works! Davis Cleaners in Columbia, Mo.
started a small campaign on KFRU, three
announcements daily. They soon found it
profitable to add another spot daily, then
four more. Today, they are using ten spots
every day.
Most important, business has speeded up
considerably. The company now needs a new,
larger plant; the old one, which was recently
remodeled, has already been found inade-
quate to handle the increased volume.
Giving radio complete credit for this busi-
ness rise, Davis Cleaners are now using
radio in other cities where they have clean-
ing plants.
ABOUT DR. KENAGA
The amazing story of an announcement
changed only seven times in seven years!
When baseball fans in Toledo are annoyed
by an umpire's decision, they don't cry out:
"Get glasses!" Their admonition is, "See
Doctor Kenaga!"
Dr. Kenaga, optometrist, opened his busi-
ness in Toledo in 1932. During the first
week, 20 patrons visited his shop. Today, an
average of 100 to 150 people are fitted each
week. Dr. Kenaga attributes this remark-
able increase entirely to a spot announcement
campaign over radio station WSPD in To-
ledo.
76
The most remarkable fact about Dr. Ke-
naga's amazing radio story is this: In his seven
years of radio advertising, his original copy
(which now runs 1,820 times a year) has
been changed only seven times (and those
were annual changes of a single word).
Here's the magic spot announcement that
has brought fortune and no little fame to this
radio advertiser:
"Dr. Kenaga, at 623 Adams Street, near
Erie, is offering genuine Kryptock, invis-
ible bifocal glasses for reading and dis-
tant vision for only $3.50. Examination
free whether you buy glasses or not. These
Kryptock bifocals are the well-known
Kenaga quality and are the deep-curve,
spherical, first-division convex type. They
are complete with standard size frames,
fitted to your satisfaction or your money
refunded. 90 days' trial. Dr. Kenaga is a
graduate optometrist with 28 (the one
word that's changed each year) years' |
practical experience in the examination of
eyes and fitting of glasses. The address:
623 Adams Street, 2 doors off Erie."
This commercial may sound a bit techni-
cal for listener consumption, but you'll find
hundreds of citizens of Toledo and North-
western Ohio who can recite that message
from memory. WSPD announcers could, if
necessity demanded it, broadcast Dr. Ke-
naga's announcement without copy.
In 1932 and 1933 Dr. Kenaga's records
show he advertised in two newspapers. His
calls per week during that period averaged
from 20 to 40. That year a chap named Jay
Kelchner (now manager of WMMN, Fair-
mont, W. Va.) sold Dr. Kenaga on the idea
of using radio.
A campaign was started calling for two
announcements a day. Dr. Kenaga's business
began growing. His calls increased to an
average of 70 a week. The next year he
dropped all other media, boosted his budget
for radio. His calls per week climbed to 100.
He is now and has been for three years aver-
aging between 100 and 150 examinations a
week. Over 90 per cent of those examina-
tions result in sales.
When he launched his business. Dr. Ke-
naga fitted glasses by day and ground lenses
by night. Now he employs a staff of five,
operates the only complete retail surfacing
and edging shop in his section of the country.
Kenaga glasses are worn from coast to coast.
The Kenaga commercial has been bur-
lesqued by the Junior Bar Association in its
RADIO SHO WM ANSH IP
Consistent in both business and
pleasure, Dr. Kenaga's favorite pas-
time is boating. He owns a beautiful,
29-foot cruiser, which he operates on
Lake Erie and the Maumee River.
Aptly enough, the craft is named,
"Miss Kryptock," after the glasses
he has made famous.
annual gridiron dinner; it has been thun-
dered in unison by Toledo sports fans in
baseball and football stadiums; it has been
the subject of all sorts of conversations re-
motely related to vision.
But each year, it goes merrily on its way.
In 1941, it will be heard at least 1,820 times,
and the only change in its text will be "29"
to replace "28," indicating an additional year
of experience for Dr. Kenaga.
INTRODUCING
New business fields to which
radio is now extending its services . . .
Beans . . . Rocky Mountain Bean Dealers Assn., Sta-
tion KOA, Denver.
Eggs . . . Washington Cooperative Egg and Poultry
Association, Seattle, participations twice weekly on
Home Forum (26). Station KGO, San Francisco.
Hotel . . . Adams Hotel. Station KOY, Phoenix,
Ariz.
Ice Show
York.
. Center Theatre, Station WHN, New
Inhaler . . . E. Fougers & Co., New York, 39 an-
nouncements for Vapex Inhaler. Three times week-
ly. Station KGO, San Francisco.
Movies . . . Roxy Theatre for Tin Pan Alley, 13 an-
nouncements. Station WHN, New York.
Newspapers . . . PM, four days of spot announcements
(27). Station WHN, New York.
Playing Cards . . . United States Playing Card Co.,
one-minute transcriptions (76). Station KFI, Los
Angeles.
Restaurants . . . Gene's Restaurant, six spot announce-
ments weekly. Station WIND, Chicago.
Starch . . . Faultless Starch Co., Kansas City, daily
transcribed announcements. Station KOA, Denver.
HINTS TO SPOT BUYERS
Certain radio programs capture the atten-
tion of certain radio listeners, others leave
the same listeners cold.
Be sure that when you buy announcements,
you select your spots in between programs
that reach the listeners you want to reach.
NEXT MONTH
Starting next month, this column will carry
a detailed check of the very best radio spot
announcement campaigns. It will give a com-
plete break-down of these spots by length, by
method (live and transcribed), and by com-
mercial appeal (men, women, or children).
The survey results should furnish careful
time buyers with a good yardstick to measure
spot effectiveness.
FEBRUARY, 194 1
77
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally-sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, JANUARY, 1941
Type
Rating
Last
Month
Change
MUSIC
35%
36%
-1%
NEWS
22%
21%
+ 1%
TALKS 8C
INTERVIEWS
15%
14%
+ 1%
QUIZ
10%
10%
SPORTS
6%
7%
-1%
DRAMA
6%
6%
COMEDY
6%
6%
GROUPS Men Women Children
Music 29% 38% 41%
News 26% 21% 9%
Talks 8C
Interviews 12% 19% 14%
Quiz 10% 11% 9%
Drama 5% 4% 16%
Sports 13% 2% 3%
Comedy 5% 5% 8%
SIX MONTHS REVIEW
TREND OF NEWS SHOWS
22%
AUG. SEPT. OCT. NOV. DEC. JAN.
Trends of program patterns move slowly,
and in six months, changes that may have
permanent significance are hardly discernible.
News has been the one exception. From
month to month, as these surveys proceeded,
the rating of news shows has constantly ad-
vanced.
This rise has been at the expense of dra-
mas, talks and interviews, sports, and quiz
programs, all of which showed very slight
declines during the six months period.
Most interesting of all trends to follow is
music. With BMI and ASCAP still at
swords points (as we go to press), the effect
on locally-sponsored radio is worth watching.
As yet, no important conclusions can be
reached. The rating for music programs to-
day (35%) is exactly the same as it was six
months ago.
Cofnedy is another program pattern that
has shown a rise in the past half year, but
not as much as had been anticipated. This
may be due more to a dearth in good com-
edy ideas than anything else.
LOOKING AHEAD
News should continue its steady rise in the
next six months. Talks and interview pro-
grams (especially those with a military
twist) should jump in importance, and the
rise will not be due to any battle between
musical organizations.
The First Wisconsin National Bank
of Milwaukee is among the first to use inter-
view programs in army training camps.
(For further details read the complete story
on page 66.)
EXPLANATIONS
The programs used in this survey are
sponsored by local businessmen only. For that
reason, relative costs of the different types of
program patterns play an important part in
the net results. For example, drama which is
undoubtedly recognized as one of the most
important phases of network entertainment
— and, at the same time, one of the most ex-
pensive, has a comparatively low ranking
among locally sponsored shows.
It may be possible to classify your cus-
tomers into age or sex groups. In that
case, the ratings by groups (see above)
will then be of special interest.
78
RADIO SHOWM ANSH IP
COMIXC
How do U. S. furniture dealers use radio? How often?
How much do they spend? With what results?
You II find a complete, authoritative report m the first
tJKVlii
r
IIIJSII^K!
In cooperation with The National Furniture Review, the editors of Showmanship
are conducting a survey that will give you the answer to selling furniture through radio;
its use, its power, its place in furniture advertising! Watch for it in a coming issue of
Radio Showmanship Magazine.
In other issues. Radio Showmanship will give you similar reports on the men's wear
business, the restaurant field, department stores, groceries, auto selling, bakeries, finance.
THIS IS YOUR SIXTH COPY OF
s
^^^^^^HOWMANSHIP. In it are articles concerning, and detailed
descriptions of 34 radio programs as used in 29 different types of busi-
ness fields. One of these program presentations may prove adaptable in
your business. The Editors of Radio Showmanship & Merchandising
Review welcome and will promptly answer all correspondence. May you
enjoy and profit from this issue.
MARCH-APRIL 1941
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Automobiles * Bakeries * Beverages * Bairy Products
Department Stores * Electric Appliances * Gasoline * Groceries
Home Furnishings * ^Men's Wear * Shoes * Women's Wear
Unur TPAM Ji UnPA7TM]?
A cruirTPr
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
MARCH-APRIL
Business PAGE
Automobiles 104
Bakeries 90
Beverages 104, 112
Chiropractic 110, . 112
Dairy Products 110, 113
Department Stores Ill
Drug Products 103, 114
Electric Appliances Ill
Gasoline 105
Business PAGE
Groceries 92
Home Furnishings 105
Ice-Fuel Ill
Livestock 106
Meat Products 106
Men's Wear 86, 114
Shoes 95, 103
Tobaccos 106, 115
Women's Wear 86, 107, 111, 114, 115
FEB R U ARY
Business PAGE
Amusements 70
Automobiles 64, 65, 71
Bakeries 53, 72
Beverages 72
Building Materials 58
Cleaners 76
Department Stores 70, 72
Electric Appliances 65, 73
Farm Supplies 65
Finance 66
Business
Garages . .
Groceries .
Hardware
Ice
PAGE
73
50, 53, 54, 73
66
74
Insurance 74
Jewelry 67
Laundries 47, 56
Men's Wear 67
Optometry 76
Plus Ten Other Businesses 76
If you don't have the February issue on file, order now!
k^l^
CONTENTS
MARCH-APRIL 1941
VOL. 2 NO. 3
Publisher
Don Paul Nathanson
Editor
S. H. Kaufman
Associate Editor
Norman V. Carlisle
Research Director
G. M. Osman
Business Manager
William A.
HUSER
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
William Dolph-
Washington
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clip?
Philadelphia
Business
GuSTAv Flexner
Louisville
Maurice M. Chait
Peoria
J. Hudson Huffard
Blue field, Va.
J. Harold Ryan
Toledo
Lorenzo Richards
Ogden, Utah
Frank J. Ryan
Kalamazoo
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Editorial 85
86
Talk About Luck
Jeffrey A. Abel
Henry J. Kaufman Ad Agency man,
Washington, D. C, fashioned a Sunday
morning variety show that packed the
Regal Clothing Co. on Monday morn-
ing!
Bread Sales Thru the Air 90
Carroll Jones
Sales and ad manager of Baltimore's
Koester Bakery salutes Streamlined
Fairy Tales, the transcribed modern
version of Little Red Riding Hood, The
Three Bears, etc. portrayed by the tal-
ented Koralites.
There's Gold in These Bars 92
Cyril I. Fox
Advertising Manager of Fels-Naptha
Soap Co. tells of a regional musical pro-
gram that stole the show from the morn-
ing dramatic serials!
Putting Unity into Community 93
George C. Blackwell
WBLK Manager suggests one way of
attracting business to your town.
(Continued on next Page)
MARCH-APRIL, 1941
83
^0. Alt PoUUi, 0/ 9*d&iUt
New York's Popular
HOTEL
LINCOLN
44th TO 45th STS. AT 8th AVE.
1400 ROOMS
from
^3
Each with Bath, Servidor,
and Radio. Four fine res-
taurants acclaimed for
cuisine.
MARIA KRAMER
PRESIDENT
John L. Morgan
Gen. Mgr.
HOTEL EDISON
Same Ownership
HlL^iilinii ■••■juiiij
IN THE CENTER OF
MID-TOWN NEW YORK
Next? 94
A Showmanship Success Story
Will your story be the next? A Show-
manship story carried out in one place,
adopted successfully in another!
By Means of Transcription 96
Aaron Bloom
Kasper-Gordon, Inc. executive (Boston,
Mass.) tells all about syndicated radio
programs for local advertisers.
Showmanship in Action 104
A collection of those extra promotions
and merchandising ideas that lift a pro-
gram out of the ordinary.
Showmanscoops 108
Photographic review of merchandising
stunts, and the personalities behind them.
What the Program Did for Me 110
This is the businessman's own depart-
ment. Here, the radio advertisers of the
nation exchange results and reactions of
radio programs for their mutual benefit.
Proof O' the Pudding 112
Results from radio programs, based on
sales, mails, surveys, long runs and the
growth of the business itself.
Trends 116
A rating of program patterns based on a
special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
Yours for the Asking 117
A listing of sample scripts and transcrip-
tion availabilities on programs reviewed
in this and preceding issues.
Johnny On the Spot 117
If you use spot announcements, you'll be
interested in the news, reviews and tips
in this department.
84
RADIO SHOWMANSH IP
EDITORIAL
^fCENE: Any street corner, anywhere in the United
"^ States or Canada.
Characters: The Inquiring Reporter and you.
Reporter: Say, mister, do you by any chance read Radio
Showmanship?
You: Certainly I do. There's a collection of good ideas in
that magazine.
Reporter: Have you ever used any of them?
You: Well, now, let me think . . .
Just what would your answer be? In the past seven
months, Radio Showmanship has brought to your atten-
tion hundreds of tested program ideas and promotions.
These were not, in any sense of the word, figments of some-
one's imagination, but actual, real-life stories of how busi-
nessmen in your field successfully use radio today!
You may be one of those one-timers that gave radio
a brief whirl back in the distant past and now swear off
for life. In radio, it pays to be a two-timer. The second
time, however, be sure you profit by the experience of
some businessman in your field or in a related field.
Radio Showmanship brings you a complete, accu-
rate, month-to-month picture of radio in action, tested
program ideas and promotions!
Do more than just read it, use it.
MARCH-APRIL, 1941 85
A Credit Clothing Story
of Henry J. Kaufman Ad
Show me the advertiser who doesn't
say, "Give me something different,
and mister, you've got an Angel!"
Five years ago, maybe longer, a
well-known credit store in Washing-
ton called us in to "take over," but
with the stipulation that they wanted
something different!
After thumbing through the usual
idea files, which had been used over
and over again, I finally got the rev-
olutionary idea of building a full
hour Sunday morning variety show.
"The idea is preposterous; it's too
expensive! Nobody listens on Sunday
morning. What can you give to make
them listen and still keep the cost
of talent down?" raved the client!
Well, I started from the begin-
ning! Sunday morning was selected
for several reasons: First, because
from 10:30 to 11 :30 in the morning,
our only competition was church
services. Secondly, because there
must be some kind of audience that
wants to hear popular music, news,
by JEFFREY A. ABEL,
Agency, Washington, D.C.
get in on a contest, hear birthday
and anniversary announcements on
Sunday mornmg.
How^ about the cost? Well, Sun-
day morning rates are usually lower
than Sunday afternoon. Further-
more, I could obtain a master of
ceremonies who was well-known the
other six days of the week on a pop-
ular WOL Musical Clock program.
He could play the piano, the Ham-
mond organ, and really punch out a
commercial. So, there was my an-
swer!
Client Number One held the show
for three years, and then because of
a manufacturer's discontinuance of
an allowance, dropped the show.
Here is where my story for the
Regal Clothing Co. really begins!
Pat Regal, a well-known figure in
local amateur sports and president
(the youngest, incidentally) of one of
Washington's leading credit clothing
companies, was offered the show. He
bought it and still has it after 72
86
RADIO SHOWMANSHIP
Now on 24 stations
for spot and local
advertisers selling:
Starch Products
Toilet Soap
Crackers
Canned Foods
Bread
Coffee
Beverages
Laundry Soaps
House Furnishings
Hotels
Theatres
Department Stores
Refrigerators, etc.
Many excellent mar-
kets still available.
For 8 Years the Network
Favorite of Millions— Now
Available to You at Low Cost!
You'd spend thousands of dollars producing
''Betty and Bob" on your own, but— thanks to
NBC Radio-Recording— you can now sponsor this
popular, sales-producing pair at a cost you'll hardly
believe possible for a program of this calibre.
The recorded ''Betty and Bob" series follows the
same program style that made the network series
such a smashing success for General Mills— with
all new plot sequences. This five-a-week, 15-min-
ute show presents a heart-warming family story
. . . features an all-star cast of name talent . . .
directed by the same producer who brought the
network show to the highest rating in eight years
on the air. Includes unique showmanship features
seldom found in a recorded program.
Every detail has been carefully planned to give the
program all the flavor and character of a ' 'live ' ' show,
including the finest recording— NBC Orthacoustic*
►Registered Trademark
Ask your local station
to arrange an audition or write
diO'Recording Division
NATIONAL BROADCASTING COMPANY
A Radio Corporation of America Service
RCA BIdg., Radio City, New York • Merchandise Mart, Chicago
Trans-Lux BIdg., Washington, D. C. • Sunset & Vine, Hollywood
Thirty -f our
years old, versa-
tile Jeffrey A.
Abel has packed
more activity into
his life than many
a man does with
60 years behind
him. For the past
10 years he has
been radio direc-
tor of the Henry J .
Kaufman Agency
in W ashington,
D. C. Before getting into advertising, he
held the position of foreign exchange tell-
er in one of the local banks for six years.
When he left Maryland University in
1925, he served Uncle Sam as a rodman
in the Geological Survey.
No business burrower despite his
packed career, Abel is married, has a son
two and a half years old. Likes to putter
around the house and garden and sneak
in an occasional game of golf. Takes both
still and moving pictures, and is known
to have one of the most photographed
babies in the world (quote Mrs. Abel).
He had his own Amateur "Ham" license
and can still pound a key and repair the
simple sets. He's also a member of Har-
mony Lodge No. 17 F.A.A.M.
weeks of continuous broadcasting.
The Lucky Regal Hour, as it is known to-
day, has changed considerably. However, Art
Brown of Rise and Shine fame at WOL, the
local Mutual outlet in Washington, continues
as the "messer" of ceremonies.
A special theme song was written, sung,
and recorded by Betty and Buddy Arnold of
New York. It is used as an opening and clos-
ing signature. We went to all this trouble,
because a theme gives the first impression of
a show. Often it is the difference between
keeping a listener and having him switch to
another station. We wanted to make ours a
good impression. After a short opening com-
mercial in which the station announcer intro-
duces Art Brown and outlines the program
schedule, Brown takes over with a warm and
cordial greeting to his listeners if he is in the
mood, or if he is tired and sleepy, he lets them
know it and warns them that anything is
liable to happen.
The informality of the entire program is a
prime factor in its success.
We needed a contest to prove to Pat Regal
that we had an audience. So several of the
larger movie chains were contacted and guest
tickets obtained, 200 in all, every Sunday. We
started a Musical Mystery Contest and of-
fered a pair of movie guest tickets to the first
100 correct answers received. Only one selec-
tion was played on the Hammond organ by
Art Brown, and then listeners were required
to name the title. Simple! Effective! Mail
response has never dropped below 500 a week,
and many weeks brought in as many as 1,500
pieces
The sponsor mails the movie guest tickets
to the winners with a form letter which pic-
tures a caricature of Art Brown and Pat
Regal and a suitable congratulatory message.
Last minute news is given midway in the
program by the station announcer. This is
followed immediately by a red-hot special on
sale at the Regal Clothing Co. Monday
only/ A total of three commercials are used
in the entire hour program, and they average
only a minute in length.
The station's telephone number is men-
tioned throughout the show. The listeners are
asked to call in any birthday, anniversary, or
lost pet announcements. Three operators are
required to handle the calls during the hour.
It's a lucky Sunday morning for the lis-
tener!
Recently, we started a Lucky Silver Con-
test, in addition to the Musical Mystery Con-
test! Five silver dollars are awarded to the
person whose name is selected from the city
directory. A large wheel is spun three times
during the program to pick the selection, page
number, and listing in the directory (a la Pot
O' Gold). After the person's name is an-
nounced, he has to call the station within 15
minutes and then identify himself at the store
the following day to collect his five silver dol-
lars. Only once during the past 26 weeks have
we failed to be called by the proper person!
Who says we don't have an audience?
In addition to the latest recordings. Art
Brown plays a number of selections on the
Hammond organ, and many times he will
play .the organ right along with a popular re-
cording, a novelty that always brings com-
ments.
Being sports minded, Pat Regal, from time
to time, has personally interviewed outstand-
ing baseball, football, basketball, hockey, and
golf stars on the program. Announcements of
all major sports events are given without
charge. Last fall, an effective tie-in was made
with the players on the Washington Profes-
sional football team. After every home game,
88
RADIO SHOWMANSHIP
Pat Regal offers a $50 Stratford Suit to the
Redskin player adjudged the outstanding man
by local sports writers. The Manner's name is
always announced on the Lucky Regal Hour.
Large placards, set on easels, are promi-
nently displayed on each floor of Regal's.
They feature a picture of Art Brown, the
station, time, and remind passersby of the free
movie passes. The store's entire personnel dis-
cusses the program freely with the customers,
thus helping to build interest from week to
week.
In addition to writing the entire show, I
take an active part in heckling Brown and
announcing the feature attractions at the
various theaters for which we have tickets.
Other than the commercials, the entire pro-
gram is ad lib.
Without inviting a studio audience, 50 to
100 persons are always present in the obser-
vation room every Sunday to witness the pro-
gram.
As evidence of the pulling power of the
Lucky Regal Hour, sixty dozen ladies' slips
were sold from two broadcasts. Fifty men's
overcoats were sold from one broadcast.
Twenty-five dozen pairs of ladies' hosiery
were sold from another broadcast!
It's a lucky Sunday morning for Regal's,
too!
L^ 11
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It's the little things that count! The REGAL CLOTHING CO.
takes extra effort to make their form letters interesting, and they
are rewarded with extra results. Note REGAL'S address, "Lucky
711 7th Street N. W."; it follows right in line with the theme
of their radio show. Often, it is the addition of a simple catch
phrase like this that makes the difference between a sponsor being
remembered or forgotten!
MARCH-APRIL, 1941
89
read Sales Thru the Air
By CAHRDLL JDNES, Sales and Ad Manager of Baltimore's
Koester Bakery, Who Salutes "Streamlined Fairy Tales"
Remember all the excitement that was
aroused years ago when the theaters an-
nounced that "Garbo Talks"?
Well, that will give you just an inkling of
the commotion we caused recently when we
took a full page in the Baltimore News-Post
to announce that "Honey" talks.
We believe "Honey" is as well-known to
Baltimore housewives as Garbo ever was.
Her picture appears in thousands of Baltimore
homes daily, in the street car cards, on bill-
boards, and now she is heard on the radio.
You see, "Honey" is our trade-mark, and
through the years, as her popularity increased,
so increased the sales of Koester Bread. To-
day, 52-year-old Koester Bakery is one of
the largest independent bakeries in the United
States.
But lots of things happened before "Honey"
talked. We wanted something different in
radio programs, something that would tie up
effectively with our trade-mark, yet have gen-
uine entertainment value.
We examined hundreds of show ideas, final-
ly hit upon an unusual transcribed series,
Streamlined Fairy Tales.
The series is unlike most programs de-
signed for children, because it has the ex-
tra appeal of being equally as interesting to
adults. From the title of the show, you can
get an idea of its contents, but not its pro-
duction. Featured in the series are six of
the most unusual youngsters in radio, the
Koralites.
Last year, the Koralites introduced choral
speaking on the air in a program series for
NBC. Their six perfectly matched voices
blend poetry and prose into a distinctive pat-
tern that gives each utterance life and action.
Starred on the Columbia Workshop and
Hobby Lobby, featured in radio programs
with Charles Laughton and Burgess Mere-
dith, the Koralites, as was readily recognized,
were really something new in radio.
When rotund, energetic, radio producer
Harry S. Goodman was wrinkling his brow
90
RADIO SHOWMANSHIP!
last August over what kind of Christmas
show to prepare for release to local adver-
tisers in December, he thought of the Koral-
ites.
Under the masterly direction of Jack Wil-
shire, the Koralites created for Mr. Good-
man a series of Christmas shows, each dis-
tinguished for its precision and harmony, with
an obvious attraction for kids and a subtle
but equally strong attraction for adults. In
many ways, the production had captured the
same universal appeal of the Walt Disney
cartoons.
Streamlined Fairy Tales is a modern ver-
sion of the old, well-known fairy tales — in
other words, they are streamlined! Some of
the fairy tales: The Lion and the Mouse,
Cinderella, Little Red Riding Hood, Jack and
the Beanstalk, Three Little Pigs, Boy Who
Called Wolf, etc. In addition, well-known
screen and radio person-
alities are impersonated
— W. C. Fields, Kay
Kayser, Baby Snooks,
Joe Penner, Greta Gar-
bo. > ^^ _
Last fall, we made 3.\, \\^^
contract for the fifteen \ /^n \>
programs to be broad-
cast over two Baltimore
stations between Thanks-
giving and Christmas.
We broadcast on one
station Monday, Wed-
nesday, and Friday and repeated the pro-
grams on the other station Tuesday, Thurs-
day, and Saturday.
About three weeks after we started broad-
casting this program, we conducted a test to
see whether this series should be continued,
a test that proved the popularity of the pro-
grams. In a plain, straightforward manner,
we asked the public if they wanted the series
continued. The response was spontaneous,
even though no offer was made to those writ-
ing letters. We received a large number of
letters from mothers congratulating us on the
type of program we were using. We then
made our decision to extend our contract for
fifteen more programs. At the expiration of
that period, we contracted again for thirty
more, or a total of sixty in all. We are now
in the middle of this last series and hope that
it will be continued indefinitely.
Like all radio programs, no matter how
expensively produced, or impressively pre-
sented, the worth and pulling power of
Streamlined Fairy Tales is reflected in the
merchandising behind the show.
For years, our little girl "Honey" has ap-
peared on our bread wrappers, on our trucks,
on street car advertising, and in all other
Known as "Jonesey"
to everyone in the
baking trade, sales
and advertising man-
ager Carroll Jones,
has guided success-
fully the Koester
course for the past
15 years. Came into
the business via street
car ad selling for
Barron G. Collier.
Modest, forty-ish,
bespectacled, Jones is easy to meet and
always willing to listen. He makes quick
decisions — and he's usually right. Proof
demonstrated in the fact that Koester's
today outsell all their competitors com-
bined in the Baltimore area — and the
competition is stiff!
advertising we have used. Streamlined Fairy
Tales served as an ideal medium for bringing
her to life. She is impersonated by a profes-
sional actress and opens and closes each pro-
gram. Radio has done its job well. There
seems to be a new and much more personal
interest in our little girl than ever before.
This I can only attribute to this radio pro-
gram. Streamlined Fairy Tales, for our trade-
mark has been used in other forms of adver-
tising for many years.
The fact that we have just renewed for the
third time is proof, too, of how we feel about
the entire promotion. Streamlined Fairy Tales
epitomizes the best in children's programs.
With it, you are immediately assured of the
acceptance and cooperation of schools, par-
ents, and children's organizations in your city.
It's one of the few programs that talks to
children without going behind the parent's
back. The grownups have expressed them-
selves as being just as enthusiastic and enter-
tained as the kiddies, and that's something
that's difficult to find — a program that is high-
ly acceptable and good listening for all kids
six to sixty!
MARC H ■ AP R I L, 194 1
91
1
^
here's Gold in These Bars
By CYRIL 1. FDX,
Advertising Manager
Pels and Company
There's a minor revolution going on in
Philadelphia. A major soap manufacturer is
sponsoring a morning show, and it's not a
soap opera.
The trials and tribulations of Susie Scrab-
ble, the heart-rending difficulties of Daphne
Dawn, etc. take a back seat when Golden
Bars of Melody comes on the air. Just a sim-
ple twist of Madame Housewife's wrist, and
the sob-sisters give way to a friendly, old-
fashioned program of song and story.
Fels-Naptha Soap Co., sponsors of Gold-
en Bars, feel that a program of gentle songs
has a definite place on the air. Jitterbugs call
such music corny, but then, jitterbugs aren't
the world's best laundry soap customers.
Housewives, and we'll venture to call them
100% of the Fels-Naptha market, seem to
enjoy a chance to relax quietly and hear the
old sweet melodies. The songs this world has
hummed and whistled for generations are
finding a new chance to reach an audience
that's just a little tired of rush, excitement,
and frenzy. Home, Sweel Home and The
Old Oaken Bucket are woven into a new
sales pattern with homespun anecdotes and
quiet memories of the past.
To call the program a complete product of
one person's ideals would be unfair to the
sponsor. Yet, Golden Bars of Melody does
owe its warmth and color to an individual of
unusually varied abilities. Rhona Lloyd is her
name — a writer, a competent musician, and
a songstress of note.
Miss Lloyd draws on her experience and
her recollections of friendly evenings around
the family fireside to give the show a distinct-
ly personal touch. Her ability to swing from
anecdotes to golden song aids in forming a
well-rounded 15 minutes of entertainment.
Strangely enough, if a 13-year-girl hadn't
given way to an impulse to sing. Golden Bars
Miss Rhona Lloyd
might never have reached the air. Rhona
Lloyd, at 13, was an accomplished concert
violinist with a promising career before her.
But she had an urge to sing and developed
that urge into an actuality. Her voice studies
led her to the musical stage and, eventually,
radio.
Miss Lloyd's first appearances on the air
were not as a singer, but as an ad lib emcee
of a celebrities program. Her vocal talents
lay buried until by chance she mentioned her
musical background on a broadcast. A flood
of letters in response gave her a cjiance to
sing, and Golden Bars of Melody was born.
Today, the program has become almost a
morning must to Philadelphia listeners.
WFIL, its original single outlet, has piped
the show to seven companion stations on the
Quaker Network. Its friendly, homey atmos-
phere has done the rest.
Golden Bars is definitely a reactionary pro-
gram. All of the so-called formula-patterns
are missing from it. The "heart-throbs" it
contains come from an old-fashioned love of
good music and a good story. A soap opera
(Please turn to page 118)
92
RADIO SHOWM ANSH IP
ml 101 III
nsQ IS
EOCl tX 3
-• mil III! ill
IP
utting Unity into Community
Stimulate Civic Interest in Your Town, and You Attract
Business, Writes WBLK Manager, GEDRGE C.BLACKWELL
There's another side to this business of radio
— a broader side.
Radio not only can help you sell more
bread, bricks, brooms, or whatever else you
have to sell, but it also can help sell the town
in which you live !
Today, America is organizing for national
defense, and each little section of America,
yours and mine, is organizing to attract some
of those defense mdustries. The more indus-
tries, the more people with money to spend,
the more business for you and me.
Radio can do its part. In the role of an
organizer, it becomes a voice speaking again
and again for progress and civic improvement.
By molding a spirit of unity, it makes the
town better able to solicit and to handle more
business.
We, in Clarksburg, W. Va., believed that
by encouraging pride in the home town and
the county, we would reach the very core of
unity. And so, station WBLK undertook to
build a radio program that would honor all
civic workers and designate one leader as the
First Citizen of Harrison County for 1940.
For three weeks, in frequent broadcasts,
listeners were urged to make nominations and
cite reasons for their choice of the First Citi-
zen. The appeal served to summarize all the
civic progress made in 1940. It brought out
the individual effort of community leaders.
It commended those who actually gave un-
selfishly toward community projects. It as-
sured leaders of recognition for their good
work. Many of those nominated were the
county's prominent retail merchants, and in
all cases, the nominees were intimately associ-
ated with all other businessmen in work for
civic progress, in clubs and organizations.
As radio's voice discussed 1940 accomplish-
ments, people were inspired to look at the
past and also to plan for the future. Next
year, there w^ill be a First Citizen of 1941.
We hope to find an even larger interest than
in 1940, and new ways in which wider ex-
pression of sentiment can be recorded.
Alert and lively leadership spells progress.
We know that next year will find many new
nominees, men and women who may have
been inspired to participate in civic projects
through no other stimulus than this poll.
Often, the only reason a man doesn't become
community-minded is because he wasn't asked.
First Citizen of 1940 was Glenn B. Tinsley,
a past Chamber of Commerce president, w^ho
had obtained a large milk condensory as a
new industry, had striven to bring an airliner
service to this county, worked for new high-
ways, directed community drives, and served
(Please turn to page 118)
MARCH-APRIL, 1941
93
SUGAR COATED SPOT
ANNOUNCEMENTS
If
you're tired of the same
old spot anouncement . . .
H you'd like to give your
sales message on the air
in a way that'll make listeners
remember what you're selling . . .
HERE'S THE ANSWER!
ONE MINUTE
Singing
SPOT ANNOUNCEMENTS
for
• Furniture Stores
• Jewelry Stores
• Opticians and Optometrists
• Auto Loan Companies
• Credit Clothiers
• Furriers
Singing Spots are being used suc-
cessfully by national advertisers.
NOW THE LOCAL SPONSOR
CAN AFFORD THEM.
You'll have to hear them to ap-
preciate them . . . catchy, tuneful
sales messages that make listeners'
ears perk up . . . that make sales
in your store go up . . . that give
the audience something to remem-
ber.
"GO BIG-TIME TODAY!"
USE SINGING SPOTS!
Write today for an audition disc.
Exclusive rights granted.
''^rti/l^ S. (^oe^m€t^^^
S^ext?
On page 29 of its January issue,
Radio Showmanship told in
picture and paragraph the inter-
esting story of how San Ber-
nardino's (Calif.) RowE Shoe
Store set up two barrels in front
of their store, and twice daily for
ten days offered, via the airways,
a two dollar reduction on any
sale purchase accompanied by an
old pair of shoes. The shoes were
to be donated to the British War
Relief Fund. Results: For Brit-
ain, a dozen barrels of shoes ; for
RowE, a highly successful sale.
Commenting at the time. Radio
Showmanship's editor wrote:
"This is an important promotion.
It may herald the beginning of a
series of similar attempts to use
radio to aid the Allies."
Recently received was the story
of how Ted Soloman, manager
of the D & S Subway Bootery
in Grand Forks, N. D., incor-
porated the very same promotion
on his own Men With the Mike
program on KFJM. He added a
few new ideas, including phone
calls volunteering donations, with
names dropped by parachute and
read on the program.
The response to the drive was
immediate and enthusiastic. With-
out previous plugging, the first
day's broadcast brought in two
barrels of shoes. The entire cam-
paign, which ran for two weeks,
netted ten barrels of shoes.
Thus, we record two success-
ful sales based on a single show-
manstunt. The line forms at the
right. Who will be next?
94
. . , a Showmanship Success Story
above . . , The original (appeared
in January RADIO SHOWMAN-
SHIP). Lowell Smith (handling
mike) interviews passersby in front
of the Rowe Shoe Store in San
Bernardino, Calif. For ten days, he
asked for old shoes for British
War Relief as part of an unusual
Rowe sale. Results: Over a dozen
barrels of shoes were collected.
right . . . The follow-up: Ted
Soloman, manager of the D & S
Subway Bootery of Grand Forks,
N. D., put the "Boots for Britain"
idea he found in RADIO SHOW-
MANSHIP to good use. He is
shown with Jimmie Valentine and
Bill Walker, announcers on KFJM's
Men With the Mike show, who
helped stage a successful two weeks
drive that netted ten barrels of
shoes.
EHIiiii
Means of Transcript:
All About Syndicated Radio Programs tor Local Advertisers
by AARDN BLDDM, of Kasper-Gordon Inc., Boston, Mass.
"The next program comes to you by means
of electrical transcription." Once upon a time,
there was something of a stigma attached to
this phrase. But nothing lasts forever,
"and this, too, shall pass away." It
did. Today, there are more and
more national, regional, and lo
cal advertisers using tran-
scribed radio programs than at
any other time in the history
of radio, and the number of
users is fast increasing. Every
month, every week, every day
finds new transcribed radio
programs, varying in length
from 30 words to 30 minutes.
National advertisers use tran
scribed programs to open new ter-
ritories and back up dealers in a concentrat-
ed campaign over local stations not affiliated
with networks. Or they use them on stations
with network affiliations where time cannot
be cleared for the network broadcast. Or
they use them because they want a split net-
work or certain coverage, and can best obtain
it by selecting their markets and broadcast-
ing their programs via discs.
Regional advertisers use transcribed pro-
grams for the same reasonSj saving expensive
line charges, very often turning to syndicated
programs which have been thoroughly tested
and are generally accompanied by complete
merchandising tie-ups. Or they use a
spot announcement radio campaign,
transcribed, buying the stations .
and markets they wish to con-
centrate on.
Local advertisers use tran-
scribed syndicated programs,
instead of specially built tran-
scription shows. This type of
program gives the local adver-
tiser entertainment comparable
to the networks, at cost within
local budgets. It would hardly
pay a local sponsor to build a show
of his own and pay for a transcription.
In a syndicated transcribed program, he gen-
erally gets better talent than is available local-
ly, better production, better direction, and, al-
most invariably, a tested program. Local ad-
vertisers cannot afford to "experiment," and
syndicated transcribed programs eliminate un-
necessary risk to a great degree.
For the benefit of those who are not famil-
iar with how a syndicated transcription pro-
gram producer operates: He is in the same
position as the motion picture producer who
invests money in a production and gets it back
with profit (sometimes) by leasing the film
to theatres throughout the country.
No single theatre could have afforded the
$3,000,000 it took to produce Gone With the
Wind, but the thousands of movie houses
which have and will play the picture will
earn, through weekly leases, the $3,000,000
and more for the producer. And the pro-
ducer is entitled to any profit he makes, for
he gambled the money to bring an excellent
production to the screen to entertain millions.
The same is true of the syndicate program
producer and distributor.
Yes, the transcribed program, un-
til something better and more
practical comes along to take its
place, is here to stay. Once re-
corded, there are no more
production headaches. No-
body comes late to rehearsal
or broadcast. Nobody gets
sick.
In buying syndicated tran-
scribed programs, certain fac-
tors must be taken into consid
eration. It costs money to produce
good radio programs, to obtain good
talent to do the recording. And while
there is not yet a national method or yard-
stick for establishing the prices of syndicated
transcribed programs, a good producer and
distributor will generally base his charges
on one, two, or all of the following fac-
tors:
1. Population of the city in which the series is to be
broadcast.
2. Power of the station.
3. A percentage of the station rates, so that if the
sponsor uses the most powerful and expensive
radio station in a city, he may be expected to pay
more for the program because of the generally
greater coverage the show will receive. On the
other hand, if the advertiser's budget is limited,
and he must confine himself to stations of smaller
power and lower rates, the price of the syndicated
transcribed series is correspondingly lower. This
is the most equitable method of establishing rates
for programs.
Top price, of course, must be obtained
from major markets such as New York, Chi-
cago, Detroit, Los Angeles, Boston, Philadel-
phia, etc. Prices for cities up to about 25,000
population generally take a minimum price.
It has all been worked out to give the spon-
sors good programs at cost within their
budgets.
But no program, transcribed or
'live," should be allowed to take
to the airwaves without intel-
ligent promotion and publicity
behind it to build audience, to
create first the desire to lis-
ten, to help merchandise and
sell the sponsors' products
and services. Most syndicated
programs, if produced by a
well-established production firm
in tl?e syndicated field, are ac-
companied by suggestions for mer-
chandising, publicity, and promotion.
While some programs may be built for, say,
the bakery field, very often the same series of
program may be used for department stores,
dairies, candy companies, even furniture
stores. The thing to do is to analyze the in-
dividual program and apply it with its vari-
ous and diversified tie-ups. For example.
Information, Please will undoubtedly work
as well for Lucky Strikes as it did for
'The Play's
the Thing," and as long as the program con-
tains the elements of entertainment and show-
manship, and is well done, what difference
what type of business sponsors it?
But bear in mind these things when pur-
chasing (leasing) a syndicated transcribed
series:
1. Know your company and its experience, some of
the sponsors it has served, how long it has been
in business.
2. Remember that a syndicated transcribed program, to
be good, costs money to produce. Don't expect to
buy it for nothing or your source of sup-
ply will no longer be able to invest
money in other programs.
3. When you take on a program
series, be prepared to back it up
or don't start it at all. Keep your
radio advertising budget flex-
ible enough so that you can
add other promotional ideas to
further interest in your cam-
paign.
4. Find out in advance what co-
operation the producer or dis-
tributor is prepared to give you
then use that cooperation. The firm ■
you do business with is just as anx-
ious, or should be, to see your cam
paign a successful one as you are to have
it so, for they will be able to use your case
history in selling others.
5. Your radio station will undoubtedly be glad to
cooperate with you in contacting dealers and may
even give you pre-broadcast "teaser" announce-
ments to help build up listening audience to
launch your radio program correctly.
6. If you work with an advertising agency, give them
all the facts they really need to serve you proper-
ly. They can help you merchandise the show!
7. If you have used radio before, and found that
your first campaign didn't "click," remember that
it might not have appealed to anybody but you!
It's human nature, of course, to believe in one's
own judgment, but if anybody could read a manu-
script and tell in advance whether a play to be
produced on Broadway would be a success, he'd
be worth a million dollars to some producer!
Don't trust your judgment alone, or that of your
immediate friends. Put it up to the listeners. The
audience will tell you soon enough whether they
like your program, with dollars and cents sales!
And if your program isn't clicking, don't say,
"radio is no good." It isn't radio. For radio ad-
vertising, intelligently and properly used, always
pays dividends to advertisers. Ask any of several
thousand sponsors, and they'll tell you this is true.
As a parting shot, bear in mind that there
are many successful programs whose
stars you cannot name. They are
not Eddie Cantor's or Jack Ben-
ny's or Bob Hope's, but they
are excellent performers who
give their best talents to
make a program series in-
teresting and entertaining.
How many individuals know
the names of the performers
in The Shadow, Mr. District
Attorney, or even The Lone
Ranger? Big names help to get
the initial audience, but if the pro-
gram is not up to par, even the big
names go by the boards. It's the program
that matters. As long as yours is good, and
you back it up with promotion, and use a
station with an established listening audi-
ence, preceding and following other good
programs so that your audience isn't driven
away from the station, and you have a real
story to tell, you can use radio and syndi-
cated transcribed programs to good advan-
tage. It's all up to you.
i
ts&
c^TttOS
W F I L* S "MORNING EXTRA"
HEADLINE NEWS —"BROUGHT TO LIFE"!
"HEADLINES IN ACTION" is a presentation of the latest headline
news in its most thrilling — its most vivid form — dramatization. It's a
"morning extra" appealing to all listeners — men and women, young';
and old alike — because it runs the complete gauntlet of every human
emotion. It's a revitalized "Five Star Final" or "March of Time."
A FAST-MOVING SHOW
Four — and more often five — headline features are presented dur-
ing the fifteen minutes the show is in progress. "HEADLINES IN ACTION"^
never lags — interest is sustained to the very end leaving the listener!
"wanting more".
NEWS BROADCASTS GROWING IN INTEREST
Listener interest in news broadcasts has grown by leaps and bounds
during the last two to three years. Raymond Gram Swing, Edwin C. Hill
or even H. V. Kaltenborn would never have beem able to assume the
national prestige they now enjoy except for the present unbelievably
high interest in news.
Advertisers are beginning to realize the importance of news broad-
casting. In the summer of 1939, news and commentators together took up;
7.5% of sponsored network time. The same period of 1940 witnessed aj
jump to 11.9%! Another convincing factor — news broadcasnng ranked
seventh in percent of time during 1939. In 1940 it rose to fourth!
WFIL
HEADLINE FEATURES PRE -TESTED
Only the most interestirxg — the most appealing — newspaper head-
ines are selected for ''HEADLINES IN ACTION." Before passing the
Program Board, they must meet with several pre-determined require-
ments. Then — and only then — are they approved for production. The
stories are completely rewritten for radio with music, narration and
dramatization all being used to create the perfect illusion.
V.'
1 \
)
\
PROMOTION
WFIL will promote "HEADLINES IN ACTION" through newspaper
advertising, publicity, inserts, radio dealer window and counter displays,
courtesy announcements, letters to trade and highlight listings.
REGIONAL COVERAGE AVAILABLE
"HEADLINES IN ACTION" is now being fed on a sustaining basis to
ieight stations of the Quaker Network — WGAL Lancaster, WAZL Hazle-
feon, WEST Easton, WORK York, WKBO Harrisburg, W^SAN Allentown,
|WRAW Reading. Advertisers having regional distribution should inves-
tigate advantages offered by the Quaker Network which include only
one cost for talent, multiple merchandising and promotion; also rate
savings as high as 7.5% compared to national spot charges.
MAY BE SPONSORED 3 OR 5 TIMES WEEKLY
Talent, script and studio direction —
Bicadcijsi Times WFIL
3 times weekly $ 60.00
5 times weekly 90.00
Station time extra.
Quaker Network
$ 90.00
150.00
(UimAeA
560
ON
YOUR
DIAL
A RADIO STATION IS KNOWN BY THE
COMPANY IT KEEPS
WFIL Honor Roll by Industry and Client
AMUSEMENTS
Homid's Pi«r
Philadelphia Gardens
Steel Pier
Worner Brothers
WoU, Irving Enterprises
Woodside Park
20th Century Fox Film
APARTMEHTS
Ogontz Manor
2G01 Parkway
AUTOMOTIVE
Chevrolet Co.
Chrysler Corporation
Chrysler Division
Dodge Division
Plymouth Division
De Soto Philadelphia Group
Ford Dealers of Philadelphia
Ford Motor Co.
Krouse, H. — Studebaker Dealer
Philadelphia Motor Car Co.
BEVERAGES
AUas Wine Co.
Booth Bottling Co.
Canada Dry Co.
Gomborelli & Da Vitto
Gretx, Wm., Brewing Co.
Guth, Ernest C.
Mission Bell Wines
Renault, L. N., & Sons, Inc.
Roma Wine Co.
Scheidt, Adorn. Brewing Co.
Spatola Importing Co.
Welsh's Grape Juice Co.
CLEANERS AND DYERS
Cummer Products — Energine
Cleaning Fluid
Doriner, Anton, & Sons
Naylee Chemical Co.
Ruex Company
COSMETICS
Dr. Ellis Sales Co.
lergens, Andrew, Co.
Woodbury's
DEPARTMENT STORES
Lane Bryant
Lit Brothers
Strawbridge & Clothier
DRUGS
Alkine Co.
American Home Products
B C Remedy Co.
Borbasol Company
Beaumont Laboratories
Berg-Williams Corporation
Carter Products Co.
Arrid
Liver Pills
Comstock Co. Ltd., W. H.
Consolidated Royal Chemical Corp.
Dill Company
Emerson Drug Co.
Eno, J. C, Ltd.
Ex Lax, Inc.
Grove Laboratories
Ironized Yeast Co.
Mennen Company
Miles Laboratories
Pepsodent Company
Phillips Chemical Co.
Pinex Company
Pinkham, Lydia
Semler, R. B., Co.
Sloan's Liniment
Vicks Chemical Co.
Watkins, R. L., Co.
White Laboratories
Williams, J. B., Co.
EDUCATION
Air Conditioning Training Corp.
Better Speech Institute
Industrial Training
Stroyer's
ELECTRICAL APPUANCES
Connelly, John
Electrical Association
Electric Storage Battery
Goldys Radio Co.
Knapp Monarch Co.
Nash Kelvinator Co.
Philco Distributors of Pa.
Remington Rand Co.
Westinghouse Electric Co.
FOOD
Abbott's Dairies
American Dairy Association
American Popcorn Co.
Burk, Louis
Contadina Tomato Paste
Continental Baking Co.
D'Arrigo Brothers
Franck Chicory Co.
General Baking Co.
General Foods
Goldenberg, D.
Hecker Products Corp.
Horn 4 Hardart Co.
Ivins, I. S., Sons
Kellog. H., & Sons
Kellogg Sales Co.
Lowe, Joe, Corp.
Maltex Company
Mangol-Herold
Morrell, John, & Co.
Morrison Company
Mueller's Macaroni Co.
Parkway Baking Co.
Peter Paul. Inc.
Philadelphia Dairy Products
Quaker Oats Co.
Ralston Purina Co.
Ritter, P. J.
Rockwood Candy
Sharpless-Hendler Ice Cream Co.
Standard Brands
Strode Meat Products
Supplee- Wills-Jones
Swift & Company
Virginia Dare Extract
Vogt. F. G.
Ward Baking Company
Washington Apples
Whitman Candies
Zy-vo Corporation
FUELS
D. L. & W. Coal Company
Keystone Coal & Wood
Patterson. Jos. M.
HOUSE FURNISHINGS
Bailey's
Bandlers'
Davis, John, Furniture Co.
Fritt and LaRue
Hurst, Henry A.
Lichtey's
Quaker City Home Supply Co.
West End Furniture Co.
Will Brothers
LAUNDRIES
Day & Frick Co.
Holland Laundry
Montrose Laundry
Sno-White Laundry
LAUNDRY SOAPS. ETC.
Colgate-Palmolive-Peet Co.
Fels Naphtha Soap Co.
Iowa Soap Company
Lever Brothers
Manhattan Soap Co.
Pacific Coast Borax Co.
Proctor & Gamble
Hershey Estate*
MISCELLANEOUS
Ace White Shoe PolUh
Algase. Dr.
Bell Telephone Co.
Benrus Watch Co.
Cat's Paw Rubber Co.
Commonwealth of Pennsylvania
Delaware Pk. St. & Race Assn.
Dreer, Henry
DuPont, E. I.
Gardner Nursery
Gruen Watch Co.
Lee Tire & Rubber Co.
Mallas, Dr.
Marco Dog Food
Morion's
Northwestern National Bank
Park Distilling Co.
Pennsylvania Rubber Co.
Shealler. W. A.. Pen Co.
Sherwin V/illiams Co.
Standard Coated Products
Tappins
Wilson Line, The
Wurlitzer. Rudolph, Co.
OPnCIANS
Commonwealth Optical Co.
Criden. Rosen & Sharp
Gainsburg Optical Co.
PUBUCA-nONS
Crowell Publishing Co.
Daily News
Evening Bulletin
Evening Public Ledger
Friday Magazine. Inc.
Liberty Magazine
MacFadden Publications
Philadelphia Inquirer
Philadelphia Record
Street & Smith
PETROLEUM
Atlantic Refining Co.
Gulf Refining Co.
Major Oil Co.
Richfield Oil Co.
Sun Oil Co.
Texas Co.
Tidewater Oil Co.
RESTAURANTS
Fortside Inn
Mayflower Restaurant
TOBACCO
American Tobacco Co.
Axton-Fisher Tobacco Co.
Bayuk Cigars
Brown & Williamson
Grabosky Cigars
Lorillard. P.. Co.
Morris. Philip. Co.
Reynolds Tobacco Co.
Shubs
Washington, George
TRANSPORTATION
Canadian Railways
Greyhound Lines
Quaker City Bus Co.
Philadelphia Transportation Cc
Public Service Co. of New Jtne
Yellow Cab Company
WEARING APPAREL
Conformal Footwear
Diamond, Bill
Gerson. Sam
Goldman. L.
Locke, Dr., Shoes
Passon's
Scholl. Dr.
Spencer Shoes
Stetson. John B.
WUe, Wm. H.. Co
II
NBC BLUE • KEY STATION QUAKER NETWORK • MUTUAL
REPRESENTED BY ED. PETRY & CO.. NEW YORK
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Drug Products
KID WIZARDS Local adaptations are quick
to follow on the heels of flourishing network
programs. Witness local Major Bowes Ama-
teur Hours, Pot O' Golds, etc. Most recent
network show to set the nation talking, Quiz
Kids, already has olifspring scattered through-
out U. S. cities. On New York's station
WHN, Kid Wizards made its bow as a sus-
taining program December 3. Mid-February,
New Vitamized Yeastfoam Tablets as-
sumed sponsorship.
Here's how the program works: Affable,
tweed-wearing, Rutger alumnus Louis Wolfe
established the permanent board of three boys
— Jay Langner, aged 10, sports expert; James
Keegan, 14, science authority; Chick Young,
9, history wizard. Each week two guests ap-
pear on the program. Their qualifications :
They, or someone interested in having them
appear on the program, must have sent in
a question which stumped the experts; they
must be less than 14 years old. Should the
board come out with a 100% score, the same
five repeat the following week. To every pro-
gram guest goes a complete, 20-volume set
of the Book of Knowledge.
To those who submit questions that are
correctly answered go books. If the Kid
Wizards can't answer the question, sender
gets five dollars besides the privilege of send-
ing a guest on the program.
air FAX: First Broadcast: December 3, 1940.
Broadcast Schedule: Tuesday, 9:00-9:30 P.M.
Preceded By: News.
Competition: We, the People (CBS); Musical
Americana (NBC).
Sponsor: Royal Chemical Corp., for New Vitamized
Yeastfoam Tablets.
Station: WHN, New York, N. Y.
Power: 5,000 watts.
Population: 7,346,272 (1940).
Agency: Benson & Dall, Inc., Chicago, 111.
COMMENT: In order to secure high public
interest in a program of this type, questions
must be sufficiently difficult to baffle adult
listeners. The harder the questions, the bigger
your audience. Sample question: ''Identify the
following famous streets: Downing Street,
Baker Street, Gabby Street."
Ingenious is Kid Wizard's method of get-
ting questions and program talent with a
single stroke.
Shoes
MR. FIXER In Yakima (Wash.) veteran
KIT spot announcement buyer Economy
Shoe Store resolved to try 15-minute pro-
grams, hired a man to do nothing but solve
other people's problems. Selling a low priced
shoe, seeking a large labor and farm audience,
sponsor created Mr. Fixer, who twice weekly
reads letters from Yakima families soliciting
help.
Requests span from triple twin beds to
houses. Requests for shoes are investigated,
donated by sponsor if case is found to be
actually needy. In the waste basket go all
money pleas. Every letter must be signed, but
only initials are actually aired.
Program format includes request readings
and results. Letter and sales influx are lead-
ing sponsor to consider adding a third period
to the program. A picture of Mr. Fixer under
the caption, "Home of Mr. Fixer," embel-
lishes sponsor's window.
AIR FAX: First Broadcast: January 21, 1941.
Broadcast Schedule: T-Th., 9:15-9:30 A.M.
Followed By: Ma Perkins ( Don Lee Network dra-
matic serial ) .
Sponsor: Economy Shoe Store.
Station: KIT, Yakima, Wash.
Power: 1,000 watts.
Population: 36,326.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Program's success depends on
Mr. Fixer s ability to get results from his re-
quests. The more results, the more requests.
And so grows the show. Mr. Fixer's role
must be handled by a resourceful person able
to act in any kind of emergency. He must be
well acquainted with the home town, have a
host of connections to get results.
Leatherette Binders
for
Radio Showmanship
The compact way of keeping your issues in a
permanent, chronological group.
Holds 18 Issues One Dollar
RADIO SHOWMANSHIP
11th at Glenwood MINNEAPOLIS
MARCH- APRIL, 1941
103
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Automobiles
BITS FROM THE BATTERIES Joining the
ranks of army program sponsors is Cham-
bers Motor Co., who brings to New Castle
(Pa.) news of the home boys stationed at
Camp Shelby, Miss.
At the time of the boys' exodus, cooperative
station WKST broadcast a 30-minute pro-
gram from the Pennsylvania Railroad station
starting from the time the boys marched into
the station until the
train conductor warned,
*'A11 aboard." On the
spot was alert sponsor
Chambers Motor Co.
to present the battery
with the recording ma-
chine to be used for the «
transcribed shows. / \
Report from Cham- ^ — ^
HERS Motor Co.: Day
following first broadcast
(February 2) a custom-
er strolled in, inquired for "the car advertised
on your radio program yesterday." One hour
later he drove away in a $700 used car.
AIR FAX: On the Monday, Wednesday, Friday broad-
casts, news consists of telegraphed information (sent
by a special correspondent) on events of the previous
camp day and night, including any unusual training
and activities. On Tuesday, Thursday, Saturday,
transcribed camp interviews are aired, wherein son
John relates his part in the training program, his
impressions of camp and army. Commanding officers
of the two Batteries, Captains Mitchel and Goehring,
personally report to parents and friends on the
men's health, general conduct.
Program commercials consist of a 30-word intro-
duction, 100-word major plug on a specific used car,
a 50-word sign-off. The used car, not advertised
elsewhere, is changed daily.
First Broadcast: February 2, 1941.
Broadcast Schedule: Daily, 5:40-5:45 P.M.
Preceded By: News.
Followed By: Ted Steele.
Sponsor: Chambers Motor Co.
Station: WKST, New Castle, Pa.
Power: 1,000 watts.
Population: 51,092.
COMMENT: No fatigable enthusiasm is that
of home towners for army programs. Just as
long as home boys are encamped, so long will
sponsor have an attentive — and appreciative
home audience. For regulations for local
radio sponsors who are interested in army
camp broadcasts, see January issue, The
Readers Write, p. 38, for an interesting letter
by Edward M. Kirby, newly appointed to the
Radio Division of the United States Army.
For review of another army program, see
Life in the Army, February issue, p. 66.
Beverages
YOU'RE THE PLAYER Purely coincidental
are the parallel baseball and beverage peak
seasons, but the results the Coca Cola Bot-
tling Co. of Cincinnati (Ohio) reaped were
no coincidence. At the outset of the National
League baseball season (about April 15),
sponsor took WKRC air time with a baseball
quiz program that pulled some 800 letters
weekly, gave away some 700 bottles of Coca
Cola daily. Result: A Coca Cola conscious
Cincinnati throughout a hot summer. Spon-
sor promoted his radio promotion with news-
paper ads, moving picture "trailers" in 30
local theaters.
AIR FAX: Game operation: 18 people are selected
from the audience gathered to witness the broadcast.
As in a regular baseball game, nine participants are
used on each team. WKRC staff men Mike Hun-
nicutt and George Sutherland conduct the show, act
as managers of the two teams, each asking the ques-
tions of the batters of the rival teams. A correct
answer by the batter scores a run; a wrong answer
retires the side.
The listening audience is asked to send in ques-
tions concerning baseball. If a question is used on
a winning team, sender receives the equivalent of a
case of COCA COLA; if question is used on a
losing team, he contents himself with six bottles of
COCA COLA.
After each game, participants on the winning team
get six free bottles of COCA COLA; members of
the losing team settle for two. Star participant who
drives in the winning or tieing run gets two free
tickets to a Cincinnati Reds ball game. A tally is
kept of the number of games won by each team, is
displayed for the audience prior to and during each
broadcast.
First Broadcast: About April 15, 1940.
Broadcast Schedule: Monday thru Friday, 12:30-
12:45 P.M.
Sponsor: Coca Cola Bottling Co. of Cincinnati.
Station: WKRC, Cincinnati, Ohio.
Power: 5,000 watts.
Population: 685,945.
Agency: Chester C. Moreland Co.
COMMENT: Timeliness pays big dividends in
radio!
Home Furnishings
BACKGROUNDS FOR LIVING Ideally
groomed for furniture stores anywhere is the
outstanding program sponsored by Los Ange-
les' prominent Barker Brothers. Originally
104
RADIO SH OWM ANSH IP
initialed to boost Barker Brothers' Small
Home Department, the show has increased
general traffic, upped sales throughout the
entire store.
Thrice weekly, home decoration expert
Edgar Harrison Wileman, Barker Broth-
ers' consultant in charge of their Home Ad-
visory Bureau, schools California women in
tasteful home decoration within a given in-
come.
Results: 1) Traffic through the Small
Home Department has doubled; personnel
increased. 2) Following an announcement
made at the end of just three 15-minute pro-
grams, 1,500 requests were received for book-
lets on interior decoration. 3) A two-day
questioning of cash customers showed a 58%
listening patronage. 4) Sales were conclusive-
ly traced directly to the program through the
Home Advisory Bureau manager's conversa-
sations with customers.
But mass enthusiasm for a program just
doesn't sprout overnight. // must be mustered.
Barker Brothers promotion is persistent,
consistent: 1) For the first five or six weeks
of Backgrounds for Living, every bit of regu-
lar newspaper advertising plugged the pro-
gram. 2) Every elevator in the store has its
own sign repeating the story. 3) Store win-
dows illustrate ideas discussed on the pro-
gram. 4) Department heads are advised of
subjects currently discussed. 5) Audience
shows are staged from the Barker Broth-
ers' auditorium at eight-week intervals. 6)
Mr. Wileman, his reputation ever expanding
as an authority with furniture facts at his
fingertips, accepts engagements to address
club groups, doesn't overlook the opportunity
to boost the program.
AIR FAX: Broadcasting right frotn the BARKER
BROTHERS stronghold, specialist Wileman organizes
his program broadly to include Home Planning (se-
lection of building lot, architectural forms, floor
plan, points on convenience of layout, etc.); Home
Decoration (interior wall treatment, etc.); Home
Furnishings (furniture placement and grouping, se-
lection of draperies and upholstery fabrics, acces-
sories, styles of furniture, i.e., Eighteenth Century,
Early American, Maple, etc.).
First Broadcast: August 14, 1939.
Broadcast Schedule: M-W-F, 2:15-2:30 P.M. (Sum-
mer months one weekly broadcast, Wednesday).
Followed By: Scattergood Baines (CBS Dramatic
Serial ) .
Competition: Lone Journey (NBC Dramatic Serial);
News.
Sponsor: Barker Brothers.
Station: KNX, Los Angeles, Calif.
Power: 50,000 watts.
Population: 1,496,177 (1940).
Agency: Marion Kyle Advertising Agency.
COMMENT: Emphasis and strength of this
program lies in its service to women: Valu-
able ideas, money-saving suggestions, aid in
tasteful home decoration within individual
incomes. A functional program (i.e., one
whose entertainment features are closely in-
tegrated with the product it is selling) has a
much more restricted audience, usually falls
down on most general surveys. But what the
survey figures don't show is the more inten-
sive selling job it accomplishes with the steady
audience it does pull.
Gasoline
D-X SPECIAL 45-MINUTE NEWS BROAD-
CAST On January 24, 1941, Mid-Conti-
nent Petroleum Corp. stretched its 15-
minute news program to 45 minutes, congre-
gated company notables from sections of the
country, commemorated its 1,200 broadcast
of the regular late evening news on Des
Moines (la.) station WHO.
Dramatic dedication was punctuated by
music from the WHO 20-piece studio orches-
tra. This special program consisted of 1 ) a
resurrection of the headline (headache)
world events since inception date of Mid-
Continent's broadcasts (October 10, 1937) ;
2) transcribed excerpts of momentous speech-
es by world leaders; 3) brief remarks by
Harry Flory, European manager for United
Press, just returned to these shores; 4) other
addresses by J. O. Maland, vice-president
and manager of WHO, Henry Wurster,
manager of Northern Division for Mid-
Continent; R. W. McDowell, vice-presi-
dent of Mid-Continent Petroleum Corp.
Officiating were announcer Jack Kerrigan
and Diamond D-X news reporter Bob Burl-
ingame.
AIR FAX: Broadcast Schedule: Regular program:
Daily, 10:15-10:30 P.M. Special broadcast: 10:00-
10:45 P.M.
Preceded By: Fred Waring in Pleasure Time (NBC).
Followed By: Woody Herman's Orchestra (NBC).
Sponsor: Mid-Continent Petroleum Corp., Tulsa,
Okla.
Station: WHO, Des Moines, la.
Power: 50,000 watts.
Population: 142,559. '
COMMENT: Special commemorations not
only add prestige to a program and its prod-
uct, but also stimulate interest for more loyal
listening.
ARCH-APRIL, 1941
105
Livestock
LIVESTOCK AUCTIONS Direct from the
arena of the Clovis Livestock Sales Co.
pavilion has come the voice of the auctioneer
over Clovis' (N. M.) station KICA for the
past two years.
Twice weekly he has begun with a descrip-
tion of the sale cattle, horses, mules, wheedled
his audience into bidding, successfully con-
cluded the sale during air time. Mutual ad-
vantage of broadcast auctions have been ex-
pressed by sponsor and farmers, ranchers,
livestock men. During the summer months,
when livestock is scarce, radio time is cur-
tailed to a weekly half-hour, the horse-mule
and cattle sale combined.
AIR FAX: Program is entirely ad-libbed, entrusted in
the deft hands of the auctioneer.
Broadcast Schedule: W-F, 2 Vi hours weekly.
Preceded By: Moments in Melody.
Followed By: What Is it?
Sponsor: Clovis Livestock Sales Co.
Station: KICA, Clovis, N. M.
Power: 100 watts.
Population: 13,590.
COMMENT: In whatever commercial field
auctions have been used — automobile, tobac-
co, livestock — they have been found to be ef-
fective radio material.
Meat Products
KIDDY CLUB Just to bring a gift of food
home for mother, children in Little Rock,
Ark. have been putting on a kid show over
KARK for two years. The program is com-
pletely unrehearsed. Two sponsors share time
— C. Finkbeiner, Capital Pride Meat Prod-
ucts sponsors the first half-hour. Meyer's
Bakery handles the second half-hour.
Child entertainers are picked at random
from the Saturday morning audience. They
do whatever they like on the show. Spon-
taneity of child talent turns the trick. Like
"Bright Sayings of Children," one never
knows what will come out. Versatile Paul
Godt, KARK's program director, accom-
panies the children on the piano.
Advertising tie-ins include a weekend fea-
ture of special items in the stores carrying
Finkbeiner's products and Meyer's bakery
goods. One of the items featured — pound of
butter, a ham, a cake or loaf of bread — is
given to each child who entertains. These
gifts for the family larder, plus the opportun-
ity to appear over the air, have been drawing
a full audience every Saturday morning for
two years.
Stores throughout Arkansas carrying these
products report rushing weekend business.
Truck signs, point of sale signs plug the show.
AIR FAX: Two half-hour children's shows with spon-
taneous, unrehearsed entertainment by members of the
audience.
Broadcast Schedule: Saturday morning.
Sponsors: Capital Pride Meat Products, Meyer's
Bakery.
Station: KARK, Little Rock, Ark.
Power: 1,000 watts.
Population: 110,000.
COMMENT: KUdy Club proves two things.
1 ) You don't have to flaunt dolls and bicycles
in children's faces to attract them. 2) Juve-
nile shows bring adult sales response.
Tobaccos
FARM MARKET REPORTER No gamble
for the sponsor desiring an "in" on farm
radios is a program patterned after Farm
Market Reporter. Tried, tested, the program
delivers sure-fire material — farm news about
crops, farming in general, up-to-date market
prices on cattle, dairy products, chickens, etc.
Not content merely to have the information
there for the turning of the dial, sponsor P.
LorillardCo. focuses attention on promotion,
makes certain that every farmer is aware of
the program. Publicity barrage: Letters to all
farm bureaus and county agenfs in Michigan
calling attention to the program, requesting
they call it to attention of all their farmer
contacts; a green seal ("Tune in Farm
Market News Monday thru Friday, etc.") is
attached to all invoices and letters released
by the Michigan Livestock Exchange; each
station of the Michigan Radio Network plugs
the shows with special announcements.
AIR FAX: For greater program prestige, specialist
George J. Boutell, manager of Michigan Livestock
Exchange, quotes the market prices, in addition to
the Farm Market Reporter himself. Musical spice is
supplied by the Hayloft Serenaders under Pete
Angel's direction.
First Broadcast: January 6, 1941.
Broadcast Schedule: Monday thru Friday, 12:15-
12:30 P.M.
Sponsor: P. Lorillard Co. (makers of Union Leader
Tobacco ) .
Stations: WXYZ, -Detroit (key station, from which
program originates); WIBM, Jackson; WFDF, Flint;
WELL, Batrie Creek; WJIM, Lansing; WBCM, Bay
City; WOOD, Grand Rapids (Mich.).
Total Population: 2,239,249.
Agency: Lennen & Mitchell, New York, N. Y.
COMMENT: Unique problem facing the na-
tional sponsor who wants to reach a farm
audience: Realizing that farm news is the
farmers' most vital interest, he nonetheless
cannot buy network time to reach farmers
throughout the nation in one compact pro-
gram. Fruit farmers in California do not
have the same interests as Minnesota wheat
growers ; Carolina tobacco raisers switch off
their dials at Montana cattle prices. Best so-
lution to the problem is the regional network.
106
RADIO SHOWMANSH IP
Women's Wear
BOY COMMENTATOR While hidebound
wiseacres wagged their heads, common-sensi-
cal Charis Corset Shop crowed over its
brand new "ear-opener" news program. De-
termined to lift its program out of the ruck,
sponsor signed as news commentator 16-year-
old, tall, lean, quick-thinking radioracle Bud-
dy Darezzo. With a thirst for fresh ideas,
Darezzo presents a vibrant account of per-
sonalities in the news, human interest stories
— "a stereoscope of news pictures of the day,
giving a new dimension to events affecting our
lives."
No oratorical ingenue, Darezzo first spoke
on "Americanism" before a Los Angeles
American Legion group at the age of three,
has since addressed Rotary, Kiwanis, Lions
Club, veteran organizations. At the ripe age
of ten, he politicked throughout California
delivering 30 campaign speeches for former
Governor Frank F. Merriam.
AIR FAX: First Broadcast: January 5, 1941.
Broadcast Schedule: Sunday, 2:00-2:15 P.M.
Preceded By: Home Town Harmony.
Followed By: Dance Matinee.
Competition: News, Pianist.
Sponsor: Charis Corset Shop (bay region distribu-
tor of women's foundation garments).
Station: KROW, Oakland, Calif.
16-year-old Buddy Darezzo, one of radio's
youngest commentators, presents "a stereoscope
of news pictures of the day" each Sunday, 2:00
to 2:15 P.M. Buddy does all his own research
work after studies at Oakland High School,
Oakland, Calif., where he is a junior student.
Power: 1,000 watts.
Population: 284,063.
COMMENT: These days when news pro-
grams multiply like flies, progressive spon-
sors seek an unusual twist to lure listeners.
Sponsor Charts introduces one outstanding
way.
Leatherette Binders
for
Radio Showmanship
The compact way of keeping your issues in a
permanent, chronological group.
Holds 18 Issues
One Dollar
RADIO SHOWMANSHIP
11th at Glenwood MINNEAPOLIS
MARC H - AP R I L, 1941
107
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
\i
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ijjGH -Uiii^B>-'
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Left . . . Into Buffalo (N. Y.) grocery
stores went stations WGR-WKBW with
an impressive display of products pro-
moted on their stations. Shoppers were
asked to identify the program from, the
product. Housewives' high scores pleased
both station and sponsors!
Below . . . When spot announcement
buyer FIRST NATIONAL STORES
opened two new super-markets in New
Rochelle and White Plains (N. Y.),*
they sponsored 12 interview programs on
station WFAS. Special events chief John
Dillon quizzes Mrs. Robert Wood as
proud store manager Joseph H. Mc-
Carthy looks on. Each person interviewed
got a two-dollar bag of groceries with
the compliments of the new store.
.^^mm f
Above ... A happy group of Kiddy Club partic-
ipants pause for a moment during the Saturday
morning fun. For complete story, see Showmanship
in Action, p. 106.
Right . . . Alice Meredith receives a call on the
line, 2241, made famous by JULIE'S, INC.,
Columbia (Mo.) women's specialty shop. Pianist
Carl Stepp intently tries to catch the request.
For complete story, see Proof O' the Pudding,
p. 115.
Below . . . From jampacked KMOX Play-
house in St. Louis, HYDE PARK BREW-
ERIES broadcast their year round Hyde
Park Sports Quiz. For complete story, see
Proof O' the Pudding, p. 112.
WHAT THE PROGRAM DID FOR MEJ
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 11th at Glenwood, Minneapolis, Minn.
Chiropractic
THE GOOD HEALTH PROGRAM 'This
program went on the air over station KIT in
Yakima, Wash., approximately twelve years
ago. We believe it was one of the very first
commercial chiropractic broadcasts to be used
consistently in the United States.
"We have stayed regularly and persistent-
ly on the air since that time, because inquiries
and patients have come to us in great num-
bers from a radius of 150 miles, giving The
Good Health Program as their source of in-
formation in regard to our location and type
of health work.
"We have found this medium, radio, to
produce more traceable returns than any oth-
er we have ever used, including display news-
paper advertising and extensive direct by mail
circulation. Our program has definitely been
the answer to our educational and publicity
problem."
F. M. Begg, D.C., Ph.C.
The Chiropractic Clinic
Yakima, Wash.
AIR FAX: For complete information, sec Proof O' the
Pudding, page 112.
Dairy Products
THE BIRTHDAY CLUB "Our radio pro-
gram. The Birthday Club, originated at our
home office in Abilene, Texas, nearly three
years ago. We have had in the neighborhood
of 152 consecutive broadcasts over the Abi-
lene station, and Saturday was our 47th here
in Big Spring.
"While we have enjoyed a nice healthy in-
crease in business during the last three years
in Abilene, our paramount idea in this pro-
gram is a definite tie-up with the milk buyers
of tomorrow. The slogan of our products is
'they taste better,' and we firmly believe if
these children are given an opportunity of
shouting that slogan at least twice during the
30-minute broadcast, naturally, when they
become the milk buyers of tomorrow, they
will turn to the products 'that taste better.'
"Our Abilene club started with 200 mem-
bers and now has over 1,800. Our club here
in Big Spring started with 150 almost a year
ago and now numbers 700."
Eunice Bennett Hurd
Educational Director
Banner Creamery
Big Spring, Texas
AIR FAX: Every Saturday afternoon The Birthday
Club meets at a local theater. Club members enter-
tain from the stage, have an informal good time,
beam with excitement when their birthdays are ac-
knowledged.
First Broadcast: July, 1940.
Broadcast Schedule: Saturday, 1:30-2:00 P.M.
Sponsor: Banner Creamery, Abilene, Texas.
Station: KBST, Big Spring, Texas.
Power: 100 watts.
Population: 17,500.
COMMENT: Farsighted sponsor has applied
an age-old principle to business, i.e., by im-
printing indelibly certain facts on impression-
able young minds, those facts will carry over
into maturity. It recalls to mind a favorite
saying of noted educators: "Give us a child
between the ages of five and nine, and you
can have him the rest of his life."
Electric Appliances
c^^
KELVINATOR KOMPOSITIONS "This
series of programs started February 10 (on
WIS, Columbia, S.C.) for this year and will
continue five days per we^k straight through
until August 1, 1941. Frankly, the results we
are obtaining are astounding. (Sponsor has
used radio continuously in the immediate
past.)
"We have just receive the following wire:
110
RADIO SH OWM ANSH IP
'Figures just released show Carolina Sales
Corporation to be number one outlet in the
United States with 238% dealer sales against
quota October through January stop Con-
gratulations to you, Ed Rawl, your whole-
salemen, and your entire organization for
this fine performance stop Let's encourage
everyone of your dealers old and new to
guard this lead throughout the year' — signed
Kelvinator Tasker."
E. E. Rawl
Sales Manager
Carolina Sales Corp.
Greenville, N. C.
AIR FAX: The same popular recording program is
aired in other towns within the Carolina Sales Corp's.
territory.
Broadcast Schedule: M-W-F, 8:30-8:45 A.M.
Preceded By: Rhythm Makers.
Followed By: Novelettes.
Sponsor: Carolina Sales Corp., Greenville, N. C.,
distributor for Kelvinator refrigerators.
Stations: WIS, Columbia, S. C; WPTF, Raleigh,
N. C.
Power: WIS, 5,000 watts; WPTF, 5,000 watts.
Population: Columbia, 71,704; Raleigh, 37,379.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Here is one case where radio
can really take a pat on the back. Kelvi-
nator's leading wholesaler considers results
from radio outstanding.
Surprising indeed is the effectiveness of this
simple radio campaign: Popular music, re-
peated daily at a time when housewives like
to hsten to music.
Ice-Fuel
MORNING MATINEE "This program was
started on December 5, 1938, to sell the output
of a newly reopened coal mine owned by Des
Moines Ice and Fuel Co. The plan is sim-
ple, involving careful selection of good tran-
scribed music. During the program, two
straightforward, factual commercials are
used.
"Within a month, definite selling impact
was felt. Coal was being featured exclusively.
Voluntary orders came in on the strength of
the program.
"Following this early success, the program
was switched to refrigerators and ice, and
again proved effective in getting prospects for
ice refrigerators, and, incidentally, ice. The
program also has had an excellent inspiration-
al effect on personnel, particularly the ice and
fuel service men who are constantly in touch
with the consumers. It has been found that a
housewife's mention of the program has a fine
effect on the men.
"No definite figures on sales increase are
available because other media, as well, are
used. However, the fact that the program is
now in its third year is evidence of its value."
David Ainsworth
Vice-President
Cary-Ainsworth, Inc., Advertising
Des Moines, Iowa
AIR FAX: First Broadcast: December 5, 1938.
Broadcast Schedule: Monday thru Saturday, 8:30-
8:45 A.M.
Preceded By: Wake Up and Live.
Followed By: Newsreel of the Air.
Competition: The Breakfast Club (NBC); The
O'Neils (NBC Dramatic Serial).
Sponsor: Des Moines Ice & Fuel Co.
Station: KRNT, Des Moines, la.
Power: 5,000 watts.
Population: 159,819 (1940).
Agency: Cary-Ainsworth, Inc.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Interesting is Mr. Ainsworth's
comment that Morning Matinee has had ex-
cellent effect on sponsor's service men.
Women's Wear
2241 "Being a college shop in a college
town, we have long been faced with the prob-
lem of reaching students who, through our
observation, pay little or no heed to news-
paper or direct mail advertising. This is
understandable since a student's day is cram-
med with things far more important to him
than the reading of advertising matter.
"We feel that 2241 has solved our prob-
lem. We know it has a large student audi-
ence, and through the use of light, breezy
copy, we feel we have definitely accomplished
our purpose. We know we have firmly estab-
lished our slogan, 'Truly Columbia's Domi-
nant Shop,' in the minds of thousands of stu-
dents ; and if that fact has been established,
they must also have absorbed at least portions
of the copy which precedes our slogan.
"One thing that may be of special interest
is the increased men's patronage for gifts. Al-
most every owner of a women's shop knows
only too well the sheepish expression of a
man as he walks through the door. We can't
claim to have eliminated that expression, but
through constant plugging on 2241, we have
been able to draw more and more men, even
though they band together in threes, fours,
or even sixes for 'protection.'
"All in all, we cannot help but feel that
2241 has contributed in a large way toward
enabling us to remain 'Truly Columbia's
Dominant Shop'."
S. C. Steinberg
Owner, Advertising Manager
Julie's, Inc.
Columbia, Mo.
AIR FAX: For complete story of 2241, see Proof O'
the Pudding, page 115.
MARCH-APRIL, 1941
111
1
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Beverages
QUIZ OF TWO CITIES Since October,
1938, the GuNTHER Brewing Co. has been
keeping residents of Baltimore, Md. and
Washington D. C. in a civic hubbub. They
pit the rival cities against each other in a quiz
contest aired on local stations WFBR in Bal-
timore and WMAL in Washington D. C.
Program popularity evidence: Each year,
Gunther's is forced to hire a mammoth
auditorium for several broadcasts to take care
of back requests for tickets, which have pyra-
mided into the thousands.
Earnings: Just for appearing before the
mike, contestant gets two silver dollars. For
the right answer to the special bonus question,
ten more silver dollars are added; if all four
questions are answered correctly, three more
dollars are awarded — a total of 15 dollars
for each participant, 120 dollars in all.
Sole show promotion is the air of^er of a
five-dollar cash award for every bonus ques-
tion sent in and used on the program. Mer-
chandising tie-in is a mass display of the
brewery products, artfully arranged in the
corridor outside the studio where the broad-
cast originates.
AIR FAX: With the two competing teams located in
separate cities, quizzers can use the same sets of
questions, truly test contestants' superiority. For the
listening audience, it's a match that calls for keep-
ing score and rooting for the home team in the man-
ner of an athletic contest. Emcees Henry Hickman
(Baltimore) and Bryson Rash (Washington) deftly
play on town rivalry.
First Broadcast: October, 1938.
Broadcast Schedule: Thursday, 7:30-8:00 P.M.
Preceded By: John W. Vandercook (NBC News).
Followed By: Good News (NBC).
Competition: Vox Pop (CBS) : Confidentially Yours
(MBS).
Sponsor: Gunther Brewing Co., Baltimore, Md.
Station: WFBR, Baltimore, Md.
Power: 5,000 watts.
Population: 854,144 (1940).
Agency: RuthraufT, Ryan, Inc.
Patented by Albert B. Buffington, station WFBR.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Primary function of most quiz
shows is to promote rivalry between individ-
uals. Quiz of Two Cities is one of the out-
standing examples where team competition
has been successfully substituted. Other nat-
ural rivalries: Between big industries, schools,
organizations, professions.
Beverages
HYDE PARK SPORTS QUIZ A local ap-
plication of network Information, Please in
the sports field is this popular St. Louis pro-
gram broadcast directly from the KMOX
Playhouse studio before a studio audience.
Now in its second year, the show pulls a
heavy mail response running into several hun-
dred weekly questions and requests for studio
tickets.
A strong believer in merchandising tie-ins,
sponsor Hyde Park promotes its sports quiz
with outdoor posters, window displays, car
cards, newspaper space, announcements on
KMOX.
AIR FAX: Recognized sports authority France Laux
puts the questions to his "board of sports experts,"
consisting of Jim Gould and C. Roy Stockton of the
ST. LOUIS POST DISPATCH sports staff and
former All American half-back Cy Casper, now a
St. Louis radio sportscaster. A fourth member is in-
variably an outstanding figure in the sports world.
Two dollars is awarded for each question used on
the program. If the experts can't answer the ques-
tion, sender gets four dollars, and the question is
open to anyone in the studio audience who volun-
teers to answer in hopes of winning a cash award.
First Broadcast: January 23, 1940.
Broadcast Schedule: Friday, 6:30-7:00 P.M.
Sponsor: Hyde Park Breweries Assn., Inc.
Station: KMOX, St. Louis, Mo.
Power: 50,000 watts.
Population: 1,141,593.
Agency: Ruthrauff 8C Ryan.
COMMENT: Capitalizing on the tremendous
American interest in sports, this type of pro-
gram, when properly presented, can be
adapted to almost any type of business ap-
pealing to men anywhere.
Chiropractic
THE GOOD HEALTH PROGRAM Some
twelve years ago in Yakima (Wash.), a nu-
cleus of chiropractors organized under the
supervision of Dr.
F. M. Begg, became
known as The
Ch I ropr actic
Clinic. Three years
later (1932) the or-
ganization took KIT
air time with an
ambitious program
of three half-hours
weekly, became
112
RADIO SH OWM ANSH IP
radio pioneers in their field. Radio crusader
Dr. Begg went on the air, conducted "cards
on the table" conversations with his listeners,
sought to explain in layman language the
chiropractic system, its operation and bene-
fits. Today, as Yakima's leading chiroprac-
tors, The Chiropractic Clinic surveys
nine years of broadcasting, attributes success
to radio.
AIR FAX: Light classical music fills the interludes be-
tween Dr. Begg's talks.
First Broadcast: 1932.
Broadcast Schedule: M-W-F, 1:00-1:30 P.M.
Preceded By: Muse and Music (Don Lee Network).
Sponsor: The Chiropractic Clinic.
Station: KIT, Yakima, Wash.
Power: 1,000 watts.
Population: 36,326.
SAMPLE SCRIPT AVAILABLE.
COMMENT: With its need for building con-
fidence, the chiropractic field has proved fer-
tile ground for radio programs which explain
its methods of operation. For sponsor com-
ment, see What the Program Did for Me,
page 110.
Dairy Products (others
TEN O'CLOCK CLUB Six nights weekly,
members of the Ten O'Clock Club meet for
a two-hour, recorded, musical session on sta-
tion KVFD (Fort Dodge, la.). It's a late
hour show that has netted over 20 partici-
pating sponsors direct results.
With inconsistency its sworn policy, the
club presents in the course of the musical
program a newscast. News sponsor Gold
Bar Dairy & Coxfectioxery, using no
other advertising medium, proudly reports
an unprecedented ice cream-buttermilk busi-
ness. At any time, "Dean" Bob Carson is apt
to bring live talent to the mike. To high
schools, other organizations are dedicated oc-
casional meetings. Even studio visitors are
put to work — reading commercials!
Originally aired 10:00-11:30 P.M., the
club is now called to order half an hour
earlier, as a result of a host of new sponsors
and some 300 nightly calls. Revealed by tele-
phone checks is a steady busy signal on three,
jampacked. trunk lines during the two-hour
program.
AIR FAX: Introduction: "The ticket of admission,
always, is just a smile and a dial. The password, our
phone number. Walnut 3761."
Broadcast Schedule: Monday thru Saturday, 9:30-
11:30 P.M.
Preceded By: Music Box Revue.
Followed By: Slumber Music.
Sponsor: Gold Bar Dairy & Confectionery (Others:
Gillman Drug Store, Health Kraft Institute, Hi Ho
Tap Room, Walrod Clothing Co., Mid Bell Music
Co.. Ewald Trost Insurance Service, Scandia Bak-
ery, etc.).
Station: KVFD, Fort Dodge, la.
Power: 250 watts.
Population: 21,895.
COMMENT: One solution to the age-old
radio problem of providing quality advertis-
ing at low cost to the small merchant has
been found in the nighttime recorded request
program. The more informal that program
can be, the greater its chance for success.
Before and after, the KVFD (Fort Dodge, Iowa) Ten
O'clock Club. Announcer Bob Carson starts the two-
hour musical request session fresh as the proverbial
daisy, ends up in a somewhat wilted condition.
1
MARCH-APRIL, 194
113
1
Department Store
TELEPHONE QUIZ Success story: On one
of its Telephone Quiz programs, sponsor
Earl Groth & Co. promoted heavily a sale
on towels for the following day. Pandemo-
nium broke loose the next morning when Fort
Wayne (Ind.) housewives sardined into the
department, very nearly cleaned it out, rang
up for this department its biggest sale day
in the history of the store.
Efficient sponsor conducts regular store
meetings, which include important discussions
about the program and the commercial copy
for each individual show. Clerks are directed
to remember the product plugged on each
program, emphasize these products, if possi-
ble, in any casual consumer conversations, re-
gardless of their own department.
AIR FAX: Each Wednesday, Friday night during the
program the announcer invites anyone to call in; he
answers the telephone on the air, asks a typical quiz
question. For every correct answer, a merchandise
prize is awarded. Capable emcee connects some 10
to 15 calls per quarter hour.
First Broadcast: December 11, 1940.
Broadcast Schedule: Wednesday, Friday, 8:00-8:15
P.M.
Preceded By: Information, Please (NBC Red).
Followed By: Basketball.
Competition: Gang Busters.
Sponsor: Earl Groth & Co.
Station: WGL, Fort Wayne, Ind.
Power: 250 watts.
Population: 117,246.
Agency: Louis E. Wade, Inc.
COMMENT: Many time buyers, new to radio,
expect the program to do it all. Their atti-
tude: "All right, I'm buying time. Now show
me what it can do for me." Cooperative atti-
tude like sponsor Groth's oftentimes means
the difference between failure and results.
Sponsor should get his entire staff behind the
program, make them aware of every program
promotion.
Drug Products
PONY EXPRESS ROUNDUP Flexible unit
on station KFEQ is this three-year-old va-
riety show varying in length according to the
number of products sponsor Consolidated
Drug Trade Products Co. is promoting.
Originated as a half-hour show, it now fills
the daily hour between three and four in the
afternoon.
Sales stunt: Each product has its own
premium. Present give-aways in return for
box tops: Peruna, a Bible Story Book;
KoLOR Bak, a dictionary; F. A. Stuart Tab-
lets, a gold cross and chain; Kelpamalt, a
liberal sample to everyone sending in a post-
card requesting the product. Here's what the
mail man brought the past three months:
Nov.
Dec.
Jan.
F. A. Stuart Co.
771
1324
1260
Kelpamalt
562
1600
1296
Peruna
337
956
1123
Kolor Bak
41
74
108
AIR FAX: Variety is the policy. Music prances from
hillbilly to classical, includes popular, instrumental,
vocal. Entire KFEQ staff of 12 entertainers is
rounded up, oblige with musical requests, anniver-
sary and birthday announcements, friendly humor.
KFEQ program manager Harry Packard is in the
driver's seat of the pony express.
Broadcast Schedule: Monday thru Saturday, 3:00-
4:00 P.M.
Preceded By: Minor Clites.
Followed By: Donna Lee.
Sponsor: Consolidated Drug Trade Products Co.,
Chicago, 111. (makers of Peruna, F. A. Stuart Tab-
lets, Kelpamalt, Kolor Bak).
Station: KFEQ, St. Joseph, Mo.
Power: 2,500 watts.
Population: 88,908.
Agency: Benson &'Dall, Inc., Chicago, 111.
COMMENT: Important point to remember
when dealing in premiums is to pick the
premium with appeal for the audience you
want to reach. For successful give-aways,
study your location, your entertainment, your
product.
It's difficult to draw conclusions from Con-
solidated Drugs' results on their various
premiums. Most interesting and certainly
most effective is their attempt to sample
Kelpamalt by mail.
Men's and Women's Wear
PIN PATTER January 19, 1941 sponsor
Graff's, Inc. launched a bowling program
on New Orleans station WWL. One month
later, they viewed with eye-blinking delight
a 23% sales swell. Furthermore, bowling
alley proprietors showed their gratitude by
dropping sale of bowling shoes, similar equip-
ment, referring fans to Graff's. Indicative
of audience scope is the influx into Graff's
of bowling addicts. Approximately 400 of the
800 bowling league members have called
at the store.
Apt promotion: Enclosed in all mail leaving
Graff's are mail pieces in the shape of bowl-
ing balls, trumpeting Pin Patter.
AIR FAX: Bowling expert Al Godwin delivers a brief
editorial, announces the past week's honor roll of
outstanding bowlers, interviews a big-name bowler.
Consistent sponsor sends Godwin to all strategic
bowling meets. From the Southern Bowling Congress
in Nashville (Tenn.) Godwin reported to home fans
by direct line. In April he'll make a bowling pil-
grimage to St. Paul (Minn.) with the New Orleans
team for firsthand information on the American
Bowling Congress convening there.
First Broadcast: January 19, 1941.
Broadcast Schedule: Sunday. 12:15-12:30 noon.
Preceded By: Mass from Holy Name Church.
Followed By: News.
Competition: Vass Family (NBC Musical group).
114
RADIO SHOWMANSH IP
sponsor: Graff's, Inc.
Station: WWL, New Orleans, La.
Power: 50,000 watts.
Population: 473,225.
COMMENT: Here's the reasoning which set
this sponsor on the profit track: If a store
associates itself with a sport enjoying a phe-
nomenal popularity rise, can it cash in on that
popularity? Sales figures were quick with the
answer !
Tobaccos
BASEBALL RE-CREATIONS Important
WIND (Chicago, 111.) program throughout
the baseball season is this regular, evening,
half-hour re-enactment of the game played
that day.
Proof of audience: In 1940, a baseball pen-
cil set was offered for six La Fendrick cigar
bands and ten cents. Response to this offer,
which ran four weeks, netted an average of
200 requests weekly. In 1938, erstwhile spon-
sor Thompson's Restaurants conducted a
contest to select the most popular baseball
player on the two Chicago major league
teams, offering a $500 prize to the winner.
In 10 days, 11,000 mail pieces came to the
station, 27,000 votes were polled in stores.
AIR FAX: Jack Drees, whose sports announcing was
preceded by an athletic career at the University of
Iowa, where he was awarded all-conference honors
in the Big Ten, reports the play-by-play broadcasts
from a WESTERN UNION ticker. Days when
neither the Cubs nor Sox are in the field, the game
of chief interest played by two other Major League
teams is broadcast.
Broadcast Schedule: Monday thru Friday, 7:00-7:30
P.M.
Sponsor: For 1941: Congress Cigar Co., for La
Palina Cigars.
Station: WIND, Chicago, 111.
Power: 5,000 watts.
Population: 3,384,556 (1940).
Agency: Marschalk 8C Pratt.
COMMENT: While on-the-scene broadcasts
of Chicago baseball games have a huge audi-
ence, at least a million employed men cannot
hear these games. Furthermore, at 5 :00 or
5:30 P.M., when they quit work, the news-
paper editions then on sale do not carry the
complete play-by-play account of that day's
game. That baseball fans want this play-by-
play account is indicated by the fact that it is
the main feature of the sports pages on both
the final edition of the evening papers, and
the early morning papers.
Women's Wear
2241 First indication of this request pro-
gram's popularity came from the telephone
company, who presented the ultimatum:
"Change the program or the time — you're
loading the lines!" Columbia's (Mo.) station
KFRU changed the time.
Sponsor Julie's, Inc., women's specialty
shop, also made changes — in its advertising
appropriation. Formerly, its entire budget had
gone to newspapers, direct mail, radio spot
announcements, other media. September last,
cajoled into giving radio a substantial test,
sponsor presented 2241 on a month's trial.
Outcome : A six months renewal, complete
reshifting of the advertising appropriation.
Today radio gets 80% of Julie's budget,
sponsor reports increases over last year in
every department of his store.
Specific results: An announcement for
ScHiAPARELLi's "Shocking" perfume, labeled
"Scamp Package" and tagged $7.50, sold out
complete stock. A like announcement on
Elizabeth Arden candy cane cosmetic line
brought like results. Significant fact is that
neither item had been advertised in any other
medium, nor had they been displayed in win-
dow or show case. They were sitting on the
back shelf of the store. Radio had beaten a
track to them.
As exclusive Columbia representative for
Mademoiselle Magazine's fashions, spon-
sor plugged this fact for the benefit of wom-
en at the University of Missouri, Stephens
College, Christian College. 2241 brought
college callers.
AIR FAX: Girl announcer Alice Meredith sits at the
telephone directed into the studio, receives requests
for musical numbers on the now famous telephone
number, 2241. At her elbow sits pianist Carl Stepp,
prepared to play anything that may suit the fancy
of a college coed or a Columbia housewife. In its
sophomore days, 2241 played requested tunes in
their entirety; now it tries to satisfy more customers
by obliging with a few bars of each song. Miss
Meredith also delivers the commercials in a light,
breezy vein.
First Broadcast: September, 1940.
Broadcast Schedule: Monday thru Friday, 1:30-
2:00 P.M
Preceded By: Symphony Music.
Followed By: News.
Sponsor: Julie's, Inc.
Station: KFRU, Columbia, Mo.
Power: 1,000 watts.
Population: 14,967.
SAMPLE COMMERCIALS AVAILABLE.
COMMENT: The importance of experiment-
ing with various radio program ideas until
the right one is discovered cannot be too
often repeated. Risk is involved, to be sure,
but the possible gains are worth striving for.
While other media are doing good jobs
for retailers, radio, when it strikes a respon-
sive audience, does an outstanding job. In al-
most every town, you can find businesses that
have grown, not overnight, but after nights
and days of consistent radio advertising. For
sponsor comment, see What the Programs
Did for Me, page 111.
MARCH-APRIL, 1941
115
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally-sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, FEBRUARY, 1941
Type
Rating
Last
Month
Change
MUSIC
33%
35%
-2%
NEWS
21%
22%
-1%
QUIZ
11%
10%
+ 1%
INTERVIEWS
9%
*
*
TALKS
7%
*
*
SPORTS
7%
6%
+ 1%
DRAMA
6%
6%
COMEDY
6%
6%
*See story below for complete details.
GROUPS
Men
Women
Childr
Music
. .28%
36%
37%
News
26%
20%
9%
Talks
.. 5%
10%
3%
Interviews .
. . 8%
10%
12%
Quiz
.11%
11%
10%
Drama . . . .
.. 4%
5%
15%
Sports ....
..13%
2%
4%
Comedy . . .
...5%
6%
10%
BREAKDOWN
To define more clearly each of the classifica-
tions used in these surveys, it is necessary
from time to time to break them down into
their component parts.
TREND OF TALKS AND INTERVIEWS
17% 17%
O Interviews — 9'
■ Talks— 7%
16%
SEPT. OCT. NOV. DEC. JAN. FEB.
For the past six months, talks and inter-
views have been tabulated under a single
heading, and programs included in the group-
ing ranged from cooking lectures to man-on-
the-street broadcasts.
Starting this month, a complete separation
has been undertaken. Under the heading,
talks, will come all locally-sponsored cooking
lectures, shopping columns, shows giving fash-
ion or interior decoration hints, swap shows,
etc.
Under the heading, interviews, will come
that very popular character known the coun-
try over as the "man-on-the-street," alias the
man who meets the trains, the man who came
to dinner, also the man who just sits in his
studio and interviews visiting celebrities. Defi-
nitely not in this classification are programs
where competition for prizes is all-important.
These we categorize as quiz shows.
Interesting to note in our last glance at
the combined heading, talks and interviews,
(see graph) is that there has been a definite
upswing in the trend of this type of program
pattern in the past few months. Which of the
two factors, talks or interviews, caused this
rise will be disclosed in the months to come.
TREND OF LOCAL MUSIC PROGRAMS
36% 36%
SEPT. OCT. NOV. DEC. JAN. FEB.
In the light of current developments in the
radio industry, music is the most interesting
of all trends to follow. In keeping with the
purpose of this survey, this graph reflects only
outstanding, locally-sponsored programs.
116
RADIO SHOWM ANSH I P
I
JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest-
ed in the news, reviews, and tips in this column.
How many words should a spot announce-
ment have for greatest effectiveness? Have
you ever asked yourself that question? Well,
we did.
We turned to businessmen, advertising
agents, and radio station executives through-
out the country for a possible answer. Here
are the first returns of our survey. It is im-
portant to note that this is a qualitative, not
a quantitative analysis. It doesn't tabulate
the number of 50-word announcements being
used today, etc. Instead, it tells which per-
centage of the very best announcement cam-
paigns on each station are 20 words, which
are 50 words, etc. It is confined, of course,
only to local sponsors.
GENERAL APPEAL
^•0
20 word announcements
11%
•0
50 word announcements
18%
•0
100-125 word announcements
Totar
ANNOUNCEMENTS
Directed to Women Only
71%
100%
'G
20 word announcements
8%
0
50 word announcements
14%
•0
100-125 word announcements
78%
Total
100%
ANNOUNCEMENTS
Directed to Men Only
' 0
20 word announcements
17%
0
50 word announcements
6%
:. 0
100-125 word announcements
77%
Total 100%
YOURS
for the asking
ADDRESS RADIO SHOWMANSHIP
11th at Glenwood, Minneapolis, Minn.
SAMPLE SCRIPTS AVAILABLE
Automobiles— Mr. Yes and No (see
Sept. issue, p. 32).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Young American's Club
(sec Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Electric Appliances — Kelvinator Kompo-
sitions (see p. 111).
Electric Appliances — Listen and Win (see
Dec. issue, p. 151).
Electric Appliances — Prof-it (see Sept.
issue, p. 28; Oct. issue, p. 65).
Flowers — An Orchid to You (see Sept
issue, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Garages (Others) — Boarding House (see
Feb. issue, p. 73).
Gasoline — Home Town Editor (sec Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Imperial Interlude (see Nov.
issue, p. 107).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Ice-Fuel — Morning Matinee (see p. 111).
Laundries — Rock-a-bye Lady (sec Feb.
issue, p. 47).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Mr. Fixer (see p. 103).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (sec Oct. issue, p. 53).
The Enemy Within (see Jan. issue, p.
18).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (see Sept. issue, p.
35).
Stella Ung«»r (sec Feb. issue, p. 56).
Streamlined Fairy Tales (see p. 90).
MARCH-APRIL, 1941
117
THE READERS
WRITE
STELLA UNGER
I have seen the story of Stella Unger In the
February issue of your magazine, and I be-
lieve it is a fine air analysis. I do, however,
want to call your attention to something in
paragraph three, that is, the reference to our
writing and producing these shows right in
Hollywood.
It is true that Miss Unger has made some
records in Hollywood, and makes trips out
there from time to time to interview stars
and get material, but her actual recording is
generally done in New York.
Edward Price Ehrich
Syndicated Program Sales
NBC Radio-Recording Division
New York, N. Y.
(Based on her long experience in the cine-
ma capital, Stella Unger presents Hollywood
Headliners, an outstanding, fast-moving, five-
minute, behind-the-scene picture of Holly-
wood, transcribed by NBC Radio-Recording
Division, available for local radio advertisers.
. . . Ed.)
SAVANNAH CENSUS
Sirs:
Your story regarding our program, Musi-
cal Arithmetic, on page 73 of the February
issue of Showmanship was much appreciated
by us. We feel considerable pride in being
represented in a magazine with the exacting
standards yours has.
However, in relation to the population of
Savannah, your account was in error. The
1940 census gave Savannah a corporate popu-
lation just short of 100,000. Defense activities
have swelled this figure by some 30,000 of-
ficers and men in the immediate area.
N. W. Brandon
Advertising Manager
Station WSAV
Savannah, Ga.
THERE'S GOLD IN THESE BARS
(Continued from page 92)
pulls in its audience with suspense and excite-
ment. Golden Bars attracts and holds an
audience by giving them gentle memories of
the past.
Fels-Naptha Soap Co. makes no special
demands of Miss Lloyd in the writing of her
show. It was originally bought by them be-
cause they felt it to have an honest warmth
and a definite appeal. The program creates
a golden mood in accord with the Fels-
Naptha slogan: "Golden bars and golden
chip; Fels-Naptha banishes Tattle-Tale
Gray."
Rhona Lloyd's golden songs are taking the
gray out of many a workaday morning.
What's more important to the businessman
with an eye to his ledger, those same golden
songs are selling Fels-Naptha soap!
PUTTING UNITY INTO COMMUNITY
(Continued from page 93)
in national defense endeavors. Mr. Tinsley is
an executive in a large wholesale grocery. He
was honored with special broadcasts, pre-
sented with a bronze plaque designating him
as First Citizen.
Looking at the poll from a broad perspec-
tive, it was far more than an efifort to select
just one First Citizen. In many ways, our
method is comparable to that used by the
Chicago independent grocers who conduct a
monthly contest to determine the person who
has made the most purchases at their store.
From a strictly business point of view, the
grocers aren't primarily interested in how
many purchases the winner made, but instead,
the total purchases everybody made. Similarly,
we give an opportunity to the people of
Clarksburg to commend all civic work, to ap-
peal for more community progress, and to
cement that spirit of home town unity which,
wherever it is strong, makes businesses of
every kind prosper and flourish.
118
RADIO SHOWMANSH IP
P?
NEXT MONTH
WILLIAM M. HICKEYy president of Jack, the Tire Expert, Hartford, Conn.,
puts in his nomination for the first question and answer radio program ever produced in the
United States. You'll want to read all the facts in Tire Sales Thru the Air!
SURVEY OF FDRlVITUflE RETAILERS Radio showmanship presents the
first in its series of Business Surveys. In this, the National Association of Retail Furniture
Stores has helped Radio Showmanship uncover the correct answers to selling furniture
through radio. How often should radio be used? How much money should be spent? You
find the answers to these and many other important questions next month !
TIMELY NOTE
Because Showmanship carries stories that are timed at least a month in advance,
this month's issue has been dated March-April. Our next publication, released on
April 15th, will be dated May.
THIS IS YOUR SEVENTH COPY OF
s
^^^^^r HOWAIANSHIP. In it are articles concerning, and detailed
descriptions of 34 radio programs as used in 18 different types of busi-
ness fields. One of these program presentations may prove adaptable in
your business. The Editors of Radio Showmanship & Merchandising
Review welcome and will promptly answer all correspondence. May you
enjoy and profit from this issue.
MAY 1941
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Auto Supplies
Gasoline
* Beverages * Department Stores * Finance
Groceries * Jewelry * Manufacturers
Report No. 1 j"^^^ Furniture
ifiiB^tllBBi
iiiilMiillil
MDRF TTTAM A MARAZTNF
A SKBVTRF
YODR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Shonmanship.
It's the quick way to find out what others in your business field are accon>plishing through radio.
Business PAGE
Amusements 149
Auto Supplies 135
Beverages 149, 151
Books 150
Department Stores - . 144
Finance 137
Gasoline 143, 151
Business PAGE
Groceries 143, 148, 150
Home Furnishings 127, 128, 130, 152
Jewelry 132
Manufacturers 145
Milling 149
Shoes 148
The RS Survey of Business Fields
Report No. 1: Furniture .... Page 130
MARCH-APRIL
Business PAGE
Automobiles 104
Bakeries 90
Beverages 104, 112
Chiropractic 110, 112
Dairy Products 110, 113
Department Stores Ill
Drug Products 103, 114
Electric Appliances 111
Gasoline 105
Business PAGE
Groceries 92
Home Furnishings 105
Ice-Fuel 111
Livestock 106
Meat Products 106
Men's Wear 86, 114
Shoes 95, 103
Tobaccos 106, 115
Women's Wear 86, 107, 111, 114, 115
// you don't hare the March-April issue, order nowl
CONTENTS
MAY 1941
VOL. 2 NO. 4
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
WlLLIAAI DOLPH
Washington
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
J. Harold Ryan
Toledo
Business
Lorenzo Richards
Ogden, Utah
GusTAV Flexner
Louisville
J. Hudson Huffard
Bluefield, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalamasoo, Mich.
Editor and Publisher: Don Paul
Xathanson and S. H. Kaufman. As-
sociate Editors: Norman V. Carlisle,
Harold Kahm, Paul Hellman. Re-
search Director: G. M. Osman. Busi-
ness Manager: Norman Lunde.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Editorial 126
Furniture Sales Thru the Air 127
Joseph Mendleson
The president of the Mendleson Furni-
ture Galleries, Buffalo, N. Y., was in-
troduced to radio by accident nine years
ago, has employed the medium with good
purpose ever since.
Created for Furniture Retailers Only 128
An RS Air Analysis
The impressive merchandising plan be-
hind a transcribed radio show!
The Radio Showmanship Survey of Busi-
ness Fields: Report No. 1 131
How do U. S. furniture stores use radio?
How often? In what quantities? With
what results? The editors of Radio
Showmanship present the facts based
upon answers to a questionnaire sent to
2,000 retailers.
Selling Jewelry the Year Round
Ruth Lake
132
Started as a pre-Christmas promotion,
the Wilkens Jewelry Store's program is
still going strong after 281 continuous
broadcasts.
(Continued on next page)
MAY, 194 1
123
The Daddy of Them All
William Hickey
135
". . . and that's the way sales have been since
we started using those syndicated transcribed
spot announcements produced by Kasper-
Gordon, Incorporated!"
For the benefit of those who do not know,
Kasper-Gordon, Incorporated, one of the
country's leading program producers and dis-
tributors of transcribed radio shows, were
the first in America to really promote the
transcribed spot announcement — were the
FIRST to produce musical transcribed spots
— and the first, again, to produce and pro-
mote the use of the jingle type of radio spot.
We have copies of our promotion and trade
paper advertising to back up this statement.
As pioneers and producers for nine years,
we've learned a lot — and we have put that
knowledge into the production of seven dif-
ferent series of syndicated transcribed spots
for various businesses — which are meeting
with immediate acceptance throughout all of
North America. Others have copied the origi-
nal idea — but our spots SELL!
"FUR STORAGE SHORTS"
26 spots for furriers and others in this game.
"THE MERRY MOTHS"
30 more spots to promote fur storage.
"THE CLOTHES HARMONY TWINS"
30 spots for men's or women's clothing re-
tailers— cash business or credit.
"THE HOUSEWIFE'S FRIEND"
30 spots for laundries, department stores,
food products, dairies, et cetera.
*'BREAD TIME STORIES"
30 spots for promotion-minded bakers.
"JEWELRY JINGLES"
30 spots for credit jewelers only.
"SEEING IS BELIEVING"
For either opticians or optometrists.
Audition samples, $2.50 deposit, refundable on return
of samples. Only one sponsor in a city on any series.
Kasper-Grordon, i„c.
140 BOYLSTON STREET
BOSTON, MASSACHUSETTS
One of the Country's Largest Radio Program Producers
and Distributors of Syndicated lilectrical Transcriptions'
The president of Jack the Tire Expert,
Hartford, Conn., describes the operation
of the first quiz program which continues
to do a selling job after 13 broadcasting
years.
Banking on Radio 137
Allen C. Knowles
The executive vice-president of the South
Side Federal Savings & Loan Association,
Cleveland, Ohio, illustrates some of the
varied methods that bring results.
Cowboys Make Good Salesmen 140
An RS Air Analysis
The adventures of a Wild West Week-
ly hero are put on record and backed
with a six-shooter's merchandising aim!
Airing the New 143
All the available data on new radio pro-
grams. No result figures, as yet, but
worth reading about!
Special Promotion 145
Short radio promotions that run but a
day, a week, or a month yet leave an im-
pression that lasts the year around.
Showmanscoops 146
Photographic review of merchandising
stunts, and the personalities behind them.
What the Program Did for Me 148
This is the businessman's own depart-
ment. Here, the radio advertisers of the
nation exchange results and reactions of
radio programs for their mutual benefit.
Showmanship in Action 149
A collection of those extra promotions
and merchandising ideas that lift a pro-
gram out of the ordinary.
Proof O' the Pudding 151
Results from radio programs, based on
sales, mails, surveys, long runs and the
growth of the business itself.
Trends 153
A rating of program patterns based on a
special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
124
RADIO SH OWM ANSH I P
Dynamic NEWS for Advertisers!
There's absolutely nothing like this new
XBC recorded program. It's a brand-new
approach to war news — a clear, informed
explanation of developments in terms of
geography, climate and resources — makes
immediately clear to the listener the com-
plicated strategies of the w^arring armies.
Sam Cuff, author, traveler, lecturer, really
knows his subject. In brilliant and penetra-
ting analyses Mr. Cuff explains not only
ichat is happening but why . . . takes listeners
behind the scenes of war-harried Europe to
answer the scores of questions millions of
news-hungrj' Americans are asking daily.
"The Face of the War" is a five-minute,
two-a-week, 13-week series kept abreast oy
events by current recording. It's a prograzn
that's picking up sponsor after sponsor, and
enjoj-ing rave notices from advertisers, sta-
tions and listeners alike. It's selUng banking
service, insurance, oil, men's clothing — •
everything! And it's available to local ad-
vertisers at a cost that's only a fraction ol
what it's worth in selling powder.
The finest recording available, NBC Or-
thacoustic*, sends the voice of Sam Cuff cut
over the air with all the flavor and character
of ''live" sound. Investigate this program
now before another advertiser "scoops" you
in 3'OUr section. *Reg. Trademark
Ask your local station to arrange an audition or write
adio-Recording Division
NATIONAL BROADCASTING COMPANY
A Radio Corporation of America Service
RCA BIdg., Radio City, N. Y. • Merchandise Mart, Chicago • Trans-Lux BIdg., Washington, D. C. • Sunset & Vine, HollywoocE
EDITORIAL
MERCHANT in Old Mexico, when the sun rose high
r A % in the heavens, closed up his shop, retired with
fan and protective sombrero to the nearest and
leafiest tree for a siesta. When the shadows
were longer, he rose, happy and relaxed. But when he put
his hand in his pocket, he muttered, "Diable! Non dinero!
Non pesos!" (In U. S. A.: "Good heavens! No money!
Not a cent!")
We are not against resting. When summer comes, the
take-it-easy inclination is strong upon all of us. Our Mexi-
can friend had the right idea, but he carried it too far.
Merely because he was tired, it didn't necessarily
follow that his place of business was tired; nor that the
customers who usually shopped there were tired. He made
the mistake of thinking that his point of view represented
the whole point of view.
There are 52,000,000 radio sets in the U. S. . . . and
summer's coming.
In the hot months ahead, hottest of all will be the
developments in the two-front war abroad. Throughout
the world-crucial days to come, 52,000,000 U. S. radio sets
will be bringing the events of the world to the ears of
130,000,000 listeners. By habit this nation will stay tuned
to radio, hot weather or no. You, as a merchant, can't miss
if you keep it at work for you.
We hope you have a rest-full vacation. Don't send
your radio schedule on one just because you are tired.
Take a tip from Britain for your summer policy: "Busi-
ness as usual."
126 RADIO SHOWMANSHIP
w
urniture Sales Thru the Air
By Joseph Mendleson, President, Mendleson Furniture Galleries.
Introduced to Radio by Accident Nine Years Ago. This Buffalo
Merchant Has Employed the Medium with Good Purpose Ever Since
Ix 1932. an unusually good buy in distinctive
furniture changed my whole merchandising
set-up and introduced me to a new medium
of advertising. Since that time I have en-
larged my Buffalo store twice. I have opened
another store in Niagara Falls, N. Y. I have
put every cent of my advertising appropria-
tion, except a little over a thousand dollars,
into radio advertising.
Nine years ago I purchased a considerable
amount of furniture from Irvine Kittenger.
then president of the famous Kittenger Fur-
niture Company of Buffalo. So there I was
with a lot of merchandise on my hands. The
problem was how to move it out fast. Mr.
Kittenger, at that time, was also a stockholder
in the Buffalo Broadcasting Corporation,
operators of WGR and WKBW. He strong-
ly advised me to use radio, if I wanted to
Next months Furniture Alerchant
Joseph ^[endleson ulll celebrate his 28th
wedding anniversary ; later on in the same
month, on an unobserved date, he ivill
begin his 28th year in the furniture busi-
ness. Hailing from fVilkes-Barre, Pa.,
he opened his present Buffalo store nine
years ago, has done a consistently good
job ever since. A confirmed bridge addict,
he also takes time off for golf, occasion-
ally tries his hand at deep-sea fishing.
Mr. Mendleson is a 32nd degree Mason,
on the roll call of the Rotary and Monte-
fore club, a member of the Wilmonte
Country Club. He has two daughters and
one son, Edwin, who is active in the man-
agement of the Buffalo store.
dispose of the enormous stock. So rather by
accident than design, I turned to radio.
Naturally, I was unfamiliar with what type
of radio to use, how many programs to buy
and what length each should be. For that
reason, I relied on the advice of the station
personnel and took advantage of the planning
and merchandising facilities offered by the
station.
Needless to say, we used every trick in the
book: Full length programs (15-min.), spot
announcements, five minute shows participa-
tion spots, station breaks. And the furniture
moved out!
Since the first big and varied splash, our
programs have settled down into more of a
definite pattern, but are still designed to give
us complete coverage every day of the week,
in forms that will appeal to every type of
listener.
For the first few years, we experimented
with various types of musical program and
about five years ago decided on a program
which is known as The Orchestra of the
Week. On this program, which goes on
WKBW at 7:20 to 7:30 P.M. every evening
except Saturday, we have an identifying
theme song, followed by a live, to the point,
commercial announcement. Following this
we use transcribed music by a selected or-
chestra, all in the modern vein, then close the
program with another timely commercial an-
nouncement.
To augment this program, I use a great
many spot announcements yearly, ranging
from 30 to 100 words in length. These are
all timely, packing a real punch, and are
spaced approximatelv three to four a dav
over each station, WGR and WKBW.
These two types constitute the major por-
M AY, 194 1
127
tion of our set formula. From time to time.
these are further aug:mented by participation
in various cooperative programs, changing
periodically to reach everything from a wom-
en's audience to children's audience.
The effectiveness of our advertising promo-
tions is reflected in the tremendous amount of
"lay-away" business, which is not all seasonal.
The volume of this business has necessitated
the addition of a three-floor warehouse, mere-
ly to store furniture which has been pur-
chased, and put away for future delivery.
Radio advertising opened an extremely val-
uable field outside the immediate cin.- mar-
ket. It has resulted in my opening a second
store in the nearby city of Niagara Falls.
X. Y. Perhaps the fact that I have always
featured the statement "free delivery within
a 100-mile radius of Buffalo'' has been in-
strumental in establishing this second unit-
In both stores, we handle all types of fur-
niture from the least expensive to the finest
grades from all the leading manufacturers in
the country.
By cooperating closely \^"ith the station
management in selecting programs and the
type of commercial copy to be used. I have
I believe, tried practically every known t>-pe
of advertising promotion. Up until recently,
as one of the augmenting programs. I was
using an afternoon variety.- show over
WKBW known as Stujf 'n Xonsense. This
is an impromptu show dependent largely on the
quick-thinking and able wit of Billy Keaton.
who conducts the three-quarter hour long
show. On this particular show our sponsored
portion opened with a brief commercial an-
nouncement. During the middle of the 15-
minute program, a dramatized commercial
was inserted, and we closed with another
short announcement.
Unlike many merchants. I learned my les-
son the easy way by rehing on the good
judgement of men who knew radio and ho\\'
to use it. Gradually I learned how to use and
evaluate it myself. But at the start. I watched
only for the proof, not the method. Today,
we just let radio do its own work. We hold
sales only four times a year, do not use prices
in our commercials often. Radio has made
our name familiar to every family in the
Buffalo and Niagara Falls sales area.
The key to it, of course, is consistency,
coupled with good judgement in choice of
stations and times and material used. Any
furniture retailer can make radio pay, if he
combines these elements in a 52-week cam-
paign.
(g
reated For Tu
Most producers of transcribed radio pr:
grams plan shows that will fit the needs c :
a variety- of merchants: that will be as ap
plicable to the selling of men's suits as it is
to the selling of carbonated beverages. Once
in a great while, one of these program cre-
ators will put his entire thought, effort and
production into building a show for a partic-
ular field. The program will be so created
that use of the product or service is woven
right into the theme of its action. Naturally
that limits the sale of the program to th^-
particular field and is profitable for the pro-
ducer only when the field is already a large
one and tie merchants in it tried and tested
users of radio time. One example of such a
transcribed series is Leisure House, the
George Logan Price program, created espe-
cially for public utilitT.- companies and used
by such firms as The Tampa Electric Co
Tampa. Fla.. and Kxoxville Electric
Power Board, Knoxville. Tenn.
Last month. Kasper-Gordon. Inc. of Bos-
ton. Mass.. announced the release of Little
by Little House, a 15-minute dramatic serial
show created solely for the furniture mer-
chant !
Contact with over 100 furniture retailers
revealed that there never had been produced
a comprehensive merchandising-radio adver-
tising campaign especially for the furniture
field. Into this program series, without com-
mercializing it or detracting one whit from
its appeal, has been built a natural tie-up for
furniture retailers who are searching for a
128
RADIO SHOWMANSHIP
The Impressive Merchandising Plan
Behind a Transcribed Radio Show
e Hetailers Only .
new means of presenting an old story; for
here the little by little method of payment
supplants trite, overdone and ineffective
phrases such as "easy credit, easy terms,
budget plan, 12-month plan, etc."
In Little by Little House there is a special
appeal to newlyweds and those going into
housekeeping to furnish their homes little by
little, just as the characters in the drama do.
The story is based upon a formula old as
radio itself and proved successful by such net-
work big-timers as Johns Other Wife, The
Story of Mary Marlin, Big Sister, or any one
of a dozen other daytime dramas that have
attracted millions of listeners and billions of
sales for Proctor-Gamble, Lever Brothers,
PiLLSBURY Flour.
Because women select and buy furniture,
it is a formula just as applicable to the fur-
niture field as it is to the selling of soap,
flour, hair wash and face creams.
From the name itself the creators of the
series have built merchandising tie-ups for
the sponsor. All of them are put on a sug-
gestion basis, none of them is essential to the
program. Wise merchants will use one or all
or create his own, for a radio program with-
out a merchandising tie-up is a house
without a roof.
If you sponsor Little by Little
House, you may want to construct
a typical little by little house in your
"Store, showing new and modern
trends in furnishings and offering a
variety of plans for decorating and
furnishing homes of all types. If you employ
an interior decorator or home furnishings
advisor, she may be in charge of your little
by little house to act as consultant for cus-
tomers seeking assistance in planning the re-
furnishing or complete furnishing of homes.
In any case, the program theme offers an ex-
cellent opportunity for some consumer rela-
tion work.
Specific merchandise advertised over the air
in the commercial copy should be displayed
in your own store's little by little house de-
partment. You might even label it the Fea-
ture of the Week, which will thus enable you
to focus attention on any one or more leading
items. Inasmuch as increased traffic and ex-
posure to merchandise means greater volume
of business, you should find this tie-up paying
dividends.
As a hook or premium, the producers of
the program have prepared a 64-page booklet
entitled 1003 Time Savers and Household
Hints. This booklet can be offered free to
Little by Little House listeners who come to
your store and ask for it.
Because it is designed to attract a feminine
audience, the program should be aired during
the daytime on a three or five time a week
basis. Daytime airings have proved most suc-
cessful for network serials. In addition, of
course, daytime rates on radio stations are
generally less than nighttime rates.
An unusual feature of the merchandising
plan behind the program is a series of teaser
spot announcements especially created to
herald the program. Most stations will co-
operate with sponsors in helping build an audi-
ence for a new program by furnishing time
for these announcements on a courtesy basis,
for it is as important to the station as to the
sponsor that the program be successful.
The transcribed teaser spots feature each
of the main characters in Little by Little
House. The character introduces himself (or
herself) and ends wnth: "This feller stand-
ing here will tell you what time and what
day to start listening to Little by Little
House . . .", thus bringing in the local an-
nouncer.
The producers also supply newspaper mats
that can be either incorporated into your reg-
ular advertisements or used on the radio
pages of local papers.
There are 39 quarter-hour epi-
sodes in the series. Each episode
runs about 11 minutes, 30 seconds,
allowing for about two and one-half
minutes of commercial copy, split up
between the opening and closing of
each program.
MAY, 1 94 1
129
^
he Radio Showmansl
V
How Do U. S. Furniture Stores Use Radio? How [j
of Radio Showmanship Present the Facts Based
Vj
r-^
So you're interested in buying radio time to sell furniture! A half-hour,
15 minutes, five minutes or spot announcements? It does make a differ-
ence! How long a campaign are you planning? How often will you be on
the air? What kind of commercial copy do you intend to use? All of
these are important questions. You should know the answers before you
spend one dollar on a radio broadcast. Too many of radio's 20 years have
been devoted to proving why a businessman should advertise ; too few to
what methods he should employ when he does advertise.
Radio isn't hard to buy, but neither is a cake hard to bake. Still it is
easier to follow a tested recipe than to try mixing the various ingredients
on a hit and miss basis.
In an attempt to find out what makes one individual program suc-
ceed where another fails, the editors of Radio Showmanship Magazine
in cooperation with the National Furniture Review and the National Re-
tail Furniture Association queried over 2,000 furniture retailers through-
out the country.
Replies were received from every section of the United States, from
retailers with yearly sales volumes as high as $2,000,000 and as low as
$14,000.
The facts and figures brought out in this research may well prove the
first step towards a scientific approach to radio time-buying and a more
productive use of the time bought. Certainly, for a man about to adver-
tise on the air, there are no better methods to follow than those based on
the experience of other radio time users in the same retail field.
Information gathered was classified according to: Type and length of
program and/or spot announcements; the duration and frequency of
broadcast ; the choice of day and time ; type of commercial message. We
studied these factors objectively without attempting to draw a rigid con-
clusion. Our purpose was to determine which of these factors, when added
to a radio campaign, made that campaign succeed and which made it fail.
Replies were divided into three groups: 1) good, 2) fair, 3) poor. Con-
clusions are based on a comparison of these three groups as well as the
total sample.
Summary of Results:
Of U. S. furniture retailers replying to the survey, the majority (77%)
in radio station towns use radio advertising.
Thirty-seven per cent of the retailers reported good returns on their
radio expenditure; 37% reported fair returns. Total: 74% satisfactory.
The length of a program is an impor-
tant factor in its success. Most produc-
tive time unit: The 15-minute program.
Least productive time unit: The five-
minute program.
The length of a spot announcement
has little bearing on its effectiveness.
Consistency is a major factor in radio's
RADIO SHOWMANSHIP
:vey of Business Fields: Report No. 1
lat Quantities? With What Resuhs? The Editors
irs to a Questionnaire Sent to 2,DDD Retailers
pulling power. Of the retailers reporting
highly productive results, 82% were on the
air for 52 consecutive weeks, autumn, winter,
spring and summer!
Of these same retailers reporting results
good, 37% used radio every day in the week.
The broadcast schedule of retailers with
good results follows very closely the pattern
of those with fair and poor results, which in-
dicates that individual days are not important
factors in assuring radio's effectiveness.
However, the time of day is important.
Actually 61% of the retailers who reported
satisfactory results broadcast between the
hours of 9-11 A.M., 1-5 P.M. and 7-10 P.M.
In a question to determine which was more
effective, programs or spot announcements,
we found a slight edge in favor of programs.
There are strong indications from this, and
supplementary data, that many retailers who
reported results poor are selecting the wrong
type of program.
Best results were reported by retailers who
used institutional commercial messages.
Buying radio is like opening a safe: the
important thing is to have the right combi-
nation. If your radio program is to be suc-
cessful, you should coordinate these factors
and add to it all of the factors peculiar to
your establishment and locality.
You may be one of those one-timers who
gave radio a whirl and now deny its sales-
ability. In nine cases out of 10, you will find
that more often than not, the failure was
not the fault of radio, but of the method by
which you employed the medium.
Take a minute to check your campaign
against the facts and figures compiled in this
survey. Eventually, you will discover that in
using radio, it pays to be a two-timer. The
second time, however, be sure you profit by
the experiences of other businessmen in your
field or related field.
The Questions and The Answers
1. Question: Did you use radio advertising
during the past 12 months?
77% of U. S. furniture retailers said Yes.
23% answered No.
2. Question: What type of broadcast is more
effective, programs or announcements?
Of the retailers who used spot announce-
ments:
76% reported results satisfactory.
24% reported results unsatisfactory.
Of the retailers who used programs:
82% reported results satisfactory.
18% reported results unsatisfactory.
Although more furniture retailers are
using spot announcements, the ones who spon-
sor programs reported a higher percentage
of effectiveness.
3. Question: How long is your radio pro-
gram?
Retailers reporting results good:
64% used 15-minute time units.
22% used 30-minute time units.
14% used 5-minute time units.
Retailers reporting results fair:
64% used 15-minute time units.
18% used 30-minute time units.
18% used 5-minute time units.
Retailers reporting results poor:
51% used 15-minute time units.
20% used 30-minute time units.
29% used 5-minute time units.
The 15-minute time unit is used by most
furniture stores. The greatest proportion of
good and fair results were reported in this
group. Of those retailers reporting results
poor a comparatively high percentage used
five-minute time units.
(Continued on page 154)
MAY, 194 1
131
m. •
oiling Jewel
By Ruth Lake of the Wilkens Jewelr
Promotion, This Program Is Still I
In the December last Annual All-Star Twin Show,
14 sets of twins vied for the ^100 in cash prizes
which were awarded the following Sunday by
welterweight champ Fritzie Zivic.
Like good old Aunt Jennie, The Wilkens
Amateur Hour came for a short visit and
today, nearly five and one-half years later,
still has no intention of packing its bags. De-
vised by the Wilkens Jewelry Co. here in
Pittsburgh as a Christmas promotion to run
for eight weeks, the show took to the air on
station WJAS in November, 1935. Since that
time until the present, it has continued, win-
ter and summer, missing just four Sundays
in five and one-half years. (In 1936, a flood
silenced the station completely for two weeks,
but didn't dampen the spirits of the program;
two other Sundays, the program graciously
bowed to World Series games.)
From the moment the Wilkens Amateur
Hour debuted, it made an instantaneous hit!
There has never been a Sunday afternoon
that we haven't had to hang out the SRO
sign at the Moose Temple Hall, which has
a seating capacity of 1,500. Admission is by
tickets only, which are available at any of
the four Wilkens Jewelry Stores.
Surveyed by Ross Federal Research Cor-
poration at regular intervals, the Wilkens
Amateur Hour has been found to have a
peak radio audience of 77.44%, many times
132
RADIO SHOWM ANSH I P
a listening audience of above 70%, frequent-
ly in the sixties, practically never below 50%.
The surveyors said in their report: "We are
able to comment on the exceptionally high
percentage of listeners that this particular
program commands. There are very few pro-
grams on the air today that can claim as high
a percentage of listeners."
So outstanding has been the response to the
show that we have, at various intervals,
bought full newspaper pages, at a cost of
$700 per page, solely to boost the program.
In these ads, we never mention jewelry or
watch specials; the entire space is devoted to
the radio show.
As pilgrims to a shrine, jewelers from all
over the east and middle western part of the
country have come to see this show, and it
has been instrumental in starting half a doz-
Upper . . . Genial emcee Brian McDonald presents
amateurs from the stage of Moose Temple Hall.
Lower . . . More than 400,000 Pittsburghites have
attended Wilkens Amateur Hour programs during
its 281 continuous broadcasts.
MMS
3 Year Ronnd
orgh. Started as a Pre-Christmas
After 2B1 Continuous Broadcasts.
en jeweler-sponsored amateur programs in
other U. S. cities.
Here are some facts and figures that illus-
trate the value and power of the Wilkens
Amateur Hour. More than 400,000 have
gathered in Moose Temple Hall during the
281 broadcasts. Thirteen thousand applicants
have auditioned to appear on the program.
Two million, five hundred thousand listeners
cast votes either by telephone or mail ballot.
The Communitv Fund invited the show to
%
1^1
1
appear at the Syria Mosque, which has a
seating capacity of 4,000. (Big as that hall
was, it still didn't accommodate all comers!)
The Allegheny County Fair invited the show
to be presented at the fair grounds where it
pulled an audience of more than 60,000 peo-
ple, the largest ever to attend a regularly
scheduled commercial broadcast. Warner
Bros. Stanley Theater, which plays only star
acts, including the Major Bowes units, en-
gaged The IVilkens Amateur Hour for one
week at full pay!
Our show is produced with the same pains-
taking exactitude as though it were going on
a coast to coast network of stations. Brian
McDonald, master of ceremonies, is a former
singing star, for three years a member of
Earl Carroll's Vanities. In its five affluent
years of existence, it has awarded more than
$14,500 in cash, in addition to many mer-
chandising prizes. Telephone votes are re-
ceived on specially installed apparatus sim-
ilar to that used on Major Bowes' programs.
By-product and a special feature of the
program is the Wilkens Stock Company, a
burlesque skit, presented each week as a
means of cloaking a commercial. Actors are
dressed in costumes. During some ridiculous
or tense moment in the skit, the listeners
find themselves involved in a Wilkens com-
mercial. Participating in the Stock Company
is announcer Jack "E. Z. Credit" Logan.
Other regular cast members are "Tiny"
Ellen Sutton, 250-pound, Kate Smith-ish high
school singer; Harry Walton, accompany-
ing and advising the amateurs at the piano.
Once each year, a couple of weeks before
Christmas, the Wilkens Ajiiateur Hour at-
tains climactic heights of entertainment when
they present their Annual All-Star Twin
Show. This production is promoted with full
page newspaper ads chock full of twin pic-
tures. Last occasion featured 14 sets of tal-
ented twins, vying for the $100 in cash prizes
to be awarded the following Sunday by box
champ Fritzie Zivic. Demand for tickets for
this show zooms to even greater proportions,
and the walls of Moose Temple Hall bulge
with listeners. Last December, 325 sets of
twins and nine sets of triplets attended, be-
sides the enlarged, regular audience.
\{ Mohammed won't go to the mountain
. . . Major Bowes sent talent scouts to Pitts-
burgh to audition some 200 amateur acts
culled out of the thousands presented by The
Wilkens Amateur Hour.
Like the majority of other U. S. retail
jewelers, we used to have the idea that the
only time to use radio was during appropri-
ate seasons, such as June, Christmas and
other holidays. But the Wilkens Amateur
Hour taught us an important lesson in the
profits of consistency. We're one of the few
jewelers in the country to promote contin-
ually on a year round basis.
Some call it folly. We have another word
for it — fool-proof! Frankly, we hope that our
Aunt Jenny will be with us, 52 weeks out of
the year, for some time to come.
^^^ K ^"^ <.t^^ t "^i^o^
■s^^'
.U^
,^^^
^tv
The Annual All-Star Twin
Show is promoted with full
page newspaper ads chock
full of twin pictures, and
plenty of free publicity
like the examples shown
here.
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134
RADIO SHOWM ANSH IP
he Daddy of Them All
By William Hickey, President of Jack the Tire Expert,
Hartford, Conn. The First Quiz Program Continues to
Do a Selling Joh for Its Sponsor after 13 SoUd Years
Back in 1928, everyone was asking questions.
It was a fad that at its height rivaled minia-
ture golf courses, jig saw and cross-word
puzzles.
"Who discovered America?"
"Columbus did — ask me another!"
Remember?
At that time, the newspapers were filled
with question and answer columns. One, in
particular, caught my eye. I thought it would
make a good radio program, and so, on Au-
gust 27, 1928, I started Jack Says Ask Me
Another over WTIC, Hartford, Conn. Last
fall our organization began its 13th season
on the air, 13 years with the very same quiz
program. As far as I know, this is not only
the first but also the longest running question
and answer show in radio history!
I think the reason for this amazing record
is that our show scorns superficiality, gets
right down to the one basic requirement for
all successful quiz shows. We don't have a
board of quiz experts, we don't even have our
master of ceremonies interview members
from the studio audience. Jack, the inquisitor,
directs all of his queries to the listeners, at
their homes. He pops the question, then after
a seven-second interval, gives the answer.
Thus the listener, the all-important factor in
any radio show, is given a chance to join in
the game at once. In Jack Says, we make
every listener, wherever he is, an essential
part of the show!
Perhaps the best test of the pulling power
of a quiz show is its ability to attract ques-
tion writers. We award a five dollar cash
prize for the best question submitted each
week. For over 10 years now, an average of
IjOOO letters have been received weekly.
There is an extra heavy response to the an-
nual spelling bee which is usually held in April.
The main volume of mail comes from with-
MAY, 1 941
135
in a 30-mile radius of Hartford, but during
these 13 years, we have accumulated ques-
tions from all parts of the world. Some of
our regular listeners have been contributing
since the program first began. Just before
Valentine's day of last year. Jack mentioned
an 87-year-old lady living in a convalescent
home in Hartford. He told listeners he was
planning to send her a valentine, and that
this would probably be the only one she
would receive unless some of the listeners re-
membered her, too. As a result, she found
636 valentines in her mailbox on February
14th, and in addition, letters, poems, hand-
kerchiefs, quantities of candy, cookies, and
cakes.
At times, we have offered various premi-
ums to re-stimulate interest in our family of
question-writers. This last winter during just
one of our programs, we offered a photostatic
copy of the Declaration of Independence to
all who would send in questions. Fifteen
hundred listeners responded.
Mail power is only part of our long story.
Certainly, all these letters would have been
hardly worth receiving had not sales climbed
along with mails. Thirty years ago, we had
just one small store, with just one service car
and a few helpers. Today, business has ex-
panded to include two large stations, 10 serv-
ice cars, and 62 helpers.
I wouldn't say it's all due to radio. We've
always tried to be first with new merchan-
dising ideas. We were first to offer Hartford
automobile owners free air, first to give road
map service, first with the five-in-one station,
first with budget payments, first with prac-
tically all the new servicing equipment.
But radio has done its part! When we
started our quiz show, radio received about
10% of our total advertising appropriation,
with newspapers getting the lion's share. To-
day, 40% of our advertising dollars are spent
in radio, 40% in newspapers, the rest in di-
rect mail and outdoor signs.
We specialize in General Tires, and we
start off our program by dramatically illus-
trating the quick stopping, non-skid feature
of the tire with surprisingly realistic sound
effects. The middle of our program is usually
a dramatic skit featuring two or three actors
and a sound effects man. It leads into our
commercials.
Biggest single point we stress in all our
commercials is how easy it is to buy under
our income purchase service (budget pay-
ments).
When radio
salesmen ap-
proached W il-
liam H i c k e y ,
president of Jack
the Tire Expert,
they didn't have
to sell him on the
idea of advertis-
ing and radio. A
former Lord &
Thomas adver-
tising man, Mick-
ey left there to become assistant adver-
tising manager of the Miller Rubber Co.
When World War I came, Hickey en-
listed, came home to set up a sales pro-
motion department at Miller's and han-
dle foreign advertising. Four more years
in Akron, and then to Norivalk, Conn.,
to become advertising manager of the
Xorwalk Tire & Rubber Co. In 1925,
Hickey took over Jack the Tire Expert
in Hartford, Conn., and in the past 16
years has watched his company blossom
into a Connecticut institution. The last
sentence in his story on this page is no
afterthought. William "Bill" Hickey be-
lieves in showing personal interest in his
customers, encourages initiative among
his employees.
One of the favorite characters who appears
each year on the program is Zike Pick's par-
rot, (Zike and his parrot are featured on a
popular rural show on the same station.) As
the parrot rattles off a commercial for us,
the listeners are asked to write in and in-
terpret the parrot's gibberish. Hundreds of
different sales messages are sent in by en-
thusiastic listeners.
In many ways, I consider the close tie-up
between store name and program name an
outstanding factor in our success. The part
of Jack on the radio show is taken by Jack
Whelan, a veteran tire man, around whose
personality our store name has been built.
Jack is an unaffected character and carries
the program along with a pleasant, folksy \
manner.
What we have accomplished in 13 years
isn't difficult to duplicate. It's based on a
sound merchandising plan, a sound advertis-
ing campaign, and perseverance. Success hap-
pens overnight only in story books!
136
RADIO SH OWM ANSH I P
anking on Hadio
By Allen C. Knowles, Executive Vice President, South Side
Federal Savings £ Loan Association, Cleveland, Ohio, Who
Illustrates Some of the Varied Methods That Bring Results
There was a time, and not so many years
ago, when advertising by a financial institu-
tion meant a few lines or column inches in a
newspaper publication. Happily the science
has progressed to the point where today a
multitude of media may be used by the aver-
age financial organization, affording vastly in-
creased opportunities for promotion.
It remains, however, for the advertiser to
determine which one or how many to use,
how much of it to use, how to use it properly.
Radio, with its mass appeal is springing into
prominence as a medium in the financial field,
and so rapid has been its growth in this field,
that thousands of aggressive banks and sav-
ings and loan institutions have scarce had time
to analyze and appraise it.
Already established are hundreds of un-
recorded success stories. In most of our large
cities one, two or more financial institutions
have "discovered" radio and are using it
properly and successfully.
Note that word properly. That cannot be
stressed too strongly, because therein lies the
secret of successful use of radio. We've just
scratched the surface in research, but what
we've found definitely is convincing. We do
know that given the right pro-
gram or announcements, and
the right correlated promo-
tions, radio does an amazing
job.
And so the question arises
in the minds of financial ad-
vertisers: "How can I use
radio to the best advantage?"
Your radio man replies: "What are you sell-
ing?" And your answer is mortgage loans.
Or small loans. Or savings. Or a general
banking service.
The first thing you do is plan your cam-
paign. The plan should pointedly drive to-
ward one accomplishment; side-issues lead
only to frustration in any type of advertising.
Once you have decided specifically what
you're going to sell, find out who your best
prospects are and when they listen to the
radio. Choose the program or announcement
which will catch their interest at this time.
Put it on the air and keep driving your mes-
sage home with sufficient frequency to make
it stick. Your local radio representative will
help. Most important of all — dont relax!
Not yet! Your job has just begun. Radio is
the hub of the wheel of your promotional
vehicle — and you can't ride on the hub. Put
some spokes in — and build a solid rim. Every
employee of your organization, from the jan-
itor to the chairman of the board, should be
thoroughly familiar and helping with your
radio effort.
Radio advertising breaks down into two
primary types: announcements and programs.
There is infinite variety possible in the pre-
sentation of each. We'll suggest only thoce
types which have already been used success-
fully by financial advertisers.
If you decide on a program, there are a
dozen ways you can call attention to it, each
of them a sales point in itself. Your radio
salesman or your advertising agency will tell
you about them. Once you've started the ve-
hicle rolling, and gathered
momentum, you keep it going
by the same method. We'll go
into that in just a minute.
Right now let's consider a few
types of spot announcements
that have proven effective.
Announcements varying in
length from fifty to one hun-
dred fifty words, judiciously placed in the
station schedule for specific audience appeal,
and having special copy appeal, are the most
widely-used type in this classification. A com-
petent radio copywriter should create the an-
nouncements, and here again your local radio
representative or your advertising agent can
help you by determining where on the sched-
ule your announcements should be "spotted"
MAY, 1 941
137
Influential in U. S. banking develop-
ments the past 18 years is Allen C.
Knowles, executive vice president-gen-
eral manager of Cleveland's South Side
Federal Savings & Loan Assn. To ini-
tiates, the savings and loan industry has
undergone a marked progressive change,
especially in the last decade. Depression
brought out in bold relief the pitfalls of
the industry. New vehicles to prevent re-
currence were born: Federal Home Loan
Bank System, Federal Savings and Loan
System, Federal Savings and Loan In-
surance Corporation. Assisting in plan-
ning their practical operation, Knowles
commuted frequently to Washington, gave
special attention to the machinery of the
Federal Savings and Loan System. He's
a member of the Committee of Federal
Housing Administration, United States
Savings and Loan League, and editor of
the radio section of the Financial Adver-
tisers Association Bulletin.
for optimum results. Dramatized spot an-
nouncements are coming into greater use
daily. These utilize the voices of two or
three people in a very brief sketch illustrating
the need for the service offered, and showing
how the advertiser fills the need.
This same idea has been carried over into
short programs, five minutes or more in
length. A successful five-minute program act-
ually builds an audience, but to do so it must
be presented at fixed times to create a dial-
ing habit. And a good degree of artistry is
required in the writing, to make the program
attractive.
Another very popular and effective five-
minute program idea among financial adver-
tisers is the talk or interview. Either may be
institutional or pointed toward specific re-
sults. The interview is especially good where
the testimonial type of advertising is effective.
The talk works best where the audience must
be informed or educated in a direct manner.
Here, if possible, the program should be built
around a personality, preferably an officer of
the sponsoring institution.
Since October 23, 1939, I have been on the
air for my bank, the South Side Federal
Savings & Loan Co. here in Cleveland on
station WHK with a program called Across
the Desk Chat. It's a five-minute, daily inti-
mate chat dealing with the human angle of
the bank's services. The title is no misnomer,
for I broadcast by means of remote control
from my office at the bank. I tell how a mort-
gage loan made it possible for the head of a
family to keep his home, how a young man
was enabled to get a college education
through one of the bank's loan plans, how the
bank performs many similar valuable services
in the community. Because the talks are built
around the bank's services, I omit all com-
mercial material as such.
Black and white facts prove the success
of this policy. Since the bank has used radio,
our total resources have increased one million
dollars; in a highly competitive market, we
have made two and one-half millions in mort-
gage loans ; opened a thousand new savings
accounts ; and taken in a million dollars in
savings.
In the broader program field new possibil-
ities are being revealed every day. News
broadcasts, today commanding the greatest
audiences in radio history, have proven excel-
lent for financial advertisers because of the
splendid commercial tie-in possibilities.
An intrepid trust company in New York
City has decided to experiment, and has gone
into the radio sports field. First reports indi-
cate the experiment is clicking.
Music, which in one form or another has
universal appeal, is being used in a number of
interesting ways. A neighborhood bank, lo-
cated in a section of a large city where the
population is predominantly Polish, presents a
half-hour program of popular Polish music.
138
RADIO SH OWM ANSH i P
...40% of $92,000,000.00
WOODCARVING COURTESY THOMAS CHAN GALLERIES
iDrother, that ain't hay I
According to the comhined income state-
ment of 705 standard broadcast stations
as reported to the FCC in 1939, radio sta-
tions received a total income of $91,901,-
955 from all U. S. advertisers. This in-
formation, released August-September of
1940, is the latest official figure available/
Local advertisers alone were respon-
sible for $37,315,774 of that income!
U. S. broadcasting stations derived more
income from local advertisers than from
either the national networks or national
and regional buyer of spot advertising.
This means, radio stations received a
greater percentage of their total in-
come from local radio thne-huyers (the
laundry, the dairy, the bakery, the de-
partment store, the clothier) than from
any other single group of time-huyersl
Are you doing a sufficient promotion job in your own back yard?
'IJroadcastinsj Yearbook (1941) Page 444.
.^■MS IS T«C *
OUR STORY IN 10 SECONDS
We print a monthly magazine full of i/m
ahle, tested radio programs and promotion^
gathered from all over the country and in-
dexed hy businesses.
We mail it to your clients.
We pay for postage.
We do the wrapping.
We do the addressing.
We hind Your Station Insert into every
copy.
We mail your station salesmen (to their
home addresses) the RS Sellogram every
month!
All this for just 15c per issue.
All you do: furnish the mailing list and a
four-page insert with your stations story
printed on it; the insert is hound into every
copy of Radio Showmanship mailed out by
lis to your customers. Radio Showmanship
is Exclusive with one station in a selling
area.
This is a partial list of the many stations having Radio Showmanship
Magazine mailed to their clients, prospects and station salesmen:
WXYZ WIND KOMA WBNS
Detroit, Mich. Chicago, III. Oklahoma City, Okla. Columbus, Ohio
WSPD WHN WGR-VVKBW WOL
Toledo, Ohio New York, N. Y. Buffalo, N. Y. Washington, D. C.
KOA KOL WHK-WCLE WKRC
Denver, Colo. Seattle, IVash. Cleveland, Ohio Cincinnati, Ohio
WFBR KDYL WFIL WFBM
Baltimore, Md. Salt Lake City, Utah Philadelt^hia, Pa. Indianapolis, Ind.
KMO KFJM KGIR KIT
Tacoma, Wash. Grand Forks, N. D. Butte, Mont. Yakima, Wash.
KROW KLPM KHBG WELI
Oakland, Calif. Minot, N. D. Okmulgee, Okla. New Haven, Conn.
WBLK KRMC KTSW WNLC
Clarksburg, W. Va. Jamestown, N. D. Emporia, Kan. New London, Conn.
WCHS WOOD WORC WNBC
Charleston, W. Va. Grand Rapids, Mich. Worchester, Mass. Hartford, Conn.
WPAR WAGA WGRC KVAK
Parkcrsburg, W. Va. Atlanta, Ga. Louisville, Ky. Atchison, Kan.
W'SAZ WWVA KVFD WFCI
Huntington, W. Va. Wheeling, W. Va. Fort Dodge, Iowa Pawtucket, R. I.
KFJZ WLOK WCOP WFBL
Fort Worth, Te.vas Lima, Ohio Boston, Mass. Syracuse, N. Y.
WEBC WHIZ KPDN WHOP
Duluth, Minn. Zancsvillc, Ohio Pampa, Texas Hopkinsville, Ky.
WLAP WMMN WJPR KDTH
Lexington, Ky. Fairmont, W. Va. Greenville, Miss. Dubuque, loiva
WTCN WT5RC WSIX KGDE
Minneapolis, Minn. Birmingham, Ala. Nashville, Tcnn. Fergus Falls, Minn.
KDLR WLEU WKST WIBIM
Devils Lake, N. D. Eric, Pa. .\'civ Castle, Pa. Jackson, Mich.
Radio Showmanship Magazine Is Exclusive With One Station in a City.
^S4m/n
AT A COST OF ONLY 15c PER COPY PER MONTH
Mail the Enclosed Postcard Today!
It is greatly enjoyed and appreciated by the
Poles, who love their traditional polkas and
obereks.
Another city has many people who love
good symphonic music. A transcribed pro-
gram presenting the nation's finest symphony
orchestras here commands one of the largest
nighttime audiences in the history of the sta-
tion,
A savings and loan institution wanted to
build itself up as one of the old, reliable
business firms of a particular community. So
an astute advertising man conceived a half-
hour program presenting local talent. Large
school and college choral groups went to the
firm and presented radio concerts directly
from the lobby. The programs were duly im-
pressive, the popular interest tremendous.
A vox pop program, broadcast directly
from the lobby of a metropolitan bank, and
using questions of current interest, commands
a large following in one city. Here the spon-
sor has cleverly had the broadcasting com-
pany install a "travelling mike," and when
time for the commercial announcement rolls
around, the announcer just walks behind the
scenes at the bank — into the tellers' cages,
into the safe-deposit vault — and all over, con-
stantly chatting in a friendly manner and in-
directly selling the radio audience on the
bank's services. He talks with the employees,
the clientele, the visitors, everyone within
range of his travelling mike. His daily trip
around the bank is an interesting experience
for thousands of radio listeners.
These are just a few examples of ways in
which financial advertisers are using radio.
Because you can skillfully weave your own
advertising into any kind of a program, be it
educational, entertaining, or any type, a limit-
less field lies open.
There are plenty of good ideas waiting for
someone to try them out. One thing is cer-
tain, and we can't repeat it too often — when
you go into the radio program field, make up
your mind to do the necessary promotion
work which is a part of successful use of the
medium.
Every piece of mail you send out should
build your radio program. The right organi-
zations and clubs in your city should have it
brought to their attention forcefully and reg-
ularly. If the program starts out with ten
thousand listeners, decide that you're going to
try to add a good number at every new
broadcast. Every person who comes into your
place of business should be made acquainted
with your radio efEort. These are all spokes
in the wheel. The more of them there are,
the stronger the promotion, and the greater
your success.
YOURS
for the asking
ADDRESS RADIO SHOWMANSHIP
11th at Glenwood, Minneapolis, Minn.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, p. 32).
Auto Supplies — Jack, the Tire Expert
(see p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see March- April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Electric Appliances — Prof -it (see Sept.
issue, p. 28; Oct. issue, p. 65).
Flowers — An Orchid to You (see Sept
issue, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Laundries — Rock-a-bye Lady (see Feb.
issue, p. 47).
Milling — Adluh Musical Millers (see p.
149).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Mr. Fixer (see p. 148).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue, p. 53).
The Enemy Within (see Jan. issue, p.
18).
Little by Little House (see p. 128).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (see Sept. issue, p.
35).
Sonny Tabor (see p. 140).
Stella Unger (see Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
MAY, 1 941
139
(^owboys
Make Good Salesmen
The Adventures of a Wild West Weekly Hero Are Put on
Record and Backed with a Six-Shooter's Merchandising Aim
It seems obvious now that a character iii a
comic strip or a hero of magazine stories,
whose name and adventures already have a
tremendous circulation and popularity in its
original form, can be converted into a radio
star of the first magnitude. Today, of course,
some of the nation's top radio shows are
based on characters and situations that first
saw the light of day in the pulp magazine or
on the comic pages.
Little Orphan Annie went directly from
the comic strip to radio, was given a voice
and distinct human personality and today is,
and has been for the past years, one of radio's
better kid show^s. The producers of Superman
w^ere quick to see the possibilities of a radio
program based upon the popular comic strip.
Such programs have the advantage of a
loyal group of followers who are already
familiar with the character. Superfluous is
the usual preliminary build-up period neces-
sary when presenting a brand new radio pro-
gram.
The second advantage lies in the usually
huge circulations of the magazines and news-
papers from which the radio program origi-
nated. It's only natural that Junior, who has
been follow^ing Superman in the local paper,
should become instantly a loyal Superman
radio fan.
A pioneer in the field of the pre-sold radio
program based upon magazine characters was
the old and established Street & Smith Pub-
lishing Company, whose long list of maga-
zines boast a combined circulation up in the
multi-million class.
Street & Smith's entry into the
radio field, was not based upon a
child hero. Instead they angled for
an adult audience with a radio pro-
gram revolving around a character
created in one of their magazines
called The Shadow. That was in
1931.
The Shadow proved to be a popular pro-
gram, perhaps because the principal character
was portrayed by the magical voice of a
youngster named Orson Welles, but mostly,
and more probably, because The Shadow was
an already accepted black and white hero be-
fore he was given a voice on the radio. The
magazine had a circulation of 400,000 when
the program began.
It was while The Shadow was rising to a
Crossley rating of 17.7 that William De
Grouchy, broad, burly, affable, 200-pound
Street & Smith promotion man, decided to
convert the program into a transcribed series,
air it live over eastern stations, then offer the
program to local merchants in exclusive, non-
competitive markets. Its success as a tran-
scribed show in the hands of local merchants
led him into his next venture.
Street & Smith standby and oldest of all-
fiction magazines in existence is Wild West
Weekly. The 40-year-old publication is read
by more than 350,000 people weekly. It has
the largest circulation of any all-fiction week-
ly western magazine.
Ace character in Wild West Weekly is a
lanky, taciturn, Robinhoodish cowboy named
Sonny Tabor. With 350,000 people awaiting
breathlessly his next week's adventures, Sonnyi
Tabor seemed to promotion man De Grouchy
an ideal character for radio. But on the other
hand he was not content in bringing to the
air just another action-crammed show, even
though it be a western, a phase of story tell-
ing as yet not fully exploited by radio. He
began his search for an angle that would
make the series different, applicable to the
selling of a variety of products, fit-
ting as many advertising budgets as
possible.
So Sonny Tabor's adventures were
packed into a five-minute show! Yet
each episode was so arranged that
in addition to its five-minute usage,
two of the programs could be put
140
RADIO SHOWMANSHIP
Oldest of all-fiction magazines is
the 40-year-oId Wild West Week-
ly, boasting a readership of more
than 350,000. Most popular hero
in its pages is Sonny Tabor, the
gentleman with the artillery pic-
tured here. Cowboy Tabor is now
adventuring into radio via elec-
trical transcriptions in a series of
five-minute programs.
MAY, 1941
141
on the air consecutively in a well-rounded
ten-minute program; and three of the epi-
sodes could be strung together to create a
full fifteen-minute presentation, with ample
time remaining for opening, middle and clos-
ing commercials !
In that idea, Mr. De Grouchy felt and
rightly so, that he had a program plan that
almost any size appropriation could handle.
The next innovation was equally as new
and unusual. Street & Smith offered Sonny
Tabor at a flat price, regardless of size of
town, station or sponsor!
The syndicate transcription industry,
whereby programs embodying expensive pro-
duction, talent and script are made available
to local merchants at a minimum of cost, is
a comparatively new phase of radio. In the
field there is room for an enormous amount
of experimentation; room for program plan-
ning that is different. But as in all new ideas,
the experiment must be supported by the logic
of good merchandising.
The Sonny Tabor program plan has
the advantage of:
1. A ready-made audience; a character
whose adventures are followed weekly by
more than 350,000 people.
2. A flexibility that makes the program
fit with equal ease into large, small and
medium-sized radio budgets.
3. A standard price that will not af-
fect your choice of stations (usually the
price of a transcribed program is based
upon the power of the station over which
it will be presented; thus, the
more powerful the station you
select, the more the program
costs).
HOW YOU CAN USE IT
Your choice of Sonny Tabor
as a selling vehicle for your
product or service depends en-
tirely upon how well you know
your customer, your product,
and your store. It's an all-age group, action-
packed program with a masculine appeal. It
has the romance and glamour of the old west
that has made more men spend more dimes
for reading matter than they have for mus-
tache wax.
Always attuned to public waves of interest,
Hollywood is going back to Westerns in a big
way; not the Indian tales of long ago, but
big-time productions with millions invested in
them are playing to big grosses all over the
country. They know that Gene Autry, the
cowboy star, receives more mail than Clark
Gable; that the desire for adventure is strong
in everyone ; radio can bring to each of them
the vicarious thrills of the old west in a more
dramatic and satisfying form than the printed
page.
Behind the program is a merchandising
plan applicable to almost any product.
First of all. Street & Smith offers sponsors
mention on a special sponsor's page in PVild
West Weekly. Secondly, because Wild West
Weekly is on sale at newsstands in your city,
you have an excellent opportunity of tieing in
with display cards at the stands. Street &
Smith has prepared a card that reads:
"WILD WEST WEEKLY OUT TO-
DAY! On Sale Here." On the lower half of
the card there is space allowed for your im-
print of a message that would read: "LIS-
TEN TO THE ADVENTURES OF
SONNY TABOR ON THE AIR. MON-
DAY, WEDNESDAY & FRIDAY AT
8:00. STATION WWWW. BROUGHT
TO YOU BY (Your Name & Product)".
For your younger listeners, Street & Smith
has arranged a series of popular premiums
that include Sonny Tabor hats, badges, belts,
etc.
Backed with the proper promotion and if
your aim is sure. Sonny Tabor can shoot his
way to a lot of profits for you!
AIR FAX: Nurnber of Episodes Avail-
able: 39 five-minute shows; others in pro-
duction; to be broadcast on
three-time or five-time a week
basis in either five, ten or fifteen-
minute periods. Minimum Con-
tract: 39 episodes. No music in
series. Story is continuous with
cliff-hanger at end of each epi-
sode. The programs are sup-
plied eight to a double faced
record.
Conditions of Sale: Use of broadcast is
restricted to one store in a city. Standard
price regardless of size of town or power of
station used. Sponsorship included mention
on sponsor's page in Wild West Weekly for
duration of program.
Availability: For information regarding
availability, audition records or any other in-
formation, write directly to Charles Michel-
son, 67 West 44th Street, New York City.
142
RADIO SHOWM ANSH I P
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Gasoline
RINGFREE NEWSREEL THEATER Bound
to blast a new precedent in radio news re-
porting is WHN's Ringfree Newsreel Thea-
ter. So unusual was this new kind of news
program that sponsor MacMillan Petro-
leum Corp. (Los Angeles, Calif,), in the
interest of Ringfree Oil, bought both morn-
ing and evening programs, each an hour in
length, without hearing it on the air or audi-
tioning it!
For the first time, the idea of the movie
newsreel theater has been adapted for radio,
the air program operating in the same man-
ner as the regular movie news theater. Just
as the same newsreels are repeated every
hour in the theater, so will the same new^s
be repeated every ten minutes on the air,
with a two-minute Ringfree commercial be-
tween each repetition. Just as in motion pic-
tures, where patrons w^alk in the middle of
a feature and still see the whole show^ the
Ringfree Newsreel Theater will operate as
a continuous news broadcast. Listeners may
tune in anytime during the morning or eve-
ning hour period and hear the news.
Custom of news programs now is to an-
nounce the biggest event at the beginning,
with the result that late tuners miss the im-
portant reports. With the Newsreel idea,
every item will be heard as long as the listen-
er remains tuned for 12 consecutive minutes.
While the program will consist of news
periods repeated every 10 minutes, late flashes
of important bulletins, if any, will be inserted
in the same manner as they are included in
other types of broadcasts.
AIR FAX: First Broadcast: March 10, 1941.
Broadcast Schedule: Daily, 6:00-7:00 A.M.; 11:00-
12:00 midnight.
Preceded By: Evening program: News.
Followed By: Morning program: Opportunity; Eve-
ning program: Cinderella Hour.
Competition: Evening program: Dance orchestras.
News.
Sponsor: MacMillan Petroleum Corp., Los Angeles,
Calif.
Station: WHN, New York, N. Y.
Power: 5,000 watts.
Population: 7,346,272 (1940).
COMMENT: Welcome another form of news
presentation to add to existing forms: Syn-
dicated press news, hourly headlines, spot
news, authoritative analysts. Keep your eye
on this one.
GrDceries
MEET THE CHEF IVIany a recipe-hungry
housewife, exquisitely befuddled by the eva-
sive flavor of a savory sauce, a tangy salad,
has longed to pry into the professional files of
master chefs. In Jacksonville, Fla., sponsor
S. A. Freel Distrib-
uting Co., in the interest
)> of food products Hell-
man's Mayonnaise, Kee-
bler Crackers, Fannings
Bread and Butter Pick-
les, and New Nuccoa, set
up WJHP microphones
right in the kitchens of
the city's five largest
hotels. From their inner
sanctums, the hotel chefs
alternate in serving up to
local housewives a succulent banquet of rare
but seasoned recipes and the stories behind
the dishes.
Promotion: Pictures of participating chefs
garnished the broadside sent all grocers to
announce the program. As a tie-in, displays
of sponsor products were arranged in local
stores.
AIR FAX: First Broadcast: January 15, 1941.
Sponsor: S. A. Freel Distributing Co.
Station: WJHP, Jacksonville, Fla.
Power: 250 watts.
Population: 148,202.
COMMENT: Recipes have been dished out to
housewives in many a varied way, but it takes
a program like WJHP's Meet the Chef to
really delight sated palates.
Leatherette Binders
for
Radio Showmanship
The compact way of keeping your issues in a
permanent, chronological group.
Holds 18 Issues One Dollar
RADIO SHOWMANSHIP
11th at Glenwood MINNEAPOLIS
MAY, 1941
143
Department Stores
SPEAK UP In the radio room of Cleve-
land's new Telenews theater, located in the
downtown shopping section, originates the
first locally-sponsored forum broadcast of its
kind. Terminal Tower department store
Burt's, Inc., invites all citizens with a thirst
for argumentative ideas on current questions
to join the studio audience in exchanging
opinions, clarify the miasma of misunder-
standing camouflaging vital issues in local
and international events.
Rather than stay the barnstorming public,
L. O. Klivans, president and general manager
of Burt's, largest local time buyer in Cleve-
land, original radio program fancier, father
of the Speak Up idea, doubled the WCLE
broadcast time to half an hour; still hasn't
solved the problem of seating space to ac-
commodate the nightly overflow. Burt's pub-
lic relations director, Mendel Jones, acts as
interlocutor; Klivans personally appears on
the programs, gives commercial copy a direct-
ness and intimacy that sharpens its effective-
ness. Material plugs particularly the ready-
to-wear, jewelry, furniture departments.
Most marked has been direct response in
the ready-to-wear section. Klivanesque ges-
ture: Invitation to the audience to bring in
short scripts, read their opinions on any ques-
tion. Discussion topics are announced well in
advance. Without a single solicitation for
In the streamlined radio room of Cleveland's new
Telenews theater gather public spirited people
nightly to air (on WHK) their views on current
questions. Burt's public relations director Mendel
Jones at mike conducts, while L. O. Klivans, presi-
dent and general manager, left, watches with inter-
est.
mail, WCLE has received some 100 letters
weekly, chiefly suggestions for discussion
topics.
Giveaway : To each participant a pair of
tickets to the Telenews theater, located up-
stairs of the Telenews radio room.
AIR FAX: Broadcast Schedule: Monday thru Friday,
6:00-6:30 P.M.
Preceded By: Training Camp News.
Competition: Captain Midnight; Sports.
Sponsor: Burt's, Inc.
Station: WCLE, Cleveland, Ohio.
Power: 500 watts.
Population: 1,125,942 (1940).
Agency: Simons-Michelson, Inc., Detroit, Mich.
COMMENT: On network and locally, a
world affair-conscious public has readily re-
sponded to forum broadcasts. Yet hesitant
time buyers have been slow to step to the
helm. In America a good free-for-all argu-
ment will always draw a crowd — and cus-
tomers.
144
RADIO SHOWM ANSH I P
Mi
SPECIAL PROMOTION
Short radio promotions that run but a day, a week, or a
month yet leave an impression that lasts the year around.
Manufacturers
A CAVALCADE OF FREE ENTERPRISE
Recently 600 guests sat down at long ribbons
of banquet tables in Oakland, Calif., ate
heartily in commemoration of veteran em-
ployees of Metropolitan Oakland firms who
have been working for the same companies
for 35 years or longer.
Host was the National Association of
Manufacturers, who also took 45 minutes of
KROW air time to present A Cavalcade of
Free Enterprise, acquaint the citizenry with
KROW staff man Bert Winn interviews some of
the veteran employees who were cast in the pro-
duction. Cavalcade of Free Enterprise. Left to
right: C. L. Bates, employed by Johns-Manville
Products Corp. for 51 years; Laura C. Moore,
employed by Alameda County-East Bay Title In-
surance Co. for 49 years; and Joseph Lewis, em-
ployed by the California Cotton Mills for 48 years.
the unity existing between employer, em-
ployee. Actually cast in the production were
the 10 individuals with the longest records
of employment. Progress of industry, main-
tenance of amicable labor relations came into
their own in the impressive review. Emceeing
were KROW staff men Bert Winn and John
K. Chapel under director Keith Kerby. Pro-
duction collaboration came from Edgar B.
Jessup, president of the Marchant Calculat-
ing Machine Co.; and Alvin Hewitt, Pacific
Coast Manager of the NAM.
COMMENT: Heaping tribute and eulogy on
employees who have spent a lifetime in serv-
ice to one firm also serves broader objectives.
In mid-20th century, when labor and capital
are lashing each other viciously, free enter-
prise and the NAM do well to counteract
prevalent, adverse publicity. Their objectives:
^Minimize the public's opinion of the cleav-
age between labor and capital and minimize
the actual cleavage, by demonstrating to the
public and employees their appreciation and
homage to faithful service.
MAY, 1941
145
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
r
\
ms\
United States Government
bonds were presented to five
Oklahoma women, winners in
Super Suds' $100,000 con-
test, on KOMA's News from
the Woman's World. Left of
"Uncle Sam" is KOMA
Woman's Editor Claudine
French, who looks on while
C. W. Elliot, Oklahoma State
Supervisor for the Colgate-
Palmolive-Peet Co., distrib-
utes the bonds. Winners, left
to right: Mmes. Eloise Stokes,
Shawnee; Gertrude Reese,
Norman; Grace Wiley, Miss
Maurine Gaskins, and Mrs.
Mildred Robertson, Oklahoma
City.
Right up the ladder along
with firemen went WWL
special events announcer Al
Godwin to bring listeners in
the Deep South an on-the-
scene account of a recent
$3,000,000 warehouse blaze,
one of the worst in New
Orleans' history. WWL's new
mobile unit got the story plus
the actual sound effects.
146
5,S.n/S.S
Above . . . Fred W. Kress, grand prize winner
of the St. Louis Dodge Jamboree drove home
in a new 1941 Dodge Luxury Liner. Jamboree
was the climax of an intensive, exclusive WIL
spot campaign which lifted St. Louis retail auto-
mobile sales figures. Left to right: Jerry Colt,
emcee; O. J. Rose, city manager of Dodge
Brothers Corp.; Neil Norman, program director
of WIL; Ray Manning, announcer of WIL
Bill Durney, merchandising director of WIL
Oscar A. Zahner, Ruthrauff 8C Ryan; Kress
Allister Wylie, musical director of WIL; Ray
Strieker, RuthrauflF & Ryan; Ken Bennett, Ruth-
rauff 8C Ryan; Bart Slattery, publicity director
of WIL.
Below . . . WCOP sponsor Summerfield's, sell-
ing furniture, men's and women's wear, offers a
stopper for Bostonians who pass their windows.
Announcer Ray Morgan (now with WINX,
Washington, D. C.) is seen delivering the news
right from the store window.
WHAT THE PROGRAM DID FOR MEJ
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, II //i at Glenwood, Minneapolis, Minn.
Groceries
PANHANDLE ON PARADE "We began
this program around seven weeks ago, and
we have paraded through a different Pan-
handle town each Sunday during the past
seven weeks. This schedule was arranged by
contacting the Chamber of Commerce in each
of these towns and having them co-sponsor
this program with us by inducing them to
pay the line charge from Amarillo to their
town and, of course, we paid the time charges.
The program continuity was jointly prepared
by us and radio station KGNC.
"It is our assumption that the chief benefit
derived from this program up to this time is
the good will that has been established by
broadcasting these programs remotely from
these different Panhandle towns and by hav-
ing either the mayor or one of his representa-
tives make a brief talk on the program telling
the advantages of his community. This has
inducted a local atmosphere into the shows,
and we have found that as the programs are
aired from different communities, the mer-
chants of those communities have been much
more favorable towards pushing the sale of
our product, Golden Light Coffee.
"The fact that Golden Light Coffee is
the only coffee roasted and packed in the
Panhandle of Texas makes this product a
'natural' insofar as the different towns are
concerned since it does not conflict with a
similar product distributed locally in the in-
dividual Panhandle towns.
"It is our intention to continue the pro-
gram. Panhandle on Parade, until we have
visited all of the main Panhandle of Texas
towns. Afterwards we intend to follow the
program up with a return engagement to
these various towns by having the grocers of
these towns co-sponsor another remote con-
trol broadcast. We will tie this repeat show
in with the Panhandle on Parade program
so that the effect of the initial broadcast will
not have been lost.
"We are glad to say that this particular
program has received more comment than
any we have sponsored heretofore, and we
are advised by various civic leaders that it
not only helps build good will insofar as our
product, Golden Light Coffee, is con-
cerned but also it helps build a better rela-
tionship between Amarillo and the various
Panhandle towns from where these broad-
casts originate."
H. C. Donnell
Owner and Manager
Golden Light Coffee Co.
Amarillo, Texas
AIR FAX: For complete review, see Showmanship in
Action, p. 150.
Shoes
MR. FIXER "This program has been and
is continuing to be a complete success. It has
brought tangible results in advertising special
buys. Much appreciation has been shown by
people who have come into our store, person-
ally, to congratulate us on our good philan-
thropic work. In both a business and social
way, Mr. Fixer has succeeded in bringing the
name of the Economy Shoe Store before
the public. I sincerely feel that this program
has increased sales and good will."
Harry Glesin
Economy Shoe Store
Yakima, Wash.
AIR FAX: Veteran KIT spot announcement buyer
Economy Shoe Store bought two, weekly, 15 -minute
programs, hired a man to do nothing but solve other
people's problems. Selling a low priced shoe, seek-
ing a large labor and farm audience, sponsor created
Mr. Fixer, who reads letters from Yakima families
soliciting help.
First Broadcast: January 21, 1941.
Broadcast Schedule: T-Th., 9:15-9:30 A.M.
Followed By: Ma Perkins (Don Lee Network Dra-
matic Serial).
Sponsor: Economy Shoe Store.
Station: KIT, Yakima, Wash.
Power: 1,000 watts.
Population: 36,326.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Program's success depends on
Mr. Fixer's ability to get results from his re-
quests. For complete review of Mr. Fixer,
see March-April issue, p. 103.
148
RADIO SHOWMANSHIP
Milling
ADLUH MUSICAL MILLERS "The Adluli
Musical Millers have been appearing over
WIS, Columbia, S. C, 7:45 to 8:00 A.M.
week days since April, 1940. This is a hill-
billy program put on by five musicians. They
have brought excellent results in the form of
increased Adluh Flour sales. We are con-
fident that this medium of advertising is as
good as money can buy."
R. L. Wingate
Advertising Manager
Allen Brothers Milling Co.
Columbia, S. C.
AIR FAX: Last October 15, Master Miller Sam Poplin
told listeners they had a chance to win a bicycle.
Method: Send in the longest list of words derived
from the title, Adluh Musical Millers, plus two pic-
tures of the Adluh Girl from any size sack of
ADLUH FLOUR. Four days before the contest
closed, overwhelmed sponsor decided that one prize
was not sufficient for 1,300 letters each bearing two
proofs of purchase! Sum total prizes: 22.
Showmanstunt: During the course of the contest
Master Poplin and accordianist Red Bennett made a
deal: If a boy won the bicycle, Sam would ride it
to the winner's door, regardless of the distance from
Columbia. If a girl won, Red would do the pedal-
ling. Note: One sunny morning Poplin was seen on
a shiny new bicycle on the road to St. Mathews
(S. C), which is located some 35 miles from Colum-
bia.
First Broadcast: April 22, 1940.
Broadcast Schedule: Monday thru Saturday, 7:45-
8:00 A.M.
Preceded By: News; Morning Melodies.
Followed By: News (NBC).
Sponsor: Allen Brothers Milling Co.
Station: WIS, Columbia, S. C.
Power: 5,000 watts.
Population: 71,704.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Timeliness in commercials is
effective! Adluh example:
"Now then, for those send-off parties to see the
boys off to camp. It seems to me that since the
boys are in for some plain but honest fare for the
next year, they ought to have a last fling et lots
of things that are just plain good to eat. Plenty
of cakes and pies . . . and I said plenty. Any
man, anywhere, anytime, likes apple pie. So today
sit right down and plan your party and menu.
Order a big bag of ADLUH FLOUR for all the
baking you're going to do . . . and get busy."
Leatherette Binders
for
Radio Showmanship
The compact way of keeping your issues in a
permanent, chronological group.
Holds 18 Issues One Dollar
RADIO SHOWMANSHIP
11th at Glenwood MINNEAPOLIS
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Amusements
ELGIN BIRTHDAY CLUB Unique head-
ache of theater managers everywhere is hav-
ing to sell a brand new product each week.
Whereas butchers, bakers can benefit from a
cumulative, week-to-week build-up of name,
location, merchandise, theater men must sell
the public on a completely new and different
item each week, forget what they were plug-
ging just a few days ago. Ideally adapted to
this situation, but as yet very little exploited,
is radio.
Packing his theater to capacity, showman
Lloyd Mills of Ottawa, Canada, is hacking
a new path by applying to a new field an old
idea — the birthday club. The Elgin Birthday
Club goes on the air each Wednesday, when
club members whose birthdays fall during the
week are presented with pairs of guest tick-
ets. Greetings are extended these members,
they are informed they are to be guests of
the theater on their birthday. To become
members of the Elgin Birthday Club, listen-
ers must sign the birthday register stationed
in the theater lobby.
AIR FAX: Broadcast Schedule: Wednesday, 5:45-6:00
P.M.
Sponsor: Elgin Theater.
Station: CKCO, Ottawa, Canada.
Power: 100 watts.
Population: 126,872.
COMMENT: Manager Mill's popular Birth-
day Club is worth its cost in good will alone.
Add to that its effectiveness as a merchan-
diser, and you have real returns. Many a
U. S. picture house could profit by the ex-
ample set by smart showman Lloyd Mills.
Beverages
THE WHOPPER CLUB Fish program
which puts the weight on "whoppers," home-
spun fishin' yarns, gives back seat to practical
MAY, 1941
149
Information is presented by the "Ol' Timer"
in a friendly, folksy manner. Sponsor Hyde
Park Breweries (St. Louis, Mo.) sends a
case of beer for the best "whopper" of the
day.
From time to time, listeners who report
an unusual catch are invited to appear on the
program.
Program fish facts: Use of various rods,
reels, other fishing paraphernalia; good loca-
tions.
AIR FAX: Sponsor: Hyde Park Breweries Assn., Inc.,
St. Louis, Mo.
Station: KWOS, Jefferson City, Mo.
Power: 250 watts.
Population: 26,200.
Agency: Ruthrauff & Ryan, Inc.
COMMENT: Definitely a seasonal promo-
tion, but if it fits your product, it sells it!
Books
FISHERMEN'S CORNER Up from the
streams and waters in the Rochester (N. Y.)
area comes oldtime fisherman-author Ferd
Lomb each Thursday night to broadcast on sta-
tion WHAM the re-
suits of his hunt for an-
glers' paradises. Lomb
does not stop with
strategic angling spots ;
he's ferreted out where
to get the best boats,
bait, sleeping quarters.
Who's the sponsor?
He is. Last July, his
1940 Fishing Guide
was in its second edi-
tion, on sale at sport-
ing goods stores, city
newsstands for 25
cents. During the pro-
gram, he sells the smart booklet that gives
a whale of a lot of information, provides fish-
ing maps singling out teeming bass, perch,
or muskie waters around Western, Central
New York state.
Interest upped considerably when Lomb
introduced the "Liar's Contest," awarded a
Taylor Fishing Barometer to the fisherman
sending in the best fish story of the week.
Program theme song: Three Little Fishes.
AIR FAX: Broadcast Schedule: Thursday, 6:15-6:30
P.M.
Sponsor: Ferd Lomb.
Station: WHAM, Rochester, N. Y.
Power: 50,000 watts.
Population: 357,689.
COMMENT: A program devoted to one sport
is bound to have a limited audience, but count
on it for steady listening, good response to
commercial messages.
Groceries
PANHANDLE ON PARADE A peregrin-
ating program is Panhandle on Parade, which
originates in the high school auditorium of a
different town in southern Texas each Sun-
day. Two KGNC announcers deliver a rapid
eulogy of the host city, scan agricultural re-
sources, sources of income, etc. Honor guest
is the town's mayor. Chamber of Commerce
Secretary or other big^vig official, who de-
livers a three-or four-minute talk. During
the remainder of the program, the audience
raises its voice in community singing, the
emcee responds with a solo. Three or four
audience guests are interviewed, receive a
pound of sponsor's Golden Light Coffee.
As the program moves from town to town,
it is alw^ays assured of an auditorium audi-
ence of some 400 people. No magic involved,
but tried and true joint promotion of local
Chamber of Commerce and Golden Light
Coffee Co. Placards are prominently dis-
played in each town prior to the broadcast.
Local newspapers trumpet the program with
special articles; station KGNC plugs con-
tinuously. In some cities, the Chamber of
Commerce mails invitation cards.
Simultaneous with the advance program
promotion in each town is the merchandising
of sponsor's product by special representa-
tives, who cash in on the boom with extra
sales and prominent product displays.
AIR FAX: First Broadcast: Feb., 1941.
Broadcast Schedule: Sunday, 4:30-5:00 P.M.
Preceded By: NBC Dance Band.
Followed By: The Catholic Hour.
Competition: The Shadow.
Sponsor: Golden Light Coffee Co. ,
Station: KGNC, Amarillo, Tex.
Power: 2,500 watts.
Population: 51,792.
COMMENT: For the sponsor who seeks to
build his product in small neighboring towns.
Panhandle on Parade, with its appeal to civic
pride and its cooperation from local news-
paper, Chamber of Commerce has much to
ofier. For sponsor comment, see What thi
Program Did for Me, p. 148.
150
RADIO SH OWM A NSH I P
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Gasoline
30 SECONDS TO GO On Monday and
Wednesday nights, Hitler and Mussolini
should send special envoys to Denver, Colo.,
to try out on KOA program, 30 Seconds to
Go. Sponsor Bay Petroleum Corporation
awards as much as 300 gallons of gasoline to
one contestant, but the envoys must be true
blitzkrieg boys, for it's the first five seconds
that count! Being fast talkers the totalitarian
boys might win (and besides they could use
the gasoline).
While a huge clock ticks warningly in the
background, dapper, slender Wes Battersea,
a veritable arsenal of questions, calls contest-
ants by telephone, fires his ammunition. A
bell rings each five seconds, and the value of
the question shrivels as the 30 seconds tick
away. To pass the time, Battersea politely
prods his befuddled quizee with hints, harm-
less jibes.
Since 30 Seconds to Go began exciting
Denverites last November, Bay Service Sta-
tions have averaged six new customers daily.
As a direct result of the announcement:
"Register and receive hundreds of gallons of
Bay Gas FREE/' more than 8,654 cars went
over Bay Station driveways in the first four
weeks of the program!
Sponsor's product is merchandised every
inch of the way: To be eligible to win the
free gasoline awards, would-be contestants
must register at any Bay service station. As
they register, they are required to finish the
sentence, "I like Bay Gas, because . . ."
Names to be called are selected on the basis
of the answers given.
In its sapling days, the program offered 10
gallons of Bay gasoline to anyone sending in
a "Bay Proverb" that was read on the air;
now listeners are requested to send in ques-
tions instead of proverbs, and the mail re-
turns have doubled. Short, pithy Bay Pro-
verbs are still used in closing commercial.
Brief commercials sell the quality and "extra
protection" of Bay Gas. Credit certificates
for gasoline are delivered to the homes of
winners personally by representatives of the
Bay Petroleum Corporation.
Promoting the program at its outset were
1 ) advertisement on the radio page of the
local newspaper 2) Thirty Seconds to Go
banners flying from all Bay service stations.
Instruction letters delivered to all station at-
tendants and salesmen a week prior to the
show's debut laid a firm foundation for the
first influx of registrants. Registration books
the size of order books were given to all sta-
tion managers. Certificates in five gallon
purchase denominations for convenient use at
any Bay service station are awarded to win-
ners.
AIR FAX: First Broadcast: November 5, 1940.
Broadcast Schedule: Monday, Wednesday, 6:45-
7:00 P.M.
Sponsor: Bay Petroleum Corporation, Denver, Colo.
Station: KOA, Denver, Colo.
Power: 50,000 watts.
Population: 303,273.
Agency: Copyrighted by Raymond Keane Advertis-
ing Agency, Denver, Colo.
COMMENT: Intelligent radio planning calls
for equal attention to program and promo-
tion.
Beverages
TOWN TALK Man-on-street programs
have been successfully sponsored by optome-
trists, jewelers, automobile distributors, fur-
niture dealers. To stimulate interest, they
give away to each passerby interviewed pa-
triotic emblems, pocket knives, most often,
theater tickets. Newest and best application
of the man-on-street show is to a product
that can itself be merchandised as a give-
away!
In the spring of 1936, Town Talk staged
its maiden appearance on the streets of Bir-
mingham, (Ala.) as a WBRC sustainer. Six
months later, realizing that a man-on-street
show might be an important avenue to sales
increase. Orange Crush-7Up Bottling
Co. bought the show, has staged 1,500 broad-
casts since.
At first, sponsor used the bromide give-
away, theater tickets, but last year they
switched to a six-bottle carton of 7Up (their
own product). Test of program's continuous
popularity: A free picture offer to' the public
of a Town Talk street scene netted 25,000
requests in 10 ditys. Program's success has
resulted in 7Up Co's. adding street broadcasts
in many other cities.
MAY, 1941
151
New York's Popular
HOTEL
LINCOLN
44th TO 45th STS. AT 8th AVE.
1400 ROOMS
from
»3
Each with Bath, Servidor,
and Radio. Four fine res-
taurants acclaimed for
cuisine.
MARIA KRAMER
PRESIDENT
John L. Morgan
Gen. Mgr.
HOTEL EDISON
Same Ownership
IN THE CENTER OF
MID-TOWN NEW YORK
AIR FAX: Round-faced, jet-haired Bill McCain has
interviewed some 25,000 people in his six years of
Town Talk. Most street broadcasts are informal.
McCain goes one step farther; he even ad libs the
commercials!
First Broadcast: Fall, 1936.
Broadcast Schedule: Monday thru Saturday, 12:00-
12:15 noon.
Preceded By: Public Health Service.
Followed By: Frankie Masters' Orchestra (NBC).
Competition: Farm 8C Family Forum; Public Health.
Sponsor: Orange Crush-7Up Bottling Co.
Station: WBRC. Birmingham, Ala.
Power: 5,000 watts.
Population: 259,678.
COMMENT: Most merchandisers recognize
the tremendous effectiveness of sampling. In
Town Talk, use of 7Up as a give-away not
only got more people acquainted with the
product but gave the emcee an excellent
chance for a commercial plug every time he
2ave awav a carton.
Home Furnishings
TRIAL OF TALENT Since October, 1938,
"court" has held session on the stage of Ell-
wood City's Majestic Theater every Sun-
day afternoon; talent from all sections of
western Pennsylvania has been on trial.
Gavel-wielding master of ceremonies grave-
ly charges the defendants with possessing
talent, grants a hearing to determine their
"guilt." Comprising the jury are judicious
members from the visual audience, who in
conjunction \A-ith the judge decide the ver-
dict. At the end of 13 weeks, each winner is
ordered to return to court to compete for
the grand SlOO prize.
Sandwiched into the show is a five-minute
comedy skit, which finds itself slyly involved
into a commercial message. To encourage in-
terest from all parts of Western Pennsyl-
vania, auditions are held in three sister cities
each week. Admission tickets are obtainable
only by calling at sponsor Ellwood City
Furniture Co. Each child requesting a
ticket must be accompanied by one parent.
Average weekly mail response over a two-
year period: 3,000 letters (votes).
AIR FAX: First Broadcast: October, 1938.
Broadcast Schedule: Sunday, 1:00-2:00 P.M.
Preceded By: Hungarian Hour.
Followed By: Garden of Memories.
Sponsor: EUwood Cit>' Furniture Co., Ellwood City,
Pa.
Station: WKST, New Castle, Pa.
Power: 1,000 watts.
Population: 51,092.
COMMENT: I'endency today is building an
amateur show around an interesting theme —
show boats, court trials, night clubs. See
Junior Showboat, February issue, p. 65.
152
RADIO SHOWM ANSH I P
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally-sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, MARCH-APRIL, 1941
Type
Rating
Last
Month
Change
MUSIC
32%
33%
-1%
NEWS
22%
21%
+ 1%
QUIZ
10%
11%
-1%
INTERVIEWS
9%
9%
TALKS
8%
7%
+ 1%
SPORTS
7%
7%
DRAMA
6%
6%
COMEDY
6%
6%
GROUPS Men Women Children
Music 27% 35% 36%
News 27% 20% 9%
Talks 5 % 1 1 % 3 %
Interviews ... 7% 10% 11%
Quiz 11% 10% 11%
Sports 13% 3% 5%
Drama 5% 5% 16%
Comedy 5% 6% 9%
TREND OF LOCAL NEWS PROGRAMS (General)
AUG. SEPT. OCT. NOV. DEC. JAN. FEB. MAR.
The trend of news programs seems to move
almost in a direct correlation with the course
of world events. Newest reports show news
has once again clirnbed to its January high.
The peak has yet to be reached.
TREND OF LOCAL NEWS PROGRAMS
(Commercial Appeal Directed to Men)
AUG. SEPT. OCT. NOV. DEC. JAN. FEB. MAR.
If you are merchandising directly to men,
you'll be interested in a breakdown of the
general trend of news programs. Where the
commercial message is primarily for men,
news programs have shown a steadier, faster
climb. They should make an even better buy.
At no time in the past eight months has there
been a decline in popularity, only in two
months (January and February) have the
ratings remained at a standstill!
TREND OF LOCAL MUSIC PROGRAMS
AUG. SEPT. OCT. NOV. DEC. JAN. FEB. MAR.
Locally sponsored music programs showed
a slight increase ap and through December;
but starting with the January survey, a sharp
decline has been recorded.
MAY, 1 941
153
The RS Furniture Survey
(Continued from Page 131)
4. Question: Hoiu long is your spot an-
nouncement?
Retailers reporting results good:
66% used one minute announcements.
20% used less than one minute announce-
ments.
14% used more than one minute an-
nouncements.
Retailers reporting results poor:
66% used one minute announcements.
22% used less than one minute announce-
ments.
12% used more than one minute an-
nouncements.
By comparing these figures, we can con-
clude that the length of a spot announcement
has little effect on its pulling power. For the
answer to what makes a good spot announce-
ment, we must turn to other factors, such as:
1) consistency, 2) placement, 3) the mes-
sage.
5. Question: How many weeks out of the
year did you use radio?
Retailers reporting results good:
Averaged 48 weeks on the air.
Retailers reporting results fair:
Averaged 29 weeks on the air.
Retailers reporting results poor:
Averaged 23 weeks on the air.
We cannot hastily conclude that if an ad-
vertiser stays on the air it will automatically
assure a successful campaign. Consistency
may be the result of a program's effective-
ness, as well as the cause of that effective-
ness. However, there is strong evidence that
consistency does materially affect the pulling
power of radio advertising. Further proof:
Of all retailers reporting results good, 82%
were on the air 52 consecutive weeks!
6. Question: How many days per week were
you on the air?
Of retailers reporting results good:
37% used radio every day in the week.
Of retailers reporting results fair:
8% used radio every day in the week.
Of retailers reporting results poor:
5% used radio every day in the week.
More proof of the value of consistency in
radio advertising.
7. Question: 14^ hat times of the day do you
use radio?
TIME
O' DAY
GOOD
RESULTS
FAIR
RESULTS
POOR
RESULTS
oe.o e
9 A.M.
15%
7%
10%
9 to 11
22%
24%
10%
11 to 1 P.M.
15%
24%
21%
1 to 5
15%
3%
29%
5 to 7
9%
28%
21%
7 to 10
24%
7%
9%
After
10 P.M.
0%
7%
0%
More women buy furniture than men ;
therefore, the most effective advertising is
timed to their listening hours.
8. Question: What type of commercial copy
(sales message) do you use?
GOOD
68 % ^^^^^^^m^i
32%
FAIR
68% ^^^m^^^^^
32%
POOR
35%^^^^^
65%
KEY
INSTITUTIONAL ■
PRICE SELLING D
The importance of using institutional
copy to obtain best radio results is strongly
indicated by these figures. Institutional copy
builds sales volume as readily as price sell-
ing copy does ; it builds a day-by-day volume
instead of spasmodic splurges.
By comparing the answers to each ques-
tion, you will have a basis for determining the
relative importance of the factor discussed. If
a certain question received the same answer
in all three groups (good, fair and poor),
you can assume that this question is not im-
portant in determining radio effectiveness. On
the other hand, if marked differences in re-
sults are apparent, then the factor being dis-
cussed may be said to materially effect results.
154
RADIO SH OWM ANSH I P
QMfn^''
,../-"""'"
JOI Vik'il TO ENJOY MUSK
HOW TO PLAY PIANO WITHOUT NOTES
GAMES, TRICKS & STUNTS WITH MUSIC
TIPS FOR THE AMATEUR SONGWRITER
40 POPULAR OLD-TIME FAVORITES
THIS IS YOUR EIGHTH COPY OF
s
^^^^^r HOWMANSHIP. In it are articles concerning, and detailed
descriptions of 23 radio programs as used in 13 different types of busi-
ness fields. One of these program presentations may prove adaptable in
your business. The Editors of Radio Showmanship & Merchandising
Review welcome and will promptly answer all correspondence. May you
enjoy and profit from this issue.
owmans.
NATIONAL BROADCASTING COMPANY,
GENERAL LIBRARY
30 ROCKEFELLER PLAZA, NEW YORK, N. Y.
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Automobiles * Beverages * Building Materials * Brug Products
Bepartmeut Stores * Gasoliue - Groceries - Home Furuishings
Men's Wear
Show Cases
Taxicabs
Women's Wear
AU \ UAPII7Tlir
A c u D ir T p r
HOW nia%4 _
THE MOST OUT OF |(^,^, ^/t^mms/lijl
^ — >./HIS is more than a magazine . . . it's a service; a valuable
^*^ aid to businessmen who are using, or ever expect to use radio.
For convenience in reading, RADIO SHOWMANSHIP has been divided
into two sections.
^ Section I is devoted to articles by leading retail merchants,
advertising agency men, and well-known writers in the sales pro-
motion field
^ Section II is made up of 11 departments devoted to radio
programs and promotions. A thorough reader will find in SHOW-
MANSHIP many tested ideas that he can apply to advantage in his
own business.
^ However, recognizing the fact that some businessmen are
unusually busy, too busy to do anything but skim through the
contents of a magazine, we have introduced an alternative method
of reading. Each article, each program idea, in every department
of this magazine, is classified by businesses. These businesses,
yours among them, are listed alphabetically in the YOUR BUSINESS
At a Glance index on the next page.
^ Thus, by turning to YOUR BUSINESS AT A GLANCE, you can
tell at a glance on what pages there are sales ideas adaptable to
your particular field.
^ To get the most out of RADIO SHOWMANSHIP, read it thor-
oughly at your leisure. To get the most out oi it fast, see next page.
CIRCULATION THIS ISSUE: 10,000 COPIES
J
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
JUNE
Business PAGE
Automobiles 186, 188
Barber Shops 177
Beverages 176
Building Materials 166, 182
Cemeteries 184
Department Stores 178, 180, 181, 189
Drug Products 184
Finance 186, 187
Gasoline 170, 182
Groceries 163, 180, 188
Business PAGE
Home Furnishings 181
Meat Products 179
Men's Wear 178, 183, 184
Public Utilities 178, 187
Scrap Metals 183
Shoe Repairs 185
Show Cases 174
Sporting Goods 177
Taxicabs 168
Women's Wear 186
MAY
Business PAGE
Amusements 149
Auto Supplies 135
Beverages 149, 151
Books 150
Department Stores 144
Finance 137
Gasoline 143, 151
Business PAGE
Groceries 143, 148, 150
Home Furnishings 127, 128, 130, 152
Jewelry 132
Manufacturers 145
Milling 149
Shoes 148
Page 130
The RS Survey of Business Fields — Report No. 1: Furniture
// you don't have the May issue, order now!
JUNE, 194
159
EDITORIAL
!F YOU'VE ever seen a hypnotist in action, you probably walked away
a little bit dubious of his so-called "powers." Most people do.
But hypnotism does exist! In fact, if you're a normal human being,
you are probably hypnotized a hundred times a day (in a minor way, of
course) by the advertising that appears in newspapers, radio, billboards
and other media.
Strangely enough, the staged kind of hypnotism and the everyday kind
have much in common.
For one thing . . . the more often a hypnotist exerts his power on a
subject, the less resistance that subject has and the easier he falls into a
hypnotic state.
In advertising, too, consistent repetition is an important factor in break-
ing sales resistance. In radio, for example, one sales message paves the
way for the next one. Frequent intervals between broadcasts make each
message less effective.
More and more advertisers are taking advantage of the cumulative
value of a year-around campaign, a campaign that doesn't take a vacation
during the summer months and is thus forced to start all over again in
September.
Response to radio advertising doesn't always occur overnight. Most
people who hear a broadcast are not in the market for the advertised
product at the moment. By consistent repetition, they can be "sold" on a
product without actually buying it the next day or the day after. Weeks,
even months later, they make the actual purchase.
This phenomenon is evident in all forms of suggestibility. Psychologists
call it delayed response.
Most interesting is the use of the same principle in post-hypnotic in-
struction.
While in a hypnotic state, a subject can be given an instruction; for
example, he is told to snap his fingers three times when the clock strikes
twelve. He can then be brought out of this state, resume his normal every-
day habits ; yet, the next time he hears the clock strike twelve, he will un-
consciously snap his fingers three times.
Psychologists can tell you Jiow delayed response works. It works in
hypnotism; it works in radio advertising!
Don't break the spell your advertising message is weaving daily in
the minds of listeners with an interruption during the summer months.
Good selling is constant selling.
160 RADIOSHOWMANSHIP
\^
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CO^A?^^"^
\hg.
CONTENTS
JUNE 1941
VOL. 2 NO. 5
Editorial Advisory Board
Radio
Herbert Pettey
Ralph Atlass
William Dolph
Henry Johnston
Glenn Snyder
Philip Lasky
Roger Clipp
J. Harold Ryan
New York
Chicago
Washington
Birmingham
Chicago
San Francisco
Philadelphia
Toledo
Business
Lorenzo Richards
Ogden, Utah
GusTAV Flexner
Louisville
J. Hudson Huffard
Bluefield, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalamazoo, Mich.
Allen C. Knowles
Cleveland
Editor and Publisher: Don Paul
Xathanson and S. H. Kaufman. As-
sociate Editors: Norman V. Carlisle,
Harold Kahm, Paul Hellman. Re-
search Director: G. M. Osman. Busi-
ness Manager: Norman Lunde.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Editorial 160
Grocery Sales Thru the Air
A. A. Bisstneyer
163
The advertising manager of the 35 Albers
Super Markets in Ohio describes the
program that sells their groceries.
Painting the Town 166
Holland E. Engle
The radio director of Cramer-Krasselt
Advertising Co., Milwaukee, tells how
merchandising assured a show's success
before it hit the air!
CaUing AU Cabs 168
Henry J. Kaufman
In 1939, the Yellow Cab Co. had only 18
out of Washington, D. C's. 5,000 taxis.
The president of the advertising agency
that handles the account writes about the
comeback!
The Nu-Pressure Oil Program: How to
Win Friends and Influence Sales 170
A story in pictures of a new product
launched solely on radio with a happy
ending!
(Continued on next page)
JUNE, 1941
161
Page Mr. Ripley 174
R. L. Cole
Sales manager of the Morton Show Case
Co., Dayton, Ohio, shows how radio spot
announcements sell store fixtures.
Showmanship in Action 176
A collection of those extra promotions
and merchandising ideas that lift a pro-
gram out of the ordinary.
Yours for the Asking 179
A listing of sample scripts and transcrip-
tion availabilities on programs reviewed
in this and preceding issues.
Showmanscoops 180
Photographic review of merchandising
stunts, and the personalities behind them.
What the Program Did for Me 182
This is the businessman's own depart-
ment. Here, the radio advertisers of the
nation exchange results and reactions of
radio programs for their mutual benefit.
Airing the New 183
All the available data on new radio pro-
grams. No result figures as yet, but
worth reading about !
Proof O' the Pudding 186
Results from radio programs, based on
sales, mails, surveys, long runs and the
growth of the business itself.
Johnny On the Spot 188
If you use spot announcements, you'll be
interested in the news, reviews and tips
in this department.
Trends 190
A rating of program patterns based on a
special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
\\
Presenting
SIGMUND SPAETH
'The Tune Detective'— in
FUN WITH MUSIC
A new transcribed series, consisting of 26 quarter-
hour episodes, with three spots for commercials. A
merchandising hook that will produce one of the
biggest mail responses of ANY radio program,
which consists of a new 64-page book by Spaeth —
also entided "FUN WITH MUSIC." Newspaper
ad mats for radio pages, publicity stories, displays —
a COMPLETE package all ready to go to work for
any sponsor!
Audition samples and com-
plete data — $5.00 deposit.
n
PRODUCED b DISTRIBUTED EXCLUSIVELY BY
KASPER-GORDON Incorporated
140 BOYLSTON STREET • BOSTON • MASSACHUSETTS
One of the Country's Largest Program Producers and Distributors of Tested Transcribed Syndicated Shows
162
RADIO SHOWM ANSH IP
rocery Sales Thru the Air
By A. A. Bissmeyer, Advertising Manager for the 35 Albers
Super Markets Located in Central and Southeastern Ohio
After two years of experimenting with radio,
we now have a program that suits our re-
quirements by doing three essential jobs:
1. It increases weekly traffic.
2. It skyrockets sales on any single item we
want to move each week.
3. It gets listeners to scan carefully every
item in our newspaper ads.
With this program, we've lessened the gap
between advertising and sales.
A survey made by the A. C. Nielsen Co.,
radio researchers of Chicago, informed us
that 42% of all housewives seldom or never
read retail food ads.
Customary media used in our industry to
induce a great many housewives to buy a lot
of items are newspapers and handbills. These
two items on our advertising expense analysis
account for a large percentage of our adver-
tising dollar. Our competitors, likewise, use
When thirty-ish, progressive A. A.
Bissmeyer left school, he went behind a
grocery counter — but not for long! Store
managers, ever alert to the potentialities
of a superior worker, began shifting him
about from one branch of the business
to another.
Today, a student of the retail food
business, Bissmeyer is advertising man-
ager of Albers Super Markets, has di-
rected all ad promotions for the 35 mar-
kets in central and southeastern Ohio for
the past five years.
No small part of the success of
Mystree Tunes is due to the fact that ad
man Bissmeyer personally takes time to
work out the complete details of each
broadcast with the advertising agency
and radio station.
Outside of business hours, he has two
hobbies: his children.
the same methods and means of advertising.
Newspapers and handbills give the housewife
an ideal medium for a comparison of food
values, but the question that bothered us was,
"Do all housewives read food ads in news-
papers and handbills ; even if they did, do they
make comparisons?" The Nielsen survey gave
us the answer to this question. Our next
problem was finding a means of reaching
those housewives who do not read ads, and
getting them into our stores.
It was three years ago that we first ven-
tured into the radio field. At that time, the
quiz show was becoming more popular every
day, so our first effort was a quiz show direct
from our stores. We installed lines and each
morning broadcast from a different store, in-
terviewing customers. This program produced
definite, traceable results. We were getting
our message to the listeners, but, as in most
of the spot quiz shows, we were merchandis-
ing only to our participating audience in the
store.
The next year, we used a daytime serial,
the same type of program used so successfully
by many national firms. We employed many
successful merchandising stunts to promote
the dramatic serial program. On one offer,
we drew 7,500 pieces of mail from announce-
ments made on two days. We were convinced
our program had a following, but we wanted
to do an even bigger merchandising job.
Building a large audience Is only half the
job. The other half is equally important —
making customers out of the many listeners.
On the other hand, we were equally con-
vinced that the first essential for successful
radio advertising is to have a program that
attracts listeners. Without a large listening
audience, no program, no matter how well it
may be merchandised, can be successful. A
radio program must first of all attract listen-
ers.
With this In mind, our agency, Frederic
W. Ziv, Inc., worked out Mystree Tunes, a
musical game In which the entire radio audi-
ence participates, not merely a small studio
JUNE, 1941
163
audience. To our knowledge, Mystree Tunes
is the only legal radio musical game directed
solely to the radio audience, retaining all the
necessary elements of a successful musical
game. Its legality has been checked by the
United States Post Office.
Here's where the merchandising tie-in
comes in. In order to play the game, the
listeners must have a mystree tunes card.
This card is absolutely free and is obtained
from any of our stores. At present, we are
distributing some 140,000 cards each week.
There are 24 pictures on the card, four on a
row, and there are six rows. Each picture on
that card represents the title of a song. The
listeners recognize the title of the song as it
is played by the orchestra over the air. When
they recognize the title, they check off the
picture that describes the title of that song.
Object of the game is to fill a row across the
card, not down, only across. Each row has
one square with a question mark on it. That
square is filled by the mystree tune as it is
played by the orchestra. Mystree Tunes are
not pictured on the card. Songs pictured on
the card are all popular songs that most
everyone knows, both current hits and old
favorites. Hints are given by the master of
ceremonies to help locate the picture describ-
ing the tunes. Because we naturally want to
hold everyone's interest, the pictured tunes
are purposely made easy to recognize.
The Mystree Tunes, on the other hand,
usually have familiar melodies but fairly un-
known titles and lyrics. We play three mystree
tunes on each program. If the listeners do not
recognize the first mystree tune, they continue
to follow the program, confident they will
recognize one of the others.
Each card has the same 24 pictures but
with many different combinations. For this
reason, the customer comes to the store often
to get many different cards. Each card will
fill one row, and therefore every card is a
potential winning card. Since we play three
mystree tunes and each inystree tune will fill
a different row, there is a natural incentive
to obtain more than one card.
Near the close of the program, the master
of ceremonies reads a riddle over the air. The
riddle describes an item in our newspaper ad,
which appears on the same day. To be a win-
ner, each contestant must, in addition to fill-
ing a row across on the card, solve the riddle
which the announcer reads over the air.
Example:
"You'll often find me in a stew
And here's a most important clue
I'm good with butter, not with tea
And some fresh fruit tastes good to me."
(Salt)
^^^^^
Trade mark
UP TO $300.00 CASH
AND 50 BAGS OF GROCERIES EVERY PROGRAM
Tune in W. K. R. C. 8:30 P. M., Thursday
Sponsored By ALBERS SUPER MARKETS
SEE REVERSE SIDE FOR RULES
COPY. IB40 F. W. ZIV. PAT. APPLICD FOR
I e ^
y^
/)
711
CHATTER
This Card Good lor February 29th Program Only
About 140,000 of these Mystree Tunes cards are re-
quested by housewives who get them free of charge at
ALBERS' 35 SUPER MARKETS. Object of the radio
game is to fill a row across. Mystree Tunes are desig-
nated by question marks.
These riddles make the listener check care-
fully through the ad for the solution. House-
wives who never before shopped the food ads,
and many who never before looked at a
grocery ad, now read our ads carefully. You
can imagine what this increased listener in-
terest means!
Everyone filling a row and solving the rid-
164
RADIO SHOWM ANSH I P
Originator of this musical radio game, in which
the entire radio audience participates, is beaming
Frederic W. Ziv, president of the advertising
agency- of the same name.
Judging by the broad smiles of the seated winner
and the Western Union delivery boy come with
the prize money, the man on the receiving end had
the specified ALBERS product in the house, which
entitles htm to receive double the original award.
die phones our switchboard some time within
an hour following the program, giving the
operator the correct mystree tune and the
row filled, together with the solution to the
riddle. After an hour's time, during which
phone calls are accepted, we again come back
on the air and announce the names and ad-
dresses of all winners. Every winner receives
a prize. Popularity of the program has neces-
sitated the installation of 28 special trunk
lines and telephones, and 28 operators.
There are three winning rows on each pro-
gram. The prize we give on each row is $50.
If there is more than one winner, and there
usually is. the winners divide the S50 pro-
portionately. All in all, Albers Markets
give away $300 cash in prizes each week. In
addition, each winner receives a big bag of
groceries.
Here's another merchandising tie-in that
makes people who are interested in playing
Mystree Tunes buy the item we're promoting
that particular week. If the winner has a
certain product in the house when the mes-
senger arrives with the prize money, the prize
is doubled. We specif}-, on the preceding pro-
gram, the product they must have. During
the past four weeks. 86% of our winners re-
ceived the double prize. This double prize
has enabled us to increase sales considerably
on specific items. For example, one week we
increased banana sales 23%. bread sales 34%,
a certain brand of fancy canned peas 46%,
and lamb sales 60%. All these sales, of course,
were above our normal weeklv turnover. In
all cases, the food products we specified as
the double prize items were sold at our regu-
lar everyday prices.
The week we promoted lamb we gave a
commercial on lamb pointing out its health-
fulness, its value, its fine flavor, and told the
listeners the meat cutter would give them a
recipe on how to prepare a delicious lamb
roast. This promotion, at a time when lamb
was at its peak, resulted in the 60% sales in-
crease over normal weeks.
The first six weeks of the program we spe-
cified that winners must have our own brand
of Alberly Coffee. During this period, our
coffee sales increased 22%. And you know
how difficult a task it is to get customers to
switch from one brand of coffee to another I
Since sponsoring mystree tunes, we have
found many housewives can now persuade
their husbands or sons to drive them to
Albers to obtain the mystree tunes cards and
the "special item," whereas formerly house-
wives had no way of getting to our markets.
They, of course, then buy practically all their
food in our markets.
The Nielsen Co. survey points out that
79% of food store customers purchase their
foods at the same store for a period of more
than two years. Considering the profit on the
average family food purchases for two years,
we can afford to spend a little more to reach
the non-ad reading housewife. Mystree Tunes
has well paid for itself in increased number
of customers and dollar sales volume in ad-
dition to tremendous publicity.
JUNE, 194 1
165
^1^
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{%etoii j:iFMyBlj»» fesi^' *ASst
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s>
ainting the Town
How Merchandising Made a Show Successful Before It Hit the Air,
By Holland E. Engle of Cramer-Krasselt Advertising Co., Milwaukee
Quiz Auction was aired for the first time
on Sunday, March 16. From the first it
clicked with St. Louis audiences, and not one
man behind the campaign was surprised!
Weeks in advance a keenly calculated plan
had been laid and carried out. The key to the
immediate success of the show, both from
the standpoint of program popularity and
program results, was advance merchandising.
A radio program is only as good as the
job it does, and a radio department that
allows a program to do the whole job is
often courting failure for a trusting client.
Recently, in buying radio for the Phelan-
Faust Paint Mfg. Co., of St. Louis, we
were faced with a doubly difficult task. The
two reasons immediately apparent were: 1)
This client had used radio before without
too much success. 2) Paint products are just
naturally hard to sell, whether over the air
or through printed copy.
Our first step was selection of a program
that had been pre-tested. We knew that Quiz
Auction would draw listeners before we ever
auditioned it. After lining it up, we drew up
the presentation, and auditioned it for our
client. We were prepared to show him just
how this program would be merchandised to
create store traffic and how, through that
store traffic, the dealers could sell paint.
Herein lies the secret of radio success:
Before the program was even sold, we knew
just how we would merchandise it. After a
successful audition, we set the first merchan-
dising date, the time when we would start
merchandising the program to the dealers. A
Tuesday night was selected, and letters were
developed to get the dealers out. Not one let-
ter but several were drafted to follow one
another so as to stimulate effectively the deal-
ers' interest.
Finally came the night when the meeting
was held. We had told the dealers they were
in for fun. We gave them just that! The pro-
gram was set up so that they got a preview
of the actual opening program due to take
the air the following week. We further had
the dealers as participants in the program
right on the KMOX stage. Five lucky deal-
ers went home that night with from five to
$16 won in the Phelan Quiz Auction.
Here is the game that these dealers and
subsequently the people of St. Louis have
been enjoying every Sunday afternoon since
166
RADIO SHOWMANSH IP
^^>^
'■^. .
last March: Contestants, picked by lot from
the studio audience prior to air time, are
given five dollars each. This money belongs
to them, to bid for each question put "on
the block" by the auctioneer, "Colonel" Bob
Dunham.
The auctioneer "sells" the desirability of
each question by telling, in general, w^hat it's
about. Contestants may bid up to five dollars
for the privilege of trying to answer. When
the question is "knocked down" and the an-
swer given correctly, the contestant receives
as a reward the same amount that he bid.
If his answer is incorrect, he loses this
amount.
At the close of the half-hour program, each
contestant is allowed to keep whatever
amount is in his possession. An additional
prize goes to the one who has correctly an-
swered the most questions.
Needless to say, this preview dramatized
the program to the dealers and gave them an
inside interest so great that they believed in
the value of the program before it began to
exist.
There was a talk by W. J. Phelan, presi-
dent of the company, that started the ball
rolling. Then we started the real merchan-
dising heat. Posters were shown — envelope
stuffers, mailers, bulls-eyes, window stream-
ers, all the printed material that we had de-
veloped to publicize the program. We told the
dealers of the accordian portfolios, to be
shown them during the coming week by the
salesmen. We showed them how to display
this material, where to put it, and how to
use it!
We explained how they would participate
in mentions on the program by getting cards
Left .... A typical PHELAN window display
. . . Note the round Quiz Auction sticker upper
right, and the streamer, top center, advising pass-
ersby to "Get your entry cards here."
Center . . . Quiz Auction gets under way in the
lavish KMOX Playhouse Studio with announcer
Jack Garrison explaining the unusual setup to the
capacity audience.
Right . . . The auctioneer, at left, pays off one of
the bidders who has correctly answered the ques-
tion "knocked down" to him in the bidding. Group
is typical of bidders participating in the Quiz
Auction on KMOX every Sunday afternoon.
into the customers' hands! The listening pub-
lic participates by sending in questions to be
used in the quiz. Each of these questions must
be written on an official contest blank obtain-
able only from Phelan-Faust dealers.
(Some 230 were received from dealers the
week before the first program was aired.
Exactly 485 were received the following
week and since then, the count has remained
steadily in excess of 900 each week.)
After the complete selling talk, we led
them into the KMOX Magic Kitchen where
they were treated to a light lunch. When
those dealers left KMOX that night, they
were waiting for that first program with fire
in their eyes! A small survey conducted the
following week showed the whole town cov-
ered with promotional material displayed, as
instructed, by the dealers. That dealer meet-
ing paid out 100%!
Still not satisfied with our merchandising
job, we contracted for space in the leading
St. Louis newspapers. We developed large
impact ads and scheduled them for the open-
ing Sunday. Follow-up ads are appearing each
Sunday during the campaign.
Records were cut of a prominent auctioneer
(Continued on next page)
JUNE, 1941
167
1
(Continued from preceding page)
selling questions to the listeners, as the signa-
ture and sign-off. Our audience has become
auction conscious in these few weeks, as is
evidenced by the overwhelming demand for
admission tickets and the very satisfactory
return of cards, showing store traffic partici-
pation.
Our commercials are designed to tell a
story in a short time; they are long on qual-
ity and selling. We show the advantages of
the Phelan One-Two House Painting
System, how the first coat seals the wood or
old surface so that the life-giving oils of the
second coat cannot be sucked into the wood
and how the high quality protective finish of
the second coat beautifies as it protects. Strong
emphasis is placed upon "your Phelan deal-
er," and no program is presented without
suitable plugs for the experienced painter.
The Phelan Quiz Auction is a success. It
has been successful since it first took the air;
in fact, it was successful before it hit the air,
because it was merchandised!
Thin-cheeked, ??io-
n as tic, handsome Hol-
land Everett Engle
zvas born April 26,
1907, in Fairmont, W.
Va., the son of Olive
and Harry Engle.
Men of the cloth
seemed to run in his
family: One grand-
father was a Metho-
dist minister, ' another an elder in the
Baptist Church, his own father was a
deacon in the Presbyterian Church.
But young Engle in his junior year at
college heard a different call — the mic-
rophone. Since then he's had his finger
in many a major radio pie. He's managed
stations WMMN, Fairmont, W. Va.;
WWVA, Wheeling, W. Va.; WBBM,
Chicago, III. As a free lancer, he worked
on such programs as PVrigley's Myrt &
Marge, Mars' Milky Way Winners.
In 1936 he was named radio director
of Erwin, PVasey Qsf Co., Chicago, took
over complete direction of the Carnation
Contented Hour.
Now radio director of Cramer-Kras-
selt Co., Milwaukee, Engle directs pro-
duction of NBC-Blue's Ahead of the
Headlines.
Married since 1929, he's the father of
two boys, seven and three years old.
(g
ailing
In 1939, the Yellow Cab Co.
Ad Exec Henry J .Kaufman
Washington, D. C. is recognized as the
city containing the most taxicabs per capita.
Yellow Cabs are recognized as the best
known throughout the country.
Yet, in 1939 The Yellow Cab Co. had
but 18 of the city's 5,000 cabs. Local fran-
chise holders of Yellow had permitted com-
petition to run away with the market.
At that time several enterprising young
men, recognizing the importance of the Yel-
low franchise in a city filled with visitors
and strangers from sections where Yellow
had maintained an important position, bought
the Yellow franchise.
The new owners had a double job to per-
form— selling the public and their own per-
sonnel at one and the same time.
While Washington affords rather compact
traffic areas, providing ample cruising space
for street pick-ups, this pick-up business is
concentrated during the rush business periods
of the day. The new owners of Yellow real-
ized they had to create a 24-hour business to
make the cabs profitable to the drivers who
were buying them. The former Yellow man-
agement had allow^ed their "call" business to
drop as low as their number of cabs. The
new drivers wouldn't "play" the phone sta-
tions, because there were too few, and "Ho-
bart 1212" was seldom dialed by the public.
Yet, phone business was the only business for
early morning and night drivers.
The Yellow Cab Co. quickly installed
additional call-boxes in key spots throughout
the city. Our agency was engaged to help
solve the problem of immediately establishing
Yellow Cab's phone number in the public
mind. Our job was to provide a plan whereby
cab drivers would be inspired to give call-
boxes the attention that w^ould insure prompt
168
RADIO SHOWMANSHIP
, All Yellow Cabs
Had Only Eighteen Out of Washington. D. C's. 5,DDD Taxis.
Writes Ahout the Comeback With Short Spot Announcements
service. We wanted the drivers to maintain
and expand upon any call business created by
our promotional plan.
We prescribed radio. The new schedule
called for station break announcements of 20
words used seven days a week at 5:59 P.M.
over WMAL: announcements three times
weekly on the Timekeeper, the seven to nine
A.M. program of station WRC : announce-
ments three times weekly on the Coxktail
Hour, 5:15 to 5:30 P.M. program of WJSV:
and announcements three times weekly be-
tween 10 and 11:00 A.M. in recorded music
periods over station WOL.
Within a few months. Yellow Cab Co.
had purchased and put into operation over
400 cabs. Their plan called for several hun-
dred more cabs before the end of 1940.
Up to the time the Yellow Cab Co. start-
ed using radio announcements, the greatest
number of telephone calls for cab service in
any one month was 2.354. During the month
of December, the tirst month any advertising
was used by the company, the telephone calls
jumped to 4.955. an increase of 110^ in
calls over November. The number of calls
received during January ^vas 7,759. an in-
crease of 57*^t over December and 230% over
November.
The company was elated over the results
obtained for several reasons I 1) It put over
the telephone number. 2) Yellow Cab driv-
ers stayed by the call boxes and gave patrons
better and quicker service. 3) It boosted
driver morale and bettered personnel rela-
tions. 4) It proved to the company officials
that radio produced desired results quickly
and economically. The cost of the entire
campaign over a two-month period was less
than Sf.200.
Plucky, farsighted
Henry J. Kaufman
founded his advertis-
ing agency the year
most executives icere
losing their businesses.
1929. Unruffled by
subsequent b u s i n e s s
dounuard zigzags, he
built his departmen-
talized agency to cover
local, regional, nation-
al, and trade paper accounts, has rated
national publicity on many an outstand-
ing job. At present, most colorful agency
project is the No Politics coast-to-coast
ihow on the Columbia Network.
\ou 34 years old, Kaufman deserted
!aii- studies for a job on the Washington
Tunes-Herald, starting in the classified
advertising department, remained for
seven years. Ad executive Kaufman is
married, dabbles in photography, rides
horseback, devotes a good deal of agency
and personal time to the promotion of
such civic and charitable projects as the
Community Chest. President's Birthday
Ball, JVashington Board of Trade.
A non-cancellable spot radio contract for
six announcements per day. seven days per
week was obtained, and the budget for radio
greatly increased. We attributed the success
of the campaign to the frequent repetition
of the phone number, together with an em-
phasis on those few main factors upon which
(Continued on page 175)
JUNE, 194 1
169
THE NU-PRESSDRE OIL PROGRAM : H(
ALSA CLAGUE
Twenty weeks ago, ex-
ecutives of the Oil
Pressure Corporation
of Cohoes, N. Y., had a
product and a problem
on their hands. The
product was good, the
problem tough. It was
a twofold poser. 1)
How to introduce Nu-
Pressure Oil in their
market? 2) How to get
dealer distribution? They all agreed the an-
swer was advertising, but how, what, when
and where needed more thought. One bright
December they were approached by a young
man with a brighter idea. Harry Goldman,
fast-talking, fast-thinking WABY-WOKO
commercial manager, had a presentation for
them. He spread before them an original,
copyrighted radio program called Pick Your
Price; one word lead to another and a mer-
chandising plan was built around the show.
Alsa Clague, president of the Oil Pres-
sure Corporation, all other officials, stepped
whole-heartedly into the promotion, spared
no expense, overlooked no bet to give their
baby the proper start in life. Proof of spon-
sor cooperation is the fine publicity campaign
that traveled hand-in-hand with the program.
The American Way, a song written by two
Albany men, dedicated to the local Kiwanis
club, was introduced for the first time on
the Pick Your Price show. It was sung by
the Castleton High School Glee club, a
chorus of 50 voices. Every Kiwanis in New
York State received an announcement that
the song would be introduced on the program.
Kiwanis clubs in the area attended that
week's show in a body. Present also were
eight mayors of surrounding towns and vil-
lages, all in the Nu-Pressure oil selling area;
each mayor was introduced. The Pick Your
Price Program now opens and closes with
The American Way. That new promotion
netted the program (and the sponsor) six full
columns of newspaper space.
Eugene McCuc, vice-president of the NU-PRESSURE SALES CORPORATION, Thomas Brown, inventor
of the product, and Harry Goldman, station sales manager gather round for the signing of the contract.
And with that the fireworks started. The selling area about to be entered was avalanched with air and news-
paper publicity, throwaways, street signs, store signs, car signs. Gas station owners were contacted »"
person, made aware of the tremendous campaign about to break.
170
RADIO SHOWMANSHIP
J WIN FRIENDS AND INFLUENCE SALES
Albany's 200 taxicabs carry this buniper-sig:n.
Four theaters distributed 15,000 heralds week-
ly that include mention of the program. At the
start, to every Albany, Troy, Schenectady ga-
rage and gas sUtion went a mailing piece an-
nouncing the start of the program.
In 400 Alban> cigar-stores, newsstands, other display spots,
these colorful posters were placed before the program s initial
airing. In exchange for sign space, tickets to the broadcast
were given away. Meanwhile on the Strand theater screen a
trailer announcing the date, time and place of the program
was unrolling itself. Screen announcements continue through-
out entire series.
After a special pre-program 13-minute lobby broadcast from the Strand theater during which OIL PRES-
SURE CORP. officials spoke, the emcee was introduced, a few of the by-standers interviewed, the first
Pick Your Price program went on the air. At the microphone. Bill Winnie, the Quiz Master; at the
piano, Dick Hartigan; in front, the Announcerettes. In the lobby, each patron was handed a special
Pick Your Price program, the first page devoted to a picture of the cast, the next two to an introduction
of NU-PRESSURE OIL, the last page to a listing of NU-PRESSURE OIL dealers Aroughout the en-
tire territory. Given away in cash the first night: S66.33.
JUNE, 1941
171
If the contestant answers correctly, he selects
a number from the Pick Your Price board on
the stage. Underneath is the amount of money
he wins. Announcerette Mary Morse, roving
mike in hand, bites her lip as the stage assist-
ant lifts the board.
Played with four wandering mikes carried by the four Announcer-
ettes, WABY staff girls ask mejibers of the audience for name,
address; quiz master Winnie asks the question from the stage.
At the left, Announcerette Sally Martin holds the mike while
Ruth Leffler waits for an answer.
THE AMERICAN WAY
FSED PrTER jA^
^ NU-PRESSURE m
WAH 1 —\\\-d. Eve. - 8-8J0 ^'
il
RAND THEATRE
^:^.'^^^s^:^^:^ir5r^ ;
Newspaper advertisements announce the program weekly. In the Strand Theater lobby stands a permanent
40 X 60 sign. Each person answering a question incorrectly is given two free theater tickets plus a
Nu-Pressure Oil change coupon. Local composers Fred Peter, Jack Reed wrote a song called. The Ameri-
can Way. Last month it was published by BMI, became the official theme song of the Pick Your Price
program. The sponsor had thousands of cards printed of the song lyrics, is giving them away free through
Nu-Pressure Oil dealers.
172
RADIO SHOWMANSHIP
There had to be a reason besides the show, preferably monetary, to make 500 gasoline dealers place a
Nu-Pressure container stand, poster in front of their stations, plug the program, Nu-Pressure Oil qualities
to their customers. Therefore, when a contestant answers incorrectly, he is given a certificate for a free
Nu-Pressure Oil change at any gasoline station; thaa certificate is redeemed by the Oil Pressure Corp. for
cash. Each broadcast is sponsored by a group of six dealers; their names and addresses are plugged free
during the commercial.
Top proof of a program's value is its renewal or expansion. Last month Pick Your Price moved into Troy,
N. Y., originating in the White Room of the Troy hotel, moved up to two broadcasts per week, one
Tuesday evening, the other Saturday evening. Both broadcasts are identical in procedure. Above, the White
Room, smaller than the Strand Theater, is jam-packed for the opening show; ample indication of smart
merchandising.
JUNE, 194 1
173
IP
1
age Mr. Hipley
Sales Manager R. L Cole of the Morton Show Case Co.. Dayton,
Ohio, Shows How Radio Spot Announcements Sell Store Fixtures
We had been in business for eight months
and on the radio for five of them when I
wrote the following letter:
"When we decided to use your station for
advertising commercial fixtures, we knew
that more than 95% of the listening audience
were consumers, not show case prospects.
However, we felt that if we could reach the
merchant early in the morning while he was
not busy with his trade, we could gradually
educate him to the fact that we were open
until 9:00 P.M. every day and that Morton
show cases were best adapted to his needs.
"Our salesmen report that the merchants
he calls on listen to the news ; our spot an-
nouncement is located between two newscasts,
one local, one direct from Europe. We use
only one announcement per day.
"We enjoy a large volume of business,
some individual sales as high as $2,500, and
we have asked almost every buyer how he
heard of our company. We find that more
than 50% of our drop-in customers have
heard our spot announcement on your sta-
tion.
"Amazing as it may seem, the gross profit
from radio sales are already more than
enough to pay our entire overhead.
"Radio has proved to be our most profit-
able medium, not excluding direct mail, news-
paper and other types of advertising."
This is the story behind the letter.
When we opened our doors in September
of last year, we spent the first two months
getting our house in order. We made no di-
rect selling effort; instead we concentrated on
merely acquainting our prospects with the
fact that we were in business. We used a
postcard direct-by-mail campaign to meat
markets, grocery stores, and super-markets
in our selling area.
From my past experience in the selling of
store fixtures, I knew that most of our pros-
pects had radios in their stores, usually in the
back room ; and because most of them spent
a good many hours at the store, they picked
up their local and world news from the radio
in the morning or at other times when cus-
tomers didn't demand their attention.
This fact was further verified by our sales-
men's report. They were asked to keep their
eyes open and check on each of their calls just
how many prospects had radios in their stores
and how many they found listening to the
radio when they walked in.
Our men reported that practically all of
the store owners tuned in on newscasts in the
morning on radios they kept right in the
store/ As a matter of fact, many men report-
ed that they had to wait around until after
the news broadcast was over before the mer-
chant would give them their time.
So, although we knew that fully 90 per
cent of the listeners who would catch our
announcement would not be, and probably
never would be, in the market for a Morton
show case, we kept toying with the idea of
going on the air just to see what reaction it
would have not only among our prospects
but also with our salesmen!
The usual methods used to advertise store
fixtures is through direct mail and newspaper
want ads. It has always been the salesmen
themselves who have unearthed the best leads:
we were looking for a means of furnishing
leads to the salesmen!
After discussing the matter fully and com-
pletely at a sales meeting, we went ahead,
bought radio time just on a trial basis. We
selected a spot announcement in the middle of
a morning newscast over station WIXG.
We had just six announcements on the air
when a man walked into our show room one
day and asked to see some Morton fixtures,
adding that he had heard about them on the
radio. He eventually bought show cases for
six super-markets! An order amounting to
approximately $6,000. The spot announce-
ments had cost us $2.75 a piece!
That settled it.
The results were all out of proportion to
anything we had even remotely expected. We
signed a contract for more announcements
174
RADIO SHO WM ANSH IP
with WING; we just recently have con-
tracted for spot announcements before and
after the coming baseball broadcasts. All in
all, we will spend $3,000 on the air this year.
Our announcements to date have been ad-
dressed to the merchant. For example, one
reads:
"Mr. Merchant: A word from the Mor-
ton Show Case Company, Dayton's largest
distributor of store fixtures, bars, booths,
show cases, grocery store fixtures. Morton
will design and remodel your store from
front to back, no money down . . . prices and
terms so low that your increased profits will
pay for the equipment. Morton's is open
daily 9 A.M. 'til 9 P.M., Sundays too. Go
to Morton's, across from the Herald, 11
East Fourth. Hemlock 4093."
Starting this month though, we have
changed our copy. Now we are going to talk
to the housewife. We are going to ask her
if she ever notices the case from which her
butcher takes his meat. Is it clean, white
porcelain, like her own electric refrigerator
a If exceptions prove
the rule, then hand-
some, versatile, store-
planner RohertL. Cole
is the exception that
strengthens the wis-
dom of an axiom once
penned by Mr. Ben-
jamin Franklin, i.e.
"Early to bed and
early to rise, etc. and
etc." Bob Cole is prob-
ably one of the few successful U. S.
salesmen who doesnt give a hoot who
gets the worm as long as he makes the
sale. He sleeps 'til noon daily. But this
seeming pitfall to success is overcome,
of course, by his indefatigable efforts once
he does get on the job. In other words, he
works 'til all hours of the night.
Thirty-three years old, five feet 10
inches tall. Bob Cole is today considered
one of the best planning engineers in
Ohio. He spent seven years as a Tyler
distributor, last September joined Mor-
ton Show Case Co. Has been married
for five years, shoots a low 90 golf, is an
ace billiard player. Hobby: teaching
bridge. Proof of his talent: He averages
$50 a month in winnings on Air. Cul-
bertson's card game. Cole takes no credit
for the use of radio, was as much sur-
prised as anyone that the medium pro-
duced the amazing results outlined in this
story.
at home, or is it a musty, old-fashioned wood
box? We are going to ask her to look for the
name Morton on the show case and tell her
that it is her assurance she is dealing with
an up-to-date modern merchant who is giving
her good meat, good foods, kept fresh and
clean in Morton show cases.
This sort of approach will benefit both us
and the merchant to whom we have already
sold Morton fixtures. It will have its effect
on all merchants, for our news broadcast spot
announcement reaches them all. Country
merchants get into town only once a week
or so; but they're in touch with news daily
on their radios. We speak to these country
merchants every day. Good fixtures and where
to buy them is news to progressive merchants.
It fits right in with what they're listening for.
I've had them walk into the showroom and
say simply: "Let me see the Morton fixtures
you talk about on the radio!" Fifty per cent
of them tell us that the radio message was
the reminder that brought them to our door!
I believe that today we control 80% of the
store fixture business in Western Ohio. I
believe that it is due to our unusual use of
radio time. I believe it so much that within
the next few months when we open show-
rooms in Lima, Columbus, and Pittsburgh,
one of the first things we are going to do
is buy spot announcements on the radio!
CALLING ALL YELLOW CABS
(Continued from page 169)
confidence in cabs can be built. Most of the
spot announcements were very short. All con-
tained the telephone number at least twice
and all contained some reference to one of
the following factors — cleanliness, safety,
courtesy. Following are examples of typical
commercials :
8 A.M. Yellow Cab Time! THE MAGIC
NUMBER . . . FOR BETTER TAXICAB
SERVICE . . . HOBART 1212! That's
YELLOW CAB!!
10 A.M. Yellow Cab Time! Yellow Cabs
are clean, new, inspected for safety!! Call
HOBART 1212!
By constant repetition, the telephone num-
ber and the proper impression of Yellow
Cabs have become indelibly stamped in the
public's mind. To the drivers, most of whom
have radios in their cars, these announce-
ments and the description of the Yellow Cab
Co. is a challenge to assert their best efforts
in giving service to the public.
Today, no other cab passes Yellow Cabs
in Washington, D. C.
JUNE, 194 1
175
riLE
and refer . . .
1 OU'LL note by the Y our
Business at a Glance index that all
merchandising plans and promotion
ideas in Radio Showmanship
Magazine are classified by busi-
nesses each month. Because so many
readers have requested it, we have
created a leatherette binder in which
18 copies of Radio Showmanship
can be conveniently filed for ready
reference. Here is a compact way
of keeping your issues in permanent,
chronological order. The binder is
available at only
$Xoo
RADIO SHOWMANSHIP
llth at Glenwood MINNEAPOLIS
MICHIGAN AVENUE
WHERE
CHICAGO
HiCAI
• The pulse of the city — Michigan Ave-
nue. Chicago -work.s anrt play.s to the
tune of it.s rhythmic hum. In the most
convenient location on thi.s famous
thoroughfare, Hotel Auditorium pro-
vides spaciou.s pleasant rooms, excellent
service and superb cuisine, at reason-
able rates.
WITH BATH FROM $250 WITHOUT BATH $150
*• FROM !•
AUDITORIUM
MICHIGAN AT CONGRESS GEO. H. MINK, Manager
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Beverages
MISSUS GOES A-SHOPPING Bent on
flooding New York and neighborhood with
its beverage, the Pepsi-Cola Co. took air
time February last, sent eminent emcee John
Reed King into metropolitan area grocery
stores to transcribe interviews with shopping
housewives.
For a solid hour. King carries on his ques-
tion bee, politely parrying with the ladies on
such human interest questions as, "Does your
husband snore, and how loudly?", "Who does
most of the talking in your family, you or
your husband?" Grocery gifts and Pepsi-
Cola cartons are awarded for correct an-
swers, with an additional five-dollar cash
prize going to the shopper who nets the most
applause from assembled shoppers for sing-
ing of the Pepsi-Cola song.
Afterwards at the station, the record is cut
to 15 minutes, aired at a later date.
Backstage of the fun of Missus Goes A-
Shopping is painstaking preparation. Weeks
in advance, grocery stores selected for the
interviews are sent mimeographed forms
carrying complete information on the pro-
gram. Grocers are informed of the benefits
they derive from having the broadcasts in
their stores. (Publicity and prestige. When
the program is played on the air, the store,
its name and location are fully identified at
the beginning of the broadcast.)
Stress is laid on the fact that the entire
process of conducting the program in the
store entails no trouble or work for the groc-
er or his staff. Recording equipment is com-
pact and can be set up on a small table
brought along by station men. He is informed
that his regular Pepsi-Cola salesman will
soon call on him to help in advance prepara-
tions for the program.
Pepsi-Cola lithographs attractive posters
to be used in stores in which the program is
to be recorded. Measuring 10 by 14 inches,
they feature program name, time and date
176
RADIO S HOWM ANSH !P
on which show will be recorded in grocer's
store; they may be displayed on counters and
pasted in store windows.
Along with these posters are suggestions
on what the grocer can do to build attendance
in his store the day of the program: 1)
"Word-of-mouth" publicity. Every member
of staff should be informed of the show^ and
instructed to mention it to every customer.
2) Newspaper publicity. Grocers should call
their local papers, tell them they w411 be re-
ceiving publicity from the radio station. 3)
Mention in regular newspaper advertisements.
4) Inexpensive handbills, wnth samples en-
closed in the mimeographed forms, etc.
Results for Pepsi-Cola: During the pro-
gram's first month, February, when sales
usually fall off, they rose five per cent!
AIR FAX: First Broadcast: February 10, 1941.
Broadcast Schedule: M-W-F, 8:30-8:45 A.M.
Preceded By: Ted Steele; News.
Followed By: Harvey dC Dell; News.
Competition: Goldbergs (MBS dramatic serial);
News.
Sponsor: Pepsi-Cola Co., Long Island City, N. Y.
Station: WABC, New York, N. Y.
Power: 50,000 watts.
Population: 7,346,272 (1940).
Agency: Newell Emmett Co., Inc., New York, N. Y.
COMMENT: Pepsi-Cola Co. builds dealer
good will while deriving benefit from the
dealers!
Barber Shops (others)
MUSICAL GRABBAG Most participating
programs (more than one sponsor per pro-
gram) are broadcast directly for the house-
wife sometime in the morning hours. WFTC's
Musical Grabbag decided to be different. It
went on the air for half an hour in the eve-
ning, dangled bait before masculine as well
as feminine eyes.
Method: Each sponsor had a 100-word
commercial on the program. Following each
announcement, emcee Don Bell asked a ques-
tion. First person (woman, if sponsor sought
sole housewife audience) to call the radio
station with the right answer won the prize
offered by the merchant. Important: Ques-
tions asked didn't require a Ph.D. degree.
Every question asked on the program was
answered.
AIR FAX: Broadcast Schedule: 7:00-7:30 P.M.
Sponsor: Caswell Barber Shop (Others: Ideal Dry
Cleaners, Whitfield Jewelry, Grant's Department
Store, Bill's Soda Shop, T. W. Dougherty's Groc-
ery).
Station: WFTC, Kinston, N. C.
Power: 250 watts.
Population: 11,362.
COMMENT: One big advantage the partici-
pating sponsor has over the single sponsor is
the popular give-away. Whereas the single
sponsor can afford to give away perhaps one
prize for his 15-minute program, six or eight
participating sponsors on a 15-minute pro-
gram, each giving away one prize, immeas-
urably heightens the program's appeal.
Sporting Goads
ALLEY DUST When is merchandising
smoothest? Answer: When the sponsor sells
merchandise without the public being too con-
sciously aware it is being sold.
Sponsor Lockwood's Sportixg Goods Co.
conducts a smooth merchandising campaign
along with their bowling program, Alley-
Dust. Aiming to boost Lockwood's as the
bowling headquarters of Jamestown (X. Y.),
sponsor conveys the impression by means of
prizes. To the top man and woman bowler
of the week are awarded "a new canvas
bowling bag with a leather strap and han-
dles, and a ring in the bottom for your bowl-
ing bowl ... in other words the satchel that
carries your complete bowling equipment. It's
yours simply by calling at Lockwood's."
Auxiliary competition is Lockwood's Sea-
Coordinating their radio program and display win-
dow, LOCKWOOD'S SPORTING GOODS ex-
hibits the bowling bags and trophy cup they offer
as prizes in their air contests. Note picture of
sportscaster Al Spokes, lower left.
JUNE, 194 1
177
son Bowling Contest. "To the high triple
game scorers in both the men's and ladies'
divisions of any league play goes a beautiful
cup. . . . It's worth trying for!"
AIR FAX: Remainder of program is local alley chatter.
First Broadcast: January 5, 1941.
Broadcast Schedule: Sunday, 1:30-1:45 P.M.
Preceded By: Your Sunday Serenade.
Followed By: Let's Ask the Priest.
Sponsor: Lockwood's Sporting Goods Store.
Station: WJTN, Jamestown, N. Y.
Power: 250 watts.
Population: 45,155.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Lockwood's conducts two con-
tests. In one, they award weekly a canvas
bowling bag; in the other, a beautiful cup.
Sponsor emphasizes prize number one for
a sound reason. If you've ever watched a
group of contestants standing around a prize,
you'll understand why. Their conversation
generally runs like this: "I'd certainly like to
have that," "Say, that's a nice looking bowl-
ing bag!", etc.
The contestants sell themselves on the
product. It's easy to see that once the contest
is over, the desire to own the bowling bag
will not be lost simply because the tourna-
ment was. One good prize may be worth a
hundred sales.
Public Utilities
MUSICAL MELANGE On their musical
program each Wednesday night, municipally
owned Fort Wayne City Light Co. focuses
attention on a fish bowl overflowing with
lucky numbers. They're the telephone num-
bers of City Light subscribers. On each pro-
gram the announcer pulls several lucky num-
bers, sponsor City Light Co. sends winners
sets of six electric light bulbs for use in the
home. Transcriptions from the NBC The-
saurus, Standard Library provide the musi-
cal portion of the program.
AIR FAX: First Broadcast: December, 1940.
Broadcast Schedule: Wednesday, 7:00-7:15 P.M.
Preceded By: Gold Star Final.
Followed By: The Spelling Bee.
Sponsor: City Light Co.
Station: WGL, Fort Wayne, Ind.
Power: 250 watts.
Population: 117,246.
Agency: Carl J. Suedhoff Advertising Agency.
COMMENT: Municipally owned utilities are
gradually wakening to the need of advertis-
ing for successful business just as private
enterprise did a long time ago.
Department Stares
WOMAN'S HOUR Most housewives are on
the alert for inexpensive means of transform-
ing their home interiors. Friendly expert
Winefred Bradford Bloom rallies this audi-
ence for Sears Roebuck
with a program brimming
with furnishing, decorat-
ing, gardening abracadab-
ra.
Two hours every after-
noon Mrs. Bloom is at
the store to unravel knot-
ty furnishing problems for
her listeners. In Febru-
ary she held open house
at her home, extended a
cordial invitation to all
listeners to visit her on
Saturday or Sunday, three
to five P.M. For the over-
flow, the invitation was
repeated the following week.
Merchandising tie-in: Each week Sears
Roebuck offers a program special; a reduc-
tion on a specific item if the patron mentions
hearing about it on the program.
AIR FAX: First Broadcast: November 12, 1940.
Broadcast Schedule: M-W-F, 11:30-11:45 A.M.
Preceded By: Against the Storm (NBC Dramatic
Serial ) .
Followed By: Thunder Over Paradise (NBC Dra-
matic Serial ) .
Sponsor: Sears Roebuck.
Station: WIS, Columbia, S. C.
Power: 5,000 watts.
Population: 71,704.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Many a program has reaped a
double measure of success by establishing
friendly contact between the program per-
sonality and listeners.
Men's Wear
HATS OFF Air salvos go to individuals and
organizations in a sprightly, dramatic narra-
tive presented twice weekly by El Paso's
(Texas) The Fashion, men's furnishings
store. With sponsor catering primarily to
young men, able narrator Chapman singles
out for tribute heroes with youthful appeal.
Typical subjects: Football sportsmanship,
Junior Chamber of Commerce civic-minded-
ness, Ham radio organizations.
To add to program luster, after eulogy to
an organization is delivered, special mention
is made of the chairman's tireless efforts. He
is thereupon introduced, briefly interviewed,
and, as a token of appreciation, presented
178
RADIO SHOWM ANSH IP
with a Mallory hat by the sponsor himself.
Merchandising methods: The three brief
commercials in each 15-minute program are
devoted to the same article, a radio special.
Hats Off specials neatly dovetail with pro-
gram's Hats Off theme.
AIR FAX: On the Wednesday program, eulogies go
to an individual; on Friday, to an organization.
Broadcast Schedule: Wednesday, Friday, 7:00-7:15
P.M.
Preceded By: Musicale.
Followed By: Secret Agent K-7.
Competition: 7-Up Spelling Bee.
Sponsor: The Fashion.
Station: KTSM, El Paso, Texas.
Power: 250 watts.
Population: 105,136.
SAMPLE SCRIPT AVAILABLE.
COMMENT: A simple program idea, but
note the compactness, effectiveness of theme
and merchandising tie-in! For sponsor com-
ment, see What the Program Did for Me, p.
183.
Meat Products
MAGNOLIA MASTERMINDS OF TOMOR-
ROW "Sho nuff South'n stufE" is a trade-
mark being invited into more and more Dixie
homes since last September. Bolstering the
slogan is Eight ball, Magxolia Packing Go's.
mascot, a live little Negro boy. Promoting
both is sponsor's hour long Sunday afternoon
program, Magnolia Masterminds of Tomor-
row, giving Shreveport, La. youngsters a
chance to boast of their brain-power, com-
pete for prizes. On hand at every broadcast
is Eightball, busying himself distributing the
prizes. He also goes calling on Magnolia
dealers.
air FAX: Twenty-five children, aged eight to 13,
compete on each program in four sets of eliminating
questions. Final set of questions determine prize
winners. Every participant gets a program souvenir.
Girl winner's first prize is a sweater; second, a rain
cape. Boys get a Slinging Sammy Baugh football as
first prize; a Boy Scout knife as second prize.
First Broadcast: September 15, 1940.
Broadcast Schedule: Sunday, 3:00-4:00 P.M.
Preceded By: NBC Program.
Followed By: Yvette, Songs (NBC).
Competition: Invitation to Learning (CBS).
Sponsor: Magnolia Packing Co.
Station: KTBS, Shreveport, La.
Power: 1,000 watts.
Population: 82,162.
COMMENT: Ask the average person what
kind of program Philip Morris cigarettes
sponsor on the air. Will he know? Perhaps!
One phase of the program, however, you may
feel assured he will be familiar with: The
clarion call of Johnny! Trade-marks, partic-
ularly live ones, pay!
YOURS
for tlie asking
ADDRESS RADIO SHOWMANSHIP
11th at Glenwood, Minneapolis, Minn.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, p. 32).
Auto Supplies — Jack, the Tire Expert
(see May issue, p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see March-April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35) .
Department Stores — Woman's Hour (cee
p. 178).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Finance — Saga of Savannah (see p. 187).
Flowers — An Orchid to You (see Sept
issue, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Furs — Cocktail Hour (see p. 187).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — Kendall House Party (see p.
182).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries — Mystree Tunes (see p. 162).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Laundries — Rock-a-bye Lady (see Feb.
issue, p. 47).
Men's Wear— Hats Off (see pp. 178,
183).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Mr. Fixer (see p. 148).
Sporting Goods — Alley Dust (rec p.
177).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue, p. 53).
The Enemy Within (see Jan. issue, p.
18).
Little by Little House (see May issue,
p. 128).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (see Sept. issue, p.
35).
Sonny Tabor (see May issue, p. 140).
Stella Unger (see Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
JUNE, 1941
179
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
Left . . . Displays in conspicuous spots through-
out Indianapolis quality store H. P. WASSON &
CO. stimulate interest in their WFBM radio cam-
paign. Sponsor built a dozen specially designed
wooden picture frames with easels to stand two
feet high. Each frame had two distinct items — a
standard 8x10 glossy photograph of some radio
personality heard over WFBM or CBS; beneath it,
a small hand-lettered copy panel, briefly tying the
picture to some particular merchandise displayed
in the same department.
Below . . . Thrice weekly, 50 women who write in,
receive invitations to KFWB program. Breakfast at
Sardi's. Cabs call for the ladies, drive them to the
famed Hollywood restaurant. On. arrival, each wom-
an gets a greeting from emcee Tom Breneman, a
gardenia, song sheet, breakfast. Program stunt is
the Wishing Ring, wherein a woman is selected,
and both the air and restaurant audience wish for
her wish to come true. Women compete for the
right to read AUNT JEMIMA commercials, par-
ticipate in the PLANTERS PEANUT OIL skit.
Current waiting list numbers 2,500.
i
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Above . . . Musical Clock sponsor WEIS 8C FISHER,
Rochester's Showplace of Furniture Fashion, made the
beds in the window of their store — and WHEC con-
trol man Bob Campbell and announcer Jack Barry lay
in them from 6:45 till 9:15 one morning. The boys
alternately chatted, gave commercial plugs, slept
through musical numbers as the program went over
the air and out by way of loudspeaker to watching
throngs. Bacon for the boys was breakfast in bed —
ham, eggs, griddle-cakes; for sponsor, sales beyond his
highest expectation!
Below . . . Radio "Movin' Day" was dramatically
publicized by this cooperative radio window at Seattle
department store FREDERICK & NELSON. Besides
calling attention to frequency changes, display pro-
moted store's KRSC major radio program, Frederick &
Nelson Concert Hour, PHILCO radios. Window also
brought calls to store's radio department for change-
over service.
"^m.
1
WHAT THE PROGRAM DID FORMED
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 11/^ at Glenwood, Minneapolis, Minn.
Gasoline
KENDALL HOUSE PARTY 'We inaugu-
rated the Kendall House Party, a half-hour
program on Wednesday nights at 7:30, over
WHAM February 26.
"Sponsored by the Kendall Refining Co.
of Bradford, Pa., refiners of Kendall Polly
Power Gasoline and Kendall, the 2,000
Mile Oil, the program is a localized version
of the National Barn Dance type of enter-
tainment.
"We furnished every dealer with a large
window card announcing the program. News-
paper ads helped promote the program. We
opened the show by inviting Kendall dis-
tributors and their employees to come to the
studio and see the show put on. There were
60 people at the initial performance. Then,
we opened it up to dealers and their families,
and finally to the public.
"At the start, we limited tickets, made
them hard to get. The psychology worked.
People clamored for them. Today, from the
original audience of 60, the crowd has grown
to 400 every week, and a larger studio is
utilized.
"A jingle contest was inaugurated with the
only reward to the sender being the thrill of
having his jingle sung over the air. We have
been swarmed with returns on this offer.
"Every week a large number of letters are
received from listeners praising the show.
"At the conclusion of the thirteenth week,
when the House Party goes off the air, an
offering of a picture of the cast will be made,
and this picture will announce the return of
the show in the fall, proof that it has proved
a success for Kendall."
Henry L. Barber
Landsheft ^ Warman, Inc.
Advertising-Merchandising
Buffalo, N. y.
AIR FAX: Emcee Foster Brooks conducts an informal
program of fun featuring instrumental specialties.
Monk's Hillbillies present American Folk tunes;
Carl Anderson and "Beany" Morgan perform banjo
and accordian solos. At the piano is songstress
Suanna. Neat merchandising tie-in: Broadcast tickets
are given away at the company's pumps.
First Broadcast: February 26, 1941.
Broadcast Schedule: Wednesday, 7:30-8:00 P.M.
Preceded By: Tracer of Lost Persons (NBC Drama).
Followed By: Quiz Kids (NBC).
Sponsor: Kendall Refining Co., Bradford, Pa.
Station: WHAM, Rochester, N. Y.
Power: 50,000 watts.
Population: 357,689.
Agency: Landsheft 8c Warman, Inc., Buffalo, N. Y.
SAMPLE SCRIPT AVAILABLE.
COMMENT: When a radio sponsor under-
takes the promotion of a "studio" show, he
competes against "real showmen" in every
sense of the word. (Theater exhibitors, dance
hall proprietors, etc.) He has two advan-
tages to start with: 1) No admission price.
2) Radio publicity. He cannot, however, de-
pend entirely on these two factors to attract
his audience. Added promotional "tricks"
like those Kendall used are almost a neces-
sity.
Building Materials
MUSIC FOR YOUR HOME "Besides fre-
quent spot announcements, we have for the
past several months sponsored a 15-minute
Sunday evening program, Music for Your
Home. Our advertising on this program is
principally institutional, and it would be very
difficult to check against the direct results
obtained therefrom.
"It is our belief, however, that a certain
amount of good will advertising is important
to an institution such as ours, and judging
from the comments we have had on our pro-
gram, we believe it to be very much worth-
while."
W. L. Johnson
Credit Manager
Boise Payette Lumber Co.
Boise, Idaho
AIR FAX: Each Sunday evening, sponsor presents a
program of semi-classical music.
Broadcast Schedule: Sunday, 8:15-8:30 P.M.
Preceded By: News and Music.
Sponsor: Boise Payette Lumber Co.
Station: KIDO, Boise, Idaho.
Power: 2,500 watts.
Population: 21,644.
COMMENT: Should an advertiser use insti-
tutional or direct, price-selling copy? That
182
RADIO SHOWMANSH IP
question is becoming more and more impor-
tant as advertisers delve deeper into the prob-
lem of getting the most out of radio. One
doubts if a perfect answer can be discovered.
Perhaps, when sociologists advance to the
point where they can conclusively prove en-
vironment more important than heredity,
some brilliant scientist in advertising research
will have proved institutional copy more im-
portant than price-selling. Let's postpone
final judgement until that time, but mean-
while, let's watch with interest the increasing
tendency toward the use of institutional copy
in radio advertising.
Men s Wear
HATS OFF "We have found this program
exactly suited to our needs, since it reaches
just the audience we want to reach. It is
made to order for our
purpose, and when we
say made to order, we
mean just that, for
KTSM's production
stafif worked with us
to build the kind of a
program we needed.
"The regular salutes
to local individuals and
organizations has given
us a valuable personal
contact with commun-
ity leaders. Recently,
this contact went somewhat beyond the com-
munity when we had the pleasure of present-
ing a hat to H. V. Kaltenborn while he was
on a visit to El Paso.
"All in all, we can say that Hats Off has
been greatly responsible for a constant in-
crease in business and for valuable good will
that will continue for many years to come."
Jarvis P. Freiden
Manager and Owner
The Fashion
El Paso, Texas
AIR FAX: For complete review, see Showmanship in
Action, p. 178.
Leatherette Binders
for
Radio Showmanship
The compact way of keeping your issues in a
permanent, chronological group.
Holds 18 Issues
One Dollar
RADIO SHOWMANSHIP
11th at Glenwood MINNEAPOLIS
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Scrap Metals
NORTHWESTERN IRON & METAL CO.
BROADCASTS History of sponsor's radio
experience dates back to 1937, when progres-
sive president Dan Hill, envisaging the possi-
bilities of broadcasting in connection with the
scrap iron industry, signed a KFAB year-
contract for a news program. Commercial
material pounded at the important educa-
tional phases of the scrap iron business, the
conservation of natural resources, etc.
For the past three years, sponsor has uti-
lized a brief broadcast daily to continue this
missionary work. Recently, programs have
become patriotic in theme, attempting to aid
in the current national defense emergency.
Root theme: Crucial dangers to armament
program of price inflation and metal hoard-
ing.
Spirit of the messages: ''Remember,
maximum prices have been established.
Profiteering will not be allowed to slow
up the defense program . . . do not hold
your scrap for higher prices. There won't
be any! Where you ship to isn't impor-
tant. That you do ship is important! If
Lincoln is your closest wholesale collec-
tion point, ship to the Northwestern
Iron & Metal Co., 900 T. Street. Write
for prices and estimates . . . address
Northwestern care of KFAB, Lincoln,
Neb."
AIR FAX: Broadcast Schedule: Daily.
Sponsor: Northwestern Iron & Metal Co. and Lin-
coln Metal Products Co., Lincoln, Neb.
Station: KFAB, Lincoln, Neb,
Power: 10,000 watts.
Population: 86,431.
SAMPLE COMMERCIALS AVAILABLE.
COMMENT: Every day, everywhere, new
types of industries are finding radio the an-
swer to their merchandising problems.
JUNE
94 1
183
To RICHMAN BROS., Cleveland clothing manu-
facturers and retailers, went the WHK award for
the most unusual radio window display of the
year. This attention-getter window plugs simul-
taneously the merchandise and the program. For
realistic effect, the dummy in the picture is hold-
ing AP copy.
Men's Wear
RICHMAN NEWSCASTS In the stream-
lined radio room of Cleveland's new Tele-
news theater, audiences gather nightly to
watch ace announcer Bud Richmond "put
the newscast to bed."
Astute merchandisers Richman Brothers
utilize every opportunity to sell their wares.
Announcer Richmond himself wears the
sponsor's product at the broadcasts, and on
the lapel shines the well-know^n Richman
price ticket— $22.50.
Richman Brothers windows are promo-
tion-minded attention-getters. The suit and
the radio series come in for equal plugging.
Copy held by the dummy is AP copy, espe-
cially rewritten for the program by veteran
WHK news scripter Lee Otis.
AIR FAX: Broadcast Schedule: Monday thru Friday,
7:30-7:45 P.M.
Preceded By: Mr. Keen (NBC).
Followed By: Inside of Sports (MBS).
Competition: Big Town (CBS); Helen Mencken
(NBC).
Sponsor: Richman Brothers.
Station: WHK, Cleveland, Ohio.
Power: 5,000 watts.
Population: 1,125,942 (1940).
Agency: McCann-Erickson, Inc.
COMMENT: A newscast program can be as
limp as leftover lettuce or as fresh as the
Richman Newscasts/ Showmanship spells the
difference. In which category is your news-
cast?
Cemeteries
DR. KINGDON'S BIBLE QUIZ Even be-
yond the solemn doors of the dead has filtered
that bounding, bouncing, irrepressible, cur-
rent American craze, the radio quiz. On New
York's station WHN began March last the
Cresthaven Memorial PARK-sponsored
show. Dr. Kingdon's Bible Quiz, drawing
reluctant approval from the most hidebound
of Mrs. Grundy's.
Eminent lecturer, author, educator Dr.
Frank Kingdon is headmaster. Each Sunday
afternoon at the Hotel Edison, audiences
gather to watch representatives from various
churches vie for $125 in cash by answering
listener-submitted questions pertaining to the
Bible, Old and New Testament.
AIR FAX: Churches of all faiths may participate; they
are represented by competing teams of three persons
each. Five dollars go to senders of used questions.
In addition to the prizes awarded to the individual
winners, representatives' churches reap donations.
First Broadcast: March, 1941.
Broadcast Schedule: Sunday, 5:00-5:30 P.M.
Followed By: News.
Competition: Design for Happiness (CBS); Young
People's Church.
Sponsor: Cresthaven Memorial Park.
Station: WHN, New York, N. Y.
Power: 5,000 watts.
Population: 7,346,272 (1940).
Agency: Klinger Advertising Corp.
COMMENT: Cemeteries w^ant to live! Like
other businesses, for maximum success, they
must make themselves known to the public.
Prototypes of Dr. Kingdon s Bible Quiz are
the answer to the brain-cudgeling problem of
a program with equal parts of entertainment
and decorum.
Drug Products
DOINGS OF THE LEGISLATURE Each
city has its Number One state political re-
porter whose accounts, opinion, prestige merit
interest and respect. Raleigh, N. C. has Carl
Goerch, veteran commentator, editor of State
Magazine.
Sponsor BC Remedy Co. (Durham, N. C.)
signed Goerch for a daily, evening review
and commentary on that day's session of the
NC legislature. Station WPTF maintains a
daily, 10-minute, supplementary sustainer,
through which Goerch is heard during the
morning session of the congress direct from
the legislative hall. At that time, the radio
audience is invited to hear him for a com-
plete analysis during his regular evening
(sponsored) broadcast.
184
RADIO SHOWM A NSH IP
AIR FAX: State Magazine does its part with writeups,
receipt of reciprocal newspaper publicity, courtesy
announcements.
First Broadcast: January 6, 1941,
Broadcast Schedule: Monday thru Saturday, 6:35.
Preceded By: Esso Reporter.
Followed By: Suppertime Serenade.
Sponsor: BC Remedy Co., Durham, N. C. (makers
of BC Headache Powders).
Station: WPTF, Raleigh, N. C.
Power: 5,000 watts.
Population: 37,379.
Agency: Harvey-Massengale, Durham, N. C.
COMMENT: Another advantage of sponsor-
ing an outstanding commentator whose name
bears respect and prestige is the automatic
association of respect and prestige for spon-
sor's product.
Shoe Repairs
HOMERUNS AND HAIRCUTS Fledgeling
WHK program is Homeruns and Haircuts,
which comes to order thrice weekly in the
well worn, comfortable chairs of Cleveland's
Terminal Tower Barber Shop. Its spon-
sor might well be some barber supply com-
pany; instead, it is the makers of I. T. S.
Rubber Heels.
Prior to the broadcast, any 10 volunteers
Cleveland's Mayor Edward Blythin isn't too sure
what sportscaster Jack Graney is going to ask him.
He keeps a firm hold on the WHK mike, while
barber Aladar Rorak stands waiting the chance for
his part of the job.
occupy the chairs. Then, while sportscaster
Jack Graney dispenses with the opening re-
marks, deft barbers swathe their customers
in white aprons, proceed to douse them in
lush masks of shaving cream. While the bar-
bers go through their regular routine, Graney
and co-sports announcer Pinky Hunter dart
from chair to chair with portable mikes, carry
on baseball chatter, deliberate on hairsplitting
diamond theories. At the end of each show,
the customer adjudged the best interviewee
gets his shave or haircut free.
Astute sponsor plugs not only I. T. S.
heels but also the services of the neighbor-
hood shoe repairman. To swell number of
shops using their products, I. T. S. invites
shoe repairmen to participate personally in
the broadcasts.
AIR FAX: First Broadcast: April 14, 1941.
Broadcast Schedule: M-W-F, 12:45-1:00 P.M.
Sponsor: I. T. S. Rubber Heels.
Station: WHK, Cleveland, Ohio.
Power: 5,000 watts.
Population: 1,125,942 (1940).
COMMENT: Merchandising rubber heels to
the public is a difficult feat. Most people
never demand the identity of the materials
used in the shoes they have repaired. The im-
portant job, then, is to get the shoe repairman
interested. I. T. S. has accomplished its pur-
pose by inviting dealers to participate person-
ally on the program and by plugging their
services over the air.
JUNE, 1941
185
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surreys, long runs,
the growth of the business itself.
Women's Wear
THE RADIO GOSSIPER While many a
sensational program has had its flare upon
the radio stage but soon flickered into obliv-
ion, The Radio Gossiper continues to turn
in one quietly effective performance after
another for the past nine (9) years. Sponsor
Colvig's Ladies Specialty Shop, catering
to middle class women, concludes that The
Radio Gossiper brings results: Their busi-
ness has continued to grow, they use no other
advertising!
Each evening, Monday through Friday,
CoLViG sales staffwoman Jane Morrison
broadcasts over station WWVA a five-min-
ute interlude bright with strictly local gossip
and events. On one program each week, she
interviews a visiting notable or a localite di-
recting an outstanding activity.
Monday thru Friday,
( CBS Commentator ) .
AIR FAX: Broadcast Schedule:
6:15-6:20 P.M.
Preceded By: Edwin C. Hill
Followed By: Top Tunes.
Sponsor: Colvig's Ladies Specialty Shop.
Station: WWVA, Wheeling, W. Va.
Power: 50,000 watts.
Population: 73,974.
COMMENT: Sterling example of the effec-
tiveness of consistency in radio advertising
is The Radio Gossiper. Sponsor found a pro-
gram pleasing to his listeners, was content to
let it do its job, gathering friends slowly but
surely through the years.
Automobiles
MILEAGE ROUNDUP For more than a
twelvemonth, sponsor Boyd Auto Sales has
junked stock studio commercials, instead has
sold used cars over the air in a straight-
forward manner right from the used car lot.
Proof of effectiveness : Sponsor has a com-
plete turnover of his used car stock every 30
days!
Each broadcast, four outstanding used cars
are selected. WKBZ announcer quizzes the
used car salesmanager and one of the car
salesmen about the cars. No garbled accounts,
or sugar-coated sales talks ensue. Both men
concede flaws, at the same time trumpet the
good points. Actual mileage is given. If the
upholstery is worn in places, they say so.
They try the motor, so that listeners may
hear its smooth hum, open and close the
doors, turn on the radio, try the trunk.
Interviews with motorists who have pur-
chased R AND G used cars alternate every
other program with WKBZ staff artists
Rusty and his Dude Ranch Cowhands. To
interviewed purchasers go 10 gallons of gaso-
line.
AIR FAX: Planned copy is sparse. The opening and
closing, car facts, and questions for interviews are
typed on cards for the announcer.
Broadcast Schedule: M-Th-F, 5:45-6:00 P.M.
Preceded By: Detroit Tigers Baseball Game.
Sponsor: Boyd Auto Sales.
Station: WKBZ, Muskegon, Mich.
Power: 250 watts.
Population: 64,367.
COMMENT: Program of this nature will
necessarily have a limited audience — it will
probably be composed solely of potential used
car buyers!
Finance
SPELLING BEE Tantamount to a tradition
is the 11 -year-old Spelling Bee on Fort
Wayne (Ind.) station WGL. Sponsor for
the past four years is the Fort Wayne
Morris Plan, who stresses its services on
the show.
Like robins or leaf buds, one of spring's
first hints for Fort Wayne Morris Plan
officials is school kids' asking about the start-
ing date of the Spelling Bee. Seeking the
honor awards — medals, certificates, and small
cash — come representative youngsters from
the fifth through eighth grades of practically
every school, public and parochial, in Fort
Wayne and Allen County. Cooperation from
school officials is wholehearted. An impres-
sive plaque is awarded to the school which
the winner represents, there to hang proudly
until the next annual tournament.
R. Nelson Snider, principal of South Side
High School, pronounces the words, eases
excited word-bogglers.
Apropos promotion: Customary means of
opening the program is ringing of a school
bell. This year, pre-program contest consisted
of finding the oldest school bell in Allen
County. Response was excellent, provided
186
RADIO SHOWMANSHIP
sponsor with enough bells for the entire
series.
AIR FAX: Tentative Broadcast Term: March 5 to
May 10.
Broadcast Schedule: Wednesday, Saturday, 7:15-8:00
P.M.
Sponsor: Fort Wayne Morris Plan.
Station: WGL, Fort Wayne, Ind.
Power: 250 watts.
Population : 1 1 7,246.
COMMENT: From the commercial point of
view, a sponsor can find no more vulnerable
way to reach the heart of a father or mother
than through his children. And, of course,
"the heart controls the purse strings."
Finance
SAGA OF SAVANNAH Uncovered from
the musty, municipal archives, aired on sta-
tion WSAV, was the deftly written drama of
early Savannah. Projected as an institutional
promotion by Savannah's Liberty National
Bank & Trust Co., Saga of Savannah was
presented in a cycle of three half-hour pro-
grams.
After myriad telephone calls, personal fav-
orable mentions, bank officials ranked it tops
in its list of previous institutional advertising.
Liberty Magazine wrote of Saga of Savannah
— "One of the outstanding examples of pub-
lic service broadcasts of local origination in
the United States."
Program interest was energized by letters
to principals of all public schools and colleges,
historical societies, and civic groups. In ad-
vance of the first broadcast, announcements
were made in all schools. On the screens of
all Savannah theaters were run sound trail-
ers one week prior to prograhi's start. In-
tensive station plugs filled the air throughout
the day of the program. Spotlight ads in
newspapers corralled more listeners. Copies
of scripts were made available to faculties of
schools and colleges.
AIR FAX: Illustrious Georgian ghosts were enacted by
members of the faculty of Armstrong Junior College
Playhouse, other local dramatic talent. Production
employed music, sound, narration, cast of 15.
First Broadcast: May 15, 1940.
Broadcast Schedule: Wednesday, 8:30-9:00 P.M.
Sponsor: Liberty National Bank 8C Trust Co.
Station: WSAV, Savannah, Ga.
Power: 250 watts.
Population: 130,000.
SAMPLE SCRIPT AVAILABLE.
COMMENT: To the average community, a
program of this scope is more than a mere
half hour entertainment. It's actually a civic
event!
Public Utilities
EVENING CONCERT Seven nights a week,
since September of '39, the Pacific Gas &
Electric Co. has sponsored impressive, two-
hour-long Evening Concert.
Feasibility of such an ambitious program
becomes more apparent when the facts are
known. Neither the sponsor nor the radio
station spends one cent for talent cost. The
program is entirely transcribed, with records
generously supplied by mammoth San Fran-
cisco music house Sherman, Clay & Co., in
exchange for one mention at the beginning
and close of each broadcast.
Although primarily using institutional copy
to promote good will, PG & E frequently
directs attention to its products — electric
light bulbs, lamps, heaters, etc.
Recognized radio surveys continue to find
Evening Concert surpassing veteran network
programs in percentage of popularity.
Mail response parallels the survey's find-
ings. PG & E each month prints a booklet
listing the Evening Concert programs for an
entire month in advance, to be distributed
free of charge to all who call or write to
sponsor's various offices or electrical appli-
ance stores in Northern California. Just 12
days after the first public offer, the supply of
advance programs, 12,000 copies, was com-
pletely exhausted.
Celebrating its first air anniversary Sep-
tember last, PG & E announced that pro-
grams for the entire month would be com-
posed of listener requests. Response netted
enough requests to form programs until Jan-
uary.
In a nationwide contest among public util-
ities companies using radio, the PG & E
carried away first prize in the Radio Divis-
ion of the Public Utilities Advertising Asso-
ciation. Said judges: "From all evidence, they
chose a method and a program and then bent
every angle toward unifying the idea, and
they seem to have succeeded. The regular
program that PG & E has built up for those
listeners who prefer and who are being edu-
cated to prefer the more permanent artistic
qualities, is a credit to the Pacific Gas &
Electric Co."
AIR FAX: Evening Concert features the world's finest
music, presented by outstanding music artists.
First Broadcast: September, 1939.
Broadcast Schedule: Daily, 8:00-10:00 P.M.
Preceded By: News.
Followed By: Fights.
Competition: Ben Cutler's Orchestra (NBC) ; Pull
Over Neighbor.
Sponsor: Pacific Gas 8C Electric Co.
Station: KYA, San Francisco, Calif.
Power: 5,000 watts.
Population: 629,553 (1940).
JUNE, 194 1
187
Agency: McCann-Erickson, Inc., San Francisco, Calif.
COMMENT: Expense has always been the
big prohibitive factor barring good music
from the public. One sponsor found a way
around the difficulty!
Groceries
SHOPPERS' JACKPOT When Shoppers'
Jackpot started February last, all six of its
participating sponsors had excellent distribu-
tion in the Glenside, Pa. area with the excep-
tion of one — D. Mann Apple Juice.
Then began the vicious circle: Listeners
rang radio station telephones, demanding
where the product could be purchased. In
turn, station and retailers rang distributors'
telephones. Two months after the first broad-
cast, D. Mann Apple Juice had excellent
distribution not only among independent
stores but in the chains as well.
AIR FAX: Each of the six products has its "Its Day"
once a week, when it dominates the program. Every
day, emcee Doug Arthur dials a telephone number,
chosen at random. If the call is completed on
Product A Day, the person called must furnish proof
that she has the product in the house. Genial Doug
Arthur quizzes her on its shape, color, the manu-
facturer's name, other features readily identifying the
package. If person called can prove possession, she
receives the cash award, whether it's five dollars or
a sizeable amount grown through daily pyramiding
of the awards.
Even if the callee loses, she wins! Unable to prove
possession of the product, she is nonetheless award-
ed one dollar.
Each product's day is announced two days in ad-
vance to enable listeners to acquaint themselves
with the packages at their grocers'.
Regardless of whether it's that product's "Day,"
each account is mentioned in the opening and clos-
ing announcement, as well as in a daily announce-
ment of some 125 words.
Promotion: Program is advertised at least once week-
ly in a major Philadelphia daily newspaper plus
frequent plugs in local weekly newspapers.
First Broadcast: February 3, 1941.
Broadcast Schedule: Monday thru Saturday, 3:00-
3:30 P.M.
Preceded By: Chats and Choruses.
Followed By: Doug Arthur's Danceland.
Competition: Orphans of Divorce (NBC Dramatic
Serial ) ; Baseball Games.
Sponsors: D. Mann Apple Juice, Creamettes Maca-
roni, Knox Gelatines, Laundry Gems (soap), Bisc-
O-Bits (crackers), Turkey Brand Syrup.
Station: WIBG, Glenside, Pa.
Power: 1,000 watts.
Population: Suburb of Philadelphia — 1,935,086
(1940).
COMMENT: Sponsors find that as the jack-
pot grows, so rises the barometer of listener
interest. Therefore, if sponsors see no results
at first, they have the consolation that in time
as the jackpot grows, the returns will be
more than compensatory.
JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest-
ed in the news, reviews, and tips in this column.
St. Louis statistics: February last, general
automobile retail sales parachuted 31%;
Dodge dealers retail sales soared 58% !
Behind the 27% difference in these figures
lies the showmanstory of a spot campaign
conducted exclusively on station WIL. Feb-
ruary 3, ten Dodge dealers of Greater St.
Louis instituted a cooperative campaign.
Schedule called for 30 electrically transcribed
spot announcements per day on week days
and 18 on Sundays. Here's what they plug-
ged: A daily contest for the best letter, "I
Like the New 1941 Dodge, Because . . ."
Dodge dealers paid off $5.00 bills daily for
the five best letters. No entry blanks were
used, but participants were asked to visit
their neighborhood Dodge dealers, see the
new 1941 Dodge before writing their letters.
Unanimous was the report of the 10 par-
ticipating dealers. Showroom traffic was un-
precedented— sometimes as many as 30 or
35 people milling a single sales floor at one
time.
Climaxing the letter campaign was the
Dodge Dealers of Greater St. Louis Jam-
boree, a combination stage show, movie, audi-
ence participation contest, culminating in a
quiz broadcast over WIL, giving away as
grand prize a brand new 1941 Dodge Lux-
ury Liner.
Jamboree tickets, available only at the
showrooms of these 10 Dodge dealers, de-
coyed such masses that dealers formed lines
to avoid a general fracas.
Big night of the Jamboree drew 4,299 peo-
ple to the Opera House of the St. Louis
Municipal Auditorium, the largest number
ever to attend a Jamboree. Quiz emcee Ken
Bennett conducted an audience participation
contest utilizing four roving microphones.
Some 25 to 30 members of the audience went
home with their pockets jingling silver dol-
lars totalling $100.
Most important question of the evening
was fired to the audience at large from the
188
RADIO SHOWMANSHIP
stage: "How many Dodge Motor Cars have
been produced for domestic use since the first
Dodge was manufactured in 1914 up until
the close of business at the Detroit factory on
Wednesday evening, March 5th?"
Five members of the audience who guessed
the closest numbers plus the five (out of
115) best letter writers then competed in a
WIL-aired stage quiz, vied for the grand
prize, the 1941 Dodge Luxury Liner.
; SECOND RETURNS
Radio Showmanship's survey to deter-
mine the best length for spot announcements
is swinging into full stride. It's a qualitative
analysis, telling which percentage of the very
best announcement campaigns on each station
are 20 words, which are 50 words, etc. Im-
portant fact: Second Returns show that ^ne-
minute spot announcements are not as domi-
nant as first indicated.
A.
B.
C.
D.
o
o
0
GENERAL APPEAL
20 word announcements \2.^/o
50 word announcements SS ^/o
100-125 word announcements 45%
150 word participating spot 8%
C.
D.
Total
100%
ANNOUNCEMENTS
Directed to Women Only
•0
20 word announcements
16%
0
50 word announcements
25%
•0
100-125 word announcements
51%
•0
150 word participating spot
8%
Total
100%
ANNOUNCEMENTS
Directed to Men Only
•0
20 word announcements
8%
•0
50 word announcements
34%
.0
100-125 word announcements
51%
'CD
150 word participating spot
7%
Total 100%
New York's Popular
HOTEL
LINCOLN
44th TO 45th STS. AT 8th AVE.
1400 ROOMS
from
»3
Each with Bath, Servidor,
and Radio. Four fine res-
taurants acclaimed for
cuisine.
MARIA KRAMER
PRESIDENT
John L. Morgan
Gen. Mgr.
HOTEL EDISON
Same Ownership
IN THE CENTER OF
MID-TOWN NEW YORK
JUNE, 194 1
189
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally-sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, MAY, 1941
TREND OF QUIZ SHOWS
Type
Rating
Last
Month
Change
MUSIC
32%
32%
NEWS
21%
22%
-1%
QUIZ
11%
10%
+ 1%
INTERVIEWS
9%
9%
TALKS
8%
8%
SPORTS
7%
7%
DRAMA
6%
6%
COMEDY
6%
6%
GROUPS Men Women Children
Music 28% 36% 34%
News 27% 20% 10%
Talks 5% 11% 4%
Interviews... 7% 9% 11%
Quiz 11% 11% 11%
Sports 13% 3% 5%
Drama 4% 4% 16%
Comedy 5% 6% 9%
STABILIZATION?
Important news in the trend of program
patterns this month is the almost total lack of
change. May shifts in ratings are the small-
est since last October. The trend of music
programs, which has been downward since
January, stopped dropping. News stopped
rising.
Does this indicate that the disturbing fac-
tors which might have caused the shifts (for
example: Europe's war of nations and Ameri-
ca's war of music) have ceased disturbing
the trend? It's too early to answer that ques-
tion. Trends of program patterns move slow-
ly. Let's watch and wait.
LAST 5 MONTHS — 1940
11%
10% 9^^ 9% 10%
AUG. SEPT. OCT. NOV. DEC.
GRAPH A
GRAPH B
FIRST 5 MONTHS — 1941
10% iii 10% "^« 11^^
JAN. FEB. MAR. APR. MAY
A comparison of these two graphs indicates
a slight advance in recent months in the popu-
larity of quiz shows. But that's only part of
the story.
The most interesting part is the almost
straight, steady rise that has been recorded
for quiz programs appealing to children.
Many times the trend of local radio pro-
grams is influenced to a great degree by na-
tional network programs. Here is one case
where that is true. Since Alka-Seltzer's
Quiz Kids have become a regular Wednes-
day night guest in U. S. homes, localized
versions of the show have sprung up in many
radio-station towns. That they are successful
is shown by our survey, for Trends reports
only outstanding local programs that have
been on the air at least three consecutive
months.
QUIZ SHOWS
(Children)
9% iS2^
III
11% 11%
JAN. FEB. MAR.
APR. MAY
GRAPH C
190
RADIO SHOWMANSH IP
NEXT MONTH
uLilt^ /\. itlZlj/lrry General Manager of A. G. Pollard Co., Lowell, Mass.,
shows how a 105-year-old department store progresses. 'Most recent innovation is the in-
stallation of a broadcasting studio right in the store!
FHEDUEIVCY MDDULATIDIV. what is it? is it practical? How does it affect the
local time buyer? Fred Dodge, of the radio department of Ward Wheelock Advertising
Agency, Philadelphia, Pa., brings the cold, concise facts to the pages of Radio Showman-
ship.
AD MANAGER GEORGE A. STEINER of Browx Thomson s Department
Store, Hartford, Conn., outlines a radio schedule that includes an 85-week-old Kiddie
Revue, a brand new Musical Quiz, etc. Their programs boost every department from the
Luncheonette to Home Furnishings!
i-'f'
INTH COPY OF
HOWMANSI
iescriptions of 27 radio pn
mess fields. One of these progrs
lyour business. The Editors of Rad«
Review welcome and will promptly anj
icnjoy and profit from this issue.
\mmg, and]
int types
prove ada]
& Mer(
mdence.
• •••1
• •••J
owmanSi
'LY 1941 ^^^^^^^iPiri^^rZSi:
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Auto Supplies * Beverages * Dairy Products * Department
Stores * Fiuance * Gasoline * Groceries * Home
Furnishings * Jewelry * Laundries * Men's Wear ^ Real Estate
MARAZT
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
JULY
Business PAGE
Auto Supplies 222
Beverages 222
Dairy Products 214, 223
Department Stores 202, 221
Finance 212, 221
Gasoline 199, 212
Business PAGE
Groceries 216, 220
Home Furnishings 217
Jewelry 217, 218, 220
Laundries 206
Men's Wear 215
Real Estate 219
JUNE
Business PAGE
Automobiles 186, 188
Barber Shops 177
Beverages 176
Building Materials 166, 182
Cemeteries 184
Department Stores 178, 180, 181, 189
Drug Products 184
Finance 186, 187
Gasoline 170, 182
Groceries 163, 180, 188
Business PAGE
Home Furnishings 181
Meat Products 179
Men's Wear 178, 183, 184
Public Utilities 178, 187
Scrap Metals 183
Shoe Repairs 185
Show Cases 174
Sporting Goods 177
Taxicabs 168
Women's Wear 186
// you don't have the June issue on file, order newl
CONTENTS
JULY 1941
VOL. 2 NO. 6
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
William Dolph
Washingto7i
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
J. Harold Ryan
Toledo
Business
Lorenzo Richards"
Ogden, Utah
GusTAv Flexner
Louisville
J. Hudson Huffard
Bluefield, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalaniasoo, Mich.
Allen C. Knowles
Cleveland
Editor and Publisher: Don Paul
Xathanson and S. H. Kaufman. As-
sociate Editors: Norman V. Carlisle,
Harold Kahm, Paul Hellman. Re-
search Director: G. M. Osman. Busi-
ness Manager: Norman Lunde.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Editorial 198
Gasoline Sales Thru the Air 199
Francis H. Casey
Sports broadcasts build good will and
sell gasoline, according to the advertis-
ing manager of Wadhams, who begin
their thirteenth consecutive season of
sponsoring football reports this fall via
WTMJ in Milwaukee.
Variety Is the Spice of Sales 202
George J. Steiner
The advertising director of Brown-
Thomson, Hartford, Conn, department
store, reports that programs with spe-
cific appeal have greater pulling power.
And the Ladies Love It!
AI J. Salzer
206
The president of Cleveland's West
End Laundry describes an unusual
program that packs his plant with in-
terested customers.
What Is This FM Business?
Fred Dodge
209
Some interesting facts about frequency
modulation, the much-discussed new
method of broadcasting.
(Continued on next page)
JULY, 1 941
195
Chorus of Sales 212
AI J. Hcrr
A letter from an account executive of
the Barnes advertising agency concern-
ing a program sponsored by the Pate
Oil Co. of Milwaukee.
Four Scores in a Row 213
Gordon Schonfarber
A summary of four highly productive
bank promotions by the president of
Lanpher & Schonfarber, Inc., Provi-
dence, R. I., advertising agency.
Airing the New 214
All the available data on new radio
programs. No result figures, as yet, but
worth reading about !
Special Promotion 216
Short radio promotions that run but a
day, a week, or a month yet leave an
impression that lasts the year around.
Showmanship in Action 217
A collection of those extra promotions
and merchandising ideas that
program out of the ordinary.
lift
What the Program Did for Me 219
This is the businessman's own depart-
ment. Here, the radio advertisers of
the nation exchange results and re-
actions of radio programs for their
mutual benefit.
Showmanscoops 220
Photographic review of merchandising
stunts, and the personalities behind
them.
Proof O' the Pudding 222
Results from radio programs, based on
sales, mails, surveys, long runs and the
growth of the business itself.
Trends 224
A rating, of program patterns based on
a special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
Furniture
Retailers!
Here's a thoroughly tested
transcribed radio series
ready for your Fall sales
campaign. It is now selling
more furniture for some of
the country's leading home
furnishings and furniture
stores. It's a complete pack-
age, consisting of a new
and splendid radio series
plus an intelligent mer-
chandising campaign that
will sell furniture for YOU
— at an amazingly low
radio of advertising ex-
penditure!
Audition Samples and
Complete Manual —
will be shipped at
$5,00 Deposit.
Produced and Distributed Exclusively by
KASPER-GORDON Incorporated
140 BOYLSTON STREET
BOSTON
MASSACHUSETTS
One of the Country's Leading Proc/ram Producers and Distributors of Tested Syndicated
Transcribed Radio Shozvs
196
RADIO SHOWMANSH IP
Your Store and Your Radio Audience will be...
"GETTING THE MOST OUT OF LIFE TODAY"
with DR. WILLIAM L. STIDGER
. . . the program that makes thousands of friends!
Here's a tailor-made series that finds a
ready-made audience, wherever it goes on
the air! To a world bewildered by events,
conditions and attitudes unparalleled in
history — a world eagerly seeking a common-
sense answer — the sane, clear, forceful voice
of Dr. William L. Stidger presents his
friendly, helpful philosophy. He speaks to
folks everywhere of their problems, their
lives. No wonder "Getting the Most Out of
Life Today" is piling up sensational listener
loyalty!
That's showmanship — showmanship
easily transformed into salesmanship for
virtually any type of product. For Dr.
Stidger knows how to keep his audiences
noddinghin agreement . . . the best possible
build-up for your commercial!
Each program in this NBC Recorded
Series lasts 5 minutes, including Dr. Stidger's
talk, organ theme and maximum allowance
for commercials. In many instances, special
music and scripts are available to adver-
tisers who wish to present Dr. Stidger as
a 15-minute feature.
And, best of all, the 39 programs of the
series — arranged for presentation 3 times
weekly for 13 weeks — cost very little indeed.
Even the advertiser with a limited budget
can easily afford this high-calibre series,
perfectly recorded NBC Orth.a.coustic. *
Put Dr. William L. Stidger to work for
you — investigate today, before another ad-
vertiser in your market does!
•Reg. Trademark. NBC Orthacoastic gives live-
sound quality to transcribed shows.
ASK YOUR LOCAL STATION FOR AN AUDITION
. . . or write direct.
diO'Recording Division
NATIONAL BROADCASTING COMPANY
A Radio Corporation of America Service
RCA BIdg., Radio City, New York • Merchandise Mart, Chicago
Trans-Lux BIdg., Washington, D. C. • Sunset and Vine, Hollywood
EDITORIAL
MAN came into our town not so long ago with a
'A % big radio program idea. He managed to get one of
the local stations interested. Then, with the
station's permission, he went out and sold his
program to 20 or 30 local businessmen. (The exact number
isn't important, it was much too much!)
He placed all of these accounts on the single program,
using about eight different commercials for eight different
sponsors wuthin a 15-minute period.
It w^as mass murder ! Twenty or 30 perfectly healthy radio
accounts slaughtered by just one program idea!
We sometimes wonder what the outcome will be when any
one of these businessmen is asked again to buy radio time.
Will he blame radio itself? Certainly, radio should not be
discarded completely just because it happened to be misused
once.
The blame lies partly with the radio station, mostly with
the businessman himself. He had spent his own valuable
dollars on something which he did not take the trouble to
understand.
Radio isn't difficult to buy nor difficult to use profitably.
Just follow the program ideas and promotions of other busi-
nessmen in your field. Let their experience be your guide.
Why not try it the next time you buy radio ?
198 RADIO SHOWMANSHIP
asoline Sales Thru The Air
By Francis H. Casey. Advertising Manager of Wadhams Who
Begin Their Thirteenth Consecutive Season of Sponsoring
Foothall Broadcasts This Fall via WTMJ in Milwaukee. Wis.
When the mighty Green Bay Packers,
frequent champions and perennial title con-
tenders in the National Professional Foot-
ball League, line up to battle the New
York Giants in an exhibition game on Au-
gust 23, uncounted thousands of radio lis-
teners will hear something like this:
"It's football time again! And again you 'get
there with WADHAMS'! Yes, this afternoon we
ring up the curtain on WADHAMS' thirteenth
consecutive season of football broadcasting ... as
the Green Bay Packers and the New York Giants
tangle on the gridiron. Russ Winnie is all set to
describe this encounter for you, play-by-play, di-
rect from our broadcasting booth high up on the
fifty-yard line. So we take you now to the scene
of action ... as a radio guest of your nearby
WADHAMS dealer or station. Here we go! Okay,
Russ Winnie!"
With some such introduction, Russ Win-
nie of WTMJ, Milwaukee, one of Ameri-
ca's top-flight sports announcers, will again
go on the air for Wadhams this fall, re-
porting all Green Bay Packer and Univer-
sity of Wisconsin gridiron battles on behalf
of the 2,700 Mobilgas and Mobiloil
dealers throughout Wisconsin, Upper
Michigan, and parts of Iowa and Minne-
sota.
In addition, all Marquette University
football games will be aired by Wadhams
over Milwaukee's CBS outlet, WISN. The
Francis H. Casey, of the WADHAMS DIVI-
SION SOCONY-VACUUM OIL CO. signs a
contract for WADHAMS' 13 th consecutive
year of sports broadcasting over WTMJ. Look-
ing over his shoulder, at left, is WTMJ sales
manager W. F. Dittmann; at right, is ace sports-
caster Russ Winnie, who has handled WAD-
HAMS' broadcasts since their start.
collegiate phase of our 1941 football broad-
casting service will get under way with the
traditional Marquette-Wisconsin battle at
Madison, September 14.
With WTMJ as key outlet, most Pack-
er and Badger games will also be broadcast
over a special statewide hook-up comprising
stations such as WIBA, Madison ; WKBH,
La Crosse, and probably four to eight
others, as yet undetermined.
Wadhams' thirteenth consecutive season
of football "on the air" will continue an
outstanding record of public service pio-
neered by this leading petroleum products
sponsor 'way back in 1929.
Why do we continue this ambitious
broadcasting schedule? How do we tie in
with publicity, merchandising and special
promotions? What results do we get?
JULY, 1941
199
What do our dealers think of this radio
support? How do we handle commercials?
Without going into minute detail, the
following paragraphs present high-spot an-
swers to these and other pertinent ques-
tions.
1. We keep on keeping on year after
year because we believe in the basic value
of truly consistent advertising. And we
keep on with football broadcasts particular-
ly, because every gridiron season is a new
adventure, a new "show" with an all-star
talent and unmatched appeal to a big, re-
sponsive audience of alert, able-to-buy sport
fans — prime prospects for our products and
our services.
2. We tie in to our football broadcasts
with seasonal publicity releases, timely
newspaper ads, service station display signs,
schedule giveaways and other incidentals.
But frankly, play-by-play broadcasting of
big-time football is such a "natural" that
we make little effort to concoct special pro-
motions, stunts, or merchandising tricks.
Straightaway plugging seems to do a sound,
effective job for us.
3. What results do we getf Because of
the scope and broad coverage of Wad-
hams' and Socony-Vacuum's advertising,
not only on the air, but in national maga-
zines, in newspapers, on 24-sheet posters
and highway bulletins, plus dealer-spon-
sored direct mail and continuous point-of-
sale merchandising, we don't attempt to
trace sales results to radio alone. But we
can say this: Accurate, on-the-spot sport
broadcasting is a genuine public service to
thousands of radio listeners, and we are
convinced of its unique power as a potent
good will builder. We know that our
broadcasts do more than plug our products.
They win loyal friends who make it a
point to "get there with Wadhams," with
MoBiLGAS and Mobiloil "on the road" as
well as "on the air!"
4. M^hat do our dealers think? Do they
like this type of good will promotion ? Here
the answer is an emphatic "yes." At season-
al dealer meetings and through our sales-
men, the men who actually "pump the gas"
repeatedly re-affirm their faith in, and their
continuing desire for, our persistent pro-
gram of sports broadcasting. (And even the
general public, usually considered stubborn-
ly apathetic, has "taken up arms" upon oc-
casion when station schedule conflicts or
special emergencies have made it impos-
sible for Wadhams to air some popular
sport event.) So to quote an old bromide:
"Where there's smoke, there must be fire."
5. How do we handle commercialsf This
question, one which plagues many a radio
Typical WADHAMS SERVICE STATION, featuring
MOBILGAS and MOBILOIL at the familiar sign of
the Flying Red Horse. More than 2,700 similar dealers
and stations in Wisconsin, Upper Michigan and parts
Mobilga
200
RADIO SHOWMANSHIP
advertiser, can be answered in two simple
sentences: a) We keep our commercials as
brief, factual, and interesting as possible,
b) We never permit commercial announce-
ments to break into or otherwise interfere
with the actual play-by-play description of
the games we sponsor.
For example, our main commercial
breaks during a football broadcast occur
of Iowa and Minnesota cash in on WADHAMS' con-
sistent sponsorship of big-time football broadcasts and
other sport reports.
between halves and between quarters, with
an occasional brief announcement during
a time-out period. Rarely does a Wadhams
commercial read longer than one minute.
While we are on the air from two to two
and a half hours for the average football
game, our total commercial time during
that period averages from about eight to
10 minutes. Maybe this is leaning over
backward, but we have a pretty strong
hunch that our listeners approve.
In this connection, we try never to insult
the intelligence of our audience. Similarly,
we try never to wear the listener down
with too much repetition of one type of
announcement or one set of catch phrases.
Frequently, our commercials avoid direct,
hard-hitting, selling talk entirely. Instead,
we often use announcements for the sole
purpose of thanking our many sport-fan
customers for their loyalty. Just as they ex-
press their appreciation by buying Mobil-
gas and IVIoiBiLOiL at the sign of the Fly-
ing Red Horse, we, in turn, express our
appreciation for their friendship and pat-
ronage. It may not be far wrong to say
that this spirit of mutuality is the real es-
sence of our w^hole sport broadcasting phi-
losophy.
I believe sport broadcasting ranks right
at the top of the list in terms of effective
radio showmanship and effective public re-
lations through tangible public service. All
of which adds up to a worth-while advertis-
ing investment.
air FAX: By way of statistical summary, here are a
few quick facts and figures which may help to give
a more vivid picture of WADHAMS' radio activity
and the long-continued persistence of our broadcast-
ing efforts:
a. As already stated, this fall (1941) will mark
WADHAMS' thirteenth consecutive season of foot-
ball broadcasting.
b. Since 1929, we have sponsored 325 play-by-play
reports of Green Bay Packer, University of Wiscon-
sin, and Marquette University football games.
c. Counting baseball, basketball, golf, boxing and
regular weekday sport news programs, as well as
football, our total number of sport broadcasts now
exceeds 8,400.
d. These broadcasts account for a staggering total of
more than 5,700 hours on the air, equivalent to 237
days of broadcasting, nearly 8 solid months, 24
hours a day!
e. It is conservatively estimated that sports announc-
ers have spoken approximately 67,900,000 words in
the course of WADHAMS-sponsored broadcasts.
That's enough wordage for 800 average full-length
novels, equal to a hundred-foot shelf of books!
f. Our commercials alone have accounted for a total
of some 2,400,000 words. But even so, this com-
mercial wordage amounts to only 3 V2 per cent of
the total words broadcast. Translated into time, this
is equivalent only to one minute in 14.
JULY, 1941
201
W^ariety
Is the Spice of Sales
A Report on a Most Unusual Department Store Broadcast Schedule
Plus a Result Analysis That Proves This Point: Programs with
Specific Appeal Have Greater Pulling Power Than General Shows
Should department stores use radio? Let
our schedule be your answer!
For the past 100 weeks, our Kiddies
Revue has been aired every Saturday morn-
ing. Recently, we renew^ed it with WNBC
(Hartford) for another 52 weeks. Every
morning we sponsor a news program ; three
times weekly, an afternoon organ program.
A comparative newcomer is our three-
month-old, but already popular. Musical
Grab Bag.
Numerous spot announcements round out
our radio schedule. In our recent 75th year
anniversary promotion, one of our impor-
tant publicity features was the purchase of
all the spots available on all four local sta-
tions for a two-week period! That's one
department store's use of radio — and how!
That's not all! Sometime ago, we decid-
ed that since radio results were so satisfac-
tory, the smart thing to do would be to
install our own studio right in the store!
In the basement of Brown-Thomson's,
we constructed a little theater to accommo-
date both program performers and audience.
We felt a visual audience contributed to-
ward making our broadcasts more successful.
Radio studio quality w^as simulated by drap-
ing and carpeting the walls and floor of a
recess stage. In this way, the entire action
of the performers takes place at the eye
level of the seated audience. Piano, voices,
and instruments are blended by the WNBC
operator, always on hand, and studio ap-
plause is picked up by the microphones.
This device makes for an interesting, fast-
moving program for both air and store
audiences. We are the only department
store in Hartford with a radio studio in
constant use.
Brown-Thomson's is one of Hartford's
largest department stores, located in the
heart of the shopping district. Each depart-
ment shares in the radio publicity, from the
luncheonette, ready-to-wear and furniture,
down to the most minor service depart-
ments.
I would like to add here (and this is no
"minor service") our telephone shopping
service, which has grown to be quite a busi-
ness in itself, receives a fair share of radio
publicity. We find radio and telephone
shopping particularly good partners on
rainy or stormy days when Mrs. Customer
would rather stay home than shop. Women
in Connecticut have a great deal of confi-
dence in our telephone shoppers. It is not
unusual for a customer to call asking a
shopper to select a wedding present for her.
We have even sold a fur coat in this man-
ner. This fur coat purchase was the direct
result of a spot in our morning news. Hear-
ing what an unusual value was being of-
fered in a Persian Lamb Coat at $285, the
customer phoned us and asked to have one
When BROWN-THOMSON'S lOO-week-
old Kiddie Revue goes on the air over sta-
tion WNBC each Saturday morning, capac-
ity audiences jam the store studio. At ex-
treme left, Morris Sechtman, who has in-
dexed hundreds of names, qualities of juve-
nile performers. Seated next him, Ed Begley,
comfortable, competent emcee for Kiddie
Revue and Musical Grab Bag.
202
RADIO SHOWMANSH IP
By George J. Stiener,
Advertising Manager, Brown-Thomson Department Store, Hartford, Conn.
JULY, 1 941
203
ll
sent out on approval. Our fur department
manager was rather skeptical, but when
this customer kept the coat, he changed his
mind about radio. During our recent fur
storage drive, radio was used daily for a
period of five weeks, and our fur storage is
27 per cent ahead of last year.
Our most successful program, from the
standpoint of store traffic and publicity is
the half -hour-long Kiddies Revue. Inas-
much as Brown-Thomson's uses the Kid-
dies Revue as an institutional vehicle, we
have in no way tried to check actual results
in sales. We're satisfied with the publicity
value and good will that is being built up
with the air audiences, parents, relatives,
and friends of the child performers. On
this program, we use very little advertising
matter. The programs open and close with
a musical commercial mentioning Brown-
Thomson's, and only one announcement
of lOQ or 150 words is used in the middle
of each program. Following is the opening
Garbed in battered silk hat, shiny black coat, and a
grab bag round his neck, emcee Ed Begley roves
through the BROWN-THOMSON studio audience
during Musical Grab Bag, invites members to grab
titles of musical numbers out of his bag oni the chance
of winning a free luncheon and theater ticket.
musical announcement, sung to the tune of
So You're the One by a score of young,
lusty voices:
Hello, Hello, Well, how do you do
Hello, Hello, From the Kiddies Revue
We gathered here to greet you, Brown-
Thomson's now on the air
Each Saturday at half past ten, you will
find us always here.
Greatest difficulty with the Kiddies
Revue is controlling the size of the visual
audience. Chairs to accommodate a few
hundred people have been found inadequate,
and more are to be added. The Kiddies
Revue is under the direction of Morris
Sechtman, who has indexed hundreds of
names, addresses, types, and qualities of
juvenile performers. He has never had dif-
ficulty in obtaining talent for each broad-
cast. We usually feature from eight to 12
kiddies on each program. Singers predomi-
nate, with novelties, such as dancers and
instrumentalists, interspersed about once
every five weeks.
Auditions are held Saturdays after each
program; rehearsals before each program.
Naturally, while we desire the best avail-
able talent, neither we nor station WNBC
care to rouse parental ire by setting up too
high a standard.
204
RADIO SHOWM ANSH I P
Important to Brown-Thomson's Kid-
dies Revue is the announcer, Ed Begley,
known to hundreds of Hartford kids as
"Uncle Ed." Mature in age as well as
voice, "Uncle Ed" has the rare knack of
making the performers feel at home in front
of the microphone.
Newspapers, direct mail, and interior
store displays are all used to keep our Kid-
dies Revue constantly in the public eye.
Our fledgeling program. Musical Grab
Bag, just three months on the air, promises
to give the Kiddies Revue a run for its
money for top local popularity. "This pro-
gram is a lot of fun," was the simple, but
summarizing statement of a little old lady
as she left our studio last week.
And she's right! Every Tuesday, Thurs-
day, and Saturday, at broadcast time, Ed
Begley garbs himself in a battered silk hat,
a shiny black coat, and a grab bag round
his neck. For the benefit of both his air
and studio audience, he calls into play all
the gags and tricks of his old vaudeville
days.
Feature of the program is a song-guess-
ing contest, produced w^ith the aid of Mor-
ris Sechtman at the piano. Members of the
studio audience grab musical numbers out
of Begley 's bag which correspond with
numbers at the piano. After the song is
concluded, the participant is asked to iden-
tify the title. If the correct answer is given,
he gets a free luncheon at the Brown-
Thomson Luncheonette plus a pass
to the State Theater. If an incorrect an-
swer is given, or none at all, participant
contents himself with the theater pass.
Everybody wins! When an incorrect an-
swer is given, the general audience is in-
vited to give the answer — an invitation
that's accepted w^th enthusiasm.
Even our news program takes on a spark
of individuality because it is broadcast from
the store. We give Hartford 15 minutes of
scoop events every morning at 10 o'clock.
Following is a typical commercial used on
the program:
"Ladies and gentlemen, I feel like the
barker at some circus, with the biggest
news on the runway! And this is news!
Today BROWN-THOMSON'S starts one
of the biggest coat and suit sales they've
had in a year, yes, in years! They frankly
admit they've bought too many spring and
summer coats and suits. The weather was
P**!
>
d
In George J .
Steiner, adver-
tising manager
of Hartford de-
partment store
Brown-Thom-
son's, radio has
a tried friend.
Astute show-
man, Steiner is
among the few
department store
promotion directors who has grasped
the value of using radio broadcasts
from within the store, not only to sell
on the air, but also to create traffic.
Born in Detroit, Mich., 34 years
ago, Steiner struck out early in the
direction of advertising, has seen ex-
perience behind the advertising desks
of Crowley-Miller Co., Detroit; J. C.
Penny Co., New York; Shepard
Stores, Providence; since 1937, Brown-
Thomson's, Hartford.
Steiner is ?narried, has three daugh-
ters, two, six, and eight. His first rec-
reational love in summer is golf; i?i
winter, skiing; when weather keeps
him indoors, entertaining his daughters
or woodworking.
against them, so now the profit is yours!
Why, you can buy a new spring coat or
suit with as much of a saving as 50% !
And you have the pick of the lot, for
the sale started only this morning. It's on
BROWN-THOMSON'S Second Floor,
and the sale prices of the coats and suits
range from ^6.99 to ^24.99, so there are
coats and suits at BROWN-THOMSON'S
to meet any budget! Come in today for the
best selection!"
Words often don't mean a thing, but
contract renewals speak a language all of
their own. We're speaking that language
fluently now and in the future. Yes, we're
sold on radio for department stores because
radio is selling for us.
We've got a big story to tell over the
air. Every department store has. There are
so many products to sell, so many people
to sell to that instead of crowding a hodge-
podge of different items into one single pro-
gram, we use different programs to sell
single ideas. And, it pays!
JULY, 1 941
205
nd the Ladies Love It
By Al J. Salzer of Cleveland's West End Laundry, Who Picked a
Prize Program That Packs His Plant with Interested Customers
This is the time of the year when the laun-
dry business usually takes a nose dive, and
most of us in the industry catch up on our
golf or start preparing for a fall comeback.
Last July, I was consoling myself with
thoughts that the following fall would find
business swinging up again. The more I
thought of it, the more determined I was to
make certain our business would be the big-
gest in the quarter-century history of the
West End Laundry.
My first step was to call in a WHK
salesman, Bill Brusman. On a hot July day,
we sat down, and pooled ideas to create a
radio program that would cinch laundry
customers !
When September rolled around, our
campaign was blueprinted to the finest de-
tail. And it was a campaign to chase the
blues out of the laundry business! We sent
out invitations to various Cleveland wom-
en's organizations inviting them to partici-
pate in a certain broadcast direct from the
laundry! (To skip ahead of the story for
a moment, I might add that we soon elimi-
nated the invitations. We were swamped
with requests from women's organizations
for reservations, and before long were
booked solidly into 1941.)
Our schedule for Meet the Ladies called
for three programs weekly, Tuesday, Wed-
nesday, and Thursday, from 2:15-2:30.
Everything was in readiness for the ap-
pearance of our first guest organization on
the 24th of September. Wayne West, popu-
lar and bulbous WHK and Mutual Net-
work singer, was the emcee and mainstay
of the entire show. About the time the
women were seated comfortably in the
visitor's room of the laundry, we went on
the air. Wayne opened the program with
his theme song and then switched smooth-
ly into the hilarious part of the program,
the quiz.
Wayne doesn't go in for stumper ques-
tions. His approach is a barrage of un-
abashed queries that lead to comic answers.
The quiz makes good entertainment not
upper . . . Jovial, 240-pound Wayne West,
emcee of popular Meet the Ladies program,
proudly poses beside one of WEST END
LAUNDRY'S new delivery trucks.
Lower . . . Wayne West pinch hits for owner
Al J. Salzer in taking a group of women on a
tour through Ohio's largest laundry. Tour is
a regular feature of afternoon the ladies spend
at the plant.
only for those present but also for our
large radio audience. Typical questions are,
"When you were married, did your hus-
band carry you across the threshold into
your new home?" "Do you think a wife
should get up well before her husband in
the morning to prepare a nice, hot break-
fast? Do
you
?" "How manv children are
there in the ideal family?" "What is your
mental picture of the ideal man?"
Somew^here in those jampacked 15 min-
utes, Wayne manages to insert a group
song.
After everyone of our guests has enjoyed
the informal program and gets to feel right
at home, I escort them through the laundry.
The tour lasts for about an hour, for the
West End Laundry is the largest in
Ohio. Words aren't necessary to convince
the women of the advantages of sending
their laundry to us. The efifect of viewing
with their own eyes the orderly and sani-
tary laundry processes, the busy rooms, the
snowy piles, is all and more than any man-
206
RADIO SHOWM ANSH IP
ager could possibly want in the way of a
selling message.
After the tour, we return to the visitor's
room, where we serve light refreshments
(ice cream and cake). The show is by no
means over. Immediately after the program,
a special messenger had been dispatched
from the station with a transcription of the
broadcast. By the time he has arrived at the
laundr}-, the ladies are back from the
tour, have lunched and are ready to
hear the playback of the program
they participated in just an hour
ago. This phase of the routine is
always one of the high lights of'
the afternoon. Few of the wom-
en have ever heard their record-
ed voices, and they get a tre-
mendous thrill out of it.
After the transcription has been played,
Wayne presents it as a gift to the organi-
zation. To top it all off, he presents each
woman with a personal gift of a fine,
leather-bound, five-year diary, complete
with lock and key. Later, on behalf of the
West End Laundry, a check for an
amount equalling 25 cents for each member
of the group who attended the broadcast
is sent the club's treasurer.
After their afternoon, the ladies, having
had a 'Vhale of an afternoon," are brim-
ming over with gratitude. The result:
West End Laundry has had to put on a
night shift, and now operates 13 hours a
day. And here's one for Ripley : There have
been times when even with a double shift,
we have been unable to handle all the
orders! Our business has improved in the
entire metropolitan area. Formerly domi-
nant only in Cleveland's West Side, we are
now* extending our activities greatly on the
East Side, where our routes have shown
increases of approximately 30% for this
period. A usual day in the West End
Laundry means handling of some 2,000
bundles by 240 employees.
As every laundryman in the country well
knows, it's a sure sign of a program's suc-
cess, when a man in the business will keep
his advertising; going full speed throughout
the supposedly slack season. Well, Meet
the Ladies isn't taking a summer vacation.
All through the summer of 1941, it's going
to continue to pack 'em in — not only w^om-
en's organizations but laundry bundles!
Sneak up on
founder- man-
ager-president
Al J. Salzer of
the West End
Laundry, and
you will prob-
ably find him,
sleeves rolled up,
grappling with
a 20-foot rug, or
up to his neck
in suds. For hard work has always
been his credo. A native son of Cleve-
land, stalwart, black-tufted, 49-year-
old Salzer first eyed the laundry busi-
ness with interest, when at the age of
24 he watched laundry trucks driving
through the streets stacked high with
bundles. Thereupon, in 1916 he hung
up a sign reading the ''West End Wet
Wash.'' In his first week of operation,
he went out and solicited business,
washed the clothing in two basement
washers, returned the 18 bundles and
collected, gave jobs to a few relatives.
Today, West End Laundry handles
2,000 bundles a day, e?nploys 240 peo-
ple.
FIIvE AT^ID MEFEM to each copy of Radio Showmanship
Magazine. Thus, you may profit by the experience of others. The promotion plans
carried in its pages ore gathered from all over the country. You'll note by the "Your
Business at a Glance" index that this information is classified by businesses. Avail-
able now is a sturdy, leatherette binder in which 1 8 copies of Radio Showmanship
Magazine can be conveniently filed for ready reference. It's a compact way of keep-
ing your issues in permanent chronological order. Order one today. Price per binder,
prepaid: One dollar.
ELEVENTH AT CLENWOOD AVE.. MINNEAPOLIS. MINN.
208
RADIO SHOWM ANSH I P
W:
hat Is This FM Business?
Here Are Some Facts About a New Method of Radio Broadcasting,
by Fred Dodge, Ward Wheelock Advertising Agency, Philadelpbia
A YEAR ago, swastika-marked planes
swooped over German tanks and mobile
units that were racing through France,
Belgium, and Holland at a rate amazing
to military experts. The chief cause of the
expert's astonishment was not the speed of
the mobile units but their mysterious com-
munications methods. Certainly, the ad-
vancing armies w^ere not stringing tele-
phone wires and no radio messages were
intercepted by the listening allies; however,
the Germans knew where their units were
at all times, regardless of the speed of the
penetration, and w^ere able to communicate
with the most advanced units.
Since the capitulation of France, it has
been established that the German attacks
were directed from airplanes by command-
ers who used static-free, non-fading Fre-
quency Modulation radio, which could not
be heard on ordinary radio receivers.
In America last year, the Federal Com-
munications Commission, after
exhaustive tests and hearings,
took the Frequency Modulation
method of broadcasting out of
the experimental class and for
the first time permitted radio
stations to license themselves for
commercial broadcasting.
There is a radical difference
between the present method of radio broad-
casting, known as Amplitude Modulation
or AM, and the new method of Frequency
Modulation or FM. No better explanation
of FM for the layman can be offered than
that printed in the booklet. Radio's Better
Mousetrap, published by FM Broadcasters,
Inc., from which we quote liberally.
FM is the next logical step in the evolu-
tion of radio. It has as its aims, better,
clearer reception, freedom from an increas-
ing barrage of man-made static, a faithful-
ness of tone quality never before achieved
and a capability to serve every corner of
the nation with more stations, more intense
coverage.
Aircraft, police calls, short w^ave broad-
casts, the amateur operator down the street
and your local radio station all depend on
the Amplitude Method of Modulation, or
AM. However, this method of broadcast-
ing has definite limitations. For instance,
there isn't much more room in this country
for additional radio stations under the pres-
ent scheme of things, and countless com-
munities eager for radio stations cannot
have them.
Furthermore, the noises from oil burners,
elevators, dial phones. X-rays, diathermy
machines, and a thousand other devices
that contribute clicks, noises, buzzes, and
roars to the program you are trying to hear
are eliminated by FM. Static from electri-
cal disturbances in summer
time, crashing bursts that ruin
reception do not happen with
FM. Reception at all times is
silvery smooth.
Last summer I listened to a
CBS program in mid-Philadel-
phia emanating from a 50,000
watt station at a point 15 miles
from the transmitter. A heavy thunder-
storm was in progress. Ninety airline miles
from me. Major Edw^in H. Armstrong's
transmitter (iVlajor Armstrong is the in-
ventor of FM) in Alpine, N. J., was broad-
casting the same program with 30,000
watts. It was impossible to listen to the
50,000 watt station. I switched over to my
P"M receiver and heard the program clear-
ly, without static, although I was on the
extreme edge of the area the Alpine station
JULY, 1 941
209
might be expected to cover.
Within the 500 to 1,600 kilocycle band
on which amplitude modulation, the pres-
ent method, is used, are crowded hundreds
of stations, overlapping each other and
sometimes causing interference. With FM,
when one station predominates over anoth-
er, you hear only one station, not both. So
sharp is the distinction between two FM
stations that you can drive your car from
one town to another with the car's FM
receiver operating at one definite location
and you magically stop hearing a station,
once you're out of its range, only to have
it replaced by another without even re-
tuning your receiver ! This means that areas
in the United States where interference
between stations makes listening difficult
will no longer exist. Territory for hundreds
of new stations will be opened up.
A peculiar fact about the ultra short
waves on which FM is broadcast is that
they do not follow the curve of the earth
but go straight out into space from the
transmitter. Contrary to AM, the FM
method therefore gets greater coverage by
having its transmitter built at the highest
point possible.
Now, where does the advertiser fit in?
The local advertiser can forget FM for
a while. It is not a vital medium for his
advertising campaign at present. The na-
tional advertisers who want to establish
''firsts," perhaps a local adver-
tiser who feels the publicity at-
tending a "first" merits the in-
vestment, have already signed a
few contracts for FM broad-
casting. A gasoline company has
bought news on a couple of
New England FM stations
which are linked together. The
groundwork for a coast-to-coast
FM network has been laid, but
it is far from a reality at the
moment. Commercially, until
there are hundreds of thousands
of FM sets in use, there will
be little advantage to sponsor
FM programs.
The FM audience is, natu-
rally, going to depend upon the
number of FM radio sets in
use. Present day receivers of
AM broadcasts cannot receive FM pro-
grams. Manufacturers have put adapters on
the market. These can be attached to AM
receivers. Many 1941 receivers are built
with both AM and FM receiving units,
and the listener may shift from AM to
FM as he now shifts to a short-wave band
for foreign stations.
According to FM Broadcasters, Inc., in
March there were an estimated 20,000 FM
sets in use. These included sets with adap-
ters and combination AM-FM sets. Of
this set total, an estimated 8,000 to 9,000
were located in New York's metropolitan
area. The second largest group of FM re-
ceivers is thought to be in the New England
states. As FM stations begin operations in
other sections of the country, FM receivers
will come into use.
FM Broadcasters, Inc., the trade associa-
tion of the new broadcasting method, stated
on FM receiving set production, "It is im-
possible to say how many receivers will be
produced during the current year, since any
prediction is largely dependent upon the
number of FM transmitters to go into regu-
lar service and the communities in which
they operate. Estimates for 1941 production
run all the way from 50,000 to 5,000,000
sets. In any event it seems safe to say the
number will exceed any previous produc-
tion many times over."
From the prediction on sets to be manu-
factured, there obviously will be no over-
night shift to FM listening. The change
will be slow, particularly now that FM
has struck a snag in the defense program.
Steel for towers and metals that go into
FM station equipment are in heavy de-
mand. Incidentally, the government is
using this static-free radio method in its
communications system, and
Major Armstrong has turned
over to the government the
free use of all his FM pat-
ents during the present emer-
gency.
One condition of granting
FM licenses by the Federal
Communications Commis-
sion will be that they be
granted power on a basis of
land area to be covered and
population to be served. That
is, there will be a ceiling on
21Q
RADIO SHOWM ANSH I P
PH
IN
ipHi^
WFIL
SAYS IT WITH Si
IN MERCHANDISING
WFIL says it with the first mer-
chandising bureau estab-
lished by a Philadelphia sta-
tion. WFIL advertisers are
strongly supported through
advertising in:
5 daily newspapers
L331 cards in trolleys,
buses, subway and sub-
urban trains
300 displays in radio
dealers' windows
Generous pre-announce-
ments
210 Transitads
25 strategically located
billboards
Also trade letters — store
posters — consumer sur-
veys, etc.
WFIL extensive activities won
Canada Dry's "Information
Please" award for the second
best merchandising plan exe-
cuted by any station.
IN PROGRAMME!
WFIL says it witlrD
shows and specil
tures that are c
building ever-in'€
tening audiences
WFIL is now fir
choice with Phild
teners 66V3% bci
night as shown 7
Hooper co-incica:
phone surveys.
If you have nc
"NIGHT AND D.Y
vey of radio listai
in the Philadeljii
write now for a d]
L
OWMANSHIP
standing
^ent fea-
tantly
mg lis-
second
)hia lis-
ay and
le C. E.
il tele-
t seen
•f|-a sur-
5"f habits
c area —
PROOF OF THE PUDDING?
38.4% more advertisers are
now using WFIL's facilities
compared to a year ago,
proving that advertisers have
found WFIL Showmanship a
profitable investment.
Still another reason why this
new army of advertisers is
using WFIL is because WFIL's
extensive promotion and mer-
chandising services are defi-
nitely helping them to secure
new business and increase
sales to present customers.
NBC BLUE
WFIL
PHIIADELPHL
MOST
PROGRESSIVE
STATION
I I
■ ■
f
QUAKER
Ed. Retry and Co. — National Representatives
MIGHTY MIKE
SAYS:
Time Buyers count these
WFIL points-
NBC Blue Prestige Programs
Aggressive Local Showmanship
Outstanding Merchandising Support
Community Service
Pre-eminent Metropolitan Signal
Lower Rates
Attractive Daytime Availabilities
WFIL
560 ON YOUR DIAL
Key Station of the Quaker Network
the power granted to stations in, let us say,
a metropolitan area. There will not be a
50,000 watt and 1,000 watt stations there.
All may have the same power. This fact
will make a vast difference in listener pref-
erence. No longer will the powerful 50,000
watt station have more listeners because of
power alone. The program will be the
thing. Under FM, almost without excep-
tion, power drops out of the picture as a
listener builder.
With each station as powerful as the
other, only as a station offers better enter-
tainment will it win and hold listeners.
To summarize then, FM is the next
logical advance in radio broadcasting. Only
16 FM stations have been licensed com-
mercially, 46 additional applications have
been filed. On June 1st, only a handful of
FM stations were in commercial operation.
The local advertiser need not worry about
FM until stations in his area have been
broadcasting by this method for some time.
Even then, the burden of proof of listening
preference will be upon the radio station
selling the time.
FM does not require any different treat-
ment of radio program preparation than at
present, though it will make the program
more important than ever before.
AM will have the majority of listeners
for many years, because of the millions of
AIM receiving sets that will continue in
use. We may expect industrial areas to have
FM receivers in quantities before other sec-
tions of the country. It is in these areas, for
the most part, that FM sending stations
first will be located.
The career of
dimpled, broad
shouldered, sin-
c e r e Fred
Dodge has been
a rapid zigzag
up the radio lad-
der. Now liaison
man between the
New York and
Philly offices of
Ward Wheelock advertising agency.
Dodge fled the family printing busi-
ness, broke into advertising via N. W.
Ayer & Son, Philadelphia. After three
years he became associated with the
former George Batten agency before it
became BED & O, also put in five
years as ad manager for d department
store.
In 1934, he caught up with the radio
business at Binghampton as commer-
cial writer at WNBF, stayed to learn
the business inside out. In 1939, he
joined WFIL, Philadelphia, soon be-
came assistant general manager to head
man Roger Clipp.
With his wife and two daughters,
12 and six. Dodge makes his home in
Jenkintown, Pa. He is 36 years old,
finds relaxation iw reading, recreation
in volleyball. During the past 12 years,
he has played in all major Eastern
tournaments and two national tourneys
with the Philly Central Y. M. C. A.
team.
From $900 to a Volume o£ Hal£ a Million Dollars in Nine Years
Is Quite a Climb in the Food Business, or Any Other Business!
GROCERYMAN BILL LOVELACE OF FORT WORTH
Tells You What Role Radio Played in That Sensational Growth
^^You Have to Give Them a Reason for Coming In^
by W. R. Lovelace
IN THE AUGUST ISSUE OF RADIO SHOWMANSHIP MAGAZINE
U L Y, 1941
21
(g
horus of Sales
A Letter from Al J. Herr,
Barnes Advertising Agency,
of Milwaukee, Wisconsin
Regional distributor of oilSj greases,
gasolines, heating oils, etc.. Pate Oil
Co. processes a motor fuel known as
Challenge — "Better Than Gasoline.''
These products are retailed through
Pate to independently owned and op-
erated Hello Neighbor service stations.
During jive consecutive seasons of radio
usage, their program format has been
choral music, presented by different
guest choral groups, singing a cappella
or with piano accompaniment. Coinci-
dental survey showed Pate Civic Con-
cert embracing 42% of the listening
audience at the time.
"Dedicated to the proposition that local
motoring needs can best be met with a
locally-blended, premium motor fuel, the
Pate Oil Co. has pursued a program of
advertising that has harmonized with local
interests.
"Pate's Sunday Civic Concerts, now in
their fifth season over WTMJ, are an out-
standing example. These concerts, presented
each Sunday evening from October through
March, provide local choirs and choral
groups the opportunity to give widespread
expression to their accomplishments. Since
choral music is among the foremost of a
community's activities, Pate Civic Concerts
not only afford untold enjoyment and satis-
faction to thousands of participants, but
also lend inspiration and pleasure to multi-
plied thousands of listeners.
"According to authoritative comments
and year by year comparisons of the general
tenor of the programs, these concerts have
helped in great measure to raise the stand-
ard of choral groups in and around Mil-
waukee. Represented in the 26 groups ap-
pearing in each series of Pate Civic Con-
certs are church choirs, school singing clubs,
and men's and women's choral groups."
In 1932, midstream the cowin,j
depression, dubious but determinet\
Old Colony Cooperative Bani}
(Providence, R. I.) slashed pub^>
lie apathy with bold advertisinij
strokes. Since that date, they hav'
sponsored a variety of program^
but clung steadfastly to the medii
u?n they found successful — radio\
On the following page are de
scribed four of the shows tha]
brought results. In addition /ij
these, sponsor has maintained (j
persistent schedule of one-minuti\
spot announcements throughoul
their nine years of broadcastings
Announcers have had to broadcast
not only in English, but in French
and Italian as well in order /t
reach all of the local population. I
All around radio users, 01c
Colony Cooperative Bank has alsd
used these transcriptions: Voices o:
Yesterday (15 minutes); Lives o:
the Great and Makers of History
both 15-?ninute dramatized histori\
cal series; Reporter of Odd FactJ,
(five juinutes) ; and Little Dramas
from Real Life, five-minute sav-
ings and loan skits.
Not described on the followin(,\
page is their current program
Pursuit of Happiness. This fast-\
moving, sparkling, variety shoul
introduces a timely patriotic nott\
with' a three and one-half 7ninutt\
transcribed historical skit. \
212
S"
our Scores In A Row
A Summary of Four Highly Productive Bank Promotions by
Gordon Schonfarher, Providence, R. I. Ad Agency Executive
The Hi-And-Prep School Sports Round-Up:
Old Coloxy Cooperative Bank has al-
ways directed a good deal of attention to
the younger element of the population. One
of their first programs has practically be-
come a bank institution — their 15-minute
weekly review in the fall of Rhode Island
Interscholastic sports — football, baseball,
hockey, tank, track, with an occasional
sprint into the spring season for a run on
baseball. A WEAN announcer and sports
commentator present dramatic reenactments
of the Play of the Week, offer Prophesies
of the Coming Week's Victories, introduce
stars, coaches, captains direct from the play-
ing fields, and from time to time, school
bands. Merchandising is given impetus with
announcements on school bulletin boards,
special letters to team members, and give-
aways of football charts.
School Hobbies: OlD ColONY COOPERA-
TIVE Bank earned new distinction with a
weekly, half-hour program
which brought to light talent
in the Rhode Island high
schools. These programs were
always presented before a
visual audience of fellow stu-
dents and teachers. With the
assistance of their own teach-
ers, participants presented
dramatic skits, debates, round
table discussions, sings, phil-
atelic work discussions, cam-
era club work, music, etc. To each student
who participated, a highly prized certificate,
tied diploma fashion with silk ribbons of
the school colors, was presented. They also
got a copy of Old Colony's folder, Three
Ways to Make and Save Money.
The following day, the teachers who had
assisted got a form letter on Old Colony
stationery thanking them for their coopera-
tion. The same letter included selling points
for the bank and an invitation to visit the
institution. Further merchandising used
were large posters in the WJAR studios,
newspaper ads in the Providence Evening
Bulletin the night of the broadcast, and
similar ads in outlying papers when out-of-
town schools participated.
Old Colony Fireside Melodists: Direct ap-
peal to adults isn't overlooked. For three
13-week periods. Old Colony presented
a half hour musical variety show of light
operas and popular ballads each Sunday
night. The impressive cast included a 12-
piece orchestra, conductor, vocal trio, male
and female vocalists, and the Old Colony
Advocate, a character part, plus the an-
nouncer. At one point we decided to test
program response. For two successive weeks,
w^e offered to all requesting
them jig saw puzzles. These
were die-cut from an en-
larged newspaper bank ad
mounted on cardboard,
printed in two colors, and
packed in mailing boxes with
seasonal labels. Listeners im-
mediately asked for several
thousand puzzles!
Care of Home Grounds and
Gardens: For two consecutive
years, Old Colony presented Ernest K.
Thomas, secretary of the Rhode Island
Horticultural Society, who schooled gar-
deners during the spring preplanting period
and explained the care of gardens for win-
ter seasons in the fall.
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Dairy Products
KIDDIE QUIZ Stumbling block to many
a kid talent show is the sad fact that the
local town doesn't have an inexhaustible
geyser of child prodigies. When Visalia
(Calif.) station KTKC and sponsor Pea-
cock Dairies first noted dubious dribbles
of talent applicants, they put their heads
together, tussled with their bafHing prob-
lem. Likeliest change to whet show interest,
they decided, was to revamp their kid talent
show into a kid quiz !
Deciding upon this course last January,
sponsor gave program a one-month rest for
readjustment purposes, was all set for
action the beginning of February.
Every Saturday afternoon at 1 :30, Vi-
salia lads and lasses squeeze into the Fox
Theater, start the afternoon in true red-
white-blue spirit by singing My Country
'Tis of Thee. On the stage stands a large
American flag flanked by a Boy Scout on
either side. After singing, the audience re-
mains standing, recites the pledge of allegi-
ance to the flag.
Following the Peacock Dairies com-
mercial, an outstanding Kiddie is intro-
duced to sing or entertain. Then the quiz
starts with Augie Schultz
introducing the children,
and Charles P. Scott acting
as question-hurler. Three
boys and three girls, chosen
in the half-hour preceding
the show are subjected to
five rounds of carefully
culled questions. For eligi-
bility, Kiddies may be any-
where up to or including
the eighth grade.
Highest scorer gets three dollars; second
highest, two dollars. In addition, all con-
testants get free tickets to the theater. Every
seventh week, sponsor takes the six winners
of the previous programs for a climactic
competition with a goal of 10 dollars for
first prize, five dollars for the runner-up.
While Scott busies himself adding the
scores, Schultz busies himself with a second
Peacock commercial.
Further catering to the restless interests
of his audience, sponsor follows the quiz
with birthday tributes. Everyone who has
had a birthday within the week is called
to the stage and interviewed. A birthday
song, written specially for the program,
is then sung. Each kiddie honored is ad-
mitted free to the show with four guests.
Prerequisite: Their birthdays must have
been registered beforehand at the theater.
The little things that count: Every con-
testant is asked w^hat school he attends. The
blast of cheers from proud fellow school-
mates rents the air. Several times during
the show% the audience is asked ''how the
old pep is." The kids holler their lungs out
every time!
Nourishing program interest, the theater,
in exchange for a plug on the program,
supplies special Kiddie Club buttons to all
those attending. Peacock Dairies spread
large banners on their trucks and window
cards in their dealers' stores throughout the
territory.
Now five months after the switch, the
show has a swelling attendance. Peacock
Dairies, selling dairy products, Bireley's
Beverages, and frozen foods, reports the
program is doing a big job — not only get-
ting direct sales but new dealer outlets.
air FAX: First Broadcast: February 8, 1941.
Broadcast Schedule: Saturday, 1:30-2:00 P.M.
Preceded By: Vocal Variety.
Followed By: News; Musical Interlude,
Sponsor: Peacock Dairies, Tulare, Calif.
Station: KTKC, Visalia, Calif.
Power: 1,000 watts.
Population: 10,560.
SAMPLE script AVAILABLE.
COMMENT: Many small-
er U. S. cities, hamlets,
successful with kid talent
shows, have nonetheless quit
the air for lack of fresh par-
ticipants. Visalia points the
way with a successful solu-
tion !
214
RADIO SHOWM ANSH IP
Men's Wear
BUNDLES FOR OUR BOYS When New
Haven (Conn.) boys go to camp, they're
not forgotten. A program, aired on WELI,
keeps them suppled with the small luxuries
that make the going easier.
Natural reaction to receiving gifts is
sending thank you letters; each week they
pile into sponsor Enson's Men's Shop,
where they are carefully assorted. Reading
of these letters, which are rich in army
color, humor, interest, compose the body of
the broadcasts.
Crux of program is appeal to public for
gifts for the boys — cigars, cigarettes,
candy, smoking tobac-
co, razor blades, toilet
articles, games, books,
similar items. From the
Connecticut branch of
Philip Morris arrives
weekly 40 humidor tins a
of cigarettes; from the /"\
Marlin Firearms — ^
Co., 100 packages of
Marlin razor blades;
from the Clark Chewing Gum Co.,
boxes of Teaberry Gum.
Bundles go to a different camp every
week, in care of some responsible boy, who
parcels out the articles to his New Haven
fellow campers. Each program the public
is urged to stop in at Enson's Men's
Shop to get a printed list of items which
can be sent and bring their gifts to the
store. Bundles are shipped direct from the
store, bearing the Enson's Men's Shop
labels.
At program's outset, letters were sent to
clubs throughout New Haven. Now spon-
sor and station are busy receiving letters not
only from the boys but from New Haven
enthusiasts.
AIR FAX: firs/ Broadcast: April 1, 1941.
Broadcast Schedule: Tuesday, 7:15-7:30.
Preceded By: Fulton Lewis, Jr. (MBS).
Followed By: Connecticut Universities Forum.
Competition: News; Lanny Ross (CBS).
Sponsor: Enson's Men's Shop.
Station: WELI, New Haven, Conn.
Power: 500 watts.
Population: 196,192.
COMMENT: Responsiveness of the public
to worthy, timely causes is seen every
Christmas in the tremendous supplies of
books that flood stations requesting them
for institutions. Of equal, perhaps even
greater, appeal is the need for luxuries for
local, encamped boys.
Men's Wear
ANYTHING CAN HAPPEN Working on
the theory that if anything can happen, it
can happen in San Bernardino (Calif.),
sponsor Federal Outfitting Co. pre-
sents a narration of unusual local happen-
ings. When the son of the local hardware
man falls out of a car being driven 50 miles
an hour, escapes with mere bruises, it's pro-
gram material. So is the winning of the Pot
O' Gold by a localite. Winding up each
event is the identifying tag, "And doesn't
that prove our contention that just anything
can happen?"
Response: To Federal Outfittng Co.
go listeners to talk about the program, say,
"Have you heard about . . . etc.?" Window
cards and newspaper ads promote the pro-
gram.
air FAX: Broadcast Schedule: 6:00 P.M.
Sponsor: Federal Outfitting Co.
Station: KFXM, San Bernardino, Calif.
Power: 250 watts.
Population: 37,481.
COMMENT: A natural for any town
where everybody knows everybody else! By
stimulating interest in local news, sponsor
builds local prestige.
FILE
and refer . . .
You'll note by the Your Business at a
Glance index that all merchandising plans
and promotion ideas in Radio Showmanship
Magazine are classified by businesses each
month. Because so many readers have re-
quested it, we have created a leatherette
binder in which 18 copies of Radio Show-
manship can be conveniently filed for ready
reference. Here is a compact way of keep-
ing your issues in permanent chronological
order. The binder is available at only
$100
RADIO SHOWMANSHIP
MAGAZINE
Eleventh at Glenwood • Minneapolis, Minn.
JULY, 1 94 1
215
SPECIAL PROMOTION
Short radio promotions that run but a day, a week, or a
month yet leave an impression that lasts the year around.
Groceries
MILLER MONEY PROGRAM Lured by a
Miller Corn Flakes carton, inhabitants
of Sioux City swarmed the bank plaza of
the Missouri River one May night, ate free
hot dogs, saw flames leap from a pyre of
cartons, listened to the mayor's eulogies.
This Miller May Day Party climaxed
a KSCJ test period which netted sponsor
Miller Cereal Mills 100 percent dis-
tribution in the Sioux City market and car-
load sales! Besides these obvious motives
for presenting the program, sponsor had
another, ulterior, motive : To introduce a new
product, Miller's Muffin Mix. Pro-
gram pulling power was tested by plugging
Miller Corn Flakes during an unheard
of time for cold cereal selling: mid-winter.
On February 3, popular emcee Charles
Sebastian started Miller Money Program.
During the broadcasts he calls
homes picked at random from tele-
phone directories of Sioux City,
surrounding towns. If the person
called has one or more empty
]\IiLLER Cereal boxes, Sebastian
dispatches a Western Union boy
who pays a dollar for each empty
carton! If the person doesn't have
a box, the Western Union boy de-
livers two free full Miller boxes.
Results: Housewives scurried to the gro-
cery store, bought several boxes of Miller
Corn Flakes, waited for their phones to
ring. If grocers weren't stocked, customers
demanded they get them at once.
Said one large brokerage house: In a
short space of time we have secured dis-
tribution in every class A and H store in
the city . . . and every wholesale distributor
is carrying the item."
Said one small grocer: "I operate a sub-
urban grocery store, and it has always been
my policy to stock only those items which
my customers demand. Previously, I did
not find it necessary to handle oVIiller's
products, but after the third day of your
broadcast, repeated demands for Miller's
Corn Flakes made it necessary for me to
stock them. That was only a few weeks
ago, and since then I have sold several
cases of Miller's Corn Flakes, and
Miller's Wheat Brandies. At the pres-
ent time, I have 31 different types of break-
fast food in stock, and I am glad to report
that Miller's outsells all the rest!"
Currently running on 29 stations, the
program is rapidly being instituted in other
U. S. cities!
Sponsor is now extending the same offer
to Miller's Wheat Brandies and other
Miller's cereals.
Miller Cereal Mills is not
building a distribution that will
plop flat the moment they drop
their promotion. Each program
presents excellent selling oppor-
tunities. Any housewife called who
doesn't have the cartons is sent her
two regular-sized boxes of corn
flakes to acquaint her with their
fine quality. The program type
furnishes the chance to get on-the-
spot testimonials — while they're hot! At
each home where Miller's Corn
Flakes are found, a natural phone conver-
sation is struck up by the announcer, where-
in he brings out the housewife's reaction to
the product, learns why she prefers
Miller's to other brands, repeats her
opinions verbatim.
Today the ready-to-mix luxury item,
Miller's Muffin Mix, a prepared mix-
ture needing only eggs and milk added for
muffins or wafliles, is at the mercy of the
216
RADIO S HOWM A NSH IP
Money Show promotion, which is creating
a demand forcing 100 percent distribution.
Persistent promotion continues: public-
ity in the papers ; daily spot announcements,
including one in mid-afternoon at which
time program winners of the day are re-
peated ; screen trailers ; calls on grocers ;
distribution of display material; window
displays.
It was at the end of a 13-week period
that emcee Sebastian broadcast an invita-
tion to attend the Miller May Day Party.
All those w^ho brought an empty carton
could exchange it for a free hot dog.
(Swift & Co. supplied Swift's Premium
Dinner-size Frankfurters.)
Piled high was the mass of empty
Miller Cereal cartons which had been
purchased, one dollar apiece, during the 13-
week stint. At nine P.M., Mayor D. F.
Loepp opened the ceremonies officially by
brief comments w^hich were broadcast over
KSCJ, then applied a torch to the cartons.
In the light of the flames, Sebastian inter-
viewed attending officials, persons picked
at random from the gathering, announced
winners of prizes for those who had made
the best May Baskets from empty Miller
cartons.
Officials of the Miller Cereal Mills
Co. came from Omaha for the affair, wit-
nessed ceremonies along with local Swift
Co. officials.
AIR FAX: First Broadcast: February 3, 1941.
Broadcast Schedule: Monday thru Saturday, 9:15-
9:30 A.M.
Preceded By: Viennese Ensemble.
Followed By: Vagabonds.
Competition: Martha Webster (CBS dramatic serial);
and Pepper Young (NBC dramatic serial).
Sponsor: Miller Cereal Mills Co., Omaha, Nebr.
Power: 5,000 watts.
Population: 83,110.
Agency: Allen & Reynolds, Omaha, Neb.
COMMENT: From empty cartons grow
carload sales!
Showman-minded, the Miller Cereal
people are not content with ordinary radio
programs, their money show is unusual in
itself; the May Day Party daring and dif-
ferent.
Here's a good rule to follow if you plan
a similar promotion: Do it right or dont
do it at all!
JULY, 1 94 1
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Home Furnishings and Jewelers
MOVIE QUIZ Sober-sided citizens may
lift eyebrows, frown on the rambunctious
antics engaged in by the cast of Movie
Quiz, but station WHMA, no novice to
showmanship's hurlyburly, knows the way
to wangle capacity audiences.
From the stage of the Noble Theater
each Tuesday night originates this heavily
promoted quiz show jointly sponsored by
Warnock Furniture Co. and Gunter's
Jewelry Store. Unique setup: Emcee
Allen Brown's two assistants are local not-
ables in their own right — ]\lr. "B" of the
WHMA Breakfast Club, early morning
platter and chatter; and "J. C." of the
WHMA All Request Hour in the late
afternoon. (Both are popular WHMA pro-
grams.)
Mr. ''B" and ''J. C." w^ander through
the theater with portable mikes, ask vari-
ous members of the audience their names ;
emcee Brow^n remains on the stage, asks the
movie questions. Each contestant is asked
one question, w^hich, correctly answ^ered,
nets him 50 cents. If quizee doesn't get the
coin, it clinks into the jackpot for the next
contestant. Audience glee grows with the
size of the jackpot, and the applause is tre-
mendous.
As important to the success of the show^
as the above mechanics are the routine of
comedy, gags, stunts, horseplay. Typical
promotion introduced one night was the at-
tempt 'to gauge whether more fans were
present from the Breakfast Club or the All
Request Hour. Foser "J. C." brought
down the house in roars of laughter when
he bravely underwent a vigorous paddling
217
on the stage. In the same promotion, re-
peated a few weeks later, the battle see-
sawed, ended in a spanking for Mr. "B."
Another time, a Spelling Bee was in-
corporated into the quiz show, and con-
testants were chosen in advance from listen-
ers of the Breakfast Club and All Request
Hour. When the Breakfast Club fans out-
spelled the All Request fans, the losing
side's leader, "J. C," took the punishment.
The following Tuesday night before
broadcast time, he stepped out of the sta-
tion, snugly bedecked in baby gown and
bonnet, fortified by a bottle of milk, other
accessories. Gingerly sitting himself down
in a wheel barrow, he relaxed while his
drivers threaded through a gaping vanguard
of some 3,000-strong fans, down four
blocks of the main thoroughfare to the
theater. At the outset of the wheel barrow
ride, emcee Brown broadcast details of the
proceedings to radio listeners. One thou-
sand fans squeezed into the theater that
night; the rest were turned away. It's a
rare performance that doesn't play to
"Standing Room Only."
Promotions aren't limited to antics. The
Noble Theater runs continuous screen ads,
features big displays on each side of the
stage during the performance, several large
displays in the lobby, a huge banner under
the marquee.
Emcee Brown, conductor of a regular
Man on the Street show, interviews Mr.
"B" and "J. C." from time to time regard-
ing the tricks they are going to play on
each other. Movie Quiz gets its share of
plugs on the street broadcast at the request
of Gunter's Jewelry Store, who is also
a sponsor. Both Gunter's and the War-
nock Furniture Co. carry large displays
in their show windows.
AIR FAX: Broadcast Schedule: Tuesday, 8:00-8:45
P.M.
Preceded By: Final Edition.
Followed By: Dancing Party.
Sponsor: Gunter's Jewelry Store, Warnock Furni-
ture Co.
Station: WHMA, Anniston, Ala.
Power: 250 Watts.
Population: 30,000.
COMMENT: Interchange of program chat-
ter, involving four distinct programs, re-
sults in a lot of promotion for a lot of spon-
sors.
Jewelers
TOUCHDOWN TIPS Every local sponsor
would like to feature a Paul Sullivan on
his news program. Only through transcrip-
tions can local sponsors afford nationally
known figures. In the sports field, Colum-
bia, S. C. sponsor Reyner Jewelry Co.
bought transcribed Touchdown Tips, fea-
turing outstanding sports and news com-
mentator Sam Hayes. Football forecasting
system employed by Ha^es has a record of
82% in picking winners. He discusses and
analyzes some 30-odd games during each
broadcast.
air FAX: reyner merchandising stunt: Each com-
mercial starts out with football information, slides
into the direct information: "The Bowl choices are
practically all made and have been announced. It's
to be Stanford and Nebraska in the Rose Bowl in
Pasadena; Tennessee and Boston College in the
Sugar Bowl in New Orleans and other top-flight
teams of the country in the various other New Year's
Day football classics. But, speaking of choice, have
you seen the choice of fine gift suggestions to be
found at REYNER'S, 1610 Main Street? REYNER'S
can help you, etc."
Broadcast Schedule: Friday, Sept. 20 to December
13.
Sponsor: Reyner's, Inc., Jewelers.
Station: WIS, Columbia, S. C.
Power: 5,000 watts.
Population: 71,704.
Availability: NBC Radio-Recording Division, RCA
Bldg., New York, N. Y.
COMMENT: A football program is ideal
for jewelers. Beginning in September, pro-
gram continues, with ever-rising tempo,
right through to the peak Christmas season.
Low cost transcribed shows bring au-
thentic reports, top-notch announcers, lose
nothing in timeliness since recordings are
not made until very last minute, then air-
mailed to sponsor.
218
RADIO SHOWMANSHIP
WHAT THE PROGRAM DID FOR MEj
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, RadioShowmanship, II f A at Glenwood, Minneapolis, Minn.
Real Estate
TRADER FRED "The program is current-
ly scheduled on radio station KROW at
12:30 to 12:35, daily except Sunday. It
went on the air for the first time, March
14, 1941, and this is my first adventure in
radio advertising. It is a five-minute pro-
gram, in the form of a dialogue between
Trader Fred, a homey, small town, hill-
billy type acted by Lee McLendon of the
KROW staff, and the announcer.
"During the five-minute script. Trader
Fred brings out the many real estate trades
being offered by L. B. Frederick, and
urges the listener either to stop in, write,
or phone if interested in these properties,
and to list their properties with our organi-
zation.
"It has been a success from the very
start. Immediately follow^ing the broadcast,
we are almost sure of receiving from 15 to
20 or more telephone calls. Besides the
many drop-in calls during the day, we also
receive on an average of 20 to 30 letters a
week, either from people requesting more
information about the property advertised
or from those desiring to list their holdings.
"You might be interested to learn that
during my 16 years in the real estate busi-
ness, I have always been a believer in ad-
vertising, and have spent better than $500
per month in newspaper classified advertis-
ing in the past 12 years. Advertising is like
any other form of investment; it is worth
only what it brings you. And, of course,
advertising is measured by results, and that
brings me up to the dividends which I have
actually received through my program,
Trader Fred.
"First, the type of prospects I have re-
ceived are? mostly classified as excellent
leads, who are not only interested and
anxious to do business, but financially cap-
able. Second, deals actually closed show a
profit of better than $1,400 or an average
of better than $40 per day. Besides this,
many deals are now pending, and we have
obtained excellent property listings for fu-
ture sales. And that isn't all. This program
has given my business a new human interest
appeal to the point that, wherever I go,
people are beginning to call me Trader
Fred, and naturally, it creates confidence
and good will, which helps my sales force
close deals with the least possible friction.
"Before I started this program, I was a
little afraid that I would continually be ap-
pealing to the same audience every day, and
my venture would blow up like a bubble;
but I find this incorrect. I am now consid-
ering shifting my advertising budget in
order to give radio more representation."
L. B. Frederick
L. B. Frederick Co., Inc.
Oakland, Calif.
AIR FAX: First Broadcast: March 14, 1941.
Broadcast Schedule: Monday thru Saturday, 12:30-
12:35.
Preceded By: Man On Street.
Followed By: Dance.
Competition: Noonday Program.
Sponsor: L. B. Frederick Co., Inc.
Station: KROW, Oakland, Calif.
Power: 1,000.
Population: 284,063.
COMMENT:: Sponsor Frederick's experi-
ence represents the ideal in radio advertising
— sizeable, traceable sales from the start.
Yet a word of caution : Many a sponsor has
found that a program that started slow
gradually swelled in sales returns; still
others have found that though they can't
trace direct sales, good will, prestige, and
publicity value merit continued broadcast-
ing.
JU LY, 1 94 1
219
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
Right . . . When emcee Doug
Arthur on Shoppers' Jackpot (see
June issue, p. 188) announced
that sponsor D. MANN'S
APPLE JUICE was as delightful
as a kiss from a beautiful girl,
he had to prove it. Using a Thrill-
O-Meter, WIBG (Glenside, Pa.)
receptionist Marjorie (Angel)
Cake performed the test during
the program on guinea pig an-
nouncer Tom Moore. The apple
juice rode the needle to the high-
est point on the dial. The kiss
blew out the machine. Miss Cake
admitted she had imbibed sev-
eral glasses of D. MANN
APPLE JUICE before the test.
Left . . . After a four monti
^53,000 remodeling job, Oak^
land (Calif.) credit jewelerij
MILENS staged a Hollywooc
opening replete with gigantii
searchlights, loudspeakers, (
mentators, orchestras, public fig
ures. KROW radio progran
opened with greetings from th<
Mayor, City Manager, and Chie
of Police. Pleased as punch an
(left to right) Ben Shane, co-
owner; Theodore H. Segall, head
of the Segall Advertising Agency,
San Francisco; Frank Wright,
emcee; and L. J. Milenbach, co-
owner.
220
RADIO SHOWMANSH IP
Above . . . Big event for Allen County
(Ind.) school children is MORRIS
PLAN BANK'S Spelling Bee. Left to
right, James Studer, sponsor's advertis-
ing manager and show's commercial an-
nouncer; Rosemary Stanger, Spelling
secretary; Elmo Snavely, Erma
Dochterman, and Father Leonard Cross,
judges; Al Becker, who introduces the
children; R. Nelson Snider, school prin-
cipal and word pronouncer; Jeane Brown,
organist. Sponsor used station — .
Right . . . Showmanship and merchan-
dising burst into song on Cleveland
station WHK, when the Singing Powers
models, in town with a vaudeville unit,
costumed in clothes from HALLE
BROTHERS DEPARTMENT STORE,
put on their own style show and radio
program in the studios.
Left . . . When Rhode Island's
new station, WFCI, wanted to
collar juvenile attention in par-
ticular, public interest in general
for their kiddy program. Buddy
and His Gang, they negotiated
a tie-up with a Rodeo playing in
town, offered to the youngster
sending in the best 50-word
letter on why he likes a Rodeo, a
$130 pony, saddle, and bridle.
After the one-week offer, which
netted 100% response, the award
was made direct from the Rodeo.
Seen in front of the WFCI studio
is the winning youngster astride
the pony; in center, Paul Oury,
WFCI general manager, surround-
ed by four Rodeo members.
221
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surreys, long runs,
the growth of the business itself.
Auto Supplies
WHITE'S SCHOOL OF THE AIR Monday
through Saturday, class meets every noon
on Midland's (Tex.) Main Street, where
passers-by tarry in the chance of picking
up a lot of fun, a little change. So well do
pupils learn their lessons that sponsor
White's Stores, Inc., confine their ad-
vertising solely to radio !
KRLH emcee parcels out the questions
in sets of four ; contestants pluck a set at
random. In the manner of network Take
It or Leave It, they're paid progressively,
i.e., 10 cents for the first correct answer;
second correct answer hikes the price to 20
cents; third, to 40 cents; and fourth, to 80
cents; or down to nothing if a question is
missed. Contestant has the privilege of
stopping at any point.
Friday aperitif is a grand prize given
away by means of a drawing held during
the program. Listeners are always told to
bring or send in their names and addresses
on post cards, w^hich are placed in a box
for the drawing. The person
whose name is draw^n must call
station KRLH within five min-
utes to be eligible for the gift,
usually a table model radio, a
set of dinner ware, an electric
food mixer. In a six-week pe-
riod, from starting date of
grand prize, sponsor White
grossed some 1,500 cards.
AIR FAX: Emcee creates informal,
humorous atmosphere.
Broadcast Schedule: Monday thru
Saturday, 11:45-12:00 noon.
Preceded By: Helen Holden, Government Girl
(MBS dramatic serial).
Followed By: News (TSN).
Sponsor: White's Stores, Inc. (Retail automobile
parts and supplies, and home and electrical appli-
ances.)
Station: KRLH, Midland, Texas.
Power: 250 watts.
Population: 5,484.
COMMENT: It's been proved time and
again that it's not the cost of the entertain-
ment, but the idea that brings success to a
program !
Beverages
PIGSKIN PREVUE Fall U. S. radio per-
ennial is the Friday night football "dope-
show," fitting forerunner of the Saturday
contests. Past six years, Duquesne Brew-
ing Co. has sponsored Pigskin Frevue, fea-
turing crack expertiser Les Biederman, who
tackles the ticklish business of predictions,
confounds Pittsburgh fans with his uner-
ring scoops.
Duquesne had an added incentive for
sponsoring Pigskin Prevue: They were
capitalizing on a newspaper promotion, en-
tirely independent of them, sponsored by
three Pittsburgh newspapers. Each week
the papers listed 20 football games to be
played over the week end. To the one sub-
mitting the most correct list, a $100 prize
was awarded. Since deadline for turning
in the weekly newspaper tallies was Satur-
day noon, station \VWSW designed Pig-
skin Prevue for Friday night to lure the
vast audience participating in the newspaper
promotion.
Taking the lead in the program predic-
tions are the three local colleges, Tech,
Pitt, and Duquesne, but some
48 other nationally known
schools get their due share of
attention. Test of program's
power: The three newspapers
got close to 1,000 tally sheets
each week.
Only broadcast requesting
mail was the first program last
fall. In just one announcement,
sponsor offered to send anyone
interested in sending his name
to the Duquesne Brewing
Co. a booklet titled Know Your
222
RADIO SHOWMANSHIP
Presidents. Received: 237 requests.
AIR FAX: First Broadcast: 1936.
Broadcast Schedule: Friday, 8:00-8:30 P.M. (Pro-
gram starts mid-September, continues for 10 weeks.)
Preceded By: Musicale.
Followed By: Duquesnc University Football Games.
Sponsor: Duquesne Brewing Co.
Station: WWSW, Pittsburgh, Pa.
Power: 250 watts.
Population: 665,384 (1940).
Agency: Walker 8C Downing Advertising Agency.
SAMPLE SCRIPT AVAILABLE.
COMMENT: It's safe to say, that all other
factors being favorable (station, time, staff)
a football prediction program is sure fire.
Suggestion : Keep your eyes open for extra
promotions in your town that you can cash
in on!
Dairy Products
MEADOW GOLD TITLE TUNES Lifted
out of the ordinary by the w^eight of its
weekly mail intake is this clever musical
quiz show sponsored on WLOK (Lima,
Ohio) by the Beatrice Creamery Co.
for Meadow Gold Dairy products. In the
original 26 weeks of the contest, telephone
answers were accepted. But local telephone
company, indignantly claiming their entire
facilities were being tied up with busy sig-
nals, threatened to hamstring this success-
ful radio program with an injunction pro-
ceedings. Sponsor switched to post card re-
plies, soon was blizzarded by from 500 to
4,000 pieces per program.
AIR FAX: At the conclusion of each musical record-
ing, nine names are announced; only one is correct.
Contestant pens on a post card the number he thinks
represents the title of the selection. After this pro-
cedure is repeated four times during the half hour,
contestant has a number consisting of five digits,
which is the Title Tune number for the broadcast.
If only one contestant sends in the correct number,
he gets* 50 dollars. If two send correct answers,
each gets 25 dollars, with the pay-off decreasing on
the pari-mutuel system — the more correct answers,
the smaller the prizes. As minor prizes, sponsor
awards ice cream, other dairy products.
Broadcast Schedule: Monday, 7:15-7:45 P.M.
Preceded By: High Speed Factfinder.
Followed By: 15 Minute Participating.
Sponsor: Beatrice Creamery Co., for Meadow Gold
Dairy Products.
Station: WLOK, Lima, Ohio.
Power: 250 watts.
Population: 42,287.
COMMENT: Prime factors in Meadow
Gold Title Tunes' success: 1) Simplicity.
2) Anyone can compete for the prizes. The
entry fee is simply a penny post card.
YODRS
for the asking
address radio SHOWMANSHIP
11th at Glenwood, Minneapolis, Minn.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, p. 32).
Auto Supplies — Jack, the Tire Expert
(see May issue, p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Beverages — Pigskin Prevue (see p. 222).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see March-April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Kiddie Quiz (see p.
214).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35).
Department Stores — Woman's Hour (see
June issue, p. 178).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Finance — Saga of Savannah (see June
issue, p. 187).
Flowers — An Orchid to You (see Sept.
issue, p. 35).
Fuel — Smoke Rings (see Dec. irsue, p.
126).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries — Mystree Tunes (see June
issue, p. 162).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Laundries — Rock-a-bye Lady (see Feb.
issue, p. 47).
Men's Wear — Hats Off (see June issue,
pp. 178, 183).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Mr. Fixer (see June issue, p.
148).
Sporting Goods — Alley Dust (see June
issue, p. 177).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue, p. 53).
The Enemy Within (see Jan. issue, p.
18).
The Face of the War (see May issue,
p. 125).
Little by Little House (see May issue,
p. 128).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (see Sept. issue, p.
35).
Sonny Tabor (see May issue, p. 140).
Stella Unger (see Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
JULY, 1941
223
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally-sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, MAY, 1941
Type
Rating
Last
Month
Change
MUSIC
32%
32%
NEWS
22% '
21%
+ 1%
QUIZ
12%
11%
+ 1%
INTERVIEWS
8%
9%
-1%
TALKS
7%
8%
-1%
SPORTS
7%
7%
DRAMA
6%
6%
COMEDY
6%
6%
GROUPS Men Women Children
Music 28% 36% 33%
News 27% 20% 10%
Talks 5 % 1 1 % 3 %
nterviews ... 7% 9% 10%
Quiz 12% 12% 14%
Sports 13% 3% 4%
Drama 4% 4% 16%
Comedy 4% 5% 10%
INTRODUCTION
Do you want to use radio to sell tobacco
to men, or perhaps, hosiery to women, or
breakfast food to the kiddies? Maybe you'd
rather reach all of the people all of the
time. The choice is yours. There are some
program patterns with general appeal, oth-
ers, with greater effect upon one group than
another.
First, study your customers, decide whom
you wish to reach, then, read the following
analysis of our Trend figures.
PROCEDURE
For many months now, we have been
separating our total ratings of program pat-
terns into groups with the commercial ap-
peal directed to 1 ) men 2) women 3) chil-
dren. As would be expected, the ratings for
each group varies considerably from the
average rating for the whole. The follow-
ing graphs illustrate how small or great
that deviation actually is from the general
average. For example, in Graph I, average
rating for juusical programs is 32% ; the
rating for jiiusical programs appealing to
men is 4% less than average.
I. MUSIC
Ave.
Rating
32%
+ 4%
■
+ 1%
■
-4%
Men
Women
Children |
Most successful musical programs are
heard during the daytime when the house-
wife is near the speaker and the husband
deep in his business problems. This graph
indicates why. If you're appealing to wom-
en, music can play a merry tune on your
cash register.
II. QUIZ
Ave.
Rating ... 12%
-2%
0% 0%
Men Women Children
Interesting indeed is the fact that quiz
shows have less variance from the general
average than any other type of program pat-
tern. Wide general appeal is an attribute
many sponsors are looking for. The popu-
larity of kiddie quiz shows is also indicated
by these figures.
224
RADIO SHOWMANSHIP
A
III. NEWS
Ave.
Rating .
Certainly, in these times everybody is
interested in news, but the wisest buyer of
news broadcasts is the man with a product
to sell to men. Probable reason for the low
rating for news shows for children: It just
isn't being done!
IV. INTERVIEWS
Ave.
Rating .
8%
+ 1%
+2%
-1%
Men
1 Women
Children |
Informal interview programs (the man
on the street, etc.) is another type of pro-
gram with wide general appeal since ratings
by groups vary little from average.
V. TALKS
Ave.
. 7%
+4%
■
Rating .
-2%
-4%
Men
1 Women
Children
New York's Popular
HOTEL
LINCOLN
44th TO 45th STS. AT 8th AVE.
1400 ROOMS
from 5 j
Each with Bath, Servidor,
and Radio. Four fine res-
taurants acclaimed for
cuisine.
MARIA KRAMER
PRESIDENT
John L. Morgan
Gen. Mgr.
HOTEL EDISON
Same Ownership
IN THE CENTER OF
MID-TOWN NEW YORK
JU LY, 194 1
225
This rather wide classification (which
includes household hints, recipe programs,
fashions, lectures, etc.) is most successful
when the commercial appeal is directed to
women. Men don't seem to appreciate too
much talk: and children, even less.
shown as the kiddies' love for drama. If
you're thinking of reaching the parents
through their children, you'll be wisest if
you place your money on a syndicated,
transcribed, dra/natic show.
VI. SPORTS
VIII. COMEDY
Ave.
Rating .
There's nothing new about advising a
sponsor w^ith a product for men to use a
sports broadcast. He knew it all the time.
But if you've been hesitating about sports
show^s, compare these graphs. You'll find
they still remain the men's favorite. Inci-
dentally, actual figures indicate that sports
shows have a wider general appeal than one
might suppose.
VII. DRAMA
Ave.
Rating ... 6%
Only locally-sponsored drama is com-
puted in this graph. Here, we find that
dramatic shows appealing to men or to
women vary slightly from average, but
dramatic programs for children show
marked deviation. In fact, nowhere in this
entire survey is such a decided preference
Ave.
Rating .
6%
+4%
■
-2%
-1%
Men
1 Women
Children
Everybody loves a good laugh! These
figures prove that — no separate group de-
viates very much from average. However,
the children seem to enjoy their laughs
most, if these figures are any indication.
CONCLUSION
In order to simplify this survey, each
program pattern is broad and holds within
its boundaries hundreds of different pro-
gram ideas. In sojjie cases, it may even be
better to mix patterns, rather than hold to
one entirely. For example, music can find
a place for itself in almost any pro grain
structure.
1. If you're seeking a program with the
least variance among sex or age groupings,
or (putting the same thing in a different
way) the widest general appeal, try quiz or
interview programs.
2. If you're seeking a women's audience,
try ?uusic or talks about women and their
problems, delivered by an outstanding wom-
an personality.
3. If you're seeking a men's audience, try
news or sports broadcasts.
4. If you're seeking a children's audience,
try dra?na or comedy. As a suggestion, com-
bine them both and thus avoid the wrath of
parent-teacher groups that frown upon
"blood and thunder" drama.
226
RADIO S HO WM ANSH IP
XEXT MOXTIl
SUPERMAN'S ALLEN DUCOVNY presents an interesting analysis of radio for
children based on a recently completed national survey. You'll find all the facts and
figures in You Cant Fool the Kids.
AD MAN S. JOHN SCHILE, of S & L department Store chain, lets down
what's left of his hair to bring Radio Showmanship readers a few of his pet theories
on writing better script for radio. He calls his article, Sugar Coating Commercials —
and it makes "sweet" reading!
JUHNNY DN THE SFDT returns to Showmanship's pages with more results
on a national survey of radio spot announcements. If you want to know what to buy,
and why, watch for Johnny's report.
77/5 IS YOUR TENTH COPV (h
arc articles concerning, and clcrailc(
IS used in 12 different types of hiisi
program presentations niav prove adaptahl
itors of Radio Showmanship \ Mfkch;
dll promptly answer all c()rres[)oiidciice
lis issue.
xrwrnanSi
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Automobiles - Beverages * Dairy Products
Department
Stares
Finance
Furs
Groceries
Home
Furnisliings * Jewelers * Meat Pruducts « Men's Wear * Shoes
gFBVTPF
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
AUGUST
business PAGE
Automobiles 256
Beverages 255, 256
Building Materials 258
Cemeteries 250
Dairy Products 252, 254, 257
Dentistry 250
Department Stores 238, 250, 261
Drug Products 234, 258
Electrical Supplies 261
Business PAGE
Finance 237, 249, 253
Furs 258
Groceries 234, 240, 259, 261
Home Furnishings 231, 254, 261
Jewelers 255
Meat Products 248
Men's Wear 249, 257
Optometry 251
Shoes 248, 251
JULY
Business PAGE
Auto Supplies 222
Beverages 222
Dairy Products 214, 223
Department Stores 202, 221
Finance 212, 221
Gasoline 199, 212
Business PAGE
Groceries 216, 220
Home Furnishings 217
Jewelry 217, 218, 220
Laundries 206
Men's Wear 215
Real Estate 219
CONTENTS
! AUGUST 1941
I VOL. 2 NO. 7
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
William Dolph
Washington
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
J. Harold Ryan
Toledo
Business
Lorenzo Richards
Ogden, Utah
Gustav Flexner
Louisville
J. Hudson Huffard
Blue field, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalamazoo, Mich.
Allen C Knowles
Cleveland
Editor and Publisher: Don Paul
Nathanson and S. H. Kaufman. As-
sociate Editors: Norman V. Carlisle,
Harold Kahm, Paul Hellman. Re-
search Director: G. M. Osman. Busi-
ness Manager: Norman Lunde.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Portrait of My Best Salesman 235
Frank Reardon
The operator of the Pay'n Save
Super Market of Butte, Montana,
relates the amazing story of how radio
advertising built a million dollar busi-
ness.
The First 100 Years Are the Hardest 238
J. Paul Doherty
On its 105th anniversary, the A. G.
Pollard Department Store of
Lowell, Mass., experimented with
radio as a good-will builder and dis-
covered a new direct-selling medium.
Give Them a Reason for Coming In 240
W. R. Lovelace
With $900 and smart merchandising,
this enterprising grocery was built up
to a half million dollar volume in nine
exciting years.
Sugar Coating Commercials 243
S. John Schile
Words that sell and cast a spell, put
the "sing" into advertising. A study in
romanticizing commercials.
Something to Think About 245
An RS Air Analysis
Adman Harfield Weedin of Houston,
Texas, places the stamp of approval on
a five-minute script show that gives the
listener something to think about.
AUG U ST, 194 1
231
You Can't Fool the Kids 247
Allen Ducovny
Some facts and figures by the produc-
tion director of the Superman radio
show that further illustrates the value
of a children's audience.
Mama Bloom's Brood 248
An RS Air Analysis
Can a transcribed dramatic serial do a
selling job for your store or product or
service? Here's the answer by three
sponsors who have tried it.
Airing the New 250
All the available data on new radio
programs. No result figures, as yet, but
worth reading about !
Special Promotion 253
Short radio promotions that run but a
day, a week, or a month yet leave an
impression that lasts the year around.
Showmanscoops 254
Photographic review of merchandising
stunts, and the personalities behind
them.
What the Program Did for Me 256
This is the businessman's own depart-
ment. Here, the radio advertisers of
the nation exchange results and re-
actions of radio programs for their
mutual benefit.
Proof O' the Pudding 257
Results from radio programs, based on
sales, mails, surveys, long runs and the
growth of the business itself.
Johnny On the Spot 260
If you use spot announcements, you'll
be interested in the news, reviews and
tips in this department.
Trends 261
A rating of program patterns based on
a special and continuous survey of out-
standing, locally-sponsored radio pro-
grams throughout the country.
Yours for the Asking 262
A listing of sample scripts and tran-
scription availabilities on programs re-
viewed in this and preceding issues.
Furniture
Retailers!
Here's a thoroughly tested
transcribed radio series
ready for your Fall sales
campaign. It is now selling
more furniture for some of
the country's leading home
furnishings and furniture
stores. It's a complete pack-
age, consisting of a new
and splendid radio series
plus an intelligent mer-
chandising campaign that
will sell furniture for YOU
— at an amazingly low
radio of advertising ex-
penditure!
Audition Samples and
Complete Manual —
will be shipped at
$5.00 Deposit.
Produced and Distributed Exclusively by
KASPER-GORDON Incorporated
140 BOYLSTON STREET
BOSTON
MASSACHUSETTS
One of the Country's Leading Program Producers and Distributors of Tested Syndicated
Transcribed Radio Shows
111
RADIO SHOWMANSH
T
ON PUBLIC SERVICE
HE average American business man would never
make a good story book hero. In fiction, the hero,
upon rescuing the pretty maiden, retires modestly into
the background and shuns the plaudits of his admirers.
On the other hand, our average American business man
isn't modest at all. When he does a good deed or a public
service, he shouts the fact to the sky. He has learned long
ago that good public service is good business.
Are we blaming him? Not at all! For in these troubled
times, the important thing is the deed, not the reason.
No other medium of advertising presents better oppor-
tunities to serve the public than radio. Last minute news
flashes, weather and market reports, even comedy and musical
entertainment are services the public appreciates. The most
elaborate newspaper advertisement won't build a tenth the
good will that a blow-by-blow description of a champion-
ship heavyweight boxing match will.
Today, many a radio program sponsor has gone a step
further, has introduced a new and deeper kind of public
good, a service that ties in with all U. S. efforts toward
national defense.
Some advertisers are giving their time for army camp
programs, for promoting Bundles for Britain; others have
turned over their entire broadcast periods to appeals for
U. S. O, funds and Defense Savings Bonds. Many national
advertisers are taking the lead in this new kind of radio
good will advertising. Some of the more progressive local
business men are following suit.
As you read this, you may decide you would like to do
your part, but just don't know how or where to start;
here's a suggestion:
Right now, there are many important and worthwhile
government sponsored drives in progress. (The civilian de-
fense drive for old aluminum, the U. S. O., Defense Savings
Bonds appeals, etc.) Each organization handling these cam-
paigns has prepared a series of spot announcements designed
especially for local radio programs.
(Continued on page 262)
UGUST, 194 1 233
This latter department, I understand, is
the only self-help ladies' wearing apparel
store in the entire West.
The store did over a million dollars
worth of business last year and will prob-
ably go somewhere between a million and
a quarter and a million and a half this
year.
We leave our radio programs entirely to
Ed Craney of KGIR.
Every trick in the book is used. We
sponsor our own orchestra. We use 15-
minute programs, spot announcements, 30-
minute shows, and station breaks. We offer
prizes and put on quiz programs.
Opening KGIR program in the morn-
ing is our Musical Clock. In this show, we
have reduced the popular quiz to its sim-
plest form — a What Time Is Itf contest.
We're not out to educate nor ascertain I.
Q's. — all we want to do is sell, and we've
found that the best way is to keep the pro-
gram at a level in which every housewife
without exception can participate. All that
listeners have to do is write in the correct
time when without warning, a gong is rung
sometime during the program. The prizes
are always merchandise that is featured by
some national advertiser on KGIR. For
instance, we give Lucky Strike, Chester-
field, Avalon, Camels and Phillip Morris
Cigarettes, Kraft Cheese, You and I Sugar,
Occident or Rex Flour.
We leave it up to the station to decide
what the prizes shall be. In case of ties,
we give duplicate prizes. At one time, it
was necessary to tell listeners what the gong
was all about, but now we never have to
say a word. All we do now is say (at the
end of the musical number or announce-
ment in which the gong was rung) "Did
you hear the gong that was rung? Put
down the exact time on a post card to en-
ter the Pay'n Save What Time Is It Con-
test/'
Pay'n Save also sponsors the last com-
mercial program on KGIR in the evening.
In addition, we have a talent show that is
broadcast every Sunday from the station
studio, and once or twice a week this same
show is broadcast from the store. In addi-
tion to this, we sponsor a flock of an-
nouncements. Incidentally, we use just as
many announcements to tell the folks that
this or that item is completely sold out and
they'll have to wait until the new stock
arrives, as we do to advertise the stock
when it first comes in.
Although KGIR of Butte handles most
This is the largest self help
drug store and super market in
the Pacific Northwest. It was
built by Frank Reardon with
the aid of radio advertising in
Butte, Montana, a town of only
39,000 population. Last year
Reardon's PAY'N SAVE SU-
PER MARKET handled a mil-
lion dollars in sales.
Wmmm,mn-:t^r,msM:r^urK..,r^, ..r"?
236
RADIO S HOWM ANSH I P
of our advertising, sales are also broadcast
over the entire Z Net, which includes
Bozeman and Helena as well as the Mining
City. This is done principally to attract
rural trade.
During the winter and rainy seasons,
hundreds of Montana farmers and ranch-
ers are trapped in the country. Listening to
radio is their principal pastime. They are
attracted by the Pay'n Save specials, and
although they are unable to profit by them
at the time, they start for Butte and the
Pay'n Save when the weather brightens.
Sales from this type of customer often
add up to from $50 to $700 at a time.
Radio advertising, I have found, brings
speedier results than newspaper advertis-
ing. It results in volume sales at a low cost.
In the summer, for example, we can re-
ceive a 30,000 lb. truck load of perishable
peaches or cherries at 2 o'clock in the
afternoon and have them all sold out by 5
o'clock. If we depended on the newspaper,
our ad would not appear until the next
morning. The public, at the same time,
benefits by fresher fruit.
Radio specials have produced phenomenal
turnovers for us. During the Christmas
season, we sold a carload of toys. We han-
dle more Sweet's candy than any other re-
tailer in the world. We sold an entire car
of eggs and two cars of sugar in less than
a week recently. We sell more than a ton
of Kraft cheese and sandwich spread every
week. In fact, we order Kraft products in
10,000 lb. lots.
Our advertising alone does not do this.
We have learned to feature all national
merchandise that is advertised on the Z
Net. It sells far easier than any other mer-
chandise we can buy. With Kraft cheese
we are merely "cashing in" on the Kraft
Music Hall show now carried by KGIR.
Pay'n Save recently conducted a week-
ly quiz program on the surplus commodities
food stamp plan. Weekly stamp sales tow-
ered from $200 to $1,300 almost immedi-
ately.
Pay'n Save stocks only standard goods
in order to capitalize on double advertising.
It is poor merchandising, I feel, to push
goods that people are not familiar with
when one can sell merchandise that people
have heard over the radio. We have found
that radio advertised products move more
A horse, buggy, and 25 dollars
worth of groceries were the stock in
trade of Frank Reardon at the age of
18. Left on his own when but 10 years
old, young Reardon realized, with the
same clear-headedness that guides his
decisions today "that if I wanted to
eat I had to get a job somewhere." By
the age of 18, he had saved the mag-
nificent sum of 85 dollars with which
to buy the aforementioned articles. Out
he went on a peddling route. In 90
days, he had cleared over $3,000. This
a?nount was invested in the first store
of the Eclipse chain, which he man-
aged for 17 years. In 1935, he sold out
his interest in the ECLIPSE chain and
opened the Pay'n Save Super Mar-
ket. Last year, Pay'n Save grossed
over a million dollars!
Apple of Grocer Reardon s eye is
his dancing daughter, aged 10, who
has scooped up prizes in piano and
dance contests. To the Montana moun-
tain streams sportsman Reardon goes
for his favorite trout.
rapidly than non-radio advertised goods.
Throughout our store, you w^ill see one
display after another tying up the product
with the national network program pro-
moting it. We have displays of Rinso, with
a sign attached, "KGIR, Big Town, with
Edward G. Robinson, Tuesdays, 8 :00
P.M."; ''Ma Perkins, for Oxvdol, Mon-
day thru Friday, 1:15 P.M."; "KGIR,
Vic and Sade, Crisco, Monday thru Friday,
1:45 P.M."; "Jack Benny for Jello,
KGIR, Sundays; Maxwell House Coffee,
Good News of 1941 ; Dr. I. Q. for Mars
Candy, etc., etc.
When I first started in business I drew
a mental picture of the man I wanted to
fill a sales position in my organization. I
wanted a man who would be equal to any
task I set out for him to do ; I wanted a
man who could talk to a customer and
gain a friend ; a man who did the right
thing at the right time; who could get
results in a hurry.
I never found that man. I found, in-
stead, a perfect substitute: Radio!
AUGUST, 1 941
237
^
he First Hundred Yea
Dn Its ID 5th Anniversary the
Radio with Hemarkahle Succes
After 105 years of serv-
ice, Pollard's Depart-
ment Store in Lowell,
Mass., decided to use
radio advertising. That
sounds like a summarizing
sentence to end a story;
actually, it is the begin-
ning of one.
For over a century.
Pollard of Low^ell has faithfully served
the department store needs of thousands
of Merrimack Valley families. Managed
through these years by descendants of the
founding Pollard family, the store survived
wars, floods, and depressions with an ever
growing group of customers . . . customers
whose parents, grandparents, and even great
grandparents found satisfaction and relia-
bility in their purchases.
As December, 1940, approached, we felt
that we should do something different for
our 105th Anniversary Celebration Sale,
Forty - eight- year -old advert ising
manager J. Paul Doherty has been as-
sociated with the A. G. Pollard de-
partnient store for 37 years. He join-
ed the firm as a stock boy in 1907 upon
his graduation from Moody school in
Lowell. In the interim, he worked in
practically every department of the
store, a background which has served
hi?n well in his present position.
Mr. Doherty is an active member of
Post 87, American Legion, spent 18
months in the army during World
War I, is ?iiarried, has three children,
Nancy, Jan Paula and J. Paul, Jr.
scheduled for March of
1941 ; something more
than our customary news-
paper advertising, window
displays, store banners,
and similar types of de-
partment store promotion.
We had often considered
radio, but not seriously;
to us it was an unproved
medium for our type of business. However,
at this time a series of coincidental events
made us reconsider the medium and per-
suaded us to try a program — A Pollard's
Anniversary Program.
In December, 1940, Station WLAW of
Lawrence, Mass., celebrated its third an-
niversary of broadcasting. Since 1937, how-
ever, WLAW had been operating on a lim-
ited local sunset license with 1,000 watts
power. This third anniversary for the sta-
tion marked the beginning of vastly im-
proved service to its listeners. The Fed-
eral Communications Commission granted
WLAW a construction permit for in-
creased power and time; so, on their third
anniversary WLAW inaugurated their
new service as a 5,000 watt, full-time af-
filiate of the Columbia Broadcasting Sys-
tem. The programs for this anniversary
date featured many leading New England
men and women as well as outstanding en-
tertainers. This, we felt, was the time for
us to try radio.
Pollard's presented a half-hour pro-
gram over WLAW on that anniversary
day. We felt it was just a good will
builder, institutional advertising, an out-of-
the-ordinary something to mark Pollard's
105th Anniversary. We found out in that
one program that radio could produce real
results for our business.
238
RADIO S HOWM ANSH IP
re the Hardest . . .
rd Department Store Turned to
jl Doherty, Advertising Manager
I could tell you of the hundreds of peo-
ple who mentioned the program when they
came to the store. I could tell you of stocks
mentioned on the broadcast that moved like
proverbial hotcakes. Instead, let me tell
you that we've a year's contract for pro-
grams ; we've built a regulation studio right
in our store and now^ regularly broadcast
our shows direct from Pollard's.
For our programs, we evolved a show
that honors and salutes local organizations.
The show features one of the honored or-
ganization's officers as a speaker. Guest
artists are used as often as possible and are
selected from talent among the members of
these civic and social groups. Pollard's
interests are taken care of by "Polly Pal-
mer— Pollard's Personal Shopper" who in-
terviews department heads and store buy-
ers, asking them for information on the
best "buys" in their departments for the
coming week. The formula for the show is
simple and very flexible.
Through this radio program, we have
reached suburban patrons and prospective
customers who are out of the range of our
other advertising media. One woman shop-
per from Haverhill, Mass., said that she
was just leaving her home to go shopping
in Boston when she heard Polly Palmer
talking about children's clothes bargains.
She stayed to listen and then came to
Pollard's in Lowell to buy, instead of
going to Boston. She was pleased with
what she saw in the store and now has be-
come a regular customer ; what is more im-
portant, she has become a regular booster
for our store. We would never have made
contact with this valuable customer except
for our radio program over WLAW, and
we feel that she is only one of many new
customers that the broadcasts have brought
to us.
Any retail store executive will agree
with me when I say that you ordinarily
recognize your regular customers. Walking
around the various floors of the store you
see these people going from one department
to another. They know where they're going.
You recognize them by appearance even
though you may not know their names.
Since the start of our broadcasts, I, and
From this model studio right in the department
store emanate all POLLARD programs. In pic-
ture below, store buyers are being interviewed
in person, given opportunity to plug their de-
partment's "best buy." Ad manager Doherty,
sporting black bowtie, is almost visible in the
back of the studio.
AUGUST, 1941
239
1
other executives of the store, have remarked
at the number of new customers w^ho come
into our store ; people who have to ask their
way around ; people who must be directed
to the various departments; people who are
strangers in our cit}' and store, but who
have heard of both through our radio pro-
grams.
Testing our program by placing special
prices on special articles not advertised in
any other medium, we have found radio
has done a tremendous selling job for Pol-
lard's. In the case of one nationally adver-
tised line of women's beauty aids, this year's
annual sale showed a 200% increase over
any previous annual sale for this product.
The only change in our customary plan of
promotion was the use of radio. Our furni-
ture department has a success story to tell
for our program, too, a story of beds and
mattresses that were moved by radio broad-
casts alone.
There are many other examples of sales
directly attributable to radio that I could
mention, but these will suffice for purposes
of illustration.
We have discovered another advantage
in radio. As I mentioned earlier in this arti-
cle, Polly Palmer, our personal shopper, in-
terviews various department heads on the
air. The increased spirit and enthusiasm of
the personnel and the rivalry between de-
partments to talk and feature the products
mentioned in the radio program resulted in
improved employee morale and sharply in-
creased sales.
We, at Pollard's entered radio think-
ing of it chiefly as a medium for building
more institutional good will and to do some-
thing a little different for our 105th Anni-
versary. We've found, by experience, that
radio can be used to produce direct sales
and that it can, and does, pay. We certain-
ly had a "whale" of a 105th Anniversary,
and feel quite sure radio vv^ill play an even
greater role in our future advertising plans.
Graphic indeed is the story told in these two
photographs. Pic No. 1 is an ancient and blurred
print of the first LOVELACE market, taken
some nine years ago. Pic No. 2 is the fine,
modern LOVELACE market of today, built by
enterprise, ingenuity and smart radio merchan-
dising.
ive The;
By W. R. Lovelace of the Lovelace
Grocery & Market, Fort Worth, Texas
This is probably describable as a Cin-
derella business story, for it involves a poor
individual, a couple of villains, a P'airy
Godmother and a Prince Charming. I was
the poor individual, the villains were the
forces of the Great Depression that began
in 1929, the Fairy Godmother was Radio
Broadcasting as personified by Station
KFJZ, and Prince Charming — he's the
grocery-buying Fort Worth public.
The Depression broke me into small
pieces. To make an attempt to get back on
my feet I borrowed $900 in April, 1932,
with which to set myself up in the grocery
business. In an effort to make the most of
my small enterprise, I adopted radio adver-
tising, using a small program once a week.
It didn't cost much, and it seemed to bring
good results because my business throve
nicely and kept increasing. I was sure that
radio had a great deal to do with the
growth of my business because I used little
other advertising, and my customers fre-
quently commented on my radio program.
But that's all history, and the details of
that early program and my business efforts
W,e* LOVELACE
Z9C
240
RADIO SHOWM ANSH IP
Reason for Coining In
From 59DD to a Volume of a Half a Million Dollars in Nine Years
Is Quite a Climb in the Grocery Business, or Any Other Business
make routine reading. The important and
significant fact is that I started in business
in 1932 with $900 of borrowed money, and
today, in 1941, I am doing half-a-million
dollars worth of business. That's w^hat I
did in 1940, and I'm sure that it will be
still better this year. It's all cash, too.
Lately my radio programs have become
more frequent, and more effective. In 1939,
I was on the air six days a week, from
7:00 to 7:15 A.M., using a HiH-billy
band. The first six months of 1940 I
switched to a program idea with a stronger
merchandising slant.
It was called the "Gifty Basket Pro-
gram" and it operated as follows: Names
were picked at random from the city direc-
tory, and the lucky person whose name was
drawn was sent a certificate good for $5
worth of groceries. The winner did not
have to take out his $5 all at once; he
could buy a dollar's worth today, two dol-
lar's worth later, and so on, according to
his needs.
One "basket" was given away daily. A
UCE GROCERY 'MARKET
total of 450 were awarded to lucky winners.
In 1941, the program was changed to
the "Four Bell Special"; the show consists
of transcribed music, an announcer (Mar-
shall Pope) w^ho ad-libs his stuff very clev-
erly, and a daily announcement of four
"super specials" — special bargains —
changed daily.
My other advertising consists of a two-
column ad in a local newspaper every
Thursday — one newspaper ad per week.
My total advertising cost runs about one-
and-a-half percent. The "Four-bell Spe-
cials" are advertised exclusively on the air.
My business has been constantly increas-
ing without a corresponding increase in ad-
vertising costs. So far there has been a
21% increase in 1941 over 1940. And
■*■«■■»■ ,«■{■■„ ,„
■H
241
radio has been the biggest factor in building
the business. That certainly puts radio in
the Fairy Godmother class, in my opinion.
One great advantage in radio, I find, is
the fact that I can change my "specials" at
the last minute; I can decide what specials
to run as late as the morning of the same
day, and base my selection on a survey of
the stock on hand. You can get to the peo-
ple quicker w^ith radio than any other form
of advertising.
Of course, radio alone is not responsible
for my success. Advertising alone cannot
build a business; the business must have a
foundation — a special reason for its exist-
ence ; you must give the public a reason for
patronizing you. When you have establish-
ed this, or are trying to establish it, radio
is an excellent means of letting the public
know of your existence, and getting them
to come in to look you over.
I have tried to give the people of Fort
Worth a good reason for coming in ; for
giving my store preference. To this end I
have used great care in the selection of my
employees. I started with four of them in
1932, and now I have sixty. They are
hand-picked for intelligence and personal-
ity, courtesy and good-nature. I do my best
to make things pleasant for them, so they
will not have to force themselves to smile
and be good-natured. People like to go to a
store that has pleasing, attractive, attentive
employees.
I have also endeavored to give the peo-
ple the utmost possible for their money. I
now have my own bakery, and am able to
sell good bread for 4c a loaf. Every time I
give somebody a good bargain the store
makes a friend and steady customer. I am
able to do this and still make a satisfactory
margin of profit. It is a sound foundation
for business ; it gives the people another rea-
son for coming to my store.
Spotless cleanliness is another factor in
bringing business, and still another is the
constant introduction of new novelties. A
doughnut machine is one of these; people
like to watch doughnuts being made, and
they like to buy them warm and fresh.
It's simply a matter of knowing what
the people want, and giving it to them.
And what they want above all — perhaps
even more than low prices — is friendliness.
William R. Lovelace started in the
grocery business in 1920. Eleven years
later on December 11th he went
broke.
The story of his comeback, if ever
written, would be a fine example of
American courage, faith and ingenuity.
For in April of 1932, less than four
months after his affairs went boom.
Bill Lovelace started all over again on
900 dollars borrowed capital. In 1940,
the Lovelace Grocery & Market
did a hefty half ?nillion dollars worth
of business. That sizeable gross will
probably be topped this year.
Bill Lovelace's hobby is his busi-
ness. He employs 60 people. Married
some 26 years, he has two children, a
boy and a girl. The girl is 12 years
old. The boy, Adis, 24, is his assistant.
Those clerks of mine know everybody ; they
call people by name and joke with them and
listen to them; they're not just clerks,
they're friends. When my radio program
brings people into the store, it's the clerks
who have the real responsibility of turning
those people into friendly customers. My
store is a kind of a big family proposition,
and everybody who comes in is made to feel
at home. I'm there to meet them, too, and
so is my son, Adis.
This system of doing business, combined
with excellent, constant radio advertising,
is responsible for my success story. It's re-
sponsible for the constant increase in busi-
ness. Let me mention a bit more about that
increase: I did $30,000 worth of business
in January, 1940, and $41,000 in January,
1941. Things have been going at that rate
for some time, as would be naturally essen-
tial to building up a half-million dollar
business from virtually nothing in a short
space of nine years. A cash business, too!
Not even any deliveries.
Radio advertising has done a wonderful
job for me, and if anyone asks me if I am
really "sold" on radio, my only answer is,
"You're darn right I am!"
There you have my story. The difference
between my story and Cinderella's is that
mine is real.
242
RADIO SHOWM ANSH I P
ugar Coating Commercials
Words that Sell and Cast a Spell Put the "Sing" in Advertising
By S. John Schile, Advertising Manager of S S. L Company Stores
Just suppose someone came to your door,
knocked, and after being admitted started a
barrage of conversation something like this:
"Do you want to buy a six months' sub-
scription to the 'Searchlight' ... it costs
only five cents . . . we guarantee you'll like
it and etc." Personally, I think at this point
you would be ready to toss the over-
zealous salesman out on his "sample case"
and with good reason.
Yet, many of us w^ill "barge" into a
living room via radio and use the same
high-pressure approach to our prospective
customers. Is it any wonder "hot spots"
sometimes grow cold? Is it any wonder
Mrs. Jones doesn't come posthaste to our
store to buy the ninety-eight cent corset
lacers we'd advertised over the air at sixty-
three cents?
You should know Mrs. Jones. Her day
begins and ends with "soap operas" and
"you tell me your dream and I'll tell you
mine" programs. She has become accustom-
ed to drama, but more than that she has
become accustomed to sugar coatings. In
selling your product to her, you should
maintain a soft, easy tempo. Oh, I know
you have only a limited number of w^ords,
and words cost money; but if the words
don't reach the ears of your listeners, then
sink in, they cost you a great deal more.
Every item in your "line" can be roman-
ticized. It can be described in such alluring
terms that the listener is led to believe the
announcement is almost a part of a drama.
With words, you must first set the stage
before the "principals" are brought into
play. Your "characters" must have a set-
ting, in which they can come to life.
In demonstrative or display selling, it is
easy to show the functions or adaptabilities
of a certain item, since we are at liberty
to use color, animation, third dimension and
other attention-compelling factors. In radio,
we must create the same setting with a
ivord picture. We must strive to create an
illusion that will show the advertised item
in the correct atmosphere or proper sur-
roundings. With a little creative thinking,
this can be accomplished many times with
a single opening sentence.
Let me illustrate with an example from
one of the commercials written for Myn-
dall Cain beauty oils. The object of the
commercials were to show how modern
beauty oils had replaced "old-fashioned"
surface creams that came in jars: Here's
the way it was handled :
"Rummaging through the attic last
night, my w^ife and I had a few hearty
laughs over some of our stowed-away
memories ... an old pair of high-topped
shoes with pearl buttons ... a plumed hat
for which some poor ostrich probably was
the victim . . . and an empty jar that once
held face cream, etc., etc."
The point I want to bring out is this. In
the above paragraph the jar of cream is im-
mediately placed in an old-fashioned atmos-
phere. So you see, by writing a bit of drama
into commercial announcements, we im-
mediately put the advertised item to work.
Famous quotations or opening lines of
popular verse will sometimes give you a
lead without "jarring." For example:
"Mark Twain once said . . . everybody
talks about the weather but nobody does
anything about it. . . . Ladies, Mark Twain
didn't know about Myndall Cain cosmetics
. . . because the makers of these famous
skin tonics have developed a cream powder
base especially suited to hot, sultry weather
. . . etc."
Many network shows today employ
subtle drama in presenting their sales mes-
sage. I don't believe, however, that this
method should be confined entirely to pro-
grams. Announcements that "sing" may be
used with equal effectiveness as a "spot" or
"station break." Mrs. Jones is interested
only in what your commodity will do for
her, and it's up to you to give her a clear,
concise, complete word picture. Mrs. Jones
has a "photographic" mind. She will not
readily remember each individual word of
your sales story, but the next time she goes
shopping she will remember the picture as
a whole, if you "paint" it carefully, vividly
and with conviction.
J^^ Trim, young,
^BR^ baldish S. (for
■fe Sylvester) John
^Bfe^ Schile (rhymes
B^W(|j?' with really) has
Wm^f y^cirs in the study
^E^ and practice of
^ retail advertising
iCTJl^ and merchandis-
ing. As ad man-
ager of the S & L Co. Stores (Salkin
^ Linoff, operators of a chain of small
town department stores throughout the
Northwest) he has had ample oppor-
tunity to test and prove, has done just
that. From the process, S. John has
emerged with a set of worthwhile,
sales-making convictions.
As a prelude to purchasing radio
time for a few S & L stores, progres-
sive Adman Schile enrolled in night
classes at the University of Minnesota,
studied radio script and commercial
writing.
Active in many a civic club, S. John
Schile is past president of the Minne-
apolis Display Guild, secretary of the
Normandale Club in Edina (Minne-
apolis' suburb), has two hobbies:
' music and dramatics. An easy, witty
speaker, he receives many invitations
to address civic functions, obliges more
often than not.
S. John will observe his seventh
wedding anniversary next September,
his 31st birthday in Nove'mber, has
three boys, shoots golf in the low 80's.
FIILE AI^D MEFEM to eoch copy of Rodio Showmonship
Mogazine. Thus, you may profit by the experience of others. The promotion plans
carried in its pages are gathered from all over the country. You'll note by the "Your
Business at a Glance" Index that this information is classified by businesses. Avail-
oble now is a sturdy, leatherette binder in which 1 8 copies of Radio Showmanship
Magazine can be conveniently filed for ready reference, it's a compact way of keep-
ing your issues in permanent chronological order. Order one today. Price per binder,
prepaid: One dollar. Address: Radio Showmanship Magazine, Eleventh at Glenwood,
Minneapolis, Minn.
244
RADIO SHOWMANSHIP
Adman Harfield Weedin of Houston Pins His Seal of Approval
Upon This Highly Informative Five-Minute Script Program
Did you know that in Tokyo, Japan, you
wouldn't go to the telephone company to
have a telephone installed? Instead, you'd
buy your phone service from a broker!
What's more, you'd pay about $225 for the
installation.
Did you know that in 1837, a young lady
attending the famous Mt. Holyoke College
was expected to abide by this rule: "No
young lady is expected to have gentlemen
acquaintances unless they are returned
missionaries or agents of benevolent socie-
ties!"
Did you know that Cadmus, the Phoe-
nician, invented the alphabet? That's Some-
thing to Think About!
Something to Think About is a five-
minute script show crammed full of inter-
esting information. What's more, the title
affords a natural tie-up for commercial
copy for any business field. Al-
ready using this program are dry
cleaners, florists, bakers, refriger-
ator dealers, grocers, clothiers,
etc.
The facts and interesting items
in Something to Think About are
not to be found in the average
newspaper column. Over a year
of research went into digging up facts,
checking them, weeding out dry, uninter-
esting material. The scripts are not "dated"
with material that will be uninteresting six
months from now.
That the public is anxious to learn things
these days is evidenced by the success of
quiz programs Information Please, Ask-It
Basket, Professor Quiz, Dr. I. O., The
Quiz Kids. Provided that information is
presented in sugar-coated, easily digested
bits!
AIR ANALVSM
Next to buying a complete transcribed
program, best bet for many a local mer-
chant in search of a program to sponsor is a
looksee at the great variety of script pro-
grams dished up by idea men who put their
programs on paper instead of records.
Top advantage of script shows (as con-
trasted with transcribed programs) is the
low cost. But here again, as in all things,
you get what you pay for.
A transcribed program gives you a fin-
ished program on discs; a script show gives
you a mimeographed script. This script, if
it includes more than one character, has to
be acted out by the talent of your local sta-
tion.
Two things to keep in mind when buy-
ing a script show: 1) Simplicity. 2) Adapt-
ability.
The program has to be simple enough in
production so that no matter how
it is handled it will still get its
message across ; the idea has to
be adaptable to the product or
store or service that you're sell-
ing. Something to Think About
has both of these qualities.
The Editors of Radio Show-
manship selected 10 sponsors of
the program at random, wrote each a letter
requesting a reaction on the pulling power
of the program, its popularity, its adapt-
ability.
Typical of the replies is the report of
Adman Harfield Weedin of Segall &
Weedin, Inc., Houston, Tex. Wrote Mr.
Weedin: "Having completed our fifth con-
secutive week of Something to Think About
broadcasts over KTRH, Houston (Tex.),
(Continued p. 257 , ''What the Program
Did for Me'')
AUGUST, 1 94 1
245
^
ou Can't Fool the Kids
By Allen Ducovny, Director of Production, Superman, Inc.. New
York City, Who Presents Facts and Figures to Prove His Point
A LISTENING audience composed of chil-
dren is the most loyal group of prospective
purchasers any radio program sponsor could
be blessed with. Such an audience is both a
trust and a responsibility, and sponsors
should therefore treat their young listeners
with the respect and concern given any val-
uable investment.
This does not necessarily imply that a
sponsor's responsibility is any less when pre-
senting an adult program. It does mean that
because children's minds are more receptive
to ideas and commands, the sponsor has to
exercise greater care in the selection of a
program, and greater care yet in its presen-
tation.
To illustrate how important a segment of
buying power the sponsor is addressing with
his children's program, I have borrowed a
page from a survey conducted on be-
half of the Juvenile Market Group o
(comic magazines) by the Ross Fed-
eral Research Corporation last May.
The Juvenile Market Group includes
Super?nan Magazine and Action
Comics, from which, in turn, the
radio serial, Superman, originated.
The survey was conducted on a na-
tional basis, and the answers came
from the 1,100,000 readers of Super-
man Magazine and Action Comics,
readers who purchase these magazines
each month.
If these are the results compiled on a na-
tional survey, it is reasonable to assume that
-they retain their worth when applied to
your local or regional market.
To illustrate, among the questions asked
were these six:
"Do your parents usually buy you things
you ask for?"
77.3% of the boys and girls said "Yes."
4% said "Sometimes."
"If your child asks for something within
reason, do you buy it?"
91.5% of the parents answered "Yes."
2.3% said "Sometimes."
"What kind of cereal do you eat?"
To this, the children gave some 25 dif-
ferent brand names as answers, with
Wheaties leading, oatmeal (no brand
name) second, and Ralston, third.
The next question was: "Why this kind
of cereal?"
74.6% of the boys and girls answered,
"Because I ask for it."
,\\i(i[^ The next question, although not ap-
plicable to radio directly, serves in in-
troducing the question that followed:
"Do you read the ads?"
90% said "Yes."
"Have you ever sent for anything
advertised ?"
24% answered "Yes."
And to the parents went this ques-
tion : "Have you ever bought any-
thing advertised for your child?"
59% said "Yes."
With child influence on purchases so
great, you can readily understand why it
does not pay to trifle with the affections of
youngsters. You must be honest with them ;
you can't use subterfuge to excite their inter-
est, for they'll repay you with a lack of in-
terest that'll make your cash register shrink.
246
RAD rO SHOWMANSH IP
!
ing%pcal T
*If you would like to see the
complete letters, or some of the
many others we had no space to
quote, just drop us a note today.
Or ask the managrers of any
station now usine SHOWMAN-
SHIP. You'll find a partial list-
ing on the next page.
S
.
HOWMANSHIP ma^
by pre-selling the busint
manship from the man)
Here are a few quotes fi
WFIL, Philadelphia: ". ,
Radio Showmanship m;
helpful." KDYL, Sc
contained in your maga
good many instances, i
KOMA, Oklahoma City
have made favorable cor
zine to good advantage i
''Radio Showmanship hi
Radio Showmanship is '
consider Radio Showm
KOL, Seattle: "One of o
more: "We have had ve
more sold on Radio Sho^
ne Is Tougher . . .
OUR STORY IN 10 SECONDS: We print a monthly magazine full of useable^ tested radio
programs and promotions gathered from all over the country and indexed by businesses.
We mail it to the men and firms you want to reach. We pay the postage. We bind your
station insert into every copy mailed to your town. We mail the magazine in an attractive
envelope. We address it. We mail your station salesmen (to their home address) the
RS Sellogram each month! We give you a beautiful Gift Subscription Card^ imprinted
with your station call letters^ that you can mail to each of the men and firms who are going
to receive Radio Showmanship each month through the courtesy of your station!
All this for just 15 cents per copy, per month.
All you do: Send us the names and addresses of the businessmen and agencies in
your town who should receive Radio Showmanship, send us your station insert. The
insert is bound into every copy of Showmanship mailed out by us to your customers.
makes your local selling job easier. It paves the way for your salesmen; helps them
I they call on. We have a file-full of proof of the promotional power of Radio Show-
9ns who subscribe to it on behalf of their clients, prospects and station salesmen.
ose letters* :
e received numerous letters from agencies and advertisers commenting favorably on
'^i. The members of our Sales and Program Department have also found (it) most
\e City: ''We have already been approached by two of our clients and asked that ideas
•e developed for their own use on the air." WBLK, Clarksburg, W, Va,: "In a
V Showmanship has specifically been the clinching argument to the close the sale."
I salesmen report that many of our prospective clients as well as current advertisers
1 about the magazine." WCHS, Charleston, W, Va,: "Our salesmen use the maga-
ihas done a lot to make a picked mailing list radio conscious." KMO, Tacoma:
^ri of inestimable value to this station." WHK, Cleveland: "For the cost involved,
i|' the best promotions we have ever undertaken." WBRC, Birmingham: "We
i a good investment and are more than pleased with results we have obtained."
ijesmen has turned two of your merchandising ideas into sales." WFBR, Balti-
1e comments from our prospects and our salesmen." WIND, Chicago: "We are
THESE ARE SOME OF THE STATIONS NOW USING
Radio Showmmship Magazim
e mail Kadio stiowmaifstiip to t neir cnentfj
prospects and station salesmen each mont]
WXYZ
WSPD
KOA
WFBR
KMO
KROW
Detroit, Mich.
Toledo, Ohio
Denver, Colo.
Baltimore, Md.
Tacoma, Wash.
Oakland, Calif.
WBLK
Clarksburg, W. Va.
WCHS
Charleston, W. Va.
WPAR
Parkersburg, W. Va.
WSAZ
Huntington, W. Va.
KFJZ
Fort Worth, Texas
WEBC
WLAP
D ninth, Minn.
Lexington, Ky
WTCN
Minneapolis, Minn.
KDLR
Devils Lake, N. D.
|H Rad
WIND
Chicago, III.
WHN
KOL
New York. N. Y.
Seattle, Wash.
KDYL
Salt Lake City, Utah
KFJM
Grand Forks, N. D.
KLPM
Minot, N. D.
KRMC
Jamestown, N. D.
WOOD
Grand Rapids, Mich.
WAGA
Atlanta, Ga.
WWVA
Wheeling, W. Va.
WLOK
WHIZ
Lima, Ohio
Zanesville, Ohio
WMMN
Fairmont, W. Va.
WBRC
Birmingham, Ala.
WING
Dayton, Ohio
KOMA
Oklahoma City, Okla.
WGR-WKBW
Buffalo, N. Y.
WHK-WCLE
Cleveland, Ohio
WFIL
Philadelphia, Pa.
KGIR
Butte, Mont.
KHBG
Okmulgee, Okla.
KTSW
Emporia, Kan.
WORC
Worchester, Mass.
WGRC
Louisville, Ky.
KVFD
Fort Dodge, Iowa
WCOP
KPDN
Boston, Mass.
Pampa, Texas
WTPR
Greenville, Miss.
WSIX
Nashville, Tenn.
WKST
New Castle, Pa.
WBNS
Columbus, Ohio
WOL
Washington, D. C.
WKRC
Cincinnati, Ohio
WFBM
Indianapolis, Ind.
KIT
Yakima, Wash.
WELI
New Haven, Conn.
WNLC
New London, Conn.
WNBC
Hartford, Conn.
KVAK
Atchison, Kan.
WFCI
Pawtucket, R. I.
WFBL
Syracuse, N . Y.
WHOP
Hopkinsville, Ky.
KDTH
Dubuque, Iowa
KGDE
Fergus Falls, Minn.
WIBM
Jackson, Mich.
Radio Showmanship Magazine Is Exclusive with One
ion ni ^^Ot¥^^]|rE^J^^A|i]^^aleM||fi]^0|ijg^E2ti*^ Lift
Meu/ Uie. C*tcloAed Po4ica^ ^odcuf,
These points are worth remembering and
applying :
1) Dont over-sell a premium.
Don't tell your audience that for 10 cents
and a box top you will send them a gold
badge and then send out instead one made
of gold paper.
2) Dont ask them to ask their parents
for too much too often.
If you over-use the statement: ''Ask your
mother to buy milk today!" you'll get
mother upset sooner or later, not that the
child won't ask; he will. By subtle selling
you can make him want your cereal or milk
or bread without actually using that form
of request.
3) Give the kids a chance to catch their
breath between premiums.
The length of time that should be al-
lowed to pass in between premium offers
varies of course with the program, product
and market ; but announcing them too rapid-
ly is one sure way of wearing out your wel-
come, or at the very least, not getting a
maximum return on each offer.
4) Dont allow your commercials to be
Presented in a condescending manner.
Child psychologists agree that children
respond best when treated as equals. Too
often an announcer or the wording of a
commercial will stoop to an adult-baby talk
level that even leaves the kids yawning.
5) Dont forget the parents.
To quote the JMG survey again (for al-
though it concerns magazine readership, it
carries with it a strong moral for radio
sponsors also) : 86.1% of the parents enjoy
reading these magazines themselves.
25.5% approve of their children reading
these magazines.
In radio, more than in any other medium,
the parent is watchful of the fare. Keeping
the parents in mind can help assure your
program of success, if you have the right
program. That, of course, is a different
chapter in itself.
The children's program is one type of
radio on which U. S. local merchants com-
bined are spending more money and using
more extensively than network advertisers.
AUGUST, 194 1
Modest, me-
dium-sized, and
married is Allen
Harold Du-
covny, alert pro-
duction director
of the amazing
Superman radio
serial. A perfect
lookalike for cin-
efua-hero George
Raft, Mr. D.
sports spectacles, is often bothered by
autograph seekers in hicktown New
York, who mistake him for the slick-
haired Raft.
Hailing from JVilkes-Barre, Pa.,
wherg he unleashed his first lusty yell
some 31 years ago, Ducovny drifted
into selling at an early age, peddled
everything from autos to zippers, found
ti?7ie in between to polish off an educa-
tion at Temple University, where he
jjiajored in merchandising (Class of
'33).
College done, he drifted into news-
paper work, soon headed for the Big
City, where after three months of try-
ing to avoid it, he became a press agent.
For five years he haunted columnists
for plugs on behalf of his clients; at
the same ti?ne studying radio direction
and production at NYU and spending
all spare ti?ne at radio rehearsals.
Today, Mr. Ducovny is knee-deep
in Superman promotion and produc-
tion, yet finds time for books and talk
and playing around with automobiles;
time for tennis, swimming, hunting;
occasional time for his lovely, brunette
bride, Roslyn, who keeps dinner wait-
ing many a night. (Further proof of
D.'s modesty: The white space in the
upper right hand corner; he sent no
photograph.)
Because of the widespread use of this type
of selling and the watchful eye of PTA and
other parent groups, it is doubly necessary
to use care and forethought before entering
the field.
A children's audience is a valuable one
and should be treated as any valuable piece
of property with care and thought.
247
1
Among the 10 most listened-to daytime
serial programs on the radio networks is a
warm-hearted, serio-comic life drama called
The Goldbergs. In The Motion Picture
Daily poll of 1940, the life and times of
the Goldbergs placed third in popularity of
all network daytime serials.
Transcribed counterpart of The Gold-
bergs, available for local time buyers, is the
engaging serial, Mama Bloom's Brood.
Radio Showmanship examined the rec-
ords of some of the advertisers who spon-
sored the program. From these, we selected
three cases, typical of the response that came
from all parts of the country.
Interesting, beyond the specific examples
of selling-power, is the proof that a locally
sponsored, transcribed, continuous-plot radio
program can achieve a popularity and do a
selling job comparable (in its own local
way) to the networks' highly-publicized,
highly-merchandised efforts.
So, once again here is a three-part answer
to the merchant who says: "Procter &
Gamble can do it, but I can't."
The example set by big-time network
serial sponsors such as P & G, Lever Bros.,
General Mills, Pillsbury Flour is a good
example. The formula of its success can
be followed to the very letter by any local
Can a Transcribed Dramiic
Here's the Answer from le
merchant who sets his mind and
his appropriation to it. Listen to
the facts:
Phoenix, Ariz.:
When DeVaney's Conformal Shoe
Store (featuring comfort footgear) were
groping for a satisfactory advertising medi-
um, newspapers got their first appropria-
tions. Despite average returns. Manager J.
H. McClurkin felt it necessary for their
business life to strengthen their position and
increase sales much more rapidly.
After auditioning a number of shows at
KTAR, they chose Mama Bloom's Brood
and contracted for 15 minutes night time
once a week. Promotion went forward im-
mediately. Conformal News, the small
pamphlet published by the advertiser boost-
ing their shoes, now had the additional
function of boosting Mama Bloom's Brood.
In its paid newspaper advertisements, sta-
tion KTAR carried the name of sponsor,
title of show, and broadcast time. Plugs
also ran in their publicity sheets mailed
throughout Arizona. On the day of the
broadcast, the station cooperated with sev-
eral free air announcements.
Then sponsor DeVaney's Conformal
Shoe Store watched for results. Soon cus-
tomers and passersby dropped in to discuss
the program. Localities came to regard the
company as Mama Bloom's store. Manager
McClurkin began to realize that the pro-
gram was reaching people no other medium
had been successful with, for sales began an
ever swelling trickle from all parts of
Arizona.
248
RADIO SHOWMANSH IP
M
Story Do a Job for Your Store?
Point of View of Three Sponsors
During its first year, Mama Bloom's
Brood was directly responsible for 65 % of
the store's business! Sponsor's means of ar-
riving at this figure was to question cus-
tomers. After exhausting the complete sup-
ply of Mama Bloom's Brood records, De-
Van ey's viewed with satisfaction its sales
record, the acceptance and rapid growth of
its company, viewed with alarm the end of
the Mama Bloom's Brood series.
Roanoke, Va.:
The Neuhoff Packing Co. is a con-
servative organization. Progressive enough
to envisage the selling potentialities of radio,
they utilize sound forms of promotion, side-
step the spectacular. After
deciding to sponsor Mama
Bloom's Brood, the Neu-
hoff Packing Co. pur-
chased space in the local
newspaper, announced the
beginning of their new
radio show.
Station WDBJ plug-
ged the show with spot
announcements the week
prior to its debut. The local newspaper's
Sunday radio page also trumpeted the news,
with a brief synopsis of the plot. Further
promotion by WDBJ included a window
display in the studio building exhibiting the
products to be advertised and appropriate
literature on the program itself. The station
also bought newspaper space for program
promotion.
Although the Neuhoff Packing Co.
shuns spectacular promotion devices, they
welcomed the sensational sales results!
They began immediately offering free
packages of bacon and sausage in a simple
participating contest that sent listeners scur-
rying to the neighborhood stores that han-
dled Neuhoff Products. In order to get
their free package of bacon or sausage,
people had to go to the store to pick it up
in person.
Veteran radio advertisers, the Neuhoff
Packing Co. regarded Mama Bloom's
Brood as their best air investment !
El Paso, Texas:
In November of 1939, the First Fed-
eral Savings & Loan Association of
El Paso introduced Mama Bloom's Brood
on station KTSM. At the expiration of the
39-week period, sponsor paid mute tribute
to the effectiveness of the program by re-
newing for another 39-week period. Results
figures: Of all new accounts received since
the Mama Bloom's Brood broadcast began,
45% were traceable to the show!
Sponsor's commercial messages never lost
sight of the program contest and spirit.
Typical commercial opening: "Tonight, the
Bloom's, who have never before been west
of New Jersey, find themselves away out in
Arizona, with Indians and everything! If
they get lost, remember that the Indians
would probably get lost in New York.
Everyone knows his own part of the coun-
try best . . . and that
brings us to the very im-
portant fact that the First
Federal Savings & Loan
Association know^s home
building in El Paso!" and
then into the message.
COMMENT; The most
interesting fact to remem-
ber about Ma?na Bloom's
Brood is that three sponsors in three highly
dissimilar fields of business had almost equal
success with the program. The reason : Each
advertiser wisely adapted a good show idea
to his own particular product. They didn't
allow the program alone to bear the burden
of attracting customers; they followed
through. In radio, as in golf, follow through
is all important.
k
AUGUST, 1 941
249
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Cemeteries
BOWERY MISSION Each Sunday after-
noon, to the microphone in New York's
famous Bowery Mission flock homeless
men to tell director Dr. Charles St. John,
shepherd of the program, their life stories,
ask for jobs, participate in group singing,
hear an inspirational talk by Dr. St. John.
December, 1939, sponsor Restland
Memorial Park, a cemetery located near
Hanover, N. J., started to sponsor WHN's
Bowery Mission. The following November,
after a two-month summer pause, they again
signed, in conjunction with Graceland
Memorial Park, for another 39 weeks of
Bowery Mission.
A WHN feature since October, 1935,
Bozvery Mission was sponsored for two
years by Adams Hats, then by Gottfried
Baking Co. (Golden Crust Bread) for
19 months.
Men who come to the Mission are un-
der strict guidance and subject to regula-
tions regarding habits and cleanliness. Com-
pensation: a bed, food, clothing, registra-
tion with the employment service which dis-
penses some 6,000 jobs a year.
air FAX: First Broadcast: October, 1935.
Broadcast Schedule: Sunday, 3:00-4:00 P.M.
Preceded By: United Press News.
Followed By: Art Green's Music.
Sponsor: Restland 8C Graceland Management Corp.
Station: WHN, New York, N. Y.
Power: 5,000 watts.
Population: 7,346,272 (1940).
Agency: Jasper, Lynch & Fishel.
COMMENT: Memorial parks in cities
large enough to have missions have a nat-
ural in this kind of program. Compassion
and curiosity will assure a strong listen-
ing audience.
Department Stores
CAMPUS SCOUT CRADDOCK During
the grid season, WWSW sports commen-
tator. Jack Craddock goes pigskin prowling
on the campuses of the four local colleges,
snoops at practice sessions, hob nobs with
the boys in the locker rooms before and
after the games. Then, on sponsor GiM-
bel's Department Store's program, in-
stituted to boost sales in the men's depart-
ment, Craddock feeds interesting items
about the boys' condition, training progress,
activities associated with the four teams —
Pitt, Carnegie Tech, Duquesne, and the
Pittsburgh Professional football team.
Week days, the program is broadcast at
6 :45 from the WWSW studios ; each team
has its own day, when one of its own stars
is interviewed. The Friday program, broad-
cast at noon, originates in Gimbel's Men's
Clothing Department attracts men to
the department. Average attendance : 75 to
150. At this show, popular scout Craddock
predicts scores for the weekend games, in-
terviews coaches and players from the three
school teams and the professional team.
air FAX: First Broadcast: Middle of September (con-
tinued for 10 weeks).
Broadcast Schedule: Tuesday thru Friday, M. T. Th,
6:45 P.M.; Friday, 12:15-12:30 P.M.
Sponsor: Gimbel's Department Store, on behalf of
men's clothing department.
Station: WWSW, Pittsburgh, Pa,
Power: 250 watts.
Population: 665,384 (1940).
COMMENT: Watch
the growing trend (of
multi-department con-
cerns) to plug single
departments with a sin-
gle radio program idea.
Shoes
THE CAMPUS RE-
PORTERS Problem
furrowing the brows of
most college town merchants today is: How
to pierce the indifference of a group com-
pletely absorbed in activities within the
campus walls. Psychologically smart Fresno
(Calif.) shoe sponsor Neil White & Co.
250
RADIO SHOWMANSH IP
found a simple formula. He burrowed from
within with a program guest-starring cam-
pus personalities, boosting campus activities.
Within a few weeks The Campus Re-
porters became a vital organ of Fresno
State College publicity. A typical program
features an interview with an outstanding
boy and girl, trivial gossip about football
hero Red Jones' comic catastrophe, plea for
cooperation w^ith the w^omen's honorary
society, sponsors of a sale of Jingle bells.
AIR FAX: First Broadcast: September 19, 1940.
Broadcast Schedule: Thursday, 5:15-5:30 P.M.
Preceded By: Bruce Gregory (NBC).
Sponsor: Neil White 8C Co.
Station: KMJ, Fresno, Calif.
Power: 1,000 watts.
Population: 66,513.
SAMPLE SCRIPT AVAILABLE.
COMMENT: No more avid listening group
can be found than a college population —
when the subject matter is their own activi-
ties!
Dentistry
LOST AND FOUND Drs. Naff and Van
Valzah, credit dentists, Olympia, Wash.,
have incorporated in a five-minute, KGY
radio program, the two factors essential to
building clientele : good will and public
familiarity with their telephone number.
Method: Program consists of an opening
and closing commercial of some 125 words.
Between times, announcer broadcasts infor-
mation on lost and found articles, finds
homes for pets, etc. Listeners are asked to
telephone their requests to sponsor's office
(requests are then relayed to station KGY).
On each broadcast, people are advised that
the use of the Lost and Found service is
free, that the doctors are glad to be of
assistance to people who can use the service.
AIR FAX: First Broadcast: July, 1940.
Broadcast Schedule: Daily, 7:15-7:20 P.M.
Sponsor: Drs. Naff and Van Valzah, credit dentists.
Station: KGY, Olympia, Wash.
Power: 250 watts.
Population: 14,500.
COMMENT: It's the little things that
count! The simple, effective stunt of han-
dling lost and found requests through their
own telephone number is the factor that
contributes most to the success of this pro-
gram idea. It means extra work, but it
means extra customers, too!
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Optometry
LEARNING TO SEE Eye-opener program
that batters at people's natural tendency to
neglect eye examinations is KROW's Learn-
ing to See. Before trying radio February
last, sponsor had used no advertising medi-
um, so any increased business may be laid
directly at radio's door. Average mail re-
sponse per broadcast is 35 letters, many of
them asking for the free booklet. Learning
to See, offered at the conclusion of each
program. In addition to the new patients
attracted by the broadcasts, many customers
have been reminded to return for re-exam-
ination. Sponsor has renewed contract on
the program twice.
Under the cool, able handling of narra-
tor Philip Van Slyck, "true stories in the
science of vision," or casebook histories from
the files of the optometrists, are dramatized.
In addition, program is further merchan-
dised by Dr. A. R. Reinke in personal ap-
pearances before civic and service clubs in
northern California. At end of lecture, Dr.
Reinke usually plugs program.
AIR FAX: First Broadcast: February 2, 1941.
Broadcast Schedule: Saturday, 11:15-11:30 A.M.
Sponsor: Dr. A. R. Reinke, Oakland, Calif.; Dr. A.
Sutton Nichols, Oakland and Stockton, Calif., optom-
etrists.
Station: KROW, Oakland, Calif.
Power: 1,000 watts.
Population: 284,063.
COMMENT: Drama is obviously not the
primary consideration in a program of this
nature, a skillfully written script provides
the opportunity to sell the need of optom-
etric examination in layman's terms. Learn-
ing to See is effective salesmanship, because
its natural, absorbing dialogue sugar-coats
the commerical message.
AUG UST, 194 1
251
Dairy Products
STORK EXPRESS When Stork Express
was born on Owensboro (Ky.) station
WOMI last September, Homogenized
Milk was just being introduced by spon-
sor Owensboro Ice Cream & Dairy
Products Co. They made good traveling
companions. Today many babies in the area
are using Homogenized Milk daily, many
adults have substituted it for the usual kind
of milk.
Scripter, program conductor, ambassador
of good will is "Joanna," chief character
of the show. Her beat is the local hospital,
the homes of new mothers, where she gleans
the vital statistics, gets the parents' permis-
sion to describe the tot, leaves a baby book
bearing sponsor's name. Record: Out of
more than 300 visits to hospital rooms and
homes since program's beginning, "Joanna"
has found only one home in which she was
not expected.
"Joanna" tells about the color of the
baby's eyes, how much he weighs, who he
resembles, how happy the proud parents
and grandparents were to tell about him.
Each program usually features the story
of three babies, interspersed with tran-
scribed musical numbers dedicated to the in-
fants under discussion.
After three months of WOMI airing, sponsor OWENS-
BORO ICE cream & DAIRY PRODUCTS made a
party for all their young fan^ who had at some time
requested that songs be dedicated to them. Many of
the moppets are brothers and sisters of babies who have
been officially brought to Owensboro (Ky.) via the
Stork Express. Standing in rear are (left to right):
W. W. Binford. program's "Bill"; Mrs. Elmyra Mont-
gomer>, OWENSBORO DAIRY PRODUCTS official;
Mrs. Hugh O. Potter, "Joanna."
AIR FAX: First Broadcast: September 1, 1940.
Broadcast Schedule: T-Th-S, 11:15-11:30 A.M.
Preceded By: T-Th, Jack Berch and His Gulfspray
Gang; S, Milady's Melody.
Followed By: T-Th, Milady's Melody; S, Tex Justus
and His Texas Cowboys.
Sponsor: Owensboro Ice Cream 8C Dairy Products.
Station: WOMI, Owensboro, Ky.
Power: 250 watts.
Population: 22,861.
COMMENT: Every sponsor must study
the audience he wants to reach. Dairy con-
cerns throughout the country favor child
audiences. Within this classification even
finer distinctions can be made: Dairy con-
cerns intent on promoting ice cream, choco-
late milk, regular milk, etc., aim at grade
school children, usually with kid quiz, kid
talent shows. Sponsor Owensboro Ice
Cream & Dairy Products, in this case
intent on plugging Homogenized Milk,
with dairy and frozen products of secondary
interest, aimed their program with success
at mothers of newly-born infants.
252
RADIO SHOWMANSH IP
SPECIAL PROMOTION
Short radio promotions that run but a day, a week, or a
month yet leave an impression that lasts the year around.
Finance
JUMPING FROG JUBILEE The Bank
OF America pops up all over the Califor-
nia scene, with a web of 495 branches.
Seeking to dispel any idea that the institu-
tion is a great financial giant with no local
interests, the Bank of America is buy-
ing radio broadcasts of special California
events similar to Jumping Frog Jubilee on
an "if and when" basis throughout the sum-
mer, seeking each time to build local inter-
est in the various branch banks.
One of the most colorful of the mining
country fiestas, attracting people and frogs
from far and wide, is the tradition-steeped
Jumping Frog Jubilee, held each May at
Angel's Camp, Calif. Vestige of a haler,
tougher time, the Jumping Frog contests
were made immortal by a prominent visitor
to Angel's Camp in 1864 — yarn-spinning
Mark Twain. Long in advance, trainers
nurture their frogs in preparation for the
big event, coax them toward record-break-
ing leaps.
At program's outset, manager Charles
Crespi of the Angel's Camp branch of the
Bank of America was introduced as the
radio host of the evening, tendered brief
words of welcome. The bank advertised the
program on the radio pages of all the news-
papers and printed several thousand hand-
bills which were distributed throughout the
area surrounding Angel's Camp.
Up from San Francisco came KSFO's
special events department head R. W.
Dumm, with a troupe of radio entertainers
to stage an hour long show on the fair
grounds. On the night preceding the broad-
cast, more of the show's entertainment was
picked by audition of local talent from
Angel's Camp and the Mother Lode coun-
try.
AIR FAX: Half an hour preceding the broadcast,
DUMM and KSFO man Tro Harper engaged in a
dress rehearsal for the assembled audience, presented
the talent, who entertained. Dumm and Harper in-
dulged in horse play, adroit antics, stock jokes, end-
ed up with slapstick. But they got what they wanted,
for by air time their audience was ready with loud
salvos, vigorous applause.
Broadcast Schedule: May 17, 8:45-9:15 P.M.
Sponsor: Bank of America.
Station: KSFO, San Francisco, Calif.
Power: 5,000 watts.
Population: 629,553 (1940).
SAMPLE script AVAILABLE.
COMMENT: In these local, colorful events,
sponsor Bank of America is also getting
exactly what they want — the solution to
their unusual problem. Radio is a flexible
unit, which can be bent to serve diverse
purposes. Study your problem and prowl
around for its radio solution!
MICHIGAN AVENUE
WHERE
CHiCAGO
• The pulse of the city— Micliigran Ave-
nue. Chicago ^vorks and plays to the
tune of its rhythmic lium. In the most
convenient location on this famous
thoroughfare. Hotel Auditorium pro-
vides spacious pleasant rooms, excellent
service and superb cuisine, at reason-
able rates.
WITH BATH FROM $950 WITHOUT BATH $150
■■• FROM ■•
AUDITORIUM
MICHIGAN AT CONGRESS GEO. H. MINK, Manager
AUGUST, 1 941
253
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
. . The balloon-faced clown wags his
tongue, rolls his eyes with delight in
MEYER'S animated billboard, erected to
promote their 15 -minute, WCLE (Cleve-
land, Ohio) show. Streamlined Fairy Tales,
featuring the famed Koralites.
Below . . . More than 100 women accepted
Elma Latta Hackett's invitation to visit the
KROW studios (Oakland, Calif.), see a
demonstration of the new THOR GLAD-
IRON, advertised on her Friendly Home-
maker program. So pleased were Mrs. Hack-
ett (center, facing camera) and Helen Nel-
son (seated) of sponsor's sales promotion
department that they repeated the stunt in
the studio, then moved to several of the
larger local stores.
Below . . . Rollicking Toby Dowdy and
his Barn Dance Gang now have the
musical chore of working up St. Peters-
burg (Fla.) folks' thirst for SOUTH-
ERN BREWING CO.'s beer. To all
dealers in the state are going 16x20
lithographs of the Barn Dance Gang.
Post cards of the troupe are also being
sent out on request by station WSUN.
Above . . . To Hollywood, a
contract in her cap, went "Tiny"
Ellen Sutton, for three years the
featured warbler on Pittsburgh's
Wilkens Amateur Hour, heard
on station WJAS. Emcee Brian
McDonald wishes "Tiny" good
luck with her new boss, Gene
Autry. "Tiny" will not only sing
on Cowboy Autry 's network show;
she's to have the role of Smiley
Burnette's little sister in Autry
cinemas. (For a complete review
of the WILKENS JEWELRY
CO.'s outstanding program, see
Selling Jewelry the Year Round,
May issue, p. 132.)
Right . . . KFJM special events
director Bill Walker really went
to the fair. During the com-
bined Goodman Wonder Show
and State Fair at Grand Forks
(N. D.), Walker broadcast 10
remotes from the carnival. At
right, he is interviewing world
champ rider Earl Ketring. Walker
went on a ride with him in the
seat where the lion usually sits,
described his own sensations of
driving 60 miles per hour on a
perpendicular wall 35 feet in di-
ameter.
TORY
DWOY
V AND HIS
'^^ ^^^. . _
WHAT THE PROGRAM DID FORMED
This is the businessman's own department. Radio advertisers are invited .to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, II ^A at Glenwood, Minneapolis, Minn.
Automobiles
SPORTS MIRROR "We feel this program
has been very popular and has been very
good institutional advertising. We intend
to continue the program every fall during
football season."
Paul A. Skinner
Sales Manager
Lee J. Hobbs Co.
Wichita, Kans.
AIR FAX: In Wichita, Kans., sports fans turn to
Sports Mirror for scoop stories, scores, slants. For
punch, sponsor HOBBS adds contests, offers free
tickets to sports events. In one contest, listeners
were invited to relate their greatest thrill while at-
tending a sport event. In another, they were asked
to guess the name of a sports celebrity whose career
and personality was sketched briefly in a contest
called, What Is My Name? In a third, sponsor
called for a statement of 50 words or less on
" is my favorite sport because "
For all three contests, first prize was a $25 baseball
ticket; second and third prizes, four-dollar baseball
tickets; fourth, fifth, sixth, and seventh place win-
ners got two box seats to the American Association
Ice Hockey games. Prizes were awarded weekly.
Program ballyhoo: Bus cards.
First Broadcast: March, 1938.
Broadcast Schedule: Monday thru Saturday, 6:15-
6:30 P.M.
Preceded By: Fred Waring in Pleasure Time (NBC).
Followed By: European News Round Robin.
Competition: Sports Salute, Boots in Bouquets.
Sponsor: Lee J. Hobbs Co., Chevrolet distributor.
Station: KANS, Wichita, Kans.
Power: 250 watts.
Population: 111,110.
COMMENT: If you sponsor a sports show,
you'll be interested in Hobbs' contest ideas.
They can add punch to your program !
Beverages
PEARL TROUBADOURS ''The show is
strictly a Mexican program involving the
playing of request numbers. We have been
using this show about three years, and its
drawing power is really astounding. It has
pulled as many as 450 requests in one day
and averages at least 1,000 per week.
"It is difficult to determine what the
program has actually done for us, but its
pulling power proves its popularity, and
knowing that we enjoy a nice business from
the Latin American trade, we feel that it
definitely has its place in our advertising
set-up."
H. B. O'Brien
Sales Manager
San Antonio Brewing Assn.
San Antonio, Texas
AIR FAX: All continuity, including the commercial,
is announced in Spanish. Songs and music, typically
Mexican, are delivered by two boys and a girl, two
guitars and three voices.
First Broadcast: October 1, 1938.
Broadcast Schedule: Daily, 7:30-8:00 P.M.
Sponsor: San Antonio Brewing Assn. (Bottlers of
Pearl Beer. )
Station: KM AC, San Antonio, Texas.
Power: 250 watts.
Population: 254,562,
Agency: Pitluk Advertising Co.
COMMENT: A program idea meriting in-
vestigation in many sections of southwestern
U. S.
Men's Wear
BUNDLES FOR OUR BOYS "We have
sponsored this program for more than two
months, and have received many letters
from the boys at camp telling of their ap-
preciation. The families of the boys all lis-
ten to hear if a letter from someone they
know is read. In all, there is a very favor-
able public reaction to a program of this
type.
"After a short time, some of the local
manufacturers donated products to be in-
cluded every week in the bundles. This
made the bundles more welcome, as they
included cigarettes, razor blades, and chew-
ing gum. (Things most welcome at camp!)
"The program is a great publicity build-
er for the store and brings people in to
leave bundles and to get lists of things to
send."
Samuel Enson
Owner
Enson s Clothing, Furnishings
New Haven, Conn.
256
RADIO SHOWMANSHIP
AIR FAX: First Broadcast: April 1, 1941.
Broadcast Schedule: Tuesday, 7:15-7:30 P.M.
Preceded By: Fulton Lewis, Jr. (MBS).
Followed By: Connecticut Universities' Forum.
Competition: News; Lanny Ross (CBS).
Sponsor: Enson's Men's Shop.
Station: WELI, New Haven, Conn.
Power: 500 watts.
Population: 196,192.
COMMENT: For complete review of this
outstanding and timely program, see July
issue, p. 215.
SOMETHING TO THINK ABOUT
(Continued from page 245)
we are now in a position to report accurate-
ly on the results obtained for our client, the
Merchants and Employes Industrial
Bank.
''The commercials on these broadcasts
have featured personal loans exclusively,
and in this comparatively short time, an
excellent increase has taken place in the
number of loans made. A number of their
old customers have returned to take advan-
tage of the M. & E. Bank's financial serv-
ice, stating that they had been reminded
by listening to So?nething to Think About.
"Even more encouraging is the report
that a number of loans have been made to
new clients whose business is directly at-
tributable to the program. Many people
openly state that they were sold by listening
to Something to Think About. In addition,
you may be interested to learn that we re-
ceived a number of telephone calls request-
ing information incorporated in the scripts.
We sincerely feel that Something to Think
About is doing a good job for our client."
Harfield Weedin
Segall & Weedin, Inc.
Houston, Texas
air FAX: Number of episodes available: 260. Mini-
mum contract episodes: 65.
Commercial Time: Program allows for one minute,
30 seconds for commercial copy. Arranged in five-
minute scripts.
Availability: For sample scripts, details, write RADIO
SHOWMANSHIP, 11th at Glenwood, Minneapolis,
Minn.
COMMENT: For low cost, simple produc-
tion, syndicated script shows are hard to
beat. If you've never investigated this meth-
od of programing, it'll pay you to look into
it.
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Dairy Products
FOOTBALL FORECAST In Durham, N.
C, hub of football-frantic colleges, Dur-
ham Ice Cream Co., manufacturers of
Blue Ribbon Ice Cream, have sponsored
Football Forecast every fall since station
WDNC started operation in 1934. Last
fall sports commentator Woody Wood-
house used the Evans system of forecasting
with remarkable accuracy, maintained an
average of 89.5 per cent. Accordingly,
astounded grid fans rallied round this pro-
gram without fail — surveys showed as high
as 67 % audience ! Sponsor had his own
check. When recently he introduced a new
product, Re-Vel, he got the best results he
had ever attained by advertising!
AIR FAX: Surrounded by Duke University, Univer-
sity of North Carolina, North Carolina State College,
and Wake Forest College, sponsor's program is a
natural. On Wednesdays, announcer Woodhouse re-
views the high light games; on Fridays, he fore-
casts the scores of the morrow's games. Sponsor
DURHAM ICE CREAM posts each week through-
out city and surrounding sections in dealer locations
special forecast sheets, window cards. Crowd noise
and band music background commentator.
First Broadcast: 1934.
Broadcast Schedule: W-F, 6:45-7:00 P.M. (Begins
September 11, continues for 13 weeks.)
Preceded By: Wednesday, The Squared Circle; Fri-
day, Jungle Jim.
Followed By: The World Today.
Sponsor: Durham Ice Cream Co., manufacturers of
Blue Ribbon Ice Cream.
Station: WDNC, Durham, N. C.
Power: 250 watts.
Population: 52,037.
COMMENT: Here is one of the many suc-
cessful cases where a local sponsor has taken
a nationally syndicated idea and applied it
to his own home town. The Evans Forecast
is a national script service sold exclusively
to one local sponsor in a town. (There are
several other similar football forecast sys-
AUGUST, 1 94 1
257
terns distributed in this way.) The local
announcer reads the "dope sheet" supplied
him, and to all intents and purposes, he is
the expert. It's a good way to get the most
out of local radio during the football sea-
son, an excellent method of building a re-
spected personality for your program.
Building Materials
MODERN HOME IDEAS HoME Insula-
tion Co., Champaign (111.), outlet for
Johns Manville Rock-Wool Home
Insulation, has sponsored Modern Home
Ideas for four consecutive years on Tus-
cola station WDZ. What's more, it
credits Modern Home Ideas with 19% of
total sales volume for the year 1940!
The program is an about-face of cus-
tomary selling procedures: Here the cus-
tomer tells the sponsor the merits of the
product ! Presented by electrical transcrip-
tion, program features the personal testi-
monial of the home owner who has already
purchased Johns Manville Home In-
sulation. The portable transcription
equipment is taken to the users' homes each
week, and the broadcast, to all appearances,
emanates from the scene.
air FAX: First Broadcast: 1937.
Broadcast Schedule: Sunday, 12:30-12:45 P.M.
Preceded By: Hoosier Harmony Pals.
Followed By: Oil News.
Sponsor: Home Insulation Co., Champaign, 111.,
dealer outlet for Johns Manville Rock-Wool Home
Insulation.
Station: WDZ, Tuscola, 111.
Power: 1,000 watts.
Population: 2,569.
COMMENT: Multifold concerns, aware of
the selling potency of user-testimonials,
have built newspaper, magazine, radio
campaigns around them. However, in the
radio field, these testimonials have hereto-
fore been limited to the
program's outright
commercial material.
Home Insulation
Co. has built a com-
plete program around
interviews with satis-
fied product users. It's
true, a program of this
type limits its audience,
but on the other hand,
that audience consists primarily of people
interested in home insulation.
Drug Products
B-C SPORTS REVIEW Decade-old, year-
round B-C Sports Review has been feeding
Birmingham (Ala.) fans the scoop news,
via International News Service and local
sources, since 1931. WBRC emcee John
Connolly religiously covers all branches of
sports interesting to his listeners, under-
lining the sport of the season. He also
brings to the microphone local and nation-
ally known celebrities.
During the fall season, sponsor B. C.
Remedy Co. conducts a football contest,
gives away two all-expense paid trips to the
Sugar Bowl game to the person picking the
winning teams, the nearest correct scores.
Contest usually pulls around 1,000 letters,
and each one includes a B-C envelope!
(Proof of purchase.)
air FAX: First Broadcast: 1931.
Broadcast Schedule: Daily, 5:45-5:55 P.M.
Preceded By: INS News.
Followed By: What's Doing in Birmingham.
Competition: Men in the News; Comic Club.
Sponsor: B. C. Remedy Co., Durham, N. C. (Head-
ache Powders.)
Station: WBRC, Birmingham, Ala.
Power: 5,000 watts.
Population: 259,678.
Agency: Harvey Massengale, Durham, N. C.
COMMENT: After 10 years of continuous
broadcasting, B. C. Remedy Co. has made
B-C Headache Powders a household
word in Birmingham. Many of its people
have heard the name since childhood, accept
its place in their cabinets as they do bread
and butter on their tables.
Furs
COCKTAIL HOUR Seven years ago, Port-
land's (Ore.) largest exclusive furrier,
Milton L. Gum-
BERT, presented upper-
crust, in-the-know
Gladys Bowen, society
editor of The Ore-
gonian, on station
^ KGW. Year in, year
out, she continues to
get sponsor's principal
yearly advertising ap-
propriation, gives local
258
RADIO S HO WM ANSH I P
women, via a running dialogue with a
staff announcer, a glamor-full account of
Portland society — weddings, big parties,
teas, etc.
Shunning all merchandising tie-ins in the
belief that they are discordant with exclu-
sive fur selling, sponsor Gumbert seeks
good will by offering his program at all
times for use by speakers from the Com-
munity Chest, Portland Symphony Society,
other philanthropic organizations with a
legitimate appeal to the public at large.
M-W-F, 4:45-5:00
AIR FAX: Broadcast Schedule:
P.M.
Preceded By: Stars of Today.
Followed By: Dr. I. Q. (NBC).
Competition: The Bartons (NBC Dramatic Serial).
Sponsor: Milton L. Gumbert.
Station: KGW, Portland, Ore.
Power: 5,000 watts.
Population: 314,785.
SAMPLE SCRIPT AVAILABLE.
Groceries
CRESCENT GUEST OF HONOR CRES-
CENT Macaroni & Cracker Co. of
Davenport, la., is "radio's oldest con-
sistent advertiser." Their claim to the title:
Since they signed their first radio contract
on June 5, 1925, they have never missed a
week on the air! Consistency has carried
over to the station; WOC has always car-
ried their broadcasts.
Year ago this month, sponsor started
Crescent Guest of Honor, now regards it
as the most satisfactory program in their 16
years of radio broadcasting.
air FAX: Sponsor bucks threat of audience boredom
with a barrage of "guests": Music by a guest or-
chestra, songs by a guest soloist, commercial copy
on a guest cookie, movie guests, interview with a
guest grocer. Each broadcast a different grocery
store is honored. Sometimes the grocer himself is
interviewed; other times, two CRESCENT scouts
tell the story. On each broadcast, six pairs of free
movie tickets are given to customers seen in the
grocery honored that day.
First Broadcast: August, 1940.
Broadcast Schedule: Monday thru Saturday.
Sponsor: Crescent Macaroni 8C Cracker Co., Daven-
port, la. (Makers of cookies, crackers, spaghetti,
etc.)
" Station: WOC, Davenport, Iowa.
Power: 250 watts.
Population: 148,332.
COMMENT: It's no surprise that 16 con-
secutive years of good will building, typified
in sponsor's present program, reaps divi-
dends !
% All PaUiii o/ Onte^e^i
New York's Popular
HOTEL
LINCOLN
44th TO 45th STS. AT 8th AVE.
1400 ROOMS
from
»3
Each with Bath, Servidor,
and Radio. Four fine res-
taurants acclaimed for
cuisine.
MARIA KRAMER
PRESIDENT
John L. Morgan
Gen. Mgr.
HOTEL EDISON
Same Ownership
IN THE CENTER OF
MID-TOWN NEW YORK
AUGUST, 1 941
259
^ JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest*
ed in the news, reviews, and tips in this column.
PEACHES! PEACHES! PEACHES!
You've all read the story about how
radio came to the aid of many people in the
Ohio River Flood. Here's another rescue
story . . . only this time, it isn't a flood, it's
peaches.
Manager J. Levy of the Rural Street
Market on the outskirts of Indianapolis
found himself in dire trouble one Sunday
morning. He had on hand about two thou-
sand bushels of peaches, just arrived via
large overland motor trailers from Michi-
gan. It was an unusually warm Sunday
morning, and the peaches w^re ripening too
soon. Levy wanted some help, and he want-
ed it right then.
WFBM salesman Bill Kiley had a sug-
gestion. He told Levy to buy two 40-word
spots that day on WFBM, following Gil-
bert Forbes News (local) at 12:15 P.M.
and the World Today (CBS) at 5:30.
Mr. Levy decided to risk $30. Kiley
went down to the station, wrote up the
copy himself, starting with 'Teaches!
Peaches! Peaches! etc."
The price per bushel was 85 cents, and
listeners were advised to bring their own
containers. That afternoon, Rural Street
Market disposed of more than 1500
bushels of peaches, and the next day clean-
ed out their entire stock.
Chalk up another score for radio. When
timeliness is an important factor in selling,
radio has no peer!
SHORT SHORT STORY
A few minutes before three P.M Thurs-
day, March 27th, Montgomery Ward &
Co.'s local store telephoned station KWBG
(Hutchinson, Kans.). They wanted to dis-
pose of 1,000 baby chicks. One spot an-
nouncement on the three o'clock station
break was used. At 5:30, store closing time,
nary a chick was left.
FROM CAR TO YOU
Here's another story where speed played
its part.
The Fluorescent Fixture & Supply
Co. started a three-a-week announcement
schedule at 6:15 P.M. on Cleveland station
WCLE, following Pinky Hunter's base-
ball review. Immediately after the first
announcement, a man walked into the com-
pany's store and placed an order. He had
been driving by on his way to a competi-
tor's store and heard the announcement on
his car radio.
THIRD RETURNS
The best announcement campaigns on a
large sample of U. S. radio stations are
classified in this return. It is a qualitative
not a quantitative analysis, and only cam-
paigns running at least three consecutive
months are included. Remember, too: only
locally sponsored announcements were
tabulated.
ANNOUNCEMENTS
Directed to Women Only
A.
0
20 word announcements
13%
B.
0
50 word onnouncements
26%
C.
0
100-125 word announcements
52%
D.
0
150 word participating spot
9%
Total
100%
announcements
Directed to Men Only
A.
0
20 word announcements
8%
B.
o
50 word onnouncements
34%
c.
0
100-125 word announcements
48%
D.
(D
150 word participating spot
10%
Total 100%
(Next Month: General Returns)
260
RADIO SHOWMANSH IP
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, JUNE, 1941
Type
Rating
Last
Month
Change
MUSIC
32%
32%
NEWS
22%
22%
QUIZ
12%
12%
INTERVIEWS
8%
8%
TALKS
8%
7%
+ 1%
SPORTS
7%
7%
DRAMA
6%
6%
COMEDY
5%
6%
-1%
GROUPS
Men Women Children
35%
21%
12%
8%
12%
3%
4%
5%
32%
10%
5%
10%
14%
4%
16%
9%
SIX MONTHS REVIEW
A comparison of the last five months of
1940 with the first six months of this year
uncovers many interesting facts:
1) Less variation recorded in the first
six months of 1941. Program ratings
(1940, last half) varied an average of
plus or minus 2% ; ratings (1941, first
half) varied an average of plus or minus
1.33%.
2) Biggest single rise in the 1940 fig-
ures was in news programs (4% rise);
biggest single rise in the 1941 figures
was in quiz programs (2% rise).
3) Biggest single drop in the 1940
figures was in talks and interview pro-
grams (3% drop); biggest single drop
in the 1941 figures was in music pro-
grams (3% drop).
NEWS SHOWS — 1940
22%
AUG. SEPT. OCT. NOV. DEC. JAN.
NEWS SHOWS — 1941
22% 21% 22% 21% 22% 22%
JAN. FEB. MAR. APR. MAY JUNE
A general leveling off of the trend of news
shows is indicated from these two graphs!
Increasing world tension may push the trend
up in future months.
QUIZ SHOWS — 1941
11% 11% 12% 12%
llllll
JAN. FEB. MAR. APR. MAY JUNE
Quiz programs have shown a steady rise ever
since last October. The popularity of locally
sponsored kid quizzes has been partially re-
sponsible for this increase.
AUGUST, 1 941
261
ON PUBLIC SERVICE
CONTINUED FROM PAGE 233
All you have to do is ask your radio sta-
tion for a copy of any or all of these an-
nouncements. If the station doesn't have
them on hand, they can be obtained by
writing to the publicity departments of the
organizations.
Set aside a little time in the middle or at
the end of your program so your announcer
can read the appeal. Thirty seconds is all
that's needed in most cases. (Please don't
make the mistake of adding the announce-
ments on to an already well-filled program,
running your show over and thus, merely
take up the station's time. U. S. radio sta-
tions are already doing their part.)
You'll find this new way of using radio
different from the methods of the past. The
results are the same. Today, you can sell a
lot of furniture with a radio message an-
nouncing a big discount sale. You can also
sell a lot of furniture by using your radio
program to sell for your country.
YOURS FOR THE ASKING
ADDRESS RADIO SHOWMANSHIP 11th at Glenwood, Minneapolis, Minn.
Please enclose 10 cents in stamps to cover the cost of mailing and handling.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, p. 32).
Auto Supplies — Jack, the Tire Expert
(see May issue, p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Beyerages — Pigskin Prevue (see July is-
sue, p. 222).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see March-April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Kiddie Quiz (see July
issue, p. 214).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, p. 35).
Department Stores — The Pollard Pro-
gram (see p. 238).
Department Stores — Woman's Hour (see
June issue, p. 178).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Finance — Jumping Frog Jubilee (see p.
253).
Finance — Saga of Savannah (see June
issue, p. 187).
Flowers — An Orchid to You (see Sept.
issue, p. 35) .
Fuel — Smoke Rings (see Dec. issue, p.
126).
Furs — Cocktail Hour (see p. 258).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries — Mystree Tunes (see June
issue, p. 162).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, p.
63).
Laundries — Rock-a-bye Lady (see Feb.
issue, p. 47).
Men's Wear — Hats Off (see June issue,
pp. 178, 183).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Campus Reporters (see p. 251).
Shoes — Mr. Fixer (see June issue, p.
148).
Sporting Goods — Alley Dust (see June
issue, p. 177).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue, p. 53).
The Enemy Within (see Jan. issue, p.
18).
The Face of the War (see May issue,
p. 125).
Fun With Music (see June issue, p.
162).
Getting the Most Out of Life Today
(see July issue, p. 196).
Little by Little House (see May issue,
p. 128).
Mama Bloom's Brood (see p. 248).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (see Sept. issue, p.
35).
Sonny Tabor (see May issue, p. 140).
Stella Unger (see Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
262
RADIO S HOWM A NSH I P
NEXT MOXTII
GROCERMAN ARTHUR TWEET, Grand Forks, N D , used radio five years
before he found a program that filled the bill. In the September issue, he presents a
complete analysis of Tell On Your Neighbor.
AD MAN ALVIN 0. EHHLICH, Kal Advertising, Inc., Washington, D. C, de-
scribes radio's part in the phenomenal growth of the Cherner Motor Co. — from
hole in the wall to one of the world's largest Ford dealers in 11 years!
SALES MANAGER BOR REINHART, Jules Chain Stores Corp., New
York, N. Y., sets forth suggestions on how^ to pull the small wage earner into your
clothing store.
\ ynrR ri.ir I:\tu copy or
IIOWMANSIII
arnclci
ucscnprioiis ot ^o nulio programs iis used in
ncss lickls. One ot these program
vour business. "I'he I'Aiirors of
Ri viKvv welcome and will proi
enjoy and prolir from this issue.
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Automobiles * Bakeries * Beverages * Candies * Bepartment
Stores * Brag Products * Finance * Groceries * Borne Furnishings
Men's Wear * Music Stares * Shoes * Tobaccos - Women's Wear
MORE THAN A MARAZTNE , , A .qFRVir.F. 1
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
SEPTEMBER
Business PAGE
Automobiles 272
Bakeries 289
Beverages 290, 294
Candies 278
Department Stores 295
Drug Products 287
Drug Stores 289
Electrical Appliances 291
Finance 280
Business PAGE
Groceries 275, 291
Home Furnishings 287, 292
Men's Wear 282, 288
Music Stores 284
Newspapers 292
Produce 295, 296
Shoes 286
Tobaccos 287
Women's Wear 282
AUGUST
Business PAGE
Automobiles 256
Beverages 255, 256
Building Materials 258
Cemeteries 250
Dairy Products 252, 254, 257
Dentistry 250
Department Stores 238, 250, 261
Drug Products 234, 258
Electrical Supplies 261
Business PAGE
Finance 237, 249, 253
Furs 258
Groceries 234, 240, 259, 261
Home Furnishings 231, 254, 261
Jewelers 255
Meat Products 248
Men's Wear 249, 257
Optometry 251
Shoes 248, 251
// you don't have the August issue on file, order nowl
CONTENTS
SEPTEMBER 1941
VOL. 2 NO. 8
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
William Dolph
Washington
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
]. Harold Ryan
Toledo
Business
Lorenzo Richards
Ogden, Utah
GusTAv Flexner
Louisville
J. Hudson Huffard
Bluefield, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalamasoo, Mich.
Allen C. Knowles
Cleveland
Editor and Publisher: Don Paul
Nathanson and S. H. Kaufman. As-
sociate Editors: Norman V. Carlisle,
Harold Kahm, Paul Hellman. Re-
search Director: G. M. Osman. Busi-
ness: N. Lunde Circulation: T. Kay.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Automobile Sales Thru the Air 272
Alvin Q. Ehrlich
Unorthodox but potent are the ad-
vertising methods described by the
Vice-President of Kal Advertising,
Inc., Washington, D. C, and used
on behalf of the Cherner Motor Co.,
one of the country's largest Ford,
Mercury, Lincoln-Zephyr dealers.
Meet Mr. Tweet 275
Arthur Tweet
The name's the thing, writes Grand
Forks, N. D.'s most successful food
store operator, who has built his
name into a powerful selling force.
No Sweet Mystery
Mrs. Margaret G. Anderson
278
Just as in making candy, the right
mixture of the proper ingredients
means good radio, writes the adver-
tising director of the Maud Muller
Candv Co., Davton, O.
Captains of Industry 280
An RS Air Analysis
The lives of men who have been
outstanding in the development of
American business, industry, culture
are basis for a dramatic, transcribed,
quarter-hour, syndicated program.
SEPTEMBER, 1941
267
Yes, We Have No Bananas 282
Bob Reinhart
The sales manager of the 45 units
of the Jules Chain Stores Corpora-
tion illustrates one of its methods of
selling credit clothing and jewelry
over the air.
Symphony of Selling 284
O. M. Smith
The managing owner of the Berk-
eley Music House, Berkeley, Calif.,
has discovered the cumulative value
of consistency. His co-sponsored pro-
gram is now in its tenth year.
Showmanship in Action 286
A collection of those extra promo-
tions and merchandising ideas that
lift a program out of the ordinary.
Proof O' the Pudding 289
Results from radio programs, based
on sales, mails, surveys, long runs
and the growth of the business itself.
Yours for the Asking 293
A listing of sample scripts and tran-
scription availabilities on programs
reviewed in this and preceding issues.
Showmanscoops 294
Photographic review of merchandis-
ing stunts, and the personalities be-
hind them.
What the Program Did for Me 296
This is the businessman's own de-
partment. Here, the radio advertis-
ers of the nation exchange results
and reactions of radio programs for
their mutual benefit.
Johnny On the Spot 297
If you use spot announcements,
you'll be interested in the news, re-
views and tips in this department.
Trends 298
A rating of program patterns based
on a special and continuous survey
of outstanding, locally-sponsored
radio programs throughout the
country.
A Brilliant Life . . . Brilliantly Dramatized ,
w
IMPERIAL LEADER
rr
THE STORY OF WINSTON CHURCHILL
England's Fighting Prime Minister
52 one-fourth hour transcribed episodes
The man himself, his life and work. The man who faced end-
less disappointments . . . only to rise again; who determined
to become Prime Minister of England, nearly succeeded many
times, and then finally won the position when he had appar-
ently ended his active life!
Approved by a personal representative of Winston Churchill,
passed by the Australian and New Zealand Governments.
Available on a national, regional or local basis. Just sold for
Coast-to-Coast broadcast in Canada by GEORGE WESTON,
LIMITED, cracker manufacturer.
Produced in Australia with an all-star British cast. Audition sam-
ples shipped express collect, on a deposit of $5.00 which will be
rebated upon their return within 15 days.
KASPER-GORDON Incorporated
140 BOYLSTON STREET
BOSTON
MASSACHUSETTS
One of the Country's Leading Program Producers and Distributors of Tested Syndicated
Transcribed Radio Shows
268
RADIO SHOWM ANSH IP
.y^m
^
wtsts
MO«tO tt
p»Wt
Superman cam-
paign going great guns
. . . 53.04% saies gain
:." ^th week of cam-
paign ..."
— Normand Brothers,
Manchester, N. H.
. . . Superman show
so satisfactory . . . de-
cided to replace news-
paper campaign ..."
-Rosefield Packing Co.,
San Francisco, Calif.
" . . . whoJeheartedJy
endorse Superman pro-
cram and fully recom-
~.end its use."
—White Belt Dairy,
Mian\i, Fla.
... it has built up tne
'argest juvenile listen-
r.g audience this sta-
':on,has ever known."
—Station KVOD,
Denver, Colorado
"... radio program.
Superman, doing a
splendid job for our
clients . . . Dairyland
Products Co."
— Evans and LeMay
Adv. Agency,
Forth Worth. Tex.
V^ jp After 10 weeks on the air, the Superman Radio Show
broke all Crossley rating records for quarter-hour
juvenile shows. Every one of 40 regional sponsors
reports increased business!
TREMENDOUS 5-POINT BACKINGI
^Superman magazine circulation over 2,200,000!
< Superman syndication in 385 papers -over 20,000,000!
< Superman in 24 monthly technicolor screen shorts
by Paramount!
< Superman promotion in key city department stores!
< Superman's promotion staff building publicity!
in Cinciftficrti— Ons We€k~6;00P.W.fo6:li
(after oniy t2 H^eeks on the air}
of flit rtKlio llsteoers fcecr d
.4% was next htgl^st individual progrom listenersfBp
COMPARATIVE CINCINKATI USTENERSHIP
ib Progrom A . . 28.9%, B . . 18.7%, C . . 18.6%^
195 RECORDED EPISODES AVAILABLE
TO LOCAL AND REGIONAL SPONSORS
Write! Wire! Phone! for detailed information
480 Lexington Avenue • New York City
PLaza 3-0740
il
ON BUYING RADIO
CAN you remember way back when you first stum-
bled onto the rudiments of readin', writin' and
rithmetic? Turning back to those first few years
in grammar school, remember how difficult it was to
learn to print your first letter O, and then, how simple
it was to change that O into the letter Q?
You know, buying radio is like that. The first step
seems so difficult to take, many of us never take it at all;
if we do, the second comes almost automatically.
Radio advertising is simple enough to buy if you
just keep your mind wide open. Find out how other
businessmen in your field are using radio. Let their ex-
perience guide you. It's old, old advice, but it bears re-
peating.
And, remember, too. Radio Showmanship is the
only magazine that brings you a month-to-month pic-
ture of the newest, tested radio programs and promotion
ideas. It's written by businessmen for businessmen.
Radio Showmanship is valuable to radio-users and non-
users alike.
Epitomizing this very thought was a letter from Jesse
C. Neill, Vice President of the Buffalo Industrial
Bank, to radio station WGR-WKBH, Buffalo. Wrote
Mr. Neill, "Radio Showmanship proved most interest-
ing and valuable in analyzing and studying different
mediums for advertising . . . trust that in the near fu-
ture, we will be able to capitalize on the material con-
tained in the publication."
If you're thinking of buying radio, don't buy blind!
A Radio Showmanship reader is a better radio buyer.
270 RADIOSHOWMANSHIP
■■^>''^J^^
Here's a winsome, sales -winning
show — cheery and charming — built
around romantic duets and instru-
mental interludes, woven together
by sparkling dialogue, that finds
enthusiastic audiences everywhere.
Ted Steele, radio's acknowledged
master of the Novachord, is aided
and abetted by lovely Grace Albert
in 26 fifteen-minute programs of
song and banter.
Gay, intimate and decidedly in-
formal, this series makes friends
easily and quickly . . . the kind of
friends whose loyalty to a product
is persistent and unswerving. Its
appeal and selling-power are tested
and proved ... it will work equally
well for yoiir products.
Take ' 'time out" to find out about
this sales-making series from your
local radio station. It has all the
earmarks of a live show* because
provision is made for three com-
mercial announcements with Ted
and Grace themselves setting the
stage for each . . . helping to reflect
to your message the friendly charm
that this program establishes so
readily. Hear it soon — you'll be
charmed yourself!
•Recorded NBC Orthacoustic
Ask your local station for an audition
. . . or write direct to
diO'Recording Division
RCA BIdg., Radio City, New Yoric
NATIONAL BROADCASTING COMPANY
A Radio Corporation of America Service
Merchandise Mart, Chicago • Trans-Lux BIdg., Washington, D. C. • Sunset and Vine, Hollywood
utomobile Sales Thi
By Alvin Q. Ehrlich, Vice-President, Kal Advertising, Inc.,
scribes the Unorthodox but Potent Advertising Used on hi
Company, One of the Country's Largest Ford, Mercui
When Joseph Cherner, affectionately
known in Washington, D. C. as "Uncle
Joe," decided to enter the automobile
business eleven years ago as a Ford deal-
er, his finances enabled him to open
only in a hole-in-the-wall.
Today, by advertising methods and
expenditures which his competitors de-
clared suicidal and which gave his bank-
ers cold chills, he is one of the largest
Ford, Mercury and Lincoln-Zephyr
dealers in the world, one of the biggest
advertisers in Washington and the big-
gest retail automobile advertiser in the
country.
He was the first automobile dealer in
Washington to recognize the value of
radio, and today he is far and away the
city's biggest user of that medium, being
represented on all six stations and on
every participating program on the air
locally.
He was the first advertiser in the city
to bring big name talent to Washington,
and his Show of the Week over Mutual
Broadcasting System brought to town
such big timers as George Jessel, Red
Skclton, Lew Holtz, Benny Youngman,
Roy Atwill, Col. Stoopnagle, Pick and
Pat, Lionel Stander and a liost of others.
Among the radio personalities Uncle
Joe has helped to develop is Arthur
Godfrey. He was one of Godfrey's first
advertisers and sponsored another ex-
pensive variety show which first brought
Godfrey to the attention of network ad-
vertisers.
He was one of the first to recognize the
value of news broadcasts and today spon-
sors a daily newscast over WOL.
In line with this, he was one of the
first to realize the sales pull of Walter
Compton over Mutual Station WOL.
Since appearing on Uncle Joe's Shoiv of
the Week, Walter Compton has become
one of the best known and highest paid
news announcers in the business, and his
Double or Nothing Show is one of the
most popular on the air.
In the interest of public service, he
sponsors daily time signals and weather
reports for the benefit of early risers.
For three years, he sponsored Tony
Wakeman's Sports Review on WOL. To
promote the program, he staged a big
horse-race guessing contest, and to the
five winners he awarded free trips, all
expenses paid, to the Kentucky Derby.
So widespread was the response to the
contest that over 100,000 pieces of mail
were received, and 12 girls were kept
constantly busy checking entries. In con-
nection with this contest, Uncle Joe
sponsored a special railroad excursion
to the Derby, sold tickets through the
program at his showrooms, chartered,
and filled 13 cars that comprised the
Uncle Joe Derby Special.
Entering a field already well covered
by Ford representatives, several of which
upper right . . . Joseph Cherner, President of the
Cherner Motor Co., affectionately known in Washing-
ton, D. C. as "Uncle Joe."
Lower right . . . From this used car lot of the Cherner
Motor Co. are sold the famous Chernerized cars, syno-
nym for guaranteed reconditioning.
272
RADIO SHO WM ANSH I P
le Air
m, D.C., Who De-
le Cherner Motor
[-Zephyr Dealers
had been dealers since the days of the
first "Tin Lizzie," Mr. Cherner soon
figured out that in order to become a
competitor he must be different; and
the sooner the better.
His first step was to coin a name for
his used cars and develop a sure-fire
method of moving them quickly, because
he couldn't afford to carry a large used
car inventory.
This name was Chernerized Cars, a
name now so familiar to Washington
that it bids fair to displace the common
term reconditioned.
Chernerizing, he explains to Wash-
ington six times a day over six radio sta-
tions and four times a day through four
newspapers, consists of 30 Famous Re-
conditioning Operations, all of which
are performed on every used car he sells
as a Chernerized car. Every radio pro-
gram, every radio spot, every newspaper
ad tells Washington over and over again
that, "Next to a new
car ... a Cherner-
ized car is best."
How successful he
has been in convinc-
ing his community
that this is true is
attested by the fact
that in 11 years he
has sold more than
32,000 Chernerized
cars clear in.sj the way
SEPTEMBER, 1941
273
for sales of new cars in such numbers as
to place him in his position among the
top flight Ford dealers of the world.
The result is that from a hole in the
wall, the Cherner Motor Co. has ex-
panded to the point where it occupies a
total of more than 150,000 square feet
of property at 17th and Florida Avenue,
Northwest, with a branch in Chevy
Chase for uptown trade.
The Chernerizing plant is actually a
used car factory. In addition there is a
new car building, a service building, a
combination gas and service station and
a used car lot.
Every Chernerized car is guaranteed
in writing, and the guarantee is scrupu-
lously adhered to. His prices and terms
set the standard for the city. His used
car sales force is his pride and joy. Every
man is hand picked, containing even
better men than his new car sales force,
from which it is entirely separated.
His success has been so phenomenal
that he is cited as an example to dealers
by the Ford Motor Co. He has won
every Washington sales prize offered by
the Ford Motor Co. He won trips to the
Chicago World's Fair in 1934, the San
Diego Exposition in 1935, the Fort
Worth and Dallas Fairs in 1936, to De-
troit in 1937, (in 1938 there was no
prize) then in 1939 to the New York
World's Fair, in 1940 to the Golden
Gate Exposition, and he is well on his
way to another trip this year.
He is a great believer in stunts.
At the Third Term Inaugural, more
than 150 new Fords appeared in the
parade, bearing the special Inaugural
Parade license plates. Sensing the tre-
mendous publicity value of such a move,
Uncle Joe purchased these cars outright
from the Ford Motor Co., sold them
out within three days through a barrage
of radio announcements. The last car
had scarcely passed the reviewing stand
when the papers appeared bearing a full
page ad and the radio stations poured
into every home the news that those cars
were on sale at Cherner Motor Com-
pany, including the tags which were
valuable souvenirs, being the first ever
used in a Third Term Inaugural Parade.
J' ice -Presi-
dent Alvin Q.
Ehrlich, of Kal
Advertising,
Inc., Washing-
ton, D. C, was
born back in
^. ^-^.^^.^^^ i^^J 1 '^ithafire-
^|t * ;4^^H eating desire to
m^^lg^. ^ |B get things done
HL mk, ^ Jl . . . and quick-
ly. His capacity
for realizing his ambition is attested
by the fact that, in a space of time
usually consumed in learning to be-
come an acceptable copy boy, he
sprinted from that position to the
job of Advertising Manager of
Raleigh Haberdasher, Washington's
largest and finest men's wear store.
Leaving there to open his own
agency, he soon rounded up enough
important clients to become a part-
ner and later Vice-President of one
of Washington's largest advertising
agencies, a position he still holds.
Twice president of the Advertising
Club of Washington, he is now a
jnember of its Board of Directors.
His rapid rise in his chosen field
parallels that of his largest account,
the largest retail automobile adver-
tiser in the world.
Another stunt was to stage a series of
30 programs dramatizing his 30 recondi-
tioning operations, with leading an-
nouncers and the manager of his used
car factory as the characters.
His programs, his spots, and his news-
paper ads are changed every day.
The agency which handles his account
and his promotions keeps one writer
busy for half of every day writing his
spots and his programs, while still
another writer does his newspaper ads
and his promotions.
There has been endless talk among
advertising and merchandise experts
about showmanship in selling.
While the talk has been going on,
"Uncle Joe" has been doing something
about it.
274
RADIO SHOWM ANSH IP
eet Mr. Tweet
The Name's the Important Thing in Radio, Writes Successful
Program Sponsor Arthur Tweet, Grand Forks, N.D., Groceryman
Someone (you aH remember his name)
once wrote: "What's in a name? A rose
by any other name would smell as
sweet."
Had Mr. Shakespeare known anything
about radio, I'm certain that Juliet
would never have spoken as she did.
Today, all America is ear-minded. Chil-
dren don't face fierce animals anymore
as they tramp through the woods to
school. They hear their adventures over
the radio. Women experience emotional
bursts of love, hate, and fear, influenced
only by words on a 15-minute daytime
serial.
Even more important is the fact that,
today, many housewives don't buy the
crisp lettuce, the sun-ripened bananas
that are displayed in grocery windows.
Instead, they phone in their
grocery orders, never seeing
the vegetables until they ar-
rive at their hovises, actually
purchasing nothing more
than some radio announcer's
glib word-description.
It's words that we must
deal with these days, words
that go sailing off into un-
known space, and words
that hit the mark and leave
an indelible impression.
Of all the words we use
on a radio program, the
most important, by far, is your
store's name.
My five years' experience as a success-
ful radio sponsor has proved to me time
and time again this fact: you can't em-
phasize your name too strongly ... or
Arthur Tweet
own
too often. Of course, some names are
easier to remember than others, but any
name that can be understood can be
sold to radio listeners. Now, my own
name, Tweet, is rather unusual; it's sim-
ple to say and easy to remember. It al-
ways seems to me to be something out
of the Dickens' period, certainly noth-
ing that is commonly associated with
twentieth century food merchandising.
Be that as it may, I have gone into
radio with the single purpose of making
Tweet stand for groceries in the minds
of Grand Forks housewives. That I have
succeeded may be indicated by the fact
that today I have three profitable food
markets in greater Grand Forks. Five
years ago, when I first started with a
radio campaign, I had only one. My
sales volume has increased more than
38% in this period.
The tactics that I have
used during these five years
aren't spectacular; more
often than not, they were
just the obvious thing to do.
For example, you all re-
member the famous song
that starts like this: "Let's
all sing like the birdies sing
—Tweet, tweet, tweet, tweet,
tweet." I use that song to
begin and end every radio
program I sponsor. It has
become my identification on
the air, a trademark as close-
ly tied to my store as Johnny is tied to
Philip Morris. A parody of the origi-
nal song has been written, and we have
the children sing it during our Stars of
Tomorrow amateur show. Here are the
^vords:
SEPTEMBER, 1941
275
Who's the man who sells things to eat?
TWEET TWEET TWEET TWEET
TWEET.
The man who's prices just can't be beat!
TWEET TWEET TWEET TWEET
TWEET.
Let's all follow those great big crowds
And give ourselves a treat,
That IGA Brand
The Best in the Land,
You always save at TWEET'S.
- Some advertisers fear that too mtich
repetition of the store's name hampers
a progiam's effectiveness. Here is an il-
lustration where a simple song repeats
the store's name eleven times, and with-
out any undue strain. The same thing
can be accomplished with your name,
if you study it a bit, and find the twist
that clicks.
There's more to selling a name than
a good theme song. Most important is
finding the right vehicle to drive that
name into the public's mind. I experi-
mented for five years w^ith various radio
ideas before I found one that answered
my purpose.
It is called Tell on Your Neighbor.
Now, five years may seem like a long
time to "waste", but, actually, experi-
menting is not a waste, for each program
tested and then discarded onlv served as
a buildup for the program that fol-
lowed. In fact, I still use my Stars of
Tomorrow show, but only as a supple-
ment to my regular schedule.
All the show ideas I have used had
one thing in common: I appeared on the
program personally in one capacity or
another. In Stars of Tomorrow, an ama-
teur variety progiam for children, I ap-
pear as "Uncle Art." In analyzing this
show institutionally, I would say it has
gained considerable good will for mv
store, because it has given talented
voung Grand Forks children a chance
to "strut their wares."
Every spring at the close of the school
year we invite all the childien who have
appeared on the Stars of Tomorrow pro-
gram during the year to the Annual
Stars of Tomorrow Picnic. Last spring
some 700 childien partook of the free
lunch, free prizes for races and g^ames.
Biu I Avanted a show with even wider
appeal, with gieater opportunitv to rec-
At their Annual Stars of Tomorrow Picnic last spring.
Tweet's entertained some 700 moppets, past partici-
pants on its Stars of Tomorrow amateur talent show
broadcast over Grand Forks, N. D. station KFJM. Free
lunches and prizes for races and games brought loud
salvos.
276
RADIO SHOWMANSHIP
ognize Grand Forks people. TcII on
Your Xeiglibor answered this purpose.
It's a program that entertains and sells
my institution at one and the same time.
It's a program that almost any store in
any size town can use with good results.
The announcer and myself spend two
15-minute periods each week chatting
informally about people, our home town
people. AVe play up the old-fashioned
spirit of good neighborliness. the golden
rule with all its trimmings. It ^sorks to-
day just as it ahvays has.
The material for our anecdotes comes
from the listeners themselves. They are
asked to tell some good deed that their
neighbor has done for them or for some-
one they know. To the wTiter of each
letter used on the air goes one dollar in
merchandise. To the good neighbor goes
an Award of Merit in recognition of his
act of kindness. There is always an
ample supply of letters on hand, usually
enough to fill many weeks' programs in
advance. Five letters are read on each
shoAv. All are human interest stories
people enjoy hearing.
The program has done an excellent
good-^s'ill job for my store. It has helped
counteract the influence of chain stores
with one of the best arguments inde-
pendent grocers can use: "^Ve are a
\ital part of the commiuiity." Special
items are brought into the program
smoothly. "Tell your good neighbor
about the special value on canned beans
this week at Tweet's . . .", etc.
Most important. Tell on Yoiii- Neigh-
bor has served to build up my name,
which, of course, means building up my
store and my entire organization. After
each letter is read, I add a short com-
ment. It is these comments which make
the program tnine instead of just any-
one's. As a result, when I speak at
churches and club meetings, I find I am
known to hundreds of people that I
would have had no other way of meet-
ing.
To get the show started, I sent 25
good neighbor awards to famous per-
sonalities: AVendell AVillkie, Jack Benny,
Bing Crosby, Herbert Hoover, Dorothy
Thompson, Lowell Thomas, and many
others. These "important names" all
took the time to send acknowledgments.
I have used their letters to form a store
display that has really helped add pres-
tige to the program.
Xafnes sell merchandise over the air
these days— famous names e\'erybody
knows, local names you make worth
knowing, and your own name. Yes, by
all means, play up yoiu- own name.
SEPTEMBER, 1941
1
0 Sweet Mystery
By Mrs. Margaret G. Anderson, Advertising Director, Maud Muller
Candy Co., Dayton, D., Who Uses the Lure of Travel to Sell Sweets
At about the time Maud Muller Candy
began sponsoring its Train Reporter
program on Station WING, one of the
four stores we then operated in Dayton,
Ohio had to be closed. (The entire
ground floor of the building in which
the store was located had been leased.)
Naturally, because we had eliminated
one outlet, company officials expected a
decrease in total sales volume.
On the contrary, and to our pleasant
amazement, the combined volume of the
three stores soon was higher than when
we had a fourth outlet! The only pos-
sible explanation was the grand selling
job being done at the time via the Train
Reporter.
The 18 Maud Muller Candy Shops
are located in 10 cities of four middle
western states, Ohio, Indi-
ana, West Virginia, and
Kentucky. While the sales of
Maud Muller candies has
steadily increased in many of
the cities in which we have
shops, our books show an
outstanding increase for the
Dayton stores. The upswing
in Dayton sales was coinci-
dent with the start of the
Train Reporter program!
The story of the Train
Reporter is the story of a
hunt for a suitable air ve-
hicle that has probably gone on in many
an advertising department. I knew that
radio was a good medium. But I also
knew that there was more to radio than
just buying the time. We needed some-
thing to occupy the time that would build
listener interest and, at the same time, fit
in with the selling job we had to do.
Mrs. M. G. Anderson
In the past, we had used radio adver-
tising sporadically and with indifferent
results. We wanted a program that
would complement our commercial
copy. And that's why we hit upon the
Train Reporter. Here was romance, here
was adventure, here was the ever-present
lure of travel and the gift box of candy
that went with departures and arrivals.
This was the show!
The human interest value of travel
stories, the stories of men and women
from all walks of life, in every kind of
business, brought out in interview style,
as they arrived or departed from Day-
ton's railway station became our vehicle.
Last October, we started the series with
a quarter-hour from 7:00 to 7:15 P.M.
We began with a three times a week pro-
gram, are now using the
show six times a week.
The trick of the program
probably lies in how the
Train Reporter handles the
people he interviews. In
charge of our Dayton show
is Ronald Woodyard, WING
station manager. His friend-
ly, informal, easy-to-get-ac-
quainted-with personality
has done much to make the
program as popular as it is.
After a few minutes of
chatting, our Train Report-
er thanks the interviewee, presents him
with a box of Maud Muller candy.
And so, the Maud Muller Train Re-
porter has today become an accepted
and welcome visitor in Dayton homes.
We know our brightly-worded commer-
cials are effective, because increased sales
prove it daily. We usually can feel the
278
RADIO SHOWMANSHIP
Above . . . Eighteen Maud MuIIer Candy Shops, equal
ly attractive as this Dayton model, form a web through
out 10 cities of four middle western states, Ohio, Indi
ana. West Virginia, and Kentucky.
Right . . . Each evening at 7:15, Ronald B. Wood-
yard (at left) drops his identity as WING station man-
ager, becomes the Train Reporter, broadcasting inter-
views with travelers arriving and leaving Dayton's Union
Station.
SEPTEMBER, 1941
279
demand for a particular unit of candy
talked about in a commercial the night
before, or we can check the calls for
some menu specialty featured in the
Maud Muller Tea Shops, as advertised
the day before.
It's small wonder, then, that we are
introducing similar programs in other
cities. For example, in Indianapolis, we
sponsor a program in which the Maud
Muller reporter. Bill Schingle, meets
the bus daily at 12:45 for a quarter-hour
quiz session with bus travelers arriving
and leaving Indianapolis. Especially
well-located in downtown Indianapolis,
the bus depot forms an ideal locale for
an interesting program.
Naturally, the bigger audience you
can attract at the scene of broadcast the
better the program. Not only does the
announcer deliver a smoother patter
when the SRO sign is out, but also an
atmosphere of authentic excitement is
added by the incessant buzzing of voices
in the background plus the roar of ve-
hicles starting and stopping, which
makes the program live to the people
on the other end of the air waves.
Our selling is confined to one com-
mercial in the program; but the presen-
tation of a gift box of Maud Muller
candy to each person interviewed keeps
the name of the product before our lis-
teners throughout the entire show.
The Train Reporter does a selling job
for us pretty much on his own. In the
Maud Muller restaurants we have place
cards on each table on behalf of the pro-
gram. The card carries a picture of a
train with the message: "Tune In, 7
P.M. for Maud Muller Train Reporter."
That the program is paying its way is
proved by the fact that we increased it
to a six time a week feature.
It seems to me that almost any good
merchant with a flair for showmanship
(and a good product to sell) may do
well on the air if he selects the right
program to present, puts it on the air at
the right time, and is consistent enough
in his efforts.
Planning a successful commercial
radio program is very much like prepar-
ing a delicious bit of candy. In each
case, you must have the right ingre-
dients really to make it good.
The Lives of Men W
Industry, Culture Is '.
Frank W.
Woolworth
That people like to
know about people is
a tried and true for-
mula.
One of the nation's
most successful maga-
zines has built a huge
circulation and a loy-
al following simply
on the re-telling of
the lives of famous
persons.
The movies have turned a pretty pen-
ny through the production of biographi-
cal films.
It was quite logical that a medium as
expressive as radio should soon turn to
the drama of biography.
Captains of Industry is a series of 52,
transcribed, 15-minute programs dra-
matizing the lives of men who have been
outstanding in the development of
American business, industry, and cul-
tural life.
The episodes, each complete in 15
minutes, are factual throughout, but,
like the well-known proverb, they bring
to light truths that are stranger than
fiction.
Did you, for example, know that Cor-
nelius Vanderbilt plowed his mother's
farm on Staten Island to earn enough
hard cash to buy the
first small boat that
was the beginning of
a transportation em-
pire?
^im%^. i^ /f^ Did you know that
'^■^^l^ Frank W. Wool-
^^IbJpSk .L worth's first job was
V^^P^ in a grocery store
\ X where he worked
Henry Englehard ^^ree months without
Steinway pay? At the end ot
H<<
280
RADIO SHOWM A NSH I P
een Outstanding in the Development of American Business,
a Dramatic Transcribed Quarter-Hour Syndicated Program
two and one-half years, he was drawing
six doUars a week.
Some of the others whose lives are
dramatized include Carnegie, Pulitzer,
Westinghouse, Astor, Diamond Jim
Brady, Pullman, Weyerhauser, Morgan,
Dupont, Gould, Rockefeller.
A tremendous amount of research has
gone into the series, and the completed
recordings are smoothly and efficiently
enacted by an experienced dramatic
cast. A symphony orchestra provides
musical background,
and special sound ef-
fects have been devel-
oped for several of
the more difficult pre-
sentations.
The program is
especially designed
for financial houses,
savings and loan com-
panies, banks, and morticians. Among
the most recent sponsors was the Com-
mercial National Bank of Chatta-
nooga, who presented the program every
Tuesday and Thursday at 7:15 P.M.
over station WDEF. The bank promoted
the program with typical theatrical tech-
nique using an interesting four-page
folder, describing the men who dreamed
and made their dreams come true!
They called the program a "who's
who of American industry" and sug-
gested that listeners "learn about suc-
cess from men who knew the secret."
Another sponsor declares: "The most
merchandisable program we have ever
used. We gave away copies of the bio-
graphical ibooklet which we purchased
from the transcription makers. We used
lavish window displays. We scheduled as
many of the programs as possible to come
near the birth date of the industrialist
Lewis Edson
Waterman
whose life's story was
being broadcast, and
then tied this up to
our displays. 'All lis-
teners whose birth-
days came on the
same day were given
a small gift if they
called in person at
the office.
It is also possible
to establish a local
"Hall of Fame" in a public building,
annually honor the city's "Citizen of
the Year." Almost any patriotic organ-
ization will take over the details and
keep it going. Meantime the sponsor
ties into the deal and the program is
given a maximum of publicity at the
kickoff.
The whole package is extremely mer-
chandisable. In the Minneapolis-St. Paul
market, the Twin City Federal Savings
& Loan Association sent out a letter de-
scribing the program to every public
school teacher. PTA's recommend it for
youthful listeners because Captains of
Industry has proved accurate, instruc-
tive. Yes, the story of Big Business can
mean good business for you!
COMMENT: Smashy handling of dra-
matic episodes auto-
matically suggests the
pronounced use of
understatement in
preparing the com-
mercials. By very con-
trast they will lunge
at the listener.
Institutional copy
takes time to work
best, so if you buy,
plan to stay with it.
Julius
Rosenwald
SEPTEMBER, 1941
281
^
es, We Have No Bananas
Boh Reinhart, Sales Manager for 45 Jules Stores, Tells
How He Sells Credit Clothing and Jewelry Over the Air
All oi us have vivid memories that we
bring from childhood.
When I was a kid in grammar school,
for example, I remember very distinctly
seeing a picture in a travel book or mag-
azine showing a group of little children
in some far off country.
These kids had lived to a great extent
on bananas. Their tummies were terri-
bly swollen. To this day, that picture re-
mains in my mind's eye!
In assembling my thoughts for this
article, I telephoned my doctor, an emi-
nent Brooklyn physician, to ask him if
a diet of one specific thing is really
harmful. He replied very definitely in
the affirmative, and said that in any
country where the people have an un-
balanced diet, (or, in other
words, too much of one thing)
there are always varied compli-
cations.
What has this to do with
radio advertising?
Really a great deal. In our
type of business, an advertiser
using a concentrated radio cam-
paign and no other media would
not likely swell up as the kids in
the picture that I remember so
distinctly, but the diet would nonethe-
less be unhealthy.
A doctor of advertising would pre-
scribe otherwise!
Don't ask me aboiu selling bananas
on the air. But ask me, what job radio
has done for our chain of retail clothing
stores, and I have quite a story to tell.
It isn't a story of big appropriations and
important shows but a story of the abil-
ity of radio to do the job of drawing
customers.
No one form of advertising would
give us the well-rounded appeal we have.
In our operation, which is retail sell-
ing, we use three advertising media. We
would like to use a dozen. We would
like billboards, motion picture slides,
and even sandwich men, to say nothing
of spectacular sky writing. But advertis-
ing budgets must be adhered to, and
we, therefore, concentrate our advertis-
ing.
In this studied concentration, radio
plays a very important part.
Our type of clientele is the small
wage earner, the man or woman of lim-
ited income, who, desiring good clothes,
cannot afford to pay for them in ad-
vance in a lump sum. This type of per-
son enjoys the facility of paying
for his apparel easily and con-
veniently over a period of sev-
eral months.
In many instances, our cus-
tomers constitute a complete
family where a mother, father,
and children purchase all their
wearing apparel in our store.
The complete amounts are cal-
culated so that for two or three
dollars a week, the entire fam-
ily can budget its clothing expense and
still dress well.
Radio puts over a selling message for
us in a way that no other medium can.
Radio can tell a story and deliver it in
such a manner as to cause the listener to
draw the conclusion for himself. To ac-
complish this, we purchase electrical
transcription records, prepared for us by
The Charles Michelson Co.
These records consist of 26 individual
spot announcements. Each spot plays for
282
RADIO SHOWMANSHIP
"Thirty days hath September. . ."
that rhyme we don't remember.
Dill anyway those thirty days
Are ones when careful planning pays.
A(IV6rtiS6rS on WHN now save lots
And soon will have as well 50,000 WATTSl
Turn the page please.
No more poetry . . .
^
^ / 4-^ /
MAXIMUM POWER
The only independent station
anywhere with top power of
50,000 watts.
CLEAR CHANNEL
1050 KC. in the very heart of the
dial, the only full-time station on
that channel.
AMERICA'S FIRST
MARKET
The new WHN Primary Area
will embrace 10% of the entire
U. S. population — and 14% of
the nation's buying power!
1540 BROADV
NEW YORK <
Bryant 9-7800
Chicago Office - 360 N. Mi.
Randolph 5254
r
GUARANTEED TIME
The only 50,000-watt station in the
country that can offer spot advertisers
guaranteed time availabilities 24 hours
a day — 52 weeks a year!
TOP PROGRAMS
Feature productions through Loew's-
MGM affiliation — but still first in News,
Sports, and Popular Musical shows
that have built New York's greatest
independent station audiences.
LOW COST PER LISTENER
Anyway you figure it — in listeners per
dollar, watts per dollar, mail returns,
sales results — fifty thousand watts and
WHN mean top value.
A word to
TIME BUYERS...
ACCOUNT EXECUTIVES...
ADVERTISING MANAGERS...
WHN's new Rate Card No. 9 for
50,000 Watts is already in dis-
tribution, although not effective
until in October. Advertisers
using WHN before that date are
entitled to great savings at the
increased pov^er. Ask your
WHN representative to give
you full details.
1540 Broadway
BRvant 9-7800
Chicago Office
360 N. Michigan
Randolph 5254
WHN
NEW YORK
50,000 Watts
IPRACTICALLY COMPLETED)
a half-minute, and at the expiation of
this half-minute, the local announcer
follows through for another half-minute.
The spots are little stories, well-acted,
dramatizing everyday conditions in aver-
age families where the facilities of credit
made possible advantages of dressing
well. Each episode dramatizes the im-
portance of appearance in social, busi-
ness, and other activities— little stories
ol home life showing that Mary can't go
to the party because she hasn't a suit-
able dress, and therefore, she must stay
home, feeling pretty cut up about it.
This takes 30 seconds.
Then the local announcer comes in.
"Why, Mary can get that dress. Mary
can go to the party. All Mary has to do
is go to the MosKiNs Credit Clothing
Co. and for 50 cents a week she can get
the nicest dress and be the belle of the
ball, etc."
Depending on the stations and ap-
propriations for each store, these records
\N ere run from a minimum of once a day
to four times a day, and inasmuch as
there were 26 different plots they were
run alternately.
People learn that this credit service is
a\ailable through the constant repeti-
tion of our message on the air. But on
Friday, when they pick up their news-
papers, they see our advertisement of a
special value. Something unusual. Some
combination of clothes they've been
looking for. The newspaper doesn't
create the demand. Radio has laid the
groundwork by its constant message.
The newspaper just clinches the sale by
being specific each particular time.
W^e also use direct mail. Circulars,
well-printed, and colorful, deliver a real
message, and we send them out in large
quantities. Newspapers, direct mail, and
on-the-spot selling displays all back up
radio.
At the end of this season's broadcast-
ing schedule, a questionnaire was sent
out to our complete chain of 45 stores.
In every case, the managers of the
stores in the "radio" cities requested the
use of radio in the next season. Many
managers wanted heavier air schedules
despite the fact that it would mean cut-
ting down on other forms of advertising.
Slick- haired^
bubbly sales
manager Rob-
ert Reinhart ,
of the Jules
Chain Stores
Corp., decries
the fact he Jias
no particular
hobby, enjoys
m o s t ev ery-
ihing. Nearest
thing to a systematized ax)ocaiion is
his recipe collection, an interest he
shares with his charming wife, Alice.
Between tJiem, the ReinJmrts have
dished up a slick system for uncov-
ering new dishes. Living in New
York, a gourmet's paradise, they
have searched out many a hide-away
eat spot, tossed the chef a shameless
pot of praise and made him part
with his most prized recipes.
Having no children. Bob Rein-
liart still does not spare the rod,
fishes; loves horseback riding, does
a bit of shooting, gets a big kick
out of golf.
Following are a list of the stations
we used this last season: \\^CHS, Charles-
ton, W. Va.; WHBU, Anderson, Ind.
WHBF, Moline, 111.; WLOK, Lima
Ohio; WTBO, Cumberland, Md.
WFDF, Flint, Mich.; WIBA, Madison
Wis.; AVTBM, Jackson, Mich.; WFBG
Altoona, Pa.; WCAR, Pontiac, Mich.
WHLS, Port Huron, Mich.; WMBD
Peoria, 111.; WOL, Washington, D. C.
WINX, Washington, D. C; WOLF
Syracuse, N. Y.; WMFR, Fligh Point
N. C.
AV^here stores were not getting the
benefit of radio this past spring, the
managers felt that radio could be of
material aid, and they have asked that a
substantial sum be spent in the coming
season.
Thus, as we budget each advertising
dollar and carefully calculate our full
dollar's worth, we find radio assuming a
more important place on our schedule.
SEPTEMBER, 1941
283
i
We believe transcription records af-
ford us the best type of program for
these reasons:
Firstly, our stores are small units and
therefore have small appropriations. We
cannot afford to spend a lot of money
to compete with important evening pro-
grams being fed over the networks.
Secondly, our stores operate under
various names, and we cannot employ
the identity that would come from hav-
ing one name.
Radio is our No. 1 medium. The con-
stant repetition of the idea of credit
linked with the name of the local store
and our merchandise has made a tre-
mendous impression in the minds of our
public.
Our records bear the proof of these
statements. Not only do we get immedi-
ate results but the cumulative gain is
also noteworthy. Our story is borne out
by the numbers of people who come in
to buy and tell us of our program.
When they wanted to buy clothes on
credit, they came to us, they knew us.
We talk about credit, not specific
items of the day. That's long pull ad-
vertising. And for the long pull, it's
radio for us.
Our organization is completely sold
on broadcast advertising. We find it pro-
duces best results when it is part of a
well-balanced diet.
I know that in some fields radio alone
has done a standout job. In our line, it's
a combination of several media, with a
healthy helping of radio, that makes a
successful advertising promotion.
In the last week or so, we have given
considerable thought to what effect, if
any, the federal credit curb will have on
our sales. If it will affect our sales, it will
also, quite naturally, affect our advertis-
ing procedure.
As far as we're concerned, the federal
credit regulations will not affect our
radio schedules, because the regulations
are not affecting the clothing industry,
such regulations being limited to metals
and other products which contain mate-
rial essential to defense work.
Our plans mirror our ever-increasing
radio enthusiasm. It's going to be a ban-
ner radio vcar for us!
ympho]
By D. M. Smith, Managing I
California, Who Weighed t
Not Wanting. His Co-spon
•^'-v/
Back in Novem-
m ^tjK^d iJjL fi'^st signed the
^^nl^ ^JO contract for a
V^I^Q^^L y daily, half-hour
A^^I^^^Ar #L program. Music
^tK^^^^^^^y of the Masters,
M^H^^^I^HL ventured a pre-
^t A A diction: "This
program won't ||
begin to be felt
for about 18 months." In June of this
year, after completing our phonograph
record inventory, I uncovered these
facts: Our record business showed a leap
from $2,000 in 1932 to weU over $10,000
this year— and most of it in serious mu-
sic! Our program. Music of the Masters,
deserves the credit.
Music of the Masters is a program of
serious music drawing for its material
on the wealth of great works in recorded
form. Before Berkeley (Calif.) music
lovers heard one program, its policy was
firmly defined in my mind. (That policy
has not been altered to this date.) Music
of the Masters was not to be commer-
cialized.
During the first year, a short commer-
cial plug for the store was used at the
end of each program. It served its pur-
pose, chiefly to establish the name and
address of the Berkeley Music House.
Music of the Masters was not to be in-
terrupted in the midst of performances
for any reason. Symphonies, concerti,
overtures, tone poems, quartets, etc.,
have always been presented complete,
just as they would be at a formal con-
cert. Only exceptions have been in cases
284
RADIO SHOWMANSH IP
Selling
iley Music House, Berkeley,
of Waiting and Found It
am Is Now in Its Ninth Year
of extremely long works, notably operas.
In such cases the work has been present-
ed on consecutive programs, divided
according to acts or movements.
At the program's outset a musical
mentor presented a brief commentary
on the work to be performed. Our audi-
ence turned thumbs down on this phase
of the program after the first year. Berk-
eley wanted its music straight!
So passed the first year. The second
year, sufficiently impressed with our
modest results, I added a quarter hour
to our daily program, thereby improv-
ing its quality through the use of longer
works. Shucked off were the commen-
tary and the commercial plug, except
on occasions of special sales, when a
word to that effect was added.
The program was introduced as sim-
ply as this: "The Berkeley Music
House presents Music of the Masters, a
program of great music from records by
great artists. This evening we hear . . ."
Included are title, composer, opus num-
ber, artists performing, tempo markings
of titles of movements.
The 45-minute program thus contin-
ued for three years. Meanwhile new
faces began appearing in the music
store. People in the higher income
brackets became steady customers, buy-
Managing Owner O. M. Smith, Berkeley Music House,
surveys a comer of his stock of serious music. Large
cabinet is devoted only to albums of records of com-
positions by Bach and Brahms. Small cabinet in back-
ground holds a few of the modern works.
ing good recorded music in considerable
quantity. The stock of this type of music
began to grow.
At this time Stone-Pierce, Inc., qual-
ity furniture store, noting the growing
reputation of Music of the Masters for
dependability, consistency, good taste,
arranged to co-sponsor the program.
Music of the Masters was enlarged to a
full hour concert Monday through Sat-
urday, with a Sunday afternoon 3:00-
4:00 P.M. period. Names and addresses
of the sponsors were used only at the
conclusion of the various works.
This arrangement continued for five
years, with both institutions noting fav-
orable results. Best results were reported
to us by virtue of the records being the
best self-plug, but the furniture store
got occasional business in large orders,
such as complete rooms, even complete
house furnishings.
Last February, Music of the Masters
faced a new crisis. A new management
in the furniture store decided to go in
for a lower priced field, and consequent-
ly diverted their advertising appropria-
tion elsewhere. The total cost of seven
hours a week, stiff for us alone, brought
me face to face with the prospect of a
musical retreat unless a new co-sponsor
could be found.
Normally, a program like Music of the
SEPTEMBER, 1941
285
Masters is not a mail puller. No attempt
is made to get mail, and a satisfied lis-
tener to serious music seldom writes.
Nonetheless, evidence was needed to
submit to new prospects.
The solution was this: Our forthright
program announcer radioed the truth
unvarnished. In one announcement each
night for a week, he told the radio audi-
ence that a new sponsor was required,
and their letters would help. They were
asked simply to write if they thought
the program should stay on the air. To
the tune of 3,000 mail pieces, listeners
chorused their approval of Music of the
Masters! Quality characterized the mail,
which represented the finest segment of
the local population of the East Bay and
the San Francisco side.
After that, it was easy coasting! With-
in a fortnight, the program had a new
co-sponsor — Stephenson-Leydecker &
Co., Investment Bankers in Oakland.
The program, now in its ninth year,
o^oes on much as before. The onlv dif-
ference is that Stephenson-Leydecker
have a 45-second institutional message
in each program, offering the bank's
services.
Following are a few of the other con-
siderations in the success of Music of the
Masters: Artistic taste. A musician for
many years, I program each broadcast
myself. The days of the week are classi-
fied, with every program true to type:
Sunday's, 17th and early 18th century
composers; Monday's, chamber music;
Tuesday's, Wednesday's, Thursday's,
general programs of symphonies, con-
certi, shorter works; Friday's, modern
music; Saturday's, "pop" concerts.
Publicity. Local newspapers have been
generous with unsolicited praise of pro-
gram's minimized commercialism and
presentation of works complete.
Serious music can win a host of loyal
friends in the right cities (any commun-
ity where there's evidence of musical in-
terest will do) if the sponsor has the in-
testinal fortitude to stick to it and never
give the impression that his commercial
is more important to the listener than
the intrinsic artistry of the music. Re-
read the first paragraph of this article
for proof that it pays!
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Shoes
DAWSON'S SPELLING BEE For many
miles encircling Owensboro (Ky.) ,
Dawson's Shoe Store harnesses listener
interest with an old-fashioned spelling
bee. Sixteen high schools in western
Kentucky and southern Indiana provide
fodder for this barrage of words by
sending spelling teams of two boys and
two girls to Owensboro. Avid listeners
supply batches of questions. As the teams
garble their i's and e's, they are elimi-
nated in tournament fashion; a draw-
ing for opponents is held and a bracket
is drawn up. Each Tuesday night, the
teams meet for a 30-minute, WOMI
broadcast-bout on the final round, the
two surviving teams meet for the cham-
pionship.
Booty: To the girls on both teams
participating on the progiam, the spon-
sor, last year, forked up peacetime lux-
uries of silk hose; to the boys, gifts of
like value. As an award for the winning
team, sponsor gave 20 dollars in cash,
and in addition, a portable radio or lug-
gage to the individual high point maker
of the tomnament. Scoring was con-
ducted on the basis of one point for the
individual and his team for each word
correctly spelled.
All words submitted are placed in a
box from which the spelling-master
draws his lists. AVhen a list is completed,
interlocutor Earl Dawson, who wallops
home his own commercials on the pro-
gram, announces the names of word
senders, each of whom receive diction-
aries the following day.
286
RADIO SHOWMANSHIP
Word pull: As many as 125 per single
progi'am.
AIR FAX: First Broadcast: October 1, 1939.
Broadcast Schedule: Tuesday. 7:00-7:30 P.M. (Con-
tinues for 15 weeks.)
Preceded By: Owensboro Today.
Followed By: Ken-Rad Tubeadors.
Sponsor: Dawson's Shoe Store.
Station: WOMI, Owensboro, Ky.
Power: 250 watts.
Population: 22,861.
COMMENT: According to sponsor Daw-
son, his spelling bee is the best interest-
arouser he has ever used in advertising.
It capitalizes on one of the essentials of
good sho\vm3.nship— conflict !
Home Furnishings
THE OLD COUNTRY STORE While
Mercury perched at the top of the ther-
mometer and watched the populace of
Nashville perspire through
the baking heat of Tennessee
summer days, bulging May-
fair Furniture Co. elevators
hoisted larky, fun-loving
crowds to the store's fifth
Hoor each Saturday afternoon.
They came to see a AVSIX,
hour long, remote broadcast
of strictly hillbilly dance mu-
sic and two black-faced co-
medians. Old Country Store's
popularity rojeets another
test: It is station AVSIX's greatest mail
puller.
Mayfair Furniture learned a lesson
on the second Saturday; they had to
clear the fourth floor for the benefit of
the overflowing crowd, put on another
show there. Since that time, they curb
the crowd to 800 by means of tickets
obtainable for the asking at the May-
fair Furniture Co. any time during the
week. AVhen one week's supply of tickets
has been given out, patrons are given
tickets for the following Saturday.
Firemen are on hand to take up
tickets, guard the safety of the crowd.
On each program, sponsor delivers a
brief "thank you" message.
air FAX: First Broadcast: March 22, 1941.
Broadcast Schedule: Saturday, 1:45-2:45 P.M.
Preceded By: Make Believe Theater.
Followed By: Dance Orchestra (MBS).
Competition: Moments of Melody; Vera Brodsky
(CBS).
Sponsor: Mayfair Furniture Co.
Station: WSIX, Nashville, Tcnn.
Power: 250 watts.
Population: 184,353.
COMMENT: Once upon a time, a store-
keeper kept the good will of his custom-
ers by a cheery personal greeting or a
cordial handshake. Expansion and bustle
balk the old ways. For modern good
will, 194rs storekeeper invites folks into
the store for an hour of free rambunc-
tious entertainment.
Tnfaaccns
EDGEWORTH DANCING PARTY One
night a week, sponsor Larus & Brother
Co., manufacturers of Edgeworth To-
bacco, send a dance orchestra trucking
to a different army post in the Rich-
mond area. Sponsor rations
out an evening's jam session
to the men, broadcasts a slice
of it on station WRVA. Spice
of the program: Service men
become guest singers on the
show.
air FAX: sponsor: Larus 8C Brother
Co., manufacturers of Edgeworth To-
bacco.
Station: WRVA, Richmond, Va.
Power: 50,000 watts.
Population: 195,696.
COMMENT: Throughout the nation,
businessmen in every field are utilizing
army programs to foster sales at home.
It seems everyone must get on the "pub-
lic-service-program" bandwagon. Fortu-
nate is the sponsor who happens to have
a product that appeals to army men and
a program that goes directly into the
army camp.
Drug Products
THE OPPORTUNITY HOUR Hidden
behind the skirts of its retail drug store
outlets in the St. Louis area, pulling the
strings as deftly as a marionette manipu-
lator, giant McKesson & Robbins, whole-
sale drugs and sundries, boosts drug
product sales with KMOX-broadcast
Opportunity Hour. To the ptiblic, spon-
SEPTEMBER, 1941
287
""^— — it HULL.
"THFTlPWWHIHMVHfH/f?"
B^.-s^
:il-'tur
M,ir>.
Popular KMOX amateur show Opportunity
Hour draws multi-moppet participants each
Saturday morning. They are watching an-
nouncer Jack Garrison, standing beside sound
effect cash register at left, and announcer Gay-
lord Avery, seated momentarily beside piano
at right.
sorship is credited to the retail druggists
of the St. Louis area.
The program beckons amateur talent,
largely juvenile. Many participants act
as representatives of the retail druggist
in their neighborhood. For the go-get-
ting performer, appearance on the pro-
gram is only the initial step. Thereon,
it's a feverish race to pile up votes se-
cured in exchange for purchases of 10
cents each at drug stores blazoning The
Opportunity Hour banner. Votes are
dropped in a container in each of these
stores; sales on McKesson & Robbins
products rate double votes. Every Friday
afternoon, Western Union messengers
deliver the satisfying loads to KMOX
for tabulation.
Displaying smart showmanship, some
astute druggists allow contestants to
make personal appearances in their
stores; customers then make purchases
to vote for the act just performed for
them. Other enterprising druggists have
included their neighborhood's entry in
their advertising handbills, have urged
customers to come and cast a vote for
their contestant. In outlying territory,
some druggists hold their own amateur
elimination contests in cooperation with
local theaters. The prize: A trip to St.
Louis to take part in The Opportunity
Hour auditions.
Auditions are held every Wednesday
evening at KMOX studios, where those
considered sufficiently talented are
picked for the Saturday show.
What the Western Union boys brought
to KMOX: The first week, 132,000 votes:
the fifth week, 292,000.
AIR FAX: Broadcast Schedule: Saturday.
Sponsor: McKesson & Robbins.
Station: KMOX, St. Louis, Mo.
Power: 50,000 watts.
Population: 1,141,593.
COMMENT: Because McKesson & Rob-
bins kicks up a lot of business for drug-
gists other than McKesson & Robbins
products, general good-will is enhanced.
Men's Wear
COMMUNITY NEWS ROUND-UP For
Straus Clothing Co., for Valley City's
curious citizens, October 18, 1936, was
an interesting day. Straus' made the
initial broadcast of strictly local news
from their spanking-new newsroom lo-
cated right in the store. What w^as then
a novelty has now become a local insti-
tution. Voted KOVC's most popular
program. Community News Round-Up
has local merchants fighting for avail-
able openings near it.
Announcer Bob Ingstad splashes the
10-miniue newsperiod with plenty of
local color, occasionally includes local
interview's on timely subjects. Stunt:
Public is invited to send in news releases.
Store displays tie in with the newscast.
air FAX: First Broadcast: October 18, 1936.
Broadcast Schedule: Monday thru Saturday, 12:40-
12:50 Noon.
Preceded By: Bulletin Board of the Air.
Followed By: Mystery Tunes.
Sponsor: Straus Clothing Co.
Station: KOVC, Valley City, N. D.
Power: 250 watts.
Population: 7,500.
COMMENT: Surveys show that news
programs' biggest audiences are men.
Excellent tie-up, then, is the use of a
news show to draw traffic right into a
store selling men's wear.
288
RADIO SHOWMANSHIP
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Bakeries
SOUTHERN PLANTATION W^ay down
below the Mason-Dixon line, where the
tradition of the old plantation is as firm-
ly entrenched as a weevil in a cotton
boll, Durham Baking Co., producers of
Dixie and Made Rite breads and rolls,
sponsor peaceful, hospitable, lazy South-
ern Plantation. In a tVDNC survey con-
ducted February last, which included
CBS network as well as local shows.
Southern Plantation ranked fourth in
listener appeal.
Authored, produced, performed bv
WDNC's Norfly Whitted, Southern
Plantation keeps a studio audience en-
tertained for 30 minutes each Sunday
evening. The cast of 18, with the excep-
tion of the organist, is all male; the
scene, strictly southern. At the close of
the day. Uncle Dave (Norfly AVhitted)
invites tired hearts seeking rest and
peace from the cares of the long day to
come, to the mythical plantation for the
comfort that is to be found in the Songs
of the Swaneers (Quartet) and "Clif"
and his boys (Chorus) . Between times.
Uncle Dave dispenses philosophy; the
announcer dispenses commercials. For
atmosphere: The theme, Deep River,
and the old-fashioned pump organ
which accompanies as background Uncle
Dave's improvisations.
air FAX: First Broadcast: March 9, 1941.
Broadcast Schedule: Sunday, 7:00-7:30 P.M.
Preceded By: Meet the Band (CBS).
Followed By: World News Tonight (CBS).
Competition: Reg'Iar Fellows (NBC).
Sponsor: Durham Baking Co.
Station: WDNC, Durham, N. C.
Power: 250 watts.
Population: 52,037.
SAMPLE SCRIPT AVAILABLE.
COMMENT: Setting a scene and a
theme for musical entertainment adds
interest. If you're planning to sponsor
a series of musical arrangements, you'll
find a few words can bind the entire
broadcast period together. Imagine if
you will, that your entertainment is
being played in a music hall, a ballroom,
or a southern plantation.
Drug Stores
PANTAZE NOVELTY REVUE Daytime
variety shows have gone by the board
for the most part both as local and net-
work programs because of the expense
involved in creating one. Outstanding
network exception is the fast-moving,
morning variety show. The Breakfast
Club (NBC-Blue) which, in Radio
Guide's 1940 Popularity Poll ranked
first, superseding in popularity by more
than double votes such evening variety
shows as the Boh Hope Show, Jack Ben-
ny Show, Town Hall Tonight, Kate
Smith Hour, etc.
So it can be done nationally, and
here's proof that it can be done locally,
too. Two years ago, in Memphis, Tenn.,
the three Pantaze Drug Stores started
At work preparing another Pantaze Novelty
Revue are left to right. Bill Fielding, pro-
ducer; Dorothy Dwyer, Little Boy Cedric; Len
McEwen, musical director; Julie Hies, actress;
and Tony Berander, script writer.
SEPTEMBER, 1941
289
the Pantaze Novelty Revue. It's still
going strong.
The program features music by the
WMC Staff Ensemble, comedy by Little
Boy Cedric and emcee-scriptor-producer
Bill Fielding, songs by popular local
singers of note, guest speakers from Civic
Clubs, interviews from time to time with
itinerant sports celebrities. Gags are
written into the script about the boys
in the Ensemble; occasionally, they are
called on to read lines.
Promotion: All of sponsor's newspaper
copy mentions the program and time.
Sponsor gets additional publicity in
news and radio papers.
AIR FAX: First Broadcast: 1939.
Broadcast Schedule: M-W-F, 11:30 A.M.- 12:00
Noon.
Preceded By: Vincent Lopez' Orchestra (NBC).
Followed By: Music.
Competition: The Right to Happiness (CBS Dra-
matic Serial); Front Page Farrell (MBS Dramatic
Serial).
Sponsor: Pantaze Drug Stores.
Station: WMC, Memphis, Tenn.
Power: 5,000 watts.
Population: 260,049.
Agency: Lake-Spiro-Shurman Advertising Agency.
COMMENT: Rare spice in most local
radio station's schedules is the daytime
variety show. Like Mother Goose's Mary,
when they're good, they're very very
good; and when they're bad, they're hor-
rid.
A good variety show is well worth that
extra effort and expense, for all national
surveys have shown that mixed enter-
tainment with the accent on comedy
holds all top listener ratings.
prize is a free pass to see another WCHS
prime sports event of the day, it covers
the entire sports world on each byroad-
cast.
AIR FAX: First Broadcast: January 1, 1941.
Broadcast Schedule: Monday thru Saturday, 5:55-
6:00 P.M., 10:15-10:20 P.M.
Sponsor: Dr. Pepper Bottling Co. ( for Seven Up ) .
Station: WSAV, Savannah, Ga.
Power: 250 watts.
Population: 130,000.
COMMENT: Typical sports broadcast is
the 15-minute period aired during the
dinner hour or late-evening. Dr. Pepper
wanted to cash in on both these times,
used two five-minute periods, found it
could lap up sales doing it.
Groceries
MYSTERY MELODY As the organ plays
for 15 minutes on Heekin Baking
Powder Co's. program, listeners have a
chance at more than their music's worth.
All numbers are announced straight,
with the exception of the third, the
Mystery Melody. From program's start,
announcer pyramids the importance of
the mystery tune. Listeners are told to
ready themselves with pencil, paper. All
they have to do is guess the title of the
Mystery Melody.
SPORTS MONTAGE Last January, spon-
sor Dr. Pepper Bottling Co. of Savan-
nah, Ga., started the year out right for
one of its soft drink products. Seven Up,
by buying WSAV's Sports Montage— two,
five-minute periods daily except Sunday.
They gambled on confining all their ad-
vertising to these programs. Results:
Program prodded Seven Up sales 80%
above corresponding month of last year!
Using INS sports coverage. Sports
Montage presents a rapid-fire series of
word pictures of the sports news, local
and national. Always underlining the
Prizes: To the first 10 people submit-
ting the correct title by letter are sent
one-pound cans of Happy Family Bak-
ing Powder; the next 20 letters with
correct titles get passes to the WCHS
Old Farm Hour. Outcome: Mail reached
a high of 700 letters per program. Spon-
Beveraaes ^^^ showmanized Mystery Melody with
spot announcements, window cards in
grocery stores.
air FAX: First Broadcast: December 3, 1940.
Broadcast Schedule: T-Th-S, 12:35-12:50 P.M.
Preceded By: Esso Reporter.
Followed By: Daily Mail Newscast.
Sponsor: Heekin Baking Powder Co.
Station: WCHS, Charleston, W. Va.
Power: 5,000 watts.
Population: 80,996.
Agency: Midland Advertising Co., Cincinnati, Ohio.
SAMPLE SCRIPT AVAILABLE.
COMMENT: An inexpensive pep pill
for your musical program!
Interesting and appreciated second
290
RADIO SHOWM ANSH I P
pri/^e is a free pass lo see another WCHS
radio program. This is a neat way to
"kill two birds with one stone."
Groceries
SPELL IT AND WIN Like grocers the
country over, Trio Food Mart of Kel-
logg, Idaho, wanted to sell its own brand
of coffee, unpackaged; problem was to
get the story across to the public. Once
again, radio proved the means!
By a simple, easy-to-produce show,
coffee sales were increased 200% in the
first two months, and at the end of the
program period, sales were up four times
over what they had been before the
Trio Food Mart went on the air.
Already signed up for the next school
year, Trio's program presents a group
of five students from two different grades
of the Kellogg School district in a regu-
lar spelling bee every Thursday after-
noon for a half-hour from 2:30 P.M.
After a preliminary warm-up, five stu-
dents are chosen from each grade, and
under the supervision of their own
teachers they go on the air. The teachers
select the words, grade, and judge the
contest. Points are awarded to the teams
on the basis of 10 points per word
spelled correctly; and then when a word
is missed, an extra value of 10 points is
placed on that word until someone
spells it correctly.
AIR FAX: First Broadcast: October, 1940.
Broadcast Schedule: Thursday 2:30-3:00 P.M.
Sponsor: Trio Food Mart.
Station: KWAL, Kellogg, Idaho.
Power: 250 watts.
Population: 4,224.
COMMENT: Coffee and kids have never
been a combination fostered by school
authorities, but spelling bees and the
fun of clean competition evidently out-
weigh the slight disadvantage of the
former.
Electrical Appliances
ODD QUIRKS IN THE NEWS "Get the
'personality' and you'll get the sales," is
borne out by results obtained in using
an ace local air personality to plug Hot-
AMERICA'S BIGGEST
LITTLE RADIO SHOW!
It's a series of 260 5-minute scripts
(with about Ij^ minutes allowed for
commercials) that is selling more mer-
chandise and services than any other
5-minute radio show in the country!
Minimum contract is for 65 episodes.
Available to only one sponsor in a city.
This is not a transcribed series — but is
used as a "live" program, requiring
only one man and announcer for pro-
duction. The copy tie-up with the title
enables sponsors to give audiences
"something to think about" their prod-
uct and services, and drive the message
home.
So7ne of the sponsors include:
DENTYNE GUM
Station WLW 5 times weekly.
MERCHANTS & EMPLOYES BANK
Station KTRH 5 times weekly.
SINCLAIR OIL PRODUCTS
Station WFMD 5 times weekly.
Station WSFA 5 times weekly.
HONOLULU FINANCE &
THRIFT CO.
Station KGMB 5 times weekly.
PAUL BROTHERS
OLDSMOBILE CO.
Station WINX 3 times weekly.
VINCENNES FEDERAL SAVINGS
& LOAN
Station WOAV 5 times weekly.
Write for sample scripts and full data,
including combination rate-card order-
form. If you want results from radio
at low cost — investigate "SOME-
THING TO THINK ABOUT!"
SPECIAL FEATURES SYNDICATE
563 Northwestern National Bank BIdg.
MINNEAPOLIS. MINNESOTA
SEPTEMBER, 1941
291
POINT Refrigerators on K\VKH, Shreve-
port, La.
Medium used by popular Jerry Boze-
man, sports commentator, to point sales
for Interstate Electric Co. is "newsy"
quirks. There has been flashy coopera-
tion with newspaper ads and dealer dis-
play cards together with personal ap-
pearances by Bozeman. (One retailer re-
ports person asking for Jerry Bozeman's
HOTPOINT.)
AIR FAX: Broadcast Schedule: Monday thru Saturday.
1:00-1:05 P.M.
Sponsor: Interstate Electric Co.
Station: KWKH, Shreveport, La.
Power: 50,000 watts.
Population: 100,000.
COMMENT: Get a good man, work out
your tie-ups; the subjects that people
will listen to are legion. This proves
again that good merchandising is not
due to a single factor but thoughtful at-
tention to 'details.'
Home Furnishings
COOEY BENTZ CALLING Dccade-long
radio users Cooey Bentz Furniture Co.,
AVest Virginia's largest furniture store,
is located in the out-of-the-high-rent
district of the city of AVheeling.
To let Mr. and Mrs. Public in on this
important sales fact, sponsor employs on
station AVA VVA the fast-mo\ ing telephone
quiz, Cooey Bentz Calling. And accord-
ing to present returns, Cooey Bentz
will keep the program calling. Success
examples: AVinning an 18 dollar mer-
chandise award, one woman walked in-
to the store, purchased SI 80 worth of
furniture, using her 18 dollar award as
a do^vn payment.
Important: Cooey Bentz merchan-
dise awards are not limited to applica-
tion on more expensive purchases; it is
stressed on the program that winners
will receive the amount in merchandise
which they have won merely by stopping
in at the store. Despite this fact, sponso)
reports that in almost every case the win-
ner of a merchandise award purchases
something of considerably more vahie
than the merchandise credit which he
has been given.
In one case, a woman who answered
a (ju est ion correctly and therefore "^von
an award, received 90 telephone calls
from friends and listeners from the time
the program went off the air until mid-
night, congiatulating her on her good
fortune.
Qiiiz procedure: Emcee Lou Clawson
and an assisting telephone operator
work together. Clawson has beside him
a city telephone. The operator calls four
numbers selected from telephone direc-
tories of towns within 50 miles of ^Vhecl-
ing. If the number called receives no
ans-\ver or a busy signal, Clawson calls
the number immediately below it in the
telephone book. Two cash prizes and ]
two merchandise prizes are awarded on \
each broadcast. If the person called is
unable to answer the question which ,
quizzer Clawson puts to him, the amount ,
of cash or merchandise award is carr'cd i
over to the next program so that awards ;
build up to sizable proportions.
Punch program opener: A vocal theme
simulating a telephone operator calling
all listeners, making the connection for
Lou Clawson to speak to them.
air FAX: First Broadcast: December 30, 1940.
Broadcast Schedule: M-W-F, 7:30-7:45 P.M.
Preceded By: Best of the Week (NBC). \
Followed By: News. j
Competition: News. ]
Sponsor: Cooey Bentz Furniture Co.
Station: WWVA. Wheeling. W. Va.
Power: 5,000 watts.
Population: 73,974.
COMMENT: In putting over this type
of progi'am, many sponsors make the
mistake of interspersing musical nimi-
bers. Sponsor Cooey Bentz found
through experience that telephone quiz
calls can not be rushed. All music, ex-
cepting a chaser at the end, was elimi-
nated.
It is not always wise to judge a pro-
gram's merit by size of mail pull. Often
the type of the award determines the
extent of returns. Cash, of course, is
number one magnet, but merchandise
certificates may draw in more good pros- I
pects. .
Newspapers |
DOROTHY DIX Back in 1934, w^ien
front page headlines were screaming de-
pression panic, a sprightly, authoritative
292
RADIO SHOWMANSHIP
expert on the inside woman's page was
dealing with the endless, changeless, baf-
fling upsies and dazies of the love enig-
ma. It was then the Philadelphia Pub-
lic Ledger newspaper brought famed
heart-throb adviser Dorothy Dix to the
WFIL airwaves in three, complete, 15-
minute dramatizations per week, based
on actual letters received by her. Now
in graying 1941, while front page head-
lines shriek a new cacophany, Dorothy
Dix quietly chalks up some 2,400 broad-
casts of love advice.
AIR FAX: First Broadcast: 1934.
Broadcast Schedule: M-W-F, 10:30-10:45 A.M
Preceded By: News; Solo Vox & Piano.
Followed By: Toastchee Time (NBC).
Competition: Dailing for Dollars.
Sponsor: Philadelphia Evening Public Ledger.
Station: WFIL, Philadelphia, Pa.
Power: 1,000 watts.
Population: 1,935,086.
COMMENT: For circulation buildup,
the wise old Philadelphia Evening
Public Ledger appeals to the women-
folks by wielding that potent weapon,
human emotion.
YOURS FOR THE ASKING
Address Radio Showmanship 11th at Glenwood, Minneapolis, Minn.
Please enclose 10 cents in stamps to cover the cost of mailing and handling.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (sec
Sept. issue, p. 32).
Auto Supplies — Jack, the Tire Expert
(see May issue, p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Bakeries — Southern Plantation (see Sep-
tember issue, '41, p. 289).
Beverages — Pigskin Prevue (see July is-
sue, p. 222).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see March- April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Kiddie Quiz (see July
issue, p. 214).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (sec Sept.
issue, p. 35).
Department Stores — The Pollard Pro-
gram (see August issue, p. 238).
Department Stores — Woman's Hour (see
June issue, p. 178).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Finance — Jumping Frog Jubilee (see
August issue, p. 253).
Finance — Saga of Savannah (see June
issue, p. 187).
Finance — Something to Think About
(see August issue, p. 245).
Flowers — An Orchid to You (see Sept.
issue, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Furs — Cocktail Hour (see August issue,
p. 258).
Gasoline — Home Town Editor (see Oct.
issue, pp. 73, 74).
Gasoline — PDQ Quiz Court (sec Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries — Mystery Melody (see Sep-
tember issue, '41, p. 290).
Groceries — Mystrce Tunes (see June
issue, p. 162) .
Groceries (Wholesale) — Hoxie Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (sec Oct. issue, p.
63).
Laundries — Rock-a-bye Lady (sec Feb.
issue, p. 47).
Men's Wear — Hats Off (sec June issue,
pp. 178, 183).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Campus Reporters (see August
issue, p. 251).
Shoes — Mr. Fixer (see June issue, p.
148).
Sporting Goods — Alley Dust (see June
issue, p. 177).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue, p. 53).
Captains of Industry (see September is-
sue, p. 284).
The Enemy Within (see Jan. issue, p.
18).
The Face of the War (see May issue,
p. 125).
Fun With Music (see June issue, p.
162).
Getting the Most Out of Life Today
(see July issue, p. 196).
Little by Little House (see May issue,
p. 128).
Mama Bloom's Brood (see August issue,
p. 248).
Pinocchio (see Sept. issue, p. 11).
Secret Agent K-7 (sec Sept. issue, p.
35).
Sonny Tabor (see May issue, p. 140).
Superman (see September issue, p. 271).
Stella Unger (sec Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
SEPTEMBER, 1941
293
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
left . . . British War Relief Society n»
WHN songstress Gloria Whitney i
Thumbs Up Girl in their drive to
Thumbs Up pins. For the campaign
tion WHN (New York City) donated
show weekly. Miss Thumbs Up interv i
topnotch movie stars, appears in cou i
clubs, makes the rounds in special costij
Here she is shown at the mike with
enrollee, Merle Oberon.
below . . . BBD&O officials join a "fai
group" tintype taken after the initial bn
cast of old-tyme variety program. Those n
the Days. Sponsor is GRIESEDIECK BR
BREWERY. Standing (left to rigl
"Cindy" Martin (Bonnie King), soubrc
Lee Williams, BBD&O, Chicago; Roy SI
non, sponsor's ad manager; Jim Dougl
KMOX producer; James Cominos, BBD£
and Patsy Woodward, comedienne. Seaij
Bert Granville, lyric tenor; Harry Chest
emcee; and Bill Rader, comedian.
/^
^^
i . ik
'"%
\m%.
I
lop . . . Announcer of WWL's Shut-in-Shepherd
program (New Orleans) Mrs. Camilla Frank pre-
sents 13-year-old Burgets LaBauve with a 25-dollar
check after her Monday morning broadcast. Via her
program, Mrs. Frank provided young LaBauve with
a wheel chair and 25 dollars to buy crutches, shoes,
transportation for treatments. Program is designed
to buoy up courage of shut-ins throughout the deep
South.
center . . . Full-fledged WRDW
radio user is Augusta (Ga.) big de-
partment store, J. B. WHITE. Its
current programs: Two-year-old
Shopper's Guide, Daily Morning
Newscast, plus news flashes through-
out the day as they are received
through UP news service. Progres-
sive J. B. WHITE store links all
its promotions. Illustrated is a win-
dow display covering all of its radio
features.
f «r
lower left . . • Salesman Bob
Goodman receives a contract re-
newal for spot announcements
from Mrs. M. A. Krum, KRUM
TURKEY FARM, Castro Valley,
Calif. KROW (Oakland) proved
that turkeys can be sold direct from the farm to the con-
sumer. Sponsor doubled her usual Thanksgiving sales over
last year, attributes the rise directly to radio. Radio had
the added task of instructing the public how to reach the
farm, an out-of-the-way spot, 15 miles from Oakland.
The difference in price between Krum turkeys and those
sold in stores is only five cents a pound, but the oral de-
scription of the benefits of buying directly from the pro-
ducer brought customers from as far away as San Fran-
cisco, 30 niiles across the Bay.
WHAT THE PROGRAM DID FOR MEl
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 11th at Glenwood, Minneapolis, Minn.
Produce
GRADY COLE'S SUNDAY FARM CLUB
"Around the first of tfie year I was per-
suaded, against my better judgement, to
assume financial control and active man-
agership of Leonard's Hatchery, Char-
lotte. I say, 'against my better judge-
ment' because through a series of un-
fortunate incidents, this establishment
had not only lost most of its former busi-
ness, but even worse, had sustained a
rather bad reputation among its former
customers. You know, as well as I, that
it is a great deal harder to revive a busi-
ness that has been allowed to degenerate
completely than it is to start with an
absolutely fresh organization and a new
name— even with Fox System Quality
Baby Chicks!
"I decided to sponsor a quarter-hour
block (7:45-8:00 A.M.) of Grady Cole's
Sunday Farm C/m&— realizing too, that
such an early hour on Sunday morning
was indeed an acid test for the selling
power of radio. I believe I am the first
radio advertiser in the country to use
so early a time Sunday morning for pre-
sentation of a sales message.
"But here's the real story. Since Feb-
ruary 16, when Fox System Chick's one-
quarter hour a week program began,
business at Leonard's Hatchery has
steadily been on the upgrade. It would
be misleading to state the tremendous
percentage of actual increase, since I've
already mentioned that when we began,
business was practically nil. Suffice it to
say that we are now operating at peak ca-
pacity, and really having difficulty keep-
ing pace with new orders being booked
daily. Remarkable, too, when you con-
sider that 'Fox System Chicks are Qual-
ity Chicks, selling at Premium Prices!'
P. S. We have just been tabulating mail
response. Thought you might be inter-
ested in these figures: To this date
(April 11)— 8 programs— 3,184 inquir-
ies, and 320,000 chicks sold!"
Charles G. Fox
President
Fox System Chicks
Leonard's Hatchery, Charlotte, N. C.
Raleigh Hatchery, Raleigh, N. C.
air FAX: Second climax. Two weeks after the above
letter was penned, emcee Grady Cole snatched a
minute to ask his audience to send in an approp-
riate name for the FOX SYSTEM CHICK in the
trade mark. Listeners had until Wednesday, April
30, to send in their names. Prize offered was 100'
FOX SYSTEM CHICKS. This one-minute announce-
ment, made one time only, without any previous
build-up whatsoever, yielded 1,643 letters! Two-
hour-long Grady Cole Sunday Farm Club features
farm news, notes, market information, organist Clar-
ence Etters, Rangers Quartet, Oklahoma Sweethearts
(singing duo with guitar), and guest artists.
The brief chatty commercials are woven into the
program continuity, emphasize FOX SYSTEM qual-
ity, the value of starting a flock with quality rather
than cheaper or inferior chicks. Listener is shown
where quality fowl at a higher price are more eco-
nomical in the long run. They are requested to
write for The Proper Care of Baby Chicks written
by the president of FOX SYSTEM CHICKS, who
is an authority on the subject.
First Broadcast: February 16, 1941.
Broadcast Schedule: Sunday, 7:45-8:00 A.M.
Sponsor: Leonard's Hatchery.
Station: WBT, Charlotte, N. C.
Power: 50,000 watts.
Population: 82,675.
COMMENT: Select-
ing the right time
for your message
is of utmost im-
portance. Best
guide is studying
the habits of the
listeners you want
to reach. In this instance, agriculturists
are up and doing bright and early. Fox
showed astuteness in glauming on to this
hour.
296
RADIO SHOWM ANSH I P
JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest-
ed in the news, reviews, and tips in this column.
You can be certain that local sponsors
are quick to follow trends set by na-
tional advertisers. This has been espe-
cially true of short spot announcements.
Carters, Ford, Pepsi-Cola, and other
national leaders started the vogue for
transcribed musical and dramatic spots
some time ago, and now leading tran-
scription producers are supplying local
businessmen with syndicated, one-min-
ute announcements— 30 seconds devoted
to the dramatic or musical introduction,
30 seconds to your own localized sales
message.
Following are the business fields now
covered by the better transcription pro-
ducers. If yours is one of them, write to
Radio Showmanship for more complete
information. Address: Johnny -on -the -
Spot, Radio Showmanship, 11th and
Glenwood, Minneapolis.
BUSINESS FIELDS
Auto Loans
Bakeries
Dairies
Dry Cleaners
Furniture
Furriers
Jewelry
Laundries
Loan Companies
Men's Clothing
Optometrists
Used Car Dealers
Women's Clothing
GENERAL RETURNS
Classified by time units are the best
locally-sponsored spot campaigns.
O
O
o
(D
20 word announcements
50 word announcements
100-125 word announcements
150 word participating spot
10%
28%
53%
9%
Total 100%
New York's Popular
HOTEL
LINCOLN
44th TO 45th STS. AT 8th AVE.
1400 ROOMS
from
»3
Each with Bath, Servidor,
and Radio. Four fine res-
taurants acclaimed for
cuisine.
MARIA KRAMER
PRESIDENT
John L. Morgan
Gen. Mgr.
HOTEL EDISON
Same Ownership
IN THE CENTER OF
MID-TOWN NEW YORK
SEPTEMBER, 1941
297
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, JULY, 1941
Type Rating
Last
Month
Change
MUSIC
.311
.318
-.007
NEWS
.224
.222
+ .002
QUIZ
.125
.122
+ .003
TALKS
.085
.084
+ .001
INTERVIEWS
.079
.078
+ .001
SPORTS
.070
.068
+ .002
DRAMA
.053
.055
-.002
COMEDY
.053
.053
TOTAL
1.000
1.000
To get an even more accurate picture
of the trend of locally-sponsored radio
programs, we have carried mathematical
compilations out to the thousandth
place. This will enable us to catch val-
uations within a tenth of a per cent.
THIS MONTH
Biggest single rise was recorded in the
trend of quiz shows. Since way last Oc-
tober, quiz shows have shown a steady
increase. Let's peek behind the figures
once again and try to uncover the rea-
sons for this rise.
Only news shows have shown as high
an increase over this same 10 months'
period. Perhaps that accounts for the
success of Dodge City Co-op Exchange's
Battle of Headlines over KGNO, Dodge
City, Kans. This quiz show features
questions from the current news.
Alexander Bell discovered the tele-
phone quite a few years ago, but it seems
that today radio sponsors are discover-
ing some new uses for his invention.
Horace Heidt started phone ringing
with his Pot O' Gold. Now, there are
some entirely new variations of quiz
shows featuring the telephone. Hudgins-
LuHRiNG, used car dealers in Newport
News, Va., have one of the most popu-
lar of these quiz shows over Station
WGH. It's called Repeat It, Please, and
all the participants have to do is listen
to the radio and repeat what they hear,
if they are called.
Elaborately produced quiz shows like
Albers Super Market's Mystree Tunes
over WKRC, Cincinnati, are also ex-
tremely successful according to our sur-
vey returns.
What does all this mean? Simply this:
(We've said it before and we say it
again.) Qiiiz shows have to be different
to be good. If you're planning to spon-
sor a quiz show this fall, don't expect
immediate success just because you ask
a few questions and get a few answers.
Look for a brand new approach, or fol-
low the experience of successful pro-
grams in other towns that have some-
thing new to offer your town.
QUIZ SHOWS — OCT.-FEB.
.090 .090
.100 .100
.110
OCT. NOV. DEC. JAN. FEB.
QUIZ SHOWS — MAR.-JULY
.122 .:125
MAR. APR. MAY JUNE JULY
298
RADIO SHOWM ANSH IP
>;r;r«-'"
at vour ftng^'^-
Jne F.I. Bmd a glance t;?cial intere^
vou can teU nal ot ^^^^^enieni com
Iditions ca^Y " ^^-^ the con^ -gj in per-
sGo ahead and cut out the coupon! Don't
worry about ruining the magazine cover;
we'll send you a new copy for your file.
GeniVetnen:
Send
1 «an> ^^r;,\„' Sho«mansWp
.Vien
CbecVt enci ....
d.
"Same . •
Address . •
position
City • • • •
State
FB-l
IN NEXT MONTH'S ISSUE OF
s
^^j^FHOWMANSHIP, Publicity Director Russell E. Risley,
Schuster's Department Store, Milwaukee, describes its amazing 1 1 -year-
old Christmas promotion, Billie the Brownie, which pulls 50,000 letters
and turns the whole town topsy-turvy. Plus a host of tested Christmas
promotions as used by clothiers, jewelers, grocers, banks, etc. it it if
> ^\^«
IN THIS I^tt. . . PROGRAMS AND PROMOTIONS FOR
Bakeries * Beverages * Dairies • Drug Stores * Electrical
Appliances * Home Fornishings
Hestaurants
Sporting
Goods * Theatres « Plus Six Pages About Department Stores!
SPECIAL CHRISTMAS PROMOTIONS
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
OCTOBER
Business
Bakeries
Beverages
Dairies . .
PAGE
320, 329
329, 330
322, 328, 332
Department
Stores 312, 314, 320, 323, 324, 325
Drug Stores 333
Electrical Appliances 332
Business PAGE
Home Furnishings 326, 328
Music Stores 306
Merchant's Associations 319
Restaurants 325, 329, 330
Sporting Goods 326
Sustaining 310, 317
Theatres 327, 328
SEPTEMBER
Business PAGE
Automobiles 272
Bakeries 289
Beverages 290, 294
Candies 278
Department Stores 295
Drug Products 287
Drug Stores 289
Electrical Appliances 291
Finance 280
Business PAGE
Groceries 275, 291
Home Furnishings 287, 292
Men's Wear 282, 288
Music Stores 284
Newspapers 292
Produce 295, 296
Shoes 286
Tobaccos 287
Women's Wear 282
'<• jiiNo bUiVirANY, ING
80 ROCkEFiLLER PUZA, N
CONTENTS
OCTOBER 1941
VOL. 2 NO. 9
Editorial Advisory Board
Radio
Herbert Pettey
Ralph Atlass
William Dolph
Henry Johnston
Glenn Snyder
Philip Lasky
Roger Clipp
J. Harold Ryan
New York
Chicago
IVashington
Binningham
Chicago
San Francisco
Philadelphia
Toledo
Business
Lorenzo Richards
Ogden, Utah
GusTAV Flexner
Louisville
J. Hudson Huffaj^d
Bluefield, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalamazoo, Mich.
Allen C. Knowles
Cleveland
Editor and Publisher: Don Paul
Nathanson and S. H. Kaufman.
Managing Editor: Tod Williams. As-
sociate Editors: Norman V. Carlisle,
Harold Kahm, Paul Hellman. Re-
search Director: Marie Ford. Busi-
ness: X. Lunde. Circulation: T. Kay.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Music Sales Thru the Air 306
John W. Jenkins III
Nine straight years before capacity
audiences— that's the record of Jen-
kin's Music Company's Kiddies'
Revue!
Calling All Camps 310
Here's the story of one of the first
local radio shows designed for the
boys in army camps.
Store in the Sky 312
No more remarkable story has ever
been told on these pages than the
story of Burt's, the department store
that radio built.
Ten Years of Billy the Brownie
Paul Hellman
314
How a radio show and parade have
boosted the Christmas sales of
Schuster's three Milwaukee depart-
ment stores.
Kid Show Extraordinary 317
The interest in U. S. defense has be-
come the theme for a top notch
children's program.
OCTOBER, 1941
303
5B
Christmas Sugar 'n Spice ... .319
An RS Air Analysis
The adventures of the Barton Twins
are the basis for a dramatic, tran-
scribed quarter-hour Christmas pro-
gram for children.
Christmas Promotions 323
To help you get the most out of
radio in the peak retail buying
months, here is a collection of suc-
cessful merchandising stunts and
programs used last Christmas.
Proof O' the Pudding 326
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Showmanscoops 328
Photographic review of merchandis-
ing stunts, and the personalities be-
hind them.
Showmanship in Action 330
A collection of those extra promo-
tions and merchandising ideas that
lift a program out of the ordinary.
Yours for the Asking 331
A listing of sample scripts and tran-
scription availabilities on programs
reviewed in this and preceding is-
sues.
What the Program Did for Me 332
This is the businessman's own de-
partment. Here, the radio advertis-
ers of the nation exchange results
and reactions of radio programs for
their mutual benefit.
Trends 333
A rating of program patterns based
on a special and continuous survey
of outstanding, locally-sponsored
radio programs throughout the
country.
miRRY CHRISTHIHS
It s a Little Early for
Christmas Greetings. But
Not Too Early To Audition
THE BEST CHRISTMAS SHOW
YOU'VE EVER HEARD!
SO EXCEPTIONAL • SO AMUSING
SO INTERESTING to Adults as well as Kiddies
that one Sponsor in each City will grab it.
THE TITLE: STREAMLINED FAIRY TALES
15 Quarter Hour Xmas Programs ond 45 more
without XMAS "tie-in" that can follow.
COMPLETE BROCHURE ON REQUEST.
Produced like the ever-POPULAR CARTOON MOVIES
with impersonations — DRAMATIZATIONS — sound ef-
fects, etc. Modern versions of well known fairy tales.
An outstanding program — hear it and be convinced.
19 EAST 53rd STREET at Madison Avenue.. .NEWYORK CITY
304
RADIO SHOWM ANSH I P
OUR FIRST EDITORIAL
One year passes quickly in radio. When our first
editorial appeared on this page, it brought to light
an important problem for radio-minded business-
men. Today^ to thousands of Radio Showmanship
readers, that problem has been completely solved!
NCE upon a time, an ingenious business exec-
utive decided he could write better selling ad-
vertising copy with a scissors! He not only cut
out some of the best advertisements he could
find, but he also cut out a lot of wasted effort.
When radio came along, the businessman discov-
ered he again had to sharpen his wits— for, unfortunate-
ly, you can't cut air!
Radio waddled through babyhood and into ripe
adolescence without any visible means of exchanging
knowledge and experience. Local radio advertisers be-
came as isolated from one another as Switzerland is to
a democracy.
The industry was progressing rapidly, and the faster
it grew the more urgent this need became. Radio was
like a full grown man still dressed in short pants.
To supply the information that was so important
was the task of radio stations, business trade journals,
and now Radio Showmanship.
As coldly analytical and impartial as the steel blades
of the scissors, Radio Showmanship brings local radio
advertisers an accurate, independent account of pro-
grams and promotions collected from businessmen in
all types of enterprise.
Radio Showmanship offers a new, greater radio with
its first pair of long pants. Through the exchange of in-
formation. Radio Showmanship will strive to raise the
calibre of local radio presentations. Thus, it will benefit
both the businessman and the radio station, for as
F. C. C. chairman, Major James L. Fly, so aptly stated:
"Good radio, besides being good public service is good
business."
O C T O B E R, 1 9 4 1 305
SOMEONE once said that children
"should be seen and not heard!"
We of the Jenkins Music Company
in Kansas City, Missouri, disagreed with
that idea; and as a result, we are now
in our tenth year as sponsors of one of
the most successful music-sales-promo-
tion radio shows heard anywhere in
these United States.
On August 16, 1941, "The Kansas
City Kiddies' Revue" celebrated its 9th
birthday by twice filling our 500-seat
auditorium with enthusiastic children,
proud mothers, beaming fathers, inter-
ested relatives and amazed friends. The
Kiddies' Revue has been filling that
same auditorium to capacity every Sat-
urday morning for the past nine years—
and when a broadcast creates "store
traffic" in such volume, it is a success!
We expect it to keep right on draw-
ing such crowds, because our broadcast
over WHB is composed of permanently
popular ingredients: sprightly music,
well-performed; attractive, talented chil-
dren having a good time; and colorful
stage spectacles, expertly produced.
Jenkins' Kansas City Kiddies' Revue
is the outgrowth of a carefully-planned
idea. Back in 1932, Donald D wight
Davis, the dynamic president of WHB,
had long wanted an unusual "kid show"
for his station. But it was not until
Charles Lee Adams, an accomplished
producer of "home talent" shows, came
to Kansas City that Davis found the cor-
rect pattern for a juvenile program.
Adams, as a stage-show producer, sought
to adapt stage presentation technique to
radio— and the Kiddies' Revue is the out-
growth of that idea.
Adams held the conviction that most
children's programs are "written down"
to youngsters, and that in the process
they lost most of their appeal— both to
the performers and the listeners. So the
Kansas City Kiddies' Revue was designed
to fit an adult-show pattern, yet remain
within the capabilities of children. The
The Kansas City Kiddies' Revue Christinas broadcast is
usually a super-production. To accommodate the
crowds it is frequently necessary to give two perform-
ances.
usic Sal
By John W. Jenkins III, Jenkins I
Produced "Kiddies' Revue" Has P
306
RADIO SHOWMANSH IP
iru the Air
if Kansas City, Mo. His Smartly
nding Rgdiii Only for Nine Years
youngsters sang and danced to familiar
popular music instead of performing
simple selections written for beginners.
And the results were tremendously grat-
ifying. The children felt that they were
performing important music and im-
bued every minute of the show with
their gay enthusiasm; the audience in
the studio and on the air heard favorite
popular music and found, to its amaze-
ment, that children frequently were bet-
ter performers than grown-ups.
Shortly after the Kiddies' Revue com-
pleted its initial test period on WHB,
the Jenkins Music Company assumed a
sponsorship which has now covered a
record period for such a program. And
although other producers have followed
in the footsteps of the program's origi-
nator, the basic pattern has never been
changed. Today, as it did nine years ago,
the Kansas City Kiddies' Revue carries
its own special brand of "punch" for
the listener, and our audience has in-
creased steadily in size and loyalty. The
program has been imitated elsewhere,
and if imitation is flattery, then we have
a right to feel flattered.
Our commercial announcements are
written to do a moderate job of direct
selling, but our chief aim is to sell the
idea of music-for-children. We know that
the difficulty of selling a piano simply
by talking about its technical excellence
is much greater than selling a piano to
a Mother and Dad who have just seen
their child win honors and applause up-
on the stage of our auditorium. We esti-
mate that a large percentage of all the
people who come to our store to witness
a broadcast have become our customers;
and of course the patronage we receive
from listeners is a steadily growing part
of our volume. The slogan of our show
is, "When -you think of things in the
music line, think of Jenkins every time,"
and it is obvious that the slogan has
done its job well.
Pictures accompanying this article il-
lustrate the "grown-up" atmosphere of
the Kansas City Kiddies' Revue. Our
young performers are selected at weekly
auditions; and of course we pay nothing
to those who participate in the program.
The children are delighted to appear in
public, and parents are proud to help
OCTOBER, 1941
307
Roy Engel of WHB, director-announcer approves the
performance of two young stars.
them toward this goal. Standards o£ per-
formance are high, competition is vigor-
ous, and young musicians and dancers
practice earnestly to be accepted. We
know that in many a home the Kiddies'
Revue has transformed music practice
from drudgery into a zestful opportunity
for achievement.
This, of course, delights teachers and
parents, who are quick to take full ad-
vantage of the child's enthusiasm. Noth-
ing could be more gratifying to teacher
and parent alike than to watch a young
student's growth. You see the child de-
velop personality, stage presence, and
ability to "project," along with constant
improvement in technical musical skill.
Parents have told us repeatedly that
they greatly appreciate the unparalleled
opportunity offered by the Kiddies'
Revue. They realize that such an oppor-
tunity to appear in public and on an
actual broadcast is of priceless value and
that, if it were sold on a commercial
basis, the cost would be prohibitive.
One of the most powerful appeals ex-
tended to children and parents by the
Revue is the fact that it is built as a
"show" and not as a recital. The urge
to act is as old as the race, and every
child has the desire to perfect himself in
some art and appear before his friends
and fellows. In the Kiddies' Revue, we
give them an opportunity to act under
thrilling, professional circumstances.
The spotlights are there, the make-up is
put on, the curtains are drawn, the stage
set, just as they see it all when they at-
tend the theatre.
Teachers of voice and of all the musi-
cal instruments maintain studios in our
building, adjacent to the auditorium;
biu performers on the program are not
limited to students of these teachers. We
welcome students from all teachers every-
where at auditions. Ability to perform
is our only qualification for actual ap-
pearance on a program. The dancing
schools of the two Kansas Cities are eag-
er to have their students in the Revue,
not only because of the experience it
gives the pupils, but also because a good
performance is the teacher's best adver-
tisement.
The success of each program stems
from six factors:
1) The ability, personality and
"showmanship" of the young perform-
ers.
2) The production "pace," by which
acts are carefully spotted and expertly
routined to provide contrast and cli-
max.
3) The willingness of teachers to
prepare special numbers such as violin
or accordion ensembles, band instru-
ment specialties, etc.
4) The co-operation of dancing
schools in supplying "lines" of young
dancers in cute routines, properly re-
hearsed and cleverly costumed.
5) The eagerness of parents to have
their children gain this valuable ex-
perience, and the willingness of par-
ents to help stage the shows.
6) The "teamwork" of our entire
store staff concerned with the pro-
gram: the floor- walker downstairs who
directs traffic to the auditorium; the
elevator girls who handle the crowds;
our studio receptionist who welcomes
each audience in a weekly speech from
the stage; our merchandise depart-
ment heads who co-operate with teach-
308
RADIO SH OWM A NSH I P
ers in building well-balanced pro-
grams; our advertising and display
people who plan stage settings and
program exploitation; and the co-op-
eration of WHB's personnel in pro-
ducing and broadcasting each show.
In all my years in the music business,
I have never enjoyed any experience
quite so much as my relations with par-
ents and their children who have ap-
peared on our program. (And there have
been hundreds of children in nine years!)
They call me "Uncle Johnny." We re-
member them with appropriate gifts at
Christmas-time, and our annual "birth-
day party" is always a joyous event,
complete with refreshments and birth-
day cake!
Each weekly program is well-balanced
with piano, accordion and violin num-
bers, plus song-and-dance and comedy
routines. The orchestra (which remains
intact from week to week except as chil-
dren grow older than the 14-year age
limit, or move away from town) sup-
ports the program and introduces the
now-famous theme song:
"We're Kansas City's talented Kiddies,
Our girls are pretty, our hoys are
witty;
We come to you by radio, and hope to
please you so.
We hope you like our songs and chat-
ter,
And the dancing feet that patter . . .
"We are the Kiddies from Kansas City,
Tomorrow's Stars on WHB;
At ten-fifteen each Saturday
We'll sing and dance and play
At the Jenkins Music Company!"
Regularly our program runs thirty
minutes. Our anniversary broadcast was
a special 45-minute production, staged
and broadcast, then repeated (without
a broadcast) for the "overflow" audi-
ence which attended the second show.
On holidays such as Hallowe'en, Thanks-
giving, Christmas, Valentine's Day, we
usually build special productions— and
frequently have to give two perform-
ances to accommodate the crowds.
The Kansas City Kiddies' Revue was
a radical promotion step when the
Jenkins Music Company first assumed
sponsorship nine years ago. But in those
John William Jenkins, III, au-
thor of this article, and vice-presi-
dent of the J. W. Jenkins Music
Company, in Kansas City, Mo., ad-
dresses the enthusiastic auditorium-
and-radio audience of proud
mothers, beaming fathers, interested
relatives and amazed friends. Heavy-
set, friendly, intense "Uncle John-
ny," as he is known to children who
have appeared on the program,
speaks in a terse, pointed manner,
handles the Kiddies Revue himself
because he is personally interested
in children and in the program
which he considers one of the most
enjoyable experiences of his life.
Oldest of the 3rd-generation Jen-
kins', he has been in business for 26
years. Present incumbents of offices
in the 63 year old music company
which operates stores in Missouri,
Kansas, Oklahoma, Arkansas, Texas
and New Mexico, are all members
of the second and third generation.
nine years it has come to be a solid, sure
and effective advertising medium sup-
plementing all store activity and doing-
its own special job in a direct and force-
ful way which could not be duplicated
through any other medium.
OCTOBER, 1941
309
(g
ailing All Camps
Here's the Story of One of Radio's First Programs Designed
for the Boys in Military Camps. PuhUc Shows Interest, Too
WITH thousands of men called to
the colors, army camps have the
spotlight of national attention focused
on them. Mothers, fathers, sweethearts,
brothers, sisters, wives, aunts and uncles
have all become military minded. Hun-
dreds of thousands of men now in khaki
also compose a large listening public.
Alert men with merchandise to promote
have been quick to get on the bandwagon
by playing up the military and naval
theme in broadsides, direct mail and
inserts, on billboards and other forms
of promotion.
For the radio-minded advertiser, the
question is how to capitalize on what is
uppermost in the minds of the people
of the nation, the welfare and progress
of the armed forces. There are many
answers to the question, but one that
has 12 successful broadcasts to its credit
already is Calling All Camps.
Station KFI, Los Angeles,
Calif., has taken upwards of a
100,000 service men to its bosom
with a half-hour weekly pro-
gram prepared especially for
them and broadcast each Friday
at 6:30 P.M. Although a sustain-
ing show, it is one that any
sponsor might well use as a
model. The show is a smashing
success with men in uniform
from San Diego to Paso Rabies.
Features of the unique public
service show include music by
Claude Sweeten and the staff orchestra,
a drama about the "Hard Luck Guy"
of the week, a limerick contest, a salute
to the Outstanding Man of the Week,
and various contests with cash prizes
totaling $50.00.
Public Relations Officers in the 18
camps inchided in the area have voiced
their enthusiastic approval of the series
as a morale builder for the men and
have promised full cooperation in sup-
plying pertinent news items concerning
all phases of camp life. Designed for
men in army training camps, navy train-
ing stations and Marine Corps depots,
the show also attracts the general listen-
ing public because its emphasis is on
human interest.
The most attractive feature of the
series, as far as the men themselves are
concerned, comes with the introduction
of "The Girl Friend," pretty, young
Nancy Mar low. As "The Girl Friend"
she is heard throughout each progiam in
humorous skits, songs and banter.
Personal contact with the out-
side world is what men in camp
want. Calling All Camps gives
it to them! When the "Girl
Friend" offered (on the air) to
answer personally all letters ad-
dressed to her by the boys in
uniform, she was swamped after
the first show with letters from
homesick boys in need of a bud-
dy. The idea of the "Girl Friend"
feature is to help build morale.
Oddly enough, not only men in
the armed service are letter-
writers. Dozens of ordinary males
who wanted to strike up an acquaint-
anceship have joined in the fun. Latest
batch of letters included several from
CCC workers, two from a local univer-
310
RADIO SHOWMANSHIP
sity and one from a farmer. All the men
were lonesome!
Two thousand men stationed at the
Marine Corps base in San Diego took
time off from drilling, inspection, gun
cleaning, eating and sleeping to submit
entries in the contest for the best origi-
nal limerick of the week. It was the first
time in the program's history that every
enlisted man at a single camp had writ-
ten to the program.
"Dear Mr. Murray: I probably won't
win anything with this letter, but I'm
sending it along to you anyway. It might
hand you a laugh . . ." So began a letter
which won for a Marine Corps private
a new Philco portable radio, the prize
awarded each week for the story about
"The Funniest Thing Happened." A
total of $50 in cash prizes are awarded
each week together with a new portable
radio and cartons of cigarettes.
Station KFI pays all the bills for art-
ists, musical arrangements and the cash
prize money, with the cost of each pro-
gram running in the neighborhood of
|250, which includes orchestra, actors
and prizes.
Calling All Camps was the idea of
Harrison Holliway, General Manager of
KFI, who figured that the boys in serv-
ice were entitled to every possible means
of entertainment and recreation that
radio could afford.
Future promotional plans call for
personal appearances at the various
camps by Miss Marlow and other mem-
bers of the cast. Posters, complete with
pictures of the artists and details of the
contest rules are being printed and will
be displayed in prominent places in mil-
itary centers.
Two huskies from Uncle Sam's Army post at San
Pedro, Calif., Fort McArthur, literally show their sup-
port for one of the stars of KFI's new public service
feature, "Calling All Camps." Perched up there by the
Battery B standard, is pretty young Nancy Marlow,
"The Girl Friend" of the more than 100,000 men in
service in Southern California who make up the audi-
ence to the program.
OCTOBER, 1941
STEP into the department store that
radio buiU— it's Burt's, up on the
sixth floor of the Terminal Tower in
Cleveland. And like its counterpart, the
proverbial House That Jack Built,
Burt's was constructed through a series
of progressive ideas, mostly radio ideas.
This department store was weaned on
radio, continued to thrive on radio, and
at the age of ten is approaching full-
fledged maturity.
Here's how it all happened: In 1935
after five years of radio advertising.
garded as foolhardy. He left busy Euclid
Avenue for the present Terminal Tower
location. It was a comparatively remote
site in an office building location. At
first, Burt's occupied 4,000 square feet on
the sixth floor of the building. But the
store clicked immediately and began to
expand to its present 78,000 square feet
of floor space. This is nearly the entire
sixth floor of Cleveland's Terminal
Tower, and also a four-story building
nearby which holds Burt's modern fur-
niture store. This, more than anything
The office building which houses Burt's, Inc. — the Pretty, blonde Elsi Kilbane, Burt's model, displays a
Terminal Tower. Burt's occupies the entire sixth floor. fur coat, cap and muflf in the ultra-modern fur shop.
Lewis O. Klivans, president and general
manager of Burt's, decided that there
were many possibilities for expansion of
his modest jewelry store, then located on
Euclid Avenue, Cleveland's main artery.
His jewelry store, although small, had
great potentialities. It was one of the
most progressive shops in the city, main-
taining popular prices and high service
standards.
But expansion in the expensive Euclid
Avenue location was impossible. So
Klivans did something which was re-
else, demonstrates the remarkable pull-
ing power of radio. The medium brought
thousands of customers up six floors to
get merchandise.
The growth of Burt's, unlike that of
Jack's beanstalk, wasn't due to unfore-
seen miracles. Instead, it came as a di-
rect result of skillfully planned radio
promotion. Klivans' advent in radio ad-
vertising came when he started using
participation spots. That was in 1931.
Soon he was sponsoring a daily 15-min-
ute program; this grew to two 30-minute
312
RADIO SH OWM ANSH I P
daily programs. As the radio time on
station AVCLE increased, the store grew;
and as the store grew, more radio time
was used. It proved a most profitable
circle.
In September, 1936 Burt's began spon-
soring its now-famous Sunday Amateur
Show. In Mr. Klivans' words: "I fully
appreciate what Major Bowes and others
who arrange amateur shows go through.
I rented the leading legitimate theater
for the home of the broadcast, where it
was staged just the same as any quality
About 5,000 amateurs have appeared on
the show since it began. At least 500,000
people comprise the total visible audi-
ence of past amateur shows. The radio
audience has been estimated at over
10,000,000 people.
AVhen the show celebrated its Fifth
Anniversary on WCLE, September 21st,
it was a gala occasion with a salute from
the Mutual Network, and greetings from
the Cleveland mayor. The theme of the
show when it opened from the stage of
the Masonic Theater was a tribute to
in the Sky
Mendel Jones, left, and L. O. Klivans transcribe a di-
rect, personal message in Burt's own broadcast and
transcription studio. As radio time increased, the store
grew. As the store grew more radio time was used.
theatrical production. This involved re-
served seats, uniformed ushers, a staff
of forty people, and other production
details which helped us turn out a show
of near-professional caliber." Burt's
outgrew this theater, and now uses a
larger one which seats over 3,000 people.
Nearly 2,000 persons call at the store
every week to get tickets to these shows.
During the past few years, network
shows have had a difficidt time compet-
ing with this local show. It boasts of a
remarkable record. Look at these figures:
radio as an advertising medium which
built a major business in five years.
Not that the amateur show has done
all this alone. Last winter Burt's spon-
sored six morning shows, five evening
shows, a musical program of polkas, and
several nationality programs, all on
WCLE. The nationality programs
brought an unexpected turn to Burt's
expansion. For in addition to the usual
type of customer response, Burt's re-
ceived many requests from listeners for
records of the music played on these
OCTOBER, 1941
313
nationality shows. The demand was met,
and today, as a direct resuk, Burt's
is one of the world's largest retail dis-
tributors of nationality records for the
Victor Record Company.
Today Klivans is the largest individ-
ual user of local radio time in the city,
possibly in all the country. The exact
amount varies but the total program
time has been as high as 16 hours a
week, including 21 programs of every
known variety, not counting spot an-
nouncements. Shrewd and always re-
sourceful, Klivans has spent more than
$500,000 on radio time, most of it in the
last five years. But it's been a most worth-
while investment, for fully one-half of
Burt's dollar volume comes from radio
advertising.
The radio success of Burt's is largely
due to Klivans' ability to adapt his
shows to the times, always keeping a step
ahead of current radio trends. "When
the air becomes saturated with programs
of any type, it's time for me to change
to another type of show," says Klivans.
"A few years ago, for example, I was
trying to determine what would con-
stitute an ideal radio program. I ana-
lyzed newspapers and magazines and
came to the conclusion that human in-
terest stories had the power to command
attention.
"That was just before the Voice of
Experience became so popular. I figured
that in order to present human interest
in the proper manner and to hold lis-
tener interest, the story must be true and
the person who broadcast it must be de-
pendable and must know how to handle
every situation. In my mind, there was
only one such individual qualified, a
most remarkable woman who had been
very active in public life for the past
twenty years.
"After many months' negotiations, she
agreed, with reluctance, to handle the
program. It finally went on the air and
was known as the 'Guide To Happiness.'
Hundreds of problems poured in, con-
taining the most remarkable stories.
What a world of wisdom, what remark-
(Continued on page 322)
IT
en Years of
Schuster's, Milwaukee Department S
an Exciting Radio Promation that Att
BEGINNING the first week in November,
Milwaukee mothers won't have to
look at the alarm clock to know when
five o'clock rolls around. That's the time
the children troop in from play, march
straight to the radio, settle down for
their favorite program. For fifteen min-
utes the house will be "quiet as a
mouse." Billie the Brownie is on the air.
I didn't go from house to house to
find out if that's the way things are in
Milwaukee at five o'clock, but judging
from the response to this remarkable
radio promotion, I'd say I'm not far
wrong. In fact, Schuster's thought
enough of Billie the Broiunie, to recent-
ly send in an order for its tenth consecu-
.IIKflPP'^W^ ^
'-i^-'*
■.--.•* .'5
314
RADIO SHOWM ANSH I P
ie the Brownie
p the Profits of Showmanship with
Young and Did. By Paul Hellman
tive year of sponsorship. Starting Novem-
ber 6th, the series wiU be broadcast
every day, up to and inchiding Christ-
mas Eve over radio station \\ TMJ.
Billie the Brownie is more than a
radio program; it's a merchandising
plan buik around a radio program. The
big event takes place abotit 10 days after
the beginning of the air series.
It is a spectacular parade which her-
alds the coming of Santa Claus to Mil-
waukee for both young and old. Six live
reindeer, Me-Tik, an Eskimo in charge
of the reindeer, and action floats mount-
ed on fotir street railway flat cars are
paraded through all parts of Milwaukee
in celebration of Santa's arrival.
To Schuster's way of thinking, the
radio program and the parade sum up
one of the greatest Christmas promotion
sttmts in the country.
Schuster's believe that this program
is the most widely listened to Christmas
program on the air. As a matter of fact,
up to a year ago, it was the only chil-
dren's Christmas program on the air in
Milwaukee, and it has a tremendous lis-
tening audience.
After the parade, and for the remain-
ing weeks before Christmas, emphasis is
placed on writing to Santa. Schuster's
receive an average of 40,000 letters each
season. Almost every letter the young-
sters send in tells Santa that lunch will
be left for him, and that there will be
"sugar for the reindeer," and a "bone
for Willy Wagtail," (Billie's special
dog). .
To make the broadcast of Santa and
Billie more real, each dav, a few min-
utes before broadcasting time, Santa ex-
cuses himeslf so that he can "hurry" to
the studio. There are two Brownies,
(Billie's Helpers) in the toy department
to lend atmosphere and to help Santa
distribute the siu-prise packages.
OCTOBER, 1941
315
Naturally, alter hearing about Santa
and "Billie" over WTMJ, after seeing
the parade, after writing to Santa and
getting a reply, it's no great trick to
get the youngsters (and their parents)
to go to Schuster's. They do, in vast
numbers, much to Schuster's continued
satisfaction.
All of which illustrates the value of
showmanship in building a children's
audience at Christmastime. Ten consecu-
tive years of Billie the Brownie is graphic
testimonial to the value of drama in ap-
pealing to children. Good, clean drama
rates applause and approval from par-
ents, PTA's— and pocketbooks.
316
RADIO SHOWMANSH IP
IR^
#.Mifl|\\M
ilfiiiiBliaif
Capitalizing on the Interest in U. S. Defense, Philadelphia's
Colonel Bill Has Inducted Thousands into His "Signal Corps"
ASK the average American boy what
he wants to be, chances are his ans-
wer win have something to do with the
army or navy. The clothes he wears,
the games he plays, the books he reads
are influenced by the fact that the
United States is living in a state of na-
tional emergency.
Is it any wonder that a radio program
that dramatizes the story of how com-
munications are made under most dif-
ficult conditions, WFIL's Signal Corps,
is one of the most successful children's
shows on the air? Is it any wonder that
Colonel Bill is WFIL's Ambassador of
Good Will? His name is William C.
Galleher, but to the boys and girls of
Philadelphia he is known as Colonel
Bill.
His current program is
Kerry Drake of the Signal
Corps, and the kids have tak-
en to it in a way that exceeds
Colonel Bill's fondest expec-
tations. Kerry Drake of the
Signal Corps is a serial for
young and old and is unique
in that it is completely devoid
of blood and thunder. The
episodes are stirring and fast-
moving and they emphasize
the importance of communi-
cations in time of national
conflict.
Following the dramatization, Colonel
Bill sends out a code message using the
International Code. Signal Corps mem-
bers have been supplied with a copy of
the code and they translate the dot and
dash messages, using their code cards.
Saturday afternoons, three classes,
usually about two hundred and fifty
boys each, receive instructions in the
studio in various methods of communi-
cations including wjg-wagging, sema-
phoring, blinker-signalling and radio
technique. The instruction course is
conducted in cooperation with members
of the Army, Navy, Western Union,
RCA and Bell Telephone Company.
No radio personality in Philadelphia
is better known than Colonel Bill. The
kids love him, and over the years he has
learned the names of thousands of them.
His mail-pull, day in and day out, far
exceeds that of any other radio perform-
er in Philadelphia. There are no give-
aways, no prizes, no solicitations for
mail, but letters from his youthful ad-
mirers pour in as an avalanche. Two
secretaries spend all their time answer-
ing his letters and usually
they are from ten days to two
weeks behind in getting out
replies.
"A strange thing about this
work of dealing with chil-
dren," says Colonel Bill, "you
can't fool them. You either
like children or you don't like
them. Youngsters recognize
some indefinable quality in
your voice. You can't talk
down to them. You can't talk
at them. You have to talk
with them. When I talk to
children I talk to them as if I were talk-
ing to my young nieces and nephews in
my own home. I like to be with young-
sters, and I think my young audience
knows it."
Kerry Drake of the Signal Corps is
Colonel Bill's own idea. Colonel Bill be-
lieves that every boy should be trained
to defend his country and he believes it
from the bottom of his heart. He feels
OCTOBER, 1941
317
Philadelphia youngsters snow him under with fan-mail. He's Colo-
nel Bill (William C. Galleher), WFIL's ambassador of good will.
that the Signal Corps program will do
much to teach children the importance
of modern communication methods so
essential on land, sea and air.
HOW TO USE IT
No program subject is better adapted
to intensive merchandising than one of
this type. Especially because the program
ties in with national defense and nation-
al unity, merchandising and promotion
possibilities are practically unlimited.
Interest may be sustained indefinitely
through corps membership, give-a-ways,
group meetings, promotions from one
grade to another, practical signal in-
structions and related activities.
AIR FAX: Broadcast Schedule: The fifteen minute
show is aired three times a week. Monday, Wednes-
day and Friday at 4:00 P.M. (EST).
Station: WFIL, Philadelphia, Pa.
Power: 1,000 watts.
Population: 2,081,602.
COMMENT? Combine national
defense with a product that ap-
peals to boys and you have a
good sales formula. In Phila-
delphia the children have taken
to it like ducks to water, and already
WFIL's Signal Corps numbers thous-
ands and is showing daily increases.
The tremendous success scored by the
Lone Ranger is a matter of public rec-
ord. In Philadelphia alone, an army of
more than 52,000 boys were organized
into Lone Ranger Clubs under the guid-
ance of Colonel Bill. If early indications
are any criterion Signal Corps will ulti-
mately rival the success attained by the
famous Lone Ranger.
A show of this kind not only capital-
izes upon the defense measures now
being taken for the safety of this coun-
try, but it scores a direct hit by the fact
that it is built around one of the most
thrilling branches of the service, the
Signal Corps.
From the sponsor's point of
view, promotional activities are
unlimited. Courtesy announce-
ments, letters to the trade, radio
dealer window and counter dis-
plays, newspaper advertising,
publicity, and school merchan-
dising are all possibilities.
318
RADIO SH OWM A NSH I P
ANY DAY
NOW!
\^^^
WATTS
■:^i-
mm
WITH Me IV Programs
POWERED FOR RESULTS
.ii£k^i«I
-I
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f^^^--/ Pro ^ fli
Pea,,,. ^'-d'^Cfs "^^-'^
Washing+ons Ace Radio
Commentator
Capital via
V/HN's own Wash-
under sponsorship
ington
of Beech Nut Ogarettes.
Monday +Hru Friday
7.45_8:00 P.M.
.,«:;«.«
A^.
^^
^^
^V*-.;
/=, Torrou,
case
histories
--^^■;^ '^"'aaWU-.es ana SPY
These new shows, and still
more to come, are being
added to the already brilliant
W H N
schedule.
r"'.*^:
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fXir^^rls^-'-'S"^.:.
1
THESE WHN PROGRAM FEATURES
WILL BE GREATER THAN EVER
WITH FIFTY THOUSAND WATTS
NEWSREEL THEATRE OF THE AIR
KID WIZARDS
A. L ALEXANDER'S MEDIATION
MUSIC TO READ BY
GEORGE HAMILTON COMBS, Jr.
Participation Programs
BRUCE WENDELL'S MUSIC SHOP
THE BYRON HOUR
CINDERELLA HOUR
Sports Features
CLEM McCarthy
DICK FISHELL'S SPORTS REVIEW
BERT LEE'S SPORTS FANFARE
HOUR OF CHAMPIONS
MARTY GLICKMAN
WHN 50,000 ..,r.
■ Willi NEW YORK
1540 Broadway — BRyant 9-7800 • Chicago Office: 360 North Michigan
(g
hristmas Sugar 'n Spice
What Can a Transcribed Christmas Program Do for Your Store?
Here's the Answer from the Point of View of Five Sponsors
Constantly on the
look-out for a complete
pre-Christmas series of
programs for children
are advertising agencies
and businessmen. (Like
plum-pudding without
the plums, or fruit-
cake without the fruit is one that doesn't
provide holiday promotional tie-ins.)
At the same time, the contents of the
transcribed series must satisfy both chil-
dren and the guardians of the home.
Parents squawk over the "blood and
thunder" program presented on the air
in the after-school period; children rebel
when the program is too sweet. It isn't
an easy bill to fill. The transcribed
series must strike a happy medium.
In the past, department stores, cham-
bers of commerce groups, bakeries,
dairies, utility companies, and many
others have attracted Christmas dollars
through the medium of various tran-
scribed series. In some cases the promo-
tional activities used in connection with
such a program has run into thousands
of dollars. In other instances, outstand-
ing results have been achieved with a
minimum investment.
The Cinnamon Bear is just such a
transcribed series. For sponsors from
New York to California who wished to
direct their appeal to the juvenile audi-
ence and indirectly influence the buying
preference of parents it has already done
splendid service. It is the purpose of this
article to illustrate how it has been used
bv a varietv of merchants.
LOS ANGELES, CALIF.
(Merchant's Association)
For the downtown merchants, the
1938 Christmas season was not success-
ful. George W. S. Reed, president of the
W'^ESTAMERiCA Cc, who haudlcs all of the
promotion for the Downtown Mer-
chant's Association, was called upon
to plan a campaign that would make
the buying public "Downtown" con-
scious. When The Cinnamon Bear took
over the following year, gift buying ex-
ceeded in volume that of any previous
Christmas season during the preceding
ten years!
Decorations for the entire downtown
area were centered around the charac-
ters portrayed in the program. Child
listeners readily aligned the pictures dis-
played with the radio program. On De-
cember 11, Ross-Federal was authorized
to make a telephone coincidental survey
between the hours of 4:30 and 6:00 P.M.
Results? From 4:45 to 5:00 P.M., the
quarter-hour occupied by The Cinna-
mon Bear, there were more children
listening to KECA than to any other
station in the area.
Illuminated boxes with the various
characters of The Cinnamon Bear were
suspended from cables above the trolley
lines 34 feet above street level. In the
center of each garland was an immense
silver star, (which is the object of the
search by Judy and Jimmie in their ad-
ventures with Paddy O 'Cinnamon in
Maybe-land) .
Each of the lighting standards at the
main street intersections was topped by
an immense metal reproduction of a
Christmas tree. A wide band on which
OCTOBER, 1941
319
were lettered the words of the song of
The Cinnamon Bear spiralled from the
base of the standard to the lower
branches of the tree.
Every known method for pepping up
the campaign was used. On the opening
day of the program over KECA, the
Downtown Shopping News came out
with a special edition with a three color
front page devoted to the story of The
Cinnamon Bear. In each successive issue
of the paper was a synopsis of the story.
Advertisements in all the local papers
announced the official opening of the
campaign. The night the decorations
were first lighted, Mayor Bowren rode
through the downtown streets on a tally-
ho drawn by four white horses driven
by Santa Claus. Paddy O'Cinnamon was
an honored guest. More than 100,000
people turned out for the occasion.
Paddy O'Cinnamon rode the street
car and buses as a decorative character.
A caption on the street car and bus
cards said: "Paddy O'Cinnamon says:
'Shop in Downtown Los Angeles where
. . .' " with various reasons given for the
advantage of doing so. Billboard space
was used at vantage points on which
Judy, Jimmie and Paddy O'Cinnamon
were shown inviting the shopper to make
Downtown Los Angeles their Christmas
headquarters.
When the Downtown Merchants
wanted to plan another campaign the
following year, they turned once more
to Paddy O'Cinnamon.
SACRAMENTO, CALIF.
(Department Store)
Admanager of Weinstock-Lubin Sc
Co., Mrs. Marion Armstrong, first used
The Cinnamon Bear series in 1937. By
popular demand it was repeated in
1940!
''The Cinnamon Bear type of show is
keyed to do a specified job and if it is
handled properly will bring its sponsor
a good return on his investment," says
Leo O. Ricketts, sales manager of KFBK.
The first year the program ran, young-
sters were asked to go into the sponsor's
toy department and ask Santa for a free
copy of The Cinnamon Bear song book.
None were given out unless the child
was able to identify the program and
tell Santa that he had been listening to
it. Proof that the children were listening
was the fact that 5,000 song books were
given away.
Teaser announcements on the air and
in the newspapers, as well as window
displays, news stories and art work in the
radio column, show cards in the store
and tie-ins in the store's newspaper ad-
vertising were all used to promote lis-
tening interest.
LYNN, MASSACHUSETTS
(Bakery)
Notoriously bad months for the bak-
ing industry are November and Decem-
ber. But in 26 daytime broadcasts in one
month, covering Thanksgiving and
Christmas, The Cinnamon Bear pulled
751 new accounts for the Cushman
Bakery. For a total cost of $1,690, Cush-
man's achieved an annual sales increase
of $27,974.44.
After the first week of daily, except
Sunday, broadcasts over WAAB, (Bos-
ton) , the sponsor received 6,000 replies
in response to an announcement which
stated that any child writing in would
receive a free gift. The free gift was a
Cinnamon Bear cookie, baked to a rich,
golden brown, neatly wrapped in oil
paper, and enclosed in an attractive car-
ton. Cushman's estimated that one-third
of all the letters were from new pros-
pects.
During only four weeks of broadcast-
ing over WAAB, 222 bakery drivers
called on 15,073 homes to deliver 21,611
cinnamon bears to 8,173 new prospect
homes, 7,530 old customer homes.
SPOKANE, WASHINGTON
(Department Store)
Because youngsters, and their mothers,
too, clamor for it. Sears, Roebuck & Co.,
have sponsored the series over KFPY for
the last four years. In the words of
Glenn Waugh, Sears' advertising man-
Santa plus Paddy O'Cinnamon have done a bang-up job
for Sears, Roebuck 8C Co., and KFPY, Spokane, Wash.,
for four years.
320
RADIO SHOWMANSHIP Ig
J
I
OCTOBER, 1941
321
ager, "It sold Sears, and sold it well."
In the opinion of adman Waugh, a
show such as The Cinnamon Bear can
do an even better job of selling locally
than the bigtime network series do for
their national sponsors because "we are
in complete command of the local sit-
uation, inject our local commercials to
fit the local needs."
OTTAWA, CANADA
(Dairies)
Two weeks behind schedule in getting
frozen strawberries on the local market
as the result of extremely mild weather,
sponsors (Ottawa Dairy) report that
sales of the product were effectively
boosted to an all time high level through
merchandising announcements on this
program, aired over CKCO. Ice cream
sales also recorded a high return from
broadcasts, and the sponsor is satisfied
that the program did a splendid addi-
tional good-will job for the entire busi-
ness.
Cinnamon Bear publicity engineered
by Alex Steel, sales manager of the Milk
Division, included such stunts as a 6-foot
Cinnamon Bear who visited each school
during the week preceding the program.
The walking, talking bear distributed
some 50,000 radiograms to the same
number of boys and girls. Seventy-five
thousand publicity stickers were affixed
to milk bottles and were delivered on
three different occasions to some 25,000
Ottawa homes. The Cinnamon Bear also
figured prominently in the Christmas
Santa Claus Parade conducted by an
Ottawa department store.
To check on the exact circulation of
his program, adman Steel used his 75
route men who daily call on thousands
of Ottawa homes, to conduct a radio sur-
vey. Of the 15,000 housewives inter-
viewed, almost 10,000 stated that the
Ottawa Dairy program was being lis-
tened to every day in their home.
For a statement from adman Steel,
see "What the Program Did for Me,
page 332.
air FAX: This program is designed to be used by
sponsors beginning with the week of Thanksgiving
and continuing on a six-day per week basis, Sundays
excepted, up to and including Christmas Day. How-
ever, this 26 quarter-hour series of episodes may
run on a three, four, or five per week basis if an
earlier starting date is used.
STORE IN THE SKY
(Continued from page 314)
able advice the 'Guide To Happiness'
gave to our listeners! Soon other pro-
grams of this type were begun, so I de-
cided to change."
Burt's original Master of Ceremonies,
whose official title is now "Public Rela-
tions Executive," is Mendel Jones. For
the past two years he has arranged a
"Cleveland Industries Day" for each
amateur program. One of Cleveland's
major industries is featured on the pro-
gram each week, and employees associ-
ated with the featured industry are ex-
tended special invitations to attend the
program. This policy is backed by Jones'
belief that "institutional advertising is
one of our best bets."
As evidence of the direct results of his
wide audience range, Klivans tells of a
Santa Claus announcement one Christ-
mas season which brought 15,000 people
into the store the following day. An
audience survey later revealed that near-
ly all homes tune in on the Sunday
afternoon amateur show, especially in
Cleveland's suburbs and the small com-
munities within 50 miles of Cleveland.
Today, Klivans looks back fondly on
his experiences as a radio sponsor.
"There are varied experiences, trials,
and tribulations which go along with
sponsoring radio shows. But under the
laws of nature," according to Klivans,
"there is a compensation for everything.
I get a big kick out of my experiences,
and have been rewarded with both the
pleasure my radio sponsorship affords,
me, and the more tangible financial re-
turns which it has brought to our store."
322
RADIO SHOWMANSH IP
CHRISTMAS PROMOTIONS
To help you get the most out of radio in the peak retail buying months, here is a collec-
tion of successful merchandising stunts used last Christmas in a variety of business fields.
Department Stares
THE CHRISTMAS TREE Not all Christ-
mas shows must be children's shows, so
thought Des Moines, la. merchants,
and radio station KSO's sales promotion
manager, Wayne Welch. The Christmas
Tree, is a 45-minute program sold on a
cooperative basis to non-competitive ac-
counts. It has been sponsored by nearly
every type of advertiser in the corn-belt
city, has been used continuously for five
(5) long years. It returns again this year.
How Christmas is observed in other
countries, Yuletide stories for children,
special recipes for the festal boards, oth-
er facts about the season are dished up
by emcee Marian Schissel, director of
women's affairs. Mixed in is a dash of
transcribed music by famous orchestras,
singers, soloists.
During the second and third weeks of
this four w^ek program, listeners com-
pete in daily contests. Letters on "Why
I Like the Christmas Season," poems,
and recipes are entered in competition.
Each sponsor offers his own prizes.
AIR FAX: Aired daily for 24 programs, The Christmas
. . Tree begins on Thanksgiving Day, ends on Christmas
Day. 100 word commercials, daily, for each sponsor,
pepped up business, kept store merchandise moving.
First Broadcast: November 28, 1933.
Broadcast Schedule: Mondays thru Saturdays, 45
minutes, from Nov. 28 thru Dec. 25.
Sponsor: Merchants of all types.
Station: KSO, Des Moines, la.
Power: 5,000 watts.
Population: 167,048.
COMMENT: The Christmas Tree is a
hardy perennial that is worth analyzing.
Its success is primarily due to combin-
ing sponsors in one big community drive
for business. Each prize offering by it-
self would arouse little interest among
the average "contest deluged" listener.
Together, they deliver a powerful im-
pact.
Department Stares
THE PIED PIPER Not a Santa Claus,
but a Pied Piper served Sears, Roebuck
& Co., of Lawrence, Mass., over radio
station WLAW last Yuletide. Credited
by Sears' manager, L. B. Weaver, for a
very substantial increase in business over
the previous year, the Pied Piper lived
up to his name, had a way with the chil-
dren. Manager Weaver said that radio
"was more than 75% of the advertising
used, and summing up the entire toy
business for the weeks involved showed
a very substantial increase over last
year."
The Pied Piper kept New England
moppets spell-bound with thrilling dram-
atizations of famous fairy stories. Lis-
teners of school age were offered mem-
bership in the Pied Piper Club, had only
to write in for membership pins.
To the 3,100 Christmas minded tots
who made up the bulky membership
files went a written invitation from Sears
to visit their store, admire the heavily
stocked toy department. Pleased as
punch were the sponsors when 850 defi-
nite toy sales were made to parents who
accepted the invitation extended to their
children to visit the store.
AIR FAX: Enacted by a station staff announcer who
had a remarkable faculty of taking six or seven parts,
the Pied Piper dealt primarily with the sale of toys,
told fairy tales. No fairy tale was the fine results!
Sponsor: Sears, Roebuck & Co.
Station: WLAW, Lawrence, Mass.
Power: 5,000 watts.
Population: 85,068.
COMMENT: Santa may be a Christmas-
time big-shot, but what interests kids
most is what's going to be in the sock.
Santa's Northpole workshop is a long
way off, whereas the Pied Piper starts
tooting his horns early. All this proves,
among other things, that there is more
than one wav to create store traffic.
OCTOBER, 1941
323
Department Stores
SANTA CLAUS CHARACTER For 14
years, youngsters of Birmingham, Ala.,
have followed the radio adventures of
Santa Claus under the direction of Ed
Hunvald, sales manager of the Louis
PiziTiz Dry Goods Company. First
under the wire in the use of radio for
Christmas merchandising, adman Hun-
vald begins his show around the first of
November, runs it through Christmas
Eve.
Santa Claus starts out from his home
in Icy Cape by sleigh, changes to air-
plane, talks to Birmingham children
everyday by shortwave from different
cities enroute. Five minute periods Mon-
days through Saturdays late in the after-
noon suffices for the short wave contacts.
Throngs of children meet his plane at
the Birmingham airport, hundreds rush
the plane for autographs, small gifts and
candy.
Stay-at-homes hear the excited cries of
joyful children over the air, follow
the hilarious procession as Santa Claus
is whisked off in a waiting automobile
for a triumphal visit to each neighbor-
hood and park. Later, Santa goes to the
sponsor's toyland, remains there until
Christmas, uses a nightly fifteen minute
period to read Santagrams sent in by
children to the sponsor.
AIR FAX: Santa Claus is the featured performer on
this program.
Broadcast Schedule: Five minute broadcasts and
fifteen minute periods daily are used from the first of
November thru Christmas Eve.
Sponsor: Louis Pizitiz Dry Goods Co.
Station: WBRC, Birmingham, Ala.
Power: 5,000 watts.
Population: 383,157.
COMMENT: Twentieth century mop-
pets thrill to a twentieth century Santa.
For another Santa's arrival by plane, see
Showmanship in Action^ P^S^ ^^^^ ^^^
Showmanscoops, page 329.
Department Stores
SANTA CLAUS'
HELPER Sears,
Roebuck & Co., with
stores everywhere,
utilize local radio
time to increase
sales, build good-will during the Christ-
mas season. Following is a brief resume
of outstanding Sears' Christmas promo-
tions throughout the country, which
were used last year.
Among the most successful was Santa
Clans' Helper aired over WHJB in
Greensburg, Pa.; so successful, in fact,
that ten days before Christmas the toy
department was almost cleared out. The
pleased sponsor switched to other de-
partments, reported that following a
sewing machine broadcast the cash reg-
ister rang up three direct sales the fol-
lowing day.
Since the sponsor did not feature
Santa Claus himself, a AVHJB announcer
pinchhitted, was known as Santa's Help-
er. He found out for Santa just what
each child wanted for Christmas. In his
tour of the wonder-ladened toy depart-
ment, the announcer had ample oppor-
tunity to describe many of the interest-
ing toys displayed and quote prices; he
used speaking dolls, railroads, other me-
chanical toys to create amusing sound
effects.
Broadcast five days a week, Mondays
through Fridays for three weeks before
Christmas, the program attracted large
numbers of children and fond parents.
Santa's Helper was also Sears' Helper.
Sears' complete stock of a mechanical
train set that had been a particularly
slow mover was sold out the day after
it was featiuxd on the broadcast.
In addition to the regular broadcasts,
J. H. Fanney, Sears' advertising man-
ager, installed a Santa Claus booth.
Wide eyed youngsters spoke directly to
Santa Claus by means of a loud speaker
installation. They were wider eyed to
receive a direct reply through a pair of
earphones from Santa Claus who was
stationed in an adjacent room and was
not visible.
AIR FAX: Program is a Santa's Helper show aired five
days a week.
sponsor: Sears, Roebuck 8C Co.
Station: WHJB, Greensburg, Pa.
Power: 250 watts.
Population: 22,133.
Department Stores
SEARS VARIANT NO. 2 Sponsors of a
Santa Claus interview program over
324
RADIO SH OWM ANSH I P
KOH for the past three years, Sears,
Roebuck & Co., of Reno, Nevada, have
built a platform in their basement toy
wonderland from which the programs
are aired. With audiences of from three
to four hundred, Santa Glaus interviews
children accompanied by parents; asks
questions about what they want for
Christmas, probes deeper to unearth the
humorous or timely.
Not one to let grass grow under its
feet. Sears' presents its first broadcast
immediately after Thanksgiving, con-
tinues on a six times a week schedule
until the day before Christmas. News-
paper advertisements, posters and direct
mail publicize the program.
AIR FAX: Santa Claus' broadcasts were aired Mondays
through Fridays in late afternoon. A sixth broadcast
was presented Saturday mornings.
Sponsor: Sears, Roebuck & Co.
Station: KOH, Reno, Nev.
Power: 1,000 watts.
Population: 18,529.
SEARS VARIANT NO. 3 Over WOW O-
WGL, Fort Wayne, Indiana, Sears, Roe-
buck & Co., sponsored a program called
Santa's Mail Box, created store traffic by
requiring that letters be left at the store.
To children who wrote the best letters
went bicycles, dolls, electric trains,
enough other playthings to pull a record
breaking response. Not until Christmas
drew near did Santa Claus himself ap-
pear, but a mythical trip to Santa Land
kept juveniles alert, and listening.
AIR FAX: Letters to Santa Claus from the children of
Fort Wayne, Ind., were aired daily over WOWO-
WGL for several weeks preceding Christmas.
Sponsor: Sears, Roebuck 8C Co.
Station: WOWO-WGL, Fort Wayne, Ind.
Power: 50,000.
Population: 117,246.
Santa Clans'"
bag was the variant used for Sears
SEARS VARIANT NO. 4
mai
in Albuquerque, New Mexico, over radio
station KOB. Santa, his assistant. Merry
Holiday, and an^ imaginary elf dug deep
into their over-stuffed mail-bag every
afternoon, Monday thru Saturdays at
5:30. Letters from children to Santa
Claus were read in connection with a
short daily dramatization featuring
Santa Claus and his helpers. The elf's
conversation was simulated by the use of
a 38 R.P.M. transcrip-
tion run at 78 R.P.M.
revolutions and trans-
lated to the audience
by Merry Holiday.
AIR FAX: Santa Claus' Mail
Bag was a simple affair
during which letters from
children to Santa Claus
were read.
Broadcast Schedule: Mon-
days thru Saturdays, 5:30 P.M.
Sponsor: Sears, Roebuck 8C Co.
Station: KOB, Albuquerque, New Mex.
Power: 50,000 watts.
Population: 40,027.
COMMENT: To create store traffic at
Christmas shopping time thru the aid of
Santa Claus is an old merchandising
trick that seems never to grow old. Chil-
dren love to see the colorful, bewhisk-
ered old gent, to unlock the door to
their air castle for him, knowing full
well mamma or papa is listening, too.
Big problem, of course, is concentrat-
ing the youngster's attention on your
Santa and on no one else's. For that im-
portant task. Sears and other leading
merchants have turned to radio.
And radio has done its job well. It
brings Santa to life as no other mass-
medium can do! Adaptable to any type
of business featuring children's Christ-
mas items, Santa Claus shows are inex-
pensive, easily produced, usually well
received.
Restaurants (others)
CHRISTMAS BOOK DRIVE Into special
bins at various holiday-crowded Childs
Restaurants in New York City were
tossed 11,465 books last Christmas. Grat-
ifying were the results to Phil Cook
whose 1940 Christmas Book Drive, his
third, snared 42,351 books for hospital
shut-ins, and draftees in army camps in
the New York State area.
Cook asked listeners to put their
books into receptacles in hotels, railway
terminals, and the lobby of WABC head-
quarters. Postal Telegraph boys picked
up books, delivered them to headquar-
ters without charge. Boy Scouts canvas-
sed their neighborhoods, staggered out
with arms full of books. Bookstores dis-
played placards bearing a picture of
drive-sparker Cook at the microphone.
OCTOBER, 1941
325
1
suggested to customers they "Buy a Book
for Phil Cook."
AIR FAX: Cook emcees a morning show. Morning
Almanac, six days a week. Childs Restaurant, one o£
the sponsors of the program, cashed in on his Book
Drive, which Cook plugged daily.
Broadcast Schedule: Mondays thru Saturdays, 7:00-
7:45 A.M., from Thanksgiving thru Christmas.
Sponsor: Participating sponsors included Liggett's
Drugs, Bond Clothes, Beardsley's Codfish, and
Quaker Oats, Childs Restaurants.
Station: WABC, New York City.
Power: 50,000 watts.
Population: 1,800,000.
COMMENT: Philanthropy and good
business can go hand in hand. Sponsors
in cities where similar book drives are
already established might investigate a
possible tie-up.
PROOF 0' THE
Sporting Goods
DOWN SANTA CLAUS LANE "Puritan
forefathers made it a special point to do
their hardest work on Christmas day
just to show their dislike for what they
considered a pagan festival."
That is the sort of interesting Christ-
mas fact that was dished up by nine
sponsors in the participating program,
Down Santa Claus Lane, over KOB,
Albuquerque, N. M., last Christmas-
shopping time. Appropriate Christmas
music, and interesting facts about the
festivity were broadcast in two 15-min-
ute units at 9:30 A.M., and 1:15 P.M.
Participating sponsors could split their
announcements between the shows or
could buy announcements on each one.
AIR FAX: Broadcast Schedule: 9:30 A.M., and 1:15
P.M., Mondays thru Saturdays.
Sponsors: B. F. Goodrich Stores, Spitzmesser's Cloth-
ing Store, Huning-Testman Electric Company, Cook's
Sporting Goods, J. C. Penney Company, Manya's
Gift Shop, Ridlon's Shoe Store, Keleher Leather
Company and the Frazier Photography Shop.
Station: KOB, Albuquerque, New Mex.
Power: 50,000 watts.
Population: 40,027.
COMMENT: If you've never tried radio,
but would like to join a Christmas pro-
motion along with other non-competi-
tive merchants in your town, ask your
favorite local station. They'll be glad
to work out the details for you. Cooper-
ative shows like this are not expensive,
are usually effective around Christmas
time.
SAMPLE SCRIPT AVAILABLE.
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Home Furnishings
YAWN PATROL Many a pint-volume
merchant squints warily at radio, sighs,
"Stuff like that is for guys like Adam
Hats." But radio, flexible as a rubber
band, stretches or shrinks to the needs
of all business. At the present time, 24
sponsors are using Yawn Patrol with an-
nouncements ranging from 35, 50 words
to five and 15-minute periods.
In Lawrence, Mass., station WLAW
started Yawn Patrol last October. This
multi-sponsored dawn request program
plays favorite tunes requested by tele-
phone, gives a nod to friends and rela-
tives' birthdays, anniversaries, new ar-
rivals.
Scooped from the show: 1) First week
of broadcast grossed 300 telephone calls;
now, 2,000 calls weekly keep three oper-
ators hopping to prevent switchboard
jam-up. High for a single program was
529 calls. From October 1 to February
15, show pulled the hair raising total of
26,027 telephone requests. 2) Advertis-
ers must purchase six days a week for
at least a month.
Except for two misses, every advertiser
who has used the program has snapped
up renewal at the contract's expiration.
In the period of almost a year 85% of
the advertisers have renewed from
month to month. 3) Originally set for
the period, 7:30-8:45, clamoring clients
swelled the period to 7:00-8:45. At the
last report, program got up earlier, now
starts at 6:30 A.M. 4) Specific instance:
Even during their slack season, when
expenditure curtailments were the up-
326
RADIO SH OWM A NSH I P
permost consideration, Summerfields
Furniture Co. held fast to Yawn Patrol.
Declared ad manager Jesse Stern, "The
period is really paying out for us."
AIR FAX: First Broadcast: October, 1940.
Broadcast Schedule: Monday thru Saturday, 6:30-
8:45 A.M.
Competition: Musical Roundup; Agricultural Market
Reports; News.
Sponsor: Summerfields Furniture Co. (Others.)
Station: WLAW, Lawrence, Mass.
Power: 5,000 watts.
Population: 85,068. >
COMMENT: 85% renewals speak for
themselves!
Theatres
CURB CLUB Monday through Saturday,
Curb Club convenes in midtown Hart-
ford (Conn.) , where all comers are in-
vited to test their skill on brain twisters,
sage sayings, quips and smart cracks. So
faithfully do members attend meetings
that sponsors Webster Neighborhood
Theatre and South Green Furniture
Company are forever fending off inter-
loping sponsors. Not in two years has
Curb Club been without a sponsor.
WNBC emcee, Jack Lacy, parcels out
the questions, shells out anywhere from
a quarter to a crisp, new dollar bill de-
pending on the value of the question.
Guess 'em wrongers get consolation tick-
ets to Webster theatre.
Currently the show is running on a
split sponsorship; three days devoted to
each sponsor.
air FAX: Broadcast Schedule: Quarter-hour daily,
12:45 P.M.
Preceded By: Recorded Varieties.
Followed By: News.
Sponsor: Split Sponsorship: Webster Neighborhood
Theatre, and South Green Furniture Co.
Station: WNBC, Hartford, Conn.
Power: 5,000 watts.
Population: 221,940.
COMMENT: For picture of Curb Club
in action and its informal, smart-cracker
emcee, Jack Lacy, see Showmanscoops,
page 328. With the exception of two 100
word commercials and a short identify-
ing commercial at the opening and close
of the program Lacy puts on a blood-
hound act, follows any lead or novel
situation that may be encountered.
AMERICA'S BIGGEST
LITTLE RADIO SHOW!
It's a series of 260 5-minute scripts
(with about 1^ minutes allowed for
commercials) that is selling more mer-
chandise and services than any other
5-minute radio show in the country!
Minimum contract is for 65 episodes.
Available to only one sponsor in a city.
This is not a transcribed series — but is
used as a "live" program, requiring
only one man and announcer for pro-
duction. The copy tie-up with the title
enables sponsors to give audiences
"something to think about" their prod-
uct and services, and drive the message
home.
Some of the sponsors include:
DENTYNE GUM
Station WLW 5 times weekly.
MERCHANTS & EMPLOYES BANK
Station KTRH 5 times weekly.
SINCLAIR OIL PRODUCTS
Station WFMD 5 times weekly.
Station WSFA 5 times weekly.
HONOLULU FINANCE &
THRIFT CO.
Station KGMB 5 times weekly.
PAUL BROTHERS
OLDSMOBILE CO.
Station WINX 3 times weekly.
VINCENNES FEDERAL SAVINGS
& LOAN
Station WOAV 5 times weekly.
Write for sample scripts and full data,
including combination rate-card order-
form. If you want results from radio
at low cost — investigate "SOME-
THING TO THINK ABOUT!"
SPECIAL FEATURES SYNDICATE
563 Northwestern National Bank BIdg.
MINNEAPOLIS. MINNESOTA
OCTOBER, 1941
327
1
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
Medosweet Dairies' latest Gold Medal
award was received by Bert Sweeting,
of the Dairy, from Doreen Hopper,
conductor of the KMO-Pcnthouse
Cooking School of the Air, now in
its 24th week in Tacoma, Wash. It
is conducted on the 7th floor of
Fisher's Department store, Tuesdays
and Fridays, from 3:15 to 3:45 P.M.
WNBC's emcee. Jack Lacy holding
open house for his Curb Club in
midtown Hartford, Conn, where all
comers are invited to test their skill
on brain twisters. (See Proof of the
Pudding, page 327.)
•^*%Wirm
#1. ▼^.'i
Announcer Carl Mark interviews Santa Ciaus on
his arrival at Cleveland airport. Santa was WHK
announcer, Nicki Burnett. Sponsor was Cleveland's
Coca Cola Bottling Co. (See Showmanship in Ac-
tion, page 330.)
left . . . Melvin Burka and saleswoman, Princene
Merendino dressed in typical '17 costumes for their
personal appearance in connection with the Memory
Day program aired over WBLK, Clarksburg, W.
Va. (See Showmanship in Action, page 330.)
right . . . Mayor Terrell of Pocatello,
Idaho cut the ribbon which admitted
5,000 people to a direct-from-the-
bakery broadcast over KSEI for Eddy
Bakery's big Open House.
OCTOBER, 1941
329
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Beverages
SANTA CLAUS AND TWINKLE TOES
Santa Glaus is coming to town! That mes-
sage heard daily over WHK drew 10,000
children to the Cleveland airport last
year for a holidayminded sponsor: The
Cleveland Coca Cola Bottling Co.
For two hours after the arrival of Santa
Claus in a United Air Lines plane, chil-
dren and parents by the thousands
poured into the airport. A special detail
of 20 Cleveland policemen were kept
busy roiuing an estimated 3,500 cars.
After he was presented with a key to
the city, Saint Nicholas was interviewed
via a public address system, and later
handed out 10,000 miniatiue bottles of
Coca Cola. It was Santa who led a tri-
umphant procession from the airport to
midtown Cleveland.
Done in a light, humorous vein, the
program featured Santa Claus and his
helper. Twinkle Toes, reading letters
from the kiddies. Just before Christmas
the commercials were devoted to sug-
gestions as to how Coca Cola might be
used as an excellent refreshment at holi-
day parties. For the abnormally high
sales during the season the local Coca
Cola Bottllng Co. gave all credit to the
radio campaign.
air FAX: Program started a month before Christmas
and was continued until Christmas Day. Mid-after-
noon time, each day, Monday thru Saturday for a
half hour, was the time picked by the sponsor.
Sponsor: Cleveland Coca Cola Bottling Co.
Station: WHK, Cleveland, Ohio.
Power: 5,000 watts.
Population: 1,111,449.
COMMENT: Not new are personal ap-
pearances of the centuries-old saint, but
for sure-fire appeal to kiddies of all ages,
there's nothing better on the books,
especially when Santa flies in on the
latest United airliner. When a sponsor
can dramatize one of these appearances
sufficiently, his appeal is as large as the
territory he covers. Successful sponsors
find plenty in their socks on Christmas
morn. (For picture, see Showtnanscoops,
page 328.)
Restaurants
MEMORY DAY People thumbing thru
family picture albums oh! and ah!, soon
begin to laugh at the quaint costumes.
From a feminine point of view, anything
older than last year's hat falls into that
category. When the Gore Hotel, Clarks-
burg, W. Va., presents one of its series
of Memory Day programs over WBLK,
it gives its audience something to laugh
about.
Idea behind the show was to present
28 years from the life of an average
couple whose memories were tied up
with Sunday night suppers at the old,
conservative hostelry whose reputation
for traditional dishes is far spread. Each
broadcast represented the passage of two
years' time in the
lives of the Mem-
ory Day couple, as
well as two years
in the hotel's ca-
reer. Tied in with
each broadcast was
the changing pat-
tern of American
history. For color
and background,
transcribed musi-
cal selections representing the top tunes
of the various years were used.
The program was written, produced
and directed by imaginative, alert WBLK
saleswoman, Anne Lorentz Southern.
Special Memory Day supper cards
were printed and attached to the menu
which was built around the food de-
scribed on the Memory Day program.
Tantalizing to passers-by was the display
in a special hotel window of a pair of
puppets dressed in the styles of the year
to be featured in the next broadcast.
Twice during the run of the program
330
RADIO SH OWM ANSH I P
did Melvin Burka, WBLK announcer,
and saleswoman Princene Merendino,
don out-moded costumes and rattle thru
the city in a 1920 car to make a person-
al appearance at the Gore Hotel Mem-
ory Grill.
AIR FAX: A series of 13 Memory Day programs are
presented.
Broadcast Schedule: Sunday afternoons at 1:30 P.M.,
for 5 minutes.
Preceded By: Matinee with Lytell.
Followed By: Radio City Music Hall.
Sponsor: Gore Hotel Memory Grilh
Station: WBLK, Clarksburg, W. Va.
Power: 250 watts.
Population: 43,643.
COMMENT: Often does a would-be
sponsor remark, "If the station could
show me something absolutely suited to
my business, I would be interested."
Sponsor Gore was shown! The idea be-
hind the show was to use the most pow-
erful appeal the hotel had, its tradition
of fine food, its conservative reputation;
and to present this idea in an appealing
way. As a means of introducing a spon-
sor to the possibilities and economy of
radio advertising, the show was com-
pletely successful. For picture, see Show-
manscoops, page 328.
YOURS FOR THE ASKING
Address Radio Showmanship 11th at Glenwood, Minneapolis, Minn.
Please enclose 10 cents in stamps for each script to cover the cost of mailing and handling.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, '40, p. 32).
Auto Supplies — Jack, the Tire Expert
(see May issue, p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72 ) .
Bakeries — Southern Plantation (see Sep-
tember issue, '41, p. 289).
Beverages — Pigskin Prevuc (see July is-
sue, p. 222).
Building Materials — Homers at Home
(see Feb. issue, p. 58).
Chiropractic — The Good Health Program
(see March-April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Kiddie Quiz (see July
issue, p. 214).
Dairy Products — Young American's Club
(see Nov. issue, p. 110).
Department Stores — Hardytime (see Sept.
issue, '40, p. 35).
Department Stores — The Pollard Pro-
gram (see August issue, p. 238).
Department Stores — Woman's Hour (see
June issue, p. 178).
Department Stores — Down Santa Claus
Lane (see p. 326).
Department Stores — Billie the Brownie
(see p. 318).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Finance — Jumping Frog Jubilee (see
August issue, p. 253).
Finance — Saga of Savannah (see June
issue, p. 187).
Finance — Something to Think About
(see August issue, p. 245).
Flowers — An Orchid to You (see Sept.
issue, '40, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Furs — Cocktail Hour (see August issue,
p. 258).
Gasoline — Home Town Editor (see Oct.
issue, '40, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, '40, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries — Mystery Melody (see Sep-
tember issue, '41, p. 290).
Groceries — Mystree Tunes (see June
issue, p. 162).
Groceries (Wholesale) — Hoxie Fruit Re-
porter (sec Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, '40, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, '40,
p. 63).
Laundries — Rock-a-byc Lady (sec Feb.
issue, p. 47).
Men's Wear — Hats Off (see June issue,
pp. 178, 183).
Music Stores — Kiddies' Revue (see p.
306).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Campus Reporters (see August
issue, p. 251).
Shoes — Mr. Fixer (see June issue, p.
148).
Sporting Goods — Alley Dust (see June
issue, p. 177).
Sustaining — Calling All Camps (see p.
310).
Women's Wear — Melodies and Fashions
(see Nov. issue, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue, '40, p.
53).
Captains of Industry (sec September is-
sue, '41, p. 284).
The Enemy Within (see Jan. issue, p.
18).
The Face of the War (see May issue,
p. 125).
Fun With Music (see June issue, p.
162).
Getting the Most Out of Life Today
(see July issue, p. 196).
Little by Little House (see May issue,
p. 128).
Mama Bloom's Brood (see August issue,
p. 248).
Pinocchio (see Sept. issue, '40, p. 11).
Secret Agent K-7 (see Sept. issue, '40,
p. 35).
Sonny Tabor (see May issue, p. 140).
Superman (see September issue, '41,
p. 271).
Stella Unger (sec Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
OCTOBER, 1941
331
1
WHAT THE PROGRAM DID FOR MEJ
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radia Showmanship, II /A at Glenwood, Minneapolis, Minn.
Dairies
CINNAMON BEAR "Unfortunately our
supply of Cinnamon Bear Bottle Stick-
ers and Miniature Telegrams is com-
pletely exhausted and we are unable to
forward any samples to you. The bottle
stickers were distributed through the
medium of our bottled products to ap-
proximately 13,000 of our regular cus-
tomers advising them of our plans to
broadcast the Adventures of the Cinna-
mon Bear. The same applies to our
Miniature Telegram forms, only they
were distributed directly to the school
children when going home from school.
The majority of the schools in Ottawa
were covered at various periods.
"Upon completion of this broadcast a
general survey was made and from all
indications it was a great success. The
children enjoyed it immensely, and so
did the older folks.
"We also feel a great amount of good
will was derived from this broadcast."
A. STEEL
Sales Manager, Milk Division
Ottawa Dairy Company
Ottawa, Canada
AIR FAX: Broadcast Schedule: Quarter hour daily ex-
cept Sunday, between Thanksgiving and Christmas.
Sponsor: Ottawa (Ca. ) Dairy Milk.
Station: CKCO, Ottawa, Ca.
Power: 100 watts.
COMMENT: For a complete description
of The Cinnamon Bear, see page 319.
Electrical Appliances
ODD QUIRKS IN THE NEWS "This
program has paid for itself in direct re-
sults from the first week. The only thing
that will ever cause its discontinuance
will be our inability to secure enough
merchandise to serve our existing dealers.
"The program is our only medium of
informing customers of some special
opening, celebration, or offer that one
of our dealers was having. The results
obtained have convinced us that in a
short period we have not only a vast
listening audience, but also a responsive
one.
"Our dealers are very enthusiastic
about this program. Each day, two deal-
ers receive mention at the beginning and
at the conclusion of the five minute
period. This identifies the product with
the dealer. The dealer is not asked to
apply any of his cooperative advertising
allowance against the cost of this pro-
gram. That cost is shared by Hot Point,
the manufacturer, and Interstate, the
distributor. Dealers relate any number
of direct sales as a result of this pro-
gram."
CLYDE FANT
Manager, Appliance Department
Interstate Electric Company
Shreveport, La,
AIR FAX: First Broadcast: February, 1941.
Broadcast Schedule: Daily, 5 minutes.
Followed By: News.
Sponsor: Interstate Electric Company.
Station: KWKH, Shreveport, La.
Power: 50,000 watts.
Population: 82,162.
COMMENT: Wholesalers and distribu-
tors should take a leaf from Interstate's
book. Idea of mentioning dealer's name
on each show builds consumer sales,
dealer good will at one and the same
time.
To many listeners a news show with a
lighter touch is a welcome relief. It's
easy to produce, too. The news staff of
any radio station can clip enough odd
quirks during the day for a very interest-
ing short program.
332
RADIO SH OWM A NSH I P
TRENDS
A tating of program patterns based on a special survey of
outstanding, locally sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS
AUGUST, 1941
Type
Rating
Last
Month
1 Month
Change
Last
Year
1 Year
Change
MUSIC
.306
.311
-.005
.350
-.044
NEWS
.225
.224
+.001
.170
+.055
QUIZ
.120
.125
-.005
.110
+ .010
TALKS
.097
.035
+.012
No
Rating
INTERVIEWS
.085
.079
+ .006
No
Rating
SPORTS
.065
.070
-.005
.080
-.015
DRAMA
.051
.053
-.002
.080
-.029
COMEDY
.051
.053
-.002
.040
+.011
TOTAL
1.000
1.000
1 Mo.
GROUPS Men Change
Music 264 -.006
News 281 +.011
Talks 070 +.010
Interviews . . . .067 -.003
Quiz 123 +.003
Sports 124 -.006
Drama 033 -.007
Comedy 038 -.002
THIS YEAR
One year of Trends has brought to
light many interesting facts. 1) The
spectacular rise in the rating of news
shows. More and more good news pro-
grams have reached the airways, but the
saturation point is still in the distant
future. 2) The drop in musical pro-
grams starting from January 1st. 3) Sec-
ond biggest rise of the year was in pro-
grams with a comedy appeal; indicat-
ing, perhaps, that while most people
like to keep up with world events, they
still seek emotional relief. 4) Smallest
variation shown in quiz programs, ex-
cept in kid quizzes which have steadily
increased.
Women
.336
.217
.136
.089
.111
.028
.033
.050
1 Mo.
Change
-.014
+ .007
+ .016
+ .009
-.009
-.002
-.007
Children
.302
.099
.057
.114
.141
.046
.155
.085
1 Mo.
Change
-.017
-.001
+ .007
+ .014
+ .001
+ .006
-.005
-.005
THIS MONTH
Biggest advance of the month (bigger
than any other single rise in several
months) was in talks. It is difficult to
determine what factor actually caused
this rise. One thing is certain, talks have
become much more interesting than ever
before. AVhat's more: the better talk
programs have been confined to five
minutes, or fifteen minutes with music.
Stoick Cut Rate Drugs include odd
facts in history, beauty and household
hints, weather reports— all within a fast-
moving daily five minute program over
station KGVO, Missoula, Mont. They
call it Stoick's Radio Almanac.
OCTOBER, 1941
333
CHRISTMAS FILE
Recommended for use around
Christmas time because they are
especially designed for children are
the following tested radio shows and
transcribed series which have been
reviewed in previous issues of Radio
Showmanship. They are listed by
the title of the article that appeared
in Showmanship.
(1) SOMETHING VENTURED, Sept., 1940,
p. 11.
Advertisers all over America (32 of
them) have seized the chance to sponsor
the Adventures of Pinocchio in tran-
scription form. Advertisers who got the
biggest results were those who recog-
nized in Pinocchio a natural opportun-
ity to employ added showmanship.
(2) A CHRISTMAS SALES STORY, Nov.,
1940, p. 102.
August last, in the Boston office of
Kasper-Gordon, Inc., makers and sellers
of electrical transcription programs,
ideaman Aaron Bloom put the finishing
touches on this year's version of a suc-
cessful radio promotion called Adven-
tures in Christmastree Grove.
(3) THE WFBR-READ'S TOY SCOUT PA-
RADE, Nov., 1940, p. 107.
Last Christmas 40,000 toys marched in
steady parade into Baltimore's Read
Drug stores. A plea was aired for toys,
old and new. To draw juvenile response,
toy Scout buttons bearing Read's name
were distributed to those contributing
toys.
(4) YOUR TOWN CAN WORK FOR YOU,
Dec, 1940, p. 136.
Junior Town has been a success. Ap-
pearing before the microphone three
times weekly are boys and girls with
ambitions, hobbies and experiences,
which they relate in unrehearsed, im-
promptu interviews.
(5) JUNIOR ROUND TABLE, Dec, 1940,
p. 146.
Youngsters picked by school authorities
go on the air in an unrehearsed, friend-
ly round table conference. They discuss
anything of local or national interest.
Christmas festivities certainly come in
that category.
(6) MICKEY MOUSE CLUB, Jan., 1941, p.
32.
With the accent on youth, the show in-
vites local, jubilant juveniles to perform,
sets their age limit at 10 years.
(7) THE JUNIOR SHOWBOAT, Feb., 1941,
p. 65.
Cleveland amateurs are presented as
though they are a part of a professional
show aboard a river steamer. Stress is on j
the good musical quality of the show, j
Christmas offers splendid possibilities for |
the use of familiar, well-known songs.
(8) BREAD SALES THRU THE AIR, i
March-April, 1941, p. 90.
Streamlined Fairy Tales is unlike most
programs designed for children, because
it has the extra appeal of being equally
as interesting to adults. A transcribed
series, featuring the famous singers, the
"Koralites," who offer modern versions
of popular children stories.
(9) KIDDY CLUB, March- April, p. 106.
Child entertainers are picked at random
from the Saturday morning audience,
do whatever they like on the show. Spon-
taneity of child talent turns the trick.
Store broadcast would be an angle on a
show of this kind to create store traffic.
(10) KIDDIE QUIZ, July, 1941, p. 214.
A kid talent show revamped into a kid
quiz. Lads and lassies squeeze into the
theatre, start the afternoon in a true red-
white-blue spirit by singing My Country
'Tis of Thee. Three boys and three girls
are subjected to five rounds of carefully
culled questions.
(11) DAWSON'S SPELLING BEE, Sept.,
1941, p. 286.
Listener interest is harnessed with an
old-fashioned spelling bee. Avid listeners
supply batches of questions.
334
RADIO SHOWMANSH IP
eyi / Your Fingertips
RADIO SHOWMANSHIP
Holds 18 magazines. The convenient^ compact method of
keeping your copies in permanent^ chronological order.
Order today. Use the coupon below. Only $1.50 postpaid.
Radio Showmanship Magazine
eleventh at glen wood aventf
Minneapolis, Minnesota
Gentlemen:
Send me □ copies of the Radio Showmanship
Magazine File Binders, at Si. 50 per binder, postage
paid. Check enclosed □. Bill me later □■
Name . . .
Address . .
Company
Position .
City
State.
s
Furniture 0)nipaii\
in volume sincx
most remarkahl
^EX / \!()\ / f r\ !-,\i I ' )i
^ ncic I ) Slack, FVcsidcnr
Icscribcs how his business
BER 19.
<•
25
)C IN CANADA
^-
^
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Bakeries
Beverages
Bairies
Bruq Stores
Farm Supplies
Gasoline
Groceries
Hardware Stores
Home Furnishings
Jewelry * Men's Wear
Theatres
MMIL
YOUR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
NOVEMBER
Business PAGE
Bakeries 355
Beverages 356, 361, 364, 368
Dairies 361, 365
Drug Stores 347
Farm Supplies 359, 364, 365, 366
Gasoline 350
Groceries 355
Business PAGE
Hardv/are Stores 360
Home Furnishings 343, 362, 366
Jewelry 362
Men's Wear 367
Repair Shops 367
Shoes 360
Theatres 352
OCTOBER
Business PAGE
Bakeries 320, 329
Beverages . 329, 330
Dairies 322, 328, 332
Department
Stores 312, 314, 320, 323, 324, 325
Business PAGE
Home Furnishings 326, 328
Music Stores 306
Merchant's Associations 319
Restaurants 325, 329, 330
Sporting Goods 326
Sustaining 310, 317
Theatres 327, 328
CONTENTS
NOVEMBER 1941
VOL. 2 NO. 10
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
William Dolph
Washington
Henry Johnston
Birmingham
Glenn Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
J. Harold Ryan
Toledo
Business
Lorenzo Richards
Ogden, Utah
GusTAv Flexner
Louisville
J. Hudson Huffaud
Bluefield, Va.
Maurice M. Chait
Peoria, III
Frank J. Ryan
Kalamazoo, Mich.
Allen C. Knowixs
Cleveland
Editor and Publisher: Don Paul
Xathanson. Managing Editor: Tod
Williams. Associate Editors: Marie
Ford, Norman \'. Carlisle, Harold
Kahm, Paul Hell man. Business:
N. Lunde. Circulation: Thelma Kay.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Editorial 342
Radio Sells Furniture 343
R. A. Slack
It takes a lot of radio time to sell
furniture, but it's worth it in terms
of sales increases, writes the presi-
dent of the Slack Furniture Co., St.
Louis, Mo.
Drug Sales Thru the Air 347
James Shapiro
That community news heard over
the air sells merchandise is the testi-
mony of James Shapiro, president of
the Shapiro Cut Rate Drug Store,
Hibbing, Minn.
Attack from the Air 350
O. M. Harness
How radio promotion boosted 480
dealer outlets to 3,000 is told by O.
M. Harness, sales manager, Macmil-
lan Petroleum Corporation.
Radio Salutes a New Theatre 352
Al Anson
How radio participated in Nor-
shor's grand opening is described
by Al Anson, Duluth district man-
ager of the Minnesota Amusement
Co.
NOVEMBER, 1941
339
AMERICA'S BIGGEST
LITTLE RADIO SHOW!
It's a series of 260 5-minute scripts
(with about 1^ minutes allowed for
commercials) that is selling more mer-
chandise and services than any other
5-minute radio show in the country!
Minimum contract is for 65 episodes.
Available to only one sponsor in a city.
This is not a transcribed series — but is
used as a "live" program, requiring
only one man and announcer for pro-
duction. The copy tie-up with the title
enables sponsors to give audiences
"something to think about" their prod-
uct and services, and drive the message
home.
Some of the sponsors include:
DENTYNE GUM
Station WLW 5 times weekly.
MERCHANTS & EMPLOYES BANK
Station KTRH 5 times weekly.
SINCLAIR OIL PRODUCTS
Station WFMD 5 times weekly.
Station WSFA 5 times weekly.
HONOLULU FINANCE &
THRIFT CO.
Station KGMB 5 times weekly.
PAUL BROTHERS
OLDSMOBILE CO.
Station WINX 3 times weekly.
VINCENNES FEDERAL SAVINGS
& LOAN
Station WOAV 5 times weekly.
Write for sample scripts and full data,
including combination rate-card order-
form. If you want results from radio'
at low cost — investigate "SOME-
THING TO THINK ABOUT!"
SPECIAL FEATURES SYNDICATE
563 Northwestern National Bank BIdg.
MINNEAPOLIS. MINNESOTA
Dearest Mother 354
An RS Air Analysis
Adman Bertram May puts his stamp
of approval on this dramatic elec-
trical transcription series.
Dollars for Consistency 357
Tod Williams
Here is the first in a series of arti-
cles by Tod Williams designed to
help chart a course for actual or
potential radio advertisers.
Airing the New 359
All the available data on new radio
programs. No result figures, as yet,
but worth reading about!
Showmanship in Action 361
Those extra promotions and mer-
chandising stunts that lift a program
out of the ordinary.
Yours for the Asking 363
A listing of sample scripts and tran-
scription availabilities on programs
reviewed in this and preceding is-
sues.
Showmanscoops 364
Photographic review of merchandis-
ing stunts, and the personalities be-
hind them.
Proof O' the Pudding 366
Results from radio programs, based
on sales, mails, surveys, long runs,
and the growth of the business itself.
What the Program Did for Me 368
This is the businessman's own de-
partment. Here, the radio adver-
tisers of the nation exchange results
and reactions of radio programs for
their mutual benefit.
Johnny on the Spot 369
If you use spot announcements,
you'll be interested in the news, re-
views and tips in this department.
Trends 370
A rating of program patterns based
on a special and continuous survey
of outstanding, locally-sponsored
radio programs throughout the
country.
340
RADIO SHOWM ANSH I P
This page can SAVE you
thousands of dollars • • •
and MAKE you thousands of SALES!
PRODUCTIVE, audience-building, tested
shows . . . show s that w ould cost you thou-
sands of dollars if you had to produce
them for yourself . . . are yours at surpris-
ingly low cost through the facilities of the
NBC Radio-Recording Division.
Not once, but dozens of times, these
NBC Syndicated Recorded Programs have
proved their ability to skyrocket sales for
sponsors in any American market.
Send for the facts . . . today. Just check
below the programs that interest vou,
then tear this page out and mail it (with
your letterhead, please) to NBC Radio-
Recording Division. It will bring vou a
complete presentation — information on
rates, schedules, current availability, and
audition records.
Check
()
()
()
Betty and Bob. Outstanding dra-
matic programs with name stars who
are favorites of millions. Five quar-
ter-hours per week.
The Face of the War — as seen by-
Sam Cuff. Keen, timely, penetrat-
ing analysis of the stories behind
war headlines. Three 5-minutes per
week.
Who's News. Revealing, informal
5-minute chats with America's head-
line personalities in the arts, sciences,
sports, business, music, theatre, etc.
Three programs per week.
Getting the Most Out of Life
Today with Dr. William L.
Stidger. Forceful, down-to-earth
philosophy every man and woman
can understand and enjoy. Three
5-minutes per week.
Check
( )
()
()
Time Out — with Ted Steele and
Grace Albert. Bright, gay boy-and-
girl songs and banter with interludes
featuring ''Nellie the Novachord."
Twenty-six quarter-hour programs.
Five - Minute Mysteries. Unique
series of thrilling, dramatized mys-
teries— complete in each 5-minute
episode, three to five per week.
Hollywood Headliners. Intimate
inside stories about Hollywood Stars
told by Stella Unger. Three to six
5-minutes per week.
Produced at "Broadcasting Headquar-
ters,'" these programs have all the flavor
and character of live shows, and the finest
recording— NBC ORTHACOUSTIC.
. . . AND complete production and re-
cording facilities for "custom -built'" pro-
grams— from script to finished pressings.
diO'Recording Division
NATIONAL BROADCASTING COMPANY
A Radio Corporation of America Service
RCA Building, Radio City, New York • Merchandise Mart, Chicago
Trans-Lux Building, Washington, D. C. • Sunset and Vine, Hollywood
A MODERN FABLE
A Neanderthal Man, so the story goes, walked up to a
roaring fire one day, stuck his fingers right into the hot
flames, burned them.
From that time on, our "wise" friend made mighty
sure there luas plenty of space between him and another
fire.
And so, the following winter, he froze to death.
I IKE all fables, this one has an application! Take radio
I as an example.
I know of more than one man who has burned his
fingers by trying a short radio campaign in the distant
past and, from that time on, has placed his advertising
dollars elsewhere.
One clothier, in particular, was offered an exception-
ally good radio buy the other day. He refused. Why? Be-
cause, way back in 1925, he had purchased a few spot an-
nouncements and they didn't happen to sell.
Wasn't it Dr. Ehrlich who had 605 failures? But the
606th was the formula he was looking for.
Business men have learned a great deal about radio in
the past twenty years. Most important, they have learned
that it pays to experiment until a good program is
found.
What's more: They have also learned that it is also
wise to experiment on the other fellow's dollar. There
are hundreds of business men in your field who have
already discovered a profit-making radio program.
Follow their formula!
It works for them. The odds are all in your favor that
it will work for you!
342 RADIOSHOWMANSHIP
adio Sells FnrnitiLre
"It Takes a Lot of Time' But It's Worth It," Writes "Uncle
Dick" Slack, President, Slack Furniture Co., of St. Louis, Mo.
IF you'd like my opinion on radio as a
useful advertising medium, I could
answer in no more certain manner than
to point out that my own business has
more than tripled in volume since I first
went on the air.
This will be my ninth year as a major
radio advertiser. Each year I invest more
dollars, and each year I find it more pro-
ductive.
Basically, my entire advertising policy
rests on the theory of telling my sales
story as often as possible to the great-
est number of listeners. Really, it's as
simple as that.
I have used KMOX exclusively, I have
also used the facilities of more than one
station. In fact, I have used as many as
four stations, not only many times a
week but also continuously throughout
the year.
My programs are purposely not pre-
tentious. They appeal to fun-loving, en-
tertainment-seeking folks of all ages and
every walk of life. I have given them
this type of entertainment in both daily
and weekly shows. Sometimes I have put
the shows on the stage as I did at the
Mattoon City building, Mattoon, 111.
for nearly one entire winter, and this
past season from the KMOX-WBBM
show tent at the Illinois State Fair. At
times I have used spot announcements.
They all fit into the pattern of telling
my sales story as often as possible to the
greatest number of listeners. If it seems
to me that an hour show is the best, I
use it. When announcements seem to be
in order, I use them.
When it comes to my own personal
preference as to the most effective type
of radio show, I would unquestionably
give first place to "western" and "hill-
billy" entertainment. This type of pro-
gram has worked wonders for my own
business. Certainly, I have found noth-
ing that has done more for me than a
variety "hillbilly" show with music, vo-
cals, jokes, and of course the commer-
cials.
Frequent mentions of our free de-
livery service even to distant points are
made in the commercials on all shows.
The much repeated fact that I do not
charge any interest on time purchases is
also an appealing factor to many a sal-
aried man and woman. There is one
message that is heard constantly in all
my commercials, and this is it: ''No mat-
ter how low the prices are on any tiling
the Jolly Irishman advertises, you never
have to pay one single cent extra for
time payments."
It is said that sentiment has no place
in business, but I have built my busi-
ness largely by a plentiful admixture of
sentiment, honest dealing, and lots of
radio advertising. To St. Louisans, I am
known as Uncle Dick Slack, the Jolly
Irishman.
Here is a sample commercial which, I
think, is fairly typical of the type of
copy I have found to be most success-
ful:
NOVEMBER, 1941
343
"Less than a week left to one of
the greatest sales the Jolly Irish-
man has ever held. The owner of
one of the biggest warehouses where
Uncle Dick Slack's new furniture is
stored has taken up the lease and
ordered the Jolly Irishman to va-
cate. And so Uncle Dick Slack is
stuck. It'll cost a fortune to move
this huge stock. He decided it would
be cheaper for him to sell the con-
tents of this warehouse. But his loss
is your gain. There are still many
bargains left but we urge you to
take advantage of them now. There
are only six more days to this sale.
Understand now, everything is on
sale. They have to be moved fast-
rugs, radios, couches, heaters, furni-
ture-everything."
I have always featured "free gifts." I
remember that on one 100-word an-
nouncement for a pencil give-a-way, over
WDZ, Tuscola, 111., we received 4,383
requests.
My business grew up in East St. Louis,
where I was able to attract thousands
of Central Illinois farm folks and small-
town people. Soon I noticed that trade
was crossing the Mississippi from St.
Louis and from many other Missouri
towns. The St. Louis trade grew to such
proportions that I recently found it nec-
essary to open a large store in that city
to help me handle my Missouri trade
with more speed. And much of the local
St. Louis trade has come to me, I am
sure, through hearing the constant rep-
etition on the air of one offer after an-
other.
The Slack schedule on KMOX now
amounts to a total of 30 quarter-hours
per six-day week, making us the largest
user of radio time among all St. Louis
retail establishments.
My major effort, at present, is the
Ozark Varieties, a half-hour program of
"western" and "hillbilly" tunes, with a
large cast of entertainers. "Pappy" Ches-
hire presides over the good-natured do-
ings each morning at 6:30, Mondays
through Fridays.
Saturday is always the busiest day of
the week at both my St. Louis and East
^
0^'^^
344
RADIO SHOWMANSH IP
Here's the whole gang of 'em, the cast of "Uncle
Dick" Slack's early morning show, Ozark Varieties.
"Pappy" Cheshire is shown at the extreme left.
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NOVEMBER, 194
4
345
Proud of his Irish ancestry (to the
extent of adorning the loalls of his
store with giant shamrocks) is Rich-
ard Alexander Slack (shown above
at The Old Corral with Hal Chois-
ser). Few St. Louisans would fail to
identify him as Uncle Dick, ''the
Jolly Irishman."
He started his activities in the
furniture business at a very early
age, and after learning the business
selling for others he opened his own
retail store on the proverbial "shoe-
string." Married at 19, his great de-
light these days is a grandson and
a granddaughter, the children of
Randall (Rex) Slack, his only son.
Apart from his business, baseball
is Uncle Dick's greatest hobby. Ever
since boyhood days he has loved the
great American sport. At one time
he managed a semi-professional
team. Largely through his tireless
work, the first baseball park in East
St. Louis was built. Big league cir-
cles are well aware of his close and
enduring friendship with some of
baseball's immortals. (For many
years it was said that "Dizzy" Dean
signed no contracts until he had
consulted Uncle Dick.)
Another close personal friend of
Slack's was the late motion picture
coxuboy star, Tom Mix. Many other
prominent figures of the sports and
theatrical world count themselves
among admirers of this friendly fur-
niture man.
Continued from page 344
St. Louis stores. So on that day I always
plan an especially big program. My pres-
ent Saturday schedule calls for a full
hour Jolly Jamboree, 8:00 to 9:00 A.M.,
and we return again that same evening
with our Old-Fashioned Barn Dance,
10:30 P.M. to 12:15 A.M.
We always welcome a studio audience
to both the Jolly Jamboree and the Old-
Fashioned Barn Dance. A huge demand
for admissions to the latter show has re-
sulted in a sizeable waiting list for tick-
ets. Every Saturday night we are forced
to hang out the S.R.O. sign at the
KMOX Playhouse studio!
I have two more programs at the pres-
ent time. One is called Moonlight Sere-
nade. It is a simple, quiet sort of
homey quarter-hour of old-fashioned
songs which usually features the voices
of the top favorites from my daytime
programs. Moonlight Serenade is a wel-
come visitor to many thousands of
homes in the late evening, at 10:15,
Mondays through Fridays. We figure
that we might be missing many stay-up-
late town and city folks. So, for their
special benefit we present this pro-
gram. In this way, I add greatly to the
total number of impressions my com-
mercials make on the listeners and in-
sure against missing any considerable
part of the total radio audience.
Newest of my air shows is The Old
Corral, which features the western songs
of Hal Choisser, The Smilin' Cowboy;
the yarns of "Pappy" Cheshire; and the
music of The Boys of the West. It is
heard at 5:30 P.M. Monday, Wednesday
and Friday.
I think you will agree that radio must
sell furniture and appliances, for we
have built ourselves an ever-growing vol-
ume of sales, in direct proportion to our
increasing investment in radio time and
talent.
346
RADIO SHO WM ANSH I P
©
rug Store Sales Thru the Air
That CDmmunity News Sells Merchandise is the Testimony of
James Shapiro, President of the Shapiro Cut Rate Drug Store
BACK in September 4, 1935, I signed
a contract with AVMFG, Hibbing,
Minn, for my first broadcast. Up until
that time, while I was ahvays a strong
ad^ertiser, I had used newspapers ex-
clusi\ely. Now I was ready for some-
thing more. The time was ripe for an
extra appeal and coverage not handled
by the local newspaper. I decided upon
a spot radio campaign. I have never re-
gretted my decision. Up until August,
1940, not a week day went by without
a message from the Shapiro Cut Rate
Drug Store on WMFG.
It looked as though this new medium
was the best thing that had ever happen-
ed to me. In 1938, three years after that
first broadcast, I moved my drug store
into a brand-new Super Drug Store
building that had been especially de-
signed for my needs. New buildings and
things like that don't just happen!
Radio was a very important factor in the
new Shapiro Super Cut Rate
Drug Store.
By this time, I knew from
many different sources that I had
a huge radio avidience, and I
was looking for stronger means by
which to reach them. In the fall
of 1940 I was ready to increase
our radio budget. I wanted a
unique program, one that all
types of listeners would want.
Hibbing in the Xews was the
answer. The program was open-
ed for sponsorship September, 1940, and
in no time at all I was convinced that it
was ideal for Shapiro's. From the start,
it was perfectlv obvious that the money
spent on talent and air time more than
justified itself from the standpoint of
listener appeal and sales increase. To-
day, Shapiro's is enjoying the best
business in its history, showing monthly
increases over last year for all twelve
months.
Hibbing's 15,000 inhabitants and peo-
ple in other small surrounding towns
find local news programs with gossip,
humorous incidents, politics of local in-
terest, and other news items of that kind
a leisure-time necessity. In small towns,
particularly where everyone of any sig-
nificance is known by almost the entire
radio audience, names make news. So
Shapiro's uses names as frequently as
possible, including not only so-called
prominent men and women but also
local-color characters.
Franz Naeseth, son of the local chief
of police, is the reporter of Hibbing in
the News. Everyone in town kno^vs
Franz, and it is no trick at all for him
Franz Naeseth, weaned away
from newsprint by the micro-
phone, is the reporter of
Hibbing in the News. Audi-
ences like his newsy, intimate
style, keep him posted on
the town's latest news events.
to get the news. In fact, hundreds of
people telephone items to him and he
spends a lot of time gathering additional
information. His program time, 12:45
noon, alwavs beats the local news-
NOVEMBER, 1941
347
1?
paper deadline by three hours. This
gives Shapiro's program frequent
"scoops." Our customers like it. They
tell us that for five minutes, foiu' days a
week, Monday, AVednesday, Thursday
and Friday, almost everyone in the iron
range towns tune in Hibbing in the
News to get the latest in local happen-
ings.
One minute and a half "strictly sell-
ing" commercial is used half-^^vay through
the show. Never institiuional in any
sense of the word, the commercial ad-
vertises the Super Cut Rate prices of
nationally known drugs, cosmetics and
tobaccos. In addition, it usually includes
"Super Specials" of especial bargain at-
traction. Aboiu ten items are used on
each commercial.
One of the most interesting and good
will building features of Hibbing in the
News is our "Lost and Found" column.
Coming at the end of the program, this
portion ad\ertises lost and found arti-
cles free of charge. In the Shapiro Drug
Store we have organized a special de-
partment as a sort of a clearing house
for such items. Key rings, books, pocket-
books and gloves are prime fa\orites.
\\^e receive so many calls from persons
asking if our Lost and Found depart-
ment has this or that, that sometimes it
seems as if the telephone never stops
ringing.
A free give-away service is also offered
on the program when the occasion arises.
Almost every day Xaeseth has a cat, a
homeless puppy, or some other such
pathetic creature to give away. A home
is invariably foiuid within a half hour!
Up until this time, Shapiro's reporter
has never taken part in "commercial"
The store that radio built is the brand-new Shapiro Cut Rate Drug Store. Housed in it is a special
Lost and Found department where customers may claim lost articles, turn in articles they have found.
348
RADIO SHOWMANSHIP
talk on the program. But with the ad-
vent of colder weather, "flu" and "cold"
time, he is going to frequently inform
the public on new developments in the
vitamin field, in a strictly news-like
fashion. It is hoped that through this
means Shapiro's vitamin department
^\ill become (even more than it is now)
vitamin headquarters for the entire iron
range. Already it enjoys the best busi-
ness in the territory.
We also devote time on the commer-
cials to familiarize the public with the
vai'ious departments of our drug store.
The cosmetic department, with constant
help from two trained beauty experts, is
a very popular section. There is a liquor
department and a tobacco counter that
are also brought out to advantage in
commercial copy. Nor is this guesswork!
When we advertise a "special," we realize
immediate returns. Business increases a
half hour after airing! Anything that
creates store traffic in that volume is good
business.
Our customers agree with us. Our
files are full of unsolicited letters con-
gratulating us on our choice of program.
At one time a petition crammed with
hundreds of names was addressed to us.
It was an entirely voluntary, unsolicited
expression of appreciation the signers
felt toward Hibbifig in the Xews. They
hoped the program would continue, and
said so. As far as I am concerned, it will!
The program has just completed its
first year under our sponsorship and
there is no question in my mind but
that once more radio has "paid-out."
Unlike mushrooms, monthly sales in-
creases don't "just grow."
COMMENT: Top radio buy, in the eyes
of hundreds of U. S. advertisers, is news.
Climbing onto the band wagon, thev
have assumed sponsorship of news flash-
es, newscasts, sometimes news commenta-
tors. Is the ne\vs enough?
The answer: For the established spon-
sor, yes. For sponsors new to news, no.
Thunderous events, whether on the in-
ternational scale or scaled to a single
community, have plenty of pulling pow-
er in themsehes, of course. The audi-
ence is news conscious. But it must also
James Eu-
gene Shapiro
has been in the
retail drug busi-
ness 19 years,
started out with
LiGGETTS in Du-
luth,Minn. His
favorite weak-
ness is playing
the daily dou-
ble at Hialeah
Park in Miami, Florida. Biggest
thrill: winning more than $200 last
year on one double pick.
One of the hardest workers in
Hibbing for ten and a half months
a year, "Jim" really lets down for
the other month and a half. Goes
to Florida, comes home in the
spring with an Indian's tan that is
the envy of the entire town.
He loves good food, Chinese chop
suey in particular. His wife. Rose,
who spends part of her time super-
vising the cosmetic department in
the store, is also an exceptionally
fine cook and hostess.
Drugman Shapiro is a graduate
of the University of Minnesota
School of Pharmacy. Today, he is
an active member of the Elk's Club,
Chamber of Commerce, Junior
Chamber of Commerce. His spare
time is spent with his two sons,
Jackie and Jay.
be made sponsor conscious.
Direct mail, store hand-outs, window
displays, truck streamers, billboards,
theatre tie-ups are among the ways in
which you can identify the news with
you.
To nail 'em with news, let 'em know
vou're sponsoring it.
Certainly a news program having to
do with local events is a good bet for
any sponsor. The average listener would
rather know that neighbor Joe Doakes
was sent to the hospital with a broken
leg, than to hear about the latest didos
of the Axis powers.
NOVEMBER, 1941
349
ttack From the Air!
How Radio Promotion Boosted 4BD Outlets to 3,DDD is Told by
D. M. Harness, Sales Manager, Macmillan Petroleum Corporation
OUR company is located on the West
Coast. We have been in the petro-
leum business for 20 years. One of our
products, Macmillan Ring-Free Motor
Oil, has been on the market less than
ten years; during this time we have gain-
ed national distribution.
This ring-free motor oil is different
from all other oils because of what it
does. It removes carbon formed by other
motor oils and fuels. It reduces friction.
It affords greater gas mileage and power.
It affords a smoother running motor,
made possible by the greater reduction
of friction.
On March 25, 1941, we decided to
expand our distribution, one of our
principal objectives being the Greater
New York market. Our decision to ex-
pand was based largely on the quantity
and nature of letters that were coming
in from people asking where our oil
could be purchased. The 480 outlets we
had in this territory were inadequate,
for this area included New York City,
Jersey, Westchester, Nassau County and
other districts.
That this rich market is a highly com-
petitive one goes with-
out saying. It wasn't an
easy assignment to bring
a new brand of motor
oil into markets already
crowded with a hundred
other brands. Firmly en-
trenched were such com-
panies as Standard Oil,
Shell, Sinclair, Sun,
Gulf, Pennzoil, Quaker
State and a host of
others. But apparently
there was enough busi-
ness for all comers, and our problem was
to get suitable distribution.
We knew that the New York Metro-
politan area embraced 14 percent of the
entire nation's buying power. There
was a healthy slice of the national mar-
ket right there in one blow if we crack-
ed it successfully. But any advertiser who
has ever tried to break into New York
knows that is a pretty big "if." With a
quality product to start with, careful
selection of the advertising medium, and
forcefully planned copy backing Mac-
millan's marketing organization, we
were sure it could be done.
We decided to attack from the air. In
the first place, the greater share of New
York's motoring public lives outside the
Manhattan limits, or at least make their
gasoline and oil purchases from filling
stations located outside these limits.
(And in a campaign like this Macmil-
lan was not forgetting that they first
had to sell service station proprietors.)
In an area where 93 percent of all
homes are equipped with radio sets, and
where the average set is turned on over
five hours a day, none of the popular
newspapers or combina-
tion of newspapers, had
the potential grip on
this suburban market
that radio had, especial-
ly when costs were con-
sidered. Moreover, thou-
sands of New Yorkers
had motor car radios,
and there was strategic
value in speaking to
them about their car
motors right while they
were driving.
350
RADIO SHOWM ANSH I P
The next question was what station
to use? AVhat station offered the best
program idea to catch the attention of
the audience that we wanted to reach?
The mass New York audience is a cross
section of all types of people, and class-
es from all parts of the world. Conse-
quently, we wanted a program with a
wide, diversified appeal.
One station, \VHX, had developed a
program idea that had clicked with lis-
teners. It was a news program with a
brand new approach.
News broadcasts are admittedly the
most-listened-to type of program on the
air. Yet despite their popularity, the
usual form of news broadcasts have their
drawbacks. For one thing, the listener
has to tune in at a specified time in
order to catch the news. For another
thing, radio news reports are given only
once. If a listener misses an item, or mis-
interprets it, there is no chance for a
second hearing.
Newsreel Theatre of the Air was de-
signed to allay these problems. WHN
cleared two hours each day for us; be-
tween six and seven in the morning, and
ele\en and twelve at night, hours when
listeners prefer their first and last com-
plete news broadcasts each day. Twelve
minute news scripts were prepared and
repeated five times during the hour in
much the same manner as a newsreel
theatre presents its continuous perform-
ances. A special opening for each per-
formance was recorded, with the strains
NOVEMBER, 1941
of Maryland, My Maryland as a back-
ground.
We felt that not only was this pro-
gram unlike anything else on the air, but
also it would attract a tremendous
listenership. We decided to sponsor the
program starting April 15, 1941. Before
our first sponsored show got underway,
we sent out a crew of 15 picked men,
some of them brought from the West
Coast, to begin lining up dealers. One
of our most effective sales arguments was
the fact that we were going on the air
over W^HN as sponsors of the Newsreel
Theatre of the Air. Most of these pro-
spective distributors were already fa-
miliar with the show.
^\^ithin a month after we began our
radio campaign, our distribution in the
metropolitan area had increased from
480 outlets to 3,000. There is no doubt
in our minds that the radio program did
a fine job. Of course, this has been only
a start.
Reinforcing the radio campaign, we
arranged dealer meetings, and so far
these have been very successful. Fifty to
a hundred dealers attend the average
meeting. Talks on why Macmillan
Ring-Free Motor Oil is the best oil on
the market today are supplemented by
actual tests where mechanical equip-
ment is used to show how our ring-free
oil lives up to the claims made for it.
These tests take place at the dealer's,
or at one of the group meetings, and the
public is invited to attend. Some tests
351
are made on the road in the dealer's
own automobile.
The effectiveness of the Macmillan
Ring-Free Motor Oil Newsreel Theatre
is based on several factors, and one of
these is a psychological one: being on
the air from six to seven A.M. and from
eleven P.M. to midnight, it means that
this program is the first thing the listen-
er hears in the morning, and the last
thing he hears before he goes to bed at
night, seven days a week. The effective-
ness of this principle is based on the
soundest modern psychology.
Another factor is that such a large
proportion of the dealers we wanted to
reach were themselves listeners of this
program when it was on without a spon-
sor. It is not difficult to convince a man
that a radio program that he listens to
and enjoys himself is going to be listen-
ed to by others. It definitely helped our
crew men to be able to say that we were
taking over the Newsreel Theatre.
Letters from listeners pour in con-
stantly from all parts of the metropoli-
tan area, from the Bronx, Brooklyn,
Sands Point, Newport, Englewood Cliffs,
and from as far as Marlboro, Massa-
chusetts. And, of course, from New York
City itself. There is apparently no dis-
trict in this territory that has not pro-
duced letters from listeners comment-
ing favorably on the program, and, of
course, this is encouraging and indicates
the extent of our audience.
Supplementing the radio program are
Macmillan Ring-Free Motor Oil signs
which the dealers display. These signs,
now displayed in three thousand loca-
tions in the metropolitan area, are a
campaign in themselves, and they tie in
well with the radio program. The listen-
er hears the name again and again, day
after day, when he is at home. When he
leaves the house the name is visually im-
pressed on his mind.
Our agency, Stack-Goble, and WHN
are doing a great job. From 480 distribu-
tors to 3,000 in a single month speaks
for itself.
adio Salut
How Radio Participated
By Al Anson, Duluth D:
When the Norshor theatre was
ready to open we looked about
for some unusual way to introduce it
to the public. Not only did we want the
people of Duluth, Minn., to participate
in the important event, but we also
wanted persons from all parts of North-
ern Minnesota to share in the big open-
ing. Radio was one of the principal an-
swers to our problem.
We put on a three-day Opening by
Radio that drew crowds from all the
cities surrounding Duluth, and while
the visible audience for the opening was
impressive, the listener audience was
even larger. A total of 12 special event
remote programs were broadcast to
WEBC's half million listeners! As a re-
sult we created much public interest and
good will through the medium of our
radio shows.
Our premiere performance on the
screen was the Paramount picture,
Caught in the Draft, an attraction in
which Bob Hope and Dorothy Lamour
starred. So, in Hollywood's Radio City,
the two of them got together with di-
rector, David Butler, and through the
facilities of NBC voiced a transcription
that was airmailed to Duluth. It was one
of the star attractions when WEBC
presented the Norshor Theatre, newest
operation of the Minnesota Amusement
Co., to the movie patrons of Duluth,
northern Minnesota, Wisconsin and
Michigan.
Don McCall is ZINSMASTER'S Man on the Street.
For NORSHOR'S grand opening, he interviewed
passers-by from in front of the theatre, drew a large
crowd of interested spectators.
352
RADIO SHOWMANSH IP
t New Theatre
Theatre's Grand Opening
Minnesota Amusement Co.
The first broadcast took place about
10 A.M. the opening day, two hours be-
fore the theatre opened its doors. Other
shows during the afternoon led up to,
and called attention to the number one
broadcast, the formal opening at 8:00
P.M. that evening.
For the big show of that first day, the
Mayor of Duluth, Edward H. Hatch,
and numerous other local and theatre
dignitaries were heard on the air. From
the AVEBC studios, the Hollywood
Salute record was "dubbed in." There
was standing room only for the entire
performance!
We are tremendously proud of our
new house, and there are an abundance
of innovations.
Nor are we alone in the pride we
take in the new theatre. Duluth business
men showed their interest and enthusi-
asm when they, too, put on special
broadcasts in connection with our grand
opening. Freimuth's, the oldest depart-
ment store at the Head of the Lakes,
took over four 15-minute broadcasts.
During the 7-minute intermissions be-
tween shows, the BRmCEMAN-RuSSELL
Dairy Co. sponsored several 5-minute
interviews from our Milk Bar. Zinsmas-
TER Bakery aired its regular noontime
broadcast of Don McCall, the Man on
the Street, from in front of the theatre.
When it was all over, we were con-
vinced that we had succeeded in intro-
ducing our new theatre to the public in a
grand manner. Radio did a bang-up job!
NOVEMBER, 1941
353
Adman Bertram May Puts His Stamp of Approval
Upon This Dramatic Electrical Transcription
SPONSORS like Procter Sc Gamble, Col-
gate-Palmolive, General Mills and
General Foods have proved con
clusively, to their own satisfac
tion, that the best and least
expensive way of selling
the housewife is to talk to
her during the day when
she is alone. Such adver-
tisers spend literally mil-
lions of dollars every year
to sell to the same women
the local sponsor is interest-
ed in selling. The continued
use of this technique year in and
year out, plus a glance at the financial
earnings of these companies, indicates
that the daytime story has been success-
ful for them.
Many a local advertiser, familiar with
the sensational strides made by these
national advertisers via their continued
stories, knows that obviously the tech-
nique that sells one food product over
the grocers' counters should sell the local
manufacturer's food product over that
same grocer's counter. Transcribed seri-
als are one way in which these local
sponsors can capitalize on this
proved technique for selling to
the housewife in successful
competition with these net-
work programs.
Dearest Mother is one
such transcription avail-
able to the local sponsor.
It is the story of Rita Mor-
gan, a young girl of twenty,
who seeks to find a place for
herself in the business world
without the aid of her family. The
suspense and mystery of the story is en-
hanced through the use of a letter which
Rita writes to her mother every day.
Various hopes, thoughts and suspicions
that Rita has are revealed only in these
letters. In them are contained behind
the scenes information that is not re-
vealed on the air at the time of the
broadcast. That is where the merchan-
dising hook comes in.
At various times during the course of
So He Med the 'Tour
// You Sent a Letter to All the Radio Prospects in Your Tow
Your Station Salesman Should Continue to Call . . . What Sort
ONE DAY last month, John Anderson Ba-
con, stocky, young, hustUng-busthng di-
rector of sales for Buffalo's mighty WKBW
and WGR, leaned back in his chair, gazed out
of his 17th-floor Rand Tower office window.
Below, Lafayette Square was thronged with
white - clad, busy shoppers ; Kleinhans,
Buffalo's mammoth men's store, just across
the way, gazed back at him through its mul-
tiple, merchandise-full, masculine windows.
It was two o'clock on a summer afternoon.
The breeze from the Niagara river was
slight. Buffalo bubbled in the sun.
Mr. Bacon was thinking.
No moment of respite this. Mr. Bacon was
thinking of $60.
Sixty dollars is the monthly cost of 400
copies of Radio Showmanship Magazine
which Mr. Bacon had ordered sent to a
selected list of clients, prospects and agencies
in the Buifalo sales area on behalf of WGR-
WKBW.
As a service to business men, as an aid to
station salesmen. Radio Showmanship
Magazine had been mailed out by its pub-
lishers in Minneapolis on behalf of Station
WGR- WKBW for the past four months to
400 Buffalo business and agency men.
Was it, pondered Bacon, bringing home
the bacon? Was it, in other words, worth the
60 bucks ?
Mr. Bacon wanted to know :
1 ) Did the Buffalo business men and agen-
cy executives appreciate the fact that he was
paying out good American cash so they could
receive Radio Showmanship every month?
2) Was it interesting to them? Did they
read it?
answers to these questions via a persona
letter to each of the 400 men on his Radi^
Showmanship mailing list.
To them he wrote:
''Several months ago we notified you tha
we were having sent to you, each month,
copy of Radio Showmanship Magazine. . .
"Since this magazine is intended as a serv
ice to you, and other business men in Buffak
we should very much like to know ... if yd
find it interesting, and if it is providing an
ideas that might be helpful to you in you
business ?
"Finally, we would like to know if yo
care to have the magazine continued?"
11
NIFORMLY, the answers* came back
"Interesting . . . novel . . . useful . .
please continue sending it," said Buffalo'
business men.
Pleasant surprise : A number of replie
stated that while they didn't use radio at pre;,
ent, RS might lead the way by providing th^,
all-important ingredient ... an idea.
Typical, also, were the number of enthus:
astic adjectives such as "welcome . . . helpfi
. . . stimulating," applied to the monthly gif i
"Radio Showmanship has given us mucj
information which seems to be unavailablj
from any other sources," said Herbert Voge|
sang, president of the Niagara National Banlj
Where a Buflfalo business man was alread;
plunking cold cash on the line for radio tinn,
it was especially welcome.
Wrote Richard S. Levy, of the Bergma
Company (Appliance Wholesalers) : "I ai
. 1
*78% were enthusiastic letters of thanks, sta]
ing they would like to continue receiving Radi
Showmanship Magazine.
3) Would they like to have their subscrip
tion continue ?
If so, why? „^,r
He sought the A RADIO SHOWMANSHIP READER IS A BETTI
indred
V
• • •
^king Them Whether or Not
nswers Would You Receive?
\-ateful for a publication where I can see
hat the other fellow is doing."
Stated Joseph Bettinger, president of the
ettinger Coal and Coke Corp. ; "I do ap-
reciate receiving the magazine and go
rough each issue carefully, having in mind
some time I might hit upon a program suit-
•)le for our use. ... I would surely be dis-
)pointed if I were to be eliminated from
j)ur mailing list."
Big or small, peanut stands or institutions
long standing, ever}' business and every
an who can use radio to sell can use Radio
OWMANSHIP Magazine and the informa-
Dn it carries.
Epitomizing this vers- thought was the
ply from Jesse C. Neill, vice-president of
e Buffalo Industrial Bank. Said he: "RS
■Qved most interesting and valuable in an-
yzing and studying different mediums for
vertising . . . trust that in the near future,
i will be able to capitalize on the material
ntained in the publication. . . . We would
e verv much to receive the magazine each
nth."'
Sales Promotion Manager J. F. Cain
rigidaire Division, General Motors) likes
; fact that : "The magazine gives a very
mprehensive picture of the other fellow's
siness, and this overall picture helps tre-
indously in our own advertising problems."
Requests to discontinue, and, of course,
£re were some, are attributable primarily to
almost inbred prejudice against radio it-
f. In most of such cases, WGR-WKBW
ded to keep right on having Showman-
ip sent to these hard-to-please prospects.
If anything can break the barrier down,
OWMANSHIP can. WGR-WKBW's once-
nonth good-will ambassador slips in
through closed
doors and closed
^DIO BUYER minds with disarm-
ing ease. It's one business man talking to an-
other, selling radio for your station.
WGR-WKBW then revised its mailing list,
blue-penciled very few names, added some
new ones. Mr. Bacon was certain his sixty
rocks were being spent wisely. Wrote he :
**We are more than pleased with the results
of our inquiry to the recipients of RS. Their
letters prove conclusively that RS is an in-
formative organ . . . helpful in increasing the
service and types of programs of our present
clients. It will be instrumental in aiding our
sales representatives develop new business/'
THIS marks Radio Showmanship^s first
anniversary. For 12 consecutive months
you have been receiving with our compliments
a special copy of Showmanship with our
sales message where yours should be. This
four-page insert is yours; your station's sales
story occupies this space when you subscribe
to Radio Showmanship on behalf of the
clients and prospects in your market.
For only 15 cents per copy you can put RS
to work for you at once. It's exclusive with
one station in a selling area. Remember : A
Radio Showmanship reader is a better
radio buyer.
Why not fill out and mail the self-addressed
postcard on the next page right now?
You're Welcome with
Radio
Showmanship
Magazine
THESE ARE SOME OF THE STATIONS NOW USING
Rndio Showmmship Mugnzim
WXYZ
WSPD
KOA
WFBR
KMO
KROW
WIND
Detroit, Mich.
Toledo, Ohio
Denver, Colo.
Baltimore J Md.
Tacoma, Wash.
Oakland, Calif.
WBLK
Clarksburg, W. Va.
WCHS
Charleston, W. Va.
WPAR
Parkersburg, W. Va.
WSAZ
Huntington, W. Va.
KFJZ
Fort Worth, Texas
WEBC
WLAP
Duluth, Minn.
Lexington, Ky.
WTCN
Minneapolis, Minn.
KDLR
Devils Lake, N. D.
Chicago, III.
WHN
KOL
New York, N. Y.
Seattle, Wash.
KDYL
Salt Lake City, Utah
KFJM
Grand Forks, N. D.
WOPI
Bristol, Tenn.
KRMC
Jamestown, N. D.
WOOD
Grand Rapids, Mich.
WAGA
Atlanta. Ga.
WWVA
Wheeling, W. Va.
WLOK
Lima, Ohio
WHIZ
Zanesville, Ohio
WMMN
Fairmont, W. Va.
WBRC
Birmingham, Ala.
WING
Dayton, Ohio
KOMA
Oklahoma City, Okla.
WGR-WKBW
Buffalo, N. Y.
WHK-WCLE
Cleveland, Ohio
WFIL
Philadelphia, Pa.
KGIR
KHBG
Butte, Mont.
Okmulgee, Okla.
KTSW
Emporia, Kan.
WTBO
Cumberland, Md.
WGRC
Louisville, Ky.
KVFD
Fort Dodge, Iowa
WTSP
St. Petersburg, Fla.
KPDN
Pampa, Texas
WJPR
Greenville, Miss.
WSIX
Nashville, Tenn.
WKST
WBNS
Columbus, Ohio
WOL
Washington, D. C.
WKRC
Cincinnati, Ohio
WFBM
Indianapolis, Ind,
KIT
Yakima, Wash.
WELI
New Haven, Conn.
WNLC
New London, Conn.
WNBC
Hartford, Conn.
KVAK
Atchison, Kan.
WFCI
Pawtucket, R. I.
WFBL
Syraciise, N. Y.
WHOP
Hopkinsville, Ky.
KDTH
Dubuque, Iowa
KGDE
Fergus Falls, Minn.
WIBM
New Castle, Pa.
Jackson, Mich.
OUR STORY IN 10 SECONDS: We print a monthly magazine full of useable, tested radio
programs and promotions gathered from all over the country and indexed by businesses.
We mail it to the men and firms you want to reach. We pay the postage. We bind your
station insert into every copy mailed to your town. We mail the magazine in an attractive
envelope. We address it. We mail your station salesmen (to their home address) the
RS Sellogram each month! We give you a beautiful Gift Subscription Card, imprinted
with your station call letters, that you can mail to each of the men and firms who are going
to receive Radio Showmanship each month through the courtesy of your station!
All this for just 15 cents per copy, per month.
All you do: Send us the names and addresses of the businessmen and agencies in
your town who should receive Radio Showmanship, send us your station insert. The
insert is bound into every copy of Showmanship mailed out by us to your customers.
Mad Ute. &Hclo^ Po'doaAxIt ^odaif.
!^
the show the listening audience is offer-
ed copies o£ Rita's letters in her own
handwriting. Through the medium of
this device sponsors have had an oppor-
tunity to check-up on the extent of their
listening audience, and to create further
sales increases. As an example of the
pulling power of this offer, 3,600 women
in Cincinnati, O., wrote in for the open-
ing letters after only two announcements
were made. In Knoxville, Tenn., 1,162
requests were received the first time the
offer was made. Rita quickly captivated
the feminine listening audience in both
areas.
The experiences of six sponsors who
have used this transcription series are
related below.
PHILADELPHIA, PA.
(Mayonnaise)
Mrs. Schlorer's, Inc., are the manu-
facturers of the first commer-
cial mayonnaise ever marketed
in the United States and are
also the packers of pickle prod-
ucts, relishes and canned pota-
to salad. Three months after
the program's start, the client
reported an advance of 67 per-
cent in sales for April. "We
must concede that the Dearest Mother
program has raised this increase in sales
considerably above what could be
charged off to normal increase," writes
Bertram May, president of the May Ad-
vertising, Inc., client's advertising agen-
cy.
"From the very outset, we seemed to
secure public interest to an amazing ex-
tent," Mr. May writes. "Our broadcasts
were preceded by the mailing of a per-
sonalized script letter directed to about
6,500 retail grocers and wholesalers in
the Philadelphia metropolitan territory.
"As the program got under way, a
premium consisting of a 15-piece Plat-
ONiTE set of dishes was offered to women
enclosing the tumbler top sealing Mrs.
Schlorer's half-pint size mayonnaise, to-
gether with a dollar bill.
"AVhile we had never before exploited
a dollar premium, the offer pulled to
such an extent that long after the pro-
gram went off the air we were still re-
ceiving tumbler tops and dollar bills.
"The seasonal nature of our client's
business took us off the air in July, but
we hope to renew the contract for Dear-
est Mother at the beginning of our 1942
season."
CINCINNATI, O.
(Groceries)
"During the one year we sponsored
this program, we made only one test,"
writes A. A. Bissmeyer of the Albers
Super Markets, Inc. "We offered a cake
plate to anyone writing in commenting
on the Dearest Mother program. On
only two announcements made over
WSAI we distributed 3,600 cake plates,
which we consider phenomenal."
BLUEFIELD, W. VA.
(Bakeries)
Two years ago the Feuch-
fenberger Bakeries first start-
ed using Dearest Mother over
WHIS. They have been using
it ever since. Quoting Mr.
Lloyd Feuchtenberger, Jr., head
of the bakery, "We consider
this the most successful radio
program we have ever used."
Week after week the program pulls
mail. In fact, it averages a letter a week
from every other family in the entire
population of Bluefield. All these letters
were for a reproduction of the letter
written bv Rita to her mother.
NORFOLK, VA.
(Bakeries)
The Norfolk market had always been
a weak one for the Nolde Brothers
Bakery of Richmond and Norfolk.
Never had they been able to get grocer
cooperation and consinner acceptance in
Norfolk because they were known as a
Richmond bakery. Within six months
after Dearest Mother first started in
Norfolk, they had decided to use it also
on 50,000 watt WRVA, Richmond. Now
the Norfolk market has been built up to
such a point as to justify the building
of a new bakery. Nolde's still continue
NOVEMBER, 1941
355
1m Pita. I dieakd iKe lllan I love
V tokelbHienian i <lesf>iser -^
Follow radio's newest
thrill story I
TffP/Ui/f&mMAffCByOUWfUlO/f&JfmSMSBR
to sell bread in Richmond and Norfolk
as well as the surrounding territories
with Dearest Mother.
LOUISVILLE, KY.
(Ginger Ale)
When the High Rock Ginger Ale
Co. sponsored the program, they raised
one question at the end of a broadcast
over WAVE. Did the radio audience en-
joy the program? Nothing was offered,
there was no contest, no prize and no
gift. From that single announcement
there were 600 letters.
YOUNGSTOWN, O.
(Bakeries)
Dora Schwebel, president of the
Schwebel Baking Co., felt that the pro-
gram was very successful from the point
of view of sales. "It appealed to the
mothers,, who are after all, the ones most
interested in bread," Miss Schwebel
says. "We have had many, many favor-
able comments from our listeners, all of
them unsolicited.
"It is impossible to state just how
much this program increased sales since
we advertise heavily and the broadcast-
ing is only one item of our advertising
program. However, tied in with news-
paper and outdoor advertising, our sales
showed a progressive increase.
"All in all, we feel that Dearest Moth-
er is one of the most productive and
resultful radio programs we have ever
used."
HOW TO USE IT!
Here is the way the give-a-way works:
Each letter covers four episodes in the
story. Letter No. 1 covers episodes one
thru four, Letter No. 2 includes episodes
five thru eight, etc. Letters are not offer-
ed on the air until the first 16 episodes
have been played. Then the sponsor of-
fers Letters No. 1 thru No. 4 which cover
the first 16 episodes. Sponsor needs only
one envelope for every four letters.
The manner of the distribution of the
letters varies. Some sponsors mail them
out, others place them in their retail
outlets, some require a proof of pur-
chase.
AIR FAX: Dearest Mother is available to only one
station in each market. Program can be used either
twice or three times a week. Publicity releases, mer-
chandising suggestions and letters furnished. For
rates, availabilities, details, write to FREDERIC W.
ZIV, INC., ADVERTISING, 2436 Reading Road,
Cincinnati, Ohio.
COMMENT: Dramatic serials of this
kind frequently compare favorably in
size of audience, fan-mail with network
competitors.
356
RADIO SHO WM ANSH I P
<
No. I in a Series on
HOW TO GET THE MOST FOR YOUR RADIO DOLLAR
Dollars lor Consistency
By Tod Williams
NOT long ago, I bumped into an advertiser who snapped: "Radio advertising
is the bunk. I tried it and I know!"
Speculatively I asked this poor, misguided creature, "Just how long were
you on the air?"
"Ten weeks," he replied, "and I might just as well have poured my money
down a rat hole."
And I heartily concur.
Anyone who attempts to do a "quickie" such as this is spending, not invest-
ing his money.
But let me explain what I mean.
Back in the early days of radio when we fiddled around with a cat's whisker
and a galena crystal, then heard words and music crackle through tight-clamped
head sets, the products mentioned made some spectacular sales records. Which is
not at all surprising.
The very novelty of the medium caused listeners to soak up every single
word. Never before had they had the merits of a product extolled by the human
voice.
"Bonanza!" gloated the pioneers in this medium. Two decades later that
myth still prevails, and what radio needs is a ghost breaker!
Radio can, without any question, do an emphatic job of selling any kind of
merchandise from aspirin to zithers, but those who have lived with it from the
days of three-cornered pants, through adolescence, and into sturdy maturity have
come to know that the most imperative thing is Consistency. .
Several years ago I was called in as an advisor by a unit of the Goodwill
Industries. This organization, devoted to the charitable work of providing help
for the handicapped, was faced with two problems: (1) The executive secretary
earnestly desired to increase the placement of Goodwill Bags in homes in order
to step up the organization's income and thus provide for a greater number of
handicapped workers; (2) to keep the public appraised of the fact that privately
owned firms, operating for a personal profit, were incorporating the name
"Goodwill" into the company name in the hope of chiselling in on Goodwill
Industries' contributions.
Considering that no expenditure could be lavish, I recommended the use of
one 15-minute radio program a week. Then I added, "Don't expect a miracle. It
will take time to do this job."
It might be well to explain that the Industries' budget for wages for the
handicapped, at this time, was $20,000 annually.
The first 52 weeks rolled away. The Board of Directors met to pass on a
further expenditure for radio and simultaneously set up the annual salary
budget. They were delighted when the secretary informed them that this could
be stepped up to $30,000 because of the job that radio had done.
NOVEMBER, 1941 357
I conclude this instance by pointing to the fact that the Industries are now
beginning their sixth consecutive year in the same spot on the same station and
the new budget of wages for the handicapped has just been set at |125,000!
A success story?
Absolutely! But don't overlook the fact that this astounding increase was
made because the Industries plugged along week-after-week.
To further elaborate, take the case of the Pillsbury Flour Mills Co. They
were offered a strip show titled Today's Children.
This was back in the days before the efficacy of the box-topper was really
discovered.
No one knew what a daily drama would do. Pillsbury decided to pioneer
it. Prior to signing the show, the agency learned that two manufacturers had
previously sponsored this w^ashtub weeper for 13-wTek periods and dropped it.
Like the gentleman who took a ten-week flier in radio and declared he
found it foul, these advertisers had dropped their options. Nevertheless Pills-
bury went ahead.
At the end of the first stanza, results might have made a less thorough or-
ganization follow the suit of the first two sponsors. But the milling company
felt that the show had merit and so signed a long-termer.
And how that decision paid out!
Today's Children caught on. It established radio history. For more than
four years it was ranked as the No. 1 daytime program. Sales zoomed.
All of which sums up to one thing: When you go into radio, scale your ap-
propriation to do a long-haul job.
If yours is a seasonal product, plan to start well in advance of the sales
period. Have potential customers accustomed to your name and product so that
when the first purchase is made, your product is established.
If you're doing a year 'round job, plot your expenditure to span a full 52
weeks. Any field-hardened general will tell you that he'd rather advance his
troops behind a small but withering curtain of lead than follow the explosion of
a single, multi-calibre shell.
And the same thing is true of radio!
By steadily, consistently banging away at the listening public, you invest
your money. As the months roll on, you'll note a steady, substantial rise in
sales figures and you'll realize that radio, intelligently used, will produce gratify-
ing results.
In bringing this chapter to a close, I'd like to point out an example of this
that comes to mind.
My esteemed wife had, for a score of years, purchased a certain brand of
cooked cereal. The family liked it; there seemed to be no reason for change.
And then a daily drama featuring a Swedish comedienne attracted the
younger generation. Daily the children would cluster before the radio to listen
to the trials and tribulations of this handmaiden. Mama heard the show only
distantly.
Daily the merits of the sponsor's product, a cooked cereal, were hammered
home. Months passed.
One day the joy of my life leaned against the neighborhood grocer's coun-
ter. She tallied off the items she needed to restock her pantry. At this point her
mouth flew open and she asked for the cereal she had hard about day after day.
That evening she asked me, reproachfully as if I were to blame for it, "What
in the world did I do that for? Why, I've used Whooziz breakfast food for years!"
I just smiled indulgently.
Consistency paid again.
358 RADIO SHOWMANSHIP
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Farm Supplies
FEED LOT QUESTION BOX Milady,
contemplating a nine-day reducing diet,
isn't the only one to watch her carbo-
hydrates. Hog breeders, too, have to
watch the diets of their porcine charges,
cut down fats, step up proteins. The
hows, whats and whys are aired for them
by Acme Feeding Co.
Three times a week, Al Tiffany, W^LS
farm expert, and George H. Simpson,
president of Acme Feeds, "chew the fat"
in a five minute transcribed interview:
They discuss feeding problems of all
sorts and offer suggestions for better
farming.
Live commercials are prepared by
Frank McBride, radio director, Shepard
Ad^'ertising Agency, Chicago, Acme's
representative. The interviews are also
broadcast on AV^MT, Waterloo-Cedar
Rapids, la.
AIR FAX: A transcribed interview program on feed-
ing problems.
Pint Broadcast: February 24, 1941.
Broadcast Schedule: 12:30-12:35 P.M. (GST), Mon-
day, Wednesday, Friday.
Preceded By: Noontime News.
Followed By: Closing Livestock Markets.
Sponsor: Acme Feeds, Inc., Forest Park, III.
Station: WLS, Chicago, III.
Power: 50,000 watts.
Population: 3,440,420.
Agency: Shepard Advertising Agency, Chicago, 111.
SAMPLE SCRIPT AVAILABLE
COMMENT: Next in importance after
picking the right show is the selection
of the right time. Sponsors here selected
a spot between news and market reports
at a time when stock-minded farmers are
digesting their own dinners, planning
the rest of their day.
Farm Supplies
WIN WITH THE WEATHER North Da-
kota farmers watch the sky to count
their profits or losses. With the weather
such a vital factor in farm income, the
McCoRMicK Deering store and radio
station KRMC, Jamestown, No. Dak.,
adopted Mark Twain's suggestion and
"did something about it." On a cold,
wintry day, Tuesday, February 11, the
McCoRMicK Deering store inaugurated
a unique weather forecast program. Fea-
tured was the forecast for the week, sup-
plied by a North Dakota commercial
forecasting company. A six-weeks' pre-
diction highlights the program on the
last Tuesday of each month. Listeners
are offered free pamphlets on long range
planning.
Figuring everybody likes to know ev-
eryone else's business, sponsor also pre-
sents news of who bought what in farm
machinery during the week. The Mc-
CoRMicK Deering store's news of the
week vies with weather forecast as an
interest-getter! Hillbilly music is also
used on the program.
As a special promotion, McCormick
Deering store offered $225 in merchan-
dise credits as prizes for an essay contest
open to all farm boys and girls. Contest
details on The Best Tillage Methods to
Conserue Soil and Moisture went to 4-H
clubs, county agents, and rural schools.
To the school producing a first prize
winner went a cash prize for a special
activities fund. Over 200 essays were en-
tered in the contest. All entrants re-
ceived an automatic pencil bearing spon-
sor's name.
Sponsor has just renewed for the third
13-week contract, will continue to dish
out the weather dope to crop-dependent,
weather-anxious North Dakota farmers.
AIR FAX: Program features hillbilly music, weather
forecast and McCormick Deering store's news of the
week.
First Broadcast: February 11, 1941.
Broadcast Schedule: Tuesdays, 12:45-12:55 P.M.
Preceded By: News.
Followed By: Music and Market Reports.
Sponsor: McCormick Deering store.
Station: KRMC, Jamestown, No. Dak.
NOVEMBER, 1941
359
Power: 250 watts.
Population: 8,864.
COMMENT: To the farmer with his
year's crops at stake, forecasts are an im-
portant form of public service. To the
sponsors of such reports goes the farm-
er's appreciation, and a good chance at
his fiUure business for replacements and
new equipment. Since decisions to buy
new machinery are seldom made over
night, the program's consistency leaves
an indelible impression. (For pix, see
Shownianscoops, page 36y)
Hardware Stares
DR. FIXIT Success of magazines de-
voted to mechanics and popular science
is indicated by the fact that Popular
Science has a circulation of 645,314 and
Popular Mechanics a circulation of
600,646. Certainly, a radio adaptation of
this type of information is a good bet.
And who would be a more logical spon-
sor for such a show than a hardware
store? Louis Hanssen's Sons, hardware
dealers in Davenport, la., put good
theory into actual practice.
They sponsor a fast-moving, five min-
ute program of shop hints, and short
cuts for the home mechanic, woodwork-
er, gardener, fisherman, etc. Names of
local people are frequently mentioned
in connection with anything they have
learned from experience in their own
workshops. Not uncommonly do men
drop into the store to suggest ideas that
might be used on the show. Frequent
mention of the show by Hanssen's cus-
tomers indicates high interest where in-
terest counts.
Commercials usually consist of a list
of up to 20 items tied in with Hanssen's
slogan— "from the best that is made to
the cheapest that is good, Hanssen's
have it— see Hanssen's first."
air FAX: Script is written by WOC program director,
Charles Freburg.
First Broadcast: March, 1941.
Broadcast Schedule: 7:10-7:15 P.M. daily.
Preceded By: News.
Followed By: Sports Review.
Competition: NBC, Red, CBS and Mutual network
shows.
Sponsor: Louis Hanssen's Sons, hardware merchants.
Station: WOC, Davenport, la.
Power: 250 watts.
Population: 148,332.
SAMPLE SCRIPT AVAILABLE
1
COMMENT: Place the people who buy
your merchandise into special-interest
groups if you can. Then, plan a program
that will attract and hold their atten-
tion. Concentration on a limited audi-
ence often proves far more effective than
scattering your sales messages to the
winds.
Shoes
RED GOOSE CLUB Lament of many a
parent is that Junior wears out a pair of
shoes in a month. Using this fact to put
Red Goose shoes on the scampering feet
of Nashville, Tenn. youngsters is the
Junior Booterie.
Kiddies are invited to join the Red
Goose Club, send in their names, ad-
dresses and ages. Each receives a mem-
bership card, a Red Goose pin and pen-
cil. Membership cards presented at the
Junior Booterie gets each kiddie a 68-
page comic book. Trade wise sponsor
issues a new edition monthly.
With an approximate enrollment of
1,000 members, the club circle widens
weekly.
AIR FAX: The quarter hour show opens with the
Club's own theme song, features one club member,
two musical numbers, and a brief skit. Young hope-
fuls wishing to appear on the program leave their
names at the JUNIOR BOOTERIE. The show is
written and handled by Jack Wolever, WSIX's
energetic, alert program director.
Broadcast Schedule: Saturday morning, 10:45-11:00
A.M.
Preceded By: Transradio News.
Followed By: Popular Music, sustaining.
Competition: "Our Bam," (NBC, sustaining), "The
Hillbilly Champs," (CBS, sustaining).
Sponsor: Junior Booterie (featuring Red Goose
Shoes ) .
Station: WSIX, Nashville, Tenn.
Power: 250 watts.
Population: 184,353.
COMMENT: Exceptionally well adapted
to merchants featuring children's wear-
ing apparel is some variation of the Red
Goose Club. Children go for club mem-
berships, seldom let the sponsor down.
But the sponsor often lets the kiddies
down. If you're planning a club promo-
tion, plan to spend that extra money for
prizes, insignias, etc., otherwise don't
waste your time.
360
RADIO SHOWM ANSH IP
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Beverages
MONEY FOR YOU Youngsters love to
go places and do things. That fact was
illustrated to the satisfaction of Spark-
ETTA Beverage Co., Los Angeles, Calif.,
when it arranged to have the Ocean
Park ride concessions turned over to
children. Attendants at the amusement
park gave out 55,000 rides to kiddies
who paid Sparklett or Sparketta bot-
tle caps for trips on the Roller Coaster,
High Boy and other thrill devices. More
than 900,000 coupons (good in exchange
for rides at the park when accompanied
by bottle caps) were distributed by
grocery stores and merchandise pack-
ages. A crew of laborers shovelled 270,-
000 collected bottle caps into a truck
when the day at the park was over.
AIR FAX: Format of the show is simple. Emcee Eddie
Stanley dials a telephone number from the Los An-
geles directory. If the person answers with SPARK-
LETTS he gets the Money for You jackpot. Tele-
phone subscriber who blurts out a mere "hello"
gets a case of SPARKEETA. Each time money-man
Stanley is greeted with anything other than SPARK-
LETTS, SIO is added to the kitty.
In addition, emcee Stanley plays the piano and or-
gan. On each broadcast he offers a Guessit Tune to
listeners. To those who guess the tune goes a bottle
of SPARKEETA. Tuners-in also send in original
limericks and poems. Those read on the air net their
authors a sample of SPARKEETA.
Broadcast Schedule: Mondays thru Fridays, 7:15-
7:30 A.M.
Preceded By: Rise and Shine.
Followed By: Broadway News.
Sponsor: Sparkeeta Beverage Co.
Station: KHJ, Los Angeles, Cal.
Power: 5,000 watts.
Population: 1,497,074.
COMMENT: Promise of a good time
with plenty of excitement is one sure
way of arousing the interest of children.
When you can tie-in with something like
this it is one of the best possible ways of
promoting your product. (See pix, Show-
manscoops, page 364.)
Dairy Products
WEALTH ON WHEELS Fair or foul
weather, suspense rides the streets of
Baltimore (Md.) each Tuesday and
Thursday night at 5:45 when Clover-
LAND Farms Dairy's Dollar Dan teas-
ingly cruises through the city in his
Cash Car. A renovated counterpart of
network Pot O' Gold, Wealth on Wheels
drives the cash prize right to the front
door of the listener's home.
Just prior to the WFBR broadcast,
Dollar Dan ventures forth on his aim-
less odyssey through the streets. The an-
nouncer tells his listening audience that
the Cash Car carrying Dollar Dan, the
money man, may even now be nearing
their home, that he is carrying 10, 20,
or 100 dollars (whatever the sum may
be that evening) , adds that at a given
signal from the studio, Dollar Dan will
pull over to the curb and stop— exactly
where, no one knows.
Here's where the advertiser comes in:
The audience is instructed to pay par-
ticular attention to a 75-word story about
the sponsor's product for it reveals the
key word. Without it. Dollar Dan
doesn't turn over his cash.
Here's where the milk dealer comes
in: Dollar Dan phones the results of the
evening's Wealth on Wheels directly to
the announcer in the studio during the
program, so that listeners know who
won the money, and how much the next
broadcast will pay. If the person's home
where Dollar Dan stops has a phone, he
uses it to call in results. If not, he goes
quickly to the nearest dealer selling the
sponsor's product, calls from there, giv-
ing the dealer a consolation prize of one
dollar, plus a plug over the air.
AIR FAX: First Broadcast: April 29, 1941.
Broadcast Schedule: T-Th, 5:45-6:00 P.M.
Preceded By: Five- Thirty Revue.
Followed By: Fred Waring's Chesterfield Time
(NBC).
Competition: Lowell Thomas (NBC-Blue); The
World Today (CBS).
Sponsor: Cloverland Farms Dairy.
Station: WFBR, Baltimore, Md.
Power: 5,000 watts.
Population: 854,144.
NOVEMBER, 1941
361
COMMENT: It's not so easy to give
away money, these days, and get it back
in extra sales. The original cash-award
shows were too matter of fact, the pres-
ent versions have added glamour, have
turned each give-away into an epoch
event.
Home Furnishings
LOONEY AUCTION Betrothed, newly
weds, and the long-time married give up
bridge, dancing, other recreation when
Looney Auction goes on the air Monday
evenings over \VCBS, Springfield, 111.,
for A. DiRKSEN & Sons, furniture dealers.
The program emanates from the Lin-
coln theatre. Up for auction go portable
radios, ladies' fur hats, wTist watches,
hams, men's sweaters, other items con-
tributed for the air-plug by local busi-
ness establishments.
Each program offers from S75 to SI 25
worth of merchandise auctioned off by
Luke J. Gaule. Part of the money re-
ceived from the auction of these items
is used to buy odd things from the
theatre and radio audience; the rest is
contributed to the U. S. armed forces.
From the laps of theatre customers
emerge suitcases and boxes filled with
"scraps" and "dust-collectors" to "sell"
to the auctioneer. By special delivery,
airmail, express come white-elephant
household goods from the radio pub-
lic. Fun-loving Gaule, Looney Auction-
eer, buys .the odd assortment with cold
cash.
A. DiRKSEN & Sons has just come
through its annual Anniversary sale. Be-
cause response and sales exceeded any
previous year, they have just renewed
for a second period of 13 weeks. Particu-
larly in view of recent curtailments of
installment buying, Joe Phillips, spon-
sor's advertising manager, attributes the
sales increase entirely to Looney Auc-
tion.
AIR FAX: A half-hour show broadcast from Spring-
field's Lincoln theatre.
Broadcau Schedule: Mondays, 7:00-7:30 P.M.
Preceded By: Network Sports.
Followed By: Network Request Party.
Sponun: A. Oirksen 8C Sons, Furniture, and Lin-
coln Theatre.
Station: WCBS, Springfield, 111.
Power: 250 watts.
Population: 80,029.
COMMENT: To drive away Monday
blues, pep up business, Looney Auction,
other programs of this type tickle the
fancy of fun-loving Americans. It takes
showmanship to put it across, but skill-
ful promotion lures a large theatre audi-
ence, a larger radio public. A good show
with a good emcee keeps the listeners
howling, slapping their sides. (For pix,
see Shoivmanscoops, page 36 y)
Jewelry
KAY TREASURE CHEST Eeny, meeny,
minni, mo! Through some such abraca-
dabra does the man-on-the-street decide
which of six small, fiat Yale keys opens
the Kay Treasure Chest. With odds six
to one, the first lucky person to select
the correct key gets (1) award cards, re-
deemable for cash at the Kay Jewelry
Co., Toledo, O., or (2) defense savings
stamps.
Any person who is interviewed on the
program is entitled to take his or her
chance on selecting the correct key. All
look alike except to the one in the know,
emcee Bob Evans. To all who face the
bairage of current events and catch
questions go two tickets to the local
Paramount motion picture theatre.
Kay's advertising manager, Berne
Friedman, reports: "The pulling power
of our program has been {proved time
and time again by featuring special buys
on the air and checking the sales. Re-
sults have always been more than satis-
factory."
AIR FAX: This adlibbed, sidewalk interview program
is set up each day in the lobby of the Paramount
theatre.
First Broadcast: July 16, 1940.
Broadcast Schedule: Mondays thru Saturdays, 12:15-
12:30 P.M.
Preceded By: High Noon and Time for News.
Followed By: Participating E. T. Show.
sponsor: Kay Jewelry Co.
Station: WSPD, Toledo, O.
Power: 5,000 watts.
Population: 320,484.
COMMENT; Stop! Look! Listen! That
is the goal of the man-on-the-street
broadcast. Today such programs need
an extra promotion twist to waylay the
bustling pedestrian. A real discovery is
Kay's Treasure Chest.
RADIO SHOWMANSHIP
YOURS FOR THE ASKING
Address Radio Showmanship 11th at Glenwood, Minneapolis, Minn.
Please enclose 10 cents in stamps for each script to cover the cost of mailing and handling.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept. issue, '40, p. 32).
Auto Supplies — Jack, "the Tire Expert
(see May issue, p. 135).
Bakeries — Musical Arithmetic (see Feb.
issue, p. 72).
Bakeries — Southern Plantation (see Sep-
tember issue, '41, p. 289).
Beverages — Pigskin Prevue (see July is-
sue, p. 222).
Building Materials — Homers at Home
(see Feb. bsue, p. 58).
Chiropractic — The Good Health Program
(see March-April issue, pp. 110, 112).
Dairy Products — Junior Town (see Dec.
issue, p. 136).
Dairy Products — Kiddie Quiz (see July
issue, p. 214).
Dairy Products — Young American's Club
(see Nov. issue, '40, p. 110).
Department Stores — Hardytime (see Sept.
issue, '40, p. 35 ) .
Department Stores — The Pollard Pro-
gram (see August issue, p. 238).
Department Stores — Woman's Hour (sec
June issue, p. 178).
Department Stores — Down Santa Claus
Lane (see Oct. issue, '41, p. 326).
Department Stores — Billie the Brownie
(see Oct. issue, '41, p. 318).
Drug Stores — Five Years Ago Today
(see Dec. issue, p. 146).
Farm Supplies — Feed Lot Question Box
(see p. 359).
Finance — Jumping Frog Jubilee (see
August issue, p. 253).
Finance Saga of Savannah (see June
issue, p. 187).
Finance Something to Think About
(see August issue, p. 245).
Flowers — An Orchid to You (sec Sept.
issue, '40, p. 35).
Fuel — Smoke Rings (see Dec. issue, p.
126).
Furs — Cocktail Hour (see August issue,
p. 258).
Gasoline — Home Town Editor (see Oct.
issue, '40, pp. 73, 74).
Gasoline — PDQ Quiz Court (sec Dec.
issue, p. 134).
Groceries — Food Stamp Quiz (see Sept.
issue, '40, p. 33).
Groceries — Matrimonial Market Basket
(see Dec. issue, p. 154).
Groceries — Mystery Melody (see Sep-
tember issue, '41, p. 290).
Groceries — Mystree Tunes (sec June
issue, p. 162).
Groceries (Wholesale) — Hoxic Fruit Re-
porter (see Jan. issue, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct. issue, '40, pp. 73, 74).
Groceries (Wholesale) — Women's News-
reel of the Air (see Oct. issue, '40,
p. 63).
Hardware Stores — Dr. Fixit (see p.
360).
Laundries — Rock-a-bye Lady (see Feb.
issue, p. 47).
Men's Wear — Hats Off (see June issue,
pp. 178, 183).
Music Stores — Kiddies' Revue (see Oct.
issue, '41, p. 306).
Optometry — Good Morning, Neighbors
(see Jan. issue, p. 35).
Shoes — Campus Reporters (see August
issue, p. 251).
Shoes — Mr. Fixer (see June issue, p.
148).
Sporting Goods — Alley Dust (see June
issue, p. 177).
Sustaining — Calling All Camps (see Oct.
issue, '41, p. 310).
Women's Wear — Melodies and Fashions
(see Nov. issue, '40, p. 112).
SAMPLE TRANSCRIPTIONS
Betty and Bob (see Oct. issue. '40, p.
53).
Captains of Industry (see September is-
sue, '41, p. 284).
Cinnamon Bear (see Oct. issue. '41, p.
315).
Dearest Mother (see p. 354).
The Enemy Within (sec Jan. issue, p.
18).
The Face of the War (see May issue,
p. 125).
Fun With Music (see June issue, p.
162).
Getting the Most Out of Life Today
(see July issue, p. 196).
Little by Little House (see May issue,
p. 128).
Mama Bloom's Brood (see August issue,
p. 248).
Pinocchio (see Sept. issue, '40, p. 11).
Secret Agent K-7 (see Sept. issue, '40.
p. 35).
Sonny Tabor (see May issue, p. 140).
Superman (see September issue, '41.
p. 271).
Stella Unger (see Feb. issue, p. 56).
Streamlined Fairy Tales (see March-
April issue, p. 90).
NOVEMBER, 1941
363
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
LEFT . . . Kids came from 26
cities carrying gunny sacks, box-
es and toy wagons loaded with
bottle caps. OCEAN PARK ride
concessions were turned over to
youngsters who paid SPARK-
LETT or SPARKEETA bottle
caps for trips on the Roller
Coaster, High Boy and other
thrill devices. (For story on the
KHJ program, see Showmanship
in Action, p. 361.)
m-^m
RIGHT . . . Each year
the boys and girls of
Sunset Corners have
their own Christmas
Party after the Iowa
Barn Dance Frolic,
either before or fol-
lowing Christmas Day.
Heard over WHO,
Des Moines, la., the
show is sponsored by
MANTLE LAMP
COMPANY OF
AMERICA, among
others. (See Proof O'
the Pudding, p. 366.)
364
RADIO SHOWMANSHIP
RIGHT , . . Mammoth sign
in the lobby of Lincoln Theatre,
Springfield, 111., is a plug for
Looney Auction. C. W. Neeld,
of the sales department of WCBS,
left; C. C. Murray, Fox-Lincoln
manager, right. (See Showman-
ship in Action, p. 362.)
ABOVE . . . Saturday morning
entertainment for Junior and his
sister is no problem in Albuquer-
que, N. M. Broadcast time finds
them settled in the plush seats
of the KIMO theatre. VALLEY
GOLD DAIRIES' Big Brother
Club is in session over KGGM!
Cash weekly prizes and a grand
prize of a bicycle are offered to
the Big Brother who brings in
the most bottle caps.
NOVEMBER, 1941
365
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Farm Supplies
IOWA BARN DANCE FROLIC Lights!
Camera! Action! When the loiua Barn
Dance Frolic opens its 11th theatre sea-
son this month, it will again be spon-
sored by the Mantle Lamp Co. Per-
manent cast has grown from 16 in 1931
to 91 today. Baseball heroes, vaudeville
teams, a 40-piece accordion band, ven-
triloquists, other guest stars are thrown
in for good measure.
American folk music at its best, plus
a goodly assortment of modern airs and
occasional flights into semi-classical mel-
odies make up the three hour show.
With these ingredients, Iowa Barn
Dance Frolic has played to a top theatre
audience of 4,700 paid admissions. Esti-
mated radio listening audience based on
mail response is a million and a half.
Setting of the show is Sunset Corners,
a mythical, typical small town in Iowa,
or any other middlewestern state. Broad-
casts purport to come from the main
street or village square.
Not a participating broadcast, each
half-hour or 15-minute period is devoted
to one sponsor.
AIR FAX: Show is broadcast from the stage of the
Shrine auditorium.
First Broadcast: 1930.
Broadcast Schedule: 8:00-11:00 P.M., Saturdays.
Preceded By: Abe Lyman's Orchestra.
Followed By: Arturo Arturo's Orchestra.
Sponsors: Mantle Lamp Co. of America, Murphy
Products Co., Miles Laboratories, Consolidated Prod-
ucts Co., and Flex-O-Glass Manufacturing Co.
Station: WHO, Des Moines, la.
Power: 50,000 watts.
Population: 167,048.
COMMENT: It is to be noted that the
Mantle Lamp Co., original sponsor,
enters its 11th season. Murphy Products
Co., Burlington, Wis., manufacturers of
stock and poultry foods, enters its fifth
season. The makers of Flex-O-Glass
have sold their products on this show
for six years. CoNsoLmATED Products
Co., Danville, 111., and Des Moines, la.,
manufacturers of SEMi-Soum Butter-
milk E Emulsion and allied products,
are starting their second season. Makers
of Alka Seltzer have just signed a 52-
week contract. Few local programs in
U. S. today can boast of such a distin-
guished record of continued sponsor-
ship.
Home Furnishings
COMMUNITY NEWS Well-known jour-
nalistic fact is that one way to interest
people is to give them the low-down on
people they know. Chief pulling power
of any society page is the inclusion of
local names, and the more the merrier.
A radio adaptation of that fact is Com-
rnunity News, sponsored by Stowers
Furniture Co., over KPAB, Laredo,
Tex.
Success of the show is indicated by
the fact that it has been on the air daily,
except Sunday, since February 1, 1939.
From Laredo and near-by towns come
news and announcements of social
events, other personal items. To Stow-
ers, whose sales have steadily increased
since they began the program, come pro-
spective furniture buyers from the entire
area.
A telephone survey of all persons list-
ed in the Laredo telephone directory re-
vealed that almost every person has lis-
tened to Community News at some time
or another. To test listener appeal when
the show first went on the air, the names
of three persons (chosen at random from
the city directory) were announced each
day as the winners of door mats. Hook:
winner had to pick up mat at store in
person. Well pleased was sponsor's ad-
vertising manager. Hector G. Cox, when
366
RADIO SHOWM ANSH I P
in two months, the response to the give-
a-way averaged 95 percent.
AIR FAX: News doesn't have to be epochal. To keep
Laredo citizens posted on what is happening to their
neighbors, the quarter-hour program is aired daily,
except Sunday. Three commercials are given each
day.
First Broadcast: February 1, 1939.
Broadcast Schedule: Daily, except Sunday, 12:15-
12:30 (noon).
Preceded By: News.
Followed By: We Are Americans.
Sponsor: Stowers Furniture Co.
Station: KPAB, Laredo, Tex.
Power: 250 watts.
Population: 32,618.
COMMENT: The size of the community
is a factor in the successful presentation
of such a program. Best chances are in
a moderately sized city. No special pro-
motion is needed to sell this popular
show to the public, although showman-
ship sells it faster, makes its power felt
quicker.
Men's Wear
SHOOT THE WORKS Horatio Algier
had nothing on this quiz show for sud-
den success. Shoot the Works started in
a small studio, soon was transplanted to
a much larger auditorium to hold over-
flow spectators. At first only one an-
nouncer was used. Today, he is aided
by two additional announcers who travel
through the audience with portable
mikes while emcee Marvin Mueller fires
the questions from the stage.
Grown also has the sponsor's business.
Sales in the Hirsch Clothing Co. stores,
Chicago, 111., have increased by a large
margin since the program's beginning.
Each person is asked a series of ques-
tions on one topic, gets a crisp dollar
bill for the first correct answer. Quiz-
testants can Shoot the Works, double
their money until they have $32 for an-
swering additional questions correctly.
If they lose after the first dollar, they
pocket only the one smacker, or they
may stop at any time and keep their
winnings.
Newspaper ads used to build up an
audience when the show was young are
no longer necessary. Listeners baited by
the |5 award for all questions used on
the air send in 1,000 plus letters per
week.
AIR FAX: A quiz show emceed by genial, roly-poly
Marvin Mueller, who lifts interviews out-of-the-or-
dinary by encouraging studio-audience excitement.
First Broadcast: April 4, 1941.
Broadcast Schedule: Fridays, 9:30-10:00 P.M.
Preceded By: Who Knows.
Sponsor: Hirsch Clothing Co.
Station: WGN, Chicago, 111.
Power: 50,000 watts.
Population: 3,440,420.
Agency: Schwimmer 8C Scott.
COMMENT: Good formulas are hard to
find, are certainly worth following:
Hirsch has adapted Take It or Leave
It question pattern. Dr. I. Q. travelling
mike technique, uses both to give pace
and thrills to this topnotch production.
Repair Shops
SONGS OF THE ISLAND Three -plus
years ago, sponsor Eubanks Body %z
Fender Shop, who paint and repair fur-
niture upholstering, awnings, tarps,
Venetian blinds, needlepoint, auto and
window glass work, associated lines,
began to help Centralia citizens peace-
fully digest their evening dinners with
slow, dreamy Hawaiian string music.
They aggressively promoted the pro-
gram as restful, easy-to-listen-to while
relaxing, reading, etc. Commercial copy
is brief, and plugs persistently for im-
provement, with an emotional approach
toward the living value of things in good
repair.
Results: No quick sales, but consistent
pull of new customers from distant dis-
tricts formerly not coming in to Cen-
tralia.
air FAX: First Broadcast: January 1, 1938.
Broadcast Schedule: T-W-F, 8:15-8:30 P.M.
Preceded By: United Press on the Air.
Followed By: News; Johnny Davis' Orchestra
(MBS).
Sponsor: Eubanks Body & Fender Shop.
Station: KELA, Centralia, Wash.
Power: 1,000 watts.
Population: 10,349.
COMMENT: Psychologists claim the best
time to approach people is when they
are relaxing after a satisfying meal.
Here's a sponsor who applied the theory,
I found it fact!
NOVEMBER, 1941
367
WHAT THE PROGRAM DID FOR MEJ
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 1 1 /A at Glenwood, Minneapolis, Minn.
Beverages
BURGERS LIARS' CLUB "When we start-
ed in business early in 1941 we immedi-
ately began to search for a radio pro-
gram that would attract and hold listen-
er interest.
"Frankly, at first we doubted the abil-
ity of a new type program to get im-
mediate results, especially since the pro-
gram required listeners to write in their
'tall stories.' Unless we could get the
proper type of stories in sufficient num-
bers we would have difficulties in run-
ning the program.
"Our doubts were soon dis-
pelled since stories poured in
from many parts of Alabama
and Florida, and we were able
to make a wide choice of mate-
rial. The flood of letters con-
tinues, and after two months
our program appears to be a
regular part of the radio diet
of thousands of listeners in this
area.
"We are well pleased to ad-
vise you that Burger sales in this area
have increased 33 1/3 percent over the
same period last year."
Harold Basch
President
Burger Beer Co.
Montgomery, Ala.
AIR FAX: Ordinarily, the radio public is asked to
take as gospel fact what it hears over the air. Here's
one show that nobody believes, but everyone enjoys.
Now I'll tell one is the idea behind the program
heard daily over WSFA, Montgomery, Ala. Listen-
ers send in their best whoppers. Daily, three dis-
ciples of Ananias become eligible for membership
in the Burgers Liars Club when their tall tales are
retold.
Membership in the club nets yarn-swappers one
dozen beverage glasses. Engraved on them: Mem-
ber Burgers Liars' Club Post No. 1.
During the month of September BURGER DIS-
TRIBUTING CO. offered a trip to the World
Series with all expenses paid including two tickets
to the first two games for the Best Lie of the
Month. An army sergeant copped the honors!
Because "it ain't right to tell lies on the Sabbath"
no lies are read on Sunday night. Program is then
devoted entirely to transcribed music. Three com-
mercials of about 20 words each are read during
the course of each quarter-hour. The show is now
in its 29th week. Tall stories are still pouring in.
First Broadcast: April, 1941.
Broadcast Schedule: Daily, 7:15-7:30 P.M. (CDST).
Preceded By: Ted Steele Novatime, week days; NBC
Sports, Sundays.
Followed By: Army Show, Mondays; Pepsi Cola
Treasure Hunt, Tuesdays and Thursdays; Bugler
Tobacco Show, Wednesdays; NBC Gargoyle Show,
Saturdays; Local Transcription Show, Sundays.
Sponsor: Burger Distributing Co.
Station: WSFA, Montgomery, Ala.
Power: 1,000 watts.
Population: 69,738.
COMMENT: Ability to over-
come listener inertia in large
enough numbers marks the dif-
ference between success and
failure here. Figures don't lie,
and a whopping sales increase
of 33 1/3 percent over the
same period the preceding year
is a splendid tribute to the
efficacy of this unique pro-
gram.
Showmanship is no small
factor in the remarkable sales increase
attributed to this program. Giveaways
that are directly associated with the
sponsor's product provide a constant
reminder to recipients. In this case,
members of the Burgers Liars' Club are
reminded of the sponsor whenever glasses
are lifted in good-fellowship.
Showmanship in presenting the pro-
gram is another explanation. Down in
the deep South who would be a better
character to associate with this show
than a Southern colonel? Quick to capi-
talize on local custom and tradition,
Burger Distributing Co. has such a
person tell the whoppers in the musical
drawl of the southland.
368
RADIO SHOWMANSH IP
JOHNNY
ON THE SPOT
If you use spot announcements, you'll be interest-
ed in the news, reviews, and tips in this column.
RADIO PLAYS NO BIG FAVORITES!
If you're one of those skeptics that has
said, "My business is different. Radio
may work in other fields but not in
mine," perhaps this survey will help you
change your opinion.
Every radio station was asked to select
the one outstanding spot announcement
campaign on their station. They gave
the name of the sponsor and his busi-
ness. All information was confidential.
Results showed that 25 different busi-
ness fields were mentioned. No one field
overshadowed the rest. That's proof, in-
deed, that radio can work successfully
no matter what your business is. Here
is a list of the businesses reported, with
percentages of total mentions:
Automobiles 4.8%
Bakeries 7.1%
Beauty Shops .... 1.2%
Beverages (including
carbonated, beer,
wine) 16.7%
Dairies 2.4%
Department Stores 8.3 %
Drug Stores 3.6%
Electrical
Appliances 3.6%
Farm Supplies. . . . 1.2%
Finance 2.4%
Fuel 1.2%
Funeral Homes. . . 1.2'
Furs 1.2<
Gasoline 1.2'
Groceries 8,3'
Home Furnishings 10.7'
Ice 1.2'
Jewelry 3.6'
Laundry 2.4'
Men's Wear 8.3'
Public Utilities . 1.2'
Shoes 1.2<
Theatres 2.4'
Women's Wear . . . 3.6'
EVOLUTION
Back in the days of radio's infancy,
all an advertiser had to do to attract
attention was to advertise.
Whatever was said, was heard, be-
cause the mere act of transmitting
sound via the air waves was a novelty.
However, time wore off the lustre.
Before long, advertisers, in order to
arouse interest, were forced to introduce
such openers as "Attention . . . for an
important announcement!" or "Here's
news for everybody!"
Soon, listeners began to accustom
themselves to these so-called "thrill"
openers. Instead of startling anybody,
they merely became a cue for a one
minute siesta.
Progressive advertisers began to look
for other, more novel ways of attracting
attention. They tried "singing" an-
nouncements, then dramatic announce-
ments. Both attained exceptional suc-
cess.
But even straight singing and straight
dramatic announcements weren't un-
usual enough. So, the singing got wackier,
the dramatic situations more fantastic.
Leading producers began to search for
still more unique ways of attracting at-
tention. Double talk was born; quiz an-
nouncements popularized, old jokes re-
vived. And now, along comes the most
unusual idea of all.
The Gordon Jewelry Store in Mon-
tana has ordered it, and other jewelers
are expected to follow. It's a series of
one minute jewelry spots written in the
lesser known and more startling foreign
languages, including such lingual curi-
osities as Icelandic, Gypsy, Persian, etc.
The idea is not to appeal to the lan-
guage group, but rather to attract the
attention of the listener by the weird
quality of the announcements.
Script calls for the "foreigner" to
speak his native tongue, then speak in
broken English with an American an-
nouncer assisting him.
AIRFAX: Spots are created by Harry S. Goodman,
New York transcription producer and are available
for sponsorship by jewelers throughout the country.
Thirty different foreign languages are used.
NOVEMBER. 194 1
369
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS,
SEPTEMBER, 1941
Type
Rating
Last
Month
1 Month
Change
Last
Year
1 Year
Change
MUSIC
.309
.306
+ .003
.350
-.041
NEWS
.222
.225
-.003
.180
+ .042
QUIZ
.119
.120
-.001
.100
+ .019
TALKS
.095
.097
-.002
No
Rating
....
INTERVIEWS
.082
.085
-.003
No
Rating
....
SPORTS
.067
.065
+ .002
.070
-.003
COMEDY
.056
.051
+ .005
.060
-.004
DRAMA
.050
.051
-.001
.070
-.020
TOTAL
1.000
1.000
1 Month 1 Month 1 Month
GROUPS Men Change Women Change Children Change
Music 269 +.005 .341 +.005 .299 -.004
News 279 - .002 .214 - .003 .095 - .004
Talks 069 -.001 .133 -.003 .058 +.001
Interviews . . .065 +.002 .088 -.001 .110 -.004
Quiz 120 -.003 .110 -.001 .148 +.007
Sports 123 -.001 .028 .... .048 +.002
Drama 032 - .006 .032 - .001 .149 - .006
Comedy 043 + .005 .054 + .004 .093 + .008
THIS MONTH
There is a popular theory that in
times of stress people seek emotional re-
lief. Light entertainment replaces trag-
edy and pathos. To date, local radio
sponsors, according to our figures, have
not put this theory into practice. In
spite of the highly keyed period we are
now experiencing, comedy has shown
just a slight variation from its rating
one year ago. This month, however,
there are definite signs that programs
with a touch of humor are gaining in
popularity. Whether that rise will be
maintained remains to be seen.
It is interesting to note that a year
ago, a rise in the rating of comedy pro-
grams was recorded in September as
compared with August. Again, this year,
a definite increase is noted.
1941 1940
August 051 .040
September 056 .060
The exact cause of this change is dif-
ficult to determine. One answer might
be that school starts again in September,
and children's shows gain in popularity.
And, of course, comedy is an important
factor in many successful children's
shows.
370
RADIO SHOWM ANSH I P
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NEXT MONTH'S ISSUE Oi
HOWMANSHIP, A. M. Nordtvedt, manager of the Mont-
gomery Ward store in Des Moines, la., maps out a three-point prograi
for radio merchandisers. Here is a remarkable story on how radio sells
merchandise, builds good will and promotes various store services.
*\1^ ^^^^ •VV* ••V
^VJ!A?A« ••• ••V,
\o -> Ojo ejd •'• Of
DECEMBER 1941 iMtP^V^'^^ 25c
^(^\^^ ^^,^r^^i\ ^Hl 3te IN CANADA
IN THIS ISSUE . . . PROGRAMS AND PROMOTIONS FOR
Automobiles
Bakeries
Dairies
Department Stores
Finance * Groceries * Home Furnishings * Manufacturers * Men's
Wear « Schools « plus Year-End Index « 57 Business Fields
MORE THAN A MAGAZINE
. A SERVICE
YODR BUSINESS AT A GLANCE
An index, classifying by businesses the various articles and services in Radio Showmanship.
It's the quick way to find out what others in your business field are accomplishing through radio.
DECEMBER
Business PAGE
Automobiles 397, 400, 402
Bakeries 386, 402
Beverages 398
Cemeteries 390
Dairies 383, 395
Department
Stores 379, 393, 395, 401
Finance 390, 397
Business PAGE
Groceries 396, 399, 401
Home Furnishings 393
Insurance 390
Manufacturers 390, 399, 400
Men's Wear 396
Milling 390
Schools 394
5l^
Business PAGE
Bakeries 355
Beverages 356, 361, 364, 368
Dairies 361, 365
Drug Stores 347
Farm Supplies 359, 364, 365, 366
Gasoline 350
Groceries 355
NOVEMBER
Business PAGE
Hardv/are Stores 360
Home Furnishings 343, 362, 366
Jewelry 362
Men's Wear 367
Repair Shops 367
Shoes 360
Theatres 352
// you don't have the November issue, order it nowi
CONTENTS
DECEMBER 1941
VOL.2 NO. 11
Editorial Advisory Board
Radio
Herbert Pettey
New York
Ralph Atlass
Chicago
William Dolph
Washington
Henry Johnston
Birmingham
Glenn" Snyder
Chicago
Philip Lasky
San Francisco
Roger Clipp
Philadelphia
J. Harold Ryan
Toledo
Business
Lorenzo Richards
Ogden, Utah
GusTAV Flexner
Louisville
J. Hudson Huffard
Bluefield, Va.
Maurice M. Chait
Peoria, III.
Frank J. Ryan
Kalamazoo, Mich.
Allen C Knowles
Cleveland
Editor and Publisher: Don Paul
Xathanson. Managing Editor: Tod
Williams. Associate Editors: Marie
Ford, Norman V. Carlisle, Harold
Kahm, Paul Hellman. Business:
N. Lunde. Circulation: Thelma Kay.
Published by Showmanship Publi-
cations, Minneapolis, Minn. Subscrip-
tion rate: $2.50 a year, 25c a copy.
Address editorial correspondence to
Showmanship Building, Eleventh at
Glenwood, Minneapolis, Minn. Tele-
phone: Bridgeport 6228.
Copyright 1941, by Showmanship
Publications, publishers of Radio
Showmanship.
Editorial 378
On the Ward Front 379
A. M. Nordtvedt
To boost sales put radio program on
a three-point basis advises the man-
ager of Montgomery Ward's Des
Moines, la., retail store.
Sales from Bedtime Tales 382
Wm. T. Pickering
This kid show even attracts mothers
says the president of the advertising
agency, Heintz, Pickering &: Co.,
Inc., Los Angeles, Cal.
Dough Makes 'Dough' on Radio 386
W. A. Macpherson
Bread brings 50% of our retail vol-
ume thanks to radio, says the presi-
dent of Federal Bakeries, Tacoma,
^Vash.
Prestige Program: Sunday Players 388
An RS Air Analysts
Three business executives reveal
their merchandising ideas that help-
ed this interesting transcription
series increase good will for their or-
ganizations.
DECEMBER, 1941
375
AMERICA'S BIGGEST
LITTLE RADIO SHOW!
It's a series of 260 5-minute scripts
(with about 1>^ minutes allowed for
commercials) that is selling more mer-
chandise and services than any other
5-minute radio show in the country!
Minimum contract is for 65 episodes.
Available to only one sponsor in a city.
This is not a transcribed series — but is
used as a "live" program, requiring
only one man and announcer for pro-
duction. The copy tie-up with the title
enables sponsors to give audiences
"something to think about" their prod-
uct and services, and drive the message
home.
Some of the sponsors include:
DENTYNE GUM
Station WLW 5 times weekly.
MERCHANTS & EMPLOYES BANK
Station KTRH 5 times weekly.
SINCLAIR OIL PRODUCTS
Station WFMD 5 times weekly.
Station WSFA 5 times weekly.
HONOLULU FINANCE &
THRIFT CO.
Station KGMB 5 times weekly.
PAUL BROTHERS
OLDSMOBILE CO.
Station WINX 3 times weekly.
VINCENNES FEDERAL SAVINGS
& LOAN
Station WOAV 5 times weekly.
Write for sample scripts and full data,
including combination rate-card order-
form. If you want results from radio
at low cost — investigate "SOME-
THING TO THINK ABOUT!"
SPECIAL FEATURES SYNDICATE
563 Northwestern National Bank BIdg.
MINNEAPOLIS. MINNESOTA
An Investment in Prestige 391
Tod Williams
No. 2 in a series telling how to get
the most for your radio dollar.
Airing the New 393
All the available data on new radio
programs. No result figures, as yet,
but worth reading about!
Showmanship in Action 395
A collection of those extra promo-
tions and merchandising ideas that
lift a program out of the ordinary.
Special Promotion 397
Short radio promotions that run but
a day, a week, or a month yet leave
an impression that lasts the year
around.
Proof O' the Pudding 398
Results from radio programs, based
on sales, mails, surveys, long runs
and the growth of the business it-
self.
Showmanscoops 400
Photographic review of merchandis-
ing stunts, and the personalities be-
hind them.
What the Program Did for Me 402
This is the businessman's own de-
partment. Here the radio advertisers
of the nation exchange results and
reactions of radio programs for their
mutual benefit.
Trends 403
A rating of program patterns based
on a special and continuous survey
of outstanding, locally-sponsored
radio programs throughout the
country.
Johnny on the Spot 404
If you use spot announcements,
you'll be interested in the news, re-
views and tips in this department.
Year-End Index 405
Summary of programs and promo-
tions appearing in Radio Showman-
ship for the last year, classified by
businesses.
376
RADIO SHOWM ANSH I P
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paid. Check enclosed □• Bill me later Q.
Name ...
Address . .
Company
Position . .
City
State.
EDITORIAL
WE often wander so far into the labyrinth that is
our business, that sometimes, we lose all perspec-
tive of what lies outside.
A businessman pointed out this fact to us. "I've got
15,000 to spend in advertising," he said, "and while I've
heard wondrous tales of radio's successes, I still must
consider the respective merits of other forms of adver-
tising."
Other advertising! So engrossed had we become in
radio during the past few years, that we had almost for-
gotten that any other form of advertising existed.
What about other advertising? How did radio stack
up?
One could cite hundreds of actual examples that show
radio's comparatively low cost per inquiry, per premium
offer, and most important, per sale. But perhaps, you'd
be more interested in the simple but logical reason why,
after due consideration, our friend chose to spend his
entire |5,000 in radio.
Like most retailers, he first considered using news-
papers, but soon found that even his entire total of
|5,000 would shrivel by comparison with the huge ex-
penditures of the big retail stores in his town.
Radio presented almost a direct contrast. Every fifteen
minutes, one minute or even 20 seconds that he caught
the attention of the radio listener was his time— /oc^^
stock and barrel. What he had to say was accepted on
its merits, not on its size.
With $5,000 in radio. He got domination. With $5,000
in newspapers, he got lost.
When you consider buying any form of advertising,
stop a minute and figure out just how much money it
will cost you to dominate your competitors.
Every minute is your minute in radio. There's not
another competitor within hearing distance.
378 RADIO SHOWMANSHIP
©n
OQ
^OCi^r
I'sIS
the Ward Front
'^A,
'^£W
To Boost Sales Put Radio on a Three-Point Basis Advises
A. M. Nordtvedt, Montgomery Ward's Des Moines, la., Mgr.
">HK. ,,
FOR sale: 100,000 different items.
That is the assignment of a man-
ager of a Montgomery Ward store. It is
a large order, but not an unusual one.
There are thousands of businessmen in
the field of department store merchan-
dising who are confronted with the
same problems which confront us every
day of the year.
\Vhat interests all of us is this one
question: how^ to keep our merchandise
moving. Obviously, one of the prime
essentials is advertising. The old "saw"
to the contrary, the world does not come
to your doorstep just because you make
a better mouse-trap.
Today, it is apt to be the man with
the best merchandising plan w^io sells
the most goods. And, what can radio do
to help make that plan most effective?
That is a question to which there are
many answers. I have only one of them.
We learned that answer in the school of
experience.
Back in the good old days, urban cen-
ters were few and widely scattered. It
w^as a red letter event for farm people
the country over to enjoy the latest and
newest edition of the Montgomery
Ward catalogue. Fa-
ther poured over the
harness and farm ma-
chinery sections. Moth-
er got out her egg-
money to see if she
could get that new silk
taffeta. Buddy and his
sister built up a dream
world based on the
pages devoted to toys.
Times have changed
since then. There is still the mail-order
business which serves hundreds of thou-
sands of customers. In fact, a rostrum of
these patrons reads like an international
"Who's AVho." His Highness, the Ma-
haraja of Nepal, sent to AV^ard's for a
large order of tents. From the Dominican
Republic came an order for clothing
from the wife of the Dictator Presidente.
The Governor of Venezuela has evident-
ly established a hospital. His order call-
ed for cots, mattresses, blankets, sheets
and pillow cases.
But in addition to the mail-order busi-
ness, there are also retail stores. W^ith
the advent of the automobile, farmers, in
ever-increasing numbers, began coming
to town to do their buying. Quick to see
the change. Ward's went into the retail
field. Radio has helped to correlate these
two inter-related units.
Our Des Moines, la., store is one of
these many retail outlets. It was opened
in 1930, and radio has been an impor-
tant factor in building up both the re-
tail store and the mail-order department
in this area.
one program. We feel
need. It is on the basis
of our experience with
this one show that I
ha\e formed my opin-
ions on the value of
radio for department
store merchandising.
Radio advertising
can be put on a three-
point program. In the
first place, it must sell
merchandise. On both
higher cost items and
We
that
use only
it is all
we
DECEMBER, 1941
379
bargain specials it has sold merchandise
for us in large volume. Radio has con-
sistently helped us sell plumbing, refrig-
eration, heating plants, and roofing. We
attribute much of our success with Hall-
mark furniture to radio, and certainly
this comes in the category of higher cost
items.
Early in the spring of 1941 the Mont-
gomery Ward Co. introduced its Hall-
mark period furniture. Hallmark comes
in three groups. There is the eighteenth
century furniture which follows the de-
signs made famous by the names of Chip-
pendale, Sheraton, Hepplewhite and
Duncan Phyfe. Then, there is the group
of Modern American furniture in related
pieces. The third group is in early
American solid maple. In June, we ar-
ranged these three groups of furniture
in appropriate settings in our furniture
department. We then devoted one entire
program per week to this merchandise.
Result: while the quality and price of
this line of furniture is above the aver-
age, it has enjoyed a splendid acceptance
in the short time since it was introduced.
But in one and the same program,
radio can do more than sell merchan-
dise. It can also promote various store
services. Lastly, it can be effective from
the standpoint of institutional advertis-
ing. We have proof that it has increased
customer usage of such special services
as free estimates, carpet laying and
budget plans. To complete the picture,
the letters and comments we receive in-
dicate that through the medium of
radio we have considerably increased
the store's prestige; no department store
Miss Ristvedt and Mr. Nordtvedt plan copy for a future Waker-Uppers
program. Show is heard every day of the week except Sunday over KSO,
Des Moines, for the MONTGOMERY WARD & CO. retail store.
380
RADIO SHOWMANSHIP
can afford to ignore the value of insti-
tutional promotion that creates good
To achieve this threefold goal, con-
siderable time and thought must be
given to the problem of how to use
radio. It can't be done over night. Our
own program, for example, has become
more and more effective as time has gone
along.
And time is an important factor. Dol-
lar returns from single programs are
possible, but not probable. It is the day-
after-day reminder that gains customers.
For our purposes, it is not good practice-
to use radio only during store-wide sales
or for special events. To gain maximum
value from radio you have to use it con-
sistently!
When such consistent use is made of
radio, it is sometimes hard to evaluate
its total effect. However, we have had
frequent examples of direct sales from
our program. It is not uncommon to
receive calls from customers who want
further information immediately after a
broadcast.
Can radio sell department store mer-
chandise? Our answer is yes!
We concentrate on (1) the style
rightness of our fashion merchandise,
(2) F.H.A. service, and (3) our budget
plan. It ties in with the fact that our
customers are interested in quality, price
and style.
To our way of thinking, it is a mis-
take to use radio merely as a bargain
medium or a recital of items. We believe
in brevity, and avoid a long listing of
iteras and prices. High pressure or
lengthy commercials are not used on the
show. Instead, they are short and con-
versational in style.
Harriet Ristvedt, KSO staff continuity
writer, has \\Titten the Montgomerv
W^VRD program here since the first year
it was broadcast. Today, the Chicago and
St. Paul stores pattern their radio com-
mercials after the ones we use.
Thin, graying, spectacled Arne
Magnus Xordtvedt, can trace his
record with Ward's back 18 years.
Four times during this period, he
has helped W^ard's open new stores,
stayed as manager until the new
outlets were on their respective jeet.
In 1929 he opened their Sioux
City store, moved on to Des Moines
in 1930. After 2i/^ years, he was on
the move again, this time bound for
La Crosse, Wis., and then on to Fair-
mont, Minn. In 1936, he returned
to Des Moines, has been there ever
since.
Very much a prominent member
of the community, he is (1) a mem-
ber of the Board of Directors of the
Retailers of Des Moines; (2) a mem-
ber of the Ad Club, and (3) a
Shriner, Za-Za-Zig Temple.
In his spare time, if and when
there is any, he takes colored movies.
Chief characters in the one reelers:
Jack (his five-year-old son) and Bet-
ty (his ten-year-old daughter).
It seems to us that a commercial has
to be ver}' direct and to the point so
that the listener will catch the story in
between the music and time signals.
Short and sweet— that's our theory of
the effective commercial. We don't be-
lieve in giving our listeners too much
copy. After all, the important thing is
to sell the institution. When that is
done, sales take care of themselves.
We are convinced of the importance
of the policies outlined in this article.
The proof? For four and one-half years,
every day of the week, Monday through
Saturday, week-in and week-out, we
have used The Waker-Uppers over KSO.
This fifteen-minute program features
popular recorded music which appeals
to the majority of radio listeners. For
us. The Waker-Uppers has proved itself
to be a sales pepper-upper.
DECEMBER, 1941
381
Much of the appeal of Twilight Tales is attributed to
Elinor Gene's friendly voice and pleasant personality.
THIS is no fairy tale. It is cold, objec-
tive fact. The American Association
of Broadcasters in a pamphlet, Broad-
casting to the Youth of America, point
out that there are 1,479 children's pro-
grams or program series broadcast over
372 stations in 168 cities in 39 states. No
less than 40% of the total number of
programs are of local origin, while 12%
are transcribed series. Network shows
take care of the rest.
Yet civic leaders, parents and educa-
tors are constantly complaining of the
lack of variety and of the low quality in
children's shows. There is some justifica-
tion for the complaint that there are so
few new ideas in the field. But from our
point of view, it is a fact that represents
a real challenge, not only to us, but to
all advertisers everywhere.
While I am no expert on children's
programs, I should like to present the
experience we and our client, the Knud-
SEN Creamery Co., Los Angeles, Cal.,
had with a children's program. Our ex-
perience may be of vahie to other spon-
ales froi
This Kid Show Even Att
President of Heintz, Pick
sors who have a product which appeals
to the juvenile atidience.
Perhaps we had an extra advantage!
in that out here in the West more time'
is given to children's programs than in
any other section of the country. In!
fact, Los Angeles, with its approximate
juvenile population of 220,641 children
between the ages of five and thirteen,
has a tremendous audience for shows of
this kind. It is little wonder that the
combined time given to children's pro-
grams on all our radio stations in this
area amotints to 12 to 13 hours a week,
a record that no other city in the coun-
try can equal.
At the same time, this very fact was a
direct challenge to us. Our show had to
meet greater competition here than it
would in any other section of the coun-
try.
Naturally, Problem No. 1 was to de-
termine what type of show to use. Story
tellers are the prime favorites with spon-
sors throughout the nation; and since
story telling is the most ancient form of
entertainment, it is little wonder that
this type of program surpasses dramas,
quiz shows, comics and music when
slanted at youthful America.
In reality. Twilight Tales is more the
baby of the Knudsen Creamery than it
is ours. Mr. Knudsen himself liked the
basic idea of the show, and asked us
what we thought of it. From there on,
we tried to make the best possible pro-
gram out of it from an ad\'ertising and
merchandising viewpoint.
We were well aware of the responsi-
382
RADIO SHOWM ANSH I P
oKdtime Tales
3rs Says Wm. T. Pickering,
(., Inc., Lds Angeles, Cal.
bilities which such a choice entailed.
Programs designed specifically for chil-
dren reach impressionable minds and in-
fluence social aptitudes and approaches.
In addition, they must be (1) entertain-
ing; (2) be of high artistic quality and
integrity; (3) be within the child's
scope of imagination, and (4) stress in-
tercultural understanding and apprecia-
tion.
We felt that Twilight Tales, a radio
program appealing to adults as well as
children, met these standards. It fea-
tured the stories of Hans Christian An-
derson, primarily, plus others by Oscar
Wilde, and Jacob Grim. (A number of
the Anderson stories were translated
from the original Danish.)
The start of the program was cloaked
by the misgivings of many friends from
whom advice had been asked. The ap-
peal of such a program differed radical-
ly from that of many so-called "kid
shows" currently being aired. This type
of entertainment was unusual in the ab-
sence of sensationalism. Would the radio
audience listen to such stories? AVhat
would be the reaction of children to
this kind of entertainment when they
could listen to other more exciting
shows? These and many more questions
stood in our way.
In contrast to the misgivings about
the success of Twilight Tales stood the
example of the Knudsen Creamery Co.
itself. One of the identifying marks of
the company that had become a part of
the production and sales arguments of
the firm for years was the policy of pro-
ducing only "The Very Best." Why,
Continued on p. 384
In the far distant year of 1915,
lean, lanky William Thurston Pick-
ering, shown above, entered the ad-
vertising agency business, became a
member of the advertising depart-
ment of Raymond & Whitcomb,
tourist agency, Boston, Mass. Qiiick
on the pick-up, he became their ad-
vertising manager the following year.
With occasional outbursts into sell-
ing and merchandising, he has been
in the advertising game ever since.
Modest in the extreme, he had to
be convinced at the point of a type-
writer that his life story held any-
thing of possible interest to the
world at large.
While he is a Harvard graduate
and has been president of the Har-
vard Club of Southern California,
he lost his Harvard accent many
years ago. Adman Pickering is now
vice-president of tlie Advertising
Club of Los Angeles.
An ardent sailor, he is a member
of the U. S. Coast Auxiliary; also
plays a deplorable game of tennis
which he thoroughly enjoys. He is
married; and this being the age of
specialization, he specializes in
daughters, of which he has four.
DECEMBER, 1941
383
Continued jrom p. 383
then, should not the Knudsen Creamery
Co. become identified on the air by fine
quality script material and presenta-
tion?
Mr. Knudsen's one idea in sponsoring
this type of program was to present
wholesome, beautiful entertainment for
children in a manner which would
please the parents and interest the chil-
dren. He had faith in Twilight Tales,
and so did we.
The program went on the air over
KECA in December, 1939, and has been
running continuously ever since on a
twice-weekly basis. We chose 5:00 P.M.
as the time for our quarter-hour show,
Mondays and Fridays, since a cross sec-
tion of 250 programs in all parts of the
country revealed the fact that this hour
is one of the most popular weekday
times for broadcasting children's pro-
grams.
Elinor Gene, a young actress who first
presented the idea to our client, has
adapted, written and presented all of
the scripts. She uses changes of voice to
suit the characters in her stories. To fur-
ther heighten the dramatic effect, she
has especially written piano accompani-
ments and orchestrations in the back-
ground at strategic intervals.
Of course, a good show is not enough.
Merchandising is an equally important
factor, and while it has caused much
controversy on the part of parents, it
remains the key to successfully sponsor-
ed programs. (In the case of Twilight
Tales, most of the gift offers and con-
tests are developed by the advertising
department of our client. They also
judge all entries.)
There should be certain types of mer-
chandising for children's programs. First
and foremost, it must appeal to their
age level. Commercials should be writ-
ten for the child mind. They must also
make good sense and carry conviction to
the mothers who are listening. All too
frequently so much attention is given to
the child that the mother, who after all
is the one who actually makes the pur-
chases, is entirely overlooked.
AVhile the field of radio merchandis-
ing requirements for children is largely
confined to box tops, bottle caps, blanks.
empty cartons, letters and meetings, it is
up to the individual sponsor to decide
which of these methods best serves his
purpose. However, it is well to remem-
ber that due to their desire to accumu-
late "things," children usually like pre-
miums best as prizes.
Mothers seldom object to a collection
of box tops and the like that can be ac-
quired in the house. They do object to
scavenger hunts that lead from trash can
to trash can in search of the elusive bot-
tle cap or what have you. Therefore, we
cLvoid the type of contest where it is nec-
essary for children to pester the neigh-
bors and make general nuisances of
themselves. To our way of thinking,
these methods do more harm than good.
Likewise, any gift offers made in re-
turn for carton tops are selected for real
value. Example: a pencil and an Ugly
384
RADIO SHOWMANSH I P
Duckling writing tablet. The tablet was
interspersed with especially drawn pic-
tures illustrating scenes from this famous
Anderson story. The cover was a colored
drawing of the Ugly Duckling itself. An-
other time a "home secretary" was offer-
ed to children for keeping home or
school notes, snapshots and other treas-
ures.
Nor have we entirely overlooked that
part of our audience which consists of
mothers. For them, we frequently offer
recipes (in folders or on file cards) .
This policy of offering giveaways not
only to the children but also to their
mothers has served our client, the Knud-
SEN Creamery, well. It should be equal-
ly successful for other sponsors.
Putting theory to practice, the results
from this one show may be summarized
briefly. A one-time announcement, for
example, of a free recipe offer drew 100
telephone calls in 30 minutes. (More
would have been taken if there had been
the facilities for handling them.) That
is a strong indication that we have the
Mill.
mothers with us. And the children? A
puzzle contest requiring carton tops
drew 2,394 requests in four weeks. Un-
solicited letters of praise are regularly
received from children, their parents
and educators.
To refer once again to Broadcasting to
Youth of America, a suggestion is made
in that pamphlet with which we heartily
agree. The point is made in that study
that too frequently a good program is
limited entirely to one community. Cer-
tainly, the suggestion that these pro-
grams be made available to large audi-
ences throughout the country is an ex-
cellent idea.
Quite by accident, we have been able
to suit action to word. During the first
few months of Twilight Tales, Elinor
Gene told the stories in person. As
months went by, she found it necessary
to make transcriptions, and to date has
produced 60 quarter-hour records which
are now available for sponsorship else-
where in the country. Of course, these
are without commercial messages.
Promotional activities are almost en-
tirely restricted to contacting teachers
and educational groups. Here again it
is the Knudsen Creamery who is largely
responsible for building up the listening
audience by personally getting in touch
with these groups. Titles of forthcoming
programs are sent to Parent-Teacher
groups and printed in school bulletins.
At the beginning, and on the occasion
of time changes, announcements have
been inserted on the radio pages of the
local newspapers. Point-of-purchase post-
ers, icebox stickers and banners have also
been used to announce the program.
Certainly our formula has not been an
elaborate one. It need not be. Results, in
view of the fact that the show necessarily
has a limited audience appeal, have been
very good. We have not tried to put a
dollars and cents value on it. We have
remembered this fact: that advertising
directed to the child offers a unique op-
portunity to companies valueing good
will who are operating on a long range
plan.
DECEMBER, 1941
385
D
ID you know . . .
that bread is considered sacred by
millions of peoples of the world?
that temples in parts of India are
built in the shape of loaves of
bread?
that a few centuries ago in England
only the Royal Family were permit-
ted to eat fresh bread, while the
nobility had to wait until it was a
day old; the gentry, two days;
scholars and friars, three days; and
peasants had to be content with get-
ting it on the fourth day?
Thousands of similarly interesting
facts about the products of our industry
are unknown to many bakers. They were
unknown to me until a few years ago
when I spent several months searching
libraries and other sources for this type
of information.
My purpose was to obtain material
for my own advertising on the radio, in
newspapers and for package inserts. I
felt that facts of this sort would be of
real interest to the public. Results since
have proved that they are.
Mine is the largest retail bakery busi-
ness in Tacoma, Wash. In fact, its vol-
ume is almost as large as some of the big
wholesale bakery plants in this area.
More than anything else, I have tried to
increase our bread sales.
In the average retail bakery the vol-
ume of bread business is generally only
10 to 20 percent of the entire business,
the balance being cookies, cakes, pies,
coffee-cakes and other things which ap-
peal to the American sweet-tooth. In our
m
ough Make
Bread Brings 5D% of Dur I
W. A. Macpherson, Presidei
business over 50 percent of the sales
volume is bread.
Many bakers have asked me how we
have attained such a large volume of
bread business, particularly in view of
the fact that only one other bakery in
Tacoma gets as high prices for bread as
we do. I have only one answer to them.
Quality is important, of course; but the
real secret of our success lies in constant,
daily radio advertising on the values of
our breads.
Competition in the baking business
today is swiftly becoming competition
in smart advertising. Almost every baker
in the country has met up with com-
petitors whose volume is larger than his
even though their products are actually
inferior. Smart advertising is usually the
explanation for this phenomenon.
Federal Bakery, which I own and
operate, consists of a chain of five retail
stores in Tacoma. When the first radio
station, KMO, came to Tacoma 15 years
ago, I was one of its first customers. For
a quarter-hour every day I went on the
air with Carl Raymond, owner of the
station. Together, we discussed informal-
386
RADIO SHO WMA NSH I P
Ifough' on Hadio
ui |ime Thanks to Radio Says
iJi eral Bakeries, Tacoma, Wash.
ly and extemporaneously" the many in-
teresting items that had to do with bread
and bakery products. While many inno-
vations have been introduced into our
program since then, we still continue to
go on the air every day from 12:00 noon
until 12:15 P.M. This program, which I
myself present, is the oldest daily com-
mercial program in Tacoma. A recent
survey showed that it had a 29 percent
listening audience.
I have been of the opinion for a long
time that bakeries should put more edu-
cational and informational appeal into
their radio programs. I think it sound
policy to give people the necessary infor-
mation and education that will lead
them to respect and eat more bread.
And mark the truth of this statement:
the more the people in a community
know about bread and bakery products,
the more bread will be sold. Our radio
program is meant for that purpose.
It begins with two or three rhymes
about Federal Bakery products which
are sent in by boys and girls as a regular
contest feature of the show.
The verses are followed by a feature
that has been going on for years. Every
day I bring down to the radio station a
dozen or two bakery products hot out of
the oven. After opening the box of dain-
ties in front of the "mike," I invite the
always hungry station employees to de-
vour the goodies right in front of the
microphone. The audible "ums and
aws" with which it is done does sell
bakery products. It makes people gen-
uinely hungry to hear otliers eating
products which are described in sucii
glowing terms.
At this point we present the high-
light of our program, the Toast to
Bread. These are a series of five-minute
talks which tell of quaint customs and
laws that have grown up around man's
staff of life.
Following that, five minutes are de-
voted to the readings of birthdays, the
Vitality Club section of our program.
Children send in their names and birth-
day dates, and we play special birthday
songs for them and extend our greetings.
There are over 8,000 names in our birth-
day books, a figure which constitutes
about 40 percent of all the boys and
girls in Tacoma. Twice a week we read
a list of newcomers to Tacoma and ex-
tend a welcome to them.
With the skirling of the bagpipes
(which introduces our program) , Ta-
coma listeners know that Federal
Bakery is on the air. We've been on the
air for a long time now. We intend to
go on using radio far into the future.
air FAX: A series of 75 Toasts to Bread are available
to other bakers. Seventy-five Toasts to Bread con-
stitute a six months' program on a three a week
basis, or a three months' program on a daily sched-
ule. Toasts are prepared as five-minute talks, may be
presented in themselves or as a part of a longer pro-
Continued on p. 388
DECEMBER, 1941
387
Native son
of T aco ma,
Wash., is Wal-
lace Alexander
Macpherson.
Educated in
Law at Drake
University, Des
Moines, la.; at
the College of
Puget Sound,
Tacoma, and at
the University of Washington, Seat-
tle, he preferred operating a bakery
business to tangling with legal prob-
lems. This, in spite of the fact that
when he took his Law exams be-
fore the Supreme Court of the State
of Washington, he passed the rigid
three days of examinations to be-
come the youngest lawyer in his
State.
His educational period was so
busy and strenuous that he insists
he has been tired ever since; so
much so that he is barely able to
enjoy his annual game of golf.
When he feels the lure of exercise
coming on, he either sits down
determinedly or goes to see a basket-
ball, football or baseball game.
For eight years he was President
of the Washington State Bakers' As-
sociation, and for six years he was
on the Board of Directors of the
National Bakers' Association.
His hobby is radio; his recreation,
his wife and four children; his in-
terests, largely his business and
bakery association affairs. His only
play time is trying to beat at ping-
pong the college boys his children
bring home to beat ''Dad."
Continued from p. 387
gram. Sponsors may use these Toasts as many times
as they wish for a period of one year, tnay still use
them in written form after the expiration of that
year.
Merchandising tie-ins: Toasts may be printed on a
small two-page leaflet and passed out over grocery
and bakery counters as a promotion stunt. They
may be used as a basis for prize contests on Why
We Should Eat More of Blank's Bakery Bread.
They may also be used in school contests, as essays,
and as source material for advertising and speeches.
Inserts, "handouts," direct-by-mail letters can all be
built around this series.
Three Business
Interesting Tra
THE Old Woman Who Lived in a Shoe
has nothing on some businessmen
who find it good practice to use radio
advertising. For bakeries, dairies, depart-
ment stores and other concerns appeal-
ing to all classes of people regardless of
incomes, there are so many possibilities
in the field of radio showmanship that
sometimes the would-be sponsor hardly
knows what to do.
But the story is entirely different for
the radio-minded life insurance com-
pany, bank, trust company, funeral
home, memorial park, cemetery, and
marble and granite works. They are
faced with a real scarcity problem, a
scarcity in good radio ideas.
Comedy is out for several reasons.
True, the appeal of comedy is far-spread.
Left ... A pictorial concept of the three Marys at the
tomb. Sadie Crockett, Diana Marsh and Victoria Vola
of The Sunday Players are superimposed on a photo-
graph of the actual Calvary taken in the Holy Land.
388
^
Jj:j
^lJ3jU>itf jd^^~\l^
Reveal Their Merchandising Ideas That Helped This
Series Increase Good Will for Their Organizations
tv#^^^'^
\\t^
SjO^'^'
w.
but popular appeal is not the only con-
cern of such establishments. Where pres-
tige is a major merchandising factor,
dignity must be maintained at all costs.
At the same time, the radio program
must lend itself to profitable merchan-
dising.
Sunday Players, a transcribed series
that has been used by all kinds of spon-
sors in many businesses, has been used
to particularly good advantage by busi-
ness establishments where dignity is a
prime factor and good will an essential.
The Sunday Players call their Bible
dramas Immortal Stories from the Book
of Books, and they proceed in chrono-
logical order through the Old and New
Testaments. Each Bible drama is of a
half-ho^B (Tlifation.
Particular advantage in this series
from the sponsor's standpoint: with a
total of 156 transcriptions available, the
program may be used in the same com-
munity for a period of three years.
The experiences of three sponsors are
presented here.
NASHVILLE, TENN.
(Finance)
In bank advertising, the type of audi-
ence reached through radio is an impor-
tant factor. When the American Na-
tional Bank decided to go on the air
over WLAC, it wanted to reach people
who w^ould be the logical prospects for
the bank's services. For its radio debut,
Center . . . Here's the cast of the only permanent-
ly incorporated group engaged in producing
Biblical drama, exclusively. They call their plays
Immortal Stories from the Book of Books.
Right . . . Arthur Heineman, as Joseph of Nazareth,
and Victoria Vola, ^s Mary, are shown in the courtyard
of a Holy Land inn. These composite pictures were
made by Adelbert Bartlett, Santa Monica, California.
C. H. Wetterau, vice president of the
bank, selected Sunday Players.
"Before signing the contract for Sun-
day Players/' WTites Mr. \Vetterau, "we
had a special audition for representa-
tives from three religious groups. When
a Jewish Rabbi, a Catholic Priest and a
Protestant Minister all endorsed it, we
were ready to start the build up.
"A letter was mailed to all local min-
isters advising them of the series to be
given and inviting them to a special
audition. Lobby displays showing mem-
bers of the cast in costume were used in
the main office of the bank and in our
ten branches. A printed schedule of the
plays with dates, together with the book
and chapter upon which each drama-
tization was based was circulated. Many
ministers listed the program in their
church bulletins and leaflets. In several
instances, ministers used the
same text for their evening
service after it was dramatized
on the air in the afternoon.
"In addition to this tie-in
with the churches, we played
up the program in our month-
ly statement enclosures, and in
newspaper advertisements. Be-
fore beginning the series, we questioned
the advisability of using a commercial
announcement with Biblical drama for
fear of being criticized for commercial-
izing religion. But by keeping our com-
mercials on a high plane, we were com-
plimented on the nature of the commer-
cials."
CHATTANOOGA, TENN.
(Life Insurance)
Back in 1937 Provident Life and Ac-
cident Insurance Co. was celebrating
its Golden Jubilee year. Sunday Players
proved to be one of the most outstand-
ing contributions to the celebration, ac-
cording to Bart Leiper, advertising and
sales promotion manager.
"Promotion of this feature, calling for
a half-hour every Sunday afternoon, em-
braced the use of newspaper advertising
space on the Saturday church page, and
especially the personal appearance in
\arious churches, Sunday schools and
other religious groups of a young man
presenting by electrical transcription
some previous program from the series,"
writes Mr. Leiper.
"Calls for this personalized service
were very numerous. Practically every
church group within a reasonable radius
of the city was reached in the six
months' period we used the program
over WDOD."
WASHINGTON, D. C.
(Milling)
(Cemeteries)
"The series was first used in 1938 un-
der the sponsorship of Washington
Flour (Wilkins-Rogers Milling Co.) ,"
-writes Jim Hurlbut, WJSV. "Six months
later, Cedar Hill Cemetery sponsored
the show for a 26-week period.
"Promotion tie-in for both
Cedar Hill and Washington
Flour was an offer of private
playings to church and civic
groups. Requests poured in
from all over the District of
Columbia and nearby Mary-
land and Virginia.
"Announcement of the
sponsor's name and the private show-
ing offer constituted the commercial
copy. No mention of prices or long-
winded selling harangues were included
in the air copy. However, both Cedar
Hill and Washington Flour reported
marked sales increases attributable to
the program."
air FAX: Two commercials written to sponsor's speci-
fications are included with each program. Transcrip-
tion Co.: George Logan Price, Inc., 3902 West 6th
St., Los Angeles, Cal. Promotional tie-ins: Souvenir
gift booklets; Baby Bibles or Catholic Prayer Books;
24-page reprints of the most popular plays.
COMMENT: Good will is an important
factor in radio promotion, but merely
to be on the air does not accomplish
what a sponsor has a right to expect
from his expenditure. Naturally, any
radio program to be effective must ap-
peal to the listening audience. The spe-
cial advantage of Sunday Players is that
it is based on stories that everyone more
or less knows, plus the extra advantage
of having splendid merchandising possi-
bilities for almost any type of business.
390
RADIO SHOWMANSHIP
<
Xo. 2 in a Series on
HOW TO GET THE MOST FOR YOUR RADIO DOLLAR
An Investment in Prestige
By Tod Williams
WHENEVER a sponsor is urged to bear in mind the prestige ot his radio ad-
vertising, he's apt to giunt: "Deliver me from anv of that lah-de-dah
stuff!"
Therefore, let us quickly dispel the idea that prestige and laJi-de-dah have
anything in common.
According to Mr. A\ ebster, the words "admiration." or "esteem" are syn-
onyms for prestige. Let us base our thinking along that line to start with.
And, for a first example, let us consider the Ford Sunday Evening Hour.
This is the most prestigeful program on the airwaves.
It has dignity. And because it does have dignity, an abundance of listeners
hold the program in high esteem.
Meanwhile \\\ J. Cameron seldom, if ever, mentions Ford products spe-
cifically. Yet e^ ery time he opens his mouth he sells Ford cars.
There are few sponsors who can afford to do this kind of a job. It takes a
long haul and hefty spending. I point to it simply as an illustration of one
method by -^diich an ad\ertiser markets his product ^vith prestige.
On the other hand we have a small, biu alert merchant -^vho -wants to make
eveiy advertising dollar he spends produce dividends fast.
Let's call this man Joe Doakes. He has a small shop on a side street. Joe is
proud of his small jewelry store. It took him a long time, working as a clerk, to
save up enough money and to establish sufficient credit to open the doors of this
niche.
Now Joe is in no position to hire a symphony orchestra ^vith Big Name con-
cert-stage artists, yet he can still purvey the idea of prestige just as well as Mr.
Ford.
In other words, it's not how much you spend; it's how you spend it!
If Joe buys a bundle of station-break announcements, he would do well to
emphasize in them that he offers Personal Service: a de-centralized location
away from the distraction of the hurly-biuly intersection, and a choice stock
of carefully-selected merchandise. By taking pride in his small establishment,
and by highlighting its good points, he makes friends.
On the other hand, the moment that Joe starts screaming blatently about
"cut prices, ' diawing disparaging price comparisons, and apologizing about be-
ing a^vay from the main diag, he dii\ es a\vay potential big buyers because they'd
be wary of doing business with a "cut thioat artist."
I have in mind a laige department store that gobbles up chunks of radio
time. For months, all script hammered away at invidious price comparisons.
"Look," the store exulted, "we will sell you a fine, all-wool suit for SI 6.85. A
similar suit, anywhere else in town, would cost at least S25.00. And it's quite
DECEMBER, 1941 391
true that this raucous price comparison drew a large group of purely price shop-
pers.
But, to coin a phrase, Came the Dawn.
The store actually made a tremendous purchase of really valuable fur coats.
A manufacturer, faced with bankruptcy, dumped a lot of quality merchandise
at a loss. And the store was quite willing to pass the saving along to its customers.
Abruptly the store that had been screaming price began to shout quality.
And what happened?
Mrs. Price Shopper took one look at the garments on the racks. They cost
far more than she planned to pay for a winter coat. So she reached for another
rack.
Mrs. Quality Buyer, who would have paid any other furrier on the avenue
at least 25 percent more for the same coat, passed up what was a genuine bar-
gain because she had been previously made distrustful by invidious price com-
parison.
Which, to my mind, sets up an inviolate rule: If you want to quote price at
all, let your values stand on their own legs!
Can you, in your wildest moment, imagine Paramount Pictures flashing a
trailer on the theatre screen declaring "Dawn's Rosebud is infinitely superior to
MGM's Orchids in the Mire?" Can you imagine Packard paying for full-page
ads, or buying radio time, to declare: "We're a better buy than Cadillac?"
Certainly not. And yet that is exactly what a radio advertiser does who draws
a stinging price comparison.
I believe that one of the cleverest station-break announcements I have ever
heard was produced by a canny merchant specializing in rock-bottom prices in
an out-of-the-way location.
After quoting a special value, he always concluded his break with the never-
changing phrase: the world's largest individual retailer of work gloves.
First of all these breaks sold a value. Then they established in the listener's
mind the importance of the store.
I know from first-hand investigation that this policy paid dividends. More
than one haughty, bargain-hunting dowager was chauffered up to this establish-
ment to buy largely of tempting bargains. These women had no hesitancy doing
business with this merchant because he had firmly planted an idea that he was
Big Time with his phrase, the world's largest individual retailer of work gloves.
Another retailer told me that he considered his slogan: "The Workingman's
Furniture Store worth $50,000 to him. "Aren't we all workingmen?" he asked
seriously. The banker, the baker and the high-powered salesmen are all just as
much workingmen as pick-swinging Bill Jones.
Next, in bringing prestige to radio advertising of any kind is the matter of
brevity. Verbosity is its greatest enemy.
Keep your message short. Be ruthless with a blue-pencil when going over a
copywriter's exclamations. Bear in mind that script writers are paid to turn out
words. So they grind them out.
But it's the shrewd advertiser who salvages the best for the listener. Such a
policy, in a very short time, will enhance the reputation of your firm and its
products.
To sum it up: Communicate to the potential customer your pride in your
establishment and its merchandise in the fewest possible words.
By so doing you invest your money; not spend it!
392 RADIOSHOWMANSHIP
AIRING
THE NEW
All the available data on new radio programs. No
result figures, as yet, but worth reading about!
Department Stores
WORKER OF THE DAY Today, Amer-
ica is more aware of the part Labor is
playing in the welfare of the nation than
at any other time in its history. Posters
paying graphic tribute to this fact sprout
overnight on billboards, in show win-
dows and on handbills. Radio, too, is
playing its part in conveying this mes-
sage across the breadth and length of the
country.
Dramatic tribute to the American
worker, "in whose hand and heart lies
the future of these, our United States,"
is paid in a 15-minute air show sponsor-
ed by John Shillito Co., Cincinnati's
largest and oldest department store. Sig-
nificance of the America of today, with
the emphasis on defense activities, is
dramatized in this weekly feature.
Participating indirectly are Cincinnati
firms connected with the national de-
fense effort. Each week officials and per-
sonnel of one of these firms select the
typical Worker of the Day to be honor-
ed on the broadcast.
Basic format: highlights of the select-
ed industrial concern's history and prod-
ucts, plus an interview with the Worker
of the Day. Climax is the presentation
of the Chamber of Commerce-Shillito
citation for meritorious service to the
featured worker.
Show uses two male voices and a female
voice, The Voice of Shillito's, who in-
terviews the employee. Scripts prepared
a week in advance describe the worker,
his firm, his job and his own personal
idiosyncrasies.
Street car and bus car cards promotion
is being used, as well as direct mail,
window displays, and an illuminated
billboard. Movie trailers are also ex-
hibited through 22 neighborhood thea-
tres. Radio promotion: regular plug-
program announcements. To herald the
start of the series, the station arranged
a half-hour quiz show using the client's
own employees as contestants.
AIR FAX: The show is a dramatic tribute to some out-
standing employee in one of Cincinnati's largest busi-
ness houses.
First Broadcast: September 4, 1941.
Broadcast Schedule: 7:30-7:45 P.M., Thursdays.
Preceded By: Mr. Keen, Tracer of Lost Persons.
Followed By: News Room of the Air.
Sponsor: John Shillito Co.
Station: WSAI, Cincinnati, O.
Power: 5,000 watts.
Population: 685,945.
COMMENT: Good institutional promo-
tion, especially for companies interested
in labor good will, is a show of this
kind. Participating industries give Shil-
lito's intensive publicity in the form of
posters in their plants plugging the
broadcasts; pay-envelope stuffers, and
house organ write-ups. Not only is this
valuable promotion, but it is the kind of
personal promotion that radio can best
make fully successful.
Home Furnisliings
UNCLE BOB'S BIBLE STORIES Super-
man, and other adventure series are the
week-day diet of thrill-seeking youngsters
throughout the United States. Sundays
are different. On that day, freshly scrub-
bed moppets don clean bibs and tuck-
ers; with pennies clutched in stubby
fingers, they march off to Sunday School.
There, they listen to Bible stories which
constitute the most beautiful of all
literature in the English language.
Little Rock, Ark., children needn't
wait until they get to Sunday School to
hear these centuries-old stories. Sponsor-
ed by the Routh Furniture Co., Uncle
Bob's Bible Stories are presented each
Sunday morning over KARK at 9:15
A.M. The program is written and han-
dled entirely by Bob Buice, KARK staff
announcer.
DECEMBER, 1941
393
Scripts have only a brief opening and
closing commercial, both purely institu-
tional in content. Only once is the name
of the RouTH Furniture Co. mention-
ed. At all other times, story-teller Buice
says that the program is presented
through the courtesy of Mr. and Mrs.
Will Routh and their personnel.
AIR FAX: Program is based on Hulbert's Stories of
the Bible.
First Broadcast: August 3, 1941.
Broadcast Schedule: Sunday, 9:15-9:30 A.M. (CST).
Preceded By: Hymns You Love.
Followed By: NBC Sustaining.
Sponsor: Routh Furniture Co.
Station: KARK, Little Rock, Ark.
Power: 5,000 watts.
Population: 110,000.
COMMENT: Although any
attempt at direct-selling
would undoubtedly create
audience antagonism, there
are definite possibilities
here for a sponsor who
wishes to build good will.
However, farsighted spon-
sors will give more than a
passing nod to this type of
advertising. If institutional
promotion is soundly developed, sales
take care of themselves to a large degree.
Letters to Sunday School superintend-
ents and to Parent-Teacher Association
groups are an excellent way of building
up a large listener group. While care
must be taken not to offend any one re-
ligious sect, a show of this kind can at-
tract all ages, and all creeds.
Schools
HOW TO GET AHEAD Go West, young
man, go West! That was Horace Gree-
ley's advice to ambitious young men of
the eighties anxious to get ahead in the
world. Today's horizon is more limited.
Home-town boys must turn to other
paths to make good and achieve fame.
For them a new weekly program is be-
ing aired over WCAU, Philadelphia, Pa.,
by the International Correspondence
Schools. How to Get Ahead is a new
series of educational programs designed
to help American workers solve their
problems, and climb the ladder of suc-
cess. The emcee: Dale Carnegie, author,
educator, and master of the subtle art of
winning friends and influencing people!
Listeners are taken into some of Amer-
ica's largest industrial plants. Personal
interviews reveal the interesting success
stories of men who have forged ahead in
a highly competitive world. First com-
pany story to be dramatized by expert-
on-human-relations Carnegie was the
giant Wright Aeronautical plant, Pat-
erson, N. J. Stories told by a tool maker,
a production engineer, and the Director
of Training brought home
to listeners the new re-
quirements of present-day
labor.
Other firm-stories drama-
tized include Colgate-
Palmolive-Peet Co., Ana-
conda Copper Co., Radio
Corporation of America,
New York Central Rail-
road, VicK Chemical Co.,
United States Navy Yard
and Mutual Life Insur-
ance Co.
The show got off to a
good start with a tie-in
newspaper advertisement on the day of
the broadcast. Other promotions: mail-
ing cards to all I.C.S. students in the
area; mailing cards and announcements
to all I.C.S. representatives; special in-
troductory advertising and sales confer-
ences, and employee bulletin board
cards for industries in the area.
air FAX: Irrespective of any I.C.S. training experi-
ence, on-the-job interviews are conducted with typical
workers in this series of 13 weekly half -hour pro-
grams. Not resorted to: actors or artificial dramatiza-
tions.
First Broadcast: September 18, 1941.
Broadcast Schedule: Thursday, 7:30-8:00 P.M.
(EDST).
Preceded By: Lanny Ross.
Followed By: Death Valley Days.
Sponsor: International Correspondence Schools.
Station: WCAU, Philadelphia, Pa.
Power: 50,000 watts.
Population: 2,081,602.
Agency: N. W. Ayer 8C Son.
COMMENT: Problem for schools is to
dramatize the services they offer. With
a good announcer and real showman-
ship it can be done. Not limited to
schools, however, is a program of this
kind. Workers in participating indus-
tries constitute a tremendous listening
audience important to many different
types of radio sponsors.
394
RADIO S HOWM AN SHIP
SHOWMANSHIP
IN ACTION
Those extra promotions and merchandising stunts
that lift a program out of the ordinary.
Dairy Products
BIRTHDAY BOX AV^hat is more impor-
tant to the great majority of people than
birthdays and such special events as
wedding anniversaries? Governments
may fall and wars may be declared but
the homey things still make deep im-
pressions. Putting this fact to good use
is Benjamin R. Center, advertising
manager for the Greenfield Dairy Co.,
Greenfield, Mass.
Birthday greetings and wedding an-
niversary congratulations are extended
in this daily feature heard over WHAI.
Names of the persons to be congratu-
lated, their ages, addresses, whom the
greetings are from, and personal touch-
es that are sometimes included in the
letters listeners send in, are read by the
announcer.
To the youngest and oldest recipients
of greetings go cards that entitle them
to free pints of ice cream when present-
ed to their dealer. People having first,
fifth, twenty-fifth and fiftieth wedding
anniversaries also get free cartons of ice
cream. Average mail pull per month:
750 cards and letters.
Showmanstunt: Sponsor Greenfield
Dairy Co. installed window displays at
each of his dealers. Included were the
usual ice cream display dishes, plus mail
received from Birthday Box listeners and
a card telling about the program.
While the sponsor's business is dairy
products, commercials on the program
have featured Snow's Ice Cream, a
Greenfield Dairy Co. product.
AIR FAX: Birthday greetings are sung to the tune of
For He's A Jolly Good Fellow.
First Broadcast: March 18, 1940.
Broadcast Schedule: Monday through Saturday,
12:35-12:45 P.M. (EST).
Preceded by: Stock Quotations.
Followed by: Noonday Review.
Sponsor: Greenfield Dairy Co.
Station: WHAI, Greenfield, Mass.
Power: 250 watts.
Population: 25,583.
COMMENT: While dairy concerns
throughout the country favor children's
audiences as a means of promoting their
merchandise, here is a show that has no
age restrictions. Neither does the prod-
uct that is mainly featured on the pro-
gram, to-wit, ice creauL Wise, too, is the
sponsor in plugging one item.
Department Stores
YOUNG AMERICA SINGS Once each
week in Memphis, Tenn., talented mid-
south boys and girls between the ages of
8 and 15 dress up in patriotic red, white
and blue uniforms to step out on WMC's
auditorium stage. Every Saturday after-
noon at 1:00 P.M., Young America Sings.
Applauding the results is M. J. Vosse,
advertising manager of the Memphis re-
tail store of Sears, Roebuck k Co. Each
week customers request 1,000 Annie Oak-
ley's from Sears' clerks. Approximately
44,000 people have seen the program
since its first broadcast. Now nearing its
third year for the sponsor, the program
is still going strong. Admission is free
but by ticket only.
At least six moppets step out in solo
parts at each broadcast. Auditions are
held weekly, and a dress rehearsal pre-
cedes the broadcast. Guiding hand and
musical director is "Uncle John" Cleg-
horn, WMC's program director.
As compensation for participating in
a sponsored program, the chorus is paid
a weekly sum which goes into its own
treasury. Money is used to provide mem-
bers of the chorus with picnics, swims,
movies and other kinds of entertain-
ment almost every Saturday.
air FAX: Program consists of four choral numbers,
each featuring a soloist. Frequently a trio, plus
three soloists are headlined. Best in show get solo
parts. Music ranges from semi-classics to swing hits.
DECEMBER, 1941
395
First Broadcast: January 27, 1939.
Broadcast Schedule: Saturday, 1:00-1:30 P.M.
Preceded by: Man on the Farm.
Followed by: Football.
Competition: WMPS, News; WREC, CBS Musical
Sustaining.
Sponsor: Sears, Roebuck SC Co., retail store.
Station: WMC, Memphis, Tcnn.
Power: 5,000 watts.
Population: 260,049.
COMMENT: There's true community
pride in the success of a radio program
as pretentious as this. It reflects favor-
ably on its sponsor, Sears, Roebuck &
Co. (For pix, see Showmanscoops, p.
401.)
Groceries
INQUIRING MIKE When Farmer Joe
comes to town for his weekly supply of
grocery staples, high on his list of "must"
items is an order for flour.
Quick to capitalize on this fact was
Ralph Potter, manager of the James-
town, N. D., Red Owl Super Market.
Contestants on Red Owl's man-in-the-
street quiz show heard over KRMC cur-
rently have a chance to keep doubling
Dakota Maid Flour awards for succes-
sive correct answers. Questions are select-
ed by a spinning wheel.
Quiztestants may stop at any time,
win a 241/^, 49 or 98 pound bag of flour.
An incorrect answer loses everything for
contestant.
Commercials are adlibbed by store
manager Potter. Farmers and rival gro-
cers listen intently for ^g'g prices, etc.
AIR FAX: By occasionally changing the manner of
the give-away, rural interest in the program is main-
tained even during the busy harvest season.
First Broadcast: October, 1939.
Broadcast Schedule: Monday, Wednesday, Friday,
12-45-12:55 P.M.
Preceded by: News.
Followed by: Market Quotations.
Sponsor: Red Owl Super Market.
Station: KRMC, Jamestown, N. D.
Power: 250 watts.
Population: 8,864.
COMMENT: In this community, where
the market is 85% rural, the sponsor has
wisely styled this popular "double-up"
(juiz contest to the farmer's taste.
Men's Wear
QUESTION WHEEL Service men peg-
ging it down roads around Oakland,
Cal., don't have to thumb lifts from
passing cars. Motorists with room for an-
other passenger do their part for nation-
al defense in two ways. First, they paste
this sticker on their windshields:
Climb in, Buddy. You Defend the
U. S. A.
Here's a Lift Along the Way!
Secondly, they suit action to word.
Stickers are given away to interviewees
on Money-Back Smith's Question Wheel
program broadcast daily over KROW.
They may also be obtained at the store.
AVhile no special promotional pressure
was put behind the offer, several thou-
sands were distributed in a two- week
period.
Not wishing to do anything that might
be considered in bad taste, Monev-Back
Smith does not use its name on the
sticker. Sponsor reasons that those who
obtain these six by three inches long
stickers printed in red and blue on white
know where they got them.
air FAX: Show is an informal quiz program aired
five times a week in front of the main entrance of
the sponsor's store.
Date of First Broadcast: April 28, 1940.
Broadcast Schedule: Daily, Monday through Friday,
11:00-11:15 A.M.
Preceded by: Sustaining.
Followed by: Theatre Ballroom, variety musical
show.
Sponsor: Money-Back Smith, men's clothier.
Station: KROW, Oakland, Cal.
Power: 5,000 watts.
Population: 432,898.
Agency: Sidney Garfinkel, San Francisco.
COMMENT: Merchants anxious to climb
aboard the advertising band-wagon, and
develop a twist to their radio shows
which ties in with national defense will
find the sticker idea a good one. It is
inexpensive, yet still gives a program
that extra promotion that is worth
while. Certainly as a good will builder
it merits attention. (Question Wheel re-
viewed, Sept., 1941, p. 33.)
396
RADIO SHOWM ANSH I P
SPECIAL PROMOTION
Short radio promotions that run but a day, a week, or a
month yet leave an impression that lasts the year around.
Automobiles
TRAFFIC RACE For greater convenience
in dodging congested downtown traffic,
get a horse! It's faster.
That was the conclusion drawn as a
result of a race between an automobile
and a horse and buggy. The race around
the busiest block in downtown Sioux
City, la., was staged at
5:00 P.M. when traffic
was at its dizziest.
Five times around the
block raced King Pilot,
five-gaited thoroughbred
horse, his hoofs flying.
In and out of traffic
wound his competitor, a
spanking-new Stude-
BAKER automobile.
Cheering on the competitors was an
audience of several thousands of pedes-
trians. Pandemonium broke loose when
at the halfway mark the horse w^as in the
lead. On the last lap, in the fifth block,
the car caught up with the horse for the
first time, but it was King Pilot who
broke the tape at the finish. Time: three
minutes, 35 seconds.
Radio station KSCJ, Sioux City, la.,
and the K. A. Murray Motor Co. spon-
sored the special event. At the wheel of
the car: Mrs. Julia Matteson, secretary
of the Sioux City Automobile Club.
On the seat of the four-wheel showbike,
behind King Pilot, was Orville (Porky)
Port, expert horse handler.
Charles Sebastian, KSCJ announcer,
described the race for radio listeners via
a shortwave portable transmitter broad-
cast from an aiuomobile w
the contestants.
ich trailed
AIR FAX: Gene Milner, KSCJ sportscaster, broadcast
the start and the finish of the event.
Broadcast Schedule: 5:00-5:04 P.M.
Sponsor: K. A. Murray Motor Company.
Station: KSCJ, Sioux City, la.
Power: 5,000 watts (day).
Population: 83,110.
COMMENT: Sure-fire formula for a suc-
cessful radio program is
one that involves show-
manship. For just that,
here is a special event
that abounds in it! (See
What the Program Did
for Me, p. 402 for letter
from K. A. Murray,
president of the Mur-
ray Motor Co.)
Finance
TOUCHDOWN PARADE It's 3 to 0 in
the fourth quarter! The ball is in the
center of the field on the Blue's 20-yard
line! Reds have the ball! What would
you do at this crucial moment in a foot-
ball game?
Tuners-in on the WTMJ Touch-
down Parade are given 10 seconds to
call the signal on the play.
The announcer describes a situation
exactly as it occurred in some famous
pigskin classic of the past. Score, period
and the previous few plays leading into
a crucial selection of plays by the quar-
terback are given. Three different plays
are mentioned as possibilities in this
mental signal calling. With Russ Winnie
holding the stop-watch, radio quarter-
DECEMBER, 1941
397
backs are told at the end o£ 10 seconds
which play was used.
In addition to the Play Quarterback
portion of the show, the program (aired
for rhe First Wisconsin National
Bank) consists of (1) transcribed col-
lege songs and (2) a three to five min-
ute transcribed re-creation of an excit-
ing incident from a football game of the
past. Example: when the Green Bay
Packers play the Chicago Bears, referee
Winnie (who has been broadcasting
football for 10 years) digs back in his
memories for a thrilling moment from a
previous game played by the two teams.
Promotion: Posters and window cards
in the banks of the First Wisconsin
National Bank chain.
air FAX: Program immediately precedes the play-by-
play broadcast of the football games of the Green
Bay Packers in the national professional league. At
the time of the actual broadcast, sports announcer
Winnie is already in his broadcast booth at the
gridiron.
First Broadcast: September 7, 1941.
Broadcast Schedule: Sunday, September 7 through
November 30, 1:45-2:00 P.M.
Preceded By: Sunday Salon, Local Musical Program.
Followed By: Football, Green Bay Packers.
Sponsor: First Wisconsin National Bank.
Station: WTMJ, Milwaukee, Wis.
Power: 5,000 watts.
Population: 680,434.
Agency: Scott-Telander.
COMMENT: It's a little late in the sea-
son to talk of football broadcasts, but
this WTMJ idea is hard to beat. File it
away for future reference. Sport shows
as good as this don't come along very
often. Because listener attention is at its
sharpest, most impressionable state just
before a big game, here is an excellent
way to entertain the sports fans and pro-
mote your own business at one and the
same time.
PROOF 0' THE
PUDDING
Results from radio programs, based
on sales, mails, surveys, long runs,
the growth of the business itself.
Beverages
THIS WILL HAPPEN When the Hamm
Brewing Co. account came up for re-
newal on September 1, no one knew
what would happen. A telephone sur-
vey made from 6:00-6:30 P.M., in which
512 completed calls were made in a one-
week period divulged the answer. Of the
32.4 per cent of the sets in use in the
territory at that time, 70.5 per cent were
listening to KSOO, Sioux Falls, S. D.
Because that was the time on which This
Will Happen was heard, sponsor renew-
ed for another six months. (Since the
KSOO sign-off is at sunset, the program
is now heard at 12:30 P.M.)
Same show with the same sponsor is
also heard over WD AY, Fargo, N. D.
First broadcast was aired March 3. Re-
sult: sponsor has just renewed for a
series of 156 broadcasts.
AIR FAX: Hill Sanders came to the airlanes last March
in a radio show entitled This Will Happen. From
that date to August 9, he made 138 predictions. Ex-
amples: more rigid price control, a super-co-ordinator
for defense program, U. S. limit of railroad service.
Of these predictions, 53 have come true. Percentage:
38.4. The part of Hill Sanders over KSOO is taken
by announcer Russell Van Dyke. This 5-minute
script show is available for local sponsorship, has
been aired over eight stations with remarkable re-
sults.
First Broadcast: June 2, 1941.
Broadcast Schedule: Daily, Monday through Satur-
day, 12:30-12:35 P.M.
Preceded By: Y-B Sports Review.
Followed By: Local participating show.
Sponsor: Hamm Brewing Co.
Station: KSOO, Sioux Falls, S. D.
Power: 5,000 watts.
Population: 33,644.
Agency: Mitchell-Faust, Chicago, III.
COMMENT: There is, of course, great
interest in news at present, but in these
uncertain times almost everyone is con-
cerned with future happenings. Right or
wrong, they make interesting listening.
398
RADIO SHOWMANSH IP
Groceries
MODERN HOME FORUM A woman's
work is ne\'er done! Every day of the
week the housewife is confronted with
new problems. And for six days a week,
Modern Home Forum, conducted by
Jane Weston over WO WO, Fort Wayne,
Ind., helps the homemaker solve these
problems.
Since January 1, listeners have sent in
12,000 letters, exclusive of those obtain-
ed through special offers by sponsors of
this participating show. Hook: Jane
^Veston's talks are reproduced in leaflet
form and are offered daily on her broad-
casts. For the sponsor: an additional
plug for his product.
Listeners are invited to visit the broad-
cast and afterwards tour the studio.
Since the program's start, 10,000 women
have R.S.V.P.'d, accepted with pleasure.
Over 300 women's clubs, church groups,
sewing circles and study groups have
personally visited the Modern Home
Forum in the last four years.
Three groups are entertained each
week. Hostess Jane Weston serves re-
freshments in the Westinghouse model
kitchens. Chief topics of discussion:
Jane's cooking, and the products she ad-
vertises.
AIR FAX: Modern Home Forum is a participating
show broadcast six days a week.
First Broadcast: May 1, 1937.
Broadcast Schedule: Monday through Saturday, 9:45-
10:15 A.M.
Preceded By: Monday through Friday, Clark Dennis
(NBC); Saturday, Four Polka Dots (NBC).
Followed By: Monday through Thursday, Viennese
Ensembles; Friday, Minor Problems; Saturday, U. S.
Recruiting Office (NBC).
Sponsors: Little Crow Milling Co. (Coco-Wheats) ;
Neverub Furniture Polish; No Rub Floor Polish; Lit-
tle Elf Products, Quaker Oats, etc.
Station: WOWO, Fort Wayne, Ind.
Power: 50,000 watts.
Population: 117,246.
COMMENT: Look before you leap is the
attitude of many a businessman new to
radio. For such a person, a participating
show is a good introduction to radio pro-
motion. When such a program has an
already well-developed listening audi-
ence, sales messages can be put across
at a minimum of expense. (For pix, sec
Showmanscoops, p. 401.)
Manufacturers
HOME FOR PETS Gone to the dogs: 500
pounds of Mi(;hton dog food in an
eight-hour period! Old Mother Hub-
bard would have had a field day when
WCLE's mobile studio went on a cruise
around the streets of Cleveland, O. Ob-
ject was to feed every dog encountered,
stray or otherwise.
Free doggie dinners were the extra
promotion used on a weekly Home for
Pets sponsored by Mighton's, nationally
distributed manufacturers of dog food.
Listeners who wanted pets or who want-
er to dispose of pets were invited to tele-
phone the studio. Calls averaged 200 per
broadcast. During a 26-week campaign,
new homes were found for some 2,000
dogs, as well as for many cats and birds.
Even a raccoon changed owners.
Middleman's reward: Metropolitan
Cleveland sales of the various brands of
dog food manufactured by Mighton's
increased in some districts as much as
30 percent.
Promotion: In addition to the tour of
the city by the WCLE mobile studio,
letters were sent to pet shops and veter-
inarians. Displays of the product were
also set up in prominent places in Cleve-
land's midtown.
AIR FAX: Good Samaritan to the canine world was
Mary Ellen Keller, who aired the weekly plea for
homes for dogs and other animals whose owners
no longer wanted them.
First Broadcast: May 5, 1941.
Broadcast Schedule: Friday, 6:30-6:45 P.M.
Preceded By: The Lone Ranger.
Followed By: Local musical program.
Sponsor: Mighton, manufacturers of dog food, Bed-
ford, O.
Station: WCLE, Cleveland, O.
Power: 500 watts.
Population: 1,111,449.
COMMENT: AVhen the right sponsor
picks the right show, the battle is half
won. A 30 percent sales increase speaks
for itself. (For pix, see Showmanscoops,
p. 400.)
DECEMBER, 1941
399
^
SHOWMANSCOOPS
RADIO SHOWMANSHIP welcomes unusual photographs of merchandising
stunts used by businessmen to promote their radio programs. One dollar will
be paid for pictures accepted. If you wish photographs returned, please in-
clude self-addressed, stamped envelope.
1^ -^itfj^ ^Mk
'"^^^
r
■11
ll^^-^
LEFT . . . The municipal dog pound was
one of the ten feeding stations when
WCLE's mobile studio toured Cleveland, O.,
for MIGHTON, dog food manufacturer.
(For story, see Proof O' the Pudding, p.
399.)
BELOW . . . Remote interviews from each
of ten dealers' showrooms were the feature
of a three and one-half hour FORD DEAL-
ERS ASSOCIATION broadcast over WIBC,
Indianapolis, Ind. This picture was taken
during the broadcast at HATFIELD MO-
TORS, INC. Facing the camera is Bill
Schingle, announcer. On the other side of
the mike is Cliff Hart, president of HAT-
FIELD MOTORS.
%.w>
ABOVE . . . Young America Sings for
SEARS, ROEBUCK & CO., over WMC,
Memphis, Tenn. (For story, see Showman-
ship in Action, p. 395.)
LEFT ... A window display in TRANS-
CONTINENTAL WESTERN AIRWAY'S
office features the WLW Mail Bag Club.
The program is devoted to benefiting handi-
capped persons and shut-ins. A sustaining
program, it has been heard each Saturday at
9:00 A.M. (EST), for 13 years. Member-
ship has grown to several thousands. Mem-
bership dues: one letter a month. Postmis-
tress is Minabelle Abbot, WLW staff mem-
ber.
RIGHT . . . Franklin Tooke, ad lib
announcer extraordinary, surrounded
by a small part of the crowd of 100
women who drove 54 miles from
Marion, Ind.. to see WOWO's
Modem Home Forum. (For story,
see Proof O' the Pudding, p. 399.)
DECEMBER, 1941
401
WHAT THE PROGRAM DID FOR MEJ
This is the businessman's own department. Radio advertisers are invited to exchange
results and reactions of radio programs for their mutual benefit. Address all letters to
What the Program Did for Me, Radio Showmanship, 11th at Glenwood, Minneapolis, Minn.
Automabiles
TRAFFIC RACE "We started publicizing
the event two weeks prior to the race in
the form of a teaser on the radio and in
the local newspaper. Little by little we
divulged the idea. It created so much
enthusiasm that on the day of the race,
it took 30 policemen to handle the traf-
fic, and thousands of pedestrians lined
the sidewalks. In fact, the old-time circus
parade did no more to hold the atten-
tion of the public.
"The car and horse raced around the
block five times. The horse captured the
affection of the crowd and made the
race very one-sided as the onlookers did
everything possible to help the horse
win. The car, being the more flexible
of the two, lost by only a length in spite
of handicaps.
"Reaction was tremendous. We re-
ceived hundreds of phone calls of vari-
ous types, and people still come in ad-
miring the car they saw on the street
racing the horse. In our 19 years of
business, it is one of the best pieces of
publicity we have ever had, and the least
expensive. We furnished the horse, bug-
gy and car; our stableman drove the
horse and the AAA secretary drove the
car."
K. A. MURRAY
President
K. A. Murray Motor Company
Sioux City, la.
AIR FAX: A special event broadcast by short wave of
a race between a horse and an automobile, staged
in midtown at the busiest time of the day.
Sponsor: K. A. Murray Motor Co.
Station: KSCJ, Sioux City, la.
Power: 5,000 watts (day).
Population: 83,110.
COMMENT: (For a complete descrip-
tion of this race, see Special Promotion,
p. 397.)
Bakeries
MAN ON THE STREET "We use news-
paper advertising, house-to-house can-
vassing, outdoor advertising and point-
of-purchase material. We spend more for
radio advertising than all other media.
"We get a direct response on special
items. Route men report favorably on
each broadcast as orders are placed be-
fore they have a chance to tell their
story.
"We cannot say too much for the ef-
fectiveness of our radio program!"
W. E. WINKLER
Sales Manager
T. H. Bueter Baking Company
Quincy, III.
AIR FAX: Passersby are interviewed on questions of
opinion and not of fact on this quarter-hour man-
on-the-street show. Each person interviewed receives
a loaf of bread direct from one of BUETER'S
trucks parked along the curb. People whose ques-
tions are used on the program receive an order for
two loaves of bread from one of their nearest
dealers.
First Broadcast: February 19, 1940.
Broadcast Schedule: Monday through Saturday,
12:15-12:30 P.M.
Preceded by: Gene Terry's Community News.
Followed by: United Press News.
Sponsor: T. H. Bueter Baking Co.
Station: WTAD, Quincy, 111.
Power: 1,000 watts.
Population: 43,741.
COMMENT: It's an old story! A man-
on-the-street show does draw a crowd.
That sales result from such programs is
indicated by the fact that Bueter's have
already sponsored 600 continuous pro-
grams, are still going strong.
402
RADIO SHOWMANSHIP
TRENDS
A rating of program patterns based on a special survey of
outstanding, locally sponsored radio programs throughout
the country. Let the TREND of these ratings, month to
month, be your guide to better buying.
PROGRAM RATINGS, OCTOBER, 1941
Type
Rating
Last
Month
1 Month
Change
Last
Year
1 Year
Change
MUSIC
.317
.309
+ .008
.350
-.033
NEWS
.212
.222
-.010
.180
+ .032
QUIZ
.125
.119
+ .006
.090
+ .035
TALKS
.092
.095
-.003
No
Rating
....
INTERVIEWS
.083
.082
+ .001
No
Rating
....
SPORTS
.066
.067
-.001
.080
-.014
COMEDY
.057
.056
+ .001
.060
-.003
DRAMA
.048
.050
-.002
.070
-.022
TOTAL
1.000
1.000
-
1 Mo.
GROUPS Men Change
Music 275 + -006
News 271 -.008
Quiz 121 + .001
Talks 070 + .001
Interviews 070 + -005
Sports 117 -.006
Comedy 044 + .001
Drama 032 ....
THIS MONTH
You can call October a period of "con-
tinued change," for trends that started
in earlier months have continued to fol-
low the same paths this month.
1) The rating of music programs began
a long decline way last January. It
reached a low in August of .306. In
September, a slight about-face was re-
corded. This month, music took its
biggest climb in over a year. It now
is rated at .317, and seems headed
back toward the heights of last year.
2) In musical programs where the com-
mercial appeal is directed at children,
we find the biggest single trend
chansre of the entire month. Kid mus-
Women
.343
.202
.120
.127
.088
.028
.054
.038
1 Mo.
Change
+ .002
-.012
+ .010
-.006
.006
Children
.322
.088
.154
.046
.107
.051
.102
.130
1 Mo.
Change
+ .023
-.007
+ .006
-.012
-.003
+ .003
+ .009
-.019
icals are definitely on the rise.
3) Second biggest increase of the month
was in the rating of quiz slioius. Right
now, locally-sponsored quiz shows
have reached their highest peak since
these surveys began. There is a two-
fold reason for this unusual increase.
EvERSHARp's popular network show
"Take It Or Leave It" is one. This
fast moving, "double-up" program
has many local counterparts through-
out the country. One is Hirsh
Clothing Company's (Chicago)
Shoot the Works. Another is the Red
Owl Grocery Stores' (KRMC,
Jamestown, N. D.) Inquiring Mike.
Red Owl's quiz differs from the orig-
DECEMBER, 1941
403
inal in that bags of flour are used as
prizes instead of money. It has proved
very effective.
Second big reason for the increase
in the rating of quiz shows is Alka-
Seltzer's Quiz Kids. This program
has started scores of radio sponsors
throughout the country looking for
infant proteges in their towns.
The rating of quiz shoius where the
commercial is directed to children
has naturally been affected most by
TREND OF QUIZ SHOWS
(Commercial Directed to Children)
OCTOBER 1940 — MARCH 1941
.080 .080 .080 ■■■ ■■ ^H
null
OCT. NOV. DEC. JAN. FEB. MAR.
APRIL 1940 — OCTOBER 1941
,., 148 .154
.140 .140 -141 ^^ |^_
IIIU
APRIL MAY JUNE AUG. SEPT. OCT.
the success of the many local editions
of the Alka-Seltzer program. It
seems children like to listen to other
children on the air.
4) Comedy which began a sharp climb
last month, continued upward but at
a slower pace. Again, comedy pro-
grams where the appeal is directed to
children showed the largest rise when
we classify by groups.
SUMMARY: Youth takes all the honors
this month. Largest rises are recorded
where commercial appeal is directed to
children. Music, quiz and comedy pro-
grams showed the big gains. Note: For
the answer to what is happening to News
shows, watch future Trends. News is still
far ahead of its last year's rating.
JOHNNY
ON THE SPOT
If you use spot annouticements, you'll be interest-
ed in the news, reviews, and tips in this column.
Johnny—
What is the best length for a spot an-
nouncement? I've heard that question so
often, I'm inclined to give it more im-
portance than it actually deserves.
The fact is a spot announcement can
be a successful seller no matter what its
length may be.
Many advocates of longer announce-
ments claim you can say more in a 100
or 150 words. We can't dispute that, but
can you sell more?
The gentlemen on the short side of
the fence are of the opinion that longer
announcements tend to confuse; that all
you need is 20 to 50 words to tell a sales
message that will be remembered.
I, personally, place my vote with the
"shorties." The important thing to buy
is position, and invariably the shorter
announcement gets the better position.
Now, what do you think?
INTRODUCING
A^ew business fields to which
Radio is now extending its services . . .
APPLES . . . Washington State Apple Commission,
100 word announcements, station KFI, Los Angeles,
California.
CATTLE AUCTION . . . Alliance Livestock Commis-
sion Co., Alliance, Nebraska, one minute participa-
tion spots, station KOA, Denver, Colorado.
GOLD BUYING . . . Empire Gold Buying Service,
spot announcements started October 1, station WHN,
New York City.
GOVERNMENT . . . Department of Internal Revenue,
4 spot announcements, station CKGB, Timmins, On-
tario.
ICE RINK . . . Winterland, 56 announcements, twice
daily, station KGO, San Francisco, California.
ROOFING . . . Iowa Roofing Co., participation spots
on Andy's "Farm Circle," station KRNT, Des
Moines, Iowa.
VITAMIN MILK ... Golden State Co., transcribed
announcements, station KROW, San Francisco and
Oakland, California.
404
RADIO SHOWMANSH I P
YEAR-END INDEX
Business
Amusements
Automobiles
Issue
Page
Auto Supplies
Bakeries
Barber Shops .
Beverages . . . .
Books
Building Materials .
Candies
Cemeteries
Chiropractic
Churches
Cleaning-Laundry . .
Jan 32
Feb 70
May 149
Oct 327, 328
Nov r 352
Feb 64, 65, 71
Mar.-Apr 104
June 186, 188
Aug 256
Sept 272
Dec 397, 400, 402
Jan 27
May 135
July 222
Jan 27
Feb 53, 72
Mar.-Apr 90
Sept. 289
Oct 320, 329
Nov 355
Dec 386, 402
June 177
Jan 28
Feb 72
Mar.-Apr 104, 112
May 149, 151
June 176
July 222
Aug 255, 256
Sept 290, 294
Oct 329, 330
Nov 356, 361, 364, 368
Dec 398
May 150
Feb 58
June 166, 182
Aug 255, 256
Sept 278
June 184
Aug 250
Dec 390
Mar.-Apr 110, 112
Jan 24
Jan 10, 18, 32
Feb 47, 56, 76
July 206
Business
Dairy Products
Issue
Page
Mar.-Apr. 110, 113
July 214, 223
Aug 252, 254, 257
Oct 322, 328, 332
Nov 361, 365
Dec 383, 395
Dentistry Aug.
250
Department Stores
Drug Products
Drug Stores
Jan 32, 33
Feb. 70, 72
Mar.-Apr Ill
May 144
June 178, 180, 181, 189
July 202, 221
Aug 238, 250, 261
Sept 295
Oct 312, 314, 320,
323, 324, 325
Dec 379, 393, 395, 401
Jan 24, 25, 33
Mar.-Apr 103, 114
June 184
Aug 234, 258
Sept 287
Sept.
Oct.
Nov.
289
333
347
Electric Appliances
Farm Supplies
Fuel
Finance
Feb 65, 73
Mar.-Apr Ill
Aug 261
Sept 291
Oct 332
Feb 65
Nov 359, 364, 365, 366
Mar.-Apr. Ill
Feb.
May .
June
July
66
137
186, 187
212, 221
Aug 237, 249, 253
Sept 280
Dec 390, 397
Furs .
Garages
Jan.
Aug.
Feb.
25
258
DECEMBER, 1941
405
Business
Issue
Page Business
Issue
Page
Gasoline
Groceries
Hardware Stores
Home Furnishings
Ice
Insurance
Jewelry
Livestock
Manufacturers
Meat Products
Men's Wear
Mar.Apr 105
May 143, 151
June 170, 182
July 199, 212
Nov 350
Jan 12, 25, 34
Feb 50, 53, 54, 73
Mar.-Apr 92
May 143, 148, 150
June 163, 180, 188
July 216, 220
Aug 234, 240, 259, 261
Sept 275, 291
Nov 355
Dec 396, 399, 401
Feb 66
Nov 360
Jan 34
Mar.-Apr 105
May 127, 128, 130, 152
June . . 181
July 217
Aug 231, 254, 261
Sept 287, 292
Oct 326, 328
Nov 343, 362, 366
Dec 393
, Feb : 74
Mar.-Apr. Ill
. Feb 74
Dec 390
Feb 67
May 132
July 217, 218, 220
Aug 255
Nov 362
Mar.-Apr 106
. May 145
Dec 390, 399, 400
. Mar.-Apr 106
June 179
Aug 248
Jan 7
Feb. 67
Mar.-Apr 86, 114
June 178, 183, 184
July 215
Aug 249, 257
Sept. 282, 288
Nov 367
Dec 396
Merchants'
Associations Oct 319
Milling May
Dec.
149
390
Music Stores Sept.
Oct.
284
306
Newspapers Sept.
Optometry Jan. .
Feb..
Aug.
Produce Sept.
292
35
76
251
295, 296
Public Utilities Jan 27
June 178, 187
Real Estate July 219
Repair Shops Nov 367
Restaurants Oct 325, 329, 330
Schools Dec 394
Scrap Metals June 183
Shoes
Jan 29
Mar.-Apr 95, 103
May 148
Aug 248, 25 1
Sept 286
Nov 360
Shoe Repairs June
Show Cases June
185
174
Sporting Goods June 177
Oct 326
Sustaining Oct 310, 317
Dec 401
Taxicabs June
168
Tobaccos
Jan 26, 35
Mar.-Apr 106, 115
Sept 287
Women's Wear Jan 26, 28, 35
Mar.-Apr. 86, 107, 111, 114, 115
June 186
Sept 282
406
RADIO SHOWMANSHIP
YOURS FOR THE ASKING
Address: Radio Showmanship. Showmanship Bldg..
Please enclose 10 cents in stamps for each script to
11th at Glenvvood, Minneapolis, Minn.
cover the cost of mailing and handling.
SAMPLE SCRIPTS AVAILABLE
Automobiles — Mr. Yes and No (see
Sept.. '40, p. 32).
Auto Supplies — jack, -the Tire Expert
(see May. '41. p. 135 ).
Bakeries — Musical Arithmetic (see Feb.,
'41, p. 72).
Bakeries — Southern Plantation (see Sept.,
'41, p. 289).
Bakeries — Toasts to Bread (see Dec,
'41, p. 386).
Beverages — Pigskin Prevue (see Ju.. '41,
p. 222).
Building Materials — Homers at Ho:r.c
(see Feb., '41, p. 58).
Chiropractic — The Good Health Program
(see Mar.-Apr.), '41, pp. 110. 112).
Dairy Products — Junior Town (see Dec.
'41, p. 136).
Dairy Products — Kiddie Quiz (see Ju.,
'41, p. 214).
Dairy Products — Young American's Club
(see Nov., '40, p. 110).
Department Stores — Hardytime (see
Sept., '40, p. 35).
Department Stores — The Pollard Pro-
gram (see Aug.. '41, p. 238).
Department Stores — Woman's Hour (see
June, '41, p. 178).
Department Stores — Down Santa Claus
Lane (see Oct.. '41, p. 326).
Department Stores — Billie the Brownie
(see Oct.. '41, p. 318).
Department Stores — The Waker-Uppers
(see Dec. '41, p. 379).
Drwg Stores — Five Years Ago Today
(see Dec, '40, p. 146).
Farm Supplies— Feed Lot Question Box
(see Nov., '41. p. 359).
Finance — Jumping Frog Jubilee (see
Aug., '41, p. 253).
Finance Saga of Savannah (see June,
'41, p. 187).
Finance — Something to Think About
(see Aug., '41, p. 245).
Flowers — An Orchid to You (see Sept.,
'40. p. 35).
Fuel — Smoke Rings (see Dec, '40, p.
126).
Furs — Cocktail Hour (see Aug., '41, p.
258).
Gasoline — Home Town Editor (see Oct.,
'40, pp. 73, 74).
Gasoline — PDQ Quiz Court (see Dec,
'40, p. 134).
Groceries — Food Stamp Quiz (see Sept.,
'40, p. 33).
Groceries — Matrimonial Market Basket
(see Dec, '40, p. 154).
Groceries — Myster>- Melody (see Sept.,
'41, p. 290).
Groceries — Mystree Tunes (see June.
'41. p. 163).
Groceries (Wholesale) — Hoxie Fruit Re
porter (see Jan., '41, p. 34).
Groceries (Wholesale) — Market Melodies
(see Oct., '40. pp. 73, 74).
Groceries (Wholesale) — Women's Newi-
reel of the Air (see Oct., '40. p. 63).
Hardnare Stores — Dr. Fixit (see Nov.,
'41, p. 360).
Laundries — Rock-a-bye Lady ( see Feb.,
'41, p. 47).
Men's W^ar — Hats Off (see June. '41.
pp. 178, 183).
Music Stores — Kiddies' Revue (see Oct.,
'41, p. 306).
Optometry Good Morning, Neighbors
(see Jan., '41, p. 35).
Shoes — Campus Reporters (see Aug.,
'41. p. 251).
Shoes — Mr. Fixer (sec June, '41, p.
148).
Sporting Goods — Alley Dust (see June,
'41, p. 177).
Sustaining — Calling All Camps (see
Oct., '41. p. 310).
Women's Wear Melodies and Fashions
(see Nov.. '40, p. 112).
SAMPLE TRAXSCRIPTIONS
Betty and Bob (see Oct.. '40, p. 53).
Captains of Industry- (see Sept.. '41, p.
284).
Cinnamon Bear (see Oct., '41, p. 315).
Dearest Mother (see Nov., '41, p. 354).
The Enemv Within (see Jan., '41, p.
18).
The Face of the War (see May, '41, p.
125).
Fun With Music (see June. '41, p.
162).
Getting the Most Out of Life Today
(see Ju., '41, p. 196).
Little by Litde House (see May, '41,
p. 128).
Mama Bloom's Brood (see Aug., '41,
p. 248).
Pinocchio (see Sept., '40. p. 11).
Secret Agent K-7 (see Sept., '40, p.
35).
Sonny Tabor (see May, '41, p. 140).
Superman (see Sept., '41, p. 271).
Sunday Players (see Dec, '41, p. 388).
Stella Unger (see Feb., '41. p. 56).
Streamlined Fairy Tales (see Mar.-Apr..
'41, p. 90).
Twilight Tales (see Dec. '41. p. 382).
IN NEXT MONTH'S ISSUE OF
s
^^^^r HOWMANSHIP, Edward H. Hunvald, sales manager for
Alabama's largest retail store, the Pizitz Department Store, Birming-
ham, presents an astonishing story of how yearly expenditures for radio
time have grown from $6,000 in 1938 to $30,000 in 1941. Today Pizitz
is one of the largest users of radio time for retail stores in America.
RADIO SHOMANSHI?
Vols.l-P.. 1940-41
V. l--^
ri ^rj-i4j
LIBRARY of the
NATIONAL BROADCASTING CO., Inc.
RCA BUILDING
30 ROCKEFELLER PLAZA
NEW YORK, N. Y.
LIBBABY BUBEAU CAT. NO. 1169.6
■%^i^.^: